(logo)
(navigation image)
Home American Libraries | Canadian Libraries | Universal Library | Open Source Books | Project Gutenberg | Biodiversity Heritage Library | Children's Library | Additional Collections

Search: Advanced Search

Anonymous User (login or join us)Upload
See other formats

Full text of "Alice's Adventures in Wonderland"

Alice in Wonderland 



Lewis Carroll 



ABOUT THIS E-TEXT 



This is the Project Gutenberg Etext of Alice in Wonderland 
[Originally released in January, 1991] 

Copyright laws are changing all over the world, be sure to check 
the copyright laws for your country before posting these files!! 
Please take a look at the important information in this header. 
We encourage you to keep this file on your own disk, keeping an 
electronic path open for the next readers. Do not remove this. 
It must legally be the first thing seem when opening the book. In 
fact, our legal advisors said we can't even change margins. 
Welcome To The World of Free Plain Vanilla Electronic Texts 
Etexts Readable By Both Humans and By Computers, Since 1971 
These Etexts Prepared By Hundreds of Volunteers and Donations 
Information on contacting Project Gutenberg to get Etexts, and 
further information is included below. We need your donations. 

Converted to T[^]X, pdf and ps by Carlos Campani, 
campani@ufpel.tche.br. 



Project Gutenberg Etexts are usually created from multiple editions, all 
of which are in the Public Domain in the United States, unless a copyright 
notice is included. Therefore, we usually do NOT keep any of these books in 
compliance with any particular paper edition. 

We are now trying to release all our books one month in advance of the 
official release dates, leaving time for better editing. 

Please note: neither this list nor its contents are final till midnight of the 
last day of the month of any such announcement. The official release date of 
all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of 
the stated month. A preliminary version may often be posted for suggestion, 
comment and editing by those who wish to do so. To be sure you have an 
up to date first edition [xxxxxlOx.xxx] please check file sizes in the first week 
of the next month. Since our ftp program has a bug in it that scrambles the 
date [tried to fix and failed] a look at the file size will have to do, but we will 
try to see a new copy has at least one byte more or less. 



ABOUT PROJECT GUTENBERG 

We produce about two million dollars for each hour we work. The time 
it takes us, a rather conservative estimate, is fifty hours to get any etext 
selected, entered, proofread, edited, copyright searched and analyzed, the 
copyright letters written, etc. This projected audience is one hundred million 
readers. If our value per text is nominally estimated at one dollar then we 
produce $2 million dollars per hour this year as we release thirty-six text files 
per month, or 432 more Etexts in 1999 for a total of 2000+. If these reach 
just lOtotal should reach over 200 billion Etexts given away this year. 

The Goal of Project Gutenberg is to Give Away One Trillion Etext Files 
by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thou- 
sand titles each to one hundred million readers, which is only 5% of the 
present number of computer users. 

At our revised rates of production, we will reach only one-third of that 
goal by the end of 2001, or about 3,333 Etexts unless we manage to get some 
real funding; currently our funding is mostly from Michael Hart's salary at 
Carnegie-Mellon University, and an assortment of sporadic gifts; this salary 
is only good for a few more years, so we are looking for something to replace 
it, as we don't want Project Gutenberg to be so dependent on one person. 

We need your donations more than ever! 

All donations should be made to "Project Gutenberg/CMU" : and are 
tax deductible to the extent allowable by law. (CMIJ = Carnegie- Mellon 
University). 

For these and other matters, please mail to: 

Project Gutenberg 

P. 0. Box 2782 

Champaign, IL 61825 

When all other email fails. . .try our Executive Director: Michael S. Hart 
<hart@pobox.com> hart@pobox.com forwards to hart@prairienet.org and 
archive.org if your mail bounces from archive.org, I will still see it, if it 
bounces from prairienet.org, better resend later on. . . 

We would prefer to send you this information by email. 



To access Project Gutenberg etexts, use any Web browser to view 
http://promo.net/pg. This site hsts Etexts by author and by title, and 
includes information about how to get involved with Project Gutenberg. 
You could also download our past Newsletters, or subscribe here. This is one 
of our major sites, please email hart@pobox.com, for a more complete list of 
our various sites. 

To go directly to the etext collections, use FTP or any Web browser to 
visit a Project Gutenberg mirror (mirror sites are available on 7 continents; 
mirrors are listed at http://promo.net/pg). 

Mac users, do NOT point and click, typing works better. 

Example FTP session: 
ftp metalab.unc.edu 
login: anonymous 
password: your@login 
cd pub/docs/books/gutenberg 
cd etextQO through etext99 
dir [to see files] 

get or mget [to get files. . . set bin for zip files] 

GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] 
GET GUTINDEX.ALL [to get a fisting of ALL books] 



INFORMATION PREPARED BY THE PROJECT 
GUTENBERG LEGAL ADVISOR 

- START - THE SMALL PRINT! - FOR PUBLIC DOMAIN ETEXTS 
Why is this "SmaU Print!" statement here? You know: lawyers. They 
teU us you might sue us if there is something wrong with your copy of this 
etext, even if you got it for free from someone other than us, and even if 
what's wrong is not our fault. So, among other things, this "Small Print!" 
statement disclaims most of our liability to you. It also tells you how you 
can distribute copies of this etext if you want to. 

*BEFORE!* YOU USE OR READ THIS ETEXT 

By using or reading any part of this PROJECT GUTENBERG-tm etext, 
you indicate that you understand, agree to and accept this "Small Print!" 
statement. If you do not, you can receive a refund of the money (if any) you 
paid for this etext by sending a request within 30 days of receiving it to the 
person you got it from. If you received this etext on a physical medium (such 
as a disk), you must return it with your request. 

ABOUT PROJECT GUTENBERG-TM ETEXTS 

This PROJECT GUTENBERG-tm etext, like most PROJECT GUTEN- 
BERG- tm etexts, is a "public domain" work distributed by Professor Michael 
S. Hart through the Project Gutenberg Association at Carnegie- Mellon Uni- 
versity (the "Project"). Among other things, this means that no one owns a 
United States copyright on or for this work, so the Project (and you!) can 
copy and distribute it in the United States without permission and without 
paying copyright royalties. Special rules, set forth below, apply if you wish 
to copy and distribute this etext under the Project's "PROJECT GUTEN- 
BERG" trademark. 

To create these etexts, the Project expends considerable efforts to identify, 
transcribe and proofread public domain works. Despite these efforts, the 
Project's etexts and any medium they may be on may contain "Defects". 
Among other things. Defects may take the form of incomplete, inaccurate or 
corrupt data, transcription errors, a copyright or other intellectual property 
infringement, a defective or damaged disk or other etext medium, a computer 
virus, or computer codes that damage or cannot be read by your equipment. 



LIMITED WARRANTY; DISCLAIMER OF DAMAGES 

But for the "Right of Replacement or Refund" described below, 

1. the Project (and any other party you may receive this etext from as a 
PROJECT GUTENBERG-tm etext) disclaims ah habihty to you for 
damages, costs and expenses, including legal fees, and 

2. YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT 
LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, 
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUEN- 
TIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU 
GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. 

If you discover a Defect in this etext within 90 days of receiving it, you 
can receive a refund of the money (if any) you paid for it by sending an 
explanatory note within that time to the person you received it from. If you 
received it on a physical medium, you must return it with your note, and 
such person may choose to alternatively give you a replacement copy. If you 
received it electronically, such person may choose to alternatively give you a 
second opportunity to receive it electronically. 

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO 
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE 
MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE 
ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MER- 
CHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. 

Some states do not allow disclaimers of implied warranties or the exclu- 
sion or limitation of consequential damages, so the above disclaimers and 
exclusions may not apply to you, and you may have other legal rights. 

INDEMNITY 

You will indemnify and hold the Project, its directors, officers, members 
and agents harmless from all liability, cost and expense, including legal fees, 
that arise directly or indirectly from any of the following that you do or 
cause: 

1. distribution of this etext, 

2. alteration, modification, or addition to the etext, or 



3. any Defect. 

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" 

You may distribute copies of this etext electronically, or by disk, book 
or any other medium if you either delete this "Small Print!" and all other 
references to Project Gutenberg, or: 

1. Only give exact copies of it. Among other things, this requires that 
you do not remove, alter or modify the etext or this "small print!" 
statement. You may however, if you wish, distribute this etext in 
machine readable binary, compressed, mark-up, or proprietary form, 
including any form resulting from conversion by word pro- cessing or 
hypertext software, but only so long as *EITHER*: 

(a) The etext, when displayed, is clearly readable, and does *not* 
contain characters other than those intended by the author of 
the work, although tilde, asterisk (*) and underline (_) characters 
may be used to convey punctuation intended by the author, and 
additional characters may be used to indicate hypertext links; OR 

(b) The etext may be readily converted by the reader at no expense 
into plain ASCII, EBCDIC or equivalent form by the program 
that displays the etext (as is the case, for instance, with most 
word processors); OR 

(c) You provide, or agree to also provide on request at no additional 
cost, fee or expense, a copy of the etext in its original plain ASCII 
form (or in EBCDIC or other equivalent proprietary form). 

2. Honor the etext refund and replacement provisions of this "Small Print!" 
statement. 

3. Pay a trademark license fee to the Project of 20net profits you derive 
calculated using the method you already use to calculate your appli- 
cable taxes. If you don't derive profits, no royalty is due. Royalties 
are payable to "Project Gutenberg Association/Carnegie-Mellon Uni- 
versity" within the 60 days following each date you prepare (or were 
legally required to prepare) your annual (or equivalent periodic) tax 
return. 



WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T 

HAVE TO? 

The Project gratefully accepts contributions in money, time, scanning ma- 
chines, OCR software, public domain etexts, royalty free copyright licenses, 
and every other sort of contribution you can think of. Money should be paid 
to "Project Gutenberg Association / Carnegie-Mellon University". 

We are planning on making some changes in our donation structure in 
2000, so you might want to email me, hart@pobox.com beforehand. 

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS* 
Ver.04.29.93*END* 



10 



ALICE'S ADVENT, _, 
WONDERLAND 



URES IN 



Lewis Carroll 



THE MILLENNIUM FULCRUM EDITION 3.0 



Contents 



1 Down the Rabbit-Hole 13 

2 The Pool of Tears 19 

3 A Caucus-Race and a Long Tale 25 

4 The Rabbit Sends in a Little Bill 31 

5 Advice from a Caterpillar 37 

6 Pig and Pepper 43 

7 A Mad Tea-Party 51 

8 The Queen's Croquet-Ground 59 

9 The Mock Turtle's Story 67 

10 The Lobster Quadrille 73 

11 Who Stole the Tarts? 81 

12 Alice's Evidence 87 



11 



12 CONTENTS 



Chapter 1 

Down the Rabbit-Hole 



Alice was beginning to get very tired of sitting by her sister on the bank, 
and of having nothing to do: once or twice she had peeped into the book her 
sister was reading, but it had no pictures or conversations in it, 'and what is 
the use of a book,' thought Ahce 'without pictures or conversation?' 

So she was considering in her own mind (as well as she could, for the hot 
day made her feel very sleepy and stupid), whether the pleasure of making a 
daisy-chain would be worth the trouble of getting up and picking the daisies, 
when suddenly a White Rabbit with pink eyes ran close by her. 

There was nothing so VERY remarkable in that; nor did Alice think it so 
VERY much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh 
dear! I shall be late!' (when she thought it over afterwards, it occurred to 
her that she ought to have wondered at this, but at the time it all seemed 
quite natural); but when the Rabbit actually TOOK A WATCH OUT OF 
ITS WAISTCOAT- POCKET, and looked at it, and then hurried on, Ahce 
started to her feet, for it flashed across her mind that she had never before 
seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and 
burning with curiosity, she ran across the field after it, and fortunately was 
just in time to see it pop down a large rabbit-hole under the hedge. 

In another moment down went Alice after it, never once considering how 
in the world she was to get out again. 

The rabbit-hole went straight on like a tunnel for some way, and then 
dipped suddenly down, so suddenly that Alice had not a moment to think 
about stopping herself before she found herself falling down a very deep well. 

Either the well was very deep, or she fell very slowly, for she had plenty 
of time as she went down to look about her and to wonder what was going 

13 



14 CHAPTER 1. DOWN THE RABBIT-HOLE 

to happen next. First, she tried to look down and make out what she was 
coming to, but it was too dark to see anything; then she looked at the sides 
of the well, and noticed that they were filled with cupboards and book- 
shelves; here and there she saw maps and pictures hung upon pegs. She took 
down a jar from one of the shelves as she passed; it was labelled 'ORANGE 
MARMALADE', but to her great disappointment it was empty: she did not 
like to drop the jar for fear of killing somebody, so managed to put it into 
one of the cupboards as she fell past it. 

'Well!' thought Alice to herself, 'after such a fall as this, I shall think 
nothing of tumbling down stairs! How brave they'll all think me at home! 
Why, I wouldn't say anything about it, even if I fell off the top of the house!' 
(Which was very likely true.) 

Down, down, down. Would the fall NEVER come to an end! 'I wonder 
how many miles I've fallen by this time?' she said aloud. 'I must be getting 
somewhere near the centre of the earth. Let me see: that would be four 
thousand miles down, I think-' (for, you see, Alice had learnt several things 
of this sort in her lessons in the schoolroom, and though this was not a VERY 
good opportunity for showing off her knowledge, as there was no one to listen 
to her, still it was good practice to say it over) '-yes, that's about the right 
distance-but then I wonder what Latitude or Longitude Fve got to?' (Alice 
had no idea what Latitude was, or Longitude either, but thought they were 
nice grand words to say.) 

Presently she began again. 'I wonder if I shall fall right THROUGH the 
earth! How funny it'll seem to come out among the people that walk with 
their heads downward! The Antipathies, I think-' (she was rather glad there 
WAS no one listening, this time, as it didn't sound at all the right word) 
'-but I shall have to ask them what the name of the country is, you know. 
Please, Ma'am, is this New Zealand or Australia?' (and she tried to curtsey 
as she spoke-fancy CURTSEYING as you're falling through the air! Do you 
think you could manage it?) 'And what an ignorant little girl she'll think 
me for asking! No, it'll never do to ask: perhaps I shall see it written up 
somewhere.' 

Down, down, down. There was nothing else to do, so Alice soon began 
talking again. 'Dinah '11 miss me very much to-night, I should think!' (Dinah 
was the cat.) 'I hope they'll remember her saucer of milk at tea-time. Dinah 
my dear! I wish you were down here with me! There are no mice in the 
air, I'm afraid, but you might catch a bat, and that's very like a mouse, you 
know. But do cats eat bats, I wonder?' And here Alice began to get rather 



15 



sleepy, and went on saying to herself, in a dreamy sort of way, 'Do cats eat 
bats? Do cats eat bats?' and sometimes, 'Do bats eat cats?' for, you see, 
as she couldn't answer either question, it didn't much matter which way she 
put it. She felt that she was dozing off, and had just begun to dream that 
she was walking hand in hand with Dinah, and saying to her very earnestly, 
'Now, Dinah, tell me the truth: did you ever eat a bat?' when suddenly, 
thump! thump! down she came upon a heap of sticks and dry leaves, and 
the fall was over. 

Alice was not a bit hurt, and she jumped up on to her feet in a moment: 
she looked up, but it was all dark overhead; before her was another long 
passage, and the White Rabbit was still in sight, hurrying down it. There 
was not a moment to be lost: away went Alice like the wind, and was just 
in time to hear it say, as it turned a corner, 'Oh my ears and whiskers, how 
late it's getting!' She was close behind it when she turned the corner, but 
the Rabbit was no longer to be seen: she found herself in a long, low hall, 
which was lit up by a row of lamps hanging from the roof. 

There were doors all round the hall, but they were all locked; and when 
Alice had been all the way down one side and up the other, trying every 
door, she walked sadly down the middle, wondering how she was ever to get 
out again. 

Suddenly she came upon a little three-legged table, all made of solid glass; 
there was nothing on it except a tiny golden key, and Alice's first thought 
was that it might belong to one of the doors of the hall; but, alas! either 
the locks were too large, or the key was too small, but at any rate it would 
not open any of them. However, on the second time round, she came upon a 
low curtain she had not noticed before, and behind it was a little door about 
fifteen inches high: she tried the little golden key in the lock, and to her 
great delight it fitted! 

Alice opened the door and found that it led into a small passage, not 
much larger than a rat-hole: she knelt down and looked along the passage 
into the loveliest garden you ever saw. How she longed to get out of that 
dark hall, and wander about among those beds of bright flowers and those 
cool fountains, but she could not even get her head though the doorway; 
'and even if my head would go through,' thought poor Alice, 'it would be of 
very little use without my shoulders. Oh, how I wish I could shut up like 
a telescope! I think I could, if I only know how to begin.' For, you see, so 
many out-of-the-way things had happened lately, that Alice had begun to 
think that very few things indeed were really impossible. 



16 CHAPTER 1. DOWN THE RABBIT-HOLE 

There seemed to be no use in waiting by the httle door, so she went back 
to the table, half hoping she might find another key on it, or at any rate 
a book of rules for shutting people up like telescopes: this time she found 
a little bottle on it, ('which certainly was not here before,' said Alice,) and 
round the neck of the bottle was a paper label, with the words 'DRINK ME' 
beautifully printed on it in large letters. 

It was all very well to say 'Drink me,' but the wise little Alice was not 
going to do THAT in a hurry. 'No, I'll look first,' she said, 'and see whether 
it's marked "poison" or not'; for she had read several nice little histories 
about children who had got burnt, and eaten up by wild beasts and other 
unpleasant things, all because they WOULD not remember the simple rules 
their friends had taught them: such as, that a red-hot poker will burn you 
if you hold it too long; and that if you cut your finger VERY deeply with 
a knife, it usually bleeds; and she had never forgotten that, if you drink 
much from a bottle marked 'poison,' it is almost certain to disagree with 
you, sooner or later. 

However, this bottle was NOT marked 'poison,' so Alice ventured to taste 
it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry- 
tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she 
very soon finished it off. 

'What a curious feeling!' said Alice; 'I must be shutting up like a tele- 
scope.' 

And so it was indeed: she was now only ten inches high, and her face 
brightened up at the thought that she was now the right size for going through 
the little door into that lovely garden. First, however, she waited for a few 
minutes to see if she was going to shrink any further: she felt a little nervous 
about this; 'for it might end, you know,' said Alice to herself, 'in my going 
out altogether, like a candle. I wonder what I should be like then?' And she 
tried to fancy what the flame of a candle is like after the candle is blown out, 
for she could not remember ever having seen such a thing. 

After a while, flnding that nothing more happened, she decided on going 
into the garden at once; but, alas for poor Alice! when she got to the door, 
she found she had forgotten the little golden key, and when she went back 
to the table for it, she found she could not possibly reach it: she could see 
it quite plainly through the glass, and she tried her best to climb up one of 
the legs of the table, but it was too slippery; and when she had tired herself 
out with trying, the poor little thing sat down and cried. 

'Come, there's no use in crying like that!' said Alice to herself, rather 



17 



sharply; 'I advise you to leave off this minute!' She generally gave herself very 
good advice, (though she very seldom followed it), and sometimes she scolded 
herself so severely as to bring tears into her eyes; and once she remembered 
trying to box her own ears for having cheated herself in a game of croquet she 
was playing against herself, for this curious child was very fond of pretending 
to be two people. 'But it's no use now,' thought poor Alice, 'to pretend to be 
two people! Why, there's hardly enough of me left to make ONE respectable 
person!' 

Soon her eye fell on a little glass box that was lying under the table: she 
opened it, and found in it a very small cake, on which the words 'EAT ME' 
were beautifully marked in currants. 'Well, I'll eat it,' said Alice, 'and if it 
makes me grow larger, I can reach the key; and if it makes me grow smaller, 
I can creep under the door; so either way I'll get into the garden, and I don't 
care which happens!' 

She ate a little bit, and said anxiously to herself, 'Which way? Which 
way?', holding her hand on the top of her head to feel which way it was 
growing, and she was quite surprised to find that she remained the same 
size: to be sure, this generally happens when one eats cake, but Alice had 
got so much into the way of expecting nothing but out-of-the-way things to 
happen, that it seemed quite dull and stupid for life to go on in the common 
way. 

So she set to work, and very soon finished off the cake. 



18 CHAPTER 1. DOWN THE RABBIT-HOLE 



Chapter 2 

The Pool of Tears 



'Curiouser and curiouser!' cried Alice (she was so much surprised, that for 
the moment she quite forgot how to speak good Enghsh); 'now I'm opening 
out like the largest telescope that ever was! Good-bye, feet!' (for when she 
looked down at her feet, they seemed to be almost out of sight, they were 
getting so far off). 'Oh, my poor little feet, I wonder who will put on your 
shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall 
be a great deal too far off to trouble myself about you: you must manage the 
best way you can; -but I must be kind to them,' thought Alice, 'or perhaps 
they won't walk the way I want to go! Let me see: I'll give them a new pair 
of boots every Christmas.' 

And she went on planning to herself how she would manage it. 'They 
must go by the carrier,' she thought; 'and how funny it'll seem, sending 
presents to one's own feet! And how odd the directions will look! 

ALICE'S RIGHT FOOT, ESQ. 
HEARTHRUG, 

NEAR THE FENDER, 
(WITH ALICE'S LOVE). 

Oh dear, what nonsense I'm talking!' 

Just then her head struck against the roof of the hall: in fact she was 
now more than nine feet high, and she at once took up the little golden key 
and hurried off to the garden door. 

Poor Alice! It was as much as she could do, lying down on one side, to 
look through into the garden with one eye; but to get through was more 
hopeless than ever: she sat down and began to cry again. 

19 



20 CHAPTER 2. THE POOL OF TEARS 

'You ought to be ashamed of yourself,' said Ahce, 'a great girl like you,' 
(she might well say this), 'to go on crying in this way! Stop this moment, 
I tell you!' But she went on all the same, shedding gallons of tears, until 
there was a large pool all round her, about four inches deep and reaching 
half down the hall. 

After a time she heard a little pattering of feet in the distance, and 
she hastily dried her eyes to see what was coming. It was the White Rabbit 
returning, splendidly dressed, with a pair of white kid gloves in one hand and 
a large fan in the other: he came trotting along in a great hurry, muttering 
to himself as he came, 'Oh! the Duchess, the Duchess! Oh! won't she be 
savage if I've kept her waiting!' Alice felt so desperate that she was ready to 
ask help of any one; so, when the Rabbit came near her, she began, in a low, 
timid voice, 'If you please, sir-' The Rabbit started violently, dropped the 
white kid gloves and the fan, and skurried away into the darkness as hard as 
he could go. 

Alice took up the fan and gloves, and, as the hall was very hot, she kept 
fanning herself all the time she went on talking: 'Dear, dear! How queer 
everything is to-day! And yesterday things went on just as usual. I wonder if 
I've been changed in the night? Let me think: was I the same when I got up 
this morning? I almost think I can remember feeling a little different. But if 
I'm not the same, the next question is. Who in the world am I? Ah, THAT'S 
the great puzzle!' And she began thinking over all the children she knew 
that were of the same age as herself, to see if she could have been changed 
for any of them. 

'I'm sure I'm not Ada,' she said, 'for her hair goes in such long ringlets, 
and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I 
know all sorts of things, and she, oh! she knows such a very little! Besides, 
SHE'S she, and I'm I, and-oh dear, how puzzling it all is! I'll try if I know 
all the things I used to know. Let me see: four times five is twelve, and 
four times six is thirteen, and four times seven is-oh dear! I shall never get 
to twenty at that rate! However, the Multiplication Table doesn't signify: 
let's try Geography. London is the capital of Paris, and Paris is the capital 
of Rome, and Rome-no, THAT'S all wrong, I'm certain! I must have been 
changed for Mabel! I'll try and say "How doth the little-"' and she crossed 
her hands on her lap as if she were saying lessons, and began to repeat it, 
but her voice sounded hoarse and strange, and the words did not come the 
same as they used to do:- 



21 



'How doth the little crocodile 
Improve his shining tail, 
And pour the waters of the Nile 
On every golden scale! 

'How cheerfully he seems to grin, 
How neatly spread his claws. 
And welcome little fishes in 
With gently smiling jaws!' 

'I'm sure those are not the right words,' said poor Alice, and her eyes 
filled with tears again as she went on, 'I must be Mabel after all, and I shall 
have to go and live in that poky little house, and have next to no toys to 
play with, and oh! ever so many lessons to learn! No, I've made up my mind 
about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their 
heads down and saying "Come up again, dear!" I shall only look up and say 
"Who am I then? Tell me that first, and then, if I like being that person, I'll 
come up: if not, I'll stay down here till I'm somebody else"-but, oh dear!' 
cried Alice, with a sudden burst of tears, 'I do wish they WOULD put their 
heads down! I am so VERY tired of being all alone here!' 

As she said this she looked down at her hands, and was surprised to see 
that she had put on one of the Rabbit's little white kid gloves while she was 
talking. 'How CAN I have done that?' she thought. 'I must be growing 
small again.' She got up and went to the table to measure herself by it, and 
found that, as nearly as she could guess, she was now about two feet high, 
and was going on shrinking rapidly: she soon found out that the cause of 
this was the fan she was holding, and she dropped it hastily, just in time to 
avoid shrinking away altogether. 

'That WAS a narrow escape!' said Alice, a good deal frightened at the 
sudden change, but very glad to find herself still in existence; 'and now for 
the garden!' and she ran with all speed back to the little door: but, alas! the 
little door was shut again, and the little golden key was lying on the glass 
table as before, 'and things are worse than ever,' thought the poor child, 'for 
I never was so small as this before, never! And I declare it's too bad, that it 
is!' 

As she said these words her foot slipped, and in another moment, splash! 
she was up to her chin in salt water. Her first idea was that she had somehow 
fallen into the sea, 'and in that case I can go back by railway,' she said to 



22 CHAPTER 2. THE POOL OF TEARS 

herself. (Alice had been to the seaside once in her life, and had come to 
the general conclusion, that wherever you go to on the English coast you 
find a number of bathing machines in the sea, some children digging in the 
sand with wooden spades, then a row of lodging houses, and behind them 
a railway station.) However, she soon made out that she was in the pool of 
tears which she had wept when she was nine feet high. 

'I wish I hadn't cried so much!' said Alice, as she swam about, trying 
to find her way out. 'I shall be punished for it now, I suppose, by being 
drowned in my own tears! That WILL be a queer thing, to be sure! However, 
everything is queer to-day.' 

Just then she heard something splashing about in the pool a little way 
off, and she swam nearer to make out what it was: at first she thought it 
must be a walrus or hippopotamus, but then she remembered how small she 
was now, and she soon made out that it was only a mouse that had slipped 
in like herself. 

'Would it be of any use, now,' thought Alice, 'to speak to this mouse? 
Everything is so out-of-the-way down here, that I should think very likely it 
can talk: at any rate, there's no harm in trying.' So she began: '0 Mouse, 
do you know the way out of this pool? I am very tired of swimming about 
here, Mouse!' (Alice thought this must be the right way of speaking to a 
mouse: she had never done such a thing before, but she remembered having 
seen in her brother's Latin Grammar, 'A mouse-of a mouse-to a mouse-a 
mouse-0 mouse!') The Mouse looked at her rather inquisitively, and seemed 
to her to wink with one of its little eyes, but it said nothing. 

'Perhaps it doesn't understand English,' thought Alice; 'I daresay it's a 
French mouse, come over with William the Conqueror.' (For, with all her 
knowledge of history, Alice had no very clear notion how long ago anything 
had happened.) So she began again: 'Ou est ma chatte?' which was the first 
sentence in her French lesson-book. The Mouse gave a sudden leap out of the 
water, and seemed to quiver all over with fright. 'Oh, I beg your pardon!' 
cried Alice hastily, afraid that she had hurt the poor animal's feelings. 'I 
quite forgot you didn't like cats.' 

'Not like cats!' cried the Mouse, in a shrill, passionate voice. 'Would 
YOU like cats if you were me?' 

'Well, perhaps not,' said Alice in a soothing tone: 'don't be angry about 
it. And yet I wish I could show you our cat Dinah: I think you'd take a 
fancy to cats if you could only see her. She is such a dear quiet thing,' Alice 
went on, half to herself, as she swam lazily about in the pool, 'and she sits 



23 



purring so nicely by the fire, licking her paws and washing her face-and she 
is such a nice soft thing to nurse-and she's such a capital one for catching 
niice-oh, I beg your pardon!' cried Alice again, for this time the Mouse was 
bristling all over, and she felt certain it must be really offended. 'We won't 
talk about her any more if you'd rather not.' 

'We indeed!' cried the Mouse, who was trembling down to the end of his 
tail. 'As if I would talk on such a subject! Our family always HATED cats: 
nasty, low, vulgar things! Don't let me hear the name again!' 

'I won't indeed!' said Alice, in a great hurry to change the subject of 
conversation. 'Are you-are you fond-of-of dogs?' The Mouse did not answer, 
so Alice went on eagerly: 'There is such a nice little dog near our house I 
should like to show you! A little bright-eyed terrier, you know, with oh, such 
long curly brown hair! And it'll fetch things when you throw them, and it'll 
sit up and beg for its dinner, and all sorts of things-I can't remember half 
of them-and it belongs to a farmer, you know, and he says it's so useful, it's 
worth a hundred pounds! He says it kills all the rats and-oh dear!' cried 
Alice in a sorrowful tone, 'I'm afraid I've offended it again!' For the Mouse 
was swimming away from her as hard as it could go, and making quite a 
commotion in the pool as it went. 

So she called softly after it, 'Mouse dear! Do come back again, and we 
won't talk about cats or dogs either, if you don't like them!' When the Mouse 
heard this, it turned round and swam slowly back to her: its face was quite 
pale (with passion, Alice thought), and it said in a low trembling voice, 'Let 
us get to the shore, and then I'll tell you my history, and you'll understand 
why it is I hate cats and dogs.' 

It was high time to go, for the pool was getting quite crowded with the 
birds and animals that had fallen into it: there were a Duck and a Dodo, a 
Lory and an Eaglet, and several other curious creatures. Alice led the way, 
and the whole party swam to the shore. 



24 CHAPTER 2. THE POOL OF TEARS 



Chapter 3 

A Caucus- Race and a Long Tale 



They were indeed a queer-looking party that assembled on the bank-the birds 
with draggled feathers, the animals with their fur clinging close to them, and 
all dripping wet, cross, and uncomfortable. 

The first question of course was, how to get dry again: they had a con- 
sultation about this, and after a few minutes it seemed quite natural to Alice 
to find herself talking familiarly with them, as if she had known them all her 
life. Indeed, she had quite a long argument with the Lory, who at last turned 
sulky, and would only say, 'I am older than you, and must know better'; and 
this Alice would not allow without knowing how old it was, and, as the Lory 
positively refused to tell its age, there was no more to be said. 

At last the Mouse, who seemed to be a person of authority among them, 
called out, 'Sit down, all of you, and listen to me! FLL soon make you dry 
enough!' They all sat down at once, in a large ring, with the Mouse in the 
middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would 
catch a bad cold if she did not get dry very soon. 

'Ahem!' said the Mouse with an important air, 'are you all ready? This 
is the driest thing I know. Silence all round, if you please! "William the 
Conqueror, whose cause was favoured by the pope, was soon submitted to 
by the English, who wanted leaders, and had been of late much accustomed 
to usurpation and conquest. Edwin and Morcar, the earls of Mercia and 
Northumbria-" ' 

'Ugh!' said the Lory, with a shiver. 

'I beg your pardon!' said the Mouse, frowning, but very politely: 'Did 
you speak?' 

'Not I!' said the Lory hastily. 

25 



26 CHAPTER 3. A CAUCUS-RACE AND A LONG TALE 

'I thought you did,' said the Mouse. '-I proceed. "Edwin and Morcar, 
the earls of Mercia and Northunibria, declared for him: and even Stigand, 
the patriotic archbishop of Canterbury, found it advisable-"' 

'Found WHAT?' said the Duck. 

'Found IT,' the Mouse replied rather crossly: 'of course you know what 
"it" means.' 

'I know what "it" means well enough, when I find a thing,' said the Duck: 
'it's generally a frog or a worm. The question is, what did the archbishop 
find?' 

The Mouse did not notice this question, but hurriedly went on, ' "-found 
it advisable to go with Edgar Atheling to meet William and offer him the 
crown. William's conduct at first was moderate. But the insolence of his 
Normans-" How are you getting on now, my dear?' it continued, turning to 
Alice as it spoke. 

'As wet as ever,' said Alice in a melancholy tone: 'it doesn't seem to dry 
me at all.' 

'In that case,' said the Dodo solemnly, rising to its feet, 'I move that the 
meeting adjourn, for the immediate adoption of more energetic remedies-' 

'Speak English!' said the Eaglet. 'I don't know the meaning of half those 
long words, and, what's more, I don't believe you do either!' And the Eaglet 
bent down its head to hide a smile: some of the other birds tittered audibly. 

'What I was going to say,' said the Dodo in an offended tone, 'was, that 
the best thing to get us dry would be a Caucus-race.' 

'What IS a Caucus-race?' said Alice; not that she wanted much to know, 
but the Dodo had paused as if it thought that SOMEBODY ought to speak, 
and no one else seemed inclined to say anything. 

'Why,' said the Dodo, 'the best way to explain it is to do it.' (And, as 
you might like to try the thing yourself, some winter day, I will tell you how 
the Dodo managed it.) 

First it marked out a race-course, in a sort of circle, ('the exact shape 
doesn't matter,' it said,) and then all the party were placed along the course, 
here and there. There was no 'One, two, three, and away,' but they began 
running when they liked, and left off when they liked, so that it was not easy 
to know when the race was over. However, when they had been running half 
an hour or so, and were quite dry again, the Dodo suddenly called out 'The 
race is over!' and they all crowded round it, panting, and asking, 'But who 
has won?' 

This question the Dodo could not answer without a great deal of thought. 



27 



and it sat for a long time with one finger pressed upon its forehead (the 
position in which you usually see Shakespeare, in the pictures of him), while 
the rest waited in silence. At last the Dodo said, 'EVERYBODY has won, 
and all must have prizes.' 

'But who is to give the prizes?' quite a chorus of voices asked. 

'Why, SHE, of course,' said the Dodo, pointing to Alice with one finger; 
and the whole party at once crowded round her, calling out in a confused 
way, 'Prizes! Prizes!' 

Alice had no idea what to do, and in despair she put her hand in her 
pocket, and pulled out a box of comfits, (luckily the salt water had not got 
into it), and handed them round as prizes. There was exactly one a-piece all 
round. 

'But she must have a prize herself, you know,' said the Mouse. 

'Of course,' the Dodo replied very gravely. 'What else have you got in 
your pocket?' he went on, turning to Alice. 

'Only a thimble,' said Alice sadly. 

'Hand it over here,' said the Dodo. 

Then they all crowded round her once more, while the Dodo solemnly pre- 
sented the thimble, saying 'We beg your acceptance of this elegant thimble'; 
and, when it had finished this short speech, they all cheered. 

Alice thought the whole thing very absurd, but they all looked so grave 
that she did not dare to laugh; and, as she could not think of anything to 
say, she simply bowed, and took the thimble, looking as solemn as she could. 

The next thing was to eat the comfits: this caused some noise and confu- 
sion, as the large birds complained that they could not taste theirs, and the 
small ones choked and had to be patted on the back. However, it was over at 
last, and they sat down again in a ring, and begged the Mouse to tell them 
something more. 

'You promised to tell me your history, you know,' said Alice, 'and why it 
is you hate-C and D,' she added in a whisper, half afraid that it would be 
offended again. 

'Mine is a long and a sad tale!' said the Mouse, turning to Alice, and 
sighing. 

'It IS a long tail, certainly,' said Alice, looking down with wonder at the 
Mouse's tail; 'but why do you call it sad?' And she kept on puzzling about 
it while the Mouse was speaking, so that her idea of the tale was something 
like this:- 



28 CHAPTER 3. A CAUCUS-RACE AND A LONG TALE 

'Fury said to a 
mouse, That he 
met in the 
house, 
"Let us 
both go to 
law: I win 
prosecute 
YOU. -Come, 
I'll take no 

denial; We 
must have a 
trial: For 
really this 
morning Fve 
nothing 
to do." 
Said the 
mouse to the 
cur, "Such 
a trial, 
dear Sir, 

With 
no jury 
or judge, 
would be 
wasting 
our 
breath." 
"FU be 
judge, FU 
be jury," 
Said 

cunning 
old Fury: 
"FU 
try the 
whole 



29 



cause, 
and 
condemn 
you 
to 
death." ' 

'You are not attending!' said the Mouse to Ahce severely. 'What are you 
thinking of?' 

'I beg your pardon,' said Ahce very humbly: 'you had got to the fifth 
bend, I think?' 

'I had NOT!' cried the Mouse, sharply and very angrily. 

'A knot!' said Alice, always ready to make herself useful, and looking 
anxiously about her. 'Oh, do let me help to undo it!' 

'I shall do nothing of the sort,' said the Mouse, getting up and walking 
away. 'You insult me by talking such nonsense!' 

'I didn't mean it!' pleaded poor Alice. 'But you're so easily offended, you 
know!' 

The Mouse only growled in reply. 

'Please come back and finish your story!' Alice called after it; and the 
others all joined in chorus, 'Yes, please do!' but the Mouse only shook its 
head impatiently, and walked a little quicker. 

'What a pity it wouldn't stay!' sighed the Lory, as soon as it was quite 
out of sight; and an old Crab took the opportunity of saying to her daughter 
'Ah, my dear! Let this be a lesson to you never to lose YOUR temper!' 'Hold 
your tongue. Ma!' said the young Crab, a little snappishly. 'You're enough 
to try the patience of an oyster!' 

'I wish I had our Dinah here, I know I do!' said Alice aloud, addressing 
nobody in particular. 'She'd soon fetch it back!' 

'And who is Dinah, if I might venture to ask the question?' said the Lory. 

Alice replied eagerly, for she was always ready to talk about her pet: 
'Dinah's our cat. And she's such a capital one for catching mice you can't 
think! And oh, I wish you could see her after the birds! Why, she'll eat a 
little bird as soon as look at it!' 

This speech caused a remarkable sensation among the party. Some of 
the birds hurried off at once: one old Magpie began wrapping itself up very 
carefully, remarking, 'I really must be getting home; the night-air doesn't 
suit my throat!' and a Canary called out in a trembling voice to its children. 



30 CHAPTER 3. A CAUCUS-RACE AND A LONG TALE 

'Come away, my dears! It's high time you were all in bed!' On various 
pretexts they all moved off, and Alice was soon left alone. 

'I wish I hadn't mentioned Dinah!' she said to herself in a melancholy 
tone. 'Nobody seems to like her, down here, and I'm sure she's the best 
cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any 
more!' And here poor Alice began to cry again, for she felt very lonely and 
low-spirited. In a little while, however, she again heard a little pattering of 
footsteps in the distance, and she looked up eagerly, half hoping that the 
Mouse had changed his mind, and was coming back to finish his story. 



Chapter 4 

The Rabbit Sends in a Little 
Bill 



It was the White Rabbit, trotting slowly back again, and looking anxiously 
about as it went, as if it had lost something; and she heard it muttering 
to itself 'The Duchess! The Duchess! Oh my dear paws! Oh my fur and 
whiskers! She'll get me executed, as sure as ferrets are ferrets! Where CAN I 
have dropped them, I wonder?' Alice guessed in a moment that it was looking 
for the fan and the pair of white kid gloves, and she very good-naturedly 
began hunting about for them, but they were nowhere to be seen-everything 
seemed to have changed since her swim in the pool, and the great hall, with 
the glass table and the little door, had vanished completely. 

Very soon the Rabbit noticed Alice, as she went hunting about, and called 
out to her in an angry tone, 'Why, Mary Ann, what ARE you doing out here? 
Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!' 
And Alice was so much frightened that she ran off at once in the direction it 
pointed to, without trying to explain the mistake it had made. 

'He took me for his housemaid,' she said to herself as she ran. 'How 
surprised he'll be when he finds out who I am! But I'd better take him his 
fan and gloves-that is, if I can find them.' As she said this, she came upon 
a neat little house, on the door of which was a bright brass plate with the 
name 'W. RABBIT' engraved upon it. She went in without knocking, and 
hurried upstairs, in great fear lest she should meet the real Mary Ann, and 
be turned out of the house before she had found the fan and gloves. 

'How queer it seems,' Alice said to herself, 'to be going messages for a 
rabbit! I suppose Dinah'U be sending me on messages next!' And she began 

31 



32 CHAPTER 4. THE RABBIT SENDS IN A LITTLE BILL 

fancying the sort of thing that would happen: '"Miss Alice! Come here 
directly, and get ready for your walk!" "Coming in a minute, nurse! But I've 
got to see that the mouse doesn't get out." Only I don't think,' Alice went 
on, 'that they'd let Dinah stop in the house if it began ordering people about 
hke that!' 

By this time she had found her way into a tidy little room with a table 
in the window, and on it (as she had hoped) a fan and two or three pairs 
of tiny white kid gloves: she took up the fan and a pair of the gloves, and 
was just going to leave the room, when her eye fell upon a little bottle that 
stood near the looking- glass. There was no label this time with the words 
'DRINK ME,' but nevertheless she uncorked it and put it to her lips. 'I know 
SOMETHING interesting is sure to happen,' she said to herself, 'whenever 
I eat or drink anything; so I'll just see what this bottle does. I do hope it'll 
make me grow large again, for really I'm quite tired of being such a tiny little 
thing!' 

It did so indeed, and much sooner than she had expected: before she 
had drunk half the bottle, she found her head pressing against the ceiling, 
and had to stoop to save her neck from being broken. She hastily put down 
the bottle, saying to herself 'That's quite enough-I hope I shan't grow any 
more-As it is, I can't get out at the door-I do wish I hadn't drunk quite so 
much!' 

Alas! it was too late to wish that! She went on growing, and growing, 
and very soon had to kneel down on the floor: in another minute there was 
not even room for this, and she tried the effect of lying down with one elbow 
against the door, and the other arm curled round her head. Still she went on 
growing, and, as a last resource, she put one arm out of the window, and one 
foot up the chimney, and said to herself 'Now I can do no more, whatever 
happens. What WILL become of me?' 

Luckily for Alice, the little magic bottle had now had its full effect, and 
she grew no larger: still it was very uncomfortable, and, as there seemed to 
be no sort of chance of her ever getting out of the room again, no wonder 
she felt unhappy. 

'It was much pleasanter at home,' thought poor Alice, 'when one wasn't 
always growing larger and smaller, and being ordered about by mice and 
rabbits. I almost wish I hadn't gone down that rabbit-hole-and yet-and 
yet-it's rather curious, you know, this sort of life! I do wonder what CAN 
have happened to me! When I used to read fairy-tales, I fancied that kind of 
thing never happened, and now here I am in the middle of one! There ought 



33 



to be a book written about me, that there ought! And when I grow up, Fh 
write one-but I'm grown up now,' she added in a sorrowful tone; 'at least 
there's no room to grow up any more HERE.' 

'But then,' thought Alice, 'shall I NEVER get any older than I am now? 
That'll be a comfort, one way-never to be an old woman- but then-always 
to have lessons to learn! Oh, I shouldn't like THAT!' 

'Oh, you foolish Alice!' she answered herself. 'How can you learn lessons 
in here? Why, there's hardly room for YOU, and no room at all for any 
lesson-books!' 

And so she went on, taking first one side and then the other, and making 
quite a conversation of it altogether; but after a few minutes she heard a 
voice outside, and stopped to listen. 

'Mary Ann! Mary Ann!' said the voice. 'Fetch me my gloves this mo- 
ment!' Then came a little pattering of feet on the stairs. Alice knew it was 
the Rabbit coming to look for her, and she trembled till she shook the house, 
quite forgetting that she was now about a thousand times as large as the 
Rabbit, and had no reason to be afraid of it. 

Presently the Rabbit came up to the door, and tried to open it; but, as 
the door opened inwards, and Alice's elbow was pressed hard against it, that 
attempt proved a failure. Alice heard it say to itself 'Then I'll go round and 
get in at the window.' 

'THAT you won't' thought Alice, and, after waiting till she fancied she 
heard the Rabbit just under the window, she suddenly spread out her hand, 
and made a snatch in the air. She did not get hold of anything, but she 
heard a little shriek and a fall, and a crash of broken glass, from which she 
concluded that it was just possible it had fallen into a cucumber-frame, or 
something of the sort. 

Next came an angry voice-the Rabbit's-' Pat! Pat! Where are you?' And 
then a voice she had never heard before, 'Sure then I'm here! Digging for 
apples, yer honour!' 

'Digging for apples, indeed!' said the Rabbit angrily. 'Here! Come and 
help me out of THIS!' (Sounds of more broken glass.) 

'Now tell me, Pat, what's that in the window?' 

'Sure, it's an arm, yer honour!' (He pronounced it 'arrum.') 

'An arm, you goose! Who ever saw one that size? Why, it fills the whole 
window!' 

'Sure, it does, yer honour: but it's an arm for all that.' 

'Well, it's got no business there, at any rate: go and take it away!' 



34 CHAPTER 4. THE RABBIT SENDS IN A LITTLE BILL 

There was a long silence after this, and Alice could only hear whispers 
now and then; such as, 'Sure, I don't like it, yer honour, at all, at all!' 'Do 
as I tell you, you coward!' and at last she spread out her hand again, and 
made another snatch in the air. This time there were TWO little shrieks, 
and more sounds of broken glass. 'What a number of cucumber-frames there 
must be!' thought Alice. 'I wonder what they'll do next! As for pulling me 
out of the window, I only wish they COULD! I'm sure I don't want to stay 
in here any longer!' 

She waited for some time without hearing anything more: at last came 
a rumbling of little cartwheels, and the sound of a good many voices all 
talking together: she made out the words: 'Where's the other ladder?-Why, 
I hadn't to bring but one; Bill's got the other-Bill! fetch it here, lad!-Here, 
put 'em up at this corner-No, tie 'em together first-they don't reach half 
high enough yet-Oh! they'll do well enough; don't be particular- Here, Bill! 
catch hold of this rope- Will the roof bear?-Mind that loose slate-Oh, it's 
coming down! Heads below!' (a loud crash)-'Now, who did that?-It was Bill, 
I fancy- Who's to go down the chimney?-Nay, I shan't! YOU do it!-That I 
won't, then!-Biirs to go down-Here, Bill! the master says you're to go down 
the chimney!' 

'Oh! So Bill's got to come down the chimney, has he?' said Alice to 
herself. 'Shy, they seem to put everything upon Bill! I wouldn't be in Bill's 
place for a good deal: this fireplace is narrow, to be sure; but I THINK I can 
kick a little!' 

She drew her foot as far down the chimney as she could, and waited till 
she heard a little animal (she couldn't guess of what sort it was) scratching 
and scrambling about in the chimney close above her: then, saying to herself 
'This is Bill,' she gave one sharp kick, and waited to see what would happen 
next. 

The first thing she heard was a general chorus of 'There goes Bill!' then 
the Rabbit's voice along-'Catch him, you by the hedge!' then silence, and 
then another confusion of voices-' Hold up his head-Brandy now-Don't choke 
him-How was it, old fellow? What happened to you? Tell us all about it!' 

Last came a little feeble, squeaking voice, ('That's Bill,' thought Alice,) 
'Well, I hardly know-No more, thank ye; I'm better now-but I'm a deal too 
flustered to tell you-all I know is, something comes at me like a Jack-in-the- 
box, and up I goes like a sky-rocket!' 

'So you did, old fellow!' said the others. 

'We must burn the house down!' said the Rabbit's voice; and Alice called 



35 



out as loud as she could, 'If you do. I'll set Dinah at you!' 

There was a dead silence instantly, and Alice thought to herself, 'I wonder 
what they WILL do next! If they had any sense, they'd take the roof off.' 
After a minute or two, they began moving about again, and Alice heard the 
Rabbit say, 'A barrowful will do, to begin with.' 

'A barrowful of WHAT?' thought Alice; but she had not long to doubt, 
for the next moment a shower of little pebbles came rattling in at the window, 
and some of them hit her in the face. 'I'll put a stop to this,' she said to 
herself, and shouted out, 'You'd better not do that again!' which produced 
another dead silence. 

Alice noticed with some surprise that the pebbles were all turning into 
little cakes as they lay on the floor, and a bright idea came into her head. 
'If I eat one of these cakes,' she thought, 'it's sure to make SOME change in 
my size; and as it can't possibly make me larger, it must make me smaller, 
I suppose.' 

So she swallowed one of the cakes, and was delighted to find that she 
began shrinking directly. As soon as she was small enough to get through 
the door, she ran out of the house, and found quite a crowd of little animals 
and birds waiting outside. The poor little Lizard, Bill, was in the middle, 
being held up by two guinea-pigs, who were giving it something out of a 
bottle. They all made a rush at Alice the moment she appeared; but she ran 
off as hard as she could, and soon found herself safe in a thick wood. 

'The first thing I've got to do,' said Alice to herself, as she wandered 
about in the wood, 'is to grow to my right size again; and the second thing 
is to find my way into that lovely garden. I think that will be the best plan.' 

It sounded an excellent plan, no doubt, and very neatly and simply ar- 
ranged; the only difficulty was, that she had not the smallest idea how to set 
about it; and while she was peering about anxiously among the trees, a little 
sharp bark just over her head made her look up in a great hurry. 

An enormous puppy was looking down at her with large round eyes, and 
feebly stretching out one paw, trying to touch her. 'Poor little thing!' said 
Alice, in a coaxing tone, and she tried hard to whistle to it; but she was 
terribly frightened all the time at the thought that it might be hungry, in 
which case it would be very likely to eat her up in spite of all her coaxing. 

Hardly knowing what she did, she picked up a little bit of stick, and held 
it out to the puppy; whereupon the puppy jumped into the air off all its feet 
at once, with a yelp of delight, and rushed at the stick, and made believe to 
worry it; then Alice dodged behind a great thistle, to keep herself from being 



36 CHAPTER 4. THE RABBIT SENDS IN A LITTLE BILL 

run over; and the moment she appeared on the other side, the puppy made 
another rush at the stick, and tumbled head over heels in its hurry to get 
hold of it; then Alice, thinking it was very like having a game of play with 
a cart-horse, and expecting every moment to be trampled under its feet, ran 
round the thistle again; then the puppy began a series of short charges at 
the stick, running a very little way forwards each time and a long way back, 
and barking hoarsely all the while, till at last it sat down a good way off, 
panting, with its tongue hanging out of its mouth, and its great eyes half 
shut. 

This seemed to Alice a good opportunity for making her escape; so she 
set off at once, and ran till she was quite tired and out of breath, and till the 
puppy's bark sounded quite faint in the distance. 

'And yet what a dear little puppy it was!' said Alice, as she leant against a 
buttercup to rest herself, and fanned herself with one of the leaves: T should 
have liked teaching it tricks very much, if-if I'd only been the right size to 
do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me 
see-how IS it to be managed? I suppose I ought to eat or drink something 
or other; but the great question is, what?' 

The great question certainly was, what? Alice looked all round her at the 
flowers and the blades of grass, but she did not see anything that looked like 
the right thing to eat or drink under the circumstances. There was a large 
mushroom growing near her, about the same height as herself; and when she 
had looked under it, and on both sides of it, and behind it, it occurred to 
her that she might as well look and see what was on the top of it. 

She stretched herself up on tiptoe, and peeped over the edge of the mush- 
room, and her eyes immediately met those of a large caterpillar, that was 
sitting on the top with its arms folded, quietly smoking a long hookah, and 
taking not the smallest notice of her or of anything else. 



Chapter 5 

Advice from a Caterpillar 



The Caterpillar and Alice looked at each other for some time in silence: at 
last the Caterpillar took the hookah out of its mouth, and addressed her in 
a languid, sleepy voice. 

'Who are YOU?' said the Caterpillar. 

This was not an encouraging opening for a conversation. Alice replied, 
rather shyly, 'I-I hardly know, sir, just at present- at least I know who I 
WAS when I got up this morning, but I think I must have been changed 
several times since then.' 

'What do you mean by that?' said the Caterpillar sternly. 'Explain 
yourself!' 

'I can't explain MYSELF, I'm afraid, sir' said Alice, 'because I'm not 
myself, you see.' 

'I don't see,' said the Caterpillar. 

'I'm afraid I can't put it more clearly,' Alice replied very politely, 'for I 
can't understand it myself to begin with; and being so many different sizes 
in a day is very confusing.' 

'It isn't,' said the Caterpillar. 

'Well, perhaps you haven't found it so yet,' said Alice; 'but when you 
have to turn into a chrysalis-you will some day, you know-and then after 
that into a butterfly, I should think you'll feel it a little queer, won't you?' 

'Not a bit,' said the Caterpillar. 

'Well, perhaps your feelings may be different,' said Alice; 'all I know is, 
it would feel very queer to ME.' 

'You!' said the Caterpillar contemptuously. 'Who are YOU?' 

Which brought them back again to the beginning of the conversation. 

37 



38 CHAPTER 5. ADVICE FROM A CATERPILLAR 

Alice felt a little irritated at the Caterpillar's making such VERY short re- 
marks, and she drew herself up and said, very gravely, 'I think, you ought to 
tell me who YOU are, first.' 

'Why?' said the Caterpillar. 

Here was another puzzling question; and as Alice could not think of any 
good reason, and as the Caterpillar seemed to be in a VERY unpleasant state 
of mind, she turned away. 

'Come back!' the Caterpillar called after her. 'I've something important 
to say!' 

This sounded promising, certainly: Alice turned and came back again. 

'Keep your temper,' said the Caterpillar. 

'Is that all?' said Alice, swallowing down her anger as well as she could. 

'No,' said the Caterpillar. 

Alice thought she might as well wait, as she had nothing else to do, and 
perhaps after all it might tell her something worth hearing. For some minutes 
it puffed away without speaking, but at last it unfolded its arms, took the 
hookah out of its mouth again, and said, 'So you think you're changed, do 
you?' 

'I'm afraid I am, sir,' said Alice; 'I can't remember things as I used-and 
I don't keep the same size for ten minutes together!' 

'Can't remember WHAT things?' said the Caterpillar. 

'Well, I've tried to say "HOW DOTH THE LITTLE BUSY BEE," but 
it all came different!' Alice replied in a very melancholy voice. 

'Repeat, "YOU ARE OLD, FATHER WILLIAM,"' said the Caterpillar. 

Alice folded her hands, and began:- 

'You are old. Father William,' the young man said, 
'And your hair has become very white; 
And yet you incessantly stand on your head- 
Do you think, at your age, it is right?' 

'In my youth,' Father William replied to his son, 
'I feared it might injure the brain; 
But, now that I'm perfectly sure I have none. 
Why, I do it again and again.' 

'You are old,' said the youth, 'as I mentioned before. 
And have grown most uncommonly fat; 



39 



Yet you turned a back-soniersault in at the door- 
Pray, what is the reason of that?' 

'In my youth,' said the sage, as he shook his grey locks, 
'I kept all my limbs very supple 
By the use of this ointment-one shilling the box- 
Allow me to sell you a couple?' 

'You are old,' said the youth, 'and your jaws are too weak 
For anything tougher than suet; 

Yet you finished the goose, with the bones and the beak- 
Pray how did you manage to do it?' 

'In my youth,' said his father, 'I took to the law. 
And argued each case with my wife; 
And the muscular strength, which it gave to my jaw. 
Has lasted the rest of my life.' 

'You are old,' said the youth, 'one would hardly suppose 
That your eye was as steady as ever; 
Yet you balanced an eel on the end of your nose- 
What made you so awfully clever?' 

'I have answered three questions, and that is enough,' 

Said his father; 'don't give yourself airs! 

Do you think I can listen all day to such stuff? 

Be off, or I'll kick you down stairs!' 

'That is not said right,' said the Caterpillar. 

'Not QUITE right, I'm afraid,' said Alice, timidly; 'some of the words 
have got altered.' 

'It is wrong from beginning to end,' said the Caterpillar decidedly, and 
there was silence for some minutes. 

The Caterpillar was the first to speak. 

'What size do you want to be?' it asked. 

'Oh, I'm not particular as to size,' Alice hastily replied; 'only one doesn't 
like changing so often, you know.' 

'I DON'T know,' said the Caterpillar. 



40 CHAPTER 5. ADVICE FROM A CATERPILLAR 

Alice said nothing: she had never been so much contradicted in her life 
before, and she felt that she was losing her temper. 

'Are you content now?' said the Caterpillar. 

'Well, I should like to be a LITTLE larger, sir, if you wouldn't mind,' 
said Alice: 'three inches is such a wretched height to be.' 

'It is a very good height indeed!' said the Caterpillar angrily, rearing 
itself upright as it spoke (it was exactly three inches high). 

'But I'm not used to it!' pleaded poor Alice in a piteous tone. And she 
thought of herself, 'I wish the creatures wouldn't be so easily offended!' 

'You'll get used to it in time,' said the Caterpillar; and it put the hookah 
into its mouth and began smoking again. 

This time Alice waited patiently until it chose to speak again. In a minute 
or two the Caterpillar took the hookah out of its mouth and yawned once 
or twice, and shook itself. Then it got down off the mushroom, and crawled 
away in the grass, merely remarking as it went, 'One side will make you grow 
taller, and the other side will make you grow shorter.' 

'One side of WHAT? The other side of WHAT?' thought Ahce to herself. 

'Of the mushroom,' said the Caterpillar, just as if she had asked it aloud; 
and in another moment it was out of sight. 

Alice remained looking thoughtfully at the mushroom for a minute, trying 
to make out which were the two sides of it; and as it was perfectly round, 
she found this a very difficult question. However, at last she stretched her 
arms round it as far as they would go, and broke off a bit of the edge with 
each hand. 

'And now which is which?' she said to herself, and nibbled a little of 
the right-hand bit to try the effect: the next moment she felt a violent blow 
underneath her chin: it had struck her foot! 

She was a good deal frightened by this very sudden change, but she felt 
that there was no time to be lost, as she was shrinking rapidly; so she set to 
work at once to eat some of the other bit. Her chin was pressed so closely 
against her foot, that there was hardly room to open her mouth; but she did 
it at last, and managed to swallow a morsel of the lefthand bit. 

'Come, my head's free at last!' said Alice in a tone of delight, which 
changed into alarm in another moment, when she found that her shoulders 
were nowhere to be found: all she could see, when she looked down, was an 
immense length of neck, which seemed to rise like a stalk out of a sea of green 
leaves that lay far below her. 

'What CAN ah that green stuff be?' said Ahce. 'And where HAVE my 



41 



shoulders got to? And oh, my poor hands, how is it I can't see you?' She 
was moving them about as she spoke, but no result seemed to follow, except 
a little shaking among the distant green leaves. 

As there seemed to be no chance of getting her hands up to her head, 
she tried to get her head down to them, and was delighted to find that her 
neck would bend about easily in any direction, like a serpent. She had just 
succeeded in curving it down into a graceful zigzag, and was going to dive 
in among the leaves, which she found to be nothing but the tops of the trees 
under which she had been wandering, when a sharp hiss made her draw 
back in a hurry: a large pigeon had fiown into her face, and was beating her 
violently with its wings. 

'Serpent!' screamed the Pigeon. 

'I'm NOT a serpent!' said Alice indignantly. 'Let me alone!' 

'Serpent, I say again!' repeated the Pigeon, but in a more subdued tone, 
and added with a kind of sob, Tve tried every way, and nothing seems to 
suit them!' 

'I haven't the least idea what you're talking about,' said Alice. 

Tve tried the roots of trees, and Tve tried banks, and Fve tried hedges,' 
the Pigeon went on, without attending to her; 'but those serpents! There's 
no pleasing them!' 

Alice was more and more puzzled, but she thought there was no use in 
saying anything more till the Pigeon had finished. 

'As if it wasn't trouble enough hatching the eggs,' said the Pigeon; 'but 
I must be on the look-out for serpents night and day! Why, I haven't had a 
wink of sleep these three weeks!' 

Tm very sorry you've been annoyed,' said Alice, who was beginning to 
see its meaning. 

'And just as Pd taken the highest tree in the wood,' continued the Pigeon, 
raising its voice to a shriek, 'and just as I was thinking I should be free of 
them at last, they must needs come wriggling down from the sky! Ugh, 
Serpent!' 

'But Pm NOT a serpent, I tell you!' said Alice. 'Pm a-Pm a-' 

'Well! WHAT are you?' said the Pigeon. 'I can see you're trying to 
invent something!' 

'I-Pm a little girl,' said Alice, rather doubtfully, as she remembered the 
number of changes she had gone through that day. 

'A likely story indeed!' said the Pigeon in a tone of the deepest contempt. 
'Pve seen a good many little girls in my time, but never ONE with such a 



42 CHAPTER 5. ADVICE FROM A CATERPILLAR 

neck as that! No, no! You're a serpent; and there's no use denying it. I 
suppose you'U be telhng me next that you never tasted an egg!' 

'I HAVE tasted eggs, certainly,' said Alice, who was a very truthful child; 
'but little girls eat eggs quite as much as serpents do, you know.' 

'I don't believe it,' said the Pigeon; 'but if they do, why then they're a 
kind of serpent, that's all I can say.' 

This was such a new idea to Alice, that she was quite silent for a minute 
or two, which gave the Pigeon the opportunity of adding, 'You're looking for 
eggs, I know THAT well enough; and what does it matter to me whether 
you're a little girl or a serpent?' 

'It matters a good deal to ME,' said Alice hastily; 'but Em not looking 
for eggs, as it happens; and if I was, I shouldn't want YOURS: I don't like 
them raw.' 

'Well, be off, then!' said the Pigeon in a sulky tone, as it settled down 
again into its nest. Alice crouched down among the trees as well as she could, 
for her neck kept getting entangled among the branches, and every now and 
then she had to stop and untwist it. After a while she remembered that 
she still held the pieces of mushroom in her hands, and she set to work very 
carefully, nibbling first at one and then at the other, and growing sometimes 
taller and sometimes shorter, until she had succeeded in bringing herself 
down to her usual height. 

It was so long since she had been anything near the right size, that it 
felt quite strange at first; but she got used to it in a few minutes, and began 
talking to herself, as usual. 'Come, there's half my plan done now! How 
puzzling all these changes are! I'm never sure what I'm going to be, from 
one minute to another! However, I've got back to my right size: the next 
thing is, to get into that beautiful garden-how IS that to be done, I wonder?' 
As she said this, she came suddenly upon an open place, with a little house 
in it about four feet high. 'Whoever lives there,' thought Alice, 'it'll never 
do to come upon them THIS size: why, I should frighten them out of their 
wits!' So she began nibbling at the righthand bit again, and did not venture 
to go near the house till she had brought herself down to nine inches high. 



Chapter 6 

Pig and Pepper 



For a minute or two she stood looking at the house, and wondering what to do 
next, when suddenly a footman in livery came running out of the wood-(she 
considered him to be a footman because he was in livery: otherwise, judging 
by his face only, she would have called him a fish)-and rapped loudly at the 
door with his knuckles. It was opened by another footman in livery, with a 
round face, and large eyes like a frog; and both footmen, Alice noticed, had 
powdered hair that curled all over their heads. She felt very curious to know 
what it was all about, and crept a little way out of the wood to listen. 

The Fish-Footman began by producing from under his arm a great let- 
ter, nearly as large as himself, and this he handed over to the other, saying, 
in a solemn tone, 'For the Duchess. An invitation from the Queen to play 
croquet.' The Frog- Footman repeated, in the same solemn tone, only chang- 
ing the order of the words a little, 'From the Queen. An invitation for the 
Duchess to play croquet.' 

Then they both bowed low, and their curls got entangled together. 

Alice laughed so much at this, that she had to run back into the wood for 
fear of their hearing her; and when she next peeped out the Fish-Footman 
was gone, and the other was sitting on the ground near the door, staring 
stupidly up into the sky. 

Alice went timidly up to the door, and knocked. 

'There's no sort of use in knocking,' said the Footman, 'and that for 
two reasons. First, because Fm on the same side of the door as you are; 
secondly, because they're making such a noise inside, no one could possibly 
hear you.' And certainly there was a most extraordinary noise going on 
within-a constant howling and sneezing, and every now and then a great 

43 



44 CHAPTER 6. PIG AND PEPPER 

crash, as if a dish or kettle had been broken to pieces. 

'Please, then,' said Alice, 'how am I to get in?' 

'There might be some sense in your knocking,' the Footman went on 
without attending to her, 'if we had the door between us. For instance, if 
you were INSIDE, you might knock, and I could let you out, you know.' 
He was looking up into the sky all the time he was speaking, and this Alice 
thought decidedly uncivil. 'But perhaps he can't help it,' she said to herself; 
'his eyes are so VERY nearly at the top of his head. But at any rate he might 
answer questions. -How am I to get in?' she repeated, aloud. 

'I shall sit here,' the Footman remarked, 'till tomorrow-' 

At this moment the door of the house opened, and a large plate came 
skimming out, straight at the Footman's head: it just grazed his nose, and 
broke to pieces against one of the trees behind him. 

'-or next day, maybe,' the Footman continued in the same tone, exactly 
as if nothing had happened. 

'How am I to get in?' asked Alice again, in a louder tone. 

'ARE you to get in at all?' said the Footman. 'That's the first question, 
you know.' 

It was, no doubt: only Alice did not like to be told so. 'It's really dreadful,' 
she muttered to herself, 'the way all the creatures argue. It's enough to drive 
one crazy!' 

The Footman seemed to think this a good opportunity for repeating his 
remark, with variations. 'I shall sit here,' he said, 'on and off, for days and 
days.' 

'But what am I to do?' said Alice. 

'Anything you like,' said the Footman, and began whistling. 

'Oh, there's no use in talking to him,' said Alice desperately: 'he's per- 
fectly idiotic!' And she opened the door and went in. 

The door led right into a large kitchen, which was full of smoke from 
one end to the other: the Duchess was sitting on a three-legged stool in the 
middle, nursing a baby; the cook was leaning over the fire, stirring a large 
cauldron which seemed to be full of soup. 

'There's certainly too much pepper in that soup!' Alice said to herself, 
as well as she could for sneezing. 

There was certainly too much of it in the air. Even the Duchess sneezed 
occasionally; and as for the baby, it was sneezing and howling alternately 
without a moment's pause. The only things in the kitchen that did not 



45 



sneeze, were the cook, and a large cat which was sitting on the hearth and 
grinning from ear to ear. 

'Please would you tell me,' said Alice, a little timidly, for she was not 
quite sure whether it was good manners for her to speak first, 'why your cat 
grins like that?' 

'It's a Cheshire cat,' said the Duchess, 'and that's why. Pig!' 

She said the last word with such sudden violence that Alice quite jumped; 
but she saw in another moment that it was addressed to the baby, and not 
to her, so she took courage, and went on again:- 

'I didn't know that Cheshire cats always grinned; in fact, I didn't know 
that cats COULD grin.' 

'They all can,' said the Duchess; 'and most of 'em do.' 

'I don't know of any that do,' Alice said very politely, feeling quite pleased 
to have got into a conversation. 

'You don't know much,' said the Duchess; 'and that's a fact.' 

Alice did not at all like the tone of this remark, and thought it would be 
as well to introduce some other subject of conversation. While she was trying 
to fix on one, the cook took the cauldron of soup off the fire, and at once set 
to work throwing everything within her reach at the Duchess and the baby 
-the fire-irons came first; then followed a shower of saucepans, plates, and 
dishes. The Duchess took no notice of them even when they hit her; and 
the baby was howling so much already, that it was quite impossible to say 
whether the blows hurt it or not. 

'Oh, PLEASE mind what you're doing!' cried Alice, jumping up and 
down in an agony of terror. 'Oh, there goes his PRECIOUS nose'; as an 
unusually large saucepan fiew close by it, and very nearly carried it off. 

'If everybody minded their own business,' the Duchess said in a hoarse 
growl, 'the world would go round a deal faster than it does.' 

'Which would NOT be an advantage,' said Alice, who felt very glad to 
get an opportunity of showing off a little of her knowledge. 'Just think of 
what work it would make with the day and night! You see the earth takes 
twenty-four hours to turn round on its axis-' 

'Talking of axes,' said the Duchess, 'chop off her head!' 

Alice glanced rather anxiously at the cook, to see if she meant to take 
the hint; but the cook was busily stirring the soup, and seemed not to be 
listening, so she went on again: 'Twenty-four hours, I THINK; or is it twelve? 
I-' 



46 CHAPTER 6. PIG AND PEPPER 

'Oh, don't bother ME,' said the Duchess; 'I never could abide figures!' 
And with that she began nursing her child again, singing a sort of lullaby to 
it as she did so, and giving it a violent shake at the end of every line: 

'Speak roughly to your little boy. 
And beat him when he sneezes: 
He only does it to annoy. 
Because he knows it teases.' 

CHORUS. 

(In which the cook and the baby joined) :- 

'Wow! wow! wow!' 

While the Duchess sang the second verse of the song, she kept tossing the 
baby violently up and down, and the poor little thing howled so, that Alice 
could hardly hear the words:- 

'I speak severely to my boy, 
I beat him when he sneezes; 
For he can thoroughly enjoy 
The pepper when he pleases!' 

CHORUS. 

'Wow! wow! wow!' 

'Here! you may nurse it a bit, if you like!' the Duchess said to Alice, 
flinging the baby at her as she spoke. 'I must go and get ready to play 
croquet with the Queen,' and she hurried out of the room. The cook threw 
a frying-pan after her as she went out, but it just missed her. 

Alice caught the baby with some difficulty, as it was a queer- shaped little 
creature, and held out its arms and legs in all directions, 'just like a star-fish,' 
thought Alice. The poor little thing was snorting like a steam-engine when 
she caught it, and kept doubling itself up and straightening itself out again, 
so that altogether, for the first minute or two, it was as much as she could 
do to hold it. 

As soon as she had made out the proper way of nursing it, (which was to 
twist it up into a sort of knot, and then keep tight hold of its right ear and 



47 



left foot, so as to prevent its undoing itself,) she carried it out into the open 
air. 'IF I don't take this child away with me,' thought Alice, 'they're sure to 
kill it in a day or two: wouldn't it be murder to leave it behind?' She said 
the last words out loud, and the little thing grunted in reply (it had left off 
sneezing by this time). 'Don't grunt,' said Alice; 'that's not at all a proper 
way of expressing yourself.' 

The baby grunted again, and Alice looked very anxiously into its face to 
see what was the matter with it. There could be no doubt that it had a 
VERY turn-up nose, much more like a snout than a real nose; also its eyes 
were getting extremely small for a baby: altogether Alice did not like the 
look of the thing at all. 'But perhaps it was only sobbing,' she thought, and 
looked into its eyes again, to see if there were any tears. 

No, there were no tears. 'If you're going to turn into a pig, my dear,' 
said Alice, seriously, 'I'll have nothing more to do with you. Mind now!' The 
poor little thing sobbed again (or grunted, it was impossible to say which), 
and they went on for some while in silence. 

Alice was just beginning to think to herself, 'Now, what am I to do with 
this creature when I get it home?' when it grunted again, so violently, that 
she looked down into its face in some alarm. This time there could be NO 
mistake about it: it was neither more nor less than a pig, and she felt that 
it would be quite absurd for her to carry it further. 

So she set the little creature down, and felt quite relieved to see it trot 
away quietly into the wood. 'If it had grown up,' she said to herself, 'it would 
have made a dreadfully ugly child: but it makes rather a handsome pig, I 
think.' And she began thinking over other children she knew, who might do 
very well as pigs, and was just saying to herself, 'if one only knew the right 
way to change them-' when she was a little startled by seeing the Cheshire 
Cat sitting on a bough of a tree a few yards off. 

The Cat only grinned when it saw Alice. It looked good- natured, she 
thought: still it had VERY long claws and a great many teeth, so she felt 
that it ought to be treated with respect. 

'Cheshire Puss,' she began, rather timidly, as she did not at all know 
whether it would like the name: however, it only grinned a little wider. 
'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell 
me, please, which way I ought to go from here?' 

'That depends a good deal on where you want to get to,' said the Cat. 

'I don't much care where-' said Alice. 

'Then it doesn't matter which way you go,' said the Cat. 



48 CHAPTER 6. PIG AND PEPPER 

'-so long as I get SOMEWHERE,' Alice added as an explanation. 

'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.' 

Alice felt that this could not be denied, so she tried another question. 
'What sort of people live about here?' 

'In THAT direction,' the Cat said, waving its right paw round, 'lives a 
Hatter: and in THAT direction,' waving the other paw, 'lives a March Hare. 
Visit either you like: they're both mad.' 

'But I don't want to go among mad people,' Alice remarked. 

'Oh, you can't help that,' said the Cat: 'we're all mad here. I'm mad. 
You're mad.' 

'How do you know I'm mad?' said Alice. 

'You must be,' said the Cat, 'or you wouldn't have come here.' 

Alice didn't think that proved it at all; however, she went on 'And how 
do you know that you're mad?' 

'To begin with,' said the Cat, 'a dog's not mad. You grant that?' 

'I suppose so,' said Alice. 

'Well, then,' the Cat went on, 'you see, a dog growls when it's angry, and 
wags its tail when it's pleased. Now I growl when I'm pleased, and wag my 
tail when I'm angry. Therefore I'm mad.' 

'I call it purring, not growling,' said Alice. 

'Call it what you like,' said the Cat. 'Do you play croquet with the Queen 
to-day?' 

'I should like it very much,' said Alice, 'but I haven't been invited yet.' 

'You'll see me there,' said the Cat, and vanished. 

Alice was not much surprised at this, she was getting so used to queer 
things happening. While she was looking at the place where it had been, it 
suddenly appeared again. 

'By-the-bye, what became of the baby?' said the Cat. 'I'd nearly forgot- 
ten to ask.' 

'It turned into a pig,' Alice quietly said, just as if it had come back in a 
natural way. 

'I thought it would,' said the Cat, and vanished again. 

Alice waited a little, half expecting to see it again, but it did not appear, 
and after a minute or two she walked on in the direction in which the March 
Hare was said to live. 'I've seen hatters before,' she said to herself; 'the 
March Hare will be much the most interesting, and perhaps as this is May 
it won't be raving mad-at least not so mad as it was in March.' As she said 



49 



this, she looked up, and there was the Cat again, sitting on a branch of a 
tree. 

'Did you say pig, or fig?' said the Cat. 

'I said pig,' rephed Ahce; 'and I wish you wouldn't keep appearing and 
vanishing so suddenly: you make one quite giddy.' 

'All right,' said the Cat; and this time it vanished quite slowly, beginning 
with the end of the tail, and ending with the grin, which remained some time 
after the rest of it had gone. 

'Well! I've often seen a cat without a grin,' thought Alice; 'but a grin 
without a cat! It's the most curious thing I ever saw in my life!' 

She had not gone much farther before she came in sight of the house of the 
March Hare: she thought it must be the right house, because the chimneys 
were shaped like ears and the roof was thatched with fur. It was so large 
a house, that she did not like to go nearer till she had nibbled some more 
of the lefthand bit of mushroom, and raised herself to about two feet high: 
even then she walked up towards it rather timidly, saying to herself 'Suppose 
it should be raving mad after all! I almost wish I'd gone to see the Hatter 
instead!' 



50 CHAPTER 6. PIG AND PEPPER 



Chapter 7 

A Mad Tea-Party 



There was a table set out under a tree in front of the house, and the March 
Hare and the Hatter were having tea at it: a Dormouse was sitting between 
them, fast asleep, and the other two were using it as a cushion, resting 
their elbows on it, and talking over its head. 'Very uncomfortable for the 
Dormouse,' thought Alice; 'only, as it's asleep, I suppose it doesn't mind.' 

The table was a large one, but the three were all crowded together at 
one corner of it: 'No room! No room!' they cried out when they saw Alice 
coming. 'There's PLENTY of room!' said Alice indignantly, and she sat 
down in a large arm-chair at one end of the table. 

'Have some wine,' the March Hare said in an encouraging tone. 

Alice looked all round the table, but there was nothing on it but tea. 'I 
don't see any wine,' she remarked. 

'There isn't any,' said the March Hare. 

'Then it wasn't very civil of you to offer it,' said Alice angrily. 

'It wasn't very civil of you to sit down without being invited,' said the 
March Hare. 

'I didn't know it was YOUR table,' said Alice; 'it's laid for a great many 
more than three.' 

'Your hair wants cutting,' said the Hatter. He had been looking at Alice 
for some time with great curiosity, and this was his first speech. 

'You should learn not to make personal remarks,' Alice said with some 
severity; 'it's very rude.' 

The Hatter opened his eyes very wide on hearing this; but all he SAID 
was, 'Why is a raven like a writing-desk?' 

51 



52 CHAPTER 7. A MAD TEA-PARTY 

'Come, we shall have some fun now!' thought Alice. 'I'm glad they've 
begun asking riddles.-I believe I can guess that,' she added aloud. 

'Do you mean that you think you can find out the answer to it?' said the 
March Hare. 

'Exactly so,' said Alice. 

'Then you should say what you mean,' the March Hare went on. 

'I do,' Alice hastily replied; 'at least-at least I mean what I say-that's 
the same thing, you know.' 

'Not the same thing a bit!' said the Hatter. 'You might just as well say 
that "I see what I eat" is the same thing as "I eat what I see"!' 

'You might just as well say,' added the March Hare, 'that "I like what I 
get" is the same thing as "I get what I like"!' 

'You might just as well say,' added the Dormouse, who seemed to be 
talking in his sleep, 'that "I breathe when I sleep" is the same thing as "I 
sleep when I breathe"!' 

'It IS the same thing with you,' said the Hatter, and here the conversation 
dropped, and the party sat silent for a minute, while Alice thought over all 
she could remember about ravens and writing-desks, which wasn't much. 

The Hatter was the first to break the silence. 'What day of the month is 
it?' he said, turning to Alice: he had taken his watch out of his pocket, and 
was looking at it uneasily, shaking it every now and then, and holding it to 
his ear. 

Alice considered a little, and then said 'The fourth.' 

'Two days wrong!' sighed the Hatter. 'I told you butter wouldn't suit 
the works!' he added looking angrily at the March Hare. 

'It was the BEST butter,' the March Hare meekly replied. 

'Yes, but some crumbs must have got in as well,' the Hatter grumbled: 
'you shouldn't have put it in with the bread-knife.' 

The March Hare took the watch and looked at it gloomily: then he dipped 
it into his cup of tea, and looked at it again: but he could think of nothing 
better to say than his first remark, 'It was the BEST butter, you know.' 

Alice had been looking over his shoulder with some curiosity. 'What a 
funny watch!' she remarked. 'It tells the day of the month, and doesn't tell 
what o'clock it is!' 

'Why should it?' muttered the Hatter. 'Does YOUR watch tell you what 
year it is?' 

'Of course not,' Alice replied very readily: 'but that's because it stays the 
same year for such a long time together.' 



53 



'Which is just the case with MINE,' said the Hatter. 

Ahce felt dreadfuhy puzzled. The Hatter's remark seemed to have no sort 
of meaning in it, and yet it was certainly English. T don't quite understand 
you,' she said, as politely as she could. 

'The Dormouse is asleep again,' said the Hatter, and he poured a little 
hot tea upon its nose. 

The Dormouse shook its head impatiently, and said, without opening its 
eyes, 'Of course, of course; just what I was going to remark myself.' 

'Have you guessed the riddle yet?' the Hatter said, turning to Alice again. 

'No, I give it up,' Alice replied: 'what's the answer?' 

'I haven't the slightest idea,' said the Hatter. 

'Nor I,' said the March Hare. 

Alice sighed wearily. 'I think you might do something better with the 
time,' she said, 'than waste it in asking riddles that have no answers.' 

'If you knew Time as well as I do,' said the Hatter, 'you wouldn't talk 
about wasting IT. It's HIM.' 

'I don't know what you mean,' said Alice. 

'Of course you don't!' the Hatter said, tossing his head contemptuously. 
'I dare say you never even spoke to Time!' 

'Perhaps not,' Alice cautiously replied: 'but I know I have to beat time 
when I learn music' 

'Ah! that accounts for it,' said the Hatter. 'He won't stand beating. Now, 
if you only kept on good terms with him, he'd do almost anything you liked 
with the clock. For instance, suppose it were nine o'clock in the morning, 
just time to begin lessons: you'd only have to whisper a hint to Time, and 
round goes the clock in a twinkling! Half-past one, time for dinner!' 

('I only wish it was,' the March Hare said to itself in a whisper.) 

'That would be grand, certainly,' said Alice thoughtfully: 'but then-I 
shouldn't be hungry for it, you know.' 

'Not at first, perhaps,' said the Hatter: 'but you could keep it to half-past 
one as long as you liked.' 

'Is that the way YOU manage?' Alice asked. 

The Hatter shook his head mournfully. 'Not I!' he replied. 'We quarrelled 
last March-just before HE went mad, you know-' (pointing with his tea 
spoon at the March Hare,) '-it was at the great concert given by the Queen 
of Hearts, and I had to sing 

"Twinkle, twinkle, little bat! 



54 CHAPTER 7. A MAD TEA-PARTY 

How I wonder what you're at!" 

You know the song, perhaps?' 

'I've heard something hke it,' said Alice. 

'It goes on, you know,' the Hatter continued, 'in this way:- 

"Up above the world you fly. 
Like a tea-tray in the sky. 
Twinkle, twinkle-" ' 

Here the Dormouse shook itself, and began singing in its sleep 'Twinkle, 
twinkle, twinkle, twinkle-' and went on so long that they had to pinch it to 
make it stop. 

'Well, I'd hardly finished the first verse,' said the Hatter, 'when the Queen 
jumped up and bawled out, "He's murdering the time! Off with his head!" ' 

'How dreadfully savage!' exclaimed Alice. 

'And ever since that,' the Hatter went on in a mournful tone, 'he won't 
do a thing I ask! It's always six o'clock now.' 

A bright idea came into Alice's head. 'Is that the reason so many tea- 
things are put out here?' she asked. 

'Yes, that's it,' said the Hatter with a sigh: 'it's always tea-time, and 
we've no time to wash the things between whiles.' 

'Then you keep moving round, I suppose?' said Alice. 

'Exactly so,' said the Hatter: 'as the things get used up.' 

'But what happens when you come to the beginning again?' Alice ven- 
tured to ask. 

'Suppose we change the subject,' the March Hare interrupted, yawning. 
'I'm getting tired of this. I vote the young lady tells us a story.' 

'I'm afraid I don't know one,' said Alice, rather alarmed at the proposal. 

'Then the Dormouse shall!' they both cried. 'Wake up. Dormouse!' And 
they pinched it on both sides at once. 

The Dormouse slowly opened his eyes. 'I wasn't asleep,' he said in a 
hoarse, feeble voice: 'I heard every word you fellows were saying.' 

'Tell us a story!' said the March Hare. 

'Yes, please do!' pleaded Alice. 

'And be quick about it,' added the Hatter, 'or you'll be asleep again before 
it's done.' 



55 



'Once upon a time there were three httle sisters,' the Dormouse began in 
a great hurry; 'and their names were Elsie, Lacie, and Tilhe; and they lived 
at the bottom of a well-' 

'What did they live on?' said Alice, who always took a great interest in 
questions of eating and drinking. 

'They lived on treacle,' said the Dormouse, after thinking a minute or 
two. 

'They couldn't have done that, you know,' Alice gently remarked; 'they'd 
have been ill.' 

'So they were,' said the Dormouse; 'VERY ill.' 

Alice tried to fancy to herself what such an extraordinary ways of living 
would be like, but it puzzled her too much, so she went on: 'But why did 
they live at the bottom of a well?' 

'Take some more tea,' the March Hare said to Alice, very earnestly. 

'I've had nothing yet,' Alice replied in an offended tone, 'so I can't take 
more.' 

'You mean you can't take LESS,' said the Hatter: 'it's very easy to take 
MORE than nothing.' 

'Nobody asked YOUR opinion,' said Alice. 

'Who's making personal remarks now?' the Hatter asked triumphantly. 

Alice did not quite know what to say to this: so she helped herself to some 
tea and bread-and-butter, and then turned to the Dormouse, and repeated 
her question. 'Why did they live at the bottom of a well?' 

The Dormouse again took a minute or two to think about it, and then 
said, 'It was a treacle- well.' 

'There's no such thing!' Alice was beginning very angrily, but the Hatter 
and the March Hare went 'Sh! sh!' and the Dormouse sulkily remarked, 'If 
you can't be civil, you'd better finish the story for yourself.' 

'No, please go on!' Alice said very humbly; 'I won't interrupt again. I 
dare say there may be ONE.' 

'One, indeed!' said the Dormouse indignantly. However, he consented 
to go on. 'And so these three little sisters-they were learning to draw, you 
know-' 

'What did they draw?' said Alice, quite forgetting her promise. 

'Treacle,' said the Dormouse, without considering at all this time. 

'I want a clean cup,' interrupted the Hatter: 'let's all move one place on.' 

He moved on as he spoke, and the Dormouse followed him: the March 
Hare moved into the Dormouse's place, and Alice rather unwillingly took 



56 CHAPTER 7. A MAD TEA-PARTY 

the place of the March Hare. The Hatter was the only one who got any 
advantage from the change: and Alice was a good deal worse off than before, 
as the March Hare had just upset the milk-jug into his plate. 

Alice did not wish to offend the Dormouse again, so she began very cau- 
tiously: 'But I don't understand. Where did they draw the treacle from?' 

'You can draw water out of a water-well,' said the Hatter; 'so I should 
think you could draw treacle out of a treacle- well-eh, stupid?' 

'But they were IN the well,' Alice said to the Dormouse, not choosing to 
notice this last remark. 

'Of course they were', said the Dormouse; '-well in.' 

This answer so confused poor Alice, that she let the Dormouse go on for 
some time without interrupting it. 

'They were learning to draw,' the Dormouse went on, yawning and rub- 
bing its eyes, for it was getting very sleepy; 'and they drew all manner of 
things-everything that begins with an M-' 

'Why with an M?' said Ahce. 

'Why not?' said the March Hare. 

Alice was silent. 

The Dormouse had closed its eyes by this time, and was going off into 
a doze; but, on being pinched by the Hatter, it woke up again with a little 
shriek, and went on: '-that begins with an M, such as mouse-traps, and the 
moon, and memory, and muchness- you know you say things are "much of a 
muchness" -did you ever see such a thing as a drawing of a muchness?' 

'Really, now you ask me,' said Alice, very much confused, 'I don't think-' 

'Then you shouldn't talk,' said the Hatter. 

This piece of rudeness was more than Alice could bear: she got up in 
great disgust, and walked off; the Dormouse fell asleep instantly, and neither 
of the others took the least notice of her going, though she looked back once 
or twice, half hoping that they would call after her: the last time she saw 
them, they were trying to put the Dormouse into the teapot. 

'At any rate I'll never go THERE again!' said Alice as she picked her way 
through the wood. 'It's the stupidest tea-party I ever was at in all my life!' 

Just as she said this, she noticed that one of the trees had a door leading 
right into it. 'That's very curious!' she thought. 'But everything's curious 
today. I think I may as well go in at once.' And in she went. 

Once more she found herself in the long hall, and close to the little glass 
table. 'Now, I'll manage better this time,' she said to herself, and began by 
taking the little golden key, and unlocking the door that led into the garden. 



57 



Then she went to work nibbhng at the mushroom (she had kept a piece of 
it in her pocket) till she was about a foot high: then she walked down the 
little passage: and THEN-she found herself at last in the beautiful garden, 
among the bright flower-beds and the cool fountains. 



58 CHAPTER 7. A MAD TEA-PARTY 



Chapter 8 

The Queen's Croquet-Ground 



A large rose-tree stood near the entrance of the garden: the roses growing 
on it were white, but there were three gardeners at it, busily painting them 
red. Alice thought this a very curious thing, and she went nearer to watch 
them, and just as she came up to them she heard one of them say, 'Look out 
now. Five! Don't go splashing paint over me like that!' 

'I couldn't help it,' said Five, in a sulky tone; 'Seven jogged my elbow.' 

On which Seven looked up and said, 'That's right. Five! Always lay the 
blame on others!' 

'YOU'D better not talk!' said Five. 'I heard the Queen say only yesterday 
you deserved to be beheaded!' 

'What for?' said the one who had spoken first. 

'That's none of YOUR business. Two!' said Seven. 

'Yes, it IS his business!' said Five, 'and FU tell him-it was for bringing 
the cook tulip-roots instead of onions.' 

Seven flung down his brush, and had just begun 'Well, of all the unjust 
things-' when his eye chanced to fall upon Alice, as she stood watching them, 
and he checked himself suddenly: the others looked round also, and all of 
them bowed low. 

'Would you tell me,' said Alice, a little timidly, 'why you are painting 
those roses?' 

Five and Seven said nothing, but looked at Two. Two began in a low 
voice, 'Why the fact is, you see. Miss, this here ought to have been a RED 
rose-tree, and we put a white one in by mistake; and if the Queen was to 
find it out, we should all have our heads cut off, you know. So you see. 
Miss, we're doing our best, afore she comes, to-' At this moment Five, who 

59 



60 CHAPTER 8. THE QUEEN'S CROQUET-GROUND 

had been anxiously looking across the garden, called out 'The Queen! The 
Queen!' and the three gardeners instantly threw themselves flat upon their 
faces. There was a sound of many footsteps, and Alice looked round, eager 
to see the Queen. 

First came ten soldiers carrying clubs; these were all shaped like the three 
gardeners, oblong and flat, with their hands and feet at the corners: next the 
ten courtiers; these were ornamented all over with diamonds, and walked two 
and two, as the soldiers did. After these came the royal children; there were 
ten of them, and the little dears came jumping merrily along hand in hand, in 
couples: they were all ornamented with hearts. Next came the guests, mostly 
Kings and Queens, and among them Alice recognised the White Rabbit: it 
was talking in a hurried nervous manner, smiling at everything that was 
said, and went by without noticing her. Then followed the Knave of Hearts, 
carrying the King's crown on a crimson velvet cushion; and, last of all this 
grand procession, came THE KING AND QUEEN OF HEARTS. 

Alice was rather doubtful whether she ought not to lie down on her face 
like the three gardeners, but she could not remember ever having heard 
of such a rule at processions; 'and besides, what would be the use of a 
procession,' thought she, 'if people had all to lie down upon their faces, 
so that they couldn't see it?' So she stood still where she was, and waited. 

When the procession came opposite to Alice, they all stopped and looked 
at her, and the Queen said severely 'Who is this?' She said it to the Knave 
of Hearts, who only bowed and smiled in reply. 

'Idiot!' said the Queen, tossing her head impatiently; and, turning to 
Alice, she went on, 'What's your name, child?' 

'My name is Alice, so please your Majesty,' said Alice very politely; but 
she added, to herself, 'Why, they're only a pack of cards, after all. I needn't 
be afraid of them!' 

'And who are THESE?' said the Queen, pointing to the three gardeners 
who were lying round the rosetree; for, you see, as they were lying on their 
faces, and the pattern on their backs was the same as the rest of the pack, 
she could not tell whether they were gardeners, or soldiers, or courtiers, or 
three of her own children. 

'How should I know?' said Alice, surprised at her own courage. 'It's no 
business of MINE.' 

The Queen turned crimson with fury, and, after glaring at her for a mo- 
ment like a wild beast, screamed 'Off with her head! Off-' 

'Nonsense!' said Alice, very loudly and decidedly, and the Queen was 



61 



silent. 

The King laid his hand upon her arm, and timidly said 'Consider, my 
dear: she is only a child!' 

The Queen turned angrily away from him, and said to the Knave 'Turn 
them over!' 

The Knave did so, very carefully, with one foot. 

'Get up!' said the Queen, in a shrill, loud voice, and the three gardeners 
instantly jumped up, and began bowing to the King, the Queen, the royal 
children, and everybody else. 

'Leave off that!' screamed the Queen. 'You make me giddy.' And then, 
turning to the rose-tree, she went on, 'What HAVE you been doing here?' 

'May it please your Majesty,' said Two, in a very humble tone, going 
down on one knee as he spoke, 'we were trying-' 

'I see!' said the Queen, who had meanwhile been examining the roses. 
'Off with their heads!' and the procession moved on, three of the soldiers 
remaining behind to execute the unfortunate gardeners, who ran to Alice for 
protection. 

'You shan't be beheaded!' said Alice, and she put them into a large 
ffower-pot that stood near. The three soldiers wandered about for a minute 
or two, looking for them, and then quietly marched off after the others. 

'Are their heads off?' shouted the Queen. 

'Their heads are gone, if it please your Majesty!' the soldiers shouted in 
reply. 

'That's right!' shouted the Queen. 'Can you play croquet?' 

The soldiers were silent, and looked at Alice, as the question was evidently 
meant for her. 

'Yes!' shouted Alice. 

'Come on, then!' roared the Queen, and Alice joined the procession, 
wondering very much what would happen next. 

'It's-it's a very fine day!' said a timid voice at her side. She was walking 
by the White Rabbit, who was peeping anxiously into her face. 

'Very,' said Alice: '-where's the Duchess?' 

'Hush! Hush!' said the Rabbit in a low, hurried tone. He looked anxiously 
over his shoulder as he spoke, and then raised himself upon tiptoe, put his 
mouth close to her ear, and whispered 'She's under sentence of execution.' 

'What for?' said Ahce. 

'Did you say "What a pity!"?' the Rabbit asked. 



62 CHAPTER 8. THE QUEEN'S CROQUET-GROUND 

'No, I didn't,' said Alice: 'I don't think it's at all a pity. I said "What 
for?" ' 

'She boxed the Queen's ears-' the Rabbit began. Alice gave a little scream 
of laughter. 'Oh, hush!' the Rabbit whispered in a frightened tone. 'The 
Queen will hear you! You see, she came rather late, and the Queen said-' 

'Get to your places!' shouted the Queen in a voice of thunder, and peo- 
ple began running about in all directions, tumbling up against each other; 
however, they got settled down in a minute or two, and the game began. 
Alice thought she had never seen such a curious croquet-ground in her life; 
it was all ridges and furrows; the balls were live hedgehogs, the mallets live 
flamingoes, and the soldiers had to double themselves up and to stand on 
their hands and feet, to make the arches. 

The chief difficulty Alice found at first was in managing her fiamingo: 
she succeeded in getting its body tucked away, comfortably enough, under 
her arm, with its legs hanging down, but generally, just as she had got its 
neck nicely straightened out, and was going to give the hedgehog a blow 
with its head, it WOULD twist itself round and look up in her face, with 
such a puzzled expression that she could not help bursting out laughing: and 
when she had got its head down, and was going to begin again, it was very 
provoking to find that the hedgehog had unrolled itself, and was in the act of 
crawling away: besides all this, there was generally a ridge or furrow in the 
way wherever she wanted to send the hedgehog to, and, as the doubled-up 
soldiers were always getting up and walking off to other parts of the ground, 
Alice soon came to the conclusion that it was a very difficult game indeed. 

The players all played at once without waiting for turns, quarrelling all 
the while, and fighting for the hedgehogs; and in a very short time the Queen 
was in a furious passion, and went stamping about, and shouting 'Off with 
his head!' or 'Off with her head!' about once in a minute. 

Alice began to feel very uneasy: to be sure, she had not as yet had any 
dispute with the Queen, but she knew that it might happen any minute, 'and 
then,' thought she, 'what would become of me? They're dreadfully fond of 
beheading people here; the great wonder is, that there's any one left alive!' 

She was looking about for some way of escape, and wondering whether she 
could get away without being seen, when she noticed a curious appearance 
in the air: it puzzled her very much at first, but, after watching it a minute 
or two, she made it out to be a grin, and she said to herself 'It's the Cheshire 
Cat: now I shall have somebody to talk to.' 

'How are you getting on?' said the Cat, as soon as there was mouth 



63 



enough for it to speak with. 

Alice waited till the eyes appeared, and then nodded. 'It's no use speaking 
to it,' she thought, 'till its ears have come, or at least one of them.' In another 
minute the whole head appeared, and then Alice put down her flamingo, and 
began an account of the game, feeling very glad she had someone to listen 
to her. The Cat seemed to think that there was enough of it now in sight, 
and no more of it appeared. 

'I don't think they play at all fairly,' Alice began, in rather a complaining 
tone, 'and they all quarrel so dreadfully one can't hear oneself speak-and 
they don't seem to have any rules in particular; at least, if there are, nobody 
attends to them-and you've no idea how confusing it is all the things being 
alive; for instance, there's the arch I've got to go through next walking about 
at the other end of the ground-and I should have croqueted the Queen's 
hedgehog just now, only it ran away when it saw mine coming!' 

'How do you like the Queen?' said the Cat in a low voice. 

'Not at all,' said Alice: 'she's so extremely-' Just then she noticed that 
the Queen was close behind her, listening: so she went on, '-likely to win, 
that it's hardly worth while finishing the game.' 

The Queen smiled and passed on. 

'Who ARE you talking to?' said the King, going up to Alice, and looking 
at the Cat's head with great curiosity. 

'It's a friend of mine-a Cheshire Cat,' said Alice: 'allow me to introduce 
it.' 

'I don't like the look of it at all,' said the King: 'however, it may kiss my 
hand if it likes.' 

'I'd rather not,' the Cat remarked. 

'Don't be impertinent,' said the King, 'and don't look at me like that!' 
He got behind Alice as he spoke. 

'A cat may look at a king,' said Alice. 'I've read that in some book, but 
I don't remember where.' 

'Well, it must be removed,' said the King very decidedly, and he called 
the Queen, who was passing at the moment, 'My dear! I wish you would 
have this cat removed!' 

The Queen had only one way of settling all difficulties, great or small. 
'Off with his head!' she said, without even looking round. 

'I'll fetch the executioner myself,' said the King eagerly, and he hurried 
off. 



64 CHAPTER 8. THE QUEEN'S CROQUET-GROUND 

Alice thought she might as well go back, and see how the game was going 
on, as she heard the Queen's voice in the distance, screaming with passion. 
She had already heard her sentence three of the players to be executed for 
having missed their turns, and she did not like the look of things at all, as 
the game was in such confusion that she never knew whether it was her turn 
or not. So she went in search of her hedgehog. 

The hedgehog was engaged in a fight with another hedgehog, which 
seemed to Alice an excellent opportunity for croqueting one of them with 
the other: the only difficulty was, that her flamingo was gone across to the 
other side of the garden, where Alice could see it trying in a helpless sort of 
way to fly up into a tree. 

By the time she had caught the flamingo and brought it back, the fight 
was over, and both the hedgehogs were out of sight: 'but it doesn't matter 
much,' thought Alice, 'as all the arches are gone from this side of the ground.' 
So she tucked it away under her arm, that it might not escape again, and 
went back for a little more conversation with her friend. 

When she got back to the Cheshire Cat, she was surprised to find quite 
a large crowd collected round it: there was a dispute going on between the 
executioner, the King, and the Queen, who were all talking at once, while all 
the rest were quite silent, and looked very uncomfortable. 

The moment Alice appeared, she was appealed to by all three to settle 
the question, and they repeated their arguments to her, though, as they all 
spoke at once, she found it very hard indeed to make out exactly what they 
said. 

The executioner's argument was, that you couldn't cut off a head unless 
there was a body to cut it off from: that he had never had to do such a thing 
before, and he wasn't going to begin at HIS time of life. 

The King's argument was, that anything that had a head could be be- 
headed, and that you weren't to talk nonsense. 

The Queen's argument was, that if something wasn't done about it in 
less than no time she'd have everybody executed, all round. (It was this last 
remark that had made the whole party look so grave and anxious.) 

Alice could think of nothing else to say but 'It belongs to the Duchess: 
you'd better ask HER about it.' 

'She's in prison,' the Queen said to the executioner: 'fetch her here.' And 
the executioner went off like an arrow. 

The Cat's head began fading away the moment he was gone, and, by the 
time he had come back with the Duchess, it had entirely disappeared; so the 



65 



King and the executioner ran wildly up and down looking for it, while the 
rest of the party went back to the game. 



66 CHAPTER 8. THE QUEEN'S CROQUET-GROUND 



Chapter 9 

The Mock Turtle's Story 



'You can't think how glad I am to see you again, you dear old thing!' said the 
Duchess, as she tucked her arm affectionately into Aiice's, and they waiked 
off together. 

Afice was very giad to find her in such a pieasant temper, and thought 
to herseff that perhaps it was oniy the pepper that had made her so savage 
when they met in the kitchen. 

'When I'M a Duchess,' she said to herself, (not in a very hopeful tone 
though), 'I won't have any pepper in my kitchen AT ALL. Soup does very 
well without-Maybe it's always pepper that makes people hot-tempered,' 
she went on, very much pleased at having found out a new kind of rule, 'and 
vinegar that makes them sour-and camomile that makes them bitter-and- 
and barley-sugar and such things that make children sweet-tempered. I only 
wish people knew that: then they wouldn't be so stingy about it, you know-' 

She had quite forgotten the Duchess by this time, and was a little startled 
when she heard her voice close to her ear. 'You're thinking about something, 
my dear, and that makes you forget to talk. I can't tell you just now what 
the moral of that is, but I shall remember it in a bit.' 

'Perhaps it hasn't one,' Alice ventured to remark. 

'Tut, tut, child!' said the Duchess. 'Everything's got a moral, if only you 
can find it.' And she squeezed herself up closer to Alice's side as she spoke. 

Alice did not much like keeping so close to her: first, because the Duchess 
was VERY ugly; and secondly, because she was exactly the right height to 
rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. 
However, she did not like to be rude, so she bore it as well as she could. 

'The game's going on rather better now,' she said, by way of keeping up 

67 



68 CHAPTER 9. THE MOCK TURTLE'S STORY 

the conversation a little. 

"Tis so,' said the Duchess: 'and the moral of that is-" Oh, 'tis love, 'tis 
love, that makes the world go round!"' 

'Somebody said,' Alice whispered, 'that it's done by everybody minding 
their own business!' 

'Ah, well! It means much the same thing,' said the Duchess, digging her 
sharp little chin into Alice's shoulder as she added, 'and the moral of THAT 
is- "Take care of the sense, and the sounds will take care of themselves."' 

'How fond she is of finding morals in things!' Alice thought to herself. 

'I dare say you're wondering why I don't put my arm round your waist,' 
the Duchess said after a pause: 'the reason is, that I'm doubtful about the 
temper of your fiamingo. Shall I try the experiment?' 

'HE might bite,' Alice cautiously replied, not feeling at all anxious to 
have the experiment tried. 

'Very true,' said the Duchess: 'flamingoes and mustard both bite. And 
the moral of that is- "Birds of a feather flock together."' 

'Only mustard isn't a bird,' Alice remarked. 

'Right, as usual,' said the Duchess: 'what a clear way you have of putting 
things!' 

'It's a mineral, I THINK,' said Ahce. 

'Of course it is,' said the Duchess, who seemed ready to agree to every- 
thing that Alice said; 'there's a large mustard-mine near here. And the moral 
of that is- "The more there is of mine, the less there is of yours." ' 

'Oh, I know!' exclaimed Alice, who had not attended to this last remark, 
'it's a vegetable. It doesn't look like one, but it is.' 

'I quite agree with you,' said the Duchess; 'and the moral of that is- "Be 
what you would seem to be" -or if you'd like it put more simply- "Never 
imagine yourself not to be otherwise than what it might appear to others 
that what you were or might have been was not otherwise than what you 
had been would have appeared to them to be otherwise." ' 

'I think I should understand that better,' Alice said very politely, 'if I 
had it written down: but I can't quite follow it as you say it.' 

'That's nothing to what I could say if I chose,' the Duchess replied, in a 
pleased tone. 

'Pray don't trouble yourself to say it any longer than that,' said Alice. 

'Oh, don't talk about trouble!' said the Duchess. 'I make you a present 
of everything I've said as yet.' 



69 



'A cheap sort of present!' thought Ahce. 'I'm glad they don't give birth- 
day presents like that!' But she did not venture to say it out loud. 

'Thinking again?' the Duchess asked, with another dig other sharp little 
chin. 

'I've a right to think,' said Alice sharply, for she was beginning to feel a 
little worried. 

'Just about as much right,' said the Duchess, 'as pigs have to fly; and the 
m-' 

But here, to Alice's great surprise, the Duchess's voice died away, even in 
the middle of her favourite word 'moral,' and the arm that was linked into 
hers began to tremble. Alice looked up, and there stood the Queen in front 
of them, with her arms folded, frowning like a thunderstorm. 

'A fine day, your Majesty!' the Duchess began in a low, weak voice. 

'Now, I give you fair warning,' shouted the Queen, stamping on the 
ground as she spoke; 'either you or your head must be off, and that in about 
half no time! Take your choice!' 

The Duchess took her choice, and was gone in a moment. 

'Let's go on with the game,' the Queen said to Alice; and Alice was too 
much frightened to say a word, but slowly followed her back to the croquet- 
ground. 

The other guests had taken advantage of the Queen's absence, and were 
resting in the shade: however, the moment they saw her, they hurried back 
to the game, the Queen merely remarking that a moment's delay would cost 
them their lives. 

All the time they were playing the Queen never left off quarrelling with 
the other players, and shouting 'Off with his head!' or 'Off with her head!' 
Those whom she sentenced were taken into custody by the soldiers, who of 
course had to leave off being arches to do this, so that by the end of half an 
hour or so there were no arches left, and all the players, except the King, the 
Queen, and Alice, were in custody and under sentence of execution. 

Then the Queen left off, quite out of breath, and said to Alice, 'Have you 
seen the Mock Turtle yet?' 

'No,' said Alice. 'I don't even know what a Mock Turtle is.' 

'It's the thing Mock Turtle Soup is made from,' said the Queen. 

'I never saw one, or heard of one,' said Alice. 

'Come on, then,' said the Queen, 'and he shall tell you his history,' 

As they walked off together, Alice heard the King say in a low voice, 
to the company generally, 'You are all pardoned.' 'Come, THAT'S a good 



70 CHAPTER 9. THE MOCK TURTLE'S STORY 

thing!' she said to herself, for she had feh quite unhappy at the number of 
executions the Queen had ordered. 

They very soon came upon a Gryphon, lying fast asleep in the sun. (IF 
you don't know what a Gryphon is, look at the picture.) 'Up, lazy thing!' 
said the Queen, 'and take this young lady to see the Mock Turtle, and to hear 
his history. I must go back and see after some executions I have ordered'; 
and she walked off, leaving Alice alone with the Gryphon. Alice did not quite 
like the look of the creature, but on the whole she thought it would be quite 
as safe to stay with it as to go after that savage Queen: so she waited. 

The Gryphon sat up and rubbed its eyes: then it watched the Queen till 
she was out of sight: then it chuckled. 'What fun!' said the Gryphon, half 
to itself, half to Alice. 

'What IS the fun?' said Ahce. 

'Why, SHE,' said the Gryphon. 'It's all her fancy, that: they never 
executes nobody, you know. Come on!' 

'Everybody says "come on!" here,' thought Alice, as she went slowly after 
it: 'I never was so ordered about in all my life, never!' 

They had not gone far before they saw the Mock Turtle in the distance, 
sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice 
could hear him sighing as if his heart would break. She pitied him deeply. 
'What is his sorrow?' she asked the Gryphon, and the Gryphon answered, 
very nearly in the same words as before, 'It's all his fancy, that: he hasn't 
got no sorrow, you know. Come on!' 

So they went up to the Mock Turtle, who looked at them with large eyes 
full of tears, but said nothing. 

'This here young lady,' said the Gryphon, 'she wants for to know your 
history, she do.' 

'I'll tell it her,' said the Mock Turtle in a deep, hollow tone: 'sit down, 
both of you, and don't speak a word till I've finished.' 

So they sat down, and nobody spoke for some minutes. Alice thought to 
herself, 'I don't see how he can EVEN finish, if he doesn't begin.' But she 
waited patiently. 

'Once,' said the Mock Turtle at last, with a deep sigh, 'I was a real Turtle.' 

These words were followed by a very long silence, broken only by an 
occasional exclamation of 'Hjckrrh!' from the Gryphon, and the constant 
heavy sobbing of the Mock Turtle. Alice was very nearly getting up and 
saying, 'Thank you, sir, for your interesting story,' but she could not help 
thinking there MUST be more to come, so she sat still and said nothing. 



71 



'When we were little,' the Mock Turtle went on at last, more calmly, 
though still sobbing a little now and then, 'we went to school in the sea. The 
master was an old Turtle-we used to call him Tortoise-' 

'Why did you call him Tortoise, if he wasn't one?' Alice asked. 

'We called him Tortoise because he taught us,' said the Mock Turtle 
angrily: 'really you are very dull!' 

'You ought to be ashamed of yourself for asking such a simple question,' 
added the Gryphon; and then they both sat silent and looked at poor Alice, 
who felt ready to sink into the earth. At last the Gryphon said to the Mock 
Turtle, 'Drive on, old fellow! Don't be all day about it!' and he went on in 
these words: 

'Yes, we went to school in the sea, though you mayn't believe it-' 

'I never said I didn't!' interrupted Alice. 

'You did,' said the Mock Turtle. 

'Hold your tongue!' added the Gryphon, before Alice could speak again. 
The Mock Turtle went on. 

'We had the best of educations-in fact, we went to school every day-' 

'I'VE been to a day-school, too,' said Alice; 'you needn't be so proud as 
all that.' 

'With extras?' asked the Mock Turtle a little anxiously. 

'Yes,' said Alice, 'we learned French and music' 

'And washing?' said the Mock Turtle. 

'Certainly not!' said Alice indignantly. 

'Ah! then yours wasn't a really good school,' said the Mock Turtle in a 
tone of great relief. 'Now at OURS they had at the end of the bill, "French, 
music, AND WASHING-extra." ' 

'You couldn't have wanted it much,' said Alice; 'living at the bottom of 
the sea.' 

'I couldn't afford to learn it.' said the Mock Turtle with a sigh. 'I only 
took the regular course.' 

'What was that?' inquired Alice. 

'Reeling and Writhing, of course, to begin with,' the Mock Turtle replied; 
'and then the different branches of Arithmetic- Ambition, Distraction, Ugli- 
fication, and Derision.' 

'I never heard of "Uglification,"' Alice ventured to say. 'What is it?' 

The Gryphon lifted up both its paws in surprise. 'What! Never heard of 
uglifying!' it exclaimed. 'You know what to beautify is, I suppose?' 

'Yes,' said Alice doubtfully: 'it means-to-make-anything-prettier.' 



72 CHAPTER 9. THE MOCK TURTLE'S STORY 

'Well, then,' the Gryphon went on, 'if you don't know what to uglify is, 
you ARE a simpleton.' 

Alice did not feel encouraged to ask any more questions about it, so she 
turned to the Mock Turtle, and said 'What else had you to learn?' 

'Well, there was Mystery,' the Mock Turtle replied, counting off the sub- 
jects on his flappers, '-Mystery, ancient and modern, with Seaography: then 
Drawling-the Drawling-master was an old conger-eel, that used to come once 
a week: HE taught us Drawling, Stretching, and Fainting in Coils.' 

'What was THAT hke?' said Ahce. 

'Well, I can't show it you myself,' the Mock Turtle said: 'I'm too stiff. 
And the Gryphon never learnt it.' 

'Hadn't time,' said the Gryphon: 'I went to the Classics master, though. 
He was an old crab, HE was.' 

'I never went to him,' the Mock Turtle said with a sigh: 'he taught 
Laughing and Grief, they used to say.' 

'So he did, so he did,' said the Gryphon, sighing in his turn; and both 
creatures hid their faces in their paws. 

'And how many hours a day did you do lessons?' said Alice, in a hurry 
to change the subject. 

'Ten hours the first day,' said the Mock Turtle: 'nine the next, and so 
on.' 

'What a curious plan!' exclaimed Alice. 

'That's the reason they're called lessons,' the Gryphon remarked: 'be- 
cause they lessen from day to day.' 

This was quite a new idea to Alice, and she thought it over a little before 
she made her next remark. 'Then the eleventh day must have been a holiday?' 

'Of course it was,' said the Mock Turtle. 

'And how did you manage on the twelfth?' Alice went on eagerly. 

'That's enough about lessons,' the Gryphon interrupted in a very decided 
tone: 'tell her something about the games now.' 



Chapter 10 

The Lobster Quadrille 



The Mock Turtle sighed deeply, and drew the back of one flapper across his 
eyes. He looked at Alice, and tried to speak, but for a minute or two sobs 
choked his voice. 'Same as if he had a bone in his throat,' said the Gryphon: 
and it set to work shaking him and punching him in the back. At last the 
Mock Turtle recovered his voice, and, with tears running down his cheeks, 
he went on again:- 

'You may not have lived much under the sea-' (T haven't,' said Alice)- 
'and perhaps you were never even introduced to a lobster-' (Alice began to 
say T once tasted-' but checked herself hastily, and said 'No, never') '-so you 
can have no idea what a delightful thing a Lobster Quadrille is!' 

'No, indeed,' said Alice. 'What sort of a dance is it?' 

'Why,' said the Gryphon, 'you first form into a line along the sea-shore-' 

'Two lines!' cried the Mock Turtle. 'Seals, turtles, salmon, and so on; 
then, when you've cleared all the jelly-fish out of the way-' 

'THAT generally takes some time,' interrupted the Gryphon. 

'-you advance twice-' 

'Each with a lobster as a partner!' cried the Gryphon. 

'Of course,' the Mock Turtle said: 'advance twice, set to partners-' 

'-change lobsters, and retire in same order,' continued the Gryphon. 

'Then, you know,' the Mock Turtle went on, 'you throw the-' 

'The lobsters!' shouted the Gryphon, with a bound into the air. 

'-as far out to sea as you can-' 

'Swim after them!' screamed the Gryphon. 

'Turn a somersault in the sea!' cried the Mock Turtle, capering wildly 
about. 

73 



74 CHAPTER 10. THE LOBSTER QUADRILLE 

'Change lobsters again!' yelled the Gryphon at the top of its voice. 

'Back to land again, and that's all the first figure,' said the Mock Turtle, 
suddenly dropping his voice; and the two creatures, who had been jumping 
about like mad things all this time, sat down again very sadly and quietly, 
and looked at Alice. 

'It must be a very pretty dance,' said Alice timidly. 

'Would you like to see a little of it?' said the Mock Turtle. 

'Very much indeed,' said Alice. 

'Come, let's try the first figure!' said the Mock Turtle to the Gryphon. 
'We can do without lobsters, you know. Which shall sing?' 

'Oh, YOU sing,' said the Gryphon. 'I've forgotten the words.' 

So they began solemnly dancing round and round Alice, every now and 
then treading on her toes when they passed too close, and waving their 
forepaws to mark the time, while the Mock Turtle sang this, very slowly and 
sadly :- 

' "Will you walk a little faster?" said a whiting to a snail. 
"There's a porpoise close behind us, and he's treading on my tail. 
See how eagerly the lobsters and the turtles all advance! 
They are waiting on the shingle-will you come and join the dance? 
Will you, won't you, will you, won't you, will you join the dance? 
Will you, won't you, will you, won't you, won't you join the 

dance? 
"You can really have no notion how delightful it will be 
When they take us up and throw us, with the lobsters, out to 

sea!" 
But the snail replied "Too far, too far!" and gave a look askance- 
Said he thanked the whiting kindly, but he would not join the 

dance. 
Would not, could not, would not, could not, would not join the 

dance. 
Would not, could not, would not, could not, could not join the 

dance. 
' "What matters it how far we go?" his scaly friend replied. 
"There is another shore, you know, upon the other side. 
The further off from England the nearer is to France- 
Then turn not pale, beloved snail, but come and join the dance. 
Will you, won't you, will you, won't you, will you join the dance? 



75 



Will you, won't you, will you, won't you, won't you join the 
dance?" ' 

'Thank you, it's a very interesting dance to watch,' said Alice, feeling 
very glad that it was over at last: 'and I do so like that curious song about 
the whiting!' 

'Oh, as to the whiting,' said the Mock Turtle, 'they-you've seen them, of 
course?' 

'Yes,' said Alice, 'I've often seen them at dinn-' she checked herself hastily. 

'I don't know where Dinn may be,' said the Mock Turtle, 'but if you've 
seen them so often, of course you know what they're like.' 

'I believe so,' Alice replied thoughtfully. 'They have their tails in their 
mouths-and they're all over crumbs.' 

'You're wrong about the crumbs,' said the Mock Turtle: 'crumbs would 
all wash off in the sea. But they HAVE their tails in their mouths; and the 
reason is-' here the Mock Turtle yawned and shut his eyes.-'Tell her about 
the reason and all that,' he said to the Gryphon. 

'The reason is,' said the Gryphon, 'that they WOULD go with the lobsters 
to the dance. So they got thrown out to sea. So they had to fall a long way. 
So they got their tails fast in their mouths. So they couldn't get them out 
again. That's all.' 

'Thank you,' said Alice, 'it's very interesting. I never knew so much about 
a whiting before.' 

'I can tell you more than that, if you like,' said the Gryphon. 'Do you 
know why it's called a whiting?' 

'I never thought about it,' said Alice. 'Why?' 

'IT DOES THE BOOTS AND SHOES.' the Gryphon replied very solemnly. 

Alice was thoroughly puzzled. 'Does the boots and shoes!' she repeated 
in a wondering tone. 

'Why, what are YOUR shoes done with?' said the Gryphon. 'I mean, 
what makes them so shiny?' 

Alice looked down at them, and considered a little before she gave her 
answer. 'They're done with blacking, I believe.' 

'Boots and shoes under the sea,' the Gryphon went on in a deep voice, 
'are done with a whiting. Now you know.' 

'And what are they made of?' Alice asked in a tone of great curiosity. 

'Soles and eels, of course,' the Gryphon replied rather impatiently: 'any 
shrimp could have told you that.' 



76 CHAPTER 10. THE LOBSTER QUADRILLE 

'If I'd been the whiting,' said Ahce, whose thoughts were still running on 
the song, 'I'd have said to the porpoise, "Keep back, please: we don't want 
YOU with us!'" 

'They were obliged to have him with them,' the Mock Turtle said: 'no 
wise fish would go anywhere without a porpoise.' 

'Wouldn't it really?' said Alice in a tone of great surprise. 

'Of course not,' said the Mock Turtle: 'why, if a fish came to ME, and 
told me he was going a journey, I should say "With what porpoise?" ' 

'Don't you mean "purpose"?' said Alice. 

'I mean what I say,' the Mock Turtle replied in an offended tone. And 
the Gryphon added 'Come, let's hear some of YOUR adventures.' 

'I could tell you my adventures-beginning from this morning,' said Alice 
a little timidly: 'but it's no use going back to yesterday, because I was a 
different person then.' 

'Explain all that,' said the Mock Turtle. 

'No, no! The adventures first,' said the Gryphon in an impatient tone: 
'explanations take such a dreadful time.' 

So Alice began telling them her adventures from the time when she first 
saw the White Rabbit. She was a little nervous about it just at first, the two 
creatures got so close to her, one on each side, and opened their eyes and 
mouths so VERY wide, but she gained courage as she went on. Her listeners 
were perfectly quiet till she got to the part about her repeating 'YOU ARE 
OLD, FATHER WILLIAM,' to the Caterpillar, and the words all coming 
different, and then the Mock Turtle drew a long breath, and said 'That's 
very curious.' 

'It's all about as curious as it can be,' said the Gryphon. 

'It all came different!' the Mock Turtle repeated thoughtfully. 'I should 
like to hear her try and repeat something now. Tell her to begin.' He looked 
at the Gryphon as if he thought it had some kind of authority over Alice. 

'Stand up and repeat "'TIS THE VOICE OF THE SLUGGARD,"' said 
the Gryphon. 

'How the creatures order one about, and make one repeat lessons!' thought 
Alice; 'I might as well be at school at once.' However, she got up, and began 
to repeat it, but her head was so full of the Lobster Quadrille, that she hardly 
knew what she was saying, and the words came very queer indeed:- 

"Tis the voice of the Lobster; I heard him declare, 
"You have baked me too brown, I must sugar my hair." 



77 



As a duck with its eyelids, so he with his nose 

Trims his belt and his buttons, and turns out his toes.' 

[later editions continued as follows 
When the sands are all dry, he is gay as a lark. 
And will talk in contemptuous tones of the Shark, 
But, when the tide rises and sharks are around. 
His voice has a timid and tremulous sound.] 

'That's different from what I used to say when I was a child,' said the 
Gryphon. 

'Well, I never heard it before,' said the Mock Turtle; 'but it sounds un- 
common nonsense.' 

Alice said nothing; she had sat down with her face in her hands, wondering 
if anything would EVER happen in a natural way again. 

'I should like to have it explained,' said the Mock Turtle. 

'She can't explain it,' said the Gryphon hastily. 'Go on with the next 
verse.' 

'But about his toes?' the Mock Turtle persisted. 'How COULD he turn 
them out with his nose, you know?' 

'It's the first position in dancing.' Alice said; but was dreadfully puzzled 
by the whole thing, and longed to change the subject. 

'Go on with the next verse,' the Gryphon repeated impatiently: 'it begins 
"I passed by his garden." ' 

Alice did not dare to disobey, though she felt sure it would all come 
wrong, and she went on in a trembling voice:- 

'I passed by his garden, and marked, with one eye. 
How the Owl and the Panther were sharing a pie-' 

[later editions continued as follows 

The Panther took pie-crust, and gravy, and meat. 

While the Owl had the dish as its share of the treat. 

When the pie was all finished, the Owl, as a boon. 

Was kindly permitted to pocket the spoon: 

While the Panther received knife and fork with a growl. 

And concluded the banquet-] 



78 CHAPTER 10. THE LOBSTER QUADRILLE 

'What IS the use of repeating all that stuff,' the Mock Turtle interrupted, 
'if you don't explain it as you go on? It's by far the most confusing thing I 
ever heard!' 

'Yes, I think you'd better leave off,' said the Gryphon: and Alice was only 
too glad to do so. 

'Shall we try another figure of the Lobster Quadrille?' the Gryphon went 
on. 'Or would you like the Mock Turtle to sing you a song?' 

'Oh, a song, please, if the Mock Turtle would be so kind,' Alice replied, so 
eagerly that the Gryphon said, in a rather offended tone, 'Hm! No accounting 
for tastes! Sing her "Turtle Soup," will you, old fellow?' 

The Mock Turtle sighed deeply, and began, in a voice sometimes choked 
with sobs, to sing this:- 

'Beautiful Soup, so rich and green. 
Waiting in a hot tureen! 
Who for such dainties would not stoop? 
Soup of the evening, beautiful Soup! 
Soup of the evening, beautiful Soup! 
Beau-ootiful Soo-oop! 
Beau-ootiful Soo-oop! 
Soo-oop of the e-e-evening. 
Beautiful, beautiful Soup! 

'Beautiful Soup! Who cares for fish. 
Game, or any other dish? 
Who would not give all else for two 
Pennyworth only of beautiful Soup? 
Pennyworth only of beautiful Soup? 
Beau-ootiful Soo-oop! 
Beau-ootiful Soo-oop! 
Soo-oop of the e-e-evening. 
Beautiful, beauti-FUL SOUP!' 

'Chorus again!' cried the Gryphon, and the Mock Turtle had just begun 
to repeat it, when a cry of 'The trial's beginning!' was heard in the distance. 

'Come on!' cried the Gryphon, and, taking Alice by the hand, it hurried 
off, without waiting for the end of the song. 



79 



'What trial is it?' Alice panted as she ran; but the Gryphon only answered 
'Come on!' and ran the faster, while more and more faintly came, carried on 
the breeze that followed them, the melancholy words:- 



'Soo-oop of the e-e-evening. 
Beautiful, beautiful Soup!' 



80 CHAPTER 10. THE LOBSTER QUADRILLE 



Chapter 11 

Who Stole the Tarts? 



The King and Queen of Hearts were seated on their throne when they arrived, 
with a great crowd assembled about them-all sorts of httle birds and beasts, 
as well as the whole pack of cards: the Knave was standing before them, 
in chains, with a soldier on each side to guard him; and near the King was 
the White Rabbit, with a trumpet in one hand, and a scroll of parchment 
in the other. In the very middle of the court was a table, with a large dish 
of tarts upon it: they looked so good, that it made Alice quite hungry to 
look at them-'I wish they'd get the trial done,' she thought, 'and hand round 
the refreshments!' But there seemed to be no chance of this, so she began 
looking at everything about her, to pass away the time. 

Alice had never been in a court of justice before, but she had read about 
them in books, and she was quite pleased to find that she knew the name of 
nearly everything there. 'That's the judge,' she said to herself, 'because of 
his great wig.' 

The judge, by the way, was the King; and as he wore his crown over the 
wig, (look at the frontispiece if you want to see how he did it,) he did not 
look at all comfortable, and it was certainly not becoming. 

'And that's the jury-box,' thought Alice, 'and those twelve creatures,' (she 
was obliged to say 'creatures,' you see, because some of them were animals, 
and some were birds,) 'I suppose they are the jurors.' She said this last word 
two or three times over to herself, being rather proud of it: for she thought, 
and rightly too, that very few little girls of her age knew the meaning of it 
at all. However, 'jury-men' would have done just as well. 

The twelve jurors were all writing very busily on slates. 'What are they 
doing?' Alice whispered to the Gryphon. 'They can't have anything to put 

81 



82 CHAPTER 11. WHO STOLE THE TARTS? 

down yet, before the trial's begun.' 

'They're putting down their names,' the Gryphon whispered in reply, 'for 
fear they should forget them before the end of the trial. ' 

'Stupid things!' Alice began in a loud, indignant voice, but she stopped 
hastily, for the White Rabbit cried out, 'Silence in the court!' and the King 
put on his spectacles and looked anxiously round, to make out who was 
talking. 

Alice could see, as well as if she were looking over their shoulders, that all 
the jurors were writing down 'stupid things!' on their slates, and she could 
even make out that one of them didn't know how to spell 'stupid,' and that 
he had to ask his neighbour to tell him. 'A nice muddle their slates'U be in 
before the trial's over!' thought Alice. 

One of the jurors had a pencil that squeaked. This of course, Alice could 
not stand, and she went round the court and got behind him, and very soon 
found an opportunity of taking it away. She did it so quickly that the poor 
little juror (it was Bill, the Lizard) could not make out at all what had 
become of it; so, after hunting all about for it, he was obliged to write with 
one finger for the rest of the day; and this was of very little use, as it left no 
mark on the slate. 

'Herald, read the accusation!' said the King. 

On this the White Rabbit blew three blasts on the trumpet, and then 
unrolled the parchment scroll, and read as foUows:- 

'The Queen of Hearts, she made some tarts. 
All on a summer day: 
The Knave of Hearts, he stole those tarts. 
And took them quite away!' 

'Consider your verdict,' the King said to the jury. 

'Not yet, not yet!' the Rabbit hastily interrupted. 'There's a great deal 
to come before that!' 

'Call the first witness,' said the King; and the White Rabbit blew three 
blasts on the trumpet, and called out, 'First witness!' 

The first witness was the Hatter. He came in with a teacup in one hand 
and a piece of bread-and-butter in the other. 'I beg pardon, your Majesty,' 
he began, 'for bringing these in: but I hadn't quite finished my tea when I 
was sent for.' 

'You ought to have finished,' said the King. 'When did you begin?' 



83 



The Hatter looked at the March Hare, who had followed him into the 
court, arni-in-arni with the Dormouse. 'Fourteenth of March, I think it was,' 
he said. 

'Fifteenth,' said the March Hare. 

'Sixteenth,' added the Dormouse. 

'Write that down,' the King said to the jury, and the jury eagerly wrote 
down all three dates on their slates, and then added them up, and reduced 
the answer to shillings and pence. 

'Take off your hat,' the King said to the Hatter. 

'It isn't mine,' said the Hatter. 

'Stolen!' the King exclaimed, turning to the jury, who instantly made a 
memorandum of the fact. 

'I keep them to sell,' the Hatter added as an explanation; Tve none of 
my own. Fm a hatter.' 

Here the Queen put on her spectacles, and began staring at the Hatter, 
who turned pale and fidgeted. 

'Give your evidence,' said the King; 'and don't be nervous, or FU have 
you executed on the spot.' 

This did not seem to encourage the witness at all: he kept shifting from 
one foot to the other, looking uneasily at the Queen, and in his confusion he 
bit a large piece out of his teacup instead of the bread-and-butter. 

Just at this moment Alice felt a very curious sensation, which puzzled 
her a good deal until she made out what it was: she was beginning to grow 
larger again, and she thought at first she would get up and leave the court; 
but on second thoughts she decided to remain where she was as long as there 
was room for her. 

'I wish you wouldn't squeeze so.' said the Dormouse, who was sitting 
next to her. 'I can hardly breathe.' 

'I can't help it,' said Alice very meekly: 'Fm growing.' 

'You've no right to grow here,' said the Dormouse. 

'Don't talk nonsense,' said Alice more boldly: 'you know you're growing 
too.' 

'Yes, but I grow at a reasonable pace,' said the Dormouse: 'not in that 
ridiculous fashion.' And he got up very sulkily and crossed over to the other 
side of the court. 

All this time the Queen had never left off staring at the Hatter, and, just 
as the Dormouse crossed the court, she said to one of the officers of the court, 



84 CHAPTER 11. WHO STOLE THE TARTS? 

'Bring me the list of the singers in the last concert!' on which the wretched 
Hatter trembled so, that he shook both his shoes off. 

'Give your evidence,' the King repeated angrily, 'or I'll have you executed, 
whether you're nervous or not.' 

'I'm a poor man, your Majesty,' the Hatter began, in a trembling voice, 
'-and I hadn't begun my tea-not above a week or so-and what with the 
bread-and-butter getting so thin-and the twinkling of the tea-' 

'The twinkling of the what?' said the King. 

'It began with the tea,' the Hatter replied. 

'Of course twinkling begins with a T!' said the King sharply. 'Do you 
take me for a dunce? Go on!' 

'I'm a poor man,' the Hatter went on, 'and most things twinkled after 
that-only the March Hare said-' 

'I didn't!' the March Hare interrupted in a great hurry. 

'You did!' said the Hatter. 

'I deny it!' said the March Hare. 

'He denies it,' said the King: 'leave out that part.' 

'Well, at any rate, the Dormouse said-' the Hatter went on, looking anx- 
iously round to see if he would deny it too: but the Dormouse denied nothing, 
being fast asleep. 

'After that,' continued the Hatter, 'I cut some more bread- and-butter-' 

'But what did the Dormouse say?' one of the jury asked. 

'That I can't remember,' said the Hatter. 

'You MUST remember,' remarked the King, 'or I'll have you executed.' 

The miserable Hatter dropped his teacup and bread-and-butter, and went 
down on one knee. 'I'm a poor man, your Majesty,' he began. 

'You're a very poor speaker,' said the King. 

Here one of the guinea-pigs cheered, and was immediately suppressed by 
the officers of the court. (As that is rather a hard word, I will just explain 
to you how it was done. They had a large canvas bag, which tied up at the 
mouth with strings: into this they slipped the guinea-pig, head first, and 
then sat upon it.) 

'I'm glad I've seen that done,' thought Alice. 'I've so often read in the 
newspapers, at the end of trials, "There was some attempts at applause, 
which was immediately suppressed by the officers of the court," and I never 
understood what it meant till now.' 

'If that's all you know about it, you may stand down,' continued the 
King. 



85 



'I can't go no lower,' said the Hatter: 'I'm on the floor, as it is.' 

'Then you may SIT down,' the King rephed. 

Here the other guinea-pig cheered, and was suppressed. 

'Come, that finished the guinea-pigs!' thought Ahce. 'Now we shall get 
on better.' 

'I'd rather finish my tea,' said the Hatter, with an anxious look at the 
Queen, who was reading the list of singers. 

'You may go,' said the King, and the Hatter hurriedly left the court, 
without even waiting to put his shoes on. 

'-and just take his head off outside,' the Queen added to one of the 
officers: but the Hatter was out of sight before the officer could get to the 
door. 

'Call the next witness!' said the King. 

The next witness was the Duchess's cook. She carried the pepper-box in 
her hand, and Alice guessed who it was, even before she got into the court, 
by the way the people near the door began sneezing all at once. 

'Give your evidence,' said the King. 

'Shan't,' said the cook. 

The King looked anxiously at the White Rabbit, who said in a low voice, 
'Your Majesty must cross-examine THIS witness.' 

'Well, if I must, I must,' the King said, with a melancholy air, and, after 
folding his arms and frowning at the cook till his eyes were nearly out of 
sight, he said in a deep voice, 'What are tarts made of?' 

'Pepper, mostly,' said the cook. 

'Treacle,' said a sleepy voice behind her. 

'Collar that Dormouse,' the Queen shrieked out. 'Behead that Dormouse! 
Turn that Dormouse out of court! Suppress him! Pinch him! Off with his 
whiskers!' 

For some minutes the whole court was in confusion, getting the Dormouse 
turned out, and, by the time they had settled down again, the cook had 
disappeared. 

'Never mind!' said the King, with an air of great relief. 'Call the next 
witness.' And he added in an undertone to the Queen, 'Really, my dear, YOU 
must cross-examine the next witness. It quite makes my forehead ache!' 

Alice watched the White Rabbit as he fumbled over the list, feeling very 
curious to see what the next witness would be like, '-for they haven't got 
much evidence YET,' she said to herself. Imagine her surprise, when the 
White Rabbit read out, at the top of his shrill little voice, the name 'Alice!' 



86 CHAPTER 11. WHO STOLE THE TARTS? 



Chapter 12 
Alice's Evidence 



'Here!' cried Alice, quite forgetting in the flurry of the moment how large 
she had grown in the last few minutes, and she jumped up in such a hurry 
that she tipped over the jury-box with the edge of her skirt, upsetting all the 
jurymen on to the heads of the crowd below, and there they lay sprawling 
about, reminding her very much of a globe of goldfish she had accidentally 
upset the week before. 

'Oh, I BEG your pardon!' she exclaimed in a tone of great dismay, and 
began picking them up again as quickly as she could, for the accident of the 
goldfish kept running in her head, and she had a vague sort of idea that they 
must be collected at once and put back into the jury-box, or they would die. 

'The trial cannot proceed,' said the King in a very grave voice, 'until all 
the jurymen are back in their proper places- ALL,' he repeated with great 
emphasis, looking hard at Alice as he said do. 

Alice looked at the jury-box, and saw that, in her haste, she had put the 
Lizard in head downwards, and the poor little thing was waving its tail about 
in a melancholy way, being quite unable to move. She soon got it out again, 
and put it right; 'not that it signifies much,' she said to herself; 'I should 
think it would be QUITE as much use in the trial one way up as the other.' 

As soon as the jury had a little recovered from the shock of being upset, 
and their slates and pencils had been found and handed back to them, they 
set to work very diligently to write out a history of the accident, all except 
the Lizard, who seemed too much overcome to do anything but sit with its 
mouth open, gazing up into the roof of the court. 

'What do you know about this business?' the King said to Alice. 

'Nothing,' said Alice. 

87 



88 CHAPTER 12. ALICE'S EVIDENCE 

'Nothing WHATEVER?' persisted the King. 

'Nothing whatever,' said Ahce. 

'That's very important,' the King said, turning to the jury. They were 
just beginning to write this down on their slates, when the White Rabbit 
interrupted: 'UNiniportant, your Majesty means, of course,' he said in a 
very respectful tone, but frowning and making faces at him as he spoke. 

'UNimportant, of course, I meant,' the King hastily said, and went on to 
himself in an undertone, 'important-unimportant- unimportant-important-' 
as if he were trying which word sounded best. 

Some of the jury wrote it down 'important,' and some 'unimportant.' 
Alice could see this, as she was near enough to look over their slates; 'but it 
doesn't matter a bit,' she thought to herself. 

At this moment the King, who had been for some time busily writing 
in his note-book, cackled out 'Silence!' and read out from his book, 'Rule 
Forty-two. ALL PERSONS MORE THAN A MILE HIGH TO LEAVE THE 
COURT.' 

Everybody looked at Alice. 

'I'M not a mile high,' said Alice. 

'You are,' said the King. 

'Nearly two miles high,' added the Queen. 

'Well, I shan't go, at any rate,' said Alice: 'besides, that's not a regular 
rule: you invented it just now.' 

'It's the oldest rule in the book,' said the King. 

'Then it ought to be Number One,' said Alice. 

The King turned pale, and shut his note-book hastily. 'Consider your 
verdict,' he said to the jury, in a low, trembling voice. 

'There's more evidence to come yet, please your Majesty,' said the White 
Rabbit, jumping up in a great hurry; 'this paper has just been picked up.' 

'What's in it?' said the Queen. 

'I haven't opened it yet,' said the White Rabbit, 'but it seems to be a 
letter, written by the prisoner to-to somebody.' 

'It must have been that,' said the King, 'unless it was written to nobody, 
which isn't usual, you know.' 

'Who is it directed to?' said one of the jurymen. 

'It isn't directed at all,' said the White Rabbit; 'in fact, there's nothing 
written on the OUTSIDE.' He unfolded the paper as he spoke, and added 'It 
isn't a letter, after all: it's a set of verses.' 

'Are they in the prisoner's handwriting?' asked another of the jurymen. 



'No, they're not,' said the White Rabbit, 'and that's the queerest thing 
about it.' (The jury ah looked puzzled.) 

'He must have imitated somebody else's hand,' said the King. (The jury 
all brightened up again.) 

'Please your Majesty,' said the Knave, 'I didn't write it, and they can't 
prove I did: there's no name signed at the end.' 

'If you didn't sign it,' said the King, 'that only makes the matter worse. 
You MUST have meant some mischief, or else you'd have signed your name 
like an honest man.' 

There was a general clapping of hands at this: it was the first really clever 
thing the King had said that day. 

'That PROVES his guilt,' said the Queen. 

'It proves nothing of the sort!' said Alice. 'Why, you don't even know 
what they're about!' 

'Read them,' said the King. 

The White Rabbit put on his spectacles. 'Where shall I begin, please 
your Majesty?' he asked. 

'Begin at the beginning,' the King said gravely, 'and go on till you come 
to the end: then stop.' 

These were the verses the White Rabbit read:- 

'They told me you had been to her. 
And mentioned me to him: 
She gave me a good character. 
But said I could not swim. 

He sent them word I had not gone 
(We know it to be true): 
If she should push the matter on. 
What would become of you? 

I gave her one, they gave him two. 
You gave us three or more; 
They all returned from him to you. 
Though they were mine before. 

If I or she should chance to be 
Involved in this affair. 
He trusts to you to set them free. 
Exactly as we were. 



90 CHAPTER 12. ALICE'S EVIDENCE 

My notion was that you had been 
(Before she had this fit) 
An obstacle that came between 
Him, and ourselves, and it. 

Don't let him know she liked them best. 
For this must ever be 
A secret, kept from all the rest. 
Between yourself and me.' 

'That's the most important piece of evidence we've heard yet,' said the 
King, rubbing his hands; 'so now let the jury-' 

'If any one of them can explain it,' said Alice, (she had grown so large 
in the last few minutes that she wasn't a bit afraid of interrupting him,) 'I'll 
give him sixpence. _I_ don't believe there's an atom of meaning in it.' 

The jury all wrote down on their slates, 'SHE doesn't believe there's an 
atom of meaning in it,' but none of them attempted to explain the paper. 

'If there's no meaning in it,' said the King, 'that saves a world of trouble, 
you know, as we needn't try to find any. And yet I don't know,' he went 
on, spreading out the verses on his knee, and looking at them with one eye; 
'I seem to see some meaning in them, after all. "-SAID I COULD NOT 
SWIM-" you can't swim, can you?' he added, turning to the Knave. 

The Knave shook his head sadly. 'Do I look like it?' he said. (Which he 
certainly did NOT, being made entirely of cardboard.) 

'All right, so far,' said the King, and he went on muttering over the verses 
to himself: '"WE KNOW IT TO BE TRUE-" that's the jury, of course- "I 
GAVE HER ONE, THEY GAVE HIM TWO-" why, that must be what he 
did with the tarts, you know-' 

'But, it goes on "THEY ALL RETURNED FROM HIM TO YOU," ' said 
Ahce. 

'Why, there they are!' said the King triumphantly, pointing to the tarts 
on the table. 'Nothing can be clearer than THAT. Then again- "BEFORE 
SHE HAD THIS FIT-" you never had fits, my dear, I think?' he said to the 
Queen. 

'Never!' said the Queen furiously, throwing an inkstand at the Lizard as 
she spoke. (The unfortunate little Bill had left off writing on his slate with 
one finger, as he found it made no mark; but he now hastily began again, 
using the ink, that was trickling down his face, as long as it lasted.) 



91 



'Then the words don't FIT you,' said the King, looking round the court 
with a smile. There was a dead silence. 

'It's a pun!' the King added in an offended tone, and everybody laughed, 
'Let the jury consider their verdict,' the King said, for about the twentieth 
time that day. 

'No, no!' said the Queen. 'Sentence first-verdict afterwards.' 

'Stuff and nonsense!' said Alice loudly. 'The idea of having the sentence 
first!' 

'Hold your tongue!' said the Queen, turning purple. 

'I won't!' said Alice. 

'Off with her head!' the Queen shouted at the top of her voice. Nobody 
moved. 

'Who cares for you?' said Alice, (she had grown to her full size by this 
time.) 'You're nothing but a pack of cards!' 

At this the whole pack rose up into the air, and came flying down upon 
her: she gave a little scream, half of fright and half of anger, and tried to 
beat them off, and found herself lying on the bank, with her head in the 
lap of her sister, who was gently brushing away some dead leaves that had 
fluttered down from the trees upon her face. 

'Wake up, Alice dear!' said her sister; 'Why, what a long sleep you've 
had!' 

'Oh, I've had such a curious dream!' said Alice, and she told her sister, 
as well as she could remember them, all these strange Adventures of hers 
that you have just been reading about; and when she had flnished, her sister 
kissed her, and said, 'It WAS a curious dream, dear, certainly: but now run 
in to your tea; it's getting late.' So Alice got up and ran off, thinking while 
she ran, as well she might, what a wonderful dream it had been. 

But her sister sat still just as she left her, leaning her head on her hand, 
watching the setting sun, and thinking of little Alice and all her wonderful 
Adventures, till she too began dreaming after a fashion, and this was her 
dream :- 

First, she dreamed of little Alice herself, and once again the tiny hands 
were clasped upon her knee, and the bright eager eyes were looking up into 
hers-she could hear the very tones of her voice, and see that queer little toss 
of her head to keep back the wandering hair that WOULD always get into 
her eyes-and still as she listened, or seemed to listen, the whole place around 
her became alive the strange creatures of her little sister's dream. 

The long grass rustled at her feet as the White Rabbit hurried by-the 



92 CHAPTER 12. ALICE'S EVIDENCE 

frightened Mouse splashed his way through the neighbouring pool-she could 
hear the rattle of the teacups as the March Hare and his friends shared 
their never-ending meal, and the shrill voice of the Queen ordering off her 
unfortunate guests to execution-once more the pig-baby was sneezing on 
the Duchess's knee, while plates and dishes crashed around it-once more 
the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and 
the choking of the suppressed guinea-pigs, filled the air, mixed up with the 
distant sobs of the miserable Mock Turtle. 

So she sat on, with closed eyes, and half believed herself in Wonderland, 
though she knew she had but to open them again, and all would change 
to dull reality-the grass would be only rustling in the wind, and the pool 
rippling to the waving of the reeds-the rattling teacups would change to 
tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd 
boy-and the sneeze of the baby, the shriek of the Gryphon, and all the other 
queer noises, would change (she knew) to the confused clamour of the busy 
farm-yard-while the lowing of the cattle in the distance would take the place 
of the Mock Turtle's heavy sobs. 

Lastly, she pictured to herself how this same little sister of hers would, in 
the after-time, be herself a grown woman; and how she would keep, through 
all her riper years, the simple and loving heart of her childhood: and how 
she would gather about her other little children, and make THEIR eyes 
bright and eager with many a strange tale, perhaps even with the dream 
of Wonderland of long ago: and how she would feel with all their simple 
sorrows, and find a pleasure in all their simple joys, remembering her own 
child-life, and the happy summer days. 

THE END