m w m
\w,vk.m.. w ^
■ fe- e: ,^r' in: •^^ m^m^
'fy W
»|t, .*: '^^i^
i^ i^ 1^^ t. i&'' 1
A. |
|
1 |
fe t fr |
W*l»r%r^;
■4\ W/i -iy <
^^Wit«^^
■■^'"1s
tJ . *
*\.ife: <l?
#t'
3: iS. ^'
'* # #
irr¥*ii*i:
iii> I&. \jL' t|
^;,^^^^y%;%i^.
"t w
s^ & %' >
t>'
4^. *.^»^.i'. t
«;■. i^v ■if^ «!«. • -il, 'i: *
^ H »|. »^ % 4" # "ii""'(!^: il^' ■!£• ■:■; ■;,■ afev ,
I- t t f ■ # 1^. 8^' m
M.^W' ^ W ■{^.' % ■^: '$■ W- I
^J^A^^^^-^--'^-*^ "^ *> <St^ t t i l^' ^' ^^ 1^ *■ ^
*■ fr 1^ t^ (IT m m m k w ^ m »■ m t :f i^ */ ^ ?s ;
€
Tf.
VuvjH
%
Mu 793 Ja5 O'Neill Popular selections music of Iceland
G 291757 . Dance
1.00 + Bng A
MY
'frr 'l'" r.^"*,"!, ™.^ S^'NCH LIBRAfl,
lllnlli'l!! II
3 3333 05896 48'5'5
THE NEW YORK PUBLIC LIBRARY
MY
AT LINCOLN CENTER
Books circulate for four weeks (28 days) unless
stamped otherwise. No renewals are allowed.
j
Popular Selections
iiJ'siAiice
iWv*?c OF ^l^^^k
ReLADD
Double Jigs; Single Jigs; Hop orSlip Jigs; Reels; Hornpipes and Long Dances,
ARRANGED BY
SelenA A. 0 RGill.
X
Published by Request of
The Gaelic Junior Dancing Clubs
OF
CHICAGO, U.S.A.
>;
Copyright MCMX by Capt. Francis 0'Ne.iIl.
A \Vord of Advice
TriE tendency to quick dancing and as a conse- quence fast playing — railings to wnick all ama- teurs are inclined — snould oe carefully guarded against, and wnen this tendency readies tlie stage wnere capable musicians find it extremely difficult to play fast enougn to suit some modern dancers, it requires no argument to convince us tnat the dancers and not tke musicians are at fault. Tke fatiguing nature of IrisL Step-dancing, graceful and decorous thougn it be, is its greatest dra-w-back even m Ireland.
Music nas at all time tne first claim on our affec- tions, out if its beauty and melody must be sacrificed to tne 'wnims of "whirlwind dancers, neither Irisk Dance Music, nor Irisn Step-dancmg, can expect to regain or retain popular favor.
Xne harmonization of traditional Irisn music, easy as it may appear, is not unattended with difficulties; and while most modem musicians render Irisn Airs accept- ably, few of tnem nave a true conception of the peculiar rhythm or saving of Irish Dance Music, ^^ithout wnicn it loses its cnarm and spirit. For tnose reasons -we can understand "why their best efforts at arrangement, though technically correct according to musical ethics, leave much to be desired.
It IS confidently hoped that the simple accompani- ment to tne numbers in tkis Selection, by one possessed of the ability to give tnis class of tunes proper musical expression, -will prove to be a welcome innovation. F.ON.
The Music of Ireland O'Neill's Irish Music for piano or violin
1840 Numbers, not harmonized, • Cloth, $4.00 850 Numbers not found in Moore's Melodies, Cloth, $9.00
$1.40
The Dance Music of Ireland Irish Folk Music, A Fascinating Hobby
1001 Gems, not harmonized, - - Cloth, $2.00 '108 pages, including Si plates. An exceedingly
Paper, $1.40 interesting work. .... Cloth, $2 oo
For Sale by
Lyon & Healy, Chicago
Popular Selections
!..*^'*»-^ FROM •t~i#.*«.
^
I
f^^-** fR°" "^^^if
X*^^ OF ?ftr^^*^Nn
ReLADD
Double Jigs; Single Jfgs; Hop or Slip Jigs; Reels; Hornpipes and Long Dances,
ARRANGED BY
Selen A A. 0 Ueill^
OaJu,
->:
Published by Request of
The Gaelic Junior Dancing Clubs
OF
CHICAGO, U.S.A.
Copyright MCMX by Capi.Frsnc/s O'H&ill.
INDEX.
DOUBLE JIGS.
Page
Charley the Prayermaster .6
Connachtman's Rambles 6
Cook in the Kitchen 3
Frost is all over 5
Humors of Bantry 4
Irish Washwoman 7
Joy of my Life 4
Maid on the Green. . .... 6
Miss Blair's Fancy. 5
Old Man Dillon .7
Shandon Bells 3
Top of Cork Road 7
SINGLE JIGS.
Beauties of Ireland 9
Behind the Bush in the Garden . . ,9 Get up Old Woman and Shake "Ybm-self . . 9
Northern Road 8
Trip it up Stairs 8
SLIP OR HOP JIGS.
Another Jig* will do . Drops of Brandy . Give us a Drink of Water Rakes of Sollohod Rocky Road to Dublin
11 10 11 11 10
HEELS.
Page
Boys of Portaferry 13
Cup of Tea 15
Far from Home 13
Flog-g-ing- Reel 12
Flower of the Flock 16
Green Melds of America . . . .14
Green Groves of Erin 15
Miss MS Leod's Reel 16
Rose in the Garden 14
Shaskeen Reel . . .... 14
SUgo Lasses 13
Teetotalers Fancy 16
Wind that shakes the Barley . . .13
HORNPIPES.
Bantry Bay 31
Chief O'Neill's Favorite 17
Cuckoo's Nest 19
Dunphy's Hornpipe 30
Flowers of Edinburg-h . . . . . 19
Greencastle Hornpipe 18
Last of the Twins 17
Little Stack of Barley 31
Liverpool Hornpipe 20
Paddy Mack 31
Redhaired Boy 18
Rig-hts of Man 18
LONG DANCES.
Blackbird 22
Garden of Daisies 24
Humors of Bandon . .33
Job of Journey work 23
Spalpeen Fanach 34
c^.t^r?
%F^
^
PROPKRT' ' •Pf yORK
Tij« NEW YOftrTn; ut
(J^
«o1p. 4.(5- 0
w
ouDe
SHANDON BELLS.
$
m
A, \ A
£
i5
A « H
^
fi
i
w
^
— 1,^ — I
A A \ A
m
i
m
*-4
i
M
i
p
THE COOK IN THE KITCHEN.
2
ri^Ti |
rTTrm |
— TTT ^ |
r^rrrrm |
rrr^ |
1^ J 1 m. |
A A ^ |
_j |
ffi=m |
6): a 6 ^ |
A |
J J J d>\ A |
4^ |
A A -*-■ *- |
■ • ■ ^_^ A |
A 4=^ |
A ~*^- *~ |
t'ddd ■ A |
-^ M^ y |
LJ^ — \ — J |
»• |
LJ-i — 1 1 |
J. ^• |
LJ-t- — 1 1 |
— — (- — |
J. ^• |
1 — J-: 1 U |
j.' 4b ^
^
s^
i
i
m
m
A A
i
^
I
i
fc
^
» Note: This sign (a) indicates accented notes
Note: In commencing a tune play aU starting- notes with an vp bow, unless marked doum bow thus : (n )
%J
DOUBLE JIGS
THE JOY OF MY LIFE.
||» m rp
A A
^i
A A
A
A
i
^m
-il^H- (yXi
i
m
M—m
^
J^^ '^ ^-^^
$
Hz
WT~
^S
i
m
mm
^
^g
i^
A_ A
■-#
' (>.V.
v^^
m^
i
;^^
'a a
ff #
a^
A
t o\
THE HUMORS OF BANTRY.
Ui , I r f r ^
?
^
^
^
IS
^
^^
i
:^*
^
# #
•— •■
A Jr^^ ^ A
# P # P
# # #
ft
i3z
i
^
ifsT
^
A A
m
W
m
pPTP
^-m-
^
m
-±-i±
w
A \
^
A| A
DOUBLE JIGS
THE FROST IS ALL OVER.
|^fe#
A
tr A
S
»» if^^ I ^y f w
^
A 6"
^
\ A.
m^
Z=3t
£
* m
^^^
m
*
A A
A A
i
■*• ♦• ^
Si
i
I
Ji.-frrff> [frfffr|rrrrrr|frrr frri'rrrTrictfcrf ifif
^ A^— . A A S^
^
'^•»ii I j
M.-
m
£
f -^•
A
*:
S
Miss BLAIR'S FANCY.
^m
^m
^
i
w
s
• »
6
m
J. I 'i- ''■ '•'
i
1
AAA
i
^
# • #
A A
P
m
^
f
*— y
A A
i
~: r
#TLns^
Si
\ ^ \
m
r2r
A
1^* ' d
A A
I
^
m
0rr 0
A A \
i
^^E
A
0- #
aj=
6
n_A
^ -^A
DOUBLE JIGS
THE MAID ON THE GREEN.
A A A A
^m
m
A
^m
^
¥=0^
■ g ^^^,
— *-' m — ■'
P
^
:^*#^
^^
A A
*-^
4;
#-= ^
i
A A
th ^
A
A
I
^
^ . J-,
i^^
i
^
A
A ^
^
AAA.
^
£
F=^
SS
4
A A
F=t
m
A A
~ (»-=
4
♦- #
THE CONNACHTMAN'S RAMBLES.
^m
m
A ^-. ^
m
m
m
m
— -_ M .- Vt" a
s
^
^
8
^
i
A A
t
i
^
A A
^ ^
^
A «« A
^
i±:^
^ •* A
f-r'.ff.jT-
m
f^
m
Jr/^ A,
jPF
:S
9E=2=EZ
i
m
m
^m
S
A
i
i
A A
CHARLEY THE PRAYERMASTER.
I^tj h
.-^ A t A
>n J J'Ti
^
S
^
A A , A
^^
AAA
^
e
^
¥=*
0 0 0
9
S
M
i
4
A A
i
i
!^
-^^
5:. ■.!■ "
A =► A
A^^ A^^ ^A ^ ^ . . A
i
A-, A A
^
^
=S=F=
A
£
^^
^
g # \
g
A
■ ^ \
w
n
A
A
DOUBLE JIGS
THE TOP OF CORK ROAD.
P
fi !>.• #
m
m
i
m
^m
i
m
m
m
-h4
m
s
i
i
i
^ A
w
i
t
♦■ •#
S
^^
OLD MAN DILLON.
A A_
m
^
i
A^
^f[ff
i
g
■ ■
^
P
11 <
*. t
^-^ — ►■
M
m
m
A A
1
A
5^^
^^^
^
rr—T-
m
Ik
#Tr. ^.
ii
i
^S
^
ir3^
W
'^ ^ .^-^ A_ A
m^
m
m
i
A
m
A
A
A A
i
*
;^
i
s^
THE IRISH WASHWOMAN.
m
^
gi
A ^ A_ A
^
S
A A^_^ A
S
^
^
S
^
^-0-0-
la
^
i
i
^
i
A A
Jz=fe
A
%
i
*-- A ^^ A
S
S
EE
^
^s
^^
m
I
A A
~ Bj.
A A
■• 4
8
TRIP IT UP STAIRS.
^*' "w • • i^j m' '
^^
^m
r^
^
^
Pi
^
m
^m
K -f^-h^-f
l( -f t^^'T
W
W
^^4(^
'^d.-^-fil
P
P
If
V
^^
m
^m
Wf^f
^
^^
i
=g
31' U ''I ^Irt^
olfA>i CiS^^f-'-T/^^
l^^^tTAf
m
m
^
d't^^f
(^ cl/:(v^
kd^i
P
^" — ^
^
^^
A A/
p p m
I
A
i
V V
V
■9
V
mm
^m
^
^^
WZ^
1 r
^
■f 1' ^ ■■(
T^fW^;^
"1 I.'. L
^
|i
U{
^(kdAA
ir^dd^
p
p
V
w
V
^
n _ A
14
^
i
rt
J*J v«
THE NORTHERN ROAD
A AAA \
A A
«J
i
p
*
^
» K »
e
i
f
m
$
•9
V
V
V
V — ^
V
fe
§
A n
^
A \ . A
1U*. A
^
A A
^
?P
^
?^
i
£
^
<t»#-
as
i
i
i
#:_?•
p
i
■9
V
Y V y
V V V
SINGLE JIGS
BEHIND THE BUSH IN THE GARDEN.
9
zBr
m
j'jjjijj'jj
m
f
i^
--^^z*
15
$
t- *
^
i
3E
5^=tB:
V V
V y V
^^ ^ AAA 'TT
^^CtJCpi
#=FF
»ry
\ ^A
A A
^m
m
~\ if2 T^ X r~vir
^
i^
s^
s
M
I
i
\ t
A A
A A
THE BEAUTIES OF IRELAND.
S
AAA
A A A -^ A
\\~T~\K
^ffig
^^
g;^^
e3
^i^ii
fLJ • • 0 0 0~0
0 0 0 0 0 0 0
46<
■a: I
i
i
ii
A
i
y^^
V
V
3-- ■»
V V
t
«»E^
A- A.
^
A - A
m
1^
i?
^
A -^ A
r^=i
□mrlErd?
A $'■ A
^ f^ ^
i
*
A \
^
I?d
^- ;.
m
^
pifc
GET UP OLD WOMAN AND SHAKE YOURSELE
^ I . Pi*^ A A . AAA . m^m A _J'^-~^ A
^s
^
m
&
g
MtSpffK
e
^
I
5=E3
?
±
♦-#
17
^
*
-*- — ^ V V
V V V
^
A \^^ A I I I A
s
s
;^i.J:(.fii;. >•— *
fe
ff
?
^
^
i
?
m
^—0-
^
I
i
Ji
^
i
4
?±
i
*-^
i
10
or
THE ROCKY ROAD TO DUBLIN.
18
d
iir^'prp
^^
^gpF^
S
g
rffrrrr-g
^^
^=
^
M
i
A A '» •£
I ^ > I
• ■ I
ii
A A
^S
g
^
^
»_ »
-^ -• ^ A A '^ ^^ A
i
[CrCCrcCf
i
^^
^^
5
S
i
1. f: if'
i
«; «:
;-4
A -^ '^
i
DROPS OF BRANDY.
^m
A .hbA a
en^pg
gygg
A _.A A
^m
mw
A FTitA A
^
A
1^
^^
19
^^^
A ^ A
w
tf
I
i:5=p:i
I
^♦^
A * A ^A
A 0 _ 0 |« A . A m ^ A py,A t A pp ^ A ^ A_ ^ _ UrT^ . * fW
g#
^
^ ^
i
A
^^
SLIP OR KOP JUS
GIVE US A DRINK OF WATER.
11
m
_* ».
^&
m
^^
^m
^
A
m^
■=c
20^
^
ik
i
^' V
rf
*
'^ t-'
m
j^ ccrccr^
fS^
A A
^
A A
A A A
i^
rrrcrrr ^^
^%
'^ A
■ •^f*^— T
f
■#
^^^
A «:
*
^ A|
Hrr-*
THE RAKES OF SOLLOHOD.
A A A . A A A A
^^
^
^^
^^jj^jr^jjj;
A , . A A , ^A A A A I A
^
^S
^s
SI
T^^^rm
^
W
m
i
A A
i=="
A _ A
^^
A . A
^S
1^
A ^_^ A A -_ A
iE
A A
^
^S
^
^
^
^
?
3tgi*
m
i
I
. A
A A
i
i
A A
^- ? #
fe
»-^
ANOTHER JIG WILL DO.
"ll » i?lJ Jl I ^
s
A A
**»■ j)3^
iE
A ^ A
i
g
^
:a
*^-#
22^
^
A « .
I
M
I
r-Jir¥?
'^m
*
A A A A A A
^
^
S
^
ff
-££H^-
^s
E3
A
#: #-
:cz:
13
ees
fe
^
23
^m
^
THE WIND THAT SHAKES THE BARLEY.
A
m
f
^
i
^
^
m
m
1=^=^
i
y»T»
^
S
^
ie^
^
^
^
A -^
&
A A -^ A
A ^ *
gg
r^0 m0
A _ A ^ A _
W -#Pi
A,. Vi A
i
^
m
«
p
^
JfJHjfr-f
* 1
A A
»l
THE FLOGGING REEL
jl ^ffffffTf
^.-^
5
A_
fi
#frfffi
!->_-> A
a
!• '^ #">
^
Jg^J** *
S
^P
^P
ss
i
^
^
Ie
J— r— y
i
^^
i
-A •
- — r f— -
HF ^ p 1 I
tif.jrn
A (■ ^ p"^ A
^
o<at
^^
^
,-*;--. Tf-.N
tt
A >_
P
■# «-#-*
s
5^
^^
^
i
^
i
^
A
xv££jIjS'
FAR FROM HOME.
13
^
A **
m
^
s
?m
3
att*
i
^
•— #
25 <
A
,^;^<*<^ ^
— * 1
■^ '\ —
^-d*
*— #
ii^
^ — «-
'' '-?Va,
^
^
?
^
r^
^
^
t
•v*^ A
^mj
..r:^
te!
^
■ -1. ^ •**
Epd(
i
s
g
p>:>irp^
s^
d^^
-i:
t^i
-iB^^<
* -^
USW
^m
i
i
^
^
^
^^^^?
^
3— 9-»
V
THE BOYS OF PORTAFERRY.
m
^
*
H
m
^
^jj^ij^j
-^ A, 1^ AyT^
P
^
-•a*
♦#*
VT #j#
26
^
(- (f 5-(:(5
^.
^'
^^
^
^
i
i
^
<=a
^
P
V V
X ^
^Vh^I I: (i Ifa'i^ ^'d'fci ,( f it '(tii^i
^
#^, A # 1 -.. . A
A
A i
g
m
A ^~ *
:^ ^-> A (O A - A !■ 0»^, 1^1 ~. '^ .. , »
^
i
i»--ffF?--i»
^
s^
^
^
^^ J
f^^
£
-fS
g^
k'-^;
^'d ^dAN
M
i
^
M
4
i 1
!^
^
f
THE SLIGO LASSES.
±
i^
^
#
KB
A A
1(2
=; ^Fine.\ ^
^
^
^rt
27^
^ Aj_ '^\ is^
S
m
^
i
'-^l-lK
I
ii|
^
i
A^^
J:
T ^ V ▼ V
-^
^ Wn
14
^
THE SHASKEEN REEL.
A
tr
fe
A
tr
m
fm^\ rf
/^A
p
p
f (»»"> ■"»! i#
S^
^
P
®
B
w^
28<
^Ff
i
i
a
i
i
^
P
P
«jlu<-^
i
^
«?p:
^
»
A A
i
;#^
_^
tr
1> .i»-A
^^
^^
M
1 a
i
^
A
e
M
^
*
^
^
^
^
*— V-*
4
e
THE ROSE IN THE GARDEN
^V^',
'^m
A ^ A 'w, ' A -vv
^M
i
^^
i
P
m
m
i
9:^
A -s A
»
A
*
^
i
■^ '- A -v*-^. A tv
«
♦— ►
^
^
a
i
:3^
A_- .#-. ^^
'^>!^/'<; v'
^
i
■ ^aS
^ ^A
i
^
A ^ -^ A
llrr rriCccr^J
Ifl^rrricLrr^
Wf^=^
^
A si
^
^m
i
? »»
«
i
A
i
A E A
I
*
f^
:*~*
A -^ A
¥'*■ r LTr [r
&=— £t
m
THE GREEN FIELDS OF AMERICA.
A -^ A _
V^ ^
m
^
^
^m
is
'^*vyj^
♦li^i
♦=■*
♦-^
80.^
^^^5
i
i
^
i
^
*
^
?^
p
^
r
A
n
^
m
-A :=^
^
ffil
?>p^,^> ^
A A^
^s
/*
fe
SF
^
^
^
^
i
i
^
r\irj£XjS
THE CUP OF TEA.
15
^si
m
i
m
m
^
^^
^^
m
-■c*
31
^^(S/o-t^-M^^^d^-f^rr-^
?^ffM /^rF^isvMcis
(tf^fe^ fV'^'f -f»^.
ss
m
^
i
i
^
^
i^
P
i
1^
f^
^ — i
#Sf
^^
^
s*
1^
^^
I o r »^^ r-M
-^^^^B I r r r
<v
n ,ix r^^u TC
a
r r r.
T mu'i C
i
i
a'iiiiry^^:>
i
^
5
^
^
f
V
-iH/vc^l'"-^^^^' S^^
% !» ffrrfr
^
►^ r^ * A
dfpc
^^...
^•-^
1^
AAA.
^
^S
s
•ah-
S
rt
• * * A
t f^ $. I
^
» w
f
^
f
>» ^;r?
&
S
V
A A
■
A A
s
i
M=±3t
* »
f> ^->
s
i
i
m
i
A A
^^
^
^
■=F
^
V
V
THE GREEN GROVES OF ERIN.
A A
m
i
®
A A
^
^^
W
^^
^
PP
^^
'^•#W*
V3*riHb
32
m
^
i^ I (»
hk
U^
#H ^
A A
M
M
^
^
g
3F
i
r*
^■^^
p#
i^
1 * A A
^m
m
♦# -^ /TT V^ *
i
A»- ^^
^
^
1^
i:
i
A A
A A
W
m
f
^
* ^ V
16
THE FLOWER OF THE FLOCK.
A
33
* A,
^
^
■Wf-r'f F m
^m
Ul! ^J\
m
^p
iTTTf
Iv" i r f r
^
^
^
i
^
Miss M9 LEOD'S REEL.
m
m
m
^
^
^a
s
B
S
>:«
*
^W
f
f^
0 •
34
'A
^^^
I
^
M
^
^
^
?=
^
^a
^.r'f^ffff,^ f^
i^
i
^
^p
JIU-A.
^
# — l-t
^
A #
^
^
3^
3^*^
r^
^
THE teetotaler's FANCY.
«r^"-
S
1
^
m
m
m
^
^a
g
^^
v?<
&
♦-#■
J^#7
^s^
85
NjrjtTf:
H^=:;:=t
\ A
i^
^
?=e
f
ji ""rF^r- TiTr
i
W
A A '''''A~i^ A A
m
qt=":
i
W
^
^^^'^- -A-
ii
v=ii j r
^m
^
s
frrrf'"'
^
^ ^
"■ — ■-
s
AAA
17
pri)pipes^%uc.
CHIEF ONEILLS FAVORITE.
^^
•0l[Jj
^
^S
M
fe
^
iS
A A
• •
36
^^
^
isi
^
^
i
^^
F^
THE LAST OF THE TWINS.
«
S
•■ _. •
^^
cXLJ^Xj-
A ^
^
JTTIJ rrr
37
^^
4=^-^
^
i
A A
F^
-l-f^
^
A - A
^LOi'
^»
li^
#-^(fr*
» -^ I »• ^3E
M
^
^
^
A A
i
u
^
^
^
['^=» ] r r r
A /-—" '^
A. 3 _ a- ^m'f'm''-
A I A
^Th«
^
^
^
^
-m 0- m ^
^
18
HOPNPIPBS
THE RIGHTS OF MAN.
A 3
3^
S
jji j^r ^
-^-•.^•- ■^,-1 rm\ ^.'^T
m
m
^&
?
hrf^m TfT
< A
s
*5K
ffi
38
i^^
M
^
«
3
to
^
-^ - A
i
A A
m
^m
^
^
M
A A 4
i
^
=^
\^
THE REDHAIRED BOY.
>'
m
39^
p^
^
i
AAA BS
1^4
^ is; . :^
^
A _ A
i
^
A A
m
^m
1 ^^
^
A A
^
» n
^
'f
lA _ a _ , a
^
A • A i
^
A _ A
A
i
THE GREENCASTLE HORNPIPE.
40^
*
A A
0000
A A
^
%ff^
>iTrrF».»firi'«
^^1
i^
^
^
fe
^
>.' T>,^i'/^
i
m
m
A A
:=fcr:c
^
fe^
A
A A
0000
»*-
P
HORNPIPES
THE FLOWERS OF EDINBURGH.
19
4^g.
^
♦-#
41
3S
S
ff
A -C.
■*^
s
£^
s
^-TT^
s=s
^
♦-»
#
«
■wrrm
\ s.
£SPF
1 ^
\ s.
^S
Jtt
^ '*
V V
42
^
THE CUCKOO'S NEST.
A
1
is;
BSSS3
S
n
55f¥^
■f-n ■> I J
i
f 0l» 0r f.
W
£
^
n]Jjnir >. ^ r'nJTJ.
ri
^
^
A. M 4l
^
m
r u 'u
^
^S
?
\ \
^
G9BE3
^5
e
nii-??^ j??^j
p
-* w •
^^m
fe^
a
^
#
E^
^^^
^^
^S
A K
w
A A
^
A \
» 0 0 0
m
^
-a #
1
^
^
£3t
^i_^t rn_
w^
m
20
HORNPIPES
THE LIVERPOOL HORNPIPE.
A ^ '^ ^ V
\ \
m
^m
m
K
1»-ri*l»-
[QjCl^
^■^'^
m
\ \
^s
sst^
m
hsi,
S. K
m
^ff
^
?^
?? — -'
z: 9
* 3^
m
A- -\^
A A
ffi
fl .«»P
Se
fel
S
* A »
^
i
m^ "0
M;±i'
^P
W
^ ?: - ^
^
i^
^
P^
* 3»
UtNPHY'S HORNPIPE.
A 3 A A
A 1 A A
^
^
A A 3 7N K
A •rN_^.^^A»f ^
m
M22mM.
t_K
^5
^e
m
p
• Vji
s
^ -^ -I*-
A . A
m
T^^
^
HORNPIPES
PADDY MACK.
SI
45.
g^
i
^
^
^
* >. «
J^
4
r^
^
p
* ^ ^-^ '^
i^
imr
m
m
/
A A
^1
»
K
S
^
A *.
P
^^
♦^^
#-r*
^
^
'^ •*■
^ A '
\ A
*
W
3^
^
r^
^
THE LITTLE STACK OF BARLEY
ftcs^
m
M
^ -^ A A A - ^
S
^
s
i
A A * A
S^
^
EK
■it**
■*=*
0 409
46(
'>=l'l'. j
^
^
^-k-
A A
?
S
^
f^
* ^ '^ A i -^
I
^
A _A a3.,v>
S
S
a
^ A A ^ ^
^P
-• rm .'^
0 00 0
^m
i
i
A ^ A
f-^M-
#
^
±-1-
A A
m
4
?=
f
¥^
^
¥ '
BAN TRY BAY.
47
Aff <* Pi" 7 |
n\ |
A |
rflWm |
A -^ |
A |
A |
* A |
A FTF |
A |
A |
|||
i-p— |
^0 |
^ |
A 4f f- |
A |
A |
1 '* |
A |
-J A -■ 1 |
0-0 0 • A |
||||
-^"^ * ^ 1 |
m |
:y> |
-0 1 1 |
■9 |
IS [— 1 — 1 |
H^ k-L— |
J ^ |
-r^^ |
3 |
: -9 |
-LJ |
-* •- |
*
e
«
A _ A A
^-f'ff-f-
S
0-00f^
SE^
&
A A
^
s
A A
A A
i
P
♦tV
A A A
.^
^
^
A A
1^
ws
i
A A
^g
i
23
ODg Ponces.
THE BLACKBIRD.
^h'i [If ip'Y pr7 I ^'^^^r'r "r? K"^ ^ ^
^m
* ■ ^
48.
V'»»^ »
i
i
:=■ =
?^
^
V
:fe
^
^^
g
^^
f
s
^
i
3:
V
V
ip
\ A
I
£a
i
i
i
^
^
I
i:
i
^^^
#
^
V
V
^
i
^
A A
^
^
^
^
^
qcsi
^
^
i
i
^
i
^
^
f
4
k
p
^
a^
S
:?=«
m ^ )■
f
f
^
i
f
i
^^
V
^
i
i
15-
V
LONG DANCES
23
THE JOB OF JOURNEY WORK.
49 <
\ih,. r> |
l^l- 1"" |
A A A |
r f-^' jT-- |
A |
A |
A |
m < ^' — i-J— t>:l|a|. — \ — |
A |
A ^ ^ |
r [f ^'^^^ A |
A |
"f T — r^ |
|
-J-W^ — f — |
-i-l L_f_ •w |
'p J J ^ ' |
- 1 ' r |
LJ ^-^ |
p |
»■ |
A A . A .O ^
#hF^I # »»#.||. »
|r?|rfrCL£r|g^Jrr|rfl'rrjT|rp
^
A
m
^m
E^sa
^
^^
m
f=-=#
i
i
^
r?
f=^
^^
A A
m
A -, A
^
B
g
A _ A .'^ A
^
p •• P
*^'«,g^
in*
*~»
^^
^
i^
A « A
fe
' a
r^
w^
THE HUMORS OF BANDON.
"m
S
S
» * . *_ A •
m.
m
i
s
s
m
00 0 d0
50
^
*
A A
3;
«) v^* ^^ ^=^^
^
^
A_ A
^
S
^
^
^-^-#
#• #
A
A A
#• 0-
i
34
LONG DANCES
THE GARDEN OF DAISIES.
%
ii#fe
rrrrJn
^EE
*-m-^
g^
51
.V^tfjld i
^
f
^^
^
h ^^J3T]
1
A A
^
/V
• ^ P-
Ftne. s.
A A
^
^;
W^
p^^^^
-^—*
*
A A
A ^ - ♦ ♦^
^
^M
^fTffpfih:
1^
#-P
Jk.
i
>>irr>prri'ifr.,rc>
^^
^
^
P r—P
A -» s P
33
^5
^
f
f
f
m
V-
^
A_ r~_ A
A ""A
^
SR*^
^f=F#
• <• •
^ — ^i»
mPrm
WF
jtff::^
*W *
S
I
1^
^
r^
A
• ^^ P
D.C.
^
^
THE SPALPEEN FANACH.
A ^ '^ A A A
i
m
^
*- --?4»-*
i
A A
^
s
A A
P
B
J¥*
^
P=
* — #■
trai
52
^^
£
A A
M
i
" -P
A A
^
^
'^
^
P
f
rrr girrrrf rr|frrrr?rr|r r r r?|frrr;>r?i^
^
1 i
A _ A
^
^
^ 1^
M
1^
^
A A
4^
The Complete Works of Captain Francis O'Neill
The Music of Ireland
A large volume of nearly 400 pages; 1850 numbers classified but not harmonized. Beautifully engraved and bound
All the favorite tunes (some in varied settings) are included, with many that are equally entitled to that name, but which were not locally known before. A full appreciation of all the treasures contained in the book would take a volume as large as itself — Rev. Richard Henebry, Ph. D.
No volume bearing on Irish melody published since the days of Thomas Moore has received such general and favor- able recognition as the magnificient work "The Music of Ireland" by Col. Francis O'Neill, General Superintendent of of the Chicago Police Force — Col. John F. Finerty.
The Introduction to the book stamps him at once a keen student of musical history and a writer of more than ordinary accomplishments — The Cork Sun, Ireland.
To describe adequately this sumptuous quarto volume of 1,850 airs in clear music type suitable for violin, flute, or Union pipes would seem flattery, but let me at once state that nowhere is there procurable such a large collection of folk tunes many of which are here printed for the first time — W. H. Grattan Flood in Ulster Journal of Archaeology.
"O'Neill's Music of Ireland" — No one has ever done any- thing like this for Irish music — Dublin Weekly Freeman. Price, Cloth, gilt, tS.OO.
The Dance Music of Ireland — 1,100 Gems
Suitable for Violin, Flute, Cornet, Clarinet, Irish Pipes and
Other Solo instruments. A Neat Volume of
174 Pages
This volume is the first collection of Irish Dance Music exclusively ever published in America. In it can be found all the common dance tunes, as well as hundreds of others taken from old manuscripts and books long out of print, while many of the choicest were noted down from the tradi- tional playing of skilful Irish musicians.
A result of many year's patient and persistent research this selection has been classified, and separately indexed as; Double Jigs, Single Jigs, Slip or Hop Jigs, Reels, Hornpipes, Long Dances and Set Dances, and Miscellaneous. The intro- duction is interesting and instructive.
PrJce--Cloth, $2.75; Paper, $2.00.
Popular Selections from The Dance
Music of Ireland. 52 Numbers —
Classified and Arranged by
Selena O'Neill, Mus. Bac.
Price — Paper Cover, 60c.
CNeill's Irish Music, For Piano or Violin
400 Selections — Airs, Jigs, Reels, Hornpipes, Long Dances,
Marches and Miscellaneous. Arranged by
Selena O'Neill, Mus. Bac.
{None of them included in Moore's Melodies)
The arrangement is well suited to the spirit and rhythm of Irish Music which is not infrequently smothered by elabor- ate harmonization.
For novelty and variety, nothing like it ever printed.
This collection introduces many delightful airs and tunes in varied settings hitherto unknown to the public, although some of them were copied from raffe books printeW In the 18th century.
It is a tastefully gotten up volume of 192 pages on which no pains were spared in making it by far the best of its kind.
Price — Cloth, $2.75; Strong Paper Cover, $2.00.
Waifs and Strays of Gaelic Melody
Comprising Forgotten Favorites, Worthy Variants, and Tunes not previously Printed. With Numerous Anno- tations of Historical and Descriptive Interest Arranged by Selena O'Neill, Mus. Bac.
Ireland and Irish music will be forever in debt to you for preserving and perpetuating this great and precious in- heritance of our race — Rev. F. P. Donnelly, S. J.
How wonderful to have added still another trophy to your splendid achievement especially as this last one seems so unique and interesting. It is surely a triumph of accomplish- ment— Annie W. Patterson, Mus. Doe.
This work contains finer music than any of your works. The Jackson tunes in it I never saw before and I am de- lighted with them — Geo. A. H. Leech, San Francisco.
To my mind the Preface to Waifs and Strays Is as good a piece of prose writing as I ever read — level-headed teeming with information tersely set down, and displaying infinite research — M. Flanagan, North Wales.
Your new book — Waifs and Strays — has much interested me, and it may gratify you to know that your publications have been a great help to Sir Charles Stanford and myself who are engaged in our fourth production — Alfred Perceval Graves, London.
Price — Cloth, $2.75; Strong Paper Cover, $2.00
Irish Minstrels and Musicians
With Numerous Dissertations on Related Subjects
Capt. O'Neill Is to be congratulated upon this volume, which is a mine of carefully collected information. He has already given us four volumes of Irish music in which there are hundreds of Irish airs nowhere else noted — Alfred Per- ceval Graves, London.
An exhaustive history of Irish music, undoubtedly the most thorough treatise of the kind in existence — Edwin L. Shu- man; Chicago Herald.
This handsome volume at once by its comprehensiveness and authority, takes a standard place. Without a doubt it is the mose elaborate and authoritative history of Irish music yet written — The Musical Leader, Chicago.
"Irish Minstrels and Musicians" is a work of marvelous labor and research, and nothing of interest is omitted. It i3 a truly monumental work, and the author cannot be too highly praised for it — The Tuam Herald, Ireland.
By gleaning in a wide field, a field embracing the four quarters of the world, and by exercising a nice discrimina- tion, Capt. O'Neill has been enabled to place before his readers a most delightful and interesting work. He is master of a style remarkable for terseness and lucidity — The Irish Times, Dublin.
To put in the market a volume of 500 pages, handsomely bound, and profusely illustrated must have involved immense expenditure. Capt. O'Neill has done his part by collecting and admirably setting out a fund of information available nowhere else — Freeman's Journal.
Irish Minstrels and Musicians by Capt. Francis O'Neill of Chicago, is without doubt his greatest achievement. Be- sides being a work on music, it is a piece of valuable litera- ture and full of human interest — 7'he Irish-American, New York.
Capt. O'Neill's Irish Minstrels and Musicians is undoubt- edly the most thorough treatise of the kind in existence. The volume is profusely illustrated — Saturday Evening Post, Bur- lington, Iowa.
Price— Cloth-gilt, $3.00.
Irish Folk Music — A Fascinating Hobby
With Some Account of Allied Subjects "Irish Folk Music — A Fascinating Hobby" Is an amazing compilation of biographical, and historical details regarding the bards, and bardic orders of old Erin, the old harpers as well the bagpipe and perfor^pe^s upon it. The illustrations are particularly choice and attractive — Annie M. Patterson, Mus. Doc. Journal of the Ivernian Society.
For Sale by Lyon & Healy
Wabash Ave., and Jackson Blvd. — Chicago, 111.
I
■^ m
m .m ^m m m m
'4 -M m '■■"'-' ''"'
:^":*
:*,.#.
3M3j^mm:m:m
% iM S iM ':0n^ -sr 3^*
'4! . 'iit'
8^ V
t "4 ^
^'#'
%MM
.^^*«,J*^,..#i..i» .€
,*^.%«#^«^«^^t^
i..i«|.
*.Ji.
'^ *?**..
.^r^V
f%%%%«a^-^
^yfc^^^.«...:^.^
^Cf-f^iiir^
l^.^-V'^yfts^
^#-, *^#V**'»AA
^^.
^V^iTNf^^^^
^^_^«.t'. .*..,ia..^
#,-*..^ 4
r't"
^ .w.
#'*^*«*/«*^*^:
■ € >»■
MM
%.JAM-
*8i '!S ■k.
^.^,*.>il •*< ■«! 'r^
'^ .m
:> .ft M
B m3.3
^ : % .^- HI ti t; Hi it 1^. : «, ^- t- |t^ ■# Isn
./, 1 1 ^- §■ t.lil'^ i i; w"mw^-: i^ i^ r r i k. fe * 1r
11 1*
r m:
■If I?
*;jMi*
,%.if.
* Ifet' w
'■ W ^ ^ i^
i'. li m B i^ # f^^: m
i ,rj;t;i
1
m
n I
'*, %,
¥■ m
^^ If t
W"'"t
^-.»^- |
HBH |
|
^^^^ |
||
■ ■ ■ |
||
w- |
||
% |
^^^ ^^^ ^^^ ^^^ |
|
IHB ^^1 1^1 ^^1 |
||
.,# |
^^H ^H ^H ^H |
|
i !i i n
[ I, M i • !U I i f
■^^^-^^z"*'
*.. ir
t t i: t ir i
^ ^ 5.. ^. g, -|, ,^
■- # »• if
'1^'^ ;#.• i^;' is .
i^;# i:
M- ^^ W' P ff
^ » I .1
iLi
(ff li.
*;' # .m:
M W^ W
•i^ ■#.■ ■!:
1 '^ •4" %; *#■ »#.
"■■■ "'"■c%«i^r'*t
"«', •gi' ■#, «sr.'
# *V
»-#«.*t.*w,?#^«?^V*^^
■ !j^' !if' i^ w ^ W: m" m^
. m m m t: t t' t- 1; t^ iif t i»^ i^ t »^' /
'^^ "- '- t m% # f tr. t i^- fl * ife* ^ 1^ * tife, i^. w g. ^' i*,.. :^
-. -^^mm t-.i-l^ t t' r f ife' §, t^ i|. ii^. t' «^ 6fe i^ d, :fe.
. ^ii^.*:^lJff;..t^l, 1. 1- t t^ SI t %- .f Ir # ^ Ik 1^ * \^- %' n' '^^ ■ *■ !«?' m k: 1%^ i&t' ifi'. 'tfe- mv fi.-, )&' i»i-. life. &. lit. ^ -^ ^ ' ■ ■ ■^
^': >Aii.- r^v. i'«.
sSt -.p^ ■.'"
mm.^.'WM m m
r^'j'.Ji:¥^^
:.^, ,j|! :[|<? vij itf y^'^::^'*' :-,.
^' >f.jiM
i::i"i
5f -^^^ |
|
^f |
.^^ |
'% H «!« ^%
■^"M
M^m,^^
4 M ;f "i'-^'-Ji^^
W M/M
#:i f ,
^1 :(* :^f! .g ;,f| kf; m 11^'
m^.^
''^'^:^^%$f'^'-^^^:^^A^^^^
.|1g^#
•^iliji^.:€..f
t 1 1 t: cj ^i! ® f ^ |
C^! A |
||||
^'^SK |
> ?^^v r^4^^^B^^^^w9?^H |
||||
i |
"^f |
1 |
|||
^.^,.«. |
0 0' ,4; M^i^ |
.*v. |
0! -^ -<f-- J|i"^#r>
■■^ j$.
t.# «
|5|* -Ifi M-j^
# 1*
1 'f
;€ m
*« -*« '^c
.%.jlt
m:m
f ^t"t~'t"# j«^'"#'^.
«.^*»,
,-*,*^«^-Ar««*^-*^^.^^
^?! f! -fS -:* -Jf -^ # ;r ■ ■
*'^^^"i;'g
4' :^^ :^i ^ ^
^11 /^ -I i ^i
^. , ^ . i ;^ jai ji , t i ^^
■^^ "$i i ^i ■€ '•« 4 % '§ ■::^
f M