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UNIVERSITY OF
NORTH CAROLINA
ENDOWED BY THE
DIALECTIC AND PHILANTHROPIC
SOCIETIES
M782.8 S9U9go
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THE LIBRARY OF THE
UNIVERSITY OF
NORTH CAROLINA
ENDOWED BY THE
DIALECTIC AND PHILANTHROPIC
SOCIETIES
iC LIBRARY
Digitized by the Internet Archive
in 2011 with funding from
University of North Carolina at Chapel Hill
http://www.archive.org/details/gondoliersorkingsull
VOCAL SCORE
THE GONDOLIERS;
OR,
THE KING OF BARATARIA.
BY
W. S. GILBERT
AND
ARTHUR SULLIVAN,
Joint ri utnors of " Thespis ; or, The Gods Grown Old " : " Trial by Jury" : " Tile Sorcerer " .
1 Ct.M.S. Pinafore ; or, The Lass that Loved a Sailor " : " The Pirates of Penzance ; or, The Slave of Duty '
' °ztience ; or, Buntlwrne's Bride " : '"Iolant/ie ; Of tJu Pup and t/ie Peri " : " Princess Ida ; or, Castk
Adamant " : " The Mikado ; or, Tlie Town of Titipu " : " Ruddigore ; or, The Witch's Curse " ;
and" T/ie Yeomen of the Guard ; or, The Merry man and his Maid"
ARRANGEMENT FOR PIANOFORTE BY
J. H. Wadsworth
(OF BOSTON, U.S.A.).
Made in the U. S. A.
Entered according to Act of Congress, in the year 1889, ^ J- H- Wadsworth, in the Office of the Libraru*m of Congress at Washington. Public performance forbidden, and right of representation reserved-
THE JOHN CHURCH CO.
Cincinnati. New York. London.
London: CHAPPE1L <fc COMPANY.
CAUTION. — I have permitted Mr. f. H. Wadsworth to incorporate in this work the vocal parts of " Tne Gondoliers, *?, The King of Barataria" for the sole purpose of their being sung in private. Single detached numbers may be sung *i Concerts, not more than two numbers in all from the various Operas by Mr. Gilbert and myself at any one Concert, and Mey must be given without Stage Costume or Action. Applications for the right of performing any more than tlie abovt, #r the complete Opera, must be made to " R. D'Oyly Carte, Savoy Theatre, London." Every urpy of this book u tjftred for safe strictly upon the condition that it shall be used only as above. -ARTHUR SULLIVAN.
-
Pint performed at the Savoy Theatre, London, under the management of Mr.
on Saturday, December 7th, 1889.
THE GONDOLIEES;
THE KING OF BARATARIA.
Dramatis persona;.
Tm Dtjxe of Plaea-Toro (a Grandee of Spain)
Lciz (his Attendant)
Don Aloambra del Bolero (the Grand Inquisitor)
Marco I'ai.mikrj
On sefpe Paxmleri
Aston io
Kbascesoo \ (Venetian Gondoliers)
UlOKOIO
A.HNIBALE
OTTATI0
T>ie Dcchess of Plaza-Toro Casilda (her Daughter) ...
GllNETTA
lissA
Fiametta (Contadine)
Victoria
OroxiA
Mr. Fbajh Wtasb.
Mr. Brownlow.
Mr. Drnnt.
Mr. Coitrtioe Poaifrw.
Mr. Rutland Hahbjn"toi
Mr. Metcalf.
Mr. Rose.
Mr. De Pledqi,
Mr. Wilbraham.
Mr. C. Gilbert. •- . _
Miss Rosin a Braitdrajj
Miss Decima Moose.
Miss Geraldine Ui
Mlss Jessie Bond.
Miss Lawkenc*
Miss Cole.
MjSS I'll VI.UH
Miss Bernard
Ira (tlie King's Foster-mother) „ „ ...
Chorus of Gondoliers and Contadine, Men-at^Arms, Heralds, and i'a#«S
ACT I. — The Piazzetta, Venice.
ACT II. — Pavilion in the Palace of Barataria,
{A* interval of thru months is supposed to elapse between Acts I. and It.}
Date 1750.
The Scenery painted by Mr. Hawes Craves (by permission of He. Henrt Irvtns). T)u Ot« tangoed by Mr. Perct Anderson and executed by Miss Fishek, Madame Leon, and Mr. Bakthi.
3^407
CONTENTS.
Pagi
OVEK PURE ..* ... ... ... ... ... ... „» m. .. »
?rt I.
N«L
: Chorus of Contadine (with Solos) ... ... .., ... ^ aM i
2. Entrance of Casi/da, Duchess, Luiz, and Duke ... ... .. ... .. 43
3. SONG {Duke of Plaza-Toro) ... ... ... ... ... ... ... ... 48
4. RECIT. (Casi/da and Luiz) ... ... ... ... ... .— ... ... 51
5. DUET (Casi/da and Luis) ... ... ... ... ... ... .. ,.. 51;
6. So.VG (Don Allwmbra, with Casi/da, Luiz, Duke, and Duche.s) ... ... ... ... 58
7. RECIT. (Casi/da and Don Aihambra) ... ... ... ... ... ... .. 61
6. QUINTET (Casi/da, Duchess, Luiz, Duke, and Grand Inquisitor) ... ... .., . 62
— y. CHORUS (with Solo) {Tessa)... ... ... ... ... ... ... ... 69
IO. PIN ALE *.* ... ... ... ... ... ... ... <r . ». ■ //
art H.
1. CHORUS OF MEN {with Marco and Giuseppe) ... ... ... . ... ... IO9
2. SONG (Giuseppe) (with Chorus) ... ... ... ... . ... ... 1 15
3. Song (Ma~:o) ... ... ... ... ... ... ... .. ... 119
4. SCENA (Chorus of Girls, Quartet, Duet, and Chorus) ... ... ... ... ... 122
5. Chorus and Dance ... ... ... ... ... ... ... ••■ '3'
6. SONG (B?n A/hambra, with Marco and Giuseppe) . . ... ?.. ... .. 1 36
■ J. QUARTET (Gianetta, Tessa, Marco, and Giuseppe) ... ... ... ... ... 141
8. CHORUS OF Men (with Duke and Duchess) ... .. ... ... .. ... 148
p. SONG (Duchess) ... ... ... ... .. ... ... ••• ••• '53
10. RECIT. AND DUET (Duke and Duchess) ... ... ... ... — ... 155
II Gavotte (Casi/da, Duchess, Marco, Giuseppe, and Duke) ... .. -.- - '60
H 'QUINTET AND FlNALE (Casi/da, Gianetta, Tessa, Marco, Giuseppe, and Ckorut) « - MM
THE GONDOLIERS;
OB
THE KING OF BARATARIA.
AlUgn viva.
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Ser • vi - to GlUS.
ri u * mi - lis - si • mi I Per - chi
ques-ti 6or - 1 — Ques-ti
^
1 1
^^=3z
^E£
Si* - mo con • ta - di - ne ! Ser • vi - to
mi - Us - si - mi I Per - chi
ques - ti fior • i — Qo« -ti
Marco * Giusepfl
&a i bel - IL* - n-mi?
Chorus. Sopranos.
H
M
Marco.
to ■
F
3S=
O del!
Gius.
to
y
r r ZF[
W=
rfec
j j n
f — hi
r fiir t rr
YrfJ-^-
^^
3T if 6*
'7
N Chorus.
i
nil
^=^=m
s
M I
I 1
=&t
Con - ta - di - ne sia - mo !
r r . F^F-fa
a
i • na, io t'a - mo I
Con • ta - di • ne ! Ca
ji r • \ Q^^
m
r bp m~ Pp bg:
:*=£
io t a • mo I
Si - gnor - i - ne !
^UJ>^=^
^3
S^
M !
! w 'bJ
M J
^^
T f f
■* -i «| i^O^Ti — h»._MP
"* P"
*: U
i
Marco & Gius.
j ;;;;;ir.^
1 N
^^
3^
Po - ve - ri gon- do - lier • i 1
iH
Po ve * ri
35
lier - i !
\m r r ly-g it f
p r r r. f-H— ^
'»» g
Goo - do ■ lier - i !
i
IS
*=£
i
iPP
e r
■ -mit
i
1/ /
Ser - vi
n a - mi
lit
Per noi
. j. ■ -a
3
Sia
.s
mo coo • U - d i
J MZ
I > £ * •
§
Ph *
J J
J=A
»
1 .
/ l>
^
TT
» • mi -
• P ?
I Ser -?i -to • - ri n • mi - lis - n-mil Ser • vi • to
trade that we ply.
^pa^5^u=j^jfes3^^ife
trade that we ply.
^^tl^^ggft^tl^
^
fe=
1
I
=J^
i
T~» ! — g — 1—<- E g^— I— > E — j!
I
-3 ^
For gal
Ian - try oo ■ led Since we were short
P I I
■ r, — » — *
^
^1 1 .
For gal
Ian - try no - ted Since we were short
^iHS^T^^
s
•=*:
f=s-Q-&hi-& g i j' .0 r, i ; gg
- coat - ed. To bean ■ ty de • to - ted Giu ■ Sep ■ pe and I !
coat • ed. To beau • ty dc to ■ ted are Mar oo and 1 1
jMPH_^
wm
•■.Ua.
3-^ll: 'HX^iiM^
at
i
9^
^m
*3C
^e
When
=3=3=
=BS?:
j j ^g
Wfcaa
m
i,ii'i yf^ 'ai^i'-T'^ai' j 'i^j'j 'm
I
g a «--
>=
P fr P
/ fc
mora - ing ii break - ing, Oar couch - cs for
* r s BE i |j I
ing. To greet ihdr ■ • wmk - ing With
u
5=^
J b» P-
b«e
s . *
-■» — 5«-
V 1 11
S=*^=fa£=fcW
ing ii break ■ ing, Our couch ■ es for - wk ing, To greet their a wak • tag With
^
^T^
=s==3=
+ \ «*
i=^5
■J" ■■ *
a*'1 «*T7« jl . *"_[**_[' ***' **1
«■ «■-
g ; i
f=^
v^E^
^^^
f
w
T
^^
^
^^
5c
cai - ola we come. At sum - mer day'* noon - ing. When wea • rr U - gooo - fog, Ow
*3
P
do Imi
ning, We la
m
ly ihrum,
Our our. - do - lias
ning, We
m
^^v
rfcd^d*:
N * *-*-*! >> S-V=S=S
BEzjFBFrST:
• — •-
3
hr . . . . thrum. Tra la la U li, Tra Ii li U li, Tn li li li la, Tn k li la
" * 4 4 * -•
■^ I ^ ^ g — ^ — ^-
J . 4
-M «-
?=$-Zz±:
k, Tn k k k k, Tra la la U U, Tra la l» la u, Tn li U li la, Tra U ta k
*3
la, Tr» U U la k U la, Tia la la u la, Tra la la la la I
g2 -i J * * ' **
»»«»—» *p
zw==*z
fc S S S I > tftfgg~
^^
^
^—r-
T< — bs
33
$
S»
*qc
I
//>
» " f
• ■
^£=g ' E gS
m
pen in ring ■ ing, To hope er • or cling ■ lag, With aoogi oi ow
«< ^ &r
-•^r-*z
ring - lag, Tt krpe er ■ a ding - ing, With nogt ei tar
£j-'|-^-'aUi|i'j :'j^ ■'■! ^iji '4 ^ ^d
^^^
e?— r
"--'-
» r-
m
*=*=£=*
When day - light it £i
ding.
g
s >
-0 .
3EESE
When day - light U
- ding.
m
±3c
-— =a •—r
S*4-
t» s r»
3Sfc
r
night's *ha
P
ding.
With loft dim.
re u
dog
fe h E
T>
?==*-
• wnpt in night'i th*
j^
ding,
With soft
ding
a»~~i*y.*3t
^^rt^^-f^^%g^^>^:^i^^^^Y7TT^:Vy^
dim.
B
-i — -;-«-
|
7^ir-=! a f5 |
| h h K 1^^" |
|
4 |
|||
|
&AJ — 3 — . JLb-*! =1 n-" |
f=* — • » — hv — loll them to tleep. pp , > T5 "« — .- |
■—& ~'r— |
.j» r 1 * . |
-w 1 ' ' — |
r |
|
|
=s*:=J= |
e*e^ |
sa-r-T |
^=Fr= |
|||
|
gp- ti' |
\fc ._- l_2__ |
— <-*--*— |
— *-*--* — |
— « ■ -«< — |
— •-■- *—> |
i J |
Wi kll thrm to deep.
HH
m
tigress.
i i J : J « «
With wft . . .
P
a i J1, .ST?
ii
i^s
i
j^i^iiU'^^i'i'i-1 ■
^^^
tr— ?
m
j* i i ^= i i
i i
?
s
i
u
s=£
ding We loll them to ileep.
H Is
1 1
Ii V
j T
We loll
them. We lull
(fof"fifllf
b=£
s
=PSt
rrr^3^?*^
fc Hr
ileep.
* 4 ' t
\
Pf>
m
m
T*
i i
i i =*= i i
T
^
8 ,i e ^assz
■ i"
I I T~
■ ■
»~~r
S» > g=
i< > ?:
i< * jc
With »ft M
semprt JD
oa • ding We lull thea to ileep.
ttmpri f>
g »
^S=
o a — ' a — I a a — I a — I r ■ — I a — 1~
U j \ m
M a w
1 *
"? =
I Fl ' y rirP
m
ihii'i
■ »
-J— * » g:
e e c e \ / $—$ $ i,
■ » » • ■
» — e
^£=£-
-* £=
#
£=£
=fefc=i
g
t. * F
^^S
§s^
SP
g g g tf j8_
^J-JL-fc^
Tn la 1* 1* 1* b kl
Gob - do
■J-JJJJ ,'!. r
=§=^
-V^-
- . .
* * _L
^E
Gob ■ do
3
-■*■ l i i it
S^^
3^^
i'i'l^jF
-c
^^
M^M
g i
^-^
I
^^^M^-^^^==rr^^ g ; i g i s ; s g g i"g g c i
&
C E 1 g C
^
is E I > E g is - lg ' > $—&=&:
gon - do • Ue. - 1, Tn k k k k, Tra 1* k k k, Tr» k k k k, Tr» k k ta
gon ■ do • U* - i, Tn It k k k, Tn k k k k, Tn k k k k, Tra k k k
j3^J4j i [jjt^^
^rj^ i , ,.
mo/to ctw.
m
qfc Q
r .fi. .r
ft
=5=*r
fH-Hj
f p
^£
» *
F *
r i r
* F
^
1 1
y ;< ^
fcztsc
k, Tra k k k kl
k. Tn k k k kl
Tn • • •
Tn • • •
hi .
• • •
U . .
».
Moderat*. Recit. Marco
* tempo moderato.
B E 1-
tf "'^
And now to choose our brides !
i
Gius.
f s r» v i
BE
m
i^ * a
^=^3:
P
Recit.
As til an young and fail, And
r tempo moderate •«_•« m—
i.
?V-i A i »^Ep
i — r
fp
^
<m
p f ■ »:
IS
ZM. » ZVZ
T— |
trr*
& i l * g T|T
£
KTT
» r fr * b.* i r> .-
■*j) iCl^fe^
->— k
^
^=^
9
Wt real - ly do not care A pref-'rence to de - clire. A bi - aa to dia- close Would be is
I
S
f » r »
F35^
e V e U ' U
=■=»£
sua -bis be - aides, W« real ■ rjr do not care A pref-'rence to de - dare.
3 jm
f. >»
^
g ■> g ^ g^
ps
1 m 1 ar-^r-F-
fe
T^
8*
there-tore we pro- pose To let im • par - rial Fate Se
led fat ■ •
&
-m
mate!
Chorus. /
„ CHORUS, f S .
Vi-¥»! A hi - as to dis-close\VouIdbe in - de • li-cate —
;e
* a
Efc
-r i g-g-1 — p
. g ^-? /
E >zrg=zg:
:*=:?— f—y-
Vl-val
^E^
But how do they pro - pose To
If
B Gius. Recit.
% \ i | I -^T^
Marco.
And take good care that both of u lit lb ■ »■ late - h; blind %
Then
S
eycf be good enough to bind.
Then
a tempo.
m
t temp*.
7,Vif E
I
F
-*— B
f » n f • g-
=*=p
*=t
■' ^:i^'.^^:c rj^
torn usround — and we, with ill coo- n - ni - ent des-patch, Will on ■ der-take to cur- 17 »• Bjr two of foa we catch I
<g^,j'r J-J-; JU. -"J a 1 - 1 J. J' ■
.it*
^^
:*=?:
S
tnra B round— and we, with all coo- n - ni - ent despatch, Will nn - der-take to mar ry ■■ By two of yoo we catch I
Chorus. .
r
EIEEESE
Vl-w! They ft-*.
S 1* .1
:±3
Vi-w! They
■jH^-»TT7; 1 p^
=^
«« .
1 EE9 ■* 1 r
a E 1
I
< i <
s i» St
/
^=1
no ■ der-take to mar - ry a ■ ny two of us they catch !
FlAM
1'
Jt-
3-P
£
Vin.
^EE
Grasutt
keep - tug, Dark and dream
f I If you're blind- ed
Truly
ay to.
All rig*!
-P=
bJ * i f~j
afcTMI
I
ft=t
i
C FlAM.
/ b g E - * * ff* * / i
*St
i i
«>■ *
§
r* g (8
IF
* »-
Coo-duct sha • dy IThey are cheating ! Sure - ly they de-Serve a
mind • ed Play • en play to I
I
fcrt
S
-»-y-±
f^ttr^ttt
TT
ga _ Vv-^
=fs=^
^4-^M^4
^^f
Vrrr.
This toonrach is;Maidenj mocking — Conductsuch is Tru-lyshockingl
Gianetta & Tessa.
Von can spy, sir ! Shut your eye, sir I Yon can spy, air ! Shut your eye,aif I
Chorus.
Yea can spy, sir I Shut your eye,nr I You can spy, sir IShutyoureyt^irl
«*
-^^p^^^iU^^i^^^^^^
You may uk it by -and -bye, sir ! You can see, sir ! Don't tell me, sir 1 You cat see, sir I Don't tell me, *ir I That will do — now let it
^^Ui^^^^^-h-^^m^-L^^Tt^mM
You may uae it by and-bye, sir I You can see, sir! Don't tell me, sir I You can see, sir! Don't tell me, sir ! That will do — now let it
Fie, for shame ! Youcansee, sir ! Don'ttellme, sir! You can see, sir ! Don't tell me, sir ! That will do — now let it be, sir I
P
m
;i j gmag
n
J J J J
4:
J *
dap - pie grey, tit i Turn three times, then take you cour - tea, Catch what - er - a girl 70a may, sb I
U it ft
hir il oi r i I M *i r i I * i i r i I _s i *i «P i 'hP § "
&£=i 1 1 r 1 I JEJEE
Rep f at by
Chorus or Men.
' 1 1 K ^~ r * 1 -
i
i
1 1 r
— »—
u
pi
GtUSEPPE.
ie
■+—?Hh£+±
&E
?=*=^
I've »t length achieved a cap-lure I
This ii Ti
m
^SH^R
i1^ J- i J
p^g
r^r^
gi^
^^
Sfcnc
^
B
M
Marco.
f
=E=M=£
■f c i r J
r i/M3-
.S^
5
»
IUp • tore, rap • tare I Chorus.
GU - net • u Fate hai
w
r • i t t
Rap - ture, rap • ture 1
_t i
\wt
i
-.«
i^
Rap - t'ire, *ap • ture I
#4¥H
1
^=p=
'r&-
gj#
ice
EE
p^
?^£
r '• si r r
1—
ist the ve - ry girl I wan - ted !
giant - edt
m
^
s
3*=
HaEE
S3H
Just the ve - ry girl he
^-^
=£
^P
_n
PS
^l , >K
4=^$
~p~~ «~
Jut the ve - ry girl he
i
-&Pn
i^ml
r3
*nm*
34
„»| fiivi. Tessa. iaio*.
If you'd ra * ther change— My good - ness I This in - deed U sim - pic rude - neas. I'tc iw
^&r— * — i1
wan • ted !
Sttrfei
I
wan • ted !
*&f£=*=
^
i^i
3B
m
ft^gw^
1U; 'f ' f
f ' V''V
"=
T- -J
«
^ >).
* i
feg^
GlAN.
£=^
jggj
:
3=1S
t^-fi^ ^ U
nif ^
pre - fer - ence what - ev - er — Lis - ten to him I
Well,
I nev - er 1
IP
u
^'J. L
fedtca
IeSS
Mi
fc=^
53 I -L|-
P^i
;^
?~
SQ
*af
?^=P
flfy
F
Alt act a.
Vivace. Tempo di Valse.
■?. t. *
i
Thank ro«, gal • lint /*• - 4> - lm ■ i: In
let and lor • mil mea
m^^^^^^^^^^^^m^^^
35
^m
r w
^^
It a rare ■ \j BC
«a - ry To ex - presi oor pie*
ly^y^jik ^^=^v j^ir#j:^^-H^
§n
J"ir r= Mr -p — --«-=h* r -■ i r r ^ ir p— -^jp
'-'- --
i r r
-3-P — p-
¥=+
J=-i^=tf=F=
. «
I 4
Each of aa to prore a trea - Bare, Con - ja gaJ
t» - ry.
?\H r J"r^|r j"hl|r _h 1 J- 1 1 r M-M|r N-f-ilr P^-te
S H H 4 4 4 4 4 4' ^T
p N^— ft
^4
Hi
-» — .,
i
r r -*
l r r
t-p — p-
-fci r r :
F
i
ir r
^f i -■ r
f
(P¥Ey#4i#4^ls^^l4^M=^=g^
s._ p
^3
$6
4—^ti
* K «
m
gwrn - it far - i. Take us both and hold as tight ly,
Yoa haw
(p
E E |*''::pF r ^'H"-''-^ Is 1 >v r f»i m r f» i >w
?
£3 ^1 h^F
S
:*=*
I
?^«
r r I f r
-p — p-
-p — p-
r^-^-
ja j h — J I J J I J j Jijg=;
-i*-t
gZ I ° I CT * I * i L * ' t^j
hick ex - tr'or • di na ■ ly ; We might have both been un - sight
3F
ir"
PP^
r=p:
r^i— t«v-p — i i J *i - r fr i— >-"- ^F^-Mi * i -p — -M.M
^
r*
-j — *-
E
-p— JVA
•LI
p-^H-r-r^
H» P-
-P P-
-P P-
-P P~
i
J nj j i j~. i j „ ■' n , ipr^^
V
S±=pz
If we judge your con - duct right • ly, 'Twas a choice in
tun ■ U ry ,
P*d.
• Ped. " • P«L • P«t
$
5S=fe
zn
^^^^^^m
Sdll
you
m
t-jr^, ,f -t
po - lite ly, Gay
gml - ktt gm
f-nr t a
Mpin
• Pad. ■ ♦ "" ""
i
*?
* — «
* »
^y
^
> v >
^
-r-
la la
«.'
Tn la
la la, Tim la
la la U U. Tn k
III
&=£
^t
l=rt
Ni
£
K
EBO
-* r
(
Br^^r^Ffj r r
|=3=Li-| e * ■ * 1 | f_ LJ
v-^irf:
->-— ME
P
kklalakkkklaklakU U la I
Chorus.
*=£
i i e /— t-
t=r~r-
^=?=i
Tn li la 1* la la la la U b
«
/•
■£.£.* f f£j" f f
Tn k kkkkklakk
£^Lf f ffi£==fc^
s*
i
Gian. 4 Tessa.
-J +
Thank you,
ist Sopranos.
gal • lant
gen
lur i :
¥
* n
lat
$3^
«
Thank you,
2nd Sopranos.
gal * lant
litr - i:
/./-«« - S -
^
a ' *
-^^rr-
Tenors & Basses. ^ _ > _
5B^-
1a, 1«,
»
I*. 1*.
K la.
fJLJ\ r ji Ji, r- fvfc
I
pg
and
P
mca tore
scarce • If
-fc^^-tV
^^S
->■ 1 >
1 p 1
^ss
L«__«.
M >-, =p^-s1 s1
■-+=!=i=L^.
!». k, k, la, la, la, <a, la, la, la. la, la,
1 r j* i f i r f n -^i r _■* 1 -g- 1, r £jAj; ^ 3 /t
f^FF
-=i— p p-
a r* n
M >
i'i ' i^s
r r
^^
-£-=»;-P P-
:£=£
r r
^ i r E
C r1
r r
i=5E
m
39
mh=i_\i t \j t 4 t
Jx
T
ces
PHHH
To ex press our plea
la - 17 To ex - presi ooi plem
N „ ^-s^
>. r*
p> . r»
.^L.^L^ ;g=a=>
r a^i-»
r * ' * ^
la, la. la. la, la, la, lx, la,
SI
^i|i r 1 1 f. i r -ft 1 -g: i r -ft i -ft i r >-i .gjj r
la, la, H 1*
tltl
iJLg If r |^i
E 1 r
»-ir r I • 1 r r
r
1PF
t* *"
»» _ -*.
h = r» ; 1 : fc 3c=
rs==3r
* = I*-
P^^^
i J 1 "r * i ■ *
r ^i j-^t
r m 1 «~
p — a 1 1
« — 1 — a — 1 1 a — ! — a — ■ ■ ■ — ■ — ■ — ! ■ ' — ■ — a-
«§» i»-
* *■
m
h ,
r r*
=
-p p
r r
-p — p-
a 1-
f
r r
la, la.
la, la, U, la.
£i£jr JjJjlT fifi.r -f T J T , r flfi.r Jl£
I
If#
r r I
-J j-
i —
i
H
g
— i —
Gay and
»
Htr
a
Gay anr
gal Unt
i- ■ *
Ut,
m
j^gj^gH
f* i f* i- -p-
g i ^ i
y
-* • *
^c±^s:
^
la. I*.
k, la, la, la, la, la, la, la.
la, la, la, la, la, la,
&m
Sf
la, la, la, la, la, la,
K K
la, ■>,
g r
j r £E
Pad.
Ped.
Pcd."
Ped.
■Ig
UUJ r J J-H J 1 1 j J^t
~» :^»
La, Tu la
Sopranos.
Tm la la la la la la
la'
bpS * u ^j jrt' i J -*J — -j — I — ■! — j j i ir~~7^=
la I Tra la la la.
Tenors & Basses.
Lga r : i f f ^
Tia la b la la la
111
|Q 1
*=#=#
hi
Tet la
Tm fe la
gfef : 1 f~4f— f
*
I J L j j
i 4
m
^
r=P=r^
Pad • Pad
• Pad. • Pad.
I
fc±
■4— J
,l-r-r-.l
r ' f^_i-r t ' [' •
-<= — »-
fm> k
/:
Tn » t k,
k kl
m
t±
-j— i
•i-iJUi + 1 H
s
;!=1t
r r
Fali t>
i — i
• • • •
Tn k
#
k
k kl
Itsi I
&
r r
^
Tk k k k,
k kl
m
4- S
r i e £
£
mmm
r g
I P • I : 3z
i
_£l_L
5
/,v a ; ■
^^
'' 1 1 M i T i
-P — E
i'ii1 i'.i1 ,'ir* ,'!/■/ a / jij, i
has pot
hli fin
ger— Let . . *• bow . . Id Finrt de - eras,
I1 I'll' I
s=p
f^f fir-'f »iiO
^
*=tg
thii hu pal hh fin ger— Let
^r' ^j-j^l^j yn f,f-
bow . . to F«Wi
.f > i»
14^^-1
bu pat Ik fin get —
u bow . . Is Fat**! da - era*,
m
^J i "^-^tH^^h^
S=r
=F=
Wrr | flj^^pl
r 1 flj^MfT7=l^
P ,i.m .'i.' Jn' !\nt\Ui\£Hti4
Then do loo • get let
Un i'-r, Yo the ■! tar hur - 17 we 1 Tn U
^
pi J p r'l1 y rlCL^^^gj^^fet
Then no Ion • ger let
lin ger, To the li • tar hnr • iy v* t Tn la
m
j i\Q r 1 j^ 1 g t1 1 C* 1 1 rj^rrVT^=^
Then no Ion ■ get let as lin ger, To the d - ou hoi - ty we I
j^^
> ?
£
> *"*
-U> t,*Q
yAi
F I
(
Bg
-&-i £
^-^
r r 1 j 1 r 1^ 1 riT^i — P+r r r i .^r^p^^a
1 1
m
i . Jr-ft-
-a.
3=S
;_:-
^=
rir e rir r rig
s
i
«F^
^M
t , €£ 1 , )rf*
rrr r fiiTr^
=c=f=
w
-i—r
ihj^'jf^ffij"^ 1 ii;ffi^iijrri
rrf i- f 1 1 f =f 1 f r e 1 1 ±=^m
mrTM-
r r =* i* r
^
41
No. 2. Entrance of Gasilda, Duchess, Luiz, & Duke.
Allegro manriait.
#3 J. J31 J- S^
j, j-3 1 j . r.\ j^
i
Duke.
I
SE
J • «
From the sun • ny Span- ish shore,
$
jLJ-^Mfi £
^^^^
******* * *
?
? — r
s
* fe _fe b
I
*Tii * Pi { i I «T ^jp
r'ri1']1^^
%f5=i
g ■ g g ' g g I=g
Duchess.
fe'li'.J'J.J
"5
Hit Grace of Pla - a ■ Tor'—
And his Gra- ce't Ducheu One —
«J e j X i
-N. N
1
f
i hi ^^H- J1!
— =1 *t
f=f
* * * * T *
* *
£^a»s- jil^
£
i
FFTT
r^^w^m
2^SCk3
^
J J ' i ' i
p
i
Casilda.
p
Luu.
* • p rn:
|E=SC
And his Gra - ce's daugh-ter, too —
And his
f
q— f*-^— > i h i— f> -1 gg
n n
^=^
^r „ i : . j*
a^j^^gp; -^rr^T^^r^g^
y
^j.yj. ji|j ;_ >^-^. g j ;
IL_
fr=M^^MJ
Gn - ce'i pri ■ rate dram To Ve • ne • tic's shores hare come, To Ve - H - tia'i shores havt
4
f
B^^
K^-^
-v-j-H-^-^
B
^E
¥
# ■»
i^E
J.
=r^ »JL
fc^*
52
P^
^^
t ' t ' * '*
Casilda.
it=Zz
^=*TM^-£tt~*-fp]' f I jj
e
ei, ncT- ex, nev- eiCroutbe
1
DUKE.=
And
If ev-er, ev - er, ev - er Tbeygel back to Spain, The> wilJ nev- e», ne?- ex, oev - er Cross the
» ^
fit
-d-^-±
■*-*-*■
-• — •-
=3^
»— ^-^^e^— >■ s 3£
*^=£
And
if ct - er, cy - er, ev - er They get back to Spain, They will nev- er, nev- er, nev - er Cross the
^J-^JFt-i i i N^ ' i~i 1 i=i=*=i^i=t--i-Jt*
^ ■ 1 \Z^=£^
mm
^m^=E.
1
-**-»
44
m
b^
*^E
m
tea a • gain,
JC» * - gam,
£=^
l
s
-p 1
gain,
i
i* l» J*
^t=m^\
m
^
5=*=
^=}
sea a - gain,
i
t *
4
Nei - ther that Grand - ee from the Span • Uh
^
ai£
sp^
i 1 'i
,£§5
f
;
-P F* — i-P — p- , r* r» i p* p
=&^
dfcSJ
m
$
fcEr-fl^^.
EE
shore,
-¥ *-* P-
The no • hie Duke of Pla - za - Tor* —
£*=3T
^t
;-
i j i
m
-1— j— T~
:^T
2±
Pp^^^pap=
W^lPi
1/UCHESS.
Casilda.
^j^j^^g^m
i
-^F?r-; /m
*=t
y
^tat
£
Nor bis Gra - ce's Duch- ess, staunch and true —
You may add, his Gra - ce's daugh- ter,
^±
f
f«-1 ts^z f» i Ecq:
i f* " -J* i Is Eg
2=z=i=3=t=±
a- * 'a I
^^HHH^^^g^iPp
i 1 1
i
i
LUIZ.
IS
grg^rFrr^=B^
^
* — ?
And bis Gra • ce's own par ■ ti - cu - lax drum To Ve - ae - tia's shores a - Of
^^p r f^Fr^t^^^^P^^^^
;-
m
"WWW
^g js 1
, 1
-rT^r^
i
CA
m
^^F^^m
-i
If er - er, e» - er, e» • rr They get
/a p
:#^fc
^^
er - «, ei ex, c» ■ et Tbry get
^^^fe*E^
^
* — w. "i r *i : j1' i - t* *i
will come, Ve - ne - tia't shores will come.
i
If er ■ er, er er, e? • cr They get
r\ p
3tE
■^^^^4
ev - er, ev • er, er - ex They get
^^^4^-nTT- ; " HJj
■—. 3 3 i 5 3 3 1
I
-* • i
I
ft E K
| w* g j J* w*-j^~M^t | | J- H J[7~?^-J~^^^
S
J j
ff
back to Spain, They will nev - er, net - er, nev - er Cross the sea a • gain, They will nev • er, ner • er, nev - er, nev - m.
P ; ; ; j8^h^^^^-7?7^^^? ^ ^ J ^zjga^EgL
back to Spain, They will nev - er, nev • er, nev • er Cross the sea a - gain. They will nev • er, nev • er, nev • er, nev • er,
/
M=FF^
r> c g m=$-i c c g g s s=^ i c c c
-*— *
back to Spain, They will nev • er, nev - er, nev • er Cross the sea • • gain, They will nev * er, nev ■ er, nev • er, nev - ct,
- £&— ft
m — k
g^^-^F^
^=^~"5~l* I* I* j*~*— *
^
^m
^=£
J J . . *
* 5_
^ ? J
J" f J
. . d
back to Spain, They will dct • a, ner • er, ner - a Cross the «a » gain, They will ne» - et, on • ct, Mf - «, ne» • at.
t^i
^
i1 i I j 4 i i-i i i j I ■ ■ J p
^
sss
IS
• • • ■
f r f If j r I
H I^Pl
41
te=t"_ff:
F w I
71
-p--p-g--p-g 9-*-*-1— P— P-g-p -g ■ P
» P i» -■— «-r" g— t— ' b -a— a -b ■ a — *
i£zzff;
P P-I-B -B-B— S-B— fi— 5-B er, ncr -er, nev -cr, nev-er, nev- er, nev* er, nev - er Cross the sea * - gain, They will nev • er, nev - er, nev - e», acv • ei,
^^^=^=^^=3^^=j^^^^^==^^^^E^fE^^^^
nev - er, nev - er, nev - er, nev - er, nev - er, nev - er, nev - er Cross the sea a « gain, They will nev - er, nev - er, nev * er, ocv • ex,
flrrP » IS E sip s g .gzzp m i p_ ~* ^w~- r^w. jy ■_ -
nev -er, nev-er, nev-er, nev -er, nev-er, nev-er. nev -er Cross the sea a - gain, They will nev- er, nev- er, Oct- a, a«v ■ er,
nev - er, nev - er, nev - er, nev * ei, nev - er, nev • er, nev - er Cross the sea a - gain, They will nev • er, nev - er, nev - er, nev - ef ,
iBEE
i* i» i»— fc
!» ff P fcrfc
g g B—g-
g P P P p
-»— >.— P — P — = — i— ■ ^
er, oev • er, nev • er, nev • er, nev - er, nev - er, nev • er Cross the sea a - gaia
i-^rr^-} j jjej
&=£
;E 5 S Sl :A_J»-*— E^^d*^^
^
1=£
OCT - er, nev - er, nev - er, nev - er, oer - er, nev . er, nev - er Cross the sea a • gain.
jjN^£
* — • pr^r
— c ■ e « tj f — f — ■ — f-
r^g— g— g / g ^ e / ; tf p ^ p
=fr=^
• er, nev - er, nev - er, nev - eft nev - er, nev • er, nev - er Cross the sea a • gain.
ifeS
^F=£=£3^^f
g=r
No. a
SONG— Duke of Plaza-Toro.
i
DUKk.
^=ff:'7^— i
E± 4-
(p
Allegro mar x tale.
1. In en • tcr- prise of
2. When, to e vade Des J. When told that they would
g ||- i i i mS i * M M i?i i :5~ * »r| w i i_ »?| * -f— Tp
- f r "• r r f - re * r r r ^ r r rr f r ^ rr * r r r ^ rf~^~f"~f~~f"
PIANO.
1
H*-
ii>Vi^ii>fW1FW^
mar • tial kind, When true - tion's hand. To all be shot Un
there wai ■ - ny right - tug, He
hide they all pro • ceed - ed, No
less they left the set - vice, That
led 1 is regi - meat sol ■ dier in that he - ro he - si
from be - hind — He gal - lant band Hid ta - ted not. So
found It less ex
half as well as mar • Tel - loos his
a - ting. he did. nerve is.
Bat when a - way his regi • ment ran, His place was at ^ the
He lay con - ceal'd through • out the war, And so pre-serv'd his
He sent his re • sig • na • tion in, The
first of all his
fore, O— That ce - le - bra - ted, Cul - ti - va • ted, Un - der - ra • ted No • ble- man.The Duke of PU • ■
gore, O I That on - af • fee - ted, Vm ■ de - tec • ted, Well- con- nee- ted War - ri - or, The Duke of Pla - a*
corps, O ! That re - ry know - ing, Ov - er - flow - ing, Ea - sy • go - ing Pa - la - din. The Duke of Pla - sa
r i — , P*
$
$
Casiuia.
the
In In To
Duchess
m
first and
fore - most 'ry dought - y of gross - er
flicht, deed, clay,
49
ha, ha .' ha, ha ! ha, ha !
You al • ways found that < night, He al • ways took the lead, He al - ways showed the way,
ha, ha '. ha, ha : ha, ha !
Tha: Thai That
^
^^
;^e
E I I
*
I
In To
LuiZ.
the first and fore - most flight, ha, ha I You al - ways found 'hat knight, ha, ha t er • 'ry dought - y deed, ha, ha ! He al - ways took the lead, ha, ha I
men of gross • er clay, hat ha I He al • ways showed the way, ha, ha I
ITial That
Thai
I
In In To
the
first
er
men
and fore - most 'ry dought - y gross - er
of
flight, ha, ha 1 You al - ways found that knight, ha, ha ! deed, ha, ha 1 He al - ways took the lead, ha, ha !
clay, ha, ha 1 He al ■ ways showed the way, ha, ha !
That That That
S=5:
PP^
m
^=+
^
al - ways found that knight, ha, ha I Thai al - ways took the lead, ha, ha ! That al - ways showed the way, ha, ha ! That
To - ro 1 In
To - ro 1 fa
To - ro! To
the
first and ev - 'ry
men of
fore - most dought - y gross • er
*
flight, ha, ha I You deed, ha, ha I He clay, ha, ha t He
| \ I } J* j g^g I { ? ? J_jL^^^-g=£
I \st & 2nd.
- le • bra - ted, Cul - ti - va • ted, ■a - af - fee - ted, Un - de - tec - ted, re • ry know - ing, Ov ■ er • flow - ing.
Un - der • ra • ted No - ble - man,The Duke of Pla
Well- con- nee - t»d War - ri - or. The Duke of Pla
Ea - sy - go • ing Fa • la - din, The Duke of Pla
To To
rol ro!
oe - le - bra - ted, Cnl - ti - va • ted, tin - der- ra • ted No - ble -man, The Duke of Pla - ra
in • af - fee - ted, Un - de - tec - ted, Well- con-nec- ted War- ri - or, The Duke of Pla - ra t» • ry know - ing, Ov - er - flow • ing, Ea - sy -go - ing Pa - la • din, The Duke of Pla - ra
To - ro I To - ro I
le - bra - ted, Cul - ti - va - ted, Un - der - ra - ted No - ble -man.The if - fee - ted, Un - de - tec - ted, Well-con • nee - ted War • ri - or, The ry know - ing, Or - er - flow - ing, Ea - ly - go • ing Pa • la - din, The
Duke Duke Duke
ee - le • bra - ted, Cul - ti - va - ted, Un - der - ra - ted No - ble -man.The Duke of in - af - fee - ted, Un - de - tec - ted, Well-con - nee • ted War - ri - or. The Duke of Tl • ry know • ing, Ov - er - flow - ing, Ea - iy - go - ing Pa - la • din, The Duke of
Pla - Pla - Pla -
Pla
Pla Pla
To To
rol rol
To - ro I To - rol
^^
rrr
mm
To - ra I
That »e • ry know-ing, O - ver - flow-ing, Ea - ly - go - ing Pa - la - din, The Duke of Pla -
To ■ rol
That »e - ry know-ing, O ■
- fiow-ing, Ea - ry - go - ing Pa - U - din. The Duke of
Pla
-* — »
-£=*
Z=j=^.£=*^-^±Z=Z^^ !=£=*
0 m
To - ro!
Thai ve - ry know-ing, O - ver - flowing, Ea - sy - go • ing Pa - la din, The Duke
To * ro 1
That re ■ ry know-ing, O - ver - flowing, Ea - sy - go - ing Pa - la - din, The Duke of Pla
^
To -rol
i
gSE^E
To- ro I
*— *— P-
To • rol
To- re I
gr^^g^ajfra^^^^S^^^Mif
t^j-^-4 |||Bj§iif|f
•"•i • Ped.
• Ped. * PerT
* P»A • Al
No. 4.
RECIT— Casilda & Luiz.
Casilda. .
AlUgro
vivau
(P
f
JFJgpfE
-&■ - - — -#-- - • — -♦•--»----•---
W * =9Z
*5
piano.
B B
f
Qt I f f
5=^Z1
1 r
-sfi-
%
i
g ; J ■ g^
5
P
when
^^
Two lo v - ing hearts
^
^^
m
when
• - lone
to ■ fctb - er
$ g g | E^ffafcj d j, ■ j «^1^P
Two lor - ing beam
«Bd
3=*=
^=*'T*~?*
r* i» — r ■ r* h r* r* , r
i J J- ' -i J- ^ -j. ' ■»
fei
«
i i i
i -1 i -l -p^*"
-i— * -4-
=*
P
1* r* e> r» .h i i • jj -j— * — *
5f=SC
thoM that beaf them Ma; join
in tern- po • n - ry teth - er,
Though Fate
a • pan should rude-ly
j++f=mi
k > r*
:?c^=
j^,
9
#=¥
^m
a - part should rude-ly
•host that beai them May join
tern- po - ra • ry teth ■ er,
Though Fata
3»
fcl
Recit.
9
tear the
Ne
si - ty,
— Tll|
In - ven - lion .-. mo ■ iher,
I
1
Com -
tear them
m
r=w=f^
m
=«-r^L
' 1 'g* '•* t
♦ 3~
i
-r— &-
» ■:
y
—
-» *-
^c
s 1 / —* y / ,
pell'd me to a course of feign - ing—
But, left
lone with one an ■ o - ther.
\M
3
r^
^
^
i
s
^— ^— F — r
rr
^-^r
I will a - tone for my dis - dain Andante moderate e espressivo.
ing!
Ah, well be - Iot
a
P«
^m
r ~i
gen
P
Luiz.
r i ■?-=*
v , Ml
w=^
=3^
tJ i r : '
Ah, well • be • Iot - td,
Thy cold dii • d&in. It gives do
4 5 3 i
• — ■ — 1 > — — — I — ' — i V
is
i
fe^
/ *-
^
pain —
Tij mer ■ cy, played [ft mas que - rade 1 Ah, well b* - Lor • ed I
l> \ 1 J' £-?
-*— « »
*
-y -1 1
Ah, well be - lor - ed !
Ah, well be - lor
Mine
$
^=f-
J*
s
K '>
1»— ^
Ah, weU be - lor . ed 1
Ai, well be ■ Iot ed I Tim*
1 J*
^J'-L-* J^
■-J „ ii-i-« „ «
1 TH — *— » r
-« s •"
==£
J ' J J ' . I J^g
n=p
^=^
-i—t-t
Ped.
• Ped.
m
gry frown
54
■* 1 1
Ii but
g:wn That serves lo dress
My
«. S> -p- ♦
*=l=f
#^r
:*E
• '#
s^
rg
^i
dim.
b o '
^F^=
-1- i t r
^=^~
P •
ft*
No. 5.
DUET— Casilda & Laiz.
LUIZ
Piano.
ij S V-y-
rf=;^g-^j:
« : ■ #~
n ■ e» l , i ^
-I— l-i*
It was no crime To love but thee a - lone — ah, woe is me I
One heart, one life, ooe ioni,
it— <=H-.--t 1 » » rrT^i
fc±
wmm
r^^T^rm i i *3rnFf
One aim, one goal —
Each in the o - ther's thrall, Each all in all, in, woe
A
£*:
5
&%te^
m
nimu^i ,i ff;v^
^ — § 'a v* .~ » ' ^*
^i
^=TJ
BS
Casilda.
£k*
*v . .......
dayi that were — that nev-er will be more I Oh, bu - ry.
H V
hu • ry love that all
-*-±i=e=
cod - demn,
^
And let the dim.
_* >
=n^K
?
« #
< «
n
=■=*
days that were — that nev-er will be more ! Oh, bu - ry, bu - ry love that all
And let the
a Mi
Oh, ba-iy, ha -17— let the pmdont1* The dap that were— iittmn-m
Oh, bo • ry, bo • ry— let the gnn cIom e'er The day* that were — thai »•»- m
[pte ' i^33ij,3j]i( jj j ifj^j'ij j j 1
p«i=g
^
1
. m r»
J^J J-l ^ ' frlr r j ri;i-Ojspi
prr^
=3t=*
wOl be more I Oh, bu . ry, bu • ry, love that all
/
000 ■ «H'?mTle.
And let the whirl- dim.
f^J-J-J. ;|j-,"r J J j jrf— fjiJ J J' J I r — r J 1 I
eon . dimn, And let the whirl • wind mourn fa
%&
imi+^n
mm
M-
r r 1 r
±t J LI .
re qui * em, Its re
&m
m
qni em, n re
qui - em* Ui re
W-U-* J-
^m
qui - em, «s re
qui - em!
I » |_g]_! • ej>1 -Ml
No. 6. SONG — Don Alhambra, (with Casilda, Luiz, Duke, &
Duchess).
gi
Don Alhambrj
3
a:
rftit
AlUgretta men treppt rrt*
1. 1
«.
4.
mi^rffrfririLITLli-ii pp
Ef
Piano.
B
t&
i^
£
:4-H-
dim.
* J
{Tj fT] m]^
i ^r j:ijT
F
i
^=^ r c i si
2^
stole
the Prince, and I brought him here
sped, ami when at the end of a year
I'm much dii - posed to fear, To his terri - ble taste
dren followed bis old ca - reer — (This state • mem can't
And left him, gai
I sought that in
owing chil
]> pratt - ling
fant cher * ished, for tip - pling,
be par • hed)
With a That That Ofa
iHH
i=tf j ^j=^ — ^
9
~g 4-
re - specta re - specta re • specta re • specta
iP
highly highly highly highly
ble gon - do - Her, Who promised the Roy • al babe
ble gon * do - tier Was lying a corpse on his hum
ble gon - do - lier Could never de • ciare with a mind
ble goo - do - lier : Well, one of the two (who will soon
to rear, And
ble bier — I
sin - cere Which
be here)— But
i
m
*
Efee
^S
:t
U
=ffi
A
Search
teach
dropp'd
of
which
him the trade of a ti mo • neer With his own be lov ed brat - ling,
a Grand In - qui-si - tor*s tear — That gon - do - lier had pe - rished.
the two wa* his off spring dear, And which the Roy al strip - ling !
the two is not quite clear — is the Roy al Prince you mar- ried [
59
-Qjui.
t
^3^
1 —
'ring all
him up
his best
dig • cot
Both of the babes were strong and stout,
taste for drink, com - bined with gout
Wbicl was which he nev • er could make out,
in and out and round a - bout
1
And con - sid Had doubled Des • pite
And you'll
things, clcv - er.
for ev - er,
en - deav - our.
er nev - er
Of Of Of
A
m
T"~TT^7
f
U M'i
^ — *T
^m-
4^^
^^
iH
=F
^; f c i : : l i ^^tt=:
Ma/ there is
Mo/ there is
M j/ there is
tale to fiee
from
i
man - ner of doubt —
man - ner of doubt —
man • ner of doubt —
ev 'ry doubt —
No prob • a - ble, pos No prob - a - ble, pos
No prob All prob
ble, pos ble, pos
si • ble sha - dow of doubt — No
si - ble sha - dow of doubt — No
si - ble sha - dow of doubt — No
si • ble sha - dow of doubt — All
£
m
j^^^^^^^^^^^^^^^
g r i r
P
1st, 2nd, 6V* yd.
m
4-*-
pos • u - ble doubt what - er •
pos • u - ble doubt what • er •
po> • A - ble doubt what - er -
poa ■ A ■ ble doubt what -
m
Casilda 4 Duchess
t\ j | ; j ji t m ^ n i
9
:^=p=
No pot - ai - ble doubt what • er . er 1
Luiz.
m
w^
¥
No poa • ai - hie doubt what - «r - a I
Dcke.
I
H r
gP^
~i/*r
V
S
E i r
*. Time n ■ ol
J. But 4. The
•v • *T7 doubt,
ff-f-^J-
m
tale
free from
'17 doubt, All
pi I U,
^^
i^
IE
3=*:
±E:
I
^^
g P I » t »
S
^
>^-^
nf r g
u g n
s^f
ptob - > ■ hie, pa* - ai • bl* As • dow of doubt.
put - si - ble doubt what • er - e» I
jl c g l v H I P i I J ^h^j J :i i r r i
prob ■ a - ble, pea - at - bit aba - dow of doubt. All pea • si - ble doubt what • n-ol
M" V
C C C C * S l£^^
^^
1 r 1-
I
dow of doubt. All
■ a ■ y e, pos - ■ • bit ah*
pos - ai-bla doubt what • ar - at I
"F 1 E jj i j T m[ 1 -f il|! i^f 1 1 1 i j^
6i
No. 7.
I
RECIT— Casilda & Don Alhambra.
Casilda.
-p— * r
» » »:
-w S ** <
E
v / *
*-rv— g > iM?=^
-* — *-
Allegro con brio. , —
But, bless my heart, con - si - der my po - n - tion ! I tin the wife at
PkANO.
i I r ^-r-^^=y=i=^=f^^
rzz:
l&
^S
/ /
I
one, f***-
that's ve - ry clear;
But who can tell, ex - cept by in ■ tu - i - tion,
« • u-m—
I r I.-, fr g
E^
gr-^P
fir
fcF
3^
=
41 i j
S3
i
3^3=1=
i- ill * — 3~
-> i r
?
Ped
*•■*■? *
**
I
* 1 » | » [> c
pq f
i
Don Alham.
p ■ • «J
Wbich is the Prince, and which the Gon - do - tier?
Sab ■ rait to
m
w
r -
J73 J^^Tr^S^
* ■ 8 8 g— tefaa ' — s==l
4
S
=ti
£*frft-M=tf
^^
-*|-F-
Ped
■^•■J-J- V
^
-M 1-
1 b> «<-.««< ^
s
^^
Fate with - out un-seem - ly wran - gle :
-? r~
°r—r-
4» — r — 9-
Such com - pli - ca- tions fre-quent-ly oc-cur
>^Jk£y
^
\=\=\=±=a
1 ! i
-=1 — p-
Wl
^S=tE
E B * p
> « « «
Life is one close • ly com - pli - ca - ted tan - gle : Death is the on - ly true tin - rar - el • ler I
I
pfeE
■*:
3
AUacca U QuarUtt*
No. 8. QUINTET— Casilda, Duchess, Luiz, Duke, & Grand Inquisitor.
i
Allcictln mi'deraio. Casilda.
^
»
il
i3^^
> — r—w—r-
^±
-ta
Try we life • long, we can nev • er Straight • en out life's
Duchess.
tan • gled skein,
I I |:
I I
»
!l
Try we Luiz.
life - long, we can nev - er Straight • en out life's tan - gled skein.
' m
Sf^P
3
=E
i
Try we Duke.
life - long, we can nev - er Straight - en out life's
tan - gled skein,
E
m
Try we Inquisitor.
life - long, we can
-L-
» 0
er Straight - en out life's
tan • gled skein,
T
=F
I I
4- ~ J. i
Try we life - long, we can nev - er Straight - en out life's tan * gled skein,
^^
m
jb:
^^
jc=
-«-5-g-
1 J'1-j^-
bf-H^-S^f
PlAMO
S
■* « *-
-# It.
tlig
£E^
1»Tl 1-W-=r-
ii i n i p ^ »
ji_rik
-? — p — r
Why thoold we, in vain en - duv • our, Guess and guess and guess a - gain ?
m
u^u.
«_j I jj 0-=i=
^=^=*=
Why should we, in vain en • deav • our, Guess and guess and guess a - gain ?
r — j — r • g i m u\ r r
-* — «-
Why should we, in vain en • deav • our, Guess and guess and guess a - gain ? Life's a pud - ding lull of
=f=*=t
i i i
±
Why should we, in vain en • deav • our, Guess and guess and guess a • gain ?
a • — " b « — r
Why should we, in Tain en -deav • our. Guess and guess and guess a - gain?
f-f. J J. fa J. f f^
fe-J ' 4i^-i
m
$
*3
I
/.
IE
-* '
ding full
$
Life'i
pud -
of plums,
Cue's ft
m
"^"If^jj'ji i
Caie'i
a can-ker that be- numbs.
mm.
_mr-1 — -I.'
^^
m
f
Zm=sr
e
P"
ble
tioo ? Life's
/
plea
sant id
Let us
m
-E-g f i
rt^f^
p
^
^3
k^
pos
tion? Life's
plea - sant in - sli
lion. Let as
$
Tt. 1>
r i ' n -^
t r i
JJ=Z
P«
bie
P
*=3^' - !~t^^
^*:
S
tioo ? Life's
/
plea - sant in - Hi - to
tioo, Let at
ble
(JT-T-T
la - tion ? Life's
/
plea - laot is • »ti
tioo. Let at
^m
s >>
i J* 1 =r=^^vT
#i» ^»f o HI.
B P a tempt.
r I r J J J— I
^^
P
z?»t
a
take k
P
it comet. Let as take it
it comes I
Set ■ • side the
M *
:*=
a i
lake k
tS
k cornea, Let at take it
it comet 1
Set a - tlda tke
ri j i j
1 r r r I
^
■=£z
k u
Let
take k at
gig \ i c
r j ^i J-
Set a -*
*
i i i i
J
take k at k comet. Let
take k at k comet I
Set a
:2ti
^^
-z
^ J i i i
-* » g-i
Let at take k at
Un poco HI.
k at
I
Set •
= 1 Jl g J^^
■■ L> .r> ... •
Fpf f> tL'^
rfett
U
3E3E
3E=E
T—t-
^
M
A=E
^
■* — b-
65
m
s
i=£
^^
dull e • nig
We shall
guess
all too soon ;
Fai - lore brings no
i i
^^
dull e - nig - ma, We shall guess it
all
too *oon ;
m
Fa.
lore crts.
^^
^g
dull e - nig - mm, We shall guess
all too soon ;
ill
Fai
lure cres.
w
dull e • nig - ma, We shall guess
too soor i
P
Fai
lure crts.
m
I ! I £ ^J ♦ ♦ ♦
dull e - nig - ma, We
shall
m
*
guess t
=£
all too
V-*-
Fai lore
i
3g3fcg
I
3 g fr u ' E > —
*4*i ^TTl
Fed.
^
-» — .
^
*=*^
y
gig rxj
-V— f— E
^£
/ /
kind
i
of stig - ma — Dance we to an - o - ther lune !
fiance we to an - o - ther
^—±
S K
J-V-J-
9
brings,
lure brings no
kind
of stig - ma, Dance
* Ped.
i Ped.5-
* Ptdr
06
E£H^
^3
^
/
String
the lyre and fill the cup, .
=r=
V
T
thei tune !
Siring
/
4
the
lyre
and
fill
=2=tE
String
/
the lyre and 641 the cup,
Lest
on sor- row we
should
i
String
the lyre
fill
the cup,
Lest
=£=t=
J* 1-
tune I
I
# ^
String
the lyre and
J^fe
fin
the cup,
Lest
£L
_£I
J J J
s
— ST~ Ped.
* Ped.
~B —
* Ped.
* P
«£
I
^
-?:
zzz;
Lest
on sor - row we should sup, String the lyre, fill the cup, ff
Lest ca sor - row we should sup.
tup.
should sup, String the lyre, fill the cup,
ff
Lest on sor • row we should sup.
cere
V V
7=&-
-P— »•-
we ibould tap,
String the lyre, fill the cup,
ff '
— * r-
Lest on
sor • row
should sup.
should sup.
-i v — r-
String the lyre, fill the cup.
Lest on sor - row we should sap.
*7
Hop and skip to Fan- cys
p
fid - die, Hands a • cross and down ihe mid- die, Life's per-haps the on - ly
Hop and skip to Fan-
p
cy's fid - die, Hands a - cross and down the mid- die, Life's perhaps the on - ly
=S=S
££
5
£=S=£
V 9 V £
^^
r=t~
-g • w
%
Hop and skip to 1' an-
-V — 4 — <S—Z:
t — 1» — f-
dle, Hands u - cross and down the mid- die, Life's per-haps the on - ly
^=^
^^
)> S M k K ^ »i |sr>kN-j»mi»|i»
P
Hop and skip to Fan-
p
cy's fid - dle.Hands a - cross and down the mid- die, Life's per-haps the on - ly
-S — S S g S K
K N Is k k k ~ k I S |s k S k k k 3^
3=3:
«««*«»« — m — *
3=3=
i
m
Hop and skip to Fan- %va.
cy's fid - die, Hands a - cross and down ihe mid- dle.Life's per-haps the on - iy
=4=3^=H-r=f <J^* 4 P'
nn
ZS=i
m^mm
marcarto.
*=t
£=£
teS
=J=±
fe^^
=P=
g i g i -g-^ g i ■ g i g -i g i g -11 g i e
rid • die That we shrink from giv * ing ap. Life's perhaps the on - ly rid - die That we shrink from giv
pm
N S g — S — K-— S N
ing up ! Then take it
+1 t J^-J
S M K
>> — s s =y=
=3=3
^^E
■id - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die That we shrink from giv - ing up! Then take It
j? i*. |k — !»— * — f> h,kis|f»_ k k k is s m n — s k s m s k §j J J 3=3 » .' J J | J 3 J J J J J- jTT 3 J -3 . J J
^TLXZ
-i-
rid - die That
we shrink from giv - ing up, Life's per-haps the on - ly rid - die That we shrink from giv
1
w
^
■ II
ZZrrt
ing up I Then take it loco. . ' f- it 1
mn^^^^^^^E^^1J-T7lj^^Tf^
r-v"-rn c ""c -' g " f n ; ^~T^ : ^ : n :
-5. ■
68
m
P^
S
•==E
^m
m
X
£eeef
=*=
m
comes, Take
P
comes. String the lyre, 611 the
frlr f J-
±irr=£M
x
it . . comes, Take
i
comes. String the lyre,
fill the
W
m^
^^
^
it . - come*, Take
^m
comes. String the lyre, fill the
- *
it . comes, Take . . ,
P
it . . comes. String the lyre, fill the
5 J t
-F— »-
T
comes, Take
come*. Siring the lyre, 611 the
r*»riM IT f.
No. 9.
CHORUS— with Solo (Tessa).
Chorus.
UtOStH.
n^f
m
SBt
Bride - groom and bride !
f • f- * , r
»-; • *
~
Knot that's in • sol - a ■ ble.
Allegretto moderato.
Bride - groom and bride I
1
^P3e
^s
FlAKO.
# :
# :
^
i
=£=
^
T^
T^
T-
Ped
r^
T~
TT
f
I :. j : i j*. ^
B
/^
^sz^ri:
3=?=
3=
-t— r
g=F
Voi - ces all vol - u - ble Hail it with pride.
Bride • groom and
SlL-£ *
bride!
Bride - groom rod bride I
i
t=t
i f fir tzpJ^
^
±=«S
^^
s
We in un - eer i - ty. Wish you proa- per i • ty, Bride -groom and bride I . .
Fad. I
We
la aa
f •
Bride
groom
and bride I
SONG— (Tessa).
Tl
f
Bv ■ 'ry sound be-comci ft song, AU is right and no-thing's wrong !
From to - day and 0? • m
pa p rp^-|
Ped>
P
-.^M^b
S
" = — • ' *
Let our tears be tears of laugh • tei.
af - ter
\i^=S^4.
=*=s
i — S-
— =1 — -;j-a—
*
f 1 r f 1 £ l r (£y|, » 1 r , 1 =j: i r J 1 I d 1 p c
Ev • 'ry sigh that finds a vent Ba a
r"f
n r
»^p
f
-3 — p-
3^E
-r^^r
^
pp
ra/A
=S=T
aL^' i-ff^^^
l
=*
aigh of sweet con - tent !
EB
I-*!
When you max - ry mer - 17 roai • dec.
-r— !=
Then the air with lore la
-5—, >^«
P^^L^2rr -rn'r^^:
8*
W
*
E» — ■ — a — c — » — «_
A
rail. "• J« J *
• * »— * P g 1
ITT
1 r r-
£
~* * 1 i ~r
^3
U *
111
K V
E « tempo, sosienut*
9
P
-£•——*— — *z
la dta ; Ev - 'ry flow'r is
^£^
^
^Ig^
rase, Ev 'ry goose be • comes a swan.
-r *
Et • 'ry
! tempo.
P«*L
$
3s=tE
kind of trou
-P
ble goes
Whe
the last year's snows have gone!
~+. *
-» — ■ — r~
Sun light takes the plan of Chorus, ist Sopranos.
a
light
^s
Sun 2nd Sopranos. — JP
&
F
light
i
Suit Tenors.
W|
Sun Basses.
lignt
(i
*=p=
light
1
TTT
M
rTTTT7
6=a_
:"=n=F
-3—p-
" =z
wm
Fed.
Ped.
Ped.
^
5
^
5 f a
i=r
•hade
When you mar - ry mcr • ry — .-. d i
I
b N S ^ — K-
N N N. N »
m
-?—r-
I
the place of shade When
you
mar - ry met - ry maid ! When a mei - ry maiden mar
n sy
■A *k
§^
•j . >
^F=F
* * ♦ #
the place of shade
I
lakes the place of shade When eres.
K K N K=S=
mar - ry mer - ry maid ! When
/
r p i ~g
s
^^
• — » — #-
-» — » — •-
k » V '/ *
m
Oka the place of ihadc When cm.
m
h K K K N .,
mar - ry mei • ry maid 1 When
/
K S-
^
"Ik s~r
5=5=
takca the place of thade When
' ry mer - ry maid I When
mm
im
1 J I J • c
#si
Pad.
#1
Ped
i
m
Ev • 'ry sound be - comes a song, Ail is right and do
rail. ^ pa tempo.
thing'*
Sor - row goes and plea-sure tar - ries ;
Ev - 'ry sound be - comes a rail.
S
song, All is right and do
p a tempo.
thing*!
^
E4^fc=*
= JZ
den
M
mar ries Ev • 'ry sound's
rail.
i a i
song, All is right and no
^ p a tempo.
thing*!
>■ > I > — 5 I [
=
den
ries Ev - 'ry sound's roll.
feg=
song, All is right and do
^ jDa tempo.
thing's
I J I J J J i
g^£
den
ries Ev - 'ry sound's
long, All it right and no - thing's
P
1 i i' I i I
wrong 1
£
When a mer - ry mai • den
wrong 1
*=t
wrong 1
fe
r r
wrong I
^
wrong I
74
fee
^^
rail.
3
i=P
N *
a Umpo. sostenute.
r
*^P
When yon mar • ty
Then the til wiLh joy is
m
U - den ; All the corners of the
a tempo.
■ — t
=p
gf^^FF
*-;
1=9=
r^f-^-f-f-
=^ — «-
E
^BE
-*i-
>«//"
m-JbL.
$
?=F^
*===£:
=^
=t=
Si
earth Ring
with mq sic nreet - It played, Wor - ry b me - lo
■«> ♦ ■*-
f
dioos mirth, Grief
5=
t—r~
hm
iU
*£=
J- J -J-
* j*^ a
V" J
_
znn
i r
3^
Pad •
rv
"^rv
PeA
^
5
75
Tessa.
joy
$
in mas • que • rade ;
■? > a r
Sul - len night is laugh - ing
p ist Sopranos.
day —
^
i
Sul
p 2nd Sopranos.
night
Uvngh - ing day1 —
i
Sul jo Tenors.
len
night
laugh - ing day-
&
Sul p Basses.
len
night is laugh • ing day —
Sul
len
night if laugh - ing day —
m
f
;zr
^
Ah—
AJ1 the year is
May,
3T
All
4
the year cm.
II met ■ ry
May I .
W j j- J- j- :■ pa
All
/
mer - 17
All the year
May!
fe
All
/
?
£
— * — year
— v r 1
mer - ry May I
All
m
the era.
All
/
a Umpo
p j j j. jag
i
m« - ty, mer • Tf M«y I
*=P=
^
1=
Mm.
i ';■
^
May.
fa
Mm.
fa
3H
rr
No. 10.
FINALE— ACT I.
GlANETTA.
Piano.
Allegretto morferato.
i
m
m
z^rvm
1. Kind sir, you can - not have the heart Our lives to
2. Same kind of charm you seem to find In wo- man
i£_L±.
^_4-M I a v« ijj-i-j. r ii- ji
**c-?2:
^
Bi
"5
-y ^ ^ J — * j^- part From those to whom an hour a - go We were u - ni -kind — Somesourceof un - explain'd de - light(Un - less you're jest
ted! ing),
Be • fore our flow-ing hopes you But what at * tracts you, I con
m
s hi h s3^
^
^
4.0
9
stem, Ah, look at them, And pause be • fore you deal this blow, All un - in • vi
=*=F
ted ! You men can nev - er
ing ! If from my sis - ter
hp-s-^-tf
=£
J-J-j|XJt
on - der • stand, That heart and hand
I were torn, It could be borne —
Can - not be se - pa * ra - ted when We go I should.no doubt.be hor - ri - fied, But 1
could
yearn - ing ; bear it ;-
i
r „ | * „ i'
¥
''J ' ' ■ — -r ' r— r ' i* n r '
pa •
EE
?=F
Bi f Jljj
f
^—^-
gp g e " r-^» > < > |:a ^ / ; i ;-« ' : i ; ^
i
**-+
5=1:
^.•^~"*V «» A** Gift
=
*" r""- »— i—i
atzic
i
±6
You tee, you've on • ly wo-men's eyes To i - do • lize, And on ■ iy wo-men's hearts, . . poor men, To set >«*
But Mar-co's quite u • o - iher thing — He it my King, He has my heart and none . . . be -aide Shall ev - cr
J2*_
f=£EE3
~
E*
EE
■ ■
r=t
it
^,-
:s=J-
£Pg^
B*. ♦
S=F2*=
♦ 5i
-«
colla voce.
dim.
Si
^F
i
a tempo.
?£=*=
-5»-
£
^
bum - ing I share
ft'} *
* t>
»=*
fill nev - er un • der - stand That woman's heart It id lime.
Don Alham. Recj i
s
£==E
i
with
man's hand !
IS
Do Dot give
^
i:e
one with wo - man'i hand !
J > 4-
^ — r»» — irt-
LUUts, tempo, r^^
I
E
^
g±
^=t
1=
b
=*=*=
a tempo.
V
35=35:
N I » K s » K
3S==ts:
-t — fc
zff=fc
To u • oet-
5
_« • _•_
-» e.1 J
tain which
way to this uncalled - for grief,
(Pi
Your ae • pa - ra • tion will be »e - ry brief.
a tempo.
^
^=r
-nz
*
W*
^S§
f
n
i
3
£=*=
—
is the King And which the
Ricrr.
o - ther, To Ba • ra ■ ta • ria's Court 111 bring His fos - ter
>
mo • ther.
-* — *■ *
Her for mer
IP
I 1
*=*=
U«:
-O-
t
Andante. GlA. /
-9 — ■ — »-«»
^^^NiV^^^E^^^^^^g
=£-^
nurseling to de-clare bhe'U be de • light-ed. That set - tied, let eachhap-py pair Be re • a
n
ni-ted. Vi-va
Tessa. /
His ar-gument is
S^5W
r
i
Vi-va [ His ar-gument M
Marco. /
i t
« *
£i
BE
^5=
ifcf^=:
Gius. /
Vi-va ! His ar-gument is
H^tis:
E5E
^v=
3
(Pi
^S
Vi-va I
>
His ar-gument ii
^
V=&
BE
fggff
/.
IF
r
r
i
-*-■-
• i
s
5=*:
^=^
strong! Vi • v» I Well not be part- ed long I Vi-va!
^=^
It will be set-tied soon!
fc^
s
H « «
* a — • — • — •—
^3E
Vi-val Then comes our ho -nef
i
strong ! Vi-va! Well not be part-ed long I Vi • va J
It will be set-tied soon I Vi-va 1 Then comes oar ho - ney -
^f=^
^=f^
tttt^z-
I
strong 1 Vi-val Well not be part-ed long!
Vi-va!
It will be set-tied soon 1
Vi-
Then comes our ho - nejr -
TMZZtZ
3CX
=5=sr
» ^ ^
->r-»-»-S~»
-t=^
* 9 t
*
S ^ S S V
m
-0 — w-
strong! Vi ■ va I Well not be part ■ ed long! Vi . n : It will be set-tied soon I Vi-val Then comes our ho-ney •
| fe f 1 \%
^
—. w—
— p-
$
p
-«— «-
f U n g >
^
3=
moon ; Vi- to I Vi- to I Vi - to !
~5~»~ * 3-P-
=£=£=
^^
ir.ooo I Vi- »« 1 Vi- to ! Vi - va I
%=*=^
r * g * * a * =g
*=s=
=s=t^
mooo ! Vi- to I Vi- to I Vi - to I
i
XTZ5X3
-tf U n g g
;rH>! — 5 — ^H* 1
~
moon ! Vi- to I Vi- to I Vi • to I
;
t±L
Allegro con brio.
GlANKTTA.
-' ^ s • -* l j 3 j ; i 1 J i e g 1 \ e ^ e
b r IF
f *
P
g S
>— g
<s g ' > P ■
at will be a Queen, And ait on a gol - den throne, With a crown in - atead Of a
i
Then one of
Marco.
^
P
3^
3CF
i E ; -*— EE
« «
^
?"~>~
g g i g /
«T
ft, drive * • bout in a carriage and pair, With the King on her left • hand aide, And a milk-white hone, As a
MWfrf^fl
r- n f^~ ri i n
3 " J *~* J " * ■
I
it*
^iFt j-JtMJu^sg-iij. j Jt/i
; J'i.»v:
bat on her head, And di - a-monds all her own 1 With a brau- u - ful robe of gold and gTeen. I't» ai • wayi on- <
eJ I I ZT ^^ . -*- j
i : J«ju
ff^P
a — r-
*^
matter of course, Wh en -cr-cr she wants to ridel
With beau- Li - fid sfl • rer shoes to wear Up - oa her dain-ry
\
♦ • • • • • •
m
ate
=e
a=
n in
s
^
^
Il
£
3
B* J
S i
P
1 woo • der whether She'd wear a leather ? I
i
tier think she should ! Oh
Tessa.
£-*—
F
Oh,
P
EEEE E :* ' 1 ' ' '^
=^zts=s
« .
feet |
With end - less stocks Of beau -ti-ful frocks. And as much as she wants to
eat! Oh,
GlUS. .
Oh,
£
* <
i~r-
y ;uy
***=
,/ rfz'»i
ffrfi-f
#jp t
|
A; g ■- |
W |
— • — |
— ■ — |
I |
f=*c |
— IT |
^a r» |
» |
n-» • m— |
—r |
— 0 — |
* • |
||||
|
glo - rions thing, ?f-fe N > V- |
-9— I — N- |
ween, 1 [«r- |
To — fr |
-V— he — N- |
m — Si |
m tegu ■ 1 — pr- |
In — V |
* J * *^ Roy -al 1* — 1*" |
Queen 1 |
No |
hill • and ■ half s s s»- |
if — 1» |
r fail, |
— r- i |
— / — /- mean, No |
|
|
ET ' * ' glo - rioQi thing, |
■ I |
■ ween. |
- a— To |
be |
• |
i ffigU |
« lar |
Roy • al |
1 — • Queen 1 |
— 1- No |
halfand ■ half _ B 0 « |
if |
fair, |
i |
mean, No |
|
|
glo - nous thing, |
I |
\—* — wees, |
— /— To |
-V— be |
-li- ft |
rego |
— *— Ur |
-V— — i«— 1 Roy - al |
-4 Queen 1 |
-i No |
7 7 7- half -and ■ half |
ai |
=9= fair, |
i |
mean, No |
I A g g g g
3^^^^^5
h h
-. ■ *-
glo • rious thing, I ween. To be ■ regu • Ur Roy - al Queen I No
T — half-
nd- half
ftf • fair.
-? r *—
I mean. No
&£*=
¥
\ v -a5~=s:
-» 4 a •'-
-i# ti 1 m-
fs=fc^
IF*
-*— v
ft ft. ft ft:
ft ft. f k
I idfc
half -and • half if • fan, Bol a right down reg- a ■ lar, reg - a • lar, reg- u - lar,
reg - u - lar Roy • ai Qneeo 1
ft ». r* kjz^^r-T^^
—u—*-
J- -m- J-f '
half-and-half af • fair, But a right down reg- a - lar,
/
reg -u- lar, reg a -lar, reg- n- lar Roy-al Queen!
i
^=^
'/ v v ■=&-
-*—*-
g g > g~~g /
g g > =£
:*^-
/ / g g /
I
half -and -half af • fair, Bat a right down reg- u- lar, reg-u lar, reg -u - lar,
/
reg-u-lai Roy-al Queen I
-» f p> »"-
±£=
T S~
~» » ■ « «
/ / g g /
» •-* » » «-
g g / Pgi"
J * *
-?=z=^
-fc — K
:^ — P-
half -and -half af -fair, But a right down reg- u - lar, reg-u- lar, reg - a • lar, reg • u - lar Roy-al Queen I
P
I 2nd.
i
Tessa.
^=S=
^•C^i
as
e?p
s
i
Qneeo I
When-er-er the con • des - cendi to walk, Be mre sb- 11 shine at
m 1 r
9
i
Queen I
§^
i
^ — r-
Qwtal
-it * 4f *
« « «
* 1 MjLs,, 1
r£=^
Ssfc
* b"3
;uljii
M^rTirf^^
^^
"P« 1 „ ^ 1 ^ 1 n [* 1 ^^ ^— L —
^ 5 ' ; !EfEagE^f
•J
tirzr^-^^ ^ * *u**±H^i^-±±
*
M
-!»—^S-^c:
-«-j-^- «
■Mi
With her haugh - (7 lure, And hei nose in the air, Like a well-born axis - to • crat I AX tie ■ gam high
g 1 K 1=F
p 1 p
"T
jf=r
»*•
4— ^?H^
sH
rtef
B^S *
±4
^t
=*
-=*— p-
?r
r-
ad lit.
\\l£ - :\S-t^
r^ti
s=s-i s sEggj
> a — :*^^a-a
g _ i» - -g -^
~* * * - »
♦ ♦^
a* • ty uJk She'll bemi • • wmjr the bell, With her " Knw at aoc ' Andher"How ire you ?" And bet " Hope I m jem
B r
5^
^-H^
-^T— P-
A» *d Wt*.
-'I-P-
^ — P-
T
~t
1 •-
Gun. ft Tessa. — ojimpo.
J* ^ JJ. f /*
half - »nd- lulf if- hit, I mean. No half ■ an .1-haTf «J • fur, Bat i right down reg- o- Ut, reg-s-lu, reg-a-lv,
f r> r> i* , i* fr t» — p*-,— * — *= — is-
half-and-half a/- fair, I mean, No half-and-half af • (air, Bat a right down reg- a -lax, reg- o - lax, reg- a - lax
Mf l.tt*
3s=s
Ei*
N
reg- a- lar Ray - al Queen 1
■J* H
£
Grtw.
-F>« I *-»
feS
fc=ic
3fc
> / m ^
-^->— » fr=?
^ p tT ......
o -lar Roy - al Queen I And no • ble lords will scrape and bow, And double them in - to two,
3^
fif f— g-T-r —
p^pp
o - pen their eyes In blank iux -prise At what-ev - cr she likes to da
And eT - 'ry - bo dy will round -hj row She's
Un^Hj
GtAM.kTwm*.
$
m
i
arf/fi.
^g
*d%r
S=
" Oh. . Marco & Gnr» a tempo-
K K
=.=3=
)tt:
?-»-*-
' > *^
And say, " Flow clever 1 " At what - so - tf • er She con - des - cendi to mj I w Oh,
fair u Horn in May,
t
s
IT
-=1 — p-
rt>//fj £/<?«.
4
, H-
^r»r
/ \a tempo./
-=l P-
T
Ev
Etei:
'J,MJ
=S=£
-4-
n^
i
t S HEE
£=*
glo - rious thing, I ween, To be a regu • Ur Roy - al Queen-
5 h * ^ — S BL.
No
half
7^ and - half
-ft — Bl
i— t— t— i- Ef— i— i=Ti
■H, r-. H l-l 1 h-> 1-: t-I U L
.__T__
5
V ? P 9 9 9 W glo • rious thing, I ween, To be
regu - lar Roy . aJ Queen-
t M
i
ps
tii
■ **%%%%
^=
#
iLJt
No
S
half - ud ■ half af
T_
iM,
dim. p
#=§
^=5=
m
^
T'-'J'1^
i
E
^^fev
pa s
t t ; cTf^n
^fa
-f — a
fair, I mean, No half - and - half af • fair, Put a right down reg-u lar, reg-u- lar, reg-u- lar, reg-u- lar R07 - al
r» p» r* * , > * s s , _s_-/'_s.^%-, ^ * * * * , ft_A_> n ^ p* 1 f%-h^ *-
i?#
^^
-ft fc-
• - #
86
-fit & fL S>
g g g g+g g g~Tn=r";-; i s e ;^£
ff-'V-^
M4i
I
Qoeen ! Oh, "rii a glo - riou thing, I ween, To he * regu ■ lar Roy • al Queen, A right down teg • ■ ■ ku
^ , ■'' j j1 ;, j : ; ■', ■" j j a ." J «" J. .'—J , /■ ^
§
E^
^
:*==*-
*F^=
: c c i;
-w • *
r r r
1
y — * * / — *» — * — / * ^
-* — k-
Qoeen 1 Oh, 'tis > glo - nous thing, I ween. To be a regn - lar Roy • al Qoeen, A right down reg
m
\> hm r-^s-
±*.
r
Royal, Royal
\m
Queen !
s
T=F=^
Royal. Royml
Queen !
ff.f f f f
s
EE
Chorus, ist & 2nd Sopranos.
=^
3Fr
:Lee*-
-» v r
»=•
Now, pray, what it the
d ihii re - mark - a - ble hi
Tenors & Basses.
£ £ f | f*f f
•?- r- r~ * +*— rr gag
Now. pray, whatU the aau 1/ ihig re - mark • ■ - ble hi
i^-fess**1
^Usr:
=s
« - »- — p»^ — 4— «" — • — [-*-■ — •-•— « -»----«t-¥;
p
i
£
I:
<=£
=£3r
*£:
t=^s=^s:ij^
^m
Uj-i -tj,
This sud ■ den e • bal
IF
tion of u - ml tip-led (ol- u - ty ? Hu a - njr - be • dy
• bu-l-ty, l'hia sud - den e - bal - li - uoa of un ■ mi - U - ga ■ ted joJ li-ty? Hu a - ny - bo - dy
fmf\
+T£
1— » iT i 0 . i r | » fir » , 4—i — — i — i — ' r , _ * » m <-—ii -, — . — m — uL.L.„L
t^^^
*^2z
^&
r~: = j i j^=M
J N. J J 7
=SP
-^— Jc
-*=#
**— (S-
T~7
=fS=3C
" u > ;
Sless'd you with * tarn -pie of tab) char-i-ty — Or have you been a ■ oop-ted by a
Tfff
£cn - tie - cum at
3«
£=±
$
*
*
g
tc
-8-/-
~*l
*
bless'dyou with a
-pie at his chai-l-ty — Or have jrou been i - iep • tsd by i gen * tie - man of
teffprf itffifgf itg
.-..
i*???^ ^.
j ,j i j ,^|^^^
Marco.
jj fH q Slim
M
t~?
find I n
pub • U - can
find I te
^-^-;
-*<— f
:£=£
~» *
/ * •
■ ■
p* ■ la - CO, But you'll
• «pect Youi Re ■
(J'" u
fal - U-cies, You'll
1 \-
■ tpect Youi Re -
^=w
«
=*=*
f^
*
"! r r H r r I i r r
4-^-1 f-p-F — i-;
r r
r r
f
CMwm
pUlp
i
i r j,-ij.-^|J"jj nj
-p p-
• pab • II • can
$
=£
Ai they know we ob
ject To pa -
^
^^
i i I J
ions tod pm • la • cea, How
J r ;;n, jjgji ;j ij
U ■ la • do. A> they kaow we ob • ject To pa - ft ■ lion aad pa - la - em, Haw
rrrr
,'J2- c
w^^
tad ■ la - eiei ?
E^
wj j j-U-^-iM^=^
# * •# -*■ ■# ■# w-' •*
cu tbejr re - ipect Oat Re - pub ■ li can
Eft
jjj N
3=3
ifcfc
out they re - spect Our Re ■ pub • li -an U • la ■ cies ?
i
Allegro vivace.
5 i '
i I J 1 § £!EE
12
ta
is
J», j>, JV J> J*ji
I'l'li'ir
r r
^£Etf=*F^F^
X — r — r — Eg r 1^ ' Eg
-f — F
ifcft
»^h-
^=E
? t t f
Marco,
PU P g I I E I M[J ^ i E i
r i r-
For ev • 'ry one who feels in -dined, Some post we on der -
m i b its
^i=i
©^^^5^E^rJ
f3^
^S
£5
f^T^
i
i i j i E3 i 3 0r*=*
gEE i i i p15^ r t i p i i
3 — £
1 T
^
P
* f
P
J n j-
g J 5 J gl
Gnra.
m
E
*3
take to find Con ■ ge • nial with his peace of mind — And all shall e - qual be.
The
rii.i. . eel - lot to hii pe • rake— The Earl, the Mar ■ quia, and the Dook, The Groom, the Bat - tor.
I
90
Marco.
•ad the Cook— They all ihall a • qsaJ ba>
'pa^-f-
The Aiu ■ to • cut who tanks with Coatu, The
> N bk —
n~-
S5
r» 1 1 k i—i- 1*1 ■ i» 1 1=
1 1 ] J
«. 1 1
#
4»-UL
3=333=1
hT, . 1^
i
S5
j g niu^
3=£
r r 1 t t
--*>
» b.'^»
f r 5 1 br c j g r s-¥-^ 1 f g br § 1 j c j
^
±2
5
Axli • la ■ eat who bunt* ud ihoou, The Am • to ■ cru who cleau oar boon — They til thill • • ami
g* y g ' E * ' p-» >— J w — I '*# 1 —
B
- — I ~ 3 1 —
±2z&:
Gius. ,
^f"f*j:lJ J'i
Marco
r c a ±u=t=^^
btl . . The Mo • bU Lord who rules the Suit— The No • Me Lord who clam the plate— The
)
jg "J1 *< f t •■ i E i *i [ 1=^4-^— p j j 1 1 1 1 1 1 j i j psj
Grot
91
Marco
tho-dox — The Lord High Coach - man
the box — C The Lord High Vaga • bond in the stocks — They
B8
''rrTj
■^—^r
-T-'h
^S
£=5:
i
S,
1 1 :g— q— SF ji 1 lEp i 1
Marco ft Gnrs.
P#P» lll,l-
^
m ^ 4 i \t- 1- t§$mmmmm
V '* * * ' i r r '
e» • er they . . go, Wh«-e» - er they go, Wber- er- a the)
go, Stag high, sag low, Who
B
=£
1 1 g 1 1
£
--■i-i
^ *—
5=*
1 1 E 1- 1
-^-* • i
B
^
ff Chorus.
$
P>.
They'af
tfual be 1
-P— =t
p if r p p iflfg
Sing high, sing low, Wber er - s Uiey . ■
#* : * : * . - . r^ ' — -
#* : * :
-.vl it—
f j 1 :
=a U I
Sigh high, ling low. Whet n ■ a they
s^
fill, -n 1 1 1 1 j 1 1 j i g jj i b l f- l i
t-V I'1..!', i g
^S
^3
fc*
tt
^^
p imrrjij,^
&
■•. si»e
low, Wher
at • a they . . go, Whcrwr- * they
g* Slag high, .to.
low, Who
they . . go, Wher-«* - a they
gg j 1 1 fa g
1 1 B 1
£
^f^
*^i
j i j j 1 1
93
UnUim.
go, Wher - ev - er they go, They all shall e
* * T *-
<|iUl
The Earl, the Mar - quis.
prrrrT-^feS
• * • t
1 <S I. .J fl
The Earl, the
&\fc~? i-^1*' i 1 # i i • i EBJEEJ
I
^^
£
±=±
-3— ^1— '— ^T^
1 1 ■
5 1-
fcf=H ;ir=£-J j-rr— r^
*c:
-x- tr
#- "-i f •— ^n r
and the Dook, the Groom, the But - lei, and the Cook, The Aris - to - crat who banks with Coutts, The
iBa-f if •■ir m ^ " t "
Mar
quis,
and
the
Dook, The
Groom, the
Bat
^m
i -i j — =1 — =1-
i i L i ±
1 1 L V-'t-
11' "F^
33
I r rF
i ^-lJ -N HJ ;J P c^P
UfcM'
!±zt
Arii to • crat who cleans the boots, The No - ble Lord who rules the State, The no - hie Lord
^5
=?=£
&
the
Cook,
The
No
ble
Lord
rho
rules
m 1 1 1 [ 1 1 1 i 1 1 ^ 1 1
^§
1 1 i E i i
^ i -i L ^F^
^3
m
w
Vtrit.
* — »-
J fir [.
T
•crabs the grate, The Lord High Biih • op
3rrrrt^
*
gfcE
I
- thu - dux, The Va - ga - bond in 'he slock* — For
=J
fe
i i i^-ii
Slate, The
No
ble
Lord who scrubs
the
m-
rcjj J i j
^3S
grate — For
tSJn ^m
*— bd
^N^f
i
4=
I
^^
^t-
1 i L £5
11 :, v^
1 1 7. ^^
f
fcflff-ttn f ■ i £U=^eU=f=j-j-i j y
er • *ry one who feels in - dined, Some post they un - der • take to find Con • ge • trial with hja
^^ , e r H-F- P I H [ £ I — E ii E i & I i 5 r =
who Teels in - dined, Some post they on - der ■ take to find Cos • g* ■ nial with his
1
igbT? ii tnlfn |! i 1 1 I
r 1 1
§m§
^-^i-
3B
^^
EE
|tf,^j I J J' I ,1^-,'+.-^
P
■' » '
* B* *~ "r» I -?
> ■ iF
£^
pens* of mind, Con • ge ■ nkJ with his peace of mind— And all
shall .
c e c-w-j- c^-fJhfcfdL| I lIt lIt i r -=£
i t»r ,.ii e r i> i ' ' ' ^ i — i
&
poet of mind. Can • ge - nial with his peace of mind— And all
§£^^JEE=sfm
If- h I
I
Then
/I
hjull
a
o
King,
Wbkk
1=4
^4 r^-T 1 r 1
re-
King,
Wbfeb
LfJltSl^Py^sF^
^
^/_r f £f | tl J4lf | fjf ffl-j
^fe
s
■J. ♦ p . * J^_
'J- J
=&
e5— »-
•
#>
m
EE
=£
PE^lii
hail!
Hull
'I r
hull
Hail I
j6A4±f^fAjH
*?f?
f ^_r_gjp_*f f f ^ 1 1 f f f f f i ^ f ^ t ■£-•&
s^3
^
£-
a
mtfmm^
&=g=±
f=
^
*=p
^=t
E
^^"g
{ES
King,
Hail !
O King,
Hail!
King!
sit , i f"-~ f £pl
ft**
&
i
I '-— -M
5
«<=-
1
E5
m
5 1 r £
g
S
W
I
fed
yM in E
33:
^f
33
35
23:
i^_
lilii
S
*
^
p I j k I I ^^-f^JU^TTt^^
=J=
^^?
PCI.
3=E
IT
H
S5
r, t s g i ^
£=
r^r^r
~ ■-'■
is
rgr
El
#
eaa
W
Maxco * Gnu. Rich.
Atp^J-fr/tMJ/J'J'MJ J^MJ'J'J'JgBf BgY777T
Then l«'i t Modtrato.
wiy— w fat-land crown t ■ waits dm — Con- flict- ing fed-ittgi rend m j tool » • put I The thought of Roy -a]
I
^
fe
gStfr^f-
S
i
J J j j J
8 „Gian. & Tessa. Rkcit.
St
B^
»' I*
f ! » b» g =f
i » p»
>TT^F?
*=t
I ^ 5 fe fee
dif ■ ai ■ ty e - Lata ae. Bat lear-Lng thee be- hind me breaks my heart t Fare-well, my lore j on board you moat be
i
1
F
iar
"^
B
f*
&
m&
w
ee£b^^#*^^
get -ting; But while up - on the sea you gai - ly roam, Re-mem- ber that a heart for thee fa fret - ting — The
i
^
m
g r
Par
=a
&: - 4
=S -i*-
i '4.
f
3"
^ J' | ,^M^-r-H^
Gian. Solo..
-P-»— p-JU— ■ — P-
i^=4^:
ten ■ der lit - tie heart you've left at home I
Now, Marco dear, My wishes hear ; While you're away
Andante con mo to.
-f — fr~ %
S
l;:
rfc?
: ^
• 0 V
;*>:
q • r :-£f
■3DJ
-i— • j f——f-
j-r-t^-fe
ff
It's on . der-stood Yon will be good, And not too gay.
To ct - 'ry trace Of mai -den grace Yon will be blind,
^F
£=i
g — tf-
^5-T
s-g
g. «-
is— is-0
And will not glance By a • ny chance On wo- man-kind!
^^
~m »-
P P g-g-
S£
If 700 ate wi«e,You'llslmtyoui eyes Till we «r • rive,
h^^b^g^^^u_|^F^^j^fe)fc^^y^
I
And not ad -dress A la - dy less Than for • ty - five.
You'll please to frown On ev - 'ry gown That you may see ; And,
39=
fe^S^^s^E^^^j^-4-^
=P= T
* i
^=^£=*=h
H-r
espress.
r * w
-Y—y—jcL
-> — *
^
O my pet.You won'tfor - getYou'vemar-ried mel And, O my darling, 0 my pet.What-CT * er else you may fee
.fT
t: t: <l 4.
A^* ♦
f^^
-^
=t
^^^
/ r r - «. a<
• t
esprtss.
k
m
p^
ij?> ^ ft _E ft p fc > ft , p . . i fe ft : . S„& 4
^
iz^
E
get, la yon- da isle be- yond the sea, O don't for • get, O don't fat • get you've en • lied me I You'll
§Z+t±J=*±$=*&l | 1 VhMfeJE^#^-l
EE
^— tf— U-
:sF?
lay foot heed Up - on your bed At set of can.
You will not sing Of 4 - ny- thing Te a - ny - one.
You'll
^fe
H3
=i I i — k
gg£f
•tett
-^— *-
3=*
?'^ W i ^OfH^^
ii
^g
JC=E
£=•
^=f=?
1 J g 5 ^F^1^epe£
*z^
^
gdr^-y^t^g
p — *
| E
i^P
-^ 5
^
and mope All day, I hope. And >hed a leaf Up ■ on the life Your lit • tie wife Ii pass ■ ing here.
And
j?jt 1 1 ' ijj^^^f^.-f^^ J . i i
i : «: s %c
S=
1%^-^^^M--^ i *&r*-*T^$±h?-t->^&
=•
if M be Yea think of me. Please tell the moon i
111 read it all In rays that fall On the la goon :
Youl)
^gpWfmfr, r^W^TT^->TB:
I
r~ t-^r!
IOO
i
it
s ^ j. ft B—S— ^ * ftkft j*jl fcsl -a— *— ft— * V 4
be 10 kind A* tell the wind How you maybe, And send me words By lit- tie birds To com - fort met And O my
m
**=
35=
J%_ S g ft «L_S_
=s=ft:-« — =^V-f— g E !
i — »j
dar - ling, O my pet, What-eT - er else yon may for- get, In yon- der isle be-yon i the sea, O don't forget you're married
i
GlAN.
S
qs=g
*3T
*rfc
:v z
■ ■
^ > >
■f—f-
-« »
SEEgE
r
/ /
g /
qszzg:
O my dar-ling, O my pet, What-ev ■ ex else you may for - get, In yon-der isle beyond these*,
/
O don't fat -
N ft-ft-l
mm
.v_s_ft_^=ftr=ftr^
=S=^£
my dar-ling, O
.^f IZl
M=a
-=1 fej «-#
my
pet. In yon -der isle beyond the sea.
O dorAtr-
Marco.
--&
f p r r=e
EX
#— • B — ^ r— r
6 -6 C-S-C-g-g
my dar ling,
my pet, In yon-der isle beyond the •
We'll not for
£3E
GlUS.
7—rr
5
^j— «_ ■
•=ZZ5=Z=t-Z=3l
^s
pet. In yonder Ule beyond the sea, Well Dot tot
my
dar
ling,
m
^JfHff?'LlffH
my
* --- *
U.ffaJ
j*
rsr
3ft«
IDl
m
Mm.
t-^h
m
get, O don't for - get you've mar - ried me I dim.
my d&r- ling.
m
O my
J* * I
3EE
« »
get, 0 don't for • get you've mar - ried me ! dim.
my dar- ling,
mkj=
O my
3
\* p *
=S=£
m
get, We'll not for • get we've mar - ried you J dim.
my dar- ling,
—m- m 9 9 w — # — 9 1
get, We'll not for • get we've mar • ried yju I
^
my dar- ling,
5- * * *^. — T
fi -* — *— ^Tv 1 1-3- — t
f- >
O
o -r
O
^=^
P^T^
J ' j J . ' J-
533;
EpyB^i^l^
V
f
fe£
J I J
pet, In yon - der blc
■pff r^j— * 1 5 J
dim
,B J J J J J I »
io*
m
Chorus. Sopranos.
_^_
s
3
Then ••
Tenors. .
Z0 — r
mt
Tft -
Basses.
Then a - Then
Piano
m
"-3
mm±
i S
I i m — • — •-
^r
When the breez ■ es *re blowing, The
fcr^^i—^ ' W=p
«X a
ne, |w- 'Vee, Haul ! One, two, three, Haul
-£-£-
±
3=fc
One, two, three. Haul ! With a will! . . . When the breez - es are bltw-iog, The
-ff-P"
^eH>Sl
I v.'
One, two, three, Haul ! One, two, three, Haul ! One, two, three. Haul ! With a will I . . . When the breez - es are blow-L g, The
4-
rt
4-
>
3S
it
±
if
=:
^
*/
»
z^
JL
f
• =» •-
JE*I
£#^^
f /
n
T.
j&S^h'—fttJjt-J^
J-j^A
-i-/ J^J.
s
^P^
1
fci=
go
land fair,
We know not where, we don't much care
^
Wner
£
S
-g-v
-=
go to on is - land fair, We know not wheie, we don't much care
^l^£=^=£
m
Whet
' I I C I ? -I
go to u it - land (air, We know not where, we don't much
Whe»
i.
1?4
W Marco.
i « r~
A way w?
^f
er that isle . . . may be !
er lhat isle
may be !
GlAN
»0f
A - way,
*J^
I • W»|i • •
^3^
» » , « F
m
3^
^
BB^S g
^
±=i
±3=
ate - ter wa
. • ■ amy vhcn Ifat m - M
jj j S J c
g J C I i; ; J .' ,r I B b i
Whoalaa a • m bin All tba win - ta while.
^
i i | H 1, Ji i j^i 1 It Ti i g i
/§P^
1 r
1 1 r
=5=
■ • way, whoa
Hat AH
A • •»*
• • ■■»■
* Pad
106
cm.
it'
^m
0 w
i L; e g ^^
MZX^Z
:*=!*-
V
wu via • M . . while, . . . Wherethe
•a blow!
TVb •
. . wi> ■ tet while. Thes
the wte • Mr . , w bile, . . . Where the ra
•a blow]
!•■ •
Where
blow All . . win • ler while. Then •
t
if
hr i i ;■!-
r'- .i
i i i
* p
Where . .
the
blow I
=i rr
TVes >
P r i l'V^
5
i i •
Totz % ■
while. When
1 . . . The* ■
p
> »•
5^
e • » ■ r
they (o to «a k
: i *'i ;. j;
s
=fc=JT
^
That lib ia i Sob - then. u> i That- my BMy
1
ST3:
m^— j^;i:.j^
r5=*
IE
E ' • «
^E
they fB to u Is ■ land tail
That lica io ■ Sua • then tea) Then a- amy they
e «•
g=«=
* i b fc±
£= r • r -1 * ■ • * ■ p »=j
*=*:
ton ■ ■ hud hit
That b ■ i Sob ■ than Mai Then a- way *•
atai Then a- way aa
3
**=*=
f=^4=h
9
TET
*3E
-^ ' * : H-
^ C
That Bm ta • Sea • them tea j Then a- way they
they fo to aa b • land an
I
IS ft I
^
r ■ g e r — s
:t=2=Z
» • » =n
f ' * I > g 3 I
M hi • had hat
That Ua ■ i Boa • than aaaj Theaa-way aa
^TT'-'T df
^Mrl.-K-
£— «X
e=g=g t
r • re
*t±
-*-*-
aa go ha k
That Hal hi a Soa ■ than aw i Then a- way fjr
B r.fjirf mT7v rr* 'if K 1
f.ffff fe
i_ii mi r i i i j if p r r i i i < ■cpt
Bi
p »
• •
^^
^ --S
—
108
• »- -g-g
£
» »
=£
to to is - land fair, Then a - way, then a - way, then a- way, then a - way,
> f '
ja— js| J S~*~i
—
w^y I
3
* '
» »
■ *
* *
n .
go 10 an U • land tail, Then ft - way, then a - way,
mi
g-g
then a - way, + -P- *
then a
-?-g-
-».- •
-g— g
way,
way 1
m
go to an is - land fair, Then a - way, then a - way, then a - way, then a
way,
way !
adb
=F
—
:* 5 —
-J7 — r- way !
go to an u - Land
i
=^=-=
fair, Then a - way,
r . . 1-
then a - way, then a - way, then a • way,
^=t
^
« •-
£=
=p?
^m
^m
rr
JF^T
» •
t g '
to an fa - land
lair, Then a • way,
then a - way,
# »:
g g T then a - way,
g
then a
it±=£3=:
s
e e
£
-•— •-
e •
way,
way!
-o — I-
fc±:
±
^— »
g g
-»— g-
rg^fc
r
to an h - land fail, Then a - way, iben a • way, then a • way, then
way,
way I
T • f~
£P^
-g— g-
g g
r? •:
~P— *-
to an k - land fair, Then a • way, then
then a - way, then a
way,
a • way 1
srr
7T> tit f 3± j • >
J1 ■ 1 1 r > -^ w-i 1 I L jj. — w-= r^E-
f f
^ff tirHriHit i[r; r^r
gj
largamtntt.
m
m r ^
^L_L
* K<ui oi Ad 1.
*©*
ACT II.
.**«
No. 1. CHORUS OF MEN (with Marco & Giuseppe).
Allegretto.
PlA^O.
i— -1-i
^SIS
^m
T^
i ; ■•*— * — ja — s — » — ■ — 'j * m
5
^>a. ^f, » ,f>f If * ,Q-
3 ^ 'dJ
Tenors.
-j-t— 1-jJ-^-g^^
MC
a^
iffl 1 3 — 3 s j j — i 1 — i , 1 1 1 r — i — i — i — y 1 y — i — ■ -
• r» • u ■ ik
may sec : A bo • nar - chy that's ten • pered with Re • pub • a - cms E
0: h I t p=fz
-» -» — *-
|=fc==£
f— kMrf^P
\S££
K I »-
t ? p f p r T~
Be - Hs • a - ria you may sec t A mo • nar - chy that's
^
—V — I F~—\ y—\ 7
pered with JU - pub - I - can E
^m
ro Li i^ r ' t
If 5 " >>
r i r =g^
qua] • 1 . ty.
pu-c c i •. * i f ? Cr g i r fr r r i r u_r i r g r , t
qaal ■ i • ty.
This form of go ■ Tern - ment we find The bean I • de • al of its kind—
I
da • po • U
strict, com-bined With ab • so - lute • • qual • I - ty I With ab - so • bite •
g£E
fj 1 fj I ■■ A. J G+^r^Jr^-fn 1 n I f pj^
*==rH,
m
^
^=^
11 m i=-.; t n k^=^
1
1 1 1 p m m-H-H-
Ill
/£
Mt
^
-^»-g-
3=E
!^3!^33
^ * — ?
yon may see : A mo • nar - chy that's tern • pered with Re - pub • ti - can E - qua! • i - ty 1
^###f^FPT^H-P-;^-^M^^^
Mahco.
Ill
$
* r i r
*=^=f=-.?ifc^i
^^
^^
ii ■
kings, of bb ■ due pride be ■ reft. Who act m per ■ feci u - ni - ty, Whom 70a can
act
£t=K
S
■ *
PP^
U±*=t
^
1 1 '
if
kinga, of on • due pride be - reft, Who act in per • feet a • ni ■ ty, Whom 70a
dct
I
S=E
i
I
H ] 1 1
3 i . 1 1 : J 1 1 SB
1 1 r=p:1 1 « 1~T
1 1 g 1 t:
^
feH=^
^11 f 1 1-1— ■= 1 1 F B
» 1 1 I «T 1 1 *~~T~T
g " 1
s
■1-1-
right ud left With ib • n • lute im • pa * ni - ty.
1 r cl:~! g if
-=1-^-
I
r g 1 r
^
tc=?'— M» 1 1 K=t
Who put their sub ■ jecU at their
S— h
By
S
£3-^=^
p*^
right and left With ab • 00 - lute ha - pu - ni - ty. Who put their tab - jecU at their eaae By
ro
3^
^
1 1 p 1 1
-1-1-
5^f . 1 1 1.11 =pi 1 . i-^:
■ ' » 5 'a* U ^
k=t=
E^
P
r ; 1 C-J c
« >
S££
do • in g all they can to please I And thus, to earn their bread - and - cheat, Setae or • ry op • pot
pi j j tint i siy -f-r ^i-T-^J I
m
<U - Ing ail they can to please I And thus, to can their bread • and - rhmaa, Seta* •» • 'ry as - Bat
s
j ^ n 1 jn^
H^
^hfe-p B L 11 1 F 1 t-ttt
1 1 E 1 £
1 *i L. 1 ^
"3
1
'^HU--^=f^
-0 *
i y
gEJ-ioXt
ta • ni - ty. And
thui, to earn their bread - and -cheese, Seize ev - 'ry op - por • tn - ni - ty.
Ah I
*i - ni . ty. And thai, to earn their bread - and-cheese, Seize er • 'ry op - por - to * ni - ty.
Ah I
l
g T J'l
y=*
3E
k&u± ■ ■' r^^nzr^w^^
§s^^^^
i
1 T > 1-f
^— ^ b— t 1 ^ 1 1-
1 1 »:
i
£=p
per feet .
ni - ty !
=£
=JE=5=
==^=
-J « I J ^
po
feet
ni • ty !
- -»- -»- A 4 ♦ £" £
-=)- =
m
m
BE
If
f
1 1 U i i
/
rsO-
-v 1 1 rPF^F
H^7?^
S
"4
z?r
Chorus.
-^H8-
Of
hap - pi - ness the ve - ry pitn In Hi n • u ■ m
-i r— EE— K-t
ft^PF
■"■>—• » • f
^E
-T-F-
y-tH-h-f — »
-i — 9 — i — n — p — i — \r
Of hap - pi - ness the ve • ly pith In Ha - ra ■ ta
Sva.
>smm
iV^m*^-^^!
f— ■— a — • • • — '—m- 4 J T3
/E^±
Bz
§
^
KE
you may see ; A mo * nar- chy that's tern -pered with Re - pub - li - can E - qual • i A- * « , — ,— - . ,_, » . — M— . -M • p_
Re - pub
B±^
'V — /
-r — t
• — » — »-
-» — • — •- -y— i — f-
■ — t
*_._« — • c — « — ._ • — m — * *
-f CM ? I 9 -L^ ^ / £
yoo may see | A mo - nar- chy that'i tern -pered with Re • pub - li - can £ • qual - i • ty I
EfetSGEi
is
tr
£=£
&fe
Re - pub
r*m • tr
£=t
Hi
l-5!- S— ^-q-l— |-^ ■
■ * * -az
*ef
s
jft^ftff^^a^
jfue •*
33
I i i i r
#
f r f g_
-i ik i
--f=f=
-■ r i* r
-i#— — W =■*
~1
E
II • can E • qual - i . ty, tem-pered with
mj=t=f-H+m
h >* . s
qual - i - ty I
_n
/ 9 9 r
li . can ■ • qual - i • ty, tem-pered with
• qual • i - ty !
*■->
"5
No. 2.
SONG— Giuseppe (with Chorus).
m
r^P^i
Allegro non troppo.
""4 — \
Ri - sing ear • iy in the
mmm
iS
^
* • •
1 1
riAiro
^E
-Ail
^
-^i-J-«=
=?
^g
S
• ning, We pro - ceed to light our fire, Then our Ma - je
a - dorn • ing Id its
I
*=P=%
m
-»- A
3==
EI
^
7
¥
I 1
^
1 i-
work - ft • day at • tire, We em - bark with • out de - lay
On the da - ties of the
g^-j— *=£
w
^
m
f
^ i i
rir^rr
day. First we po - iish off some batch-es Of po • U • ti • cal des- paich-es, And for - eign po li - ti - cians cir- cum-
Af - ter luncheon(mak-ing mer - ry On a bun and glass of sher - ry), If we've no-tbing in par - ti - en - lac to
116
I
■ vent ; do,
_^ k „ ft ft ft ft N -T J" > ft fe=fs:
> ft j-
-» — *
k V
s
— ft-
§
Then, if bus'ntss is - n't hea-vy, We may hold a Roy al U ■ vh% Or ra - ti - fy some Acts of Par - lia ■
We may make a pro - cla- ma-tion, Or re - ceive a de - pu - ta-tion — Then we pos - si - bly ere - ate a Peer or
m
=r
i=*=
m
£H
f
f=^
i
h & S k-
ft M ft— ft f ft p
ft ft ft
zT
^=ac
a a t
- meat
two.
p
Then we prob-ab - ly re - view the household troops- Then we help a fel- low crea-ture on his path.
With the u - sua] "Shallo humps I" and "Shal-lo For 2nd Verse.
-»— >»— e-
=ft=ft=
£
-» — * — mz
^
«— *
With the Gar ■ ter, or the This • lie, or the
ff
T^£
g
g
E^?^
rrt
t-tBr
W
P
Jt^-j J" : J1 ££
^-f-a^
^
^
m •
P
hoops ! "
Or re - ceive with' ce - re - mo • ni - al and slate
An
in - ter - est - ing East-em po ten •
—
„ ft ft — ft- ft ft
3*^
Bath.
Or we dress and tod -die off in se • mi - State
To
fes - ti - val, a function, or a
a=
1 j j «rir.u* . j j j n&±*
1st time ff, 2nd time pp
&*-4^— f Mr
M
I
£
=EC
*=&=*
*-*-
=*=*£
J-*;*;
-ft ft ft J*
g^p
-ft— ST
^
^
t r
^ : ; : r^
-»— » * *
■ •
tr
■■ v 0
Ute. Af - ter that, we ge - ne - ral • ly Go and dress our pri-vate va • Ut — (It's a ra - ther ner-vous du - ty— He's a touchy lit - tie J He. Then we go and stand as sen ■ try At the Pa -lace (pri-vate en - try), Marching hi -ther, marching thi-tht-r, up and down and to and
f*ft=rf*3a^m
«»7
=zd ■- d~ * ddd\ddddd -d—d~-d-
£
=&=£=£=£=&:
d d m a d s
=S=h:
r> f *
d d d
=T^e:
nr.aiij fro,
^
-Wntesome let -ters li - te - ra • ry For our pri -vate se • ere - ta - ry — He is sha-ky in his spell-ing, so we help him if we
While the war- ri • or on du - ty Goes in search of beer and beau-ty (And it ge • ne - ral - ly hap-pensthat he has ■ n't nu to *•.*. . . . u* .
— > -» i t rr.ri i ri rrii ^^ '-*— r r i r r r ■ ! -+- — *-
Cgit P-
_t.
=s
S
4
^- r — 'L r "L
^
P
fr K
* • d
=fc=K=
EJ-^hrf
-r-fr
^^
=ls=Ps
^
!
can.
go).
Then, in view of cra-vingsin - ner, We go down and or - der din - tier; Then we pol • ish the Re -ga-lia And the He re-lieves us, if he's a - ble, Just in time to lay the ta - ble, Then we dine and se pre the cof-fee,And at
%
TTTf
¥
%
Jl
*=*h
3=±z
~9 — —
3=±z
-=1— r*-
P^V-V ::U-^vJ
^
=r=s=
=E=fr
i
=R=tE
B=pg
£fcs=«=fcffc
Co - ro - nation plate — Spend an hour in ti - ti • va - ting All our Gen-tle-men-in- Wait-ing;Or we ran on lit - tie er-randsfor the half-past twelve or one, With a plea -sore that's em - pha - tic. We re • ti - re to our at - tic With the gra - ti - fy • ing feel -ing that our
¥
EE
m
^
-i — r
"3 Ht-i
» 1 r
1
&:# S 1 1jp^^r^
Jr
m
^s
^
-^ — ;■ i h i g i
^=p^
fe
ji; j/ju
g
^
±^^
Mi • nis - ters of State. da • ty has been done I
Oh, . . * phi - lo - h * pliers may sing Of the trou-bles of a King ; Yet the Oh, ... phi ■ lo - so • phers may sing Of the troubles of a King ; Bat of
I iS
i
P5=S=
0
i -'-
f f f
V N. N rv:
N ;V O
-!> N )> FT
S£
du ■ ties are de-light-ful, and the pri - vi * le - ges great ; Rui :hc pri - vi - lege and pleasure That we trea-sure beyond mea sure I» to pleasures there are ma -ny and of troubles there are none ; And the cul- mi - nat-ing pleasure That we trca-sure beyond mea iure Is the
WE^
^-»—
i * -■
*£=
*=
'^
^=3=^
33
|
\y$ * ; »;. ==*= |
* . — s > ' — r~ |
/ g'r |
5. msm |
-» ■> "■ ■> l — :— r |
-* p. * » 1 f J- |
|
run on lit - tie er-rands for the gra - Li - fy - ing feel-ing that our |
1 ' J* « * * Mi-nis-ters of State, du - ty has been done ! . 1 ^- |
v) 1 C Oh, . Oh, . |
. phi . phi |
^-» • ' ■ :~^ lo - sophers may sing Of the lo - sophers may sing Of the 1 , — 1 ^ 1 |
. . li . J ■-*-■ troubles of a King j Vet the troubles of a King ; But of =r- r-i—rjj |
|
g? s * ■ - -; — _^ H5=fT ' 1 |
^ « •■ :H |
* / |
— • — s — • — m — • r* i a ■ a ' |
1 * . » , F . ' '7T |
|
|
i — i — i — |
|||||
|
^ : |
— ' * — ' |
• * •— |
— ' — * — -1— * a — -H u. — — 5 — ■ — i |
U* fc> 9— * L |
> f» IS *
S * N N a ,>■>>.
V V V-^SC
a • — 1
da - ties are de-light-ful, and the pri - vi - le - ges great ; Hut the pri - vi-lege and pleasure That we trea sure be-yond mea-sure Is to pleasures there are ma - ny and of troubles there are none ; And the cul - mi- nat -ing pleasure That we trea-sure be-yond measure Is the
r
m
i r , ^^T]M----^— -g-
3=r
L=3=r
-'r— F-
. u 1st. GIUS. I 2nd.
m
run oo lit -tie errands for the Mi-nis-ters of State. Af-ter gra- ti • fy-ing feeling that our
da - ty has been done I
Chorus.
m
done !
lb
S19
No. 3.
SONG— Marco.
of spark- Ling eyes, . . Hidden, ty lit • tic col — . Quitea
Piano.
&>-,-»— .-» I ,-^
:Z=?
y-
In a Hunga
S^:
3^±
==P
er and a niature a:"
n on, feir—
mer - ci - ful c - clipse — . boat with trel - lised vine, .
Do not heed their mild hi Fur - nish it up- on the
^=^^^'i^ (\ " 'i^ " $
V-
I
fr+-ni £' -s
1 1
^
5^:
-M-5!-
S
n±
te
s.
^^
" E L>
p
■pot
— " *-
Hav- ing passed the Ra • bi - con. With the trea ■ tares rich and raie
Take a pair of ro I've en - dea - vour'd to
sy lips; «e - fine.
Take a Live to
( ^^ j^^^f^^
±=f£=L/X
HgH
I
E^B
=?=
-* — i — » * aj t»
fi • gtrre trim - ly planned lore and love to live —
Such as Vouwill
ad
"V 1 / ' ^ /
mi - ra - tion whets pen at your ease,
(Be par - tk ■ B - lar in this) Growing on the son - By side-
Take 1 Fate ha
ISO
I
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f
SI£r
3, « »~r-
H|J;"N>
^
=1— =!-
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fr-r
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ten - der lit - Ue hand, do - thingmore to give.
Fringedwiihdain - ty fin - ger - eites, Press You're a dain - ty man to please,
2nd Verse.
it, pres K-
1
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^
?
ra
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:^
you're not tat - u-hed.
I
&
mtffl.
H , , *■
rr^ >-^
3
in pa-ren-tbe - m; — Ah I
Take ... all these, you luck - y Take . .my coun - sel, hap - py
not « . t» ■ itd. Ah I
— *^
* ? £ g £— Iff £
t-J
i
*fc
gr-M^f~:T !> -■-
L»— E
.Take and keep them, if you can, . Act op - on k, if you can,
If you can ! Take all these, you luck - y H yon can I Take my coun - ici.hap • py
Take and
Act op -
:te
ig<i^^^^(^*V^#^a^(#^#
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keep . . tbem, «... it.
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you you
oa.
if. . If. .
m
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fete
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Take my conn ■ tel, hap ■ py man |
ka Tf ■ m ft. f y*
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No. 4. SCENA, CHORUS OF GIRLS, QUARTET, DUET, & CHORUS.
Allegro vivac4.
fir' f<m K -m . m . I m . I —
Piaxo.
Chords.
fiu, and we're bronght your wires — And to that end we've cross 'd the main, And don't in-tend to re • turn * - gaiD I
l
r
^EE
^m
k^_.»
n I
-I — •*-
A K-
=
■ ■
I V:
tar. nnd we're brought your wives — And to that end we've cross'd the nuin, And don't in- tend to re * tarn a • gain I
^."n .>
WTitt
HN^
^
ffi^
r=r
x-npnr*^
"J
P^^^mLz.^ ^Ci^^rr-f.v^^lMV^irH^r"^
s
To that end wt'n cioss'd the main, And don't in-tend to re ■ tun a • gain ! Hen we are, at risi of oar
^^^^^^ H :.^:u :J- ijii:n ij^^iiN^fe
To that end we've cro&s'd the main, And don't in-tend to « • turn a - gain I Here we ire. ft* risk of
f^B^t^^^^^^-M^^^^^'11^ H
ruJ^|r!frtfrtffa^!frPi^^ijrLL-^^
i
t/r r
T^
i i I * 1 i ^H
pi" g -^v 3Tl
3=^=
r ' r r
li»e«,
And we're brought, we've brought your wive*.
Hoe #* in, *t the
^1 1 | gj 1 JS1 1 j^l 1 j'^-^l-y'-l 1 /
^-3-
r i
■ ■
live*,
we're brought, we've brought 7001 wive*,
Ben we in, *t the
m : j j 1 .^^^^i m H 1 rp m \ *j m^E^
c«»-.fr ffi. r. r.i.r. f.i.^r f>i . .rfr.it! Ti iti T-4— 4.
feJA=be
rgdf tM^JS
t t r
riik of oat Uvea,
And we're brought 7001 wives, And to that end, la that end we've
m i. 1 m I ij. j. i.-wJJir- r7j,te=;^
risk
Urea,
Acd we've brought jour wive*, And to that end, to that end we're
i<H
crou'd the .
And we don't, don't in - tend to re ■ torn » (tic I
9 r j_J *j> 1 J • J_.- H-p — CjpH-a-- — Q * 1 r j^TT
f
crowd the . . aula, And we don't, don't in - tend to n ■ tun • • (mis I
loo' • • be - dience ii strong, Cs ri - o - u • ty'i stronger — We
* WWWm&Wt
&% j 1 1 r i||| I . | j | gfi r-n j in I fi^C n|;n-jn|;i I pj|
JMl' # # iF -r
wnk - W fc> long, Till we could -nl welt leog-et.
2nd GIRL.
^m
Si
r •■ J i-
=t*
It's bs ■ pa - dent, we know, Bat will) -
Ptf£=*
jii; iiir
33 I i i
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s
m^^553
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h-
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tf — *-=-* — * p ' • * » ' ' ' ' * • — ^
oat your so - a - c * ty Ex • b ■ tence was slow, And we lung for v* • ri - e • If — Ex
@a
03:
jtafr** > III 1- at *
? J J , *« ^i«J
«
1 1 1 r
r^t
-^H^
\ ■- -- ~-
Fed.
P
9HI
horus. ist Girl & 2nd Girl.
nz
±
I K
J- .njvu^
tyl
HH
5
£4=fc
So here we
/
are, at the risk of out bt^t.
• - tyl
i
iS^
«.
So here
ue, at the risk of oar Uvea,
N^f filial
m i rn n*
. j j i *
m
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d • m m d
* * " u d
k-^ffm^H¥ff-f^f
=*=*
i
I**
p
fc=
I I
^^
crciJ- rr±tf^
\^—rr
And we're brought your wives, And to that end, to that end we're cross'd the
I
I I = =t
-i—N1^
s
S
e=t
^s
And we've brought roar wives, And to that end, to that end we've crou'd the
m
-f—f^
g n i lmm^^^^j^
And we don't, don't in • tend to re - turn a - gain !
P-
li rlj
;— J * •
i
Gius.
^
> ■ -■
rr^^^p^
-
main, And we don't, don't in - tend to re * turn
gain 1
Tea
f. fff.f |4j
!
* . *
w-rtTr rj| rfj f <-Jir£TrrJ I Lr ' Lrfi cl/imLi; toig^
Pad.
I
Tessa.
GlADI.
&¥=^
I H f—f ' r 1 i
i r i
s
3
Gfau-ep - pel
~U
Mat
4
i
Marco.
£=
Eifcg — ^
&
s
> J - r 3
at
Gia-net
*•*!•#* 1 ttttt ftltt*
s» i i i i ^ I r r i t^^f^pttt
fe
^ g
aS
n7
j listesso tempo.
GlAN.
IS
^t
^^^
1. Toss-ing in a man-ner frighi-lul,
2. Do they keep you at a distance?
And we Or do
H
. Tessa
feas
±=s
£
SEEijEIErF^
^^
5
I. Af -ter sail-ing to this is- land — X Is the pop - u • lace ex - act-ing?
¥=*
We are all once more on dry land— All oo - aid • ed axe you act- ing,
^jJiJ^
9a
P^
-> =S
a±
*— *
find the change de-light-ful, they pro-vide as - sis-tance ?
Tell me, are you fond ofreign-ing? — How'sthe If you do what you ought not to, Do they
m
pcrfc
^=tc
Itrsr
m
> «
5
^F1
— ^~* — " ff* T. ■ " ff*~
As at home we've been remaining — We've not seen you both for a - ges, When you're bu- sy,have you got to Get up ear - ly in themorn-ing?
H
m
*=»=
T
^^
sa
£T
¥
food, and what's the wa-ges ? give the usu - al warn-ing ?
How does Roy- al • iz - ing strike you ? Lots of trum-pet- ing and drum-ming ?
P
Do you Ain't the
m
s
$^^m
Does your new em -ploy - men i please ye ? — With a horse do they e- quip you?
Is it dif-fi-cult or ea-syp — Do the Roy- al trades-men tip yo* ?
I**
think your sub-jects like you ? li ■ Ye - ry be- conving f
■ ■
t • W
\ j, I ' -r-b-r-r
Take it al • to - ge- ther, is Do they give yon wine for din
it Bet- ter ner ? Peaches
g^
* * * r:
^4— i
I am anx-ious to e - lie • it, Is it plain and ea - sy steer-ing ? Does your hu-man be- ing in -ner Feed on ev- 'ry-thing that nice is?
3F
$
*=£
!* ^ M>
-*-»-
=£=*:
p=p=J=fc=Tg
J S K^,
3=^;
' 'J
^=+-
^.^"plura and £cef ? } We shaI1 both go °° rMluest-ing> Tm yon tel1 ". n«- « doubt »«. Ev- '17 • thing n in • ter • e»- ting, Tell u,
dfe=
f >i r
r m s r
g-^M s E * £ r* s g
f >
a=sz
F
r M •
^=^L
=*=£
We shall both go on re-questing, Till you toil us, nev-er doubt it, Ev- ry - thing is in - ter • es- ting, Jell us,
m
jt jfc -g.
I 1 ! 1 ! 1 l! l ! -t^^MbEJEElaE^r:
S
/Chorus. Cfo&
They will both go on re - questing.Till you tell them, nev-er doubt it, Ev*'ry ■ thing is in • ter
J .*,*- » Z .? * * - - * s
H-ti
m
a- ting, Tell u
a*
M
-*-»—*-
r / k r u E P U
s»— »-
-c — »-
9 9 K 9
tell u« ill • bout it I They will both go on re - questing.Till you tell them, nev-er doubt it, Ev-'ry - thing is k> - ter ■ ea- ting, Tell m
I
I39
£
r-nr
"I m7~
GlAN.
3=fc=
3^*-\ ' ' jSJ
±±L-£^±=^JJ^_J23
We shall both go oc re - questing, Till you tell as, net - er doubt it, E» ■ 'ry
Tessa.
h r* J*
^^
zEEfczsr;
§
* 0 *
^
S. U the
We shall both go on re - questing, Till yoa tell as, nev • er doubt it, Ev - 'ry
pp
S H s — h — s s * — te
+s=!^
■> f h-
t t t i t-*-t— t— I I=S
tell as ill about it I
tcJi u ill about it 1
They'll go on re - questing, Till you tell them, nev - a doubt it, Ev - 'ry
Zt=^Lj-l-^ ;|| j 8 'iJjjj-l
tit*
ft/^,* -»--«--»- <- -»- *-
/ U ' ' ¥ ¥
• — *— »-
y — y !>■ •/ — »> — * — ¥ — ¥-
They'll go on re - questing, Till yoa
1>- 0- -0- 0- -0 0- 0 0-
1
tell U ill a bout it 1
tell m all i-bout it !
V ¥ ¥ ¥ ¥— ¥ -¥ ¥ -
tell them, nev • ir doubt it, Ev • 'ry
m
s p a p s r*
g
p
— f-= — x — i — ™ — ' n — V c — V
> s E „ fg^Js:
r» s r»
H) it J * J- * jzJzz^
J
^ ' J ' ' '
IT
thingut in - ter • eating, Tell us, tell u ill «• bout it ! Ev-'ry - thing is in - ter • est-m^, Tell as, tell u» ill * - bout it I Tell as
-» — m-
thing fa in • tet • est-ing, Tell as, tell at til l- bout it 1 Et- 'ry - thing is in • tet ■ est -in.;, Tell us, tell as all a • bout it I Tell i
~t~ i ?•*- V V jf V "•' ^ ^ *f *' *? *f * * * *
¥¥¥¥<¥¥¥¥ ¥ ¥ ¥ ¥ thing fa faj • tei • est-ing, Tell a, tell as ill ■ • boat it I Ev - 'ry - thing is in • let • est- ing, Tell as, tell us all i • b n it ! Ev-'ry -
S^
0.00 0—0-
ia- ter
rrrrrrggi *— ,=ry
¥¥¥¥¥¥¥¥*¥¥¥
0 0 3 0 0 0-
-0-0-
- • — » - •— • — • • • -
~¥—V thing is
1^*
■y — y — ¥ — i
est-ing, Tell i
>f il
> — t» — * — be — ¥ ¥ ¥-" — ¥ — V — ¥ ¥ — ¥ — ¥ ¥ — ¥~^¥ ¥ — ¥ ~¥ — ¥~ ¥ ' ~¥ — ¥~
tell is ill i • bout it I Ev - 'ry - thing is in - lev • est- ing, Tell as, tell as ill t - bout it ! Ev - 'ry
I
^^
^Sz
0 a_
130
i$l
No. 5.
CHORUS AND DANCE.
Tempo Ji Caihuch*.
frAJO-
i
^
v-*-*
-p — ps— P3-, * — - i p — • 1 1 — * — ei n , —
-S PE
=£^
Dance » c> • cfao • cha, fan - dan- go, bo
S
f
m
le • ro, Xe - re» well drink — Man - a ■ nil • la, Mon • U • n>—
l^x-
->- t *
f f » , f f p i r ry-e-f- f- , f- f- f ,f f t-
■ • m> i* r •* — H >» ■ « . . M" * — *- / v / \ * / ? \ \ / 1 > / > if f r r —
/ 9 V Dance a ca • chu ■ cha, fan ■ dan- go, bo - le • to, Xe-res we'll drink — Man - m • nil • la, Moo • te • ro—
) v" ~v~ /■ pesante
\ ?..v J* _ \-i-t--* i . 1 1 1 . * i i . i i i . *r f i
US J 1 Ll I L I III i I L I ! I i I j E
-• — «-
*f +r~
JZ-JL
F^
ZXJ
^rM!^^^=
0 » « «
v 9 — > — > ' 1» 1* =F
Wine, when it pjoj in a • boa- dance, en ■ nan
^
i— U4JLLt_^=p^=b^
-? — ss^ss
-V— *^
^_t : it :-t
£_
ces The reck ■ leu de • light of that wild ■ est of
Jfc-
f f g ,f g
£ t-
f f f
Sfc
-• — •-
FH* — * "f — f f=x= * ':*=:f:
/ / /-
v / /
> :± E
Wine, when it rani ■ t> ■ ban- dance, ea - ban • ces The reck - less de • light of that wild - est of
-« a
SETEIS
^BP^B
3 ^
S
- |
dp
B
I -W,-S -t^JLJ^J I
B^r^^
:— r-
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|
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^ |
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— |
■ ft N-S h v t |
|||||
|
du -•- tf4:-r — ~— |
ca! -#- — • — |
~S g 1 g £-g-g g g 1 To the pretty pit-ier, pit-ter, |
— *— pat • |
— K- -• ter. |
s g 1 — g g tf g g g ' And the ditter, dil-tcr.dilter, |
— *— du |
— !*_ ■J- ter— |
=1 |
Clit-ter,elit-ter, clat-tef, |
|
cL-Q • |
f cal |
. . | . : ; *u * |
• |
4- |
i ifff f |
f |
i |
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|
|
1 f" j> ' ' ' |
— ■ -^^^ |
— r |
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staccato. 1 h r |
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|
( <^b i — |
*(■■) : *, *, m, . |
L~tr |
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=§=s
=*=*
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ss
*=5
Pit- tet.pit- ter, pai-ter, Clit-tet,dit-ter,clat-t«t clit-ter,clit-ter,clat-tei
g .*-■?• ^
£±:
-g-g-HS
_s S_£_e
B==fc
-g-g-g-g-g-g-
To the pretty pit- ter, pit- ter, pat • ter, And the clit-ter,clit-ter,clit-ter,
1 1*:"
|
'33
^*T
^
¥n;
nil
U, Mon - te - ro i For wine,
S^=
V V * when it runs in a - bun-dance,
V
1 1
?^^fe£^
^p=£
en - han - ca The reck - leu de
■y b b b h — -h <rr
^3
la, Mon -
For wine.
en - han - ces The reck - let* de -
*\
^
£=*
JEESE
^
1 N-
^
r-*-^-
f
# *
light of that wild - est of dan • cea, that wild - eat of dan - ces, The reckless de ■ light 1
|
ifH—^T— -^-^1= |
# |
-J ]■ f r- r t |
■ ■ ■ |
» » m |
^» — » |
i |
|
|
light of that wild • at f * f * * (Wr; i* if y Ik '•/— |
of * — y— |
42 * •- -• • • - v V x. y dan • cea, that wild • eat of tjS £ f Ja_ ^_^ |
L-l* — * — > — — dan- cea, The — i ' * |
C> / '/ reck-less de - f- T t — y — v — / |
=t= light 1 . |
||
|
4^= |
— i |
- 1 |
|||||
|
L-_b |
* * * _^ — ^ — ^ |
* * |
^r |
(S_S*-
«7 r> \r 9 '< 9 * * * ' ^ — - -' ' ^ a — *-
Dance a ca - elm - cha, Ian - das -go, bo - la
Xe ■ m well drink— Man a • aU - La, Moo - u i»-
^
£-£-
-j» — -4— « ■ * 1» * *^4— ^
•v— i-i-
Dance a o* • dm • cha. fan • dan -go, bo • la
to, Xe • it* well drink— Man - aa • nil ■ ta, lion - M • »»—
»J4
m
y§
t~1 -s
Wine, when it
ru nj in
^
bun-dance, en - han-ces The reck-less de • light ol that wild -est of daa
f >f f
:=£:
jBt #
JL
?=---*—£:
% ♦ ♦ •
Wine, when it
M,M
bun-dance, en - han-ces The reck -less de - light of that wild - est of dan
**. . ± *- * f
-t- 1- -r- -p- r- -*- -t- +-
- ttt i'
flrl^l Mzj^L» ^'
r r r i r r i"
s
ban- dance,
f ' ' — * — * ' 9 — 9 — 9 9 — T
han-cet The reck -less de - light of that wild -est of dao ■ ces, The reck lest de
*T
t 1 » 1— I 0 I ' — ^ ( ' — I — ' i — -*—l I 1 '
£• — •- -• g» • »-
-*— •-
-v — c — r-
-* ¥ *~
35
1— ^
^E^
light of that wild - est of dan
# * * * * * * :
-h -3 ^J"" i b ^ >-a 1 ■
Wfr— >=?=>- 1 ' * =g
* :
4-5T=
El
light of that wild - est of dan
^fe
5
^^
I es r^^uu-4-v ^ j^ j g
-12* * r# P-
t ^jL
tt-MLLr^r
f
ilii;
:5F=sh
4
^3
» ■
—
r
•36
No. 6. SONG— Don Alhambra (with Marco & Giuseppe).
Don Alham.
r
Piano.
.. N
_•._,_ *-
-fl-ft
S=5T
*=S
^
Allegro non troppo. •
Then Ured a Kio^u 1 we ac«n lold, la the wonder-working uay* .ji old, Wt»
' 0 ~P i 0 I =C
i
>> f> g -gi
«5"
^
■J J ->-->
h h ,
>5S*
* — •-
-• — ■-
^
*=+
-0 — « ' H| s r <-
^S=^
-*— P-«-
r
1/ ^ »»>'/» > s-
hearts were twice as good as gold, And twen- ty times ai met- low. Good- tern- per tri-umphed io bis face, And in his heart he
lEf^^E z^=\=S=\
J^i^-. -«+.-»-.
zgzj-ajz^bii
g-^r^^n
r3_rj!.
2*-
?*u
Sit
i> a . ^^-j-^-n i — -, — — i is , s . i ^ ^ — eg-i r^r~ l — i i — ir-gq-4
^^
-* », r* — •
-, q — i -, ( m M 1 s; 1-
:»
^
* U*
LJ u ^ U
f M » F^
=Jn^E
^f*^'=j*
-to ^
made hha *• • 17 ltd to think That tome, at junk et at at jink, Most be content with tod - dt, with tod
^m
•^rw^Tt?
iH3=i
4-^t— e
g i : a .
FS
fe^
it
W^IP
m
T
/a
; ri - p I p H r ,-i-jL,— b— 1 d ■ 1
— m -» 1 P — 5- -3 — - — • • *
1 1
»»r
$
£Eg
J^f jUjiAj-g-; c I g : s-.Nfl5m^H»
T
dy, tod - dy. He wished til men u rich u he (And be was rich as rich could be),
Marco & Gros.
#5
fefe^^gfefe^ :i g m -ri J t, vSto±; ■ r I j \ t ;i M g p
K
So to the top of e» - 'iy tree Pro - mo - ted er • 'iy - bo - dy. Now, that's the kind of Kis£ for me — He wished all men at
i r j j i j m ■> i
.Don Alham
B J »
JJmVJl'.f t-Hi-rt-^
9^
■ * »
rich at he. So to the top of
■-#-y-
er- '17 tree Pro • mo - ted e» • 'ry - bo - dy I Lord Chan-cel-lon were cheap u iprata, And
Biah ops tx their too • Ttl baa Were pleo • ti - ful at tab - by cats — la point of tact, too ma - ay. Am - baa • «•• don cropped
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couldn't bat— Two Pu - tj Lead-en k eachitreet Main - lain - tag, with no it ■ ti« beat, Tatar n - ri • oai •- pin ■ ioai I That
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No. 7. QUARTET— (Gianetta, Tessa, Marco, & Giuseppe).
Gianetta, Tessa, Marco, & Giuseppe in unison
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Allegretto modtrato.
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Id a com - templa - tive fashion, And a tran - quil frame of mind, Free froa
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ev - 'ry kind of pas - sion, Some so - lb - tion let us find. Let us grasp the sit • a - a - tion, Solve the
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doubt, Giu • tep • pe wedded — That's, of course, a slice of luck. He it ra- ther dun-der-headed, Still di» • tinclly he't a dock.
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And
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Tic-tun too of Cu-pid, Mar -co married — that is clear. He's par - tic - a - lar - ly stu- ptd, Still dia - tinct-fy, he's a dear. PP PP,
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I wu ma-ted; I cu prove it in a trice, The* her charms are o • ver-tm - ted Still I own she'i ra - then
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If ihe mar-ried youi Giu - sep • pe You and he will have to pait
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I hare to do it IUwar-rantshe'llrue it — 111 teach her to mar- ry the man of my heart I
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No mat-ter, no mat-ter, If I can get at her I doubt if her mother wilt know her
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No matter, no matter* If I can get at her Idoubtif her motherwillknowher a - gain I No matter, do matter, If 1 can get
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I have to do it I'll warrant she'll meit — I'll teach her to mar-ry the man of my heart I U I have to do It V\\ warrant she'll rue it — 111
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at hei I doubtif hermotherwillknowhera - gain! No matter, no mat-ter, no mat-ter, do mat-ter, no mat-ter, no mat-ter, no mat-tcr, no
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teach her to mar- ry the nun of my heart I I'll teach her, I'll teach her, HI teach her, IT] teach her, I'll t»achher,niteachher,m teach her.m leachher.I'Il
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- is • ted Still I own ihe'i r* • ther nice, She's ra - thet, ra ■ ther, ra - ther, ra ■ tier, ra - ther, ra ■ ther, ra ther
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flo. 8. CHORUS OF MEN (with Duke & Duchess).
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Allegro a la marcia.
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And at twen - ty - one
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claim thtii Gra-ces,0 ye dou - ble bass-es!) Of the King who rules this good - ly land. (Ye bra - zen brass - es bang!)
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claim their Gra-ces, O ye don ■ ble bum I) Of the King who rules this good - ly land. (Ye br» ■ ten brass ■ es bang I)
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No. 9.
SONG— Duchess.
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^— — day when I found that * |
>-* S — =-= — a ■ =r — " -*■ . -a- -4- ' -»- < Is was wed - ded To your ad • mi - ra • ble sire, I ac - re • li - tnce On my threat - en • ing ap - pear-ance, And a |
know • ledge that I dread • ed An ex • re - so - lute de - fi • ance Of ma ■ |
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plo - sion of his ire. I was li - tal m - ter - fei • ence, And a -9 1 H — 1 j — F^ — 1- ■! |
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did • n t dare re • »olt. For I fear'd a ihun • der-bolt I
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To
I wai al - wi)i »e • ry wa - ry, For his
be wife and has ■ band too. Was the on • ly thing re- qui - red For ta
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fn ■ ry was ec - sta • tic— His re - fined vo • ca - bu - la - ry Most an plea * sant- ly em-phat - ic To the
make bis tern - par sup - pie, And you could - n't nave de -sir'd A more re • ci • pro- ca - ting cou - pie. E» • e*
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thuD-der Of this Tar- tar I knock 'd un - der Like a mar-tyr ; When in • tent - ly He was ru - ming, I was gent - ly Un - as - suming — When re- wil- ling To be woo- ing,We were bil-ling — We were cooing; When I mere- ly From him part-ed We were near - ly Bro-ken-heart-ed — When in
vi - ling Me complete - ly, I was smi • ling Ve - ry sweet • ly, I was smi - ling Ve • ry sweet • ly, »• * IJ se - quel Re • a • ni ■ ted, We were e - qual-Ly de-light • ed.We were e • qual - Ly de • light ■ ed, la
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r» ' » • i «-= ■-= ■-= ■— * S> — »■ C — I _^_ . Jf
GiT - ing him the ve - ry best, and get - ting back the Te • ry wont— That it Se with dou ble shot- ted guni and eo -loon nailed on- to the mast, I
light
•di
g B fe ggagjiil g §j gj lfi g jj -TH
m
i a i
£=*
1*4
\i
£=Jsz
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how I tried to tame your great pro - ge - ni - tor— at 6rst ! Giv - ing him the ve - ry best, and get • ting tam'd your in - tig - ni - fi - cant pro - ge - ni • tor — at last I So with dou - ble - shot - ted gui^ and co * loon
f'i, f i J^fe
£
*±
f^^
r
f
back the ve - 17 wont — That is how I tried to tame youi great pro - ge nail'd on - to the unit, I Um'd your in - dg - ni - fi * cant pro • ge
m
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a. Bat
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No. 10.
RECIT. & DUET— Duke & Duchess.
I
**
Recit. Duke.
m
SS>
r i N
^=^
* *
Tohelpunhappycom- 1 ... moners, and add to )
en • joy * ment.
PlAKO.
. , ( fords a man of no- \ ^ ( blerankcongeni- J
• ploy ■ ment i
Of
I
4Si
S
Dim.
EE
h a
-p — f
attempts we offer I » you example. J
you
£$=
hu - Urn • tirei
The! work is light, and. I jm . ^j
I may add, it's most re- (
Small
rbc«e
^ Andante moderate.
-%r
-3»-
Si
gg
I
fee
DtrcHi
r* i« x »
3 — 3
i B r- =3-
JW^i
They're high -ly de-light-ed J Their great dou- bU bar.rtL
H . tie. and or- den for Mayor, and Re- eor- den I get — and they're high-ly de-light-«d— pro. - ing pre • rai -len, The tea - dy-naade tai-lora, Quote me a* their great don -ble • bar • rtl—
M. I-
P^TfrTTft|JT--J^3
j j 1 1 r^L£3=t
aBi
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tse
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Yes, Al - ilermen knight-ed. Soch uear-ing ap • par ■ el I
$Jy * \ f * i m * * > g s m f >> r* J* r« J* i . . ., ^
(fr"?— egT-*— *_/ J I « • « « « g i | « J « * « ■ I !— J^~ E
-'H^
P.'s bar- on - et • ted. Sham Col-'nels gm • set - ted, And se - cond-rate Al - der- men knight-ed— low them to do so.Though Rob- in-son Cm -soe Would jib at their wear- ing ap • par ■ el 1
Foun I
£r
Sh
|£ — ■ — 'j— « m
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53
pF
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-H-^JUEti
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Large sum to his ma-king* All Com - pa-oies bub - bie 1
W
i r
-i— E
At Aa
- dation - none- lay -ing I find ve • 17 pay- ing : It addi a large sum to my ma-kings — sit, by se - lec-tion, Up • on the dl - rec- tion Of sev - e • ral Con - pa - nies bub- ble —
One tenth of the u- kings. 1 pre
He's paid for his ttoo-blel At
char- l-ty dm-nersThe best of speech-spinners, I get ten per cent, on the tm- kings— soon asthey'reBoat-ed I'm free - ly bank -no • ted — I'm pret • ly w«ll paid foe my trouble!
iJ7
[■»■»
q*RJ> '
-r=s
h s r
• 0 g=
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lent t - ny la ■ dy Whose con- duct is sha - dy Or smacking of doubt-ful pro - prie- c • ty — mid die class par- ty I play at i * car - ti — And I'm by no means a be - gin- ner —
-sr^~
I
Wh.
r<>
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Doubtful pro • [>n e - ty. She's tot a "be - gin - tier.
_ - 3
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Vir- tue would qaash her, I take and whitewash her, And launch her in first-rate so - ci • e- ty — one of my sta - tion The re - mu-ne - ra-tion — Five guineas a - night and my din-ner —
i
£5=
E£
TTTT^
First-rate so - ci - e • ty I And wine with her din- ner.
I
> 5 £
^
IS
^^
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m
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S
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re - commend a • cres Of clum- sy dress- ma-kers — Their fit and their fin - ish • ing touchei — write let - ters bla- tant On med • i • cines pa - tent— And use a • ny o . thet you mustn't —
P
■'H'— H
=ts=S=
rrt77
Their fin - Uh ing touches. Be-lieve me, yon mustn't—
\i
m
^~'^^'PiPP
«3»
-fe — k — s N re
— N ft S )» Ec
J ■ « « . '-
tks^^M,
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mm m ad - di - tioo They pay for per - mis • lion To say that they make for the Ducheaa — tow my com • plei -ion De - riva iU per - fee • tioo From some- bo-dy'ssoap — which it doe*- n't—
P
**=
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mm
They It
make Tor the cer ■ tain ry
m
Duke. vUHmt.
e 5 E Ec
r-n^-^fetut-j i g ,h^^
mm
M . f d M
We'te rca • dy u wit • ness To ■ • ny one'i fit ■ nen To fill a - ny place ot pre -
££
n> bV J .; -^~Te
Duch-e»» I a. ThoM doa-atl
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BE
I
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« — a
Duchess.
tp ■ [ p : l^i-J > i ' g i-Jv^J^
j ■ »
I
far . meat — A place or pf e • fct • mat,
We're of - tea la wait-lng At )oa ■ Ut ■ 0-Knf, Aaa
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lame* limes at • tend an in - let - mn" -
Duke.
mltmpo.
^
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Io short, if you'd kin - die The
£r
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5
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We like
IS • ter - menu
S
Id short, if you'd kin - die The
*
colla voce.
a tempo. mf
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£^
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bfcji
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=4=^=
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Ped.
feg
A=»
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spark of a swin - die, Lure sun - pie- tons in - to your clutch - es — Yes; in ■ to your clutch - es.
t
be
7 ^
±=n
*=jv:
Or
l^
^=
^=^=i
^
n i r
•park of a twin - die, Lure aim • pie- tooa is - Io your clutch - es — Yes ; is • to your dutch - es.
PedL -^ 4
f r
n=#^
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ai lib.
pn*-m*&t- ?::? :i :trfti\ ^'n ^;i pg \ \
hood-wink a debt-ot Yog cms - not do bet -ter Than trot out a Dnkeor a Duchess,
ad Hi.
Of • Duchess !
pn^-rrtt-t=*fti^
:^;iK
m
-t-p-
hoodwink a debt-or You can - not do bet-ter
a Duke Of • Duchess!
p" j: 3 1 j HHrHi^-s I j W " IjT, f- tj,4-Hp
ew rn m
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i a ti
1 1 «i 1 T
^
■60
No. 11. GAYOTTE— Casilda, Duchess, Marco, Giuseppe & Duke.
i
Duke.
Se=
3
E*
Pi=P=
Tempo di Gavotte. Allegretto.
— ^-J=n
I US 1
m
m— *'
* ^n
^
urn
a
— r— i »-
PlAHO
mf
i era.
wm
A
J- /* — k = r - , g f!
dim.
£
-• — F
=1=4=
=fe±=£
-» . «
-^
f
^
-*nr-
-»^*
coer - tier grave and se - rioua Who is a - bout to kiss your hand : Try to com- bine a pow im Totte per - form se date - ly — Of - fer your hand with con - scious pride; Take an at-dbmde Dot loo
3Ffc
-fc
i
m
i , i \.\
i i
-x ->-
rjriJ
it.
With
Still
a de mean • our •of • I - ticnt-ly
do - bly bland,
dig • si tied.
Marco ft Grus.
P^P3
5*
~-
-K — !*
• 9
P • •
L Let u com ■ bin*
a. Now for aa at - d -
m
161
pn^
1 i i
i=£
Thai's, if any • thing, /*? ma
Once - ly, twice - ly — once • ly.
c:
pc rioas With a de - mean • our
■tate • ly, Still nf • fi - cient- ly
m
^■^
no • bly bland I
dig - oi - fied !
4U -&-
^
v— " l» E
±
?
Sr^r^
JC^T
£
*
£
S
m
=s=ps=
i*— *#-
=F
m;
fee
—1 ,.— 1-
bend - ing— Too ag • gres- sive • ly stiff
twice - ly — Bow im - pres-sive - ly ere
and you
I
grand ; I. Now to the 0
glide.
Duke. 2nd time.
ther ex • treme you're
9
2. Ca- pi- tal, both, ca- pi-tal, both— you've caught il
lh f 1 g ^-^'j 1 ^n^T I j j-^1-7 1 mil frj — 1— »4
a
E^E*
1
E
S
^=^
"R
r
El
Cas.
!» r* 1 4k
» — »
he
-» — j:
5
iH
Now to the o ther ex - treme you're
Duchess
-V— *-
ther ex - treme you're
£1
1. Now
to the o
> 7
^P
=?rS«:
tend - ing — Den t be 10 deac • ed • iy coo ■ de ■ scend - ing I
Cas. & Duch. 2nd lime.
^^
H S
* S »-V
3^=tS
ly I That
^
T
»-■ * *
an:
1 it
--==
U the ttyle
-t-
RF:-
=3=*
of thing pre • cise • ly I Ca -pi *tal, both, ca -pi -'al, both — you've caught it — -l—i — -I I 1 11 r=— ' m - m— jfe
3»
jdL
11 V
ai * #
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F
T~
>-
P
5nt=«=« °4=t
*
T
i
i6a
tend - ing — Don't be so dread - ful • ly a>n nice - ly ! That b the style of thing
de pre
seen - ding I cmc - ly 1
i i
KARCO.
Gius.
m
-»^*-»-r— £
■f — t
tend • ing — Don't be so dread - ful - ly con - de nice - ly I Thai is the style of thing pre
seen - ding I cise - ly 7
P
I. Oh, hud to
Marco. 2nd lime.
t *
±
mmm
JLn^
1
Oh, sweet to
.GlUS. 2nd Ion
£=3&a
±
17
tend - ing — Don't be *o dread ■ ful - ry con - de nice • ly ! That ii the style of thing pre
seen - ding 1 cise - ly I
3=4=^
I -J f1 — I ¥ 1 — i — f-
£
Oh,iwect
£^4-
s
4
s
3^
^r
=>=5iI
yyy^yi
§
^
m
m i j ijf
SE
S3
please some no - ble - men teem I At first.
a - ny - thing, t#> tin - bend - ing ;
Off
m
h i*
N S I
¥
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^
^=
please lome do • We - met teem I At first,
i
s : r i r
h h l^f
a - ny- thing, tm on • bend- ing | Off we
3
BE
-*-t-
^^F?
-^-g-
ss
:C=
earn • bo - ble ■ man's praise I
r J ::
Ca- pi -tal, both, cm* pi-tal,both — we'vecaught it nice • ly I Sup-po • dug he's
8
m
« • » * q « * — »-
>-s-g r »
IC
g-is=r
earn * do ■ ble • bu'i praise I
Ca-pi-tal, both, ca • pi-ta.1, both — we'recaught it nice • ly I Sup - po ■ ting hf '•
163
N=^ c i &n
^s
7
1 nr
g°
to the o • tber ex treme
Too cod found-ed - ly con • de • sceod - ing !
i g m i r- -^^p^#^^g
£S
go to the • ■ tbei ex • treme —
m
r u '-'
Too cod - founded - iy
3
^J_l J «_:
de - scend - ing t
right id
what he says,
This is the style of thing pre
m
— iSZ
Cas. /
^£
-*-*-*
ii
DUCH ESS. /
Ca- pi-tal, both, ca- pi-tal, both — you'vecaught it
r rTi -^g^
*=t
^zui:
Ca- pi-tal, both, ca- pi-tal, both — you'vecaught
XT
*»4
tm
r» ^
^tzz
^=
=C
tin
the
style,
That u the style
thing, the
^
P
n
this
the
style,
That
the style
thing, the
3^
this
the
n
gip*
style,
That it the style of
■ri-jOxO
3^1
thing,
the
^
f=
a?
^
r^
Pea
p
of thing pre rail.
%-• V
5=
style
of thing rail.
pre
lyi
3
style
IP
fe=±
S3
thing pre
IT"
i a
r^Lr r
n_j_fr-n
^
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ra//.
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s
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Fed.
ter^ff+j-P
[66
No. 12.
QUINTET & FINALE— Casilda, Gianetta, Tessa, Marco, Giuseppe & Chorus.
Cas.
^±=u
*H
**£
Here is a fix GlAN.
^m
lH
*£
Here is a fix on
Tessa.
t» f> > |:
-»■ — » * d
Here is a fix Marco.
5
E^E
?IA*0.
Here il a fix GlUS.
fe^hf, • r £ — i r ' r i J\ , u
tfcfcifc
LLT'UU LLT-
-v-^-q i i
=*=
-q — i— "-^^
Fed
ftfe"
£=
tt
^£
S
_t
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P™
ce - den - ted ! Here are a King and Queen ill - starr'd !
Et - er since marriage was first
ism — r=f=3
JZ.
f-TP ff
^£
ted
g
pre
I
S*te
ce - den - ted ! Here art a King and Queen ill - starr'd t
Ev - er s;nce marriage was first in - ven - ted
* * I » — » m M * \ •
*sr-i
a a
m
■ den - ted t Here are a King and Queen ill - starr'd !
Ev - er since marriage was first
la - ven
ted
m
r : r r
r r r r-
^
r—r—r-
E£
-» » f i
-y — t-
=F
pre • ce - den • ted I Here are a King and Queen ill - starr'd !
Et • ex since marriage was first ill • Ten
ted
i6?
ftfc
^?=^
P «-
1
NfT • er was known a case so bard !
fe^^^g
zr
4-
Nev - er was known a case so hard!
i
£f
*&-*--*-
3^_ .
l*=«^.m=
i?
Nev ■ er vas known a case so hard !
P
i>— *- 3t
S
Nev - et was known a case so hard 1
I may be said to have been bi • sec - ted By a pro-found
i
r r r I *— =f-
£=£
j*-
=£^
3^t
I £31
/ l> *
Thro* a ca • la • nu - ty un
ex - pec - ted I am di - vi - si - ble in - to three I
m
t=*
^
S
m
-* 4
^m
^-r — e
~*-
Thro' a ca ■ la - mi - ty
ex • pec
I
ttF
>* f r* f^iq:
ted
— T
I am di - vi - n - ble in - to three I
3E
f i» > r» > r« * • » —p « *
m
bd M M
~r—tz
Thro' a ca - la - mi ■ ty
ex - pec -ted I am di - vi ■ «i - ble in - to three !
ftfe^fe
Ui - t r o ■ pbe I
£*
^
tro-phe 1
(P^^
fehH^
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p^
1 1 L> 1 =^-i>— q— V- / 1 1 Eg 1 1 E 1=^^-*-*-^-*-^
t^s
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fcdfe
€*
i .
:t^
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3£
3tr^
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maf be taid ... to have been
led I
3=H
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StdJ*
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may be taid ... to have been
1*9
I
s
^§=
^
£
=q=q=
J|J:.hJ.i;j jbp.j j_^=js^
three I
Pg
O mo • ral - ists all, How can you call Mar - tiage
^
^^
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1
g^sf
i i
three!
^~ threTT
O mo • ral - ists all. How can you call
riage a state of
M ; j : J . i : j j g • i :-^=,^f=p
i i
p
O mo - ral - ists all, How can you call Mar • riage a
Marco.
i i i J^t-J^^^
. i; j- nri:^
±p
4
O mo - ral ■ ists all. How can yon call Mar • riage a state
GlUS.
N f
I js I ^ j I £E^EE£
S1
^— ^1 1 . =-»
J *
O mo - ral - ists all. How can you call Mar - riage a
•tale of
**=
^
l^ m w^M^wi , i t \±±^0
&-
l^fP^
^^
• - i
« i i
T
T.
p«i
3-.
a
**=*
j jijj;J J|Q:>r eiJ1: Jip Jeir p
s
gfe
ni • tee. When ex - eel - lent has - bands are bi - sec • ted, Wives are di • vi • si ble
r J JV-^-iU;
^
f K f
to three?
^^
^t=c
3L
ni - tee, When ez - eel • lent has • bands are bi . sec - ted. Wives are di - vi ■ ri - ble in
to three?
feu r J :i:j-;J t±w*r pi:;:'e :.pir j J
ni • tee, When ex - eel • lent has - bands are bi - sec - ted, Wives are dl - vi - ri • ble
ni ■ tee. When ex - eel • lent bos - bands we bi • sec - ted, Wives are di ■ vi • ri - ble in
to three?
to three?
tro
pm
r • p
^
mo - ral • ists
— r^mr
all,
How can you
1 1
-=i — 5-
mo - ral • uts alt, How can you
call
Mar • nage
Mar - nage
&=,=;
-*\- ±
I
£fc
mo - ral - Uts all. How can you
call
Mar - riage
£S
> i i :=i
I
&f
mo - ral - is La all, How can you call
Mar • riage
m^
&Se£
—bm-
i 1 1
S=P
$£
mo • ral - ists all, How can you
call
Mai riage
! i i i
3=:=r
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j ; n
§
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s
■f. ♦
bs-
£=p&
^=^
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Ped.
F
# •
171
6
^
g^»
5
3^
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-a-^H
j f f &
EBE
J^:ir f-^iTCT
Mo • nd • ists all.
How can you call
Mar-riage a state of u - ni - lee I
Mo - nl • bti
m
"> r» h -i—*—r
*— > >
^-AJ-i r rff-M-H-^
=£={£
s
Til « «==*
H*^~^
-*— af
Efefc
tee I Mo • nl • ists f-
all,
How can you call
Mar-riage a state of n nl - tee I
Mo - ral • ists
m
=*=£
g i B JM=J* -1 j 1 ^ I
^^^
5SE
ratzc
te
tee I Mo • ral • ists all, ft
How can you call
Mar-riage a state of o - ni • tee I
Mo-ral-tsU
^^
3=
inn
^^
s
-^H^h
.11.'
tee I
Mo • ral - ists all,
How can you call
Mar-riage a state of a
Mo-ral-ists
Y*=F*
^^m
P P r>
> f> h I l hi
1 d J —* « .
d 1 1 d :*W
W
tee I Mo - ral - ists all.
How can you call
Mar-riage a state of ■
I
i n q
1 1 1 * i i
r» ->-"-^--:?l-q— 1-
^
1 1 t- — 1 — 1— I* ~l 1 111
t n n ' r r
-^r-^-
all, How can job call Mar-riage a state of a • si • tec I Call
Jfe^
i
^fe=*
Howeu yon call
N ■» N i N
w— P-
^=P
7-^1, i *1 1 ■ « «
EE
3 ' ~ a~
1 1 i
15
How can you call
Mar-riage a state of a
nl ■ teal
Call
.&*
^l— ^
W, Ji 1
h - - -A — !■» — M I K^
/I 1 J-j=a= J J=Ej
^£
if
■ ■ ■
all, How can you call Mar-riage a state of
nl ■ tea!
Call
I
fcF
|» h N I hi K| N
d d m -d d . JEEEEsB
EE
fr^-tr
-t— £
E^
^H^
How can yen call
Marriage a state of ■ • ni • teal
Call
P
W'i 1 J J Jl 01 B
b I N
i i jE
S
hi 1 r^
i
=e=£
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How can yon call Mar-riage a state ef ■ ni • tee I
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let him forthwith be crown'd I
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So good-bye, m - chu - ca., fan - dan - go, be pes ante.
le • ro — We'll dance a fare • veil to that mea - sure.
Old Xe - res, a • dieu — Man- za ■ nil - la — Mon • te - ro — We
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feel - ings |
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leave you with 1 ■' fr ' |
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