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Magister Hagur

The Satanist Way of Dhikr

By Magister Hagur

The Dhikr is known and practiced among Sufi Aspirants, Brotherhoods in Islam
and outside. The Satanist way of Dhikr is a pathworkings technique, and is an
exercise of the mind. In Islam, the Dhikr is a spiritual exercise containing
repetitions of various Holy Names as to God, prayers and chants. Some forms of
Dhikr involve practices designed to break the spell of worldly consciousness and
propel the practitioner into a state of altered awareness.

In fact, like "pathworkings", the Dhirk is a collection of phrases, words, and
even sounds, which by virtue of rhythmic effect achieve results that would be
not possible apart from them.

In Satanism, through the repetition of the name of Satanas, and other Dark Gods
of the Tree of Wyrd, Satanic chants, Words of Invocation and Evocation, the
adept may feel him or herself to be flying towards the Abyssal goals, becoming
part of the wonders of the mysterious and hidden aspects of the sinister.

The Dhikr as pathworkings has its effect of sounding in a threefold way.

(1) It links and aligns first of all with his Self (Deeper, Higher, Self) or Ego.

(2) It puts him or she in contact with the Dark Gods of the Cosmic Tree of
Wyrd, Lords of the Abyssal World.

(3) Its links with our subjective Triangle Groups, and bind all into one
composite whole.

Magister Hagur

The Dhikr as any other pathworkings technique strengthens the aspect of Will,
Power, Wisdom, Desire (Lust), Activity and Intelligence. The Dark Gods
manipulate planet Earth (our world), and are occupied with its evolution, in the
Aquarian Age: destroy and restore.

Through the Dhikr, other pathworkings and rites one can sense the Dark Gods
and reach them. Therefore, if anyone is interested in mystical stations and
powers of the Abyssal Underworld, he may also attain them through the satanic
Dhikr along the ONA Chants, Affirmations, Creeds, Prayers, etc., as these are
very efficacious. Through the recitation of the most beautiful but sinister names
of the Dark Gods everybody receives bountifully recompenses, in accordance
with his faith and intention.

During the pathworkings "Dhikr" and other techniques, rhythm is surely to be
expressed as that cadenced bodily movement which automatically sways the
adept who employ the technique into line with vibrations and energies of the
Dark Gods of the Tree of Wyrd.

After a number of any pathworkings exercises, the physical body swings, head,
arms, legs, every bodily member, and stop at one's own will. The forces,
energies and vibrations that are tapped, (according to the rhythm), are
dispatched throughout the bodily centres. Man's emotional and mental bodily
parts are entirely re-adjusted and re-blended, resulting in effects into physical
manifestation. Man is in touch with the acausal and the causal as well.

Pathworkings in one way or another consists out of true rhythmic movements
which come down to the adept through the Dark Gods, the Ones that are called
forth in the litanies of Names and chants.. The rhythm is to be compared with
modern dance manifestation of rhythmic movement, and the main effect of the
vibratory rhythm is the direction of the forces tapped by its means to the
emotional and nerves system of the body as vehicle of the Dark Gods. For the
Dhikr use an Islamic, Buddhist or Hindu rosary to count your affirmations.

This "Satanic Dhikr" should be part of one's own psychic development.
Proceeding for a while with the Satanic Dhikr, or other pathworkings techniques
as brought forward in the ONA teaching, nothing in your body rests, everything
moves, everything vibrates. The power of the principle of vibration comes
from, not only understanding that physical matter is always vibrating but that
everything is vibrating, even the non-physical. In fact, the differences between
matter, energy and of the Dark Gods are different vibrations. The physical
sciences tend to acknowledge only the physical vibrations, but as we are
proceeding with pathworkings, and learning with quantum physics, we are much

Magister Hagur

more than ouir physical vibration. We also contain energy and mystical
(spiritual) vibrations.

Mystics, whether 'Black' or 'White' (no difference between the two) talk about
vibration, and increasing one's vibration to a more mystical level as that part of
the mystical and sinister part. Incenses in a Temple are burned to raise the
vibration of a ritual.

Pathworkings as the Dhikr is exercising your magickal abilities.

The Short Satanic Dhikr

(For those who really desire sinister and psychic development. To be done as often as
possible, but only once a day in a solitary place, solo or in group).

Chanting if possible according to the tunes found in « NAOS ».

(1) Aperiatur terra, et germinet Vindex (three times)

(2) Agios O Satanas (25 times)

(3) Chant the following hymn :

Dies irae, dies ilia
Solvet Saeclum in favilla
Teste Satan cum sibylla.
Quantos tremor est futurus
Quando Vindex est venturus
Cuncta stricte discussurus.
Dies irae, dies ilia!

(4) Agios Vindex (three times)

(5) Hymn:

Non usitata nee tenui ferar
Penna biformis per liquidum aethera
Vates, neque in terris morabor
Longius, invidiaque maior
Orbis relinquam

(6) Agios Athanatos (three times)

Magister Hagur

(7) Dignum et Justus est : Agios O Satanas (three times)

(8) Hymn :

Agios o Baphomet

O Oriens splendour lucis aeternae

Et sol justitiae:

Veni et illumina sedentes in tenebris

Et umbra mortis

(9) Agios Vindex (10 times)

(10) Hymn:

Rerum Atazoth, tenax vigor
Immotus in te permanens
Lucis diurnae tempora
Successibus determinans:
Qui Venturis es in mundum
Atazoth, ne tarda veris

(11) Atazoth, ne tardaveris (10 times)

(12) "Agios O Atazoth" (25 times)

(13) Two hymns : (second hymn may be repeated three times)

(1) Nocturna lux viantibus
A nocte noctem segregans,
Praeco diei iam sonat
Iubarque solis evocat

(2) Hoc excitatus Lucifer
Solvit polum caligine
Agios o Vindex
Laetus dies hie transeat.

Magister Hagur

(14) Aperiatur terra et germinet Satanas (3 to 10 times)

(15) Saying rhythmically and slowly "Satanas" (Sa-ta-nas) (100 times)

(16) Invoking the Dark Spherical Gods of the Tree of Wyrd. (Chanted)

Moon sphere:

Agios O Shugara
Agios O Noctulius
Agios O Nythra

Mercury sphere

Agios O Ga WathAM
Agios O Nekalah
Agios O Abatu

Venus sphere

Agios O Karu Samsu
Agios O Aosoth
Agios O Nemicu

Sun sphere

Agios O Satanas
Agios O Vindex
Agios O Atazoth

Mars sphere

Agios O Binan Ath
Agios O Kthunae
Agios O Sauroctonos

Jupiter sphere

Agios O Lidagon
Agios O Davcina
Agios O Mactoron

Saturn sphere

Magister Hagur

Agios O Azanigin
Agios O Velpecula
Agios O Naos

(17) Vibrating "Nythra Kthunae Atazoth" to close the Satanic Dhikr (three
times)

Second Part

Offering the Grail (Chalice)

( If one feels doing so, solo or in group)

Aperiatur terra, et germinet Satanas

(chanting three times)

Hymn:

Dies irae, dies ilia
Solvet Saeclum in favilla
Teste Satan cum sibylla.
Quantos tremor est futurus
Quando Vindex est venturus
Cuncta stricte discussurus.
Dies irae, dies ilia!

The self-initiated adept (celebrant) offers the chalice elevated above the altar,
saying:

Suscipe, Satanas, munus quad tibi offerimus memoriam
recolentes Atazoth (or a Dark God's Name of choice).

The self-initiated adept (celebrant) raises up the chalice and replaces it on the
altar, passes his or her hands over the chalice saying convincingly, but quietly:

Magister Hagur

"Oriens splendour lucis aeternae

et sol justitiae,

veni et illumine sedentes in tenebris

et umbra mortis."

Holding the Chalice with both hands, say firmly and with intent :

Veni omnipotens aeterne diabolus.

The self-initiated adept (celebrant), before drinking from the chalice, and
sharing it with others, says:

May the gifts of Satan be forever with me (us).

At the close, the self-initiated adept (celebrant) says (chanted alternatively):

R. Agios O Satanas
S. Agios O Baphomet

V. Agios O Atazoth
R. Agios O Atazoth

V. Pleni sunt terra majestatis gloriae Tuae.
R. Tuere nos, Domine Satanas.

V. Ave Satanas.
R. Ave Satanas.

V. It is Accomplished.

Magister Hagur

Translation from Latin into English

Aperiatur terra, et germinet Vindex.

Let the Earth be opened, and Vindex come forth.

Non usitata nee tenui ferar
Penna biformis per liquidum aethera

Vates, neque in terris morabor
Longius, invidiaque maior

Orbis relinquam

Not manipulated nor flying with wings
As a wild animal in the air

Nor kept in the deep of the earth
But his dwelling place fills the whole Orbit.

Agios Athanatos 1
Agios Immortality

1 May be sung thrice, even alternatively in group.

Magister Hagur

Dignum et justum est

It is right and fitting

Agios o Baphomet

O Oriens splendour lucis aeternae

Et sol justitiae:

Veni et illumina sedentes in tenebris

Et umbra mortis 2

Agios O Baphomet
O Orient, splendour of eternal light, sun of justice,

Come,
Illumine those sitting in darkness and in the shadow of death.

Rerum Atazoth, tenax vigor
Immotus in te permanens

Lucis diurnae tempora

Successibus determinans:

Qui Venturis es in mundum

Atazoth, ne tarda veris

Atazoth, powerful sustainer

Immutable and determining

The hours of day and phases

Determine:

Your arrival in the world

Atazoth, do not withhold to come.

2 From "Agios" to "mortis" may be sung thrice, even alternatively in group.

Magister Hagur

Nocturna lux viantibus

A nocte noctem segregans,

Praeco diei iam sonat

Iubarque solis evocat

Light of the Dawn on the Pilgrims

Dividing the night from the night,

The announcer now sounds the day

Bidding the evocation of the rising sun.

Hoc excitatus Lucifer

Solvit polum caligine

Agios o Vindex

Laetus dies hie transeat.

Now, Lucifer raises

Ending the dark night

Hallowed be Vindex 3

The day is passing ecstatically (joyfully).

3 Sanctified be Vindex.

Magister Hagur

2008

Magister Hagur

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SATURN

MERCURY

Hidden Pathways ^sS^

10 LIDAGON / XI DESIRE

S AZAMIGIN / X WYRD

13 NEMICU/XVH THE STAR

JUPITER

VENUS

Magister Hagur

Useful extracts taken from the book

"Naos" (ONA):

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The spheres of the Septenary may be said to be the Nexus between causal and acausal (or
'Being ' and 'non-being ') and the paths linking the spheres may be regarded from a magickal
point of view as zones of energy. This energy is according to tradition symbolized in an
archetypal way since it is through such symbolism that control of the energy is possible.

The tables below give details of this symbolism, the chants/vibration appropriate to a specific
symbol, and the sigils associated with a particular form of energy. These sigils aid
visualization. A particular form is invoked to enable the individual to experience the type of
consciousness/feeling associated with it, and all invokations should be for a specific desire
appropriate to the form invoked - for instance, Shugara should be invoked for a destructive
working. By their nature, these forces are 'dark' - that is, they represent the energies of the
darker/shadow aspects of every individual, and their invokation is a means of conscious
integration. To use the dark pathways as internal magick, all twenty-one paths should be used
- invoking the appropriate form.

To invoke, set aside an area as a Temple or use an isolated outdoor location. The best time for
working is after sunset or before dawn. Begin the invokation by vibrating the appropriate
name nine times - if a chant is involved (as for example in Atazoth) then this should if
possible be chanted as described. If you cannot for any reason do this, then the name may be
vibrated, nine times followed by a short pause and a further four vibrations.

If a specific key is prescribed for a vibration try and vibrate accordingly, but if this is not
possible for any reason, vibrate twice more.

You may if you wish before beginning the invokation, take a 'ritual' bath (changing into
robes should you so desire to thus enhance the working) - perfuming this bath with equal
proportions of the oils of the planets which the path connects.

After the vibrations/chant, begin a slow circular dance - the direction of which is not
important - which gradually increases in speed and which gradually spirals inwards. As you
dance shout or vibrate with as much force as possible the name of the entity you are invoking.

Continue until dizziness or exhaustion draws you to fall to the ground then vibrate with all the
energy you possess the appropriate energy - to aid this vibration try and project your voice:

(a) If you are working outdoors: to the horizon itself;

(b) If working indoors: so that the room/Temple resonates with the power of your
voice.

After this say: 'Come (here name the entity) to me! And bring me my desire!' Briefly

visualize your desire, and verbalize it using a short phrase (such as 'N.N. shall die!). Then

Magister Hagur

begin a slow circular dance in the opposite direction of the one before, laughing while you
dance and saying: 'I am the power, I am the glory, I am a god!'

Cease your dance, sit on the ground/floor and breathe deeply for several minutes. Allow your
mind to fill with images and feelings as it will, but do not move. Gradually let yourself then
become relaxed and when relaxed rise, bow once to the North, say 'It is completed' and
depart from the Temple or area of the working. As soon as possible write an account of what
you felt following the second dance.

For best results, seven days before every working reduce your food and sleep, aiming to reach
a minimum on the day chosen for the working. During the period no meat should be eaten and
every night before sleep concentrate for about a quarter of one hour on the appropriate sigil,
slowing saying (not chanting or vibrating) the name of the entity. Burn incense (combined
from the planets as above). This method means only one working per week can be undertaken
- which is ideal.

Try and link your feelings during the working with the appropriate Tarot image.

When no type of desire for a particular path is indicated in Table II deduce the appropriate
desire for a working from the associated Tarot image: concentrate on the image for some time
and allow the associations to grow naturally in your mind.

Magister Hagur

$att)toorfemg£ - Cable ®nt

Path

Word of Power

Sigil Image

)OA

See next page XV

Noctulius

DOE

Nythra

XIII

D or

Shugara

XVIII

}OX

Satanas

VII

}OH

Aosoth

XIV

DO<;

Azanigin

AOE

Nekalah

VIII

AOX

Ga Wath Am

aot

Binan ath

A OH

Lidagon

AO<;

Abatu

XVI

EOX

Kara samsu

eot

Nemicu

XVII

EOH

Mactoron

EO<;

Velpecula

XIX

xor

Kthunae

XOH

Atazoth

XOq

Vindex

XII

roH

Davcina

III

roq

Sauroctonos

HO<;

Naos

Magister Hagur

Sigils

Noctulius
Nythra

Satanas

Aosoth

Azanigin

6
Nekalah

Ga Wath Am

Binan ath

Lidagon

Abatu

Karu samsu

<T.

Nemicu

Mactoron

Velpecula

Kthunae

Atazoth

4^>*

Vindex

jjj

Davcina

■G

Sauroctonos

Naos

Magister Hagur

THE DARK GODS

According to tradition, the Dark Gods are actual entities which exist in the acausal universe.
According to our spatial, causal perception, these beings may be regarded as 'timeless and
chaotic'.

Since our consciousness is by its nature partly acausal these entities can become manifest for
us if we possess the keys to reach the appropriate levels of consciousness. What is termed the
Abyss' separates our everyday consciousness from the consciousness (and thus
apprehension) of the Dark Gods. The ordeal of the Abyss involves confronting these entities -
and accepting them for what they are, that is, unbound by our illusion of opposites and the
conflict of 'good' and 'evil' .

While it is convenient to regard the Dark Gods as merely symbols that re-present the energies
of the acausal - as a projection of our own consciousness upon Chaos itself - it is equally
possible to regard them as physically existing in themselves. Which of these (or neither of
them) is correct, the Adept discovers during the ordeal of the Abyss. Legend, however, recalls
the Dark Gods as visiting our planet several times in the past - by passing through one of the
many 'Star Gates'. Star Gates are regions in space-time where our causal universe and the
universe of the acausal are joined - they are physical gates, and passage from one universe to
another is possible through them. According to legend, Star Gates exist near to stars Dabih,
Naos and Algol: that is, if you journeyed from Earth in the direction of one of these stars you
would pass through a Star Gate. There are also stories of a Star Gate within our own solar
system - the Gate through which the Dark Gods came to Earth. This Star Gate is believed to
be near the planet Saturn.

Sometimes, the Abyss invades our dreams, but mostly the Abyss is reached by following the
seven- fold way. It lies between the spheres of the Sun and Mars, and divides the Adept from
the Master/Mistress. It is the Gate to the gods within us and the gods without.

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Full text of "The Satanic Dhikr"

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