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Full text of "Cantorion sheet music collection"

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Op. 53. 

Dem Grafen von Waldstein gewidmet. 



Allegro con brio. 



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1) The fingering in italics and the pedal indications are Beethoven's. 



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1) The original edition shows, -c-^bb 
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oth the b" and the d' are engraving errors; if Beethoven had intended the d 3 , he would have had to make 



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384 INTRODUZIONE 



Adagio molto. 




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1) The intention of Beethoven's long pedals, which take no account of dissonant passing chords or mixtures, is a spiritual, almost transcendental, binding- together 
of larger groups, which his instrument also favored (cf. Op. 31, No. 2, first movement, mm. 143—148 & 153—158). On modern instruments one may try to 
achieve this effect by half-pedaling at the passing harmonies (mm. 3, 7, 11, 15, etc.), a kind of legatissimo of the pedal, comparable to legato playing m general. 

2) The pp at Gi serves to identify the opening of the motif. 3) Thus in the original edition; some later ones give # 3 in place of f. 



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1) The first 16th note is -detached to identify the opening of the motif. 2) Trill starting with the upper note in 32nds. 3) As Beethoven indicates at mm. 490 ff., 
the trill starting with the upper note is to be played uninterruptedly in 32nds; the fingering given makes this easy to execute. 



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1) In the autograph Beethoven wrote "Those who 
have too much difficulty with the trill where it oc 
curs along with the Theme, can use the following 

simplification 



or, depending upon the extent of their powers, 
can double it by playing two of these sextolets 
to every quarter note in the bass At any rate it 
is not important if this trill comes to lose some 
of its usual speed ' 



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