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Y'ljcon-H 




Mergenthaler 



— ~*1 information 





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s booklet contai 


is a wealth of 


mationab 


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notype matrices 


and their use. 


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efly with many t 


echnical facts 


cone 


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; everyday probl 


ems that arise 






n Linotype com 


posing rooms. 


As a ha 


"h y 


aide, it seeks to bring together 


many 


perti 


lent items for re 


dy reference. 




Th 


knowledge and 


experience of 




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Engineers, bac 


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Contents 

MATRIX INFORMATION 

Page 

How to Order 2 

Triangle Numbers 3 

Accents 3 

Fractions 3 

Superior and Inferior Characters . . 4 

Special Characters 4 

Key to Matrix Terms 4, 5 

Alignment of Linotype Characters . 6, 7 

Relation of Matrices to Molds . . . 7-10 

Leaders 10, 11 

Figures 12, 13 

Spaces 13 

Two-Letter Display Matrices ... 13, 14 

Point System 14, 15 

Bridge Notching 15-17 

Accented Characters 17 

Tooth Combination Chart .... 18-21 
LINOTYPE FAMILIES 

Faces and Where They Will Run . . 22-51 

Code Symbols 52 

Lining Faces 53, 54 

Teletypesetter Matrices 55, 56 

LINOTYPE FONT SCHEMES .... 57-71 

FACE IDENTIFICATION NUMBERS . 72-103 

KEYBOARD DIAGRAMS 104-121 

CARE AND MAINTENANCE 

OF MATRICES 122-130 



useful 
matrix 
information 



How to Order 

The Mergenthaler Linotype Company carries in stock a full 
supply of matrices to meet the exacting demands of printers 

With the hum 
that you give can tail in preparing 

orders. Orders s sn, preferably, and the name 

Anted. A copy of each order should be retained for 

;e Linotype order forms, which 



Always use the correct order form. They are supplied for Regu- 
lar Characters, Special Characters, Accents, Typographic Re- 
finements (inciu pes, recut italics, 
two-letter small (order Matrices and Matrix 
Slides, and for all foreign characters. Use one sheet for each face 

It will help us serve you better if you indicate the specific 
model for which the matrices are intended (and the bridge num- 
ber, if required t and the particular style of 
magazine to be used. This is essential information, since matrices 



8A232 Corona No.: 

8A568 Corona with Bold Face No. 2. 
Ve frequently ri merely for "8 point Cor- 

." As shown abo' as many others) is made 

'arious combinations; in such cases, it is impossible to fill the 



Triangle Numbers. The triangle mark on a matrix is the identi- 
fication of the Mergenthaler Linotype Company, and the system 

numerical marking on the side. The triangle number should al- 
ways be entered on the matrix order form. Always copy the mark- 
ing exactly, for example 8A34. Do not choose a matrix at random 
or take one from a pi tray to obtain the triangle marking. Select 
a lower case "n" from the font for which matrices are wanted; 
if figures are ordered, select a figure 5. The reason for this: refer- 
ence characters, quads, leaders, special characters and fractions 
in some fonts bear markings different from the alphabet character. 
Accented Characters. The standard accents are shown on page 

variety of faces and are priced as indicated on the order blank. 
Characters not shown can be made to order, at a special price 
which will be quoted on request. If small cap accents are desired, 
these should be ordered on the standard accent order blank. 

Always check the order blank in the space specified to signify 
whether low, high or small cap accents are being ordered. 

There are two styles of cap accents, low cap and high cap. Low 
ually supplied to avoid the use of a special mold. In 



thflowca 


lai'tvi. 








lightly reduced 


n height to 










thus, the character with its 


accent fits 










by the normal 


unaccentet 
















When 1 
can be fun 


w cap accents 
lished. The ext 






isfactory, high 
quired in addin 


'the^ccert 


to a full h 


right ca 








it necessary to 


change the 



nold, so that the < 
the smooth edge of the slug without trimming off. This necessi- 
tates casting a given size on a body two points larger than stand- 
ard up to 14 point, and approximately four points larger than 
standard on display faces. 

High cap accents cannot be cast in display faces larger than 

30 point, as a full 36 point body is required for ascending and 

haracters. However, where caps only are used-or 

caps and figures alone-high cap accents may be cast in display 

In two-letter display faces, 18 and 24 point, only low cap ac- 

In lining faces, only high cap accents are supplied for the larg- 

room for the accent above the character without reducing the 
size of the character. 

whether they 
or pi. Unless 
i, they will be furnished to run pi. 



ays specify point size and triangle numbe 
(for example, 6A406 Universal Inferior or 5A356 Universal Su 
perior). In addition, a sample character should accompany th 

For detailed information regarding Superior and Inferic 
Characters, refer to the Linotype One-Line Specimen Book. 
Special Characters. Special characters are frequently ordere 
— -Afferent publication date: 






ir Uni- 



scontinued. Then 

imber, the source from whicl 

lould be entered on the order 









Key to Matrix Terms 




1. Teeth. Projections on the inside of the triangular opening 
at the top of the matrix. There are seven of these teeth on either 
side. The teeth which are left in are called the tooth combination. 
As the matrix travels along the distributor bar, it is supported by 
corresponding teeth on the bar. At a predetermined point, the 
teeth on the bar are cut away. The matrix, being no longer sup- 
ported, drops through the channel entrance and to its proper 
place in the magazine. A matrix with all the teeth in is called a 
"pi" matrix, and passes all the combinations on the distributor 
bar, falling down the pi chute to the pi stacker. 

2. Bar Point Slot. This is a slot projecting downward toward 
the bottom of the matrix. The object is to make all matrices of the 
same thickness at this one point. The slot registers with the pro- 
jecting blade on the distributor box bar to prevent the lifting of 
two matrices at one time into the distributing screws. 

3. Regular Position. This denotes the character in the regular 
or normal position of a two-letter matrix. Matrices from 4 to 24 
point can be supplied with two characters. Above 24 point only 

4. Auxiliary Position. This denotes the character in the auxil- 
iary or raised position. Characters on one-letter display matrices, 
16 to 60 point, are also in the auxiliary position. 

5. Lugs. These are sometimes called "ears." They are made to 
a certain thickness according to the magazine channel in which 
the matrix is to run. The lugs are the guiding points of the matrix 
throughout its travel. The lower lug (on the character side) de- 
termines the horizontal alignment of the character in the matrix, 
for this lug banks against the aligning groove in the mold body. 

6. Font Slot. This is a small slot in the bottom of the matrix 
for use on single distributor machines. In conjunction with the 
automatic font distinguisher, it prevents wrong fonts from enter- 
ing the magazine. 

7. Bridge Notch. A slightly larger opening than the font slot. 
It is used in conjunction with the matrix bridge on multiple dis- 
tributor Linotypes to permit the matrix to distribute to its proper 

8. Bevel Notch. A notch cut in matrices for Models such as 9 
16 and 17, and used to prevent two matrices from being lifted at 
one time into the distributor screws. 

9. Clearance Cut. This is a feature of Linotype matrices. It 
protects the side walls of matrices as they are assembled. 

10. Triangle Number. The triangle is the trade-mark of the 
Mergenthaler Linotype Company. The number before the tri- 

triangle indicates the name of the matrix face. The entire mark! 
ing should always be given when ordering matrices. 



12. Face Lines. The* 



assembled. ° ° P6ra °' 



wrong k X T" " luy faces ' wrong fl 

since the face lines are on the reference side of the matri: 
13. Bevel Cut. An angle cut used on larger matrices 
\stribution. 

Alignment of Linotype Characters 



r 

a _. 


r 
f 






r 
a 




r 
3 
3 



t alignment flap 
with respect to the open- 



Linotype matrix characters are punched on three different 
alignments as shown in the above illustration. These are called 
regular alignrn, lent and high alignment. 

The matrices shown in the illustration are from left to right, 
4 to 14 point two-letter, 18 to 36 point one-letter, 48 to 60 point 
one-letter, 18 point two-letter and 24 point two-letter. When 

easting from the type characters of thea 

appropriate mold, the operator moves the 
of the first elevator slide filling piece o" * 
tion; this correctly locates the charac 1 
ing in the mold when the slug is cast 

Note that when casting from the regular position characters, 
the first elevator slide filling piece (flap) is not used (no flap). 
When casting from the auxiliary position of 4 to 14 point two- 
letter matrices and 18 to 36 point one-letter matrices, one flap is 
used to correctly align the characters with the mold opening. The 
auxiliary position characters of 4 to 14 point matrices can also 
be assembled on the duplex rail in the assembling elevator in- 
stead of using "one flap", to obtain the correct alignment. When 
characters in high alignment position are cast (48 to 60 point and 
auxiliary position characters of 18 and 24 point two-letter mat- 
rices), two flaps are used to correctly align the characters. 



ro-letter Regular 






Regular None 

Auxiliary (High) Two 

Auxiliary (High) — Two 

Regular None 

Auxiliary One 



16 to 42 One-letter Auxiliary 

48 to 60 One-letter Auxiliary (High) 

18 to 30 Advertising Regular 

Figure 
36 to 48 Advertising 



Relation of Matrices to Molds 

To illustrate how the characters in the three different align- 
ment positions are cast, the following diagrams of molds and the 
relation of matrices to these' molds will be useful. The molds 
shown are those in general use, and the matrices shown are two- 
letter 4 to 14 point, one-letter display, regular' and special adver- 
tising figures, 18 and 24 point two-letter display and 60 point 
display matrices. r 

All two-letter molds, including the two-letter display, have the 
same alignment m regular position. The process of assembling 
and casting is identical in each case. See relation of regular two- 
let er and two-letter display characters to constant edge of molds 
A , Diagram 1. The same r. ; n 3 and 7. ' 

Since the characters in the regular position of two-letter d;,- 
in the same relative position on the mai 



fa° 


two-lette 


faces (4 
ily be s 


to 14 point), and regular advertising 
en that such faces can be cast on the 


10-point matrix ca 
mold either alone 


is, the 
n be cas 
or in the 


haracter in the regular position of a 
on the 18-24 point two-letter display 
same line with the 18-24 point faces, 
top of the characters.) The 18 or 24 


(Alignm 


nt will be at the 


point regular posit 




also be cast overhanging on 
ither alone or in conjunction 

7 


a regula. 
with twc 


-letter 4 t 


3 14 poin 


t faces'. 



The character shown in Diagram No. 3 may be either a regular 
advertising figure or a character from the regular position of a 
two-letter display face. 

Attention is called to the fact that the distance from the lower 
lug of the matrix to the constant edge of mold ("A", Diagram 1) 
represents the regular alignment position. All characters line up 
at the top of the slug, which is represented in the diagram by the 

Diagrams 2, 4 and 5 show the auxiliary position character as it 
contacts the mold. These may be characters in the auxiliary posi- 
tion of 4 to 14 point two-letter matrices, one-letter display mat- 
rices, or special The correct molds, of course, 
must be used. Note that the auxiliary position character of two- 
letter display matrices cannot be cast on this type of m 
'>etween the regular aligr ' 



The distance between the regular aligni] 
1) and the auxiliary aligning rail ("B", Diaj 
this is the thickness of the regular first elev 



or slide filling piece 
position, the lugs of 




rices are pulled up against the auxiliary aligning rail 
character is correctly positioned on the slug, 
agrams 6 and 8 show the matrix contacting the mold in 
alignment or two flap position. 

ferring to Diagram No. 6, notice that the body sectio 

' ;d"C" is not as wide " 

J is the same as the 45 ] 

of two-letter display fa 

ix to provide room for a 



mold. Although the auxiliary charactt 
point character, 






both regular and auxiliary characters. 
hould be noted that while the regular and auxiliary position 
:ters of 4 to 14 point two-letter matrices can be mixed in 
me line, the regular and auxiliary (high alignment) position 
Dters of 18 and 24 point two-letter display matrices cannot 




alignment position of the auxiliary character of the 
day matrix is the same as that of 48, 54 and 60 
nt faces, the same first elevator slide filling piece (two flaps) is 
d for both conditions. When the auxiliary position of 4-14 point 
>letter and 18-42 point one-letter faces is to be cast, one flap 
rsed. When casting from the auxiliary (high alignment) posi- 



of leaders available in dot and hyphen styles, 
; in depth and punching and in set width ma 
:arly indicate the exact style desired. When oi 

>e. Give the point size and triangle number of 



Kind of leaders. Note the di 


tinction in kir 


)le and select to meet require 




Style of leaders. Dot or strok 


- ?H =" 



lots or strokes. En styles carry half 
the number of dots or strokes of their respective em styles. Check 
the summary list carefully before ordering. 

CHARACTERISTICS, MARKS AND STYLES AVAILABLE 

Regular: (no special mark)-match the weight of face with 
which they are used and cast type high. Available in two, four 





l:(mark,UL)-forb 




i.,bl 


ng work. Th 


B weight 






of the face with which 


fi-c- 


IreustdTh 


regard- 


.003" 


hallower than 




,h. 




will not 


thro 






""''"? 




lable in two 


















:l'n 




irk, or UL)-us 


a win. 




the Regula 


or Uni- 






ur dots or stro 












band is used i 


the In 


e. Ha 










aders, availabl 


rnqu 


irter- 




8 to 14 






mark, NP)-the 


round 


Into 


hyphen leader, .005" 






type high to ii 






ching throug 


h paper. 



5)-round dot style only, made wit 

ress blank 

sr than type high. Available in two dots to th 



Dash Leaders: (mark, DL)-these cast a continuous, unbroken 
line. These hairline dashes are punched to cast type high. Be- 
cause they present an uninterrupted printing surface to the paper, 
they minimize any tendency to punch through. They are .004 in 
weight and are available in em and en widths. 

Leader Aligning Dashes: (mark, LAD)-cast a continuous, un- 
broken line and are exceptionally useful in jobbing work. 
Punched to cast type high, they are supplied in four widths: 2. 
i and 12 points, in all standard alignments. Available i 



weights ol 

two-point .028. 

Jobbing Lead. 

weight of dot or 



.021 for 9 to 14! 

The table shi 

"Linotype Mati 






f-point .007, one-point .014, or 

vith Character No. and A354)- 
-width of character is uniform in 
:s to 3, 6 and 12 point; punched 
l to minimize punching through. 
)-cast one or two dots, punched 
3 weights: .018 for 4 to 8 point, 



± <ch< 



Kind 



n 



Style 



^ Quantit) 
+ (fill in) 



□ Regular 

□ Universal-UL 

□ Newspaper-NP 

□ Radial-S5 

□ Dash-DL* 

□ Oversize-OS 



□ 2 dots . . to em 

□ 4 dots .... to em 

□ 6 dots — to em 
D 2 strks „ to em 

□ 4 strks .... to em 

□ 6 strks to em 



En Leaders 

Em Leaders. ... 
EmLdrsinffi. 



Em Spaces .... 
Em Spcs in ffl 



N leaders 



2 pts. .0277... 

3 pts. .041 5... 
6 pts. .0833... 

12 pts. .1666. 



i pt. .0035... 
i pt. .0069... 
1 pt. .0138... 
li pt. .021 ... 



Figures 

Figure Design. It is important to note the design of the two 
styles of figures available with old style faces: old style and 
modernized. 

OLD STYLE FIGURES 

1234567890 

Old Style figures have ascenders and descenders, and have the 

modeled serifs and tapering thick and thin strokes, characteristic 

of old style type faces. 

MODERNIZED FIGURES 

1234567890 

Modernized figures are old style figures brought to a common 
alignment, with the shapes of the 1, 2 and changed accordingly. 

The style desired should always be specified on supply orders 
and machine specifications. 

Figure sizes. It is our practice to make figures, spaces, and all 
table characters in new faces on a true-set basis, with the pica em 
of .166 as the standard unit. 

The width of the largest figures which run in the various maga- 



90-channel, regular channels 1107 

90-channel, ad. fig. channels 166 

72-channel .... 2075 

Wide 72-channel' . . .' 249 

28-ch'a'nntl BaZm .' ! . S 218 

34-channel, left side 249 

34-channel, right side ; 221 

Wide 34-channel, left side 315 

Wide 34-channel, right side 311 

Wide 34-channel, center 190 

In some display faces (for 90-channel magazine) it is necessary 
to make the figures on a wider set, running from .1245 to .166. 
Figures in these fonts will have to be cut to run "pi" or in the 
Advertising Figure Layout (Diagram No. 32). Do not fail to in- 
dicate plainly whether figures are to run "pi" or according to 
Advertising Figure Layout. 

Please note that it is possible to run only two sets of 
figures in both the 34-channel and wide 34-chann. 
magazines, including points, dollar and cent marks. If it is desired 
to run the points, dollar and cent marks pi, three sets of advertis- 
ing figures can be accommodated in the wide 34-channel auxil- 



iary magazine, 
nels limited to , 

Spaces 



Spaces. Double figure spaces are furnished as em spaces, 
in certain wide 14 .h the em space 

will be supplied for em space channel, 
largest space supplied as standard in any display font is 
49", or 18 points. We have discontinued furnishing of 
size .333" as standard for channel No. 30 of the 72-chan- 
gazine and include in its place the .249" size. Further, as 
ji;azine, the maxi- 
ize of the spaces is .249", regardless of the figure size of 



T-5040 will be charge 


d. 










Thin Spaces 

.0385", .0415" 


Regular thir 
and .0484". 


spaces measure 


0277", .031 


',.035", 




Hair 




do not have co 


nb 






the h 


aeby 


hand. Made in 






.0035", 


.007", .014" ar 




'. Hair spaces are not 




uded in 


tandard 








rdered separatelj 








For purpose 








el 




s, with- 


out teeth, size 


.007" 


.014' 


and .021" are n 








the small and 


arge h 




h a face line cu 




The no 



















.021"-same position as No. 1, No. 4 and No. 7 face lines. 
.0035"-unnotched. 

1 8-and 24-Point Two-Letter Matrices 

position is punched in the same position on the matrix as the 
roman character in regular two-letter matrices, 4 to 14 point, in- 
clusive. The Auxiliary character is in the high alignment position. 
All Linotype 18 and 24 point two-letter matrices are assembled 
at the regular (or lower) rail position in the assembling elevator, 
the same as the roman position of 4 to 14 point two-letter mat- 
rices. If casting is desired from the regular position, the first 
®levator slide filling piece is placed out of position (no flaps). If 
the face in the high alignment position is wanted, the first eleva- 
tor slide filling piece is set to bring two flaps into position. 

letter matrices can only be cast on a two-letter display mold. The 



character in the regular position is cast on a two-letter display 
mold but may all gtog on a regular advertising 



n of 18-j»int 

: characters in the regular position of 18- or 24-point two- 
work, the same .. advertising figures punched 
in the regular po: vr mold is used. 
Characters in the auxiliary position can be cast on the special 
display mold with the auxiliary position characters of 









two-letter display 
to 14-point face. 



FerXtfmoTd 0ilaraCterf 

Point System 



of Leads and Slugs 



Prior b 



matter of type sta 
andry would not ju 



86, each typefounder 




Minder w 
:andards. Brevier, for example, made by 
indry woui< ier from another foundry. 

The pica "em" in use up to that time had been obtained by divid- 
ing an inch into six parts, equaling, decimally, .1665a". When the 
present point system of the American Type Fou: ' ' 

" lu r ni '"" 



andard "t 



s-twelfth of the r 



le point, .01383. One- 



Of 



Didot System. The Didot point measures .01483 of an inch. 
The Didot unit is the Cicero, which equals 12 corps, or .178 of 
an inch. The American (Linotype) unit is the pica em, measuring 
12 point, or .166 of an inch. The Didot system of measurement is 
used in France and in most of the countries of continental Europe, 
and is commonly known as the French system. 

Mediaan System. The Mediaan point measures .01374 of an 
inch, and the Mediaan em or Cicero .1649 of an inch. This point 
system is used in Belgium. Mediaan height to paper is .934. 

Bridge Notching 

Linotype Mixer Machines with Fixed Bridge. On these ma- 
chines, the upper distributor box is fitted with a fixed bridge which 
can be changed when necessary. The matrix is lifted into the 
distributor screws and rides on the distributor box rails to the 
bridge. If the matrix is notched to cor 
respond to the bridge projections, it wil 
drop over the bridge projections so that th< 
matrix teeth will not engage the distributor 
bar teeth. Then, after crossing the bridge, it 
falls through a chute to the lower distributor i, 
box which feeds the upper magazine. 

If the matrix is supported by any bridge t 

with the teeth. itor bar _| I , ^ 

and be carried to the lower magazine. Thus LUt||IiI|I|iiI|JJ 
any font whose bridge notches do not match J)J ill 

m^et Se wm mn i0 i nS ' a ' S ° *"* Um "' tched 87654321 
On Linotype mixer Models 29, 30, 35 and 36 using the fixed 

of one notch bet iwever, notches 

of double width, such as 3-4 or 4-5, etc., will be supplied if spe- 
cifically ordered. For Models 25 and 26, matrices us 
three notches to match bridges. However, matrices for Models 
25 and 26 can also be supplied with one or two notches to match 
a bridge having one or two projections. 

When matrices are bridge notched for Linotype mixer ma- 
a fixed bridge, only the matrices running in the 



upper e 






: of Mod 






and third main magazines of Models 29, 30, 
lotched. Matrices for the lower magazine of 

ipper auxiliary magazine of Model 26 (with 



of Models 30 and 36 are cut with notches 2 to 7 inclusive to dr< 
on any bridge which might be used. Matrices for lower auxilia 
magazines of a pair do not require bridge notches. 

Models Having a Movable Bridge. The separation of matric 
in such Models is controlled by a single bridge projection whii 
is positioned by an indicator dial. Since only two adjacent mag 












single bridge projection to correspond to a 
s in the upper position, which does not ap- 
in the lower position. The matrices from the 
the bridge and pass t -1 



while the i 



atrices from the lo 



will 



pear in th< 
upper ma, 
upper 

The location and size of the bridge notches for m 
in these models, is the same as for those 
the fixed bridge. Only one notch is used : 

Matrix Bridges. When ordering the fix 
specify the model and serial number of 
chine and give the number of the project: 
bridge for Model 25 No. - with bridge p , 
trix bridge for Model 35 No. ~ with bridge notch project 

Matrices used on a Model 9 mixer Linotype must havi 
notch in addition to bridge notches for separating fonti ___ 
various magazines. The bridge notches are in a different location 
than those in matrices for Models 25, 26, 29, 30, 35 and 36. When 
ordering bridges for the Model 9, be sure to mention the model 
in addition to specifying the bridge projections desired. 

Bridge Notch and Font Slot Locations. The facsimile diagrams 
shown may be used as gauges to identify the bridge notch or font 
slot in matrices which are to run in the Models 25, 26, 29, 30, 35 
and 36. Please note that bridge notches 1 and 8 are only to ta 



m Models having 

id type of matrix bridge, 

>n required; i.e., matrix 

;tion3. 
a bevel 





6, 10%, 12, 24, 48 
5%, 9, 18, 36, 54 



Accented Characters 

Listed below are all accented characters required in the print- 
ing of all languages to which the Linotype is adapted. 

Standard Accents. The following characters are available in all 
faces, in all point sizes and will be supplied at sorts prices of the 



AAAAAAAA4 



£>Dd' 



6000000(3 
6666666^0006 
Rft$ffr 

ss§§ 



EEEEEEEE 
eeeeeee? 


ssss 

f Jit 


GGGggg 


tJtruUuCttv 


1 1 1 i 1 1 1 i i 1 1 1 i 1 


uuuuuuiii} 


Kk 


Yy 


L E L L 1 1 1 r 


tltzzi 


rng 


3&p£ESsh>ij 


tf N N >J n n n n ng 






17 



34-Channel Auxiliary Magazine 



Wide 34-Channel Auxiliary Magazine 









ry Magazine 28-Chann< 






TWO-LETTER AND DISPLAY FACES 






BASKERVILLE 

talic and Small Caps 

.4 (Caps')— 3, 4W, 5, 22. 23W. 24 



BELL GOTHIC 

8M410, 7A188. */S508 



BENEDICTINE 






25w, 26 (16 Poll 



11— 2mw, 6, 7, 8, 10, llmw, 13, 16, If 
169— 2mw, 6, 7, 9Q, llmw, 13, 16, 18, 2 
166-7, S.'sbQX, 13, 16, 18, 21nW34 Po 







Ss££ 




^Iton- 


Lvftvi 


"i/pJit'j 


Ugnment^ 


— ° 




li'SSK 




gas 







10*326, K4298, I4A174. 1*426, M426 



3SA123— 13qx' (Caps pi 



44 (Caps)— 3, 4QW. 5D, 22, 23W, 24 
32 (Caps)— 22T, 24 

BOLD FACE NO. 9 






CARD ITALIC 
CASLON 



J4A54 (Caps?— 221 



40 (Caps)— 3R, 4QW, 5D, 22. 23W, 24 



32 (Caps)— 3R, 5D, 22, 23W, 24* 



1— 7mp,' 8mpQX2r'l3QZ, 18 C34 Point A\ 



' 24, 25, 26 l& 



0, 11, 12MW, 13, 15dv, 18, 18, 

CENTURY 

Expanded with Italic and Small Cap. 

zes— 4M, 8442, 7A88, *A26, »A58, 10416, 1. 






CLASSIFIED 

Ml Display 






36M37-7, 8r9QXZ,T3QX, 16. 18, 21 (34 Point Alio* 



2JA12— 2, 6, 7, 9,'l0,'ll, 13, 15dv, 16, 'isTiSlT, 2 






ELECTRA 






(£162— 1, 2, 3QR! 5DR, 6, 7, : 






02 (Caps)— 3. 4MW. 5, 



FRANKLIN GOTHIC 






04 (Caps)— 3R. 5D, 22, 23W, 24 
o. IS, One-Letter 












R, 4QW, 5D, 22,'23CW, 24 
Trade Gothic Bold with Light 



Trade Gothic Light with Italic 






























GOTHICS (LINING) 


































GRANJON 






Granjon with Italic and Small Caps 






Point Sizes— «A372, S4386, 94142. 10i31S, 114 






(Long descenders available in all point sizes) 


12A288 (Caps)— 3, 4W, 5, 22, 23W, 24 






























. 






1 JA192 (Caps)— 3R, 4W, 5D, 22, 23W, 24 






. Helveti - HELVETICA 












• Point Sizes— SA698, 10A698, 12A698 






























Ionic N. 5 with Italic '° N,C 


















Ionic Ho. 5 with Italic and Small Caps 






Point Sizes— 5426, 514444, «4302, 6H46, 












124320 (Caps)— 3, 4W, 5, 22, 23W, 24 






ionic No. 5 with Bold Face No. 2 






Point Sizes-^424, 5i4442, 64288, »y 2 42. 






7y 2 42", S4382, «%412", »4112 




124368 (Caps)— 3, 4W, 5, 22, 23W, 24 


















Iff^S^^vvV""" 


£&& 


„V 8 ' 


_„ M (22 "0 
















JANSON 


















12A318 (Caps)— 3, 4W, 5, 22, 23W, 24 






1*4178 (Caps)— 22T, 24 






LINING FACES 














































39 



LINO SCRIPT 
LINO TEXT 



MAJESTIC 
MARKET GOTHIC 



MONTICELLO 



lie and Small Caps (7 Point Alignnn 



it Alignment) with 10 Poi 

NO. 4 



NO. 6 
NO. 10 



NO. 16 

40 <Caps)^3," 4QW, 5D, 22,23W, 24 



NO. 18 
NO. 19 



th Antique Black No. 1 

OLD STYLE NO. 1 



Id Style No. 1 * 






OLD STYLE NO. 7 






REMINGTON TYPEWRITER 



>n Typewriter No. 4 with Underscore 
RYERSON CONDENSED 



SCOTCH NO. 2 

12A374 (Caps)— 3R, 4W, 5D, 22, 



w tf:a*!L»ar 



S4 (Caps)— 3, 4W, 5, 23, S3W. 2* 



Spartan Heavy Italic 












>k Condensed with 18 Pt. Spartan Be 
SPARTAN DUPLICATE 



Textype Bold with Italic 



ntSizes-^Sy 2 474\ 8; 



14A3181 (Caps)— 3RQ, 5DV, 22T, 24' 



UNDERWOOD TYPEWRITER 



ar Cap Layout.) 



!■ 


§ | * 


| 



r MATRICES FOR NEWSPAPER t 



Set Alphbt 



TELETYPESETTER BOOK OT1 ^°. S J™J N tM on 

■ 

esetter unit basis. 
BVa point alignment 



Linotype Font Schemes 

Linotype Font Schemes have been revised and simplified to 
help you meet the diversified requirements of a materially in- 

Pa The tabular arrangement of font schemes makes comparison 
easy. The quantit I ! ch group of characters-caps 

posed by differei schemes are in- 

cluded in ihe tables following. Suggested matrix quantities, based 

may easily be dc roups from main 

magazine funis. The- SUMMARY tabulations for each scheme 

and ligatures frc i istance, may be 

D, U E, e F or'c (ai groups from X) 

to make up a special font. Similar flexibility is possible with 
SCHEMES H, I, J, K or L. Variation in group selections is re- 
stricted to main magazine fonts (A to G and H to L), and is not 
suggested for other fonts. 

Altering the )i specific char- 

acters, however, would introduce service delays attendant upon 
forming fonts character-by-character and matrix-by-matrix. Also, 
such random font schemes often prove impractical in operation. 

For convenience and utility, three special sorts-and-fraction 
groups have been developed to meet differing requirements. 
These are detailed in SCHEME X. 

INDEX OF LINOTYPE FONT SCHEMES 

Scheme Matrices Magazine and Type Classification 



INDEX OF LINOTYPE FONT SCHEMES-(Cont.) 















90-channel, thiee-quar 



< OF LINOTYPE FONT 


















ROMAN with BOLD or ITALIC and DISPLAY 




MAIN-DIAGRAM 12 or «H 


SSTn m.w. 










!;i;; 1 1 J , 


10 10 8 3 3 


1 1 [ ! 


! :::::::: ! s li 


; |I SI 1 


Hi! 


60 


Anas 



ROMAN with HOLD or ITALIC and »ISPLAY-(Cont.) 






ROMAN with BOLD or ITALIC and DISPLAY-(Cont.) 



— 


siS? 




- IB- i S 



STi | ! E = = E E E E 


__ -i f _ — 




TeTe 


ps i |" E E.' E E E E E E 


EEEE 




r rr r: 




2. , P 00 £ 5£ 






SUMMARY 










106 106 65 2 65 











ROMAN with BOLD or ITALIC and DISPLAY-(Cont.) 
Font Scheme X-SORTS and FRACTIONS (Running "Pi") 

















J 


] 


j 


J 






E ! !e 


U . 1 j 








SoubU. Dagger 




















V" ' \ 








wtSy-two'mMnSrt" 















ROMAN with ITALIC and SMALL CAPS 



ROMAN with ITALIC and SMALL CAPS-(Cont.) 




ROMAN with ITALIC and SMALL CAPS-(Cont.) 






ROMAN with ITALIC and SMALL CAPS-(Cont.) 



Font Scheme X-S 


ORTS and FRACTIONS (Running "Pi") 








I \ 
































Double Dagger t 


sSmn" "i s 4 3 
























2 I 













LINING FACES 




LINING FACES-(Cont) 





Cap 


"""'dIAGRM 98 


DIAGRAM 138 




oSe P M F a°gaSnS 


2 One P MafaSne 












?Surfsp c a e ce':::: 


8 


= » =r 


1 = 


Figure Dash 


1: 


j r - 












ROMAN with BOLD or ITALIC and DISPLAY 
(FRACTIONS KEYBOARDED) 






































j sj 1 1 1 










































2 230 






I 1 


I 1 1 






















i!s u spacr e IS IS IS 


1 is i 


69 



pic J 


= = = = = 












| 1 1 f M 




12 8 - - - 



How's your image . . . 

APPEARANCE-WISE 







product deserves good p£ 



thinking? Make your offset typography as good as 
your halftones with Linofilm Quick's low-cost photo- 
composition. Appearance-wise you will be amazed. 



| Mergenthaler | 



A Genuine Linotype Matrix 

IS MANUFACTURED TO TOLERANCES OF .0002" 
S THE PRODUCT OF 58 MANUFACTURING OPERATIONS 

MUST PASS 33 RIGID INSPECTIONS 



E IDENTIFICATION NUMBERS 






Face Identification Nun 



Face Identification Numbers— (Cont.) 

.. . . 

6A176 No 6 11B w. Gothic 6i28b Ioni^No" 5 w° B. f'. No. 2 


77 



:e Identification Numbers— (Cont.) 



tGotWc^No.^i.Caps 



Face Identification Numbers— (Co 




8 po)nt _ (Conl) TW °- LE 


rTER S-Point-COmt.) 














































































































































































































1-m Gou n h u s 'p c \ 




















: \v w. It. 
























8A420 Baskerville w. It. & S. C. 








w. B. F. No. 2 




81 



entification Numbers— (Con 



8A450 Memphis Light \s 



entification Numbers 



Face Identification Numbers— (Cont.) 



Face Identification Numbers— (Cont.) 






10A420 Bengali Light & B( 






Face Identification Numbers— (Cont. 









umbers— (Cont.) 



ce Identification Numbers— (Cont 



Face Identification Numbers— (Con 



;e Identification Numbers— (Cont.) 









Face Identification Numbers— (Cont.) 



in Numbers— (Cont.) 



ce Identification Numbers— (Cont.) 



ek Erbar Light Cond. 



te Identification Numbers— (Cont.) 



38A59 Cl;is.-i- 




A Genuine Linotype Mold 

IS MANUFACTURED TO TOLERANCES AS FINE AS .0002" 
IS THE PRODUCT OF 79 MANUFACTURING OPERATIONS 

MUST PASS 94 SEPARATE INSPECTIONS 



Mergenthaler E 




A Genuine Linotype Mold Disk 

IS OF A UNIQUE ONE PIECE CONSTRUCTION 
REQUIRES 26 OPERATIONS TO MANUFACTURE 

MUST PASS 30 QUALITY CONTROL INSPECTIONS 

IS PRODUCED IN TWO BASIC TYPES 
WITH HUNDREDS OF VARIATIONS 

HAS BEEN MADE BY MERGENTHALER LINOTYPE COMPANY 
FOR OVER 77 YEARS 



Mergenthaler 



Times (and typesetting) 
have changed. 



For example, consider the assembling elevator on 
a linecasting machine. The Linotype Elektron has 
made it obsolete. With no assembling elevator 
rise-and-fall to delay matrix delivery, continuous 
assembly becomes possible. That's why no other 
linecaster can match Elektron's speed and per- 
formance. Your Linotype Production Engineer will 
gladly give you the full story on Elektron. Or write 
to Mergenthaler Linotype Company, 29 Ryerson 
Street, Brooklyn, New York. 



Mergenthaler! 




THE SAME TAPE (standard 6-level) runs 
your Linotype whether you use Mergenthaler's 
Linomatic Operating Unit or not. Linotypes run 
more efficiently, though, with the Linomatic. And 
Linomatic adapts easily to any Linotype with a 
swing-out keyboard. Locate the control assembly 

near the Linotype, the tape reader up to .325 feet 

avvay — in another room or on an- 
other floor. The control assembly 

connects with mechanical decoder 

by cables. Circuitry is simpler, 

far more dependable (solid-state 

components replace tubes). The 

mechanical decoder fits neatly 

behind the keyboard and works 

directly on the keyboard weights. 



Keyboard Diagrams 

On the following pages are shown seventeen of the more ver- 
satile and most ;s. They provide 
a variety to cover practical operating layouts for all models of 
Linotypes, thei ling on the face 
desired and the type of magazine to be used. Many others de- 
veloped to mcii :ts are not shown 

Departure from standard layouts should be avoided where 
possible because of channel-size limitations and the possibilih 
of error in ordering specially-cut characters. 

Index of Keyboard Diagrams* 



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the care and 
maintenance of 
MATRICES 

thedefinit 



"a mold in which printers' letters are cast." The matrix thus as- 
sumes a position of paramount importance to the printer, for the 
ultimate quality of his product lies in the perfection of the type 



chine. It has been a< 



d by using matrix 

its own particular 
ooth combination" 



atrix and distributor bar make it 
matrices to find their proper mag- 
nels properly and automatically. 



,e proper fun 






The importance of proper matrix care cannot be stressed too 
strongly. There are some fundamental conditions which should be 
kept in mind. Intelligent, frequent inspection of matrices and 
mechanisms affecting their operation will contribute to continued 
satisfaction. On the pages that follow are some useful pointers. 

TO SAFEGUARD MATRIX TEETH 

The matrix should travel from one position or transfer point to 

. the segments 
a perfectly coordinated distributing mecha- 



Under ordinary conditions, the matrix tooth combination will 
last for years. However, it is possible to ruin a set ot matrices in a 
chnrt time bv burring or dan ramage to room 

fombiraons^s invarfably due to bad alignment at one or possibly 
all the various transfer points. 

There are tin 
transferred at three distinct points where the teeth are involved. 

The first transfer is from the first elevator jaw to the second 
elevator bar at ii ;ition in the first 

elevator jaw at line up with the 

nosier to the bar can be obtained without 
binding. Then « at the bottom of the first 

elevator slide, on the right hand side, ^ ra^S™ ^ e ™ e diate 
ehanneUaik^Cld be perfect. Thu'wflT take caTe of the vertical 

— »,:,. ;' c cmr, and is just slid- 



ments from the standpoint of the matrix teeth; it should be 
handled with cai .parallel with the channels. 

The second elevator bar should be perfectly smooth and free from 
burrs, as should the other two bars along which the matrix must 

should"!^ adjusted that the second elevator bar will line up 
with the distributor box bar. 

The third transfer is from distributor box rails to distributor bar. 
These rails shoi -<- with one another. Place a 

matrix on the distributor box rails and ""y^*^"^^; 
thatfte matrk the distributor box rails, will 

transfer freely on to the distributor bar. 

Perfect aligm ' the aboveme , n " 

tioned points. In the interest of the long lif 
advantage of the Linotype 






REPAIRING DAMAGED LUGS 

of matrices become bent, straighte 




: 




"^ At^rightlTatoarSr; maK 




onTy oLf S^atety 1 elg^cuM 








£°ll Ial£s"^ y '»Hobari 
















PREVENTIf 


JG HAIRLINES 


Care should b 


e taken to pre 


erve side walls of matrices. When 


they are damage 
One of the m 


d, hairlines w 


ill show in the printed matter. 




uses of damaged side walls is the 


excessive use of 


oil on the felt 


of the back mold wiper or around 








perfectly justified line there is 
between the matrices, but no 


aways a slight amount of air space 
t enough to permit metal to pass 


through. Howev 


er, hot oil ha 


a peculiar capillary attraction for 
mold wiper will flow ahead of hot 


hot metal. Oil f 


om the back 


metal, through 
matrices. Under 




into small air spaces between the 






track of hot oil between the r 


natrices and in time adhere to the 






on the side walls will gradually 
rushed; then fins or hairlines will 


build up until t 


he walls are 



If spacebands are not cleaned regularly, and if metal is allowed 

against the side walls of the matrices. During the process of justi- 
fication, when the line is wedged tight between vise jaws, this will 
* 'Is being crushed " J 






; during every eight hours o 



riea, 



To clean spaeebands, use a soft pine r. 
Dixon's Graphite No. 635. Rub the sleeve 



ight show at the casting point. If the 
with a piece of brass. 



;s of the matrices will 
nes against them. Thi: 
jut of adjustment and 

the jaws, it should be j 
r slide to remove a matrix from 
nachine backward. Care should 



CLEANING MATRICES 








is about five inches in diameter and is designed to fit on the arbor 
of any standard composing-room saw. The holder of the matrices 
is 20 inches long. With this equipment a font of matrices can be 
cleaned in a vei ., at r j„ nt an gl es 

to the buffer it is possible to clean the gum from the sides of the 
lugs except on 

%"hole (X-1673),andwithall/16"hole (X-1674). The holder 
is listed as X-1672. 

Another method of cleaning matrices is Dixon Matrix Refer- 
ence Cleaner (X-1604). Place a row of matrices on a type galley 

lower lugs. If the lugs have gum on the sides, it may be necessarv 
to rub the matrices over a soft felt to remove it. 

Graphite should never be used on the matrices or in the maga- 
zine. It may make the matrices drop well for a short time but in 
damp weather is likely to cause gum to accumulate. 

the excessive use of oil, particularly on the distributor 'screw 
bearings. At no time should oil show on the screws, as it eventu- 
ally gets on matrices and into magazines. One drop of good quali- 
ty oil in each bearing every two weeks should be sufficient. 

THE TREATMENT OF NEW MATRICES 

used in outstanding Linotypes, precautionary measures should be 
taken. For years, Linotype has issued the following instructions 
in each box of fonts of matrices. Adherence to these simple rules 

Magazines and spacebands should be thoroughly cleaned. 
Spacebands which are rounded or damaged at the casting edge, 
or which have the slightest particle of metal adhering to the 



Spacebands which have been bent and improperly straightened 
(that is, wedges with kinks or buckles in them) will positively per- 
mit metal to flow between the wedge and the adjoining matrix. 

All spacebands should be carefully micrometered and inspected 
with a knife straight edge for rounded corners on the sleeves. 

:r at the casting point on the spaceband 

no'case should bands be used which are 
e. Examine bands with a knife straight 
; of hairline rule if a straight edge is not 
of the sleeve at the casting point is 
ould be applied. Otherwise, metal will 
ting point of the sleeve when used with 

If necessary, both front lockup adjustments should be inspected 
and properly corrected. 

On old machines it is possible to secure satisfactory results with 
spacebands which are worn and rounded and with front lockup 
adjustments slis • o of the gradual building up 

of false side walls on matrices, and the fact that this condition of 
-ually.R 



They should sho 








and on the front c 




side up to .0005 








edge, or with an 




available. If the 




rounded, new si 




quickly gather a 


the 



need beca! 



tailed, trouble will surely be ex 
itions in the machine and space 



Before using new matrices in an old machine, vise jaws should 
be checked for squareness; after a number of years service these 
jaws will show wear, causing hairlines. To avoid this condition, it 
is advisable to have vise jaws reground. 

At the face alignment position of the machine, you should be 
able to lift the first elevator by hand .010 inch; this measurement 
should not be exc. tter 18 and 24 point matrices 

are used, this figure is reduced to .005 inch. This test is to be made 

Carefully set the Pump Lever Stop Lever so that, when the line 



st elevator link eyebolts and nuts, upper and lower, should 
ecked; if they show undue wear they should be replaced. 
her important points that should be checked are the back 
ront mold wipers. Oil in any form used at these points will 

metal to collect on the side of the matrix, crush the sidewall, 
esult in hairlines. 

not use oil on pot pump plungers after cleaning them, nor 
2 remelting furnaces in an attempt to burn dirt out of the 



ADJUSTMENT OF MOLD CAM LEVER 

betw^theface of the mold and the matrix when justification 



takes place. Adjustmen 



placed the old 
adjustment of tl 
first elevator bs 






with thee 



it, the 



about 4 ems. When making 1 1 sential that the 

first elevator slide and front jaw be in the machine. 

Run machine to the point where the metal pot recedes from the 
first pot lockup. With the driving motor turned off, slowly turn 
machine forward by hand until the second mold cam shoe high 
portion 83, is in contact with mold cam lever roll 91. This position 
is just before the pot rocks forward for the second lockup, at which 
point there should be a space of about 3/32" b' 



not against the mold; such condition could result from impropi 
adjustment of the back lock nut on the pot lever eyebolt. 

Forcibly push the mold disk back so that roll 91 is in har 
contact with second mold cam shoe 83; measure clearance be 
tween face of the mold and back of the vise jaws. By setting tl 
measure for about 4 ems, this gives a large area for using a thicl 
ness feeler gauge between molds and jaws. This should be not le: 
than .003" and not more than .005". 

A 
Tur 




ck again 
re taking 



)11 91 being 
it. Lock 



100 with nut 101. Make 






v ioo a. 



while locking the nut. 
After tightening nut 101 re- 
check the clearance between 
mold and vise jaws. 

For Linotypes equipped 
with the solid mold cam lever, 
adjustment is made the same 
way, except that mold c; 






of s< 






To Conserve The Life of Your Matrices 

DO 

Clean spacebands every eight hours of service. 
Renew assemblins elevator matrix buffer when it becomes 
i of nylon on the inside of the right- 
plate, when won !he right-hand 



Renew assembling elevator gate pawls, front and back, if worn. 
They prevent the last matrix in the line from falling down and 
damaging sidewalls and lugs. 



from crushed sidewalls or those that are bent or have badly 
bruised lugs. Such matrices will progressively damage the entire 

matrices during circulation. Many such matrices can be repaired 

covering the assembler block ) does not project inwardly beyond 
the line of the inside edge of the large cover. Any projection will 
cause matrix lugs to strike and raise a burr. 

See that the pot pump stop is working freely and adjusted to 
prevent casting short lines. A loosely justified line permits metal 
to run between matrices and crush sidewalls, resulting in hairlines. 

bar are free of burrs which may damage the combination teeth. 

Pick up and promptly return to the magazine, matrices that fall 
to the floor. Once stepped on or mixed with metal shavings, they 
are sure to be damaged irreparably. 

Make it a practice to take font proofs occasionally of all char- 
acters cast in groups alphabetically. This will enable you to spot 
and remove damaged matrices before they contaminate perfect 



wheel's donoTpush matrices inside of assembler gate pawls and 
detents, but cause them to fall back in the assembling elevator 
and become clogged and damaged. 

DO NOT 

benzine or any volatile liquid is used for cleaning, arrange mat- 
rices on a galley and brush lugs carefully with a brush dipped in 
the liquid. ... 

Do not clean matrices with any liquid solvent containing chro- 
mic acid. Tins a, Even a weak solution will 
pit the character, destroy sidewalk and cause metal to adhere to 
the sides. This results in defective type surfaces on the slug and 
between the characters. 

Do not use oil on the back mold wiper or to excess in other 
places where it can come in contact with matrices. Oil on sides 
of matrices makes a path for molten metal to be forced between 
them. This metal gradually builds up on the side and walls even- 
tually become ci hairlines. 

Do not operate the keyboard or handle matrices with dirt or 
grease on your hands. Keep your hands and the machine clean. 

Do not neglect to clean spacebands once every eight-hour shift. 
If polished with loose graphite, see that loose particles are re- 
moved befbi els to the box. 

Do not use graphite on matrices or in magazines. Moisture on 
the hands, or mi i .ses graphite to form an oily 

deposit which eventually becomes a hard cake on the sides of 
matrices and in ; cleaning neces- 

sary and naturally leads to damage through unnecessary handling. 
Lugs of the matrices may be polished with dry graphite after 

Do not force a tight line into vise jaws. This causes aligning 
lugs to be sheared and irreparably damaged, and is also hard on 
the spacebands. 

pump stop safety is operating perfectly. J 
sandspac 
this point pays good dividends in time and money. 

Do not use force to remoi become wedged 

tightly in a jumbled line. Go about it easily and carefully. 

Do not fail t, ita wheel promptly, and thus 

guard against sending in tight lines 

Do not overlook the importance of keeping the pawls in first 
elevator jaws in good condition. They prevent matrices falling out 
of the jaws in recasting, and thus becoming damaged. 

130 






u^ 



ATLANTA 300 Luckie Street, N.W., Atlanta, Georgia 30313 

BOSTON Park Square Building, Boston, Massachusetts 02116 

CHICAGO 531 Plymouth Court, Chicago, Illinois 60605 

DALLAS 1350 Motor Circle, Dallas, Texas 75247 

LOS ANGELES 1212 Albany Street, Los Angeles, California 90015 

NEW YORK 300 East 42 Street, New York, New York 10017 

SAN FRANCISCO 155 Twelfth Street, San Francisco, California 94103 

CANADA Canadian Linotype Company 

Toronto ■ Montreal • Winnipeg • Vancouver 



Mergenthaler