1
00:00:11,000 --> 00:00:14,001
Don,
do you know what the pre-arranged signal is?

2
00:00:15,001 --> 00:00:17,000
I don't know what you're talking about.

3
00:00:18,001 --> 00:00:21,000
Claire, do you know what the signal is?

4
00:00:22,000 --> 00:00:22,001
Signal for what?

5
00:00:24,001 --> 00:00:29,000
Well, a few moments ago you were
hypnotized and told that shortly after

6
00:00:29,000 --> 00:00:33,001
awakening, you would be given a signal
which would put you back to sleep again.

7
00:00:35,000 --> 00:00:35,001
Now, do you remember?

8
00:00:36,001 --> 00:00:36,001
No.

9
00:00:37,000 --> 00:00:37,001
I don't.

10
00:00:39,000 --> 00:00:40,000
You're awake, aren't you?

11
00:00:40,001 --> 00:00:41,000
Yes.

12
00:00:41,001 --> 00:00:42,000
I think so.

13
00:00:43,001 --> 00:00:48,000
Well, let's try a few things to see
whether we can identify the signal.

14
00:00:51,001 --> 00:00:57,000
Do you think it's strange to say that when
farmland has been tended and cherished

15
00:00:57,000 --> 00:01:03,001
for generations, it may come to cherish
the people who live on and buy it, or

16
00:01:03,001 --> 00:01:08,001
that the land loving its people keeps
watch over them to guard them from harm?

17
00:01:16,000 --> 00:01:21,001
The rug boys watch as hog carcasses
are broken down into primal cuts.

18
00:01:25,001 --> 00:01:31,001
After chilling,
the carcass passes over a firmly anchored knife

19
00:01:31,001 --> 00:01:33,001
which separates the two sides.

20
00:01:34,000 --> 00:01:38,000
This is the first step in the
disassembly of the pork side.

21
00:01:41,000 --> 00:01:48,000
This large saw

22
00:01:48,000 --> 00:01:50,000
wheel then cuts the shoulder from the side.

23
00:01:51,000 --> 00:01:56,001
So much automation enters the industrial
picture today that it is not surprising

24
00:01:56,001 --> 00:02:00,001
to see the start of meat
processing begin in this fashion.

25
00:02:02,000 --> 00:02:06,000
Let's watch the development of the ham,
one of the first meat

26
00:02:06,000 --> 00:02:08,000
cuts to receive attention.

27
00:02:10,000 --> 00:02:14,000
Painstaking care is given to ensure
uniform removal of skin and fat.

28
00:02:17,001 --> 00:02:21,001
A close inspection of the ham follows.

29
00:02:23,000 --> 00:02:27,001
The ham slide down a shoot to the
floor below where they are fed onto

30
00:02:27,001 --> 00:02:29,000
the automatic scaling line.

31
00:02:32,000 --> 00:02:38,001
Each bin

32
00:02:38,001 --> 00:02:40,000
holds a given weight ham.

33
00:02:41,000 --> 00:02:45,000
The pans are individual scales that
automatically drop the weighed

34
00:02:45,000 --> 00:02:47,000
ham into the correct bin.

35
00:02:49,000 --> 00:02:54,001
Skillfully removing the bone of hams before
processing the famous Hormel Cure 81

36
00:02:54,001 --> 00:02:59,000
ham, canned ham, cooked ham,
or ingredient meat for spam.

37
00:03:01,001 --> 00:03:06,000
Very choice hams are saved for
the production of the Cure 81s.

38
00:03:06,001 --> 00:03:10,000
Precise trimming of external
and internal fat takes place.

39
00:03:17,000 --> 00:03:20,001
The shoulders supply the skins
used in the production of gelatin.

40
00:03:25,000 --> 00:03:31,001
The skins are fed into a grinder

41
00:03:31,001 --> 00:03:33,001
and are shown emerging here.

42
00:03:33,001 --> 00:03:39,001
A series of cooking, filtering, and chilling
operations occur before the gelatin

43
00:03:39,001 --> 00:03:43,001
is extruded onto a conveyor belt
in this spaghetti-like form.

44
00:03:47,000 --> 00:03:53,000
A moving arm now spreads the gelatin evenly

45
00:03:53,000 --> 00:03:54,001
on another belt conveyor.

46
00:03:55,000 --> 00:03:59,000
This mattress of gelatin will
travel through two dryers.

47
00:03:59,001 --> 00:04:05,000
The dried gelatin is now broken down into
small particles and conveyed by auger

48
00:04:05,000 --> 00:04:08,000
to a grinder for final granulation.

49
00:05:07,000 --> 00:05:11,000
Here are scenes reminding us again that
the place to learn about the interests of

50
00:05:11,000 --> 00:05:14,001
a people is where they gather
in large and revealing numbers.

51
00:05:15,000 --> 00:05:18,001
For anyone curious about our national
enthusiasms, our pleasures, and our

52
00:05:18,001 --> 00:05:23,000
relaxations, the obvious and wise
procedure is to go where they are

53
00:05:23,000 --> 00:05:24,001
spontaneously displayed.

54
00:05:25,000 --> 00:05:29,000
To walk to the jostling throngs,
to follow the crowd to some stadium, for

55
00:05:29,000 --> 00:05:34,001
example, where collegiate gladiators battle
amid modern football pageantry, or to

56
00:05:34,001 --> 00:05:39,001
a ballpark filled with ardent admirers
of our national pastime, or to the scene

57
00:05:39,001 --> 00:05:44,001
of exciting watersports like this regatta
along Maryland's historic shore where

58
00:05:44,001 --> 00:05:48,000
the breeze is blowing keen and
fresh and the skippers are met to

59
00:05:48,000 --> 00:05:50,000
match their wits and their skill.

60
00:05:50,000 --> 00:05:56,001
U.E. locals in Philadelphia and Camden
organized a protest parade, an orderly

61
00:05:56,001 --> 00:06:02,000
parade, headed by their country's flag
in the hands of a veteran of the German

62
00:06:02,000 --> 00:06:07,001
campaign,
to the tune of the Star Spangled Banner

63
00:06:07,001 --> 00:06:09,001
while everyone stood at attention.

64
00:06:22,000 --> 00:06:25,000
But when the parade started, trouble began.

65
00:07:16,001 --> 00:07:19,000
The flag was torn from the hands of a veteran.

66
00:07:20,001 --> 00:07:22,000
The veteran was beaten.

67
00:07:32,000 --> 00:07:37,000
When violence failed, the companies gave in.
Big business was stopped.

68
00:07:40,000 --> 00:07:44,000
The strikes were won and the contracts
were safe in the hands of Secretary

69
00:07:44,000 --> 00:07:46,001
-Treasurer Julius M. Spagg.

70
00:07:47,000 --> 00:07:49,001
Yes, big business was stopped.

71
00:07:51,000 --> 00:07:55,001
With the CIO in the forefront,
labor and the people won the first round.

72
00:07:56,001 --> 00:08:02,000
But big business is not giving up.
It is starting a new offensive.

73
00:08:04,000 --> 00:08:09,000
Prices have zoomed. What we won in the
strikes is being stolen back from us

74
00:08:09,000 --> 00:08:10,001
through a big business congress.

75
00:08:11,001 --> 00:08:13,000
Where are we going?

76
00:08:18,001 --> 00:08:22,000
Well, you know what a company town looks like.

77
00:08:32,001 --> 00:08:38,001
With this congress re-elected, we'll have
a company country with company housing,

78
00:08:39,001 --> 00:08:44,000
company stores, company unions,
company discrimination.

79
00:08:45,000 --> 00:08:49,000
We'll have unemployment at home and ultimately

80
00:08:49,000 --> 00:08:54,001
war abroad.

81
00:08:57,000 --> 00:09:01,000
We know that mass evacuation can never
be permitted if only for one reason, and

82
00:09:01,000 --> 00:09:06,000
all important, the fact that every
able-bodied person is needed in the city

83
00:09:06,000 --> 00:09:08,001
before as well as after an attack.

84
00:09:09,000 --> 00:09:13,000
Putting out fires, for example,
will require help from everyone.

85
00:09:13,001 --> 00:09:17,001
We must realize that in modern warfare,
city dwellers find

86
00:09:17,001 --> 00:09:19,000
themselves right in the front lines.

87
00:09:20,000 --> 00:09:25,000
After an attack, our first responsibility
will be to keep our heads and get back

88
00:09:25,000 --> 00:09:28,001
to our jobs, for each of us has a job to do.

89
00:09:29,000 --> 00:09:33,000
And no matter what happens,
the people of the city must be fed, clothed,

90
00:09:33,001 --> 00:09:35,000
supplied with electricity and heat.

91
00:09:35,001 --> 00:09:39,001
The city must be kept alive and it will
take everything the city has to do it.

92
00:09:39,001 --> 00:09:45,001
You know Fred, actually staying in the
city to help after an atomic attack is not

93
00:09:45,001 --> 00:09:47,001
nearly as dangerous as a lot of people think.

94
00:09:49,000 --> 00:09:53,001
The danger of, well,
lingering radiation is not really very serious.

95
00:09:54,001 --> 00:09:59,000
After an atomic air burst, the danger
of radiation and falling debris is over

96
00:09:59,000 --> 00:10:01,000
within a minute and a half.

97
00:10:01,001 --> 00:10:07,000
Over and above that, we know from the
experience of London, Berlin, and other

98
00:10:07,000 --> 00:10:10,001
European cities that people didn't
even want to leave their city.

99
00:10:11,000 --> 00:10:14,001
Most of those who did leave soon
began trickling back into town.

100
00:10:15,000 --> 00:10:19,000
Of course, a few people should be evacuated,
small children, be

101
00:10:19,000 --> 00:10:21,000
aged, infirmed, so on.

102
00:10:21,001 --> 00:10:24,001
These people should be moved
voluntarily by their families,

103
00:10:24,001 --> 00:10:26,000
not during an attack, of course.

104
00:10:27,000 --> 00:10:30,000
But the able-bodied person must stay and help.

105
00:10:31,000 --> 00:10:33,001
Modern warfare has no respect
at all for civilians.

106
00:10:34,001 --> 00:10:37,001
Like it or not,
each of us has his share of fighting to

107
00:10:37,001 --> 00:10:39,001
do, his share of danger to face.

108
00:10:40,001 --> 00:10:43,001
Running away from that duty would be desertion,
pure and simple.

109
00:10:45,000 --> 00:10:46,001
In the army, it would mean court martial.

110
00:10:47,001 --> 00:10:52,000
As a civilian, it would not only be reasonable,
but it would mean having to live

111
00:10:52,000 --> 00:10:57,000
with the knowledge that in deserting your
responsibility, you failed yourself,

112
00:10:58,000 --> 00:11:00,001
your family, your friends, your city.

113
00:11:22,000 --> 00:11:26,001
Three identical miniature frame houses,
each with varying exterior conditions,

114
00:11:27,000 --> 00:11:29,001
all the same distance from
the point of the explosion.

115
00:11:33,000 --> 00:11:37,000
The house on the right, an eyesore,
but you've seen these same

116
00:11:37,000 --> 00:11:39,000
conditions in your own hometown.

117
00:11:43,001 --> 00:11:48,000
Old, unpainted wood, and look at the paper,
leaves, and trash in the yard.

118
00:11:49,000 --> 00:11:52,001
In a moment, you'll see the results
of atomic heat flash on this house.

119
00:11:53,000 --> 00:11:58,000
The house on the left, typical of many
homes across the nation, heavily weathered

120
00:11:58,000 --> 00:12:00,001
dry wood in run-down condition.

121
00:12:03,000 --> 00:12:09,000
This house is the product of years of neglect.
It

122
00:12:09,000 --> 00:12:10,001
has not been painted regularly.

123
00:12:12,001 --> 00:12:14,001
It's dry and rotten.

124
00:12:18,001 --> 00:12:22,000
A tinderbox ready to turn into a blazing torch.

125
00:12:24,000 --> 00:12:28,001
The house in the middle, in good condition,
with a clean, unlithered yard.

126
00:12:29,000 --> 00:12:32,001
The exterior has been painted with ordinary,
good-quality house paint.

127
00:12:33,000 --> 00:12:37,000
Light painted surfaces reflect heat,
and the paint also protects the wood

128
00:12:37,000 --> 00:12:38,001
from weathering and moisture damage.

129
00:12:39,000 --> 00:12:43,000
Let's watch the test now and see
what happens under atomic heat.

130
00:12:54,001 --> 00:13:00,000
[...] explosion Sound of explosion Sound of

131
00:13:00,000 --> 00:13:03,001
explosion

132
00:13:03,001 --> 00:13:09,001
Now let's go back and see
it again in stop motion.

133
00:13:12,000 --> 00:13:15,000
The light flash, the heat wave,
and clouds of dust.

134
00:13:19,000 --> 00:13:25,001
Keep your eye on the house on the right.
Notice how the

135
00:13:25,001 --> 00:13:27,000
heat wave affects it.

136
00:13:30,001 --> 00:13:36,000
There's the fire starting in the
trash surrounding the house.

137
00:13:39,000 --> 00:13:41,000
Now it spreads to the house itself.

138
00:13:45,001 --> 00:13:49,000
In a moment, the blast wave, and here it comes.

139
00:14:01,001 --> 00:14:06,000
Music The house on the right is the
first to ignite. The trash serves as

140
00:14:06,000 --> 00:14:08,000
kindling for the dry, weathered wood.

141
00:14:13,001 --> 00:14:18,001
The house on the left smolders for a few
moments. Looks almost as if it will not

142
00:14:18,001 --> 00:14:21,000
burn, and then bursts into blame.

143
00:14:21,001 --> 00:14:26,001
The house on the right continues to burn.
Two houses are a total loss, but the

144
00:14:26,001 --> 00:14:29,000
well-kept and painted house
in the middle still stands.

145
00:14:33,000 --> 00:14:36,000
Which of these is your house?

146
00:14:38,001 --> 00:14:44,000
This one? The house on the right,
dilapidated with paper, dead

147
00:14:44,000 --> 00:14:46,000
grass, litter, everywhere.

148
00:14:47,001 --> 00:14:53,001
The house on the left, unpainted, run down,

149
00:14:54,000 --> 00:14:56,001
neglected. Is this your house?

150
00:14:58,000 --> 00:15:03,000
The house in the middle, cleaned up,
painted up, and fixed up, exposed to the

151
00:15:03,000 --> 00:15:06,001
same searing atomic heat wave,
did not catch fire.

152
00:15:13,001 --> 00:15:14,001
[...]

153
00:15:14,001 --> 00:15:16,001
Dad, Dad, can I take the car into town now?

154
00:15:17,000 --> 00:15:19,001
Okay, I'll go ahead. But take it easy.

155
00:15:19,001 --> 00:15:21,001
I'll be real careful. Goodbye.

156
00:15:22,001 --> 00:15:24,001
He'll be alright. Let's get the gag going.

157
00:15:25,000 --> 00:15:27,001
Hey, maybe we better go along with him,
make sure he gets there alright.

158
00:15:27,001 --> 00:15:28,001
Okay, bye, Miss Sotta.

159
00:15:28,001 --> 00:15:30,000
Okay, fine. Goodbye, everybody.

160
00:15:35,000 --> 00:15:36,000
[...]

161
00:15:33,001 --> 00:15:39,001
So,
there went Alan with his new driver's license,

162
00:15:40,001 --> 00:15:46,000
and Frank and Betty right behind,
on as nice a summer day as you could wish for.

163
00:16:45,001 --> 00:17:00,001
[...] on the right, and the house on the left,
is the house on the right.

164
00:17:14,001 --> 00:17:18,001
Why don't they look, Ralph? Tell me.

165
00:17:20,001 --> 00:17:22,000
Why don't they look?

166
00:17:34,000 --> 00:17:38,001
Over at the Fox dug out nearby,
morning tasks are likewise underway.

167
00:17:39,001 --> 00:17:44,000
Mr. Fox is hewing newly felled bird.
That's something that has to be done, in

168
00:17:44,000 --> 00:17:45,001
carving a home out of a wilderness.

169
00:17:47,000 --> 00:17:53,000
Lucinda Fox is grinding Indian corn,
a food important to all the settlers, while

170
00:17:53,000 --> 00:17:56,000
Brother Oliver milks the family goat,
a highly prized

171
00:17:56,000 --> 00:17:57,001
possession, brought from England.

172
00:17:59,001 --> 00:18:05,001
And now, Jason has laid the new fire,
and must borrow a live ember to light it.

173
00:18:06,001 --> 00:18:08,001
Here he is at the Fox place.

174
00:18:09,000 --> 00:18:12,000
Would there be an ember in your fire
for some careless bachelors, John?

175
00:18:13,000 --> 00:18:17,001
That there would, Jason. And you'll be welcome.
Do but speak of it to Susan.

176
00:18:18,001 --> 00:18:23,001
The Nomekeg settlers share dangers together,
and they gladly share comforts too.

177
00:18:25,000 --> 00:18:28,001
How seems Master Robert today, Mr. Fox.

178
00:18:29,000 --> 00:18:33,001
I fear me there is little change.
The fever has not left him these many days.

179
00:18:34,001 --> 00:18:38,001
One day, when you're well again,
Laddie, you can hunt deer with Jason.

180
00:18:41,000 --> 00:18:46,000
The fireplace doesn't always give
adequate heat, especially when there is

181
00:18:46,000 --> 00:18:49,001
sickness in the house,
sickness that may be very serious.

182
00:18:52,001 --> 00:18:57,001
In the gardens of the settlement,
medicinal herbs are grown, some of local origin

183
00:18:57,001 --> 00:18:59,000
and others transplanted from England.

184
00:19:00,001 --> 00:19:05,000
Mistress Lane, who is skilled in their
preparation and use, supervises a

185
00:19:05,000 --> 00:19:07,000
selection to be used in a special broth.

186
00:19:09,000 --> 00:19:12,001
Later, she carries her preparation
to a case of serious illness

187
00:19:12,001 --> 00:19:14,001
in the home of Harold Perry.

188
00:19:16,000 --> 00:19:19,001
Here is a draft of herbs,
fresh brew for Mistress Perry.

189
00:19:20,000 --> 00:19:23,001
It is most timely and welcome,
for the pain is still sharp.

190
00:19:27,000 --> 00:19:30,000
Yes, there is still sickness,
and there is still the

191
00:19:30,000 --> 00:19:31,001
healthfulness of neighbor toward neighbor.

192
00:19:33,000 --> 00:19:37,001
There has to be, in a new land where the
settlers face the uncertainties of a new

193
00:19:37,001 --> 00:19:41,001
way of life, Mistress Perry knows
that building a better world

194
00:19:41,001 --> 00:19:44,000
requires courage and faith.

195
00:19:44,001 --> 00:19:48,000
And these men, writing back to England,
they know that too.

196
00:19:50,000 --> 00:19:54,000
We are sorry to send back the ship without
better lading, but there'd be much

197
00:19:54,000 --> 00:19:57,001
sickness among us,
and many of our number lack strength

198
00:19:57,001 --> 00:19:59,000
to survive the winter's cold.

199
00:20:00,000 --> 00:20:04,000
Yet, for the most,
we remain of good heart and make what haste we

200
00:20:04,000 --> 00:20:05,001
can to build our plantation.

201
00:20:07,000 --> 00:20:11,001
Among our number, there'd be those of divers'
motives, some mainly pricing

202
00:20:11,001 --> 00:20:15,000
liberty of conscience,
and some chiefly seeking worldly gain.

203
00:20:16,000 --> 00:20:20,001
Yet, we form one-body politic
joined by common consent.

204
00:20:38,001 --> 00:20:39,000
[...]

205
00:20:39,000 --> 00:20:43,000
It was still winter when we moved out
of the city into our new house, and I

206
00:20:43,000 --> 00:20:45,001
remember how I used to stand
staring out across the

207
00:20:45,001 --> 00:20:47,001
fields, waiting for spring to come.

208
00:20:48,001 --> 00:20:53,000
Jim used to tease me.
He'd say, if it arrives while I'm at the

209
00:20:53,000 --> 00:20:54,001
office, be sure and phone me, darling.

210
00:20:56,000 --> 00:21:00,001
But actually, he was just as impatient
for winter to end as I was, because now,

211
00:21:00,001 --> 00:21:04,001
as soon as the snow melted,
for the very first time, we were

212
00:21:04,001 --> 00:21:06,000
going to have a garden of our own.

213
00:21:07,000 --> 00:21:11,000
And what a garden.
I could see it already in my mind's eye.

214
00:21:14,000 --> 00:21:15,000
Spirea.

215
00:21:15,001 --> 00:21:16,001
Cool white lilies.

216
00:21:20,000 --> 00:21:21,001
Tall tulips nodding in the sun.

217
00:21:28,001 --> 00:21:33,001
And iris that would outdo an orchid.

218
00:21:36,001 --> 00:21:39,000
Spring must have arrived
while I stood there dreaming.

219
00:21:40,000 --> 00:21:44,001
All of a sudden, everywhere you looked,
buds began to swell and burst open.

220
00:21:53,000 --> 00:21:56,001
Leaves unfolded and lay on their backs,
looking up at the sky.

221
00:22:02,000 --> 00:22:03,000
[...]

222
00:22:03,000 --> 00:22:07,001
Every wind carried the smell of damp
earth and the wet bark of trees drenched

223
00:22:07,001 --> 00:22:09,000
by soft spring rain.

224
00:22:11,001 --> 00:22:14,000
Now came the moment we'd waited for so long.

225
00:22:17,001 --> 00:22:24,000
Out we went, gay as larks, wearing what
the well-dressed gardener should wear and

226
00:22:24,000 --> 00:22:26,001
trying not to look
self-conscious in our new roles.

227
00:22:30,001 --> 00:22:35,000
Ah, what bright new tools and
what bright shining hopes we had.

228
00:22:41,001 --> 00:22:44,001
Brand new gloves over our tender city hands.

229
00:22:51,001 --> 00:22:52,000
[...]

230
00:22:52,000 --> 00:22:56,001
The first trowel full of earth was
like a ceremony, a solemn dedication.

231
00:22:58,000 --> 00:23:03,000
This was our earth, our very own,
more wonderful than any other soil.

232
00:23:04,001 --> 00:23:11,001
Miraculous in the hand, our land. .

233
00:23:15,001 --> 00:23:15,001
[...]

234
00:23:15,001 --> 00:23:20,000
We really felt sorry for them.
One look was all we needed to tell us that this

235
00:23:20,000 --> 00:23:23,001
charming young couple didn't
know which end of a bulb was up.

236
00:23:24,001 --> 00:23:28,000
Thought we'd be good neighbors.
Tell them what they were up against.

237
00:23:29,000 --> 00:23:34,001
Give them a little friendly advice. .

238
00:23:34,001 --> 00:23:39,000
.

239
00:24:04,001 --> 00:28:10,001
. . . . . . . . . . . . . .
. . . . . . . . . . . . . .

240
00:29:02,000 --> 00:29:12,001
. . . . .

241
00:29:56,000 --> 00:29:56,001
[...]

242
00:29:56,001 --> 00:30:01,000
Now came the really big moment.
Miss Padunas was going to give us a speed

243
00:30:01,000 --> 00:30:04,000
demonstration on the IBM electric typewriter.

244
00:30:04,001 --> 00:30:11,000
But first came some warm-up typing at
various speeds. She started slowly at 40

245
00:30:11,000 --> 00:30:17,000
words a minute. Picked up speed fast.
Now 80 words a minute.

246
00:30:18,001 --> 00:30:24,000
In less time than it takes to tell,
she was typing at 100 words a minute.

247
00:30:25,001 --> 00:30:30,000
125 words a minute. Faster and faster.

248
00:30:34,001 --> 00:32:38,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

249
00:32:38,000 --> 00:33:53,001
. . . . . . . . . . . . . . . . . . . . . . .

250
00:34:20,000 --> 00:34:50,000
. . . . . . . . .

251
00:35:14,000 --> 00:36:17,000
. . . . . .

252
00:36:46,000 --> 00:38:40,001
. . . . . . . . . . . . . .
. . . . . . . . . . . . . .

253
00:39:06,001 --> 00:39:12,001
. . . . . .

254
00:39:12,001 --> 00:39:18,000
.

255
00:39:18,000 --> 00:39:22,000
. .

256
00:39:26,000 --> 00:40:40,000
. . . . . . . . . . . . . .
. . . . . . . . . . . . .

257
00:40:45,000 --> 00:40:47,000
. . . . . . . . . .

258
00:41:16,001 --> 00:42:09,000
. . . . . . . . . . . .

259
00:42:15,000 --> 00:43:59,001
. . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . .

260
00:44:03,001 --> 00:44:21,001
. . . . . . . . .

261
00:44:28,000 --> 00:44:51,001
. . . . . . .

262
00:45:04,000 --> 00:45:50,001
. . . . . . . . . . . . . . . . .

263
00:45:56,000 --> 00:46:20,001
. . . . . . . . .

264
00:46:23,001 --> 00:46:54,000
[...] . . . . . . . . . . . .

265
00:46:58,000 --> 00:48:35,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

266
00:48:35,000 --> 00:48:57,001
. . . . . . . . . . . . . .

267
00:49:00,001 --> 00:49:54,000
. . . . . . . . . . . . . . . .

268
00:49:58,001 --> 00:50:24,000
. . . . . . . . . . . . . . . .

269
00:50:30,000 --> 00:51:29,000
[...] . . . . . . . . . . .
. . . . . . . . . . . . . .

270
00:51:37,001 --> 00:51:39,000
. . . . . . .

271
00:51:43,000 --> 00:51:46,000
. . . . .

272
00:51:50,000 --> 00:51:56,000
. . . . .

273
00:51:56,000 --> 00:52:01,001
. . . . .

274
00:52:01,001 --> 00:52:08,000
. . .

275
00:52:08,000 --> 00:52:12,000
. . . .

276
00:52:12,000 --> 00:52:18,001
. . . . . .

277
00:52:18,001 --> 00:52:24,001
. . . . .

278
00:52:25,001 --> 00:52:30,001
. . . . . . .

279
00:52:31,000 --> 00:52:32,001
. . . . . .

280
00:52:32,001 --> 00:52:39,001
.

281
00:52:39,001 --> 00:52:43,001
. . . .

282
00:52:43,001 --> 00:52:50,001
.

283
00:52:51,000 --> 00:52:56,001
. . . .

284
00:52:56,001 --> 00:53:02,000
. . . .

285
00:53:05,000 --> 00:53:12,000
. . . . . . . . .

286
00:53:12,000 --> 00:53:14,001
. . . .

287
00:53:14,001 --> 00:53:21,001
. . .

288
00:53:21,001 --> 00:53:27,000
. .

289
00:53:28,000 --> 00:53:34,001
. . . . . .

290
00:53:34,001 --> 00:53:38,000
.

291
00:53:42,001 --> 00:55:40,001
. . . . . . . . . . . . . . .
. . . . . . . . . . . . . . .

292
00:55:43,001 --> 00:55:49,001
. . . . . . . .

293
00:55:52,001 --> 00:56:08,001
. . . . . . . .

294
00:56:12,000 --> 00:57:15,000
. . . . . . . . . . . . .
. . . . . . . . . . . . .

295
00:57:20,001 --> 00:58:24,001
. . . . . . . . . . . . . . .
. . . . . . . . . . . . . .

296
00:58:30,001 --> 01:00:03,001
[...] . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

297
01:00:03,001 --> 01:00:24,000
. . .

298
01:00:29,000 --> 01:00:54,000
. . . . . . .

299
01:00:57,001 --> 01:03:30,000
. . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

300
01:03:30,000 --> 01:03:45,001
. .

301
01:03:52,001 --> 01:05:04,000
. . . . . . . . . . . . . .
. . . . . . . . . . . . .

302
01:05:09,001 --> 01:07:27,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

303
01:07:34,001 --> 01:08:09,001
. . . . . . . . . . . . . . . . . . . . .

304
01:08:16,000 --> 01:08:38,000
. . . . [...] . . . . . . . . . . .

305
01:08:43,000 --> 01:08:48,001
. . . . . . . .

306
01:08:53,000 --> 01:09:14,001
. . . . . .

307
01:09:20,001 --> 01:10:11,001
. . . . . . . . . . .

308
01:10:18,000 --> 01:10:18,001
. . . . . .

309
01:10:21,001 --> 01:10:22,000
. . . . . .

310
01:10:28,000 --> 01:10:32,000
. . . . .

311
01:10:35,000 --> 01:12:10,000
. . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .

312
01:12:13,001 --> 01:13:16,001
. . . . . . . . . . . . . . . . .

313
01:13:21,000 --> 01:14:33,001
. . . . . . . . . . . . . . . . . . . . . . . .

314
01:14:45,001 --> 01:16:02,001
. . . . . . . . . . . . . . . . . . . . . . . .

315
01:16:05,001 --> 01:18:04,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

316
01:18:04,000 --> 01:18:59,001
. . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . .

317
01:19:08,000 --> 01:19:37,001
. . . . . . . . . . . .

318
01:19:42,000 --> 01:20:13,000
. . . . . . . . . . . . . . . . . . .

319
01:20:16,001 --> 01:20:33,000
. . . . . . .

320
01:20:38,000 --> 01:21:52,001
. . . . . . . . . . . . . . . . . . . . . .

321
01:21:56,000 --> 01:22:09,000
. . . . . . .

322
01:22:14,001 --> 01:23:52,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

323
01:23:52,000 --> 01:24:53,000
. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .

324
01:24:53,000 --> 01:25:52,000
. . . . . . .

325
01:26:19,000 --> 01:29:30,000
. . . . . . [...]