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TEX BITTER WESTERN Volume 1, Number 31 October. 1955 

Published bimonthly by Charlton Comics Group. Executive offices and office of publication Charlton Building 1 , Derby, 
Conn. Copyright 1955 by Charlton Comics Group. Printed in the U.S.A. 




TiX RITTER WESTERN 


ATOMIC MOUSE * BADGE OF JUSTICE * BLUE BEETLE * COWBOY LOVE * COWBOY WEST- 
ERN * DANGER ond ADVENTURE * FUNNY ANIMALS— MERRY MAILMAN *- GABBY HAYES A 
HOT RODS and RACING CARS * LASH LoRUE ★ MONTE HALE * MY LITTLE MARGIE A ROCKY 
LANE A SIX-GUN HEROES A SOLDIER and MARINE A SPACE ADVENTURES— ROCKY JONF<. 
SPACE RANGER A SWEETHEARTS A TEX RITTER A TW. I. SUSPENSE A TRUE LIFE SECRETS «. 
TV TEENS— DON WINSLOW of th. NAVY A WIN-A-PRIZE A ZOO FUNNIES. NYOKA, JUNGLE Gift. 


A CHARLTON PUBLIC ATIO- 1 


fvnry •ffort ii mod* to iniura that thait comic magatmat 
contain the ftighe.t quality of wKolaiomo ante tainmant. 


&•««**■ Mtor 

4 



I'LL SEE 
WHAT - 
I CAN PO, 
CHIEF/ 


When trouble sounds across the Western 
hills, TBX RITTER, the Prairie Ranger, tabes 
after it ! But this time he travels a strange 
path through the sentimental words of an 
old song to find the answer to the 
VANISHING VARAUNTS: 


I'LL TAKE My GUITAR ANP 1 


\eO AS A TRAVELING 
Jtroubapour who - 

/PLAYS AT PANCES/ 
THAT OUGHT TO HE BP 
.THEM OFF- GUAR P/ 


RIGHT/ GO THERE 
ANP SCOUT AROUND/ 
SEE WHAT YOU CAN 
LEARN/ KEEP YOUR 
IPENTITY SECRET; 
I'LL HELP YOU IN 
GETTING A LINE 
OH THE VARMINTS. 


Tex RiHer, 'the Prairie Ranger, is called 
into Pfizer Headquarters one day, and — 


^ I’VE A REPORT HERE.TEX, 

OF A SMALL TOWN THAT'S TOO 
NEW TO HAVE ITS OWN SHERIFF 
YET.' SEEMS THEY'VE BEEN 
HAVING TROUBLE WITH A ^ 
BANP OF VARMINTS WHO ) 
STRIKE ANP THEN V 
- PISAPPEAR/ ^ 




TEX RITTER WESTERN 


WE OUGHT TO BE GETTING 
NEAR THIS TOWN SOON, 
WHITE PlASU! ANP WE T 
CAN BOTH USE A BOOB M 
NIGHT'S REST.' V? 


‘Hours later. 


so long, AEfly/ ^ 
CAN'T TAKE you Wirt 
.me thistime; m 


SOOP LUCK, TEX, ANP OOWT TIP YOUR 
HANOI REMEMBER, THESE ARE SLICK , 
l^COTDTES yOU'RE AFTER .' 


Suddenly/ 


WHA-7 
GET HIM 
, QUICK J 


GET OFF 
THET 
HORSE! 


WHAT'S 

THE-? 

UFF! 


WHOA, THERE, 

nt Boy/^_ 


A rider 
races 
Straight 
toward 
Tex 
and— 


| But drove behind 


Enraged ly the surprise attack, 


6NEAK UP ON US. WILL YOU, 

WE'LL SHOW YOU! 


Tex swings into action! 


' THAT'LL HOLD HIM A 
MINUTE.' GET THE 

MONEY AND LET'S 
-7 VAMOOSE ! 


I SURE PON'T KNOW WHAT THIS IS 

All about, but Tm not aiming to , 

STANO HERE ANP LET YOU 
DRYGULCHERS TOSS PUNCHES ) 

AT ME.' J 

.MjA — , r ^ySTOR THE 


TEX RITTER WESTERN 



BUT I DIDN'T IMAGINE THEM.' THEY 
WERE' HERE.' THEIR TRACKS ARE w 
IN THE GROUND/ THIS GROUND UP 1 
HERE IS COVERED WITH A WHITE A 
CLAY MIXTURE/ I'U SURE • |M| g4ffW[ 
REMEMBER THIS SPOT.' JWA 


THERE'S NOT A THING AROUND NOW 
BUT THESE ROCKS AND THAT OLD 
BENT PINE TREE/ I CAN'T EVEN 
HEAR THEIR HORSES v— -a^ 
7 GALLOPING AWAY/ 


fc quickly clears his head and • 


THEY'RE GONE' BUT WHERE 
I WAS DIZZY FOR ONLY A FEW 
MOMENTS' THEY’VE >E~ 
7 JUST VANISHED! Jy 


DON'T LISTEN TO HIS 


/VOW 

WHAT? 


YOU'RE ONE OF THE 
HOMBRES WHO 
ROBBED MY BANK, 
ONE OF THE X 
DISAPPEARING A 
JASPERS WE'VE j 
BEEN HUNTING/ / 


I TANGLED 


l PALAVER. 

WITH ONE OF THEM AND 
THAT BRUISE ON HIS HEAP 
PROVES HE'S THE ONE/ 
LET'S GIVE HIM- A / 
—r NECKTIE ^ 

( PARTY/ J 


WHOA, THERE.' THERE'S 
ONE OF THEM] £040 

. nmff ^ 


SURE ENOUGH/ MAYBE 


A CHANCE TO SPEAK HIS J THANK YOU, MISS/ > 
PIECE, TREM AINE / X I'M NOT ONE OF THOSE 

_ ^^r^GALOOTS.' I CAME UPON 

1 / / THEM, THEY JUMPED ME 
Wfu&l ML / / AND GAVE ME THIS BRUISE 

/ // I ON MY HEAP/ I'M JUST 
'//jX X V A ROAMING GUITAR X 

^ 7- PLAYER/ y | 


LOOK/ 
HERE'S 
► MY 
guitar/ 


HE'S TELLING THE TRUTH, T I DON'T KNOW 

■ DAD/ yWHAT TO THINK, 

---'-'■"'CAROL/ LETS HEAR 
/// HIM SING AND PLAY THAT 
WifM) ' / Guitar if he claims to 
l BE A TRAVELING y 
/V<r\wr--xA X TROUBADOUR/ ^X 





TEX RITTER WESTERN 


takes up his guitar, and in a few minutes. 


NONSENSE, TREMAINE/ YOU \ THANKS, MSS' 
KNOW NONE OF THOSE BANDITS )TEX IS AW NAME 
HAP A GUITAR STRAPPED 7-JUST TEX / THAT'S 
I TO HIS SADDLE.' WE ALL FOLKS EVER 

FOLLOWED THEM ^ CALL ME/ > 

CLOSE FOR A SP£LL\ ^ — - 1 

ANP I'D HAVE y-s If 

NOTICED ft! J 


WELL, HE SINGS ANP PLAYS \l SAY, STRING^ 
I RIGHT SMARTLY/ RECKON /HIM UP ANP TAKE 
HE'S A TRAVELING J NO CHANCES, , 
I TROUBADOUR, J AmR . REEP / 

L — r 'ALL RIGHT/ / ) 


f0[ — THAT'S ^ 
U THE STORy 

of the r 

CHISHOLM / 
trail i 


IT? like to stav } y0i/J WE 
ANP HELP YOU /NEED GOOD. 
FIND THOSE -r^RIPl-EMEN FOR 
, VARMINTS / \ THAT, NOT GUIT/ 

I OWE THEM h-r P LAYERS/, 

A THING OR / ^ 

TWO FOR V V 

JUMPING f MMUig 


) THIS IS PERFECT/ < 
/ ITU GIVE ME A GOOD 
CHANCE TO SEE IF -< 
I CAN FIND OUT HOW ) 
-7 THOSE COYOTES J 
( VANISHED SO JT\ >. 
^7 QUICKLY/ J/ , 


MY PAD'S BANK WAS ONLY THE LATEST OF A SERIES 
OF ROBBERIES THOSE BANDITS HAVE COMMITTED/ 
AS A NEW COMMUNITY, WE'RE AT THE MERCY > 
OF SUCH LAWLESSNESS/ , — — - 


IT SURE IS A SHAME/ ANP ALL X YES — EVEN TREMAINE/ 
THE FOLKS OF THIS POSSE ARE JHE'S A LITTLE HOT- 
RANCHERS ANP GOOD CITIZENS -7 HEAPED, I GUESS/ ) 
OF THE TOWN - INCLUDING THAT )HE WORK'S IN TOWN C 
TREMAINE HOMBRE WHO WAS /AT THE POST OFFICE \ 
SO ANXIOUS TO ^ TANO THESE ROBBERIES / 

STRETCH ME? T V HAVE HIM PLENTY / 

^ / ANGRY/ y 





>— 




TEX RITTER WESTERN 


But soon, Tex reaches ihe 
Reed raxck bunkhouse, and— 


A few * ighte 
walks iftrou 


I want you 



MOUNT UP l i'll TAK£ 


LOOK OUT, 


ORNERY PROOMTAILSJ 


WE'LL STAY RIGHT ON THE/R HEELS, 


COMB ON, WHITE 
FLASH f WE CAN'T 
LET THEM GET AWAY 
f AGAIN' ^ 


6IPPAP, 

' THERE/ ' 


JIARDWAEIE 



TEX RITTER WESTERN 




/ANP THE WHITE CLAyOP'THjT'Ny 
earth AROUNP HERE/ THIS 16 
THE SAME SPOT, ALL RIGHT/ V 
I SURE PONT FIGURE THIS ) 

AT ALL/ • ■ — 


THEY REACH THIS SPOT ANP SUPPENLV 
VANISH/ J MIGHT AS WEIL GO BACK 
TO THE RANCH ANP TRY TO PUZZLE, 1 
THIS OUT THERE/ I'VE GOT TO 
GET AT THE BOTTOM OF 
THIS SOMEHOW/ 


AHP THIS IS THE SPOT WHERE 
I MET THEM, WHERE THEY SLUGGEP 
ME ANP VANISHEP JUST AS > 
SUPPENLY/ THERE'S THAT fiMEBfej 
■r OLP, SENT PlNE/-£gSj~2g 


I'LL BE GLAD TO 
PIG THE MUSIC 
.OUT OF THAT 1 
f TRUNK ANP 
^ LEARN it/ A 


A few (/ays' later, at the ranch house ■ 


; IT'S IN AN OLP TRUNK IN THE 
ATTIC/ IT'S A SONG MY GRAND - 
DAP USEP TO SING TO MY GRAND- 
MOTHER' HE PLAYED THE .^a 
7 GUITAR, TOO.' 


YOU SENT WORD ) YES, TEX/ THE PANCE IS 
fOU WANTED TO /ONLY A FEW DAYS OFF ANP 
w SEE ME, v"'T'P LIKE YOU TO LEARN ANP 
f CAROL 7 ) SING A SPECIAL SONG/ IT HAS 
a SENTIMENTAL MEANING TO ME 
— V PV> ANP I'VE WANTED TO HEAR 
IT AGAIN FOR YEARS/ - 



EX RITTER WESTERN 


HERE'S the attic ~ 

ANP THERE'S THE OtP 
TRUNK.' THINK YOU 
CAN FINP IT , TEX? 


THE SONS HAS A STORY BEHINP 
IT, YOU SEE.' IT /MEANT V— ' 
SOMETHING VERY SPECIAL ] 

TO MV GRANDPARENTS/ J 
GRANDMOTHER'S FOLKS I — 

TRIEP TO STOP HER J 
FROM MARRYING J 
GRANDDAD J 


/they even pgstep guarps 

TO STOP GRANDDAD WHEN HE 
CAME TO SEE GRANPMOTHER.' 
BUT IT NEVER WORKED/ THAT 
OLP SONG HAP A PRIVATE 
7 COPE IN IT ANP GKANP- J 
/ MOTHER ALWAYS KNEW \ 
’ WHERE TO MEET GRANP' ) 
, PAP WHEN HE'P SENP HER 
V THE WORDS, OR SING ) 
\ IT TO HER FROM A / 
V DISTANCE yC 


AFTER A W0NP6RFUL 
STORY LIKE THAT, 

' I SURE WILL 
gr FINP IT/ 


, later that day in the bunkkouse, Tex looks 


X -5H0USH OTHSKS ST*t* p 70 hSEP US APART, 

1 WHE'RE THE GROUND IS WHITE, WE'LL MEET, AGAIN f 
«Y THE OLD BENT PI HE WHEW THE MOON STRIKES TEN. 
-fUROUOH THE TUNNEL- ' N TWF HILLS I'LL RIPE, 

Till I'M standing gy your Sloe.., 


oyej' fAo t««sic 


r HMMMM.' THIS IS AN OLP FOLK MELODY, BUT THE' 
OLP BOY SANG SPECIAL WOKPS TO IT, ALL RIGHT/ 
NEVER HEARP THEM BEFORE.' WELL^Nj—^-rtf 
LET'S TRY IT OUT/ in nl ^»!lllilHlllli 1 


HOLD EVERYTHING! those worps sure 
OO MEAN SOMETHING SPECIAL/ "BY THE 
OLD BENT PINE — WHERE THE GROUND IS A 
WHITE — THROUGH THE TUNNEL IN.. '‘f| 
^ ^ > THE HILLS — ! M 


THOSE WORPS SHOW THE OLP BOY KNEW OF SOME SECRET 
TUNNEL IN THE HILLS WHICH OPENS AT THAT SPOT WHERE 
THE OLP BENT PINE STAN PS ANP THE EARTH IS THAT 
Imm - WHITE CLAY MIXTURE / ) 





TEX RITTER WESTERN 


I later that night .in ike hilts behind the bent pine 


/^THAT'S HOW HE'D MEET CAROL'S GRAND- 
MOTHER WITHOUT BEING CAUGHT' UNLESS 
I MISS MY GUESS , THESE ORNERY VARMINTS 
HAVE PISCO VE REP THAT OLP TUNNEL/ I'U. 
JUST HAVE A BETTER LOOK AT THAT 
-~rj SPOT WHERE THEY VANISH ! ^ 


I'LL HICK ANP PRESS EVERY SQUARE INCH OF THESE 
ROCKS TILL 1 FINP THAT TUNNEL ENTRANCE.' IT'S 
GOT TO BE AROUNP HERE, SOMEPLACE/ texS 


A half-hour later, as Tex hicks ike 
side of one rock, suddenly — v v . 


' THEY RIPE THROUGH THIS TUNNEL WHILE THE 
POSSE CHASES AFTER NOTHING, OUTSIPE/ I'LL JUST 
WAIT TILL THOSE VARMINTS PULL ANOTHER ROBBERY/ 
. THEN I'LL BE HERE TO GIVE THEM A SURPRISE/ . 


THAT'S IT! 
I'VE FOUNP 

~r IT ! rr 


Tex doesn't have tony to wait, 
for the next night in town 


Later, as the outlaws reach 
the secret tunnel — 


THEY WON'T TAKE A DIRECT ROUTE ' 
TO THE TUNNEL WITH THE POSSE ON THEIR 
THEY'LL NEED TO GAIN A . 


HEELS. 

LITTLE DISTANCE THROUGH THE 
HILLS, ANP THAT'LL GIVE ME TIME 

TO REACH THE TUNNEL * 

BEFORE THEY DO/ J 


HERE THEY COME/ 

w BUT THIS TIME . J 
r iu DO THE 
g surprising! 


THOSE BANDITS HAVE STRUCK 
AGAIN' THE HOTEL, THIS TIME. 
JUST A MINUTE AGO.' YOU CAN 

STILL CATCH UP WITH , 

THE POSSE, MAYBE !/fVHAT' 

SSSTJ PARTNER .VC 


TEX RITTER WESTERN 


I surprise, you polecats! 

SHWWSIRMS 

pflS7 ' uitar. 

ViHAr/l**™* 



/THAT'S right 
REACH FOR THE 
SKY.' WELL- IF 
1-7 IT ISN'T , 
(TREMAINE .' 




P-PRAIRIE 
BANGER 1 


PRAIRIE RANSER, TO YOU, TREMAINE, 
BUT HERE COMES THE POSSE.' . ^ 

HO, THERE- OVER HERE ! jgg 


HE'S GETTING 
AWAY! BRING 
HIM DOWN.' 


I'VE AIREAPY GOT HIS GUN > 
AWAY FROM HIM.' I CAN'T SHOOT 
AN UNARMED MAN - EVEN ONE 
LIKE HIM.' BUT MAYBE S, 


YOU'RE NOT 
BRINGING 
X ME IN' r 



TEX RITTER WESTERN 



4P iking careful aim -Tex's six-gun, 
'^reverberates through -the tunnel and— 


THOSE OOP FORMS ON TUB HOOF OF 
THE CAVE -THEY'RE CALLED STALACTITES! 
IF X CAN JUST KNOCK ONE OFF , I'LL 
HAVE HliM.' I'LL AIM JUST A w«a < g 


Later, after Tex tells the story 
of the old tunnel — 


THE TOWN WILL 
NEVER FORGET 
J VOU TOR THIS, 
RANGER/ THE 
FIRST THING 
I WE'RE GOING TO 
, DO IS GET US 
A REAL SHERIFF 
OF OUR OWN/ 


... AMD SO, AFTER FINDING THE 
TUNNEL, THEY DECIDED TO MAKE 
GOOD USB OF IT/ TREMAINE'S 
JOB IN THE POST OFFICE GAVE 
HIM A GOOD CHANCE TO SEE 
WHO WERE LIKELY LOOKING y 
PROSPECTS FOR .. 

ROBBERY ! AgSglp--'' 


OqOOoHU- 


th fir's GOT 
r him! r 


'And so, a few nights later — // its a grand sons' \ 

THAN H VOU SO yTEX CAN SINS yj! HAPPWe SSTO^WO / 

I MUCH, TEX' you ]as well as he / PEOPLE ANP NOW IT'S M 
SANS SRANP PAP'S ) CAN CATCH <f cone THE SAME FOE A WHOLE 
OLD SONG rJ VARMINTS/// TOWN/ I'VE GOT TO MOVE 
BEAUTIFULLY/ ON NOW, BUT I'LL . 

— y REMEMBER IT 

v always/ jF 


YES, AND I SUPPOSE 
s. Singing and < 
) PLAYING AT THE y 
/TOWN DANCE, 

C. IS ALL OVER 
) WITH NOW/ 


( AND ALL ) 
THIS TIME *• 
WE THOUGHT 
YOU WERE 
ONLY A ^ 
BINGING 
TROUBADOUR/ 


NOTHING 
^ DOING/ 
/ I'LL BE 
. THERE WITH 
MV GUITAR/ 

> DON'T YOU ^ 
. WORRY/ J 


TEX RITTER WESTERN 






Folks, 

li's mighty nict -to be riding your nay once again. His 
always plumb pleasurable to pass {he time of day with good friends. 

I've just returned from a weak in ike hills with some hard- 
riding cowboys on a wild horse roundup , After we reached 
the Timber line Forge, where we brew a Urge herd of wild 
horses roamed, we sort of split up, and I went on to 
Scout ahead. 

It wasn't long before I saw a magnificent white 
Stallion on a ledge. A few minutes later, he was joined 
by a. beautiful light tan horse. Properly speaking, C 

a tan horse is called a Palomino, but most 
- Westerners call them buckskins. I followed the two horses ~ i 
down into a small valley and there I saw a whole herd 
of wild mustangs. 

There were some more white horses and "buckskins, a lot of 
.. five black stallions , dapple-grays, brown mares and a sprinkling — - 

of strawberry roans. The young colts played together and frisked 
about while the others grazed or -trotted along side by side. As 
1 watched them, I couldn't help thinking how they didn't refuse 
to play together because they were different colors, or because 
Some had long straight manes and others curly ones. 

Jto, they got along like real amigos, and after we finally 
founded the herd into a corral, that thought stuck with me. 

I'm going to keep remembering it, too - and 
I reckon you all will do the same. We two-legged 
critters can learn a powerful lot, even from a herd 
of wild horses , about getting along together! 

Well, Til be moseying atony 
now, partners — but I'll be 
reiuing-up this way again 
real soon. 


Your pard, 





TEX RITTER WESTERN 


PRftIL® c= 


THE BRILLIANT GOA 



TEX RITTER WESTERN 



GROAN ! 

r SOT A BUTT... 
BUT TUB WSON& 
KIN Of 





TEX RITTER WESTERN 



*MfHILE IT WUZ HAN«rlN6 ON THE CLOTHES LINE, "THE SCAT WAS FEELING A* LITTLE HUffc&RY 

THIS SOAT SAW IT SO HE ATE THE SHIRT " 





TSK/TSK, 
THAT WUZ 
TERRIBLE/ 


HE COU&HED UP THE HEP SHIRT HE HAD EATEN 
AND WAVED THE TRAIN DOWN TO A CTO PA 


WHEN THE GOAT SAW THE TRAIN BEARING DOWN ON HIM- 


HA, HA, I DON'T BELIEVE 
THE GOAT'S 50 SMART, BUT 
yuw SHORE ARE / WYAfi’S 
A CIGAR PER GIVING ME 
A GOOD LAUGH / 


A CIGAR / yfpfie/ 
X OWS IT TO YUH, 
GOAT OLD CHUM / 
YUH'LL NEVER 
GET MV GOAT 
R- AGAIN / ^ 

VlPEER* / V 


THE «OAT COUGHED UP THE RED SHIRT AND WAVED 
7HE TRAIN DOWN WITH IT/ HA, HA/ THAT'S THE 
BEST YARN X*VE HEARD IN A LONG TIME / . . . — 




R AIN came, drenching torrents of rain. 

Kansas Walker was soaked to the skin. 
Water showered from his hat and made the 
brim soggy. His big horse. Black Devil, glist- 
ened as the water covered his broad back. In 
the distance, above the black mountains, light- 
ning darted crazily through the sky, and from 
far off came the muffled rumble of thunder. 

Instead of cursing the downpour, Kansas was 
singing. It was kind of a crazy-worded, off- 
tune song, but it was singing because it came 
from the gladness in the heart. Kansas was 
glad of the big rain. Water! What a precious 
thing! In previous drives he had pushed long- 
horns through biting, stinging, choking dust. 
He had known how terrible it was to try to 
move cattle when the grass had become parch- 
ed and dry, when water holes were scarce. In 
such drouth, it was possible to lose cattle by 
the hundreds. And so he was grateful for the 
rain. He sang on. 

Another man rode up beside Kansas. The 
pair looked strikingly alike, except that the 
newcomer was a little younger, there was still 
a bit of baby in his face. And, whereas Kansas’ 
strong, handsome countenance bore a look of 
serene thanksgiving, the newcomer appeared 
worried. He voiced his worry: **Hear that roar- 
ing up ahead:” 

"Yeh, Herbie. I hear it,” replied Kansas. 
"Reckon the cld Missegoola River is on a 
rampage." 

"It’s flooded, that’s what it isl” asserted 
Herbie, a note of desperation in his voice. "We'll 
never be able to get five thousand head of cattle 
across it.” 

"Don’t cross your creeks till you come to 
them, brother,” suggested Kansas. “Let’s you 
and me ride on ahead and have a look at the 
old Missegoola.” 

He spurred Black Devil and cut wide to the 
side of the moving mass of cattle. Herbie fol- 
lowed. Soon they were a quarter mile ahead 
of the herd and standing on the bank of the 
rain-swollen river. “It’s a flood!” cried Herbie. 
“It’s awful !” 

“It ain’t exactly ideal,” admitted Kansas, “but 


it’ll get worse afore it gets better.” 

“You’re not aiming to try to cross?” There 
was alarm in Herbie’s voice. 

“We’ve got to if we can,” responded Kansas, 
flatly. "Come on, we’ll see how bad it is.” H$ 
urged Black Devil forward, into the swirling, 
foaming stream. The horse walked in, pushing 
through the strong current. Man and horse sank 
lower and lower into the water until they 
reached the deep midchannel where both bobbed 
out of sight for a second. When they popped 
up again, Kansas had slipped from the saddle 
and was holding the pommel, swimming beside 
the horse. “No use,” he thought, “to give the 
old boy unnecessary burden in this mes3.” As 
soon as the steed had regained his footing and 
was mounting the sloping bank on the other 
side, Kansas mounted again. He sat for a mo- 
ment, looking at the roaring river, noting the 
rainfall, calculating. Then he and Black Devil 
made the return trip. 

He looked quizzically at Herbie but said noth- 
ing about the latter’s failure to follow him. "We 
can make it,” he declared. “Just gotta keep 
them longhorns headed right. They won’t have 
too much swimming.” 

“Wouldn’t it be safer to wait?” suggested 
Herbie. 

“Wait?” exclaimed Kansas. “Why our only 
chance to get these critters to market is to cross 
now. Come on.” 

He rode toward the approaching herd, quickly 
gave instructions to his drovers. Herbie fol- 
lowed, looking sick. Kansas circled the cattle 
and rode alongside the chuck wagon, driven by 
Cookie. “Cookie," he said, “we can get the crit- 
ters across all right, without losing more than 
maybe a few head. What I’m worried about 
is this here wagon. That river’s too deep to 
ford. We’ll have to float her across, and I just 
hope she don’t turn turtle.” 

“If she turns turtle you won’t have to worry 
none,” responded Cookie, puffing his inverted 
pipe. "A turtle wouldn’t have no trouble getting 
across any river!” Cookie laughed heartily. As 
usual, he was the only one who enjoyed his 
jokes, but he didn’t mind. 


The wagon was halted. Kansas ordered Cook- 
ie and Herbie to lash logs to the wheels of the 
wagon to -serve as pontoons. The other men 
were already in the stream, howling and whip- 
ping at the milling longhorns, keeping the lead- 
ers headed straight. Despite their bawling pro- 
tests, the cattle plunged forward across the 
flooded stream, and the leaders already were 
clambering up the opposite bank. Kansas had 
time for a glance of satisfaction at his men’s 
work. “We’ll get ’em to market on time!” he 
grunted. 

Cookie’s wagon was now ready. “Get going. 
Cookie,” ordered Kansas. “Me and Herbie will' 
side you to see that our grub doesn’t go to the 
fishes.” Creaking and sliding, the wagon rolled 
forward toward the stream. “Come on, Herbie,” 
said Kansas. 

“I’m not going! You can’t make me! It’s 
suicide!” cried Herbie. There was a touch of 
hysteria in his voice. 

Anger flashed in Kansas’ gray eyes as he 
whipped a Colt from its waterproof holster. 
He leveled it at the younger man and said, 
“I’m trail boss. You do what I say!” 

“No, no, I won’t! I’m scared to death of 
water !” Herbie’s voice was screaming. The 
lashing rain mingled with tears on his cheeks. 

“Then I’ll shoot you down like a yellow- 
livered coyote!” snapped Kansas. But he hes- 
itated. He didn’t shoot. “I can’t shoot my own 
brother,” he breathed at last. “But that’s for 
this time. From now on, you’re no brother of 
mine. Just keep out of my sight! That’s a warn- 
ing !” 

He turned his horse away. Already the chuck 
wagon was heading for the deep, midstream 
channel as Black Devil plunged in. The wagon 
team was swimming. The swift current caught 
the wagon and tipped it sharply. It was tipping, 
careening, ready to flop over and be dashed to 
pieces. Kansas leaped from Black Devil and 
clutched one of the wagon wheels cn the high 
side. His weight served as ballast, righting the 
wagon. The wagon team had now got a foot- 


hold and was tugging up the inclined bank. But 
the sudden twist of the current, the lurching of 
the wagon, loosened Kansas Walker’s grip on 
the slippery wheel. He fell, the iron tire struck 
his head, .and he sank, unconscious, into the 
foaming cauldron. 

Cookie, driving the wagon, had his hands 
full with the struggling team. He had no way 
of knowing about the tragedy behind him.* None 
of the drovers saw it, either, for they were 
busy urging the longhorns forward. 

Only Herbie Walker saw what had happened 
to his brother. His eyes were filled with fear. 
His hands shopk. But with only a second’s hes- 
itation, he spurred his horse forward, into the 
raging torrent. He aimed for downstream, past 
the wagon, his eyes searching desperately in 
the foaming flood. At first, he saw nothing, 
then, five feet way, his brother’s head cut the 
surface, a red streak above the eyes where the 
iron wagon tire had struck. Herbie slipped his 
feet from the stirrups, planted them on the 
saddle, and made a crouching dive toward the 
bobbing head. 

“I c-can’t swim,” he was saying, “but may- 
be I can save him, somehow.” 

He clutched at his brother’s collar, then man- 
aged to cry out, “Help!” 

Cookie heard. He leaped from the wagon 
seat. Soon a lariat loop was flashing toward 
the two figures being swept downstream. Herbie 
grabbed it with his free hand, and Cookie pulled 
the two of them ashore. 

OOKIE had just finished bandaging Kansas 
Walker’s wound when the latter opened 
his eyes. There was astonishment in them as 
he looked up to see Herbie. “The kid saved 
your life, Kansas,” said Cookie. “And you 
should remember this. If a man goes ahead and 
does the right thing when he’s scared half to 
death, then he’s the bravest man of all!” 
Kansas seemed to understand. He reached 
up, grasped Herbie’s hand, and said, “Brother!” 

THE END 


TEX RITTER WESTERN 




THE MEXICAN 'VAQUERO'WAS THE FIRST 
•COWBOY’.. ■ AND HIS SADDLE AND OTHER 
EQUIPMENT HAVE BEEN FOLLOWED BY 
THE AMERI CAN CO WBOYS. 

SAPPLE, MODERN AMERICAN / 

OF THE SADDLE DESIGN. / 

COWBOY 5 //Zt o. / 

SADCH-E. (m Jk _ mJa \ 


w HEAVY 
HAND TOOLED 
EFFECTS. 


OLDER AMERICAN 
SADDLE TYPE ^pHORN 
,/~n.CANTLE /h 


HORN 


FORK 


"TAPADEROS" 

WERE ORIGINALLY 
DESIGNED TO PROTECT 
THE FEET IN BRUSHY 
COUNTRY, BUT ARE ALSO 
v USED FOR DECORATIVE 
% EFFECTS, SPECIALLY 
3 ) IN THE MOVIES. 

U MANY SHOW HIGH 
8? EXAMPLES OF THE 
| TOOLED- LEATHER 
f WORKER'S ART 


OLD STYLE THEY GRADUALLY 
"FORKS" WERE BECAME WIDER, 
NARROW. TOR GREATER 

©. COMFORT. 


•SKIRTS 


FINDERS 


WIDE FORK& OF A "BRONK" 
RIDER'S SADDLE HELP HIM 
KEEP HIS SEAT. 


OLD STYLE 
'BOX" STIRRUP. 


HORSES QUICKLY 
LEARN TO "SIT BACK' 
WHEN A COWBOY 
ROPES A STEER. , 
WITH HIS SADDLE'S 
HORN AS ^ 

ANCHOR 

POST. . jji| 


A COWBOY'S SADDLE MAY BE 
PLAIN OR FANCY- IT IS ALWAYS MADE 
BY EXPERT WORKMEN, FROM BEST OF 
MATERIALS. IT MUST BE STRONG 
AND DURABLE . AND IS EXPECTED 
TO LAST FOR MANY YEARS. 


TEX RITTER WESTERN 



BLACKTON V_J 
7 ruled Big Bend K 
according to "his own 
seffisfi laws of plunder 
and violence.' When TEX 
RITTER, the fearless Prairie 
Ranger, rode into Big Bend, 
Could his lightning draw and 
two-fisted courage save his 

life or would he 

|W become just another notch 


NOT SO FAST, 
HOMBRES.’ 


HURRY 
UP, BOYS. 


on Blackton's roaring 
six-gun? 



IT SURE SEEMS LIRE A QUIET PLACE, 
EH, WHITE FLASH? TOO QUIET, IP 
— , YOU ASK ME.' ) 


THIS BLACKTON SEEMS TO OWN 
JUST ABOUT EVERYTHING IN TOWN.' 
RECKON WE'LL TRY THE SALOON 
fs-py - > ■ — -vrf ANP SEE IF J 

ANYBOPY T 

■ \V rT 1 SAW CURLY 

/skoAv L lately / . 


Tex has 
hem south 
investigate 
the 

disappearance 
of Curley 
Walter, 

sheriff °i 
Big Bend. 
And as 
lie rides, 
into 





TEX RITTER WESTERN 




Instantly, everyone felt the tenseness in the 


room- as if waiting fOr somethin# to happen. 


PSSST.' THAT VARMINT 
. IS WANTEP 

here/ 1 


TAKE A GOOD LOOK.' I'VE COME 
BACK TO GIVE MYSELF U P/ 
WHERE'S CURLY WALKER? 



I'M THE NEW SHERIFF 
AROUNP THESE HERE 
PARTS, CARSON/ I'M 
ARRESTING YOU FOR ‘ 
TAKING THE LIFE OF 
vT?llFE LUCAS / 


lBLACKTON SURE MUST HAVE 
EVERYTHING SEWEP UP 
'TIGHT AROUNP HERE TO PUT 
.HIS OWN STOOGE IN AS -T 
) SHERIFF/ WHAT HAPPENED ) 
'TO CURLY? y ^ 


I f (it! ! 

vS jl 

..-Jl- . . '5§£. f . 




THAT AIN'T NONE WAIT A MINUTE.' I CAME ) 
OF YOUR BUSINESS/ ) BACK ON MY OWN SO I 
llL TAKE YOUR /COULP PROVE MY INNOCENCE 
SUN. BUB.' t^ATTHE TRIAL/ I NEVER SHOULP 
) HAVE HIGHTAILEP OUT OF TOWN 
“ — \TV WHEN I WAS ACCUSED.' 


'AIN'T GOING TO BE NO 
TRIAL, CARSON/ WE GOT 
A LITTLE PARTY 

PLANNEProR^-^T' 

V VOUJ y( MEAN- 


EASY, H0M8RE —OR THERE 
WON'T EVEN BE TIME FOR A 
LITTLE PARTY,/ YOU AIN'T 
•\GOT A CHANCE.' 







TEX RITTER WESTERN 


WELL- I'M CALLING THE PARTY 

OFF! GET BACK, 

r CARSON i Y 


| KEEP YOUR NOSE OUT 
/OP THIS, STRANGER 
OR THERE'LL BE A S 

tm double - veSSsi 
H PARTY/ MB 


WAIT A MINUTE, 
THE LAW SAYS 
EVERY MAN IS " 
ENTITLED TO A 
FAIR TRIAL.' > 


RIGHT; 


OWWf 


NOW THAT I'VE \ YOU WON'T GET s 
INTKOPUCED 7 AWAY WITH THIS.' 
MYSELF, I'LL \ YOU'RE HELPING A 
TAKE CARSON ^BUSHWHACKER ^ 
WITH ME UNTIL / BEAT THE LAW.' M 

i get some jyy 

questions < 
answered/ / 


I'M TEX RITTER -AND 
I STILL SAY THE MAN IS 
ENTITLED TO A FAIR . 
x TRIAL / 


WE 

PRA/R/E 

RANGER* 


I-I AIN'T GOIN 1 
FOR MY GUN, MISTER/ 


I'LL BE WAITING 
FOR YOU / ^ 


WE'LL HEAD FOR MY 
RANCH.' IT'S ONLY A 
FEW MILES NORTH 
. OF HERE/ A 


THOSE VARMINTS WILL jg 
BECOMING AFTER US, & 
PRONTO.' MARE TRACKS, 
. WHITE FLASH! A 


I'M TRYING TO FIGURE OUT 
WHO MADE YOU THE LAW/ 
GET ON YOUR HORSE, . 
xTL CARSON ; 






TEX RITTER WESTERN 



WHO IS THIS N HE JUST ABOUT OWNS THE TOWN.' AN 
BLACKTON HOMBRE? ) RANCHER WHO WON'T WAY BALL WITH 
l SEEMS AS IF HE'S /HIM GENERALLY WHIPS UP WITH A r 
jCALUNG THE TURN H BULLET JH^S BACK.' THAT'S HOW U 
ON A LOT OF THINGS THEY^ILEP)MY FATHER.' 


BUT WHY IS HE 
SO DETERMINED TO 
.GET THIS OUTFIT? 


JIM! I-I 
HEARP YOU 
WERE BACK' 


WE HAVE WATER RIGHTS 
WHICH BLACKTON IS' AFTER' 
RAP WAS RALLYING THE RANCH 
OWNERS AGAINST HIM-AND- 
AND I GUESS THAT'S WHY 
HE GOT IT/ WHEN I 
HEARP ABOUT IT, I DECIDED 
TO COME RACK ANP FIGHT.' 


I RECKON YOU'RE ^P'nTHEY'RE NOT 
GOING TO NEED HELP.' \ TAKING ME 
LISTEN! SOMEONE'S ) ALIVE- 
— t COMING ! 


OH, JIM - 1 KNEW YOU \|7*S GOOD TO SEE 
DIDN'T KILL RUFB LUCAS/ ) YOU AGAIN, JEAN- 
WHY DID YOU RUN AWAY?/ MIGHTY ^ 
1 MISSED YOU GOOD I ) 


JEAN, THIS HERE IS TEX J 7J 
RITTER - THE PRAIRIE — 
RANGER! JEAN IS BLACKTON’S 
STEP- DAUGHTER — BUT THEY 
DON'T HAVE MUCH IN COMMON.' 


X RITTER / WHY- 
s I'VE HEARD A LOT . 
) OF GOOD THINGS 
ABOUT YOU' I SURE 
AM GlAP YOU'VE -< 
COME TO THESE T 
r • PARTS ' J 


AHEM 



TEX RITTER WESTERN 


With fkeir tends .tensed over their gun fa 
r Pex Kilter and Jvm Carson step outside 


trvoesH'T 
WATTS?, JIM. 
'AS LONG AS 
YOU'RE BACK.' 


T& BLACKTON STILL 
TREATING YOU AS 
MEAN AS EVER, 
i^ANf 


\ HERE COMES 
/THAT POSSE > 
"\ WE BEEN 
/EXPECTING/ 

IT APPEARS > 
THAT BlACKTON 
IS LEAPING IT l 


GET AWAY FROM 
THAT MAN, 

^ — 7 JEAN/ T 


Before you go. branding him a > 

CRIMINAL, BLACKTON - HE’S ENTITLED 
^T - ■ r TO HIS TRIAL/ /•" 


SO YOU'RE THE 
PRAIRIE RANGER 
Iftf/JO'S BEEN ^ 
INTERFERING ^ 
WITH LAW AND 
ORDER AROUND 
w HERE ' 


I COULDN'T GET J WE’LL GIYE YOU A FAIR ^ 
A FAIR TRIAL /TRIAL, CARSON/ NOW, YOU 
FROM THOSE T BETTER COME PEACEABLY, OR 
COYOTES' 2 MY BOYS WILL DRILL YOU Tj 

r^-, iiii i in i here and now/ A 


IF YOU'RE SO EAGER TO GET PKORfS TO TRIAL, Y WELL GET THE 
WHY HAVEN'T YOU PICKED UP THE JASPER WHO ) CRITTER WHO 
MURDERED MY FATHER? WHAT HAPPENED TO HlS /PLUGGED TOUR 

PEARL- HANPLH7 GUN? FIND THAT AND . FATHER, TOO/ ^ 

^ YOU'VE GOT YOUR MAH/: / / BUT RIGHT NOW J 

1 WC WANT YOU / JL 


GO ALONG WITH THEM, 
CARSON.' JF YOU'RE 
INNOCENT, YOU HAVE 
NOTHING TO FEAR / 


ALL RIGHT, TEX- 

_ if you r 

7 SAY SO? / 


K 

4 ] 

i 


% 

t 




RITTER WESTERN 



TEX RITTER WESTERN 



CURLY WOULDN'T COOPERATE 


JZlatkton's revelation had 
brought a gasp pom the girl. 


I'LL ATTEND TO VOU\l CAN GUESS^ 
LATER] SURE I GOT \ WHAT HAPPENED 
V" HIM, BUT NOBODY TO CURLY , 
}ELSE IS EVER GOING / WALKER, TOO.' 

/TO KNOW ABOUT IT/ . — f' 

\I'M SENDING YOU TWO TO) ) 

Y BOOT HILL/ f 


WITH ME - THAT'S WHY I PUT > 
MY OWN MAN IN OFFICE/^_*>^ 

1 /T^Ihatdoesn't 
rain i/C make him 

WMmSk If A SHER I F FI , 

||gk Che'san imposter] 


I KNEW I HEARD 1 YOU- — 

SOMETHING.' COME ^YOU SHOT JIM’S 
OUT OF THERE, RITTER.'; FATHER-.' A“P • 
I HAVE THE PROP VYOU'RE GOING TO 
^C)N YOU]^ HAVE HIM LYNCHED 

£S3r ri/rTl for what 
/ A YOl/ PIP/ 


I WOULPN'T BE GETTING RILED ABOUT ) THE SIDE- A 


The fearless Hanger .suddenly drops to the 
floor as the tuio men blast array/ 


ME BEING A REAL SHERIFF OR NOT, J WINDERS 

RITTER] IT AIN'T GOING TO . FIGURE ON * 

MAKE ANY DIFFERENCE 7 SHOOTING ME IN THE -4 
TO YOU SOON.' BACK] I HAVE TO PO 

SOMETHING - AND 

1 ilwf lp! (iHl wWPI ' * ' I* Vy ■ ITT PRONTO.' 


STOP l THAT'S 
ENOUGH! 
STOP! < 
M QUIT! 


IT'S YOUR TURN TO BE 
A TARGET NOW- FOR 

j THIS ! 


I RECKON THEY 
WERE A MITE 
£ CARELESS.' 



TlX RITTER WESTERN 



Minutes later. 


GET YOUR HORSE.' WE'LL HAVE TO 
RIPE LIKE BLAZES BACK TO TOWN 
ANP TRY TO STOP THEM.' THIS y 
BUSHWHACKER IS COMING WITH ^ 
US' IU TIE HIM TO THE 
SAPPLE OF HIS tfORSE/ 


r THEY'RE GOING TO 
LYNCH JIM FOR WHAT 
HE PIP/ WHAT'LL 
S. WEPO.TEX? 


FASTER, WHITE 
FLASH! we have to 

GET THERE IN - 
TIME/ Jg 


Tfee hangmen step Jim's 
horse -the rope pulls 
taunt - and at that 
instant— 


irs I 

RITTER J 


STAY PUT, YOU ^ 
j MAVERICKS.' BLACKTON 
HAS SOMETHING J 
TO TELL YOU ' ngl 


I'M OKAY, 
v TEX, BUT 
) ANOTHER 
'SECOND-- 


THOSE TORCHES/ -THAT'S 
THE LYNCH MOB/ WE'RE 
GOING TO BE TOO LATE- a 
lg»- UNLESS— u 


After Black-ton reluctantly confesses, the mob 
fades away, leaving only a few ranchers to 
congratulate Tex... 


The following morning... after Btackton's 
gang has been jailed ... 


lYOU pon't owe me a thing, ' 

JIM. BUT I KNOW THIS PLACE 
IS GOING TO SEE A LOT OF LAW 
ANP ORPER FROM NOW ON y 
WITH YOU AS THE NEW y-^jgk 
s. SHERIFF' APIOS/ yfegl 


WE’LL NEVER FORGET 
YOU IN THESE PARTS, 
TEX' I OWE YOU 
MORE THAN »r-< 
ICOULPEVER / 

7 SAY/ 


BIACKTON ANP HlS GANG ARE ^ 
FINISHEP HERE/ WE'RE GETTING 
TOGETHER A POSSE TO RDUNP > 
r UP THE REST OF HIS v— 
CRITTERS/ J 


THANKS 
TO TEX, 
RITTER/ 


OH, JIM! 
YOU'RE 
SAFE/ 


TIX RITTER WESTERN 



you kwou sun, a cat is a 

MIGHTY LUCKY ANIMAL. 
V>H£V HAS MIME LIVES jX 


J UROW6 GU5, AH ) 
1 KNOWS SOMETHIN' h 
TH£T"S JUST AS LUCKY 


... AH RECKON THEY IS 
ABOUT TH' LUCKEST r 
CRITTERS THERE IS ! X 


' OKAV. SMARTY 
UJHUT 13 IT? r 


-THEy CAW CROAK 
AW' ‘STILL HAVE A LOTTA 

' > JUMP LEFT 

^ -^77 IN UM'/ 


A FROG?? POOHEY/ 
A FR06 CSON'T HAV/r 
NINE LIVES// , 7 ^ 




CHUCkVAGON 




< 


/I 







TEX RITTER WESTERN 


PHEW, I'M SHORE THIRSTY, 
I RECKON I’LL GO INSIDE 
AND GET. A GLASS OF 
-^SARSAPARILLA 



I JEST WON'T BOTHER WITH KILLER THAT'S 
ALL.' I'LL DRINK UP MUH BASS AND ^ 

go f 


I HATE TO GO INSiDE ' THAT BARTENDER 
KILLER KOLE ; IS THE MEANEST AND 


TOUGHEST HOMBRE IN THESE PARTS 
BUT I'VE GOT TO QUENCH MUH 
'^y ~ TTr - / THIRST .» 












THANKS ! THAR'S THE 
MONEY ^ 


GIVE ME A FIVE CENT GLASS 
OF SASS , KILLER ^ 


OKAY, OLD 
SMOKEY ' 


HYAR YUH ARE 



TiX RITTER WESTERN 


HUH? r GAVE KILLER TWENTY- FIVE 
CENTS, BUT HE DIDN'T GIVE ME 
MUH CHANGE/ ^ 


AH, THAT SHORE HIT THE 
^ SPOT' 


- - - I FORGOT MORE THAN \ f ( GULP). 
YUH EVER KNEW, YUH OLD J \ 

^ -V GOAT ' r 


ER.ER, DIDN’T YUH FORGET ) HUH ? DIDN’T I FOR 
SOMETHING, KILLER ? r—\ GET SOMETHING 9 

tea,., „ . V ~-— , YEAH . — - 


YO'RE LOCO ' 
YUH GAVE ME 
A NICKEL ' 


ER , I MEAN I GAVE YUH 
TWENTY- FIVE CENTS', AND 
YUH FORGOT TO GIVE V 
ME MUH CHANGE / ) ' 


90 TO’RE 

I GAVE YUH H CALLING ME A 
QUARTER ' LIAR, EH / 



TiX RITTER WESTERN 






TEX RITTER WESTERN 



,YEAH .'AND 
• l'LL HIT HIM 
•» AGAI N ' 


OH YEAH .' I'D ] YUH WOULD 
LIKE TO SEE J EH ■ ALL ^ 

^~vy uH • /"'ll Right-- 


HYAR YUH ARE 


THAT'S WHAT 


' OH , YUH 
DARE ME, 
HUH ? ALL 
BRIGHT .' j 


(groan) 

HUH ? 
(GULP) 
NO, NO ' 


I DARE YUH 
TO DO THAT 
AGAIN 


I THINK ABOUT 
YORE DARING . 
^ ME ' 


("GROAN ) I WISH 
YUH HADN'T ^ 


--- C'MON .' DON'T EVER 
SPEND ANOTHER NICKEL 
v IN THIS PLACE , •" 


NEVER 
MIND •' 
WE ' LL 
SHOW 
HIM--- 


DARED HIM 
BIG JOHN ' 




ml / /yv 


ifc 



TEX RITTER WESTERN 



HEHWHEMffi 


Building An Empire 

CIVILIZATION FOLLOWED THE 
RAILROAD IN VARIOUS WAYS. THE 
UPROAR OF NIGHT LIFE ON THE 
FRONTIERS WAS SO GREAT THAT 
COMMITTIES WERE FORMED 'TO 
RID' IT OF THE EVIL AND SHADY 
CHARACTERS AROUND 


Rollin Thru The Desert 


SIXTY TO SEVENTY YEARS AGO TRAINS ON 
THEIR FIRST DESERT RUNS HAULED EXTRA WATER 
FOR THEIR BOILERS IN TANKS DIRECTLY BEHIND 
THE TENDER. NOWADAYS LOCOMOTIVES STILL 
HAUL WATER TANKS ON LONG RUNS WHERE WATER 
IS UNAVAILABLE OR IS CHEMICALLY UN PURE 


The Golden Age 

Of The West 

THE ERA OF THE CATTLE TRAILS 
COMMENCED WITH THE COMING OF 
THE RAILROAD. THE 
COWBOY DROVE 
HIS CATTLE TO 
WHERE THE 
BUYERS AND 
THE TRAIN 
READY FOR 
SHIPMENT, WERE 
WAITING 




flow the BUFFALO HUNTER OUTSIDE 
WAVS CITY SHOWED OWNERSHIP OF 
THE BUFFALO HE KILLED 




The 6RANP DUKE ALEXIS ONCE 
CAME FROM RUSSIA TO HUNT 

Buffalo in the west 




0OME OF THE WESTERN WOMEN 
6AMBLERS WERE NOTED FOR 
THEIR CHARITY. 

THERE ARE TWO N SHE 
SICK MINERS IN TOWN/ CERTAINLY 
AND PLAT 0ROKE. <>HAS A 
LET'S HELP THEM. ;mEAl?r OF , 
til START WIT H V 60lW 
A HUNDRED/ *