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124 

N<? 20. 



Act 3. 



BALLET. 



•Andante . 



Piano. 





125 









1H217 



126 




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put vivo 



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a tempo . 



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P IANO. 




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N9 21 



CHORUS 



Allegro ^loderato 



Pi ano. 




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Dane _ ing 1 is not what it hied to be la the mer_ry days 





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danced from rirrsk till tne sun... shone bright, Wh en feet >vere 




ill the sun shone hrieh 



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onehrig-ht. Eh! 



y 



hearts were free, We danced from dnsk till the stin sh< 



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Eh! 






Bet _ter than that ve can dance you II see, 



Eh! Eh! TW 




fee _ b I e we 



IS 



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22 



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Bet-ter than that, 



Bet - ter . than that, 




134 



N? 22 . 



BALLAD. 
Phyllis. 



Phylli s 



Piano. 




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P. 



weJl To him to whom my heart re _ veal ed, Sigh'd forth the love I dare not 




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tell, 



jif i r r i f v ' rij, i , r 



My love, my life, I fme _ ly give, My _ self and all that 



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in me. ♦ is, Henceforth in hap _ pi _ ness to five For him a _ lone as 





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\y his. 



Ah! 



Rut 



li _ her __ ty to me so rfear 



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_ ber _ ty so dear 




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a , i- i - h i i i ^ V f ' r n " fi h h 

They sav,i»hen wno _ ing- days are o'er, And there is no- thing- left to 



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gain, That tnr _ ties coo their love no 



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more, And ho - ney_ moons get on the 





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li _ her - ty 

Chorus. 



to me 



so dear 



now 



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re _ sign 



m 

with 



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Eh* eh! eh! Tho> fee - hie we he, 



Bet-ter than that we can 




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oxit a fear, But li - 



her _ ty 



so dear 



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now I re _ sign 



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dance you 11 see, 



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Eh! eh! eh! Tho* fee _ ble we be 



Better than that, 



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with _ out fear 



fear with 




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63 






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Betjter than that, 




Bet-ter than that we can dance you'll 

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see . 



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13 8 



NO 23 . 



SEPTETT &CHORUS. 



Sop: 1*2. 



P 



Allegro. 



Con 



tralto|| 



Tenors. 



Basses. <g?Jf n 



Piano . 



FFCE 



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What 

Phyllis ™th cor: 

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Vfhat 

Tow G, with 2? ten: 



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to 



What 

Tupp;& Ban: with 

BASSES. 



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What 



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joy un_told to feel at last, That all de - lay and doubts are past, Her 

phy; 



joy un-told to feel at last, That all de _ lay and doubts are past, My 

, TOM. 



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joy un-told to feel at last, That all de _ lay and doubts are past, My 

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joy nn-told t° feel at last, That all de -lay and donbts are past, Her 






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ft i - tnre lot with him is cast 



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er own, 

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fu _ tnre lot with yoti is cast, Mv own, my own, A 

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\i - ixfre lot with yon is cast, My own, my ♦own, A 

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hi _ tare lot with Mm is cast, His own, his own, _ A 



fu - ti 



ot with him is cast, His own, 




maid _ ens feel _ iligs who can tell, M 



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> _ pi - ness no 



can tell, My 

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hap _ pi _ ness no 




Jag] 7. 



14 O 



O Lhtes so tempo. 



\ m f J *k \ n-- _ i f fin pG g^p 

own I own I own 



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Now 




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send for the par_ son and send for the ring", And mer _ ri - \y let the bells, 

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send for the par_son and send for the ring", And mer _ ri _iy Jet the hells, 



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send for the par- son and send for the ring-, And mer- ri-Iy let the bells, 



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send for the par, son and send 

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i f- g c r P'P'gf- pv 

I send for the ring-, And mer- ri-ly lat t 




le bells, 




1 m chime 



For marriage to start with is 



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T. 
B. 



For marriage to start witn is t w \ 




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-Is chime, For marriage is not a sad thing, 



It 




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mer _ ri _ {y let the bells chime 



nme, For marriage is not a sad thing, It 

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Siii^ 



For marriag-e to start with is not a sad thing, 



:himi 



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For marriage to start with is not a sad thing, 



i 



141 




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mai_den says t4 Aye" 2. fl TEN; 



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The 
r. l TEN 




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She'll make such a bean - ti _ ful bride 



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knot though re_mar _ ka.bly eas_y to tie, Is not quite so lightly im_tied, 



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knot thoughre_mar_ ka _bly eas-y to tie, Is not quite so lightly un _ tied, 



*" knot though re_mar _ ka _ bly eas.y to tie, Is not quite £o lightly un _ tied, Is 




18217. 



14 2 



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not quite so light _ ly tin 



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not quite so light _ly nn _ tied, 

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not quite so light -ly nn - tied, 




tnlfi. 



\ M r r. 1 j. ! pK f . r J' J' •N pa^ 

•^ tied Then send for the par _ son and send for thi 



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send for the par _ son and send for the ring And 



p^p 



seek 



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tied 



— jr-t ■ # * " * * m 0- #< — r 4 ? #t *t 4- — . — ~^~ 

Then send for the par _ son and send for the ring And 

Then send for the uar _ son and send for tht* rintr And 



1 r 



send for the par _ son and send for the ring 1 And 



s 



g 



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=t 



Then 



end for the par_ son and send for the rim 



HI 



seiin ror me p; 



ring" And 




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mer _ ri _ ly Jet 



■0H- — #• — * 



fc N N 



the bells nier _ ri _ Jy let the belts chime, For marriage is 



mer _ ri - ly let 



the bells mer _ ri __ ly let the belli 



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J* J.-Jj i 



s chime* For marriage is 




mer _ ri _ ly let 



the bells chime, . . . . . 

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- ]i $ i y " f ?£* % $ : 



For marriage to start with is 




18SI7. 



143 



I 'i'i ii i N' '', i I.' 

^ not a bad thing-, It on _ ly gets gloom -y in time, 



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Then 

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not a bad thing", It on _ ly gets gloom _ y in time, Then 

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J^t a iwi thing, It on _ ly gets gloom _y in time, Then 



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k 



en 



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the bells 



K __K 



mer_ri _ ly let the hells 



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J ^ - 1, J' J 



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let the bells 



Chime, 



mer _ ri - ly let 



i'i'i j j i Hf.-^gg 

•^ let the bells Chime, mer _ n _ ly let 



the bells 

— ^_ 




18S1T. 



144 



rail: 






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rt tempo. 



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mer _ ri . Iy 



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let the bells 



Chime 



t 



3 



ls£ 



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fca 



mer _ ri _ Jy 



let the bells 



Chime 




mer 



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the hells 



Chime . . 

a tempo 



m 




rail: 



O 



as 






Danse and Exit. 





I«SI7. 



14S 



NO 24. 



FINALE. 



Dorothy. 



m 



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Piano. 



ps 



Moderator 



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dared 



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toT, a dore? .......... Wh'o pro - mised to love her as 



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J 821 7 



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mi 



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maid idiom he dared 



to a - dore 



And pro_mised to 



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And pro _ mised to 

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33 



love her as few. , , Have e 



_ ver loved vo _ man be _ fore • • . 



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love her as f ev . # . Have 



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_ ver loved wo _ man be - fore 




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We will devote our lives to you And swear to oe for e - ver trne. 



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We will devote ooi 



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will devote our lives to yon And swear to be for e - ver trne 



gli 



Allegretto moderato. 



14 ■» 



d * d d J r 



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Eh! eh! ehi! Poor liutle dear! Wait till it comes to the end of tha year 



tfu 



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Eh! eh! eh! Poor JiUle dearl Wait 




PPW 



n n n i 



you come, 



wait till yon come, 






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Wait till v nT ' .comi 



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to the end of the year, There take her b.e hap _ py. For 

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on this oc - 



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ask the whole lot, Theresa welcome to all At 



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A V_ .l/\ ^ X ^ ^ t* P l &*^ withes lot, Who ne v( £ sita sighinf *£. 
ATid hick_y i th^nifvp ^hoTs r ^ \ \ #^ yv k N ®\ |V T J* 

P ^ k | r C ' 



aid hick_v th«man whnis K k \ A 

jid luck _ v the man who is -pleased with his 



And Jiick_v theman who is -pleased with his lot, Who ne-ver sits sighing for 







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j i i ' l 1 j i f r M ill 



what he has not, Con - ten _ ted and hap _ py for what he has got. There's a 



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*" what he has not, 

4 



^ what he has not, 



Con_ ten _ ted and hap-py for what he has got. There's a 

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Con. ten _. ted" and hap- py for what he has got. There's a 

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what he has not. Con - ten - ted and hap- pv for what he 



what he has not, 



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Con- ten . ted and hap- py for what he? has got. There's a 




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come to all 



Chan_ticleer Hall, Chan-ti_cleer Hall, Chan- ti_cleer 



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wel - come to all 



at 



Chan_ticleer Hall, Chan.ti^cleer Hall, Chan_ ti_cleer 



•^ wel-come to all at Chan_ticleer 

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an_ti_cleer Hall. Chan-ti-cleei 



Chan_ticleer Hall, Chan _ti_cleer Hall, 



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come to all at 



Chan_ticieer Hall, Chan_ ti.cjeer Hall, Chan_ ti_cleer 




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n 1 P g £ I'T ' . £ g ME 




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Hall There's a wel _ come to all, Chan_ti_cleer Hall, Chan_ ti-cleer Hail. . ■. . 

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Hall There's a wel - come to all. Chan_ti-cleer Hall, Chan- ti.cleer Hall, . . . 



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Hall There's a Wei . come to alh Chan^tLcleer Hall, Chan, ti.cleer Hall . „ . . 



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all There's a wel _ come to 



all. Chan_ti_cleer Ha|l, Chan - ti.cleer Hail. . . . 




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Theresa welcome There's a vefcome to all 



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135.17. 



END OF 0PER4