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Full text of "Cantorion sheet music collection (part 2)"

SONATE Nr.l 



Alexander Skrjabin 
(1872-1915) 
Op. 6 (1893) 



Allegro con fuoco J. =104 




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*> Herausgeber sdilagt im Interesse der 
Prazision des immer wiederkehrenden 
Rhythmus J\ J) vor, bier das fis weg- 



L'editeur propose omettre le fa-diese I In favour of the precision of the con- 
en faveur de la precision du rythme stantly recurring rhythm J) J) the 
toujours se repetant J| J. | editor proposes the omission of the f#. 




*) Herausgeber schlagt vor, die einge- 
klammerten Noten wegzulassen (vgl. 
Anmerkung S. 14). 



L'editeur propose omettre les notes entre 
parentheses (voir note p. 14). 



The editor proposes omitting the 
bracketed notes (cf. footnote p. 14). 



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k ) f and h miissen von der rechten Hand I Le fa et le si doivent etre relaches pour I Fand B must be temporarily released 
voriibergehend losgelassen und spater le moment, et apres, encore etre presses by the right hand and subsequently 

wieder stumm niedergedriickt werden. I muet. I be mutely pressed down again. 

E. P. 12588 



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*) Wenn sich der Spieler zur Erleichte- 
rung der drei weiten Griffe entschlieflt, 
so konnen nur die oberen Tone fiscc 
der linken Hand weggelassen werden. 
Das gilt sinngemafi audi fur analoge 
Stellen. 



Si le joueur se decide a faciliter les 
trois accords etendues, seulement les 
notes superieures: fa-diese, ut, ut de 
la main droite puissent etre omises. 
Cela est yalable aussi pour les endroits 
analogues. 



If the player decides for facilitating 
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Fjf C C of the left hand maybe omitted. 
This is also valid in a similar sense 
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r Absdinitt wird vom Herausgeber 
als vierter Satz betraditet. Die Gesamt- 
ausgabe gibt dafur keine Anhaltspunkte. 
**>DerartigeTriolen spielte Skrjabin haufig 
so: J J- 3 . In Analogie zuTakt 6 u.a. ist 
diese Ausfiihrung audi bier anzunehmen. 

***) Herausgeber spielt hier wie in Takt 64. 
****) Vgl. Takt 68. 



Ce passage, d'apres l'editeur, est un qua- 
trieme mouvement. L'e'dition complete ne 
jionne pas des indications dans ce sens. 
Ces triolets, Scriabine a souvent joue: JJ-J 
Analogue a la mesure 6 etc. on doit sup- 
poser cette interpretation ici. 

J/editeur joue ici comme a la mesure 64. 
Comp. mesure 68. 



This section is regarded by the editor as a 
fourth movement. The complete edition 

jioes not provide any indications of this. 
Triple ts of this kind were frequently play- 
ed as: JJH by Scriabin. In analogy to bar 
6 and others this execution should also be 

jjresumed here. 

JJditor here plays as bar 64. 
Cf. bar 68. 




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