moe. Irving Plaza New York, NY 4/4/1997 Original recording: Scheops CCM4 (FOB/Center, sweet spot)->VMS box->Tascam DAP1->DAT(master recorded at 16 bit/44.1 khz) Transfer: Sony R500->Sound Devices 722 Mastered: Soundforge Audio Studio 10.0a - slight volume normalization, smoothing volume adjustments listed below. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav. Set 1 1. intro music/banter - NYC appreciation 2. Bring You Down 3. Timmy Tucker 4. Don't Fuck With Flo 5. banter - this next song... 6. She Sends Me 7. banter - stomp in time 8. Brain Tuba 9. banter - Black Sabbath 10. Spine Of A Dog (take 1, abandoned) 11. Spine Of A Dog (take 2, abandoned) 12. Spine Of A Dog (take 3) 13. banter - get junk mail from our bands 14. Time Again 15. Mexico 16. Recreational Chemistry 17. banter - setbreak announce Set 2 1. banter - happy birthday Andy, Yolk propaganda, Brain Festival 2. YOY 3. Threw It All Away 4. Akimbo 5. tuning/banter - 1969 Elvis special 6. Happy Hour Hero 7. banter - if I drool on myself... 8. Brent Black * 9. St. Augustine -> 10. Stranger Than Fiction 11. Head 12. thanks/encore break 13. Buster ^ 14. thanks/announcements Ominous Seapods opened Minor volume adjustments at (2:44) in S1T2, (00:17) in S1T3, (00:09) in S2T2 * = w/Ominous Seapods "bare-chested and masked", and Ted Marotta (OSP drummer) and Brian Mangini (OSP keyboardist) sitting in on drums with Vinnie on the same kit ^ = w/Ted Marotta on drums with Vinnie Recorded by Scott Bernstein (patched out of Craig Savarick or Craig Hillwig, can't remember); Transfer, Mastering, and Tracking by Scott Bernstein Nov-Dec 2009. Taper notes: Sorry, not too much of a story about this one. Don't really have any recollections from this show at all besides it being a generally fun time and some fuzzy details about the Ominious Seapods running onstage and doing some really crazy stuff during Brent Black. Sometimes you check out a somewhat ancient recording and it doesn't sound that great....but then there are times like this one where you check out a recording you haven't listened to maybe since the night you recorded it and it just sounds WONDERFUL. This is release number 10 in my occasional BARN archive restoration series. Enjoy! -- Scott