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tfi* 


BIBLE    TKUTHS 


WITH 


SHAKSPEAREAN  PARALLELS 

BEING 

SELECTIONS    FROM    SCRIPTURE, 

MORAL,  DOCTRINAL,  AND  PRECEPTIAL, 

WITH  PASSAGES  ILLUSTRATIVE  OF  THE  TEXT, 

FROM  THE  WRITINGS  OF  SHAKSPEARE. 


"  All  human  understandings  five  nourished  by  the  one  Divine  Word." 

A  Fragment  of  " Heraclitus." 


LONDON: 
WHITTAKER  AND  CO.,  AVE   MARIA   LANE. 

1862. 


30IZ 


PRINTED  BV  R.    AND  R.    CLARK,    EDINBURGH. 


PREFACE. 

"  In  His  hand  are  both  we  and  our  words." 

WISDOM  vii.  17. 

ONE  of  the  most  interesting  characteristics  of  the 
standard  literature  of  our  country  is  the  sterling 
biblical  morality  it  reflects.  This  is  not  only  ob- 
servable in  those  works  which  form  so  important 
and  fundamental  a  part  of  British  Classics,  the 
writings  of  our  standard  divines — where  indeed 
such  a  speciality  might  naturally  be  expected — 
but  it  is  also  a  prominent  feature  in  the  writings 
of  our  greatest  philosophers  and  poets.  In  the 
works  of  Bacon  and  Milton  it  is  especially  notice- 
able. Throughout  the  entire  works  of  the  great 
"  father  of  experimental  philosophy "  this  peculi- 
arity is  sufficiently  apparent ;  but  in  his  essays — 
the  especial  favourites  of  the  author — which  he  so 
carefully  revised  and  re-wrote  in  the  ripeness  of 


VI  PREFACE. 


TY1  Q"Vr 


his  age  and  experience,  and  which,  therefore  may 
be  considered  the  very  cream  and  essence  of  his 
wonderful  genius,  this  characteristic  element  ob- 
tains a  prominence  that  cannot  fail  to  have  struck 
his  most  cursory  reader.  Out  of  these  fifty-eight 
short  essays,  I  have  found,  in  twenty-four  of  them 
that  treat  more  exclusively  of  moral  subjects,  more 
than  seventy  allusions  to  Scripture.  So  natural 
was  it — to  borrow  a  figure  of  his  own — for  his 
great  mind  "to  turn  upon  the  poles  of  truth," 
and  to  revert  to  its  great  fountain-head,  in  support 
and  confirmation  of  his  own  profound  conclusions. 
An  analogous  moral  tone  is  so  abundantly 
apparent  in  the  works  of  Milton,  that  it  is  un- 
necessary to  particularize  it ;  and  although  the 
nature  of  the  controversies  that  vexed  his  times, 
and  in  which  he  took  so  prominent  a  part,  would 
have  been  more  than  sufficient  to  have  given  his 
prose  writings  this  particular  colour  and  bent,  yet 
in  his  poems, "  the  immortal  part  of  him,"  a  similar 
spirit  pervades  every  page.  To  such  heights  of 
moral  grandeur,  indeed,  does  it  lead  him,  in  some 


PREFACE.  Vll 

of  those  sublimer  passages  of  his,  that  one  feels  as 
he  reads  that  they  have  been  written  in  the  con- 
scious over-shadowing  of  that  same  Spirit,  from 
under  whose  cloud-veiled  majesty  on  the  mount 
issued  the  eternal  politics  of  heaven. 

In  an  almost  equal  degree  downwards  toward 
our  minor  writers  will  this  feature  be  found  to 
exist,  and  there  is  scarcely  an  abiding  name  in 
literature  in  which  it  is  not  a  notable  characteristic. 
This  unconscious  coincidence  between  the  morality 
of  the  greatest  minds  and  that  of  revelation  sug- 
gests a  field  of  inquiry,  tempting  indeed  to  enter, 
but  of  too  extended  a  character  to  be  treated,  as 
the  fertility  of  the  subject  would  require,  within 
the  narrow  limits  of  a  preface.  That  such  a  coin- 
cidence, however,  is  not  altogether  the  mere  result 
of  educational  prejudice,  as  some  no  doubt  will  be 
ready  to  assume,  is  quite  evident  from  the  fact  of 
its  having  been  sometimes  conspicuous  in  the 
works  of  men  singularly  heedless  of  Scripture 
morality,  and  even  of  men,  the  general  tone  of 
whose  works  has  been  notoriously  out  of  keeping 


Vlii  PREFACE. 

and  opposed  to  it ;  and  further,  by  the  fact  that  it 
also  holds  good  in  many  cases  "between  the  morality 
of  the  New  Testament  and  the  minds  of  men  who 
wrote  before  the  Christian  era.  The  Christianity 
of  Platonism  affords  an  interesting  evidence  of 
this.  The  coincidence,  I  imagine,  is  no  mere  out- 
ward accident  of  education,  but  a  God-implanted 
principle,  radical  and  innate,  the  very  natural  hom- 
age of  the  greatest  spirits  to  the  Father  of  all  spirits, 
the  irresistible  gravitation  of  all  moral  genius  to 
its  common  centre. 

But  by  far  the  most  prominent  example  of  this 
deference  and  homage  paid  to  revealed  truth  will  be 
found  in  the  works  of  Shakspeare.  As  he  excels  in 
nearly  all  other  points,  so  also  is  he  greatest  in  this. 
So  perfectly  impregnated  with  the  leaven  of  the  Bible 
are  his  works,  that  we  can  scarcely  open  them  as 
if  by  accident  without  encountering  one  or  other 
of  its  great  truths  which  his  genius  has  assimilated 
and  reproduced  in  words  that  seem  to  renew  its 
authority,  and  strengthen  its  claims  upon  men's 
attention. 


PEEFACE.  IX 

The  character  and  extent  of  Shakspeare's  edu- 
cation is  a  subject  which  has  been  discussed  al- 
ready ad  nauseam — one  of  those  unfortunate  points 
of  which  so  little  is  known,  that  every  one  thinks 
himself  entitled  to  have  his  say  in  it  But  if  in- 
ternal evidence  from  his  works  has  any  place  in 
the  argument  at  all,  the  most  extreme  disputants 
on  either  side  the  question  will  readily  concede 
that  one  of  the  principal  influences  that  moulded 
and  guided  his  intellect — that  one  of  his  great 
teachers  indeed  was  the  Bible.  It  is  not  only 
apparent  in  the  tone  of  his  morality,  but  in  the 
manner  of  it  also.  Both  the  spirit  and  the  letter 
bear  witness.  It  has  left  its  impression  not  only 
on  his  mind,  but  on  his  idiom,  on  the  exquisite 
simplicity  of  his  diction,  and  on  the  intense  home- 
liness with  which  he  brings  his  truths  to  bear  on 
men's  "  business  and  bosoms,"  while  his  innumer- 
able allusions,  direct  and  indirect,  to  Scripture  his- 
tory, persons,  places,  events,  doctrines,  parables, 
precepts,  and  even  phrases,  discovers  a  familiarity 
with  the  Bible,  that  proves  it  must  have  been 


X  PREFACE. 

eminently  the  book  after  his  own  heart.*  The 
Reformation  tinged  the  entire  literature  of  the 
Elizabethean  era  with  the  same  spirit.  It  was  the 
distinguishing  feature  of  the  time,  and  naturally 
enough  culminated  in  the  greatest  genius  of  the 
time.  The  awakening  spirit  of  religious  freedom, 
that  early  in  the  century  had  received  such  an 
impetus  from  the  fire  then  kindled  in  Germany, 
and  that  had  been  so  mightily  aided  by  the  art  of 
printing,  then  established  in  the  country  for  about 
half  a  century,  had  now  fairly  taken  root  in  the 
English  character.  Men's  minds  were  on  the  rack 
of  curiosity,  eager  to  anticipate  the  result  that  so 
many  open  Bibles  would  surely  bring  about,  and 
so  to  speak,  were  waiting  upon  the  men  who  could 
popularly  incorporate  the  glorious  element  in 
their  literature.  Modern  civilization  can  scarcely 

*  And  there  can  be  little  doubt  but  that  he  could  have  endorsed 
the  following  confession  of  one  of  the  greatest  of  modern  writers, 
who,  with  considerable  justice,  has  been  called  the  Shakspeare  of 
Germany.  "It  is  a  belief  in  the  Bible,"  says  Goethe,  "which 
has  served  me  as  the  guide  of  my  literary  life.  I  have  found  it 
a  capital  safely  invested,  and  richly  productive  of  interest.'' 


PREFACE.  xi 

be  too  grateful  for  the  providential  fact  of  Shak- 
speare's  coming  into  the  world  when  he  did.  The 
time  demanded  him,  and  he  came  like  a  star  to  its 
appointed  orbit,  so  wonderfully  did  his  genius  fit 
the  spiritual  necessities  of  the  age. 

It  would  be  an  interesting  question  to  answer, 
How  much  of  Shakspeare's  generally  admitted 
superiority  may  be  fairly  attributed  to  this  uni- 
versal habit  of  his,  of  adopting  and  identifying 
himself  in  his  works  with  the  morality  of  Scrip- 
ture ?  I  suspect  it  is  one  of  the  principal  secrets 
of  his  wide-spread  and  wide-spreading  fame.  A 
great  deal  more  of  the  purely  moral  element  goes 
to  the  build,  of  what  we  call  genius,  than  the  great 
majority  of  people  are  prepared  to  admit.  The 
materialism  that  in  its  pseudo-scientific  mask  has 
such  an  all-deceiving  fascination  for  the  present 
age,  has  done  its  best  to  disguise  the  fact,  and 
would  like  nothing  so  well  as  to  be  able  to  prove 
that  all  mental  and  spiritual  superiority  in  a  man 
is  to  be  accounted  for,  on  certain  fixed  basis  of 
physiological  structure  and  development.  With- 


Xll  PEEFACE. 

out  detracting  from  such  an  argument  one  syllable 
of  the  truth  it  manifestly  contains,  it  should  by  no 
means  be  held  to  settle  the  whole  question.  The 
almost  blasphemous  self-sufficiency  with  which 
such  arguments  are  now-a-days  advanced,  as  ex- 
plaining the  whole  mystery,  does  not  meet  with 
the  opposition  it  deserves,  tending  as  it  certainly 
has  already  done  to  a  mischievous  extent,  popu- 
larly to  blunt  all  faith,  if  not  indeed  to  bring 
about  an  utter  scepticism  in  the  only  true  source 
of  power  in  a  man,  and  the  only  channel  through 
which  the  highest  influences  can  reach  him  — 
namely,  that  mysterious  point  of  contact  between 
him  and  his  Creator,  which  no  science  can  ever 
hope  to  explain.  This  fatal  teaching  is  fast 
framing  a  religion,  that  almost  forgets  the  only 
object  of  worship,  in  a  morbid  hurry,  and  in- 
satiable desire  to  explain  moral  phenomena  that 
lie  far  out  of  human  reach,  and  has  laid  the  foun- 
dation of  a  philosophy  which  encourages  in  its 
disciples  such  an  inordinate  love  of  those  secondary 
laws  that  regulate  the  mere  details  of  the  mental 


PREFACE.  Xlii 

machine,  that  it  leaves  out  of  count  altogether  the 
Prime  Mover.  It  is  all  the  more  to  be  deplored 
that  such  a  tendency  should  be  commonly  alluded 
to  by  many  as  a  feature  upon  which  the  age  should 
be  congratulated,  instead  of  being  crushed  as  ex- 
hibiting the  first  symptoms,  in  the  man  or  in  the 
nation,  of  ultimate  imbecility.  No  mere  prepon- 
derance of  intellectual  power  alone  can  sufficiently 
account  for  the  workings  of  that  faculty  so  "  fear- 
fully and  wonderfully  made,"  which  constitutes  the 
highest  forms  of  genius.  It  is  all  the  more  inscru- 
table that  its  source  is  not  so  much  intellectual  as 
spiritual.  We  call  it  inspiration.  Does  not  the 
very  word  breathe  a  rebuke  to  the  materialism, 
that,  ignoring  its  direct  indebtedness  to  God,  would 
proceed  to  explain  it  as  only  a  more  elaborate 
piece  of  mental  mechanism  ?  Does  not  the  very 
word  confess  it  to  be  a  breath  of  that  more  myste- 
rious Spirit  that  " bio weth  where  it  listeth;  thou 
hearest  the  sound  thereof,  but  canst  not  tell  whence 
it  coineth  or  whither  it  goeth."  The  most  perfect 
human  organisation  must  wait  upon  the  moving  of 


XIV  PREFACE. 

a  higher  spirit  than  its  own ;  and  its  moral  endow- 
ment, before  it  has  any  right  to  be  called  genius, 
must  be  commensurate  with  its  intellectual  gift. 
We  require  to  take  but  a  very  cursory  view  of  the 
works  of  our  greatest  authors,  to  enable  us  to  con- 
clude that  it  is  not  the  power  and  beauty  alone  of 
genius  that  gives  that  perennial  freshness  to  all 
that  is  imperishable  in  literature,  but  that  its 
morality  is  its  greatest  preservative.  In  addition 
to  all  other  claims  on  our  admiration,  it  must  also 
possess  "  some  soul  of  goodness  "  to  enable  it  to 
outlive  the  storms  of  time.  There  is  also  a  strong 
negative  presumption  in  favour  of  this  view,  in 
the  fact  that  there  is  nothing  so  shortlived  and 
suicidal  in  literature  as  impurity.  The  age  of 
which  we  have  been  speaking  affords  us  a  striking 
example  of  it.  Never  was  there  such  a  moral 
declension,  and  with  it  an  intellectual  atrophy,  as 
exhibited  between  the  drama  of  Elizabeth  and  the 
drama  of  the  Restoration.  In  the  time  of  Eliza- 
beth and  James  dramatic  literature  was  the  vehicle 
of  as  great  thoughts  as  ever  were  uttered,  or  per- 


PREFACE.  XV 

haps  ever  will  be  uttered,  in  the  whole  history  of 
our  language  ;  but  by  the  dry  rot  of  impurity  that 
began  to  eat  into  it  in  the  subsequent  reigns  of  the 
two  Charleses,  it  fell  so  low  that  even  the  genius 
of  Dryden  will  never  be  able  to  lift  it  out  of  the 
moral  puddle  he  helped  to  sink  it  in.  All  that 
was  great  in  nature  forsook  it,  and  what  was  only 
paltry  in  art  remained,  till  dragging  on  through 
the  mire  in  the  hands  of  Wycherly,  Congreve, 
Vanburgh,  and  Farquhar,  it  gradually  weakened 
down  into  the  most  rubbishy  small  talk  that  ever 
disgraced  a  nation's  literature. 

So  quickly  does  this  moral  gangrene  bring 
about  its  own  dissolution.  It  not  only  neutralizes 
the  effect  by  impairing  the  beauty  of  the  thing 
written,  but  by  that  dreadful  law  of  retribution  by 
which  evil  thought  and  evil  done  are  made  to 
gravitate  towards  each  other,  like  monsters  that 
hug  each  other  to  death,  the  writer,  too,  is  dragged 
down,  it  may  be  to  him  by  imperceptible  degrees, 
but  not  the  less  surely  down  to  the  level  of  the 
thing  he  writes.  It  does  not  only  clog  the  action, 


XVI  PREFACE. 

but  it  breaks  the  very  springs  of  genius,  and  men 
of  otherwise  great  powers  and  parts  are  dwarfed 
by  its  narrowing  tendency  into  mere  sayers  of 
smart  things,  mere  coiners  of  literary  conceits, 
until  they  get  so  entangled  and  limed,  so  to  speak, 
in  their  own  impurity,  that  they  cannot  be  great 
if  they  would. 

"  In  such  cases 

Men's  natures  wrangle  with  inferior  things, 
Though  great  ones  are  their  object." 

Even  in  our  greatest  authors  who  have  mixed 
with  the  pure  fire  of  their  genius  more  than 
enough  of  the  grosser  elements  of  earth,  it  will  be 
found  that  their  true  fame  rests  altogether  on  the 
pure  metal,  and  never,  as  some  would  almost  hint, 
upon  the  earthy  ore  with  which  it  is  alloyed,  how- 
ever enhanced  such  impurity  may  be  by  the 
brilliancy  of  the  talent  which  accompanies  it. 
Where  in  such  a  case  there  exists  real  worth  in 
a  man's  writings,  time  seems  to  serve  them  in  the 
capacity  of  a  vessel  wherein  the  whole  is  held  in 
solution,  until  all  that  is  impure  falls  to  the 


PREFACE.  Xvii 

bottom  like  a  useless  precipitate,  and  the  real 
nectar  only  is  left.  I  know  no  better  illustration 
of  this  than  in  the  case  of  Burns.  It  is  not  now 
the  outward  dash  of  his  boisterous  license  that  we 
revere  in  him,  with  whatever  genius  he  wield  his 
weapon,  but  the  abiding  grandeur  of  his  name, 
and  what  we  really  love  above  all  to  remember  in 
him,  is  the  central  fire  of  the  man,  that  in  spite  of 
himself  continually  flashes  out  behind  the  blackest 
cloud  of  his  earthiness,  revealing  a  character  whose 
deep  foundations  are  built  upon  a  rock  of  the 
rarest  humanity  and  the  stanchest  truth,  and  on 
a  morality,  indeed,  whose  basis  is  rigidly  and 
essentially  biblical. 

Amongst  the  many  good  things  that  fell  from 
the  pen  and  lips  of  the  late  professor  George  Wil- 
son, of  Edinburgh,  it  used  to  be  a  common  regret 
of  his  that  the  readers  of  the  present  age  did  not 
sufficiently  peruse  "  their  Bibles  and  their  Shak- 
speares."  And  if  the  character  of  the  general 
literary  taste  of  the  day  may  be  determined  in 
any  measure  by  the  quality  of  a  great  part  of  the 


XV111  PREFACE. 

supply,  we  must  admit  that  the  age  yields  abun- 
dant proof  that  the  censure  is  only  too  well 
deserved.  The  literature  of  the  day — more  par- 
ticularly in  its  periodical  forms,  which  have  so 
amazingly  increased  upon  us  of  late — has  in  many 
cases  almost  supplanted  the  literature  of  the  ages. 
But  of  course  a  great  deal  of  this  evil  is  inevitable, 
as  it  is  impossible  to  increase  the  facilities  of 
obtaining  and  cultivating  a  luxury  such  as  read- 
ing— or,  indeed,  any  other  luxury-r-without  also 
increasing  the  facility  and  probability  of  its  abuse. 
It  is  to  be  deplored,  however,  that  the  reverence 
for  our  best  books  seems  to  have  decayed  in  almost 
the  same  ratio  as  their  cheapness  and  plentifulness 
has  increased.  Like  all  our  other  best  blessings, 
their  very  commonness  blinds  us  to  their  true 
value,  so  that  they  do  not  carry  that  weight  and 
authority  with  them  they  deserve ;  and  even  in 
the  case  of  the  Book  of  books,  I  make  bold  to  say 
that  the  literature  of  the  sixty  or  seventy  years 
that  embraced  the  names  of  Shakspeare,  Bacon, 
Hooker,  Taylor,  Milton,  and  a  few  others,  carries 


PREFACE.  Xix 

upon  it  deeper  and  more  abiding  marks  of  biblical 
influence  and  spirit  than  the  literature  of  any 
subsequent  era,  our  own  remarkable  times  of 
steam-presses  and  fourpence-halfpenny  Testaments 
included.  With  the  great  majority,  the  duty  of 
reading  has  gradually  degenerated  into  the  plea- 
sure of  it.  We  seldom  sit  down  to  a  book  as  our 
forefathers  used  to  do,  when  books  cost  a  deal  of 
money,  with  the  deliberate  view  of  getting  profit 
and  instruction  out  of  it ;  we  seldom  read  with  a 
definite  object,  but  for  the  most  part  merely  to 
stop  up  with  pleasure  to  ourselves  the  gaps  that 
occur  in  the  intervals  of  business.  With  a  large 
class  the  case  is  even  worse — a  class  of  readers  ill 
to  define — who  live  as  if  all  their  lives  they  were 
waiting  for  a  train,  and  who  take  up  a  book,  as 
they  take  up  anything  else,  merely  "  pour  passer 
le  temps." 

In  conclusion,  I  have  only  to  add  that  I  trust 
the  readers  of  these  parallels  may  experience  some 
of  the  interest  and  pleasure  the  compiler  has  had 
in  ferreting  them  out  and  arranging  them,  and 


XX 


PREFACE. 


that  the  attempt  may  perhaps  induce  some  othei 
to  make  some  further  search  for  additional  illus- 
trations of  the  subject,  in  the  glorious  mines  from 
which  these  are  but  broken  fragments.  The  writer 
can  speak  for  the  pleasantness  of  the  work,  for  al- 
though it  has  occupied  the  greater  part  of  the 
leisure  hours  of  a  few  years,  it  has  been  altogether 
of  that  nature  which  only  enables  him  to  subscribe 
with  greater  emphasis  his  testimony  to  the  truth 
of  the  Shakspearean  proverb  that  tells  us  "  The 
labour  we  delight  in  physics  pain." 


SELKIRK,  1st  May  1862. 


BIBLE  TEUTHS 

v         WITH 

SHAKSPEAEEAN  PAEALLELS. 
I. 

MAN'S    EEDEMPTION. 

But  God  commendetli  his  love  toward  us,  in  that, 
while  we  were  yet  sinners,  Christ  died  for  us.1 

EOM.  v.  8. 

For  God  so  loved  the  world,  that  he  gave  his  only 
begotten  Son,  that  whosoever  believeth  in  him  should 
not  perish,  but  have  everlasting  life.2  —  JOHN  iii.  16. 


All  the  souls,  that  were,  were  forfeit  once ; 
And  He,  that  might  the  vantage  best  have  took, 
Found  out  the  remedy.* 

MEASURE  FOR  MEASURE.     Act  n.  Scene  2. 

1  1  Peter  iii.  18.     1  John  iii.  16;  iv.  9,  10.     John  xv.  13. 

2  Eph.  ii.  4,  5,  6,  7.     Titus  iii.  4,  5,  6,  7.     2  Cor.  v.  19. 
Luke  xix.  10.     2  Peter  iii.  9. 

*  Shakspeare's  faith   in   this  fundamental   doctrine   is   also 
manifest,  in  the  following  extract  from  his  will,  preserved  in  the 
B 


2  BIBLE  TRUTHS,  WITH 

II. 

THE  COMPENSATIONS  OF  ADVEESITY. 

They  that  sow  in  tears  shall  reap  in  joy. 

He  that  goeth  forth  and  weepeth,  bearing  precious 
seed,  shall  doubtless  come  again  with  rejoicing,  bring- 
ing his  sheaves  with  him.1 — Ps.  cxxvi.  5,  6. 

They  shall  come  with  weeping,  and  with  supplica- 
tions will  I  lead  them  :  I  will  cause  them  to  walk  by 
the  rivers  of  waters,  in  a  straight  way,  wherein  they 
shall  not  stumble. — JER.  xxxi.  9. 

And  the  Lord  God  will  wipe  away  tears  from  off 
all  faces.2 — Is.  xxv.  8. 

Blessed  are  they  that  mourn  :  for  they  shall  be 
comforted. — MATT.  v.  4. 

Ye  shall  be  sorrowful,  but  your  sorrow  shall  be 
turned  into  joy.3 — JOHN  xvi.  20. 


The  liquid  drops  of  tears,  that  you  have  shed, 
Shall  come  again,  transform' d  to  orient  pearl ; 

office  of  the  Prerogative  Court  of  Canterbury  :  — "  First,  I  Comend 
my  Soule  into  the  handes  of  God  my  Creator,  hoping,  and  assured- 
lie  beleeving,  through  thonelie  merites  of  Jesus  Christe  my 
Saviour,  to  be  made  partaker  of  lyfe  everlastinge,  And  my  bodye 
to  the  Earth  whereof  yt  ys  made."  1  Ps.  xxx.  5. 

2  Eev.  xxi.  4.  3  Eom.  v.  3.     Ps.  xxx.  11. 


SHAKSPEAKEAN  PARALLELS.  3 

Advantaging  their  loan,  with  interest 
Of  ten-times-double  gain  of  happiness. 

KING  EICHARD  III.     Act  iv.  Scene  4. 

Wipe  thine  eyes  : 
Some  falls  are  means  the  happier  to  arise.* 

CYMBELINE.     Act  iv.  Scene  2. 

How  mightily,  sometimes,  we  make  us  comforts  of 
our  losses ! 

ALL'S  WELL  THAT  ENDS  WELL.     Act  iv.  Scene  3. 


III. 

THE  BLESSED   USES  AND  LESSONS 
OF  AFFLICTION. 

Behold,  happy  is  the  man  whom  God  correcteth : 
therefore  despise  not  thou  the  chastening  of  the 
Almighty.1 — JOB  v.  17. 

As  a  man  chasteneth  his  son,  so  the  Lord  thy  God 
chasteneth  thee.2 — DEUT.  viii.  5. 

Blessed  is  the  man  whom  thou  chastenest,  0  Lord, 
and  teachest  him  out  of  thy  law ;  that  thou  mayest  give 
him  rest  from  the  days  of  adversity.3 — Ps.  xciv.  12, 13. 

*  MUCH  ADO  ABOUT  NOTHING. — Act  i.     Scene  1. 
There  are  no  faces  truer  than  those,  that  are  so  washed  (i.e., 
with  tears). 
1  Eev.  iii.  19.       2  Prov.  iii.  12.         3  1  Cor.  xi.  32.     Heb.  iv.  9. 


4  BIBLE  TRUTHS,  WITH 

I  Lave  chosen  thee  in  the  furnace  of  affliction.1 

Is.  xlviii.  10. 

My  son,  despise  not  thou  the  chastening  of  the 
Lord,  nor  faint  when  thou  art  rebuked  of  him :  *  For 
whom  the  Lord  loveth  he  chasteneth,  and  scourgeth 
every  son  whom  he  receiveth.  Now,  no  chastening 
for  the  present  seemeth  to  be  joyous,  but  grievous: 
nevertheless  afterward  it  yieldeth  the  peaceable  fruit 
of  righteousness  unto  them  which  are  exercised  thereby. 

HEB.  xii.  5,  6,  11. 

Every  branch  that  beareth  fruit,  He  purgeth  it, 
that  it  may  bring  forth  more  fruit. — JOHN  xv.  2. 

It  is  good  for  me  that  I  have  been  afflicted ;  that 
I  might  learn  thy  statutes. — Ps.  cxix.  71. 


This  sorrow  's  heavenly, 
It  strikes  where  it  doth  love. 

OTHELLO.  '  Act  v.  Scene  2. 


Affliction  has  a  taste  as  sweet 
As  any  cordial  comfort. 

WINTER'S  TALE. 


Act  v.  Scene  3. 


1  Ps.  cxviii.  18. 
*  ANTONY  and  CLEOPATRA.     Act  iv.  Scene  2. 

Bid  that  welcome 
Which  comes  to  punish  us. 


SHAKSPEAREAN  PARALLELS.  o 

Sweet  are  the  uses  of  adversity  ; 
Which  like  a  toad,  ugly  and  venomous, 
Wears  yet  a  precious  jewel  in  his  head. 

As  You  LIKE  IT.     Act  n.  Scene  1. 

Whom  best  I  love,  I  cross  ;  to  make  my  gift 
The  more  delayed,  delighted. 

CYMBELINE.     Act  v.  Scene  4. 

In  the  reproof  of  chance 
Lies  the  true  proof  of  men. 

TEOILUS  AND  CRESSIDA.     Act  i.  Scene  3. 

You  were  used 
To  say,  extremity  was  the  trier  of  spirits. 

COEIOLANUS.     Act  iv.  Scene  1. 

Why  then,  you  princes, 

Do  you  with  cheeks  abashed  behold  our  works  • 
And  think  them  shames,  which  are,  indeed,  naught  else 
But  the  protractive  trials  of  great  Jove, 
To  find  persistive  constancy  in  men  ? 
The  fineness  of  which  metal  is  not  found 
In  fortune's  love  :  for  then,  the  bold  and  coward, 
The  wise  and  fool,  the  artist  and  unread, 
The  hard  and  soft,  seem  all  affined  and  kin  : 
But,  in  the  wind  and  tempest  of  her  frown, 
Distinction,  with  a  broad  and  powerful  fan, 
Puffing  at  all,  winnows  the  light  away  j 


6  BIBLE  TEUTHS,  WITH 

And  what  hath,  mass,  or  matter,  by  itself 
Lies,  rich,  in  virtue,  and  unmingled. 

TROILUS  AND  CRESSIDA.     Act  i.  Sce7ie  3. 


IY. 
THE  FALL  OF  AMBITION. 

The  loftiness  of  man  shall  be  bowed  down,  and  the 
haughtiness  of  men  shall  be  made  low.1 — Is.  ii.  17. 


Pride  goeth  before  destruction,  and  a  haughty  spirit 
before  a  fall. — PROV.  xvi.  18. 

The  king  spake  and  said,  Is  not  this  great  Baby- 
lon, that  I  have  built  for  the  house  of  the  kingdom  by 
the  might  of  my  power,  and  for  the  honour  of  my 
majesty.2  While  the  word  was  in  the  king's  mouth, 
there  fell  a  voice  from  heaven,  saying,  0  king  Nebu- 
chadnezzar, to  thee  it  is  spoken,  the  kingdom  is  de- 
parted from  thee,  and  they  shall  drive  thee  from  men, 
and  thy  dwelling  shall  be  with  the  beasts  of  the  field. 

DAN.  iv.  30-32. 


A  man's  pride  shall  bring  him  low. — PROV.  xxix.  23. 

Whosoever  shall  exalt  himself  shall  be  abased. 

MATT,  xxiii.  12. 

1  Prov.  viii.  13  ;  vi.  16,  17.      2  1  Cor.  i.  31.     Jer.  ix.  24. 


SHAKSPEAREAN   PAEALLELS.  7 

Vaulting  ambition,  which,  o'er-leaps  itself, 

And  falls  on  the  other  side. — MACBETH.  Act  i.  Scene  7. 

Fling  away  ambition, 

By  that  sin  angels  fell ;  how  can  man  then, 
The  image  of  his  Maker,  hope  to  win  by't. 

KING  HENRY  VIII.      Act  in.  Scene  2. 

Glory  is  like  a  circle  in  the  water, 
Which  never  ceases  to  enlarge  itself, 
Till  by  broad  spreading  it  disperse  to  nought. 
KING  HENRY  VI.  ( 1st  part).  Act  i.  Scene  2. 

This  is  the  state  of  man ;  To-day  he  puts  forth 
The  tender  leaves  of  hope,  to-morrow  blossoms, 
And  bears  his  blushing  honours  thick  upon  him  : 
The  third  day  comes  a  frost,  a  killing  frost ; 
And, — when  he  thinks,  good  easy  man,  full  surely 
His  greatness  is  a  ripening, — nips  his  root, 
And  then  he  falls. 

KING  HENRY  VIII.     Act  in.  Scene  2. 

Ill-weaved  ambition,  how  much  art  thou  shrunk ; 
When  that  this  body  did  contain  a  spirit, 
A  kingdom  for  it  was  too  small  a  bound ; 
But  now,  two  paces  of  the  vilest  earth 
Is  room  enough.1 

KING  HENRY  IV.  (1st  part).  Act  v.  Scene  4. 

1  The  very  substance  of  the  ambitious  is  merely  the  shadow  of 
a  dream.— HAMLET.    Act  u.  Scene  2. 


8  BIBLE  TRUTHS,  WITH 

V. 
THE  INFLUENCE  OF  ASSOCIATES. 

He  that  walketh  with  wise  men  shall  be  wise * ;  but 
a  companion  of  fools  shall  be  destroyed. — PROV.  xiii.  20. 

Enter  not  into  the  path  of  the  wicked,  and  go  not 
in  the  way  of  evil  men.2 — PROV.  iv.  14. 

Let  thy  talk  be  with  the  wise,3  and  let  just  men 
eat  and  drink  with  thee. — ECCLUS.  ix.  15,  16. 

He  that  toucheth  pitch  shall  be  denied  therewith  ; 
and  he  that  hath  fellowship  with  a  proud  man  shall 
be  like  unto  him. — ECCLUS.  xiii.  1. 


It  is  certain  that  either  wise  bearing  or  ignorant 
carriage,  is  caught  as  men  take  diseases  one  of  another  ; 
therefore  let  men  take  heed  of  their  company. 

KING  HENRY  IV.  (2d  part).  Act  v.  Scene  1. 

Thou  art  noble ;  yet,  I  see, 
Thy  honourable  metal  may  be  wrought 
From  that  it  is  disposed ;  therefore  'tis  meet 
That  noble  minds  keep  ever  with  their  likes ; 
For  who  so  firm  that  cannot  be  seduced  1 

JULIUS  CAESAR.     Act  i.  Scene  2. 

xl  Kings  x.  8.        2  Eph.  v.  11.     Ps.  i.  1.         3  Col.  ii.  8. 


SHAKSPEAREAN  PARALLELS.  9 

Keep  where  there  is  wit  stirring,  and  leave  the  faction 
of  fools. — TEOILUS  AND  CRESSIDA.  Act  u.  Scene  1. 

Converse  with  him  that  is  wise. 

KING  LEAR.      Act  i.  Scene  4. 

There  is  a  thing,  Harry,  which  thou  hast  often 
heard  of,  and  is  known  to  many  in  our  land  by  the 
name  of  pitch ;  this  pitch,  as  ancient  writers  do  report, 
doth  defile  !  so  doth  the  company  thou  keepest. 

KING  HENRY  IV.  (1st  part).  Act  n.  Scene  4. 

My  nature  is  subdued 
To  what  it  works  in,  like  the  dyer's  hand. — POEMS, 


VI. 


OVER  CAEEFULNESS  OF  THE  BODY 
CENSUKED. 

Therefore  take  no  thought,  saying,  "What  shall  we 
eat  ?  or,  What  shall  we  drink  1  or,  Wherewithal  shall  we 
be  clothed?1  But  seek  ye  first  the  kingdom  of  God 
and  his  righteousness.2 — MATT.  vi.  31,  33. 


Poor  Soul,  the  centre  of  my  sinful  earth. 
Fool'd  by  those  rebel  powers  that  thee  array, 

1  Ps.  xxxiv.  9,  10  ;  xxxvii.  25.  2  Eom.  xiv.  17. 


10  BIBLE  TRUTHS,  WITH 

Why  dost  thou  pine  within  and  suffer  dearth, 
Painting  thy  outward  walls  so  costly  gay  ? 
Why  so  large  cost,  having  so  short  a  lease, 
Dost  thou  upon  thy  fading  mansion  spend ; 
Shall  worms,  inheritors  of  this  excess, 
Eat  up  thy  charge  1     Is  this  thy  body's  end  1 
Then,  soul,  live  thou  upon  thy  servant's  loss, 
And  let  that  pine  to  aggravate  thy  store ; 
Buy  terms  divine  in  selling  hours  of  dross, 
Within  be  fed,  without  be  rich  no  more. — POEMS. 

I  will  begin 
The  fashion,  less  without,  and  more  within. 

CYMBELINE.    Act  v.  Scene  1. 


VII. 
BASH  JUDGING  REPROVED. 

Judge  not,  that  ye  be  not  judged.  Why  beholdest 
thou  the  mote  that  is  in  thy  brother's  eye,  but  con- 
siderest  not  the  beam  that  is  in  thine  own  eye? 
Thou  hypocrite,  first  cast  out  the  beam  out  of  thine 
own  eye ;  and  then  shalt  thou  see  clearly  to  cast 
out  the  mote  out  of  thy  brother's  eye.1 

MATT.  vii.  1,  3,  5. 

Who  art  thou  that  judgest  another  man's  servant  ? 
1  Eom.  ii.  1.     1  Cor.  iv.  3,  5.     Jas.  ii.  13;  iv.  11,  12. 


SHAKSPEAREAN  PARALLELS.         11 

to  his  own  master  lie  standeth  or  falleth.     Let  us  not 
therefore  judge  one  another  any  more. 

EOM.  xiv.  4,  13. 

Brethren,  if  a  man  be  overtaken  in  a  fault ;  ye 
which  are  spiritual,  restore  such  an  one  in  the  spirit  of 
meekness  ;  considering  thyself,  lest  thou  also  be 
tempted.1 — GAL.  vi.  1. 


Go  to  your  bosom  ; 

Knock  there  ;  and  ask  your  heart,  what  it  doth  know, 
That's  like  thy  brother's  fault :  if  it  confess 
A  natural  guiltiness,  such  as  his  is, 
Let  it  not  sound  a  thought  upon  your  tongue 
Against  thy  brother.* 

MEASURE  FOR  MEASURE.     Act  n.  Scene  2. 

We  cannot  weigh  our  brother  with  ourself. 

MEASURE  FOR  MEASURE.     Act  n.  Scene  2. 

Forbear  to  judge,  for  we  are  sinners  all. 

KING  HENRY  VI.  (2d  part).  Act  in.  Scene  3. 

Shame  to  him,  whose  cruel  striking, 
Kills  for  faults  of  his  own  liking. 

MEASURE  FOR  MEASURE.     Act  in.  Scene  2. 


1  l  Cor.  x.  12. 

*  He  that  is  without  sin  among  you,  let  him  first  cast  a  stone. 

JOHN  viii.  7. 


12  BIBLE  TRUTHS,  WITH 

VIII. 

ALL  EVIL  EECOILS  UPON  THE  EVILD01 

Whoso  diggeth  a  pit  shall  fall  therein;1  and  he 
that  rolleth  a  stone,  it  shall  return  upon  him. 

PEOV.  xx vi  27. 

They  that  plow  iniquity,  and  sow  wickedness,  reap 
the  same,2  By  the  blast  of  God  they  perish,  and  by 
the  breath  of  his  nostrils  are  they  consumed. 

JOB  iv.  8,  9. 

He  that  pursueth  evil,  pursueth  it  to  his  own 
death. — PROV.  xi.  19. 

Woe  unto  the  wicked  !  it  shall  be  ill  with  him ;  for 
the  reward  of  his  hands  shall  be  given  him.3 

Is.  iii.  11. 

He  that  sinneth  against  me  wrongeth  his  own 
soul.4 — PROV.  viii.  36. 

Their  sword  shall  enter  into  their  own  heart. 

Ps.  xxxvii.  15. 

In  the  net  which  they  hid  is  their  own  foot  taken. 
The  wicked  is  snared  in  the  work  of  his  hands. 

Ps.  ix.  15,  16. 

1  Ps.  vii.  15,  ]  6.       2  Gal.  vi.  7,  8.     3  Rom.  ii.  9.      4  Is.  iii.  9. 


SHAKSPEAREAN   PARALLELS.  13 

Sith  thou  hast  not  hated  blood,  even  blood  shall 
pursue  thee. — EZEK.  xxxv.  6. 

Evil  pursueth  sinners. — PKOV.  xiii.  21. 

They  have  sown  the  wind,  and  they  shall  reap  the 
whirlwind. — Hos.  viii.  7. 

Whereas  men  have  lived  dissolutely  and  unright- 
eously, thou  hast  tormented  them  with  their  own 
abominations. — WISDOM  xii.  23. 

He  that  followeth  corruption  shall  have  enough 
thereof.1 — ECCLUS.  xxxi.  5. 

All  iniquity  is  a  two-edged  sword. — ECCLUS.  xxi.  3. 

Wherewithal  a  man  sinneth,  by  the  same  also 
shall  he  be  punished. — WISDOM  xi.  16. 


What  mischief  work  the  wicked  ones ; 
Heaping  confusion  on  their  own  heads  thereby. 

KING  HENRY  VI.  (2d  part).  Act  n.  Scene  1. 

The  gods  are  just,  and  of  our  pleasant  vices 
I    Make  instruments  to  scourge  us. 

KING  LEAR.     Act  v.  Scene  3. 


1  Job  xx.  11-14. 


14  BIBLE  TEUTHS,   WITH 

Thus  doth,  he  force  the  swords  of  wicked  men 
To  turn  their  own  points  on  their  masters'  bosoms. 
KING  RICHARD  III.     Act  v.  Scene  1. 

This  even-handed  justice 

Commends  the  ingredients  of  our  poison'd  chalice 
To  our  own  lips. — MACBETH.     Act  i.  Scene  7. 

0  error,  soon  conceived, 
Thou  never  com'st  unto  a  happy  birth, 
But  kill'st  the  mother  that  engender' d  thee. 

JULIUS  CAESAR.     Act.  v.  Scene  3. 

Sowed  cockle,  reap'd  no  corn. 

LOVE'S  LABOUR  LOST.     Act  iv.  Scene  3. 

I  told  you  all, 

When  we  first  put  this  dangerous  stone  a  rolling 
'T  would  fall  upon  ourselves. 

KING  HENRY  VIII.     Act  v.  Scene  2. 

By  bad  courses  may  be  understood, 

That  their  events  can  never  turn  out  good. 

EICHARD  II.     Act  ii.  Scene  1. 

Unnatural  deeds  breed  unnatural  troubles. 

MACBETH.     Act  v.  Scene  1. 

Our  natures  do  pursue 

(Like  rats  that  ravin  down  their  proper  bane), 
A  thirsty  evil ;  and,  when  we  drink,  we  die. 

MEASURE  FOR  MEASURE.     Act  i.  Scene  3. 


SHAKSPEAREAN  PARALLELS.  15 

Sin,  gathering  head, 
Shall  break  into  corruption. 
KING  HENRY  IV.  (2d  part).     Act  in.  Scene  1. 

Wrong  hath  but  wrong,  and  blame  the  due  of  blame. 
KING  EICHARD  III.     Act  v.  Scene  1. 


IX. 

GOVERNMENT  UNDER  A   CHILD. 

Woe  unto  thee,  0  land,  when  thy  king  is  a  child. 

ECCLES.  x.  16. 


Woe  to  the  land  that 's  govern' d  by  a  child. 

KING  RICHARD  III.     Act  n.  Scene  3. 


X. 

CHRISTIAN    CHARITY. 
Love  is  the  fulfilling  of  the  law.1 — ROM.  xiii.  10. 


Charity  itself  fulfils  the  law. 

LOVE'S  LABOUR  LOST.     Act  iv.  Scene  3. 

1  1  Cor.  xiii.  4-7. 


1C  BIBLE  TRUTHS,  WITH 

XL 

THE    COURAGE    OF    A    GOOD    CONSCIENCE, 
AND  THE  COWARDICE  OF  A  BAD  ONE. 

The  wicked  flee  when  no  man  pursueth;1  but  the 
righteous  are  bold  as  a  lion. — PROV.  xxviii.  1. 

The  Lord  is  my  light  and  my  salvation;  whom  shall 
I  fear  ?  the  Lord  is  the  strength  of  my  life ;  of  whom 
shall  I  be  afraid  1 2 — Ps.  xxvii.  1. 

When  they  saw  the  boldness  of  Peter  and  John, 
and  perceived  that  they  were  unlearned  and  ignorant 
men,  they  marvelled;  and  they  took  knowledge  of 
them,  that  they  had  been  with  Jesus.3 — ACTS  iv.  1 3. 

And  if  ye  shall  despise  my  statutes,  or  if  your  soul 
abhor  my  judgments,  so  that  ye  will  not  do  all  my 
commandments,  but  that  ye  break  my  covenant:  I 
also  will  do  this  unto  you ;  I  will  even  appoint  over 
you  a  terror,  consumption,  and  the  burning  ague,  that 
shall  consume  the  eyes,  and  cause  sorrow  of  heart ; 
and  ye  shall  flee  when  none  pursueth  you. 

LEV.  xxvi.  15-17. 

The  sound  of  a  shaken  leaf  shall  chase  them  ;  and 
they  shall  flee,  as  fleeing  from  a  sword ;  and  they  shall 
fall  when  none  pursueth. — LEV.  xxvi.  36. 

1  Gen.  iii.  9,  10.  2  Is.  xii.  2.  8  Is.  xxx.  15. 


SHAKSPEAEEAN  PAKALLELS.         17 

There  were  they  in  great  fear,  where  no  fear  was.1 

Ps.  liii.  5. 

For  wickedness,  condemned  by  her  own  witness,  is 
very  timorous,  and  being  pressed  with  conscience, 
always  forecasteth  grievous  things. — WISDOM  xvii.  11. 


What  stronger  breastplate  than  a  heart  untainted  ? 
Thrice  is  he  armed  that  hath  his  quarrel  just ; 
And  he  but  naked,  though  locked  up  in  steel, 
Whose  conscience  with  injustice  is  corrupted. 

KING  HENRY  VI.  (2d  part).     Act  in.  Scene  2. 

Conscience,  it  makes  a  man  a  coward. 

KING  KICHARD  III.     Act  i.  Scene  4. 

Virtue  is  bold,  and  goodness  never  fearful. 

MEASURE  FOR  MEASURE.     Act  in.  Scene  1. 

A  heart  unspotted  is  not  easily  daunted. 

KING  HENRY  VI.  (2d  part).     Act  in.  Scene  1. 

How  is  't  with  me  when  every  noise  appals  me? 

MACBETH.     Act  n.  Scene  2. 

Suspicion  always  haunts  the  guilty  mind  : 
The  thief  doth  fear  each  bush  an  officer. 

KING  HENRY  VI.  (3d  part).     Act  v.  Scene  6. 

1  Prov.  x.  24. 
C 


18  BIBLE  TRUTHS,  WITH 

A  wicked  conscience 
Mouldeth  goblins  swift  as  frenzy  thoughts.* 

TEOILUS  AND  CKESSIDA.     Act  v.  Scene 


XII. 

THE    WKETCHEDNESS   OE   A   BAD 
CONSCIENCE. 

There  is  no  peace,  saith  the  Lord,  unto  the  wicked.1 

Is.  xlviii.  22. 

The  wicked  are  like  the  troubled  sea,  when  it  can- 
not rest,  whose  waters  cast  up  niire  and  dirt.2 

Is.  Ivii.  20. 

Among  these  nations  shalt  thou  find  no  ease, 
neither  shall  the  sole  of  thy  foot  have  rest :  but  the 
Lord  shall  give  thee  there  a  trembling  heart,  and  fail- 
ing of  eyes,  and  sorrow  of  mind :  And  thy  life  shall 
hang  in  doubt  before  thee;  and  thou  shalt  fear  day 
and  night,  and  shalt  have  none  assurance  of  thy  life. 

DEUT.  xxviii.  65,  66. 

*  But  they  sleeping  the  same  sleep  that  night,  which  was  in- 
deed intolerable,  and  which  came  upon  them  out  of  the  bottoms 
of  inevitable  hell,  were  partly  vexed  with  monstrous  apparitions, 
and  partly  fainted,  their  heart  failing  them  :  for  a  sudden  fear, 
and  not  looked  for,  came  upon  them — WISDOM  xvii.  14,  15 — (and 
the  remainder  of  the  chapter). 

1  Rom.  iii.  16,  1.7.  8  Jude,  12,  13. 


SHAKSPEAREAN  PARALLELS.         19 

The  wicked  man  travaileth  with  pain  all  his  days. 
A  dreadful  sound  is  in  his  ears:  in  prosperity  the 
destroyer  shall  come  upon  him.  He  belie veth  not  that 
he  shall  return  out  of  darkness,  and  he  is  waited  for  of 
the  sword.  Trouble  and  anguish  shall  make  him 
afraid;  and  they  shall  prevail  against  him  as  a  king 
ready  to  battle.— JOB  xv.  20,  21,  22,  24. 


Conscience  is  a  thousand  swords. 

KING  EICHARD  III.     Act  v.  Scene  2. 

Better  be  with  the  dead, 
Than  on  the  torture  of  the  mind  to  lie 
In  restless  ecstacy. 

MACBETH.    Act  in.  Scene  2. 

The  clogging  burden  of  a  guilty  soul. 

KING  EICHARD  II.     Act  i.  Scene  3. 

Great  guilt, 

Like  poison  given  to  work  a  great  time  after, 
Now  'gins  to  bite  the  spirits. 

THE  TEMPEST.    Act  in.  Scene  3. 

To  my  sick  soul,  as  sin's  true  nature  is, 
Each  toy  seems  prologue  to  some  great  amiss ; 
So  full  of  artless  jealousy  is  guilt, 
It  spills  itself  in  fearing  to  be  spilt. 

HAMLET.     Act  iv.  Scene  5. 


20  BIBLE  TRUTHS,  WITH 

I'll  haunt  thee  like  a  guilty  conscience  still. 

TROILUS  AND  CRESSID&.     Act  v.  Scene 

Between  the  acting  of  a  dreadful  thing 
And  the  first  motion,  all  the  interim  is 
like  a  phantasma,  or  a  hideous  dream : 
The  genius,  and  the  mortal  instruments, 
Are  then  in  council ;  and  the  state  of  man, 
Like  to  a  little  kingdom,  suffers  then 
The  nature  of  an  insurrection. 

JULIUS  C^SAE.     Act  ii.  Scene  1. 

Conscience,  conscience, 
0,  ;t  is  a  tender  place. 

KING  HENRY  VIII.    Act.  u.  Scene  2. 

Leave  her  to  heaven, 

And  to  those  thorns  that  in  her  bosom  lodge 
To  prick  and  sting  her. 

HAMLET.    Act  i.  Scene  5. 

The  worm  of  conscience. 

KING  EICHARD  III.    Act  i.  Scene  3. 

0,  it  is  monstrous  !  monstrous  ! 
Methought  the  billows  spoke  and  told  me  of  it : 
The  winds  did  sing  it  to  me :  and  the  thunder, 
That  deep  and  dreadful  organ  pipe,  pronounced 
The  name  of  Prosper :  it  did  bass  my  trespass. 

THE  TEMPEST.    Act  in.  Scene  3. 


SHAKSPEAREAN  PARALLELS.         21 

XIII. 

THE   DELIGHT  OF  A  GOOD   CONSCIENCE. 

The  work  of  righteousness  shall  be  peace ;  and  the 
effect  of  righteousness  quietness  and  assurance  for 
ever.1 — Is.  xxxii.  17. 

A  good  man  shall  be  satisfied  from  himself. 

PROV.  xiv.  14. 

Happy  is  he  that  condemneth  not  himself  in  that 
thing  which  he  alloweth.2— KOM.  xiv.  22. 

Beloved,  if  our  heart  condemn  us  not,  then  have  we 
confidence  toward  God.3 — 1  JOHN  iii.  21. 

For  our  rejoicing  is  this,  the  testimony  of  our 
conscience. — 2  COR.  i.  12. 

Blessed  is  the  man  that  hath  not  slipped  with  his 
mouth,  and  is  not  pricked  with  the  multitude  of  his 
sins.  Blessed  is  he  whose  conscience  hath  not  con- 
demned him,  and  who  is  not  fallen  from  his  hope  in 
the  Lord. — ECCLUS.  xiv.  1,  2. 

1  Ps.  cxix.  165;  Is.  xlviii.  18. 
Acts  xxiv.  1,6.  3  Job  xxvii.  6- 


22  BIBLE  TRUTHS,  WITH 

I  feel  within  me 

A  peace  above  all  earthly  dignities, 
A  still  and  quiet  conscience. 

KING  HENRY  VIII.     Act  in.  Scene  2. 

Truth  hath  a  quiet  breast. 

KING  EICHAED  II.    Act  i.  Scene  3. 

A  good  conscience  will  make  any  possible  satisfac- 
tion.— KING  HENRY  IV.  (2d  part).    Act  v.  Scene  5. 


XIV. 

THE  COMFORTS  OF  A  CONTENTED  LIFE 
CONTRASTED  WITH  THE  TROUBLES  OF 
GREATNESS. 

Better  is  an  handful  with  quietness,  than  both 
hands  full  with  travail  and  vexation  of  spirit. 

ECCLES.  iv.  6. 

There  is  that  maketh  himself  rich,  yet  hath 
nothing :  there  is  that  maketh  himself  poor,  yet  hath 
great  riches.1 — PROV.  xiii.  7. 

As  having  nothing,  yet  possessing  all  things.2 

2  COR.  vi.  10. 

1  Rev.  iii.  17,  18.  2  Philip,  iii.  7-9. 


SHAKSPEAKEAN  PARALLELS.  23 

Now,  therefore,  thus  saith  the  Lord  of  Hosts,  Con- 
sider your  ways.  Ye  have  sown  much,  and  bring  in 
little ;  ye  eat,  but  ye  have  not  enough ;  ye  drink,  but 
ye  are  not  filled  with  drink ;  ye  clothe  you,  but  there 
is  none  warm;  and  he  that  earneth  wages,  earneth 
wages  to  put  it  into  a  bag  with  holes.1 — HAGGAI  i.  5,  6. 

Take  heed,  and  beware  of  covetousness ;  for  a  man's 
life  consisteth  not  in  the  abundance  of  the  things 
which  he  possesseth.2 — LUKE  xii.  15. 

Godliness  with  contentment  is  great  gain. 

1  TIM.  vi.  6. 

Better  is  little  with  the  fear  of  the  Lord,  than  great 
treasure  and  trouble  therewith. — PEOV.  xv.  16. 


'Tis  better  to  be  lowly  born, 
And  range  with  humble  livers  in  content, 
Than  to  be  perk'd  up  in  a  glistering  grief, 
And  wear  a  golden  sorrow. 

KING  HENRY  VIII.    Act  n.  Scene  3. 

Nought 's  had,  all 's  spent, 
Where  our  desire  is  got  without  content. 

MACBETH.    Act  in.  Scene  2. 

1  Micah  vi.  14,  15.  a  1  Tim.  vi.  17 ;  Matt.  xiii.  22. 


BIBLE  TRUTHS,  WITH 

Poor,  and  content,  is  rich,  and  rich  enough  ; 
But  riches  fineless,  is  as  poor  as  winter, 
To  him  that  ever  fears  he  shall  be  poor. 

OTHELLO.    Act  in.  Scene 


My  crown  is  in  my  heart,  not  on  my  head : 
Not  deck'd  with  diamonds  and  Indian  stones, 
Nor  to  be  seen  ;  my  crown  is  call'd  content : 
A  crown  it  is,  that  seldom  kings  enjoy. 

KING  HENRY  VI.  (3d  part). 

Act  m.  Scene  I. 


0,  the  fierce  wretchedness  that  glory  brings  us  !  * 
Who  would  not  wish  from  wealth  to  be  exempt, 
Since  riches  point  to  misery  and  contempt  1 
Who'd  be  so  mock'd  with  glory?  or  to  live 
But  in  a  dream  of  friendship  1 
To  have  his  pomp  and  all  what  state  compounds, 
But  only  painted  like  his  varnished  friends. 

TIMON  OP  ATHENS.    Act  iv.  Scene  2. 

Our  content 
Is  our  best  having. 

KING  HENRY  VIII.    Act  n.  Scene  3. 


*  Too  much  honour : 
0,  'tis  a  burden,  'tis  a  burden, 
Too  heavy  for  a  man  that  hopes  for  heaven. 

KINO  HENRY  VIII.     Act  in.  Scene  2. 


SHAKSPEAEEAN  PARALLELS.         25 

Most  miserable 

Is  the  desire  that 's  glorious  :  blessed  be  those, 
How  mean  soe'er,  that  have  their  honest  wills, 
Which  seasons  comfort. 

CYMBELINE.    Act  i.  Scene  7. 


Gives  not  the  hawthorn  bush  a  sweeter  shade 
To  shepherds  looking  on  their  silly  sheep, 
Then  doth  a  rich  embroidered  canopy 
To  kings  that  fear  their  subjects'  treachery  ? 
0,  yes,  it  doth :  a  thousandfold  it  doth. 

The  shepherd's  homely  curds, 
His  cold  thin  drink  out  of  his  leather  bottle, 
His  wonted  sleep  under  a  fresh  tree's  shade, 
All  which  secure  and  sweetly  he  enjoys, 
Is  far  beyond  a  prince's  delicates ; 
His  viands  sparkling  in  a  golden  cup, 
His  body  couched  in  a  curious  bed, 
When  care,  mistrust,  and  treason,  wait  on  him. 
KING  HENKY  VI.  (3d  part). 

Act  ii.  Scene  5. 

0  polished  perturbation !  golden  care ! 
That  keep'st  the  ports  of  slumber  open  wide 
To  many  a  watchful  night ! — sleep  with  it  now ! 
Yet  not  so  sound,  and  half  so  deeply  sweet, 
As  he,  whose  brow,  with  homely  biggin  bound, 
Snores  out  the  watch  of  night,     0  majesty! 
When  thou  dost  pinch  thy  bearer,  thou  dost  sit 


26  BIBLE  TRUTHS,   WITH 

Like  a  rich  armour,  worn  in  the  heat  of  day, 
That  scalds  with  safety.* 

KING  HENRY  IV.  (2d  part). 

Act  iv.  Scene  4. 


They  that  stand  high  have  many  "blasts  to  shake  them, 
And  if  they  fall,  they  dash  themselves  to  pieces. 

KING  EICHARD  III.    Act  i.  Scene  3. 


Often,  to  our  comfort,  shall  we  find 
The  sharded  beetle  in  a  safer  hold 
Than  is  the  full- winged  eagle. 

CYMBELINE.     Act  in.  Scene  3. 


*  Shakspeare  gives  us  another  picture  of  "golden  care"  or 
"great  treasure  and  trouble  therewith  "  in  the  following  sonnet : 

"  The  aged  man  that  coffers  up  his  gold 
Is  plagued  with  cramps,  and  gouts,  and  painful  fits, 
And  scarce  has  eyes  his  treasure  to  behold, 
But  like  still-pining  Tantalus  he  sits, 
And  useless  barns  the  harvest  of  his  wits; 
Having  no  other  pleasure  of  his  gain, 
But  torment  that  it  cannot  cure  his  pain. 
So  then  he  hath  it,  when  he  cannot  use  it, 
And  leaves  it  to  be  master'd  by  his  young  : 
Who  in  their  pride  do  presently  abuse  it ; 
Their  father  was  too  weak,  and  they  too  strong, 
To  hold  their  cursed-blessed  fortune  long. 
The  sweets  we  wish  for  turn  to  loathed  sours, 
Even  in  the  moment  that  we  call  them  ours." 


SHAKSPEAREAN  PARALLELS.         27 

Eest  state,  contentless, 
Hath  a  distracted  and  most  wretched  being, 
Worse  than  the  worst,  content. 

TIMON  OF  ATHENS.     Ad  iv.  Scene  3. 


XV. 


])IUEDEE  CANNOT  BE  HIDDEN, 

And  he  said,  What  hast  thou  done?  the  voice  of 
thy  brother's  blood  crieth  unto  me  from  the  ground. 

GEN.  iv.  10. 

Whoso  sheddeth  man's  blood,  by  man  shall  his 
blood  be  shed. — GEN.  ix.  6. 


Blood,  like  sacrificing  Abel's,  cries 
Even  from  the  tongueless  caverns  of  the  earth. 

KING  RICHARD  II.     Act  i.  Scene  1. 

Blood  will  have  blood ; 

Stones  have  been  known  to  move,  and  trees  to  speak ; 
Augurs,  and  understood  relations,  have, 
By  magot-pies,  and  choughs,  and  rooks,  brought  forth 
The  secret'st  man  of  blood, — MACBETH.   Act  in.  Scene  4. 

Guiltiness  will  speak, 
Though  tongues  were  out  of  use. 

OTHELLO.     Act  v.  Scene  1. 


28  BIBLE   TRUTHS,   WITH 

For  murder,  though,  it  have  no  tongue,  will  speak, 
With  most  miraculous  organ. 

HAMLET.    Act  u.  Scene 


XVI. 

DEATH,  THE  END  OF  ALL  EAETHLY  PAS- 
SIONS AND  TEOUBLES. 

There  the  wicked  cease  from  troubling,  and  the 
weary  are  at  rest. — JOB  iii.  17. 

Also  their  love,  and  their  hatred,  and  their  envy,  is 
now  perished. — ECCLES.  ix.  6. 


Though  death  be  poor,  it  ends  a  mortal  woe. 

KING  EICHARD  II.     Act  u.  Scene  1. 

Here  lurks  no  treason,  here  no  envy  swells ; 

Here  grow  no  damned  grudges ;  here  are  no  storms, 

No  noise,  but  silence  and  eternal  sleep."* 

TITUS  ANDRONICUS.    Act  i.  Scene  2. 

Fear  no  more  the  frown  o'  the  great, 
Thou  art  past  the  tyrant's  stroke  ; 

*  The  arbitrator  of  despairs, 
Just  Death,  kind  umpire  of  men's  miseries. 

HENRY  VI.  (1st  part).  Act  u.  Scene  5. 


SHAKSPEAEEAN  PAEALLELS.         29 

Care  no  more  to  clothe  and  eat ; 

To  thee  the  reed  is  as  the  oak. 
Fear  no  more  the  lightning  flash, 

Nor  the  all  dreaded  thunder-stone, 
Fear  not  slander,  censure  rash  ; 

Thou  hast  finished  joy  and  moan. 

CYMBELINE.     Act  iv.  Scene  2. 


XVII. 
DEATH  COMMON  TO  ALL. 

There  is  one  event  to  the  righteous,1  and  to  the 
wicked ;  to  the  good  and  to  the  clean,  and  to  the  un- 
clean.— ECCLES.  ix.  2. 

And  I  myself  perceived  also  that  one  event  hap- 
peneth  to  them  all. — ECCLES.  ii.  14. 

The  small  and  the  great  are  there  ;  and  the  servant 
is  free  from  his  master. — JOB  iii.  19. 

There  is  no  man  that  hath  power  over  the  spirit  to 
retain  the  spirit ;  neither  hath  he  power  in  the  day  of 
death  ;  and  there  is  no  discharge  in  that  war.2 

ECCLES.  viii.  8. 

And  how  dieth  the  wise  man  ?  as  the  fool.3 

ECCLES.  ii.  16. 

1  Isa.  Ivii.  1,  2.         3  Gen.  iii.  19.          3  Job  xxi.  26. 


30  BIBLE   TRUTHS,  WITH 


For  he  seeth  that  wise  men  die,  likewise  the  fool 
and  the  brutish  person  perish,  and  leave  their  wealth 
to  others.— Ps.  xlix.  10. 


It  is  appointed  unto  men  once  to  die.— HEB.  ix.  27. 

The  beggar  died,  and  was  carried  by  the  angels  into 
Abraham's  bosom;  the  rich  man  also  died,  and  was 
buried. — LUKE  xvi.  22. 


Mean  and  mighty,  rotting 
Together,  have  one  dust. 

CYMBELINE.    Act  iv.  Scene  2. 

"Why,  what  is  pomp,  rule,  reign,  but  earth  and  dust  1 
And  live  we  how  we  can,  yet  die  we  must. 

KING  HENRY  VI.  (3d  part).    Act  v.  Scene  2. 

All  that  live  must  die, 
Passing  through  nature  to  eternity. 

HAMLET.     Act  i.  Scene  2. 

"We  cannot  hold  mortality's  strong  hand. 

KING  JOHN.    Act  iv.  Scene'  2. 

Time  doth  transfix  the  nourish  set  on  youth, 
And  delves  the  parallels  in  beauty's  brow  ! 

1  Rom.  v.  12. 


SHAKSPEAREAN  PARALLELS.        31 

Feeds  on  the  rarities  of  nature's  truth, 

And  nothing  stands  but  for  his  scythe  to  mow. 

POEMS. 

That  fell  arrest 
Without  all*  bail.— POEMS. 

Icings  and  mighty  potentates  must  die, 
For  that's  the  end  of  human  misery. 
KING  HENRY  VI.  (1st  part).    Act  in.  Scene  2. 

Golden  lads  and  girls  all  must, 

Like  chimney-sweepers,  come  to  dust. 

CYMBELINE.     Act  iv.  Scene  2.  (Song). 

By  medicine  life  may  be  prolonged,  yet  death 
Will  seize  the  doctor  too. 

CYMBELINE.    Act  v.  Scene  5. 

Your  worm  is  your  only  emperor  for  diet ;  we  fat 
all  creatures  else  to  fat  us ;  and  we  fat  ourselves  for 
maggots ;  your  fat  king,  and  your  lean  beggar,  is  but 
variable  service,  two  dishes,  but  to  one  table;  that's 
the  end. — HAMLET.  Act  iv.  Scene  3. 


XVIII. 
THE  IMPORTANCE  OF  EARLY  TRAINING. 

Correct  thy  son,  and  he  shall  give  thee  rest ;  yea, 
he  shall  give  delight  unto  thy  soul.1 — PROV.  xxix.  17. 

*  i.  e.,  Without  any  bail. 
1  Prov.  xiii.  24;  xix.  18;  xxii.  15;  xxiii.  13,  14;  xxix.  15, 


32  BIBLE  TRUTHS,  WITH 

Train  up  a  child  in  the  way  he  should  go ;  and 
when  he  is  old  he  will  not  depart  from  it.1 

PROV.  xxii.  6. 

And  ye  fathers,  provoke  not  your  children  to  wrath, 
but  bring  them  up  in  the  nurture  and  admonition  of 
the  Lord.2 — EPH.  vi.  4. 


The  canker  galls  the  infants  of  the  spring, 
Too  oft  before  their  buttons  *  be  disclosed ; 
And  in  the  morn  and  liquid  dew  of  youth 
Contagious  blastments  are  most  imminent ; 
Be  wary  then. — HAMLET.     Act  i.  Scene  3. 

Tender  youth  is  soon  suggested. 
Two  GENTLEMEN  OF  VERONA.     Act  in.  Scene  1. 

Now  'tis  spring,  and  weeds  are  shallow  rooted; 
Suffer  them  now,  and  they'll  o'ergrow  the  garden, 
And  choke  the  herbs  for  want  of  husbandry. 

HENRY  VI.  (2 d  part).     Act  in.  Scene  I. 


XIX. 
EKKOR  ITS  OWN  CORRECTIVE. 

Thine  own  wickedness  shall  correct  thee,  and  thy 
backsliding  shall  reprove  thee  ;    know,  therefore,  and 

1  Deut.  iv.  9;  vi.  6,  7.       2  1  Chron.  xxviii.  9.     Prov.  iv.  10-13. 
*  Buds. 


SHAKSPEAREAN  PARALLELS.         33 

see  that  it  is  an  evil  thing  and  bitter,  that  thou  hast 
forsaken  the  Lord  thy  God,  and  that  my  fear  is  not  in 
thee,  saith  the  Lord.1 — JER.  ii.  19. 

Before  I  was  afflicted,  I  went  astray ;  but  now  have 
I  kept  thy  word.2 — Ps.  cxix.  67. 

Behold  therefore  the  goodness  and  severity  of  God. 

EOMANS  xi.  22. 

It  is  good  for  a  man  that  he  bear  the  yoke  in  his 
youth.  He  putteth  his  mouth  in  the  dust ;  if  so  be 
there  may  be  hope.— Lam.  iii.  27,  29. 

(Our  fathers)  for  a  few  days  chastened  us  after  their 
own  pleasure  ;  but  He  for  our  profit,  that  we  might  be 
partakers  of  his  holiness.3 — HEB.  xii.  10. 

Therefore  chastenest  thou  them  by  little  and  little 
that  offend,  and  warnest  them  by  putting  them  in 
remembrance  wherein  they  have  offended,  that  leaving 
their  wickedness,  they  may  believe  on  thee,  0  Lord. 

WISDOM  xii.  2. 

His  own  iniquities  shall  take  the  wicked  himself, 
and  he  shall  be  holden  with  the  cords  of  his  sins. 

PROV.  v.  22. 

1  Prov.  i.  30,  31.  2  Jer.  xxxi.  18,  19. 

8  Rom.  v.  3,  4 ;  John  xv.  2  ;  Isa.  xxvii.  9. 

D 


34  BIBLE  TRUTHS,  WITH 

To  wilful  men, 

The  injuries  that  they  themselves  procure 
Must  be  their  schoolmasters. 

KING  LEAR.      Act  n.  Scene 

They  say  best  men  are  moulded  out  of  faults, 
And,  for  the  most,  become  much  more  the  better 
For  being  a  little  bad. 

MEASURE  FOR  MEASURE.     Act  v.  Scene  1. 

As  surfeit  is  the  father  of  much  fast, 
So  every  scope  by  the  immoderate  use 
Turns  to  restraint. 

MEASURE  FOR  MEASURE.     Act  i.  Scene  3. 

You  snatch  some  hence  for  little  faults ;  that  Js  love, 
To  make  them  fall  no  more  :  you  some  permit 
To  second  ills  with  ills,  each  elder  worse ; 
And  make  them  dread  it,  to  the  doer's  thrift.* 

CYMBELINE.     Act  v.  Scene  1. 

There  is  some  soul  of  goodness  in  things  evil, 
Would  men  observingly  distil  it  out. 

KING  HENRY  V.     Act  iv.  Scene  1. 

In  poison  there  is  physic. 

KING  HENRY  IV.  (2d  part).    Act  i.  Scene  1. 

*  Advantage. 


SHAKSPEAKEAN  PARALLELS.         35 

Headstrong  liberty  is  lash'd  with  woe.* 

COMEDY  OP  ERRORS.     Act  n.  Scene  1. 


XX. 

SIN   BREEDS 

Shun  profane  and  vain  babblings ;  for  they  will  in- 
crease unto  more  ungodliness. — 2  TIM.  ii.  16. 

Evil  men  and  seducers  shall  wax  worse  and  worse, 
deceiving  and  being  deceived.1 — 2  TIM.  iii.  13. 


One  sin  another  doth  provoke. 

PERICLES,  PRINCE  OF  TYRE.     Act  i.  Scene  1. 

The  cloy'd  will 

(That  satiate  yet  unsatisfied  desire, 
That  tub  both  filled  and  running),  ravening  first 
The  lamb,  longs  after  for  the  garbage. 

CYMBELINE.     Act  i.  Scene  7. 

*  Shakspeare  shews  also  the  need  of  this  correction  in  the 
following  passage : — 

"  If  that  the  heavens  do  not  their  visible  spirits 
Send  quickly  down  to  tame  these  vile  offences, 
'T  will  come. 

Humanity  must  perforce  prey  on  itself, 
Like  monsters  of  the  deep. 

KING  LEAR.    Act  iv.  Scene  2. 
1  2  Thess.  ii.  11,  12. 


36  BIBLE  TKUTHS,  WITH 

Sin  will  pluck  on  sin. 

KING  EICHAKD  III.     Act  iv.  Scene  2. 


XXI. 

OUR  FACULTIES   TO  BE  MADE  GOOD   USE 
OF,  AND  NOT  TO   LIE  UNUSED. 

Break  up  your  fallow  ground. — Hos.  x.  12. 

Let  your  light  so  shine  before  men,  that  they  may 
see  your  good  works,  and  glorify  your  father  which  is 
in  heaven.1 — MATT.  v.  16. 

Neglect  not  the  gift  that  is  in  thee.2 — 1  TIM.  iv.  14. 

It  is  required  in  stewards  that  a  man  be  found 
faithful.— 1  COR.  iv.  2. 

Unto  one  he  gave  five  talents,  to  another  two,  and 
to  another  one ;  to  every  man  according  to  his  several 
ability.3* — MATT.  xxv.  15. 

For  unto  whomsoever  much  is  given,  of  him  shall 
be  much  required. — LUKE  xii.  48. 

1  2  Cor.  vi.  1.     2  Rom.  xii.  6;   1  Cor.  xii.  7,  11.    3  1  Pet.  iv.  10, 
*  See  also  the  remainder  of  the  parable,  to  verse  30. 


SHAKSPEAREAN   PARALLELS.  37 

I  would  that  you  would  make  use  of  that  good 
wisdom  whereof  I  know  you  are  fraught. 

KING  LEAR. 

Act  i.  Scene  4. 

The  means  that  heaven  yields,  must  be  embraced, 
And  not  neglected. 

KING  EICHARD  II.     Act  in.  Scene  2. 

What  is  a  man, 

If  his  chief  good,  and  market  of  his  time, 
Be  but  to  sleep  and  feed  1  a  beast,  no  more. 
Sure,  He,  that  made  us  with  such  large  discourse 
Looking  before,  and  after,  gave  us  not 
That  capability  and  godlike  reason 
To  fust  in  us  unused. 

HAMLET.     Act  iv.  Scene  4. 

Heaven  doth  with  us  as  we  with  torches  do : 

Nof  light  them  for  themselves ;  for  if  our  virtues 

Did  not  go  forth  of  us,  'twere  all  alike 

As  if  we  had  them  not.  Spirits  are  not  finely  touched 

But  to  fine  issues ;  nor  nature  never  lends 

The  smallest  scruple  of  her  excellence, 

But  like  a  thrifty  goddess,  she  determines 

Herself  the  glory  of  a  creditor, 

Both  thanks  and  use. 

MEASURE  FOR  MEASURE. 

Act  i.  Scene  1. 


38  BIBLE  TRUTHS,  WITH 

XXII. 
READINESS    FOR   DEATH. 

The  day  of  the  Lord  will  come  as  a  thief  in  the 
night.1— 2  PET.  iii.  10. 

Be  ye  therefore  ready,  for  the  Son  of  Man  cometh 
at  an  hour  when  ye  think  not.2 — LUKE  xii.  40. 

Behold,  I  come   as  a  thief.     Blessed  is   he  that 
watcheth. — REV.  xvi.  15. 


I  every  day  expect  an  embassage 

From  my  Redeemer  to  redeem  me  hence. 

KING  RICHARD  III.     Act  11.  Scene  1. 

Men  must  endure 

Their  going  hence,  even  as  their  coming  hither  : 
Ripeness  is  all* 

KING  LEAR,    Act  v.  Scene  2. 


1  Matt.  xxiv.  42,  43  ;  1  Thess.  v.  2,  3.        2  Rev.  iii.  3. 

*  'T  is  a  vile  thing  to  die. 
When  men  are  unprepared,  and  look  not  for  it. 

KING  RICHARD  III.     Act  in.  Scene  2. 


SHAKSPEAEEAN  PARALLELS.         39 

XXIII. 
SPIKITUAL   LIFE. 

Whosoever  shall  seek  to  save  his  life  shall  lose  it ; 
and  whosoever  shall  lose  his  life  shall  preserve  it.1 

LUKE  xvii.  33. 

For  me  ....  to  die  is  gain.2 — PHIL.  i.  21. 


To  sue  to  live,  I  find,  I  seek  to  die ; 
And  seeking  death  find  life. 

MEASURE  FOR  MEASURE.     Act  in.  Scene  1. 

My  joy  is  death ; 

Death,  at  whose  name  I  oft  have  been  afeard, 
Because  I  wish'd  this  world's  eternity. 

KING  HENRY  VI.  (2d  part).    Act  n.  Scene  4. 


XXIV. 
A  SAVING  SACRIFICE. 

If  thy  hand  or  thy  foot  offend  thee,  cut  them  off, 
and  cast  them  from  thee  :  it  is  better  for  thee  to  enter 

1  John  xii.  25.  2  Eev.  xiv.  13. 


40  BIBLE  TRUTHS,  WITH 

into  life  halt  or  maimed,  rather  than  having  two  hands 
or  two  feet  to  be  cast  into  everlasting  fire.1 

MATT,  xviii.  8. 


For  it  is  profitable  for  thee  that  one  of  thy  mem- 
bers should  perish,  and  not  that  thy  whole  body  should 
be  cast  into  hell. — MATT.  v.  30. 


This  festered  joint  cut  off,  the  rest,  rest  sound; 
This,  let  alone,  will  all  the  rest  confound. 

KING  KICHARD  II.     Act  v.  Scene  3. 


XXY. 
FAITHLESSNESS. 

Yea,  mine  own  familiar  friend,  in  whom  I  trusted, 
which  did  eat  my  bread,  hath  lifted  up  his  heel  against 
me.2 — Ps.  xli.  9. 


Who  should  be  trusted  now,  when  one's  right  hand 
Is  perjured  to  the  bosom  2 

Two  GENTLEMEN  OF  VERONA. 

Act  v.  Scene  4. 

1  Mark  ix.  43,  44,  47 ;  Col.  iii.  5  ;  Rom.  viii.  13. 
J  Ps.  Iv.  12, 13 ;  2  Sam.  xv.  12  ;  Obadiah  7  ;  John  xiii.  18. 


SHAKSPEAREAN  PARALLELS.         41 


XXYI. 

LIVING  FOE  THE  PRAISE  OF  MEN 
CENSUEED. 

How  can  ye  believe,  which  receive  honour  one  of 
another,  and  seek  not  the  honour  that  cometh  from 
God  only1? — JOHN  v.  44. 

They  loved  the  praise  of  men  more  than  the  praise 
of  God.1 — JOHN  xii.  43. 

To  have  respect  of  persons  is  not  good;  for,  for  a 
piece  of  bread  that  man  will  transgress. 

PROV.  xxviii.  21. 


Glory  grows  guilty  of  detested  crimes ; 

When  for  fame's  sake,  for  praise,  an  outward  part, 

We  bend  to  that  the  working  of  the  heart.* 

LOVE'S  LABOUR'S  LOST.     Act  iv.  Scene  1, 

Worse  than  the  sun  in  March,  r 

This  praise  doth  nourish  agues. 

KING  HENRY  IV.  (1st  part).    Act  iv.  Scene  1, 

1  Kom.  ii.  29 ;  Heb.  xi.  27.   • 
This  earthly  world  ;  where  to  do  harm, 
Is  often  laudable  ;  to  do  good,  sometime, 
Accounted  dangerous  folly. 

MACBETH.     Act  iv.  Scene  2. 


42  BIBLE  TRUTHS,  WITH 

XXVII. 
FOKGIVEKESS. 

For  if  ye  forgive  men  their  trespasses,  your  heavenly 
father  will  also  forgive  you.  But  if  ye  forgive  not  men 
their  trespasses,  neither  will  your  father  forgive  your 
trespasses. — MATT.  vi.  14,  15. 

When  ye  stand  praying,  forgive,  if  ye  have  aught 
against  any ;  that  your  Father  also  which  is  in  heaven 
may  forgive  you  your  trespasses.1 — MARK  xi.  25. 

And  be  ye  kind  one  to  another,  tender-hearted, 
forgiving  one  another,  even  as  God  for  Christ's  sake 
hath  forgiven  you. — EPH.  iv.  32. 

For  he  shall  have  judgment  without  mercy  that 
hath  shewed  no  mercy.2 — JAMES  ii.  13. 

Forbearing  one  another,  and  forgiving  one  another, 
if  any  man  have  a  quarrel  against  any  :  even  as  Christ 
forgave  you,  so  also  do  ye. — COL.  iii.  13. 


I  pardon  him  as  God  shall  pardon  me. 

KING  EICHARD  II.     Act  v.  Scene  3. 

1  Matt,  xviii.  21,  22;  Luke  xvii.  4. 

2  Matt,  xviii.  34,  35;  Lev.  xix.  18. 


SHAKSPEAREAN  PARALLELS.         43 

The  power  that  I  have  on  you,  is  to  spare  you  j 
The  malice  towards  you,  to  forgive  you. 

CYMBELINE.    Act  v.  Scene  5. 

I  as  free  forgive,  as  I  would  be  forgiven. 

KING  HENRY  VIII.     Act  n.  Scene  1. 

How  shalt  thou  hope  for  mercy,  rendering  none  ? 

MERCHANT  OF  VENICE.    Act  iv.  Scene  1. 


XXVIII. 
FEEE    WILL. 

See,  I  have  set  before  thee  this  day  life  and  good, 
and  death  and  evil.  I  call  heaven  and  earth  to  record 
this  day  against  you,  that  I  have  set  before  you  life 
and  death,  blessing  and  cursing :  therefore  choose  life, 
that  both  thou  and  thy  seed  may  live.1 

DEUT.  xxx.  15,  19. 

He  hath  set  fire  and  water  before  thee,  stretch  forth 
thy  hand  unto  whither  thou  wilt.2 — ECCLUS.  xv.  16. 


Our  remedies  oft  in  ourselves  do  lie, 
Which  we  ascribe  to  heaven :  the  fated  sky 
Grives  us  free  scope :  only  doth  backward  pull 
Our  slow  designs,  when  we  ourselves  are  dull. 

ALL'S  WELL  THAT  ENDS  WELL.     Act  i.  Scene  1. 

1  Deut.  xi.  26-28.  2  Jer.  xxi.  8;  Is.  i.  19,  20. 


BIBLE  TPJJTHS,  WITH 

Men  at  some  time  are  masters  of  their  fates  ; 

The  fault  is  not  in  our  stars, 

But  in  ourselves. — JULIUS  C^SAR.     Act  i.  Scene  2. 


XXIX. 

EKIENDS   EOKSAKING  POVEKTY  AJSTD 
ADVEESITY. 

The  poor  is  hated  even  of  his  own  neighbour ;  but 
the  rich  hath  many  friends. — PEOV.  xiv.  20. 

My  lovers  and  my  friends  stand  aloof  from  my 
sore;  and  my  kinsmen  stand  afar  off. — Ps.  xxxviii.  11. 

Wealth  maketh  many  friends;  but  the  poor  is 
separated  from  his  neighbour.  All  the  brethren  of  the 
poor  do  hate  him :  how  much  more  do  his  friends  go 
far  from  him  ?  he  pursueth  them  with  words,  yet  they 
are  wanting  to  him. — PROV.  xix.  4,  7. 

A  poor  man  being  down  is  thrust  away  by  his 
friends. — ECCLUS.  xiii.  21. 


The  great  man  down,  you  mark,  his  favourite  flies. 
HAMLET.     Act  in.  Scene  2. 

Where  you  are  liberal  of  your  loves,  and  councils, 
Be  sure,  you  be  not  loose :  for  those  you  make  your 
friends, 


SHAKSPEAREAN  PARALLELS.         45 

And  give  your  hearts  to,  when  they  once  perceive 
The  least  rub  in  your  fortunes,  fall  away 
Like  water  from  ye,  never  found  again 
But  where  they  mean  to  sink  ye. 

KING  HENEY  VIII.     Act  u.  Scene  1. 

As  we  do  turn  our  backs 
From  our  companion,  thrown  into  his  grave : 
So  his  familiars  to  his  buried  fortunes 
Slink  all  away ;  leave  their  false  vows  with  him 
Like  empty  purses  pick'd ;  and  his  poor  self, 
A  dedicated  beggar  to  the  air, 
With  his  disease  of  all-shunn'd  poverty, 
Walks,  like  contempt,  alone. 

TIMON  OP  ATHENS.     Act  iv.  Scene  2. 

'T  is  certain,  greatness,  once  fallen  out  with  fortune, 
Must  fall  out  with  men  too :  what  the  declined  is, 
He  shall  as  soon  read  in  the  eyes  of  others, 
As  feel  in  his  own  fall ;  for  men,  like  butterflies, 
Shew  not  their  mealy  wings,  but  to  the  summer. 

TROILUS  AND  CRESSIDA.     Act  in.  Scene  3. 

That,  sir,  which  serves  and  seeks  for  gain, 

And  follows  but  for  form, 
Will  pack  when  it  begins  to  rain, 

And  leave  thee  in  the  storm. 

KING  LEAR.     Act.  n.  Scene  4. 

When  fortune,  in  her  shift  and  change  of  mood, 
Spurns  down  her  late  beloved ;  all  his  dependants, 


46  BIBLE  TRUTHS,  WITH 

Which  laboured  after  him  to  the  mountain's  top, 
Even  on  their  knees  and  hands,  let  him  slip  down, 
Not  one  accompanying  his  declining  foot. 

TIMON  OF  ATHENS.   Act  i.  Scene  1. 

A  poor  sequester' d  stag, 
That  from  the  hunter's  aim  had  ta'en  a  hurt, 
Did  come  to  languish ;  and  indeed,  my  lord, 
The  wretched  animal  heaved  forth  such  groans, 
That  their  discharge  did  stretch  his  leathern  coat 
Almost  to  bursting ;  and  the  big  round  tears 
Coursed  one  another  down  his  innocent  nose 
In  piteous  chase. 

But  what  said  Jaques  ? 
Did  he  not  moralize  this  spectacle  1 
0,  yes,  into  a  thousand  similes. 
First,  for  his  weeping  in  the  needless  stream ; 
"  Poor  deer,"  quoth  he,  "  thou  mak'st  a  testament 
As  worldlings  do,  giving  thy  sum  of  more 
To  that  which  had  too  much."     Then,  being  alone, 
Left  and  abandoned  of  his  velvet  friends ; 
"  ;Tis  right,"  quoth  he;  "thus  misery  doth  part 
The  flux  of  company."     Anon,  a  careless  herd, 
Full  of  the  pasture,  jumps  along  by  him, 
And  never  stays  to  greet  him :  "  Ay,"  quoth  Jaques, 
"  Sweep  on,  you  fat  and  greasy  citizens ; 
'Tis  just  the  fashion:  Wherefore  do  you  look 
Upon  that  poor  and  broken  bankrupt  there  ? " 
As  You  LIKE  IT. 

Act  ii.  Scene  1. 


SHAKSPEAKEAN  PAKALLELS.        47 

Men  shut  their  doors  against  a  setting  sun. 

TIMON  OF  ATHENS. 

Act  i.  Scene  2. 

The  swallow  follows  not  summer  more  willingly — 
nor  more  willingly  leaves  winter:  such  summer  birds 
are  men. 

TIMON  OF  ATHENS.     Act  in.  Scene  6. 

Words  are  easy,  like  the  wind; 
Faithful  friends  are  hard  to  find; 
Every  man  will  be  thy  friend, 
Whilst  thou  hast  wherewith  to  spend; 
But  if  store  of  crowns  be  scant, 
No  man  will  supply  thy  want. 
If  that  one  be  prodigal, 
Bountiful  they  will  him  call; 
And  with  such  like  nattering, 
"  Pity  but  he  were  a  king." 
But  if  fortune  once  do  frown, 
Then  farewell  his  great  renown ; 
They  that  fawn'd  on  him  before, 
Use  his  company  no  more. — POEMS. 

Ah !  when  the  means  are  gone  that  buy  this  praise, 
The  breath  is  gone  whereof  this  praise  is  made : 
Feast-won,  fast-lost ;  one  cloud  of  winter  showers, 
These  flies  are  couch'd. 

TIMON  OF  ATHENS.     Act  n.  Scene  2. 


48  BIBLE  TEUTHS,   WITH 


XXX. 

THE  KEBUKE   OF  A  TKUE  FRIEND 
IIWALUABLE. 

Faithful  are  tlie  wounds  of  a  Mend  ;J  but  the  kisses 
of  an  enemy  are  deceitful. — PROV.  xxvii.  6. 

Rebuke  a  wise  man,  and  he  will  love  thee. 

PROV.  ix.  8. 

Let  the  righteous  smite  me,  it  shall  be  a  kindness ; 
and  let  them  reprove  me,  it  shall  be  an  excellent  oil, 
which  shall  not  break  my  head.2 — Ps.  cxli.  5. 


He  tells  me,  that  if,  peradventure, 
He  speak  against  me  on  the  adverse  side, 
I  should  not  think  it  strange ;  for  't  is  a  physic 
That 's  bitter  to  sweet  end. 

MEASURE  FOR  MEASURE.     Act  iv.  Scene  6. 


(There  is)  no  railing  in  a  known,  discreet   man, 
though  he  do  nothing  but  reprove. 

TWELFTH  NIGHT.    Act  i.  Scene  5. 

1  Matt,  xviii.  15.  2  Prov.  xxv.  12  ;  Gal,  vi.  1. 


SHAKSPEAKEAN   PAEALLELS.  49 

Happy  are  they  that  hear  their  detractions,  and  can 
put  them  to  mending. 

MUCH  ADO  ABOUT  NOTHING.     Act  n.  Scene  3. 


XXXI. 

GENEROSITY. 

When  thou  gatherest  the  grapes  of  thy  vineyard, 
thou  shalt  not  glean  it  afterward;  it  shall  be  for  the 
stranger,  for  the  fatherless,  and  for  the  widow.1 

DEUT.  xxiv.  21. 


Shake  the  superflux  to  them,* 
And  show  the  heavens  more  just. 

KING  LEAR.    Act  in.  Scene  4. 


XXXII 
AN   OVERRULING   PROVIDENCE. 

A  man's  heart   deviseth  his  way;    but  the  Lord 
directeth  his  steps.2 — PEOV.  xvi.  9. 

0  Lord,  I  know  that  the  way  of  man  is  not  in  him- 
self :  it  is  not  in  man  that  walketh  to  direct  his  steps.8 

JER.  x.  23. 

1  Lev.  xix.  10;  Ps.  xli.  1.  2  Ps.  xxxvii.  23. 
3  Ps.  xvii.  4,  5.  *  To  the  poor. 

E 


50  BIBLE   TRUTHS,  WITH 

There  are  many  devices  in  a  man's  heart;1  never- 
theless the  counsel  of  the  Lord,  that  shall  stand.2 

PROV.  xix.  21. 

The  lot  is  cast  into  the  lap ;  but  the  whole  dispos- 
ing thereof  is  of  the  Lord. — PROV.  xvi.  33. 


We  are  in  God's  hand. 

KING  HENRY  V.     Act  in.  Scene  6. 

There 's  a  divinity  that  shapes  our  ends, 
Kough-hew  them  how  we  will. 

HAMLET.     Act  v.  Scene  2. 

Our  thoughts  are  ours,  their  ends  none  of  our  own. 
HAMLET.     Act  in.  Scene  2. 

Heaven  has  an  end  in  all. 

KING  HENRY  VIII.    Act  n.  Scene  1. 


XXXIII. 

GOD'S   GUIDANCE. 

Thy  word  is  a  lamp  unto  my  feet,  and  a  light  unto 
my  path.3 — Ps.  cxix.  105. 


God  shall  be  my  hope, 

My  stay,  my  guide,  and  lantern  to  my  feet. 

KING  HENRY  VI.  (2d  part\     Act  n.  Scene  3. 

1  Prov.  xvi.  1.       2  Is.  xlvi.  10;  Ps.  xxxiii.  11;  Lam.  iii.  37. 
3  Prov.  vi.  23  ;  Ps.  xliii.  3. 


SHAKSPEAREAN  PARALLELS.         51 

XXXIV. 

THE  FEAK  OF  GOD   HONOURABLE. 

By  humility,  and  the  fear  of  the  Lord,  are  riches 
and  honour.1 — PEOV.  xxii.  4. 

Behold  the  fear  of  the  Lord,  that  is  wisdom.2 

JOB  xxviii.  28. 


And,  to  add  greater  honours  to  his  age 

Than  man  could  give  him,  he  died,  fearing  God. 

KING  HENRY  VIII.    Act  iv.  Scene  2. 


XXXV. 

THE   WIDOWS'   FKIEND. 
Let  thy  widows  trust  in  me. — JER.  xlix.  11. 

A  father  of  the   fatherless,   and  a  judge   of  the 
widows,  is  God  in  his  holy  habitation.3 — Ps.  Ixviii.  5. 

He  relieveth  the  fatherless  and  widow. 

Ps.  cxlvi.  9. 

1  Deut.  iv.  6.  2  Ps.  cxi.  10;  Eccles.  xii.  13. 

3  Deut.  x.  17,  18. 


52  BIBLE  TRUTHS,  WITH 

Ye  shall  not  afflict  any  widow  or  fatherless  child. 
If  thou  afflict  them  in  any  wise,  and  they  cry  at  all 
unto  me,  I  will  surely  hear  their  cry.1 

EXOD.  xxii.  22,  23. 


Heaven,  the  widow's  champion  and  defence. 

KING  RICHARD  II.     Act  i.  Scene  2. 


XXXVI. 

GOD'S  MERCY  TO  US  SHOULD  TEACH  US 
MERCY. 

Then  his  lord,  after  that  he  had  called  him,  said 
unto  him,  0  thou  wicked  servant,  I  forgave  thee  all 
that  debt,  because  thou  desirest  me :  shouldest  not 
thou  also  have  had  compassion  on  thy  fellow-servant, 
even  as  I  had  pity  on  thee  1  And  his  lord  was  wroth, 
and  delivered  him  to  the  tormentors,  till  he  should 
pay  all  that  was  due  him.2  So  likewise  shall  my 
heavenly  Eather  do  also  unto  you,  if  ye  from  your 
hearts  forgive  not  every  one  his  brother  their  tres- 
passes.— MATT,  xviii.  32-35. 

Eorgive  us  our  debts,  as  we  forgive  our  debtors. 

MATT.  vi.  12. 

1  James  i.  27.  2  James  ii.  13. 


SHAKSPEAEEAN  PAKALLELS.  53 

Then  shall  he  say  also  unto  them  on  the  left  hand, 
Depart  from  me,  ye  cursed,  into  everlasting  fire,  prepared 
for  the  devil  and  his  angels  :  For  I  was  an  hungered, 
and  ye  gave  me  no  meat :  I  was  thirsty,  and  ye  gave 
me  no  drink  :  I  was  a  stranger,  and  ye  took  me  not  in : 
naked,  and  ye  clothed  me  not :  sick,  and  in  prison,  and 
ye  visited  me  not.  Then  shall  they  also  answer  him,  say- 
ing, Lord,  when  saw  we  thee  an  hungered,  or  athirst,  or 
a  stranger,  or  naked,  or  sick,  or  in  prison,  and  did  not 
minister  unto  thee.  Then  shall  he  answer  them,  say- 
ing, Verily  I  say  unto  you,  Inasmuch  as  ye  did  it  not 
to  one  of  the  least  of  these,  ye  did  it  not  to  me.  And 
these  shall  go  away  into  everlasting  punishment.1 

MATT.  xxv.  41-46. 

Whoso  stoppeth  his  ears  at  the  cry  of  the  poor,  he 
also  shall  cry  himself,  but  shall  not  be  heard.2 

PROV.  xxi.  13. 

With  the  merciful  thou  shalt  shew  thyself  merci- 
ful.3— Ps.  xviii.  25. 

Be  ye  therefore  merciful,  as  your  Father  also  is 
merciful.4 — LUKE  vi.  36. 


Consider  this, — 
That,  in  the  course  of  justice,  none  of  us 

1  Rom.  ii.  5-9;  Matt.  iii.  12.         2  Luke  vi.  38 ;  2  Cor.  ix.  7 
1  John  iii.  17.  3  Ps.  xli.  1,  2.  4  Col.  iii.  12. 


54  BIBLE   TRUTHS,  "WITH 

Should  see  salvation :  we  do  pray  for  mercy : 
And  that  same  prayer  doth  teach  us  to  render 
The  deeds  of  mercy. 

MEKCHANT  OF  VENICE.     Act  iv.  Scene  1. 

How  would  you  be, 

If  He,  which  is  the  top  of  judgment,  should 
But  judge  you  as  you  are  1     0,  think  on  that, 
And  mercy  then  will  breathe  within  your  lips, 
Like  man  new  made. 

MEASURE  FOR  MEASURE.     Act  n.  Scene  2. 


XXXVII. 
GOOD   FOE  EVIL. 

Say  not  thou,  I  will  recompense  evil.1 

PROV.  xx.  22. 

If  thine  enemy  be  hungry,  give  him  bread  to  eat ; 
and  if  he  be  thirsty,  give  him  water  to  drink.2 

PROV.  xxv.  21. 

Say  not,  I  will  do  to  him  as  he  hath  done  to  me.3 

PROV.  xxiv.  29. 


1  Deut.  xxxii.  35  ;  Heb.  x.  30.  u  Matt.  v.  38,  39. 

3  Rom.  xii.  19. 


SHAKSPEAREAN  PAEALLELS.  55 

Be  not  overcome  of  evil,  but  overcome  evil  with 
good. — KOM.  xii.  21. 

See  that  none  render  evil  for  evil  unto  any  man ; 
but  ever  follow  that  which  is  good,  both  among  your- 
selves, and  to  all  men. — 1  THESS.  v.  15. 

Not  rendering  evil  for  evil,  or  railing  for  railing: 
but  contrariwise  blessing ;  knowing  that  ye  are  there- 
unto called,  that  ye  should  inherit  a  blessing.1 

1  PET.  iii.  9. 

Love  your  enemies,  do  good  to  them  which  hate 
you.  Bless  them  that  curse  you,  and  pray  for  them 
which  despitefully  use  you.2 — LUKE  vi.  27,  28. 


We  must  do  good  against  evil. 

ALL'S  WELL  THAT  ENDS  WELL. 

Act  ii.  Scene  5. 

Kindness,  nobler  ever  than  revenge. 

As  You  LIKE  IT.     Act  iv.  Scene  3. 

The  rarer  action  is 
In  virtue  than  in  vengeance. 

THE  TEMPEST.    Act  v.  Scene  1. 

To  revenge  is  no  valour,  but  to  bear. 

TIMON  OP  ATHENS.     Act  in.  Scene  5. 

1  Heb.  xii.  3.  2  1  Pet.  ii.  23. 


56  BIBLE  TKUTHS,  WITH 


XXXVIII. 

PLENTY  AND  EASE  OFIEN  LEAD  TO  MORAL 
POVERTY  AND  MISERY. 

He  gave  them  their  request ;  but  sent  leanness  into 
their  soul.1 — Ps.  cvi.  15. 

The  prosperity  of  fools  shall  destroy  them. 

PROV.  i.  32. 

He  also  that  received  seed  among  the  thorns  is  he 
that  heareth  the  word ;  and  the  care  of  this  world,  and 
the  deceitfulness  of  riches,  choke  the  word,  and  he  be- 
cometh  unfruitful.2 — MATT.  xiii.  22. 


It  is  the  bright  day  that  brings  forth  the  adder, 
And  that  craves  wary  walking. 

JULIUS  C^SAR.     Act  ii.  Scene  1. 

Eat  paunches  have  lean  pates ;  and  dainty  bits 
Make  rich  the  ribs,  but  bank'rout  quite  the  wits. 

LOVE'S  LABOUR  's  LOST.    Act  i.  Scene  1. 

Most  subject  is  the  fattest  soil  to  weeds. 

KING  HENRY  IV.  (2d  part).    Act  iv.  Scene  1. 

1  Numb.  xi.  31-33. 
3  Luke  xxi.  31  ;  1  Tim.  vi.  9,  10;  2  Tim.  iv.  10. 


SHAKSPEAREAN  PARALLELS.  57 

The  path  is  smooth  that  leadeth  unto  danger. 

POEMS. 

The  profit  of  excess 

Is  but  to  surfeit,  and  such  griefs  sustain, 
That  they  'prove  bankrupt  in  this  poor-rich  gain. 

POEMS. 


XXXIX. 
UNIVERSALITY  OF   GUILT. 

In  many  things  we  offend  all. — JAMES  iii.  2. 

There  is  no  man  which  sinneth  not.1 

2  CHEON.  vi.  36. 

For  there  is  not  a  just  man  upon  the  earth,  that 
doeth  good,  and  sinneth  not.2 — ECCLES.  vii.  20. 

If  thou,  Lord,  shouldest  mark  iniquities,  0  Lord, 
who  shall  stand? — Ps.  cxxx.  3. 

"W?ho  can  say,  I  have  made  my  heart  clean,  I  am 
pure  from  my  sin.3 — Pnov.  xx.  9. 

1  1  Kings  viii.  46.  2  Horn.  iii.  23.  3  1  John  i.  8. 


58  BIBLE  TKUTHS,  WITH 

"Who  has  a  heart  so  pure, 
But  some  uncleanly  apprehensions 
Keeps  leets  and  lawdays,  and  in  session  sit 
With  meditations  lawful. 

OTHELLO.     Act  in.  Scene  3. 

Use  every  man   after  his   desert,  and  who  shall 
'scape  whipping. — HAMLET.    Act  u.  Scene  2. 

Eoses  have  thorns,  and  silver  fountains  mud ; 
Clouds  and  eclipses  stain  both  moon  and  sun ; 
And  loathsome  canker  lives  in  sweetest  bud : 
All  men  make  faults. — POEMS. 

Nobody  but  has  his  fault. 

MERET  WIVES  OF  WINDSOR. 

Act  i.  Scene  4. 

Where 's  that  palace,  whereinto  foul  things 
Sometimes  intrude  not. 

OTHELLO.    Act  in.  Scene  3. 

No  perfection  is  so  absolute, 
That  some  impurity  doth  not  pollute. — POEMS. 

We  all  are  men, 

In  our  own  natures  frail :  and  capable 
Of  our  flesh. 

KING  HENRY  VIII.    Act  v.  Scene  2. 


SHAKSPEAREAN  PARALLELS.         59 

XL. 
GOD'S  FAVOUBS  EQUALLY  DISTRIBUTED. 

God  is  no  respecter  of  persons.1 — ACTS  x.  34. 

(He)  aceepteth  not  the  persons  of  princes,  nor  re- 
gardeth  the  rich  more  than  the  poor,  for  they  are  all 
the  work  of  his  hands. — JOB  xxxiv.  19. 


The  king  is  but  a  man  as  I  am ;  the  violet  smells 
to  him  as  it  doth  to  me ;  the  element  shews  to  him  as 
it  doth  to  me;  all  his  senses  have  but  human  condi- 
tions; his  ceremonies  laid  by,  in  his  nakedness  he 
appears  but  a  man. 

KING  HENRY  V.    Act.  iv.  Scene  1. 

The  gods  sent  not 
Corn  to  the  rich  men  only. 

CORIOLANUS.     Act  i.  Scene  1. 

Once  or  twice 

I  was  about  to  speak ;  and  tell  him  plainly 
The  selfsame  sun,  that  shines  upon  his  court, 
Hides  not  his  visage  from  our  cottage,  but 
Looks  on  alike. 

WINTER'S  TALE.     Act  iv.  Scene  3. 

1  Gal.  ii.  6;  Rom.  ii.  11. 


60  BIBLE  TRUTHS,  WITH 

XLI. 
THE  SAFETY  OF  A  MIDDLE  STATE. 

Give  me  neither  poverty  nor  riches ;  feed  me  with 
food  convenient  for  me.1 — PROV.  xxx.  8. 


They  are  as  sick  that  surfeit  with  too  much,  as  they 
that  starve  with  nothing.  It  is  no  mean  happiness, 
therefore,  to  be  seated  in  the  mean. 

MERCHANT  OP  VENICE. 

Act  i.  Scene  2. 

Full  oft  't  is  seen 

Our  mean*  secures  us;  and  our  mere  defects 
Prove  our  commodities. 

KING  LEAR.     Act  iv.  Scene  I. 

His  overthrow  heap'd  happiness  upon  him ; 

For  then,  and  not  till  then,  he  felt  himself, 

And  found  the  blessedness  of  being  little. 

KING  HENRY  VIII. 

Act  iv.  Scene  2. 


1  1  Tim.  vi.  6-10 ;  Deut.  xxxii.  15 ;  James  iv.  3 ;  Hos.  xiii.  6. 
*  i.  e.,  Our  mediocrity. 


SHAKSPEAREAN  PAEALLELS.         61 

XLII. 
HONOUE. 

Eender  therefore  to  all  their  dues :  honour  to  whom 
honour.1 — EOM.  xiii.  7. 


The  due  of  honour  in  no  point  omit. 

CYMBELINE.    Act  in.  Scene  5. 


XLIII. 
THE  COEEUPTIOK  OF  HUMAN  NATUEE. 

The  heart  is  deceitful  above  all  things,  and  des- 
perately wicked : 2  who  can  know  it  1 — JER.  xvii.  9. 

God  saw  that  the  wickedness  of  man  was  great  in 
the  earth,  and  that  every  imagination  of  the  thoughts 
of  his  heart  was  only  evil  continually.3 — GEN.  vi.  5. 

The  heart  of  the  sons  of  men  is  full  of  evil,  and 
madness  is  in  their  heart  while  they  live.4 

ECCLES.  ix.  3. 


1  Lev.  xix.  32.  2  Matt.  xv.  19. 

3  Job  xv.  14.  4  ps  \i  5 


62  BIBLE   TRUTHS,  WITH 

The  imagination  of  man's  heart  is  evil  from  his 
youth.1 — GEN.  viii.  21. 


All  is  oblique : 

There 's  nothing  level  in  our  cursed  natures, 
But  direct  villany. 

TIMON  OF  ATHENS.    Act  iv.  Scene  3. 

0  mischief !  thou  art  swift 
To  enter  in  the  thoughts  of  desperate  men. 

ROMEO  AND  JULIET.     Act  v.  Scene  I. 

Who  lives ;  that 's  not 
Depraved,  or  depraves? 

TIMON  OF  ATHENS.     Act  n.  Scene  1. 


XLIV. 

A  VEEY  LITTLE,  WITH  LOVE,  IS  GOOD 
CHEER. 

Better  is  a  dinner  of  herbs  where  love  is,  than  a 
stalled  ox  and  hatred  therewith.2 — PEOV.  xv.  17. 


Small  cheer,   and  great  welcome,  makes  a  merry 
feast. — COMEDY  OF  ERRORS.     Act  m.  Scene  1. 

1  Job  xiv.  4;  James  i.  14.  3  Eccles.  iv.  6;  v.  12. 


SHAKSPEAEEAN  PARALLELS.         63 

XLY. 
HUMILITY. 

When  ye  shall  have  done  all  those  things  which 
are  commanded  you,  say  we  are  unprofitable  servants.1 

LUKE  xvii.  10. 

Behold,  I  am  vile ;  what  shall  I  answer  thee  1      I 
will  lay  mine  hand  upon  my  mouth.2 — JOB  xl.  4. 

But  we  are  all  as  an  unclean  thing,  and  our  right- 
eousnesses are  as  filthy  rags.3 — Is.  Ixiv.  6. 


More  will  I  do : 

Though  all  that  I  can  do  is  nothing  worth, 
Since  that  my  penitence  comes  after  all, 
Imploring  pardon. 

EJNG  HENRY  V.     Act  iv.  Scene  1. 

Let  me  be  ignorant,  and  in  nothing  good, 
But  graciously  to  know  I  am  no  better. 

MEASURE  FOR  MEASURE.    Act  n.  Scene  4. 

Being  free  from  vainness  and  self-glorious  pride ; 
Giving  full  trophy,  signal,  and  ostent, 
Quite  from  himself,  to  God.* 

KING  HENRY  V.    Act  v.  Scene  1. 


1  Gen.  xxxii.  10.        2  Ps.  11.  3-5;  Ezra  ix.  6 ;  Dan.  ix.  5-8; 

Neh.  ix.  33.  3  Rom.  iii.  27  ;  Ps.  cxliii.  2. 

*  What  hast  thou  that  thou  didst  not  receive? — 1  Cor.  iv.  7. 


64  BIBLE   TEUTHS,  WITH 

XLVI. 
IDLENESS  LEADS  TO  POVEETY. 

Love  not  sleep,  lest  thou  come  to  poverty.1 

PROV.  xx.  13. 


Drowsiness  shall  clothe  a  man  with  rags. 

PROV.  xxiii.  21. 

The  sluggard  will  not  plough  by  reason  of  the  cold ; 
therefore  shall  he  beg  in  harvest,  and  have  nothing.2 

PROV.  xx.  4. 

He  becometh  poor  that  dealeth  with  a  slack  hand. 

PROV.  x.  4. 


Delay  leads  impotent  and  snail-paced  beggary. 
KING  RICHARD  III. 

Act  iv.  Scene  3. 


In  delay  there  lies  no  plenty. 

TWELFTH  NIGHT.    Act  n.  Scene  3. 


Prov.  xxiv.  33,  34.       2  Matt.  xxv.  3-9 ;  xxv.  26-30. 


SHAKSPEAKEAN  PARALLELS.         65 

XLYII. 
INDUSTKY   INCULCATED. 

Go  to  the  ant,  thou  sluggard;  consider  her  ways, 
and  be  wise  ;  which  having  no  guide,  overseer,  or  ruler, 
provideth  her  meat  in  the  summer,  and  gathereth  her 
food  in  the  harvest.1 — PROV.  vi.  6-8. 


We  '11  set  thee  to  school  to  an  ant. 

KING  LEAR.     Act  u.  Scene  4. 


XLVIII. 
THE  PKESENT  TIME  ONLY  OUES. 

Walk  while  ye  have  the  light,  lest  darkness  come 
upon  you :  for  he  that  walketh  in  darkness  knoweth 
not  whither  he  goeth. — JOHN  xii.  35. 

Whatsoever  thy  hand  findeth  to  do,  do  it  with  thy 
might;  for  the  re  is  no  work,  nor  device,  nor  knowledge, 
nor  wisdom,  in  the  grave,  whither  thou  goes!2 

ECCLES.  ix.  10. 

1  Job  xii.  7;  xxxy.  11.  2  Is.  Iv.  6. 


BIBLE   TRUTHS,  WITH 


Go  to  now,  ye  that  say,  To-day,  or  to-morrow,  we 
will  go  into  such  a  city,  and  continue  there  a  year, 
and  buy  and  sell,  and  get  gain;  whereas  ye  know  not 
what  shall  be  on  the  morrow:  for  what  is  your  life? 
It  is  even  a  vapour,  that  appeareth  for  a  little  time, 
and  then  vanisheth  away. — JAS.  iv.  13, 14. 

Boast  not  thyself  of  to-morrow;  for  thou  knowest 
not  what  a  day  may  bring  forth.1 — PROV.  xxvii.  1. 

Give  glory  to  the  Lord  your  God,  before  he  cause 
darkness,  and  before  your  feet  stumble  upon  the  dark 
mountains,  and,  while  ye  look  for  light,  he  turn  it  into 
the  shadow  of  death,  and  make  it  gross  darkness. 

JER.  xiii.  16. 

The  night  cometh  when  no  man  can  work. 

JOHN  ix.  4. 


When  the  day  serves  before  black-corner'd  night, 
Find  what  thou  want'st  by  free  and  offer'd  light. 

TIMON  OF  ATHENS.     Act  v.  Scene  1. 

Let's  take  the  instant  by  the  forward  top ; 
For  we  are  old,  and  on  our  quick'st  decrees 
The  inaudible  and  noiseless  foot  of  time 
Steals  ere  we  can  effect  them. 

ALL'S  WELL  THAT  ENDS  WTELL.   Act  v.  Scene  3. 

1  Is.  Ivi.  12;  Lukexii.  19-21. 


SHAKSPEAREAN  PARALLELS.         67 

We  must  take  the  current  while  it  serves. 

JULIUS  CAESAR.     Act  iv.  Scene  3. 


To-morrow,  and  to-morrow,  and  to-morrow, 
Creeps  in  this  petty  pace,  from  day  to  day, 
To  the  last  syllable  of  recorded  time ; 
And  all  our  yesterdays  have  lighted  fools 
The  way  to  dusty  death. 

MACBETH.    Act  v.  Scene  5. 


Take  all  the  swift  advantage  of  the  hours. 

KING  EICHAKD  III.     Act  iv.  Scene  1. 

The  time  is  worth  the  use  on 't. 

WINTER'S  TALE.     Act  in.  Scene  L 

What  we  would  do, 
We  should  do  when   we    would;   for  this  would 

changes, 

And  hath  abatements  and  delays  as  many, 
As  there  are  tongues,  are  hands,  are  accidents ; 
And  then  this  should  is  like  a  spendthrift  sigh, 
That  hurts  by  easing.* 

HAMLET.    Act  iv.  Scene  7. 


*  The  flighty  purpose  never  is  o'ertook, 
Unless  the  deed  go  with  it. 

MACBETH.     Act  iv.  Scene  1. 


68  BIBLE  TRUTHS,  WITH 

XLIX. 
TIME  THE  TEST  OF  TRUTH. 

And  now  I  say  unto  you,  Refrain  from  these  men, 
and  let  them  alone :  for  if  this  counsel  or  this  work  be 
of  men,  it  will  come  to  nought :  but  if  it  be  of  God,  ye 
cannot  overthrow  it.1 — ACTS  v.  38,  39. 


Time's  glory  is — 

To  unmask  falsehood,  and  bring  truth  to  light. 

POEMS. 

Time  is  the  old  justice  that  examines  all  offenders. 
As  You  LIKE  IT.     Act  iv.  Scene  1. 

I  (Time),  that  please  some,  try  all. 

WINTER'S  TALE.     Act  iv.  Chorus. 

That  old,  common  arbitrator,  Time. 

TROILUS  AND  CRESSIDA.     Act  iv.  Scene  5. 


L. 
PRECEPT  AT  VARIANCE  WITH  PRACTICE. 

What  hast  thou  to  do  to  declare  my  statutes,  or 
that  thou  shouldest  take  my  covenant  in  thy  mouth, 

1  Prov.  xxi.  30;  Is.  viii.  10. 


SHAKSPEAKEAN  PARALLELS.         69 

seeing  thou  hatest  instruction,  and  castest  my  words 
behind  thee.— Ps.  1.  16,  17. 

This  people  draw  near  me  with  their  mouth,  and 
with  their  lips  do  honour  me,  but  have  removed  their 
heart  far  from  me,1  and  their  fear  toward  me  is  taught 
by  the  precept  of  men. — Is.  xxix.  13. 

Thou  art  near  in  their  mouth,  and  far  from  their 
reins. — JER.  xii.  2. 

Why  call  ye  me,  Lord,  Lord,  and  do  not  the  things 
which  I  say?2 — LUKE  vi.  46. 


Hast  thou  that  holy  feeling  in  thy  soul, 
To  counsel  me  to  make  my  peace  with  God? 
And  art  thou  yet  to  thy  own  soul  so  blind, 
That  thou  wilt  war  with  God? 

KING  KICHAED  III.     Act  i.  Scene  4. 

The  flamen,* 

That  scolds  against  the  quality  of  flesh, 
And  not  believes  himself. 

TIMON  OF  ATHENS.     Act  iv.  Scene  3. 

Do  not,  as  some  ungracious  pastors  do, 

Shew  me  the  steep  and  thorny  way  to  heaven; 

1  Ezek.  xxxiii.  32 ;  Matt,  xv,  7,  9. 

2  Mai.  i.  6;  Matt.  vii.  21 ;  xxv.  11,  12;  Luke  xiii.  25. 
*  Priest. 


70  BIBLE  TRUTHS,  WITH 

Whilst,  like  a  puffd  and  reckless  libertine, 
Himself  the  primrose  path  of  dalliance  treads.* 

HAMLET.     Act  i.  Scene 


LI. 
MOEAL  BLINDNESS  OF  THE  WICKED. 

From  the  wicked  their  light  is  withholden.1 

JOB  xxxviii.  15. 

The  way  of  the  wicked  is  as  darkness  j  they  know 
not  at  what  they  stumble.2 — PROV.  iv.  19. 

Evil  men  understand  not  judgment ;  but  they  that 
seek  the  Lord  understand  all  things.3 

PROV.  xxviii.  5. 

Having  their  understanding  darkened,  being  alien- 
ated from  the  life  of  God  through  the  ignorance  that  is 
in  them  because  of  the  blindness  of  their  heart.4 

EPH.  iv.  18. 

*  It  is  a  good  divine  that  follows  his  own  instructions :  I  can 
easier  teach  twenty  what  were  good  to  be  done,  than  be  one  of 
the  twenty  to  follow  mine  own  teaching. 

MERCHANT  OF  VENICE.    Act  i.  Scene  2. 

1  Prov.  xiii.  9 ;  Job  xxi.  17. 

2  Job  xxiv.  13;  xviii.  5,  6,  18;  Is.  lix.  10;  1  Sam.  ii.  9. 

3  John  vii.  17  ;  Ps.  xxv.  9.  4  2  Cor.  iv.  3,  4. 


SHAKSPEAREAN  PARALLELS.         71 

And  for  this  cause  God  shall  send  them  strong  de- 
lusion that  they  should  believe  a  lie.1 — 2  THESS.  ii.  11. 

For  the  bewitching  of  naughtiness  doth  obscure 
things  that  are  honest. — WISDOM  iv.  12. 

Their  own  wickedness  hath  blinded  them. 

WISDOM  ii.  21. 


Good,  my  lord — 

But  when  we  in  our  viciousness  grow  hard, 

(0  misery  on 't)  the  wise  gods  seal  our  eyes ; 

In  our  own  filth  drop  our  clear  judgments ;  make  us 

Adore  our  errors ;  laugh  at  us,  while  we  strut 

To  our  confusion. 

WINTER'S  TALE.     Act  in.  Scene  1. 

Wisdom  and  goodness  to  the  vile  seem  vile, 
Filths  savour  but  themselves. 

KING  LEAR.    Act  iv.  Scene  2. 


in. 

A  GOOD  WIFE. 

A  virtuous  woman  is  a  crown  to  her  husband.2 

PEOV.  xii.  4. 

1  Ps.  Ixxxi.  11,  12;  Kom.  i.  28. 
2  1  Cor.  xi.  7 ;  Prov.  xxxi.  10 ;  Ecclus.  xxvi.  14. 


72  BIBLE  TEUTHS,  WITH 

The  heart  of  her  husband  doth  safely  trust  in  her, 
so  that  he  shall  have  no  need  of  spoil. 

PROV.  xxxi.  11. 


As  for  my  wife, 

I  would  you  had  her  spirit  in  such  another, 
The  third  o'  the  world  is  yours. 

ANTONY  AND  CLEOPATKA.    Act  u.  Scene  2. 

You  are  my  true  and  honourable  wife, 
As  dear  to  me  as  are  the  ruddy  drops 
That  visit  my  sad  heart. 

JULIUS  CJESAR.     Act  u.  Scene  1. 


LIII. 
A  BAD  WIFE. 

It  is  better  to  dwell  in  a  corner  of  the  housetop, 
than  with  a  brawling  woman  in  a  wide  house.1 

PROV.  xxi.  9. 

I  had  rather  dwell  with  a  lion  and  a  dragon,  than 
to  keep  house  with  a  wicked  woman.  All  wickedness 
is  but  little  to  the  wickedness  of  a  woman.  A  wicked 
woman  maketh  an  heavy  countenance  and  a  wounded 
heart.— ECCLUS.  xxv.  16,  19,  23. 

1  Prov.  xxi.  19;  xix.  13. 


SHAKSPEAREAN  PARALLELS.  73 

An  evil  wife  is  a  yoke  shaken  to  and  fro  :  he  that 
hath  hold  of  her  is  as  though  he  held  a  scorpion.1 

ECCLUS.  xxvi.  7. 

It  is  better  to  dwell  in  the  wilderness,  than  with  a 
contentious  and  an  angry  woman. — PKOV.  xxi.  19. 


War  is  no  strife, 
To  the  dark  house,  and  the  detested  wife. 

ALL'S  WELL  THAT  ENDS  WELL. 

Act  n.  Scene  3. 

Proper  deformity  seems  not  in  the  fiend 
So  horrid  as  in  woman. 

KING  LEAR.     Act  iv.  Scene  2. 

A  light  wife  doth  make  a  heavy  husband. 

MERCHANT  OF  VENICE.    Act  v.  Scene  1. 


LIV. 

THE  WICKED  BLIND  TO  THEIR  OWN 
WRETCHEDNESS. 

Thou  sayest,  I  am  rich,  and  increased  with  goods, 
and  have  need  of  nothing ;  and  knowest  not  that  thou 
art  wretched,  and  miserable,  and  poor,  and  blind,  and 
naked.2 — REV.  iii  17.  . 

1  1  Kings  xxi.  25  ;  Ecclus.  xxv.  13.        2  Hos.  xii.  8  ;  Is.  i.  5,  6. 


74  BIBLE  TRUTHS,  WITH 

The  way  of  a  fool  is  right  in  his  own  eyes.1 

PROV.  xii.  15. 


Men's  faults  do  seldom  to  themselves  appear, 
Their  own  transgressions  partially  they  smother. 
0  !  how  are  they  wrapt  in  with  infamies, 
That  from  their  own  misdeeds  askance  their  eyes. 

POEMS. 


LV. 
THE  HAPPINESS  OF  THE  KIGHTEOUS. 

Be  glad  in  the  Lord,  and  rejoice,  ye  righteous :  and 
shout  for  joy,  all  ye  that  are  upright  in  heart.2 

Ps.  xxxii.  11. 

I  have  set  the  Lord  always  before  me :  he  is  at  my 
right  hand,  therefore  my  heart  is  glad.3 — Ps.  xvi.  8,  9. 


Virtue — 

Led  on  by  heaven,  and  crown'd  with  joy  at  last. 
PERICLES,  PRINCE  OF  TYRE. 

Act  v.  Scene  3. 


1  Prov.  iii.  7 ;  xxvi.  12.  2  Phil.  iv.  4 ;  Ps.  Ixiv.  10. 

3  Acts  ii.  28  ;  Ps.  xxxvi.  8. 


SHAKSPEAREAN  PARALLELS.         75 

Happiness 
By  virtue  'specially  to  be  achieved. 

TAMING  OP  THE  SHREW. 

Act  i.  Scene  1. 


LYI. 

THE  WICKED  CANNOT  ELUDE  GOD'S 
VENGEANCE. 

There  is  no  darkness,  nor  shadow  of  death,  where 
the  workers  of  iniquity  may  hide  themselves.1 

JOB  xxxiv.  22. 

Can  any  hide  himself  in  secret  places  that  I  shall 
not  see  him  1  saith  the  Lord.2 — JEK.  xxiii.  24. 

Thou  hast  set  our  iniquities  before  thee,  our  secret 
sins  in  the  light  of  thy  countenance. — Ps.  xc.  8. 

Man  looketh  on  the  outward  appearance,  but  the 
Lord  looketh  on  the  heart.8 — 1  SAM.  xvi.  7. 

All  things  are  naked  and  open  in  the  eyes  of  him 
with  whom  we  have  to  do. — HEB.  iv.  13. 

1  Prov.  xv.  3;  Is.  xxix.  15;  Ezek.  viii.  12;  Gen.  xvi.  13. 

2  Jobxxii.  13,  14;  Ps.  x.  11. 
3  Acts  i.  24;  1  Kings  viii.  39;  1  Cliron.  xxviii.  9. 


76  BIBLE  TRUTHS,  WITH 

Though  they  dig  into  hell,  thence  shall  mine  hand 
take  them;  though  they  climb  up  to  heaven,  thence 
will  I  bring  them  down :  And  though  they  hide  them- 
selves in  the  top  of  Carmel,  I  will  search  and  take  them 
out  thence;  and  though  they  be  hid  from  my  sight  in 
the  bottom  of  the  sea,  thence  will  I  command  the  ser- 
pent, and  he  shall  bite  them.1 — AMOS  ix.  2,  3. 

Be  not  deceived ;  God  is  not  mocked :  for  whatsoever 
a  man  soweth,  that  shall  he  also  reap.2 — GAL.  vi.  7. 

Behold,  ye  have  sinned  against  the  Lord:  and  be 
sure  your  sin  will  find  you  out.3 — NUMB,  xxxii.  23. 


In  the  corrupted  currents  of  this  world, 
Offence's  gilded  hand  may  shove  by  justice ; 
And  oft 't  is  seen,  the  wicked  prize,  itself 
Buys  out  the  law.     But 't  is  not  so  above : 
There  is  no  shuffling,  there  the  action  lies 
In  his  true  nature ;  and  we  ourselves  compelled, 
Even  in  the  teeth  and  forehead  of  our  faults, 
To  give  in  evidence. — HAMLET.     Act  in.  Scene  3. 

Foul  deeds  will  rise, 

Though  all  the  earth  o'erwhelm  them  to  men's  eyes. 
HAMLET.     Act  i.  Scene  2. 

1  Ps.  cxxxix.  8 ;  Jer.  li.  53. 

2  Job  iv.  8 ;  Prov.  xi.  18  ;  Hos.  viii.  7. 

3  Gen.  iv.  7 ;  xliv.  16 ;   Is.  lix.  12  ;  Prov.  xiii.  21. 


SHAKSPEAREAN  PARALLELS.         77 

Time  shall  unfold  what  plaited  cunning  hides. 

KING  LEAR.     Act.  i.  Scene  1. 


Now  if  these  men  have  defeated  the  law,  and  out- 
run native  punishment,  though  they  can  outstrip  men, 
they  have  no  wings  to  %  from  God. 

KING  HENRY  V.     Act  iv.  Scene  1. 


Can  we  outrun  the  heavens  1 

KING  HENRY  VI.  (2dpart). 

Act  v.  Scene  2. 


LVII. 

A  SINGLE  FAULT 
SOMETIMES  EXTINGUISHES  ALL  MEEIT. 

Dead  flies  cause  the  ointment  of  the  apothecary  to 
send  forth  a  stinking  savour :  so  doth  a  little  folly  him 
that  is  in  reputation  for  wisdom  and  honour. 

ECCLES.  x.  1. 


Oft  it  chances  in  particular  men, 
That  for  some  vicious  mole  of  nature  in  them, 
As,  in  their  birth  (wherein  they  are  not  guilty, 
Since  nature  cannot  choose  her  origin)  • 
Or,  by  the  overgrowth  of  some  complexion, 


78  BIBLE  TKUTHS,   WITH 

Oft  breaking  down  the  pales  and  forts  of  reason; 
Or  by  some  habit  that  too  much  o'erleavens 
The  form  of  plausive  manners ; — that  these  men- 
Carrying,  I  say,  the  stamp  of  one  defect ; 
Being  nature's  livery  or  fortune's  star, — 
Their  virtues  else  (be  they  as  pure  as  grace, 
As  infinite  as  man  may  undergo) 
Shall,  in  the  general  censure,  take  corruption 
From  that  particular  fault ;  the  dram  of  base 
Doth  all  the  noble  substance  often  dout,* 
To  his  own  scandal. — HAMLET.     Act  i.  Scene  4. 


LVIII. 
THE  DANGERS  OF  IDLENESS. 

By  much  slothfulness  the  building  decay  eth;  and 
through  idleness  of  the  hands  the  house  droppeth 
through. — ECCLES.  x.  18. 

Send  him  to  labour  that  he  be  not  idle;  for  idle- 
ness teacheth  much  evil. — ECCLUS.  xxxiii.  27. 


Oh,  then  we  bring  forth  weeds 
When  our  quick  minds  lie  still. 

ANTONY  AND  CLEOPATRA.     Act  i.  Scene  2. 

*  Do  out. 


SHAKSPEAREAN  PAEALLELS.         79 

LIX. 
THE  ENVY  OF  THE  WICKED. 

The  wicked  watcheth  the  righteous,  and  seeketh  to 
slay  him.1 — Ps.  xxxvii.  32. 

The  Scribes  and  Pharisees  watched  [Jesus],  whether 
he  would  heal  on  the  Sabbath-day;  that  they  might 
find  an  accusation  against  him.2 — LUKE  vi.  7. 


Oh,  what  a  world  is  this,  when  what  is  comely 
Envenoms  him  that  bears  it. 

As  You  LIKE  IT.     Act  n.  Scene  3. 


LX. 


SELF -DELUSION  AND   SHOETSIGHTEDNESS 
OF  THE  WICKED. 

They  (sinners)  lay  wait  for  their  own  blood:  they 
lurk  privily  for  their  own  lives.3 — PEOV.  i.  18. 

The  wicked  shall  fall  by  his  own  wickedness.4 

PROV.  xi.  5. 

1  Gen.  xxxvii.  18-20 ;  xxvii.  41.  2  Dan.  vi.  4. 

3  'Matt,  xxvii.  3-5.  4  Ps.  vii.  15;  Ezek.  xviii.  27. 


80  BIBLE  TRUTHS,  WITH 

So  they  hanged  Haman  on  the  gallows  that  he  had 
prepared  for  Mordecai.1 — ESTHER  vii.  10. 

His  mischief  shall  return  upon  his  own  head,  and 
his  violent  dealing  shall  come  down  upon  his  own 
pate. — Ps.  vii.  16. 

Let  his  net  that  he  hath  hid  catch  himself;  into 
that  very  destruction  let  him  fall 2 — Ps.  xxxv.  8. 


Though  those  that  are  betrayed 
Do  feel  the  treason  sharply,  yet  the  traitor 
Stands  in  worse  case  of  woe. 

CYMBELINE.     Act  in.  Scene  4. 

What  things  are  we ! 

Merely  our  own  traitors.  And  as  in  the  common 
course  of  all  treasons,  we  still  see  them  reveal  them- 
selves, till  they  attain  to  their  abhorred  ends ;  so  he, 
that  contrives  against  his  own  nobility,  in  his  proper 
stream  overflows  himself. 

ALL'S  WELL  THAT  ENDS  WELL. 

Act  TV.   Scene  3. 

Time's  glory  is — 

To  mock  the  subtle,  in  themselves  beguiled. 

POEMS. 

1  Ps.  ix.  15,  16.  2  Dan.  vi.  24;  Ps.  xxxvii.  35,  36. 


SHAKSPEAEEAN  PAEALLELS.         81 

LXI. 
IMMOETALITY. 

Neither  can  they  die  any  more ;  for  they  are  equal 
unto  the  angels.1 — LUKE  xx.  36. 

The  last  enemy  that  shall  be  destroyed  is  death.2 

1  COR.  xv.  26. 


And,  death  once  dead,  there 's  no  more  dying  then. 

POEMS. 


LXIL 
INSTINCT. 

The  ox  knoweth  his  owner,  and  the  ass  his  master's 
crib.3— Is.  i.  3. 


Nature  teaches  beasts  to  know  their  friends. 

CORIOLANUS.     Act  ii.  Scene  1. 


1  Hos.  xiii.  14 ;  Is.  xxv.  8 ;  John  xi.  25 ;  1  Cor.  xv.  54,  55. 

2  Rev.  xx.  14;  2  Tim.  i.  10 ;  Heb.  ii.  14;  Rom.  viii.  17. 

3  Jer.  viii.  7. 


82  BIBLE  TRUTHS,  WITH 

LXIIL 
BANEFUL  EFFECTS  OF  INTEMPERANCE. 

Who  hath  woe  ?  who  hath  sorrow  1  who  hath  con- 
tentions 1  who  hath  babblings  1  who  hath  wounds  with- 
out cause  ?  who  hath  redness  of  eyes  1  They  that  tarry 
long  at  the  wine.  At  the  last  it  biteth  like  a  serpent 
and  stingeth  like  an  adder.1 — PROV.  xxiii.  29,  30,  32. 

Woe  unto  them  that  rise  up  early  in  the  morning, 
that  they  may  follow  strong  drink  !  that  continue  until 
night,  till  wine  inflame  them  !2 — Is.  v.  11. 

Wine  is   a   mocker,    strong  drink  is   raging ;   and 
whosoever  is  deceived  thereby  is  not  wise.3 

PROV.  xx.  1. 

Drunkenness  increaseth  the  rage  of  a  fool  till  he 
offend  !  it  dirninisheth  strength  and  maketh  wounds. 

ECCLUS.  xxxi.  30. 

Wine  measurably  drunk  and  in  season  bringeth 
gladness  of  the  heart,  and  cheerfulness  of  the  rnind  !4 
But  wine  drunken  with  excess  maketh  bitterness  of  the 
mind,5  with  brawling  and  quarrelling. 

ECCLUS.  xxxi.  28,  29. 

1  Ecclus.  xxxi.  20. 

2  Eph.  v.  18;  Luke  xxi.  34  ;   1  Pet.  iv.  3  ;  Is.  v.  22. 

3  Is.  xxviii.  7.  4  Ps.  civ.  15.  5  Hos.  iv.  11. 


SHAKSPEAREAN  PAEALLELS.  83 

Wine  has  destroyed  many.1 — ECCLUS.  xxxi.  25. 


0  thou  invisible  spirit  of  wine,  if  thou  hast  no 
name  to  be  known  by,  let  ns  call  thee — devil !  .  .  . 
0  that  men  should  put  an  enemy  in  their  mouths,  to 
steal  away  their  brains  !  that  we  should  with  joy,  revel, 
pleasure,  and  applause,  transform  ourselves  to  beasts  !  * 

OTHELLO.    Act  n.  Scene  3. 

"What's  a  drunken  man  like  1  Like  a  drowned  man, 
a  fool,  and  a  madman  ;  one  draught  above  heat  makes 
him  a  fool ;  the  second  mads  him  ;  and  a  third  drowns 
him. — TWELFTH  NIGHT.  Act  i.  Scene  5. 

Every  inordinate  cup  is  unblessed,  and  the  ingredi- 
ent is  a  devil.  OTHELLO.  Act  n.  Scene  3. 

Poison' d  hours  hath  bound  me  up 
From  mine  own  knowledge. 

ANTHONY  AND  CLEOPATRA.     Act  n.  Scene  2. 


It  hath  pleased  the  devil,  drunkenness,  to  give  place 
to  the  devil,  wrath ;  one  imperfectness  shews  me  an- 
other, to  make  me  frankly  despise  myself. 

OTHELLO.     Act  n.  Scene  3. 


1  2  Sam.  xiii.  28 ;  1  Kings  xvi.  9 ;  Judith  xiii.  2,  8. 
*  "  I  could  well  wish,"  says  Cassio,  "  courtesy  would  invent 
some  other  custom  of  entertainment." 


84  BIBLE  TRUTHS,  WITH 

Boundless  intemperance 
In  nature  is  a  tyrant ;  it  hath  "been 
Th'  untimely  emptying  of  the  happy  throne, 
And  fall  of  many  kings. 

MACBETH.     Act  iv.  Scene  3. 

It  is  a  custom 

More  honoured  in  the  breach  than  the  observance, 
This  heavy-headed  revel,  east  and  west, 
Makes  us  traduced,  and  taxed  of  other  nations  j 
They  clepe  us  drunkards,  and  with  swinish  phrase 
Soil  our  addition :  and  indeed  it  takes 
From  our  achievements,  though  performed  at  height, 
The  pith  and  marrow  of  our  attributes. 

HAMLET.      Ad  i.  Scene  4. 


LXIV. 

THE  UNPKOFITABLENESS  OF  AVAEICE. 

There  is  that  scattereth,  and  yvi  increaseth;  and 
there  is  that  withholdeth  more  than  is  meet,  but  it 
tendeth  to  poverty.1 — PROV.  xi  24. 


Foul  cankering  rust  the  hidden  treasure  frets ; 
But  gold,  that 's  put  to  use,  more  gold  begets. 

POEMS. 

1  Haggai  i.  6 ;  Luke  vi.  38. 


SHAKSPEAKEAN  PARALLELS.         85 

LXV. 
BEEYITY  OF  LIFE. 

Our  days  upon  earth  are  a  shadow.1 — JOB  viii.  9. 
Man  is  like  to  vanity;  his  days  are  as  a  shadow 
that  passeth  away.2 — Ps.  cxliv.  4. 

My  days  are  swifter  than  a  weaver's  shuttle.3 

JOB  vii.  6. 


Life 's  but  a  walking  shadow. 

MACBETH.    Act  v.  Scene  5. 

Life  is  a  shuttle. 

MERRY  WIVES  OF  WINDSOR.     Act  v.  Scene  1. 

Some,  how  brief  the  life  of  man, 

Euns  his  erring  pilgrimage : 
That  the  stretching  of  a  span 

Buckles  in  his  sum  of  age. 

As  You  LIKE  IT.     Act  in.  Scene  2. 

0  gentlemen,  the  time  of  life  is  short : 

To  spend  that  shortness  basely  were  too  long, 

Job  xiv.  1,  2  ;  Ps.  ciii.  15,  16.  2  Ps.  xxxix,  5 ;  Is.  xl.  6. 

3  James  iv.  14;  1  Cor.  vii.  29-31. 


86  BIBLE  TRUTHS,  WITH 

If  life  did  ride  upon  a  dial's  point, 
Still  ending  at  the  arrival  of  an  hour.1 

KING  HENEY  IV.  (1st  part).    Act  v.  Scene 


LXVL 
THE  LAW  OF  KINDNESS. 

Thou  shalt  not  harden  thine  heart,  nor  shut  thine 
hand  from  thy  poor  brother ;  but  thou  shalt  open  thy 
hand  wide  unto  him,  and  shalt  surely  lend  him  suf- 
ficient for  his  need  in  that  which  he  wanteth.2 

DEUT.  xv.  7,  8. 

Give  to  him  that  asketh  thee,  and  from  him  that 
would  borrow  of  thee  turn  not  thou  away.3 

MATT.  v.  42. 

We  are  born  to  do  benefits. 

TIMON  OF  ATHENS.   Act  i.  Scene  2. 

What  is  yours  to  bestow,  is  not  yours  to  reserve. 

TWELFTH  NIGHT.     Act  i.  Scene  5. 

To  build  his  fortune,  I  will  strain  a  little, 
For  }t  is  a  bond  in  men. 

TIMON  OF  ATHENS.     Act  i.  Scene  1. 

1  Ps.  xc.  12.  2  1  John  iii.  17 ;  2  Pet.  i.  5,  7 ;  1  John 

iv.  21 ;  John  xiii.  35.       8  Luke  vi.  34;  Prov.  iii.  28. 


SHAKSPEAREAN  PARALLELS.        87 

LXVII. 
MAMMON. 

If  there  come  into  your  assembly  a  man  with  a  gold 
ring,  in  goodly  apparel,  and  there  come  in  also  a  poor 
man  in  vile  raiment ;  and  ye  have  respect  to  him  that 
weareth  the  gay  clothing,  and  say  unto  him,  Sit  thou 
here  in  a  good  place ;  and  say  to  the  poor,  Stand  thou 
there,  or  sit  here  under  my  footstool : l  are  ye  not  then 
partial  in  yourselves,  and  are  become  judges  of  evil 
thoughts?2 — JAMES  ii.  2,  3,  4. 

The  poor  man's  wisdom  is  despised,  and  his  words 
are  not  heard. — ECCLES.  ix.  16. 

When  a  rich  man  speaketh,  every  man  holdeth  his 
tongue,3  and  look,  what  he  saith,  they  extol  it  to  the 
clouds;  but  if  the  poor  man  speak,  they  say,  What 
fellow  is  this1?  and  if  he  stumble,  they  will  help  to 
overthrow  him.4 — ECCLUS.  xiii.  23. 


Through  tattered  clothes  small  vices  do  appear ; 
Eobes  and  furred  gowns  hide  all.      Plate  sin  with 
gold, 

1  Prov.  xiv.  20,  21.  2  John  vii.  24. 

8  Job  xxix.  9.  *  Rom.  xii.  6. 


88  BIBLE  TRUTHS,  WITH 

And  the  strong  lance  of  justice  fruitless  breaks: 
Arm  it  with  rags  a  pigmy  straw  doth  pierce  it. 

KING  LEAR.     Act  iv.  Scene  6. 

The  learned  pate 
Ducks  to  the  golden  fool. 

TIMON  OF  ATHENS.     Act  iv.  Scene  3. 

Eaise  me  this  beggar,  and  denude  that  lord ; 
The  senator  shall  bear  contempt  hereditary, 
The  beggar  native  honour : 
It  is  the  pasture  lards  the  browser's  sides, 
The  want  that  makes  him  lean. 

TIMON  OF  ATHENS.     Act  iv.  Scene  3. 

0  what  a  world  of  vile,  ill-favour'd  faults 
Looks  handsome  in  three  hundred  pounds  a  year. 
MERRY  WIVES  OF  WINDSOR. 

Act  in.  Scene  4. 

Faults  that  are  rich  are  fair. 

TIMON  OF  ATHENS.    Act  i.  Scene  2. 

If  money  go  before,  all  ways  lie  open. 

MERRY  WIVES  OF  WINDSOR. 

Act  ii.  Scene  2. 

0,  that  estates,  degrees,  and  offices, 

Were  not  derived  corruptly  !  and  that  clear  honour 

Were  purchased  by  the  merit  of  the  wearer ! 


SHAKSPEAEEAN  PAEALLELS.  89 

How  many  then  should  cover,  that  stand  bare ! 
How  many  be  commanded  that  command ! 
How  much  low  peasantry  would  then  be  glean' d 
From  the  true   seed   of  honour!   and   how  much 

honour 

Picked  from  the  chaff  and  ruin  of  the  times, 
To  be  new  varnished. 

MERCHANT  OP  VENICE.     Act  n.  Scene  9. 


LXVIIL 
THE  FOOLISHNESS  OF  TKUSTING  IN  MAN. 

Put  not  your  trust  in  princes,  nor  in  the  son  of 
man,  in  whom  there  is  no  help.1 — Ps.  cxlvi.  3. 

Thus  saith  the  Lord,  Cursed  be  the  man  that  trust- 
eth  in  man,  and  maketh  flesh  his  arm,  and  whose 
heart  departeth  from  the  Lord.2 — JER.  xvii.  5. 

Cease  ye  from  man,  whose  breath  is  in  his  nostrils.3 

Is.  ii.  22. 


0,  momentary  grace  of  mortal  man, 

Which  we  more  hunt  for  than  the  grace  of  God ! 

Who  builds  his  hope  in  air  of  your  fair  looks, 

1  Job  vii.  17.  ,2  Heb.  iii.  12.  3  Ps.  cxviii.  8,  9. 


90  BIBLE  TEUTHS,  WITH 

Lives  like  a  drunken  sailor  on  a  mast : 
Eeady  with  every  nod  to  tumble  down 
Into  the  fatal  bowels  of  the  deep. 

KING  EICHARD  III.     Act  in.  Scene  4. 

An  habitation  giddy  and  unsure, 

Hath  he  that  buildeth  on  the  vulgar  heart. 

KING  HENRY  IV.  (2d  part).     Act  i.  Scene  3. 

He  that  depends 

Upon  your  favours  swims  with  fins  of  lead, 
And  hews   down   oaks   with  rushes.      Hang  ye! 

Trust  ye? 

With  every  minute  you  do  change  a  mind ; 
And  call  him  noble  that  was  now  your  hate, — 
Him  vile  that  was  your  garland.* 

CORIOLANUS.     Act  i.  Scene  I. 

Poor  wretches,  that  depend 
On  greatness'  favour,  dream, 
Wake,  and  find  nothing. 

CYMBELINE.    Act  v.  Scene  4. 


LXIX. 

THE  GEANDEUE  OF  MAN'S  NATTIEE. 
He  is  the  image  and  glory  of  God.1 — 1  COR.  xi.  7. 
*  Spoken  to  a  multitude.  1  Gen.  i.  27;  Ps.  c.  3. 


SHAKSPEAREAN  PAEALLELS.  91 

Made  after  the  similitude  of  God. — JAMES  iii.  9. 

Thou  madest  him  to  have  dominion  over  the  works 
of  thy  hands ;  thon  hast  put  all  things  under  his  feet. 

Ps.  viii.  6. 

Thou  hast  made  him  a  little  lower  than  the  angels, 
and  hast  crowned  him  with  glory  and  honour. 

Ps.  viii.  5. 

"What  a  piece  of  work  is  man  !  How  noble  in  rea- 
son !  How  infinite  in  faculties  !  In  form,  and  mov- 
ing, how  express  and  admirable !  In  action,  how  like 
an  angel!  In  apprehension,  how  like  a  god!  The 
beauty  of  the  world  ! — the  paragon  of  animals. 

HAMLET.     Act  n.  Scene  2. 


LXX. 
THE  MARRIAGE  TIE  A  SACKED  ONE. 

What  therefore  God  hath  joined  together,  let  not 
man  put  asunder.1 — MATT.  xix.  6. 


God  forbid  that  I  should  wish  them  sever'd, 
Whom  God  hath  joined  together. 

KING  HENRY  VI.  (3d  part).    Act  iv.  Scene  1. 

1  1  Cor.  vii.  10,  11. 


92  BIBLE  TKUTHS,  WITH 

God,  the  best  maker  of  all  marriages, 
Combine  your  hearts  in  one. 

KING  HENRY  V.    Act.  v.  Scene 


LXXL 

MEN'S  CUESES  EECOIL  ON  THEIE  OWN 
HEADS. 

As  he  loved  cursing,  so  let  it  come  unto  him. 

Ps.  cix.  17. 

Dread  curses — like  the  sun  'gainst  glass, 
Or*  like  an  overcharged  gun — recoil. 

KING  HENRY  VI.  (2d  part).    Act  in.  Scene  2. 

Take  heed,  lest  by  your  heat  you  burn  yourselves. 
KING  HENRY  VI.  (2dpart).     Act  v.  Scene  1. 


LXXII. 

MEECY  AN  ATTEIBUTE  OF  GOD. 
He  delighteth  in  mercy.1 — MICAH  vii.  18. 

The  Lord  is  merciful  and  gracious,  slow  to  anger, 
and  plenteous  in  mercy. — Ps.  ciii.  8. 

1  Is.  liv.  7,  8. 


SHAKSPEAKEAN  PARALLELS.  93 

To  the  Lord  our  God  belong  mercies  and  forgive- 
ness, though  we  have  rebelled  against  him.1 

PAN.  ix.  9. 

The  Lord  is  longsuffering  and  of  great  mercy.2 

NUMB.  xiv.  18. 


But  mercy  is  above  this  scepter'd  sway, 
It  is  enthroned  in  the  hearts  of  kings : 
It  is  an  attribute  to  God  himself. 

MERCHANT  OF  VENICE. 

Act  iv.  Scene  I. 

Wilt  thou  draw  near  the  nature  of  the  gods  ? 
Draw  near  them  then  in  being  merciful. 

TITUS  ANDRONICUS.    Act  i.  Scene  2. 


LXXIII. 
THE  BEKEFICIAL  EFFECTS  OF  MIRTH. 

A  merry  heart  doeth  good  like  a  medicine :  but  a 
broken  spirit  drieth  the  bones. — PROV.  xvii.  22. 

He  that  is  of  a  merry  heart  hath  a  continual  feast. 

PROV.  xv.  15. 

1  Neh.  ix.  16,  17;  Ps.  cxxx.  4,  7. 
2  Exod.  xxxiv.  6,  7;  Ps.  cxlv.  8;  John  iv.  2. 


94  BIBLE  TRUTHS,  WITH 

A  merry  heart  maketh  a  cheerful  countenance :  but 
by  sorrow  of  the  heart  the  spirit  is  broken. 

PROV.  xv.  13. 


Give  not  over  thy  mind  to  heaviness,  and  affli 
not  thyself  in  thine  own  counsel.1      The  gladness  of 
the  heart  is  the  life  of  a  man;  and  the  joyfulness  of  a 
man  prolongeth  his  days. — ECOLUS.  xxx.  21,  22. 


• 

,t 

~f 


A  light  heart  lives  long. 

LOVE'S  LABOUR'S  LOST. 

Act  v.  Scene  2. 

Care's  an  enemy  to  life. 

TWELFTH  NIGHT.    Act  i.  Scene  3. 

A  merry  heart  goes  all  the  day, 
Your  sad  tires  in  a  mile. 

WINTER'S  TALE.     Act  iv.  Scene  2. 

Sweet  recreation  barr'd  what  doth  ensue, 
But  moody  and  dull  Melancholy, 
(Kinsman  to  grim  and  comfortless  Despair), 
And,  at  her  heels,  a  huge  infectious  troop 
Of  pale'  distemperatures,  and  foes  to  life. 

COMEDY  OF  ERRORS.     Act  v.  Scene  1. 

Why  should  a  man,  whose  blood  is  warm  within, 
Sit  like  his  grandsire  cut  in  alabaster1? 

1  Prov.  xii.  25  ;  Ecclus.  xxx.  23,  24. 


SHAKSPEAREAN   PARALLELS.  95 

Sleep,  when  he  wakes  1  and  creep  into  the  jaundice 
By  being  peevish  ?  * 

MERCHANT  OF  VENICE.     Act  i.  Scene  1. 


LXXIV. 
MODERATION  RECOMMENDED. 

Hast  thou  found  honey?  eat  so  much  as  is  sufficient 
for  thee,  lest  thou  be  filled  therewith,  and  vomit  it.1 

PROV.  xxv.  16. 

Let  your  moderation  be  known  to  all  men. 

PHIL.  iv.  5. 

Take   heed  to   yourselves,  lest  at  any  time  your 
hearts  be  overcharged  with  surfeiting.2 — LUKE  xxi.  34. 


A  surfeit  of  the  sweetest  things 
The  deepest  loathing  to  the  stomach  brings. 
MIDSUMMER  NIGHT'S  DREAM. 

Act  ii.  Scene  3. 

*  In  wooing  sorrow  let 's  be  brief, 
Since,  wedding  it,  there  is  such  length  of  grie,f. 

KING  EICHARD  II.    Act  v.  Scene  1. 

Gnarling  sorrow  hath  less  power  to  bite 
The  man  that  mocks  at  it,  and  sets  it  light. 

KING  KICHARD  II.    Act  i.  Scene  3. 

1  1  Tim.  iv.  4.  2  1  Cor.  ix.  25. 


96  BIBLE  TRUTHS,  WITH 

Let 's  teach  ourselves  that  honourable  stop, 
Not  to  outsport  discretion. 

OTHELLO.     Act  IT.  Scene  3. 

The  sweetest  honey 
Is  loathsome  in  his  own  deliciousness, 
And  in  the  taste  confounds  the  appetite, 
Therefore  love  moderately. 

ROMEO  AND  JULIET.     Act  n.  Scene  6. 


LXXV. 

THE  LOVE  OF  MONEY  THE  EOOT  OF  ALL 
EVIL. 

But  they  that  will  be  rich  fall  into  temptation,  and 
a  snare,  and  into  many  foolish  and  hurtful  lusts,  which 
drown  men  in  destruction  and  perdition.  For  the 
love  of  money  is  the  root  of  all  evil. — 1  TIM.  vi  9,  10. 

The  deceitfulness  of  riches  chokes  the  word,  and 
he  becometh  unfruitful.1 — MATT.  xiii.  22. 

Mortify  therefore  your  members  which  are  upon 
the  earth;  .  .  .  and  covetousness,  which  is  idolatry. 

COL.  iii,  5. 

1  Mark  x.  21-23;  2  Tim.  iv.  10. 


SHAKSPEAREAN  PARALLELS.         97 

Then  one  of  the  twelve,  called  Judas  Iscariot,  went 
unto  the  chief  priests,  and  said  unto  them,  What  will 
ye  give  me,  and  I  will  deliver  him  unto  you?  And 
they  covenanted  with  him  for  thirty  pieces  of  silver.1 

MATT.  xxvi.  14,  15. 


How  quickly  nature 
Ealls  to  revolt,  when  gold  becomes  her  object. 

KING  HENRY  IV.  (2d  part).    Act  iv.  Scene  4. 

Avarice 

Grows  with  more  pernicious  root 
Than  summer-seeding  lust. 

MACBETH.     Act  iv.  Scene  3. 

Gold !  yellow,  glittering,  precious  gold, 
.  .  .  will  make  black,  white ;  foul,  fair ; 
Wrong,   right;   base,  noble;  old,   young;   coward, 
valiant : 

Why,  this 

Will  lug  your  priests  and  servants  from  your  sides ; 
Pluck  stout  men's  pillows  from  below  their  heads : 
This  yellow  slave 

Will  knit  and  break  religions ;  bless  the  accurs'd ; 
Make  the  hoar  leprosy  ador'd ;  place  thieves, 
And  give  them  title,  knee,  and  approbation,,  ^ 
With  senators  on  the  bench. 


1  Ecclus.  xxxi.  6. 

H 


98  BIBLE  TRUTHS,  WITH 

This  it  is 

That  makes  the  wappen'd  widow  wed  again ; 
She,  whom  the  spital-house  and  ulcerous  sores 
Would  cast  the  gorge  at,  this  embalms  and  spices 
To  the  April  day  again. 

TIMON  OF  ATHENS.     Act  iv.  Scene  3. 

There  is  thy  gold ,;  worse  poison  to  men's  souls ; 
Doing  more  murders  in  this  loathsome  world 
Than  these  poor  compounds  that  thou  may'st  not 

sell; 

I  sell  thee  poison,  thou  hast  sold  me  none.* 
ROMEO  AND  JULIET. 

Act  v.  Scene  1. 

0  thou  sweet  king-killer,  and  dear  divorce 

'Twixt  natural  son  and  sire !  thou  bright  denier 

Of  Hymen's  purest  bed !  thou  valiant  Mars ! 

Thou  ever  young,  fresh,  loved,  and  delicate  wooer 

That  lies  on  Dian's  lap !  thou  visible  god, 

That  solder'st  close  impossibilities, 

And  mak'st  them  kiss!    that  speak'st  with  every 

tongue 

To  every  purpose !     0  thou  touch  of  hearts ! 
Think,  thy  slave  man  rebels ;  and  by  thy  virtue 
Set  them  into  confounding  odds,  that  beasts 
May  havo  the  world  in  empire. 

TIMON  OF  ATHENS.     Act  iv.  Scene  3. 


Spoken  to  an  apothecary. 


SHAKSPEAREAN  PARALLELS.         99 

LXXVI. 
MOEAL  CONFLICT. 

For  the  flesh  lusteth  against  the  Spirit,  and  the 
Spirit  against  the  flesh :  and  these  are  contrary  one  to 
the  other;  so  that  ye  cannot  do  the  things  that  ye 
would.1 — GAL.  v.  17. 


Within  the  infant  rind  of  this  small  flower 

Poison  hath  residence,  and  medicine  power; 

For  this,  being  smelt,  with  that  part  cheers  each 

part; 

Being  tasted,  slays  all  senses  with  the  heart. 
Two  such  opposed  foes  encampt  them  still 
In  man  as  well  as  herbs — grace  and  rude  will ; 
And,  where  the  worser  is  predominant, 
Full  soon  the  canker  death  eats  up  that  plant. 
EOMEO  AND  JULIET. 

Act  ii.  Scene  3. 

The  flesh  being  proud,  desire  doth  fight  with  grace. 
For  there  it  revels ;  and  when  that  decays, 
The  guilty  rebel  for  remission  prays. — POEMS. 


Rom.  vii.  19,  22,  23 ;  John  iii.  6,  7 ;  Rom.  viii.  6,  7. 


100  BIBLE  TRUTHS,  WITH 

LXXYII. 
SPIEITUAL  BLINDNESS. 

And  he  said,  Go,  and  tell  this  people,  Hear  ye  in- 
deed, but  understand  not ;  and  see  ye  indeed,  but  per- 
ceive not.1 — Is.  vi.  9. 

The  light  shineth  in  darkness;  and  the  darkness 
comprehended  it  not.2 — JOHN  i.  5. 


What  an  infinite  mock  is  this,  that  a  man  should 
have  the  best  use  of  his  eyes  to  see  the  way  of  blind- 
ness ! — CTMBELINE.  Act  v.  Scene  4. 


LXXYIII. 
THE  SOOTHING  EFFECTS  OF  MUSIC. 

And  it  came  to  pass,  when  the  evil  spirit  was  upon 
Saul,  that  David  took  an  harp,  and  played  with  his 
hand:  so  Saul  was  refreshed,  and  was  well,  and  the 
evil  spirit  departed  from  him. — 1  SAM.  xvi.  23. 


1  Acts  xxviii.  25-27  ;  Bom.  xi.  8.         2  1  Cor.  ii.  14  ;  John  iii.  19. 


SHAKSPEAREAN  PARALLELS.        101 

A  solemn  air,  the  best  comforter 
To  an  unsettled  fancy. 

THE  TEMPEST.    Act  v.  Scene  I. 

Since  nought  so  stockish,  hard,  and  full  of  rage, 
But  music  for  a  time  doth  change  his  nature. 
MERCHANT  OF  VENICE. 

Act  v.  Scene  1. 

Preposterous  ass !  that  never  read  so  far 
To  know  the  cause  why  music  was  ordained : 
Was  it  not  to  refresh  the  mind  of  man, 
After  his  studies  or  his  usual  pain  ? 

TAMING  OF  THE  SHREW. 

Act  in.  Scene  1. 

This  music  crept  by  me  upon  the  waters ; 
Allaying  both  their  fury  and  my  passion 
With  its  sweet  air. 

THE  TEMPEST.     Act  i.  Scene  2. 

For  Orpheus'  lute  was  strung  with  poet's  sinews ; 
Whose  golden  touch  could  soften  steel  and  stones. 
Two  GENTLEMEN  OF  VERONA. 

Act  in.  Scene  2. 

Orpheus  with  his  lute  made  trees, 
And  the  mountain-tops,  that  freeze, 
Bow  themselves  when  he  did  sing ; 


102  BIBLE  TRUTHS,  WITH 

To  his  music,  plants,  and  flowers 
Ever  spring;  as  sun  and  showers, 
There  had  been  a  lasting  spring. 
Everything  that  heard  him  play, 
Even  the  billows  of  the  sea, 
Hung  their  heads,  and  then  lay  by, — 
In  sweet  music  is  such  art : 
Killing  care,  and  grief  of  heart, 
Fall  asleep,  or,  hearing,  die. 

KING  HENRY  VIII. 

Act  in.  Scene  1. 


LXXIX. 
THE  VALUE  OF  A  GOOD  NAME. 

A  good  name  is  rather  to  be  chosen  than  great 
riches,  and  loving  favour  rather  than  silver  and  gold.1 

PROV.  xxii.  1. 


Good  name  in  man  and  woman 

Is  the  immediate  jewel  of  their  souls. 

Who  steals  my  purse  steals  trash ;  't  is  something, 
nothing ; 

JTwas  mine,  'tis  his,  and  has  been  slave  to  thou- 
sands ; 


1  Luke  x.  20. 


SHAKSPEAREAN   PARALLELS.  103 

But  he  that  filches  from  me  my  good  name, 
Robs  me  of  that  which  not  enriches  him, 
And  makes  me  poor  indeed. 

OTHELLO.     Act  in.  Scene  1. 


The  purest  treasure  mortal  times  afford 

Is  spotless  reputation  ;  that  away, 

Men  are  but  gilded  loam,  or  painted  clay. 

KING  EICHARD  II.     Act  i.  Scene  1. 


LXXX. 

OLD  AGE  VEKEKABLE. 

Thou  shalt   rise  up   before  the  hoary  head,  and 
honour  the  face  of  the  old  man,  and  fear  thy  God.1 

LEV.  xix.  32. 

The  hoary  head  is  a  crown  of  glory,  if  it  be  found 
in  the  way  of  righteousness.2 — PROV.  xvi.  31. 


Silver  hairs 

Will  purchase  us  a  good  opinion, 
And  buy  men's  voices  to  commend  our  deeds. 

JULIUS  C^ISAR.     Act  ii.  Scene  1. 

1  Gen.  xxxi.  35;  Eph.  ?i.  1-3.  2  Prov.  xx.  29. 


104<  BIBLE  TRUTHS,  WITH 

Old  folks  have  discretion,  as  they  say,  and  know  the 
world. — MERRY  WIVES  OF  WINDSOR.     Act  n.  Scene  2. 


Youth  no  less  becomes 
The  light  and  careless  livery  that  it  wears, 
Than  settled  age  his  sables,  and  his  weeds 
Importing  health  and  graveness. 

HAMLET.    Act  iv.  Scene  7. 


LXXXI. 
GOD'S  BLESSING  ON  PEACEMAKEES. 

Blessed  are  the  peacemakers,  for  they  shall  be  called 
the  children  of  God.1 — MATT.  v.  9. 

It  is  an  honour  for  a  man  to  cease  from  strife.2 

PROV.  xx.  3. 


God's  benison  go  with  you ;  and  with  those 
That  would  make  good  of  bad,  and  friends  of  foes. 
MACBETH.    Act  n.  Scene  4. 


1  2  Cor.  xiii.  11 ;  Phil.  ii.  14,  15;  Kom.  xii.  18. 
2  Gen.  xiii.  8;  James  iii.  17,  18. 


SHAKSPEAREAN  PARALLELS.        105 


LXXXIL 

THE  PEAYERS  OF  THE  WICKED 
INEFFECTUAL, 

Now  we  know  that  God  heareth  not  sinners.1 

JOHN  ix.  31. 

If  I  regard  iniquity  in  my  heart,  the  Lord  will  not 
hear  me.2— Ps.  Ixvi.  18. 

For  what  is  the  hope  of  the  hypocrite,  though  he 
hath  gained,  when  God  taketh  away  his  soul?  Will 
God  hear  his  cry  when  trouble  cometh  upon  him  1 3 

JOB  xxvii.  8,  9. 

And  when  ye  spread  forth  your  hands,  I  will  hide 
mine  eyes  from  you ;  yea,  when  ye  make  many  prayers, 
I  will  not  hear :  your  hands  are  full  of  blood.4 

Is.  i.  15. 


The  gods  are  deaf  to  hot  and  peevish  vows ; 
They  are  polluted  springs,  more  abhorr'd 
Than  spotted  livers  in  the  sacrifice. 

TEOILUS  AND  CRESSIDA.     Act  v.  Scene  3. 

1  Prov.  xv.  8,  29  ;  James  iv.  3. 

2  Is.  lix.  2  ;  Matt,  xxiii.  14. 

3  Jer.  xi.  11  ;  Ezek.  viii.  18  ;  Zee.  vii.  13. 

4  Prov.  xxviii.  9;  Jer.  xiv.  12;  James  v.  16;  1  John  iii.  22. 


106  BIBLE  TFJJTHS,  WITH 

Words  without  thoughts  never  to  heaven  go. 

HAMLET.     Act  in.  Scene  3. 


LXXXIII. 
QUAEEELS  SHOULD  BE  LEFT  TO  GOD. 

Say  not,  I  will  do  to  him  as  he  hath  done  to  me. 

PEOV.  xxiv.  29. 

Dearly  beloved,  avenge  not  yourselves,  but  rather 
give  place  unto  wrath :  for  it  is  written,  Vengeance  is 
mine;  I  will  repay,  saith  the  Lord.1 — EOM.  xii.  19. 

His  disciples  James  and  John said,  Lord, 

wilt  thou  that  we  command  fire  to  come  down  from 
heaven,  and  consume  them,  even  as  Elias  did?  But  he 
turned,  and  rebuked  them,  and  said,  Ye  know  not 
what  manner  of  spirit  ye  are  of.2 — LUKE  ix.  54,  55. 

Say  not  thou,  I  will  recompense  evil ;  but  wait  on 
the  Lord,  and  he  shall  save  thee.3 — PROV.  xx.  22. 


God  will  be  avenged  for  the  deed  ; 

Take  not  the  quarrel  from  his  powerful  arm ; 

1  Lev.  xix.  18;  Gen.  xlix.  5-7 ;  1  Sam.  xxiv.  17. 

2  1  Pet.  ii.  21-23;  Matt.  v.  44. 

3  1  Tim.  v.  15;  Matt.  v.  38,  39. 


SHAKSPEAKEAN  PARALLELS.  107 

He  needs  no  indirect  nor  lawless  course 
To  cut  off  those  who  have  offended  him. 

KING  EICHAED  III.     Act  i.  Scene  4. 

Put  we  our  quarrel  to  the  will  of  heaven, 
Who,  when  he  sees  the  hours  ripe  on  earth, 
Will  rain  hot  vengeance  on  offenders'  heads. 

KING  EICHAED  II.     Act  i.  Scene  2. 


LXXXIV. 
THE  TEIUMPH  OF  EELIGION  IN  AFFLICTION. 

My  flesh  and  my  heart  faileth :  but  God  is  the 
strength  of  my  heart,  and  my  portion  for  ever.1 

Ps.  Ixxiii.  26. 

0  Lord,  my  strength,  and  my  fortress,  and  my 
refuge  in  the  day  of  affliction.2 — JER.  xvi.  19. 

Though  he  slay  me,  yet  will  I  trust  in  him.3 

JOB  xiii.  15. 

Yea,  though  I  walk  through  the  valley  of  the 
shadow  of  death,  I  will  fear  no  evil :  for  thou  art  with 
me ;  thy  rod  and  thy  staff  they  comfort  me.4 

Ps.  xxiii.  4. 

1  Lam.  iii.  24 ;  Ps.  cxix.  57.  2  Ps.  xlvi.  1  ;  Is.  xxxi.  1,2. 

3  Kom.  viii.  38,  39 ;  2  Tim.  iv.  6-8 ;  Prov.  xiv.  32. 

4  Is.  xliii.  2 ;   1  Cor.  xv.  55. 


108  BIBLE  TRUTHS,  WITH 

Now  God  be  praised  !  that  to  believing  souls 
Gives  light  in  darkness,  comfort  in  despair. 
KING  HENKY  VI.  (2d  part). 

Act  ii.  Scene  1. 


LXXXY. 
HYPOCRISY  IN  DEVOTIOK 

This  people  draw 3th  nigh  unto  me  with  their 
mouth,  and  honoureth  me  with  their  lips;  but  their 
heart  is  far  from  me.1 — MATT.  xv.  8. 

There  is  a  generation  that  are  pure  in  their  own 
eyes,  and  yet  is  not  washed  from  their  filthiness.2 

PROV.  xxx.  12. 

Two  men  went  up  into  the  temple  to  pray ;  the 
one  a  Pharisee,  and  the  other  a  publican.  The  Phari- 
see stood  and  prayed  thus  with  himself,  God,  I  thank 
thee  that  I  am  not  as  other  men  are,  extortioners,  un- 
just, adulterers,  or  even  as  this  publican.3 

LUKE  xviii.  10,  11. 

Ye  are  they  which  justify  yourselves  before  men ; 
but  God  knoweth  your  hearts.4 — LUKE  xvi.  15. 

1  Is.  Iviii.  1-3 ;  Tit.  i.  16. 

2  Acts  viii.  21  ;  Rev.  iii.  2  ;  Prov.  xxiii.  26. 

3  Is.  i.  15;  Rev.  iii.  17,  18 ;  2  Tim.  iii.  5. 

4  1  Sam.  xvi.  7;  Jer.  xvii.  10;  Matt,  xxiii.  25. 


SHAKSPEAREAN  PARALLELS.  109 

'T  is  too  much  proved,  that  with  devotion's  visage, 

And  pious  action,  we  do  sugar  o'er 

The  devil  himself. — HAMLET.     Act  in.  Scene  1. 

Oh,  what  may  man  within  him  hide, 
Though  angel  on  the  outward  side ! 

MEASURE  FOR  MEASURE. 

Act  in.  Scene  2. 

God  knows,  of  pure  devotion. 

KING  HENRY  VI.  (2dpart). 

Act  ii.  Scene  I. 


LXXXVI. 
PRACTICE  BETTEE  THAN  PRECEPT. 

Let  us  not  love  in  word,  neither  in  tongue  ;  but  in 
deed,  and  in  truth. — 1  JOHN  iii.  18. 

Be  ye  doers  of  the  word,  and  not  hearers  only, 
deceiving  your  own  selves.1 — JAMES  i.  22. 


See  that  thou  come 
Not  to  woo  honour,  but  to  wed  it. 

ALL'S  WELL  THAT  ENDS  WELL. 

Act  ii.  Scene  1. 

1  Matt.  vii.  21 ;  Luke  xi.  28  ;  John  xiii.  17  ;  Rom.  ii.  13. 


110  BIBLE  TRUTHS,  WITH 

LXXXVII. 
HEEOISM  OF  SELF-GOVEENMENT. 

He  that  is  slow  to  anger  is  better  than  the  mighty : 
and  he  that  ruleth  his  spirit  than  he  that  taketh  a 
city.1 — PROV.  xvi.  32. 


Brave  conquerors  !  for  so  you  are 
That  war  against  your  own  affections, 
And  the  huge  army  of  the  world's  desires. 

LOVE'S  LABOUR'S  LOST.    Act  i.  Scene  1. 

Better  conquest  never  canst  thou  make 
Than  arm  thy  constant  and  thy  nobler  parts 
Against  these  giddy,  loose  suggestions. 

KING  JOHN.     Act  in.  Scene  1. 


LXXXVIII. 
DUTY  OF  SELF-EXAMINATION. 

Examine  yourselves. — 2  COR.  xiii.  5. 

Let  a  man  examine  himself ;  for  if  we  would  judge 
ourselves,  we  should  not  be  judged. — 1  COR.  xi.  28,  31. 

1  Prov.  xix.  11  ;  1  Sam.  xxv.  32,  33;  Eev.  ii.  7. 


SHAKSPEAREAN  PARALLELS.        Ill 

If  a  man  think  himself  to  be  something,  when  he 
is  nothing,  he  deceiveth  himself.  But  let  every  man 
prove  his  own  work.1 — GAL.  vi.  3,  4. 


O  that  you  would  turn  your  eyes  towards  the  napes 
of  your  necks,  and  make  but  an  interior  survey  of  your 
good  selves.* — CORIOLANUS.  Act  u.  Scene  1. 

Go  to  your  bosom  : 
Knock  there. 

MEASURE  FOR  MEASURE.     Act  IT.  Scene  2. 


LXXXIX. 
SELF-PRAISE  UNSEEMLY. 

Let  another  man  praise  thee,  and  not  thine  own 
mouth  ;  a  stranger,  and  not  thine  own  lips. 

PROV.  xxvii.  2. 

For  men  to  search  their  own  glory  is  not  glory.' 

PROV.  xxv.  27. 


1  Lam.  iii.  40 ;  Ps.  Ixxvii.  6. 

2  Gen.  xi.  4;  Dan.  iv.  30  ;  Phil.  ii.  3  ;  John  v.  44 ;  James  v.  16. 
*  "With  allusion,"  says  Johnson,   "  to  the  fable  which  tells 

us  that  every  man  has  a  bag  hanging  before  him,  in  which  he 
puts  his  neighbours'  faults  ;  and  another  behind  him,  in  which 
he  stows  his  own." 


112  BIBLE  TRUTHS,   WITH 

The  worthiness  of  praise  distains  his  worth, 
If  that  the  praised  himself  brings  forth  the  praise. 
TROILUS  AND  CRESSIDA.     Act  i.  Scene  3. 

tl 

He  that  is  proud  eats  up  himself.  Pride  is  his  own 
glass,  his  own  trumpet,  his  own  chronicle ;  and  what- 
ever praises  itself  but  in  the  deed,  devours  the  deed  in 
the  praise. — TROILUS  AND  CRESSIDA.  Act  11.  Scene  3. 

We  wound  our  modesty,  and  make  foul  the  clear- 
ings of  our  deservings,  when  of  ourselves  we  publish 
them. 

ALL'S  WELL  THAT  ENDS  WELL.    Act  i.  Scene  3. 

It  is  the  witness  still  of  excellency, 

To  put  a  strange  face  on  his  own  perfection. 

MUCH  ADO  ABOUT  NOTHING.     Act  n.  Scene  3. 


XC. 
SIMPLICITY  OF  A  CHAEITABLE  SPIRIT. 

(Charity)  thinketh  no  evil. — 1  COR.  xiii.  5. 


Whose  nature  is  so  far  from  doing  harms, 
That  he  suspects  none. 
v  KING  LEAR,    Act  i.  Scene  2. 


SHAKSPEAREAN  PARALLELS.        113 

XCI. 

KESISTANCE  OF  SIK 

Eesist  the  devil,  and  he  will  flee  from  you.1 

JAMES  iv.  7. 


That  monster,  custom,  who  all  sense  doth  eat 

Of  habit's  devil,  is  angel  yet  in  this ; 

That  to  the  use  of  actions  fair  and  good 

He  likewise  gives  a  frock,  or  livery, 

That  aptly  is  put  on ;  refrain  to-night, 

And  that  will  lend  a  kind  of  easiness 

To  the  next  abstinence ;  the  next  more  easy, 

For  use  can  almost  change  the  stamp  of  nature, 

And  either  curb  the  devil,  or  throw  him  out 

With  wondrous  potency. 

HAMLET.     Act  in.  Scene  4. 


XCIL 

A  SPECIAL  PKOVIDESTCE. 

Behold  the  fowls  of  the  air :  for  they  sow  not, 
neither  do  they  reap,  nor  gather  into  barns ;  yet  your 
heavenly  Father  feedeth  them.2 — MATT.  vi.  26. 

1  Epb.  iv.  27 ;  1  Pet.  v.  8,  9  ;  Epb.  \i.  11.        2  Luke  xii.  24. 

I 


114  BIBLE  TRUTHS,  WITH 


Are  not  two  sparrows  sold  for  a  farthing  1  and  one 
of  them  shall  not  fall  on  the  ground  without  your 
Father.— MATT.  x.  29. 


Who  provideth  for  the  raven  his  food.1 

JOB  xxxviii.  41. 


There  is  a  special  providence  in  the  fall  of  a  spar- 
row.— HAMLET.     Act  v.  Scene  2. 

He  that  doth  the  ravens  feed, 

Yea,  providently  caters  for  the  sparrow, 

Be  comfort  to  my  age ! 

As  You  LIKE  IT.     Act  n.  Scene  3. 


XCIII. 
DECEIT. 

The  words  of  his  mouth  were  smoother  than  butter, 
but  war  was  in  his  heart :  his  words  were  softer  than 
oil,  yet  were  they  drawn  swords.2 — Ps.  Iv.  21. 

Draw  me  not  away  with  the  wicked,  and  with  the 
workers  of  iniquity,  which  speak  peace  to  their  neigh- 
bours, but  mischief  is  in  their  hearts. — Ps.  xxviii.  3. 

1  Ps.  cxlvii.  8,  9 ;  civ.  27.        2  Matt.  xxvi.  49 ;  Prov.  xii.  18. 


SHAKSPEAREAN  PARALLELS.        115 

They  bless  with,  their  mouth,  but  they  curse  in- 
wardly.— Ps.  Ixii.  4. 


Some  that  smile  have  in  their  hearts,  I  fear, 
Millions  of  mischief. 

JULIUS  C^SAE.     Act  iv.  Scene  1. 

Ah,  that  deceit  should  steal  such  gentle  shapes, 
And  with  a  virtuous  visor  hide  deep  vice. 

KING  EICHARD  III.     Act  n.  Scene  2. 

My  tables — meet  it  is,  I  set  it  down, 

That  one  may  smile,  and  smile,  and  be  a  villain. 

HAMLET.     Act  i.  Scene  5. 

Thou  art  like  the  harpy, 
Which,  to  betray,  doth  wear  an  angel's  face, 
Seize  with  an  eagle's  talons. 

PERICLES,  PRINCE  OF  TYRE.     Act  iv.  Scene  4. 

The  devil  can  cite  Scripture  for  his  purpose.* 

An  evil  soul,  producing  holy  witness, 

Is  like  a  villain  with  a  smiling  cheek : 

A  goodly  apple  rotten  at  the  heart : 

0,  what  a  goodly  outside  falsehood  hath. 

MERCHANT  OF  VENICE. 

Act  i.  Scene  3. 

*  As  in  Matt.  iv.  6. 


116  BIBLE  TRUTHS,  WITH 

XCIV. 
PENITENCE  SHOULD  SATISFY  ALL. 

If  thy  brother  trespass  against  thee,  go  and  tell  him 
his  fault  between  thee  and  him  alone :  if  he  shall  hear 
thee,  thou  hast  gained  thy  brother.1 

MATT,  xviii.  15. 
\ 

If  thy  brother  trespass  against  thee,  rebuke  him; 
and  if  he  repent,  forgive  him.2 — LUKE  xvii.  3. 


Who  by  repentance  is  not  satisfied  ? 

Is  nor  of  heaven,  nor  earth ;  for  these  are  pleased ; 

By  penitence  the  Eternal's  wrath 's  appeas'd. 

Two  GENTLEMEN  OF  VEKONA.     Act  v.  Scene  4. 

Not  to  relent,  is  beastly,  savage,  devilish. 

KING  HENRY  VIII     Act  i.  Scene  4. 


XCV. 
OATHS. 

Swear  not  at  all.  But  let  your  communication 
be,  Yea,  yea ;  Nay,  nay ;  for  whatsoever  is  more  than 
these  cometh  of  evil. — MATT.  v.  34,  37. 

1  Luke  xix.  17.  2  Ps.  cxli.  5;  James  v.  20. 


SHAKSPEAEEAN  PAEALLELS.  117 

Let  your  yea  be  yea;   and  your  nay,  nay;  lest  ye 
fall  into  condemnation. — JAMES  v.  12. 


Tis  not  the  many  oaths  that  make  the  truth; 
But  the  plain  single  vow,  that  is  vow'd  true. 
ALL'S  WELL  THAT  ENDS  WELL. 

Act  iv.  Scene  2. 

What  other  oath 

Than  honesty  to  honesty  engaged, 
That  this  shall  be,  or  we  will  fall  for  it  1 
Swear  priests,  and  cowards,  and  men  catelous,* 
Old  feeble  carrions,  and  such  suffering  souls 
That  welcome  wrongs ;  unto  bad  causes  swear 
Such  creatures  as  men  doubt ;  but  do  not  stain 
The  even  virtue  of  our  enterprise, 
Nor  the  insuppressive  metal  of  our  spirits, 
To  think,  that  or  our  cause  or  our  performance, 
Did  need  an  oath. 

JULIUS  CAESAR.     Act  ii.  Scene  2. 


I'll  take  thy  word  for  faith,  not  ask  thine  oath ; 
Who  shuns  not  to  break  one  will  sure  crack  both. 
PERICLES,  PRINCE  OP  TYRE. 

Act  i.  Scene  2. 

*  Deceitful. 


118  BIBLE  TRUTHS,  WITH 

XCVI. 
SATANIC  SUBTILTY. 

Satan  himself  is  transformed  into  an  angel  of  light.1 

2  COR.  xi.  14. 

Now  the  serpent  was  more  subtle  than  any  beast  of 
the  field  which  the  Lord  God  had  made.2 — GEN.  iii.  1. 

That  old  serpent,  called  the  Devil,  and  Satan,  which 
deceiveth  the  whole  world. — REV.  xii.  9. 


Devils  soonest  tempt,  resembling  Spirits  of  Light. 
LOVE'S  LABOUR  ;s  LOST.     Act  iv.  Scene  3. 

The  devil  hath  power 

To  assume  a  pleasing  shape. 

HAMLET.     Act  u.  Scene  2. 

When  devils  will  their  blackest  sins  put  on, 
They  do  suggest  at  first  with  heavenly  shows. 

TIMON  OF  ATHENS.     Act  n.  Scene  3. 

Oh  cunning  enemy,  that  to  catch  a  saint, 

With  saints  dost  bait  thy  hook  !    Most  dangerous 

1  Job  ii.  1.  2  2  Cor.  xi.  3. 


SHATCSPEAEEAN  PAEALLELS.  119 

Is  that  temptation,  that  doth  goad  us  on 
To  sin  in  loving  virtue.* 

MEASURE  FOR  MEASURE.    Act  n.   Scene  2. 

Oftentimes,  to  win  us  to  our  harm, 
The  instruments  of  darkness  tell  us  truths, 
Win  us  with  honest  trifles,  to  betray  us 
In  deepest  consequence. 

MACBETH.     Act  i.  Scene  3. 

0,  what  authority  and  show  of  truth 
Can  cunning  sin  cover  itself  withal ! 

MUCH  ADO  ABOUT  NOTHING. 

Act  iv.  Scene  1. 

Let  7s  write  good  angel  on  the  devil's  horn, 
'T  is  not  the  devil's  crest. 

MEASURE  FOR  MEASURE.     Act  n.  Scene  4. 


XCYII. 

IDOLATRY. 

They  worship  the  work  of  their  own  hands,  that 
which  their  own  fingers  have  made.1 — Is.  ii.  8. 

*  There  is  no  vice  so  simple,  but  assumes 
Some  mark  of  virtue  on  his  outward  parts. 

MERCHANT  or  VENICE.     Act  in.  Scene  2. 
1  Hosea  viii.  6. 


120  BIBLE  TRUTHS,  WITH 


For  health,  he  calleth  upon  that  which  is  weak ; 
for  life,  prayeth  to  that  which  is  dead ;  for  aid,  humbly 
beseecheth  that  which  hath  least  means  to  help ;  and 
for  a  good  journey  he  asketh  of  that  which  cannot  set 
a  foot  forward;  and  for  gaining  and  getting,  and  for 
good  success  of  his  hands,  asketh  ability  to  do  of  him 
that  is  most  unable  to  do  any  thing. 

WISDOM  xiii.  18,  19. 


'T  is  mad  idolatry 
To  make  the  service  greater  than  the  god. 

TEOILUS  AND  CRESSIDA.     Act  n.  Scene  2. 


XCYIII. 
TEMPTATION  TO  BE  AVOIDED. 

Watch  and  pray,  that  ye  enter  not  into  temptation.1 

MATT.  xxvi.  41. 

Abstain  from  all  appearance  of  evil.2 

1  THESS.  v.  22. 

Jesus  answered   and   said,  Get   thee  behind   me, 
Satan. — LUKE  iv.  8. 

1  1  Pet.  v.  8;  Eph.  vi.  18.  2  Rom.  xiv.  21. 


SHAKSPEAREAN  PAEALLELS.  121 

Enter  not  into  the  path  of  the  wicked,  and  go  not 
in  the  way  of  evil  men.  Avoid  it,  pass  not  by  it,  turn 
from  it,  and  pass  away.1 — PKOV.  iv.  14,  15. 

My  son,  if  sinners  entice  thee,  consent  thou  not. 

PKOV.  i.  10. 

Come  out  from  among  them,  and  be  ye  separate, 
saith  the  Lord,  and  touch  not  the  unclean  thing. 

2  COK.  vi.  17. 


He  is  no  man  on  whom  perfections  wait, 
That  knowing  sin  within  will  touch  the  gate. 
PERICLES,  PKINCE  OP  TYRE. 

Act  i.  Scene  1. 

lie  in  the  lap  of  sin,  and  not  mean  harm  1 
It  is  hypocrisy  against  the  devil ; 
They  that  mean  virtuously,  and  yet  do  so, 
The    devil   their  virtue   tempts,    and   they   tempt 
heaven. — OTHELLO.     Act  iv.  Scene  1. 

Satan  avoid  !    I  charge  thee  tempt  me  not. 

COMEDY  OF  ERRORS.     Act  iv.  Scene  3. 

'T  is  not  for  gravity  to  play  at  cherrypit  with  Satan. 
TWELFTH  NIGHT.     Act  in.  Scene  4. 

1  Ps.  i.  1,  2;  Eph.  v.  11. 


122  BIBLE  TRUTHS,  ETC. 

Do  not  give  dalliance 
Too  much  the  rein ;  the  strongest  oaths  are  straw 
To  the  fire  i'  the  blood. — TEMPEST.  Act  iv.  Scene  1. 

Sometimes  we  are  devils  to  ourselves, 

When  we  will  tempt  the  frailty  of  our  powers, 

Presuming  on  their  chainful  potency.* 

TROILUS  AND  CRESSIDA.    Act  iv.  Scene  4. 


XCIX. 

THE  DANGEK  OF  AN  UNGOVEKNED 
TONGUE. 

The  wicked  is  snared  by  the  transgression  of  his 
lips.1 — PROV.  xii.  13. 

The  lips  of  a  fool  will  swallow  up  himself.2 

ECCLES.  x.  12. 

Whoso  keepeth  his  mouth  and  his  tongue,  keepeth 
his  soul  from  troubles. — PROV.  xxi.  23. 


Many  a  man's  tongue  shakes  out  his  master's  un- 
doing. 

ALL'S  WELL  THAT  ENDS  WELL.     Act  n.  Scene  4. 

*  How  oft  the  sight  of  means  to  do  ill  deeds, 
Makes  deeds  ill  done  ! 

KING  JOHN.     Act  iv.  Scene  2. 
1  2  Sam.  i.  2-16 ;  Dan.  vi.  7,  8,  24.     2  Luke  xix.  22  ;  Job  xv.  6. 


SHAKSPEAEE'S  ALLUSIONS 


TO 


SCEIPTUEE  CHAEACTEES,  INCIDENTS,  ETC. 


IN  THE   NEW  TESTAMENT. 

He  alludes  to  Herod,  in  Henry  V.,  act  iii.,  sc.  3 ;  in 

Antony  and  Cleopatra,  act  i.,  sc.  2  ;  twice  in  act 

iii.,  sc.  3  of  the  same  play ;  also  in  act  iii.,  sc. 

6,  and  act  iv.,   sc.    6,   and  in  Hamlet,  act  iii., 

scene  2. 
To  Pilate,  in  King  Eichard  II.,  act  iv.,  sc.  1 ;  and 

King  Eichard  III,  act  i.,  sc.  4. 
To  Judas,  in  Love's  Labour 's  Lost,  act  v.,  sc.  2 ;  As 

You  Like  It,  act  iii.,  sc.  4 ;  King  Eichard  II., 

act  iii.,  sc.  2  ;  and  act  iv.,  sc.  1  ;  and  in  King 

Henry  VI.  (3d  part),  act  v.,  sc.  7. 
To  Barrabas,  in  the  Merchant  of  Venice,  act  iv.,  sc.  1. 
To  the  Parable  of  the  Rich  Man  and  Lazarus,  in  King 

Eichard  II.,  act  iv.,  sc.  1 ;   in  King  Henry  IV. 

(1st  part),  act  iv.,  sc.  2,  and  act  iii.,  sc.  3  of  the 

same  play. 


124  SHAKSPEARE'S  ALLUSIONS  TO 

To  the  Parable  of  the  Prodigal  Son,  in  the  Merry 
Wives  of  Windsor,  act  iv.,  sc.  5  ;  in  the  Comedy 
of  Errors,  act  iv.,  sc.  3 ;  in  King  Henry  IV.  (1st 
part),  act  iv.,  sc.  2  ;  in  As  You  Like  It,  act  i.,  sc. 
1 ;  and  in  the  Two  Gentlemen  of  Verona,  act  ii., 
sc.  3. 

To  the  Legion  of  Devils,  in  Twelfth  Night,  act  iii.,  sc. 
4  j  and  in  the  Merchant  of  Venice,  act  i.,  sc.  3. 

To  Golgotha,  in  Macbeth,  act  i.,  sc.  2 ;  and  in  King 
Eichard  II.,  act  iv.,  sc.  1. 

IN  THE  OLD  TESTAMENT. 

He  alludes  to  Adam,  twice  in  Much  Ado  about 
Nothing,  act  ii.,  sc.  1 ;  in  Love's  Labour 's  Lost, 
act  iv.,  sc.  2  ;  in  As  You  Like  It,  act  ii.,  sc.  1 ; 
in  the  Comedy  of  Errors,  act  iv.,  sc.  3  ;  in  King 
Henry  IV.  (1st  part),  act  iii.,  sc.  3  ;  in  King 
Henry  V.,  act  i.,  sc.  1  ;  in  King  Henry  VI  (2d 
part),  act  iv.,  sc.  2  ;  and  twice  in  Hamlet,  act  v., 
sc.  1. 

To  Adam  and  Eve,  in  Love's  Labour's  Lost,  act  v.,  sc. 
2  ;  and  in  King  Eichard  II.,  act  iii.,  sc.  4. 

To  Eve,  in  Two  Gentlemen  of  Verona,  act  iii.,  sc.  1  ; 
Merry  Wives  of  Windsor,  act  iv.,  sc.  2  ;  Twelfth 
Night,  act  i.,  sc.  5 ;  and  in  Love's  Labour 's  Lost, 
act  i.,  sc.  1. 

To  Cain,  in  Love's  Labour 's  Lost,  act  iv.,  sc.  2  ;  King 
John,  act  iii.,  sc.  4  ;  King  Eichard  II.,  act  v.,  sc. 
6 ;  King  Henry  IV.  (2d  part),  act  i.,  sc.  1 ;  King 


SCKIPTUKE   CHARACTERS,  ETC.  125 

Henry  VI.  (1st  part),  act  i.,  sc.  3 ;  Hamlet,  act 

v.,  sc.  1. 
To  Abel,  King  Kichard  II.,  act  1,  sc.  1  j  King  Henry 

VI.  (1st  part),  act  i.,  sc.  3. 
To  Abraham,  twice  in  the  Merchant  of  Venice,  act  i., 

sc.  3, 
To  Jacob,  five  times  in  the  Merchant  of  Venice,  act  i., 

sc.  3  ;  and  once  in  act  ii.,  sc.  5,  of  the  same  play. 
To  Japheth,  in  King  Henry  IV.  (2d  part),  act  ii.,  sc.  2. 
To  Hagar,  in  the  Merchant  of  Venice,  act  ii.,  sc.  5. 
To  Laban,  twice  in  the  Merchant  of  Venice,  act  i.,  sc.  3. 
To  Noah,  in  Twelfth  Mght,  act  iii.,  sc.  2. 
To  the  Flood,  in  the  Comedy  of  Errors,  act  iii.,  sc.  2. 
To  the  Beasts  entering  the  Ark,  in  As  You  Like  It,  act 

v.,  sc.  4. 
To  Pharaoh's  Soldiers,  in  Much  Ado  about  Nothing, 

act  iii.,  sc.  3. 
To  Pharaoh's  Lean  Kine*  King  Henry  IV.  (1st  part), 

act  ii.,  sc.  4. 
To  the  manner  of  Sisera's  death,  in  the  Tempest,  act 

iii,  sc.  2. 

To  Job,  in  King  Henry  IV.  (2d  part),  act  i.,  sc.  2. 
To  Job  and  his  Wife,  in  Merry  Wives  of  Windsor,  act 

v.,  sc.  5. 

*  Stevens  says  that  the  following  lines  from  Hamlet,  act  iii., 
sc.  4,  contain  an  allusion  to  Pharaoh's  dream,  in  Gen.  xli.  : — 

Look  you  now,  what  follows  : 
Here  is  your  husband ;  like  a  mildew 'd  ear, 
Blasting  Ms  wholesome  brother. 

But  the  allusion  is  a  little  obscure,  and  may  be  questioned. 


126  SHAKSPE ARE'S  ALLUSIONS  TO 


To  Daniel,  in  the  Merchant  of  Venice,  act  iv.,  sc.  1. 
To  Nebuchadnezzar,  in  All 's  Well  that  Ends  Well,  act 

iv.,  sc.  5. 

To  Samson,  in  Love's  Labour  ;s  Lost,  act  i.,  sc.  2. 
To  Samson  and  Goliath,  in  King  Henry  VI.  (1st  part), 

act  i.,  sc.  2. 

To  Goliath,  in  Merry  Wives  of  Windsor,  act  v.,  sc.  1. 
To  Deborah*  in  King  Henry  VI.  (1st  part),  act  i.,  sc.  2. 
To  Jezebel,  in  Twelfth  Mght,  act  ii.,  sc.  5. 
To  Jephthah,  in  Hamlet,  act  ii.,  sc.  2;  and  in  King 

Henry  VI.  (2d  part),  act  iii.,  sc.  2. 
To  David,  in  King  Henry  IV.  (2d  part),  act  iii.,  sc.  2. 
To  Ahithophel,  in   King   Henry  IV.  (2d  part),  act  i., 

sc.  2. 
To  Solomon,  in  Love's  Labour 's  Lost,  act  i.,  sc.  2,  and 

act  iv.,  sc.  3. 
To  the  Queen  of  Sheba,  in  King  Henry  VIII.,  act  v., 

sc.  4.t 


I  have  collected  these  Allusions  in  order  to  illus- 
trate more  fully  the  frequency  and  facility  with  which 
Shakspeare  was  in  the  habit  of  referring  to  such  sub- 
jects, and  to  shew  with  what  extreme  readiness  they 
offered  themselves  to  his  mind  and  pen;  arguing,  as 
they  do,  a  familiarity  with  the  Bible  not  very  common 
in  any  case,  and,  in  his  particular  arena,  most  singu- 

*  Not  Kebekah's  nurse,  but  Deborah  the  prophetess, 
f  Shakspeare  also  alludes  to  several  characters  of  the  Apocry- 
phal books  which  I  have  not  included  in  the  above. 


SCEIPTUKE   CHARACTERS,  ETC.  127 

larly  exceptional.  Besides  these,  there  are  still  a  great 
number  of  passages  in  his  writings,  although  not 
quotable  either  as  parallels  or  as  direct  allusions,  that 
nevertheless,  by  some  peculiarity  of  phrase  or  figure, 
distinctly  reveal  a  biblical  source,  or  suggest  at  once 
some  biblical  equivalent.  Take,  for  example,  the 
following  from  "All's  Well  that  Ends  Well,"  act  ii., 
sc.  1,  where  Helena,  the  daughter  of  a  famous  physi- 
cian, in  trying  to  persuade  the  King  of  France  to  try 
the  remedy  she  possesses  for  the  cure  of  his  disease, 
pleads  the  following  arguments  in  defence  of  her  youth 
and  seeming  inexperience  : — 

He  that  of  greatest  works  is  finisher, 

Oft  does  them  by  the  weakest  minister ; 

So  holy  writ  in  babes  hath  judgment  shown, 

When  judges  have  been  babes.     Great  floods  have 

flown 

From  simple  sources ;  and  great  seas  have  dried 
When  miracles  have  by  the  greatest  been  denied. 
Oft  expectation  fails,  and  most  oft  there 
Where  most  it  promises ;  and  oft  it  hits 
Where  hope  is  coldest,  and  despair  most  sits. 

What  a  comprehensive  ramification  of  biblical  al- 
lusion do  these  few  words  contain.  The  first  lines  call 
to  mind  at  once  the  text  in  1st  Corinthians — "  God 
hath  chosen  the  foolish  things  of  the  world  to  confound 
the  wise,  and  the  weak  things  of  the  world  to  confound 
the  things  that  are  mighty."  Then  in  the  next  lines 
we  are  reminded  of  Matthew  xxi.  16 — "Out  of 
the  mouths  of  babes,"  etc.,  and  in  the  words,  "When 
judges  have  been  babes,"  of  the  child-prophet  Samuel, 


128  BIBLICAL  TONE   OF 

and  of  the  youthful  Daniel  judging  the  two  elders.  In 
the  next  sentence  we  have  a  hint  of  Moses'  miracle  in 
Horeb  (Exodus  xvii.),  and  in  the  passage,  "  Great  seas 
have  dried/'  etc.,  reference  is  made  to  the  children  of 
Israel  passing  through  the  Red  Sea,  when  the  power  by 
which  such  miracles  were  wrought  was  denied  by  "  the 
greatest,"  evidently  alluding  in  this  case  to  Pharaoh. 

But,  although  such  numerous  allusions  undeniably 
prove  a  most  intimate  and  ready  acquaintance  with  the 
Bible,  it  is  not  the  literal  evidence  these  afford,  so  much 
as  the  general  tone  and  morality  of  the  works  of  Shak- 
speare  that  reveal  the  eminently  scriptural  tendency  of 
his  genius.  The  letter  in  many  cases  yields  but  a 
doubtful  testimony.  Shakspeare  himself  tells  us  that 
even  "  the  devil  can  cite  Scripture  for  his  purpose,"  and 
it  is  not  so  much  in  these  verbal  proofs,  as  in  the  purely 
scriptural  character  of  his  exalted  philosophy  that  the 
most  conclusive  evidence  of  this  distinguishing  tendency 
is  shown.  Outside  the  Scriptures  themselves  there  is 
no  more  eloquent  exponent  of  divine  truth  than  he ;  and 
so  comprehensive  is  the  range  of  his  intelligence  in  this 
specialty  of  his  many-sided  power,  that  there  is  scarcely 
a  valuable  truth  in  the  wide  field  of  moral  philosophy 
the  Scriptures  unfold,  he  has  not  wielded  with  the  over- 
whelming power  which  genius  only  can,  and  illustrated 
with  that  colossal  breadth  of  utterance  which  is  his, 
and  his  alone. 

x  One  of  the  greatest  attractions  in  the  biblical  tone 
of  his  philosophy,  arises  from  its  being  so  eminently 
characterized  by  those  influences  which  flow  more  im- 


SHAKSPEARE'S  MORALITY.  129 

mediately  from  Christian  sources,  and  from  the  fact 
of  its  never  sinking  to  the  dead  level  of  that  respect- 
able pagan  morality  which  constituted  the  greater 
part  of  the  philosophy  of  his  classical  times,  and,  un- 
fortunately, still  continues  to  hold  its  place  in  a  great 
deal  of  the  morality,  and  more  especially  of  the  preached 
morality  of  our  own.  In  our  own  day,  however,  it  is 
unquestionably  exhibiting  symptoms  of  a  steady  decline. 
The  regular  trade  article  in  morality  has  not  the  ready 
market  it  once  had,  and  is  not  listened  to  with  anything 
like  the  same  degree  of  patience.  The  dispensers  of 
these  "  beggarly  elements  "  of  philosophy  have  almost 
had  their  day  ;  the  age  has  out-grown  them,  and  ex- 
hibits a  daily  increasing  impatience  of  their  distressing 
unfitness.  Perhaps  they  will  not  be  much  longer 
wanted.  In  these  times  of  miraculous  mechanical  con- 
trivance, I  live  in  daily  expectation  that  some  moral 
Babbage  will  invent  a  machine,  something  of  the  nature 
of  the  calculating  hand-organ  of  his  name,  which,  with 
every  revolution,  shall  evolve  these  respectable  old  tru- 
isms, with  a  corollary  of  appropriate  reflections  to  each, 
so  many  in  the  minute,  that  will  effectually  supersede 
the  flesh  and  blood  apparatus  now  in  use  for  that  pur- 
pose. Such  an  invention  would  not  only  save  the 
conscientious  hearer  that  harassing  irritation  that  arises 
between  the  duty  of  listening  and  the  difficulty  of  list- 
ening to  any  profit,  but  it  would  save  the  speaker  also 
the  moral  twinge  that,  in  every  honest  man,  must  ac- 
company the  heartless  reiteration  of  such  barren 
twaddle. 

K 


130  BIBLICAL  TONE  OF 


}  to 


But  to  return  to  our  subject  :  it  is  impossible  to 
find  any  of  this  ready-made  article  in  Shakspeare.  You 
never  detect  his  morality  arranged  in  graceful  folds 
about  him  for  purposes  of  exhibition ;  far  less  in  any 
case  in  the  shape  of  mere  literary  padding.  As  you 
read  you  feel  that  it  is  in  the  blood  and  bone  ;  that  his 
philosophy  and  he  have  indeed  "  grown  together,"  and 
that  their  parting  would  be  "  a  tortured  body." 

The  peculiarly  Christian  spirit  I  have  referred  to  as 
leavening  his  whole  philosophy  is  everywhere  observ- 
able in  the  fondness  with  which,  through  the  medium 
of  his  nobler  characters,  he  produces  in  endless  change 
of  argument  and  imagery,  illustrations  of  that  wisdom 
which  is  "first  pure,  then  peaceable,  gentle,  and  easy 
to  be  entreated."  In  his  allusions  to  the  Almighty,  he 
delights  in  those  attributes  that  more  particularly  repre- 
sent him  in  the  character  of  his  New  Testament  title  of 
of  "  The  God  of  Peace  ; "  and  between  man  and  man 
would  rather  inculcate  the  humanizing  doctrine  of  for- 
giveness, and  recommend  the  "  quality  of  mercy,"  than 
the  rugged  justice  of  the  "  eye  for  eye  and  tooth  for 
tooth  "  morality  of  the  first  dispensation.  With  what 
tenderness,  and  yet  with  what  power  he  advocates,  in 
innumerable  passages,  those  virtues  which  more  im- 
mediately grow  from  the  seed  sown  in  the  Christian 
revelation  ;  of  that  gentle  spirit  that  "  seeketh  not  her 

own." 

"  That  hath  a  tear  for  pity,  and  a  hand 
Open  as  day  for  melting  charity." 

Of  Forgiveness  :  the  forgiveness  that,  carrying  the  fifth 


SEAKSPEARE'S  MORALITY.  131 

petition  of  the  Lord's  Prayer  in  its  heart,  can  say,  "  I 
pardon  him,  as  God  shall  pardon  me."  Of  Kindness, 
"  the  cool  and  temperate  wind  of  grace,"  "  nobler  ever 
than  revenge  ; "  Kindness,  that  to  help  another  in 
adversity 

"  Will  strain  a  little, 
For  'tis  a  bond  in  men." 

Of  Forbearance,  that  teaches  "  To  revenge  is  no  valour 
but  to  bear  ;  "  and  that 

"  The  rarer  action  is 
In  virtue  than  in  vengeance." 

Of  Charity  ("an  attribute  to  God  himself"),  that 
droppeth  as  the  gentle  rain  from  heaven,  upon  the 
place  beneath."  Of  Peace,  that  "  draws  the  sweet 
infant  breath  of  gentle  sleep  ; "  not  the  peace,  however, 
of  inaction  ;  not  the  maudlin  peace  at  any  price  of  the 
half-hearted  and  timid,  for  he  teaches  also  that, 

"  Rightly  to  be  great 
Is  greatly  to  find  quarrel  in  a  straw, 
When  honour's  at  the  stake  ;" 

but  that  self-restraining,  self-denying,  self-victorious 
peace  ;  that  peace  which 

"  Is  of  the  nature  of  a  conquest ; 
For  then  both  parties  nobly  are  subdued, 
And  neither  party  loser." 

Of  Pity  "  that's  a  degree  *  to  love."      Of  Compassion 
*  Kelation. 


132  BIBLICAL  TONE  OF 


that  hates  "  the  cruelty  that  loads  a  falling  man,"  and 
tells  us 

"  Tis  not  enough  to  help  the  feeble  up, 
But  to  support  him  after." 

And  again,  of  the  duty  of  charitable  judging,  a  duty  so 
emphatically  prominent  in  New  Testament  morality, 
where  can  we  find  a  more  pointed  and  more  powerfully 
beautiful  rendering  of  the  text  "  Judge  not  lest  ye  be 
judged,"  than  in  the  following  passage  from  "  Measure 
for  Measure" — words  that  might  arrest  an  unkind 
speech  on  the  very  lips,  sending  it  back  "  as  deep  as  to 
the  lungs." 

"  How  would  you  be, 

If  He,  which  is  the  top  of  judgment,  should 
But  judge  you  as  you  are  ?     0,  think  on  that, 
And  mercy  then  will  breathe  within  your  lips, 
Like  man  new  made.'1 

On  the  other  hand,  there  is  scarcely  a  vice  he  has 
not  helped  to  make  more  repugnant,  and  which  he  has 
not  gibbeted  in  its  turn.  On  this  side  of  the  question 
he  utters  no  uncertain  sound,  nor  ever  incurs  the  woe 
the  prophet  threatens  "  unto  them  that  call  evil  good 
and  good  evil."  For  although  possessing  above  all  men 
the  power  to  "  season  with  a  gratious  voice,"  he  never 
uses  it  to  "  obscure  the  show  of  evil,"  but  with  a  rhetoric 
that  gives  no  quarter,  and  that  in  some  cases  would  be 
inexcusably  coarse,  except  upon  the  plea  of  his  own 
proverb,  that  "  diseases  desperate  grown  "  are  only  to  be 
remedied  by  "desperate  appliance,"  he  attacks  the  enemy 
with  the  zeal  of  a  reformer.  With  a  matter  of  fact  liter- 


SHAKSPE ARE'S  MORALITY.  133 

ality  of  power  and  purpose,  that  disarms  vice  at  all  points 
of  the  delusive  fascination  that  surrounds  it,  and  strips 
all  falsehood  of  its  dangerous  plausibility  : — 

"  The  seeming  truth  which  cunning  times  put  on, 
To  entrap  the  wisest." 

With  a  magic  eloquence  that  dissolves  "  into  thin  air  " 
every  argument  that  would  attempt  to 

"  Hide  the  grossness  with  fair  ornament," 

and  with  an  utter  scorn  and  repudiation  of  the  self- 
deceiving  and  exculpatory  logic  that  would  "  skin  the 
vice  o'  the  top,"  he  drags  it  to  the  light  of  day,  and  ex- 
hibits the  monster  in  all  its  native  hideousness,  with 
"  the  primal  eldest  curse  uponV  One  after  another, 
in  dismal  procession,  he  leads  the  culprits  out,  to  take 
their  place  in  a  pillory-that  will  last  as  long  as  language, 
making  them  hateful  in  a  single  line,  sometimes  in 
a  single  epithet,  "  Leanfaced  Envy  ; "  "  Back- wounding 
Calumny;"  "Tiger-footed  Kage;"  "Vaulting  Ambi- 
tion "  ("  by  that  sin  angels  fell ") ;  "  Viperous  Slander/' 
"  whose  tongue  out- venoms  all  the  worms  of  Nile ; " 
Jealousy,  "  The  Green-eyed  Monster  ; "  Ingratitude, 
"The  Marble-hearted  Fiend,"  and  that  most  heinous 
form  of  it,  "  Filial  Ingratitude,"  he  puts  in  its  perfect 
place  in  these  two  lines  : — 

"  Is  it  not  as  this  mouth  should  tear  this  hand, 
For  lifting  food  to't?" 

"  Avarice,"  the  "  ambitious  foul  infirmity/'  that  "  Grows 
with  such  pernicious  root." 


134  BIBLICAL  TONE  OF 

The  Deceitfulness 

"  Which  to  betray  doth  wear  an  angel's  face, 
Seize  with  an  eagle's  talons." 

The  relentless  Implacability  that  is  "  beastly,  savage, 
devilish."  The  deep  Duplicity  that  can  "smile  and 
smile  and  be  a  villian."  The  Hypocrisy,  that  "  with 
devotion's  visage,  and  pious  action,"  can  "  sugar  o'er  the 
devil  himself." 

The  eloquent  power  with  which  Shakspeare  repro- 
duces the  leading  truths  of  Scripture,  tells  with  what 
terrible  effect — "sharper  than  a  two-edged  sword" — 
they  must  have  entered  his  own  soul ;  and  not  entering 
merely,  but  taking  sternest  possession,  and  "  bringing 
into  captivity  every  thought"  to  their  obedience. 
Judging,  indeed,  from  his  works,  never  did  the 
seed  fall  in  more  fertile  ground,  producing  and  re- 
producing flowers,  fruit,  and  seed  again  "  an  hundred- 
fold," and  in  a  form  so  catching  and  so  easy  of  re- dis- 
tribution, that  no  doubt  many  a  chance  wind,  acting 
unconsciously  as  God's  missionary,  has  carried  stray 
seeds  of  his  genius  far  into  the  waste  places  of  the 
earth,  and  permeating  the  crowded  and  almost  inacces- 
sible centres  of  those  moral  deserts  called  civilized,  must 
have  cheered  and  re-established  in  hope  many  a  poor 
neglected  heart  that,  but  for  him,  had  scarcely  heard  of 
the  good  seed  at  all. 

Some  of  his  most  eloquent  passages  exhibit  in  a  re- 
markable degree  that  invaluable  power,  which  seems  to 
belong  exclusively  to  genius,  and  most  eminently  to  his, 


SHAKSPEARE'S  MORALITY.  135 

of  impressing  us  with  those  truths,  which,  from  their 
universally  acknowledged  importance,  have  at  length 
sunk  by  their  extreme  triteness  into  the  most  vapid  of 
common-places;   so   utterly  "flat,  stale,  and  unprofit- 
able "  as  almost  to  have  ceased  impressing  us  at  all. 
Truths  that  are  old  enough  to  have  come  in  with  the 
light  from  chaos,  and  have  been  the  common  property 
of  philosophers  ever  since  ;  truths  that  in  modem  times 
are  handed  about,  and  looked  upon  rather  in  the  light 
of  interesting  moral  fossils,  than  calculated  in  any  way 
to  fill  a  useful  office  in  life,  and  that,  no  doubt,  if  there 
is  any  truth  in  the  theory  of  the  extreme  antiquity  of 
the  race,  must  have  constituted  the  principal  stock-in- 
trade  of  the  pre-Adamite  moralist,  if  that  interesting 
variety  of  the  genus  homo  was  then  developed.     These 
fossiliferous  cake-dried  axioms,  that  in  common  hands 
have  almost  ceased  to  retain  any  organic  feature,  with 
one  touch  from  the  genius  of  Shakspeare  start  into  new 
life,  shake  off  the  trammels  of  prescribed  form,  and  walk 
forth  again  in  the  proportions  of  nature.    And,  although, 
in  many  cases  he  takes  his  text  from  the  homeliest  of 
every-day  reflections,  his  morality  never  flattens  into 
preaching,  his  advice  is  never  obtrusive,  his  rebuke 
never  degenerates  into  mere  railing,  his  sentiment  never 
sickens  into  sentimentality.       The  old  gray-haired  re- 
flections that  wag  their  heads  and  their  tongues  in  stereo- 
typed phrase  over  such  subjects  as  the  "  swiftness  of 
time,"  the  "  shortness  of  life,"  the  "  danger  of  delay," 
and  such  like  ;  subjects  that  have  served  the  purposes 
of  philosophers  and  moralists  so  long,  that  it  is  all  but 


136  BIBLICAL  TONE  OF 


impossible  to  say  anything  new  about  them  that  is  true 
or  true  that  is  new ;  these  he  clothes  with  such  fresh- 
ness and  rejuvenescence,  and  launches  with  such 
emphasis  and  originality  that  they  strike  again  as  if  for 
the  first  time. 

Truths  of  a  more  purely  religious  nature  he  touches 
with  the  simple  reverence  of  one  who  feels  that  he  is 
handling  sacred  things,  and  he  never  loses  an  oppor- 
tunity of  bringing  their  higher  influence  to  bear  on  the 
ordinary  conduct  of  life.  Amongst  those  zealous  bio- 
graphers of  Shakspeare  who  have  laboured  to  shew 
what  employment  or  profession  he  was  educated  for, 
and  what  office  in  life  he  was  originally  intended  to 
fill  (from  evidence  afforded  by  particular  passages  in 
his  works,  such  as  those  quoted  by  Malone,  and  con- 
curred in  by  Collier,  as  tending  to  prove  he  must  have 
studied  for  the  law,  or  such  as  many  other  of  his  bio- 
graphers have  brought  forward  in  support  of  the  various 
professions  they  severally  contend  for),  I  have  often 
wondered  that  no  ingenious  critic  should  ever  have  at- 
tempted to  shew  that  he  must  have  been  intended  for 
the  church. 

Certainly  the  theory  would  not  be  any  more  absurd 
than  some  of  those  that  have  been  already  argued,  and 
innumerable  passages  might  be  quoted  from  his  works 
in  support  of  it,  that  would  not  require  half  the  racking 
to  make  them  fit,  that  some  of  them  have  been  subjected 
to  for  similar  purposes. 

It  is  indeed  impossible  to  peruse  his  works  with- 
out the  reflection  being  repeatedly  forced  upon  one,  that 


ue, 


SHAKSPEARE'S  MOKALITY.  137 

if  the  world  in  him  has  gained  its  greatest  dramatist,  it 
has  at  least  lost  a  divine — perhaps  the  divinest. 

Jeremy  Taylor  has  been  called  u  The  Shakspeare  of 
the  Church,"  and  probably  he  of  all  others  best  deserves 
the  compliment.  Yet,  putting  them  both  together,  and 
honestly  looking  "  upon  this  picture  and  on  that,"  it  is 
impossible  but  to  admit  that  the  good  bishop  suffers 
considerably — as  indeed,  who  does  not  ? — by  such  a 
comparison.  If  Shakspeare's  mind  is  at  all  reflected  in 
his  works ;  if  in  them,  he  has,  in  his  own  phrase, 

"  Set  us  up  a  glass 
Where  we  can  see  the  inmost  part  of  him," 

he  has  certainly  revealed  a  moral  genius,  whose  un- 
paralleled force,  and  almost  inconceivable  fecundity,  has 
lifted  him  out  of  all  comparison  with  any  other  writer, 
divine  or  otherwise,  and  in  fact  has  exhibited  "material " 
enough  ( "  not  to  speak  it  profanely  " )  to  furnish  a  whole 
Upper  House  of  ordinary  bishops. 

Of  his  other  general  gifts,  had  they  been  developed 
in  that  direction,  whose  eloquence  could  have  been  more 
powerful  than  his,  "  to  stir  men's  blood,"  and  awaken 
the  "  capability  and  god-like  reason  "  to  clearer  concep- 
tions of  its  highest  interests  ? 

To  whose  more  gifted  tongue  could  with  greater 
power  have  been  committed  the  "  oracles  of  God  1"  with 
eloquence  like  his  to  such  a  "  cause  conjoined." 

"  Preaching  to  stones 
Would  make  them  capable." 


138  BIBLICAL  TONE  OF 

What  voice  more  tenderly  fitted  than  his — "  in  words 
that  rob  the  Hybla  bees,  and  leave  them  honeyless  " — 
to  teach  the  sweet  "  uses  of  adversity  ? "  to 

"  Speak  patience 
To  those  that  wring  under  the  load  of  sorrow  ; " 

or  to  commend  the  efficacy  and  "  twofold  force  "  of 
prayer — 

"  To  be  forestalled  ere  we  come  to  fall, 
Or  pardoned  being  down." 

Or,  turning  from  the  amenities  of  the  gospel  to  the 
frowning  terrors  of  the  law,  who  could  have  wielded 
the  sword  of  the  Spirit  with  more  terrible  effect  than 
he?  Never  did  any  writer  bring  nearer  to  the  con- 
sciences of  men  those  influences  which  reach  us  from 
"  that  undiscovered  country/'  the  world  of  spirits  ;  or 
urge  with  greater  force  those  wholesome  restraints  that 
grow  out  of  "  a  dread  of  something  after  death  ; "  whilst 
in  the  shuddering  glimpses  he  gives  us  of  the  torments 
of  a  horrible  hereafter,  "the  secrets  of  the  prison-house  " 
are  revealed  to  us,  and  rendered  with  such  terrific 
effect  as  to  turn  all  the  fire  and  brimstone  eloquence  of 
ordinary  preaching  into  the  merest  pyrotechny  and  in- 
effectual cracker.  Who  again  teaches  us  the  dread 
lessons  of  all-eloquent  death, — 

"  Last  scene  of  all, 
That  ends  life's  strange  eventful  history," 

in  more  impressive  language  than  he]  that  "fell  arrest 
without  all  bail,"  which  one  day  will  lay  hold  upon  each 


SHAKSPEAKE'S  MORALITY.  139 

one,  with  its  warrant  in  the  name  of  God,  from  which 
there  can  be  no  appeal.  Though  "  we  fat  all  creatures 
else,"  says  he,  "  to  fat  us,  we  fat  ourselves  for  maggots." 
Do  what  we  can  to  ward  off  and  postpone  the  evil  day, 
it  will  come  in  spite  of  all  the  cunning  and  skill  we 
can  bring  to  bear  against  it,  for  he  reminds  us  that,  al- 
though 

"  By  medicine  life  may  be  prolonged,  yet  death 
Will  seize  the  doctor  too." 

He  takes  every  available  opportunity  of  edging  in  the 
salutary  remembrance  of  the  "  one  event  that  happeneth 
to  the  righteous  and  to  the  wicked,  to  the  clean  and  to 
the  unclean  ;"  giving  particular  prominence  to  the  fact 
that  "  there  is  no  discharge  in  that  war." 

It  spares  no  ranks,  and  has  no  respect  of  persons. 
"  Your  fat  king  and  your  lean  beggar  is  but  variable 
service,  two  dishes  but  to  one  table."  Let  a  man  have 
all  the  advantages  this  world  can  bestow,  "  on  fortune's 
cap,  the  very  button,"  "  framed  in  the  prodigality  of 
nature,"  and  let 

"  his  fame  fold  in 
This  orb  o'  the  earth  ;" 

nevertheless,  unto  him,  as  unto  all,  the  day  will  come, 
when 

"  Two  paces  of  the  vilest  earth 
Is  room  enough." 

The  objection,  however,  may  be  made,  that  we  have 
been  dwelling  altogether  upon  Shakspeare's  virtues, 


140  BIBLICAL  TONE  OF 

without  once  mentioning  his  faults  ;  that  we  have  been 
drawing  attention  to  his  beauties,  but  have  said  nothing 
about  what  may  be  considered  objectionable  in  him. 

Yet,  of  course,  it  will  be  admitted,  that  in  collecting 
parallels  from  his  works,  wherewith  to  illustrate  the 
truths  of  Scripture,  it  was  altogether  unavoidable  that 
the  higher  side  of  his  philosophy  should  thereby  be  ex- 
hibited. As  for  his  faults,  for  although  all  those  who 
have  made  a  study  of  his  works,  and  to  whom  his  wis- 
dom is  "  familiar  as  household  words,"  will  be  ready  to 
say  in  the  language  of  one  of  his  most  eminent  con- 
temporaries, "  I  honour  his  memory  on  this  side  idolatry 
as  much  as  any  man ; "  *  it  would  be  saying  he  was 
more  than  human  to  say  he  had  none,  whilst  perhaps 
the  very  humanness  of  his  philosophy,  so  closely  coincid- 
ing and  dovetailing  with  the  innermost  experiences  of 
his  fellow-men,  is  the  only  satisfactory  explanation  of 
his  world-wide  fame,  and  the  main  secret  why  "all 
men's  hearts  are  his."  Most  of  his  shortcomings,  how- 
ever, will  be  found  on  examination  to  belong  more  to 
the  age  in  which  he  lived  than  to  the  man  himself  -, 
impurities  in  a  great  measure  contracted  from  the  con- 
tagious circumstances  through  which  it  was  his  lot  to 
pass,  and  which  seem  to  have  oppressed  no  man  so 
much  as  they  did  Shakspeare  himself.  For,  on  com- 
paring his  works  with  those  of  his  contemporaries  in 
the  same  department  of  literature,  it  is  impossible  not 
to  be  struck  with  the  higher  standard  of  morality,  and 

*  Ben  Jonson— Discoveries. 


SHAKSPE  ARE'S  MORALITY.  141 

the  immeasurably  greater  purity  of  his  writings.  In 
his  sonnets  (the  only  trustworthy  biography  of  his  inner 
life)  we  find  him  deploring  the  associations  which  the 
nature  of  his  public  calling  inevitably  drew  upon  him, 
in  the  following  lines  : — 

"  0,  for  my  sake  do  you  with  fortune  chide, 
The  guilty  goddess  of  my  harmful  deeds, 
That  did  not  better  for  my  life  provide, 
Than  public  means,  which  public  manners  breeds. 
Thence  comes  it  that  my  name  receives  a  brand, 
And  almost  thence  my  nature  is  subdued 
To  what  it  works  in  like  the  dyer's  hand  : 
Pity  me  then,  and  wish  I  were  renew'd  ; 
Whilst  like  a  willing  patient,  I  will  drink 
Potions  of  eyesell  *  'gainst  my  strong  infection, 
No  bitterness  that  I  will  bitter  think, 
Nor  double  penance,  to  correct  correction. 
Pity  me  then,  dear  friend."  t 

To  such  as  do  not  deem  this  a  sufficient  answer,  we 
have  nothing  further  to  urge,  but  would  only  ask  a 
question  in  return ;  the  perfect  man,  who  is  he  1  Where 
shall  we  find  "the  beauty  of  the  world,  the  paragon 
of  animals,"  without  the  "dram  of  base;''  the  per- 
fection 

"  so  absolute 
That  some  impurity  doth  not  pollute," 

the  precious  metal  "  unmixed  with  baser  matter." 

In  the  words  of  the  wise  king,  "  Who  can  say,  I 
have  made  my  heart  clean.  I  am  pure  from  my  sin  ? " 

*  Vinegar.  f  Sonnet  CXI. 


142     BIBLICAL  TONE  OF  SHAKSPEARE'S  MORALITY. 

or  who,  "before  Hamlet's  searching  query,  can  do  other- 
wise than  stand  silent,  "  Use  every  man  after  his 
desert,  and  who  shall  'scape  whipping  1 " 

It  has  been  said  that  the  best  of  men  at  best  is  but 
a  man ;  so  we  must  even  accept  Shakspeare  on  the  like 
human  conditions ;  and  it  is  enough,  perhaps,  to  leave 
the  question  here,  and  keeping  our  eyes  still  upon  his 
virtues,  which  alone  can  profit  us,  to  say  that,  except  in 
the  inspired  volume  itself,  there  is  no  higher,  no  purer 
philosophy;  no  more  exalted  conceptions  of  the  Al- 
mighty, or  of  all  that  is  good  and  beautiful  in  his  uni- 
verse ;  no  keener,  shrewder  wisdom  for  men's  use ;  no 
deeper,  surer  counsels  —  with  "the  milk  of  human 
kindness  "  running  audibly  through  them — for  life's 
trials ;  no  wider,  larger-hearted  sympathy  for  the  whole 
human  race,  than  can  be  found  in  the  writings  of 
Shakspeare. 


PR     Brown,  James  Bucham 
3012      Bible  truths 
B7 


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