Edited by K uf; en d' Albert
SEVEN BAGATELLES
(SIEBEN BAGATELLEN)
(Composed in 1803)
I
LUDWIG van BEETHOVEN, Op.33
Andante grazioao, quasi Allegretto
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1) These Bagatelles are exquisite impromptus of the master's middle period. It is a pity that they are never performed in
public. Play the first one with grace and loveliness; and above all simply, without the least straining for effect. It requires
an almost Mozartean style of delivery. The editor does not indicate any metronome marks for these Bagatelles, since it is
impracticable to fix an exact tempo. It is far better to leave this to the individual taste and conception of the player.
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4) More animated than the Scherzo hut none the less legato.
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5) With the greatest lightness and a touch of coquetry.
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6) Very simply. This Bagatelle has a decided pastoral character, and must be performed with appropriate tone-color, and
a gently swaying rhythm.
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7) Quietly, with tender expression — a song without words.
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I A little more restless and agitated.
9) In the mood and tempo of the beginning.
10) The left hand prominent and with great expression.
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11) Here also the left hand must stand out strongly with warm coloring-.
12) The close must be played with the greatest simplicity.
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13) Play this Impromptu in festal spirit, brilliantly and glowingly like a polon;
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14) The Trio is to be somewhat slower than the principal
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15 ) Accelerating.
16) Resume the first tempo here.
17) With brilliant and festal spirit, like a poloi
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IHi This entire number must be rendered with g-reat simplicity, like the narration of a short story.
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