I

PUBLIC

C!)e JJeto=€ng!anti ^election ;

OR,

PLAIN PSALMODIST.

CONTAINING

A fhort Introduftion to Pfalmody, for the Ufe of Schools ;

AND A

VARIETY OF TUNES SUITED TO PUBLIC WORSHIP.

ORIGINAL A.YD SELECTED -THE SECOND EDITION.

BY JOEL READ.

BOSTON:

PRINTED FOR THE AUTHOR, BY MANNING AND LOR1NG. Sold by Manning and Loring, No. 2, Cornhill ; and by John Brewer, Providence, (R. I.) -.1S12.

District or Massachusetts, to wit :

BE IT R> MEMBERED, That on the feventeenth day of September, in the thirty third year of the Indeie d^ncc oi the United State1 of America, Joel Read. of the faid Diftrid. has depofited in this Office the Title of a Book, the Right whereof he claims as Author in the words following, to wit :

"The New England Selection, or Plain Pfal-nodift. Containing a Short Intro- duction to Pfalmody for the ufe of Schools , and a variety of tunes fuited to publk: worlhip: original and frleded. by Joel Read."

In conformity to the <5t of the Congrefs of the United States, entitled, " An A<ft for the incouragem ;it of Learning, by fecuring the Copies of Maps, Charts and Books, to the Authors and Proprietors of fuch Copies, during the Times therein I mentioned ;" and alfo to an Ad, entitled, " An Ad fupplementary to an Aft, intitlcd, An Ad for the Encouragement of Learning, by fecuring the Copies of Maps, Charts and Books, to the Authors and Proprietors of fuch Copies during the times therein mentioned ;' and extending the Benefits thereof to the Arts of Dcfigning, Engraving and Etching Hiftorical and other Prints."

WILLIAM S. SHAW, £lcri of til Dijtria '/ Majjfacbufctt),

PREFACE,

THE publimer of this book having been frequently employed in the fale of Singing-Books for fev- eral years part, is led to conclude that he has fome knowledge of that kind of Pfalm tunes which are ufed in the various parts of New-England, where he has been conyerfant with thofe who teach vocal Mufic, and lead in public worshipping aiTemblies ; and although he has not inferted all the Pfalm tunes made ufe of, yet he flatters himfelf he has a fufficient number for any fociety to perform, and more than is generally learned by any one choir of Singers. He has endeavoured to publifh fuch as are now in ufe in many parifhes, to- gether with fuch others as he thinks will meet the approbation of a majority (not to fay all) the teachers- arid chorifters into whofe hands it may come. He has aimed to fupply a fufficient number for the feveral metres of the Pfalms and Hymns in Dr. Watts, Tate and Brady, and Dr. Belknap's Verfions, in both the cheerful and plaintive keys. Many of the following pieces he has heard performed with fatisfaction and applaufe. Some others have been highly approved of, and recommended by judges of mufic on whom he can rely. Thofe which are new, he trufts will meet the approbation of thofe who examine and perform them with care and candor ; and he earneftly recommends it to the confideration of thofe who fuperin- tend Singing-Schools, in New-England, to practife fuch tunes in the Schools as will be fuitable for public worfhip, having regard to the different metres, keys, &c.

With regard to the Rules, he has endeavoured to be fhort ; not thinking it neceflary to publifh. any con- fiderable explanation, as he apprehends very few inftances occur where any perfon undertakes to learn with- out an inftructor ; and thofe who undertake to teach Singing-Schools, are or ought to be learned before- hand ; and the MalTachufetts Compiler, or fome other treatife calculated for the purpofe, will of courfe be ftudied by them. The following Rules he confiders fufficient for pracYifing plain Pfalmody.

The firft Edition met with a rapid fale, and encourages him to publifh this fecond, which he trufts is not inferior in point of merit ; and hopes it will meet the general approbation of the Public. Attleborough^ June 20, 18 12.

A plain and concife INTRODUCTION to the Grounds of Music

G Cliff. TENOR or TREBLE.

GAMUT.

j C Cliff. COUNTER.

| F Cliff. BASS.

Spice above

Third tpace Third line Second space Second line Tim ipaco Fin time Space below

cv

€K ^ Oo°°~

rBF ^

1^ .0°"

1 -GiV ~Q 1

II

A CLIFF generally diftinguifh.es fome particular part ; it alfo governs the order of the lettws, as it always, where it is placed, carries the letter prefixed to it along with it, from which alfo it takes its name as above.

THE natural place for mi is in If B be flat, mi is in - - - E If B and E be flat, mi is in - A If B, E, and A be flat, mi is in D If B, E, A and D be flat, mi is in G

- - - B

If F be lharp, mi is in - - F IfFandC be (harp, mi is in C If F,C,and G be (harp, mi is in G IfF,C,G,andDbe(harp,mi isin D

Above mi are fa, fol, la, fa, fol, la ; and below are la, fol, fa, la, fol, fe, and then comes mi again. From mi to fa, and from la to fa, are but half tones.

Names and Proportions of the NOTES and RESTS. Semibreve. Minim. Crotchet. Quaver. Semiquaver. Demifemiquavet.

Two minims, or 4 crotchets, or 8 quavers, or 16 femiquavers, or 32 demifemiquavers, are equal to one femibreve ; the femibreve reft is alfo a bar reft, in all moods of time.

Stave

Brace

Mufical Characters.

FIVE lines on which mufic is written. Shows how many parts are fung together.

Plat —5^ ^l ^e beg'nn'n£ °f a tune, governs the mi ; and fet before a note, finks it half a tone.

01 ZZZ ^l beginning of a tune, governs the mi ; and fet

rP ^— before a note, raifes it half a tone.

Natural ¥— ^e^ores any note, made flat or lharp, to its primi. —3— tive found.

J?oi f '

Addition ZfTZ Adds t0 a note half its original length.

Point of 3-

tion

Single bar

_1_

Reduces 3 notes to the time of two of the fame kind. Divides the time according to the meafure note.

D bar16 11 or |] S,i0WS the end of a ftrain-

Clofe

Shows the end of a tune.

Repeat Shows that part of the tune is to be fung twice.

. , ~~»T~~ Show that the notes under figure 1 are fung before re- Figures P;;;© peating, and the notes under figure 2 at repeating.

ZZtZ If tied together with a flur, all are fung at repeating.

Shows thatthe found of the note over which it is placed fhould be continued bejond its cultomary length, fo Hold "*F~ ^onS ^ tne mafter pleafes. In this book, when

Z[IZ placed over the treble, it has influence over the cor- refponding notes in the other parts.

Ledger ~

Are added when the notes go out of the compafs of

lines ™— the five lines and fpaces

Tr;i] ZpZ Shows that the note over which jjt is placed fhould be ZlZ fl13^611-

Marks of ZZp! Require the notes oyer which they are placed to be diftinclion P— F fung emphatically.

- wzP" ^'ve ^ Perr°rrner liberty to fing which he pleafes ; Notes ^ an<* kQtn may 1,6 ^un^ at *ame t'me' t^10US'1 not

with the fame voice.

Apoggi- t turas !

p Shows what number of notes are fling to one fyllable.

Are fmall notes which divide the time of the principal note, unlefs it be followed by a point or reft, and then they take the whole time of the principal note, and that takes the time of the point or reft only.

COMMON TIME.

Firft *TT" ADAGLO has 4 beats in a bar, 2 down ~ Mood -^E- an£* 2 UP" * crotcnets> or th^1" amount, fill ] a bar. "—

dd uu

Second

Largo, has 4 beats, 2 down and 2 up, £ ;~r~~|~j'

-r quicker than the firft. 4 crotchets in a bar.

dd uu

Third -^or^l Allegro, has 2 beats, 1 down arid 1 t—. UP' 4 crotchets in, a bur.

Z"S.Z Has 2 beats, 1 down and 1 up. Two 2t^2fcZfcS Fourth 3|S crotchets in a bar In all moods of com- "^~MZltZ

_ifcl mon time, accent on the firft and third

parts of each bar. d u

TRIPLE TIME.

Firft ™Jl Has 3 beats, 2 down and 1 up ; 3 Mood ims, or their amount, fill a bar.

Z7£Z His three beats, 2 down and one up ; Second three crotchets or their amount fill a bar. y lZ

One quarter quicker than i.

Has three beats, two down, and one "/v-j

Third -Jr- up ; three quavers fill a bar. One quar ter quicker than

COMPOUND TIME.

Firft -?t: CONTAINS tne amount of 6 crotch- -7^- >, , -5" ets> 'n a bar, and has 2 beats, 1 down 00 "JXH and one up. Accentea on the fitft^part Zztl- of each btat.

Vlll

Second

17*~_ Has the amount of fix quavers in a "7*3^n™

- q - bar, and has 2 beats, 1 down and 1 up.

Accented on the firft part of each beat. ISI^jl^j

lira:

5 12

CO* There are other moods in compound time, fuch as g, &c. but not commonly ufed in Pfalmody.

OF THE KEYS.

THERE are but two Keys in mufic, the Jharp or major key, and the flat or minor key. If the Iaft note in the bafs be next above mi, it is a (harp ; if next below, it is a flat key.

LESSON FOR TUNING THE VOICE.

OCTAVES, Afcending and Defending.

m

ASCENDING. Thirds. Fourths. Eighths

DESCENDING.

Thirds. Fourths.

Eighths.

I

$eto=<£ttglanl> ^election.

CHRISTMAS HYMN. L. M.

10

Piano.

Now can my foul in God rejoice, I feel my Saviour's cheering voice, My heart awakes to fing his praife, And longs to join immortal lays. Hold me, O

Jefus, in thine arms, And cheer me with immortal charm*, Till I awake in realms above, Forever to enjoy thy love, Till I awake, &c.

18 PANTON. Continued.

EH

—9

1 1 1 1 1

1 1411 Mil) 1 1411

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1 1*1 1 1 4U_1

III 1

mill

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1 1 1 I 1 41111

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bt~z::

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Kill

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WIN

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matchlefs woe. Gome, fee a fcenc of matchlefs woe, And tell me what it all can mean.

30

LISBON. S. M.

-I B-F--

We'come ^ ^

Welcome, fweet day of reft, Thatfaw the Lord arife !

-F--

Welcome to this reviving breaft, and thefe re - joicing eyes.

Welcome—

And thefe -

Welcome-

•And thefe—

CONCORD. S. M.

. "* Before " ' ^Before ^ r~

i Th; hill of Zion yields A thoufand facred fwects, Before we reach the heavenly fields, Before we reach ^the heavenly fields, Or walk^the golden ftreets.

tegliSPii^iirtSlili^SS

DOOMSDAY. S. M.

31

"iM'ii

Archangel

liiiililiiiiiii

Brho'd! with aw - fnl pomp, The Judge prepares to come ; Th' Archangel founds the dreadful trump, And wakes the general doom

Th' Archangel-

iii^iigliiiii^iiiiHsif

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Th' Archangel—

^ STAFFORD. S. M.

Zjpzzqzizjisz:

See what

Yet God—

:zzz=z=z^z:t^^:5:

Yet God hath built his church,

«f-

living flone The buil - ders did refufe ; Yet God Yet God hath built his church, Yet

ZZZ2_x3_ "I

B--.--J--©-

:zezp=l:zzzzliiplzt==:p-i:p=,

CHRISTIAN SOLDIER. Continued. S3

Piano. Forte.

in his mighty power ; Who in the ftrength of Jefus trufts, Is more than conqueror. Who in the flrenjth of Jefus trufts, Is more than conqueror.

VISION. C. M.

VISION. Continued.

darkeft hours, Nor think the feafon long.

long HI entertain the darkeft hours, Nor think the feafon" long, Nor think the feafon long.

VICTORY. C. M.

Now mall my head be lifted high, Above my foes around, And fongs of joy & vidlory Within thy temple found, found

/ N S N

Within

^rVTQTpz:

I

:=DzIoipzIz:-z:I§]

[in

3ii

COLCHESTER. C. M.

I '• I:J:3:^|EE=^E: :=i|:?^:|E?EJz||:?z^: :~|:|E:^|:EEp|?E^|°=^|:l; |E|1|E:E|^EI:: --E^jl

My foul, how lovely is the place, To which my God reforts! 'Tis Heav'n to fee his fmiling face, 1 ho' in his earthly courts,

VIRGINIA. C. M.

Thy words the raging winds control, And rule the boifterous deep ; Thou mak'ft thefleeplng billows roll, The rolling billows fleep. The rolling billows fleep.

EXHORTATION.

39

1

I

40

NEW JERUSALEM. C. M.

The New A - - dorn'd—

From the^iird heaven, where God rcfides, That holy happy place, The New

^~ ^ ' The New Jerufalc^i comes down, - - dorn'd

"~ ^ ^ ^ ~ *~ ^ Th^New— ^ ^ ^ ^A - - dorn'd—^" ^

The New-

dorn'd ^ with ftun - ing grace. Adorned with fnining grace. A - dorn'd with fhining grace. The New ^

The New-

HO

MAJESTY. CM. 41

4.5 NEW DURHAM. C. M.

Each pleafure—

_ . B~t~t I tit

How vain are all things here below ! How falfe, and yet how fair !

r A -p IE-

Each pleafure hath its

Each pleafure

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^ ^ Each pleafure ^

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.B._

pzizzi

6=FE

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linn

poifon too And every fweet a fnare. Each pleafure hath its poifon too, And every fweet a fnare.

EEEe:

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NORTHBRIDGE. C. M. 4?

Our life is ever on the winj, And death is ever nigh ; The moment when our lives begin, We all begin to die. The prefent moments juft appear, Then Cide away in

48

CHINA. C. M.

r> r\ ^

Why do we mourn departing friends, Or ihakc at Death's alarms ? 'Tis but the voice that Je - fus fends, To call them to his arms.

HAPPINESS. L. M.

i

bra 'in praife.

ILX~t

Let every faint, with cheerful voice, In this large covenant rejoice ; Young children in their early days, Shall give the God of Abra'm praife.

EXTOLL ATI ON. L. M.

2::

Loud hallelujahs to the Lord, From diftant worlds where creatures dwell ; Let Heaven be - gin the folemn word, And

Pia.

For.

found it dreadful down to hell. The Lord, how abfolutc he reigns ! Let every angel bend the knee : Sing of his love in

Pia

EXTOLLATION. Continued.

For.

51

:-l 1 1 l

Mil

[ 1 Ml

liil 1

III 1 ! Hill 1

1 ITTTD 1 111 1 1

ii i i

Uli

■(= |

t._

1 Mill 1 CLLJ.I 1

1 Hill

1 QLLil 1

I Mill i i i i i i

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heavenly

trains, And fpeak how fierce his terrors be. And fpeak—

i—

Slow.

MORTALITY. L. M.

f=Tn=?£fi

"^13"

Death, like an overflowing ftream, Sweeps us away ; our life's a dream, An empty tale, a morning flower, Cut down arid wither'd in an hour.

Yes, thou art precious to my foul, My treafure and my truft : Jewels to thee are fordid toys, And gold is glittering duft.

::zoz:

WRENTHAM. P. M.

55

The God of glory fends his fummons forth, Calls the fouth nations and awakes the north ; From eaft to weft the fov'reign orders fpread,

SE

ie:

£2::F£

Through diflant worlds and regions oi the dead. The trumpet founds, hell trembles, heav'n rejoices; Lift up your heads, ye faints, with chesrful voices.

-f§-=^f^

|zp|:

9 Q

HOWLAND. C. M.

57

1£zfzz£z£iz©:

rz£zj^jp::z t : ezigz !!zj^Z|^z^z^z|^|^z^z|^z£:p z§zj:z:«:^4:!?:r

sdrzr

Indulgent God, with pitying eyes The fons of men furvey, And fee how thoughtlefs finners fport, In a deftru&ive way. Ten thoufand dangers

wait arouubVTo bear them to the tomb; Each in an hour may plunge them down, Where hope can ne? - er come.

. ^ ' ^ REFLECTION. C. M. 63

Whence do ojr mournful thoughts arife, And where 's our courage fled ? Has reftlefs fin and raging hell Struck all our comforts dead?

Have v/e forgot th' Almighty name Which form'd the earth and fea ? And can an all creating arm Grow weary or decay?

Ifl" *n i 'i. r M r r r i^rrf, r Uiite. n I J h r i r FlfrPiE

68 CHRISTMAS. Continued.

| r"ia Forte.

And telling

And telling the fhepherds, That Jefus is born.

|3E

claiming the ftranger forlorn, And telling the fhepherds,

FAIRLEE. L. M.

EZjEZZIIZZ

i i

i i

=e:P::|z=E=:E

ZZElTDipzjE-

:rt:'

Jefus fhall reign where e'er the fun Does his fucceffive journiesrun ; His kingdom ftretch from fhore to fhore, * Till moons fhall wax and wane no more.

e,-

MONTAGUE. L. M. *% ^ 69

Yefons of men with joy record The various wonders of the Lord ; And let his power and goodnefs found Through all your tribes, the world around. Let

Let-

Let—

Thofe—

Where—

mm

Let the high heavens your fongs invite, Thofe fpacious fields of brilliant light, Where fun, and moon, and planets roll, And ftars that glow from pole to pole.

Thofe Where

^PllllliiiillllilPi

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Thofe—

Where—

mm

35p

j

74 AN ODE ON SCIENCE.

Compofed for and fung at the Dedication of Bristol Academy, in Tauntob.

J The morning 'fan (hines from the eaft, And fpreads his glories to the weft, AH nations with his beams are blefl, W here'er his radiant light appears.

Pia.

So Science fpreads her lucid ray, O'er lands that long in darknefs lay, She vifits fair Columbia, And fets her fons among the ftars

" -P-P-P-s- - - s v r> m+-P

ODE ON SCIENCE. Continued.

15

Fair Freedom, her attendant, waits, To blefs the portals of her gates, To crown the young and rifing States, With laurels of immortal day. The

76

Air.

NEW TRIUMPH. L. M.

Pia.

For.

--as-

say, live forever, wondrous king, Born to redeem, and ftrong to fave j Then afk the monfter, where*s thy fling ? And where's thy vi&'ry, boafting grave ? Then

For.

alk the monfter, where's thy fting ! And where's thy vicYry, boaflir.g grave ? And where's

w .

E3H

ITALY. L. M.

81

Let him embrace my foul, and prove Mine intcreft in his heavenly love : > _ . ,, .. <■•••. Air jl

of the vine i 1 1 anointinS Spirit came, And fpread the

The voice that tells me thou art mine, Exceeds the bleffings

zz±:i:izfiz^zz?=iz§=^z±z5z:?ziztz:

izfttzfc

zcz^:

- I—

izzHzEz^:ii§z3z

Pia.

For.

z;;t*£icV£zz:izzzzizzz

8 It

favour of thy name ; That oil of g'adnefs and of grace Draws virgin fouls to meet thy face, Draws—

_. ( /—\ r~\ ss

L

zz-nz_i=::

EMANUEL. R M.

8.2

;fjJz?l:T:d;r:-zzz~rsz^:]

l^-^~'«CJmit— &

As fhepherds in Jewry were guarding their flieep, Promifcuoufly feated, eftratiged from fleep, An angel from heaven prefented to view, And thus he acccfted the

j-^ ? .

1111 iii

I I » I

L ' !, '2

btn=:zi==— z:* f z f:f zzitl iHzfprpiz: z: iii:itfz^zz\\z J :<zzH z

wondering few : Difpcl all your forrows.and banifh your fears, For Jefus the Saviour in Jewry appears. Difpel

I

EgfzP

86

SUMMONS.

The Lord, the Sov'rcign, fends his fummons forth, Calls the fouth nations, and awakes the north; From eaft to weft, his founding orders fpread,

I'M

:p=-r

-Q-

Through diftant worlds, and regions of the dead ; No more fhall atheifls mock his long delay ; His vengeance flecps no more ; behold the day !

This tune may he fung as the old 50th metre, by dividing the lail note in each of the two laft lines, fo as to fing two minims inlkad of the femibrevc.

THE PILGRIM'S FAREWELL.

87

Fare you wel', Fare you Well,

gone

Fare you well, my friends, I mult be

4-

I have no home nor ftay with you; I'll

-*yr-rpaf

take my ftaff and travel on, 'Till I a better world can view.

4--

DORCHESTER. Cmtiriuid.

Why fliould-

89

And~

Jhould my paflioas mix with earth, And thus debafe my heav'nly birth ; Why lhould I cleave to things below, Why Ihould I cleave to things below, And

i

ut

let my God, my Saviour, go ? Why fhould I cleave to things below, And let my God, my Saviour, go !

92

AN ORDINATION ANTHEM. Taken from fundry Scriptures.

Pia.

:£:5:

^ For. * ■Fort'fl*ima

O ye "heav'ns, And be joyful, O earth, And be joyful, O earth; Break forth into finging,

Sing,

=r:z:£:

And be joyful, O earth. "'

For the Lord hath comforted his people, hit people.

JZZlT-1

O mountains, Break forth into finging, O mountains : For the Lord hath comforted his people, For the Lord hath

ANTHEM. Concluded.

95-

0, - End with the firft ftrain.

Hallelujah, Amen,

men. Hallelujah, Amen,

Hallelujah, Hallelujah, Amen.

Hallelujih, Amen,

A - men, A - men,

Hallelujah,

men,

Hallelujah, Amen,

Hallelujah, A - - men,

Hallelujah, . Amen.

Amen.

NORTHFIELD. C. M.

-p. Flyfwifte:

Fly fwifter round, ye wheels of time And—

How long, dear Saviour, O how long, Shall this bright hour delay ; Fly fwifter round, ye wheels of time, And bring the welcome day.

Fly fwifter round, ye wheels of time, And bring, &c. And

3iz

Fly fwifter round, ye wheels of time, Fly fwifter round, ye wheels of time, And-

98

AMOSKEAG. C. M.

td Treble.

Come-

th e

Come, let us own the heav'nly King, Come let us own the

AIR. Zion rejoice, and Judah fing, The Lord afifumes his throne ;

heav'nly King— fia. For.

heav'nly King, And make his glories known. Come, let us own the heav'nly King, Come, let us own the heav'nly King, And make his

100

HARMONY. P. M.

T1LDEN. L. M.

lor

This life's a dream, an empty fhow; But the bright world, to which I go, Hath joys fubftantial and fincere ; When fhall I wake and find me there, When—

Till the laft trumpet's joyful found,

Then burft the chains with fv/eet furprife, And in my Saviour's image rife.

II

My flefh. fhall flumber in the ground,

&m

Elllliiii^illili

-e-

1

102

St. SEBASTIAN'S. C. M.

For.

And joy te make it known,

The fov'reign of your heart proclaim,

And bow before his throne.

Come, ye that love the Saviour's name, The fov'reign of your heart proclaim,

The fov'reign

m

H 1 1 1 4! 1 1 1 •UU J 1 «l 1 1 1 1

1 l 1

1

E

■B±t

wat

ARLINGTON. C. M. _

Jefus, with all thy faints above, My tongue would bear her part, Would found aloud thy faving love, A^nd fing thy bleeding heart.

?3S

2r-F

HELLESPONT.

C. M.

115

Us f *

I ft Time.

id TLne.

■±\. h * l L- - -

Life is a fpaD, a fleeting hour ; How foon the vapour flies ! Man is a tender tranfient flower, That in the blooming dies.

ji=zzis::z:ijEi:g:

1

{±1 1 1 1

GANGES. C. P. M.

Eternal fource of truth and love,

Almighty King of heav'n above, And Lord of all below,

With rcv'rence and religious fear,

And at thy feet to bow.

liliiigiilg

Almighty King of heav'n above,

Permit thy fuppliants to draw neir,

i

122

GOLGOTHA. C. M.

Hark! from the tombs a mournful found Mine ears attend the cry ; Ye living men, come view the ground, Where you muft fhortly lie.

Princes, this c'ay mufb be your bed In fuite of all your tow'rs ; The tall, the wife the rev'rend head M aft lie as low as our3.

>— P Zl-?—~

»

r-L

I

3 24

>t. ALBAN's.

1 litfiffl

C. M.

Otz:

iiii

ILL!

Come, Holy Spirit heav'nly Dove, With all tby quick'mng povv'rs, Kindle a flame of facred love In thefe cold hearts of ours.

( Very flow.

CONDOLENCE.

C. M.

So fades the lovely blooming flow'r, Frail, fmiling folace of an hour ! 60 foon oar tranfient comforts fly, And pleafure only b'ooms to die.

TAMWORTH. P. M.

12

Guide me, O thou great Je

Soft.

Loud.

hovah, Pilgrim through this barren land ;

I am weak, but thou

l

?zi^^^zzBzi;

Soft.

Loud.

m

mighty, Hold me in thy pow'rful hand ;

Bread of

heav'n, Bread of heav'n, Feed me, 'ti l I want no more.

-6-

z±zdz:z

B=t±

3 When I tread the verge of Jordan,

Bid my anxious fears fiibfide ; Death of death, and hell's A6Hj uifHc.i, Land me fafe on Canaan's fide .

Songs of praifes 1 will ever give to tliee.

2 Open, Lord, the cryftal for.ntain

Whence the healing ftreams do flow ; Let the fiery cloudy pillar

Lead me all my journey through :

Strong DelWrer, Be thou ft ill my ftrcngth and fhield,

-m

J 26 BELFORD. C. M.

<7\

SEPULCHRE. L. M.

127

Unveil thy bofom, faithful tomb, Take this nsw treafure to thytruil; And give thefe facred re'ics room, To flumber in the filent duft.

pSzzftErz^^

St. MARTIN'S.

/ \

pa

C. M.

:±oJJz

e-e- -s-

.* 3Zzpii©zpzTiZ-ip~iz-zzsia:-izzizzi:§^^

Arife, my foul, my joyful pow'rs, And triumph in my God Awake, my voice, and loud proclaiai His glorious grace abroad.

-^.\ i.

Pp-sT^:PtF:F-s:d7^-i-

LSI

INDEX.

ADMIRATION,

C

96

Converfion,

c

Ho/Jen,

126

Meffiah, Majefty,

L

French,

15

Seaman's Song,

L

21

Affection,

L

Janet,

71

Devotion,

L

ReaJ,

20

C

Billings,

41

Sherburne, Subniiflion,

C

Read,

36

Amherft,

P

Billings,

77

Danbury,

S

Sumner,

27

Morning,

C

Read,

42

C

54

AfToeiation,

P

French,

80

Dooiufday,

s

Wood,

Mortality,

c

Weeks,

43

Shelburne,

c

44

Amity,

P

Read,

82

Dedication,

H

Mortality,

L

ReaJ,

51

Sutton,

c

Goff,

t5

Amo&eag,

C

holyoke,

98

Dorchefter,

L

Babcock,

88 ^Moulines,

C

53

Sardis,

L

G"ff,

58

Arlington,

C

Arne,

102

Delight,

P

Conn,

109

Montague,

I,

Stvan,

69

St. Sebaftian's,

c

Willm's Coll.

102

Archdale,

c

IO4

Devizes,

C

Tucker,

1*3

Mountain,

c

Holden,

90

Summons,

p

Janes,

86

Addifon,

c

1 14

Exhortation,

C

H ibbard,

39

Mear,

c

Willm's Coll.

105

Stafford,

s

ReaJ,

3i

Brownfon,

c

Brown/on, Willm's Col

3J

Extol'ation,

L

Janes,

Mufic,

Ii

Arne,

120

St. Alban's,

c

Janes,

124

Bethefda,

p

103

Enfield,

C

Chandler,

60

Newport,

L

lead,

1 1

Sepulchre,

c

Leach,

127

Bangor,

c

Tanfur,

no

Emanuel,

P

Billings,

85

New burg,

S

Munfon,

28

St. Martin's,

c

1 anfut's Coll.

127

Beiford, Cah'ary,

c

Holt,

126

Forty fixth Pfalra, P

61

New Durham,

C

Aufin,

46

Troy,

S

Peck,

26

L

Janes,

7*

Fairlee,

L

HolJen,

68

Northbi idge,

C

Smith,

47

Triumph,

L

ReaJ,

18

Chriftmas, Chriftmas Hymn,

c

Ma Jan,

83

Firmament,

P

ic8

Northampton,

s

Mann,

64

1 ilden,

L

Broun,

101

L

Stephen/on,

9

Funeral lJiece,

P

Holt,

107

New-Triumph,

L

Janes,

76

Temple,

c

"3

Confidence,

I,

Hoi Jen,

10

Greenwich,

L

lieaj,

12

Northii eld,

C

Ingals,

95

Tamworth,

p

Lcclhart,

125

Concord,

L,

Belknap,

13

Greenfield,

P

Ed/on,

78

New-Jerufalem,

C

Ingals,

40

Vifion,

c

33

Caftle Street,

L

AJJington,

16

Ganges,

C. P

"J

Old Hundred,

L,

Luther,

20

Victory,

c

fieaJ,

34

Concord,

S

Hot Jen,

3"

Golgotha,

C

Billings,

122

Oporto,

L

Portogucfe,

118

Virginia, Vcrgennes,

c

Suan,

3<

Chriftian Soldier,

S

/ eaJ,

32

Hope,

s

25

Philadel phia,

P

9i

c

111

Coronation,

c

Holien,

37

Happinefs,

L

48

Pilgrim's Farewell, L

French,

82

Windham,

L

Read, "

17

Colcnelter,

« fi

Howland,

C

57

Perfia,

L

tlulaen,

Wells,

L

22

China,

c

S-wan,

48

Harmony,

p

Ellh,

100

Plyniptou, Plymouth,

C

Arnold,

52

Winter,

C

ReaJ,

37

Contemplation,

L

Ellh,

49

Hellefpon:,

c

J 15

C

45

Wrenrham,

P

Billings,

55

Chockftt,

C

Mitchell,

59

Italy.

L

81

Panton,

L

Coon,

17

Windlor.

c

Kir by,

116

Complaint,

L

Parmcnter,

65

Judgment,

P

Read,

62

Paris.

h

Billings,

22

Walworth,

I OS

Wain-wrigbt,

117

Chriftmas,

P

MaJan,

67

Juftice,

L

Goff,

66

Paradife,

L

Holden,

23

Woburn,

L

Kunball,

>4

Cowper,

L

Hdaen,

ic6

Jordan,

C

Billings,

119

Philadelphia,

L

24

Warning Voice,

C

Ellis.

121

Contentment,

S

Cole,

11%

.Lenox,

P

EJfon,

79

Protection,

P

84

Yarmouth,

S

Kimball,

29

Canterbury,

c

Blanch,

116

London,

L

Slum,

97

Reflection,

C

Ellis,

63

Ordination Anthem

92

Condolence,

c

PTtyil,

124

Lifbon,

S

Read,

50

St. Ann's,

C

Willm's Coil.

J 10

Ode on Sciti.ce

74