'•M
NEW ENGLAND HARMONY. I
CONTAINING,
A variety of PSALM TUNES, in THREE and FOUR PARTS, Adapted to all ^ METRES : Also, a number of SET PIECES, of SEVERAL VERSES each, Together with a number of ANTHEMS.
5l
By TIIVIOTHY SWAN.
Publijhed According t(KAcl of Congrefs.
if
— J
s
PRINTED at NORTHAMPTON, Massachusetts,
By ANDREW WRIGHT :
And Sold at his Office :— Sold alfo at Sujtdd, in Connecticut, by the Author.
l80I.
The RUDIMENTS of VOCAL MUSIC*
The GAMUT, or First Scale, with FLATS and SHARPS.
E La. D Sol.
THIS character 3£ is called the G Cliff, always (landing cn the fecond line of the Treble, Counter, g. Mi.
and Tenor fta-vee. A & La
c — v5) Soi.
F Fa. E La.
Thii Character EC is called the F Cliff, ftanding on the fourth line, and ufed only in Baft.
G
F— EE
E
D
B-
Sol. -Fa..
La. -Sol.
Fa. - Mi..
La. -Sol.
Eight Notes in Common Time.
fin m
Eight Notes in Triple Time.
1
Ill
HULES to find the MI, by FLATS and SHARPS.
», is called the natural place for - • But if B be fiat, Mi is in - - - if B and E, Mi ia in - - «■ B, E and A, Mi is in - - B, E, A and D, Mi is in - B, E, A, D and G, Mi i» in
MI E A D G
■ C
If F be Jliarp, Mi is in - - ■ If F and C, Mi is in - - - F, C and G, Mi is in - - F, C, G and D, Mi is in - F, C, G, D and A, Mi is in
F G G D A
FLATS and SHARPS axe ccnfidered as vifelefs characters in Vocal Mufic, either accidental, or in tranfpofing the Mi. But they are inferted in the following wo>k, together with tho Cliffs, in the full bar of each piece of MuGc, to accommodate thofe who would wifa id make ufe of them.
Although fetting accidental fiats and fnarps may be agreeable to the rules of eounterpoint, when modulations are fo formed as to require them, yet thole modulations might be avoided, and others formed, that would render the melody and harmony equally exprcflive and. pleating.
Fiats and Jharps, fet at the beginning of Tunes, have no efFeft in regulating the Mi. The lines and fpaces are flitted and fharp'd accord- ing to the fituation of the Mi, if Aft is in F, it will raife it half a tone, the diftance then between E and F will be a whole tone, and bctwee 1 F and G but half a tone ; thus F is made fharp by placing Mi on it, and not by fetting a jbarp on F. When Mi is in B, the diftance between A and B, is a whole tone, but when AH is in E, the diftance is but half a tone. This depreffien of B, is caufed by the ether half t»c.c, which follows the Mi in regular order, and not by placing a fiat on B. Thus if Aft it in F, F will be Jharp, if Mi is in C, F and C will be Jliarp and if AH is in E, B will be fiat, if Aft it in A, B and E will be fiat, &c.
SEMIBREVE. MINIMS. CROTCHETS. QUAVERS. SEMIQUAVERS. DEMISEMIQU AVERS.
and
Reft
A Scmi'vreve is equal in length of time, to two AHnims, or four Crotchets, or eight Quaven, or fixteen Semiguavtrs, or thirty-two Dmiftmi- - luavcrs, Refis arc marks of filence of the fame length of time at the Notes for which they ftand.
IV
EXPLANATION of the SECOND SCALE.
THE five lines with their fpaces on which Mufic is written, are called a (lave. Thefe lines and fpaces are reprefcnted by the fir ft feves* lc:;e;s c;j ihe Alphabet. The letters on the Tenor, Counter, and Treble ftave, .
Hand thus.
■D-
-B-
-E-
and the lctteis on' the Bafs ftave thus,
--F-
■D-
Which {hows that G. in the upper fpace of the Ba^s ftave, is the fame pitch with G on the fecond line in the Tenor. Counter and Treble-. The letters B, MA, C J;id T, are placed at the beginning of Tunes, to diftinguifh the parts, and point out the Mi. The letter B, is ufed for the Bafs, MA, for the Tenor, G, for the Counter, and T, for the Treble, and always ftand on the Aft line or fpace. Thefe characters occupy the fecond bar of each piece of Mufic. When the letter A is moved from the Tenor ftave to another part, it denotes that the part to which it is moved, has the Airof the Tune. The Tenor is conGdered as the leading part, and fhould always fing where the letter M ftands, whether A ia annexed to it or not.
Bafs.
EIGHT NOTES.
:~3'z
Counter,
reTe
-MA-
Tenor.
Treble. T 8t©1
9
THERE are only fcven diftinft natural founds or tones, 'every eighth being the fame) five of which are whole tones, the othes two wrhich are between mi snd/a, and la and fa, arc half tones.' Mi is the governing tone in Vocal Mulic, and is placed in different parts of the ftave, for the fake .<f variety, the other half tone follows in regular order, a! ways keeping the fame difianee. In raifing the notes from Mi you lound twice Fa, Sol, La, and in falling, twice La. Sal, Fa, then comes Mi either way.
The following SCALE fhows where the two half tones are in every remove of the Mi.
f-Mn —
CHARACTERS and EXPLANATIONS.
Aur, ✓"""n Shows that all the Notes over which it is drawn, are to be fung with one fyll«b!e,
Pe\t af r'S^lt nan(^ °^ a ^nte or Reft, makes it half as long again. A Semibreve pointed, as \ ' * long as three Minims, &c.
Mate <x over or un^fr anv three Notes, fhows that they ate to be founded as quick as two fuch,
5 3 without the figure 3. , I fj
"Ur- H t-
VI
Brace
Shows how many parts are Tung together.
SinzU Bar I d!vide« the time into e<lual Part,» ei^h divifion containing time equally alike, and — 3~ T f ~
' J according to the Mood. — J "~T
Ledger line, -jP- is added to accommodate Notes that extend above or below the ftave. ZZ^ZZ IZZ£Z^:l(~i:jlZ^ZZZ^Z
Repeat ;$: Shows that the ftrain is to be lung over again, from the Note over which it Is fet. ■
Choojmg Notes
P Are fuch as Hand one oyer the other, in the fame (lave. When fuch Notes oc« ■ — F*"""^ — § —
Zj cur, the performer takes his choice. f~ZZ~ Cj " *~ ""
Clofe ^ijl Denotes the tune is ended.
Sounds, confifting of feveral patis of a Bar, that begin with an unaccented part, are called Syncopated Notes. Two notes that ar/ '1CC*
with a Slur acrofs the Bar, and are on the fame line or fpace, are founded as on* note, and are called Continued, or Protratled Notes, When tliol'e Notes commence with an unaccented part they arc Syncopated.
SYNCOPATED NOTES. ' \ PROTRACTED KOTES^
MOODS in COMMON TIME.
vn
Firjl Mood, g
Second Mood,
Third Mood, £f
Fourth Mood, ^
i
Common Time, is meafured by even numbers or beat* in a Bar. The thre; firft Moods contain one Semibreve, or other Notes or <q.ual t» it, in each bar. T.ie Ft r ft Mood is perfoimcd in the time of four feconds in a bar : The Second Mood in three feconds, a third Mood in two leconds. The fourth Mood has a Minim for a meafuie note, each bar containing that, or other Notes or Reft* to it, and is performed in the time of about one fecond and a half.
TRIPLE TIME MOODS.
Reft*, nd the equal
Firjl Mood,
3
Second Mood,
Third Mood,
± jft
TripU Timt, is meafured by odd numbers or beats in a bar. The Firfi. Mood has a pointed Semibreve for a Meafure note, containing, that or other Notes or Refts equal to if, in each bar, and is commonly performed in th; time of three feconds. The Second Mood, has a pointed Minim- for a meafure note, and is beat a third quicker t.ian the Fir il Mood. The Third Mood has a> pointed Crotchet for a meafure note, and is beat a third quicker than the Second Mood.
COMPOUND MOODS.
/try? Mtod, 5
Second Mood,
5
&
Firft Mood Compound Time, has two pointed Minims, or fix Crotchets in a bar, or other Motes or Rcfls equal to them, each bar eoti- ' 'ning two feconds of time. The Second Mood has two poiated Crotchets, or 5x Quavers in a bar, or the amount in othtr Notes or * cfl«, and is beat a third quicker,
viii
BEATING TIME.
BARS in the firft and fecond Moods of Common Time in beating an divided into four equal parts and beat in this manner. In the firft of the bar, let the ends of the fingers fall on fome fixed place, then the heel of the hand, thirdly, dole the fingers gently, then open the hand, raifing it a little at the fame time. This completes the Bar. The third and fourth Moods in Common Time, and the'two Moods of Compound Time, have two beats in each bar, one down, and the other up. Triple Time is beat by letting the ends of the fingers fall as in common time at the firft part of the bar, then the heel of the hand, thirdly raifc the hand, which finifhes the bar. The hand falls at the beginning of every bar, in all Moods of time, and fhould never rife but once in a Bar.
But, fuch is the diverfity of opinion, concerning Time, that it is extremely difficult to fay what fhall be theftandard ; that is, how quick or flow we fhould move in the different Moods of Time. This, theie- fore rnufl be left to the judicious Teacher or performer who will be dictated by the fubjeel:, and move in the different Moods of time according to the beft of his judgment.
F ER RATA. — P. 3 1 , 2d Counter {Lave, 2d bar, for crotchets on G & A, fing B & A.-— P. 39, Tanor, 3d bar, a crotchet on D, fhould be on C. — P. 41, 2d Tenor (lave, 6th note from the clofe, fhould be en A. — P. 46, 2d Treble ftave, yth note from clofe, for a Minim on E, infert a 'Ctotchet on E.-— P. 60, 1 ft Counter ftave, 1 1 th bar, a Minim on A, fhould be on G. ad Tieble ftave, 4th note from the end, fhould be on D. — P. 64. 1 ft Treble (lave, 3d note, fhould be on A. 1 ft Tenor Have, 7th note fhould be on A. 2d Bafs ftave, 1 ith bart for a Quaver on E, infert one on C— P, 79, 2d Tenor ftave, 4th note, fhould be on A,
NEW ENGLAND HARMONY,
PovonaL S. M.
-G- -Q-P--Q--
^lliiiSiiiSpiiiifii^
" ■■Ire-
<Jri
lure therc'i a r;g» e»«i God, Nor it re - lig.ioa »aia ; The/ men
of vie* may buaft a - bad, Aad R.cn of grace coaspUin.
Upton. P. M. 11
'Tis finifh'd 'til door, The fpirit is fled, The pris'ner is gone, The chriftijn is dead.
Z3LZj$7SB
t
- mr ■ ■ 1 m - — 4- -- — — —
The chriftian is living in Jtfui* Jova and gladly re - ceiv - in> a king - dom i ^ bove.
12 Arnon. C. M.
rail ..^-..c, Not all, Hi.
Wafoingtcn. L. M.
O «*y iks rrtis'ry of thy naaae, incite our ar - miei for the fl^ht, Oar foM (ball fall and cie with
Jppkton, L. M. 17
Now to the Lord a noble foig, Awake my foul a - w*ke n v tongue ; Holanna
to th'-
E - ter-nal name. And all hi* boundl-.-f» love pioclaitn. And all his
r— T*r 3>~ *• ■
boundlefs love -.— -mi'
proclaim.
Kinfale. S. M. 19
Raife your tri - umph -ant fongs, To -an im - inor - tal tune; L«t the wide earth relound the deeds, Celeftial grace hal
;J:tE|f:^r|-t=ll
•I — -t
done. Celeftial grace ha« do«c. Let the wide eai i h relound the deeds Ce - lef - tial grace has done.
|
■ p — |
|
|
3Ei |
20 ^ ^ Concert Ha^1' _ ^' M'_ _ ' _ ^
glad
22
i3:s:J
zzz±zz
Canaan. CM.
How fweet the vcice. bow fweet the hand, That lead* !o p;j£ures fair ; To Canaan's milk and
i :z^:^:^:zzr+ |-^rr^:rzpiZzi:i|:xrrzz:^.-T:zj5 izMZt^zmztxztKzpj^ :irfzzBziz^qr^zrrzz==i
honey land, Which God's own children fliartS Grace rich and free, mod fweeilv rail, Directly come who will, Di-
23
Canaan. Continued.
i re3ly corns trbowll, DirefrJy tome who will, J ft as you arc, for Chr ft r?ce ves. Poor bc!»tl";
fioofin 1 1 ill. p. oi he ,Jefi finnrri fti!!.
bzziz—rq zn;-p;^^ fa&teptpM iz^iz:pizz{z^:z\z^z\zpjijz:z\ r&qizq-
R»to.-n O God of live return, Ear:h j « irelum: Ho.* long fh>:i w* thy children mni-i. Our abfence from t by foctj Oar ahfince fron thy face.
24
Trinity. P. M.
Come tbou al - m - iy K rig, Help us (by name to fine, Help us to pralfe, Fatr.er a'l glo - lisous, O'er all vie-
u', Come and reign over
to • ri - ous, Come end teign o»er
gliiiiigii^iiii
Cume and reign o»er ■ , Atient of iais.
Jciu' our L">rd ante, Sca'ter our Enemies,
And tmkc then fall, Let thine AJmightv aid, Oi" r Cure defence, be made, Qjr fo->ls on th"c be ftay'd,
Lord, has our call.
Come thou incarnate word, Gird on thy mighty fword,
Our prayer 2ttend, Come and thy people blcfs, And give thy word futceU, Spirit of holtnefs,
On us dclccnd.
Come holy comforter, Thy (acitd wittiefs bear,
In thil glad hour, 1 ho i who Auiii^htv art, Now rule in evey heart, And nc'ei fr^m us depart, Spate of powcrt '
To thegre^t one in thrcot Etern?! piaifes be,
H tire evermore. His I v'r. i n M J-ftjf, M v we in glory tee, Arl to Eternity,
Love aud Aiiore»
Moreen. L. M.
-p-p- * •
*" *-T"TT~ — r-*»-ar-T r— ■+" . — i
^ ^ 55
s>tr-i ht, Ac.
jld the mufe will prove, A friend to piety and. love ; — - — -
Oft i
Straight I begin foms
^ * . Straight 1 beg'U <ome facred f»«g>
tr«ithc. fee.
And cake mr Satiour on n« to- guc
T'- ' "ti.e, StraDgiy I le..i- bi. i..ve ) r<tt,
_ To kali 1 • hud the tin, ou « n . t j'e,
o«
A»(t wlce m/"»iviu»f mi tow^ne, .... . . ^ ' ~ ^ ^ ct»«7t^~
D
Lyme, Continued. 27
28 Holland. L. M.
Unttrtaia life how foon it fli.e, Dtesta ef an hour how ft rc our bloom ; Like fjjring'a gay verdure now we rife, Cat
(«(!).■>» (tut
. Energy. C. M. 3 5
Atend our armies to the fi^ht, And be their guardian C? • ' , In *»in li ill n'im'rout pow'rs uiite, Au ihj lifted I rod. Our troops beneath thy guiding hand, Shall gain a glad renown j "Tie God who nuke» 'he feeble Aa d, And oeids the mighty do* a.
'IIP
Scotland. S. M.
37
What
S nee h:
::rrq:T:
Hi
The Lord ui in- be d is, I ft*l> be <»t'i i;..pij'o , Since he is t. ne and I am hij,
1— ™t *-^T-c--r-rg-|j^
X S-ff-P3^]
S ncc he is m ne
Wriu c«n I wnc be • fi;e.
I can I
w^c <
ig^^li^^SliSiiiiilPllii
•am ee - - bi ice e W m ne,
ad I a-n h •, What can I wj-11 he
Wh r cr |
win" it • ii ■
ranr
•nd J am h ', What caa 1 want he ... - tide,
Mitt he is mine and I aoi h s Whit ui I »-nt be - . fid<
-t—
bi.ice be it mint ind 1 am hii, What can I want be - fide. What caa 1 wa.it o« - kit.
38
Rome. 8 & 7.
Wtii . nr.j pil¥nans, monrnmp chr'ftiiej, W. k and tempted lambs of Chrift j Who eidore gre.t irib - u • la • tion, And with fins are much difteC'd.
Chrift hat fent ms to invite you, To a rich and coftly fea!t ; Let not fliam; ncr prde pretext you, Come the fwcet provifi >n nftr.
iome. Continued. 39
4. If you will but rlaim his promife,
And foifake your unbelief ; Patient waiting, conflznt praying,
He will grant you full relief; He will give you grace and glory,
All your wants fhall be fupply'd ; Canaan, Canaan lies before you,
Rife and crofs the fwellin~ tide. 5 Death (hall not impede yoar comfort, Chnft (hall guide you thro' the gloom Down he'll fend th" Heavenly concert,
To convey your f,.irit hotne. There you'll reign with Cbrii'l in plcafure,
Free from evciy want and care ; Come O ! co r.e my biciTeu Saviour, Fain rr.y foirn w ould be there,
Lifbotu S. M.
2^ If you feel a heart lamenting,
And bemoan your wretched cafe ; Come to Jefus Chiift repenting,
He will grant you fweet releafe. With your heart believing on him.
Love snd lerve him all your days ; Come, O ! come to Chrift and afk him,
He will give you gofpel grace. 3, If vour heart is unbeiieving,
Doubting Jefus' pard'ning love ; Lie hard by Bethefda waiting,
Till the troubled waters move. Tiro* no mortal arm can help ynu.
All their elf <rts prove but talk ; Jefu«, Jefus, faith unto you,
F.ile take up your bed and walk.
-1 myr-
Bondage. P. M. 10 & 10. 41
95
46 _ y":\"
Z .o» tkiic: k»p - pjr plate, A - - d-rn d * with wondrou* graca, And walls of fli««g h embrace ih^e rJ?od, la thee cik tritei aj-. - pesr To
To o-;v dec.
P' Jjr, <i!C.
»ra», end priilf, and hear The fa • - cred gof - - pe! » 7*^* f"l
The fa - - - cred gef - pel'i joy - ful fou»d
prjyj and prjtiie, aad b:« The facied gofyei'a j&yful fawdr
Patmos. P. M. 47
V.'as c»i f.ca:e hit v t ♦ 1
Or
ange.
S. M,
49
__
Ye birds of lofty^ wing, On h.^h h:j pr* f . es bear , ^ °n "°W °CUt'ls aic* ^n^' ^our ^'ker's gl^ry there. Ye
Ye ciejping. fee,
Ye creepirg -rus, ice.
EZSLZt
And flies, &i.
Fraiu, Sec.
Hriilr, &c
D_.
CM:pq:=:i„
91
Y . (reeling antl jtvj worms, Acc.
Aod flies, tc~
ife h>m, &c
e-eep n »nts «. a wa at, Hi. v.moui wifdom ih*w, And H ei i» all jour fliin.n • f* P.- j ie him wboditfi d v< o fo. At>4 fl.ts ir. *H oui (h iiu f warms, Praifeb a> wr.oditft d ycu (a.
A«d flics. &e. Prule And
P.V.fe, &;
■Franklin. Continued.
51
How happy the Angels that fall,
Transported at Jefus' name. The Saints whom he fooneft fhall call ;
To fhare in the feaft of ihe Lamb, No longer imprifcn'd in clay,
Who next from his dungeon fhall fly., Who firft fhall be fummon'd away.
My merciful God, i$it:l ?
( 3 )
O Jefus, if this be thy will.
That fuddenly i fhould depart, Thy council of mercy reveal ;
And whifper the call to my heart : O ! give me a fignal to know,
If focn thou would'ft have me to now, And le?ve this dull body below.
Aad fly to the regions of Love,
Volta. S. M.
Your harps ye trembling faints, Down from lh» willows tike, Loud to the praife of Chrift our Lord, Bid ev'ry firing awake. Bid er'ry
54
Montague. L. M.
Ye fom of men ■riihjoy re • - cord, The »a - nous wonders of the Lord, And let hi a i ••* r >oo >o - - r.efs foun^, Thr «" ^ v y Let the hi h heaven?, &c.
Let the high heiv'n, tec.
^ ;!l vj.( crises the world a - rounr1, ^ Let the hUh heay'na yoor fanga invite,Thofe fpacious fields of brilliant light.Where fuj> k moon & plan-eis roll Where
M on tame. C o n t i n u e d .
55
^. fun ar.4 main tr.d ^ ;'ir.;ts 10 - - .1, /»od ^ fttrs thst glow from p«i lo po'e.
fun, &c. .
Fitjicwn. Six lines, 8 & 8.
1 he Lord my p-. fture lhall prepare, And Iced mo with a (kephertl'« care; His prefents fh'all my Wants lupply, And
Leghorn. Continued.
o
57
II, To
n - v
er . v>?5elm h'i
r. v) - I
y foul.
j Behold the rifine bilkwi
-— — K-x — u-
PcW. L. M.
s
Goi 0/ my life look ger.t )• down, B:hc!d the pain I feel, But I am trm** Wore 'hy throne, N jr dire ou.u'c 'hy nil!.
H 5
333
fcfc
n-r-
:at:a:
— g:J
Briftol: Continued 63
can this k eg of t-:o - ry be,
V* ho can. &c.
giory be, &c.
m ih'.y Lord the Sj< • iour
Who can, &c.
Sj/ - iour fee, Wbo can th:« king of g!» .... ry be, The in - r> L -rd the Sav - . iour be.
Spring. S. M. ^
Behold the morn ng fun, Begins h > glurioul war ; Hil beams thro* a I the nation] run, Ad uic a
The Seafons. Continued. 65
m
perts the fiedfaft pole, Thv hand fupporf* the fiedfaft poie, Diretls the fun what hour to rife, And aa;knefs when to
:t
| veil the fkies. The fl w'^v fpring at thv c mi mar d. Embalms rhe air and pairr< the land ; The blazing beami of fummer fhine, To
68
The Seafons. Continued.
Joie, Where days & years revolve uv moic," Where d'ays & years revolve no more. Where days and years revolve no more, na more.
"Judgment. Old 50th. ^ ^ ^
The God of glory fends his fummons forth, Calls the Couth Rations and awai.es the n<mh » From eaft to weft, the
yudgment. Continued.*
69'
arm
^ _^ t ^
fovreign orders fpread, Thro' diftant worlds and' regions of the dc«d.; The trur.'.per found', - -
h^av'a re-
I ..^^-f*—
"joices, Lift up your beads ye faints with cheerful voices.'
His vengeance flecp* no more.
No Bote £mII i Ecoikiis !»ng. jy,
70 > ^ Judgment. Continued.
I
e. Behold the day, 13 : hold the judge defcenda hit-guaids -are nigh, Tetupefl and fire at-
30
tend fc;aj Atpum th: Cty, When God appears, All nature fhall adore him, While fincert tr3-nible,Saints rejoice befor«hita,Hc6V,n earth ft »^t€:j^-^^ r r r-r-
Judgnunt. Continued. ^ ?|
J hell draw near Let all thingicome, To hear my juf - ties and the finr.ers doom, But gather fir ft my faints the judge commands, ^''^
m
t-t
yt tapis from ih>ird'f m t*ni Jands, . Br ag thtm je aa - gelt fiem ttm/diflaat lands, When Cbrifl it-- - turns wah« at'rj ch-erful
Jadgment. Continued.
73
ancient homage or the new. There's no didinciion heie, There's nodiflinftion here. Join alH our voices, loir -II * our
— — T "I p— . »
-I 1 +
ancient homage <
>ic - cs, An 1 r< vour heads ye Saints, For heav'n re - joic - cst Here l«ii;n the L >rd ve an-gels lpread t.icir thrones, And
"Judgment. Continued. 75
fhou» yc fainis, And fhout ye fiints, he cotnes he come?, he comes for your fal -
ii< n.
Cateciry. CM.
,P:-±:5^:4:!rt=E:lc;EsE±pz?-^f;l:?rirft;E^
| ^ Infinite -grief a - taaz • ;ng woe, Behold my bleeding Lord, Hell and the Jews confpno his* death, And
Calvary. Continued. 77
acufe. In vain I blam- the Roman bands. And more in - fulf-<'n =; Jews. T'were you my firu my c isel fine, My
__^eriW^fin5 his chief tormenters were, Each of ray crimes became ? nail, And un - be-lief a fpear. T'were you that pu!1' J he
78
Calvary. Continued,
1 vetigcince down Upou his guilt left head^ Break bre»k my heart, oh burft mine ev<*s, mine eve», And let my forrows
-9-
=23
bleed, b^e*d, bleed. Strike ftrike mighty gracs ray " flinty loul, ^ ^ t ill melting
waters
Thankfgiving. Continued.
81
Gracious Thou our thanks receive ;
Z
Praifes here to Thee we give,
A.
Holy Father fbv'teigri Lord,
Sing we ftill in Jefus' name,
Lv'ry where be Ttau ador'd, Tho' this wicked world exclaim,
m
Sing yc praifes,
Solomons Song. Continued.
" '•" "c^the hill*,^ A. 10 aj^ my ^ crau.' - poit fill?. Am all my ^ foel »i:h ua -
8>
:r»'lport h.ll, He riita cxulti g o'e'— the hills, A n° a I my
trinf^^rt fi He n. ........ ej, Ht Hi --.--•■•«---- r3, He rLes tx - ult • iirg o'er the h..l», An i
• es cxuting o'er the hilis, And all my fool wuh liar.f, oit fil s. He O ct exulting o-r the bi
An, a. I ay
: of put fiiia, H» fl e> ex - nit - ing g'tr the hii!», And a I tny f*ul with tranfr.ort fi'ls,
_a,l _my foul with irnhi-t fi 6, And a!l icy ^uu! with • tracfporl fi '3. ^ Gent • ly duth he chide ray ft'ay, A.
fail with irauf»«tt ^ ii.l!, ^ ^ ^ ^ ^
fau! with iraofpvit
■
Jnthem. From 150th Pfalm. 89
icjouod
M
92 """^ Anthem. Continued. p
; jiin, With, or
gll:6 join
hie praife advance. With or - gans
join,' With
or - - |*05
W'r.h • organ* jo .
hit praile advance, h« prafe advance, With organs j i'n hit p-afe advance. With
^ ^ ^ ^ ^ ^ ~ *
. n, Wuh oigaus jo'n, With organs jjin h;< piaii'e advance. W ih or . gars *^or gans ioin, With organs join, With
organs j"in> With organs join his ptaife advance, Wrh or
gans join,
With
or - gans join, With or « gam j»irij With organs _ join his 'praife advance, his pr^fe ad - vance, nil praife advance
gans
join, With organs join his praife advance, his praife ad . vance. With or
pansji>in his praife ad • vance.
r - gans organs join, With or • gans join his praiic aovarce, hs praife advance, his praife advance.
ib; Vviih or - gan* organs jum With argaris
his praife advance, hit
advance.
94
Dedication Anthem. Continued,
-i — i — \
in a j e ft y
before him, -Strength and beauty are in his countenance, Cing pvai fes, fmg tpraifes ; unto God, makes
-V_— J — I J
X S.
:zezi;qz:
f joyful noife to the God of our fal - va - tion. Who hath inclined our hearts to ptaife him in the houfe of prayer.
Dedication Anthem, Continued.
95
m
=E — F-
But will God ii.dsed dwell on earth, wiii he a Six his name un - , to the temple which roan have ' buiided ?
_ A-
Behold the heav'n of heav'ns cannot contain Thee, cannot centain Thee,
How much lcfs then irm houfe ? And
96 Dedication Anthem. Continued.
*JC±
I now Lord our eyes arc unto Thee for Thy blefling, have Thou refpett to the pray 'r ef Thy fervants, hear Thou our ^application,
hear Thou our (upplica - tion, hear
hear, &c. ^ ^ ^ ^ — ^ ^ ^
| Thou our ^ ^ — —
hear rkoy our luppli - ca - tion, May Thine eyes be ever o - pen to this temple, may Thine honor
at all
1 hi u ©ui
98
m
Dedication Anthem. Continued.
3:
:t:
-•|5 -g— ^— g--^ -a±|
May mey on fight of this houfe forget their hatred and be u-nit-ed in the bonds of peace. Peace be within thefe facrcd walls.
; . - ^^r-f i:£~£: _ ^ . .
|
1* * Qs. |
ii |
||||
Who lh.il ca - tcr into ihe coil •■ t t ui cf ths Lord,
j Peace bc"u ahin thefe facred wall*, Love & friemifhip be ye constant guefts.
Dedication Anthem. Continued. 99
And be ye -lift up ye everiafting doors, that the King of gio - - - ry may come in,
Lift up vow beidi gate's ^ ^" . ?Yb» ii thirK:ngi>{
100 Y)edication Anthem. Continued.
102 Verona. L. M.
From all that dwell below the IkicJj Let the Cre - a - tor's praii'e arife, Let the Re - dcem-er's name be lung,
Thro' ev'ry land by ev'ry tongue. Eternal are Thy mercies Lord, Eternal truth attends Thy word, Thy
iftDEX /
^rnon,
Appleton,
Burivick,
Bondage,
Boxfordit
Balloon,
Briftol,
Claradon,
Concert Half,
Canaan,
China,
Canton,
Columbia,
Calvary,
Dublin,
Digby,
Dover,
Energy,
Egypt,
Flanders,
Florence,
Franklin,
C. M.
L. M.
L. M. 10 and i o
S. M.
L.M. . L.M.
P.M.
C. M.
C. M.
C. M.
L. M.
New 50
C. M.
L.M.
C. M.
L. M.
C. M.
C. M.
L. M.
P. M.
8 & 8.
12
l7 18
41 42
58 62
14
20
22
33 52 th. 60
75 29
16
59
35 82
3° 43 i°
Government,
Granby,
Holland,
Halifax,
Judgment)
Kin/ale,
London,
L eeds,
Lyme,
Lutejlring,
Lijbon,
Leghorn,
Moreen,
Majefiy,
Milton,
Montague,
Orange,
Pownal,
Patmos,
Portland,
Pitjlown,
Poland,
the MUSIC.
|
P. M. |
16 |
Quincy, |
C. M. |
|
|
P. M. |
40 |
Ronaa, |
C. M. |
23. |
|
L. M. |
28 |
Rujjell, |
S. M. |
.34 |
|
P. M; |
46 |
Rome, |
0 & 7. |
38 |
|
Old 50th. |
68 |
Rainbow, |
C. M. |
y 6 |
|
S. M. |
*9 |
Rofs, |
C. M. |
r 1 C |
|
L. M. |
10 |
Scotland, |
b. M. |
37 |
|
cV« M. |
*5 |
Spring, |
b. M. |
63 |
|
P. M. |
26 |
beajons, |
64 |
|
|
C. M, |
32 |
Solomons Song, |
0 84 |
|
|
S. M. |
39 |
trinity, |
P. M. |
24 |
|
L. M. |
56 |
rrJ 1 • • • Thanksgiving, |
0 7&7. |
79 |
|
L,. M. |
25 |
Upton, |
r. iVI. |
1 1 |
|
P. M. |
44 |
Vermont, |
C. M. |
2 1 |
|
C. M. |
45 |
Volta, |
S. M. |
51 |
|
L. M. |
54 |
Verona, |
L. M. |
102 |
|
S. M. |
49 |
JVaJhhigton, |
L. M. |
12 |
|
S. M. |
9 |
ANTHEMS. |
||
|
P. M. |
47 |
Let the fhrill trumpet's, |
89 |
|
|
L. M. |
48 |
The Lordreigneth, |
93 |
|
|
6 lines 8 6c 8. 55 |
||||
|
L.M. |
57: |