1 o CQ IN-MY-VICARAGE GARDEN-AND • CANON • • ELLACOMBE THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA PRESENTED BY PROF. CHARLES A. KOFOID AND MRS. PRUDENCE W. KOFOID IN MY VICARAGE GARDEN AND ELSEWHERE BY THE SAME A UTHOR IN A GLOUCESTERSHIRE GARDEN PLANT-LORE OF SHAKESPEARE IN MY VICARAGE GARDEN AND ELSEWHERE BY REV. HENRY N. ELLACOMBE, M.A. VICAR OF BITTON, GLOUCESTERSHIRE " I MADE ME GARDENS AND ORCHARDS, AND I PLANTED TREES IN THEM OF ALL JOHN LANE: THE BODLEY HEAD LONDON & NEW YORK MDCCCCII Printed by Turnbull & Spears, Edinburgh PREFACE THIS little volume may be considered a sequel to my former book, " In a Gloucestershire Garden." All the chapters in it have already appeared as occasional papers in the Guardian, Pilot, and Gardeners Magazine, and I have to thank the proprietors of those papers for their courteous permission to publish the papers in book-form. HENRY N. ELLACOMBE. BITTON VICARAGE, November 1901. M3G8231 Contents PART I.— IN MY VICARAGE GARDEN I. THE FLOWERS OF EARLY SPRING . . i II. FLOWERS OF LATE SPRING . .10 III. FLOWERS OF SUMMER ... 19 IV. FLOWERS OF AUTUMN . 28 V. THE MIXED GARDEN . 38 VI. A BACKWARD SPRING . 46 PART II.— ELSEWHERE— VARIOUS VII. SUNSHINE AND SHADE IN THE GARDEN . 59 VIII. CARPET PLANTS . . . .66 IX. THE GARDEN UNDER SNOW . . 72 X. THE ROCK GARDEN . . . .81 XI. YORK AND LANCASTER ROSES . . 91 XII. PLANT NAMES . . 98 XIII. THE SCENTS OF FLOWERS . . .108 XIV. MEDICAL PROPERTIES OF FLOWERS . 120 XV. RAILWAY GARDENS . . . .133 XVI. OUR NATIONAL GARDENS . . .145 vii Contents CHAP. PAGE XVII. FLORA OF ENGLAND 1800 YEARS AGO . 160 PART III.— ELSEWHERE— SWITZERLAND AND SHAKESPEARE XVIII. IN WILD Swiss GARDENS . . 177 XIX. PIORA ..... 189 XX. SHAKESPEARE AND ARCHITECTURE . 206 v PART I IN MY VICARAGE GARDEN CHAPTER I THE FLOWERS OF EARLY SPRING WHEN does spring commence ? And at what exact time of year may we look for our spring flowers?. By most people the answer would be readily given that spring commences with April, or it may be a few weeks earlier in forward localities ; and that spring flowers are those that may be looked for in March, April, and May. But the thoughtful gardener may give a different answer ; and I am inclined to look for the right answer in Bacon's happy phrase when describing his ideal garden, in which he would have Ver perpetuum. To the real lover of plants, spring lasts from the first of January to the thirty-first of December, and spring flowers are to be 'found all through the year. To put it in another way, spring is the time at which flowers wake out of their sleep, and the awakening takes place, not according to months, or even to weather, but according to the needs and nature of each different A I In My Vicarage Garden plant. And if we take this interpretation we may begin our spring for garden purposes with the New Year ; and if we are to have Ver perpetuum that must be the commencement of our gardening year ; and whether the weather is mild or cold the gardener will see signs of the commencement of spring even in what we usually call the depth of winter. I have but a poor opinion of a gardener who is only a summer or fine-weather gardener ; and I do not call him a true lover of plants who can only see beauty in fully developed flowers ; and that must be a poor garden which cannot show a plant-lover much to interest him in the shortest days ; and the gardener, whether master or servant, must be a poor observer if he cannot see growth and progress in what is too often called the dead time of the garden. The garden is never dead ; growth is always going on, and growth that can be seen, and seen with delight. Take this year's January (1900). During Decem- ber there were several days of very great cold, which checked growth, and cut down many things that had survived up to that time. Yet, on the New Year, the garden was full of interest, and even beauty, for any one who knew how to look for it. True, there were very few open flowers, but there were some which were very precious. There were early crocuses, such as C. Imperati and stellaris, and Christmas roses, but, as I said before, the interest of a garden is not limited to flowers. It is- really astonishing how little the The Flowers of Early Spring majority of people seem to appreciate the value and beauty of green foliage, especially in winter. In some gardens it is the custom to fill the empty beds, which were in summer given to bedding plants, with small evergreen shrubs. The effect is seldom satisfactory ; the poor little things can- not throw off the miserable appearance which marks them as the damnosa hereditas of summer bedding, and they can give no pleasure to any true lover of plants. But there are many perennial plants which will clothe the surface of the ground as well in winter as in summer, and can be allowed to occupy the ground the whole year without injuring any plants that the gardener may wish to use for the summer decoration of his garden. The hardy cyclamens are most useful in this way. The Neapolitan cyclamen flowers in late autumn, and is at once furnished with most beautiful large mottled leaves, which lie flat on the ground, and remain in full beauty till April or May. The C. Coum forms its leaves a little later, and before the flowers, but it, too, forms a beautiful carpet of close-lying foliage, and, where the soil is favourable, they will increase rapidly, and may be let alone for years. I have some large patches which I know to have been over eighty years in the same place, and they seem to me to increase in beauty every year, and there are few plants which multiply themselves so readily by seed. The stalk, immediately after flowering, twists itself and bends towards the ground, in which the 3 In My Vicarage Garden seed-vessel, still unripe, buries itself, and the seed germinates so rapidly that I have often found young bulbils fully formed and fit to handle and remove within six weeks of their flowering, the bulbils being snugly covered with one or two inches of soil. Ants and worms are said to be active agents in carrying the seeds of some cyclamens, but I do not know if they do so with these two species. Another plant which will cover the ground closely, especially in dense shade, is the Asarum Europeum, and it will even produce its curious, though inconspicuous, flowers in the depth of winter. There are many other good carpet plants which show their beauty almost more in winter than in summer ; but to speak of all carpet plants would require a separate article, and I want to speak of flowers. I suppose, if anyone was asked to name the special flowers of January he would name the Christmas rose, the crocus, the snowdrop, and the winter aconite. They are all undisputed beauties, and much could be said of each ; but I must dismiss the Christmas rose and the aconite with only one remark, that, different as they are, they are very closely allied, and, almost alone among flowers, their many petals are like little twisted spills, and soon fall off; and in both the beauty of the flower isdn the sepals, and not in the petals ; and in both the flower is formed beneath the surface of the soil, and the stem forces itself through in the shape of an arch, bringing the full-formed 4 The Flowers of Early Spring flowerbud after it. But of the crocus and snow- drop I must say more ; and when one begins to speak of the crocus and snowdrop, it is hard to know when to stop. The snowdrop grows in many parts of Europe, and certainly grows in Italy, Sicily, and Greece ; yet, in spite of its beauty and its being so conspicuous by the time of its flowering, there are no notices of it in Virgil, Theocritus, or Theophrastus. It may be the, \Mx67ov of Theophrastus and of the Anthologia Graeca, but this is uncertain. It is not to be wondered at that it is unnoticed by all our earlier poets, for it is certainly not a native, and was not even known as a garden plant till well into the seventeenth century. This is quite certain from its being unnamed by Bacon in his account of the flowers for the early months of the year ; it is not mentioned by Gerard in 1577, but it is by his editor, Johnson, in 1636 ; Parkinson did not have it in 1629, but he had in 1656. It is the same with the foreign gardeners — Clusius knew it ; but it is not in Laurembergius' excellent little book, "De Plantis Bulbosis " (1631); nor does it find a place in that most delightful of all old books on gardening, the " Hortus Floridus " of Crispin de Pas, published in 1614. It is very much the same with the pretty name. Whoever invented the name of snowdrop — i.e. earrings of snow — deserved a lasting record ; but no one can trace him. Johnson, in 1636, says that "some call them also snowdrops " — and so the name was 5 In My Vicarage Garden creeping in ; but it does not seem to have become popular soon, probably because the plant had not become common ; but Boyle uses the name in 1663 ; and Evelyn in 1664, in the " Kalendarium Hortense," names among the " flowers in prime " in December, " snow-flowers or drops." And in connection with what I said above of Bacon's Ver perpetuum, it is interesting to note that under this month Evelyn says that so "it is that a Royal Garden or Plantation may be contrived according to my Lord Verulam's design " ; and, I may add, that he begins his account of the gardener's work by saying that " the gardener's work is never at an end ; it begins with the year and continues to the next." The snowdrop is now one of our commonest garden plants, and the name is universal, and perhaps no plant is so popular with all from childhood to old age ; though it is not granted to all to see in the mixture of colours, pure white, green, and a clear gold below all, purity with an undercurrent of passion, as Forbes Watson and Christina Rossetti were able to see in them. But then we are not all able, as they were, to see moral qualities of the highest or the lowest order in our flowers, or to read our own thoughts into them. I must not trust myself with the crocuses — the subject is too large. The names alone, crocus and saffron, are a study, and fill many pages of appendix in that masterly account of the family, " The Genus Crocus," by G. Maw, the best plant 6 The Flowers of Early Spring monograph in the English language. But it is with the crocus as with the snowdrop. The headquarters of the family are in Greece and in Eastern Europe and Asia Minor, yet very little notice of it is taken by Greek or Roman writers ; and the early English writers have little to say of it, except for the medical and culinary virtues of saffron. But I know of few flowers that will better repay close attention than the crocus. There are many distinct species, and for any one wishing for a simple introduction to botany, the crocus is a very good plant to study, especially because the parts of the plants are so easily examined, and though to most people all crocuses are alike except in colour, the botanical differ- ences between the species are well-marked and interesting. Besides these humble plants there are many good shrubs in flower in January. The beautiful evergreen Clematis cirrhosa may be classed as a shrub, and in a mild January is often covered with its delicate spotted flowers ; but it is a southern plant, and the flowers cannot stand much frost. There is the curious Garrya elliptica from North America, which, when covered with its long catkins, looking like a lot of small handbells strung together one over the other, is quite an ornamental shrub, and is so unlike any other plant that for many years it was put into a separate family all by itself. There are the two wonderfully-scented shrubs, the Chimonanthus 7 In My Vicarage Garden fragrans and Lonicera fragrantissima, with which .may be joined on account of its scent the weedy, sweet-scented coltsfoot, with the scent of the heliotrope ; while for beauty of flower few shrubs at any time of year can surpass the gorse and the Laurustinus. The winter-flowering gorse is the dwarf species U. nanus, very abundant in many parts, but local, and in flower sometimes very abundantly all through the winter from October to March. The Laurustinus, in spite of its name, is no laurel, but is a very near relation of our Guelder rose. It is the special ornament of the Spanish and Portuguese hillsides, and with us must be reckoned among the very best of the flowering shrubs where it will grow well, but it seldom does well in soil charged with lime ; it will live there, but both in growth and flower is very inferior to those grown on the sandstone formations. An American writer justly reckons among the pleasures of the winter garden that it is so instructive. In spring, summer and autumn the garden may be said to take care of itself, but " the winter garden," he says, " is never finished. One gains every season some new plant to be put on trial, and is pleased if every year it shows some slight gain." And what I have said is enough to show that even in December and January the garden is not, or need not be, all barren. Yet the gardener is always glad when December and January are past. He seems to 8 The Flowers of Early Spring have got through the worst part of the winter, and February is altogether a delightful month in the garden. Of course, he may have frosts, even destructive frosts ; but frosts are not altogether bad either for the garden or the gardener. I am quite sure that for English gardens what Coleridge calls " the secret ministry of frost," is a ministry that cannot be spared ; and for the gardener it is a ministry that teaches patience and watchful carefulness. " Gaudet patientia duris," says Lucretius ; and he is but a foolish gardener who is always expecting losses instead of hoping for successes. The losses may come, to some extent they certainly will come, but the advice of the elder brother in " Comus " is the truer wisdom — " Brother, be not over exquisite To cast the fashion of uncertain evils ; For grant they be so, while they rest unknown, What need a man forestall his date of grief, And run to meet what he would most avoid ? Or if they be but false alarms of fear, How bitter is such self-delusion ! " CHAPTER II FLOWERS OF LATE SPRING THE first four months of this year were to the gardener four months of anxiety, and, to some extent, of disappointment. After the long, dry, hot summer, followed by abundance of rain in the late autumn, there was good reason to .expect an early, perhaps an abnormally early, outburst of spring flowers, and so there doubtless would have been but for the frosts in December. They were not very severe, and did not last long, but they were sufficiently severe to alter all the prospects of an early spring. It was really quite surprising how great a change was brought about by even those few days of severe frosts. Instead of an early outburst of flowers we had an unusually late one, and the proofs of this were seen in every part of the garden. In 1898-9 I was able to pick an abundance of flowers of the sweet Chimonanthus fragrans to send away for the Christmas and New Year, and I know of few more acceptable Christmas presents to friends who have no gardens than a few of these deliciously scented little flowers. There is no special beauty in the pale yellow flowers striped with purple, but when placed in a saucer with a little water a few will perfume a room for weeks. 10 Flowers of Late Spring It is a shrub that should be in every garden, but it requires a wall. It is one of the most difficult of shrubs to propagate by cuttings or layers ; but it sometimes produces its curious seed vessels, looking like brown broad beans, and the seeds come up readily. This year, instead of being able to send them away in December and January, I could find none fit for picking before February. It was the same with the beautiful Iris Stylosa, from which in 1898-9 I could pick good flowers at Christmas and the New Year ; but this year I could pick none before February, when they were most abundant. I wonder this most beautiful plant is not grown everywhere. It is not a rare plant, and can be got in quantity at a very cheap rate ; yet I seldom see it except in gardens that have a fairly large collection of plants. There are many varieties, all beautiful ; but one, to my mind, stands above all, a very rich deep blue with broad petals ; I believe it has some special name which I do not know. Altogether it was a late season ; and it showed itself to be so in many ways. In 1899 Easter was a week earlier than this year, yet for the Easter decorations of 1899 it was very difficult to get daffodils in any quantity ; in some.parts they were quite over. This year it seemed at one time very doubtful whether they could be had at all ; they did not " take the winds of March with beauty/' and just before Easter the milder weather and bright sun brought them all out at once, but ii In My Vicarage Garden they did not last very long. It was natural to suppose that this short life of the flowers was owing to the powerful sunshine that we had at that time ; but I cannot help thinking that, though the flowers did not open, the work which the flower has to do was not altogether delayed, and that the formation of seed was to some extent going on, so that when the flowers fully expanded their work was half done, and there was nothing left to be done by them but the finishing the work and then passing away. It is known that this is the case with the high Alpines ; their work of perfecting their seeds must be finished before a given time : and if owing to a late melting of the snow the flowers are late, yet the seeds are not proportionally late, and are perfected in good time. I do not say that this is the case with all high Alpines, but it certainly is with some ; and I have little doubt that it is so with many other plants and was so with the narcissi this year. There is no need to recommend daffodils to English gardeners ; they are everybody's flowers, and have been so for generations ; but I suppose they were never grown to the extent they are now. And for those who like to study their history there is much interest. It is very doubtful whether our daffodils are the narcissus of Homer and Theocritus ; they may be, and it is pleasant to think that they are ; and if they knew the plant at all it is probable that they knew the Tazetta daffodils. Theophrastus describes a narcissus, but as it had green flowers 12 Flowers of Late Spring and flowered in September, it cannot be any of our daffodils. If the flower was as abundant in the South of Europe in former times as it is now, it is very surprising that so little notice is taken of it by Latin writers. Virgil names it, but as he describes it as sera comantem, it must be very doubtful whether it can be our favourite flower ; but Pliny's description of it as " a white flower with a purple cup or bell within" seems to point to the poet's narcissus ; and it is worth noting that he discarded the fable of the connection of the flower with the boy Narcissus, for " it took the name in Greek Narcessus, of Narce, which betokeneth numbednesse or dumbnesse of sense and not of the young boy Narcissus as the poets doe faine and fable." But I must leave the narcissus, for there is no limit to its interest, and it needs no words of mine to spread its praises. The tulips behaved this year very like the narcissus. They delayed their time of blooming till the weather was genial, and then they all burst into beauty at once. I suppose more has been written about the tulip than about any other bulbous plant, and of late years the number of known species has been largely increased from Eastern and Central Asia and Asia Minor. Though we have a very beautiful native tulip, the cultiva- tion of the tulip as a garden flower does not seem to have commenced much before the latter part of the seventeenth century. Bacon mentions an In My Vicarage Garden early tulip flowering in January and February, and I do not know what he meant by it ; the others he places in April. Evelyn also mentions " precoce tulips " as in flower in January. I need not say anything of the rapid rise of the flower into popular favour till it culminated in the tulip mania ; but though the flower has never entirely gone out of fashion, it has had more ups and downs than most flowers. Van Oosten, a Dutch gardener, who published an excellent English book on gardening in 1703, after giving his opinion that the art of gardening could go no further than the tulips which he produced, refused to tell the secret of his cultivation, because " it is a madness to give laurels to an ass who deserveth only nettles " ; and he says that, " having been the most beloved object of princes, they are at last become the subject of the scorn of men." There is complete evidence that the name was given by Gesren from the Turkish Cap, and the name, with slight changes, has been adopted in most of the countries of Europe. I am not now giving a complete list of the many beautiful flowers that brighten our English springtide ; I am only picking a few here and there, and among the chief ornaments of spring I reckon the flowering shrubs. This year the shrubs have been clothed with a beauty that few of us have ever seen before. The laurustinuses were sheets of white, but they did not like the cold winds of March and April. The different 14 Flowers of Late Spring forms of the Pyrus japonica were covered with flowers and defied the winds, and so lasted in flower a long time ; Photinia serrulata has a special beauty of its own in its young shoots, which at a very short distance look like fine flowers ; but this year my tree had flowers for the first time, though the tree must be quite fifty years old ; the flowers are pretty, but not striking. The Forsythias were all beautiful, but with us the F. suspensa grown against the house was far the best, and was like a golden curtain at least fifteen feet high. After flowering the whole plant is cut in close, and at once begins to form the new shoots that will bear flowers next year. All the magnolias have been loaded with flowers, and surely no other hardy flowering tree can bear comparison with these early flowering magnolias, except perhaps the horse chestnut. And, to name no more, the pretty Azara microphylla, with its dainty foliage, had the backs of the leaves covered with its little flowers ; the flowers are of small beauty, but they have a strong Vanilla-like scent which can be felt many yards away. I think the spring of 1900 will be memorable in many ways in the garden. I cannot remember a season in which flowers were so abundant on almost every flower-bearing plant — not, however, on all, for the crown imperials in my own garden and in most of the gardens in the neighbourhood were stunted in growth and had very few flowers. Why this grand old plant should this year be J5 In My Vicarage Garden an exception to almost every other plant, whether tree, bulb, or herbaceous, is a puzzle which I cannot solve. The fruit trees were all as full of flower as they can well carry, and there is a promise of an abundance of fruit of all sorts. The plum-trees were a wonderful sight, as they all burst into flower at once, soon after Easter ; and where the orchard was surrounded by a hedge of their near relation or ancestor, the blackthorn, the beauty was much increased. The blackthorn brought with it the usual " blackthorn winter," but it was short and not severe enough to do harm. The season also introduced me to a beauty in tree life which was quite new to me. We have very few wild birches in Gloucestershire ; but I was in Surrey just after Easter, and was surprised to see the birches apparently surrounded with a pale golden mist that I had never noticed before. The apparent mist was produced by the catkins which generally come out with, or even after the leaves ; this year they came out first, and so their beauty was not hidden. Another very marked feature in the garden this year is in the seeds. All sown seeds have done wonderfully, whether sown in pots and raised by heat, or sown in the open ground. This naturally comes from the dry sunny summer of 1 899, which fully ripened all seeds. And it was most apparent in the number of self-sown seedlings that have shown themselves, in many cases for the first time. I never before had the pleasure of seeing self-sown seedlings of 16 Flowers of Late Spring the grand Eryngium Alpinum coming up by the side of the parent plant ; nor have I ever before been troubled with seedlings of the globe thistle ; this year I have had to hoe down a large patch of them ; and I have not till last year known the Japanese Kohlreuteria even ripen its seeds, but it did so last autumn, and dropped them on the ground, on which they lay exposed all the winter, and there are now scores of young plants showing themselves. And so these different points of interest in this spring, the abundance of flowers, the extreme strength and vigour of almost all vegetable growth, and the full ripening and ready germination of seeds show that the beauty of any season does not depend on the weather of the moment ; the beauty has been laid up and been matured for us by the weather of many previous months — it may be of many previous years. I cannot close without a short record of the wild flowers of this spring ; they were really wonderful. 1 have mentioned the blackthorn, which in some parts divided the fields with lines of silver, but in the fields there was such a glory of dandelions, buttercups, and celandine, that one felt ashamed to call them weeds. Primroses and cowslips were unusually abundant and 'fine, and so were the wood anemones and bluebells, and I never remember such an abundance of the flowers of the wild oxalis, which I think one of the most graceful of our wild plants ; but the flowers are very often much hidden by the leaves. If it were B 17 In My Vicarage Garden not a British weed, we should certainly grow it on our rockwork as a special beauty ; it soon becomes troublesome there, but I admit the rose- coloured form as quite a little gem. Not only in England, but also in Spain and Portugal this little wood flower is called Alleluia, and it is no strained interpretation that the name was given from a strong religious feeling that the humblest herb or flower declares the glory of God and showeth His handiwork, as well as the heavens and the firmament. If we can learn this lesson from our spring flowers our love and admiration for them will not be wasted. 18 CHAPTER III FLOWERS OF SUMMER THE season of summer, meaning especially the months of June, July and August, is to every gardener the most enjoyable of the four seasons. It is the season to which he has been looking forward in all the different processes of cultivation ; it is the season of enjoyment ; the season in which, with a few occasional drawbacks from bad seasons, or it may be from wrong cultivation, anxious preparation ends in success ; the season of hopes now ended in the reality of sight, when we need no longer hope for that we see not, and with patience wait for it, but may feast our eyes on the beauties which we have waited for, and to some extent have created, and in which we cheer ourselves with the delightful feeling that our labours have not been in vain, and so we will go on the next year as cheerfully and as hopefully as ever. For I hold it as a firm article of faith in gardening that there has never been in any year what can be called complete failure ; there are, of course, failures and disappointments in some parts of the garden, but there have been unlooked- for successes in some other parts, and on the whole the compensation has been great enough to 19 In My Vicarage Garden stop all grumbling. But in this particular year (1900) there has been little or no cause for grumbling, because the failures have been so few, while the successes have been so many. I suppose the oldest among us cannot recollect a year in which there has been such a marvellous abundance of flowers, such healthy growth, and such richness of colour in the flowers, and such a delightful season in which to enjoy it all. It has been so all the year. I noted it in what I said of the flowers of spring, and the flowers of summer have carried on the story. The fruit trees were beauti- ful pictures, with scarcely an exception — beginning with the plums, the pears, apples, cherries, and all the wall fruits were so laden with flowers that if the fruit had been in proportion to the flowers the crops would have been almost too much for the trees ; but in this part of the country many of the flowers were abortive, and so the crops, though probably above the average, are less than many looked for. Then came the roses, and they surpassed them- selves. In my own garden I have never seen such a display of the beautiful rich yellow R. hemisphcerica, a rose of which I am very fond, not only for its beauty, but also for its long history and many associations ; for it is one of the oldest roses in cultivation. It is true that it very seldom shows its full beauty, for it forms its flowers very early and they are apt to be injured by late frosts, or even by cold nights some degrees above 20 Flowers of Summer freezing, and it never fully opens its flowers ; but even in its hemispherical state it is very beautiful both in shape and colour ; and on one of my bushes, grown against a wall, I must have had nearly two hundred blooms, more or less open at the same time — really a grand sight. It was very much the same with all the roses ; they were very abundant, very full-coloured, and very clean, and the dry sunny July has produced an unusual effect among the single roses. They are laden with their handsome fruit (hips) at least a month or even six weeks before the usual time, so that we have this year the beauty of their fruit (which I consider a very great, and, in some species, perhaps even the chief beauty) for a month or six weeks longer than usual. But while the garden roses were so beautiful, I noted that among the wild roses the case was quite different. I cannot say why it should be so, but the absence of our beautiful wild roses in the hedgerows was very marked. I was in Tyrol, chiefly among the Dolomites, during July, and the roses were very few, and those few very deficient in flowers. Among the herbaceous plants, the effects of the fine weather of 1 899 were seen everywhere. Lark- spurs were very grand, and even such moisture- loving plants as the phloxes were quite happy in spite of the drought. The fine summer and autumn of 1899 had given them such vigour that they were able to hold their own in the drought of June and July, and both in size and colour 21 In My Vicarage Garden they were excellent It would be too long to go through many more of the herbaceous plants ; it is enough to say that, with scarcely an exception, they were all so vigorous that the record of their beauty in the summer of 1900 will be a lasting memory to every gardener. I must go to the shrubs, for it was in the shrubs especially that the long heat of the summer of 1899 produced such wonderful effects in the summer of 1900. Wistarias, both white and blue, almost recalled the pictures that we have seen of them as grown in the gardens of Japan, where they are especial favourites ; but I was surprised that none of them produced fruit. I have never seen the fruit of the blue Wistaria, but last year my white one had a great many of its pretty bean-like fruits ; this year there were none, though the flowers were abundant, and looked so healthy that in such a summer I naturally looked for a crop of fruit. The Catalpas were everywhere loaded with flowers, but in my own garden the beauty both of leaves and flowers was much marred by the strong gales in the beginning of August. The Christ's thorn (Paliurus) was a sheet of pale gold, and was, I think, more beautiful in my own garden than where I saw it in its wild habitats in North Italy ; it is a plant that I admire for its beauty as much as for its historical interest, and I wonder it is not more frequently to be seen in English gardens. But if I were to pick out the shrub 22 Flowers of Summer that has more especially distinguished itself this summer, I should pick out the Rhus cotinus. It is one of the Sumach trees, and is known as the Venice or Varnish Sumach, and is found in many parts of Southern Europe, and may be seen in great abundance on some of the hills round the Italian lakes. Pliny says it is found on the Apennines, and is used for wood inlaying ; and it is from him that we have got the two Latin names, while Sumach is from the Arabic. The great beauty of the tree is in its flowering, if, indeed, that can be called flowering where there are no true flowers. The whole shrub is covered with large panicles of abortive flowering stems, in which the true flowers are entirely absent, and nothing remains but the stems. Yet those bundles of flower stems form the most beautiful vegetable feathers, resembling marabout feathers. It is from this wig-like appearance of the tree that it has its French name of Arbre de perruque, and its English name of Smoke Tree. There are two varieties : in the wild form, and in the form usually seen in gardens, the panicles are a dull whitish green, but the far more beautiful form has the panicles a rich rose colour, and this variety is, I think, the most beautiful of shrubs, and as it keeps its beauty for several weeks it is a shrub that all ought to grow. Whoever does grow the shrub should make a point of carefully studying its structure ; and he or she will find much interest in it, and will thank me for drawing 23 In My Vicarage Garden attention to it. For it is absolutely unique in the plant world, with the exception of its near relation the North American R. cotinoides, a plant which I strongly recommend for the beauty of its foliage in spring and autumn, but I have not seen the flower. The peculiarity of the structure is that the flower stalks which form the panicle are perfectly smooth when first formed, and remain smooth if they bear flowers ; but if, as is usually the case, they bear no flowers, the stems are covered with rigid hairs which add to and even form the wigginess of the shrub ; and though botanists have tried to explain the connection between these two peculiar characters of the tree, they remain unexplained and are absolutely unique. There are, we know, many plants which by cultivation have had their flowers converted into what we should call more useful parts ; and there are some which man uses before the flowers are formed, such as the caper, the clove, the cauliflower, the pineapple, and others, but all these have been purposely changed by man ; in the wig or smoke tree the work is all nature's. Coming to bulbs, and speaking of them very shortly, it has certainly been a good year for lilies. My own garden is not very favourable to lilies, but I had some very good ones this year, especially some of the North American lilies, also the martagons,and the fine South European L. pomponium ; and the Madonna lily, which is at once the most beautiful and the most capricious of all, has this year, 24 Flowers of Summer wherever I saw it, been very beautiful and free from disease. For this again, no doubt, we have to thank the long hot summer of 1899, which thoroughly roasted the bulbs, and so made them strong and able to fight against their many enemies. Another tribe that has been in great vigour this summer is the grass tribe, the Graminea. The Arundo donax, or false bamboo of Southern Europe, has reached a height this year beyond all former years, both in the green and in the varie- gated state, and it is the same with the bamboos. Like many other plants this year, they started very late ; some of them gave no sign of new shoots till the rains of the latter part of July came. For this they waited patiently, and when it came their growth was wonderful. I have a good plant of the Phyllostachys Castillonis, which, with its alternatives of green and gold in the stems, I consider the best of all the hardy bamboos. It is considered a little tender, but it has lived with me many years. Last winter many of the stems died, and though I knew the plant was alive and healthy I was beginning to think that it might not send up new shoots this year ; but after the rain it started into full growth, and in less than one week it has sent up splendid shoots, some over ten feet in length, which will probably be fifteen feet or more before it stops growing. The richness of the foliage of all plants, whether 25 In My Vicarage Garden herbaceous, or trees or shrubs, deserves a passing notice. In spite of the drought in June and July, the freshness of the foliage everywhere has been a thing to notice and rejoice in. But I do not want to dismiss the garden without saying something of the weeds, which form so large a feature in many gardens. If we have a fine season for the garden we must expect plenty of weeds ; it is part of the price we pay for it ; for the weather that is good for our choice flowers and vegetables is as good for the weeds. I am one of those who think that weeds in a garden are, within a certain- limit, not altogether an unmixed evil ; and certainly I would rather see a flower border with a mixture of flower- ing weeds than with a few plants and large con- tinents of bare soil. But in a well-kept garden weeds have no place, and when the garden is not surrounded with fields there should be little difficulty in keeping them at bay, even with a small staff of gardeners ; where it is surrounded by fields it becomes almost impossible. But it can be done, and I will finish my paper with one useful hint on the subject. I should class the plantain as the worst of all weeds, especially to a good lawn. There are many plans for destroying it, such as specially made spuds, instruments for inserting sulphuric acid or other poison into the plants, etc., and none of them succeed completely. But a complete remedy can be found in common table salt. Place a piece about the size of a hazel nut on the very middle of the plant in hot, dry 26 Flowers of Summer weather. Don't spread it, and don't make a hole in the plant, but leave the salt on it, and in two or three days the leaves will blacken, and the root will so completely perish that I have known a hole left in the grass of two or three inches diameter. This soon fills up, and the plant will not appear again. Experto crede. A very few years ago I had large carpets of plantain on my lawn ; they are all gone, and in their place are carpets of rich turf. If any of my readers tries the experiment, I hope he may be as successful as I have been. 27 CHAPTER IV FLOWERS OF AUTUMN THE general idea of autumn is that it is the season of decay, and the passing away of the beauty of the garden. I do not think so ; I prefer to look on autumn as the season of full maturity, the time of year when the life of the plant reaches its full perfection. To the real student of plant life the sleep of winter, the resurrection of spring, the full-blown flowers of summer are only so many steps towards the final stage of the ripened fruit, which is the great point at which all plants gradually arrive, and which is really the true object of their existence ; and it is not till the final point has been reached and passed that real decay sets in. Looking at our garden with this mind the autumn is not a time of sadness ; it may even be a time of rejoicing at the fulness of life which autumn shows, and more than that, a rejoicing in a fulness of beauty.1 For a fine autumn is a time of great beauty, and it is certainly not a time when our gardens are bare ; there are still a vast number of beautiful flowers to be seen which will bear comparison 1 Pulchrorum Autumnus Pukherrinus. — BACON, Of Beauty. 28 Flowers of Autumn with the flowers of midsummer. Putting aside such flowers as dahlias, China asters, chrysanthe- mums, and other tender plants which yet add much to the gaiety of the garden in autumn, there are good hardy herbaceous plants and shrubs which give brightness to the garden till the frost comes. Chief among these are the different species of perennial sunflowers (helian- thus) and the asters or Michaelmas daisies. Asters are found in almost all cold and tem- perate countries ; one species, the Marsh Aster (A. tripolium] being found in England all round the coast, but delighting chiefly in the salt- marshes of the estuaries : the flower is a poor one, and the plants scarcely deserve being brought into the garden. But there are two in Europe which may be reckoned among the best of the family, the dwarf A. Alpinus, so well known to all travellers in Switzerland, and the A. amellus, a native of many parts of Southern Europe, in- cluding Switzerland. There seems no reason to doubt that this is the Amellus minutely described by Virgil : — Aureus ipse ; sed in foliis quae plarima circum Funduntur, violae sublucet purpura nigrae. GEORG. IV. 271. where the ipse is the central disk, and foliis the petals or ray. This aster is with me the earliest to flower, and the most beautiful, and more than any other flower it is a great attraction to butter- 29 In My Vicarage Garden flies and moths ; this year it was crowded with Red Admirals and occasional Humming Bird moths. Most of the other Michaelmas daisies come from America, and the proper determination of the many different species has been a sore puzzle to all American botanists ; but they were taken in hand by the late Asa Gray, who brought them into good order ; yet even he, though so great a botanist, hesitated for some time to under- take to clear up the confusion, and when he did so he has left a record. " Never was there so rascally a genus ; they reduce me to" despair." The difficulty has arisen from the fact that they hybridise very easily, and there are, besides the garden hybrids, many natural ones. Of these garden hybrids many are very beautiful, but I really think that none are better, or even so good, as the types ; and in most small gardens it would be well for the gardener to confine himself to a dozen or, perhaps, even half a dozen. These if grown well, i.e. well fed and looked after, would give all he would want. There are some which I should on no account leave out, such as A. amellus, A. ericcefolius, A. Novce Anglice (blue and red), A. longifolius ramosus, A. versicolor, A. turbine llus, and A. grandiflorus. This last one is a most desirable plant ; in colour it is even a deeper blue than A. amellus, and it has the great advantage of flowering so late that in mild seasons it will give good flowers in December and even at Christmas ; and the older gardeners recommend 30 Flowers of Autumn that it should not be allowed to flower out of doors, but that it should be picked in bud and brought indoors, when the flowers would gradually open and remain in full beauty for many weeks. But it is a little tender, for it is a native of the Southern United States, and in a severe winter it is apt to disappear. But among autumn herbaceous plants, I think none surpass the autumn crocuses. There are many species mostly from Eastern Europe, and all are beauti- ful ; but all are not very easily grown, for they are capricious, and in many gardens the only ones that can be grown easily are C. speciosus and C. nudiflorus, and these are really the handsomest, and when they are once established they increase rapidly. In my garden the one that has made itself most at home is C. pulchellus^ a lovely pale blue with white anthers — this sows itself, not only where it was planted, but in the turf near it. Autumnal flowering shrubs are a great feature in the garden, but I can only mention a few. The autumn roses are in many cases, especially among the hybrid teas and Chinas, superior to those in summer ; certainly they have been so this autumn, and where roses are grown in large quantities, I think it a good thing to sacrifice the summer blooms for the sake of the increased beauty in the autumn flowers. A very pretty autumn shrub is the Abelia Chinensis ; it seldom flowers before the middle of September, but it lasts in flower six weeks or more ; and the com- In My Vicarage Garden bination of the reddish-brown stems, and the abundance of the small white flowers, each set in a pale-brown starry calyx, gives a combination of colour that is exceedingly pretty. Another half- shrubby good autumn flower is the Phygelius Capensis, and the arrangement of the flowers is worth noticing. Each flower-stem or petiole starts from the main stem at a right angle, and from this the flower hangs at a second right angle, so that the main stem, the petiole, and the flower form three sides of a square. The arrangement for the fertilization is very elaborate, but if it should fail, the flower as it falls is like a tube open at both ends, and in falling to the ground the bottom ring forces together pistil and stamens, and so produces fertilization. I also strongly re- commend the despised fuchsias as among the best of autumn decorative shrubs. They are rather more popular now than they were some years ago, when it was considered an artistic heresy to admire them, but they are still seldom seen ; yet they are quite hardy, though most of them die down in the winter, and in the autumn they give an abundance of flowers borne on bushes that are never unsightly. The fruit-bearing trees and shrubs of autumn add largely to the beauty of a garden. I do not know why so few people grow the Japanese Per- simmon (Diospyros Kaki\ but I seldom see it in the open ground. Yet it is quite hardy, has very handsome foliage, and when the tree has a good 32 Flowers of Autumn crop of fruit it is a really striking object, for the fruit is as large as an orange, of a bright gold colour at first, gradually turning, as it ripens, to a rich crimson. The sea buckthorn — Hippophcs rhamnoides — is another shrub very seldom seen, but always admired ; the contrast between the pale grey foliage and the orange-coloured fruit is unusual and beautiful. It is a native of Great Britain, along the sea-coast, delighting in sand dunes ; but it is a dioecious shrub, so that it is necessary to have a plant of each sex. And, taking the word " fruit " in its full botanical sense, i.e. the part that bears the seed, it would be wrong not to mention among autumnal fruit- trees the common traveller's joy, that is now so beautiful in every hedgerow. Few wild plants have been so noticed as this, and every European country seems to have given it a separate name, proving its popularity. Gerard claims to have given it the name of traveller's joy ; before his time the English name was hedge vine, or downy vine, for "the hedges in summer are in many places al whyte wyth the downe of thys vine " (Turner). It is this " down " which has given it so many names, as "old man's beard," "angel's tears," etc., and it is this down which gives to it its great autumnal beauty. The wild one is too rampant a plant to be admitted into gardens, but I can strongly recommend two species that should be in every garden. One is C. paniculata, a Japanese plant of recent introduction, a very c 33 In My Vicarage Garden rapid climber, and producing an abundance of sweet-scented flowers in October, somewhat re- sembling the South European C. flammula, but with much handsomer foliage ; the other is C. orientalis, or graveolens, with pale yellow flowers, or in the variety Tuganica, golden yellow, followed by very beautiful heads of seed, as large or larger than the Traveller's Joy, but much more silky. Before leaving the flowers of autumn I feel bound to say something about the autumnal gorse (U. nanus\ because in writing about it among early spring flowers I was taken to task for confusing between the common and dwarf gorse ; my critics saying that the dwarf gorse is the flower of summer, and the common one of winter and spring. I cannot fully go into the question, but I may say very shortly, and I hope without rudeness, that I was right ; I have lately seen the dwarf one in full flower, and so it will remain till after Christmas, in many places nestling under its taller relation. I have left myself too small a space for the colours of autumn ; it is a very large subject, and the more I study them the more I feel how little I know about them, and the more also I feel surprised that so little account of them is ever taken in scientific descriptions. To me it seems that the autumn colours of tree foliage are as absolutely a fixed mark of the tree as the colour of the flowers, and to some extent even more so. But scientific botany will not allow of it. Long 34 Flowers of Autumn ago Linnaeus laid it down as a canon that colour could not be used as a differentia — it is too changeable ; color in eadem specie mire ludit hinc in differentia nil valet ; and we must agree that so it must be. Yet differences of colour are noted in flowers, and it is not easy to say why they should not be noted in leaves, but they are not. This year the autumn tints were very late, and in most cases very poor. In the Thames valley the beech showed no change of colour even in the second and third weeks in October, and in my own garden, the Parrotia Persica, often a marvel of many colours, showed none this year. On the other hand, the Salisburia was as beautiful as ever, but very late and for a very short time ; and, as in former years, the Rhus cotinoides was by far the most beautiful of all autumnal shrubs. The thin leaves allow the light to shine through them, and when so seen I can only compare their colour to the richest old cathedral ruby glass ; the mixture of deep crimson, with a suspicion of gold, is almost peculiar to this fine North American shrub. I must not dwell further on the autumn tints and colours except to say that every year I see something of fresh interest and beauty in them. This ye'ar I note two things that I had not noted before. In the Salisburia the rich colour begins at the lowest branch of the tree and works upwards ; with most other trees the course is different ; and in Coton- easter horizontalis the deep red of the leaves begins 35 In My Vicarage Garden close to the central stem of the branch and works outwards, so that close to the stem the colour of the branch or branchlet is deep red on the inside and pure green on the outside. One other remark on the colours and I have finished with them. In America the autumn colours are of a brilliancy of which we know nothing here ; I have not seen them, but all the accounts agree in giving the prevailing colour as red or scarlet. With us they are more or less yellow, probably really so for the most part, except in the beeches, but with the poets they are always yellow. Shakespeare talks of "the sear and yellow leaf" and of " beauteous spring to yellow autumn turned " ; and he describes autumn as the time When yellow leaves a few or more do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang, and other poets follow suit. But one essential feature of our country scenery is wanting in colour of any sort, and this I have never seen noticed in any author. Our hedges get no colour ; they are simply brown lines skirting the fields, except in very old hedges, where the planted hawthorn has been covered, and sometimes even destroyed, by a natural growth of maple, hop, night-shade, and bryony. Then they show a rich picture of many colours. I have said enough to show that to me autumn is not a dreary or cheerless season in the garden, 36 Flowers of Autumn and if we may learn a parable from the season I should say it is not, or need not be, a dreary season in human life. If a man will of set purpose lament over the approach of his autumn or its actual arrival, living only on past remembrances and fading memories, it is open to him to do so, but he must take the consequences on himself and blame himself more than the unavoidable time of life. To those who like to look on the bright side of things, I would recommend a very beautiful chapter, entitled, " 1'Automne," in the " Connaisance de Tame," of M. Gratry. It gives in a very striking way the advantages and dis- advantages of the autumn of our lives, with a large balance in favour of the advantages. No, I cannot allow that the " calm decay " of autumn is altogether dreary ; true it is that the flowers have passed away, and the swallows are gone : but flowers and swallows do not make up the whole of life, and " Time will bring on Summer," and the swallows will return. 37 CHAPTER V THE MIXED GARDEN I DO not wish to enter into the vexed question whether "bedding-out" and "carpet-gardening" are worthy of the name of true gardening. The question is a very old one, and has often been debated with unnecessary warmth. For I hold that there is no such thing in gardening as fixed canons binding on all, but that a garden is, indeed, "the greatest refreshment to the spirits of man/' and if one man is more refreshed by the stiffness of a bedded-out garden, and another by the greater freedom of a mixed garden, let each please himself in his own way : " let every man," as Parkinson said, " if he like of these plans, take what may please his mind, or out of these or his own conceit frame any other to his fancy, or cause other to be done as he liketh best." Yet I must say that bedded out gardens give me very little pleasure ; the monotony of the same patterns and colours for four months of the year, and then (very often, though not always) bare earth for the remainder, is to me wearisome and oppressive. That there are advantages in the system I do not deny. Where a gardener or his employers have no real love of flowers, or little knowledge of 3* The Mixed Garden them, and only require that the ground should be " furnished " during the summer months, the bedding-out will exactly do for them what they want. The order is to supply " a blaze of flowers," and if a blaze of flowers is the test of good gardening then a bedded-out garden in the summer months shows the perfection of gardening. And in some places it seems almost necessary. As a foreground to large, stately houses the bedded-out parterre forms a fitting ornament ; and it also seems in its right place in front of such buildings as the great palm-house at Kew, where all the immediate surroundings are stiff and artificial. Even where the circumstances are not such as these, I would leave it to each man's taste to arrange his garden as he thinks best. I am not bound to follow his example, but I certainly have no right to impute want of taste to an arrangement which does not please me. Within certain limits I can admire the stiffest bedded-out garden — the individual flowers at least have their charm, though the standing rule of bedding-out is that the individual is to be sunk in the mass ; but there is one limit to my admira- tion. In no way can I admire the so-called carpet or cushion beds, in which certain patterns are worked out as flat as possible. Such beds I can in no way call gardening. They represent the maximum of labour with the minimum of healthy results ; they are the degraded successors of the " knots " of our forefathers, and can only 39 In My Vicarage Garden be passed by with an averted eye. I am told they represent rich mosaics, or Oriental carpets. If that is the object, and if we are to have mosaics and carpets on our lawns, I should prefer a bed of encaustic tiles, or a carpet. This would produce the same result with less labour and less expense, and at times would be useful. But I have spoken too much on this. My subject is the mixed garden, or the garden of mixed borders. The name is a modern one, though the thing is old. It is, in fact, \.\\z facilis hortus of Martial, which he contrasted with the villa :— " Otiosis ordinata myrtetis, Viduaque platano, tonsilique buxeto." — III. 57. and an amusing description of one, in which the principle is carried out to an absurd extent, is given in the Spectator, No. 477. (The supposed writer says he is one who is looked upon as a humorist in gardening.) The name is a modern one, because it was found necessary to invent some name which would show that the garden was no longer wholly given up to bedding-out, but it has different meanings with different writers, and by most it is taken to mean a border of large herbaceous plants (usually a shrubbery border) in which old-fashioned plants may be allowed a home, but on which very little care or thought is spent, while the real labour of the garden is given to the smart and formal portion 40 The Mixed Garden where the bedded-out borders are in all their splendour. Such is not my idea of a mixed garden. I mean a garden which is entirely made up of mixed borders, except in the case of very large places, where a formal garden may some- where easily find its fitting place. And such a garden may be of any size, from the three hundred acres or more at Kew (probably the finest mixed garden in Europe), to the small square that forms the back garden of most suburban villas. But whatever the size, the less formal it is, and the less uniform in the positions and shapes of the different borders the better. Milton described the river of Paradise as — " Visiting each plant, and fed Flowers worthy of Paradise, which not nice art In beds and curious knots, but nature boon Poured forth profuse ; " and Sir Henry Wotton laid down the rule that there was " a certain contrariety between building and gardening ; for as fabricks should be regular, so gardens should be irregular, or at least cast into a very wild regularity." It is this " wild regularity " which forms to my mind the real charm of a good mixed garden ; and it is this, and not the large collection of different plants in it, which distinguishes it from other gardens, because plants grown in such a way may be allowed to grow in their fullest vigour, and to develop each its own shape, colour, and character, without any fear of its transgressing the lines of In My Vicarage Garden any well-devised plan, because there is no such plan to which they must conform. My ideal of a good mixed garden is one in which the borders are always full, in which there is no repetition, so that there can nowhere be found one yard like another, and which in every month of the year and in every week can show a different set of plants in flower. Of such gardens we have already good and pleasant records in Miss Hope's Gardens and Woodlands, in Bright's Year in a Lancashire Garden, in E. V. B.'s Days and Hours in a Garden, and in other books ; and all of these are records of gardens of limited extent. My own garden, including everything, is less than two acres, and I have very little glass, so that almost everything must be hardy ; and yet there is no difficulty in carrying out the principles I have just laid down. Every border must be full ; and for this purpose no border is given up to any one class of plants ; there is a mixture of shrubs, herbaceous plants, bulbs, and ferns all joined together, without any respect to uniformity of outline, or fancied harmonies in colour, or studied variations in heights, but each placed where it grows, because that particular place was supposed to be best suited to its wants, or sometimes for no better reason than to fill a vacancy. But even when thus filled blanks will often occur. Spring bulbs will die down, and early summer flowers will require to be cut down even where they do not disappear after 42 The Mixed Garden flowering ; and the greenhouse plants then be- come most valuable. Geraniums, begonias, helio- tropes, calceolarias, verbenas, etc., fill up blanks in the most satisfactory way, and most of them having very small roots can, with a little care and much watering, be transplanted to where they are wanted all through the summer ; begonias especi- ally are most kind and patient under such treat- ment, and can be removed from one place to another with very little difficulty. Annuals are equally useful for the same purpose, and many of them are very beautiful, but they are not so patient under removal. But I can best illustrate my meaning by giving an example ; and I will give it from my own garden, not boastfully because mine is better than others of the same sort (I have seen many that far surpass my own), but because I can write more correctly from the example close before me. I am fortunate in having a long wall facing south, and I am fortunate in having a good alluvial soil, though too full of lime to allow me to grow many plants which otherwise I should like to grow. In front of this wall I have a border about eight feet wide, edged with rough stones placed on, and not sunk in, the ground. I will take about a dozen or fifteen yards, which I suppose to be about the length of the front borders in most of the detached suburban villas. In this distance trained to the wall I have Plagianthus lyalli, from New Zealand ; Fremontia Calif ornica ; 43 In My Vicarage Garden clematis coccinea, from Texas ; Budleia Lindleyana, with trusses of curious purple and grey flowers, from China ; abuliton vexillarum, from South America ; and physianthus albens, from Buenos Ayres. Close under the wall, but not trained to it, are the so-called Australian daisy, which, how- ever, comes from Mexico ; the beautiful Caper plant (capparis spinosa), from South Europe, which requires an exceptionally fine summer to flower ; crinum capense and Powelli, from the Cape of Good Hope ; opuntia, from Brazil ; amaryllis ackramanni^ the most gorgeous in colour of all amaryllises, also from Brazil ; teucrium fruticans, from south of Europe ; and fuschia excorticata^ a very curious species, from New Zealand. In the border are yucca angusti- folia\ olearias from New Zealand; Arum Jacque- monti, a remarkable hooded arum from the Himalayas ; cercocarpus, a shrub from (I believe) South America ; and some cistuses, aguilegias, penstemons, etc., while the edging is taken up with different sorts of iberis, Iceland poppy, aubrietia, lychnis, teucrium aureum, sempervivum, sedum, saxifrage^ and I say nothing of some of the commoner plants, or of the spring bulbs which are dormant and unseen. This particular length of border is no better than any other part ; indeed I could have selected some parts which would contain more, and perhaps more interesting, plants. I only choose this as showing how in a very small compass a great variety may be 44 The Mixed Garden gathered together from all quarters of the world, varying in their time of flowering, but so arranged that the border is never dull or empty, but can at all times of the year show something that is interesting not only to myself or to a botanist, but also to unbotanical friends and visitors. To such borders two objections are commonly made. They are said to be untidy ; but they need not be so ; and one-tenth of the care re- quired for a large bed of geraniums would be sufficient for a much larger mixed border. They are said, too, to be lacking in colour, or to have their colours mixed together without harmony. The lack of colour depends on the plants selected ; there are plenty of bright flowers to be found. The want of harmony in colour I deny. Plants whose flowers will not (theoretically) harmonise may be planted in close contact, if only they are allowed to grow naturally. The colours of the flowers in a field or wood or hedgerow or Swiss pasture are mixed together without any respect to the laws of colour-harmony — yet there is no discord ; the green leaves and the green grass sufficiently guard against that — the herbescens viriditas (Cicero's happy phrase) harmonises all. 45 CHAPTER VI A BACKWARD SPRING I CANNOT recollect so backward a spring as the present j1 everything in the gardens and the fields is a full month, and in some parts quite six weeks later than the usual time. It is now the first week in April, and instead of being able to say with Gonzalo, as we can in ordinary years — " How lush and lusty the grass looks ! How green ! " we see nothing of colour in the fields but a dull, uniform, dirty yellow. This has come not only or chiefly from the bitter weather of December and January, but still more from the second winter of March. The few bright days that we had in February caused some plants to start into growth, but the nights were too cold to allow of much growth, and then came the fearful blizzard week, followed by much cold all through the month of March ; and that second winter seems to have been more disastrous to the gardens than all the bitter weather of December and January. And so it has come to pass that the fields are bare ; there were very few primroses for Easter, 1 Written in 1891. 46 A Backward Spring and as for the daffodils, they did not justify their name of Lent lilies, and are still very scarce. Their proud boast that they — " Come before the swallow dares, and take The winds of March with beauty," l will scarcely hold true this year. Probably the swallows will be late, but they are often seen in the first week of April, and some will even dare a few days sooner ; but with the exception of a few of the wild daffodil (IV. pseudo-narcissus} and its varieties, the narcissi are not yet even showing their buds, and in some sorts the leaves are only just above ground. I suppose, however, that Shakespeare was thinking of the wild daffodil, and so he still is right. Yet the garden is not all barren. The kitchen- garden is sadly bare, and I hear on all sides that the market-gardeners have grievous losses ; but the flower-garden even now has many beauties, and a walk round the garden can give much pleasure. Let us look at the shrubs first ; there are not many in flower, but what there are are very welcome and interesting. Banksia roses are barely showing their buds. I have often had good bunches even at an early Easter ; but the Forsythia suspensa is fairly in flower, and I know of no shrub more to be recommended as a spring-flowering shrub than this Japanese climber. It is perfectly hardy, so 1 The swallows came on April 5, and the daffodils had then made no progress. 47 In My Vicarage Garden hardy that it does not require a wall, and would probably do well trained up a tree ; but it deserves a wall, and being a fast grower it will very soon cover a large extent of a high wall. The beauty of it lies in its long, graceful wreaths of golden flowers ; wreaths six feet long are not uncommon, and after the flowering it should be pruned, and then it has a good appearance all the summer. Close by in a sheltered corner, but not trained to the wall, I have the Japanese hawthorn, Photinia serrulata. It is not in flower ;- it seldom flowers in England, but I value it for its beauty in spring. At all times it is a handsome shrub, with its bright, shining leaves (hence its name), but at this time of the year the young shoots at the ends of the branches are of a deep crimson colour, so that at a little distance the shrub looks like a fine flowering shrub with its flowers half-expanded. Then there is the Rhododendron Davuricum, one of the earliest shrubs that flower in the open ground (the cheimonanthus and the Lonicera fragrantissima are earlier, but require a wall). This is a shrub well worth growing. It is sup- posed by some to be a geographical variety of the Alpine rose (R. ferrugineum), but for garden purposes it is very distinct. Coming from Siberia, it is perfectly hardy, and is not so particular about soil as other rhododendrons ; but I cannot say it is so pretty, as the flowers stand singly at the ends of the branches, and the whole plant has rather an untidy habit ; but the flowers come very 48 A Backward Spring early (it has been in flower here quite six weeks), and the leaves are covered with curious glandular dots, which make them pretty objects under the microscope. Another shrub or small tree that much interests me is the Parottia Persica, from the Eastern Caucasus, and apparently as hardy as an elm. It is one of the most beautiful shrubs for autumnal foliage, but it is interesting also for its flowers, which appear in this month or earlier. The tree does not flower till it is of some age, but then it seems to flower freely, and the flowers are curious and pretty. They are little balls about the size of a nut, composed entirely of bright crimson anthers. On my own tree there are only these male flowers ; the female flowers I have not seen, and know nothing about them. Close to this I have a shrub of the Cornus Mas. Mine is the variegated form, and it is usually grown for the sake of the variegated foliage, and deservedly so, for sprays of the short branches are excellent for picking, as they last a long time, and are bright and clear in colour. I have found them very useful for altar vases, but at present there are no leaves, yet the shrub is pretty from the multitude of little golden starry flowers with which it is covered. The Garrya Elliptica is very shabby this year, and it would be difficult to gather a good catkin from it, so I pass it by. The Daphne Mezereon is in full flower, and where it does well a large bush is a pretty object, and the scent of the flowers is delightful ; but I have never suc- D 49 In My Vicarage Garden ceeded with it, though it grows easily in many of the cottage gardens of the neighbourhood. This exhausts the flowering shrubs now in flower, with the exception of the peaches and nectarines, which I think we should grow for their pretty flowers, even if there were no fruit to follow, and with the exception of one other which deserves a paragraph to itself. I have on my lawn an old circular bed per- manently planted with a broad band of the dwarf S. European heath, Erica carnea, and' inside that another band of the old yellow crocus, the remainder of the bed being carpeted with the beautiful leaves of the autumn cyclamen, C. hederaefolium. In summer the centre is gay with an old plant of fuchsia globosa, and some Japanese maples. The heath and crocus in ordinary years would have passed away long before this, but they are still in great beauty, and have been for some weeks ; the heath was in blossom in the beginning of February. I wonder this heath is not more grown. As far as I know, it will grow in any soil ; it is very inexpensive, and if cut in close after flowering it forms a rich green cushion all the year. To bees, too, it is very attractive ; I always see on it the first bees of the year. I am sorry to say it is equally attractive to pigeons. Two years ago the pigeons ate off every bud as soon as it appeared, yet last year and this year they have not touched it ; and why they should have stripped it one year and A Backward Spring left it untouched the next is a puzzle. And I mention the bed because it is a good instance of a bed kept for many years in beauty, with very little trouble. The crocuses must have been there more than twenty years ; the heath has to my certain knowledge grown there for more than forty years, while the original cyclamen plants from which the rest have spread were planted in 1817. I will now go to some of the herbaceous and bulbous plants in flower. These have fared much better than the shrubs, having been for six weeks completely covered by a thick blanket of snow. During that time I think the ground was never frozen. I did not try it with a thermometer, but I often thrust a stick through the snow into the ground, and I always found it soft and unfrozen. I pass by the daffodils, except to say again how thoroughly they have this year belied their tradi- tional character, which all our poets have loved to dwell on. Many may like to renew their ac- quaintance with one only, Aubrey de Vere, whose exquisite ode to the daffodil begins : — " O love-star of the unbeloved March, Thou comest when first the spring On winter's verge encroaches : When gifts that speed on wounded wing Meet little save reproaches." and ends : — " To-day the spring is crowned a queen, but thou Thy winter hast already ; In My Vicarage Garden Take my song's blessing and depart, Type of true service — unrequited heart ; " for it seems likely that the daffodils this year will almost last into the summer. Nor must I stop long with the Christmas roses. There are still a few of the true ones (helleborus niger), but they are poor and ragged, and I have scarcely picked a good one all the winter. Yet they always have their interest. I have been looking into their his- tory, and I cannot believe that our white Christ- mas rose is the Hellebore of Theophrastus and Pliny. It differs in many respects, and is not found at Anticyra, and I think their Hellebore is our Veratrum. Yet all the old writers identify it with the classical plant, and speak very posi- tively about its virtues ; though they seem to have little ground for the belief beyond the "signatures," which taught them that a plant with black roots must be good for the black bile, melan-cholia. Burton, in his Anatomy of Melan- choly', has a long chapter on the plant, and evi- dently believed in it as a cure for melancholy ; and Cole, in his Adam in Eden, 1657, goes still further, affirming it to be not only " effectual for melancholick, dull, and heavy persons, as ques- tionless it is by signatures," but further " neither is it without ,great efficacy to cure those that seeme to be possessed with the Devil." These virtues it has long lost or never had ; it is used as a medicine in some parts of Europe, but is not admitted into the English Pharmacopceia. 52 A Backward Spring But if the true Christmas rose has failed this year, the hybrid varieties have been loaded with flowers, and I admire them much. They lack the pure beauty of the Christmas rose, but their great flowers have been well compared to gigantic apple-blossoms. They will not bear picking, or if picked they soon fade, but the leaves that come after the flowers are very handsome ; and a large clump makes almost an evergreen bush ; and as the leaves, unlike the flowers, last well in water, they are very useful among cut flowers. Another plant, also named from its "signatures," is the Hepatica, or liverwort ; though its likeness to any part of the liver is very far-fetched. It has no value in medicine, and even by Cole " the noble liverwort is prized more for pleasure to the senses than for helping any disease," and " for pleasure " they are most valuable at this time of year, though Parkinson puts them among the flowers of January. They are too well known to require any descrip- tion ; I would only say of them that it is well never to disturb them ; the older the plant the better will it flower ; and I would mention one curious point — that while the single flowers are among the easiest to cultivate, the double blue is in many gardens almost an impossibility, and the double white is so rare that many doubt its existence. I never saw it, but I was assured by the late Mr Wheeler, of Warminster (an excellent gardener, and one of the few nurserymen that are accurate botanists), that it only occurs as the 53 In My Vicarage Garden autumnal form of the single red. And a third plant, also named for its " signatures," is the lung- wort, or Jerusalem cowslip (Pulmonaria), which is now a great ornament in the garden, and has always been a special favourite in English gar- dens. There are many species, but none more beautiful than the British P. angustifolia, which is found in the Isle of Wight and in some parts of South Hampshire. I found it once near Beaulieu, in the New Forest. Nor must I leave unm^n- tioned the lovely dog's tooth violet, now in great beauty, and certainly one of the most graceful ornaments of the spring garden in its different colours of pink, white, or yellow, and as easy to grow as a crocus. And when I have named the spring cyclamen (C. Coum), which still carries a few flowers, and a few anemones where there ought to be a multitude, I think I have nearly exhausted the list of herbaceous plants now in flower, though in most years April would be able to show many more. Of bulbs there are not many in flower, but the few are gems. Snowdrops and crocuses have almost passed away, and in ordinary seasons would have quite disappeared, and, as I said before, the daffodils are only just beginning to appear. But the squills are at their best, and I don't know which to admire most, the blue or the pure white. The white is one of our best spring flowers, and a good clump with its shiny white stars is very attractive. It likes to be let alone 54 A Backward Spring and so do all the squills ; indeed, I have never been convinced of the good of constantly taking up and drying my bulbs ; in some soils it may be necessary, but I think it is entirely a question of soil. The grape hyacinths are also now in flower, most of them not so bright in colour as the squills, but the white variety is very pure. The chiono- doxas increase in beauty as well as in number every year, and this year they are especially fine, but I will say no more of them now, except that their complete hardiness has been well proved this winter, for they pushed up their lovely flowers through the snow. Certainly, in spite of all we have gone through, the garden is not barren, and, like everything else in this world, the bad weather has, to some extent, brought its own compensation. If we had a flower- less February and March, the flowers have not been lost, and we are having them now, and shall pro- bably see in May many more flowers than are usually seen in that month. The prospect is really very hopeful ; judging by the plants that have already flowered, and by the buds that are now appearing, it seems likely that there will be an abundance of flowers ; and for that we shall be indebted to the growing summer and brilliant autumn of last year, and perhaps in some measure to the retarding power of the long, severe winter. I do not pretend to be a weather prophet, but if we can put any trust in averages and proverbs we must expect a wet summer, which will not be 55 In My Vicarage Garden without its use to the plants that have been badly injured by the winter and are making a struggle for life. The old proverb says — " There is no debt paid so nigh As the wet pays to the dry ; " and taking the twelve months ending the 3 1 st of March there is a debt of twelve inches of rain. But all this is uncertain ; and does not this very uncertainty form one of the chief pleasures of gar- dening ? It would be tame work if it was always successful and if we could have it all our own way. And is it not our uncertain and much-abused English climate, with all the difficulties and dis- appointments that it brings with it, which has made our English and Scotch gardeners among the very best in the world ? PART II ELSEWHERE VARIOUS 57 CHAPTER VII SUNSHINE AND SHADE IN THE GARDEN I AM sure that half the science of gardening consists in knowing where to place different plants. A man may receive a bundle of new plants, most of which he may never have seen before, and it may easily be a sore puzzle to him to decide in what places it would be best to plant. The gardener of much experience, even if he may not have had to do before with the particular plants sent, will yet, by a sort of intuition, be able, by the appearance of many of them, at once to decide on their right places ; but it requires a long experience, and the longest experience will sometimes make mistakes. The beginner finds himself face to face with a real difficulty. He may be told the country from which the plants come, but that very often will not help him much ; and he may be told that some are quite hardy, while others are more or less tender, but even that does not solve his difficulties. He wishes to do the best he can for his new arrivals, and he determines that they shall have all the advantages that a good position will give them ; but he often makes fatal mistakes, and one of the first that he will be sure to make will be to place many of the 59 In My Vicarage Garden tender plants in the brightest and sunniest place he can find — it seems to him nothing but natural kindness to do so. But he soon finds out his error ; the tender plants may be so tender that they cannot stand the full blaze even of an English sun ; and though they may be sub- tropical, they ask to be protected from bright sun. In their own country they may have a warm, perhaps a hot climate ; but the fact is that a very large proportion of our exotic plants are in their own countries wood plants. This is markedly the case with the plants of Switzerland and other parts of Southern Europe. They are found wild in woods chiefly, many of them in the open glades, but many also in the dense shade of the fir woods. How such plants seek for shade and protection can be seen in the nearest hedgerow. An old hedgerow is a close mat of plants of all sorts with scarcely a single open space ; the whole surface is covered with brambles, nettles, deadly nightshade, dead nettles, and many others, and yet through the thick mass, and nestling under the most unlikely bushes we find delicate flowers of many sorts growing vigorously, and apparently most happy in their surroundings. And even wild plants which are not in hedgerows, but grow in the open fields and meadows, apparently exposed to the full blaze of the sun and the full blasts of cold wind, are yet largely protected by the herbage among which they grow. Their 60 Sunshine and Shade roots are protected ; the close herbage prevents a rapid evaporation of moisture, and the roots, except in a very prolonged drought, are kept cool and moist. High Alpine plants give a very good example of this. Many a plant-lover in his search for the distinctly Alpine plants comes upon or sees at a distance a bare-looking hillside in which it seems hopeless to search for any good plants. But perhaps it is these unpromising-looking places that will yield him the richest harvest. I had a good lesson in this point in the Tyrolese Dolo- mites, going from Predazzo to San Martino by the Rolle Pass ; where about a mile or more on each side of the top of the Pass, was a very barren-looking Alp which seemed as unlikely a place for good plants as possible. But from its elevation (6600 feet) and other appearances, I felt sure it would be worth a visit, and I went to it more than once. It was a carpet of high Alpines ; it will be enough to mention ranunculus thora and rutifolius, phyteuma serratum, erigeron uniflorus, veronica bellidoides, soldanella alpina, and many others, including rare saxifrages and gentians and a curious carpet of Edelweiss, not two inches high and almost stemless ; while a little higher up was potentilla nitida and rhododendron chamo3- cistuS) and the whole Alp was thickly set with arnica montana, which in a short time would be a mass of gold. Now all these plants were fully exposed to sun and wind, but not one of them was standing alone in a place all to itself; they 61 In My Vicarage Garden were growing out of a turf of short grass, which, though short, gave protection and shade to the roots. The same lesson of the value of shade and protection was taught in other ways. One of the most graceful of the clematises, and, as I think, quite the most beautiful of all wild climbers, is the blue atragene alpina. It is abundant in Tyrol, but it is always growing amongst the fir trees, up which it loves to climb. Another lovely plant that always rejoices the heart of the man who sees it wild for the first time is the ladies' slipper (cypripedium calceolus). I saw this abundantly near San Martino, and, wherever I saw it, it was forcing its way through the lower prostrate boughs of pinus mughus ; it is, I know, found in other positions, but it was only in that position that I found it. It was the same with the aquilegia alpina, of which I found several at Piora ; but in every case the flower was coming through the alpenrose. It is quite possible that in both these cases the plant would grow else- where, but the pine and the alpenrose protected them from the cattle and the goats ; and it showed that such places were quite fitted for their perfect growth. The same thing often occurs in gardens; every gardener knows how apt weeds are to come up in the very midst of his pet plants ; groundsel delights in the close neighbourhood of- other plants ; and the wild violet and the dandelion have a most objectionable habit of sowing them- 62 Sunshine and Shade selves in the centre of good plants, from which it is often difficult to get rid of them. In these cases, too, it is possible that the seed is sown elsewhere also, but those sown in the middle of other plants are protected from or overlooked by the birds, and so come to the perfection which we do not ask for. But beyond protection given by one plant to another, I feel sure that all plants are more parasitical than we are generally inclined to fancy. I do not mean that they are parasiti- cal in the same sense that the mistletoe, dodder, broomrapes, toothworts, and epiphytal orchids are parasites, actually living on, and in many cases destroying, their hosts ; but they are parasites in the sense of the better class of Greek and Roman parasites, not necessarily sponges, but with a liking to live in company ; they dislike solitude. Indeed, the whole subject of protection to vegetation is curious and far-reaching, and I saw a remarkable instance of it lately. In 1899 there was a very remarkable landslip at Airolo, which practically brought down a large side of the mountain, exposing a bare surface over a great extent. I saw it in 1900, and it Was curious to note that in some parts fir-trees were standing upright on the bared soil, even in large patches ; but wherever these patches occurred, the trees had been saved by the presence of a rock more or less large, the size of the rock determining the size of the saved patch below it. Now this meant that 63 In My Vicarage Garden in those patches vegetation will regain its full power many years before the unprotected patches, and the value of protection will be proved for generations. To bring this matter into practical gardening. It is now perhaps forty years or more since the discovery was made that the best, perhaps the only sure way, of growing Lilium auratum was to grow it among bushes, especially rhododendrons, and the same thing is now found to be the best way of growing bamboos, which rejoice in shaded roots with a power of bringing their long shoots into light and sunshine. The same rule, also, is found to hold good with many tender shrubs ; nearly all the Chilian shrubs, and many others, are found to grow easily on a north wall, i.e. a wall facing north, and will perish on a south wall ; I mean especially such plants as Lapageria, Tricuspidaria, Solatium jasminoides, Ficus repens, Stauntonia, Mitraria, and many others. And in all the best gardens the value of shade and pro- tection is now fully recognised. At Kew there are many very attractive beds composed of one shrub, and with lilies and other plants coming up in their midst. Mr Wilson's celebrated garden at Wisley owes, I think, the greater part of its suc- cess to the abundance of shade which he is able to get in his wood. In Miss Jekyll's equally celebrated garden at Munstead the most interest- ing parts are those in which she so cleverly cultivates her plants in a thin wood. It has come to be recognised that a garden without trees and 64 Sunshine and Shade shrubs is not only ugly in itself, but it loses the great help in the cultivation of plants which trees and shrubs will give. I do not mean to say that gardeners should avoid putting their tender plants in the sun altogether, and there is one class of plants to which I would give all the sun I could find for them. These are the early spring flowers. In their own country they may be wood or marsh plants, but with us they are all the better for, and fully deserve, the sunniest spots we can give them. I mean such plants as the spring cyclamens, early irises, crocuses, snowdrops, etc. But the point I wish to bring out is not only that a shady garden is not a garden in which gardening can only be carried on under difficulties, but that shade and protection, whether from trees, shrubs, or walls, are great helps to the gardener, and that without them it is really hopeless to make the garden a thing of delight. The old writers, and some modern ones, have loved to moralise on the beauties of living under the shadow of a protecting power. Spenser has a short fable about a bramble that resents the neighbourhood of a great oak ; but when the oak was cut down he was "naked left and disconsolate" and died ; and Shakespeare says : — The strawberry grows underneath the nettle, and draws a moral. But the moral is too obvious to require me to dwell further upon it. E 65 CHAPTER VIII CARPET PLANTS I WISH to say something more on the " Carpet Plants," which I mentioned in my paper on the Flowers of Spring.1 A short paper will be enough for the purpose. By carpet plants, I do not at all mean the plants that generally compose the so-called carpet beds. These beds are, in my view, the worst form of summer bedding, being generally composed of stiff, parallel or concentric lines of sempervivums, echeverias, and other plants, so arranged as to give the impression of a small carpet or rug. They are dearly loved by many gardeners — even many good gardeners — and are the especial delight of nurserymen ; but I cannot admire them, while I do very much admire a good use of carpet plants. For these carpet plants the following points are necessary : they must be evergreen, that is, they must not only clothe the ground in summer and autumn, but all through the year ; they must be of a soft, tender nature, so that such bulbs as snowdrops, crocuses, squills, chionodoxa, etc., and such plants as ane- 66 Carpet Plants mones, and dog's-tooth violets may come up through them without doing or receiving injury ; they must be very close-growing, shallow-rooted, and spreading in every direction without laying bare their centres. There are many such plants, but they have to be well chosen and carefully looked after. The ideal carpet plant for English gardens is our lawn grass ; it is the plant that makes all the difference between English and continental gardens ; but it is only good as a lawn plant ; if allowed to wander into the flower beds it very soon becomes a pestilent weed. Not only has it the habit of placing itself in the very midst of good plants, and so choking them, but, like all other grasses, including the bamboos, it is such a gross feeder that it soon takes to itself all the moisture and good food that it can reach ; so as a carpet plant for the flower beds it is worse than useless. About forty years ago a plant was introduced which promised to be not only a rival of the grass for lawns, but also a beautiful carpet plant in our borders. It was a Sagina, but whether 5. pro- cumbens or ,S. pilifera I am not sure. It was first grown to a large extent in a garden at Sydenham, and there I saw it. The garden was a small one of the usual suburban type, enclosed by the house and three walls, and, as far as I recollect, the whole space was carpeted with this Saginat and a most beautiful carpet it made, having such a likeness to a rich green velvet-pile 67 In My Vicarage Garden carpet that one felt almost loath to tread on it with dirty shoes, and of an even texture through- out, nowhere above half an inch high, and with no vacant spaces. It had a rapid sale, but it was soon found to degenerate, and in many cases to die completely, and I have never since heard of its being used either as a carpet or as a rock plant. About the same time another plant was introduced with the character of being a perfect carpet plant. This was the Chrysanthemum or Pyrethrum Tchihalchewii^ from Russia, and though not so close in habit as the Sagina, it was un- doubtedly a plant that in some places might be useful, where a coarse carpet would suffice. But it soon proved itself to be very capricious, doing fairly well in some gardens, but refusing to grow at all in others, and it was, 1 believe, found to be useless under or even near trees ; so it had to be given up, though where it grows well it makes a very pretty rockwork plant. But there are many plants of real beauty which make beautiful carpet plants, answering all the conditions that I have laid down. I place among the very best the Campanula Portenschlagiana, from Dalmatia. It is so perfectly hardy and ever- green that I never knew it the least injured in the hardest winter ; and with me it keeps a uniform height during the winter, not above two or three inches, and without any bare, brown places. Then, in the summer, it is a mass of 68 Carpet Plants lovely pale blue flowers, which last a long time, and it does not object to a crocus or two coming up in its midst, though it would not like a thick mass. Altogether, I think it one of my most useful plants for growing in full sun, and though I call it a carpet plant, it is excellent also as what I may call a curtain or tapestry plant. I know an old brick kitchen-garden wall in Devonshire on the top of which a plant of this campanula had found a suitable home, and from the top of the wall the plant has spread downwards, rooting and sowing itself in every coin of vantage till it has covered the wall for several yards in length. I reckon many of the acaenas among good carpet plants, if only the winter is not too severe ; but in a very severe winter the plants are apt to become bare in places and so lose their beauty for a time, but they generally recover it soon, and one of them A. pinnatifida will generally be a close green carpet through even a hard winter. These acaenas are mostly from South America and New Zealand, and are of very various colours, one very hardy one, A. inermis, being of a decided slate colour ; and they all produce burs, with thorns of different shapes, but all more or less clinging to anything that touches them ; and it is on account of these burs that the plants get their name from the Greek axa/wx, a thorn or goad. I have not space to speak of many other good In My Vicarage Garden carpet plants, and can do no more than name a few. The mossy saxifrages are more cushion than carpet plants, and are very apt to get brown patches which are unsightly. All the thymes are good for the purpose, especially the pure white and the dark red. Arenaria Balearica is a first- rate carpet plant for stones in damp places, but it is somewhat difficult to establish. Hutchinsia Alpina makes an excellent dark green very close carpet, and when covered with its pretty pure white flowers is one of the best flowers of spring. Many of the low-growing Veronicas, especially V. repens, are almost as good, and I will close the list with Herniaria diandra, which, though only an annual, will often cover a considerable space, and keep green all the winter. This, of course, is not a complete list of the many good carpet plants that we may use, but it will be enough to show that we have many good plants which will cover the ground for us, and soon make a brave show of greenery at all times. There is one point in the cultivation of these plants which may be worth mentioning. A good carpet cannot be made in one season, even by planting several plants together, for I have found by experience that one plant allowed to spread and increase in its own natural way makes the best mass in the end. Gardeners are often too apt to try to get perfection at a stroke ; they 70 Carpet Plants would like their gardens to be " like Adonis' gardens, That one day bloomed and fruitful were the next," HENRY VI., Act i, s. 6, but for permanent good results such haste does not make good speed, or good work ; and in the end patience wins the race in gardening as in so many other paths of life. CHAPTER IX WHILE THE GARDEN IS UNDER SNOW FOR nearly a month the garden has been com- pletely closed ; in such a December as we have just been passing through all out-of-door work is necessarily stopped.1 Yet the gardener is not, therefore, entirely without work, or without even pleasant work, and if he is fortunate enough either to have a good botanical library himself, or to have ready access to one, his time may indeed be pleasantly occupied, and in a way which will bring good results when he can again take up his usual work. I suppose no one who loves his garden is entirely without books on his favourite subject ; and, indeed, I have always found that a lover of gardens and flowers is also more or less a lover and reader of books. In our country villages the chief applicants for books from the lending library are the gardeners, and the more they love their gardens and their flowers the more they wish to read about them ; and the more they get to know from books the more they desire to know ; and when cut off from their gardens by snow and 1 Written in January 1891, but altered in some places. 72 The Garden under Snow frost they still find plenty of employment and pleasant work in reading of their favourites ; and the best gardeners are the greatest readers, for Sir Thomas Browne's saying holds good with gardening and botany as much as in other pur- suits, " They do most by books, who could do much without them." And the gardener has no lack of choice. Mr Baydon Jackson in 1881 put the number of botanical works then existing at over eight thousand ; since that time the number has been much increased ; and as several of the works are in many volumes there must be certainly over ten thousand volumes now to choose from. Many of these are sumptuous books of great price, such as Sibthorp's Flora Grceca, which is said to have cost ;£ 1 0,000 ; and some are of excessive rarity, such as Rudbeck's beautiful Campi Elysii, of which only one perfect copy is known, now in the Sherardian Library at Oxford. Such books can seldom be seen out of public libraries ; but we have many such libraries in England, and there are probably few better botanical libraries than can be seen any day at Kew, or at the South Kensington Natural History Museum, or at the British Museum, or in the Lindley Library, in charge of the Horticultural Society. But the gardener wants books of his own, that he can study by his own fireside, in the long winter evenings, or when all outside work is stopped by frost and snow. He will be fortunate if among 73 In My Vicarage Garden such books he can reckon the Botanical Magazine, for I should consider it as almost, if not quite, the first work to be desired in a botanical library. With its 127 volumes, containing 7800 plates of flowers, it is a library in itself; and though its early volumes are more than a hundred years old (it commenced in 1787), yet it has always been conducted on the same lines, and the older volumes are especially interesting. Mr Bright, in his Year in a Lancashire Garden, records for his December work : — We have been looking over old volumes of Curtis's Botanical Magazine, and have been trying, not always successfully, to get a number of old forgotten plants of beauty, now of rarity. It has been my good fortune always to have had access to Curtis, and it has been my pleasure, too, to hunt up in it the old plants which were a pleasure to our fathers and grandfathers ; and I never look through a volume without learning something new. The entire work is expensive, and not easily procured, but the fifty-two volumes of the first series can be bought cheaply, and odd volumes are often on sale for very little, and as each volume is complete in itself, I know of few more useful books to give to a young gardener than a few volumes of the Botanical Magazine. Another excellent book of about the same age is Miller's Gardener's Dictionary, a book often seen on the bookshelves of good libraries, but not often read. Yet it is full of information from 74 The Garden under Snow beginning to end, and I know of no book so useful in its particular way. For the history of the plants and the old plant names given by the older writers it is most valuable, and the cultural directions are excellent. Though the last edition in four folio volumes was published nearly a hundred years ago, I know of no book that has supplanted it as a botanical and gardening dictionary, and, as it can be bought for a few shillings, I can safely recommend it to all. Different gardeners will, of course, be attracted by different books. Some will only be satisfied with purely scientific botany ; others will be attracted by books treating of geographical and geological botany ; others will only care for books which tell how to grow and improve flowers ; and each and all will find abundance of books to their different tastes. My own taste has always been for the old writers, especially those of the seventeenth and early part of the eighteenth centuries ; and without denying the excellent work done by many foreign writers of that date, I have always taken a special delight in our own English writers. There were many English writers on botany before Gerard ; but his work is really the first English work that popu- larised botany. It is not truly an English work, for it is a translation from Dodoens, and the plates are taken from Tabernaemontanus. Still there is a great deal of original matter, and the English is Gerard's own, and is very quaint and 75 In My Vicarage Garden pleasant reading. The drawback to one's pleasure in reading him is that I am afraid he was not an honest man. His method of compiling his book was not honest, and his editor, Johnson, often corrects him, and not to his advantage. Thus Gerard, in his account of the pceony, says that he found it wild " upon a conny berry in Betsome, being in the parish of Southfleet, in Kent, two miles from Gravesend, and in the ground some- times belonging to a farmer there called John Bradley ; " but Johnson says : — " I have beene told that our Author himselfe planted that Peioniee there, and afterwards seemed to finde it there by accident." For this reason, among others, I much prefer Parkinson. His Paradisi in Sole Paridisus Terrestris (i.e. " Park-in-son's Earthly Paradise " ) is altogether a delightful book, and from beginning to end there is a thoroughly honest ring about it. You feel that he is telling you nothing about his plants but what he has himself seen or done, and the wood- cuts are drawn from the living plants, without the least exaggeration. The collection of plants in the two books, the Paradisus and Theatrum, is really a wonderful collection, and his descriptions of them are given in strong vigorous English which leaves nothing to be desired. Take his description of the seed vessels of the Pceony, which I have just named ; first, however, taking a modern botanical description of the plant, "Follicles 2-5, downy recurved, with many seeds and covered 76 The Garden under Snow with the bilamellated stigmas." This is quite accurate, but Parkinson gives us an exact portrait : — "The seed vessels are divided into two, three, or four rough crooked pods like homes, which, when they are full ripe, open and turn themselves down one edge to another backwards, showing within them divers round black shining seeds, which are the true seed, being full and good, and having also many red or crimson grains, which are lanck and idle, intermixed among the black, as if they were good seed, whereby it maketh a very pretty show." I should like to stay longer with Parkinson, but space forbids, and there are many other writers of the same date all worth consulting, if only to see the flowers that were then most grown and prized ; but there is rather a monotony among them, and they are all to some extent spoiled by the large admixture of medical virtues which it was then thought necessary to give in the description of every plant. It was the fashion of the times ; if a plant had no medical virtue, it was scarcely thought to be worth growing, and so too often the virtues were invented, and were chiefly grounded on the then fashionable doctrine of signatures. The same desire to force all botany into the service of medicine was shown in the practice of calling botanic gardens physic gardens. The fine old garden at Oxford was so called within the memory of many of us, and the Chelsea Garden still later. In the early part of the seventeenth century a 77 In My Vicarage Garden grand style of flower-books became the fashion, chiefly in France and Holland. The books were simply picture-books, but the plates were beauti- fully engraved on copper, from perfect drawings, the flowers being often of the natural size. I allude to such books as the Theatrum Florcz, Florilegium Renovatum, Jardin du Roy, and above all the Campi Elysii, which I have already named. These are fine folios, but there are some others of a smaller size, such as the Hortus Floridus, with exquisite engravings by Crispin de Paas'of flowers arranged in their seasons. But I will say no more of these beautiful books, as I wish to confine my- self to English works ; but every lover of flowers would do well not to let any opportunity slip of securing these books. There are two very special pleasures in looking through old books of flowers. One is the pleasure of finding that, except in really very few instances, the same flowers which now delight us were the delight of our fathers and grandfathers. It is almost amusing to read of prizes and first-class certificates being given to plants as novelties, which may be found well figured in the old books. The Campi Elysii is a case in point. There is no reason to suspect the absolute fidelity of the plates, and there are narcissi there equal to or better than any of the fine ones which have been produced in late years as novelties ; and in the same book there are many others which are quite lost to us. Another pleasure is the recalling to our memory 78 The Garden under Snow good plants which we ourselves have had and lost. As I look through the Botanical Magazine, or the Botanical Register, or Sweet's Flower Garden, I recognise many a flower which I once had and prized, and which perhaps I may never have again ; but having once had it, I look with double pleasure on the old plate that recalls it. And I knew one good old gardener who loved to tell of the so-called yellow cabbage rose x which when he was young grew upon his vicarage walls ; and though he lived to a good old age he never saw the plant again ; but whenever he saw the plate in the Botanical Register it all came back to him with something perhaps of regret, but still more with pleasant memories. Thankful as I am for books at all times, I feel doubly thankful for them in such a winter as this. I am afraid we are all of us too much inclined to say with Shakespeare's Archbishop Scroop, " Past and to come seem best, things present worst," but there is no doubt the present winter is so far one of the worst on record. Shakespeare gives us the proverb, " As humorous as winter," and we know what he means ; but in this winter there are no " fitful humours ; " it is one unbroken spell of snow and ice. For three weeks I have not seen the green grass of my lawn, and I fear the effects in the garden must be disastrous. Yet there are gleams of hope. The fine autumn had well ripened the wood of all shrubs, and the deep i R. hemisphserica, 79 In My Vicarage Garden snow has protected the herbaceous and bulbous plants, and the frost has come early, before plants had started into new life. And of course the ice and snow have their uses even to the gardener. If he loses some plants, he will have some pleasant surprises in the survival of others, and if he is watchful and careful he may learn much of the effects of frost and how to guard against it ; and so he may be taught many a useful lesson, though he learn it per damna, per ccedes. We have been spoiled by a succession of mild winters, and were becoming too venturesome. The check has now come, and for the time it is very unpleasant, and the effects may be woeful ; but we shall not there- fore give up our gardens in despair : — " Deus haec fortasse benigna Reducet in sedem vice." 80 CHAPTER X THE ROCK GARDEN PERSONS going to the Alps, and seeing plants growing there in what look like uncongenial places, and then bringing them home and planting them in their good soil and sheltered gardens, are apt to think that they have done all that is necessary to have at home the bright colours and the vigour of Alpine plants which they so much admired in Switzerland. No doubt they have done all they could, but the end is not far off. In new gardens especially, plants sometimes put on a marvellous luxuriance, and we are tempted to think that we shall succeed, and even do better for our favourites than in their native homes ; but it does not last long. Little by little they dwindle away, smothered by weeds or by seedlings from their neighbours, and the end is that many of us have to confess that Alpines from the higher Alps cannot be grown except in a few favoured places or under glass. And this is not only the case with the plants of the high Alps ; it is equally the case with many other Swiss plants. I cannot grow the Arnica montana ; but has any one ever seen it in England growing with anything approaching F 81 In My Vicarage Garden to the luxuriance of growth and brilliancy of colour that it has in Switzerland in July and August? The Astrantia minor covers the rocks and short grass in many places in Switzerland, but I never knew any one who had really succeeded with it in England. Even the Campanula barbata, which covers acres and acres with its lovely blossoms at many different elevations, will do well enough for two or three seasons, and then will gradually dis- appear. The fact is, as I suppose, that we can easily give our plants the soil they require, but we cannot give them the climate and atmosphere ; and climate and atmosphere are of as much im- portance to their well-being as carefully selected soil. But the title of my paper is the Rock Garden, and the growth of Alpines is with most people closely connected with rockeries ; yet I wish to speak of them not only or chiefly in connection with Alpines, but with many other plants. I do not entirely agree with those who say that nothing is uglier than a rockery, for I have seen many which were not only beautiful in themselves, but beautiful and most useful additions to beautiful gardens. But there are also many, and perhaps the majority, which are absolutely hideous, but even so they are, or may be, useful, and in some form or other every one who wishes to grow a good collection of plants must have them, for in no other way, generally speaking, can he get the protection, the shade without darkness, and the 82 The Rock Garden uniform moisture that many plants love. Perhaps the best way in which I give my own ideas as to what a rock garden should be will be by first stating what it should not be ; when a person clearly knows what to avoid he has more than half learned the lesson of success. The rock garden should never be near the house ; it must always more or less partake of savagery and wildness, and so is quite out of harmony with studied lines of architecture. And yet the most successful rock garden I have known was close to a house in the suburbs of Worthing. The house is the ordinary suburban villa, with a slip of garden in front, and behind the house another garden of the same width as the house, and about double the depth. The whole of this space is filled with what I can only liken to a miniature meadow in front of but rather below the windows of the house, and surrounded with what looks like the entrance to a small Derbyshire dale. Not a portion of the boundary walls can be seen behind the rocks which have been formed out of the rubbish of old houses pulled down in the neighbourhood, and piled up and covered with flowers and shrubs by the almost unaided labour of an old lady and gentleman, both over fourscore. The naturalness of the scene was complete. In no part could you see anything that suggests that it is all artificial, and it is a grand proof of what can be done out of the most unpromising materials, if there is only skill and enthusiasm. But this is 83 In My Vicarage Garden an entirely exceptional case ; the usual suburban villa is not complete without its rockwork, and the rockwork is almost always a triumph of ugliness. The usual process is to make near the front door a heap of earth of some regular shape, generally oval, four or five feet high, and to place stones of different sorts, spar for preference, at equal dis- tances all over the heap. The likeness to a cake studded with almonds is complete, and the initial error is the erection of the rockwork rising out of level surroundings, and wherever the ground is level round a rockwork its artificial character is at once revealed. A still worse form of rock garden finds great favour with the suburban gardener, and this is to cover a bed with blocks of stone, or coloured glass scoriae, if he can get them, placed at equal distances all over the surface. I saw such a bed once at Southsea, quite bare except for large blocks of coarse coke placed care- fully on the surface with mathematical accuracy. Nature is very generous in hiding anything that is ugly, and filling up every vacuum, but she will find it hard to change such a bed as that into a thing of beauty ; and I once saw near Chester a noted rock garden of really good design, and one on which much money and labour had been spent, but which was completely spoiled by too great neatness and trimness. Not only was every shrub carefully clipped, but every stone was twice a year thoroughly scrubbed and scraped, so that though it was more than twenty years old when I saw it 84 The Rock Garden it looked as if made yesterday ; nature and time had done all they could to soften its hardness and to clothe its bare surfaces, but the gardener was able to defy them. So here is another rule — to avoid everything that suggests artifice, or even to suggest man's labour. Of course there must be artifice and there must be human labour, but they should be kept out of sight as much as possible. There is another form of the rock garden which must be noticed ; for it is very scientific and very ugly. This is the pocketed garden, which was first started by Mr M'Nab at the Edinburgh Botanic Gardens about thirty years ago. It consists of a collection of squares placed side by side, and one above the other, the sides of the squares being formed of thin flat stones, of which two-thirds at least are below the surface of the soil. When Mr M'Nab first showed it to me I was bound to con- fess that I had never before seen anything in garden work quite so ugly ; it suggested nothing so much as a gigantic counter in a corn exchange for the display of samples. But at the same time I was bound also to confess that it would pro- bably be a great success for the cultivation of plants, especially Alpines ; for it gave such plants just what they require, shelter from the extreme heat and glow of the sun, separation from other plants which would choke them, and a moist, cool surface for the roots to run in without fear of stagnant water. The result has shown that Mr M'Nab was right ; the plants have done excel- 85 In My Vicarage Garden lently well, and as they have been allowed to go their own way they have covered up the hard angles and hidden the ugly stones, and so it has been an undoubted success, and excellently suited to a botanic garden, but to no other. I should be sorry to see it much imitated ; the principle of pockets with deeply sunk stones behind which the plants can find shelter from sun and wind can be easily adopted without converting the garden into a gigantic chess-board. What, then, will make a rockwork which will form a happy home for plants, and be at the same time beautiful in itself and a beautiful adjunct to a garden ? I have already said that a rockwork which rises above the level of a flat surface at once proclaims itself to be artificial ; on a sloping ground, especially if very steep, rocks may natur- ally crop out, and will be useful to keep up the soil, and they are very natural borders to a path at the bottom of sloping ground ; and a very little management will give plenty of good places for plants near such rocks. In many gardens there is an old quarry from which the stones were taken for the building of the house ; and these always make excellent rock gardens, being below the surrounding garden, with different levels, and generally with a good floor, more or less flat, and sometimes sufficiently moist to form a bog garden. I think it best that a rock garden should not be seen till you are immediately above it or in it ; one that obtrudes itself from a distance is in every 86 The Rock Garden way a mistake, and the best rock garden I have known was a disused slate quarry in a small wood in a very good garden near Plymouth. It was quite invisible till you were actually in it, and then the disintegrated crumbling slate, through which there was a dripping of water, made a very para- dise for ferns, and not for ferns only, but for many other good plants that loved shade and moisture. This is the secret of the success of the rock garden at Kew. The surface of Kew Gardens is almost a dead level, but when the time came to make a large rock garden, it was wisely deter- mined not to place on the level a huge mountain of stones, but the happy thought was acted on to imitate the dried-up bed of a stream through a rocky soil, of which the banks would form the rock garden. The exigencies of a public botanical garden forced them to do some things that it would not be well to imitate, e.g. the wide gravel walk in the centre, while the flatness of the surface obliged them to show a flat bed to the stream ; if they could have had this on a gentle slope, and if they could also have made some side-paths lead- ing into it, as if they were connected rivulets, the effect would have been better, and they would have had a greater variety of aspects ; still it is a decided success, and, having a liberal supply of water, they are able to keep it always fresh, and the plants look thoroughly comfortable. There is one form of rock garden (if we may so call it) which I think might be often used with In My Vicarage Garden great effect. I have already written on garden walls,1 but I did not mention that in many gardens, especially where the surface is flat, a dwarf wall, built of large stones unmortared, but rilled with earth in the interstices, and with earthen tops, will make an excellent home for many good plants, and though it will of course look artificial, it need not look ugly or out of place. The Cornish walls will give a good idea for such walls, and it is the common way of growing plants in the gardens of Portugal, and other parts of South Europe and North Africa. In Mr Craw- ford's charming book, Through the Calendar in Portugal, after telling us how the Portuguese love flowers, but despise trimness, florists' flowers, or novelty in flowers, and only ask for vigorous growth, rich colour, and sweet scent, he describes the distinguishing feature of the Portuguese garden : — " A survival of the old Moorish times is the wall running by the garden paths faced with painted tiles. Along the top of the low wall is scooped a deep furrow to be filled with garden mould, and planted mostly with carnations, pinks, and gilliflowers, or the dwarf scented purple iris of Portugal. All these plants like the drought, and so set the flowers can be plucked or smelled to without bending the back — an ingenious device of the ease-loving Oriental." In the rock garden don't be afraid of shrubs, not only dwarf shrubs, but tall and large ones ; nothing will more help to give it a natural ap- 1 Gloucestershire Garden, p. 203. 88 The Rock Garden pearance, and to hide what is artificial ; and among shrubs I am fond of yuccas for such a place, they naturally grow among rocks, and they look well, whether placed at the extreme top, or in any other part. But avoid all root-work ; it looks rather well at first, but it soon becomes a harbour for vermin of all kinds, and as it rots away it very seriously disarranges the whole of the garden, however carefully it may have been put together. Avoid also all such things as frag- ments of old buildings, old pinnacles, bits of Gothic windows, and, above all, such things as plaster casts, glass balls, glass scoriae, or any other scoriae, statuettes, and such like, and if you must have labels (and they are almost unavoidable) have them as inconspicuous as possible ; all such things (except the labels) suggest that the whole thing is a sham, and the more natural and wild the rock garden can be made, the better. For this reason I would, if possible, use only one kind of stone, and place the stones, if I could, in their natural positions. All this will involve labour and thought, and doubtless many a good rock garden has been made in a more haphazard manner. I am only giving a counsel of perfection, and much good work may be done without reaching to that. Nothing is uglier than many rockeries, perhaps the majority of them, but I contend that they are necessities in a good garden, and that they need not be ugly, and may be made quite beautiful ; and so I am more inclined to agree — or rather 89 In My Vicarage Garden I do entirely agree — with Ellwanger in the Garden Story : — " Of all forms of cultivating flowers, rock-gardening is the most interesting. Within a small space you may grow in- numerable dainty plants, which would be swallowed up or would not thrive in the border — delicate Alpines, little creeping vines, cool mosses, rare orchids, and much of the miniature and charming flora of the woods and mountains." 90 CHAPTER XI YORK AND LANCASTER ROSES THERE are many roses with variegated petals, but two only rank as York and Lancaster roses. The others I dismiss at once, for though Mr Rivers speaks favourably of Village Maid or La Villageoise, CEillet Parfait, Perle des Panache"es, and Tricolor de Flandres, they have never obtained a footing in English gardens, and from my own experience of them I should not think it likely that they ever will. I shall confine my remarks, therefore, to the two kinds which are best known, and it will be better to begin with the description of them, and then to say some- thing of their history and literary associations. Of the two kinds one has certainly been known in England more than three hundred years. It is a variety of Rosa Damascena, but its old name was R. versicolor. It is an upright rose, often growing six feet high, and in good seasons bear- ing a large number of semi-double roses, of which some are white, some are pink, and some white and pink combined. The flowers are not large, but it is a very pretty rose, very hardy, and can be increased by cuttings or suckers ; it produces a In My Vicarage Garden few red pear-shaped hips, and I believe, though I have never tried, that it comes true from seed. It is not a very common rose now, though I fancy it was fairly common in old English gardens, but it has been supplanted by the more showy rose, which I call the second sort of the true York and Lancaster roses. This is a variety of Rosa G allica, but I have not been able to find any account of its introduction into England, and it is generally said to have been first raised in England, but of this there is no certain proof, but it seems to have been chiefly noticed by English writers. I can find no earlier notice than in Gilbert's Florists' Vade Mecum, 1682 — an ex- cellent little book. His description seems to imply that neither the rose nor the name were novelties at that time. He describes it thus : — " Rosa Mundi, the Rose of the World for Scent and form like the common red one, but the colours differ to admira- tion, were it not by its great increasing grown too common, are in this flower for the most part of a pale flush-colour, diversely spotted, and finely marked with great flakes of the same red as in the common red Rose, making it through the double flower the loveliest thing to eye of its species " (p. 77). It was well figured by Miller in 1758 as Rosa Prcznestina variegataflore pleno\ by Miss Lawrence in 1796 as Rosa Mundi\ and in the Botanical Magazine in 1 8 1 6 as Rosa Gallica versicolor or R. Mundi. All these names are certainly wrong ; there can be nothing to connect the York and Lancaster rose with Pliny's roses of Prceneste, of 92 York and Lancaster Roses which he gives no description, but Clusius doubt- fully gave the name to the older form, and Miller adopted his name for the later one ; Rosa Mundi was also Ray's name for the older form ; and Rosa versicolor was also Parkinson's name for the same rose. The name now generally accepted is Rosa Mundi, and as it is so figured in the Botanical Magazine p, it is better that that name should be given to the more modern, reserving the name of R. versicolor for the older one. By whatever botanical name it may be called, its popular name will always be York and Lancaster, and it well deserves the name, its bold mixture of bright red and pure white making it very conspicuous and attractive. A few years ago it was very scarce, and could only be found in a few old-fashioned gardens, having been pushed aside by the hybrid perpetuals ; but now that a love for the old- fashioned flowers has revived, it has been again brought forward, and promises to be as popular as ever. It has an untidy habit, but it is very hardy, and increases freely by suckers, which are apt sometimes to come up a long distance from the parent plant, but it is not easy to strike from cuttings, and I am told that it is very difficult to increase by budding. In some years it produces abundance of hips and seed. I have never sown any, for I have been credibly informed that not more than one in a hundred will come true. Of the history and literary association of this rose I have nothing more to say ; but in the history 93 In My Vicarage Garden of the other there are some very interesting points. It would be very interesting if we could find out when this rose first appeared in England. There is no certain record of it, but I am inclined to think that it was not seen in English gardens before the latter part of the sixteenth century. Before that time all roses are described as either red or white. Bartholomaeus Anglicus, in the fourteenth century, distinctly says that all English roses were so, entirely red or very white (omnino rubra vel omnino albissima) ; and this is curiously shown by the fact that in all the descriptions of female beauty before that time the pink of the face and lips is always derived from the rose, but the white from the lily, but after that time the variegated rose is naturally used (as by Shake- speare) for the more perfect similitude. The only poet or writer, as far as I know, that mentions the red and white rose earlier than Shakespeare is the Scotch poet, Dunbar, who wrote at the end of the fifteenth and beginning of the sixteenth century, and he says : — Nor hold none other flower in sic dainty As the fresh rose of color red and white. Dunbar was a traveller, and may have seen the rose in foreign countries, but I think it doubtful, and think the " rose of color red and white " may mean red and white roses, and not red and white in one rose. But towards the end of the century 94 York and Lancaster Roses the rose must have been well known and popular. Shakespeare decides this, for he certainly mentions the rose three if not four times : — For flesh and blood, sir, white and red, you shall see a rose ; and she were a rose indeed. Pericles^ Act iv. sc. 6. The roses fearfully in thorns did stand, One blushing shame, another white despair ; A third, nor red nor white, had stol'n of both, And to his robbery had annexed thy breath. Sonnet xcix. I have seen roses damasked, red and white, But no such roses see I in her cheeks. Sonnet cxxx. More white and red than dove and roses are. Venus and Adonis^ iv. Pericles was probably only written in part by Shakespeare, but whether by him or a contem- porary it matters little to my present purpose — i.e. to fix a date for the introduction of the rose. The sonnets were published in 1609, but probably written at least ten years earlier.1 I may now go to the botanists. The first description of the rose is by Clusius, in 1601. I omit his botanical description that I may find place for Parkinson's, but he tells us that he first 1 To these passages may perhaps be added the whole scene in the Temple Garden, I Henry VI., Act ii. sc. 4. The text will quite bear the interpretation that the different white and red roses were all plucked from the same " thorn " or " briar." 95 In My Vicarage Garden heard of it from John Restan, of Cologne, in 1600, and had a plant from him, but it had not flowered. He gave it, however, the name of R. versicolor, which it has since retained. Gerard does not mention it at all in 1597, nor is it mentioned by Johnson, the editor of the second edition in 1633, so it is probable it was not much known in England then. But in 1656 Parkinson described it, and his description is so good that I am tempted to quote the greater part of it :— The flower (being of the same largenesse and doublenesse as the damaske rose) hath the one half of it sometimes of a pale whitish colour, and the other half of a paler damaske colour than the ordinary ; this happeneth so many times, and sometimes also the flower hath divers stripes and markes in it, as one leaf white, or striped with white, and the other half blush or striped with blush, and sometimes all striped or spotted over, and other times little or no stripes or marks at all, as nature liketh to play with varieties in this as in other flowers. But if I am puzzled to say when the flower first came into English gardens, it is still more difficult to say when it first got its excellent name of York and Lancaster Rose. Hoffman, in his excellent Lexicon, 1698, after describing the Wars of the Roses, says that on tfte union of the two houses a double red and white rose formed part of the English Royal insignia, but he gives no authority for the statement, and I do not remember to have seen it elsewhere ; but if it was so it would be natural to call the new rose after the existing insignia, and it would be York and Lancaster Roses a natural and obvious compliment for the courtiers of the time of Henry VIII. and Elizabeth to say how Nature had shown the excellence of the union of the houses of York and Lancaster by joining in one fair flower the white rose of the one to the red rose of the other. But the first notice I can find is in the heading to Parkinson's de- scription, just quoted, " Rosa Versicolor : The Party-coloured Rose, of some York and Lan- caster." This shows that the name was a com- mon name in Parkinson's time, and was not invented by him. About the same time Cleve- land, the poet, wrote : — Her cheeks Where roses mix ; no civil war Between her York and Lancaster. I can get no nearer to the origin of the name than this. It was probably a chance name happily chosen, which at once took the public fancy, and so has remained with us. I will finish my paper with an epigram which is well known, but is clever enough to bear repetition : — If this pale rose offend your sight Laid in thy bosom bare ; 'Twill blush to find itself less white, And turn Lancastrian there. But if thy ruby lip it spy, And kiss it thou may'st deign, With envy pale 'twill lose its dye, And Yorkist turn again. G 97 CHAPTER XII PLANT NAMES PLANTS must have names, and most of the names which are now so fixed have gone through many changes, and I do not intend to tell how they have changed and how they have become finally fixed. That has been done by many writers on botany, and can be well studied in a small compass in Professor Earle's excellent little book on English Plant Names, in the Introduc- tion to which he gives the account of the progress of plant-naming from Theophrastus to Linnaeus and Jussieu. What I rather wish to do is to show that however unattractive at first sight the study of plant names (I mean their scientific, botanical names) may be, there is in them a fund of instruc- tion and interest which will well repay the labour spent upon them. That there must be such names, joined or not with popular English names, is an absolute necessity in botany, as in every other science ; for " the first necessity for science," says Professor Earle, " was to know the objects, and to know them by their names." In botany these names are certainly very often long and cumbrous, uncouth and unclassical, and to many 98 Plant Names who use them they can convey no meaning at all, and I have often listened with wonder to men and women with no classical education whatever, and without the slightest knowledge of Greek or Latin, using a multitude of these long words (sesquipedalia verba), and using them accurately and, in many cases, with a real knowledge of their meaning, though with no knowledge of their derivation ; in such cases, their use of these words shows a wonderful power of memory, which is no way helped by tracing the fitness of the name for the plant. There is now, and there always has been, a desire to use for plants popular names only, and the long scientific names have been mercilessly held up to ridicule, and have given occasion for many harmless jokes. Yet it is not easy to see why botany should have been so specially singled out for abuse and ridicule of its scientific names, except that perhaps the study of gardening and botany is the most popular of the sciences, and is followed up by a larger number of half-educated people. Rocks and stones, butterflies and moths, and especially birds, are as much common objects of the country as trees and flowers, and the different sciences of geology, entomology, and ornithology make use of scientific words not only as difficult to understand as the scientific names of plants, but much more difficult, because there is not the same connection between the names and the objects that there is in botany ; and yet 99 In My Vicarage Garden in these sciences the names are not laughed at, nor any attempts made to do without them in common use. Take the case of entomology, and especially that part of it which deals with butter- flies and moths, probably the most popular part — certainly the part that is first taken up by young people. Many of these have popular English names, and some of them are fairly descriptive of the insects, but the collector is soon taught to ignore them, and to keep steadily to the scientific names ; and when he does so he must be often puzzled to find any reason for the names given, or to trace any connection between the name and the thing. I take up the Accentuated List of the British Lepidoptera, and in the first page I find the following names of butterflies : — Pieris, a muse ; Daphlidoce, one of the daughters of Danaus ; Colias, a surname of Venus ; Edusa, a Roman divinity ; Hyale, a nymph in the train of Diana ; Argyunis, a surname of Venus, etc. Such names can give the student no information about the nature of the butterflies so named, or induce him to try and find out from the names something of the history of the insects. In botany the case is quite different. I believe it would be hard to find among plants a single plant name that had not a meaning ; in every plant name, not only the specific, but the generic name as well, there is something that tells of the history of the plant, either its discoverer, or its native place, or its structure, or its appearance as distinguished from 100 Plant Names its near relatives. And it is this history which, as I contend, lifts the most forbidding-looking botanical names from their apparent uselessness and dryness, and gives them an interest which adds largely to the other interests of the garden. I can illustrate what I mean by a few examples, taken partly from the native plants, and partly from exotics. The greater number of the names of our native plants have been adopted from the oldest writers. In some cases, no doubt, they have been given to very different plants than those of the old writers, but always with good reasons ; but it would be too long a task to enter into this part of the subject. What I want to show is how every name draws our attention to some peculiarity in the particular plant which distinguishes it from all others. Take our meadow cranesbills, very common in many parts of England, and of a rich blue colour that is not surpassed by any. There are three families closely allied — the geranium and the erodium of our own country, and the pelargonium chiefly of the Cape, and entirely so but for one curious outlier in Asia Minor (P. Endlicherianum] and two in New Zealand. The three names are all pure Greek — yifxvjog the crane, spudios the heron, and crsXa^yog the stork, and they all three at once draw our attention to the long sharp-pointed seed-vessels so closely resembling the long, sharp bills of the crane, the heron, and the stork. Having got so far, the specific names point out to us how one differs from another : 101 In My Vicarage Garden that one is phoewn^ or dark-flowered, while another is sanguineum with red flowers ; one is sylvaticum, of the woods, another pratense of the meadows, a third maritimum of the seashore, and a fourth Pyrenaeum, having its headquarters in the Pyrenees, while the structure is shown in one, being Nodosum, with knotty joints, and another Rotundifolium with round leaves, and so on. This will show what I mean from our native plants ; in exotic plants the scientific names often tell us a great deal of the geography or discovery of the plant, and so often give valuable help to the cultivator. If he gets a plant having for its specific name Javanicun, Brasiliensis, Benghalensis, Madagas- carensis, Aethiopica, etc., he knows at once that it is a tropical plant, which can only be grown in a hothouse ; if it is labelled Chilensis, Chiloensis, Magellanica, Mexicana, Capensis, or Novae Zea- landiae, he knows at once that it is probably half hardy, and may be worth trying as a hardy plant ; if the specific name is Japonica, Siberica^ Tartarica, CanadensiS) borealis, or Arctica, he has little scruple in trusting it out-of-doors, being well assured of its hardness, though for some mysterious reason it may defy cultivation in England ; if the name is Htmalaica ^Atlantica^ Caucasica^ Alpina, or mon- tana, he knows at once that it comes from a high elevation, and must be treated accordingly to the best of his powers ; while on the other hand he will reject a plant which reveals its low level nature by the names paludosus, lacustris, aquatica, 102 Plant Names or hydrophilon, unless he can give it a pond or a bog. He will get the same help when a plant bears the name of its discoverers if he has any knowledge of the travellers ; a plant named Douglassii is sure to come from California, Wallichei from the Himalayas, Sieboldi or Fortuni from Japan or China. In these different ways I contend that a knowledge of the scientific names will tell much that is useful to know, and so will add largely to the interest and pleasure of the garden. Nor is this all. Many of the scientific names, especially the older names, contain much of history and folk-lore. A large number still preserve their old medical names, which pointed out to the student for what complaint he was to use them, though they may no longer be so used now. The paronychia was a cure for the whitlow, and Herniaria for ruptures ; aegopodium podagraria would be administered for the gout, and Campanula trachelium for a sore throat. Old folk-lore is preserved in a large number of names, but two or three will suffice. Morsus diaboli preserves the old legend that to destroy the wonderful effects of the plant the Evil One bit off the root ; Carduus benedictus claims by its name to have received a special blessing which gave it the virtues of a heal-all ; while the passiflora, or flos passionis, recalls the story of the old missionary's joy in finding in heathen lands a beautiful flower in which he could discover all the emblems of the 103 In My Vicarage Garden Passion. One extreme instance will show that even in our own times a name may be given which in time to come will perpetuate the history of a savage custom now happily passed away. In the Fiji Islands there grows a solanum (very like our tomato) which has obtained the ghastly name of solanum anthropophagum. As long as the name lasts it will tell the story that the Fijians were once cannibals, and grew this vegetable specially for their cannibal feasts, human flesh being, according to the reports of Dr Leeman and Professor Moseley, very unwholesome unless eaten with certain vegetables, grown for the purpose, of which the solanum was in most request. The Fijians are no longer cannibals, but that they were so once will always be told by this plant. I would then recommend to all lovers of a garden to learn all they can of the scientific names of their favourites, just as I would recom- mend them to learn all they can of their structure, their botanical affinities, and their geography, for the simple reason that the more they learn the more they will wish to learn, and the more they will find to study with loving admiration. But it does not follow from this that I think lightly of the common English names of our plants. Our old English names are full of a special charm, and I have always delighted not only to trace them through our literature, but to preserve them in every possible way, and to use them in pre- ference to any others. They will make for any 104 Plant Names one a separate study by themselves, and a very delightful study, and the many books which have been written about them show what a fascination they have had even for great scholars. I doubt if there is anything in our English country life, or in our English home life, which has come down to us so unchanged as our common plant names. Professor Earle, in his English Plant Names, extracted all the names given in the glossaries from the tenth to the fifteenth century. Since that the Epinal Glossary, supposed to be of the beginning of the eighth century, has been published. In this glossary there are 123 names of plants, of which a few have no English trans- lation ; but there are more than ninety in which the old English names are exactly the same as the names of the present day ; so that we may say that for more than 1 200 years the names have remained unchanged. During the last few years attempts have been made largely to increase the number of English names for exotic plants, and even to insist that none but English names should be used by English botanists. I have no wish to enter into the discussion of this vexed question ; I will only say that I think the attempt is both unwise and mischievous, and if adopted by other nations would lead to a woeful confusion, and, instead of knowing our plants by the one accepted scientific name which would be good in every civilised nation, we should have to learn the different names adopted in each separate country. 105 In My Vicarage Garden Baron von Mueller, the energetic Government botanist for Victoria, in his account of tropical plants useful in manufactures, etc., has given good reasons against this. In writing the book he says that— " Vernaculars have been but sparingly used, being so often of duplicity or even multiplicity in their application, and so frequently also misleading. We should strive to simplify nomenclature, and should reduce popular names to such solitary and logical expressions as most readily can be under- stood in each instance. Thus it is as easy to say Casuarinas as the very objectionable appellations Sheoak and Heoak." I know that there are some, but not many, I should think, who profess to love flowers, but who say they care nothing for the names, whether English, Latin, or Greek. They will quote from Shakespeare that " a rose by any other name would smell as sweet," or Tennyson's description of the baronet's garden, in which — " Flowers of all hue and lovelier than their names Grew side by side." With such I have no sympathy ; it is a real pleasure to me, and I know it is to many others who are not only botanists, but good garden masters, to hunt up the history of a plant name ; to trace it from Theophrastus, Dioscorides, and Pliny till I get the helping hand of Gaspar Banhin, who in the seventeenth century sum- marised for me in his great Pinex Theatri Botanici all the names that had gone before ; and then Miller, in his Gardener's Dictionary, will do much 106 Plant Names to fill up the gap between Caspar Banhin and the nineteenth century. I should, indeed, like to go back further than Theophrastus, for plants must always have had names, and I should like to know where they are first mentioned.1 I suppose the earliest names in the Bible would be those in the Book of Job, and I have been told that very old Egyptian names have been discovered, but I am very ignorant of Egyptian literature. The earliest distinct mention that I have found of the use of plant names in a garden is in the Odyssey. When Ulysses is making himself known to Laertes, who in his doubts asks for some sign, he very simply tells him that he will show him in his garden the trees that he gave him as a boy, and at the same time taught him their names : — 'Ei 5' $76 TOi Kal dtvdpa }^vKrL/j.evr}v KCLT eiTrw a yu,ot irbr £5«Kas, ^yw 5' -fjreov picnics, and full-dress promenades ; they will find what they want better at Luzern or Interlaken. But for those who, like myself, wished for quiet and rest but not solitude, I can imagine no place that will better suit their wishes. The hotel is a small one, and during the week I was there I suppose we were never above twenty; but that is not all. While I was there the company that I met was not only a small company, but to me a very pleasant and very sociable one. Of course, there was the inevitable bride and bridegroom on their wedding tour, who kept themselves apart, but I always rather like their company if there are not too many of them ; and I like to watch them as far as I can do so without distressing them. The watching may have in it some regret for the days that are no more ; but it is a pleasure to see two young people so thoroughly all in all to each other, that mountains and flowers are very small items in their happiness ; and it is pleasant to think that to them, too, the mountains and flowers are teachers, and that the time is not far off when to them Piora and such like places will be a delight- ful memory that will beckon them back again ; and then, coming with fuller years and larger 192 Piora interests, the mountains and flowers will give a happiness and teach them many a delightful lesson which they could not see or listen to before. But these formed a very small portion of the company; the rest were all gentlemen and ladies, each with some favourite pursuit carried out in almost a serious way, yet not so serious as to shut out the idea that they were all taking a well- earned holiday, and having a perhaps needed rest. Most were flower-lovers, perhaps all were more or less ; and some had a real knowledge of plants ; others were geologists and crystal-hunters ; all seemed to have some steady, sensible pursuit, and all seemed to be glad to contribute of their knowledge to the rest. Whatever flower I brought in and could not name, I had no difficulty in getting its name from someone else, and I never got from any the slightest idea that I was troubling them with my questions. In that way the place was to me an ideal place for rest and recruiting ; while each went his or her own way on their pursuit they were all ready to help and take interest in the pursuits of others. I may have been exceptionally lucky in the company I met, but I am told that the company at Piora always consists rather largely of scientists, who find there a good field of research. Another point which to me is a strong recom- mendation of Piora is that all the walks are within easy distance of the hotel — in fact, they are for the most part close — so that it is not N 193 In My Vicarage Garden necessary to walk three or four miles before you come to the object of your walk. The lake is surrounded by fine mountain peaks, each of which will give a good walk. The ascent of Taneda (8760 ft.) will require the best part of a whole day, especially if, as it generally is early in July, the route is blocked in many places by deep snow ; and there are many other good points which will require all the time between breakfast and dinner. But for those who do not wish for, or cannot take, such long walks, there are many delightful excursions close at hand. The Fongio rises from the very walls of the hotel, and you may do as much or as little of it as you like ; each step is varied both in flowers and view. Within a hundred yards of the hotel door you may be among alpines that will delight any lover of such plants ; and you may with ease go on to the top (7257 ft), and at each turning in the path the view and the plants will change ; or you may come down after having made half of the ascent well- satisfied with your walk. I think one of the pleasantest walks I took was all round the lake, making a walk little over three miles. As you look on the lake from the hotel windows, you see, as it is usual in most Alpine lakes, that the south side with a northern aspect is well clothed with trees and bushes, while the north side with a southern aspect is apparently bare and barren — but it is only apparently so ; both sides are well supplied with flowers, but of a different 194 Piora sort. I walked first along the low ground of the south side (northern aspect) ; it had an under- growth of Alpine rose with a thin wood of scattered firs ; and among this undergrowth was a rich growth of flowers, many of tall growth such as Veratrum, the taller gentians, and monkshood. The top of the lake was a marshy meadow formed in the silt from the mountains, with two small streams. One of these I had to wade, and found the barefooted walking so pleasant that I continued through the rest of the marshy meadow, and made a discovery which I had not noticed before. The river that I waded was icy cold ; the grasses and sedges were pleasant but a little rough ; but the masses of sphagnum were very pleasant, and perceptibly warm to the feet. This warmth of the sphagnum is a puzzle which I cannot solve. I can only suppose that the hot sun warms the water in the sphagnum, and that it does not readily part with the heat so gained. The marshy meadow was full of good marsh plants. The walk home was along the north side (south aspect) which looks entirely bare and barren ; yet every foot has its good flowers, but all of a low growth. I think this ease of reaching good points both for views and plants is a very great recommendation to Piora. But it is time to come to the flowers ; and in speaking of them I feel almost compelled to speak in what might well be called exaggeration and a too great use of superlatives ; but it is really In My Vicarage Garden impossible to speak of the flowers of Piora without using superlatives and what seems like exaggeration. Before I left England I had been told by more than one friend well versed in flowers generally, and especially in Alpine flowers, that in no part should I find such a paradise of flowers as at Piora. So I went in faith, and they really far exceeded my wildest expectations. I took with me Gremli's Swiss Flora for Tourists, published in English by Nutt, in the Strand — a most excellent little book which I can strongly recommend to all who go to Switzerland in search of flowers. I can also recommend, but not so highly, Correvon's Flore Coloriee de Poche, published in Paris. It has some fairly good plates, which are helpful, but it only records the more conspicuous flowers, and is not exhaustive as Gremli's is. Now Gremli describes 2637 Swiss plants, including ferns and grasses, but without the mosses, fungi, and lichens, which of themselves must be a study ; and I feel quite sure that within a radius of three miles or less from the hotel it would be quite possible for a good searcher to find more that one-half of these 2637 plants. I was not searching for plants ; I simply admired and gathered those that were near the paths in my walks ; and yet the number of different plants that I saw — many of them seen wild for the first time — were a constant delight, and a delight that was varied every day and in every walk. It was not only the large number of species, out it was the large number of the in- 196 Piora dividuals of many species that was to me so remarkable and noteworthy. I will name a few. The Gentiana acaulis was a little past its best, but it was abundant ; and I am not exaggerating when I say that during the week I was there I must have walked over acres of the gem-like G. Bavarica. I had no idea that I could anywhere see it in such masses ; and it seemed to be in no way particular as to its position ; it was abundant, and perhaps most abundant, in the damp ground near the lakes, but it was also in many high places. The whole place was especially rich in gentians ; besides the G. acaulis and Bavarica, there was G. lutea, cruciata, punctata, asclepiadea (not yet in flower), and Germanica. This last one I was especially pleased to see ; it is a British plant, and I know it well, especially on the Cots- wolds. But there is a great difference between the British and the Swiss plants, and it is a difference which shows how largely the colour of flowers is affected by their soil, situation, and especially, perhaps, their elevation. In England the flower is a pale blue : at Piora the colour is all brilliant as that of G. Bavarica, which it so much resembles at first sight, that it is not till you take the plant in your hands and see that it has an annual root, and that it has many flowers in its little stem instead of the one flower that G. Bavarica carries, that you see the differ- ence. As with G. Bavarica, so it was also with the bird's-eye primrose (P. farinosd). It was 197 In My Vicarage Garden everywhere in hundreds, and you could not help treading on the little beauty. I do not think it was finer than I have seen it at Malham and Ingleborough in Yorkshire ; but I saw many specimens of a far richer and deeper colour than I have seen in England. The Alpine rose was everywhere, and was in its fullest beauty at that high elevation, though near Hospenthal it was almost past flowering. I delight in the alpenrose, lot only for its bright flowers, which give such a colour to so many Swiss hillsides, but because it is the only rhododendron (except J?. Dahuricum, which some consider only a geographical variety) that will grow on soil charged with lime. To me the faint smell is rather pleasant, though to some it is quite unpleasant ; and at Piora I learned two facts about it which I had not noted before. There is everywhere wet, marshy ground on the hillsides, not bad enough to stop a walker, but enough to make his feet damp. I noticed that wherever I could see an Alpenrose the walking was good and firm, though it may have appeared to be growing in a marsh. The other thing I learnt about it was that it gives most valuable protection to many plants. I suppose it is not grazed by cattle, sheep, or goats, and the result is that many good plants come up right in the midst of the bushes, and, I suppose, protected by them. I found many grand specimens of Aqui- legia alpina so growing ; also Streptopus amplexi- caulis and others ; and nestling round the outside 198 Piora of the bushes, and well protected by them, I found Maianthemum bifolium, Pyrola rotundifolia, and other gems. And I think it was worth all the journey to Piora if only to see the St Bruno's lily (Paradisia liliastrum) in flowers. The first flowers were showing themselves when I was there ; but I am told that when in full flower the hillsides are white with them, and that they can be gathered in sheaves. I have grown it for many years and admired it, but I never realised its supreme beauty till I saw it on its native hill- sides. There surely can be no flower more thoroughly beautiful, while the whiteness of the flowers is the nearest approach to absolute purity that can be conceived. I shall never forget it as I saw it first at Piora. Growing with the St Bruno's lily, and in many other places, was a large quantity of the fine yellow Alpine anemone (A. sulphured], which I had seen before in its full beauty on the Furka Pass, where one hillside was so covered with it that at a considerable distance the whole hillside looked yellow ; but at Piora the time of flowering was past yet the beauty was not gone, for the heads with their many- feathered seeds were very beautiful. It is very tempting to say more of the many beautiful flowers that I saw, but time and space would fail me ; but there is one plant that I must on no account pass by. The Cobweb Sempervivum (S. arachnoideum) is everywhere, clinging to chinks in the rocks, and of wonderful beauty ; there were 199 In My Vicarage Garden many small patches of it which I could only com- pare to brooches set with brilliant jewels ; the outside of each rosette being a pale rose, and the inside a glittering spot formed by the cobweb that joins together every leaflet of each rosette. This likeness is increased by the fact that on all that I saw at Piora the rosettes were very small, and unopened except to a small extent. I fancy that later in the year the rosettes expand and be- come flat, but they are so closely packed that it is hard to see how they can find room to expand. I was none the less glad to see the little beauty growing in such abundance and beauty, because I have never thoroughly succeeded in growing it. In England it is a most capricious plant, growing well in one garden, and in another, with apparently the same surroundings, utterly refusing to live. And I must add another charm that the flowers give to the walks at Piora — there is an abundance of sweet-scented flowers. Among these there are two small orchids of very delicate and pleasant smell, the little black orchid, nigritella angustifolia, and the gymnadenia odoratissima ; the nigritella being fairly abundant and the gymnadenia not so frequently met with. These, however, do not give out their scent till sought for, and so do not account for the pleasant smells that are met with in the walks unsought. Much of this comes from the Alpenrose, and after rain the sweetbriar bushes scattered through the woods give out their well-known scent ; but there are 200 Piora two low-growing plants which, as I think, fully account for the pleasant scents. The one is our own thyme, which is everywhere, but I think the chief scent is given out by the pretty Alpine milfoil, Achillea moschata ; it is very abundant, and when crushed gives an aromatic musky smell. For plant-collectors, as distinguished from plant- lovers, Piora is a delightful place. I was not collecting plants ; I was simply looking for them to see them in their native habitats and to admire them in their native beauty. But I wished I could have collected the native plants and taken them home, for I do not remember ever to have seen a place in which they could be collected so easily and with such almost certainty of success. The lower parts of the hills, which alone I ex- amined, are composed of debris formed from the stones that have come down from the rocks above, and are covered with and permeated throughout by a rich humus, which is practically all decayed leaf-mould. The stones are none of a large size, and it is very easy to remove them ; with a little help from the alpenstock they can one by one be removed, and then the root, though often pene- trating the humus to a great distance, remains exposed, and the whole plant can be taken with- out injury. And at Piora there is little fear of the most greedy collector doing any real destruc- tion ; he may help himself as largely as he likes with a very clear conscience, and he will do little 201 In My Vicarage Garden harm for those who come after him. As an instance of the ease of taking up difficult plants there, I may say that the evening before I went away I wished to find some seedlings of the handsome Gentiana punctata which I had marked by the lake side not far from the hotel, for I knew that a full-grown G. punctata has a big root which it is almost hopeless to attempt to dig up with any chance of success. I soon found the plants, and among them many little ones that seemed exactly what I wanted. But I also found they were no seedlings ; the little bunch of radical leaves concealed a root stock more than an inch in diameter, and it took several minutes of work with the alpenstock to follow the root to the end, and then it turned out to be nearly a yard in length, with many ramifications, but the nature of the soil allowed me to get all I wanted without any injury to the roots. All collectors should remember that it is of the first importance not to bruise or break any of the roots ; if they are bruised or broken, nature's first work is to heal the wounds, and while so doing little other work is done to the life of the plant ; and if they are badly bruised and are long out of the ground and so get dried, death is almost certain. Collectors should also remember that it is labour in vain with a great many plants to take them from a soil of one marked character and transplant them into another. All the plants at Piora grow in the debris of primary rocks at a high 202 Piora elevation ; many of them, like the rhododendron, will grow anywhere, but a very large number, the majority perhaps, will simply die when re- moved to a soil composed of lime or chalk at a low elevation. I feel sure that the mountain air is a great factor in the vigour and abundance of Alpine plants, and in many instances in the colour of the flowers, and cannot help thinking also that the reduced atmospheric pressure which the flowers get at high altitudes has its influence upon their healthy growth. I have, I think, said enough of the flowers of Piora, but before leaving my account of its many attractions I ought not to forget to mention the very reasonable charges at the hotel ; the charge en pension was eight francs a day. In so small an hotel there is of course no chaplain, and there is none nearer than Airolo ; but I cannot altogether consider that a drawback to the place ; I would far rather be a priest unto myself on one of the beautiful hillsides than be condemned to one of the dreary Puritanical services in unworthy buildings which are so common throughout Switzerland, and advertised as " English Church services." I have no doubt Piora is a very healthy place, and would be a good place for a long stay, but I fancy a little acclimatisation would be necessary for some people before they got the full benefit. I heard of several instances where the visitors had not been quite well after the first day or two. 203 In My Vicarage Garden Perhaps the snow-water — the only drinking water in the early part of the year — may partly account for this ; but I am sure that a sudden change from such an elevation as the valley of the Ticino to the elevation of Piora does not suit everyone at first. I went on the same day from Piora to Lugano, walking to Airolo and by train to Lugano. When I left Piora my aneroid marked below 24 degrees ; when I got to Lugano it marked above 28 degrees. This sudden altera- tion is certainly rather trying to elderly people, or to those not in full health ; to the growing and strong it would make little or no difference ; but I mention it because I think it would be wise for some to take it into account. I hope I have now proved that Piora is a place of which many would be glad to know. I have wished to show that it has many requisites for a holiday resort in Switzerland. It is easy of access — Cuivis contingat adire Pioratn — and when there the visitor has quiet rest, with beautiful scenery, lovely and easy walks, and an abundance of the choicest flowers of the Alps. I will only add a few words on a matter partially connected with my subject, though not much. I am not a cyclist, but I can scarcely imagine a more beautiful ride for a cyclist than the road from Luzern or Weggis to Airolo. The roads are throughout most excellent, the gradients everywhere easy, and in most parts very easy, though the ascents are great, and the scenery throughout of the very finest description and vary- 204 Piora ing in every mile. If when the cyclist gets in Airolo he is induced, by what I have said, to visit Piora, he must, of course, leave bicycle at Airolo and take to his legs ; but when he comes down he may well go on a little further through the valley of the Ticino. The valley is very beautiful with the Ticino all the way ; about half-way down he will be amongst the maize and vines, and at the end he will find all he can wish for at Lugano and its beautiful lake. But I must say nothing more about this — my one subject is Piora. 205 CHAPTER XX SHAKESPEARE AND ARCHITECTURE l SHAKESPEARE was a wonderfully many-sided man ; and many books have been written to show his intimate knowledge of almost every science or craft, a knowledge in some instances so minute as to lead to the conclusion that he must have passed his life, or a large part of it, in that particular business or profession. A good list, but not a complete one, of such books may be found in Professor Bayne's masterly biography of Shakespeare in the Encyclopedia Britannica. But because he has written more or less on every subject, and has shown his knowledge in almost every art, science, and handicraft, we feel that there must have been a good reason when he entirely omits some subject on which we should like to have had his opinion, and which we feel sure must have passed under his notice. But 1 Some of my readers may see no connection between this chapter and the foregoing chapters on flowers. There may not be much, but I publish it, partly on the advice of others whose judgment weighs much with me, and partly because to me flowers and Shakespeare are closely united. I tried to show this in my little book on the " Plant-Love of Shakespeare," and every day I feel that the two are my very close companions and friends, and as such I find it hard to say which I value most. 206 Shakespeare and Architecture there are such omissions, some of them very noteworthy, and they help us to some small extent to find out what he really was, by showing us, though in very small measure, what he was not. Two of these omissions are very curious, and have been often noticed. The first is that he is almost silent upon dogs, except for their hunting qualities, and in the few places in which a dog is mentioned, it is in terms of contempt ; and of the dog as the faithful companion of man there is no mention at all. There is a well-known story, originally told by Sir Henry Holland, and re- peated by Miss Phipson in her Animal Lore of Shakespeare's Time, that — " Lord Nugent, the greatest Shakespearian scholar of his day, declared that no passage was to be found in Shake- speare commending, directly or indirectly, the moral qualities of the dog. A bet of a guinea was made, which Sir Henry, after a year's search, paid." The other curious omission is tobacco. In Shakespeare's time the use of tobacco was neces- sarily much less than at present, but it was perhaps more celebrated by writers of the day on account of its recent introduction, and no limits were placed to its medicinal powers. It was almost considered a remedy for every evil under the sun ; it was the herba sancta, herba diva of the botanical and medical writers, the " divine herb " of Spenser, and Gerard has two pages full of its " vertues," ending with recom- 207 In My Vicarage Garden mending it to all " courteous gentlewomen." Yet Shakespeare never mentions or in any way alludes to it. He must have been well acquainted with it ; no man in his day could have escaped seeing it frequently, " and some cannot forbeare it, no, not in the midst of their dinner," says Gerard. And as a constant companion of Ben Jonson, who was a great smoker, he must often have taken his part in smoking parties, or at least in parties where smoking was carried on. But he has not a word, good or bad, to say about it ; and Mr Stacy Marks tells us in his Pen and Pencil Sketches that when he presented a cigar and cigarette box to the Royal Academy he searched in vain for a Shakespearian motto, and was at last obliged to content himself with twisting to his purpose Othello's passionate address to the sleeping Desdemona : — " O thou weed, That art so lovely, fair, and smell'st so sweet." But besides these two omissions, which are well known and have been often noticed, there is another which, as far as I know, has not been noticed, but which seems to me very remarkable. On the arts generally he has much to say, and says it as one who had a warm appreciation for art. In music, both vocal and instrumental, he must have been a proficient ; his writings are full of good allusions to music and musical terms well applied ; they are, indeed, so full that I have 208 Shakespeare and Architecture often wondered that no book has yet been written on " Shakespeare as a Musician " ; it might be made a most interesting book, but it would have to be written by one who was a master of the art, and who knew much not only of modern music, but of old English music. He also evidently had some knowledge of painting ; not so much as of music, but enough to show that good painting had an attraction for him, and that he knew something, though perhaps not much, of its technicalities, and that he had seen good and celebrated pictures. But while he can speak well, and even learnedly, on music and painting, he is almost silent on architecture of every description ; here and there he is forced to say something about a building, but the architecture, however beautiful, seems to have had no attraction for him. Either he did not care for it, or he knew nothing about it ; or he had some special reason for keeping silence on it. I think it worth while to go into this remarkable omission more minutely. When we consider what the state of England was in Shakespeare's time in respect of fine build- ings, it would seem almost an impossibility that any man who had a tithe of Shakespeare's powers of observation could have passed through the land and lived his life in it, and written largely on almost every subject, and yet take no notice of buildings which met his eye in every direction. Yet so it is. Take the castles of England. We o 209 In My Vicarage Garden can have some faint idea of the abundance of grand castles in every part of England at the end of the sixteenth century from the few which remain to us entire, and from the far larger number which for us only exist as ruins. In Shakespeare's day they were still standing in all their strength, and in all their beauty ; but what can we learn of them, or of the history of any of them, from his writings ? Many castles are mentioned, and in many of the plays the scenes are laid in castles or their neighbourhood, and yet not one is described in such a way that it could be distinguished from others. He notices sometimes the surroundings of a castle, and describes the scenery in which it stands, but of the castle itself he says next to nothing. For many years of his life he lived within a very few miles of Warwick Castle, then, as now, remarkable for its great strength, and, from its unequalled position on the banks of the Avon, one of the most beautiful of English castles ; and in more than one of the plays the Earl of Warwick plays an important part, yet he tells us nothing of the castle. He probably had often seen Berkeley Castle, and he could tell of the " high wild hills and rough uneven ways " over the Cotswold that led to it ; but he has nothing to tell us of the castle itself except its natural surroundings — " There stands the castle by yon tuft of trees." He also knew Windsor Castle and its surrounding forest, and he has laid many scenes there ; but the only account that we get of the 210 Shakespeare and Architecture building is confined to the " several chairs of order " with " each fair instalment, coat and several crest with loyal blazon." We should not expect him to give us any description of Macbeth's Castle, though he had imagination enough to do so had he so wished, but as with Berkeley he picks out only its natural surround- ings— " This castle hath a pleasant seat, and this the— guest of summer The temple-haunting martlet does approve By his loved masonry that the heaven's breath Smells wooingly here." The Tower of London must have been a familiar object to him on his way to and from the Globe Theatre, and many of his characters are made to play their sad parts there, but of what it was like he gives us no hint; it is "Julius Caesar's ill- erected tower," and that is all. It is the same with all the castles mentioned, and they are many ; they are simply spots on which he may place his scenes, and, great word-painter though he was, there is nothing but the name to distinguish one castle from another. It is the same with dwelling-houses of all sorts. In his time England had so far recovered from the Wars of the Roses that it was getting well covered with grand houses of all descriptions, no longer built as fortresses for protection, but for comfort and beauty. During his life many of the great mansions which we now call Elizabethan were built, and he must have 211 In My Vicarage Garden known many of them, and all the Royal palaces were being changed from dark fortresses to splendid and comfortable homes. But of all this great change we learn nothing from Shakespeare. Palaces are mentioned, and manor-houses, but merely mentioned ; and the only descriptions we get are that one house was a " moated grange," and a clown talks foolishly of " bay windows transparent as barricadoes, and the clearstores towards the south north as lustrous as ebony " ; and that is all. The omission is still more marked in the case of ecclesiastical buildings. We can form some idea of the riches of England in ecclesiastical buildings in Shakespeare's time from what we still have either entire or in ruins. Every town of importance was crowded with fine churches ; while many of them had grand cathedrals and abbeys, and in every parish there was at least one church, many of them such as we now almost despair of excelling, and all of them, if not so beautiful as his own church at Stratford, yet showing some architectural beauty which no Englishman could altogether have overlooked. But in the England of Shakespeare's plays these find no place. In one place only is Westminster spoken of and as a cathedral church. St Paul's magnificent cathedral, as it then was, is merely spoken of as " Paul's," and as a place of ill resort ; a few abbeys are men- tioned, but only named ; and, though he must have passed through Oxford often on his way 212 Shakespeare and Architecture between Warwickshire and London, its architec- tural beauties had no charm for him ; it is simply mentioned, with Ipswich, as one of the •* twins of learning " raised by Wolsey, which " shall ever speak of his virtue." In one place it would have seemed that he must have spoken of the beauty of ecclesiastical architecture, if it had any charm for him ; but he passed it by. The messengers sent to Delos in The Winters Taley when report- ing the beauties of Delos, speak, according to Shakespeare's custom, of "the climate delicate, the air most sweet, fertile the isle," and they report " the celestial habits, and the reverence of the wearers," and the solemnity of the sacrifice ; but all they report of the Temple is, " much surpassing the common praise it bears." And if he is silent about English cathedrals, abbeys, and churches, he is equally silent about the solemn services which were carried on in them. He was a religious man, and certainly no Puritan ; but there is little or nothing to show that he had any respect for solemn religious services, or that they formed any part of his life. He makes it one of the marks of " gentleness " to " have with holy bell been knolted to church "; but it would not appear that he had often obeyed the bell's summons, though we can never suppose that he had got as low as Falstaff, and " have forgotten what the inside of a church is made of"; and almost the only passage which shows any acquaintance with Church services is the one 213 In My Vicarage Garden stanza in The Phoenix and the Turtle : " Let the priest in surplus white " sing the requiem. Of the clergy, too, he has very little good to say ; all degrees, whether Cardinal, Bishops, priests, or curates, were, according to him, either proud or ignorant, or both ; the only exception being Friar Francis in Much Ado About Nothing^ and Friar Laurence in Romeo and Juliet ', who are represented as good men and wise counsellors. It is almost certain that Shakespeare was never out of England ; and it is one of the common- places of Shakespearian criticism that every country in which the scenes are laid is still only the England of his own time, and all the char- acters, whatever foreign names they may bear, are Englishmen and English women. Still, he must have read much about foreign countries, and must have conversed with many travellers, and so must have read and heard of the beautiful buildings in foreign countries ; yet he never mentions them. Two entire plays are laid in Venice, arid, more suo, he speaks of " that pleasant country's earth," and he mentions the Rialto, but of the grandeur of St Mark's or the Venetian Palaces he says nothing. It is the same with all the other foreign towns he names ; Milan, Vienna, Verona (occupying two entire plays), Ephesus, Sicily, Padua, Paris, Florence, etc., all celebrated for their fine buildings ; but as far as we learn anything of them from Shakespeare, they might have been small English country villages of which 214 Shakespeare and Architecture little was known beyond their name. This comes out still stronger if we compare him with the two great English writers with whom he is so often compared — Bacon and Milton. To his great contemporary Bacon stately buildings and fine architecture were a great delight; according to him the study of them was a necessary part in the education of every gentleman, and he has left us the great essay On Building, an essay which not only shows his practical knowledge in joining stateliness and beauty with perfect comfort, but also shows how the greatest intellect can deal with what many would call only petty details. Milton's case is still more striking. Puritan though he was, fine and magnificent buildings appealed strongly to his poetic taste. The build- ings in heaven are all after the patterns of the grandest buildings on earth, and he takes every opportunity to show his knowledge and admira- tion of fine architecture ; and it is a little curious in connection with Shakespeare's omission of all notice of architecture, that Milton's sonnet upon him is entirely made up of building allusions, " the labour of an age in piled stones," " a star- pointing pyramid " and " marble sepulchre." And so it is in Milton and not in Shakespeare that we learn to love the beauties of " the studious cloyster pale," "the high embowed roof — With antick pillars massy proof, And storied windows richly dight, Casting a dim, religious light "— 2I5 In My Vicarage Garden and it is from the Puritan Milton, and not from the no-Puritan Shakespeare that we catch the beauties of the " pealing organ blowing — To the full-voiced Quire below, In service high and anthems clear," etc. Something might be said also of the fact that he makes no use of architects' or builders' tech- nical terms. If he speaks of a " vaulted arch " it is of the sky he is speaking ; and so of almost every other word which might be considered to be borrowed from the architect or builder. I say this because it is from the seemingly unconscious use of many terms peculiar to many arts and sciences that the conclusion has been drawn that he was not only a proficient in those arts and sciences, but even a member of the special pro- fessions and handicrafts ; but I omit this part of the subject without going further into it. It may, of course, be said that the entire omis- sion of all reference to fine buildings and grand architecture proves nothing as to Shakespeare's ignorance of the art or want of observation of the buildings. It is impossible to prove a negative, and with many writers such omissions would not be worth noticing. But with Shakespeare it is different. There seems to have been almost nothing that he did not notice, and having noticed it he said something about it in his writings ; and so when we find one particular subject entirely unnoticed, and that a subject which more or less 216 Shakespeare and Architecture came before him every day of his life, some ex- planation does seem to be required. But can we in any way explain this omission, or the other omissions ? As to the dog, we may wish that he had taken a more pleasant view of him, but it is quite certain that it was not owing to want of love for animals, or want of kindness. The man who wrote much and lovingly of so many animals, beasts, birds, fishes, and insects ; the man who could say — " The poor beetle that we tread upon In corporal sufferance finds a pang as great As when a giant dies " — must have had a tender heart for all animals. It is probable that he had a physical antipathy to the dog, just as others have to a cat or to snakes : — " Some men there are love not a gaping pig, Some that are mad if they behold a cat." And there we may leave it. His omission of tobacco may be explained in almost the same way. Some have suggested that the omission was a compliment to the King. But Shake- speare was not a man to allow his writings to be shackled by any such overstrained courtesy, and many as loyal to the King as he was spoke freely of tobacco, and most of the plays and poems were written before James came to the throne. I should suppose that he was not a smoker, and perhaps did not like it ; but he had many friends 217 In My Vicarage Garden that were smokers, and so he would not say any- thing about it ; he would leave it alone as " ower good for banning and ower bad for blessing." But we cannot so explain away his blindness, if it was so, to all the beauties of English archi- tecture. I am inclined to think that it must be put down to that reticence on everything con- nected with himself which has made it hopeless for his biographers to make out the events of his life from his writings. I can well fancy that he had such an abhorrence of anything like puffing or advertising himself that he would — it may have been purposely or it may have been uncon- sciously— abstain from saying many things which might bear that construction. In that way he would say nothing of the palaces or fine houses to which he may have had access, lest it should be put down to a boasting of his acquaintance with the great men of the land ; and he may have abstained from details of other great build- ings lest it should be put down to a desire to boast of his travels and his knowledge. That he had in him this self-restraint and self-effacement is no mere surmise ; it comes out in many ways ; and it was a part of his character which many other great minds have shown. A very similar in- stance may be found in Bishop Butler, whose fame rests on his two great works, the Analogy and the Sermons, which will probably be among the great possessions of the English language as long as Shakespeare's works, but of whom very little 218 Shakespeare and Architecture is known beyond his writings. Dean Church, in his sermons on Pascal, etc., has a very striking passage on this self-effacement of Bishop Butler ; and has shown that, near as he is to our own day, little or nothing can be learned of him in the many places in which he passed his life — Wantage, Oxford (Oriel), London (St Paul's and the Rolls), Stanhope, Bristol, and Durham. So it seems to have been with Shakespeare ; and though his silence on all points of architecture does not prove it by itself, yet, added to the other proofs, I think it strengthens them ; and whatever it may prove of his habits and character, or even if it prove nothing, I think it at least noteworthy. 219 INDEX ABELIA Chinensis, 31 Clematis, 33 Abutilon Vitifolium, 44 cirrhosa, 7 Acaenas, 68 Colchicum, 182 Aconite, winter, 4 Cole, 52 Alpenrose, 179, 198 Compositae, 126 Alpines, high, 61, 81 Cornus Mas, 49 Amaryllis, 44 Cotoneaster, 35 Arenaria, 70 Crinum Capense, 44 Arnica, 61, 81 Crocus, 6 Arundo donax, 25 Autumnal, 31 Asarum, 4 Cruciferae, 124 Asters, 29 Curtis, Bot. Mag., 74 Astrantia, 82 Cyclamen, 3, 50 Atragene, 63 Cypripedium, 63 Autumn colours, 34 Azara, 15 DAFFODILS, 12 Daphne, 49 BACON, i, 28,215 de Paas, Crispin, 5, 78 Bamboos, 25 Destruction of plants, 170 Bear and beaver, 162 Bedding out, 38 EARLE, Professor, 99, 105 Berkeley Castle, 210 Echium vulgare, 139 Birches, 16 Edelweiss, 184 Browne, Sir T., 142 Edinburgh, rock garden at, 85 Buddleia, 44 Elm, 1 66 Burton, 52 Elwanger, 90 Butler, Bp., 218 Entomological names, IOO Buttercups, m Epinal Glossary, 105 Butterfly, 164 Erica, 50 Evelyn, 6 CALIFORNIA Bay, 130 Campanula barbata, 82 FORSYTHIA, 15, 47 Medium I'*? Fremontia 43 Portenshlageana, 68 Fuchsia, 44 Capparis, 44 Chester, rock garden at, 84 GARRYA elliptica, 49 Cheimonanthus, 7, 10, 48 Gentians, 180, 197 Chilian shrubs, 64 Geraniums, 101 Chrysanthemum Tchihatchewii, Gerard, 75 68 Gilbert's Florist, 92 221 Index Gotthard Pass, 189 Gramineae, 126 HELLEBORUS niger, 52 Hepatica, 53 Herniaria, 70 Hippophse, 33 Homer, 107 Horse chestnut, 166 Hutchinsia, 70 IRIS Stylosa, 1 1 KEW, 145 rock garden at, 87 Kohlreuteria, 17 LABIATAE, 124 Laurembergius, 5 Laurestinus, 8 Lilium auratum, 64 Linnaeus on scents, 114 Lithospermum, 185 Lonicera, 8, 48 Lucretius, no, 113, 130 MAW, monograph of crocus, 6 Medical plant-names, 103 Miller, Gardener's Dictionary, 74 Milton, 9, 116, 215 OPUNTIA, 44 Oxalis, wild, 17 PAEONY, 76 Paliurus, 22 Paradisia liliastrum, 199 Parkinson, 76, 96 Parottia, 49 Persimmon, 32 Photinia, 15, 48 Phygelius, 32 Physianthus, 44 Plagianthus, 43 Plantain, 26 Plymouth, rock garden at, 87 Portuguese gardens, 88 Primula farinosa, 198 Pulmonaria, 54 RANUNCULACEAE, 123 Rhododendron, 48 Rhus cotinus, 23 Rosa hemispherica, 20, 79 Mundi, 92 Versicolor, 91 Rosaceae, 125 Rudbeck, 73 SAG IN A, 67 Salisburia, 35 Saxifraga aizoides, 179 Scotch Fir, 167 Sempervivum arachnoideum, 180, 199 Sibthorp, Flora Graeca, 73 Signatures, 122 Sisymbrium irio, 136 Solanum anthropophagum, 144 Southsea, rock garden at, 83 Spenser, 65 Sycamore, 160 TENCRIUM latifolium, 44 Tulips, 13 ULEX nanus, 8, 34 Upas, 131 Urus, 162 VALERIAN, 137 Van Oosten, 14 Vere, Aubrey de, 51 Veronica, 70 WALL garden, 88 Water Lily, 171 Weeds, 26 Windsor Castle, 210 Wistaria, 22 Wolf, 163 Worthing, rock garden at, 83 Wotton, Sir H., 41 YUCCA, 44, 112 222 Handbooks of Practical Gardening Under the General Editorship of HARRY ROBERTS Crown 8vo. 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