UNIVERSITY OF

ILLIMOIS LIBRARY

AT UREANA-CHAMPAIGN

MUSIC

"'^•person,*, '"*"""««■ F- tor

LI6I-O.I

096

M" Mori H 5inGER: Presents The Musical Comedy

FROM COL. ROBT. R. McCORMICK

book G

Lyrics by

V Will M. 1, tlOUGH

"' Frank R.

X ADAM5

^r Jos.E. ^■^■' Howard

Produced dt the

PR1NCE55 ThEATRL,

CtllC-AGO. ILL.

S^4 0

Vocal 5core Price $200 net

Niblic fVilgrmm^ L

Rights of Performances and for Mechanical Instruments Reserved.

Mort H. Singer

Presents

The Princess Theatre Stock Co.

in

A Stubborn Cinderella

Book and Lyrics by Will M. Hough and Frank R. Adams.

Music by

Jos E. Howard.

* —

Vocal Score 200 net.

Published by CHAS. K. HARRIS

31 West 3 1st. St. New York

Copyright MC.M VIII by Chas. K.Harris. International Copyright Secured.

M(^^f<^

FROM Ck.RHi.h. ivicCORMICK

A Stubborn Cinderella.

Book and Lyrics by WILL M. HOUGH

and FRAXK R, ADAMS

Music by JOS E. HOW.\RD.

Cast of Characters.

FAT .

SKEETER

SALLIE

•LOIS

A TUTOR

THE PRESIDENT.

THADDEUS LEONARDO, a famous sculptor

A CAB DRR'ER

POLICE SEARGEANT

"MAC" ...

COL. HUNT, of the visiting English party.

LADY LESLIE, daughter of the Earl of Glenkirk

LADY E\T.LYN, her aunt

AN ENGINEER.

A PORTER .

AN INDIAN .

HOTEL MANAGER .

College Bo}'^ and Girls, Lady Leslie Italian Laborers, Passengers

CHAS. PRINCE

ROBT. HARRINGTON

LOUISE MINK

ALICE DOVEY

ALAN BROOKS

DON MERRIFIELD

CHARLES RANKIN

JOHN WHEELER

BEN TURBETT

JOHN BARRYMORE

J.AMES C. MARLOWE

SALLIE FISHER

JEAN SALISBURY

BEN TURBETT

CHAS. WEDLAKE

DON MERRIFIELD

FRANK ilAGIN

s Mihtary Escort, English Girls,

on the Sunset Flj-er,

Cowboys, Mexicans,etc.

Synopsis.

ACT I — Campus of Columbus University. Afternoon. ACTU— X Mountain Wilderness near the Mexican Border. Next day. ACTHI— Natatorium of Hotel del Coronado, Coronado Beach, California, during the progress of the Orange Fete .

Produced under the direction of Musical Director.

GEO. iURION WILLIAM LORAINE

Contents.

Act I.

1 OPENING CHORUS .

2 LOVE ME JUST BECAUSE .

3 WHAT'S THE USE .

4 DON'T BE CROSS WITH ME.

5 I'M IN LOVE WITH ALL THE GIRLS

6 FINALE. ...

5

25 28 32 35 39

Act II.

7 OPENING CHORUS ....

8 NONE BUT THE BRAVE DESERVE THE FAIR 9a. THE LAND OF THE SKY, Adois Senorita .

9b. DONT BE ANYBODYS MOON BUT MINE. 10 FINALE. . . . • .

51 57 61 63 67

Act III. U DON'T TEACH ME TO SWIM ALONE. •

12 IF THEY'D ONLY LET POOR ADAM'S RIB ALONE.

13 THE ORANGE FETE, BaUet. ...

14 FINALE, ^\HEN YOU FIRST KISS THE LAST GIRL YOU LOVE

72

75 79 91

A Stubborn Cinderella.

N9 1

Act 1

Opening Chorus

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call my own I have

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Op.Chor. Act 1.

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skies a - bove and the

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Op.Chor. Act 1.

11

COLLEGE ROYS.

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Entrance of ColleRe Boys.

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Op.Chor.Act 1.

12

BOYS.

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mean to tease that way When you

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Op.Chor.Act 1.

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Op.rhor.Act 1.

14

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15

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Op.Chor.Act 1.

16

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Op.Chor.Act 1.

17

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Tfinpn di Gavotte. HOCKEY GIRLS.

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like to have a lit - tie game ot hock - ey I

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Op.Chor. Act 1.

19

GOLF GIRLS and MEN

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Op.Chor.Actl.

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say golf

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Op.Chor.Act 1.

21

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here's a

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toast to vou:

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when the sweet - est songs are

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praise

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days That

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when

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Op.Chor. Act 1.

23

Tempo di Valsc.

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young.

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Spring,

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Spring, Spring we a

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in the

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Op.Chor. .^(t 1.

Ring,

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Ring,

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ring out

your

wel-come to

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world is all

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girls are all

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Spring and there's

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love in your

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25

N9 2.

Love Me Just Because.

Valse Lento.

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Some -times I wish ev- ry fel - low. Jack says my eyes are en - tranc-ing.

Were in iove Bob ad - mires

with my

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smile,.

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Just think of be - ing the dar-ling_ Jim is in love with my danc -ing,.

Of each Ted - dy

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International Copyright Secured.

26

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love me If they'd all be

rea-son, — You're not like the

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true: rest:

Why should they You sim - ply

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need a - ny rea - son say that you love me.

Than be - cause So I like

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cause its June, Love me for the sil - ver moon:

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tell me youlre sure you do.

do.

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Love Me etc .3

28

N? 3.

What's The Use.

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Home is just the spot to be when What's the use of work-ing for it

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oth - er plac - es close, I think he's sing

on - ly makes )'ou tired, I think he's sing

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Copyright MCMVIII by Chas. K. Harris. Rights for Mechanical instruments reserved. International Copyright Secured.

29

♦

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a • flat, flat.

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That's the on Loaf - ing is

ly time I'm there, as 'nt an - y - thing, there's

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ev - ry - bod - y knows. He's off the key no use got - ting fired, He's off the key

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that, that.

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There's so ma - ny things to do, so ma - ny sights to see, Play - ing games is noth - ing for you simp - ly waste your time

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No more down -y couCh at night for Sing - ing is just say - ing things in

me,

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waste my time in sleep - ing. While the peach - es are in bloom. So I'll clothes is al - ways sil - ly for you on - ly wear them out, Life is

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sell my bed and move just ex - ist - ing, what's

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it from the it all a

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things to do in - stead,

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What's The Use. 4

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go - ing home at night, And what's the use of hav . ing an - v

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bed.

What's the use of dress . ing, then un - dress - ing.

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must get up some -time so, 'V^Tiat's the use, What's the use

use.

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32

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Dont Be Cross With Me.

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Its a great big world and its new to me, And I Nowlve al- ways heard that a sun - ny smile Helps to

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Copyright MCMVIII by ChasK Harris.

Rights for Mechanical Instruments Reserved.

International Co])yrif;ht Secured .

33

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dout quite uii - iUt make the world seem

stand

bri':;ht;_

Why I So I

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should - n't say when I smile at ev - 'ry

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meet a man, "Wont you kind - ly hold my one I see For it seems no more than

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when a hand-some fel - low's eyes keep look - ing ver - y have a lot of trou-ble with my smile and with my

long,. eyes_

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have to smile at him all the while Ev -Vy bo. - dy says it's wrong

things I say, in a harm-less way, Seem to cause such great sur - prise.

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34

REFRAIN.

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Don't be cross with me For Iin hav-inglotsof trou-blewithmy smile It

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seems as though I ought to So I

smile, smile, smile.

smile

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NO 5.

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I'm In Love With All The Girls I Know.

Tempo di Marcia

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I think all the girls are peach -es, And I al - ways

It is nice to walk with Ma - ry, But Td rath - er

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find that each is Just a lit - tie ni - cer talk to Car - rie, Hel - en, has a style that's

than the rest.. all her own..

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I love one be - cause she's tal - ler, Love an-oth - er

But the oth - ers have no chanc - es When I think how

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Rights for Mechanical instruments reserved.

International Copyright Secured.

J tj'i J u^'i^j ^:'j J' i»J ^'^~fn"J .1'' .i_j

'cause she's small - er, It's Dai - sy danc - es, Eth

the one that I am with I love the best . el is the one I want when I'm a - lone.

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Some -times I think blonds are nic -est, Still a brun-ette I sup - pose I must be choos-ing, Still when I just

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might be wis - est, I don't know just

think of los - ing, A - ny - one it

what to do . _ makes me blue .

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There's so man - y that Im haz - y they dis - tract me drive me

They're so nice that I can't spare 'em guess I'll have to start a

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I'm In Love etc.

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era- zy Im in love -with all the girls I ev - er knew., har - em Im in love with all the girls I ev - er knew.

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I can't tell which one I love the best..

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If I found a

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girl with Sal - lies eyes and Pol - ly's smile,

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Ma-ry's walk and Car- rie's talk and Hel-en's size and style,

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all the girls I know,

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A9 6.

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Allegro.

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hon - or of Co -

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Finale Ant I.

Copyright MCMVIII by Chas. K.Harris.

Rights for Mechanical Instruments Rest*rved.

International C"oi)yrif;ht Secured

40

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was in four- teen

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nine - ty- two that

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Chris-to-pher sailed a -

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way And now we

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what would have be-come ot

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41

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With sons and cheer

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make him wish that

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on this bus - y

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shore. So we are

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got his fame here,

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glo-ri- ous ev - er

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43

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Drums.

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while the un-veil-ing is

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Colum - bus!

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This day in best ar - ray we now do greet you

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low us this glo - ri - ous

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day a mar - ble

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44

famt

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to the

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your fair name we

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vow shall stay, our

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best of mem- o -

aye.

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45

i

Maestoso.

sfei

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Cheer! For the

r r r r ir- -^

beau - ty from a - broad Who will

Cheer, Cheer

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46

!'!> J'^ ^' J' i'. }'

LADY LESLIE

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flat-ter- ing tri - bute has touched mj' heart,

To

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It touchet herheart

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BOYS.

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LADY LESLIE

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ded - i - cate such a work of art

GIRLS.

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work of art

BOYS.

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Has touched her heart

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COL. HUNT.

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feel quite un -worth -y to do my part.

Your

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Pray do your part

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Finale Act I.

47

i>il- .ri ,, J', J. r p 1 1^

*

Jl, K ii

;j' JT p I r ^^

la - dy shij) now its time lo show This tri umphof art to thosu bt-.low, But

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first sonif one tfll me so I will know which way is North?.

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Some- bod -y tell him.

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tell him which way is

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some - bod - y tell

him.

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48

J-

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Maestoso.

//,

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^

we re •

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T

North?

^^

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raise

be to Co -

i

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lum-bus

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m m

Bue

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fame

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vere his en - dur - ing

fame, his fame.

Praise

be to Co

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te

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■y name

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g]o - ry that lights his

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name, his name.

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Finale Act I.

49

f^-

^

Praise

be to Co

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JUi

t

lum - bus

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— • « —

And thf

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^

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came

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came, first came.

J J J

r ^ J r

Now let si - lence

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rcij^n while our roy - al x^uest,

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Shows up this work of art,

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Finale Act I.

50

^

Pride

i

fil

J)

nig ev

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ry ht'art,

i J

J J tJ Ej:

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r

Eng - land's beau - ty

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hon - ors the g:old - en west

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And do your chos - en

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part A

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rise!

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51

N9 7.

Opening Chorus Act 2.

mmiiTY OF ,■

Allegro Vivo.

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Interniitif'n.il Cnpyri^ht StTiired.

52

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53

t=i

wrong?-

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Op.Chor. Act 2

54

GIRLS. , k , I ,

When ev-ry one wassleepinjc > L

GIRLS

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lA

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FTP fi P f

p \' y I p F

AVhile cross the count-ry sweepings

^m

r

Quite ear-ly in the morning.

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TOGETHER.

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Then both the

rich and humb]

Were tossed out

in a jum-ble^

BOYS

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We struck without a warning".

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Now ev - ry

bod-y wond-ers WTiat the dick-ens

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is to

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pay.

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Op.Chor.Act 2.

55

ALL.

m

^^

r r

land - slide

$

EE

is such a - tcr - ri - bit

J

^

k

tiling to strikf at

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It The

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rn

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train is con - tu - sion, You're

rt

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up in the air;

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cant find your bag- gage or

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m

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56

down Ajidyou areturneda - roundyour left seems

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right Un -

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lessyoure in-sur-ed,Your

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farti-lys secured. And you

P^ I-P P P P P ^

don't give a darn for j^our

legs or your arms Don't

i

M'i.j^ j^

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P "p P P P^

P P T -lA

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P P P P ' P

ride on a rail - road

^ i ^ i ^

train! Don't

J J

p p P r P

ride on a Rail - road

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r

train!

Op. Chor. Act 2.

57

N?8.

None But The Brave Deserve The Fair.

Allegretto

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f^ j^ ii ii I i> jr.j) J)

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The stir of mar-tial A sol - dier is the

mu -sic and the glint of but -tons on - ly man who ev - er ought to

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brass wed,_

Gives a man a high - er stand - ing in the

He is hap - py when he's fight - ing he is

Copyright MCMVIII byChas.K. Harris. Rights for Mechanical instruments reserved. International Copyright Secured.

i

w^

heart hap

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58

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of a - ny

py when he's

lass:_ dead,

She loves the one whose Nap - o - leon was a

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h }) ,ij>~^^iii Ji ,iJi 7i

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dar - ing who is mar - ried man and

not a - fraid to die, _

so were Grant and Lee,

In cu - pids So as I

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mor- tal fray, the sol-dier wins the day. You may have won-dered why. said be - fore, un - lessyouYeused to war, I warn you to stay free.

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None But The etc.

59

The rea - son is that oth - ers

do not dare,.

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So if you

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You'd l^est be

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wa - ry

And be sure that your nerve is O.

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None But The etc. 4

60

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You'll al - ways have to fight to

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get your way,

And if youVe wed - ded,

no war is

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one's who glad - ly die are

mar - ried

men. None but the /r\ /C\ /^

men.

None But The etc.

61

N9 S)i\

The Land Of The Sky. Adios, Senorita.

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my Sen-o - ri - ta till \\'(

meet a - jfain The night is

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lied with per-tume rare, Of sil-ver moon flowrs in thv hair And a-

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Copyri/;ht MCMVIH by Chas.K. Harris.

Rights for Mechanical Instruments Reserved.

International Copyri:;ht Secured.

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Dreams. dreams,

dreams-

m

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dear un - til the morn, The night at dawn is kissed by day

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To chase thy sleep clouds all a - way, .

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Soft-iy rest in your

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63

N9 9b.

Dont Be Anybody's Moon But Mine.

Moderate.

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want to talk to you a - lone, my

moon- beams bright come out to - night and

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La - d\- Moon, shine for me

(

While you're float - ing kind of la - zy in the Just to help me win the girl that I a

Copyright MCMVIII by C/ins. A' Harris. Rights for Mechanical instruments reserved. International Copyright Secured.

64

ifF=H^^lir-J^^ J^- yii J>^

To

Un

night I hope to win a heart, my less youVe there, I would not dare to

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And I know that you can help me if you'll

Would con - sent to be all mine for - ev - er

La - dy Moon, think that she

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So smile up - on my woo - ing with your "When lov - ers spoon, we need you moon, the

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dream - y light, most of all

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Tell the Just a

night - in - gale girl and you

to sing his sweet - est are all there needs to

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Don't Be Anybody's etc.

65

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song, .

be,_

Then while the sil - ver stars are soft - ly For when you shine, the time and place don't

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burn - ing, I'll

mat - ter, So

tell her where my heart has been so long, come out La - dv Moon and shine for rae._

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ny - bo - dy's moon but mine,.

To -

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night when I need you so,

You can help a lot if you'll

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Don't Be Anybody's etc ,

66

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on - ly shine. On the dear - est girl I know-.

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want to tell her she's the on - ly one To - night while you soft-ly

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shine , .

Keep your sil - ver smile up - on her all the while. Don't be

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a - ny - bo - dy's moon but mine.

So mine.

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Don't Be Anvbodvs etc.

67

NO 10.

Finale Act 2.

Andante.

Solo off Staye.

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Drift

on to dream - land

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b . ver a moon - lit sea.

Lit - tie j^irls,

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Drow - sy eyes meant for dream - land joys.

Finnlf Aft 3.

CopyrightMCMVm by Chas.K. H.-irris. Rights for Mechanical Instruments Reserved. International Copyright Secured.

68

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Sweet Cin - der - el - la dream thro' your gold - en hour

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Soon mid-nights bell must ban-ish the spell of fair

power.

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69

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Andante.

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Don't Teach Me To Swim Alone.

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Hold my head up just like this (OHO.) Hold her head up just like this

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Would I drown if Lobsters might run

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we should kiss?(CHO.Would we drown if we should kiss? Please

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come teach me how to swim?_

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round me.

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N9 12. If They'd Only Let Poor Adam's Rib Alone.

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liv - ing all a - lone, day or two a - go,

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were no la - dies pres - ent so the world was all his own wore an anx- ious wor - ried look, his eyes a fev - 'rish glow,

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man would wear a smile like Sun - ny Jim,.

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The Orange Fete. (Ballet)

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Tak - ing breath from you bring-ing death to you per. ish with- in the hour.

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The Orange Fete.

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Go you shades of night slain by our might we saved the or - ange bloom.

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N9 14.

Finale Act 3.

When You First Kiss The Last Girl You Love.

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International Copyright Secured.

92

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pure first love You once were dream - ing of,

of the years Pass all the girls you knew,-

But or Un - til

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Oh,the first kiss of all From the first girl you love Is as sweet as the heart of a

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