Comic Books Based on Movies

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BOB LUCILLE

HOPE BALL

JAMES DUNN at w

"THE GOLDEN GLOVES STORY" selected 46e*t vdjecU/

'Ves, readers <^

COMICS

have been demand-
ing more and more
exciting stories about

TOMAHAWK

and his young friend

DAN HUNTER

— those two forest --wise,

Indian-fighting heroes

of fearless frontier days/

mm

• York 17, N. Y. Whitr

. 42nd St., Ne«

FEATURE FILMS

FEATURE FILMS

(his LORDSHIP AWAITS IN THE GARDEN.' FOLLOW
ME, MUM.'

FEATURE FILMS

Stop gaping around
and do something
• COUTH,

ADVERTISEMENT

when itcwesto blowing bubbles, FLEER'S DUBBU BUBBLE cahT be beat/

Editorial Advisory Board

PR. LAURETTA BENDER

Alioclete Professor of Psychiatry
School of Medicine. New York Universil

JOSETTE FRANK
Consultant on Children's Reading,
Child Study Association of Amarica

u Tha following mogoiines all bear thli tradcmorh

Dr. W. W. 0. SONES
Professor of Education ano
Di.actc, of Curriculum Study,

University of Pittsburgh

Dr. S. HARCOURT PEPPARD
Director, Esse, County Juve
Newark. N. J.

Clin

your guorontee of tha bait in comics raoding:

ACTION COMICS

ADVENTURE COMICS

ALAN LADD

ALL-AMERICAN WESTERN

ALL-STAR COMICS

ANIMAL ANTICS

BATMAN

30B HOPE

BUZZY

COMIC CAVALCADE

DALE EVANS COMICS

DANGER TRAIL

A DATE WITH JUDY

DETECTIVE COMICS

FEATURE FILMS

FUNNY FOLKS

FUNNY STUFF

SANG BUSTERS

JIMMY WAKELY

LEADING COMICS

LEAVE IT TO BINKY

MISS BEVERLY HILLS

MR. DISTRICT ATTORNEY

MUTT S JEFF

PETER PORKCHOPS

REAL SCREEN COMICS

SCRIBBLY

SENSATION COMICS

STAR SPANGLED COMICS

STRANGE ADVENTURES

SUPERBOY

SUPERMAN

TOMAHAWK

WESTERN COMICS

WONDER WOMAN

WORLD'S FINEST COMICS

WWM^>

AND WE'VE FOUND IT FOR YOU I

HFlilNF> THF WHERE KING FARADAV'S PERILOUS MISSION IS To RESCUE
ZZ.i,'iJ?.J,ZM,.,i1** MOST DANGEROUS MAN ALIVR FROM THE MOST
IRON CURTAIN! IMPENETRABLE FORTRESS IN THE WOULD...

CL__ D "HANSMAN'S HOUSE .' "

rmiOAb!

WHERE THE DELIVERY OF AN INNOCENT BOX OF CHOCOLATES
HURLS ROSS mSSMp&tO OPERATOR OF THE STAR ePAfRICA,
INTO FATAL. ...

* TROUBLE IN TRINIPAP/"

A

LONMONt

•.HERE MATTY *A»r/V. PRIVATE EYR.Sf »Kmim* FOR A MISSlNfr
MAN UNEXPECTEDLY HNDS H'MSElf TM|0»i[Ct OF A SAVAGE
MAN HUNT... HUNTED BY. .. .

"SHADOWS

OVER '

LONPON /

WHERE TEX WILLIAMS

IS FORCED TO DON THE

SCARLET-AND-GOLO SAKS

OF A BULLFIGHTER AND

FACE A KILLER BULL AS

(L-

***&%?*'' 7JU.T0REAP0R
\J 'fro* TEXAS'

sir/UMiissiKOi iius

Look For this famous
rYMSOt oft Tut covm of

...StSBK TRAIL.—
ON SVRRY COMICS «A«-
'f. IT'S YOUR Gt/AKANTeg
>■."£ gEgl' IN COMICS.'

/VlVIB PICTURE- STOBE5 SIT
/aBAINST THE EXOTIC BACKBEOUNPS
-F THE FOUR CORNER* Of THE WORLD.'

FEATURE FILMS

FEATURE FILMS

I'LL WEAR THE BLASTED SUIT >OU GOT ME,
TILL I CAN FIGGER HOW TA BURN THESE
LONDON DUD5 AN' GIT ME SOME-
DECENT CLOTHES DOWNTOWN.'
BUT THAT'S AS PARA5 u
I GO,' NOWf' -

HUf VPS, i

A. ffif'tAn r\

FEATURE FILMS

...SG PA TOOK THE HIGHROAD TO LOOK FOR
HUMPHREY, AND A&3IE TOOK THE RAILROAD.'—
-:%■ UKNOW? THERE'S HUMPWREY-
fi TkE M6XT TRAIN TO ANYWHERE-

.J

FEATURE FILMS

POOR MA'S QONNA 9E PRETTY UPSET-
JUST FOUND OUT PRE5IDENT TEDDY ROOSEVELT
ISCOMIN'TOTOWN TO
MEET -iOU

I COULD MAKE HIM BELIEVE IT, ALL RIGHT/
I MADE YOU RELIEVE T WAS A BUTLER,
DIDN'T IT--AWD I'M NOT,' I'M AN ACTOR/
MY REAL NAME IS ARTHUR TYLER
MJ'VE HEARD OF ME, I'M $UK£.

OH, SO THAW WHY YOU CAME HERE- NOT
REALLY TO APOLOGIZE, BUT TO GET ME TO ,
RETURN AND SAVE YOUR FAMILY^ FACE/
WELL, I'M $TILL LEAVING.' AND WON'T YOU
ALL LOOK 5ILLY WHEN PRESIDENT ROOSE-
VELT COMES TO MEET THE EARL OF
BRINSTEAD-AND NO EARL. /

I SUPPOSE IT'SJUSTAS WELL.
VOU MIGHT FOOL A LOT OF IGNOR-
ANT TOWNSPEOPLE INTO THINKlN'
YOU'RE AN EARL, BUT I. RECKON,
R005EVELT (""

well, good-x just a minute. 1 after all, mrs.
bye, Humphrey \ floud wasn't in on all this
■l mean, MR. Trough stuff ~ I owe her some-
tylert i/thing: besides, it might be
good practice in acting- a
, command performance

^ AlP? ^— r FOR TttE RRE^/BENT.' S

FEATURE FILMS

THE FOLLOWfNS MORNINQ«THE WHOLE TOWN TURNS OUT FOR THE FIRST POX HUNT IN »<3 SQUAW"

t,KOW COME YOU'RE PUTTIN' GfiAVY ON THE FOX7.'XyCU GOTTA RIDE,}

& . 1__ - t7 f> , ' % "1 HUMPHREY.' THE ^

THESE DOSS NEVER HUNT FOX }i*^ULLY ioeaA ■■: I WHOLE TOWN'S
BEFORE-ALLEE TIME HUNT J/i this fo* / V DEPENDIN ON. .

FEATURE FILMS

BUT THE DOGS PICK UP THE SCENTttF'
THE GRAVY THAT CAR T POURED OM
HUMPHREY'S BACK.') , ,. '

7— ■- - ■ : — r*> uey. THE FOX

(jj/ENT THAT WAY. BEAT IT.-

FEATURE FILMS

MR.Tfl.ER..? WHO'S MR-TYLER?/! FOUND TH I?
I'M THE EARL OF BRlMSTEAD" /SCRAPBOOK IN
OLD FAMILY OF EARLS-
CENTURIES- -CASTLE OUT- i
5fDE LONDON-PIP, PIP '

FEATURE FILMS

But MR. BELKNAP-
■YOU'LL MAKE THE
TOWN LOOK $/UY
IN FRONT OF THE
PRESIDENT! its
NOT JUST ME
VOU'LL BE HURT-
ING.' NOW GIVE
ME BACK MY
5CRAPBOOK

FEATURE FfLMS

-MR. PRE5IDENT--MV FRIENDS.'- CART BELKhJAP

WANTED TO TELLVOU SOMETHING, AMD AS "SOU

CAN SEE, HE 15 UNABLE TO AT PRESENT/ 50

WANT TO SAY IT FOR WM-l KNOW ALL

VOU THINK I'M A REAL EN6U5H EARL--

ER-TH EN -WHAT EVER YOU WANT TD DO TD >
ME IS ONLY WHAT I DESERVE.' I AM GUILTY,
I TELL YOU~Gt//iry/ NOBODY ELSE KNEW
WHO I REALLY WAS- I WANT TO
TAKE ALL THE BLAME.'

'WORSE THAN THAT/
WE'RE GONNA MAKE,
L YOU MA'S SON-

ostY

LOOK WHAT YOU CAN ©ET AT LOW COST ]

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BOX T OPS AT My TRADING- POST

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ANIMAL EYE AT NIGHT

Contain* a Polonium compound which

makes il glow In the dork like an

Mounted or

band b*orln S c
ond Tom Mix '

!•«>««

iM i 'iinnimn

COLORFUL
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GLOWS JN THE PARK ^.fa-fc _ _

$1.00 VALUE FOR ONLY 20*

1 SHREDDED RALSTON BOX TOP

Emboiied with faal Western icanej ond
bt-ondl. Shiny m.to.1 buckle, engraved

mint for hiding meuogei. Adjustable to
any child's ill*. Girts will want it, too.

.V.V.V.W.WA

TOM*

IX T-adin, P

mi. I» 77S. Chtciarbearrf Squc. Si. Louis 1, Ma.

ssii?

Z' T

■ bo< teoi. Pie

» lend the Mowing

Hani tram

_Toy-T«f

vlilon Sat and

Moote-Llght Tioir

Eye lint)

urn

—Luminou

Cowboy Belt

M,„

:;;,'=,;•

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learned™ a<trtet*3"e«

In*, o«a.

THE TOPS IN POPS

'J'HIS year. Tommy Dorsey celebrated his
fifteenth year in the band business. He oc-
cupies a unique niche in the entertainment
field. World-famous for his brilliant technique
in jazz, he is a highly respected musical artist
who has made classical recordings, too. The
music world respects his keen judgment of
talent and his ability to build new stars.

•The Dorsey musical aggregation also has
been the incubator for many of the most im-
portant names in show business. The stimu-
lating "Tee Dee" personality has sparked
innumerable radio and film appearances. His
famous theme, "Get-
ting Sentimental Over
You," won for Dor-
sey the familiar label,
"The Sentimental
Gentleman."

Born in Mahoney
'Plane, Pa., where his
father was an accom-
plished instrumentalist,
organizer. Tommy attended
high school in Shenandoah. His father gave
him intensive musical training in every instru-
ment of the brass section before the trombone
was selected.

His first earnings, however, came from driv-
ing a truck for a meat market. For, this he
received $16 a week, but he soon discovered
that ■ trombone playing, even in small bands.
was .much more remunerative. He and his
brother. Jimmy, played numerous one-nighters
together, traveling throughout the coal regions
of Pennsylvania. They finally organized their
first orchestra, which they called the Dorsey
Brothers Novelty Band. Although their group
didn't make the grade outside their home town,
they were soon offered a job with "big time"
name bands, and spent the next ten years
switching from one band to another on the
road, on radio stations, and in theaters.

By 1935, the Dorsey brothers had blown
their horns with almost every major name or-
chestra, and then they organized their own sen-
sational unit, which boasted, among other
celebrated side men, the late Glenn Miller
. on the trombone. After almost two yiars, the
brothers broke up and Tommy opened with
his own band at the French Casino. The rest
is history. For ten years Tommy Dorsey has
retained his leadership on the air, in personal
appearances, and on RCA Victor recordings.
One of his latest platters on the RCA label
is "C'est Si Bon," with a good vocal job -by
pretty Frances Irvin. It's backed by "I Oughta
Know More About You." Jack Duffy joins
Frances on this Dorsey disc. Another new
and excellent Tommy Dorsey waxing is "Com-
in' Thru the Rye." coupled with "I Hadn't
Anyone Till You."

Perry Como fans won't want to bypass
Perry's latest Victor platter. "Hoop-De-Doo."
It's a fast-beat novelty tune with a real music-
hall bounce and delightful lyrics by Perry
and the Fontane Sisters. In "On the Outgoing
Tide," the plattermate, Como is at his best,
singing in slow, lilting rhythm of a love that

will survive earthly obstacles.

•

Capitol Records has just released a slew
of new discs. If you're a Dixieland fan, take
a gander at the records bearing the Capitol
label and you're sure to discover the best in
Dixieland. Sharkey and His Kings of Dixie-
land waxed what we consider the best Dixie-
land piece of the month — "In the Mood,"
backed by "Solo Mio Stomp," Sharkey Bo-
nano is on the trumpet; Santo Pecora on the
trombone; Lester Bouchon on the clary; Jeff
Riddick, piano; Chink Martin, tuba; and
Monk Hazel on the drums. This combo makes
for a sure-fire winner.

Paul Weston got in on the renewed Dixie-
land fad and recorded two old Dixie favor-
ites, "Original Dixieland One-Step" and
"Panama." Paul does many of the orchestral
backgrounds on the Capitol discs, and this
new' release is up to his usual fine" standard.

Jan Garber and his orchestra can take a
bow for their version of "The Old Piano Roll
Blues." The flip-over is "Clodhopper," a
strictly instrumental job. The label is purple,
which means it's Capitol.

A record that's getting a lot of play is
"Choo'n Gum." Kitty Kallen on the Mercury
label does a great job with the song, and on
the reverse side she is equally effective with
another brassy tune entitled "Juke Box Annie."

Also on a Mercury waxing, Bobby Sher-
wood and his orchestra will have you jumping
to his great interpretation of "Muskrat Ram-
ble" and "Dixieland Ball,"

Incidentally. Frankie Laine had better
watch his step. Satan from "Satan Wears a
Satin Gown" doesn't like the way that girl
from the swamp is taking the play away from
her; "Swamp Girl" is a big hit. You'll like
it though if you latch on to these two Laine
Mercury recordings,

Columbia has just released an album by
Arthur Godfrey called "Arthur Godfrey and
His Friends." The old redhead sings some
of the tunes he helped make popular, such as
"Too Fat Polka," Candy and Cake," and
"Making Love, Ukulele Style."

Frank Sinatra, Jane Russell and the Mod-
cmaires team up to make mighty good listening
on a Columbia platter entitled "Kisses and
Tears." On the flip-over Frank works without
Jane in "When the Sun Goes Down."

Decca Records has a winner with the An-
drews Sisters' platter. "I Wanna Be Loved."
Patty Andrews handles the vocal with her

sisters backing her up. The flip side is another
Andrews Sisters gem called "I've Got to Get
Out of the Habit."

You'll be singing a ditty called "Teasin' "
very shortly. It's a new Coral platter excel-
lently pen -fined by Connie Haines. The re-
verse side is an effective rendition of "All I
Do Is Wantcha." Georgia Gibbs on the Coral
label has turned out a fine job doing "I Don't
Care If the Sun Don't Shine" and "I'll Get
Myself a Choo Choo Train." Coral is a sub-
sidiary of Decca, and they are turning out
good discs in the tradition of the latter com-
pany.

M-G-M released a new Billy Eckstine rec-
ord entitled "My Destiny," which is reminis-
cent of an old Eckstine platter, "Somehow."
The coupler finds Mr. B. adding his magic to
"Roses."

Johnny Desmond has recorded one of the
cutest novelties in many a month. Two dis-
tinctive melodies and a catchy lyric are all
wrapped up neatly into a tricky little thing
called "The Picnic Song." The reverse side
is "I've Got a Heart Filled .With Love.'*

If you're a blues fan, you'll want to hear
the Striders' new Apollo disc — "Five O'Clock
Blues" and "Cool Saturday Night."

We've received many letters from you fani
asking us to list the companies that are pro-
ducing records in the. three speeds. Here'i
the info:

RCA VICTOR 78 45 331/3
CAPITOL 78 45 331/3

M-G-M 78 45 331/3

DECCA 78 33 1/3

MERCURY 78

COLUMBIA 78 7in. 33 1/3

CORAL 78

APOLLO 78

That's about all for this month. Until next
time, keep spinning the discs . . . and happy
listening!

FEATURE FILMS

LUCILLE WAS

-> __^-^-— ^ aiftjjj^^j

SOPN ON

«V AinTkJPP'S i. n^yj*™"

AUGUST 8,

fcNKULUNti A*b IN V-^E3W**
THE'CHAUTflUQUA /■■•aSW-

INTBUTTE,

MONTANA, BUT

INSTITUTE OF ~ C ^f&jM&'

WUStC'To^OPFJOW.'^^i^

GPEW UP IN

JAMSSTOWN,

**-*1/>— _ _— ^' " v Md8^

new lame,

/VOUl? MOTHEU PLAyS BS

whepe hep

«

IN CONCEPTS, DOESN'Tjffii

RWiLY MOVE&

SHE? MASSE VOU'LL "1IB

WHEN SHE

,86 FAMOUS LIKE HEP, SS

WAS STILL

(i?Sri SOME PAY/ r— rffc^SB

AN INFANT...

C s : -s 0»»t ifttcfe*:

■ - ■

wia? v. jfc»-.4BB'r[fl| :

■f^BPfefc

w^^WwiBk

Mff

) $; .V'jJPw

BUT DRAMATICS MEANT /MOPE TO YOUNG
LUCILLE THAN PIP THE KEYSOAPC OF A
PlANa HEP HEAPT SET ON BECOMING AN
ACTRESS, SHE ENPOLLEP IN*THE JOHN
/UUPPAY ANPEPSON PP/AM4T1C SCHOOL'.ONE
DAY A TEACHEP TOOK HEP/ ASIPE—

VOU'D BETTER' ST4PT

JOB HUNTING, LUCILLE.'

< YOU'ffE CASTING AIONEY '

\ STUPYIWG DPAMATCS.'

FEATURE FILMS

BUT LUCILLE PEFUSEC? TO GIVE UP
HEP DREAMS SO EASILY. SHE GOT A
JOB WITH THE ROAD COMPANY OF
"PlO PlTA".THEN ONCE AGAIN THE JINX
STRUCK WHEN SHE WAS FlPEP FOP
"INEXPERIENCE.'" LUCILLE BEGAN TO
THINK THE TEACHEP HAP BEEN
PIGHT. FOP SOME TIME SME MiXeP
SODAS IN A &QOA0WAV STORE...

BUT LUCILLE'S
TITIAN LONELINESS
WAS TOO BPEATH-
TAKING TO BE
WASTED BEHIND
A SOCiA FOUNTAIN.'
SHE WAS SOON
WORKING AS
A WOP-EL tH
MANHATTAN'S
COAT-ANO-SUIT
SECTION... WHERE
WORLD-FAMOUS
PESlGNEP, HATTJE
CAPNEGlE.SAWHSR
ANP HIPED HEP?.

JUST WHEN. IT
APPEAPEO THAT
HEP FAME A5 A
CARNEGIE MODEL
WOULD PAY OFF
ON THE STAGE,
-A TRAGIC AUTO-
MOBILE ACCIDENT
IN CENTRAL PARK
PUT LUCILLE IN
A WH6ELCHAII?
FOP THPEE YEAfTS:

IT WAS A BAP
ACCIDENT, LUCILLE,
ANP YOU'PE LUCKY
TO &EAUV£/BVT
KEEP YOUP CHIN UP
WEIL PO OUP BEST,
ANP MAYBE SOME
PAY YOU CAN WALK
AGAIN...

THPEE YEARS OF GRITTY BATTLING AGAINST
PAIN AND DISCOURAGEMENT FOLLOWEO-BUT
LUCILLE'S PLUCK AND PERSEVERANCE SAW
HBP THROUGH, AND FAME CAME TO HEP AS
THE "CHESTERFIELD GIRL ".ANO THEN...

FEATURE FILMS

SHOlm.V XFTW : HEIt HONEY/MOON,

uiciu-e <sot us? w?st peal bpeaw
the thpse years she had spent
in a wheelckw well fitted heu
pop hep pole in "the big street'',
in which she played a showgipl
who was pagawzbo ff?om the
hips pown—

m

THEN FOUjCWEO"
PICTURES AT
"COLUMBIA,
M.G.M.,ANE>
j PARAMOUNT,
HER MOST

Recent being
'fancy pants',
which cq-siars

HER WITH
BOB HOPE,.,

R.K.O. LIKED
LUCILLE'5 WOPK'
SO MUCH THAT
THE?/ PUT HER

UNpa?GOwn»cr.

SHE BE?<*4N
APPEARING IN
SUCH PICTURES
AS "THE GtRL
FROM PARIS ",
"STAGE COOfi",
AND "TOO MANY
GlRLS^IN 1940
LUCILLE /MARRIED
PESI AOtAZ,
WITH WHOM
SHE CO-STARRED
IN THE LATTER 1
PICTURE.-

LUCILLE THEM MOVED
OVER TO M.G.M. WHERE
SHE APPEARED IN THE
TITLE ROLE OF 'DUBARRY
WAS A LADY ".

TO HE1? FORTITUDE AND

COURAGE, LUCILLE BALL

STANDS TOBAV AT THE PINNACLE

OF SUCCESS.' AS SHE HERSELF SAVS,

HER LIFE AND CAREER HAVE BEEN ONE

LONG 'OBSTACLE RACE*— A RACE .—

IN WHICH SHE IS NOT ONLY STILlT^

VERY MUCH IN THE RUNNING, ~H

BUT WAY OUT IN THE LEAD

AS WELL.'

FEATURE FILMS

ooo gooB <io So

O On „

ooOS OqJ

teg/X»

THIS PAGE IS PUBLISHED AS A PUBLIC SERVICE IN COOPERATION WITH
LEADING NATIONAL SOCIAL WELFARE AND YOUTH-SERVING ORGANIZATIONS.

FEATURE FILMS

PATTI TELL5 ME I'M LIABLE TO
BE YOUR FATHER-IN-LAW
SOON i AND, ALTHOUGH
I LIKE YOU, I THINK
YOU'RE COMPLETELY
OVROWG FOR HER/ /(WHY.

FEATURE FILMS

FEATURE FILMS

rgpoRTS

"oS)

i MART El-
lei LMQRE

flGHT AGAIN
TONIGHT

JOE R'LEY
TO REFEREE

I'D SETTER HURRY AND
GET DRESSED-TOMGHT'S
THE NIGHT, PATTI/
ARE -you

SURE, I AM.
AND I MOPE THEY
KNOCK EACH
OTHER OUT.'

COMING
TO THE
FIGHT?

A FORTUNETELLER
TOLD ME I'D LOSE
TONIGHT WITHOUT
A KISS FROM

SCRWDQfc

There's a 300,000-gaIlon tank at the War-
ner Brothers studio which poses in various
movies as an ocean, river, or lake. Recently,
Oscar-winner Jane Wyman had to spend sev-
eral long, damp days in the tank for shots of
a scene in which her sailboat overturns in a
bay. Between "takes," dripping Miss Wyman
was hustled into towels and robes, and com-
forted with hot coffee. Despite her moist misery,
one thing was sure: the pert star couldn't
drown! Even if she didn't have the finest home-
made dog-crawl in Hollywood, her safety was
assured by the presence of at least 100 would-
be lifeguards— the crew of "The Lady Takes
a Sailor." When the director informed Jane
that Bette Davis had once "drowned" in the
same tank for a dramatic suicide scene, her
only reply to the grim thought was a plaintive,
"I wonder if she got as wet as I ami"

Members of a certain studio casting office
are sure now that they've heard everything!
A woman phoned to ask if she could register
for work. "For yourself?" queried the studio.
"No," she replied, "I want to register my two
palm trees. They're awfully pretty and they'd
look good in a picture." "You must be ribbing
me," said the casting director, whereupon the
woman got wrathy and banged down the re-
ceiver.

Character-actor Raymond Massey owns a
pre-Revolutionary Connecticut farmhouse, and
it'i haunted by an unusual ghost — the ghost
of a hone! "Our parlor was once a stable,"
explained the star, "and it was there that a
horse died in 1711." He hasn't seen the equine
phantom yet, but his invisible presence is com-
mon knowledge. "People think I'm mad," con-
tinued Masaey, "when I tell them my ghost

situation. It seems that horses, poor things, are
soulless, and therefore aren't supposed to have
the material from which ghosts are made!"

buttons ■.
Strangers

Dennis Morgan lost most of his

recent press preview of "Perfect

which he co-stars with Ginger

The debuttoning, at the hands of avid auto-
graph seekers, occurred when he left the the-
ater after the show. It left Mr. Morgan in
quite a state of embarrassment, and with the
feeling that somebody ought to invent a
"courtesy code" for signature hounds — one
that would get better results for them, and'at
the same time leave their victims clad in some-
thing more than a tie!

"The 'code'," Mr. Morgan said, "should con-
tain the following 'don't s':

"Don't maul an actor. He may need his but-
tons more than you do.

"Don't ask him to use his own pen — and
if you do, don't grab it. It may be a priceless
keepsake. '

"Don't stick your autograph book in his
car if it's moving away from the curb. You
might get run over.

"Don't ask him to write out a special mes-
sage to you if he's surrounded by other auto-
graph seekers. Give them a break, too.

"Don't flash a bulb in his face. It might
■hatter and cut him. If you must get a picture,
you'll get better ones by standing further
away.

"Don't approach him while he's dining in
a restaurant. Even an actor is entitled to eat
in peace. If you must have his signature, wait
until he gets outside.

"Most actors and actress," Morgan concluded,
"really love to give autographs. They'll give
them all day if things arc kept pleasant and
comfortable!"

FEATURE FILMS

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AISY MANUFACTURING

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