SHASTRI INDO-CANADIAN INSTITUTE
156 Golf Links, New Delhi-3, India
BIBLIOTHECA INDICA. WORK No. 224.
PAR1NAYAH. KASHMIRI TEXT WITH SANSKRIT GLOSS.
BIBLIOTHECA INDICA:
A
ECTIOK OF ORIENTAL WORKS
PUBLISHED BY THE
ASIATIC SOCIETY OF BENGAL.
NEW SERIEF ..No. 1286.
i SIVA-P: KINAYAH
A POEM IN THE KASHMIRI LANGUAGE
[SIR-WILL* AMJQNES
MDCCXLVl-MDCCXCIV
BY
YA OR GLOSS IN SA
V AHAMAHOPADHYAYA MUKUNDARAMA
SIR (JEORGE A. GRIERSON, K.C.I.E.. l'H.L>.( JXLiTT., Honorary Fellou- of the Asiatic Society of Bengal ; Honorary Member o/ the Naga-' Pracarinl Sabha, of the American Oriental Soc>-ty. and of the Socii'ti I<'inno-Ougrienne ; ^ore-ujn Associate Mem1 Societi Asiatique de Paris Corresponding Membf
Konigliche <7c.9r77.tr?- n't der Wiasenscha.fen zu Qottingen.
CALC
. PR. Rli
i RBI: ;
PK
PKELIMINARY NOTE (AD INTERIM).
With the few exceptions noted below, the Kashmiri port ion of this' work follows the system of spelling employed by 1'Svara Kauila in his Kdsmira-sdbdamrta, and by me in my Essu ys on Kdpriwri Grammar.
Attention r,nay be called to the extremely frequent use by t he author <pf the emphatic suffix y, often employed pleon astically mtftri causa. In the first four chapters this y is regularly represented in the Sanskrit chdya by the wore eva; but fyrom the 5th Chapter on, I have exercised my c iscretion aai editor, in omitting the eva, when the suffix is merely pleonastic. By that time the reader will be ac- nusto Tiid tc> its appearance in this otiose character, and will n ot be tempted to confuse it with other forms.
/Iccording to the Kdsmira-sabddmrta (II, iii, 21; cf. Essa ys, p. 92), when this y is added to a word ending Ui t consonant, u-mdtrd is used as a junction vowel. Ihu s qw«ra kardn^y (kardn + t/), doing indeed. In the
pr^ ient work a is often used instead of u-mdtrd, as in
i
kantnay (^rri^). This is hardly more than a variation of speWing. We may also note that the author frequently employs present participles ending in -an instead of the.-i?i proscribed by the grammars Thus in verse 418 we have ll^f^ gdlan instead of gdldn JTT^T^T. With emphatic y, we haVe W«ra«r wananay instead of <T«n«lc*J wandwy in verse 408, and1 so on. The conjunctive participle of verbs whose roots contain the letter a, according to the Essays, takes the form karith. Here, however, the author generally writes kaf,r*th. Thus, he writes 4fr«Tx in v. 24. He similarly
P /• Note.
../ites the accusative-dative of the second declension v i-mdtrd. Thiis ^tjsrf're nethanq^s, instead of *qv&f nethananis, in v. 88. He often, /• -.-a, changes a fi
i to e, as in »T% garake for »Tf* ff.ara.ki (v. 22) and * karane for *<f«f karani (v. 126). In other respects 1 grammar closely follows the system of Tsva.ra Kaula explained in ray Essay*.
The Sanskrit chdyd is an extremely literal, word for word, translation, prepared under my supervision by M aha- niahopadhyaya Mnkundarama ^'astri. In ec\iting it f o r th press I have freely relaxed the usual rides of Sa ?/ In this I have not studied consistency, my sole aim t eing to assist the reader in disentangling the correspon Kashmiri words from the suffixes with which they encumbered. As originally prepared, the c/iao/a was ii linear, each Sanskrit word being written undor the cor- responding Kashmiri word. Practical conside.cri/ion s typography have led me, against the intention of its ai to print it separately on the page facing the correspoi
I fully admit that, from the point of view of the Sanskrit scholar, in this condition it strongly reseni 3!^ a-jalpana. owever, printed solely with tue
object of a^- rudents of Kashmiri, and not
specimen of ( -anski't.
A. G.'
PREFACE.
WITH ranch regret, I record the death of that excellent scholar Mahamahopadhyaya Mukundarama Sastri, which occurred in the year \'.)'2\, while this work was passing through the press. His knowledge of the Kashmiri language, ancient and modern, was, I believe, unique. I owe much to his teaching and to the help he gave me in the preparation of the chaya printed in the following pages and of the m .,s which formed the basis of the Ivistimlrl dictionary now being published by the Society.
In regard to other points I have nothing to add to the ad interim Preliminary Note issued with the first fasciculus of tin,, \VCKK, except to express my regret that in the earlier pages, a •v-ishmirl types have broken off in the course of printing. These, so far as I have noted them, are entered in the List of Errata and explain its length. In the later pages, the printers have overcome this difficulty with some success. The spelling of certain Kashmiri words is doubtful, and till I had worked several tim through the text, I did not always succeeu in pi educing a«j this respeci On this ac-
count, after the List oi ^ a L t a list of pi - rable spell- ings of certain words vuirh .sou,} TV eyes whe,i correcting the proofs None c cLese are of importance, but, in the interests of uniformity. T give ..hem fo" t^e benefit of students of the language.
I 'must also offer :ny tLinkr to Professor Jules Bloch, who was kind enough to read through the proofs of th( earlier fasciculi. The outbreak of the War called him forth to the defence of his country, and prohibited me from troubling him further with my doubts or difficulties ; but I cannot refrain from putting on record my gratitude for his valuable help.
G. A. GRIERSON.
CAMBERLRY ,
•23r<i June, 1924.
ERRATA.
Preliminary Note. p. iii. last
Page 44, line 1, read line. Readq^zn. Page 2, line lO,rmrf^re:iTC*ft. 3,
(N
,, 4, page heading For ,, .. heading of Chapter
2, '-cad 1. 10, read giVA.
Page 6, page heading. For Page 44, line 3, from bottom,
1, read 2. Page 9, line 2, read
„ 11, „ 11, „
„ 16, „ .. ..
„ n i2, „
„ 22, „ 11. „ 23, 15:
read
^ i ;
Page 46, line 3, read ^Nf .
a *
» ,, „ 6, „
26, „ 5,
27, ,, 2, „ ,, 29, ,, 6, ,, q\f(«j „ 30. „ 15, „
„ ,, last line, „ ,, 33, line 16, transfer the
comma to after «rf^ .
Page 34, line 2, read
36, ,, 3, „
37, ,, 8, ,,
M 48, ., 3, ., £
.. lines 6, 10,14,18,1^. read M«ffaq .
Page 48, line 8. read '
49, » 13, ., ^^i .
50, insert 11, fee/ore heading.
Page 50, lines 4, 8, 12, 1 6, 20,
read M«ff«f<{ . Page 50, line 6. read
„ 52, „ 21, ,.
,, 56, ,, 20, ,, ,, 57, ,, 9, insert Jiy- phen after srajii . Page 60, ,, 4, read ^ . „ 64, , 23. ., f^r. ,, 66, head of Chapter 18,
„ 38, „ 3, „
„ ,> „ 13, „
>j
,, 42, page heading, and
also in heading of Chapter 9, read
read&ivA. Page 68, line 3, read*
Page 43, line 2. read W >• 70. „ 12, ,,
vm
ERRATA.
Page 120. line 6. read n^fsn? .
j j -
Page 72. line 1, readies. '• Page ,, line 11, read ^FYA. ., 74, ,, faf^ra- „ 118 frr»ni bottom,
transfer ) to the end of line
Page 82, last line but one.
For ^f«£ WT51, compare aote
to verse 1876. I
Page 88. line 16, read,
»> 90, ,, D, ,,
„ 95, ,, 5. from bottom.
read ^i»jf?T^ . Page 97, line 3, ,, ,,
read
Page 98, 6rst line of text of Chapter 30, read ^f
123,
124,
4. ,,
13, „ 10, ,. 5, from bottom.
read
Page 102, line 9, from bottom, read ^f
Page 128. line 3. of text of
Chapter 37, read *T3^. . Page 129, line 7. of text of
Chapter 37. read ^TSIT . Page 129, line 9. of text of
Page 104, line 9; read^^. Chapter 37 ; insert comma,
» 106' » 7> •• ^fl- after „ 108, „ 6, „ Tnfsr^. Page 130, line 7,
,, ,, ,, 2, from bottom. ,, 109, ., 2, from bottom.
read
Page 110, line 9, read gfa^ .
Page 110, last line, read Page 114. line 2, read ^$
Page 131. ,, 7, read
,- 132, „ 16, .
„ 136, „ 9,
„ „ „ 16, M
,, ,, ,, 17, „
„ „ „ 19; „
^- I, i4u, „ ;j, „
» " " 1:j » *&• „ 141, „ 3, ,,
„ ,, ., 3, from bottom, , ^7^ .
read ^ . „ 142, ;. 8, from bottom,
Page 116, lines 2. 6, 10, read \ readurn^.
i&3 . Page 143, line 6, read W*nn .
ERRATA.
IX
Page 144, line 11, read ^ .
„ 148, ,, 3, from bottom,
read ^r<J;'^*r . Page 154, line 3, read W$-
,, 156, „ 5, „ ^.
,, 160, ,, 7. ,, „ 15, ,,
.. 162, ... 7, from bottom,
read *3^3\ . Page 162, line 4, ,, ,,
read fj^HrTT^ .
<N
Page 170, lines 1 and 5 read
^4«f ^4, respectively. Page 170, line 3, read
„ 172, „ 5, „
,, 175, last line, „
„ 176; line 5, „
., ,, ,, 2, from bottom,
read ^.4 . Page 178, line 6, read GLORIOUS
,, ,, ,, 1, of text of
Chapter 12, read ^fiTfc?T . Page 178, line 4, of text of
Chapter 12, read *r«r«ra . Page 178, line 11, of text of
Chapter 12, read ^$ . Page 181, line 11. insert srf?r
after t^t . Page 183, line 9, read f^^ .
„ „ „ 10, „ TOT .
,, „ last line, ,,
Page 192. line 4, from bottom, read
Page 184, line 1, ,.
Page 184, line 11, „ ,, 191, ., 3, from bottom, read
Page 197, line 13, read
^^^ur . Page 197. ., 17. ,, T&W for
STCW. Page 202, ,, 5, from bottom,
read ^^T^IJ . Page 208, last line read
,, 216. line 9, read
,, 218*, ,, 13, „
for ^Tt^'«m . Page 226, „ 5, ,,
,, 228, ,, 6, „
„ 230, ,, 2, from bottom,
read «|i|^'<s(T^ . Page 232, line 3, read 3rf%*i .
„ 240, ,,
„ 241, ,, 18, insert
before ^STJrffl'sjfH . Page 257, line 11, read ifg .
„ 261, „ 2, „ *%.
,, 267, ,, 4, from bottom,
read ^?ref?j: . Page'274, line 3, ,,
read «ifa . Page 276, line 11, read <zr3 .
„ 276 and 277, line I2*add,
in each case «t^i. II at end of
line. Page 278 and 279,'line 10, add,
in each case (t^0 II at end of
line. Page 278, line 13. read
„ 280, „ 2, „
,, ,, ., 2, from bottom
of text, read
ERRATA.
Page 285, line 2, read
and omit marks of paren- thesis before w and after ^ .
Page 290, line 7, read
,, 292, ,, 4, from bottom,
read t?
Page 294, line 2, read
„ 304, ,, 1, ,. T
„ 308, „ 5, jrfr."
• ' j ' * ' y '
,, 315, „ 2, from bottom, read
Page 318, in page heading, for
9, read 49 Page 320, line 4, from bottom,
read
Page 346, line 4, read
Page 354, ,, 11, ,, ,, :) ,. 2, from bottom, read
Page 456. line 8, read
PREFERABLE SPELLINGS OF KASHMIRI WORDS.
Page 4, line 9, read smfsPT Page 70, line 13, read
,, „ 11, „ f^- „ 80, „ 5, „ fta.
nTr-a-srr £ft 7
; jj H TJ 1 V . * » OO, . . t . , -
„ „ 21, ,, ^fTfi . .. 90, „ 16, .,
„ 12, „ 2, „ *^-<wr^ „ 92, ., 19, .,
„ 14, „ 19, „ W^t. „ H4, „ 3, „
» 20, „ 3, „ ^. „ 118, „ 9, „
„ 22, „ 1, „ «Rrrw. ,. 132, „ 12, „
j ) j 5 , , *"3 J J W^fT^ . ) J •* »5O j ; . O ) . .
fl^T. ,, 160, last line, „ tt* .
28, ,, 14, ., WT^f«i^. „ 166. lines 7 and 6 from
,, 30, ,, 20, ,, jrfjr^f . bottom, read tft'^i and m«^
,, 34, ,, 11, ,, Tr^jfs^ . respectively.
42, ,, 5, ., ^f^t . Page 166, line 3 from bottom,
>? j, 6, ,, ft«[ . read UflT^fsTO.
» 46, ,, 2. .. w^sf^ . Page 178, line 2 of text of
•I ,> 18, ., ^«T*FT . Chapter 12, read fjflif^'T.
•)2, ., 10. ., ^njsrreT- and so in the 4th line of
WK:. . each verse on pp. 17S. 180,
Ml vr?~ia- 1&9
5 - ,j ,, -*-^5 )> iK^S^GLlN . lO— .
ii ^6, ., 1. ,, w^5ffl[ . Page 180, line 12, read
., 62, „ 18, „ ma . 228, „ 15, ,.
6 4, ,, 16, ., ^?i-r?r?T. . ,. .. 17, j.
., 68, ,, 17, ,, $>« . „ 296: ,, 8, „
In several places the word ^4 has wrongly appeared as ^, and the. word ^ ( ^ ^q^s etc ) as -^XR ( -^q, ^^^ etc.). 1 believe that I have entered all instances of this in the Errata, but, if any have escaped my notice, they should be corrected accordingly.
CONTENTS.
Page
Preface v
Errata vii
Preferable Spellings of Kashmiri words. xi
Preliminary Note (ad interim) iii
Sanskrit Preface v PART I.
1. Invocation to Gane^a . . . . . . 2
2. Invocation to the Guru . . . . . . 6
3. The creation of the universe, and birth of Uma. Her
marriage to Siva. .. .. .. ..12
4. Daksa, rejoicing over Uma's marriage with Siva, addresses
his relations . . . . . . . . 16
5. The wedding-journey ;of Siva and Uma to Kaiiasa .. 20
6. Daksa visits Siva and the gods in Kailasa, and is not
received by Siva with the respect which he considers to be his due. Daksa's wrath. He determines to invite all the gods except Siva to his sacrifice . . . . 24
7. The gods come to Daksa's sacrifice. Devi goes to it without
invitation and asks why Siva is not invited. Daksa gives
an insulting treply. She casts herself into the sacrificial fire 30
8. Praise of Devl.under the form of Jwala . . 36
9. Praise of Devi, as one with Siva . . . . 42
10. Nandin goes to Kailasa and tells Siva that Devi has
become Satl. Creation of VIrabhadra. . . . 44
11. VIrabhadra arrives at Daksa's sacrifice. He slays Daksa.
He routs and slays the gods present. The gods, in order to pacify Siva, sing his praises . . . . 48
12. Krsna's hymn in honour of Siva. The 12th chapter is in
Hindi, and is here omitted-, (vv. 133-143) . . 52
13. Brahma's hymn in honour of Siva . . . . 52
14. Dharmaraja's (Yama's) hymn in honour *of Siva . . 52
15. Indra's hymn in honour of Siva. The loth chapter is in
Hindi, and is here omitted (vv. 172-177) . . 64
16. Varuna's hymn in honour of Siva .. .. ..64
17. Citragupta's hymn in honour of- Siva. The 17th chapter is
in Hindi, and is here omitted (vv. 183-186) . . 66
18. The Gandharvas' hymn in^honour of Siva .. ..66
19. The Sun-god's hymn in honour of :- Siva . . 68
20. The Moon-god's. hymn< in honour of Siva. The 20th chapter
is in Hindi, and is here omitted (vv. 216-223) .. ..76
21. The joint hymn of Laksmi and Sarasvati in(honour of Siva . 76
22. Hymn of the planet Mars in, honour; of Siva .. .. 80
23. Hymn of the planet Mercury in honour of Siva . . 82
XIV CONTENTS.
Payc
24. Hymn of the planet Jupiter in honour of Siva . . 84
26. Hymn of the planet Venus in honour of Siva . . 88
26. Hymn of the planet Saturn in honour of Siva. The 26th
chapter is in Hindi, and is here omitted (vv. 258-265) . . 90
27. Narada's hymn in honour of Siva . . . . 90
28. Hymn sung jointly by all the gods in honour of Siva. The
28th chapter is in Hindi, and is here omitted (vv. 2S8-299) . . 98
29. Siva acknowledges the preceding hymn. He is pacified, and
expresses himself as pleased with their devotion (Bhakti). He cares not for eating or drinking and has no pleasure in sacrifices. He longs for Bhakti and for nothing else. Chapter 29 is in Hindi, and is here omitted (vv. 300-304) . 98
30. The author's praise of Siva. Account of the gods' intercession
on behalf of Daksa. . . . . . . 98
31. Daksa is brought to life. His head having been reduced to
ashes, he is given a goat's head . . . . . . 102
32. Dakga's hymn describing how he has become freed from
worldly desires .. .. .. .. 106
33. Another hymn of Daksa on the same subject . . 1US
34. Daksa's self-abasement .. .. .. ..114
35 Daksa sings a hymn in praise of Siva, and asks pardon. This
is granted . . . . . . . . ..116
36. Another hymn of Daksa . . . . . . 1 18
37. Having finished his praises of Siva, Dak*a again commences
his sacrifice. Having pacified Siva the gods obtain permis- sion to depart, and repair to their respective abodes . . IJ>
38. The sacrifice being completed, Narada commences a triumph-
song in praise of Siva as the latter departs for Kailasa . . 132
:!!i. Xarada's triumph-song. The 39lh chapter is in Hindi, and /*
here omitted (vv. 397-^07) .. .. ..134
In. Another triumph-song of Narada. He prophesies the mar- riage with Parvati . . . . . . 134
41. Epilogue of the author in praise of Siva, as an introduction to
the second part . . . . . . ..13s
PART II.
1. Birth of Parvati. Her youth and upbringing. Her desire tor Siva as her husband. She wanders in the forest calling tor him . . . . . . . . 142
•2. Parvati has memories of her former birth as srtt! and utters
praises of Siva .. .. .. ..14^
:>. Remembering Siva's comely appearance and liis lovable dis- position. Parvati laments her absence from him and addresses him in prayer. The 3rd chapter ^s in Hindi, and
<-re omittfj 165) 152
t. i "iit inuation of the foregoing. She claims identity with Siva. . 152 Description of Parvati in the forest. The beauty of the forest blessed by her presence. She enters a lake and, standing in the water, invokes Siva |r.<>
CONTENTS. XV
Page,
6. Parvati sings a hymn of praise to Siva, alluding to each day
of the lunar fortnight . . . . . . . . 164
7. Siva disguises himself as an ascetic, and comes to Parvati to
test her. He urges her to worship Rama, not Siva . . 170
8. Continuation of fie foregoing. Siva, in his character of an
ascetic, advises P5r vati to devote herself to RSma, Laksml, and Krsna. The, Sth chapter is in Hindi, and is here omitted (vv. 54d-552) .. .. ... ..174
!>. Parvati's reply. She tells the disguised ascetic to go to the Dandaka forest, where he will find that Siva alone is to he worshipped .. .. .. .. ..171
10. ParvatI continues her advice to the ascetic to go to the
Dandaka forest. He will there find that Siva is all in all. that he alone exists, that he is Brahma, Bhagavat, all the gods, and all creation, and that there is no duality. The 10th chapter is in Hindi, and is here omitted (vv. 560-570) . . 170
11. Siva's reply. He praises Parvati's beauty, and argues that
so lovely a person as she, should not undertake such ascetic practices . . . . . . . . . . 176
12. Continuation of the foregoing. He advises her to go home.
Siva is not a householder. He is not so glorious as the Sun. so gracious as Visnu, or so righteous as Brahma. She should worship them . . . . . . . . 178
13. Parvati angrily reproaches the disguised Siva, and assures
him that he is attempting an impossible task in appealing
to her . . . . . . . . . . 182
14. Continuation / of Parvati's speech. She threatens him and
proclaims Siva as the one objeci of worship . . . . 182
15. Siva, pleased with Parvati's constancy reveals himself in his
proper form, and praises the virtues of constancy and devotion . . . . . . 18t>
16. Description of the glorious appearance of Siva as he revealed
himself to ParvatT. The 16th chapter is in Hindi, and is here omitted (vv. 607-617) . . .. . . . . 188
17. ParvatI sees Siva in his proper form, and begins to sing his
praises . . . . . . . . . . 188
18. Parvati's hymn in praise and awe of Siva. She entreats him
to take her for his spouse. He promises to grant her peti- tion, and tells her to go home and wait for Narada . . 188
19. Siva comforts the awe stricken PSrvati. He promises to
marry her in her father's house, and return to KailaSa . . 192
20. ParvatI leaves the forest of her austerities, and returns home.
Her reception by her people . . . . . . 196
21. Himalaya and Menaka praise ParvatI .. .. .. 198
22. Praj er and praise addressed to ParvatI by the whole universe 200
23. The legend of the Asura Taraka. He oppresses the gods.
Siva tells Low Brahma has explained to them that he can only be conquered by Siva's son, and sends ArundhatI and the seven Rsis and others to Himalaya to ask him and his wife to give their daughter U> Siva in marriage. They consent. ArundhatI, etc.. return to Benares and inform Siva. He is pleased, and directs Narada to summon Brahma, Visnu, and the other gods. . . . . . 202
xvi PONTKNTS.
Page
.' t Narada ;_r», -s to Visnu, and. after praising him, informs him of Siva's intended marriage
2.~> Ybnu. pleased, dispatches Narada to call Brahma and the other gods. They all approach Siva. Siva dispatches Narada to warn Himalaya, who notifies the approaching nedding. Narada informs Siva of this. The wedding procession is formed and starts. Visnu leads the other gods 214
L't'i. The Oandharvas praise Vismi .. .. ..218
:.'7. The author explains that ho cannot describe the glory of Siva's
i<lintr. which even the gods are unable to praise . . 222
The author again expresses his inability and unworthiness . . 222
2!>. The rejoicing in the homo of Himalaya at the approaching arrival of Siva. Xarada identifies to Menaka the members of the procession, as from a high tower she watches the approach. Her lamentations on Siva, in his ascetic form, being pointed out to her. She refuses to be comforted. Parvatl. on the other hand, is enraptured, and consoles her mother . . . . . . . . . 230
.'in. PiirvatT describes Siva's virtues to her mother . . . . 242
31. Menaka scolds Parvatl for thus speaking well of the horrible bridegroom. Parvatl justifies herself. Nfirada reports the state of affairs to Siva . . . . . . 2.">n
.'!2. Narada praises Siva, and asks him to abandon his horrible
form . . . . . . . . . 252
Siva takes a beautiful and adorned form. Menaka's wonder Menaka, seeing Siva in a form of unearthly beauty, praises him 262 \l«-naka's satisfaction. .
36. Menaka calls upon the bridesmaids to sing in honour of Siva
:>7. The bridesmaids sing praises of Visnu. who leads the procession 27o The women assemble to watch the bridegroom . . . . 274
They sing the wedding soi . . . . . . 274
IH The bridesmaids praise Siva in a sons accompanied by drums 2sn
41. A song in praise of Visnu
A prayer of the author, under the form of a song of the
bridesmaids . . . . . . . . . . -'M4
A prayer of the author, under the form of a ~-m\^ sung by M> ' . . . . . . . . :;IHI
U \ hymn l.y tiio author in his o\\ n name, under Hie form of a
,_' by the women . . . . ..804
\nother hymn of praise by the author, under the form of the
a Sarikft bird
• if the means of salvation in tlv- form of a hymn in praise of the Rasa Ilia .. .. .. :{|n
17 lY.u- l.\ th.- uuth, ,r un.ler the form of a n irable sunu by
ilvation . . . . . . :M4
48. The asHflinblir. \v,«ddiinr party. They
then coiiim.-n.-e the Worship of the <ieit> ..f t'iie i :<lli
49. The song of the women of the wedding party at this worship "Is
The uedding dinner .. 322
CONTENTS. XV11
.">!. A further description of the wedding dinner .. ..
52. The joyful song of Menaka . . . . . . . . .'{Jii
53. The gods and Brahmans recite vedic hymns . . . . .">:!" f>4. Song for the Pu.spa-pujs, describing the var'ous forms under
which PSrvati chose oiva .. .. .. .. 332
.">.">, Song in praise of Siva sung at the Puspa pfija . . . . 338
56. Praise of Siva at the Puspa-puja, including a list of holy places 342
57. The procedure at the Puspa-puja . . . . . . 352
5S. A rapturous song of the faithful at the Pu§pa-piija in honour
of Siva . . . . . . . . . . 352
")'.). Song on putting on the wedding garland . . . . 358
(in. The women complain that the bride has no ornaments. Siva
creates gold, and it is showered like snow upon the bride . . 366
61. Song of praise to Siva, on account of the shower of golden
snow . . . . . . . . .368
62. The guests decide to climb on to the roofs of the houses . . .'!T2
• >:'>. The people shovel the golden snow from the roofs, and find that the roads are blocked up with it. They lament the inconvenience of the universal wealth and Indra recommends them to ask Siva to stop the fall . . . . . . 372
64. The Earth finds the weight of the gold inconvenient . 374
65 The Earth implores Siva, to stop the fall of gold .. .. 374
(iti. The gods, distracted by the immense mass of the golden snow, praise Siva, and confess that they have more than they require. . . . . . . . . . . . 378
67. The people pray to Siva for the cessation of the shower of gold 38:?
68. Mahadeva asks them why they are frightened. They reply
that the earth is covered with gold and will not produce fruit. Moreover, there will be no longer any distinction of rich and poor. He directs the wind-god to collect the gold in a heap. This is done and the world is restored to its former condition . . . . . . . . 386
69. The author praises Siva the omnipotent .. .. 3'.>U
70. Himalaya's joy and gratitude to Visnu for being Siva's bc~t
man.. .. ". . .. .. 3»i'
71. Himalaya praises Visnu for his mercy and for his incarnations.
especially that of Krana. . .. .. .. 3!) 4
72. Visnu is pleased. Led by Narada, all unite in praising him . :>!is
73. Himalaya again praisos NSrayana .. .. .. 4oo
74. Siva gives religious instruction to Narada. recommending
inward asceticism while living outwardly a \vordly life .. '<>-
75. The guests prepare to depart. Gratitude of all. including
Visnu for this instruction . . . . . . . 4<Mi
76. Menaka's song of gratitude .. .. . . ..406
77. The author praises Vi§nu, who stands as father of the
bridegroom .. .. .. .. .. l"s
78. Another song of MenakS in praise of Visnu. detailing the
exploits of the youthful Krsna .. .. ..414
xviii i «HTS.
Page
". ~ •- .-xt the parting embrace between
Visnu and Siva, explains that Visnu and Siva are one . . 422
80. The author addresses praises to Siva and Visnu as one . . 422
si. Praise of the Antaryamin XSrayana as one with Siva . . 426
Himalaya praises Krsna. ... .. .. .. 432
83. The women-folk dance the Rasa dance as Gopis, and praise
Krsna . . . . . . . . . . 438
84. A metaphorical prayer to Krsna under the form of a song
sung at the Rasa dance . . . . . . . . 448
The salutation of ParvatT as she mounted the wedding car . . 456
Praise of ParvatT as Sarika . . . . . . . . 458
s7. Praise of ParvatT as Maha-'ajnT . . . . . . 464
88. A prayer of the author to Siva . - . . . . 470
s'J. Praise of Visnu as one with Siva . . . . . . 474
On. Hymn in praise of the Siva-rntri festival . . . . 476
Hi. Hymn in honour of Siva .. .. .. .. 478
Praise of Vi§nu as one with Siva . . . . . . 484
:':; Prayer and praise directed to Siva . . . . 486
94. Prayer and praise directed to Siva . . . . . . 4! in
!»f> Prayer and praise directed to Siva . . . . 49-
96. Impossibility of describing Siva . . . . . . 49t>
!I7. Praise of Siva on his departure for the forest . . . . 496
Die author and Menaka proclaim devotion on Siva's departure 49fi
What Menaka and the people said to each other when Siva
departed.. .. .. .. .. .V)u
I IMI Lamentation of Menaka on Siva's departure .. .. 502
In!. Praise of and prayer to Hari-hara . . . . 506
Praise of and prayer to Hari-hara . . . . . 510
lit.! Kxhortation by the author to attain salvation by means of
i practices . . . . . . . . ~>14
l<>4 Tin- women, as Gopis, sing Krsna's praises . . . . 516
In.", 'The author calls upon his hearers to worship Kpsna
106- Song of a woman seeking for Siva . . . . . . 522
|i>7. I h. i Himalaya's relations on the departure of Siva 530
i by the author. He praises the Kali-Yuga . . 530
I he author praises Siva, using words of Saraswati . . -Vis
I in. l'rai»e of one who has taken refuge with Siva . . . . 544
111. Praynr and praise by the same .. .. ">4i>
n tli.- mvsi i.- syllable 6« he Hyllablf OM . .
Praiae of the good .. .. .. .. .~>iii;
tod with praise to Rama. .
•\plains the source of his own power . . . . ~>~n
> i tation a* to the unreality of the world . . .. ">7>
' >n . . . . 592
CO NT I'. NTS. XIX
Page
119. He eloquently praises &iva for his gift of knowledge of the
means of salvation . . . . . . . . filM,
120. The author's devotion .. .. .. .. <;00
121. Prayer for increase in knowledge of God . . . . 604
122. Prayer for acceptance, as Abhinavagupta was accepted . . 008
123. Prayer for the three great blessings . . . . . . 612
124. The Power of Diva's name . . 614
trrpn *fffa n i n
HT^TH
WITT II
^TT?T^Tf5fOIT}
;
, ^srrefsrarr nffr
nfmr? ^f
: ?frT II
ERRATA LIST FOR FASC. 1 OF S'lVA PARINAYAH.
CORRECTIONS.
Page 3, line 18, read
», 7» »» 5, ,,
.5 9, ,, 2, ,,
,, 11, „ 11, „
„ 16, „ 11, „
„ 22, „ 1, „
„ 23, „ 15, „
„ 30, „ 20, „
,, 33, ,, 16, transfer the comma to after
,, 37, ,, 8, read
,, 44, ,, 13, ,, &IVA.
», ^*'*» » *"> »»
„ 46, ,-, 2, ,,
» 48, ,, 8, ,,
., 49, „ 13, „
,. 52, „ 21, ,,
„ 56, „ 1, „
» 57, ,, 9, ,,
,, 64, ,, last, ,,
W12
> » l*> tt
II ^fif
«m: ii
PAET I.
1. INVOCATION TO GANtSA.
-^1: 'HIHIrl.
ii ii
2. INVOCATION TO GANE^A.
I
I I
—ii]
1. INVOCATION OP THE OtTETT.
•_'. IN VOCATION OF THE OUBtT.
M 1 II
—16]
: D
t) o ii
-•TRI-
2. INVOCATION OF THE GUBU. [17 —
51
U lf^ ^iT »T?[
-22]
t ^?do ii
10 2. INVOCATION OF THE GUBU.
TIT
"
-27]
12 3. THE BIRTH OF UMA, &C. [28 —
^1. I
TTHll
3. THE CREATION OF THE UNIVERSE, AND BIRTH OF UMA. HER MARRIAGE TO §IVA.
WIT
—32] 3*?T*JT: *f=gm
t ^^fto II * II
II o II
:o II
14 3. THE BIRTH OF UMA, &O. [33 —
f ??:
I I
*
n
X
38] ^vw- *ninfar ^T^farf^fwroir ii ^H 16
: STTtTr: fT^T
iff ;m:o ii
(m)
: «r
5TW.O II 3* II
feart
If) 4. DAKSA ADDRESSES HIS REI<ATIONS.
f?TO
i!
I?R:
4. UAXgA, REJOICING OVl i: I'MV'S MARRIAGE WITH ADDRESSES HIS RELATIONS.
ii g 3 ii
-43 1 ^^ft% ^T*fafW Ufa I! B U 17
if:
: VTrSIT II
8° ii
(w)
H^rf
A
is o
t TIT
II 8 II
: II 8 II
4. DAKSA ADDBESSES HIS BELATIONS, [44—
I I
V X
f f(
35^
rf 5f5? II 8 II
V « X \
r
n su ii
^gr ^r sr^nsr fgw^rr
Nj
«fffel-HWT:
5 ^ W-^oT
20 5. WBDDINQ-JOUBNEY OF MVA AND UMA TO KAILASA. ( 50-
11
6. THE WEDDING-JOURNEY OF §IVA AND TTMA TO KAIt.ASA«
—64]
f Sffa STfislfa: || «. II 21
II 8 II
n y$ n
: (fa1)
5. WEDDING-JOURNEY OF SIVA AND TTMl TO KAILASA. {65 —
—60]
23
: JTH
n «y 11
life ^^TTif f^T(?T
3lf?gT
24
6. DAKSA'S VISIT TO SIVA'S HEAVEN,
[61—
pi
6. DAKS A VISITS SIVA AND THE CtODS IN" KAILASA, AND IS NOT
RECEIVED BY £lVA WITH THE RESPECT WHICH HE
CONSIDERS TO BE HIS DUE. DAKSA's WRATH.
HE DETERMINES TO INVITE ALL THE GODS
EXCEPT £lVA TO HIS SACRIFICE.
ra ^>^ ^^R
TO
—65]
ii 30
3T^5T^f?f II II
ITcT? I
? trw \
26
6. DAKSA'S VISIT TO SIVA'S HEAVEN. [66—
^RT
'x x
II « o ||
—70] 5IFff»srt% %3W\ *IHrfaHT*ITfoWT* II < II 27
fIrr^»T-fTOT »T
3d Mi
nwsn
28 6. DAKSA'S VISIT TO SIVA'S HEAVEN. [71—
f?IJR ?W ^T^
ift »rf?c
»RIR iff
—76]
29
( fargw )
30
7. DAKSA'S SACRIFICE.
[76-
7. THE GODS COME TO DAKSA'S SACRIFICE. DEVI GOES TO IT
'VITHOUT INVITATION AND ASKS WHY SlVA IS NOT INVITED.
DAKSA GIVES AN INSULTING REPLY. SHE CASTS
HERSELF INTO THE SACRIFICIAL FIRE.
—si]
3l
II ^> II
n o$ u
ITc
5 rff-^ :o n
P^ff :
32 ?• DAKSA'S SACRIFICE. [82—
*: K s ii 33
^fsrarnr
JTHT
miTT
TIT:
.o n cij ii ITHT, ^TW^T nftr
34 7. DAKSA'S SACRIFICE. [87 —
v» ^
l<~ I
lif^r
inr ^3? qf?i*j
•
36
: ? i
(uw) :e n
wrofii ^^
:o n
36 8 1'iuusB or JwlLi uBvt [93—
84 PKAISE OF DKVi UMDER THE FORM OF JWAXtlJ
V
> fi
^ >•
ii ^y ii
T'.o ti
: H
8. PRAISE OF JWALA. DfiVi. [98 -
—102]
(TIT)
n *oo
|JHT:
40 8- PRAISE o* JWiijl DlTU 1103 —
i T
—107]
WrfiRt
:o n
^
6
9, PRAISE OF D£Vi, AS ONE WITH SIVA. [108 —
S v
9. PBAISE OP DBVi, AS ONE WITH 8IVA«
5J€T
-112]
43
TJTT rrorr
UTinfsT
T: u q^o n
nftr ^'TI^T-^' (%) Tjftin^fcT ^n^ ^nr: u 1 1 q n
44 10' CREATION OF ViBABHADRA. [H3 —
n
NX
|| ^ 1 ||
10. NANDIX GOES TO KAILASA AND TELLS SIVA THAT DEVI HAS BECOME SATI. CREATION OP VIBABHADRA.
! II \0 II
-^-S' 3*: ^tTTf?HT-?ta cjHWMI ^
n tt H ii
J?f?f
u 11$ 11
cI. rTOT
-.o u
*ymifflji*H*<iTW
46 10. OBJECTION OF ViBABHADKA* [118—
ft^r ^ 5^5?
—122]
II 1^0 II
: II 1 o
48 11. DESTBUCTION OF DAKSA*S SACRIFICE. [12.'>
11. VIBABHADBA ABRIVES AT DAKSA's SACBIFICE. HE SLAYS DAKSA. HE BOUTS AND SLAYS THE GODS PBESENT. THE GODS, IN OBDEB TO PACIFY SIVA, SING HIS PBAISES.
—127]
49
lrf%'ff-^T-rrer
W)
50 DESTRUCTION OF DAKPA'S SACRIFICE. [128 —
s s s
sifa: II
^^ ^tfosf ^f%^T 5ftT II ? 9
^X. N S S
3^5?
9 »
-132]
51
: rT^T
: 5f
:O n
, HrT: :
52 12- KKPXA'S HTMN. [133—
12. KRSNA'S HYMN IN HONOUR OF SIVA. The 12th chapter is in Hindi, and is here omitted (vv. 133 — 143).
13. BRAHMA'S HYMX IN HONOUR or SIVA.
The first eight verses (144 — 151) of this chapter, which consist merely
of a string of Sanskrit titles of S'iva, are here omitted. After
these titles, which are all in the Sanskrit vocative case,
the text proceeds as follows.
14. HUM, (YAJIv's) JIYJ1X IN HONOUR OF 6lVA.
1T5R?: w 11
-155]
53
nft
fW *ft II
s (%) 11 ^u^ n
(lit TO: ftraTii ?f?r)
54
14. YAMA'S HYMN.
IT^f
fro TO?: lint
—159]
n \ a
55
*sni>
56 14- YAMA'S HYMN. [100 —
•5* ^
TOT
162] W*T5TlicTT ^fa: || \8 B 51
(%)
n i$o u
d'HIfJd ^ft3T5TT
58 !*•• YAMA'S HYMN. [163 —
?r
35(1
fire i
flR IJ
lint n m. ^»?
-165] whcT5T«aT ^fa: H \8 0 59
fTdtTMJ
"gsri ^pl IR:
TJ ^ WTO?
: ITHT:
60 14. YAMA'S HYMN. [166—
ffa ^T Wl" \\\
fira ii^[ wt
S S
'x x
-168]
r: n \e 11
II qH II
Tsnn*3(rTt
^wTa': IT'^ f^rft^f
: rrar
61
62 14. YAKA'S HYMN. [169—
fire
<* ft
V S
* I
II
i^T TOffr || ^ 8 II
—171] ^ukpsracTT igjfa: ||8 I 63
rjk4irzfi:
(rT?) *a*a
II <18 M
64 16- VARUNA'S HYMN. [172 —
15. INDRA'S HYMN IN HONOUR OF SIVA. The 15th chapter is in Hindi, and is here omitted (vv. 172 — 177).
16. VARUNA'S HYMN IN HONOUR OF SIVA.
'X N st
fim
-181] ^fll^fa: h $ II 65
(¥ITJ5Tt) stenficT-Wt: m^ift: cT% II 19= II
cTcT
fsrtfa 1
9
66 18. THE GANDHABVAS' HYMN. [182—
17. CITBAGUPTA'S HYMN IN HONOUR OF SIVA. IVie 17</» Chapter is in Hindi, and is here omitted (Vv. 183 — 186).
18. THE OANDHABVAS' HYMN IN HONOUB OF SIVA.
n * n
H \* \\
n \* \\
«n^r n «ico u
«TTIT I
it
68
19. THE StrN-GOD's HYMN.
[190 —
i3r ?f
N \J N
ig ^w wta
19. THE SUN-GOD'S HYMN IN HONOUR OF SIVA.
u if i w y «/ -(^TWT^-H ftrgr
, %-fwg
fiUI^HI xJ^grt-»TTO rT^l ff I
u 1= n
n i< n
70 19. THE STTN-QOD'S HYMN. [196 —
ii i n
II
ft 1
^rfft
* s
XXX
x x
j H 9 o o
X *
200] 33K9I ^fa: II \£ II 71
rfcr trnrrfsr ro H
UMHT
era1
tT rToT
nar
2 ^5 w:
II ^00 ||
72 19. THE SUN-GOD'S HYMN. [201 —
X. X S X X
5^5
xx
•v x x
55^
X X
55^ ^PW =gr ^r^ ii 9
* v
X X
X X •>
—206]
II «L D
73
fsTTrfi:
fsra"
o n
74 19. THE SUN-GOD'S HYMN. [207 —
XX X
5R
X X
II * ? o II
X X
v *
f?f
— 211]
= I I,*. II
75
I l*LiO (I
-^, ?ufw ff
?T IlffT
ii ^10 ii
TTHT:
76 21. HYMN OP LAK?MI AND 6ARASVATI. [212
XX
fire
XXX
XX X
X X X X X X
ft^ cUf?f 5!
XX
i]*
Cll
20. THE MOON-COD'S HYMN IN HONOUR OF SIVA. T/M #)th Cliapter w m Hindi, and is here omitted (Vv. 216 — 223).
21. THE JOINT HYMN OF LAKP.Ml AND SARASVATi IN HONOUR OF SIVA.
| o P y || * The passage enclosed in brackets is wanting in the best MSS.
—224]
11
: f
fern'-
78 '2\. HVMN OF LAKSMI AND SABASVATI. [225
N. X
IT «r ii
X X
* I' ••, hero to the end of the chapter, the language is a mixture udiand Kashmiri
—230]
: rfcT
f f§:)-f ^r^ fiww^f
ii ^^tt n
(f ^)
80 22. HYMN OF THE PLANET MABS. [231 —
W ii * 3 o
v v
«
V N
22. HYMN OF THE PLANET MARS IN HONOTTB OF SlVA.
-236] HlT^fa: II ^ I 81
^ wisnr
(^rfw) e it 5i n
11
82 23. HYMN OF THE PLANET MERCURY. [236 —
v»
%
23. HYMN OF THE PLANET MERCUBY IN HONOUB OF &IVA.
S V V
—240]
(t) rdyu irarro: ( ii«m#d. ) wwr
:o II 511 II
II ii
n ^^» n
84
24. HYMN OF THE PLANET JUPITEK.
[241 —
II 8 o I!
JT^-URI
n n
24. HYMN OF THE PIANET JtrrrrEE IN HONOUR OF (UVA.
8 II
.•>4.~»1 _i • jjifagyfa"* n au it O«
vrrorar
11 ^ « $ n
(lj«lr!Hl)
86 24. HYMN OF THK PLANET JUPITER.
1TTT if ^ *I?T\
tfa
^rtefr
^ V V S
I
V N ^ S V
I ^ 8 II
V N
—249]
I) *8H II
.'">. HYMN OF THK PLANET VENUS. . [250—
25. HYMN OF THK PLANET VENUS IN HONOUR OF ItVA.
^TU,
ii
TTH,
, qfq
TO iff «f ^TU, flI5|5TT^
x x * x x
-257] { 89
: i1
) wrxn^t
n
WGTOT -an ro n
rlt),
90 27. NABADJk'S HYMN. [258 —
26. HYMN OF THE PLANET SATURN IN HONOTTB OF §IVA.
The 26th Chapter is in Hindi and ia here omitted (vv. 258 — 265). 27. NABADA'S HYMN IN HONOTTB OF SIVA.
si*
mart n
if
—271] Jl^fwiwn ^fcr: | ^s || 91
arort 11 5 e$ n
( ^refowfti e^ )
M
faitfawfa
n
- ( fern? )
) i
92 -7- NAKADA'S HYMN. [272 —
u^ft
-276]
93
n ^BH n
rf^JTT
94 27. NABADA'S HYMN. [277—
fff
s s •
-282
) 4tD
II ^ = 0 ||
. JTftSl
^fv ^ 5 ) ^i^q wa^nj1 ^%H-^ ?ar ( ^% ) nr^« n
( ^f ) WW
W ) HfH: ^T^T: ( ?^ )
urer
96 27. NARADA'S HYMN. [283 —
ask
n H
— 287 j
( inn )
^ ) ¥g^wg" cTHT^r era"
tmro-^nw-ui
13
30. THE AUTHOR'S FRAME OF SIVA. [288 —
28. HYMN SUNG JOINTLY BY ALL THE GODS IN HONOUR OF SIVA. The 28th Chapter is in Hindi and is here omitted (w. 288 — 299).
29. SIVA ACKNOWLEDGES THE PRECEDING HYMNS. HE IS PACIFIED,
AND EXPRESSES HIMSELF AS PLEASED WITH THEIR DEVOTION*
(SHAKTl:. HE i ARES NOT FOR EATING OR DRINKING
AND HAS NO PLEASURE IN SACRIFICES. HE LONGS
FOR SHAKTI AND FOR NOTHING ELSE.
Chapter 29 is in Hindi and is here omitted (w. 300-304).
30. THE AUTHOR'S PRAISE OF SIVA. ACCOUNT OF THE GODS' INTERCESSION ON BEHALF OF DAKSA.
rf
-309J gSfid: fa: u a- n 99
n «^ n
: ^u»uf?i flf^ft n ^ <
^v'^Oi ( g^?r ) tm,
T: II Oit II
: f rft
w^i7r i See
note to Stein's translation of the RajatamAyini, i, 31,
100 30. THE AUTHOR'S PRAISE OF SIVA. [310 —
ITIT
ftn^ iff ^ ^
5iftfri-^r
ii
-314] SfSJlicf: ^fcT: j ^« t 101
: (ua:) <ma>g<«nfrnr grwiuT
: wrsft ( ^t^i^ ) i
wr«f
ITH;
n o n
1Q2 :il- DAKSA IS BROUGHT TO LIFE.
31. DAKSA IS BROUGHT TO LIFE. HIS HEAD HAVING BEEN REDUCED TO ASHES, HE IS GIVEN A GOAT'S HEAD.
TO TO 5fi^*T Tf^ram II
*
rf??
V
V V V
cTffT
x x x
n
fro
xxx
I
XX X X
-320] g*rni%: *R55f5W I I 103
TO
N irf?f 3 ^H
) siT?rfT-wfTBnfjcr ^
Q
ii ivi ii
imrf ^^T ( W^T: ^^ ) :0 II
o ii
( fgg-TTRife )
5TOI
104
31. DAKBA IS BROUGHT TO LIFE. [321 —
S
^t ft
n n
-324]
105
nfn ( f^t^f )
H
106 32. DAKBA'S HYMN. [325—
32. DAKSA'S HYMN DESCRIBING HOW HE HAS BECOME FBEED FROM WORLDLY PESIBES.
f ?I
— 329J
: n
•rf? *sd«frt W-JHT, TF?'- •rf^g1
TW
( ^r
r: II
II S* II
33. ANOTHER HYMN OJ1 DAK.SA. [330 -
33. ANOTHER HYMN OF DAKPA. ON THE SAME SUBJECT.
* V \J
^^ ?T
-334]
(cT?)
*-- ^=» l! 109
n ii
frrf%crf*T3 ^, inn ^
r: i
HO 33. ANOTHKB HYMN OF DAKsA. [335 —
s
«^i n 3 ^ •*, n
I g I
I I
V N *
TO ^ ^qre ^T ^rt-^ft ii
V v V ^
TO ^ ^qi^v ^n: ^ft-^ft n
T& «l ^IT^ ^ ^ft-ift II
-340]
li II
(IT?) wisPt
II
nfsrsr 5ftwic*(»fJ
n
m
112 33. ANOTHEB HYMN OF DAKSA, [341 —
3 *TR TO
«far
S X X
X S »N S
I
7
H 9 y y II
_;$4f>]
TTSJT
n $8° H
n 8«4 II
15
34. DAKSA'S SELF-ABASEMENT.
[346 —
r^ f 5
TO
-JTsT fft%
34. DAKSA'S SELF-ABASEMENT.
t
*ll\flc«l«r:
f%?T9frai
wan
ii 59 n
116
35. DAKBA'S PABDON. [352 —
tf II
35. DAK6A SINGS A HYMN IN PRAISE OF SIVA, AND ASKS PABDON. THIS IS GRANTED.
v N s v.
?
—365] «n4n€H?r wvrfrrit ^^fa: i ^ ii 117
: f ^r-srm ( f ^rrfrj ) snfarft-*nn nmrrrw ( ^rsn WWTHTCWITT ) i
N
H,
( tnri ) TJ%*T
VTV
: n ^^ \\
118
36. ANOTHEB HYMN OF UAKpA.
II M II
S X
36. ANOTHEK HYMN Or DAK8A.
-360] <?^T ^ft: ^Tf^gilfcnH II ^< || 119
TTTT
VS v3
Jo n
HT
iftrKT
! HUjf1(*nn)-rTO, "J^T^ (rPIT) WTlfTI WrFW (fTinTTCM^r ) TIT :o n u n
( ^dii^ir )
30. ANOTHEB HYMN OF DAKSA. [36J —
\ s ^ s
—366]
fare: irfa
ii 5^H ii
16
122 36. ANOTHER HYMN OF DAK' [367—
r
) n^rw arnzi safe ll
123
( w^f^H ) tnzrwnt-inft: (
124 36. ANOTHER HYMN OF DAKPA. [372—
3TT?:
—377]
125
(3^
felff
n au n
126 36. ANOTHER HYMN OF DAK6A.
-382] ?T3w iffrfcf: vrfTOrnfaram n ?$ » 12?
fgr^i, tnn
ffg^Tf arwrfa
srinf
II
Wlf<I
1 28 ST. DAKSA AGAIN COMMENCES HIS SACRIFICE. [383 —
37. HAVING FINISHED HIS PRAISES OF SlVA, DAKSA AGAIN COMMENCES
HIS SACRIFICE. HAVING PACIFIED SIVA THE GODS OBTAIN
PERMISSION TO DEPART, AND REPAIR TO THEIR
RESPECTIVE ABODES.
* Tliis and most of the following lines are in Hindi,
-387] <^^T SI^NlW II II 129
: fTOJTW *t) TjT*m
ii ^^ n
flJTO
U ^ II
: n 5=8 ii
H7TT
17
130 37. DAKSA AGAIN COMMENCES HIS SACRIFICE. [388—
flT^-U^T
fro;
T || 3
N N
—391 ]
»
131
:0 M
:o n
o n ^<«o n
( ^^Tfn!i )
132 38. TRIUMPH-SONG OF NARAD A AS SIVA DEPARTS. [392 —
38. THE SACRIFICE BEING COMPLETED, NARADA COMMENCES A
TRIUMPH-SONG IN PRAISE OF SIVA AS THE LATTER
DEPARTS FOR KAILASA.
9 < 5?
CM,
X
—396]
133
II 3 II
: effort ^f-^T II ^* II
ufrr i
?fl^TT«fT
( wfrFlftH )
II ^= II
134 40. ANOTHER TRIUMPH-SONG OP NARADA. [397 —
39. NARADA'S TRIUMPH-SONG. The 39th Chapter is in Hindi, and is here omitted (vv. 397 — 407).
40. ANOTHER TRIUMPH-SONG OF NARADA. HE PROPHESIES THE MARRIAGE WITH PARVATI.
^T-WT II 8 I
-r n 8
s T-T II
-412.]
'- II 8«
135
II 8 * II
?rm 11 « °= n
810
136 40. ANOTHER TBIUMPH-SONG OF NARADA.. [413 —
.
f^rf
%r-ir
%r-tr
ii s «
417]
: || 80
137
( era:, ) 9^ ( If5 )
io || go M
18
138 41. EPILOGUE OF THE AUTHOK IN PRAISE OF SIVA. r.418 —
41. EPILOGUE OP THi: AI'TUOR IN PRAISE OF 6lVA, AS AN l\ PRODUCTION TO THE SECOND PART.
5*3 5*3 *s*
TO
vi S
fffl qm'T II
3 TT1I
9lf»T qm II 8 o
sifi? m^r 11
-423J
n 8 n
*fff%-ccir
ftG4l'«?W**UiliR
140 41. EPILOGUE OF THB AUTHOR IN PRAISE OF SlVA. [4^4—
, i^
?rf»r m n g ^ t n
-426]
TIW TIT
f r
PAKT II.
1. B1BTH OF PAKVATl. HER YOUTH AND UPBRINGING. HER DESIRE FOR SIVA AS HER HUSBAND. SHE WANDKRS IN THE FOREST CALLING FOR HIM.
ri
N X
II 89 o ||
fl*?T<«raiTf
^- f ^-
tnTT
r ?unf: (IT:)
IR^ n » ^» n TT^TT
144 1. BilUH OF PABV.VTI, KTC, [432 —
-437J
145
19
146 2. PARVATI PRAISES SlVA. [438 -
X • X
X »N X
S N X
X«N X
2. PARVATI HAS MEMORIES OF HER FORMER BIRTH AS SATi, AND UTTERS PRAISES OF §IVA.
88
-442] stoian: are^s^u^T n R 11 147
( ^rgnl^ ), fg^fTcT^rm WTHT
n 88 o n
HUIcl»T^I
148
2. PARVATi PRAISES
[445-
TO
• XX X
TO ^^ TO TO
• x x --S x .x v o v
13
XX ^ X ' ,x X -i X
9 1 II
—447]
I 's II
149
( ^ftgicqT )
irftr
n 88H II
150 2. PARVAT! PRAISES £IVA. [448 —
-j V ^
T II 8 H, o II
mi
-452]
fHf,
wt)
152 4. PAKVATJ CLAIMS IDENTITY WITH SIVA. [453—
3. REMKMBEBING SIVA*S COMELY APPEARANCE AND HIS LOVABLE DISPOSITION, PARVATI LAMENTS HER ABSENCE FROM HIM AND ADDRESSES HIM IN PRAYER.
The third chapter is in Hindi, and is here omitted (vv. 453 — 465).
4. CONTINUATION OF THE FOREGOING. SHE CLAIMS IDENTITY WITH
SlVA.
ITI m n a ii
—469]
|| 8 II 153
f^rr
S B
20
154 4. PARVATl CLAIMS IDENTITY WITH §IVA. [470—
X N
X S
ftir i
XX
?
X X X X
— 474]
I 890
lifer
M
STTrUT «!I
*
B
4. PABVATI CLAIMS IIHCNTITY WITH SIVA. [475 —
-480]
: || 8 II 157
aftw^r
4. PARVATt CLAIMS I'.iKNTlTV WlTH SIVA. [481 —
II 8 * o II
-485]
|| 8 |! 159
8=0
(t)
zni
c^T II 8=^ II
160
5, PAttVATl IN THE FOREST.
mi
X »N --5 X
n s n
5. DRSCRtrTION OF PAIlVATi IN THK FOKE9T. THK HEATJTY OF THK FOREST BLESSED BY HER PRESENCE. sill. i:\TERS A LAKE AND, STANDING IN THE WATER, INVnkKS SIVA.
— 491 j sfj-UllfaT^nissreaTW || 4JI 161
IPS 5j^TO n
II 8 II
n ^ n f w-nwrr^a
21
162
5. PARVATl IX THK FOItKST.
[492—
n a CM, n
fTf??
XV
XX
x x
—502]
*TrlT
( 3rF* ^ w^tfw ) H^T SR^T
TJTSRTrTT waruft VlrS^ sg^^fTTSZTfH II ITT^tc^ f^mi («Q?T'5TrfTtjT)
rim TJ^JT XITIT ITT^T
srfij HT HT^T ff^gT n
. re
n a oo
VTTT n
164 6. PARVATi'.S HYMN MI illi: LUNAR FORTNIGHT. [503—
inn:
N*
TO
• XX X
UT^
X ^
ii. I'\KV.\Ti BQTOS v HYMN OF I'UAISB TO §IVA, ALLUDING TO EACH DAY OF THE LUNAH FORTNIGHT.
n t ii
—512] JjftHRrar ^llf^fal^fa: II < I! Jf>5
? n
-rT ^tfsrsf, sFTnrJtr: ?gT fa cjsj Trillin ^
t VTJTdi:
: u
o n H n
: THF?
166 6. PARVATl's HYMN OF THE LUNAR FORTNIGHT.
1*3
"3 S
Hfll
517] sTJTfUT 95JT;f^l3^reT: H 4 H
m:) SST-Ta life1 W^a ^f^T-^ %a*I-?firT : 0 II
.
wronrr
-^ Ha
168 6. PARVATl's HYMN OF THK LUNAR FORTNIGHT. [518 —
X N X X
X V
x xx
sift; s'f?;
^
'TO
-r>2»i
: R <
169
22
O M tt*0 M
era1 Iran ( rrf^My^Twnw )
r?a
170
?• SlVA COMES TO TEST PAKVATI.
[524 —
&IVA. DISGUISES HIMSELF AS AN ASCETIC, AND COMES TO PARVATt TO TEST HKU. HK URGES HER TO WORSHIP RAMA, NOT 6lVA.
5»f»r
~528i
ii « n
«jjf%
o ii
II \ II
^[ n y^= n
172
7. 6lV V rOMKS TO TKST PAR VAT I.
[529 -
N. V
V .XX X
N V X
* From here to l,e second half of .-ach lino
173
: IW, TT^f%1iZ5rTftl-rTT^ II M^o II
w? nt% ? i
fTT nfrT II
SR^T-WW ^rfr-srm ^nrmfH ? i TUT: ? 'H^ir ?F ^r f^/Mify ?
t \
(
fo ) 5ft?^ nwrF %arr, ?r
5HT-RT
174 9. PARV ATI'S REPLY. [540—
II i 8
H. CONTINUATION OF THE FOREGOING. SIVA, IN HIS CHARACTER OF
AN ASCETIC, ADVISES PARV ATI TO DEVOTE HERSELF TO RAMA
LAKSMI AND KRSNA
The 8th chapter is in Hindi, and is here omitted (vv. 545-552).
9. PARVATi'S REPLY. SHE TELLS THE DISGUISED ASCETIC TO GO TO
THH: DANIJAKA FOREST, WHERE HE WILL FIND THAT SIVA ALONE
IS TO BE WORSHIPPED.
« 1 9 Ii
-555] ^-rq^grTf^ ^1* sftilTWP II £ II l75
?ro: ^r
*-*g ^ro%-t snfas vngsn^ n y «o n
^51 ftfT Tlf^f^^ H?lTW TjftTT^fk I Tr*< «Tff
nr-^m gnnr-%
M a n
H ufrT
73 n tin « n
170 11. SIVA'S REI-I.V. [550 —
X V
%
5R5T
rf
S
10. PARVATl CONTINUES HEK ADVICE TO THE ASCETIC TO GO TO THE
DANDAKA FOREST. HE WILL THERE FIND THAT &IVA. IS ALL IN ALL,
THAT HE ALONE EXISTS, THAT HE IS BRAHMA, BHAGAVAT,
ALL THE GODS, AND ALL CREATION, AND THAT THERE
IS NO DUALITY.
The 10th chapter is in Hindi, and is here omitted (vv. 560-570).
l\. SIVA'S REPLY. HE PRAISES PARVATl'S BEAUTY, AND ARGUES THAT
S3 LOVELY A PERSON AS SHE SHOULD NOT UNDERTAKE
SUCH ASCETIC PRACTICES.
.A I
* From here to the end of the section, tli. >.•••,. nd half of <«noh li^ MI Hindi.
—574]
: 6 V i!
177
:, •erf? H ^r
: II «» II
: n ^ »
W^ffT ^ ^?ET: II U»1 II
f ^T
-t fgj,
f ?T- ito-it
13
178
1-- ^IVA ADVISES PARVATt.
[575 -
W 5^3? T^
* X «X X
X X
12. CONTINUATION OF THE FOREGOING. HE ADVISES HER TO GO
HOME. SlVA IS NOT A HOUSEHOLDER. HE IS N> T SO GLORI US
AS THE SUN, SO GRACIOUS AS VISNU, OR SO RIGHTEOUS AS
BRAHMA. SHE SHOULD WORSHIP THEM.
XX
T
X J X x
-581 J
Ra
179
tTT-fefll
II U®9 II
fcft
ii «=o ii
( ^r: ) -^faricr: ( ^ft )
M usy ii
111
|gQ I '2. SIVA ADVISKS PABVATI.
'
^q q^r
X -
SN X
I'
X X X
XX X X »N
^t: 4
-58«]
: r,
j Differ
«5ff£J
fSTlTJT, ( f f ^ ^f
Y|T
) fr!f ,
( ^t )
n ^ey n
182 l;> I'AKVA'i i:.Ki'i:o \CMK.S M\ \ [58? —
13. PARVATl ANGRILY REPROAC'HKS THK DISGUISED 6lVA, AND
ASSURES HIM THAT HE IS ATTKMPTLNG AN IMPOSSIBLE
TASK IN APPEALING TO HER.
-XX X'
if
^ ^^^ ^ IT^^-^ 3RT«Ix r«s || ^ 3
14. CONTINUATION OF PARVATl'S SPEECH. SHE THREATENS HIM AND PROCLAIMS SIVA AS THE ONE OBJECT OF WORSHIP.
183
( * ) ?¥ IT^O II 15 II
.sr: vrg- i
11 « cc n
ITH
u u<5o
^'tlT^m ) 5JlfH II 1 ^ II
II < 8 II
irift ^ ^
: («rT:) II U^Si II
) TTTlf
H, ?niT ^WifTIzi ^T^g ( ?^S^ ) I
r ii
184 I*- PARVATl KKI'KO VIIKS .SIVA.
X s» X V
rf
vCvj
ur-ftgr
—509 j 144 <A 4 Tprirfa ^MicfcH H ^s H 185
H ( f5T3 )
'TRTlftlT: H-'jg'
M
WTtTT
fntffi afwr
186 15. SIVA PLEASED REVEALS HIMSELF. [600
15. SlVA, PLEASED WITH PARVATl's CONSTANCY REVEALS HIMSELF IN
HIS PROPER FORM, AND PRAISES THE VIRTUES OF
CONSTANCY AND DEVOTION.
n ^ o o ii
'
f?i qrqi ?? ^u^r THI n
ITif II
—605]
187
n q8 n
: HTf Tta1 ^3:
: ;TTO ^'m^: f'f
II ^00 II
n q y n
188 16. 17. 18. PARV ATI'S HYMN IN PRAISE AND AWE OF SIVA. [007 —
16. DESCRIPTION OP THE GLORIOUS APPEARANCE OF SIVA AS HE RE- VEALED HIMSELF TO PABV ATI.
The 16th chapter is in Hindi, and is here omitted (vv. 607-617).
17. PARVATI SEES SIVA IN HIS PROPER FORM, AND BEGINS TO SING HIS PRAISES.
18. PARV ATI'S HYMN IN PRAISE AND AWE OF SIVA. SHE ENTREATS
HIM TO TAKE HER FOR HIS SPOUSE. HE PROMISES TO GRANT HEB PETITION, AND TELLS HER TO GO HOME AND WAIT FOR NARADA.
IT^R;
n ^ n
-623]
189
fag
II II
T ||
) wtt ^vr (
II f 1= II
( ^^ ) cRtrer f^-^ ( ^ ) i
^r ) fnn ( mi-aiT ) voi
: n ^0 IMO n
': II 1 H
inir u
190 18. PARV ATI's HYMN IN PRAISE AND AWE OF SIVA. [624 —
*J TO R3f rf ^ TO
•^"» ^ V X .Xx ^ V
TO q^ ?f
^ X ^
-628] «?lfi«.ei
191
firm
( gfanfftl )
: ) t ¥T (
T«
( cmr )
( wi^gf H )
192 19. SlVA COMFORTS THE AWE-STRICKEN PARVATI. [629
V X • N
19. &TVA COMFORTS THE AWE-STRICKEN PARVATI. HE PROMISES TO MARRY HER IN HER FATHER'S HOUSE, AND RETURNS TO KAILASA.
n
s
-634] rFrenraRs^ frr? r ^^ n \t n 193 : ( g*: ) gw *ni€$:-3 ( n^rorra ) t-
f qt
II wfrfi:
_ I
II 1= II
?ni: i
n ^ n
sn? n
QK
194 19. SlVA COMFORTS THE AWE-STRICKEN PARVATI. [635 —
rffa $JfT
f*Hsl I
ftra nf%-^q 3rtf?re
TOT
8 o
V X
II 8
—645] rR^TW^1 **^K^ *^cT || £ || 195
n ^u n
( 3 ) ^tf cfq I
( a?fHfr^i: ) n
( ^TT^ ) u
: nt ^i^f ^r^ffT ( ^vm ^rarnftr «f
:) II ^80 ||
lifer ftig: srfTfi^nr ( wfw^fwg^iffK: ) f ( ifri
f FT fjii^ uT^if: ^a^ n
r^fv ( n
fTW ^^I^lT^ ^^5 ( f :isI5fr5Tg ) I 5 H ufH II ^ 8* II
20. PABVATI LEAVES THE FOREST AND RETURNS HOME. [646—
X X ^» X
u
20. PABVATI LEAVES THE FOREST OF HER AUSTERITIES, AND RETURNS HOME. HER BECEPTION BY HEB PEOPLE.
tffa ^^ftW rf9 ^^ f^HTf 1
f«!«
X X *X
rffj?
sr
—655] *T|jf|4if: fraftwTJra cT^-prfej *rfw n ^o H 197
JTTO
JTHgisr
f wr n^mr ( grfii ) fsf^^ ^HT: ( ?ffr ) n
ftTHT ^ H «H II
II 5? • II
WTITHT
II ^H° II
( zr^ri'- )
( sfrT )
rrTO: ^w
ii
f HT^ff ^T W^T^ ( Hsfas?^ ) II
) ffcr: ^grurmftr $^JT w^r^r H^ HHTW: i
, % jftft, t-TRTfTTTfT, ifffe ^T^JTiraTT: ( ^n5TrT: ) II ^HU ll
198 21. HIMALAYA AND MENAKA PRAISE PARVATI. [656 —
v f
UT3TU X
I
21. HIMALAYA AND MENAKA PRAISE PARVATI.
rfNffa
rar
m
-662] :j5TR?2rr ^l<i*d^cWtfN«l| || || 199
II ^0 (I
rrar
erf rnnfSTWt ) ^|T ^^WT ( SR^ ) ^TJ^T 3JJf?Jni
: ( fdcTT ) ^ ^Jr^' ( HH^: ) «T*p fTWT: w£* H3TOT^ ) II
: HOT:
( ^ )
) n
200 22. THE UNIVERSE PRAISES PARVATI. [663 —
I
V
i ^^Ti II ^ ?
sss V »
22. PRAYER AND PRAISE ADDRESSED TO PARVATI BY THE WHOLE
UNIVERSE.
W
IffcT *T<T srarcTt ^jf ^t^ II ^ II 201
( SET ?jg- )
( fig1 ) WrFT^t
'O II
iifw
( f* ) Wf^?: H3 WrfiRt WT^JWrfsSlrTT II ^9 II
•Q
II ^ $ 8
) ^
202 23. TEE LEGEND OP TARAKA. [668 —
S. X
23. THE LEGEND OF THE ASTTRA TARAKA. HE OPPRESSES THE GODS.
SlVA TELLS HOW BRAHMA HAS EXPLAINED TO THEM THAT HE CAN ONLY BE CONQUERED BY SlVA'S SON, AND SENDS ARUNDHATI AND
THE SEVEN RSIS AND OTHERS TO HIMALAYA TO ASK HIM AND HIS WIFE TO GIVE THEIR DAUGHTER TO glVA IN MARRIAGE. THEY CON-
SENT. ARUNDHATI, ETC., RETURN TO BENARES AND INFORM &IVA.
HE IS PLEASED, AND DIRECT NARADA TO SUMMON BRAHMA, VISNU, AND
THE OTHER GODS.
rTfrT
-675] m\cT^rl<*^l«1<*^^M^H || ^ H 203
anift ( miforeiT ) W3T^ ntte *
n ** n
( STUFT: ) ^c
) f^t^T: W^T^ rrafCTTm*rr
HTI ^ n . -q-: rr
11 QU n
204 23. THE LEGEND OF TARAKA [676 —
X *>
II c • II
X ^ N V
fire IJ
A. x
—686] y*d<iTl<tiq (Wfa^W*! H ^ II 205
( gfeTjfa^T-rftFhaft ) ( ^ ) ^ s
' II
( fv )
( fr )
^S-H^^Tf ^f«rl Ha: HF f^iTnlT: II
\ \3 ^
f% ^rf5i •^ti-^rwi ??^3- i
TTT^i IlffT ^tf ^FtfTia't II
: ( ^f ) ^tf^rarer ^r^ajf^ ^fxnzrg i
: TTOT ( ^ ) ^-^3 H^'SllH (
II $ = 0 II
nai^
: n
: n
II c« II
: I!
206 23. THE LEGEND OF TARAKA. [687 —
••x v -J x
s s
X v X
ITfjf ^
^» x x x x x
—697] HficT^TTSfrsTTST* fa ^-M 4Uflx II ^ II 207
( ^1^ ) II
) f^Tf 5P fsr^T: fsraiw: f?nT«TT: ( ^ ) I T H'ST cFlT*: ^ H^T ^TlVi: f?TT^^mw: ( ^rfel ) II
r ( wf ^ti: H: ) i
11 ^e« n
ire^r irt^TT m ^iuHi-? n
: n
JWTHTH^fT H^TS
) w^r^giir ^fzirf-^: t
ii «y ii
: 5TR?: ^T: II
W f^f? 5t^f ( ^^ ) I
far^nt ?wt gi^ gr n
208 24. NARADA GOES TO VI^NTJ. [698 —
<£*r TO
-1^ 3[^^l^^ ^f^^-^? || 9 8
VV vJC^V VvXXN
24. NARAD A GOES TO VI§NTT, AND, AFTER PRAISING HIM, INFORMS HIM OF SIVA'S INTENDED MARRIAGE.
x x
X ^> X
73
i
XXX
X X X
7041
209
ii ^ n
II 8
f f:
210 24. NARAD A PRAISES VI§VtT. [704 —
fa
1
X X
f
N. V X N.
X X
|??I ^^1 TO
xx xx x
X • X
211
( ^i911 *3 ) ^^ (
f rTT-
soy
( ^fwrnj ) fg^jr: ITWT ^F^^TT mfv?n-€iTr:
: WOJ
n
212 24. NARAD A PRAISES VISNU. [710 —
X S, N X
si
-715] 5fTt || ^8 H 213
$ nf TTT:
II 910 II
WTtf^T
) : ) gwrfuaT: ( UTFT: ) i
"
214 25. VISNTJ'S REPLY AND WHAT FOLLOWS. [715 —
& 5* OT n M i m 8 n
25. VISNTT, PLEASED, DISPATCHES NARADA TO CALL BRAHMA AND THE
OTHER GODS. THEY ALL APPROACH SlVA. &IVA DISPATCHES NARADA TO WARN HIMALAYA, WHO NOTIFIES THE APPROACHING WED- DING. NARADA INFORMS glVA OF THIS. THE WEDDING PROCESSION IS FORMED AND STARTS. VISNU LEADS THE OTHER GODS.
T^ «lf9TO ^\
N ^. x
I
g^tft
^
f<nft*nr <T^TW n ^ 11 215
TJ?t-*TTfsigr: (
( w^ ) ar^f ( w^ ) vmfnvrm: ( -fw )
95T-;rrw
mm
) SffaHT-ftsT ^-sTgT^ «^T ( U^%: ), ( ^TT7; rf
f?HT
: II
fffTT
: n
216 25. VI^NU'S BEPLY AND WHAT FOLLOWS.
f\
rl^rfft
f^U 5TTT
TO ^T^ II
217
ii e^y ii
I ( -
( * ) II
II ae n
* a n
218 26. THE QANDHABVAS PRAISE VIS.NIJ. |"734—
26. THE GANDHARVAS PRAISE
II « 8
ii « ^ »i ii
—737]
219
II 98 II
220
26. THE QANDHARVAS PRAISE VISNtT. [738 —
fere
8 •
-740]
221
ferai ^ra^^r eif siFt
c?5T
(
( fsraf ) xTTf
f HTp?f
n ego
27. 28. THE AUTHOR'S TTNWOBTHINESS. [741-
27. THE AUTHOR EXPLAINS THAT HE CANNOT DESCRIBE THE
GLORY OF SIVA'S WEDDING, WHICH EVEN THE GODS
ARE UNABLE TO PRAISE.
?lf*? ^f W II *> 8 II
HI
q^JT ^ ^J^I *?5I rf
e\ s
28. THE AUTHOR AGAIN EXPRKSSES HIS INABILITY AND UNWORTH I NKS.-.
=\
xv -oC
-749]
223
: f^R
II 981 II ( 5JT^?3TT: ) I
: 11
f^F
n e«u n
( ?g )
II * a II
224
28. THE AUTHOR'S UN WORTHINESS.
[750 —
f *T*
S ^3 S N. •O V.
s
T
13
V X
* «r •r
-759] 5T3ra«h>*«l<«UT || V= (I 225
*fjt;r fifft-sf^r ^ vr^^a: n a^ifar
n
sm H($ar i gtorr 3^g-%$r;n ^jfer-w ^tvr 11% n
i
i: ?T
226
28. THE AUTHOR'S UNAVORTHINESS. [760 —
X X ^ X
X N
f 5
s* x X
n ^ o 0 \\
-770] S3WPtonW?[ II ^= II 227
RT TJW wi^cf ufa,* %
f?: fa)
: II
un* ari^
TTTT ^TTiff ^- ^w^H H4i3r: II
HT U^T m^g irffT, %-^iTT^m gut ^ i
T nfcT, ?^t 5^ u
II 990 ||
228 28. THE AUTHOR'S UNWORTHI.VESS [771 —
X J X J X
X N» X
X X s» X X XX
X T'x.X X
X X s» X
II ^> ^ 4,
X ^ X X *
X X J X s» X
X » X .» X X
I
-780] ^srarts^rfaj^fr ii v= II 229
: II llfa
2RTTIT3 sgf^T-^t !gftrT-H VTTg-^g TffffT: II
: ) i
n
: II
II 99* II
:. fTJ<[W: HT^WfTqr %W ^^TWIT: II
SCO || ^C |
230 29. THE WEDDING PROCESSION APPROACHES. [781 —
29. THE REJOICING IN THE HOME OF HIMALAYA AT THE APPROACHING
ARRIVAL OF SlVA. NARADA IDENTIFIES TO MENAKA THE MEMBERS
OF THE PROCESSION, AS FROM A HIGH TOWER SHE WATCHES THE
APPROACH. ' HER LAMENTATIONS ON SIVA, IN HIS ASCETIC
FORM, BEING POINTED OUT TO HER. SHE REFUSES TO
BE COMFORTED. PARVATI, ON THE OTHER HAND,
IS ENRAPTURED, AND CONSOLES HER MOTHER.
XXX
^
XX X
XXX
f ^
X X X
X XXV X XX
X X
-789] WcT^rWcTcT || ^ || 231
: m?rr:
«5jfrrsm?r
, nnir:
lIWTtr) ^T^tW-c!^ TOOT*: II 9=1 II HrT
far?:
nw
232 29. THE WEDDING PROCESSION APPROACHES. [790 —
Jjf^f rf* 3 ^ %
NX
too
—800] WcT^fWcTcT II ^<L II 233
f«fxnsr
30
(rfcSiT%) T-(^rTT-
^J: llf^T H?sfa-$ ftra-STT: II
234 29. THE WEDDING PROCESSION APPROACHES. [801 —
X s» X
1^ ^ I
*S
X - S
II « o 1 II
*
-81 1J
235
: II
II =»* II
: n
(TUT)
w* n ci° n
: "!iftf5rg: n
236 29. THE WEDDING PROCESSION APPROACHES [812 —
X X
n ^= e n
"
237
'iiftsT
: II
: II
f ^T
J €1: iwft ^ ^WT^: II
: *fff<6T firw^r^ n =^o n
f
:: II
238 29. THE WEDDING PROCESSION APPROACHES. [823 —
X s» X
XX
X
-J x x
: n
fT9r JftT- II
239
n =** n
ITHT: wrg; n^wq»w: n c^o n
TT|[T U^rTJ HTT ^laf^H1 eft f%WT5T!T: II
«unrH:
240 29. THE WEDDING PROCESSION APPROACHES. [834 —
fira
ff^? ?fk %
S
N S
N N S
1T T
v ^ II ^ 8
* v J'
—844] ^*d*TWdci II ^»L (I 241
agr-^ fis^r it
n
UTT
wi (3) irftfr-31
(^raw:) n
t u* $«n suftf! ^^r^9 vtmn
'fff^H
H?T: qmmk ^rircT: n
3TJTHT
* 31
30. PABVATl DESCRIBES SlVA's VIBTUES. (846-
x x X
V •
f?f
y
30. PABVATl DESCBIBES DIVA'S VIRTUES TO HEB MOTHER.
t
—852]
243
HT
( ^flrf )
: gr:
n «=8« n
ar
: u
II 9 <> II
244
30. PABVATl DESOBIBES SlVA's VIBTTTBS.
[853 —
S V
S V
iftf^l
—868] Mlc|cff ^?tfy|.«H^ <^«Ji«q<!J«(f<i U ^<> II 245
! n
H5T1T
: n
?TTIIT^ fgww ( tgif t^r: ) i
: II
30. PABVATl DBSOBIBES SlVA'S -VIRTUES. |S;V,»-
%
t
V N.
II « 1 • II
%
t
N x
t
—863] TTT^t ^f^=R5l *DT5*nr^TfcT || o || "247
f gram* TJ
STIT: sg ^tmrr: u
UT^ ^J
: 11 =^o n
: n
: II
- ( i[ain? )
: ii
248
30. PARVATI DESCRIBES SlVA's VlR'ftTES. [864 —
N >•
i^?: %
S. V
t
ii •
32
d || B o || 249
: n
: n =$ H n
T:
: n 5 °
250 31. MENAKA'S REPLY TO FARVATI.
31. MENAKA SCOLDS PARVATI FOB THUS SPEAKING WELL OP THE
HORRIBLE BRIDEGROOM. PARVATI JUSTIFIES HERSELF. NARADA
REPORTS THE STATE OF AFFAIRS TO SIVA,
3J* 3JS
rl* f^T ^^1 ^TT^T^ TOJ
ii ^^ i ii
Hft
-878] SRTZTT: «fcHi«: II ^\ II 251
II II
: far ( iffa-ftffm )
II = II
HUT ( WT^T ) ?T
ii =90 it
irer W^FT n cay n
: ( W^: ) II
Tj: STT^TfrT ^T^ T ( STTOfa: ) II
252 32. NABADA'S BEQUEST TO SIVA. [879 —
fair
ft*
I
32. NABADA PBAISES &IVA, AND ASKS HIM TO ABANDON HIS HORBIBLE FOBM.
X fiy
253
: f m-
ceo n
: n 51 n
*?tfW
( q^T^gr^H!^ ) srm fisr
254 32. NARABA*S REQUEST TO SIVA. [888
-892]
255
Ha1
n c«so n
IT?TT:
256 32. NABADA'S REQUEST TO SIVA. [893 —
?
^
\* V.
l-^JT ?f ^-mn c
\ ^
3STTSH3EJTO
- ^
f^r! ^^
257
fig
c^t
n =<5« n
cTTpf
ff m ( gwr )
33
258 33. SIVA TAKES A BEAUTIFUL AND ADORNED FORM. [889
33. SlVA TAKES A BEAUTIFUL AND ADORNED FORM. MKNAK.v's WONDER.
e\
NX
x x x
4, II
x x •
x x x
250
cT ( ^Rffff ) t 3«T^C II c«S«5 II
( f* ) ^-g^g gi^ H^ vn ?Ji^fifTg i
H«T5f WTOI ??%5 ^5Hl^ ^rRT »^T ^ II ^ 0 o ||
if snrfawifa f^fj sfff^fT T?W gr^r ^Rtr i
^ra^fashrw "i ^wl^ n
1 ff : ^TT^fTOT H^rfT I
JT^T^JT WTmiTjr ^^TIT n^fsLirTT u
WTIJT ^t Hg^f^ fgg^TITWJTfafrT I
M
Hct
: n
260 33. DIVA'S CHANGE OF APPEARANCE. [U08 —
rffa
V X X X
V »S
rf
XX
f?re
«^y v
TOR q^fa ^f»T TO
- \
—918] fy^eH^ <^T*Tl«il<yi$n*.ife^«i*Tt*!k II ^ II -'»!
U^fTSJ : I
T ?nf ??f
H»?f
Tf §T T: WBprni, 9TO STTrl. rTTf^ TI^IW: II
fti Jrfrwfti1 era:
t ^ ftH f^^TR^ II
11 <s« 11
are?; *rerar: (v: f^f t- ) n
2()2 34. MENAKA PRAISES SlVA. [919—
I II C 9
X
\
Xs V
TO
s v.
.'54. MENAKA, SEEING SIVA IN A FORM OF UNEARTHLY BEAUTY,
PBAISKS HIM.
X V
-927] TTiRfT t || ^8 || 263
^WTITrT
u <»*o u
BUTT
II «U^ II II
n «^^^ n
f H-W*TT
n
204 34. MKNAKA PRAISES SlVA. [928 —
^
X X X X
-933] fcirr fa n a n 265
sgrof?ra:
HTTU
11
f«r*9i?r )
34
266
34. MENAKA PRAISES §IVA.
[934—
f?!
II 3 8 II
—938]
26?
5I«Ei: WIT
HOT
?r: )
n » ii
268
:i5. MENAKA'S SATISFACTION.
[i)39
35. MENAKA'S SATISFACTION. I* I I
8 ° II
36. MENAKA CALLS UPON THE BRIDESMAIDS TO SING IN HONOtTR OF &IVA..
f5?
Xs3. «s
I
X N
t
N. X
-945] so-r^j ^M^f^ *FTT*rT ^€rW II ^ H 269
TT*
»nf«T
«fffar
' \
M ^H II
( ^^f^f )
270 37. THE BRIDESMAID'S SONG TO vigisru. [946 —
t
t
f
37. THE BRIDESMAIDS SING PRAISES OF VISNIT, WHO LEADS THE PROCESSION.
—950] ^Uy ^Twr5ff a14j|4: || 9 || 271
-( sfer )
11
: 5ffTJTrT: sflfgrt
II <589 II
fin:
272 37. THE BBIDESMAID'S SONG TO VX§NTJ. [951 —
f?r
*» • N
(I 273
35
274 38. THE WOMEN ASSEMBLE TO WATCH THE BKIDEGBOOM. F956-
fire
> V
ii 9 *> n
38. THE WOMEN ASSEMBLE TO WATCH THE BRIDEGROOM.
II 9 c II
30. THEY SING THE WEDDING SONG.
-962] WSirerf *f<HdrtH || ^ || 275
II 9 II
: n <ua n
X3
1 ff : TT5riv«n ^fl : ( W ) *?T3^ uf^T^-Hlfw: I ^: ^XT5rf^TtTT«ITf«: II
I
gr?5ir ^^mr-ciTw^ gsraaTR-gTOi 11
c ii
5 ) fv«n*ra-vshTO
39. THE WEDDING SONG. [963 —
f 3P
-967]
277
TTW
f Tlf?IrT
( g- )
) n
278 39. THE WEDDING SONG. [968 —
^f ITT^T
5513?
*s
T^f
X x X
X X
-973] euqmi Jrpra ii ^i n 279
( SRIT: ) xmwnt ( H*T )
( 5J^f^qi«rT^Tr«?T: ) TTlTlhp
Wf T3T: TI«T-f Wlff SJIITIH: ( ^ft^g ) II
) $%% TT^TSTT:: ^TF-.* ^f^JT ^ihr sftarf sr-
: TT^T-^ITT^f ^ffTJIcT: ( arf^q ) II
( irfmrrfH ) i : : TT^T-^ wiff WITH: ( ^ft^g ) n
: Trar-$<T1?f ^ETTITfT: ( ^ft^ ) II
280 40. THE BRIDESMAIDS PRAISE SlVA. [974
40. THE BRIDESMAIDS PBAISE S*IVA IN A SONG ACCOMPANIED BY DRUMS.*
N X N
^«f ^f rfi
X X X X
fifi
X X X
itf^r
* In each line of this song, the passage beginning with the mark should be read twice. The verses contain a varying number of lines and, at the end of each verse, verse 976 is to be repeated.
II 8° II 281
: ) % fr
n?* mug
282
40. THE BRIDESMAIDS PRAISE SlVA. [073 —
i «r«f«i
x x
ir^r
X x x • x
f ^ ^1 ^«T
^ x x x
• ^tlt ^^^ <TO
\ XX
x «x
N XX X
XX
X XX
TO 1* ^ rW H
^ v x xx
-983] ^TOH: ^T^tl jm || 8 o || 283
5?: i*
o ii <«eo
HTI^T T TO1
t
284 40. THE BRIDESMAIDS PRAISE SIVA. [983 —
T- o -
v. X
X X X
I I
VJ ^ X % X X
-987]
285
fsra ( *fa ^rw )
( OU!JTi*?;TT ) (
tfrflfal ^ )
[ 0 II i ) giHSfTIT ofET
f* oTSH^t tT ( fa^Wclt )
Tt rT3
o n ^e^ n
f%TT
286 41- A SONG IN PRAISE OF VISNU. [987 —
^r ?r«i
S S
Serf?! 5fts
II 8 » II
41. A SONG IN PRAISE OF VISNU.
XX
"faff
8 \ II 287
O || fTCOTTW* ( WUT )
TIITI^T II 80 II
^TTH ^-Sg
5 ( H^ )
JTTTf'rl O
( ^wi: )
( ^TJ 3T )
) sroufnT o
n 8 ^ II
: II «<=£ II
41. A SONG IN FBA.ISE OF VI§NU.
[992 —
*ft*3
I I
X v« X
fff
X * X
x x
-007 TJftfW^I JTT^ff || 8 II 280
) gnrtrf^ro n sale*?? ( ^ainft ) ifi-trg ( ?w )
fTTf W^^ 5TTTT (
)
fiHT
ummt ( ^fn ) ^gf^ ( *far )
) WWgSrff (
) frT
II
H^T rT^I
290 41. SONO TN PRAISE OF VI^Nti. |"998 —
v -^ x x
XX
X X
—1003] Tjftfsrsirew^T JIN fa ii a\ n 291
JT
|| qooo (I
)
292
41. SOKd IN ru\is|.' ;ii.- visvu.
[1003 —
»N X
-flf^
xx
XX
X ^ X X X
293
( SIT^^I ) ^TTlffTfT ( £cT )
( 53
(wr) WJTITI?
n
w)
204 42. SONG Of THE BRIDESMAIDS. [1009 —
rf
X X ^3 X
42. A PRAYER OF THE AUTHOR, UNDER THE FORM OF A SONQ OF THE BRIDESMAIDS.
f«ra
-ioi3]
^rthrfa 11 8^ » 295
m-^' 3im<
?TCT ) usmiihr (
)
: SHcf
n qoq o n
n 8 ?
( f^rrg^^ )
296
42.
far! *
W3 m;
V ^3 v v
fT U'WT
farf
-1018] :*i"«?jt7n«T^TTT 5gsifu*^f srNi'srfh' n s^ n 297
Tnnfir 5^ ^f fa M
38
298 42. SONO OF TTIR BRIDESMAIDS. [1019 —
Tf % Tf ^l
3 fa f^?f «B
f ft ^31^ W^ ?!!?[
• N.
fif^f ^1" tfr -N
| 8 V
>
i -*i%?l JTTT^T^T nara^r srrthrfa 11 a^ H 299
%-smrt
fcTf
f»T*JSlfff ^^ rT«[T JTrf-
300 13. SONG OF MfiNAKA. [1024
43. A PRAYER OF THE AUTHOR. UNDER THE FORM OF A 3OJIO SUNG BY MflVAKA.
\ • ^ 8
I*
N V
— 1029 *R3RT3TT5TTRT ^Si^T fa II 8 II 301
» II
n 10*8 n
n i°«u ii
ii
(
) I
302 43. A SONG OF MENAKA. [1029—
4 in*ft
34] *5T3RTJrrsren:T ??Sm f^T || 8 || 303
n qo^o it
nun?
t-'smft
) I
tl ) I
304 14 SONG OF THK WOMEN. [1035 —
rlt?f
t^r
44. A HYMN BY THE AUTHOR IN HIS OWN NAME, UNDER THB FORM OP A SONG SUNG BY THE WOMEN.
V X
i| wTT-^ft || 9 o a
88
?riar ( ^*rw )
ii » ^
suf;r-;?ro ( f^f^^rfw )
39
( fr^TTH^ ) (
( clrK S^Ht ) 5TTU
^
srm N 9099 it
TUT I
(irei) WT«: H
;}Q(J 44. SONO OF THE WOMEN.
?ft3
88
307
;rm
n 1030 n
ii 88 II
45. ADDRESS OF THE WOMEN TO PARVATI. [104(5
45. ANOTHER HYMN OF PRAISE BY THE AUTHOR, UNDER THE FORM OF THE WOMEN ADDRESSING PARVATI AS A &ARIKA BIRD.
\\ \ - a
sift
*ip* ii \ •
-1051]
11 ay. 11 309
n 81
31)
ai)
( Tif?rf5ai ai )
( trf^fl!! 5T )
( tjfafaT arr)
310 41). SONG IN PRAISE OF RASA-LILA. [1051 —
g y
111. PARABLE OF THK, MEANS OF SALVATION IN THE FORM OF A HYMN IN PRAISE OF THE RASA-LILA.
~
v X v
I I
^f •! ?!
( ufoftr gr ) $3 urm:
WTOUIT?*
5
( f?STT )
Tig^rt ^t^g JT srro n
II 311
f?9!TTW-IT
( ^f^rfw arr ) $*> grti^rfsEj^fTi^ u . u n
( H ^rtr: ) ^fW wxnf gg; <f 5 ?n«r n i o y ^ n
312 -tO. SONG IN PRATSK OF RASA-LTLA. [1057 -
rf
rf
rf ^r-^ i
^ rf Wt-rft1 ||
rf ^ft-^ft rf ^ft-llt !
rf nV r?
V S
rf *ft-*ft II
rT ^Tt rf *
s
rf ^f>-^t 3J1 ?f rf
X X X ^ V
rf wt-«> II
f?I rf
S ** X • X X
?f «>-^ft
?T rf W|-
8< H 313
firf
: VJriiT^t II
H
srro 11
( 5«ff ai UTJT )
.Q
jT 5T1W II S f^o II 8^ II
47. SONG OF SALVATION. [1061 —
47. PRAISE BY THE AUTHOR UNDKR THE FORM OF A PARABLE SUNG BY THOSE DESIROUS OF SALVATION.
aw ^ &% TiT
^ X «v sS S
f*mT*f
315
%<Rrctmn:
) f W-
%-si wft ti 10^1 ii
: %-aroft ii
: t-aiwt n ) ^f m
316
48. WELCOME TO THE GUEST ;.
-^ OTt qf% "TO
a*
48. THE ASSEMBLING AND FEASTING OF THE V^jIDDING PARTY. THEY THEN COMMENCE THE WORSHIP OF THE DEITY OF THE HOtJSE-DOOR.
ftf? II
-107!]
317
: ( ?3 ) f ^
TJ^l
: ( ^%5i )
( wif in^^rffr )
) f unH^rm ( ^ )
1090
fgi-^m ( ^ ^?
II 89 II
318 -9. SONG OF THE WOMEN-GUESTS. [1071 —
49. THE SONG OF THE WOMEN OF THE WEDDING PARTY AT THIS WORSHIP.
S
- H
•f ft?
-107I.J
UITTr
( WHf i: ) WtT^T: ( H^WltJTJTH^T )
: II 8«= II
909* M
49 SONG OF THE WOMEN-GUESTS. [1076 —
e\\>
ii
"
—1081] cTo^rra 'T^^pfaTwrT*! fa^^ 11 at 11 321
: irftftirr: worn HTJT:
41
( ^g %^Vq^R: ) II
f^fcTf
322 5^- THE WEDDING DINNEB. [1082—
X ^ X X
50. THE ARRIVAL OF MAHADEVA HIMSELF. THE WEDDING
X X
X X
X ^ X -
^^ ^^ U*T t^fTT TO
e\ v ^s»
xx XX
N X XX X J
f)l. A FURTHER DESCRIITIOX OF THF. \VKI'
.1089 cf^ *w<l<^TJlTR€TfJT || y^o || y || 323
II 8<5 II
) ^WT VTTcRt
VTrS
fgr
(
II HO ||
JT ( w^i^i^ ) ?^n»r mfxm-^hi n
324
51. THE WEDTUNG DINNER.
[1082—
-it«94] cTC^ jTTT^^Nwrerwj » yj^ H 325
)
amwmrn mT-TT: n ien»o n
JTfft
^H p^
5fiT-sTT*r ^^IT ( TJI )
W. fff 5 ( q^ )
iran^r n
II «JO<*y II
I
Tffff: I II
326
52. SONG OF MENA.
ufflr ^ff
V N v
N
^l ..-. ^x, x x ^^ x
%
52. THE JOYFUL SONG OF MKNA.
—1107] srjrerw TR-RTf JTT*T?T I!
- 327
m )
: ii IROO ii
f Uf xfT ^W?7m : ) 5TITft«ST: ^fT^If^r ^ wl: ufgft-^ U H 1
II 9 ley ||
( ^f^r^f )
*t TKfarf-^ o II
328
52. SONG OF MENA.
[1108—
rf?f
iffar-<5i<a
13
V X
V X X
— 1113J
329
i ( fro ) q-^-^
••3 €t
fat
0 II
STTrf^ (
o n
o n
330 53. THE GODS AND BRAHMANS RECITE VEDIO HYMNS. [1113 —
53. THE GODS AND BRAHMANS RECITE VEDIC HYMNS.
II ^ < 8
1
X \ x N
i 122] ?& ^rtffijftfcTfo^H nsffTfr froiftfo
f f^ftfrf II 1 II
TlrT ^:
O
5nTTTT!I?!i:
332
. SONG FOR THE PU?PAPUJA.
[1123—^
x x
W3
^ x x
Till II U
x xx
fi II
xx s
X X X XX
II ^ 9
, I 9ONG 'it :iii-. ; ; - i , IUO0S FOi;
UNDKi: WIIH 11 I'AKVAT'l
X ^ X
Wtrft^Hlcfl^T
—1132] umiMm ^tcT' || "i 8 || 333
: Wi»ar:
f ?!T
^??ir ^rfi wW ( im^f ) ?ITT
) n
) f ^
: it ^ a n
: II
334
64. SONG FOR THE PU§PAPUJA.
[1132 —
fa %
I
-11371
335
JTTrf
( TTTcTan )
^TJT
: o n
: <> n
: o ( Ef^pgrifteTW )
x3
Hf^rf ^ ??^T^n% ?T^rrfw ( ^m )
) ^m: ffrT: (sjpSTTfa: ) ( ?T^ )
) •?fterwT$3Tc*rT ( fwcj; )
: o n
f H'- w^^t^?!! ( fsri* ) ^^FTT^T T^TIITTS (IT?)
336
54. SON« FOR THE PUSPAPTTJS
t
%
f^s
-1 14:51
: || 18 || t f ?rr ( few% )
337
: 0 II
: o I) 1180 II
: 0
H tM w vfl | q I*. 0 II
43
338 55. SONO IN PRAISE OF SlYA. [1143—
I I
[TW3 3
i
% ^to H t 8
55. SONG IN PRAISE OF &IVA 81TNG AT THE PUSPA PUJA ,
JIT II \ \ 9 1 II
S " V
1148] JiamnpTcn' ^tMjft^ wtfa II YJJJI 339
: o II
: firft fraiT: ( ^H- ) : o II U 8 II
n 498y n
cJHH^UHl
o II
o n
340 55- SONG IN PRAISE OF SlVA. [1148 —
JIT I!
—1153] swnprT: at: s ii 4,4, n
0 II
0 II
0
o II <iqtio II
o n : ^r ci^d 1-^*1 -rr^ft
0 II
342 50. PRAISE OF SiVA AND A LIST OF HOLY PLACES. [1154 —
turn
rf
ll i in
56. PRAISE OF SIVA AT THE PUSPA-FUJA, INCLUDING A LIST OF HOLY PLACES.
fan
-1159]
343
0 II 91 ^H II
( HJ^H^TJ ) ^iTi 1W- T?HT«?TIM ^T •C
II HU II
( fgipn ) n ^ quo n
344 ~'r' PRAISE OF §IVA AND A LIST OF HOLY PLACES. [1159—
xfru
— 1104]
345
: ^rf^FT
44
346 56. PRAISE OF 4lVA AND A LIST OF HOLY PLACES. fllli.'i —
f t-
?r ?r
XX
347
: ( Tan: ) 3*TTOT: ( rTr^r^r ) ( TT?IT )
( H'-jft^iy )
348 56. PRAISE OF SIVA AND A LIST OF HOLY PLACES. [1170 —
f ft-ft^ qfa
W q>U-^flT II
q>U-g?TT II ? ^ «>H II
1175] ^: 3*TC ^PWT^ II 1«( II 349
n qqs>o 11
( •dtjiiUllTl ^[^T )
=h M S
II <J19Vi II
350 56 PRAISE OF SIVA AND A LIST OF HOLYT l'LA<T;~. H7<
X V V.
-1181] W3^: STTq SWJiJSTTSW: II «i< || 351
j I fa « *I1 Qd fri
( ^rfrraiTfa )
) I
352 58. SONH OF THK FAITHFfl, AT THK PtT^PA-PUJA. [1181 —
57. THE PROCEDURE AT THE PUSPA-PUJA.
*ff»r
flI5f-ffI^
XX
x e\ x
68. A RAlTI'Kol s S^NC OK THE KAITMTIM, AT THK PUSI'A : IN HONOK OK SIVA.
-1188!
353
frtrt ( H )
1lf*jH
fcRJTH
ufn ( ^r )
nt?in
) I
: n us n
354
SONQ OF THE FAITHFUL AT THE PUSPA-PDJA. [1188 —
fl^T
' V V
-1193J
355
o II
o n ii«so n
rT^T
o n
0 II
356 58. SONG OF THE FAITHFUI, AT THE PtT^PA-PUJA.
?
351
o n
o II
o II
358 •r>!)- SONG ON PUTTING ON THE WEDDING OAKLAND [III)!) —
I i
ffTTf
51). SONG ON PUTTING ON THE WKDMING (.\IM.\M)
-flT^I* II U ° «
N v
—1204] tjzjqjTT^rriWijcT jro H <i£ H 35y
0 II
) -g-^i^-g^r fgwrw (
i o n 1^00 n
141*4 "-
o n
( tn )
r^«ti ( ^ )
0 M
: )
o n y=
360 •"'•'• ^ONG ON PUTTfNO ON THIC \VMDDINr, O-VRI, WD. [1205 —
X X
1*55^
sirf«f 3r
X
^ it* I
X N
V X
-I .MO! ^sqJTT^FRJTlt JTT? || <i<£_ || 361
0 II <UO« II
- M ifn «i o ii
0 II tj >af1d!t*JI )
( ^gr )
. 0 II
%-'4?)«<i!irn«j,
46
( ^r^ fciyr^ ) i
362 59. SONG ON PUTTING ON THE WEDDING GARLAND. [1210 —
m;
«\ V X
n
X N
^ N J X
N X
1215] OT*rn?TT«Ri*nfT irncr » *£ H 363
( ^?W^^ ^ )
rT f^nr^r (
0 II
<*r<ysi
0 II
•0
JTrT
o ii
: ( fei'5H: ) - *<* I fa < o II
( arrer^g^^r ^ ) ^r^g wirHfijHniTT ( Trn
?
( w^j ) fa'
? ( grfairH^^T cfl ) I
364 59. SONG ON PUTTING ON THE WEDDING GARLAND. [121G —
X X
XX X
— 12211
o it
o II
( ^^f ^ )
o it
O II RS^O II
f?*n^rtni3H:
365
366 60. THE GOLDEN SNOWFALL [1221 —
60. THE WOMEN ('OMl'LAIN THAT THE UKIDE IIAs Ml i >I!N AGENTS \ CKE'AIES GOLLt, AND IT IS SHOWEKED LIKE SNOW UPON THE BRIDE.
fqf^j
JT^5?
X *S
V X
XXV
x xx
rf?J
XVx
B228
0 II Vt«S II
II 1^^ II
: ( 1% )
•C
368 ft'- PRAISE TO AlVA FOR THE GOLDEN SNOWFALL
5fiiT ?! W*
«J UT^ ?f T^T^ ^5? ^«J ^^51 013 It). 9 9 °
v X * X X
iq«f it
X
5|tftf5|^ TTfffi^T^ II i ° II
61. SONG OF PRAISE TO SIVA, ON ACCOUNT OF THE SHOWER OF GOLDEN SNOW.
W;
•x .<X
]f '
* ' <K
—1236]
369
rlfT'-
* II
II
) II
n <u8 n
47
370 61. PRAISE TO .4lVA FOR THE GOLDEN SNOWFALL. [12,'57—
-1242J *flf*T5nfJ!T3;T! j^W IT || < H 371
|ittnMeM*.y
372 63. THE GOLDEN SNOW-DRIFTS. [1242—
62. THE GUESTS DECIDE TO CLIMB ON TO THE ROOFS OF THE HOUSES
tl 8
5e}51 ^f^ ^^«^ JT^^ II 4
»X V ^ N^
63. THE PEOPLE SHOVEL THE GOLDEN SNOW FROM THE ROOFS, AND
FIND THAT THE ROADS ARE BLOCKED UP WITH IT. THEY
LAMENT THE INCONVENIENCE OF THE UNIVERSAL
WEALTH AND INDRA RECOMMENDS THEM
TO ASK $IVA TO STOP THE FALL.
a i ii
site
373
II II
) ^i^^i-'tW r»(Ud«l 'JJT^iil *4r«Bd«?!T^ II 1^8^ II
: ^IrTT- WrTT
: II 9 il
0 II
0 II
374 fi5- EARTH IMPLORES SIVA TO STOP THE FALL OF GOLD. [1248 —
*
x N X
qiT
\ * i o ii f£
04. THE EARTH FINDS THE WEIGHT OF THE GOLD INCONVENIENT.
i
f it ^ y, MI
M 8 II
65. THE EAKII1 IMTLDKIC-i -IN \ I" 8TOF I H K KALI, OK (i
-1253]
375
( ^fJeJT?*? ) *fif*ri ulriri ( JTT ) ^Iglfa (
o ||
o II
eh ij flirt
H^rTT
: fll?
« II
n 3 8 "
II 1 II
( ^f^«i )
376 6'- EARTH IMPLORES SlVA TO STOT THE FALL OF GOLD. I 1254 —
f 3
tfi
5fiii«i
( ^^^|[H )
48
fif). THE GODS PRAISE AlVA [1259 —
11 « 11
66. THE GODS, DISTRACTED BY THK IMMENSE MASS OF THE GOLDEN
SNOW PRAISE SIVA, AND CONFESS THAT THEY HAVE
MORE THAN THEY REQUIRE.
<rf;-itf^« ii ii
I I I
fr? I
II 9^^ II
380 66. THE GODS PRAISE SIVA. [1266 —
\ n
^I^ TO ^fft^ft* II ^ ^ 1, II
381
( f^T^cm^ )
II 1!*9O II
- c«i fy n
inir
07.
PRAYEH FOR < 'Kss ATI ON OF SHOWER OF GOLD. [1277-
wsft
67. THE PEOPLE PRAY TO SIVA FOR THE CESSATION OF THE SHOWKK OK (iOLD.
gftsf t%^^:q
vj ^
?T 1Z?*?* || ?
Tf?r
—1285] ~rhfiU3:ffra*rrr^TT || <« || 383
i'W fyq«rw
^3 <-M frf TCI kTM3i n '• ^ w -e K I *T%*I- c^ftT II
^ « si : ^TT= o3
: II 9^ = 0 II
oc
HJI^H n
-Q
( ^^T 3TT ) ^ 'Ui*?)^ ( ^TOlrl. )
( ^?Ud^*l ) II 9^ = 8 II
^T ^t ( ^r ) n «j^=y n
384 67. PRAYER FOR CESSATION OF SHOWER OF GOLD. [1280—
V V X
X V V
x x
Xxx
x x
%- facial ftTH UW;[: W3, W ( ^ )
(arww) ?r%ri, sfhi
U <L
•C1
W^ ( ^wrgn: ) ^rf^r ^3W n»r ^T: ^rf^r ^^, ( ^pnij ) i
Vit*i»f: |^%^ra ^T^TT ^rf^T 'UuUriyT^ (
49
386 08. RESTORATION OF WORLD TO FORMER CONDITION. [1291-
xxx
G8. MAHADEVA ASKS THEM WHY THEY ARE FRIGHTENED. THEY REPLY
THAT THE EARTH IS COVERED WITH GOLD AND WILL NOT PRODUCE
FRUIT. MOREOVER, THERE WILL BE NO LONGER ANY DISTINCTION
OF RICH AND POOR. HE DIRECTS THE WIND-GOD TO COLLECT
THE GOLD IN A HEAP. THIS IS DONE AND THE WORLD IS
RESTORED TO ITS FORMER CONDITION.
5^5?
»r1%
387
r : vrer
II
II ^9 II
( Wtft^TO: ) I
388 C8. KESTORATION OF WORLD TO FORMER CONDITION, [1298—
swf?r fire
XX X
» 3
\
X X
-1307J JTfT^J «T ITcT |) ^ || 389
rTH*
( ^TTfeltc^»iH )
rHia ( Hr^iT^rg ) ^1*151!^ ^TH^TT^ :JiarlfCr| ( ^^ai«T-
II 1^00 II
rUcj-*ii-=i
n ioy u
T ( ^rffg^ ^ ) Hm Frt : «fi
( ^^ ) ^.ur^l
390 69. THE AUTHOR PRAISES 3lVA THE OMNIPOTENT. 1 1 308-
69. THE AUTHOR PRA1SKS SIVA THE OMNIPOTENT.
|| ? 3 9
X x ^
?;T?I
— 13131
39 1
( ^T^iiitrM^M )
*H^lTr*l=»ilTcaTJ!MI:
II 1310 II
392
70. HIMALAYA'S GRATITUDE TO VISNTT.
[1313
70. HIMALAYA'S JOY AND ORATITUDE TO VISNU FOR BEING SIVA'S BEST MAX.
rffr?
II ^o
mo]
: <iriq<H
M ^<£ II
( (g ) u
( awforf 5T W^tfw ) rl^ STftiRT ^ ^ (
•o N ^•T )
t ( cJ^U^LJ^ ITyT^f: )
: t
TTTIW nf?T II f H-WJT rlt
50
394 7J. HIMALAYA PRAISES VISNTT. [1320-
71. HIMALAYA PRAISES VISNTT FOR HIS MERCY AND FOR HIS INCARNATIONS, ESPECIALLY THAT OF KRSNA.
395
( H^d )
396 71. HIMALAYA PRAISES VISVtT. [1325 —
-1330] ^fdJimTfa: ff*m*nr: f || 3 || 397
( gijT ) 5^: wtwr
( T ITrT? ) H^ ^"TclTWT
II tO II
39H
72. LED BY NARADA, ALL PRAISE VISNU. [1331 —
\ ^3 N.
72. VI^ISTU IS PLEASED. LED BY NARADA, ALL UNITE IN PRAISING HIM.
—1337]
399
-ri ^ ( W3 ) fgf%rt ( rTrgTT% ) TR^f
) II
?-^ irar? ^ ^rfw
400 73. HIMALAYA AGAIN PRAISES NARAYAXA. [1338
73. HIMALAYA AGAIN PRAISES NARAYAVA.
V V
? 8 « II
^
X X
•>> x
XX
fiw-wr
—1343]
40 1
II 1^80 II
rTT^R ^T:
^io n
r ( ^T^vng1 )
) i
51
402 74. DIVA'S RELIGIOUS INSTRUCTION TO NARAD A. [1344 —
V X
n ^ a fl^il ^
74. SIVA GIVES RELIGIOUS INSTRUCTION TO NARAD A, RECOMMENDING INWARD ASCETICISM WHILE LIVING OUTWARDLY A WORDILY LIFE.
H^ff^f wi «i ^T li^rm^
V V V V v
ffa II ? 9 « d ||
— 1349J
HH*
( ^
(fa^k)
IPJf ^^T SrTT ficT-?I5T-rt-nfH VTD^qy II
n i««j n
404 74. SIVA'S RELIGIOUS INSTRUCTION- TO VARADA [1350—
fftfrl
iff v
X X X
XX
X X
-l:if>.,j
405
( f^STTt W3 ^r ) ( ^JTSTSTcTrt ) ^
o II
H-ZirfTI
t TJI^rff )
406 70. MENAKA'S SONG OF GRATITUDE. 1. ",."."> —
ii i a i M it ^ a
x
75. THE GUESTS PREPARE TO DEPART. GRATITUDE OF ALL, INCLUDING VISNU FOR THIS INSTRUCTION.
V " X XX
TTU
76. MfiNAKA's SONG OF GRATITUDE.
II ° II
—1362] %*r^tWit jftfcT^T^f Wtfa || S<( || 407
o II 1$** II 98 II
HT
: ^if^Irf
^rtt
n q u ^ n
II 95i II
) ^ ( f*^HI ) II *$$0 II
%-fsiarJTni
408 77. THE AUTHOR PRAISES VISXU. [ I 362—
V V
77 THE AUTHOR PRAISES VI81JU, WHO STANDS AS FATHER OF THE BRIDEGROOM.
400
^t^mT Wl' :o II
iT ajaj^T T^JT 'fl»jTT
a i «in * m M i : o II
* ^^T^fTT rT5?TWTTO^l^I^:'Z^ fTm^t^T^^m «?T 3W5T It f ^fTT^T^T ^fttfirnwl ^T^t Tl^f ^e^f^T II
j «wf%^tasi^NF«iftNrT*38w«!wf^
52
410 77. THE AUTHOR PRAISKS VI§NU. [1368 —
*ft-lft
N v
41 1
( Hct.)
T ( ^T )
,.?! iy l
M 190 II
412 77. THE AUTHOR PRAISE* Vl$Nl [1373-
ftp ?
N Ov X
Tffr ^rapfiT^ ii
-1377J W&TW fcfB!WfHH*ftl\r5r ^fa II «« II 413
; ) tntpnfnn: tf ( H 13 )
*t MIMI '0 II
t ) T(T ^ ^rf^T u*iar
II q9li II
•114 78. ANOTHER 3ONCJ OF MKN\K\ IN PR\ISK OF VI^NU. [1377 —
1 Wt-WT
«f-?f fits?
78. ANOTHER SONG OF MKNAKA IN PRAISE OB' VISNU, DETAILINC THE EXPLOITS OF THE YOUTHFUL KRSNA.
X »N
?IT1
415
f?nin!r-=rf?T o ii
( Hlrt4IM'?
n as n
U U
416 78. ANOTIIKI; SONC; OF MBNAKA. IN PRAISE OF viSNrrr. [1383 -
X
»?fr
X »N
ift-^t
417
M <=u n
* ^ 63
418 78. ANOTHER SONCl OF MKNAKA IN PRATSE OF VI§NU. [1388 —
n c o n
V .\ v
—1393]
419
( jiwwi ^rn )
420 78. ANOTHER SONG OF MENAKA IN PBAISE OF VI§^TJ. [1394—
II ^ «£A II
—1399] ^ffrf 3fttf5nf^T UTfcT || S^ || 421
) ( rFBT ) n
( HT )
•C «C
) Trf'Uc^l ( *^IHHm ) frjTO- ( rT^^^ni ) ^TTTW (
( ^rwrfirj; ^ )
%-feJHjri fggmcreT ( rT^^raifT: ) IT^W
422 80. THE AUTHOR PRAISES SIVA AND VI§NU AS ONE. [1399—
79. THE AUTHOR TAKING AS HIS TEXT THE PARTING EMBHACK
BETWEEN VISNU AND SIVA, EXPLAINS THAT VISNU AND
SIVA ARE ONE.
II \ 8 o o ||
VJ V
80. THE AUTHOR ADDRESSES PRAISES TO SIVA AN'D VISNTU AS ONB.
—1405]
423
*IWo II 9= II
( ownt^" ) ^T^ ^TT^q" ( 1 : ) H
-mucien-«ti
II 1800
HTZT II 180^ II
( ^?Ni ) fT
424 80. THE AUTHOR PRAISKS SIVA AND VJBNTJ AS ONE. [14'>!i —
rffa
t fugr t
rPt3
1411] TC[Tll^W ITTRn rf || ^° || 425
inirilF gTOTjTzm^rr ( fd-^VHl ^ ) c=J+id
gro n
cTH
II 1810 II
54
i
426 81. PRAISE OK NARAYANA AS ONE WITH SIVA. [1411-
?-?!t%
N.
tit
^
81. PBAISB OF THE ANTABYAMIN NARAYANA AS ONE WITH SlVA.
II 8^8 II
II 8
—14 16] Tc{^W srncnra *tcT || ^=\ II 427
H ( fein^T ) ^Hrl-rcHUsM^Nr WSJ I
) H
II =0 II
u « i H# Ujjl H i -•r^r-wt : u 1818 n
428 81. PRAISE OF NARAYANA AS ONE WITH SIVA [1417 —
II
1 ^tm 55I?T ^
« ° H
— I422J
PO II fel^JM1**!
:o II 18^0 II
lrf?T
.
430 S|. I'
1'KAISK OF .\\KAYA\A A- ONE WITH &IVA. [1422—
II ^ 8
431
n o II
432 SL\ HIM \TjAVA I'KAISJCS KKSNA. [1428—
8 °
82. HIMALAYA PHA1SKS
V S »N V
II ^ 8
* Hindi.
•R II 433
?T?mT ofT
nar
:o n
rT^of
: HST
tio n 18^0 ii
( *r ) ^i n^sm fcraarmff (
fwfo
434 32 HIMALAYA PR-USE-^ KRSV\. [1433 -
»5f?T
n ^ 8
* Hindi.
—1436] THTSnr: Sra II c^ II 435
n waif ( g<taT«TfafTi )
. HT
*4 y\ <4 1 -
II SBy II
: iHUMI (
436 82. HIMALAYA PRAISES KRStfA. [1437
I 51 ?3
X x 7*. x
x x
X *» x ^ X X
rR
-f ?!
-1440]
WT
win
( HT^ )
: U*(i1«T5 I
^rr wg ^^Fwg. ^r^r ^r^iir ( ^ )
'S «ixf)<rio II
( ^ITfjJWJT ) ^i
: Tjrfi'* HcT
(
438 83. THE WOMEN-FOLK PRAISE K^S^A, [144U —
B B
V V
83. THE WOMEN-FOLK DANCE THE RASA DANCE AS GOPIS, AND PKAISE K?SNA.
II ^ 8 8
V * V
*=? H i:;(»
II 188o II
H
, ^7T if u«i-;
II 188^ II
) 4riM)«liI<4'
« OM I *Tl -T-f^F (
: ) I
S3. THE WOMKN-FOLK I'RA ISE K?9^A. [1445 -
8 8
if
?T
S
—U50] «TO%*T: inm*W^T JTref'fl B II 441
II 188* II
XTFT
n <uyo u 56
442 83. THE WOMEN FOLK PRAISE Kt^NTA. [1451—
X X
8 ** ii
X X
-1456] <5T^f%nr: UWgW^ TTPTfsrT M ^ H 443
JTrTt ( Slf ) ^5^f ^T?
t ( ^ ) I
n ( ^rwn: ) air fffrr ^^^^ (
T II
aj'<jnT?TTT
444
.83. THE WOMEN-FOLK PRAISE K^^NA. [1456—
V V.
n
^8^0 ||
S. V
—1461]
445
( ^^T^m: ) wfcr-^nsi ( iiD^mi*.u )
( wf^t ) TOT ( ^gfxi )
^ftirei ^rf^T ( ^JTJ ) ( »TtlTT^ )
11 qg^o 11
446 83. THE WOMEN-FOLK PRAISE K^SIjrA. [1462 —
II
n
r ^T^i^
V N.
TT^T T^ || * 8 i
V N *
q?f
-1467]
447
TTct
5 ^^: ( "UTHH^iaj^TclTcI. ) dU
448 84. A METAPHORICAL PBAYEB TO KRSiyA. [1467 —
84. A METAPHORICAL PRAYER TO KRSNA UNDER THE FORM OF A SONG SUNG AT THE RASA DANCE.*
8 II
*rf4-
* In each line of this aong, the passage beginning with th« mark should be read twio».
-1472] TsftSTHJT *nl?*lHr TTRfa || ^8 II 449
: ccjl*jd
( ^l^H^T )
( ^^ ) ^i^JT*
VFfin'- ( ceJ«T)l|IMT: ) ft WITT
450
84. A METAPHORICAL PRAYER TO KR^HA. [1473—
8 « i
I I -*>
ftf-
-1478] ?f\WIS *TgW^<* JTT5TPT || *=8 j| 451
'JJIJIHT
ii t89^ ii
'HUTCH
452 84. A METAPHORICAL PRAYER TO KKSN-.Y. [1478 —
^ft-^ft
I
'1483I *yil *TJJW%oT JTTqfrT || *=8 || 453
( H ) *rw w
ITIT
u^sjy
454 84. A METAPHORICAL PRAYER TO KR§NA. [1484 —
ll l a
f?i
- o
1489] Ts&m *nM<y( TRfrT || ^8 || 455
*«Hn»T?MriMi
rim«\g<$4
cmisj
II 18=V( II
: ITrTT'
HlflfTi:
456 85. THE SALUTATTON OF PARVATK [1489 —
?- ° mi
85. THE SALUTATION OF V MtVATl AS SIIK MOr\TKI> THK WEDDING CAB.
flfz ^i^r^r ^tft u t 8 c 9
V X v x
-1494]
457
: ( ^«h*iyiH^ )
(% rd^<t^lfT gr) f^nir: ( 1%^^?^^ gr )
( "H^^^ym ) Y
II C8 II
58
458
86. PRAISE OF PARVATl AS §ARIKA. [149'" —
.86. PRAISE OF PARVATl AS SARIKi.
R ^]T3T
• •^
f « « «
v^
—1502] ^^TTT^T^iTT ^TcfcfT ^tfcT || ^< || 469
( uUj^n?! ) ?rer
: HT
armzn
?£pbnfi:% n qyoo n
HWUH-
460 86. PBAISE OF PABVAT! AS &ABIKA. 1503 —
S
'Rf
— 15081 TsfoufTSfiT^Tt tJRcff ^fcf R
trfa
II 1UOU II
^-'ra ( 5nHf<amciit*4: )
461
faijf% UIUT^T WTTT^
M lA*^ 0 II
*H I*S1 ^|i|->3f M-etlK-
( T^J 'ggfehrsr^Trtffefw^ )
Uf WJIM
462 86. PRAISE OK PARVATI AS 3ARIKA.
Tltfa ^
x
te II *rtfV 3?^
i 'i ••
u1,:;
it qyto ii
464
87.
87
. PRAISE OF PARVATI AS
-15101 :35?fcr¥T*7:3ft:KTTt "qrffff *^fa || ^3 || 405
'ft Til*?) ^rfj
( HJ^aiiiTTT ) wrenfa
59
87 PRAISE OK PAHVATI \S T AHAU AJ \ I.
n i ^ • ii
V N. X X S
1524] ^staTTTTst^Tt TTr«f ffT || ^=3 n H;
J ( ^ffti )
M swift
tT «J5i: ( Wlf^T: )
"ca IwilH^ II
468
87. PRAISE OF PARVATl AS MAHARXjSI. [1525—
XXV
-1530] JTTTrrt^n wi ffa 11 ^=s> n 469
: ftTHT WTHT
ii tu^H ii
3IHTrTT:
r^Far^JT (
470 88. A PRAYER 01' THE AUTHOR TO !§1VA. [1530—
>
88. A l•^;A^KK OK TMI: ACTHUK m si\ AJ
-I535|
471
nrrrni! o n
( ^^rT^TW^ )
=9 II
irfw
?rr
472 SS. \ PRAYKR OF THIC \UTHOR TO 4lVA. [1636
473
( ^jv7T%?r )
60
474 SH. PRAISE OF VISNU AS ONE WITH SIVA.
89. PRAISE OF VISN-U AS ONE WITH SlVA.
8 «? II
XX
I I
1546] ncWTT ftw 1% || *=<«. || 475
IWTH-( ^rcreiTST- ) wv ( fsra )
476 90. HYMN IN PRAISE OF THE SIVA-ltATRI KKST1VAL. [1547 —
TO ite
V V V
90. HYMN IN PRAISE OF THE S1VA-RATRI FESTIVAL
8 <. II
—1552]
477
) ^jT^rfjT ( wnre^ )
H^^n: ) F^cjtJ ^rf^T-H
ii q«iio n
) i
478 91. HYMN IN HONOUR OF SlVA. [1552 —
rf ftft
!t|. m.MN IN Ili'Ndi; ,/l SIVA.
-1557]
i MT.f?T
479
( Hranffc: ) m^ ( wmr ) nnwjtH ( ifsr )
f?rilf% ( ^ )
TlfrT 5T^-lTt ITT
ii lyvtu ii
c ii
n syya n
01. HYMN IN HONOUR OF f$TVA. [1.558 —
1HT
»TIIT
3t?:
1563] Tsrrtvnr ^Ttcr n *A « M
n
( ^rHTT ) rjUDMT HJIr^l
-Vifd on Tri
61
-^ fcj «4 fn
482 91- HYMN IN HONOUR OF SlVA [1503-
f fH Slfa
v • ^
* WU^TW-lCCtJ '*" ftl TTTTCmYVZT I
-1568J ? I) £ II 483
II ffrft-STf ^rf^T *fp£Tfr*T3R*TT ^RT?^m ( ^TlUHItO^W ) I
«l«»i<«i »T%rI.
II
3TT
n in^y 11
484 92' PRAISE OF VISISItT AS ONE WITH SIVA. [1569 —
92. PRAISE OF VI^U AS ONE WITH SIVA.
-1574]
185
n i y ^ <s n
( 5f'f isrj^WT^: ) rT?!
) rf3T
) II
480 93. PRAYER AND PRAISE DIRECTED TO £lVA. [1574
93. PRAYER AND PRAISE DIRECTED TO SlVA.
%*
-I578J ^^fq reRrsns& ^tftr^ *fa 11 *.^ 11 187
II 1^9^ II UlUlf?! *H*Hl«ti WT
488 93. PRAYER AND PRAISE DIRECTED TO SlVA. [1578 —
N V
5^3?
I
-1582J ^Sf^fTT ^ST^in1^ ^ftftre fa || <L II 489
«H.
r _ '1
TcJrflT|r«^y«
f TIT I
* 62
-190 !>i- PRAYER AXD PRAISE DIRECTED TO SlVA. [1582—
94. PRAYER AND PRAISE DIRECTED TO SlVA.
%
V V • V
-1587J ^; HTFT *jfa II «L« II 491
r ( =fitwT 4s! a «< i -?j
n iy=^ n
: Ira^iifH ( ^ ) % f^
-rf ( tic?: )
«^TTlc«lT ^ f^q?mc«TT (
492 95. PKAYEK AND PRAISE DIRECTED TO 3lVA. [1587—
TO
95. PRAYER AND PRAISE DIRECTED TO SIVA.
II ^ iX ° II
ft
fT
t^ 11 493
( ^ ) ?ra wi • %-^TJT*«rr f
( ir ) ^q^j^-^rm %-
II ^8 II
wrar f^r n 4u^o u
UHI^'H
494 95. PRAYER AND PRAISE DIRECTED TO SIVA. [1593 —
TO
ft
»Tf
Tl1
f fq ^l«l rf^l f^T^T srfif%
<LI ii 495
fHTT
406 98. PROCLAMATION OF DEVOTION ON StVA's DEPARTURE. [1598 —
w f >r
96 IMPOSSIBILITY OF DESCRIBING
97. PRAISE OF SIVA ON HIS DEPARTURE FOR THE FOREST.
THE AI7THOR AND MfiNA PROCLAIM DEVOTION ON SlVA*S DEPART I
-1606]
*jrf*rT-r1W
) f'sTR1?; II 1^00 II
) II
n c c II
( fHTWSI ) ^
-H %-Hify* n
63
498 98. PROCLAMATION OF DEVOTION ON SlVA's DEPARTURE. [1607
rffiR ^
5^5? ^frf
u
r rTUfq-RTfrT-3 ( sffa ^fanrfrT ) Tf^Uimfjlftq F-rTO II
firf
) ^T^wfri TJTTW^T 'o II
IW ( *<=M<^im!H!fri*( ) ^trt
|-rf 0 II
( nfkw^n^T^ ) ( fa^n ) ^rfer-^f ^TCT-TIT rt o n 1^10 ii
( XUWSir^i ) I
500 99. SAYINGS OF MEN A ON SlVA's DEPARTURE. [1612
ft?!
99. WHAT MfiNA AND THE PEOPLE SAID TO KAOH OTHER WIIKN SIVA DEPARTED.
" *f?T
-16I7J
It 501
n q^9U n
502 100- LAMENTATION OF MENA ON SlVA's DEPARTURE. [ItilS-
100. LAMENTATION OF MENA ON £lVA*S DEPARTURE.
%-lTHT
—1626] *PTRT ^Ffi || oo || 503
( sj^ft«hl^*i ) II II
: ^r TTc?t-^r ^TTw^rm; n 1^0
ITHT-^
W )
II 1^^ (I H JIUHI3
; n « n
504 100. LAMENTATION OF MKNA ON SlVA's DEPARTURE. [1626—
XV
xx x
Wwjn
< a
\ \
X X
ITT II
f »T ( ^ftct ^ SlrfiT
JIH*:ccio
II
^T1^ ^TT^IT ( TJrR" ( ^ )
( ^jftlcl*!! )
JM<;ccjO II q^O II
fdHl ^?:
64
605
'">06 101. PRAISE OF AND PRAYER TO KARI-HARX. [1632 —
IT
ft5? Tl'
%-iiWt ii \ 33 *
101. PRAISE OF AND PRAYER TO HARI-HARA.
X s» X
fTtTM *njw^r ^m<r || \o^ ||
-™w
(
ITT
-H ( it ) 15^r nnnzf ( ii ify n qoo ii
rPr ) ^re f^-srm 4iUmifa ¥?i^* n «j ^ ^ n f«?ufHcJ'-
508 101. PRAISE OK AND PRAYER TO HAR1-HA.RA. [1637-
X V
affr II
S N
n
V
— 1642J
509
n 1^80 M
inn •? H*
II
510 102 PKA1SK OF AND PRAYER TO HARI-flARA. [1643 -
N x X
XXX
x x
102. PRAISE OF AND PRAYER TO HAR1-HARA. f«l?|
-iota] ^rafir urikfa ii *o^ ii 511
-^^-W ( tTm*!
( f^TTrTTTT )
II 1^8^ II ( WIT )
f^R-5TTWo II 101 II
( dSu'l^i*} )
) (
512 102. PRAI8K OF AND PRAYER TO HARI-HARA. [1648 -
^^J 3T
S V N
( ^ ) 3?TTfirKrf?T
^TTT ^cfifanjf ^T f ^ tfffrT ( a&T^ ) I
ift^i tmt vm ( ^r ) ) -a
ii 10* n
103. KXIInilT \TION IIY THE AUTHOR. | 1(354 —
103. EXHORTATFON BY THE AUTHOR TO ATTAIN * \LV \TTOX BY OF YOGA PRACTICi
II M 8
«ftl
V N
X N
: II \ o 9
^TIT:O n i^yu n
( ^unc^ )
W&-1T
) 5lfl»!^i^TqT (
uf%^qT )
o ii
( ^TWITTfHR^iT ) ^^rprft (
515
) unrfi7TZTf??-c3i mrr: TTI^MTJ^M^I n i^as n
516 104. THE WOMEN. AS GoPIS, SING KRSNA's PRAISES. [1 1)59 —
X X
104. THE WOMEN, AS GOPIS, SING KRSyA^S PRA1SI-1.-.
x • x
rf TTT'T
itrclt
«Ht**1T
t jfrir: o n q^o ii 10$ n
517
^?T
)
518 105. THE AUTHOR'S CALL TO WORSHIP KK§NA. [1064-
WTTTT
ID.".. TIIK VUTII.II: i ILLS rmN HIS UK \ I:KI;X T(l \\OKSIIIP
— llili'.ll
«-f«4 t 0
CTT:
II 908 U
( 'H'tnirHT ) ITHTST ( *T5[fwT|f7TfH )
II 9 ^ <? II
520 105.
THK ATTHOR'S: TALT, TO WORSHIP
flfi70 —
V N X V
51-rJ
if
3 fa f*m ??5! ^swftn wt-wt ii
-1675] T{iTTf!T frapfq^ra? ^ntffrT: || \ cy || 521
II R^OO II
in ^nfw*?
i
r«*iMti* (
*TT ^roara i
5TTIT
) i 66
522 lUti. SONG OF A WOMAN SEEKING FOB SIVA. ( 1<>75—
n ^ ^1 ii
llil). SONG OF A WOMAN SEEKING FOR SIVA.
II * $ c o II
-108DJ fin:=rT*irTg*rTfT«lt^: II \°$ II 523
u q^ay n
n qot* n
?=^TT irfmrw (war)
n q^=o n
524 106. SONG OF A WOMAN SEEKING FOR SIVA.
X V.
- x s
IJHt
: || \o€ || 525
|»l in 14 1 <*n \ g TTT»T rf JTT-JTi +< y I H u " aj *« •yjJT-
^ 1 5T l
( ^T^T ) ) 'nr^ Tn w^ i T*4 -^rt o u
u q^=y n
526 106. SONG OF A WOMAN SEEKING FOB $IVA. [1686-
V V X
rf
X X
*J*ft II ? < C o ||
f???T
-1691] msqWT^TTrilTt^cT'- || *< ||
frj- ^t o n
) I ) Hlut.cjiT*< TrfCfqTrmfjH ( UM1dfi|K/lfa )
a »u si if* sir ( *(»<ifr*?*i )
528 Inf. 9ONG OF \ \VO\t\X SEEKIXD FOR -ilVA. [1692 —
ft?:
S. X X
• N X, X
II ^ i 1 II
-!ti97| TT5?njJtTTSJ*rTlTflTt^fc? ||*o£ R
•0
»j ^ i u u v*i rfpR^ri ( ^^frr ) ^ ^g^ ( ^
tJ^J | fa - c^T 0 II
H ( ^tli'Slfq^ ) Tj:
%-'aiwt )*
ag^iTr^T
! f«etJceJl
mm?
530 1«S. \VAKNJM, OIVKN \UTHOR. 697—
107. THK i Hours OF HIMALAYA'S RELATIONS ox THE
DKl'AKTCHK OF SIVA.
II ?
rf
108. WARNING GIVEX nv THK AVTHOli. HE PRATSKS THE KALl-\
ft
i704j v&m* -w*w\fw n ^ ii 53)
n <io£ n
nfH Pi^miiw^f*!: in • « n
1900 II
II 109 II
( sgfti ) w-w-
T ITT ( ^rftl ) WT-Wt:
ffWT=
632 IDS. WABN1NG GIVEN BY THK AUTHOR. [1704 —
H r^> ° ^ \\
x • x
x x
xx
X XX
fefau
X X
X XX
x • x x
*ft ^jsr H
1 4. F*l 3
(^nrftr)
^Qr TI^SPT ( o II
( ^tfv ) ^TT-*rr:
( f^TcfiTST )
( ^jfr )
534 1<IS \V\KMNi: (JIVEN BY THE AU'I [1710 -
N ^ * N X V
srr-*rn
n 'js)'}') n
rf 1T5T:
( ^rftr )
) ^ITRT ^r^T *T&J
)
10$. WARNING OIVKN UN THK \«'THOK. ("1715 —
XXx
S -5 V x X »N X
X X
X X
XX N XX
I
II t « P
V A \
( ^ ) ^TW
t ( ^rfn ) *n-tfr: ufrrznro n <i9iy n
(
t ( ^rfTCI ) w-W>
( ^rfxi ) wr-irr-
i ( ^gfti ) «T-WT: Tifr^gro n i^^o n 68
109 PRAISE OF 3lVA IN WORDS OF SARASViTi. [1721 —
V fix.
NX X XX
ICQ. THE AUTHOR PRAISES SlVA, USING THE WORDS OF SARASVATI.
ir^: 11 ^ ^ ^ n
17241 ^teKT USfficT ffcT || \c«f. II
•C
' *si*JsFlvt )
n 10= n
nfrT (
uffT ( ^WTW3T ) ^ ( dcchl^l Tlfgirn )
( ^•^TTOT^ )
'S *« *1 1 3i 'ft^T^ ( ^'^fHH^Trl. ) I
( ^rrfcT ) ^:
540 109. PR.AlSE OF 6lVA IN WOKDS OK SABASVATI.
^fa-rim
N
N X -'• N
s s
x x x
x x
X X X
XX
-1728] ^ER^IRT ST3Jl\cT * II I °£. |]
( djiy^irTTTT: )
t Ilf?T ccJcHIW<dj ««m?TTT|f %-
«Ti»rirTm
( rT^
f ( ing
( HT ) ^mt
c^t nfk canwTWff^t ) w^TTTrrn^ %- fd wi d fw- waft n
)
o42 109. PRAISE OF SIVA IN WORDS OF SARASVAT'I. [1728-
XX X
S S X
N J S S S
xx
-mi]
afte
raer n <>««. n
543
^r ufn ( ( 1% )
( ccl*!!**!^ )
: ( ^fgw*. )
T ^Tljf ( ^^w^TH )
fro (
nfn ( ccjcHiiwi^ )
«>44
110. PRAISE OF \ REFUflKK \VITII SIVA
1732 —
110. PKA! !•: WHO HAS TAKEN KKIUOE WITH SIN A
S X
X X XX
I
r! ^
x x x
-17371
II ^ » . ° !l
( ^ )
: (
) n i^^^ n
Ho M 993* n %-rnauTVrT ^rf^r-'fr rrirar
( ^T )
5ri-s«nitj
69
546 111. PBAYER AMD PRAISE BY THE SAME. [1738--
S S X
?T rfTT
X X
111. PRAYER AND PRAISE BY THE SAME.
TO> II ^ « 8 « II
iq
-1742] ^jn|stK«1«3cTfT*T Sre II I' 547
( TJrFtjftJ )
o n
'MdHIT
f «n*T
ITT wmrnmo n -^ igf
1980
548
111. PRAYER AND PRAISE BY THE SAME 171- —
TWT
X ^ X X
^srcr
X X
n • «
i*n
-1740] SrcroTsfK^ y?r I! l ||
SJHOITIHO n
•
ITT
550
HI. PRAYER AND PRAISE BY THE SAMB. [1746—
lT»rt
f?-fr
lint ii
X X
XX
-17401 -9UroT^ir«frTr^ ireprfl || ^ n 551
STWTt
T TJTOTT I
f^ffltT
'5TWTT IT SJUBUlrlo II
( w^" ) 3irnT-«r: ( tj-^iifc?^ ) -T5 ( it?if?^ ) I
TTT 9I4.4LIUIHO II
•'•>- 112.
PRAISE OF THE -MYSTIC SYLLABLE t>Vl. 7 •<> —
112. PRAYER FOR QUIDANCK AND FBAISE OF THE MYSTIC SYLLABLE <~M.
X XX
X X
XX
XXX
\ X
^ffqf^ ^ rf Vf ^3: 5^5?
'
XX XX
'"•-'I
n
70
554 1111. PRAISE OF THK MVSTIC SYLLABLE nM. [17
X -» X
5ft
N * * V
^ T^T^JfT ^J^
>» v x - x
X X X X
ol
on<mni
1765] vzOTOTTOtflTTOIfa SWTfa || ^, || 555
) I
H Wif^TH ( ^T )
'H*JI<?I*+IIC*JI-W^!H:
C
( ricinFtr ) n
556 112. PRAISE OF THE MYSTIC SYLLABLE nM.
flW
V
II ^ H, 4, II
X »N X X
s» s X
sm
X ' X X
XX X X
X X X
-«Tt%
TsTH
1757] ^TfcnnTfa«nT3OT5rT^fa mfiHT II ll II
( U^ ) TT
n isvu n
) i
558 111' PRAISE OF THE MYSTIC SYLLABLE OM. LI 757 —
v» i?
-17-v.H ^tfVy^rf^^TOTTr^cT Ssfiwer H ^i=> i
( f% ) ^rvr ( T^RT ) 3^: ^w (
'HM'?'n««i
: ( fJT^np ) ( ^ni^TT ) «T ^[^T ( ^ )
560
lo. PI! VISE OF THE SYLLAHLK "M.
[1759—
ffff
v\x
f?f*[
TO
113. PRAISE OF THE SYLLABLE OM.
TBV si^O
x O N «
( ^iw*?7Tfa )
: H-^^ ITHT: ( ^ITrn: ) 3^ ( ^WTj^frarfp'q ) I
^ff fsrarfa^^r (
=F
' ft d^i^ci ( ^STj|f^: ^gfa^TJT Hfff sTTOH ) I ^ ' ) ^TJ ( ft ) ^ft^iTT ^ «Tl «
«l «t I
: n
* 71
562
113. PRAISE OF THE SYLLABLE OM.
[1762 —
X X - X
iro
-J x
X X X X
X X XX
x x x
X X ^ X
X ^ X X X X
X X
: TO q n ? « «
X ^5 X X >
XXX X
fH
x x -J x
x ^ x x x
X X X X X
x x
X X ^ X
: H ^ H 563
rc
HJH-H
) I
11.3. PRAISE OF THE SYLLABLE OM. [1768 —
ffr
X XX
I
X XX
X X X
S X ^ X
U?f
x x x
X X X
X X X
\J X ^3 X X »N
«f
x x -s x
x x
l^r
?f?
x x
-1773J 3T*H3: || ||
) I
( rma ) ^TTTw^-^ro ^r wmgwr: ^fer-% ( H^T ) i
II S990 II ) «Tf^TlJ15: ^f^T HRU3T
114. PBAISE OF THE GOOD WAY.
[1773 —
. PRAISE OF THE GOOD WAY
TO ^^
"
f ^
?
IT
f ^
N N
—1778] ^rta*?? *n^T*lTTJT •g^tfrf || ?» B ||
ii q<i 11
n «i998 n
i: u*isj: ^ i
ITrT- ( ^^ ) ^T<? ^? ^t?HT: 198 VI II
?^ ferTT ) ^TWlf:?1*1 ^
568 115. THE SAME, UNITED WITH PRAISE TO RAMA. [177^
115. THE SAME, UNITED WITH PRAISE TO RAMA.
«c
-1784] FTJ? ufa srHrsm^ *atfa 11 i\y n 569
II «}OCo II ^ «l 8 II
Hf?f JTT^T 'gff! II 1 II
72
570 116. POET EXPLAINS THE SOURCE OF HIS OWN POWER. [1784 —
? ?
116. POET EXPLAINS THE SOURCE OF HIS OWN POWER.
?TTT
t qrqfawifrl n 11 it ii
WTZJ fd-<4Uy li
5«2 116. POET EXPLAINS THE SOURCE OF HIS OWN POWER.
• v x.
aw*
^rf
f ^
—1792] ^tfT^^r^J-irfe^fr || ^ || .-,7:1
( H )
nn.«yw
ii qa«?o n
) ( ^ft^R ^f ^ ) I
574 116. POET EXPLAINS THE SOURCE OF HIS OWN POWEB. [J7SW —
S(9T
X X
X X
X X* * X XX
-1701)]
Wl TJ I r+J
( 3 ) f^* THT: FT TSI.
TTTrRTTJ
-^mMT«llc|*eqi
II 1»<JU II
576 116. POKT EXPLAINS THE SOURCE OF HIS OWN POWER. [1796 —
N S S
S X " X
S X
XX
XX
II ? ^ II
"-77
*IUM
W&I
7THT WM'^d f^^^THT^H: ( ftr^: Ulfj^T: )
.0 .0
n 91$ n
73
578 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1800 —
117. EXHORTATION AS TO THE UNREALITY OF THE WORLD.
xx
X X
^fal ^fTff^i^ qq^ir 515 II
XXX
— 1805J
\\ *> \\
: ffrT ^WTT* fJTWTT: ( ^ ill M fid ) f^TH' ( ^Tr?:
%rRTH:o
WT %fi*flrl' II
%H^TH:o II
II ^Coo II
O80 ll7. EXHORTATION AS TO UNREALITY OF THE WORLD. [1805-
|| ^ r: o
S. . N N
S S S
-1810]
*TT %H^TrT:o II 4 = 0* II
) ^TMf^j mjrff
farat (
wr
582 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [ISll —
V N
%FRTrT:o II
ulcdi ^
g WT %cRTrTJo II
fcj SJ ij ' -fsfi "U
^rtiiT ( ^ ) ^
: 0 II
%rRTH:o II
f)S4 117. EXHORTATION AS TO UNREALITY OF THE WORLD.
\ X
ft?:
XXX
TTH
*TT
HH)nif<-*j*mi
n qc^0 n
^ IT ^rRTH'O II 74
586 117. EXHORTATION AS TO UXKEALITY OF THE WORLD. [18:22 —
N x X
ITtlT
S V
X X X
-J827] ^i^r<*N^iy<^TT**Mr«yj.fd 11 *> n 587
^H«TTrT-0 II
r ( ^r^^y )
%rRTH:o II
TTf^TT-
588 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1827 —
X X
f^fa ^f^i-^^ ^i ^H
V * > XX *XN
xxx
X XX
XX
XX
XX
X X X
X "S X
X X
XXX X X
*Tfaf?J
w
x x
— IS32J ^T^T^w^np^ H s> H 589
: ITHT: r*Mti'. ( ^rew ) i
%fRTH:o n
(
%rRTH!o II
590 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1833 —
13
V X X
II \ « 5
X
XXV
qf -
X X
sfMI ( dUiHT ) I
3T ^ffe 5Pt: Wcfiir^ HT^T ( ^T )
i
w^ ITT %HHIH:O n
( wFd«/fn )
%H^TrTo M qc^U II
%H«Tid!o II
%rRTHJo II
in rf*Hlrt.
592 118. THE POET DESCRIBES HIS O\\ X I'OXmTION. [1838—
X -3 X «, X
XXX
c 8 o II?
^
X XX
1 18. THE POET DESCRIBES HIS OWN CONDITION.
8 ^ H
-18441 ^rrrot ^tnrH H < H
*pfjT jTai-JlflfH *T*T ( 'O II
M* ( tsfrT )
*ror-sfa
%rRTH:o II
) fiUHKeM HrT ( H: )
%H^TH:0 II 1 = 8 o II q«}9 II
wrfw ( •sr^rr^ ) ?ri
: ( T^ )
II 9 = 81 II
i (
n
FWHTfT-'t c^^t^t ^WT^rT: ITO
75
594 118. THE POET DESCRIBES HIS OWN CONDITION. f!844 —
^ff
rft^JT
V X.
( fgrfH-^niT ) n t=8* n ) ^TT ^jigy^it ( ^r^y^ui: )
%-fT I
596 119. PRAISE OF SIVA FOR HIS GIFT OF KNOWLEDGE. [1850 —
(?JT»T
X V.
f 5v TI fi^TO t^l^T
119. HE ELOQUENTLY PRAISES SIVA FOR HIS GIFT OF KNOWLEDGE OF THE MEANS OF SALVATION.
N V
-1855]
n ^d. u
( ^T^ )
t rrirar
3^1 RH
rr^r (
\\ ^ ii
•
f ( ^nnu )
598 119. PRAISE OF 3lVA FOR HIS GIFT OF KNOWLEDGE. [1855 —
V X X N x X
H ^ *A II
x x
X *x x x
^?J riTU fri^ f1»T ^^ET || » ^ tf
X X J X X X
I860]
( ^f^f )
0 II
f^TST*
600 120. THE AUTHOR'S DEVOTION. [1861—
X s> X
X X s» X
sj ^
xx
n ? ?
X J X X X
1:20. THE AUTHOR'S DEVOTION.
c 8
NT
I
t * 76
=*i*liFu ( sj^fei^T )
II
fiH
0 II
( ^rgRTf^^w ^f ) ^a trf5ra«^T-»Tro-rt •ngsn
II 1 = ^8 II W!Jlf1 1
602 120. THE AUTHOR'S DEVOTION. [1866 —
TTf
n
-1871] ^TrflflTT^ t II V II 603
( jnre; ) ( HWIdtHJI TJ^ ) ) qfrtl II
Ud^lr^
II 1=90 II
604 121. PRAYER FOR INCREASE IN KNOWLEDGE OF GOD. I STl.' -
ii
fflfif
n ^ « n
121. PRAYER FOR INCREASE IN KNOWLEDGK 0
— 1876]
nor,
wt?*
( *TO ) H^W^I Hl^sl']
1=9* II «UO
606 121. PRAYER FOR INCREASE IN KNOWLEDGE OF GOD. f!876 —
r
XXX
X X *x X
flrf
607
( o^^r m ) ITTT
: U*R«Llo
5Jiarf^: | fl
5TJTTF | ^ ^
|| cf. verse 240.
60S 122. PRAYER FOR ACORPTAXCF
V\fz
IT*
rUAVEi: KOH AUCKI'TANCK, Ax A II HI N A V \i ; T PTA \VA> \- •
X X
n
-1887]
g ii 1==^ ii
) ^T^T-STri faimi«j, ITr?:
77
qccy
610 122. PHAYEK FOIt AOf'EPTA\ [18S7 —
x x
HUfi
*RfJ-5n<5T
*ft?3
cfT ^
( ^^gr^qf 31 )
( TTOTTT^?T^ )
( Tnnj^nn^n^rfjT ) 9=«?o n
HHTTg'rTJ (
rT=r
sftrsr g
612 123.
PRAYER FOR TIIK THREE GREAT BLESSINGS.
92)
N V
ii n
123. PRAYER KOli TIIK IIIKKK (JIUCAT HLESSINQSi
-1898]
613
' II
( ^ ) ITU
^ ai i ti (
war
( ^^^hr ) fi«Lii<?M ( wrq ) i
JIT^frf II *. II
u 1=^9 n
614
124. THE POWER OB' SIVA's NAME. [1890 —
TI
N
N x V x
\<\
9 3
X \
1^4. THE I'ONVEK O\ -IV\'s NAMK.
WTOcTT
•0
( *TH )
( $Tii4N<U
TTO ( ZIH^ )
V**Jcei WT (lTcT:) TTfZI'f TaJd TsLMfH firf
615
( *7rT: ) WTcT ^TT^cC. ^TaJd^! ^TTTT- I
( icT- ) ftra-^3" ^TTH: ( wn ) wrrn frmr ^ n ar ^w^^t^T *fijHi
«rH«niaiTt. UrtJ'dT
H « II
616
124. THI v VME.
[1908 —
TO
rf^T
TO ?fif?I
XX
XX
X X ^ X
TO
« II
f^f?^
*uu l
II *Koc II
: ( ftra: ) H
ITTTIT H ^gTTtT
H fi "Ssiwjo II 1<«io II
H ^5? UdSjUlWffH
r f? ^jsT^Ho II
ueqlF<rt
* 78
r,i7
124. THE POWJSK OF SIVA'.S NAME [1914 —
N ^ X
XV
«i II ^ 8
till)
•KHU II 1^8 II
baptist Mission Press, Calcutta.
PLEASE DO NOT REMOVE CARDS OR SLIPS FROM THIS POCKET
UNIVERSITY OF TORONTO LIBRARY
PK Krsna Rajanaka
7035 Sivaparinayah
K74S5 1913