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in 2015
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POUR LE PIANO FORTE
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Op. 54. Prix 50^
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Les 4 Dames font chassez en avant et tournent en face de leurs Cav?; — dos a dos tout les 8;_balancez 8 (un CaV. tenant 2 dames) et tour de mains a leurs placeS{_
en avant 4 et en arriere; un toura quatre,
balancez et tour de mains .
Contrepartie pour les 4 autres .
The 4 Ladies make chassez forward and turn facin<i, their partners ; _ back to back all 8; —balancez 8 (each Gent; holding two Ladies) and turn holding hands to their
places ; forward 4 and back again; —
hands 4 round, balancez and turn partners .
The other 4 do the same .
2HG
Les 4 de vis a" vis font chassez qiiarrement deux fois aux places opposees, et tour de mains avec les 4 qui se trouvent pres deux; _ ils repetent la figure pour regagner leurs places , f ormant deux lignes a quatre apre's le tour de mains; en avant 8 en arrie're et tour de mains
a leurs places .
Contrepartie pour les 4 autres .
The opposite couples make chassez twice forming a square to the opposite places, & turn giving their hands to those near them; they repeat the figure in order to regain their places, forming two lines of 4 after the turn of hands ; _ forward 8 hack again and turn of hands to their places . The other 4 do the same .
28 6
236
Vn Cav: et sa dame font la promenade et finissent en se tenant de la main droite; _ la dame et le Cav: qui se trouvent a droite et a gauche se don= nent la main, pour hallancez 4 comme dans la figure de la Poule, et tour de mains les 6 a leurs places*, en avant deux en arrie're et dos a dos_ la demie queue du chat et la demie chaine Anglaise .
Contrepartie pour les 6 autres .
The first Couple make the promenade and
finish holding the right hand, the Lady
and Gent: standing to the right and left join hands with them, in order to make balancez 4 as in the figure of la Poule, and turn of hands all 6 to their places; _ forward two back again and back to back;, half promenade and half right and left . The other 6 do the same .
286
236
7
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Les deux Cav? de vis avis aveclesdeux dames qui se trouvent a gauche foiU la demie promenade a gauche deriere les autres, changent de places; _ ensuite les autres, quatre f!ont la meme figure par
leur droite; la demie promenade tous
les 8 pour regagner leurs places, et tour de mains: _ puis la figure de LEte'. Les 4 qui commencent la promenade, ne la commencent pas la seconde fois, mais alternativement .
Contrepartie pour les 6 autres .
The two Gent" from opposite sides with the Ladies to the left of them, make the half promenade to the left, passing behind the others and changing places* — after which, the others do the same, passing
to the right; half promenade all eight
(with their partners) in order to regain their places, and turn giving hands; —
then the figure of L Ete'.
The 4 that commence the promenade do not begin it the second time, but alternately.
286
286
9
St
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1? 1»
5
Chassez croisez 8; Les 4 de vis a vis
font chassez en avant, puis chassez de cote', (les Cav? du pied gauche, les dames du pied droite) en se tenant de vis a vis, tandis que les 4 autres font chassez de
cote et en avant de la meme manieVc;
les 4 qui ont commence' fontcontretenis en tournant(les Cav? du pied gauche.les dames du pied droite) pour regagnerleurs places et balote les flutres 4 font en- core chassez de cote et contretems de la
meme nianiere mais point de balote'
(I on fait cette figure tout a la fois , et pendant 8 measures) balancez ettourde
mains les 8 ; le Cav. seul pendant 8
mesures, la dame dememe,_la demie
queue du chat et la demie chaine Anglaise .
Contre partie pour les 6 autres .
Chassez cross_8;_the opposite couples make chassez forward, and then sideways, (the Gent? with the left foot, the Ladies with th(> rio^ht) holding hands, while the others make chassez sideways and forward
in the like manner; the 4 that commenced
make contretems turning { the Gents with the left foot, the Ladies with the right) in order to regain their places and make
a balote' the other 4 make chassez
sideways again and contretems in like manner but no balote' — .(this is done all at the same time; and occupies 8 bars) ballancez and turn of hands all 8; _ Gent:
alone 8 bars-, the Lady the same;_half
promenade and half right and left.
The other six do the same .
286
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Select Melodies. flauto.
Cease your Funning .
Andante .
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F L A U T O
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F L A U T O . And has she then fail'd in her truth
Bishop
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549
IL FINE
INPEX TO THE BEGCiARS OPERA.
■ ACT I. ' ■
Overture _ . - - ^ ^ ^ PagTe 1 - Thus when the Swallow - *^ ' ^ -21
Thro' all the employments - - ^ - i How happy could I be with either - 21
Tis Woman that seduces - - - - 4< Im bubbled - ^--21
If any Wench Venus g-irdle wears - - 5 Cease your funning- ^22
If love the Virg-in's heart ^ _ _ 6 Why how now Madam flirt - - ^ - 22
A Maid is like theg-olden ore - - ^ 6 No power on earth ^ - - - - - 23
Virg-ins are like the fair flowV ^ - ^ 7 I like the fox ^ - ^ - - - ^ -23
Our Polly is a sad slut - - ---8 ACT III.
Can love be controul'd - - - - ^8 When young- at the bar ^ - ^- - - 24?
0 Polly you might have toy'd - ^ ^9 My love is all madness - - ^ - . - '24«
1 like a Ship - - - ^ ^ 9 The Modes of the Court - - - ^ - 24
O ponder well ^ - ,^ ^ - 10 In the days of my youth ^ ^ - ^ . ^ 25
The Turtle thus - - - ^ ^ ;^ 10 I m like a Skiff ^ ^ - ^^^ ^ - -26
^ / ' . . . . • •.
Pretty Polly say - - , - ^ ^ _ 10 Wh^en a Wife's in her pout - - - 26
My heart is free - ^ ^ - -11 A curse attends - - - - - - - 27
Were I laid on Greenland's Coast - - 11 Among- the men - - - - - - 27
O what pain it is to part - . - - - 12 Come sweet Lass - - - - - - - 58
The Miser thus a Shilling- sees - - - 12 Hither dear husband - - - - - - 28
ACT II. , Which way shall I turn me - - - - 29
Fill every Glass - - - - - - 14< When my Hero in court - - - - , - 29
Let us take the road - - - - - 14-i When he holds up his hand - - - - 30
, If the heart of a man - - - - 15 The charg-e is prepar'd - - - - - 30
Youth's the season - - - - - 16 Hornpipe - - - - - - ^ -31
Before the Barn door crowing- - - 17 O cruel cruel case - - - - - -31
The Gamesters and Lawyers - - - 17 Of all the friends - - - - - - 31
At the^^^Tree I shall suffer - - - 18 Since I must swing- - - - - - - 32
Man may escape - - - - , - 18 But now ag-ain - - - - - - 32
Thus when a g-ood housewife - - - 18 But valor ^- - - - - - - - 32
How cruel are the traitor s - - - - 19 If thus a man ----- - - 32
The first time at the looking- g-lass - - 19 So I drink off ----- - - - 32
M'hen you censure the ag-e-_- - - - 19 But can I leave - - - - - -
Is then his fate decreed - - - - 20 Since Laws were made- - - - — 33
You'll think ere many days - - - 20 Would I might be hang-'d - - - - 3 1
if you at an Office - - - - - - 20 Thus I stand - - - - - --.-31?
I
O V E R T U RE ^
TO TH E
BEGGARS OPERA
COMPO SED BY DT ARNE . Price 1^
L ONI |
)ON. Printed fc |
)r G.WALKER -^Sfl:^-^ |
at his Musi |
c Warehouse 106 Gre: |
it Portland Street. |
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Andante
PK ACHUM,
Thro' all the Emploj nicnts of Life: Each Neighbour a-.buseshi.s Brother^Vl!OTe&
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Rogue they call Husband and "Wife , All pro ^fes.sions btrog-ue one a^no-therj^
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The Priest calls the Lawyer a Cheat, The Lawyer b« knaves the Di - vin*-. And the
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Statesman, because He'^s so Great, Thinks his Trade as Honest as mine
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FIIiCH.
Allegro
*Tis Woman that se-du_ces all Mankind, by Her we fir st were taught the
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wheedling" Arts, Her ve ry Eyes can cheat, when most she s kind She tricks us ofourMone>
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with our Hearts. For Her like wolves by nij-ht we roiiii; for prey , And practice ev*ry Brand to
■1 i I II
bribe Her charms^For Smtesof Love like Law are wJju by pay^ And beauty must be; feed in-to our Arms
1
Andante
mV'^peachum
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If any wench Venus g-ir-dle wear,Thoug-h She be ne-ver so Ug- - - ly.
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Lillies and Ro_ses will quickly ap -pear^ and her fiice look Wondrous smug- ..ly
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Be-nrath the left Ear so fit for a Cord A rope so charming- a Zone is * The
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Maid; Still plays a^bout the Flame! If soon _ _ she be not made a
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Wife, her Honour's stain'd, and then for life;
She's what I dare not name
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Allegro
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A Maid is like the Golden Oar,\Vhich hath Guineas in ^ trin - si ^ cal
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in it, Wliose worth is never known before it is tryd and imprest in the Mint.
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A "Wife's like a Guinea in g"old, Stampt with theNaini of her Spoir.se; Now
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here,noWthere,isbou^tor is sold; And is currant in e-ve-ry House.
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POLLY
Andante ^-^^ iVffettuoso
Vir-g'ins are like tli*- fair FlowV in its
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*^ which in the Garden e - - na-mels the Ground* Near it the
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Garden *ti.s sent (as yet sWeetj There fades, and sliTUi^s and g^rows past all en
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_ du^ring-, Rots,stinks, and dirs-^, and is trod un der Feet.
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Allegro Assai
M^.':' PEACH:
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rPolly is a sadSlutlnorheedsuhat we have tauglit heij I wonder a_nly
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Man alive will ever rear a Daxjghter I<>r SVi emu si ha\e both Hoods aiidGo\\ris 8j Ho qas to .well her
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rifffsand Stays, ah
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Pride with Scurfs and Stays, alid Gloves and Lace, And ShellhaveMeiibe-sidf) AndvihenShes drest>\i^
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POLLY
iar^hettO.^*^. can Love be con
be con_trould bv
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<y ad -vice, Will Cu-pid our
;u-pid our Mo-thers o-
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-bey, The' my Heart were as frozt^n as Ice, At his Suit woiiUI have melted a^yfi.y
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:ien he Kist me, so closely he prest/Xwas so .sw eet that I must have com pi yd^ So I
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'•J tliougKt it both safefit and best, T
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To mar - ry for fear you
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you shouci chide
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^^^^
Andante
M^.^ PEACH:
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All(-gro"^_
if
Polly you migt have toy'd and kist By keeping- Men off you keep them on
POLLY
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*^ But he so 'teaz'd me and he so ple'ascl me, what I did you must have done.
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3 4
6 6 POLLY
6
Allegro
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I like a Ship in storms was tost, Yet aJrald to put in to Land, For
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els lo.Ji
. seiz'd in the Port tJie Ves- sels lok, whose trea - sure is con- tre -band The
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ly du -tys paid, O jo^
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joy beyond Ex-pression, XTuis safe asliore, 1
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ask no more. My all is in my posse ssion, possession, My all is in my pos-srssion
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Larsro
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•nds poor Pollrs Lif'-. /
-•(^ on ibe Rope ihat Hanffs ]tTj dear, iTe -]..^nds poor tolljs Lif'-. nr^i io't}fc^^liier^iS*^t^cn
^hf tail
Allegro ^^~J~]~^
Moderato
pretty Pollj say vfliVn I was way, did your fancy never stray to sonif^ nev\ er
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^'I'M IJIJIHI ,! I..IJiH .1 I
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eavinfiT Siffhs doatinc PWes, Mv con-stanl
6 6 5
Jjo-ver. with out disgiiise'iieaving' Si^hs doating P^yes, My con-stani Heart dis -
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i*^ - c<'>- -ver. Pond |
' Poi'id^ ^ ly |
let me |
loll O pretty prKty |
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MACH
Allegro
My Heart-was So free> U ruvd Jikc ilie Bee, :n]l vo
n
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BE
ree. It rovci Jikc iho Bee, nji roiij rny
lly rny passion re
1 1
quited.
Sipi each rioVr I channel ev! ry Hour, I
Uil l ' I I M
f
ITS
But here ev* vv nriwers. u ni - ted
'•^ sipt ea.ch rio-?rer, I changdev-ry Hoisr,
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^ere 1 laid on Gre
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AllegrfW %J T??re^ And^m^^Amisembr^/^^
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in mv Arms eTnbracdnirl.aSs.-^TOamldst ^-
PQLLY
Were I sold on
ter^ nal Frost, too soon the half years Nig-ht woud pass.
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sooii as the hur-ning Day was closd ""l could iftock the
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Wtry toil when on nay
mach:
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ntiy charmers Breast re- post!. And I ttoxicI love jou all the Day. Q »
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Andante
POLLY
O what Pain it is to part, can I leave thee can 1 leave thee.
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O what Pain it is to part,Can thy Pol - ^ ly e ^ ver leave ^ _ thee
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But leaH Death my Love shou'd thwart, and bring thee to the J fa - - tal Gart,tliasl
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tear thee from my bleeding H^art,Fly hence and let me leav^ thee
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Andante
MACH;
The Mi - ser thus a Shil - ling- see's M^hich he's 0--bligcl * to
13
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Paj, With sighs re signs it by de - grees, and fears »tis g-one for
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aye. The Boy thus when his Sparrows riown,The Bird in si^^Ience eyes. But
6 5 4. 3
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6 5 |
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DUETTO
POLLY
m
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' The Boy thus vrlien his Spar.,rows nown^the Bird in
mach;
si - lence eyes. But
3
The Boy -thus when his Spar^rows flown^ the Bird in si - lence eyes. But'
f— f-^ - ' ' —
2 ^
End of the first ACT
14.
X MACH
Vivace
Fill eWy Glass for "Wine in-spires us and Fires us vrith Cou- rage Love and
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joy Women and Wine shon'd Life em - ploj Is -there ought else on Earth de-si - rous
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*^ Fill evrjr Glass for TVine in-spires u<; and Fires uswkhCourage Love and Joj^ Segno
in rn]l Cko?
S 7 _ 6 • •
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4
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^. MAT o'th MINT
And ant
J. [^IMJUXS
• a •
Let lis take the Road hark 1 hear the sound of Coaches The hour of attack ap-
6 6
6 6
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- proaches To jour Arms brave Boj^s and load See the Ball
hold Let theehjmisfs toil likie
6
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Asses our Fire their Fire sxir^pas--ses and turns; all our lead to Gold.
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Allegro Maderato
Mach;
-A-r-^ ■ ^
m m
If ihe Heart of a Man is de — presi with care. The
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mist is dispelled when a Woman appears, Like the Notes of a Fid- die She
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sweet- ly sweet- ly, Rai - ses the spi - rits and charms our E
ars
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Ro-ses and Lillies her cheeks disclose. But her ripq lips are more
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sweet than those, Press her ca-ress her with Blisses her Kis-ses dis -
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re - pose .
- solve ns
in Plea - sure^ and
soft
16
MacH;
Allegro
f '.j.r r ri:jr.n r r cjn 'i n r.r
^ Aoiiilis ihe Season made for jojs,Love is then our' Du-iy, She alone who
6 6
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that emplojs,Well deserves her Beau-tj^, Lets be g-ay. While vre mj\y,Beautys a Ticmer des-
J li I J,|J
Vi — ^
¥-5
6 5
I
*^-pistl in decay. Youths the iSeason made for joys, Love is then oxir Du-ty, Let tis drink and
6 6 6 ^7
5
6 e
sport to Day, Ours is not to mor ^ row. Love with Youth flies swift a - way.
J h I J IJI
87 j:
6 6 6
^ q If p f r P r=Ff
Ag-e is noug^ht but Sor^row, Dance and Sing,Times on the wingr. Life never knows there-
Lj r r ^ y
3
6 _ 6
6 5
r r r iLf r;
-turn of Spring', Let us Drink and Sport to Day, Ours is not to mor- row
!
Jenny Diver
■I * «
Allegro
Be-fore ihe Bam door croTviiig;,The Cock by Hens ai_.tended ,His ^J^s arotmd him
I
6 '6
4<
-i^T ' fee ' 6. 'fi
3
i
6. 6 4.
-— i |
||||||||||||||
• |
— • |
— • |
1 — m |
1 — |
-• |
' J |
1 — |
-,^•1 1^ |
.):#..t*i r
1^
1
\\5 ^
i
iJU-Jgl-J
4 •
cheers the hap^pjr Heil^wiih how dyoudo and how dyou do and how d jou do a- gain,
87
Jenny Diver
6 6 " 5
Allegr< Moderate
The Gamesters and Lawyers are Jug-g-lers alike, If they meddle your all is in
M N ^
f=3t
dang'er Like Gypsies if once they can Finger a Souse, Your 5*ockets they pick and they
J ■ i P
6
5
^^^^
1
J
pilfer your House And give your Estate to a Stran^ger,
Is
Vivace
Mach:
■ ■■■■■ |
T Q Q 11' f |
» — f |
1 — |
|||
VC9 4 ■ |
p • P p a . > Ti^ee 1 sriall - f'er .wii |
th |
1 ^ ^ 'fed Plea — 'sur^t' lit |
it m |
||
J — « |
|l |
P |
r=H |
^5— |
■ = ir-^ |
— 1 |
||||||||||||
i |
1 |
fo -vrhere 1 |
win |
Ln |
aU ki |
nds < |
— » • 4 3f 111 I |
1 , sha |
R |
find iJ |
O SI |
ch Furic |
iS as |
til |
ese 1 are'. |
Poco
Hope arid Gui
■ > J 'I J
•Id*
Man may escape from Hope*^ arid Gun, Nay some have oui - livH the Doctors Pill,Who
6 |
• |
4< 1 |
•— |
|||||||||||||||
%} iak( |
3S a |
Woman must oe midoi |
> — • ie,Tha |
i Ba-5 |
♦ — ji-lis |
kis ! |
5ur |
The |
Fly |
lai s |
ips T |
reac |
le 1 |
s |
6
6 6
65
f*1 |
■ |
1 • |
J.J- J ' |
— m- |
|||||||||
lo |
' — st m |
1 — • ith< |
3 sweets, s |
1 • o he |
■ 1 r ; that tastes Womlan, |
TVolnan, Woma |
1 — |
He that tastes W( |
Dmar |
— d-i- 1 Rii-ii |
pl-e 1 me |
'ets. |
Siciliano -<«^
Luc |
if ft— - |
• • • |
19 |
||||||
5 |
! — a_ H |
cru_el are the |
JiU. J J ; Triors, vrho |
lie aihd ywear iii |
jesi. |
TO C |
■ ...,r lie at nr |
[/' igtiardf'd |
6
jr J^l |
|||||||
es. Of V |
riire Fame and |
'RestV Who |
- 6 - |
ver steals a |
shilling. Thro* |
||
• 6 |
6^5 |
6 |
shame the Guilt con - ceals; In Love the perjurli ■villian with boasts the Theft reveals .
^ 6 7 §~S I-
Allegr<
— ^tt •-r |
ICZIZ |
||||||||||
The |
1 .f—i u first Time j 1 Q — 1 |
at th< |
J liC |
jokmgg-lass The |
Mother, sets her |
Dai^ht -I (• |
Ims |
ig'e stri |
kes the |
||
• |
7 |
#^ |
6 — 6 1 |
6 — |
%) smiling' Lais With self love e-ver af^ter Each tiine she looks sn.es fonder g'r own. Thinks
f
4. 3 6 T
6 6
6 6
6
JJ J|J.J-J j JU J,IJh-'|-H
laslvuin Maid.all Eves but vour owiLCan seevou arenoi YCunffer.
ev-rj Charm g'rows stroiiger,But a-laslvUin Maid,all Eyes but your own^can see you are not Younger,
Moderate .
M |
|||||||
<^J Wh< |
1 — J- inyoD |
[ censure tK6 Af e, t |
1— ■ >e |
cautio |
— 1 us ai |
id Sage,Lestthe |
Courtifc offended should |
.1 I J J n
6 5
— 6 8
r *
— — ^! — ^ J*^ |
|||||||
Ix) " be: If you /•V:#,.# .11. ■ |
mention Vi |
ce or BrIbe,Tis so i |
^ J . J — •! 3 at to all the Tril |
ie,T^Sch ■- |
cri^ That was levellci at |
me. |
|
• • \ 5 6 |
6 6 5 1— |
6 |
* i |
20
Moderate J*^'
Lucy ^^^^ Sym:
»^ IS then his Fate de- creed Such a Man canliliink of
jf |jjjiJ3,Tiijf ^ijMu4i4Jj
wre met so
Si
Wnen fir^wemei so moves me yet,o see how mj Heart is splitting-
i
6 65
6 <S
Andant
It r F ^
Ifotill think e'er ma- ny Days en^sue. This sentence not se-vere: I hang your
E=3
Insban(
aCnff youi
i
Husband, Clii!d^\is true, But wiih him hafng your care. TTOfang^ dang dillo dee.
i
i
4f 6
Viva
^ — m
£fi r r r r r
And would not have Matters nfee-lec-tedYou]
If you at an Office so-licityour Due, And would not have Matters nfeg:-lec-te<i You must
rrfirrrr
i
2 .
J J i J J|J J .1^
quicken the clerk with the Perquisite too. To do what his Du-ty di- rect ed Or
i
P
« — #
6 6
6
I
6 5
I
1
i
would you the Frowns of a La-dy prevent, she too has this paLpa-hle fai — ling/The
Q
i
J J J I *f
6 5 g o
r r rif f M ji J J'r r r-^
Perquisite softens her intci Consent; Tliat Reason with all ik pre - vai - - ling-
I
i
J Ji J I I J J |J J J-^i
^1©
2\
Polly i i ri
l"i ^4
x) Thus when the Swallow seek ^ ^ fng-
Iig.rgliettO*^*^ Thus when the Swall lyw seek ^ ^ Tn^ ^ Pr ej> Wi4h - ^ in
ihe
i
rrr ir r j iJ T r if r' T
1
s^^afeh is close - ^ ly pent; ;His Con- sort with beirmoah-in'g- Lay,"^ With-
in— ^
6
—J |
• |
• |
|||||||||||||
Ui ^ sits |
pintng- |
— |
fc |
J— • r |
th' |
E |
- vent: H< |
-J sr ch |
attVing- |
Lo vers |
all |
i a |
i
6
X_J — J_ |
f i-^: |
~f — |
|||||||
t^' round her^ |
— G |
cimy 1 |
she heeds thejii ,1 ■ |
m not np —I ^ |
• »oor |
her |
soul's with |
him. |
|
"1* |
I |
6 |
6 (>: 8 7 <5 |
How h'ap-py coutl 'l be with either, were t other dear charmer «
Moderate
tother dear charmer awayi But
i — |
|||||||
4-J |
while you thus teaze me to- gether,To neither a Word will I say; But tolderolSfc.
6 — "*
PoLI^Y , Lucy Poiii^Y
6: 8b7. Lucy
Polly
*^ Im bubbled. Im bubbled. Oh how I am troubled.Bambi)Usledand bitl My Distresses are doubledl
Lucy
3 4. '
6 5
m
*^ when you come to the Tree, shoud the Hangman refuse,TheseringitfrswiihPleasitre,cou]d fasten th^ Noose
65
0.1
ceaSe yoltr funning.
WHY HOW NOW MADAM FLIRT. I NO POWER ON EARTH. I LIKE THE FOX SHALL GRIEVE.
Price 1'^'
LON DON. Printed for G. WALKER at his Mu&ic Warehouse 106 GreatPortlandStreet
Policy.
Ahdantino
M • ■! — ■
Cease your Funning-^ Force or Cunning-, Never shall my Heart trapan,
f J i
5^
All these Sallies, are but Malice, To seduce my constant Man. Tis most certain ,
» > . rwn , — I* — : r-^-^ K r ^-
5 4. ?
I
fc
c / 1 J g J- 1 ; r
By their flirting^ Women oft have En- vy shewnni; Pleas'd to ru - in ,
m
6 16 6 6 4 5
fc
i
O o thers Wooing", Never hap-^py in their own.
m
5*3
Allegro
LircY.
Why,
J| j ■ JllJj^ J I J .1 r J
how now. Madam Flirt, if you thus much chatter- 7 And
m
J 4 i i
TJ 1 M |
■ ■ |
A- |
||||
^ are for flinging |
Dir - - - |
9^4^-0— — ^ . ^ t,L('t.s |
try w ho best can |
spat - ter. |
1 Jj^l j • --iE Madam Flirt . |
|
' 7 |
5 |
1 - # |
-^■j-^ f- |
6 ^ |
53- . |
, 4. |
A- |
|||||
\J Why, |
-1— H, ^ ^ how now, saucy |
Jade; Sui L. J 1 |
i-e theWmch is- — T |
Tipsy. How |
can you &ecme |
ma ^ ^ ^ r J r 1 |
0- |
4, i 0 |
sp — 1 — 7 - - - |
de The scoff ofsucK a Gip - - --_^£yr Sau^cy Jade.
Polly.
6 6 6 5
Largo -<«>'
1* 1 |
||||||
' 7 |
7 6 5 |
n 1 ' 6 |
5 |
Parents draw ag-ainst our Mmd, The true Jove's Knot they faster bind. i±oo hora in ambora^.
7 6
' y 0 m 0 m m m~
/ 1/ k 1^
i
i
Hoo an hoo derry,Hi an hi derry, Hoo hoo derry derry derry derry am -bo - ra - _ ^
6 6
Andante
g-rieve. Whose Mate hath left her side, Whom
u r N r
7 -5 ^"
J.
•-^ Hounds from Morn to Eve, chase o'er the Country wide. Where can my Louver
r 4 'ji^r
^ 76
hide? where cheat the
m
1
hide? where cheat the wa^ry pack^ If Love be not his guide. He never will come back I
S6 ^
8 7 6 5 G- 4 3
7^>
24
ACT 3"?
Affeftuoso<<^
"When Young" ai ibe Bar you first taught me to score^aiid bid me be free of my Lips and no
7^6
« 6 6 5
6 6* 6 5
6-5 6
'arsor
Juest wa
departed.the kiss was for-
more r was kissel by the Parsbn,the Spuire,and the Sot^Vilientne Gues-t was departed,the kiss was' for-
lis kiss was so sweet,?
feet,and'^sa closfij He prest^that I langiashdandpindiilllgranted the Rest.
^1%) My love is all Madness and Folly a-lone I lie ioss tumble and cry what a happy creatureis
Allegro My
« — »■
y what a happy
V-j |
- |
i- |
— |
• — |
1 — ^ |
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Pollj |
^'was |
e'er such ; |
— « a wr< |
' 1 itch a |
1^ |
With |
Rag:e |
L redden 1 |
'ke |
1 — 1 Sc |
:arl |
I— • |
that my |
dear In |
const; |
^"arlet,sta |
rk |
■=¥=1
4-
blind to my charms,is lost in tlie Arms of that Jilt that inveigling- Harlot', stark blind to my chaims,is
f
1^
p
"6~ 4.
6 5
4 ;^
lost iu t"ffe Anns of that Jilt.that inveigling Harlot.' this, this my Resentment a ^arms^
i
If
Moderate- |
• |
"C |
|||||||||
loJ The |
Mot — c |
les of the Court so :. • - ,,r |
< oinmon are gri |
That a tr , C- |
i ueFri |
end can .... ^ |
hardly b« |
^ m |
et; |
||
■ — = a 1 -1 ^ J — 1 |
6 |
65 |
Friendslip
slip for lit* r^st is but a L'oan,
J?J.^ -r.~V^^J.
which they let out {^tr what they can get;
6 5
6 5
i
#
• |
- .c |
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— f d 6 |
5 3 |
% ^ ■ |
1 — 1 7 |
' — • |
. 6 |
6 |
C 6 |
— • 5 |
•— - |
■—I* m 1 |
•- |
|||||||||
i |
so |
rrowful ditty tb |
ley 1 |
Dromise t |
leyjli^ti B |
ut |
shift you fc |
>r Money from |
Frien |
' ■ d tc |
> Friend |
i
1 1 ^'?U
MX^Diana Trapes. ^ ^ ^
Allcgra^«7 ^in the Days 6f my Youth I could bill like a D<l)ve,Fa,la,la,la/a lal da riddle laddy In the
• — — |
•— |
9 ■ |
p — - — |
||||||||||
< |
5 |
m |
s |
at all times w;
«y Days of my Youth i could bill like a DOve, iTike a Sparrow at all times was i^ady for liOv^^Wldariddlela^,
1
JlfJ J |#i|ljLy J P J|J P-J
tal da riddle lad^'^Ri iaialalalatallal lad-^. The Life of all Mortals in kissing- shotidpksf^ la la Jalfc
6 6 5
1 , 1 . r P |
:=1^ |
■ |
!• -TT |
■f- |
|||||||
•Th( |
ilife — (• — |
'II 1. of all Mortals n |
--1 ikissir |
sh |
oud pass. |
Lip to ] |
Lip wl — Q — |
ule you're Young^thentne f Q |
|||
t # |
|
• |
— L_ ^. , 1 |
||||||||
M -Lip |
to th |
e Gla |
ss,. |
Fal % c . |
^ * IT |
■ f ' |
• ^ J |
||||
^ % |
i # |
6 «^ |
Is |
— C I] |
■ — T"^" |
6 1 |
Allegro
Lucy ,
i
1 in like a skiff on ihe o_cean tost, ifow _high. Now low, with each
6 .
^)%J BiHtiw borne, with her Rudder broke and her An- chor lost, 3)e-ser- ted and ;vll. for
r N
6 #
lorn. While thus l Ije rolling and iossin;? all Night, That Polly lies spor_ ting- on
. i _ • — %. |
i |
r— |
P i 1 |
• ' ' |
|||
\ |
! ■ . S |
6 |
S Pi |
Seas, of Dejighi, Re-venge Re-venge Re-verige .shall ap- pease niy restless Spite
fail-' • — |
r • 1 j P J |
r ■ 1 #^ |
|
* 6 — 6" 6 |
Lucy
r r r.i r .r ^ r ^
Allegi"0-<*^ TVhen a wife's in her Pout, as she's some time no doubtjThe good Hush:ind as meek as a
Iiamh. Her vapours to still,first grants her, her will, and ^e quiet -ing Draught is a
m
i
I * .'.-1 lu.^
Dram, i Poor Man I 'And the quiet- ing Draught is a Dram.
^ 6 |
-J |
w |
6- - 6 #J |
II |
PoLIiY
II I I nir, ri ir
32
2T
-a W m. ■
Andante 1^ curse ai_ tends ihat "Wo^mans liOve,-wrh() ^al^ -wajs would be
.Allegro -5 b7
Ltjcy-
1^
is btii tea - zing .
pleasing"t The pertness of the billing' Dove Liike thick - ling
shun tis. And vrhen we £ly them they Piir- sue; But leave lis when tlie^ve won ns.
J ■ If- n-^
" .5
^ Polly
Moderato-
Among the Men Co^quets we find, who court by turns all wo men
• |
T — h — 1 |
||||||||
• • 1 ,6 6 |
• 6 |
LJ — U |
A. |
6 |
d— 6 |
. 7 |
^^•'^ kind And W6' grant all thei
ir Hearts de^ sird, .when they are flat - ter'd.
^ • 6 $6 6 ,7 6
6 4.
6
(»
*^ when they are flat - terU when they are flat- - terti «and Ad^mircl
5 7 « 4
6 5
Allegro
Lucy
Gpme sweet Lass,
1 I. r f
r.i r.j ^ j i^hi^^
lets banish sor^row Till to inor-row.
r fir
6 6, 5 t
3Zr
^
32:
Come sweet Lass lets take a chirping- Glass. Wine can clear x the
4
6 5
6 -6
• |
||||||||||||
apours of Bis |
-pair, anc |
in |
akeus lig-^it a |
s |
Ail |
— • ^thei |
1 drink, and |
— : ■ • ban ^ - i |
, — i |
Care. |
rv — ^ |
e |
I* — |
• |
rl — |
— Q |
||||||||||
V ( |
i |
-m |
— |
1 — |
— © |
' d 6 |
6 |
4 |
3 |
C |
Polly
LUCY
Andante Affettuoso
Hi-ther dear Husband,tnrn jour Ejes, Be^stW one Glance to
cheer me;
POLLY
Think
les O shun me not; but ' hear
O
TJCY
56 6 Polly
with tfiat Look thy Pol - Ijr dies O shun me not; but 'hear me Tis
56 '
5 6
65
J. h*. I I^UCY
p
J. nT J ri
— a * I ,
Lucy
Pol - Ij sues Tis Lu - cj Speaks is thus true Love re qui - t6d: My
PoLLYgH Lucy _^^^n_- — ^ — ■_ |
Polly. . |
||||
*J. Heart "is biirstinir |
^ r — Mine too breaks Must |
I Must I be |
1 — a s 1 — 1 |
.li^t •— — r- |
•1 ■ - ed |
-~ |
1 |
=4=11== |
Allegr
Mach;
I
TVhich way shall I turn me. How
29
i
ir
3
— . , , — • — ^ i-J
can I cle-i cide. A\'ivos, inf' Day ol our.
6
i
'•^ Death, are as fond as a Br^de!
one wife is ioo much for most Husbands to
6 4. 3
"1( ' V ^ — vl^^'tf"'' 1 1 ' 1 * ^ I ^ ^* '
•-^ *^ hear, but two at "a Time theres no Mortal can bear: This way, and that way, aTid
wnich wa;
)rt the One. tt)ther Wi
which way I will, What woucl j:omfort tEe One, tt)ther Wife wouTi take ill ,
6 §7 . ' 6 4. 3 1 "^S*^ 6
POIIY J.
) , when my He^ro in Court appears. And stands arraignd forhis L.ife;Then-ftiink of poorPr)ll^s
r J i r'r.,LriJj
Slciliano
mt
app
T
4. #.
4^
J TearsjFor ahi Poor Pollji's his Wife; Like the Sailor he holds up his Hand, Distrest on the dashing-
pi r ' r F/^i:.
at Land, Is as bad as a 1
6 6 6 6
3
Old a^las, Po
Wave. To die a dry Death at Land, Is as bad as a Watry Grave, And a^las. Poor Polly'.
6
1^
m iJove, oh ev^ r\v
±33:
*J - lack and awell a^day.' Be^fore r was m iJove, oh eV^ ry Month was May
6 6
<5
5
30
LtjcY
■■V k \| ^' d i) I
•5Alld.ailt€U( when he holds up his Hand, ar - f aiplci f or his Life, o ^hink of your Dairg-hter, and
T
7 #
ihiiik Im his Wife I "What are Cannons^or Bonibs, or clashing- of Swords.l"or Deaih is more certain by
5 I Q
« — #
6 5
2 6 6
56 6
2 6
P
« — #
Witnes-ses Words. Tlien nail up iheir Lips; Thai dread Thun^der al - layj A,nd each
7 6 5
6 6
7 #
M |
V- |
— •■■ ..1. |
M |
||||||||||
M Mo |
= — 4 nth of niy Li |
fe. And each |
Month oi |
' i 1 i-i |
fe win here |
-• ai |
' — 1 F-ie |
— J r be |
1 • ? M |
ay. |
-6-5-
Mach
7 #
Xarghetto
fi » » Q
The charg-e is prepard,the Lawyers are Triet,The Judges all rangd a: terrible show.I
6 5
6 B 5
go,undismayd. For Deaih is a Debt, ai Debt on demand- So iake what I. owe: Then
■ |
^ ,1 JJJ |
i |
|||||||||||
• 1. |
6 |
1 • J |
65 6 |
6- |
R 6 |
1 • e |
; 615 |
1 — • |
6h |
farewell^ my Love; dear charmers A-dieuJ con-iented I die,1tis ihe bet-ter for You, here
.5 st] ^
^^^^^^^
31
H
*^ ends iill dis-pule llie rest of our Lives, f or this Way at once I pleae all my Wives
C All % 1 |
|||||||
< |
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\ |
1 — 1 — 6 6 « 4? |
6 |
6 6 6 « 5 /- /_ , |
1 |
1 „— — 0-> f^p •II* 1 A 1 1 |
111: |
|||||||||
N |
^Ji — a" — i— |
m |
ifffrffi |
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6 6 |
6 |
— d — 6 |
5 6 6 .5 J |
6 [; |
6 6i| 6 t> |
J-J r ^ I ■ ■ ^ J 1 , 1 J I
' ' 6 5« u ^
I
6 4.
Mach
8 6
7 5
ni ij J J J
largo O cruel, cruel, cruel Case, Must I suffer this Disg-race,
6 6 5
6 5
6 7
#
i
6.6 6
Allegro .
-(• '- |
|||||
J Of all the 1 |
friends |
in time of 1* |
r • J': Grief, When threatain^ |
J Death |
looksg-rimj'u i- - |
• 6 |
> — L- |
- » ' |
Drinks |
||||||
y •Pettier Nfjt |
one sc ^ (• |
' > sure c; |
anbrir^ re- |
lief. A? this best |
Friend, |
a Brim - |
mer. |
6 ! |
-J |
d — |
32
Andaiite
*- since I mu
i
JRises
must swing" I scorn, I scorn' to vrince or whine.
i
6 6 6- ^ 466
Drinks a Slass of Wine
Moderato J But
■ /^ji K I I K. Drinks a Siass ot Wine
fepF^-b^J J| r I'- r r ir:ii
now a-gain my Spi^rits sink. 111 raise them hig-h with Wine, * 6 6 ^ ^ fc!7
Allegro J
7f^j|J-'^r rrr 'I ^i^^rr^ r
.7 -.r,.! _^ ^_ ™,T ^ L - r
i
But Valour the stronger grows. The stronger I/iquor we'ie drinking. And
•*^^r| r-
6 6
r. n r r-f^-^
Drinlcs
how can we feel oar woes, when weVe lost the trou - ble of thinking.
-0 |
• 1 |
||||||
6 |
< |
3 |
6 |
• • • F
2
r r
# — »■
Ponrs oni a Bumper of Brandy 0 Q
1
II |
||
Alleg
ro
So I drink off this Bumper, and now I can stand ihe Test,- - And my
2 6 5
% n J J 1 |
, Drinks |
|
y comrades shall see that I )^.# 1 p , — ^ — r- |
die as brave as the |
J 11 best _ ^ . |
^ r 4 ^ 5 |
I4 J 1 " |
33
Affettuoso.
— m — 1 |
•— 1 |
||||||||
Bui can I le |
ave |
my preiiy |
Hu' |
it |
t itho |
ne |
Tear, or iender |
Sig-h. |
.)-#3r J J
*5 5
6 6
r f'l.^n.
Andante.
— 1 |
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Th |
eir Eyes, iheir Lip |
s, iheir |
Bus |
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r q re — . call my |
liove An ■ |
mu |
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.7 6 6
M a:ch:
Allegro 3 i) since La\rs were made for ev-^ry Degree^, To ;curb Vice in o- iters as
|
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r r J 1 |
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L as me. I wonder t% e hani b€
well as me, I wonder ^^e hanit beiier com-pa-ny up^ on Ty - - - ^ Iburn Tree .
6
i'] rf tr '*
m
9 a
Bui Gold from Law can iake out the Siing-,And if rich Men like us,were io SA^ing,TVoucl
3
6 6
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ihin ih |
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lan |
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r ^ J-. Numbejrs io sii |
1 — : — al nig u |
p - on |
Ty - - bu |
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6 |
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34<
Lucy
Polly
g
^ cJ Id
■ ~ ' ■ \J ^ ■ ^ ' 1 1 fM . * ' ^ *^ 1 '-^ : ^
Would I mig-ht be baiigd. \n(l I 'would .vo i(T(?. To be hangd wiih you*, my
Lucy
I
3zr
Mach
5
nTn~~cr
5
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ff I g
Dear vriih you, O leave me to Tlioug-hil I fear'. I dcfd'bt'. I iremblel I droop', see, ^Sy
i
X5:
6
Mach: tomsiipthe
-C'TiiptyFoi. Q • -j*- Q
Lucy
6 5 Polly Llcy
d . J d|Q
q q * P
token
Courag'e is out. No to-ken of Love.see,ni^ courage is- out.N^ token of Love ^ai^^ Fare-,
33:
TX
XX
. . LtJCY Mach
Polly
6 5
111
->rell. No to-ken of Love A-dieu Farewell But hark' I hear the Toll of tlTe Bell.
□:x:
XX
XX
-ex
Jjl o Jj|J,l J I ^' ''I
6
6 5
i
1^ me
Ota
I I ^ r-
XX
No ioJcen of Love. A- dieu. Fare- well. But harkl I hear the Toll of tlTe Bell.
i
XX
XX
O 1
xxzxttn
No to^ken of Love. A^ dieu. Fare-well. But harki I hear the Toll of the Bell.
i
i
XX
XX
XX
oT iT?5
XX
No to-ken of Love. A-dieu, Fare-well. But hark. I' hear the Toll of ilTe Bell.
i
J I ..ill
XX
5 6 6 6
I 6 5
Andante
AUegro " j^y-j^
Thus I stand like the Turk with his Doxies around-JYom al
6
66^
all sides their Glances his
i
fission confound,For Black,Brown,.'nd F'air,his lu ^constancy burns,and ilie differen-
Passic
i
65
ilie different Beauties sub-
6 6
6 W
i
35
y *^ - due him by iui |
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arms to ptoi |
foke^is |
de^ sires, Tho' |
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65 |
6 J |
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6 |
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6 " |
6 |
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< willing to |
all vriih hui |
one he re..tir< |
3S, Bui |
think'of ih |
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axun ant |
[put off |
all sor |
roWjl'h.e - 1 r |
I; JjJ • — o |
6 |
» « |
6 |
6 |
4 '^L •! 6 6 |
Wretch of to Day may be happy lo Morrow.
M
i
^ r I r 1 1 ^ rrfrTTi
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6 6 6
Cho: |
||||||
■ wilHii^ to^ a: wr r r |
1 wiih but |
one he re ^ tire |
S> Thent: * r p 1 |
hinldof this" Ma xj: j j |
X - iin ! |
ma |
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at vTf alT Sorr Jl 1 |
m ow. The |
Wretch of ic |
J ) Da |
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happy to Morrov |
II |
|
i "-•I 9h- 6 6 6 |
f— |
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6 • |
II Finis |
Pure 2/ P
roCE
PIAJVO FORTE
Co//if)osed by TCool'c,
Affettuoso
1 — Flutes
Come dear „ est LlLl-A
thy faith _ fill
^^^^^^^
Nil* 1
T — r
Mi The small Tvotfes are. Brallams embellishments
rap
tur'd
ear
1
i
I' • t I 4
ITERSE
4LLEGRO MOIDEILATG
s
i
js:
me The
nig ill in_viles to Jove Then tar ry not a_
^1.
V
> ^ n
bove But LiLLA
LiLLA but
LiLLA come down to
f ir ^ r
1=
LiLLA r 1 LiLLA
LiLLAcome down to m& the
nig-ht in _ |
vites to |
r • r love Then 1 |
ar ry no1 |
t a _ |
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t |
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21 |
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1— W- — J . — . -f:-J---^rtif rTf |
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— bove |
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But |
4^- — Uti LiLLA |
LiL] |
LLA but |
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^= ilir |
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|||||
— 1^ — — f ^ |
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IS?
5
LlLLA come down to me Then
LiLLA come down. to
r-;-] jj-^i rjJ-aJ i ll j '
t
f
f
f
mi
4
5
VOICE
/r
-m-
My love still I think that I see her cnce more But a- las she has leftijie her
3
r* * |
•—a |
||||||||
^L-H -—M |
loss to de-plcre My own lit- tie Kath_leen my poor lost Kathleen my
3
1^
ad ]ib.
i
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Kath- leen
O.
i
■ff tii'i c-fJ I
f _ I
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Her hair i^lossy black her Eyes were dark blue Her Co^lour stilj chang^iiig: her
Smiles ever new So pretty was Kathleen my sweet little Kathleen my Kath _ leen
r 1 r-j |
J • J J J J3 • • r. a — |
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iij 1 ' ' ' ^ ' |
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She milkid the Dun Cow that ne'er of fer'd to stir Tho' wicked it
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was, it was gentle to her So kind was my Kathleen my poor little Kathleen my
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.athl« |
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!at at the d( |
jorone c |
5old after-noon To |
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hear the wind blow and to look at the moon So pensive was Kathleen my poor little
P
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Kathleen my Kathleen O .
-i— •
Gold was the ni^ht breeze that
lit *
1®^
2Z
siio:h'd round her bowV It chill'd my poor KatrJeen she droop'd from thathcurAndl
f
1
6
3E
lost my poor Kathleen my om u little Kathleen my Kathleen ' O.
w d — r
*7
to
i
yard huilds her nest For he seems to watchKathleen hops lig^htly on Kathleen my
r 1 r
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1:^1' 11' |
Price. Jl
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PI^JVOJ FORTE,
La dove prende A_mor ri_ cet_to, si fa, cheac_
mm |
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P 1 51 |
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Dun que esser gra.taal nos-tro af- fet_ to la don _ na a^
P — i |
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|
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fuE Fntivo Forte Adaptation,' is rROFERTY
2
P
Nel nos_tro sen sol re-gni a_mor ; e pel suo
i
_ ma_ta oginor do_vra.Nel nos _ tro sen sol re_ g^ni a_ mor j e pel suo
f t I
ill
IIZE
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m •-^ |
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1 |
r |
1 1 ■ |
|||||||||
— |
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0 r 0
ben. vi _ va og"ni cor, e pel suo ben vi_va o_gni cor.
■r\t~v — |
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m- |
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^tH |
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ben vi_va og-ni cor, e pel suo ben vi_va O-g-ni cor.
r J ^ ^
# — «
I nos_tri af_ fan _ ni ac_ que_ ta a_more: a lui sog _ get- to e il mondo in _
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||||||||||||
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« |
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■-\ |
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636
3
(or .
4^
Ai gior_iii a_gl*an_niei da" sa _ po_recoiiiI di _ let _ toe col , pia _
^ — |
m |
F g |
• |
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||||||||||||
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P
De^ suoi de _ sir del suo g-io _ ir, no,do_noil Ciel piu bel non
m |
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||||||||||||
Vt^ |
V- |
r— |
r— |
1 / |
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cer.De'suoi de _ sir del suo g-io_ir, no,do_noil Ciel piu bel non
If
I I I
% % %
i rn
I
«— =1-
i
i
1 r 1
1 1 r 1
ha, no, do _no il Ceil piu bel non ha.
i» — 0
Donna, ed uom.
i
i
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— ^
Donna^ed uom.
ha, no, do_no il Ceil piu bel non ha.
q^=P= ■^..--'p^^ ^ L 1 P'-*-- r 1 ^' — r^n=^-
■•-»-
V
636
4
:lz=i±!:
1/ ' k
se accoppiaa_mor, donna^eduomjSe accop_pia a_mor, donna, ed uom,ne go _ de_
It ft
J:
i
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se accoppiaa_mor, donna,eduom,se accop_pia a_mor, donna,ed uom, ne g-o _ de_
1
f 1
ra;. donna^ed uom,se accoppia a-mor, donna,ed uom, ne g-o _ . de _ ra _ _ _ _
ra:
donna,ed uom^se accoppia a_nior, donna^ed uom, ne go _ _ de _ ra
P 8 i 8
9 m m
V
avecAceompa^nementde
3 'we 7f
Io/idr€S,C/iezMitt£r&M':.{:ifr'thy, JV,?/20, NewBoiid Street.
And A.TffTE
p — |
t |
» - |
• IT |
|||||||||||
• |
• — »
^ — ^
3
— ^
-re, plai^nez les tour _ mens;
P
De la pau-vre Lau fST
De la pau _ vre Lau _ _ re ,
plai^nez les tour _ mens;
En ses plus beaux ans.
Chagrin la de^_ _vo
re.
\. |
V. |
M |
|
s |
V — 1 |
||||||||||
1 |
i |
h J |
• |
4 |
1 |
— • |
1 • |
|
1 = d : |
Chagrin la de_ _vo - - re ,
En ses plus beaux ans.
304
3
Pour
un
in _ fi
_ de _ h
'uoi
bru
1
ler tou
jours I
tou _ _ lours
Pour un in _ fi _
de
m —
_ le.
Quoi
bru _ ler
F=^=1 |
•— |
r—^ — |
T — f |
p — ^ — |
• |
|||||||||
- r — . |
— H |
i |
|
Pour prix de sa flamme , Lingrat la trahit ; A plus noble Dame Son cneur il offrit . II oublia celle . Qui I'aime toujours . Jeune Past our ell e , Ahl fuis les amours.
Les soins et 1 hommage De puissant seigneur, . Fetes du Village . Attristent son cneur, Va mourir la belle Qui pleure toujours . Jeune Pastourelle Ahl fuis les amours .
X o jsri) o 'js^ ,
r \
LoNDON.Published at FAlknEr's Opera Music Warehouse 3 OlD BoND STREET, and at WJ- Att woods 4 Nassau Street Dublin .
ivNGLTSH Duetts . |
French Songs . |
||||
SAveets the rosy hreath of morning- _ _ |
2 |
2 |
|||
Wne rosy smile _____ _ ____ |
. 2 |
- |
\ |
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Waters of Elle ____ __ |
8 |
- |
Charmant gahrielle - _ |
J |
|
1 |
6 |
||||
^ Songs . |
1 |
||||
From Julias cheek the rose is fled _ - - |
2 |
Filles de hameau (Duett) - - - |
I |
6 |
|
2 |
- |
I |
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*-> |
1 1 |
- |
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Love came in a sm.ile _ « _ _ _ |
«-> |
La Swissesssi au hord du lactDnett) |
2 |
||
Rosa cease that strain Icve _ _ - _ _ |
2 |
- |
2 |
- |
|
(Answer to Wilt tboc saj farewell love bjMoare) |
L' Amour et le temps _____ |
1 |
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2 |
— |
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Le sermant francais ~ _ _ „ _ _ |
I |
- |
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Itali AN Song? . |
1 |
Non je ne veux pas chanter ^ _ _ |
2 |
6 |
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Amore tiranno _-_______„ |
h |
6 |
I |
- |
|
Da <|uelgiornG - - « , _ _ _ ._ „ |
1 |
6 |
I |
- |
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Echo Song (Ecopietosa) ____„_ |
2 |
6 |
I |
- |
|
I |
6 |
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2 |
- |
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2 |
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Guitar Music . |
|||
2 |
6 |
Guitar Journal I & 2. (to he contd) ea |
2 |
||
2 |
- |
2 |
- |
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2 |
6 |
1 |
6 |
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2 |
- |
I |
6 |
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1 |
6 |
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Duetts . |
1 |
6 |
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3 |
- |
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Dehl se pieta pur senti _ - - _ _ - _ |
1 |
6 |
Flute Music. |
||
DelV adorata fillide _ - - |
1 |
6 |
A Selection of Melodies for the Flute |
||
Dunc^^ue mio bene _ _ - - _ _ ___ |
2 |
6 |
composed of the moi>t popular Airs |
||
Di tanti palpiti __ _____-_! |
2 |
of Rossini,Mozart,Winter&c:lto5.ea |
3 |
6* |
|
L' Idol mio - ______ ____ |
3 |
6 |
La Marziale for the Harp and Flute |
||
Lahella mia tiranna _ _ _ - _ _ |
1 |
6 |
( Concertante) the Harp part finger'd |
||
O pescator dell'onda „ _ _ |
1 |
6 |
6 |
||
Se inclinassi a'prender moglie _ _ - _ |
2 |
6 |
Sola's Trio for Flute, Piano & Bass _ |
5 |
|
2 |
L' Am ante Fedele ( Song with Flnte Accomt) |
1 |
H |
||
Tranquilla nel suo cor ______ |
1 |
6 |
• • • * |
|||||||
m |
rti - ters of |
Elle thy I |
impid Streams ar |
e flow - ing-, S |
mooth and unt |
rouble |
P d |
1» |
i=*' — •L-* — |
r r f |
i |
||||
i N ^ r- |
' r M |
' 1 ^ |
|||||
o'er the flow'r |
y vale. |
= |
J>n thy green hi |
inks |
L. .. J. ^ once |
||
til^' |
— ^^ / ft. ^- |
r —* i- i-ni d ■H— d |
^^^^^ more the wild rose 1 |
*~ r ^ slowing*. |
Greets the young" spring |
,5 ^ r and |
scents the passing , ^ |
^dle. |
^Kpn t s |
-«l : |
' J ^ • ^ ^ — p • -■ 4. |
^^aters of Elle
y |
f f f — r — p — ^ — ^ets the young- spring^^nd |
4-^ scents the |
passing gaie |
— |
||
iN — 1 |
^4 |
2 . VERSE.
Here 'twas at |
eve |
near y m |
onder tree re -po- sing < jrjrijji^jJi |
3ne still too dear first |
p |
f ~1 |
• — — p |
• r |
|
v^H^ f r |
|
■ |
p 1 n i |
m bre |
— athd his vows to thee; |
Vear this, he cried, his ' |
||
j |
■ ■■ ■' « J J J 1 |
__ p. |
1 0 |
||||||
guileful love d; |
is - c |
los -^ing, ^ |
^ear to thy heart. |
in # |
me-mp-ry of r hrTi ' rT^ ' r |
ne; |
|
— ■_ — « |
LJ^-J — J_J J_ |
^ i |
Waters of Elle
Near .to thy heart, in me - mory of me.
A:f E-,f'^
m
34 VERSE.
^ |
11^ - Love's c |
tierishd »— ^ |
gift, the r |
ose he |
• i gave. |
IS fa - de |
||||
• ' — |
• s ■ ■p" — r |
as 8 { m |
— 0 1 |
|||||||
=^ |
J I I |
|
• h — |
-9 |
4= |
d |
||||
fj)^^-^^ ^ 4—- Loves blighted flow'r, can |
never ^= |
bloom a |
I - gain. |
|||||||
f |
i |
8 i 8 »' |
_p |
—i-t |
f |
"If. - i> i |
||||
, 0.1. |
i |
«i 1 • ■ • ^ |
T-'i^ |
Waters of Kile
Weep, if thy tears can
Weep, if thy tears can wash away the Stain;
— ' f — I w
wash av |
>^av the Stain . |
II |
|||
J |
m |
^= |
Call l)a(^k the vows, that once to heavh were plighted,
Vows; full of love, of innocence and truth; ■> Call back the scenes, in \^ich thy soul delig-hted.
Call back the dream, that blest thy early youth.
A ' Flow silver stream, ^tho' threatning- tempests lower.
Bright mild and clear thy gentle waters flow; Round thy green banks, the Springs young blossoms flower,
O er thy soft waves^ the balmy zephyrs blow.
6
— .^t, all in vain; for never Spring arraying
Nature in charms, to thee can make it fair, III fated love, clouds all thy path, poutraying, , Years past of bliss, and future of despair.
^Vaters of Kile.
London, IhO/isf/rr/ //v Ooulduir/,I)^/n laineJiMT^^^ C? 20 So ho S(jOfare, K-lo /lad al/Jf'e.9tmori(tnd Slmd,Dahlin .
2
Andante,
///'////////. . /////y-/'/-/// ?
- 0^ -f^ — ^ |
m |
— ■ — — — 1 — r 1 L— t-H |
|||
m |
— ^^h— |
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||||||
1 ^* !^ |
^ dim. |
— 11- — ' K" |
ztir
O patria.' dolcee iagra=ta patria.' alfin a te ri=rtorno.'
P
PP
f» |
N !- |
|||||||||
m w iu ^ |
''J J |
/ |
'ffi' H • •» • * |
-r-- — |
io ti _ _ _ sa = luto, o
^1
m
5
e questo per me giorno se = re = no, comin= rcia il cor a . res = pi
P
3
fa
1*
1 ^
0 —
= rarmi in se = noI AlleC'ro Ame=na=i -del
o mio penr
(• If A « A
^^^^^^
* m — m 2 o ^ I * ^ ^
tr-y — ^-yyr
sier so= a::;Ve, solo de miei sos= ^piri celes
te og = getto
4
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