m w m

\w,vk.m.. w ^

fe- e: ,^r' in: •^^ m^m^

'fy W

»|t, .*: '^^i^

i^ i^ 1^^ t. i&'' 1

A.

1

fe t fr

W*l»r%r^;

■4\ W/i -iy <

^^Wit«^^

■■^'"1s

tJ . *

*\.ife: <l?

#t'

3: iS. ^'

'* # #

irr¥*ii*i:

iii> I&. \jL' t|

^;,^^^^y%;%i^.

"t w

s^ & %' >

t>'

4^. *.^»^.i'. t

«;■. i^v ■if^ «!«. -il, 'i: *

^ H »|. »^ % 4" # "ii""'(!^: il^' ■!£• ■:■; ■;,■ afev ,

I- t t f # 1^. 8^' m

M.^W' ^ W ■{^.' % ■^: '$■ W- I

^J^A^^^^-^--'^-*^ "^ *> <St^ t t i l^' ^' ^^ 1^ *■ ^

*■ fr 1^ t^ (IT m m m k w ^ m »■ m t :f i^ */ ^ ?s ;

Tf.

VuvjH

%

Mu 793 Ja5 O'Neill Popular selections music of Iceland

G 291757 . Dance

1.00 + Bng A

MY

'frr 'l'" r.^"*,"!, ™.^ S^'NCH LIBRAfl,

lllnlli'l!! II

3 3333 05896 48'5'5

THE NEW YORK PUBLIC LIBRARY

MY

AT LINCOLN CENTER

Books circulate for four weeks (28 days) unless

stamped otherwise. No renewals are allowed.

j

Popular Selections

iiJ'siAiice

iWv*?c OF ^l^^^k

ReLADD

Double Jigs; Single Jigs; Hop orSlip Jigs; Reels; Hornpipes and Long Dances,

ARRANGED BY

SelenA A. 0 RGill.

X

Published by Request of

The Gaelic Junior Dancing Clubs

OF

CHICAGO, U.S.A.

>;

Copyright MCMX by Capt. Francis 0'Ne.iIl.

A \Vord of Advice

TriE tendency to quick dancing and as a conse- quence fast playing railings to wnick all ama- teurs are inclined snould oe carefully guarded against, and wnen this tendency readies tlie stage wnere capable musicians find it extremely difficult to play fast enougn to suit some modern dancers, it requires no argument to convince us tnat the dancers and not tke musicians are at fault. Tke fatiguing nature of IrisL Step-dancing, graceful and decorous thougn it be, is its greatest dra-w-back even m Ireland.

Music nas at all time tne first claim on our affec- tions, out if its beauty and melody must be sacrificed to tne 'wnims of "whirlwind dancers, neither Irisk Dance Music, nor Irisn Step-dancmg, can expect to regain or retain popular favor.

Xne harmonization of traditional Irisn music, easy as it may appear, is not unattended with difficulties; and while most modem musicians render Irisn Airs accept- ably, few of tnem nave a true conception of the peculiar rhythm or saving of Irish Dance Music, ^^ithout wnicn it loses its cnarm and spirit. For tnose reasons -we can understand "why their best efforts at arrangement, though technically correct according to musical ethics, leave much to be desired.

It IS confidently hoped that the simple accompani- ment to tne numbers in tkis Selection, by one possessed of the ability to give tnis class of tunes proper musical expression, -will prove to be a welcome innovation. F.ON.

The Music of Ireland O'Neill's Irish Music for piano or violin

1840 Numbers, not harmonized, Cloth, $4.00 850 Numbers not found in Moore's Melodies, Cloth, $9.00

$1.40

The Dance Music of Ireland Irish Folk Music, A Fascinating Hobby

1001 Gems, not harmonized, - - Cloth, $2.00 '108 pages, including Si plates. An exceedingly

Paper, $1.40 interesting work. .... Cloth, $2 oo

For Sale by

Lyon & Healy, Chicago

Popular Selections

!..*^'*»-^ FROM •t~i#.*«.

^

I

f^^-** fR°" "^^^if

X*^^ OF ?ftr^^*^Nn

ReLADD

Double Jigs; Single Jfgs; Hop or Slip Jigs; Reels; Hornpipes and Long Dances,

ARRANGED BY

Selen A A. 0 Ueill^

OaJu,

->:

Published by Request of

The Gaelic Junior Dancing Clubs

OF

CHICAGO, U.S.A.

Copyright MCMX by Capi.Frsnc/s O'H&ill.

INDEX.

DOUBLE JIGS.

Page

Charley the Prayermaster .6

Connachtman's Rambles 6

Cook in the Kitchen 3

Frost is all over 5

Humors of Bantry 4

Irish Washwoman 7

Joy of my Life 4

Maid on the Green. . .... 6

Miss Blair's Fancy. 5

Old Man Dillon .7

Shandon Bells 3

Top of Cork Road 7

SINGLE JIGS.

Beauties of Ireland 9

Behind the Bush in the Garden . . ,9 Get up Old Woman and Shake "Ybm-self . . 9

Northern Road 8

Trip it up Stairs 8

SLIP OR HOP JIGS.

Another Jig* will do . Drops of Brandy . Give us a Drink of Water Rakes of Sollohod Rocky Road to Dublin

11 10 11 11 10

HEELS.

Page

Boys of Portaferry 13

Cup of Tea 15

Far from Home 13

Flog-g-ing- Reel 12

Flower of the Flock 16

Green Melds of America . . . .14

Green Groves of Erin 15

Miss MS Leod's Reel 16

Rose in the Garden 14

Shaskeen Reel . . .... 14

SUgo Lasses 13

Teetotalers Fancy 16

Wind that shakes the Barley . . .13

HORNPIPES.

Bantry Bay 31

Chief O'Neill's Favorite 17

Cuckoo's Nest 19

Dunphy's Hornpipe 30

Flowers of Edinburg-h . . . . . 19

Greencastle Hornpipe 18

Last of the Twins 17

Little Stack of Barley 31

Liverpool Hornpipe 20

Paddy Mack 31

Redhaired Boy 18

Rig-hts of Man 18

LONG DANCES.

Blackbird 22

Garden of Daisies 24

Humors of Bandon . .33

Job of Journey work 23

Spalpeen Fanach 34

c^.t^r?

%F^

^

PROPKRT' ' •Pf yORK

Tij« NEW YOftrTn; ut

(J^

«o1p. 4.(5- 0

w

ouDe

SHANDON BELLS.

$

m

A, \ A

£

i5

A « H

^

fi

i

w

^

1,^ I

A A \ A

m

i

m

*-4

i

M

i

p

THE COOK IN THE KITCHEN.

2

ri^Ti

rTTrm

TTT ^

r^rrrrm

rrr^

1^ J 1 m.

A A ^

_j

ffi=m

6): a 6 ^

A

J J J d>\

A

4^

A

A

-*-■ *-

^_^

A

A

4=^

A ~*^- *~

t'ddd

A

-^ M^ y

LJ^ \ J

»•

LJ-i 1 1

J. ^•

LJ-t- 1 1

(-

J. ^•

1 J-: 1 U

j.' 4b ^

^

s^

i

i

m

m

A A

i

^

I

i

fc

^

» Note: This sign (a) indicates accented notes

Note: In commencing a tune play aU starting- notes with an vp bow, unless marked doum bow thus : (n )

%J

DOUBLE JIGS

THE JOY OF MY LIFE.

||» m rp

A A

^i

A A

A

A

i

^m

-il^H- (yXi

i

m

M—m

^

J^^ '^ ^-^^

$

Hz

WT~

^S

i

m

mm

^

^g

i^

A_ A

■-#

' (>.V.

v^^

m^

i

;^^

'a a

ff #

a^

A

t o\

THE HUMORS OF BANTRY.

Ui , I r f r ^

?

^

^

^

IS

^

^^

i

:^*

^

# #

•— •■

A Jr^^ ^ A

# P # P

# # #

ft

i3z

i

^

ifsT

^

A A

m

W

m

pPTP

^-m-

^

m

-±-i±

w

A \

^

A| A

DOUBLE JIGS

THE FROST IS ALL OVER.

|^fe#

A

tr A

S

»» if^^ I ^y f w

^

A 6"

^

\ A.

m^

Z=3t

£

* m

^^^

m

*

A A

A A

i

■*• ♦• ^

Si

i

I

Ji.-frrff> [frfffr|rrrrrr|frrr frri'rrrTrictfcrf ifif

^ A^— . A A S^

^

'^•»ii I j

M.-

m

£

f -^•

A

*:

S

Miss BLAIR'S FANCY.

^m

^m

^

i

w

s

»

6

m

J. I 'i- ''■ '•'

i

1

AAA

i

^

# #

A A

P

m

^

f

*— y

A A

i

~: r

#TLns^

Si

\ ^ \

m

r2r

A

1^* ' d

A A

I

^

m

0rr 0

A A \

i

^^E

A

0- #

aj=

6

n_A

^ -^A

DOUBLE JIGS

THE MAID ON THE GREEN.

A A A A

^m

m

A

^m

^

¥=0^

g ^^^,

*-' m ■'

P

^

:^*#^

^^

A A

*-^

4;

#-= ^

i

A A

th ^

A

A

I

^

^ . J-,

i^^

i

^

A

A ^

^

AAA.

^

£

F=^

SS

4

A A

F=t

m

A A

~ (»-=

4

♦- #

THE CONNACHTMAN'S RAMBLES.

^m

m

A ^-. ^

m

m

m

m

-_ M .- Vt" a

s

^

^

8

^

i

A A

t

i

^

A A

^ ^

^

A «« A

^

i±:^

^ •* A

f-r'.ff.jT-

m

f^

m

Jr/^ A,

jPF

:S

9E=2=EZ

i

m

m

^m

S

A

i

i

A A

CHARLEY THE PRAYERMASTER.

I^tj h

.-^ A t A

>n J J'Ti

^

S

^

A A , A

^^

AAA

^

e

^

¥=*

0 0 0

9

S

M

i

4

A A

i

i

!^

-^^

5:. ■.!■ "

A =► A

A^^ A^^ ^A ^ ^ . . A

i

A-, A A

^

^

=S=F=

A

£

^^

^

g # \

g

A

^ \

w

n

A

A

DOUBLE JIGS

THE TOP OF CORK ROAD.

P

fi !>.• #

m

m

i

m

^m

i

m

m

m

-h4

m

s

i

i

i

^ A

w

i

t

♦■ •#

S

^^

OLD MAN DILLON.

A A_

m

^

i

A^

^f[ff

i

g

^

P

11 <

*. t

^-^ ►■

M

m

m

A A

1

A

5^^

^^^

^

rr—T-

m

Ik

#Tr. ^.

ii

i

^S

^

ir3^

W

'^ ^ .^-^ A_ A

m^

m

m

i

A

m

A

A

A A

i

*

;^

i

s^

THE IRISH WASHWOMAN.

m

^

gi

A ^ A_ A

^

S

A A^_^ A

S

^

^

S

^

^-0-0-

la

^

i

i

^

i

A A

Jz=fe

A

%

i

*-- A ^^ A

S

S

EE

^

^s

^^

m

I

A A

~ Bj.

A A

■• 4

8

TRIP IT UP STAIRS.

^*' "w i^j m' '

^^

^m

r^

^

^

Pi

^

m

^m

K -f^-h^-f

l( -f t^^'T

W

W

^^4(^

'^d.-^-fil

P

P

If

V

^^

m

^m

Wf^f

^

^^

i

=g

31' U ''I ^Irt^

olfA>i CiS^^f-'-T/^^

l^^^tTAf

m

m

^

d't^^f

(^ cl/:(v^

kd^i

P

^" ^

^

^^

A A/

p p m

I

A

i

V V

V

■9

V

mm

^m

^

^^

WZ^

1 r

^

■f 1' ^ ■■(

T^fW^;^

"1 I.'. L

^

|i

U{

^(kdAA

ir^dd^

p

p

V

w

V

^

n _ A

14

^

i

rt

J*J

THE NORTHERN ROAD

A AAA \

A A

«J

i

p

*

^

» K »

e

i

f

m

$

•9

V

V

V

V ^

V

fe

§

A n

^

A \ . A

1U*. A

^

A A

^

?P

^

?^

i

£

^

<t»#-

as

i

i

i

#:_?•

p

i

■9

V

Y V y

V V V

SINGLE JIGS

BEHIND THE BUSH IN THE GARDEN.

9

zBr

m

j'jjjijj'jj

m

f

i^

--^^z*

15

$

t- *

^

i

3E

5^=tB:

V V

V y V

^^ ^ AAA 'TT

^^CtJCpi

#=FF

»ry

\ ^A

A A

^m

m

~\ if2 T^ X r~vir

^

i^

s^

s

M

I

i

\ t

A A

A A

THE BEAUTIES OF IRELAND.

S

AAA

A A A -^ A

\\~T~\K

^ffig

^^

g;^^

e3

^i^ii

fLJ 0 0 0~0

0 0 0 0 0 0 0

46<

■a: I

i

i

ii

A

i

y^^

V

V

3-- ■»

V V

t

«»E^

A- A.

^

A - A

m

1^

i?

^

A -^ A

r^=i

□mrlErd?

A $'■ A

^ f^ ^

i

*

A \

^

I?d

^- ;.

m

^

pifc

GET UP OLD WOMAN AND SHAKE YOURSELE

^ I . Pi*^ A A . AAA . m^m A _J'^-~^ A

^s

^

m

&

g

MtSpffK

e

^

I

5=E3

?

±

♦-#

17

^

*

-*- ^ V V

V V V

^

A \^^ A I I I A

s

s

;^i.J:(.fii;. >•— *

fe

ff

?

^

^

i

?

m

^—0-

^

I

i

Ji

^

i

4

i

*-^

i

10

or

THE ROCKY ROAD TO DUBLIN.

18

d

iir^'prp

^^

^gpF^

S

g

rffrrrr-g

^^

^=

^

M

i

A A •£

I ^ > I

I

ii

A A

^S

g

^

^

»_ »

-^ -• ^ A A '^ ^^ A

i

[CrCCrcCf

i

^^

^^

5

S

i

1. f: if'

i

«; «:

;-4

A -^ '^

i

DROPS OF BRANDY.

^m

A .hbA a

en^pg

gygg

A _.A A

^m

mw

A FTitA A

^

A

1^

^^

19

^^^

A ^ A

w

tf

I

i:5=p:i

I

^♦^

A * A ^A

A 0 _ 0 A . A m ^ A py,A t A pp ^ A ^ A_ ^ _ UrT^ . * fW

g#

^

^ ^

i

A

^^

SLIP OR KOP JUS

GIVE US A DRINK OF WATER.

11

m

_* ».

^&

m

^^

^m

^

A

m^

■=c

20^

^

ik

i

^' V

rf

*

'^ t-'

m

j^ ccrccr^

fS^

A A

^

A A

A A A

i^

rrrcrrr ^^

^%

'^ A

•^f*^— T

f

■#

^^^

A «:

*

^ A|

Hrr-*

THE RAKES OF SOLLOHOD.

A A A . A A A A

^^

^

^^

^^jj^jr^jjj;

A , . A A , ^A A A A I A

^

^S

^s

SI

T^^^rm

^

W

m

i

A A

i=="

A _ A

^^

A . A

^S

1^

A ^_^ A A -_ A

iE

A A

^

^S

^

^

^

^

?

3tgi*

m

i

I

. A

A A

i

i

A A

^- ? #

fe

»-^

ANOTHER JIG WILL DO.

"ll » i?lJ Jl I ^

s

A A

**»■ j)3^

iE

A ^ A

i

g

^

:a

*^-#

22^

^

A « .

I

M

I

r-Jir¥?

'^m

*

A A A A A A

^

^

S

^

ff

-££H^-

^s

E3

A

#: #-

:cz:

13

ees

fe

^

23

^m

^

THE WIND THAT SHAKES THE BARLEY.

A

m

f

^

i

^

^

m

m

1=^=^

i

y»T»

^

S

^

ie^

^

^

^

A -^

&

A A -^ A

A ^ *

gg

r^0 m0

A _ A ^ A _

W -#Pi

A,. Vi A

i

^

m

«

p

^

JfJHjfr-f

* 1

A A

»l

THE FLOGGING REEL

jl ^ffffffTf

^.-^

5

A_

fi

#frfffi

!->_-> A

a

!• '^ #">

^

Jg^J** *

S

^P

^P

ss

i

^

^

Ie

J— r— y

i

^^

i

-A

- r f— -

HF ^ p 1 I

tif.jrn

A (■ ^ p"^ A

^

o<at

^^

^

,-*;--. Tf-.N

tt

A >_

P

■# «-#-*

s

5^

^^

^

i

^

i

^

A

xv££jIjS'

FAR FROM HOME.

13

^

A **

m

^

s

?m

3

att*

i

^

•— #

25 <

A

,^;^<*<^ ^

* 1

■^ '\

^-d*

*— #

ii^

^ «-

'' '-?Va,

^

^

?

^

r^

^

^

t

•v*^ A

^mj

..r:^

te!

^

-1. ^ •**

Epd(

i

s

g

p>:>irp^

s^

d^^

-i:

t^i

-iB^^<

* -^

USW

^m

i

i

^

^

^

^^^^?

^

3— 9-»

V

THE BOYS OF PORTAFERRY.

m

^

*

H

m

^

^jj^ij^j

-^ A, 1^ AyT^

P

^

-•a*

♦#*

VT #j#

26

^

(- (f 5-(:(5

^.

^'

^^

^

^

i

i

^

<=a

^

P

V V

X ^

^Vh^I I: (i Ifa'i^ ^'d'fci ,( f it '(tii^i

^

#^, A # 1 -.. . A

A

A i

g

m

A ^~ *

:^ ^-> A (O A - A !■ 0»^, 1^1 ~. '^ .. , »

^

i

i»--ffF?--i»

^

s^

^

^

^^ J

f^^

£

-fS

g^

k'-^;

^'d ^dAN

M

i

^

M

4

i 1

!^

^

f

THE SLIGO LASSES.

±

i^

^

#

KB

A A

1(2

=; ^Fine.\ ^

^

^

^rt

27^

^ Aj_ '^\ is^

S

m

^

i

'-^l-lK

I

ii|

^

i

A^^

J:

T ^ V V

-^

^ Wn

14

^

THE SHASKEEN REEL.

A

tr

fe

A

tr

m

fm^\ rf

/^A

p

p

f (»»"> ■"»! i#

S^

^

P

®

B

w^

28<

^Ff

i

i

a

i

i

^

P

P

«jlu<-^

i

^

«?p:

^

»

A A

i

;#^

_^

tr

1> .i»-A

^^

^^

M

1 a

i

^

A

e

M

^

*

^

^

^

^

*— V-*

4

e

THE ROSE IN THE GARDEN

^V^',

'^m

A ^ A 'w, ' A -vv

^M

i

^^

i

P

m

m

i

9:^

A -s A

»

A

*

^

i

■^ '- A -v*-^. A tv

«

♦—

^

^

a

i

:3^

A_- .#-. ^^

'^>!^/'<; v'

^

i

^aS

^ ^A

i

^

A ^ -^ A

llrr rriCccr^J

Ifl^rrricLrr^

Wf^=^

^

A si

^

^m

i

? »»

«

i

A

i

A E A

I

*

f^

:*~*

A -^ A

¥'*■ r LTr [r

&=— £t

m

THE GREEN FIELDS OF AMERICA.

A -^ A _

V^ ^

m

^

^

^m

is

'^*vyj^

♦li^i

♦=■*

♦-^

80.^

^^^5

i

i

^

i

^

*

^

?^

p

^

r

A

n

^

m

-A :=^

^

ffil

?>p^,^> ^

A A^

^s

/*

fe

SF

^

^

^

^

i

i

^

r\irj£XjS

THE CUP OF TEA.

15

^si

m

i

m

m

^

^^

^^

m

-■c*

31

^^(S/o-t^-M^^^d^-f^rr-^

?^ffM /^rF^isvMcis

(tf^fe^ fV'^'f -f»^.

ss

m

^

i

i

^

^

i^

P

i

1^

f^

^ i

#Sf

^^

^

s*

1^

^^

I o r »^^ r-M

-^^^^B I r r r

<v

n ,ix r^^u TC

a

r r r.

T mu'i C

i

i

a'iiiiry^^:>

i

^

5

^

^

f

V

-iH/vc^l'"-^^^^' S^^

% ffrrfr

^

►^ r^ * A

dfpc

^^...

^•-^

1^

AAA.

^

^S

s

•ah-

S

rt

* * A

t f^ $. I

^

» w

f

^

f

^;r?

&

S

V

A A

A A

s

i

M=±3t

* »

f> ^->

s

i

i

m

i

A A

^^

^

^

■=F

^

V

V

THE GREEN GROVES OF ERIN.

A A

m

i

®

A A

^

^^

W

^^

^

PP

^^

'^•#W*

V3*riHb

32

m

^

i^ I

hk

U^

#H ^

A A

M

M

^

^

g

3F

i

r*

^■^^

p#

i^

1 * A A

^m

m

♦# -^ /TT V^ *

i

A»- ^^

^

^

1^

i:

i

A A

A A

W

m

f

^

* ^ V

16

THE FLOWER OF THE FLOCK.

A

33

* A,

^

^

■Wf-r'f F m

^m

Ul! ^J\

m

^p

iTTTf

Iv" i r f r

^

^

^

i

^

Miss M9 LEOD'S REEL.

m

m

m

^

^

^a

s

B

S

>:«

*

^W

f

f^

0

34

'A

^^^

I

^

M

^

^

^

?=

^

^a

^.r'f^ffff,^ f^

i^

i

^

^p

JIU-A.

^

# l-t

^

A #

^

^

3^

3^*^

r^

^

THE teetotaler's FANCY.

«r^"-

S

1

^

m

m

m

^

^a

g

^^

v?<

&

♦-#■

J^#7

^s^

85

NjrjtTf:

H^=:;:=t

\ A

i^

^

?=e

f

ji ""rF^r- TiTr

i

W

A A '''''A~i^ A A

m

qt=":

i

W

^

^^^'^- -A-

ii

v=ii j r

^m

^

s

frrrf'"'

^

^ ^

"■ ■-

s

AAA

17

pri)pipes^%uc.

CHIEF ONEILLS FAVORITE.

^^

•0l[Jj

^

^S

M

fe

^

iS

A A

36

^^

^

isi

^

^

i

^^

F^

THE LAST OF THE TWINS.

«

S

•■ _.

^^

cXLJ^Xj-

A ^

^

JTTIJ rrr

37

^^

4=^-^

^

i

A A

F^

-l-f^

^

A - A

^LOi'

li^

#-^(fr*

» -^ I »• ^3E

M

^

^

^

A A

i

u

^

^

^

['^=» ] r r r

A /-—" '^

A. 3 _ a- ^m'f'm''-

A I A

^Th«

^

^

^

^

-m 0- m ^

^

18

HOPNPIPBS

THE RIGHTS OF MAN.

A 3

3^

S

jji j^r ^

-^-•.^•- ■^,-1 rm\ ^.'^T

m

m

^&

?

hrf^m TfT

< A

s

*5K

ffi

38

i^^

M

^

«

3

to

^

-^ - A

i

A A

m

^m

^

^

M

A A 4

i

^

=^

\^

THE REDHAIRED BOY.

>'

m

39^

p^

^

i

AAA BS

1^4

^ is; . :^

^

A _ A

i

^

A A

m

^m

1 ^^

^

A A

^

» n

^

'f

lA _ a _ , a

^

A A i

^

A _ A

A

i

THE GREENCASTLE HORNPIPE.

40^

*

A A

0000

A A

^

%ff^

>iTrrF».»firi'«

^^1

i^

^

^

fe

^

>.' T>,^i'/^

i

m

m

A A

:=fcr:c

^

fe^

A

A A

0000

»*-

P

HORNPIPES

THE FLOWERS OF EDINBURGH.

19

4^g.

^

♦-#

41

3S

S

ff

A -C.

■*^

s

£^

s

^-TT^

s=s

^

♦-»

#

«

■wrrm

\ s.

£SPF

1 ^

\ s.

^S

Jtt

^ '*

V V

42

^

THE CUCKOO'S NEST.

A

1

is;

BSSS3

S

n

55f¥^

■f-n ■> I J

i

f 0l» 0r f.

W

£

^

n]Jjnir >. ^ r'nJTJ.

ri

^

^

A. M 4l

^

m

r u 'u

^

^S

?

\ \

^

G9BE3

^5

e

nii-??^ j??^j

p

-* w

^^m

fe^

a

^

#

E^

^^^

^^

^S

A K

w

A A

^

A \

» 0 0 0

m

^

-a #

1

^

^

£3t

^i_^t rn_

w^

m

20

HORNPIPES

THE LIVERPOOL HORNPIPE.

A ^ '^ ^ V

\ \

m

^m

m

K

1»-ri*l»-

[QjCl^

^■^'^

m

\ \

^s

sst^

m

hsi,

S. K

m

^ff

^

?^

?? -'

z: 9

* 3^

m

A- -\^

A A

ffi

fl .«»P

Se

fel

S

* A »

^

i

m^ "0

M;±i'

^P

W

^ ?: - ^

^

i^

^

P^

*

UtNPHY'S HORNPIPE.

A 3 A A

A 1 A A

^

^

A A 3 7N K

A •rN_^.^^A»f ^

m

M22mM.

t_K

^5

^e

m

p

Vji

s

^ -^ -I*-

A . A

m

T^^

^

HORNPIPES

PADDY MACK.

SI

45.

g^

i

^

^

^

* >. «

J^

4

r^

^

p

* ^ ^-^ '^

i^

imr

m

m

/

A A

^1

»

K

S

^

A *.

P

^^

♦^^

#-r*

^

^

'^ •*■

^ A '

\ A

*

W

3^

^

r^

^

THE LITTLE STACK OF BARLEY

ftcs^

m

M

^ -^ A A A - ^

S

^

s

i

A A * A

S^

^

EK

■it**

■*=*

0 409

46(

'>=l'l'. j

^

^

^-k-

A A

?

S

^

f^

* ^ '^ A i -^

I

^

A _A a3.,v>

S

S

a

^ A A ^ ^

^P

-• rm .'^

0 00 0

^m

i

i

A ^ A

f-^M-

#

^

±-1-

A A

m

4

?=

f

¥^

^

¥ '

BAN TRY BAY.

47

Aff <* Pi" 7

n\

A

rflWm

A -^

A

A

* A

A

FTF

A

A

i-p—

^0

^

A 4f f-

A

A

1 '*

A

-J

A

-■ 1

0-0 0 A

-^"^ * ^ 1

m

:y>

-0 1 1

■9

IS [— 1 1

H^ k-L—

J ^

-r^^

3

: -9

-LJ

-* •-

*

e

«

A _ A A

^-f'ff-f-

S

0-00f^

SE^

&

A A

^

s

A A

A A

i

P

♦tV

A A A

.^

^

^

A A

1^

ws

i

A A

^g

i

23

ODg Ponces.

THE BLACKBIRD.

^h'i [If ip'Y pr7 I ^'^^^r'r "r? K"^ ^ ^

^m

* ^

48.

V'»»^ »

i

i

:=■ =

?^

^

V

:fe

^

^^

g

^^

f

s

^

i

3:

V

V

ip

\ A

I

£a

i

i

i

^

^

I

i:

i

^^^

#

^

V

V

^

i

^

A A

^

^

^

^

^

qcsi

^

^

i

i

^

i

^

^

f

4

k

p

^

a^

S

:?=«

m ^ )■

f

f

^

i

f

i

^^

V

^

i

i

15-

V

LONG DANCES

23

THE JOB OF JOURNEY WORK.

49 <

\ih,. r>

l^l- 1""

A A A

r f-^' jT--

A

A

A

m < ^' i-J—

t>:l|a|. \

A

A ^ ^

r [f ^'^^^

A

A

"f T r^

-J-W^ f

-i-l L_f_

•w

'p J J ^ '

- 1 ' r

LJ ^-^

p

»■

A A . A .O ^

#hF^I # »»#.||. »

|r?|rfrCL£r|g^Jrr|rfl'rrjT|rp

^

A

m

^m

E^sa

^

^^

m

f=-=#

i

i

^

r?

f=^

^^

A A

m

A -, A

^

B

g

A _ A .'^ A

^

p •• P

*^'«,g^

in*

*~»

^^

^

i^

A « A

fe

' a

r^

w^

THE HUMORS OF BANDON.

"m

S

S

» * . *_ A

m.

m

i

s

s

m

00 0 d0

50

^

*

A A

3;

«) v^* ^^ ^=^^

^

^

A_ A

^

S

^

^

^-^-#

#• #

A

A A

#• 0-

i

34

LONG DANCES

THE GARDEN OF DAISIES.

%

ii#fe

rrrrJn

^EE

*-m-^

g^

51

.V^tfjld i

^

f

^^

^

h ^^J3T]

1

A A

^

/V

^ P-

Ftne. s.

A A

^

^;

W^

p^^^^

-^—*

*

A A

A ^ - ♦^

^

^M

^fTffpfih:

1^

#-P

Jk.

i

>>irr>prri'ifr.,rc>

^^

^

^

P r—P

A s P

33

^5

^

f

f

f

m

V-

^

A_ r~_ A

A ""A

^

SR*^

^f=F#

<•

^ ^i»

mPrm

WF

jtff::^

*W *

S

I

1^

^

r^

A

^^ P

D.C.

^

^

THE SPALPEEN FANACH.

A ^ '^ A A A

i

m

^

*- --?4»-*

i

A A

^

s

A A

P

B

J¥*

^

P=

* #■

trai

52

^^

£

A A

M

i

" -P

A A

^

^

'^

^

P

f

rrr girrrrf rr|frrrr?rr|r r r r?|frrr;>r?i^

^

1 i

A _ A

^

^

^ 1^

M

1^

^

A A

4^

The Complete Works of Captain Francis O'Neill

The Music of Ireland

A large volume of nearly 400 pages; 1850 numbers classified but not harmonized. Beautifully engraved and bound

All the favorite tunes (some in varied settings) are included, with many that are equally entitled to that name, but which were not locally known before. A full appreciation of all the treasures contained in the book would take a volume as large as itself Rev. Richard Henebry, Ph. D.

No volume bearing on Irish melody published since the days of Thomas Moore has received such general and favor- able recognition as the magnificient work "The Music of Ireland" by Col. Francis O'Neill, General Superintendent of of the Chicago Police Force Col. John F. Finerty.

The Introduction to the book stamps him at once a keen student of musical history and a writer of more than ordinary accomplishments The Cork Sun, Ireland.

To describe adequately this sumptuous quarto volume of 1,850 airs in clear music type suitable for violin, flute, or Union pipes would seem flattery, but let me at once state that nowhere is there procurable such a large collection of folk tunes many of which are here printed for the first time W. H. Grattan Flood in Ulster Journal of Archaeology.

"O'Neill's Music of Ireland" No one has ever done any- thing like this for Irish music Dublin Weekly Freeman. Price, Cloth, gilt, tS.OO.

The Dance Music of Ireland 1,100 Gems

Suitable for Violin, Flute, Cornet, Clarinet, Irish Pipes and

Other Solo instruments. A Neat Volume of

174 Pages

This volume is the first collection of Irish Dance Music exclusively ever published in America. In it can be found all the common dance tunes, as well as hundreds of others taken from old manuscripts and books long out of print, while many of the choicest were noted down from the tradi- tional playing of skilful Irish musicians.

A result of many year's patient and persistent research this selection has been classified, and separately indexed as; Double Jigs, Single Jigs, Slip or Hop Jigs, Reels, Hornpipes, Long Dances and Set Dances, and Miscellaneous. The intro- duction is interesting and instructive.

PrJce--Cloth, $2.75; Paper, $2.00.

Popular Selections from The Dance

Music of Ireland. 52 Numbers

Classified and Arranged by

Selena O'Neill, Mus. Bac.

Price Paper Cover, 60c.

CNeill's Irish Music, For Piano or Violin

400 Selections Airs, Jigs, Reels, Hornpipes, Long Dances,

Marches and Miscellaneous. Arranged by

Selena O'Neill, Mus. Bac.

{None of them included in Moore's Melodies)

The arrangement is well suited to the spirit and rhythm of Irish Music which is not infrequently smothered by elabor- ate harmonization.

For novelty and variety, nothing like it ever printed.

This collection introduces many delightful airs and tunes in varied settings hitherto unknown to the public, although some of them were copied from raffe books printeW In the 18th century.

It is a tastefully gotten up volume of 192 pages on which no pains were spared in making it by far the best of its kind.

Price Cloth, $2.75; Strong Paper Cover, $2.00.

Waifs and Strays of Gaelic Melody

Comprising Forgotten Favorites, Worthy Variants, and Tunes not previously Printed. With Numerous Anno- tations of Historical and Descriptive Interest Arranged by Selena O'Neill, Mus. Bac.

Ireland and Irish music will be forever in debt to you for preserving and perpetuating this great and precious in- heritance of our race Rev. F. P. Donnelly, S. J.

How wonderful to have added still another trophy to your splendid achievement especially as this last one seems so unique and interesting. It is surely a triumph of accomplish- ment— Annie W. Patterson, Mus. Doe.

This work contains finer music than any of your works. The Jackson tunes in it I never saw before and I am de- lighted with them Geo. A. H. Leech, San Francisco.

To my mind the Preface to Waifs and Strays Is as good a piece of prose writing as I ever read level-headed teeming with information tersely set down, and displaying infinite research M. Flanagan, North Wales.

Your new book Waifs and Strays has much interested me, and it may gratify you to know that your publications have been a great help to Sir Charles Stanford and myself who are engaged in our fourth production Alfred Perceval Graves, London.

Price Cloth, $2.75; Strong Paper Cover, $2.00

Irish Minstrels and Musicians

With Numerous Dissertations on Related Subjects

Capt. O'Neill Is to be congratulated upon this volume, which is a mine of carefully collected information. He has already given us four volumes of Irish music in which there are hundreds of Irish airs nowhere else noted Alfred Per- ceval Graves, London.

An exhaustive history of Irish music, undoubtedly the most thorough treatise of the kind in existence Edwin L. Shu- man; Chicago Herald.

This handsome volume at once by its comprehensiveness and authority, takes a standard place. Without a doubt it is the mose elaborate and authoritative history of Irish music yet written The Musical Leader, Chicago.

"Irish Minstrels and Musicians" is a work of marvelous labor and research, and nothing of interest is omitted. It i3 a truly monumental work, and the author cannot be too highly praised for it The Tuam Herald, Ireland.

By gleaning in a wide field, a field embracing the four quarters of the world, and by exercising a nice discrimina- tion, Capt. O'Neill has been enabled to place before his readers a most delightful and interesting work. He is master of a style remarkable for terseness and lucidity The Irish Times, Dublin.

To put in the market a volume of 500 pages, handsomely bound, and profusely illustrated must have involved immense expenditure. Capt. O'Neill has done his part by collecting and admirably setting out a fund of information available nowhere else Freeman's Journal.

Irish Minstrels and Musicians by Capt. Francis O'Neill of Chicago, is without doubt his greatest achievement. Be- sides being a work on music, it is a piece of valuable litera- ture and full of human interest 7'he Irish-American, New York.

Capt. O'Neill's Irish Minstrels and Musicians is undoubt- edly the most thorough treatise of the kind in existence. The volume is profusely illustrated Saturday Evening Post, Bur- lington, Iowa.

Price— Cloth-gilt, $3.00.

Irish Folk Music A Fascinating Hobby

With Some Account of Allied Subjects "Irish Folk Music A Fascinating Hobby" Is an amazing compilation of biographical, and historical details regarding the bards, and bardic orders of old Erin, the old harpers as well the bagpipe and perfor^pe^s upon it. The illustrations are particularly choice and attractive Annie M. Patterson, Mus. Doc. Journal of the Ivernian Society.

For Sale by Lyon & Healy

Wabash Ave., and Jackson Blvd. Chicago, 111.

I

■^ m

m .m ^m m m m

'4 -M m '■■"'-' ''"'

:^":*

:*,.#.

3M3j^mm:m:m

% iM S iM ':0n^ -sr 3^*

'4! . 'iit'

8^ V

t "4 ^

^'#'

%MM

.^^*«,J*^,..#i..i» .€

,*^.%«#^«^«^^t^

i..i«|.

*.Ji.

'^ *?**..

.^r^V

f%%%%«a^-^

^yfc^^^.«...:^.^

^Cf-f^iiir^

l^.^-V'^yfts^

^#-, *^#V**'»AA

^^.

^V^iTNf^^^^

^^_^«.t'. .*..,ia..^

#,-*..^ 4

r't"

^ .w.

#'*^*«*/«*^*^:

>»■

MM

%.JAM-

*8i '!S ■k.

^.^,*.>il •*< ■«! 'r^

'^ .m

:> .ft M

B m3.3

^ : % .^- HI ti t; Hi it 1^. : «, ^- t- |t^ ■# Isn

./, 1 1 ^- §■ t.lil'^ i i; w"mw^-: i^ i^ r r i k. fe * 1r

11 1*

r m:

■If I?

*;jMi*

,%.if.

* Ifet' w

'■ W ^ ^ i^

i'. li m B i^ # f^^: m

i ,rj;t;i

1

m

n I

'*, %,

¥■ m

^^ If t

W"'"t

^-.»^-

HBH

^^^^

w-

%

^^^ ^^^ ^^^ ^^^

IHB ^^1 1^1 ^^1

.,#

^^H ^H ^H ^H

i !i i n

[ I, M i !U I i f

■^^^-^^z"*'

*.. ir

t t i: t ir i

^ ^ 5.. ^. g, -|, ,^

■- # »• if

'1^'^ ;#.• i^;' is .

i^;# i:

M- ^^ W' P ff

^ » I .1

iLi

(ff li.

*;' # .m:

M W^ W

•i^ ■#.■ ■!:

1 '^ •4" %; *#■ »#.

"■■■ "'"■c%«i^r'*t

"«', •gi' ■#, «sr.'

# *V

»-#«.*t.*w,?#^«?^V*^^

!j^' !if' i^ w ^ W: m" m^

. m m m t: t t' t- 1; t^ iif t i»^ i^ t »^' /

'^^ "- '- t m% # f tr. t i^- fl * ife* ^ 1^ * tife, i^. w g. ^' i*,.. :^

-. -^^mm t-.i-l^ t t' r f ife' §, t^ i|. ii^. t' «^ 6fe i^ d, :fe.

. ^ii^.*:^lJff;..t^l, 1. 1- t t^ SI t %- .f Ir # ^ Ik 1^ * \^- %' n' '^^ *■ !«?' m k: 1%^ i&t' ifi'. 'tfe- mv fi.-, )&' i»i-. life. &. lit. ^ -^ ^ ' ■^

^': >Aii.- r^v. i'«.

sSt -.p^ ■.'"

mm.^.'WM m m

r^'j'.Ji:¥^^

:.^, ,j|! :[|<? vij itf y^'^::^'*' :-,.

^' >f.jiM

i::i"i

5f -^^^

^f

.^^

'% H «!« ^%

■^"M

M^m,^^

4 M ;f "i'-^'-Ji^^

W M/M

#:i f ,

^1 :(* :^f! .g ;,f| kf; m 11^'

m^.^

''^'^:^^%$f'^'-^^^:^^A^^^^

.|1g^#

•^iliji^.:€..f

t 1 1 t: cj ^i! ® f ^

C^! A

^'^SK

> ?^^v r^4^^^B^^^^w9?^H

i

"^f

1

^.^,.«.

0 0' ,4; M^i^

.*v.

0! -^ -<f-- J|i"^#r>

■■^ j$.

t.# «

|5|* -Ifi M-j^

# 1*

1 'f

;€ m

-*« '^c

.%.jlt

m:m

f ^t"t~'t"# j«^'"#'^.

«.^*»,

,-*,*^«^-Ar««*^-*^^.^^

^?! f! -fS -:* -Jf -^ # ;r

*'^^^"i;'g

4' :^^ :^i ^ ^

^11 /^ -I i ^i

^. , ^ . i ;^ jai ji , t i ^^

■^^ "$i i ^i ■€ '•« 4 % ■::^

f M