Cantorion sheet music collection (part 4)

?o

NV10.

Act 2.

introduction & country dance.

•Allegro non trvjyffo.

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18217.

71

COUNTRY DANCE.

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Piano.

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SONG.

Wilder & Chorus.

Wilder

Piano.

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3. Though horn

2. Ex _ _ alt

a man of high

ed rank should con

de „ _ gree, And
de _ scend On

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great _ Jy. . . your

fes _ _ ti _ _ val

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oc _ „ ca _ _ si _ _ nn, And

trust I know tfiat
e _ ven Dukes must

14

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conscious that a dii „ _ cal bow VTill li - q™ - date. the

he _ ing- gra _ cious - ly in _ clined, To take what e _ > er

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debt I... owe, I bend my back and bow my head, And thus accept - your
I can find, I bend my back and bow my head, And thus accept yonr

■ j.J-n

ers<
WILDER

15

N<? 12,

MUSIC FOR THE ENTRANCE OF DOROTHY AND LYDIA.

Allegro moderafo

Piano.

18217,

O

N° 13

GRACEFUL DANCE

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SONG.

Bantam.

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l.Con-tentonent I give yon, and all that it brings, To the man who is fid _ ly ne _
2.The old %ouid he young", and the young* would be old, The lean on_Iy long* to grow

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ci _ _ ded, To take what he has , and be thank _ fnl that things Are
fat _ _ ter; The wealth _ y, want health, the health _ y want gold, A

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rive for

such as his lot has pro _ vi -

chang-e to the worse for the lat

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_ ded, Some strive
ter, The sin

for hig"h rank, for pre _
gle would wed, hut the

B.

sg

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- fer _ ment, for place,
.has _ band con-trive*

E_ver rea _ dy to sell
To con - sid _ er his fet

at a price,
ters a curse,

Tra_
And

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fif-frr '67 1 r r r,J nsirr f «

_ di tion offam-i-Iy feal_ty, or race, In re_tnrn for a jewelled de^vice. , But

half the Wttrld sighs fbr the o.therhalfs wivesJWfith the risk of a change for the worse.

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here's to the man who is pleased vith his lot, Who ne _ ver sits sighting" for

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what he has not, Con _ ten _ ted and thank_ful for what he has got, With a

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weLcome for all, To Chan _ ti-cleer Hall.

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But here's to the man who his

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ho ne_ver sits sigfi_W for what he has not.

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pleased with his lot, Hho ne_ver sits sigh-iiig- for what he has not, Cou _

pleased with his lot, Who ne_ver sits sigh_in{f for what he has not

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_ ten _ ted and thankful for what he has got, With

ith a wel_conie for nil To

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_ ten _ ted and thankful for what he has got, With a wel.come for aII To

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18217.

81

N9 15.

SEPTETT & CHORUS.
Dorothy, Lydi a, Wilder, Sherwood, Lurcher,& Bant am.

Bant am

Piano.

Wilder.

DoR:(to sh:)

wil:

D.

man

for _ sfet! To day ht

day he svore that he'd

be trxi*

To

82

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hap _ pi _ ness would be

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complete, Good night, yo r ur £race and

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Good night your grace and plea _ sant dreams^

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Good night your grace and plea __ sant dreams,

SHER; _ r '

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Good night yotir grace and plea _ sant dreams,

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plea _ sant dreams, Good night your grace and plea _ sant dr

earns,

18217.

fs^Piu. Unto.

8AN-* RECrK* IL: C>° LU *>

83

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We meet a- gain to

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fan _ cies with _ out num _ ber, Guide you in the

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fan - cies with _ out num _ ber, Guide you in th

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land of sleep - iuft', While the fai _ ries vi _ gil keep _ ing,

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vi-^_ gil keep _ ing,

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land of sleep _ ing t While the fai _ ries

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land of sleep _ ing-, While the fai _ ri

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vi _ gil keep _ ing-,

185*17.

85

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»- K' y r i f r i r r ir r \ r r

v ,, Vi - sions bright, your sleep a - dorn _ ing, Tend you

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J J 1 J J

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sleep a __ dorn - ing, Tend you till the

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sions bright,' your sleep

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a^^ dorn .. Jug, Tei^I you till the

till the

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Vi - sions bright, your sleep a - dorn _ ing, Tend you

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Vi _ sions bright, your sleep f\^~ 4om fog, ^ e *"* V "*

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till the

mm

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£

leep a _ dorn _ ing, Tend you

mil ruira,

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light of... morn ling- Through the lat _ ticed win - dow break - in.

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morn _ ing Through the lat _

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in tr Through the lat

irt ofrr:

morn -■ ing Tnrough the lat -

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light- of... morn - ing Through the lat-

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light of. . . morn - mg Through the iat -

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light of.i . morn ^ ing Through the lat _

iced .win - dow break - ing

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iced Vin - tfoi

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win _ now "break - ,ing

iced

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win _ dow break _ in

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eak _ ing

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win _ dow break _ ing

18217.

86

18217.

18217

88

N916.

Wilder

35^

Piano.

RECIT &QUARTETT.
Dorothy, Lydia,Wilder,& Sherwood.

wiLD:(fo lyd:) sher:(/o dor:)

11 i / J ^

^

One moment, pray!

C FIT *$

S*

dor:(7o sher:)

Stay dont ran a - way!

Meet me to

LYD: (to WILD:)

■ 1 • - £ J J* «H J-j-^

Meet me to morrow!

t^pr z

nu. ] j ' j

tc ..^

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To morrow is to

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dor:

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ra lh I I I •tittgreUo^

J' J J I I '4 J ^^

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To mor_ r<nv is to _ _ day,

lyd:

m

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To mor_row is to _ _ day,

W.

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To mor_ row is to - - day,

SHER: :

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To morrow is to _ day^

To mor_ row is to _ _ day,

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£

a

1821 7.

89

m

mP j j u r ■' ■ > j i ^ p n

Oh! fly not yet, 'tis not too late To bid me hope or

i

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time to scorn, YThat mat - ter what the honr may he, Time was not made for

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yon and me, Then hear me whis_per eVe we part The promptings of a

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£ £<§

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heat.- nig* heart And

J i- i»U- i iJu c a; '

do yon think the test sir Of love so light a

I8JS17.

90

D

J. g? i J J C- p l p p

thing-,

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That maids will leave their nests sir Like fledglings

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in the

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wild;

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Pray take

P^W

love.

i

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from me this to _ kten,

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My voura

are

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feg

Mr".

^=^

ne _ ver bro __ ken, Let me on your fin _ g"er place this ring".

18217.

91

DOROTHY.

LYDI A #

WILDER.

SHERWOOD.

PI ANO.

PP

P

7=7-

~Y — / /

Yonr vows will soon be bro _ ken, This ring*

P

i '

I take as to _ ken

ifr— £

f

h i f- r- f s i . i' J j' i j' j* ^

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Yonr vows will soon be nro -. ken, This ring- I take as to - ken

F g g I C

, / r

Pray take from me this to. ken, My

g I g E F l

vows

are rie _ ver bro _ ken,

§

l/ 1 / lr

Pip P P_

Pray take from me this to - ken, My vows are tie- ver bro - ken,

n.

\ U f i; P; - [ p

That a man is bnt a faith _

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Jess thing 1 .

L.

h } .h.f

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That a man is bnt a faith _ less thing*.

W,

I

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Let me on yonr fin _ g-er place this ring*,

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k v

IftSirr

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N? 16a

BALLAD.

Sherwood.

X

Sherwood . W£Z :

■ii ■ ■■ ■ ii I

HH

Andante moderato.

1. I

2. Oh!

Piano

s.

wi m fi'r.i^i g

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stand *t your thresh old »l*fc - «>K, As the cm _ el hours creep hy . . . And the
tell me' why if yon in -ten - Hwl, Thus to treat my love trith scorn ... Such

S.

r r m

Lfif r r '

n

time is... slow _ ly dy - »'K', That once to ° ^ nick did f,y ' -.• Y °" 1 '

nts as will ne-ve e mended, In this poor heart ymi've torn . . . VThy,

heaii-ty o'er my be _ ingv

why did your heau-ty en_slave me,

Has shed a hnb - tie spell . . . And a_

And give me such ex_qm_site pain . . • Oh

1H2I7.

9*J

S.

ti r/? , f F ^ , r >r7r

p

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££

_ las there is no flee_ing From the charms that you wield so well, .. tor ivy

say hut the word that wonld save me And Md me hope a _ gain . . . For my

f

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heart is wild _ ly beat - ing, As it ne - ver beat be _ fore . . • One

heart is wild _ ly beat- ing^ As it ne - ver beat be _ fore , , . One

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word! one whis _ pered greeting 1
word! one whis „ pered greeting*

In mer - cy I im - plore . .. For from

In mer _ cy I im _ plore . . .

5

frb r

1: 1 J;

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5 *

eolla voce.

£h

3 *

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rr rn r i r ir r * ^f r,f r

daylight a hint we might bor _ row And prudence might come with the light . . . Then

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Jf leggi-ero.

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18217.

94

S.

i | ***f i f|f rr.f i fi i: f r nrm m

why should we wait till to_mor _ row, You are queen of my heart to _ night . . . From

s.

^

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f r ,f f g | T ^ f f"U|f ff jjj

daylight a hint we might hor _ row And prudence might come vith.the light . .. Then

<i**y fit f eif f p eifj

p

ff=

why should we wait till to, mor _ row, Yon are qneen of my heart to_ night.

m

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95

N? 17.

TRIO.

Wilder,Sherwood,& Bantam.

Sherwood, I(l0*ty t;

Piano.

JLUegro pomposo.

s.

g^* r

g= MN

Wilder.

/ > r

Are yon STire that they are all in bed?

IflLUtK. k fc.

Si _ lehce! si _ lence! Be

fcjt — ^

careful how you tread

0-

Let me bind yon. Take care not too tight.

k

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BB3

ir

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=£=*

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&

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WIL:

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Nows the time to wake our wor_|hy friend the Knight.

k

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Ha! ha!
A

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182H,

96

m

M

SHER:

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Bantam.

wil:

m

£=£#

^-<^

nt-Hf r —q-

Ho!ho!

Whos there? Hush! here he comes

mw

ban;

v pr-r

sher:

^ t A ^ ^ -g- -^ /•

1^

ifrv- v j " j^ J - ^" fe £

ban:

f <fci J" J' > J •■ ui

Speak! "Who is there?

WeVegot him now.

Confound the stair! For

WIL:

B.

S

iftjt * =<*

to ' g 'i pi" g ' ft p r

Me want your cash, and all... vou ha^

W

spare my life.

s

t

want your cash,

SHER:

and all... yoti have

Wt

i

p

I- • i i- p r-

^

VTe want .... your cash

ban:

and all . . . yon have VTe

{.v.tij t

£

£

±i

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Oh! snare

Oh! spare

18217;

97

W,

4 V I ; l F- F i

•^ want vour cash and all von

S.

B.

»~ J 1 J " j

want your ca

yon have, But not yonr life

We

fltf f, C C C f C g f 1 f i

F r

^-^H^

want yonr cash and all yon have, But not your life

P

We

-' - - V r l> 1' > " f p f J I J J i'

take my cfash and all I have But spare my life

Pray

w -ip=

s.

B.

tf r r

want you

r cash

r i*

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and all you have, We want your cash, and all you have, We

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I

fc±

want yonr cash and all you have, We want your cash, a.nd all you have, We

si

^

ifci

^

¥

i* F i*

f=T

take my cash and aJl I have, Pray take my cash and all I have, Take^

r- '

/ 7 ' ' '

N \ t5

f^fiul gf

Wl

SfeM^

w.

m

4-

*.&$4

B.

p^p

:=&

want your cash, But

m * -.

£\

I

not

vour

life.

I

' • i

^

want your cash, But * not

your

^

my cash, But

¥

life.

by ^ i-4

- g i r : * i r

jj^i i

/O

35 3

la^i-T.

98

N918.

CHORUS.

Dorothy, Lydia,Wilder, Sherwood, Bantam, Lurcher,*Choru$.
•Allegro moderate

Piano.

W

£

sop:

t*

^

€

V vv v

What noise was that

i

&

Y

Making 1 us from our »lmnber.

ten:

w

m 0-

$

r?

V V

Y Y

Waking* tis from our slumber,
BASS.

§1

IPfppP 3

\?

7 7~

Waking" us from our clumber.

CTf

1* wr

£ =r

^

£==:

fLIli S gi

g M M f

18 ;:?!'!»..,

99

*=e

^ff

k

•5 #

fe-A

#■

=M*

What to goodness?

cansVl such a clatter,

Hand joiiid to hand,

1

&

£

f

f

+ • ■»

#

^

causd such a clatter,

Hand joind to hand,

^

it

PPP

^

caused such a clatter.

Hand joind to hand,

Safe- ty there is in numbers,

Let us find out!

1

*

PP'E P.r I I J^>J i'

What is themat_ter,

^

r

Ff

#

fr y Y V V V

Safe_ty there is in numbers,

Let

F PP; r /pr ^

us find out!

\*hat is themat.ter;

^

r FT«c J>

S afe - ty there is in numbers ,

i

Let us find out !

What is the mat _ter.

Help, Help, Im almost dead,

Help, Help, Im almost dead

i

*

^ N fc f\ :zfr:

^

Help, Help raise up his head

*

P^

r r V V

Help, HeJp raise up his head

Mt

g§jjl

fe^N

* d. s

Help, Help raise up Ms head

PPg

18217

I0O

I

I

¥

m

K=E

Lift tip his Graces head,

i

&

> i ?: g

VJ

w-

Lift up his Graces head,

<g» }^ JV,M

* — *

Lift tip his Graces head,

Dorothy.

d:

#

* | bp i #1 J% JV|| , J ^f£

Chorus.

■^-t^

y — r ^ / .

dread _fnl sight To see yon in

^

s

«o sad a plight,

Oh what

t

&■

Oh what

S^r

^

22:

Oh w&at

S^

?"-*

£4-

a

3

s

JgJ-Ji

fe

Sl

LJ UJ

3

* l hl?ll 1 1

JW

^ q s 8 a a w

"i *

^p

S33E

£

18217.

lot

8 :

3 »» **

18217.

2 0£

D.

L.

s.

O

€

f

1

ft

?

Too shocking quite,

mm

mt

Too shocking 1 quite,
O—

^P

Too shocking" quite ,

if* f r r

r MJr r r.

\ ilNNKA

i»— ■»

r r v

m m.

* —

#*

*

Daring a death to plunder,

that's coming next -we wonder,

V VV V v v

Daring- a death to plunder,

Yt'hats coming next we wonder,

V W V i J P

£

^ fr fr'fr f, ^ =lfc^=l

Daring- a death to plunder,

VfhatB coming next we wonder,

§* i^- tff'b

?8 1 8

^^

£=.

I).

L.

PP

i J'tJ'i

Oh! what a night!

Fff^

m=

Too shocking, shocking- quite,

f ' N ^ 'V

S. t

NJ-^JJ' j

Oh! what a night!

Too shocking; shocking* quite,

Wt

1

±

O! what a night!

*F

tt

Too shocking- cniite,

i

k

r r r .r

fit wKq4 a nin'h+T

O! what a night!

-*

«* %

m

Too shocking quite,

m

O! what a night!

^

Too shocking quite,

18217,

1G3

BAN:

m

pe$

f?\ •Andante maestoso.

rT\ ban:

i

My moneys safe

P

*

^

There's not a pen _ ny

Efi

fir

m

*

How ve - ry strang-e, . . .

®E

mi ur

^=^

i

How ve _ ry strange, , ,

^

i

i*-* *

I

i

£

t3=E

18217.'

r?\

a=c

How ve _ ry strange, . . .

q N „ „ i -^-^

IS

i

/

a=e

^ '/•

^P

h* Tf- k

m

104

viLidndeed.)

§ 1 J r - 'fr - a

BAN£

s

WIL;

lur;

m

j j j i

^

Speak!

What is it,

Yonr grace I fear!

Has been

i

3±Z2

Ah!

#

^

§

3

Ah!

5^

Ah!

sher:^. ^.,

&

^^

lur: r/7:

t£S

Allegro.

■* ^

TheyVegot the swg, Yes! talten ev'_ ry

mag*,

m

m

■w

m

m

H— -* i * -h —

^*v?

ii

^

pip

rrrrrri

««t » bm 1

rtt:

JT J-

» gggg

-*—

^to-

105

fch

- 5 h-^=-

S

SHER; .+.

I

rr iTif

' n r f

See! not one shil _ ling* left,

WIL.

fr r " r $ J ir rr p i r

BAN;

liH

&

a=e

gg

v-

Of ev'_ _ ry.thing' lie _ reft,

The sum must

mm

£

J ^ .? V ^ J

■^—n-

m

g

r P i f rpif-

i

n

B

£

fta

be ... • re -paid, ...» at a

_ ny cost,

(fib /J «! <g

f

(S

*-*

*

■ba

A

0—+ : f-0.

mm

# ^ #

§p^

i§§

a=a

fta

a=a

3E5

M

1

•ay

• • • .

men _

- tion . . . . what .... a _ mount your

i

P r 1

0-*-

nrpn u^

1

Pray men _ tion what a _ mount your grace has

f • i r •

lost, your

m

^5

i ll 1

F Ccf £'

Pray men __ tion what a __ mount your grace has lost, your

3i

^W

^-j

3z5

/"

18217.

w

, rn

»-£= ?, Jr- ^U

F

^

T * m

a:

^i_s m

SS

r

1= i f: f =

s p i »tt:

loe

eight _ y pounds PerJiaps a lit ^ tie more Sir And as a host I think you re bound The

L.

= h 1 K

money to re_ store Sir

P

■ r -i r

m

Pray take the guineas He feels bound the money to re_store Sir.

|r ^ Jlf i

Z=Z

p

£

r -i r

Pray talce the guineas He feels bound the money to

1

re_sto:

>_store Sir.

JJ .MJ.r.iil

Pray take the guineas He feels bound the money to re_s tore Sir

^8217.

io?

WIL:

\?M.

• K 1 '/ 1 ^ ^ 5 ^

zr-r

^

— '^

^

c^

te^-

:rg

gS

I

3B

@

^S

r*-s S-r

/°£

_

Well then I

* i r -f

^"^r-^-^r

w.

^

f

fe

dor:

K

1©-

i

*

His grace we own

lyd:

ac _

HI

+-&*.

i

*s

take the money as a loan,

His grace

sher: _

^^

we own

_<£ , g

ac _

j*

g

%

s

His grace we own

BAN: ^ _

2 m G-

ac _

I

m

•Andante.

His grace we own ac -

2

k

J, tfJ *

S N N N fr N

^^

D.

FP¥

# »

L.

f

- cepts the loan With such a tone that one wonid feel in_clinM to think the

k

l# J J- J J i J J' J J i > J- J

\ N N.

m m

i

tra

I

- cepts the loan With such a tone that one would feel in_clind to think the

k

m

*

s.

_ cepts the loan With stich a tone that one would feel in_ciind to think

the

B.

(gjF f f

P

T0 ,-H#

P

V V

?=?

the

E

-cepts the loan Mith such a tone that one would feel in-clin'd to think

1821 7 .

IOB

D.

k

m

J Z * 4

a

%

i

p

9^

m

His grape we own ac _ cepts the loan with

gold was all his own

I..

I

fe

LYD: with

IP3

rz

Sou: gq<*

gold was all his

own

WILD .'with

ffiB

t»

TcinlV JjJ

**

BE

9

^^

f

His grace we own ac _ cepts the loan with

&C

~3

-ct

■'7 f I & f.

atQ

^

gold was all his own

u

His grace we own . . ac _ cepts the loan with

£

i

i

LURCHrwith

Tent gnd .

p

I

^^

B. *£fr

m m jg.

dan:»s ii c r

gold was all his own with Bass. uj s grace we own ac _ cepts the loan with

such a tone That onewonld feel inclind to think the gold was all his own,

y {n>d = E

te

•0—*

I

I7\

k

L.

m

V -0- - ~*~

snch a tone That one would

J * J J ' f^f f ' « $
feel inclined to* think . . the erold was

gold was all his own,

W.

S.

*=^I

f J J pip r|»i.j

such a tone That one would feel inclind to think., the gold was all his own,

^

5— #

r r i r i s i' i- i' i

^

^

[^ [^ ~ j I p r I I?!? 4 :

\r-\r

inch a tone That one wotild feel inclin'd to think., the gold was all his own^

Vivace.

sher:

■ i y V V -if. c c t \ tt $=m

And when his grace re -tarns this_ way The mo_ney he is

^^

PPstacc;

Lj^U

18317.

- <f' l ? r

109

wild: j? /y\

■e I C pgglC g. g ll t I i Mi It I

f

t

Im much afraid it won't be paid Of course your loan will be repaid,—.

LURCH: L±l

, 1 1 j j j j ^m

J ^ W ^ W

.'Hi

pp / k P

sure to pay,

r

Of conrse the loan will be repaid,^

v 1 £ E £ £ ' £ / v n "

Of course the loan will be repaid,

dor:

3jfe

U j lim'i ■ ' I

Tempo di Vahe*

Hark I hear the quarter chime,

i

re

k> stacc;

M

* *

■f— r-

gg

# -*L

lyd: k k K

^ rr

oor:

What on earth can be the time,

Midnight not long past be sure,

fc£

g( » - i*

fl j g

£=P

If

P

P

gk

I

#-*

■3 i>f

NfP

:£=£=

I L,

I

?

£l

dor: m

I C f . C £ C- ; 1 m

LURCH: col Ten:2?

i

i

Why the clock is striking fonr
LY D :

p

J J J JjlJrrg

ban:

p^^

VOiy the clock is tstriking fonr Once mora to slumber,

18217.

no

SHER.

Hfe

^m

k

Once more to slnmber

SOP:

fc=*

g 9 9 I g

tc-K

■^-^

We must all to "bed a -gain,

'Till the sunshine thro the

ten:

*^ We must all to bed a -gain,

^ i —= — . .

£=E

Till

111 the simshifie thro' t

BASS £Mi_ilJLg-^-C C-l [ rrj

Wemnst all to bed a _ gain,

'Till the sunshine thro' the

^

ff=l

And the bright morning' light Brings us day a - gain,

. „~ And the brlgnt morning ngni urmga u» u^y »-

,«:l l ,J - ■ |M* II, ' ' ' I ' "*

i

pane.

0' f r

f

WILD:

And the bright morning light Brings us day a _ gain,

pane,

md the

s=;

H*-

PP

i

/ 1/ y V

W&

m

And the bright morning light Brings us day a _ gain,

SHER:

m

ZE

n f '" :t c; P q

g r* -

pane ,

And the bright morning light Brings us day a- gain,

D

L.

W,

i

> f i r

»

Q . c- P l LJ" U' ^ I r Tnrr

And the bright morn _ ing light brings the . . . day, brings the day a -

And the brighi

^

=t

r r r m

the bright morn _ ing If g"ht ,

brings the day a _

f V Y z= ^r

.asp

And the bright morn _ ing light, brings the day a -

0.. , . .,.., 0, , , . * *

T

I

ill r r r ri

And

the bright morn _ ing light,

brings the Hay a -

18217.

Ill

D.

PP

r^^

_ gam,

X.

W

^

S

i* i*

J' J g ; p [I Ip

Hark I hear the quarter chime,

-gam,

' e f- p f ] r

•^ _ trail

Hark I hear the quarter chime,

£

- pi?

»

- ga

m,

£.

k

SOP:

I

1

m

^

=fi

Brings tis day a
LURCH; col

_ gain^ We mnst

> *i

all to

E

£

bed

a _ g^m.

H

■fc

Off to bed it is now time,

t f^JJJ^ i J

i

L.

-P — P-

¥

Off to bed it is now time,

f

i

p

JK.

§n

3£r

=H9rfr

l

i

=y

i

si

f

i l i r \\

r r*

We must

all to

J2

»i=F

T T I ■ f f

bed a i

j a

R._ _ gam

-0

£=£

W T e must

We must.

all to

bed

a _ _ gain.

We mnst

18217.

J12

D.

L*

W.

».

i

s

.1' > J J

*

ETir. r i

i

Then it is the half hour chime

Then it is the half honr chime

pi

m

i

E

»&&

m

Yes the clock is striking 1 four,

».

ifi'i M f M ||

3E

Yes the clock is striking' fonr,

^m

Pipp

m

^m

Once more to slumber,

ban; *

$

^

Once more io slnmber,

P

PITr

it Jm

bed

1

9

J?

pi> r

- ffain,

We mart all to bed a _

M

bed

a _ gain,

\f p- [/ ^, [r fr . '

VTemnst all to bed a -

13217,

Utf

P

^

*^

Et

Once more to

m

§

slum-ber,

— 1# —

m

w\*. i

Once more to shim_ber,

\. N K N

£

M

¥

H* P-

* 9 * *. *

- gain,

i

We mrcst all to bed a _ gain

PI

i

■?-l

-p — r

g

Ttrrr

- g" a I ll »

We must all to bed a_ *

i

i?

Till the bright morning light, Brings us day a gain,

*

m

tornmg light, Wring's us rfay a._

Till the bright

i

L.

W

¥

ri—fi

dim

~5L

i

k

Till the bright morning* light, Brings tis day a_ gain,

We ma it

?

fr- i — r-

the

ibrams

C

\r v \r v

32:

'iTll tne bright morning tight, Brings tis day a -gain,

We mnst

m

m — 0.

1

&?

1

f / 1/ Y ¥■

Till the bright morning light , Brings ns day a _ gain,

We mnst

m

B.

^■P »

t — r

i

b

■We

Ht

i

1R2I7.

114

n.

r,.

w.

s.

B.

w

f m /<~~k

f i^i

u iS

d d d

morn-iner light Brings day a _ g*ain,

P I ? r

it

dt

i

9

h

all to

bed a _ fain,

Till the bright

J J J '

Till the bright

fcz=E

1

all to

m

m

.bed

a _ g*am,

~r

e bright

i

- I CT |

nil to

jpg^p

£

i

bed a - g*ain,

Till the bright

m

mn^t

to

bed

i

P

353:

jg

We

1

y

1

&

£B

'*> J f J' 1,8

Vfe

We must all to bed

morning- Iigbt

S.

Wfall, r f £

=t

bring the day a - gain,

r r r r-H 2 -

1

E

^

2=5

morning Iig"ht bring" the day a _ gain,

We

«f

must

all

bed,

We

f

■ffi i 'l' e-<

1

s=x

must

W^

%

m

bed,

We mnst

1.881* .

smorzando al fine.

D.

L.

W.

HM

f 1 S^^ t ^

115

iJ J | 1 r n J" »

3S

^

i

morn_ing light brings day a _ gain Till the bright morning light Brings us

mi tne nrignt morning ngnt Brings us

•^ must

•^ must

to

bed Till the bright morning light Brings us

■f ?

£

s.

B,

m f r

£

to

bed

*= F-

^ fr

We

mnst

* — I*-

must

to

bed

We

must

l%f=i

£

must

to

Up

bed

■F— f-

We

.a bs.

mnst

i

f

fcb

* !*■

H

r* r

i

t

yaP l> r*

alj tf|

3

bed a, - gain

L

We

must

-» **

all to

bed a „ gain

We

f* r

^

■p — i^

must

I-

m i j ? 9 1 j ; jii '

o

day ^ A- g " n

1

18317.

11C

NP19.

FINALE.
Dorothy, Lydia, Wilder, Sherwood, Lurch er,Bantam,* Chorus

PrANO.

Allegro .

HORN.

jhii

m

mm

C\

'

ECHO.

m

. Jj. J J: — i — ^ jn~

TFNftB« RFHIkin 2 " tlme Sol ° DOR!

TENORS BEHIND Ut time Tenors of Cho? Solo.
SCENE.

rA \ * / y r y y =£p

rtJH I/ -1 fcl C- 5

E ' fr E I- f p p'^l

_ way, .... A hnnt-ing - we'll (jo to day .... And the ear _ Jy dawn of the

K-r

fr i li W

'&m

F

f— ^-f

4 0-

■m -m

I

P

cr F if r f c i c ' epp^p

*=

] /■ v

^

forward hark forward a _ way .... Tis a bean - ti_fxil hunt - ing" day .

)8217.

1.1*

*

r p at

£=£

&^

» <_!£

^

m

horse and hound shall skim the ground to the sound of the horn so gay,

And

gfeEJ J .j=j

S

*=

i

f

£

pp

i r i' i. ki r ^

1=1

horse and hound shall skim Ihe ground to the sound of the horn

so

i

2 I

LU

CO

«0

<

CO

^W

g*y.

^li'T^g. i f r . r ' r r ' r r urncpr ^^

gay . . • . And the ear _ ly dawn of the an «. tnmn morn is rea _ dy to shew us the

jjjjfr r i i g j

And the ear _ lydawn of the an-tumn morn is rea _ dy to shew us the

h " ■■"> f i r i i' i ur i ft r i r r r r rr i

And the ear - lydawn of the au_tumn morn is rea _ dy to shew us the

m

K-\

b r i ^

^ "i ' M

And the ear _ lydawn of the an „ tnmn morri is rea _ dy to shew us the

M

fm=mm

m

£

r ir v\

K

=0

f

2=#

V

f

V \

f

V \

w

iie

o

CO

hi

<

00

V=+

3r3

Tally ho!

3=3:

Tally ho!

J 1 r r r

<way . . • , And

j #

Pnr cg ' g M- i r-' ^ r n

And horse and hound shall skim the ground to the sound of the horn so

# i r g ' r g r ff g g* gg ' f • gg

vav ...» And horse and hound shall skim the ground to the sound of the

7^

vrny . . • •

'' ■ 'i (H' f i r '■ r'j r ' r l ' £' ^ft a

horn so

<#-

vay

And horse and hound shall skim the ground to the sound of the horn so

v=*

>iJ >J > i J ^

. JJJ Ji

way

And horse and hound shall &kim the ground to the sound of the horn so

ffi F p -^

^

TaUy ho,

.:T "jfigr

#~T := T'^T PCf'p ' f F F'P pif^ J ^^

Tal.iy ho,

•J A — Jl ■ I J -U-II _!-! .il ■ -

* l» I

!^

r £p r ^i

gay And horse and hound shall skim the ground to the sound of the horn so

gay And horse and hound shall skim the ground to the sound of the horn so

g):, F

m

'ifiY rm- ' fir trfr.nvf : ^

gay And horse and hound shall skim the ground to the sound of the horn so

m

£

g r c.r. .p. 1 1 . ^

^^

0, M

gay ..... And horse and hound shall skim the ground to the sound of

the

p-

e horn so

m

^m

^

r^ps^

% j j*>

p

ijf- **:*.

»■

r ;r g ' i

* ^

l#-

tfr fr - 4

#

1821 7 .

tuttaforza.

113

•J TaLIy hoTTTV, . TaUy ho, . . . . TaLIy ho, TaLIy ho taLIy

w

T-aLly ho, TaLIy ho taLIy

ifeLJ- J t ti\f r ^m

gay, . . * . TaLIy ho, TaUy ho, .... TaLIy ho, Tal_ly ho tal-Jy

K av * j -». . ... . . ■ TaLIy .ho,.^. . TaLIy ho, l^l-Iy ho tal_ly

— ;r nr^ Y rr ^ Y rr if r rir n

Lfy ho,

guy, ^ . ._ . TaLIy ho, TaLIy ho, .^. . Tal_ly ho, TaLIy ho tal-Iy

f ■ f\ * i . i . i* •

e a y

(•? f i r" i- ;. cir i' r- e i i' pf I- f- i

, • ♦ . . TaLIy ho Tally ho, ... . TaLIy ho, Tal.ly ho tal _ y

m

Enter ooa: OOR:
and lyd: f- *

9

iT^lf' ^

jflb r i « =|l

L y D Jal-'y hn.

^ ^ r~P C f i f' £ f p* £ P i

. . * .

TaUy ho, .... Tal.ly ho, TaLIy ho, TaLIy

m

ji Efc l p'SEp'SE

WZJL

s

f

wild:

TaLIy ho, . . . , TaUy ho, . . . . Tal-Iy ho, TaLIy

^ m

m

m

ho, TaLIy

s

&

?

I" • p ^ ^

" — — " p-¥

^

SHER:

*»b ■> T.'f-f

Tal-ly ho, . . . '. TaLIy ho, . . . . Tal _ Iv ho, TaLIy ho, Tal_Iy

'6

ijE

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i

p

M * l< l

z:

LURCH

TaLIy ho, , . . . Tal.ly ho, ... . Tal ^ ly ho, TaLIy ho, Tal-Iy

w

P

b r i 5

al-lv

A-

Tal-Iy ho
BAN: J

TaLIy ho, . ... Tai .

y ho, Ikl.ly to, Tal.ly

^^

■^ r- 1 r • "f f cir r ^ciP' ( ; i^

3=ft

TaLIy ho, . . . . Tal.ly ho, . . . . Tal-Iy ho, TaLIy ho, Tai.ly

ho, ... . TaLIy ho, .... Tal _ lv ho Tal . lv ho. TaLlv ho. Tal.

:

, ™X

1H217,

120

£

' f — +-

no, .

A hunt_ing well go to day

iT y E I ■ f :

^ r i

And the ear _ ly dawn of the

s.

B.

£

f

( g *i

fcfc

ho, •

A hnntJng we'll go to day . .

m ■ m m

E- E IF

the

ho, ••

Si

A hunting' we'll go

day

m m — y

e c i r

nd the ear

s

£, 1 J , J"» j i \ \ p i/" friP

ho,

A hunt Jng we'll go to dayT~TT . And the ear - ly dawn of the

ho,

7 A huutJnf we'll go to day ... . Arid t

m

ho, » » » •

r-i Jig* p g i

A hunting we 1 11 go

p i J- A£E

e ear _ ly dawn or the

* * t *

Jg, . k g

to dayTTT . And the ear _ Ty~rfawn of

ihe

[Jng-

i

h^T, *

m f f'. g E, g

-^ 1 — ^ ^ jr

\ hunting we'll go

' v Jho, . . . . A hunt Jng we

i v ii f f r ^=

.k — i — m- * • ^ — ^ — ^ — ■ — m " ' * ■ ' ^ -— ■■■■ w ^—

to . dayT~T^T^ And the ear - ly dawn of the

up 1 r • g- (i fir s f^ 3

to day . . . . An r d the ear _ ly dawn of the

if", i v i f i f'g J

£

to day .... And the ear _ ly dawn of the

' ■ ' ' hds*

D

L.

^ au -

w. mb p —

.m

"

ii.

&.

i

I I t \ >.,h J' f r J :

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#

AU

tumn morn

_ dy to shew us the way

tumn morn

is rea - dy to snew us tne wa^

• • • • • •

Tai_ly

rea - dv to shew us the way

is rea - dv to snew us tne wa^

i i Ti i i 1 1

an _ tumn morn

is

rea „ dy to shew ns the way

jg ' g p f ■ E F

au - tumn morn

is

rea _ dv

■t=E

Tal -ly

*

i

,, _ ..v to shew us the way .

• • • •

p

Tal _ ly

.:/ jg

an _ tumn morn

is

rea _ dy to shew us the way

m

au _ tumn morn

l morn is re^a _ dv to shew us 4

-^ Tal.ly

* F F I

^' 7 J- J" ^ j" I /■ ^ J- J": ;

au _ tumn morn is rea _ dy to shew us

the way Tal - ly

rea _ dy to shew us the way^: — T*7 . Tal_ly

au - tumn morn

.M A ^ J* ,»■ ; /

^^

IS

rea, _ dy to shew us the vw

Tal_ly

au - tumn niorn

rea

y to she w us the way .

1 1 ■ ' i ; ■ ' ' * ■ '

ie

J8«1T.

D

L,

Vf.

m) hoi tal _lv iio, tal .

lai

< -v V

^m

ho, tal_ly ho, tal _ \y ho , , , , . , 'Tis k beau _ ti-fhl hunt - ing"

r J-/ c-./jjm

j* j' i a > j j =s

ho, tal _ ly ho, tal _ly ho, . , » . Tis a beau _ ti_ful hunt ^ ing*

fe

/ " f f F $ $

hn~. tal - fv Hoi tal _ lv

ns a

sail _ ti .

m c*

*

ine

ho, tal _ ly ho, tal _ ly no,

Ts a bean _ uZful hunt Z ing"

•(si-b r > f i

^

tt- g c i c i? p «p @

L.

B

ho, tal - ly ho, tal_ly ho, . •_. . . 'Tis a beau ^ ti __ ful hunt - ing*

*J ho, tal _ ly ho, tal _ ly ho, Tis a beau _ ti_ful hunt -

<\ P e r Pr pirT- 6 c i c r» i; »r

mg*

F=F

ho, tal _ ly ho, tal _ ly ho, . . . . . Tis a beau _ ti _ ful hunt - 4,-ng 1

frr i : re f i r r'.sc K U r & '

ho, ial_ ly ho, tal _ ly ho, Tis a beau - u_ful hunt - ing 1

ho, tal _ ly ho . tal - ly h o, .»_«. • Tis a beau _ ti _ful hunt _ ing*

mm.

12B

D.

•/ sound of the horn

L.

W.

S.

L.

B.

ij r 'I I _ r J I III

•J sound of the horn so g*ay, . . , . Tal _ Jv ho, .

t\ J*. > /' J > I r '~ c ^ i; I r J

fr J. i' J J

Tal_ly ho, .

J *J J i r

sound of the horn so g"ay, .

Tal - ly ho,

sound of the horn

so

•^ sound of the

g^

Tal _ ly ho»

horn

-„„.». -.. -^ so g-ay,

^

j^i r -

* « •

. Ta! _ Jy ho :

sonnd of tha horn so

^ cnTTtiH nf thw hn

ff a y

f mi. n r ■

Tal _ ly ho,

sound of the horn

sonnd of the horn

Wr b > . > i!

sound of the horn

m

And horse and

Vti

And horse and

&

so gay

And horse and

iB^n,

D.

i*-r

T*-r

Pause^'^
2\ U J time, /^tim*

■sfe-s — ■ 71 *

1£S

sonnet

of the horn

mm

&~ -

&— ~

so

(7\

s a y

■pCZ

sound

I

of

the horn

r > i r •

so

w.

?

sound

of the horn

so

8'«y

i

i

S.

^

sound

of the horn

1831 ft

END OF SECOND ACT.