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CLAUDE 

DEBUSSY 


ALBUM 

OF  FIVE  PIECES 
FOR  THE  PIANO 


n.  -60 


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THE  BOSTON  MUSIC  COMPANY 

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NEW  YORK  i  G.  SCHIRMER,  Isc. 


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ALBUM 

OF   FIVE   PIECES 
FOR  THE  PIANO 

By 

Claude  Debussy 

1.  Mazurka pg.     2 

2.  Ballade 8 

3.  Danse 18 

4.  Reverie 28 

5.  Valse  romantique 34 

comp.  n.  .60 
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Reverie 


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CLAUDE   DEBUSSY 


PIANO 


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Grade  IV- V 

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THE  BOSTON  MUSIC  COMPANY 

COLLECTION  OF 

Books  for  the  Music  Apprentice 

Covering  the  complete  field  of  Musical  Science  and  History 

Abbreviations:  cl. — cloth;  fl.  cl. — flexible  c\o\\i\pap. — paper;  if  nothing  special  is  indicated  the  book  is  sold  in  paper  cover  only, 

but  all  kinds  of  binding,  artistically  executed  and  at  moderate  prices,  will  be  done  upon  order.     All  prices  marked 

are  net.     Complete  catalog  of  Musical  Literature  (200  ps.)  subdivided  according  to  the  language  (English, 

French,  German,  etc.)  may  be  had  upon  application  to  the  publishers. 


THEORY,  HARMONY,  ETC. 

ANGER,  J.  H.,  Treatise  on  Harmony.    In  3  parts. 

—  Parts  I  &  II Cl.  ea.   1.25 

—  Part  III Cl.   2.50 

—  Key  to  Part  I Cl.   1.25 

—  Key  to  Part  II Cl.  1.25 

—  The  Modern  Enharmonic  Scale 30 

FARLANE,  G.,  Reading  Exercises  on  Notes 25 

—  Reading  Exercises  on  Time 25 

—  Reading  Exercises  on  Phrasing .      .25 

FARMER,  HENRY,  Catechism  of  the  Rudiments  of  Music 75 

FOWLES,  E.,  Studies  in  Musical  Graces  and  Embellishments Cl.  1.25 

—  Key  to  the  Exercises  in  "Studies  in  Musical  Graces  and  Embellish- 
ments."  Cl.     .75 

KNOWLES,  C.  H.  C,  Rhymes  on  the  Rules  of  Harmony.  Founded  on  Dr.  Prout's 

Harmony Flex.Cl.     .40 

MACPHERSON,  S..  The  Rudiments  of  Music Pap.  50.    Cl.     .75 

—  t>aestions  and  Exercises  upon  the  "Rudiments  of  Music."CJ.     .75 

—  Practical  Harmony Pap.  2.00    Cl.  2.25 

(Also  published  in  German.) 

—  Appendix  to  Practical    Harmony Pap.    1.25.     Cl.   1.75 

—  Questionson  Harmony 60 

—  350  Exercises     in  Harmony,    Counterpoint    and    Modu- 
lation  Cl.     .75 

—  Form  in  Music     (With  especial  reference  to  the  design  of 
instrumental   music) Cl.  2.00 

—  Studies  in  Phrasing  and  Form 2.00 

—  Practical  Counterpoint Cl.  2.25 

—  Summary  of  the  Principle  Rules  of  Strict  Counterpoint 50 

—  Music  and  its  Appreciation Cl.   1.50 

—  The  Appreciative  Aspect  of  Music  Study 50 

MATTHAY,  TOBIAS,  Studies  in  Musical  Interpretation Cl    1.50 

MOZART,  W.  A.,  Practical  Elements  of  Thorough  Bass Flex.  Cl.     .75 

NIECKS,  F.,  A  Concise  Dictionary  of  Musical  Terms Cl.   1.00 

—  Introduction  to  the  Elements  of  Music Cl.     .50 

PETERSON,  FRANKLIN.  Elements  of  Music .............."..CI.     .So 

—  An  Introduction  to  the  Study  of  Theory.    (A  Sequel 

to  the  "Elements  of  Music") Cl.     .75 

—  The  Student's  Handbook  of  Musical  Knowledge.  CI.     .75 

—  Catechism  of  Music C/    100 

PROUT,  EBENEZER,  Counterpoint:  Strict  and  Free Cl.  2.50 

—  Additional     Exercises     to     "Counterpoint:    Strict    and 
Free." Cl.   1.25 

—  Harmony,  its  Theory  and    Practice Cl.   2.00 

—  Analytical  Key  to  the  Exercises  in  "Harmony." Cl.    1.25 

—  Double  Counterpoint  and  Canon Cl.  2.00 

—  The  Fugue Cl.  2.00 

—  Fugual  Analysis:  A  Companion  to  "Fugue." Cl.  2  00 

—  Musical  Form Cl.  2.50 

—  Applied  Forms:  A  Sequel  to  "Musical  Form." Cl.  2.00 

PROUT,  LOUIS  B.,  Sidelights  on  Harmony.: _ 1.00 

—  Harmonic  Analysis 1.00 

—  Time,  Rythm  and  Expression .25 

RIEMANN,  H.,  Harmony  Simplified CL  2.00 

(Also  published  in  German  and  French.) 

—  Dictionary  of  Music Cl.  4.50 

—  Catechism  of  Musical  Aesthetics flex.  Cl.  1.00 

ROCKSTRO,  W.  S.,  Practical  Harmony Flex.  Cl.   1.00 

—  Key  to  "Practical  Harmony." Flex.Cl.     .75 

—  The  Rules  of  Counterpoint Flex.  Cl.  1.00 

SCHUMANN,  R.,  Advice  to  Young  Musicians .25 

SLOPER,  LINDSAY,  Manual  of  Harmony 75 

SUTTON.  ROBERT,  The  Elements  of  Musical  Theory flex.  Cl.   1.00 

TREW,  CHARLES,  Elements  of  Music,  Simply  Explained 50 

WUERST,  R.,  Elementary  Theory  of  Music  and  Treatment  of  Chords Cl.     .50 

WYLDE,  HENRY,  Harmony  and  the  Science  of  Music;  Book  I.     (Parts  1  to  3.)    1.25 

—  Harmony  and  the  Science  of  Music:  Book  II.    (Parts  4  to  8.)    1.25 

—  Modern  Counterpoint  in  Major  and  Minor  Keys.     (Parts 

—  1  &  2-) — „ : 1.25 


MUSICAL  HISTORY,  BIOGRAPHIES,  ETC. 

ANTCLIFFE,  HERBERT,  Living  Music Cl    1.25 

BROWNE,  A.  M.,  Musical  Biographies  of  Composers,  Classified  in  Centennial 

Periods .  ..  50 

DANNREUTHER,  E.,  Wagner  and  the  Reform  of  the  Opera    Cl    2  00 

O'INDY  VINCENT,  Beethoven,  A  Critical  Biography  (ill.) "".Cl.  1.25 

RIEMANN,  H.,  Catechism  of  Musical  History.    Part  I.    Instruments,  Tone  Sys- 
tems and  Notations „  .FUx.  Cl.  1.00 

—  Pait  II.    Musical  Form  and  Biographical  Notices flex.  Cl.   1.00 

ROCKSTRO,  W.  S.,  A  Short  History  of  Music Flex.  Cl.   1.00 

STIELER,  J.,  The  Great  German  Composers.     Biographical  Notices  .  Cl.  3  50 

THOMPSON,  VANCE,  Life  of  Ethelbert  Nevin  (ill.) ..XI.  2.50 


PIANO 

ARNOLD,  M.,  Pianist's  Manual 50 

BLANCHETT,  H.,  Scale  and  Arpeggio  Fingering  Chart 25 

GOODWIN,  A.,  Practical  Hints  on  the  Technique  and  Touch  of  Pianoforte 

Playing Flex.Cl.   1.25 

MATTHAY,  TOBIAS,  The  Child's  First  Steps  in  Pianoforte  Playing 60 

—  The  Forearm-Rotation  Principle  in  Pianoforte  Playing 50 

PETERSON,  FRANKLIN,  The  Pianist's  Handbook: 

—  Part  I.    A  Theoretic  Companion  to  Practice Cl.     .75 

—  Part  II.     A  Handbook  of  Musical  Form Cl.     .75 

REDDIE,  CHARLES  F.,  Piano  Playing  on  its  Technical  and  Aesthetic  Sides.. -Cl.  1.50 

REINECKE,  CARL,  Beethoven's  Pianoforte  Sonatas.     (Letters) 1.25 

RIEMANN,  H.,  Catechism  of  Pianoforte  Playing Flex.  Cl.   1.00 

—  Analysis  of  Bach's  "48  Preludes  and  Fugues. "  2  Books.    Flex.Cl. 

ea.   1.00 
RIMBAULT,  E.  F..  The  Pianoforte:  Its  Origin,  Progress  and  Construction  ...Cl.  3.75 

ORGAN 

BACH,  J.  S.,  School  of  Trio  Playing.     Inventions  arranged  for  Organ  by  Max 

Reger  and  K.  Straube 75 

HULL,  A.  EAGLEFIELD.Organ  Playing:  Its  Technique  and  Expression  Cl.  2.00 

MATTHEWS,  J.,  A  Handbook  of  the  Organ Flex.  Cl.   1.00 

RICHARDS,  H.  W.,  The  Organ  Accompaniment  of  the  Church  Services Cl.   1.50 

STRING  INSTRUMENTS 

SCHROEDER,  C,  Handbook  of  Violin  and  Viola  Playing Flex.  Cl.   1.00 

—  Handbook  of  Violoncello  Playing Flex.  Cl.   1.00 

WESSELY,  HANS,  Practical  Guide  to  Violin  Playing  Cl.    1-25 

ORCHESTRA,  INSTRUMENTATION,  ETC. 

BERLIOZ,  HECTOR,  Instrumentation.    (Revised  and  Supplemented  by 

RICHARD  STRAUSS 10.00 

—  Score  Examples 3.00 

FITZGERALD,  JOHN,  Modern  Instrumentation  for  String  Orchestra,  Military 

and  Brass  Bands 1.00 

HOFMANN,  RICHARD,  Practical  Instrumentation.     Seven  Parts,  complete 10.00 

—  Part  I.     The  Strings 2.00 

—  Part  II.    The  Wood-Wind _ 2.00 

—  Part  III.    Strings  and  Wood-Wind  Combined 1.25 

—  Part  IV.  The  Horns 1.25 

—  Part  V.    The  Combination  of  Strings,   Wood- Wind  and 
Horns 1.25 

—  Part  VI.    The  Trumpets.  Cornets,  Trombones,  Tubas, 

and  Instruments  of  Percussion  2.25 

—  PartVII.  Harp,  Mandolin,  Zither,  Guitar.  Piano, (Cem- 

—  balo),  Organ  and  Harmonium 2.00 

PROUT,  EBENEZER,  The  Orchestra: 

Vol  I.    The  Technique  of  the  Instruments Cl.  2.00 

—  Vol.11.     The  Orchestral  Combinations Cl.  2.00 

(Also  published  in  German.) 
RIEMANN,  H.,  Catechism  of  Musical  Instruments.    (Guide  to  Instrumentation.) 

Flex.Cl.  1.00 

—  Catechism  of  Orchestration flex.  Cl.  1.00 

—  Introduction  to  Playing  from  Score flex.  Cl.  1.00 

SCHROEDER,  C,  Handbook  of  Conducting Flex.  Cl.  1.00 

WIDOR,  CH.  M.,  The  Technique  of  the  Modern  Orchestra CI.  5.00 

VOICE 

COLE,  S.  W.,  Exercises  in  Sight  Singing.     (Solfeggio) CI.      .60 

CROKER,  NORRIS,  Handbook  for  Singers Flex.  Cl.   1.00 

DOUGLAS,  E.,  Exercises  for  Training  of  the  Boy's  Voice Cl.     .60 

GIRAUDET,  A.  A.,  Vocal  Gymnastics _ 1.25 

KENNEDY,  JOHN,  Common  Sense  and  Singing .     .50 

MYER,  EDMUND  J..  Position  and  Action  in  Singing Cl.   1.25 

—  The  Renaissance  of  the  Vocal  Art CI.   1.25 

—  Vocal    Reinforcement CI.   1.50 

PALMER,  E.  DAVIDSON,  The  Tenor  Voice  and  its  Training 50 

—  The  Rightly-produced  Voice CI.   1.00 

—  The  Boy's  Voice  at  the  Breaking  Period 50 

—  Manual  of  Voice  Training  (With  a  complete  course 

of  exercises) _ 75 

SIBLEY,  CHURCHILL,  The  Voice  and  its  Control 50 

TREE,  CHARLES,  How  to  Acouire  ease  of  Voice  Production 75 

LITURGY 

DOUGLAS,  E.,  The  Plain-Song  Service Cl.   1.00 

RICHARDS,  H.  W.,  The  Organ  Accompaniment,  of  the  Church  cervices Cl    1.50 


THE  BOSTON  MUSIC  COMPANY 

BOSTON,  MASS.        :       :       .•       :       :       :        :        26  &  28  WEST  ST. 


A 


THE  B.  M.  Co.  EDITION 


B. 


When  ordering  kindly  mention  B.  M.  Co.  Ed.  and  number  only 

Descriptive  Catalog  of  the  B.  M.  Co.  Ed.,  with  comments  on  each  volume,  sent  gratis  upon  request. 
M.  Co.  Directories  for  Easy  Music,  Teaching  Songs  and  various  other  branches  of  composition,  are  the  best  guides  obtainable 
and  may  be  had  gratis  upon  application  to  the  publishers;  or  any  music  dealer. 


No. 


29 
315 
42 
40 
21 
23 

309 

312 

1 

2 
314 

30 

3° 
7 

13 

12 

31 
313 
317 

11 

48 

49 

50 

25 
301 
305 

37a/d 
3 

44 

45 

28 

17 

16 

15 

18 

10 
307 

47 
319a 
302a/b 

19 

27 

43 

22 

24 

20 
4 

38 
318 

32 
311a/c 

34a/c 

35a/b 

36a/b 

46 
308a/d 
310 
316 
303 
6 

26 

33 
5 
9 

41 

8 

306 

14 


PIANO  SOLO  Net 

AD  AMI,  The  Rainbow 60 

ALBENIZ,  Album  of  eight  pieces 60 

AMERICAN  COMPOSERS,  Album  of  ten  pieces 60 

BACH,  J.  S.  ,The  Clavecin  Book  of  Anna  Magdalena  Bach     .60 

BECKER,  Carnival  Sketches 60 

B.  M.  CO.  PIANO  DIGEST,  No.  1  Twenty  easy  and 

melodious  pieces 60 

B.  M.  CO.  PIANO  DIGEST  No.  2,  Twelve  pieces  in  med- 
ium grades 60 

CLASSICAL  ALBUM  FOR  THE  BEGINNER,  Twenty 

pieces 60 

CLOUGH-LEIGHTER,  Five  Studies  in  Expression 60 

CRAMM,  Ten  Easy  Studies  in  Embellishments 60 

DEBUSSY,  Album  of  five  pieces 60 

DELBRUCK,  Childhood  Dreams 60 

FRENCH  COMPOSERS,  Album  of  eight  pieces 60 

GE1BEL,  Album  of  Selected  Pieces 60 

CRAZIANI-WALTER,  Album  Pittoresque 60 

—  Six  Morceaux  Caracteristiques.  .     .60 

CREGH,  Five  Little  Recreations 60 

GRENZEBACH,  Ten  Etudes  in  progressive  order 60 

HARKER,  Six  Woodland  Sketches 60 

HARRIS,  Six  Romantic  Pieces 60 

HEELER,  M.P.,Op.  31,  Four  Easy  Pieces  (both  hands 

treble) 60 

—  Op.  31a,  Four  Easy  Pieces  (treble  and 

bass) 60 

—  Op.  32,  Four  Easy  Episodes 60 

HELM,   Summer  Scenes 60 

HENRI  QUES,  Op.  30, Twenty  Short  Lyric  Pieces.  2 Bks.each     .90 

KARGANOFF,  Op.  10,  Seven  Minatures 60 

KOHLER,  Practical  Method.     4  Books each     .50 

KROGMANN,  Op.    42,  Seven  Miniature  Sketches 60 

—  Op.  105,  Ten  Bagatelles  for  Beginners...     .60 

Op.  106,  Moods  and  Melodies 60 

LANG,  A  Morning  in  Munich 50 

MARSCHAL-LOEPKE,  Autumn  Fancies 60 

—  Childhood   toys 60 

—  In  the  Woodland 60 

To  Nod-Land 60 

MAXIM,  Album  of  Selected  Pieces 60 

MESSAGER,  1  )anee-Suite 60 

ME  YER-HELMUND,  Op.  135,  Four  Nocturnes 60 

MODERN  DANCE  ALBUM,  Vol  1 60 

NEUPERT-FRIEDMAN,  Thirty-three  Studies.     2  Bks. 

each     .90 

NEVIN,  ETHELBERT,  Op.  7,  Four  Pieces 1.00 

NOLCK,  Suite  Arabesque 60 

NORTHERN  COMPOSERS,  Album  of  ten  pieces 60 

OSGOOD,  Greetings  from  Munich 60 

PARLOW,  From  the  Realms  of  Youth 60 

REINHOLD,  Suite  Mignonne 60 

ROGERS,  The  Golden  Age 60 

RUSSIAN  COMPOSERS,  1st  Album  of  twelve  pieces. . .     .60 

—  2d  Album  of  twelve  pieces. . .     .60 

SAUERBREY,  Tone  Pictures 60 

SCIIMALS 'ITCH,  ( )p.  41,  Play  and  Work.    3  Bks.. .  .each     .60 
SCHYTTE,  Op. 94,  Musical  Pictures.     2  Bks each    .75 

Op.  96,  Tales  and  Fables.     2  Bks each     .75 

Op.  97,  Joys  of  Youth.     2  Bks each     .75 

—  Op.  160,  Twenty-five  Easy  Studies 60 

—  Major  and  Minor  (Studies).    4  Bks each     .60 

—  Forty  Pedal  Studies 60 

—  Ten  Easy  Transcriptions 60 

SCHYTTfi,  FRIEDMAN-Technical  Piano  Exercises 75 

SEEBOECK,  Album  of  Selected  Pieces 60 

SHACKLEY,   Pasticcio 60 

SJOGREN,  Erotikon  (5  pieces) 60 

SMITH,  Op.  16,  Miniatures 60 

—        Op.  19,  Water  Music 60 

SWINSTEAD,  Op.  22,  Pleasant  Pastime 60 

WHELPLEY,  Op.  11,  Five  Characteristic  Pieces .60 

WYATT,  Six  Pastels 60 

ZILCHER,  Sketch-book  for  the  Young 60 


No. 


55 
51 
58 
57a/b 

52 
56 
53 
54 


81 

82 


111 

104 

110 

110a 

105 

105a 

108 

108a 

106 

106a 

107 

107a 

102 

109 

103 

114 

101 

101a 


133 
131 

131a 
132 


151 

154c-e 

153 
152 


184 
188 
183 
181 
182 
1S5 
186 
187 


281 
281a 


204a/b 

206 

209a/b 

208a/b 

201 

202 

203 

207a/b 

205a/b 


PIANO,  FOUR  HANDS 

d'ANTALFFY,  Hungarian  Suite 

CLOUGH-LEIGHTER,  Four  Novellettes 

FUCHS,  For  Little  Folks  (12  pieces) 

CANSCHALS,  For  the  Home.    2  Bks each 

MARSCHAL-LOEPKE,  Little  Wood  Folks 

SCHMITT,  Easy  Tunes  for  Two 

SEEBOECK,  Six  Piano  Duets 

WILLIS,  Op.  13,  Six  Duets  in  Unfamiliar  Keys 

VIOLIN  SOLO 

GAVRILOFF,  Special  Exercises  for  the  Fourth  Finger.  .  .  . 
GRIBADE,  Twelve  Bow-studies 

VIOLIN  AND  PIANO 

B.  M.  CO.  VIOLIN  DIGEST,  Vol.  I  (Elementary  grade) 

ELGAR,  Three  Bavarian  Dances 

HELM,  Summer  Scenes 

—         Summer  Scenes,  Violin  part  alone 

HOLLAENDER,  Op.  48,  Six  Easy  Pieces 

—  Op.  48,  Six  Easy  Pieces,  Violin  part  alone 
NOLCK,  Op.  162,  Six  Character  Pieces 

—  Op.  162,  Six  Character  Pieces,  Violin  part  alone 
PRACHT,  Op.  12,  Tweh'e  Easy  Pieces 

—  Op.  12,  Twelve  Easy  Pieces,  Violin  part  alone. 
RUSSOW,  First  Steps  (10  pieces  in  1st  poa.) 

—  First  Steps,  Violin  part  alone 

RYDER,  A  June  Idyl  (Suite) 

SINGER,  Seven  Transcriptions  for  Classic  Sources 

SOMERVELL,  Suite  in  Four  Parts 

STRUBE,  Mirages  (6  pieces  in  1st  pos.) 

TOLHURST-LANGE,  Album  of  Fourteen  Pieces  in  the| 

First   and   Third   Positions 

—  The  same,  Violin  part  alone   . 

VIOLONCELLO  AND  PIANO 

BUSSER,  ( )p.  52,  Three  Pieces 

HOLLAENDER,  Op.  48,  Six  Easy  Pieces 

—  Op.  48,  Six  Easy  Pieces,  'Cello  part  alone  I 
NOLCK,  Op.  43,  Six  Character  Pieces 

CHAMBER  MUSIC 

B.  M.  CO.  QUARTET  ALBUM,  Grieg:  "Spring"  and  "At- 

llome";  Jadassohn:  "Scherzo,  in  F" 

B.  M.  CO.  TRIO  ALBUM,  Vols.  III-IV-V.  Vo.,  'Cello  &  I 

Po each  | 

STRUBE,  Op.  9,  Elegie  and  Serenade.   2  Vo.,  Va.,&  'Cello 
WIDOR,  Serenade.    Vo.,  'Cello  and  Piano 

ORGAN 

BOSSI,  C.  A.,  Op.  37,  Six  Pieces 

BUSSER,  Two  Preludes  and  Fugues    

B.  M.  CO.  ORGAN  ALBUM,  Eight  Transcriptions   .    . 

DOUGLAS,  Three  Wedding  Marches 

FAULKES.Op.  101,  Five  Pieces 

GRIEG,  First  Peer  Gynt  Suite 

LISZT,  Five  Consolations 

RUSSIAN  COMPOSERS,  Seven  Transcriptions 

MANDOLIN  AND  PIANO 

B.  M.  CO.  MANDOLIN  ALBUM,  Twelve  Pieces,  arr.  by 

Ch.  Graziani-Walter 

—  The  same,  Mandolin  part  alone 

SONG  COLLECTIONS 

ALBUM  OF  TWELVE  SACRED  SOLOS.    High,  Low. . 
AMERICAN  COMPOSERS,  Twelve  Songs.    Medium.  . . 

BULLARD,  Cavalier  Songs.     High,  Low 

DUPARC,  Six  Songs  (Eng.  by  Bliss  Carman).  High,  Medium 

JOHNS,  CLAYTON,  Album  of  Songs 

NEO-FRENCH  COMPOSERS,  Twelve  Songs.   (Eng.  & 

Fr.)   Medium 

ROTOLI,  Album  of  Songs  (Eng.  &  Ital.) 

RUSSIAN  COMPOSERS,  Ten  Songs.    High,  Low.  . .  . 
WHELPLEY,  Album  of  Songs.    High,  Low 


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