UNCG
ALUMNI NEWS
SPRING»1988
WINTER 1988
VOL. 76, NO. 2
INSIDE
Our Alumni House
Symbol of Perseverance
by H. Elizabeth "Lib" Winston
Sunmiell '45, '51 MS
Homewood and the Baltimore Scene.
by jane Webb Smith
It Happened in the Alumni House . . .
Roots of Southern Architecture
by Charles Richard Gantt '76 MFA
Historic Preservation in
North Carolina
by John Edward Tyler II
Colonial Revival Architecture
in Virginia
by Mark R. WetJger
18th Century Influence on Today's
Architecture and Decorative Arts. . . .
by Dr. Jean Gordon
From Dream to Reality
by Dr. Richard Bardolph
Book Review
The Musician
On Campus
Spartan Sports
by Ty Biichier '85
The Way We Are
Association Network
Letters to the Editor
10
12
14
16
21
22
24
26
28
30
Alumni Business 31
Slate of Candidates for Officers and
Trustees of the Alumni Association.
Members of the Association must return
ballots to the Alumni Office by
April 15, 1988.
COVER
Our Alumni House
THE ALUMNI ASSOCIATION
OFFICERS
Cathy Stewart Vaughn '49, Montreat
Prffhlt-nt
Betty Crawford Ervin '50, Morganton
PrffiJnil-Elect
Betty Lou Mitchell Cuigou '51, Valdese
Firi^t Vice President
Janie Crumpton Reece '47, Greensboro
Second Vice President
Susan Broussard Nolan '71, Greensboro
Recording Secretary
Barbara Parrish '48, Greensboro
Executive Secretary-Treasurer
TRUSTEES
Inza Abemathy '51, Southern Pines
Christine Freeze Brown '55C, Statesville
Rose Holden Cole '53, Holden Beach
Minnie Lou Parker Creech '39, Tarboro
Ashley Holland Dozier '54 Winston-Salem
Martha Smith Ferrell '57, Greenville
Ada Fisher '70, Oak Ridge, IN
Blanche Woolard Haggard '42, Asheville
Carol Furey Matney '63, Asheboro
Jennifer Cornell Monges '86, Greensboro
Carol S. Myers '78, San Francisco, CA ■
Kathryn Cobb Preyer '47, Charlotte
Catherine Scott '87, Baltimore, MD
Evelyn Easley Smith '43, Houston, TX
Davis H. Swaim, Jr. '85, Concord
Anne Hayes Tate '68, Smithfield
Eugenia Ware '46, Kings Mountain
Susan Whittington '72, Wilkesboro
Gregory S. Greer '80, Davidson
Alumni Annual Giving Council Chair,
e.x officio
Bronna Willis '62, Lynchburg, VA
Fimince Committee Chair, ex officio
Debbie Dixon '82, Greensboro
Black Alumni Council Co-chair, ex officio
Marvin Watkins '84, Greensboro
Black Alumni Council Co-chair, ex officio
THE EDITORIAL BOARD
Christine Freeze Brown '55C, Statesville, Chair
Maura Canoles '80, Greensboro
John E. Dubel '72, Greensboro
Mary Beth Ferrell Granger '84, Greensboro
Carolyn Nelson Messick '67, Elon College
Jeanette Houser Mitchell '54, Greensboro
Walter M. Pritchett, Jr. '83, Greensboro
Marion Polk Ross '72 MM, Greensboro
Cathy Brewer Stembergh '70, Greensboro
Richard T. Wells '77 MLS, Asheboro
Jim Clark '78 MFA, Faculty Representative
Cathy Stewart Vaughn '49
President of the Association, ex officio
Betsy Suitt Oakley '69
Immediate Past Cliair, ex officio
Miriam Com Barkley '74
Editor of .Alumni Publications, ex officio
Barbara Parrish '48
Executive Secretary-Treasurer, ex officio
PUBLICATION STAFF
Editor. Miriam C. Barkley '74
Editorial Assistant: Susan Manchester
Staff Writer Charles Wheeler
Graphic Designers: Toni Brown, Jane Vondy
Photographer: Bob Cavin
The University of North Carolina
GREENSBORO
ALUMNI NEWS is published three times a year
by the Alumni Association of The University of
North Carolina at Greensboro, 1000 Spring Gar-
den Street, Greensboro, NC 27412. Contributors
to the Annual Giving Program receive Alumni
Neu'S.
50 Years of Elegance
Our Alumni House
She is dressed for company every day.
Her Corinthian columns, her beaded
pediment with its tympanum window, her
uncompromising symmetry, and espe-
cially, her grand marble stairs, daily greet
her visitors with unchanged dignity. Her
welcome is bid faithfully, but bends to the
disposition of her guests — ardently to
graduates at Reunion, exuberantly to revel-
ers at Homecoming, hospitably to distin-
guished university guests, and solemnly to
those on academic quests. Her beauty,
enhanced by the parade of seasons re-
flected in her face, prompts even the casual
passer-by to sense the admiration held by
those who claim her.
She commands a certain reverence —
borne not just of her heritage, but of her
elegance, her style. Gracefully she fulfills
her mission.
Writing in Alumnae Neius in 1937, Alumni
Secretary Clara Booth Byrd '13 described
what the Alumni House must be : "...this
House should represent certain great ide-
als: beauty and usefulness, neither exclud-
ing the other; culture and adaptability; dig-
nity and spirituality. These were the
quahties... which our House must embody;
qualities which, blended together, might
truly interpret the College Motto, Service.
Moreover, we would build a House, a
home, of simple elegance — not an institu-
tional structure. .. It would be the part of the
architect to express these ideals in brick and
mortar and marble — as the composer
translates moonlight into sound, into a
sonata, for the keyboard."
At fifty, the Alumni House has recap-
tured the attention of alumni and kindled
an interest in Southern architecture.
Vol . lb no. Z
Alumni News
Spring • 1988
II
^
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Symbol of
Perseverance
by H. Elizabeth "Lib"
Winston Swindell '45, '51 MS
This article originally appeared in the
Greensboro Daily News on Sunday,
October 25,1987.
Noble in conception, beauti-
ful in design, lovely in
setting, handsome in construction
and in furnishings."
This was Dr. W.C. Jackson's
assessment of the Alumnae House
on the campus of the Woman's
College of The University of North
Carolina.
As dean of administration,
Jackson spoke those words on June
5, 1937, at the dedication of the
structure designed to serve as a
social and student activity build-
ing and headquarters for gradu-
ates. At the time, the college had
its largest enrollment — 1,937
female students.
Much has changed in the 50
years since the colonial building
on tree-lined College Avenue was
opened formally and dedicated.
WCUNC is now The University of
North Carolina at Greensboro;
Alumnae House is now Alumni
House, the spelling reflecting the
University's coeducational status;
and enrollment is at an all-time
high — 10,688.
Few can dispute Jackson's
description of the building that
brings meaning to the university's
motto, "Service."
The stately and elegant building
is more than the hub of alumni
The portrait of Clara Booth Byrd '13 hangs i
the Parlor of the Alumni House.
functions. It is the site of university
faculty meetings, lectures, dinners,
luncheons, and receptions.
Guests of the University use its
bedrooms. Civic and professional
organizations use it for meetings
and programs. Alumni and
students find it appropriate for
weddings and receptions.
The Alumni House is unlike the
67 other buildings on the 169-acre
campus.
The beauty of line and exquisite
detail of workmanship makes it a
home of simple elegance, not an
institutional structure. Alumni
Secretary Barbara Parrish '48 says,
"Students see it as being different,
and it is different from anything
on the campus."
Alumni House is the result of the
work and determination of many.
It stands as a symbol of persever-
ance.
The dream began in 1914 when a
committee was appointed to
arrange for a permanent home for
the alumnae of the institution then
known as the North Carolina
College for Women. Louise
Alexander, whom students
through the years affectionately
called "Miss Alex," signed a
contract "to do her best to raise the
money by whatever method may
seem best."
The necessary funding was
amassed through the efforts of
Alexander, a subscription cam-
paign by alumnae and friends of
the institution. The effort was led
by a nine-member building
committee. Dr. Julius I. Foust,
college president, and Alumnae
Secretary Clara Booth Byrd '13. A
grant from the Public Works
Administration provided about a
fifth of the funding.
After much research, it was
determined the building was to be
an enlarged version of Home-
wood, a circa 1800 house. Home-
wood now stands on the campus
of Johns Hopkins University at
Baltimore, and is considered to be
the most nearly perfect example of
colonial architecture in America.
The bids were opened Nov. 20,
1934. Price: $117,400, not including
electric fixtures, Venetian blinds,
furnishings, equipment, and the
garden. Penrose V. Stout was
architect.
The groundbreaking was April 2,
1935. As the dirt was turned, the
building committee breathed a
sigh of relief; they had faced many
obstacles, including the great
Depression, bank closings, and
Stout's death. (William H. Deitrick,
a Raleigh architect, was hired to
complete the building.)
Minutes and reports from
building committee meetings
reveal interesting details as
construction of Alumnae House
progressed.
H. Elizabeth "Lib"
Szi'indell is a staff writer
at the Greensboro Daily
News. Site is a former
faculty member in
UNCG's School of Home
Economics.
Alumni News
Spring • 1988
13
W'' u ^ L
m
m
The Public Works Administra-
tion decreed skilled labor would
be paid $1.10 an hour and un-
skilled labor would draw 45 cents
per hour. It was said a representa-
tive of the Secret Service in Wash-
ington was on hand at all times.
No one knows why.
Upon completion, the Alumni
House was one of seven such
alumni buildings in the country. It
was the only one built from funds
raised by the widespread efforts of
female graduates.
At the 1937 formal opening and
dedication, a $3,500 bank note that
was satisfied two hours before the
dedication was burned. The
building, completed and furnished
at a cost of $150,000, was delivered
to the University debt-free.
The charred scraps of the bank
note have been preserved among
the permanent treasures of the
Alumni Association.
In her dedicatory prayer,
building committee member Lillie
Boney Wilhams '98 said, "This is
no mere house of brick and mortar
that we commemorate; it is built of
ourselves. All we know of beauty
has gone into its making. We have
put our egg money into it. We
have all but taken the clothes off
our backs for the rummage sales
that have gone into it. We have put
our amazing teacher salaries into
it. The dimes and the quarters of
the maids and janitors have gone
into it."
Built of handcrafted brick
laid in Flemish bond, the co-
lumned central portion of the
Alumni House is joined at the two
ends by identical recessed wings.
Georgia marble steps lead to a
portico with columns crowned
Julius I. Foust's portrait is the central feature
in the Library.
with the capital known as the
Temple of the Winds. The great
oak door, guarded on each side by
a marble plaque of Minerva, the
college seal, opens into a vaulted
entrance hall adjoined by the
lounge, or living room.
The $1,200 for the steps, portico
and door were given by the late
Louise Clinard Wrenn '05x of
High Point, an alumna and mem-
ber of the building committee.
Delicate detail of beading,
reeding, dentils, and modillions,
typically Corinthian, add to the
exterior.
The pineapple, symbol of
Southern hospitality, is carved in
molding above the entrance hall's
double doors. Those doors open
into the spacious Virginia Dare
Room, which takes its name from
murals that hang above fireplaces
at each end. The fireplace hearths
and mantel are of black and gold
Italian marble. Worked into the
design of the mantel is the daisy,
the college flower.
The room is made more
spectacular by the thirty-two
pilasters around the walls, large
crystal chandeliers and French
doors opening onto the balcony
that overlooks the garden.
The right wing of the house
contains a catering kitchen, living
room, and four bedrooms with
baths. On the lower floor are the
university's development and
publications offices.
Alumni offices, a library, and
other university-related operations
occupy the left wing of the main
floor. The home-style library
contains the written work of
alumni as well as other significant
books. Rose Kennedy, who visited
the Alumni House, donated a copy
of Profiles in Courage, written by
her son, John F. Kennedy.
On the lower floor of the right
wing is the Pecky Cypress Room,
noted for its unusual wood walls,
and now the office of the vice
chancellor for development and
university relations.
The rear of the house is two
full stories and is accessible from
the front, inside, or the flagstone
terrace.
Originally, the lower floor was
headquarters for the Student
Government Association, offices
for student publications, and a
combined committee room and
class headquarters (known to
alumni as the Judy Board or
Horseshoe Room). These activities
moved to Elliott University Center
in 1953.
Although the Alumni House is
owned by the University, a stand-
ing five-member house committee
of the Alumni Association over-
sees its operation and manage-
ment.
The dream and challenge that
took more than a decade to materi-
alize is, says Barbara Parrish, a
"link, actual and sentimental,
between the present and the
beginnings of The University of
North Carolina at Greensboro."
Alumni News
Spring • 1988
15
Homewood and the
Baltimore Scene
Above, a black and white patterned floor and moss
green walls decorate the front reception hall of
Homeicood (below), now on the campus of Johns
Hopkiris University. Photos by David E. Tripp.
by Jane Webb Smith
The twentieth century Colo-
nial Revival architecture of
the Alumni House was modeled
on Homewood, the Federal period
Baltimore country home that
Charles Carroll of Carrollton gave
his son for a wedding present in
the first decade of the nineteenth
century. At the time, Carroll was
the wealthiest man in the country.
Johns Hopkins University, on
whose campus Homewood stands,
has owned the house since 1902.
An extensive restoration has just
been completed. The house is now
as it might have been from 1806-
1816, the ten years the Carrolls
lived there as a couple.
Daniel Carroll emigrated to
Maryland in the 1750s from
Ireland. Because they were Catho-
lic, he and his descendants were
barred from political office. They
put their energies into amassing
one of the largest fortunes in the
colonies. Charles Carroll of Car-
rollton, the signer of the Declara-
tion of Independence, was the
father of Charles Carroll of Home-
wood.
In 1800 young Charles Carroll
went to the Chief Justice of the
Pennsylvania state court, Benjamin
Chew, and asked to marry his
daughter, Harriet. Though Charles
had a reputation for idleness, he
assured Chew that his father
"would give us the money for
whatever we need." For a wedding
present, Charles Carroll Sr. gave
the newly weds 130 acres about a
mile outside Baltimore.
Construction of the house began
in 1801. Charles Jr.'s reluctance to
keep accurate accounts, his
indecisiveness, and the expensive
tastes of the young couple brought
the cost of Homewood by 1808 to
$40,000 — over four times what the
elder Carroll intended to spend.
But with the departure of the
workmen from Homewood young
Charles began to get depressed.
What would seem to be the begin-
ning of a happy life turned into
tragedy as Charles Carroll of
Homewood turned to the wine
cellar for consolation.
Charles, Harriet, their son, and
four daughters first used Home-
wood as a summer home from May
to October. By 1811, however, they
were spending most of their time
there. Letters from Charles Sr. to
his son at this time had these
recurring themes: "Stop spending
so much money; improve your
mind and keep up with your
accounts; and keep away from
spicy foods and wine, take a bath
in the morning, work from 9 to 5
and you will have a fine life."
All this was ignored by Charles
of Homewood. By 1813, Charles Sr.
was worried about the welfare of
Harriet and the children. In 1814
Harriet took the children to Phila-
delphia for a year. By 1816 Harriet
61 Alumni News
I Spring • 1988
and the girls moved to Philadel-
phia permanently and their son,
Charles, went to Europe to school.
She needed to move to "escape the
afflicting scene that she had
witnessed daily."
A Captain Craig and his wife
came to live at Homewood to care
for Charles. They didn't stay long.
From 1816 until his death in 1825
at the age of 50 in an institution in
Annapolis, Charles Carroll of
Homewood, alienated from his
family, moved from Homewood to
Annapolis and back again.
His son, Charles — now 24,
moved into Homewood, refur-
nished it, and lived there until
1832 when his grandfather died.
He then moved to Doughoregan
Manor and took the name Charles
Carroll of Doughoregan. Home-
wood was sold in 1839 to the
William Wyman family, who lived
there until 1850 when they built
another house on the property.
Homewood was closed until the
1890s when the Gilman School, a
boys boarding school, rented it
and put a cupola on the roof. In
1902 they gave it to Johns Hopkins
and the "Homewood" campus was
built around the house, which was
used as university offices from
1930 to 1980.
Not a very happy story for such
a lovely house.
In spite of the $40,000 Charles
Carroll sunk into the palace for his
son, Homewood is not the master-
piece of Federal architecture one
might assume. It is a typical, rather
conservative adaptation of the
neoclassical style and completely
in the vernacular of the Georgian
symmetry style that was occurring
in Baltimore at the time. Again
there is inconsistency in the fact
that Charles Carroll demanded the
finest Europe had to offer in
decorative arts, dress, rugs, and
fabric, but after great expense and
indecision he ended up with a
conservative Baltimore country
house. It was, of course, these
inconsistencies and instabilities
that brought the son of the signer
of the Declaration of Independence
to such a ruinous end. This inner
turmoil was reflected in the house
which obsessed him for so long.
In 1983 formal restoration efforts
began with archaeological
excavation which turned up lots of
wine bottles. It is assumed that
what Harriet didn't take to Phila-
delphia in 1816, Charles Carroll of
Doughoregan took with him when
he left the house in 1832. The
restoration was completely paid
for by the late Robert Merrick, a
local philanthropist who had been
at Gilman and lived at Homewood
as a boy in boarding school. The
curators have put nothing into the
house that didn't have design
precedence or documentation as
having been in a contemporary
Baltimore house.
There are about a dozen Home-
wood replicas in all, including the
American embassy in Nicaragua
and the music building at South-
ern Baptist Theological Seminary
in Kentucky.
The restored Homewood opened
as a museum on September 15,
1987.
]ane Webb Smith is an
exhibition curator and,
currently, a resident of
Baltimore while studying
for a master's degree in
American Studies at the
University of Maryland-
College Park. An alumna
of Hollins College, she
has also studied at Boston University. She is
the daughter of Bootsie Webb Smith '47.
The fine architectural detad m the home built (m/
Charles Carroll is evident in this doorway.
Alumni News
Spring • 1988
Pack Your Bags —
We're Off to
Baltimore
To continue celebrating the
Fiftieth Anniversary of the
Alumni House, the Alumni
Association will offer a trip to
Baltimore featuring a tour of
Homewood, the colonial
mansion after which the
Alumni House was patterned.
Chartered bus service will
depart on April 6 from Greens-
boro; alumni in the Richmond
area may board in that city. A
box lunch is planned in
Historic Halifax, VA, at
Tarover, the country home of
Virginia Ford Zenke '46.
Four nights accommodations
are booked at the newly
restored Lord Baltimore
Clarion Hotel. Guided tours of
Homewood, Carroll Mansion,
Peabody Library and National
Aquarium, and a visit to the
Baltimore Museum of Art,
home of the Cone Collection,
are included. Alumni will
enjoy, too, a city tour of
Baltimore, featuring the
Federal Hill and Otterbien
neighborhoods; lunch that day
will be at the Engineering
Society. On another day,
alumni will take a trip to Anna-
polis to the Paca Mansion and
the Hammond Harwood
Mansion; lunch will be at The
Maryland Inn.
Even with all that's sched-
uled, there'll be some free time
in Baltimore to shop and enjoy
The Inner Harbor (Harbor-
place), Antique Row, and the
Walters Art Gallery and in
Annapolis to shop or to tour
the Naval Academy.
The whole package, includ-
ing transportation, hotel ac-
commodations, site tour ad-
missions, and the lunch stops
mentioned above, is reasonably
priced: $275 per person/
double or $375 per person/
single occupancy. A package is
also available without trans-
portation. Additional informa-
tion about the trip may be ob-
tained from the Alumni Office.
It Happened in the Alumni House
Etude in BVD
Bill Welder '86, now a second
year medical student at Johns
Hopkins, had a unique experience in
the Alumni House even before he
entered UNCG as a freshman. Bill
sought one of our prestigious
Competitive Scholarships, and for
the weekend of his interview, was
assigned a bedroom in the Alumni
House. It seems that Bill, unable
to sleep, decided to while away the
wee hours by playing the baby grand
piano in the Virginia Dare Room —
dressed only in his underwear!
Incidentally, now that Bill has
moved to Baltimore he passes by
Homewood every day. "It's really
eerie," he told us recently. "It's
so strange to see our Alumni House on
a different site."
Sneaking Out
of the House
The story can be told, now.
After forty-five years, Evon Welch
Dean '42 no longer feels the
apprehension that she'll be chastised
for bending the rules during the first
year she worked in the Alumni House.
Evon was secretary to Alumnae
Secretary Clara Booth Byrd '13.
During times when the Alumnae
Board met, Evon was required to
spend the weekend in the Alumnae
House to tend to the needs of the
board members and take responsibility
for the House.
Sequestered one such weekend,
the board members felt sorry for
young Evon because she wouldn't be
able to honor a date with future
husband Willard on Saturday night.
Every minute with Willard was
precious because he was to leave for
service in the Army within a few
weeks. "In Miss Byrd's absence," Evon
recalls, "those darling board members
conspired to send me out anyway.
They promised to 'cover' for me."
When Willard came to call on
his bride-to-be, he got the once-
over from the elder board members.
And when the couple returned from
their date, the alumnae were waiting
up for them. Fortunately, the experi-
ence didn't scare Willard away.
So far as we know, no one ever
tattled, but Evon confesses to many a
frightful thought as to the severity of
the reprimand Miss Byrd would have
tendered.
Vital Statistics
The Annual Report for Alumni
Affairs, always cleverly crafted by
Director Barbara Parrish '48,
contains a section about the use of
the Alumni House. The 1986-87
edition reports that activity in the
Alumni House was brisk and assorted:
There were 21 group breakfasts, 59
luncheons, and 39 dinners. There were
200-1- meetings, lectures, and special
programs; 28 university-related recep-
tions; 4 piano recitals; and 4 seminars.
There were 5 weddings and 38 wedding
receptions. And the seven beds were
made 575 times during the year.
A Rose
from Miss
America
This photograph
ran on the cover of
Alumnae News in the
fall of 1961. The
cover note explains:
"Kendall Single-
tary is the three-year-old daughter of
Chancellor and Mrs. Singletary. Her
friend is, of course, Maria Beale
Fletcher of Asheville, who was Miss
North Carolina when this photograph
was made and who is now Miss
America. It happened this way:
Kendall was visiting in the Alumnae
House on the morning that Lelah Nell
Masters '38, assistant public relations
director for Cone Mills Corporation,
brought Maria Beale over to make the
'official' photographs of her presenta-
tion gown. Kendall watched the
goings-on with wide eyes, but she kept
her distance. Finally when Maria
Beale offered her the rose which she
had been holding for the picture-
making, the two were in lens-distance
of each other. Mrs. Pat Alspaugh of
the College News Bureau made this
photograph."
8
Alumni News
Spring • 1988
Roots of Southern Architecture
by Charles Richard Gantt
76 MFA
Our Alumni House design is
a fulcrum in the change
from the colonial architecture of
the young republic to southern
architecture, which has its back-
grounds and origins in the seven-
teenth, eighteenth, and early
nineteenth century. It represents
American taste and temperament.
Southern architecture reflects
much variety because we are a
nation of immigrants. The vagaries
of the climate also play an impor-
tant role.
Appearing in the Charlestown,
SC, Gazette in May 1751 was this
advertisement:
"DUDLEY INMAN, CARPENTER
and Joyner, lately arrived from London,
in Capt. Crosthwaite, who now lives
next to Mrs. Finlay's in Church-street,
Charles-Town, undertakes all sorts of
carpenters and joyners work, particu-
larly buildings of all kinds, with more
convenience, strength and beauty than
those commonly erected in this
province, in which he will closely
adhere to either of the orders of
architecture : He likewise gives designs
of houses, according to themodern taste
in building, and estimates of the charge:
And hangs bells, in the best, neatest and
least expensive manner. — A good taste
in building is a talent (as all others)
brought into the world with a man, and
must be cultivated and improved with
the same care and industry as such
others: But a structure, tho' ever so
beautiful, cannot yet be perfect, unless
supplied with all the conveniences nec-
essary to remove the disadvantages
proceeding from great heat or cold, or,
the country wherein it is built: Of such
there are but few in or near this town,
tho' put up and finished at a greater
charge than if they had all the conven-
iences and beautiful proportions of
architecture.
"All these shall be done to the entire
satisfaction of all gentlemen that shall
be pleased to employ Their most
humble Servant,
Dudley Inman"
This newly-arrived architect
promises that he will build in a
modern style yet use the architec-
tural resources of the classical past.
He will take the climate into
consideration as well as the nature
of the architectural taste and styles
of the South.
The White House, built in 1752
and then again in 1815, showed
such a blend of European influence
and American taste.
Drayton Hall, built near Char-
leston in 1740, is an example of
Palladian design inspired by the
Villa Rotunda in Vienna, circa
1550. It is, however, highly
adapted in plan and material so
that it is a practical interpretation
of the Palladian ideal. Drayton is a
functioning domicile rather than a
tribute to artistic theory. This style
was spread throughout the English
world, and thus the South by the
publication of Pallidio's works
in English by Lord Burlington.
Burlington and William Kent were
crucial in the firm establishment of
the new style through their own
architectural works.
The Nathaniel Russell House in
Charleston (circa 1809) is an urban
adaptation of a Palladian-style
double house. Its end was to the
street with the facade oriented
toward the garden. The house
announced one thing to the viewer
but had an element of surprise
inside.
Thomas Jefferson's Monticello
(completed in 1809, the year that
Homewood, the inspiration for our
own Alumni House, was finished)
is a combination of geometric
shapes that are interesting,
unusual, and demonstrate both his
individuality and his debt to
tradition. The building sits as an
extension of nature. It is an ideal-
ized landscape in the manner of
Claude Lorraine's seventeenth
century paintings as well as a func-
tioning farm. Both principles have a
classical origin in The Georgics by the
Roman poet, Virgil.
This is also true of the University of
Virginia campus. The university has
been called a "city of temples within
a landscaped environment."
Then, beginning in the 1820s,
prominent architecture by Robert
Mills (Washington Monument, 1836,
and the Treasury Building) showed a
rise of monumentality, the role of the
state, and the death of picturesque
landscape. The Records Office in
Charleston was a fireproof building
with emphatic, severe classical detail
and columns.
By 1865 Greek Revival had replaced
Palladianism and Jefferson's monu-
mental classicism. This became
our "notion of Southernness."
Thomas Jefferson 's Monticello, near Charlotttesville,
Virginia.
§ Richard Gantt, a lecturer in
UNCG's Department of Art,
is an alumnus of UNCG. He
earned an MFA degree in
studio arts here in 1976. He
is presently completing
master's study in art history
^^ ^ .^ at UNC-Chapel Hill,
^^^^ Ki^ , where he plans to continue as
a doctoral student. He illustrated the late Dr.
Louise Robbins' book. Footprints: Collection,
Analysis and Interpretation.
Alumni News
Spring • 1988
19
by John Edward Tyler II
Beginning with Sir Walter
Raleigh's attempt to plant a
settlement of thatched, wattle and
daub cottages. North Carolina's
history can be traced through its
architecture. The preservation of
this architecture is a link to our
past.
The earliest documentation for a
particular dwelling is found on a
map published in 1657. The
Nathaniel Batts House, located in
Bertie County, contained one room
and a buttery. The earliest existing
residence in North Carolina is the
Newbold-White House in Per-
quimans County, built in the
1680s. It is of a "hall and parlor"
plan and was restored under the
guidance of the Perquimans
County Historical Association. It is
the cornerstone to any survey of
the history of our state's architec-
ture.
In the eastern part of North
CaroUna the "hall and parlor" plan
used by Virginians was prevalent.
Central European styling can be
found at Old Salem and other
Piedmont areas settled by the
Moravians. The Quaker floor plan
(three rooms, one slightly larger
than each of the other two) was
used in Perquimans and later in
Guilford counties.
An enigma exists in North Caro-
lina architecture, however. Many
structures seem incongruous to
their location. Mulberry Hill, on a
plantation in Chowan County,
looks as if it had been lifted from
Front Street in New Bern, where
there are several identical
townhouses. And in the western
part of the state, both the Carson
House at Marion and the
Smith-McDowell House in
Historic Preservation
in North Carolina
Asheville have a tropical influence
common to the coastal areas of the
region.
Though North Carolina is
termed a "valley of humility
between two mountains of con-
ceit" in architectural circles, some
of our gems are the rarest. Tryon
Palace in New Bern, designed by
English architect John Hawks, is
acclaimed as the most handsome
of all eighteenth century buildings
ever erected in the American
colonies. And George Vanderbilt's
"Biltmore" near Asheville is one of
the grandest private residences
ever built in the United States.
Historic preservation began in
North Carolina perhaps as early as
1904 when the Colonial Dames
rescued the birthplace of President
Andrew Johnson. In the 1950s the
State Division of Archives and
History began its Historic Sites
Program with projects such as the
Alamance Batfleground, the
Governor Aycock birthplace,
Bentonville Battleground, and the
Ireland and Barker Houses in
Edenton. Today this program is
greatly expanded and part of the
NC Department of Cultural
Resources.
One cannot survey the historic
preservation movement in North
Carolina without paying special
attention to the restoration at Old
Salem. Though on a smaller scale,
it is of the same fine quality as that
found at Williamsburg. The
Museum of Southern Decorative
Arts in Winston-Salem is invalu-
able in preserving this phase of our
heritage.
Every day countless historic
buildings are lost to fire, vandal-
ism, indifference, and neglect, to
say nothing of the bulldozer. The
Historic Preservation Fund of
North Carolina financially sup-
ports efforts to save structures
important to our heritage. Historic
preservation is vital to our educa-
tional, economic, and cultural
growth.
The Newbold-White House (above) is the
earliest existing residence in North Carolina.
Below is the birthplace of President Andrew
Johnson, saved by the Colonial Dames perhaps
as early as 1904. Photos are by the North
Carolina Division of Archives and History.
Jolui Tyler is chairman of
the board and former
president of the Historic
Hope Foundation, which
is responsible for acquir-
ing, preserving, and
maintaining the Hope
Mansion near Windsor,
NC. He is past president
of the Historic Preservation Society of NC and
served as chairman of the acquisitions commit-
tee of the Tryon Palace Commission.
Alumni News
Spring • 1988
111
^M.Uh '
I I
"^F=^
by Mark R. Wenger
By exploring how America's
architectural past inspired
Virginia building during 1840-
1940, the cultural forces which
shaped Alumni House will be
easier to understand.
Since John Smith produced his
chronicles of the Jamestown
settlement, Virginians have
consistently displayed a concern
for recording, preserving, and
memorializing their past. These
sentiments notwithstanding,
antiquarian interest in Virginia's
past exerted little influence on the
development of local architecture
until after the Civil War.
In the meantime, Virginia's
colonial architecture remained
largely unappreciated apart from
association with famous people or
events. Mount Vernon was one of
the first buildings to command
widespread attention. 1854
marked the beginning of success-
ful efforts to save the home of
George Washington as a shrine for
the nation.
There did exist a widespread
interest in Virginia's historical and
architectural past on the eve of the
Civil War. However, with the
coming of hostilities, this interest
was eclipsed by more pressing
concerns about war and its devas-
tating consequences. Not until the
end of Reconstruction would the
South again build on a grand scale.
And not until then would South-
erners again look to the past for
inspiration.
Ironically, it was the northern
popular press which showed the
Thirty-two pnlasten grace the walls of the
Virginia Dare Room.
Colonial Revival Architecture
in Virginia
way. After the War, northern
curiosity about the vanquished foe
spawned an outpouring of litera-
ture treating all the distinctive
aspects of Southern culture.
Architecture figured prominently
in these popular writings. The war,
of course, had destroyed much of
that legacy. But it also introduced
many people to the remains of
Virginia's colonial landscape —
the homes of great planters, the
sites of momentous historical
events.
In spite of its devastating effects,
then, the Civil War was an impor-
tant factor in promoting an aware-
ness of Virginia's historical and
architectural treasures. Within a
few years of the war's end, travel
accounts and illustrated articles
began to appear in popular
journals. The pace of these publica-
tions accelerated noticeably as the
hundredth anniversary of Amer-
ican independence drew near.
The Centennial Exposition in
Philadelphia and the Yorktown
centennial received extensive
coverage in periodicals of the day.
An explosion of popular literature
about the South ensued with
interiors of Virginia houses
depicted with increasing fre-
quency. Both the dramatic and
decorative stairway and the tall
grandfather's clock were recurring
bits of Colonial Revival imagery.
The restoration of Virginia's
old plantation mansions were
another aspect of the Colonial
Revival. The restoration of Carter's
Grove typified what was happen-
ing over much of the state during
the period 1900-40. Numerous old
homes were acquired, modernized
and "restored" by affluent north-
erners. The resuscitation of
Virginia's old estates was tied to
the emergence of a new rural elite,
with its taste for the pleasures of
country life and its cultural identi-
fication with England.
First laid out in 1925, the Wind-
sor Farms suburb in Richmond
was envisioned as an old English
village on the banks of the James.
In fact, two homes were purchased
and dismantled in England and
erected in Windsor Farms. In its
completed form, Windsor Farms
was an idyllic evocation of old
Virginia and its English roots —
with "Anglo-Saxon home feeling."
For Americans, this quality was
best embodied in the domestic
architecture of the colonial era and
a sense of ethnic and cultural
identity with England.
Historians also suggest that the
Colonial Revival was a reaction to
the social and political upheaval in
the last half of the nineteenth
century. In the face of these
problems, it represented a reassur-
ing affirmation of traditional
values.
Our Alumni House, then, shows
us a very proper copying of a
colonial exterior with a mixture of
periods and locations inside —
mostly eighteenth century with a
seventeenth century staircase.
Most of us think of the Wil-
liamsburg restoration as a
beginning — a first step in modern
methods for the preservation,
interpretation, and recreation of
our past. It is also possible to see
Williamsburg as a conclusion, a
culminating event of the Colonial
Revival's "Golden Age" in Vir-
ginia.
The Colonial Revival has never
really gone away. A drive through
just about any recent neighborhood
in this part of the country will
confirm that it's alive and well. Each
generation returns to the past for its
own reasons.
Carter's Grove, the River Front, located m
James City County, Virginia, ivas restored
hetiveen 1928 and 1932.
Mark Wenger is a
research architect with the
Colonial Williamsburg
Foundation. He holds a
bachelor of design degree
L.. -vT*^ ' from NCSU, a bachelor
^^^r < of architecture degree
•m ^ • from UNCC, and a
■ w ^^-. ! master's degree in
architectural history from the University of
Virginia. His book, England in 1701: The
Travels of Sir John Perceval and William
Byrd of Virginia, is being published by the
University of Missouri Press.
Alumni News
Spring • 1988
113
by Dr. Jean Gordon
A room from Haivrhill, Massachusetts, whose
furnishings typify an early nineteenth century
New England seaport home.
The furniture in this drawing room of a
Baltimore house built before 1S12 shows a
strong Sheraton itjfluence.
The rooms pictured on this page were once
reconstructed in the American Wing of the
Metropolitan Museum of Art.
Why do twentieth century
Americans have such
affection for eighteenth century
houses and furniture? Considering
the differences in Hving patterns of
two hundred years ago compared
with those of today, the enduring
popularity of eighteenth century
styles might seem paradoxical.
Even the affluent are over-
whelmingly informal. We call hew
acquaintances by their first names
and lounge about in designer
jeans. The eighteenth century
person who aspired to gentility
spoke in polite formulas, dressed
in tight, uncomfortable clothes,
and moved with studied grace.
Eighteenth century houses were
classically symmetrical and,
because hand-made objects and
textiles were expensive, rooms
were sparsely furnished. What
furniture there was was designed
to exemplify the taste and status of
the owner rather than to provide
comfort.
In the early decades of the
nineteenth century new-rich
Americans were only too happy to
relegate their stiff Queen Anne
chairs and high chests to the
maid's room and acquire whole
ensembles of elaborate French
furnishings for their spacious
eclectically-styled homes. Only in
the more traditional parts of the
country — in New England and
the Old South — was there nostal-
gia for the colonial era. Harriet
Beecher Stowe used her novels to
celebrate the domestic virtues of
the New England kitchen, and
Prudence Crandall organized the
Mount Vernon Ladies Association
to save George Washington's
home as a national shrine. Every-
"1 /% I Alumni News
-1-^ I Spring '
1988
18th Century Influence on Today's
Architecture and Decorative Arts
one else concentrated on keeping
up with the Europeans.
After the Civil War, industry
flooded the country with mass-
produced furnishings of the most
elaborate and pretentious kind.
Perhaps at no time in history were
so many households inundated
with so much interior decoration.
Even the great exposition held in
Philadelphia in 1876 to celebrate
the nation's first hundred years
was predominately concerned
with exhibiting the latest achieve-
ments of industry and technology.
Only a few exhibits, including that
of a recreated colonial kitchen,
reminded visitors of the earlier
times which the Centennial
celebrated.
It is true that in the 1880s and
1890s architects like Charles
McKim and Stanford White
studied and documented seven-
teenth and eighteenth century
New England houses. At the same
time collectors began scouring the
countryside for blue and white
china and stately highboys. But
what really brought the colonial
style back into fashion was the
discovery that the relative simplic-
ity of colonial design was more
compatible with the changed
society of the new twentieth
century than the oversized
Eastlake and Renaissance revival
pieces of the 1870s and 1880s. In
1900 families were smaller and
maids hard to find. The woman
who did her own work could
easily become a slave to multi-
layered drapes, wall to wall
carpets, and dense thickets of
furniture and knickknacks.
For those of the plain-living,
high-thinking persuasion there
was the new mission style. For a
time, about 1910, it seemed to be
sweeping the field. But, for the
average taste, mission proved to be
too austere. Golden or greenish
pickled oak lacked the richness of
walnut, and boxy, undecorated
chairs and tables could be boring.
Eighteenth century tables and case
pieces not only were elegant, they
were small enough to fit into the
smaller twentieth century rooms.
And even though some eighteenth
century pieces were uncomfort-
able, they could be combined
effectively with overstuffed sofas
and lounging chairs. Designers
like Elsie de Wolfe celebrated the
fact that the eighteenth century
style was perfectly compatible
with such innovations as electricity
and modern kitchens. By 1925
when the Metropolitan Museum of
Art opened its new American
Wing, the colonial revival was in
full swing.
There were, of course, other
enthusiasms. Some people liked
the Spanish or Mediterranean
style, and eighteenth century
French Provincial had a large
following. During and after World
War II, academics and manufactur-
ers tried to convert Americans to
the international style. But, as Tom
Wolf has said, Americans usually
preferred "our house" to
"Bauhaus." Split levels and blond
furniture might be more conven-
ient, but people still loved the look
of colonial Williamsburg. The
Bicentennial merely strengthened
the feeling.
So much for the past. What about
the future? Will the eighteenth and
early nineteenth century styles
always be with us? If they are, it
will not be because of their practi-
cality or their unqualified suitabil-
ity to modern life. The symmetry
of the Georgian house does not
necessarily lend itself to the most
efficient and pleasing use of space.
And detached houses in the
suburbs are extremely expensive
in terms of fuel for heat and trans-
portation. As for furniture, eight-
eenth century styles require scarce,
expensive woods and labor-
intensive craftsmanship to avoid
looking cheap and, as they say in
the trade, "boraxy." Nor were the
Queen Anne, Chippendale, and
Federal styles designed for an
informal, mobile way of life.
Still, people do not live by
appropriateness alone. Sentiment
and nostalgia have an important
role in what most of us like. In the
future, what we probably can
expect in terms of furniture, if not
in houses, is more of what we
have had in the last two genera-
tions; that is, a combination of
some pieces that evoke the eight-
eenth century and others that are
more modern and convenient. Yet
Elsie de Wolfe was undoubtedly a
bit naive when in 1912 she pre-
dicted that the eighteenth century
would always be the preferred
style. Always, after all, is a long
time!
Dr. Jean Gordon is an
associate pirofessor in the
I Department of History at
UNCG. An alumna of
Penn State University,
she did her doctoral work
at the University of
Wisconsin. She is the co-
director of the Graduate
Summer Institute of Southern History and
Decorative Arts, a joint project of the
Department of History and the Museum of
Early Southern Decorative Arts.
Alumni News
Spring • 1988
115
From Dream to Reality
The Teagne property, "titat body of land lying betzoeen Spring Garden Street and the Southern Railway.
By Dr. Richard Bardolph
Because 1987 marks the fiftieth
anniversary of the formal
introduction of the Alumni House
as a resplendent new addition to
the campus, we decided to prepare
an article on the structure's
background and early develop-
ment.
One hardly knows where to
begin. The remotest origin of the
impulse to plan an alumni home
are, one suspects, forever lost from
recollection. But a search through
the records, particularly the
minute books of the Alumni
Association and the early volumes
of the Association's quarterly
magazine, has enabled us to trace a
sequence of events proceeding
from dream to reality — including,
along the way, some false starts,
abrupt reconsiderations, gradual
retreats, and the discarding of
projects and plans whose initial
high expectations were prudently
abandoned under the promptings
of accident, circumstance, and
sobering experience.
Indeed, the pre-history of the
Alumnae House proved to be
more eventful than we had
supposed. It is intimately inter-
twined with the early history of
the Alumnae Association, whose
own story (which, for lack of
space, we reserve for future
articles) is one of changing
structures and shifting concep-
tions of purpose and mission:
developments that had every-
thing to do with the evolution of
the physical structure and the
functions of the Alumnae House,
even before the notion of an
alumni building had occurred to
anyone.
We have chosen the year 1914
as the point of departure for the
first of a three-part series. It
carries the story to 1922; the
second to June 1937; and a third is
planned as a brief history of the
Alumni Association itself from 1893
to 1937 in its early, and sometimes
discouraging — but never discour-
aged — struggles to achieve its per-
manent form and to define its role
and program.
It was at the group's annual
meeting on May 25, 1914 — when
the Association had fewer than 200
"members in good standing" who
had paid their annual dues of one
dollar, and had less than a hundred
dollars in its treasury — that "a
committee on arranging a perma-
nent home for the Alumnae when
they visit the College was ap-
pointed: Miss Jane Summerell,
Miss Ethel Brown." It had also,
however, oversight of approxi-
mately $23,000 in student loan
funds, which it had helped accumu-
late, a small portion of which its
members had themselves contrib-
1 /2 I Alumni News
J.\J I Spring
1988
uted, but which it could not, of
course, use for its own purposes. It
is, perhaps, not too much to say
that the Association's primary
purpose at that time, as it would
be for several more years, was the
fostering of student loan funds to
enable financially deprived
apphcants to attend the College
and become teachers. A secondary,
though not unimportant, object
was the rallying of support for the
College, both in the general public
and in the Legislature.
Beyond the brief item we have
quoted from the 1914 minutes, no
amplification was offered at the
time, and apparently no discussion
ensued. A few months later, when
the secretary recorded the Found-
ers' Day meeting of October 5,
1914, no mention of an alumnae
home was made. At the following
year's annual meeting in May of
1915, "Miss Summerell reported
that the Committee on a Home for
the Alumnae were encouraged to
hope for some such place on the
Campus as soon as it was practi-
cable for the College to grant the
space. The Committee continued."
Then, once more, on May 22, 1916,
the annual meeting heard from
Miss Summerell' s committee "that
they continued to stand for the
idea of an Alumnae Home and
hoped some day to realize that
dream." Again, no discussion of
the proposal was recorded. The
brief report could hardly have
been a surprise to the alumnae
who were present, however, as we
will note in a moment.
By 1914, when the Association
had been in being for twenty-one
years since its first tentative
beginnings in 1893, it was still
little more than a federation of
loosely organized county chapters.
Its activities were largely confined
to an annual meeting on the
campus during commencement
weekend and another sparsely
attended session in October at
Founders' Day. Otherwise its
agenda reached little beyond the
promoting of student loan funds
and some modest exertions (in
which few members participated
in any visible way) to stimulate
interest in the institution among
legislators, the general public, and
prospective students, and to keep
alive the loyalties and affections of
graduates and former students in
the growing sisterhood.
The establishment of a quarterly
magazine in 1912 provided a
promising resource for promoting
the Association's objectives. Its
pages, as well as the official
minute books, enable us to trace,
step by step, the movement that
led to the dedication of the Alum-
nae House in 1937. Of special
interest is a piece by Jane
Summerell '10, '23 BA, '78 LHD
(still a member in excellent stand-
ing in 1987!) in the April 1916
Alumnae Nezvs. As chairman of her
small Committee on the Alumnae
Home, she was moved to push the
cause in the Association's periodi-
cal in an article that is interesting
not only as the first reference in the
quarterly to an Alumnae building,
but also because it illustrates what
that generation of alumnae
thought such a building might be.
She began the piece by pointing
to the need of a location on cam-
pus where former students might
come to visit their sisters and their
college friends, or even to intro-
duce their own children to the
school. She was, in fact, talking
about a sort of campus hostelry for
overnight (or even longer) stays.
Then, she continues:
About a year ago the Alumnae
Association decided to look into
the matter of an alumnae home
here on the campus. It was not a
difficult task to single out the
building best adapted for that
purpose; for what place on the
hill is dearer to the hearts of
us all than the Old Infirmary.
Since the sick among us have
been transferred to the new
hospital, why not let those
home-sick for college away from
us claim this building as their
own? Here they could come for
several weeks to refresh
themselves mentally and
spiritually, or to give, out of
their experience, helpful advice
to their younger sisters
struggling with the increasing
problems of our institution. At
commencement and on Founders'
Day, the home would be filled
with many who feel a little
timid about staying in the
dormitories, or who would prefer
a quieter place for the College's
newest grandchild. . . Dr. Foust
is much interested in our
plans, and would like to
give it to us; but, with the
crowded condition at the
College, there can be no
immediate assurance. I-Jowever,
if the alumnae will manifest the
proper amount of enthusiasm and
interest in their home, and
press their claims upon the
College authorities, it may be
ours some day.
Three years later, when the
proposal had not yet materialized,
Laura Coit (at that time the
College's secretary and an officer
of the Alumnae Association) wrote
a brief paragraph for the Alumnae
News which reflects much the
same conception of an alumnae
home, though it does not mention
the Old Infirmary. In fact, as Miss
Coit may have known, the move-
ment for an alumnae building was
soon to take a new turn.
While the preliminaries leading
to the session are only suggested
in fragmentary evidence, we do
know, for we have the official
minutes, that a slightly flustered
quorum of the Association's Board
(Miss Summerell was among those
present, as was Miss Coit) filed
into Dr. Foust' s office on the
morning of May 11, 1918, into the
Alumni News I -t ^
Spring • 1988 I J- /
presidential presence. After a few
introductory explanations by Dr.
Foust, the voung women were
shown a set of resolutions in which
the College's Board of Directors
recommended to the North
Carolina General Assembly that it
grant to the Alumnae Board
"specific authority to purchase,
and also request the General
Assembly to make specific
provision to pay for the purchase
of said property." The land
referred to was the Teague prop-
erty, "that body of land lying
between Spring Garden Street and
the Southern Railroad" (where
Curry Building now stands,
flanked on the east by the Fer-
guson Building and on the west by
the former Curry School Gymna-
sium).
In a second resolution the
College's Board "earnestly re-
quests the Alumnae Association...
to purchase and hold the property
for the Institution until such time
as the Board of Directors can
legally acquire same, and provide
funds for the payment thereof."
Accompanying documents show
that the property was to be pur-
chased for $50,000 by a down
payment of $10,000 and then in
$5,000 annual installments for
eight years at 6 percent interest;
the Alumnae Association would
borrow the $10,000 required for
the down payment. (Its own
treasury at the moment held less
than $100.) Further stipulations
indicate that when the College "is
in a position legally to assume the
indebtedness," it would do so. In
short, for the present, when the
College's own financial resources
were overstrained and its capacity
to borrow was severely limited by
legal constraints, the Alumnae
Association would raise the funds
and purchase the land so that the
College could obtain it in the
future. Agreeing to the proposal,
the members of the Alumnae
Board thereupon signed the
instrument.
Subsequent events were to
disclose also that the first
structure to be reared on the
newly acquired Teague Field
would, in fact, be an alumnae
home. Meanwhile, of course, the
earlier suggestions about enlist-
ing the Old Infirmary for the
purpose were quietly shelved. A
brief item in the minutes of the
May 19, 1919, annual meeting
relates that "The Committee on
the Alumnae Home reported that
the plans for the Home would
probably take a new turn soon."
Later at the same session, Dr.
Foust addressed the meeting, and
after sounding his usual warning
that the State's appropriations
were seriously inadequate to
supply the buildings and equip-
ment that the rapidly growing
institution desperately needed,
he turned for a moment to the
subject of an Alumnae Home.
"He spoke," say the minutes, "of
the need for an Alumnae
Building to be used as a home of the
Faculty at present. [Emphasis
supplied by RB.] We look for-
ward to the time when post-
graduate courses will be de-
manded by the Alumnae. They
can use the Home then as their
residential hall." Moments later
Miss Womble "spoke of the need
for the Alumnae Building espe-
cially for use as a Faculty resi-
dence. It was [then] moved and
seconded that we take up in a
business way the erection of an
Alumnae Building and to plan if
possible for ways and means to
erect such a building on or near
the campus."
Then, at the 1919 Founders'
Day meeting. Miss Coit
reported that the Board had met
earlier in the day, had elected Ethel
Bollinger '13 as secretary and
treasurer of the Association and
editor of its quarterly (at a salary of
$1,200) and had instructed her that
"her first work should be the
maturing of full business plans for
securing the erection of an Alumnae
Home on the Campus to cost not
less than $100,000. The Home
desired is to be used as Alumnae
guest rooms, suites and rooms for
rent to Faculty members, an up-to-
date cafeteria, and a club room etc.,
where clubs from town might hold
sessions or joint meetings with
Alumnae groups."
The Committee on the Home was
now reconstituted to include Etta
Spier '95 (chairman), Jane Summer-
ell, Laura Weil Cone '13, Laura Coit,
Clara Booth Byrd '13, '80 LLD
(Hon.), and Mary Robinson '26.
A mere half year later Miss
Bollinger's first annual report, on
May 20, 1920, gave an account of
her work, the concluding item of
which coolly announced that "Plans
for our Alumnae Building have
been drawn up and accepted by the
[Alumnae] Board. ..and the site for
its erection, the Teague Field, has
been assured us." The Building
Fund had, at that moment, about
$4,000, of which $3,000 was in
promissory notes. After the
secretary's report was read. Dr.
Foust "talked to us about raising
funds for our Alumnae Building,
and urged us to make a drive for
that money in the near future."
Although these rapid develop-
ments had ended all thought of the
Old Infirmary as a suitable Home,
the Association still had an interest
in the aging structure (which stood,
by the way, where the Faculty
Center is now), an interest that was
to have a significant bearing on the
more ambitious program now to be
launched. The same session at
18
Alumni News
Spring • 1988
"Our Proposed Alumnae Buihiiiig" as it appeared ih the April 1920 Alumnae News was a
duplicate of the recently constructed Shaw Donuitory.
which Miss BoUinger had pre-
sented the foregoing report "took
up," according to the minutes,
"the most important question
raised," that of establishing a tea
room "for the duration of the
summer session and longer, if
possible, in the Old Infirmary."
The proposal was approved, and
the experiment was just success-
ful enough in the 1921 summer
term to suggest that an alumnae-
operated tea room, or even a
cafeteria, might conceivably be
one way of accumulating a fund
for the proposed Home.
Within a matter of months, the
building was on the drawing
board, the product of discussions
involving, among others. Dr.
Foust, the Alumnae Board, the
Committee on the Alumnae
Home, and a local architect,
Harry Barton. Documentary
evidence of just how matters
proceeded have as yet not been
found by this writer, but an
architect/artist's drawing, looking
very much like a photograph and
captioned as "Our Proposed
Alumnae Building," was con-
spicuously displayed on the front
page of the April 1920 Alumnae
News, accompanied by detailed
floor plans of the projected three
stories — closely mirroring the
conception that we have already
encountered, as expressed by Miss
Summerell, Miss Coit, and Presi-
dent Foust.
One recognizes instantly that
the building was — to save on
architect's fees — a precise dupli-
cate of the recently constructed
Shaw Dormitory, except for the
addition of three stories of porches
(those on the second and third
levels designated as sleeping
porches) at either end of the
building and also at the rear. The
first floor was to contain "club
rooms" and offices for the Associa-
tion in the east wing and a kitchen
and cafeteria in the west. The
second and third floors, including
the porches, were to be identical
and to provide more than thirty
bedrooms plus a guest room and
baths.
The accompanying article
suggested that "if each alumna
will contribute twenty dollars
during a period of two years' time,
we would have over the entire
sum to be raised which is one
hundred thousand dollars."
These hopes were, of course, too
optimistic. A long, hard campaign
for a period of years would be
required — as we will have occa-
sion to relate in the third essay in
this series when we take note of
the highlights of the Association's
first half century. But, daunting as
the fund raising promised to be,
the urge to move forward at once,
long before the funds could be
expected, readily prevailed.
The October 1920 issue of the
Association's magazine
called upon the alumnae through-
out the state to accept the responsi-
bility for raising their county's fair
share as set forth in a table headed
"Suggested Apportionment of
Funds by Counties for Building."
The schedule listed the counties
alphabetically and aggregated a
grand total of $100,640 by assign-
ing specific quotas to each. The
largest assessment, predictably,
was asked of Guilford ($6,000);
Iredell, Mecklenburg, and New
Hanover were asked for $3,000
each; Randolph for $2,500; ten
others were requested to raise $200
each; and all the rest were called
upon for amounts ranging down-
ward from $1,800 to the modest
$75 that Graham County might
assemble.
The alumnae were urged to work
through a county chairman and to
give either cash or "notes covering
two years' time and to be met in
four payments, two payments per
year," on forms already prepared
and available for distribution from
the Association's office. In addi-
tion, alumnae were exhorted to
solicit "interested men and women
of wealth," in their communities
and to sponsor "benefit entertain-
ments or similar outside activities."
Although the immediate — and,
for that matter, the longer-term —
response to these appeals was
disappointing, the alumnae's
leadership and Dr. Foust were
eager to make a speedy beginning,
prompted in part by a new consid-
eration that had intruded upon
their calculations.
Alumni News
Spring • 1988
119
The story at this juncture is
best told in a full-page editorial by
the Alumnae President, Maud
Bunn Battle '14, in the October
1921 magazine. The piece was
offered to explain the surprising
action at the recent (1921) Found-
ers' Day meeting of the associa-
tion, where, with relatively little
discussion, those present voted to
approve a recommendation by the
Board that the erection of the
proposed alumnae home com-
mence at once.
Earher that morning, the
Board, taking notice of the
significant, if modest, success of
the summer's experience with the
tea room in the Old Infirmary, con-
cluded that the experiment had
"encouraged those interested to
make investigation toward estab-
lishing a cafeteria near the campus.
Since the West Wing, ground floor,
of our Alumnae Building was to be
composed of a cafeteria and
kitchen, it was thought wise to
consult the architect and find out if
that much of our Building could be
erected without injury to the rest.
Mr. Barton, after careful considera-
tion, stated that this could be done
for $15,000." Then, when the secre-
tary reported that the cash and
notes in hand would, by June 1922,
amount to nearly $13,000 and sug-
gested that the remaining $2,000
could be readily borrowed, a
decision was reached. On motion
of Mrs. Cone, the Board voted to
recommend that "we begin the
erection of the West ground floor
wing of the Alumnae Building [on
the Teague Field], which is to
contain the cafeteria and kitchen."
It was this proposal from the
Board that was accepted by the
somewhat startled alumnae at the
afternoon session, after they had
heard from Dr. Foust that "he had
been assured that morning by a
prominent businessman and
banker of Greensboro (Mr.
Vaughn) that it would be possible
to borrow between four and six
thousand dollars if necessary for
our Alumnae Home Fund."
Miss Battle's editorial in the
October Alumnae News was
offered as a defense of what
seemed to some to have been a
hasty action.
The situation which faced the
alumnae gathered at the College to
celebrate Founders' Day called for
immediate action of some kind. It
was learned that there is a great
demand for a cafeteria near the
College for the use of students and
faculty as the College dirving rooms
are inadequate. This demand will in-
evitably be greater a year hence at
which time new dormitories will have
been opened while no new dining hall
is planned for until later. It seems that
speculators, learning the situation,
were at work to press the starting of a
cafeteria near the College. This the
alumnae felt is absolutely necessary to
forestall as it would most seriously
interfere with the success of our own
proposed cafeteria. As a result, the
architect was consulted with a view
toward getting plans for the building
of one wing only on the Home, this
wing to contain the cafeteria and
rooms necessary for its successful
operation. The architect was most
encouraging, reporting that the wing
could be erected now without
changing at all our plans for the
building as a whole. [Hence] the
motion was made to go ahead.... This
part of the building alone will cost
$15,000, and the equipment will cost
around $2,000. A good part of this
amount we have on hand, some we
hold notes for and some we must
raise. It is hoped and expected that the
cafeteria will be ready to open by
summer school [of 1922] as it will be
greatly needed then. When once
in operation, the cafeteria will be more
than self-supporting, and herein will
be one source of income for use in the
completion of the building.
Let us then one and all resolve, in
spite of the financial stress of the
times to get the necessary funds so
that our building may be rushed to
completion. Let us pay our twenty
dollar assessments, work to make the
Christmas bazaar an even greater
success than last year, and do whatso-
ever else we can to secure funds. We
must have our Home quickly for we
need it greatly.
Construction — as we plan to
report more fully in our next
article — was begun soon thereaf-
ter, only to encounter new difficul-
ties (and a new opportunity)
which, thanks especially to the
vision of Dr. Foust and of Clara
Byrd, who became Alumnae
Secretary in 1922, served to con-
vince the Association that the
partially constructed building on
the Teague land should be di-
verted to other purposes; that the
alumnae should somehow recoup
the money they had committed to
it, and that they should gird for a
mighty effort to mobilize the
greater fund that a more appropri-
ate edifice would demand. No one
could have foreseen that fifteen
years would pass between the
decision to commence the ill-
starred venture on Teague Field
and the dedication of the Alumnae
House that now graces College
Avenue, on a site which in 1922
(and, indeed, from 1893 until 1935)
was occupied by the original
Guilford Dormitory — also
known as Midway — a large
wood anachronism, which, as it
aged, was becoming an increasing
embarrassment. ■
^ r\ I Alumni News
^vl I Spring
1988
B
O
O
K
REVIEWS
Short Story
Transformation
by Fred Chappell
Eve Shelnutt has established
herself as one of the most
distinctive writers of short fiction
now practicing in the United
States. The Musician is her third
collection, and follows The Love
Child in 1979 and The Formal Voice
in 1982; it is of a piece with the
earlier volumes, but it also marks a
subtle loosening of intensity and a
sense of comedy beginning to
mellow just a bit.
But the perspicuity of her
vision and the brilliance of her
technique have not lessened in the
least.
Fred Chappell, a poet, novelist, and short story
writer, is professor of English at UNCC.
She was always determined to
transform the nature of the short
story, and she has done so to large
extent by choosing strange but
believable situations to depict and
by treating the story more and
more as a plastic object. She stands
in relationship to her story almost
as a sculptor might stand in
relation to her statue; she has
abstracted experience to a minimal
perdurable essence and cut its
shape as much in negative space
as in tangible stone. The designs of
her stories tend, then, toward the
abstract — yet they are composed
sentence by sentence of earthy
detail.
A case in point might be the
story called "Purity," which tells
of two sets of identical twins,
"identical twin-wise and set-to-
set," who were born just nine
months apart. It is easy to imagine
how in hands clumsier than
Shelnutt's this premise would
degenerate into a complicated
but simple-minded sitcom of
mistaken identities. "Purity" is a
sentimental comic story but it is
not simple-minded. The four boys
are presented as a vision of
supernal beauty which is given to
the town of Hendersonville, North
Carolina, as a sort of aesthetic
apocalypse. It is a vision which
finally disappears, as visions do,
but it has left its mark. "The
townspeople eventually forgot,
except at parades they would feel
unaccountably wistful, and blame
it on the weather."
Other marks of Shelnutt's
distinctiveness are her suppression
of conventional transitions and her
stringent economy. Instead of
explaining, she shows, often in
scenes so brief they consist of only
three or four sentences. Narrative
is not merely fragmented, it is
pulverized; its smallest elements
are enlarged and those tradition-
ally regarded as necessary are
sometimes disregarded entirely.
The stories move forward by
means of a series of emotion-laden
shock cuts, and every sentence is
overstuffed with information and
implication. It is possible to feel
about these stories as her friends
feel about the enduring Claire in
the story called "Setting":
We did not at first recognize her. We held
our breaths and for a long time, it
seemed, we thought. Then she walked
toward us, this picture of love and perfect
fury, which most of us will never know. M
The Musician. By Eve Shelnutt.
Black Sparrow Press. 179 pages.
$15.95
Eve Shehmtt 73 MFA is
an associate professor of
English at the University
of Pittsburgh. She will
return to UNCG as the
creative writing
program 's fiction writer-
in-residence March 21-25,
1988.
Alumni News I ^ -t
Spring • 1988 I A. -L
o
N
CAMPUS
At Founders' Day, the Readers Theatre
Ensemble performed Alumnae House: The
Child of Our Hearts.
UNCG Readers Theatre
Ensemble
It was a very special gift.
One by one, eleven members of
the UNCG Readers Theatre En-
semble filed into the Virginia Dare
Room of the Alumni House.
Scripts in hand and without benefit
of set or costume, the readers led
the audience back to the 1920s and
1930s when the seeds were sown
from which the Alumni House
sprang. The chronicle of events
that brought the House into service
included the Dedication Ceremony
on June 5, 1937.
The performance was a gift to
alumni in celebration of the 50th
anniversary of the Alumni House.
The audience of about a hundred
and fifty alumni and guests were
attending Mclver Conference, a one
and one-half day gathering held
every year to coincide with Found-
ers' Day.
The Readers Theatre Ensemble,
begun in 1986, falls in the category
of chamber theatre. Their medium
is the spoken word. "What is
paramount is the text," said the
Ensemble's founder, Sandra
Hopper Forman '66, an assistant
professor in the Department of
Communication and Theatre at
UNCG. "We pay minimum
attention to technical aspects,
letting the words speak for them-
selves."
For this unique performance, the
text was gleaned from reports of
the Building Committee, of Alum-
nae Secretary Clara Booth Byrd '13,
and from other documents of the
era.
The Alumni Association
commissioned Ms. Forman to write
and direct Alumnae House: The
Child of Our Hearts.
"I chose the title from an account
found among the papers preserved
about the building of the Alumni
House. It struck me as a fitting
description for how alumni past
and present feel about the House."
1987 SHEPERD Awards
The School of Health, Physical
Education, Recreation and Dance
presented its SHEPERD Awards to
three alumni: Patricia Elaine Barry
'64, David W. Moore '81 MEd, and
Dorothy Berea Silver '80 MFA.
First given in 1985, the awards
recognize alumni who have made
significant contributions through
scholarship, leadership, or service
in career and /or civic involvement.
The awards were presented at
the annual Ethel Martus Lawther
Lecture in November.
Patricia Barry received her
bachelor's degree in physical
education and her master's degree
from Florida State University.
Since 1976, she has served as
coordinator of secondary physical
education and athletics in
Montgomery County, MD. In
1984, she received the NASPE's Joy
of Effort Award.
Receiving his master's degree in
health education, David Moore is
director of health and physical
education in the Moore County
Schools. In 1986, his school system
received one of twenty "Healthy
Me" awards given nationally by
the Metropolitan Life Insurance
Company in recognition of out-
standing programs. He is an EdD
candidate at UNC-Chapel Hill.
Dorothy Silver received her
master's degree in dance. She
retired last spring from the Univer-
sity where she had been artist-in-
residence. She had taught at
UNCG since 1974 and has been
performing for forty years with
such major companies as those of
Martha Graham, Merce Cunning-
ham, and Pearl Lang. Her choreog-
raphies have been presented at
American College Dance Festivals.
22
Alumni News
Spring • 1988
Dr. Walter Beak directs the Writing Across the
Curriculum p^rogram.
Writing to Learn
"There's a great difference
between learning to write and
writing to learn," says Walter
Beale, a professor in the Depart-
ment of English and chairman of
the Writing Across the Curriculum
planning committee.
Writing Across the Curriculum is
a program on campus which is
promoting the formation of
"writing emphasis courses"
throughout all disciplines. Gener-
ally, there is a perceived need for
better student writing skills. But
writing, like any skill, needs
continuous reinforcement or the
ability will atrophy.
"Writing is not domain specific,"
according to Dr. Beale, "but can be
used in any academic context as a
learning tool. The more you write
about a subject, the more you learn
about it, and the better able you
are to express yourself. Teaching
by writing emphasis forces the
instructor to get involved by acting
as an editor. There is much give
and take. And that's important."
The definition of "writing
emphasis courses" is intentionally
vague. Those who are teaching
these courses vary considerably in
their approach and their use of
writing. Generally, they share a
recognition of its importance as a
tool to enhance and measure
student learning. In addition,
students enrolled in writing
emphasis courses have access
to the consulting or tutorial
services of the English Department
Writing Center, under the direc-
tion of Karen Larsen Meyers '75
MA.
Begun last year under the
auspices of the College of Arts and
Sciences and Dean Joanne
Creighton, the response to the
program has been excellent. About
thirty instructors are teaching the
courses now, and fifteen more
attended information workshops
last fall. A Faculty Development
Grant was received. The goal of
Writing Across the Curriculum is
to involve the entire University.
Effective writing helps people
make themselves heard.
Study for Success
The shock of those first semester
grades may be lessened thanks to a
new program begun last fall by the
Office of Academic Advising.
Karen Haley, whose official title is
student retention coordinator, is
helping students — especially
freshmen — balance professors'
expectations and study time with
the independence of college life.
Her "Student Success Series"
offers free workshops on such
topics as note taking, efficient
textbook reading, study tips and
techniques, and finals survival.
UNCG's Counseling and Testing
Center is assisting her with sub-
jects such as test anxiety and time
management. For convenience, the
sessions, open to all UNCG
students, take place in the late
afternoon or early evening. Stu-
dents can attend one or two or the
whole series.
Ms. Haley, who has been with
UNCG for two years, began the
series last year on a limited basis.
She considers this year's work-
shops a success. "We've helped
many people. Next year I would
like to change the program to a
two or three session format," she
said. "Then I could reach even
more students and begin some
type of assessment. Ongoing
contact and feedback would be
very valuable."
In another capacity with Aca-
demic Advising, Karen Haley is
doing research on why students
drop out of college and what
problems they face.
Academic support for specific
courses is available through the
instructor, of course. And some
departments offer general tutoring
labs.
UNCG's "Student Success
Series" workshops are a critical
campus resource.
Art on Paper
Alumni artists whose works were
selected in the 1987 Art on Paper
exhibit in the Weatherspoon Art
Gallery were:
E. Faye Canada Collins '60, '78
(BFA), '83 MFA
Richard Fennell '82 MFA
Judy Smith Henricks '81 MFA
Patricia Marie Kiblinger '81 MFA
Eric Wayne Lawing '85 MFA
K. M. Mullins '85 MFA
Michael W. Northuis '84 MFA
Janice Burns Peeples '84, '87 MFA
David Curtis Smith '80 MFA
Linda Perry Tavemise '84 MFA
Alumni News
Spring • 1988
123
SPARTAN
SPORTS
A Formula for
Champions
by Ty Buckner '85"
Sports Information Director
Py^^^ASsi'^-* '^ p.,M rrnwd of
neSvarW^s '^f^'Xe^-^ tournament
Winning national champion-
ships requires a blend of
skill and luck, and most of all, the
ability to perform best when it
counts most.
After capturing its fifth NCAA
Division III men's soccer title in
November, UNCG can claim
mastery of the formula for cham-
pionship success.
Coach Michael Parker's team,
consisting of ten freshmen and ten
veteran players, won just eight of
its first fourteen games, dropped
from a six-year, top 10 national
ranking, and failed to receive an
automatic tournament bid for the
first time since 1980.
But the Spartans regrouped in
the playoffs, where their 26-2
record in seven years is the best in
the history of NCAA men's soccer
championships.
UNCG capped its title run and
^A I Alumni News
^TX I Spring
1988
, the team's top
Willie LOP/^' ' iMArnericfl
departed Division III competition
with a 6-1 rout of Washington
University (MO) in the finals at
home before nearly 3,000 cheering
spectators.
It was the most lopsided final-
game victory in NCAA men's
soccer tournament annals and left
the Spartans trailing only ten-time
Division I champ St. Louis Univer-
sity in the number of titles won.
"We leave Division III the way
we should be remembered — as
champions," boasted Parker after
coaching his way to a sixth na-
tional title in 12 years.
UNCG's athletic teams enter a
new era of scholarship competi-
tion as Division II affiliates this
fall.
For now, the Spartans are
enjoying their final Division III
campaign and leaving a lasting
impression.
^o-fPt'^ms Car! Flemmg, left'
If Michael Colanmnokplay
^>l'^"''t'onalchan,f,,onsh,p trophy
« a«„„//or WUUam E.Mora/
looks on proudly.
Alumni News I f^ C
Spring • 1988 I AD
THE WAY WE ARE
Touring with Cats
Eight times a week last summer
and fall actress/dancer Joanna
Beck '75 crawled and cavorted
across the stages of America as a
fehne in the hottest Broadway
musical of the decade — Cats. Fea-
tured in the third national touring
company of the hit, she played
both Jellyorum (above, right), an
"honest, frank, and caring" cat
who sang ballads, and the soprano
Griddlebone, the opera cat.
Bom and raised in Asheville,
Joanna attended the Asheville
Ballet School and performed with
the Asheville Ballet Company and
the Asheville Youth Theatre. She
received a bachelor of music
rating opportunity. But perform-
ing is hard physical work, and a
cross-country tour can be exhaust-
ing."
She has been "in the business"
for ten years now. She plans a
career change that will concentrate
on television commercials and
films. She concedes, "There's alot
of competition for this lucrative
work."
But Joanna Beck is a proven pro-
fessional, and we know she'll
succeed.
degree and was a voice perform-
ance major at UNCG. She was a
cast member of the University's
first Summer Repertory Theatre in
1975.
After that, she headed for the
bright Ughts of Broadway and
never looked back. Her credits
include Showboat with Donald
O'Connor and "As the World
Turns" on CBS TV. Off Broadway,
she appeared in The Music Man,
The Sound of Music, Boys from
Syracuse, Old Fashioned, and
Candide. She has also performed in
Liberty 's Song at the Grand Old
Opry House in Nashville.
Joanna has toured with Cats since
September 1986. She says, "It
has been a wonderful and exhila-
i
The Annals of Time
Every day J. Stephen Catlett '74
('76 MA) studies the everyday
lives of everyday people — though
they aren't living. For the past
year and a half, he has been
archivist at the Greensboro His-
26
Alumni News
Spring • 1988
torical Museum. He works with
letters, diaries, and public records
to piece together history.
He chose the career of a "social
historian" due to the influence of
two UNCG history professors —
Dr. Ronald Cassell and Dr. Frank
Melton. Stephen's original major
was journalism. He became
interested in manuscript research,
earned bachelor's and master's
degrees in history at UNCG, and
went on to UNC-CH for a master's
in library science.
Upon graduation in 1977, he
landed a "plum" of a job with the
oldest learned society in the
United States — the American
Philosophical Society in Philadel-
phia. It was founded in 1743.
Early members included Benjamin
Franklin, Thomas Paine, and
Alexander Hamilton. More than a
third of the Nobel Prize winners
have been members. For five years
of Stephen's tenure there he was
manuscript librarian. In 1986 he
became assistant librarian.
He returned to his native Greens-
boro when the job as archivist at
the local museum beckoned.
As archivist, he is responsible for
the records of the city's history —
old documents, letters, maps,
photographs, newspapers,
advertisements, and diaries.
Stephen is intrigued by them.
A "tremendous gift" was given
to the museum this year by the
descendants of Mary Watson
Smith — her diaries of 1904-1923.
Her husband. Dr. Jacob Henry
Smith, was pastor of First Presby-
terian Church from 1859 to 1890.
The diaries chronicle life and life-
style in Greensboro during that
period. "They are an important
acquisition and a most valuable
addition to our collection," says
Stephen.
Stephen is also a newly pub-
lished author. He recently
completed the 420-page A New
Guide to the Collections in the Library
of the American Philosophical Society,
begun during his employment
there.
At the museum his major proj-
ects include designing a plan for
new archive space to be con-
structed after 1989 and creating a
computer database system for
cataloging and reference.
Gold Medal
Caliber
Bringing home the gold from St.
Louis last summer meant just as
much to Mary Henri Robinson
Peterson '32 as it will to younger
U.S. Olympians in Seoul in 1988.
The 75-year-young alumna com-
peted in the U.S. National Senior
Olympics from June 27-July 2. She
won two gold medals and one
silver medal in three bicycling
events, and placed fourth in a
breaststroke swimming contest.
All her honors were won in the 75-
79 age class.
Mary Henri, a retired music
teacher who lives in Orange City,
FL, earned one gold medal in the
half-mile dash cycle race. She
earned the other gold in the 5K (3.1
miles) cycle race. Her silver medal
came in the lOK (6.2 miles) race.
And in swimming, she took fourth
place in the 50 meter breastroke.
Once in St. Louis, Mary Henri
encountered an unexpected
dilemma. She understood that
bicycles would be provided. That
was not the case! All competitors
had to furnish their own. She
almost panicked. All she could
find to rent was an old fashioned
3-speed bike even though she was
accustomed to riding a 10-speed. It
took some getting used to, but it
obviously didn't slow her down.
Making the cycling competition
even more difficult for the Florid-
ian was the fact that she qualified
on relatively flat terrain at the
Golden Age Games in Sanford, FL,
while the course in St. Louis was
hilly.
Three generations of Mary
Henri's family are graduates of
UNCG. Her mother, Jennie Tatum
Robinson '04, died in 1981 at the
age of 99. Her sister, Matilda
Robinson Sugg, is a member of the
Class of 1931; her niece, Elizabeth
Sugg Brand, graduated in 1959.
And Nancy Henri Peterson
Goettelmann '65x is her daughter.
She gives much credit for her
successes to her devoted husband,
Jim, who accompanied her to St.
Louis. "He's my trainer, driver,
and cheerleader," she said.
Alumni News I ^ ^
Spring • 1988 I ^ '
ASSOCIATION
NETWORK
New York
Times Two
Want to make sure you have
"something for everyone" when
you plan your next alumni gather-
ing? Schedule two receptions on
consecutive nights and hold them
in different locations within your
area. Invite your guests to come to
either or to both, and offer a
program they won't want to miss.
Sounds ambitious, but it's just
what the New York Area Alumni
Chapter did last October. One
reception was held in the City at
the Princeton Club; the other took
place the following night at the
home of an alumna in Essex Fells,
NJ. Both gatherings featured John
FitzGerald '84, assistant director of
admissions at UNCG, who brought
news of the campus. Associate
Director of Alumni Affairs Brenda
Meadows Cooper '65 was also
there.
Myma Sameth '66 serves as chair
of the Greater New York Alumni
Chapter. Cynthia Wharton '69
secured the Princeton Club and
handled the myriad details for the
October 7 meeting. Ben Nita Black
McAdam '57 graciously opened
her home for the evening of
October 8.
Pre-Game
Receptions
When the men's basketball team
traveled to meet two of its out-of-
state competitors early in the
season, UNCG alumni were there
to cheer them on.
In late November the Spartans
traveled to Johnson City, TN, to
match up with the East Tennessee
State Buccaneers. In early Decem-
ber, they played the Patriots of
George Mason University. Before
each game, a reception was held
for alumni and their guests where
"shakers," Spartan Sports Sched-
ules, and complimentary game
tickets were given to those attend-
ing.
Sharing news from the campus at
both Pre-Game Receptions were
Brenda Meadows Cooper '65,
associate director of alumni affairs;
Bob McEvoy, men's basketball
coach; Nelson Bobb, athletic direc-
tor; and Debbie Yow, director of
the Spartan Athletic Fund and as-
sociate athletic director.
At East Tennessee State,
arrangements were made by Helen
Russell Caines '55 of Kingsport,
TN. Carol Klose Grouse '63 of Falls
Church, VA, organized the Pre-
Game Reception at George Mason.
Down East
Earlier last fall, Brenda Cooper
was on the road again — this time
with Associate Dean of Students
Jim Lancaster '72 and his latest
dazzling slide show. Off they went
to the eastern parts of the State for
gatherings of alumni held on two
consecutive evenings.
The first stop was Whiteville
where alumni throughout Colum-
bus County were invited to the
home of Charles McCurry '72.
Alumni in that area hadn't met
together in some time, so the
evening was billed as the "First-In-
A-Long-Time Gathering." Dr.
Lancaster delivered a media
presentation on student life at
UNCG.
The "Brenda & Jim Show" was
taken the next evening to Sampson
County where one of the most
active alumni chapters met for
their annual dinner. It was held at
Fussell's Restaurant in Clinton,
and reservations were taken by
Emily Teague Johnston '46,
Eleanor Southerland Powell '42,
and Faye West Warren '4L
The event in Clinton, alumni
were reminded, was a repeat
performance for Dr. Lancaster. In
1973, Jim was a graduate student
in history at UNCG and held an
assistantship in the Alumni Office.
He wrote and produced a media
^ Q I Alumni News
^yJ I Spring
1988
presentation, "Charlie Mclver &
Friends," which he and Brenda
took on the road. They visited
CUnton in the fall of that year.
Goin' to Ireland
in My Mind
by Catharine Brewer '70
In the midst of last summer's
lawn-scorching drought, there was
a spot of green at UNCG. Alumni
College '87, held June 21-25,
conjured up the emerald shores of
Erin for thirteen participants and
staff.
Having journeyed with previous
Alumni Collegians across the
British timescape "In Search of
Arthur" and slogged through the
trenches of "World War I To End
All Wars," I was delighted to
abandon my husband, children,
dog, cats, hamster, and fast-wilting
roses for "A Terrible Beauty:
Modern Ireland, History and
Literature."
My knowledge of Ireland prior
to this course was limited but
colorful. 1 knew, according to W. B.
Yeats, that it is no country for old
men. I also knew that an Orange-
man is a Protestant and that good
Irish Catholics wear green sham-
rocks on St. Patrick's Day. There-
fore, not wishing to offend anyone,
I tactfully attired myself in shock-
ing pink for the registration recep-
tion on midsummer's eve.
As with the previous Alumni
Colleges, the site for "A Terrible
Beauty" was the Alumni House,
one of my favorite places to spend
five days of intellectual and social
indulgence. I find these interludes
to be as refreshing as a sea cruise
on a luxury liner and heartily
applaud the move toward making
them an annual event.
At the reception and throughout
the course, Brenda Meadows
Cooper '65, Alumni College
Coordinator, treated us to a
pervasive and whimsical Irish
ambience. Our pre-course read-
ings arrived in emerald envelopes;
we wrote in green notebooks;
shamrocks decorated our folders
and we referred to class schedules
printed on green paper; we drank
Irish breakfast tea in the mornings,
sipped Irish coffee after dinner and
quaffed Guiness stout to down our
potatoes. We were even provided
with green TicTacs! Brenda's flair
for detail transforms these mini-
courses from a rewarding educa-
tional experience to Zing!
Harp lager served in green
souvenir mugs certainly started
the week with spirit. Not that
Alumni College participants need
much spiriting up. Alumni College
is addictive: I myself have at-
tended all three of the mini-
courses and confess I would sign
up for any future escapade even if
the topic were "Life on the Under-
side of a Carpet." And I am not the
only aficionado.
Alumni College has begun to
generate its own alumni. Several
veterans of World War I returned
for this year's excursion to Ireland.
Marilib Barwick Sink '44 brought
her husband. Jack, along this time.
And as on any college campus,
romance flourishes: Ireland
alumni Karen Ljung Myatt '81
(MA) and Christopher Frost were
married in October appropriately
enough at the Alumni House.
Even the professors are
returnees. Dr. Ronald Cassell of
the history department and Dr.
Keith Cushman of the English de-
partment, who led us across the
battlefields of the Great War in
1984, unravelled some of the
complexities of Ireland for us this
summer. Ron and Keith aug-
mented their lectures on Irish
history and literature with films,
poetry readings, recordings of
Yeats, vintage newsreels and en-
tertainment by a true Irishman
singing and piping traditional Irish
music. The sparkling dialogue
between our musician and another
Irish visitor who spoke to us about
the Irish language was as enter-
taining as the music.
Mary Tom Hoffler, a retired
Greensboro schoolteacher, credits
this diversity of experiences so
well orchestrated by professors
and staff as the key to "A Terrible
Beauty's" success. Ron and Keith,
with Brenda's inspired assistance,
certainly gave us a well-balanced
look into that troubled land
focusing on the last century.
Our time in Ireland ended —
how else? With a wake. Ed
Tweedy '78 (MEd), who lived for
some time in Ireland, shared a
long-hoarded bottle of Irish mead
with us at this last gathering. Good
food, good drink, good company,
loud songs, raucous laughter,
some semi-original poetry, an
occasional tear, and then Ireland,
farewell.
Alumni Travel
in 1988
Trips are in the works for these
destinations: Kenya, Mexico City,
Dutch Waterways, Bermuda, Swiss
Bavaria, China, and Spain/Portu-
gal. Write the Alumni Office for in-
formation.
On matters pwrtaining to the Alumni
Association and its programs, write to the
Alumni Office. To contact Alumni News,
write to the University Publications
Office. Both offices may be reached at this
address: Alumni House, UNCG Campus,
Greensboro, NC 27412-5001.
Alumni News
Spring • 1988
129
LETTERS
T O
THE
EDITOR
Dorothea Phelps Btiltnuiu 'IS. third hviii ri^hl, wa< surrounded In/ her einssiiuites one tine Suiulm/
in 1915 or 1916. The granite pillars, one of whieh may be seen just behind the students, still mark
the entrance on College Avenue today.
Dear Editor:
My mother, Dorothy Phelps
Bultman '18, found some pictures
of the College from the years she
was there. She was going to throw
them away, but I told her I would
send them to you.
Mother went to college at the age
of fourteen but did not take a
full schedule of courses the first
year. She lived in North Spencer
one year and worked in the office
of Mrs. King who was in charge of
student activities.
Mother lives in Sumter, SC,
now. I'm going to ask her about
other remembrances and see if she
has other photographs.
Dorothea Bultman Wray '44
Gasionia, NC
Editorial note: We are grateful to have
the photographs Mrs. Bultman kept since her
days at UNCG — or, for her, the State Normal
and Industrial College. We cherish such photo-
graphs, for they tell stories about our alma
mater that we learn from no other source. I
invite other alumni to submit photography
from earlier days, too.
Dear Editor:
No other time has ever been so
exciting for The University of
North Carolina at Greensboro. We
have a gifted faculty and top-notch
students. Our graduate and
undergraduate programs are
growing and achieving national
recognition. Work is under way on
the building of a new Art Center
and Physical Activities Complex
and on the remodeling of the
cafeteria. All of this is the result of
the caring, commitment, and
generosity of the entire university
community.
The legacy of UNCG is not only
superior teaching and academic
integrity, but also an involved and
committed alumni. As alumni, we
can make a particularly significant
impact on the future of our Uni-
versity. That is why I am urging
alumni to increase their support
for UNCG. As our University
grows in its ability to educate, so,
too, grows its spirit and resolve to
prepare tomorrow's leaders for the
demands of our society. These
students are counting on us to
build a university in which the
finest faculty and equipment are
readily available.
Many alumni have answered this
challenge and expanded their gifts
to the University, and I wish to
thank them for that. Although
alumni giving has increased
substantially in the past few years,
the University continues to have
needs which remain unfulfilled.
Our crucial gifts provide for
student scholarships, faculty
development initiatives, laboratory
equipment, library materials, and
campus enhancements. The needs
are great, and our willingness to
meet these needs will pave the
way for generations of students to
come. I ask once again for alumni
to support UNCG — as gener-
ously as circumstances allow —
and truly make a difference in
UNCG's tomorrow.
Gregory S. Greer '80
Davidson, NC
Chairman, Annual Giving Council
Ori I Alumni News
JyJ I Spring
1988
ALUMNI
BUSINESS
RECORDING SECRETARY
KAREN MCNEIL-MILLER '80, '81 MEd, Greens-
boro. Director, The Piedmont School, High Point.
"Young alumni perceive that their input and involve-
ment is not crucial. This is an inaccurate perception and
one that must be changed." Karen has been a member
of the Black Alumni Council since 1985 and is pres-
ently co-chair. She is a member of the interviewing
committee for Competitive Scholarships. Previ-
ously she was Black Alumni representative to the
Alumni Board of Trustees and a member of the
Alumni/Student Relations Committee. From 1983-
85 she taught at The Piedmont School, a school for students with
learning disabilities. She served as assistant director from 1984-86.
She is a member of both the Greensboro chapter of the Association for
Children with Learning Disabilities and the North Carolina chapter
of the Council for Exceptional Children. A cum laude graduate of
UNCG, she was a member of Golden Chain Honor Society.
SUE ORMOND SINGLETON '59, Wilmington.
Owner, The Yardage Shoppe, Greenville. "Serving
on the UNCG Alumni Board would provide an opportu-
nity for me to repay my debt of gratitude for the education
I received." Sue was a member of the Prospectus III
Committee for Beaufort County and an officer of the
Beaufort County Alumni Chapter. She also served
as the Alumni Scholarship Committee. After gradu-
ation, she participated in the International 4-H
Youth Exchange Program in Panama and worked as
a 4-H agent and social worker in Washington
County. A home school coordinator with Washington City Schools
for two years, she taught home economics at Washington Senior
High School froml969-72. From 1974-80, she was a regional nutrition
program director for five counties in eastern North Carolina. She
received a master of science degree from East Carolina University in
1983. An international Gideon Auxiliary member for the past ten
years, she is active in the Southern Baptist Church.
TRUSTEE: DISTRICT TWO
ROZELLE ROYALL WICKS '53, Maysville.
School-Community Relations Coordinator, Jones
County School System. "The broad academic require-
ments and opportunities for developing leadership skills
are just two of the many things I appreciate about UNCG.
1 would like to serve a great institution that had such a
profound influence on me." After graduation, Rozelle
taught in the public schools until 1967. She was
teacher/headmaster at Onslow Academy in
Jacksonville from 1968-83. She is a board member
and past president of the Jones County Arts Council
and the Jones County Historical Society. She is a member of the Jones
County Interagency Council. She serves as chairman of the county
schools accreditation unit and as county chairman of the Morehead
Scholarship Committee. A section leader in the Craven Community
Chorus, she is organist, choir director, and chairman of her Presby-
terian church women's club. She has done further study at East
Carolina University. Named Teacher of the Year in her school system,
she has received Governor's Volunteer Awards from the Hunt and
Martin administrations.
JOHN EDWIN WILEY '73, '76 MA, Greenville.
Assistant Professor of Pediatrics and Director of the
Clinical Cytogenetics Laboratory, East Carolina
University School of Medicine. "The future of UNCG
depends upon the enthusiastic and generous support of
its alumni. I would welcome the opportunity to increase
my contribution to the University by serving on the
Alumni Board." John received his PhD from NC State
University in 1981. A biomedical research associate
at St. Paul's College, Lawrenceville, VA, from 1981-
82, he was an NIH postdoctoral trainee at the Uni-
versity of Wisconsin-Madison from 1982-84. A diplomate and
member of the American Board of Medical Genetics, he is also a
member of the Kiwanis Club.
Alumni News
Spring • 1988
31
TRUSTEE: DISTRICT THREE
RUTH CROWDER McSWAlN '45, Wilmington.
Self-emploved educational consultant. "As a past
director of guuiaiice scn^ices at a North Carolina nigh
school, I continued to see the best students selecting my
braitch of the University system. I continue daily to
appreciate what UNCG has meant to me, and I sincerely
hope that I have transferred tlmt feeling to others. It would
he an honor to serve our University as an Alumni Board
Member." Ruth received an MEd in counseling in
1973 and a certification in supervision in 1980, both
from UNCC. Previously, she was a member of the
Reynolds Scholars Interviewing Committee. She has been a health
educator with the Charlotte YWCA; a teacher in Raleigh, Bertie
County, and Rocky Mount; a guidance counselor at Rowan County
High School from 1969-79; and a teacher/counselor in five Piedmont
counties from 1979-82. Presently, she is future issues chairman of the
North Carolina School Counselors Board and special programs direc-
tor of the North Carolina Association of Counseling and Develop-
ment. A former president of the North Carolina School Counselors
Board, she was a recipient of their professional service award, now
named the Ruth C. McSwain Distinguished Service Award.
EMILY TEAGUE JOHNSTON '46, '52 MEd, Clin-
ton. Retired. "Our local alumni chapter has focused on
recruitment by giving a tuition scholarship for the last
twenty-one years. It would be a challenge to me to serve
on the Alumni Association Board to help other local
chapters becotne a more viable force for UNCG." Emily is
vice chairman of the Sampson County UNCG
Alumni Chapter and is a member of their scholar-
ship committee. Previously, she was chairman of the
chapter. From 1946-52, she was a home economics «.,
teacher in Albemarle and Goldsboro; she was a
home demonstration extension agent in Sampson County from 1952-
58. A guidance counselor with the Sampson County Schools from
1963-69, she was program administrator for exceptional children
there from 1969-85. She is an elder and circle chairman at Graves
Memorial Presbyterian Church, vice president of the Clinton Garden
Club, and a member of the Clinton Woman's Club.
TRUSTEE: DISTRICT SEVEN
Studies,
istrative
the Year
Teaching
CAROLE ANNETTE AVERS '68, Pinnacle. Teacher
and Chairman of the Social Studies Department,
Gentry Middle School, Mt. Airy. "The four years I was
a student at UNCG were exciting, challenging, and cul-
turally enriching. As a candidate for the Alumni Board,
I would like for UNCG's tradition of excellence in educa-
tion to contirnie to inspire students as we enter the
twenty-first century." Annette has been a teacher in
<mI the Mt. Airy Schools since graduation; she received
her MA degree in 1975 from Appalachian State
University. She holds membership in the Surry
NCAE Advisory Council and the NC Council of Social
Presently she serves as treasurer and member of the admin-
council at Mount Zion Methodist Church. Named Teacher of
at Gentry Middle School, she also received an Excellence in
; Award in 1987 for Local History.
REBECCA KASUBOSKI COOK '66, Clemmons.
Mathematics teacher. West Forsyth High School,
Winston-Salem/Forsyth County Schools. "UNCG
alumni are busy, involved, energetic people who impres-
sively manage organizations nationwide. The alumni
continue to he UNCG's greatest untapped resource!
Mobilizing alumni toward actively being involved in
UNCG causes must be a priority goat of the Alumni
Board." Becky is a member of the Century Club, of
the Advocates Annual Giving Program, and the
Chancellor's Focus Group at UNCG. She pre-
viously served as chair of the Nominating Committee of the Alumni
Board of Trustees and on the Aubrey Lee Brooks Scholarship
Committee. She has taught in the Winston-Salem/Forsyth County
Schools since 1970 and has studied further at Wake Forest University
and UNCG. Active in her church, she is the first woman member of
the Provincial Elders Conference, Moravian Church Southern Prov-
ince. She is also a member of the Provincial Financial Board, the
Board of Evangelism and Home Missions, the NEA, NCAE, Forsyth
Association of Educators, and the National Council for Teachers of
Mathematics. In 1982-83 she was named Winston-Salem/Forsyth
County's Teacher of the Year and in 1983-84 the Winston-Salem/
Forsyth County Outstanding Mathematics Educator.
O ^ I Alumni News
^ ^ I Spring
1988
TRUSTEE: DISTRICT EIGHT
CAROLYN HUNTER WALKER '61, Hickory.
Receptionist, Gallery of Homes, Hickory. "Many of
us feel that we would welcome an occasion to give to the
University something other than a check once a year.
Serving as a trustee certainly affords us this opportunity.
To me, being an alumni trustee would be very rewarding
and challenging." Carolyn has been a member of the
Nominating Committee of the Alumni Association.
She was a teacher at Ravenscroft School, Raleigh,
from 1960-61, and at Hampton Roads Academy,
Newport News, VA, from 1961-63. From 1977-81,
she was a realtor with Century 21-ChappeIl Realty, Hickory. Pres-
ently, she is altar guild chairman at Ascension Episcopal Church. She
served on the task force to establish the Hickory Soup Kitchen. She
was a member of the Hickory Community Theater Board and the
Catawba Memorial Hospital Auxiliary. A previous member of the St.
Mary's College Parents' Council, she was membership chairman of
both the Hickory Service League and the Hickory Community Con-
cert Association.
ALICE McDowell TEMPLETON '40, Advance.
Retired. "Since the University took a chance on me in
1936 when it accepted me as a student, provided me with
the opportunity for a good education, and even provided
me with a job to help attain it, I would like to be a part of
the future of UNCG. As a member of the Alumni Board
of Trustees, I feel it would be my duty to support any
program that ivould benefit the University so that it zvill
continue togroivaud improve" Alice is serving on the
gift committee to commemorate the 50th anniver-
sary of her class. After graduation, she was a
laboratory technician in Lumberton, Henderson, and Mooresville.
She owned and managed an apartment complex in Asheville from
1970-86. Alice did further study at UNCA and participated in Elder-
hostel in Ireland, Scotland, and England. Presently vice president of
Lutheran Christian Women at her church, she was active in the
Asheville Pilot Club International.
TRUSTEE: OUT-OF-STATE
JULIA ALEXANDER KAUFMAN '47, Cam-
bridge, MA. Volunteer. "An important role for board
metnbers is to be alert to changing conditions and needs
and energetic in pursuing initiatives to meet them. As but
tali one example among many (reflecting my own interest
t" and involvement in continuing adult education pro-
^ grams), I believe that the Board is uniquely suited to en-
courage and expand programs that reinforce our under-
graduate experience and strengthen ties to the Associa-
tion membership and the broader community to our
mutual benefit." Julia was a secretary with Colonial
Williamsburg from 1948-52 and an administrative assistant with The
RAND Corporation from 1952-62. In 1979 she was acting executive
director with the Flaschner Judicial Institute of Boston. Presently, she
is president of the Massachusetts Council for Public Justice, a member
of the Flaschner Judicial Institute Academic Board, and a member of
the Supreme Judicial Court Committee on Judicial Evaluations. On
the board of the American Judicature Society from 1978-86, she was
a member of the Harvard Law School Visiting Committee and the
Governor's Working Group on Alternative Dispute Resolution.
CATHY ELLEN KRINICK '75, Newport News,
VA. Assistant Commonwealth's Attorney, State of
Virginia. "Although I have maintained very close ties
with UNCG since my graduation, serving as an Alumni
Association Board Member will enable me to strengthen
those ties and do even more for the University. Having
organized an alumni reunion in the Tidewater, VA, area
has made me more aware of how many alumni are living
outside North Carolina and that more needs to be done to
include them in the Association's affairs. I feel that I have
the perspective of an out-of-state alumna yet live close
enough to Greensboro to actively participate in the Association's upcoming
events. I look forward to serving on your Board if elected." Cathy has
served as an Alumni Recruiting Advisor for UNCG. She received her
law degree from Wake Forest University in 1978 and has held her
present position since then. Presently she is a board member of
several organizations: Child Sexual Abuse Task Force, Legal Aid
Society, American Lung Association (local chapter). Peninsula Sym-
phony, and the Junior League of Hampton Roads Community Advi-
sory Board. She is a life member of the National Council of Jewish
Women.
50
'Years Ago
in Alumnae News.
The February 1938 issue of Alumnae Nezvs was a number so rich in
personal notes that it may as well have been named the Woman's
College People magazine. So full is the issue, that, even though its 8 pt.
tvpe runs margin to margin for 21 pages, only three short articles and a
book review break through the achievements of faculty, students, and
alumnae. A page and a half, interestingly, lists the names of all the recent
visitors who signed the Alumnae House Guest Book. Two pages are
devoted to faculty notes; nearly three fall under the heading of "The Family
Tree," in which alumnae are highlighted; another page and a half are
reports of alumnae chapter meetings; it took more than a page to note the
whereabouts of the most recent graduating class, the Class of 1937; and
seven pages are reserved for class notes and obituaries.
These nuggets were gleaned from the February 1938 number:
■ The new American Women, a sort of separate Who's Who for women,
includes the names of several members of the Woman's College faculty:
Dr. Helen Barton, head of the Department of Mathematics; Mary
Channing Coleman, head of the Department of Physical Education;
Bernice Draper, associate professor of History; Margaret Edwards, head
of the Department of Home Economics; Harriet Elliott, Dean of Women;
Dr. Anna M. Gove, physician and professor of Hygiene; Minnie L.
Jamison, counselor; Nettie Sue Tillett, associate professor of English;
Maude Williams, associate professor of Physiology; Dr. Elizabeth
Duffy, professor of Psychology; Mereb Mossman, associate professor of
Sociology.
■ The first issue of Chanteclere, the only French newspaper in North
Carolina, published monthly by the foreign language students of
Woman's College, will appear the last week in February. You are
invited to send your subscription (twenty-five cents for the semester)
to Miss Wilma Levine, Business Manager. Rebecca Price is Editor.
■ Janet Murphy, freshman from Montclair, New Jersey, is the one
freshman, out of 534 new girls this year, who passed the four physical
health tests, given by the Department of Physical Education, to be
rated as "perfect." The tests are posture, feet, motor skill, and
general physical condition.
■ Julia Blauvelt ['26], now Mrs. B.G. McGrane, is a poet. A decade ago,
she was editor of Coraddi and one of its largest and best
contributors. She was also a top Quill Clubber.... So it isn't any
wonder that Julia's work is accepted regularly — in fact, about ten
good publications have taken her verse in the last year. The last
four consecutive numbers of The Ladies Home Journal include her work.
MCB '74
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