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BIOGRAPHICAL    DICTIONARY 

OF 

MEDALLISTS 


VOLUME   III. 
I  β€”  MAZ. 


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>.β–     -!s-.. 


LEONE      LEONI 
At  the  Age  of  30.  2.    At  the  Age  of  4 


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BIOGRAPHICAL    DICTIONARY 


MEDALLISTS 

COIN-,  GEM-,  AND   SEAL-ENGRAVERS 
MINT-MASTERS,  &c:. 

ANCIENT  AND  MODERN 

WITH    REFERENCES  TO  THEIR    WORKS 

B.C.   500  β€”    A.D.    1900 
COMPILl'll 


VOLUME  III 
I  β€”  MA2, 

EDITION    LIMITED   TO    5OO    C 


SPINK    &    SON  L" 

17    &    i8  PICCADILLY  W.   AN! 


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BIOGRAPHICAL    NOTICES 


MEDALLISTS 

Coin,  Gem-,  and  Seal-Engravers,  Ancient  and  Modern, 
luith  References  to  their  Works. 

B.C.  500  β€”  A.D.  1900 


I  Fide  JUNZINGER.  Miiu-master  at  Durkcii,  1626. 

1  rii^e  ANTON  VON  JANINALLI.  Mint-master  at  Prague,  166S-1688. 

I    Fide    JOHANN  HEINRICH  (SAGAN).    Mint-master  at  Sagan,    in 
Wallenstein's  service,  1628. 

I   Fide  JACHTMAKN,   JOHANN  LUDWIG.  1776-1842.  Medallist  at 
Berlin. 

A.I.  Fide  ALEXEI  IWANOFF.  Die-sinker  at  St.  Petersburg,  during 
the  early  years  of  the  nineteenth  century  (^circ.  1799-1802). 

A.  I.   Fide   ALBRECHT    JAMNITZER.    Die-sinker   at    Kuremberg, 
'{-  1590- 

K.l.B.Fide   BALTHASAR  JOHANN    BETHMANN.    Mint-master    at 
Darmstadt,  1707-1735. 

B.  I.  B,    Fide    BALTHASAR  JOHANN  BENGERADT.    Mint-master  at 
Frankfort-on-MainCj  1738-1762;  died  in  1784, 

r..  FonEER.  β€”  BJpgmpbml  NaUcnafMrdillhl.  β€”  III.  1 

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B.  I.  D.  Vidf  BERNHARD  JULIUS  DEDEKIND.  Mint-engravei-  at 
Brunswick,  1723,  Mi  lit -ward  en  in  1729,  and  Mint-master  1732- 
1742. 

C.  I.  Fide  CONSTARTIN  JABLONOWSKI.  Mint-engraver  at  Olkusz, 
in  tiie  district  of  Kraknu,  1767. 

CLE.  Fide  BATSVEL.  Mint-master  at  C:!ssel,   1744-1763. 

C.  I.  L.  Fi'i^eCHRISTOPH  JAKOB  LEHERR.  Mint-engraver  at  Augs- 
burg, 1683;  suffered  capital  punishment  in  1707  as  a  forger  of 
coins. 

C.  I.  W.  Vide  CARL  JOHANN  WIKMANN.  Medallist  at  Stockholm, 
circa  1747-17S3. 

Bibliography.  β€”  Schliclieysen-Pallmami,  op.  cil. 

CI  (Germ.').  This  signature  occurs  in  very  minute  characters  on 
the  truncation  of  two  medals,  which  Erman  compares  with  the 
works  of  M.  Carl  as  offering  a  certain  analogy  of  style  and  treatment. 
These  medals  are  :  1590.  Veit  Plant  and  his  consort  Anna  (Berlin 
Museum);  β€”  i6oo.  Andreas  Schmidmair  (Berlin  Museum;  ilhts- 
trated). 


To  the  same  artist,  who  may  have  been  Christoph  Jamnitzcr, 
belong  also  the  following  works  :  1593.  Paul  Breining  (Berlin)  ;  β€” 
1601.  Balthasar  Baumgartner  (Berlin);  and  perhaps  also  :  1608, 
S.  Schweigger  (Berlin);  β€”  as  well  as  two  medals,  one  large  and 
one  small,  ofSigmund  Gamersfelder  and  consort  Maria,  i6i3(Beriin, 
and  Mer^bacher,  Kunstriudailkn  Kalalog,  n"  400).  Tlie  medals  of 
S.  Schweigger  and  S.  Gamersfelder  are  signed  C  . 

Bibliography,  β€”  Erman,  Deutsche  Medailletire,  pp.  62  aad  78. 


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β€”  3  β€” 

D.P.  I,  (7to/.).  Signature  of  a  Medallist  wlio  wns  working  c/Vi:Β«  1490. 
It  is  found  on  a  Portrait-medal  of  Filippo  Casoli,  Doctor  and 
Professor,  Bust  to  L.I^.OMN.ITALIAE.GYMNAS. LECTORIβ€” 
β€”  DPI.  Apollo  in  cuirass,  and  holding  musical  instrument,  is  seen 
walking  above  a  town  surrounded  by  fortifications. 

BraLioGRAPHY.  ^  Armand,  Les  MMaiUeun  ilaliens,  I,  p.  101. 

E.  I.  Fide  ERICH  JAGER.  Mint-master  at  Zerbst,  1622-1625. 

E.  I.  K.  Fide  KRULL.  Mint-master  at  Hanau,  Cassel  and  Frankfort- 
on-M.,  1737-1742,  and  Brunswick,  1742-1750;  also  J.  K.,  E.  K.  or 
EK. 

F.  I.  G.  Fide  FRANZ  JOHANN  GILLY.  Mint-master  at  Langcnargen, 
1690-1694. 

F.  I.  K.  Fide  FRANZ  IGNATIUS  KIRSCHENHOFER.  Mint-mastcr  at 
Oppeln,  1673-1685. 

F.  I.  W.  Fide  WURSCHBAUER,  Medallist  at  Vienna,  eighteenth 
century. 

G.  I.  (mon.)  Fide  JORG  GEITZKOFLER.  Mint-master  at  Joachhiis- 
thal,  1563-1577, 

G.  I.  (hwm.)  Fide  JONAS  GEORGENS.  Mint-mastcr  at  Steinebeck, 
Lauenburg  and  Liineburg,  1603-1649. 

G.I.B.  (nwn.)  Fide  BVTHHETi.  Mint-mastcr  at  Cassel,  1657-1680. 

GI.  RA.  Fide  GIORGIO  RAN.  Medallist  at  Rome,  1590-1610. 

H.  I.  Fide  HANS  JAKOB.  Mint-master  at  Saalfeld,  1612-1618;  then, 
until  1635,  at  Eisleben  and  Dresden. 

H.  I.  Fide  HEINRICH  JAKOB.  Mint-mastcr  at  Bautzen,  1666-1667. 

H.  I.  A.  B.  Fide  HANS  JAKOB  ARNOLD  BRANTH.  Mint-master  at 
Konigsberg,  1776-1797,  Copenhagen,  1797,  and  Mint-director 
there,  1802-1810. 

H.  I.  B.  Fide  HANS  JACOB  BULLINGER.  Mint-master  and  Engraver 
at  Zurich,  1660-1700. 

H.  I.  G.  Fide  HANS  JACOB  GESSNER  Sen'.  Mint-master  and  Engrav- 
er at  Zurich,  1706-1736  ;  β€”  jun'^..  Mint-master  and  Engraver, 
1745-1770. 

H.  I.  G.  B.  H.  Fide  HEINRICH  HILLE  (Warden)  and  JOHANN  GEORG 
BUNSEN  (Mirjt-master)  at  Frankfort-on-M.,  circa  1777-1798. 


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β€”  4  β€” 
H.  I.  M.  M.  Fide  HANS  JACOB,   Mint-master  at  Saalfeld,  Eisleben 
and  Dresden,  1612-1625. 

H.  I.  S.  Fids  HEINRICH  JUSTUS  SEBASTIANI,  Mint-warden,  1692, 
then  Mint-master,  1694-1702,  at  Stcuerwald,  near  Hildesheim. 

H.  I.  W.  Fids  HANS  JACOB  WOLRAB,  Medallist  and  Coin-engraver 
at  Nuremberg,  1673-1690. 

Bibliography.  β€”  Sch iickey sen-Pa II ma nti,  ap.  cit. 

H.  I.  These  initials  occur  on  a  Silesian  Raitpfenningof  tlie  end  of 
the  sixteenth  century, 

I.  I.  Vide  JOHANN  JACOB.  Mint-master  at  Saalfeld,  1612-1618,  af- 
terwards at  Eisleben  (for  the  Counts  of  Mansfeld),  and  then, 
apparently,  between  1621  and  1635  at  Dresden. 

I.I.  Tj^^  JACOB  JACOBSON.  Mint-master  at  Bromberg,  1621-1632, 
and  between  1632  and  1639  at  Danzig,  Elbing  and  Thorn. 

I.  I.  Fide  JULES  JACOT.  1797-1879.  Seal-engraver  at  Chaux-de- 
Fonds,  circ.  1840-1870. 

I.  I.  or  J.  J.  Fide  JONAS  JASTER.  Mint-master  at  Hildesheim, 
1710-1732. 

1. 1.  B.  Vide  BARRE,  1793-1855.  Medallist  and  Coin-engraver  at 
Paris. 

I.  I.  C.  Vide  JOHANN  JAKOB  KORNMANN  of  Augsburg.  Medallist 
who  worked  under  the  name  of  CORMANO  at  Venice  and  Rome, 
during  the  second  quarter  of  the  seventeenth  century,  and  in  1650 
fell  a  victim  to  the  Inquisition. 

I.  I.  D.  Vide  JOHANN  JACOB  DIETZEL.  Countermaker  of  Nurem- 
berg, aVw  1710-1740. 

1.  I.  E.  Vide  JOHANN  JACOB  ENCKE.  Mint-master  at  Haoau,  174O- 
1770,  Also  J,  J.  E.  or   J.   JE. 

I.  I.  F.  f'iWe  JOHANN  JEEEMIAS  FREITAG.  Mint-master  at  Frankfort- 
on-M.,  1690-1719. 

I.  I.  F.  Vide  IGNATZ  JETZEL.  Mint-engraver  at  Vienna,  1763-1781. 

r.  I.  G.  Fide  JOHANN  JEREMIAS  GRUNOLER,  Mint-master  at  Stol- 
berg,  1710-1747,  and  Sangershausen,  1747-1750. 

I.  I.  H.  Vide  JOHANN  JOSEPH  HERMANN.  Mint-master  to  the  city 
of  Cologne,  1715-1720. 


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I.I.I.   Fide  30BST  JACOB  JANISCH.  Mint-master  at  Celle,   1687- 
1706,  and  Osiiabriick,  1720-1725.  Also  J.  J,  j. 

I.  I.  I.   Fide  JOHANN  JUSTUS  JASTER.    Mint-master  at  Liibeck, 
1727-175S.  Also  J.  J.  J. 

I.  III.  Fidel-WkS  SCHNEESE.  MiiU-mastei- at  Moscow,  1752-1754. 

I.  I.  L.  Fide  JOHANN  JACOB  LAUER.  CouiitermakeratNijretnberg, 
eighteenth  ceiitary. 

I.  I.    Fidf.   JOUANNIN.    Medallist    at    Paris,    beginning    of  the 
nineteenth  century. 

I.  I.  N.    Fide   JOHANN  JACOB   NEUSS.      1770-1847.   Medallist  at 
Augsburg. 

I.  I.  R.  Fide  JOHANN  JACOB  REPHUHN.  Mint-mastcrat  Neucnstcin, 
1623-1624,  in  the  serviceof  the  Counts  of  Hohenlohe. 

1. 1.  R.  Fide  JOHANN  JACOB  REICHEL.  Die-sinker  at  Warsaw,  1792. 
Also  1.  I.  R.  F. 

I.  I,  S.  F.  Fide  IGNAZ  JOSEPH  SCHAUFEL.   1733-1812.  Medallist  at 
Munich,   1768. 

I.  I.  W.  Fide  JOHANN  JACOB  WOLRAB.  German  Medallist,  died  In 


I,  I.  W,  r/i/e  JOHANN  JACOB  WAGNER.   Mint-master  at  Stuttgart, 
1680-1700. 

SI.  P.  Vide  SIMON  PARMENSIS.  Medallist  of  the  sixteenth  century. 

S.  IV.  or  S.  lOU.   Fide  SAMUEL  JOUDIN.   Russian   Medallist,   area 
1704-1740. 

T.  I.  Fide  THOMAS  ISENBEIN.  Mint-master  at  Bremen,  1634-1664. 

T.I.    Fide   TIMOTHEUS IWANOFF.   Medallist   at   St.  Petersburg, 
during  the  second  half  of  the  eighteenth  century. 

T.  I.  B.  C.  Fide  TURIN  (Mint)  and  JOH.  BAFT.  CUTTANEO  (Mint- 
master),  1570-1572. 

T.  I.  P.  G.  Vide  TURIN   (Mint)  and  JOH.  PETER  GASTALDI  (Mint- 
master),  1517-1519, 

W.  I.  Fide  WENZEL  JAMNITZER.  1507-1586.  Medallist  at  Nurem- 
berg. Also  W,  J. 


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Z,  I.  W.  f^/W^ZACHARIAS  JULIDS  WEFER.  Mint-mascei-atStolberg, 
Ellrich  and  Muhlhausen,  1673-1676. 

Bibliography.  β€”  Schlickeysen-Pallmanii,  pp.  cii. 

I.  A.  rirfs  JOHAHB  AREHDSBURG.  Sen^,  Mint-master  at  Halber- 
stadr,  1653-16^5;  f  1667;  - β€”  Jim'.,  Mint-master  at  Zerbst  and 
Reiiistein,  1666-1676. 

I.  A.  VideiOfSk  ARENS.  Mint-master  at  Herborn,  1684-1685. 

I.  A.  r;W^  JULIUS  ANGERSTEIN.  Mint-master  and  Engraver  at 
Eisenberg,r692-i7o6,  and  later  until  1710  at  Weissenfels. 

I.  A.  r/i/c  JACOB  ABRAM.  1723-1800.  Medallist  at  Stettin,  1752, 
Koenigsberg,  1757,  and  later  at  Berlin.  Also  A. 

I.  A,  fj'ife  JOSEPH  AATZ,  Mint-master  at  Maycnce,  1794-1796, 

I.  A.  B.  r?(i^ GIOVANNI  ALOISIO  BATTAJO.Mint-inspectorat Venice, 
1646. 

I.  A.  B.  Viik  JOHANN  ADAM  BOTTCHER.  Mint-master  at  Schlciz, 
1678-1679,  and  Weilbnrg,  1690. 

I.  A.  B.  Vide  JOHANN  ALBERT  BAR.  Mint-master  at  Goslar,  1705, 
Eisenach,  1717-1718 ;  died  in  1750. 

I.  A-  B.  Vide  JOHANN  ALBRECHT  BRAUNS,  Mint-warden  at  Zellcr- 
feld,  1711,  then  Mint-master,  1731-1739. 

L  A.  B.  r/i^e  JACQUES  ANTOINE  DASSIER.  1715-1759.  Medallist 
and  Coin-engraver  at  Geneva,  London  and  St.  Petersburg. 

lA.  F.  Vide  JACOBI.  Die-sinker  at  Liege,  1762  -l"  1792. 

I.  A.  H.  Vide  JOHANN  ANSELM  HALLAICHER,  Mint-master  at  Wert- 
heim,  1694-1696. 

I.  A.  H.  Vide  JOHANN  ABAM  HANF.  1715-1776.  Medallist  at 
Bairenth. 

I.  A.  L,  f^/i/f  JOHANN  ADAM  LONGERICH.  Mint-master  at  Cologne, 
1700,  Dortmund,  1705,  and  Diisseldorf,  1707-1708, 

I.  A,  M.  Vide  JACOBO  ANTONIO  MORI  (MORO  or  MORONE).  Medal- 
list at  Rome,  1612-1623. 

I.  A.  M.  Vide  MALM.  Goldsmith  and  Coin-engraver  atStockholm, 

1221. 

I.  A,  P.  VidelG^klZ  ANTON  PUTZ.  Mint-warden  at  Prague,  1702; 
Mint-master,  1711-1713. 


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I.  A.  P.  Vide  JOHANN  ANTON  PFEFFER.  Mint-master  at  Zellerfeld, 
1763-1774. 

I.  A.  R.  Fide  JOHANN  ADAM  REPHUHN.  Mint-masterat  Darmstadt, 
1693-1705. 

I.  A.  R.  Fide  ROTH.  Medallist  at  Darmstiidt,  1740-1765. 

I.  A.  S.  Fide  JOHANN  ANTON  SCHRODER.  Mint-master  at  Hanover, 
1751-1764,  and  Neuhaus  near  Paderborn,  1764-1791. 
Bibliography.  β–  β€”  Schlickeysen-Pallmaiin,  op.  cit. 

1.  A.  V.  F.  (Ital.)  Signature  of  a  Medallist  who  was  working  circa 
1555.  It  occurs  on  a  Portrait-medal  of  the  Modenese  Poet  and  Scholar 
Pietro  Lauri,  obv.  Bust  to  r.  I^L.  CEDATVR .  A .  MORTE .  INIQVE . 
LACESSENTES.LINGVE.VIPERIB VS.  SIMILES.  V.  β€”  1555 
within  laurel-wreath. 

Mazzuchelli  attributed  this  medal  to  the  Venetian  sculptor 
Camillo  Bossetti,  but  Armand  is  of  opinion  that  the  letters  I.  A.  V,  F. 
helow  truncation  of  Pietro  Lauri's  bust  represent  the  artist's  signa- 
ture. 

Bibliography.  β€”  Armand,  op.  cil.,  I,  185. 

I  (Swiss).  A  school-medal  of  Solothurn,  of  the  weight  of  Four 
Ducats,  with  St.  Ursus  and  St.  Victor  on  obv.  and  inscript-ion  on 
IJi,.,  undated,  is  signedl.  It  is  described  in  Poole,  Catalogue  of  Swiss 
Coins,  p.  415. 

I.  AVG.  (Jtai.').  Signature  of  a  Medallist  who  was  working  circa 
1575.  A  Portrait-medal  in  the  British  Museum  Collection  of  Duke 
Charles  Emmanuel  of  Savo}',  1580-1630,  is  thus  signed.  On  obv.  is 
a  bust  to  L  of  the  Duke,  in  cuirass,  and  with  head  bare,  and  on 
^.  DIRIG.DOMINE.GRES.ME.  β€”  I.  AVG.FEC.  Shechinah 
advancing  in  front  of  the  Israelites. 

Milanesi  suggests  the  Piedmontese  sculptor  GIOVANNI  MARIA 
AUGDSTELLO  as  the  author  of  this  medal. 

BiBiioGRAPHY.  β€”  Armand,  op.  cit.,  I.  266,  III,  127. 

lADIS  (Ro^nari).  Probably  a  fictitious  signature  on  a  gem  repre- 
senting Diana  walking  and  about  to  shoot  an  arrow.  This  bcrvl  is 
or  was  in  the  Percy  Collection. 

Bibliography.^  King,  ..^"/ijiM  Gems,  p.  220. 

I.  B.  (Germ.').  Initials  of  a  Coin-engraver,  on  currency  ot  the 
Palatinate,  circa  1529. 

I.  B.  Vide  JOHANN  BLUM.  Medallist  at  Bremen,  1631-1650. 

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I.  B.  Vide  JOHANN  BONHOEST.  Mint-master  ^t  Gotlia,  1650. 

I.  B.  Fide  JOHANN  BENSHEIM.  Line-engraver  and  Die-sinker 
who  worked  at  Dantzig  and  Dresden,  circa  1654-1693.  Tlie  medals 
signed  1.  B.  should  be  given  toBUCHHEIM. 

I.  B.  Fide  JOHANN  BUCHHEIM.  Medallist  and  Coin-engraver, 
1654-1683,  who  worked  for  the  city  of  Breslau,  George  and  Louis 
of  Liegnitz-Brieg,  and  for  John  George  of  Saxony. 

I.  B.  Fide  JOHANN  BOSTELMANN.  Mint-master  at  Wernigerode, 
1671-1674,  and  in  the  service  of  the  Wittgensteins  from  1675  to 
1677. 

I.  B.  Fide  JONAS  BOSEN.  Mint-master  at  Hildesheim  ;  worked  at 
first  for  the  Bishop,  1671-1676,  then  for  the  city,  1676-1695. 

I.  B.  Fide  JAN  BOSKAM.  Dutch  Medallist,  who  worked  at  Bedin, 
circa  1 679-1705,  then  at  Amsterdam,  1705-1708.  Also  BK.  F.,  I.  B.  F. 
or  I.  BOSKAM. 

I.  B.  Fide  JOHANN  ULEICH  BEUPPACHER.  Medallist  and  Mint- 
engraver  at  Lucerne,  1714-1746.  Also  V.  B. 

I.  B.  Fide  JEAN  LE  BLANC.  A  Paris  Medallist,  1715-1752. 

I.  B,  f/rfe  JEAN  BERNARD.  A  Paris  Medallist,  first  quarter  of  the 
eighteenth  century. 

I.  B.  Fide  JOHAHN  BOHRINGER.  Medallist  at  Biberach,  first  half  of 
the  eighteenth  century. 

I.  B.  /^iia  JEREMIASBUNSEN.  Mint-master  at  Arolsen,  1732-1744. 

I.  B.  Fide  JOHANN  BENICKE.  Mint-master  at  Warsaw,  1811-1830. 

I,  B.  C,  (Germ.).  Signature  of  a  Saxon  Mint-master,  found  on 
Henneberg  Kreuzers  of  1780  and  ^  Vicariate  Thalers  of  1792, 

I.  BER.  Fide  HIEROMYMUS  BERCKHAUSEN.  Nuremberg  Medallist, 
1619-1636.  Fide  HOLDERMANM. 

I.  B.  F.  Fide  JAN  BOSKAM,  Medallist  at  Amsterdam  and  Berfin, 
1 690-1708. 

I.  B.  G.  Fide  JOH.  BAFT.  GUGLIELMADA.  Medallist  at  Rome,  1660- 


I,  B.  G.    Fide  JOH.  BALTH.  GASS.    Medallist    at   St.   Petersburg, 
[768-1797. 


,stsd  by  Google 


I.  B.  H.  Vide  JOHAKN  BENJAMIN  HECHT.  Mint-warden  at  Zeller- 
feld,  1732,  and  Mint-master,  1739-1763. 

I.  B.  M,  Vide  JOH.  BAPT.  MERLEN.  Medallist  who  worked  in 
England  during  the  second  quarter  of  the  nineteenth  century. 

IBR.  Vide  JOHANNES  BAPTISTA  RAVASCHIERO.  Mint-director  at 
Naples,  1525-1560. 

I.  B.  R.  Vide  J.  B.  BOTH.  1802-1869.  Medallist  at  Vienna. 

I.  B.  S.  fiWeJOHANNBERNHABDSCHΒ«LTZ.Coin-engraverat Berlin, 
1681-1697.  He  cut  dies  for  Thalers  and  for  the  Brandenburg 
Guinea -Ducat  of  1692. 

Bibliography.  β€”  Schlickej-sen-Pailmann,  op.  cil. 

I.  B.  (Brit.).  Artist's  signature  on  a  commemorative  medal  of  the 
Battle  of  the  Boyne,  with  bust  ot  William  III.  on  obv.  and  ^L. 
inscription,  MANET  POST  FUNERA  VIRTVS  within  laurel- 
wreath  ;  legend  :  CORK .  BOYNE.  This  medal  consists  of  two  thin 
embossed  plates  united,  of  rude  workmanship. 

BiBl.ioGRH'HY.  β€”  Franks  &  Grueber,  Med.  Illuslralions,  I,  p,  719. 

1  B  or  possibly  I.  R.  or  even  I  H  (Germ.').  Signature  which  Erman 
has  noticed  on  a  fine  oval  medal  of  John  George  III.  of  Saxony, 
which  reminds  one  of  Leygebe's  work. 

I.  BER.  ^/i^HIERONTMUS  BERCKHAUSEN  of  Nuremberg. 

1.  BO.  Vide  GIULIO  BONASONE.  Medallist  who  worked  circa  1556. 
There  is  a  medal  of  Jacopo  Antonio  Millius,  dated  MDLVI,  signed 
IBO. 

Bibliography,  β€”  Armand,  op.  cit.,  I.  187,  111,  82. 

I.  C.  (Brit.).  Initials  of  an  Engraver,  who  cut  three  medals  on 
George  III.'s  Recovery  from  insanity  (Ainer.  Journ.  of  Numism., 
n"'!  151,  II 59  &  II 63,  the  two  first  in  Boston  Coll"). 

I.  C.  Vide  JOHANN  KURZ.  Mint-master  at  Glogau,  1622,  1662. 

I.  C.  Vide  JACOPO  CELSI.  Mint-rector  at  Cattaro,  1565-1567. 

I.  C.  Vide  JOHN  CROCKER,  1670-1741 .  Medallist  in  London,  from 
1697  to  1741. 

I.  C.  Vide  JACQUES  CALLOT.  Medallist  of  Nancy;  died  in  1685. 

I.  C.  r/c/e  JOSEPH  CRONBERG.  Mint-master  at  Vienna,  1766;  died  in 
1804. 
I.  C.  Vide  JOSEPH  COLLART.  Medallist  at  Geneva,  1772  f  1830. 

tiostsd  by  Google 


I.e.  Tii/f  JOHAHKCROLL.  Mint-master  at  Dresden,  1779-1804. 
Also  I.E.  C. 

I.e.  Vide  IWAN  SIBELNIKOFF.  Mint-master  at  St.  Petersburg, 
1796. 

I.  C.  ra^  JOHAKN  CONRADSEN,  1782-1856.  Medallist  atCopenlia; 
gen,  1809-1840.  β–  

I.  C.  A.  Fide  JOLITJS  CHRISTIAN  ARENSBURG.  Mint-master  and 
Medallist  at  Stettin,  1689-1691  and  1695 -1703,  at  Stade,  1691-1693, 
and  Schwerin,  1717. 

1.  C.  A.  Fide  JOHANN  KASPAR  ARLETIBS.  Originator  of  a  medal  of 
Frederick  the  Great,  1780. 

I.  C.  B.  fiWe  JOHANN  CHRISTOPH  BUSCHMEYER.  Mint-master  at 
Coblence,  1659-1666. 

I.  C.  B.  /^;WΒ£  JOHANN  CHRISTOPHBAHR.  Mint-master  at  Goslar, 
1663-1668,  Clettenberg,  1682,  Walkenricd,  1688-1691,  Gotlia, 
1691,  and  Wolfenbiittel,  1693-1696. 

I.  C.  B.  (Mon.).  ra^  JOHANN  C.  BILENBERG.  Mint-warden  at  Riga, 
1705-1707. 

I.  C.  B.  Vide  JOHANN  CHRISTOPH  BUSCH.  Mint-master  at  Ratisbon, 
1741-1763. 

I.  C.  B.  Fide  JOHANN  CONRAD  BANDEL.  Mint-master  at  Cassel, 
1744-1763,  and  Detmold,  1763-1769. 

I.  C.  D.  Fide  JOHANN  CHRISTOPH  DURR.  Mint-master  at  Erfurt, 
1673-1676,  and  Weimar,  1677-1684. 

I.  C.  E.  Fide  JOHANN  CHRISTIAN  EBERHARD.  Mint-master  at  Saal- 
feld,  1755-1765;  Baireuth,  1765-1768;  and  Wercheim.  He  appears 
to  have  also  worked  for  Reiiss  in  1673. 

I.  C,  E.  Fide  JOHANN  CHRISTOPH  EBERHARD.  Mint-master  at 
Wertheim,  1803.  ._ 

I.-  C  F.  Fide  JOHANN  KARL  FALKNER.  Mint-master  at  Darmstadt, 
1681,  and  Eisenach,  1692-1693. 

I.  C.  F.  Vide  J.  COLIBERT.  Die-sinker  at  Geneva,  during  the  second 
half  of  the  eighteenth  century. 

I.  C.  F.  rae  JOHANK  CONRADSEN.  Medallist  at  Copenhagen,  1809- 
1840. 


>sted  by  Google 


β€”  II  β€” 

I.  C.  G.  Vide  JOHANR  CHRISTIAN  GITTERMANN.  Mint-master  at 
Esens  in  East  Frieskiiid,  1730-1746. 

I.  C.  H.  Fide  I.  C.  HOLLENBACH.  MediiUist  at  Berlin,  first  lialf  of 
the  nineteenth  centnry. 

I.  C.  H.  Vide  JOHANN  CHRISTIAN  flILLE.  Mint-master  at  Stralsund, 
1706  -[-1721. 

I.  C.  H.  Vide  JOHANN  CARL  BED  LINGER.  1691-1771.  McdaUist  at 
Stockholm,  17 18,  St.  Petersburg,  1736-1739,  Berlin,  1742,  Freiburg 
1743-1744,  again  at  Stockholm  to  the  e,nd  of  1745,  f  at  Schwytz, 

1771. 

I.  C.  H.  Vide  JOHANN  CHRISTIAN  HETIGELIK.  Mint-master  at 
Stuttgart,  1784-1808. 

I.  C.  K,  fiWe  JOHANN  CHRISTIAN  KOCH.  Medallist  at  Gotha,  1706- 
1742. 

I,  C.  K.  r/rfs  JOHANN  CHRISTIAN  KNAUST.  Mint-warden  at  Saal- 
feld,i764,  and  Mint-master,  1765-1794. 

I.  C,  M.  Vide  JOHANN  CHRISTOPH  MULLER.  Medallist  at  Stuttgart 
1670-1695. 

I.  C,  M.  Vide  JOHANN  CHRISTIAN  MARMΒ£.  Coin-engraver  and 
Medallist  at  Cleves,  1735-1757  and  Diisseldort. 

I.  C,  m.  F.  r/i^e  JOHANN  CASPAR  MORIKOFER.  1732-1790.  Medal- 
list at  Berne. 

I.  C.  R.  Fide  I.  C.  ROTH.  Medallist  at  Darmstadt,   1696-1707. 

I.  C.  E.  Vide  JOSEPH  CHARLES  ROETTIER.  1691-1770.  Medallist 
and  Coin-engraver  at  Paris,  Nancy  and  Vienna. 

I.  C.  R.  Vide  JOHANN  CHRISTIAN  REICH.  1740-1814.  Medallist  at 
Fiirth. 

I.  C.  S,  Fide  JOHANN  CASPAR  VON  SEHIEM.  Mint-warden  .it  Mag- 
deburg, 1688;  Mint-master  there,  1691-1695. 

I.  C.  S.  VideiOJtAm  CHRISTOPH  STAUDE,  Mint-master  at  Weimar, 
1684-1687,  and  Erfurt,  1690-1691. 

I.  C.  S.  Vide  JUSTUS  CARL  SCHRODER,  Mint-master  at  Stralsund, 
1761;  Elbiiig,  1762-1763;  Mitau,  1763-1764;  and  Warsaw,  1768- 
1772. 


,stsd  by  Google 


I.  C.  S.  Fide  JOHAKN  CHRISTOPH  SCHEPP.  Mcdallisr  at  Diet?:, 
Cassel  and  Hanau,  1749-1770. 

I.  C.  S.  Fide  JOHANN  CHRISTIAN  STOCKING.  Mint-master  at  Neu- 
wied,  1756,  and  Poppelsdorf,  i-jy-j-ij^i. 

I.  C.  S,  K.  Fide  JOSEPH  CRONBERG  (Mint-master)  and  SIEGMUND 
KLEMMER  (Warden)  at  Vienna,  1766-1772, 

I.  C.  W.  Fide  I.  C.  WIKMANN.  Medallist  at  Stockholm,  1747-1786. 

Bibliography.  ~  Schliclteysen- Pall raa  1111,  op  dl. 

ICARD, NICOLAS  (^French).  Mint-engraver  at  Orange,  1585. 

I.  D.  or  TO-  (Vide  vol.  I,  first  ed.,  p.  318,)  Erman  illustrates  one 
of  the  medals  signed  in  this  manner,  that  of  Lucas  Syczinger 
Jim' of  Nuremberg  (pi,  v,  4).  Some  of  the  pieces  given  to  this  artist 
in  myprevioiisnoticemayJiave  been  engraved  by  one  of  his  pupils. 


I'oitKiit-mL'd.ilcl  Luc.is  Sj'czj  iiger,  bj'  the  Master  ^. 

I.  D.  (mon.).  r/if^  JOHANN  BASE.  Mint-master  at  Weimar,  1624- 
1647. 

I.  D.  Fide  JANA  DREZDΒ£nczyka.  Mint-warden  at  Cracow,  1596. 

I.  D.  FideZZkN  DIDIER.  French  Medallist,  1673-1676. 

I.  D.  TiWe  JOHANN  DITTMAR.  Minc-masier  at  Darmstadt,  1691- 
1692. 

I.  D.  Fide  JEAN  DUVIVIER.  1687-1761.  Medallist,  born  at  Lidge, 
-worked  at  Paris  for  the  Medal-Mint. 

I.  D.  TiWi;  JOHANN  DIETMAR.  Mint-master  at  Miihlhausen,  1701- 
1710. 


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β€”  13  β€” 
I,  D.  Vide  J.  DOBECK.  Medallist  at  Olmutz,  1737. 
I  D.  Vide  JEAN  DASSIER-  1676-1763.  Medallist  at  Geneva. 
I.  D.  Fide  IGNdZ  DONNER.  1752-1803.  Medallist  at  Vienna. 
I.  D.  Tiiie  JOSEPH  DEMPTOR.  Medallist  at Fulda,  1816-1817. 

I.  D.  Vide  JOHANN  DAISEB.  1755-1827.  Medallist  at  Gunzburg, 
1801,  and  Munich,  1807-1827. 

I.  D.  Vide  JEAN  DEJOIE.  Die-sinker  at  Haiti,  1820-1840. 

I.  D.  B.  Vide  JUSTIN  DE  BEYER.  1668-1738.  Medallist  and  Coin- 
engraver  at  Basle. 

I.  D.  B.  Vide  JOHANN  DAVID  BILLER.  Mint-warden  at  Brunswick, 
1750;  Mint-master  under  Prussian  administration  at  Dresden, 
1756-1760;  Mine-master  at  Brunswick,  1760-1779. 

I.  D.  B.  Vide  JEAN  JOSEPH  DU  BOIS.  French  Medallist  of  the 
beginning  of  the  nineteenth  century. 

I.  D.  B.  r;We  JOHANN  JOSEPH  DANIEL  BOHM.  1794-1865.  Medallist, 
at  Vienna. 

I.  D.  D.  Fide  JOHANN  DAVID  DANIEL.  Medallist  at  Stuttgart,  end 
of  the  seventeenth  century. 

IDB.  (Germ.').  This  signature  occurs,  according  to  Erman,  on  two 
oval  medals  of^Prince-Electors  of  Treves  :  1602.  Lothar  von  Metter- 
nich  (Berlin ;  z//uiiro;eiJ) ;   β€”1623.  Philipp  Christoph  von  Sotern 


^Β§v''^^#" 


Mcdd  of  Lotluir  von  Meiiemidi,  Adibishop  of  Treves,  by  I  D  B. 

tlosted  by  Google 


(Berlin);  β€”  also  on  a  fine  ovd  med^il,  wltliout  date,  representing 
Frederick  Count  Palatinate  and  liis  consort  Elisabetli  of  Great 
Britain.  This  last  medal,  formed  by  two  silver  shells  united,  which 
was  probably  executed  before  r6i8,  was  copied  by  Christian  Maler 
tor  trade  purposes. 

Briot  is  certainly  not  the  author  of  these  medals,  notwithstand- 
ing Schlickeysen's  suggestion. 

Bibliography.  β€”  Erman,  Deutsche  MedaUleiire,  p.  8S. 

I.  DE  AHAM.  Fide  JOSEPH  IGNATZ  SCHAUFEL. 

I.  D,  K.  Vide  JOST  DIETRICH  KOCH.  Mint-master  at  Paderborn, 
1652-1654,  Bielefeld,  1655-1676,  Techlcnburg,  1655-1656,  and 
Paderborn,  1675-1676, 

.    BiBLiOGRAl'HV.  β€”  Sdilickeyseii-Pallmann,  ap.  cit. 

WEB.,  DIEDRICH  (Germ.).  Mint-master  at  Emden,  1563  until  after 
1571,  and  previously  at  Jever,  He  issued  a  commemorative  Thaler 
of  Emden,  157:,  alluding  to  the  perception  of  the  tenth  denier  by 
the  Duke  of  Alba,  which  caused  the  troublesat  Brussels  and  Utrecht 
(Revue  beige  denutn.,  1892,  p.  550). 

IDLER,  WILLIAM  (Anier.).  A  contemporary  Jeweller  of  Philadel- 
phia, wlio  has  edited  some  medals. 

I,  E.  Vide  JACOB  EISENVALET,  Mint-master  at  Gottingen,  i62(5- 


I.,  E.  Vide  JOHANN  ENGELHART.  Die-sinker  in  Poland,  seventeenth 
century. 

I.E.  TiW^  JOHANN  ELERS.  Mint-master  at  Hanau,   1740-1770. 

I.  E,  Vide  i.  ERICSSON.  Swedish  Die-sinker,  1860-1868. 

I.  E.  B.  Vide  JOHANN  EPHRAIM  BAUERT.  Medallist  at  Copenhagen, 
1760-1794;  f  1800. 

I.  E.  B.  Vide  SIR  JOSEPH  EDGAR  BOEHM.  1834-1890.  Sculptor  and 
Medallist,  who  resided  in  London,  1862-1890. 

I.  E.  C.  FiiieJOHANN  ERNST  CROLL.  Mint-master  at  Dresden,  1779- 
1804.  Also  C, 

I.  E.  G.  Vide  JOHANN  ERNST  GRAUL-  Mint-master  to  the  Princes 
of  Anhalt,  1692-1693. 


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I.  E.  K.   Fide  JOHANK  ENGELHARD  KRULL.  Mint-master  n:  Haiiau, 
1737-1742,  and  Brunswick,  1742-1750. 

I.  END.  Fide  J.  ENDLETSBERGER.  1778-1826.  Medallist  at  Vienna. 

I.  E.  R.   Fide  JOHAMN  EGIDIDS  ROSCH.    Mint-master  at  Nurem- 
berg, 1794-1806. 

I.  E.  S.  Fide  JOHANN  ERICH  SGHILD.  Mint-master  at  Hanover,  end 
of  seventeenth  century. 

I.E.V.C.raeJDLIARUSEBERHARDVOLKMARCLAUS,  Miilt-mastcr 
at   Stolberg,    1750-176);   Director  of  tlie  Mint  at  Erfurt,   1779; 

BiBuooRAPHY.  β€”  Sclilickeysen-PaDiiiaiiii,  op.  cit, 

I.  F.    Fide  JOpANK  FREITAG.   Mint-master  at   Frankfort-on-M., 
1690-1719. 

I.  P.  Fide  J.  JACHTMAKN.  1770-1843.  Medallist  at  Berlin. 

I.  F.  F.  Fide  JOHANM  FRIEDRICH  FREUND,  Mint-master  at  Altona, 
1819-1848. 

I.  F,  F.  Videl.  FUNK.  Mint-master  at  Neustrelltz,  1759-1763. 

I.  F.  G.  F.    Fide  JOH.  FRANC.  GUGLIELMADA.  Medallist  at  Rome, 
1 670-1 680. 

I.  F.  H.  Vide  JOHANN  FRIEDRICH  HILKEN.  Medallist  at  Schwerin, 
β– 1703-1717. 

I.F.  H.   Vide  JACOB  FRIEDRICH  HEERWAGEN.  Mint-administrator 
at  Hatiau,  1785-1821. 

I.  F.  M.  Fide  JOHANN  FRIEDRICH  MULLER.  Medallist  at  Ansbacli, 
1758-1769. 

I.  F.  a  F.  FjW^  JOHANN  FRIEDRICH  Q  FERAL.  Mint-master  at  Leipzig, 
1764-1765. 

I.  F.  P.  Fide  JOHAN.  FRID.  PARMENSIS.  Medallist  at  Rome,  1549- 
1589. 

I.F.  S.  fiWe  JOHANN  FRIEDRICH  SAUERBREI.  Mint-warden,  1701, 
tlien  Mint-master  at  Berlin,  1713-1718, 

I.  F.  S.     Fide  JOHANN  FRIEDRICH  SCHMICKERT.    Mint-master    at 
Milan,  1764-1765. 


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I.  F,  S.  Fide  JOB k'^-^i  FRIEDRICH  STIELER.  1739-1790.  Medallist 
acGuben  and  Dresden. 

I.  F.  T.  Vide  JOH.  FRANC.  TRAVANUS,  Medallist  at  Rome,   1655- 
1674. 
BiBLiOGRAPHV.  β€”  Schlickeyseti-Pallraann,  op.  cit. 

I.  F.  C.  (_Fretich).  Signature  on  a  medal  relating  to  the  aerostatic 
globe  of  Charles  and  Robert,  1785  (Kluyskens  II,  p.  231  note). 

I.  G.  Fide  JORG  GEITZKOFLER.  Mint-iTiaster  at  Joachinisthal,  1 563- 
IS77- 

I.  G.  Vide  JAKOB  GLADEHALS.  Enameller  and  Medallist  at  Berlin, 
circ.  1597. 

I.  G.  (moil.).  Vide  JEAN  GOUJON.  French  Arcliitect  and  Sculptor, 
f 1572. 

I.  G.  Vide  JONAS  GE0R6ENS.  Mint-master  at  Steinebeck,  near 
Hambur",  1603-1609,  Lauenburg,  1609-1618,  Liineburg,  1612- 
1645  and   1649. 

I.  G,   F;We  JOACHIM  GADE,  Mint-master  at  Wismar,  1715-1738. 

I.  G.  B.  Vide  JOHANN  GEORG  BANDEL.  Medallist  at  Darmstadt, 
1666. 

I.  G.  B.  Vide  JOHANN  GEORG  RDTTNER.  Mint-master  at  Cassel, 
1657-1680. 

I.  G.  B.  Vide  JOS&m  GEORG  BREUER,  Mint-master  and  Die-sinker 
at  Brunswick,  1675-1685. 

I.  G.  B.  rHejOHAMN  GEORG  BUNSEN.  Mint-master  at  Frankfort-on- 
M.,  1790-1833. 

I.  G.  B.  Vide  JOHANN  GOTTFRIED  BETULIUS.  Medallist  at  Stuttgart, 
1786-1797. 

I,  G.  G.  Vide  JOHANN  GEORG  GODECKE.  Mint-director  at  Leipzig, 
1752-1753,  and  Altenkirchen,  1747-1755. 

I.  G.  H.  Vide  JOHANN  GEORG  HOLTZHEY.  1729-1808,  Medallist  at 
Amsterdam. 

I,  G.  H.  Fide  JOHANN  GOTTFRIED  HELD.  1734-1799.  Medallist  at 
Breslau. 

I.  G.  H.  Vide  JOHANN  GERHARD  HULS.  1735-1815.  Mint-master  at 
Cologne, 


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β€”  ry  β€” 

I.G.  H.  VideJOnn  GREGORY  HANCOCK.  Die-sinkeracBirmiiigham, 
I 780- 1802. 

I.  G.  I.  Fiif^JOHANN  GEORG  JUNKER.  Medallist  at  Leipzig,  circa 
1708-1716. 

I.  G.  I.  Fide  I.  G.  JAGER.  Medallist  at  St.  Petersburg,  during  the 
second  half  of  the  eighteenth  century. 

I.  G.  K.  Vide  JOHANN  GOTTLOB  KITTEL.  1702-1738.  Medallist  at 
Breslau . 

I.  G.  L.  Vide  HANS  GEORG  LANGBEIN.  Mint-master  at  Mayence, 
1691-1692. 

I.  G,  M.  Vide  JOHANN  GEORG  MADELUNG.  Mint-master  at  Konigs- 
berg,  1797-1807. 

I.  G.  P.  Vide  JOHANN  GEORG  PRAHM,  Mint-master  at  Konigsberg, 
1807-1824. 

I.  G.  R.  Vide  JOHANN  GEORG  ROSNER.  Medallist  of  Prague,  nine- 
teenth century. 

I.  G.  S,  Vide  JOHANN  GEORG  SORBERGER.  Medallist  at  Gotha, 
tirca  1680-1690. 

I.  G.  S.  fi'A JOHANN  GEORG  SEIDHTZ-MedallistandGeni-engraver 
at  Vienna,  1699-1716. 

I.  G.  S.  Vide  JOHANN  GEORG  SCHOMBDRG.  Mint-master  at  Gotha, 
1689,  Vienna,  until  1716,  and  Dresden,  1716-1734;  -f  1735. 

1.  G.  S.  VideiO^kHH  GOTTFRIED  SIEGEL.  Mint-master  at  Harzge- 
rode,  1752-1767. 

I.  G.  S,  f^jW^  JOHANN  GOTTFRIED  STTJDER.  Mint-master  at  Dresden, 
1814-1832. 

I.  G.  W.  Vide  JOHANN  GOTTFRIED  WICHMANNSHADSEN.  Mint- 
master  at  Gotha,  1683-1690. 

I.  G,  W.  Vide  JOHANN  GEORG  WUNSCH.  Mint-master  at  Heidel- 
berg, 1712-1736. 

I,  G.  W.  Fide  JOHANN  GEORG  WACHTER.  MedaUist  at  Heidelberg, 
1724-1740,  and  St.  Petersburg,  1741-1791. 
BiBLiOGUAPHY.  β€”  Schlickeysen-Pallmann,  op.  dt. 

I.  G.  or  possibly  F.  G.  between  star  and  flower  (G^/'w.).  Signature 
which  occurs  on  a  medal  of  William  of  Baden  (in  Berlin  Museum), 


,yGoo(^le 


dated  1637.  Ennan  adds  that  the  work  reminds  one  of  Guichard, 
but  that  the  signature  looks  more  like  I  G  than  F  G. 

Bibliography.  β€”  Ermaii,  op.  cit,,  p.  88. 

I.  G.  Z,  F.  Vide  J.  G.  ZOLLNER  of  Ratisbon. 

I.  G.  (Brit.).  Initials  of  James,  Earl  of  Arran,  Regent  or  Gover- 
nor {Jacobus  Gubernator),  under  Mary,  Queen  of  Scots,  1553. 
These  letters  occur  on  a  Lion  of  1553  :  "  Obv.  +MARIA.DEI- 
GRA'R-  SCOTORVM  Crowned  shield  between  IG.  ^L.  +  DILI- 
GITE  IVSTICIAM  β€’  1 5  s 3 .  Monogram  of  "  Maria  Regina";  above, 
crown;  on  either  side,  cinquefoil". 

BrBLiocRAPHY.  β€” Grueber,  Handbook  of  the  Coins  of  Great  Britain  and  Ireland, 
1900. 

I,  G.  (Germ.).  Signature  of  a  Plaque- engraver,  of  the  sixteenth 
century.  These  initials  occur  on  a  Plaque,  in  the  Dreyfuss  collec- 
tion at  Paris,  representing  Our  Lord  at  the  age  of  twelve  years 
discussing  with  the  doctors  in  the  temple.  Molinier  states  that  the 
only  artist  of  whom  he  can  think  as  represented  by  this  signature 
is  Jacob  Guckeisen  of  Cologne,  and  further  that  tljis  bronze  was 
probably  executed  after  an  engraving. 

Bibliography.  β€”  Molinier,  Les  Plaquelies,  Paris,  1886. 

IGEL  (Aiistr.).  Forger  of  Ducats  of  Sigismund  I.  of  Poland, 
1548.  He  resided  at  Lemberg. 

I,  H.  Vide  JOST  HALTERMANN.  Mint-master  at  Riga,  1660. 

I.  H.  Vide  JOHANN  HOHN  SENe.  Medallist  at  Danzig,  first  half  of 
the  seventeenth  century. 

r.  H.,  or  J3,  JH,  BWN  Vide  JOHANN  HOHN  JUNb.  Medallist  at 
Danzig,  circa  1637-1693. 

I.  H:  Vide  JOHANN  HOFFMANN.  Mint-master  at  Detmold,  1671- 
1695. 

I.  H.  Vide  JOH.  HAMERANUS.  1649-1705.  Medallist  at  Rome. 

I.  H.  Vide  JOHANN  HERMANN.  Mint-master  at  Cologne,  1715- 
1720. 

I.  H.  rac  JOHANN    HITTORF.  "Mint-master  at  Bonn,   1733-1738. 

I.  H.  Vide  JOHANN  HAAG.  Coin-engraver  at  Tettnang-Laogenar- 
gen,  1740-1763. 

I.  H.  Vide  JOHANN  HANDMAHN.  Medallist  and  Mint-engraver  at 
Basle,    1740-1769.  Also  I.  iJM, 


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β€”   19  β€” 

I.  H.  Fide  JOHAKN  HEIMREICH.  Mint-master  at  Eisenach,  lyjo- 
1754- 

I.H.  VideJ^kN  HARREWYN,  Medallist  in  Holland,  second  half  of 
the  eighteenth  century. 

I.  H.  Fide  JEAN  HARDY.  Medallist  at  Paris,  1647-1669. 

I.H.  TiWe  JOHANNRAPTISTHARHISCH.  Medallistat  Vienna,  1785- 
1833. 

I.  H.  B.  Fide  JOHAMN  HEINRICH  BERG.  Mint-master  at  Rostock, 
1750-1764. 

I.  H.  F.  Fide  JOHAKN  HILCKEN.  Medallist  at  Scliwerin,  1703- 
1717. 

I.  H,  H.  Fide  JOHANN  JAKOB  HTISER.  Mint-adminisirator  at  Glo- 
gau,  1622-23,  and  Neisse,  1624, 

I.  H.  I.  Fide  JOHANN  HEINRICH  JAKOB.  Mint-master  at  Sagan  in 
Count  Watlenstein's  service,  1629. 

I.  H.  L.  Fide  JOHANN  HEINRICH  LOWE.  Mint-master  at  Hamhurg, 
1725-1760,  and  Stralsund,  1761-1763. 

I.  H.  L.  Fide  JOHANN  HEINRICH  LOWE.  Mint-master  at  Neustre- 
litz,  1769-1786. 

I.  HM-  Fide  JOHANN  JACOB  HANDMANN.  Medallist  and  Mint- 
engraver  at  Basle,  1740-1769. 

1.  H.  M.  Fide  JOHANN  HEINRICH  MADELDNG.  Mint-master  at 
Oldenburg,  1760-1766;  Mint-warden  at  Konigsberg,  1770;  Mint- 
master  there,  1773-1776. 

I.  HOB.  Fide  GIUSEPPE  ORTOLANI.  Medallist  at  Rome,  1689- 
1734- 

I.  H.  S.  Fide  JOHANN  HEINRICH  SIEGEL.  Mint-master  at  Harzge- 
rode,  1745-1752. 

I.  H.  S.  Fide  JOHANN  HOLZHADSER  (IN)  SLONIN.  Medallist  at 
Warsaw,  1764-1792. 

I.  H.  T.  (mon.).  Fide  JOHANN  HEINRICH  TAGLANG.  Mint-master  at 
Zweibrucken,  1621-1626. 

1.  H.  T.  FiJe  JOHANN  HEINRICH  THIELE.  Mint-engraver  at 
Brunswick,  1714;  Mint-warden,    1723;  Mint-master,   1729-1732. 


>stsd  by  Google 


I.  H.  V,  U.    Fide  JOHANN  HEINRICH  VON  USLAR.  Mint-director  at 
Hildesheim,  1764-1784; -J-  1806. 

I.  H.  W.  Vide  JOHANN    HEINRICH  WERNER.  Medallist   at  Etfurt, 
1732-1762. 

I.  H.  W.    Fide  SOa&SN   HENRIK   WOLFF.     1727-1788.    Medallist 
at  Copenhagen,  1760,  and  Akonaj  1771-1779. 

I.  H.  Z.    Fide  JULIUS  HEINRICH  ZWITTIGMEYER.    Mint-masier    at 
Hanover,  1769-1781. 
Bibliography.  β€”  Schlickeyseii-Pallmani],  op.  cit, 

I.  H.  (^Brit.).  These  initials  occur  on  a  medal  of  George  II.  and 
Queen  Caroline,  1727.  It  is  of  poor  workmansliip  {Med.  Illustr., 

II,  p.  482/12). 

IH  or  IH  or  IR  (Germ.^.  Doubtful  signature  on  a  medal  of  John 
George  III.  of  Saxony. 

I.  H.   Signature  on  a  Silesian   medal,    1708,  on  the  Compact  of 
Altranstadt. 

I.  I.  Fide  JAKOB  JAMNITZER.  Mint-contractor  at  Glogau,  1625. 

I:  I.  C.   Vide  JOHANN  JAKOB  KORNMANN  (CORMANO).  Medallist  at 
Augsburg  and  Rome,  second  quarter  of  the  seventeenth  century. 

I.  I.  D.   Fide  JOHANN  JAKOB  DIETZEL  of  Nuremberg. 

I.  I.  L.  Fide  JOHANN  J,  LAUER  of  Nuremberg. 

1. 1.  T.  Vide  JOHANN  JUSTUS  TOLLE.  Mint-warden  at  Oels,  1693- 
1696. 

I.  K.  Vide  JOHANN  KRIEG.  Mint-master  at  Stolberg,  1620-1660. 

I.  K,  Vide  JOHANN  KOMIG.  Mint-master  at  Nordhausen,  1660. 

1.  K.  Fide  ISAAC  KOCH.  Mint-master  at  Stockholm,  1652-1664, 

I.  K.  Vide  JOHANN  KITTEL.  1654-1739.  Medallist  atBreslau. 

I.  K.  Fide  JOHANN  KNOBLAUCH.  Mint-engraver  at  Wohlau,  1621. 

I.  K.  Vide  JOHANN  KUHMLEIH.  Mint-master  at  Langenargen,  1696- 
1724. 

I,  K.   Fide  JOHANN  KOCH.  Mint-master  at  Dresden,    1688-1697  ; 
died  in  1698. 

I.  K.  Vide  JOHANN  KRULL,   Mint-master  at  Hanau,  and  later  at 
Brunswick,  1737-1750. 


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1.  K.  Fide  JACOB  KOHLHAAS  Mint-master  at  Bonn,   1739-1767. 

I.  K.  Vide  IGNAZ  KENDLER.  Mint-warden  at  Prague^  1774-1780. 

I.  K.  Fide  1.  KERNLEIH.  Medallist  at  Darmstadt,  1844. 
BiBLiOGBAPaY.  β€”  Schlickeysen-PallmanQ,  op,  cit. 

I.  K.  (Germ.).  Initials  of  an  Engraver,  who  cut  dies  for  the  coin- 
age of  Lowenstein-Wertheim,  1790. 

I.  K.  (Siuiss).  Initials  which  occur  on  Krenzers  of  Johann  Anton, 
Baron  von  Federspiel,  Bishop  of  Chur,  1761.  They  may  represent 
the  Mint-master's  name  or  that  of  the  Engraver. 

I.  L.  Fide  JAN  LOOFF.  Medallisrat  Middelburg,  1627-1648. 

I.  L.  Vide  JENS  LARSSEN.  Danish  Medallist,  1650-1660. 

1. 1.  Vide  JOHANN  LIKCK.  Medallist  at  Heidelberg,  1659-1711. 

I.  L.  Vide  JOHANN  LIEBMANN.  Mint-warden  at  Clausthal,  1646, 
and  Berlin,  1664-1682. 

I.  L.  Vide  JOHANN  lONGERICH.  Mint-master  at  Sayn,  Milhlheim- 
on-Rhine,  Dortmund  and  Minister,  1664-1680. 

I.  L.  Vide  JOSEPH  LONGERICH.  Mint-master  at  Treves,  1690. 

I.  L.  Videikm  LUDER,  Dutch  Medallist,  who  worked  in  England, 
1672-1710. 

I,  L.  Vide  JACOB  LTR.  Coin-engraver  to  the  Westphalian  Circle, 
at  Cologne,  1678-1694. 

I.  L.  Vide  JEAN  LEEFKEN.  Russian  MedaUist,  1694-1709. 

I,  L.   Vide  3.  L.  J.  LEEFKEN.  Coin-engraver  at  the   Mint  of  St. 

Petersburg,  circa  1739. 

I.  L.  Fide  JOHANN  LANGE.  Mint-engraver  at  Moscow,  1718-1719. 

I.  L,  Fide  JOHANN  LINDENSCHMIDT-  Medallist  at  Mayence,  1790, 
and  Wiesbaden,  afier  1808. 

I.  L.  Fil'rfe  JOSEPH  LANG.  1776-1835.  Medallist  at  "Vienna. 

I,  h.  Fide  1.  LIGBER.  Die-sinker  at  Warsaw,  circa  1808. 

I.  L.  Fide  I.  LORENZ  JUN^.  Die-sinker  at  Hamburg,  circa  1869. 


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I.  L.  A.  Vide  JOHANN  LEONHARD  ARENSBDRG.  Mint-warden  at 
Zei"bst,  1683  ;  Mint-master  to  Count  Gustavus  von  Sayn-Wittgen- 
stfiin,  at  Catlenburg,  1684. 

I.  L.  Videl.  LEBLANC,  Die-sinker  at  Paris,  1715-1716. 

I.  L.  r.  Fide  JAN  LUDER.  Dutch  Medallist  who  also  worked  in 
London,  1672-1710. 

I.  L.  Vide  JOHANN  LUNGERBERGER.  Swedish  Medallist,  who 
worked  at  St.  Petersburg,  1730-1745. 

I.  L.  H.  Fide  JOHANN  LORENZ  HOLLAND.  Mint-master  at  Dresden, 
1698-1716. 

I.  L.  I.  Fide  JURGEN  LIPPOLD  JASTER.  Medallist  at  Hildesheim 
and  Breuberg,  1678-1690. 

I.  L.  K.  Fide  JOHANN  LXIDWIG  KOHLER.  1770-1828.  Medallist  at 
Neustadt-on-H. 

I.  L.L.(?)  Vide  JOHANN  LEEFKEN.  Russian  MedaUist,  1694-1709. 

I.  L.  0.  or  I.  L.  tE.  TiWe  JOHANN  LEONHARD  OEXLEIN.  1715-1787. 
Medallist  at  Nuremberg,  from  1740  to  1787. 

I.  L.  Vide  I  LORENZ.  Die-sinker  at  Hamburg,  circa  1869-1871. 

I.  L.  R.  Vide  JOHANN  LORENZ  RUCKDESCHEL.  Mint-master  at 
Bayreuth,  1726-1740, 

I.  L.  ST.  Vide  JOHANN  LEONHARD  STOCKMAR.  Coin-engraver  at 
Eisenach,  1785  ;  Mint-master  1790-1835  ;  died  in  1857  at  the  age 
of  97. 

I.  L.  W.   Vide  JOHANN  LXIDWIG  WAGNER.   Medallist  at  Stuttgart, 
1798-1845. 
Bibliography.  β€”  Schlickeysen-Pallmann,  op.  cil. 

ILARIO,  PIER  GIACOHO  or  lACOPO  {lial.)  so-called  L'ANTICO. 
Sculptor  and  Medallist  of  Mantua,  who  was  working  circa  1480.  By 
him  are  the  following  medals  :  Gianfrancesco  Gonzaga,  Lord  of 
Sabbionetta,  and  his  consort  Antonia  de'  Balzi  or  des  Beaux  β–  β€”  obv. 
lOHANNES.FRANCISCVS.GONZ.  Bust  to  1.  Rvs.  (a)  FOR. 
VICTRICL  β€”  ANTL  Fortuna  between  Mars  and  Minerva  ;  β€”  (b) 
MARCHIO. COMES. ROTL  β€”  PROBITAS.LAVDATVR.  Burn- 
ing fire  ;  β€”  (c)  MARCHIO. COMES. ROTL  Thunderbolt;  β€”(d) 
DIVA.ANTONIA.BAVTIA.de. GONZ. MR.  Bust  to  r.  of  Anto- 
nia des  Beaux,  as  on  ^.  of  last  RL.  SVPEREST.M.SPES.  Hope 
on  prow  of  ship  drawn  by  two  winged  horses  led  by  Cupid.  Also 


,y  Google 


two  plaques  described  by  MoHnler  :  Victory  (Courajod  Coll"); 
The  Coiitjueror  (Dk)  i'..v.  Coll") ;  β€”  Magdalena  Mamuana,  &c. 


^m 


de'  Baizi,  by  I'Antico. 


The  surname  of  the  artist  indicates  that  he  imitated  the  antique. 
Ilario  was  still  living  in  1504. 

Bibliography.  β€”  Armand,  op.  cit.,  i,  pp.  ^2-6;.  β€”  Molinier,  d^.  dL,\,  pp.  68- 
69.  β€”  Fabriczy,  op.  cit. 

ILDERS,  HENNIG  or  HEItJRICH  (G^rm.).  Mint-master  at  Bautzen 
(Saxony),  1666-1667 ;  for  Oberlausitz.  He  issued  coins  to  the  value 
of  28712  Thaiers  in  1666  and  19346  in  1667 ;  these  coins  consist 
of  j^  Thaiers,  6-Kreuzer  Pieces,  |  Thaiers,  15,  6  and  3-Kreutzer 
Pieces,  &c. 

BiBLioGRAFKY.  β€”  Erbsteiii,  Sdchische  Miuij-imd  MedailUn-Geschichk,  Dresden, 
1858. 

ILDEGAED,  ERRIC  (French).  Workman  at  the  Paris  Mint,  1553. 
He  may  have  accompanied  Guillaume  de  MariUac  to  France  from 
Augsburg,  at  the  time  of  the  establishment  of  the  Mill, 

ILGER  (5m.). Goldsmith,  was  Master  of  the  London  Mintin  1222. 
Bibliography.  β€” W.  Chaffers,  Gilda  Aurifabrcruiii,  1883. 

ILLZACH,  RIHGELD'.  Vide'RIlUGEL.  Contemporary  Alsatian  Sculptor 
and  Medallist,  residing  at  Paris. 

ILSUNGUS  (BoAem.).  Magister  monetae,  at  Eger,  1242. 

I.  M.  Fide  GIOVANNI  MIRETTO.  Mint-master  at  Chambery,  1577- 
IS79- 

I.  M.  fjW^  JOACHIM  MEINECKE.  Mint-warden,  1652,  then  Mint- 
master,  1663-1668,  at  Riga. 

I.  M.  Fide  JEAN  MAXJGER.  Medallist  at  Paris,  i66o-f  1722. 

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I.  M.  ffW^  JOHANN  MEMMIUS.  Mint-master  at  Giistrow,  1673-1678, 
Rostock,  1679-1710,  Stade,  1696,  and  Stettin,  1705-1710. 

I.  M.  Fide  JOSEPH  MELLINGER.  Medallist  and  Mint-master  at 
Zwcibrucken,  1758-1769. 

I.  H.  7/iJfi  JOSEPH  MOORE.  1817-1895.  Medallist  at  Birminglum. 

I.  M.B.F.  fjW^JOHANN  MARTIN  BiJCKLE.  1742-1811.  Medallist  at 
Augsburg,  then  at  Durlach,  where  he  filled  the  post  of  Mint-master 
from  1778-1803. 

I.  M.  E.  Fide  JOHAKN  MICHAEL  EDLER.  Mint-master  at  Saalfeld, 
1724-1731. 

I.  M.  F.  f  iiie  JEAN^MATJGER.  Medallist  at  Paris,  iSfio-f  1722. 

I,  M.  F.  Fide  JOHANN  MICHAEL  FEDERER,  Mint-master  at  Ratisbon, 
1700-1738. 

I.  M.F.  Vide  JOHANN  MARTIN  FORSTER.  Mint-master  at  Nurem- 
berg,  1755-1764. 

I.  M.  F.  Fide  JOHN  MILTON.  Medallist  in  England,  circa  1795-1805 

I.  M.  F.  Fide  I.  MINHEYMER  or  MAINERT.  Die-sinker  at  Warsaw, 
circa  1850. 

I.  M.  K.  Fide  JOHANN  MICHAEL  KRUSE.  Mint-master  at  Konigsberg, 
1824-1837. 

I.  M.  M.  or  I.  H.  MK.  Fide  JOHANN  MELCHIOR  MORIKOFER.  1706- 
1771.  Swiss  Medallist. 

I.M.  W.  Fiiie  JOHANN  MICHAEL  WUNSCH.  Mint-master  at  Wurz- 
bnrg,  1693,  and  Heidelberg,  1694-1732. 

Bibliography.  β€”  Schlickey sen-Pall mann,  op.  cit. 

I.  M.  (Brit.).  These  initials  occur  on  some  medals  relating  to 
Vernon's  capture  of  Fort  Chagre  in  1740;  obv.  Half-length  figure 
of  Vernon  to  r.  !^s.  (a)  Six  ships  entering  Porto  Bello  har- 
bour; (b)  Full-length  figure  of  the  Duke  of  Argyle  {Med.  Illustr., 
II,   pp.    546   &  560). 

I.M.  {Swiss).  Initials  of  a  Medallist,  whose  name  is  unknown. 
They  occur  on  a  Portrait-medal  of  Bartholomaus  Schubinger  of  St. 
Gall,  dated  1561. 

I.  M.  {Swiss').  These  initials  occur  on  \  Thaler  Pieces  of  Bero- 
munster,  issued  in  the  eighteenth  century,  but  not  dated. 


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IMHOF,  PAUL  (G^rni.').  A  Nuremberg  Goldsmith  of  the  early  years 
of  the  seventeenth  ccntiirv .  ITc  cisx  .some  of  the    medals  modelled 


Medal  ol'Johann  Philip,  Bishop  of  Bamberg. 

by  Heinrich  Knopf,    and  amongst  those   that  of  the  Bishop  of 
Bamberg,  Johann  Philippvon  Gebsattel  (illustrated). 

J31BLI0GRAPHY.  β€”  Erman,  Deutsche  MedaUkure,  Berlin,  18B4. 

IMMO  (Germ.).  Monetarius  at  Augsburg,  circa  100;. 

I.  N,  Signature  of  a  Die-sinker  who  executed  various  Pilgrims' 
Badges  of  Maria-Taferl  and  Mariazell. 

I.  N.  (?)  Vide  JACOB  NEBELTHAU.  Saxon  Mint-master  and  Admin- 
istrator at  Saalfeld,  1588. 

I.  N.  Vide  JOHAKN  NEIDHART.  Medallist  at  Oels,   1674-1705. 

'    I.  N.  Vide  JAKOB  NEUSS.   Medallist  of  the  eighteenth    century ; 
author  oi  several  Pilgrims'  Badges. 

I.  N,  D.  Vide  JOHAWN  NICOLAUS  DITTMAB.  Mint-master  at  Fulda, 
1727-1764. 

I.  K.  K.  Vide  JOHANN  NICOLAUS  KORNLEIK.  Medallist  at  Ratisbon, 
1758-1772, 

I.  N.  M.  Vide  JOHANN  NICOLAUS  MARTINENGO.  Mint-master  at 
Wurzburg,  1762-1790. 

I.  N.  W.  Vide  JOHANN  NEPOMUK  WIRTH.  1753-1810.  Medallist  at 
Vienna. 

Bibliography,  β€”  Schlickeysen-Palimann,  op.  cit. 

IMp(erial)  STA(tionary)  CO.  LOKOOK.  Publishers  of  a  Medal  of 
Trinity  Medial  College  ot  Toronto  (A.J.N.  1568;  in  Boston 
Coll"). 


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,    I.  N.  Vide  JOHANN  ANTON  NOVAKH.  Mint-master  and  Engraver  in 
Styria,  circa  1676. 

JNCHIQDIN,  LORD  (Bril.).  Vice-President  of  Monster,  under 
Charles  I.  A  series  of  undated  obsidiona!  money,  issued  in  the  early 
period  of  the  "Irish  Rebelhon",  is  called  after  his  name,  "  ahhough 
he  does  not  appear  to  have  been  in  any  way  concerned  with  its 
issue,  for  at  the  time  he  vi'as  engaged  in  suppressing  the  rebellion 
in  the  south  of  Ireland." 

These  coins  consist  of  the  gold  Pistole  (only  two  specimens 
known),  silver  Half-crown,  Shilling,  Ninepence  (2  var.)  ;  Sixpence 
(2  var,),  Groat  (2  var.)  and  Threepence. 

Lord  Inchiquin  may  have  caused  the  issue  of  the  Cork  money, 
"Shillings  and  Sixpences  in  silver  and  Pennies  in  copper,  during  his 
short  sojourn  in  that  city  in  May  1647,  "and,  continues  Mr.  Grueber, 
"this  attribution  somewhat  supports  the  tradition  that  money  was 
coined  there  by  his  order.  " 

Bibliography.  β€”  Grueber,  Hanilook  of  ihe  Coins  of  Great-Britain  and  Ireland, 
London,  1899. 

INGERSLEBEN  (Germ.').  Die-sinker  of  the  early  years  of  the 
nineteenth  century.  He  appears  to  have  cut  the  dies  for  a  Prize 
Medal  of  the  University  of  Gottingen  (1806),  issued  by  the  Esta- 
blishment of  Loos.  On  obv.  is  a  oust  of  Frederick  William  III., 
King  of  Prussia,  and  on  ^.  a  winged  Genius  holding  shield 
inscribed  ;  INGENIO  ET  STUDIO.  For  the  obv.,  Ingersieben 
made  use  of  a  model  by  the  Medallist  Koch,  who  had  a  sitting  from 
the  King. 

BiBLioGRATHY.  β€”  Mcnadier,  Schaumii.n\en  des  Hauses  Holmi:(plkm,  Berlin,  1901, 

INGOISTETTER,  BERCHTOLD  (Germ.).  Mint-master  at  Ratisbon, 
1345-1356. 

INGOLSTETTER,  HANS  (Germ.).    Mint-master  at  Ratisbon,  1392. 
INGOLSTETTER,  STEPHAN  (Geim.).  Mint-master  at  Ratisbon,  1 377. 

INGRAM,  THOMAS  WELLS  (Brit.).  Engraver  and  Die-sinker, 
employed  at  the  Soho  Mint,  Birmingham.  He  worked  from  about 
1820  to  1865  (Grueber,  Med.  III.,  II,  728). 

His  signature,  which  usually  occurs  in  full,  is  found,  amongst 
others,  on  the  following  medals  -.Establishment  of  the  Shakspearean 
Club,  with  bust  of  Shakespeare,  182/^;  β€”  Medal  of  the  Glasgow 
Band  of  Hope  Union  ;  β€”  Memorial  ot  the  Premiership  of  George 
Canning,   1827;  β€”  John  Hodgson,   1830;  β€”  Canova,   1823;  β€” 


,/ Google 


Memorial  Medal  of  George  III.'s  Thanksgiving  at  St.  Paul's,  1789; 
β€”  Medal  struck  to  commemorate  the  successful  vindication  of  the 
public  right  of  way  on  the  banks  of  the  Clyde,  1829,  &c. 


Medal  of  Canova,  by  T.  W.  Ingram. 

Ingram  contributed  to  Thompson's  series  of  Great  Men,  Sec. 
Bibliography.  β€”  Franks  &  Grueber,  op.  cil.  β€”  Cochran-Patrick,  op.  cit.  β€” 
Num.  Chron.,   1888,  1892. 

INKES  Vide  M=  INNES  BROTHERS.  Contemporary  Medallists  of 
Glasgow,  by  whom  there  is  a  Portrait-medal  of  General  Gordon, 
1885. 

INJALBERT,  JEAN  AKTONIN  (French).  Contemporary  Sculptor, 
born  at  B^ziers  (H^rault),  20.  February  1845  ;  pupil  of  Dumont; 
first  Grand  Prix  de  Rome,  1874. 

Amongst  his  medallic  Portraits  are  :  1873.  M"'^  Veuve  Faure. 

This  artist  has  established  his  reputation  by  numerous  fine  pieces 
of  statuary,  which  decorate  the  public  buildings  and  squares  of  many 
French  towns. 

Bibliography.  β€”  Cliavignetie,  op.  cil.,  1,  80;.  β€”  Didionnaire  national  des 
Contemporaim,  II,  p.  43. 

INSENGA  (ItaL).  Contemporary  Medallist  of  Naples,  whose  signa- 
ture occurs  on  a  medal  commemorating  the  Centennial  Congress 
of  Italian  Scientists  at  Modena,  1882,  and  on  a  Coronation  Medal  of 
Edward  VII.,  1902. 

INTERHINELIS,  ALDRT  D'  (Belg.).  Mint-master  at  Malines,  from 
May  22,  1382  to  February  28,  1384,  and  in  conjunction  with  Jean 
Thomas,  from  February  28,  1384,  to  September  i,  1385;  also  at 


./Google 


Giient,  for  the  silver  coinage,  21.  Augusii357  β€” 14.  March  1360; 
again  10.  February  1364 β€”  12.  April  1365  and  27.  September  1367 
β€”  20. January  1368. 

INTERMINILI  JEAN  D'  {Bdg.').  Mint-master  at  Mahnes,  January 
30,  1380  to  August  7,  of  the  same  year;  also  at  Ghent,  in  conjunc- 
tion with  Percheval  du  Porche  and  Aldry  d'lnterniinelis,  24.  June 
1349  β€”  28:  September  1370. 

Bibliography.  ^  Serrure,  Dktionnaire  nuviismatiqiie  bel^e,  1880. 

INTSWERT,  GAUTIER  (Belg.).  Die-cutter  at  the  Mint  of  Louvain, 
1488-89.  He  was  probably  a  Goldsmith  by  trade,  and  was  entrusted 
by  the  Mint-master  Jan  Van  der  Nat  with  the  engraving  of  the  dies 
of  the  silver  Peter  for  which  he  was  paid  6  Rhenish  florins. 

Bibliography.  β€”  A.  Pinchart,  Biographies  des  Graveun  hdges.  Rev.  beige  de 
num.,  1851,  409.  β€”  A.  de  Wiuc,  op.  oil. 

INZAGHI,  ABONDIO  (Austr.).    Mint-master   at  Steier,  1655-1659. 

I.  P.  Fide  JACOB  PAKCKAERT.  Mlnt-master  at  Berlin,  1635-1627. 

I.  P.  Fide  JEAN  PARISE,  Medallist  of  the  first  half  of  the  seven- 
teenth century,  worked  at  Rome,  about  1630,  and  afterwards  in 
Sweden;  died  in  1655. 

I.  P.  fiWe  JEAN  PATRY.  Engraver  of  Coins  of  Neuchatel,  17 12-17 14. 

I.  P.  Fide  JOACniK  POPPE. Mint-warden  and  Die-cutter  at  Bremen, 
1731-1772. 

I.  P.  Fide  JERZEGO  PUSCH.  Mint-master  at  Warsaw,  1830-1834. 

I.  PAVL  POGG.  F.  Fide  GIOVANNI  PAOLO  POGGINI.  Goldsmith  and 
Medallist  at  Florence,  1552  ;  in  the  Netherlands,  1555,  and  Madrid, 
1558;  he  died  in  15S0. 

I.  P.  D.  Fide  JEAN  PIERRE  DROZ.  1746-1823.  Medallist  of  Swiss 
origin,  who  worked  at  Birmingham,  17S8-1792,  and  later  at  Paris. 

I.  P.  E.  Fide  JCLIDS  PHILIPP  EISENDRAHT.  Mint-warden  at  Cros- 
sen,  1667.  He  issued  |  Thalers  and  Groschen. 

I.  P.  H.  Fide  JOHANN  PHILIP  HOLZHAUSER,  Medallist  at  Warsaw, 
1764-1792. 

I.  P.  M.  Fide  JEAN  PIERRE  MONTAGNT.  Medallist  of  Paris,  first 
half  of  the  nineteenth  century. 

I.  P.  M.  Fide  JAN  PHILIP  MENGER,  Medallist   at  Utrecht,   second 

half  of  the  nineteenth  century. 


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β€”  29  β€” 

I.  p.  K.  FideiOn&atl  PETER  NADHEIM.  Medallist  at  Schwerln, 
1752-1761. 

I.  PO.  Vide  JOACHIM  POPPE.  Mine-warden  and  Medallist  at  Bre- 
men, 1731-1772. 

I.  P.  R.  Vide  JOHANK  PETER  RAST.  Mint-master  at  Stuttgart,  1746" 
1762. 

I.  P.  S,  Vide  JOHANN  PETER  SCHOUBERG.  Medallist  at  Utrecht,  first 
half  of  the  nineteenth  century. 

I.  P.  T.  Vide  JONAS  PIERRE  THiflBAUD.  Medallist  and  Coin-engraver 
of  the  second  half  of  the  eighteenth  century,  who  worked  at 
Augsburg,  Neuch&tel,  Solothurn,  &c. 

I.  P.  W.  Vide  JEREKIAS  PAUL  WERNER.  Medallist  at  Nuremberg, 
circa  1760-1790. 
BiBUOGRAPHY.  β€”  Schlickeysen-Pailmann,  op.  cit. 

I.  P.  L.  These  initials  occur  on  a  medal  commemorating  the 
Congress  of  the  Allies,  i69i,'wiiich  was  engraved  by  Johann  Hohn. 
Mr.  Grueber  suggests  that  these  letters  represents  the  signature  of 
the  Mint-master  at  Munich,  of  that  date, 

BiBUOGRAPHY.  β€”  Franks  &  Grueber,  op.  cit. 

IPPENTANZ,  TILL  (Germ.).  Mint-master  at  Lucerne,  1580-1587; 
he  was  bom  at  Bein  (Peina),  near  Hildesheim,  and  died  on  Decem- 
ber 10,  1587. ' 

10.  ANT.  RUB.  Vide  ROSSI. 

10  Vide  GIOVANNI  BERNARDI  BE  CASTELBOLOGNESE.  McdaUist  and 
Gem-engraver  (1496-15 5 3).  Also  lOAN.  DE  CASTRO.  EON.;  β€”  lOAN- 
NES ,  β€”  10.  B.  P.,  and  10.  BER.  F. 

10.  BA.  BO.  r.  Vide  GIOVANNI  BATTISTA  BONINI.  Goldsmith  of 
Como,  who  was  residing  at  Rome  about  1573.  His  signature  occurs 
on  a  Portrait- medal  ot  Camillo  Agrippa,  architect  and  engineer 
under  Pope  Gregory  XIII.,  obv.  Bust  to  r.  ^L.  VELIS.NOLIS  VE. 
Warrior  pursuing  Fortune  whom  he  seizes  by  her  hair. 

Bibliography.  β€”  Armand,  op.  oil.,  I,  282,  III,  135.  β€”  Supino,  op.  cit. 

10.  F.  (Ital.).  Signature  of  a  Medallist,  who  was  working  aVca  1536. 
It  occurs  on  two  medals  described  by  Armand  :  Guido  Ascanio 
Sfor;*:a,  Cardinal  of  Santa  Flora  (1536);  β–  β€”  Gian  Battista  Malvezzi, 
a  Boiogncse  (one  of  the  Anxiani  in  1534). 

BiHLiOGRAPHY,  ~  Armand,  op.  ciL,  I,  143  ;  III,  56. 

10.  F.  r.  (?)  Vide  GIOVANNI  DELLE  CORHIOLE. 

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β€”  30  β€” 

.  10.  F.  CAR.  Vide  GIOVANNI  FRANCESCO  CARAVAGGIO.  Tliis  signature 
occurs  on  a  medal  representing  St.  Ambrosius  between  SS.  Ger- 
vasius  and  Protasius,  and  dated  1594.  This  medal  forms  the  ^.  of 
another,  on  the  obv.  of  which  is  the  bust  of  a  lady,  with  the  legend  : 
ISABELLAE  REARIAE. 

Bibliography.  β€” Artnand,  op.  cit. ,  I,  ;oo,  III,  147. 

10.  H.  Vide  GIOVANNI  HAMERANI. 

10.  MONT.  Vide  MONTFORT. 

lOTGEROS.  Vide  OTGERUS. 

I.  R.  F,  (French').  A  large  Portrait-medalHon  of  M")*  de  Vignon, 
dated  1613,  bears  the  signature  I.  R.  F,,  which  I  have  not  been 
able  to  identify  (Tresor  de  numismatique,  i"  partie,  PI.  lv,  n"  3). 

I.  R.  Vide  JOHANN  RETHE.  Medallist  at  Stockholm,  1632-1657. 
I.  R.  Vide  JOSEPH  ROETTIER,  Medallist  of  the  second  half  ot  the 
seventeenth  century,  who  worked  in  turn  in  London  and  Paris. 
I.  R.  Vide  JOHANN  RETECKE.  Medallist  at  Hamburg,  1664-1720. 

I.  R.  Vide  idkCKliS.  RUFTMEYER.  Mint-master  at  Hamburg,  1692- 
1724. 

I.  R.  Vide  JOHANN  RANISCH.  Medallist  at  Dresden,  fourth  quarter 
of  the  seventeenth  century. 

I.  R.  Vide  JOSEPH  REINISCH.  Contemporary  Medallist  of  Breslau. 
I.  R.    Vide    JOHANN   REICHEL,    Medallist    at     Warsaw,     end    of 
the  eighteeenth  century. 

I.  R.  Vide  JOHANN  RIES.  Medallist  at  Munich,  beginning  of  the 
nineteenth  century. 

I.  R.  Vide  JEAN  ROETTIER. 

I.  R.  Vide  JOHANN  RIES.  Contemporary  Medallist,  residing  at 
Darmstadt. 

1.  R.  E.  Vide  JOHANN  REINHARB  ENGELHARDT.  Medallist  at  Breslati, 
1690,1  1713- 

I.  R.  P.  Vide  JACOB  REICHEL.  Medallist  at  St.  Petersburg,  beginning 
of  the  nineteenth  century. 

Bibliography.  β€”  Schiickeysen-Pallniaiin,  op.  cil. 

I.  R.  Vide  JACOB  RICHIER. 

I.  R.  Vide  IB  or  IH.  Signature  on  a  medal  of  John  George  III.  of 
Saxony,  which  Erman  mentions  in  Deutsche  Medailleure,  p,  91. 


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β€”  31  β€” 
Irene.  "  This  name  ",  says  King,  wliicli  occurs  on  a  sard  gem, 
representing  a  Man  holding  a  cup  surmounted  by  a  bird,  "isclearly 
ilie  owner's  name,  not  the  artist's  ". 

IRMISCH,  MELCHIOR  {Germ.).  Mint-masteratSt.  Annaberg,  1523, 
1530,  1531;  died  in  1537.  His  distinctive  mark  was  a  trefoil. 

IRKFRIEDVS(G^i-m.).Moneyer  at  Passau,  1209. 

IRRGAHG  (Germ.).  Sculptor  and  Medallist;  his  signature  occurs 
on  a  Portrait-medallion  of  Friedrich  Preller,  the  founder  of  the 
Preller  Gallery  at  Dresden. 

IRRWOCH,  SEBASTIAN  (Austr.).  Medallist  to  the  Imperial  Court 
at  Vienna,  during  the  second  half  of  the  eighteenth  century.  He  is 
mentioned  by  Bolzenthal,  but  I  have  failed  to  obtain  the  description 
of  any  of  his  works. 

IRVOY,  AIMΒ£  CHARLES  (French).  Sculptor  of  the  second  half  of  the 
nineteenth  century,  born  at  Vend6me  (Loir-et-Cher)  on  November 
25,  1824;  pupil  of  Ramey  and  Dumont.  He  is  the  author  ofa 
number  of  Portrait-medallions  :  .1849.  M.  du  B*** ;  β€”  1850. 
Mr^  Iweins-d'Hennin ;  β€”  Baron  and  Baroness  E***;  β€” β–   1857. 
Mβ„’  Rosati ;  β€” β–   M"=  Moreau-Sainti ;  β€”  M"'=  Frezzolini,  &c. 

Bjbliografhy.  β€”  Chavignerie  et  Auvray,  op.  dt. 

I,  S.  Vide  GIUSEPPE  SALWIRCK.  Medallist  and  Mint-engraver  at 
Milan,  early  part  of  the  nineteenth  century. 

I.  S.  Vide  JACOB  STAMPFER.  1505-1579.  Medallist  at  Zurich. 

I.  S.  Vide  JACOB  SCHMIDT.  Mint-master  at  Hamburg,  1572-1593. 

I.  S.  Vide  JOHANN  SCHMIDT.  Mint-master  at  Frankfort-on-Main , 
1624-1637. 

I.  S.  Vide  JOHANN  SCHNEIDER.  Mint-master  at  Erfurt,  1624-1635. 

I,  S.  Vide  JACOB  SCHWIEGELT.  Mint-master  at  Gliickstadt,  1644- 
r66o.  Schlickeysen-Pallmann  mention  that  under  the  name  of 
JACOB  SCHWEIGER  he  acted,  between  1648-1650,  as  Mint-master 
to  the  city  of  Emden. 

I,  S.  Vide  JOHANN  SARTORIUS.  Mint-master  at  Darmstadt,  1654- 
1687. 

I.  S.  Vide  JOHANN  STICHMANN,  Mint-engraver  at  Copenhagen, 
1650;  Mint-master  there,  1662-1663. 

I.  S.  Vide  JACOPO  SPAGNOLI.  Papal  Mint-master  at  Ferrara,  1654- 
1656. 


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I.  S.   Fide  JOHANN  SCHDLTZE.  Ducal  Minr-mastor  to  the  House 
of  Saxe-Lauenburg,  1656. 

I.  S.  Vide  JACOB  SCHRODER.  Mint-warden  at  Stade,  1 660 ;  Mint- 
master  tbere,  1680-1687. 

I.  S.  Vide  JAN  SMELTZING.  Medallist,  born  at  Nymwegen ;  died 
in  1703, 
1.  S.  r/fl!?  JOHANH  SCHULTZ.  Medallist  at  Berlin,  i68r-i697. 
I.  S.  Vide  JO^IANH  SELTER,  Mint-engraver  at  Mannheim,  1708-17 1 6. 

I.  S.  (^Germ.^.  Signature  on  a  Pilgrim's  Badge  of  Steinhaiisen  a. 
d.  Rottum  (xvir.  Century). 

I.  S.  Vide  JOSEPH  SCHWENDIMAKN.  1741-1786.  Swiss  Medallist, 
who  worked  at  Rome. 

I.  S.  Vid^  JUSTUS  (CARL)  SCHRODER.  Mint-master  at  Warsaw, 
1768-1772. 

I.  S.  Vide  JOHANN  SCHAUFEL.  Medallist  at  Munich,  1768-1812. 

I.  S.  Vide  JOSEPH  SCHAFER.  Mint-engraver  at  Mannheim,  circa 
1770. 
I.  S.  Vide  I.  SILIPRANDI.  Medallist  at  Parma,  1784-1787. 
I.  S.rirfe  JOHANN  STOCKMANK.  Mint-master  at  Warsaw,  i8io-i8ri. 

I.  S.  Vide  J.  SEBALD  of  the  Die-sinking  establishment  of  DRENT- 
WETT  at  Augsburg. 

I.  S.  F.  Vide  JOSEPH  SAL WIRCK.  1761-1819.  Medallist  and  Coin- 
engraver,  who  in  1808  wasappointed  Director  of  the  Mint  at  Milan. 

I.  S.  G.  r/ie  JOHANN  SAMOEL  GOTZINGER.  1734-1791.  Mint 
engraver  at  Ansbach. 

Bibliography.  β€”  Schlickeyseii-Pallraann,  cp.  cit. 

ISAAC  OF  YORK  (Brit.).  Moneyer  under  Henry  11.,  whose  name 
is  found  on  the  only  type  of  the  second  issue  of  Pennies  of  this  king. 

JK.  Obv.  bSNRIGVS.ReX.  Bust  facing,  crowned  ;  in  r.  hand, 
sceptre.  ^.  >{β–   ISTi'Q-ON.eveRVVI.  Short  cross  voided;  cross 
botonnee  in  each  angle, 

"  The  name  of  Isaac  of  York  "  says  Mr  Grueber,  Handbook,  &c. 
p.  40,  "  has  been  immortalised  by  Sir  Walter  Scott  in  Ivanhoe". 

ISAGORAS  (Greek).  A  Scaraboid  in  the  British  Museum  Collection 
(Murray,  Catalogue  of  engraved  Gems,  n"  482)  bears  the  inscription 
IIAFOP,  which  probably  represents,  as  M,  Babelon  remarks,  the 
name  of  the  owner  of  the  gem,  rather  than  that  of  the  artist. 


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-  3?  - 
ISCHE,  JOSSE   DE  {French).   Mint-engraver  at  Chalon-sur-Sa6ne 
and  Dijon,  ciVc.  1375-1377;  healsocut  dies  for  the  Mint  ofTroyes, 
during  a  temporary  absence  of  Pierre  des  Mesmey. 

BlBLIOGR/lPHV.  β€”  RoiiJot,  op.  dt. 

ISEBEIN  or  EISENBEIN,  TOKJES  (fierm.).  Mint-master  at  Nord- 
heim,  1558-1575. 

ISELIN,  HENRI  FrΒ£dΒ£RIC  (French').  Contemporary  Sculptor,  born 
at  Clairegoutte  (Haute-Saone);  a  pupil  of  Rude.  From  time  to 
time  this  artist  has  exhibited  at  the  Paris  Salons  Portrait-medallions, 
such  as  that  of  Prince  Bonaparte; β€” Paterson;  β€”  Napoleon  III. ; 
β€”  Comte  de  Morny,  &c. 

ISEPH,  FRANZ  AKDRAE  (Auslr.).  Mint-master  at  St.  Veit  in 
Carinthia,  circa  1719-1720. 

ISENBEIN,  ANTON  (Germ).  Mint-master  at  Worms,  i593-:599. 

ISENBEIN,  THOMAS  (Germ.).  Mint-master  at  Bremen,  1634- 
1664.  His  initials  T.  I.  occur  on  the  Thaiers  and  subdivisions  of 
that  period. 

ISLER,  LOIGI  (Ital.).  Roman  Gem-engraver,  who  resided  in 
London,  towards  the  end  of  the  eighteenth  century  and  beginning 
of  the  nineteenth.  He  is  the  author  of  the  following  gems  :  Portrait 
of  a  Parsee,  cameo  in  sardonyx ;  β€”  Perseus  with  nead  of  Medusa, 


cameo  in  sardonyx ;  β€”  Omphale  dressed  in  the  lion's  skin,  sard- 
onyx of  five  strata  ;  β€”  Achilles,  translucent  Oriental  chalcedonyx 
(illustrated);  β€”  Chloe,  carnelian  coloured  sardonyx  (illustrated); 

L.  Fotnim.  β€”  Bkiraphicn!  Nalias  if  MrMUit:.  β€”  111.  j 


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β€”  34  β€” 

β€”  Juditli,  before  she  slew   Hofofernes,    cameo    in   chakedon}'^  ; 

β€”  Various  Portrait  cameos,  &c. 

Bibliography.  β€”  Archibald  Billing,  Tbi  Science  of  Gems,  jewels.  Coins  and 
Medals,  Ancient  and  Modern,  London,  1875, 

ISTOROS.  Vide  HISTOROS.  Thuriiin  Coin-engraver  of  the  first  hitlf 
of  the  fourth  century  B.C. 

I.  T.  Vide  JOAN  TRAMOKTAKO.  Mint-master  at  Naples  and  Aquila, 
1476-1495. 

β–      I,  T.  Vide  JACOPO  DA  TREZZO.   Medallist  and    Gem-engraver     at 
Milan,  1530-1589. 

I.  T.  Vide  JOHANN  THUN.  Mint-master  at  Sondershausen,  1684- 
1690;  then  at  Gotha,  1690-1723. 

I.T.  Tiiic  JONAS  THifiBAUD.  1695-1769.  Mint-engraver  at  St  Gall, 
arid  from  1740  at  Augsburg,  where  he  died  ;  he  was  born  at  Neu- 
cliatel  (Switzerland). 

I.  T.  (monogram).  Vide  JOHANN  TUCHMANN,  Mint-master  at 
Reichei] stein,  1615,  and  Bernstadt,  1621. 

I.  T.  W.  Vide  JOHANN  THOMAS  WOLTGEN.  Mint-warden  at  Hil- 
desheim,  1734;  then  Mint-master  there,  1756-1765. 
Bibliography.  β€”  Schlidieysen-Pallmanii,  op.  cil. 

ITASSE,  ADOLPHE  (French).  Contemporary  Sculptor,  bom  at 
Lourmarin  (Vaucluse);  pupil  of  Belloc  and  Jacquot.  He  is  the 
author  of  several  Portrait-medallions,  amongst  which  one  entitled 
Agnes,  exhibited  at  the  Salon  of  1880,  displays  charming  work. 

ITASSE,  JEANNE  {French).  Daughter  of  the  preceding,  and  also  a 
Sculptor  of  some  note.  At  the  Salon  of  1882,  her  Portrait- 
medallion  of  M.  A.  Parodi,  attracted  attention. 

BiBLiOGKAPHY.  β€”  Chavignerie  et  Auvray,  o().  cil. 

ITZIG,  MOSES,  ISAAC  &  CO  (Germ.),  A  firm  of  Jewish  Bankers 
established  at  Brestau  in  the  eighteenth  century,  and  which  con- 
tracted for  the  Breslau  Mint  in  1751- 

BiBLiOGRAPHY.  β€”  Sclilickeyseii-Pallmann,  op.  dt. 

lUNCKER  Vide  JONCKER,  J.  C. 

I.  0.  Vide  1.  illiSTRUPP.  Goldsmith  and  Die-sinker  at  Copenhagen, 
.beginning  of  the  nineteenth  century. 

I.  V.  Vide  JEAN  VARIN.  1604-1672.  Medallist,  Painter  and  Sculp- 
tor, born  at  Liege,  who  worked  at  Paris.    , 


./Google 


-  55  β€” 
1.  V.  fiV/e  JOHANN  WEBER.  Medallist  at  Florence,  1770-1784. 

I.  V.  C.  Vide  JOSEPH  VON  CRONBERG.  Mint-master  iit  Vienna,  1766- 
1804. 

I.  V.  D.  Vide  JACOB  VAN  DIESHOUKE.  Dutch  Medallist,  1678-1702. 

I.  V.  F.  7iWe  JEAN  VERDELOCHE.  Die-sinker  at  Paris,    1650-165S. 

I.  V.  F.  Vide  JOHANNES  VISMARA.  Die-sinker  at  Milan,  1670. 

I.  V.  F.  Vide  JOHANN  FARENBERG.  Mint-master  at  Cassel,  1681- 
1697. 

r.  V.  R.  Vide  JOHANR  VON  RICKINGEN.  Mint-master  at  Emden, 
1687-1697. 

I.  V.  R.  F.  Fide  JOHARN  VEIT  RIESING.  Die-sinker  at  Wiirzburg, 
1763,  11789. 

I.  V.  S.  Fide  tOUXTSTS  VON  SCHATIFEL.  Medallist  at  Mnnich,  1768- 
1812. 

BiDLiOGRAPHY,  β€”  Schlickeyseti-PjDraann,  op.  cil. 

I.  V.  R.  (Dutch.).  Signature  on  a  medal  commemorating  the  Peace 
ofGroningen,  1694. 

I.  V.  T.  (Ital.  ?).  Signature  of  a  Medallist,  who  worked  circa  1549. 
D'  Ambrosoli  has  published  a  Portrait-medal  of  Hieronymus 
Fugger,  bearing  these  initials  :  Obv.  Bust  to  1.  ^L.  DOMINVS. 
Cm'ODIT.ME.β€” MDXLVIin.β€” I.V.T.  {Rivista  italiana  di 
Numismatica,  I,  fasc.  in,  p.  471  sqq.). 

I.  W.  Vide  JACOB  WIESEMANR  (or  WIESENER),  Mint-engraver 
and  Mint-master  at  Nidda  (Hesse-Darmstadt),  1622-1644. 

I.  VP.  Vide  JOHANN  WOLTERECK.  Mint-master  at  Gluckstadt,  1664- 
1679. 

I.  W.  Fide  JOHAKK  WILMSEN.  Mint-warden  at  Minden,  1670- 
1673. 

I.  W.  or  I.  Z.  W.  Vide  JULIUS  WEFER.  Mint-master  at  Stolberg, 
EUrich  and  Miihlhausen,  1673-1676. 

I.  W.  /^iWe  JOHANN  WILLERDING.  Mint-master  at  Minister,  1709- 
1712, 

I.  W.  Vide  JOHANN  WEICHINGER.  Mint-engraver  at  Zweibrucken, 
1765;  Mint-master  there,  1770-1790. 

I.W.  Vide  JOHANN  WEBER.  Die-sinker  at  Florence,  1770-1784. 


./Google 


1.  W,  fii/c  JOHANN  WIRTH.  Medallist  at  Vienna;  died  in  iSio. 
Also  I.  N.  W. 

r.  W.  TiW^  JACQUES  WIENER.  Medallist  at  Brussels,   1815-1901. 

I.  W.  Fide  J.  WOODHOUSE.  Medallist  at  London,  second  lialf  of 
the  nineteenth  century. 

I.W.  f'lW^  JACOB  WOLKER.  Mint-master  at  Prague,  1638-1655. 
I.  W.  Vide  JEAM  WARIN.  French  Medallist,  1604-1672. 
^F  Vide  JAN  WYNTGES  (FECIT).  Dutch  Mediillist,  first  half  of  the 
seventeenth  century. 

I.  W.  H.  Vide  JOHANN  WILHELM  HOCKNER.  Mint-engraver  and 
Medallist  at  Dresden,  1702-1733.  Schlickeystn-Pallmann  state  that 
he  was  still  living  in  1748. 

I.  W.  K.  Fide  JOHANN  WILHELM  KIRCHRER.  Mint-engraver  at 
Cassel,  circa  [S27. 

I.  W.  L.  Vide  JOHANN  WILHELM  LANG,  1776-1835.  Medallist  at 
Hall,  then  at  Vienna. 

I.  W.  S.  Fide  JOHANN  WILHELM  SCHLEMM.  Mint-warden,  1745  ; 
Mint-master,  1753  ;  Mint-director,  1780-17S8  oftheClausthalMint. 

β– Bibliography.  β€”  Schlickeysen-Pallmann,  op.  oil. 

I.  W,  (Brit.}').  Initials  of  an  Engraver  who  cut  several  medals 
relating  to  the  taking  of  Porto  Bello  in  1739,  Fort  Chagre  in  1740, 
and  Carthagena  in  1741,  &c.  On  the  medal  of  1739,  bearing  on 
obv.  half-length  figures  of  Vernon  and  Brown,  and  on  ^.  six  ships 
entering  Porto-Bt;llo  harbour,  the  die-sinker's  signature  appears 
as  I.  W.  FECIT. 

Bibliography.  ^  Franks  and  Grucber,  Mahtlic  Itliislrations,  &c. 

IWANOFF,  ALEXANDER  (Russ.).  Mint^master  at  St.  Petersburg, 
1801-1803. 

IVANOFF,  ALEXEI  (Russ.).  Mint-master  at  St.  Petersburg,  1799- 
1802. 

IWANOFF,  CEMEW  or  SIMON  (Russ.).  Medallist  at  St.  Petersburg, 
during  the  second  half  of  the  nineteenth  century.  He  executed  a 
coronation  Portrait-medal  of  Czar  Alexander  II, ,  and  other  commem- 
orative and  prize  medals.  His  signature c.ioa.k.c.  11.  occurs  on  the 
'^L.  of  a  medal  with  bust  of  Peter  the  Great  on  the  Annihilation  of 
the  Strelitz. 


BiBLlOGRflPHV.  β€”  HBEPCEHA,  CJFOBA-Pb  MEflAJIhEPOBl  H  flpymXT.  JlHnij, 
Si.  Petersburg,  1874.  β€”  CM.  nETPORPitiJi  meaajih,  IX,  2. 


,/ Google 


IWANOFF,  JkCO^(Russ.).  Mint-master  nt   St.  Petersburg,  1750- 

IWANOFF,  TIMOTHEI  (Russ.).  Russian  Medallist  and  Mint-engraver 
:it  St.  Petersburg,  born  in  1729,  died  in  1802.  He  entered  the  Mint 
in  1743  as  a  pupil  at  the  School  for  medal-engraving.  The  period  of 
his  activity  extends  between  1758  and  1800,  and  he  may  be  called 
one  of  the  foremost  Medallists  Russia  has  as  yet  produced.  He  cut 
most  of  the  dies  for  thesuccessive  coinages  of  the  Czarina  Catherine  II., 
comprising  M.  10,  5,  2  and  i  Rouble  pieces,  Tchervonetz  and 
Poltinas;  jR.,  Roubles,  Pohinas,  and  unsigned  subdivisions,  as  well 
as  copper  coins.  According  to  some  Russian  authorities  whom  I 
have  consulted,  the  later  coinage  of  the  Czarina  Elizabeth,  at  least 
since  1758,  and  that  of  Peter  III,,  struck  at  St.  Petersburg,  were 
executed  by  Ivanoff.  The  currency  of  this  period  is  unsigned,  with 
the  exception  of  the  Prize  Rouble  of  1759,  issued  ior  presentation 
to  combatants  in  the  Battle  of  Kunersdorf,  which  bears  under  the 
Empress's  bust  on  obv.  TIMOOEI.  I.  F.  and  on  ^.  T.  I. 


Obvs.  of  Roahlt'^  of  Cuhcriiic  !I.,  1764  .ind  1787,  by  T.  IvanofF, 

Some  of  the  Moscow  Roubles  of  Catherine  II.  bear  IwanofPs 
signature  :  T.  1. 

Besides  coins,  Iwanoff  executed  a  number  of  medals,  in  some  of 
which  he  was  assisted  by  one  of  the  brothers  Wiichter;  the  finest 
are  no  doubt  :  1752.  Construction  of  new  Docks  at  Cronstadt 
(illustrated') ;  β€”  Coronation  of  tlie  Czarina  Catherine  II.  at  Mos- 
cow, 1762  ;β€” Building  of  the  Church  ofSt.  Isaac,  1768;  β€”  Peace 
with  the  Sublime  Porte;  β€” Restoration  of  the  Kremlin,  1773  ;  β€” 
Journey  of  the  Czarina  to  Cherson,  1787. 

Iwanoffs  first  medal  is  said  to  be  that  commemorating  the  Vic- 
tory at  Frankfort-on-the-Oder.  He  also  engraved  copies  of  medals 
relating  to  Peter  the  Great  :  Peace  of  Carlowitz  (after  A.  Ljalin) ; 
β€”  Building  of  the  four  Fleets  (after  Gouin  or  Haupt) ;  β€”  Second 


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Expedition  of  the  Russian  Fleet  to  Finland  (2  varieties)  ;  β€”  Naval 
Victory  ot  Tweremunde  ;  β€”  Visit  of  Peter  the  Great  to  the  Paris 
Mint  (after  Duvivier) ;  β€”  Pacification  of  the  Empire  (2  var.) ;  β€” 


Building  of  New  Docks 


Capture  of  four  Swedish  frigates  near  Gronhamn,  27.  July  1702  ; 
β€”  Siege  of  Schliisselhurg,  1702  ;  β€”  Foundation  of  St.  Petershurg, 
1703';   β€”  Establishment   of  the  Russian  fleet  on  the  Baltic  Sea, 


o,C.oo(^lc 


β€”  39  β€” 
1705 ;  β€”  Siege  of  Dorpat;  β€”  Siege  of  Narva,  1704;  β€”  Siege  of 
Mitau,  1705  ;  β–  β€”  Capture  of  Lowenhaupt,  1706  ;  β€”  Surrender  of 
Riga,  1710,  and  probably  many  others,  some  of  which  are  unsigned. 
By  the  same  artist  are  also  the  following  medals  :  Accession  of 
the  Czarina  Anna  Ivanowna,  1730;  β€”  The  Reign  of  the  Czarina 
Anna;  β€”  Accession  to  theThrone  of  the  Czarina  Elizabeth,  1741 ; 

β€”  General  Amnesty  granted,  1741,  ^L-  by  Wachter;β€”  Reduction 
of  Taxes,  1753  ;  β€”  Birth  of  the  Grand  Duke  Paul  Petrowitch,  1754; 

β€”  New  Servia  constituted,  1754 ;  β–  β€”  Remission  of  Crown  Debts, 
1754 ;  β€”  Settlement  of  landmark  disputes,  1754  ;  ^Batclesof  Frank- 
fort and  Palzig,  1759;  β€” Death  of  the  Czarina  Elizabeth,  1761 ;  β€” 
Accession  of  Catherine  H,  1762;  β€”  Reorganization  of  the 
St.  Petersburg  Mint,  1765;  β€” Building  of  a  Foundling  Flospital  at 
St.  Petersburg,  1763(2  var.  in  Boston  Coll");  β€”  Prize  Medal  of  the 
Academy  of  Fine  Arts,  1766;  β€”  Building  of  the  St.  Petersburg 
Hippodrome,  1766;  β€”  Inoculation  of  the  Russian  Court  against 
small-pox,  1768;  β€”  Naval  Victories  over  the  Turks,  1770;  β€” 
Victory  over  the  Turks  bythe  river  Kagul,  1770;  β€”  Conclusion 
of  Peace  with  Turkey,  1774;  β€” Prize  Medal  for  Agricuhure  ^.  by 
Wachter,  &c. 

Some  of  these  medals,  which 'are  only  signed  on  obv.,  may,  not- 
withstanding, be  entirely  the  workof  Iwanoif. 
,    This  artist,  during  his  long  connection  with  the  Mint,  acquired 
a  well-earned  reputation,  and  no  Russian  Medallist  is  better  known, 
both  for  the  number  and  for  the  excellence  of  his  works. 

BiBuoGKAPHV.  β€”  Bokemhal,  0^.  cil.  β€”  List  0/ Russian  Medals  in  Num.  Circu- 
lar, 1898,  col.  2986-92.  β€” β–   Hbepceha,  cjioBAPb  MEflAiTbEPOBT.  H  flpyrHit 
-iHH,  1874.  β€”  Thomseo,  op.  cit.  β€”  Iversen,  Medaillesde  Pierre  le  Grand,  &c. 


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For  Abbreviations  see  under  Letter  I. 
J.  A.  Vide  I.  A. 

JABLONOWSKY,  CONSTANTIN  (Polish).  Die-sinker  of  the  second 
half  of  the  eighteenth  century,  who  resided  at  Olkusz,  in  the 
district  of  Krakau.  Kirmis,  Handbuch  der  Polnischen  Mun^kunde, 
Posen,  1892,  p.  210,  states  that  he  was  Mint-master  at  Olkusz  in 
1767  and  that  his  initials  C.  I.  appear  on  coins. 

JABOEUF,  ROBERT  ALBERT  (French).  Contemporarj'  Sculptor, 
born  at  St.-Just-en-Chaussee  (Oise).  Of  late  years  he  has  executed 
several  Portrait-medallions,  as  1  1901.  "  Mon  fils  ",  patinated 
bronze;  β€”  1904.  MΒ°'=  A.  S***,  &c. 

JAC.  (Ital.Q).  Signature  of  the  Engraver  of  a  Portrait-medal  ot 
Fernando  Alvarez  of  Toledo,  Duke  of  Alba  (!5o8-i582).  Obv. 
D.FERNANDVS.  TOLEDO.  DVX.ALBE.  ~  lAC.NOC.F. 
Bust  to  r.,  head  bare,  hair  short  and  long  beard;  no  '^L. ;  diam. 
70  mill. 

Bibliography.  β€”  Supino,  //  Medagliere  Msdiceo,  Firenze,  1 899. 

JACHLICK  (Germ.).  Medallist  of  the  beginning  of  the  nineteenth 
century.  He  signed  two  varieties  ofaunifacecast  Portrait-medallion 
in  iron  of  Prince  Friedrich  Wilhelm  Karl  of  Prussia  and  consort 
Maria  Anna  of  Hesse-Homburg,  made  to  commemorate  their 
marriage  in  1804. 

Bibliography.  β€”  D'  Menadier,  Schaumitn^^en  des  Hames  HohenioUern,  Berlin, 
1901. 

JACHTMANN,  JOHANN  LUDWIG  (Germ.).  Medallist,  born  at  Berlin 
in  1776,  where  he  died  in  1842.  "  This  Engraver  ",  says  Bolzen- 
thal,  "  learned  the  an  of  Stierle ;  however  in  style  and  composition 
he  progressed  with  the  age,  as  we  may  perceive  by  his  medals  of 
reward  for  Arts  and  Sciences,  struck  to  commemorate  the  third 
centenary  of  Alb.  Durer,  and  the  Prize  medal  of  the  Royal  Acad- 
emy of  Arts.  He  always  endeavoured  to  produce  something  better 
than  the  last.  For  some  time,  Jachtmann  endeavoured  to  execute  a 
medal  in  the  old  way  of  casting,  for  which  he  spared  neither  time  nor 
trouble ;  the  attempt  was  successful,  and  it  was  a  medal  designed 
for  the  Academy  of  Munster.  He  also  executed  large  dies  for  seals, 
which  he  engraved  in  steel  with  much  taste,  after  he  had  devoted 
some  time  to  the  study  of  the  master-pieces  of  the  middle  ages  ". 


,;.Goo'^lc 


_-  41  β€” 

Jachtmann  is  the  authorof  the  following  medals  :  Third  centen- 
ary of  the  RetormatioiJ,  1839;  β€”  Prize  Medal  for  Arts  and 
Sciences,  1814,  with  bust  of  King  Frederick  William  III.  ;  β€” 
Another,  of  different  type;  β€”  Portrait-medals  of  King  Frederick 
William  IV.,  (two  types);  β€”  Third  centenary  of  Mart  in  Luther.  I^. 
Bust  of  Calvin,  18 17;  β€”  Jubilee  Medal  of  C.H.V.  Klevenow  of 
Magdeburg,  1S20 ;  β€”  Jubilee  Medal  of  I.  D.  Woldermann,  1823 ; 
β€”  Portrait- medal  of  Frederick  the  Great ;  β€”  Blucher's  Monument 
at  Rostock,  i8i9(2var.);  β€” Joseph  Zerbonidi  Sposetti(i822); β€” 
D' Johann  Christian  Reil  of  Berlin,  1813;  β€”  D'  Georg  Heinrich 
Weber,  Kiel,  1813,  &c. 

Bibliography.  β€”  Bolzenthal,  Ski^:^en  pir  KitnstgeschichU  der  modernen  MedaiUen- 
Arbeit  (1429-18^0),  Berlin,  1840.  β€”  Df  Menadier,  op.  cit.  β€”  Tbomsen  Calaltgue, 
p.  197.  β€”  Friedensburg  and  Sejer,  Medaillm  avf  schJesisdn  Personm.  1902. 

JAGHTMANN,  MATTHES  (Germ.).  Goldsmith  at  BresJau,  circa  1600- 
1617,  according  to  Rosenberg.  In  1622,  he  became  Warden  of  the 
Mint  there.  Saurma  suggests  that  the  raonograin,  formed  by  an  H 
and  a  figure  resembling  a  4  on  the  Klippe  Thalers  of  1621,  points 
to  Jachtmann,  but  Friedensburg  cannot  prove  this  assertion. 

Bibliography.  β€” Friedensburg, ^cftfejicii  neuere  Miinjigeschichle.  β€”  lhid.,Siuilien 
^iir  schlesischeii  Medailknhiitde,    Schlcsiens  Vorzeit   in  Bild  und  Schrift,  Bd.  VII. 

JACKELY,  aEORGE  (Germ.).  Seal  and  Armorial-engraver  at  Bres- 
lau,  1660-1670. 

JAGKSON  (Brit.').  Carver  in  ivory  and  tortoise-shell,  who  signed 
Portrait-medallions  of  Charles  II.,   cut  in  these  materials. 

JACOB  (Austr.).  Meister  Jacob  was  Mint-engraver  at  Prague, 
1538-1541  and  perhaps  still  longer. 

JACOB  or  JAKOB  (Austr.).  Moneyer  at  Vienna,  1403. 

JACOB,  ANATOLE  (French).  Contemporary  Sculptor,  born  at 
Troyes  (Aube) ;  pupil  of  Sax  and  Jeufi^roy.  He  is  the  authorof 
some  Portrait-medallions  in  bronze. 

JACOB  DER  EHRER  (Austr.).  Duke  Albrecht  I.'s  agent  at  the  Mint 
of  Vienna,  1386. 


JACOB,  C.  (Germ.).  Founder,  at  the  Berlin  Royal  Foundry,  circa 
1815.  His  initials  occur  on  medals;  one  of  them  commemorates  the 
Liberation  War  of  1815.  He  generally  spelt  his  name  :  lAKOB. 

JACOB,  HANS  (Austr.).  Seal-engraver,  who  cut  dies  for  a  Salvator 
Medal  of  1581. 


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(JACOB,  HANS  (Germ.).  Mint-engraver  at  Hechingen, 


1623. 


JACOB,  HANS  or   JAKOB    (Germ.).    Father   of    JOHANN  HEINRICH 
JACOB.  Mint-master  ar  Dresden  and  Eisleben,  circa  1618-1627,  ^'^^ 


Dresden  Treble  Thaler  1627,  issued  by  Hans  Jacob,  and  engraved  by  Kitzkatz. 

before  that  at  Saalfeld,  1612-1618.  He  died  on  January  24,  1635. 
Vide  Friedensburg,  Studien  xiir  schlesischen  Medaillmkunde,  p.  59. 
In  1627,  he  placed  the  contract  to  work  the  Breslau  Mint  with  his 


,,Goot^lc 


son   and  his   biuihcr-m-l 
SammliiH};  e'l  .  p    21  m  ui' 


β€”  43  β€” 

w    Hans  Ziesler.    Whether    Amnion., 
ntiumng  Hans  Jakob  as  Miiit-niiister  at 


:^ 


'  w^.. 


n  Reichsthaler.  of  John  George  I.,  1626,  issued  by  Hans  Jacob. 


been  able  to  confirm.  This 
HXI,  I-  i.;H.  I.  M.M.  (Ham 


Anhalt,  161 5-1 618  is  right,  I  have 
Hans  Jacob  signed  liis  issues  H,  I. 
lahh  Munt^-Meister). 

JACOB,  JOHANN  HEINRICH  or  HANS  HEmRICH  JACOB  (Germ.). 
Son  of  Hans  Jacob,  the  Dresden  Mint-master.  Between  17..  July 
1627  and  1629,  he  worked  the  Breslau  Mint  in  connection  with 
his  uncle  Hans  Ziesier.  From  1629  to  1631  he  was  Mint-master  at 
Sagan,  in  Wallenstein's  service,  on  whose  currency  the  monogram 
HX^  occurs.  He  may  have  again  been  connected  with  the  Breslau 
Mint,  but  a  document  of  (631  only  names  Ziesler.  It  is  doubtful 
whether  the  initials  H-I  on  a  square  Double  Thaler  of  Archduke 
Charles  Ferdinand,  1631,  refer  to  him. 

Bibliography.  ^-  Friedensburg,  Sliidkii  inr  schksischen  Medailknkunde, 
Schlesiens  Vorzeit,   Bd.    VII,   p.    59. 

JACOB,  HEINRICH  (Austr.).  Mint-master  at  Bautzen  (Budissin), 
1666-67. 

JACOBO,  or  JACOPO  URBINATE.   Vide lAC.  V?iB.  infra. 

JACOBI,  HANS  HEINRICH  (Germ.').  Mint-master  at  Sagan,  1629- 
l63[.   Vide  HANS  HEINRICH  JACOB  suprd. 

J ACOm.  Fide  3 A.COBY. 

JACOBS,  B.  (Brit.).  A  London  Die-sinker  of  the  latter  part  of  the 
eighteenth  century.  His  signature  appears  on  numerous  eighteenth 
century  tradesmen's  tokens  :  Evesham  (Manufacturer  :  Skidmore  ; 
Proprietor  :  J.  Thomson);  β€”  Inverness  (^.  by  Milton ;  Propr.  : 
Conder) ;  β€”  Blackfriars  Token ;  β€”  London  Tokens  (various) ;  : β€” 


>stsd  by  Google 


_  44  β€” 
Rye  (Man  :  Skidmore  ;  Propr.  :  G.  Bennett); β€”FUtwick  1Β°  ,  1797; 

β€”  Cambridge  Pennies  (several  varieties);  β€”  Cliesterton  !Β°  ;  β€” 
Cambridge  Halfpennies  and  Farthings  (various,  some  unsigned); 

β€”  Chester  Pennies  (2  var.);  β€”  Barnard  Castle,  Durliam  1Β°  ;  β€” 
Wanstead  i"  ;  β€”  Hendon  Halfpennies;  -β€”  Dunmow,  Fssex 
(various  types,  struck  by  Skidmore) ;  β€”  Gloucester  i^  ,  1797 ;  β€” 
Southampton  |  ^;  β€”  Sawbridgeworth  |d  ;  β€”  County  Pennies  of 


Kew  Palace  Penny  Token,  by  Jacobs. 

Middlesex  (various  types);  β€”  Kew  i"  (illustrated);  β€”  Skidmore's 
Pennies  and  Halfpennies  (Atkins,  n"'  75-94;  361-412);  β€” 
Orchard's  |d,  1795; β€”  Skidmore's  series  of  tokens  representing 
Churches:  Berdmondsey  Abbey, Christchurch,  Blackfriars,  &c.,  ana 
Gales  {Atk.,  nΒ°^  413-510);  β€”  others,  representing  Buildings, 
Dulwich  College,  Kew  Palace,   Wandsworth,   &c. ;  β€”  Orchard's 


Penny  Token,  by  Jacobs. 

Fanhings,  1796, 1803,  &c. ;  β€” Skidmore's  Farthings,  1795  (3  var.); 

β€”  Spence's  Farthings  (Atk.,  a"  β– j-j6   and  others);   β€”  Middlesex 
Pennies,  with  bust  ofHorneTooke  Esq.,  &c.  (one variety  Ulusiraled)  \ 

β€”  Norwich  Threepence,  1797;  β€”Alnwick  1Β°  ,1797; β€” -Newstead 
1"  ,  1797;  β€” Sherborne  i"  ; β€” -Dudmaston  i'^  ;  ^Ludlow  i"  ;  β€” 

β€”  Glastonbury  4Β°  ;  β€”  Godstone  r"  ,  1797;  β€”Guildford  1Β°  j    β–  β€” 


>sted  by  Google 


-  4S  - 
Lambeth  i"  ; β€” Bermondsey  Halfpennies,  1797; β€” Rotherhithe^"  ; 
β€”  Southwark  Halfpennies  (5  var.);  β€”  Skidmore's  Halfpennies  for 
Birmingham (ji/^.,  n""  166-170);  β€” Battle  r"  ,  1797;  β€” Horsham 
Halfpennies  {Atk.,  n"'  25-30);  β€”  Dudley  r"  ,  ij^j;  β€”  Guisebo- 
rougli  1"  ;  β€” β–   Yarum  r"  ;  β€”  Argyle  House  i"  ,  1797 ;  β€”  Kidder- 
minster 1Β°  ;  β€”  Inverary  i"  ;  β€”  Surgeon's  Hall,  London ;  β€”  Penny 
Token,  with  bust  ofWilliam  IIL,  Ifi,.  In  commemoration  of  the  Revo- 
lution (various);  β€” β–   Masonic  Penny  Tokens;  β€”  Hallan's  Half- 
pennies; β€”  Speiice's  Halfpennies  (2  or.  3  var.);  β–  β€”  Penny 
Tokens,  with  bust  of  Fox;  obv.  by  James,  ^,  by  Jacobs,  commem- 
orating the  War  with  France,  1794,  &c. 

Both  Jacobs  and  James  worked  for  E.  Skidmore,  the  London 
manufacturer  of  tokens.  The  former's  work  is  usually  sketchy  and 
cannot  be  compared  advantageously  with  that  of  some  ol  his 
contemporaries,  such  as  J,  G.  Hancock,  Peter  Wyon,  and  others. 

Bibliography.  β€”  Atkins,  The  Tradesmen's  Tokens  of  the  eighteenth  century, 
London,  1892.  β€”  Pye,  Pr&vinciaS  Copper  Coins,  London.  ~  Davis,  UnputiUshed 
Tokens,  Num.  Circ,  December  1900.  β€”  Grui;ber,  Personal  Medals,  Numismatic 
Ciironicle,  1831,  p.  96.  β€”  Davis,  Tohen  Coinage  of  the  Nineteenth  Century,  1904. 

JACOBSON,  ALBERT  (Dan.).  Medallist  of  the  last  quarter  of  the 
eighteenth  century  and  first  three  decades  of  the  nineteenth. 
Thomson  gives  his  date  as  1780--]-  i8;6.  He  was  a  son  of  Salomon 
Aron  Jacobson.  His  signature  occurs  on  various  Prize-medals,  as 
for  instance  on  one  with  portrait  of  King  Frederick  VL  of  Den- 
mark, issued  as  a  Reward  or  Encouragement  for  scientific  investi- 
gation. 

Bibliography.  β€”  Kroliti,   Thomsm  Bronce-Medaillcr,  1873,  p.  214, 

JACOBSON,  ALFRED  (Dan.).  Medallist  of  the  middle  years  of  the 
nineteenth  century.  His  signature  occurs  on  a  medal  struck  in  1833 
to  commemorate  the  convalescence  of  King  Frederick  VL  of 
Denmark  (In  Boston  coll"). 

JACOBSON,  JOHANN  or  JACOB  (Germ.)  came  from  Emden  over 
Danzig  to  Poland  in  1617,  where  he  contracted  to  work  the 
Bromberg  Mint.  His  distinctive  mark  L  I, β€” V.  E.  occurs  for  the  first 
time  on  a  medallic  Thaler  of  that  year.  Until  1623  he  administered 
only  the  Bromberg  Mint,  but  after  that  date  he  extended  his  super- 
intendence over  the  mints  of  Wihia,  Warsaw  and  Krakaw;  in 
fact,  between  1623  and  1639  he  was  Administrator-general  of  all 
the  Crown  Mints  and  of  those  pf  Lithuania.  In  1630,  he  leased  the 
Mints  of  Danzig,  Thorn  and  Elbing,  which  he  worked  until  his 
death,  which  took  place  in  1639. 

Bibliography.  β€”  D'  Max  Kirmis,  Haiidbuch  der  Polnischen  Miin^^kunde,  Poaen 


atdb,  Google 


-  46- 
'  JACOSSON,  SALOMON  AROK  (Dan.)  Medallist,  who  resided  at 
Copenhagen,  I756--J-  1830.  He  is  the  author  of  several  medals, 
amongst  which  those  of  Andreas  Petrus,  Count  Barenstorff,  1795, 
and  Cuvier,  the  French  naturalist,  1820,  are  perhaps  best  known. 
This  Engraver's  work  is  very  creditable.  He  also  executed  Portrait- 
medals  of  D'  Ole  Borch,  Copenhagen  ;  β€”  D'  Blumenbach,  Gottin- 
gen  ;  β€”  D''  Henrik  Collisen,  Copenhagen,  1805. 
Bibliography.  β€”  Krohn,  /.  c. 

JACOBUS  {AtiStr.').  Moneyer  at  Vienna  in  the  Weydenstrasse, 
1326-1342,  Vide  Arnold  Luschin  von  Ebengreuth,  ^iens  Mun^- 
wesen,  Handel  und  Ferkehr  im  spateren  Mittelalter,  Wien,  1502. 

JACQBY,  MEINHAHD  (Germ.).  Contemporary  Modeller  and  Sculp- 
tor, residing  at  Berlin.  He  is  the  author  of  various  types  of 
Christening  Piaquettes,  stiuck  at  the  works  of  WUhelm  Mayer  & 
Frz.  Wilhelm  atStuttgart.  In  artistic  merit,  they  compare  favourably 
with  some  of  the  best  French  medallic  productions  of  recent  times. 

JACOBY,  PHILIPPE  JOSEPH  (EelgX  Dlc-slnker  of  the  eighteenth 
century ;  he  was  born  in  1708  and  at  the  age  of  14  was  placed  in 
apprenticeship  to  an  Engraver  of  the  name  of  L.  de  Thier,  at 
Cologne.  Five  years  after  he  settled  at  Liege,  his  native  town,  where 
he  produced  some  good  work  as  a  Line-engraver,  and  was 
employed  in  that  capacity  and  as  a  Medallist  by  the  Prince-Bishops 
of  Liege  John  Theodore  of  Bavaria,  Charles  d'Oultremont,  Francis 
Charles  van  Velbruck  and  Constaniine  Francis  van  Hoensbrouck, 
during  the  gteater  part  of  the  second  half  of  the  eighteenth  century. 
He  died  on  September  23,  1794- 

Pinchart  remarks  that  in  the  few  medals  he  has  produced,  Jacoby 
showed  imagination,  but  that  his  drawing  is  very  defective  and  that 
his  engraving  leaves  also  much  to  be  desired. 

By  this  Engraver  are  :  Portrait- medal  of  John  Theodore  ot 
Bavaria,  Prince-Bishop  ofLiege  (signed  :  P.  L  lACOBY) ;  β€” Portrait- 
medal  of  Charles  of  Oultremont,  Prince-Bishop  of  Li^ge  (signed  : 
JACOBI  or  JA.  F.);  β€”  Another,  of  1764;  β€”  Foundation  of  the 
Academy  of  Painting  at  Liege,  1765  ;  β€”  Society  of  Emulation, 
The  Academy  of  Painting  and  Scu!prui'e(2  types,  one  dated  1785"); 
β€”  Portrait-Medal  of  Constantine  Francis  van  Hoensbrouck,  Prince- 
Bishop  ofLiege. 

I1  1763,  Jacoby  was  appointed  Mint-engraver  at  Liege,  a  post 
which  he  retained  until  1788,  when  he  was  succeeded  by  Leonard 
J^hotte. 

Bibliography,  β€”  Bop  de  Chestret  de  Haneffe,  Nolia  mr  P.  J.  Jacoby,  graveur 
Uegeoii  du  XVUI^  siide.  Revue  beige  de  num.,  1891,  pp.  88-100.  β€”  Pinchart, 
Histoircde  ki  gravure  des  medailks  en  Bdgiqm,  p,  80, 


,  Google 


JACOPIN,  ACHILLE.  (F/w/c/)),  Contemporary  Sculptor;  pupil  of 
Falguitre,  Carlier  et  Mercie.  At  the  Salon  of  1903,  he  exhibited 
Portrait-medals  of  M'"=  Em.  Ch**  and  her  children, 

JACOPSZOON,  JAN  {Dutch).  Goldsmith  of  The  Hague,  who  in 
1481  cut  official  seals. 

JACOPO  DA  TREZZO.  Vide  TREZZO. 

JACOT,  BERNARD  ULTSSE(i'ii'/Vj.).  Contemporary  Sculptor,  born 
in  1877,  studied  at  Geneva,  under  the  direction  of  Jerdelet,  Pro- 
fessor of  chasing  at  the  School  of  Industrial  Arts,  and  Barthelemy 
Caniez,  Sculptor.  He  is  a  partner  in  his  father's  firm,  a  manufac- 
turer of  decorative  watch-cases  at  Le  Lode  (canton  NeuchStel). 


The  Prize  Medal,  for  the  Neuchatel  Cantonal  Rifie  Meeting  at 
Fleuricr,  1902,  is  the  artist's  first  attempt  at  medallic  work. 

JACOT-GUILLARMOD,  EUGΒ£ne  and  ALFRED  (Sudss).  Contempo- 
rary Engravers  of  watch  cases,  residing  at  Le  Locle.  They  are 
father  and  son.  To  their  joint  cooperation  is  due  a  commemorative 
medal,  struck  at  the  works  of  Huguenin  fr^res  in  188S,  on  the 
inauguration  of  a  monument  at  Le  Locle  to  Daniel  Jean  Richard, 
1665-1741,  the  founder  of  the  Neuch^ltel  watch  industry.  It  is 
signed  :  E.  JAGOT. 

By  A.Jacot-Guillarmod  is  also  :  Cantonal  Rifle  Meeting  of  Vaud 
at  Yverdon,  1899. 

JACOT,  JULES  {SvAss).  Die-sinker,  Seal,  and  Watch-case  Engra- 
ver, born  at  La  Chaux-de-Fonds,  28"^  March  1797,  where  he  died, 
4'"  Jtnie  1879.  β–     β– -    -  -β– β–   β– "      -β– β– 'β–  


,stsd  by  Google 


He  is  the  author  of  numerous  official  Seals,  cut  in  commission  for 
the  Neuchatel  urban  and  cantonal  government,  one  of  which,  the 
Great  Seal  of  ihs  Mairied  Justice  de  Neuchdtel  (J,llustrated)  is  signed  : 


This  engraver  cut  also  a  fine  jeton  of  the  Cantonal  Rifle  Mee- 
ting at  Neuchatel,  1849. 


Sealofthe  "Mairie"  of  NeudUiel    bj  juks  Jac 


M,  Arnold  Robert,  from  whose  article  "  Un  graveur  neuchrlte- 
ois  "  in  Numismatic   Circular,  Jurie  1904,  I  have  borrowed    the 


>sted  by  Google 


above  details,  adds  that  Jules  jacot  reproduced  subjects  from  Leo- 
pold Robert's  "  Les  Moissonneurs  "  on  watch-cases. 


.1  by  Jules  Jacot  for  the  Gi 


JACQUEMART,  NICOLAS  (French).  Sculptor  of  the  second  half  ot 
the  nineteenth  century,  and  author  of  several  Portrait-medallions. 
Vide  Chavignerie  et  Auvray,  op.  cU.,  I,  p.  812. 

JACQUEMIN,  AIMΒ£  (French)  (..1699-1720).  Mint-engraver  at 
Lyons,  1703-1716.  He  was  a  son  of  Clair  I.  Jacquemin,  and 
engraved  various  jetons  for  the  Consulate  between  1709  and  1711. 


JACQUEMITJ,  BERTRAWD  (French)  (..1696-1745).  Mint-engraver 
at  Lyons,  2.  May  1708-December  1742.  He  is  also  the  author  ot 
a  number  of  jetons  (about  40)  of  the  Consulate,  &c. 

Bibliography.  β€”  N.  Rondot  et  H.  de  La  Tour,  Les  MidailUurs  et  Us  Graveurs 
de  monnaies,  jetons  el  midailUs  en  France,  Paris,  1304. 

JACQUEMIN,  CLAIR  I  (French)  (..1663-11713).  Mint-engraver  at 
NeufviUe,  then  "  tailleur  et  graveur  particulier  h^rMitaire  '  of  the 
Mint  of  Lyons,  25.  July  1675 β€” ^f*^^""  i7'^9-  He  has  also  engraved  a 
number  of  jetons,  some  of  which  are  signed  :  C.  I.  F.  The  4  Sol 
pieces  of  1677  of  Louis  XIV.,  struck  at  the  Mint  of  NeufviUe  were 
the  joint-work  of  Lochey  de  Grandchamp,  Clair  Jacquemin  and 
Gilbert  d'Armand  TOrfelin.  In  1675,  Jacquemin,  who  was  born  in 
1638,  succeeded  Lagier  at  the  Mint  of  Lyons  and  remained  in 
office  until  1709;  he  died  in  April  1713.  Rondot  mentions  that 
about  ninety  jetons  may  be  attributed  to  him,  some  of  which  are 
signed  :  C.  I.  F.  One  was  struck  to  commemorate  the  Peace  ot 
Ryswick,  1697;  others,  the  Consulate  of  1696-1697,  Louis  Dugas, 
the  Duke  of  Villeroy,  Archbishop  Camille  de  NeufviUe,  &c. 

BiBLiOGRATHY.  β€”  N.  Rondot,  La  Motinais  de  Vimy  oa  de  NeufviUe.  Rev.  num., 
1800,  p,  443.  β€”  Id.,  Les  Graveurs  de  monnaies  d  Lyon  du  XIIII'  au  Xyill^  sikle, 
Micon,  1897.  β€”  N.  Rondot  et  H.  de  La  Tour,  op.  cit. 

L.  FumiEt.  β€”  Shgmfhkal  Nolkss  ofM.MIiiH.  β€”  HI.  + 


>stsd  by  Google 


β€”  50  β€” 

JACQUEMIN,  CLAIE  II  (French)  (. .1714-1730).  MiiU-engraver  at 
Lyons,  where  he  was  born,  18.  December  1689,  and  worked  as 
assistant  of  his  uncle  Bertrand  Jacquemin.  He  resided  at  Grenoble 
from  1721-1725. 

Bibliography.  β€”  N.  Rondot  et  H.  de  La  Tour,  op.  dl. 

JACQUEMIN,  CLAIR  III  (French)  (..1731-f  1759).  Mint-engraver 
at  Lyons,  at  first  under  the  direction  of  his  father  Bertrand  Jacque- 
min, 1741-1742;  appointed  in  1746  "  Gravcur  particulier  ".  He 
has  also  engraved  a  number  of  jetons. 

BiBLiOGRAFHY.  β€”  N.  Rondot  et  H.  de  La  Tour,  op.  cit. 

JACQUEMIN,  CLAIR  IV  (FreM^)  (..173 1-1767).  Mint-engraver  at 
Lyons,  1759-1760.  He  has  also  engraved  about  thirty  consular 
jetons,  between  1756  and  1764,  and  is  the  author  of  at  least  two 
medals  ;  the  one  a  Pri^e  Medal  of  the  Academy  of  Lyons,  after  a 
drawing  by  Nonnotte,  and  signed  ;  JACQUEMIN  S.  c. ;  and  the 
other  a  medal  presented  by  the  Consulate  of  Lyons  to  Soubriat,  for 
life-savingj  in  1766,  signed  :  C.  I.  F. 

BiBLiOGKApHV.  β€”  N.  Bondot  et  H.  de  La  Tour,  op.  cit. 

,  JACQUEMIN,    PIERRE  {French).   Mint-engraver   at  Lyons,   1684- 
1690;  son  ot  Clair  LJacquemin. He  engraved  jetons  for  the  Consu- 
late. 
Bibliography.  β€”  Rondot,  op.  cit. 

JACQUEMOTTE,  R.  (G^rm.).  Mint-master  at  Cugnon,  1634. 

JACQUES,  JEAN  (French).  Mint-engraver  at  Saint-Pourgain, 
1371-1388. 

JACQUES,  JEAN  JACQUES  CLAUDE  {French).  Mint-engraver  at 
Rouen,  1760-1792.  In  1815,  an  Engraver  of  that  name  executed  a 
Pattern  5  Franc  piece  for  the  Coinage  Competition  of  that  year. 
Vide  A.  Barre,  Graveurs  giniraux  et  particuUers  des  Monnaies  de 
France,  Ann.  num.,  1867,  p.  163. 

JACQUET,  NICOLAS  GABRIEL  (French).  Medallist  ot  the  first  quar- 
ter of  the  seventeenth  century  (c/rc.  1601-1609).  MazeroUe  places 
the  period  of  his  activity  between  1 601  and  1626,  and  suggests 
that  he  may  have  been  a  relative  of  Jacquet  dit  Grenoble,  Sculptor 
to  Henry  IV. 

Jacquet  is  the  author  of  some  cast  Portrait-medallions  :  Pom- 
ponne  cie  Bellievre,  Cliancellor  of  France,  1601 ;  β€”  Omer  Talon, 
Advocate  general  to  the  Parliament  of  Paris,  r  609  (both  medallions 
signed  :  N.  G.  L  F.  and  N.  GAB.  lACQ.  F.).  A  third  medal,  with  bust 


o,Goo(^[c 


of  Omer  Talon  on  obv.,  and  that  of  his  consort,  Suzanne  Choart 
on  ^.,  is  probably  also  by  him  and  was  executed  in  1626. 

Bibliography,  β€”  F.  MazeroUe,  Les  Midailhurs  fraufais  duXV'^  sUcleau  milieu 
du  XVII',  Paris,  1902.  ~  N.  Rondot  et  H.  de  La  Tour,  op.  cil. 

JACQDET,  DE  LTON  (French)  (..1377-1426).  Engraver  and  Gold- 
smith; in  1387,  he  executed  a  seal  of  the  Duke  of  Touraine,  at 
Asti ;  and  in  the  beginning  of  the  fifteenth  century,  a  round  jewel 
with  portrait,  either  of  the  King,  or  of  another  member  of  the 
Royal  family. 

Bibliography.  β€” N.  Rondot  et  H.  de  La  Tour,  cp.  cil. 

JACQUIN,  JEAN  (French).  Goldsmith  of  Troyes,  and  Engraver  of 
jetons,  nVcfl  1580--I-  1596-1600. 
Bibliography.  ^N,  Rondoi  et  H.  de  La  Tour,  op.  oil. 

JAECKLE-SCHNEIDER,  BARTH,  (Swiss.).  Contemporary  Medallist 
and  Seal-engraver,  who  in  recent  years  has  produced  a  number  of 
commemorative  and  prize-medals.  He  resides  at  Zurich,  but  was 
born  on  December  11,  1850,  at  Schabenhausen  (Baden).  His  father, 
who  was  a  watchmaker,  settled  at  Zurich  in  1863.  Jaeckle  visited 
the  schools,  made  an  apprenticeship  in  a  die-sinking  establishment 
at  Zurich,  and  afterwards  worked  at  Cologne,  Berlin  and  Breslau. 
In  1876,  he  started  business  on  his  own  account  at  Zurich. 

I  have  met  with  Jaeckle's  signature  on  the  following  medals  : 
1880,  Zurich  "  Krugerfest  ";  β€”  1881.  Dog  Show  at  Zurich; 
-β€”  Ignaz  Heim,  composer,  of  Zurich ;  β€”  1883 ,  Swiss  Federal  Exhi- 
bition at  Zurich  (at  least  14  varieties); β€”1886.  Christening  medal 
of  Ulrich  Ziegler;  β€”  18S9,  Vinedressers'  Festival  at  Vevey;  β€” 

1890.  Inauguratioti   of   Pestalozsii's   Monument    at   Yvcrdon;  β€” 

1891.  Sixth  Centenary  of  the  Helvetic  Alliance;  β€”  Swiss  Bakery 
Exhibition  at  Zurich  ;  β€”  Souvenir  of  the  Frozen  Lake  of  Zurich 
β€”  1890.  Federal  Fete  of  the  "  Gratli  Central  "  Society  ;  β€”  1891 
Seventh  centenary  ot  the  Foundation  ot  Berne;  β€”  1894.  Fisheries' 
Exhibition  at  Zurich  ;  β€”  Various  Agricultural  and  other  Prize 
medals  ;  β€”  1894.  Cantonal  Industrial  Exhibition,  &c. 

Before  1S83,  Jaeckle  was  a  partner  in  the  die-sinking  esta- 
blishment of  Oehler- Jaeckle, 

This  Engraver  is  perhaps  more  clever  in  cutting  seals  than  medals. 
To  him  was  entrusted  the  execution  of  the  Zurich  official  seal  and 
he  has  produced  a  great  number  of  seals  for  private  persons,  armorial 
bearings,  &c. 

BiBLiQGKAPHY.  β€”  Bulletin  &  Revtie  suissis  de  numisniatique,  1882-1898.  β€” 
Information  obtained  Jrom  Herr  F.  O.  Pestdoi^i.  Vice-President  of  the  Zurich  Art 
Society,  and  one  of  the  Editors  of  the  Dictiotiary  of  Swiss  Artists. 


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β€”    S2    β€” 

JAC.URB.  pei-haps  JACOBVS  VRBINAS  or  VRBEVETANVS  {ItaL). 
Bkncliet  calls  tins  Artist,  Jacob  of  UrUno  or  Orvieto.  He  executed  a 
Portrait-medal  ot  Julia  Orsiiii,  wife  of  Baldassare  Rangoni,  1554; 
obv.  Bust  to  1.  ^.  MORTAL[BVS.AB.IMM0RTALIBVS.AN- 
TIPANDORA  .1554.  β€” PANTAGATON  .  β€” lAC  .  VRB .  Amidst 
scenery,  urn  with  two  handles  on  pedestal. 

Bibliography.  β€”  Armand,  Medailhurs  ilaliem,  elc.  β€”  Blancliet,  Maimd  de 
Kunmmatique  dii  moyen  dge  it  moderm,  IJ. 

JAEGER,  ERICH  (Germ.).  Mint-master  at  Zerbsr,  1722-1725. 
F';Wk  Sclilickeysen-Pallmann.  p.  129. 

JAEGEB,  iOBWl  (Germ.).  Brother  of  Richard  Jaeger,  was  employed 
at  theMlncof  Crossen,  circa  1621. 

JAEGER,  JOHANN  CASPAR  (Germ.).  Medallist  of  the  second  hah 
of  the  eighteenth  century.  He  was  appointed  Court-medallist  by 
the  Czarina  Catherine  II.  in  1772,  with  a  stipend  of  1200  Roubles 
per  annum.  His  usual  signature  is  I.  G.  I. 


The  following  medals  are  by  this  Engraver  :  Commemorative 
medal  of  the  Battle  of  Poltava;  β€”  First  Jubilee  of  the  St.  Petersburg 
Academy  of  Sciences,    1776 ;  β€”  Erection  of  Peter   the  Great's 


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β€”  53  β€” 
statue,  1782;  β€”  Jeton  on  the  same  event;  β€”  1773,  Betrothal  of  the 
Grand  Duke  Paul;  β€”  1776,  Second  Marriage  of  the  Grand  Duke 
with  Marie  Theodorowna ;  β€”  I774^  Marslial  Rumenzow  (obv. 
illustrated) ;  β€”  Prize  Medal  for  Agriculture,  with  bust  of  Catherine  II. ; 
β€”  Ivan  Betzkoy,  -f"  1796  ;  β€”  Count  Bestuschef-Rtumin;  β€”  Found- 
ling Hospital,  Moscow. 

Bibliography.  β€”  J.  Iverseii,  Medailkn  auf  die  Tkaten  Peter  des  Groiscn,  St 
Petersburg,  1893.  β€”  Thomsm  Catalagiic.  β€”  Bolzenthal,  op.  oil. 

JAEGER,  REIMHARD  or  RICHARD  {Germ.).  A  native  of  Einbeck; 
Mint-master  at  Leipzig,  before  1621;  appointed  joint  MinE-master 
at  Crossen  with  Basilius  Bernhard  in  1621 ;  incarcerated  on  October 
31.,  1623,  with  Jamnitzer  and  other  colleagues;  released  in  1624, 
but  applied  in  vain  for  the  wardenship  of  the  Ratibor  mint  in  1625. 
Coins  issued  at  Crossen  1632-1623  bear  this  Mint-master's  distinc- 
tive mark  :  hunting-horn  between  stag's  horns.  This  mark  appears 
also  on"  Khppe  "  coins  of  Leipzig,  1622  (Groschen,  8  Groschen 
pieces,  double  and  single  "  Engelthalers  "). 

Bibliography,  β€”  Friedensburg,  Scblesieiis  netiere  Miln^eschichte.  β€”  Erbsteiti, 
BrorlertmgeH  mifdem  Ceiiele  der  sachsischen  Miln^-iind  MedatlUn'Geschkhte,  Dresden, 
1888. 

JAENBEHRT  (SnV.).  Archbishop  of  Canterbury,  766-790;  he  was 
the  first  to  issue  coins,  which  bear  his  name  on  the  obv.  and  that 
of  King  Offa  on  ^. 

JAGGLI,  M.  (Swiss).  Editor  of  Medals  commemorating  the  Swiss 
Federal  Exhibition  at  Zurich,  1883 ;  these  were  mostly  struck  at 
Mayer's  works  at  Stuttgart.  Fide  JAECKLE. 

JAHN,  VALENTIN  (Pol.).  Mint-master  and  Contractor  of  the  Mints 
of  Posen  and  Fraustadt,  1592-1595;  Bromberg,  November  1594- 
July  1595.  On  the  9"'  of  July  1592,  Jahn  took  the  oath  as  Mint- 
master  at  Posen,  and  on  the  24"'  of  October  1594,  he  installed 
JohannesDittmarasadmiuistrator  there  (administrator  seuprovisor). 
In  1600  he  again  contracted  to  work  the  Mint  of  Fraustadt,  which 
he  did  until  1603.  His  name  occurs  also  as  Jans,  Johns,  Jonas  and 
Jonghe.  From  1603  to  1613  he  worked  the  Mint  at  Jagerndorf,  and 
later  still,  in  1614,  his  privy  mark  occurs  on  currency  issued  at 
Neissen, 

Bibliography.  β€”  Kiniiis,  Handbiich  der  Polnischen  Mmt:(kunde,  Posen,  1892.  β€” 
Friedensburg,  Stttdkn  7ur  sdilesischen  MedaiUmkimde,  Schlesietis  Vorzeii  in  Bild 
und  Schrill,  Bd.  VH,  p.  60. 

JAKOBI  (Germ.).  Mint-warden  at  Zweibrucken,  1759. 

JALEY,  FRANgOIS  (French).  Mint-engraver  at  Grenoble,  1710- 
1736. 


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β€”  54  β€” 
JALEY,  LOUIS  (French).  Medallist,  born  at  Charite-sur- Loire,  near 
St.  Etienne  (Loire)  in  1763  ;  died  at  Paris  in  1838.  He  was  a  pupil 
of  Moitte  and  Dupre,  and  distinguished  himself  as  an  Engraver  of 
medals  of  the  Napoleonic  series.  His  signature  appears  on  the  i^ 
of  the  following;  1804,  Consecration  of  Napoleon  L,  by  Pope 
Pius  VIL  ;  β€”  1805,  Coronation  of  Napoleon  L  as  King  of  Italy,  at 
Milan,  1805  (^L  The  crown  of  AgUulphus,  King  of  the  Lombards); 
β€”  1805,  Capitulation  of  Ulm  and  Memmingen;  β€”  1805,  Battle 
of  Austerlitz ;  β€”  1806,  Creation  of  the  Order  of  the  Legion  of 
Honour  {illustrated');  β€”  1804,  Distribution  at  Boulogne  of  Crosses 
of  the  Legion  of  Honour;  β€”  1806,  Napoleon  L  enters  Berlin ;  β€” - 
1806,  The  Imperial  eagle  crowned  by  Victory;  β€”  1808,  Portrait  of 
H.  S.  H.  the  Prince  Arch-Chancellor  of  the  Empire;β€”  1810,  Jjtons 
of  various  societies ;  β€”  1810,  Portrait  of  Napoleon  I.;  β€”  1811, 


IJi.  of  Medal  oniheCrealion  of  the  Order  of  tlie  Legion  of  Honour,  ilSo6,by  Jaley. 

Portrait-medal  of  Murat,  King  of  the  Two-Sicilies ;  β€”  1 812,  Various 
Jetons  of  Societies ;  β–  β€” Portrait-medal  of  RoUin  ;  β€”  Portrait-medal 
of  Marshal  Massdna,  β€”  1819,  King  Louis  XVIII.  grants  a  Charter 
to  France;  β€”  Catubaceres;  Masonic  Medal  of  the  Orient  of  Paris  to 
their  grand  Master  (both  obv.  and  ^,  by  Jaley) ;  β€”  Masonic  Jeton, 
1806  (The  Social  Contract  and  St.  Alexander  of  Scotland,  united) ; 
β€”  Cambaci^res,  Arch-Chancellor  of  the  Empire,  First  Sovereign 
Grand  Commander  of  French  Masons,  1812;  β€”  The  Order  of 
H.  D.  M,  introduced  into  France  by  Jean  Matheus,  Commemora- 
tive Jeton,  1S06;  β€”  Medat  of  the  Chamber  of  Master-workmen  in 
masonry,  1810;  &c. 

Jaley  s  son,  Nicolas,  attained  fame  as  a  Sculptor. 

Bibliography.  β€”  Chavignerie  et  Auvray,  Dictionnaire  general  des  Artistes  de 
I'&cole  fraitfaise,  Paris,  1882.  β€”  Larousse,  Grand  Dtctionnaire  Universe!.  β€” 
Grande  Encyciopidie.  β€”  Edwards,  Napoleon  Medals.  β€”  Bukenthal,  op.  cil,  β€”  Marvin, 
The  medals  of  the  Masonic  Fraternity,  Boston,  1880, 


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β€”  55  β€” 
JAMAIN,  Smile  THfiODORE  (French).  Contemporary  Sculptor, 
Gem-engraver,  and  Medallist,  born  at  Fumay  (Ardennes);  pupil 
of  Vaudet  and  Hiolin.  By  him  were  exhibited  some  cameos  and 
medals  at  the  Salon,  between  1888  and  1901  :  1888,  Marie  de 
M^dicis,  sard  cameo;  β€”  Milo  of  Croton,  sard  cameo;  β€”  1890. 
Faun,  sard  cameo;  β€”  1891.  L'accordee  de  Village,  cameo;  β€” 
Joan  of  Arc;  β€”  Marguerite;  β€” β–   Agrippa;  β€”  1892.  Frangois 
TruphSme,  sard  cameo;  β€”  Marie  de  Midicis;  β€”  Homer,  sard 
cameo;  β€”  1893.  Henri  Weisse;  β€”  1898.  Maurice  Brevoire.  β€” 
1901.  Portrait  plaquette  of  H.  Auguste  Crouzet,  cut  in  a  sardonyx 
of  two  strata. 

JAMES,  C.  (Bri(.).  A  London  Die-sinker  and  Medallist  of  the 
latter  end  of  the  eighteenth  century.  His  signature,  generally  in  full, 
appears  on  the  following  Tradesmen's  Tokens;  Cumberland  Lake 
Token  |Β°  ;β–  β€”  James's  Penny  Tokens  (2  var. ;  signed  :  JAMES  ENGRA- 
VER); β€”  Bayly's  I";  β€”  James' |",  1796  (2  var.,  one  illustrated)  ;  β€” 


Halfpenny  Token,    1796. 


Orchard's|Β°,  I797(2var.);  β€”  Pidcock's Halfpennies,  i795(4Var.); 

β€”  Others,  with  representations  of  elephants,  rhinoceroses,  tigers, 
nylghaus,  zebras,  humped  cows,  kangaroos,  monkeys,  &c.  {Atkins, 
n"'  302-340);  β€”  Sims'  Halfpennies  (2  var.);  β€”  Spence's  Half- 
pennies {Alk.,  n"^  511-535  with  perhaps  one  or  two  exceptions); 

β€”  Various  Middlesex  Halfpennies,  with  bust  of  Thelwall,  and 
others;  β€”  Pidcock's  Farthings  {Atk.,  n"'  764-773);  β€”  Spence's 
Farthings  (types  :  Prisoner,  Slave,  Adam  and  Eve,  Bull,  Britannia, 
Cat,  &c.  β€”  Ath.,  n"'  781-S16  ;  some  of  these,  which  are  unsigned, 
may  be  the  work  of  Jacobs) ;  β€” Newcastle  Halfpennies  (Atk.,  n"'  3- 
24);  β€”  Dudley  I",  1790  (Atk.,  nΒ°=  7-19);  β€”  Worcester  {",  with 
bust  of  George  III.  and  signature  :  C.  I.;  β–  β€”  Bedale  Pennies  (Atk., 
nΒ°=-ii.i4Β»  ;  some  of  these  may  have  been  engraved  by  Jacobs  for 
Skidmore,  the  manufacturer); β€” Also,  some  Tokens  described  as 
Not  Local;  β€”  Sawbridgeworth  Penny,  i8or;  β€” Pidcock's  Exhibi- 
tion, London  Halfpennies,  1800,  1801. 

Pye  gives  fiirther  the  following  Tokens  by  James  ;  Aylesbury 


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~S6- 
(Manuf.  :  Skidmore,  Propr.   F.   Wheeler);  β€”  Bungay  (Manuf.  : 
Williams ;  Propr.  :  T.  Miller),  ^nd  some  of  those  enumerated  above. 

Most  of  James's  Tokens  were  manufactured  by  Latwych  of 
Birmingham. 

Mr.  H.  A.  Grueber  in  English  Personal  Medals  (Num.  Chron., 
1891,  pp.  96-97)  describes  two  Tokens,  representing,  tlie  first,  Fox 
(War  with  France,  1794)  and  the  second.  Fox  and  Pitt  (their  rivalry 
satirized,  1795). 

Bibliography.  β€”  Atkins,  Tradumen's  Tokens,  &c.  β€”  Pyc,  Pi-m'Jticial  Copper 
Coins.  β€”  W.  J.  Davis,  Nineteenth  century  TohmCoinage,  1904. 

J&HIH,  LOUIS  (5ww5).  Contemporary  Sculptor  and  Medallist, 
residing  at  Geneva.  His  signature  occurs  on  the  following  medals 
β– which  nave  come  under  my  notice  :  1892,  Inauguration  of  the 
New  Central  Post  Office  at  Geneva;  β€”  1896,  Jean  EtienneDufour, 
National  Councillor;  β€”  1893,  Louis  Ruchonnet,  Federal  Council- 
lor;.β€”  1892,  Federal  Swiss  Cycling  Club;  β€”  1894,  Jubilee  of  the 
Federal  Society  of  Mutual  Help;  β€”  1892,  Rifle  Meeting  of  1893  ^"^ 
Geneva ;  β€”  1899,  Badge  for  Free  Masons,  &;c. 

Bibliography.  β€”  Revue  Suisse  de  numismattque,  1895-1904. 

JAMNITZER,  ALBRECHT  {Germ.).  Goldsmith  and  Die-sinker  of 
the  second  half  of  the  sixteenth  century,  who  died  about  1590.  He 
and  his  brothers  nnk  amongst  the  greatest  artists  of  their  time,  and 
it  is  generally  accepted  that  ne  did  medal-work,  although  no  medal 
in  particular  has  been  attributed  to  him  with  certainty. 

JAMNITZER,  CHRISTOPH  {Vide  C.  I.).  Goldsmith  and  Die-sinker  of 
Nuremberg;  born  in  1563,  died  in  1618. 

JAMNITZER,  HANS  (Germ.).  Mint-engraver  at  Nuremberg,  1569- 
β€’\  1603  {Vide  Gebert,  op.  cii.). 

JAMNITZER,  HANS  CHRISTOPH  {Germ.).  Mint-master  at  Nurem- 
berg, 1626. 

JAMNITZER,  JAKOB  {Germ.).  An  oificial  at  the  Mint  of  Crossen, 
1623  ;  contracted  to  vi^ork  the  Imperial  Mint  of  Glogau  in  1626.  A 
Dreier  of  that  date  bears  his  initials. 

Bibliography.  β€”  Friedensburg,  Studien  xur  schlesischen  MedailJenhmde. 

JAMNITZER,  MATHES  (^Β«j;r.).  Goldsmith  of  Vienna,  who  in  1564 
was  entrusted  with  the  cutting  of  dies  for  a  medal  of  the  Emperor 
Ferdinand  I, 

Bibliography.  β€”  D'  Friedricli  Kenner,  Vrkmidliche  Beilrdge  ^(ir  GeschicUc  der 
Miinieii  und  MedailUn,  Numismatische  Zeitsclirift,  190}. 

JAMNITZER,  WENZEl  {Gervi.).   Goldsmith,  Line-engraver  and 


β€”  57  - 
Medallist,  born  at  Vienna  in  1508;  died  at  Nuremberg  on  the 
15"'  of  December,  1585.  Nagler  calls  him  "  der  grtisste  deuts- 
che  Goldschmied  ",  and  adds  :  "  Er  brach  vollstandig  mit  der 
Gothik  und  schloss  sich  der  italienischen  Renaissance  an,  innerhalb 
welcher  er,  unter  alien  sdnen  Kunstgenossen,  am  originellsten  und 
anmuthigsten  sich  zu  bewegen  weiss.  " 

"  Wenzel  Jamnitzer  ",  observes  Bolzenthal  ",  who  displayed  a 
singular  talent  in  drawing,  modelling,  enamelling,  copper-engraving, 
in  carving  in  wood  and  iron,  in  etching  and  casting,  enjoyed  such  a 
famous  reputation  that  Charles  V.,  Ferdinand  I.,  Maximilian  II., 
and  Rudolph  II.,  made  him  their  goldsmith.  His  portrait  is  found 
on    many  medals". 

Bergau  in  Zeitschrift  fur  Numismaiik,  Bd.  XVI,  p.  131  sqq. 
(Medaillm  von  Wenzel  Jamnit^r)  ascribes  to  this  artist  three  medals, 
and  illustrates  one  of  them,  which  is  only  a  variety  of  type  of  the 
two  others,  representing  on  obv.  the  Birth  of  Christ  and  on  ^ 
Our  Lord  standing  by  the  side  of  the  cross.  T)'  Merzbacher  however 
contends  against  this  attribution  in  Mitthdlungen  der  Bayerischen 
Numismatischen  Geselhchaft,  XYIII,  Jahrgang,  p.  66  (Nachtrag  ^u 
Peter  Flotner)  showing  that  a  Joachimsthal  medal,  by  the  unidenti- 
fied artist  L.  R.  served  as  prototype  of  these  medals  but  at  the  same 
time  he  points  out  that  it  is  quite  possible  that  a  work  by  Jamnitzer 
may  have  served  as  original  prototype  of  the  representation  of  Christ 
standing, 

Erman  does  not  even  mention  Jamnitzer  in  his  list  of  German 
Medallists,  and  of  course  Bolzenthal's  attributions  are  not  correct. 
As  Bergau  himself  remarks,  even  nowadays,  some  of  the  fine 
medals  executed  by  Valentin  Maler,  son-in-law  of  Wenzel  Jamnitzer, 
are  described  as  works  by  Jamnitzer,  from  an  erroneous  reading 
of  the  monogram  VM. 

W.  Jamnitzer  signed  his  works  W.  or  W.  I.  His  name  also  occurs 
as  W.  GAMITZER.  We  know,  from  the  artist's  iriend  Neudorffer, 
that  he  cast  and  cut  seals  in  silver  and  iron;  also  that  he  was 
employed  after  1542  as  Die-cutter  at  the  Nuremberg  Mint,  in 
succession  to  Formschneider,  and  remained  in  office  until  1559. 

Wenzel  Jamnitzer  was  ordered  in  1549  to  cast  some  medals  with 
portraits  of  Kings  Ferdinand  I,  and  Maximilian  (II). 

Durand  gives  a  Portrait-medat  of  this  artist. 

BiBUOGRAPHY,  β€”  BoUenthal,  op.  cit.  β€”  Ammon,  op.  cit.  β€”  Doppelmayr, 
Historische  Nachrichl  von  Numhergischm  Mathematicis  und  Kunstlern.  β€”  Wills, 
Nurnbergische  Miin^^hebutigungen.  β€”  Blanche!,  op.  dt.  β€”  Be'rgau,  loc.  cit.  β€” 
Nagler,  MonogrammisUn.  β€”  R.  Bergau,  Zur  Kmtniss  der  N&mbe^er  Goldschmiede 
da  Xr/./flftritttwte-ij.Kunst-Chronik,  Jahrg.  XI,  n"  40,β€”  Dr  F.  Kenner,  Urktmdlkhe 
Beilr^es;tir  Geschkhte  der  Mtm^m  u.  MedatlUn,  Num.  Zeitschrift,  1903,  p.  290. 
β€”  i^liheilungm  der  Bayerischen  Numismatisclim  Gesellschajt,  Bd.  VI  &  others.  β€” 
Gebert-Nurnberg,  GesohkhU  der  Mftnistdlte  der  Rekhsladl  Nu^nberg,  1891.  β€” 
Durand,  op.  cit.  β€”  Rosenberg,  Der  GoUschmMe  Mei-^dche'n,  '1S90. 


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β€”  59  β€” 

JAHPOLSKY,  MICHEL  (Russ.).  Contemporary  Medallist,  born  at 
Kiew;  now  residing  at  Paris;  pupil  of  Daniel-Dupuis,  Ponscarme 
and  J.  Rasumiiy.  Since  1896,  he  has  been  an  almost  regular  exhibitor 
at  the  annual  Paris  Salon,  beginning  with  a  plaquette  representing 
Athena  (18  mill.)- 

Amongst  his  best  known  works  are  :  1896.  Portrait-medalUons  : 
M.  &  M""  Mas ;  β€” Joan  of  Arc ;  β€”  1897.  "  Virgo  Purissima  " ;  β€” 
Russia;  -β€”  Ma  ni6re;  β€”  Uon  B*'*;  β€”  D'  Magnan;  β€”  1898. 
Mβ„’'  B***;  β€”  M'Β°'  Z***;  β€”  Christ;   β€”Athena;  β€”   Diana;  β€” 


Virgo  ;  β€”  St.  Anthony  of  Padua;  β€”  1899.  M.  Prenez;  β€”  M.X' 
Virgin  and  Child; β€”Inspiration;  and  between  r90oandi9O3; β€” β–  
Henri  Brisson  (^illustrated) ;  β€”  M,  Trarieux;  β€”  Christ  evangelizing: 

β€”  M.  Diaz ;  β€”  Virgin  and  Child ;  β€” β–   Cock  crowing;  β€”  D''  Asch- 
kenazi;  β€”  "Floraison"  (illustrated)  ;  β€”  "La  Femme  au  Nid" 

β€”  The  French  Kepnhlic  (illustrated) ;  β€”  Water  nymph,  &c. 

At  the  Salon  of  1904,  he  exhibited  the  following  Portrait-medals 
M""  Schloegel ;  β€”  M.  Mougeot,  Minister  of  Agriculture;  β€”  Henri 
Brisson,  President  of  the  Chamber  of  Deputies; β€” Pierre.Descharmes 


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β€”  MaxCaron  ;  β€”  H.  H.  Pius  X. ;  β€” and  a  silver  Ptaqueice;  L'Abri. 
M.  Jean  de  Foville  in  a  recent  article  ("  Gazette  numismatique 
fraii^aise".  La  Gravure  en  medaille  aux  Salons  de  i^of)  observes  : 
"  Les  plaquettes  de  M.  Jampolsky  et  un  petit  bas-relief  figurant 
une  ronde  de  jeunes  filleSj  drap^es  ^  ['antique,  d^notent  la  volenti 
de  cr6er  des  ceuvres  personnelles  et  harmonieuses.  Q_ue  I'artiste 
perfectionne  son  savoir,  qu'i!  traite  le  corps  humain  d'une  touche 
plus  l^gSrc,  qu'il  atteigne  plus  aisement  a  la  grace  vivante,  et  il 
nous  donnera  des  ceuvres  excel lentes. " 

JAHN,  KARL  {Finn.').  Contemporary  Medallist,  residing  at  Hel- 
singtors  (Finland),  and  Mint-engraver  rhere.  His  signature  occurs 
on  a  medal  of  the  Finnish  Exhibition,  1879.  He  cut  the  dies  for  the 
Finnish  coinage  ot  Nicholas  IL,  M.  20  and  10  Marks,  JK.  2,  i 
Marks,  50  PenniS,  S..  Penni,  from  1S95. 

JAN,  MICHAEL  (Germ.').  Warden  of  the  Imperial  Mint  at  Breslau; 
died  in  September  1646.  His  initials  MI  occur  on  coins  of  Ferdi- 
nand III.,  1637-1648,  1650, '51  and '53,  Jan's  dies  having  been 
utilised  some  years  after  his  death.  A  Ducat  of  1649,  in  the  Breslau 
Museum,  shows  the  MI  accompanied  with  Jan's  privy  mark, 
a  swan,  changed  into  GH  and  double  lily,  the  initials  and  mark 
of  Georg  Hiibner,  Jati's  successor  at  the  Mint, 

Bibliography,  β€”  Friedcnsburg,  Studiett  ^ar  schhsischen  Medaillenkuitde,  p.  60. 

JAKEBACH,  HANS  (Germ.).  Goldsmith  and  Die-sinker  of  Nurem- 
berg; β– (β–   circa  1540. 

JANET  (French).  Painter  of  the  middle  years  of  the  sixteenth 
century,  whose  miniature  portrait  of  Queen  Mary  Stuart  is  supposed 
to  have  been  used  for  her  effigy  on  the  Tcstoon  of  1 561.  The  dies 
for  this  coin  and  others  of  the  same  period  were  cut  by  John 
Achesoun,  who  was  with  the  Scottish  Q.ueen  in  France  during 
1560-61. 

Bibliography.  β€”  Grucbtr,  Handhodk  of  the  Coins  of  Great  Briiam  and  Ireland, 
1899. 

JANINALLI,  ANTON  VON  (Bohem.).  Mint-master  at  Prague,  1668- 
1688.  His  initial  I  occurs  on  currency  of  that  period.  F^ide  Fiala, 
Donebauer  Catalogue- 

JANISCH  or  JANSCH,  JOBST  JACOB  (Germ.).  Mint-master  at  Celle, 
1687-1706;  later  at  Osnabruck,  1720-1725.  He  Issues  bear  the 
initials  I.  I,  I.  or  J.  J.  J. 

JANISCH,  MARTIN  (Germ.).  Dic-cutter  at  the  Mint  of  Breslau, 
1627. 

,    JAHNINI.  Fide  GIULIANO  GIANNINI.  Vol.  11,  p.  260. 


,/ Google 


.  β–   JANS.  Fide  VALENTIN  JAHN  suprd. 

JANSSER  (Dutch).  Contemporary  Die-sinker  of  Breda,  whose 
signature  occurs  on  Agricultural  Prize  Medals  of  18S4  and  1886  of 
Breda  and  Eindiioveii. 

JANSZOON,  HEINRIC  (Dutch).  Goldsmith  of  The  Hague,  who 
engraved  in  1438,  144J  and  1449  several  seals  for  Duke  Phihp  the 
Good,  and  who  was  still  working  in  i45i. 

Bibliography,  β€”  Pinchart,  Biographies  des  Graveurs  Mges,  Revue  de  la  num. 
beige,  1858,  p.  40. 

JANT,  JAKOB  (Germ.).  Goldsmith  and  Seal-engraver  at  Breslau, 
circa  1592. 

JANUA,  BATTISTA  ELIA  DE.  VideVol.  II,  p.   13. 

JANUARIO.  r/iie  MARIA  ANTONIO  DI  GENNARO.  Vol.  II,  p.  240. 
The  Imperial  Mint  at  Vienna  preserves  the  dies  of  the  following 
medals  by  Gennaro  :  1723,  Coronation  of  Queen  Elizabeth  Chris- 
tina at  Prague,  1723  (2  var.);  β€”  Jeton  of  1723,  on  the  same 
event  (3  var.)  ;  β€”  Medal  on  the  Peace  of  Vienna,  1725  (signed  : 
DE  GEN.);  β€”  Erection  of  the  Monument  on  the  High  Market  at 
Vienna,  1729;  β€”  Birth  of  Archduke  Josef,  1741;  β€”  Hungarian 
Coronation  of  the  Empress  Maria  Theresia,  1741; β€” Proclamation 
Medal  of  Maria  Theresia  in  Upper-Austria  at  Linz,  1745. 

Anton  Maria  Gennaro  Qanuario,  after  1737  de  Gennaro)  held  the 
appointment  oi  Imperial  "Gravier  und  MedaiUeur-Director".  He 
was  Chief-engraver  at  the  Mint  as  well  as  Court-medallist,  and  died 
on  the  I"  of  December,  1744. 

BiBLiOGEiVPHV.  β€”  Katalog  der  Mihiien-und  M^dailkn-Stempd-Satiimbmg  des  K.  K. 
Hanplmunij^amles,  Wien,  1902. 

JANUS.  Fiik  VALENTIN  JAHN  suprd. 

JANVIER,  VICTOR  (French).  Contemporary  Medallist  residing  at 
Paris,  and  Manufacturer  of  Reducing-machines,  which  he  has 
brought  to  a  very  high  degree  of  perfection.  He  is  a  very  able  and 
distinguished  technician,  and  has  also  executed  fine  medallions 
and  medals,  some  of  which  he  cast  in  imitation  of  the  early  works 
of  Renaissance  (quattrocento)  MedaUists.  In  1898,  he  exhibited  at 
the  Salon  a  medaHion  entitled  "  Esmeralda  ",  and  amongst  his 
previous  inedalhc  works  are  :  1892.  Medal  of  the  Gas  Works  Exhib- 
it at  the  Paris  Universal  Exhibition  of  1889  ;  β€”  Commemorative 
medal  of  'the  Inauguration  of  the  Danton  Monument ;  β€”  Joan  of 
Arc  (after  Fremiet);  β€”  1896.  St.  George  medal;  β€”  St,  Anthony 
of  Padua  (after  Murillo);  β€”  1899.  M"^  E.  Deraisme;  β€”  C,  Bara- 
gnon ;  β€”  Ratel ;  -β€”  Robart ;  β€”  D'  Roussel ;  β€”  Marlhe  B***,  &c. 

Lucien  Janvier  is  his  son. 


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JANVIER,  LOGIEN  JOSEPH  RENΒ£  (French'}.  Contemporary  Medal- 
list, residing  in  Paris,  pupil  of  FalguiSre,  Mercie  and  Denis  Puecli. 
At  the  Salon  of  1901,  this  artist  exhibited  several  medals  and 
plaquettes :  M"=  MartheB*** ;  β€”  M"<  Genevieve  G***  (illustrated) ; 
β€”  M"*  Camille  L***;  β€”  M"'=  veuve  J*** ;  β€”  M.  G***,  captain  in 
the  artillery;  β€”  M""^  veuve  V***;  β€”  M.  Camille  B***;  β€”  M. 
Alfred  D***,  and  in  1902  ;  M.  PaulBrissac;  β€”  M.  J.  Coquelet;  β€” 
M.  Rene  Paul  Faure,  &c. 


M'i=  G. 


Granger 


JAROSCHIN,  JDLIUS  FERDINAND,  BARON  VOW  (Germ.).  In  1658 
Queen  Maria  Ludovica  of  Poland  entered  into  a  contract  with  him 
for  the  administration  of  the  Mint  at  Oppeln,  which  however  did 
not  come  into  force.  The  next  year  he  endeavoured  in  vain  to 
obtain  the  working  ot  the  Imperial  Mint  at  Breslau. 

Bibliography.  ^  Friedensburg,  Studim  ^ur  schlcsischcn  Medaillenkunde. 

JARZE,  JEHAN  (French).  Mint-master  at  Angers,  15.  April  1402 
to  9.  April  1405;  again  in  1417. 

JASTER,  CHRISTIAN  HEINRICH  (Germ.).  Mint-master  at  Neu~ 
strelitz,  1745-1749;  then  at  Berlin,  1749-1763.  His  issues  are 
usually  signed  C,  H,  I. 


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-  63  - 

JASTER,  GEORG  FRIEDRICH  {Germ.).  Mint-niaster  at  Munich, 
1753- 

JASTER,  J.  L.  (Gfrm.)-  Mint-master  at  Breuberg,  1675-1676. 

JASTER,  JOHAWN  JOSTUS  {Germ.').  Mint-master  at  Liibeck,  1727- 
175s.  His  initials  1. 1. 1,  or  J.  J,  J.  occur  on  his  issues.  He  may  have 
filled  a  similar  office  in  Brunswick-Luneburg,  1702,  and  Osna- 
bruckj  1721.  Vide  Ammon,  op.  dt.,p.  155. 

JASTER,  JURGEN  LIPPOLD  (Germ.).  Die-cutter  at  Hildesheim, 
1678-1690. 

JAUDIN  (French).  This  signature  occurs  on  a  nine-sided  jeton, 
dedicated  to  the  Emulators  of  Hiram  (O  :-  de  Paris).  Vide  Marvin, 
op.  cit.,  p.  70,  nΒ°  CLVIl. 

JADNER,  HEINRICH  (Austr.).  Contemporary  Medallist,  residing  at 
Vienna.  He  is  "  K.  K,  Hof-Kammer-Graveur",  but  began  his 
artistic  career  as  a  Painter,  having  studied  under  WaldmuUer.  His 
father  was  tiie  founder  of  one  of  the  foremost  Die-sinking  establish- 
ments in  Vienna,  at  tlie  head  of  which  he  now  is.  One  of  the  finest 
Portrait-plaqaettes  by  this  artist  is  that  of  Gottfried  von  Preyer,  the 
Nestor  of  Viennese  church  composers,  Ei.  DEI.GLORIAE.INGE- 
NIVM.MISSIS.VOVIT.HYMNIS.ET.CANTICIS(62X46mill.). 
Another  medal  by  him,  that  executed  in  honour  of  Chevalier 
J.  W,  Schorer,  the  Queen  of  Holland's  commissioner  in  the  pro- 
vince of  Northern  Holland,  is  reproduced  in  Dompierre  de  Chau- 
fepi^,  Medailles  ei  Plaquettes  modemes,  I,  pi.  xxxii,  n"  148, 

By  H,  Jauner  are  further  :  Commemorative  medal  of  the  Battle 
of  Langensalza,  1866,  with  bust  of  King  George  V.  of  Hanover; 
Agricultural  Prize  Medals,  1S66  (Austrian  Provincial);  β€”  Portrait- 
plaquette  of  Franz  Liszt  (65  X  47  mill.); β€” Major  General  Baron 
Josef  von  Berres-Perez  (cast;  65X47  mill,);  β€”  Cardinal  Schon- 
born,  1889  (50  mill.);  β€”  Oval  Prize  Medal  of  the  Viennese  Agri- 
cultural Exhibition,  i8ho;  β€”  25'''  Anniversary  of  the  new  Free 
Press,  1889;  β€”  40"'  Birthday  of  Josef  Hellmesberger,  1890;  β€” 
Eduard  von  Bauernfeld,  1890  ;  β–  β€”  Golden  Wedding  of  Prince  Col- 
loredo-Mannsfeld,  1891;  β€”  Wilhelm  Trinks,  numismatist,  1891; 
β€”  70"'  Birthday  of  the  Poet  Josef  Weyl,  1891;  β€” β€’  D''  Leopold 
Rorschke ;  β€”  D'  Johann  Sw.  Presl ;  β€”  Prof.  Carl  Rokitansky, 
1878  ;  β€”  Comniemorativemedalof  the  Military  Ride  Vienna-Berlin, 
1892  ;  β€”  Jubilee  of  the  Hungarian  Agricultural  Society,  1892  ;  β€” 
70"'  Birthday  of  Emmerich  Ranzoni,  1893  ;  β€”  25'''  Anniversary  of 
the  Trieste  Stenographical  Society,  1894;  β€”  Viennese  Bird 
Show,  1894;  β€”  25'''  Anniversary  of  the  Austrian  Touring- 
Club,   1894;   β€”  Golden  Wedding  of  Johann  and  Adele  Medin-- 


lo.tedo/Googk 


ger,  1S95  ;  β€”  Josef  Latzl,  1896;  β€”  David  Valentin  Junk, 
1896;  β€”  Robert  Scholtze,  1896;  β€”  Mathias  Meissner,  1896;  ~ 
Styrian  Choral  Society  ;  β€”  Fischau  Society  of  Sports ;  β€”  Millenary 
of  the.  House  of  Segur-Caba,  1876;  β€”  L.  Van  Beethoven;  β€” 
Raising  of  a.  voluntary  Firemen  Company  by  Herr  Ed.  Foest  of 
ViennSj  1897  ;  β€”  25"'  Anniversary  of  the  Choral  Society  "  M.  G, 
V.  Beethoven",  1899 ;  β€”  Jubilee  of  H,  M.  the  Emperor  Francis 
Joseph  of  Austria,  1898;  β€”  Franz  Liszt,  1901 ;  β€”  Amstetten 
Jubilee  Medal,  1898  (2  var.);  ~  Marie,  Queen  of  Hanover,  189S; 
fa  specimen  in  gold  of  krge.sii:e  was  sold  at  Christie,  Manson  & 
Woods,  June    1904  (Duke  of  Cambridge's  Sale)  for  k  9.10.0]; 

β€”  Julius  von  Piette-Rivage,  1902  (Eine  schone  Arbeit  des  Nestors  dcr 
Wiener  Graveure);  β€”  Medal  of  Reward  for  Valour  in  the  field, 
1866  ;  β€”  Johann  Strauss,  1884 ;  β€”  Karl  Friedrich  Zelter,  1901 ; 

β€”  Andr6  Com.  Langrand-Dumonceau,  1865  ;  β€”  The  two  brothers 
Presl,  1892;  β€”  Golden  Wedding  of  Count  Francis  Jirnest  von 
Harrach,  1877 ;  β€”  Prince  Windischgratz,  1867 ;  β€”  Rifle  Meeting 
at  Troppau,  189  j  ;  β€”  D''  Joseph  Hyrtl  (2  var.) ;  β€”  D^  Karl  von 
Rokitansky,  of  Vienna;  β€”  D"  S.  and  K.  B.  Presl,  of  Prague;  β€” 
Jubilee  of  the JosephHeiserFactory  at  Kienberg-Gaming,  1888;  β€” 
Opening  of  the  Kaiser  Franz  Joseph  Jubilee  Exhibition  at  Vienna, 
1898  ;  β€”  Jubilee  iMedal  of  Amstetten,  1898  ;  β€”  Court  Medal  for 
private  servants  of  His  Austrian  Majesty;  β€” β–   Sixth  centenary  of 
Korneuburg,  1898;  β€”  Karl  Adolf  Bachofen  Von  Echr,  1891 ;  β€” 
Johann  Medinger,  1891;  β€”  The  Hyrtl  Orphanage  at  Mcidling, 
1S91 ;  β€”  Nussdorf  united  to  Vienna,  1890;  β€”  75'''  Anniversary 
of  Nussdort  Brewery,  1894,  &c. 

Some  of  the  earlier  medals  mentioned  here  bear  the  signature  F. 
or  J.  JAUNER  and  are  no  doubt  the  work  of  Heinrich  Jauner's  father. 

Bibliography.  β€”  Moderne   Medailk,   1900.  β€”  Mittheilungm   des    Klnbs,    &c. 

3AUSLIN,  K.  (^Swiss).  Designer  of  a  medal,  struck  to  commemo- 
rate the  Basle  Cantonal  Rille  Meeting  at  Binningen,  1893,  and 
struck  by  Homberg,  of  Berne. 

JAVA,  MABIE  AMtLIE  DE  {French).  Contemporary  Sculptor,  born 
at  Paris.  In  1881,  she  eshibited  various  Portrait-medallions  at  the 
Salon,  She  is  a  pupil  of  M.  Michel. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit. 

JAVAILLAC,  THOMAS  DE  (^French).  Mint-master  at  Bourges,  1420. 

J.  B.Fidel.B. 

J.B.  Fide  BOLTSCHHAUSER  (Vol.  I,  p.  100).  These  initials  occur 
on  a  Thaler  of  Zurich,  1813.  Boltscbhauser  evidently  worked  aiso 
for  the  Mint  of  Zurich. 


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-  6i  - 

iΒ£,  (Germ.').  Signature  of  a  Medallist  who  worked  circa  15 19. 
Although,  according  to  Erman,  only  one  medal  bears  this  signature, 
several  others  exhibit  similar  treatment  and  workmanship ;  they 
are  all  uniface ;  ponraits  to  1. ;  inscription  deeply  sunk  and  letters 
large;  usually  a  rose  at  beginning  of  legend. 

The  medal  signed  ^  portrays  Alexander  Swartz  of  Augsburg. 
(illustrated). 


Portrdt-med.il  ot  AIc^.hi.Il"  \:x,my,  ':.y  Β±i  Mod^lli^i  X 

The  other  medals   of  similar  style  are  undoubtedly  by  Hans 
Schwartz,  under  whom  they  will  be  mentioned. 
BiBLiOGUflPHY.  β€”  Erraao,  Deutsche  Medailkure,  Berlin,  1884. 
J.  C.  Vide  I.  C. 

J.  G.  (French).  Signature  of  a  Modeller  and  Founder  of  the  seven- 
teenth century,  who  reproduced  a  number  of  cast  medals  and 
medallions,  some  of  which  bear  portraits  of  celebrities  of  the 
fifteenth  and  sixteenth  centuries.  Amongst  his  works  are  :  Large 
medalhon  of  Louis  XIL ;  β€”  Medals  of  Francis  L  ;  β€”  Philip  IL 
of  Spain;  β€”  The  Duke  of  Alba;  β€”  Louis  de  Bourbon,  Prince  of 
Cond^  (-J-  1569);  β–  β€” ^  Pedro  Gonzales  de  Mendoza;  β€”  M^ric  de  Vic, 
&c.  These  are  all  signed  J.  C.  or  JG.,  and  were  probably  executed 
between  1620  and  1640.  There  is  a  medal,  dated  1567,  with  a 
portrait  of  a  certain  Plancheus,  who  is  designated  as  Duke  of  Alba. 

BiBLlOGRAJHY.  β€”  N.  Rondot  and  H.  de  Ln  Tour,  Les  medailUtirs  et  hi  'graveurs 
IS  el  mAlailUsen  France,  1904. 

~  S^cirafhUl-!  Nakac/MidMhl'    β€”  IH.  5 


./Google 


njrd. 

Medallist  of  the  eigli 


β€”  66  β€” 
J.  C,  Fide  J.  COCHIN  Vol.  I,  p.  283. 
J.  C.  M.  Fide  JOHAMN  CHRISTOPH  MULLEB 

J.  C.  R.  Vide  JOSEPH  CHARLES  ROETTIER. 

teenlh  century,  1691-1779. 

J.  D.  Fide  I.  D. 

^  Fide  I.  H.  and  Vol.  I,  p.  318. 

Jf.  D.  B.  Fide  I.  D.  B. 

J.  E.  Fide  I.  E. 

JEAN  (Belg.).  Mint-master  at  Brussels,  second  half  of  the  thirteenth 
century.  Fide  Alphonse  de  Witte,  Hisioire  monetaire  du  Brabant,  Sec. 

JEAM  I  (French).  Mint-eiigraver  at  Paris,  circ.  1354. 

JEkKll  {French).  Goldsmith  and  Mint-engraver  at  Paris,  1446-1447. 

JEAN,  AUGUSTE  TOUSSAIHT  (French).  Contemporary  Sculptor, 
born  at  Roconval-Amenencourt  (Seine-et-Oise);  pupil  of  Dubray 
and  Lebourg.  In  1861  he  exhibited  at  the  Salon  a  Portrait-medallion 
of  M.F.M*^*. 

Bibliography.  β€” β–   Chavignerie  et  Auvray,  op,  cit. 

JEANNERET,  FRAHgOlS  (Swiss).  Engraver  of  metallic  dials  for 
watches  first  half  of  the  nineteenth  century.  He  resided  at  Chaux- 
de-Fonds  where  the  Rut.  du  Balancier  was  named  after  the  big  prc^s 


Medal  of  the  "  Socii5tc  des  Arracs  reuoies". 

he  used  to  have  in  that  street.  The  medal  of  the  "Soclete  des  Armes 
R^unies  ",  engraved  on  ^,  7^  Medailk.  i"  Prix  de  1S26,  is  by 
Jeanneret. 


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-  67  - 

Klentschy,  another  Medal-engraver  ot  Chaux-de-Fonds,  was 
apprenticed  to  him.  Olympe  Humbert  {q.  v.)  worked  also  for 
Jeanneret. 

Bibliography.  β€”  Information  kindly  supplied  by  M.  Arnold  Robert,  Prof  Droz~ 
Farny,  Prof.  W.  Wave,  and  M.  A.  Mkliaut. 

JEANREST,  LOUIS  FRANCOIS  (French).  Sculptor  of  the  early  part 
of  the  nineteenth  century,  but  as  late  as  1850  he  exhibited  at  the 
Salon  several  Port  rait -medallions  in  bronze, 

BiBLiOGEArHY.  β€”  Chavignerie  et  Auvray,  op.  dl. 

tuTi''  (JECHIEL)  {Germ.').  Mint-master  at  Wurzburg,  1207. 

JEHAN,  SfiBASTlEN  (French).  Master  of  the  Mint  at  Villeneuve- 
Saiiu-Andre-lfes -Avignon,  1558. 

JEHAN  (Belg.).  Mint-master  at  Bar,  1321.  He  was  a  goldsmith  by 
trade. 

jtHAN  DE  PARIS.  Vide  JEAN  PERRfiAL  infrA. 

JEHANNET  Vide  ZANETTO  injrd.  Bugatto  Zanetto  is  called 
"Jehannet  de  Milan"  in  a  French  document,  temp.  Louis  XI. 
This  MedaUist,  Painter  and  Sculptor  was  working  circa  1466-1476. 

JEHARKET,  GABRIEL  (French).  Mint-master  at  St.  Pourgain, 
1491. 

JEHOTTE,  CONSTANT  (Bel^.).  McdaUist  of  the  nineteenth  century, 
bom  at  Liege  on  the  15'''  of  January  1809 ;  died  on  the  i2'''  of  April 
i88s-  He  studied  drawing  at  the  schools  of  his  native  city  and 
learnt  medal-engraving  under  his  father  Leonard  Jehotte.  Accord- 
ing to  Picque  (Medailks  histmques  de  Belgiqtie),  this  artist  executed 
64  medals,  ranging  from  1847  to  1882. 

By  him  are  the  following  works  :  The  Suspension  Bridge 
of  Seraing,  1844;  ~  Modeste  Gr^try,  1845;  β€”  Sebastien 
La  Ruelle,  1846  ;  β€”  Prize  Medal  for  a  Competition  between  School 
Masters  of  the  Provinces,  1847  ;  β€” JohnCockerill,  1847;  β€”  Henri 
Joseph  Orban,  1847;  β€”  Horticultural  Medal  of  Verviers,  1845; 
β€”  Cercle  Med.-chir.  et  pharmaceutique,  Li^ge,  1S44;  β€”  Russian 
Miniature  Medal,  1847 ;  β€”  Pattern  Five-Franc  Piece  for  the  Com' 
pethion  of  1847  (illustrated  in  Revue  de  la  num .  beige,  1850,  p.  112); 
β–  β€”  Auguste  Delfosse,  1859;  β€”  General  Jardon ;  β€”  Francois  Joseph 
Gossec,  1734-1829;  β€”  Medal  with  bust  of  S'  Laurent,  1882 
(remained  unfinished). 

The  Portrait-medals  belong  to  the  artist's  "  Galerie  numisma- 


,stsd  by  Google 


β€”  68  β€” 

tique  ou  collection  de  portraits  en  medailles  ties  hommes  les  plus 
illustres  du  pays",  &c, 
jehotte  cut  liis  dies  direct  in  steel. 

Bibliography,  β€”  Revue  de  la  numismatique  beige.  β€” β–   Private  notes  Kndly  commu- 
nicated by  M.  Alph.  de  Witte. 

jfiHOTTE,  LfiONARD  (Belg.).  Medallist,  born  on  the  i^'  August 
1772  at  Herstal,  died  at  Maestricht,  1=' Angusc  1851,  He  was  first 
apprenticed  to  a  watchmaker,  but  before  long  it  became  evident 
that  nature  had  endowed  him  with  uncommon  gifts  for  the  plastic 
arts  and  that  his  career  was  laid  out  in  a  different  direction.  In 
1784  or  thereabout  the  young  man  was  admitted  into  the  Medallist 


Philippe  Joseph  Jacobj's  workihcp  as  a  pupil.  So  rapid  was  his 
progress  that  already  in  1789,  when  only  seventeen  years  old,  he 
was  called  upon  to  succeed  his  master  as  Engraver  to  the  Chapter 
of  the  Cathedral  ot  Liege.  This  office  was  confirmed  to  him  on  the 
death  of  Jacoby  in  1792,  That  same  year,  Jehotte  was  entrusted 
with  the  cutting  of  dies  for  the  coinage  of  the  Sede  Vcwante. 

Leonard  Jehotte  attained  notoriety  as  a  Line-engraver, 
Medallist,  Gem-and  Seal- en  graver.  In  1804  he  was  presented  to 
Napoleon  at  Paris,  and  the  Empress  Josephine,  who  was  charmed 


>sted  by  Google 


-  6,  - 

with  his  portrait  of  her  consort,  made  him  various  promises  to 
better  his  situation,  which  however  were  not  fulfilled. 

The  following  is  a  complete  Hst  of  J^hotte's  works  : 

Gems.  The  French  Cock,  rock  crystal,  1808;  β€”  The  Lion  or 
Waterloo,  large  topaz,  presented  to  King  William  I.  of  Holland  in 
1828  and  now  in  the  Museum  at  The  Hague;  β€”  jEsculapius, 
jasper;  β€”  Hygiaea,  amethyst;  β€”  Portrait  of  King  William  I., 
carnelian;  presented  by  the  artist  to  the  Queen  of  the  Netherlands 
and  now  in  The  Hague  Museum ;  β€”  Portrait  of  King  Leopold  L, 
of  Belgium,  purchased  by  the  Queen  of  the  Belgians  ;  β€”  numerous 
official  and  private  seals  (between  3  and  400), 

Wood-en  CRAVINGS.  The  Belgic  Lion,  1833,  after  Eugene  Ver- 
boeckhoven. 

Copper-plate  engravings.  Napoleon  Bonaparte,  First  Consul, 
1793  ;  β€”  The  chevalier  Goffin  and  his  son  in  the  Beaujonc  coal  pit, 
1812;  β€”  Portrait  of  Marshal  de  Loudon;  β€”  Florian;  β€”  J.  J.  le 
Franc  de  Pompignan,  1800;  β€”  Frederick  II.  ;  β€”  Abbot  Feller, 
1809;  β€”  Full  size  portrait  of  Napoleon,  1827;  β€”  Portrait  of  Fr^- 
ville;  β€”  General  Desaix,  1803 ;  β€”  Hubert  and  Mathieu  Goffin, 
1 81 2;  β€”  General  Kleber;  β€” General  Charbonnier;  β€”  General  Jar- 
don;  β€”  Abbot  Delille;  β€”  Bonaparte,  First  Consal,  1805 ;  β€”  La 
Tour  d'Auvergne,  1805;  β€”  Saint-Lambert;  β€”  Virgo  Dolorosa, 
1810;  and  many  others;  β€”  Notes  of  the  Bank  of  Liege,  1835. 

Coins  &  Medals.  Ducat,  Ecu  and  Escalin  of  the  Sede  Vacante  of 
LiSge,  1792;  β€”  Medical  Society  of  Liege,  1808;  β€”  Jeton,  with 
attributes  of  Sciences  and  Arts,  i8r8;β€”  Free  Society  of  Emulation 
of  Li^ge,  181 1 ;  β€”  Prize  Medal  of  the  City  of  Li^ge  as  a  Reward 
for  courage  and  devotedness,  1822  ;  β€”  Medal  executed  in  1823  for 
the  Burgomasters  &c.,  with  arms  of  the  Netherlands;  β€” Jeton  of  the 
family  of  M6an,  1824 ;  β€”  Prize  Medal  for  the  Industrial  Exhibition, 
with  bust  ofWilliam  I,  ;  β€”  Decoration  of  the  Urban  Guard;  β€” 
MedalofJ.  J.Charlier,  ditla  "  Janibe  debois";  β€” Liege  Prize  Medal 
for  Life  Saving  &c.,  1834;  - β€”  Medal  presented  to  Louis  Jamme, 
Burgomaster  of  Li^ge,  1834;  β€” N.  G,  N.  J.  Anciaus,  Surgeon, 
1834;  β€”  Inauguration  of  the  Bridge  of  La  Boverie,  1837  ;  β€”  Erec- 
tion of  the  Monument  of  the  M^an  family  at  Malines,  1837;  β€” 
Medal  for  School  Masters,  1835;  β€” β–   Cercle  mddico-chimique  et 
pharmaceutique,  1844;  β€” Construction  of  the  Canal  from  Li^ge  to 
Maescricht,  1846  ;β€” Creation  of  the  Order  of  Leopold  L,  commem- 
orative medal,  1846;  β€”  Building  of  the  Railway  from  the  Escaut 
to  the  Rhine ;  β€”  Inauguration  of  Liege  Railway  Station,  1842 ;  β€” 
Erasme  Louis  Surlet  de  Chokier,  Regent  of  Belgium  (the  two  last 
were  never  struck  and  only  exist  as  artist's  proofs) ;  ^ β€”  1830-1843, 
various  commemorative  medals  of  the  Belgian  Revolution  (des- 
cribed in  Guioth,  Htsloire  numtsmaiique  de  la  Revolution  beige),  Sec. 


./Google 


β€”  70  β€” 

Three  of  Leonard  J^hotte's  sons  followed  their  f:itlier's  vocation. 
Louis,  born  at  Lifige,  7'''  November  1804,  Sculptor  iind  Medallist; 
Constant,  Medallist,  born  at  LiSge,  27*''  November  1805,  and 
Charles,  Line-engraver,  born  at  Li^ge,  3.  October  1806,  who 
died  quite  young. 

Leonard  Jehottc  was  corresponding  Member  of  the  Belgian 
Academy  of  Fine  Arts. 

Bibliography.  ^  L.  Alvin,  Notice  siir  Leonard  ]&otU,  Bruselles,  i86z. β€” 
Guioth,  Uonard  J^lie,  Revue  de  la  num.  beige,  185  3,  p.  404.  β€”  Ibid  ,  Uistoire 
numismalique  de  la  Rdvoliilioit  beige.  β€”  Recueil  encychpidiqiie  belgi.  β€”  F^lis  van 
Huist,  IJomtrd  Jihotte,  Revue  de  la  num.  beige,  i8ii.  β€”  Pinchart,  Histoire  de  la 
gravure  des  tiiMailles,  1870.  β€”  Notes  kindly  communicated  by  M.  Alvin,  Keeper  oj 
the  Belgian  Coin  and  Medal  Cabinet.  β€”  Biographic  nationale  de  Belgiqiie,  1887. 

jΒ£H0TTE,  LODIS  (Belg.).  Brother  of  Constant  Jdhotte.  Contempo- 
rary Sculptor  of  note.  His  signature  occurs  on  a  Portrait-medal  of 
Jean  Baptiste Lauwens,  1855,  which  is  described  as  of  remarkable 
execution. 

Bibliography.  β€”  Revue  de  la  Numisituilique  beige,  1855,  p.  }ii. 

JENSON,  NICOLAS  {French).  Mint-master  and  engraver  at  Tours 
in  1458.  In  1470  he  settled  at  Venice  as  Engraver,  Founder  and 
Printer,  and  died  in  1480.  He  was  born  as  Sommevoire  (Haute- 
Marne). 

Bibliography.  β€”  Durand,  op.  cit.,  β€”  Rondoi  and  H.  de  La  Tour,  op.  cit. 

JERBEADLT,  J.  (French').  Die-sinker  ot  the  latter  portion  of  the 
eighteenth  century;  he  was  a  native  of  Bordeaux  and  engraved  a 
patterncoin(i79i)which  was  struck  by  means  of  a  machine  invented 
by  him  :  Obv.  LA  NATION  |  LALOI  I  LE  ROI  within  oak-wreath 
1^.  Inscription  in  seven  lines  under  Cap  of  Liberty  :  J.  JER- 
BEAULT.  I  INVENTEUR  D'UNE  |  MACHINE  QUI  |  ACCE- 
LΒ£RE  EXTRA-  I  ORDINAIREMENT  |  LEMONNOYAGE  |  DES 
ESPECES ;  beneath,  three  lozenges.  Hennin,  Histoire  numismatique 
dela  Revolution franfaise,  p.  231,  states  that  he  has  been  unable  to 
find  any  particulars  of  this  machine,  and  M.  Evrard  de  FayoUe  of 
Bordeaux  has  not  been  more  successful  in  his  research.  Jerbeault 
was  paid  the  sum  of  six  thousand  Livres  as  a  reward  for  his 
invention.  There  are  varieties  of  Jerbeault's  Pattern  Piece. 

JEREMIAS.  Vide  GEREMIA  Vol.  II,  p.  246. 

JERICH,  PETER  VON  (Genu.).  Mint-warden  at  Forchtenberg,  1621, 
and  Neuenstein,  1622-1623. 

JES  (Rohem.').  Mint-engraver  at  Kuttenberg,   1483. 

tlosted  by  Google 


JESKO  (Bohem,').  Mint-master  at  Prague,  1330  (Meislcr  der  Gohl- 
Mtin^e). 

JESSENSKT,  ISAIAS  VON  JESSEN  (Germ.)-  Born  at  Breslau,  he 
undertook  in  1614  to  work  tbe  Mint  of  Troppau,  in  conjunction 
with Stenzel  Aichhkuser;  two  years  later  he  contracted  for  the  Mint 
of  Vienna,  was  imprisoned  in  1619  for  dishonesty,  acquitted  the 
next  year,  and  appointed  Mint-master  at  Vienna,  on  the  5"'  of 
March  1639,  a  post  which  he  retained  until  1643.  Jessenslcy's 
distinctive  mark  occurs  on  Groschen  and  Thalers  of  1618;  Thalcrs 
Half,  and  Quarter  Thaleis,  and  Ducats  of  1619;  also  Half  Thalers 
of  1641. 

His  brother  STEPHAN  JESSENSKY  worked  the  Mint  at  Oels  from 
1619  to  1621. 

Medalsexist  of  Isaias  Jessensky. 

BiBLiOGRAEHV.  β€”  C.  Oesterreicher,  Regestai  jm  /.  NewaU's  Piiblicationen  fiber 
oesterrdchische  Miin!prdgungen.  β€”  Fried ensburg,  StiuUen  zur  schhsischen  Medailleii- 
kunde,  Sdilesiens  Vorzeit  ia  Bild  utid  Sclirift,  Vll. 

JETOT,  ERNEST  CHARLES  (French).  Contemporary  Sculptor,  born 
at  Paris.  At  the  Salon  of  1872,  lie  exhibited  a  bronze  Portrait- 
medallion  of  C.  Pelletan,  and  the  artist  has  executed  various  similar 
Portrait-medallions  of  private  persons. 

Bibliography.  β€”  Cliavignerie  et  Auvray,  op.  cit. 

JET2EL,  IGNATZ  (Austr.).  Die-Cutter  at  the  Vienna  Mint,  1763- 
1781 ;  from  1756  to  1760  he  had  been  Assistant-engraver  (Graveur- 
Kunst-Scholar).  He  engraved  in  1763  the  dies  for  a  Transylvanian 
coinage  of  copper  Groschel,  signed  :  I.  I.E.,  and  struck  at  the  Mint 
of  Carlsburg.  I  do  not  think  that  the  Engraver's  initials  appear  on 
the  Viennese  coins  executed  by  him. 

Bibliography,  β€”  Katatog  der  MUnien-und  Medailhn-Stempel-Sammlut^  des 
K  K.  Hattptmim'^amtes  in  Wien,  1902. 

JETZL,  JOHANN  ANDREAS  (Austr.).  Mint-engraver  at  Salzburg, 
1715-1726. 

JEUFFROY  (French).  Goldsmith  and  Mint-engraver  at  Paris,  circ. 
1438. 

JEUFFROY,  ROMAIN  VINCENT  (French).  Medallist  and  Gem- 
engraver,  bom  at  Rouen,  16  July  1749,  died  at  Bas-Prunay  near 
Marly  on  2.  August  1826.  He  filled  the  post  of  Director  of  the 
Paris  Mint,  was  a  Member  of  the  Institute  and  a  Knight  of  the 
Legion  of  honour. 

The  first  gem  engraved  by  Jeuffroy  is  a  very  remarkable  copy  01 
a  Head  of  Medusa,  in  amethyst  (illustrated^,  sxecnted  in  1777,  after 


>stsd  by  Google 


β€”  72  β€” 

tlie  wcU-known  Renaissance  inuglio,  witli  the  fictitious  signature 
of  Solon. 

Jeuffroy,  like  his   contemporaries,  engraved  a  large  number  of 
subjects  after  the  antique;  the  Paris  Cabinet  des  Medailles  preserves 


Head  of  Medusa. 

three  of  these  :  Athlete  drinking  from  a  cup  (signed  :  JEUFFROT- 
1777) ;  β€”  Genius  of  Bacchus  in  chariot  driven  by  a  he-goat  and  a 
lion  (intaglio  in  carnelian,  1779);  β€”  Bust  of  Bacchante  (cameo 
on  a  sardonyx  of  two  strata).  He  also  executed  Portrait- 
camei  and  intagU  :  Unknown  Young  I-ady  (signed  JEUFFBOY.  F. 
i788);β€”  Louis  (XVII),  the  Dauphin  (signed  JEUFFFOT  SCVLPSIT. 
I.  lAH.  1788)  ;  β€”  Bonaparte,  First  Consul  (cameo  on  sardonyx  of 
two  strata,  signed  JEUFFROY,  1801 ;  (illustrated);  β€”  Charles  de 
Wailly,  architect  (intaglio,  1807)  ;  - β€” Fourcroy,  the  chemist  (cameo 
and  intaglio);  β„’  Laure  de  Bonnevil,  1787,  cameo;  β€”  Maria  Cos- 
way,  English  painter,  cameo;  β€”  Hancarville,  1787,  cameo;  β€” 
Prince  Lubomirski,  cameo,  &c. 


Chavignerie  ei  Auvray  mention  that  Jeuffroy  exhibited  gems  at 
the  Paris  Salon,  between  1804  and  1819,  and  adduce  the  following 
as  some  of  the  most  noteworthy  :  Head  of  Jupiter;  β€”  Cupid  trav- 
elling on  his  Quiver,  carnelian; β€” Head  ot  Regulus;β€”  The    three 


,stsd  by  Google 


~  73  β€” 
Consuls  of  tlie  French  Republic;  β€”  M'"^  d'Eprem^nil  as  Minerva  ; 
β€” M'^=Regnau!t  de  Saint-Jean  d'Angely ;  β€”  M'"  Cosway ;  β€”  Darcan- 
viUe(?);  β€”  Angelin adoration;  β€”  Louis XVI. ;  β€”  Marie-Antoinette; 
-A  Lion  (cameo). 

"  JeuiFroy",  remarks,  M.  Babelon  "fut  le  meiileur  graveur  sur 
gemmes  de  son  temps  et  dans  le  genre  n^o-grec  A  !a  mode,  il 
Temportait  sur  les  Simon,  ce  qui  expUque  et  justifie  le  succ^s  dont 
il  jouit.  Wanmoins  s'il  ne  manquait  pas  de  talent,  1' original iti^  lu'i 
faisait  d^faut.  Les  quelques  sujets  que  nous  connaissons  de  lui,  qui 
sont  graves  d'aprfes  Tantique,  montrent  que  s'il  eflt  persSv^r^  dans 
cette  voie  et  copi^  les  chefs-d'ceuvre  de  1  antiquity  et  de  la  Renais- 
sance italienne,  il  eflt  pu  rivaliser  avec  Glrometti,  Cerbara  et  les 
deux  frSres  Jean  et  Louis  Pichler  "  (Histoire  de  la  gravure  sur 
Gemmes  en  France,  p.  221). 

Jeuffroy  obtained  in  1804  a  Grand  Prix  of  the  second  class  as  a 
reward  for  his  exhibit  in  that  year,  and  with  Dumarest  and  Galie 
was  one  of  the  successful  competitors. 

As  a  Medallist,  this  artist  produced  a  number  of  works  :  1796, 
Battle  of  Montenotte  (^.) ;  β€”  1802,  The  three  Consuls.  1^.  Peace 
of  Amiens;  β€”  1803,  Conquest  of  Hanover  and  Rupture  of  the 
Treaty  of  Amiens  ;  ~  The  Venus  de'  Medici  {illustrated);  β€”  1804, 


The  Venus  de"  Medi 


Public  Instruction  reorganized ;  β–  β€”  The  Camp  of  Boulogne  (obv.); 
β€”  Ticket  of  the  Members  of  the  Legislative  Body ;  β€”  Corona- 
tion at  Paris  {^);  β€”  Coronation  festivities  (]?i..) ;  β€”  Standards 
presented  to  the  Army  (^.);  β€”  Napoleon's  tlireatened  invasion 
of  England,  obv.  Laur.  head  to  r. ;  signed  :  JEUFFROY  FECIT 
DENON  DIREXIT.  I?i.  DESCENTE  EN  ANGLETERRE.  Heroic 
male  figure  overturning  a  Titon-like  monster;  in  exergue  : 
FRAPPtE  A  LONDRES  EN  1804;  β€”  1805,  Capitulation  of 
Spandau,  Stettin,  Magdeburg  and  Custrin  (Rl.);  β€”  Blockade  of  the 
British  Isles  (^.  only;  legend  :  TOTO  DIVISOS    ORBE   BRI- 


,stsd  by  Google 


TANNOS);  β€”  1812,  Battle  of  the  Moskowa;  β€”  18(6,  Accession 
of  King  Louis  XVIII.,  &c.  By  him  him  are  also  :  Head  of  Jupiter  ; 
β€”  Portrait  of  Fourcroy,  State  Councillor;  β€”  Medal  oi  the  Legisla- 
tive Body;  β€” β–   Seal  of  the  Order  of  the  Legion  of  Honour  ;  β€”  Bona- 
parte armed  for  Peace  ;  β€”  Death  of  Louis  XVII ;  β€”  The  Twen- 
tieth of  March ;  β€”  Petrarch;  β€” Saint-Vincent  dePaule;  β€” Hospice 
de  la  Maternity,  Paris  ;  β€”  Hospice  des  Orpheliiis,  Paris ;  β€”  Medal 
of  the  Academy  of  Ghent,  &c. 

In  An  XI,  Jeuffroy  participated  in  the  competition  for  the  new 
Coinage  of  the  French  RepuoUc,  under  the  Premier  Consulship  ot 
Bonaparte  (Pattern  j  Franc  Piece,  illustrated). 


5  Francs,  by  Jeuffroy. 


The  younger  Tiolier  was  one  of  Jeuffroy's  pupils. 

BiBUOGRAPHY,  β€”  Bolzenthal,  op.  cil.  β€”  Babelon,  Hisloire  de  la  Gravure  sur 
Gemnus  en  France,  Paris,  1902.  β€”  Chavignerie  et  Auvray,  op.  cit.  β€”  Hennin, 
Histoire  numismatiqus  de  la  Solution  Jrati^aise,  Paris,  1826.  β€”  H.  Denise,  LeCon- 
coiirs  de  Tan  XI,  Gazette  iwmismatique  fra[ii;aise,  1902,  p.  419.  β€”  Weber, 
English  Medals  by  foreign  Artists,  London,  [894.  β€”  Millingen,  MedalHc  History  of 
Napoleon,  London,  1819.  β€”  N.  Rondot  &  H.  de  La  Tour,  op.  cil.  β€”  Raspe,  Tassie 
Gems,  1791. 

J.  F.  Fide  I.  F. 

J.  G.  Fide  I.  G. 

J.  H.  Fide  I.  H. 

J.  G.  These  initialsoccur  on  a  Portrait-medal  of  the  tlieologiaa 
John  Ronge,  1845. 

J.  L.  Fide  1.  L. 

J.  L.  (French').  Signature  on  obv.  of  medal  commemorating  the 
Recovery  of  Louis  XIV.,  r686. 


J.  M.  (Swiss).  Signature  01  a   Medallist  of  the  second  half  of  the 
;ixteenth   century.    These  initials   occur   on  a   Port  rait- medal    of 


,/Goo(^[c 


β€”  75  β€” 
Barttlme    Schowingcr,    dated    1561.    According  to    Holler,   this 
engraver  lived  at  St.  Gall.  Erman  remarks  tliat  the  medal  in  question 


Medal  of  Barttlme  Schowinger. 

has  a  curious  fiat  and  broad  lettering  and  that  it  does  not  exactly 
belong  to  the  masterpieces.  Fide  I.  M. 


JO.  Bi.  BO.  VidelO.  BA.  BO. 

JO.  F.  CAR.  Fide  10.  F.  CAR. 

JO.  F.  Fide  10.  F. 

J.  OS.  (ltd.).  Signature  of  a  Medallist  of  the  sixteenth  century, 
who  executed  a  Porcrait-medal  of  Giovanni  Battista  Pisani.  I^.  IN 
OPEM  MECOPrA.FECIT.β€” I.OS.  Tree. 

DiBLiOGRAPiiY.  ^  Supino, /J  Meilagliero  Meiiceo,  Firenze,  1899. 

JOBErT,  PAUL  {French)  (,.  1696-1719).  Mint-engraver  at  Mont- 
pellier. 

JOBIN,  ANATOLE  {Siuiss).  Goldsmith  and  Silversmith,  Numisma- 
tist, &c.,  residing  at  Neuchkel.  He  edited  a  fine  medallion  com- 
memorating the  50"'  Anniversary  of  NeucLkel's  entry  into  the 
Swiss  Confederation,  1848-1898;  also  a  Silver-wedding  medal  of 
M.  Russ-Suchard,  Proprietor  of  Suchard's  Chocolate  Works  at  Ser- 
rieres  (Neuchkel),  1893,  and  other  Prize  Medals. 

JOCEE  (Brit.).  Goldsmith,  Keeper  of  the  Dies  and  Master  of  the 
London  Mint  in  1276. 
BiBUOGB.fipHV.  β€”  W.  Chaffers,  Gilda  Aurifalrormu,  1885. 


atdb,  Google 


JODIN.  Vide  SAMUEI.  JUDIN. 

JOERGENSEN,  C.  {Dan.).  Die-sloker,  whose  signature  occurs  on  a 
medal  of  the  Ortliopaedic  Institution,  Copenhagen,  1834. 

JOFFRILLET,  LOUIS  {French.).  Mint-master  at  Nancy,  i,  January 
1554  to  31.  December  1555.  Under  him  were  issued  : Testons, 
3  Gros,  3  Sols,  Sols  or  Carolus,  Petits  Blancs  or  6  Deniers,  Lyars 
of  3  Deniers,  Pieces  of  3  Deniers,  Petits  Deniers,  Mailles  or  | Deniers; 
Florins,  Half  Florins,  Tallars  and  Β£cus  pistolets. 

Bibliography.  ^  Lepage,  op.  cil. 

JOHANN  {Bohem.).  Goldsmith  and  Mint-engraver  at  Kuttenberg, 
1-1557- 

JOHANN,  of  Kcstenhok,  near  Strassburg  (Germ.).  Mint-master 
at  Miitenberg,  1362. 

JOHANN  VON  COELN  {Germ.).  Mint-master  at  Miindcn,  appointed 
in  1567. 

JOHANNEAUX,  GERVAIS  (French).  Mint-master  at  La  Rochelie, 
1490- 1495  ;  distincrive  mark,  a  crescent. 

JOHAKNEATJX,  3I.HkI^ (French).  Mint-master  at  La  Rochelie,  1508. 

JOHANWS  (Germ.).  Mint-master  at  Heidelberg,  1360. 

JOHL,  MICHAEL  (Germ.).  Gem-engraver  at  Breslau,  circa  1700. 

JOHN,  LODOWIC,  or  LODEWICK,  or  LOWYS  (Brit.).  Mint-master  at 
London  and  Calais,  under  Henry  IV.  (year  14)  and  Henry  V. 
(years  t  and  3,  also  5  to  7).  His  name  should  perhaps  read 
JOHN  LOWYS,  q.  v. 

^mLioGT>.hVRY.^Riidmg,  Annals  of IheCoinageof  Great  Brilitin  and  h-daiid,  1840, 

JOHN,  PETER  (Germ.).  Imperial  Mint-inspector  at  Glogau,  1624. 

JOHN,  SIMON  (Germ.).  Mint-engraver  at  Breslau,  1627,  1636. 

JOHN,  WILLIAM  GOSCOMBE  (Brit.).  Contemporary  Sculptor  and 
Medallist,    born    at    Cardiff;  Associate    of  the   Royal    Academy. 

"  The  son  of  the  sculptural  carver  to  the  late  Marquess  of  Bute, 
Mr.  John  early  followed  his  father's  craft  ",  says  Mr.  Spielmann. 
"  In  1882  he  left  Cardiff  for  London,  obtained  employment  with 
Farmer  and  Brindley's,  and  attended  Mr.  Frith's  class  at  Lambeth. 
In  1884  he  entered  the  Royal  Academy  Schools,  but,  after  a 
successful  career,  he  failed  to  secure  the  gold  medal  with  his 
group  "  An  Act  of  Mercy  ".  Mr.  John  became  assistant  to  C.B. 
Birch   A.  R,  A.,  then    visited    Italy    and    Greece,  as    advised    by 


,/ Google 


Lord  Leighton,  and,  two  years  after  his  first  failure,   he  tried  for 
the  gold  medal  ;igain  with  a  group  on  the  suhjeet  of  "  Parting". 


This  time  he  won  it;  and  Sir  L.  Alma-Taduma  commissioned  him 
to  complete  the  model ". 


β€’3'    β€” '  -fc^ 


3^       V     "    ='.^-^  '. 


Pni,rit-niL.Jd(,l   Allied   W illiam  Hughes,  1900. 


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'β– '  Mr.  John's  portraiture  is  faitlifiil  and  characteristic.  In  the 
design  of  his  draperies  only  docs  the  artist  sometimes  appear  open 
to  criticism,  occasionally,  but  not  often,  as  if  there  were  need  of  a 


Medal  ol   tilt:  National  Eisttddfudd  Association. 


few  Straight  lines  and  plain  surfaces.  In  such  a  case  the  face  and 
hands  are  liable  to  suffer.  But  the  details  are  all  beautifully  carried 


./Google 


-  79  β€” 
out.  Indeed,  more    than     strength,    deUcacy    is    the    quahty   oi 
Mr,  John's  sculpture  which  strikes  the  spectator". 

Mr.  John  has  exhibited  at  various  times  medallic  -works  at  the 
Royal  Academy,  since  1898,  I  have  made  a  rote  of  the  following  ; 
1899.  Portrait  of  a  Lady,  relief  in  copper  gilt;  β€”  Portrait  of  a 
Gentleman,  relief  in  copper;  β€”  Medal  of  the  National  Eisteddfodd 
Association  (illustrated') ;  β€”  1903.  Medal  of  Lywelyn  ap  Gruffyd; 
β€”  Portrait-medal  of  Alfred  William  Hughes,  1900  {illustrated); β€” 
Salon  of  1904,  A  frame  of  medals  &c. 

The  medal  of  Lywelyn  ap  Gruffyd  commemorates  the  last  native 
Prince  of  Wales.  The  reverse  shows  the  crest  of  Snowdon  (Lywelyn 
wasLordof  Showdonia)  with  a  spray  of  mountain-ash  aud  a  singing 
nightingale,  to  symbolise  "  The  Land  of  Mountain  and  Song".  The 
lines  on  the  obverse  are  from  a  thirteenth  century  eulogistic  poem 
to  the  Prince. 

β–     Bibliography.  β€”  Spielmann,  British  Sculpture  and  Sculptors  of  io-day,  London, 
1902,  β€”  Royal  Academy  Catalogues,  1898-1905. 

JOHNSON  {Brit.}.  Die-sinker  of  the  eighteenth  century,  mention- 
ed by  Evelyn,  who  however  does  not  record  any  medals  by  this 
Engraver. 

JOHNSON,  STEFANO  (Ital.).  Die-sinking  establishment  at  Milan, 
founded  in  1868  by  Stet'ano  Johnson,  father  of  the  actual  proprietor, 
Commendatore  Federigo  Johnson,  who  since  1880,  has  the  com- 
plete direction  of  the  Works,  and  who  gave  the  firm  its  present 
importance  and  extension. 

Furnished  with  up-to-date  machinery,  a  reducing-machine  of  the 
latest  type  and  a  chemical  laboratory  for  the  colouring  of  metals, 
the  Johnson  works  are  able  to  cope  with  the  keenest  competition  in- 
land and  abroad.  Not  a  small  factor  in  the  development  of  the 
establishment  is  due  to  Comm.  Johnson's  securing  the  services  of  a 
talented  and  experienced  artist.  Ins  Chief- engraver  and  Modeller, 
Slgnor  Angelo  Cappuccio;  but  the  signatures  of  other  artists,  such 
as  Egidio  Boninsegna,  Poghaghi,  Amsler,  Levi,  &c,  occur  on  medals 
issued  by  that  firm. 

At  the  Espbsixione  d'Arie  moderna  a  few  years  ago,  Comm.  Fed. 
Johnion  obtained  from  the  Italian  Minister  of  Commerce  and 
Industries  a  gold  medal  for  his  exhibits  of  cast  medals  and  pla- 
quettes  in  silver  and  bronze. 

The  excellence  of  the  work  carried  on  at  ihe  Johnson  establish- 
ment is  proved  beyond  doubt  by  the  fine  productions  issued  there 
within  recent  years  :  Christopher  Columbus  (of  unusual  large  sis^e) ; 
β€”  Milanese  Exhibition  of  Decorative  Arts  applied  to  Industries ;  β€” 
Visit  of  the  German  Emperor  10  Rome,  1888  ;  β€”  Centenary  of  the 
"  Reggimento  Nizza  Cavalleria  "  ;  β€”  H.  H.  LeoXIIL  ;  β€”  Expedition 


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β€”  8o  β€” 

of  the  Duke  of  the  Abrnzzi  to  the  North  Pole  ;  β€”  Portrait-mediils  ot 
Porro ;  β€”  Bottini ;  β€”  Cerkni ;  β€”  BardeUi ;  β€”  Bertarelli ;  β€”  Stefano 
Johnson,  ifcc. ;  β€” β–   Plaquettes  of  the  Turin  Medical  Congress  (illus- 
trated'), the  Volta  Society,  the  Geographical  Congress  at  Milan  ;  β€” 
Athenaeum  of  Brescia ;  β€”  Cokimbus  Fourth  Centenary  of  the  Disco- 
very of  America,  i892(modeIledby  a  Danish  artist);  β€” Agricultural 
and  Industrial  Exhibition  at  Faido,  1893;  β€”  Italian  Presentation 
Medal  of  the  Swiss  Federal  Rifle  Meeting  at  Frauenfeld,  1890  ;  β€” 
Swiss  Federal  Rifle  Meeting  at  Lugano,  1883  ;^Vittorio  AmadeoIL, 
1890 ;  β€”  Mgr.  Molo,  1895 '  β€”  Giuseppe  Verdi ;  β€”  Garibaldi ;  β€” 
Rossini ;  β€”  Gaetano  Donizetti ;  β€”  Dominico  Mustafa ;  β€”  Ambrogio 


Binda;  β€”  Rifle  Adccti:;^  .u  llouic,  Vo')o;  β€”  Swit.i  I'cderal Athletic 
Competition  at Schafthausen,  1897; β€” Dante;  β€”  Petrarca; β€”  Alcs- 
sandro  Volta;  β€”  XL  International  Medical  Congress  at  Rome, 
1894  (in  Boston  Coll");  β€”  Foundling  Hospital  at  Milan 
β€”  25'''  Anniversary  ot  a  Mutual  Society  at  Lugano,  1896 
(after  Chiattone);  β€”  ii""  Cantonal  Meeting  for  Athletic  Sports, 
1 896;  β€” Rifle  Meeting  at  Ponto  Valentino  (Tessin),  1900  (after  Ca- 
ssina) ;  β€”  Rifle  Meeting  at  Ponte-Brolla,  1 900 ;  β€”  Rifle  Meeting  ot 
the  District  of  Chiasso,  1903  ;  β€”  Vincenzo  Gioberti,  1901 ;  β€”  Luigi 
Vittorio  Bertarelli,  1896;  β€”  Rifle  Meeting  at  Locarno,  1900;  ^ 
Centenary  of  the  Independence  of  canton  Ticino,  1898;  β€”  Canton- 


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al  Rifle  Meeting  at  Bellin;^ona,  1901 ;  β€”  XI.  Cantonal  Fete  for 
Athletic  Sports  at  Locarno,  1896;  β€” Societa  coralemutua  Vincenzo 
Bellini,  1890;  β€”  Medal  of  the  Royal  Rowing  Club  witli  Portrait  of 
the  Duke  of  the  Abruzzi  (modelled  by  A.  Cappuccio) ;  β€”  Memorial 
of  Leo  XIIL;  β€”  Accession  of  Pius  X.  (several  medals,  of  fine 
design  and  workmanship);  β€”  Swiss  federal  Ffite  for  Athletic 
Sports  at  Lugano,  1894;  β€”  '^isit  of  President  Loubet  to  Rome, 
1904 ;  β€”  Giuseppe  Verdi  (several  types) ;  β€”  Medals  issued  in  honour 
of  H.  R.  H.  Prince  Luigi  Amedeo  of  Savoy,  Duke  of  the  Abruzzi  : 
(a.)  Canottieri  del  Po  ;  β€”  (h.)  Medaglia  dei  Veneti ;  β€”  (c.)  Italian 
AlpineClub;  β€” (li.)Medalof  thecityof  Livorno;^ β€” (e.)  Medal  of  the 
city  of  Viareggio ;  β€”  Others,  of  D'  Giovanni  Canna ;  β€”  Don  Adal- 
berto  Catina;  β€”  Birth  of  Umberto,  Prince  of  Piedmont,  1904;  β€” 
Commendatore  Alfonso  Mandelli,  1904,  &c. 

At  the  Historical  Congress  at  Rome,  April  1903,  the  members 
ot  the  Numismatic  Division  were  shown  some  Plates  of  medals 
issued  at  the  Johnson  Establishment. 

I'lBLTOGRAPHY.  β€”  Rwista  ttdiaiui  di  Numismalka.  β€”  Information  kiiidly  supplied 
by  Prof.  D'  Serafino  Rkci,  Asststanl-ieeper  of  Coins  at  the  Brera  Miiseuiit,  Mitano. 

JOHNSTON,  W.  (Amer.).  Contemporary  Die-sinker  of  Cincinnati, 
whose  signature  appears  on  various  Masonic  jetons,  described  by 
Marvin,  Masonic  Medals,  p.  271. 

JOIKDY,  FRANCOIS  JOSEPH  (frencfc.).  Contemporary  Sculptor  and 
Medallist,  born  at  Paris;  pupil  of  Sevin  and  Moreau.  M.  Roger  Marx 
illustrates  three  of  his  medalets  in  Medailleurs  frarifais  contemporains. 
They  represent  heads  of  a  Girl,  young  Woman,  and  Chariot  of 
Time.  In  1898,  he  exhibited  at  the  Salon  ;  Joan  of  Arc ;  ^  Idyll,  &c. 

JOKISCHMANN,  DANIEL  (Germ.').  Mint-contractor  at  Jiigerndorf. 
His  initials  occur  on  coins  struck  there  In  1569,  1581  and   1591. 
BiBLroGRApHY,  ^  Friedensburg,  Studieit,  &c, 

JOLLIVET,  ISAAC  {French.).  Mint-engraver  at  Limoges,  after  1619. 

JOLLIVET,  JACQUES  (Fre/ic/j.).  Mint-engraver  at  Limoges,  1596- 
1619.  He  was  succeeded  by  his  son  Isaac.  The  name  occurs  also 
as  JOLYVET. 

JONAS  (^wiii).  Mint-master  for  Canton  Uri,  1636. 

JONES,  CHARLES  {Brit.).  A  Birminobam  Silversmith  of  the 
beginning  of  the  nineteenth  century,  who  issued  a  series  of  Love- 
tokens  (described  in  W.  J.  Davis,  The  Token  Coinage  of   Warwick- 

L.   FoBSLB.    -  m.,i-^fhka!  N.,-lΒ«>Β«{  MMIUK.    -  III.  fi 


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β€”    82    β€” 

shire,  p.  78,  nΒ°^  932-927).  lie  ;^lso  edited  a  medal,  representing  tlie 
Birmingham  "  Pantechnetheca  "  which  is  signed  :  FAULKMER  F. 
It  is  possible  that  Jones  employed  Faulkner  to  cut  the  dies  of  the 
Love-tokens,  which  form  a  charming  set  and  are  well  executed. 

JOKES,  JOHN  {Brit.').  Medallist  of  the  nineteenth  century,  who 
died  at  Dublin,  circa  1880.  "  He  would  deserve  slight  notice  except 
for  his  continuing  to  strike  medals  trom  Mossop's  designs  and  dies 
after  the  death  of  that  artist.  He  is  reported  to  have  come  from 
Liverpool,  and  commenced  his  career  by  pulling  the  rope  for 
Mossop's  Coining  press.  At  one  period  of  his  Hfe  he  went  to 
America  and  made  some  money.  Strange  stories  are  told  of  the  mode 
in  which  he  dissipated  his  earnings  ", 

The  following  medals  are  signed  :  JOMES  F,  :  Queen  Victoria;  β€” 
Daniel  O'  Connell,  1829;  β€”  Another,  dated  1847;  β€”  Another, 
without  dace;  β€”  Orange  Medal  (4  var.);  β€”  Irish  Constabulary 
Medal;  presented  in  silver  to  officers  and  men,  who  distinguished 
themselves  during  the  Fenian  disturbances  in  1868,  by  the  Lord 
Lieutenant;  β€”  Royal  Agricultural  Society  of  Ireland,  1841 ;  β€” 
Premium  medal  of  the  North-East  Society  of  Ireland,  1S26;  β€” 
Farming  Society,  Tipperary  Union,  1856;  β€”  Temperance  Medal 
(2  var.);  β€”  School  Medal  (3  var.);  β€”  Irish  Missionary  school 
Ballinasloe;  β€”  Academic  Institute,  &c. 

Bibliography.  β€”  W.  Frazer,  On  the  Medallists  of  Ireland  and  llmr  wavh.  Jour- 
nal of  the  Royal  Historical  and  Archaeologicai  Association  of  Ireland,  1889,  p.  322. 

JONES,  J.  L.  (Canad.).  Contemporary  Die-sinker  residing  at 
Toronto.  He  is  the  author  of  a  medal  of  R.  H.  j.  Robson,  Premier 
of  British  Columbia. 

JONGHELINCK,  GASPAR(&;^.).  Son  of  Jacques  Jonghelinck  ;  Mint- 
warden  at  Antwerp,  i6or, 

JONGHELINCK,  JACQUES  (Belg.).  Medallist,  Seal- engraver,  Sculp- 
tor and  Caster  of  bronze  statues,  born  at  Antwerp,  21,  October 
1530,  died  there,  31.  May  1606.  As  early  as  1556,  he  was  entrusted 
with  the  cutting  of  seals  for  various  chanceries  of  Philip  II.'s 
government  and,  in  1559,  he  executed  the  monument  erected  at 
.Bruges  to  the  memory  of  Charles  the  Bold,  Duke  of  Burgundy.  He 
is  also  [he  author  of  a  colossal  statue  of  the  Duke  of  Alva  in  the 
centre  of  Antwerp  citadel,  which  was  destroyed  some  years  later  by 
the  infuriated  mob.  Jonghelinck  owned  the  title  of  Sculptor, 
Metal-founder  and  Seal-engraver  to  the  King,  an  appointment 
which  he  preserved  under  the  Archdukes  Albert  and  Isabella. 


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-83  - 
By  this  artist  are  tlie  following  medals  :  1555.  Charles  V.  and 
Philip  n.,  signed  on  ^L.  iONGEU.  F-  (Van  Mieris  t.  Ill,  p.  408.) 
No  specimen  has  been  met  with.  This  medal  was  executed  at 
Antwerp  by  Jacques  Jonghelinck.  It  was  issued  when  Charles  V, 
resigned  his  dominions  to  his  son  Philip,  who  assumed  the  ticle  ot 
King  of  Spain,  24  March  1555-6,  the  day  on  which  he  was 
solemnly  proclaimed  at  Valladolid;  β€”  1557.  Another,  with  similar 
obv.  and  different  portrait  of  Philip  II.,  and  same  signature  (several 
varieties.  Fide  Medallic  Illuslmlions,  I,  p.  82,  11Β°=  42-45)  ;  β€”  Ano- 
ther, with  a  third  portrait  of  Philip  II.,  bust  to  I.  ;  legend  : 
PHILIPPVS . HISPANIAR. ET. NO VI    ORBIS     OCCIDVI . REX 

'β– ^β– ^^β– /^   /:i-A 

i-    β€’    '  /      " 

Medal  on  the  bie^e  ot  "^     ij.    ntu     i    ,- 

(Van  Loon,  t.  I,  p.  8);  β€”  1557.  Siege  of  St.  Quentin,  obv.  Bust 
of  Philip.  II.  ;  on  trunoition  :  lONGELl  F.  ^..  Medallion  with 
full  face  bust  of  St.  Q.ueniin ;  across  the  field,  a  long  inscription, 
ANNO  M.D.LVIIQVARTOID  &c.  (Van  Mieris  III,  408;  Med. 
IllusL,l,  p.  83,  n"  47;  there  isavariety  in  the  Brit.  Mus.  Collection, 
illustrated);  β€”  Another,  on  the  same  event,  with  similar  bust  of 
PhihpII.,  but  inscription  on  ^.  in  German;  β€”  Philip  II.  and 
Margaret  of  Parma,  obv.  as^L.  of  last;  ^L.  MARGARHTA.AB. 
AVSTRIA.D,  P. ETP. GERM, INFER. G.  (V^in  Loon,t.  I,  p.  38); 
β€”  Philip  II.  and  the  Duke  of  Alva,  obv,  PHILIPVS.ILHISPAN. 
ET  NOVI  ORBIS  OCCIDVI  REX.  ^L.  FERDIN'TOLET-ALBAE. 
DVX.BELG  PRAEF  1567,  large  silver  MedaUion,  signed  on  both 
sides  with  the  artist's  monogram  ^;  β–  β€”  Margaret  of  Austria, 
natural daughterofCharlesV., obv.  MARGARETA.de.  AVSTRIA. 
D .  P ,  ET .  P .  GERMANIC. INFERIORIS .  GVB.  Bust  to  r.  ;  on  trun- 
cation; iET, 45.:^,  FAVENTE.DEO.  Female  figure,  holding 
sword,  palm  and  olive-sprigs,  stands  on  rock  amidst  stormy  sea; 
dated  1567  [attributed  10  Jonghelinck  by  D'  Solone  Ambrosoli  in 
Rapport  du  Congrh  international  de  tmmismatique,  1891,  p.  69 ;  a 
specimen  was  purchased  by  Herr  Gsnsul  Bodmer  of  Zurich  at  Ham- 


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burger's  Sale  of  April  1900  {Raritaten-Cabinet,  IV.  Theil)  for  810 
Marks ;  another  occurred  in  the  FeUx  Sale  (lot  26)  ;  and  it  is  also 
described  in  Van  Loon,  t.  I,  p.  87].  The  medals  of  Charles  V.  and 
Philip  II.  date  from  the  years  1 5  s  5  to  IJ57;  they  are  cast  andchased, 
like  all  the  artist's  other  medals. 

According  to  Pinchart,  several  other  medals  may  be  ascribed  to 
Jacques  Jonghelinck.  I  give  here  his  reduced  list,  as  published  in 
Histoire  de  la  Gravure  des  Midailks  en  Belgique,  1870.  None  of  these 
medals  are  signed.  1558.  Jerome  de  Serooskerke.  IJi,.  DVM  SPIRI- 
TVS  HOS  REGET  ARTVS.  Standing  female  figure  holding  a  cup 
in  her  !.  hand  (Van  Loon,  t.  I,  p.  208);  β€”  I559-  jean  Van  den 
Broeck,  Almoner  general  of  Antwerp  ^.  CHARITAS. OMNIA. 
SVFFERT  Mother  suckling  her  child,  two  children  embracing 
each  other  and  a  third  playing  with  a  dog ;  β€”Jean  Van  den  Broeck 
and  his  consort  Btanca  Pausana  Cariania  (^Revue  de  la  num.  beige, 
t.  II,  PI  VIII,  p.  240).  These  four  medals  Pinchart  believes  to  be 
Jonghelinck's  work,  but  he  hesitates  somewhat  in  the  correct 
attribution  of  the  few  foUovifing,  which  present  a  strong  analogy  in 
design  and  treatment  with  the  Medallist's  signed  productions  :  1556. 
Two  medals  ofViglius  de  Zuichem,  President  of  the  Privy  Council 
^.  VITA.MORTAUVM.VIGILIA.  (a.)  Table  on  which  books, 
hour-glass  and  lighted  candle  ;(b.)  shield  of  arms;β€”  1559,  Christophe 
d'Assonvillc,  Member  of  the  Privy  Council  ^.  'ehOY  OEH-  The 
Three  Ages  of  Fate  (Van  Loon,  p.  268) ;  β€” ^  1 5  60.  Antoine  Perrenot, 
Bishop  of  Arras  I^.  DVRATE.  Ship  in  danger  of  sinking  and 
Neptune  armed  with  trident  (Van  Loon,  p.  43);  β€”  iJ^J-  Three 
medals  of  Antoine  Van  Stralen,  Burgomaster  of  Antwerp;  β€” 
1566.  Josse  de  Damhouderc,  a  celebrated  lawyer  (Van  Loon,  I, 
p.  40);  β€”  1568  Two  other  medals  ofViglius  de  Znichem;  β€” 
1 569.  Benoit  Arias,  a  theologian  ^L.  Nude  male  figure  (Archimedes) 
running,  with  open  book  inscribed  EYPHKA  (Van  Loon,  p.  136). 
Domanig  {Portrai-medailkn  des  Er^^hauses  Oeslerreich,  p.  7),  de- 
scribesa  Portrait-medal  of  Archduke  Albert,  dated  1601,  which  he 
suggests  may  be  by  Jonghelinck,  but  I  fear  this  attribution  is  not 
correct,  although  the  artist  is  known  to  have  erigraved  the  seals  of 
the  Archduke  and  his  consort. 

As  a  Seal-engraver,  Jonghelinck  executed  the  Seal  of  the 
Order  of  the  Golden  Fleece,  in  1556,  when  he  was  only  35  years 
old,  the  seal  and  signet  for  the  Chancery  of  Guetders,  the  seal  for 
Brabant,  1559,  that  for  Burgundy,  1569,  those  of  the  three  states 
ofihe  County  of  Namur,  and  many  others,  down  to  1600,  at 
which  time  he  was  assisted  in  his  work  by  his  nephew  Sigebert 
Waterloos,  who  succeeded  him  as  Seal-engraver  to  the  Archdukes. 

On  December  17,  1572,  Jonghelinck  wasappointed  Mint-warden 
at  Antwerp,  an  appointment  which  the  Duke  of  Parma  confirmed 
to  him  in  1585. 


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-8s  - 

A  document  of  1598  records  a  payment  of  148  livres  15  sous 
9  deniers  made  to  tlie  artist  on  account  of  four  medals  in  gold 
which  he  was  ordered  to  execute  for  the  Archduke  Albert. 

Jonghelinck,  suggests  Pinchart,  may  have  been  a  pupil  of  one  ot 
the  celebrated  Italian  medallists  who  worked  in  the  Netherlands 
towards  the  end  of  Charles  V.'s  reign,  such  as  Leone  Leoni,  Jacopo  da 
Trezzo,  Poggini  and  others.  He  is,  without  doubt,  one  of  the 
foremost  sixteenth  century  Medallists  of  his  country. 


A.  Pinchart,  Jacques  JonghsUnck,  Revue  de  la  num.  beige, 
18^4,  p.  209.  β€”  Do,  Histoire  de  la  Gravure  des  Medailles  en  Belgique,  Bruxelles, 
1870.  β€”  Franks  &  Grueber,  Medailic  Illustrations  &.  β€”  Varims  Sale  Catal^ues. 
β€”  Domanig,  op.  cit.  β€”  Calalogas  der  Nederlandsche  en  op  Nedeiland  betrekkivg 
hehbendeGedenkpenningen,  s'  Gcavenhage,  190;. 

JONGHELINCK,  PIERRE  (Belg.').  Mint-master  at  Antwerp  in  con- 
junction with  Jacques  van  der  Heyden,  5.  August  1524.  β€” β–   20. 
December  1529 ;  then  alone,  12.  February  1532  β€”  39.  October 
1546. 

JONGHELINCK,  THOMAS  (M^).  Mint-master  at  Antwerp,  5.  July 
1542  β€”  20.  October  1548. 

JONNART,  MATHURIN  (FreHc/i)  (..  1483-1485).  Mint-engraver  at 
Bordeaux,  and  "  commis  ^s  offices  de  garde  et  essayeur  ";  he  was 
banished  for  having  coined  a  quantity  of  duplicates  from  the  dies 
of  the  Mint. 

Bibliography,  β€”  Rondoi  &  H.  De  La  Tour,  op.  cit. 

JONS  (Brit.').  Forger  of  coins,  mentioned  by  Burns  (The  Coin- 
age of  Scotland,  1887).  "  About  the  year  i860  a  watchmaker  named 
Jons,  residing  in  DunfermUne,  contrived  to  obtain  impressions  of 
early  Scottish  coins,  both  in  silver  and  gold,  and  executed  dies  in 
imitation  of  these  pieces.  Some  of  the  forgeries  thus  fabricated, 
more  particularly  those  of  the  portrait  Testoons  and  Half-testoons  of 
Mary,  are  of  clumsy  execution,  and  are  readily  detected  by  any  one 
familiar  with  the  genuine  coins...  Fortunately,  like  most  other 
fabricators  of  old  coins,  Jons  was  not  greatly  distinguished  by  his 
numismatic  knowledge.  These  forgeries  of  his  passed  at  first  with 
many,  with  the  less  suspicion,  from  the  circumstance  that  they 
were  struck,  instead  oicast  coins,  thus  differing  from  the  older  and 
better  known  fabrications  of  early  Scottish  money.  The  only 
respect  in  which  the  supposititious  pieces  of  Jons  are  valuable 
is,  that  they  are  struck  upon  genuine  British  silver  and  gold  coins  of 
modern  issue,  well  beaten  out.  Letters  or  numerals  of  the  genuine 
coins  thus  struck  over  may  sometimes  be  observed  peeping  out 
from  below  the  fictitious  superposed  impressions.  The  Dunfermline 


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forgeries,  even  by  those  unacqu^unted  witli  the  authentic  coins, 
may  be  detected  by  their  pecuHar  hardness  and  newness  of  surface, 
by  their  stiffness  of  execution,  and  by  the  absence  on  them  of  those 
natural  indentations  observable  on  early  hammered  coins,  more 
particularly  on  the  long  lines  of  the  cross  upon  the  reverses". 

JORDAN,  JORG  (Auslr.).  Mint-master  at  Vienna,  1507,  died  in 
1517.  In  his  death  certificate  he  is  described  :  "  Ausrrie,  Stirie, 
Carintie  atque  Carniole  supremus  vicarltis  monete". 

JORDAN,  MAGNUS  GOTTLIEB  (Germ.).  Counter-mani]fa;turer  ot 
Nuremberg,  eighteenth  century. 

JORDBN,  JOHN  STUBDS  (Brit.).  A  Birmingham  Die-sinker  of  the 
end  of  the  eighteenth  century  and  beginning  of  the  nineteenth.  He 
cut  dies  for  various  Penny,  Halfpenny  and  Farthing  Tokens:  1795, 
Glamorgan  Halfpennies;  β€”  Lichfield,  i"  and  1Β°,  1797-1800;  β€” 
London  (Meymott  &  Son)  Halfpennies,  1795  ;  β€”  London  (Pres- 
bury  &C'')  Halfpennies,  1795  ;  β€” -Newton,  Halfpennies,  1796,  &c. 
He  also  executed  some  medals,  as  for  instance,  that  of  the  Bir- 
mingham "  Loyal  Associations",  1798, 

BiBLiOGiiAPiiY.  β€”  Pye,  op.  cit.  β€”  Atkins,  Tradesimii'i  Tokens  0/  the  iS''' century. 


JORDOT,  JEROME  (French).  Goldsmith  and  Engraver  at  Grenoble, 
circ.  1688.  By  him  are  various  jetons. 

JOREL,  ALFRED  (French).  Contemporary  Sculptor,  bom  at  Paris, 
and  author  of  various  Portrait-medallions  in  ivory  and  bronze. 

JORG  (Germ.).  Mint-master  to  the  Counts  of  Henneberg,  circ. 
1447. 

JORGUM  &  TREFZ  (Germ.).  Die-sinking  establishment  at  Frank- 
fori-on-Main.  They  edited  and  struck  a  commemorative  medal  ol 
the  Bernese  Cantonal  Rifle  Meeting  at  St.-Imier,  [900,  and  various 
other  Prize-medals;  β€”  Neuchatel  Cantonal  Rifle  Meeting  at 
Fleurier,  1902  ;  β–  β€”  Portrait- medal  of  Goethe,  1899  ;  β€”  D'  Heinrich 
Hoffmann  of  Frankfort-on-M. ;  β€” β–   Bernese  Cantonal  Choral  Festival, 
1902;  β€”  Bernese  Cantonal  Rifle  Meeting  at  Bienne,  1905  ;  β€” 
Emperor  William  Monument  inaugurated  at  Frankfort-on-M.,  1896; 

β€”  50'''  Anniversary  of  the  Choral  Society  "  Concordia",  1896; 

β€”  Konrad  Binding,  1896;  β€”  25"'  Anniversary  of  the  Military 
Association  of  Bornheim,  1897;  β€”  Ornithidogical  Sqclety  01 
Frankfort-on-M.,  1900;  &c. 


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JORIS  OF  JORISSONE,  HANS  (Di'toi).  Goldsmith  of  Antwerp,  first 
half  of  the  seventeenth  century.  He  is  the  author  of  a  medal  with 
portrait  of  Joachim  Aarssens,  founder  of  the  Convent  of  St.  Peter, 
near  Ghent.  The  medal  is  dated  1639. 

Bibliography.  β€”  Catalogs  der  Nedertandsche  m  op  Nederland  betrcMing  hebbende 
Gedenhpenningen,  1903. 

JOSEPH,  G.  (Russ.).   Medallist   of  the  nineteenth   century,  who 
has  engraved  several  historical  and  private  medals. 
Bibliography.  β€”  Iversen,  op.  cit. 

JOSEPH,  LAURENCIK  {French).  Mint-engraver  at  Vlllefranche  en 
Rouergue,  circ.  1421-1422. 

JOSSE,  L.  {Frenc}}).  Goldsmith  of  the  early  part  of  the  eighteenth 
century.  M.  Gniffrey  ascribes  to  him  a  medal  of  Louis  XIV.,  signed 
L,  I,  for  which  he  was  paid  the  sum  of  400  Uvres  on  December  j  i , 
1716.  The  name  reminds  one  of  Moh^re's  :  Vous  ites  orfhire, 
M.  Josse}  As  M.  MazeroUe  does  not  mention  Josse  in  his  recent  work 
on  French  Medallists,  it  is  possible  that  Guiffrey  has  wrongly  inter- 
preted the  initials  L.  J.  which  he  has  noticed  on  the  medal  in 
question. 

Bibliography.  β€”  J,  J.  Guiffrey,  La  IdonnaiedesMidailhs,  Revue  niimismauqiie, 
1888,  p.  317.  β€” Jiurnal  hislorique  de  la  Moittioye  des  mMailUs. 

JOST,  DOMINICK  (Germ.').  Contracted  to  work  the  Breslau  Mint, 
in  conjunction  with  Krappe,  1540-1541. 

BiRLlOGRAPHV.  β€”  Fricdensburg,  Schhsieris  nmere  Mm^tichwhU,  p.  240. 

JOUANDET,  AMfiDfiE  {French).  Contemporary  Sculptor,  horn  at 
Bordeaux;  pupil  of  Duret  and  Jouffroy.  He  executed  numerous 
Portrait-mediillions,  some  of  which  are  mentioned  by  Chavignerie 
&  Auvray. 

JOUANIN,  CHARLES  VlCTOR(Frenf/j).  Contemporary  Gem-engraver, 
born  at  Paris;  pupil  of  Lequien.  At  the  Salon  of  1863,  he  exhibited 
a  cameo  in  agate-onyx,  representing  a  Dog  playing  with  a  Tortoise, 
and  in  1874,  a  bas-relief  in  sardonyx.  The  Death  of  Hippolytus, 
after  C.  Vernct;  β€”  Charles  XV.,  &e. ;  β€”  r886.  Shell  cameos 
with  various  Portraits. 

JOUANNIN,  JULIEN  MARIE  (FrewcA  )(..  1798- iSll).  Medallist  and 
Gem-engraver  ot  the  early  part  of  the  nineteenth  century.  In  1809, 
he  obtained  the  second  Grand  Prix  de  Rome  for  his  competitive 
gem  representing  "  Mars  followed  by  Victory",  The  only  other 


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gem  by  liim  I  find  a  mention  of  is  that  exhibited  .it  the  Saton  of 
1831,  the  subject  of  which  is  "Cupid  sharpening  his  Darts",  alter 
Robert  Lefevre. 


Bust  of  Napoleon  I. 

Amongst  Jouannin's  medalllc  works  are  :  1798,  Conquest  ot 
Egypt  (obv.  only,  illustrated)  ;  β€”  1 805 ,  Schools  of  Medicine  (Ri. 
sev.  var.);  β€”  1810,  Marriage  of  Napoleon  with  Marie-Louise  (^.)  ; 
β€”  1811,  Birth  ofthe  King  of  Rome  Od,.). 

Bibliography.  β€”  Bolzemhal.  op.  cit.  β€”  Edwards,  Napoleon  Mctlah.  β€”  Marx, 
Medailkurs  franfaU,  1889.  β–  β€”  Hennio,  HUtoirennmismatiqiie  de  la  Revolution  fran- 
(akc,  1S26.  β€”  Chavignerie  et  Auvray,  op,  cit. 

JOUBERT,  LOUIS  (French)  (..  1758-1786).  Line-engraver  ot 
Lyons,  who  executed  the  dies  for  a  medal  intended  to  students  of 
the  "  Cours  gratuit  d' accouchement "  of  MAcon. 

JOUBERT,  MARC.  {Trench).  Mint-engraver  at  La  Rochelle,  circ. 
1538-1539. 

JOUDIN.  Vide  JUDIN. 

JOUFFROY,  FRAWgoIS  {French).  Sculptor,  born  at  Dijon,  on 
February  i.,  1806  ;  pupil  of  Ramey;  entered  the  Ecole  des  Beaux- 
Arts  in  1824  ;  died  on  June  28,  1882.  By  him  are  various  Portrait- 
medallions. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op,  cit, 
JOUFRE,  P.  {French).  Moneyer  at  Limoges,  1353. 

JOURDAIN,  JEHAN  (Belg.).  Mint-master  at  Ghent  in  conjunction 
with  Aldry  d'Intcrminelis,  27.  September  1367  to 20.  January  1368, 


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then  alone,  19.  December  1367 β€” -iS.  June  r^SS,  and  again, 
21.  April  1369^5.  August  1370. 

JOUVENEL,  ADOLPHE  CHRISTIAN  (Se/^.)-  Sculptor  and  Medallist, 
born  at  Lille  on  the  ro*  May,  179S,  died  at  Brussels  on  the 
9*  September,  1867,  He  was  the  son  of  the  Sculptor  and  Medallist 
Jean  Baptiste  Clement  Jouvenel,  and  pupil  of  Rude. 

In  1846,  Jouvenel  undertook  the  publication  of  a  Series  ot 
Portrait-medals  of  the  celebrities  of  his  country.  This  collection 
was  to  comprise  a  first  set  of  25  bronze  medals  of  45  mill,  in  diam- 
eter, to  be  issued  one  each  month  at  the  price  of  5  Francs.  The 
prospectus  of  this  Medallic  series  describes  it  thus  :  "  Histoire 
populaire  et  mdtallique  des  grands  hommes  de  la  Belgique,  ou  col- 
lection de  miJdailles  repr^sentant  leurs  portraits,  executees  d'aprfis 
les  monuments  les  plus  autiientiques  et  enrichies  d'inscriptions 
historiques  sur  leur  vie,  leur  caract^re,  leurs  actions  ou  leurs 
ouvrages,  gravies  et  6dit^es  par  Ad,  Jouvenel,  graveur  en  ra^dailles 
du  Roi. " 

In  1847  the  artist  took  pare  In  the  competition  of  the  Belgian 
Monetary  commission  and  obtained  a  prize  of  1000  Francs,  with  the 
title  of  Engraver  to  the  King  and  a  membership  of  the  Royal 
Academy  of  Sciences,  Letters  and  Fine  Arts  of  Belgium. 

No  less  than  seventy-five  medals  are  known  by  this  Engraver  : 
1818.  Jeton  de  Presence  for  the  Members  of  the  Regency  of  Brus- 
sels ;  β€”  1824.  Medal  for  the  Construction  of  Brussels  Hospital ;  β€” 
1825.  Jubileeof  St.  Romwaldat  Malines; β€”  1826.  Clinical  School 
of  Brussels;  β€”  1828.  Masonic  medal,  on  the  Death  ofM.  Honorez; 

β€”  1829.  Protection  given  by  the  King  to  Arts  and  Sciences;  β€” 
1830.  Laying  of  the  Foundation  Stone  of  the  Monument  on 
the  Place  des  Martyrs  at  Brussels;  β€” β–   1831.  The  King  takes  the 
Constitutional  Oath;  β€”  1832.  Inauguration  of  the  Grand  Orient 
of  Belgium  ;  β€”  Semi-secular  Jubilee  of  the  Lodge  of  True  Friends 
of  the  Union ;  β€”  1853.  Birth  of  the  Royal  Prince ;  β€”  Indepen- 
dence of  Belgium;  β€”  Eshibition  of  Silk  Industries;  β€”  1835. 
M.  de  Stassart  installed  as  Grand  Master  of  the  Free  Masons;  β€” 
A.Wappers  andGeefs;  β€” Birth  of  Prince  Leopold;  β€”  Louis  Philippe 
Marie  Victor;  β€” Belgian  Industrial  Eshibition;  β€”  1836.  Belgian 
Fine  Art  Exhibition;  β€”  Ticket  ot  the  Lodge  of  True  Friends;  β€” 
Medal  of  the  Surveying  Commission  of  the  Bank  of  Belgium;  β€” 
The  Poor  of  Tournay ;  β€”  1840.  National  Award  for  Life-saving ; 

β€”  Medal  for  Horse-breeding;  β€”  Agricultural  Society  ofMalines; 

β€”  1841.  Medal  of  the  Royal  Academy  of  Belgium;  β€”  Installa- 
tion of  the  Royal  Clinical  Academy  of  Belgium;  β€” Building 
of  St.  Joseph's  Church  at  Brussels;  β€”  1844.  Gaming  Counter 
of  H.  S.  H.  The  Duke  of  Arenberg;   β€”   1844.  To  the  memory 


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β€”  90  β€” 
ot  Arthur  Hennebcrt;  β€”  Medal  ot  the  Society  "  Curcle  des 
Arts";  β€”  Erection  of  Louvaln  University;  β€”  F.  Henri  Bickes; 
β€”  1846.  AbJ-el-Kader;  β€”  The  Liberal  Congress;  β€”  1847.  Van 
der  Haert,  painter;  β€”  Pattern  Five  Franc  piece  ;  β€”  Medal  of  the 
Choral  Society;  β€”  1848.  Belgian  retains  lier  Independence  and 
Nationality;  β€”  Leopold  L.  Constitntional  Monarch;  β€”  1848. 
Series  of  twelve  Portrait-medals  andjetons  of  celebrated  Belgians  : 
Juste-Lipse  ;  β€” Margaret  of  Austria  (i//Β«j(ra;etf);  β€” Dodonaeus;  β€” 
Jean  sans  Peur;  β€”  Charles  V. ;  β€”  Van  Dyck;  β€”  Vesalius;  β€” 
P.  P.  Rubens ;  β–  β€”  Stevin ;  β€”  Philip  the  Good  ;  β€”  Duquesnoy ;  β€” 
Albert  and  Isabella;  β€” β–   1850.  Medal  of  the  Law  on  Public  Teach- 
ing of  I.  May  1850  ;  β€”  Consecmtion  of  the  Church  of  St.  John 
and  Nicholas  at  Schaerbeck  ;  β€”  Death  of  Queen  Louise-Marie  ;  β€” 
1851.  Charles  Rogier;  β€”  Frere  Orban  ;  β€”  H.  R.  H.  Philip, 
Count  of  Flanders,  President  of  the  Central   Belgian  Agricultiira! 


Portrait-Jtton  of  Margaret  of  Austria. 


Society  (2  var.) ;  β€”  Medal  of  the  National  Bank;  β€”  1855. 
J.  P.  Stevens;  β€” -  Ferd.  Jos,  Nicolay  ;  β€”  Armand  de  Perceval ;  β€” 
1856.  Ch.  Rogier,  President  ot  the  Artistic  and  Literary  Club  of 
Brussels; β€” 25*  Anniversnry  of  the  King's  reign;  β€”  iS^^.P.F.X. 
de  Ram,  Rector  of  Louvain  University;  β–  β€”  1859.  J.  F.  Loos, 
Burgomaster  of  Antwerp;  β€” -  i860.  Chafles  de  Brouck^re,  Burgo- 
master of  Brussels  ;  β€” -  Frere-Orban,  Finance  Minister  ;  β€”  1862. 
The  King  returns  to  Brussels ;  β€”  1862.  Death  of  King  Leopold  I. ; 
β€” β–   F.  J.  Geelhand  de  Merxem  (on  the  occasion  of  the  purchase  by 
the  State  of  his  collection  of  medals);  ^  1866.  J.  B.  Madou, 
painter  of  Brussels;  β€”  1866.  General  Baron  F.  Emm.  Chazal, 
Minister  of  State;  β€”  Roland  de  Lassus  de  Lattre;  β€”  Schola  "  Me- 
dica  practica ",  Brussels,  1833;  β€”  Royal  Belgian  Academy  01 
Medicine,  1841  ;  β€”  Seal  of  tlie  Royal  Academy  of  Medicine ;  ^ 
Prize  Medal  of  William  I.  of  Holland;  β€”  Prize  Medal  of  the  Royal 
Horticultural  Society  of  Malines,  1841,  &c. 


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β€”  91  β€” 

Both  Jouvenel  and  Constant  Jeliotte  had  intended  to  publish  a 
Medailic  Gallery  of  Belgian  Celebrities  Sec,  but  eitlier  from  want 
of  support  or  other  reasons,  they  did  not  complete  their  task.  Jou- 
venel executed  a  series  of  twelve  medals  tovi'ards  his,  and  J^hotte 
even  fewer,  but  I  have  not  been  able  to  ascertain  the  exact  number. 

Bibliography.  β€”  Guioth,  Catalogue  des  CEievres  des  gravfurs  belies  vivanis, 
Revue  de  la  num.  beige,  iBjo,  p.  199.  β€”  Weber,  op.  cit.  β€”  Thomson  Catalo^m, 

β€”  Piot,  Catalogue  des  Coins,  Poiiifons  et  Matrices  apparlenant  d  FEIaf,  Bruxelles, 
1861.  ~  Milth.  des  Klabs,  igoo,  p.  ijo.  β€”  Bolzenthal,  op.  cit.  β€”  Private  Notes 
ofM.  Albh.  de  !ViUi.  β€”  Various  Sale  Catalogues.  β€”  Biographic  nationalede  Belgique, 
1887. 

JOUVENEL,  JEAN  BAPTISTE  CLfiMENT  (Belg.).  Father  ol  Ad. 
Jouvenel.  Sculptor  and  Medallist,  born  at  Liege  in  1773  or  1774. 
Guioth  ascribes  four  medals  to  him  :  1817.  "  Jeton  de  Presence  " 
of  the  Regency  of  Antwerp;  β€”  1818,  Arms  of  the  Kingdom  ;  β€” 
1830,  Souvenir  of  the  Exhibition  of  National  Industry  (jeton)  ;  β€” 
1846.  Medal  for  the  Voluntary  Firemen  of  Tournay;  β€” Royal 
Belgian  Academy  of  Medicine  (sev.  var.). 

On  one  of  this  engraver's  medals  I  have  noticed  the  signature: 
JOUVENEL  FILS 

BiBLfoGBAPHY.  β€”  As  above. 

JOUY  (French).  Sculptor  and  Gem-engraver  of  the  fourth  quarter 
of  the  eighteenth  century.  He  took  part  in  the  exhibition  of  the 
Royal  Academy  of  1793.  Chavignerie  quotes  the  following  works 
by  this  artist,  who  held  the  title  of  Sculptor  and  Gem-engraver  to 
Monsieur,  the  King's  brother  :  1774,  Portrait  of  Henry  IV.,  carne- 
Uan;  β€” Another, cut  in  onyx;  β€”  Cerberus  chained  by  Hercules,  car- 
nelian  ;  β€”  Head  of  Minerva,  &c. 

M.  Babelon  remarlcs  that  posterity  has  done  well  to  forget  Jouy's 
work. 

BiBLiOGKAPHY.  β€”  BabeloD,  La  grnvure  en  pieires  fines,  1884.  β€”  Chavignerie  et 
Auvray,  op.  cit. 

JOY,  ALBERT  BRUCE- (ft-2V.)-  Contemporary  Sculptor  and  Medal- 
list, born  at  Dublin,  who  from  time  to  time  has  exhibited  Medals 
and  Portrait-plaques  at  the  Royal  Academy  :  1S97.  Mrs  Bruce-Joy; 

β€”  Frank  Griffin,  of  New  York;  β€”  1898.  Elspeth,  daughter  of 
Lord  Archibald  Campbell ;  β€” β€’  1899.  Miss  Elspeth  Campbell, 
medallion  in  silver;  β€”  The  late  Archbishop  of  Canterbury;  β€” 
1901.  T,  Cvril  Bruce  Joy,  plaque  in  silver  (illustrated  in  The  Sludio, 
XXIV,  p.  "58);  β€”  1903.  Maior-General  Sir  Edward  Hutton, 
K,  C.  M.  G.,  medallion  in  silver ;  β€”  Mrs  Leake,  medallion  in  silver; 

β€”  ly  Sir  Humphrey  Davy ;  β€”  Portrait  of  a  Young  Lady ;  β€” 1904- 
Portrait- medallion  of  Aubin  Trevor  Battye  E-q.;  β€”  Sir  George 
Gabriel  Stokes  Bart.,  F.R.S. 


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β€”  92  β€” 

JOWSIE,  ROBERT  (Bril.).  A  merchant  of  Edinburgh,  to  whom,  in 
conjuncdon  with  Thomas  Fouhs,  goldsmith,  the  "profits  and  casual- 
ties" of  the  Edinburgh  Mint  were  let  on  tlie  2"^  August  1598  tor  a 
period  of  six  years  at  an  annual  rent  of  %  5000,  or  7500  Merks. 
Under  this  contract  a  coinage  of  Riders  and  Half-riders  was  issued  in 
1598,  1599,  1601. 

BiBLioGRAPHV,  ~-  Burns,  The  Coinage  of  Scotland,  1888. 

J.  P.  (^French').  These  initials  occur  on  the  obv.  of  a  medal  of  the 
Soci^l^  ni^dicale  du  10'  arrondisseraent  de  Paris  (In  Boston  Coll"). 

J.  P.  Vide  I.  P. 

J.  P.  L.  Vide  I.  P.  L . 

J.  R.  Vide  I   R. 

J.  S.  Vide  I.  3. 

J.  T.  Vide  I.  T. 

J.  U.  Vide  I.  U. 

JUB,  A.  (Germ.'),  This  signature  occurs  on  a  medal  of  Klosternen- 
burg  Abbey,  1814. 

JUBANT  (Span.).  Medallist  of  the  second  quarter  of  the 
nineteenth  century.  His  signature  :  JUBANY  occurs  on  various 
medak  of  Maria  Cristina,  AL  REGRESO  DE  CRISTINA  A 
ESP  ANA  -  LA  DIPUTACION  PROVINCIAL  DE  BARCELONA, 
1844;  β€”  Gerona  Proclamation  Medal,  1844;  &c. 

BiBLioGiiAPHY.  β€”Calalogo  de  la  Cokccion  dc  Monedas  y  MedaUas  de  Manuel  Vidal 
Quadras  y  Ramon  de  Barcebna,  1892. 

JUriN,  SAMOEL  or  SAMOILA  (Russ.).  Medallist  of  the  second  halt 
ot  the  eighteenth  century.  Nagler  erroneously  places  the  date  of  his 
activity  between  1704  and  1740,  and  gives  his  signature  as  S.  lOU. 
or  S.  lU.  Iversen  calls  him  SAMUEL  JVDITSGH,  and  says  that  he  was 
born  in  1730  at  St.  Petersburg,  and  was  still  living  in  1800, 
when  he  was  in  receipt  of  a  pension.  He  entered  the  School 
of  Engraving  at  the  St.  Petersburg  Mint  in  1741,  and  in  1762  we 
find  both  Judin  and  Iwanoffas  official  Medallists.  The  first  signed 
work  of  judin  appears  to  be  a  Rouble  of  Peter  III.  {illustrated')  and 
he  is  the  author  of  the  following  medals  :  Commemoration  of  the 
Foundation  of  St.  Andrew ;  β€”  Annihilation  of  the  Strehtz  dynasty; 
β–  β€”  Peace  of  Carlowitz;  β€”  Institution  of  Colleges;  β€”  also  of  some 
copies,  alter  other  Medallists  :  Birth  of  Peter  tlie  Great;  β€”  Acces- 
sion of  Peter  I.;  β€”  Creation  of  the  Russian  Fleet;  β€”  Capture  oi 


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β€”  93  β€” 
Azow  (2  var.) ;  β€”  Oipiurc  of  Schlusselburg ;  β€”  Capture  ot 
Narva  ;  β€”  Battle  of  Poltava  (2  var.) ;  β€”  Capture  of  Pernau ;  β€” 
Battle  of  Pelkineu;  β€” β–   Capture  of  Nyschlot;  β€”  Tlie  four  Fleets 
meeting  at  Bornholm  ;  β€” -  Peter  the  Great's  Visit  to  the  Paris  Mint ; 
β€” -  Portrait-medal  of  Empress  Anne;  β€”  Portrait-medal  of  Empress 
Elizabeth,  1761 ;  β€”  Conclusion  of  Peace  between  Russia  and 
Sweden  1790,  etc. 


Rouble  of  Peter  lU.,  1762. 

Durand  observes  that  this  artist's  medal  on  the  Rattle  of  Poltava 
has  placed  him  in  the  front  rank  of  medallists. 

Bebliography.  β€”  Iversen,  Medailkn  anf  die  Thaten  Pders  des  Gtossen.  β€” 
Thomien  Calahgiw.  β€”  Hildebrand,  bviriges  och  Svemka  Konmigahusets  Minnespen- 
ningar,  1875. 

JTJDT,  ABRAHAM  of  Goldkronach  (Germ.).  Mint- contractor  ot 
Gundelfingen  and  Stockau,  1622  (Kull,  II,  p.  707). 

JUGE,  JACQUES  (French).  Mint-master  at  Limoges,  1538  ;  he  was 
replaced  by  M^rigot  Guilbert,  on  the  16.  August  1539. 

JUGE,"MARTIAL  (French).  Mint-engraver  at  Limoges,  circ.  1548. 
He  signed  M.  Juge. 

JUHEL,  JEHAN  (French).  Mint-master  at  Rouen  in  1520,  reinstat- 
ed in  1530,  and  replaced'^ in  1536  by  Cosme  du  Moustier. 

jUIGNfi,  CLAUDE  DE  (French).  Mint-engravcr  at  Lyons,  circ.  165 1- 
1652. 

JUILLIOT,  LOUIS  LAURENT  (French).  Sculptor  and  Gem-engraver, 
born  at  Paris  in  1827;  pupil  of  Langlois  and  S^zane.  He  is  the 
author  of  various  Portrait-medallions  and   Shell-cameos,  one  of 


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β€”  94  β€” 
which,  representing  a  Head  of  Flora,  was  exhibited  ai  the  Salon  of 

β– 859. 

Bibliography.  β€”  Chavignerit  et  Aiivray,  op.  cit. 

JULE  (Danish).  On  Deniers  of  Magnus  the  Good  of  Denmark  the 
reading  occurs  IVL€  M€  F€CIT.  This  moneyer  was  no  douht  also 
the  Engraver  of  the  coin.  Fide  on  the  subject  Vol.  I,  p.  498  and 
Vol.  II,  pp.  372-374. 

JDir,  ANTON  PA.II1.  (Genu.).  Mint-master  at  Gratz,  I7i4-i752.1n 
1720  he  W.1S  paid  a  reward  of  25  Florins  for  the  delivery  of  600 
new  Styrian  Thalers;  again  in  1723  and  1732,  Later  documents 
prove  that  he  was  still  in  office  in  1752. 

Bibliography.  β€”  C.  Ocstcrreicher,  Re^esUn  ^uj.  Newald's  PuUkalionen  &c. 

JULIAN.  f/&GIANNINl.  Vol.  II.,  p.  260. 

JULIAN,  JEHAN  DE  (French).  Mint-master  at  Limoges,  1427-28; 
he  issued  Blancs  of  Charles  VII, 

JULIEN  (French).  Mint-engraver  at  Bourges,  circ.  1765-1769  ;  in 
1766  he  executed  a  medal  of  the  city  of  Bourges. 

JULIEN,  GUILLAUME  BE  (French).  Mint-master  at  Limoges,  1418, 
1422-23,  1426-142S. 

JULIEN,  GUILLAUME  DE  (French).  Moneyer  at  Limoges,  1512. 

JUNCKER,  EUGilNE  LOUIS  (Germ.).  Contemporary  Sculptor  and 
Medallist,  born  at  Guebwiller  (Alsace) ;  pupil  ot  Gros  and  Levasseur. 
I  have  noticed  his  signature  on  a  Portrait-medallion  of  H.  GaifFe, 
which  was  exhibited  at  the  Salon  in  1880. 

JUNCKER,  J.  G.  (Germ.).  Die-sinker  of  Breslau,  second  half  of  the 
nineteenth  century.  He  issued  several  commemorative  medals  in  tin 
of  the  Breslau  Exhibitions,  1852,  1897  ;  β€”  Marriage  of  Prince  Frede- 
rick W^ilHam  of  Prussia  with  tlie  Princess  Royal  of  Great  Britain, 
1858;β€” D' Jakob  Waitz,  Gotha,  1868,  &c. 

JUNG  (Germ.).  Mint-engraver  at  Gotha,  circa  1630.  He  signed  on 
both  sides  the  Jubilee  Double  Ducat  on  the  Centenary  of  the 
Confession  of  Augsburg,  1630,  with  portrait  of  Duke  John 
George  L  on  obv.  and  on  IJi.  bust  of  John  the  Constant. 

JUNG,  JOHANN  (Germ.).  Mint-master  at  Bayrcuth,  1686. 

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β€”  95  β€” 

JUNGBEBGER,  L.  (French').  Medallist,  mentioned  by  Rondnt  and 
De  La  Tour,  p.  362,  as  working  drc.  1759-1764.  I  sliould  think 
this  may  be  a  misreading  for  Gustav  Ljungbergcr,  a  Swedisli  artist, 
1740-1801. 

JUNGE,  KEIKHOLT  (Dan.).  Mint-master  at  Roeskilde,  1535-40. 

BiBLiOGHApHV,  β€”  Jorgensen,  Bcskrivehe  Sic. 

JUNGER,  L,  (Dutch).  Contemporary  Medallist  residing  at  The 
Hague.  He  was  Professor  of  Engraving  at  Amsterdam  before 
I S90 ;  Wienecke,  tlie  present  Engraver  at  the  Mint  ot  Utrecht  was 
his  pupil. 

One  of  his  medals,  Homage  to  Victor  de  Stuers  is  illustrated  on 
PI.  XLIII,  224  of  Cliaufepi^j  Medaiiks  et  Plaqneites  modernes; 
another  of  D'Frans  Cornells  Donders,  Utrecht,  is  described  in  Am. 
Journ.  of  Num.  1542. 

Other  mednls  were  engraved  by  Jiinger  in  conjunction  with 
J.  P.  M.  Menger. 

JUNGHANS,  JOHANN  (Germ.).  Mint-master  at  Hofl.  V.,   1622. 

JUKGHANZ,  MICHAEL  (GerHi.).  Mint-master  at  Hof,  r.  Januaryβ€” 
24.  August,  1622. 

BiBLioGKAPUY,  β€”  Gcbert,  DieBrandenhirg--FrdnliUchenKipperniunislSlten,'iimn- 
bcrg,  1 90 1. 

JUNGHOLZER,  GEORG   (Germ.).    Mint-warden    at    Munich,    circ. 
1654. 
JUNGHOLZER,  GREGOR  (Germ.).  Mint-master  at  Bamberg,  1683. 
JTJNGHOLZER,  MAX  (Germ.).  Mint-warden  at  Munich,  circa  1620. 

JUNIO  THALATIONI,  C.  (Roman).  Probably  a  Seal  and  Gem-engraver, 
who  also  cut  coin-dies,  during  the  first  century  B.C.  The  Rev.  Hands 
in  an  article  published  in  Spink's  'Numismatic  Circular,  zo\.  2899  on 
"The  Denarii  of  the  Roman  Republic  considered  as  specimens  of 
art"  remarks  :  "From  the  similarity  of  work  on  the  seals  and  the 
coins  we  are  led  to  expect  that  both  kinds  of  work  were  undertaken 
by  the  same  craftsmen  or  artists  and  this  is  confirmed  by  certain 
inscriptions  quoted  in  Facciolati  Lex,  sub. voce  "  sigillaricius",  and 
"  flatuarius";  lor  instance,  we  have  the  name  of  such  an  ariist  in 
the  inscrip.  ap.  Grueb.  638.6  C.  Junio  Ihalalimi,  C.  Maecenatis 
liberto  flaiuario  sigHlariario,  and  again,  other  such  names  quoted 
from  Don.  CI.  8,  ii.  15  T.  Flavio  7.  F.  Largonio  fabro,  flaiuario 
sigillariario  and  again,  ibid.  61  C.  Sellius  Onesimus  flatuarius  de  via 
sacra.  The  name  or  word  "flatuarius"  literally  means  one  who 
casts  metals,  but  it  was  evidently  continued  by  an  iiuproper  use  of 
the  word  long  after  casting  had  been  given  up  in  the  mints  ". 


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-96  - 

JUNKER,  JOHANN  GEORG  (Germ.).  Mednlllsr,  wlio  worked  at 
Gotlia,  circa  170B.  "He  afterwards  removed  to  Leipzig",  says 
Mr.  Grueber,  "  in  which  place  there  are  records  of  him  till  about 
1716".  Junker  was  a  pupil  of  Christian  Wermuth.  By  him  are 
medals  on  the  attempted  Invasion  of  Scotland  and  Battle  of  Oude- 
narde  (Taking  of  Lille),  both  of  1708. 

Bibliography.  β€”  Franks  &  Grueber,  MedalUc  IllmlralioHS  &c. 

JUNZINGER  (Germ.).  Mint-master  at  Durlach,  1626. 

JUPPEMTAWZ,  Vide  IPPENTAN2. 

JUSTIN,  MATHIEU  (French).  Sculptor  of  the  second  half  of  the 
nincteentb  century.  He  has  executed  several  bas-reliefs  in  bronze  : 
1841.  The  Genius  of  France  bringing  from  St.  Helena  the  remains 
ofNapoleon;  β€”  1847,  Christ  before  the  Crucifixion;  β€”  1848, 
St.  Louis  carrying  the  crown  of  thorns;  β€”  and  various  Portrait- 
medallions. 

Bibliography.  β€”  Chavignerie  et  Auvray,  of,  cit. 

3.  V.  Vide  I.  V. 

J.  V.  T.  Fide  I.  V.  T. 

J.  W.  Vide  I.  W. 


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K 


K...  (GreΒ£k).  Engraver's  sigiwture  (possibly  tliiu  of  the  artist  KAA, 
5.1;.},  already  noticed  by  Raoul  Rochette  on  a  Thurian  Didrachm 
in  his  collection. 

&.  Didraclim  (Circ.  B.C.  390-350).  Obv.  HeadofPalks  to  r., 
wearing  Athenian  helmet  adorned  with  the  monster  Scylk  hurling 
a  stone  ;  on  the  flap,  the  letter  K. 

^.  OOYPI...  Bull  butting  to  r. ;  on  rump,  tlie  letter  K ;  ex.  : 
fish  to  r. 

Raou!  Rochette,  op.  cit.,  PI.  m,  23.  Biii.  Mus.  C^i.,  Italy, 
p.  292,  w"  53. 

Raoul  Rochette  mentions  that  he  possessed  a  rare  coin  of  Thor- 
ium, perhaps  unique,  "  on  which  the  initial  letter  K  could  be 
seen  engraved  at  once  on  Minerva's  helmet  and  on  the  rump  of 
the  bull  ",  and  he  suggests  that  the  K  might  perhaps  stand  for 
the  Velian  artist,  Kleodoros's  signature,  which  supposition  however 
rests  on  no  solid  basis. 


Various  other  Thnrian  coins  bear  the  signature  K  on  the  neck- 
piece of  helmet  of  Pallas. 

Bibliography.  β€”  Raoul  Rochette,  Ldlre  ti  M.  U  Due  de  Luynes,  &c.  β€” 
L.  Forrer,  Les  Signal/ires  <k  Gravmrs  sur  les  iiioiinaies grecqiies,  BrusuUus,  igoj-S 

K.  Fide  KLEODOROS.  Coin-engraver  at  Velia,  fourth  century  B.C. 

E,  (^Greek).  Possibly  an  Engraver's  signature  on  coins  of  Meia- 
pontum  and  other  Magna  Grecian  mints. 

K.  Fide  KIMflN,  KIMON. 

-.K.  Fide  BALTHASAR  KLINKE.  Mint-master  at  Miihlhausen  (Thu- 
ringia),  circa  1523. 

K.  Fide  HANS  K4STENBRUN.  Si^il-engraver  and  Die-sinker  at 
Nuremberg;  worked,  a><:a  1615/16  for  the  Counts  of  HohLulohe,  in 
conjunction  with  the  Nuremberg  Mint-master  Heinrich  Miiller. 


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K.  Vide  G.  KRUCKENBERG.  Mint-master  ;it  Qssel,  circa  1637. 

K.   Fide  H.  I,  KIEKLEN.   MintmLVster  ^t    Ulm,    1635-1639;    also 
H.  I.  K.  or  M.  K. 

K,  Fide  KETTLER.  Mint-master  to  the  Counts  of  Bentheim,  1659- 
1662. 

K.    r/i^e  KARLSTEEN.  Stockholm  Medallist,  1670-1718. 

K.  Fide  I,  G.  KITTEL.  Medallist  of  Rreslau,  1688-1727.  Also  I.  K. 
and  I.  G.  K. 

K.  Vide  GEORG  WILHELM  KITTEL.  1694-f  1769. 

K.  Fide  OTimiETi  KOma.  Medallist  at  Moscow,  1718-1724.  Also 
0.  K. 

K.  Vide  I.  C.  KOCH.  Medallist  at  Gorha,  1706-1742. 

K.  Vide  I.  C.  KOCH.  Medallist  at  Gotlia,  1750-1793 .  Also  I.  C.  K. 

K.  Vide  ERASMUS  SIMON  (KOKGSBERG.)  (?)  Die-cutter  at  Kongs- 
berg  (Norway),    1733-1764. 

K.   Fide  I.  E.  KRULL,  Medallist  at  Cassel  and  Brunswick,    1738- 
1750.  Also  I.  E.  K. 

K.  Fide  I.  KOHLHAAS.  Mint-master  at  Bonn,  1739-1767- 

K.   Vide  KLIWGHAMMER.  Dle-ciittef    at    Hildburghausen,     1760, 
and  Eisenacii,  1765-1765. 

K.  Vide  H.  S.  KWOPF.  Mint-master  at  Copenhagen,  1761-1783. 

K.  VideJOBkNif  CONRAD  KOERNEB.  Medallist  at  Cassel,  1764-1797. 
Also  KOER  or  KOERNER. 

K.    Vide  JEAN    RALTHASAR  KELLER.    Swiss    founder,   worked    at 
Paris,  i663--|- 1702. 

K.  Vide  KOHGSDORF.  Die-sinker  at  Leipzig,  1766. 

K.  Videm.  KRAFFT.  Medallist  at  Vienna  and  Munich,  1769-1781. 
Also  M,  K. 

K.  Vide  JOHANN  WILHELM  KIRCHNER.  Medallist  at  Cassel,  1771- 
1777. 

K.  Fide  KIRCHNER.  Mint  engraver  at  Cassel,  circa  1827. 

'  K.  Fide  KENDLER.  Mint -warden  at  Prague,  1774-17S0. 


./Google 


K.  r/t/^  CHRISTIAN  FRIEDRICH  KRULL.  1748-1787.  Medallist,  &c, 
at  Brunswick. 

K.  f/ii's  JOHANN  NIKOLAUS  KORNLEIN.  Medallist  at  Rati^bon,  1787- 
1795.  Also  I.  N.  K. 

K.  f/ii^  ANTON  KONIG.  Die-sinker  at  Brcslau,  1776-1803. 

K.  Vide  C.  H.  KUCHLER.  German  Medallist  who  worked  in  Lon- 
don and  Birminjjliam  towards  tlie  end  of  the  eighteenth  century 
and  beginning  of  the  nineteenth, 

K.  Vide  H.  S.  KNOPH.  Mint-master  at  Hamburg,  1805-1842. 

K.  Vide  JOHANN  CONRAD  KORKER.  Medallist  at  Cassel,  1764- 
1797. 

H.  Vide  JOHANN  FRIEDRICH  KORNER.  Medallist  at  Cassel,  1784- 
1803. 

K.  Vide  WILHELM  KORNER.  Medallist  at  Cassel ;  died  in  1864. 
Signed  also  :  KOERNER  JUMOR. 

K.  Vide  L.  KACHEL.  Medallist  at  Karlsruhe,   1819-1844. 

K.  Vide  r.  KROHH.  Medallist  at  Copenhagen,  second  quarter  of 
the  nineteenth  century. 

K.  Fide  KRELL.  Mint-master  at  Saalfeld,  circa  1835. 
Bibliography.  β€”  Schliclteysen-Pallmann,  Mi'm^-Mkiiijuiigcii,  1896. 

K.  (Swiss.).  Die-.'iinker's  signature  on  a  medal  commemorating 
the  Peace  of  Basle,  1795 ;  also  on  coins  of  Sc.  Gallen,  1807-1815. 

K.  (Amer.').  Die-sinker's  signature  on  a  Portrait-medal  of  General 
jas.  A.  Beaver,  U.  S-  A.,  1882  (In  Boston  Coll"). 

K.  (Germ.').  Die-sinker's  signature  on  a  Masonic  medal  of  Ratis- 
bon,  1768. 

K.  (Germ.).  Die-sinker's  signature  on  a  Nuremberg  medal  of 
D''  Julius  Knopf  (In  Boston  Coll"). 

K.  Vide  KAA'  Greek  Coin-engraver,  who  worked  probably 
between  B.C.  345  and  334  at  Tareutum,  Metapuntum,  Thurium 
and  Heracleia. 

A.  K.  Signature  of  an  unknown  Artist  who  executed  a  medal 
commemorating  the  sixth  centenary  of  the  Union  of  the  Duchy  of 
Krain  to  Austria,  1883. 


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A.  K.  Vide  ANTON  KOBURGER  (Senior).  Miiit-master  at  Eisleben, 
1559-1567,  Saalfeld,  1567-1571,  and  again  at  Eisleben,  1371-1577. 

-    A.  K.  Vide  ANTON  KOBDRGER  (Juiiior).   Mint-master  at  Eisleben, 
I6i6-i630;also  at  Halle. 

A,  K.   Vide  ARVIB   KARLSTEEN  (i  647  f  1718).  Swedish  Medallist. 

A.  K.  P'ide  ALBRECHT  KRUGER,  Die-sinker  at  Leip;^ig,  early  part 
of  the  eighteenth  century. 

A.  K.  Vide  ANDREAS  KOCH.  Mint-master  at  Darmstadt,  1744- 
1771. 

A.  K.  Vide  ANDREAS  KOSBERG.  Mint-master  at  St.  Petersburg, 
1789-1795. 

A.  K.  Fide  A.  KLEEBERG.  Contemporary  MedalHst  at  Vienna, 
circ.  1865. 

BiBLiOGEAPHY.  β€” Scliliclieysen-l-'allmano,  op.  cit. 

β–    A.  K.  {Germ.')  Mint-master  or  Engraver's  signature  on  a  f  Thaler 
of  George  Rudolph  of  Liegnitz,  1621. 

B.  K.  Vide  JAN  BOSKAM,  MedaOisr  of  Nymwegen,  end  of  the 
seventeenth  century  and  beginning  of  the  eighteenth  ;  worked  at 
Amsterdam  and  BerUn. 

B.  K.  Vide  BALTHASAR  KRUSE.  Mint-master  at  Schwerin,  1651, 
and  Wismar,  1653. 

B,  K.  Vide  BDSCH.  Mint-master,  and  KORNLEIN.  Coin-engraver  at 
Ratisbon,  eighteenth  century. 

B.  K.  Vide  WASSILI  KLIMENTOFF.  Medalhst  at  St.  Petersburg, 
second  half  of  the  eighteenth  century. 

C.  K.  Vide  CHILIAN  KOCH.  Counter-engraver  at  Nuremberg,  1580- 
1600. 

C,  K.  Vide  CHRISTOPH  KROH.  Mint-official  at  Kuttenbcrg,  1678- 
1702. 

C.  K.  ^iV/e  CRONBERG,  Mint-master,  and  KLEMMER,  Mint-warden 
at  Vienna,  1765-1772. 

C.  K.  Vide  C.  KOLD.  Die-sinker  at  Nuremberg,  1520. 

liiBLlOGRAPHY  β€”  Schlickeyssii-Pallmaiiii,  op.  cit. 

D.  K.   Vide  DAVID    KAPPLAN.  Saxon    Mint-master    at    Saalfeld, 


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D.  K.  Vide  DANIEL  KOCH.  Mint-master  at  Kocnigsberg  in  Prussia, 
1630-1649. 

D.  K.  Vide  DANIEL  KOCH,  Mint-master  at  Stockholm,  1645-1650, 
and  Koenigsberg  in  Prussia,  1656-1676. 
BiBLiOGKAPHY.  β€”  S  di  1  ickey  sen-Pal  I  m  an  n,  op.  cil. 

D.  K.  or  D.  R.  Vide  Vol.  I,  p.  409, 

E.  K.  Vide  EGIDIUS  KRAUWINKEL.  Counter-manufactLirer  at  Nu- 
remberg, 1571-1600. 

E.  K.  Vide  ENGELBERT  KETTLER.  Mint-master  at  Osnabriick, 
1637,  and  Miinster,  1638-1656. 

E.  K.  Vide  ENGELHARD  JOHANN  KRULL.  Mint-master  at  Hanau, 
Cassel  and  Frankfort-on-Main  (?),  1737-17^2,  and  Brunswicl':, 
1742-1750.  Schlickeysen  states  tliat  between  1737  and  1759  be 
signed  himself  J.  K. ;  afterwards  E.  K. 

E.  K.  Vide  ERNST  KLEINSTEUEER.  Mint-master  ,'A  Gotlia,  1828- 
1838;  died  in  1845. 

F.  K.  Vide  FRIEDRICH  KLEINERT.  1633-1714.  Editor  of  medals  at 
Nuremberg. 

r.  K.  Vide  ANTON  FRIEDRICH  KONIG.  Medallist  of  the  first  half  of 
the  nineteenth  century,  at  Berlin  and  Dresden. 

F.  K.  Vide  FRIEDRICH  CHRISTOPH  KROHN.  Medallist  of  the  first 
half  of  the  nineteenth  century,  at  Coixiihagen. 

G.  K.  Vide  KILIAN  KOCH.  Counler-manufacturer  at  Nuremberg, 
1587. 

G.  K.  Vide  GEORG  KRUCKENBERC.  Mint-master  at  Ca.ssel,  1637- 
1640J  Hoxter,  1646,  and  Hildethcim,  1660-1661. 

G.  K.  Vide  GEORG  KRUGEE.  Mint-master  and  Engraver  at  Copen- 
hagen, 1665-16S0. 

G.  K.  Vide  GEORG  (CHRISTOPH)  KUSTER.  Mint-master  at  Darm- 
stadt, 1733-1740,  and  Cleve,  1740-1755. 

H.  K.  Vide  HANS  KRUG.  Medallist  atNuremberg,  died  in  1519. 

H.  K.  Vide  HERMANN  KAPPLAN.  Mint-warden  at  Saalfeld,  1595- 
t6or. 

H,  K.  Vide  HANS  KRAUWINKEL.  Counter-manufacturer  at  Nurem- 
berg, 1580-1601. 


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H.    K,   l^ide    HEINRICH     KOHLER.    Mint-master    :U    Copenhagen, 
1643-1662, 

H.  K.    Vide  HEINRICH  KEMPER.    Mint-master  at   Doimv/-,    1669- 
1675. 

H.  K,  Vide  HEINRICH  HOPPERS,  Mint-master  at  Cologne,    1722- 
1734. 

H.  K.  Fide  NICOLAUS  KOSIN.  Medallist  at  St.   Petersburg,  second 
half  of  the  nineteenth  century. 

H,  K.  Videa.  KELLERMANN,  Palatine  Mint-master  and  Medallist, 
second  half  ot  the  sixteenth  century. 

H.  K.  Fide  HEINRICH  KARL.  Medallist  at  Vienna,  first  half  of  the 
nineteenth  century.  Also  H.  K.  F.  and  H.  KARL. 

Bibliography.  β€”  Schliclteysen-Pallmann,  op.  dl. 

H,  K,  Vide  Vol,  II,  p.  jo6.  Signature  ot  a  Nuremberg  Medallist, 
1567. 

I.  K.  Vide  JOHANN  KRIEG.  Mint-master  at  Stolberg,   1620-1660. 

I.  K.  Vide  JOHANN  KONIG.  Mint-master  at  Nordhausen,  1660. 

I.  K.  Fide  ISAAC  KOCH.  Mint-master  at  Stockholm,  1652-1664. 

I.  K.  Vide  JOHANN  KITTEL.  i656f  1740.  Medallisc  at  Breslau. 

I.   K.    Vide  JOHANN  KTIHNLEIN.    Mint-master    at    Langenargen, 
1696-1724. 

I.  K.  r/(/^  JOHANN   KOCH.   Mint-master  at  Dresden,    1688-1697; 
\  1698. 

I.  K.  Vide  JOHANN  KRULL.   Mint-master  at  Hanau,   Cassel  and 
Frankfort-on-Main,  1737-1742,  and  Brunswick,  1743-1750. 

I.  K.  Vide  JACOB  KOHLHAAS.  Mint-master  at  Bonn,  1759-1767. 

I.  K.  FidelG^kZ  KENDLER.  Mint-warden  at  Prague,   1774-1780. 

I.  K.  Vide  I.  KOERNLEIN.  Medallist  at  Darmstadt,  1844. 

I.  K.  Signature  on  coins  of  Lowenstein-Wertheim,  1790. 
Bibliography.  β€”  Sclilickeysen-Pallmann,  op.  cil. 

L.  K,  Vide  LTJDWIG  KRUG.  Goldsmith,  Medallist,  Gem-engraver, 
&c.  of  Nuremberg,  '\  1532. 

M.  K.  Vide  MARTIN  KUNE.  Mint-master  at  Eislebcn,  1560-1573. 


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~  103  β€” 

M,  K.  Fide  MAX  KIEJJLEN,  Mim-master  at  Ulra,  1635-1639- 

M.  E.  Fide  TSkKim  KRAFFT.  1738  7  17K1.    Medallist    at  Vienn.i, 
Milan,  and  Munich. 

M.  K.  Fide  MATZENKOPF  (Senior).  Medallist  at  Salzburg,  r/Vcrt  1727- 
1754- 
M.  K.  r!WeMATZENKOPF(jLinior).  Medallist  a:  Salzburfr.ciVm  1755- 


M.  K.  Fide  T.  X.  MATZENKOPF.  Medallist  at  Sahburg,  and  Vienna 
circa  r790-i844. 

M.  K,  Vide  MABTIN  KESSEL.  Mint-master  at  Saalfekl,   1594-1614. 

M.  K.  Vide  MARCUS  KOCH.  Mint-master  at  Koeiiigsberg  In  Prussia, 
1624-1625. 

M.  K,  FideKAKCVS  KOCH.  Swedish  Mint-master,  1628-1663. 

MK.   Vide  I.  C.  MORIKOFER.  Swiss  Medallist;  died  at    Berne  in 
1790. 

M.  K.   Vide  MICHAEL   KLEINER.  Mint-master  at  St.  Petersburg, 
1808-1809,  Kolpin,  1810,  and  Ischora,  1810-1811. 

M.  K.   Fide   MICHAEL  KUTSCHKIN.  Medallist  at  St.    Petersburg, 
1845-1872. 

0.  K,  r;We  OTTFRIED  KONIG.  Medallist  at  Moscow,  1718-1724. 

P.  K.   Vide  PHILIPP  KLUVER.  Mint-master  at  Danzig,  1588-1610. 

P.  K.  FiW^  P.  KAISERSWERTH.  Medallist    at  Vienna,   circa    1746- 
1771. 

P.  K.  Vide  PETER  KEMPSON.  Die-sinker  at  Birmingham,  end  ol  the 
eighteenth  century,  and  early  part  of  the  nineteenth. 

R.  K.   Vide  REINHARD  KRUGER.  Medallist  of  the  first  half  of  the 
nineteenth  century. 

S.  K.    Vide    SAMUEL    KIRCHNER.    Mint-master    at     Schweidnitz, 
1622. 

S.  K.  Vide  SIEGMUND  KLEMMER.  Mint-warden  at  Vienna,    1765- 
1776;  also  at  Kremnitz,  1779. 


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T,  K.  Initials  of  ;in  Issuer  ot  Farthings  and  Tokens  (lemb.  Com- 
monwealth), in  pewter  and  mixed  metals  {M  and  brass).  On  some 
of  these  coins,  the  initials  E.  R.  occur. 

W.K.VideVllLEEhU  KITTEL.  Medallist  at  Breslan,  1730-1769; 
born  in  1654. 

W.  K,  Fide  WILHELM  RLEINSCHMIDT.  Mint-master  at  Hildburg- 
hausen,  1760-1770. 

W,  K.  Vide  WILHEM  KULLRICH.  Medallist  at  BerHu,  1850-1885. 

liiBtiOGRAPHV.  β€”  Schlickeysen-Paiimann,  op.cil. 

RACHEL,  GEORG  (Germ.').  Probably  a  son  ofLndwig  Kachel.  His 
signature  occurs,  as  the  Designer,  on  a  medal  engraved  by  Schwenzer, 
commemorating  the  Silver  Wedding  of  the  Grand  Duke  Friedrich 
of  Baden  and  bis  consort  Louise,  1S81. 

KACHEL,  LUDWIG  {Germ.).  Medallist  and  Mint-engraver  at 
Karlsruhe,  circa  1826-1874.  Some  of  his  medals  are  signed  K, 
others  I,  Kachel.  In  1834,  he  was  entrusted  by  the  Grand  Duke  ot 
Baden  with  the  execution  of  a  medal  on  the  consecration  of  the 
monument,  placed  in  the  chapel  of  the  castle  of  Pforzheim,  in 
honour  of  the  400  Plorzheimers  who  fell  at  Wimpfen.  He  is  also 
the  author  of  a  medal  with  portrait  of  Ludwig,  Grand  Duke  of 
Baden,  and  ^L.  the  Karlsruhe  mint,  1826.  A  Kronenthaler  of 
Baden,  1836,  struck  to  commemorate  the  creation  of  the  Zollverein 
is  signed  K  on  I^.,  and  a  Portrait  medal  ot  Prince  Karl  Egon  II. 
of  Fiirstenberg  and  Consort  Amalie,  on  their  silver  wedding,  1843, 
L.  Kachel. 

L.  Kachel  was  born  on  18.  August  1791  at  Ludwigsburg  and 
died  on  7.  February  1878.  His  artistic  career  extended  over  a  very 
long  period  ;  before  1816,  the  artist  was  employed  in  a  private  capa- 
city; in  that  year  he  was  appointed  Assistant-engraver  at  Mann- 
heim, in  1834,  second  Mini-warden  at  the  same  mint,  in  1826, 
Mint-warden  at  Karlsruhe;  nominated  Privy-Councillor  in  1836; 
and  retired  on  a  pension  in  1874. 

BlBLIOGHAPHY,  β€”  Bolzenthal,  Oil.  cit.  β€”  Menadier,  0^.  cU.  β€”  Bahrfeldt, 
Mitnj:en  der  Furslenlhiimer  HolKn\ollern.  β€”  Fr,  Dolliiiger,  Dk  FiirsUnbergisclien 
Jfun^en  uni  Medailhn,  1903. 

KADNER  VON  GREIFEKECK,  GEOEG  (Bohem.).  Mint-master  at 
Joachimsthal,  1577-1582.  Distinctive  mark,  dolphin  or  griffin's 
head  within  circle.  His  widow  Lucia  superintended  the  Mint  after 
his  death  until  1584.  The  coins  issued  by  him  were  struck  in  the 
name  of  the  Emperor  Rudolph  11. 

BiBLiOGRAFHY.  β– β€”  Fiala,  ob.  til. 


atdb,  Google 


β€”  105  β€” 

KAERSCHMIBT  Vide  KALTSCRMIDT. 

KAGRER,  JAKOB  (Austr.).  Moneyer  at  Vienna,  1452. 

KAHLE,  PHILIPP  (Germ.).  Mint-engraver  at  Gottingen,  1631. 

KAHLE  BROTHERS  (Germ.)  Type  founders  of  Weimar.  Issued  a 
bracteate  Medallion  of  the  Weimar  Artists'  Association,  1903. 

KAISER,  GREGOR  (Germ.).  Goldsniitji,  and  Die-cutter  at  the 
Mint  of  Koenigstein,  1567. 

KAISER,  W.  (Swiss).  Editor  of  Medals,  residing  at  Berne.  I  have 
noticed  his  signature  on  two  medals  executed  by  F.  Homherg  : 
Restoration  of  Berne  Cathedral,  189};  β€”  Inauguration  of  Tell's 
Monument  at  Altdorf,  1895. 

KAISERSWERTH.  FiWc  KEISERSWERTH. 

KAISUN  KHAN  y^  ii/  (Chinese).  A.D.  1282-1311.  Nephew  of 
Timur,  whom  he  succeeded  in  1307  as  third  Emperor  of  the  Yiian 
dynasty.  He  achieved  noteworthy  reforms.  Under  his  rule,  in  1309, 
there  was  a  new  issue  of  silver  tael  notes,  and  the  first  Mongol  cash 
were  coined. 

Bibliography.  β–  β€”  Herbert  A.  Giles,  A  Chinese  Biographical  Dictionary,  1898. 

KAA  (Greek).  Coin-engraver's  signature  which  is  met  with, 
sometimes  also  in  the  still  more  abbreviated  form,  K,  on  currency 
of  Heracleia,  Metapontum,  Tarentum  and  Thurium,  circ.  B.C. 
345-334.  It  generally  occurs  on  types  of  great  merit,  and  on  some 
silver  Staters  of  Heracleia,  Metapontum  and  Tarentum,  it  is  associat- 
ed with  the  signature  of  the  engraver  APIZTOiENOZ. 

D'  Arthur  Evans  has  been  the  first  to  recognize  an  artist's  signa- 
ture in  the  inscription  KAA,  K  (Horsemen  of  Tarentum,  p.  54  sqq.) 
and  M.  M.  P.  Vlasto  has  since  supplemented  our  Information  on 
the  subject  (Journal  international  d' archeologie  numismaiique,  p.   104 

The  accompanying  list  of  the  artist  KAA's  work  is  based  upon 
the  conclusions  of  the  above-named  writers. 


The  artist  KAA,  who,  with  his  associate  Aristoxenos,  succeeded 
*,  the  originator  ofthe  Herakles  type  on  Heracleian  coins,  was 
probably  employed  in  cutting  coin-dies  at  Heracleia  between  B.C. 
345  and  334.  To  that  same  period  belong  his  Metapontine  types, 


./Google 


β€”  io6  β€” 

and  probnbly  also  his  Tarcntine  and  possibly  Thurian  issues.  All 
these  show  a  remarkable  slmiLirity  of  style  and  treatmcnc. 

A  conjunction  ot  the  signaiures  KAA,  0\  and  API  occurs  at  about 
the  same  period  on  coins  of  Tarentum. 

I.  jR..  Didrachm.  Obv,  Head  of  Fallas  to  r.,  we.iring  earring, 
necklace,   and  crested  hehnet,  on   side  of  which,  Skylk  hurling 

A 
stone;  in  front,  K  :  border  of  dots. 
<t) 
^.     hHPAKAHION.    Henikles,    nude,    standing    towards    r., 
strangling  lion  with  both  arms;  behind,   KAA  and  club;  between 
legs,  owl,  Co  r. 

Weight,  119,9  grs.  β€”  B.  M.  Cat.,  Italy,  p.  228,  n"'  28, 
29,  β€”  Carfrae  Sale  Catalogue,  lot  10.  β€”  Montagu  Sale 
Catalogue,  Pi.  i,  n"  34. 


2.  ^.  Didrachm.  Obv.  HPAKAHinN.  Head  of  Pallas  to  r., 
wearing  earring,  necklace,  and  crested  Corinthian  helmet,  on  which 
Skylla;  behind  K;  border  of  dots. 

^.  hHPAKAHIflN.  Herakles,  nude,  standing,  facing,  holding 
club  downwards  in  r.  and  bow  in  1. ;  over  left  arm,  lion's  skin  ;  in 
field,  to  I.,  one-handled  vase,  beneath  which,  AOA. 

Weight,  121,7  &^-  β€”  B.  M.  Cat.,  p.  229,  nΒ»  33. 


METAPONTU.M 


The  coins  of  Metapontum  signed  KAA  and  K  are  all  remarkable 
in  style  and  were  struck  between  B.C.  345  and  334.  The  latest  are 
probably  those  exhibiting  on  obv.  the  laurel-crowned  head  of  Zeus, 


,,C.oo(^lc 


β€”   I07  β€” 

wliich  belong  to  tlie  time  of  Alexander  of  Epiriis'  landing  in  Italy 
and  sojourn  at  Mctapontuni. 

3.  JR..  Didrachm.  Obv.  Head  of  Demeter  to  r.,  wearing  corn- 
wreatli  and  diaphanous  veil  hanging  down  behind,  also  earrings 
and  pearl-necklace;  in  the  field,  to  r.  AAMATHP  :  border  of  dots. 

^L.  META  (to  1.).  Ear  01  corn,  to  r.,  bucraoiura  and  KAA  in 
microscopic  letters. 

De  Luynes  Collection,  Paris.  β€”  Vlasto,  1901,  Pi.  g,  14. 


4.  JR..   Didrachm.   Similar,    with  dove   instead   of  bi 
on  I^. 

Head,  Hist.  Num.,  p.  64.  β€” Vlasto,  p.  105,  nΒ°  2. 

5.  JR..  Didrachm.  Similar,  with  serpent  instead  of  dove. 

6.  .(R.  Didrachm.  Similar,  without  any  symbol. 

Bunbury  Sale  Cat.,  lot.  134.  β€”  Garrucci,  PI.  cm,  nΒ°  5 
Vlasto,  p.  105,  nΒ°  4. 


This  head  of  Demeter  bears  strong  resemblance  with  that  of  Hera 
on  the  Tareniine  gold  staters  of  Archidamos  and  Alexander  the 
Molossian's  time,  remarks  D''  Evans,  who  notices,  however,  that 
the  stephane  is  here  replaced  by  a  corn-wreath. 

7.  Jr..  Didrachm.  Obv.  Three-quarter  face  representation  of  the 
youthful  Dionysos,  ivy-crowned,  to  I. ;  in  the  field,  to  r.,  KAA. 

IJL.  META.  Ear  of  corn,  with  leaf  to  1.  on  which  serpent ;  beneath 
leaf,  01 AO. 

Fiorelli,  Colt"  Santangelo,  nΒ°"  4018,  4019.  β€”  Garrucci, 
op.  cit.,  PI.  CIV,  3,  where  the  coin  is  badly  reproduced.  β€” 
Vlasto,  op.  cit.,  PI.  G,  16.  β€”  Evans,  Horsemen,  &c.,  p.  72, 
note  53. 


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β–   This  beautifal  type  of  Dionysos  has  much  in  common  with  the 
head  ot  Apollo  or  Helios  on  the  Tarentine  gold  |^  Staters  and  silver 
Diobob  struck  by  the  Molossian  Alexander  in  Italy. 


8.  jR.  Didrachm.   Obv.  Oak-crowned  head  of  the  Dodonaean 
Zeus;  behind,  fidmen. 

^.  METAHON.  Corn-spike;  in  field,  to  r,  KAA. 
Carelli,  PI.  clh,  54.  β€”  Evans,  Horsemen  &c.,  p.  Sz. 

9.  JK..  Didrachm.   Obv.  Laureated  head  of  Zeus,  to  r. ;  laurel- 
wreath  with  berries  ;  behind,  fulmen. 

^L.  ...TAPON.  Ear  of  corn  with  leaf  to  r, ;  above,  poppy-head, 
beneath  which,  KAA. 

Weight  :  119,8  grs.  β€”  Vlasto,  op.  cit..  Pi.  ?,  15.  B.  M. 
Cat.,  Italy,  p.  249,  n"  89.  β€”  Evans,  Sale  Catalogue,  1898. 


"^"^^^    V.^ 


10.  M..  Didrachm.  Similar,  without  poppy-head  on  I^. 

Seltman  Collection.  β€”  Vlasto,  op.  cit..  Pi.  ;,  19. 

A  comparison  of  these  heads  of  Zeus  with  that  on  the  Tarentine 
gold  Staters  of  Alexander  of  Epjrus  leaves  no  doubt  that  the  artist 
KAA  was  the  engraver  of  both  the  Merapontine  and  Tarentine 
coins. 

With  the  signature  K,  Mr.  Vlasto  illustrates  two  very  rare  speci- 
mens which  are  described  in  Fiorelh's  Catalogue  of  the  Santangelo 
Collection  at  Naples. 

11.  JR..  Didrachm.  Obv.  Helmeted  head  to  !.  of  young  hero 
(probably  "Tharragoras  ");  in  front,  OAPPATOPAZ;  to  r.,  K. 

I^i.  Ear  of  corn  with  leaf  to  1. ,  to  r.,  META;  beneath,  ONA. 

Vlasto,   op.  cit.,  PI.  z,  2.  β€”  Fiorelli,    Santangelo    Cat., 

?"  409J;  .  .     .      , 

The  inscription  ONA  which  occurs  on  the  ^.  of  this  coin  is  also 
found  on  a  Didrachm  of  Tarentum,  with  obv.  by  KAA  (Evans, 


,/Googk 


β€”  109   - 

Period  iV.  type  H,  n"  4),  which  constitutes  one  more  proof  that 
the  same  engraver  worked  also  at  Tarentum,  and  that  here  he  sign- 
ed en  artiste  K. 

12.  JR..  Didrachm.  Obv.  AAMATHP.  Head  of  Demecer  to  1., 
wearing  corn-wreath  :  behind,  K- 

^.  META.  Ear  of  corn  with  leaf  to  \. ;  above  which,  crab,  and 
beneath,  APXir. 

Vlasto,  op.  cil.,  PI.  7.',  n"  3.  β€”  Fiorelli,  Santangelo  Cat., 
n"  4035. 


Both  D'  Evans  and  M.  Vlasto  have  dwelt  at  length  on  the  question 
whether  the  signature  KAA  or  K  on  coins  of  Tarentum  refers  to  a 
magistrate  or  to  an  engraver,  and  they  have  proved  beyond  doubt 
that,  not  Only  KAA  was  a  die-cutter,  but  also  that  he  is  the  same 
artist  who  worked  at  Heracleia  and  Metapontum. 

Some  of  the  Tarentine  productions  of  KAA  are  signed,  others  can 
only  be  ascribed  to  him  on  account  of  similarity  of  work  with  other 
known  dies  by  him.  Of  course,  in  case  of  unsigned  coins,  there  is 
always  uncertainty  as  to  tlieir  attribution. 

13.  Af.  Stater  (Circ.  B.C.  54<>)-  Obv.  Head  of  Hera  to  r.,  wear- 
ing ornamented  stephanS  and  diaphanous  veil  hanging  down  be- 
hind (as  on  silver  Didrachmof  Metapontum (n"  12),  described  above); 
also  earrings  with  three  pendants  and  pearl-necklace.  In  the  field, 
to  r.,  a  dolphin;  to  1.,  E  :  border  of  dots, 

15^.  TAPANTINflN  (to  1.).  Poseidon,  upper  part  of  body  nudcj 
lower  part  enveloped  in  himation,  seated  to  I.  on  chair,  and  holding 
trident  in  1.  liand.  His  son,  Taras,  stands  in  front  of  him,  nude,  with 
both  hands  raised;  in  the  field,  to  r.,  star  and  H;  between  the  legs 
of  the  stool,  a  small  K  β–   border  of  dots. 

Weight  :  8,52  grammes.  β€”  De  Luynes  Coll",  Paris.  β€”  Vlasto, 
MonnaifS  d'or  de  Tarcnte,  PI.  ie,  i. 

Varieties  exist  of  this  coin  at  the  British  and  Berlin  Museums, 
and  there  was  one  in  the  Ashburnham  collection. 

14.  ^.  AT.  I  Stater.  Obv.  Head  of  Hera,  without  the  veil,  wearing 
stephane,  under  which  the  hair  falls  down  behind  in  long  curls; 
earrings  and  necklace;  in  the  field,  to  I.  K;  to  r.,  ^-.M.*  :  border 
of  dots. 

!^.  TAPA2  (to  r.).  Taras  (as  Herakles  infant)  seated,  the  r.  knee 
bent,, holding  in  r.  hand  a  distaff,  and  in  1.  a  ball  of  wool;  in  the 
field  beneath,  dolphin  to  r. 

Santangelo,  n"  3297.  β€” Vlasto,  loc.  dl.,  PI.  ie,  ii. 

Specimens  are  in  the  Museums  of  Vienna,  Paris,  Berlin,  &c. 

15.  AT.  j|  Stater.  Head  of  Hera,  as  above  to  r.  ;  in  the  field  to  1., 
K,  to  r.  M β€” *  :  border  of  dots. 


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^.  Diota;  around,  TAPAN. 

Vlasto,  loc.  cit.,  PL  IE,  14. 
Specimens  in  London,  Paris,  Berlin,  Vienna,  Naples,  &c. 

16.  M.  Stater  of  Alexander  of  Epiras,  son  of  Neoptolemos,  struck 
at  Tarentum  (?)  B.C.  334-3^0.  Obv.  Head  ofZeusDodonaeos  to  r., 
wearing  oak-wreath. 

^-  TOY^lfEOPTOrEMOY- ''Β°''"β„’  β€’'""'  sp=>r-heail  in  centre. 

Weight  :  8,55  grammes.  β€”  Vlasto,  loc.cit.,V\.  ie,  16.  β€”  London 
and  Paris. 

This  head  of  Zeus  and  that  on  the  silver  Didrachms  of  Matapon- 
turn  (n"^  8-10)  are  identical  in  style  and  treatment,  and  were  pro- 
bably copied  from  some  fine  contemporaneous  sculpture. 

17.  M.  Yi  Stater.  Obv.  Radiate  head  of  Helios,  three  quarter-face 
to  1. 

AA 
^.  Fulmen. 

EI 
Weight,  0,648  grammes.  β€”  Vlasto,  he.  cit.,  PL  ie,   13. 
Specimens  in  tlie  Vlasto  and  Ev.ms  Collections. 

18.  .iR.  Diobol.  Obv.  Radiate  head  of  Helios,  three-quarter  face 
to  I. 

^.  AAEHANAPOY  TOY  NEOHTOAEMOY.  Fulmen. 

Weight:  1,15  grammes.  β€”  Vlasto,  /oc.  n'(.,  1901,  PI.  G,  17-18. 

Varieties  in  the  Vlasto,  Brit.  Museuai,  Naples  Museum,  &c. 
collections. 

This  type  of  head  oi  Helios  is  evidently  due  to  the  same  engraver 
KAA  who  did  the  fine  Didrachm  of  Metaponium  (n"  7)  with  three- 
quarter  lace  of  Dionysos,  on  which  we  find  the  same  characteristic 
treatment  of  curls  and  peculiar  smile,  as  M.  Vlasto  remarks. 

19.  B^.  Didrachm  (Period  IV.,  B.C.  344-334).  Obv.  Nude 
boy  crowning  his  horse,  foreleg  raised,  to  r. ;  beneath,  K  and  club. 

Ri..  Taras  to  1.  riding  on  dolphin,  holding  trident  and  round  shield 
in  L  hand  and  kantharos  in  extended  r. ;  oeneath,  fl  and  waves  : 
plain  border. 

Evans,  type  B,  i,  PL  iv,  i-  β€” β–   CarelH,  cxn,   163. 

20.  jR..  Didrachm.  Obv.  Nude  boy  crowned  by  flying  Victory 
on  prancing  horse  to  r.,  which  is  embraced  by  another  naked  boy ; 
K  beneath  horse  ;  beaded  circle. 

^.  Taras  riding  sideways  on  dolphin  to  r.,  turning  back  to  aim 
his  trident  at  tuimy-fish;  beneath,  waves;  in  field  I;  under  arm 
of  Taras,  square  raised  tablet. 

Evans,  type  F,  3.  Paris. 

21.  jR.  Didrachm.  Obv.  Similar,  but  I  beneath  horse.  Ri.-  Taras 
seated  sideways  on  dolphin- to  L,  as  last,  extending  one-haodled 
vase;  behind,  K. 


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Evans,  type  F,  3,  PI.  iv,  5.  β€”  B.  M.  Cat.,  n"  172.  β€”  Car., 
CXI,  i;o. 
22.   M..   Didrachm.   Obv.  As  last.  ^L.  Similar;   K  in   front  of 
Taras,  and  behind,  a  square  raised  tablet. 

Evans,  type  F,  4,  PI.  iv,  6.  β€”  Leake  Collection. 
2j.  ^.    Didrachm.   Similar,    with    scallop   in   place   of   tablet 
on  1%. 

Evans,  type  F,  5.  β€”  Car.,  cxi,  149. 
24.  JR..  Didrachm.  Obv,  Nude  horseman  in  crested  helmet  to 
1.,  holding  two  lancus  and  round  shield  in  1.  hand ;  shield  adorned 
with  hippocamp.  In  front.  Victory  winged,  clad  in  diploidion, 
advancing  to  L,  turns  half  round  and  sei;ies  the  rearing  steed  by  the 
rein  and  forelock;  above,  TAPANTINflN  in  minute  letters  ;  in  field 
to  r.  HA ;  beneath  horse,  M  and  KAA  in  minute  letters.  ^L.  Taras 
astride  on  dolphin  to  r.,  throwing  forward  1.  leg.,  hurling  dare 
with  r.,  and  in  his  I.  holding  two  spears,  while  his  chlamys,  caught 
on  his  I.  arm,  streams  in  the  wind;  beneath,  KAA  in  minute  letters, 
and  waves. 

Evans,  type  G,  r,  PI.  iv,  7.  β€”  Saninngelo  Collection.  β€” 
Vlasto,  1901,  loc.  cil.,  PI.  z,  7.  β€”  B.  M.  Cat.,  nΒ°  272.  β€” 
Cf.  Carelli,  cxii,  107. 


25.  JR..  Didrachm.  Obv,  Nude  horseman  on  prancing  horse 
to  r.,  lancing  downwards  with  r.  hand;  behind,  a  large  round 
shield  and  two  lances  ;  border  of  dots;  in  field  to  I.,  h;  to  r.  A; 
beneath  horse,  ^^^. 

^L.  Taras  astride  on  dolphin,  holding  a  crested  helmet  between 
his  hands,  with  his  head  slightly  bowed  towards  it;  in  field,  on 
either  side,  an  eight-rayed  star;  beneath  dolphin,  (t>l. 

Evans,  type  H,  i,  PL  iv,  11.β€”  B.  M.  Cat.,  n"  213. 

26.  JR..  Didrachm- SimiLir,  but  on  ^.  beneath  dolphin,  API, 

Evans,  type  H,  2,  PI.  iv,  lo.  β€”  B.  M.  Cat.,  n"  210. 
The  API  may  here  stand  for  A.ristoxenos. 

27.  M..  Didrachm.  Similar,  but  on  Ri..  beneath  dolphin,  KAA. 

Evans.  typeH,  3.  β€”  B.  M.  Cat.,  nΒ°  211. 

28.  JPi.  Didrachm.  Similar,  but  on  I^i..   bmiiath  dolphin,  ONA. 

Evans,  type  H,  4,  β€”  Nervegna  Collection, 


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The  inscription  ONA  is  associated  witli  that  of  K  on  a  Mctapon- 
tineDidrachm  (nΒ°  ii). 

39.  ^,  Didrachm.  Obv.  Similar;  but  in  field  to  I.  Ai   to   r.  N  ; 

beneath  horse  ^'^  .^L.  As  last,  but  no  stars ;  beneath  dolphin,  KAA . 

Evans,  type  H,  5,  PI.  iv,  3.  β€”  Car.,  cxii,  159.  β€”  B.  M. 

Cat.,  n"  312. 

30.  JR..  Didrachm.   Obv.   Similar;  in   field  to   r,,    N;  beneath 


horse. 


KAA 


N 

^L.  Taras  astride,  &c.,  to  1.,  his  further  leg  outlined  in  front  of 
dolphin's  head;  he  holds  in  his  1.  hand  a  small  round  shield  orna- 
mented with  hippocampj  and  extends  his  r.  to  receive  a  small 
wreath -bearing  Victory;  in  field,  tor.,  K;  beneath  dolphin,  waves, 
and  smalt  tunny-fish. 

Evans,  type  H,  6,  PI.  xi,  8.  β€”  Paris  Medal  Cab'.  β€”  Car., 
cxii,    160. 

31.  JR..  Didrachm.  Obv.  Two  Dioskuri  cantering  to  r. ;  above, 
TAPAN ;  beneath  horse,  KAA,  in  microscopic  letters. 

]^.  As  last,  with  Taras  holding  two  spears  and  hippocamp  shield  ; 
beneath,  KAA  and  waves. 

Evans,  type  K,  i., β€”  Ncrvegna  Collection. 

32.  JB^.  Didrachm.  Obv.  Nude  male  figure  standing  to  i.,  and 
half  turning  round  to  seize  forelock  and  bridle  of  stationary  horse ; 
he  holds  in  1.  hand,  which  is  laid  on  the  bridle,  a  wreath.  The 
horse  is  mounted  by  a  naked  boy;  above,  TAPANTINflN;  in  field 
CO  1.,  H;  to  r.,  A;  beneath  horse,  KAA  in  microscopic  letters  ; 
border  of  dots. 

1^.  Taras  as  an  Ephebos  riding  on  dolphin  to  r.,  and  holding 
in  1.  hand  a  strung  bow  and  two  arrows,  and  in  his  r,,  behind  him, 
another  arrow;  beneath,  tj>|. 

Evans,  type  L,  i,  PL  iv,  8.  β€”  Santangelo  Collection.  β€” 


Vlasto,  he.  cit.,  PI.  : 


Ar' 


A^    ii( 


Some  Didrachms  of  Period  III  oi  Evans  (Circ.  B.  C.  380-H5) 
and  probably  belonging  to  the  end  of  that  period  bear  the  shortened 
signature  of  the  artist,  K  or  ))  (Vide  Evans,  Horsemen  of  Tarentum, 
p.  S3sqq.). 


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33-  J^-  Didnichm  (Period  III).  Obv.  Nude  boy  (ay.rfir.Toq)  on 
horse  walking  to  1.,  wiio  holds  the  bridle  of  a  second  horse  walking 
beside  the  other;  he  is  crowned  by  a  small  Victory  flying  behind ; 
in  field  tol.  K;  beneath  horse,  (t>l. 

^.  Taras  seated  sideways  on  dolphin  to  1.,  turning  round  to 
aim  trident  at  tunny-fish  (cfr.  nΒ°  20);  below,  curling  waves;  in 
field  to  r.  A. 

Evans,  type  G,  i.  PI.  111,  8.  β€”  Evans  Collection, 

34.  JB^.  Didrachm.  Similar ;  no  letter  in  field  of  1^.,  trident  with 
cross-bar  at  top. 

Evans,  type  G,  2.  β€”  Car.  cxiv,  214. 

35.  JK.  Didrachm.  Obv.  Similar.  ^L.  As  last,  but  beneath 
dolphin,  'A,  and  in  the  field  to  r.,  square  raised  tablet  (cfr.  n"  20). 

Evans,  type  G,  3.  PL  111,  7.  β€” B.  M.  Cat.,  n"  185. 

36.  M..  Didrachm.  Obv.  Similar.  I^i..  Taras  astride,  &c.,  to  1., 
his  1.  hand  resting  on  the  dolphin's  back.,  and  with  his  r.  extending 
one-handled  vase;  in  field  to  1.  K;  below,  waves. 

Evans,  type  G,  4.  β€”  Car.  cxiv,  213, 
D'  Evans  points  out  that  "in  the  present  group  of  coins  the 
initial  A  is  associated  with  the  obverse  signatures  K  and  <J>I  in  con- 
junction. This  conjunction  of  signatures  answers  under  an  abbre- 
viated form  to  the  conjunction  of  KAA,  <J>1  and  API  on  a  group  of 
coins  which  presents  the  clearest  example  of  artistic  collaboration 
on  the  Tarentine  dies...  The  signature  K  undoubtedly  belongs  to 
the  same  engraver,  who  at  a  slightly  later  date  attaches  his  signature 
to  some  of  the  noblest  of  the  Tarentine  types,  indifferently  with 
the  initial  K  and  the  fuller  form  KAA". 

37.  JR..  Didrachm.  Obv.  Horseman  advancing  to  1.  in  crested 
helmet,  holding  reins  in  r.  hand,  shield  and  spear  in  I. ;  beneath 
horse,  A, 

^L.  Taras  holding  trident  on  shoulder;  beneath,  K  and  waves. 

Evans,  type  H.  β€”  B.  M.  Cat.,  n"  193.  β€”  Vhisto,  1901, 
ioc.  cit.,  PI.  z,  5. 
On  a  Didrachm  of  Period  V  of  Evans  (B.C.  334-302)  we  also 
meet  with  the  signature  KAA. 

38.  ^.  Didrachm.  Obv.  Phalantosin  crested  helmet,  on  canter- 
ing horse  to  1.,  and  covering  himself  with  a  large  round  shield  on 
which  is  a  dolphin ;  in  fieUi  to  1.  A  ;  beneath  horse,  KAA. 

^.  Taras,  of  infantine  Dionysiac  type,  astride,  &c.  to  L,  holding 
distaff  in  1,  hand  and  bis  r.  resting  on  dolphin's  head  ;  in  field  to  1. 
COI;  tor.,  trident. 

Evans,  type  C,  i.  β€”  Cfr.  B.  M.  Cat.,  n"  271. 

D^  Evans'  judicious  remarks  and  reasons  for  considering  t be  signa- 
tures KAAi  *l.  API  &c.  as  those  of  Engravers  may  be  quoted  here 
to  explain  their  introduction  into  the  present  work  :  "The  private 

L.  FoniiEi.  β€”  fl;oj.af  Jjfwi  Woiβ„’  of  MsdM^m.  β€”  111.  5 


./Google 


β€”  114  β€” 

character  of  ihe  moneyei's  industry  explains  how  it  is  that  the  same 
signatures  appear  on  ihe  coins  of  different  cities,  it  being  natural 
that  an  ' Ap-^upcv-oxoq  who  had  earned  a  reputation  as  a  good 
engraver,  should  at  times  obtain  employment  even  from  remote 
quarters.  But  where  a  system  of  this  kind  prevailed  and  the  coinage 
of  the  State,  instead  of  issuing  as  at  Athens  from  a  central  mint, 
was  entrusted  to  private  enterprise,  it  became  the  more  necessary 
that  the  individual  pieces  should  receive  the  guarantee  of  the 
moneyer  or  firm  of  moneyers,  ^\llo  had  made  themselves  responsible 
for  their  sterling  weight  and  standard,  as  well  as  their  artistic 
excellence,  A  coiner,  who  was  also  his  own  die-sinker,  signed  in 
both  qualities.  It  was  open  to  him  in  some  cases,  if  he  was  a  great 
artist,  to  lay  stress  on  that  side  of  his  character  and  sign  upon  a 
coin  as  he  might  upon  a  gem.  But  local  custom,  or  the  accident  of 
the  type^  he  had  to  deal  with,  was  not  alway,s  favourable  to  the 
adoption  of  such  a  practice.  In  cities  where  private  moneyers 
supplied  the  public  needs,  it  may  well  have  been  required  by  law 
that  the  signature  that  authenticated  the  coin  and  fixed  the  respon- 
sibility fof^he  individual  should  be  made  clearly  manifest.  So  at 
Velia  we  find  both  Phihstion  and  Kleudoros,  although  on  one  side 
of  the  coin  they  follow  the  purely  artistic  tradition,  signing  conspi- 
cuously enough  on  the  other  side  with  the  first  letters  of  their 
names,  and  in  a  style  which  recalls  the  contemporary  Tarentine 
practice.  At  Tarentum  itself,  whether  owing  to  special  regulations 
on  the  part  of  the  State  or  to  natural  causes  inherent  in  the  type, 
this  seems  to  have  been  the  only  form  of  signature  current,  if  we 
except  some  microscopic  signatures  of  KAA  and  c|j|. 

"It  is  a  form  which  emphasizes  the  official  responsibility  ot  the 
raoneyer  in  all  his  capacities.  But  it  covers  his  artistic  quahfications; 
it  does  not  exclude  the  possibility  of  his  having  achieved  fame  in 
other  fields  as  an  engraver,  and  where  we  find,  as  in  the  case  of 
KAA...  of  API...  or  of  4>l,..  a  signature  associated  with  excellent 
work,  we  have  as  much  right  to  place  him  in  the  rank  of  artistic 
engravers  as  if  he  had  hidden  his  name  in  some  part  of  the 
design. 

"  No  one  doubts  that  the  small  and  concealed  signatures  of  an 
earlier  period,  such  as  those  represented  by  the  great  Sicilian  works 
of  the  close  of  the  fifth  and  beginning  ot  the  fourth  century,  have 
a  purely  artistic  value.  They  belong  to  a  time  when,  whether  owing 
to  the  monetary  system  then  in  vogue  or  to  other  causes,  it  was 
not  thought  necessary  for  moneyers  as  such  to  attach  their  sign 
manual.  When  we  find  a  signature  of  this  kind  we  have  a  right  to 
exclaim,  "It  is  an  engravers  signature,  and  therefore  an  artist's  ". 
But,  as  we  see  from  the  Tarentine  series,  a  practice  grew  up  during 
the  fourth  century  of  engravers  initialling  every  single  piece.  At 


./Google 


times,  as  in  the  rase  of  the  Veli.in  coins  referred  to,  they  continue 
or  revive  the  oider  practice  of  interweaving  their  name  full-length, 
or  in  an  abbreviated  form,  with  some  part  of  the  design.  But  even 
in  such  a  case  as  this  they  usually  repeat  their  signature  in  its  more 
official  form  on  the  other  side  of  the  same  coin. 

"  At  times,  as  at  Thurioi,  we  are  able  to  trace  a  regular  transition 
from  signatures  of  the  old  artistic  character  to  the  regulation  scamp. 
But  to  seize  on  this  difference  of  type  as  a  proof  that  the  later 
signatures  are  not  those  of  the  engravers  of  the  dies  is  to  mistake  the 
point  at  issue.  The  truth  is,  that  during  the  later  period  with  which 
we  are  specially  concerned,  it  is  not  the  lack  of  engravers'  signatures 
that  should  cause  perplexity,  but  their  abundance.  There  are  some 
who,  from  the  noble  style  of  their  designs,  the  gem-like  finish  of 
their  work,  and  the  fact  that  they  were  employed  by  different  cities, 
evidently  enjoyed  an  artistic  reputation  in  their  own  day  although 
they  may  not  have  signed  in  the  older  artistic  fashion.  There  are 
others,  such  as  the  die-sinker  who  signs  EY  at  Tarentum,  who,  by 
the  evidence  of  their  own  work,  have  no  claim  to  rank  as  artists. 
But  to  take  the  last-named  example  as  a  crucial  test,  the  very  gross- 
ness  of  the  features  that  characterize  the  coins  signed  EY  proclaims 
identity  of  handiwork.  The  magistrates'  names  that  occur  beneath 
the  horses  on  this  group  of  coins  continually  vary,  but  the  signature 
in  the  field  and  the  style  of  engraving  go  hand  in  hand ;  they  come 
in  and  they  depart  together.  It  is  an  engraver's  signature,  but  not 
an  artist's".. 

TflURrUM 

M..  Vlasto  has  suggested  that  this  same  Engraver  KAA  or  K  may 
have  executed  some  coin-dies  for  Thurinm. 

39.  JR..  Didrachm.  Obv.  Head  of  Fallas  to  r.,  wearing  necklace 
and  crested  Athenian  helmet,  on  the  side  of  which,  Skylla,  holding 
trident;  on  flap  of  helmet,  K. 

i^.  OOYPinN.  Bull  with  r.  fore-leg  raised,  and  tail  erect,  butting 
to  r. ;  in  ex.,  dolphin  to  r. 


B.  M.  Cat,,  Italy,  p.  295,  n"  19.  ^  Vlasto,  1901,  loc.  dl., 
PI.  g',  nΒ°  20, 
The  engraver  K  has  placed  in  the  hand  of  Skylla,  instead  of  the  usual 
oar  or  stone  a  trident  which  is  identical  with  that  seen  in  the  hand  of 


,/ Google 


β€”  ii6  - 

Taras  on  coins  of  Tareiitum  by  KAA  or  K,  and  on  I^.  in  ex.   a  dol- 
phin instead  of  the  tunny-fish, 

40.  M..  Didrachni.  Obv.  Head  of  Pallas  to  r.,  wearing  necklace 
and  crested  Athenian  helmet,  on  the  side  of  which,  Skylla,  with  her 
hand  to  her  head;  K  on  flap  of  helmet. 

]^.  OOYPinN.  Bull,  with  1-.  fore-foot  raised,  and  tail  erect, 
butting  to  r. ;  in  ex.,  tunny-fish  to  r. ;  on  rump  of  bull  K. 

B.  M.  Cat.,  Italy,  p.  292,  nΒ°  53.  β€”  VlastOj  1901,  loc.  cil., 
PI.g',  nΒ°  21. 

Raoul  Rochette  had  noticed  the  signature  K  on  bull's  rump  and 
suggested  its  attribution  to  Kleudoros,  whose  abbreviated  signature 
was  however  alwaj'S  KAEYin  monogram  and  never  K.(^Fidesuprd). 

KALCHER,  AWTON  (Austr.).  Goldsmith  and  Silversmith  of 
St.  Polten,  born  on  the  12"'  June  1800,  died  on  the  12"''  October 
1861.  He  engraved  a  medal,  with  bust  of  Christ  on  obv.  and 
allegorical  representation  on  fy..,  commetnorating  the  Educational 
Institute  founded  by  Kalcher  for  the  poor  of  St.  Pohen. 

Bibliography.  β€” MUtheil.  lies  Klubs,  &c,,  1890,  p.  115. 

KALDENBACH  {Germ?).  Signature  of  a  Die-sinker,  which  is  met 
with  on  German  military  decorations. 

HALLAI,    DAVID    {Anstr.).      Coin-dealer     and     Medal-publisher, 


Portrait-medal  of  D'-  AJoll  Jellinek. 

residing  at  Vienna.  He  edited  amongst  others  a  Portrait-medal  ot 
D'  Adolf  Jellinek,  chief  Rabbi  and  Preacher  of  the  Jewish  Commu- 
nity in  Vienna,  1893,  also  a  commemorative  medal  of  Andreas 
Hofer,  etc. 


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KALLEN,  PETER  PAUL  VON  (Germ.).  Gem-engraver  at  Rreslau, 
circa  1674. 

KALTSCHMIDT,  JOHANN  KONRAD  (Gfrm.)-  Goldsmith  of  Augs- 
burg, was  Mint-master  at  Heidelberg  1733-1735,  and  Stuttgart, 
1735- 

Bibliography.  β–  β€”  Milth.  der  bayerhchen  Niimhiimtlschn  Geselhclxi/I,  lyoo. 

KAMM,  JEAN  DAWIEL  (French).  Die-sinker  of  Strassburg,  end  ot 
the  eighteenth  century,  (circ.  i768-!79o).  His  signature  EAHH.  F. 
occurs  on  a  variety  of  the  medal  struck  in  commemoration  of  the 
election  of  PhiUppe  Fr^dSric  Dietrich,  First  Mayor  of  Str^issburg, 
J.  February  1790,  and  also  on  the  following  :  Mausoleum  of  the 
Marechal  de  Saxe,  in  St,  Thomas  Church,  Strassburg;  β€”  Portrait- 
medal  of  J.  B.  Schoepflin,  1771 ;  β€”  Exhibition  of  a  Rhinoceros  at 
Strassburg,  1748,  &c. 

BiBLiOGEAPHY.  β€”  Hennin,  Hhtoire  immismatiqm  de  la  Revolution,  i8aS.  β€” 
Rondot  &  De  La  Tour,  Les  M^dailkurs  et  les  Graveurs  de  Moimaks,  Jdoiis  et 
Me'daiUes  en  France,  Paris,  1904. 

KAHMERERorCAMERER,  JOEST  (Germ.).  Goldsmith  of  Hall,  in 
Saxony,  who  sent  to  tlie  Nuremberg  Council  a  Portrait-medal, 
gilt  and  chased,  of  the  Emperor  Ferdinand  I. ,  for  which  he  received 
the  sum  of  12  Thalers,  on  22.  April  1557. 

Bibliography.  β€”  D<  Friedrich  Kennet,  UrliunJlichc  Beitrage  \ur  GeschichU  der 
Miinien  u.  MedailJen,  Num.  Zeit,  19OJ. 

KAMMERER  (Germ.)  Medal-engraver  who  worked  for  Gottfried 
Drentwett  at  Augsburg,  area  1850-1869. 

KAMMLEIN  or  KEMLEIN,  STEPHAN  (Germ.).  Mint-master  at 
Nuremberg,  1532-1547;  Jagerndorf,  1557;  and  Schwabach,  1560. 
His  distinctive  sign  was  a  lion  holding  a  small  comb  in  iorepaw. 

KAMPFHAUSEH,  ANTON  (Germ.).  Mint-master  at  Dusseldorf, 
1749-1766.  His  initials  A.  K.  occur  on  Ducats  struck  by  him. 

KAN  ATEN  (/bi^/Β«h)-  Gem-ciigraver,  under  the  Moghul  Emperor 
Shah  Jehan  (1627-1666).  His  signature  occurs  on  a  beautiful  cameo 
in  the  Paris  Cabinet,  representing  Shah  jehan  cutting  in  two  with 
his  sword  a  lion  devouring  a  man  lying  prostrate  under  its  claws 
(sardonyx  of  three  strata). 

The  subject  of  this  fine  gem,  observes  M.  Babelon,  is  evidently 
inspired  from  the  myth  of  Hercules  stranghng  the  lion. 

Bibliography.  β€”  Babelon,  ifl  Gfai'iirs  en  Pierres  fines.  Pans,  1894, 

KANDLER,  JOHANN  (Austr.).  Mini-master  at  Plan,  under  the 
Counts  ofSchlick,  i625-i64i.,He  issued  Double  Thalers, Thalers, 


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β€”  ii8  β€” 

Half  and  Quarter   Thalers    and   Groschen,    with    the    distinctive 
symbol,  a  small  can,  accompanied  by  his  initials  I.  C. 

Bibliography.  β€”  Eduard  Fiala,  Das  Miiti^^wesm  der  Gfufin  Schtkk,  Num.  Zeit., 
1890. 

KAKGSDORF  {Germ.).  This  Die-sinl^er's  initial  S.  occurs  on  a 
member's  jewel  of  the  Masonic  Lodge  "  Minerva  "  ot  the  three 
Palms,  Leipzig;  dated  1766. 

Bibliography.  β€”  Marvin,  Masonic  Medals,  1880. 

KAPFER  (Germ.).  This  Die-sinker's  signature  is  found  on  the  i^ 
of  a  medal  of  Maria  Theresia,  commemorating  the  Peace  of  Hiiberc^- 
burg,  1763,  the  obv.  of  which  is  by  Hedlinger. 

Bibliography.  β€”  Katalog  der  Mun^en-und  MedaiUen-Siempd-Sainmhmg  dei 
R.  K.  Hauptinfiniamles,  Wien,  1502. 

KAPLAN,  FERDINAND  (Justr.).  Mint-master  at  Prague,  in  conjunc- 
tion with  Wolf  Pellety,  1694  (?). 

KAPLAN,  MICHEL  (Russ.).  Contemporary  Sculptor,  born  at 
Odessa;  pupil  of  Falguiere  and  H.  Daiilion.  By  him  are  various  Por- 
trait-meoallions  in  bronze  ;  amongst  others  :  M"^  Marie  Anne  de  Bo- 
vet;  β€”  M-=M.  V***,  etc. 

KAPP,  MICHAEL  (Germ.).  Goldsmith  of  Mayence,  Mint-warden, 
there,  1629. 

KAPPEYNE,  PIETER  (Dutch).  Mint-master  at  Middelbarg,  1725- 
1752, 

KAPPLAN,  DAVID  (Germ.).  Mint-master  at  Saalfeld, Saxony,  1622. 

KAPPLAN,  HERMANN  (Gefju.).  Mint-warden  at  Sanlfeld,  1595- 
1601. 

HARIUS,  FRIEDRICH  (Germ.).  Goldsmith  and  Medallist  at  Hriurt, 
circ.  1S17. 

KARL,  FRANZ  (Jiislr.).  Mint-engraver  at  Vienna,  1823-184;. 

KARL,  HEINRICH  (Amtr.).  Medallist  at  Vienna,  first  half  of  the 
nineteenth  century.  His  signature  occurs  on  the  following  medals : 
Battle  of  Leipzig,  i8ij;  β€”  Prize  Medal  of  the  Oswald  School  at 
Mautern,  1803;  β€”  Prize  Med;il  of  the  English  Yomig  Ladies' 
Boarding  School  at  St.  Polten,  1816;  β€”  Visit  of  the  Emperor 
Francis  Joseph  L  to  Nagy-Banya,  1852  ;  β€”  X.  Congress  of  Hunga- 
rian Physicians  at  Neusohl,  1S42  (In  Boston  Coll"),  etc. 

His  usual  signature  was  H.  K.  F. 

Bibliography.  β€”  Kabihg  der  Miin^eii  11.  MedaiUm,  Sic. 

KARLSTEEN,  ABFVID  (Svjede).  (1654-171S)-   fide  Vol.  1,  p.  212. 


,/ Google 


We  read  in  Bolzenthal,  p.  237  :  "  The  Court  of  Stockholm 
employed  an  artist,  Arvid  Karlsten,  who  in  his  time  received 
excessive  distinction.  Born  at  Karlskoga  in  Vermland,  1647,  he  had 
in  his  early  youth  made  himself  so  well  acquainted  with  the  Art 
that  he  was  enabled  to  pursue  his  studies  in  foreign  countries;  in 
Paris  under  Varin,  and  in  London  under  John  Roettier.  After  he 
had  finished  thein,  he  obtained  celebrity  in  Berlin  and  Dresden, 
but  he  however  left  Germany  for  love  of  his  native  country.  He 
was  much  esteemed  and  was  soon  after  raised  to  the  nobility 
(1692);  this  he  truly  deserved  as  he  was  so  much  above  liis  contem- 
poraries. He  highly  respected  his  teacher  Varin,  although  his  style 
approaches  in  a  singular  manner  to  that  of  John  Roettier.  As  to 
the  excellence  of  his  works,  it  appears  to  us  that  he  was  not  equal 
to  his  countryman  Raymund  Faltz;  but  like  him  he  excelled  in 
engraving  portraits,   wherein    both    were    wonderfully  successful. 


lasAfSKftM 


Portrait- medal  of  Afvid  Karlsteen,  by  Hedlinger 


Karlsten  undertook  a  series  of  medals  of  the  kings  of  Sweden, 
beginning  with  Gustavus  Wasa  and  ending  with  Charles  XII.  They 
are  about  2  inches  in  size.  His  remaining  works  relate  to  kings  of 
Sweden,  under  whom  he  lived,  to  Louis  XIV.  of  France,  to  the 
Elector  Frederick  III.  of  Brandenburg,  to  Ernest  Augustus  of 
Hanover,  and  to  many  private  persons,  &c.  This  artist  was  64  years 
old  when  he  died  (1718).  " 

Karlsteen's  usual  signature  is  cy6'^€  or  tlL.  It  occurs  also  on 
copper-plate  engravings  and  tniniature  paintings.  His  medal  series  of 
Swedish  Kings  from  Gustavus  I.  to  Charles  II.  is  well  known. 

This  celebrated  artist  is  the  author  of  the  following  medals  : 
Gustavus  I.,  War  and  Peace  medals  (4  var.);  β€”  Commemoration  of 
theReformaiion;β€” The  King 'sson,  hereditary  Prince;  β€”  EricXIV., 
Naval  Victory  overthe  Danes; β€” TheKing'sMotto;  β€”  Astrological 
Studies; β€” Abdication,  1568; β€” John  III.,  The  two  brothers  Johnand 


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Charles ;  β€”  Coronation  ;  β€”  Sigismund  of  Poland,  King  of  Sweden 
(2  var.);  β€”  Charles  IX.,  Commemoration  of  the  Confession  of 
Augsburg;  β€”  The  Constitution  (2  var.); β€” Portrait-medal,  dated 
1606  ;  β€”  GusTAV  Adolphus  II.,  Peace  with  Denmark;  β€” Marriage 
with  Maria  Eleonora of  Brandenburg;  β€”Battle  of  Liitzen;  Accession 
of  Queen  Christina,  Portrait-medal;  β€”  Christina,  Accession;  β€” 
Matri  Castrorum ;  β€”  Naval  Victory  over  the  Danes,  1644 ;  β€”  Peace 
of  Westphalia  (2  var.);  β€”  Coronation  20.  October  1650  (one 
variety  illustrated');  β€”  The  Queen  at  Upsala,  1654  (sev.  var.)  ;  β€” 
Jonas  Hambraeus;β€” Portrait-medal,  NEC. FALSO, NEC. ALIENO; 
Another,  NE.MI.BISOGNA.NE.MI.BASTA  ;  β€”  Another,  SVF- 
FlCrr ;  β€”  Charles  X.  Gustavus,  Marriage  with  Hedvie  Eleonora 
of  Holstein-Gottorp  at  Stockholm,  24.  October  1654;  β€” The  King's 
Journey  to  Zeeland  with  the  Crown  Prince,  1658(5  var.);  β€” Peace 
with  Denmark,  26.  February  1658  (3  var.);  β€”  Death  at  Goteborg, 


13.  February  1660;  β€” Portrait-medal;  β€” Charles  Gustavus,  Hedvig 
Eleonora  and  Charles  XI.  (2  var.)  ;  β€”  Hedvig  Eleonora,  as  Queen 
Regent;  β€”  Peace  of  Ohva;  β–  β€” Peace  of  Kardis; β€”  74'''  Birthday;  β€” 
Portrait-medal;  β€”  The  Queen  and  her  son  Charles  XI;  β€” 
Charles  XI.,  The  King  receives  the  Order  of  the  Garter,  1669;  β€” 
Beginning  of  reign,  18.  December  1672  (3  var.),  ^.  LVSTRATIS 
FINIBVS  (sev.  var.);  β€”  Coronation  at  Upsala,  28.  September  1675 
(8  var.);  β€”  Victory  over  the  Danes  at  Lund,  4.  December  1676 
(7  var.) ;  β€”  Victories  over  the  Danes  at  Halmstad,  Lund  and  Land.s- 
krona  (2  var.) ;  β€”  Peace  with  Denmark  and  Betrothal  of  the  King 
with  Princess  Ulrica  Eleonora,  1679  (3  var.)  ;  β€”  Sweden's  Prospe- 
rity under  King  Charles  XI.  (6  var.);  β€” Marriage  of  the  King  with 
Princess  Ulrica  Eleonora,  6  May,  1680;  β€”  Birth  ofPrince  Charles, 
17.  June  1682;  β€” Opening  of  the  Riksdag,  7.  October  1682(2  var.); 


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β€”  Birth  of  Prince  Gustavns,  1683  ;  β€”  The  King's  Visit  to  the  Sil- 
ver mines  at  Sahlberg,  1687  (3  var.);  β€”  Sweden's  Prosperity  and 
Independence,  16S7  (6  var.);  ^~  The  Royal  Castle  at  Stockholm, 
1692;  β€” Jubilee  Festivities  at  Upsala,  1693  (3  var.);  β€”  The 
King's  Visit  ro  Vesterbotten  to  see  the  midnight  sun,   1 694  (2  var.) ; 

β€”  Death  of  the  King  at  Stockholm,  5.  April  1697,  and  funeral, 
24.  November  (5  var.)  ;  ^  Portrait-medal  of  Charles  XL ;  β€” Por- 
trait-medal of  the  King  and  Queen  (5  var.);  β€” Ulrica  Eleomora, 
her  Arrival  in  Sweden,  1680  (3  var.)  ;  β€”  Coronation  at  Stockholm 
35.  November  1680;  β€”  The  Queen's  good  qualities  and  virtue 
(6  var.) ;  β€”  Death  at  Carlberg  Castle,  26,  July  1693,  and  Burial, 
28.  November  (7  var.);  β€”  Charles  XII.,  His  Childhood,  16S8 
(2  var.)  ;  β„’  Peace  of  Ryswik,  1697  (2  var.);  β€”  Coronation, 
14.  December  1697  (8  var.);  β€”  Gaming  counter;  β€”  Peace  with 
Denmark,  18.  August  1700  ;  β€”  Victory  over  the  Russians  at  Narva, 
1700  (4  var.);  β€”  The  King's  campaign  against  Frederick  IV.  of 
Denmark,  Augustus  I.  of  Poland  and  tne  Czar  Peter  I,  of  Russia ; 
The  King's  army  near  Riga,  9.  July  1701 ;  β€”  Victory  over  the 
Saxons  and  Poles  at  Klissow,  1703 ;  β€”  Victory  overthe  Saxons  and 
Lithuanians  at  Pultousk,  1703;  β€”  Thorn  opens  its  gates  to  the 
Swedish  army; β€”  The  Swedish  army  under  the  command  of  Count 
Adam  Lud  wig  Lewenhaupt,  1705 ;  β€”  The  Swedish  army  under  the 
command  of  Count  Carl  Gustaf  Ilehnskold  defeats  the  Saxons  and 
Poles  at  Fraustadt,  3.  February  1706;  β€”  Peace  of  Alt-Ranstadt, 
14.  September  1706;  β–  β€” The  King  restores  the  Reformed  Church 
in  Silesia,  1707-8;  β€”  The  blooming  Aloe;  β€”  Sweden's  glorious 
successes,  &c. 

To  Karlsteen  belong  also  the  following  medals  :  Prince  Elector 
Anselm  Franz  Baron  von  Ingelheim,  Archbishop  of  Mayence;  β€” 
Delimitation  of  the  frontier  between  Brandenburg  and  Brunswick, 
with  bust  of  George  William,  Duke  of  Brunswick  and  Luneburg, 
1699  ;  β€”  El.  Brenner,  Swedish  numismatist  and  miniature-painter; 

β€”  Marriage  of  Prince  Elector  Ernest  Augustus  of  Brunswick  with 
Sophia,  Princess  Palatine,  1658;  β€”  Prize  Medal  of  Brunswick, 
with  bust  of  Duke  Ernest  Augustus,  1691.  ^.  EN. LABOR. EN 
PRiEMIVM;  β€” Medal  on  the  Death  of  Duke  Ernest  Augustus, 
1698;  β€”  Marriage  of  Sophie  Charlotte,  daughter  of  Duke  Ernest 
Augustus,  with  Frederick  L  of  Prussia,  1691  (3  var,);  β€”  Medal  on 
the  Death  of  Prince  Charles  Philip  of  Brunswick-Liineburg  in  the 
War  against  the  Turks,  1690;  β€”  Urban  Hiaerne,  1682;  β€” 
D'  Christian  Constantin  Rumpf,  Stockholm,  1681  ;  β€”  D' Matthias 
Riben,  of  Stockholm,  1712 ;  -β€”  D'  Urban  Hjierne,  1702  ;  β€”  Heve- 
lius,  the  astronomer ;  β€” John  Calvin ;  β€”  Martin  Luther  (sev.  var.) ; 

β€”  Peace  of  Travendal  between  Sweden  and  Denmark,  1700, 
&c. 


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In  1687,  the  artist  was  paid  759  livres  by  the  Paris  Medal  "Mint 
for  dies  supplied  from  Stockholm  (3  obvs.  and  3  ^s.  of  medals). 

Amnion  states  that  Karlsteen  was  first  apprenticed  at  the  Stockolm 
mint,  and  that  some  of  his  first  productions  were  coin-dies  for  the 
mint  of  Alvesta.  According  to  the  same  authority,  he  learned 
engraving  in  steel  from  a  Knight  at  the  Danish  Court,  H.  Von 
Falkenstein, 

Bibliography.  β€” β–   Bolzenthal,  op.  cil.  β€”  Lohner,  Samnshmg  merhimirdigei' 
MedailUn,  β€” Menadier,  Sclauiniiii^fra  des  Hauses  Hohat^olUrn,  1901.  β€”  Franks  & 
Gnieber,  Midullic  Illustrations,  &c.  β€”  Various  Sale  Catalogues.  β€”J.  J.  Guiffrey, 
La  MonnaU  des  MMailUs,  Revue  numismatique,  1887.  β€”  Ammoa,  Sammlung 
berUhmter  Medailleurs,  1778.  β€” Kfihler,  MUHjielusligtmgen.  β€” Nttniophyl.  Burckh. 
β–  β€”  Flad,  Beruhmte  MedaUleurs. 

KARPOS.  Fictitious  signature  on  a  Poniatowski  gem,  representing 
Jason  and  Medea  at  the  altar  of  Diana  or  Hecate,  exchanging  vows 
of  mutual  fidelity. 

KARRESS,  M.  (Austr.).  Die-sinker  01  Agram,  who  in  1869 
executed  a  medal  on  the  Visit  to  Croatia  of  the  Emperor  Francis 
Joseph  and  his  consort. 

KABSTEN  (Gef)Β«.)-  Mint-direcror  at  Breslau,  1817. 
KASCHAUER,  ANDREAS  (Germ.).    Mint-warden     at    Nuremberg, 
1509. 

KASCHNITZ,  FRANZ  DE  PAULA  VON  (Genu.).  Mint-master  at 
Giinzburg,  1762. 

KASCHNITZ,  JOSEPH  VON  (Gervi.).  Mint-master  at  Nuremberg, 
1745- 

KASELER,  G.  {Germ.).  This  Die-sinker's  signature  occurs  on  the 
Brunswick  War  Medal  for  Waterloo  and  Q.uatrc-Bras,  1815.  Vide 
HASELER. 

KASI  NATH  (Imlian).  A  native  Coin-engraver,  employed  at  the 
Calcutta  Mint,  during  the  reign  of  Wilham  IV.  He  an  the  dies  for 
Double  Mohurs,  Mohurs,  and  Rupees  of  1835,  which  bear  the 
letters  R.  S.  on  truncation  of  the  King's  head.  These  initials  stand 
for  Robert  Saunders,  Mint-master. 

KASTENBRUN,  HANS  (Germ.).  Seal-  and  Coin-engraver  at 
Nuremberg.  He  worked  in  1615  and  1616  for  the  Counts  of  Hohen- 
lohe,  in  conjunction  with  the  Mint-master  Heinrich  Miiller. 

KASTENPEIN,  FRANZ  (Genu.).  Coin-engraver  at  the  Nuremberg 
Mint,  1586-1604. 


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KASTENPEIN,  HAKS.  Coin-engraver  ac  the  Nuremberg  Mint, 
1604-1629. 

KATREI  (Jusir.).  Wife  of  two  Mint-masters  (successively)  of 
Vienna,  of  tlie  name  ot  Hans.  In  1393,  she  was  already  marriea  to 
her  second  husband,  Hans  der  Schrolmaistsr  von  Neuenburg.  Her 
name  appears  on  various  Vienna  Mint  documents. 

KAUERHASE,  MATHIAS  (Germ.).  Coin-engraver  at  the  Breslau 
Mint,  circa  1572-1627.  He  cut  dies  for  the  coinage  of  Ducats  of  the 
Silesian  mining  town  of  Reiclistein,  struck  in  the  name  of  Wilhelm 
von  Rosenberg,  15S2.  By  this  Engraver  are  also  the  following 
medals  1  The  Engelhart  family  (2  var.),  1623  ;  β€”  Charles  II.  von 
Oels,  i6is;  β€”  Raitpfennig  of  G.  Rosier,  1607/9;  ~"  ^^^i'  ^''^^ 
Sonn,  Mint-master  at  Oels,  Raitpfennig,  1612/14;  β€”  Religious 
Medals,  EGO  SVM  VIA  VERITAS.  Bust  of  Christ;  SALVATOR 
MVNDI,  dated  1624;  β€”  Jetons  of  1584,  1585  ;  β€”  Death  Thaler 
of  Charles  II.  of  Munsterbcrg,  1617,  &;c. 

His  signature  occurs  as  MK;  and  MAT.KAVERHASN. 

BiBLioGRAiHV.  β€”  Friedensburg,  Sludie.it  ^ur  schlesiicheit  Medailkiikwide,  Schle- 
sif^ns  Vorzeit,  etc.  VII/6i. 

KAUFMANN,  JOHANH  JACOB  (Swiss).  Contemporary  MedalHst, 
born  and  residing  at  Lucerne,  pupil  of  H,  Bovy.  He  stands  in  the 
front  rank  of  Swiss  medaUists,  and  at  the  Paris  Universal  Exhi- 
bition, 1900, hisexhibits, viz,  3  medals  :  Jos.  Casp.  Schwendimann, 
1741-17S6 ;  β€”  Angehca  Kaufmann,  1741-1807  ;  β€”  and  D'  Arnold 
Ott,  attracted  attention,  and  have  been  reproduced  in  M.  Roger 
Marx's  work :  Les  MMailleurs  contemporains  en  France  et  h  I'Etranger. 

By  him  are  also  :  1893.  Portrait-medallion  in  bronze  (exhibited 
at  the  Paris  Saion) ;  β€”  Lucerne  Cantonal  Rifle  Meeting,  1.894  >  β€” 
Inauguration  of  WiUiam  Tell's  Monument  at  Altdorf,  1895;  β€” 
Jean  Balmer   (executed  in   imitation    of  an   atitique   medallion); 

β€”  Saffron  Corporation  at  Lucerne,  1896;  β€”  Portrait- medal  of 
Bocklin,  the  fomous  Painter  of  Basle  ;  β€”  21='^  General  Meeting  of 
the  Swiss  Numismatic  Society  at  Martiguy  (Valais),  1900;  β€” 
Cantonal  Rifle  Meeting  of  Unterwald-Nidwald  at  HergLswil,  1900; 

β€”  Portrait-medallion  ot  Riggenbach  of  Vitznau,  Swiss  engineer; 

β€”  Inauguration  of  the  Pestalozzi  Monument  at  Zurich,  1899;  β€” 
Fritschi  Ball,  1900  ;  β€”  Pilgrim's  Badge  of  Our  Lidy  of  Einsiedeln; 

β€”  Cantonal  Rifle  Meeting  of  Unterwatd-Nidv/ald  at  HergiswU, 
1901 ;  β€”  Portrait-Jeton  of  Leodegar  Corraggioni  d'OreUi,  published 
by  the  Swiss  Numismatic  Society,  to  commemorate  the  General 
Meeting  at  Fribourg,  in  1904,  etc. 

15iBLioGRAi>HY.  β€”  Revue suisit  de  mtmisinaiiqiie,  1892-1900.  β€”  ].  H,  Dompitrrc 
de  Cliaufepiii,  op.  clt. 


atdb,  Google 


KAUFMANN,  EVGO  (Germ.).  Contemporary  Sculptor  and  Medallist, 
residing  at  Munich,  One  of  his  finest  medallic  productions  is  tlie 
official  medal  issued  by  tlie  city  of  Frankfort-on-M.  to  commemo- 


Goeihe  Medal,  by  Hugo  Kaufmano. 

rate  the  1 50"*'  Anniversary  of  Goetiie  (illustrated)  ;  β€”  another  cele- 
brates the  Centenary  of  the  "  Elisabeth  en -und  Musterschule  " ;  β€” 


>sted  by  Google 


and  a  Plaquelte,  struck  in  1903,  on  the  2'^'^'  Anniversary  oiD'Hoch's 
Conservatorinm  bears  the  heads  of  Joachim  Raif  and  Prof.  Bernhard 
Scholz,  His  Portrait-medal  of  Arnold  Bocklin,  1897,  eJ^liibits  fine 
work ;  and  also ;  The  Prince  Louis  Medal  of  the  Munich  Geograph- 
ical Society,  1903  ;  β€”  Public  [nstruction  Medal  (illustrated) ;  β€” 
Medal  for  Numismatists,  etc. 


Public  Instruct! 


Both  at  the  Vienna  and  Frankfort-on-M.  Exhibitions  of  Modern 
medals,  which  were  held  within  recent  years,  the  eminent  Munich 
Sculptor,  the  creator  of  the  Frankfort  "  Einheitsdeiikmal ",  showed 
frames  of  m-edals  and  plaqnettes. 

BlflLiOGBAPHY.  β€”  Moderne  Medaille,  p.  5. 


atdb,  Google 


KAUFFMANN,  HAMS  (Ger 


β€”    126  β€” 
,.).  Minl-w,- 


den  at  Nuremberg,  1400. 


KADPERT,  G.  (Germ.).  Designer  of  some  medals  issued  at 
Fraiikfort-oii-M.  on  the  Tliird  Centenary  of  the  Uutch  Protestant 
Settlement  at  Frankfon-oii-M.,  1885,  and  others. 

KAUTSCH,  HEINRICH  (Austr.).  Contemporary  Sculptor  and 
Medallist,  born  at  Prague  in  1859,  now  residing  at  Paris.  His  father 
was  a  Goldsmith,  under  whose  tuition  he  gained  the  first  notions  of 
art.  He  continued  his  studies  lk  the  citr  school.s  of  Prague,  under 


Fran/  voH  Lcubiich,  191)4  (pbv,). 

Professors  Popp,  Mentzel  and  Schulz,  and  already  won  prizes  in 
1876  and  1878;  afterwards  he  became  a  pupi!  of  the  Industrial  Arts' 
School  at  Vienna  under  Professors  Schwart?  and  Konig.  On  his 
leaving  Vienna,  the  young  artist  visited  the  chief  art  centres  of 
Italy,  France  and  Germany,  and  made  a  stay  of  some  duration  in 
each  of  these  countries.  Returning  to  Prague  in  18S2  he  accepted 
a  professorship  at  the  Imperial  School  of  Decorative  Arts  there; 
in  rS88,  he  was  called  to  Budweis  (Bohemia)  to  reorganise  the 
Museum  of  Decorative  Arts,  and  while  there  he  wrote  his  work. 


>stsd  by  Google 


β€”    127   β€” 

"  GoldschmieJe-Arbeiten  des  XV.  bis  XIX.  Jahrhundi^rts  "  and 
founded  a  school  for  drawing  and  sculpture.  In  1889,  he  settled  at 
Paris.  At  the  Salon  of  1897  he  was  rewarded  for  abustoi  the  Emperor 
Francis  Joseph  I.  which  he  exhibited.  In  1893,  he  was  a  member  of 
the  Jury  of^  Fine  Arts  at  the  Chicago  World's  Fair,  and  ofEciat 
Reporter  for  Austria  on  the  Fine  Arts  and  Decorative  Arts.  At  the 
Universal  Exhibition  of  Paris,  1900,  he  was  Vice-President  of  the 
Jury  (Classe  97),  and  a  member  of  the  Bosnia-Herzegovina  Com- 
mission. In  1895,  he  executed  another  marble  bust  of  the  Emperor 


Francis  Joseph,  which  now  adorns  the  Austrian  Embrassy.  He  has 
been  on  several  Universal  Exhibition  juries,  and  he  it  was  who  so 
successfully  organised  the  French  section  at  the  Diisseldorf  Exhi- 
bition of  Fine  Arts,  in  1904. 

The  artist  is  a  Knight  of  the  Legion  of  Honour,  also  of  the  Order 
of  Francis  Joseph,  and  holds  numerous  other  foreign   decorations. 

Many  of  his  medals  are  exhibited  at  the  Luxembourg  Museum  in 
Paris. 

By  Heinrich  Kautsch  are  the  following  medalli'c  works  :  1896, 
L6on  Hennique,plaquette,  50  mill.;  β€”  1897,  D''  Raoul  Lacronicjue, 


./Google 


plaquette,  90  mill.;  ^  Valentine  Lacroniqiie,  piaquette,  90  mill., 
and  45  X  65  mill.;  β€”  1898,  Joan  of  Arc,  jubilee  at  Orleans, 
piaquette,  90  mill. ;  β€”  Paul  Leroy,  President  of  the  Law  Courts 
at  Orleans,  piaquette,  90  mill. ;  β€”  Charles  Franquet,  piaquette, 
90  mill.;   β€”   1899,  Hmperor   Francis  Joseph  I.,   medal  and  pla- 


Louis  Climent  Dupressoir,  by  H.  Kautscli. 


quette,  90  mill.;  β€”   Laura,  Prize-Regatta  in   Brittany,  60  mill, 

β€”  Louis  Dupressoir,  Advocate,  Portrait-medal,  90  mi!l.(j7/M^/w(^ii). 

β€”  Admiral  Count  de  Jonquieres,  Portrait- medal,  70  mill,,  and 
plaauette,  90  mill.;  β€”  Am^lie  Radis  von  Radiis,  painter,  Portrait- 
meaal,  90  mill. ;  β€”  Marie  Hellmann,  prima  donna,  Piaquette,  70 


Ch.iiles  Fieund  Deschamps,  by  H.  Kautsch. 

mill.  ;  β€”  H.  M.  Francis  Joseph  L,  Emperor  of  Austria,  Portrait- 
medal,  70  mil!.,  and  piaquette,  50  X  70  milt. ;  β€”  Charles  Freund- 
Deschamps,  Portrait-medal,  90  mill,  (illustrated) ;  β– β€”  1900,  Bosnia- 
Herzegovina  at  the  Paris  Universal  Exhibition,  piaquette,  90  mill.  ; 
β€”  Moser  von  Charlottenfels,  of  Schafthausen,  25""  Anniversary  of 
the  foundation  of  the  Rhine  works;   β€”  Souvenir  Plaques  of  the 


./Google 


β€”  129  -- 
Foreign  commissions  at  the  Paris  Universal  Esiiibition,  1900 
(Austria,  Low-Countries,  Spain,  etc.),  78  X  88  mill. ;  β€”  Richard 
Wagner,  pkquette,  50X90  mill.;  β€”  La  Philat^ie,  Prize-medal 
for  the  International  PhilateHc  Exhibition,  two  sizes,  70  and  37 
mill. ;  β€”  Madonna  and  Child,  two  sizes,  60  mill,  and  20  mill. ;  β€” 
H.  E.  D'  B.  Esterle  and  Consort,  President  of  the  Tyrolian  Law 
Courts,  plaquette,  47  X  62  mill. ;  β€”  H.  E.  Count  A.  Wolkenstein- 
Trostburg,  Portrait-plaquette,  68  X  90  mill.;  β€” Prince  Roland 
Bonaparte,  piat^uette  75  X  90  milt.;  β€”  Marie  de  Benardaky, 
Portrait-medal,  90  mill.  ;  β€”  The  Austrian  Building  at  the  Paris 


Alpine  Climber. 

Universal  Exhibition,  1900,  80  mill. ;  β€”  Th.  Favarger  and  consort, 
silver  wedding,  plaquette,  90  mill.;  β€”  1901,  Silver  wedding  of 
M.  &  M'"^  Freund  Deschamps,  90  mill.;  β€”  Alex.  Friedrich, 
Landgrave  of  Hesse,  seated  at  the  piano,  composing,  plaquette, 
90  mill. ;  β€”  Gh6ry  Kastrioti  a  Skanderbegn,  Albanian  Chief, 
1404-1467,  Portrait-medai,  130  mill.;  β€”  Dutch  Souvenir  Pla- 
quette of  the  Paris  Universal  Exhibition,  1900,  55  X  88  mill.,  etc. 
Besides  the  above,  I  have  also  seen  by  Kauisch  the  following 
medals  and  plaquettes  ;  P.  Viardot;  β€”  Laura;  β€”  Valentine;  β€” 
Heine,  medal  and  plaquette ;  β€”  Alpine  Chmber  (illusirated) ;  β€” 
Golden  wedding  of  M.   &  M""^  Kulp,   19.   September,    1902  ;  β€” 


~  Bk^taphii^l  Wol.β„’  0/  Mtda 


./Google 


β€”    IJO   β€” 

Golden  wcJding  of  M.  &  Mβ„’=  Pawle;  β€”  Baron  Oppel,  on  his 
Jubilee,  pkquette ;  β€”  D'  Chyzer;  β€”  Medal  for  Merit,  two  sizes; 
β€”  Mucha,  painter,  portrait-medal;  β€”  The  Motor  Car;  β€”  Franz 
von  Lenbach,  painter,  -f  1904;  β€” Margo  von  Lenbach,  1904;  β€” 
Female  Study,  Plaquette,  &c. 

Although  Kautscn  has  in  style  many  points  in  common  with 
the  French  medallists,  Austrian  influence  is  strongly  marked  in 
most  of  his  works.  "To  a  profound  knowledge  of  his  art  he  adds 
a  very  special  intelligence  as  to  decoration  and  an  entirely  fresh 
sense  of  allegory". 

BiDLioGRAPHY.  β€”  Informalimi  Mndly  furnished  by  the  ArtuI,  β€”  Roger  Marx, 
MMailUttrs  contemporalm  m  France  H  A  I'Elranger.  β€”  Mmkriie  MedaiUe.  β€”  A. 
von  Loehr,  Wiener  Meilailkure,  1902.  β€”  Tlie  Studio,  XXXII,  p,  254. 

KAWACYH3KI,  PROF.  MAX  VON  (Germ.).  Sculptor  and  Court 
Medallist  to  the  Duke  of  Saxe-Weimar,  residing  :it  Berlin,  and 
author  of  a  number  of  fine  medals:  5'''  Centenary  of  the  Bonin 
family,  1901 ;  β€”  Portrait-medal  of  D'  Beringuier  ;  β€” 6'*  Centenary 
of  the  Zitzewitz  family;  β€”  Jubilee  of  Leo  XIII.,  1900  (signed 
KAWACZIKSKI),   &c. 

KAWKA  VON  TOLLENSTEIN,  DANIEL  (Bohem.).  Mint-master  at 
Kutteiiberg,  1636-1637-1643.  Privy  mark  :  hand  holding  bundle 
of  arrows. 

K.  B.  Vide  KARL  BECKER.  Die-sinker  in  Hungary,  1780.  Ako  ^p 

KECK  (Germ.).  Die-sinker  at  Berlin.  He  cm  several  medals  to 
commemorate  the  Music  Exhibition  held  at  Berlin  in  1898. 

KECKH,  PETER  VON  SCHWARZPACH  (Justr.).  Mint-warden  at 
Prague,  1586-1591,  and  again  in  1604. 

Bibliography.  β€” β–   C.  Oesterreicher,  Regestm  ^n  J.  NewaM's  PiihUcationen  hhr 
uesten-eichisclie  Miinj^pragtingen,  Mitt,  des  Klubs,  1890,  p.  60. 

KEDER,  N.  (Szwde).  Designer  of  various  medals,  engraved  by 
C.  G.  Hartman,  struck  in  1701  :  Gustavus  I.  Ri..  NVNC.FOR- 
TVNATA.RESVRGES;  β€”  John  III.  &.  PROVIDENTE.DEO. 
IMPROVISA.OBTIGIT;  --  Sigismund  I.,  1^.  ALTERO. TEC- 
TVS,  PRIMARIO.NVDATVR;  β€”  Charles  IX.,  I^.  FERRO. 
LEGES. TVTAE;  β€”  Gustavus  IL  Adolphus,  IJi..  PAR.ANIMO. 
VIRTVS;  β€”  Medical  Medal,  obv.  IN  ORICHALCO  CVRA.  ^. 
D'  M.  Riben,  Stockholm. 

These  medals  were  probably  issued  on  the  initiative  and  from 
the  designs  of  N.  Keder,  who  held  the  position  of  Judge  to  the 
Swedish  Court. 

BiBLlOGRAPHV.  β€”  HilJebr.ind,  Sveriges  och  Svmshi  Konuiigahmels  Miiiiiespennin- 
fur,  Slockholtn,  r874. 


,stsd  by  Google 


β€”  ni  β€” 

KEES,  ANDREAS  (Genn.).  Mint-warden  at  Langenargeii,  1678. 

KEGEL  or  KERGEL,  JOHANN  {Germ.).  Mint-master  at  Ntiremberg, 
t  1464- 

KEGEL  (Germ.).  Mint-official  at  Bernstadt,  1684, 

KEIBEL,  JOSEPH  IGNAZ  (Auslr.).  Mint- master  at  Vienna,  1721, 
1725,  for  the  Counts  of  Schwarzenberg.  Under  ium  were  issued 
Ducats,  Thalers  &c.,  engraved  by  Philipp  Christoph  Becker,  ol 
Adam  Franz,  Furst  von  Schwarzenberg, 

BiBLiOGRAiHY.  β€”  Fiala,  Besdireihing  der  Sammhnig  Bobmischer  Muii\m  uml 
Medailten  des  Max  Donelamr,  Prag,  1888. 

K...  Β£β–   (Greek).  In  his  list  of  Engravers'  signatures,  Mr.  G.  F.  Hill 
gives  the  inscription  K-  Β£β– >  which  he  has  observed  on  a  Rhcgian 
Tetradrachm  of  D'  Arthur  Evans'  collection,  a  coin  which  was 
exhibited  at  the  Burlington  Fim  Arts  Club  (1903)  and  is  describ- 
ed in  the  Catalogue  of  the  Exhibition  of  Ancient  Greek  Art,  p.  132, 
n*  102. 

RHEGIUM 

(Circa  B.C. 466-415) 

A.  Tetradrachm,  Obv.  Lion's  scalp  facing  :  border  of  dots. 

^.  RECIINOS-  Male  figure  (of  the  Demos),  bearded,  naked 
down  to  the  waist,  .seated  to  1. ;  his  r.  hand  rests  on  staff  and  his  1. 
on  hip  :  within  olive-wreath,  signature,  K..,  Β£. 

KEIJSER,  HENDRIK  VAN  (Dutch).  Sculptor  and  Medallist  of 
Utrecht;  died  in  1621.  "As  a  work  of  his",  observes  Bolzenthal, 
"may  pass  a  medal  which  has  the  name  of  the  artist :  H.  D,  KEYSER  F. ; 
it  has  on  the  obv.  the  hkeness  of  the  antiquary  Abraham  van 
Goorle,  and  on  ^L.  allegorical  figures  with  the  inscription  : 
HONOS  ET  VIRTVS;  it  is  dated  1599,  and  belongs  to  the  most 
flourishing  time  of  this  artist,  who  died  at  Amsterdam  in  1621 
aged  56.  " 

H.  de  Keyser,  who  was  also  an  Architect,  is  the  author  of  the 
Dolft  mausoleum,  erected  to  the  memory  of  William  the  Silent, 
Prince  of  Orange. 

Bibliography.  β€”  Bolzenilial,  op.  dl.  β€”  A.  Pinchart,  B'u^raph'm  des  Griweurs 
Mges,  Revue  de  Numismatique  beige,  1857. 

KEIKES  (Dutch).  Goldsmith  and  Seal-engraver  of  Leeuwarden, 
nineteenth  century. 

KEISERSWERTH,  PETER  (Auili.).  Coin-engraver  at  the  Vienna 
Mint,  1765-1793 ;  pupil  of  M.  Donner. 


,stsd  by  Google 


-    132    β€” 

By  him  ^ro  rhe  following  med:ils,  wliicli  are  niostl]-  siuned  either 
in  full  or  P.  K.  and  also  K  :  EliKabeclun  Convene  at  Linz,  174S 
(^);  β€”  BnildUigoftlieTheresianum,  1746  (Ri..) ;  -β–   Establish- 
ment of  Frontier  Forces  in  Transsylvania,  1765,  ^L.  SECVRI- 
TAS  DACIAE  (obv.  only);  β€”  Coronation  of  the  Archduke 
Joseph,  3.  April  1764,  at  Frankfort-on-M. ;  β€”  Preservation  of  the 
Francis-Galleries  a:  Schemniiz,  1765  ;  β€”  Recovery  of  the  Empress 
from  smallpox,  1767 ;  β€”  Death  of  the  Archduchess  Maria  Josepha, 
1767;  β€”  Recovery  of  the  Archduke  Ferdinand  Maximilian  and 
Archduchess  Theresia  from  smallpox,  1768  (unsigned); β€”  Visit 
of  the  Emperor  Joseph  II.  and  the  Grand  Duke  Leopold  of  Tuscany 
to  Rome,  1769;  β€”  Foundation  of  rhe  "Lazzeretto  Sporco"  at  the 
new  harbour  of  Trieste,  1769  (unsigned);  β€”  Marriage  of  the  Arch- 
duke Ferdinand  with  Maria  Beatrix  of  Modena  at  Milan,  1771,  &c. 

Bibliography.  β€” Domanig,  op.  cil.  β€”  Katnlog  der  K.K.  Mim^m-uml  MedaiUm- 
SUmpd  Sammluvg ,  &c. 

KELDERE,  JEAN  VAN  DER  (Belg.).  Goldsmith  and  Seal-engraver  at 
Brussels,  1480. 

KELLEM,  DAVID  VAN  DER  {Ihiicb).  Medallist,  born  at  Vel;ien, 
22.  September  1764;  died  at  Utrecht,  16.  December  1825. 
Apprenticed  first  to  a  goldsmith  he  learned  the  art  of  die-sinking  at 
Amsterdam,  where  he  made  the  acquaintance  of  J.  G.  Fioltzhey. 
He  executed  a  number  of  medals  of  William  I.,  King  of  Holland, 
and  events  of  his  reign,  and  is  also  the  author  of  Portrait-pieces  of 
General  Chass^;  β€”  J.  C.  J.  van  Speyk;  β€”  Gysbert  Karel,  Count 
of  Hogendorp,  1813  ;  β€”  Medal  on  the  Jubilee  of  the  Renswoude 
Institute,  1 806  ;^Prize  Medal ofthe  Dutch  Oeconomical Society, etc. 

The  Engraver  worked  at  the  Utrecht  Mint,  first  under  the  direc- 
tion of  Holtzhey,  1806  and  1813-1825.  He  engraved  in  1806  a 
Pattern  Ducat  of  Louis  Napoleon,  and  cut  coin-dies  of  King 
William  I.,  for  the  chief-engraver  Michaut ;  also  a  medal  on  the 
Visit  of  William  I.  to  the  Utrecht  Mint,  1814.  In  1S19  he  was 
appointed  Chief-engraver. 

Bibliography.  β€”  Immerzeel,  op,  cit. 

KELLEN,  DAVIDVAN  DER  (Dutch).  Son  of  the  preceding;  born  at 
Amsterdam  on  tlie  23'^''  of  September  1804,  died  on  the  30"'  of 
March  1879;  Medallist  and  Mint-engraver  at  Utrecht.  His  first 
teacher  was  his  father,  David  van  der  Kellen  S'',  who  filled  at  the 
Mint  of  Utrecht,  under  Louis  Napoleon,  for  a  short  time,  and  again 
from  iSi?  to  1825,  the  post  ot  Coin-engraver.  He  then  studied  at  the 
Technical  Schools  of  Utrecht  and  under  H.  van  Oort  and  B.  van 
Siraten.  On  his  father's  death,  in  1825,  he  was  called  to  succeed 
him  at  the  Utrecht  Mint,  and  remained  in  office  until  1874,  when 


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β€”  133  β€” 
he  resigned  for  reasons  of  health ;   he  had  been  since   1854  Chief- 
engraver  of  the  Dutch  coins.  Numerous  distinctions  and  decora- 
tions have  been  conferred  upon  him  during  bis  long  artistic  career. 

David  van  der  Kellen  Junior's  activity  was  prodisious.  The  coin- 
dies  he  cut  are  very  numerous,  and  he  executed  besides  a  large 
number  of  medals. 

Most  of  the  silver  currency  of  William  II.  was  engraved  by  him, 
some  of  the  2  |  gulden  pieces  are  signed  :  VAN  DER  KELLEN  F., 
others,  VDK,  but  the  Rijksdaalder  struck  in  1839  with  the  bust  of 
William  I.  was  the  work  of  I.  P.  Schouberg,  who  was  also  entrusted 
with  the  preparing  of  the  dies  of  the  gold  coinage  of  William  11. 
Under  William  III.,  I.  P.  Schouberg  cut  the  silver  coins,  and  David 
van  der  Kelten,  the  gold.  The  latter  executed  also  the  Dutch  East 
Indian  coins,  in  silver  and  copper,  struck  in  compliance  with  the 
order  of  1852 ;  those  of  1834  having  been  CJt  by  P.  W.  van  der 
Goor. 


~  Gulden,  by  David  van  der  Kellen. 


The  following  list  of  David  van  der  Kellen's  works  is  given  by 
L.  W.  A.  Besier,  in  the  Tijdschrift  van  bet  Nederlandsch  Genootschap 
voor  Muni-en Penningkundc,  1895,  p.  9.  1824.  New  Year's  Medal; 

β€”  Bronze  Wedding  of  K.  H.  A.  van  Heeckeren  van  Brandsenburg 
and  A.  M.  Straalmau  in  1822;  β€”  Prize  Medal  of  the  North  and 
South  Holland  Life-Saving  Society  ;  β€” β–   Silver  Wedding  of  F.  j,  van 
Heeckeren  van  Brandsenburg  and  C.  A.  Voorduin  (the  same  die 
was  used  in  1865  for  the  Silver  Wedding  Medal  of  J.  S,  Wor  and 
Z.  A.  Cats);  β€”  1825.   250"'  Anniversary   of  Leyden  University; 

β€”  1826.  Inauguration  of  the  new  Lutheran  church  at  Amsterdam ; 

β€”  1827.  Introduction  of  New  Hymns  by  the  Lutheran  communi- 
ties in  the  Netherlands  ;  β€”  1830.  War  Medal  granted  for  services 
in  the  Javanese  Wars ;  β€”  Third  Centenary  of  the  Augsburg  Con- 
fession ;  β€”  Marriage  of  Princess  Marianne  of  the  Netherlands  with 
Prince  Albert  of  Prussia;  β€”  Bombardment  of  Antwerp  (cut  in 


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-  134  β€” 
iSja);-'  Medal  of  Utrecht  Stucicnts  (Senaatspentiiiig);  β€”  1831. 
General  Armaments,  1830-1831;  β€”  Bronze  Crass  with  the 
inscription  VRIJWILLIG  on  !^. ;  β€”  Homage  of  the  Leyden  Young 
Ladies  to  Leyden  Students;  β€”  Medal  of  the  Rectors  of  Utrecht 
University  for  snccesstul  Utrecht  Students;  β–  β€”  Medal  of  the  Gron- 
ingen  University  ;  β€”  Heroism  of  Van  Speyle  (3  var.) ;  β€”  Death  of 
W.  Bilderdijk ;  β€”  1832.  200"' Anniversary  of  the  Athenaeum  of 
Amsterdam;  β€”  Heroic  Defence  of  Antwerp  Citadel;  β€”  Reward 
to  tSie  Defenders  of  Antwerp  Citadel;  β€”  1834.  Death  of  G.  K., 
Count  of  Hogendorp;  ~  50'*  Anniversary  of  the  Society  "  Tot  Nut 
van't  Algemeen  " ;  β€”  2'"'  Centenary  of  the  Seminary  of  Remons- 
trants at  Amsterdam;  β€”  1835.  50"'  Anniversary  of  the  Society  for 
the  Defence  of  Evangehcal  Worship  at  The  Hague  (obv.  by 
L  G.  Holtzhey)  ;  β€”  Recovery  from  illness  of  the  Prince  of  Orange; 

β€”  Jubilee  of  the  Amsterdam  Baptist  Seminary;  β€”  Prize  Medal  of 
the  Dutch  Society  for  the  Promotion  of  Industry,  Haarlem  (obv. 
by  J.  G.  Holtzhey);- β€”  1836.  Second  Jubilee  of  Utrecht  University 
(2  var.);  β€”  Prof.  Kemper  ot  Utrecht;  β€”  i837.  Second  Jubilee  of 
the  Dutch  Bible  Society;  β€”  Death  of  the  Queen  of  the  Nether- 
lands; - β€”  1838.  Second  Centenary  of  Amsterdam  Theatre;  β€” 
L  C.  Hanelman,  a  centenarian;  β€”  Souvenir  of  the  Disaster  of 
Woerden;  β€”  25'''  Anniversary  of  King  William  I.'s  reign  ; β€”  1839. 
Marriage  of  the  Prince  of  Orange  with  Princess  Sophie  of  Wurtem- 
berg;  β€”  Prize  Medal  of  the  Art-school  of  Utrecht  (2  var. ;  one 
small,  issued  in  1849) ;  β€”  Prize  Medal  of  the  Society  of  Arts  and 
Crafts  of  North  Brabant;  β€”  Prize  Medal  of  the  Society  "Pro 
Bono  Publico"; β€”  1840.  Medal  of  the  265''' Anniversary  of  Ley- 
den University;  β€”  50'''  Anniversary  of  the  Institute  for  Deaf  and 
Dumb  at  Groningen ;  β€”  Birth  of  the  Prince  of  Orange;  β€”  Death 
of  I.  H.  van  der  Palm  ;  β€”  William  II.  taking  oath  of  fidelity  to  the 
Constitution  ; β€”  1841.  William  II.'s  Visit  to  Utrecht  and  the  Mint; 

β€”  Trial  of  the  Uhlhorn  coining-press  at  Utrecht;  β€”  Inauguration 
of  a  monument  to  Admiral  de  Ruyter  at  VUssingen;  β€”  Prize 
Medal  of  the  Dutch  Humane  Society;  β€”  William  II.  as  Patron  of 
the  Royal  Dutch  Yachtclub;  β€”  1842.  Marriage  of  Princess  Sophie  of 
the  Netherlands  β– with  the  grand  Duke  of  Saxe-Weimar -Eisenach ;  β€” 
Medal  on  the  Circumcision  by  the  Rabbi  L.  J.deBecr; β€”  1843.  Inau- 
guration of  Delft  Academy;  β€”  Golden  Wedding  of  J.  S.  Wurfbain 
and  A.  M.  G.  Hnrrelbrink;  β€”  Small  Prize  Medal  for  Rescuing  ironi 
Shipwreck ;  β€”  Prize  Medal  of  the  Hoeufft  Legacy;  β€”  Large  and 
small  Agricultural  Medals  of  Utrecht;  β€”  1844.  Jeronimo  de  Vries; 
β€” -  1845.  Decoration  for  faithful  services  in  seamanship;  β€”  Opening 
of  the  New  Exchange  Buildings  at  Amsterdam ;  β€”  270'''  Anniversary 
of  Leyden  University;  β€”  1846.  Large  and  small  Agricultural  Prize 
Medals  of  Guelders ;  β€”  1847.  Foundation  of  the  Royal  Sailing  and 


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β€”  135  ~ 

Rowing  Club;  β€”  Medal  commemorating  the  better  instruction 
given  in  the  City  Poor  Schools  at  Amsterdam;  β€”  1849.  Deaih  of 
King  William  II. ;  β€”  Accession  oE  William  III.  (various  medals) ; 
Prize  Medals  for  Life  Saving,  Arts  and  Crafts,  Navigation  and  Ship- 
building Academical  successes;  β€”  Royal  Horticultural  Society 
Prize  Medal;  β€”  1850,  P.  Huidekoper,  Burgomaster  of  Amsterdam; 

β€”  275'''  Anniversary  of  Leyden  University;  β€”  New  Academic 
Buildings  at  Grotiingen  ;  β€”  185 1 .  Prize  Medal  of  the  Royal  Dutch 
Society  of  Archers;  β€”  Prize  Medal  for  Archery;  β€”  50"' Anniver- 
sary of  the  Society  of  Natural  History  ;  β€” ^  C.  G.  C.  Rcinwardt, 
Professor  at  Leyden  University;  β€”  1852.  Jubilee  of  the  Dutch 
Society  of  Sciences  of  Haarlem;  β€” -  75"'  General  meeting  of  Dutch 
Societies  for  the  promotion  of  Industry;  β€”  1853,  J.  D.  C.C.  B" 
d'Ablaing  van  Giessenburg,  1830-1834  ;  Colonel  of  the  Garde 
mobile;  β€”  Visit  to  Utrecht  of  William  III.;  ^  Visit  of  the  King 
to  the  Royal  Mint;  β€”  Prize  Medal  of  the  Exhibition  of  building 
material  of  the  Amsterdam  Society  of  Publiclndustry ;  β€”  1854. 
Medal  in  honour  of  the  author  of  the  Medal  Catalogue  of  the 
J.  J.  Becker  Collection;  β€”  1855.  Prize  Medal  for  Services  during 
Inundations  (several  varieties);  β€”  Royal  Life  Saving  Medal;  β€” 
280''' Anniversary  of  Leyden  University;  β€”  P.  de  Raadt; β€”  1856. 
Jubilee  of  D'  F.  J.  van  Maanen  and  M,M.  van  der  Meersch  ;  β€” 
Jubilee  of  the  Renswoude  Foundation;  β€”  50"'  Anniversary  of 
V.  W. ;  β€”  Prince  Frederick,  Grand  Master  of  the  Masonic  Order 
in  Holland,  Jubilee  of  the  Lodge  "GrootOosten  ". β€”  185S.  Coming 
of  age  of  the  Prince  of  Orange ;  β€”  B.  F.  Suerman,  Professor  at 
Utrecht  University,  Jubilee;  β€”  i860.  Prize  Medal  of  the  Academy 
of  Arts  and  Sciences  of  Amsterdam ;  β€”  Prize  Medal  of  the  Royal 
Agricultural  Society  ;  -  1861.  Medal  of  honour  forservices  relating 
to  Public  Vaccination  ;  β€” β–   4"'  Centenary  of  the  Utrecht  Lunatic  Asy- 
lum ;  β€”  Large  and  small  Prize  Medals  of  the  National  Exhibition  at 
Haarlem  (sev.  varieties) ;  β€”  Prize  Medal  of  the  Agricultural  Exhib- 
ition at  Amsterdam;  β€”  Bread  Ticket  of  the  Protestant  Charitable 
Society ;  β€”  1862.  Visit  to  the  Royal  Mint  of  the  Japanese  Mission ; 

β€”  J.  A.  Baron  van  der  Heim  van  Duyvendyke ;  β€”  Pri^e  Medal  of 
the  Society  of  Arts  of  Dordrecht;  β€”  1863.  J.  M.  Schrant;  β€” 
G.  A.  G.  van  Maanen,  Public  Prosecutor;  β€”  N.  J.  Godron ;  β€” 
1864.  N.  P.  J.  Kien,  Burgomasterof  Utrecht; β€”  250'''  Anniversary 
of  Groningen  University;  β€”  1S65.  F.  A.  van  Rappard;  β€” 
100'''  Anniversary  of  the  Firm  Wessanen  and  Laan;  β€”  R.  P.  F. 
Gouggriip,  Professor;  β€”  290'''  Anniversary  of  Leyden  University  ; 

β€”  D'  G.  J.  Mulder,  Profes,sor;  β€”  Prize  Medal  of  the  Society  of 
Rhetoricians  "van  der  Palm";  β€” Prize  Medal  of  Amsterdam  Pro- 
fessors; β€”  Exhibitions  at  Batavia,  1865  (and  1875),  1877,  1885 
(with  different  ^.  legends);  β€”  1866.  Reward  for  services  during 


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-  136  - 

the  Cholera  epidemic  at  Groningen ;  β€”  1867.  Jacob  Baart  de  la 
Faille  (obv.  only);  β€”  1868.  Visit  of  J.  S.  Stas  to  the  Mint  at 
Utrecht;  β€”  Prize  xMedal  of  the  Dutch  Rifle  Club,  Meeting  at 
's  Gravenhage;  β€”  1869.  Wilhelm  Borski;  β€”  Rifle  Meeting  at 
Utrecht;  β€”  50''' Anniversary  of  the  "  Meester  Graden";  β€”  Exhibi- 
tion at  Campen;  β€”  Rifle  Meeting  at  Utrecht;  β€”  Contest  between 
Rifle  Manufacturers;  β€”  1870.  29}'''  Anniversary  of  Leyden  Uni- 
versity ;  β€”  Silver  Wedding  oi  P.  Smid  van  Gelder  and  H.  Koster ; 

β€”  Hubert  Goltzius;  β€”  Award  for  services  to  the  Dutch  East 
Indian  government;  β€”  M.  van  Geuns;  β€”  1871.  R.  van  Rees, 
Professor  at  Utrecht;  β€”  1872.  Inauguration  of  the  statue  of 
H.  Boerhaave  at  Leyden  (in  conjunction  with  J.  P.  van  der  Kel- 
len);  β€”  1873.  Prize  Medal  of  the  35"' Dutch  Agricultural  Congress 
at  Groningen;- β€”  1874.  Centenary  of  the  Art  School  of  Dordrecht; 

β€”  H.  van  Beck,  Bishop  ot  Breda;  β€”  4"'  Centenary  of  Utrecht 
Gymnasium  {^L.  by  I,  Ph.  M,  Menger),  &c. 

All  the  medals  cut  by  David  van  der  Kellen  before  1864  are 
described  in  Dirks'  work. 

There  is  a  Portrait-medal  of  this  artist  by  J.  P.  Menger,  1874. 

Bibliography.  β€”  Guioth,  op.  cit.  β€”  Dirks,  Penninghmdig  Eeperiorium.  β€” 
L.  W.  A.  Besier,  D.  van  der  Kellen,  Tijschrift  van  het  Nederlandsch  Genootschap 
voor  Mum-  en  Penningliiinile,  III,  p.  5.  ^  Immerzeel  and  Kramm,  De  Levens 
en  Werlien  der  Holiandsche  m  Vlaamsche  KimsticlHlders,  Beeldhmnwers,  Graveurs  en 
Botiwiiieesters,  Amsterdam,  184;,  1857, 

KELLEN,  JOHAN  PHILIP  VAB  OER  (Dutch).  Son  of  the  last,  born 
at  Utrecht,  9.  July  1831.  Medallist,  and  Engraver  at  the  Mint 
of  Utrecht  between  1852  and  1 876.  According  to  Count 
Maurin  de  Nahnys  he  was  employed  in  1875  to  cut  the  ^.  dies  of 
the  gold  10  Gulden  pieces,  the  obv.  dies  of  which  were  done 
by  J.  P.  M.  Menger. 

BythisMedallistare  :  25''' Anniversary  of  the  Society  "  Artiet  Ami- 
citia'e  "  ot  Amsterdam ,  1 864  (signed  :  J.P.V.D.K.F.) ;  β€”  B.  Brugsma ;  β€” 
Jubilee  of  J.  S.  Wor  and  Z.  A. Cats,  1865  (VAN  DER  KELLEN  j'  F.); 
β€” Joost  van  den  Vondel,  1867;  β€”  S.  C,  Snellen  van  VoUenhofen, 
of  The  Hague,  1873;  β€” β–   D""  H.  Boerhaave,  Leyden  (I^);  β€” 
D'  A.  van  der  Willigen;  β€”  Memorial  Medal  ofPieneniann,a  Dutch 
painter:  β€”  Inauguration  of  the  Ary  Scheffer  Monument  at  Dor- 
drecht, 1862,  &c. 

Mr.  John  W.  Stephanik  has  informed  me  that  Philip  van  der 
Kellen  did  not  handle  the  graver  within  the  last  twenty  years. 

As  a  writer,  J.  P.  van  der  Kellen  has  also  made  his  mark,  and 
published  his  Peintre-graveur  hollandais  et  flamand,  1S66;  Cata- 
logue of  the  D'  Ridder  Collection  of  Engravings,  &c. 

Bibliography.  β€”  W.  K.  F.  Zwierziiia,  Beschrijving  der  Nedefhndsche  oj  op 
Nedcrlamt  en  Nederlanders  belrekking    hsbbeiide  pennmgeti,  gestagen    ran  November 


atdb,  Google 


β€”  137  β€” 
KELLER,  DANIEL  (Gmre).  Mint-warden  at  KivAngtn,   1622. 

KELLER,  J0HANKBALTHASAR(5w(>j).  A  celebrated  Founder,  born 
at  Zurich  in  1638,  died  at  Paris  in  1702.  He  was  first  apprenticed 
as  a  Goldsmith  and  is  said  to  have  been  very  clever  at  chasing.  On 
the  invitation  of  his  elder  brother,  JOHANN  JAKOB  (born  at  Zurich 
1635,+  at  Colinar  1700),  who  was  already  in  the  service  of 
Louis  XIV.,  he  went  over  10  France,  and  for  many  years  the  two 
brothers  carried  on  their  profession  in  Paris,  partly  in  an  official 
capacity. 

They  were  employed  to  cast  guns  in  the  Arsenal,  and  numerous 
statues  which  yet  adorn  the  Parterre  d'eauandsurrounding avenues 
in  the  Versailles  gardens.  For  the  city  of  Lyons,  they  executed 
a  statue  of  Louis  XIV.  which  was  erected  on  the  Place  Bellecour, 
and  for  Paris,  Johann  Balthasar  did  that  of  the  Place  Vendome,  which 
was  deraoUshed  at  the  Revolution. 

"  Les  Keller  "  were  recognized  during  their  life-time  as  the 
most  important  artistic  founders  of  France,  and  in  our  own  days 
a  certain  kind  of  casting  metal  composed  of  90  %  of  copper  and 
10  Β°/o  of  alloy  is  known  as  "  fonte  Keller". 

Johann  Balthasar  Keller  is  said  to  have  cast  reproductions  oL 
large  medallions  and  plaques.  His  signature  J.  B.  KELLER  occurs  on 
a  reproduction  of  G.  Dupr^'s  Portrait-medal  of  Francesco  IV. 
Gonzaga,  Duke  of  Mantua,  1654  (described  by  MazeroUe,  Les 
Medailleurs  fran^ais,  II,  p.  134),  and  other  productions  are  signed  : 
KELLER  or  K. 

Herr  F.  O.  Pestalozzi  however  expresses  doubt  as  to  the  correct 
attribution  ol  these  medals,  and  writes  tome  :  "  Die  Angabe  bei 
Fussli,  dass  der  Giesser  j.  Ballh.  Keller  urspriinglich  Goldschmid 
gewe,sen  sei  (u.  somit  die  fragliche  Medaille β€” zumal  im  Alter  von 
erst  16  Jahren β€” -gegossen  haben  konnte)  ist  mir  sehr  zweifelhaft 
geworden,  denn  er  fehlt  ganz  in  den  ziircherischen  Meisterbuchern. 
Hat  er  den  Beruf  gelernt,  musste  er  aus  der  Lehre  genommen 
worden  sein,  oder  dann  liegt  Verwechslung  vor,  mit  Goldschmid 
Hans  Biilthasar,  der  1590  Meister  geworden  ist.  Ob  dieser  die 
Medaille  gegossen  haben  kann,  ist  natiirlich  auch  wjeder  dubios". 

β€’'  Les  deux  Keller  ",  says  De  La  Tour  ",  Jean  Jacques  et  Jean 
Balthazar,  ont  donne  des  fontes  irreprochables ;  il  y  a,  faites  d'un 
bronze  qu'on  croirait  antique  et  sign^es  d'eux,  des  m^dailles  de 
Guillaume  Dupre  que  celui-ci  n'aurait  pas  d^savou^es  ". 

Bibliography.  β€”  Fuessli,  GescMchte  lUr  liesleit  Kiiitstkr  in  d.  Sdmiei^.  β€”  F.  O. 
Pestalozzi,  Zurcber  Tascheiibiich  fur  rpoj ;  &  in  Schmei^,  Khmilerlexicon.  β€” 
N.  Rondot  &  H.  De  La  Tour,  0^.  cil. 

KELLER,  MARTIN  (Germ.).  Mint-official  at  Brieg  and  Oppcin, 
1664-1704. 


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β€”  1^8  β€” 
HELLERMANN,  HANS(Gcnii.).  Miiit-m. 


-  at  PΒ£il^bui 


,  1586. 


KELLERTHALER  or  KELLERDALLER,  DANIEL(GmΒ«.).  Goldsmith, 
Seal-engraver,  and  Medallist  of  Augsburg  and  Dresden,  worked 
between  circa  1613  ;md  1654,  for  tlie  Electoral  Court  of  Saxony. 
His  plate  (The  Annunciation,  1629;  Portrait  of  Jolm  George  11, 
ike).,  is  of  great  artistic  merit,  and  the  lew  medals  that  arc  known 


Kolltrtl  viler. 


by  him  equally  betray  a  master  liand.  They  are  generally  oval 
Portrait-pieces,  case  from  was  models,  and  signed  DC  :  1601. 
Christian,  Duke  of  Saxony  (after  a  model  by  Tobias  Wolf), 
42  X  ?i  mill.,  Y^L.  TALIS .  ERAT  I  FACIES  TVA  .  |  DVX  . 
CHRISTIANE  .  |  SECVNDE  .  VESTITVS  Q  |  FIDEM  .  CVM  . 
TIBI.  1  DRESDA.DARET  .  DIE  |  25  MEN.SEPTEM.  | 
A"  1601;  β€”  t6o8.  A^.  Oval  Badge  or  Jewel,  enamelled  openwork 


./Google 


bolder,  suspended  bv  three  gold  chains  attached  to  a  ring, 
36  xzH  mill  {illustraled),  Obv.  lO.GEO.V.G.G.H.Z.SAX β€” 
MAGD.SI.H.Z.S.G.MAR.I.P.  Busts,  conjoined,  of  John  George  1. 
and  his  consort  Magdalene  Sibylla;  beneath  :  tX.  β€”  1.6.0.8, 
^L  Richly  ornamented  oval  shield  of  arms.  This  pendant  commem- 
orates the  Marriage  of  the  Duke,  in  1607;  β€”  A^.  Oval  Badge 
(Pendant),  undated,  38  X  ?i  mill.  Obv.  DG.IOHAN  .  GEOR  . 
DVX  .  S  ,  IVL  .  CLEF.ET  .  MON  ,  ELE.  Bust  of  the  Duke  to  r.,  in 
cuirass.  ^D.G- MAG.  SYBIL. D.S. IVL. CL. MO  :  NA  iM  P.  E. 
EL  :  DC.  Bust  of  the  Duchess  to  1.  (Ducal  Cabinet  at  Goiha);  -- 
Medal  on  the  Capture  of  Bautzen,  25.  September  1620,  Obv.  Duke 
John  George  I.  on  horseback  to  r. ;  beneath  :  25.  SEPT  :  EX' 
^.  bVDIssIma  CaesarI  β€”  hegI  aVE  ,sVo  reDDIta.  The  burning  city 
of  Bautzen  ("struck  piece,  44  mill.). 

David  Kellerthaler  cut  a  large  shield  for  Duke  John  George  I. 
in  1637  which  is  also  signed  DC.  He  enjoyed  the  special  patronage 
of  the  Electress  Magdalene  Sibylla. 

Bibliography.  β€”  Erbstein,  Erorttrwigm  auf  dciii  GcbkU  ih.r  sitchsischiii 
MiitK^-und  Mfdaillen-Geschichle,  Dresden,  1888.  β€”  Meiiaditr,  Schaimiiin^en  iki 
Hattses  Hohen^ollan,  igoi.  β€”  Tentzel,  op.  cit.  β€”  Nagler,   Monogmii'misteii ,  III. 

KELLNER,  GEORG  (Germ.).  Mint-master  at  Amberg  and  ErJangen, 
1622. 

KELLOGG  &.  CO  (Ainer.').  A  baukiug  firm  ot  San  Francisco  who 
issued  private  money  comprizing  20  Dollar  pieces,  1854-55,  β– '""β– ^ 
circular  50  Dollar  pieces,  1855,  all  with  the  head  of  Liberty  on 
obv.  and  Eagle  on  I^. 

KELLOW,  Bishop  (5n7.).  Issuer  of  Pennies  in  the  name  of  King 
Edward  IL  (after  131  r)  at  Durham;  mint-mark,  cross  moline  with 
one  limb  in  form  of  crozier. 

BniLiOGKAPHY.  β€”  Grudicr,  HiUulbooh,  &c.  β€”  Burns,  Co'wage  of  Scottami,  I, 
p.  210. 

KELPE,  ZACHARIAS  DANIEL  {Germ.).  Mint-mastor  at  Schwerin, 
1695-1708;  his  initials  Z.  D.  K.  occur  on  some  of  his  issues.  I  have 
noticed  them  on  a  Thaler  of  1705  of  Frederick  William  of  Mtcklen- 
burg-Schwerin,  engraved  by  j.  F.  Hilcken,  whose  signature  H  is 
placed  in  exergue  on  obv. 

RiBLiOGUAPHY.  β€”  Aiiimon,   op.  cU.  β€”  Nagler,  MoiiogrammuU-ii,  V,  no  20711. 

KELS,  Hh.'^&iAusir.).  Modeller  and  Wood-eiigraverofKaufbauern, 
and  Augsburg,  circa  1537-1566.  Domanig  reproduces  two  fine  Por- 
trait-medallions in  box-wood,  of  the  Emperors  Maximilian  I.  and 
Charles  V.  with  King  Ferdinand  I.,  one  dated  1534,  and  the  other, 
larger^  1540. 


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β€”   140  β€” 

According  ro  D'"  Habkh,  his  name  is  first  inentioiied  in  docu- 
ments of  1537  ;  and  we  learn  that  in  1541  heobtained  at  Augsburg 
the  prerogative  of  a  Sculptor ;  he  was  still  living  in  1565,  but  died 
before  the  i"*  ol  April  1566, 

Hans  Kels  ranks  amongst  the  most  prominent  Portrait-carvers 
of  the  sixteenth  century.  His  signature  is  found  on  a  beautiful 
Draught-board  ot  the  Ambraser  Collection  and  on  a  box-wood 
medallion  with  portraits  of  the  EmperorCharlesV.,  King  Ferdinand 
and  their  consorts;  also  on  tlie  two  medallions  described  by 
Domanig,  and  further  on  the  following  works  :  Medal  of  Adam 
Oefner,  bust  to  r. ,  signed  UK  (in  the  style  of  Hagenauer) ;  β€”  Medal 
ofMatthans  Schwarz  (signed  HK,  of  different  work);  β€”  Box-wood 
Models  ofLaux  Kreler  and  his  wife  EUzabeth;  and  perhaps  also  : 
wood  Medallion  of  Georg  Fugger;  and  Portrait-piece  of  Johann 
Fichard  and  his  wife,  1547. 

BiBLiOGEAiiHV,  β€”  D'  Gcoig  Habidi,  Uims  Kels  ah  Koiiterfdtcr,  1903. 

KELTZ,  CHARLES  ALBERT  (Germ.^.  Contemporary  Sculptor  and 
Medallist,  born  at  Strassburg ;  pupil  of  H.  Seyder  and  A.  Gerbier. 
At  the  Salon  of  1894  he  exhibited  Portrait-plaqueties  and  medals  : 
E,  Keltz;  β€”  M-=  L.  Keltz;  β€”  Mβ„’^  C.  de  L***;  β€”  Prii^e  Medal  of 
the  Paris  School  of  Drawing  for  jewellery  ;  β€”  The  Language  of 
Daisies,  &c. 

KEMLEIN,  STEPHAN  (Gmn.).  Mint-warden  at  Nuremberg,  1532- 
1547;  Mint-inaster-at  Jiigerndorf,  1557. 

KEMLEIN.  Fide  KAMLEIN,  snprd. 

KEMNITZ,  JOHANN  CHRISTOPH  (Germ.).  A  native  of  Augsburg, 
who  settled  at  Brussels,  in  the  early  part  of  the  eighteenth  century, 
as  a  Seal-engraver.  He  took  part  in  the  Monetary  competition  of 
1725 ,  but  Francois  Harrewyn's  Patterns  were  adopted. 

KEMPE,  CANCELLARIUS  JOHANNES  (BnV.).  Archbishop  of  York, 
1426-145  r.  He  issued  a  Farthing  in  the  name  of  Henry  VI.,  obv. 
H.D.G.AN.Z.FRASIE  REX;  C  to  left,  I  to  right  of  King's  head. 

Bibliography,  β€”  Hawkins,  op.  cil.,  p.  245- 

KEMPEN  &  SON,  J.  M.  VAN  (Dutch).  Die-sinking  Establishment  at 
Voorschoten  (Holland).  This  firm  has  issued  a  number  of  medals, 
some  of  which  were  engraved  by  the  Goldsmith  F.  de  Leeuw.  One 
of  these  commemorates  the  Seventh  Centenary  ol  the  Foundation 
of  Bois  le-Duc,  1 885 ;  two  others  were  struck  on  the  50"'  Anniver- 
sary of  the  Battle  of  Waterloo,  1865,  and  are  fully  described  in 
Zwierzina,  Beschrijving  iler  Nederlandsche  of  op  Nederland  en  Neder- 


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landers  belrekh'ng  hebbeiide  Penniiigm,  Ike,  nΒ°'  /]j  nml  /jj.  At  tlie 
time  of  the  Boer  W;ir,  this  firm  issued  several  medals  with  bust  ot 
President  Kruger,  1900. 

KEMPER,  HEINRICH  (Germ.).  Mint-master  at  Domitz,  1669-1675. 
His  initials  H.  K.  occur  on  his  issues. 

KEMPF,  HANS  (Germ.).  Coining-smith  at  the  Brcslau  Mint,  1569. 

KEMPF,  MARTIN  (Germ.).    Mint-master   at  Joachimsthal,   1542- 
1543,  for  the  Counts  of  Schlick. 
KiBLioGiiAPHY.  β€”  Fiala,  Das  Miiii\wesendei-  Grafeii  Schiick,  1890. 

KEMPSON,  PETER  (Brit.).  Medallist  (Maker  of  Buttons,  Medals, 
&c.)of  the  latter  end  of  the  eighteenth  century,  residing  at  Birming- 
ham, where  in  1801  he  entered  into  partnership  with  SAMUEL 
KINDON,  under  the  style  of  KEMPSON  AND  KINDON.  Peter  and 
Thomas  Wyon  were  both  employed  by  Kempson  Co  engrave  Tokens, 
and  J.  G.  Hancock  to  cut  "  a  series  of  medals  commemorating 
the  Victories  of  the  British  armies  over  Napoleon,  the  Union  with 
Ireland,  George  IIL,  and  Statesmen  of  the  time  ". 

Amongst  Kempson's  productions,  I  may  notice  ;  Jacob's  Penny 
Token,  1798;  β€”  Kempson's  Penny  Token,  1796;  β€”  Lochleven 
Penny,  1797;  β€”  Welch's  Penny  Token,  1795  (sev.  varieties, 
engraved  by  Wyon);  β€”  Yeomanry  Tokens  of  Warwickshire 
(several  varieties,  engr,  by  J.  G.  Hancock);  β€”  Tamworch  Penny 
Tokens  (sev.  var.,  1797,  Hancock);  β€”  Warwick  Pennies,  1797 
(engraved  by  Westwood);  β€”  Alston  Halfpennies,  1796  (Wyon); 

β€”  George  Barker's  Halfpennies,  1 797  and  MDCCXCIX  (Hancock)  ; 

β€”  John  Clarke's  Halfpenny,  1795  (Wyon);  β€”  Donald  &  Go's 
Halfpenny,  1792  (Wyon);  β€”  Kempson's  Birmingham  Buildings 
(a  large  series  of  Halfpenny  Tokens,  n"'  141-208,  Davis, 
fVaruiichhire  Token  Coinage);  β€”  Pye's  Halfpenny  Token,  1797 
(Webb);  β€”  KetTipson's  Coventry  Buildings,  Halfpenny  Tokens 
(Davis,  op.  cit.,  nΒ°^  395-453);  β€”  Nickson's  Coventry  Halfpennies 
(Wyon) ;  β€”  Tamwotth  Halfpennies  (Wyon)  ;  β€”  Baaminton 
Tokens  (Willets);  β€”  Bath  Tokens  (Wyon);  β€”  Bifmingham 
Mining  Co.  Tokens  (Wyon);  β€”  Blofield  Tokens  (Wyon);  β€” 
Blything  Hundred  Tokens(Hancock);  β€”  Brainiree  Tokens  (Wyon); 

β€”  Bridgewater  Tokens  (Wyon) ;  β€”  Brunswick  Tokens,  circulated 
in  London  (Wyon);  β€”  Bury,  P.  Deck's  Tokens  (Wvon);  β€” 
Buxton,  W.  R.  Hay's  Tokens  (Wyon^;  β€”  Brechin,  "Smith  & 
Wilson's  Tokens  (Willets);  β€”  Cambridge  Tokens  (Wyon)  ;  β€” 
Chelmsford,  Cla'char  &  Go's  Tokens  (Wyon) ;  β€”  Chester  Tokens; 

β€”  Chichester,  Daily's  Tokens  (Wi'on);  β€”  Coalbrook  Dale  Go's 
Tokens  (Wyon);  β€”  Colchester,  C,  Heath's  Tokens   (Wyon);  β€” 


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Cambridge,  J.  Burleigh's  Tokens  (Hiiiicock);  β€”  Dundee  Tokens 
(for  A.  Mollison,  T.  Webster  J',  A.  Swap  &  Co,  J.  Pilraer, 
J.      Wright,      &c.,     and    engraved   by    Wyon     and      Willcts) ; 

β€”  Edinburgh  Tokens  (for  Anderson  &  CΒ°,  Wright, 
Archibald,  H.  Harrison,  engr.  by  Wyon);  β€”  Elmsthorpe, 
R.  Fowke's  Token  (Hancock);  β€”  Emsworth,  J.  Stride's  Tokens, 
(Wyon);  β€”  Forfar,  J.  Steele's  Tokens  (Willets)  ;  β€”  Gloucester 
Tokens  (Wyon);  β€”  Haverhill,  J.  Finchatn's  Token  (Wyon) ;  β€” 
Huddersheld  Tokens  (Wyon) ;  β€”  Ipswich,  R.  Manning's  Token 
(Wyon)  and  Conder's  Token  (Wyon)  ;,  β€”  Leek  Tokens  (Wyon)  ; 

β€”  Leighton,  Chambers  &  Go's  Tokens  (Wyon) ;  β€”London,  Carter's 
Token  (Willets);  J.  Ching's  Token  (Wyon);  Moore,  and  Neeton 
Tokens  (Wyon)  iNewgaceToken  (Wyon);  Batley'sToken(Wyon); 
H.  Young's  Token  (Wyon);  Essex  Tokens  (Wyon) ;  β€”  Lowhall 
Token  (Wyon);  ~  Lichfield,  R.  Wright's  Token  (Hancock);  β€” 
London,  Stag  &  Slough,  Britannia  Tokens  (Willets) ;  β€”  Maccles- 
field Tokens;  β€”  Montrose,  A.  Nicol's  Token  (Willets);  β€”  New- 


Penny  of  Scotland,  1797. 

castle,  Mather's  Tokens  (Wyon);  β€”  Newent,  J.  Mores  Token 
(Wyon);  β€”  Norfolk,  N.  Bolingbroke's  Tokens  (Wyon) ;  β€”  Nor- 
wich, J.  Harvey's  Tokens  (Wyon); β€”Bullen  &  Martin's  Token 
(Wyon);  β€”  ].  Rock,  R.  Campin,  R.  Bacon,  Dinmore&Son, 
Hardingham  Tokens  (engr.  by  Wyon  and  Willets);  β€”  Perth, 
J.  Ferrier'sTokens  (Willets);  β€”  Portsea,  G.  E.  Sargeant's  Token 
(Wyon); β€” Salmon's  Token  (Willets)  ; β€”Portsmouth,  T.  Sharp's 
Token  (Wyon);  β€”  R  >chdale,  J.  Kershaw's  Token  (Wyon);  β€” 
Salisbury,  j.  &  T.  Sharp's  Tokens  (Wyon);  β€”  South  Shields 
Token  (Wyon);  β€”  Spalding,  T.  Jenning's  Tokens  (Wyon);  β€” 
Stafford,  Horton  &  Go's  Token  (Willets);  β€”  Stockton,  Kington 
Token  (Wyon) ;  β€”  Sudbury,  Goldsmith  &  Son's  Token  (Wyon)  ; 
β€”  Swansea  Tokens  (Wyon);  β€” Tamworth,  Rev.  F.  Blick's  Token 
(Wyon);  John  Harding's  Token  (Hancock);  β€”  Wainfleei,  Wright 
&  Palmer's  Token  (Wyon);  β€”  Adam  Smith's,  Penny  of  Scotland 
(Wyon;  ill  nslraled) ;  β€”York,  James  Carlisle's  Tokens  (Wyon);  β€” 


,/ Google 


--  1, 1 3   β€” 

Poole,  Shilling,  1812;  β€” Sixpence,  1812;  β€”  Hoxne,  Twopence, 
1798;  β€”  Dublin,  vK-  Shilling,  1804  (3  var.),  nnd  others  :  Black- 
friars  Bridge,  Penny,  1797;  β€” London  Briclge;  β€”  Westminster 
Bridge;  β€” Bridge  Gate;  β€”  Greenwich  Hospital;  β€”  Guy's  Hospital ; 

β€”  S'  Thomas's  Hospital  Penny  Tokens,  &c. 

Amongst  the  medals  which  bear  Kempson's  signature  we  find  ; 
George  III.  preserved  from  assassination,  tSoo;  β€”  Henry  Adding- 
ton,  Viscount  Sidmouth,  1757-1844;  β€”State  of  England,  i8oj 
(signed  H  S  K,  Kempson  &Kindon);  β€”  Death  of  the  Duke  of  Bedford, 
1802  (K  &  K);  β€”  Peace  of  Amiens  concluded,  1802  (K  &  k);  β€” 
Adam,     First  Viscount    Duncan,    of    Caraperdown,    1731- [804; 

β€”  Engagement  off  Camperdown,  1797  (P.  K. ;  ohv.  lUnslrated);  β€” 


Viscount  Duncan,    Engagi 


General  Hospital,  Birmingham  (In  Boston  Coll");  ~-  S'  Bartholo- 
mew's Hospital,  Gloucester ;  β€”  Trial  of  Q_ueen  Caroline,  1820 ;  β€” 
Count  Bartolomeo  Bergami,  1820 ;  β€”  Another,  1798  I^  Adam  and 
Eve  in  the  garden  of  Eden  (P.  K.  FEC);  β€” Opposition  to  the  Union 
with  Ireland,  1800  (STK.  BY  P.  K.) ;  β€”  Alexander  Hood,  First 
Viscount Bridport,  K.B.  1727-1814  ;  β€”Defeat  ofche  FrenchofFPort 
rOrient,  1795  (P.  K.)  ;  β€”  Selina,  Countess  of  Huntingdon,  1707- 
1791  ;  Memorial,  1791  (K.  &K,);  β€”  Masonic  Medal  struck  in  1802 
on  the  occasion  of  the  union  of  tne  Two  Rites ;  β€”  Sir  Henry  Trollope ; 

β€”  Engagement  oft  Helvoetsluys,  16  July  1796  ;  β€” -Poole,  Sixpence, 
1812;  β€” Hoxne,  Two  Pence,  1798  (by  Wyon)  ;  β€”Shilling  Tokens 
of  Dublin,  issued  by  the  Irish  Bullion  Co,  &c.  Most  of  these  medals 
were  engraved  by  J.  G.  Hancock. 

Bibliography.    β€”   Pye,   op.  cil.    β€”   Allans,  oji.    cit.    β€”  H.    A.    Gmeber 
English  Penmial  Medah,  1887-1892.  β€”  W.  ].  Davis,  IVai-wickshire  Token  Coinage. 

β€”  Marvin, MrMiwii;  Medals,  i83o,  β€”  Hennin,  Histoire  numismatique  de  la  Rhrohi- 
Hoii  franfaise.  β€”  W.  J.  Davis,  Nineteenth  Century  Token  Coinage,  1904. 

KEMPSON  &  SON  (Bril.).  The  signature  K.  S.  occurs  on  Shilling 
Tokens  of  Poole,  1812. 

KENDLER,  IGNAZ  (Bohem.).  Mint-warden  at  Prague,    1774-1780. 
His  issues  are  usually  signed  K  or  I.  K. 


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KENDRICK  (Bnl.).  A  Biniiingliam  Token  Manufacturer  of  the 
latter  end  of  the  eighteenth  cenmry.  He  may  possibly  have  been 
a  Die-sinker  himself,  as  no  Engravers'  signatures  appear  on  his 
Tokens,  which  however  are  not  very  numerous. 

He  issued  :  Croydon,  Garraway's  Tokens ;  β€”  Leith,  J.  White's 
Tokens,  &c. 

13iBL10GKAPHY.  β€”  Pye,  Provindal Coltper  Coins.,  ii.  d. 

KENNING,  GEORGE  {Brit.').  A  London  Masonic  Jeweller  and  PubUsh- 
er,  who  has  issued  a  number  of  Masonic  medals,  some  of  which 
commemorate  the  Installation  of  the  Prince  of  Wales  (now 
Edward  VII, )  as  Grand  Master,  1875,  and  others  ;  Medal  of  the 
"  Strong  Man  Lodge";  β€” Centenary  Medals  (sev.var.)  "  elaborate 
and  excellent"  ;  β€”  Railway  Medals,  &c. 

BiBLioGUAPBV .  β€”  Marvin,  Masonic  Medals,  1880.  β€” Rev,  A,  F.  A.  Woodford, 
Kenning'!  Masonic  Cyclopaedia,  London,  1878. 

KENT  &  SON  (Canad.).  Medal  publishers  of  Toronto,  who  in  1887 
issued  Jubilee  Medals  of  Q.ueen  Victoria,  and  have  since  produced 
various  Prize  Medals. 

BiBLioomPHY.  β€”  R,  Mac  Lachlati,   Canadian  JiiJnke  Medals. 

KEPHOS.  Fictitious  signature  on  a  Poniatowsky  gem  in  sardonyx, 
representing  the  Interview  between  Minerva,  disguised  as  Mentes, 
and  Telemachus. 

KEPPEL  FOCX,  CORNELIS  VAN  (Dutch).  Mint-master  at  Zwolle 
1684-1692. 

KERGEL,  JOHANN  (Germ.).  Mint-master  at  Nuremberg,  -{  1464. 

KERN,  JOHANN  BERNHARD  (Germ.).  Mint-warden  at  Schwabach 
1758-1780. 

KERN,  JOHANN  BAPTIST  (Germ.).  Mint-warden  at  Schwabach, 
1758-1765.  His  initial  K  occurs  conjoined  with  that  of  the  Mint- 
Master,  Ebenauer,  (E),  on  Thalers,  Convention -gulden,  etc.  of  that 
Mint,  and  also  with  that  of  Ebenauer's  successor,  Kolle,  (K),  as, 
for  instance,  on  the  Gedachtnissthaler,  1765,  of  Alexander,  Mark- 
grave  of  Brandenburg. 

KERNLEm,  J.  (Germ.).  Die-sinker  at  Darmstadt,  1844. 

KERSNER,  J.  (Dutch).  Medallist  of  Amsterdam,  who  worked 
during  the  first  haH  of  the  nineteenth  century.  (Nederlandsche 
Gedet^penningen  verklaard  etc.  door  Jeronimo  de  Fries  en  Johannes  Cor- 
nelis  de  Jonge,  Haag  en  Amsterdam,  1829.) 


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KERSTING,  A.  {Germ.).  Die-sinker  in  London,  1865.  His  signa- 
ture A.  KE.RSTING  FEC.  occurs  On  a  commemorative  medal  of  tiie 
Inauguration  of  the  German  School  for  Physical  Drill  in  London, 
28.  January  1865. 

KERWIEN,  A.  (Amer.).  A  New- York  Die-sinker,  by  whom  tliere 
are  medals  of  Schiller,  1859;  one  variety  in  Boston  Coll"  is 
signed  A.  K, 

KESS,  JOHANN  (Austr.).  Goldsmith  of  Vienna,  circa  1700,  who 
signed  a  Badge  of  Christoph  Mathiii,  1686-1706,  Superior  of  the 
Monastery  of  Klosterneuburg.  His  initials  appear  as  I,  L.  K, 

BiBuoGRAPHV.  β€”  Numismatische  Topographie  von  Niederostsrrdcb,  iSy8. 

KESSEL,  MARTIN  (Germ.).  Mint-master  at  Saalfetd,  1594-1614. 

KESSLER,  BARTHOLOMAUS  {Germ.).  Mint-warden  at  Langenar- 
gen,  1696  ; '[  1709. 

KETCH,  D'-  ALBERTUS  (Z)m;c/;).  Mint-master  in  Friesland,  1719- 
1721. 

KETTLE  &  SONS  (Brif.).  Die-sinkers  and  Counter  Manufacturers  of 
Birmingham ;  in  the  early  part;  of  the  nineteenth  century.  Their  signa- 
ture K,  &  S,  occurs  on  the  following  pieces  which  I  have  come  across  : 
Medal  on  the  Peace  of  Paris,  1814,  with  busts  jugate  to  r,  of  the 
Tsar,  the  King  of  Prussia,  the  Duke  of  Wellington,  and  Marshal 
Blijcher;  β€” Imitation  Seven-Shilling  Piece,  1798,  signed  H.  K.  (H. 
Kettle) ;  β€”  Imitation  Spade  Guinea  of  George  III.,  in  brass,  struck 
to  commemorate  various  Musical  Festivals  in  tiie  Provinces,  etc. 

Most  of  Kettle's  counters  are  in  brass  and  the  medals  in  tin. 

KETTLER,  ENGELBERT  (Germ.).  Mint-master  at  Osnabriick,  1637, 
and  Munster,  1638-1656;  later  at  Bentheim,  1659-1662.  His 
initials  E.  K.  or  K  alone  occur  on  some  of  his  issues,  as  for  instance 
on  the  Double  Thaler  of  Munster,  1647,  of  Ferdinand,  Dnke  of 
Bavaria  (E.  K.),  and  on  an  Anabaptist  Thaler  (Miii/aj  5167)  (k.).  He 
also  engraved  medals  on  the  Peace  of  Munster  (Fide  Cat.  Royal 
Cabinet  of  the  Hague,  n"'  729,  738,  739,  741-46). 

KEDLLE,  MARTIN  (Germ.).  Mint-master  at  Gottingen,  1548; 
previously  at  Hanover,  1545-1556,  Nordheim,  1547-1548,  also  at 
Einbeck,  Goslar,  and  in  the  service  of  the  Ducal  house  of  Brunswick. 

KEY,  WILLIAM  H.  (Amer.).  Assistant- en  graver  at  the  Philadelphia 
Mint,  appointed  In  1864  and  still  in  service  in  1892.  He  is  a 
native  of  Brooklyn,  and  an  expert  Die-sinker.  We  owe  to  him  the 
Kane  Expedition  and  Archbishop  Wood  Medals,  various  Pattern 
pieces  and  many  Dies  of  the  current  U.  S.  coinage ;  also :  Washing- 
ton Medal  (2  var.),  1878  (signed  :  KEY)  of  the  Harzfeld  Series; 

L.  FonKEH.  β€”  Jfiojrapfo-ffl!  Naikaof  MedMsH.  β€”  III.  10 


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β€”  Lafayette  Medal  (2  var.)  of  the  same  Series  (signed  ;  W,  H. 
KEY  F.);  β€”  E.  K.  Price,  an  American  Numismatist,  1879;  β€”  John 
Wesley,  1866 ;  β€”  General  U.  S.  Grant,  1867  ;  β€”  Daniel  Webster; 

β€”  Medal  of  the  Fulton  Institute,  Lancaster  (Pa),  1858);  β€”  D''  E. 
K.  Kane,  1857;  β€”  Medal  of  the  Numismatic  and  Antiquarian 
Society  of  Philadelphia,  1879,  &c. 

KEY,  F.  C.  β€”  i  SONS  (Amer.).  A  firm  of  Die-sinkers  established 
at  Philadelphia,  who  have  issued  Portrait-medals  of  D'  EUsha  Kent 
Kane.  One  variety  is  signed  KEY  only.  The  Boston  Museum 
possesses  four  varieties  {Am.  Joiirn.  of  Num.,  107-110),  Also  : 
Portrait-medals  of  Washington;  β€” β–   President  Jackson;  β€”  Daniel 
Webster,  and  others. 

KEYSER,  ERNEST  WISE  (Amer.).  Contemporary  Sculptor  of  Balti- 
more (U.  S.  A.) ;  pupil  of  Puech  and  St.  Gaudens.  At  the  Paris 
Salon  of  1898  he  exhibited  a  Portrait-medallion  of  Miss  J***  and  a 
Portrait-medal  of  Enoch  Pratt. 

KEYSER,  GREGOR  (Germ.).  Goldsmith  of  Frankfort-on-M.;  Mint- 
engraver  at  Michelstadt,  1561. 

KEYSER,  H.  DE  (Dutch).  Medallist  of  the  early  part  of  the  seven- 
teenth century.   Vide  Kmj&EVi.. 

KEYSER,  HEYNEMANN  VON  LAUF  (GmΒ«.).  Mint-master  at  Coburg, 
circa  1378-1382. 

KEYSER,  JEAN  DE  (Belg.).  Contemporary  Sculptor,  born  at 
Cureghem  in  1857.  After  making  remarkable  studies  at  the  Brussels 
Royal  Academy  of  Fine  Arts,  he  applied  himself  with  success  to 
sculpture.  He  is  now  Professor  at  the  Art  and  Industrial  Schools  of 
Cureghem- Anderlecht.  He  executed  a  medal  of  the  Belgian  Teckel- 
Club. 

BiELioGRAPiiY.  β€”  Ed.  hsloirti,  Miditilks  hutoriques  dc  Belgique,  1902. 

K.  F.  Fide  MARTIN  KRAFFT.  Medallist  at  Vienna,  1769-1781. 
K.  F.  Fide  KROHN.  Medallist  at  Copenhagen,  after  1830. 

K.  F.  Vide  KARL  FISCHER.  Medallist  at  Berlin,  1829-1865;  born 
in  1802. 

KHEILL,  CASPAR  (Austr.).  Die-sinker  of  Gratz,  who  worked  at  the 
Mint  there,  circa  1653.  He  is  the  author  of  a  Coronation  Jeton  of 
Ferdinand  IV.,  and  he  also  cut  various  official  seals. 

Bibliography.  β€”  Th.  Uiiger,  Khliie  Beitrage  :^ur  Mitn^hinik  des  Kronlatides 
Sldermark. 


atdb,  Google 


β€”  147  β€” 

KHENDLMAYR,  HANS  CASPAR  (^wir.),  Mint-mascei-atGratz,  l66o, 
in  which  year  he  issued  Groschen, 

KHIFER,  HANS  JACOB  (Austr.).  Seal-engraver  at  Vienna,  circa 
1578-1381. 

KHLOCKHNICZ,  CORNELIUS  (Austr.).  Goldsmith  and  Seal-engraver 
ac  Vienna,  1580.  He  appears  to  have  also  worked  for  the  Mint 
there. 

KHOCH,  NICKLAUS  (Swiss}.  Mint-master  at  LucernCj  154O.  Fide 
KOGH. 

KHRALL,  J0BST(^ii5ir.).  Seal-engraver  at  Vienna,  who  is  recorded 
to  have  cut  in  1532  five  small  and  large  seab  for  the  Mint-master 
Reytanner. 

Bibliography,  β€”  Oesterrekher,  Regesien,  etc. 

KHRIEGER,  PAUL  (Germ.).  Goldsmith  of  Vienna,  who  in  1621  is 
led  as  Director  of  the  Mint  there. 


KHUNIG,  JOHANN  ANTOSI.  VideViOmG  infra. 

KHUENIG,  MATHIAS.  FideKOmG. 

K.  I.  Fide  KRUGER  JUNIOR.  Medallist  at  Dresden,  1785-18  [4. 

KIEFFER,  GEORG  (Germ.).  Mint-master  at  Weinberg,  circa  1586. 

KIEHLMANN  (Germ.).  A  Dresden  Die-sinker,  whose  signature 
occurs  on  the  obv.  of  a  medal  of  D''  Friedrich  Ludwig  Kreysig, 
Dresden,  1828. 

KIENLEN,  MAX  (Germ.).  Mint-master  at  Ulm,  1635-1639.  Some 
of  his  issues  are  signed  M.  K. 

KIESSEL,  HENNING  (Germ,).  Mint-master  at  Cramberg  a.  d.  Lahn, 
circa  1626. 

KILDARE,  GERALD  FITZGERALD,  EARL  OF  (Brit.)  "  who  was 
appointed  Lord  Justice  of  Ireland  (temp.  Edward  IV.)  was  given,  in 
consideration  of  his  many  services,  unlimited  control  of  the  mints 
and  their  officers.  He  received  also  all  the  profits  arising  from  the 
coinage.  None  of  the  Kildare  coins  have  the  king's  name".  These 
coins  consist  of  Groats,  Half  Groats,  Pennies  and  Farthings. 

Bibliography.  β€”  H.  A.  Grueber,  Handbook  oj  the  Coins  of  Great  Britain  and 
Ireland,  p.  22j. 

KILIAN,  LUCAS  (Germ.).  Gem-engraver  of  Augsburg,  of  the  first 
half  of  the  seventeenth  century.  He  has  been  pompously  styled 
"the  German  Pyrgoteles".  His  productions  however  are  quite 
ordinary. 


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KIMON  {Greek).  Coin-engniver  at  Himer.i,  about  the  middle  ye.irs 
of  the  fifth  century  B.C.  D'  Arthur  Evans  discovered  his  signature 
on  a  Tetradrachm  of  Himera,  struck  circa  450  B.C.,  a  specimen  of 
which  is  in  the  Museo  Nazionale  at  Naples  (Catahgo,  etc.  :  Meda- 
gtiere,  4429). 

JR^.  Tetradrachm.  Obv.  Quadriga  to  I.,  crowned  by  Nike;  horses 
trotting;  in  the  ex.  :  retrograde  inscription  M01A^3M1  divided  by 
cock  to  1. 

I^.  The  nymph  Himera,  in  sleeved  tunic  and  peplos  standing 
facing,  her  head  turned  to  1, ;  her  hand  is  raised  and  she  extends 
in  her  !.  a  patera  over  a  garlanded  altar,  with  gabled  top;  on  the 
upper  part  of  the  altar,  above  cross-moulding  beneath  pediment, 
the  inscription,  KIMON.  To  r.  of  Himera,  small  Seilen  raking  a 
douche  bath  beneath  a  lion-headed  fountain  ;  above,  a  single  barley- 
corn. 

Evans,  Syr.  Med.,  PI.  X,  i"  and  1''. 


The  signature  KIMON  is  disposed  as  shown  below,  trom  an 
engraving  given  by  D'^  Evans,  p.  175,  fig,  13. 

"It  is  evident",  observes  D''  Evans,  "  that  theKimon  who  signs 
on  these  coins  cannot  be  the  artist  of  that  name  who  attaches  his 
signature  to  the  fine  tetradrachms  and  pentekontalitra  of  Syracuse 
struck  during  the  last  two  decades  of  the  fifth  century  B.C.  But  in 
view  of  the  well-known  Greek  practice  of  repeating  personal  names 


(4  diams.) 

in  alternate  generations  and  the  prevalence  of  hereditary  succession 
in  artistic  industries,  ot  which  we  have  a  striking  numismatic 
example  in  the  case  of  the  celebrated  group  of  Syracusan  die-sinkers, 
the  probability  that  the  earlier  Kimon  was  the  grandfather  of  the 
later  becomes  considerable. " 


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~-  149  β€” 

Prof.  Holm  does  not  reject  the  suggestion  offered  by  D""  Evans 
as  to  the  relationship  between  the  earlier  and  the  later  Kiiiion,  and 
quite  adopts  the  idea  that  the  latter  artist  was  not  a  Syraciisan,  but 
probably  originated  from  one  of  the  towns  of  Southern  Italy, 
perhaps  Himera,  or  Messana,  where  he  apparently  worked,  or  even 
Neapolisj  from  whose  coinage  he  borrowed  some  of  his  Syracusan 
types. 

KIMON  {Greeli).  One  of  the  most  celebrated  Coin-engravers  of 
ancient  times,  probably  a  Neapolitan,  who  flourished  at  Syracuse 
towards  the  end  of  the  fifth  century  B.C.  and  beginning 
of  the  fourth  century.  His  fame  stands  equal  with  that  of  Evaenetos, 
and  by  some  his  work  is  preferred  to  that  of  his  famous  colleague 
at  the  Syracusan  Mint,  as  more  dignified  and  bold. 

The  earliest  Syracusan  Dekadrachms  (so-called  "  Medallions  ") 
are  by  Kimon.  They  present  a  distinct  type  of  temale  head  on  obv. , 
that  of  the  nymph  Arethusa,  wearing  hair  in  a  net  with  head-band, 

on  the  frontlet  of  which  the  artist's  signature  ..  sometimes  occurs. 

Β°  M 

They  were  probably  issued  on  the  occasion  of  the  first  celebration  of 
the  Assinarian  Games  in  B.C.  412,  and,  as  the  "  Damareteion  " 
issue  was  called  for  by  the  Syracusan  Victory  at  Himera,  so  these 
so-called  "  Medallions  "  by  Kimon  and  Evaenetos  were  struck  after 
the  Victory  at  Assinaros. 

I.  iR.  Dekadrachm.  Obv.  lYPAKOlinN.  Head  of  Arethusa 
to  1.,  wearing  earring  in  the  form  of  three  drops   falling  from  a 


calyx,  and  pearl- necklace ;  the  hair  is  enclosed  in  net,  band  tied  in  front 
above  ;  on  the  ampyx  of  the  sphendone  ]β– '  ;  rehef  somewhat  low ; 
around,  four  dolphins  :  border  of  docs. 

^.  Q.uadriga  to  1,,  driven  by  charioteer  holding  goad  and  reins; 
horses  in  high  action  ;  above,  Nike  flying  to  r.  about  to  crown 
charioteer;  in  ex.  a  ledge  or  step,  on  and  against  which  is  placed  a 
suit  of  defensive  armour,  consisting  of  helmet  and  shield,  cuirass 
and  greaves;  beneath,  AOAA ;  on  the  exergual  line,  KiMHN. 


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β€”  150  β€” 

Weight  :  667 grs.  β€”  B.M.Cat.  Sicily,  p.  175,  n-  200.β€” 
Evans,  Syracusan  Medallions,  PI.    i,  n"   5,  β€”  Du   Chastel, 
op.cit.,  PI.  12,  nΒ»  141  (reproduces).    β€”    Hill,  Coins  of  An- 
cient Sicily,  Frontispiece,  n"  r.  β€”  Head,  Coins  of  Syracuse, 
PI.  IV,  6.  β€”  Macdonald,   Catalogue  of  Greek  Coins   in   the 
Hunterian  Collection,  I,  p.  228,  n"  63. 
Ml".  Hill  observes  that  on  this  group  ot  Klmon's   Dekadrachms 
"  the  head  of  the  nymph  Arethusa  is  marked  by  a  greater  restraint 
and  severity  of  manner  than  is  apparent  on  his  other  works,  and  is 
also  treated  in  somewhat  lower  relief";  and  he  adds:  "Its  relation 
to  the  head  on  a  tetradrachm  by  Eualnetos  (Fide  Biog.  Diet.,  \o[.Il, 
p.  44,  n"  21)  is  obvious.  The  nymph  wears  her  hair  in  a  net,  and 
her  earring  has  the  form  of  three  drops  falling  from  a  calyx.  The 
hair  is  treated  with  3  certain  amount  of  exuberance  at  the  sides  of ' 
the  head,  but  otherwise  the  work  is  fairly  reserved.  In  comparison 
with  Kimon's  later  types  there  is  a  lack  of  modelling  in  the  face ; 
the  curve  of  the  profile  taken  from  the  nose  upwards  and  carried 
on  over  the  frontlet  is  not  pleasing;  and  the  angle  made  with  the 


throat  by  the  excessively  full  chin β€” almost  vergingon  douhleness  β€”  is 
another  point  which  affords  excuse  for  fault-finding.  If  this  is,  as  it 
seems  to  be,  Kimon's  earliest  dekadrachm  type,  some  of  the 
weak  points  β€”  especially  the  flatness  of  the  modelUng  β€”  may  be 
due  to  the  largeness  of  the  scale,  which  was  strange  to  the  artist  ". 
As  already  noticed,  the  earliest  of  Kimon's  dekadrachm  types 
fits  into  the  fine  tetradrachm  of  Evaenetos'  "  first  manner";  the 
position  of  the  horses'  heads  on  ^.  is  quite  identical,  but  some 
alterations  have  taken  place  in  the  treatment  of  the  female  head  on 
obv. ;  the  sphendone  is  changed  into  a  narrow  band  with  a  net, 
which  encloses  the  hair  at  the  back.  The  same  idea  had  already 
been  made  use  of  on  the  older  tetradrachms,  of  the  type  ot  Evans, 
PL  !,  nΒ°  2;  Head,  PI.  in,  nΒ°  5  ;  B.M.Cat.,  p.  162,  nΒ°  124.  But,  as 
D'  Holm  remarks,  Kimon's  treatment  of  the  net  is  more  artistic  in 
that  the  baggy  form  end  of  the  sphendone  disappears,  and  the  hair 
is  disposed  with  more  freedom  over  the  temples  and  forehead, 
whilst  the  regularly  combed  hair  from  the  partition  takes  less  room. 


,,Coo(^[c 


Kimon  kept  to  that  type,  except  for  some  gradual  modifications. 

The  next  type  of  Kimon's  Dekadrachms,  designated  by  D'^  Evans 
as  Type  II,  is  characterised,  observes  D"'  Holm,  hy  the  higher 
chignon,  freer  neck,  reduction  in  size  of  the  chin,  greater  promi- 
nence of  the  forehead,  lending  the  physiognomy  a  greater  force  of 
expression,  reminding  one  of  the  coins  of  Neapolis. 

The  issue  of  this  type  of  Dekadrachms  must  have  closely  followed 
that  of  Type  I  (probably  B.C.  410). 

2.  jR.  Dekadrachm.  Obv.  XYPAKOZIflN-  Head  of  Arethusa 
to  1.,  wearing  single  earring  and  pearl-necklace;  hair  in  net,  band 
not  tied  above;  on  the  frontlet  of  head-band,  K;  around,  four 
dolphins. 

^.  Quadriga,  &c.,  in  Kimon's  usual  style,  as  on  n"  i,  with  the 
inscription,  AGAA  visible  beneath  panoply. 

Evans,  Syr.  Med.,  PI.  11,  nΒ°  r.  β€”  B.M.Cat,,  Sicily, 
n"^  205,  206.  β€”  Hill,  op.  cit.,  Frontispiece,  nΒ°  2  (Paris 
specimen). 

3.^.  Dekadrachm  (I'ype  IV).  Similar,  with  Kl  on  band; 
it  is  uncertain  whether  the  inscription  existed  also  on  the  dolphin 
beneath  the  head.  (Description  from  an  impression  kindly  commu- 
nicated to  me  by  M.   M.  P.  Vlasto.) 


#,; 


Β«St, 


"The  comparatively  amiable  model  of  Kimon's  eadier  type  has 
given  place ",  observes  Mr.  Hill,  β– '  to  a  haughty  beauty  with  a 
distinctly  sneering  expression.  The  relief  is  much  higher,  and  there 
is  more  modeUing  to  be  seen  in  the  features.  The  curve  of  the 
forehead  is  broken  by  allowing  some  of  the  locks  of  hair  to  stray 
from  under  the  frontlet.  The  earring  is  a  single  drop,  instead  of  the 
earlier  flower-like  ornament.  The  whole  design  is  more  restless, 
chiefly  owing  to  the  profusion  of  small  curling  locks  of  hair; 
it  is  true  that  they  are  hardly  more  numerous  than  on  the  earher 
coins,  butthey  are  so  treated  as  to  attract  more  attention  ". 

To  this  Type  II  of  Ktmoti's  Dekadrachms  corresponds  a  Tetra- 


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β€”    152    β€” 

drachm  of  exquisite  style,  with  profile  head  of  the  Nymph  in  high 
relief. 

4.  JP^.  Tetradrachm  {Circa  B.C.  410).  Obv.  SYPAKOJinN- 
Head  of  Arethusa  to  1.,  reseinbling  in  style  nΒ°  z ;  but  with  band 
tied  above;  around, four  dolphins  :  border  of  dots. 

'^.  Quadriga  to  1.,  driven  by  male  charioteer  holding  goad  and 
reins ;  horses  prancing ;  above,  Nike  flying  to  r.  about  to  crown 
charioteer ;  in  ex, ;  dolphin  to  i. :  border  of  dots. 

Weight  :  269  grs.  β€”  B.M.Cat.,  Sicily,  p.  176,  n"  207. 
β€”  Head,  op.  cit.,  PI.  iv,  8.  β€”  Evans,  op.  cit.,  PI.  11, 
2.  β€”  Du  Chastel,  op.  at.,  PI.  8,  n"  95.  β€”  Hill,  op.  cit., 
Pi.  VI,  n"  16. 


The  early  coins  of  Kimon  (Type  I)  served  as  prototypes  for 
Carthaginian  coins  v,fith  Zi^,  the  !^  of  which  reminds  us  of  that 
signed  ty  the  artist  EY0-  Coins  of  Motya(Evans,  PI.  a,  5,  6,  etc.) 
are  imitations  of  Kimon's  Type  II. 

To  this  same  period,  drca^.C  408,  soon  after  the  Syracusan 
Victory  over  Athens,  must  belong  also  the  earliest  Gold  Stater  of 
Kimon,  which  is  in  clo.se  connection  with  his  dekadrachm  and 
tetradrachm  of  Type  II. 

5.  M.  Stater  (lOoLitra).  Obv.  XYPAKOllON.  Head  of  Arethusa 
to  1.  wearing  triple-earring,  necklace,  and  sphendone,  upon  which 
ai-e  three  stars;  behind,  a  barley-corn  and  K  ;  above,  A;  border  of  dots. 

^-  (XYPA)-  Herakles  kneeling  on  r.  knee,  and  strangling  lion 
with  both  arms ;  behind,  club ;  above,  ivy-!eaf  (?). 

Weight  ;  89  grs.  β€”  Evans,  Syr.  Med.,  PI.  11,  n"  3.  β€” 
B.M.Cat.,  Sidly,  p.  170,  nΒ°  168.  β€”  Du  Chastel,  op.  cit., 
PI.  14,  161.  β€”  Hill,  op.  cit.,  PI.  vii,  n-  4. 


On  other  specimens,  the  signature  Kl  is  found  (Paris  Cabinet). 
This  coin  was  imitated  by  Evaenetos. 


./Google 


β€”  r53  β€” 

In  chronological  sequence,  we   now,    according    to   D'   Evans, 
meet  with  Kimon'sDekadrachms  of  Type  HI, 

6.  iR.  Dekadrachm  (OVc.  B.C.  406).  Obv.  Head  of  Arethusa, 
ro  1.,  of  somewhat  different  style  to   n"  3 ;  K   on   band  which  is 
narrower ;  KlMflN  on  dolphin.  Fine  style. 
^L.  As  before. 

Evans,  op.  at.,  PL  11,  8.  β€”  B.M.  Cat.,  Suily,  p.  176, 
nΒ°20i.  β€” Head,  op.  cit.,  PI,  iv,  7.  β€” β–   Holm,  Geschkhk, 
Siciliens,  iii,  PI.  v,  8.  β€”  Hill,  op.  at.,  Frontispiece,  n"  3 .  β€” 
Weil,  Kunstkrimchriflen ,  PI.  m,  9. 


The  British  Museum  specimen,  n"  201,  is  not  signed  on  frontlet 
of  head-band  (vide  B.M, Cat.,  p.  176,  fie.  201). 

β– j.JB^.  Dekadrachni  (Circ.  B.C.  403).  Obv,  Similar  head,  but 
of  coarser  workmanship;  Kon  band,  and  KIMnNO"  dolphin  beneath 
neck. 

^L.  As  before. 

Evans.  Syr.  Med.,  PI.  15,  n"  5.  β€”  B.M, Cat.,  op.  ciL, 
n""  202,  203.  β€”  Du  Chastel,  op.  cit.,  PI.  12,  n"  142.  β€” 
Macdonald,  op.  cit.,  I,  PI.  xvi,  19. 


On  Type  III,  the  chignon  is  again  lower  and  resembles  Type  I, 
in  the  disposition  of  the  hair. 


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β€”  154  β€” 

"  The  Dekadrachms  described  as  Type  III  ",  remarks  D*"  Evans, 
Syr.  Med.,  p-  82,  "  exhibidng  a  portraiture  of  Arechosa,  which  is 
simply  the  profile  rendering  of  the  same  queenly  countenance  that 
looks  forth  from  his  masterpiece  β€”  the  tetradrachm  with  the  facing 
head  and  the  inscription  APE002A)  struck  about  409  B  C.  These 
coins  represent  the  supreme  development  of  Kimon's  style,  and  the 
individuality  of  features  and  expression  clearly  indicate  that  they 
are  both  of  them  taken  from  the  same  living  model,  whose  beauti- 
ful but  distinctly  haughty  face  haunts  all  Kimon'slaterpresentations 
of  the  tutelary  Nymph,  in  much  the  same  manner  as  the  idealised 
heads  of  Andrea's  wife  or  RafFaelle's  mistress  look  forth  from  their 
Madonnas  ", 

The  next  coin  in  the  list  is  Kimon's  masterpiece  β€”  "a  work 
immeasurably  superior  to  his  Dekadrachms  β€”  the  Tetradrachm 
with  the  facing  head  of  Arethusa  ", 

8.  iR.  Tetradrachm  (Circa  B.C.  409).  Obv.  Head  of  Arethusa, 
three-quarter  face  to  1.,  wearing  earring  and  necklace ;  hair  flowing 
in  loose  tresses;  across  her  forehead,  ampyx,  inscribed  KiMAN  ; 
around,  four  dolphins,  two  on  either  side;  above,  outside  border 
of  dots,  APE0OXA- 


?;.β–   lYPAKOZinN-  Qu.ui---,-  1-  '  I  III  ^.  ukile  charioter, 
holdinggoad  in  r.  hand,  reins  m  both,  with  head  turned,  looking 
behind  him  ;  horses  galloping ;  beneath  them,  a  prostrate  column ; 
above,  Nike  to  r.,  stepping  upon  the  heads  of  the  two  nearer  horses, 
and  carrying  wreath  with  which  she  is  about  to  crown  the  charioter ; 
in  ex.,  ear  of  barley  to  1.  :  plain  border. 

Weight  :  266.  3  grs.  β€”  B.M.Cat.,  Sicily,-^.  177,  n"  208. 
β€”  Evans,  op.  cit.,  PI.  iii,  nΒ°  4.  β€”  Weil,  Kunsthrin- 
schriften,  PI.  111,  n"  10.  β€”  Head,  op.  cit.,  PI.  iv,  n"  9.  β€” 
Holm,  op.  cit.,  PI.  V,  n"  ir.  β€”  Du  Chastel,  op.  cit.,  PI.  8, 
n"=87-S9.  β€”  Hill,  op.  cit.,  PI.  vi,  15. 
9.  iR,  Tetradrachm.  Obv.  Similar. 

Bi-  lYPAKOllflN  (in  exergue).  Quadriga  to  1.,  driven  by 
charioteer,  holding  goad  in  r.  hand,  reins  in  both,  touching  with 
goad  the  head  of  the  third  horse;  horses  prancing;  above,  Nike 


./Google 


β€”  155  - 
flying  to  r.,  about  to  crown  charioteer;  on  line  of  ex  :  KIMflN  ; 
plain  border. 

Weight:  254.  7  grs.  β€” B.M.Cat.,  op.  cil.,  p.  177,  n^soj. 
β€”  Weil,  op.  at.,  PI,  in,  10"). 
"Enthusiasm",  says  Mr.  Hill,  "has  never  been  lacking  in  appre- 
ciation of  the  beauty  of  the  obv.  One  fact  may  without  hesitation 
be  admitted  β€”  it  is  the  most  charming  of  all  the  front  face  types 
produced  not  only  in  Sicily,  but  also  around  the  coasts  of  the 
Aegean,  as  at  AmphipoHs  and  Aenus,  at  Clazomenae  and  Rhodes... 
As  an  example  of  complicated  and  delicate  design  in  low  relief,  this 
reverse  ranks  higher  than  anything  else  produced  even  by  a  Syracu- 
san  artist  ". 

10.  J^.  Drachm  (Circ.  B.C.  409).  Obv.  Head  of  Arcthusa, 
three-quarter  face  to  1.,  (similar  to  n"  8),  without  inscription;  on 
either  side,  a  dolphin. 

^-  ZYPAKOZION-  Warrior  tor.,  in  fighting  attitude;  in  ex.  : 
AEYKAZmZ- 

Hoffmann  Sale  Catalogne,  n"  146  (189B). 


This  unique  Drachm  is  evidcntl>  by  Kiiiion,  and  of  the  highest 
interest  as  presenting  the  facing  head  of  Arethusa  in  a  reduced  size. 

A  small  copper  coin  of  Sytacuse,  with  the  same  head  of  Arethu- 
sa, and  ^L.  Sepia,  is  probably  also  the  work  of  Kimon. 

This  head  of  Arethusa  was  imitated  on  coins  of  Motya,  destroyed 
in  B.C-397  (Evans,  III,  8.  10-12),  Camarina,  abandoned  in  BC. 
405  (Evans,  III,  9;  B.M.Cat.,  p.  37,  n"  20)  and  Himera,  destroy- 
ed already  in  B.C.  409  (Evans,  p.  70,  fig.  4;  PI-  ni,  7),  which  are 
important  points  for  the  dating  of  the  piece,  not  later  than  409 
B.C. 

This  type  of  the  facing  head  of  Arethusa  is  considered  by  Prof. 
Furtwangler  as  having  come  to  Neapolis  from  Pheidias  and  his 
circle,  and  D'  Evans  has  shown  that  Neapolitan  Didrachms  with  a 
beautiml  three-quarter  face  head  of  a  Nymph  (Evans,  PI.  in,  i  and 
2)' served  as  prototypes  for  Kimon's  masterpiece,  and  may  even 
have  been  engraved  by  the  same  artist. 

Kimon's  facing  head  of  Arethusa  was  copied  further  on  a  bronze 
Hemilitron  of  Himera,  on  Didrachms  and  Drachms  of  Larissa,  and 
on  Staters  of  Cilician  satraps. 

The  later  gold  staters  of  Kimon  correspond  to  type  III  (n"  6)  of  his 
Dekadrachms. 


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~  156- 

11.  N.  Stater  (100  Litra).  Similnr  to  n"  5,  except  in  style  and 
expression. 

Two  varieties  are  reproduced  in  Evans,  Syr.  Med.,P\.  11,  n"^  4a 
and  4  B.- β€” -Du  Chastel,  op.  cii.,  PI,  14,  nΒ°  160  (Evaenetos  ?). 

D'  Evans  lias  convincingly  proved  that  Kimon  was  not  oi 
Syracusan  origin ;  he  has  even  surmised  that  he  may  have  been  the 
grandson  of  an  earlier  Kimon  who  signed  a  coin  of  Himcra  of  the 
middle  years  of  the  fifth  century  B.C.,  and  it  is  remarkable  that 
there  is  only  oneSyracusan  coin  on  which  his  signature  is  associated 
with  that  of  another  artist,  |M  (Himerios). 

12.  M..  Drachm.  Obv.  By  the  artist  |M  (lYPA)KOZ[flN- 
Female  head  tor.,  wearing  diadem,  earring  and  necklace;  hair  flow- 
ing; above,  |M  ;  iti  front,  a  dolphin  to  1.,  upwards  :  plain  border. 

^L.  By  Kimon  (?).  Quadriga  to  1. ,  driven  oy  charioteer,  holding 
reins  in  both  hands;  horses  prancing;  above,  Nike  flying  to  r., 
crowning  charioteer ;  in  ex.,  pilosand  Kt-M  :  plain  border. 

Weightt  39.Sgrs.  β€”  B.M.Cat.,  Sicily,  p.  181,  n"  233. 
Head,  op.  at.,  PL  v,  8. 
To  Kimon,   or  Parmenion,    may  futther  be  given,  according  to 
D'  Head,  a  pretty  M.  Litra. 

13.  .&.  Litra  (B.C.  415-400).  Obv.  lYPAK-  Female  head  to  r., 
wearing  earring  and  necklace,  hair  in  sphendone;  behind,  dolphin 
to). 

Head,   op.  cit.,  PI.   v.    9.  ~  B.M.Cat.,  ^/W/^',  p.  iSi, 
n"  334. 
V^.  Sepia. 


Not  only  has  Kimon  made  use  of  a  Neapolitan  prototype  for  his 
facing  head  of  Arethusa,  but  as  D'  Evans  suggests,  he  was  himself 
of  Chalkidian  stock.  Before  working  at  Syracuse,  the  same  artist 
"  executed  more  than  one  tetradrachm  die  for  Messana  ",  and  he 
may  also  be  the  engraver  of  a  Mctapontine  DidracWm,  reproduced 
by  Garrucci. 

The  Messana  Tetradrachms  by  Kimon  are  undoubtedly  earlier 
than  his  Syracusan  coins. 

14.  jR.  Tetradrachm.  Obv.  Biea  of  galloping  mules  driven  by 
a  female  (?)  charioteer,  crowned  oy  flying  Nike ;  in  ex  :  barley- 
spike. 

^.  ME22ANI0N  in  field  above  hare,  running  to  r.;  beneath. 
Nymph's  head,  her  back  hair  contained  in  a  sphendone ;  PEAflPlAX 


,/ Google 


in  front  of  the  head,  and  below  the  neck...  flN  (?)  ; 
cockle-shell  and  to  1.,  a  corn-spike. 

Evans,  Syr.  Med.,  PI.  x,  3^  and  3''. 


D' Evans,  who  first  published  thiscoin,remaiksthal  the  inscription 
is  by  no  means  clear,  but  believes  the  signature  refers  in  all  proba- 
bility to  Kimon. 

Another  MessanianTetradrachm  bears  Kimon's  signature. 
15 .   ^.  Tetradrachm.  Obv.  MEZIANinN.  Hare  running  to  1. ; 
beneath,  eagle,  to  1.,  standing  on  rock,  devouring  serpent  :  border 
of  dots. 

^.  Biga  of  mules  to  1.,  driven  by  female  charioteer,  who  holds 
goad  and  reins;  mules  walking ;  above,  Nike  to  r.,  holding  wreath 
and  caduceus;  in  ex.,  long  fish  to  1. ;  on  exergual  line,  name  of 
artist  :  KIMHN;  border  of  dots. 

Weight :  265.3  grs. β€”  B.  M.  Cat.,  Sicily,  p.  105,  nΒ°  56. 
β€”  Evans,  Syr.  Med.,  p.  1S7.  β€”  Sahnas,  Notine  degU Scavl. 
1888,  p.  218,  Tav.  XVII,  4. 


The  British  Museum  specimen  does  not  show  distinctly  the 
artist's  signature,  but  on  a  coin  seen  by  D''  Evans,  "the  last  four 
letters  of  Kimon's  name  are  clearly  decipherable  ".  Specimens  in 
the  Naples  and  Paris  Cabinets,  also  in  the  collections  of  D'lmhoof- 
Blumer,  Herr  A.  Lobbecke,  &c.  show  the  more  or  less  complete 
signature. 

The  Metapontine  Didrachm,  already  referred  to,  I  reproduce 
here  from  Garrucci,  Le  Mamie  dell  Italia  anlica,  Tav.  ciii,  fig.  16. 


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It  is  evident  that  Kiraon  was  not  a  Syracusan.  Apart  from  his 
earlier  dies  for  South  ItaUan  Mints,  further  proofs  in  corroborntion 
of  this  fact  are  furnished  by  his  use  on  Syracusan  coins  of  C 
nian  forms  of  earrings. 


There  is  another  type  of  Syracusan  Tetradrachm,  one  variety  of 
which  is  signed  K  on  obv.,  which  Sale  Cataloguers  generally  attrib- 
ute to  Kimon,  although  it  is  not  ascribed  to  this  artist  by  the 
various  writers  on  Sicilian  Coin-engravers'  signatures. 

i6.  JB^.  Tetradrachm.  Obv.  By  Kimon  (?)  Female  head  to  i,, 
hair  in  plain  sphendone;  broad  diadem,  over  which  her  hair  is 
drawn  back;  necklet  with  pendant  pearls;  large  earring;  two  dol- 
phins before  and  two  behind;  above,  at  back,  lYPAKOlinN  ;  the 
sphendone  is  tied  above  and  ornamented  with  three  stars  of  eight 
rays. 

^.  By  Parme(nion).  (Fide  Evans,  Syr.  Med.,  PI.  x,^  5).  Qua- 
driga to  r.,  driven  by  charioteer  crowned  by  Nike ;  the  rein  of  the 
farthest  off-horse  hangs  loose ;  under  the  nearest  horse's  feet,  a 
broken  chariot-wheel ;  in  ex. ,  ear  of  barley. 

Weight  :   266  ers.  β€”  Bunbury   Sale   Catalogue,    1896, 
lot  462.  β€”  Du  Cliastel,  op.  ciL,  PI.  7,  n"  77. 


A  variety  of  obv.  has  beneath  the  head  of  Goddess,  a  head  of  a 
bearded  satyr  to  r. 

B.  U..CZ.I.,  Sicily,  p.  179,  nΒ°  219.  β€”  Head,  Coins  of  Syra- 
cuse, PI.  V,  2. 
17.   JK.  Tetradrachm.   By  Kimon  (?)  lYPAKOSinN.  Female 
head  to  r.,  similar  to  last;  hair  in  broad  sphendone,  ornamented 
with  stars;  behind  neck,  K. 

^.  Quadriga  to  1,,  similar  to  last,  but  without  broken  rein  or 
wheel  under  horses. 


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β€”  159  β€” 
Weight  :  366  grs.   β€”  Bunbury   Sale   Catalogue,    1896, 
lot  463.  β€”  Du  Chastel,  op.  cii.,  PI.  7,  nΒ°  78. 
A  variety  in  the  National  Collection  has  >l  behind  neck. 
Another  specimen,  of  the  same  type  is  without  the  signature. 

B.  M.  Cat.j  Sicily,  p.  179,  n"  221.  ~-  R.  Hobart 
Smith  Collection  (illustr.^.  β€”  Bunbury  Sale  Catalogue, 
1896,  lot  464.  β€”  Du  Chastel,  op.  cit.,  pi.  7,  n"  79.  β€” 
Hill,  op.  cit.,  PI.  VII,  n"  3. 


The  eoin,  reproduced  here,  which  belongs  to  Mr.  R.  Hobart 
Smith,  of  New-York,  was  ascribed  to  Kimon  by  M.  Arthur  Sam- 
bon,  in  the  Catalogue  of  the  Sale  at  which  it  was  purchased  some 
few  years  back. 

The  soft  style  in  which  this  head  is  treated  reminds  one  strongly 
of  Kimon's  First  Medallion  Type,  and  indeed  D'  Evans  reproduces 
the  two  coins  on  the  samePlate.  I  would  only  draw  attention  to  the 
remarkable  affinity  between  this  type  and  that  of  the  Tetradrachm, 
by  Eukleidas,  signed  on  dolphin,  published  by  D''  ffirsch  (Sale 
Catalogue,  18.  May  1903,  lot  991). 

In  conclusion,  the  following  notes  on  the  artistic  merit  of 
Kimon's  productions,  may  add  to  the  interest  of  this  short 
summary  of  the  great  Artist's  work  : 

"Les  ceuvresde  Cimon  surpassent  de  beaucoup  cequia  etefaitde 
plus  remarquable  dans  le  meme  art  a  la  Renaissance.  Son  style  est 
loin  d'etre  sans  defauts ;  11  recherche  un  pen  trop  [es  tours  de  force 
etle  c6te  gracieux  des  types,  aux  depens  d'une  beaute  plus  id^ale 
et  plus  sublime.  Ses  figures,  trop  surchargees  de  details  etd'orne- 
ments,  manquent  de  simplicity,  et  par  suite  perdent  quelque  chose 
du  c6te  de  la  puret^  et  du  grandiose.  En  meme  temps,  11  a  toujours 
dans  I'execution  une  certaine  aprete,  qui  quelquefois  atteint  presque 
i  la  rudesse  et  contraste  singulierement  avec  la  recherche  de  grice 
dont  it  parait  toujours  preoccupe  "  (Lenormant,  La  moitnaie  dans 
rAntiquiti,  Paris,  1878,  III,  p.  269). 

D''  Weil  suggested  that  Kimon's  MedalUons  were  executed  after 
those  of  Evaenetos,  an  opinion  which  D"^  Evans  has  refuted  with 
sufficient  reasons  not  to  leave  now  any  doubt  on  the  subject.  The 
author  of  Die  Kumtlerinschrifun  der  sicilischen  Miin:(en,  p.  19, 
remarks :  "  Des  Euainetos  Rivale  in  der  Anfertigung  der  Dekadracti- 


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β€”  i6o  ~ 

men-Stempel  ist  Kimon.  Dem  Kopf  der  Gottin  h^t  er  eiiien 
ungleich  mehr  individuellen  Ausdruck  verlielien  als  Jener;  das 
Haar  ist  von  einem  Netz  gelialten,  dessen  breites  Band  iiber  der 
Stirn  zwischen  den  Locken  wieder  sichtbar  wird.  In  etwas  erhaben- 
er  SchrifttragtesdieBuchstaben  **'  oder  auch  blosses  KjCinanderer 
kiinstlerisch  uberlegener  Stempel  hat  dagegen  auf  dem  unter  dem 
Hals  befindlichen  Delphin  KIMHN.  Die  Kehrseite  ist  in  der  Qua- 
driga, wie  in  den  Waffenstiicken  des  Abschnilts,  denen  audi  bier 
die  Beischrift  AOAA  hinzugefiigt  ist,  dem  Dekadrachmen  des  Euai- 
netos  durcbaus  entsprecbend  gebildet ;  jedoch  iasst  sich  an  den  mir 
bekannt  gewordenen  Exemplaren  durchgSngig  beobacbren,  dass  das 
Gespann  ruhiger  gelialten  ist,  namentlicli  das  Aussenpferd  weniger 
emporbaomt  als  bei  Enainetos.  Mit  besonderer  Feinbeit  ist  die  Nike 
gezeichnet,  bei  der  mehrfach  die  rechte  Brust  und  das  rechte  Bein 
vom  Gewand  entblosst  bleibt.  Die  auf  der  Randleiste  einst  wohl 
durcheangig  vorhandene  Aufecbrift  KIMflN  ist,  dasiebeidemhohen 
Relief  vorzugsweise  ausgesetzt  war  nur  auf  ganz  vereinzelten 
Stticken  erhalten  geblieben.  Auf  dem  Tetradrachmon,  dessen 
Kopfseite  die  gleicne  Arbeit  zeigi  wie  das  Dekadrachmon,  ist 
eine  Kunstlerinschift  nicht  vorhanden.  Wohl  aber  tragi  seinen 
Namen  KIMHN  und  zwar  wiederum  auf  dem  Stirnband  der  mit 
Recht  so  bewunderte  Aretbusakopf  in  Vorderansicbt,  Um  das 
Hochrelief  wenigstens  etwas  vor  Abnutzung  zu  bewahren,  hat 
man  wie  es  scheint  absichtlich  breitere  Metallstiicke  angewen- 
det,  so  findet  sich  noch  ausserhalb  des  Perlkreises,  welcher  das 
Miinzbild  umschliesst,  Raum  fur  die  Umscbrilt  APEOOIA  rechts 
und  links  vom  Kopf  werden  theilweise  von  den  Locken  verdeckt 
jederseits  zwei  Delphine  sichtbar.  Von  den  beiden  hiermit  verbun- 
denen  Kehrseitenstempelii  tragt  der  eine  mit  den  stark  emporbaum- 
enden  Rossen  den  Namen  KIMHN  auf  der  Randleiste  des  Ab- 
schnitts,  der  andere  ohne  Kunstlernamen  lassc  die  Nike  aufrecht 
uber  den  Rossen  schweben. " 

"Zu  den  schonsten  Miinzen  des  Alterthums",  observes  Prof. 
Brunn,  "gehoren  die  grossen  Medaillons  von  Syrakus  welche  auf 
der  Hauptseite  einen  weiblichen  Kopf  nach  links  gewendet  und  von 
vier  Delphinen  umgeben  mit  derlnschrift  ZYPAKOZIflN  zeigen. 
Besonders  elegant  unter  diesen  sind  wiederum  diejenigen  bei  wel- 
chen  das  Haar  im  Nacken  in  einem  Netz  gesammelt  ist.  Auf  der 
Ruckseite  finden  wir  das  gewobnliche  Viergespann  nach  Hnks 
gewendet  mit  der  schwebenden  Nike,  welche  dem  Lenker  eineti 
Kranz  entgegen  bringt ;  im,  Abschnitt  ist  die  Riistung  eines 
Hopliten  gebildet,  unter  welcher  in  den  besser  erhaltenen  Exempla- 
ren  die  Inschrift  AOAA  stebt.  " 

BiBLiOGRAPiiY.  β€”  Arthur  J,  Evans,  Syraciisan  "  MeilaUioiU  "  and  llmr  Engrav- 
ers. London,  1S91.   β€”  B,  V.  Head,   Coins  of  Sjraeuse,   1874.     β€”  B.   V.    Head, 


rj,Goo'^lc 


Brit.  Mas.  Cat.  Sicily.  1876.  β€”  Raoul  RocheHe,  Lellre  sur  lei  Graviun  des  mon- 
naies  grecquu.  Paris,  i8;i,  β€”  A.  von  Sallet,  KmstUrimclmftm,  &c.,  1871.  β€” 
R.  WeU,  K&nstlerinsclirifUii  auj  siciUsdien  Miiii^^ea.  Berlin,  1884.  β€”  Du  Chastel, 
Syracuse,  ses  monnaies  d'argent  et  d'or  au  point  de  we  arlistiqtte.  Londres,  1 898.  β€” 
Ad.  Holm,  Geschichte  Siciliens  im  AUerlhum.  Leipzig,  189B.  β€”  Bninn,  Geschichte 
der  griechischen  Kunstler.  Stuttgart,  1899.  β€”  Hill,  Coins  of  Ancient  Sicily,  1902.  β€” 
L,  Forrer,  Les  Signatures  de  Graveurssiir  Us  monnaies  grecgms,  Bruselles,  1905. 

KIMAST,  MICHAEL  (Germ.').  Mint-official  at  Bernsiadt  (Silesia), 
1684. 

KINDON  (Brit.).  Partner  in  the  Die-sinking  Establishment  of 
KEMPSON  &  KINDON,  Token  Manufacturers  at  Birmingham,  in  the 
early  part  of  the  nineteenth  century.  Vide  KEMPSOK  suprd. 

KINGDOM,  ABRAHAM  (Brit.).  Malagasy  Trader,  who  before  the 
French  Occupation,  issued,  under  Q.ueen  Ranavalo,  a  Token  cur- 
rency for  Madagascar,  which  was  however  stopped  by  the  govern- 
ment. 

KINSBURGER,  SYLVAIN  (French).  Contemporary  Sculptor,  born 
at  Paris;  pupil  of  Dumont,  and  Thomas.  He  is  the  author  of  a 
number  or  Portrait-tTjedallions,  which  were  exhibited  in  1878, 
1879,  i88o,  1896,  and  later  at  the  Salon.  A  Portrait-medal  of 
Santos- Dumont,  1901,  is  signed  :  J.  KINSBURGER.  At  the  Salon  of 
1904  he  exhibited  a  frame  containing  various  Portrait-medals  and 
Plaquettes.  By  him  are  also  Portrait-plaquettes  of  L.  Planel,  violin- 
ist; β€”  A.  Bertrand,  engraver;  β€”  P.  Lagrave,  architect;  β€” 
G.  Lemaire,  gem-engraver,  and  others. 

Bibliography.  β€”  Chavignerie'et  Auvray.  op,  cii. 

KIPLING-L0GKW0OD(-SnV:);.  Contemporary  Sculptor,  and  bro- 
ther of  the  celebrated  writer.  He  is  the  author  of  several  Bas- 
reliefs  and  Portrait-medallions,  none  of  which  have,  as  far  as  I 
know,  been  cast  in  bronze  or  reduced  to  the  form  of  medals. 

KIRCHBACH  (Germ.).  Signed,  as  Designer,  several  medals  publish- 
ed by  the  Die-sinking  Establishment  of  Oertel  at  Berlin;  amongst 
them  a  Medal  of  the  International  jElectrotechnic  Exhibition  at 
Berlin,  1891. 

KIRCHENHOFER,  FRANZ  IGNATIUS  (Germ.).  Warden  of  the  Imper- 
ial Mint  atOppeln,  27.  April  1673;  died  on  17.  October  1685 
(Slaalsarchiv).  His  initials  occur  on  his  issues,  from  1673  to  1677, 
and  1681  to  1683, 

Bibliography.  β€”  Friedensburg,  Sclilesische  Mtmisludien. 

KIRCHNER,  SAMUEL  (Germ.).  Burger  of  Liegnitz;  with  Johann 
Hoffmann    he    contracted    to    work    the    Mint    at   Schweldnitz, 

L.   Fo«»rK.  β€”  Bw^mfblral  Nclicaof  Mid:iUi>ls.   β€”  III,  β€ž 


>stsd  by  Google 


β€”    l62   β€” 

9,  November  1621 ;  the  contract  ended  on  15.  August  1623.  The 
coins  of  Schweidnilz  of  that  period  nearly  all  bear  his  initials  K,  S. 
BiELioGHAPHY.  β€”  Friedensburg,  Schksische  Murqstudim. 

KIRCHHOFEE,  WOLFGfAMG  (Austr.').  Mint-Councillor  at  Vienna, 
1524-1526. 
KIRCHNER,  GEORG  (G^J-m.).  Mint-official  at  6ls,  1676-1679. 

KIRCHNER,  JOHANM  WII.HELM(GΒ£mi.).  Medallist,  Wax-modeller, 
and  Ivory-carver  of  Cassel,  1773-1794.  He  was  Mint-engraver  there 
from  1772,  and  Medallist  to  the  Court  from  1787,  The  Museum  at 
Cassel  preserves  works  by  hira.  Some  of  his  medals  are  reproduced 
in  fioffmeister's  treatise  on  Hessian  coins  and  medab. 

KIRCHNER,  JOHANN  WllHELM  (Germ.).  Mint-engraver  at  Cassel, 
circa  1827. 

KIRCHNER,  W.  {Germ.).  Medallist  of  the  first  halfof  the  nineteenth 
century;  he  resided  first  at  Berlin,  but  was  at  St.  Petersburg  in 
1840.  He  executed  amongst  others  the  following  Medals  :  Capture 
of  Er^eroum;  β€”  Third  Centenary  of  the  Augsburg  Confession, 
Festivities  at  Schweinfurt,  with  Portrait  of  the  Landgrave  Philip 
of  Hesse ;  β€”  Portrait-medal  of  the  celebrated  Chemist,  Berzelius, 
1830,  &c. 

KIRCHPICHLER,  CHRISTOF  {Austr.)  Mmt-oiHcial  (Hofpfenning- 
meister)  at  Gratz,  1623. 

KIRCHPDCHER,  HIERONYMUS  {Austr.).  Mint-master  at  Klageu- 
furt,  1526-1539  (i^)  Under  his  term  of  office  a  Carinthian  Quarter 
Thaler,  without  date,  was  struck  at  that  Mint;  its  ^L.  inscription 
is  INF .  HISP A .  ARCHIDVX .  CARIN .  D .  BV . 

Bibliography.  β€”  J.  Ncntwicli,  Sdtene  ailevreichische  VicrteJtImier,  189;. 

KIRK,  A.  (Brit.).  Probably  a  brother  of  John  Kirk,  and  also  a 
Medallist.  Ho  died  in  1761  or  thereabout.  His  workshop  was  in 
St.  Paul's  Churchyard.  By  him  are  :  1745.  The  Rebels  repulsed  by 
the  Dulfe  ot  Cumberland  (obv.  only,  signed  A.  KIRK  P.);  β€”  I745- 
Another,  on  the  same  event  (obv.  only);  β€”  1746.  Battle  ot 
CuUoden  (^,  only) ;  β€”  1746.  Another,  on  the  same  event  (en- 
tirely by  A.  Kirk),  &c. 

A.  Kirk  worked  in  conjunction  with  John  Kirk. 

Bibliography.  ^Bolzentbal,  op.  cit.  β€”  Franks  and  Grueber,  Medallic  Illuslrit- 
liom,  &c. 

KIRK,  JOHN  (Brit.).  A  London  Medallist  and  Gem-engraver  of  the 
second  half  of  the  eighteenth  century,  born  in  1724,  by  whom 
are  a  number  of  medals  and  medaiets.  He  was  a  pupil  of  James  Anthony 


lo.tedo/GoOf^lc 


-  i63  - 

Dassier,  and  received  prcrniums  from  the  Society  of  Arts.  With 
A.  Kirk  he  lived  in  St.  Paul's  Churchyard,  where  he  died  on  the 
27"'  of  November  1776.  His  signature  occurs  as  :  I.  KIRK  F. ;  β€” 
KIRK  ;  β€”  KIRK  FEC.  ;  --  I,  KIRK  ;  β€”  KIRK  TEC. 

John  Kirk's  best  known  works  are  :  Medals.  Edward  VI., 
Christ's  Hospital's  Medalet ;  β€”  Prize  Medal  of  St.  Saviour's 
School,  Soutliwark;  β€”  Medal  of  the  Order  of  Shakespearians, 
1777;  β€”  Sir  Hugh  Myddelron,  -(β–   1631  (a  modern  production 
attributed  to  Kidc  by  Franks  and  Grueber)  ;  β€”  Inigo  Jones,  -f  1652 
("  This  piece  is  well  executed,  as  a  study,  by  John  Kirk,  who 
afterwards  attained  considerable  eminence  ")  ;  β€”  Elizabeth  Cley- 
pole,  "i"  1658  (2  var.);  β€”  Cromwell,  f  1658;  -β€”  John  Milton, 
β– f  1674 '  β€”  Bishop  Berkeley's  Premium  Medal ;  β€”  1740.  Portrait- 
medal  of  George  II.  (signed  :  I.  KIRK.  F.  AETATE.  16.)  Mr.  Grueber 
observes  ;  "  This  is  one  of  the  earliest  known  works  of  John  Kirk. 


Capture  of  Louisburg,  1758. 

It  was  executed  probably  as  a  trial  of  his  proficiency  about  the  year 
1740,  when  the  young  head  ceased  to  appear  upon  the  coinage  of 
George  II. ;  β€”  Sir  John  Barnard,  1744 ;  β€”  Recapture  of  Prague, 
1744,  with  Bust  of  Prince  Charles  of  Lorraine  (3  var.);  β€”  Capture 
of  the  Spanish  ships,  the  Marquis  d'Antiii  and  the  Lewis  Erasmus, 
1745  ;  β€” Medal  of  the  Loyal  Association,  1745  (signed  :  I.  KIRK 
F.  ST.  PAUL'S  CHURCH-YARD)  ;  β€”  Repulse  of  the  Rebels  by  the 
Duke  of  Cumberland,  1745  (^L.  only;  2  varieties);  β€”  Others, 
on  the  same  event  (2  var.);  β€” β–   Battle  of  CuUoden,  1746;  β€” 
Another,  on  the  same  event  (obv.  only);  β€”  Medal  of  the 
Tuesday  Club  of  Annapolis ;  β€”  George  11.  and  the  Duke  of  Cum- 
berland, a  counter  (several  varieties)  ;  β€”  Frederick  and  Augusta, 
Prince  and  Princess  of  Wales,  a  counter  ;  β€” William  Duke  of  Cum- 
berland (3  var.  of  Counters) ;  - β€”  Augusta,  Princess  of  Wales,  a 
series  of  Counters  unsigned  (Med.  III.,  pp.  623-626,  n"*  299-310); 
β€”  William,  Prince  of  Orange,  Stadholder,  1747;  β€”  Peace  of 
Aix-la-Chapelle,  proclaimed,  2.  Feb.  1749  (2  var.  ;  one  unsigned); 


,,Goot^lc 


β€”  164  β€” 

β€”  Death  of  Frederick,  Prince  of  Wales,  1751  ;  β€”  Free  Britisn 
Fishery  Society,  1751;  β€”  Louisburg  taken,  1758  (illustrated);  β€” 
Battle  of  Minden,  1759  ;  β€”  Death  ot  General  Wolfe,  1759  (from  a 
wax  model  by  Gosset,  illustrated.  Vol.  II,  p.  joi);  β€”  George  II,, 


George  UL,  0 


Portrait-tnedalet,  1760;  β€”  Accession  of  George  III.,  Oct.  26, 
1760  (illustrated);  β€”  John  Murray,  Third  Duke  of  Atliol, 
1774  ;  β€”  William  Murray,  Earl  of  Mansfield,  1777  (from  a  model 
by  Gosset) ;  β€”  Prize  Medal  of  the  Dumfries  Society  for  Encour- 
agement of  Agriculture,  1776;  β€”  Tribute  to  David  Garrick, 
1772;  β€” β–   Memorial  Medal  of  David  Garrick,  1773;  β€”  David 
Garrick's  retirement,  1776;  β€”  Memorial  Medal  of  the  Marquis  ot 


Marquis  of  Graiiby,  Memoi-ial  Medal,  by  J.  Kirk. 
(^  of  actual  size). 

Granby,  1774  (illustrated);  β€”  John  Harrison,  The  Armagh 
Library  founded,  1771  (after  Tassie);  β€”  Benjamin  Hoadlcy, 
Bishop  of  Winchester,  1676-1761,  Memorial  Medal,  1761  ;  β€” 
Henry,  Second  Earl  Bathurst,  1714-1794;  β€”  Erection  of  the  New 
Hall  of  the  Six  Clerks'  Office,  1776  (after  Gosset)  ;  β€”  The  Earl  of 
Camden  appointed  Lord  Chancellor,  1766  (i  var.);  β€”  Memorial 
Medal  of  Lord  Camden,  1773;  β€”  William  Pitt,  First  Earl  of 
Chatham,  Memorial  Medal,  1778  ;  β€”  Marriage  of  George  III.  with 
Queen  Charlotte,  8.  September,  and  Coronation,  22.  September, 


./Google 


-  i6s  - 

1761  ;  β€”  To  the  Immortality  of  the  Order  of  Free  Masons,  Lon- 
don, 1766;  β€”  William  Beckford; β€” -Frederick,  Baron  North,  First 
Lord  ofthe  Treasury,  1776  (?)  (after  Gosset) ;  β€”  Various  Prize 
Medals,  &c.  ;  β€”  Medical  Society  of  London,  1773  ;  β€”  Linnaeus  ; 
&c.;  The  Grafton  Medal,  1788;  β€”  Hugh  Percy,  Duke  of  Nor- 
thumberland, 1766  (2  var.);  β€”  Church  and  State  Medal,   1774; 

β€”  Gems.  Copy  of  Marchant's  bust  of  Susanna,  after  the  statue  by 
Flamingo;  β€”  Bust  of  George  IL  ;  β€”  Bust  of  George  IIL  ;  β€” 
Prince  Ernest  of  Mecklenburg  ;  β€”  Mrs  Claypole;  β€”  Gosset,  the 
famous  modeller  in  wax  ;  β€”  Sir  Joshua  Reynolds,  1773  ;  β€”  Lord 
Chancellor  York;  β€”  Female  head,  a  study,  after  Tassie,  &c. 

There  is  also  a  large  series  ot  medalets  (in  silver  and  in  bronze) 
bearing  portraits  of  distinguished  persons. 

Amongst  the  Tassie  Gems  there  is  one  representing  a  Female 
portrait,  taken  from  a  medallion  engraved  by  Kirk. 

Bibliography.  β€”  Bolzenlhal,  op.  cit.  β€”  Franks  and  Grueber,  MedalUc  Illustra- 
tions of  the  History  of  Great  Britain  and  Ireland.  London,  1885.  β€”  Cochran- 
Patrick,  Medals  of  Scotland.  Edinburgh,  1885.  β€”  H.  A.  Grueber,  Guide  to  the 
Exhibition  of  English  Medals,  1891.  β€”  Marvin,  Masonic  Medals.  Boston,  1880.  β€” 
Belts,  American  Colonial  History  illustrated  by  Contemporary  Medals.  New  York, 
1894.  β€”  Leroux,  MddailUer  in  Canada. 

KIRKYN,  GEORGE  (Brit.').  Mint-master  in  conjunction  with  Lotto 
Nicholyn,  of  Florence,  under  Edward  IIL,  anno  17. 

KIRKWOOD,  ALEXANDER  (Brit.).  Medallist  of  the  second  and 
third  quarters  of  the  nineteenth  century,  who  resided  at  Edin- 
burgh, where  he  died  on  the  6.  August,*i879,  at  the  age  of  seventy- 
five,  having  been  born  on  the  23,  August,  1S04, 

From  Cochran-Patrick,  we  learn  that  he  is  the  author  of  the 
following  medals  :  Montrose  Medal  of  Merit  (signed  :  A.  KIRK- 
WOOD); β€”  Medals  ofthe  Royal  Scottish  Society  of  Arts  (2  var.); 

β€”  Medal  of  the  Photographic  Society  of  Scotland  (^.  only);  β€” 
Medal  of  the  Ayrshire  Agricultural  Association ;  β€”  Medals  of  the 
Highland  and  Agricultural  Society  of  Scotland,  etc. 

Alexander  Kirkwood  was  the  chief  partner  of  the  firm  of  KIRK- 
WOOD &  SON,  which  is  now  represented  by  his  son,  A.  KIRKWOOD. 

KIRKWOOD,  A.  {Brit.).  Son  of  the  last,  and  head  of  the  firm  of 
Edinburgh  Die-sinkers,  KIRKWOOD  &  SON.  He  cut  a  number  of 
medal-dies,  some  of  which  are  described  in  Cochran-Patrick's 
Medals  of  Scotland  :  Alexander  Kirkwood  Sen'.,  1804-1879  ;  β€” 
Agricultural  Medals  (several  varieties;  some  signed  :  ALES.  KIRK- 
WOOD; others  KIRKWOOD  &  SOW);  β€”  Montrose  Medal  of  Merit; 

β€”  Medals  of  the  Royal  Caledonian  Club,  and  others  which  I  shall 
enumerate  under  the  heading  of  KIRKWOOD  &  SON. 


,stsd  by  Google 


KIRKWOOD,  HENRY  A.  (Bi!l,).  Brother  of  Alexander  Kirkwood 
Sen',  and  also  .i  Mel  li    :,  β–   β–   β–   irked  at  Edinburgh  during  the 


Walt,  by  Heiiry  Kirkwood. 


second  half  o!  the  nineteenth  century.  He  produced  many  intagli 
and  cainei  in  stone,  and  was  also  a  Wood-engraver,  but  was  perma- 
nently invalided,  says  Cochran-Patrick,  from  mental  strain,  in  1856. 
His  signature  H^  K.  occurs  on  a  medal  struck  for  the  Watt  Club  in 
Greenock,  and  bears  a  bust  of  James  Watt. 

KIRKWOOD  &  SON  (,Brit.\  This  firm  has  long  been  connected 
with  medallic  work  in  Edinburgh.  The  great-grandfather  of  the 
present  representative  and  his  grandfather  were  both  well-known 
engravers  ".  (Cochran-PaJrick,  Medals  of  Scotland,  p.  268). 
Henry  Kirkwood,  the  author  of  the  Watt  Medal,  and  his  brother, 
Alexander,  1S04-1S79,  are  the  best  known  Medallists  of  the 
family. 

The  signature  KIRKWOOD  &  SON  or  A.  KIRKWOOD  &  SDH  to  which 
is  added  sometimes  EDINR,  occurs  on  the  following  medals  enumer- 
ated by  Cochran-Patrick:  Alexander  Kirkwood  Sen',  1804-1879; 
β€”  The  Robert  Wilson  Memorial  Prize;  β€”  Medal  of  George 
Heriot's  Hospital ;  β€”  Opening  of  St.  Giles  Church,  Edinburgh, 

1883  ;  β€”  Visit  of  the  Queen  and  Prince  Consort  to  Edinburgh, 
1842;  β€”Medal  of  the  Photographic  Society  of  Scotland  ;  β€”  Medal 
of  the  Royal  Caledonian  Horticultural  Society;  β€”  Medal  of  the 
Scottish  Society  for  the  Prevention  of  cruelty  to  Animals;  β€” 
Medal  of  the  University  of  Aberdeen,  1884;  β€”  Unveiling  of  the 
TannahiU  Statue,  Paisley,  1883  (signed  :  K  &  S);  β€”  Jubilee  of 
the  Caledonian  Youths'  Society,  Musselburgh,  1877;  β€”  Medal  of 
the  Caithness  Industrial  Exhibition,  1868;  β€”  Medal  of  the  Argyll- 
shire Gathering ;  β€”  Highland  and  Agricultural  Society  of  Scotland, 

1884  (several  varieties)  ;  β€”  Montrose  Medal  of  Merit;  β€”  Medals 


>sted  by  Google 


-  i67- 

of  the  Royal  Caledonian  Club,  with  curling  scenes  (sev.  var.)  ;  β€” 

β€”  The  "  George  Glennie  "  Golf  Medal  (3  var.)  ;  β€”  Medal  for 
Winners  at  the  Game  of  Quoiis;  β€”  Volunteer  Medals  (sev.  var.) ; 

β€”  Dog  Show  at  Frankfort-on-Main,  1878 ;  β€”  700""  Anniversary  of 
the  Mayoralty  of  London,  1889;  β€”Min  to  House  School  of  Medicine, 
Edinburgh ;  β€”  Surgeons'  Hal!   School  of  Medicine,  Edinburgh ; 

β€”  School  of  Medicine,  Edinburgh  ;  β€”  D''  Sir  Geo,  H.  B.  Macleod, 
Glasgow;  β€”  Medical  college  for  Women  at  Edinburgh;  β€” 
Marshall  St.  School  of  Medicine,  β€”  Medical  Dept.,  Victoria 
wing,  Edinburgh  Hospital ;  β€”  Medal  of  the  Dobbie-Smith 
wings  at  Edinburgh  and  Glasgow  Medical  Schools;  β€”  Bathgate 
Medal;  β€”  Princess  Charlotte,  and  others. 

Bibliography.  β€”  R.  W.  Cochran-Patrick,  Catalogtte  of  the  Medals  of  Scotland, 
Edinburgh,  1894.  β€”  C.  Welch,  Nuniismata  Londimtisia,  1894, 

KIRSCHBADM,  NIKOLADS  (Austr.).  Assistant  Mint-engraver  at 
Vienna,  1845. 

KIRSCHNER.  PHILIP  (Germ.).  Goldsmith  and  Mint-engraver  at 
Weikersheim,  1623-1624. 

KIRSTEIN,  FRIEDRICH  (Germ.).  Sculptor  of  the  first  half  of  the 
nineteenth  century,  who  resided  at  Strassburg,  He  is  the  author, 
amongst  others,  of  Silver  medallions  representing  various  subjects, 
one  of  which  is  Christ  and  the  Samaritan  woman  at  the  well  of 
Sychar,  all  chased  and  repouss^  work.  He  exhibited  at  the  Paris 
Salon  between  1810  and  1834,  and  by  him  are  also  the  following 
medals  :  Oberlin ;  β€”  Erwin  de  Sceinbach  ;  β€”  J.  Sturm,  first  rector 
of  the  Academy  of  Strassburg;  β€”  General  Meeting  of  Musical 
societies  of  Alsace,  1830,  &c. 

Bibliography.  β€”  Chavigoerie  et  Auvray,  op.  cit.  β€”  J.  Florange,  Catalogue  de 
la  Colledion  de  M.  A***,  16-18  Janvier  /^oj. 

KIRSTEIN,  FRIEDRICH  (Germ.).  Son  of  the  last;  Sculptor  of 
Strassburg,  where  he  was  born.  By  him  is  a  Portrait-medallion  of 
Benjamin  Constant,  and  various  Bas-reliefs,  in  chased  and  repoussi 
work.  One  of  his  Bas-reliefs  in  marble,  representing  Christ  blessing 
the  Children  was  executed  for  Strassburg  Cathedral,  1842. 

BiBLiOGRArHY.  β€”  Chavignerie  et  Auvray,  op.  cit. 

KISCH,  &.(Belg.).  A  Brussels  Die-sinker,  who  in  1876  issued  a 
commemorative  medal  of  the  Health  Exposition  at  Brussels,  in  that 
year  (in  Boston  Coll"). 

KISSELS,  HENNIG  (Germ.).  Mint-master  at  Mayence,  1609- 
1614  (?) 


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KISSING  (Auslr.~).  Contemporary  Medallisr,  by  whom  I  have  seen 
a  commemorative  medal  of  Kosduszko,  1894. 

KISSLING,  RICHARD  (Szuiss).  Sculptor,  born  at  Wolfwyl,  canton 
Solothnrn,  1848;  author  of  the  William  Tell  Monument  at  Altorf. 
His  initials  R.  K.  appear  on  the  medal  struck  by  F,  Romberg  on  the 
Dedication  of  the  Tell  Monument  at  Altorf  in  1895. 

KIST,  TEUWIS  (Dutch.').  Mint-master  at  MedembUk  and  Hoorn, 
1741-1761 ;  privy  mark,  a  cock. 

KIT  (Belg.).  Die-sinker  of  Antwerp.  His  signature  occurs  on  the 
!^.  of  a  medal  of  the  Society  of  Pharmacy,  Antwerp,  1858. 

KITTEL,  GEORG  WILHELM  {Germ.).  Medallist,  born  at  Breslau  in 
1694,  where  he  died  in  1769.  His  productions  are  usually  signed 
GWK  or  H.  Amongst  his  best  known  works  are  :  Deach  of  King 
Charles  VI.,  1740  ;  β€”  Death  of  the  Emperor  Charles  VII.,  1745  ;  β€” 
Bohemian  Coronation  of  Maria  Tiieresia,  1743  (2  var.);  β€” relief  of 
Prague,  1743;  β€”  Thalers  and  Half  Thalers  of  Charles  VI. ;  β€” 
Thalers  of  Frederick  II.  for  Silesia;  β€” -  The  Famine  of  1736;  β€” 
End  of  the  Famine,  1737  (3  var,);  β€”  The  severe  Winter  of 
1739/40;  β€”  jubilee  of  the  Discovery  of  Printing,  1740 ;  β€”  Death 
of  Charles  VI.,  r74o(signed  :  G.  W.  KITTEL)  ;  β€”  Silesia  mourning 
for  Charles  VI.,  1741 ;  β€”  Battle  of  Mollwitz,  1741;  β€”  Siege  ot 
Breslau,  1741 ;  β€”  Portrait-medal  of  Frederick  II.  and  his  Consort, 
β–  β€” Queen  Elizabeth  Christina,  1741 ; β€” Battle  of  Chotusitz,  1742 
(3  var.) ;  β€”  Preliminaries  of  the  Peace  of  Breslau,  1742  (2  var.); 

β€”  Recapture  of  Prague,  1743  (2  var.);  β€”  The  Comet  of  1744;  β€” 
Marriage  of  Luise  Ulrika  of  Prussia  with  Adolph  Frederick  of 
Sweden,  1744;  β€”  Taking  of  Prague,  1744  (2  var.);  β€”  Battle  of 
Hohenlriedeberg,  1745  (4  var.);  β€”  The  Great  Draught  in  Silesia, 
1746;  β€”  Foundation  of  the  Reformed  Church  at  Breslau,  1747 
(2  var.);  β€” -  Plague  of  Grasshoppers  in  Silesia,  1748;  β€”  Explosion 
of  Breslau  Arsenal,  1749;  β€”  Dedication  of  the  Reformed  Church 
at  Breslau,  1750 ;  β€”  Zinzendorf,  and  the  Community  of  Moravian 
Brethren,  1750;  β€”  Jubilee  ot  the  Church  of  Peace  at  Jauer,  1755 ; 

β€”  Coronation  Medal  of  Frederick  II.  (Breslau),  1741,  etc. 
Bibliography.   β€”   Bolzenthal,  o/j.  cit.  β€”  Friedensburg  und  Seger,  SchUdem 

Munim  iitid  Medailkn  der  neueren  Zeit,  Breslau,  1901.  β€”  Kirrais,  op,  cit.  β€” Iversen, 
op.  cit.  β€”  Hildebrand,  op.  cit.  β€”  Schlisiem  Forpit,  &c.  VII. 

KITTEl,  JOHANN  (Germ.).  Medallist  of  Breslau,  born  at  Namslau 
in  1656,  died  on  the  25.  November  1740.  The  earliest  medals  on 
which  his  monogram  appears  (K.  or  I,  K.)  are  dated  1 68 1 ,  and  from 
that  date  until  his  death  he  executed  numerous  medals  commemor- 
ating events   in  Saxon  history  as  well  as  personal  medals.  I  could 


,/Goo(^[c 


-  16,  - 

only  find  descriptions  of  the  following  :  Bombardment  of  Belgrade, 
1688  ;  β€”  Religious  Medals  (for  Christening,  Marriage,  etc.  ceremo- 
nies ;  also  commemorative  of  Pence  festivities) ;  β€”  Johann  Hartwig, 
Count  of  Nostitz;  β€”  Medal  of  1690,  with  busts  of  Leopold,  Joseph, 
and  the  Empress;  β€” Siege  of  Vienna,  1683  (^.  Medal);  β€”  Peace  of 
Ryswick,  1697  ;  β€”  Undated  Thaler,  with  bust  of  Frederick  II. ;  β€” β–  
Death  of  Caspar  Neumann,  1715;  β€”  Coronation  of  Frederick  I. 
King  of  Prussia,  1701 ;  β€”  Times  of  Distress,  1702  (2  var.);  β€” 

β€”  Alms  Medal,  1704;  β€”  Accession  of  Joseph  I.,  1705;  β€” 
Satirical  Medal  on  the  New  Century,  1700 ;  ~  Battle  of 
Ramillies  and  Relief  of  Barcelona,  1706;  β€”  Capture  of  Naples, 
1707;  β€”  End  of  the  Plague  at  Breslau,  17 14  (2  var.);  β€”  Baptism 
of  Archduke  Leopold,  1716  ;  β€”Trial  of  the  Coining- Press  invented 
by  Daniel  Cracau,  1717;  β€”  Coronation  of  Charies  VI.,  1723  ;  β€” 
Inauguration  of  the  Evangelical  Church  at  Gross- Wartenberg,  1736  ; 

β€”  Water  Famine  (2  var.) ;  β–  β€”  Queen  Elizabeth  Christina  of 
Prussia;  β€”  Coronation  of  Charles  VI.,  1711 ;  β€”  Memorial  Medal 
of  Leopold  I.  ;  β–  β€”  Siege  of  Azow,  1696 ;  β€”  Peace  of  Carlowitz, 
1696;  β€”  Coronation  Jeton  of  Catherine  I.,  &c.  It  is  however 
somewhat  doubtful  whether  the  Russian  medals  signed  I.  K.  are 
by  Kittel. 

Bibliography.  β€”  As  above. 

KITTEL,  JOHANN' GOTTLIEB  (Germ.).  Medallist  of  Breslau,  son  of 
johann  Kittel,  and  brother  of  Georg  Wilhehn,  was  born  in  1688 
and  died  in  1727,  only  39  years  old.  His  productions  are  usually 
signed  JGH.  These  initials  occur  on  a  Thaler  of  1714;  β€”  Johann 
Andreas  Baron  von  Plencken,  Chancellor  of  Silesia,  1718;  β€”Thaler 
on  his  Jubilee,  &c. 

Some  of  the  medals  engraved  by  the  Kittels  are  described  in 
Kundmann's  "  Heimsuchungen  "  ;  a  few  were  designed  by  the  cele- 
brated Caspar  Neumann.  Many  being  unsigned,  it  is  impossible  to 
attribute  them  correctly. 

BiBLIOGHAPHY,    β€”    As    (iboVS. 

KITTEL,  JOSEF  (^Auslr.\  Die-sinker  of  Vienna,  whose  signature  I 
have  met  with  on  medals  commemorating  the  Marriage  of  the 
Archduke  Rudolph  of  Austria  with  Crown  Princess  Stephanie  of 
Belgium,  18S1. 

KITTNER  VON  PERCHAIMB,  JOHANN  JACOB  {Bohem.').  Royal  Mint- 
master  at  joachimsthal,  1650-1668.  His  distinctive  mark,  a  crown, 
occurs  on  Thalers,  Fimfzehners  and  Kreutzers  of  that  period,  struck 
at  the  Mint  of  Joachimsthal. 

Bibliography,  β€”  Fiala,  Beschreibiing  der  Sammlung  Bohmiicher  MUn^en  itnd 
MΒ«rfniΒ«eH,  Prag,  1888. 


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KITZIN,  MARCUS  (Germ.).  Mint 

KITZKATZ,  RUPRECHT  mCLkS  (Germ.).  Medallist  and  Coin-engrav- 
er at  Dresden,  circa  1615-1633.  His  name  has  been  discovered  by 


Treble  '  _  β€ž  ,.   )y  Kitjikatz. 

Julius  and  Albert  Erbstein,  who  have  shown  that  the  monogram 
P^  stands  for  Kitzkatz,  and  not  Rull,  as  given  by  Schlickeysen. 

To  this  Engraver,  the   compilers  of  the   Engelhardt  Catalogue 
have  attributed  the  following  pieces  :  Christmas  Coins,  1617,  issued 


,/Goo(^[< 


c 


byPrince  Elector  John  George  IT.  in  honour  of  liis  mother,  Sophia; 
I"  type,  with  legends  :  VT  SALOMON  SIC  EGO  MATREM 
β€” MATERNIS  PRECIBVS  NIHIL  FORTIVS,  Dickthaler,  Half 
Thaler,  Small  Dickthaler,  and  Ortsthalers  (2  var.) ;  IH  type,  with 
legends:  HONOREM  HABEBIS  MATRI  OMNIB.DIEB. VITAE 
ELβ€” DITANT  VOTA  MATERNA,  Dicktlialers  (4  var.),  Half 
Thalers  (3  var.),  Ortsthalers  (3  var.);  β€”  Broad  Treble  Thaler  of 
1626,  with  Kitzkatz'.s  monogram,  obv.  John  George  I.  on  horse- 
hack  ;  issued  under  the  Mint-master  Hans  Jacob  whose  initials 
appear  on  the  ^L.  (illustrated);  β€” Medal  of  John  George  I.,  obv. 
PRO  LEGE-ET  GREGE.  The  Prince-Elector  on  horseback, 
to  r.  ^.  D  :  G  :  lOH  :  GEOR  :  DVX  SAX  IVL  :  CL  :  ET 
MO  :  ELEC.  Helmeted  shield  of  arms;  β€”  Another,  similar,  but 
dated  1624;  β€”  Another,  similar,  of  1626,  with  the  motto: 
SCOPVS  VIT^  ME^  CHRISTVS;  β€” Medal  of  1617  presented  by 
John  George  I.  to  his  Comicillors,  on  his  Birthday,  5.  March,  obv. 
SITIVIT  IN  TE  ANIMA  MEA.  Stag  drinking  at  a  well  in  front  of 
tree  ^.  DONVM  ]  SERENISS  :  PRIN  :  &c. ;  ~  Small  Medal  of 
1620  on  the  Beginning  of  the  Saxon  campaign  against  Lausitz  and 
Silesia;  β€”  Medal  of  1624  on  the  Convention  of  Schleusing  or 
Upper  Saxon  "  Kreistag  "  at  Jiiterbogk;  obv.  PRO  LEGE  ET 
GREGE  John  George  I.  on  horseback  !^,  Shield  of  arms;  β€” 
Medal  on  the  "  Kreistag  "  of  Upper  Saxony,  1626,  obv.  SCOPVS 
VIT^  ME^CHRISTVSβ€” 1626.  The  Prince-Elector  on  horseback; 
β€”  Medal  of  1632  on  the  Battle  of  Liitzen,  and  Death  of  Gustavus 
Adoiphus  of  Sweden ;  obv.  Bust  of  Gustavus  Adolphtis  1^.  STANS 
ACIE  PUGNANS  VINCENS  MORIENSQUE  TRIUMPHAT,  &c. 
Sword  crowned,  adorned  with  laurel  and  palm-branciies. 

Bibliography.  β€”  Julius  und  Albert  Erbstein,  Erofletungen  auf  dim  Gebiete  der 
Sdchdschen  MUnti-und  Medaillen-Geschichtc  bei  Ver^eicbmmg  d(r  Hofrath  Engel- 
hardfsdien  Sammhng,  Dresden,  1888. 

KITZMAHL,  CHRISTOPH  (Germ.).  Also  called  Kitimagl.  Gold- 
smith and  Seal-engraver  at  Munich,  1575;  produced  work  for 
Duke  Ferdinand.  In  1583,  he  is  mentioned  again  as  a  Goldsmith. 

Bibliography.  β€” -  J.  V.  Kiill,  Aus  hayerhchin  Archiven,  Mitthcilungen  der 
Bayerischen  Numismatiicheii  Gesellschaft,  1900. 

K.    K.    Vide  JOHANN   BEBNHARD    KERH  and    PETER    A.    KOLB  at 

Schwabach. 

K.  K.  Vide  KILIAN  KOCH.  Counter-manufacturer  at  Nuremberg, 
sixteenth  century. 

K.  L.  Vide  JOHANR  ANTON  DAVID  KLINGHAMMER.  Die-sinker  at 
Hildburghausen,  1760,  and  Eisenach,  i-]&'^-(-'). 

K.  L.  Vide  KONRAD  LAHGE.  Medallist  at  Vienna,  1840  β€”  f  1856. 


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β€”    173   β€” 

KLAEHREN,  HEINRICH  VON  DER  (Germ.).  Mint-master  at  Lubeck, 
1619-1630.  Distinctive  mark  :  sun. 

KLAGMANN,  JEAN  BAPTISTE  JULES  (French).  Sculptor,  and  Medal- 
list, born  at  Paris  on  the  i.  April  i8ro,  where  he  died  on  the 
18.  January  1867.  Pupil  of  the  Ecole  des  15eaus-Arts,  Feuchfere,  and 
Ramey  Jun'.  He  has  executed  numerous  Portrait-medallions  in  clay 
and  bronze  :  Dante  Alighieri;  β€”  Machiavel ;  β–  β€”  Lord  Byron;  β€” 
Shakespeare;  β€”  Pierre  Corneille;  β€”  Prosper  Gothi,  dramatic 
artist,  &c.  At  the  Salon  of  1845,  he  exhibited  three  medals. 

His  works  of  sculpture  are  numerous  and  some  are  important;  he 
also  executed  models  for  English  gold-and  silversmiths'  work. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit.  β€”  Miller  &  Singer,  op.  cit. 

KLAGMANN,  HEINRICH  (Bohem.).  Mint-warden  at  Prague,  1696. 

KLAUS  {Swiss)  i6i6-r636.  Mint-warden  at  Lucerne.  He  struck 
the  Students'  Prize  Medals,  issued  at  this  period,  at  Lucerne, 

KLAUSER,  CHRISTOPH  (Swiss).  Mint-master  at  Lucerne,  1575; 
he  came  from  Zurich. 

KLAUSING  (Dutch).  This  signature  is  found  on  a  med;il  struck  to 
commemorate  the  inauguration  of  the  Royal  Academy  of  Fine  Arts 
at  Amsterdam,  1820. 

KLAUSNITZ,  GEORG  (Germ.).  Mint-worker  at  Breslau,  1683. 

KAH  (Greek).  This  signature,  which  M.  Michel  P.  Vlasto  ascribes 
to  an  Engraver,  occurs  m  the  present  form,  or  abbreviated,  in  KA, 
on  Tarentine  coins  of  the  end  of  Evans'  fifth  Period  and  beginning 
of  the  sixth,  area  320-300. 

1.  M.  Stater.  Obv.  Head  of  young  Herakles  wearing  lion's 
skin . 

^.  Taras  nude  on  biga  to  r.,  holding  trident ;  in  the  field,  dol- 
phin, star  of  eight  rays,  and  KAH- 

Weight  ;  8.58  gr.   β€”  Vlasto,  Journ.  int.  d'arch.  num., 
1901,  PI.  G'  4. 
The  following  Didrachms  might  also  belong  to  this  Artist  : 

2.  M..  Didrachm.  Obv.  Naked  horseman,  galloping  to  r.,  hold- 
ing reins  with  both  hands;  behind,  EY  ;  beneath,  AP12TIA2. 

^L.  TAPAZ,  naked,  seated  on  dolphin  to  1.,  holding  bunch  of 
grapes  and  distaff;  below,  KAH. 

Weight  :  7.75  gr.  β€”  B.  M.  Cat.,  Italy,  p.  176,  nΒ°  120. 
β€”  Evans,  p.  135,  Period  VI,  E,  2. 

3.  JR..  Didrachm.  Obv.  Helnieted  horseman  lancing  down- 
wards ;  beneath  horse,  API ;  above  and  in  field  EPA. 


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β€ž  173  β€” 

^.  Taras  astride  on  dolphin,  holding  o;ir  in  1.  hand  with  r. 
extending  kantharos;  in  field  to  1.  KA. 

Evans,  Horsemen  Sec,  p.  103,  n"  20. 

4.  M..  Didrachm.  Obv.  Similar;  I  in  field  to  r. ;  beneath  horse, 
API. 

^.  Similar ;  KA  in  field  to  1. ;  beneath,  EPA. 

Evans,  op.  at.,  p.  103,  nΒ°  21.  β€”  Car.  CX,  134. 

5.  .R.  Didrachm.  Obv.  Similar,  with  H.  ^.  Without  ERA. 

B.  M.  Cat.,  p.  188,0"  204. 

6.  J^.  Didrachm.  Obv.  Similar;  horseman  not  helmeced ;  he 
carries  a  shield;  behind,  Zl ;  beneath,  OIAOKAHZ. 

Bi..  Similar;  Taras  holds  wreath  in  r. ;  beneath,  KA. 

B.  M.  Cat.,  p.  t88,  n"  206.  β€”  Car.  CXIV,  205. 

This  same  signature,  observes  M.  Vlasto,  occurs  again  on  rare 
silver  staters  (?)  of  greatly  reduced  weight,  struck  at  Tarentum 
under  the  occupation  of  Hannibal,  associated  with  the  magistrate's 
signature  1HPAMB02'  but  their  fabric  and  late  style  preclude  any 
possibility  of  connection  between  the  two  KAH. 

For  my  own  part,  I  feel  rather  reluctant  to  share  M.  Vlasto's 
view  in  considering  KAH  as  an  Engraver,  although  I  know  that 
Dr.  Arthur  Evans  considers  the  signature  EY  (and  others)  which 
occur  at  the  same  period  as  those  of  Die-sinkers,  and  points  out 
"  that  the  very  grossness  of  the  features  that  characterize  the  coins 
signed  EY  proclaims  identity  of  handiwork". 

Bibliography.  β–  
d'.irclitelogie  num 

KLEEBERG,  AUGUST  {Austr.).  Contemporary  Medallist,  residing 
at  Vienna,  where  since  1864  he  has  executed  a  number  of  Personal 
and  Commemorative  medals.  He  died  towards  the  end  of  last 
century.  Amongst  these  I  have  noticed  ;  Assassination  of  Maximi- 
lian I,,  Emperor  of  Mexico,  1867  (2  var.);  β–  β€” β–   The  Empress  Eliza- 
beth of  Austria  nursing  the  sick  during  the  war,  1866;  ^Centen- 
ary Commemoration  of  the  Palatine  Archduke  Joseph,  1876;  β€” 
Hungarian  Coronation  of  the  Emperor  Francis  Joseph  and  Empress 
Elizabeth,  1866  (4  var.);  β€”  Inauguration  of  the  Monument  to 
Field  Marshal  Prince  Schwarzenberg,  1867;  β€”  Federal  Choral 
Festival  of  Lower  Austria,  at  Wiener  Neustadt,  1864. 

The  following  information  respecting  Kleeberg  has  been  kindly 
favoured  by  Messrs  Bruder  Egger  of  Vienna : 

"  Wir  wissen  nur  das  Kleeberg  eigentlich  Graveur  und  Goldar- 
beiter  war,  und  die  Hersteliung  von  Medaillen  entweder  gar  nicht 
oder  nur  nebensSchhch  betrieben  hat,  indem  er  Medaillen  von 
anderen  arbeiten  lies,  und  nur  seinen  Namen  darunter  setzte;  z.B. 
hat  Scharff  wiederholt  erzablt,  dass  eine  Medaille  mit  dem  Kopfe 


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β€”  174  β€” 
Richard  Wagner's  auf  die  Bayreutlier  Festspiele  ini  Jahre  1876  von 
ihm  auf  Bestellung  des  Kleeberg  angetertigt  wurde,  und  auch  die 
Initialen  A.  K.  auf  derselben  vorkommcn. 

"  Diese  Medailte  ist  besclirieben  im  Katalog  der  Ausstellung  von 
Miinzen  und  Medaillen  aus  der  Regierungszeit  Kaiser  Franz 
Josef  I,  veranstaltet  von  der  Numismatischen-Gesellschaft  in  Wien 
im  Jahre  1888,  unterNr,  1946. 

"  Kleeberg  war  in  letzter  Zeit  bei  einer  hiesigen  Gold  und  Silber- 
fabrik  Markowisch  &  Scheid  als  Werkfiihrer  angestellt. " 

Bibliography.  β€”  Betts,  Imperial  Coinage  of  Mexico,  1899.  β€”  MUlheilungen  des 
Clubs  der  Miini-und  Medaillefifreunde  in  Wien,  1890-1900. 

KLEIN  (G^rm.).  Medallist,  who  worked  at  Breslau,  circa  1755- 
1762.  Friedensburg,  Mun:^eschichte  Schlesiens,  remarks  :  "In  the 
middle  years  of  the  eighteenth  century,  a  Die-sinker  of  the  name  of 
Klein  was  working  at  Breslau,  and  signed  in  full  a  rare  medal  of 
1762  on  the  Battle  of  Freiberg  (Peace  of  Hamburg  between  Sweden 
and  Prussia).  I  have  however  been  unable  to  obtain  any  other  infor- 
mation about  him,  and  do  not  know  whether  he  perliaps  also  signed 
Silesian  medals  with  a  K  only.  He  may  have  been  the  Court  Gold- 
smith, Daniel  Klein,  or  Tobias  Klein,  Assayer  at  the  Breslau  Mint, 
1736-1741-" 

Bibliography.  β€”  Fridensburg,  op.  oil.  β€”  Hildebrand,  op.  cit. 

KLEIN,  HANS  (Germ.).  Bavarian  Mint-warden  at  Ratisbon,  1615- 
1623,  and  Bayreuth,  163}. 

KLEIN,  HANS  (^Germ.).  Mint-master  at  Rostock,  1614-15  and 
1621-22. 

KLEIN,  MICHAEL  (Germ.).  Mint-warden  at  Mergentlieim,   1535. 

KLEIN,  PETER,  PROF.  {Auslr.).  Designer  of  a  medal  of  Pope 
Leo  XIII.,  engraved  by  Leisek,  1893. 

KLEINER,  MICHAEL  (Germ.').  Mint-master  at  St.  Petersburg, 
1808-1809,  Kolpin,  1810,  and  Ischora,  1810-1811.  He  signed  his 
issues  M.  K. 

KLEINERT,  FRIEDRICH  (Germ.).  Born  at  Bartenstein  (Prussia), 
1633 ;  Silversmith  and  Coin-dealer  at  Nuremberg,  where  he  died 
in  1714,  eighty-one  years  old.  He  edited  a  number  of  medals,  which 
are  signed  F.  K.,  and  was  the  first  in  Germany  to  give  his  medals, 
by  machinery,  a  sharp,  clearly  cut,  raised  edge,  also  to  inscribe  the 
edges,  which  was  his  own  speciality.  In  conjunction  with  Lazarus 
Gottlieb  Lauffer,  Chief-warden  of  the  mint  at  Nuremberg,  and 
Caspar  Gottlieb  Lauffer  (q.  v.)  he  issued  a  large  series  of  historical 
medals,  some  of  which  have  reference  to  England,  as  the  following : 


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β€”  175  β€” 
Coronation  of  William  III.,  1689;  β€”  Security  of  Britain,  1689;  β€” 
Toleration  Act,  1689 ;  β€”  Death  of  Schomberg;  β€” β–   Congress  of  the 
Allies,  February  1691 ;  β€”  Battle  of  La  Hogue,  1692  (3  types);  β€” β–  
The  French  Coast  bombarded,  Sept.  1694;  β€”  Campaign  of  1694; 
β€”  Casale  taken  and  the  security  of  Italy  restored,  1695 ;  β€”  Namur 
retaken,  1695;  β€”  Battle  ot  Blenheim,  1704;  β€”  British  Victories, 
1704;  β€” Barcelona  relieved  and  Conquest  of  Brabant,  1706,  &c. 
Most  of  these  medals  were  engraved  by  Philipp  Heinrich  MuUer. 

Kleinert's  signature  F.  K.  occurs  also  on  the  following  medals  ; 
Recapture  of  Belgrade  from  the  Turks,  r688;  β€”  Bombardment 
of  Belgrade,  1688,  and  many  others,  which  will  be  found  described 
under  the  names  of  their  respective  Engravers, 

Fide  under  LAUFFER  a  fairly  complete  list  01  the  medals  issued  by 
Lazarus  Gottlieb,  Caspar  Gottlieb  Lauffer  and  F.  Kleinert,  with  the 
collaboration  of  P.  H,  Miiller,  M.  Brunner,  and  other  engravers. 

Bibliography.  β€”  Bohenthal,  op.  cil.  β€”  Amnion,  op,  cU.  β€” Franks  &  Grueber, 
MedalUc  IlluUrations  &c.  β€”  Numophyl.  Burckh.,  P.  H.  β€”  Kohler,  Mi'u!:(bdustiguti- 
^m  &c.  β€”  Doppelmayr,  Hisiorische  Nachricht  von  NUrnbergisclien  Malhetnaticis  und 
Kilns  llern. 

KLEIHHANS,  CHRISTOPH  (GΒ«-m.).  Mint-official  at  Greiz,  1621; 
he  may  have  cut  dies  for  Pattern  Groschen  of  Albrecht  Gunther  of 
Schwarzburg,  He  was  a  native  of  Ilmenau. 

Bibliography.  β€”  E.  Fischer,  Die  Miinim  des  Hames  Schwarzburg,  Heidelberg, 
1904. 

KLEIKSCHMIDT,  WILHELM  (Germ.).  Mint-master  at  Hildburg- 
hausen,  17  60-1770.  He  is  also  described  as  a  Die-sinker.  His  initials 
W.  K.  occur  on  a  Conventions  Thaler  of  Ernest  Frederick  Karl  of 
Saxe-Hildburghausen,  on  the  Peace  of  Hubertsburg,   1763. 

ELEINSTEUBER,  C.  G.  (Germ.).  Mint-engineer  at  Berlin,  born 
Nov.  14,  1773,  at  Weimar.  He  was  at  first  a  manufacturer  of  musical 
instrnments,  but  in  1813  he  set  up  a  workshop  for  the  construc- 
tion of  machinery  for  the  Berlin  Mint.  He  improved  the  coining- 
press  and  invented  several  new  [ools.  The  English  Government 
acquired  one  of  Kleinsieuber's  presses,  which  he  himseh installed  at 
the  London  Mint.  He  died  8.  Nov.  1834.  There  is  a  Portrait- 
medal  of  him  by  Brandt. 

KLEINSTEDBER,  ERNST  {Germ.').  Mint-master  at  Gotha,  1828- 
1838;  died  in  1845.  His  initials  occur  on  coins  of  Duke  Ernest  of 
Saxe-Coburg-Gotha ;  I  have  noticed  a  K  on  a  Thaler  of  1729  of  that 
Ruler. 

KLEMENT,  KA.TSS  (Bohem.).  Die-cutter  at  the  Mint  of  Kutienberg, 
1599.  A  die  of  1634  for  Bohemian  Groschen  (Dreikreuzerers)  is 
attributed  to  him. 


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-  176- 

KLEMMER,  SIEGMUND  (Austr.).  Miiit-w.irden  at  Vienna,  1765- 
1776;  was  in  office  at  Kreinincz  in  1779.  His  issues  are  usually 
signed  S.  K. 

KLEON  (KAEflNOZ).  Gem-engraver  of  the  first  century  A.  D.  By 
liim  is  a  beautiful  head  of  Amazon  and  other  works  (^J>ide  Furtwan- 
gler,  Aniike  Gemmen,  1902,  PL  lxi,  37). 

KLENTSCHY  (Swiss).  An  Engraver,  who  worked  at  Chaux-de- 
Fouds  in  the  third  quarter  of  the  nineteenth  century.  He  was  a 
pupil  of  Fritz  Jeanneret.  At  the  Chaux-de-Fonds  Municipal  Museum 
I  have  seen  two  medals  or  medallions  by  him,  of  good  work. 

KLEODOROS  (Greek).  Coin-engraver  of  the  beginning  of  the 
fourth  century  B.  C.  whose  signature  occurs  on  Didrachms  of 
Velia,  often  associated  with  that  of  another  Velian  Artist  of  the 
same  period;  Pliihstionos. 

Kleodoros  signed  some  of  his  productions  KAEYAHPOY,  others 
with  the  monogram  KAEY.  <.  They  belong  to  the  finest  issues  of 
Velia. 

Raoul  Rochette  had  already  noticed  this  Engraver's  signature  and 
reproduced  the  charming  coin  described  below,  which  ranks  very 
high  as  an  artistic  work. 

I.  JR^.  Didrachm.  Obv.  Kead  of  Pailas,  nearly  facing,  in  winged 
Phrygian  helmet,  the  front  of  which  is  inscribed  :  KAEYAOPOY; 
hair  long. ;  neck  adorned  with  necklace. 


56.  Lion  to  1.  devouring  prey;  in  exergue  :  YEAHTflN; 
between  the  lion's  hind  legs,  >C  :  plain  border, 

B.  M.  Cat.,  Italy,  p.  311,  n"  70.  β€”  Gardner,  Types  of 
Greek  Coins,  PI.  v,  n"  41,  β€”  Car.  CXL,  50.  β€”  Raoul-Ro- 
chette,  op.cit.,Fl.m,  21.  β€”  Macdonald,  Hunterian  Catalogue, 
i,  PI.  viii,  16. 

2.  J^.  Didrachm.  Obv:  Head  of  Pallas  to  r. ,  wearing  crested 
Athenian  helmet,  on  which  olive-vreath  with  fruit;  ends  of  hair 
loose;  behind,  β€’Β£. 


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^L.  YEAHTflN;  (in  ex.).  Lion  to  !.,  bead  turned  back,  1.  fore- 
foot on  ram's  head ;  beneath,  =E  :  plain  border. 
Macdonald,  op.  cit.,  I,  Pi.  viii,  15. 


3.  J^.  Didracbm.  Obv.  Head  of  Pallas  to  1.,  wearing  crested 
Athenian  helmet,  on  which,  griffin  ;  flap  of  helmet,  plain;  behind, 

m  ^ 

^.  YEAHTflN.  Lion  walking  to  1. ;  above,  <t> ;  beneath,  >E  : 
plain  border. 

B.  M.Cat.,  Italy,  p.    310,   n-    60.    --   Car.    N.LV.T. 
cxxxvn,  21. 

4.  jR.  Didracbm.  Obv.  Similar. 

iji..  Same  inscription.  Lion  running  to  1.;  beneath,  >E  :  plain 
border. 

B. M.Cat.,  op.  cit.,  n"  61. 

5.  Jit-, Didracbm  Obv.  Head  of  Pallas  to  I.,  wearing  Phrygian 
helmet,  on  which  female  Centaur,  with  drapery  over  1.  arm,  flap 
ornamented;  behind,  Β»E. 

'^L.  YEAHTflN.  Lion  seizing  stag  to  r. ;  *l  :  border  of  dots. 
B.  M.Cat.,  op.  cit.,  n"  73.  β€” β–   Car.  cxLir,  67. 

6.  JB^.  Didracbm.  Obv.  Similar. 


&m 


^L.  YEAHTON  (in  ex.).  Lion  to  !.,  devouring  prey,  held  with 
,  fore-paw;  above,  A  ;  beneath,  E  :  plain  border. 

B. M.Cat.,  op.  cit.,  n"  74.  β€”Car.  cxli,  58  var. 

L.  FOUSBB.  β€”  Bkgmpl^iail  Noliis!  of  MtlnlliiH.  β€”III.  li 


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β€”  178  β€” 

7-  j^.  Didraclim.  Similar,  with  flap  of  helmet  plain,  and  3=  - 
B.M.Cat.,  op.  cit.,  nΒ°75. 

8.  M,.   Didrachm.  Similar,  with  ornamented  flap.  1^.  Similar; 
bur  above  lion,  0;  beneath,  >Β£. 

B.M.Cat.,  op.  cit.,  n"  76.  β–  β€”  Car.  cxli,  59  var. 

9.  jR.  Didrachm.  Obv.  Similar,  but  flap  more  ornamented,  and 

;^.  Similar;  but  above.  *E;  beneath,  Q. 

B.M.Cat.,  (i/>.  a'i.,  n"  77. 
ro,  M..  Didrachm.  Obv.  Similar,  but  flap  plain,  and    E. 
^.  Similar;  no  monogram  above. 

B.  M.  Cat.  cft.V//.,  n"  ;S  var. 


^ 


11.  jR.  Didrachm.  Obv.  Similar.  I^i.  Similar,  but  inscription 
on  raised  band;  above,  <t) ;  beneath,  >E. 

B.M.Cat.,  oΒ£,  Β«'/. J  nΒ°  79. 

12.  jR.  Didrachm.  Obv.  Similar,  with3<.I^.  Similar,  but  inscrip- 
tion as  usual;  no  letter  above;  beneath,  A. 

Macdonald,  op.  cit.,  I,  p.  117,  n"  67. 

A  number  of  other  smaller  varieties  exist. 

"  Kleodoros,"  saysVonSallet  in  Kunsthrinschriflm,&.c.  "  scheint 
ein  sicherer  Kiinstler  name  und  steht  auf  den  jetzt  nicht  mehr 
seltenen  Didrachmen  von  Velia  mit  dem  Pallaskopfe  von  vorn, 
oben  im  Helme  auf  den  Riickseiten  dieser  und  auf  Haupt-  und 
Ruckseiten  anderer  Didrachmen  Shnlichen  Stils,  aber  mit  dem 
Pallaskopfe  linkshin,  findet  sich  das  vielleicht  nicht  mit  Unrecht 
auch  auf  den  Stempelschneider  Kleudoros  gedeutete  Monogram  =E. 
Die  Uebereinstimmung  mancher  dieser  das  Monogramm  tragenden 
Profilmiinzen  mit  den  die  voile  Namensaufschrifc  und  das  Mono- 
gramm tragenden  Munzen  mit  Pallaskopf  von  vorn  ist  ganz  unleug- 
bar;  bei  beiden  der  phrygische  Helm  der  Gbttin,  der  fressende 
Lowe  auf  dor  Riickseite,  dabei  eine  Aehnlichkeit  des  Stils,  welche 
auf  einen  und  denselben  Kiinstler  schliessen  liisst,  doch  sind 
Monogrammen-Auflosungen  und  Deutungen  immersehr  unsicher. " 

Prof.  Brunn  thinks  the  interpretation  of  the  monogram  ^E  into 
the  signature  of  the  artist  KAEYAflPOZ  should  be  accepted  with 
extreme  caution.  He  remarks :  "  Mir  scheint  jedoch  diese  Annahme 
mit  grosser  Vorsicht  aufgenommen  werden  zu  miissen,  well  sie 
eine   bedeutende    Modification    der    Grundsatze    erheischt,    nach 


,,C.oo(^lc 


β€”  179  β€” 
denen  wir  die  Kunstlernamen   von  denen  der  Magistrate  glauben 
sclieiden  zu  diirfen.  " 

BiBLiOGiiAPHV,  β€”  Head,  Histoiia  Numorum.  β€”  Brit.  Mus.  Cat.,  Italy.  β€” 
Raoul-Rochette,  op.  cit.  β€”  Von  Sallet,  op.  cil.  β€”  Brunn,  op.  cil. 

KLEPIKOW,  A.  (Russ.).  Medallist  at  St.  Petersburg,  first  lialf  of 
the  nineteenth  century.  He  is  the  author  of  some  rare  medals  issued 
to  commemorate  the  wars  against  France,  1812-1814.  One  of 
Alexander  I.,  I  reproduce  below;  another  represents  the  Battle  of 
Katzbach,  and  is  signed  :  T'.  A.lt.'lE. 


% 


Portrait-medal  of  Alexander  I,  of  Russia,  by  Klepikow, 
ELESILAX.    Signature  (added   in  modern  times")  on  a  sardonyx 
intaglio  representing  Minerva  seated,    and  reproduced  in  Raspe's 
Tassie  Gems,  PI.  xxvt,  1758. 

KLETT  or  KLETTE,  JOHAHN  GEORG  (Germ.).  Gem-engraver,  born 
in  [720  at  Vesser  or  Sutil  (Heiineberg);  died  in  1792.  He  was  at 
first  Schoolmaster  there,  but  came  to  Dresden  in  1743  where  he 
studied  the  antique.  In  1755  he  was  appointed  Court  Gem- 
engraver.  By  him  is  a  head  of  Cicero,  and  many  cameos  and  inta- 
glios representing  mythological  subjects, 

ELET,  LOVlS.i French).  Sculptor  of  the  second  half  of  the  nine- 
teenth century,  corn  at  Sens  in  1833.  He  executed  several  Portrait- 


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medallions  which  were  exhibited  ;U  the  Paris  Salon  betwen  1853 
and  r88o. 

KLIMENTOFF,  WASSILI  (Russ.).  Medallist  of  the  second  half  of 
tlie  eighteenth  century.  Very  few  medals  only  are  signed  B.  K.  by  him 
and  these  have  erroneously  been  attributed  by  Reichel  and  others 
to  Bernard  Koch,  There  is  however  no  doubt  at  all  that  the  signa- 
ture B.  K.  on  Russian  medals  ot  this  period  stands  for  BacH^iiK 
K-iMJienToiib,  or  KjriiMOBT.as  he  is  sometimes  called, 

Knmentoft  cut  the  large  Memorial  medal  on  the  Death  of  the 
Empress  Elizabeth,  which  bears  his  full  signature  :  B.  Kjthmehtob. 
In  1762  he  was  called  with  his  assistant,  Michael  Nikitin,  to 
St,  Petersburg,  to  help  in  the  execution  of  the  Coronation  Medals 
ot  Catherine  II. 

By  this  Engraver  are  also  copies  of  :  Accession  Medal  of  Peter 
the  Great,  Commemorative  Medal ;  β€”  Construction  of  the  Russian 
Fleet ;  β€”  The  Four  Fleets  (after  Gouin) ;  β€”  Coronation  of  Cathe- 
rine I.,  (after  Schultz),  &c. 

Bibliography.  β€”  Iversen,  Mcdaillen  atij  die  ThaUii  Pcler  des  Groisen,  1872.  β€” 
Archives  vf  the  St.  Petersburg  Mint. 

KLIMT,  GEORG  (Justr.).  Contemporary  Sculptor  and  Medallist, 
residing  at  Vienna.  M.  Roger  Marx  in  Mddailkurs  modernes  en  France 
et  h  rΒ£tranger  reproduces  on  PI,  xxv,  a  fine  Plaquette  by  him 
representing  a  male  figure  seated  to  r.,  nude,  and  deeply  engaged  in 
thought. 

KLINGHAMMER,  JOHARN  ANTON  DAVID  (Germ.),  Mint-master  at 
Hildburghausen,  1760,  and  Eisenach,  1763-1765.  His  signature  K 


Thaler  of  Anna  Amalia,  of  Sa: 


or  KL.  occurs  on  Thalers,  Gulden,  &c.  of  1763,  Convention  Thalers, 
Gulden,  &c.  of  Anna  Amalia,  Duchess  Regent  of  Saxe-Weimar, 
1764  and  1765  (Thaler  illustrated). 


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KLINE,  J.  W.  (Amer.).  Die-sinker  of  Philadelphia  (U.S.A.). 
second  half  of  the  nineteeiich  century.  He  is  said  to  have  cut  tlie 
dies  for  a  medal  commemoratingthe  Inauguration  of  a  New  Masonic 
Temple  in  Philadelphia,  1873. 

KLINGENSTEIR,  MICHAEL  BERTRAM  (Germ.).  Mint-master  at 
Nuremberg,  1806. 

HLINKORSCH,  ARTHUR  (Austr.).  Modeller  and  Chaser,  born  in 
1846,  died  in  Vienna,  4.  October  1895.  He  founded  the  firm  which 
bears  his  name,  and  edited  various  medals. 

KLINKE,  BALTHASAR  (Germ.).  Mhit-master  at  Muhlhausen  in 
Thuringia,  circa  1523. 

KLIPFEL,  LUDWIG  PRIEDRICH  EDTIARD  (Germ.).  Director  of  the 
Prussian  Mint  at  Berlin,  1865.  There  is  a  Portrait-medal  of  him, 
by  W.  KuUrich,  on  his  50  years'  Jubilee  of  office  at  the  Mint. 


Porirait-racdal  of  Ludwig  Friedrich  Kllpfel. 

KLUGE,  WILHELM  FRIEDRICH  (i^r^McA.).  Contemporary  Sculptor 
and  Medallist,  born  at  Vienna,  now  naturalized  a  Frenchman.  He  is 
a  pupil  of  Tasset.  At  the  Salon  of  1901,  he  exhibited  a  Medal  of  the 
Central  ProtesrantSocietyofMissions,  and  plaster  castsof  other  medals, 
and  in  1904  a  Portrait-medal  of  H.  H.  Pope  Pius  X.  Amongst  his 
previous  works  are:  1886.  The  French  Republic,  medal.β€” 1887.  Prize 
Medal  for  Athletic  Sports  ;  β€”  1888.  Medal  of  the  General  Transat- 
lantic Company;  β€”  1891.  Portrait-medallion  of  M"^  Berthe  S*** ; 
β€”  1892.  Seven  silver  medals,  etc. 

KLUNNE,  A.  (Germ.).  Medallist  of  Altona,  during  the  second  and 
third  quarters  of  the  nineteenth  century.  I  have  however  never 
met  with  any  medal  by  him. 


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KLUSAK  VON  KOSTELEG,  GEORG  (Bohem.).  Mint-master-genenil 
for  Bohemia,  1619-1620. 

KLUVER,  PHILIPP  (Gm)i.)-  Mint-master  at  Dantzig,  1588-1610. 
His  monogram  appears  on  the  coins  issued  by  him. 

KHAB,  SEBASTIAN  (Swiss)  and  Junckherr  Leodegari  Golder, 
J.  Anthonivon  Erhich,  contractors  of  the  Lucerne  Mint,  1549-15  52. 

Bibliography.  β€”  Dr  Th .  von  Liebenau,  Eim  Mun^enossenschajt  der  Urschwei:;, 
i548-iS52j  Bull,  de  k  Society  Suisse  de  numisraatique,  VI,  43-64. 

KNAPP  (Germ.').  Die-sinker's  signature  on  a  medal  commeinora- 
ting  the  fourth  year  of  Napoleon  Bonaparte's  Consulate,  1803. 

KNA0ER,  GEORGES  FRΒ£dΒ£rIC  (French).  Contemporary  Sculptor 
and  Gem-engraver;  son  of  Henri  August  e  K.  At  the  Salon  of  1877, 
he  exhibited  a  shell  cameo  representing  Captive  Hebrews  at  Babylon  ; 
and  in  1878,  an  agate  cameo.  Castor  and  Pollux ; ' β€”  1883 .  Henry  IV. 
agate  cameo;  β–  β€”  Minerva,  sardonyx  cameo;  β€”  Themistocles, 
carnelian  cameo;  β€” Joan  of  Arc,  sardonyx  intaglio;  β€”  Nestor, 
jasper  intaglio  ;  β€” β–   Bayard,  sardonyx  intaglio ;  β€”  Othello  and 
Desdemona,  cameo,  &c. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  dl. 

KKAOER,  HENRI  AUGUSTE  (French).  Contemporary  Sculptor  and 
Gem-engraver,  born  at  Ivry-sur- Seine ;  pupil  of  his  father  and  V, 
Douchet,  At  the  Salon  of  1877  he  exhibited  an  intaglio  in  carnelian, 
representing  Hector  and  Andromache,  and  in  1878,  another  intaglio 
in  sardonyx,  Demetrius  Poliorcetes;  later  :  1882.  Aesculapms, 
sardonyx  intagho;  ^  Herakles,  cameo  on  sardonyx  of  three 
strata,  etc. 

Bibliography.  β€”  Chavignerie  ec  Auvray,  op.  cit. 

KNADER,  VICTOR  (French).  Contemporary  Gem-engraver,  born 
at  Ivry-sur-Seine  ;  pupil  of  J.  G.  Knauer.  At  the  Salon  of  1886  he 
exhibited  a  Portrait  of  M.  C***,  shell  cameo. 

KNAUST,  JOHAKN  CHRISTIAN  (Germ.).  Mint-warden  at  Saalfeld, 
1764;  Mint-master  there,  1765-1794.  His  initials  I. O.K.  occur  on 
some  of  his  issues.  I  have  noticed  them  on  the  following  coins  of 
Schwarzburg-  Rudolstadt  :  Ludwig  Gunther  I,,  Conv.  Thaler, 
1768;  β€”  Conv.  Thaler,  1780,  on  the  Marriage  of  the  Hereditary 
l^rince  Frederick  Charles  with  Augusta  of  Saxe-Gotha;  β€” β–   Conv. 
Thaler,  1786;  β€”  Friedrich  Carl,  Conv.  Thaler,  1791;  also  on 
currency  of  Saxe-Saalfeld  :  Ernst  Friedrich,  Conv.  Thaler,  1765, 
&c. 


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-  i83  - 

KNEASS,  WILLIAM  (Amer.).  Mint-engraver  at  Philadelphia  1823- 
1840.  He  was  bom  at  Lancaster,  Pa.,  September,  1781,  and  was 
appointed  Engraver,  January  29,  1824.  Before  taking  oiEce  at  the 
Mint,  he  had  been  chiefly  a  plate  engraver  for  book-worJi.  During 
his  term,  there  were  some  notable  changes  in  the  coinage,  as  in 
1834  atid  1 83 8  for  gold,  and  1836,  1837, 1838,  and  1840,  for  silver. 
But  some  of  this  work  was  done  by  Gobrecht.  Kneass  is  the 
author  of  a  PatternHalf-DoUarof  i838,on  which  his  name  appears. 
Between  1824  and  1836  he  appears  to  have  cut  most  of  the  dies 
for  the  U.  S.  coinage. 


827,  ungtaved  by  W.  Kneass, 


A  silver  Dollar  of  1836  (illustrated)  as  well  as  another  Pattern 
HalfDollar  of  1838  are  the  work  of  Gobrecht,  who  in  1836, 
received  an  appointment  as  assistant  to  W.  Kneass  at  the  Mint, 
whom  he  succeeded  in  1840  (Vide  Vol.  II,  p.  284). 


GobrcJit's  Pattern  Dollar, 


Prior  to  his  appointment,  Kneass  had  an  engraving  office  in 
Chestnut  St.,  Philadelphia,  which  was  a  well-known  rendezvous 
for  the  leading  wits  and  men  of  culture,  for  which  Philadelphia 
was  then  eminent. 


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-  184   - 

W,  Kneass  died  in  office,  August  27,  1840.  He  was  the  second 
Engraver  at  the  Philadelphia  Mint,  having  succeeded  Robert  Scot, 
1793-1824. 

By  this  Engraver  are  also  medals  of  George  Washington. 

Bibliography.  β€”  Evans,  Illustrated  Hutory  oj  the  United  States  Mint,  Phila- 
delphia, 1892, 

KSEBEL,  MATHIEXJ  (Belg.).  Mint -engraver,  appointed  at  Luxem- 
burg, in  1487,  under  Maximilian  of  Austria.  He  was  instructed 
to  coin  gold  Roj'aux,  Nobles,  Ducats  and  Half  Ducats  of  Burgundy, 
and  silver  Royaux,  Double  and  Single  Griffons,  and  Gros. 

KiBLiOGiiAPHY.  β€” β–   Pinchart,  Bi(grapMes  des  Graveurs  beiges.  Revue  de  la  aum. 
beige,  1855. 

KNECHT,  FRΒ£dΒ£ric  fiMILE  {French).  Sculptor  of  the  middle  years 
of  the  nineteenth  century,  born  at  Strasburg.  He  was  a  pupil  of 
Guerin.  By  him  are  some  Portrait-medallions  (?). 

KNELLER,  JOHANN  DANIEL  (Germ.).  Mint-warden  at  Frankfort- 
on-Main,  appointed  on  the  11.  May  1730;  died  in  1742. 

KNEVET,  THOMAS,  LORD  (Brit.).  Mint-master  at  London,  in 
conjunction  .with  Edward  Doubleday,  circa  1617-1623,  under 
James  I.  They  succeeded  Sir  R.  Martyn. 

Bibliography.  β€”  Ruding,  Annals  of  llie  Coinage  of  Great  Britain  and  Ireland, 
London,  1840.  β€”  Kenyon,  Gold  Coins  of  England,  London,  1884. 

β–   KNOBLADCH,  DAVID  (Germ.).  Mint-master  at  Joachimsthal, 
1637-1649.  Distinctive  mark  :  a  garlic  bulb  between  two  crescents. 
He  coined  money  in  the  name  of  the  Emperor  Ferdinand  III.  His 
name  usually  appears  as  EHOBLOCH. 

Bibliography.  β€”  Fiah,  Besdireibung  der  Sammlung  Bahmischer  Mi'mieii  und 
Medaitlen  dcs  Max  Donebauer,  Prag,  1888 . 

KNOBLAUCH,  JAKOB  (Germ.)  and  Konrad  Gross  were  "ordered 
and  allowed"  by  the  Emperor  Louis  V.  of  Bavaria  to  strike  Pfennige 
(Frankfurter)  and  Gulden,  4.  September  1340.  On  the  18. 
February  1345,  Knoblauch  received  another  commission  to  issue 
Gros  Tournois,  "ein  munlze  voti  grozzen  turnosen,  die  vier  und 
sechtzig  ane  ein  vierteil  eins  turnos  an  ein  franckenfurdische  mark 
gend, '  Knoblauch,  whose  name  sometimes  occurs  as  CHNOBLADCH, 
also  minted  Hellers. 

Bibliography.  β€”  Paul  Joseph  u.  Eduard  Fellner,  Die  Miinieu  von  Frankfurt- 
am-Main,  7896, 

KNOBLAUCH,  JOHANN(GgrΒ«!.).  A  native  of  Jobannesthal,  appointed 
in  1621,  Chief-coiner  at  the  Mint  of  Wohlan  under  the  Duke  Georg 
Rudolf.  A  square  Double  Thaler  and    a  24  Kreutzerpiece,  both 


looted  o/GoogIc 


of  1621,  bear  his  initials  (Kollner,  Wolaviographia,^.  504;  Heyne, 
Wohlan,  p.  357). 
Bibliography.  β€”  Friedensburg,  op.  dt.  β€”  SchUskm  Voridt  in  BiUiuidSchrift, 

KNOEPFLIN,  EDOUARD  (Germ.).  Contemporary  Sculptor,  born 
at  Paris ;  pupil  of  A.  Millet,  Gautier,  and  L.  Bourdel.  At  the  Salon 
of  1885  he  exhibited  Portrait-medallions  in  bronj;e  :  Christian  de 
Trogoff;  β€”  Mon  pere  ;  β€”  M"'  Juliette  Robert ;  β€”  Adjutant-Major 
S**'^;  β€”  1886.  Henry  G***;  β€”  1888.  M"=  M.  H***;  β€”  1892.  Un 
vieuK  Limousin;  β€”  M.  L.  G***;  β€”  1893-  M.  Farge;  β€”  1894. 
M.  R.  L**'',  etc. 

KNOL,  JAN  (putcH).  Mint-master  at  Medemblik  and  Hoonij  1715- 
1741 ;  distinctive  mark,  a  turnip.  In  1736  he  executed  a  medal 
commemorating  the  Opening  of  tlie  state  treasure  of  Westfriesland. 

KNOLL  (Germ.~).  Mint-warden  at  Nuremberg,  1777-1793.  His 
initial  K  occurs  in  association  with  that  of  Riedener,  who  was 
Mint-Master,  on  the  coin-issues  of  that  period.  Vide  GEORG  KNOLL. 

KNOLL,  GEORG  (Germ.').  Mint-warden  at  Nuremberg,  after  1779. 

KNOPF,  HEINRICH  (Germ.).  Goldsmith  and  Wax-modeller  of 
Nuremberg,  in  the  early  part  of  the  seventeenth  century,  Β«VcΒ«  1601- 
1610.  In  contemporary  documents  he  is  styled  "  Conterfeter  in 
Wachs".  In  1601  he  executed  a  medal  ot  the  Bishop  of  Bamberg, 
Johann  Philipp  von    Gebsattel  (illustrated),    and  received  tor  the 


Medal  of  Johanii  Philip,  Bishop  of  Bamberg,  by  H,  Knopf. 


model  and  moulds  70  florins.  These  medals,  observes  Erman,were 
cast,  as  they  were  wanted,  in  the  following  years,  by  Knopf  himself 
and  the  Bamberg  Goldsmiths  Paul  Imhof,  Marx  Goldschmid,  and 
Barthel  Holstetn. 


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β€”  i86  β€” 

In  1610  Knopf  made  the  medal  (Schaugrosclien)  of  the  Bishop 
of  Bamberg,  Johanii  Gottfried  von  Aschhausen.  The  castings  of 
these  in  later  years  were  done  by  Knopf  himself,  or  Hcinrich 
Scheurer,  and  Barthol.  Holstein. 

In  1611  Knopf  executed  also  a  medal  with  shield  of  arms  and  the 
Emperor  Henry  and  his  consort  Kunignnda. 

The  medals  by  Knopf  are  somewhat  weak  productions,  oval  in 
shape,  and  of  very  low  relief.  Both  specimens  in  llie  Royal  Musenm 
at  Berlin  have  the  same  bordering,  which  Erman  has  met  with  on 
another  enamelled  medal  of  the  Bishop,  Diike  Ulrich  of  Pomerania, 
dated  1618,  which  bears  no  portrait,  only  arms,  but  which  may 
notwithstanding  have  been  done  by  Knopf. 

Knopf,  like  most  of  his  contemporaries,  as  Valentin  Malcr,  Carl, 
etc.,  first  modelled  their  medals  in  wax. 

A  Portrait-medal  of  Wolf  Miintzer  of  Babenbcrg  is  signed  H.  K. 
and  dated  1567,  but  Erman  does  not  think  it  can  be  ascribed  to 
Knopf,  as  tlie  style  is  absolutely  different  from  his. 

Bibliography,  β€”  Erman,  Deutsche  MedailUtm,  pp.  9,  54,  76. 

KNOPF,  HANS  SCHIERWEN  (Dan.).  Mint-master  at  Copenhagen, 
1761-1782.  His  issues  are  usually  signed  H  or  HSK.  In  1783  he 
was  appointed  Mint-director  and  State  Councillor.  He  died  in  1788. 

KNOPF,  HANS  SCHIERWEN  (Dan.).  Son  of  the  last.  Mint-master 
at  Hamburg,  1805-1842,  He  signed  his  issues  H,  S.  K. 

KNORR,  ERNST  (Germ.).  Mint-master  at  Pfalzburg,  1588. 

KNORRE,  GEORG  GUSTAV  (Germ.).  A  native  of  Liecht.  Mint- 
master  to  the  Markgrave  of  Brandenbu rg  at  Kitzingen,  1621. 

KNORRE,  OTTO  HEINRICH   (Germ.).    Mint-master    at    Hamburg, 

1761-1S05,  and  previously  at  Schwcrin,  1751-1756,  and  at  the 
same  time,  and  until  1760,  at  Stralsund.  He  signed  his  issues 
0,  H.  K, 

KNOSPEL  (Germ.).  Die-cutter  at  the  Mint  of  Crossen  ;  worked 
under  GiUi. 

KNOX  &  LANG.  Vide  LANG. 

KNOX,  JOHN  (Brii.).  Lord  Mayor  of  Dublin,  under  James  II.  The 
Irish  Halfpennies,  dated  1685-1688,  were  coined  ".under  letters 
patent  granted  to  him,  as  assignee  of  Sir  Tliomas  Armstrong  and 
Colonel  Legg.  " 

BjBi.iOGttAFHY,  β€”  Gruebcr,  Handbook,  &c.,  p,  24:, 


KNYVET,  LORT  THOMAS,   Vide.  KNEVET  SUprd. 


./Google 


-  i87  - 

KOBURGER.  AHTOM  (Germ.).  Mint-master  at  Pfreimdt  (Leuch- 
tenberg),  1546. 

KOBURGER,  ANTOM  {Germ.).  Mansfelder  Mint-master  at  Eislebeii, 
1559-1567,  Saalfeldj  1567-1571,  and  again  at  Eisleben,  1571- 
1577- 

KOBURGER,  ANTON  (Germ.).  Son  of  the  last.  Mansfelder  Mint- 
master  at  Eisleben,  1616-1630.  He  held  the  post  of  Mint-master  at 
Halle  alternately  with  Eisleben.  He  was  the  father  of  Hans  Philipp 
K.  His  initials  A.  K.  occur  on  Thalers  and  subsidiary  coins  of 
Christian  William,  Markgrave  of  Brandenburg  (1598-163 1). 

KOBURGER,  HANS  PHILIPP  (Germ.).  Mansfelder  Mint-master, 
who  signed  gold  and  silver  currency  between  1634  and  1657. 
Ammon  remarks  that  he  may  have  been  employed  in  the  service 
of  the  Princes  of  Anhalt,  his  initials  being  found  on  Thalers  of 
Anhalt,  dated  1650,  1665,  &c. 

BiBLiOGBApHY.  β€”  Ammon,  Sammhmg  Iwruhmki-  Medailkurs  tutd  Miiiiimehler, 
Niirnberg,  1778, 

KOCH,  A.  (Germ.).  Mint-master  to  the  Counts  Palatine,  circa 
1740. 

KOCH,  ADOLF  (Germ.)  of  Heidelberg ;  Mint-warden  at  Mayence, 
4.  August  1636β€” 3^. October  1640. 

KOCH,  ANDREAS  (Germ.).  Mint-master  as  Darmstadt,  1744- 
1771  ;  at  the  same  time  also  at  Mannheim,  from  7.  December 
1749  to  1761. 

KOCH,  DAMEL  (Germ.).  Mint-master  at  Koenigsberg  (Prussia), 
1630-1649. 

KOCH,  DANIEL  (GmΒ«.).  Mint-master  at  Stockholm,  1645-1650, 
and  Koenigsberg  (Prussia),  1656-1676. 

KOCH,  suns  (Swiss)  of  Isni.  Mint-master  at  Lucerne,  1558- 
-I-1561. 

KOCH,  HANS  (Germ.).  Goldsmith  of  Mayence,  appointed  Warden 
of  the  Mint,  in  conjunction  with  Wolf  Kramer  of  Worms,  in  the 
service  of  the  Landgrave  William  of  Hesse  and  the  Counts  Albert 
and  John  Louis  of  Nassau,  circa  1592. 

-  Is  en  beck,  Dm  NassauiscM  Mfin^esm,  Wiesbaden,  1879. 


KOCH,  ISAAC  (Germ.).  Mint-master  at  Stockholm,  1653-1664. 

KOCH,  JOHANN  (Germ.).    Mint-master  at   Dresden,    1688-1698. 
His  initials  occur  on  the  coins  issued  by  him  of  John  George  IIL 

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of  Saxony:  Thalers,  Gulden,&;c.of  1690,  Begrahnissthalers,  Gulden, 
&c.  of  1691 ;  β€” John  George  IV:  Reichsthaler,  1691  (illustrated); 
Thaler  on  the  Elector's  Inauguration  as  a  Knight  of  the  Order  of 


'.β– >β–  


% 


the  Garter;  "  Begrahnissthalers",  and  Gulden,  1694 ;  β€” Frederick 
Augustus  I.  :  Thaler  (illustrated)  and  subdivisions  of  1696,  Cou- 
rant-Tbaler  on  the  Birth  of  the  Prince  Elector  Frederick  Augustus, 


..';^S  Jli% 


Frederick  Augustus  I,   Dresden  Thaler  oi  1696. 


1696,  &c. ;  β€”  John  George  IV.,  inaugurated  as  a  Knight  of  the 
Garter  (medal),  &c. 

Before  1688,  Johann  Koch  had  already  been  connected  for  two 
years  with  the  Dresden  Mint  in  an  official  capacity. 

Bibliography.  ^-  FranliS  &  Grueber,  MedalUc  lilmiratiom,  &c.  β€”  Reimmann 
Sale  Catalog  lie. 

KOCH,  JOHANN  CHRISTIAW  (Germ.).  Medallist  of  the  first  half  of 
the  eighteenth  century;  born  at  Aken  on  the  Elbe  in  16S0  ;  died 


./Google 


in  1742;  son  of  Nicolaus  K.  ofZerbst.  He  was  a  pupil  of  Christian 
Wermulh  and  Raimund  Fahz  ;  entered  about  1706  the  service  oE 
the  Dukes  of  Saxe-Gotha,  for  whom  he  worked  until  his  death  as 
Mint-engraver  at  Gotha,  1730-1742. 

By  this  Medallist  are  the  following  commemorative  medals. 
Death  of  John  WiUiam,  Duke  of  Saxe-Gotha,  1707  ("signed  KOCH  F. 
on  obv.  and  KOCH.FECIT  on  ^L.);  β€”  Other  Medals  on  the  same 
event  (2  var.)  ;  β€”  The  Principality  of  Neachatel  falls  to  the  Crown 
of  Prussia,  1707  (obv.  illustrated);  β€”  Marriage  of  Frederick  I.  of 
Prussia  with  Sophia  Louise  of  Mecklenburg-Schwerin,  1708  ;  β€” 
Marriage  of  Princess  Charlotte,  1733  ;  β€”  Second  Centenary  of  the 
Reformation,  1717;  β€”  Birth  of  Princess  Elizabeth  Caroline  ot 
Great  Britain,  1 740 ;  β€”  Recall  to  Halle  of  Christian  Wolf,  1740 ;  β€”  37"* 


Frederick  I.,  King  01  r Ci'.rist.  Koch. 


Anniversary  of  Frederick  II.,  Duke  of  Saxony,  1712;  β€”  Death  of 
Ernest  Louis,  Duke  of  Saxony,  1724;  β€”  Marriage  ot  George 
Albert,  Prince  of  East  Friesland  with  Christiane  Ludovica  Princess 
of  Orange- Nassau;  β€”  Medallic  Portrait  of  the  Marlcgrave  Frederick  of 
Ansbach;  β€”  Medallic  Portraits  of  Duke  Frederick  II.  of  Saxe-Gotha 
and  his  seven  Children ;  β–  β€” ^CharlesL,  Duke  ofBrunswickandLune- 
burg,  1737;  β€” The  American  Century  Plant,  1700  (Wyllys  Betts, 
Historical  Medals  of  America,  p.  50,  n"  103);  β€”  D'  Friedrich 
Hoffmannj  of  Halle :  β€”  Anthon  Gunter,  Prince  of  Schwarzhurg, 
1709,  etc. 

"  Johann  Christian  Koch  ",  says  Bolzenthal  ",  if  not  Wermuth's 
oldest  pupil,  yet  he  became  his  most  celebrated  one.  He  was  born 
in  1680  at  Aken  on  the  Elbe.   At  first  he   learned  of  Faltz,  who 


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β€”   190  β€” 

however  kept  the  ardent  youth  so  long  from  the  secrets  of  the  art 
thai  he  was  not  able  to  make  the  wished-for  progress,  and  therefore 
he  went  over  to  Christian  Wermuth,  whom  he  left  after  some  time 
to  go  to  Berlin,  as  Engraver  to  the  Duke  Frederick  II.  of  S;ixe- 
Gotha.  He  received  from  the  Court  at  Berlin  a  sum  of  money  for 
his  travelling  expenses,  and  visited  Holland  and  England.  After  his 
return  he  fixed  his  abode  at  Gotlia  and  executed  many  works  which 
made  him  celebrated.  Death  put  an  end  to  his  exertions  in  1742. 
He  left  two  sons  who  exercised  the  art(?')  " 

Bibliography.  β€”  Bolzentbal,  op.  cit.  β€”  Franks  &  Grueber,  MedaiUc  Illustra- 
tions, &C.  β€”  Meiiadier,  Schaumimi(en  des  Hatises  Hahen^olkrti,  Berlin,  1901.  β€” 
MuHer  &  Singer,  Aligemeines  KimstUr-Lexikon,  Frankfurt-am -M.,  1896, 

KOCH,  J0B3T  (Germ.).  Mint-master  at  Bielefeld,  1629,  and  for  the 
Electors  oi  Brandenburg,  1647-1654. 

KOCH,  JORGEN  (Dan.).  Mint-master  at  Malmoe,  circa  15 18-1545, 
and  Flensburg,  1545-1547.  Between  1544  and  1547  he  appears  to 
have  acted  as  Mint-master  at  Glomsberg. 

Bibliography.  β–  β€”  Jorgensen,  Beskrivehe,  &c. 

KOCH,  JOST  DIETRICH  (GmM.).  Mint-master  at  Paderborn,  1652- 
1654;  Bielefeld,  1655-1676;  Tecklenburg,  1655  and  1656;  and 
Paderborn  again,  1675  and  1676.  His  issues  are  usually  signed  I.  D.  K. 
I  have  noticed  his  initials  on  Thalers  and  Half  Thalers  of  Theo- 
dorich  Adolf,  Bishop  of  Paderborn,  [657. 

KOCH,  KILIAN  or  CHILIAN  (Germ.).  A  Nuremberg  Counter- 
manufacturer  of  the  end  of  the  sixteenth  century.  His  counters, 
some  of  which  are  dated  1587,  1588,  1600,  &c.,  arc  not  quite  so 
common  as  those  of  his  great  competitors,  the  KRAUWINKELS  and 
their  successors,  the  LAUFFERS,  Sec. 

A  number  of  Counters  by  Kilian  Koch  are  described  in  Neumann, 
Kupfer-Mum^en,  vol.  V,  n"'  32203-21 ;  also  in  dialog  des  numisma- 
tisch  sphragistischen  Sammlungen  des  Herrn  Heinrich  Lemperlx,  Senior 
:(u  Koln,  1899,  nΒ°'  4090-4096.  They  depict  various  subjects  and 
bear  legends  in  Latin,  German,  French,  &c.  with  the  maker's 
name  :  CHILIA  KOCH  ;  β€”  CHILIANVS  COQVVS  ;  β€”  C.  K.  ;  β€”  K.  K. ;  ~ 
KILIANVS  KOCH,  etc. 

The  Makers  of  these  counters  at  Nuremberg  seem  at  fir,st  to  have 
been  confined  to  a  very  few  families  only,  for  we  find  but  the 
names  of  four  of  these  from  between  the  middle  of  the  sixteenth  to 
the  middle  of  the  seventeenth  century,  vi;(_.  those  of  Schuit^  (or 
Schulthess),  with  Jorg  and  Hans;  Koch,  with  Kilianus ;  Krauwinckel, 
with  Damianus,  Egtdius,  and  Hans,  which  last-named  Maker  issued 
more  than  all   the  others   taken  together;   Lauffers,  β– with  Haiis, 


,/ Google 


Matthew,  Wolfgang,  Chonradt,  Cornelius,  and  Lazarus  Gottlieb.  " 
(Snelling,  ^  View  of  Jettons  or  Counters,  Londoa.,  1769,  p.  11). 

Other  Nuremberg  Counter- makers  were  /,  M.  Lindner,  John 
Wddinger,  John  Adam  Vogel,  John  Conrad  Hoger,  Michel  ieykauf, 
and  Jsbn  Jacob  Dteir^el. 

These  counters  were  usually  made  in  brass, 

KOCH,  LEONHARD  MAX,  and  J.  C.  (Germ?).  Nuremberg  Counter- 
makers  of  the  sixteenth  century. 

KOCH,  LUDWIG  CHRISTIAW  (Germ.).  Mint-engraver  :U  Gotha, 
1750-1793.  Son  of  Johann  Christian  Koch.  From  1766  to  1793 
he  was  Director  of  the  Mint. 

This  Engraver's  initials  are  found  or  many  of  the  coins  issued  at 
Gotha  during  the  period  of  his  activity.  I  have  noticed  them  on 
Thalers  and  subsidiary  currency,  struck  on  the  Second  Centenary 
of  the  Religious  Peace  of  1555.  They  also  occur  on  ;i  medal 
commemorating  the  Free  British  Society,  1750. 

KOCH,  MARIOS  (Germ.).  Mint-master  at  Koenigsberg  in  Prussia, 


KOCH,  MARIUS  (Germ.).  Swedish  Mint-master,  1628-1663. 

KOCH,  NICOLAUS  (Germ.).  Father  of  Johann  Cln-istian  Koch, 
Woii-ed  at  various  German  Mints,  in  particular  at  Zerbst,  1680, 
and  some  years  later  at  Berlin. 

BrHLioGRAPHY.  β€”  Ammon,  Sammliin^  berfihmter  Meilailkun  und  Miiiiimeisler , 
1778. 

KOCH,  NICOLAUS  (Stuiss).  Mint-master  at  Lucerne,  1540-May 
'545- 

IJiiiLiOGRAPHY.  β€”  Til.  von  Liebtnau,  Die  Miminteister  von  Lujei-ii,  Bulletin  de 
la  SociSi^  suissi:  de  nuraismatiquo,  1889. 

KOCHEM,  JOHANN(GmΒ«.).  Mint-warden  at  Worms,  1593. 

KOCKERS,  F.  (Dutch).  This  Engraver's  signature  occurs  on  a 
IMze  Medal  of  the  Middelburg  Drawing-Academy,  1778. 

KOEGLER,  HANNS  (Aiistr.).  Worked  the  small  Mint  at  Hall  under 
the  Archduke  Ferdinand  (end  of  the  sixteenth  century),  with  a 
yearly  salary  of  iii  Gulden  18  Kreutzer. 

Bibliography.  β€”  C.  Oesterreicher,  op.  cit. 

KOHLER  (Germ.).  Die-sinker  at  Hanover  or  Berlin,  circa  1706. 
Probably  the  same  as  E.  Pomponius  Kohter,  mentioned  below. 


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EOHLER,  B.  (Germ.).  Contemporary  Medallist,  by  whom  are 
several  Portrait-medals  of  Bismarck  commemorating  his  death  in 
1898.  This  artist  resides  at  Berlin. 

KOHLER,  HEINRICH  or  HENDRIK  (Germ.).  Mint-master  at  Copen- 
hagen, 1643-1662.  His  signatnre  H.  K.  or  ffi  occurs  on  coins. 

KOHLER,  G.  W.  (Austr.).  Die-sinker  of  the  early  part  of  the  eigh- 
teenth century.  By  him  is  a  cabalistic  medal  of  Charles  VI.  of 
Austria,  dated  ryii. 

KOHLER,  JOHANH  LUDWIG  (Germ.).  Medallist  of  the  early  part  of  the 
nineteenth  century,born at  Kirchheim-Bolanden,in  i77o,diedatNeu- 
stadca.d.H.  iniSaS.HissignatureKOHLER  F.  occurs  on  a  Prize  Medal 
of  the  Frankfort  Society  for  the  promotion  of  Useful  Arts ;  also 
on  a  Medal  struck  for  presentation  to  the  Wreckers  on  the  U .  S .  A 
sea  coast  for  their  services  in  saving  the  lives  and  property  of 
shipwrecked  mariners. 

KOHLER,  E.POMPONIXIS  (Germ.).  Hessian  Die-sinker  of  the  early 
part  of  the  eighteenth  century,  whose  medals  are  dated  171 1-1714, 
and  signed  E.P.K.r.  I  have  noticed  his  signatnre  Kohler  on  a  Half- 
Thaler  of  Charles,  Landgrave  of  Hesse,  struck  in  1711,  on  the 
death  of  his  consort,  Maria  Amalia  of  Curland. 

KOHLER,  3.  (Germ.).  Goldsmith  of  Brieg,  last  quarter  of  the 
seventeenth  century.  In  1674  he  cut  dies  for  the  coinage  issued  at 
the  Mint  there,  and  in  1675  medals  commemorating  the  death  of 
George  William,  the  last  Piast. 

KOLESCHERI,  SAMUEL  (Hung.).  Die-sinker  of  the  first  half  of  the 
eighteenth  century.  His  initials  occur  on  a  gold  medal,  weighing 
10  ducats,  with  portrait  of  Damianus  Hugo,  Count  Virmondt, 
1721,  Commanding  genera!  in  Transsylvania. 

Bibliography.  β€”  Adolf  Resch,  SUbsnbiirgiscbe  Miir^en  und  Medailkti,  Her- 
mannstadt,  igoi, 

EOCNE,  D.  (Dutch).  Medallist  of  the  latter  end  of  the  seventeenth 
century,  by  whom  are  medals  commemorating  the  return  of  Wil- 
liam III.  to  Holland,  &c,  "His  works"  says  Mr,  Grueber  "are 
very  few,  and  little  is  known  of  him  ".  The  Engraver's  signature  : 
D.  Koene  or  D.  K.  occurs  on  the  following  pieces  :  Fireworks  at  the 
Hague  ' ^"""  1 69 1  on  William  III.'s  return  to  Holland;  β€” 
William's  throne  established,  Oct.  1691  I^.  Four  warriors,  armed. 


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β€”  '93  β€” 
defending  an  orange-iree;  -  -  Joh;uin  van  Brienen,  Mint-master  at 
Harderwijk,  1690. 

Bibliography.  β€”  Hawkins,  Franks  and  Grueber,  MedalUc  Illustrations  of  the 
History  of  Great  Britain  and  Ireland,  188;.  β€”  Catalogue  der  Nedsrlandschs  en  op 
Nederlana  btlrekkiitg  hebbende  Gedenkpenningen,  1,  's  Graveahage,  1905. 

KONIG,  A.  {Germ.).  Student  at  the  Vienna  Mint  School  ot 
Engraving,  1764. 

KOENIG,  AMTONI  (Auslr.).  Mint-engraver  at  Haii  in  Tyrol,  1723- 
1743 .  Probably  a  sou  of  Johann  Antoni  Koenig  or  Khunig.  By  him 
are  perhaps  the  Gunzburg  Thalers  of  1765,  1766,  &c.  (signed  : 
A,  K,)  ;  β€” β–   The  Archduchess  Marie-Antoinette  arrives  at  Gunzburg, 
1770  (^L.  only);  β€”  The  Archduke  Leopold  and  consort,  and 
Duke  Charles  of  Lorraine  and  his  sister  Caroline  visit  Vienna, 
[770;  β€”  Visit  of  T.  H,  to  the  Vienna  Mint,  1770;  β€”  The 
Empress  Maria  Theresia  lends  prompt  aid  to  the  famished  inhabi- 
tants of  Wettenhausen,  &c. 

Bibliography.  β€”  Kalalog  der  Miin:;e>i-  iind  Midaillen-Stempel-Sammlttng  des 
K.  K.  Hiiiipliniin^a"il,Wien,  1901. 

KONIG,  ANTON  (Germ.),  Mint-engraver  at  Gunzburg,  1773-1773, 
and  Kremnitz,  1774-  The  coinage  of  Gunzburg,  1772-1773,  {  and 
I  KopfstOcke,  1772,  Kreuzers,  1772-1773,  |  Kreuzers,  1772,  was 
cut  by  this  Die-sinker.  Probably  the  same  as  AMTOHI  KONIG. 

Bibliography.  β€”  Fr.  DoUinger,  Die  Furslenbergischn  Miiii^-eii  und  Medaillen, 
1903,  p.  27. 

KONIG,  ANTON  FRIEDRICH  (Germ.).  Son  of  the  celebrated  Berlin 
Miniature  Court  Painter  of  the  same  name;  born  on  June  13, 
1756;  died  January  2,  1838.  He  learned  engraving  at  the  Die- 
sinking  establishment  of  Loos  and  imder  the  supervision  of  the 
Director-general  of  the  Berlin  Mint,  Singer.  On  the  i"  of  Septem- 
ber 1776,  the  young  artist  was  called  to  the  post  of  Medallist  and  Miut- 
engraver  at  Breslau,  and  remained  in  office  there  until  the  spring  of 
1S05,  when  he  retired  with  a  pension.  In  the  next  year,  October 
i8q6,  he  accepted  the  place  of  Mint-engraver  at  Berlin,  left 
vacant  by  the  death  of  Stierle.  In  1826  he  celebrated  his  50'''  anni- 
versary of  official  service,  on  which  event  his  yearly  salary  was 
increased,  on  the  suggestion  of  the  Mint-director  Godeking,  who  in 
a  letter  to  the  Minister  of  State,  Count  von  Lottam,  dated 
21.  August  1826,  wrote,  that  Konig  "was  one  of  the  first  Die- 
cutters  who  did  not  work  in  a  mechanical  manner,  but  used  science 
and  taste  in  his  branch". 

Konig's  signature  K,  A.K.,  KO.,  or  A.  KONIG  occurs  on  coins  and 
medals  of  Prince  Bishop  Joseph  of  Bresiau,  medals  of  Oels, 
Frederick  IL,  and  Frederick  William  11  ,  Personal  and  Commemor- 
ative Silesian    medals. 


>stsd  by  Google 


β€”  194  β€” 
Bv  this  Engraver  are  :  Frederick  II,  the  Greac,  1780  ^L.  HERCV- 
LES  MVSARVM;  β€”  Frederick  William  II.  of  Prussia,  1796 
^L  HOMAGIO  REGI  BORUSSORUM,  &c.;  β€”  Anniversary  of 
Queen  Friedcrike,  witli  lier  bust  on  IJi,.  and  that  of  her  consort 
Frederick  WiUiiim  II.  on  obv.,  1786;  β€”  Count  Hoym,  1783 
(3  var.);  β€”  Peace  of  Basle,  179S,  between  Prussia  and  Austria;  β€” 
Reichsthaler  of  1785,  with  bust  of  Charles  Christian  Erdmann, 
Duke  of  Wurtemberg-Oels  (signed  K);  β€”  Sixth  Centenary  of  the 
ConveuL  of  Trebnitz,  1803;  β€”  Portrait-medal  of  Augustin,  Prelate 
of  Wettenhausen,  1771;  β€”  Accession  of  Frederick  Augustus,  of 
Brunswick-Oels,  1793  ;  β€”  John  Caspar  Arletius,  Rector  of  St.  EHz- 
abeth's  church  at  Breslau,  1784;  β€”  Francis  Anthonj-,  Baron  Hei- 
nitz,  Prussian  Minister;  β€”  Karl  Czechtitzki,  actor  (1800);  β€” 
Countess  Gaschin,  1796;  β€”  Count  Hoym,  as  "Schtitzenkonig  ". 
1805 ;  β€”  Anton  Siegfried  Koiiiger  and  consort,  1797;  β€”  Count 
Matuschka,  1779  (2  var.);  β€”  General,  Baron  von  Merkatz,  1796; 
β€”  Lippmann  Meyer,  court  agent  at  Breslau,  1803  ;  β€”  Karl  Gottlieb 
Remscheid,  [800;  β€”  General  Hans  Christian  von  Rothkirch, 
1785;  β€”  Count  Hans  Ferdinand  Saodretsky,  1790;  β€”  Johann 
Heinrich  Scholz,  Pastor  at  Langwaltersdorf,  1S05;  β€”  General 
Friedrich  von  Tauentzien,  on  his  Denth,  1791  (2  var.);  ~ 
J.  F.  Thiede,  Pastor  at  Schweidnitz,  1795;  β€”  Adan  Weisskopf, 
Patron  Bishop  of  Breslau  ;  β€”  Zinzendorf,  Foundation  of  the  Morav- 
ian community;  β€” Di-ath  of  Frederick  II.,  17S6;  β€”  The  Crown 
Prince  Frederick  William  of  Prussia;  ~  Accession  of  Frederick 
William  II.,  I786(2var.); β€” Blanchard,  the  Killoonist,  Ascension 
at  Bresku,  1789  (2  var.);  β€”  Christmas  Medal,  1789 ;  β€”  Conven- 
tion of  Reichenbach,  1790  (2  var.),  β€”  Friedrich  Ewald,  Count 
Hertzberg,  1790;  β€”  Christmas  Medal,  1790;  β€”  New  year's 
Medal  (1791);  β€”  Visit  of  Frederick  William  II.  to  Breslau,  1791 
(3  var.);  β€”  Christmas  Medal,  1791 ;  β€”  New  year's  Medal,  1792; 
β€” -South  Prussia's  Homage  to  the  King,  1795  (3  var.);  β€”  Death 
of  Louis  XVI.  and  Marie-Antoinette  (2  var.) ;  β€”  Frederick  Wil- 
liam II.,  1794  T^.  ALVENSLEBEN;  β€”  Accession  of  Frederick 
William  III.,  1797  ;  β€”  Visit  of  the  King  and  Queen  of  Prussia  to 
Silesia,  1798;  β€”  The  King  and  Queen  at  Furstenstein,  1800;  β€” 
The  New  Century;  β€”  Third  centenary  of  the  Breslau  Printing 
Press,  1804;  β€”  Breslau  School  Prize  Medal;  β€”  Golden  Wedding 
of  Charles  Christian  Erdmann  of  Ols,  1791 ;  β€”  Dies  for  Giinzburg 
Thalers  of  1765,  1766,  &c,  (signed  :  A.K.);  β€” The  Archduchess 
Marie- Antoinette  arrives  at  Giinzburg,  1770  (^.  only);  β€”  The 
Famine  at  Wettenhausen,  177 1 ;  β€”  Count  Dankelmann;  β€”  Conquest 
of  Poland  by  Catherine  II.  the  Great;  β€”  D'  Lorenz  Oken,  of 
Munich  ;  β€”  D''  Carl  A.  Rudolphi ;  β€”  Balthasar  Ludwig  von  Wen- 
dessen,  Prussian  General,  1796 ;  β€”  King  Frederick  William,  restorer 
of  Peace  in  the  Netherlands,  1787,  etc. 


./Google 


β€”  195  - 

A  commemomtive  meJai  of  Leicester,  signed  A.K.,  is  supposed, 
by  Mr.  Grueber  to  be  the  worli  of  Konig. 

Bibliography.  β€”  D'  G.  Soramerfeldt,  Zur  Biographk  des  Munxmedailhur 
Anion  FrialHch  Kanig,  Schlesiens  Votzeit  in  Bild  und  Schrifi,  Bd,  VJI,  91.  β€” 
Franks  and  GruebKr,' Medallic  III.,  &c.  β€”  F.  Friedcnsburg  and  H.  Seger,  Schksiens 
MUnjsnund  Medailkn  der  neuercn  Zeil,  Breslau,  1901.β€”  Menadier,  Schaumiwien 
des  Haiises  HoheniMern,  1901.  β€”  Bolzenthal,  cp.  cit.  β€”  Muller  and  Singer, 
op.  cit. 

KONIG,  AMTON  FRIEDRICH  {Ge.rm.').  Son  of  the  last;  born  at 
Breslau,  in  1773,  .and  also  a  Medallist.  His  early  life  was  spent  at 
Berlin,  but  in  1 824  be  settled  at  Dresden.  To  him  are  ascribed  the 


I^.  of  Bliicher  Mtdal,  by  A.  I',  Koonig. 


following  medals  :  Centenary  of  Pomerania's  homage  pvestaiion, 
1821  (signed  :  F.  KONIG  FEC.)  ;  β€”  Rebuilding  of  the  town  of 
Gnesen  destroyed  by  fire,  1823;  β€”  Silver  Wedding  of  Leopold 
Frederick,  Duke  of  Anhalt,  and  Frederike  nee  Princess  of  Prussia ; 
β€”  PortugalSser  with  bust  of  the  Prince  Elector  Joachim,  Markgrave 
of  Bi'andenburg,  on  the  commemoration  festivities  at  Spandau, 
1839  ;  β€”  Marriage  of  Princess  Elizabeth  of  Prussia,  with  Charles, 
Prince  of  Hesse,  22.  October,  1836  ;  β€”  Marriage  of  Mary,  Princess 
of  Prussia,  with  Maximilian  II,,   King  of  Bavaria,  5.  Oct.   1842 


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β€”  196  β€” 

(signed  :  RON  F,);  β€” β–   Marriage  of  Frederick  Williiim,  Prince  of 
Prussia,  with  Elizabeth  Louise,  daughter  of  Maximilian  I.  of  Bava- 
ria, 29.  November  :823  ;  β€”  Portrait-medal  of  Blucher  in  bronze, 
and  iron  18 16  (^.  illustrated')  ("  This  splendid  piece,  which  ",  says 
Bolzenthal,  "  he  engraved  for  the  Burgesses  of  Berlin,  in  memory  of 
theactionsof  Prince  Blucher,  from  Schinkersdesigns,wasdone  at  Ber- 
lin, and  displays  great  talent.  The  reverse  represents  the  Archangel 
Michael  ill  mail  armour  and  with  drooping  wings.  He  has  on  his 
head  an  iron  helmet  ornamented  with  a  cross ;  with  his  left  hand 
he  grasps  the  hilt  of  his  girded  sword,  and  with  his  lance  gives  the 
death  blow  to  a  wretch  in  human  form,  but  whose  extremities  we 
recognize  as  those  of  a  dragon.  As  this  intelligible  production 
required  no  inscription,  there  are  only  the  dates  ol  the  martial 
exploitsof  this  general,  1813,  1814  and  181 5.  ");  β€”  Death  of  Fred- 
erick William  III.,  1840;  β€”  Accession  of  Frederick  William  IV.; 

β€”  Marriage  of  Princess  Mary  of  Prussia  with  Crown  Prince  Maxi- 
milian of  Bavaria,  1843;  β€”  MedaUion  of  the  Crown  Prince  of 
Prussia,  1817  ;  β€”  The  New  Theatre  at  Berlin,  1821 ;  β€”  Goethe, 
1826;  β€”  Oveno  MaUing,  Danish  politician,  1827;  β€”  Alliance 
between  Anton,  King  of  Saxony,  and  Friedrich  August,  Co-Regent, 
183 1  ;  β€” ^C.  A'.mund  Rudolphi,  Prussian  Privy  Medical  Councillor, 
1832;  β€”  Christian  Ranch,  Sculptor  and  Medallist;  β€”  Laurentius 
Oken,  1779-1851,  Anatomist;  β€”  Votive  Medal  of  the  city  ot 
Hanau  on  the  Accession  of  William  II.,  Prince  Elector  of  Hesse, 
1821;  β€”  King  Anton  of  Saxonyand  Q.Lieen  Maria  Theresia,  1827; 

β€”  Count  von  Wyhck  und  Lottum,  1834 ;  β€”  Visit  of  the  King  ot 
Prussia  to  Gorlitz,  1835;  β€”  Monument  to  Gustavus  Adolphus, 
1837;  β€”  I.  G.  C.  Adler,  1833;  β€”  C.  A.  Boettiger,  1835;  β€”Von 
Zeschau,  1828  ;  β–  β€” Death  of  Goethe  (3  var);  β€”  J.  B.  Trommsdorf, 
1834;  β€”  Convention  of  German  Naturalists  and  Physicians  at  Berli  n , 
1828;β€” Congressof  Physiciansat  Hamburg,  1830;  β€” D' Aloys  von 
Winter,ofMunich,i84i;  β€” D^H.W.M.OIbers,ofBremen,  18^0. 

Koenig  Junior  was  attached  to  the  Berlin  Mint,  as  his  father's 
assistant,  after  the  death  of  the  Engraver  Abrahamson,  23.  July 
1811.  His  productions  are  generally  signed  ;  E.,  KO.,  KOL.,  F.  K.  F., 
F.  KO.,  or.F.  KOENIG. 

Bibliography.  β€”  D'  G.  Sommerfeldt,  ttr  Munsjnedailkur  Anton  Friidrich 
Konig  Jim',  Schlesiens  Vorzeil  in  Bild  und  Schrifi,  Bd.  VH,  p.  i}$.  β€” Bokfnthal. 
j/j.  cii.  β€”  Friedensburg,  Schlesiens  neuere  MilnxgescbkhU.  β€”  Friedensburg  and 
Seger.  0^.  cit.  β€”  Menadier,  op.  cil. 

KONIG,  A.  (Smss).  Medallist  of  the  second  half  of  the  eighteenth 
century,  born  at  Freiburg.  He  was  employed  to  engrave  commem- 
orative medals  of  the  Imperial  house  of  Germany. 

KONIG,  ARNOLD  (Germ.).  Mint  engraver  at  Nuremberg,  1570- 
1571.  He  succeeded  Hanns  Jamnitzer  and  was  followed  by  Hanns 


,;.Goo'^lc 


Kraass.  The  coins  engraved  by   him  do  not    iippear  to  bciir  his 
signature. 

Bibliography.  β€”  C.  F.  Gebcrt-Niitnberg,  GescMchle  der  Munpiattc  tkr Eeichstadt  β–  
'Nurnbcrg,  Nurnberg,   1891. 

KONIG,  E.  (Gei-m.').  Medallist  in  the  employ  of  the  Die-sinking 
establishment  of  L.  C.  Lauer,  His  signature  occurs  on  a  Portrait- 
medal  of  Prince  Bismarck,  undated. 

KOENIG,  GEORG  HEINRICH  (Germ.).  Wax-modeller  and  Engraver, 
born  at  Suhl  (Henneberg) ;  died  at  S'  Petersburg  in  rSoo.  He 
studied  at  Vienna.  For  the  Empress  Catherine  II.,  he  executed  a 
large  collection  of  paste  reproductions  of  antique  gems.  He  was 
also  a  clever  Enameller. 

KOENIG,  HANS  VON  WEISSENSEE  {Germ.).  Mint-master  at  Koburg, 
1390-1391. 

KOENIG,  JOHANN(GenΒ«.).  Mint-master  at  Nordhausen, c/rca  1660. 

KOENIG  or  KHDNIG,  JOHANN  ANTONI  {Austr.).  Mint-engraver  at 
HaU  in  Tyrol,  1 688-1742.  Puncheons  for  Double  Tbalers  (undated) 
andTlialers  of  Tyrol  (1717, 1719,  1724,  &c.)  bearing  this  Engrav- 
er's signature  :  I.  A.  K.  are  preserved  at  the  Vienna  Mint.  See  also 
ANTONI  KONIG. 

KOENIG,  JOHANN  GEORG  {Germ.).  Mint-inspector  at  Mayence, 
169 1-1693;  t^"^"  Mint-warden  at  AschafFenburg,  and  again  at 
Mayence,  1695-1720. 

KOENIG,  JOSEP  CHRISTOPH  (Austr.).  Mint-engraver  at  Hall  in 
Tyrol,  1742-1745,  and  later,  1751,  but  not  in  an  official  capacity. 

KOENIG,  MATHIAS  VON  BAUMBHADSEN  (Austr.).  Mint-engraver 
at  Hall,  4.  December  1620  to  10.  March  1663,  when  he  retired  on 
a  yearly  pension  of  367  florins.  Circ.  1630  he  was  appointed 
Mint-engraver  at  Salzburg,  as  successor  of  Melchior  Patz.  His  activ- 
ity at  the  latter  Mint  falls  during  the  reigns  of  Paris  and  Guido- 
baldus,  Count  von  Thun.  The  important  and  large  variety  of  cur- 
rency issued  by  the  former  archbishop  testifies  to  the  diligence 
and  skill  of  this  Engraver. 

KOENIG,  MAXIMILIAN  VON  BADMBHAUSEN(^MJ-ir.).Mint-engrav- 
er  at  Hall,  at  first  as  his  father's,  Mathias  von  Baumbhausen's, 
assistant,  11.  November,  1647  to  10.  March  1663,  then  indepen- 
dently until  1688;  also  at  Salzburg,  1630-1635. 

Bibliography.  β€”  C.  Oesterreicher,  op.  cit. 


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KOENIG,  MAXIMILIAN  (Amir.).  Student  at  the  Vienna  Academy 
of  Engraving,  1747-1750;  tlien  Mint-lingniver  at  Kremnitz,  1750- 
1754. 

KOENIG,  OTTFRIED  (Germ.).  Medallist  at  Moscow,  1718-1724, 
whose  productions  are  signed  0.  K.  Schlickeysen  observes  that  this 
signature  (and  also  K,  0.)  occurs  on  medals  of  Peter  the  Great,  for 
whichhowever  dies  of  the  Augsburg  Medallist  P.  H.  Miiller,  who  died 
in  1718,  were  used.  The  Moscow  Roubles  of  1718-1724  are  the 
work  of  Koenig  (one  of  1724  illustrated),  and  apparently  also  the 


Rouble  ol  1724,  by  Ottfrii:d  KOnig. 

following  medals  :  Second  Expedition  of  the  Russian  Fleet  to 
Finland ;  β€”  Another,  on  the  same  event ;  ^..  A  variety  of  last ;  β€” 
Naval  Victory  over  the  Swedes  at  Tweremunde  near  Hango-Udd 
(3  var.)  ;  β€”  Gipture  of  three  Swedish  Frigates  on  5.  May  17 19;  β€” 
War  Medal  for  the  Cossacks,  1723  ;  β€”  Coronation  Medal  of  Cathe- 
β–   rine  1.,  1724,  &c. 

Iversen,  Medaiilen  auf  die  Tkaten  Peter  des  Grossen,  Int.  xxiii, 
notes  that  the  Medal  and  Rouble  of  Catherine  I.,  signed  0.  K.  (or 
K.  0.)  are  entirely  the  work  of  Ottfried  Konig. 

KOENRITZ,  CHRISTOPH  VON  (Boh.).  Mint-master  general  for  the 
Counts  of  Schlick  at  Joachimsthal,  1528;  he  was  entrusted,  by  reso- 
lution of  King  Ferdinand  I.,  dated  16.  October  1546,  to  establish 
a  Mint  at  Neusohl. 

Bibliography.  β€”  Ediiard  Kiala,  Das  Muniwesen  der  Grajen  Schlich,  1890. 

KOENRITZ,  HEIHRICH  VON  (Boh.)  Mint-master  general  for  the 
Counts  of  Schlick  at  Joachimsthal,  1)19-1)38. 

KOEBNER,    ANDREAS    (Germ.). 
1722. 


Mint-master  at   Mayence,    1714- 


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β€”  199  β€” 
KOERNER,  JOHANN  CONRAD  (G^HH.).  Mint-engraver  at  Cassel, 
and  Medallist,  1764-1797.  His  signature  :  KORNEB  occurs  on  a 
Prize-Medal  of  the  Carolinum  CoLlege  at  Cassel,  1767,  and  on 
anoiher  commemorating  the  Inauguration  of  the  Lyceum  Frideri- 
cianum,  1779,  in  the  same  town.  Thalers  of  Frederick  II.,  Land- 
grave of  Hesse,  are  signed  KOR.  or  K.  as  for  instance  the  Conven- 
tionsthalers  of  1765,  1766,  &c,,  and  a  K  appears  on  Thalers,  by  the 
same  engraver,  of  Louis  IX.  (Conventionsthaler  of  1770). 

KOERNER,  JOHANK  FRIEDRICH  {Germ.).  Mint-engraver  at  Cassel, 
and  Medallist,  1784-1803.  Some  coins  of  William  IX.,  Landgrave  of 
HessGj  as  a  Thaler  of  1789,  bear  this  engraver's  signature  on  trun- 
cation of  bust. 

KOERNER,  WILHELM  (Gervi.).  Mint-engraver  at  Cassel,  and 
Medallist,  1804-1833.  By  him  is  a  medal  on  the  Tercentenary  of 
the  University  of  Marburg,  1827  (signed  :  KORNER). 

KOERNER,  JUNIOR  (Germ.).  Mint-engraver  at  Cassel,  and 
Medallist  there ;  he  died  in  1864.  His  medals  were  usually  signed  : 
KORNER  JUNIOR. 

KORNLEIN,  JOHANN  NICOLAUS  (Germ.).  Mint-engraver  at  Ratis- 
bon,  and  Medallist  there,  1758-1801,,  His  signature  on  medals 
occurs  as  :    I.  H,  K  ;  β€”  I.  N.  KOERNLEIN.  F.  R. ;  ~  KORNLEIN,     &c. 

By  him  are  :  "  Archery"  medallic  Thaler,  1763 ;  β€”  Medalhc 
Gulden,  1763,  obv.  MEMORIAE. PACIS  TERRA  &c.;.  β€” 
Marriage  of  Joseph  II.  with  Princess  Josepha  of  Bavaria,  1765  ;  β€” 
Conv.  Thaler  of  Joseph  Conrad,  Bishop  of  Freising  (1790-1803); 
β€”  Anton  Ignaz,  Count  Fugger,  Bishop  of  Ratisbon,  1786;  β€” 
Medallic  Thaler  of  Ratisbon,  Sede  Vacante,  1787  ;β€”"  Archery" 
Thaler,  1788;  β€”  Conv.  Thalers  of  the  Republic  of  Ratisbon;  1772, 
1774,  1775,  179 1,  &c. ;  β€” Conv.  Gulden,  1774,  '775,  178 1,  1782, 
I784,&c.  ;  β€” JohannGeorgGIaetzI,  1781  ;  β€”  D^  J.  F.  W.Behling, 
of  Ratisbon,  1787  (Boston  Coll"),  &c. 

BiELiOGRAPHV.  β€”  Bolzeiitbal,  0^,  di.  β€”  Amnion,  Sammlung  beruhnler  Medail- 
hurs.  β€”  Various  Sale  Calahgues. 

KOTZKER,  ANDREAS  (Germ.)-  Mint-master  at  Mayence,  1714- 
1722.  He  had  previously  been  Mint-engraver  there  and  tut  dies  for 
the  1703  coinage.  To  him  must  probably  also  be  ascribed  the  medals 
of  Mayence  of  1689,  1694  and  1695,  and  1707,  which  bear  his  initials 
A.  K.  (Fide  G.  H.  Lockner,  Main:;er  Mun:^heamte  des  J/,  and  iS. 
Jdhrhunderts,  Berliner  Munzbliitter,  1904,  431). 

KOHLER,  or  KOEHLER,  E.  POMPONIUS  (Germ.).  Mint-engraver, 
and  Medallist  at  Cassel,  early  part   of  the  eighteenth  century.   By 


./Google 


him  is  a  medal  on  the  Death  of  the  Landgravin  Maria  Amalie, 
1711  ;  β€” Completion  of  the  Waterworks  at  Wilhelmshohe,  1714, 
&c. 

BiisiJOGRAPHY.  β€”  MuUer  and  Singer,  op.  cil. 

KOHLER,  F.  D.  (Amer.).  Issuer  of  an  oblong  Californian  ingot, 
dated  1850,  and  stamped  g  40.07. 

KOHLHAAS,  JAKOB  {Germ.).  Minc-master  at  Bonn,  1739-1767. 
Between  1765  and  1767  he  also  worked  for  the  Electoral  Mini  ot 
Cologne,  conjointly  with  EUas  Gervais,  as  the  {  Stiiber  pieces  of 
Kurkohi  of  the  years  1765-1767  show. 

KOHLHAAS,  JOHANN  WILHELM  (Gi'rΒ»(.).Mint-mastcr  at  Schillings- 
furst,  1684. 

KOHLKOPF,  KASPAR  (Germ.).  Mint-master  at  Augsburg,  1623. 

KOINOS  (Greek).  Gem-engraver,  whose  signature  KOINOY  occurs 
on  a  small  amethyst,  formerly  in  theFicorini  collection,  and  which 
represents  a  Hunter  standing  and  leaning  on  cippus,  at  the  foot  of 
wnich  is  a  dog;  a  type  which  reminds  one  of  the  celebrated  statue 
known  as  Narcissus.  King  observes  that  "  the  legend  behind  the 
figure  reads  clearly  KOIKOY,  though  variously  misread.  Koehler,  as 
usual,  ascribed  this  work  to  Natter,  forgetting  that  it  had  been 
already  published  by  Stosch  in  1724,  whereas  Natter  did  not 
establish  himself  at  Florence  before  1733.  Besides,  it  had  been 
described  by  Maffei  long  before  the  forgery  of  names  had  come 
into  vogue  ".  "Die Arbeit  ist  hubsch  abernicht  bedeutend".  (Furt- 
witngler). 

The  inscription  KOINOT  appears  to  have  been  added  in  modern 
times  to  the  following  gems  :  Augustus  (Stosch's  cast)  ;  β€”  Head  of 
Demetrius  Poliorcetes  (Brit.  Mus.);  β€”  Satyr  running;^  Head  of 
Hector  Poniatoswki;  β€”  Pythagoras  seated;  β€”  Faun  carrying 
hydria;  β€”  Perseus,  &c. 

BiBUOGRAPHY.  β€”  Babelon,  Pietres  gravht,  1884,  p.  171.  β€”  Darembcrg  et 
Saglio,  op.  cit.,  IJ,  p.  1480  a.  β€”  H.  Brunn,  of.  cit.,  II,  515-516,  β€”  FurtwiiLigler, 
ap.  cit.  β€” β–   King,  Handbook  of  Engraved  Gems,  1F84.  β€”  Prendeville,  Hhtorkal  and 
Descriptive  Account  of  the  famous  collection  of  Antique  Gems  possessed  hy  the  late  Prince. 
Ponialcwski,  London,  1841. 

KOIRION  (XOIPIflN)  (Greek).  Vide'VoX.  I.  p.  270.  Coin-engraver 
at  Catana,  circ.  B.C.  400-336. 

His  full  signature  appears  on  the  following  coin  : 

I.  jR.  Tetradrachm.  Obv.  Laureated  head  of  Apollo,  facing  ;  on 
either  side,  strung  bow  and  lyre,  hair  long  and  loose  ;  in  field,  to  1., 
XOlPinN  ;  beneath  neclc,  APOAAHN. 

^-  KATANAIflN  (in  ex.).  Quadriga  tor.,  driven  by  male  char- 
ioteer, holding  goad  in  r.  and    reins   in  botli    bands  :    the    rein 


o,Goo(^[c 


of  the  farthest  horse  broken  and  traiiing;  horses  in  high  action; 
above,  Nike  holding  wreath  and  lillet,  is  flying  to  1.,  to  crown 
the  charioteer;  in  ex.,  cray-fish  to  r. ;  beyond  the  horses,  fluted 
Ionic  column  (meta). 

B.M.Cat.,  Sicily,  p.  47,  n"  34.  β€” WeU, Kilnslkrinschrift- 

en  Sec,  PI,  HI,  n"  3 ;  β€” β–   Macdonald,   Cat.   of  the  Hunterian 

Collection,    1,  p.   172,  n"  12  (illustrated). 


The  signature  XOI  occurs  also  on  the  obv.  of  a  Drachm,  the  IJd.. 
of  which  is  by  the  engraver  HERAKLEiDAS- 

2.  jR.  Drachm.  Obv.  AMENA...  Young  head  of  River-god 
Amenanos,  three-quarter  face  towards!.,  hair  diademed  and  wavy  ; 
on  either  side  of  head,  cray-fish  and  fish;  beneath  neck, XOI β–  

;^,.TA...  (in  ex.)  Fast  quadriga  tor.,  driven  by  female  charioteer, 
holding  spear  in  r.  hand,  shield  in  1. ;  above,  Nike  flying  to  1.  crown- 
ing charioteer;  in  ex..  maeander  pattern;  in  field  to  r., 
HPAKAEIAA. 

B.M.Cat,,  Sicily,  p.  4^,  n"  42.  β€”  Weil,  op.  c/f.jPl.  in, 


Bibliography.  β€”  L,  Fm-i-i;!-,  J.,'-:  Signatures  de  gravenrs  sut  ks  inonisau's 
grecqves,  BruKclles.  1905. 

KOKOROWA,  PETER  COUNT  VON  {Bohem.).  Mint-master  general  to 
the  Chapter  of  SS  Peter  and  Paul  on  the  Wyschehrad,  1699-1710, 
under  Leopold  I.  and  Joseph  I. 

KOLB,  ANDREAS  (Germ.).  Goldsmith  of  Bayreuth  ;  Mint-master 
and  engraver  at  Culmbach,  1621-  1622,  No  further  particulars  are 
known  of  him. 

Bibliography.  β€”  Schlickeysen-Pallmann,  op.  cit.  β€”  Aramon,  op.  cil.  β€” 
Gebert-N  urn  berg,   Die   Brandenhurg-Frmikkclien    Kippermun^sidtlen,     1620-1623, 


atdb,  Google 


KOI,B,  PETER  ANTON  QGerm.).  Mint-master  at  Scliwabach,  1761- 
1780.  His  signature  K  occurs  in  conjunction  with  that  of  KERN 
(Mint-warden)  on  a  Mernorial  Thaler  of  Alexander,  Markgrave  of 
Brandenburg,  dated  1765 ;  also  on  20  Kreutzerpieces  of  1765,  Half 
Gulden  of  [760,   1765,  and  Thalers  of  Schwabach. 

KOLB,  HANS  NICOLAUS  (Germ.).  Mint-master  at  Hatzfeld,  1685- 
1687. 

KOLD,  C,  r^W^  GEORG  HOLDERMANN  (Fide  Vol.  II,  p.  528). 
Ammon,  Sammhmg,Sic.,  and  Blanchst,  Medatlles alkmandes  (Num. 
du  moyen  age  et  moderne,  II,  p.  375)  both  give  erroneously  this 
Engraver's  name. 

EOLOB,  probably  KOLB  (Germ.')  is  mentioned  as  a  Die-sinker  in 
connection  with  the  Mint-engraver,  Gaspare  Mola,  at  Florence, 
circa  1610.  Mola  complained  to  the  Duke  Ferdinand,  that  he  had 
to  work  from  dies  supplied  by  the  German  Kolob,  whose  productions 
he  considered  far  inferior  to  his  own. 

Bibliography.  β€”  E.  PIoii,  Benventilo  Cellini,  p.  560. 

KOLOBOFF,  IWAN  (Russ.).  Mint-master  at  Katharinenburg,  1825- 
1830-  The  signature  N.  K.  occurs  on  coins  issued  by  him. 

ROLLER,  GEORG  (Austr.).  Dic-sinker  at  Vienna,  early  partofihe 
seventeenth  century. 

KOLLBR,  SAMUEL  (Gei'm.).  Goldsmith  of  Brieg,  who  in  1674  cut 
dies  for  the  Brieg  Mint,  and  in  1675  executed  a  commemorative 
medal  on  the  death  of  Georg  Wilhelm,  Duke  of  Silesia,  the  last  of 
the  Piasts  (signed  S.  K.).  Vide  KOHLER  supra. 

Bibliography.  β€”  Friedensburg,  Schksum  neuere  Miin^eschUhte.  β€”  Chehidns- 
M   Sak  Catalogue,  1904. 

KOLLMANN,  JOHANN  ADAM  (Ausir.).  Mint-warden  at  Gratz  in 
Styria,  circa  1767-1789.  His  initials  A.  K.  occur  on  Zwanzigers  of 
1767,  1768,  1769  and  1771.  KoUmann  was  the  last  Mint-warden 
in  Styria;  his  successor  had  the  title  of  Assayer  of  the  Coins 
(Landmiinz-Probirer). 

Bibliography.  β€”  Th.  linger,  Kkinc  Bntrage  :(ur  Mimihinie  des  Kronhn^es 
SUkriiiark,  1895. 

ttOLM,  WILHELM  (Germ.).  Wax-modeller  of  Berlin,  drc.  1700. 
Author  of  numerous  Portrait-medallions.  His  sod,  LUKAS 
WILHELM  K.,  born  at  Hamburg,  in  1693,  worked  for  the  Mark- 
grave  Charles  at  Soldin;  died  at  Danzig  in  1757. 

KONERMANN  (also  KIENERMANN,  or  KINDEMAN),  HANS  (Germ.). 
Mint-master  at  Wunstorf,  1566-7. 


,stsd  by  Google 


KONGSBERG,  ERASMUS  SIMON  (Germ.).  Mint-cngr:iver  at  Kongs- 
berg,  173 3-1764. 

KONGSDORF  (Germ.).  Medallist  of  the  third  quarter  of  the  eigh- 
teenth cemury;  he  was  working  at  Leipzig,  circa  1766,  and  signed 
his  productions  with  a  K. 


KONIKE  (also  KONEKE,  KOHNE  or  KONING),  JOACHIM  or 
JURGEM  {Germ.).  Mint-master  at  Rostock,  1601S-1609,  then  at 
Franzliurg.  According  to  Evers  he  was  appointed  21.  May  1606 
and  resigned  in  May  1609. 

KOHRAD  (CIIHO)  (Jusir.).  A  monk  of  the  Order  of  Minorite 
Brethren,  Mint-master  at  Vieima,  1290  (?), 

KONTOS,  DEMETRE  (Greek).  Engraver  at  Karpenissi,  who  cut  the 
dies  for  the  1831  coinage  of  Greece,  struck  in  the  island  of  Aegina, 
under  the  governor  Jean  Capodistrias.  The  coinage  of  183 1  consist- 
ed ol  20,  10,  5  and  i  Lepta  pieces. 

BiBLlOGitAPHY.  β€”  Inforination  kindly  supplied  by  M.  Jean  P.  Laiiib'os, 

KONSE  or  KONZE,  C.  T.  (Dutch).  Medallist  of  the  second  half  ot 
the  eighteenth  century  ;  pupil  of  Lageman.  By  him  are  the  follow- 
ing medals  in  the  Museum  at  The  Hague  :  Inauguration  of  Wil- 
!em  V.  as  Stadhouder,  1766 ;  β€”  Visit  of  Prince  Willem  V,  and 
consort,  Frederica  Sophia  WilheJmina  to  Amsterdam,  1768;  β€” 
Birth  of  the  Prince  of  Orange,  28.  November  1770;  β€” The  Walloon 
Orphanage  at  Amsterdam,  1770;  β€”  Inauguration  of  the  Lutheran 
Deaconry  at  Amsterdam,  1771  ;  β€”  Peter  Curtenlus,  theologian  of 
Amsterdam,  1766  ;  β€” ^The  four  brothers  Jorissen,  1767  ;  β€”  Second 
Centenary  of  the  ReUef  of  Leyden,  1774;  β–  β€”  Second  centenary 
of  the  Lutheran  Orphanage  at  Amsterdam,  177S,  etc. 

HOPE,  HANS  (Germ.).  Mint-master  and  warden  at  Augsburg, 
1456-1458. 

KOPE,  JULES  (Germ.).  Contemporary  Sculptor,  born  in  Poland. 
At  the  Salon  of  1885  he  exhibited  a  Portrait-medallion  of  Jean 
Oscar  Pauvert  de  la  Chapelle,  the  well-known  collector. 

KOPPELLEIN,  HANS  (Dan.).  Mint-master  at  Copenhagen,  1564- 
65. 

KOPPERS,  HEINRICH  (Germ.).  Mint-master  at  Cologne,  1722- 
17^4.  His  initials  or  monogram  occur  on  coins  of  Clemens  August, 
Duke  of  Bavaria,  Archbishop  of  Cologne. 

KOPPERS,  I.  (Germ.).  Mint-master  at  Mtinster,  under  Maximilian 
Friedrich,  Count  Ktinigseck-Rothenfels,  Bishop  of  Munster,  1762- 


,stsd  by  Google 


1784-    ^  mediil,   with    portrait  of  the   Bishop,   dated   1767,   and 
eiigriived  by  EPLI  bears  Koppers'  initials  on  obv, 

KOPPIN,  LUDWIG  (Girm.).  Medalhst  and  Modeller  in  wax,  born 
in  1737  at  Kustrin,  died  arc.  1750.  By  him  is  a  medaUion  in 
ivory  commemorating  the  foundation  of  the  Tower  of  the  French 
Church  at  Berlin,  abo  a  Portrait- medal  of  Duke  Leopold  of 
Brunswick,  &c. 

KORN,  FERDINAND  (Germ.).  Medallist  and  Coin-engraver  of  the 
second  half  of  the  nineteenth  century.  He  was  born  ac  Mayence, 
circa  1825-1830;  worked  as  Engraver  at  the  Diisseldorf  Mint,  then 
at  Mayence,  previous  to  1855  ;  nominated  Chief-engraver  at  Berne, 
by  the  Swiss  Federal  Council,  on  the  r6"'  of  March  1855;  Direc- 
tor of  the  Swiss  Federal  Mint,  i.  April  1858  to  i.  April  1859; 
Mitit-master  and  Chief-engraver  at  Wiesbaden,  and  Medallist  to  the 
Government  of  the  Duchy  of  Nassau,  1859-1866. 


Swiss  3  Franc  piece,  i860,  by  F.  Korn. 

During  his  short  stay  in  Switzerland  Korn  engraved  the  follow- 
ing coins  and  medals   :  One   and   Two    Franc    pieces,   1860  and 


;>Β» 


IIki^l.-  ,j1  Adolpli,  Duke  ofNassau,  1864,  by  Korn. 

1861  (type  slightly  altered  from  that  by  Antoiue  Bovy,  who  drew 
the  attention  of  the  Federal  Council  to  the  fact  that  his  dies  had 
been  used  by  Korn,  with  the  addition  of  KORN  in  the  exergue  ot 


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β€”    205    ~ 

the  obverse) ;  β€”  Thaler  of  the  Federal  Ritle  Meeting  at  Berne, 
1857; β€” Thaler  ofthe  Rifle  Meeting  of  Zurich,  1859  ;*β€”  Commem- 
orative Medal  of  the  Third  Swiss  Industrial  Exhibition  at  Berne, 
1857;  β€”  Inauguration  of  the  Federal  Mint  at  Berne.  1..  Septem- 
ber, 18$ $(ohv.  illustrated);  β€”  Jeton  with  the  Engraver's  name,  &c. 
Amongst   his   German    productions,    I   have    come    across  the 


following  :  Ludwig  IH.,  Grand  Duke  of  Hesse,  Double  Thaler, 
1854  (signed  :  KOBN,  and  struck  at  Mayence) ;  β€”  Adolph,  Duke  of 
Nassau,  Half  Gulden,  1S60,  with  edge  milled  after  the  Swiss 
fashion;  β€” Thaler,  1S61,  on  the  Duke's  visit  to  the  Wiesbaden 
Mint  (only  3  struck;  one  specimen  sold  at  Frankfort-on-Main,  April, 
1900,  for    400    Marks    (illustrated);     β€”    Thalers,     1863,     1864 


Inauguration  of  the  Swiss  Todtral  iMiiit  at  Bertie,  1855. 

(iliustraled) ;  β€”  Civil  Medal  of  Merit,  1865;  β€”  Nassau  Liie 
Saving  Medal ;  β€”  25"'  Anniversary  of  the  Reign  of  Duke  Adolph, 
1864;  β€”  Prize  Medal  of  the  Agricultural  Society,  β€”  Portrait- 
medal  of  Napoleon  III.  I^.  GOTT  SCHUTZE  KAISER  UND 
REICH  (size  of  Double  Thaler  and  struck  at  Frankfort  on  M.) ;  β€” 


,stsd  by  Google 


β€”  2o6  β€” 

Baron  D*"  Julius  von  Licbig  of  G  lessen;  β€” Medal  fov  Civil  Merit  with 
portrait  of  Duke  Adolpli  of  Nassau;  β€”  Nassau  An  and  Industrial 
Exliibitionat  Wiesbaden,  1863;^"  Giinsburger  "Medal,  1866, etc. 
Bibliography,  β€”  Arnold  Robert,  Les  TirsfidSraux  de  laSuisse  et  lair  numisma- 
lique  ogicielk,  1891.  β–  β€”  W.  Tobler-Meyer,  Die  Miini-  und  MedaiiUtt-Sammhmg  des 
Herrn  Hans  Wuvderly-v.  MuraUin  Zurich,  Zurich,  1898.  β€”  Julius  Isenbeck,  Das 
Nassaiiisclx  Miini^vusen,  Wiesbaden,  1879.  β€”  Reginald  Stuart  Poole,  Swiss  Coins 
at  the  South  Kensington  Museum.  β€”  Joseph  u.  FeUner,  op.  cit. 

KOBNER.  Vide  KOERKER  supra. 


KORNMANN,JOHANN,J. 
Goldsmith,    Wax-moddl 


also  CORMAHO,  GIOVANNI  JACOB0(G('f7(;.). 
β– r,  nnd    Mfdnliist    of  Augsburg,    of  the 


A-  -fc  β– β–   β€”  β–   .Jg 


Medal  of  Filippo  Pirovani,  by  J.  Kommann.  (obv.) 

seventeenth  century,  who  worked  at  Venice  and  Rome,  during  the 
latter  part  of  his  life,  for  several  Cardinals,  and  Popes  Urban  VIII. 
and  Innocent  X.,  1630-1650.  We  read  the  following  notice  of  the 
artist  in  Bolzenthal  :  "  A  ruuch  greater  celebrity  is  attached  to  the 
name  of  Johann  Kornmann  on  whom  Nature  had  Bberally  bestow- 
ed her  favouts.  He  was  born  at  Augsburg,   but   inspired  with  a 


,/ Google 


β€” β–     207    β€” 

noble  enthusiasm  he  went  to  Italy.  He  first  lived  at  Venice, 
then  in  Rome,  and  gained  in  both  places  iis  much  esteem  as  for- 
tune, by  his  excellent  works  in  gold,  silver  and  copper.  He  was 
originally  a  goldsmith,  and  applying  himself  to  die-engraving,  he 
executed  some  very  clever  medals  and  for  the  age  some  very  extra- 
ordinary. He  executed  some  medals  in  Rome  for  Pope  Innocent  X., 
one  of  which  refers  to  the  Jubilee  ot  1650.  This  ana  the  portrait  of 
M.  Antonio  Marta(f  i63o)with  the  artist's  name  in  Italian  COR- 
MANO,  indicate  the  probable  time  of  his  residence  in  Italy  and 
speak  for  the  artist's  talent,  as  do  also  the  portraits  of  John.  Henisch; 
β€”  Cardinal  Widmann ;  β€”  Filippo  Pirovani  (illustraled) ;  β€”  and 


'β– m 


Franc.  M.  Brancaccio;  it  was  his  misfortune  to  fall  into  the  hands 
of  the  Inquisition  at  Rome,  and  thus  to  be  deprived  of  his  goods 
and  liberty. " 

On  a  medal  of  Paul  Jordan  II.,  Duke  of  Bracciano,  the  signature 
is  I.I.C.F.,  and  on  the  accession  Medal  of  Pope  Innocent  X.,  it  is 
OPVS  CORHAfill. 


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β€”   208   β€” 

Saioihill  (0//fl  Podrida,  II,  p.  341)  describes  three  medals  of 
Paul  Jordan  U.,  and  remarlcs  :  "Cormani's  style  of  engraving  is 
one  of  extreme  and  minute  delicacy  in  finish.  You  might  suppose 
that  he  works  with  a  diamond  pencil.  His  busts  of  Innocent  X. 
convey  rather  the  idea  of  a  highly  finished  dark  gem  than  a  bronze 
medal;  the  kind  of  hard  sparkling  surface  of  a  stone,  than  any 
medallic  effect  β€”  I  know  of  nothing  like  them. " 

His  signature  occurs  also  on  the  obv.  of  a  medal  of  D''  Johann 
Henis,  of  Augsburg,  but  his  best  known  medal  is  that  commemorating 
Innocent  X.  s  Jubilee,  1650,  which  is  signed  CORMANVS,  F, ;  also 
on  a  medal  of  Henri  de  Foix,  due  de  Candalle,  signed  according  to 
Rondot  et  De  La  Tour  M.KOREMANO.F.  (?)  ;  β€”  Paul  Jordan  II.,  of 
Bracciano,  163s;  β€”  Flavins,  Duke  of  Bracciano,  1672,  etc. 

Bibliography.  β€”  Bolzenthal,  op.  dt.  β€”  Sainihill,  Olla  Podrida,  II,  p.  J40.  β€” 
Thomseii  Catalogue  of  Medals.  β€”   Gahii,  op.  cit. 

KORS,  VON  DER(Germ.).  Mint-master  at  Weilburg,  Nass^iu,  1749- 
1754.  He  engraved  coins  for  Charles  Augustus,  Prince  of  Nassau- 
Weiiburg  (1737-1753).  A  Thaler  (Mehlbacher  Mining  Thaler)  and 
Gulden  of  1752  bear  on  truncation  ot  bust  :  V^D.K. ;  and  a  Thaler  of 
same  date,  with  sfightly  different  obv.  but  similar  ^.  has  the 
monogram  .yVv  beneath  bust.  Ammon  remarks  that  Van  der  Kors 
is  the  author  of  the  Medal  of  the  Heidelberg  wine  cask  of  1746. 

KOSBERG,  ANBREAS  {Germ.).  Mint-master  at  St.  Petersburg, 
under  Catherine  the  Great,  1789-1795.  His  initials  occur  on  some 
coins  issued  by  him, 

KOSIN,  NICOLAUS  (Riiss.).  Mint-engraver,  and  Medallist  at 
St.  Petersburg,  circa  1850 ;  he  died  in  1867.  His  productions  are 
usually  signed  :  H.  K.  Iversen  states  that  Kosin  was  educated  at  the 
Technical  Mining  School  of  the  St.  Petersburg  Technological 
Institute,  and  was  appointed  Medallist  to  the  St.  Petersburg  Mint 
at  the  end  of  the  forties.  In  1855  he  became  an  Academician. 
A  medal  on  the  Transfer  of  the  University  to  the  Building  of  the 
twelve  Colleges,  at  St.  Petersburg,  1838,  is  signed  :  h.  koshio,  k. 
I  have  also  seen  a  Porirait-medal  of  Nicholas  I,  1856,  by  him. 

Bibliography.  β–  β€”  Iversen,  Medailhn  attf  die  Thaten  Peters  iles  Gi'ossai,  1872  β€” 
Schliclieysen-PaUmann,  cp.  cil. 

KOUNITZKY,  FRANZ  (Ausir.).  Contemporary  Sculptor  and 
Medallist,  residing  at  Vienna.  He  is  a  talented  young  artist,  who 
has  produced  already  some  excellent  work,  especially  Portraits  of 
Musicians,  &c. 

By  this  Medallist  are  :  Portrait-plaquettes(cast)  of  Verdi  (1902); 
β€”  Richard  Wagner  (1901)  (2   var.);   β€”  D''  Joachim,    1902;  β€” 


.isdo/GoogIc 


β€”  209  -~ 

Albert  Lortzmg  (1902);  β€”  Portmil-plaquette,  obv.  Bust  of  Verdi 
^L.  Bust  of  Mascagni,  1902;  β€” β–   Rossini,  1^102;  β€”  Leoncavallo, 
1902;  β€”  Th.  Monimsen,  at  the  age  of  S5,  1902  (illustrated)  ;  β€” 
Udel;  β€”  Tolstoy;  β€”  Charpentier;  β€”  Ibsen;  β€”  Fraulein  v, 
Wrangel ;  'β–  β€”  Schmedes ;    β€”    Sarah  Bernhardt ;    β€”  BeltitJi ;    β€” 


Portrait-plaquette  of  Th.  Mommsen,  by  KoumUliy. 

Rossini ;  β€”  Zumpe;  β€”  Eleonora  Duse;  β€”  Franzi;  β€”  Schumann; 
β€”  Kubelik ;  β€”  Wolff;  ^  d'Anunzio ;  β€”  Hauptraann ;  β€”  Charpen- 
tier; β€”  Portrait-plaquette,  obv.  Robert  Schumann  IJd..  Klara  Schu- 
mann; β€”  Leo  Tolstoy ;  β€”  Brahms;  ^  A.  Girardi ;  β€”  H.  Niese,etc. 

BiBLiOGKAPHY.  β€”  Dompierre  de  Chaufepi^,  MMailles  el  Plnqnettes  moderites, 
11.  β€”  Mittheilun^en  des  Ktubs  der  Miiii^-  uiid MedaiUen/reunde,  1901-2. 

KOSTKA  VON  POSTUPIC,   BOHDS  (Austr.).   Mint-master   to   the 
Chapter  of  SS.  Peter  and  Paul  am  Wyschehrad,  1493- 15 05. 

L.  Fdsbeb.   β€”  Skgraplikai  HoH^t,  of  MiiallUa.  β€”  III.  14 


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KOSTKA  VON  POSTUPIC,  WILHELM  (Austr.).  Mint-master  to  the 
Chapter  of  SS.  Peter  and  Paul  am  Wyschehrad,  1512-1513,  1514, 
IJ15-1518,  and  151S-1521. 

KOUNRAD  (^Germ.).  Moneyer  and  Coin-engraver  of  the  tenth 
century,  whose  name  KOVNRAD  ME  FECIT  occurs  on  German  brac- 
teates,  mentioned  by  Dannenberg  {Zeitschrift  fur  Numismalik, 
1886,  p.  259). 

KOWALSKl  (Po/.).  Medalhst  of  the  nineteenth  century,  who 
struck  a  series  of  medals  of  Polish  Kings  (Schom's  Kunstblaiter, 
1840). 

KOWARZIK,  JOSEF (G^J-m.)- Contemporary  Sculptor,  andMedallist, 
residing  at   Frankforc-on-Main ;    learned    medal-engraving   under 


β– y  of  liie  Birili  ol  Goethe,  1 


Professors  Tautenhayn  and  St.  Schwartz,  and  at  the  Vienna 
Academy  of  Decorative  Arts.  He  is  the  author  of  the  following 
medals  and  plaquettes  :  Plaquette  on  the  150'''  Anniversary  of  the 
birth  of  Goethe,  1899  (ilhstrakd) ;  β€”  Leopold  Sonnemann, 
Portrait-medal,  1901;  β€”  Allegorical  Medal;  β€” Clara  Monneron  ; 
β–  β€”  Eugenie  and    Johanna   von    Rath;   β€”    60"'   Anniversary  and 


,;.Goo'^lc 


Jubilee  of  the  Frankfort  sculptor  Hans  Thoma;  β€”  75'''  Anniversary 
ofProf.  Julius Stoclchausen,  1901 ;  β€”  Adolph  Menzel,  painter;  β€” 
Friedricli  Stoltze,   1891  (^.   by    one    of    Kowarzick's    pupils); 


Hermann,  Lizzie  and  Thea,  by  Kowarzik. 


β€”  M.  &  M""  Rotlihan  I^.  their  three  children  {^L.  illustra- 
ted);β€” Nursing  Exhibition  at  Franliforr-on-M.;  β€”  25"'  Anni- 
versary of  the  Voluntary  Fire-Brif;ade    of  Frat]kfort-on-M.  ;     β€” 


Wilhelm  and  Elisabeth;  β€”  Dori,  bust  of  a  young  peasant   girl; 
β€”  The  Walkyrie;  β–  β€”  Golden  Wedding  of  D'  Ernst  Passavant  and 


./Google 


β€” .   212    -β€” 

his  wife  Louise ;  β€”  Exhibition  of  Means  for  preventing  Accidents 
(Unfallschutz)  at  Frankfort-on-Main,  1900;  β€”August Weismann  ; 

β€”  Theodore  Mommsen  (illustrated);  Inauguration  of  the  new 
Town  Hall  atFranltfort-on-Main,  1903  ;  β€”  Silver  Wedding  of  D' phi!. 
Dietrich  Cunze,  1898;  β€”  The  Oppenheim  family,  1898;  β€” 
Betrothal  of  Else  von  Guaita  with  Walter  Lampe,  1895  ;  β€”  Medal 
of  the  Venetian  Exhibition,  1904;  β€”  Paul  Ehrlich,  Director  of  the 
Institute  of  Experimental  Therapeutics  at  Frankfort-on-Main,  1904; 

β€”  D''  Eugen  Lucius  Medal ;  β€”  Max  von  Guaita,  president  of  the 
Frankfort  Chamber  of  commerce ;  β€”  Prof.  Girl  Weigert,  anatomist 
and  director  of  the  Pathological  Institute,  &c. 

"Zu  den  hervorragendsten  Erscheinungen  unter  den  deutschen 
Medailleuren  zahlt  deran  dem  Staedelschen  Kunstinstitm  in  Frankfurt 
a.  M.  als  Lehrer  thatige  Plastiker  Professor  Joseph  Kowarzik  :  Die 
Wiener  Kunstgewerbeschule,  spSter  die  Akademie  der  bildenden 
Kiinste  in  Wien  (Schule  Helmer)  waren  die  Stiitten,  an  welchen 
sich  der  Genius  des  Kfinstlers  entwickelte,  seine  Meisterschaft  Hegt 
gegenwiirtig  noch  vorwiegend  in  den  Portraitseiten  seiner Medaillen, 
von  welchen  einzelne  zu  dem  Besten  ziihlen,  was  deutsche  Medail- 
leurkunst  in  letzter  Zeit  geschaffen ;  doch  :iuch  in  den  Revevsen, 
deren  Zeichnung  mitunter  nicht  einwandsfrei  ist,  bekundet  sich 
ein  starkes,  eigenartiges  Talent,  dessen  Anregungen  in  tiie  Zeit  des 
XV.  und  XVI.  Jahrhunderts  zuriickfuhren  "  (Moderne  Medailh,  1900, 
P-7)- 

"  Josef  Kowars^ik",  says  a  writer  in  Studio.  XXXI,  83  "  is  a 
refined  and  resourceful  sculptor  of  the  first  rank". 

KOZEL  VON  RIESENTHAL,  SIEGMUND  (Bohem.).  Joint  Mint-master 
to  the  Chapter  of  SS.  Peter  and  Paul  am  Wyschehrad,  1619-1620. 

K.  R.  or  K.  N.  R.  Fide  KNOLL  (Warden)  and  RIEDENER  (Mint- 
master),  at  Nuremberg,  1777-1793. 

KR.  Fide  CHRISTIAN  JOSEPH  KRDGER  JUNIOR.  Mint-engraver  and 
Medalhst  at  Dresden,  17S5-1814. 

KRABICE  VON  WEITMILE,  BEMES  (Bohcm.).  Mint-master  to  the 
Chapter  of  SS.  Paul  and  Peter  am  Wyschehrad,   1471-1496. 

KRAENDEL,  WENZEL  {Austr.').  Mint-engraver  at  Hall  in  Tyrol, 
1484-1496,  "  Eysengreber  der  grossen  Groschen.  "  He  cut  the  dies 
of  the  well-known  Tyrolian  Thaler,  the  so-called  "  Grosser  Gros- 
chen", dated  i486,  which  shows  on  obv.   the  Duke  Sigismund 


,stsd  by  Google 


standing  full  face  (iiluslrated).  The  dies  of  this  coin  ;ire  preserved 
at  the  Vienna  Mint, 


Thaler  of  Tyrol,  i486,  by  Wenzel  Kraeudel. 
Bibliography.  β€”  Katalog   der  K.  K.  Win\cn-und  Medaillen  Stempd  Sai, 
β€’n  Wimi,  1902. 


uhmg 


KRAFTT,  HANS  (Germ.).  Goldsmith  of  Nuremberg,  early  part  ot 
the  sixteenth  century;  died  in  1523  (?)  Ehrenberg,  Nachrichlen  uler 
Niirnberger  MunT^-und  Medaillen-Pragiingen  im  Auftrage  Friedrkhs 
des  Weisen  von  Sackm,  1889,  has  been  able  to  identify  him  as  the 
Engraver  of  the  coins  of  Frederick  the  Wise  of  Saxony  (from  circa 
1510),  from  designs  by  the  "Meister  Lux",  also  named  "  Maier 
MoUer",  probably  Lucas  Cranach, 

Hans  Krafft  succeeded  Hans  Krug  the  Elder  as  Mint-engraver  at 
Nuremberg  in  1509  and  worked  in  that  capacity  until  1513,  when 
Hans  Krug  the  Younger  was  appointed  to  the  office.  On  the 
latter's  death  in  15 18,  Hans  Krafft  was  once  more  emploj'ed, 
until  1523. 


Thaler  of  Frederick  III.  the  Wise,  by  Hans  Krafft. 

In  a  document  quoted  by  Schucbardt  in  Lucas  Cranach  des  Adier- 
n  Leben  tmd  Wirkm  (Leipzig,  1851-71),  Krafft  is  described  as  an 


o,Goo(^[c 


old  slow  man  (alt  lanksam  Mail),  for  which  cause  he  may  probably 
have  been  replaced  at  the  Mint  in  1513  by  Hans  Krug  Junior. 

Hans  Krafft  may  be  rhe  Engraver  of  the  coins  and  medals  repre- 
sented in  Tenuel  t,  PI.  2,  iii,  iv;  3,  rv-vii;  4,  i  and  iii  and  similar 
pieces;  it  is  certain  that  he  cut   the  dies   of  the  Guldengroschen 

β€’β– -  -'^-       ,#""β– $,, 

Schreckenbergcr  of  FreJenck  III 

of  MDXXII  and  Schreckenberger  (|  Thaler)  of  same  date,  bearing 
on  obv".  the  Bust  of  the  Prince  Elector  to  r.  wearing  cap,  and 
on  ]?Β£..*>  VERBVM  ^  DOMINI  *  MANET  :  IN*AETERNVM. 
Cross,  etc. 

KRAFFT,  GOTTFRIED  (Gervi.).  Gem-cngvaver  of  Danzig,  second 
half  of  the  eighteenth  century.  He  was  one  of  the  cleverest  pupils 
of  Natter,  and  known  at  Rome  as  //  Tedesco,  where  he  attained 
some  notoriety.  "He  is  certainly  an  Engraver  of  merit,"  says 
Raspe,  "and  his  manner  can  scarcely  be  distinguished  fromPichler's." 
By  him  is  a  fine  cameo  β– with  head  of  Augustus. 

Bibliography.  β€”  Babelon,  Pierres  gravies,  1894. 

KRAFFT,  JOHANN  MARTIN(^MSir.).  Medallist,  and  Assistant  Mint- 
engraver  at  Vienna,  circa  i'j^6-i'j6^ ;  then  Chief-engraver  at  the 
Mint  of  Milan,  1770-1777;  and  later  at  Munich,  where  he  died 
in  17S1,  at  the  age  of  43. 

His  signature  occurs  on  the  following  medals  :  Victory  of  Count 
Daun  against  the  Prussians  near  Kolin,  18.  June  1757  (engraved  in 
conjunction  with  A.  Wideman);  β€”  Coronation  of  the  Archduke 
Joseph  atFrankfort-on-M.,  3.  April  1764  (signed  :  KRAFFT.  F.);  β€” 
Recovery  of  the  Empress  Maria  Theresia  from  smallpox,  1767 
(obv.  signed  :  M.  KRAFFT  F.  (illustrated) ;  β€”  The  Emperor  Joseph  11, 
visits  Italy,  1769;  β€”  Prize  Medal,  with  bust  of  Maria  Theresia, 
for  service,s  in  textile  industries  in  Lombardy,  1769;  β€”  Visit  of 
King  Frederick  11.  of  Prussia  to  Neustadt  in  Moravia,  1770;  β€” 
Amehoration  of  the  old  Customs  Laws  in  Mantua  (^.  only);  β€” 
The  new  Penitentiary  at  Milan,  1770;  β€”  Commercial  Unity  in 
the  German  and  Italo-Austrian  States,  1770;  β€” The  new  Orphan 
Houses  at  Milan  and  Mantua,  1770;  β€”  The  University  of  Pavia, 


,/Googk 


lyyo;  β€”  The  ArchdukeFerdinand  :is Governor  of  Lombardy,  1771  ; 
β€”  Wax  model  of  Prince  Alberico  XII.  di  Belgioioso,  -f  1813  ;  β€” 
Completion  of  the  University  Buildings  at  Pavia,  1772 ;  β€”  Journey 
of  the  Emperor  Joseph  II,  to  Transsylvania,  1773  (2  var.) ;  β€”  The 
Occupation  of  the  three  Principahnes  of  Castiglione,  Medula  and 
Solferino,  and  their  integration  into  the  Duchy  of  Mantua,  1773  ; 


^β– r 


Recovery  of  ilie  Empress  Maria  Tlieresia,  by  M.  Krafft. 

β€”  Occupation  of  Galicia  and  Lodomeria,  1773  ;  β€”  Jcton  of  1773, 
on  the  same  event;  β€”  Gynecological  Academies  instituted  at 
Milan  and  Mantua,  1774;  β€”  Birth  of  the  first  Child  of  the  Arch- 
duke Ferdinand  and  Maria  Beatrix,  1775  ;  β€”  Another  variety;  β€” 
Botanic  Gardens  of  Milan  and  Pavia,  1775;  β€”  Building  of  the 


,/Googk 


β€”    2l6    ~ 

Adda-Como  Canal,  1777;  β€”  Prize  Medal  for  the  Promotion  of 
Agriculture  and  Industry  in  Lombardy,  1777;  β€”  The  Observatory 
at  Milan,  1779;  β€”  Prince  Wenzel  von  Kaunitz-Ritberg,  Chan- 
cellor of  State,  1711-1794  (1773);  β€”  Christoph,  Cardinal 
A.  Migazzi,  1772;  β€”  Metastasio,  Poet ;  β€”  Election  of  Hieronymus, 
Count  von  Colloredo,  as  Archbishop  of  Salzburg,  1772  ;  β€”  Medal 
of  the  Paris  Academy ;  β€” and  over  two  hundred  Portraits  in  wax  of 
celebrated  Persons;  β€”  Obstetric  School  of  Milan  and  Mantua, 
1774,  etc. 

Bolzenthal  observes  that  Krafft  established  his  fame  as  one  of  the 
first  engravers  of  bis  time.  He  was  the  son  of  a  Goldsmith,  and 
worked  in  Germany,  France  and  Italy. 

Martin  Krafft's  signature  ocairs  in  the  following  forms  :  K.  F.;  β€” 
K ;  β€”  M.  KRAFFT ;  β€”  M.  KRAFFT  F. ;  β€”  KRAFFT  F, ,  etc. 

Bibliography.  β€”  Domanig,  Porlratmedaillen  des  Et~(hattses  Oesterrekh,  Wien, 
1896.  β€”  Kaidog  der  MMitn-uni  UedaillairSlempfl-Sammlin^  des  K.  K.  Haupl- 
fniln^amies  in  Wimi,  1901.  β€”  Thomson  Catahmii.  β€”  Edouard  Fiala,  Beschreibung 
der  Sammlung  Bohmhcbir  Miin^en  uΒ«d  Medaillen  des  Max  Doneiauer,  Prag,  1888, 
β€” β–   Bolzenthal,  cp.  cit.  β€”  Amnion,  op.  cit.  β€”  Joseph  u.  Felhier,  op.  cit. 

KRAFFT,  MARTIN  (Jtistr.')  Medallist,  and  Mint-engraver  at 
Vienna,  Munich  and  Milan,  during  the  second  and  third  quarters 
of  the  eighteenth  century;  born  in  1738;  died  at  Munich  in  1781. 
He  is  mentioned  as  student  at  the  Vienna  Mint  School  of  Engraving 
(Graveurkunstscholar),  1771-1775 ;  Assistant-engraver  at  the  Mint, 
after  1775.  About  this  time,  offers  were  made  to  the  Engraver  of 
a  post  at  the  Brussels  mint,  which  he  declined.  He  engraved, 
amongst  others,  a  Pon  rait- medal  of  Hieronymus,  Archbishop  of 
Salzburg,  1772.  Fide  lOHANN  MARTIN  KRAFFT  supra. 

KRAKATJ,  DANIEt  (Germ.).  Son  of  Michael  Krakau,  employed  at 
the  Mint  of  Breslau.  He  invented  a  Coining-.press,  which  was  cast 
at  Kremnitz  and  first  put  into  use  at  Breslau  in  1717.  There  is  a 
medal  by  P.  H.  Miiller,  1717,  representing  Krakau's  machine. 

BiBLioGKAPHY.  β€” Frierfensburg,  Schksiens  neuere  Mmi^geschkhk. 

KRAKAU,  MICHAEL  {Germ.)  of  Danzig,  received  an  appointment 
at  the  Mint  of  Briegin  Silesia  in  1650  and  was  still  in  office  in  1705, 
working  at  the  same  time  for  other  mints. 

Bibliography.  β€”  Frie  dens  burg,  op.  cil. 

KRAHE,  CHRISTOPH  JACOB  {Auslr.).  Mint  Bailiif  at  Kuttenberg ; 
died  on  the  19"'  of  April,  1702, 
Bibliography,  β€”  C.  Oesterrekher,  loc.  cil. 

KRAKOWSKY,  PHILIPP,  Count  KOLOWRAT  (Auslr.).  Mint-raasler 
general  in  Bohemia,  1732-1748. 
Bibliography.  β€”  Fiala,  Summlung  bohmischer  Miiiiien,  etc. 


β€ž  Google 


~-   217   β€” 

KRALL,  ENGELHARD  JOHANN  (Germ.').  Interim  Minc-mnstcr  at 
Frankfort-on-M.,  1742,  then  Mint-master  at  Brunswick.  A  Ducat 
of  Frankfort,  1742,  bears  his  initials  E.  I.  K.  In  conjunction  with 
Christian  Lebrecht  Schild,  Krall  issued  Coronation  coins  of 
Charles  VII.,  in  gold  and  silver.  Previous  to  1742,  Krall  appears  to 
have  held  office  as  Mint-master  to  Count  Christian  Ernest  of 
Stolberg. 

Bibliography.  β€”  Paul  loseiili  11.  EJ.  Fellner,  Die  Mmtmi  von  Frmikfutt-a-M., 
1896. 

KRALLOWITZ  (KRALLWITZ,  KRALOWSKY),  FERDIMAND  {Germ.). 
Seal-engraver  at  Breslau,  mentioned  in  1649  and  1650. 

KRALLOWITZ,  HANS  GEORG  {Germ.).  Seal-engraver  at  Breslau, 
1652  β€”  f  1674  at  the  age  of  63. 

KRAMER,  BERNARD  {Dutch).  Minr-nKister  at  Campen,  1717-1721. 
BiBLiOGr.APHY.  β€”  Friedensburg,  op.  cit. 

KRAMER,  COENRAAD  HENDRIK  {Dutch).  Mint-master  at  Medcm- 
blik,  1711-1714,  later  at  Canipen,  i73i-i754(?) 

KRAMER,  HANS  (Germ.).  Mint-engraver  at  Breslau,  1627. 

KRAMER,  IGNATZ  {Bohem.).  Mint-master  at  Prague,  1746-1747, 
under  the  reign  of  Maria  Theresia.  Previously,  he  had  filled  the 
office  of  Mint-virarden,  1730-1734,  then  Mint-master,  1734-1740, 
at  Breslau,  He  was  raised  to  the  nobility  as"Edler  von  Munzburg", 
and  was  Mint-director  at  Kremnitzwhen  he  died. 

KRAMER,  JOHANN  GEORG    {Germ.).    Mint-warden    at    Ratisbon, 


KRAMER,  KARL  (Germ.).  Die-sinker  of  Cologne  (?),  whose 
medals  belong  to  the  second  quarter  of  the  nineteenth  century. 
One  of  these  commemorates  the  Carnival  at  Cologne,  1838, 
and  another,  with  portrait  of  Gutenberg,  the  fourth  centenary  of 
the  Invention  of  the  Printing  Press. 

KRAMER,  WOLF  (Germ.).  Goldsmith  of  Worms,  and  in  conjunc- 
tion with  Hans  Kock,  Mint-warden  to  the  Landgrave  William  of 
Hesse  and  the  Counts  Albert  and  John  Louis  of  Nassau,  during  the 
latter  end  of  the  sixteenth  century. 

BiBLiOGHAPHY.  β€”  Isenbecli,  Dai  Naisauische  Miinjiiuesen,  1899. 

KRAPP  or  KRAPPE,  HANS  {Germ.).  A  burgher  of  Breslau ; 
contracted  to  work  the  Royal  Mint  of  Breslau,  1540-1541 ;  appointed 


,/ Google 


on  Nov.  13,  1545,  by  the  Prince-Elecror  Joachim  of  Brandenburg 
Mint-master-general  throughout  his  dominions. 

By  a  resolution  dated  Prague,  i.  Feb.  1540,  King  Ferdinand 
ordered  Krapp  to  pay,  instead  of  his  yearly  due  of  900  Gulden,  a 
Royalty  of  10  Kreutzer  or  5  Silesian  Groschen  on  each  Mark  of 
silver  coined  by  him. 

Bibliography.  β€”  Friedensburg,  cp.  cil.  β€”  Oesierrcicher,  op.  c'U. 

KRAUEB,  FRANZ  KARL  {Stuiss').  Mint-master  at  Lucerne,  1724- 
1737,  and  again  in  1744.  Son  of  Wilhelm  Krauer;  born  in  1691. 
In  1724  he  was  appointed  Mini-master  tor  Nidwald  (Untervald)  in 
succession  to  his  brother-in-law  Gebhard  Dub ;  in  1739  the  Lucerne 
Council  obliged  him  to  resign  his  post  as  Mint-master  in  Obwald. 
Between  1738  and  174s,  he  acted  as  Mint-master  at  Appenzell.  He 
died  at  Tegerschen  in  1745. 

BiBLiOGR.'iPHY.  β€”  Dr  Th.  voii  Liebenau,  Die  Miinj^meisler  von  Lu^erti,   1890. 

KRATJER,  HANS  JORG  (Swiss).  Goldsmith,  Seal-engraver,  and 
Painter  of  Lucerne.  He  iilled  the  office  of  Mint-master  there  between 
1673  and  1677,  and  again  from  1682  to  1694.  On  12.  Sept.  1677, 
he  was  granted  a  leave  of  absence  to  superintend  the  Mint  at  Sion 
for  the  Bishop  Adrian  V.  von  Riedmatten,  in  whose  service  he 
remained  until  1683.  From  1692-1693,  H.  J.  Krauer  acted  as 
Mint-master  at  Z\ig.  In  1702  he  was  still  living, 

KRAUER,  WILHELM  (Swiss).  Son  of  Hans  jorg  Krauer;  born 
in  1661  ;  died  in  1718.  He  first  worked  as  a  Goldsmith,  but  later 
practised  also  Die-cutting.  In  1707  he  was  appointed  Mint-master 
at  Sion,  where  the  famous  J.  C.  Hedlinger  was  apprenticed  to 
him;  in  1710  he  returned  to  Lucerne,  and  was  appointed  Mint- 
master  there  on  the  31.  March  1713  for  a  period  of  three  years. 
After  many  diiticulties  with  the  Town  Council,  his  resignation 
was  accepted,  and  he  was  free  to  take  the  post  that  was  offered  to 
him  as  Mint-master  at  Montb^liard,  acting  at  the  same  time  for  the 
Bishop  of  Basle,  Johann  Konrad  von  Reinach,  at  his  Mint  of  Por- 
rentruy. 

Fussli  remarks  :  "  Selbst  Joh.  Karl  Hedlinger's  Lehrer  Krauer 
war  wohl  nichts  wenigerals  Kunstler.  Vielleicht  verstund  er  nichts 
als  das  Gepriige  gewohnlichev  Munzen,  nichts  aber  von  Zeichnung, 
von  Schneiden  kiinstlicher  Schaumunzen  und  derglelchen. " 

The  coins  minted  at  Sion  previous  to  1710  are  heavy  and  badly 
cut ;  those  of  1710  which  were  engraved  by  Hedlinger  are  already 
of  a  totally  different  character,  notwithstanding  that  the  young  artist 
was  not  yet  twenty  years  old. 

Bibliography.  β€”  Liebenau,  op.  cit.  β€”  Amberg,  Der  Medailleur  Johann  Karl 
Hedlinger,  Einsiedela,  1887.  β€”  fUssMn,  GeschkhlederbeiiefiKimstkrittderSchweii, 
III,  p.  76. 


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-   2t9   - 

KSAUMANN,  ALEXANDER  (Germ.).  Contemporary  Sculptor,  born 
at  Budapest  in  1870,  lately  residing  at  Frankfort-on-M.,  now  zt 
Dresden.  The  only  medallic  productions!  have  noticed  by  him  are 
a  comracmoriitive  plaquette,  struck  at  Mayer &Wilhelm's  works  at 
Stuttgart,  of  the  Third  Centenary  of  the  Salzbrunn  Spa  (Silesia), 
1901  ;  β€”  Gold  Medal  for  the  Venice  Fine  Art  Exhibition,  1903 
(reproduced  in  The  Studio,  Feb.  1905,  p.  78,  and  described  as 
"  rather  full  of  detail  on  the  obverse,  and  cleverly  reminiscent  of 
Venice's  one-time  Byzantine  glory");  β–  β€”  Plaquette,  with  standing 
nude  figure  playing  on  the  harp,  and  others. 

"  This  artists  plaquettes  are  exemplary  in  their  distribution  ot 
light  and  shade,  and  the  modelling  is  in  an  admirable,  large  spirit, 
though  in  single  parts  the  proportions  may  not  be  quite  beyond 
criticism",  {Studio,  1905,  p- 78). 


Third  Centenary  of  the  Upper  Wells  at  Salzbrunn. 

KRAUS,  KLkVS (Bohem.).  Mint-master  at  Joachimsthal,  1531-37- 
He  was  appointed  in  March,  1535,  in  succession  to  Ulrich  Gcbhard. 
He  was  a  Saxon  by  origin.  For  malversation  in  bis  ofGce,  he  suffered 
imprisonment,  from  March  1535  to  25.  May  1537,  when  lie  was 
released  by  King  Ferdinand's  order,  but  his  subsequent  history  is 
not  known.  His  mint-mark  is  a  rufl.  Hans  Weizelmann  succeeded 
him  at  Joachimsthal. 

BiBLioGKAPHY.  β€”  E.  Fiala,  Klaiis  Kraus,  Mimimeisler  voti  Joachimsthal,  1898. 
β€”  Do,  Dos  Miiii{wssm  der  Grafm  Schlkk,  Num.  Zeit.,  1850,  p.  205, 


,/ Google 


KRAUS,  HANS  (Germ.).  Moneyer  at  Teschen,  1613. 

KRAUSE,  ADAM  (Germ.).  Mint-master  at  Reichenstein,  f  1605. 

KRAUSE,  BALTHAZAR  (Germ.).  Mint-master  to  the  Princes  and 
States  of  Silesia,  1623. 

KRAUSS.CH.  (^MjJr.)- Editor  of  meiialsof  Budapest,  who  piiblisli- 
ed  various  medals,  amongst  which  1  have  noticed  :  The  Jews 
granted  right  of  possession,  1 860 ;  β€” β–   40*  Anniversary  of  the  Iimperor 
Francis  Joseph's  Reign,  1888 ;  β€”  The  Emperor's  JuDileo,  1898,  &c. 

KRATJSS,  HANNS   (Germ.).  Mint-engraver  at  Nuremberg,   1572- 
1575- 
KBAWER.  Vide  KRADER  sitprd. 

KRAUWINCKEL,  DAMIAN  (Germ.).  Nuremberg  Counter-manufac- 
turer of  the  end  of  the  sixteenth  century,  from  circa  1566,  His 
name  DOMIANVS  KRAU  WIKC  ;  β€”  DAMIANVS  KRAVWINCKEL,  &c., 
occurs  on  counters  described  by  Neumann,  Kupfer-Mun^en,  Vol.  V, 
nΒ°'  32183-89.  Damiaii  and  Egidius  Krauwinckel  were  no  doubt 
related  to  Hans  Krauwinckel  and  seem  to  have  preceded  him  by  a 
few  years. 

KRADWIKCKEL,  EGIDIUS  (Germ.).  Nuremberg  Counter-manufac- 
turer of  the  end  of  the  sixteenth  century;  the  date  M.D.LXXI 
occurs  on  one  of  his  counters,  which  are  usually  bearing  his  name 
spelt  in  various  forms  :  EGIDIVS  *  KR ;  β€”  EGIDIVS  β–   KRA. ;  β€”  EGIDIVS 
KRAVWINCKEL  ;β€” EGIDI  KRAVWINCKELL;  β€”  EGIDII  KRAVV ;  β€” E.K. ; 
β€”  E.  KRAVWINCKEL  NVR.  Neumann  describes  twelve  varieties  of 
counters  by  Egidius  Krauwinckel,  most  of  them  from  the  late 
D'  Freudcnthal's  collection. 

KRAUWINCKEL,  HANS  (Germ.).  One  of  the  best  known  Nurem- 
berg Counter-manufacturers  of  the  end  of  the  sixteenth  and  begin- 
ning of  the  seventeenth  centuries.  His  name  occurs  in  various  forms 
on  his  issues  :  HANKS  β–   KRAVWINCKEL  β–   IN  β–   NVR  ;  β€”  HAKNSKRA  V 
WINCKEL  β–   IN-  NVRENB  ;  β€”  HANNS.  β–   KRAVWINCKEL  β–   IN  β–   NV;  β€” 
HANNS-KRAVWmCKELBIN  ICH  BEKONT,  &c,;β€”  HANS  KRAVWINC- 
KEL NVREKBER  ;  β€”  H,  K. ;  β€”  H,  KRAVWI ;  β€”  H.   KRAV  ;   β€”  HK,  &c. 

Neumann  describes  no  less  than  ninety-two  varieties  of  Counters 
by  this  maker  (Vol.  V,  n"'  32222-32314);  some  are  dated  1588, 
1589,  1601,  1605,  1610,  1611,  Sec. 

Hans  Krauwinckel's  counters  bear  legends  in  Latin,  German, 
French,  failing  sometimes  in  orthography,  now  religious  in  their 
meaning,  now  profane,  as  :  GOTTES  SEGEN  MACHT  REICH  β€” 
GOTTES  GABEN  SOLE  MAN  LOBEN  ~  HEVT  ROOT  MOR- 
GEN  TODT.They  representall  sorts  ofsubjects,  Alexanderthe  Great, 


,/ Google 


with  the  inscription  :  ALEXANDER  HANG  (!)  1601;  fame; 
Fortuna  Variabilis  (!);  Adam  and  Eve  1^.  Christ  on  the  Cross; 
David  and  Jonathan;  Joab  and  Amasa;  Hainan  and  Mordecai; 
Judith;  Saul  and  Samuel;  Samuel  and  David  ;  the  Beast  in  Reve- 
lation ;  Jupiter  and  Ganymede ;  Jupiter  and  Europa  ^ Pallas,  Juno, 
and  Venus;  Pluto  with  Cerberus;  Neptune,  Hercules, and  Pallas  ; 
Mars  atid  Venus;  Apollo  and  Diana,  Meleager  and  Atalanta; 
Perseus;  Caphalus  and  Procris  ;  Pyramus  and  Thisbe;  Honos  et 
Virtus;  Hannibal;  Sciplo  Africanus;  Romulus  and  Remus;  Curtius 
leaping  into  the  fiery  lake ;  Popilius,  the  Rom:in  legate,  drawing  a 
circle  round  Antiochus  IV.  of  Syria;  Charles  V.,  of  Germany  ; 
Arms  of  Constantinople,  with  Portrait  of  Sultan;  Henry  IV.  of 
France,  on  horseback,  1606;  Henry  IV.  and  Marie  de  Medici,  with 
View  of  Rheims;  Bust  ot  Vespasian  Ri.  IVD-^A  CAPTA  S.C.,  β€”  but 
the  most  common  type  is  the  Imperial  orb  within  tressure,  or  Flora! 
decorations.  The  execution  of  most  of  these  pieces  is  superior  to 
the  generality  of  Nuremberg  counters,  and  accounts  for  their  great 
success  and  vogue,  which  made  them  sought  after  even  in    this 


Nuremberg  Counter,    by    Hans   Krauwincl;i;l . 

country,  where  they  were  often  circulated  as  money  to  supply  the 
dearth  of  small  currency,  or  used  as  blanks  over  which  Tradesmen's 
Tokens  were  struck. 

The  "  Counters"  or  "jetons"  were  originated  in  France  in  the 
thirteenth  century  and  were  commonly  used  in  that  country, 
Germany,  the  Netherlands,  and  in  England,  from  about  the  time 
of  Henry  VIII.,  for  the  purpose  of  reckoning.  SneUing  gives  an 
interesting  account  of  the  manner  in  which  counters  -were used,  vi^. 
by  laying  them  on  lines,  increasing  in  their  value  from  the  bottom, 
which  is  a  line  of  Units;  the  second,  or  next  above  it,  is  a  line  of 
Tens;  the  third  a  line  of  Hundreds,  the  fourth  of  Thousands,  and 
so  on.  A  counter  laid  on  the  first  line  is  only  i,  being  laid  on  the 
second  line  it  is  10,  on  the  third  It  is  a  100,  on  the  fourth  it  is  a 
1000,  on  the  fifth  it  is  loooo,  &c.  A  counter  laid  in  the  space 
between  the  first  and  second  line  is  5  ;  between  the  second  and 
third  it  is  50;  between  the  third  and  fourth  it  is  500;  and  so  on; 


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β€”  222   β€” 

being  in  all  cases  equal  to  five  of  those  which  lay  on  the  line  under 
it,  and  half  of  one  of  those  on  the  line  over  it.  By  this  contrivance, 
less  rooni  is  required  to  perform  the  operations  in,  and  they  are  done 
by  half  the  number;  that  is,  four  counters  on  each  line,  and  one 
above  it,  are  sufficient,  instead  of  nine,  which  would  otherwise 
have  been  wanted  on  each  line  ".  He  then  goes  on  to  describe  how 
additions  and  subtractions  were  made. 

In  the  Netherlands  and  Austria,  historical  counters  were  given  as 
"Etrennes"  every  New  year ;  in  France,  the  Kings  were  accustomed 
to  present  them  to  officers  of  their  Household,  and  Public  Bodies 
in  their  turn  to  the  Kings  and  Princes  of  the  Blood, 

One  of  Hans  Krauwinckel's  counters  represents  Queen  Elizabeth 
on  horseback  ^L  Shield  of  France  andEnguind,  and  another,  proba- 
bly by  him,  bears  on  obv.  a  full  blown  heraldic  rose  with  the 
cipher  of  K  H  (Henry  VIII.  and  Katharine  ?)  on  1^,  Another  bears 
allusion  on  ^L  to  the  Massacre  of  the  S'  Bartholomew  (Fide  Num. 
Chronicle,  1896,  p.  272). 

"  The  counters  struck  at  Niirnberg  became  current  for  reckoning 
in  England  nbout  i'">8  but  were  forbidden  currency  bv  statute  in 
1335.  "  (Boj  e    Tad   TJ        I  p    f  e  x\} 


a  idDesigti  of  jHlons orCounters, 

KREBEL.  I  d  KNEBEL  MATH  EU      p 

KREBS,  V.  (A        )    D  le        Kl  ^  nfurt,  by  whom  there  is  a 

medal  with  portrait  of  Thomas  Koschat,  the  Composer,  1895. 

KREISSEL MEYER,  J.  (Germ.).  Mint-engraver  atEdenkoben,  1890. 

KRELL  (Germ.).  Mint-master  at  Saalfeld,  1835-6. 

KREMER,  JOSEPH  (FrewcA).  Contemporary  Sculptor,  born  at  Trom- 
boni  (Moselle)  ;  pupil  of  A.  Poitevin.  He  is  the  author  of  some 
Portrait-medallions  in  clay  and  bronze;  two  were  exhibited  at  the 
Salon  of  1 87 1,  one  representing  the  French  Republic,  and  the  other 
being  a  Study. 

BiiiLiOGRAPHY.  β€”  Cliavigncrie  et  Auvray,  o/>.  cU. 


,  Google 


Kress,  AHTON  (Germ.).  Assistant  Mint-engraver  at  Kuremberg, 
1504. 

KRESS,  GUSTAVUS  (Germ.).  Die-sinker,  whose  signature  occurs 
on  a  medal  of  Goethe,  1863 . 

KRETSCHMAR.HOWARD(^;jjgr,).  Die-sinker  of  Chicago  (U.S.  A.), 
who  cut  amongst  otliers  a  medal  of  Dr  Moses  Gunn,  of  Chicago 
(Amer.J.N.  851). 

KRIEG,  JOHANN  (GΒ«-m.).  Mint-master  at  Stolberg,  1 620-1660.  His 
issues  usually  bear  his  initials  I.  K.  Schlickeysen  suggests  that  he  may 
have  engraved  coins,  signed  I.  K.  for  Eimbeck,  1629.  In  the  lieim- 
mann  Sale  there  were  a  Thaler,  1645,  Double  Thaler,  1646,  and 
Quarter  Thaler,  1649,  of  Johann  Martin,  Count  of  Stolberg,  all 
signed  I.  K, 

KRIEGER,  ALBBECHT  (Germ,).  Mint-engraver  and  Medallist  at 
Leipzig,  during  the  second  half  of  the  seventeenth  century.  His 
signature  A.  B.  K.  occurs  on  medals  of  Duke  Bernhard  II.  of  Saxony, 
one  of  them  commemorating  his  3  5''' Birthday,  1672,  Duke  Johann 
Adolphof  Weissenfels,  andRefortnationMedals,  1717,  with  portrait 
of  Luther,  &c.  The  work  on  these,  says  Bokenthal,  "  is  of  inferior 
merit ". 

β€”  Th,  Distel,  Altmhl  Krkgm  Reformti- 

KRIEGER,  PAUL  (Germ.).  Goldsmith  of  Munich,  1615  ;  Mint- 
director  there,  1620. 

KRINOS,  PETROS  (Greek).  Contemporary  Sculptor,  born  at  Syra 
(Greece)  ;  pupil  of  Letourneau  and  Sochos ;  and  author  of  various 
Portrait-medallions,  which  were  exhibited  at  the  Paris  Salon,  since 


KRISPIN,  HIERONYMUS  (Pol.).  Royal  Treasurer  for  Lithuania, 
1664-1666.  According  to  Nagler  (Monogrammislen,l\l,p.  447)  his 
initials  H.  K.  P.  L.  (Hieronymus  Krispin  PodskarU  LUeiosh)  occur  bn 
coins  of  that  period. 

KRIZ,  WEWZEL  (Sokw.).  Medallist  of  Prague,  who  died  in  1887. 
By  him  are  the  following  medals  :  Hynck  J.  Heger,  stenographer, 
1 808- 1 85 4;  β€”  JohnHuss,  5''' Centenary,  1868;  β€” Josefjungmann, 
linguist,  1773-1847;^ β€” Ticket  of  the  Karlsbad  Library;  β–  β€” ^  Prize 
Medal  of  the  Agricultural  Exhibition  at  Chrudim,  1881 ;  β€”  Prize 
Medal  of  the  Agricultural  Exhibition  at  Mistek,  1876;  β€”  Prize 
Medal  of  the  Bohemian  Industrial  Society,  1872;  β€”  Another,  of 
1S76  ;  β€”  Prize  Medal  of  the  Bohemian  Agricultural  Society,  1879; 


./Google 


β€”  224  β– " 
β€”  Prize  Medd  for  Apiculture;  β€”  Arrival  of  American  Czeclis, 
1885;  β€”  Industrial  Exhibition  at  Raudnitz,  1884;  β„’  Industrial 
Exhibition  at  Tabor,  1886;  β€” Memorial  Medal  of  the  Emperor 
Ferdinandl.,  on  his  death,  1875 ;  β€” Visit  to  Prague  of  the  Emperor 
Francis  Joseph,  1874,  &c. 

KROH,  JOHANN  CHRISTOPH  (Germ.).  Mining-Master  and  Superio- 
tendent  of  the  Mint  at  Kuttenberg,  1678-1702.  His  initials  C.  K. 
occur  on  the  coins  issued  during  his  tenure  of  office.  Fiala's  Cata- 
logue of  the  Donebauer  Collection  describes  forty-seven  varieties  of 
coins  with  Kroh's  mark,  C  "XK,  within  ornamenial  panel, compris- 
ing gold,  silver,  and  copper  currency. 

KROHN,  FREDERICK  CHRISTOPHER(/:)ii(J.)-  Sculptor  and  Medallist, 
born  at  Copenhagen,  4.  August  1806;  Pupil  of  the  Copenhagen 
Academy  of  Fine  Arts,  Dalou, Freund,  and  Brandt;  Mint-engraver 
there,  from  1833  until  1863  or  later.  He  is  usually  known  as  FRITZ 
KROHN.  His  signature  occurs  as  F.  KROHN  K.  or  F.  K.  By  him  are  : 
Jubilee  of  the  University  of  Kiel,  1834;  β€”  Portrait-medallion  ot 
Frederick  VI.  of  Denmark  ^  AEQVn'AS  AVGVSTI,  1834;  " 
Industrial  Exhibition  at  Copenhagen,  1836;  β€”  Herman  Wcssel, 
poet,   1742-1835  ;  β€”  Third  Centenary  of  thf  Kt;form.iiioii,   1836; 


β– β€’  Medal  of  King  Cliri 


1  Vlll., 


1840. 


β€”  Memorial  Medal  of  King  Christian  VIII.,  1848;  β€”Agricultural 
Prize  Medal,  1861;  β€”  Another,  of  1863;  β€”  Accession  Medal  of 
Christinn  VIII.,  1S39  ;  β€” Silver  Wedding  Medal  of  Christian  VIII., 
and  Caroline  Amalie,  1840.  (^L.  only;  illustrated).  The  two  last 
medals  were  designed  by  tSie  great  sculptor  Thorwaklsen ;  ^  Jubilee 
of  King  Frederick  VI.,;  β€”  4*  Centenary  of  the  House  of  Oldenburg; 

β€”  Some  Coin-dies  for  the  currency  of  Christian  VIII. ;  β€”  Portrait- 
medals  of  celebrated  Personages;  β€”  Busts,  &c. 


./Google 


Bolzeiithal  makes  the  following  comment  on  the  artist  ; 
"F.  Krohn,  bora  in  1806,  has  worked  as  a  Medallist  since  1833 
and  was  before  that  a  Sculptor,  which  we  may  perceive  on  his 
medals.  On  his  journey  through  Germany  he  wenttoBerUn,  where 
he  studied  die-sinking  under  Brandt,  If  wc  compare  Krohn's  earlier 
works,  such  as  the  medal  of  the  comic  poet  Hermann  Wessel,  with 
his  later  ones,  such  as  that  on  the  Festivities  in  commemoration 
of  the  acceptance  of  the  Augsburger  Confession  of  Faith,  we  notice 
much  progress". 

KROHNEMANN,  'CHR/;  WILHELM,  Baron  von  (Germ.').  Alchemist 
and  Mint-director  at  Bayreuth,  1677-1686, 

KROLL,  ERNST  DIETRICH  (Germ.)  of  Durlach.  Mint-master  at 
Wcilburg,  1749-1750.  His  signature  C;  β€”  E.C.,  or  EDC.  occurs  on 
coins  issued  by  him,  of  Charles  Augustus,  Count  of  Nassau- 
Weilburg([2,  4  and  i  Kreutzerpieces,  1749;  ;V  Ducat  and  Gulden, 
1750). 

Bibliography.  β€”  Iseiibeck,  op.  cil. 

KRONCKE,  MARTIN  (Germ.).  Director  of  the  Mint  at  Breslau,  frotn 
February  1752  until  1764;  afterwards.  Director-general  of  the 
Silesian  Coinage  ;β– [β–   1770. 

BiBtiOGRAPHY,  β€”  Friedensburg,  op.  cil. 

KRONIOS  (Greek).  One  of  the  few  names  of  ancient  Gcm-cngravers 
whom  Pliny  has  left  on  record.  King,  Handbook  &c.,  p.  366,  gives 
three  gems,  all  of  which  are  modern,  bearing  that  signature  :  Terp- 
sichore, standing,  and  resting  her  lyre  on  a  cippus  :  suspected  by 
Bracci  to  be  the  work  of  Sirletti ;  β€”  Jupiter  caressing  his  eagle  : 
cameo  (old  Poniatowski  Coll") ;  β€”  Perseus  with  the  head  of  Medusa 
KPnNIOT  :  sard  (Devonshire).  Known  to  be  modern. 

Bibliography.  β€”  Furtwangler,  Gsinmm  mil  Kilnsllerinschriften,  i88g, 

KRONVEST  or  KRONNEST,  BERNHARD  (Austr.).  Mint-master  at 
Vienna,  1332  (?) 

KROPF,  FRANZ  LEOPOLD  (Austr.).  Mint-master  at  Weissenburg 
(Alba  Julia-Carlsburg),  circa  1713. 

KROPF,-JOHANN  ERNEST  (Austr.).  Mint-master  at  Hermannstadt, 
appointed  on  ao.  June  1709. 

KROPF,  LEOPOLD  WILHELM  (^wj^/r.).  Mint-master  at  Nagy-Banya. 
5.  January  1703  to  1713. 

KRUCKENBERGER,  GEORG  (Germ.).  Mint-master  at  Cassel,  1637- 
1640,  HcJxter,  1646,  and  Hildesheim,  1 660-1 661. 1  have  noticed  his 


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signature  GVK  on  Tlialers  and  Half  Thalers,  1637,  of  William  V., 
Landgrave  of  Hesse- Casscl, 

KRUEGER  (Germ.).  Gold  worker  and  Engraver  of  Berlin,  first  half 
of  the  eighteenth  century.  He  engraved  false  Thalers  ol  NeuchAtel, 
1714  and  1715,  which  bear  his  initial  K  under  King's  bust;  also 
false  Thalers  of  Berlin,  dated  1730  and  1731.  TiWe  Von  Schrotter, 
Die  M.un:(prdgung  in  Neueiiburg  &c.,  1900. 

KRUEGER,  ALBRECHT  (Germ.).  Medallist  of  Leipzig,  early  part  of 
the  eighteenth  century.  I  have  not  met  with  any  medal  by  this 
Engraver. 

KRUEGER,  ARTHUR  (Germ.).  Medallist  residing  at  Berlin,  and 
Director,  since  1895,  of  the  "Berhn  MedallicMint  of  L.Ostermann, 
formerly  G.  Loos".  By  him  is  a  Jubilee  Plaquette  of  the  Loos  Die- 
sinking  estabhshment,  1901,  signed  A.  KRuiSER  FEC. ;  also  Medals  : 
First  Communion;  β€”  Official  medal  of  the  Inauguration  of  the 
Berlin  cathedral,  1905.  This  last  medal  has  on  obv.  a  bust  of 
William  IL  and  on  ]^.  a  vievi'  of  the  cathedral. 

KRDEGER,  CHRISTIAN  JOSEPH  (Germ.).  Mint-engraver  and  Medal- 
list at  Dresden;  son  ofEPHRAIM  BENJAMIN K,  and  younger  brother 
of  FRIEDRICHHEINRICH  K.;  born  at  Dresden  in  1759,  and  died 
there  on  the  4''' of  February  1814.  He  studied  drawing  and  sculp- 
ture at  the  Academy  of  Dresden,  under  the  direction  of  Hutin  and 
Knofler.  After  eight  years'  studies,  he  undertook  journeys  through 
Livonia  and  Russia,  and  worked  at  various  places,  giving  his  spec- 
ial attention  to  Portrait -medallions  in  wax,  busts  and  terra-cottas. 
At  St.  Petersburg  he  first  began  medal-engraving,  to  which  art  he 
later  on  devoted  himself  entirely.  He  was  employed  in  Prussia, 
and  called  back  to  Dresden  in  1790,  as  second  Engraver  to  the 
Mint. 

Amongst  his  best  known  medals  are  ;  Conclusion  of  the  Treaty 
of  Pilnitz,  1791  (signed  :  C.  I.  KRUGER  lUN.);  β€”  Mayen  captured 
from  the  French  by  the  Prussians,  1793  (signed  :  C.  I.  KRUGER  F.)  ; 

β€”  Peace  of  Tilsit,  1807,  ^.  IM  GENUSS  WOHLTHATIGER 
RUHE;  β€”  The  new  Century,  iSoo;  β€”  Georg  Joachim  ZoUiko- 
fer,  theologian  of  Leipzig,  -f  1788 ;  β€”  Reinhard,  Saxon  theolo- 
gian; β€”  Jubilee  of  Franz  Georg  Lock,  Bishop  of  Bautzen,  1801; 

β€”  D' E.  Jenner,  Peace ofLuneville,  1801  (2  var.); β€”The Elector- 
ate of  Saxony  erected  into  a  Kingdom,  1806;  β€”  Napoleon  at 
Dresden,  1807. 

By  him  are  also  :  Crucifix  in  ivory;  β€”  Venus  and  Amor 
(after  Knofier) ;  β€”  Charon  (after  Hutin),  &c.  in  terra  cotta. 

Bibliography.  β€”  Bolzenlhal,  op.  dl.  β€”  Edwards,  The  Napoleon  Medals.  β€” 
Hciinin, Histoire  immistrmliquedelaRevolulionfraiifaise.  β€”  Tobler-Meyer,  IVunderly- 


,  V..OO' 


,glc 


-  Reimmann  Catalogue.  β€”  MuUer  and  Singer,  Algemeines 

KRUEGER.EPHRAIM  BENJAMIN  (Germ.).  Engraver  on  amber  of 
Dresden,  eighteenth  century,  father  of  Christian  Joseph,  and  Frie- 
drich  Heinrich  Krueger, 

KRUEGER,  EMIL  (Germ.').  Director  of  the  "  Berlin  Medal  Mint  of 
L.  Osiermann,  formerly  G.  Loos", from  1871  to  1893.  He  succeed- 
ed L.  Ostermann,  and  was  himself  a  clever  artist.  For  some  of  his 
productions,  cfr.  GOTTFRIED  BERNHARD  LOOS,  infrd. 

KRUEGER,  FRIEDRIGH  HEINRICH  (Germ.).  Mint-engraver,  and 
Medallist  at  Drosden  ;  born  in  1749 ;  died  in  1805  (?)  He  studied  the 
fine  arts  at  the  schools  of  his  native  city,  and  received  tuition  in  med- 
al engraving  from  the  celebrated  medallist,  Wermuth.  He  then  went 
to  Denmark,  and  as  a  pUpil  of  the  Academy  of  Copenhagen  gained 
tvi^o  prizes.  In  1777  he  returned  to  Saxony,  and  executed  various 
medals  and  works  in  ronde-bosse.  In  1787  he  was  appointed  Assist- 
ant-engraver, and  in  1797,  Chief-engraver  at  the  Mint  of  Dresden, 
since  which  date  he  gave  himself  up  almost  exclusively  to  the  cut- 
ting of  coin-dies. 

By  F.  H.  Kriiger  are  the  following  medals  :  Apotheosis  of 
Louis  XVL,  the  Dauphin ,  and  Marie-Antoinette  (signed  : 
F.  H.  KRtJGER  SENIOR  FEC.);  β€”  Peace  of  Tilsit,  1807,  ^.  PAX 
ADES  ET  TOTO  &c.  (signed  :  KRUGER  SEN  F. ;  several  varieties); 
β€”  Another,  ^L.  REGNA  MUTUO  AMORE  lUNCTA  (signed  : 
KRTJGER  SEN.) ;  β€”  Prize  Double  Thaler  of  Frederick  Augustus  III. 
of  Saxony,  1780 ;  β€”  Member's  Jewel  of  the  Lodge  Minerva  of  the 
Three  Palms,  Leipzig,  i8oo(?);  β€”  Frederick  V.  of  Denmark;  β€” 
Peter  the  Great  (after  Casanova),  etc. 

-  Edwards,  oj:.  cil.  β€”  Marvin,  Masonic 

KRUEGER,  GOTTFRIED  (Germ.).  Medallist  and  Mint-master  at 
Copenhagen,  second  half  of  the  seventeenth  century,  1645-1680. 
He  engraved  various  commemorative  medals  of  the  reigns  of  Frede- 
rick III.  and  Christian  V.,  which  are  usually  signed  G.K. 

BiBLiOGRflPHY.  β€”  Bolzenthal,  op.  cil.  β€”  Jorgensen,  Beskrivehe  over  Dniiske 
Monler  1448-1S8S. 

KRUEGER,  HANS  (Germ.).  Seal-engraver  at  Breslau,  1618.  He 
was  a  witness  against  Burkhard  Hase  when  the  latter  was  prosecut- 
ed for  having  exported  good  coins  to  Poland. 

KRUEGER,  KARL  REINHARD  (Germ.).  Mint-engraver  and  Medallist 
at  Dresden;  born  at  Dresden,  20.  March  1794;  died  there, 
20.  February  1879.  He  was  apprenticed  toD,  Loos  at  Berlin,  and 


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β€”-"228    β€” 

became  later  Medallist  to  the  Court  of  Sasony.  His  brother  Ferdi- 
nand Anton  K.  was  a  clever  Copper-plate-engraver. 

MostofK.R.  Krueger's  medals  are  connected  with  Saxon  history; 
amongst  them  I  may  notice  :  Portrait-medal  of  Karl  Maria  von 
Weber,  composer,  1825 ;  β€”  C.  A.  Bottiger,  archaeologist,   1830; 

β€”  Jubilee  of  King  Frederick  Augustus  of  Saxony,  1818  (2  types; 
one  was  executed  in  collaboration  with  Stadelmann)  ;  β€” 
8"'  Anniversary  ot  King  Anton  of  Saxony,  1835;  ~-  Gustavus 
Adolphus  of  Sweden,  2"''  Centenary  of  the  Battle  or  Liitzen,  1832; 

β€”  First  Centenary  of  Count  Zinzendorf,  founder  of  the  Moravian 
Community,  1822;  β€”  Giovanni  Perluigi  Palestrina,  composer, 
J842;  β€”  Centennial  Festival  on  St.  John's  day  by  the  Grand 
Orient  of  Dresden,  1817;  β€”  Golden  Wedding  of  Georg  Adolph 
Fischer  and  Christiana  Sophia,  1823;  β€”  Heinrich  Posthumus, 
Duke  of  Saxony,  Gymnasium  Prize  Medal  of  Gera,  1845;  β–  β€” 
F.  G.  Lock,  Bishop  of  Antioch,  185 1 ;  -β€”  Rebuilding  of  St.  John's 
Church  at  Zittau  ;  β€”  Christian  Daniel  Beck,  Leipzig,  1839  ;  β€” 
D"'  S.  Hahnemann,  Meissen,  1829 ;  β€”  D''  Johann  August  Wilhelm 
Hcden,  Dresden ;  β€”  Adolph  von  Hansfilt,  1838,  etc. 

Bibliography.  β€”  Bohenthal,  op.  dt.  β€”  Hildebrand,  op.  cit.  β€”  Rdmann  Cala- 
logm.  β€” Mitlheil.  dis  Kluhs  der  Miin^-  uml  Medaillenfrmmde  hi  Wien,  1901,  β€” 
Miiller  and  Singer,  op.  cit. 

KRUG,  HANS  (SENIOR),  (fierm.).  Goldsmith,Die-ciitter  and  Mint- 
master  at  Nuremberg,  1496-1509;  died  in  1514-  He  also  excelled 
in  the  casting  of  medals.  In  a  document,  dated  1509,  he  declares 
himself  ready  to  undertake  the  casting  of  two  medals  {Pfenninge), 
in  a  clean  and  masterly  manner  (reiner  und  werklicher),  of  the 
Prince-Elector  of  Saxony,  on  the  casting  of  which  medals  DOrer 
was  to  have  been  consulted. 

He  may  have  been  the  Engraver  of  Tentzel,  PI.  11,  n"'  i,  11,  m. 
Double  Thaler,  15 17,  Thaler,  same  date,  and  subsidiary  coins  of 
Frederick  IIL,  of  the  "Bonnet"  type,  revived  by  Hans  Krug, 
Junior,  after  1513. 

BiBLiOGRAl'HY.  β–  β€”  Emuii  Dtiilsche  Medailkare,  1S84,  β€”  Gerbert-Ntirnberg, 
Geschichte  der  Miiii^slaile  dtf  Ri.ii.h-:tadt  Numherg,  1891, 

KRUG,  HANS  (JUNIOR)  (Germ  ).  Goldsmith  and  Mint-engraver  at 
Nuremberg;  died  in  December,  15 18.  He  was  appointed  Die- 
cutter  at  the  Mint  in  15 13  (auf  absteen  Hannssen  Crafts  tst  der  Jung 
Hanns  krug  Goltschmied  ^u  ainem  eyssengraber  erlailt  und  sol  im  achl 
guldin  ^ii  russgelt  gegehn  werden).  Mint  documents  of  15 17  again 
mention  the  Die-cutter  Hans  Krug  the  younger,  and  one  of  1519, 
states  that  Hans  Krug  the  younger  having  died  in  December  15 18, 
the  Town  Council  of  Nuremberg  resorted  again  to  Hans  Krafft, 
who  had  been  Mint-engraver  troni  1309  ro  1513. 


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β€”   229   β€” 

Hans  Krag  Junior  worked  for  the  Prince-Elector  of  Saxony,  and 
according  to  D'  Elirenberg,  he  is  probably  the  author  of  the  follow- 
ing coins  and  medals,  reproduced  in  Tentzel  L.  E.  PI.  r,  N"'  i-iv; 
2,  N"'  I,  II,  v;  3,  i-iii  :  Thaler  of  1507,  Arms  and  Eagle;  β€”  Half 


Thaler   of   Fredericlt   III.   the    Wise,    of  Saxony,   1518  (?), 
probably  by  Hans  Krug  Junior. 

Thaler,  of  same  date;  β€”  duarter-Thaler,  with  bare  head  of  the 
Elector  Fredericlc  III. ;  β€”  Another,  with  head  in  bonnet ;  β€”  Double 
Thaler,  and  Thaler  (type  of  the  coin  reproduced  above)  of  various 
dates,  and  undated,  &c. 


BiBLiOGRAPHV.  β€”  Gebert-Nurnbet^o^.  cit.,' 
vber  Nurnberger  Mim^-  und  Medaiilen-Praguii^en 
von  Sachsm,  Mitth.  der  Bayer.  Gesellschaft,  8,  p. 


I.  β€” D'  Ehrenbefg,  Nachrichl 
Aufira^e  Friediichs  des  Weisen 


KRUG,  HANS  (Germ.).  Modeller  at  Nuremberg,  circ.  1570. 

KRUG,  LDDWIG  (Germ.).  Goldsmith,  Sculptor,  Medallist,  Painter 
and  Copper  plate-engraver  of  the  sixteenth  century  ;  died  at  Nurem- 
berg in  1532.  He  was  the  son  of  Hans  Krug  the  Elder.  Neudorffer 
(p.  124  ed.  Lochner)  remarks  :  "Er  harte  Verstand  der  Silber-und 
Goldarceit,  im  Reissen,  Stechen,  Gvaben,  Schmehen,  Malen,  Schnei- 
den,  Cooterfetten...  .  Was  er  aber  in  Stein,  Camee  und  Eisen 
schnitt  das  war  auch  bei  den  Wahlen  (Walschen)  loblich...  .  Als 
aber  Herr  Melchior  Plinzing,  Propst  zu  St.  Sebald,  welcher  fiirwahr 
von  Kaiser  Maximilian  her  im  Giessen  und  anderen  Kiinsten 
begierig  und  versiandig  war,  den  Hanns  Schwarzen  von  Augsburg 
(der  dann  zu  der  Zeit  in  Holz  fur  den  besten  Conterfetter  geachtet 
wurde)  in  Pfarrhof  bei  ihm  hatte,  war  ich  daboi,  dass  er  zu  diesem 
Schwarzen  sagte,  er  sollt  ihn  conterfetten  in  Holz,  so  woUt  er  Ihn 
dagegen  einwarts  in  Srahl  conterfetten,  daraus  man  schliessen  mag, 
was  dieser  Ludwig  Krug  fur  ein  Kiinstlergewesen  ist.  " 

From  Lochner  we  learn  also  that  Ludwig  Krug  became  Master 


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β€”   230   β€” 

in  1522  and  that  lie  died  in  i532.Heis  calicd"Meister  desKruges", 
as  he  used  a  Tankard  for  liis  special  mark.  Amongst  his  engravings, 
the  following  are  known  :  Birth  of  Christ;  β€” β–   The  Adoration  of 
the  three  Kings  (1516);  β€”  Ecce  Homo;  β€”  Nude  females  with 
Skull;  ^  Charity  or  Madonna;  β€”  St.  Sebastian,  etc., β€” and  amongst 
his  wood-cuttings  :  The  Fall;  β€”  Banishment  from  Paradise,  &c. 

At  the  Berlin  Museum  is  preserved  a  small  Plaque,  representing 
the  Fall  (1514),  which  bears  the  artist's  mark.  This  appears  to  be 
the  only  authenticated  medallic  work  of  Ludwig  Krug,  to  whom 
one  would  like  to  ascribe  the  charming  Portrait-medals  of  1525-26, 
knowing  as  we  do,  from  Neudorffer,  that  this  Master  excelled  in 
the  malting  of  Portraits  (Contcrfetten).  It  is  true  that  the  Berlin  plaque 
and  these  Nuremberg  medals  have  nothing  in  common  in  style,  as 
Erman  duly  observes;  but  a  fact  he  notices  too,  β€”  the  signature 
LK  153  occurring,  engraved  on  the  l^i.  of  a  uniface  impression 
of  the  well-known  small  portrait  of  Durer,  1527'  (Tr^sor  7,  2)  of 
the  important  series  of  Nuremberg  medals  to  which  the  master- 
pieces of  1525-26  also  belong,  β€”  shows  that  in  his  mind  he  stil! 
clinos  to  Krug  as  the  possible  author  of  the  following  pieces,  which 
he  declares  to  be  the  work  of  only  one  and  the  same  artist. 

Muller&  S'mger,  AUgemeines  Kunstler  Lexicon,  II,  r>.  401,  remarks ; 
"Von  ihm  im  Berliner  Museum  ein  kleines  Relief,  den  Sondenfall 
darstellend.  Ferner  andere  Rehefs  und  Medaillen  von  1525  und 
1526. " 

Some  of  the  medals  enumerated  below,  belong  to  "  the  finest 
that  German  Art  has  created  ",  be  their  author  Ludwig  Krug,  Flotner, 
Hagenauer,  or  other  artists. 

1525.  Paul Gerstner  (Berlin Museum); β€”  Bastian  Starcz  (Tr^sor 
5,  7);  β€”  Casimir  of  Brandenburg  and  Susanna  (Berlin);  β€” 
StefFan  Gabler  of  Nuremberg;  β€”  Barbara  Pfinzing  (Berlin);  β€” 
Hedwig  von   Miinsterberg,   Margravin  of  Brandenburg  (Berlin)  ; 

β€”  Hans  von  Obernitz  (Berlin);  β€”  Kuncn  Schmirer  (Berlin);  β€” 
Wolf  Keczel  of  Nuremberg  (Berlin);  β€”  Barbara...,  born  Keczel 
(Berlin;  reproduced  in  Erman,  pi.  11,  i);  β€”  Undated.  The  same 
Person,  with  "Trew  ist  aller  Ern  werth".  Dannenberg  owned 
a  box-wood  model  of  that  medal,  with  inscription  of  later  date. 

β€”  Dorothea  Keczel ;  β€”  1525.  Ambrosios  Qiiez  (Tr^sor  6,  i)  ;  β€” 
1526.  Anna  Kolbin  (Berlin);  β€”  Sebastian  von  Rotenhan,  Coun- 
cillor to  the  Electoral  Court  of  Maycnce  (Berlin);  β€”  Michael  von 
Mergetheim,  Abbot  of  St.  Stephen's  cloister  at  Wurzburg  (Berlin)  ; 

β€”  Johannes  von  Gutemberg,  Domdechant  (Deacon)  at  Wurzburg. 


I.  Mr  Max  Rosenheim,  who  p055e3ses  a  specimen  of  this  Durer  medal,  is  also 
ivinceJ  that  it  is  the  work  of  Ludwig  Krug. 


,  Google 


~  231  β€” 

(Berlin  Museum.  β€” Tresor  6,  8  ;  Ulus! rated') ;  β€”  Margrave  Friedrich 
von  Brandenburg,  Provost  of  Wur;^burg  (Tresor  6,2)  ;  β€”  Cliristoph 
Kres  (Berlin.  A  specimen  described  by  Iinhof  issaid  to  have  an  I  on 
arm);  β€”  Hans  Nuykum  (Berlin);  ~  Georg  Koctzler  (Berlin; 
Tresor  6,  7  ;  Erman.pl.  ii,  3)  ;  β€”  Seb.Staiber  (Berlin)  ;  β€”  Clemens 
Volcamer  (Berlin);  β€”  Bernhard  Baumgartner  (Berlin)  ;  β€”  Georg 
Ketzel  (Berlin);  β€”  Christoph  Fuerer  (Berlin;  Tresor  6,  4);  β€” 


Johannes  von  Gutenberg,  by  an  unknown  artist. 

Johann  Gender  (Berlin) ;  β€”  Wilhelm,  Bishop  of  Strassburg  (Ber- 
lin); β€”  Albrecht,  Cardinal  and  Archbishop  of  Mayence  (Berlin); 
β€”  Jordan  von  Herzheim  (Berlin  ;  Tresor  5,  8);  β€” Friedrich  Behaim 
(Berlin);  β€”  Johann  Kleberger  (Berlin)  ;  β€”  Lypold  von  Kliczeiigk 
(Tresor    $,    4),    etc.    Also   1527.    Albrecht  Scheurl  (Berlin);  β€” 


Christoph  Kress,  by  an  _-;l;iii)\vii  artist. 

Albrecht  Diirer  (Tresor  7,  2 ;  Rosenheim)  and  very  small  medals : 
1526.  Friedrich  Behaim  (Berlin;  Tresor  6,  9);  β€”  Christoph 
Kress  (Berlin;  Erman,  pi.  n,  4);  β€”  1527.  Alexander  Imhot 
(Berlin);  β€”  Hans  Nuykum  (Berlin);  β€”Ulrich  Stark  (Berlin) ;  β€” 
Friedrich,  Abbot  of  St.  Giles  in  Niirnberg  (Num.  Chron.,  1904, 
pi.  V,  7;  Brit.  Mus.). 


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β€”  232  β€” 

As  common  characteristics  of  most  of  these  medals,  Emian  men- 
tions the  following  :  the  bust  reaches  downwards  to  the  edge  of  the 
medal ;  the  letters  are  slender,  wavy,  with  sharp  angles,  and  exhibit 
peculiar  forms;  the  legend  is  usually  separated  from  the  field  by 
two  incuse  concentric  lines;  the  titles  are  abbreviated  in  ZC  : 

The  medal  of  Albrecht,  Archbishop  ot  Mayence,  and  most  of  the 
medals  above  cited,  are  attributed  to  Ludwig  Krug,  by  Domanig, 
and  to  Peter  Flotner,  by  Lange. 

Ludwig  Krug,  who  is  sometimes  called  the  "Master  of  the 
Pitcher"  was  also  a  Painter  and  Engraver.  Williamson,  in  Bryan's 
Dictionary  of  Painters  and  Engravers,  III,  1904,  mentions  several 
prints  by  him. 

Bibliography.  β€” β–   Ermaa,  Deutsche  Medailleure,  1884.  β€”  Miiller  &  Singer,  op. 
cit.  β€”  Bolzenthal,  op.  dt.  β€”  Aniraon,  op.  cit.  ~  Donianig,  Jahrbttcb  XVI,  pi.  6, 
4.  β€”  'iAQXis.i\tr,Schaumun\mdex  Hauiis  Hohmxplhrtt,  1901. 

KRULL,  CHRISTIAN  FRIEDRICH  (G^rm.).  Architect,  Steel-engraver, 
and  Medallist,  born  in  174S  at  Hessem  (Wolfenbiittel) ;  died  In 
1787  at  Brunswick.  He  was  a  self-made  man.  In  1780  he  was 
appointed  Mint-commissioner  (^Mun^commissar')  and  Medallist  to 
the  city  of  Brunswick.  There  is  a  terra-cotta  bust  by  him  of  the  poet 
Lessine,  and  various  coins  and  medals  :  Portrait-medal  of  Duke 
Leopold;  β€”  Gotthold  Ephraim  Lessing,  1781  (illuslrated) ;  β€” 
Memorial  Medal  of  Maximilian  Julius  Leopold,  Duke  of  Brunswick 


G.  E.  Lessing,  by  C.  F.  KruU. 

and  Liineburg,  1785  (signed  :  C.  F.KRUI.LF.);  β€”  School  established 
by  the  Lodge  St.  Charles  of  the  Crownetl  Pillar  of  Brunswick, 
1771;  β€”  Second  Jubilee  of  the  Plague  at  Leyden,  1774  (signed  : 
C.  F.  K.). 

Bibl:ography.  β€”  Bolzenthal,  op.  cU.  β€”  Amnion,  op.  cit.  β€”  Marvin,  Masonic 
"   '  '     """β–   "  '  M  Caialogtie. 


atdb,  Google 


-  253  β€” 

KBULL.  JOHANN  ENGELHARD(GmK.).  Medallist  ot  the  eighteeotli 
century,  who  worked  at  Cassei  and  Brunswick,  1738-1750.  He 
was  IVlint- master  at  Hanan,  Cassei,  and  Frankfort- on-M.  (?),  1737- 
1743;  in  Brunswick,  1742-1750.  From  1757-1739,  he  signed  his 
issues  J.  K. ;  after  1739,  J,  E.  K.  or  EK.,  on  gold  and  silver  coins, 

liiBLioGRAPHY.  β€”  Schlickeysen-Pallmann,  op.  dt.  β€”  Ammon,  op.  cit. 

KRUMM,  PAUL  FBIEDRICH  (Germ.').  Mint-master  at  Meiningen, 
then  at  Coburg,  and  later  at  Hildburghausen,  1719.  His  son,  Paul 
PhiHpp  Krumm  olTiciated  in  the  same  capacity. 

KRUMPACHEK,  PETER  (Atislr.).  Mint-warden  at  Klagenfurt, 
1626-28. 

KRUMPER,  THOMAS  (Aiistr.).  Mint-master  at  Hall,  under  the 
Archduke  Ferdinand,  1560  to  15  March  1577.  His  name  appears 
also  as  THOMAN  KRTJMPP. 

KRUSE,  BALTHASAR  {Genu.).  Mint-master  at  Schwerin,  1651, 
and  Wismar,  1653. 

KRTISE,  BRUNO  (Germ.).  Contemporary  Sculptor,  and  Medallist, 
born  I.  June  1855  at  Hamburg,  now  residing  at  BerUn.  He  studied 
at  Dresden  under  Professor  Schilling.  In  1901,  he  was  commissioned 
by  the  Academy  of  Sciences  of  Berlin  to  model  a  Plaquctte  on  the 
80'''  Birthday  ot  Virchow,  and  another  ot  Privy-Councillor  von 
Leyden,  issued  for  the  Medical  Congress  in  1902;  β€”  Schiller;  β€” 
Portrait-plaquette  of  the  Grand  Duchess  of  Saxe-Weimar,  1903; 
β€” -  Mommsen;  β€”  Professor  Frenzel,  on  his  70'^  Birthday;  β€” 
D.  Herzog,  Secretary  of  State;  β€”  Count  Waldersee;  β€”  Schen; 
kendorf;β€” O.  Jessen,  Director  of  the  Industrial  Schools  at  Eerhn 
β€”  Privy  Councillor  Neumayer;  β€”Jubilee  Medal  of  the  City  of 
Riga,  etc. 

"Ich  will  vor alien  Dingen  ",  writes  the  artist,  "die  Gussplakette 
wieder  zu  Ehren  bringen  und  scbweben  mir  dabei  die  italienischen 
Arbeiten,  Gussmedaillen,  Flaketten  u.  a.  vor.  Ich  will,  dass  man 
bei  jedcr  Arbeit  die  Hand  des  Kiinstlers,  des  Schfipfer,  sieht;  bei 
einer  gepragten  Medatlle  geht  von  der  Ausfiihrung  und  Behandlung 
der  Arbeit  viel  verloren, ' 

BiBLiOGRAPHY.  β€”  Franhftirler  Mun^^eilnng,  1901,  p.  162  ;  1905,  p.  456. 

KRUSE,  JOHANN  MICHAEL  (Germ.).  Mint-master  at  Koenigsberg, 
1824-1S37. 

S,  S.  (Swed.).  Initials  of  an  oval  Portrait-medal  of  Gustavus 
Adolphus,  cast,  with  laur.  bust  ot  the  King  to  r.  RL.  DEO'ET* 
VICTRICIBVS-ARMIS.Lion  rampant  holding  sword;  dated  1631 
(Hitdebrand  I.  150,94  f.). 


,stsd  by  Google 


β€”  234  β€” 
K.  S.  Fide  KARL  STtlBEMRAUCH.  Die-sinker  at  Darmstadt,   1839- 
1848  ;  after  that  date  at  St.  Louis  (U.  S.  A.) 

K.  &  S.  Die  sinkers'  signature  on  a  commemorative  medal  of  ttie 
Peace  of  Paris,  obv.  Heads  of  Alexander  I.,  Frederick  William  III., 
Wellington  and  Blilcher^.  Britannia  seated. 

KUBACSKA,  D'  HUGO  (Auslr.).  Mint-master  at  Kremnilz  (Kor- 
mocs^bdnya),  1877-1891. 

KUBE,  RDBOLF  (Germ.)-  Coin-dealerat  Berlin,  who  in  1899  issued 
a  fine  Memorial  Portrait-medalf|of  Prince  Bismark,  struck  by  Lauer. 


KUBLAI  KHAK  \<Β£  ^'?[' t^  {Chinese).  A.  D.  1214-1294. 
He  was  proclaimed  Emperor  in  1260,  The  Mongol  written  char- 
acter was  introduced  in  1269;  in  1280  the  calendar  was  revised; 
and  in  1287  the  Imperial  Academy  was  opened.  Paper  money,  in 
the  form  of  banknotes  of  from  50  to  rooo  cash,  was  made  current 
in  1285. 

BiELioGRAPiiV.  β€”  H.  A.  Giles,  A  Chi'mse  Biographical  Dktionary,  1898. 

KUBLER,  ANTON  {Germ.').  Mint-engraver  at  Wiesbaden,  1847, 

KiicHLER,  CONRAD  HEINRICH  (Germ.)- Medallist  and  Coin-engraver 
of  the  last  quarter  of  the  eighteenth  ceiitury  and  early  part  of 
the  nineteenth.  The  precise  dates  of  his  birth  and  death  I  have 
been  unable  to  ascertain.  He  was  a  native  of  Flanders,  appears  to 
have  worked  at  first  in  Germany  as  Die-sinker  at  Darmstadt,  1763- 
1772,  Mannheim,  1766,  and  Frankfort-on-M.,  1775,  then  in 
France,  and  probably  came  over  to  England  about  1790,  where  for 
many  years,  perhaps  until  1806,  he  was  employed  by  Boulton  at 
the  Soho  Mint,  Birmingham.  Joseph  und  Fellner  give  1802  as  the 
probable  date  of  his  death,  which  cannot  be  correct,  as  the  copper 
coinage  of  1805  and  1806,  of  an  entirely  new  type,  as  well  as 
tokens  of  Dublin,  1818-1821  are  signed  by  him. 


,/ Google 


β€”  23S  β€” 
While  at  Birmingliani,  Kiicliler  cut  the  dies  for  a  krge  number 
of  English,  Irish,  Danish,  Russian,  Portuguese,  &c.,  Coins,  and  Pat- 
terns of  coins,  amongst  which  I  shall  enumerate  all  the  varieties 
known  to  me. 


England.  Patterns  and  Proofs.  β€”  GoM.  Pattern  Guinea,  1791. 
^L.  Heart-shaped  shield  (Num.  Chm.,  Vol.  XIH.,  p.  121,  n"  46); 
β€”  Proof  Twopence,  1797;  signed  K-.-;  β€” Proof  Penny,  1797;  β€” 
Proof  Halfpenny,  1797  ;  β€”  Proof  Farthing,  1797 ;  β€”  Pattern  Far- 
thing, 1797. β€” Platinum,  ProofPenny,  1807.  Probablyunique,  late 
Murdoch  collection;  β€” -Silver.  Pattern  Guinea,  i-j^&(Num.  Chron., 
Vol.Xin.,  p.  i22,n''56); β€” Pattern  "Shield"  Dollar,  1798,  signed 
β– .β–   C.  H.  K,  on  truncation  of  George  III.'s  head  (varieties  in  JE.) ;  β€” 
Pattern  Dollar,  1804,^.  BRITANNIARUM  REX  FIDEI  DEFEN- 
SOR; below  the  shield,  DOLLAR  (6  var.);  β€”  Proof  Bank  Dollar, 
1804  (illustrated);  β€” Another,  without  stop  after  REX  and  other 
small  differences  (sev.  var.  in  jE.);  β€”  Garter  Dollar,  1804,  Royal 
arms  within  the  Garter  (var  in  &. ;  signed  variously  :  ,-,  C  H  K. ;  β€” 
β– β€’β–   K,  etc.). 


,  by  C.H.  Kflchler. 


Pattern  Bank  of  England  Token  for  Five  Shillings  and  Sixpence, 
1811  (]%,.  by  Philp;  sev,  var.  in  ^); β€” β–   Proof  Twopence,  1797; 
β€”  Proof  Penny,  1797  ;  β€”  Pattern  Penny,  1797,  Large  bust  to  r,, 
hair  long,  on  left  shoulder,  "S.-.-  on  truncation.  ^.  BRITANNIA, 
1797,  incuse,  on  a  broad  raised  band ;  SOHO  under  rock;  β€” -  Pat- 
tern Penny,  1797,  with  S  on  1^.  instead  of  SOHO  ;  β€”  Pattern 
Penny,  1797.  ^.  BRITANNIA  in  smalllcttering;  Britannia,  helm- 
eted,  seated  on  globe,  holding  upright  trident  and  supporting  large 
shield,  &c.  ;  in  ex.,  1797.  K.;  β€” β–   Pattern  Penny,  1805,  signed 
K    under    right   shoulder;    I^.    BRITANNIARUM;     β€”   Pattern 


,,Goot^lc 


-    236- 

Halfpenny,  1795  (obv.  by  Kiichlerl}6.  by  Droi;);  legend,  GEOR- 
GIUS  III.D  :  G.  HEX.,  incase,  on  broad  raised  band;  below  tlie 
head,  in  the  band,  SOHO,  between  two  floral  ornaments;  bust  to 
r.,  laur.,  neck  bare;  β€”  Pattern  Halfpenny,  1797  (2  var.);  β€”  Pat- 
tern Halfpenny,  1805  ;  β€”  Pattern  Farthing,  1797  (2  var.);  β€”  Pat- 
tern Farthing,  1798, signed  K  on  obv,,^.  I. FARTHING  beneath 
figure  of  Britannia,  between  two  floral  ornatnents,  β€”  Gilt  Copper. 
Pattern  Guinea,  1798 ;  edge,  Vandyke  pattern,  incuse;  β€”  Pattern 
Guineas,  1798  (3  var.);  β€”  Trial  Piece  ofDollar,  1804;  β€”  Proof 
Twopence,  1797  (2  var.);  β€”  Proof  Penny,  1797  (2  var.);  β€” 
Pattern  Penny,  1797  (3  var.) ;  β€”  Pattern  Penny,  1797  (type  of  the 
JR^  piece);  β€”  ProofPenny,  1806,  signed  K;  β€”  Pattern  Halfpenny, 
1797;  ~-  P'lttern  Farthing,  1797  (2  var.);  β€”  Proof  Halfpenny, 
1799;  β€”  Pattern  Halfpennies,  1799  (2  var.  signed  K.-.);  β€”  Proof 
Halfpenny,  1806 ;  β€”  Pattern  Farthing,  1797  ;  β€”  Pattern  Farthing, 
1798.  β€”  Bronxe  and  Copper.  Pattern  Dollar,  1798;  K.-.  on  trunca- 
tion ;  β€”  Another,  var.  of  V^. ;  β€”  Proof  Bank  of  England  Dollar, 

1804  (sev.  varieties);  β€” β–   Proof  Bank  of  England  Token  for  Five 
Shillings  and  Sixpence,  1811  (sev.  var.);  β€” Proof  Twopence,  1797, 
in  bronze  and  copper ;  β€”  Proof  Penny,  1797  (2  var.);  β€”  Pattern 
Penny,  1797,  K.  on  shoulder;  β€”  Another,  .-.K beneath  the  shield; 

β€”  Another,  BRITANNIA,  1797  incuse,  on  a  broad  raised  band ;  β€” 
Oihers,  varieties  of  obv.  or  iji,.  (at  least  five) ;  β€”  Pattern  Penny, 

1805  (3  var.);  β€”  Pattern  Penny,  1806,  signed  K  on  either  side, 

β€”  ProofPenny,  1806  (2  var.);  β€” -  Pattern  Halfpenny,  1795  (^. 
by  Droz);  β€”  Pattern  Halfpenny,  1797  (4  or  5  var.);  β€”  Proof 
Halfpenny,  1799  (2  var.);  β€”  Pattern  Halfpenny,  1799  (Montagu 
n"  778);  β€”  Another,  variety  of  edge; β€” β–   Another,  signed  K.-, 
(Mont.,  n"  7)  ;  β€”  Others,  of  same  date  (2  or  3  var);  β€”  Pattern 
Halfpenny,  1805  (5  var.)  ;  β€”  Proof  Halfpenny,  1806  (2  var.) ;  β€” 
Pattern  Farthing,  1797  (3  or  4  var.);  β€”  Pattern  Farthing,  1798 
(2  var.);  β€”  Proof  Farthing,  1799;  β€”  Pattern  Farthing,  1805;  β€” 
Pattern  Farthing,  1806;  β€”  Prooi  Farthing  1806  (2  var.);  β€” 
Dublin  Penny  Tokens,  1819,  1820;  β€”  Dublin  Halfpenny  Tokens 
1819,  r82r ;  β€” Dublin  "Union"  Halfpenny,  1801.  β€”  Pewter. 
Pattern  Bank  Dollar,  1798;  β€”  Proof  and  Pattern  Pennies,  1797; 

β€”  Pattern  Halfpenny,  1799  ;  β€”  Pattern  Penny,  1805. 
Ordinary  Currency.  β€”  Silver.  Dollar  of  1804,  signed  on  obv. 

.:C.H.K.  ^L.  BRITANNIARUM  REX  FIDE!  DEFENSOR.  Royal 
arms  within  garter,  1804;  β–  β€”  Bank  of  England  Dollar,  1804;  β€” 
Copper.  Twopence,  1797,  signed  K,-. ;  β€”  Penny,  1797,  K.',  (^. 
illustrated)  ;  β€”  Halfpenny,  1797,  K  ;  β€”  Farthing,  1797  ;  β€”  Half- 
penny, 1799,  different  type  ;  β€”  Farthing,  1799  ;  β€”  Penny,  1806 
and  1807  ;  β€”  Halfpenny  and  Farthing,  of  same  dates. 

"  Ktichler",  says  a  writer,  in  Monthly  Review, "KW,  119  "gave  the 


lo.tedo/Googk 


β€”  237  β€” 
figure  of  Bri tannin  on  the  coinage  new  dignity  and  appropriateness; 
he  brought  back  the  Roman  figure  seated  on  a  rock  amidst  thesea, 
among  whose  distant  waves  a  line  of  battle-ship  is  sailing.  In  her 
left  hand  is  the  trident  of  her  naval  empery  slanting  above  the 
shield  that  bears  the  Union  Jack  in  right  neraldic  colours.  This  is 
the  Penny  of  1797,  reproduced  below". 


Penny  of  1797  (enlarged) 


Ireland.  β€”  Silver.  Bank  of  Ireland  Six  Shillings  Token,  signed  on 
obv.  C  H  K  and  on  '^.  K.  Proofs  of  this  coin  exist  in  gold,  silver, 
silver-gih,  bronze,  copper  and  pewter;  β€” β–   Another,  with  bust  to  1. 
by  Philp.  Copper.  Penny,  1805  and  1806;  β€”  Halfpenny,  1805; 
β€”  Farthing,  1805  and  1806.  Of  these  three  coins  there  are  also 
Proofs  in  gold,  silver,  bronze,  copper,  gilt  copper,  and  pewter.  β€” 
Penny  Token  of  Ireland,  1S19,  1820;  β€”  Halfpenny  Token,  1819, 
i82i;~  Halfpenny,  1801  ^.  THE  UNION. 

Bermuda.  β€”  Pattern  Penny,  obv.  Crowned  head  of  George  III.  by 
Kuchler(i799)(a  mule);  ^  Another,  with  SOHO  below  the  bust. 

Bahama.  β€”  Proof  Halfpenny,  1806.  ^L.  EXPVLSIS  PIRATIS 
(unsigned). 

Denmark.  β€”  Set  of  Christian  VII.  Pattern  Daler,  |,  |,  |  and  ^  Daler, 
undated,  in  gold,  silver  and  copper  (struck  at  Boulton  s). 

Germany.  β€”  Frankfort-on-Main.  Conventions  thaler  of  1776  (Build- 
ing of  a  bridge  at  Hansen),  signed  K  under  River-god;  β€”  20 
Kreutzer  piece  of  1764,  signed  K  . 

Russia.  β€”  Alexander  I.,  Pattern  Rouble,  1804,  in  gold,  silver  and 
copper,  signed  C.  H.  KUCHLER  F.  {illmirated)  ;  β€”  Pattern  Imperial, 
undated,  obv.  Bust  of  the  Czar  ^.  Imperial  eagle,  not  signed. 


.isdo/ Google 


β– s"!"""'''!  '/yy- 


,y  Google 


France.  β€” Pattern  Monnerons  and  Half  Monnerons,  1792  (several 
varieties). 


^f.--  - 1 


st1t 


Pattern  Rouble  of  Alexander  I.,  by  C.  H.  Kuchler. 


Defeat  of  the  Sultan  Tippoo  by  the  Marquis  of  Cornwallis,  1792; 
his  two  sons  received  as  hostages;  β€”  Memorial  Medal  of  Louis  XVI. 
and  Marie  Antoinette,  1793  ;  β€”  Memorial  Medal  of  Queen  Marie- 
Antoinette,  1793;  β€” β–   Memorial  Medal  of  Gustavus  III.  of  Sweden, 
1793;  β€”Victory  of  the  1"  June,   1794,  with  bi]st  of  Hovi-e;  β€” 


Union  of  la-Und  with  EnglanJ,  1801. 

Restoration  of  King  FerdinandlV.  on  the  throne  ofthe  Two-Sicilies, 
1799';  β€”  Medal  for  the  Siege  of  Seringapatam,  1799  {illustrated) ; 
β€”  Attempted  Assassination  of  King  George  HI-,  1800 ;  β–  β€”  Drayton 
Agricuhural  Society  instituted,  1800;  β€” -  Union  of  Ireland  with 
England,   1801  (illustrated);   β€”  Another,  with  ^L.  Arms  of  the 


,y  Google 


Hudson  Bay  Company  (?   viir.);  β€”  Jubilee  of  George  III.,  i8ro. 
Bust  by  Kuchler  (,sev.  v;ir.);  β€”  George  III.,  Bust  by  Kiichler  ^L. 


Inscription;  On  the  King's  death,  1820;  β€” Peace  of  Amiens,  1802; 
β€”  Commemorative  medal  of  the  National  Edition  of  Sliakespeare's 


Battle  oi  Trafalgar  (IJi). 


./Google 


β€”   241    β€” 

Works,  published  1803  ;  β–  β€”  Earl  St.  Vincent's  Med^l,  presented  by 
him  to  petty-ofBcers  and  seamen  of  the  flagship  "  Ville  de  Paris  " 
as  a  token  of  their  loyalty  (illustrated')  ;  β€”  Boultoii's  Medal  given 


to  officers  and  seamen  engagedat  Trafalgar,  1805  (^i.  illustrated); 
β€”  Memorial  Medalet  of  Catherine  the  Great  of  Russia,  1796 ;  β€” 
Accession  Medal  of  Alexander  I.  'of  Russia,  1801 ;  β€”  Davison's 


,/ Google 


β€”    242    β€” 

Medal  given  to  officers  and  seamen  engaged  in  the  Battle  of  the 
Nile,  1798  (illustrakd'y,  β–  β€”  50''' Anniversary  of  John  George  Schmidt 
of  Frankfort's  pastoral  service,  1775 ;  β€”  The  three  Pastors,  Anton 
Mathieu,  John  George  Schmidt  and  John  Amos  of  Frankfort-on-M,, 
1775 ;  β€”  Prize  Medal  ol  the  Frankfort  Polytechnic  School,  undat- 
ed, signed  K  ;  β€”  Matthew  Boulton,  on  his  death,  1809  (this  medal 
was  probably  struck  from  a  die  prepared  by  Kiichler  some  years 
before,  as  there  is  in  the  British  Museum  an  unfinished  plaque, 
with  slightly  different  bust,  and  with  scroll  inscribed  DIED  AT 
SOHO.M.7.  !8o  β€” AGED.OOY^  OM  :  OD  :);  β€”  Memorial 
Medal  of  Matthew  Boulton  (sev.  var.);  β€”  British  Successes  in 
1798; β€” Marriage  of  George,  Prince  of  Wales,  with  Caroline  of 
Brunswick,  1797  ;  β€”  Marshall  Suwarow,  1799,  on  his  Victories  in 
Italy;  β€”  George  Washington   (2   var.);  β€”   Medal   of  Boulton, 


Port  rait -lilt  dill  ol  Mattliew  Boulton. 


179S  (illustrated);  β€”  Board  ot  Agriculture  established,  1793,  &c. 

Kiichler's  signature  occurs  under  the  following  forms  :  E.G. 
KUCHLER  FEC. ;  ~  C.  H.  K.  FECIT  ;  β€”  C.  H.  K. ;  β€”  K.;  β€”  K.-. ;  β€”  .-.  C. 
H.  K.  ;  β€”  CHK;  β€”  <- ;  β€”   .... 

"C.  H.  Kiichier",  (S.  Timmins,  Birmingham  and  the  Midland 
Hardware  District,  1866,  p.  564)  "  who  sunk  nearly  the  whole  of 
the  dies  for  the  celebrated  Soho  coinage,  and  notably,  for  the  well- 
known  Twopenny  piece,  worked  mainly  in  the  French  style.  He 
was  at  one  time  living  at  22  Bride  Court,  Fleet  Street,  Birmingham, 
where  he  carried  on  business  as  Medal-engraver  and  Die-sinker. 
After  having  been  many  years  at  Soho,  he  quarrelled  with  Boulton, 
and  seems  to  have  ended  his  days  in  straitened  circumstances.  He 
lies  in  Handsworth  Churchyard,  witl^out  a  stone  to  mark  his 
resting-place.  At  the  time  of  his  leaving  Soho  he  had  commenced 
the  die  for  the  celebrated  medaUion  of  Boulton,  for  finishing  which 


,stsd  by  Google 


β€”  243  β€” 
Pidgeon  afterwards  received  $   300,..    Mills  was    employed    after 
Kuchler's  departure  " . 

Bibliography.  β€”  Hawkins,  Franks  &  Grueber,  Medallk  Ilhstralions  &c.  β€” 
D"'  F.  P.  Weber,  Medals  and  Medallions  of  the  nitieteenth  century,  &c.  β€”  Grueber, 
B.  M.  Guide  to  She  Exhibition  of  English  Medals  &c.  β€”  Spink,  Caialegue  of  Mr.  Mon- 
tagu's Collection  of  coins  from  Georgel.  to  Ficloria,  1891.  β€”  Tancred,  mir  M^'dals 
and  Honorary  Distinciioits,  1891.  ^  Bobenthal,  op.  cit.  β€”  Gruebt:r,  Handbook  oj 
the  Coins  of  Great  Britain  and  Ireland,  1899.  β€”  JOrgensen,  op.  cit.  β€”  Tliomsenes 
Catalogue.  β€”  Hildebrand,o;'.  Β«(.,ll,p.  204.  β€”  Paul  Joseph  &  Gduard  Fellner,  D', 
Mim^ett  von  Frankfurt-am- Main,  1896.  β€”  H.  A.  GraAer,  English  Personal  Medalsi 
Num.  Chron.,  Vm,  X  &  XII,  β€”  Catalogue  of  iU  Bouiton  Collection,  sold  at  Sotheb; 
fVilkinsoit  &  Hodge,  1899.  β€”  Lerous,  op.  cit.  β€”  W.  J,  Davis,  Tok&n  Coinage  oy 
the  Ninelsinth  Century,  1904. 

KUEFEL  (or  KUESSEL),  HEINE  {Germ.).  Mint-oi;ister  at  Miindeti, 
1574-1575- 

KUEHERMANN,  HANS  (Germ.).  Mint-master  at  Wunstorf,  1566- 
1567;  entered  into  the  service  of  the  Regent,  Countess  .'^gnes  01 
Kitberg,  in  the  ibllowing  year. 

KUEWZI  (Swiss).  MinC-engraverat  Fribourg  (Switzerland),  whose 
signature  is  found  on  the  dies  of  a  Pattern  Rappen  of  1827, 

Bibliography.  β€”  Anton  Henseler,  Monnaies fiibourgwiscs,  Bull,  de  la  society 


KUGELGEN  (Germ.).  This  Die-sinker's  signature  occurs  on  a 
Portrait-medal  of  Goethe. 

KUHLMANN,  CHARLES  FR^DtRIC  (French).  Mint-director  at  Lille, 
1850-1857  ;  distinctive  mark  on  the  coins,  an  antique  lamp. 

KUHNLEIN,  JOHAKN  (Germ.).  Mint-master  luLangenargen,  1694- 
1724.  His  issues  are  usually  signed  J.  K,  Wyllys  Betts,  in  Historical 
Medals  of  America,  p.  50,  suggests  that  Kuhnlein  may  have  been  the 
author  of  a  medal  described  as  the  American  Century  Plant,  1700. 
The  signature  on  this  medal  belongs  probably  to  Johann  ChristiMu 
Koch,    1680-1743, 

KDLBI,  P.  (Ru.fs.).  Miot-engraver  and  Medallist  at  St.  Petersburg, 
under  Alexander  II.  His  medals  are  signed  :  P.  H.  K, 

KULLE,  SERVATIUS  IVEN  (Swed).  Contemporary  Medallist,  born 
at  Lund ;  pupil  of  the  Paris  School  of  Decorative  Arts,  and  Lindberg, 
P.  Tasset,  and  Gauihier ;  now  residing  at  Stockholm,  and  employed 
at  tlie  Mint  there.  I  have  noticed  his  signature  on  a  commemorative 
medal  of  King  Oscar  11. 's  Jubilee,  li-'jS  (45  mill.);  β€” Award  Medal 
to  old  Workmen  of  the  Mining  Company  of  Ostricourt  Oignies, 


,stsd  by  Google 


1897,  &c.  At  the  Salon  of  1890,  1892  and  1896  he  exhibitej  seven 
Portrait-medallions,  in  oxydized  silver. 

KULLBICH,  WILHELM  (Germ.).  Royal  Prussian  Court-and  first 
Mint-medallist;  born  at  Dahme,  on  December  18,  1821  ;  died  at 
Berhn  on  the  i*'  of  September,  1887;  pupil  of  his  father,  the 
medallist  Karl  Fischer,  and  the  Berlin  Acaaemy  of  Fine  Arts,  he 
was  obliged  early  to  earn  his  living,  and  entered  first  the  Die-sinking 
works  ofG.  Loos,  then  came  to  London,  where  he  was  for  some 
time  employed  by  Wyon  (1850),  and  made  short  stays  at  Brussels 
and  Paris  (1853),  Munich  and  Switzerland  (1855).  In  1859  he  was 
appointed  Assistant-engraver  at  the  Berlin  Mint;  on  April  i,  1862, 
Chief-engraver;  and  in  1864,  Medallist  to  the  Mint.  He  executed 
coin-dies  for  Prussia  and  other  states  of  the  German  Confederation, 
also  for  the  German  Empire,  Roumania,  Brazil,  Norway  and  Egypt, 
He  also  reorganised  the  Mints  at  St.  Petersburg  and  Bukarest,  but 
refused  a  permanent  appointment  offered  to  him  by  the  Russian 
government. 


"  Victory  "  Thaler  of  William  I.  of  Prussia,  by  "W.  Kuilricli 


Kullrich  is  the  author  of  numerous  commemorative  medals,  some 
of  which  are  of  excellent  work.  Among  these,  I  may  mention  : 
Presentation  medal  to  the  iirst  Champions  of  German  commerce  in 
the  East  under  the  German  Orient  Society,  1845 ;  β€”  Inauguration 
of  a  monument  to  Frederick  the  Great,  185 1;  β€”  Portrait- medal 
of  Goethe,  1849;  β€” The  Revolution  in  Baden  quelled,  1849;  β€” 
Ponrait-medal  of  Schiller  (sev.  var.) ;  β€”  Portrait-medal  of  Gottfried 
Schadow,  sculptor,  1850;  β€”  Inauguration  of  a  monument  to 
Blucher  at  Krieblowitz,  1853 ;  β€” Marriage  of  Frederick,  Landgrave 
of  Hesse,  with  Princess  Anna  of  Prussia,  1853  ;  β€”  Marriage  of 
Frederick  Charles,  Prince  of  Prussia,  with  Mary,  Princess  of  Anhalt, 
1854;  β€”  Silver  Wedding  of  Prince  Frederick  William,  and  consort 
Princess  Augusta  of  Saxony,  1854;  β€”  Prize  Medal  of  the  Berlin 
Horse  Lottery ;  β€”  Commemorative  medal  of  Gcstavus  Adolphus  IL 


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β€”  24S  β€” 

of  Sweden ;  β€”  Prize  Medal  ot  the  Norwegian  Royal  Academy  of 
Fine  Arts;  β€”  Johann  Friedrich  August  Borsig,  1854;  β–  β€”  The 
Blucher  Memorial  at  Berlin,  1855 ;  β€”  Marriage  of  the  Crown  Prince 
Frederick  William  of  Prussia  with  Princess  Victoria  of  Great  Britain, 
1858  (2  var.);  β€”  Medallion  on  the  same  event  (5 3  mill.;  designed 
by  A,  Fischer)  ;  β€”  Birth  of  Prince  Frederick  William  Victor  (now 
William  II.,  German  Emperor),  1859;  β€”  Coronation  of  William  I., 
King  of  Prussiaj  at  Koenigsberg,  1861 ;  β€”  Peace  of  Paris,  after  the 
Crimean  War,  1856 ;  β€”  Coronation  of  King  Charles  XV.  of  Swe- 
den, i860 ;  β€”  D'  Moritz  Heinrich  August  Rosenberg,  of  Berlin ;  β€” 
Sixth  Centenary  of  Koenlgsberg,  1855;  β€”  Medal  of  Merit  ot 
Charles  Anthony,  Prince  of  Hohenzollern  ; β€” Johann  F,  A.  Borsig 
&  Alb.  Borsig  Locomotive  Works,  1858  (2  var.).;  β€” New  South 
Wales  Industrial  Exhibition,  1862  ;  β€”  The  Railway  Bridge  at  Dir- 
schau,  i860;  β€”  The  Austrian  Campaigti,  1866  (sev.  var.  ;  one 
85  miU.)  ;  β€” β–   zy^  Anniversary  of  the  Association  for  the  preser- 
vation of  Cologne  Cathedral,  1867 ;  β€”  Marriage  of  Otto,  Count 
of  Stolberg-Wernigerode,  1863;  β€”  Ludwlg  Friedrich  Klipfel, 
Director  of  the  Berlin  Mint,  1865  ;  β€”  J.  Von  Pannewitz,  Prize 
Medal  of  the  Silesian  Sylvicultural  Society,  1866 ;  β€”  The  St.  Pante- 
leimon  Hospital  at  Bucarest,  1868;  β€”  Marriage  of  Charles  I.  ot 
Roumanla  with  Princess  Elizabeth  of  Neuwied,  1869 ;  β€”  Large 
olEcial  medals  on  the  Prussian  Campaigns  of  1864,  1866,  and 
1870/71;  β€”  Victories  over  the  French  in  1870-1871  (85  mill.; 
designed  by  Th.  Grosse);  β€”  Other  medals,  on  the  s^me  event;  β€” 
Frederick  William,  Prince  Radziwill,  1870 ;  β€”  Foundation  of  the 
German  Empire,  1S71  (sev.  var. ;  one  edited  by  G.  Loos ;  another 
illusirated) ;  β€”  Coronation  of  King  Oscar  H.  of  Sweden  and  Oucen 
Sophia,  1873;  β€”  Golden  Wedding  of  the  Grand  Duke  and  Grand 
Duchess  Frederick  of  Baden;  β€”  50'''  Anniversary  of  the  St.  John 
Lodge  of"  Inviolate  Unity  "  at  Hamburg,  1867;  β€”  Jubilee  ot 
the  Duke  of  Brunswick,  1881  (designed  by  R.  Diez);  β€”  Golden 
Wedding  of  King  William  L  of  Prussia  and  Q.ueen  Augusta,  1879  ; 
β€”  Sixth  German  Federal  Rifle  Meeting  at  Dusseldorf,  1878;  β€” 
Robert  ScharfF(-i-  1880);  β€”Medal  of  the  Breslau  Sporting  Club, 
1882  ;  β€”  Proclamation  of  King  Carol  L,  of  Roumanla,  1881 ;  β€” 
D'  F.  W.  A.  G.  H.  P.  Uhlmann,  of  Potsdam,  1S81 ;  β€”  Inaugura- 
tion of  a  Sanatorium  for  Children  by  the  Crown  Princess  Victoria, 
1884;  β€”  Marriage  of  Crown  Prince  William  of  Prussia  with 
Princess  Victoria  of  Schleswig-Holstein,  1881  ;  β€”  Birth  of  Prince 
William,  1 882  ;  β€”  Completion  of  the  Castle  of  Pelesch,  with  busts 
of  the  King  and  Queen  of  Roumanla,  1883;  β€”  Numerous  Prize 
Medals;  β€”  Inauguration  of  the  Railway  from  Bucarest  to  Const- 
antza,  1895,  &c. 

KuUrlch  was  honorary  member  of  the  Fine  Art  Academies  of 


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Foundatinn  ol  theGcim,m  tmpirt    b\  W     Kiillrn.h 


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β€”  247  β€” 
Vienna  and  St,   Petersburg,  and  formed  many  pupils  in  Germany 
and  elswhere.    He   occupies  a  place   of   honour   among  German 
nineteenth  century  MedalHsts. 

Bibliography.  β€”  BIdlter  far  Mun^freuiids,  1887,  p.  1354.  β€”  Miilltr  &  Singer, 
Allgemeines  Kitnitkr-Lixicon.  β€” Nagler,  Monogrnmmisten,  1881.  β€”  Meiiadier,  ob. 
cit.  β€”  Reimmann  Sale  Catalogue.  β€”  D'  F.  P.  Weber,  Medah  and  Medallions  of  lie 
igi^  cenliiij,  1894.  β€”  Marvin,  Masonic  Medals,  1880.  β€”  Bahrfeldt,  Miin^en  von 
Hohn^oUern. 

KyMATOWSKY.  r/deKTJRNATOWSKY. 

KXJNDMANN,  C.  and  J.  VON  (Aiistr.').  These  signatures  occur  on  a 
cast  Plaque  of  Franz  Schubert,  undated.  J.  von  K.  Is  the  author  ot 
theSchtbuer  Monument  at  Vienna,  1872, 

KUNE,  ANDREAS  (Germ.).  Mint-master  at  Luneburg,  1577,  in  the 
service  of  Duke  Julius  of  Brunswiclt-Wolfenbiittel. 

KUNE,  MARTIN  (Germ.').  Mint-master  at  Eisteben,  1560-1573. 
His  initials  M.  K.  occur  on  some  of  his  currency. 

KVTSEll(Amer.).  Engraver  of  the  two  rare  Pattern  20  and  10  Dollar 
pieces  of  British  Columbia,  1862,  a  specimen  of  each  of  which  is 
in  the  National  Collection  ;  the  only  other  two  known  were  in  the 
Murdoch  Collection  and  sold  for  Β£  116  and^  53  respectively.  Those 
in  the  British  Museum  were  presented  by  F.  Seymour,  Governor 
of  British  Columbia,  in  1S64. 

AT.  20  Dollars.  Obv.  GOVERNMENT  OF  BRITISH  COLUM- 
BIA. A  royal  crown.  I^.30  DOLLARS  1862  in  three  Hues  within 
oak-wreath;  edge  grained. 


Dollars,   1863,  by  Kiiner. 


A/';   10  Dollars.  Same  type  as  last,  but  with  ]o  in  place  ol  20; 
edge  grained. 


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During  the  height  of  the  gold  fever  in  British  Cokimbla,  Colonel 
Gosilc,  who  was  then  Treasurer  of  the  Province,  established  a  mint 
at  New  Westminster,  but  before  any  coins  had  been  struck,  it  was 


862,  by  Kiir 


learned  that  no  gold  or  silver  coins  could  be  issued  except  under 
the  authority  of  the  Queen  in  Council. 

By  this  Engraver  is  a  medal  on  the  Californian  Railways,  with 
bust  of  Washington,  1S76. 

Bibliography.  β€”  Murdoch  Sale  Catalogue,  July  1903.  β€”  Aikins,  Colonial  Coins 
and  Tohens,  &c.  β€”  Brelon,  Coins  &  Tokens  relaiiiig  to  Canada,  p.  187. 

KDNIG,  JOHANW  ANTON  (Austr.).  Mint-engraver  at  Hall  iu  Tyrol, 
I 688-? 

KUNIG,  MATHIAS  (Austr.).  Assistant-engraver,  1652-35,  then 
Chief-engraver,  1635-1663  at  the  Mint  of  Hall  in  Tyrol.  Also 
MATHIAS  KOENIG  VON  BAUMBHAUSEN.  He  was  Maximilian  Kunig's 
father. 

KDNIG,  MAXIMILIAN  {Auslr.').  Mint-engraver  at  Hall  in  Tyrol, 
1647-1688.  There  is  a  medal  by  him  of  1654  on  the  coming 
of  age  of  the  Archduke  Sigismundiis  Francis  of  Tyrol.  Also 
MAXIMILIAN  KOENIG  VON  BAUMBHAUSEN. 

KUNZE,  C.  G.  (Amer.).  Die-sinker  of  New  York ;  author  of  several 
medals  :  D'  Elisha  H.  Gregory,  of  St.  Louis  (A.  J.  N.  934};  β€” 
Baron  D'  Liebig,  Giessen  (Boston  Coll"). 

KUO  TUNG  Wy^'  (Chinese).  A.  D,  921-959.  Second  Emperor  of 
the  later  Chou  dynasty."  He  seized  on  all  the  broti:^e  images  of  Bud- 
dha and  converted  them  into  cash,  declaring  that  Buddha  himself, 
who  gave  up  so  much  for  mankind,  would  raise  no  objections. 

BiDLioGRAPiiY.  β€”  Mc.  Giles,  op.  ctl. 


atdb,  Google 


β€”  249  β€” 

KUPFER  (Germ.').  Die-sinker  of  the  early  portion  of  the  nineteenth 
century,  who  resided  at  Munich.  The  only  medal  by  him  which 
I  have  noted  is  a  Portrait-piece  of  D"'  Ferdinand  Adolph  Gehlen, 
of  Munich,  1815. 

KDPFER,  ANTON  (Germ.).  Mint-master  atBreslau,  30.  September 
1624  β€”  9.  August  1625. 

KURNATOWSKY,  MICHAEL  (Ausir.).  Editor  of  medals,  which  were 
struck  at  the  Viennese  die-sinking  establishment  of  A.  Pittner 
Nachf.  :  Visit  of  the  Crown  Prince  and  Princess  of  Austria  to 
Lemberg  and  Krakau,  1887;  β€”  Transfer  ofthe  body  of  Adam 
Mickiewicz  to  Krakau,  1890 ;  β€”  Second  Centenary  of  the  Relief  of 
Vienna,  18S3;  β€”  Franz  Karpinski,  poet,  1870; β€”  Visit  of  the 
Emperor  Francis  Joseph  to  Galicia,  1880,  &c. 

KURTZ  (Germ.).  Die-sinker  of  Berne  ;  his  signature  occurs  on  a 
Vn/Β£  medal  of  1884. 

KURZBACHER  VON  KXJRZBACH,  HEINRICH  (Bohem.).  Mint-master 
general  oi  Bohemia,  1576-1577, 

KlisEL,  HEIN  or  HENBING(G^m.).  Mint-master  at  Miinden,  1574- 
1584;  appointed  Mint-master  at  Nieder-Wildungen  (Waldeck), 
1587. 

KlisTER,  GEORG  (CHRISTOPH)  (Germ.).  Mint-master  at  Darmstadt, 
1733-1740,  and  Cleves,  1 741-1742,  1743 -175  5.  He  usually  placed 
his  initials  G.  K.  on  his  issues. 

Bibliography.  β€” Von  Sclirbtler,  Das Preussiscbe  Mmij;vjeseii  im  iS.Jahrhundert, 
Berlin,  1904. 

KUTSCHKIK,  MICHAEL  (Russ.).  Medallist  of  St.  Petersburg,  1845- 
1872.  Resigned  his  productions  m.k.  or  p.n.it.  He  was  apprenticed 
at  the  Technical  School  ofthe  Mining  and  Technologicallnstitute 
of  St.  Petersburg;  appointed  Medallist  to  the  St,  Petersburg  Mint 
in  1845.  By  him  are  the  following  copies  of  earlier  medals:  Peace 
of  Carlowitz,  1690;  β€”  Capture  of  Riga,  1710;  β€” β–   Naval  Victory  of 
Tweremtinde,  1714;  β€”  Capture  of  four  Swedish  Frigates  at 
Gronhamn,  1720;  β€”  Building  of  a  Foundling  Hospital  at  Moscow 
(after  Jager),  &c. 

ann,  op.  cil.  β€”  Iverse'.i,  MedailUn  auf  die 

KTJYGNEL,  or  KUYNET,  JACOB  (Dutch).  Mint-master  at  Antwerp, 
28.  June  15 13  to  17.  August  15 17,  in  conjunction  with  Mathieu  du 
Chastel. 


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KyTIKIlIlB  M.  (Rms.).  Med.ilHst  of  St.  Petersburg,  tliird  quarter 
of  the  nineteenth  century.   He  engraved  the  I^  ofAlexander  II. 's 


Coronation  Medal,  1856  (illustrated);  also^  of  the  Catherine  II. 
Academical  Prize  Medal. 


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β€”   251    β€” 

KVASNICKA  (Bohem.).  Con  tern  poniry  Die-sinker,  residing  at 
Prague.  I  have  noted  his  signature  on  the  following  medals  :  Visit 
of  the  Emperor  Francis  Joseph  I.  to  Prague,  1880;  β€” -Joseph  Jung- 
mann  1847;  β€”  Inauguration  of  the  Jungmann  Monument  at 
Prague;  β€”  lo""  Anniversary  of  the  Choral  Society  "  Hlalol  "  of 
Prague,  1871; β€” Josef  Neumann, &c. 

KYNG,  THOMAS  (Brit.).  Mint-master  at  Calais,  in  the  39"'  year  ot 
Edward  IIl.'s  reign,  appointed  on  the  i"  July,  1365.  "At  the  latter 
end  of  that  year,  an  assay  was  ordered  to  be  made  of  the  money 
which  Kyng  had  coined  in  this  mint ".  He  was  probably  removed 
from  office  on  October  25.,  1366,  on  the  appointment  of  Guater 
de  Barde. 

BiBUOGRAPHY.  β€”  Ruding,  Annals  of  the  Coinage  of  Great  Britain  and  its  Depen- 
dencies', 1840,1.,  p.  55  ;  II.,  p.  255,  β€”  R.  Seraire,  Diclionnaire  geographiqjii  de 
I'histoire  nione'taire  de  la  France,  1887,  p.   114. 

K.  W.  Vide  WILHELM  KULLRICH. 

K.  *.  and  K.  'tOtPT  Vide  KARL  FRIEDRICH  VOIGT.  Nineteenth 
century  Medallist  of  Munich. 


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L.  Vide  HANS  LOBSINGER.  Medallist  of  Nuremberg,  b.  1 5  lof  1570, 

L.  Fide  C.  V.  LEHR.  Mint-master  at  Weimar  and  Hornstein,  1616- 
1622. 

L.  Vide  JACOB  LICHTE.  Mint-master  at  Mansfeld,  1621. 

L.  Vide  IQRA^H  LINCK.  Medallist  at  Heidelberg,  1659-1711. 

L.  Vide  JAN  LUTMA.  Dutch  Medallist,  f  1660. 

L.  or    ^     F/i/fCF.LUDERS.  Medallist  at  Berlin,  1702-1742. 

L.  Vide  JOHANN  J.  LAUER.  Counter-manufacturer  at  Nuremberg, 
1804-1819. 

L.  Fide  GOTTLIEB  LAVB.'ER.  Medallist  at  Kulmbacb,  175S. 

L.  Fi'i^e  GEORG  FRIEDRICH  LOOS.  Medallist  at  Nuremberg,  1742- 
1763,  and  Wurzburg,  1763-1766. 

L.f'/ii^HARLFRIEDRICH  LOOS.  Medallist  at  Nuremberg,  1745-1776. 

L.  Vide  JOSEPH  LOSCH.  Court-medallist  at  Munich,  1802-1826, 

L.  Vide  I,  LANGE,  Die-sinker  at  Moscow,  171S-19. 

L.  Vide  G.  HINDER.  Medallist  at  Copenhagen,  1742-1782.  Also 
G.  L. 

L,  Vide  DANIEL  FRIEDRICH  LOOS.  Medallist,  born  at  Altenburg, 
1735,  worked  at  Magdeburg,  1756-1767,  and  Berlin,  jy6E--\-  iSi^. 

L.  Vide  FRIEDRICH  LOOS.  Medallist  at  Berlin,  end  of  the  eighteenth 
century. 

L.  Fide  GOTTFRIED  BERNHARD  LOOS.  Founder  ot  the  Loos  Die- 
sinking  Establishment,  B.  1773  -]-  1843.  He  was  General  Mint- 
warden  of  Prussia. 

L.  Vide  LUTTMER.  Medallist  at  Dantzig,  circ.  1760. 

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-  ^53  - 
1.  Fide  C.  G.  LAVTfER.  Mine-master  at  Nuremberg,    1746-175  5. 
Also  C.  G.  L. 

L.  ra^  JOSEPH  LUCKNER.  Medallist  at  Hildesheim,  1764-1768. 

L.  Fide  LEUPOLD.  Die-sinker  at  Dresden,  cm.  ijb-y-sj'jo. 

L.  r/c?e  G.  LJUNGBEBGER.  Medallist  at  Stockholm,  1765-1801. 
Also  G.  L. 

L.  Fide  I.  LINDENSCHMIDT.  Die-sinker  at  Mayence  and  Wiesbad- 
en, circ.  1790. 

L.  Fide  LAUER.  Counter-manufacturer  at  Nuremberg,  1791-1797. 

L.  Fide  HENDRIK  LAGEMAN.  Dutch    Medallist,   b.   1765  f  i8r6. 

L.  Fide  ft..  LAVY.  Medallist  at  Turin,  1796- 1827.  Also  A.  L 

L,  Fide  I.  LAMG.  Medallist  at  Vienna,  1800-1835.  Also  1. 1. 

h.  ^jWe  LOWEL.  Mint-master  at  SaaJfeld,  1803-1833.  His  initials 
occur  also  in  1807  and  1812  on  coins  of  Reuss. 

L.  Fide  JOSEPH  LERCH.  Medallist  at  Prague,  second  quarter  oΒ£  the 
nineteenth  century. 

L.  Fide  LESSER.  Medallist  at  Breslau,  f  1843. 

L  Fide  ANTON  CHRISTIAN  LAUTENSCHLAGER.  1820-1877.  Medal- 
list at  Hauau. 

L  FiWeL'ALLEMEMT.  Die-sinker  at  Frankfort-on-M.,  1807-1814; 
died  in  1830.  Also  L'AL. 

L  Signature  of  a  Medallist  on  a  Portuguese  medal,  1873. 
Bibliography.   β€”  Schlickeysen-Pallmann,  Mi\it:(-Abkurx}mgen,  Berlin,  1S96. 

β€’  L  β€’  Signature  of  a  German  Medallist  of  the  second  quarter  ol 

the  sixteenth  century.  It  occurs  on  a  Portrait-medal  of  LorenzStay- 
ber  ^L.  Bust  of  his  consort ;  dated  1535  (illustrated).  The  'L-  stands 
out  in  relief  on  truncation  of  obv.  bust. 

By  the  same  artist  are  probably  also  :  1535-  Katharina  Loxau 
(Berlin);  β€” (1536).  Barbara Welser  (Berlin);  β€”  1537.  Countess 
Palatine  Dorothea  (Berlin);  ~  1538.  Sophie  Galber  (Berlin),  and 
others. 

The  style  is  realistic,  the  costumes  richly  adorned,  and  the  letters 
vertical. 


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The  medals  just  mentioned  belong  to  the  group  described  undei 
MG"  in  Erman,  Deutsche  McdaiHeuu,  p.  31. 


Bolzenthal  suggested  Hans  Lobsinger  as  the  author  of  the  Stayber 
Medal. 

Bibliography.  β€”  Erman,  Deutsche  Medailleun,  1884. 

A,3A  or  AE  (Greelf).  Perhaps  an  abbreviation  for  Leon  ovLednidas; 
signature  of  a  Tarentine  Coin -engraver,  whose  period  of  activity 
is  comprised  betvi-een  380-345  B.C.  The  influence  of  this  artist  is 
very  marked  on  the  Tareniine  issues,  from  the  beginning  of  Period  III 
of  Evans,  and  even  beiore,  and  all  the  Didrachms  signed  A  offer 
the  same  characteristics  of  style  and  design. 

D'  Arthur  Evans  describes  these  coins  in  the  following  manner  : 
"  The  coins,  characterized  by  the  compact  character  of  the  engrav- 
ing, show  considerable  skill  in  composition,  and  we  seem  to  acquire 
distinct  evidence  of  the  reaction  of  individual  master-pieces  of 
sculpture  and  painting  on  the  die-sinker's  art.  Of  singularly  sculp- 
turesque aspect  is  the  horseman  with  the  bridle-arm  in  front  of  his 
horses  neck,  and  his  head  gracefully  inclined  towards  ihat  ofhis 
charger  β€” -  a  masterpiece  of^skilful  pose  and  harmonious  balance, 
which  suggests  the  influence  of  some  familiar  relief  in  marble.  It  is 
as  it  were  a  detached  figure  taken  from  a  frieze,  and  makes  us  the 
more  legret  that  so  little  of  the  sculpture  of  the  Tarentine  temples 
has  been  preserved.  Not  inferior  to  this  in  artistic  conception,  and, 
indeed,  displaying  a  marked  fellow  feeling  witli  it,  is  the  reverse  of 
the  same  piece  representing  Taras,  his  head  bowed  forward  as 
before,  seated  sideways  on  his  marine  charger,  an  arm  resting  on 
the  dolphin's  tail,  the  other  lightly  laid  upon  its  forehead,  his  whole 
attitude  instinct  with  reverie  and  repose  {Vide  n"  9).  This  remark- 
able coin  is  signed  A,  assuredly  indicating  the  same  artist  who 
signs  VE  and  A  during  Period  II,  and  the  same  signature  is  found 


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β€”  255  β€” 
on  ssveral  coins  ut  Period  HI.  The  coins  with  tlicse  signatures  rank 
among  tlie  best  examples  of  the  compact  style  ot  engraving  described 
above,  and  from  the  correspondence  alike  of  signature  and  of  artistic 
tradition  we  are  justified  in  concluding  that  the  peculiarities  of  this 
class  are  largely  due  to  the  influence  of  a  single  engraver.  The 
reverse  of  the  coin  signed  3A  in  minute  letters  is,  from  an  artistic 
point  of  view,  extremely  remarkable.  Though  the  horse  on  the 
obverse  is  still  somewhat  immature,  the  exquisite  figure  of  Taras 
pointing  downwards  at  the  sea-creature,  whatever  ic  may  be,  at 
which  with  his  other  arm  he  aims  a  dart,  will  not  easily  find  a 
parallel  for  playful  grace  and  lightsomeness  of  touch.  In  feeling, 
however,  it  is  curiously  in  harmony  with  the  beautiful  coin 
signed  A,  while  the  obverse  designs  of  other  coins  with  the  same 
signature  present  an  equally  close  agreement  in  their  type  of  the 
galloping  horseman.  Style,  signature,  and  design  alike  lead  us  to 
refer  these  works  to  the  same  artist  whose  initially...  may  find  its 
completion  in  such  well-established  Tarentine  names  as  Leon  or 
Lednidas  (tivans.  Horsemen  of  Tarentuin,  p.  48). 

The  following  are  some  of  the  varieties  of  Didrachms,  probably 
engraved  by  A. 

Period  11.  Before  aVc.  B.C.  380. 

1.  jR..  Didrachni.  Obv,  Naked  Ephebos  crowning  stationary 
horse  to  r. ;  beneath  horse,  A. 

V^.  Taras  astride  on  dolphin  to  r.,  resting  his  I.  hand  on  the 
dolphin's  head,  and  with  his  right  aiming  a  dart  downwards.  In 
field  to  1.  TAPAI. 

Evans,  op.  ciL,  p.  44,  E  n"  5. 

2.  JB^.  Didrachm.  Obv.  Naked  Ephebos  galloping  to  r.,  with  his 
r.  arm  thrown  back;  beneath  horse,  A. 

IJC-  Taras  astride  on  dolphin  to  1. ;  his  r.  arm  resting  on  dolphin's 
back;  his  1.  extending  akrostolion ;  beneath,  A  and  TAPAI. 
Evans,  op.  cit.,  p.  45,  H  n"  r.  β€”  Car.  CXII,  173. 

3.  JP^.  Didrachm.  Obv.  Naked  Ephebos  on  horse  galloping  to  r., 
holding  whip  in  r.  hand  behind  him;  under  the  horse,  A. 

'^.  Same  type  as  n"   2,  with  Asometimes  under  horse. 

M.  P.  Vlasto  Collection,  ex.  Maddalena  Sale.  β€”Brit 
Mus.  n"  119.  β€”  Cf.  Carelli  C(X,  104. 


The  style  of  tiiese  staters  is  very  fine,  and  they  are  undoubtedly 
by  the  same  hand  as  those  signed  3a  and  AE. 

tlosted  by  Google 


4-  ^.  Didrachm.  Obv.  Naked  EpIiCbos  galloping  to  1.,  holding 
reins  with  both  hands ;  beneath  liorse  A. 

^.  Taras  astride  on  dolphin  to  1.,  resting  his  1.  hand  on  dolphin's 
back,  and  with  r.  extending  akrostolion;  beneath  dolphin,  A  and 
TAPAZ. 

Evans,  op.  cit.,  p.  45,  L  n"  i.  β€”  M.  P.  Vlasto  Collection. 

5.  J^.  Didrachm.  Obv.  Same  type;  beneath  horse,  3A,  in 
minute  characters. 

^.  Taras  astride  on  dolphin  to  r.,  pointing  dowziwards  with  1. 
hand,  and  with  his  right  aiming  downwards  with  dart;  beneath 
dolphin,  TAPAl. 

Evans,  op.cit.,  p.  45,  L  nΒ°  2,  PI.  II,  11, 


6.  A<^.  Didrachm.  Obv.  Youthful  horseman  galloping  to  I.;  he 
holds  reins  in  1.  hand  and  in  r.  a  small  round  shield;  under  the 
horse  in  microscopical  letters  AE- 

"^L.  Taras  nude  on  dolphin  to  r.,  holding  in  r.  hand  a  small  tri- 
dent; TAPAI  sometimes  to  I.  and  sometimes  under  the  dolphin. 
M.   P.  Vlasto  Collection  (2  var.)  ^Revue   numismatique, 
1904,  PI.  V,  n-7  &  7Β». 
Period  III.  B.C.  380-345. 

7.  jR.  Didrachm,  Obv.  Naked  yotith  crowning  his  stationary 
horse  to  r. 

'^.  Taras  seated  sideways  on  dolphin,  resting  r,  hand  on  fish's 
head,  and  1,  on  tail;  beneath,  A. 

Evans,  op.  cit.,  p.  58,  A  nΒ°  i.  β€”  Car.  CIX,  106, 

8.  jR.  Didrachm.  Obv.  Same  as  last. 

^i.  Similar  type,  with  Taras  astride  holding  akrostolion; 
beneath,  A. 

Evans,  op.  cit.,  p.  58,  A  n"  3,  PL  III,  2.  β€”  Car.  CXII, 
172.  β€”  B.  M.   Cat.,  Italy,  nΒ°  128.  β€”  M.  P.  Vlasto  Col- 


,sted  by  Google 


9-  JP<.  Didrachm.  Obv.  Nakt;d  youcli  galloping  co  r.;  beneath 
horse,  A. 

'^L.  Taras  astride  on  dolphin,  holding  out  akrostolion. 

Evans,  op.  cil.,  p.  58,  13  nΒ°  i.  β€”  M.  P.  Vlasto  Collection. 

10.  jR.  Didrachm.  Obv.  Naked  youth  on  horse  to  r, ;  his  shield 

seen  sideways  behind  him  ;  his  head  inclined  towards  the  horse's, 

and  his  bridle-arm  in  front  of  the  horse's  neck;  horse  stationary, 

but  raises  its  off  fore-leg ;  beneath  horse,  A. 

^.  Taras  seated  sidevifays  on  the  dolphin  to  1.,  his  head  slightly 
inclined  forward, 

Evans,  op.  cit.,  p.  58,  C  n"  r,  PI.  Ill,  5.  β€”  M.  P.  Vlasto 
Collection. 


10,  2&^.  Didrachm  Obv  Naked  bphebot,  {apbate)  on  horseback 
galloping  to  1. ;  undei  the  horse,  A 

'^L.  Taras  on  dolphin  to  1  ,  his  light  arm  icsting  on  dolphin's 
back  and  holding  in  extended  right  hand  an  akrostolion;  under 
the  dolphin,  TAPAI. 

Weight  :  121  grs.  β€”  M.    P.  Vlasto  Collection.  β€”  Cf. 
Hunter,  Macdonald,  n"  40. 
For  the  obv.   Vide  Evans,  p.  61,  Type  LI  (Period  III),  but  the 
above- described  type  must  belong  to  the  end  of  Period  II. 

A  (Greek').  Possibly  an  Engraver's  signature  on  Didrachms  of 
Velia,  of  the  first  half  of  the  fourth  century  B.C.,  circ.  375-350. 

JR..  Didrachm.  Obv.  Head  of  Pallas  to  I.,  wearing  crested  Athe- 
nian helmet,  adorned  with  olive-wreath,  earring  and  necklace. 

^L.  YEA-  Lion  seizing  stag  to  1. ;  beneath  stag,  A. 
B.  M.  Cat.,  Italy,  p.  307,  n"  37. 

A.  L.  (Bohem.').  Signature  of  a  Medallist  of  the  latter  end  of  the 
sixteenth  century  and  early  portion  of  the  seventeenth.  His  initials 
occur  on  Religious  medals.  One  of  them  represents  on  obv.  Joshua 
and  Caleb  carrying  the  bunch  of  grapes,  and  on  ^L.  Joshua  standing 
in  full  armour  beside  a  tree  in  front  of  camp.  Vide  Merzbacher, 
Kunst-Medaillen-Katahg,  Mai  1900,  lots  316-31S. 

A.  L.  Vide  ANDREAS  LAFFERT  Mint-master  at  Fraustadt,  1594, 
Stolberg  and  Wernigerode,  1612-1617. 


./Google 


-258  - 

A.  L.  /He  ADAM  LONGERICH.  Mint-master  at  Coblentz,  1678- 
1683. 

A.  L.  Vide  ALBRECHT  LINDEERG.  Mintmaster  at  Stockholm,  1762- 
1773. 

A.  L.  Vide  AMADEO  LAVY.  Medallist  at  Turin,   1796-1827. 

A.  L.  fide  LIGBER.  Die-sinker  at  Warsaw,  circ.  1808, 

A.  L.  Vide  ANTONIO  LEYVA.  Commander  of  the  Imperial  Fortress 
at  Pavia,  1525.  His  initials  occur  on  obsidional  coins  of  that  city 
and  date, 

B.  L.  or  B  L.  Fide  Vol.  I.  (Germ.).  Signature  of  a  Saxon  Medallist, 
who  worked  circ.  1669-1694,  and  produced  some  excellent  work. 
Erman  calls hini"ein  sehrguter  MedaiUeur",  and  notices  that  after 
1682  the  style  of  his  medals  is  quite  altered  and  resembles  some- 
what that  of  Leygebe,  whom  he  however  did  not  equal. 

Thus  signed  are  the  following  medals  :  1664.  Johann  Caspar  von 
Ampringen,  Grand  Master  of  the  Teutonic  Order  (Dudik,  PI.  9, 
107);  β€”  1669.  John  George  II.  of  Saxony  (with  various  reverses, 
Itzinger.  Tentzel  Lin.  Alb.,  PI.  57,  11,  iii);  β€”  1669.  John 
George  III.  as  Prince-elector  (Berlin.  Tentze!  E.  1.  PI.   63  I);  β€” 


Johann  Adam  Scherzer. 


1669.  Andreas  Kauxdorff  Senior,  an  ecclesiastic  (Berhn) ;  β€”  1669. 
Johann  AdamScherzer,  professor  of  theology  at  Leip;^ig  {illustrated) ; 
β€” 1672.  Hans  Andreas  Hommel  (Berlin); β€” Undated.  Martin  Geier, 
Court-preacher  at  Dresden,  after  1665  ;  β€”  1682.  Johann  Olearius, 
Court-preacher  at  Weissenfels  (Berlin);  β€”  1683.  Valentin  Alberti, 


,/ Google 


professor  of  theology  at  Leipzig  (Berlin);  β€”  Undated.  Carl  Caspar 
von  derLeyen,  ArclibishopofTreves(i652-i676J;  β€”  1694.  Georg 
Balthasar  von  Sandrart,  painter  (Berlin). 

These    medals  are   full  of   character   and    executed    in   a    free 


Bibliography.  β€”  Erman,  Deutsche  Medailhure,  Berlin,  1884. 

C.  L.  Vide  CONRAD  LADFER.  Counter-manufacturer  at  Nuremberg, 
circ.  i6j6. 

C.  L.  FiWe  CASPAR  LONGERICH.  Mint-master  at  Treves,  1683- 
1693. 

C.  L.  Fide  CARL  LESSER.  Medallist  at  Breslau,  f  1843. 

C.  L.  (Dutch').  Signature  of  a  Medallist  or  Goldsmith  of  Friesland, 
second  half  of  the  sixteenth  century.  It  occurs  on  a  Portrait-medal 
of  Hidde  Sybrens,  1584. 

Bibliography.  β€”  Calalogus  der  Nederlandsche  en  op  Nederland  betrekkiii^  liebbende 
Gedenkpenningen,  1,  's Gravenhage,  igoj. 

C.  L.  F.  Tliis  signature  occurs  on  a  Portuguese  Portrait- medal  of 
John  IV,,  1641. 

D.L.  Vide  DANIEL LESSE.  Mint-master  at  Dantzig,  1656-1685. 

D.  L.  Vide  DANIEL  FRIEDRICH  LOOS,  1735-1819.  Medallist  at  Mag- 
deburg, 1756-1767,  and  Berlin,  1768-1819. 

D.  L.  H.  Vide  NICOLAS  DELAHAYE.  Goldsmith  and  MedalUst  at 
Paris,  circ.  1645-1695. 

E.  L.  Vide  HIERONYMUS  LOCENTI  EQVES.  Medallist  at  Rome,  circ. 
1670-1677. 

E.  L.  Vide  ERCOLE  LELLI.  1702-1765.  Mint-engraver  at  Bologua 
under  Popes  Clement  XII.  andXIIL,  i-ji^-i-jdd. 

F.  L.  Vide  LDTMA  FILIUS.  Son  of  Jan  Lutma  (f  r66o)  and  also  a 
Medallist. 

F.  L.  Vide  FRIEDRICH  LOOS.  Medallist  at  Berlin,  died  in  1806. 

P.  L.  FiWe  FRIEDRICH  LAUTENSACK.  Mint-master  at  Rostock,  1796- 
1802. 

F.  L.  S.  Vide  FRIEDRICH  LUDWIG  5TUBER.  Mint-master  at  Dantzig 
and  Elbing,  1760-1767. 

G.  L.  Vide  GABRIELE  LOMBARDO.  Mint-inspector  at  Venice,  circ. 
1565- 


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G,  L,  fiWfjGIROLAMOor  HIERONYMDS  LUCENT!.  Medallist  at  Rome, 
circ.  1670-1677. 

G.L.  r/fi^  GOTTFRIED  LETGEBE.  1630-1683.  Silcsian  Medallist  who 
worked  as  Mint-engraver  and  Medallist  at  Nuremberg,  1645-1668, 
then  at  Berlin,  i668-!683. 

G.  L.  Vide  GABRIEL  lUNDER.  Norwegian  Medallist,  who  worked 
for  some  time  at  Nuremberg,  then  at  Koenigsberg,  and  from  1742- 
1783  at  Copenhagen. 

G.  L.  Fide  GUSTAV  LJUNGBERGER.  MedalHst  at  Stodholm,  1765- 
1801. 

G.  L.  Fide  GOTTFRIED  BERNHARD  LOOS.  1773-1843.  Pounder  of 
the  Loos  Die-sinking  establishment  at  Berlin. 

G.  L.  C.  or  L.  C.  Fide  GABRIEL  LECLERC.  Medallist  at  Basle,  circ. 
1685,  then  at  Cassel,  and  circ.  1708  at  Berlin;  Mint-master  at 
Bremen,  1737;  f  1743. 

H.  L.  or  HL.  Fide  HANS  LACHENTRESS.  Mint-master  at  Gottingen, 
1601-1607,  Corvey,  1607, and  Moritzburg  near  Hildesheim,  1608- 
1611. 

H.  L.  Fide  nEINRICH  LAFFEBT.  Min:-master  at  Posen  and  from 
1612-1615  at  Driessen.  Also  HL. 

H.  L.  or  HL.  Fide  HEINRICHLOHR.  Mint-master  at  Quedlinburg, 
1617-1619. 

H.  L.  Fide  HANS  LAUGH.  Mint-master  at  Quedlinburg,  1620-1624 
and  1633-1637. 

H.  L.  or  HL.  Fide  HANS  LENKER.  Medallist  at  Augsburg,  1620- 
1630. 

H.  L.  Fide  LEOPOLD  (-.on  der)  HOCHSTBASSE.  Mint-master  at 
Vienna,  fourteenth  century. 

H.  L.  r/i^^  HANS  LIPHART.  Mint-master  at  Erfurt,  1592-1599. 

H.  L.  Fide  HEINRICH  LAMBERT.  Mint-master  at  Deutz,  r5o8,  1615 
and  1616.  Also  HL. 

U.  l.  Fide  UAHS,  LIPPE.  Mint-master  at  Thorn,  1629-1630. 

H.  L.  Fide  HANS  LAUFER.  Counter-manufacturer  at  Nuremberg, 
ti632. 

H.  L.  Fide  HANS  LUDWIG  KIENLEM.  Mint-master  at  Ulm,  1365- 
1639.  Also  H.  L.  and  H.  L.  K. 


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H.  L.  Fide  HERMANN  LUDERS.  Mint-master  at  Bremen,  1670-1673, 
and  Hamburg,  1674-1692.  He  coined  for  Schleswig-Holstein, 
1676-1689,  and  the  city  of  Luneburg,  1677-1678.  In  1681  he 
became  Mint-warden  to  Lower  Saxony.  Also  HL  or  IL, 

H.  L,  Fide  HANS  LUDERS.  Mint-master  at  Hildesheim,  1695-1710, 
and  Detmold,  1710-1716.  Also  HL  or  j^.  jZ. 

H.  L.  Fide  HEINRICH  LORENZ.  Medallist  at  Berlin,  circ.  1S43, 
Altona,  circ.  1848. 

H.  L.  F.  Fide  HANS  LOBSINGER.  Medallist  at  Nuremberg,  after 
1520. 

H.  L.  F.  Fide  HANS  LUTZELB0RGER.  Modeller  in  Bavaria,  dre. 
1524. 

H.  L.  K.  Fide  HANS  LUDWIG  KIENLEN.  Mint-master  at  Ulm,  1635- 
1639. 

H.  L.  0.  Fide  HEINRICH  LAURENZ  ODENDAHL.  Mint-master  at 
Miinster,  1696-1700  and  1704-1706,  Hoxter,  1698  and  1703, 
Miihlheim-on-Rhine,  1700-1701,  Osnabruck,  1701  and  1703,  and 
Paderborn,  1701-1702. 

I.  L.  Fide  JAN  LOOFF.  Medallist  at  Middelburg,  1627-1648.  Also 
I.  L.  f. 

I.  L.  FideJENS  LARSSEN.  Danish  Medallist,  circ.  1650-1660. 

1.1.  Fide  JOHANN  LINCK.  Mint-engraver  at  Heidelberg,  1659- 
1711. 

I.  L.  Fide  JOHANN  EIEBMANN.  Mint-warden  at  Clausthat,  1646, 
and  Berlin,  1664-1682. 

I.  L.  Fide  JOHANN  LONGERICH.  Mint-master  at  Sayn,  Mublheim- 
oti-Rhine,  Dortmund,  and  Mijnster,  1664-1680. 

I.  L.  Fide  JOSEPH  LONGERICH.  Mint-master  at  Treves,  1690. 

I.  L.  Fide  JAN  LUDER.  Dutch  Medallist  of  the  end  of  tlie  seven- 
teenth century  and  early  part  of  the  eighteenth ;  resided  in  London, 
circ.  17 10. 

I.  L.  TiWe  JACOB  LYR.  Mint-engraver  at  Cologne,  1678-1694. 

I.  L.  Fide  JE&n  LEEFKES.  Russian  Medallist,  1694-1709. 

I.  L.  Fide  I.  L.  J.  LEEFKEN.  Mint-engraver  at  St.  Petersburg,  circ. 
1739. 


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I.  L.  Vids  JOHANN  LANGE.  Meikllisi:  ;inci  Mint-engraver  at  Moscow, 
1718-1715. 

I.  L.  Fide  JOHAUK  LINDENSCHMIDT.  Medallist  and  Miut-engraver 
at  Mayence,  1790,  and  Wiesbaden  after  i8o8. 

1.  L.  Fide  JOSEPH  LANC.  1776-1835.  Medallist  at  Vienna. 

I.  L.  Vide  J.  IIGBER.  Mint-engraver  at  Warsaw,  circ.  1S08. 

I.  L.  Vide  J.  LECLERCQ.  Die-sinker  at  Geneva,  circ.  1831. 

I.  L.  Vide  3.  LORENZ  Junior.  Die-sinker  at  Hamburg,  circ.  1S69. 

I.  L.  A.  Fide  JOHANN  LEONHARD  ARENSB0RG.  Mint-warden  at 
Zerbst,  1683;  Mint-master  to  Count  Gustavus  von  Sayn-Wittgen- 
stein,  1684,  then  at  Barby,  1687,  and  Stettin,  1689-1697. 

I.  L.  F.  Fide  JAN  LUDER.  Die-sinker  in  the  Netherlands  and  in 
London,  1672-1710. 

I.  L.  F.  Vide  JOHANN  LUNGERBERGER.  Medallist  at  St.  Petersburg, 
1730-1745. 

I.  L.  H.  Vide  JOHANN  LORENZ  HOLLAND.  Mint-master  at  Dresden, 
1698-1716. 

I  L.  I.  VidesilRGm  LIPPOLD  JASTER.  Mint-engraveratHildesheim, 


I.  L.  K.  Fide  JOHANN  LUDWIG  KOHLER.  1770-1828.  Die-sinker  at 
Neustadt  a.  d.  H. 

IL.  !..(?)  Vide  JOHANN  LEEFKEH.  Russian  Die-sinker,  1694-1709. 

I.  L.  0.  Fide  JOHANN  LEONHABB  OEXLEIN.    1715-1789.    Medallist 
and  Mint-engraver  at  Nnremberg,  1740-1787. 

I,  L.  R.  Vide  JOHANN  LORENZ  RUCHDESCHEL.  Mint-master  at  Bay- 
reuth,  1 7 36- 1 740. 

I.  L.  ST.    Fide   JOHANN  LEOMHARB  STOCHMAR.    Mint-engraver  at 
Eisenach,  1785;  Mint-master  there,  1790-1835. 

I.  L.  W.  Fide  JOHANN  LUDWIG  WAGNER.  Medallist  at  Stuttgart, 
1798  ;t  1845. 

M.  L.  Fide  MAGNO  LIPPI.  Mint-master  at  Parma,  1618. 

M.  L.  Vide  MATTHIAS  LAUFFER.  Counter-manufacturer  at  Nurem- 
berg, circ.  1623. 


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M.  L.  Fide  MATTIAS  LONGERICH.  Mint-master  at  Idstein,  1692. 

H.  L.  Vide  HICOLAUS  LONGERICH.  Mint-master  at  Diisseldorf,  1 680, 
Bonn,  1686,  1693  and  1694,  Cologne,  1699  and  1700;  also  at 
Dortmund  and  Essen,  1688. 

P.  L.  Vide  PETER  LOHR  of  Goslar.  Mint-master  at  Paderbora,  1655- 
1658,  Gottingen,  1659-1663,  Biickeburg,  1660,  Hildesheim,  1663- 
1665,  Nordheim,  1665-1671,  Catlenburg,  1675-1676,  and  Ellrich, 
1676-1679, 

P.  L.  Fide  PEERLDHDGREN.  Medallist  at  Siockholm,  second  half 
of  the  nineteenth  century. 

T.  I..  Fj'<;^  TRUELS  LYNG.  Mint-master  at  Kongsberg,   1737-1770. 

V.L.  TiiJ^  FRANZ  ANTON  VAN  LON.  Medallist  and  Copper-plate 
engraver,  who  worked  between  1727  and  1764  at  Cologne,  Bonn 
and  Ehrenbreitstein,  and  later  was  employed  by  the  Bishop  of 
Wurzburg,  1765. 

V.  L.  P.  Fide  VERCELLI  (Mint)  LUIGI  FERRARI.  Mint-master  at 
Vercelli,  1548-1564. 

V.  L.  G.  (on  Dutch  medals)  Vivent  les  Gueux. 

W.  L.  Vide  WOLP  LAUFER.  Counter-manufacturer  at  Nuremberg, 
1618-1620. 

Z.  L.  Vide  ZUAKO  LEONI.  Rector  of  the  Mhit  at  Cattaro,  1449- 
1451. 

Z.  L.  Vide  ZDANO  LOREDANO.  Rector  of  the  Mint  at  Cattaro,  1590- 
1592. 

Z.  L.  /^iWeZUANO  LIPPOMANO.  Rector  of  the  Mint  at  Cattaro,  1592- 
1594- 
BiELEOGKAPHY.  β€” Sdillcktysen-Pallmarm,  op.  ell. 

L.  A.  Vide  LEA  AHLBORN.  Swedish  MedaUIst  and  Mint-engra.ver 
at  Stockholm,  1853-1895. 

L.  A.  P.  Fide  LEONARDO  ALOYSIO  FOSCARINI.  Mint-inspector  at 
Venice,  1778-1779. 

L'AL.  Vide  CONRAD  CHRISTIAN  L'ALLEMENT.  Mint-engraver  at 
Frankfort-on-M.,  1807- 1814;  died  in  1830.  Also  c.  C.  L'ALLEM. 

LAV,  P.  Fide  LADRENTIUS  PARMENSIS,  also  LORENZO  Dl  PARMA 
or  PARMIGGIANO,  but   really  LORENZO  CARTEROKE.  Gem-engraver 


./Google 


and  Medallist  ;U  Home,  f    1585.   Signed  ;ilso  LAV.  PAR  or  L.  PAR 
and  L.PARM. 

BiBLiOGiiAPHY.  β€” β–   Sdilickcyseii-Palimann,  D/i.  dt. 

LAA,  AMBROISE  (French).  Mint- master  at  Bayonne,  from  an  IV  to 
XI  of  the  First  Republic.  Tlie  coins  struck  under  him  bear  as  dis- 
tinctive mark,  a  lion's  head, 

LABARRE,  JEAN  DE  LA  (French)  (.  .  1545-1561).  Goldsmith  of 
Lyons,  who  executed  in  1548,  from  models  made  by  Salomon, 
"ystoiresd'or"  which  were  presented  to  Henry  II.  and  Catherine 
de  Medici  on  their  Visit  to  Lyons.  He  also  made  "anticques" 
(imitations  of  ancient  coins). 

BiBLiOGUAPHY.  β€”  N.  Rondot  &  H.  dc  k  Tour,  op.  cil. 

LABARRE,  GEORGES  (French).  Contemporary  Sculptor,  residing 
at  Paris,  who  since  1877  has  exhibited  numerous  Portrait-medallions 
at  the  annual  Salons. 

Bibliography.  β€”  Chavignerie  et  Auvray,  Dictionnaire  gAi&al  des  arlisUs  de 
VEcole fra>z0he,  Paris,  1883-1885. 

LABBΒ£,  QiEKHLkm  (French).  Mint-master  at  Paris,  under  Henri  IV., 
1594. 

LABET,  CHARLES  (French).  MJnt-cngraver  at  Besancon,  1667- 
1674.  He  succeeded   Pierre  de  Loisy. 

LABITTE,  M"''  CAMILLE  ALPHONSE(FΒ«w^).  Contemporary  Sculp- 
tor, who  in  1885  exhibited  Portrait-medallions  of  J.  Felon  and 
W"  H.  C***. 

LABOUCHfiRE,  HENRY  (THE  RIGHT  HONi"!^-)  Qiiii.).  Master  of  the 
Royal  Mint,  London,  anni  5-7  of  William  IV.,  1835-7. 

LA  CAMBE,  HANIN  DE  LA  (French).  Mint-engravcrat  Valenciennes, 
1368. 

LACHENMAYR,  KASPAR  GREGOR  (Germ.).  Director  of  the  Mint  at 
Munich,  1748. 

LA  CROIX,  PIERRE  DB  (French).  Mint-engraver  at  Nantes,  drc. 
1695. 

LACHENTREISS,  or  LACHENTRESS,  H&.HS(Germ.).  Mint-master  at 
Gottiogen,  29.  June  i6ot  to  16.  February  (607,  then  at  Corvey, 
and  from  1608  to  i6ri  at  the  episcopal  Mint  of  Moritzberg  near 
Hildesheim.  His  issues  bear  the  monogram  H,, 

Bibliography.  β€” -  Wolff,  Miin:^viehter  mid  IVardeine  der  Stildle  Gottingen, 
Nordlieiiii^  und  Einbecl;,  Btdltn  far  Mim^^freiinde,  i.  Jaiiuar  188}. 


.i,d=,  Google 


-  265  - 
LACHESNEL,  SIMONNET  DE  {French).  Goldsmith  of  Paris,  fourteenth 
century,  who  is  mentioned  tor  having  counterfeited   the  King's 
dies. 

LACHER,  C.  {Austr.).  Modeller  of  a  medal  engraved  by  J.Tauten- 
hayn,  of  the  Amalia  Countess  Somssich  Institute,  1874. 

LACOMBE,  BERNARD  {French).  Mint-master  and  contractor  at 
Tours  and  Angers,  previous  to  1653  ;  afterwards  Die-cutter  at  the 
Mint  of  Tours.  He  signed  Bernard  La  Comhe. 

Bii!LioGRAPHV.  β€”  Rondot  &  de  La  Tour,  op.  cU. 

LACOSTE  {French).  A  Paris  Die-sinker  by  whom  there  is  a  commem- 
orative medal  of  the  July  Revolution,  1830. 

LACOSTE,  PIERRE  {French).  Mint-master  at  Troyes,  1310-1311, 
in  conjunction  with  Vanne  or  Venne  Guy.  An  Engraver  of  the 
same  name  was  Die-cutter  at  the  Mint  of  Montpellier,  1352-1353. 

Bibliography.  β€”  N.  Roiidot,  Les  Gravmrs  ds  Troyes,  Macon,  1S97. 

LA  COSTE,  GUY  DE  {French).  Mint-engraver  at  Toulouse,  circ. 
1399. 

LA  DABIE,  GABRIEL  {French).  Mint-engraver  at  Paris,  circ.  1659- 
1662  and  later. 

LAUfi,  D'  AUGUSTE  {Swiss).  Contemporary  Nuinismatist,  residing 
at  Geneva,  and  author  of  various  numismatic  works.  Formerly  a 
partner  in  the  firm  of  STROEHLIN  &  CO  {q.  v.)  and  STROEHLIN  & 
LADfi,  which  has  edited  several  medals  connected  with  Genevese 
history.   Fide  STROEHLIN. 

LADERRltlRE,  ANTOINE  (Br/β€ž^.),  Mint-master  at  Tournay,  13.  Au- 
gust 1645 β€” ir.  October  1658. 

LADERRIErE,  ANTOIKE  DE  {Belg.).  Mint-master  at  Bruges, 
24.  October  1683- β€” 6.  April  1685,  and  again,  2  May  1686 β€” 
4.  October  1689.  On  his  death,  his  widow,  Catherine  de  Tilly 
and  her  son,  continued  the  direction  of  the  Mint,  4.  January  1690 
β€”  3.  July  1700. 

LADERRIfiRE,  JEAN  {French).  Mint-engraver  at  "Valenciennes, 
1429-1430. 

LADSITZKY,  C.  {Germ.).  This  signature  is  said  to  occur  on  a  Por- 
trait-medal of  Landgrave  Friedrich  Egon  of  Ftirstenberg,  on  his 
inauguration  as  Archbishop  of  Olmtitz,  6.  June  1853. 1  suspect  the 


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β€”  266  β€” 

author  of  the  medal  to  be  C.  Radnitzlcy,  the  well-known  Viennese 
Medallist. 

Bibliography,  β€”  Fr.  Dollingcr,  Dk  Fm-itmberghcheit  Mmx^n  und  Medailhn, 
Donaueschingen,  1903. 

LAFEBS,  HANS  {Germ.).  Mint-master  at  Zellerfeld,  i62o(?)- 
1623. 

LAFFERT,  ANDREAS  (Germ.).  Mint-master  at  Fraustadt,  1594, 
Stotberg  and  Wernigerode,  1612-1617.  His  issues  are  signed  A.  t. 

LAFFERT,  HETNRICH  (Germ.).  Mint-master  at  Posen  previous  to 
1 6 12,  then  at  Driessen,  1612-1615,  under  Johann  Sigmund, 
Prince-Elector  of  Brandenburg.  He  undertook  to  coin  at  Driessen 
imitation  Hungarian  Ducats,  Thalers  and  Groschen.  I  have  noticed 
his  initials  H.  L.  on  a  Thaler  of  Sigmund,  Margrave  of  Brandenburg, 
1612.  Andreas  Laffert  was  a  brother  of  Heinrich  LafFert,  who, 
according  to  Kirmis,  tilled  also  the  post  of  Assayer-general  to  the 
Crown  of  Poland  from  1604/8  to  1617. 

BiBLioGSAPHY,  β€”  C.  Oesterreicher,  Rigeslen  x."  }β€’  'Ne^vald's  PubJicilioiien  uber 
dsktreJchische  Munifrrdgungen,  1895.  β€”  Max  Kirmis,  Handhich  der  Poliiischen 
MM^kunde,  Posen,  1892.  β€”  Schlickeysen-Pallmann,  op.  cit.,  pi>.  }J,  210. β€” 
RmmmannSaieCcUdogue,l\,  1893. 

LAFONT,  GEORGES  JEAK  JOSEPH  (French).  Contemporary  Sculptor, 
born  at  Paris ;  pupil  of  Levasseur.  At  the  Salon  of  1886,  this  artist 
exhibited  a  Portrait-medallion  of  D'  A.  S.  Fauvel. 

LAFONTAINE,  FANNY  (French).  Contemporary  Sailptor,  born  at 
Paris,  and  author  of  several  Portrait-medallions. 

LAFITTE  (Fi  n  h)  MelatUst  of  the  early  part  of  the  nineteenth 
centui\   Nsho  \\orl  ed    n  Mudle's  National  Series  ofEngHsh  Medals. 


Baltic  of  Talave: 


His  Signature  otturs  on  the  following  medals  :  Battle  of  Talavera, 
1809,   obv.    Bust   of  Wellington,    by   Mills  1^.    Victory    facing 


o,C.oo(^lc 


-26t  - 

QUustrated),  &c.,  signed  LAFITTE;  - β€” The  English  Army  upon  the 
Scheldt,  1815,  obv.  Bull  to  r.,  by  DepauHs  ^L.  River-god  reclining 
tor.,  signed  LF,  F. 

A  Draughtsman  and  Historical  Painter  of  the  name  of  Louis  Laiitte, 
1770-1828,  designed  various  decorative  works  under  the  First 
Empire  and  appears  to  have  been  also  employed  by  English  firms, 
but  I  cannot  iaentify  him  with  the  author  of  the  two  reverses  of 
English  medals  above  described. 

Bibliography.  β€”  Weber,  Nineteenth  Century  Medals  by  Joreign  Artists.  β€”  Cha- 
vignerle  et  Auvray,  op.  at. 

LAFLEUR,  ABEL  (French').  Contemporary  Sculptor  and  Medallist, 
born  at  Rodez  (Aveyron);  pupi!  ot  Ponscarme  and  Chaplain.  At 
the  Salon  of  1901,  he  exhibited  a  frame  containing  four  Portrait- 
plaquetles,  and  a  medal  "Souvenir";  in  1902,  three  Portrait- 
plaquettes,  and  a  medal  representing  a  Lady  seated;  in  1903,  Por- 
rrait  of  M"""  X***;  β€”  Medal  "  Femme  eglantine  ";  β€” -  Femme  aux 
gants;  β€”  Femme  au  manchon  ;  β€”  Femme  nue,  aprfes  le  bain  ;  β€” 
Danseuse;  β€” -in  1904;  β€”Femme  au  bain,  plaquette,  1904;  β€”  Bai- 
gneuse;  β€”  Portrait  of  M.  Alfred  Dabin;  β€”  Femme  lisant;  β€” The 
Picture  Book;  β€”  Christ  lying  down,  &c. 

His  plaquettes  are  wanting  in  lightness ;  β€”  1 905 .  The  Picture  Book; 
β€”  Lady  with  flowers ;  β€”  Femme  aux  gants ;  β€”  Danseuse ;  β€”  Vieille 
femme;  β€”  Femme  accoud^e  lisant;  β€”  Le  Bain  (in  commission  for 
the  Soci^t^  de  la  MMaille  fran^aise);  β€”  D""  Pautrier;  β€”  Edouard 
Zune ;  β€”  Baigneuse ;  β€”  Le  The ;  β€”  Femme  assise ;  β€”  Christ,  &c. 

At  the  Salon  of  1905  he  obtained  a  Medal  of  the  Third  class. 

BiBLioGSAPHY.  β€”Salon  Exhibitions  Catalogues,  1901-190;. 

LAFORESTESIE,  LOUIS  EDMOND  (French).  Contemporary  Sculptor, 
bom  at  Port-au-Prince,  pupil  of  JoufFroy  and  Le  Bourg ;  residing 
at  Paris.  He  modelled  a  number  of  Portrait-medallions  some  of 
whi^ch  were  exhibited  at  the  annual  Salons  between  1867  and  1880, 
and  later.  The  coinage  of  the  Repubhc  of  Haiti,  1880-1882  bears 
under  the  head  of  Liberty,  which  he  modelled,  his  signature  :  LAFO- 
RESTERIE,  as  well  as  that  of  :  ROTY  G. 

Bibliography.  β€”  Chavignerit  et  Auvray,  op.  cii.,  i,  875. 

LAGAE,  JULES  (Belg.).  Contemporary  Sculptor  and  Medallist, 
born  at  Roulers,  15,  March  1862,  and  now  residingat  Brussels. 
Pupil  of  Charles  Van  der  Stappen,  and  Lambeaux.  He  has  produced 
several  decorative  works,  among  the  more  notable  being  a  Medal 
for  the  Brussels  Exhibition  of  1897,  and  the  monument  erected 
in  memory  ot  the  poet,  Ledeganck;  also  :  La  Ville  de  Gand,  Pla- 
quette; β€”  Portrait-medal  of  M.  Edouard  Simon,  Burgomaster  of 
Perwelz,  1902. 


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In  1888,  the^rtist  obtained  the  Prix  de  Rome,  and  lie  is  .i  Knight 
of  tlie  Order  of  Leopold. 


M(^d.^lof  the' Brussels  Esliibilioii,  1897 


Berliogkaphy.  β€”  Studio,  August  1898.  β€”  Laloire,  Medailks  de  Belgiqii^,  190} 

β€”  A.  de  Witte,  La  Mcdaille  en  Belgique  an  XIX'  sikie,  Bruxelles,   1905. 

LAGARDE,  J.  f.(Frenc}}),  Contemporary  Sculptor,  whose  signature 
appears  on  Portrait-medallions  in  clay  and  bronze, 

LAGEMAN,  HENDRIK  (Dutch),  Medallist  of  Amsterdam,  son  of 
J.  M,  Lageman,  was  born  in  1765  and  died  in  1816  ;  pupU  of  Carl 
Kons6,  and  J.  G.  Holtzhey.  His  productions  were  ninch  admired  by 
his  contemporaries,  and  are  few  in  number.  By  him  are  :  1794. 
Wicker  Wickers  and  liis  consort  Clara  Smith  ;  β€” β–   Patriotic  Medal ; 

β€”  1787.  Return  of  Prince  William  V.  to  The  Hague;  β€”  1788. 
Conclusion  of  the  Act  of  Guarantee  between  the  provinces  of  the 
Netherlands;  β€”  1788.  The  Stadholder's  household  visits  Brock  in 
Waterland; β€”  1791.  25'''  Anniversary  of  Prince  William  V.  of 
Orange's  Stadholderate  ;  β€”  Marriage  of  the  hereditary  Prince  Wil- 
liam Frederick  of  Orange  with  Princess  Frederika  Louise  Wilhel- 
mina  of  Prussia ;  β€”  1 794.  Planting  the  Tree  of  Liberty  at  Amster- 
dam; β€”  1799-  Medal  of  Reward;  - β€”  1800.  Prize  Medal  of  the 
Batavian  Literary  Society  ;  β€”  β€”  1802.  Peace  of  Amiens;  β€” 
25'''  Anniversary  of  the  Society  "  Felix  Meritis"  ;  β€” β–   1806.  Death 
of  Jan  Nieuvenhiiysen  ;  β–  β€”  1806.  Death  of  Prince  William  V. ;  β€” 


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β€”   2^9   β€” 

1 8 14-  Inauguration  of  Prince  William  of  Orange  as  Sovereign  Prince 
(3  var.);  β€”  William  I.  visits  tiie  Utrecht  Mint;  β€”  1809.  Prize 
Medal  for  Public  Services  (Tot  Nut  van'l  Algemeen);  β€”  Pattern 
Coins  of  Louis  Napoleon,  1807  (not  approved  of  by  the  Govern- 
ment). 

Immerzeel  praises  the  artist  as  having  been  very  successful. 

Bibliography.  β€”  Bolzemhal,  Skij;;{en  &c.  β€”  Thomscn  Catalogue.  β€”  C"  de 
Nahuys,  Histoire  numhmatique  dti  Royaume  de  Hollaiide,  1858.  β€”  Hildebraiid,  op, 
cil.,  11.,  p. 181.  β€”  DeHisloriepeniiingenenMuntei!  bdrekkingltehheiideaphelSlaillhuis 
van  Oranje-Nassaii,   1898.  β€”  Immerzeel,  d^.  cit. 

LAGSHAN,  I.  M,  (Dutch)  "  A  citizen  of  Amsterdam,  wrhere  he 
lived  on  the  "  Papen-bridge  " ;  he  was  a  Dealer  in  gold  and  silver 
(goud-kashouder),  and  eked  out  his  income  by  the  manufacture  and 
sale  of  toys,  and  by  engraving  cards  for  weddings,  balls,  visiting, 
&c.  See  Wapp,  Astrm,  IV,  193,  as  quoted  by  Van  Loon,  Sup. 
p.  -J 2."  (Belts,  Historical  Medals  of  Atnerica,  p.  264). 

J.  M,  Lageman,  who  was  also  a  Die-sinker,  engraved  a  number 
of  medals,  which  commend  themselves  by  very  good  work.  Among 
these  are  :  1773.  Second  Jubilee  ot  the  Deliverance  of  Alkmaar;  β€” 
1775.  Storms  and  Inundations  in  Holland;  β€”  1776.  Storms  and 
Floods  in  the  Netherlands;  β€”  1778.  Second  Centenary  of  the  Refor- 
mation at  Amsterdam;  β€”  1778-  Second  Centenary  of  the  Lutheran 
Orphanage  at  Amsterdam  ; β€”  I779.  Death  of  TheophiledelaTour, 
priest  at  Amsterdam;  β€” 1780.  Administration  of  the  Holy  Sacrament 
by  Bishop  Cezar  Brancadoro  at  Huissen;  β€”  Badge  of  the  Utrecht 
Association  "ProPatriaetLibertate";  β€”  Arming  of  Burgher  Corps 
in  1784;  β€”  Death  ot  J.  D.  Van  der  Capellen,  6,  June  1784;  β€” 
Discontent  in  the  States,  1786 ;  -β€”  Friendship  and  Concord  Medal, 
1786;  β€”  Engagement  on  the  Vaart  near  Gutfaas,  9.  May  1787  ;  β€” 
Medal  of  the  Town  Guard  of  Harlingen,  1787  ;  β€”  Death  of  T.  I. 
Ewald,  minister  at  Amsterdam,  1788 ;  β–  β€”  Restoration  of  Peace 
in  the  Netherlands,  1788;  β€” The  State  of  the  Country,  1788;  β€” 
Visit  of  Prince  William  V.  to  Brock,  1788;  β€”  Silver  Wedding  of 
Claudius  Hendrikus  van  Herwerden  and  Gertrude  Agnes  Comme- 
lin,  1790;  β€” Marriage  of  Prince  Charles  George  Augustus  of  Bruns- 
wick with  Princess  Frederika  Louisa  Wilhelmina  of  Orange,  1790 ; 

β€”  25'''  Anniversary  of  Prince  William  V.'s  siadholderate,   1790; 

β€”  Marriage  of  the  hereditary  Prince  WiUem  Frederik  with  Princess 
Frederika  Louisa  Wilhelmina  of  Prussia,  1791 ;  β€”  Archbishop  Van 
Nisibi  administers  the  Holy  Sacrament  at  Amsterdam  and  Utrecht 
(2  var.);  β€”  Inauguration  of  a  Lutheran  Church  at  Amsterdam, 
1793;  β€” Golden  Wedding  of  W.  Wickers  and  Clara  Smith,  1794; 

β€”  Silver  Wedding  of  Anthony  Jacob  Bierens  and  Susanna  Hasina 
Willink,  1 796  ;  β€”  Commemorative  medal  of  the  Treaty  of  Neutrality 
between  the  Powers,  to  resist  the  claims  of  England,  and  indirectly 


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β€”   370   β€” 

to  aid  the  American  Colonies  (signed  :  I.  M.  LACEMAN);  β€”  1781. 
Naval  Battleoff  the  Doggersbank;  β€” 1782.  Loss  of  St.Hustatiaby  the 
Dutch;  β€”  The  New  Year,  1782;  β– β€”  17S1.  Holland  declares 
America  free;  β€”  1783.  Treaty  of  Paris;  β€”  D'  Phoebus  Hitzer 
Themmen  of  Amsterdam;  β€”  1783-  Death  of  Johann  Hendrik 
Vorstius,  Lutheran  minister  at  Amsterdam;  β€”  Preliminaries  of 
Peace  between  England  and  the  Netherlands,  Sec. 

Lageman  was  entrusted  with  the  cutting  of  the  first  dies  for  the 
coinage  of  Ducats  of  William  L  of  the  Netherlands,  1815. 

Bibliography.  β€”  Belts,  op.  ctt.  β€” -  Hildebrand,  op.  cit.,  II,  p.  181.  β€”  Van 
Loon,  op.  cit.  and  Supplemmt  I β€” X. 

LAGGE  (Germ.').  Medallist  of  the  first  half  of  the  nineteenth  cen- 
tury, who  appears  to  have  resided  at  Athens,  but  of  whom  no  bio- 
graphical details  are  known. 

By  him  are  :  Marc  Botzaris,  Greek  patriot  ^.  Battle  of  Carpenesi, 
1823  ;  β€” Theodore  Colocotronis  and  Nicetas  Stamatopoulos,  Greek 
patriots  ^.  Victory  of  Nemea,  1S22  ;  β€”  George  Countouriotis, 
Greek  statesman,  1825  ;  β€”  Germanos,  Archbishop  of  Patras,  Insur- 
rection of  1 82 1  ;  β–  β€”  Peter  Mauromichalis,  Greek  general  and  patriot, 
1821 ;  β€”  Andrew  Miaoulis,  Greek  admiral,  1825 ;  β–  β€”  Election  of 
OthoL,  King  of  Greece,  1833,  &c. 

LAGIER,  ANTOINE  {French).  Mint-engraver  at  Aix,  1560-1579. 

LAGIER,  JEAN  FRANCOIS  (French).  Mint-engraver  at  Lyons, 
II.  August  1656  to  25.  July  1675.  On  a  document  of  1656,  Pierre 
Carrand,  Mint-assayer  at  Lyons  declares  "  cognoistre  ledict  Lagier 
puis  quelques  amines  qu'il  I'a  veu  travaiUer  soit  dans  la  monnoye 
de  cette  ville  soit  ailleurs  a  forger,  travailler  et  graver. "  Lagier 
engraved  also  some  jctons  of  the  Consulate;  one  of  them,  dated 
1659,  executed  for  the  provost  Francois  de  Baillon,  bears  on  one 
side  Louis  XIV.,  facing,  riding  on  horseback,  led  by  Justice  and 
Strength. 

Rondot  calls  Lagier  a  clever  Engraver,  He  died  at  Lyons  between 
the  25.  of  July  1675  and  the  30.  April  1676. 

,   Rotidot,   Lis  Graveurs  de  moimaies  d  Lyon  du  XllI"  au 
197.  β€”  Rondot  &  Dc  La  Tour,  op.  at. 

LAGIER,  JEHAN  (French).  Son  of  Antholne  Lagier,  and  Mint- 
engraver  at  Aix,  1579-1583. 

Bibliography.  β€”  A.  Barre,  Gravmrs  gensraux  et  particulkrs  des  monnaies  de 
France,  1867. 

LA  GRANGE,  JEAN  DE  (French).  Mint-engraver  at  Montelimar, 
circ.  1547-1548. 


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~  271  β€” 

LAGRANGE,  JEAN  {French).  Medallist,  Gem- and  Coin-engniver, 
born  at  Lyons,  on  the  6'''  of  November  1831,  Pupil  of  V,  Vibert, 
H.  Flandrin,  and  ].  Perrault;  entered  the  Ecole  des], Beaux- Arts, 
8.  October  1857  ;  First  Grand  Prix  de  Rome  for  medal-engraving, 
1861  (subject  :  A  warrior  placing  palm-branch  on  altar  of  Mars) 
Medal  of  the  Third  Class,  1874;  and  of  the  Second  Class,  1879 
Knight  of  the  Legion  of  Honour. 

Between  1880  and  1896,  Lagrange  was  Chief-engraver  at  the 
Paris  Mint;  his  issues  bear  fasces  as  distinctive  mark.  In  his  official 
capacity,  he  was  entrusted  with  the  cutting  of  Coin-dies  for  the 


igraved  by  Lagrauge. 


French  colonies  and  various  foreign  countries,  as  Abyssinia, 
Guatelama,  Tunis,  &c.  The  first  coinage  of  Mcnehk,  Em- 
peror of  Abyssinia,  issued  at  the  Paris  Mint  in  1894,  and 
consisting  of  four  pieces,  the  Talaro,  Half,  Quarter,  and  Eighth 


Talaro,  bears  Lagrange's  signature  in  full.  The  artist  exhibited  Proof 
and  Pattern  pieces  of  the  |,  |  and  \  Talari  at  the  Universal  Exposi- 
tion of  1900. 

Amongst  Lagrange's  best  known  medaUic  productions  are  the  fol- 
lowing :  1865,  Commemorative  medal  of  the  Annexation  of  Savoy 
to  France  ;  β€”  :867.  Portrait-medallion  of  M.  X***;  β€”  1869.  Por- 
trait-medallion, Medal,  and  Cameo ;  β€”  Music ;  β€”  Syracuse,  cameo 


,stsd  by  Google 


β€”    272    β€” 

in  cornelian;  β€”  1870.  Agricultural  Prize  Medal;  β€”  1872.  Onyx 
cameo;  copy  of  an  ancient  coin  ;  β€”  1874.  Milo  ofCroton,  medal;  β€” 
The  Paris  Law  Courts,  model  bas-relief;  β€” β–   1876.  Commemora- 
tive medal  of  the  New  Opera;  β€”  1877.  Commemorative  medal  of 
the  Paris  Law  Courts ;  β€”  Medal  of  the  Coulmiers  Monument ;  β€” 
Portrait-medallion  ofM.  X***; β€”  1878.  Commemorative  medal  of 
the  Paris  Palais  de  Justice ;  β€”  A<;ricultural  Prize  Medal;  β€”  Prize 
Medal  for  Music;  β€”  Prize  Medal  for  good  Draughtsmanship;  β€” 
1879,  Prize  Medal  of  the  Noumea  Exhibition ;  β–  β€”  Prize  Medal  of  the 
Salon  ;  ^  French  Coinage,  1880-1896  ;  β€”  Guatemala  Peso,  4  and 
2  Reales,  i,  |,  and  |  Real,  1893  ;  also  Pattern  10  Pesos  and  5 
Pesos;   β€”  Timisian  Coinage,  jV  20  and   10  Francs;  JR^.  2  and 


I  Francs;  50  Centimes;  JE  10  and  5  Centimes;  β€”  Indo-China, 
JR..  Piastre,  50,  20  and  10  Cenliemes;  JE.  i  Centi^me  and 
Sap^ue;  β€”  Abyssinian  Coinage;  β€”  Morocco,  JR.  5,  2|,  i  and 
I  Ounces,  &c. ;  β€”  Commemorative  medal  of  Francois  Adrien 
Boieldien  (after  Dantan) ;  β€”  Bust  of  Napoleon  IIL  in  aquamarine, 
forming  the  central  piece  of  a  jewel  executed  by  Froment-Meurice 
and  destroyed  in  the  Fire  of  the  Hritel-de-Ville  under  the  Commune 
in  1871  ;  β€”  Medal  representing  a  Sower;  β€”  The  Miner;  β€” 
Drawing;  β€”  Milo  of  Croton,  after  Puget;  β€”  Annexation  of  Nice 
and  Savoy  ;  β€”  Obligatory  Education  ;  β€”  The  Paris  Opera,  &c. 


,y  Google 


-  -in  ~ 

Several  of  Lagrange's  works  may  be  seen  at  the  Luxembourg 
Museum,  Paris. 

"  La  technique  de  M.  Lagrange,  qui  est,  lui  aussi,  un  ancien,  dit- 
ftre  de  la  maniSre  large  et  libre  de  ses  confreres  plus  jeunes;  mais 
n'est-il  pas  int^ressant  de  voir  le  vieil  artiste  suivre  le  niouvement 
et,  en  ces  derniires  annfes,  montrer  dans  une  mSdaiUe  repr^sen- 
tant  un  Mineur  une  juv6nilit6,  une  souplesse  qui  temoignent  que 
son  esprit  alerte  a  suivi  avec  interet  les  recberches  de  la  nouvelle 
ecole  ?"  (Saunier,  la  MMaitle  franfaise  contempomine,  L'Art  decora- 
tif,  Octobre  1901,  p.  34). 

Lagrange,  who  distinguished  himself  also  as  a  statuary,  stands 
foremost  in  the  pieiadof  French  medallists,  and  his  success  is  well 
deserved. 

Bibliography.  β€” R.  Marx,  MMailhursp-artfais,  1889;  β€”  MedailUurs  cantempa- 
rains;  β€”  Mddailleitri  modemss  i  TExposilion  de  ic/ou.  β€”  Chavignerie  et  Aiivray, 
Dp.  cit.,  I,  p.  876.  β€”  Babelon,  La  Gravure  en  pierresfinei.  β€”  Biin^dite,  Catalogue 
du  Mush  du  Luxembourg,  β€”  Art  dkoratij,  Octobre  igoi,  p.  ;4.  β€”  Num.  Circ, 
189s,  col.  1214,  β€”  Annuaire  immismaligiie,  1895,  p.  493.  ^  Revue  helge  de  mimis- 
maligue,  1874,  p.  399. 

LAHAYE,  DE   (French).    Mint-master    at   Paris,   for  Charles  X., 


LA  HAYE,  BE  (Frejich).  Mint-engraver  at  Reims,  circ.  1693- 
1699. 

LA  HAYE,  ALEXANDRE  DE  (French).  Mint-engraver  at  Paris,  in 
succession  to  Claude  Le  May,  1545. 

LA  HAYE,  NICOLAS  DE.  Fide  Vol.  I,  under  DELAHAYE. 

LAILLIEB,  ETIENNE  (French).  Mint-master  at  Ch41ons-sur-Marne, 
circ.  1423-1425,  under  Henry  VL  of  England.  ThefoUowing  coins 
were  issued  at  that  Mint,  and  bear  a  crescent  as  mint-mark  :  M. 
Salutes  and  Angelots  (none  yet  found);jR.  Blancsand  PetitsBiancs; 
billon,  Deniers  Tournois. 

BiBuoGRAPHV.  β€”  R.  Serrure,  Dkliommtrl  giagraplrique  de  I'Hulmre  iiionHaire 
de  la  Francs,  Paris,  1887,  p.  160.  β€”  De  Saulcy,  Hfstoire  nmnisniatiqne  de  Henri  V 
et  Henri  VI,  rois  d'Augltterre,  pendant  qiCihonlrigni  en  France,  1878. 

LAIKCETEAU,  JAMET  (French).  Mint-engraver  at  Angers,  appoint- 
ed, 15.  October  1362. 

LAING,  HENBY   (Brit.).   Born   at  Strathmiglo  in    1741 ;  died  at 
Edinburgh  in  1S20;  was  in  the  employment  of  James  and  William 
β–   Tassie  for  over  fifty  years,  as  a  Modeller  of  Portrait-cameos,  &c. 
There  is  a  Portrait-medallion  of  him  by  William  Tassie, 


./Google 


β€”  374  " 

LAIKG,  HENRY  (Bril,).  Sou  of  the  i;ist ;  was  born  in  London  in 
1803.  At  tlie  age  of  about  fourteen  lie  was  apprenticed  to  William 
Tassie,  under  whom  he  acquired  a  knowledge  of  drawing  and 
modelling,  and  imbibed  that  love  for  art  and  archaeology  which 
became  the  master  passion  ot  his  hfe.  He  remained  some  eight 
years  with  Tassie;  and  then  entered  into  partnership  with  Daniel 
Newton  Crouch,  a  Seal-engraver  in  London,  whose  sister  he  atter- 
wards  married.  About  1829  he  settled  in  Edinburgh  as  a  Gem- 
engraver  and  maker  of  glass  seals  which  were  then  in  great  demand ; 
and,  according  to  a  writer  in  'Notes  and  Queries'  for  25"'  May 
i86r,  he  was  accustomed  to  supply  '  block  seals,  as  well  as  the 
enamel  casts,  and,  indeed,  everything  of  the  kind  which  Tassie 
either  made  or  sold  ',  He  executed  a  few  medallion-portraits  in  wax 
froffi  the  life,  among  these,  one  of  his  wife,  modelled  about 
1826". 

H.  Laing  junior,  who  died  in  1883,  will  perhaps  best  be  remem- 
bered as  the  compiler  of  two  volumes  of  Ancient  Scottish  Seals, 
1850  and  1866. 

BiELiOGUAPHY.  β€”  John  M.  Gray,  James  and  fVilliam  Tussie,  Edinburgh, 
1894. 

LAJONIS,  CLAUDE  {French).  Mint-master  at  Mirabel-aux-Baronnies, 
in  conjunction  with  Martinet  Lantasque,  1426. 

LALAIWG,  COMTE  JACQUES  DE  {Belg.).  Painter  and  Sculptor,  born 
at  London,  4.  November  1858 ;  pupil  of  Jean  Portaels,  and  Alfred 
CluTsenaer;  Officer  of  the  Order  ot  Leopold,  and  Knight  Command- 
er of  the  Order  of  St.  Michael  and  St,  George  of  Great  Britain.  He 
has  produced  some  medals  and  plaquettes  since  1904. 

LALANDE,  BERTRAND  DE,  Sieur  de  Gayon  {French).  Fermier  des 
Monnaies  dc  Navarre  et  Beam,  1590-1594;  Mint-master  at  Saint- 
Palais,  1589,  and  Pan,  1590. 

BiBLioGHA?iiY.  β€”  A.  Blanchet,  Histoire  mouitahc  dti  Beam. 

LALANDE,  CHARLES  DE  (French).  Mint-master  at  Aix,  155  i. 

LALANE,  ARNADD  or  ARMAND  DE  (French).  Mint-engraver  (?)  at 
Nay,  Bcarn,  cited  in  1685.  He  possibly  may  not  have  worked  for 
the  Mint  at  all,  according  to  Blanchet. 

LALIAME,  JEAN  (French).  Sculptor  of  Lyons,  1669-1673.  Among 
the  "Mouleursde  m^dailles"  ot  that  epoch,  he  is  one  of  those  who 
appears  to  have  been  the  most  patronized.  He  signed  Lalianie. 

BiBLiooRAFHY.  β€”  N.  Roiidot,  MMaiUeuTS  de  Lyou,  1897.  β€”  Rondot  &  De  La 
Tour,  op.  cil. 


atdb,  Google 


β€”  275  β€” 

LALIAME,  LOUIS  (French').  Sculptor,  LapiJ:iry  iiiid  Engraver,  who 
exercised  his  profession  at  Lyons,  cm.  1622-1654.  In  1648,  he  was 
elected  "Engraver  in  ordinary  "  to  the  City  ot  Lyons. 

Bibliography.  β€”  N.  Rondot,  op.  cit.  β€”  S.  Lami,  Didiamiaire  des  Scidpiezirs. 
β€”  Rondot  &  De  La  Tour,  0/1.  cii. 

LALIAME,  PHILIPPE  or  PHILIBERT.  Vide  LALYAME. 

LALIER,  JACQUES  DE  {French^  Mint-master  at  Gimbrai,  clrc. 
1432,  who  was  commissioned  m  that  year  to  issue  gold  Deniers 
and  Half  Deniers,  the  so-called  Anges  de  Cainbresis. 

Bibliography.  β€”  R.  Seriure,  Dkt.get^.  de I' bhloiremoiUtairtdcla France,  1887. 

LALIQUE,  RENfi  {French).  Artist  Goldsmith  and  Jeweller,  born  at 
Ay-en-Champagne  (Marne);  pupil  of  tlieEcole  des  Arts  d^coratils; 
worked  first  for  many  years  as  a  Designer  of  jewellery  and  pr.ictical 
Goldsmith  for  various  firms;  started  business  on  hi^  own  account 
in  1885  and  won  various  distinctions  at  English  exhibitions,  but   . 


owes  liis  fame  partly  to  the  patronage  and  encouragement  of  the 
great  French  actress,  M"''  Sarah  Bernhard,  who  brought  his  genius 


,/ Google 


β€”  276  -β– - 

and  talent  before  tlie  public  notice,  by  wearing  in  her  various  roles 
jewels  and  ornaments  specially  designed  and  executed  for  her  by 
him,  "  It  was  at  the  "  Exposition  des  Arts  de  la  Femnie'  ",  says  a 
writer  in  Magazine  of  Art,  1903,  "  that  Lalique  first  revealed  him- 
self. Thenceforward,  by  his  annual  exhibitions  at  the  Salon,  he 
forced  himself  upon  the  minds  and  the  taste  of  an  unsympathetic 
public  who  at  first  would  hardly  give  him  fair  consideration,  but 
whom  he  conquered  by  sheer  plnck  and  artistic  merit".- 

"  Lalique  ",  continues  the  same  writer,  ' '  is  the  apostle  of  the 
latest  art  in  one  of  the  most  ancient  crafts...  At  the  Paris  Universal 
Exhibition  of  1900  the  L.Iique  exhibition  was  a  dream  of  beauty 
and  a  delight  for  the  eye.  1  recollect  spending  many  hours  in  admi- 
ration, perfectly  spellbound  under  the  influence  of  this  unexpected 
triumph  of  colour,  a  triumph,  indeed,  of  the  highest  art." 


itdA  of  M"";  SarLih  Burnliard,  by  Lalique. 


"  Lalique  differs  greatly  from  most  of  his  followers,  since, 
although  an  artist  born,  he  is  also  a  most  careful  craftsman.  Far 
from  despising  gems,  he  uses  them  lavishly  when  they  suit  his 
scheme  of  colour,  and  he  uses  them,  not  because  they  are  expen- 
sive, but  although  they  are  expensive.  Yet  he  will  set  richly  a  worth- 
less matrix  of  opal,  and  carve  a  dancing  girl  in  a  piece  of  wood 
of  no  intrinsic  value  whatever!  No  material  is  too  common  if  it  is 
beautiful,  none  is  too  rich  if  it  suits  his  purpose,  and  he  knows  no 
limit  but  harmony  of  colour  and  proportion.  " 

Among  the  articles  of  pure  jewellery  design  by  Ren^  Lalique, 
many  are  based  on  the  glyptic  art. "  Ornament  workers  in  all  ages  " 
says  M.  Roger  Marx  (^Sltidlo,  Vol.  15,  p.  23)"  have  willingly 
undertaken  to  act  as  medallists,  in  the  coutse  of  their  mission  as 
embellishers  of  materials,  and  as  part  of  their  task  as  jewellers". 


lo.tedo/GoogIc 


β€”  277  β€” 

Indeed  Lalique  ranks  high  as  a  gem- engraver,  for  the  many  pretty 

carvings  in  precious  stones  that  adorn  bis  jewels,  and  as  a  Medallist, 

his  Portrait-medal  of  Mβ„’'  Sarah  Bernhard  and  others,  not  taking 


Head  ot  Medusa,  c. 


into  accotint  the  many  medalUc  Portrait  Brooches  and  Pendants,  have 
made  him  also  sufficiently  well-known. 


Enamelled  Portrait-Plaque,  forming  the  centre  of  a 
(belonging  to  M"s  Waldeck-Rousseaii), 


'  As  an  admirer  of  natural  perfection  and  a  delightful  colourist, 


,stsd  by  Google 


-  27b  - 

Laliqne  is  an  acknowledged  master,  while  every  one  of  his  works 
is  impregnated  with  marvellous  taste  and  artistic  feelln"...  He  will 
always  stand  alone  as  the  real  creator  and  the  ablest  representative 
ofoneof  the  most  important  artistic  movements  of  the  nineteenth 
century.  "  (G.  A.  Fournier,  Rene  Lalique,  Magazine  of  Art,  1903, 
p.  25). 

BiBuOGBAPHY.  β€”  R.  MarK,  Revue  Encychpcdiqits,  1896,  p.  jOj  ;  1897,  p.  jyi,  β€” 
Do,  Studio,  Oct.  1898  ;  Feb.  1902.  β€”  Art  ct  Decoration,  1899-1905.  β€”  Revite  des 
Arlsddcarati/s,  1900,  p.  205  sqq.  β€”  Revue  del' Art ancien  et  moileine,  igoo,  p.  447. 
β€”  Marx,  MMailkurs  conlemporains, 

LALYAME,  PHILIPPE  or  fmilB'ERT (French).  Sculptor  and  Medal- 
list of  Lyons,  1602-1622.  He  is  the  author  of  a  fine  cast  Portrait- 
medallion  of  Pierre  de  Monconys,  which  bears  his  signature,  and 
perhaps  also  of  the  following,  although  they  are  unsigned  :  Balthazar 
de  Vitlars;  β€”  Marcel  Bozon;  β€”  Nicolas  de  Lange,  etc. 

By  him  are  a  bronze  bust  of  Henry  IV.,  and  three  statues  ot 
St.  John  and  St.  Stephen. 

The  artist  was  stlli  llvin:'  in  1623. 


Nicolas  ik  Laugc. 

BrBUOGHAPHY.    β€”  N,  RoQilot,  M^liiiUain  Ipiimis.  β€” M^zerolle,  op.  dt.  β€” 
Bliinchct,  op.  cil. 

LALLEMAKD  or  L'ALLEMENT  and  LALLBMENT,  CONRAD  CHRISTIAN 

(Genu.').  Medallist  ot  the  first  quarter  of  the  nineteenth  century; 
he  apparently  filled  the  post  of  Mint-engraver  at  Frankfort-on-Main, 
1807-1814,  and  died  in  1830.  His  productions  are  variouslysigned  : 
L'AL;  β€”  C.  C.  L'AIitEM,  etc.  A  masonic  medal,  with  portrait  of 
Broenner,  bears  the  artist's  signature,  L'AL  on  the  arm. 


>sted  by  Google 


β€”  279  β€” 
L'ALLEMANT  (Germ.).  Engraver,  who  in   1473   executed   jetoiii 
for  King  Rene  of  Anjou. 

LALLEMANT  or  LALLEMENT,  FRANgOIS  (French).  Se.il-.iiid  Jcton- 
en^raver  of  the  second  qu.irter  of  the  sixteenth  century.  He  is  the 
author  of  a  jeCon  for  Martin  Ruz^,  councillor  to  the  Parliament. 

BiRLiOGEAPHY.  β€”  Mazerplle,  Mddailhzirs frangais,  1902. 

LALIiEMAND,  F.  (French).  Engr.-iver  of  the  eighteenth  century,  and 
author  of  a  medal  of  St.anislaus  Leczinsl^y,  Grand  Duke  of  Lorraine, 
King  of  Poland. 

EiuLiOGRAPHY.  β€”  Roiidot  &  De  la  Tour,  op.  cii. 

LAMASSON,  JOSEPH  JEAN  JULES  GERMAIN  (French).  Contemporary 
Sculptor  and  Med.iUist,  born  at  Toulouse  on  the  11.  May  1IS72;  a 
pupil  of  Falguifere,  Merci^and  Alph^e  Dubois.  In  1902  he  obtained 
the  second  Grand  Prix  de  Rome  for  medal-engraving  for  a  medal 
representing  Saint  Sebastian  pierced  with  arrows. 

LAMB,  H.  T.  (Brit.).  A  London  Die-sinker  who  struck  a  medal  on 
the  Installation  of  Albert  Edward,  Prince  of  Wales,  as  Grand  Master 
of  Freemasons,  1875.  368  of  these  medals  were  issued. 

LAMB,  JOHAKN  (Germ.).  Mint-master  to  the  Counts  Palatine  of 
Veldenz  (Exter  II.  215). 

LAMBELET,  SAMUEL  (Germ.).  Medallist  of  the  latter  end  of  the 
seventeenih  century,  and  first  three  decades  of  the  eighteenth,  circ. 
1698-1727.  He  was  a  native  of  Clausthal,  but  his  family  must  have 
originally  come  from  Neuchatel.  Previous  to  1699  lie  may  have 
worked  for  some  time  at  Paris  and  is  said  to  have  been  engaged  on 
the  medallic  series  of  Louis  XIV.,  as  some  of  his  signed  medalsshow, 
and  from  1699  to  1727  he  was  Med.allist  to  the  House  of  Brunswick- 
Liineburg.  Ammon  calls  liim  a  clever  Engraver,  and  states  that  his 
productions  are  v.ariously  signed  :  S.  L. ;  β€”  S.  LAUBELET;  β€” 
S.  LAMBELET;  β€”  or  S.  LAMBELET  TEC. 

By  him  are  ;  Louis  XIV.  receives  James  II.,  1689  ;  β€”  Action  off 
Beachy  Head,  1 690  ;  β€”  Princess  Matilda  of  England  and  the  Electress 
Sophia,  1701  (signed  :  S.  LAMBELET  on  obv.  and :  S.  L.  on  I^);  β€” 
Augustus  William  of  Brunswick-Luneburg  '^L  The  new  Church  and 
residential  Castle  at  Wolffenbiittel.  1718;  β€”  Commemorative 
medals  of  Brunswick-Liineburg  (Vollsiand.  Braumchui.  Lilneburg; 
Miin^und  Medaillen  Cabinet,  n"'  579,  605,  639,  895,  992,  los^and 
Int.,  p.  XLvi). 

BiBLlOGRArHY.  β€”  Bokenthal,  op.  cil.  β€”  Franks  &  Giueber,  MeJaUk  lUustra- 
tioni,  &CC.  β€”  Amnion,  op.  ctt.  β€”  Nuinophjl.  Biirckhaid.  P.  11,  iios  2557  et  2554.  β–  β€” 
Niigler,  Moiiogrammislen,  1881,  Vol.  V,  n"  159.  β€”  Reiinmann  Catalogue,  II, 
nΒ°  5867. 


,stsd  by  Google 


--  28o  β€” 
LAMBERT  {Ffinch).  Miiit-cngraver  at  ReimSj  1730-1749, 

LAMBERT,  ALBERT  Β£lie  (^French').  Contemporary  Sculptor  born  at 
Beauniont,  pupil  of  Eug.  Paal.  He  exhibited  at  the  Salon  of  1886 
two  Portrait-mcdalhons  of  M.  Millet  and  M.  Lambert. 

LAMBERT,  ALPHONSE  (French).  Son  of  Joseph  Lambert,  and  his 
successor  as  Director  of  the  Rouco  Mint,  from  1818  to  1820.  His 
issues  bear  a  Paschal  Lamb  as  distinctive  mark. 

LAMBERT,  ARSfiNE  LOUIS  MARIE  {French).  Contemporary  Sculp- 
tor, born  at  Carhaix  (Pmistere);  pupil  of  Guilbert.  He  is  the  author 
of  a  number  of  Portrait-medallions,  some  of  which  were  exhibited 
at  the  Salons  in  the  eighties  and  nineties  of  last  century. 

LAMBERT,    FRAWgOIS  JOSEPH,     surnamed     LAMBERT  DE  ROISIN 

(Belg.).  Engraver  and  Chaser,  born  at  Namur,  26.  June  1808,  died 
there,  15.  September  1868.  He  has  produced  some  medallic  work. 

LAMBERT,  GUSTAVE  ALEXANDRE  (French).  Sculptor,  Gem-and 
Seal-engraver,  and  Medallist;  born  at  Paris;  pupil  of  Bissinger'.  He 
has  exhibited  since  1863,  at  the  "Salon  des  Artistes  fran^iis",  and 
was  rewarded  with  a  medal  at  the  Universal  Exhibition  of  1900, 


'i^r 


La  Ronde,  intaglio,  by  G.  A.   Lambevt. 

Among  his  best  known  productions  in  the  branch  we  are  interested 
in,  I  may  mention  :  1S79.  Mars  and  Venus,  intaglio  in  sardonyx; 
β€”  Portrait  of  M.  X***,  intaglio  in  sardonyx ;  β€”  Narcissus,  intaglio 
in  cornelian ;  β€”  1880.  Antinous,  cameo  in  sardonyx;  ^  Fauu  and 
Bacchante,cameo  in  sardonyx;  β€” β– i883.Salatnmb6,cameo;  β€”  Patro- 


,,C.oo(^lc 


clus,  cameo;  β€”  1883.  Portrait-cjmeo  of  Gambetta  ;β–  β€”  1884.  Three 
sardonyx  cameos  :  Achilles;  β€”  Bacchante;  β€”  Phryne;  ^  1885. 
DanseguerriSrej sardonyx  cameo  and  intaglio;  β€”  1S90.  Three  sard- 
onyx intaglios :  Mercury ;  β€”  Centaur ;  β€”  Herakles  infant ;  β€”  Les 
Korybantes,  sardonyx  intaglio;  β€” -  1893.  Dawn,  sardonyx  intaglio; 

β€”  The  Conscience,  cameo  and  intagho  in  sardonyx;  β€”  1895. 
Hesitation; β€”  1896.  The  Adviser,  sardonyx  intagho;  β€”  1897. 
Credo, sardonyx  intagho;  β€”  1898.  La  source  et  le  riiisseau,  cameo; 

β€”  1899.  Eugene  Guillaume;  β€”  Le  Livre,  sard,  intaglio;  β€” β–   1898. 
La  Source  et  le  Ruisseau,  intagho  (acquired  by  the  State); β€”  1900. 
LaRonde,  intaglio  in  sardonyx  (illustrated);  β€”  Two  Dancing  Girls; 
--  1901.  Portrait  of  M^^Agry,  intaglio  in  sardonyx;  β€”  1903.  Three 
Portrait-intaglios;  Portrait-plaquette,  bronze;  &c. 

At  diiferent  times,  this  artist  has  also  produced  :  War  Dance ;  β€” 
The  Bather;  β€”  The  Adviser;  β€”  The  Dawn;  β€”  Credo;  β€”  The 
Book;  β€”  Venus  Astarte;  β€”  Portrait  of  Eugene  Guillaume,  sculptor, 
member  of  the  French  Academy,  and  Director  of  the  Ecolede  Rome; 

β€”  Portrait  of  Marquis  de  Chennevieres,  "  ex.  Director  of  Fine- Art  ", 
Paris;  β€”  1904.  The  First-born,  or  Amour  maternel,  intaglio  in 
sardonyx ;  β€”  La  Danse,  &c. 

"M.G.Lambert",  writes  M.  Babelon,  "quichaqueannee,depuis 
1S79,  expose  des  pierres  gravees  en  creux  est,  avec  M.  Lechevrel, 
nn  de  nos  rares  artistes  qui  maintiennent  Fintaille  au-dessus  de  la 
gravure  des  sceaux  h^raldiques.  II  nous  a  donne  dans  ce  genre  un 
certain  nombre  d'ceuvres  a  un  dessin  souple  et  gracieux,  qui  sont 
presentement  pour  la  plupart,  an  Musie  Galliera ;  on  lui  doit  aussi 
d'excellents  portraits.  L'ceuvreimportante  qu'il  a  expos^e  au  Salon, 
cette  ann^e  (1902)  est  une  Ronde  d'enfants  sur  une  cornaline  de 
grandes  dimensions,  oii  I'on  retrouve  les  memes  qualit^s  de  grace 
spirituelle,  d'harmonie  et  de  souplesse  Elegante,  "  (Revue  de.  I'Art, 
1902,  II,  27). 

Lambert  was  awarded  the  Order  of  the  Lion  and  Sun  by  the 
Shah  of  Persia. 

Bibliography.  β€”  Catalogue  of  the  Paris  Sabns.  ^-  Chavtgnerie  et  Aiivray,  cp^ 
cit.  β€”  Jtjormaiion  kindly  iupplied  by  !he  artist. 

LAMBERT,  HEINRICH  (Germ.).  Mint-master  at  Deutz,  circ.  1608- 
1616.  His  initials  H.  L.  occur  on  his  issues;  also  his  monogram  H. 

LAMBEBT,  JEAN  DE  (French).  Mint-master-general  to  King  Jean 
le  Bon  (i^) 

LAMBERT,  JOSEPH  (French).  Director  ot  the  Rouen  Mint,  from 
year  IV  of  the  First  Republic  to  1817.  His  distinctive  marks  were  : 
from  an  IV  to  an  XI,  a  vase;  from  anXll  to  1817  a  PaschaiLamb. 
His  son  succeeded  him  in  1817. 


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LAMBERT,  PIERRE  (French).  GoUsmiili  and  Engraver  of  Jetoiis  nt 
Tours,  cifc.   1466-1471. 

LAMBERTDEROISIN  (Beig.).  Die-sliikur  of  Brussels,  born  on 
24  June  1808,  who  in  1847  submitted  to  the  Belgian  Monetary 
Commission  a  Pattern  Five-Franc  piece  witli  bust  of  Leopold  I.  By 
him  are  also  various  commemorative  medals  :  The  Cholera  Visiia- 
tion  at  Naniur,  1849  (2  var. ;  one  in  Boston  Coll");  β€”  Francois 
Gerard  Pirson,  1848;  β€”  Provincial  Exhibition  of  Namur,  1849 
(sev,  var.);  β€”  Francois  Joseph  Cornet,  1852  ;  β€”  To  H.  J.  B.  van 
de  Resse,  in  commemoration  of  his  services  during  the  Cholera 
Epidemics  at  Namur,  1S49,  &c. 

LAMBERT,  NICOLAS  {French).  Die-sinker  of  tlie  first  half  of  the 
nineteenth  century.  In  flΒ«  XI  ( 1  bo2)  he  took  part  in  the  competition 
for  a  new  coinage,  and  submitted  patterns  for  the  Pive-Franc  piece 
(one  illusirated),  which  however  were  not  accepted.  He  also  engraved 


some  medals  :  Masonic  medal  ot  the  Lodge  of  Perfect  Uniiin  of 
Perseverance,  Paris,  1813  ;  &c.  He  also  engraved  gems;  his  signa- 
ture occurs  on  an  intaglio  representing  the  portrait  of  a  Musician 
crow^ned  with  laurel  and  holding  a  lyre. 

Bibliography.  β€”  H.  Denise,  Lecoiicmirs  de  VAii  X[,  Gaz.  num.  Iran?.,  1902, 
pi,  XI.  β€”Marvin,  Masonic Mednh,  1880. 

LAMI,  ALPHONSE  {French).  Sculptor,  born  at  Paris,  2.  June  1B22  ; 
died  at  Alexandria  in  1867.  By  him  are  several  Portrait-medallions, 
cast  in  bronze. 

LAMI,  STANISLAS  (French).  Sculptor  and  Writer,  born  at  Paris, 
30.  November  1855.  Since  1882  he  has  been  a  regular  exhibitor  at 
the  annual  Salons  of  the  Soci^tg  des  Artistes  frangais.  Beside 
numerous  works  of  sculpture,  statues,  groups,  busts,  he  has  also 
executed  some  very  fine  Portrait-medallions. 


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-  283  - 

Lami  is  the  author  of  two  standard  works  :  Diclionnaire  des  Sculp- 
teurs  de  I'anliguite  jusqu'aii  VI'  sUcle  de  notre  ire,  18S4,  and  Diclion- 
naire des  Sculpteurs  de  I'Ecole  fratiQaise  du  nmym  Age  au  rigiie  de 
Louis  XIV,  1S98. 

This  artist  has  taken  prizes  at  various  exhibitions  in  France  and 
abroad  :  Munich  (Gold  medal,  1892),  Chic^igo  (1893),  Brussels 
(1897),  St.  Petersburg,  London,  &c. 

Bibliography.  β€”  Dictionimre  iet  ConUmporains. 

LAMPHEAR,  W.  K.  (Amer.').  Contemporary  Die-sinker  and  Manu- 
facturer of  metallic  cards  of  Cincinnati  (Ohio).  By  him  are  Masonic 
jetons,  advertising  tokens,  American  Masonic  Store  cards,  tickets, 
dental  tokens,  &c.,  some  of  which  are  described  in  Marvin,  Masonic 
medals,  p.  271. 

LAMPAGE,  FALCO  DE  (7to/.).  A  native  of  Pistoja,  and  the  iirst  Mint- 
master  of  Antwerp,  whose  name  is  on  record.  He  issued  Ecus  d'or 
known  as  Fi/mcori  i'cii/rf^  of  John  III.,  1312-1355. 

LAMPRECHT  {Gerni.).  Mint-master  to  the  Count  Palatine  Ludwig 
of  Veldenz  at  Niederolm(Olme),  1464-1467. 

BiBLiOGHAPHY,  β€”  J.  V.  Ku!l,  RrpMorwm  jtir  Mimxhimh  Bayeriis,  II,  igo;. 

LAMPUGNANO,  BELTRAMOLA  DA  (/;(7/.).  Mint-engraver  at  A-Iilan, 
in  the  fourteenth  century. 

LAMDNIErE,  JOHM  (Swiss).  Contemporary  Sculptor  and  Medallist, 
residing  at  Geneva.  He  has  collaborated  in  some  of  the  recent 
medals  issued  at  Geneva,  and  is  a  partner  in  the  die-sinking  worts 
of  J.  Lamunifere  &  H.  Schoenenberger  at  Vcrsoix.  His  signature 
occurs  on  the  following  pieces  :  Badge  of  the  Genevese  section  of 
the  Swiss  Society  of  Federal  Officials,  1902;  β€”  Advertisement 
Plaquette  of  the  Die-sinking  works  of  J.  Laniuni^re  &  Schoenenber- 
ger  at  Versoix,  1902  ;  β€” β–   Tir  de  I'Escalade,  1902;  ^Third  Centen- 
ary of  the  Escalade  of  Geneva  by  the  Savoyards  in  1602,  etc. 

M.  Stroehlin  calls  Lamuniere  a  young  man  with  a  great  future. 

Bibliography. β€”  Revue  siiiisede  niimiimat!qui,'Xl.  β€” Palrie  siime,  1902,  p.  297. 

LAMY,  GUILLADME  (French).  Mint-engraver  in  Beam,  circ.  1577- 
1610.  He  may  have  been  a  son  of  Pierre  Lamy,  vi-ho  was  Mint- 
engraver  at  Aix  in  1560.  The  first  mention  made  of  him  is  dated 
1577  and  records  a  payment  of  802  hvres  for  ten  rings  mounted 
with  diamonds,  rubies  and  opals.  About  1581  he  was  Mint-assayer 
at  Morlaas.  In  the  same  year  he  married  the  widow  of  JSr6meLenor- 
mant,  who  was  Mint-engraver  at  Pan  from  1572  to  1580.  In  1582, 
Lamy  issued  at  Morlaas  pieces  of  Twenty  Sols,  Liards,  and  Baqnettes, 


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β€”  284  β€” 

which  bear  his  distinctive  mark;  in  1583,  Liards.  He  then  became 
Mint-master  at  Pau  and  issued  there  Twenty  Sol  pieces  in  1584  and 
1585.  Until  1590,  he  remained  Mint-master  at  Morkas,  coupling 
this  office  with  that  of  Engraver  of  the  coins  of  Morlaas  and  Pau. 
Circ.  1591,  Lamy  is  styled  Goldsmith  to  the  King  and  Engraver  of 
the  coins  of  Beam,  and  again  in  1604  and  1609.  1599-1604,  as 
Mint-master  at  Bayonne,  he  issued  there  also  Quarter  and  Half  Ecus. 
M.  Blanchet  thinks  he  probably  died  in  1610,  when  he  must  have 
been  about  sixty  years  old. 

Bibliography.  β€” I.  A.  Blanchet,  Les  Gravetirs  en  Beam,  Dax,  1888.  β€”  Do, 
Hisloiremonclaire du  Beam,  1893.  β€”  N.  Rondoiet  H.  dela  Tour,  o;i.  Β«7. 

LAMY,  JEAN  (French).  Second  son  of  Guillaume  Lamy;  Mint- 
engraver  at  Morlaas,  from  1613  to  about  1637. 

LAMY,  JEAM  (^French).  Mint-engraver  at  Aix,  circ.  15 72- 1578;  he 
was  accused  of  counterfeiting  and  fled. 

LAMY,  PIERRE  {French).  Mint-engraver  at  Aix,   circ.  1551-1566. 

LAMT,  RICHARD  (French).  Another  son  of  Guillaume  Lamy; 
Goldsmith,  and  from  1607  to  1652,  Mint-engraver  at  Pau.  He 
probably  died  in  1653. 

BiBLioGRAPHV,  β€”  J.  A.  Blanchet,  op.  cil. 

LAMYER,  HUGTJES(Frmc/;).  Mint-master  at  Toulouse,  1 529-1 540. 

LANCE  (French).  APortrait-medalofVincent, Count  Plccolomini, 
1843,  is  thus  signed. 

LANCELOT,  EU&Β£ne  BABRIEL  {French).  Contemporary  Sculptor, 
born  at  Paris;  pupil  of  his  father,  Camiile  PauHn  Lancelot,  and 
Legrain,  Ponscarme,  &c.  At  the  Salon  of  1884  he  exhibited  a 
Portrait-medallion  in  bronze  of  M"^  Marcelle  Lancelot;  β€”  1887. 
Mon  sergentde  section;  β€”  Portrait  de  M^'H***. 

LANCELOT,  GAMILLE  PADLIN  (Frmci). Contemporary  Sculptor  and 
Medallist,  residing  at  Paris.  He  modelled  the  ]^  of  a  Portrait-medal 
of  Beethoven,  edited  by  Bescher  in  1899,  and  previously  :  1883. 
Portrait-medal  of  Gambetta ;  β€”  1884.  L'Anatomie  en  fami lie, bronze 
medallion;  β€”  1885.  Daphnis  and  Chloe;  β€”  Two  Port  rait- medal- 
lions of  Ladies;  β€”  1887.  M.  &  Mβ„’'^  Β£)***.  β€”  1892.  Two  Portrait- 
plaquettes,  &c. 

LANCELOT-CROCE,  Mβ„’'^  MARCELLE  RENΒ£E  (Ital.).  Contemporary 
Sculptor  and  Medallist;  daughter  of  the  sculptor,  Emile  Lancelot; 
was  Dorn  at  Paris,  and  married  the  Italian  sculptor,  Signer  Croce; 

f'upil  of  her  fother,  Eugene  Delaplanche,  Chaplain  and  Ponscarme. 
n  1889,  she  obtained  a  medal  of  the  Third  class  and  a  "  Bourse  de 


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-28s  - 
voyage",  the  first  ever  granted  to  a  lady-artist ;  in  1892,  a  medal  of 
the  second  class- 

Before  her  marriage,  M"'  Lancelot  already  attracted  notice  as  a 
Medallist,  and  since  1878,  when  she  was  only  fifteen  years  old,  she 
has  been  a  regular  exhibitor  at  the  annual  Paris  Salons.  Chavignerie 
et  Auvray  give  a  list  of  lier  exhibits  between  187S  and  1882  :  1878. 
Portrait-medallions  of  M.  V***.  and  his  grandson ;  β€”  M.  G.  L.*** ; 
β€”  M'"  J.  L.***;  β€”  M.  D.  L.***;  β€”  Prince  H.  de  L.*** ;  β€”  1879. 
G^rard-Seguin,  painter  ;  β€”  C.  L.***;  β€”  L.  et  J.  Outhwaite;  β€” 
Study;  β€” 1880.  Studies  and  Portrait-medallions;  β€”  r886.  Portrait- 
medallions  (4),  &c. ;  β€”  1883.  Portrait  of  M.  Francais;  β€”  Fra 
Filippo  Lippi  and  Lucvezia  Buti,  reUef ;  β€”  1886.  Portrait-medallion 
(if  M.  D.  L.***;  β€”  1887.  Raphael  at  the  age  of  15,  medallion;  β€” 
1888.  Music;  β€”  1891.  M"=  C.  p.***;β€”  M"^  M.  L.***;  β€” H.  H. 


of  M"Β«  Laticdot-Croce. 


Leo  Xlil.;  β€”1892.  Prof.  Pinard;  ~-  G.  L.**. ;  ~  L.  Fran:ais, 
medal; β€”  1894.  Woman  and  her  destiny;  β€”  1897.  Model  for  a 
necklace  with  portraits  of  popular  French  women  ;  β€”  Commemora- 
tive medal  of  the  Marriage  of  the  Prince  of  Naples  with  Princess 
Helene  of  Montenegro;  β€”  Commemorative  medal  of  the  Reunion 
of  Rome  to  Italy ;  β€”  The  Arms  of  the  House  of  Savoy ;  β€”  Portraits 
of  King  Umberto  and  Q_iieen  Margherita;  β€”  Prince  Galitzln ;  β€” 
Mβ„’  la  Comtesse  de  Vogue; β€”  Lord  Ronald  Gowcr;  β€”  Black- 
ington ;  β€”  1893-  Medal  of  the  International  Rifle  Meeting  of 
Turin; β€”Queen  Margherita,  &c. 

After  residing  for  some  time  at  Rome,  Mβ„’^  Lancelot  Croce's 
address  is  given  in  the  last  Catalogue  of  the  Salon  (1905)  atEpernay 
(Marne)  wherefrom  she  sent  her  recent  exhibits.  Among  her  latest 
produaions  are  :    Portrait  of  M.    Goubauld;    β€”  Hunting;  β€” 


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β€”  2;^6  β€” 

M.  Gaston  Chandon;  β€”  Portrait- pliiquette  of  BaccelU;  β€”  The 
Duke  of  the  Abbruzzi;  β€” International  Rifle  Meeting  a c  Rome, 
1902;  β€”Woman  and  her  Destiny  ;  β€”  The  Family;  β€”  La  Cham- 
pagne; β€”  Portrait  of  King  Umberto  I.;  β€”  Joan  of  Arc;  β€” 
Ste  Clotilde;  β€”  Ste  Genevieve;  β–  β€”  Memorial  medal  of  King 
Umberto  I.; β€” ItaUan  patriotic  Societies;  β€”  Queen  Margherita 
of  Italy  Xoval  plaque);  β€”  2j"'   Anniversary  ot    the   Kingdom  ot 


r-^p"-  .*w^  J^  &  β–  


-^:rm 


y 


ledallion  of  the  Dowiiger  Qliccii  Miirglit 


a  of  Ilaly. 


Italy;  obv.  Busts  of  Victor  Emanuel  I.  and  Umberto  I.;- β€” -Exhi- 
bition at  Rome,  1900;  β€”  Pope  Leo  XIII.,  rgoo;  β€”  Alessandro 
Galli,  18519;  β€”  Louis  Fran^ais,  ijor;  β€”  Volta,  Prize  Medal  of 
the  Ministry  of  Posts  and  Telegraphs;β€”  Lord  Ronald  Sutherland 
Govi-er,  1896 ;  β€”  Medal  of  the  Italian  Board  of  Admiralty;  β€”  King 
Umberto  I.  ;  β€”  Queen  Margherita  (illustrated');  β€”  Necklace  of 
Portrait-medallions  of  celebrated  French  women,  &c. 


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β€”  287  β€” 
At  the  Salon  of  1904,  this  artist  exhibited  a  frame  coiitaining 
medals  in  gilt  and  plated  bronze. 

The  Paris  Mint  struck  in  June  1904  a  gold  medal,  which  was 
offeredbythe  j'^BataUionof  Bersaglieri  to  King  Victor  Emmanuel  III, 
in  commemoration  of  the  anniversary  of  the  creation  of  the  Bersa- 
glieri. 

Her  commemorative  medal  of  President  Loubet's  Visit  to  the  Italian 
Sovereigns  is  one  of  her  best,  and  she  recently  executed  a  very  pretty 
pendant  jewel  on  the  occasion  of  the  Christening  of  the  Prince  of 
Piedmont,  with  his  portrait, 

"  M"'  Lancelot-Croce",  says  a  writer  in  Art,  "  dont  la  beaut^ 
brille  an  plus  haut  degr^  par  le  caractSre,  cette  quality  supreme  qui 
est  prdcis^ment  i' essence  nafeme  de  son  talent,  M'"=  Lancelot-Croce 
possede  le  don  de  I'invention  dans  des  conditions  extrfimement 
^quilibr^es.  Ce  qu'elle  vent  exprimer  Test  toujours  d'autaot  mieux 
que  chacune  de  ses  creations  est  exempie  de  tout  exces.  Ricn  de 
trop;  pas  la  moindre  surcharge.  Tout  est  dit,  niais  tout  Test  avec 
mesure  et  vous  n'en  appr^ciez  que  mieux  I'extrSme  saveur  de  ce 
talent  qu'il  faut  ranger  parmi  ct;iix  qui  sont  incontestablemeut  hors 
de  pair.  L' execution  marche,  chez  elle,  constamment  de  pair  avec  la 
penste;  cette  main  delicate  salt  imprimer  a  sa  facture  des  accents 
virils  qui  lui  donnent  une  originalite  de  plus  ". 

M.  B^nMlte,  Keeper  of  the  Luxembourg  Museum,  says  :  "  Lcs 
medailles  de  M""  Lancelot-Croce  sont  d'un  art  facile  et  hatif;  00 
les  dirait  improvis^es.  " 

A  number  of  this  artist's  medals  are  reproduced  in  Marx's 
MedaiUeurs  Contemporains,  PI.  28  and  various  Art  magazines. 

BiBLiOGSAPHY.  β€”  Paul  Leroy,  VArt,  1894,  p.  54.  β€”  L.  BenMite,  Art  el  Ueco- 
ralioii,  1899.  β€”  Aiidri  Hallays,  La  Rsvmile  I'Arl,  juillet  1900.  β€”  Cataiogtus  du 
Salon,  1900-1904.  β€”  R.  Marx,  MedaiUeurs  Jraagais,  18P9.  β€”  Id.,  MedaiUeurs  Con- 
temporains. β€”  Studio.  XXU,  p.  ajv  β€” Chavlgiierie  et  Auvray,  o/i.  cil.  β€”  J,  Dom- 
pierre  de  ChaufepiS,  Mddailles  et  Plaqudles  moderties,  II,  1^0^.  β€”  Revue francaise  de 
nninismatiqm,  1902,  p.  140. 

UnCRE,  DE  (Smss).  Seal-engraver  at  Paris,  early  part  of  the 
eighteenth  century.  He  was  Professoratthe  Academy,  and  introduced 
Hedlinger  to  De  Launay,  Director  of  the  Paris  Medal  Mint,  1717. 

LAMDE.  Vide  BERTRAKD  DE  LALANDE  SUprd. 

LANDENY,  JEHAN  (Fz-OTc/j).  Mint-master  at  Angers,  1486-1510; 
distinctive  mark,  after  1491,  an  A  at  the  end  of  the  obv.  legend. 

HiBLiOGRAPHY.^E,  Faivre,  Elat  acliid  dei  ateliers  moisiHaires  fraiifuis  el  de  leitrs 
diffirenis,  Paris,  1894. 

LANDER  (^Swiss).  Genevese  Die-sinker  of  the  second  quarter  of  the 

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nineteenth  century.  He  is  known  by  a  Portrait-medal  of  J.  B.Kiiu- 
pert,  Swiss  composer  and  orchestral  director,  1833. 

Bibliography. β€” Notice  siir  Jean-Bernard  Katipert  faile  sur  la  demaiuled'iiit  mimis- 
iimte  pcurservir  Aexpliquerlamidailkfrappii  par  la  viUe  de  Gmlme  en  jS8}.  NyoQ, 
1B79. 

LANDERER  (Swiss).  Designer  of  the  commemorative  Thaler  of 
the  Federal  Rifle  Meeting  at  Basle,  1879,  engraved  by  Durnssel. 

LANDES,  RICHARD  DES  (French).  Goldsmith  and  Mint-engraver  at 
Tours,  i6i3-"l'  1653.  "^^  signed  R.  de  landes  and  R.  dex  landes. 

LANDEVY,  JEHANDE  (French).  Mint-master  at  Angers,  1486-1510. 

LANDI,  DOMENICO  (Ital.).  Gem-engraver  of  Lucca,  who  was 
β– working  at  Rome  in  the  early  part  of  the  eighteenth  century.  In 
1716  he  cut  a  bust  of  Augustus  in  chalcedony,  which  had  been 
ordered  of  him  by  the  Marquis  di  Fuentes,  Portuguese  ambassador 
to  the  Pope.  In  1720,  he  executed  a  portrait  of  N.  Duodo,  the 
Venetian  envoy,  on  an  emerald.  By  him  are  also  two  fine  gems,  of 
larger  dimensions  than  ring-stones,  and  presenting  portraits  of 
Trajan,  Plotina,  Maridia  and  Marciana,  feeing  each  other;  and  the 
other  of  Septimius  Severus,  Julia  Domna,  Caracalla  and  Geta.  His 
signature  appears  further  on  the  following  gems :  Heads  of  Socrates, 
and  his  disciple  Plato ;  β€”  Head  of  Livia,  onyx;  β€”  Commodus  and 
Crispina,  cornelian,  &c. 

Vettori  calls  Landi  "  one  of  the  most  famous  artists  at  present 
in  Rome", 

Bibliography.  β€”King,  Antique  Gems,  i860,  1872.  β€”  Babdon,  La  Grnvure  en 
Weirej^ws,  Paris,  1894. β€” Raspe,  TajJiVj  Gems,  1791.  β€”  Mariette,  0^.  Β«V. β€” 
Vetton,  Dissert,  glyptogr. 

LANDRY,  AMI  JEAN  JACQUES  (Siuiss).  Watch-case-engraver  and 
Medalliit,  born  at  Le  Locle  (canton  Neuchfltel),  9.  July  1800,  died 
in  March  1856.  He  was  the  first  to  introduce  the  press  to  stamp 
watch-cases  in  the  watch-manufacturing  district  of  Switi^erland.  His 
press  soon  obtained  fame,  and  it  was  used  in  1S35  by  John  and 
Marc  Louis  Bovy  to  strike  Antoine  Bovy's  large  Medal  of  Calvin 
which  on  account  of  the  high  relief  required  a  powerful  press. 

As  a  Medallist,  he  has  produced  :  Commemorative  medal  award- 
ed to  J.  J.  Huguenin  for  his  services  to  the  State,  1830 ;  β€”  Third 
Centenary  of  the  Reformation  at  Neuch?ttel,  with  bust  of  William 
Farel,  1830;  β€”  Medal  presented  by  the  Legislative  Council  of  Neu- 
chitel  to  General  von  Pfuel,  Prussian  Royal  Commissioner,  183 1, 
etc. 


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β€”  289  β€” 

The  Medallist,  M.  Fritz  Landry,  is  Ami  Landry's  nephew. 


>  General  von  I'i'iiel  by  the; 


Bibliography.  β€”  A.  Bachelin,  Ain.i-]ean-]acqiies  Landry,  Mitsee  ncucliStcIois, 
18S2,  p,  64. 

LANDRY,  FRANgOIS  {French).  Sculptor  of  the  sixteenth  century, 
born  at  Salins  (Jura),  who  worked  for  the  Granvellas  and  executed 
in  1540  for  their  Besancon  Gallery  a  series  of  24  Portrait-medallions 
(two  of  which  still  exist),  representing  the  twelve  Caesars  and 
other  historical  celebrities. 

Bibliography.  β€” S.Lamy,  Dicliotmaiicdes  SculpUms  !kc. 

LANDKY,  FRITZ  (Stotss).  Painter,  Sculptor,  Medallist,  and  Pro- 
fessor of  Drawing  at  Neuchitel  (Switzerland),  Born  at  Le  Lode  in 
1842,  his  childhood  was  spent  amid  surroundings  which  could  not 
fail  to  impress  his  mind  with  love  for  art.  His  father  and  other 
members  of  his  family  were  all  watch-case  engravers,  and  from  his 
early  youth  he  was  accustomed  to  use  the  graving  tool.  His  first 
laurels  were  won  at  the  Academie  des  Beaux-Arts  of  Geneva.  In 
Paris  he  studied  under  the  celebrated  medallist  Antoine  Bovy,  and 
afterwards  he  vLsited  Italy,  where  the  taste  for  sculpture  developed 
itself  in  him  almost  to  a  passion  in  studying  the  works  of  the 
Renaissance  masters.  On  his  return  to  his  native  country,  M.  Lan- 
dry determined  not  to  imitate,  but  to  create,  and  to  be  himself  in 
his  own  works. 

This  artist's  medallic  productions  are  of  real  merit.  His  Portrait- 
pieces  of  Agassiz,  the  great  naturaUst,  and  Fritz  Berthoud,  the 
distinguished  novelist  (illustrated)  are  treated,  according  to  the 
personality,  either  in  very  bold  or  low  velief.  The  gifted  writer's 

L.  Fmr^o.  ~  mo^mplkal  Nolka  of  MidMhh.  β€”  III.  T9 


./Google 


characteristic  he.id,  his  picturesqiie  costume  and  headdress,  remind 
one  of  the  Florentine  types  of  the  Renaissance.  Agassiz's  head  is 
that  of  the  savant ;  the  lofty  forehead  denotes  the  thinker ;  the  look 
is  that  of  the  keen  observer  of  nature ;  great  kindness  and  nobility 
of  feelings  are  revealed  by  the  delineation  of  the  mouth  and  chin. 
But  to  my  mind,  the  artist's  Portrait-plaquette  of  Louis  Favre, 
the  life-long  professor  of  literature  and  spirituel  novelist  of  Neu- 
chate!,  is  a  still  greater  success.  Treated  somewhat  in  the  manner 


Pott  rail- Hi  edal  of  Frilz  Herihouil. 


of  the  Viennese  school,  this  portrait  is  excellent  in  every  respect, 
and  betrays  the  long  personal  acquaintance  of  the  artist  with  the 
brilliant  and  profound  scholar,  and  genial  author  of  the  Nouvelles 
neucMteloises.  M.  Landry  has  surpassed  himself.  The  likness  is  life- 
like, full  of  expression.  As  a  former  pupil  of  M.  Favre,  I  can  speak 
for  the  accuracy  of  the  physiognomy  and  wonderful  rendering  of 
moral  traits  which  are  so  characteristic  in  this  plaquette. 

M.  Landry  is  the  designer  ot  the  latest  Swiss  gold  coinage,  which 
forms  a  new  departure  in  the  art  of  coinage.  Helvetia  is  represented 
with  the  features  of  a  Swiss  maiden,  portrayed  from  nature;  in 
the  freshness  and  energy  of  her  expression,  she  symbolises  a  vigor- 
ous, valiant,  and  industrious  nation ;  her  eyes,  full  of  hope, 
contemplate  with  pride  the  lofty  summits  which  have  witnessed  six 
centuries  of  freedom  and  progress;  a  true  daughter  of  the  Alps, 
she  wears  a  necklet  of  edelweiss,  which  adds  grace  and  charm  to 
the  picture. 


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-  291    β€” 

Another  charming  plaquette  by  Liindry  "  SicfngitTempus"  show.s 
the  good  taste  of  the  artist  and  allows  comparison  with  the  best 
productions  of  the  French  school,  without  sharing  in  some  of  the 
defects  of  Charpentier  and  his  imitators. 


Port rait-pla quelle  of  M.  Louis  Favre. 


Beside  these,  the  Neuchitcl  sculptor  has  executed  many  other 
medals  :  Louise  Ad^le,  Portrait-plaquette;  β€” Alfred  Bovet,  Portrait- 
plaquette;  β€”  Edouard  Desor,  1811-1883;  β€” Young  Girl  nursing 


piece    by  Lindr\ 


a  doll  in  her  arms;  β€”  A.  M.  Piaget;  β€” TheNeuchatel  Free  Church, 
1877;  ~- Caisse  de  famille  Meuron  ;  β€”  Award  Medal  oi  the 
Republic  of  Neuchatel ;  β€”  The  Bourbaki  Army  Corps  interned  in 
Switzerland,  187 1 ;  β€”  Cantonal  Rifle  Meeting  of  Zurich  at  AlbisgutU, 


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Zurich  ;  β€”  The  Aqueck 
tural  Prize  Medal,  i86] 

β€”  Federal  Rifle  Meetin' 

β€”  Federa  h  t   of  G3 


β€”  292  β€” 

:t  of  Boudry,  1867;  β€”  Neuchatel  Agricul- 

;  β€”  Choral  Festival  at  Le   Lock,  1861  ; 

It  Chiux-de- Foods   5  Franc  friece    1S63; 

s     s  at  Ne     1     e       S62    β€”  Inaut,  r     on 


Pattern  5  Fian^  piuce  (not  yet  issued),  by  Landry, 

of  the  Neuchatel  Water-works  1857 ;  β€” β–   Centenary  of  Montniirail 
Pensionnat,  1866;  β€”  Inauguration  of  the  Municipal  College  at 
NeuchStel,  1868;  β€” Restoration  of  the  Collegiale  at  Neuchatel, 
-Federal  Choral  Festival  at  Neuchatel,  1870;  β€”  Federal 


Rifle  Meeting  at  Zurich,  1873,  5  Franc  piece;  β€”  Federal  Choral 
Festival  at  Colombier,  1874 ;  β€”  Inauguration  of  the  statue  of 
William  Farel  at  Neuchatel,  1875 !  ""  ]β–   F-  Osterwald;  β€”  David de 


loBtsdo/Googlc 


β€”  293  β€” 

Purry  (2  vai'.)  ;  β€”  F.  A.  de  Chambrier;  β€” -  D^Qiel  Jeauricliard;  β€” 
A.  Desor,  &c. 

The  best  shots  at  Swiss  federal  or  ciintonal  shooting  festivals 
always  receive,  beside  the  cups  of  honour  and  other  prizes,  official 
medals.  These  had  hitherto  been,  from  an  artistic  point  of  view, 
of  very  commonplace  designs  β€”  a  female  holding  a  carbine,  an 
old  Swisswarrior  with  his  arquebuse,  William  Tell  about  to  shoot 
the  apple  off  the  head  of  his  son,  &c.  In  the  medal  commemorating 
the  1898  Federal  Tir  of  NeuchStel,  M.  Landry  has  departed 
from  the  old  routine,  and  thus  marked  a  new  and  thoroughly 
modern  idea  ot  commemorating  and  representing  a  great  national 
fSte.  Not  less  than  the  new  twenty-franc  piece,  this  work  has  been 
the  object  of  sharp  criticism  and  vigorous  attacks,  which,  however, 
have  not  had  the  eff"ect  of  discouraging  the  artist.  His  production 
is  original  in  its  conception  and  a  great  achievement  as  regards  the 
execution.  On  the  obverse,  we  find  a  group  of  marksmen,  civilians, 
and  soldiers,  and  a  realistic  representation  of  the  Swiss  shooting 
stands  of  the  nineteenth  century,  whh  the  modern  arms,  the 
different  types  of  riflemen,  etc.  β€”  in  a  word,  a  picture  of  the  Swiss 
people  at  its  great  national  festival.  This  is  certainly  more  worthy 
of  being  preserved  as  an  historic  record  than  the  repetition  of  well- 
known  emblems  and  mottoes.  The  reverse,  with  the  armorial 
shield  of  Neuchatel,  heraldic  eagle,  flags,  and  in  the  backgrounds 
view  of  the  castle  and  mountains  behind,  has  a  most  picturesque 
and  charming  effect. 

M.  Landry  deserves  high  praise  for  his  untiring  efforts  to  improve 
the  style  of  medallic  art;  surely  his  best  reward  for  years  of  patient 
and  persevering  labour  must  be  the  honour  of  having  signed  the 
coinage  of  his  native  country,  and  handed  down  to  future  genera- 
tions for  their  contemplation  truly  Swiss  productions  of  high  artistic 
merit. 

Bibliography.  β€”  L.  Fotrer,  A  Swiss  Medallist :  M.  F.  Landry,  Studio,  XVII, 
-  Β°-  Bulletin  & Rewie  siiisse  de  mimismattque,  1882-1904,  β€” Tobkr-Meyer, 
Catali^ae  of  the  Swiss  Coins  in  the  South  Kensington  Museum.  β€”  Dr.  H . 

de  Dompierre  de  Chaufepii,  Les  Midailies  et  Plaquettes  modemss,  1903.  β€” 
Information  kindly Jurnished  by  the  artist. 

IJLNDRT,  DLTSSE(5im"w).  Watch-case  Etigraver  of  the  second  half 
of  the  nineteenth  century.  Father  of  the  Medallist  Fritz  Landry  of 
NeucLltel.  His  share  in  medallic  work  is  only  indirect,  as  I  do  not 
know  of  any  medal  engraved  by  him,  although  I  have  seen  it  stated 
in  Sale  Catalogues  that  the  medal  commemorating,  the  Internment 
of  80,000  French  soldiers  in  Switzerland,  1871,  was  by  him. 

LANE,  WILLIAM  (Brit.').  Gem-engraver  of  the  end  of  the  eigh- 
teenth century,  by  whom  are  the  following  gems,  usually  signed  : 
W,  L.  or  LANEF.  :  Head  of  Medusa,  carnelian;  β€”  Calliope  leaning 


r 


β€žGooglc 


upon  a  rock,   carneliaii ;   β€”   Head  of  Sappho,  carnelian  ;  β€”  The 
Character  of  Zingara  of  the  Chevalier  Bernini,  &c. 

LANfiRY,  AOGDSTE  {French).  Contemporary  Sculptor,  born  at 
Lyons ;  pupil  of  M .  Fabisch .  He  is  the  autlior  of  numerous  Portrait- 
medallions. 

LANFRANCHI,  ANGEIO  (French).  Sculptor  of  the  second  half  of  the 
nineteenth  century,  born  at  Ajaccio;  pupil  of  Toussaint  and  Barre. 
His  signature  A.  LAKFRANCHI  ?"β–   PARIS  1863  occurs  on  a  large 
Portrait-medallion  in  bronze,  cast,  of  Laffitie  (?),  which  M,  Florange, 
of  Paris,  has  kindly  brought  to  my  notice.  In  the  sixties,  Lanfranchi 
was  a  frequent  exhibitor  at  the  Salon. 

LANFRANCO,  PAOLO  and  LAZZARO  (Ilal.).  MinVengravers  at  Milan, 
in   the   fourteenth  century. 

LANG  (Ame}-.).  A  partner  in  the  firm  of  Knox  and  Lang,  at 
Worcester,  about  the  time  of  the  breaking  out  of  the  U.  S.  A.  Civil 
War.  He  signed  a  medal  struck  in  memory  of  Governor  John  Davis. 

BiBLiOGRAPdY.  β€”  S.  A,  Green,  A  medal  in  memory  of  Gov.  John  Davis,  Amer. 
Joiirn.  of  Num..  1895. 

LANG,  ARNOLD  (GenΒ«.).  Nuremberg  Seal-engraver,  1555.  There 
is  a  Portrait-medal  of  him,  by  the  artist  S.  P.  (illustratea). 


Port  rait- medal  of  Arnold  Lang. 


LANG,  FRANZ  XAVER  (Austr.).  Assistant  Mint-engraver  at  Vienna, 
1S35-1837.  He  was  probably  a  relative  of  J.  N.  Lang,  and  perhaps 
his  son.  By  him  are  also  several  medals  :  Josef  Franz,  Baron  von 
Jacquin,  on  his  death,  1839;  β€”  Medal  ot  Prince  August  Longin 
von  Lobkowicz,  1840;  β€”  Alois  Joseph  Baron  von  Schrenk  und 
Notzing,  1838,  &c. 

LANG,  FRIEDRICH  (Germ.).  Mint-master  at  Mosbach  (Palatinate), 
in  1466,  and  at  Tiibingen,  1472.  He  was  a  native  of  Nuremberg. 

Bibliography,  β€”  Kull,  op.  cif.,  I  (499),  II  (710).  β€”  Binder,  op.  at,,  40. 


ogle 


LANG,  HEINRICH  GOTTLOB  (Gervi.).  Her;ildic,  ^nd  Seal-engraver 
at  Augsburg,  circ.  1750. 

LANG,  JOSEPH  NIKOLAUS  (Austr.).  Medallist  and  Mint-engraver 
at  Vienna,  born  atlnsbruck  in  1776,  died  at  Vienna,  20.  May  1835. 
He  was  a  son  and  pupil  ot  Thomas  Lang,  and  was  first  employed 
at  the  mint  of  Hall  in  Tyrol,  then  as  Assistant-engraver  at  the  Vienna 
mint,  1815-1827.  On  January  30,  1828,  he  was  promoted  to  the 
post  of  Director  of  the  Vienna  "Graveuraka-demie",  and  remained 
in  office  until  his  death. 

Joseph  Lang  was  a  very  capable  Engraver,  and  among  his  best 
productions  I  may  mention  :  Prague  University ;  β€”  Battle  of  Leipzig, 
1813  ;  β€”  Battle  of  Waterloo,  181 5;  β€” ^  Marriage  of  the  Archduchess 
Leopoldine   with  Dom   Pedro,  Emperor  of  Braf;il,      ;  β€”  Anton 


β–   β–   J.       β–  

Archduchess  Maria  Beatrix  of  Modena. 

Victor,  Archduke  of  Austria,  1833;  β€”  Archduke  Francis  IV.  of 
Modena,  n,  d.;  β€”  Archduchess  Maria  Beatrix  of  Modena,  n.  d. 
{illustrated) ;  β€”  Archduke  Karl  Ambros,  son  of  Ferdinand  of 
Modena,  1809 ;  β€”  Foundation  of  the  Ossolinski  Library  at  Lemberg, 
1817;  β€”  Heinrich  Friedrich  Fiiger,  Viennese  painter,  1751-1818  ; 
dated  1819;  β€”  Prize  Medal  of  the  Styrian  Agricultural  Society; 
1829;  ^Inauguration  of  Presburg  Hospital,  1830 ;  β€”  School  Prize 
Medal,  with  bust  of  the  Emperor  Francis  L ;  β€”  Centenary  of  the  canon- 
ization of  Johannis  von  Nepomuk,  1829 ;  β€”  Alois  Joseph  Baron 
von  Schrenk  und  Notzing,  1838  (given  by  Fiala  to  Josef  Lang,  but 
should  probably  be  attributed  to  Franz  Lang);  β€”  Alexander  von 
Rudna,  Inauguration  of  a  new  Church  at  Gran,  1820;  β€”  Enthron- 


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i^ation  Medal  of  Aloys  Joseph,  Count  Kolownic-Krakowsky,  as 
Prince-Archbishop  of  Prague,  1831;  β€”  Enthronizacion  Medal  of 
Leopold  Maximilian,  Count  Firmian,  as  Prince-Archbishop  of 
Vienna,  1832;  β€”  School  Prize  Medal  of  Teschen,  1803;  β€” 
Baron  D'  A.  J.  von  Stifft,  Vienna,  1826;  β€”  Recovery  of  the 
Empi^ror  Francis  II.,  1826;  β€”  Third  Jubilee  of  the  Reformation 
in  Austria,  1817;  β–  β€”  The  Mineral  springs  of  Baden  in  Austria, 
1820;  ^Beethoven,  1827;  β€”  Niccolo  Paganhii,  rSaS;  β€” 
Rudolph,  Count  Wrbna,  1823  ;  β€”  D'^  Ernst  August  Kupfer,  1831 ; 
β€”  Leopold ina  Carolina,  Archduchess  of  Austria,  1817;  β€”  Joseph 
Max,  Count  Ossolinsid,  1817  ;  β€”  Leopoldina  Charlotte  Josephs, 
Archduchess  of  Austria,  1S17,  &c. 

Between  1815  and  1S35,  a  great  many  of  the  dies  ot  coins  struck 
at  the  Vienna  Mint  were  cut  by  Lang.  Matrices  and  puncheons  for 
Hungarian  Gulden  and  Twenty  Kreuizer  pieces,  1830,  bearing 
Lang's  signature  are  preserved  at  the  Vienna  Mint  Museum. 

On  his  medals,  Lang  signed  indifferently  J.  LANG  P.;  β€”  JOS. 
LANG  F.  i  β€”  LANG;  β€”  J.  L. ;  β€”  JOSEF  LANG  P. 

Bibliography.  β€”  Bolzenlhal,  ofi.  cit,  β€”  Domanig,  Portriiiniedailleii  &c.  β€” 
Fiala,  Beschrmbung  der  Sammlung  Bihmhcher  MM^en  tmd  MedailUn  des  Max  Done- 
hmier.  β€”  Kaialog  der  Miin^eN-awJ  Medaillrii'StempelSamiiilung  des  K.  K.  Haupi- 
munt^amits  in  Wien.  β€”   Ad.  Hess  Nachf.,  RHmmana  Catalogue. 

LANG,  J.  W.  (fierm.^.  A  Dundee  Penny  Token  of  1798,  executed 
by  Peter  Kempson,  and  representing  Viscount  Duncan  on  obv., 
Adam  and  Eve  in  the  garden  of  Eden  on  ^L.  has  in  exergue  of  ^L 
the  signature  :  J.  W.  L.  DBS  (J.  W,  LANG). 

LANG,  PAUL  (^Austr.).  Medallist  of  the  third  quarter  ot  the  nine- 
teenth century,  who  resided  at  Vienna.  There  is  a  medal  by  him 
of  Josef  Baron  von  Hammer-Purgstall,  the  Orientalist,  1774-1856, 
dated  1847  (?). 

LANG,  THOMAS  (Ausir.).  Medallist  01  the  second  half  of  the 
eighteenth  century.  Mint-engraver  at  Hall  in  Tyrol,  before  1800, 
and  father  of  Joseph  Nikolaus  Lang.  I  have  found  no  record  ol  any 
of  his  works. 

Bibliography.  β€”  Bobemlial  op.  cit. 

LANGA,  COUNT  JOHANN  VON  {Dulch.).  Contemporary  Sculptor  and 
Medallist  of  Hamburg,  bywhom  there  are  Port  rait- medals  ofPrince 
Bismarck (Portugaloser,  1895,  ^'^'^  Inauguration  of  his  Monument  at 
Friedrichsruh,  1903),  Isuspecl  him  to  be  the  same  person  who  held 
the  post  of  Mint-engraver  at  Calcutta,  from  1884  to  1886,  and  again 
from  1887  to  1889. 

LANGBEIN,  HANS  GEORG  (Germ.).  Mint-master  at  Mayence,  1691- 
1692.   His  initials  I.  G.  L.  occur  on  his  issues. 


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LANGE,  F.  DE  (Dulcb).  Contemporary  Die-sinker  of  Alkmnar.  In 
1872  he  engraved  a  commemorative  medal  ot  the  third  centenary 
of  Prince  Wilham  of  Orange,  1572-1872. 

LANGE,  GUGLIELMO  (French).  Sculptor  of  the  second  Iialf  of  the 
nineteenth  century,  born  at  Toulon,  14.  August  1839;  pupil  ot 
Jouffroy  and  Cordouan.  Chavignerie  et  Auvray  give  the  following 
Portrait-medallions  by  this  artist  :  1864,  Portrait  of  M.  C***  ;  β€” 
1865.  Portraitof  M.P.  F***;β€”  186S,  Portrait  of  M.  A.  G*",  &c. 

LANGE,  J.  (Germ.).  Mint-engraver  at  Moscow,  1718-1719,  accord- 
ing to  Schlickeysen-Fallmann,  His  productions  are  said  to  be 
signed  I.  L.  A  medal  of  Beethoven,  the  celebrated  musician,  is 
signed  J.  LANGE,  and  dated  1827. 

LANGE,  KARL.  Fiala  erroneously  gives  to  a  Medallist  of  that  name 
two  medals,  signed  C.  LANGE,  commemorating  the  Marriage  of  the 
Emperor  Francis  Joseph  I,  and  Princess  Elizabeth  of  Bavaria,  1854, 
and  Birth  of  the  Archduchess  Sophia,  1857,  Both  these  medals 
are  by  KONRAD  LANGE  (q.  v.). 

LANGE,  KONRAB  (Austr.).  Medallist  and  Mint-engraver  at  Vienna; 
died  in  1856.  From  1843  until  his  death  he  filled  the  post  of  Assist- 
ant-engraver at  the  Vienna  Mint,  and  was  employed  in  cutting  dies 
for  the  Austrian  coinage,  under  Joh.  Bapt.  Wiirth,  and  often  in 
coUaboratioti  with  Franz  Gaul,  Franz  Zeichner,  and  other  artists. 

As  a  Medallist,  his  work  deserves  praise  for  the  careful  modelling 
of  portraits  and  the  great  assurance  with  which  he  treated  his  subjects. 

Among  Lange's  productions  are  :  Inauguration  of  a  Monument 
to  Emperor  Francis  I.  on  the  Burgplatz,  1846  (signed : 
K,  LANGE)  ;  β€”  Jubilee  of  Archduke  Joseph,  Palatine  of  Hungary, 
1846;  β€”  Medals  for  Valour  in  the  field,  1848-1849;  β€”  Baron  Franz 
von  Jacquin,  naturalist,  1839  (signed  :  KONR.  LANGE);  β€”  Medal 
for  Civil  Merit,  1849; β€” Maximilian,  Baron  von  Lerchenfeld;  β€” 
Franz  Anton  Count  von  Kolowrat-Liebsteinsky,  1842;  β€”  Moritz 
Count  von  Dietrichstein-Proskau-Lesbic,  1846;  β–  β€”  Franz  Liszt, 
composer,  1846;  β€”  Anton  Baron  von  Prokesch-Osten,  1846;  β€” 
Jubilee  of  Patriarch  Johann  Ladislaw  Pyrker,  1847;  β€”  Rudolf, 
Count  Czernin  von  Chudenitz,  1847;  β€”  Archduke  Stephen, 
Palatine  of  Hungary,  1847;  β€”  Archduke  John,  Administrator  of 
the  Empire,  at  the  Frankfort  Diet,  1848;  β€”  Abdication  of  Empe- 
ror Ferdinand  I.,  1848;- β€” -  Josef  Baron  von  Jellachich,  1848;  β€” 
Ferdinand  I.,  1848;  β€”  J.  Wiirth,  Chief-engraver  at  the  Vienna 
Mint;  β€”  D' Franz  Wirer  von  Retteiibach,  1771-1844,  dated  1843; 
β€”  Count  Vincent  Piccolomini  of  Aragon,  1853;  β€”  Anniversary 
medal  of  Salomon  Meier,  Baron  Rothschild,  1844;  β€”  Franz  V.,  Duke 


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of  Modena,  1819-1875  ;  β€”  Fidelity  of  the  Army  to  the  Emperor 
Francis  Joseph  I.,  1859 ;  β€”  Marriage  of  the  Emperor  witli  Princess 
Elizabeth  of  Bavaria,  1854;  β€” β–   Birth  of  tlie  Archduchess  Sophie, 

1857  (signed  :  C.  LANGE);   β€”  Obv.  of  Four  Ducat  pieces,   1857, 

185 8  and  1859  (^byF.  Gaiil);  β€”  Viennese  "  Raths-and  Salvator- 
Pfennige  "  ;  β€”  Medal  for  valour  in  the  field,  executed  at  Olmiitz, 
1849;  β€”  10"'  Meeting  of  the  German  Society  of  Agriculture  and 
Sylviculture,  at  Gratz,  1846;  β€”  Accession  of  Francis  Joseph  I., 
1848;  ~  The  so-called  "  Fahnen-Medaille",  i848(:^byF.  Zeich- 
ner) ;  β€”  Victory  of  Novara,  23 .  March  1849  ;  β€” β–   Clemens  Wenzel 
Lothar,  Prince  Metternich,  1841  (signed  :  CONR.  LANGE)  ;  β€”  Arch- 
duke Joseph,  son  of  the  Emperor  Leopold  II. ,  1 776-1 847  (illustrated) ; 
β€”  Wilhelm  HaJdinger,    1856;   β€”   70"'  Anniversary   of  Salomon 


Archduke  Joseph  of  Austria,  by  K.  Lange. 

Mayer  von  Rothschild,  1844;  β€” Foundation  of  the  German  Fleet, 
1848 ;  β€”  Prince  Aug.  Long,  de  Lobkowitz  (1840);  β€”  Joseph  Frei- 
herr  Jellacic  von  Buzini;  β€”  Victory  of  Novara,  1854;  β€”  Building 
of  the  Arsenal  at  Vienna,  1855,  etc. 

In  1845,  Lange  was  entrusted  vi'ith  the  cutting  of  dies  for  a  new 
Greek  coinage  of  King  Otho.  Pattern  5  Drachma  pieces  of  that  date 
exist  (signed  K.  A.)  but  were  not  approved  of  by  the  Government, 
and  the  old  dies  engraved  by  Voigt  were  still  used  until  1847.  In 
a  later  attempt,  Lange  was  more  successful.  The  artist's  contribution 
to  this  series  consists  of  :  M.  40  Drachmai,  1852  (8  specimens 
known);  β€”  20  Drachmai,  1S52  (unique);  β€”  M^.  5  Drachmai,  185 1 ; 
β€”  I  Drachme,  185 1 ;  β€” \  Drachme,  185 1,  1855  ;  β€”  \  Drachme, 
1851,  1855 ;  β€”  ^.  10,  5,  2  and  I  Lepta,  185 1,  1857. 


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β€”  299  ~ 
Among  his  dies  for  the  Austrian  Coinage  are  :  4  Ducats,  N  1852 
(obv.);β€” 2  Ducats,  1852  ;  β€”  Dncats,  1852;  β€”  Double  Gulden, 
1S52  ;  β€” Gulden,  1852;  β€”  Sovrani  for  Lombardy-Venetia,  1S53  ; 
β€”  MezKi  Sovrani,  1853  ;  β€”  Double  Gulden,  1855 ;  β€”  Twenty- 
Gulden,  A[,  1855;  β€”Ten  Gulden,  M,  1855  ;  β€”  Five  Gulden,  N, 
1855;  β€”  4  Ducats,  J^,  1858. 

Bibliography.  β€”  Wur/bach,  Biog.  Lexikon.  β€”  Domanig,  Porti-almedailhn  des 
ET^hmses  Oesterreich,  1896.  β€”  Fiak,  Beschrdbutig,  &c.  β€”  Mittbeihmgtn  des  Klubs 
der  Miin^-und  MsdailUnfreunde  in  Wkn,  1892-1904.  β€”  Kaialog  der  Miin^eii-und 
MedaiUen-StempelSammlung  des  K.  K.  Hauptmun^amtes,  Wieo,  1901.  β€”  Informa- 
tion kindly  supplied  by  M.Jean  P.  Latnbros.  β€”  Joseph  &  Fellner,  Die  Mfiii^en  wm 
Frankfurt-am-Main,  1896. 

LANGE  (Germ.').  Contemporary  Die-sinker,  whose  signature  occurs 
in  conjunction  with  that  of  Duyffcke  on  a  commemorative  medal 
of  Hamburg,  with  view  of  Ritzebuttel  castle  on  ^,  1894. 

LANGEBEIN,  JOHANH  JAKOB  (Germ.).    Medallist  at  Munich,  circa 


LANGEHAC,  JEHAN  (French).  Mint-engraver'at  Riom  and  Clermont, 
1 569-1 5  87.  The  Mint  of  St,  Pourgain  was  transferred  to  Moulinsin 
1549,  from  Moulins  to  Riom  in  1552,  and  from  Riom  to  Clermont 
in  1592. 

BrBLiOGRAPiiV.  β€”  A.   Barrc,  Graveurs  gineraux  ei  partiouUeis  des  monnaies  de 


LANGEMAN,  HEINRICH  Fide  HENDRIK  LAGEMAK.  Nagler  calls  this 
artist  Langeman,  but  evidently  in  error. 

LANGER,  GUSTAV  (Ausir.).  Medallist  at  Vienna,  third  quarter  of 
the  nineteenth  century.  His  productions  appear  to  be  very  few  in 
number.  Among  these  I  have  only  seen  a  commemorative  medal  ot 
the  Emperor  Francis  Joseph  I.'s  on  the  Inauguration  of  a  Motiument 
to  Archduke  Karl,  22.  May  i860  (signed  G.  LANGER  FECIT). 

LANGHELHAYE  (Belg.).  Die-sinker  of  the  third  quarter  ot  the 
eighteenth  century.  Some  medals  and  medal-dies  by  him  are 
preserved  at  the  Brussels  Mint. 

LANGHERAERTSONE,  JACQUES(&/^.).Mint-master  at  Ghent,  1388. 

LANGLEY,  HELEN  (Brit.).  Contemporary  Sculptor  and  MedalUst. 
She  has  produced  some  excellent  Portrait-medallions,  Panels  in  silver 
repoussd  work,  etc. 


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One  of  her  silvered  Reliefs  is  reproduced  in  the  Studio,  XXIII, 
p.  1 68 ;  another  relief  in  clay  "  Jeune  M^re  "  was  exhibited  at  the 
Royal  Academy,  1904. 


affli 


Silvered  Relief,  by  Helen  Langley. 

LANGLOIS,  GASTON  LUCIEN  (French).  Contemporary  Sculptor, 
born  at  Paris.  At  the  Salon  of  1904  he  exhibited  the  following 
medallic  productions  :  Communion  (plaquette) ;  β€” β–   Guardian  Angel 
(plaquette);  β€” -The  Cradle  (M.  and  IE  medal). 

LANGLOIS,  GDILLAUME  {French).  Mint-engraver  at  Nantes,  drca 
1643-1653  and  later.  He  signed  G.Langlois. 

LANGLOIS,  PAUL  (Fremh).  Seal-engraver  at  Paris,  circa  1680-1688. 
He  is  mentioned  in  documents  of  that  lime  in  connection  with 
work  he  undertook  for  the  Medal  Mint, 


LANGMANN,  ULRICH  (GΒ«-m,).  Mint-warden  at  Nuremberg,  1434. 

LANGRES,  BARTHELEMI  DE  (French).    Barlholomeus   de  Lifigonis, 
:dso  surnamed  GRAVIER,  Mmt-engraver  at  Lyons,  1375-1383. 


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β€”  301  β€” 

LANGRES,  JEHAN  DE  (French).  Engraver  of  Jctons,  of  the  earjy 
part  of  the  fifteenth  century.  Blanchec  gives  his  date  as  1402-1405. 
He  was  Die-cutter  at  the  Paris  Mint,  having  been  appointed  on 
I.  March  1401  (1402).  He  died  in  1412. 

BiHLiOGRAPtiY.  ^  Rondot,  Les graveurs Je Lyon,  1897.  ^Rondot  &DeLaTour, 
op.  cit. 

LANJAC,  JEAN  (French').  Locksmith  of  Riom,  and  Mint-engraver 
there,  1568-1587. 

LANNE,  ETIENNE.  Vide  ETIENNE  DELAURE.  Bolzenthal  misspelt  this 
MedalUst's  name, 

LAKNO,  FRANgOIS  GASPARD  AIMfi  {French').  Sculptor,  born  at 
Rennes,  7.  January  1800;  pupil  of  Cartellier  and  Lemot;  second 
Grand  Prix  de  Rome,  1825;  first  Grand  Prix  in  1827  ;  medal  of 
the  second  class  in  1843 ;  Knight  of  the  Legion  of  lionour,  14.  No- 
vember 1855, 

Beside  numerous  works  of  sculpture,  Lanno  executed  also  various 
Portrait-medallions  in  clay  and  bronze  :  1867.  Portrait  of  M.  L"**; 
β€”  Montaigne  ;  -β€”  F^nelon,  &c. 

Bibliography.  β€”  Chavignerie  et  Auvtay,  op.  cit. 

LANNOY,  JACQUES  DE  (Germ.).  Mint-master  to  the  Princes  ot 
Hohenlohe  at  Laugenburg,  1622. 

LAHKElMA,  p.  (Dutch).  Die-sinker  of  Utrecht,  by  whom  there  are 
medals  with  portrait  of  D''  Franz  Cornelis  Douders,  9"'  Ophthalmic 
Congress,  1899  (Boston  Collection);  β€” Death  of  King  William  III., 
1889  ;  β€”First  year  of  Reign  of  the  Queen  Regent,  Emma,  1896  ;  β€” 
Q_ueen  Wilhelmina,  &c. 

LANSON,  ALFRED  HtslRt  (French).  Sculptor,  born  at  Orleans; 
pupil  of  Rouillard,  Jouffroy  and  A.  Millet;  studied  also  at  the 
Ecoledes  Beaux-Arts;  medal  of  the  third  class  in  1875 ;  prlxde  Rome 
in  1876;  medal  of  the  second  class  in  1879.  Among  the  many 
Portrait-medallions  he  modelled,  Chavignerie  et  Auvray  mention  : 
1870.  Portrait  of  M"^  R.  L***;  β€”  Portrait  of  M.  E*** ;  β€”  1872. 
Portrait  of  M"'^  L.  R***  (bronze  medallion);  β€”  1874.  Portrait  of 
M.  F.  D***  (bronze),  &c. 

LANSON,  ERNEST  (French).  Sculptor,  bom  at  Orleans,  12.  Novem- 
ber 1836.  He  modelled  a  number  of  Portrait-medallionSj  mostly  of 
friends  :  M"^  Marguerite  Lanson;  β€” Portrait  of  MM""  E***,  and 
M***;  β€”  Portrait  of  M.  S***,  1875  ;  β€”  Portrait  of  M.  RufEn, 
1880,  etc. 


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β€”   3'^2   β€” 

LANSON,  ERNESTINE  (French).  Sculptor,  born  at  Orleans ;  a  daugh- 
ter and  pupil  of  E.  Lanson.  She  is  the  author  of  Portrait-medallions 
of  herself,  M"=  Marguerite  Lanson,  and  others. 

Bibliography.  β€”  Chavignerie  et  Auvray,  Diciiomiaire  gen^-al  des  artistes  de 
I'ecok /ratifaisc,  1882. 

LANTASQUE,  MARTINET  {French).  The  last  Master  of  the  Mint  at 
Mirabel-aux-Baronnies,  in  conjunction  with  Claude  Lajonis,  1426. 

BiBLioGRAimv.  β€”  E.  Faivre,  Etai  acliiel  des  aldkrs  mouitaires  frangais,  Paris, 
.830. 

LANTΒ£ri,  fiDOUARD  (Brit.).  Contemporary  Sculptor,  a  native  of 
Burgundy,  now  a  naturalised  Englishman,  is  a  pupil  of  the  Ecole 
des  Beaux-Arts,ofCavelier,Aime  Millet  and  Guillaume.  He  became 
assistant  to  Sir  Edgar  Boehm,  when  he  was  but  twenty  years  old. 
He  succeeded  M,  Dalou  as  master  of  the  sculpture  classes  in  the 
National  Art  Training  School,  now  the  Royal  College  of  Art, 
South  Kensington. 

Prof.  Lant^ri  is  a  member  of  the  London  Society  of  Medallists, 
and  the  author  of  a  number  of  cast  Portrait-medallions  in  bronze. 
Among  these,  D'  F,  Parkes  Weber  mentions  in  his  book  on 
Nineteenth  century  English  medals  hy  foreign  Artist.'!  the  following  : 
Sir  J.  Edgar  Boehm,  Bart.,  R.  A.,  1891  (signed:  ED.  LANTΒ£ri);~ 
Sir  Squire  Bancroft,  actor,  1889;  β€”  B.  Bcrtrand,  fencing  master, 
1889;  --  Mrs.  Adelaide  M.  Moore,  1893;  β€”  George  Morton, 
painter,  1889;  β€”  Robert  Glassby,  sculptor,  1888;  β€” William 
Glassby,  artist,  1888;  β€”  Andreas  Grass,  sculptor,  1888;  β€” β–   Sir 
Augustus  Harris,  1890  (a  struck  medal,  with  1^  Winged  figure  of 
Victory  &c, ;  modelled  by  Prof.  Lant^ri  and  struck  by  Heming  & 
Co)  ;  β€”  The  French  Hospital  in  London,  1898  ;  β€”  Portrait~pla- 
quette  ofR.  Phen^  Spiers,  1905  ;  β€” Portrait-plaquetteof  Mrs  L.  W. 
Carnegie  and  daughter,  1905,  &c, 

"  Considered  as  a  sculptor  only",  says  Mr.  Spielmann,  "  Mr. 
Lanteri  is  a  man  of  exceptional  ability,  endowed  with  a  highly 
artistic  temperament,  and  scarcely  surpassed  in  this  country  or  out 
of  it  in  extreme  dexterity  in  the  use  of  the  clay.  This  cleverness  is 
absolutely  marvellous,  and  his  work  is  brilliant,  individual,  wonder- 
ful ...  As  a  sculptor  of  portraiture  his  power  is  seen  to  be  great ; 
he  is  full  of  vigour  and  animation  ...  Asa  teacher  he  has  no  superior, 
and  many  a  successful  sculptor  of  to-day  owes  much  to  his  untiring 
energy,  encouragement,  and  interest,  such  as  he  takes  in  all  who 
have  the  good  fortune  to  come  under  his  care.  "  (Spielmann, 
British  Sculpture  and  Sculptors  of  to-day,  pp.  127-128). 

M.  Lanteri's  latest  exhibits  at  the  Royal  Academy  are  restricted 
to  sculptural  work  :  1899.  Bronze  bust  of  J.  Sparkes,  Esq . ;  β€”  1900. 
Statuette  of  J.  A.  Grant,  Esq. ;  β€”  1901.  "Paysan",  head  in  bronze  ; 


,/Goo(^[c 


β€”  303  β€” 
β€”  1902.  Reverie,  bust  in  marble;  β€”  1903.  Sir  Walter  Sendall, 
G.  C.  M.  G.,  bust  in  marble;  β€”  Sir  William  Abney,  K.  C.  B., 
F.  R.  S.,  bust  in  bronze;  β€”  H.  M.  King  Edward  VII.,  bust  in 
bronze  (to  be  placed  in  the  French  Hospital,  London);  β–  β€”  Portrait 
of  a  gentleman,  bust  in  marble. 

Bibliography.  β€”  F.  Parkes  Webev,  Medah  and  Medalliom,  Eic.  β€”  Royal  Academy 


LANTING,  KLEIS  {Dutch.').  Silversmith,  and  Medallist  of  Amster- 
dam, born  in  1783,  died  in  1827.  "  He  was  a  clever  engraver", 
,says  Bolzenthal,  "  and  did  a  number  of  portraits  of  distinguished 

E arsons,  with  a  masterly  hand,  in  silver,  and  in  the  old  way  ". 
anting's  medals  are  often  uniface,  like  those  of  Pieter  van  Abeele; 
he  only  cared  tor  the  likeness  which  he  cut  in  the  steel  with  great 
freedom  and  technical  knowledge.  By  him  are  :  Portrait  of  Simon 
Stevin,  of  Bruges,  teacher  and  friend  of  Prince  Maurice  of  Orange 
(after  an  older  work)  ;  β€”  Johan  de  Witt  (68X91  mill.) ;  β€”  Cor- 
nells de  Witt  (72X93  mill.)  ;  β€”  Samuel  van  Hoogstraten  (74X100 
mil!.);  β€” D'Pieter Camper, of Leyden; β€” D' Hermann  Boediaeve, 
ofLeyden;  β€”  Rutger  Jan  Schimmelpenninck,  1806,  etc. 

Bolzenthal  eulogizes  in  highly  appreciative  terms  the  portrait-medal 
of  Simon  Stevin,  but  C"  de  Nahuys  speaks  of  it  as  "  une  copie  assez 
mal  venue". 

Bibliography.  β€”  Bolzenthal,  op.  cit.  β€”  CΒ«  Maurin  Nahuys,  La  niimismaliqiie 
d  I'expoiition  rilrospective  d'art  industrid  d  Bruxelles,  1888,  Revue  beige,  &c..  1880, 
p.  392.  ^  Catalogue  der  Niderlandsche  en  op  Nederlani  belrehking  hebhnde  Gedenk' 
pmmngen,  1903. 

LANTZHUTEL,  C.  (Germ.').  Mint-warden  at  Nuremberg,  1434. 

LANZ,  KASPAR  (Germ.).  Mint-master  at  Dillingen,  Bavaria,  1623. 

LANZ-GIROD,  R.  (Swiss).  Engraver  and  Designer  of  various 
medals,  such  as  those  commemorating  the  Rifle  Meeting  of  Western 
Switzerland  at  Bienne,  1893  (struck  by  Homberg)  and  the  Federal 
Meeting  "  Tir  au  flobert  "  at  Bienne,  1899  (struck  by  Furet). 

LAOUST,  ANDRfi  LOUIS  ADOLPHE  (French).  Contemporary  Sculp- 
tor, bornatDouai  on  the  i6"\  September  1843;  pupil  of  jouffroy. 
He  obtained  awards  in  1873  and  1874,  and  a  silver  medal  in  1887. 
By  him  are  numerous  Portrait-medallions  :  1869.  Portrait  ot 
M'KJ***;  β€”1870.  M.  L.  Potier;  β€”  1872.  M"^  M.  D***;β€”  1875. 
E.  Deverny,  painter;  β€”  1876.  Mβ„’=  Vienne; β€” 1879.  D'P***;  β€” 
1884.  M"' A.  C***;  β€”  1893.  Edouard  Martin ;  β€”  1901.  M.  ?***; 
β€”  1904.  M.  S***.  AU  these  are  cast  in  bronze. 

BiBLiOtiRAPHV.  β€”  Chavignerie  et  Auvray,  op.  dt. 


,  Google 


LAPAIX,  JEAN  I  (French).  Engraver  of  JeCons  at  Nancy,  chx,  1698- 
1714. 

LAPAIX,  JEAN  II  (French').  Engraver  of  Jetons,  born  in  1722,  died 
21,  September  1773. 

LAPAIX,  THOMAS  (French).  Engraver  of  Jetons,  also  at  Nancy, 
born  in  1704,  died  11.  July  1773. 

LAPI,  A.  E.  (ItaL).  Sculptor  and  Medallist  of  the  first  balf  of  the 
nineteentb  century.  His  signature  occurs  on  a  Porrrait-medailion  of 
the  actor  Paul  Belli-Blanes,  fi823. 

LAPI,  JEAN  (ItaL).  Sculptor  and  Medallist  of  the  eighteenth 
century.  By  him  are  various  Portrait-medallions,  of  which  1  have 
seen  one  of  Emmanuel  de  Richecourd,  cast  in  bronze. 

LAPIE,  ROBERT  (French).  Money-changer  at  Paris,  1322-1323. 
In  conjunction  with  Jean  Poillevilain  he  issued  a  jeton,  described 
in  Revue  numisnialiqiie,  Paris,  1884,  p.  365. 

LAPORTE,  £MILE(Fr£«c/i).  Contemporary  Sculptor,  born  at  Paris; 
pupil  of  Thomas,  tie  obtained  in  1885  a  medal  of  the  third  class, 
m  1S86  a  Bourse  de  voyage,in  1887  a  bronze  medal,and  in  1897  a 
medal  of  the  second  class.  At  the  Universal  Exhibition  ot  1900, 
this  artist  exhibited  a  frame  containing  six  medals  depicting  various 
subjects,  and  at  the  Salon  of  1905  a  Portrait-medallion  in  bronze 

of  Mint  Qubois, 

LAPORTE,  GEORGES  (French).  Contemporary  Sculptor,  by  whom 
a  Portrait-medallion  of  G.  Dubois  in  bronze  was  exhibited  at  the 
Salon  of  1883. 

LAPORTE,  GUILLAUME  DE  LA  (French).  Mint-master  and  Engraver 
at  Toulouse,  circ.   1354-1359. 

LAPORTE,  lΒ£0  BLAIRSY  (French).  Contemporary  Sculptor,  born 
at  Toulouse;  pupil  of  Mercie  and  Palguiere.  At  the  Salon  of  1890 
he  exhibited  four  bronze  Portrait-medallions  ;  1891.  M.  Meyer ;  β€” 
M.  Raynaud,  &c. 

LAQUIS,  DOMINIQUE  (French).  Sculptor  of  the  nineteenth  century, 
born  at  Guebviller,  3o.  April  1816.  He  modelled  Portrait-medallions, 
some  of  which  were  exhibited  at  the  annual  Paris  Salons  in  the 
fifties  and  sixties  of  last  century. 

LARCHIER,  PIERRE  (French).  Mint-master  at  Angers,  before  April 
1353- 


,stsd  by  Google 


β€”  ?05  - 

LARBY,  FRANgOIS  GUILLAUME  (Swiss).  Setil-cngravei-,  Painter  on 
enamel,  and  Copper-plate-engraver,  bom  at  Auvertiier  (Neuchatel) 
in  1749.  He  studied  at  Geneva. 

By  him  are  some  Portrait-medallions ;  among  these,  one  of  tlie 
Abb6  de  Condillac,  1780. 

Bibliography.  β€”  A.  Baclielin,  F.G.  Lardy,  Musee  ntucliatclois,  1876,  24. 

LARMlfi,  PIERRE  PHILIBERT  (French).  Sculptor,  born  at  Dijon  in 
1752,  died  there  on  the  7'''  of  August  1807.  He  was  a  pupil  ot 
Couston,  and  Professor  of  sculpture  at  the  Dijon  Art  Schools.  By 
him  are  Portrait-medallions  in  terracotta,  in  the  style  of  Nini, 
one  of  which  represents  Louis  XVI.,  1793. 

LAROCHE  (French).  An  eighteenth  century  Die-sinker  of  Grenoble, 
who  is  said  to  have  imitated  a  great  number  of  the  rare  coins  in 
the  cabinet  of  Pellerin. 

Bibliography.  β€” Blanchet,  Nuniisnuitiqne  dii  nioyen  dgeel  moderm,U,'p.  364. β€” 
Numismatic  Chronicle,  Vi,  p.  54.  β€”  Durand  MS.  Cntalogue. 

LAROfi.JEAHDE  (French).  Mint-engraver  at  Valenciennes,  c'lrc. 
1445-1448. 

LAROQUE,  ANATOLE  (French).  Contemporary  Sculptor  of  the 
second  half  of  the  nineteenth  century,  born  at  Paris ;  pupil  ot 
Jouffroy  :ind  Thomas.  He  designed  various  medals;  ancf  is  the 
author  oi  Portrait-medallions  in  clay  and  bronze. 

BiHLJOGRAPHY.   β€”  Chavignfirie  et  Auvray,  op.  cit. 

LA  ROTIErE,  JEAW  DE  (French).  Goldsmith  of  Troyes,  and  Mint- 
engraver  at  Lyons,  appointed  in  1426;  he  died  between  1429  and 
1434. 

LA  ROTIfiRE,  PIERRE  DE  (French).  Mint-engraver  at  Troyes,  circ. 
1379-1406.  In  1380-81  he  executed  a  silver  statue  of  St.  Stephen 
for  rlie  tomb  of  Count  Henry,  and  a  silver  head  of  a  Queen  for  the 
mausoleum  ot  Count  Thibaut.  He  was  the  father  of  Jean  de  la 
Rotiere. 

BiBLioGRAPHY.  β€”  N.  Rondot  &  H.  de  La  Tour,  op.  cic. 

LARREGIETI,  TULBERT  PIERRE  (French).  Contemporary  Sculptor, 
born  at  Bordeaux;  pupil  of  Maggesi  and  A.  Dumont.  His  Portrait- 
medallions  in  wax,  clay  and  bronze  have  met  with  considerable 
success. 


-  BicgraphM  Noirrtj  of  M 


atdb,  Google 


β€”  ^o6  β€” - 

LARROY,  BERTRANDDE  (Frmc/j).  Mint-mnstcr  at  B.iyonne,  1490- 
14913;  distinctive  mark,  two  pellets  between  tlie  anchor  ^ind  fleur- 
de-lis. 

LARSSEN,  JENS  (Dan.').  Medallist  of  thethird  quarter  of  the  seven- 
teenth century.  His  date  is  given  by  Schlickey  sen- Pall  man  as  1650- 
1660. 

LART,  PlfiRABT  DTJ  (French).  Engraver  of  the  fifteenth  century, 
by  whom  is  a  Jeton  with  the  legend  :  +  PIERART  :  DV .  LART  : 
MA  :  FEHT. 

LARUE,  BERNARD  DE  {French).  Mint-engraver  at  Bayonne,  1552 
to  13.  November  1560. 

LARUE,  JEAN  DENIS  (^French).  Sculptor  of  the  second  and  third 
quarters  of  the  nineteenth  century ;  pupil  of  Klagmaii.  He  executed 
several  Portrait-medallions  in  clay  and  bronze,  which  are  of  some 

merit. 

LARUE,  PIERRE  DE  (^French).  Mint-engraver  at  Bayonne, 
1533-1536,  then  at  Bordeaux,  1536-1550.  He  signed  pierre  de 
la  rue. 

LASANTZ,  or  LASANZ,  also  LASANNZ  VON  FRIEDENEGG,  HANS 
(Austr.).  Mint-master  at  Gratz,  1 577-1 579  and  1586-1590 ; 
then  at  Prague,  1600-1609.  Distinctive  mark,  three  stars  in 
shield. 

It  does  not  appear  very  clear  from  documents  whether  the  Hans 
Lasanz,  Mint-master  at  Gratz,  who  left  that  place  with  a  debt  of 
12000  fl.  is  the  same  as  Hans  Lasanz  von  Friedenegg,  Mint-master 
at  Prague,  apparently  between  1600  and  1609,  and  who  provision- 
ally filled  the  same  office  at  Vienna,  in  1605;  but  there  is  little 
doubt  that  it  is  so. 

Bibliography.  β€”  Fiala,  op.  cil.  β€”  C.  Oesterreiclicr,  he.  dt.,  Miiih.  des  Klubs 
&c.,  1890,  pp.  15,  29,  61. 

LASSAGNE  (French).  This  Medallist's  signature  occurs  on  a  Portrait- 
medal  of  D'  F.  A.  Mesmer  (2  var.,  one  of  which  is  in  the  Boston 
Collection). 

LASSAUX,  JEAN  MARIE  PHILEAS  (French).  Contemporary  Sculp- 
tor, born  at  Ecordal  (Ardennes);  pupil  of  Lebceuf.  Among  the 
Portrait-medallions  modelled  by  this  artist  are  :  1872.  L.  G. 
Lef^vre   (terracotta) ;    β€”    1873-    H .    Petit    (bronze) ;    β€”    1875- 


./Google 


β€”  307  β€” 
M"'     C.     Perraudau     (day);     β€”     1876.     George    Washington 
(bronze),  &c. 

IJiBuoGRftPHY.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LASSEN  &  C"  (Belg.).  Die-sinkers  and  Manufacturers  of  buttons, 
establislied  at  Brussels,  about  1850,  In  i8i|6  they  sought  authori- 
zation to  strike  10.000  kilogrammes  of  i  and  2  centime  pieces  for 
the  Republic  of  Haiti,  but  the  order  was  finally  given  to  Dumoulin- 
Paqucs,  ofLiege. 

LASSERRE,  FIRMIN  PIERRE  (FreHi:/>).  Sculptorand  Medallist,  born 
at  Barrante  (Basses-Pyrenets);  pupil  of  A.  Millet  and  Albert 
Br^aut^. 

At  the  Salon  of  1S98,  he  exhibited  :  Medal  of  Marie  Antoinette; 

β€”  A  Seal  (St.  Anthony  of  Padua);  β€”  1899-  Communion  of 
St.  John;  β€”  Virgin;  β€”  Enfant  du  lys;  β€”  Source  ;  β€”  Genius;  β€” 
1901.  A  frame  containing  20  plaquettes  and  medals,  among  which 
the  following  :  Cbapelle ;  β€”  Aiglon ;  β€”  Marguerite ;  β€”  La  Perle ; 

β€”  Charmeuse;  β€”  Marriage  Souvenir  plaquette;  β–  β€” β–   Virgo  puris- 
sima;  β€”  Patria,  etc.  In  1902,  11  medals  and  plaquettes,  also  5 
large  Portrait-medallions.  In  1903,  11  medals  and  plaquettes,  com- 
prizing :  Birth  of  Venus;  β€” Neptune  and  Amphitrite;  β€”  Portrait  ot 
M.  Rigla;  β€” "Christening"' Souvenir  Medal; β€” ^Harmonie;^ β€” Head 
of  Christ;  β€” β–   Virgo  purissima  (sev.  var.);  β€”  Ecce  Panis;  β€”  Salon 
of  1904.  Frame  containing  twelve  medals  and  plaquettes,  represent- 
ing religious  and  mythological  subjects,  perhaps  somewhat  over- 
done; β€”  Salon  of  1905.  Confirmation;  β€”  Communion; β€”  Vision 
of  St.  Anthony ;  β€”  St.  Christopher ;  β€”  Drunkenness  of  Pan  ;  β€” 
Rustic  scenery;  β€”  Portrait  of  M,  Rigla;  β€”  Portrait  of  a  gentle- 
man ;  β€”  Marriage  Piaquette,  Sec. 

BiBLiooRAPHV.  β€”  Catalogues  of  the  Annual  Pui-is  Salons,  1904,  &c. 

LASSUS,  NICOLAS  DE  {French).  Goldsmith,  Medallist  and  Mint- 
engraver  at  Nancy,  circa  1569-1574.  He  worked  for  Charles  III,, 
Duke  of  Lorraine.  Lepage  quotes  various  documents  recording 
payments  made  to  him  tor  work  done  in  connection  with  the  Mint, 
Coins  and  medals  of  Charles  111.  exist  by  him,  and  he  may  be  also 
the  author  of  a  medal  with  his  own  portrait,  and  the  legend  : 
N.DE.LASSVS.AETATlS.26.rS70  (diam.  65  mill.). 

Bibliography.  β€”  Lepage,  Notes  el  Documents  snr  les  Gi-aveurs  de  Monnaies  et 
MMailles  et  lafabrkation  dcsmonnaies  des  dues de Lorraine,  Nancy,  1875.  β€”  Maze- 
rolle,  isi  MMaiUeiirs  franfais,  Paris,  1902.  β€”  Roiidot  &  de  La  Tour,  Graveiirs  et 
Me'dailhurs&c,  1904. 

LA  TALANI.  Fide  TERESA  TALANI  (Ilal).  A  clever  Neapolitan 
Gem-engraver  of  the  end  of  the  eighteenth  century  and  beginning 


,stsd  by  Google 


β€”  3o8  β€” 

of  the  nineteenth.  Her  signature,  LA  TALANI  occurred  on  a  Head 
of  Plato,  exceedingly  well  engraved  upon  a  fine  onyx  of  two  strata, 
in  the  Morrison  Collection  (Sale  Catalogue,  1898,  lot  237  A); 
also  on  a  cameo  in  agate  with  busts  of  Napoleon  and  Josephine, 
in  the  Kibahchlch  Collection  (Paris,  1905)- 


Portrait-cameo  of  Napoleon  I.  cmd  Josepliine. 

LATHEM,  LIEVIN  VAN  (Belg.').  Goldsmith  and  Seal-engraver,  men 
tioned  from  drc.  1493,  and  who  died  in  151 5,  at  Antwerp,  where 
he  resided.  By  him  are  Seals  of  the  Archduke  Philip  the  Fair;  β€” 
Gerard  Numan ;  β€” -  Archduchess  Margaret  of  Anstria,  sister  of 
Philip ;  β€”  Seals  for  the  Chancery  of  Brabant  (executed  in  conjunc- 
tion with  Jati  Van  Nymmegen)  ;  β€”  Seal  of  Philip  the  Fair  tor  the 
Netherlands,  after  Philip's  inheritance  of  the  crown  of  Castile, 
on  the  death  of  Isabella,  1504;  β€”  Seals  with  arms  of  the 
Emperor  Maximilian  and  of  his  grandson,  the  Archduke  Charles, 
1509,  &c. 

BiBLiOGKAPHY.  β€”  A.  Pincliatt,  Biographies  des  GravciiTS  beiges.  Revue  de  la 
num.  beige,  1855,  p.  J69.  β€”  Biographic  Nalionakde  Belgi^tie,  424. 

LATIMER,  WILLIAM  LORD  (Brit.).  Mint-engraver  in  London, 
tinder  Edward  IIL,  and  Richard  II.  (13  29-1381).  We  read  in  Ruding : 
"  After  the  death  of  LordBoutetourt,  in  the  18''' year  of  Edwardll., 
Maud  his  widow  sold  this  office  to  William  Lord  Lathner,  for  him- 
self and  his  heirs,  in  the  3rd.  year  of  Edward  IIL  As  he  made  that 
purchase  without  the  king's  license  having  been  first  obtained,  he 
was  obliged  to  sue  out  his  pardon ;  which  was  allowed ;  and  the  king 
further  granted  for  himself  and  his  heirs,  as  far  as  he  had  power, 
that  the  said  William  should  have  and  hold,  for  himself  and  his 
heirs  for  ever,  the  said  office  of  the  king  and  his  heirs,  by  the  ser- 
vice due  and  accustomed,  without  any  impediment,  &c." 


.isdo/ Google 


β€”  309  β€” 
"  After  this  he  seems  to  have  enjoyed  his  office  quietly  until 
about  the  27"'  year  of  Edward  III.,  when  he  presented  a  petition  to 
the  king  in  parliament,  stating  that  the  office  of  engraver  and 
maker  of  the  king's  dies  in  the  Tower  of  London  and  city  of 
Canterbury  belonged  to  him  and  his  heirs,  as  plainly  appeared  by 
divers  evidences ;  that  of  late  he  had  been  disturbed  by  the  king's 


Noble  of  Edward  III. 

servants  in  having  and  using  the  said  office,  touching  the  coins  of 
noble,  half  and  farthing  noble,  and  the  groat ;  because  the  said 
coins  were  then  but  newly  commenced.  He  therefore  prayed  that 
the  king  would  please  to  command  full  inquiry  to  be  made, 
in  that  parliament,  touching  the  same,  and  do  right  and  reason 
to  him,   on    the   consideration  that   he    had    possession    of   the 


Early  Noble  of  Edward  III., 


of  Iji. 


said  office  before  such  coins  were  made-  In  consequence  of  this 
petition  he  was  commanded  to  produce  his  charters  and  other 
evidences, 

"The  further  proceedings  do  not  appear;  but  it  should  seem 
that  the  determination  was  favourable  to  the  petitioner,  as  the 
office  was  confirmed  to  him,  about  twenty  years  afterwards,  without 
any  exception  of  the  coins  above-mentioned. 


,stsd  by  Google 


β€”  310  β€” 

"  He  held  this  office  until  his  desth,  in  the  4"'  year  of 
Richard  n.  " 

According  to  the  above-quoted  documents,  Latimer  is  responsible 
for  the  dies  of  the  first  and  subsequent  coinages  of  Nobles,  and 
Groats,  &c.  of  Edward  III.,  and  it  is  interesting  to  note  that  on  the 
first  issue  of  Nobles  and  (Quarter  Nobles  (no  Half  Nobles  having 
yet  been  found  of  that  issue),  an  L  occurs  in  centre  of  ^L.  This  L 
is  said  to  represent  the  name  of  the  Mint  (London).  But  after 
1346,  the  L  was  altered  Into  an  €,  for  the  King's  initial.  It  has  been 


Seal  of  the  Corpor 


11  of  Moneyers,  iaiip  Edward  III. 


suggested  {Fide  S.  M.  Spink,  The  Use  of  the  Initial  Letter  L  upon 
some  of  the  Gold  Coins  of  Edward  HI.,  Num.  Circ,  XV,7562),  that 
the  alteration  might  have  been  made  in  consequence  ot  possible 
complaints  "  by  the  king's  servants"  against  Latimer  for  having 
placed  on  the  coins  the  letter  L  which  would  stand  for  his  own  ini- 
tial as  well  as  for  that  of  the  London  Mint. 

The  coins  issued  under  Latimer's  tenure  of  the  office  of  Die-cutter 
are  the  following  :  EDWARD  III.  N.  /"  Coinage.  Florins,  Half 
Florins  and  Quarter  Florins.  2"'^  Coinage,  1344.  Nobles  and  Quarter 
Nobles  (L  in  ceiitre  of  1^).  Third  Coinage,  1346.  Nobles,  Half  and 
Quarter  Nobles  (S  in  centre  of  ^.).  4""  Coinage.  1351-1360. 
Nobles,  Half  and  Quarter  Nobles  (several  varieties,  with  Title  of 


,stsd  by  Google 


β€”  3"  β€” 
King  of  England  and  France),  1360-1369.  Nobles,  Halt  ^nd 
Q.uarter  Nobles  (sev,  var..  Title  of  King  of  France  omitted,  that 
of  Duke  of  Aquitaine  generally  used  on  the  Nobles  and  Half 
Nobles).  1369-1377.  Nobles,  Half  and  Quarter  Nobles  (sev.  var.. 
Titles  of  King  of  France  and  Duke  of  Aquitaine  both  used  on 
Nobles;  flag  at  stern  of  ship  on  Half  Nobles).  β€”  M..  Groats,  Half 
Groats,  Pennies,  Halfpennies  and  Farthings.  The  Gro.lts  belong  to 
three  distinct  coinages,  1351-1360,  1560-1369,  and  1369-1377, 
varying  in  the  King's  titles,  as  the  gold  coins.  The  Flalf 
Groats  and  subsidiary  silver  coins  do  not  follow  the  Groats  in 
many  particulars.  β€”  RICHARD  11.  A^.  Nobles,  Half  Nobles 
and  Quarter  Nobles  (varieties  with  obv,  or  ^.  from  die  ot 
Edward  III).  β€”  jR.  Groats,  Half  Groats,  Pennies,  Halfpennies  and 
Farthings. 

An  interesting  Seal,  reproduced  here,  of  the  Corporation  of 
Moneyers,  temp.  Edward  III.,  may  have  been  engraved  by,  or  by 
order  of,  Lord  Latimer.  Beneath  the  figure  of  Moneta  (or  Justice) 
is  a  full-faced  head  of  Edward  III.  between  two  roses  in  a  quatre- 
foil  compartment,  as  on  the  Pattern  Groats  of  that  ruler. 

Bibliography.  β€”  Ruding,  Annah  of  ths  Coinage  of  Greal  Britain  and  Ireland, 
London,  1840.  β€”  Kenyon,  The  Gold  Coins  oj  England,  London,  1884.  β€”  Haw- 
kins, The  Silver  Coins  of  England,  hoaAon,  1887. 

LATOUR,  LOUIS  {French').  Contemporary  Sculptor,  by  whom  are 
various  Portrait-medallions,  which  were  exhibited  at  the  Paris 
Salon  since  1883. 

LATRILHE,  PIERRE  {French).  Mint-master  at  Bayonne,  1829- 
1835.  Distinctive  mark  :  arose, 

LATRT,  ANNA  {French).  Contemporary  Painter  and  Sculptor,  born 
at  Paris;  pupil  of  M'^'=  Girardin  and  Mβ„’'  D.  de  Cool.  By  this  artist 
are  Portrait-medallions  of  Mβ„’=  Blanche  Pierson,  the  actress;  β€” 
M"'  E.  Breton;  β€” M"=  P.P.  Edwards,  and  others. 

LATTFERSACK,  F.  {Germ.).  Mint-master  at  Rostock,  1796-1802, 
In  1796  he  issued  a  thousand  Ducats,  for  which  the  dies  were  sup- 
plied by  the  Mint-master  ot  Liibeck.  The  coins  bear  the  initials 
F,  L.  or  F.  L. 

LATJBENHEIMER,  R.  {Ainer.).  Contemporary  Medallist,  residing 
at  New  York.  He  is  the  author  of  various  Masonic  and  other  medals, 
among  which  I  have  noted  :  Masonic  Red  Cress  Degree,  with  bus: 
ofWashington,  1875;  β€”  Howard  Benevolent  Association  (yellow- 
fever),  Savannah,  1876 

Bibliography.  β€”  Marvin,  Masonic  Medals,  1880.  β€”  D'  Starer's  M  S. 


,stsd  by  Google 


β€”    312    β€” 

LAUCH,  BALTHASAR  {Gam.').  Goldsmith  and  M(;dallistoΒ£ Leipj^ig, 
second  half  of  the  seveenteenth  century.  His  dated  medals,  mostly 
cast  oval  medallions  of  good  workmanship,  were  produced  between 
1669  and  1683.  Among  these  are  the  following  :  "  Gnadenpfennige  " 
of  John  George  II.,  1669  (signed  B.  L.  on  ^. ;  three  varieties,  one 
illustrated') ;  β€”  Ernest  the  Pious  of  Gotha  and  his  consort  Elizabeth 


Badge  of  John  George  II.,  Duke  of  Safon^ 

Sophia  of  Altenburg  (unsigned,  but  attributed  to  Lanch  b^  D'"Merz- 
bacher)  ;  β€”  Jacob  Boehme,  the  sophist  and  mystK,  i>75  (there  is 
a  modern  reproduction  of  this  medal,  or  it  may  be  altogether  a 
concoction). 

Bibliography.  β€”  Erbstein,  Erdrterungm,  Sec. β€”  Dr  Merzbacher,  Kumt-MedaiUen- 
Katalog,  1900.  β€”  Mim^-iind  Medailknjreund,  p.  4.  ~-  Frankfurter  Mun^ldtter, 


LAUCH,  HAMS  (GmK.)-  Minr- 
ind  1633-1637.  His  issues  are  s 


laster  at  Quedlinburg,  1620-1624 
id  to  be  signed  H.  L.  or  IL, 


LAUER,  ERKST  LUDWIG  SIGMUKD  (Germ.).  A  Nuremberg  Die- 
sinker  and  Manufacturer  of  counters,  1791 β€” circ.  1797  (according 
to  KuU,  Repertorium  &c.  II,  p.  710).  He  was  bom  in  1762  and  died 
in  185^.  At  Nuremberg  he  was  known  as  "Flinderleinsschlager", 
or  maker  of  tinsel  ornaments,  pendants,  jetons  &c. 

LADER,  HANS  CHRISTOPH  {Germ.).  Mint-master  at  Nuremberg, 
1623-1639  (Kull,  II,  710).  Lauer  was  a  Goldsmith  by  profession, 
and  according  to  Gebert,  he  applied  for  the  post  of  Master  of  the 
Mint  in  October  1618,  and  already  in  the  same  year,  on  the 
9.  December,  he  was  entrusted  with  the  issue  of  150  Goldgulden 


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β€”  313  β€” 
for  Wiirzbiirg,  whicli  bear  his  distinctive  m;irk,  a  star.  In  1619, 
Lauer  restruck  a  large  number  of  foreign  gold  coins  into  Nuremberg 
Goldgulden;  again  in  1620,  and  1621,  lie  was  ordered  to  coin  a 
large  quantity  of  gold  and  silver  currency.  He  died  in  September  or 
October  1639  and  was  succeeded  by  his  son,  Johann  or  Hans  David 
Lauer.  His  distinctive  mark  on  the  coins  is  a  star. 

Bibliography.  β€”  C.  F.  Gebert-Nflniberg,  Gesehkhte  der  MiinsitMe  Her  Rekh- 
stadt  Nuniberg^,  1891.  β€” Ammon,  op.  cit, 

LAUER,  HANS  DAVID  (Germ.).  Mint-master  at  Nuremberg,  1639- 
1646.  He  left  for  Poland  in  1647.  Kull  gives  the  date  of  his  activity 
at  Nuremberg  as  1639-1650,  evidently  in  error. 

LAUER,  JOHAKN  FRANZ  (Germ.).  Mining-and  Mint-administrator 
to  the  Kingdom  of  Bohemia,  1721-1733. 

LAUER,  JOHANN  JAKOB  (Germ.).  Die-sinker  and  Manufacturer  of 
counters  at  Nuremberg,  born  in  17S8,  died  in  1863.  He  was  a  son 
of  iirnst  Ludwig  Sigmund  Lauer,  and  under  him  the  business, 
which  his  father  had  allowed  to  drift,  gradually  advanced  and 
regained  its  former  reputation. 

LAUER,  LUDWIG  CHKISTOPH  (Germ.).  Die-sinking  establishment, 
founded  in  1729,  and  reconstructed  in  i860  under  the  style  of 
"  Muiix^-Priige  install  L.  Chr.  Lauer  ",  Kleinweidenmiihle  No.  12, 
Nuremberg. 

Begun  in  modest  circumstances,  the  Lauer  business  was  first 
developed  by  Johann  Jakob  Lauer,  1788-1863,  son  of  Ernst-Ludwig 
Sigmund  Lauer,  but  the  real  genius,  who  gave  the  establishment  its 
present  importance,  was  Ludwig  Christoph  Lauer.  The  vast 
improvements,  both  mechanical  and  artistic,  which  he  introduced, 
since  1848,  when  he  succeeded  his  father,  Johann  Jakob  Lauer,  until 
his  death,  in  1873,  speak  for  the  uncommon  productive  faculties 
and  rare  commercial  abilities  of  this  great  worker.  He  knew,  too, 
how  to  foster  the  ever-growing  interest  of  the  masses  for  medals, 
and  he  successfully  attained  the  purpose  of  his  life,  in  conquering 
the  feeling  of  prejudice  which  existed  against  all  the  applied  arts 
in  general.  He  raised  the  standard  of  medallic  art  in  Germany,  and 
although  his  productions  cannot  be  said  to  rank  very  high  in  artistic 
excellence,  he  paved  the  way  in  Germany  for  the  modern  school 
which,  borrowing  on  the  one  hand  from  the  style  of  work  of  French 
medallists,  and  on  the  other  from  that  of  the  Austrian  masters,  is 
gradually  making  its  influence  felt,  and  may  even  yet  revive  the 
glorious  traditions  of  the  celebrated  Nuremberg  artists  of  the  early 
sixteenth  century. 


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β€”  314  β€” 
L.  Chr.  Liiuer  started  business  in  1848  in  the  Waizenstrasse, 
n"  1468  as  Medallist  and  Counter-manufacturer.  In  1854  he  intro- 
duced one  of  Uhlliorn's  Coining-presses,  thus  doing  away  with 
handiwork.  Four  years  later  he  moved  into  the  present  premises  in 
the  Klein weidenmu hie,  where  water  power  could  be  used  for  the 
working  of  the  recently  acquired  presses,  balanciers  and  other 
machinery. 

In  1873,  L.  Chr.  Lauer  died,  leaving  his  wife  BETTY  LAUKR  and 
three  sons  to  carry  on  the  works,  which  still  gained  in  importance 
and  extension.  Steam  power  was  added  in  i88r,  and  in  1884/85 
new  buildings  with  every  accommodation  were  erected  to  cope 
with  the  ever  increasing  trade.  In  March  1888,  the  three  brothers 
JOHANN  LAUER,  commercial  manager,  LDDWIG  LAUER,  technical 
manager,  and  the  medallist  WOLFGANG  LAUER  took  the  entire 
direction  of  affairs,  aided  by  a  competent  staffof  modellers,  die-sink- 
ers, silversmiths,  and  about  one  hundred  workmen,  enabling  them 
to  undertake  every  kind  of  medalllc  and  decorative  work  in  metal. 

Among  the  best  known  earlier  productions  by  the  Lauers,  I  may 
mention  the  following  rJetonofLouis  XVI.,  1790; β€” Another  of  1 791 
(sev,  var.); β€” Death  of  Louts  XVI.,  1793;  β€” -Peace  of  CampoFormio 
1797  ;  β€” Coronation  of  Napoleon  I.,  1804  (7  var.)  ;  β€” Napoleon  I. 
inaugurates  the  Golden  Age,  1804;  β€” Peace  of  Presburg,  1805  ;  β€” 
Inauguration  of  the  Railway  from  Nuremberg  to  Bamberg,  1844;  β€” 
Foundation  ofthe  Masonic  Lodge  at  Nuremberg,  185 1 ;  β€”  Archduke 
John  of  Austria,  Administrator  of  the  Empire,  1848;  β€”  Adam  von 
Itzstein  ;  β€”  Deutschland  iiber  AUes ;  β€”  Termination  of  the  Franco- 
German  War,  1871 ;  β€” -Destruction  by  Fire  of  the  St.  Lorenz  Church  at 
Nuremberg,  1865;  β€”  Battle  of  Worth,  1870; β€”  Victory  Day,  1871; 
β€” β– 4"' Centenary  of  AlbrechtDurer,  1871;  β€”  Death  of  Pope  Pius  IX., 
1878  ;  ^Accession  of  Leo  XIII.,  1878  ;β–  β€” Rifle  Meeting  at  Frankfort- 
on-M.,  1862;  β€”  Birth  of  Alexander  von  Dachenhausen,  1848;  β€” 
Baroness  Frederica  von  Dachenhausen,  1864 ;  β€”  Henry  William 
Edward  von  Dachenhausen,  1853  ;  β€”  Alfred  von  Dachenhausen, 
iSj8  ;  β€”  Goethe  and  Schiller  Memorial  at  Weimar,  1857;  β€” Inau- 
guration ofthe  Railway  from  Nuremberg  to  FCrth,  i860;  &c. 

It  would  be  almost  impossible  to  give  a  complete  list  of  Lauer's  pro- 
ductions, and  I  shall  content  myself  with  enumerating  some  ofthe 
more  important  ones  issued  during  the  last  25  years;  β€”  1882, 
German  Imperial  military  manceuvres  in  Silesia ;  β€”  1883 .  Death  of 
Richard  Wagner  (sev.  var.);  β€” 4'''  Centenary  of  Martin  Luther  (sev, 
var.); β€” -Silver  Wedding  of  Crown  Prince  Frederick  and  Princess 
Royal  Victoria ;  β€”  D'  Kopp ;  β€”  Third  Centenary  of  the  Reliei 
ot  ViennabySobieskiin.,  King  of  Poland  ;^Sobieski  III.  of  Poland; 
β€”  Death  of  D'  Mack;  β€”  D'  Jordan  of  Frankfort-on-M. ;  β€”  D'  von 
Schuch  ;  β€”  1884,  First  Production  of  Parsifal  at  Bayreuth;  β€”  Rifle 


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Meeting  arjauer (Silesia);  β€”  Occupation  of  Angni-Pequena  by  Ger- 
many;β€” -RomliildOrplinnage;  β€” Nuremberg  Commercial  School; β€” 
Marabini  Marriage  Medal ;  β€”  Schwartz  Marriage  Medal ;  β€”  Zimmer- 


raanii  Marriage  Medai ;  β€”  Cleves  International  Sporting  Exhibition  ; 
β€”  1 88;,  Internationa!  Exhibition  of  Gold  and  Silver  work  atNurenj- 
berg;  β€”  Sports  Exhibition  at  Nuremberg;  β€”  Bulgarian  War  against 


,/ Google 


-  5i6  - 

Servia  (witii  bust  of  Prince  Alexander);  β€”  Duke  Ernest  II.  of  Saxe- 
Coburg-Gotlia(2var.); β€” ^Prioce  Bismarck's  70"' Birthday; β€” Jubilee 
of  the  Nuremberg-Filrth  Railway ;  β€”  Death  of  Prince  Frederick 
Charles; β€” Heimeraii,Lauinger,Carse,Katzenstein, Sachs,  and  Bocks 
Marriage  Medals;  β€”  1886.  National  Exhibition  at  Altenburg;  β€” 
Horticultural  Show  at  Anclam;  β€’β€”  Centenary  of  the  "  Friedrichs- 
hutte  ",  Silesia,  (with  busts  of  William  I.  and  Crown  Prince  Frede- 
rick) ;  β€”  Marriage  of  Michael  Katzenstein ;  β€”  The  Frankfort 
Regattas ;  β€”  Emperor  William  I.'s  25'''  Anniversary  of  Accession; 
β€”  80"'  Anniversary  of  service  of  William  I. ;  β€” Prince  Alexander  of 
Bulgaria ;  β€” College  tor  Girls  at  Nuremberg;  β€” The  Prince  Regent 
Luitpold  of  Bavaria  visits  Nuremberg;  β€”  D'  Haflner,  Bishop  of 
Mayence  ;  β€”  Death  of  Louis  II.  of  Bavaria  (sev.  var.,  with  views 
of  his  various  residences) ;  β€”  Director  Lohmann ;  β€”  Bachofen  von 
Echt,   New  Year's  Medal;  β€”  Death  of   Franz   Liszt;  β€”  Visit  to 


Patlem  Crown  oi    Queen  Vicloria,   1887,  issued   by  Spink  &  Son, 
jtrucli  by  L.  Clir.  Lauer. 

Nuremberg  of  the  Crown  Prince ;  β€”  Bolian,  and  Plateau,  Marriage 
Medals; β€”  1887.  IX.  German  Federal  Jubilee  Rifle  Meeting  at 
Frankfort-on-M.  (sev.  var.);  ^International  Horticultural  Exhibi- 
tion at  Dresden;  β€”  Agncultural  Exhibition  at  Bautzen  ;  β€”  Hunting 
Exhibition  at  Koenigsoerg  in  Pr. ;  β€”  First  "  Wander  "  Exhibition 
at  Frankfort-on-M. ;  β€”  III.  Middle  Franconian  Federal  Rifle 
Meeting  at  EichstJidt;  β€”  Pattern  Crown  (^illustrated)  and  Sixpence, 
struck  in  various  metals  (issued  by  Spink  &  Son) ;  β€”  Queen 
Victoria's  Jubilee  (sev.  var.) ;  β€”  William  I. ,  70"'  Anniversary  as 
Chief  of  the  Royal  Regiment  of  Grenadiers,  Liegnitz ;  β€” β–   50"'  Anni- 
versary of  the  Frankfort  Choral  Society  "  Arion  " ;  β€” -  Siegmund 
Strauss;  β€”  90'''  Anniversary  ofWilliam  L;  β€”  Second  Centenary 
ot  the  toundaiion  ot  Friedrichsdoif ;  β€”  D'  von  Stephan,  Secretary 
of  State ;  β€” β–   D''  Frommann ;  β€”  Queen  Victoria's  70'''  Birthday ;  β€” 


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Accession  ot  Ferdinand  of  Bulgaria  ;  β€”  Vater  jahn  :  β€”  D'Ciintlicr; 
β€” β–   Grahamstown ;  β€”  New  year's  Medal;  β€” β–   Marriage    Medal  of 


f-iisfe*:^- 


Memorial  Medal  oi  Frederick,  Geraian  Emperor,  i8S8. 


Count  von  Rex;  β€”  Strauss  Jubilee;  β€”  John  George  of  Saxony 
(imitation);   β€”    Union  v^locipedique  de  la    Suisse  romande;  β€” 


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~  3IS  ~ 

Hans  Sachs  and  Richard  Wagner ;  β€”  Franz  Liszt ;  β€”  1888.  German 
National  Fine  Arts  Exhibition  at  Munich ;  β€”  Agricultural  Exhibi- 
tion at  Nuremberg ;  β€”  International  "  Gardening  "  Exhibition  at 
Cologne;  β€”  Horticultural  Show  at  Cassel;  β€”  VIII.  Bavarian 
Jubilee  Rifle  Meeting;  β€”  Machinery  Exhibition  at  Munich;  β€” 
XI.  Central  German  Federal  Rifle  Meeting  at  Halle ;  β€”  Death  of 
the  Emperor  William  I.  (numerous  varieties');  β€”  Accession  of 
Frederick  III.  (sev.  var.);  β€”  Death  of  Frederick  III,  (sev.  var.);  β€” 
Accession  of  William  IL  (sev.  var.)  β€”  Homage  to  the  Emperor 
William  II.  (reproduced  in  Domplerre  de  Chaufepie,  I,  xxxv, 
n"  167);  β€”  Golden  Weddings  of  August,  Johann  and  Robert 
Andreae;  β€”  Speech  of  Prince  Bismarck  in  the  Reichstag;  β€”  The 
Crown  Prince  Frederick  at  San  Remo ; β€” Peace  Travels  of  William  II. ; 

β€”  The  Emperor  Frederick  and  Crown  Prince  William ;  β€”  60"'  Birth- 
day of  King  Albert  of  Saxony ;  β€”  The  three  Emperors'  commemo- 
rative medal ;  β€”  Nowodworski,  Warsaw,  1863-1888;  ~  Death  of 
D'  Erhard  of  Nuremberg ;  β€”  Oskar  Karl  Gustav  Adolf,  Prince 
of  Prussia ;  β€”  Regia  Societas  botanica  Ratisbonensis ;  β€” β–   Silver 
Wedding  of  Herr  und  Fran  Weber;  β€”  1889.  Golden  Wedding  of 
Mr.&Mrs.  Gladstone;  β€”  0.ueen  Victoria's 70'''Blrthday  ; β€” Naval 
Review  and  Visitto  London  of  the  Emperor  William  II.;β€” Industrial 
Exhibition  at  Hamburg;  β€”  Sporting  Shoco  at  Cassel;  β€” 
Exhibition  ot  the  Society  of  Locksmiths  at  Berlin ;  β€”  General  Exhib- 
ition for  Hunting  and  Fishing,  at  Cassel;  β€”  Exhibition  of  Food 
Stuffs,  Cookery,  &c,,  at  Cologne;  β€” Gardeners'  Show  at  Coburg; 

β€”  Visit  of  William  II.  to  Francis  Joseph  I. ;  β€”  70'''  Anniversary  of 
Count  Moltke's  service  in  the  army  ;  β€”  Visit  of  King  Humbert  I. 
to  Germany;  β€”  The  four  Emperors  (sev.  var.);  β€”  Hohenzollern 
Souvenir  Plaquette;  β€”  Centenary  ofGabelsberger.  β€” PrinceHohen- 
iohe-Schillingsfurst;  β€”  Fr.  Witt;  β€”  Masonic  Commemorative 
Medal ;  β€”  Death  of  Crown  Prince  Rudolf  of  Austria ;  β€”  70'''  Birth- 
day of  Johann  Faber  of  Nuremberg;  β€”  Bishop  Thoma  of  Passau; 

β€”  Hutten-Sickingen  Memorial  at  Ebernburg;  β€”  Visit  of  King 
Humbert  to  Frankfort-on-M. ;  β€”  F^te  des  Vignerons  at  Vevey, 
Switzerland;  β€”  Visit  of  the  Emperor  William  II,  and  Consort  to 
Bayreuth;  β€”  Baron  L,  von  Faber;  β€”  Beck,  Kaupert,  Gebauer,  Schrag, 
HL-ydolph,  Mijller,  and  Wertheimer  Marriage  Medals;  β€” β–   250. 
Anniversary  of  the  Krauss  Institute;  β€”  Exposition  philomatique  at 
Geneva;  β€” Memorial  of  Garve;  β€”  Visit  of  the  Emperor  Francis 
Joseph  I.  to  Berhn ;  β€”  New  year's  Medal  of  the  Dachenhausen  family ; 

β€”  Job,  Mart,  Schleyer;  β€” The  Wettin  Obelisk;  β€”  1890,  Visit  of 
the  Prince  of  Wales  to  Berlin ;  β€”  Opening  of  the  Forth  Bridge  ;  β€” 
Penny  Postage  Jubilee  (struck  for  Spink  &  Son);  β€”  Military  Exhibi- 
tion at  Cologne;  β€”  XI,  German  Federal  and  Jubilee  Rifle  Meeting; 
β€” Thuringian  Fruit  Show  at  Erfurt;  β€”  Bakery  Exhibition  atBremen; 


./Google 


β€”  31?  β€” 
β€”  General  Gardening  Exhibition  at  Essen  on  Ruhr;  β€”  North  West 
German  Industrial  Exhibition  at  Bremen ;  β€”  Industrial  Exhibition  iit 
Cologne;  β–  β€”  International  Dog  Show  at  Nuremberg;  β€”  Agricul- 
tural Exhibition  at  Nuremberg;  β€”  German  Bakery  Exhibition  at 
Wurzburg;  β€” -  Bird  Show  at  Fiirth;  β€” β–   Bird  Show  of  the  Society 
"  Canaria"  at  Aitenburg;  β€”  Inauguration  of  the  Artistic  Fountain 
at  Nuremberg;  β€”  90*  Birthday  of  Field  Marshal  Count  Mohlfe;  β€” 
Bismarck  (i  1 5  mill,  in  diam) ;  β€”  Souvenir  of  the  Passion  Play  at 
Oberammergau  (sev,  var.);  β€”  J.  M,  Schleyer;  β€”  Medal  of  the 
Schlaraffia  Berolina;  β€”  Inauguration  of  a  monument  to  Mart, 
BehaimatNuremberg;~D^  Robert  Koch  ;β–  β€” Death  of  William  III., 
King  of  Holland;  β€”  TheRiickert  Monument  at  Schweinfurt;  β€”  25. 
Anniversary  of  the  Cistercian  Convent  "  Waldsassen  "  ;  β€”  Leo  von 
Caprivi;  β€” -  Christening  Medal;  β€”  Prince-Regent  Leopold  of 
Bavaria  ;  β€”  Inauguration  of  the  new  Town  Hail  at  Nuremberg ;  β€” 
Imperial  Military  Manoeuvres  in  Silesia;  β€”  Silver  Wedding  of  Herr 
Bunger;  β€”  Luther  and  the  Wartburg;  β€”  Max  Alphons  PfyfFer;  β€” 
Scharrer  Marriage  Medal ;  β€”  Maanviljelys  Nayttelo  Kajanissa;  β€” 
St.  Otto,  Bishop  of  Bamberg; β€” Martin  Behaim ; β€” Marriage  Medai 
of  Albert  and  Margaretha  of  Thurn  and  Taxis  (sev,  var.);  β€” 
Ullmann,  Reitzenstein,  Ottensooser,  and  Kugler Marriage  Medals; 
1891.  Launching  of  H.M.S.  Royal  Sovereign  and  H.M.S.  Royal 
Arthur;  β€”  Visit  of  the  Emperor  William  II.  and  Empress  to 
London;  β€”  Henry  Irving;  β€”  Bird  Show  of  the  Dresden  "Geflu- 
gelziichter"  Society;  β€”  Bird  Show  at  Erlangen;  β€”  Exhibition  of 
the  Geneva  Convention,  at  Dresden;  β–  β€”  Horticultural  and  Viticul- 
tural  Exhibition  at  Metz ;  β€”  Health  Exhibition  at  Halle  a.  S, ;  β–  β€” 
Agricultural  Exhibition  at  Chemnitz  i.  S.;  β€”  Hop  Show  at 
Spalt;  β€”  Bird  Show  at  Kitzingen;  β€”  Agricultural  Exhibition  at 
Heidelberg;  β€”  Bird  Show  at  Sulzbach;  β€”  Canary  Show  at 
M.-Gladbach;  β€”  Bird  Show  at  Dresden;  β€”  Canary  Show  at 
Grimma  1.  S. ;  -β€”  Industrial  Exhibition  at  Rothenburg-o-T. ;  β€” 
Empress  Augusta  Victoria  of  Germany  ;  β€”  Birth  of  Prince  Joachim 
Franz  Humbert  of  Prussia ;  β€” β–   70'''  Birthday  of  the  Prince  Regent 
of  Bavaria;  β€”  Schlaraffia  Norimberga;  β€”  The  Emperor  William 
Memorial  at  "Meuselwitz;  β€”  75'''  Anniversary  of  the  Field-Artillery 
Regiment  of  Holtzendorf;  β€”  25'''  Anniversary  of  the  reign  of  King 
Carol  of  Roumania;  β€”  Sociedad  cooperativa  of  Madrid;  β€”  Pil- 
grims' Badges  of  Ratisbon,  Lourdes,  etc. ;  β€”  Sixth  Centenary  of 
the  Swiss  Confederation ;  β€”  Death  of  Count  Moltke  (sev.  types)  ; 
β€”  The  United  Lodges  (Masonic)  of  Breslau;  β€”  Jubilee  Medal  of 
ViUeroy&Boch,  Mettlach;  β€” William  11.  and  his  Consort;  β€”  The 
Empress  Augusta  Victoria;  β€”  Alex,  von  Dachenhausen;  β€” Birthday 
of  D'  Kisch;  β€”  Emin  Pacha  and  William  11. ;  β€”  Jur.  D'  E.  F. 
Locroy;  β€”  Deaf  and  Mute  Institution  "Hephata"  at   Dresden; 


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β€”  3^'^  β€” 
β–  β€”  Kopf,  and  Bchl  Marriage  Medals;  β€”  H.  W.  von  Horn;  β€”  Cen- 
tenary of  the  Polish  Constitution ;  β€” β–   Jan  Dckert ;  β€”  Inauguration 
of  the  Essen  ' '  Kriegerdenkmal " ;  β€”  Dr.  Karol  Marcinkowski ;  β€” 
20'''  Anniversary  of  the  German  Empire;  β–  β€”  Dresden  Nnmismatic 
Congress;  β€”  Marriage  Medal  of  D""  Berhn;  β€”  First  year  of  the 
Queen  of  Holland's  reign ;  β€”  Moritz  Himly ;  β€”  i8|?2.  Agricultural 
and  Industrial  Exhibition  at  Gommern;  β€”  Indusirial  Exhibition 
at  Schweidniiz;  β€”  Fisheries  Exhibition  at  Nuremberg;  β€”  Agri- 
cultural Exhibition  at  Dienze  ;  β€”  Bakery  Exhibition  at  Altena  i. 
W.  ;  β€”  Bird  Show  at  Nuremberg;  β€”  Lord  Tennyson,  poet 
laureate  of  England  (signed  I.  R.  T,  for  J.  Rochelle  Thomas,  the 
issuer);  β€”  Rifle  Meeting  at  Claris;  β€”  Marriage  of  the  Duke  of 
York;  β€”  Golden  Wedding  oi  Baron  Otto  V.  Lieres  u.  Wilkau; 

β€”  Marriage  of  Paul  Joseph,  numismatist,  of  Frankfort-on-M. ;  β€” 
Birth  of  Stephanie  von  Neufvitle;  β€”  Inauguration  of  the  Victor 
Emmanuel  Monument ;  β€”  Electricity  Exhibition  at  St  Petersburg ; 

β€”  Georg  Baritin  ;  β€”  Weigang  Bautzen ;  β€”  Christopher  Columbus 
(sev.  var.);  β€”  Reichard  Marriage  Medal;  β€”  G.  Glafey ;  β€”  Petersen 
Memorial;  β€”  Dresden,  Albert  Society;  β€”  1S93.  Jubilee  Exhibition 
ofthe  Horticultural  Society  of  Rudolstadt;  β€” Dog  Show  at  Coethen- 
Anhalt;  β€”  National  Exhibition  of  the  Thuringian  Horticultural 
Society,  at  Gotha;  β€”  Fruit  and  Gardening  Showat  Breslau ;  β€” 
Agricultural  Exhibition  at  Dusseldorf :  β€”  Food  Scuffs  and  Cookery 
Exhibition  at  Cologne ;  β€” β–   Industrial  Exhibition  at  Magdeburg ;  β€” 
Incernacional  Bakery  Exhibition  at  Mayence ;  β€”  Industrial  and  Food 
Stuffs  Exhibition  at  Magdeburg ;  β€”  Jubilee  Exhibition  of  the  Horti- 
cultural Society  "  Feronia  "  at  Dresden  ;  β€”  Agricultural  Exhibition 
at  Metz;  -β€”  Jubilee  Eshibition  of  the  Horticultural  Society  of 
Rudolstadt;  β€” Bird  Show  at  Schwabach  ;  β€”  Furnishing  Exhibition 
at  Berlin ;  β€”  Exhibition  of  Hotel  proprietors  at  WanzlebeΒ» ;  β€”  Food 
Stuffs  Exhibition  at  Magdeburg;  β€”  Health  Exhibition  at  Geneva; 

β€”  First  German  Honey  and  Wax,  also  Food  Stuffs  Exhibition  at 
Hanover;  β€”  Continental  Export  Trades  Exhibition  at  London 
(3  types);  β€”  Horticultural  Exhibition  at  Erfurt;  β€”  Christopher 
Columbus ;  β€”  The  Columbus  Celebrations ;  β€”  D'  Essenwein  ;  β€” 
Inauguration  of  the  new  Post  Office  at  Geneva;  β€”  Swiss  Cychsts' 
Association's  Meeting  at  Lucerne ;  β€” J.  E.  Dufour,  National  Coun- 
cillor of  Geneva;  β€”  Louis  Ruchonnet,  Federal  Councillor;  β€” 
World's  Columbian  Exposition  (large  medallion  by  F.  Koenig) ;  β€” 
Accession  of  Duke  Alfred  of  Saxe-Coburg-Gotha ;  β€”  Albrecht 
Diirer  Memorial;  β€”  6"'  Centenary  of  the  family  of  Count  von 
Pfeil  u.  Klein- Ellgut ;  β€”  The  Chicago  World's  Fair;  β€”  D''  Kopp; 

β€”  Col.  Cody,  King  of  Cow-boys;  β€”  1894.  Visit  of  William  II. 
to  England;  β€”  Winter  Sports  Exhibition  at  Miirzzuschlag;  β€” 
International  Exhibition  of  Amateur  Photographers; β€”  Cookery 


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β€”    321    β€” 

;ind  Bakery  lixhibitiou  at  l^nuikfort-on-M. ;  β€”  Hsposi/ione-Concuiso 
internazionale  per  Invenzioni  e  Novita  ac  Venice;  β€”  Agricultural 
Exhibition  at  Windsheim  ;  β€”  Westphalian  Hunting  Exhibition  at 
Miinster;  β€”  International  Exhibition  at  Brussels;  β€”  Horticultural 
Exhibition  at  Mayence;  β€”  Horse  Show  at  Dresden  ;  β€”  Interna- 
tional Exhibition  at  Dresden ;  β€”  Food  Scuffs  Exhibition  at  Kiel ;  β€” 
Cookery  Exhibition  at  Plauen ;  β€”  Exposition  commerciale  ec  ali- 
mentaire  at  Antwerp;  β€”  Mining  and  Industrial  Exhibition  at 
Freiberg  ;  β€”  Bakery  Exhibition  at  Nuremberg;  β€” -Liverpool  Inter- 
national Exhibition;  β€”  Industrial  Exhibition  at  Straubing;  β€” 
Industry,  Trade  and  Fine  Arts  Exhibition  at  Liverpool; β€”  Death 
of  Alexander  III,  of  Russia;  β€”  Third  Centenary  of  Roland  de 
Lassus;  β€”  Third  Centenary  of  Gustavus  Adolphus  of  Sweden  j  β€” 
Jubilee  Medals  oi  Taddeus-Kosciuszko,  Halle,  Wittenberg,  Hara- 
burg-Ritzebiittel,  Weissenfels,  etc.;  β€” Rifle-Meetings  at  Firth, 
Neuraarkt,  Thun,  Crimniitschau,  Eupen,  Neumunster,  &c.;  β€” 
Choral  and  other  Festivals  at  Lyons,  Ilanz,  Lugano,  Niederlahnstein, 
Budelsdorf,  Unna,  &c.; β€” Exhibitions  &c.,  at  Antwerji,  Yverdon, 
Murnau,  Grafing-Glonn,  &c. ;  β€”  Cantonal  Choral  :Fescival  at  Neu- 
chkel;  β€”  Fourth  .Centenary  of  Hans  Sachs;  β€”  Reconciliation  of 
William  II.,  with  Prince  Bismarck;  β€” Rudolf,  Count  Hertzberg; 

β€”  Golden  Wedding  of  Rem.  v.  Woyrsch;  β€”  FSte  of  Athletic 
Sports  at  Breslau  ;  β€”  Prof.  Michael  Sachs;  β€”  Gladstone;  β€”  D' 
med.  W:  Beckh ;  β€”  D--  Hach  ;  β€”  D^  Reinhold  ;  β€”  Alexander  III. 
of  Russia;  β€”  Gnstav  Adolph;  β€”  1895.  Jubilee  Exhibition  of  the 
"  Cypria  "  Society  at  Berlin ;  β€”  Bird  Show  at  Lanf ;  β€”  Esposizione 
internationale  d'Igiene  ed  Alimentazione  at  Rome; β€”  Bird  Show 
at  Fiirth;  β€” X.  Riile  Meeting  ot  the  Silesian  Society  of  Sharp 
Shooters  at  Breslau;  β€”  Dog  Show  at  Miigeln;  β€”  Show  of  the 
Kynological  Society  at  Dresden ;  β€”  Rifle  Meeting  at  Salzwedel;  β€” 
Bakery  Exhibition  at  Dessau;  β€”  Bird  Show  at  Volkingen ;  β€” 
XIV.  Rhenan  Rifle  Meeting  at  Dusseldorf;  β€”  XV.  Saxon  Pro- 
vincial Rifle  Meeting  at  Cothen ;  β€”  Exhibition  at  Landau  ;  β€”  Rifle 
Association  of  Riesa ;  β€”  Apicultural  Society  Exhibition  at  Leipzig ; 

β€”  Jubilee  Exhibition  of  Grunhainingen  Industrial  Society;  β€” 
Sporting  Exhibition  at  Berlin ;  β€”  Horticultural  Exhibitions  at 
Magdeburg  and  Munnerstadt;  β€”  Photographic  Exhibition  at 
Munich;  β€”  Bird  Show  at  Schwabach ;  β€”  Fruit  and  Gardening 
Exhibition  at  Schweinfurt ;  β€”  International  Foodstuff's  Exhibition 
at  Bremen;  β€” Health  Exhibition  at  Dresden;  β€”  Industrial  Exhibi- 
tion at  Alsfeld ;  β€”  National  Exhibition  at  Vaduz ;  β€”  25 .  Anniver- 
sary of  the  German  Empire  (sev.  var.);  β€” -Inauguration  of  the  Law 
Courts  at  Leipzig;  β€”  Opening  of  the  Kiel  Canal  (sev.  var.);  β€” 
Federal  Rifle  Meeting  at  Winterthur;  β€”  The  New  Post  Office  at 
Frankfort-on-M.;    β€”  Duke  Alfred  of  Saxe-Coburg,  Life-saving 


-  S/ojraffjfβ„’/  Nolii 


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β€”    322    β€” 

medal ;  β€”  1896.  Bird  Show  at  Erlangcn  ;  β€”  Bird  Show  at  Kitzingen  ; 

β€”  Rifle  Meeting  alBreslau; β€” HorticulturalExhibitioiiat  Wiirzhurg; 

β€”  International  "  Preis-Concurrenz "  Exhibition  at  Berlin;  β€” 
Cookery  Exhibition  at  Berlin ;  β€”  Bird  Show  at  Forth ;  β€”  Horti- 
cultural Exhibition  at  Kaiserslautern;  β€”  VIII.  Thuringian  District 
Rifle  Meeting  at  Waltershausen ;  β€”  German  Locksmiths'  Exhibition 
at  Mayeiice;  β€” Horticultural  Society  of  Wernigerode ;  β€” -  Apicul- 
tural  Exhibition  at  Hohenstein;  β€”  Bakery  Exhibition  at  Frankfort- 
on-M. ;  β€”  Agricultural  Exhibition  at  Ebern  ;  β€”  International  Dog 
Show  at  Nuremberg ;  β€”  Hanoverian  Fruit  Show  at  Osnabruck;  β€” 
Agricultural  Exhibitions  at  Saarlouis,  Dorfen,  etc.;  β€”  and  medals 
of  various  other  German  provincial  Exhibitions ;  β€”  Swiss  National 
Exhibition  at  Geneva;  β€” β–   National  Bavarian  Exhibition  at  Nurem- 
berg; β€”  Henri  Dunant,  Founder  of  the  Geneva  "  Red  Cross" 
Institution;  β€” Third  Centenary  of  the  settlement  of  the  Johnston 
family  in  Saxony;  β€”  Berlin  Labour  Conference;  β€” -Duke  Alfred 
of  Saxe-Coburg-Gotha's  Prize  Medal  for  Arts  and  Sciences ;  β€”  Bodas 
de  Plata  ;  β€”  Louis  Victor  Schwartz ;  β€”  The  Gauga  Savan  commem- 
orative medal;  β€”  Harris  Award  for  Economical  Cookery;  β€” 
1897.  Kynological  Society  of  Dresden ;  β€”  III.  International  Dog 
Show  at  Frankfort- on-M. ;  β€”  Cookery  Exhibition  at  Barmen  ;  β€” 
International  Exhibition  at  Biiden ;  β€”  XII.  German  Federal  Rifle 
Meeting  at  Nuremberg ;  ^-  Rifle  Meeting  at  Berlin ;  β€”  Fox  Terrier 
Club  of  Berlin  ;  β€” Saxon  Industrial  Exhioition  at  Leipzig;  -^  Nur- 
sery and  Health  Exhibition  at  Nymphenburg;  β€”  Bakery  Exhibi- 
tion at  Burg;  β€” β–   XV.  "  Deutscher  Malertag"  at  Nuremberg;  β€” 
Agricultural  Society  of  Chateau-Salins;  β€” October  "Rifle  Mee- 
ting" at  Munich;  β€”  Agricultural  Exhibition  at  Altenburg;  β€” 
International  Cat  Show  at  Munich;  β€”  Association  of  Carrier 
Pigeons  "Eilbote"  ;  β€” Foodstuffs  Exhibition  at  Berlin  ;  β€”  Asso- 
ciation of  German  and  Austrian  Amateur  Photographers  ;  β€”  Bird 
Show  at  Berlin  ;  β€”  Opening  of  the  Bavarian  Industrial  Museum  at 
Munich;  β€”  Reinhold  Begas  (ilhistrated) ;  β€”  Visit  of  the  German 
Emperor  to  Francis  Joseph  I.  at  Budapest ;  β€”  Sebastian  Kneipp  ;  β€” 
"  Furstentag"  at  Wurzburg;  β€”  Von  Stephan,  German  Imperial 
Post-master;  β€” -Diamond  Jnbilee  of  Queen  Victoria;  β€”  Gymnasial 
Fourth  Centenary  of  Melanchton ;  β€”  Imperial  Parade  at  Nuremberg 
after  the  Bavarian  nianceuvres;  β€”  Michael  Fisschofl^;  β–  β€”  Golden 
Wedding  of  Prince  Hugo  von  Hohenlohe-Oehringen ;  β€”  Death  of 
Sebastian  Kneipp  ;  β€”  1898.  International  Exhibition  of  Amateur- 
Photographers  at  Flensburg;  β€”  First  Acetylene  Exhibition  at 
Berlin ;  β€”  Cookery  Exhibition  at  Munich  ;  β€”  Bakery  Exhibition  at 
Altenburg;  β–  β€”  Dog  Show  at  Ratisbon ;  β€”  National  Exhibition  at 
Gotha;  β„’  II.  International  Cat  Show  at  Munich ;  β€”  Exhibition  for 
improved  dressing  of  ladies  at   Berlin;   β€”   Music  Exhibition  at 


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β€”  323  β€” 
Berlin;  β€”  IlortkuhumI  [ixliibiiion  at  Soiineberg;  β€” -  25'''  Anni- 
versary of  the  reign  of  King  Albert  ofiaxony;  β€”Boxes  of  imita- 
tion counters  of  the  currency  of  Austria-Hungary^  England,  France, 
Switzerland,  Germany,  Italy,  Russia,  Roumania,  Bulgaria,  Servia, 
Turkey,  Spain,  Portugal  and  Greece; β€” -Jubilee  of  Francis  Joseph  I., 
Emperor  of  Austria  (sev.  var.);  β€”  Death  of  Prince  Bismarck  (sev. 
var.);  β€”  Association  of  the  Empress  Elizabeth;  β€”  Felix  Pick,  of 
Breslau ;  β€”  Otto,  Prince  of  Stolberg-Wernigerode ;  β€”  Accession 
of  Queen  Wilhelmina ;  β€”  Martha,  Baroness  von  Gersdorf;  β€” β–   The 
Austro-Germarj  Alpine  Club;  β€”  WilUam  II. 's  10"'  year  of  reign  ; 

β€”  Humbert  I,  of  Italy ;  -  -  Georg  Lang,  Director  of  the  Reichshalien- 
Theater;  β€”  4'''  Centenary  of  the  Discovery  of  Brazil;  β€”  Berthold 
von  Ploetz;  β€”  1899-  Visit  of  WilUam  II.  to  King  Humbert  of 
Italy  (sev.  var.);  -β€”  J.  W.  v.  Goethe  (sev.  var.);  β€”  Manoeuvres 
of  the  Swiss  First  Army  Corps;  β€”  Peace  Conference  at  The  Hague; 

β€”  Paul  Kruger,  President  of  the  South  African  Republic;  β€”  Boer 
Victories  over  the  English;  β€”  80'''  Birthday  of  Hermann  Sette- 
gast;  β€”Inauguration  ot  Duke  Ernest  II.  of  Saxe-Coburg's  Monu- 
ment; β€”  Health  Exhibition  at  Dresden ;  β€”  Foodstuffs  Exhibition 
at  Chemnitz;  β€”  Various  Christening  iMedals ;  β€”  Fisheries  Exhibi- 
tion at  Neuburg-on-R. ;  β€”  VI.  National  Bird  Show  at  Berhn;  β€” 
2;.  Anniversary  of  the  Austro-German  Alpine  Club;  β€”  Health 
Exhibition  at  Altona;  β€”  President  Kruger;  β€”  70'''  Birihday  of 
King  Albert  of  Saxony;  β€”  Charles  Alexander,  Grand  Duke  of 
Saxony;  β€”  L.  F.  Gebert,  of  Nuremberg;  β€”  Gebruder  Zippelius; 

β€”  G.  E.  Andree,  of  Utrecht;  β€”  Painters'  Congress  at  Kiel;  β€” 
Liibeck  Exhibition;  β€”  Robert  Zelle ;  β€”  Gutenberg;  β€” β–   Visit  of 
the  Society  of  German  Engineers  to  the  Lauer  Mint;  β€”  Exhibition 
at  Harburg ;  β€” β–   Exhibition  at  Breslau  ;  β€”  Bernhard  Dondorf ;  β€” 
Martin  Kirschner;  β€”  Memorial  Medal  ot  Bismarck;  ~  1900. 
Delarey ;  β€”  De  Wet ;  β€”  The  New  Century  ;  β€”  President  Kruger ; 

β€”  Luther  Festivities  at  Hagen  i.  W, ;  β€”  Hamburg  Club  Prize 
Medal;  β€”  Gutenberg  Celebrations;  β€” Luther  Festivities  at  Erfurt ; 

β€”  Leipzig  Society  for  the  Public  welfare;  β€”  National  Cat  Show 
at  Nuremberg;  β€”  William  II. 's  presence  at  the  Biberich  Regattas ; 

β€”  Frederick,  Dukeof  Anhalt;  β€”  Berlin  Regatta  Club;  β€” Hanover 
Industrial  Exhibition;  β€”  Health  Exhibition  at  Frankfort-on  M. ; 
β€” β–   1901.  The  Twentieth  Century;  β€”  Death  of  Queen  Victoria; 

β€”  Accession  of  Edward  VII. ;  β€”  Colonial  Tour  of  the  Prince  and 
Princess  of  Wales;  β€”  South  African  War  "Peace    Medal";   β€” 

1902.  Coronation  of  Edward  VII.;β€”  Coronation  of  Edward  VII. 
and  Alexandra  (various  sizes);  β€”  Jubilee  of  the  "  German isches 
Museum  "  at  Nuremberg;  β€”  Accession  of  King  George  of  Saxony; 

β€”  President  Kruger;   β€”  To  Ludwig  Metzger  of  Nuremberg;  β€” 

1903.  Jubilee  of  Leo  XIII. ;  β€”  Death  of  Leo  XIII. ;  β€”  The  Con- 


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β€”  334  β€” 

clave,  and  CardiiiLil  Orcglia;  β€”  Accession  of  Pius  X.  (various 
types);β€”  German  Physical  Drill  Competition  at  Nuremberg;  β€” 

1904.  The  Kant  Celebrations;  β€”  Death  of  Count  Waldersee  ;  β€” 

1905.  SchiUer,  Centenary  Medals  (various  types)  ;  β€”  Adolf  Menze!, 
painter,  Memorial  medal ;  β€”  Marriage  medal  of  the  German  Crown 
Prince  with  Princess  Gieciha  of  Mecklenburg;  β€” β–   Accession  of 
Duke  Charles  Edward  of  Saxe-Coburg-Gotha;  β€” Marriage  of  Duke 
Cbarles  Edward  of  Saxe-Coburg-Gotha,  &c. 

Lauer's  Prize  Medals  for  Athletic  Sports,  Cycling,  Foot  Ball 
Clubs,  Souvenir  Medals  and  Plaquettes  to  commemorate  Births, 
Christenings,  Marriages,  Sec,  are  of  very  good  style.  The  firm  has 
also  issued  Medical  medals,  such  as  :  Gesellen-Hospitz,  Nuremberg ; 
β€”  Cologne  Society  for  the  Prevention  of  Cruelty  to  animals;  β€” 
"  Sanitats-Colonie", Berlin;  β€”  Health  Exhibition  Prize  Medals, &c. 

J.  C.  Bennert,  Bisviarrk-Medailleti,  describes  no  less  than  102 
Porirait-medals  of  Prince  Bismarck  by  Lauer. 


By  Lauer  are  further  :  Poiti  iit-medals  and  phquettcs  ot  Compo- 
sers (various  sizes)  :  Job.  Seb.  Bach;  β€”  L.  v.  Beethoven;  β€”  H. 
Berlioz;  β€” Fr.  Chopin;  β€” β–   Chr.  W.  Gluck;  β€” Gg.  F.  Handel;  β€” β–  
Jos,  Haydn ;  β€”  Franz  Liszt ;  β€”  Felix  Mendelsohn-Bartlioldy  ;  β€” 
W.  A.  Mozart;  β€”  R.  Schumann;  β€”  Job.  Strauss;  β€”  β€”  F.  P. 
Schubert;  β€”  G.  Verdi;  β€”  Rich.  Wagner;  β€”  K.  M.  v.  Weber; 

β€”  Portrait-medals  of  Artists,  Scientists,  and  other  celebrities  : 
Ernest  IL,  Duke  of  Saxe-Coburg-Gotha;  β€”  Franz  Xaver  Witt;  β€” 
Jenny  Lind;  β€”  Rudolf  Hach;  β€”  Prince  Bismarck;  β–  β€”  Count 
Moltke;  β€”  Princess  of  Schauniburg-Lippe;  β€”  Lord  Roberts;  β€” 
General  Kitchener ;  β€”  General  Baden-Powell ;  β–  β€”  Prof.  D'  Gustav 
Jiiger ;  β€” -  Cardinal  D'  Kopp ;  β€”  Hans  Sachs;  β€” β–   Albert  Lortzing ; 

β€”  The  R'  Hon''''  Joseph  Chamberlain;  β€”  Lord  Tennyson;  β€” 
Lord  Salisbury  ;  β€”  Schiller  (sev.  var.) ;  β€”  Goethe  (sev.  var.);  β€” 
Kant ;  β€” Prince  Bliicher  von  Wahbtadt;  β€”  Henri  Dunant,  of 
Geneva; β€” D'Wilheim  Beckh,  of  Nuremberg;  β€”  D^  Julius  Cnopf, 


,;.Goo'^lc 


β€”  325  β€” 
of  Nuremberg;  β€”  D'  Wolfgang  Mack,  of  Furth;  β€”  D'  Gustav 
Nachtigall,  of  Eichstadt ;  β€” D'  Reinhoid,  of  Bamberg;  β€”  D'  Chris- 
tian Schusseler,  of  Wildenfels;  β€”  Sebastian  Kneipp ;  ^  Nicolaus 
Friedrich  Peter,  Grand  Duke  of  Oldenburg ;  β€”  King  Charles  of 
WiJrtcemberg;  β€”  Ludwig,  Prince  of  Bavaria;  β€”  Luitpold,  Prince 
Regent  of  Bavaria;  β€”  Dnlie  Ernest  of  Saxe  Coburg-Gotha;  β€”  King 
Ludwig  II.  of  Bavaria ;  β€”  The  Empress  Augusta  Victoria  ana 
Crov^n Prince  William;  β€”Ad.  Mickiewicz;  β€”  Count Caprivi ;  β€” 
JoΒ«  Bratiann ;  β€”  D'  Gustav  Jaeger;  β€”  Alfonso  XIII.  of  Spain ;  β€” 
Prince  Hohenlohe,  Chancellor  of  State;  β€”  Max  Heidegger;  β€” 
Rud.  von  Delbriick ;  β€”  William  I.  of  Germany;  β€”  The  Empress 
Augusta  Victoria;  β€”  Alhrecht  Dilrer;  β€”  Queen  Victoria;  β€” 
Princess  Adolphine  of  Schaumburg-Lippe;  β€”  Oscar  II.  of  Sweden  ; 
β–  β€”  Dr.  Theodorvon  Kramer;  β€”  Gabelsberger ;  β€”  Frithjof  Naiisen; 

β€”  Duke  Alfred  and  Duchess  Marie  of  Saxe-Coburg-Gotha;  β€” 
Victor  von  Scheffel ;  β€”  King  Albert  of  Saxony ;  β€”  Francis  Joseph  I. ; 
β€” The  Empress  Elizabeth  of  Austria;  β€”  Frederick  III.  of  Germany; 

β€”  Queen  Wilhelmina;  β€”  Umberto  I.;  β€”  Count  Waldersee;  β–  β€” 
Prince  Henry  of  Prussia ;  β–  β€”  Leo  XIII. ;  β€”  Pius  X. ;  β€”  Andreas 
Hofer;  β€”  Gutenberg  ;  β€”  A.  v.  Chamisso;  β€” Schiller;  β€”  Heinrich 
Heine ;  β€”  Nicholas  II. ;  β€”  The  Empress  Alexandra  of  Russia  ;  β€” β–  
The  Prince  of  Wales;  β€”  The  Princess  of  "Wales;  β€”  Charles 
Alexander,  Grand  Duke  of  Saxony;  β€”  Ludwig  Chr.  Friedr.  Lauer; 

β€”  Franz  Friedr.  Clemens  Martin  Lauer; β€”  Count  Waldersee,  &c. 
Bibliography.   Injormation  kindly  supplied  by  Mr.   E.  Sssck,  Represeiitaiife  oj 

MM.  Lauer  in  London.  β€”  Various  Numisiitnlic  Riviews,  Sale  Catalogues  &c. 

LADER,  WOLFGANG  (Germ.).  Contemporary  Medallist  and  a 
member  of  the  Nuremberg  firm  of  L.  CHR.  LAOER,  since  1883.  To 
him  should  be  attributed  a  great  many  of  the  medals  issued  by  the 
Lauer  establishment  during  the  last  twenty  years. 

h&TJTENBECK  (Auslr.).  Mint-engraver  at  Prague,  i:irc.  1829. 

LAUFENBECKorLAUFFENBOCK,  IQSEW/mZEL  (Aiislr.).  Probably 
the  father  of  the  last;  Mint-engraver  at  Vienna,  1 781- [793,  then  at 
Gunzburg-Hall,  1793-1806. 

BiiiLioGRAPHY.  β€”  KuU,  II,  710.  β€”  Katalog  &c. 

LAUFFER,  CARL  GOTTLIEB  (Gnm.).  Mint-master  at  Nuremberg, 
1 746- 1 75 5.  Franks  &Grueber  call  him  an  Engraver  (Vide  Med. III., 
II,  730).  A  Thaler  of  Hall  (Suabia),  1746,  is  signed  C.G.L.  It  is 
probable  that  all  the  LaufTers,  -whose  names  I  record  here,  had 
connection  with  die-sinking,  and  were  Counter-manufacturers  by 
trade.  Carl  Gottlieb  LaufFer  was  a  son  of  Caspar  Gottlieb  Lauffer, 
and  is  said  to  have  left  Nuremberg,  abankrnpt,  for  Berhn,  in  1755, 
where  he  was  still  living  in  1769,  and  attained  to  some  reputation. 

Bibliography.  β€”  Araiiion,  op.cit.  β€”  Gtbett-Niirnberg,  Geschichleder  Miiiipidlle 
der  Reichsladl  Niirnherg,  iSyi . 


,,C.oo(^lc 


-  326  - 

LAUFFER,  CASPAR  GOTTLIEB  (Germ.).  Son  of  L^^anis  Gottlieb 
Lauffer;  Mint- master  at  Nuremberg,  and  Mint- warden  to  the  District 
ot  Franconia,  1700-1745.  Franks  &  Grueber  mention  that  "he 
appears  to  be  often  confused  with  Carl  Gottlieb  Lauffer,  the 
engraver  ",  and  give  the  description  of  a  medal,  issncd  by  him,  on 
the  Capture  of  Tournay,  1709,  engraved  by  Martin  Brunner,  and 
bearing  the  initials  C,G.L. 

Caspar  GottUeb  LaufFer  published  in  1742  a  Catalogue  of  medals 
issued  by  him,  in  conjunction  probably  writh  Lazarus  Gottlieb 
Lauffer,  Johann  Gottlieb  Lauffer,  and  Friedrich  Kleinert.  To  this 
series  of  medals  contributed  not  only  the  Lauffers,  but  also  Martin 
Brunner,  Georg  Hautsch,  Friedr.  Kleinert,  P.  H.  MiiUer,  G.  W. 
Vestner,  Werner,  C,  Wermuth,  and  other  artists.  C.  G.  Lauffer 
evidently  possessed  the  dies,  as  he  offered  to  supply  the  medals  in 
gold,  silver,  copper  or  tin,  in  any  number. 

From  this  Catalogue  (Das  Lauffmsche  Medailhn-Cabinet  oder 
VefT^eichniss  aller  Medaillm,  wekhe  scwohl  die  hisUmschen  Begebenhdien 
von  A.  i6-j^,  biss  A.  1742  ah  auch  andere  CbrisiUch  und  MoraHsche 
Betrachtungen,  nehst  der  voUhmmenm  Rsihe  der  Romischen  Pdpste 
enthaltm.  Und  noch  itxo  beslandig  \ufinden,  hi  Nilrenberg  bey  Caspar 
Gottlieb  Lauffern,  Des  Hoch^IJbl.  Franckiscben  Kreises  Mtmx-Rath 
und  General-Munts^^-Waradin,  1742).  I  extract  a  list  of  the  principal 
medals  advertised  for  sale  by  C.  G.  Lauffer,  aud  which  could  be 
had  either  in  gold,  silver,  copper  or  tin  :  1679.  Peace  of  Nimwe- 
gen;  β€”  1680.  The  great  Comet;  β€”  16S3.  Siege  of  ihe  Imperial 
residence  at  Vienna;  β€”  General  Count  von  Starnberg;  β€”  Siege  of 
Vienna  by  the  Turks,  and  Relief  (2  var.);  β€”  Count  von 
Starnberg,  Protector  of  the  city  ot  Vienna  ;  -β€”1685.  Capture  of  the 
fortress  of  Neuheussel  (4  var.);  β€”  Turkish  Defeat  at  Gran  and 
Capture  of  Neuheussel  (2  var.);  ^  Venice  conquers  the  Kingdom 
of  Morea  ;  β€”  Progress  of  tlie  Imperial  arms  and  Capture  of  several 
fortified  towns  in  Hungary;  β€”  1686.  Capture  of  Ofen  in  Hun- 
gary (6  var.) ;  β€”  French  Wars  against  the  Dutch  ;  β€”  Hamburg 
liberated  from  the  Danes;  β€”  Venetian  Victories;  β€”  Victories  ot 
Leopold  L  in  Hungary;  β€”  Venetian  Successes  against  the  Turks 
(Reimmann  Cat.,  n"  9686);  β€”  1687.  The  Venetian  Republic;  β€” 
Hungarian  Coronation  of  Joseph  I.  (4  var.);  β€”  Victories  of 
Leopold  I.  over  the  Turks  (2  var.);  β€”  Defeat  of  the  Turks  at 
Mohacz(3  var.); β€”  Turkish  D.-feat  at  Siclos;  β€”  Pope  Innocent  XL; 
β€”  Venetian  Victories  over  the  Turks;  β€”  Venice  conquers  the 
Dardanelles;  β€”  The  Czar's  Alliance  with  Turkey;  β€”  1688. 
Capture  of  Stuhlweissenburg  (2  var.);  β€”  Francesco  Morosini, 
Doge  of  Venice;  β€”  Max.  Emmanuel  of  Bavaria;  β€”  Capture 
of  Belgrade  (4  var.);  β€”  French  Invasion  of  the  Palatinate;  β€” 
Prince  Elector  John  George  III.  of  Saxony;  β€”  1689,  Pope  Alexan- 
der VIU.  (2  var.);    -  Joseph  Clemens,  Prince  Elector  of  Cologne; 


,,C.oo(^lc 


β€”  327  ~ 

β€”  William  III,  of  Great  Britain  (engraved  by  P.  IJ,  Miiller  and 
F.  Kleinert);  β€”  Coronation  of  William  III.  (2  var.,  by  tlie  same 
engravers);  β€”  King  and  Queen  William  and  Mary;  β€”  Maxim. 
Emanuel,  Prince-Elector  of  Bavaria  (2  var.);  β€”  Frederick  III.  of 
Brandenburg,  Siege  of  Bonn;  β€” Capture  of  Kaiserswert,  Rheinberg 
and  Bonn  by  Frederick  III.  of  Brandenburg;  β€”  Victories  over  ihe 
Turks  by  Leopold  I.  and  Markgrave  Ludwig  of  iiaden  ;  β€”  Mark- 
grave  Lndwig  of  Baden ;  β€”  The  French  repulsed ;  β€”  Capture  of 
Mayence(2  var.) ;  ^  Defeat  of  the  French  and  Capture  of  Mayence; 

β€”  The  Duke  of  Schomberg;  β€”  Leopold  L  and  King  Joseph;  β€” 
Coronation  of  the  Empress  Eleonora  and  Joseph,  King  of  the 
Romans  (2  var.);  β€”  Roman  Coronation  of  Joseph  I.  (5  var.);  β€” 
Capture  of  the  city  and  fortress  of  Canischa  (2  var.);  β€”  Venetian 
Capture  of  Napolt  di  Malvasia;  β€”  The  Grand  Duke  of  Tuscany; 

β€”  Death  of  Charles  V.,  Duke  of  Lorraine  ;  β€”  1691-  Congress  of 
the  Allied  Princes  ar  The  Hague  under  the  presidency  of  William  III. 
(3  var.,  by  P.  H.  Moller and F. Kleinert); β€” Irelandsubdued(2var.); 

β€”  Pope  Innocent  XII,  (2  var.)  ;  β€”  Turkish  Defeat  at  Salankemen 
(3  var.);  β€” John  George  HI.  of  Saxony;  β€”  Christian  Ernest,  Mark- 
grave  of  Brandenburg-Culmbach ;  β€”  1692.  Prince  Elector  Max. 
Emmanuel  ofBavaria,  as  Governor-general  of  the  Spanish  Netherlands 
(3  var.);  β€” John  George  IV.,  Prince  Elector  ofSaxony; β€” Anglo- 
Dutch  Victories  over  the  French  (4  var.);  β€”  Capture  of  the  fortress 
of  Gross  Waradein  (2  var.)  ; β€”  1693.  Unsuccessful  Siege  of  Rheinfels 
by  the  French;  β€”  Sicily  visited  by  an  Earthquake;  β€”  Markgrave 
Ludwig  of  Baden;  β€”  Empress  Eleonora;  β€”  1694.  The  English 
bombard  the  French  sea-coast ;  β€”  Victories  of  the  allied  Christian 
Princes  against  the  Turks ;  β€”  Capture  of  Peterwaradein ;  β€”  Vene- 
tian Victories  of  Ciclur  and  Chios;  β€”  Frederick  Augustus,  Prince 
Elector  of  Saxony ;  β€”  1695  β–   Johann  Heinrich  Horbiura,  theologian 
of  Hamburg ;  β€”  Capture  of  Casale ;  β€”  Lothar  Francis,  Prince  Elector 
of  Mayence;  β€”  Capture  of  Namur(2  var  );  β€”  1697.  Peace  of  Rys- 
wick(3  var.,  owt  illustrated);  β€”  Augustus,  King  of  Poland  (2  var.); 

β€”  Victory  over  the  Turks  at  Zeuta;  β€”  Alsatian  towns  surrendered  to 
France  by  the  Treaty  of  Ryswick ;  β€”  Marriage  of  King  Joseph  with 
Princess  Amalie  of  Brunswick  (2  var.) ;  β€”  Marriage  of  George 
William,  hereditary  Prince  of  Brandenburg-Culmbach  withPrincess 
Sophia  ofSaxony;  β€”  Armistice  with  the  Turks;  β€”  Amelioration 
of  the  Julian  Calendar;  β€”  1700.  Birth  of  a  son  to  King  Joseph 
(2  var.)  ;  β–  β€”  The  Northern  Peace ;  β€”  Swedish  Victories  over  the 
Russians;  β€”  Pope  Clement  XI. ;  β€”  The  New  Century  (2  var.); 

β€”  Birth  of  Prince  Leopold;  β€”  1701.  Coronation  of  Frederick, 
Prince  Elector  of  Brandenburg,  as  King  of  Prussia  (2  var.);  β€”  1702. 
Capture  of  Landau  ;  β€”  Anglo-Dutch  Naval  Victories  at  Vigo;  β€” 
Count  von  Hatzfeld;  β€”  Prince  Eugene  of  Savoy;  β€”  Markgrave 
Ludwig    of  Baden;   β€”    1703-   Marriage   of   Markgrave  Christian 


,.Goo(^[c 


-  328  - 

Ernest  of  Bnindeiibarg-Culmbach  with  the  Duchess  of  Curland ; 

β€”  1704-  British  Victories  (2  var.,  one  by  P.  H.  Miiller,  clie  other 
by  G.  Hauisch) ;  β€” The  Duke  ot  Marlborough  and  the  Engagement 
of  Hochstatt  (Battle  of  Blenheim,  by  G.  Hautsch) ;  β€”  Prince 
Eugene  ot  Savoy  and  Battle  of  Blenheim  ;  β€”  Buttle  of  Blenheim 
(signed  :  F.  K.,  Friedrich  Kleinert);  β€”  Imperial  Successes  in  Siiabia 
a.m  Bavaria;  β€”  General  Field  Marshal  Baron  von  Thinigen,  and 
Capture  ofUlm;  β€”  Victories  in  Suabia;  β€”  Capture  of  Schellen- 
berg;  β€”  Capture  of  Landau  (2  var.);  β€”  Fredeiick,  Landgrave  of 
Hesse,  and  Capture  of  Gravenburg;  β€”  1705.  Death  of  Leopold 
and  Accession  of  Joseph  L  (3  var.); β€”  Ciipture  of  Barcelona  by 
King  Charles  HI.  of  Spain;  ~  1706.  English  Victories,  LVDO- 
VICVS  MAGNVS-ANNA  MAIOR;  β€”  Another;  ^.  Abimelech 
smitten  with  a  stone  beneath  tower ;  β€”  Relief  of  Barcelona ;  β€” 
The  Duke  of  Marlborough's  Victories  in  the  Spanish  Netherlands; 

β€”  Siege  of  Barcelona  by  the  Duke  of  Anjou;    β€”  Charles  111.   of 


β– % 


',':.  ici;  ol  Ryswick,  1697. 

Spain  enters  MLkiiiJ. ;  β€”  Amadeus  II., Duke  of  Savoy,  and  Siege 
of  Turin;  β€”  Prince  Eugene  of  Savoy  and  his  Successes  in  Italy; 

β€”  Conclusion  of  Peace  between  Poland  and  Sweden;  β€”  1707. 
Surrender  of  Naples  to  the  Imperial  Army ;  β€”  George  Louis,  Duke 
of  Brunswick-Liineburg  takes  over  the  command  of  the  Imperial 
Army; β€”  1708.  Siege  ofRyssel;  β€” Capture  [of  Ryssel  (2  var.); 

β€”  Battle  of  Audenarde  (2  var.)  ;  β–  β€”  Capture  of  Ghent ;  β€”  The 
Electoral  College  of  Hanover ;  β€”  Baron  von  Strahlenheim,  Swedish 
plenipotentiary;  β€”  Marriage  of  King  Frederick  I,  of  Prussia  with 
Sophia  Ludovica,  Princess  of  Mecklenburg;  β€”  1709.  Capture  of 
Dornick  (2  var.);  β€”  Successful  Campaign  in  the  Spanish  Nether- 
lands; β€”  Settlement  of  differences  between  the  Emperor  and  Pope 
Clement  XL;  β€”  Defeat  of  the  French  at  Mons;  β€”  17 10.  Capture 
of  Douay;  β€” -  Capture  of  Douay,  Bethune,  St.  Venant  and  Aire  ; 

β€”  Charles  III.  enters  Madrid;  β€”  Birth  of  the  Prince  of  Orange; 

I  I- o,Goot^lc 


β€” β–   Battle  ot  Lerida  ;  β€”  Victories  in  Catalonia  and  Aragon;  β„’ 
Swedish  Victory  at  Helsingborg;  β€” Peter  the  Great;  β€” ^  Charles XII. 
of  Sweden  at  Bender  in  Turkey';  β€”  1711.  Death  of  the  Emperor 
Joseph  I,  (2Viir.);  β€”  Concord  in  Great  Britain  (by  P.  H.  Miiller); 

β€”  Election  of  Charles  VL  (6  var.) ;  β€”  Coronation  of  Charles  VI. 
(6  var.) ;  β€”  ReHef  of  Cordova;  β€”  Return  of  Charles  VI.  from 
Spain;    β€”  Loth.   Francis,   Prince   Elector   of  Mayence  (7  var.); 

β€”  1712.  Charles  VI.'s  visit  to  Nuremberg  (5  var.);  β€”  Capture  of 
Quesnoy ;  β€” Hungarian  Coronation  at  Pressbure  (3  var.); β€”  1713- 
Return  of  the  Empress  EUzabeth  Christina  from  Catalonia;  β€” 
1714.  Hamburg  relieved  from  the  Plague  (2  var.);  β€”  Vienna 
relieved  from  the  Plague ;  β€”  Preliminaries  ot  the  Peace  of 
Rastatt  (5  var.) ;  β€”  Peace  of  Baden  (4  var.) ;  β€”  Proclamation  of 
King  George  I.  of  Great  Britain  ;  β€”  Landing  of  George  I.  in 
England  ;  β€”  Coronation  of  George  I.  (by  Johawo  Gottlieb  Lauffer) ; 

β€”  Return  of  Charles  XII.  to  Sweden  ;  β€”  Death  of  Anton  Ulrich, 
Duke  of  Brunswick -Liineburg  (2  var.)  ;  β€”  Proclamation  at  Blanck- 
enburg  of  Duke  Ludwig  Rudolph  of  Brunswick-Luneburg;  β€” 
Proclamation  of  the  Duchess  Christina  Ludovica;  β€”  Birth  of  Prince 
Anton  Ulrich;  β€”  171 5.  Return  of  Max.  Emmanuel,  Prince  Elector 
of  Bavaria,  to  his  dominions  (2  var.);  β€”  Death  of  Louis  XIV; 

β€”  Return  of  Charles  XII.  to  Sweden  ;  β€”  The  Duke  of  Orleans, 
Regentof  France;  β€” Duke  Ludwig  Rudolph  of  Brunswick-Luneburg 
(5  var.);  β€”  Death  of  Charlotta  Christiana  Sophia  Czarowizia, 
daughter  of  Lud.  Rudolph  ;  β€”  Sophia  Louisa,  Princess  of  Oettingen ; 

β€”  Prince  Albert  Ernest  of  Oettingen;  β€”  1716.  Pregnancy  of  the 
Empress  Elizabeth  Christiana;  β€” Louis  XV.  and  the  Regent;  β€” - 
Birth  of  Prince  Leopold  (9  var.);  β€”  Battle  of  Peterwardein ;  β€” 
Capture  of  Temeswar  (2  var.) ;  β€”  Victory  over  the  Turks  between 
the  Danube  and  the  Sau  (2  var.);  β€”  1717.  Capture  of  Belgrade; 

β€”  Imperial  Victory  at  Belgrade  (4  var.)  ;  β€”  The  deplorable  Wars 
between  Christian  princes;  β€”  Inundations  at  Hamburg;  β€”  Second 
Centenary  of  the  Refotmation  (11  var.);  β€”  Cardinal  Albani, 
CamerUngo;  β€”  1718.  Armistice  with  the  Turks;  β€”  Imperial 
Successes  \n  Sicily;  β€”  Accession  of  Queen  Ulrica  Eleonora  of 
Sweden;  β€”  Peace  of  Passarowitz  (3  var.);  β€”  Naval  Victory  oif 
Syracuse;  β€” β–   Victories  of  the  year  1718;  β€”  Defeat  of  the  Spanish 
Fleet  at  Syracuse;  β€”  Death  of  Charles  XII.  (seven  varieties);  β€” 
Inauguration  of  the  Egidius  Church  at  Nuremberg;  β€”  1719- 
Capture  of  Messina;  β–  β€”  Election  of  Clement  Augustus  of  Bavaria 
as  Bishop  of  ivliinsrer  and  Paderborn ;  β€”  Coronation  of  Queen 
Ulrica  Eleonora  of  Sweden;  β€”  Hamburg  Jubilee  Festivities  ;  β€” 
1720.  Coronation  of  King  Frederick  of  Sweden;  ^  Consecration 
of  Bishop  John  Philip  Francis  of  Wurzburg;  β€”  Coronation  of  Fred- 
erick and  Ulrica  Eleonora  of  Sweden ;  β€” β–   Death  of  the  Empress 
Eleonora  Magdalena  Theresia ;  β€” β–   Birth  of  a  Prince  of  Saxony ;  β€” β–  


,/ Google 


β€”  330  β€” 
1721-  Election  of  Pope  laiiocent  XIII. ;  β€” -  St.  John  Ncpomuc. 
(2  var.);  β€”  Death  of  Pope  Clement  XI.  (2  var.);  β€”  G^ronation  of 
Pope  Innocent  XIII. ;  β€”  1722.  Coronation  of  Louis  XV. ;  β€”  Mar- 
riage of  the  Prince  Elector  of  Bavaria  Cliarles  Albert  with  the  Aus- 
trian Archduchess  Maria  Amalia  (2  var.);  β€”  Death  of  the  Duke  of 
Marlborough  (by  G.  W.  Vestner) ;  β€”  Marriage  of  Prince  Charles 
Emmanuel  Victor  of  Sardinia  with  Princess  Anna  Christina  Louisa 
of  the  Palatinate;  β€”  1723.  Coronation  of  the  Emperor  Charles  VI. 
and  Empress  at  Prague  (3  var,);  β€”  Pregnancy  of  the  Empress 
Elizabeth  Christina  ;  β€”  Death  of  WiUiam  Frederick,  Markgrave  of 
Brandenburg-Onohzbach ;  β€”  1724-  Conlinemenr  of  the  Empress 
Elizabeth  Christina;  β€”  Birth  of  the  Archduchess  Maria  Amalia  Caro- 
lina (2  var.);  β€” Election  of  Pope  Benedict  XIII.  ;  β€”  Accession  of 
Clement  Augustus,  Prince  Elector  of  Cologne;  β€”  The  Cologne- 
MCinster  Canal;  β€”  Sede  Vacante  at  Hildesheim  ;  β€” 1725.  Marriage 
of  Queen  Maria  Leczinska;  β€”  Peace  of  the  Pyrenees;  β€” D.  B.  W. 
Marperger;  β€”  Marriage  of  Louis  XV.  and  Maria  Leczinska;  β€” 
1726.  Death  of  George  William,  Markgrave  of  Brandenburg;  β€” 
Accession  of  George  Frederick  Charles,  Markgrave  of  Brandenburg- 
Bayreuth  (2  var.);  β€”  1727.  Coronation  of  George  11.  and  Char- 
lotte of  Great  Britain  ;  β–  β€”  Relationship  betv^feen  the  Ducal  house  ot 
Brunswick  and  the  Imperial  house  of  Russia;  β€”  1728.  Joseph 
Renatus,  Imperial  Cardinal;  β€”  Cardinal  Saci'ipanti;  β€”  Cardinal 
Abdua  ;  β€” Death  of  the  Russian  Grand  Duchess  Nathalie;β€”  1729. 
Marriage  of  the  Markgrave  of  Brandenburg-Anspach  with  Princess 
Frederica  Louisa  of  Prussia;  β€”  Death  of  Loth.  Francis,  Prince 
Elector  of  Mayence ;  β€”  1730.  Second  Centenary  of  the  Confession 
of  Augsburg  (17  var.);  β€”  1731.  Duke  Ludwig  Rudolph  of 
Brunswick-Lijneburg;  β€”  1732.  Dutch  Camp  at  Breda;  β€”  The 
Salzburg  Emigrants (9  var.);  β€” Accession  of  Duke  Ludwig  Rudolph 
ofBrunswick-Wolffenbiittel;  β€” β–   1733.  Shooting FΒ£te  atNuremberg; 

β€”  Election  of  King  Frederick  Augustus  of  Poland ; β€”  173  4'  Capture 
of  the  camp  of  the  Alhes  on  the  river  Secchia;  β€”Marriage  of  Wilh. 
Charles  Henry  Friso,  Priiice  of  Nassau-Orange  with  the  Crown- 
princess  of  Great  Britain;  β€”  Duke  Ludwig  Rudolph  of  Brnnswick- 
Liineburg  (2  var.);  β€”  1735.  Peace  between  the  Roman  Emperor 
and  the  King  of  France;  β€”  Death  of  Duke  Ludwig  Rudolph  of 
Brunswick-Luneburg  (2  var.);  β€”  1736-  Marriage  of  Duke  Francis 
of  Lorraine  with  Maria  Theresia  (2  var.);  β€”  Anne,  Czarina  of 
Russia;  β€”  Death  of  Prince  Eugene  of  Savoy;  β€”  1737.  Peace 
between  France,  Spain  and  Sardinia  (2  var.);  β€”  1738.  Satirical 
medal  of  Brunswick;  β€”  1739. Count  von  Miinch,  Russian  general; 

β€”  Peace  between  Russia  and  Turkey ;β€”  1740.  Death  of  CharlesVI. ; 

β€”  Death  of  Anne  of  Russia ;  β€”  Death  of  Frederick  William  of 
Prussia;  β€”  1742.  Election  of  Charles  VII.  at  Frankfort  (6  var.); 


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β€”  331  β€” 

β€”  Coranation  of  Charles  VII.  at  Frankfort ;  β€”  Coronation  of  the 
Hmperor  and  Empress,  &c. 

l^ufFer  fiirtiier  issued  medals  of  a  general  character,  such  as  : 
Religious  medals;  β€”  Luther's  Catechism  (rovar.);  β€”  The  Lord's 
Prayer  ;  β€”  Christening  Medals  (13  var.);  β€”  New  year  Souvenirs; 

β€”  Birth  of  Christ ;  β€”  Protection  of  the  Holy  Angels  (2  var.)  ;  β€” 
The  Love  of  Jesus;  β€”  The  Christian  Cardinal  Virtues ;  β€”  Faith, 
Love  and  Hope ;  β€”  Faith  and  Love  ;  β€”  Patience ;  β€”  Constancy  in 
well  doing  and  its  Recompense;  β€”  Resignation  to  God's  will;  β€” 
Gratefulness  and  Gratitude;  β€”  Consideration  and  Caution  ;  β€”  The 
necessity  and  usefulness  of  Work  (2  var.);  β€”  Wilful  Blindness, 
Owl  wearing  spectacles  and  holding  a  torch  in  each  claw  ;  β€”  On 
the  Obedience  of  Children  (3  var.) ;  β€”  True  Friendship  (4  var.) ; 

β€”  Bribery;  β€”  Love  (7  var.);  β€”  Conjugal  Love  (7  var.);  ~ 
Marriage  (7  var.);  β€”  Education  of  Children  (2  var.);  β€”  Virtues 
of  young  men  (by  Geo.  Hautsch)  ;  β€”  Virtues  of  young  women 
(by  the  same);  β€”  The  four  Ages  of  Man;  β€”  The  good  and  bad 
Habits;  β–  β€” β–   Hope;  β€”  Souvenir  Medal,  etc. 

Beside  all  these,  Lauffer  edited  a  series  of  Portrait-medals  of  the 
Popes,  from  S'  Peter  to  Benedict  XIV.  (251  medals),  and  one  of 
Jesus  Christ,  as  Head  of  the  Church, 

Many  of  these  medals  are  very  common. 

LAOFFER,  CASPAR  THEOPHIL  {Germ).  A  Nuremberg  citi^un  who 
dedicated  a  medal  to  Charles  VI.,  on  the  conclusion  of  the  Peace 
of  Passarowiiz,  1718,  which  is  one  of  the  last  works  of 
P.  H.  Mtiller. 

LAUFFER,  CONRAD  (Germ.).  Counter-manufacturer  at  Nuremberg, 
during  the  third  quarter  of  the  seventeenth  century.  "In  1670  he 
received  a  special  permission  to  strike  Counters  for  games  and 
reckoning.  These  often  bore  the  busts  of  European  monarchs.  " 
Among  these  I  have  noticed  :  Charles  11.  of  Great  Britain,  1662 
(with  ^L.  legend  :  COUNTRRS.CONR.LAUFFERS.RECH : 
PFENNING);β€” Another,  1667,:^.  Britannia  seated  (signed:  C,L.R.); 

β€”  Louis  XIII.  (CONRADT-LAVFER-RECHE  PFENNM  :);  β€” 
Louis  XIV.,  several  varieties;  β€”  Philip  IV.  of  Spain,  Ike. 

By  him  is  also  aPonrait-medal,  uniface,of  Max  Gandolph,  Arch- 
bishop of  Salzburg,  undated,  and  signed :  C.  L. 

Bibliography.  β€”  Franks  .-iiid  Grueber,  Mpdallic  Ilhisiralioiis,  &c.  β€”  Neumann, 
Beschreibung  der  hekaiintesleii  Kapfermimxen,  V,  433,  β€”  Sally  Rosenberg,  Katatog 
voii  felons,  &c. 

LAOFFER,  CORNELIUS  (G^rm.).  Counter-manufacturer  at  Nurem- 
berg, circ.  1660-1676.  By  him  are  brass  Jetons,  with  busts,  of 
Louis  XIV. ,  several  varieties  :  (some  signed  :  CORNELIVS  LAVFFERS 
or  COR. ;  β€”  CORNE  LAVF. ;  β€”   COB.  L4VF.,  &c. ;   β€”  Charles  11.  of 


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β€”  332  - 
Great  Brium ;  β€”  Philip  III.  of  Spain  ;  β€”  Philip  IV.  and  Louis  XIV. ; 

β€”  The  Dauphin  (sev.  var. signed  C.  L,  with  legends  :  A  DELPHINO 
INCOLVMITASβ€” GALLICVS  DELPHINVS,  &c.). 

Bibliography.  ^  As  above. 

LADFFER,  GUNTHER  (Germ.).  Counter-manufacturer  at  Nurem- 
berg, early  part  of  the  seventeenth  cenmi'y- 

LAUFFER,  HANS  (^Germ.').  Counter-manufacturer  and  Mint-master 
at  Nuremberg,  1607-1645.  Neumann  describes  25  varieties  of  brass 
Jetons  by  this  Die-sinker,  signed  HANS  LAVFER ;  β€”  HANNS  LAVFER  ; 
--  H.  L. ;  β€”  HANS  LAFER ;  β€”  H.  LAVFER  IN  NVRMBERG  ;  β€”  H.  LAVF. ; 

β€”  H.  LAV.;  β€”  H.  LA.,  &c.  The  counters  refer  to  Henry  IV.  of 
France ;  β€” -  Henry  IV,  and  Marie  de  Medicis ;  β€”  Louis  XIII.  (with 
β– HANS  LAVFER'--VNICO  VNIVERSV);  β€”  Louis  XIII.  and 
Anne  of  Austria;  β€”  Louis  XIV.;  β€”  Gott  allein  die  Ehr;  β€” 
Perseus  riding  on  Pegasus ;  β€”  Arbeit  und  Tugend  macht  Edel ;  β€” 
Adam  and  Eve  ^L.  Christ  on  the  cross;  β€”  Das  Wort  Gottes  bleib 
ewich  ;  β€”  Noah  in  the  ark;  β€”The  French  Dauphin,  1614,  &c. 

Bibliography,  β€”  As  above. 

LAUFFER,  JOHANN  GOTTLIEB  (Germ.).  Countcr-manufaciurer  at 
Nuremberg,  in  the  early  part  of  the  eighteenth  centun'.  His  signa- 
ture I.G.L.  occurs  on  commemorative  Jetons  of  the  Expedition  to 
Vigo  Bay,  1702  (Bust  of  Queen  Anne) ;  ^Battle  of  Blenheim,  1704 
(imported  into  England  to  be  sold  in  the  streets,  or  to  be  used  as 
counters);  β€”  Coronation  of  George  I.  (signed  !β– β– ),  &c. 

I  have  no  doubt  that  Johann  Gottlieb  Lauffer  laTgeW  contributed 
to  the  series  of  medals  issued  by  Caspar  Gotcheb  Lauffer. 

BiULiOGRAtHV,  β€”  Franks  and  Grueber,  ap.  cit. 

LAUFFER,  LAZARUS  GOTTLIEB  (Germ.).  Counter-manufacturer  at 
Nuremberg,  1660-1700.  Ammon  says  that  he  was  Mint-master 
there  in  1670,  and  Chief  Mint- Warden  of  the  district  of  Franconia. 
Franks  and  Grueber  call  him  "  Medallist  and  Chief  Warden  of  the 
Mint  at  Nuremberg  from  1670  to  1690  ",  and  add  :  "  After  this  date 
he  appears  to  have  gone  to  Vienna  and  to  have  worked  in  partner- 
ship with  Georg  Hautsch  ",  a  statnient  which  I  have  not  been  able 
to  confirm.  It  is  evident  that  Geo.  Hautsch  contributed  to  the  series 
of  medals  issued  by  Lazarus  Gottlieb  Laufer  and  continued  by  his 
son  Caspar  Gottlieb  Laufer,  at  least  from  1683  to  1712,  but  I  can  find 
no  record  of  Lazarus  Gottlieb  Laufer's  leaving  Nuremberg,  nor  that 
there  were  two  Lazarus  Gottlieb  Lauffer,  as  mentioned  in  MedalUc 
JllustralimSy  II,  p,  730.  I  rather  think  that  Lazarus  Gottlieb  Lauf- 
fer's  activity  extended  to  the  early  part  of  the  eighteenth  century, 
until  about  1717,  when  his  son  succeeded  him  as  Chief  Warden  of 
the  Mint, 


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β€”  333  β€” 

All  die  medals  enumerated  niider  C^isp.ir  CJottlicb  Liuiffer,  struck 
previous  to  1717,  were  no  doubt  issued  by  tliis  Medallist,  who 
employed  several  die-sinkers  and  probably  cut  many  of  the  dies 
himself. 

His  signature,  which  is  usually  L,G.L.,  occurs  on  many  counters, 
among  which  I  may  mention:  Marriage  of  Charles  II.  and  Catharine 
(signed    :  L.  C.:  LAVF.   RECW.  (illustrated);   β€”Do,   with   bust    of 


Counter,  by  L.  G.  Lauftec. 

Charles  II.  (signed  on  1^.  LAZA  ;  GOTTL  ;  LAVFFERS  REICH-PFEKN- 
ING'COUNTERS) ;    Coronatloii   of   James    II.,    1685    (sev.    var.); 

β€”  Coronation  of  Williapii  III.,  1689  (several  varieties,  one  engraved 
byG.  Hautsch,  others  signed:  L.G.L.R,;  β€” LAZ.  GOTTL.  LAVFER,&c.); 

β€”  William  and  IVlary,  1689  (scv.  var.); β€”  The  Church  ol  England 
preserved  (obv,  Bust  of  Queen  Anne,  several  varieties);  β€” 
Louis  XIV.  (sev.  var.,  Neumann  n"'  32407-13),  &;c. 

Lazarus  Gottlieb  l.aufFer  is  said  to  have  introduced  at  Nuremberg 
the  coining-press,  which  was  then  already  in  use  in  France  and 
England. 

BiHLiOGHAPiiY.  β€”  Amnion,  op.  cit.  β€”  Franks  and  Grucber,  op.  cit. 

LAUFFER,  MATHA0S  (Garm.).  Counter-manufacturer  and  Bell- 
founder  at  Nuremberg,  1618-1625;  Mint-master  there  in  1622. 
Neumann  describes  eleven  varieties  of  counters  issued  by  him  : 
Gottes  Segen  macht  reig  (MATHEVS  LAVFER);  β€”  Der  Neid  thutt 
im  selbst  Leidt;  β€”Louis  XIII.  (several  varieties);  β€”  Joab  and 
Amasa  (MATTHEVS  LAVFFER);  β€”  Ambitios  a  Supcrbia  (M.  LAVF.); 

β€”  Aut  Caesar  aut  Nihil  (MAT  :  LAV  :  and  M.  LAV,)  ;  β€”  Louis  XIIL, 
1 618  (other  varieties,  signed  M,  L,;  --  M,  LAVFFER;  β€”  M.  LAVF)  ; β€” 
Soli  Deo  Gloria,  1619  (MATHEVS-LAVFER-IK-KVRNBERG);  β€”The 
Fall  and  the  Cross,  1625,  &:c. 

BiBLiooRAPHV.  β€”  Kull,  op.  cit.  β€”  Ncuuiaiin,  op.  cit. 

LAOFFER,  WOLFGANG  (Germ.).  Counter-manufacturer  at  Nurem- 
berg, ciVc.  i6iS-i66o.  His  couniers  are  very  numerous.  Among  the 
best  known  are:  Gottes  Segen  macht  reich  (WOLF.LAVFEr)  ; β€” 
Got  alein  di  thre  sei  (WOLFF  LAVFER  IN  NVRBER);  β€”  Wer  Got 


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β€”  554  β€” 
vertmut  hat   (WVLF  LAVFER.IN.NVRMBE,),  and  othci*  mottoes ;   β€” 
Gottes  Reich  blcibt  cwig  (WOLF  LAVFER  IN  NURNBEBG)  ;  β€”  Afifang 
beijenks  endt;  β€”  J'aime  etsuisaime;  β€” Louis  XIV.  (sev.  var.); 
β€” -LoLiis  XIII.  (sev.   v;ir.) ;  β€” The  French  Dauphin  (sev.  var.J  ; 

β€”  Teh  hah  die  aiigeneme  Kunst,  die  macht  gerechtik  ;  v  :  Gunst 
(WOLFF  LAVFFER.  --  RECHPFENGMACHER)  ;  --  Gelt  maclit  schelck; 

β€”  The  Astrologist ;  β€”  Festina  lente ;  β€”  Lucretia  plunging  the 
dagger  in  her  breast ;  β€”  Faniam  extendere  factis;  β€”  Henry  IV,  of 
France;  β€”  Aiit  Caesar  auc  Nihil  (WOLF.  LAUF.  and  W.LAV.);  β€” 
Ex  pace  Ubertas  (WOLF.  LAVF.);  β€”  The  Alphabet ;  β€”  Louis  XIV.  and 
Marie  Therese;  β€”  Louis  XIV.  and  Anne  of  Austria  (sev.  var., 
some  dated  1615,  161 5);  β€”  Romulus  and  Remus,  1619;- β€”  Jacob 
and  the  Angel,  &c. 

Most  of  W.  Lauffer's  counters  are  not  quite  circular,  but  more 
or  less  irregular.  Neumann  describes  over  thirty  varieties. 

Bibliography.  β€”  Kull,  o/j.  cil.  β€”  Sally  Rosenberg,  Catalogue.  β€”  Neumann, 
op.  cil.  β€”~  R-  Forrcr,  i^&niherger  Rcchiii-  iiiid  Spklpfcnnige,  Num.  Circ,  I,  159. 

LADNAY.  FRANgOIS  DE  (French).  MiuC-engraver  at  Poitiers,  1616- 
1618. 

LAUNAY,  PIERRE  DE  (French).  Goldsmith  of  Poitiers,  son-in-law 
of  Francois  Gaillaudon,  and  his  assistant  as  Lngraver  at  the  Mint  of 
Poitiers,  1606-1616. 


LAUNAY,  JACQUES  DE.  T/if;;  DELADNAY  (vol.  I). 


LAUNAY,  NICOLAS  DE  (French).  Director  of  the  Paris  Medal- 
Mint  from  1696  to  1727,  and  one  of  the  most  celebrated  French 
Goldsmiths  of  the  end  of  the  seventeenth  century  and  beginning 
of  the  eighteenth.  He  was  born  in  1647,  learned  drawing  under 
Francois  Chauveau,  and  was  probably  a  pupil  ot  the  famous 
Claude  Ballin,  whose  daughter  he  married.  During  his  tenure  of 
office,  he  greatly  improved  the  working  of  the  Medal-mint,  which 
reached  Its  highest  degree  of  extension  and  prosperity.  "  He 
succeeded  Nicolas  Petit,  who  was  the  first  to  hold  the  appoint- 
ment oiDirecleur  du  baJander  des  midaiUes.  In  1706,  the  numoer  of 
puncheons  and  dies  preserved  in  the  Galerie  du  Louvre  exceeded 
4000.  Until  1698,  the  medals  of  the  series  ofLouisXlV.  varied  in 
sizes,  between  30,  32  and  36  lines.  About  this  time,  the  Abbe 
Bignon  entrusted  the  Engraver  Mauger  to  cut  dies  for  200  medals  at 
150  livres  each,  which  were  executed  between  1699  and  lyoi,  by 
reducing  the  module  to  18  lines.  Others  were  commissioned  to 
other  artists,  so  that  the  series  of  small  size  medals  comprise 
350  pieces  "  (Blanchet,  Medailhs  franfaises). 

A  document  of  1698  records  in  eulogious  terms  "  the  fine  draw- 
ings which  Nicolas  de  Launay  gives  every  day  to  the  Mint  of  the 
Louvre.  " 


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β€”  335  - 

De  Laiiii^y  wiis  succeeded  by  his  son-in-law  Jules  Robert  de 
Coite,  who  remained  in  office  from  1727  to  1767. 

A  fine  Portnut,  after  Rigaud,  is  j^iven  of  Nicolas  de  Launay  in 
Ga^tte  num.  franfaise,  1904, 

BiBi.iOGRflPHY.  β€”  J.  J.  Guiffrey,  La  Momnw  des  Midailks,  Revui:  nimiisma- 
lique,  1885,  p.  2.  β€”  Gazette  des  Beaiu-Arts,  t.  X,  p.  154  et  t.  XI. 

LAUKDALE,  JOHN  (BnV.).  Mint-maiter  at  Edinburgh,  1453. 

LAUNE,  CHISTOPHE  DE  (Pre^ci),  Mint-master  at  Paris(l  540-1541), 
Mini-master  and  Engraver  ar)d  Tours  (1539-1540  and  1542-1553J. 
He  was  still  living  in  1556.  In  1540  he  had  some  differences  with 
Claude  Lemay,  a  Paris  Mint-engraver,  in  connection  with  an  issue 
of  jetons.  An  official  of  the  name  of  ANTOIKE  LAONE  filled  the  post 
of  secretary  under  his  administration.  Christoph  Laune's  distinctive 
mark  occurs  on  Petlts  Deniers  of  the  Paris  Mint,  1541,  andTesions 
and  Douzains  of  Tours,  1549-  He  is  the  first  Mint-master  who 
placed  an  A  (for  Pans)  under  king's  bust  or  beneath  shield. 

Bibliography.  β€”  MazeroUe,  Lei  Mddaillmrs  fra'i(ais,  1902.  ^  N.  Rondoi  and 
H,  deUTour,  o/>,  csl. 

LADNE,  Β£tIEKNE  DE,  also  STEPHANUS  LAUHUS;β€”  ETIENNE  DE 
LAXILNE,  or  .DELAULNE  (French).  A  celebrated  Goldsmith,  Medallist, 
and  Line-engraver,  born  at  Paris  cirr..   1519,  died  there   in  1583. 


Workshop  of  Stephen  Delaune  at  Augsburg. 

By  letters  patent  of  the  3 1.  January  1552,  he  was  appointed  Mint- 
engraver  at  Paris,  in  conjunction  with  Jean  Erondelle,  but  already 
deposed,  in  favour  of  Jacques  Beguin,  on  the  25.  June  ot  the  same 
year.  Towards  the  end  of  his  life,  he  went  over  to  Germany;  in 


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1373  ^"'l  1580  he  was  working  ;it  "  Argentina  "  (Strasbburg),  in 
1576  at  "  Augusta  "  (Augsburg),  and  it  is  most  probable  that  be 
also  resided  at  Nuremberg,  but  he  returned  to  Paris  some  little 
lime  before  bis  deatb,  which  according  to  La  Croix  du  Maine  took 
place  on  Whitsunday,  1583. 

Etienne  de  Laune's  fame  as  a  Goldsmith  stands  unrivalled  in 
France  in  the  sixteenth  century.  Cellini's  works  seem  to  have 
inspired  some  of  his  earlier  productions  in  chasing.  Among  his  most 
important  pieces  of  plate  are  the  celebrated  Ewer  and  Tray  of  the 
Leyland  Collection  (reproduced  in  Lasteyrie,  Histoirede  I'Orfivrene, 
p.  24})  and  a  cup  in  the  Louvre,  supported  by  a  beautiful  figure 
of  Bacchus,  the  body  of  which  represents  Venus  forging  the  arms 
of  Aeneas. 

This  artist  is  considered  as  oneofthe  most  pleasing  Copper-plate 
engravers  of  the  French  Renaissance.  A  number  of  drawings  by  his 
hand  of  medals,  coins,  jetons,  seals  and  jewels  are  still  preserved 


Midal  of  Henry  II.,  by  Eutniie  dc  L. 


at  the  BibUotheque  Nationale,  Paris.  "  Toutes  les  compositions  de 
ce  Maitre  se  distinguent  par  un  respect  scrupuleux  de  la  forme  ; 
I'ornementation,  si  riche  qu'elle  soit,  n'en  vient  jamais  alt^rer  la 
puret6,  ni  d^naturer  la  donn^e  premiere"  (Lasteyrie, o/i,  cit.,  245). 
M.  Mazerolle  calls  Etienne  de  Laune  one  of  the  cleverest 
sixteenth  century  medallists  and  gives  a  list  of  his  medallic  produc- 
tions :  1551.  Henry  11. ,  signed  S  on  obv.  ^.  SVA.aRCVlT. 
OilBE.FAMA.  Victory  tor.  on  globe;  35  mill,  {illustrated);  β€”  Do, 
1552.,  signed  S  behind  the  head  of  the  King.  1^.  NOMEN.AD. 
ASTRA.  1552  L  (Launius)  Diana;  2r  mill,  (ona  specimen  in  the 
Munich  Cabinet  the  letter  E  shows  quite  distinctly  after  the  dace) ; 
β€”  Do,  Similar  obv.  ^.  SIC, FAMA.VIRESCIT.  1552.  L.  Fame 
holding  palm-branch  and  laurel-wreath,  21  mill. ;  β€”  Do,  HENRI- 
CVS. II. DEI. G.FRANCO. REX.  Laur.  bust  of  Henry  IL  in 
cuirass  I^.  SIC.FAMA.VIRESCIT.  1552, L,  Victory  seated  to  I. 
on  orb,  holding  palm-branch  and  laurel-wreath ;  in  the  field  :  S. 


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β€”  337  β€” 
(The  letier  S  was  dc  Laime's  nsual  sigiiiimre  on  his  engravings);  β€” 
Do,  HENRICVS'II-GALLIARVM'REX-INVICTISS.P.P.  Uur. 
bus:  in  cuirass;  ^.  OB'RES'IN'ITAL-GERMET-GAL-FORTI- 
TER'AC-FOELICGESTAS.  Fame  driving  a  quadriga  in  whch 
are  Abundance  and  Victory  ;  beneath  :  EX' VOTO'PVB;  1552; 
54  mill. ;  β€”  Do,  A  variety  viiith  Abundance  and  Victory  standing 
in  quadriga ;  β€”  Do,  Similar  obv. ;  Β₯jL.  RESTITVTA  REP  β€’  SEENN- 
SI,  ike,  within  laurel-wreath;  56  mill.;  β€” Henry  11.  and  Catherine 
de'  Medici,  1555,  Obv.  Similar  bust  ofHenry  11;^.  KATHARINA" 
DE'MEDICrS'REGINA'FRANCORVM.  Bust  to  I.  of  the  Queen; 
beneath  :  1555;  54  mill,;  β€”  Henry  11.  Obv.  Similar  bust,  with 
legend  :  HENRIC VS  β–   II  β–   FR ANCOR  β–   REX β–   IN VICTIS ?.  P  β–   P  β–  ;  ^. 
TE-COPIA'LAVRO-ET-EAMA'BEARVNT.  Fame  driving  quad- 
riga; beneath,  NVIA;  53  mill.;  β€”  Antoine  de  Bourbon,  Obv. 
ANTONIVS'DEI-G-REX-NAVARRAE.  Bust  of  King  to  r.  in 
cnirass;  ^L.  REX  CONSERVATOR.  The  King  extending  his 
hand  to  a  ploughman;  ex  :  PROVIDENTIA  |  1559;  37  mill.; 
β€”  Do,  SimilarObv.  ;  ^L.  ADVERSIS'NESCIA-VINCl,  Prudence 
seated  to  1.   holding  a  mirror  to   her  face,  and  a    serpent;  ex.  : 


COMITIA-AVR  I  1560;  37  mill.;β€” Do,  SimilarObv.;]^.  Nine 
female  figures,  five  to  1.  and  four  to  r,  supporting  in  the  air  a 
figureofVictory  holdingtwo  wreaths;ex. :  FELICITAS  |  ;  jymill.; 
β€”  Do,  Bust  of  King  in  cuirass ;  I^.  A VXIL  β–   ME VM  β–   A  β–   DOMINO . 
Hand  issuing  trom  the  clouds  placing  a  sword  in  the  hands  of  a 
crowned  figure ;  in  front  of  him,  the  four  gods  Jupiter,  Aeolus, 
Neptune,  and  Time;  ex:  IN-FIL-HOM-NON-EST  SALVS  1562; 
42  mill.,  &c. 

MazeroUe  gives  the  following  jetons  to  Etienne  deLaune:  β€” 
1559.  Chambre  des  Comptes  ;  β€”  1560.  Chambre  des  Comptes. 
^i"  Mercury;  β€”  1561,  Jeton  banal;  β€”  1564.  Gendarmerie  de 
France;  β€”  Catherine  de  Clermont,  1564,  Many  others  are  given 
by  Mariette  in  his  Abecedario,  but  they  cannot  be  authenticated. 

It  is  difficult  to  say  what  share  the  artist  had  in  the  cutting  of 
the  dies  of  the  milled,  Testons  and  Half  Testons  of  1552,  in  which 


,y  Google 


-  3)8- 

year  lie  held  the  appoiiitmentof  Mint-engraver  in  conjunction  witli 
Jean  Erondelle  ana  Jacques  Beguin,  but  comparison  of  style  between 
these  and  the  Henry  II.  medals  by  de  Laune   which  present  the 


Ponriih- medal  of  J( 


same  characteristics,  seems  to  show   that  they   were  both  by  the 
same  hand. 

Referring  to  the  three  first  medals  above  described  by  Etienne  de 
Laune,  of  which  only  later  specimens  are  known  from  restored  dies, 


Gabriel   Schlusselbergf 


M.  Mazerolle  says  :  "  L' expression  de  la  physionomie  royale  est 
charmante  et  les  figures  des  revers  ont  cette  maigreur  caract^ristique 
qu'affectionnaient  les  artistes  du  regne  de  Henri  II  ". 


./Google 


β€”  339  β€” 

A  Porcrait-niediil  in  lead,  unsigned,  of  Je^ii  R.ibel  of  Beauvals 
Qllustraled),  in  Mr.  Max  Roseniicim's  collection,  belongs  perhaps  to 
the  school  of  Etienne  de  Laune,  but  M.  MazeroUe  and  other  experts 
are  not  inclined  to  ascribe  it  to  that  artist.  I  may  further  add  that 
in  the  Beauvais  Archives  nothing  could  be  found  concerning  this 
Jean  Rabel. 

Etienne  de  Laune's  engravings,  which  date  from  1561  to  1581, 
are  occasionally  signed  Slephanus  F  or  5.  F.  The  signature  Stepha- 
nusf.  occurs  on  a  Portrait-medal  of  Gabriel  Schliisselberger  of 
Nuremberg,  1574  (illustrated).  Erman  has  no  hesitation  to  give 
it  to  Etienne  de  Laune,  who,  having  embraced  the  reformed 
faith,  went  over  to  Germany  some  time  after  1569.  Another  medal, 
that  of  Hans  Huetter  and  his  wife  Ursula,  although  unsigned, 
exhibits  identical  work.  M.  MazeroUe  however  does  not  share 
Erman's  view  and  thinks  the  Schiisselberger  medal  is  absolutely 
German  in  character  and  has  no  point  in  common  with  the  known 
French  works  of  de  Laune. 

Bibliography.^  F.  Maierolle,lM  Midailhun  franfau,  1902.β€”  \hiA.,Etunm 
de  Laitm  etGuillmmu  Martin,  Gazette  des  Beaux-Ans,  t.  VIII, p.  J12.  β€”  lilanchet, 
op.  cit.  β€”  Lasteyrie,  op.  cit.  β€”  Erman,  Dnitscht  Medailleiire,  1884,  β€”  KuU, 
Rgperlorium,  11,  710. 

LAUNE,  PIERRE  DE  (/^rflJcA).  Mint-master  at  Paris,  1541-43. 

LAUNOIS.  Durand  {MS.  List  of  Medallists)  gives  the  name  of  Lau- 
nois  as  that  of  an  Engraver  of  a  pattern  5  Franc  piece  of  Charles  X., 
but  no  doubt  in  error  for  CADNOIS  {q.  v.). 

LAORANA,  FRANCESCO  QJtal.).  Painter,  Sculptor  and  Medallist, 
circ.  1430-1501;  a  native  of  the  ancient  fortified  city  of  the  Tem- 
plars, La  Vrana  or  Laurana,  near  Zara.  In  Neapolitan  documents 
his  name  occurs  also  as  Francesco  Adzara  (for  Francesco  da  Zara). 

Laurana,  the  favourite  Sculptor  and  Medallist  of  Ren^  of  Anjou, 
Count  of  Provence  and  King  of  Naples  (1458-1480)  is  the  first 
champion  of  the  Renaissance  in  France. 

Between  1468  and  1471,  a  Franciscus  Laurana,  habitator  urbis 
Panormi  et  civitatis  Venetiarum  was  working  in  Sicily  and  executed 
a  statue  of  the  Virgin  for  the  Dome  of  Palermo,  bearing  the 
inscription :  Franciscus  a  Laurana  me  fecit  MCCCCLXX.!.  Later,  circ. 
1478-1480,  a  Franciscus  Laurens  is  mentioned  in  the  accounts  of 
the  court  of  Count  Rene  as  "  tailleur  d'ymaiges  "  and  sculptor.  In 
1490,  the  name  of  Laurens  occurs  as  Founder  and  Chaser,  in 
connection  with  the  mausoleum  of  Ferry  IL,  Count  of  Lorraine 
and  Vaudemont,  erected  in  St.  George's  Church  at  Nancy.  All  three 
references  undoubtedly  concern  the  same  artist, 

Lauraoa'sname  is  intimately  connected  with  that  of  his  coUeagne, 
the  architect  and  medalUst  Pietro  da  Milano.  Both  were  attached 


./Google 


β€”  340  β€” 
to  the  person  of  King  Rene,  and  modelled  Portr;iit- medals  of  their 
Patron,  his  Queen  and  courtiers. 

The  recent  researches  of  E.  Muntz,  Maxe-Werly,  C.  vonFabriczy 
and  others  have  settled  many  obscure  points  in  Francesco  da 
Laurana's  history.  The  great  artist  left  Italy  soon  after  1458, 
sojourned  in  Provence  (at  Aix)  until  about  1466,  then  returned  to 
his  native  land.  In  1468,  1471  and  1473  he  wasworking  in  Sicily 
for  various  churches,  tut  in  1478,  we  find  him  back  in  France,  and 
residing  at  Marseilles,  where  he  married  and  lived  until  1483. 
Later,  circ.  1490,  Laurens  le  fondeur  was  engaged  at  Nancy  on  the 
mausoleum  of  the  Count  of  Vaudemont.  He  appears  to  have  spent 
the  last  few  years  of  his  life  at  Avignon,  with  his  daughter  and  son- 
in-law  the  painter  Jean  de  la  Barre.  In  all  probability  Tie  died  in  the 
early  part  of  1 501  and  was  buried  in  the  chapel  which  his  daughter 
Maragda  (or  Meranda)  had  acquired  near  the  Augus:in  convent  at 
Avignon,  for  the  sepulture  of  her  family.  The  last  mention  of 
Laurana's  name  occurs  on  a  contract,  dated  14.  October  1500,  rela- 
ting to  the  sale  of  some  house  property  at  Marseilles,  and  he  is 
there  styled  :  "  Franciscus  Laurana, ,  scissor  ymaginum  ". 

"  Pierre  de  Milan  ct  Francesco  Laurana,  tons  les  deux  sculpteurs, 
out  garde  sur  notre  sol  le  caractcre  de  ieurpatrie  d'origine.  La 
composition,  le  dessin,  le  modeli^,  tout  rappelle  I'art  italien  dans 
leurs  ouvrages .  Tout,  sauf  la  fonte ;  la  mauvaise  quality  de  la  fonte 
confirmerait  mSme  le  fait  de  leur  execution  en  France  "  (Rondot  ec 
De  La  Tour,  Les  Midailleurs  et  les graveurs  de  monnaies.  Sec,  1904, 
p.  71). 

Some  of  the  signed  medals  of  Laurana  are  dated  1461,  1463  and 
1466  ;  others  are  undated.  With  the  exception  of  the  Portrait-piece 
ol'LouisXI.,  they  all  represent  King  Ren6,  Queen  Jeanne,  and 
personages  of  their  court.  The  following  are  known  :  1461.  Tri- 
ioulet,  King  Rene's  buffoon.  Bust  to  r.  ^L.  Lion  seated  to  1.; 
above,  in  three  lines: ,M. β€” 'CCCC. β€” -LXI. ;  in  exergue,  in  three 
lines  :  FRANCISCVS-LAVRANA-F.(Diam.79mill.);  β€”Jeannede 
Laval,  second  wife  of  King  Rene,  Bust  to  1.,  hair  hidden  in  richly 
ornamented  coiffure.  ^L.  PER  NON  PER.  β– M-CCCC"  -LXI.  A 
pair  of  turtle-doves,  in  ex.  :  FRANCISCVS-LAVRANA  FECIT 
(D.  90).  (^.  probably  designed  by  King  Ren6  himself,  vide  Heiss, 
p.  19);  β€” β–   1463.  Rene  of  Anjotiand  his  consort  Jeanne  de  Laval,  Busts 
conjoined  to  r.  ^L.  PAX  AVGVSTI.  Peace  standing  facing,  with  a 
sprig  of  laurel  in  one  hand  and  helmet  in  the  other ;  to  r.,  withered 
trunk  of  a  tree  from  which  issues  one  shoot ;  in  the  field  :  '  M'  β€” 
β– CCCC'~-LXm. ;  in  ex.  :  -FRANCISCVS-LAVRANA*  β€” 
β–   FECIT  (D.  90).  A  variety  of  obv.  exists  with  legend  :  DVO' 
CORPORA-VNVS  ANIM.  (uniface)  ;  β€”  1464.  John  of  Anjou, 
Duke  of  Calabria.,  Bust  to  1.  ^.  Circular  temple,  the  cupola  sur- 


,stsd  by  Google 


β€”  341  β€” 
mounted  with  a  statue  of  the  Archangel   Michael  (the  temple  is 
copiedlrom  that  of  Vesta  at  Rivoli);  in  the  field  ;  M  β€’  CCCC  β–   LXIIII ; 
ex.  :  FRANQSCVS  LAVRANA   (F    ?).    (D.  85);    β€”  Undated 
(perhaps  r46i  ?).  Charles  IV.  of  Anjmi,  Count  of  Mains,  Bust  to  r. 


by  Francesco  Laurana. 


Iji.  Map  of  the  world  ;  FRANCISCVS  LAVRANA  FECIT  (D.  70) 
(2  var.)  ;  β€”  Undated.  Louis  XL,  King  of  France,  Bust  tor.  wearing 
his  favourite  head-dress,  the  chapdi'SjL. CONCORDIA  AVGVSTA. 
Concord  seated  to  r.  :  in  ex.  :  FRANCIS-LAVRANA  FECIT  (D. 


atdb,  Google 


β€”  342  β€” 
85)-  Type  of  ]]L.  copied  from  a  Roimn  sestertius  or  medallion. 
TlieporcraitofLouisXI.is  very  realistic.  Von  Fabriczy  calls  it  Laura- 
na's  masterpiece,  and  adds  :  "The  cunning  craftiness,  the  suspicion, 
but  at  tlie  same  time  tlie  resolution  of  tniSj  the  first  modern  despot 
and  incarnate  reaction  against  the  ideals  and  wealmesses  of  the 
Middle  Ages,  are  excellently  expressed  in  the  portrait  ".  "  Notwith- 
standing ',  continues  the  same  writer,  "  Laurana  fails  by  a  long 
way  to  reach  Pisano-s  grandeur  of  style,  strength  of  modelUng  and 
mastery  of  technique;  his  imitation  of  nature  is  superficial,  at 
times  quite  painful,  and  the  treatment  of  the  relief  is  flat  and 
lacking  in  character  ",  Varieties  exist  of  the  Louis  XI.  medal  ;  one 
in  silver, uniface(obv.  only)  was  in  the  Armand  collection;  another, 
in  the  French  Cabinet,  has  on  ^.  SANCTIS  β–   MICH AELiS  β–   ORDI- 
NISTNSTITVTOR.  Shield  of  France  within  collar  of  the  Order 
of  S'  Michael;  β€”  1466.  Jean  Cossa,  Count  of  Troya,  Bust  to  r. 
(ECCE  -  COMBS.  TROIAE.,  &c.) ;  ^L.  PR ANCISCVS'LAVR ANA- 
FECIT  β–   ANNO  β–   DNI  β–   MCCCCLXVI.  Within  laurel-wreath, 
between  the  letters  Iβ€” C,  two  broken  horseshoes  interlinked. 

To  the  above-described  medals,  Heiss  and  Armand  add  aPortrait- 
piece,  imdated,  of  an  unknown  person,  with  legend  :  HIC'IN" 
TERRIS-MERVIT-SIBI-NOMEN-OLIMPO-  The  person  repre- 
sented is  without  much  doubt  one  ofthe  poets  of  the  court  of  good 
KingRen^,  oneof  the  few  princes  who,  North  ot  the  Alps,  extended 
the  magnificent  patronage  of  the  Italian  nilers  to  sciences  and 
arts,  and  himself  won  laurels  in  painting  ani  verse-making ;  β€” 
1464.  Ferry  II.,  Count  of  Vaudemont,  Bust  to  r.  I^.  FRANCISCVS  β–  
LAVRANA-FECIT.  β€”  MCCCCLXIIII.  The  Count  on  horseback 
to  1,  (Collection  of  the  Glasgow  University),  &c. 

Friedlander  illustrates  a  medal  of  Jean  de  Matharon  (f  1495) 
which  he  thinks  bears  analogy  with  Laurana's  work. 

Details  are  wanting  as  to  the  artist's  collaboration  in  the  decora- 
tion of  King  Alfonso's  Triumphal  Arch  at  Naples,  but  his  hand 
can  be  traced  in  many  works  of  sculpture  still  extant  in  Italy, 
South  of  France  and  Lorraine,  among  which  are  :  "  Portement  de 
Croix"  in  St.  Dldier's  Church  at  Avignon  (1481);  Mausoleum  of 
Jean  de  Cossa,  Marshal  of  Provence  (1476-1481);  Decoration  of 
the  St.  Lazare  Chapel  in  the"  Major"  church  at  Marseilles  (1483)  ; 
The  Joinville  Mausoleum  of  Count  Ferry  de  Vaudemont,  nephew 
of  King  Rene,  and  father  of  Rene  II.,  Duke  of  Lorraine ;  Tomb  of 
Charles  IV.  of  Anjou  in  the  cathedral  of  Le  Mans ;  Marble  statue 
of  the  Virgin  oti  the  door-way  of  the  cliapel  of  Castelnuovo  at 
Naples;  Retabh  of  the  Church  of  Celestins  at  Avignon;  Niche  of 
King  Ren6  in  Tara,scoii  castle ;  and  the  mutilated  bust  of  Rene  and 
Jeanne  de  Lava!  in  the  Tarascon  BibliothSque. 

Bibliography.  β€”  A.  Hei?^,  Les  MMaitleuis  dela  Renaissance, Francesco  Laurana, 
Fietro  di  Milano,  Paris,  18S2.  β€”  A.  Artniind,  Lei  Me'daitleiirs  ilaliens  iks  XV'  et 


db,  Google 


β€”  343  β€” 

XVI'  sikUs,  Paris,  1885-1887.  β€”  C.  von  Fabriczy,  Medaillm  der  ilalieiiischm 
Renaissance,  Leipzig,  190;.  β€”  D' Julius  Friedliinder,  Die  italienischen  Scbaumlm^m 
des  fUnfyetniten  Jab-bunder ts,  Berlin,  1882.  β€”  E,  MJintz,  Hisloire  de  I  Art  peiidanl 
la  Renaissance,  II.  β€”  Coiirajod  et  Marcou,  Catalogue  raisotini  du  Mush  de  sculpture 
du  Trocaiiro.  β€”  Grande  Encydopddie.  β€”  Grand  Dictionnaire  Larousse.  β€”  M.  Maxe- 
Werly,  Fro««iΒ«i  da  Laurana,  1899.  β€”  D^  Barthfilemy,  Francesco  Lauraiia,  1885. 
β€”  E.  Milntz,  Les  derniires  annies  du  sculpteiir  Laurana,  Chronique  des  Arts  et  de 
la  Curiosity.  β€”  Bolzenthal,  op.  cil.  β€”  Gazelle  des  Beaux-Arts,  m:irs  1905.  β€” 
Blaiichet,  op.  cit.,  II,  p,  38;,  β€”  Revw  arcbM.,  1899,  p.  160. 

LKORESCE  (^French).  Die-sinker  of  the  early  part  of  the  nineteenth 
century.  A  masonic  medal,  dated  1806,  of  the  "  Lodge  of  the 
French  Eagle  "  bears  his  signature  in  full. 

LAUREHCIN,  JOSEPH  (French).  Mint-engraver  at  Villi;franchc  en 
Rouergue,  circ.  1421-1422. 

LAUREKS  (Amir.).  On  a  Portrait-medal  of  D"-  Josef  Barth,  of 
Vienna,  1804,  the  signature  of  this  Die-sinker  appears  in  full. 

LAURENT,  CHARLES  (FrOTc/j).  Mint-master  at  Montelimar,  1507, 

LAURENT,  EUGΒ£NE(Fm)c/)). Contemporary  Sculptorand  Medallist, 
born  at  Gray  (Hame-Sa6ne},  29.  April  1827  ;  pupil  of  Coinchon, 
His  signature  occurs  on  a  commemorative  medal  of  the  Visit  ot 
Napoleon  III.  and  the  Empress  Eugenie  to  the  Paris  hospitals  during 
the  plague  of  cholera,  1865,  and  he  modelled  also  several  Portrait- 
medallions,  some  of  members  of  his  family. 

BiiiLiOGUATHY.  β€”  Chavignerie  et  Auvray,  op.  cil. 

LAORENT-DARAGON,  CHARLES  (French).  Contemporary  Sculptor, 
born  at  Paris  in  1833  ;  pupil  ot  the  Ecole  des  Beaux-Arts.  Among 
his  best  known  medallic  works  exhibited  at  the  Paris  Salon  are  : 
1867.  Portrait-medallion  in  bronze  of  Count  E.  de  D*** ;  β€”  1869. 
Mm=  j.  C***  ;  β€”  1875.  M"^  E.  Richard,  &c. 

BiBLioGKAPiiv.  β€”  Chavignerie  et  Aviwray,  op.  cit. 

LAURENT,  PIERRE  (French~).  Contemporary  Sculptor,  born  at 
Montlu^oii  (Allier)  ;  pupil  of  Chapu,  and  Barrias.  At  the  Salon  of 
1905  he  exhibited  a  Portrait-plaquette  of  M.  Mesnag6. 

LAURENTINI,  PAOLO  (Ital.).  MedaUist  of  the  first  half  ot  the 
seventeenth  century,  mentioned  by  Bolzenthal. 

LAURENTIUS  (LORENZ),  LUKAS  (Germ.).  Mint-warden  at  Bernstadt 
1681,  1696,  and  later  at  Ols.  His  initials  occur  on  coins  of  1677, 
1694-1699. 

Bibliography.  β€”  Schlesiens  Forfeit  in  Bild  und  Schi-ifl,  VII,  65, 

HosBdb,  Google 


β€”  344  β€” 
LAUREMIDS  PAEMENSIS  Vide  FRAGNY.  Vol.  II,  p.  133. 

LAURENZANO,  GIOVANNI  ANDREA  (Ital.).  Medallist  of  the  third 
quarter  of  the  seventeenth  century.  He  resided  at  Rome  and  worked 
for  the  Papal  Court,  His  signature,  says  Ammon,  occurs  on  Papal 
medals  of  1689  and  1690,  temp. .innoceut  XI.  and  Alexander  VIII. 
A  large  Portrait-Medal  of  the  celebrated  architect  Carlo  Fontana 
(1634-1714)15  signed  GAL  and  is  probably  his  work  (Haller  I,  1904; 
β€”  Wunderly  v.  Muralt  Cat.,  n"  2848). 

Bibliography.  β€”  Amnion,  op.  dt.  β€”  Bolzenthal,  op.  cit. 

LAURER,  GOTTLIEB  (GΒ«-m.).  Medallist  of  Kulmbacli,  middle  of 
the  eighteenth  century.  He  cut  die  dies  for  the  Mining  Medal  of  the 
"  Neulaischen  Friedensgrube  ",  17^8,  which  is  signed  'V-.  His  full 
signature  G.  LAVRER  appears  on  a  Medallic  Tha.ler  of  William  Fred- 
erick Louis,  Baron  of  Gleichen-Rusworin,  1753;  this  medal  par- 
takes of  a  masonic  character  and  is  de.scribcd  by  Marvin,  Masonic 
medals,  p.  136,  n"  CCCLV. 

Bibliography.  β€”  Amman,  op.  cii. 

LAUREYS,  BALTHASAR  (Belg.).  Mint-cngravcr  at  Brussels,  1619- 
1661,  under  Phihp  IV. 

BiBLioGRAPHV.  β€”  A.  lie  Witte,  Lc  jelon  daiis  ks  comples  /Ics  mailres  des  Mouiiaiis 
dudiicMde  BraUntanx  XVIb  d  XFHI^  Hecks,  Tijdsclirift,  1896-97. 

LADTENSACK,  FBIEDRICH  (Germ.).  Mint-master  at  Rostock,  1796- 
1802.  His  issues  bear  generally  his  initials  F.  L. 

LAUTEHSACK,  HANS  (Germ.)  of  Nuremberg,  is  mentioned  circ. 
1558  as  having  executed  designs  for  coins  of  the  Emperor  Ferdi- 
nand I.(Kenner,  1903,  p.  17). 

LAUTENSCHLAGER,  ANTON  CHRISTIAN  {Germ.).  Medallist  of  tlie 
nineteenth  century,  born  at  Hanau,  where  he  also  resided  until 
1S77,  in  which  year  he  died  on  a  journey  to  Naples.  His  productions 
are  mostly  unimportant. 

LAUTIER,  PHILIPPE  DE  (French).  Mint-master-general  of  France, 
circ.    1540-1552. 

LAUTIZIO  (/;Β«/.)  of  Perugia,  is  said  by  Cellini,  to  have  been  of 
great  ability,  and  a  clever  Seal-engraver.  By  him  is  probably  a 
hone-stone  medal  with  portrait  of  D.  Adr.  de  Ladeuse,  Venice, 
1532  (described  by  G.  Sparkes  in  Num.  Chronicle  1854,  p.  187, 
n"  5)  and  a  Plaque,  wich  subject  in  relief  of  the  Adoration  of 
the  Magi,  in  the  Victoria  and  Albert  Museum,  South  Kensington. 
Milaoesi  suggested  the  attribution  to  him  of  two  Portrait-medals 
of  Giovan  Lodovico  Toscani,  signed  L.  P. 


,stsd  by  Google 


lAXlWIER,  PIΒ£RART  (French).  Mint-engraver  at  Valenciennes,  arc. 
1460. 

L.A.V.  (Dutch').  These  initials  occur  on  a  medalet  commemorating 
tile  Peace  of  1544  (2  types)  and  are  supposed  to  be  the  signature 
of  a  Mint-master  in  Gelderland  (Vide  Med.  lUustr.,  I,  pp.  45-46). 

LAVACCHIO,  ZANOBI  DEL  (ltd.).  Sculptor  of  Florence,  end  of  the 
fifteenth  century.  Bolzenthal  gives  his  name  as  a  Medallist,  but 
without  being  able  to  trace  any  of  his  medallic  works. 

LAVALLfiE,  JEAN  BAPTISTE  DAVID    (French).     Mint-engraver    at 
Limoges,  1780-1792,  qualified  Engraver  in  functions  from  1785. 
ISlJiLioGRAFHY.  β€”  Louis  Guibcrt,  La  Momiaiede  Limoges,  1893. 

LA  VALLfiE,  MARC  DAVID  (French).  Mint-engraver  at  Limoges, 
circ.  1779-1780. 

LAVANCHT-CLARKE,  F.  H.  (Swiss).  Representative  of  the  Sun- 
light Soap  Co.  for  Switzerland,  and  Editor  of  Adverilsement 
Tickets,  Medallic  Calendars,  Exhibition  Medalets,  &c.,  all  in  con- 
nection with  the  advertising  of  the  Sun-light  Soap,  1896. 

LA  VANELLE,  AMTOINEDE  (French).  Goldsmith,  Founder,  and 
Engraver  of  Jetons  at  Lyons,  circ.  1493-1538.  Another  Engraver  of 
the  same  name  was  working  circ.  1540-1543. 

LA  VANELLE,  SIMON  DE  (French).  Jeton-engraver  at  Lyons  and 
Paris,  1524-1546.  By  him  are  jetons  of  that  date,  issued  for  Gilles 
Auberr,  sieur  de  Vautrouze.  He  signed  Delauanelle. 

BiBLioGRAPOv.  β€”  Mazerolle,  op.  cit.,  I,  clveii. 

LA  VANELLE,  BERTRANDDE  (French).  Goldsmith,  Founder,  and 
Engraver  of  Jetons  at  Lyons,  circ.  1530-1538. 

LA  VANELLE,  CYRIAQDE  DE  (French)-  Goldsmith,  and  Engraver 
ot  Jetons  at  Lyons,  circ.  1524-1547. 

LAVATER  (Sioiss).  Designer  of  a  medal,  engraved  by  Huguenin 
freres,  on  the  Opening  of  the  Albula  Tunnel  of  the  Siniplon  Rail- 
way, 1903. 

LAVAD,  ANDRfi  (French).  Gem-engraver,  and  Die-sinker  of  Bor- 
deaux, born  in  1722,  died  on  the  28"'  of  February,  1808.  He  was 
a  pupil  of  Roettiers  of  Antwerp. 

By  him  are  five  jetons  of  the  College  of  Surgeons  of  Bordeaux, 
one  of  which,  signed  on  both  sides,  represents  on  obv.  SS.  Cosmus 
and  Damianus  and  on  ^L.  a  view  of  the  College.  He  also  engraved  a 


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signet  with  a  head  of  Hercules,  executed  after  the  antique,  and  to 
which  he  devoted  ten  ye;irs;   M.   de  FayoUe  terms  this  "  uiipur 
chef-d'ceuvre  " ;  and  a  medal  with  ^.  D'  de  la  Martiniere,  Bordeaux, 
1753,  signed  :  LAVAVA  BOR*. 

Lavau  largely  contributed  to  the  foundation  of  the  Academic  de 
Peinture  et  Sculpture  of  Bordeaux,  and  was  appointed  Rector  of 
that  Institution  several  times.  Among  his  pupils  are  the  great 
medallist  Andrieii,  who  studied  for  eight  years  under  him,  the 
painters  Lacour,  Taillasson,  the  brothers  Pollieres,  Monbrun- 
Barincou,  &c. 

The  artist  was  intimately  acquainted  with  .Gatteaux  and  other 
contemporaneous  medallists.  His  portrait  was  painted  by  Sicardi. 

Bibliography.  β€”  Inormalion  kindly  supplied  by  M.  A.  Evrard  de  Fayolk,  of 
Bordeaux. 

LAVAU,  JACQUES  (French).  Brother  of  the  preceding  ;  also  a  Seal- 
engraver-  He  engraved  Plates  of  coins. 

LAVfiE,  ADOLPHE  JULES  (French).  Contemporary  MedaUist,  born 
at  Moriaix  (FinistSre) ;  pupil  of  Degeorge  and  Dantzell.  He  formerly 
worked  for  many  years  for  M.  Desaide,  the  medal-publisher.  At  the 
Salon  of  1881  he  exhibited  a  medal,  Art  &  Industry  '^L.  Arms  of 
Tours;  β€”  in  1881,  Portrait  of  M.  Thomas,  senior  member  of  Paris 
public  notaries,  and  a  Prize-medal  tor  Rifle  Clubs; β€”  1883. Nautical 
Medal;  β€”  Prize  Medal  for  Athletic  Sports;  β€”  1884.  Inauguration 
of  the  Railway  of  the  Asturias ;  β€”  Medal  of  the  Nautical  Society ; 

β€”  Portrait-medallion  of  M.  Boutmy;  β€”  1885.  The  Railway 
Asturias-Galicia-Leon;  β€”  Prize  Medal  for  Shooting  and  Athletic 
Sports;  β€”  1886.  Portrait-medallion  of  M.  A.  D.***;  β€”  1S87. 
M.  A.  H.***;  β€”  1890.  Prize  Medal  for  Rifle  Clubs,  Sporting,  &c. ; 

β€”  Mathieu  Dombasle,  silver  medal;  β€”  1891.  Prize  Medals;  β€” 
1893 ,  Portrait-medallions;  ~  1895 .  Five  silver  medals,  and  a  Portrait- 
medallion  ofM.  X***,  &c. 

Bibliography.  β€”  Chavigneric  et  Auvray,   op.  cil.,   11,  p.    248. 

LAVIGNE,  BVB'EKC  (French),  Sculptor  of  the  nineteenth  century, 
born  at  Cons-la-Granville  (Moselle),  11.  July  i8i8;diedin  1881. 
He  was  a  pupil  of  Ramey,  A.  Dumont,  and  the  Ecole  des  Beaux- 
Arts.  Among  his  exhibits  at  the  Paris  Salon  were  frequently 
Portrait-medallions;  tor  instance.  In  1878,  one  of  Baron  Taylor, 
and  at  other  dates,  Montaigne,  Bacon,  Voltaire,  Descartes,  Newton, 
Goethe,  &c. 

Bibliography.  β€”  Chavlgnerie  et  Auvray,  op,  cil. 

LAVIGNE,  JACQUES  DE  (French).  Mint-engraver  at  Bayonne,  1496- 
1498. 


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lAVILLE-TDAL,  DE  (French').  Contemporary  Sculptor,   by  whom 
there  is  a  medal  ccinimemorating  the  50"'  anniversary  of  Chateau- 
briand's funeral,  1898  (Ga^.  num.  1899,  p.  98).  Vide  PREZ  DE  LA 
VILLE  TUAL, 

LA  VILLETTE,  EUGENE  (French).  Contemporary  Sculptor  and 
Medallist,  born  at  Saint-Mammas  (Seine-et-Marne);  pupil  of  Ch. 
Gauthier  and  Decorchemont.  At  the  Salon  of  1898  he  exhibited  the 
following  medals  :  Portrait;  β€”  Harvesting ;  β€”  Industry ;  β€”  Joan 
of  Arc;  β€”  Mater  dolorosa;  β€”  1895.  Several  Plaquettes;  β€”  Christ 
on  the  cross,  medal,  &c. 

LAVRILLIER,  CU-kKLLS  (French).  Contemporary  Sculptor,  born  at 
Paris;  pupil  of  Stelmans  and  Dropsy.  At  the  Salon  of  1896,  he 
exhibited  a  Portrait-medal  of  M-'^  A.  J.*** 

LAVY,  AMADEO  (Ital).  Medallist,  and  Mint-engraver  at  Turin, 
circ.  1796-1826  ;  a  son  of  Lorenzo  Lavy  and  brother  of  Carlo  Lavy, 
who  were  both  employed  in  the  same  capacity  at  the  Turin 
Mint. 

Amadeo  Lavy  usually  signed  his  coins  or  medals  either  A.  LAVY 
or  A.L,,  and  I  believe  those  signed  LAVY  only  are  the  work  of  his 
brother  Carlo,  or  of  the  two  in  conjunction,  as  the  Pattern  Five 
Franc  piece  of  BONAPARTE,  PREMIER  CONSUL,  of  ^Β«  XL 


Five  Francs  of  the  Cis;ilpinc  Republic,  an  9,  signed  LAVY, 


The  earliest  piece  bearing  Amadeo's  signature  is  the  gold  Mareng-ino, 
obv.  L'lTALIE  DΒ£LIVRE  A  MARENGO.  Laur.  andhelmeted  bust 
of  Minerva  to  1. ;  beneath  :  A.  L.  IJi..  LIBERTfi  JlGALITE  *  ERI- 
DANIA*  Within  wreath  :  20  |  FRANCS  β€”  |  L'AN  9.  The  deci- 
mal Piedmontese  Scudo,  of  the  same  date  (illustrated)  has  LAVY 
above  the  exergual  line.  Specimens  of  both  denominations  exist  also  of 
An.  ro  (1802-3).  In  1803  Piedmont  was  incorporated  with  France, 
atid  coins  of  the  French  type  were  struck  at  Turin  β€”  with  mint- 
mark    U  and  the  Mitit-master,  Paroletti's  symbol,  a  heart,  β€” from 


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dies  cut  by  A.  Lavy  after  the  puncheons  or  models  by  P.  TioHer. 
On  the  return  of  Victor  Emmanuel  fromSardinia  to  Turin  in  1814, 
Amadeo  Lavy,  who,  by  the  death  of  his  brother  Carlo  in  1813, 
was  left  sole  Engraver  at  the  Mint,  remained  in  office  appar- 
ently until  1826,  when  he  was  succeeded  by  Giuseppe  Ferrrirls. 
His  smaller  issues  are  invariably  signed  A.  h.  whereas  the  larger 
coins  have  A.  LAVT. 

As  far  as  I  have  been  able  to  ascertain,  ihe  following  currency 
was  executed  by  Amadeo  Lavy,  after  the  restoration  of  King  Victor 
Emmanuel  and  under  his  successor  Charles  Felix  :  VICTOR 
EMMANUEL.  M.  Doppia  (24  Lire),  1814,  1815,  1816;  β€”  80 
Lire,  1821;  β€”  48  Lire,  1821 ;  β€”  20  Lire,  r8i6,  1817,  1818, 
1819,  1820  and  1821;  β€”  JK.  Mezzo  Scuto  (of  3  Piedmontese 
Lire,  similar  to  those  struck  previous  to  1799),  1814,  1815  (with 
the  addition  of  DVX.IANV^E  (illustrated),   1816;   β€”  Scudo  (of 


Mezio  Scuto  of  Victor  Emmanuel,  iKi;. 

5  Lire),  i8r6,  1817,  1818,  1819,  1820,  and  a  new  issue  (decreed 
on  4.  December,  1820),  1821  ;  β€”  Due  Lire  1816-1821  ;  β€” β–   One 
Lira,  1816-1821;  β€”  M..  2  Soldi  6  Deuari,  1814,  1815.  Victor 
Emmanuel  resigned  in  March  1821,  and  was  succeeded  by 
Charles  Felix,  whose  first  coinage  is  dated'  1823.  CHARLES  FELIX. 
AT.  80  Lire,  1823,  1837;  β€”  40  Lire,  1823,  1827;  β€”  20  Lire, 
1823,  1824,  1825,  1836,  1827;β€”  M^.  5  Lire,  1823-1827;  β€” 
2  Lire,  1S33-1827;  β€”  i  Lira,  1823-1S37  ;  β€”  5oCentesimi,  1824- 
1827. 

Ahhough  Ferraris  was  appointed  Engraver  in  1S26,  on  the  death 
of  Amadeo  Lavy,  the  latter  artist's  dies  were  still  used  in  1827  and 
even  later. 

A.  Lavy's  best  known  medaUic  productions  are  :  Reunion  of 
Piedmont  to  France,  1802 ;  β€”  The  city  of  Turin  to  General  Jourdan, 
rSoi  ;  β€”  Uniface  Portrait-medalhon  of  Napoleon  I.  (1809),  signed 
A.  LAVY;  β€”  Portrait-medallion  of  Antonio  Canova;  β€”  Return  of 


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-  349  β€” 
King  Victor  Emmanutl  I.  to  Turioj  1814  ;  β€”  Medal  of  the  Turin 
"GuardiaNobile",  struck  to  commemorate  the  King's  return  to 
Piedmont ;  β€”  Vaccination  introduced  into  Italy,  1815  ;  ^ β€”  Octag- 
onal Medal,  Commissario  di  Polizia,  1816;  β€”  Visit  of  King 
Victor  Emmanuel  to  the  Turin  Mint,  1816 ;  β€”  Marriage  medal  of 
Prince  Charles  Louis  of  Lucca  with  Princess  Maria  Theresa  of 
Savoy,  1820  ("celebrated",  says  Bolzenthal,  "  on  account  of  the  fine- 
ness and  elegance  of  the  work  and  the  resemblance  of  the  portrait"); 
β€”  Medal  conferred  by  King  Charles  Felix  tor  loyalty  to  the  House 
of  Savoy  at  Novara,  182  r ;  β€”  Restoration  of  the  Academy  ot  Fine 
Arts,  Turin,  1824;  β€”  The  course  of  the  river  Is^re  regulated, 
1S24;  -β€”Prize  Medal  of  Vitt.  Amadeo  IIL  ^.  Minerva  ;  β€”  Horse 
Show  at  Turin,  1821  ;  β€”  The  Legion  of  Cuneo;  β€”  Vittorio 
Alfieri ;  β€”  Giovanni  Francesco  Caccia,  &c. 

Bibliography.  β€”  A.  Comandiiii,  L'llalia  im  cento  ami  ddSecola  XIX,  Mikno, 
I901-2.  β€”  Bolzentlial,  0^.  cit.  β€”  Domanig,  op.  cit.  β€”  H.  Demse,  Le  Caacoms  de 
TAn  XI,  Gaz.  num.  fraii^.,  1902.  β€”  Dom.  Cas.  Proniis,  Monete  dei  Rmii  di 
Savoia,  Torino,  1841. 

LAW,  CARLO  (Ilal.).  Medallist,  and  Mint-engraver  at  Turin,  born 
in  1765,  died  in  18 13  ;  a  brother  of  Amadeo  Lavy.  He  was  appointed 
to  the  Mint  in  1789,  but  after  the  French  invasion  of  the  Pied- 
montese  territory  and  the  constitution  of  the  Cisalpine  Republic, 
his  brother  Amadeo  was  entrusted  with  the  cutting  of  the  coin- 
dies,  at  the  Turin  Mint,  1801. 


Cavlo  Lavy  executed  several  medals  from  designs  by  the  painter 
Appiaiii,  some  of  which  celebrate  Napoleon  L  The  two  brothers 
sent  in  An  XI  C'^'3)  ^  pattern  Five  Franc  piece,  with  bust  of 
Bonaparte,  First  Consul,  to  the  Paris  Monetary  Commission, 
Denise  (Le  Concours  de  I' An  XI)  quotes  several  letters  tliat  were 
sent  by  the  French  Administration  des  Monnaies  to  the  Brothers 
Lavy.  Their  Pattern  was  not  approved  ot. 


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Carlo  Lavy's  signature  on  medals  is  usually  LAVY  :  Commemor- 
ative medal  of  the  Battle  of  Marengo,  Anno  VIII  (1800) ;  β€”  The 
Cisalpine  Republic  (an  VIII)  ;  β€”  Marriage  of  Princess  Josephine  of 
Sardinia  with  Louis  Stanislas,  Count  of  Provence,  1771 ;  β€”  Victor 
Amadeus  III.,  founder  of  Carouge,  1773  ;  β€”  Foundation  of  the 
Academy  of  Fine  Arts  at  Turin,  1778;  β€”  Foundation  of  the  Acad- 
emy of  Sciences,  at  Turin,  1783;  β€”  Agricultural  Society  Prize 
Medals,  with  bust  of  King  Victor  Amadeus  III. ;  β€”  Prize  Medal 
for  Horse-racing,  &:c. 

Bibliography.  β€”  Holzenth^l,  op.  cil.  β€”  Dur.ind,  MS.  Lhi  oj  Meikllhls.  β€” 
Thatnseii  Medal  Catalogue, 

LAVY,  LORENZO  {Ilal.).  Medallist,  and  Mint-engraver  at  Turin, 
second  half  of  the  eighteenth  century;  the  father  of  Amadeo  and 
Carlo  Lavy.  I  have  noticed  his  signature  :  L.  Lavy  on  a  Marriage 
Medal  of  DuKe  Vittorlo  Amadeo  of  Savoy  with  Marie  Antoinette 
of  Bourbon,  1750. 

LAW  (^Brit.').  Gem-engraver  ot  the  endof  the  eighteenth  century 
and  beginning  of  the  nineteenth.  The  following  works  bear  his 
signature:  Head  of  Bacchant,  carnelian ; β€”  Headof  Herakles,  carne- 
!ian ;  β€”  Head  of  Medusa ;  β€”  Head  of  Socrates ;  β€”  A  term  of 
Xenophon  crowned  with  laurel ;  β€”  Head  of  Lucretia,  emerald ;  β€” 
Head  of  Seneca ;  β€”  Head  of  Julia,  daughter  of  Titus,  sapphire ;  β€” 
Cameo,  with  head  of  Antinoiis ;  β€”  Bust  of  And,  Marvel,  Scotch 
poet;  β€”  Cameo,  bust  of  Sir  Walter  Raleigh;  β€”  Cameo,  bust  ot 
G.  Whitefield,  the  tamous  Methodist  preacher ,  &:c, 

LAW,  JOHN  (Brit.').  Financier,  born  at  Edinburgh  in  1681,  died 
at  Venice  in  17^9.  He  was  made  Comptroller-general  of  the 
finances  of  France,  upon  the  strength  of  a  scheme  for  establishing 
a  bank,  and  an  East  India  and  a  Mississipi  Company,  by  the  profits 
of  which  the  national  debt  of  France  was  to  be  paid  off.  Law's  bank, 
which  was  opened  in  1716,  was  declared  a  Reyal  bank  in  1718, 
but  in  1720  this  fabric  of  false  credit  fell  to  the  ground,  spreading 
ruin  throughout  the  country. 

Law  Initiated  the  coinage  of  the  copper  Sol,  Half  Sol,  and  Liard, 
in  1719. 

Bibliography.  β€”  Haydn,  DicHanaiy  of  Dales .  β€”  Hoffmann,  Montiaies  rojales  de 
Frame,  p.  133. 

LAWRENCE.  Vide  LADRENCE  suprd. 

LAZARI,  ANTONIO  {Ilal).  Medallist  of  the  first  half  of  the  eight- 
eenth century,  and  Mint-engraver.  His  signature  :  ANT.  LAZARI 
FEC.  is  found  on  a  For  trait- medal  of  Donna  Laura  Maria  BassI,  Pro- 
fessor of  Philosophy  at  the  University  of  Bologna,  1732. 


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β€”  351  β€” 

Lazari,  who  was  ^  native  of  Modena,  succeeded  Antonio  Maria 
Parmeggiani  s.s  Mint-engraver  .at  Bologna  in  1709,  but  in  1713  he 
was  replaced  by  Carlo  Falconi,  again  appointed  iu  1728;  he  remain- 
ed in  office  until  1734. 

BiDLiOGRAi-HY.  ^Aramon,  op.  cit.  β€”  Bolzenthal,  op.  cit.  β€”  Franccaco  Mala- 
guzzi  Valeri,  La  Zeccadi  Bologna,  1898. 

L.  B,  Vide  JEAN  LE  BtANC.  Medallist  at  Paris,  1715-1733. 

L.  B,  or  S/'.  M  Vide  LUDWIG  BARBIEZ.  Medallist  at  Berlin, 
1738-1754.  Also  L.H.B. 

L.  B.  TiWe  LEONHARD  BERNHARD.  Mint-mastei"  at  Altenkirchen, 
1747-1785- 

L.  B.  r/i/e  LTIDWIG  BRUEL.  Mint-master  at  Hanover,  1817-1838. 
Also  B. 

L.  B.  Vide  L.  BERGEKCREUTZ.  Mint-master  at  Stockholm,  1819- 
1821. 

BiDLioc.RAPHY.  β€”  Schlickeysen-Pallmann,  op.  cit. 

L.  B.  (Span.).  Initials  of  a  Spanish  (?)  Medallist  of  the  latter  end 
of  the  seventeenth  century.  He  executed  medals  of  Thomas  Heme, 
a  merchant  of  Cadiz,  1695,  one  of  which  bears  under  bust  :  L.B. 
Fecit. 

BiBLiOGRAPHY.  β€”  Franks  and  Grueber,  MedalUc  lUiislraliaiis,  Sec,  11,  pp.  148- 
149-      - 

L.  C.  Vide  LE  CLERC.  Die-sinker  at  Basle  and  Cassel,  and  Mint- 
master  at  Bremen,  1685-1737.  Also  G. E.G. 

L.  C.  FrWeLORENZ  CARELBERG.  Mint-mastei- at  Stockholm,  1706- 
1722. 

L.  C.  H.  Fide  LAZARUS  CHRISTIAN  HOPFGARTEN.  Mint-master  at 
Moritzburg,  1622, ' and  Harburg,  1625-1626. 

L.  C.  K.  Vide  LUDWIG  CHRISTIAN  KOCH.  Mint-engraver  at  Gotha, 
1750;  Mint-director  there,  1766-1793. 

t.  C.  R.  Vide  LUDWIG  CHRISTIAN  RDPERTI.  Mint-master  at  Zeller- 
feld,  1774-1779. 

I.  C.  S.  Vide  LOBENZ  CHRISTOPH  SCHNEIDER.  Mint-master  ai  Hal- 
berstadt,  1679-1682,  and  Berlin,  1682-1701 ;  "Munzcommissar  ", 
1701-1713. 

L,  C.  W.  rae  LEONARD  C.  WYON.  A  London  Medallist  of  the  nine- 
teenth century. 
Bibliography.  β€”  Sclilickeysen-Pallmann,  op.  cit. 


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β€”  352  β€” 

L.  C,  {llalX  Perhaps  the  signature  of  LORENZO  CORBOLINI,  a 
Roman  Goldsmith,  who  w;is  Coin-engraver  at  the  Papal  Mint, 
during  the  early  years  of  Alexander  VI.  The  initials  L.  C,  occur  on 
a  Portrait-medal  of  Pompeo  Conestabile,  Bust  to  1.  Ri..  MA- 
GVIDFME  AQNTF  OIN  LEGNE  PR  OPSTV  β€”  OP.LC.  Pom- 
peo, nude,  seated  on  rock,  presenting  an  open  book  to  a  pupil 
kneeling  before  him. 

Bibliography.  β€”  Armand,  Les  Midailleurs  ilaliens,  &c. 

L,  C.  I.  (Ital.).  Initials  of  a  Medallist  of  the  third  quarter  of  the  fif- 
teenth century,  probably  of  Northern  Italy  (perhaps  Milan).  The 
monogram  E.CI.  occurs  on  a  Plaquette  representing  a  Sacrifice  to 
Priapus  (Berlin  Museum).  By  the  same  hand,  but  signed  e  , 
is  another  Plaquette,  Sacrifice  to  Cupid  (Paris  Cabinet).  Both 
works  are  extremely  graceful  and  of  charming  design. 

BiDLioGitAPHY.  β€”  fimile  Molinier,  Les  Plaquittes,  Paris,  1886. 

L.  D.  Vide  LEONARDO  DONA.  Mint-inspector  at  Venice,   I.178. 

L.  D.L.  Vide  L.  D.  LUNDERBERG.  McdaUist  of  Stockholm,  end  of 
the  eighteenth  century. 

L.  D.  S.    Vide  LUDWIG  DANIEL  SODEMANN.    Mint-master  at   Stral- 
sund,  1763-176S. 
Bibliography.  β€”  Schlickeysen-Pallmann,  op.  cit. 

β€’L-D-  (Germ.)-  These  initials  appear  in  relief  beneath  the  legend 
of  a  Portrait-medal  of  Antonius  Sanftl,  1545,  of  which  a  model  in 
box-wood  exists  in  the  Berlin  Museum. 

Bibliography.  β€”  Erman,  Deatsclie  Medailknre,  p.  48. 

LD  (Germ.).  Signature  of  a  Medallist  of  the  early  part  of  the 
seventeenth  century.  It  occurs  on  a  Portrait-medal  of  Balthasar 
Rueff(er),  a  Burger  of  Schweinfurt,  and  his  consort,  Anna,  161 1 
(Itzinger  Coll"). 

BiBLiOGRArHY.  β€”  Erraaii,  op.  cit. 

LEALI,  SENZILLO  Y  {Span.).  According  to  Ammon,  this  signature 
is  found  on  a  medal  of  Anhalt,  1695. 

LEBAS,  PAUL  VICTOR  (French).  Sculptor  and  Gem-engraver,  who 
resided  at  Paris  during  the  third  quarter  of  the  nineteenth  century 
and  probably  later.  He  was  a  pupil  of  Callouettc.  Between  1852  and 
1876  he  was  a  frequent  exhibitor  at  the  Paris  Salon  :  1852.  Prince 
Louis  Napoleon  Bonaparte,  President  of  the  French  Rupublic, 
cameo;    β€”    Prince    Lucien    Bonaparte,    cameo;  β€”    1853,    The 


./Google 


β€”  353  ~ 
Empress  Eajjenie,  cameo  executed  from  the  directions  of  Count  de 
Nieuwerkerke  and  M.  Pe3Te;  ~  1855.  Portrait  of  Mβ„’''  x***,  shell 
cameo;  β€”  Napoleon  III.;  β€”  1865.   Aspasia,   cameo;   β€”   1866, 
Poetry,  cameo  in  oriental  stone;  β€”  1868.  Study  of  a  Head,  cameo 


Study, 
in    black    onyx  (illustrated);   β€”   1870,    Cupid,   black   onyx;  β€” β–  
1876.  Vestal  Virgin,  cameo  in  oriental  carnelian,  &c. 

Bibliography.  β€”  Chavignerie  el  Auvray,  op.  cil. 

LEBEATI,  JEAN  {French').  Mint-engraver  at  Nantes,  1772-1774. 

LEBEAU,  JEAN  MARIE  (French).  Mint-engraver  at  Nantes,  1774- 
1776. 

LEBEGUE,  ADOLPHE  PAUL  (French).  Contemporary  Sculptor,  born 
at  Paris. 

By  him  ate  several  Portrait-medallions  in  bronze  of  M""'Lebegue  ; 
β€”  F.  V  Raspail,  1879,   and  others. 

Bibliography.  β€”  Chavignerie  et  Aiivray,  op.  di. 

LEBERECHT,  F.  (Germ.).  Medallist,  and  Gem-engraver,  bora  at 
Meiningen  in  1749,  was  appointed  Engraver  to  the  Russian  Mint 
in  1775  ;  in  1794  he  became  an  Academician,  and  a  little  later, 
Chief-Medallist  to  the  Court;  he  further  rose  to  the  dignity  of  a 
Councillor  of  State,  and  died  in  1837.  For  several  years,  previous  to 
his  death,  the  artist  had  been  enjoying  retirement  in  private  life 
on  a  pension  of  1500  Roubles  allowed  him  by  the  Russian  govern- 

Bolzenrhal  remarks  :  "Few  artists  of  his  kind  have  been  so 
distinguished  as  Leberecht,  who  raised  himself  to  the  rank  of 
Councillor  of  State  and  Knight  of  the  Order  of  St.  Anne,  the 
diamond  insignia  of  which  was  bestowed  on  him  in  1812.  He  serv- 
ed, during  fifty  years,  four  Russian  monarchs,  and  died  in  1827, 
leaving  many  pupils,  to  whom  he  was  a  good  master  and  true  friend, 
Leberecht,  of  whom  we  may  say  that  he  was  an  artist  very  much 
beyond  his  time,  was  a  clever  Gem-engraver.  Among  his  produc- 

L.  FOHEEI..  β€”  Biograbbkai  Nsiku  of  Miii'UiiU.  β€”  Hi,  J! 


./Google 


β€”  354  β€” 
tions,  we  find  medals  :  Unveiling  of  the  statue  of  Peter  the  Great, 
with  bust  of  Czarina  Catherine  II.  and  a  representation  of  the 
statue,  1782  (signed  :  CARL  LEBERECHT  F.) ;  β€”  Prince  Potemkin, 
β€”  Conclusion  of  Peace  with  Turkey,  1791 ;  β€”  Coronation  of 
Paul  I.  (obv.  illustrated);  β€”  Coronation  of  Alexa^nder  I, ;  β€”  Foun- 
dation of  the  Exchange  at  St.  Petersburg,  1805  ;  β€”  Frederick  Born, 
1806;  β€”  Centenary  of  the  Battle  of  Poltawa,  18 14;  β€”  Presenta- 
tion medal  of  the  Emperor  Paul  to  the  Kossacks  ot  the  Tshepligin 
Wolga  Army  ;  β€”  Another  to  the  leader  of  the  Nomadic  Gimp  Siw- 
zoff,  1799  ;  β€”  and  various  others  of  the  same  character  (Iversen  de- 
scribes 19  of  these  Presentation  medals);  β€”  Presentation  medals  of 
the  Emperor  Alexander  I,  to  various  military  and  civic  notabilities 
(20  varieties,  all  signed),  &c.  His  masterpiece  is  a  medal  of  the  year 
1803  with  the  bust  of  the  Empress  Catherine  II.  as  Minerva.  The 
Russian  Court  at  all  times  took  a  keen  interest  in  medallic  art,  but 


β–‘f  Paul  I.,  by  Leberecht. 

especially  towards  the  end  of  the  eighteenth  century,  when  a  school 
for  Engravers  was  created,  with  the  object  of  giving  a  fresh  impe- 
tus to  this  branch  of  the  plastic  art.  " 

By  Leberecht  are  also  :  Reproduction  of  a  Medal  on  the  Alliance 
between  Peter  the  Great  and  Frederick  IV.  of  Denmark  (signed  : 
B,  C.)  ;  β€”  Centenary  of  the  Foundation  ot  St,  Petersburg;  β€”  Foun- 
dation of  a  Hospital  at  Simbirsk,  1801;  β€” β–   Riga  subjugated;  β€” 
Catherine  II, 's  Visit  to  Crimea,  1779;  β€”  Peace  of  Jassy,  1791 
(unsigned);  β€”  The  Plague  at  Moscow,  1804;  β€”  Masonic  medalin 
Honour  of  the  Union  of  the  Lodge  "  Mildthatigkcit ",  and  that  of 
the  "Pelican "  under  the  Swedish  rite,  with  D"'  Freese,  who  was  a 
member  of  the  Aulic  Council,  as  its  presiding  officer,  St.  Petersburg, 
1780  (sev.  var.)  ;  β€”  Portrait-medal  of  Haydn,  issued  by  the  Phil- 
harmonic Society  of  St.  Petersburg,  1802  ;  β€”  VisitofKing  Gustavus 


./Google 


-  355  β€” 
AdolphusIV.  of  Sweden  to  St.  Petersburg,  1800;  β€”  FoundiUion 
of  a  Foundling  Hospital  at  Moscow  (sev.  var.),  Sec, 

Bibliography.  β€”  Bolzenihal,  op.  dt.,  p.  287.  β€”  Iverseii,  Die  Meda'dkn geprdgt 
auf  die  Thaten  Peter  des  Grossen,  St.  Petecsbarg,  1872.  β€”  Hildebrand,  of),  cit. 
β€”  Marvin,  0^.  cit.  β€”  Thotnsen  Catahgiie.  β€”  Iversen,  Bcitrag  xur  Russisclieii 
Medaillenkunde. 

LE  BICHEUR,  LOUIS  (French).  Mint-engraver  at  Paris  under  Jean 
Warin,  circ.  1644-1648.  In  1648  he  was  "  fermier  de  la  monnaie 
au  marteau  "  of  Paris. 

LE  BLANC,  C.  (French).  Contemporary  Sculptor,  by  whom  is  a 
Portrait-medallion  of  M.  Lefevre,  1883. 

LE  BLANC,  JEAN.  Vide  BLANC  (Vol.  I,  hl.E.,  p.  194),  1675-t  12. 
December  1749.  This  artist  is  sometimes  called  BLANK,  and  was  a 
Goldsmith,  Chaser  and  Engraver.  He  was  born  in  1677;  received 
Academician  in  1718.  Chavignerie  et  Auvray  give  also  the  follow- 
ing works  by  him  :  Portrait  of  the  Duke  of  Orleans,  1718;  β€” 
France  handing  the  rudder  of  State  to  the  Regent;  β€” β–   France 
inscribing  the  Accession  of  the  llegent  on  a  shield ;  β€”  Wax  Portrait 
of  Pope  Clement  XII.,  1738;  β€”  Portrait  of  Peter  the  Great;  β€” 
Alliance  of  France  with  the  Swiss  Catholics ;  β€”  Chamber  of  Justice, 
1716;  β€”  Bronze  Piaquette,  Descent  from  the  cross,  signed  : 
Leblanc  (formerly  in  the  G.  Crignon  de  Montigny's  collection,  and 
now  in  that  of  M.  Adrien  Blanchet). 

LE  BLOND,  MICHEL  (French).  An  Engraved  Plaque  bearing  the 
portrait  and  arms  of  Johann  Wilhelm  Dilich,  an  architect  of 
Frankfort-on-M.  (\(ioQ-\  1660),  was  attributed  by  the  late 
Mr.  Copp  to  this  aftist  (Num.  Circ,  X,  col,  5274),  but  it  has 
since  been  proved  to  be  the  work  of  the  Copper-plate  Engraver 
Sebastian  Furck,  who  executed  many  Portraits  of  this  kind,  circ. 
1 640- 1 660. 

Bibliography.  β€”  Joseph  and  Fellner,  Die  Mun^en  von  Frankfurt  am  Main 
1903  (Nachtrag). 

LE  BLOUNT  or  BLUNT,  RALPH  (Brit.).  Goldsmith,  and  Mint- 
engraver,  London  1267-1280;  he  succeeded  Richard  Abel.  He 
probably  engraved  the  early  coinage  ot  Edward  I. 

LE  BOITEUX  JEAN  (French).  Moneyer  at  the  Paris  Mint,  circ. 
1549-15(13.  MazeroUe  quotes  from  several  documents  in  which 
Le  Boiteux's  name  is  mentioned  in  connection  with  orders  for  jetons 
which  he  gave  to  the  Mint-engravers  A.  Brucher,  Jean  II  Cousin, 
and  others. 

Bibliography.  β€”  MazeroIIe,  op.  dl. 


atdb,  Google 


-  356- 
LE  BOSSe,  HENRI  VICTOR  GUSTAVE  (French).  Contemporary  Sculp- 
tor, bom  at  Paris;  pupil  of  Salmson.  Hehas  executed  numerous  Por- 
trait-medallions, in  bronze,  some  ot  which  were  exhibited  at  the 
Paris  Salon,  since  1872.  The  1879  Catalogue  gives  the  following: 
M.  Ernest  S***;  β€”  M.  Victor  L***;  β€”  M.  Paul  G*'*;  β€” 
M.fidouard  S***;  β€” 1885.  Portrait  ofMβ„’^  Leboss^;  β€” i894.Portrait 
inedit  of  Rcn6  le  Bosse.  β€”  M'"^  Veuve  j.  Dumont;  β€”  Victor  Du- 
mont;  β€”  Emile,  Jeanne,  and  Gaston  Dumont;  β€”  Charles  Barr^ ; 

β€”  1895.  Marguerite  Dumont;  β€”  1896.  M.  &  Mβ„’"  Henri  Martin; 

β€”  189S.  Rene  L*** ;  β€”  Jacoues  Dumont;  β€”  Andree  et  Jacijues 
Dumont ;  β€”  Lucien  et  Paul  J***. 

BiDLioGRAPiiY.  β€”  Chavignerie  et  Auvray,  0^.  cit. 

LE  BOSSfi-CASCIANI,  M""'  LUCY  (French).  Contemporary  Sculptor, 
and  author  of  numerous  Portrait-medallions,  which  have  been 
rahibited  at  the  Paris  Salon  :  1888.  R.  Bellanger;  β€”  A.  B**';  β€” 
1889.  The  artist's  nephews;  β€”  1891.  Fifi,  bronze  medaUioii;  β€” 
Le  Capitaine  Bellanger ;  β–  β€”  1892.  Ma  niece  Yvette  J***;  β€”  Monfils 
Rene  ;  β€”  1895.  Portrait-medallions  of  the  artist's  relatives,  &c, 

LE  BOUCHEKAT,  EBMOND  {French).  Mint-master  at  ChSlons-sur- 
Marne,  from  the  latter  end  of  the  reign  of  Charles  VII.  to  the 
middle  of  Louis  XII. 's  reign;  then  at  Troyes,   1507. 

Bibliography.  β€”  E.  Faivte,  Etal  aclml  des  ateliers  nioii^laires  Jraufais,  Paris, 
1835. 

LE  BOTJCHERAT,  PIERRE  (French).  Mint-master  at  ChMons,  after 
December  12.,  1508.  He  issued  there  Douzains  au  porc-^pic. 

LE  BOURG,  CHARLES  ATIGUSTE  (French).  .Sculptor,  born  at  Nantes 
on  the  2o"'  February  1819,  died  in  1904;  pupil  of  Rude  and 
Amed^e  Menard. 

By  him  are  Porirait-medaUions  :  1857.  The  King  of  Thule ;  β€” 
1870.  Lady  Wallace;  β€”  1876.  Aeolus  and  Thetis;  β€”  1878. 
M""  A.  Lebourg;  β€”  1880.  Auguste  Comte;  β€”  1894.  General  Mel- 
linet; β€” β–   1897.  Fr^re  Jelian  des  Entommeurs;  β€” Amador.  Abbe,  de 
Turpenay;  β€” β–   1901.  Monselet. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LE  BOVEUR,  HANIM  (French).  Mint-engraver  at  Valenciennes,  circ. 
1368. 

LE  BRAELIER,  JEAN  (French).  Sculptor,  Chaser,  Goldsmith,  and 
Enameller  of  Paris,  fourteenth  century.  Some  of  his  works  border  on 
medal-engraving. 

Bibliography.  β€”  S.  Lami,  Dklionnaire.  dss  Sculptmrs. 


,  Google 


LE  bras  DE  FER,  robin  (French).  Mint-ensJraver  at  Angers,  1449- 
1459.  He  struck  forged  Ecus  and  on  his  being  detected  took  to 
flight. 

LE  BRETON,  HERCULE  LE.  TiW^ BRETON  (Vol.  I,  A^.  E.  p.  279).  He 
engraved  a  Portrait-medal  of  Louis  XIV. 

LE  BRUN,  ANTOIKE  {French).  Medallist  of  Lyons,  1682-f  21.  April 
1752. 

LE  BRUN,  DAMIEN(FwΒ«c/i).  Engr^iver  of  Lyons,  i68i--|- 14.  January 
1747- 

LE  BRUK,  BARTHtLEMY  (French).  Engraver  of  Jetons,  1741- 
1754- 

LE  BRUN,  LOUIS  (French).  General  des  monnaies,  circ.  1618- 
1623. 

LE  BRUN,  FRANgOIS  (French).  Master-engraver,  and  Medallist  of 
Lyons,  circ.  1736-1773.  β–   On  the  17.  December  1759  he  was 
appointed  Mint-engraver  at  Lyons,  in  conjunctioii  with  Clair  IV. 
Jacquemin.  He  has  engraved  Jetons,  among  which  are  the  Jeton  of 
the  Agents  de  change  of  Lyons,  1773,  and  the  Jeton  of  the  College 
of  Medicine  of  Lyons ;  both  are  signed  :  LEBRUN.  Another  Engraver 
of  the  same  name  executed  Jetons,  between  1778  and  1783. 

Bibliography.  β€”  N.  Rondot,  Les  graveurs  de  monnaies  a.  Lyon,  Macon,  1897. 

LE  BRUN,  JEAN  (French).  Mint-engraver  at  Valenciennes,  1438- 
1440. 

LEBRUN,  JOSEPH  (prew^^).  Master-Engraver  at  Lyons,  1736-1764, 
and  Paris,  where  he  died  in  1777.  He  is  the  author  of  some 
medals. 

LECCI,  GIUSEPPE  (ltd.).  Contemporary  Sculptor,  born  at  Pisa. 
He  exhibited  a  Portrait-medalOon  of  Christ  at  the  Salon  of  1899. 

LE  CERF,  Β£miLE  l.Q\JlS(French).  Contemporary  Sculptorand Gem- 
engraver,  bom  at  Saint-Denis  (Seine);  pupil  of  Gaulard.  At  the 
Safon  of  1886  he  exhibited  a  Portrait-medalUon  of  General 
Cbanzy. 

LECHEVREL,  ALPHONSE  EUGENE  (French).  Contemporary  Gem- 
engraver  and  Medallist,  born  at  Paris  in  1848.  He  is  a  pupil  of 
Henri  Eran^ois  and  Sacristain,  and  a  Member  of  the  Soci^te  des 
Artistes  fran^ais. 

This  artist's  productions  in  Gem-engraving  are  very  numerous; 
the  following  are  among  the  most  important  and  comprise  some  of 


./Google 


his  earliest  glyptic  works:  1874.  Head  of  Minerva,  cornelian;  β–  β€” 
Le  Depart,  carnelian ;  β€”  Study  of  a  Greek  Head,  carnelian ;  β€” 
1877.  La  Source,  after  Ingres,  sardonyx  (belongs  toM.  Boucheron;) 


Oriens  ocddtntii 


β€”  Minerva,  sardonyx ;  β€”  Portrait  of  Freylas  de  Reys,  carnelian ; 

β€”  Diane   de  Poitiers,   after  Jean  Goujon,  sardonyx;  β€”  Medusa, 
sardonyx;  β€”  Hebe,  sardonyx;  β€”  1879.  George  Washington,  after 


tV'xx 


.\ .  -^ 


France  welcoming  and  crowning  the  Genius  of  the  Old  and  New  World. 

G.  Webb,  cameo  io  carnelian;  β€”  Aesculapius,  after  the  antique, 
cameo  in  sardonyx;  β€”  Thiers,  President  of  the  French  Republic, 
cameo  in  sardonyx  (belongs  to  M.  Sterne);  β€” Poor  little  Beggar! 


,/ Google 


β€”  359  ~ 
cameo  in  sardonyx ;  β€”  Study  of  a  Greek  head,  cameo  in  sardonyx ; 

β€”  1880.  The  seven  Days  of  tlie  Week;  β€”  Portrait  of  Vicomte  de 
Rto  Branco,  on  a  sapphire;  β€”  Female  head,  sardonyx;  β€”  1S82. 
Youthfnl  Bacchus,  intaglio  in  topaz ;  β€”  Maid  defending  herself 
against  the  attacks  of  Love,  intaglio,  topaz;  β€”  Poetry,  intaglio, 
topaz;  β€” Henry IV.  young  bust,  intaglio,  rock  crystal;  β€”  Hunter, 
after  Fr^miet,  intaglio,  sardonyx;  β€”  1883.  Chloe,  after  J.  Lefebvre, 
sardonyx;  β€”  Perseus;  β–  β€” β–   1884.  Bacchant,  sardonyx  intaglio;  β€” 
1885.  Night  distributing  her  poppies,  sardonyx;  β€”  1886,  The 
Dawn,  intaglio ;  β€”  Allegory,  sardonyx,  intaglio ;  β€”  1887. 
M""  Lechevrel,  medallion  in  bronze;  β€” β–   Dawn,  sardonyx  intaglio  ; 

β€”  1888.  Nymph  and  young  Fauii  dancing;  β€” -  M"^  Lechevrel, 
cameo;  β€”  M.  Desportes  de  la  Fosse;  β€”  1S89.  Gambetta;  ^ 
Gallia;  β€”  Ingres;  β€”Youth;  β€”  1890.  P.  J.  Brocard;  β€”  Beatrix; 


e  falsa 


e  le  FassS. 


β€”  B.  Lechevrel;  β€”  A.  Reyen ;  β€”  1891.  The  President  of  the 
Republic,  cameo,  and  intaglio;  β€”  Hommage  aux  gravenrs;  β€” 
Idyll,  sardonyx  intagUo;  β€” -A.  Reyen,  Portrait-plaquette  in  bronze; 

β€”  Ren^  Stern,  Por trait- plaquette  in  silver ;  β€”  1892.  French  Medal- 
lists of  the  Nineteenth  Century;  β€”  Roger  Marx  (illustrated);  β€”- 
H^be ;  β€”  Gallia;  β€”  President  Carnot;  β€”  1893 .  M"*  J.  A.  Lechevrel ; 

β€”  A.  Liard;  β€”  M'"^  A.  Reyen;  β€”  E.  J.  Carlier;  β€”  Full-length 
portrait  of  Mβ„’^  J.  A.  Lechevrel ; β€” M.R,  de  E...;  β€”  Gallia;β€”  1894. 
Portrait  of  Alfred  Morrison ;  β€”  M"*^  Marie  Esther  Jouin ;  β€” 
Oriens  Occidenlis renovat  artem,  plaquette  (illustrated);  β€”  1895. 
CasimirP6rier;β€”  1897.  SteGeneviSve; β€”  1898.  Portrait ofaChild; 

β€”  Head  of  the  French  Republic;  β€”  1899,  Truth,  onyx,  intaglio; 

β€”  Mask  of  Medusa,  onyx;  β€”  Portrait  and  Seal  of  M.  deErrazu;  β€” 
Chloe  and  Cupid,  intaglio    in  sardonyx;  β€”  Amicitia;  β€”  Patterns 


./Google 


β€”  3^0  β€” 

for  tlic  Coinage  of  rhe  French  Republic;  β€”Portrait  ofj.  Carlier, 
statuary;  β€”  1906,  Patterns  for  the  Nickel  coinage;  -β€”  Head  of  the 
Repubhc ;  β€” -  Design  for  a  Medal  of  the  "  Soci^te  de  secours  muluels 
Humanity,  Fraternite";  β€”  M.  Paul  Doumer,  President  of  the 
Chamber  of  Deputies,  &c. 

Later  date.  Seal  of  Baron  de  Graffenried;  β€”  Seal  of  Prince 
Demidofl;  β€”  Seal  and  Portrait  of  Baron  de  Errazu  (these  three 
seals  are  considered  by  the  artist  as  of  the  Ugliest  importance);  β€” 
Two  seals  for  the  King  of  Greece ;  β€”  Seal  of  the  Due  de  Morny ; 

β€”  Portrait  of  President  Carnot  ("plus  que  probablemeiit  le  plus 
important  monument  de  laglyptique");  β€” Nymph  and  Faun  danc- 
ing, intaglio  in  sardonyx  (formerly  in  the  Morrison  Collection); 

β€”  The  Dawn ,  after  Jules  Lefebvre,  intaglio  in  sardonyx  (belongs  to 
M.  Boucheron)  ;  β€”  "  Consultatio  ",  intaglio  in  sardonyx  (Luxem- 


Hommage  au 


bourg  Museum);  β€” -  Truth,  intaglio  in  grey  onyx;  β€”  Love, 
intaglio,  in  sardonyx  (belongs  to  Mr.  Smith,  of  Chicago) ;  β€”  Mask 
of  Medusa,  cameo  in  grey  onyx  (belongs  to  Mr.  Maiion)  ;  β€” 
Young  Bacchus,  intaglio  in  topaz;  β€”  Young  girl  resisting  the 
advances  of  Cupid,  after  Bouguereau,  intaglio  in  topaz  (belongs  to 
M.  Prevost);  β€”  Poetry,  Spanish  intaglio;  β€”  Jean  qui  pleure  et 
Jean  qui  rit,  intaglio  in  rock  crystal  (belongs  to  M.  Boucheron); 
Pack  hound,   after  Fremiet,  intaglio  in  sardonyx;    β€”    Suzanne, 


,;.Goo'^lc 


-  ;6i  - 

cameo  in  black  onyx;  β€”  Nymph,  cameo  in  black  onyx  ;  β€”  Head 
of  tbe  Republic;  β€”  Arms  of  Prince  de  Curdi;  &c.  A  gem  by 
Lechevrel,  representing  a  youthful  Satyr  holding  thyrsos  and  danc- 
ing before  a  nymph  seated  on  a  rock,  was  sold  for  Β£  7  at  the  Auc- 
tion Sale  of  the  Morrison  Collection. 

The  list  ofLechevrel's  medals,  medallions  and  plaquettes  is  not 
very  extensive,  but  all  the  artist's  medallic  productions  stand  very 
high  in  artistic  quality  :  Homage  to  French  Engravers,  Pkquette 
belonging  to  the  Paris  Mint  (illustrated);  β€”  History  registering 
the  discoveries  of  Archaeology,  Plaquette  (illustrated);  β€” β–   Oriens 
Occidentis,  renovat  artem,  Plaquette  (Luxembourg  Museum,  and 
Paris  Mint ;  illustrated)  ;  β€”  Head  of  the  Republic  in  Phrygian  cap 
(Paris  Mint);  β€”  Portrait  ot  Baron  de  Errazu;  β€”  Portrait  oE 
Alfred  Morrison,  of  London;  ^Portrait  of  Prof.  D'  Alfred  Licht- 


M,  Rogtr  Mars,  Ijy  Lccliuvr 


wark.  Director  of  the  Hamburg  Fine  Art  Museum  (Medallion,  and 
Plaquette);  β€”  Portrait  of  F61ix  Faure,  President  of  the  French 
Republic;  β€”  La  Bienfaisance  (belongs  to  the  city  of  Paris);  β€” 
Head  of  the  Republic;  β€”  Portrait  of  iM.  Roger  Marx  (illustrated); 

β€”  Blanche  Suzanne  Lechevrel;  β€”  Genevieve;  β€”  Portrait  of  a 
Child;  β€”  AOHNH,  uniface  medal;  β€”  Adolphe  Blancks;  β€” 
J.  Carlier,  sculptor;  β€”  Andr^Otten;  β€”  M"'  Genevieve  Otten  ;  β€” 
M"=  Yvonne  Otten;  β€”  M""*  J.  Lechevrel;  β€”  M"=  Blanche  Leche- 
vrel; β€”  Gallia;  β€”  Plaquette  for  the  Postage  Stamp  of  15  centimes; 

β€”  Seal  for  the  Ministry  of  Foreign  Affairs;  β€”  Lite  Saving  Medal ; 

β€”  Holly  :  leg.  Semper  vireai  et  vigeat ;  β–  β€”  Laura;  β€” Menu,  Pla- 


,/ Google 


-  ;63  - 

quette  for  M.  Tasset's  banquet ;  β€”  Patterns  for  s.  new  Fretich  coin- 
age, &c. ;  β€”  Portrait  of  A.  Liard,  founder;  β€”  ConsultatiOj  oval 
medal  in  the  Luxembourg  Museum;  β€”  Salon  of  1904.  A  Model; 
β€”  Child's  Portrait,  on  sardonyx ;  β€” 1905 ,  L'Histoire  enregistre  les 
d^couvertes  de  I'Arch^ologie,  Plaquette  issued  by  the  Soci^t6  des 
Amis  de  la  M^daille  frani;aise;  β€”  Louis  Herbette;  β€”  E.  Charme- 
let ;  β€”  Lady  Maud  Mary  Taylor  ;  β€”  The  French  Republic,  &c, 

Lechevrel  is  not  a  stranger  in  this  country.  In  1877  and  1878,  he 
was  employed  in  England  to  ressuscitate  the  arc  of  engraved  vases 
in  glass,  in  imitation  of  the  famous  Portland  vase,  at  the  Hodgetts, 
Richardson  &  Sons'  glass  Works  at  Stourbridge. 

For  the  Paris  Exhibition  of  1900,  the  artist  completed  the  first 
Vase  in  gLass  of  carved  work  ever  executed  by  a  Frenchman  or  in 
France.  He  has  also  done  very  fine  work  as  an  Heraldic-engraver, 
and  is  the  author  of  a  "Trait^  desmati^resgfin^ralement  employes 
dans  la  glyptlque  ". 

M.  E.  Babelon  {Revue  de  VArt,  1902,  II,  p.  24)  praises  the  sup- 
pleness of  Lechevrel's  talent  and  M.  Roger  Marx  the  assurance  of  his 
technique  {Midailkurs  fraiifais,  p.  24). 

The  artist  introduces  in  his  medals  the  delicatesse  of  the  gem- 
engraver,  and  he  has  chat  advantage  over  the  ordinary  medal-modeller 
that  he  undestands  engraving  in  metal,  and  can  judge  of  the  effect 
of  a  model  before  it  is  reduced  to  medal-size  belter  than  a  mere 
sculptor  who  is  unaccustomed  to  the  graving  tool.  Not  every  sub- 
ject which  looks  well  large  will  look  well  small.  The  nature  of  the 
subject  has  to  be  considered.  In  general,  though  size  be  one  of  the 
elements  of  the  sublime,  the  realty  sublime  and  ideal  work  of  Arc 
loses  but  little  when  reduced  in  dimension,  as  long  as  the  propor- 
tions are  exactly  attended  to.  You  can  have  colossal  propor- 
tions and  god-like  power  within  the  circumference  of  a  gem  for 
the  finger.  Of  this,  M.  Lechevrel  is  aware,  and  his  plaquettes 
'β–   History  reviving  the  Past  "and  "France  welcoming  and  crowning 
Genius  "  show  that  he  fully  understands  what  makes  the  real  merit 
and  beauty  of  a  medal, 

BiBUOGRAPHY.  β€”  Informoticm  kindly  supplied  by  the  artist.  β€”  Roger  Marx, 
Midailieiirs  franfais  et  Medailleurs  conltinporains,  &c,  β€”  Chavigoerie  et  Auvray, 
Dp,  cit,  β€”  Catahgius  du  Salon,  igoi-1904,  β€”  L.  B^Q^dite,  Catalogue  du  Musis  du 
Luxembourg,  &c.  ^  Revae  de  VArt,  1902,  190J.  β€”  D''  H.  J.  de  Dompierre  de 
Cha\iiepii,  Les  Midailles  ei  Plaquettes moderncSt  Haarlem.  β€”  Studio,  Oct.,  1898.  β€” 
Gazette  nimismatique  franfoise,  1898,  284 ;  1899,  97.  β€”  Catalogue  of  tU  Morrison 
Collection  of  Gems. 

LECHHER,  KASPAK  (Germ.).  Goldsmith  and  Seal-engraver  of 
Mmiich,  1586-1616.  In  1586  he  cur  a  seal  for  Duke  William  of 
Bavaria. 

BiBLioGHAPHY.  β€”  J.  V.  Kull,  Dw  Munxstatle  Munchen  am  Ende  des  XVII. 
fahrhuiiderts,  Mittli.  der  B;iyer.  Num.  Gesell,  XIX,  33,  45. 


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~  36;  - 

LECLECH  &  C  (French').  Issuers  of  private  cun-ency,  10  Sol  pieces 
of  two  types,  i7')2.  They  resided  at  Clermont  (Oise). 

LECLERC  {French).  A  Frankfort  Coronation  medal  ot  Joseph  II., 
1764,  with  French  legends  and  ^  inscription  :  IL  RE^UT  DU 
CIEL  LA  VERTU  &c.,  is  signed  K  (for  Kaiserswerth,  according  to 
Fiala,  which  is  however  very  uncertain)  and  LE.C.  L.  IWV.  Leclerc 
was  probably  only  the  designer  of  this  medal,  which  Joseph  u. 
Fellner  describe  (11Β°  2188)  without  adding  any  information  on  its 
authorship. 

BiBLioGR/iPHY.  β€”  Kalalog  der  Mmi\m-und  Medaillm-Stempel  Samiiihing  &. 

LECLERC,  DAVID  L.  (Siaiss).  Court-medallist  to  the  Landgrave  ot 
Hesse  at  Cassel,  towards  the  end  of  the  seventeenth  century.  He 
was  a  native  of  Berne,  in  which  city  he  practised  at  first  die-sinking. 
He  usually  signed  his  productions  :  LE  CLEHC  P,  (David  Le  Clerc 
Pere),  whereas  his  son,  Gabriel  Leclerc,  who  appears  to  have  succeeded 
him  at  Cassel,  signed  LECLERC  orGLC. 

According  to  Strickler,  a  D.  Leclerc  was  a  Portrait  Painter,  born 
at  Berne  in  1680,  died  at  Frankfort-on-M.,  in  1738.  He  settled  at 
Frankfort  in  1698,  resided  also  for  some  time  at  Paris,  and  from 
1715-1717  in  London. 

Bibliography.  β€”  Schlickeysen-Pallmann,  op.  cil.  β€”  AUgemdne  Dsutsche  Bio- 
sraphie,  188}, 

LECLERC,  GABRIEL  (Swiss).  Medallist  of  the  end  of  the  seven- 
teenth and  first  iialfofthe  eighteenth  centuryaVc.  1685-1737.  He 
first  worked  at  Basle,  then  at  Gissel,  and  Berlin,  and  for  some  time 
was  Mint-master  at  Bremen,  1737-1743  (?).  His  signature  :  G-LC 
or  -GLC  occurs  on  Thalers  of  Basle,  undated  (circ.  1685);  β€”  Prize 
Medal,  Adoration  of  the  Shepherds  and  three  Kings  (M  and  JPJ)  ; 
β€” β–   Prize  Medal,  obv.  Lion  ^  View  of  Basle  (signed  -GLC);  β€” 
Medallic  Thaler,  1691 ;  β€”  Medal  of  George  William  of  Brunswick, 
^.  META  aVIES&c.  Horse  galloping,  1700  (signed :  G,  LE  CLERC) ; 
β€”  Jubilee  of  the  High  School  of  Rintelen,  Hesse-Cassel,  1721 
(possibly  by  Isaac  Leclerc),  &c. 

Nagler  (Monogrammisim,  III,  p.  48,  n"  142)  mentions  that 
Gabriel  Le  Clerc  died  in  1743,  and  had  resided  in  turn  at  Basle, 
1685,  Cassel,  Berlin,  and  Bremen. 

Bibliography.  β€”  Bokcnthal,  op.  cil.  β€”  R.  S.  Poole,  Swiss  Coins  in  iheSoiiih 
Kensington  Museum,  1 878.  β€”  Thomsen  Medal  Caiahgiie.  β€”  Schlickeysen-Pallmann, 
op.  cil. 

LECLERC,  GUILLAUME  (French).  President  of  the  "  Cour  des 
Monnaies ",  1600. 


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~  364  - 
LECLERC,  ISAAC  (5wwj).  Probably  a  son  of  Giibrielleclerc,  and  a 
brother  of  David  L., ;  also  Court  medallist  atCassel,  during  the  first 
half  of  the  eighteenth  century,  until  about  1746.  He  engraved  a 
number  of  medals,  the  two  best  known  commemorating  the 
Centenary  of  the  foundation  of  Marburg  University;  also  Jubilee  of 
the  University  of  Rinteln  (Hesse-Cassel),  1721,  Isaac  Leclerc  was 
also  a  skilled  Gem-engraver.  He  died  at  Cassel  in  1746. 

Bibliography.  β€”  Bolzenthal,  ap.  cit.  β€”  Michaud,  Biog.  Vniverselh,  XXIII,  528, 

LECLERC,  L.  (French).  Die-sinker  of  the  second  qtiarter  of  the 
nineteenth  century.  He  engraved  Pattern  20  and  5  Franc  pieces, 
and  10  Centime  pieces  for  the  Monetary  Commission  of  the  second 
French  Republic,  1848.  These  Pattern  coins  are  reproduced  in 
De  Saulcy,  Souvenirs  numismatiques  de  la  Revolution  de  1S4S. 

By  him  are  also  Portrait-medals  of  Lord  Byron ;  β€”  Eustache 
Lesueur,  1828,  and  others. 

LECLERC,  LOUIS  (Frencli).  Mint-master,  in  conjunction  with  Paul 
Bain,  at  Meung  near  Orleans,  1655-1656.  He  issued  a  coinage  of 
Liards. 

BiBiiOGRAPiiY.  β€”  Artiould,  Le  Monnayage  3e  Vatelin-d'Orleam, 

LECLERC,  MENGIN  {French).  Mint-master  at  Nancy,  1489  (1490). 

BrBT.ioGRAPHY.  β€”  Lepage,  op.  cit. 

LECLERC,  NICOLAS  {French).  Sculptor  'and  Medallist  of  Lyons 
(maitre  tailleur  d'images  et  magon)  1487-1508.  He  was  instructed, 
in  conjunction  with  Jehan  de  Saint-Priest,  to  prepare  models  of  the 
medal,  cast  by  Jean  Lepere  and  his  brother  Colin,  in  commemora- 
tion of  the  Visit  to  Lyons  of  King  Louis  XIL  and  Anne  of  Brittany, 
1500.  Nicolas  Leclerc  is  called,  in  a  document  of  March  1499, 
"  tailleur  d'ymaiges  ",  and  in  another,  it  is  said  that  he  made  "  !a 
taille  et  fa^on  des  portraictz  et  moUes  ". 

Rondot  observes  that  I^clerc  and  St.  Priest  "  had  not  learned 
from  Candida  how  to  correct  the  realism  of  their  portraits  in  order 
to  give  them  some  dignity,  " 

BtELiofiiiAPHY.  β€”  Mazerolle,  op.  cit.  β€”  Rondot,  Lfs  Midailhurs  lyonnais,  1897. 

LECLERC,  SEBASTIAN  (French).  Draughtsman  and  Engraver  of 
the  second  half  of  the  seventeenth  century.  "  He  was  born  at  Metz 
in  1637  "'  ^^y  Franks  &  Grueber,  "  studied  at  first  under  his 
father,  a  Goldsmith,  and  in  1665  came  to  Paris  where  he  worked 
with  Charles  Le  Brun.  In  1672  he  was  appointed  Professor  of 
perspective  at  the  Royal  Academy  of  Painting,  and  later  on,  private 
Engraver  to  Louis  XIV.  He  designed  a  large  number  of  types  for 
the  medallic  series  of  that  monarch,  and  there  is  in  the  British 


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-  !Β«S  - 
Museum  a  volume  in  MS.  containing  his  original  designs  for  this 
worlt,  with  noces  by  members  of  the  Academy,  M.  de  Pontchar- 
train,   Louis   XIV.  himself,    and    others.  Leclerc    died   at  Paris, 
25.  October  1714.  " 

Among  the  medals  designed  by  this  artist  are  :  165S,  Battle  of 
Dunkirk  (by  Roussel  and  Molart);  β€”  Another  (by  Mauger);  β€” 
1689.  Louis  XIV.  receives  James  IL  (by  Mauger);  β€”  1690.  Battle 
of  Fleurus  (by  Roussel  and  Molart);  β€”  1692.  Taking  of  Namur 
(by  Maugen ;  β€”  Battle  of  Steinkirk  (by  Mauger)  ;  β€”  Another  (by 
Roussel  anaMolart);- β€” 1693,  Sea-fightoff  Gibraltar  (by  Roussel); 

β€”  Battle  of  Landen  (by  Roussel  and  Molart) ;  β€”  Another  (by 
Mauger),  &c. 

Bibliography.  β€”  Franks  &  Grueber,  Medallic  Illuslrations  oj  ihe  Hislory  of  Great 
Britain  and  Ireland,  London,  1885,  p.  730.  β€”  Nouvelk  Biographic gin^raU,  XXX, 
p.  201.  β€”  Nagler,  Kiinsl!er- Lexicon. 

LECLERCQ,  JULIEN  GABRIEL  (Belg.).  Sculptor  and  Medallist,  born 
at  Ghent  on  the  22"^  February  1805,  died  at  Brussels,  23.  February 
1882,  He  studied  at  first  at  the  Ghent  Academy,and  later  at  Paris, 
where  he  became  a  pupil  of  David  d' Angers.  He  settled  at  Brussels 
in  18S5,  and  executed  there  several  works  of  sculpture  in  commis- 
sion for  the  city,  such  as  the  bas-relief  of  St.  Joseph's  Church  and 
a  group  of  children  for  the  Chamber  of  Commerce. 

Leclercq's  most  important  medals  are  :  1S27,  Leo  XII.,  on  the 
Concordat;  β€” .1831,  Baron  Surletde  Chokier,  Regent  of  Belgium; 

β€”  1832.  Visit  of  Leopold  I.  to  Louis-Philippe  at  Compifegne  ;  β€” 
1833.  Tribute  of  Belgians  to  the  Poles;  β€”  1834.  Prize  Medal  of  the 
Royal  Agricultural  Society;  β€”  1835.  Simon  Lubin;  β€”  1836. 
P.  J.  Triest,  Canon  of  Ghent;  β€”  1837.  Prize  Medal  of  the  Lifege 
Horticultural  Society;  β€”  1838,  Felix,  Count  of  Merode;  β€” 
Charles,  Count  of  Montalembcrt ;  β€”  Nicolas  Jean  Rouppe,  Burgo- 
master of  Brussels;  β€”  Engelbert  Sterckx,  Archbishop  of  Malines 
(2  var.);  β€”  1839.  B.  G.  Dumortler;  β€” β–   F.  David,  Burgomaster  of 
Verviers; β€”  1841.  Jetton  of  the  Belgian  Royal  Acadetny  of  Sciences 
and  Letters ;  β€”  Prize  Medal  of  the  Philharmonic  Society  of  Brussels ; 

β€”  11*  Anniversary  of  September  1830  (2  var.);  β€”  1842.  Edou- 
ard  de  Biefve,  painter;  β€”  1844.  Navigation  maritime;  β€”  1845. 
Royal  Conservatoire  of  Brussels  (2  var.);  β€”  Charles  Liedis;  β€” β–  
1847.  Exhibition  at  Brussels ;  β€”  Pattern  Five  Franc  piece;β€” 1848. 
Reward  for  services  rendered  during  the  epidemic  of  Cholera  (sev. 
var.);  β€”  1849.  Exhibition  of  Flanders;  β€”  1851,  Royal  Academy 
of  Sciences,  Letters  and  Fine  Arts ;  β€”  H.  van  Hulthem,  &c, 

Leclercq's  signature  appears  variously  as  :  J.  L. ;  β€”  j.  LECLERCQ 

β€”  JDLIEN  LECLERCQ  F. 

Bibliography.  β€”  Guioth,  Giavnirs  en  mMailleset  monnaies.  Revue  de  la  numis- 
matique  bdge.   1854,  p.  345.  β€” T)Β°,  Hisloiie  Huniismiilique  de  !a  Revolution  beige. 


β€žCoo<^lc 


β€”  366  ~ 

Hasselt,  1845 .  β€”  Piot,  Catalogue  du  Dipdt  das  Coii 
nant  d  I'Etat,  Bruxelles,  1861.  β€”  Imraerzetl,  op.  d. 
en  Belgiqueav  XIX'  stkle,  1905. 

LECLERQ,  BONAVEHTURE  (Fretuh)  Goldsmith  of  Laon,  end  of  the 
sixteenth  century.  On  the  12"'  February  1590,  he  was  commission- 
ed to  strike  Q.uarter  and  |  Q.urirter-Ecus  of  Charles  X,  His  son, 
CLAUDE  LECLERQ  was  associated  by  him  in  the  work  of  cutting  the 
dies  for  the  coins  which  were  issued  at  Laon, between  1590  and  1593, 
when  they  resigned  their  office.  These  coins  were  :  Gold  Ecus, 
Q.uarter,-an<i  Eighth  Ecus,  Gros  de  Nesle,  and  Double  Sols,  and 
bear  the  letters  LA  at  the  end  of  the  obv.  legend,  with  L  in  centre 
of  cross  on  ^.  The  LA  probably  signifies  LAOK  whereas  the  L  on 
^L  is  the  Engraver's  tnitiat. 

BiBtiOGRAPHY.  β€”  Paul  Bordeaux,  L'Atelier  monUaire  de  Laon  pendani  la  Ligue, 
Ann.  num.,  1895,  p.  497.  β€”  E.  Faivre,  Β£lal  acluel  des ateliers monSlaiies  franfais, 
189s. 

LECOCQ,  GILLES  dit  DES  JARDINS  {French).  Medallist,  born  at 
Nancy  in  1649,  and  died  there,  18.  September  1705. 

LE  COQ  DE  LAUTREPPE,  FfiLICIEN  WILLIAM  ALBERT  {French). 
Contemporary  Sculptor,  born  at  Paris;  pupil  of  Henry  Cros.  In 
1883  he  exhibited  at  the  Salon  a  Portrait-medallion  in  broni^e  oi 
Sir  Thomas  Gladstone. 

LECOIHTE,  LfiON  AIMfi  JOACHIM  (French).  Sculptor,  born  at  Paris 
on  the  9.  April  1826;  pupil  of  Klagmann,  and  A.  Toussaint.  By 
him  arc  several  medalUc  works,  among  which  I  may  mention  : 
1850,  Portrait-medallions  in  bronze;  β€”  1873.  The  beautiful 
Maddalena,  Plaque;  β€”  1875-  Assassination  of  Alexanderde'  Medici, 
Plaque;  β€”  1878.  Portraits  of  the  sons  of  M.  P***,  Medallion  in 
terracotta. 

Bibliography.  β€”  Chavignerie  el  Auvray,  op.  cil. 

LE  CONTE,  JEAN  (French).  Mint-cngraver  atSaint-Q.ucntin,  1400- 
140 1. 

LE  COTJR,  PAUL  (French).  Engraver,  Chaser,  and  Manufacturer  of 
buttons  at  Lyons,  second  half  of  the  eighteenth  century.  He  issued 
religious  medals  and  badges. 

LECOMTE,  fΒ£lix  (French).  Sculptor,  born  at  Paris  on  16.  January 
1737,  died  on  18.  January  1817 ;  pupil  of  Falconnet  and  Vasse.  By 
him  are  some  Portrait-medallions  and  Plaques  :  Bacchus  and  Cupid 
asleep ;  β€”  Cardinal  de  La  Rochefoucault,  &:c. 

LE  COMTE  (French).  Die-sinker  of  Rouen,  known  by  a  medal  of  the 
"  Asiles  des  AU^nSs",  Paris,  1867;  also  the  author  of  the  commem- 


,i.do/ Google 


onitive  Medal  of  the  Inauguration  of  the  Northern  Railway,  of 
France,  June  1S46. 

LEDEVIN,  fiDOUARD  RENΒ£  {French).  Contemporary  Sculptor  and 
Medallist,  born  at  Paris ;  pupil  of  Millet  and  Truph&me.  At  the 
Salon  of  1S92  he  exhibited  several  Portrait-plaquettes  in  silver;  β€” 
again  in  1893,  and  Louis  XV.,  plaquettes,  representing  rustic 
sceneries. 

LE  DOUBLE,  FR^DtRIC  AUGUSTE  MARIE  kUSt  (Freiich).  Contem- 
porary Sculptor  and  Medallist,  born  at  Gregy  (Seine-et-Marne) ; 
pupil  of  Georges  Lemaire,  and  Georges  Tonnelier. 

Among  this  artist's  medalhc  productions  are  :  Portrait  of  the 
Artist,  Plaquette  in  engraved  steel;  β€”  Confiance,  Plaquette  in 
silver;  β€”  Orffevrerie,  Plaquette  in  silver;  β€”  Baptism  of  Chlodvig ;  β€” 
Triumph  of  Chlodvig,  after  J.  Blanc,  Plaquettes  (reproductions  of 
two  panels);  β€”  Fete  antique,  Plaquette  in  engraved  steel;  β€”  On 
Parade;  β€”  English  Greyhound;  β€” Portrait  of"  Voisin  Pierriche"  ; 

β€”  Truth,  Plaquette;  β€”  Birth  of  Venus,  plaquette  in  steel;  β€” 
Charmeuse  ;  β€”  Seal  of  the  Society  of  Orientalists ;  β€”  Fides ;  β€” 
Dav.'n ;  β€”  The  Art  of  the  Goldsmith  ;  β€”  Sceur  de  lait ;  β€”  M.C.***  ; 

β€”  The  first  step;  β€”  Diurne,  Nocturne,  Parisiana  (medals);  β€” 
Return  of  the  Victorious  Chlodvig,  after  J.  Blanc. Salon  of  1904 :  Two 
plaquettes  in  silver-gilt,  engraved  direct  on  steel  (reproductions 
from  the  frieze  of  the  Pantheon,  after  J.  Blanc),  β€”  St.  Anthony  of 
Padua  ;  β€”  *'  Fete  antique  ",  plaquette  on  steel;  β€”  Salon  of  1905. 
History  of  Chlodvig ;  β€”  Allegory  with  the  artist's  portrait ;  β€”  1 906 . 
Pri^re  de  I'enfant;  β€”  Chapiteau  ii  contours;  β€”  Seal;  β€”  M"'-'  L. 
de  S***;  β€”  M.  X***;  β€”  Head  of  the  Republic,  &c. 

"  M.  Fr6ddric  Le  Double",  saysM.  Babelon,  "  m^rite  une  place  h 
part.  Cette  aiinee  (1902)  encore,  il  a  expose  une  belle  ceuvre  intitnl^e 
FSte  antique,  plaquette  en  ni^tal  patine,  d'apr^  une  feuille  d'acier 
srav6e  au  burin,  qui  a  du  lui  couter  de  longues  veilles.  Le  m^rite 
de  M.  Le  Double  est  d'autant  plus  grand  que  le  public  n'appr^cie 
gu^re  la  difference,  pourtant  essentielle,  qui  existeentre  le  modelage 
en  matifere  malleable  d'un  bas-relief  que  rapetisse  aveugl^mcnt  le 
tour  ci  reduire,  et  la  ciselure  delicate  et  p^nible  d'un  bloc  d'acier. 
Ce  dernier  procM^  est  de  plus  en  plus  abaudonn^,  pourtant,  si  Ton 
y  avait  eu  recours  directement  pour  les  coins  de  nos  monnaies 
actuelles,  on  n'aurait  pas  aboutl  aux  d^plorables  r^sultats  qu'on 
connait  trop,  puisqu'ils  sont  entre  toutes  les  mains  "  (^Revue  de  I'Art, 
1902,  II,  p.  24). 

Bibliography.  β€” Catalogues  du  Salon,  1900-1904. 

LE  DOYEN,  FIRMIN  (^French).  Engraver  of  Lyons,  1528-1529. 

LEDRU,  AUGUSTE  (^French).  Contemporary  Sculptor,  born  at  Paris  ; 
pupil  of  Boisseau,  Duniont,  and  Thomas.  He  was  awarded  in  1894 


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-   36.S  - 

a  Medal  of  the  Third  class,   and  in  1896,  another  of  the  second 
class. 

At  the  Salon  of  1902  he  exhibited  some  Pkquettes  representing 
"  Venus  slumbering  ",  and  one  entitled  "  Coquille  "  in  patinated 
clay.  Previously  in  1885,  a  Portrait-medallion  in  bronze  of  M"^  A*** ; 
β–  β€”  1897.  The  two  Pearls,  &c. 

LE  DDC,  M"'^  cfiLESTIKE  MARIE  (French).  Contemporary  Modeller, 
who  at  the  Salon  of  1885  exhibited  some  Portrait-medailions  in 
wax,  and  in  1886,  a  PortraitTmedallion  of  M'"=  du  B***. 

LEE,  EDWARD  {Brit.').  Archbishop  of  York,  1531-1541 ;  the  last 
Prelate  who  issued  money  at  York.  He  strucl':  Half-Groats,  with  E.  L. 
or  L.  E.  at  sides  of  shield,  without  the  cardinal's  hat  and  with 
mint-mark  a  key. 


Half  Groat  of  Henry  VIII.,  struck  by  Archbishop  Lee. 

Bibliography.  β€” -  Riiding,  op.  cit.  β€”  Hawkins,  op,  cU. 

LEEFKEK,  JEAN  (Russ.).  Mint-engraver  at  St.  Petersburg,  under 
Peter  the  Great,  1694-1709. 

LEEFKEN,  J,  J.  (Ruis.).  Probably  a  son  of  the  last.  Medallist  to  the 
St.  Petersburg  Mint,  appointed  in  1739.  By  him  is  a  large  Memorial 
Medal  of  the  Empress  Anne,  which  Wiis  struck  at  Moscow,  where 
he  was  sent  in  1742;  also  a  Coronation  Medal  of  Catherine  I.,  and 
copies  of  earlier  medals  of  Peter  the  Great,  such  as  :  Capture  of 
Azow;  β€”  Peace  of  Carlowitz  (in  which  he  created  a  fantastic  por- 
trait of  the  Czar),  &c. 

Leef ken's  medals  are  signed  :  J.  LEEFKEN  or  |  β–  β€” s. 

In  the  Archives  of  the  St.  Petersburg  Mint,  the  artist  is  also 
called  .leBiiH'i,  and  /leBKHHt. 

Bibliography.  β€”  Iverseii,  MedailUn  auf  dw  Thalen  Pelerdes  Grossm,  1872. 

LEEUWE,  JEAW  DE  (Belg.).  Obtained  a  concession  from  Philip  III. 
to  issnc  Liards,  and  Half  Liards,  at  Bois-le-Dnc,  1611-1615. 

LEFEBVRE,  AWDRΒ£  REN*  GABRIEL  (French).  Contemporary  Sculp- 
tor, born  at  Vincennes;  pupil  of  Hiolin,  and  Antonin  Merci^.  At 
the  Salon  of  1905  he  exhibited  a  Portrait-medal  of  M.  E.  D*"", 

LEFEBVRE,  CLAUDE  (French).  General  des  Monnaies,  1593. 

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_  3^9  β€” 

LEFEBVRE,  HIPPOLVTE  (^French).  Contemporary  Sculptor  and 
Medallist,  residing  at  Paris ;  pupil  of  Caveller,  Barrias,  and  Coutan  ; 
Prix  de  Rome.  He  was  born  at  Lille  and  is  still  a  young  man  (15106). 

Some  of  this  clever  artist's  medals  and  plaquettes  are  very  charm- 
ing :  1889.  Marie;  β€”  1891.  Perdriset  and  Jouguet;  β€”  Julie  Le- 
feBvre;  β€”  1897.  Le  Peignage;  β€”  Plaquette  for  the  Chamber  of 
Commerce  of  Roubalx  (44  X  3  5  mill.) ;  β€”  Portrait  of  M""  Marie 
Lefebvre  (60  mill.) ;  β€”  Portrait  of  M""  Agache  ;  β€”  Portrait  of  M"^ 
Kulmann,  Plaquette;  β€”  Portrait  of  a  Child,  Plaquette  (46  X  32 
mill.);  β€”  Male  Bust,  to  1.;  β€”  Baby  (reproduced  in  D"'  Dompierre 
de  Chaufepid's  work) ;  -β€”1899.  25"'  Anniversary  of  the  marriage  of 


Hopital  des  jeuoes  aveugles,  by  H.  Lefebvre. 

J.  Agache  and  Celine  Desmedt,  Plaquette;  β€”  Mβ„’  Kulmann,  Pla- 
quette;-β€” -Edmond  Agache,  Plaquette;  β€” -Edouard  Agache;  β€”  and 
38  Portrait-plaquettes  (belonging  to  M.  Schaeffer);  β€”  1900.  The 
Chamber  of  Commerce  of  Lille  to  Philippe  de  Girard  (45  mill.) ;  β€” 
1902.  Hospital  for  young  Blind  (issued  by  the  "Sociβ„’  des  Amis  de 
laM^daille";  (obv.  illustrated);  β€” 1904.  Portraits  ofM.  &  M"'"  de 
Schlumberger  ("  ceuvre  d'un  art  exact  sans  duret^  et  d'un  models 
trfesfin"). 

There  is  a  peculiar  interest  and  pleasure  in  watching  the  progress 
of  a  young  artist,  from  the  time  when  he  manifests  such  indications 
of  superiority  as  to  attract  special  notice,  through  all  the  several 


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β€”  370  β€” 

stages  of  advancement,  till  he  has  won  for  himself  an  imperisbaWe 
name.  Some  do  not  fulfil  the  promise  of  their  youth  ;  others  contin- 
ue their  onward  progress.  May  this  be  the  case  of  this  Medallist, 
who  has  won  the  sympathy  of  many,  and  been  entrusted  with 
orders  from  the  "Society  des  Amis  de  la  MSdaiUe  fran?aise",  a 
body  of  connoisseurs  whose  judgment  is  guided  only  by  the 
highest  principles  of  Art. 

Without  giving  up  sculpture,  Lefebvre  has  in  recent  years  exe- 
cuted several  medals  and  cast  medallions,  which  are  very  original  in 
character.  M,  R.  Mars  observes  that  they  are"  d'une  ing^niosit^ 
pittoresque  tres  vive",and  reproduces  several  in  Medailkurs  cmtem- 
porains,  PI.  29,  n"'  7-9  and  ii, 

Bibliography,  β€” Gazette  numismatique  franfaise,  1897-1902.  β€”  R.  Marx,  Les 
MMailhurs  frattfau.  β€”  D",  MedailkuTS  modernes  en  France  et  d  f Stranger,  1900. 
β€”  D''  Dompierre  de  ChaufepiS,  MMailks  et  Piaquettei  nwderms,  II,  III.  β€”  Cata- 
logue du  Salon,  1902. 

LEFEBVRE,  LOUIS  (Belg.).  Goldsmith  of  Cambrai ;  appointed 
Engraver  at  the  Mint  there,  on  the  i''  May  1564,  and  replaced  by 
Georges  Muenincx  on  the  i"'  November  1567.  By  him  are  probably 
the  following  coins  issued  during  his  tenure  of  ofiice  :  N.  Denier 
or  Florin  0^24  Patards;  β€”  Ecu  of  48  Patards;  β€” β–   ^.  Daldcr, 
with  double-eagle  on  one  side,  and  arms  of  the  Archbishop  of 
Cambrai  on  the  other;  β€”  Dalder,  with  St.  Maximilian  on  obv.,  of 
the  value  of  36  Patards;  β€”  Half  Dalder,  of  both  types;  β€”  Pieces 
of  6,  3,  and  i  Patards;  12,  6  and  3  Deniers;  β€”  JE.  i  Denier;  β€” 
Various  Jettons  in  silver  and  copper. 

BmuoGRAPHV.  β€”  A.  Pinchart,  Biographie  des  Gravcun  lielges.  Rev.  num. 
beige,  1858,  p.  47. 

LEFEBVRE,  L,  J.  {French).  Editor  of  a  commemorative  medal  of 
the  Inundations  in  Gelderknd,  18(11. 

LEFEBVRE,  NICOLAS  (or  NICOLAS  FAVRE).  {French.').  Goldsmith 
of  Riom,  Mint-cngravcr  there,  1587-1590,  and  again,  1593- 
1594. 

LEFEBVRE,  NICOLAS  {French).  Mint-engravcr  at  Clermont,  1587- 
1589. 

LEFEBVBE,  ROBERT  {Belg.).  Goldsmith,  and  Mint-engraver  at 
Cambrai,  1561-1564. 

LE  FERME  {French).  Medallist  and  Engraver  of  Jetons  at  Pari; 
circ.  1676-1683.   By  him  ai 
Jetons  for  the  Royal  House. 


676-1683.   By  him  are  several   medals  of  Louis  XIV,   and 
-       β–      -      ,jf 


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β€”  371  β€” 
LEFEVRE  (French).  Medallist  of  the  first  quarter  oi  the  nineteenth 
century.  He  contributed  to  Dnrand's  Series  and  Mudie's  National 
Medals.  Among  the  former  is  a  Portrait-medal  of  D'  A.  Vesalius, 
1830,  and  in  the  English  series  :  Battle  of  Vittoria,  1813  (IJi-). 
There  is  also  a  medal  on  the  Death  of  General  Lannes,  1809,  by 
him. 

LEFtVRE,  MARIE  JOSEPH  (French').  Coniemporary  Sculptor,  born 
at  Paris;  pupil  of  L.  Noel  and  Etienne  Leroux.  At  the  Salon  of 
1897  he  exhibited  Portrait- medallions  of  M.  Mathet ;  and  Leon 
Harmel,  &c. 

LEFtVRE,  LESAGE  &  C  (French).  A  Paris  firm,  which  in  1792 
issued  silver  Tokens  for  20  Sols  (sev.  var.),  10  Sols  (sev,  var.) 
5  Sols  (sev.  var.),  and  copper  18  Deniers  (sev.  var.).  These  coins 
were  withdrawn  from  circulation  in  the  same  year,  hy  a  decree  of 
the  National  Assembly  of  27.  August  1792. 

Bibliography.  β€”  Dewamin,  Ccnf  anj  i!e  numismatiqiK  franfaiss de  ijSg  h  iSSg. 

LEFFLER,  FERDINAND  (Austr.).  Mint-master  at  Hall  in  Tyrol, 
1601-1610. 

LEFFLER,  GREGORIDS  (Austr.).  Founder  ("  Puechsenguesser")  oi 
Innsbruck,  who  cast  two  very  large  medals,  one  of  King  Maximi- 
lian, 1550,  weighing  359  Mark  7  Loth,  and  the  other,  commemor- 
ating the  marriage  of  King  Maximihan  with  Queen  Marie,  of  a 
weight  of  350  Mark  10  Loth. 

Bibliography.  β€” C.  Oesterrelcher,  op.  cit. 

LEFFMANM,  D'  HENRY  (Anter.).  Chief  Coiner  at  the  Philadelphia 
Mint,  appointed  by  President  Cleveland,  on  10"''  January  1888,  but 
he  does  not  appear  to  have  been  confirmed  in  office, 

LE  FLAMENC,  PIERRE  (French).  Mint-master  and  Engraver  at 
Arras,  circ.  1304-1306. 

LE  FORESTIER,  DENIS  (French).  Mint-engraver  at  Rouen,  1527- 
1543- 

LE  FORESTIER,  JEAN  (French).  Mint-engriiver  at  Rouen,  circ. 
1482-15 18. 

LEGASTELOIS,  JULES  PROSPER  JOSEPH  MARIE  EDMOND  (French). 
Sculptor  and  Medallist,  born  at  Paris  in  1855;  pupil  of  Eug. 
Levasseur  (Director  of  the  Municipal  School  of  the  third  arrondis- 


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setnent  of  Paris)  Emile  Carlier,  statuary,  Roty,  and  Tonnellier, 
medallists  and  geni-e  no  ravers. 

Among  the  Prizes  which  have  been  awarded  to  the  artist  are  ; 
Silver  and  Bronze  medals  at  the  Universal  Exhibition  of  1889 ; 
Mention  honorable  at  the  Salon  des  Artistes  franqais,  1896  ;  Medal 
of  the  Third  class.  Salon  of  1898  ;  Bronze  Medal  at  the  Universal 
Exhibition  of  1900,  &c.  In  :888,  he  was  made  an  Officier  d' Aca- 
demic, and  in  1894,  Officier  d'instruciion  publique. 

Legastelois  is  the  author  of  numerous  works  of  sculpture  :  Bust 
of  Fenelon  (commissioned  by  the  State,  and  now  in  the  Lyc^e  of 
Chamb^ry) ;  β€”  Bust  of  Clara  d'Anduze,  bronze  (erected  at  Anduze, 
Card);  β€” Bust  of  D' Tourasse,  bronze^  Sic. 

The    ioilowing   are    his   principal    iiiLil.dlic     ";oductions   :    La 


X 


β– W^^l 


LaJeuiieSse,  by  Legastdois. 

Jeunesse,  Plaquette  commissioned  by  the  "Soci^te  des  Amisde  la 
m^daille  fran^aise "  (illustrated);  β€”  Portrait- plaquette  :  Duvau- 
chel,  poet;  β€” M"'  ligastelois;  β€”  M'"^  V.  P***;  β€”  Deblois  pere, 
French  Engraver;  β€”  Mβ„’  V.  L***,  solfeggio;  β€”  Gilbert,  decora- 
tor ;  β€”  Portraits  de  mon  Pfire  et  de  ma  Mfte ;  β€”  Ren^e ;  β€” 
Minerva ;  β€”  Jupiter ;  β€”  M.  &  M"^  B***  (two  plaquettes  exliibited 
at  the  Luxembourg  Museum)  ;  β€”  E.  Molinier,  formerly  Assistant- 
keeper  at  the  Louvre  (illustrated) ;  β€” β–   Deblois  pere  et  fils ;  β€”  The 
Child  with  the  rose ;  β€”  Portraits  of  Courtin,  Domergue,  Gautruche, 
Belard  ;  β€”  Christ  on  the  Cross ;  β€”  Deblois  pere,;  β€”  Chicou's 
Dream  ;  β€”  Mβ„’=  V  Chieze  ;  β€”  John  the  Baptist ;  β€”  Gloria  Virginis ; 
β€”  Enfants  G^* ;  β€”  Ren^e  G*** ;  β€”  Spinner  and  Child ;  β€”  L'Ha- 


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~  373  β€” 
bitation ;  β€”  Le  MobUier;  β€” β–   La  "  Zuricb  " ;  β€”  The  Due  de  Diiio ; 

β€”  The,  Paris  Fair;  β€”  Embarcatioiis  at  Sea;  β€”  Birthday  Medal 
(the  last  seven  were  exhibited  at  the  Salon  of  1904  and  are  the  prop- 
erty of  the  Paris  Mint). 

The  artist  made  the  following  medallic  exhibits  between  1890 
and  1900  :  1890.  Three  Portrait-medallions  in  bronze;  β€”  1898. 
M.  L***;  β€”  Grand-mother;  β€”  V.  P***;  β€”  M.  &  M"'^  Martin  ;  β€” 
Portrait  of  Gilbert;  β€”  Autumn;  β€”  Poetry;  β–  β€”  D'Hervilly ;  β€” 
Gounod;  β€”  Gabrielle-Ludenne ;  β€” β–   Lucie  et  Alice;  β€”  Renfe;  β€” 
Vierge;  β€”  Bury;  β€”  Jupiter;  β€” Lucie;  β€”  Minerva;  β€”  Roussel; 

β€”  1S99-  Twenty-eight  Portrait-pkquettes  in  silver  and  bronze 
(belonging  to   M.  Querela   jun%    editor) ;   β€”  M.    Lecomte  ;   β€” 


M.  Garrido;  β€”  1901.  Mes Parents;  β€”  1903.  Leon  Duvauchel;  β€” 
1905.  M.  C***;  β€”  Robert  Planqiiette;  β€”  1905  and  1906,  Various 
Medals  and  Plaqueites,  &c. 

The  plaquette  "  La  Jeunesse  "  is  considered,  with  reason,  one  of 
the  finest  example^  of  modern  medallic  art ;  the  effect  Is  charming, 
and  the  patina  very  clever. 

"  On  ne  pent  n6gliger",  says  a  writer  in  Art&  Decoration,  1899, 
II,  p.  53,  "de  relever  les  tentatives  de  M.  Legastelois  pour  varier 
les  aspects  de  la  medaUle  famili^re  par  les  decoupures  des  formes, 
la  dorure  en  ,ors  varies,  &c.  Sans  doute,  ses  reliefs  sont-its  trop 
effaces,  ses  effets  trop  pittoresques  et  cette  fantaisie  tend-ellc  a  6ter 
k  la  m^daille  un  pen  de  sa  dignite.  Mais  tets  morceaux, β– """ 


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pliisieurs  de  ses  portraits,  n'en  sont  pas  moins  des  effigies  qui  ont 
leur  reel  interfet  d'art.  " 

Bibliography.  β€” Information  k'mdly  Jumishedby  the  artist.  β€”  Catalogues du Salon, 
1900-1904.  β€”  Ga:^ette  nuntumatique  frangaise,  i8g8,  p.  284;  1900,  p.  429.  β€” 
Roger  Marx,  MUaiUeurs  Jranfais.  β€”  D",  MidmUean  conUmporains.  β€”  Art  el 
Dilcoration,  1899,  11,  53.  β€”  Moderne Medailh,  igoo,  p.  14.  ^D'' J.  de  Dompicrre 
de  Chaufepi^,  M^dailles  et  Plaqmttes  modernis,  11,  p.  66. 

LE  GADLT,  MARTIN  {French).  Mint-engraver  at  Paris,  some  time 
before  1519,  until  1527,  He  succeeded  Guiilaume  du  Cliefdela- 
ville,  and  1527,  Claude  Lemay  was  appointed  to  the  office.  On 
May  21,  1520,  he  delivered  dies  for  Grands  bkncs  (St.-L6); 
7,  December  1521,  dies  for  gros  Testons  and  Half  gros  Testons 
(Limoges);  11.  December  1521,  Dies  for  Ecus  an  soleil  and  Grands 
Bkncs  (Tours) ;  11.  February  1523,  dies  for  Ecus,  and  Grands 
Blancs,  the  latter  with  the  distinctive  mark  of  Jacques  Louvet, 
Mint-master  at  Tours ;  20.  April  1523,  dies  for  Ecus  oor  au  soleil. 
Half  Ecus,  Grands  Blancs  of  10  Deniers  tournois,  and  Doubles 
Tournois  (Bayonne);  22.  September  1525,  dies  for  Ecus  d'or  au 
soleil,  Gros  Testons,  and  Half  Gros  Testons  (Poitiers). 

By  the  same  engraver  are  a  number  of  Jetons  :  15 19.  Jetons  with 
the  arms  of  Pope  Leo  X.  and  Francis  L  ;  β€”  Jetons  for  the  Sieur 
de  La  Chapellc;  β€”  1520.  Jetons  for  Claude  de  la  Croix,  King's 
Counsellor;  β€”  1524.  Jetons  for  the  Chambre  dcs  Comptes  ot 
Languedoc. 

He  signed  M.  Gaull. 

Bibliography.  β€”  F.  Mazerolle,  LesMedailieurs  frangais,  Paris,  1902.  β€”  Blan- 
che!, Manuel  &c.  II,  pp.  591  et  394.  β€”  N.  Rondot  &  H.  De  La  Tour,  op.  dl. 
p.  i8i.' 

LEGAY,  JEAN  (French).  A  Paris  Engraver,  circ.  1382-1384,  who 
cut  irons  for  "  Gettouers  de  loton  ". 

LEGENDRE,  CLSmENT  {^French).  Mint-engraver  at  Lyons,  some 
time  previous  to  and  until  1633. 

LfiGER,  GEUFFROY  (French).  Mint-engraver  at  Troyes,  some  time 
previous  to  and  until  1515. 

LEGG,  COLONEL  (Brit.).  A  patent  was  granted  to  Sir  Thomas 
Armstrong  and  Colonel  Legg,  on  the  iS'''  May  1680,  to  issue  a 
coinage  of  Irish  Halfpennies  of  Charles  IL  (dates  1680-1684)  and 
James  IL  (dates  1685-1688).  The  coins  have  on  obv.  the  King's 
bust  and  on  IJi.  a  harp. 

BiBUOGRAPHY.  β€”  H.  A.  Grucber,  Handbook  of  the  Coinage  of  Great  Britain  and 
Ireland,  London,  1899. 

LEGRAND,  ALEXANDRE  (French).  Contemporary  Sculptor,  born  at 

tlosted  by  Google 


-  375  β€” 
La  Delivrance  (Calvados).  He  is  the  author  of  several  cast  bronze 
Portrait-medallions  :    M"*   Legrand;    β€”  Philippe  de  Girard;  β€” 
Portrait  of  a  Lady,  &c. 

LE  GRAND,  JACQUES  {French).  Gan^ral  des  Monnaies,  1582. 

LE  GRAND,  JEUFFROY  (French).  Mint-engraver  at  Troyes,  circ. 
1498-1499. 

LEGROS,  ALPHOHSE  (French).  Contemporary  Painter,  Sculptor  and 
Medallist,  born  at  Dijon,  on  the  8"'  May  1837;  pupil  of  Lecoq  de 
Boisbaudran,  and  the  Ecole  des  Beaux-Arts;  medals  in  1867  and 
1S68 ;  former  Slade  Professor  in  University  College,  London,  1876- 
189^;  President  of  the  Society  of  Medallists. 

Tlie  artist  "  had  no  assistance  in  his  education,  and  encountered 
many  hardships  before  he  was  able  to  send  a  picture  to  the  Salon; 
it  was  a  portrait  of  his  father,  exhibited  in  1857  ".  In  1859,  "  The 
Angelus  "  attracted  much  attention,  and  in  1861  appeared  the  '*Ex 


Voto  ",  belonging  to  the  Dijon  gallery.  "  Since  1863  Legros  has 
resided  in  England,  where  he  has  received  the  honour  and  patronage 
which  he  failed  to  obtain  in  Paris,  and  this  consideration  has  at 
length  extended  itself  to  his  native  country". 

"  On  his  arrival  in  London,  says  M.  L6once  B^nedite,  Legros 
found  himself  on  almost  virgin  soil,  which  it  delighted  him  to  clear 
and  to  cultivate.  To  this  task  he  devoted  more  than  twenty  years 
of  his  life,  sacrificing  his  own  work,  with  its  prospects  of  success 


./Google 


and  other  more  material  advantages,  to  this  labour.  Whether  in 
painting  or  in  etching  (he  restored  to  his  place  of  honour,  next  to 
Rembrandt,  our  great  Meryon,  wliose  influence  is  to  be  seen  in 


every  modern  English  plate),  or  in  medal 
brought  in  touch  with  Pisanello),  or  i 


'ork  (which  he  again 
ary  (he  made  one  feel 


Viilk  beaidless  busi  to  1.,  by  Ltgios. 

and  love  and   better  understand  the  divine  genius  of  antiquity), 
Legros  β€”  aided  by  his  friend  Lant6ri,   the  modest  and  learned 


,/ Google 


_  377  ~ 
sculptor β€”  teaching  at  South  Kensington,  exercised  a  profound  and 
a  real  influence  by  means  of  his  solid,  practical  and  methodical 
instruction,  by  force  of  his  own  work,  so  sober,  thoughtful,  lofty, 
grave  and  even  austere,  and  by  dint  of  studying  and  admiring  the 
great  masters,  and  noting  attentivi.lv  the  t;rand  principles  by  which 
they  were  inspired.  "  (^StiuHc,  XXIK     |.} 


Cardinal  Manning. 

The  following  Portrait-medallions,  all  cast  in  bronze,  are  executed 
in  the  manner  of  Pisanello.  "  La  serie  de  ses  mMailles,  d'un 
travail  gras  et  libre,  proclame  sans  conteste  le  culte  vou6  k  Pisano  ". 
Roger  Marx,  Gax_-  des  Beaux-Arts,  1904,  I,  328)  :  Charles  Robert 
Darwin,  1881 ;  signed  A.  L, ;  4.5  in.  (the  first  medallion  made  by 
the  artist) ;  β€”  Thomas  Carlyle  (1881)  ;  β€”  Alfred  Tennyson,  poet 


./Google 


-  378  - 
laureate  C 1 88 r);  signed :  A.  LEGROS  (illustrated);  β€”  John  Stuart  Mill 
fi883);  β€”  W.    E.    Gladstone,    1882  ^L.  FIDE   ET  VIKTUTE 
(4.45  in.);  β€”  Orlando  Martorelli,  1881 ;   β€”  Pierre  Gregoire  ;  β€” 
Maria  Valvona,  1881 ;  β€” Don  Juan  Heredia; β€” -Antonio  Escoredo; 

β€”  Bust  of  a  Girl  to  right  with  long  hair  (2.9  in.);  β€”  Male, 
bearded  bust  to  left,  without  name;  signed  :  A.  L.  (3,8  in);  β–  β€” 
Giovanni  Labresca  ^L.  Donato  Vidari  (4.6  in.) ;  β€”  Cardinal  Man- 
ning; β– β€”  Male,  beardless  bust  to  1. ;  signed  A.  L.  {illustrated)  ;  β–  β€” 
S.  H.  Shannon;  β€”  Orlando  Martorelli,  MDCCCLXXXI;  β€” 
Victor  Snrville;  β–  β€”  Nicolas  Blacas^  β€”  Male  Portrait  in  beretta, 
with  Greek  legend;  β€” Jacob  Moro;  β€”  Donato  Capello; β€”  Denis 
Urbain;  β€”  Jules  Raud;  β€”  Gil  de  Mesa;  β€”  A  young  Girl's  head 
in  high  relief,  facing,  cup-shaped-medallion ;  β€” Portrait  of  a  model, 
bearing  the  fancy  name  "  Marquis  de  Bedmar  " ;  β€”  Constantine 
A.  lonides  5^-- Inscription  and  date  1881 ; β€” -Fontis  ad  Originum; 

β€”  La  Mort  et  le  Bficheron,  &c. 

"  The  art  of  modelling  wax  medallions  to  be  cast  in  metal,  in  the 
manner  of  the  old  Italian  medallists,  has  been  revived  in  England 
by  such  artists  as  Professor  Legros,  Sir  E.  J.  Poynter,  P.R.A.,  and 
Mr.  W.B.  Richmond,  A.R.A....  The  Italian  medallists,  like  the 
modern  artists  who  have  adopted  their  way  of  work,  were  frequent- 
ly painters  as  well  as  medallists;  Pisano,  it  will  be  remembered, 
was  accustomed  to  sign  his  bronzes  "  Opus  Pisani  Pictoris  ";  and 
the  technique  of  their  medals,  in  its  shallow  relief  and  in  the  free 
handling  by  which  the  outlines  and  planes  are  rendered  - β€”  the 
portraits  very  often  appearing,  as  it  has  been  finely  said,  like  "  a 
mere  film,  a  sort  of  haze  which  has  risen  on  the  bronze  and 
gathered  into  human  likeness'  β€”  recalls  unmistakably  the  methods 
of  workers  with  the  brush.  "  (J.  M.  Gray,  James  and  William 
Tassie,  Edinburgh,  1894,  pp.  42,  72). 

Bibliography.  β€”  Chavignerie  et  Auvray,  cp.  cit.  β€”  Clement  and  Hutton, 
Artists  of  the  ninelmiih  century,  London,  1806.  β€”  D'  F.  P.  Weber,  Medals  and 
Medallions,  &c.  β€”  L^once  BSnSdiie,  Alphonse  Legros,  Paris,  1900.  β€”  Ibid., 
Alphonse  Ligros,  Painter  and  Sculptor,  Studio,  XXIX,  1 .  β€”  Roger  Marx,  Medail- 
leurs  fraii^ais,  2};  Midailleurs  contemporains,  PI.  31.;  L'Exposition  Alphonse 
Legros,  Gaz.  des  Beaux-Arts,  1904,!,  32}.  β€”  Reutie  de  I' Art,  1^00,  ^y] . β€” 
Cochran-Patrick,  Catahgue  of  the  Medals  of  Scotland,  1884.  β€”  Art  et  Dicoration, 
igoo.  β€”  Numismatic  Chronicle,  1832,89.  β€”  Numismatic  Circular,  December 
1901  &  January  ig02. 

LEGUEULT,  EUGfiNE  (French).  Contemporary  Sculptor,  born  at 
Saint-Sever  (Calvados);  pupil  of  Falguiere,  Thomas  and  Leroux.  At 
the  Salon  of  1890  he  exhibited  eight  Portrait -medallions  in  bronze, 

LEHARIVEL-DUROCHER,  VICTOR  EDMOND  (FreKjfi).  Sculptor,  born 
at  Chann  (Orne)  on  the  20*  November  1S16  ;  died  in  1878  ;  pupil 
of  Beiloc,  Ramy  Jun'^  and  A.  Dumont;  created  a  Kniglit  of  the 
Legion  of  Honour  in  1870, 


,stsd  by  Google 


β€”  379  β€” 

By  this  artist  are  a  number  of  Portrait-medallions,  cast  in  bronze, 
some  of  which  were  exhibited  at  the  Paris  Salons,  between  1846 
and  187S  :  1852.  Portrait  of  M.  B***;  β€”  1855.  Marquis  tie  Clien- 
nevieres,  &c. 

BiBLioGRflPHY.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LEHERK,  CHRISTOPH  JAKOB  (Germ.').  Medallist  of  Augsburg, 
born  in  1647,  worked  there  from  1683  to  1707,  in  which  year  he 
was  beheaded,  at  Vienna,  at  the  age  of^sixty,  tor  strildng  false  coins. 
His  productions  are  few,  but  of  good  execution, especially  a  Portrait- 
medal  of  Leonhard  Weiss,  and  a  commemorative  medal  of  the 
Relief  of  Vienna,  in  1683.  By  him  are  also  :  Victories  of  John  III. 
Sobieski ;  β€”  John  III.  Sobieski  invested  with  the  French  orders  of 
St.  Michael  and  St.  Esprit ;  β€”  Portrait- medal  of  the  King,  Danzig ; 
β€”  Capture  of  Belgrade,  1689;  β€”  ^.  of  another  medal  on  the  same 
event,  r688 ;  β€”  Counter  on  the  Restoration  of  Peace,  with  bust  of 
William  in.  of  England,  1691;  β€”  William  III.,  Upholder 
of  the  Protestant  faith,  1691;  β€”  Medal  of  John  Huss;  β€” 
Coronation  Counters  of  Joseph  I.,  1690  (sev.  var.,  undated), 
Eleonora  Magdalena  Theresia,  the  Emperor's  mother,  John  William, 
Prince  Palatine,  1690,  &.C.;  β€”  John  III.  Sobieski;  β€”  Marriage 
Medal,  TREU  UND  LIEB  STETS  BEI  UNS  BLEIB,  &c. ;  β€” 
Charies,  Duke  of  Lorraine  ^L.  lUNCTA-PIAE-PORTIS- 
FORTIOR.  Two  hands  issuing  out  of  clouds  holding,  the  one  a 
cross,  and  the  other  a  decapitated  head  on  sword;  signed  CIL. 
(communicated  to  me  by  Mr.  Szkolny,  of  Munich),  &c. 

All  Leherr's  medals  are  signed  ;  CIL. 

Bibliography.  β€”  Bolzenthal,  op.  cil.  β€”  Franks  &  Grueber,  op.  dt.  β€”  Fiala, 
op.  cit.  β€”  Joseph  &  Fellner,  t)k  ManTfin  van  FranJifurl-oa-Main,  Nachtrag.  β€” 
To  bier  Meyer,  op,  cit.,  I. 

LEHMANN,  KASPAR  (fierm.).  Gem-engraver  to  the  Emperor 
Rudolph  II.,  third  quarter  of  the  sixteenth  century.  He  earned 
fame  by  his  discovery  of  the  art  of  engraving  on  glass  (cristal  de 
BohSme). 

BiBiiOGRAPHY.  β€”  King, of.  cit. β€” Babelon,  Pierres gravies,  p.  283.  β€”  Mariette, 
op.  cit. 

LEHMANN,  RUDOLPH  {Germ.').  Aurijaher  ei  sculptor  instrumentorum 
monetariae  at  Olkuss,  1590;  Assayer  at  the  Mint  of  Posen,  1599; 
Mint-warden  and  Coin-engraver  at  the  Royal  Mints  of  Posen  and 
Fraustadt  and  the  urban  Mint  of  Praustadt;  1611  Mint-warden  and 
1615-1620,  Contractor  of  the  Royal  Mint  of  Posen. 

His  issues  are  usually  signed  R.  L. 

Bibliography.  β€”  Max  Kirmis,  Handbiich  der  Polnischen  Miin^kunde,  Posen, 


atdb,  Google 


β€”  3f!o  β€” 

LEHNEIS,  J.  (Germ.').  Die-sinker  at  Munich,  1855. 

LEHNER,  DANIEL  (Jifstr.').  Mint-warden  at  Kuttcnberg,  previous 
to  1579. 

LEHKER,  HAUBOLD  (Germ.).  Mint-master  at  Ratisbon,  1598;  died 
in  1628.  He  was  a  Goldsmith  by  profession,  and  is  mentioned  as 
such  in  documents  of  1581,  1582,  etc. 

BiBUOGRAPHY.  ^-v,W,  Schratz,  Urkunden,  SegesUn  und  NoHien  ^i-  MUtti- 
geschkhte  Regensbiirgs  von  1200  Us  1600,  Mitth.  Bayer  N.  G.,  HI.   51. 

LEHNER,  VEIX(GΒ«rm.).  Sculptor,  who  in  conjunction  with  Veit 
Arnberger,  executed  wood  models  for  medals  of  the  Emperor 
Ferdinand  I.,  1563. 

Bibliography.  β€”  KuU,  RepertoHum Sic,  II,  711.  β€”  Kt:nner(586)  1903,  p.  16. 

LEHNERT,  ADOLF  (Germ.).  Contemporary  Medallist,- residing  at 
Leipzig.  His  signature  occurs  on  a  commemorative  medal  of  the 
seventh  centenary  of  the  Mansfekl  Mining  Works,  1902. 

LE  HON,  PIERRE  (frmc/j).  Mint-engraver  at  Tournai,  mr.  1489- 
149 1. 

LEHR,  CYRIACUS  VON  (Germ.).  Mint-master  at  Weimar,  1616- 
1620,  and  Hornstein,  1622.  The  issues  of  this  Mint-master  are 
signed  VOL  interlinked. 

LEICESTER,  EARL  OF  (Bn7.),  Master  of  the  Royal  Mint,  London, 
under  George  IIL,  1790-4. 

LEIGEBE.   Vide  LETGEBE  infrd. 

LEIGHTON,  F.  (Brit.).  Contemporary  Sculptor,  who, designed  the 
new  seals,  executed  at  the  Royal  Mint,  for  the  Commonwealth  of 
Australia,  the  Colonies  of  the  Transvaal  and  the  Orange  River,  the 
East  Africa  Protectorate,  and  the  Government  of  Wei-hai-wei. 

LEIGH,  LUDWIG  (Germ.).  Medallist  and  Chaser,  residing  at  Munich, 
since  arc.  i860. 

LEIGHTON,  FREDERICK  (BARON  LEIGHTON  OP  STRETTOH)  (Brit.). 
An  eminent  Painter  and  Sculptor,  born  at  Scarborough,  3 ,  Decem- 
ber 1830,"  died  In  London,  25.  January  1S97. 

He  executed  for  the  British  Government  the  design  for  the  ^L 
of  the  Jubilee  Medallion  of  Queen  Victoria,  1887,  which  appears 
to  be  the  artist's  only  medallic  production. 

LEIHKAUF,  MICHAEL  (Germ.).  A  Nuremberg  Counter-manufac- 
turer of  the  seventeenth  (?)  century. 


./Google 


-  3St   ~ 
LEINMUTH,  CHRISTOPH  (Germ.).  Mint-master  at  Ratisbon,  1635. 

LEISEK,  ALEXAMDEB  (Juslr.).  Contemporary  Sculptor  and 
Medallist,  residing  at  Vienna;  a  nephew  of  the  forirler  Mint-engraver, 
F.  Leisek. 

By  this  artist  are  some  very  line  Portrait-plaqucttes  of  A.  Kauer, 
on  his  70'''  Birthday,  1896,  and  D'  Friedrich  Kenner,  numismatist, 
1897  (reproduced  in  Mitth.  des  Klubs  &c.,  1898,  p.  390);  β€”  20"' 
Anniversary  of  the  "  Quatuor  Udel  ",  1900^  etc;  ' 

LEISEK,  FRIEDRICH  (sometimes  named  FRANZ), (^w^r-)-  Mint- 
engraver  and  Medallist  (K.  K.  Miinzamt-Medailleur)  at  Vienna, 
1868-1892;  died  there  in  1898. 

The  bust  of  the  Emperor  Francis  Joseph  on  the  silver  currency 
of  Austria  and  Hungary  (VII.  type),  issued  from  1872  to  1892  and 
later,  was  cut  by  this  successful  Engraver. 

Among  this  artist's  best  known  medalUc  productions  are  :  Medal 
for  Valour  for  Schleswig-Holstein,  1864; β€”  Medal  for  Valour, 
1 868;''β€”  Marriage  of  Crown  Prince  Rudolph  of  Austria  with 
Princess  Stephanie  of  Belgium,  1881  (sev.  var.); β€” -  Visit  of  Crown 


Wedding  Double  Gulden,  1879. 


Prince  Rudolph  to  Retz  (N.  Austria),  18S8;  β€”  Medal  for  Good 
Taste,  1875  (designed  by  Cesar  Weyr);  β€”  25'''  Anniversary  of 
Francis  Joseph  I.'s  Reign  (in  conjunction  with  A.  ScharfF,  and 
J.  Tautenhayn)  ;  β€”  Pilgrims'  Medals  of  the  Vienna  Rifle  Club, 
1888; β€” Fine  Art  and  Industrial  Exhibition  at  Trieste,'i89i ;  β€” 
Centenary  of  the  Palatine  Arcliduke  Joseph,  :876(^.by  A.Scharff); 
β€”  Silver  Wedding  of  the  Emperor  and  Empress  Francis  Joseph, 
1879  (commissioned  by  the  city  of  Budapest)  ;  β€”  Exhibition  at 
Bruck  a.  d.  Mur  (Styria),  1892  ;  β€”  Golden  Wedding  of  Heinrich 
and  Sofie  Freund  de  Tcszeg,  1892;  β€”  National  Exhibition  at 
Troppau,  1893  ;  β€”  Jubilee  of  Pope  Leo  XIII.,  1893 ;  β€”  Mining 


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β€”  382  -^ 

Double  Gulden  on  the  Silver  Wedding  of  the  Emperor  and  Empress, 
1879  (both  sides  modelled  by  J.  Tautenhayn;  obv.  engraved  by 
Leisek  ^L.  by  A,  Scharff  (illustrated);  β€”  Visit  of  the  Emperor 
Francis  Joseph  to  Bukarest,  1896;  β€”  Internationa!  Sporting  Show 
at  Vienna,  1897;  β€”  Prize  Medal  of  the  Rifle  Meeting  at  Baden 
(Lower  Austria),  1S83  ;  β€” β–   Agricultural  Show  at  Baden,  1885  ;  β€” 
25'''Aniiiversary  ofthe  Gas  Works  at  Erdberg,  1893;  β€”  jubilee  of  the 
Emperor  Francis  Josephl.,  1898  (edited  by  Adolf  Muller&  Sohne) ; 
β€”  Commemoration  of  the  Emperor's  Baptism  of  fire  at  S'  Lucia, 
1848-1898;  β€”  Another  Jubilee  Medal,  with  young  bust  of  the 
Emperor  on  one  side  and  the  older  one  on  the  other,  1898 ;  β€” 
Others,  on  the  same  event;  β€”  25"'  Anniversary  of  the  Accession 
of  Francis  Joseph,  1S73  (2  '^.  types);  β€”  Fifth  Centenary  of  the 
Annexation  of  Trieste  to  Austria,  1882;  β€”  40"'  Anniversary  of  the 
Accession  of  Francis  Joseph,  1888  (edited  by  C.  Krauss);  β€” 
Aggrandizement  of  Vienna,  1890;β€”  Second  Centenary  of  the 
Pilgrimage  to  Lainz,  1879  '<  β€”  Erection  ot  the  Maria  Theresia 
Monument  at  Vienna,  1862  (Obv.  by  F.  Wiirt);  β€”  Rifle  Meeting 
at  OberhoUabrunn,  r886  (edited  by  A.  Miiller  &  Sohne);  β€” 
40''' Anniversary  of  the  Emperor  Francis  Joseph  L's  Accession,  1888 
(in  commission  for  the  Numismatic  Society  of  Vienna;  a  fine 
medal  reproduced  in  Blatter  fur  Mun^reunde,  PI.  97,  5). 

Among  the  coin-dies  engraved  by  Leisek  are  :  M.  4  Ducats, 
1872-75  ;  β€”Ducats,  1872-5;β€”  10  Francs,  1872;  β€”  JK.  Double 
Gulden,  Gulden,  Half,  and  Quarter  Gulden,  1872-75  ;  β€”  Mining 
Double  Gulden  of  Kuttenberg,  1887  (obv.),  etc. 

Bibliography.  β€”  Miitheiluiigen  des  Ktiibs  der  Miiit^-und  Midaillenfreiinde  in 
Wim,  1890-1902. 

LEISEK,  J.  (Aitst.').  Contemporary  Die-sinker  of  Vienna,  and 
author  of  a  medal  commemorating  the  first  meeting  of  Viennese 
numismatists  at  the  *'  Deutsches  Haus  ",  Stefansplatz,  1899. 

LEITE,  JOAO  JOSfi  (Portug.').  Pupil  of  the  Lisbon  Mint-engraver 
Bernardo  Jorge,  whose  assistant  he  was  between  1741  and  1758, 
when  he  died. 

Bibliography.  β€”  Aragao,  Descripgdo  das  Moedas  de  Portugal,  Lisboa,  3874. 

LEITENAU,  VON  {'Bohem.).  Provisional  Mint-master  at  Prague, 
1846-1848. 

LELEZ,  JEANDE  (Belg.).  Mint-master  at  Mons,  2.  March  1574- 
12.  February  1587. 

LE  LIBOH,  PHILIPPE  {French).  Contemporary  Sculptor,  born  at 
Bayonne;  pupil  of  jouffroy.  By  him  are  several  Portrait-medallions: 
i868.  Pierre  MazeroUes;  β€”  1876.  Gometz  del  Castano,&c. 


,/ Google 


-383- 

LE  LIEUR,  JEAN  (French).  First  President  of  the  "  Cour  des 
Monnaies  ",  1559. 

LELlfiVRE  (French).  Gem-and  Seal-engraver  of  the  early  part  of 
the  nineteenth  century  ;  pupil  of  Taraval.  At  the  Salon  of  1800,  he 
exhibited  a  frame  containing  various  objects  engraved  in  precious 
stones,  and  in  18  ro,  some  intagli  and  camei. 

Bibliography.  β€”  Chavignerie  et  Auvray,  of.  cit.  β€”  Babelon,  op.  cil. 

LELIEVRE,  OCTAVE  GEORGES  (French).  Contemporary  Sculptor, 
born  at  Paris ;  pupil  of  Barrau.  At  the  Salon  of  1905  he  exhibited 
eight  Medals  and  Plaquettes,  which  he  executed  in  commission  for 
the  National  Horticultural  Society  of  France,  and  the  Paris  Golf 
Club. 

LELLI,  ERCOLE  (Ital.\  Goldsmith,  and  Mint-engraver  at  Bologna, 
under  Popes  Clement  XII, ,  Benedict  XIV.,  Clement  XIII.,  1734- 
1766.  He  was  born  in  1702  and  died  in  March  1766. 

His  initials  E.  L.  occur  ona  Scudo  d'oro,  of  Clement  XII.,  1736, 
described  by  Cinagli. 

Bibliography.  β€”  Cinagli,  op.  cit.  β€”  Ffancesco  Malaguzzi  Valeri,  La  Zecca  di 
Bologna,  1898. 

LELONG,  REKfi  (French').  Contemporary  Sculptor  and  Carver  in 
ivory,  born  at  Bethon  (Marne);  pupil  or  Georges  Tardy,  At  the 
Salon  of  1892  he  exhibited  a  Portrait-medallion  of  M.  Georges  B***; 
β€”  1893.  Robert  Herzog,  etc. 

LEMBEQDE,  JEAN  VAN  (or  VAN  MUELENBfiQUE)  (French).  Gold- 
smith and  Seal-engraver  at  Brussels,  who  was  employed  as  Mint- 
engraver  at  Lille,  circ.  1460-1472. 

lEMCKE  (Germ.).  Contemporary  Die-sinker  of  Breslau.  I  have 
noticed  his  signature  on  a  Silesian  commemorative  medal,  dated 
1877. 

LEMAIRE,  ALBERT  (French).  Medallist  and  Gem-engraver,  of  the 
end  of  the  eighteenth  century.  At  the  Salon  of  1789  he  exhibited  a 
cameo  in  carnelian,  representing  Cupid,  after  Prud'hon. 

LEMAIRE,  GEORGES  HEMRI  (French).  Contemporary  Gem-engraver, 
born  at  BaiUy  (Seine-et-Oise)  on  the  19'''  February  r853,  was 
apprenticed  to  a  Paris  engraver,  and  studied  under  the  sculptor 
Jacques  Perrin;  also  a  pupil  of  Grivel,  Lambert,  and  J.  Lequien. 
He  has  obtained  a  Mention  honorable  at  the  Salon  of  1882,  a 
Medal  of  the  third  class  in  1885,  Medal  of  the  second  class  in  1886, 
Silver  Medal  at  the  Universal  Exhibition  of  1889,  Medal  of  the  first 


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class  in  1894,  Grand  Prix  aithe  Paris  Universal  Exhibition  of  1900. 
The  artist  is  a  Member  of  the  Jury  and  of  the  Council  of  the 
Soci^te  des  Artistes  fran^ais,  since  1890,  and  a  Knight  of  the  Legion 
of  Honour,  since  1896,  also  an  Of&cer  of  Public  Instruction. 

This  artistj  who  is  in  the  foremost  ranks  of  Gem-engravers,  began 
to  exhibit  at  the  Paris  Salon  in  1879,  and  the  following  are  his 
best  productions  :  1879,  Spring,  after  Got,  cameo  in  sardonyx;  β€” 
Portrait  ofM"'  Castani^  d  Anglas,  onyx  cameo;  β€”  1880.  Pierre 
Corneille,  bust  in  red  jasper;  β€”  1881.  B6vanger,  bust  in  jasper; β€” 
1882.  Fortune  and  the  Child,  onyx  cameo;  β€”  1883.  The  Dawn; 

β€”  Portrait  of  M.  J.  A.Pappert,onyx;  β€” -1884.  Marthe  Perrin,  onyx 
cameo;  β€”  1885,  Victorien  Sardou;  β€”  Main  chaude,  carnelian 
(Luxembourg  Museum) ;  β€”  1886.  Victor  Gille  ;  β€”  Idyll,  carnelian 
(Amiens  Museum);  β€”  1887.  Philippe  Gille;  β€”  Raphael  Boudrot, 
cameo;  β€” Honor^Leroi,  onyx  cameo;  β€”  1888.  Renan  ;  β€” Caro  ; 

β€”  Camille  Doucet;  β€”  Nisard  ;  β€”  Flora  and  Zepliyrus,  cameo  in 
sardonyx  (Luxembourg  Museum);  β€”  1889.  Frame  containing  the 
portraits  of  the  members  of  the  Academic  francaise  (these  forty 
engraved  gems  form  an  absolutely  unique  collection  in  the  glyptic 
art);  ~  1890.  Love  and  Folly,  cameo  in  onyx  (Leguillon  Collec- 
tion) ;  β€”  H.  M,  Don  Carlos,  King  of  Portugal,  carnelian  cameo; 

β€”  Philippe  Gille,  onyx  cameo; β€”  1891.  Orplieus  loosing  Eury- 
dice,  carnelian  ;  β€”  M.  Etienne;  β€”  M.  Dechastelus; β€”  M"'  Segond; 

β€”  Medals  of  MM.  J.  B.  Serpieri  and  Andr6  Cordelia,  directors  of 
"  Lauriura  " ;  β€”  1892,  Maurice  Rouvier ;  β€”  M""  Lebey  ;  β€” β–   The 
Messengers  of  the  Gods;  β€”  1893.  Medal  of  M.  Liotard-Vogt;  β€” 
M""  B***,  cameo  in  carnelian  ;  β€”  1S94.  Fate,  onyx  (one  of  the  larg- 
est gems  ever  engraved);  β€”  M^daille  coloniale  ;  β€”  1895.  The 
Death  of  Narcissus,  onyx  (Luxembourg  Museum);  β€”  General 
F^vrier;  β€”  Paul  Doumerc  ;  β–  β€” β–   Emile  Berr;  β€”  Octave  Dubois  ;  β€” 
Savinien  Lapointe;  β€”  1896.  Medal  intended  for  the  "personnel 
civil"  of  the  French  Admiralty;  β€”  Portrait-plaquettes  of  : 
M.  Rameau ;  β€”  Camille  Darsste ;  β€”  Gagliardini;  β€”  Alexis  Mar- 
tin; β€”  Albert  Dubreuil;  β€”  Ed.  Lauc;  β€”  1897.  Messengers  of  the 
Gods,  onyx  (commissioned  by  the  State);  β€”  Portrait  of  J.  Rigo- 
lot;  β€”  Portrait  of  Edouard  Normand ;  β€”  Marble  medallion  of 
Edouard  Normand;  β€”  1898,  Autumn,  onyx;  β€”  1900.  Series  of 
gems  (exhibited  at  the  Paris  Universal  Exhibition,  and  for  which 
the  artist  obtained  a  Grand  Prix);  β€”  1901,  Spriiig  (Luxembourg 
Museum);  β€”  Autumn  (Gahera  Museum);  β€” β–   Commemorative 
medal  of  the  1900  Exposition  Universelle  (edited  by  Mongredin); 

β€”  Commemorative  Plaquette  of  the  Inauguration  of  the  nejif  Post 
OfBceat  Orleans;β€” 1902. Portrait  of  M.  Emile Loubet,  President  ot 
the  French  Republic,  1902;  carnelian  in  chased  silver  frame,  adorn- 
ed with  precious  stones  {illustrated');  β€” The  China  War  Medal, 


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-  38s  - 
with  bust  of  the  Republic  (French  Reward  for  the  Reliei  of  the 
Legations  at  Peking)  ;  β€”  M""  S.  &  M.  de  Julliany ;  β€”  Mireille ;  β€” 
Cocher  de  fiacre;  β€”  Chauffeur  d'automobile ;  β€”  Locksmith;  β€” 
Joiner;  β€”  1904.  Ala  Source,  cameo  in  carnelian;  β€”  1905.  Immor- 
tality, statuette  in  various  precious  stones  and  gold ;  β€”   1906.  Le 


Portrait  of  President:  Loubet, 

Secret,  statuette  in  lapis,  jasper,  jade  and  opal ;  β€”  L' Aube,  cameo  in 
sardonyx,  β€”  etc. 

By  Lemaire  are  further  :  Portraits  of  M">=  Claude  Vignon ;  β€” 

L.  FoBEEB.  β€”  SKgr^plwal  Nolice,  of  MiiiiUhh.  β€”  in.  ^S 


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β€”  386  β€” 

M"""  CI.  Desclers ;  β€”  M.  de  iaPinekis;  β€”  Xavier  Girard ;  β€” 
A.  Minne,  etc. ;  β€”  Mediil  of  the  *'  Caserne  des  Celestiiis  ",  &c. 

As  a  sculptor,  the  ^irtist  executed  the  funereal  monuments  of 
M.  Rouvier  Sen'  at  Marseilles,  Serpieri  at  Athens,  Savinien  Lapointe 
at  Soucy,  near  Sens,  and  the  statue  of  Edouard  Normand,  mayor 
of  Nantes,  &c. 

Lemaire  is  one  of  the  cleverest  of  modern  French  Gem-engravers. 
Some  of  his  fine  Portrait-Cameos  in  sardonyx  were  reproduced  by 
hitn  in  silver  Plaquettes  with  excellent  effect.  M.  Babelon  however 
criticises  somewhat  President  Loubet's  portrait  :  "  C'est  un  cam^e 
de  grandes  proportions,  d'une  execution  consciencieuse  et  fort 
habile,  comme  tout  ce  qui  sort  des  mains  de  M.  Lemaire ;  mais,  en 
meme  temps,  il  n'est  pas  excessif  de  dire  qu'elle  manque  de  liar- 
diesse  etd'originalite.  Le  relief  est  sans  pouss^e,  trop  timide.  Vous 
remarquerez,  au  dos  de  la  plaque  de  sardonyx  i  laquelle  M.  Lemaire 
s'esr  attaqu^,  une  belle  couche  sanguine  qui  n'a  pas  6te  utilisee. 
L' artiste  n'en  a  pas  tir^  profit;  11  n'a  pas  osd  I'atteindre.  C'est  pour- 
tant  sur  cette  couche  qu'un  Pyrgotele,  un  Dioscorlde,  un  Valerio 
Vicentini,  un  Jacques  Guay,  aurait  tenu  par-dessus  tout  a  detacher 
en  vigoureux  relief  le  portrait  ^  ex^cuter.  Telle  qu'elle  se  pr^sente, 
I'ceuvre  de  M.  G.  Lemaire  est  un  excellent  bas-relief,  sur  une 
eemme  trfes  dure  et  de  belle  nuance;  c'est  ^  peine  un  cam^e  dans 
le  sens  que  les  anciens  donnaient  A  leurs  sardonyx  multicolores  et  si 
profond^ment  affouiil^es  dans  le  but  de  tlrer  de  toutes  les  couches 
superposees  le  parti  d^coratif  qu'elles  coraporteut.  "  (^Revue  de  I' Art, 
1903,11,28). 

Bibliography.  β€”  Information  hindly  supplkd  hy  the  Artist.  β€”  Catalogms  du 
Salon  1900-1904.  β€”  B<:n6dite,  op.  cit. 

LEMAIRE,  JACQUES  {French).  Mint-engraver  at  Reims,  cma  1750. 

LE  MAIRE  or  MAIRE,  JULIEN  {French').  Goldsmith  of  Nancy, 
who  was  appointed  Mint-engraver  there  in  succession  to  Jean  Le 
Poivre,  circ.  1580,  and  held  the  office  until  his  death  in  1607.  He 
was  a  native  of  Bar,  and  is  called  a  Painter  and  Engraver ;  a  docu- 
ment speaks  of"  Texperiencequ'll  avait  en  lagraverie".  Charles  IIL, 
Duke  of  Lorraine,  attached  him  to  his  service  in  1580,  in  which 
year  the  artist  executed  his  first  Portrait-medal  of  the  Duke,  obv.  Bust 
to  r.  of  Charles  IIL,  legend  and  date,  1 580.  ^.  COELITVS .  ORTA. 
HOMINI.PAX.TVTIOR.INCVBAT.ARMIS.  Peace  seated  to  r.; 
beneath  :  PIO . PACIS . AVITAE  CVSTODI  (33  mill.)- In  ijSr, 
several  payments  are  recorded  to  Le  Maire  for  medals  supplied  by 
him,  and  from  that  date  to  1607,  scarcely  one  year  elapsed,  says 
Lepage,  without  his  being  called  upon  to  engrave  medals,  mostly 
in  gold,  which  were  probably  used  as  decorations.  The  following 
Portrait- medals,  &c.  are  attributed  to  him  also  :  Charles  II.  of 
Lorraine,  Bishop  of  Meiz;  β€”  Charles  III.,    Duke  of  Lorraine, 


,;.Goo'^lc 


-  387  - 
1585 ;  β€” β–   Seal  of  Charles  III.  for  Prangois  de  Beaucaire,  seigneur  of 
Sarralbe,  1586 ;  β€”  Medals  ia  gold  of  Charles  III.,  1587 ;  β€”  Didce 
or  Marquis  de  Poiit-a-Mousson ;  β€” -  Other  Portrait-pieces  of  the 
Duke  Charles  III.  for  presentation  to  various  personages;  -^  Two 
Seals  of  the  towns  of  Hombourg  and  Saint-Avol ;  β€”  Wax  Portrait 
and  various  medals  of  Charles  III. ;  β€”  Portrait- medals  ofMonsei- 
gneur  le  Marquis  Henri,  eldest  son  of  Charles  III. ,  and  of  Charles  III. , 
various,  1589;  β€” Medals  of  Charles  III.,  for  consignment  to  Spain, 
1590;  β€” Henri,  Marquis  dePont-il-Mousson,  1591  ;  β€”  Charles  III., 
various  medals,  1595  ;  β€”  Madame  la  Princesse  fCiiarles  Ill's  con- 
sort) ;  β€”  Charles  III.,  1599-1607,  various  medals  (for  presenta- 
tion). 

Of  the  numerous  medals  engraved  by  Julien  Le  Malre  very  few 
specimens  have  come  down  to  us.  As  they  were  mostly  struck  in 
gold  with  gold  chains,  evidently  intended  for  wearing  around  the 
neck,  it  is  surmised  that  they  nearly  all  ended  in  being  melted 
down,  which  is  to  be  regretted  from  an  artistic  point  of  view. 

This  artist  signed  /.  Maire. 

BiBLiOGRAPHV.  β€”  MazeroUe,  Midailkurs  fratifais,  1902.  β€”  Henri  Lepage, 
Notes  et  Documents  sur  les  Gtaveurs  de  monnaies  et  me'dailles  et  la  fabrication  des 
monaaies  des  Dues  de  Lorraine  depiiis  la  fin  du  XV^  sUck,  Nancy,  187;.  β€”  Rondol 
&  De  La  Tour,  d/j.  cit. 

LEMAIRE,  VICTOR  (Belg.').  Sculptor,  Gem-  and  Line  engraver, 
and  Medallist,  born  at  Liege,  5.  February  1826,  died  at  Brussels, 
23.  February  1882.  He  was  apprenticed  at  the  age  of  eleven  to  a 
goldsmith,  and  began  life  as  an  Engraver  when  he  was  nineteen 
years  old.  His  first  trial  in  die-sinking  dates  from  1850,  when  he 
engraved  the  reverse  of  a  medal,  but  his  first  medal  of  note  commem- 
orates the  Inauguration  at  Ghent  of  a  statue  to  Jacob  van  Arte- 
velde,  and  is  dated  1863.  M.  Alvin  considers  it  as  his  best  work; 
although  the  artist  himself  gives  the  first  rank  to  a  Portrait-medal  of 
Christopher  Colombus. 

He  engraved  numerous  seals,  coats  of  arms,  and  even  some 
cameos  in  onyx  which  are  of  some  merit.  In  t88o  he  was  one  of 
the  four  Engravers  who  were  entrusted  individually  with  the  exe- 
cution of  the  official  medals  issued  on  the  occasion  of  the  Fiftieth 
Anniversary  of  Belgian  Independence;  the  portrait  of  Leopold  II. 
pleased  the  King  so  much  that  he  desired  Lemaire  to  reproduce  it 
on  the  great  Seal  of  State,  which  is  still  in  use. 

From  that  date,  Lemaire  paid  more  attention  to  medal- 
engraving,  and  he  was  favoured  with  commissions  tor  medals 
from  various  parts  of  the  country.  His  best  known  medallic  pro- 
ductions, described  by  M.  Alvin,  are  :  i860.  Societe  royale  des 
MSlomanes of  Ghent,  i860  (with  bust  of  the  Count  ot  I-landers); 
β€”  1863.  Inauguration  of  the  Monument  to  Jakob  van  Artevelde  at 


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β€”  i&s  β€” 

Ghent  (2  var.);  β€”  1870.  Portrait-medal  of  D''  Joseph  Franijois 
KluyskenSj  1771-1843;  β€”  1875-  Medal  of  the  "Association  beige 
de  photographie  "  founded  in  1874;  β€”  1879.  Medal  presented  to 
the  Educational  Staff  at  Ghent;  β€”  1S80.  Medal  of  the  "Soci^te 
royale  des  chceurs  "  presented  to  M.  de  Maere  Limnander  of  Ghent, 
1855-1880 ;  β€”  Fiftieth  Anniversary  of  the  Independence  of  Bel- 
gium (60  mill.);  β€”  Medal  of  the  "  Societe  pour  le  progrfes  des 
etudes  phitologlques  ct  historiques  "  (4  var.,  struck  for  presentation 
to  MM.  J.  Gantrelle,  E.   Benoist,  J.  Diifief,  and  E,  Discailles);  β€” 


1 88 1,  Ghent  Navallnstallations;β€” Fiftieth  Anniversary  "of  the  Royal 
family  of  Belgium;  -  1883.  Medal  of  Ghent  University  ;  β–  β€”  1884. 
Horticultural  Society  "  Flora"  at  Mont-St.-Amand  ;  β€”  1885.  Ghent 
receives  in  her  port  the  first  steamer  from  America  ;  β€”  Inauguration 
of  the  Lievin  Bauwens  monument  at  Ghent ;  β€”  Provincial  Syndic- 
al  Chamber  of  Industrial  Arts  at  Ghent;  β€”  Horticultural  Show 
atCourtrai;  -^  18S6.  25""  Anniversary  of  the  Inauguration  of  the 
Railway  from  Eccloo  to  Ghent;  β€”  Royal  Flemish  Academy  of 
Arts  and  Letters;  β€” β–   1887.  To  Massenet,  the  composer  ;  . β€”  1890. 
P.  O.  Vander  Chijs,   numismatist;  β€”  1891.  Scientific  Society  of 


looted  o/GoogIc 


β–   389  -^ 

β–   1893.  Roy; '  \_ 
Ghent  (signed  :  L) ;  β€”  "  Exposition  internationale  tie  boissons  fer- 
ment^es  hygieniques"  at  Brussels;  β€”  Bakery  Show  at  Ghent;  β€” 
World's  Hygienic  Exposition  at  Chicago  (with  bust  of  Christopher 
Columbus);  β€”  1894.  Jeron  of  the  Royal  Numismatic  Society 
of  Belgium  (with  bust  of  P.  O.  Vander  Chijs) ;  β€”  Others,  of 
1895,  and  1896;  β€”  1897-  Ticket  of  the  Members  of  the  Com- 
munal Council  of  Ghent ;  β€”  Presentation  medal  to  Charles  Harlaux ; 
β€”  1898.  The  city  of  Ghent  to  General  Van  Loo;  β€”Agricultural 
Show  at  Ghent;  β€”  1899.  Member's  Ticket  of  the  Provincial 
Exhibition  of  Ghent ;  β€”  Prize  Medal  of  the  Provincial  Exhib- 
ition;  β€”  1900.  Exhibition  of  the  ancient  Guilds  and  Corpo- 
rations, atLi^ge(with  bust  of  Prince  Albert  ofBelginm);  β€”  1901 
John  Cockerill,  1790-1840;  β€”  1902,  To  Prosper  Claeys ;  β€”  Undat- 
ed. Royal  Society  for  the  Encouragement  of  Art;  β€”  Jan  Frans 
Willems,  1793-1846;  β€”  Portrait-medal  of  Leopold  II.;  β€”  Tir  aux 
pigeons,  Gentbrugge,  Sec. 

The  Columbus  medal  is  reproduced  in  D'  Dorapierre  de  Chaufe- 
pi^'s  MMailhs  et  Plaquettes  modernes,  PI,  xxxni. 

This  artist  was  a  Knight  of  the  Order  of  Leopold. 

BcBUOGRAPHY,  β€”  F.  Alvin,  Victor  Lemaire,  Gazetre  niimismatique,  190;, 
pp.  78-96.  β€”A.  deWitte,  La  MMasUe  en  Mpqueau  XIX' sikk,  1905.  β€”  GaidU 
numismatiqtie,  1905. 

LEMAISTRE,  FRANQOIS  (French).  Mint-master  at  Paris,  1617- 
1624  (?). 

LEMAISTRE,  HUMBERT  (French).  Mint-master  at  Cremieu,  under 
Charles  VIII.  His  distinctive  mark  (a  heart)  occurs  on  Douzains 
and  Carolus  of  Dauphiny. 

LEMAISTRE,  PIERRE  (French).  Mint-master  at  Cremieti,  appoint- 
ed on  the  28"'  of  January  1538  for  a  term  of  four  years;  his  dis- 
tinctive mark  is  a  P. 

LE  MJ^NCEAU,  GUI  (French).  Mint-master  at  Angers,  1641- 
1644-. 

LE  MANCEAU,  JAMES  (Frajc/j).  Mint-master  at  Angers,  ij.  Decem- 
ber 1399. 

LE  MANSEAU,  JEAN  (French).  Mint-engraver  at  Angers,  circ. 
1395-1399. 

LE  MARESCHAL,  FRAWgOIS  (French).  Goldsmith  of  Lyons  and 
Grenoble,  who  was  appointed  on  Oct.  13,  1453,  Die-cutter  to  the 
Mints  of  Cr^mieu,  Mont^Umar  and  Romans,  where  he  officiated 
until  1463. 


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β€”  390  β€” 

LE  MARCHANT  (Brit.').  C.irvcr  of  Portrait-medal! ions  in  ivory, 
who  flourished  in  the  second  half  of  the  seventeenth  century.  By 
him  is  perhaps  a  Portrait  of  George  II.,  reproduced  in  The  Portfolio, 
1893,  p.  29.  There  is  in  the  British  Museutn  an  oval  carved  ivory 
Portrait-medaillion  of  Samuel  Pepys,  the  diarist. 

LEMAY,  CLAUDE  (sometimes  called  DE  MAY).  (French).  Mint- 
engraver  at  Paris,  from  before  1527  to  1553;  he  was  born  circa 
1495;  brother  of  Jean  Lemay,  Jeton  Engraver  (1515-1555),  and 
no  doubt  a  relative  of  Gaillaome  Lemay  (1493-1523)  and  Francois 
Lemay  (1532).  He  filled  the  office  of  Mint-engraver  for  at  least 
twenty-five  years ;  on  the  i  V'^  ot  March  1553,  the  Cour  des  Mon- 
naies  allowed  him  an  assistant,  in  consideration  of  his  failing  eye- 
sight, in  the  person  of  his  son-in-law,  Jean  I.  Beaucousiii. 

Claude  Lemay  does  not  appear  to  have  always  fulfilled  his  duties 
to  the  satisfaction  of  the  Mint-masters,  and  in  1542  he  was  even 
threatened  with  imprisonment  if  he  did  not  supply  the  Mint  with 
the  necessary  dies.  The  following  are  some  of  the  coins  engraved 
by  him  :  1528.  Poitiers.  Ecus  d'or  au  soleil;  β€”  GrosTestons;  β€” 
Tours,  ficus  d'or  au  solei!;  β€”  1529.  Samt-Ld.  Ecus  d'or;  β€” 
Douzains;  β€”  Petits  Deniers  (the  dies  for  all  these  were  delivered 
to  Julien  Roupelin,  Mint-master  at  St-L6);  β€”  1530-  Angers. 
Grands  Blancs;  β–  β€”  15 31.  Troyes.  Half  Testons  ; β€”  IS33-  Tours. 
Gros  Testons  of  ten  sols  tournois;  β€”  Angers.  Ecus  d'or;  β€” 
Douzains;  β€”  Poitiers. '^cus  d'or;  β€”  Testons;  β€” HalfTestons;  β€” 
1535.  Troyes.  Petits  Deniers  tournois;  β€”  1536.  Paris.  Β£cus  d'or; 
β€”  Testons;  β€”  Half  Testons;  β€”  Grands  blancs  douzains;  β€” 
Deniers  tournois;  β€”  Rennes.  Testons;  β–  β€”  Halt  Testons;  β€” β–   1538. 
Rouen.  Β£cus  d'or  au  soleil ;  β€”  Half  Ecus  ;  β€”  Poitiers.  Testons ;  β€” 
Troyes.  Grands  blancs  douzains;  β€”  I539-  Rouen.  Ecus  d'or  au 
soleil;  ^  Half  Ecus; β€”  Troyes.  Petits  deniers  tournois  (dies  supplied 
by  Jean  Lemay,  brother  of  Claude);  β€”  1540.  Paris.  Dies  for 
various  coins;  β€”  Troyes.  Ecus  d'or  au  solei);  β€”  Grands  blancs 
douzains;  β€”  i54i-  Paris.  Petits  deniers  (with  the  distinctive 
mark  of  Christophe  Laune ;  β€”  Petits  deniers  tournois ;  β€”  Ecus 
d'or  au  soleil;  β€”  Half  Ecus;  β€”  Douzains;  β€”  1542.  Paris. 
Various  dies,  with  the  distinctive  mark  of  Bastien  de  Riberolles,  Mint- 
master  at  Paris ;  β€”  Poitiers.  Douzains ;  β€”  Doubles  tournois 
"  Gabouris  et  lyards  Nostre-Dame  de  Lozanoe";  β€” β–   Parts.  Testons 
and  Half  Testons;  β€”  Douzains;  β€”  154?.  Paris.  Grands  bkncs 
douzains;  β€”  Petits  deniers  tournois  ;  β€”  Various  Pieforts;  β€”  I545- 
Poitiers.  Dies  for  Ecus  d'or  supplied  to  Jean  Gaillandon,  Mint- 
engraver  there  ;  β€”  1548.  Rouen.  Grands  blancs,  with  the  distinc- 
tive mark  of  Cosme  du  Moustier;  β€”  I549-  Ecus  d'or  and  Grands 
blancs  douzains  (the  dies  for  which  were  destroyed,  on  account  of 
the  omission  of  the  figure  2  after  (Henriciis);  β€”  1550.  Dijon.  Gros 


o,Goo(^[c 


β€ž  391  β€” 
Testoiis ;  β€”  Half  gros Testons ;  β€”  'Poitiers.  Douzaiiis ;  β€”  1 5  5 1 .  Ville- 
muve-Saint-AndH-Us- Avignon.  Testons;  β€”  Half  Testons;  β€”  Nantes. 
Douzains. 

Lemay  engraved  also  a  number  ofjetons,  which  are  described  by 
Mazerolle  :  1527.  M^reauxfor  the  priests  in  the  service  of  tlie  Paris 
drapers;  β€”  1528.  Jetons  for  the  officers  of  Cardinal  Louis  de 
Bourbon;  β€” Jetons  for  the  Chambre  des  Comptes  of  Louise  of 
Savoy,  at  MouUns;  β€” β–   1529.  Jetons  for  Jacques  de  Seurre;  β€” 
Francois  de  Brebille ;  β€”  Nicolas  Berthereau  ;  β€”  Β£531-  Jetons  for  the 
officers  of  the  Lady  de  Chasetlaine;  β€”  1532-  Jetons  with  the  arms 
of  the  Enfants  de  France;  β€”  i533-  Sienr  de  la  Baudrairie  and 
Maitres  d"h6tel  of  Margaret  of  France;  β€”  I534-  Jean  LuiUier;  β€” 
Officers  of  Catherine  de'  Medici,  Duchess  of  Orleans,  Madeleine, 
and  Margaret  of  France;  β€”Jetons  with  arms  of  Francis  I.  and  his 
children;  β€”  IS3^-  Jetons  baiiaux;  β€”  1540.  Jean  Lefebvre,  sei- 
gneur de  Moyenval,  and  Marie  de  Saint-Germain,  his  wife;  β€” 
Jacques  de  Poussemothe-Salainsau,  and  Alphonsine  de  Naillac,  his 
wife;  β€”  1 541.  Jetons  for  the  Duke  Charles  of  Orleans  ;  β€”  Antoine 
de  Bourbon,  due  de  Vend6me;  β€”  Margaret  of  France;  β€”  Sieurs 
de  Canappe  and  de  Saint-Ravy;  β€”  Jetons  banaux;  β€”  Jetons  for  a 
Clerc  d'office  of  Charles  of  Orleans; β€”  1542  and  1544.  Jetons  tor 
Cardinal  Robert  de  Lenoncourt;  β€”  I543-  Jetons  for  the  Privy 
Council ;  β€”  Guy  XVIL  de  Montmorency,  seigneur  de  Laval,  and 
Claude  de  Foix,  his  wife;  β€”  Maitres  d'liotel  ordinaires  of  the 
King; β€”  1544.  Privy  Council;  β€”  Oudard  Hennequiii,  Bishop  of 
Troyes;  β€”  Astremoine  Dubois,  the  King's  silversmith;  β€”  1545. 
Jetons  for  the  King's  commissioners;  β€”  Privy  Council;  β€”  1548. 
Jetons  for  the  Vergers  of  St.  Eustache  Church  of  Paris ;  β€”  I549- 
Jetons  banaux. 

According  to  Rondot,  Claude  Lemay  was  Mint-engraver  at 
Troyes  in  1548.  Rondot  (later)  and  De  la  Tour  make  the  latter 
another  person. 

Bibliography.  β€” β–   Mazerolle,  MAhilkiirs  franeais,  1902. 

LEMAT,  FRANgOIS  {French).  Engraver  of  Jetons  at  Paris,  circ. 
1528  and  1532-4.  By  him  are  Jetons  for  the  Commissioners  of  the 
Tr^sor  du  Louvre,  1532,  and  Louise  de  Savoie,  Duchess  of  Bour- 
bon. He  is  also  called  DE  MAY. 

Bibliography.  β€”  Mazerolle,  op.  cit.  β€”  Rondot,  and  De  LaToiir,  op.  cit. 

LEMAY,  GUILLAUME  I  (French).  Seal-engraver  at  Paris,  circ.  1456- 
1439.  In  1456  he  engraved  the  seal  of  the  Provost  of  Merchants  of 
Paris,  and  various  Jetons.  He  was  Die-cutier  at  the  Paris  Mint,  and 
also  worked  for  the  Mints  of  Bourges  and  St.-L6. 

Bibliography.  β€”  N.  Rondot  and  H.  De  La  Tour,  op.  cit. 

lloaed  by  Google 


-  392  β€” 

LEMAY,  GUILLAUME  II (Ffe/icA).  Really  GUILLAUME  DE  MAY.  Mint- 
engraver  at  Rouen,  1458-aVc.  1477.  Perhaps  the  same  who  is 
recorded  to  have  engraved  a  seal  for  tlie  city  of  Paris,  1456. 

Bibliography.  β€”  Mazeralle,  0^.  cil. 

LEMAY,GUILLAUMEin(F/-encA).Mint-eiigraveratParis,  1511-1523. 
He  also  executed  a  number  of  jetons  and  mSreaux,  the  earliest  of 
which  are  dated  1493.  M.  Mazerolle  describes  the  following  :  1493. 
Jetons  for  Louis  de  Nemours ;  β€”  1 5 11 .  Jetons  for  the  Chaplains  oi 
Notre- Dame  of  Paris ;  β€”  Jetons  for  Francois,  Duke  of  Valois  and 
Brittany,  Count  of  Angouleme,  and  Charles  de  Bourbon,  Count  of 
Vendome;  β€”  1515.  Jetons  for  the  King's  maitres  d'hotel;  β€” -1517. 
Jetons  for  J.  J.  Robertet,  Bishop  of  Albi;^  1521.  Jetons  of  Charles 
de  Bourbon,  Duke  of  Vendflme,  and  Fran^oise  d'Alen^on,  his 
wife;  β€”  1523.  Jetons  for  the  Cardinal  Jean  of  Lorraine,  etc. 

Bibliography.  β€”  Mazerolle,  op.  cil.  β€”  Rondot  and  De  La  Tour,  op.  cil. 

LEMAY,  JEAN  (French).  Engraver  of  Jetons,  who  resided  at  the 
Palace,  Paris  ;  a  brother  of  Claude  Lemay,  on  whose  account  he 
probably  sent  in  1539  to  the  Mint  of  Troyes  several  dies  for  Petits 
deniers  tournois.  This  engraver  wa.s  born  circ.  1515;  his  jetons 
date  from    the    period   of    1549-1555    :    1549.     jetons    banaux 

β€”  Jetons  for  Cardinal  Louis  de  Bourbon,  and  A.  d'Anieres,  com- 
mander of  St.  Denis ;  β€”  1550.  Jetons  for  Charlotte  de  DinteviUe  _ 
β–  β€” β–   1551.  jetons  for  Charles  de  Rochechouart,  and  Fran^oise  de 
Clermont,  his  wife;  β€”  jetons  for  Gilles  Bohier,  Bishop  of  Agde 

β€”  1555-  Jetons  for  the  Councillor  of  the  Chambre  du  Tr^sor. 
Bibliography,  β€”  Mazerolle,  op.  cit.  β€”  Rondot  and  De  La  Tour,  op.  cit. 

LE  MAY,  PIERRE  (^French).  Mint-engraver  at  Ais  in  Provence,  circ. 
1544-45. 

LEMBEQUE  or  MUELENBEqUE.   Fide  LAMBfiQUE  suprd. 

LE  MANAGER,  FRANgoiS  (French).  Mint-engraver  at  Reones, 
1698-1719. 

LE  MERCIER,  RICHARD  (French).  Mint-master  at  Angers  from  the 
26"'  of  September  1620  to  1629. 

LEMERLE,    NICOLAS    (French).    Engraver    or    workman    at    the 
Paris  Mint,  1624. 
LEMESTAYER,  JEAN  (French).  G6ni3ral  des  Monnaies,  1558. 
LEMGOW,  JOHANNES  (Germ.).  Mint-master  at  Lubeck,  1350. 

LEMOINE,  CHARLES  (French).  Contemporary  Sculptor,  born  at 
Paris  in  1839;  pupil  of  Mehl.  By  him  are  some  Portrait-medallions, 


./Google 


β€”  393  β€” 
one  of  which   was  exhibited  at  the   Salon  of   1869,    Portrait   of 
M.A.D**,  architect. 

Bibliography.  β€”  Cbavignerie  ot  Auvray,  op.  cU. 

LEMOYNE,  PIERRE  GABRIEL  (French).  Mint-engraver  at  Amiens, 
circ.  1699-1711. 

LENGKER.  Fide  LENKER. 

LENDT(7/<i/,)-  Mint-engraver  at  Turin,  1827  (?). 

LENGEFELDER,  CEKTURIO  (Austr.).  Mint-master  at  Joachim sthal, 
1 606- 162 1.  He  was  in  office  during  the  whole  reign  of  the  Emper- 
or Mathias, 

LENKER,  HANS  {Germ.).  Goldsmith  and  Medallist  of  Augsburg 
(f  1627),  Bolzenthal  mentions  that  his  signature  HL  occurs  on 
various  medals  of  the  city  of  Augsburg.  A  ZACHARIAS  LENKER, 
also  a  Goldsmith  and  Die-sinker  at  Augsburg,  died  in  1612. 

Bibliography.  β€”  Bolzenthal,  op.  cit.  β€”  Sietien,  oft.  cil.  β€”  M<mogrammisUn, 
III,  1205,  1243. 

LENORLE,  JEAN  (French).  Genera!  des  Monnaies,  1624. 

LENNOOT,  JEAM  DE  {Bdg.).  Goldsmith  and  Seal-engraver  of 
Malines,  circ.  1489. 

LENNOX,  LTJDOVIC,  Duke  of  (Bnf.)  was  granted  a  patent  to  is.sue 
Farthing  Tokens,  1622,  Vide  HAMILTON^  Vol.  II,  p.  409. 

LENOIR,  ALBERT  (French).  Provost  of  the  Mint  at  Nancy,  1695- 
1730.  He  held  the  office  of  Mint-engraver  there  for  a  short  period, 
and  a  document  of  1720  records  a  payment  of  300  Livres  made  to 
him  "  pour  avoir  est^  occup^  k  graver  les  coings  pendant  la  dten- 
tiou  de  St.  Urbain". 

Bibliography.  β€”  Lepage,  op.  cit.  β€”  Roiidot  &  De  La  Tour,  op.  cil. 

LENOIR,  JEAN  (French).  Mint-engraver  at  Nancy,  circ.  1670- 
β– J*  1684;  he  was  born  in  1635.  By  him  are  several  medals. 

LENOIR,  PIERRE  CHARLES  (French).  Contemporary  Sculptor  and 
Medallist,  born  at  Paris ;  pupil  of  Charles  Lenoir,  Peter,  Roty,  and 
Merci^.  In  1905  he  obtained  a  Medal  of  the  Third  class. 

At  the  Salon  of  1903  he  exhibited  several  medalHc  works  :  Idyll, 
plaquette;  β€”  Juno,  plaquette; β€”  Five  Portrait-medallions,  &c. 
1904.  Bucolique  (bronze  plaquette);  β€”  Birth  of  Bacchus  (bronze 
medal);  β€”  Portrait  of  a  Lady  (plaquette)  ;  β€”  1905.  Bucolique;  β€” 
Infancy  of  Bacchus ;  β€”  Pasteur ;  β€”  Jean  Mace  ;  β€”  Maurice  Lenoir ; 
β€”  M"*  Lenoir;  β€”  Shepherd's  dog  ; β€” Goat;  β€”  1906.  M.X***; β€” 
President  Roosevelt;  β€”  Ste  Genevieve;  β€”  Jean  Mac6;  β€”  Pasteur; 


,stsd  by  Google 


β€”  394  β€” 
β€”  R&ompense ;  β€”  Agriculture ;  β€”  PSche  k  la  ligue ;  β€”  B6h6 ;  β€” 
Gymnasiique;  β€”  Musique;  β€” Au  crepuscule ;  β€”  Vanneuse,  &c. 

LENOOR  (Belg.').  Goldsmith  and  Seal -engraver.  The  Brussels 
Mint  preserves  a  stamp,  bearing  a  crowned  L,  by  this  Engraver. 
Vide  Plot,  Catalogue  des  Coins,  Poinfons  et  Matrices,  p.  i6o. 

LENORMANT  D'fiTIOLES,  CHARLES  GV1LL&VHL (French).  Treasurer 
General  of  French  coins,  1741.  He  was  the  future  Marquise  de 
Pompadour's  father-in-law. 

LENORMANT,  jfiROME  (Fremh).  Goldsmith  and  Engraver  to  the 
King  of  Navarre ;  Mint-engraver  at  Pau  andMoriaas,  1572-1580.  He 
became  in  1579,  Engraver,  Die-cuiter  and  Master  of  the  Mints  of 
Pau,  Morlaas  (Bearnj  and  Saint-Palais  (Navarre).  In  1576,  he  was 
paid  9  Testons  for  a  silver  seal;  in  1577,  60  Livres  for  the  engrav- 
ing of  seals  for  Catherine  of  Navarre,  the  Regent.  A  document  of 
1578,  mentioned  by  Blanchet  reads  :  "  A  JSrome  Lenormant,  gra- 
veur  des  monnaies  du  present  pays,  210  livres  tournoispour  pareille 
somme  delivree  es  mains  du  Roy,  en  60  Scus  soleil  et  30  livres 
tournois  en  pieces  de  20  et  10  sots  tournois  qui  ont  ^t^  forgfe 
nouvellemem  sur  le  pied  des  esp&es  d'or  et  d'argent  que  le  Roy 
de  France  a  fait  faire  en  son  royanme.  "  In  September,  1579,  a 
contract  was  passed  with  J^r6me  de  Normand  and  Auger  de  la 
Garde  to  work  for  a  period  of  six  years  the  mints  of  Pau,  Morlaas 
and  Navarre.  Leiiorrnant  therefore  combined  the  offices  of  Mint- 
master  and  engraver. 

Bibliography.  --  J.  A.  Blanchei,  Les  Gmveurs  m  Beam,  Dax,  1888.  β€”  Ibid., 
Histeire  monitaire  du  BAirii. 

LENORMANT,  PIERRE  (freKcA).  Moneyer  at  Paris,  1561. 

LENORMANT,  ROBERT  (French').  Provisional  Mint-master  at 
Grenoble,  15.  June β€” 20.  September  1507;  Mint-master  at  Monte- 
limar,  25.  October  1521  to  1523  (distinctive  mark,  an  Rat  the 
end  of  the  legends). 

Bibliography.  β€”  Faivre,  Ateliers  mcmilairesfranfais,  1894-  ~  Roger  Vallentin, 
Les  differenlsdc  lamonnaie  deGrenoMede  148^  a  1553,  Annuaire  de  Numismatique, 
1894. 

LENS,  MICHELETDE  (i^WKcA).  Goldsmith  and  Mint-engraver  at 
Troyes,  1362-1376;  appointed  on  the  i^' February  1375  (1376) 
Mint-engraver  at  Saint-Lo. 

Bibliography.  β€”  Natalis  Rondot,  Les  Graveiirs  de  la  Mennaie  de  Troyes.  β€” 
Rondot  &  De  \&  Tour,  op.  cit. 

LENTASCHIS,  MARTINET  DE  (Ital.).  A   native  of  Chieri,  Mint- 
master  at  Turin,  appointed  on  the  30"'  of  August   1430. 
LEO.  Vide  LEONE  LEONI  infrd. 


,stsd  by  Google 


β€”  39S  β€” 
LEO,  CHRISTOPH  {Russ.).  Mint-master  at  St.  Petersburg, 


LEON  or  LEONIDAS.  Vide  L  siiprd.  A  Greek  Coin-engraver. 

LEON,  L,  (^French).  Medallist,  "who  worked  during  the  middle  of 
the  eighteenth  century  and  was  engaged  on  the  medallic  series  ot 
Louis  XV.  ".  His  signature  :  L.  LEON  occurs  on  the  ^L.  of  a  medal 
with  bust  ofLouis  XV.,  by  Francois  Marteau,  commemorating  the 
Loss  of  Minorca    1756  (illustrated). 


the  Loss  of  Minorca,  1756. 


I  suspect  however  the  correct  name  ot  this  engraver  to  be 
LAURENT  LfiONARD  (q.  v.  infrd). 

Bibliography.  β€”  Franks  &  Gruebcr,  MeSallic  Ilhislratioiu  &c. 

LEONARD  (Amer^.  Die-sinker,  ttmp.  George  IIL,  whose  signa- 
ture occurs  on  a  pewter  Dollar  of  George  IIL 

LEONARD,  AGATEON  (Belg.).  Contemporary  Sculptor,  born  at 
Lille  in  1841 ;  pupil  of  the  Fine  Art  Academy  of  Lille,  and  of  Dela- 
planche;  he  obtained  a  Medal  of  the  Third  class  in  1879. 

He  is  the  author  of  a  number  of  Portrait- medallions  in  bronze, 
cast:  1S69.  M'"=  Antoinette  Chenot ;  β€”  M"=  Fdicie  Caca  ;  β€” 
1870.  Portrait  of  a  Child;  β€”  1875.  M"'^  Duprez  ;  β€”  1879.  M.J. 
Duprez  ;  β€”  1888,  ij  Portrait -medallions  in  bronze. 

Bibliography.  β€”  Chavignerie  et  Auvray,  0/1.  cit. 

LfiONARD,  LAURENT  (French).  Medallist  and  Engraver,  born  in 
1709,  died  at  Paris  on  the  26.  September  1788.  He  was  employed 
at  the  Medal  Mint;  and  between  1772  and  1774  filled  temporarily 
the  ofGce  of  Mint-engraver,  on  the  death  ot  Charles  Norbert 
Roettier. 

This  Engraver  contributed  to  the  medalhc  series  of  Louis  XV. ; 
the  medal,  reproduced  above  under  LfiOH  is  probably  by  him,  and 


,,Goot^lc 


β€”  396  β€” 

I  have  seen  a  medal  of  Louis  XVL,  1775,  benriiig  his  full  signature. 
Another,  commemorating  the  Inauguration  of  the  Paris  H6tel  des 
Monnaies,  with  a  view  of  the  building,  and  dated  1770,  is  signed : 
L.  LEONARD  F. 

e  mimismalique, 

LEONARDO  DA  MILANO.    Vide  LEONARDO  DA  VINCI.  "  By  the  end 

of  the  fifteenth  century",  says  King,  "  we  find  Camillo  Leonardo 
(writing  in  1502)  praising  four  Gem-engravers  β€”  AnichiniofFerrara, 
Giovanni  Maria  of  Mantua,  Tagliacarne  of  Genoa,  and  Leonardo 
of  Milan  β€” -  as  equal  to  any  of  the  ancients  in  their  profession ; 
and  furthermore  sratingthat  their  works  were  diffused  throughout 
all  Italy  β€”  a  sufficient  proof  of  the  previous  length  of  lime  over 
which  their  labours  had  extended.  " 

The  Leonardo  da  Milano  here  referred  to  is  probably  Leonardo 
da  Vmci. 

Bibliography.  β€”  King,  Antique  Gems,  p.  168. 

LEONARDO  DA  VINCI  (Ital.).  A  famous  Painter,  Architect,  Sculp- 
tor, Scientist,  Engineer,  Mechanician  and  Musician,  born  at  Vinci, 
near  EmpoH,  in  1452;  died  at  Cloui:,  near  Amboise  (France)  on 
the  2"^  of  May  1519. 

Although  no  medallic  work  can  directly  be  traced  to  Leonardo 
da  Vinci,  it  is  beyond  doubt  that  he  made  his  influence  felt  in  this 
branch  of  art  also,  and,  as  we  shall  see,  he  designed  the  fine 
Testoni  of  Giovanni  Galeazzo  Maria  Sforza  and  Ludovico  Moro, 
which  were  engraved  by  Caradosso;  furthermore,  he  is  said  to 
have  excelled  in  Gem-engraving.  A  very  brief  sketch  of  this  emi- 
nent artist's  career  finds  therefore  a  place  here, 

Leonardo  da  Vinci  is  one  of  the  worthiest  representatives  of  the 
Florentine  school  of  painting  and  sculpture.  He  showed  early  a 
wonderful  aptitude  for  art,  and  studied  under  Andrea  del  Verocchio, 
to  whom  he  was  taken  by  his  father,  about  1470,  and  with  whom 
he  remained  until  he  was  past  twenty.  His  studio  companions  were 
Peru gino  and  Lorenzo  di  Crcdi,  In  1472  "he  was  received  in  the 
Company  of  Painters  and  obtained  his  first  recorded  commission  in 
1478.  Having  met  with  little  success  at  Florence,  he  appears  to  have 
gone  to  Milan  about  1487.  In  1503  he  was  again  at  Florence, 
returning  to  Milan  in  1506.  In  1514-1515  he  was  residing  in  Rome. 
His  great  work,  the  famous  "Cenacoto"  or  "Last  Supper"  was 
finished  in  1498  ;  he  painted  it  in  oil  on  the  wall  of  the  refectory 
of  the  Dominican  convent  of  the  Madonna  delle  Grazie;  it  began  to 

Eerish  from  the  dampness  of  the  wall  almost  as  soon  as  it  was  finished, 
ut  fortunately  the  original  sketches  still  exist.  While  living  in 
Milan  under  the  protection  of  Ludovico  II  Moro,  he  executed  the 


,,Coo(^[c 


β€”  397  β€” 
colossal  equestrian  statue  of  Duke  Francesco  I.,  which  was  demo- 
lished by  the  French  in  1499.  On  his  return  to  Florence,  he  drew 
a  cartoon  from  which  Filippino  painted  the  altar-piece  of  the  monks 
of  Servi.  Subsequently,  Leonardo  da  Vinci  seems  to  have  devoted 
his  time  principally  to  portraiture;  the  best  known  works  of  this 
period  are  the  "  Mona  Lisa  "  in  the  Louvre,  Paris,  completed  about 
1 504 ;  "  La  belle  Ferronniere ;  the  "  Virgin  of  the  Rocks ",  National 
Gallery,  London,  and  another  version  in  the  Louvre;  "St.  John 
the  Baptist",  Louvre;  St.  Anne,  Louvre;  a  cartoon  of  St.  Anne 
in  the  Royal  Academy,  London,  &c.  He  was  also  commissioned  to 
paint  a  wall  oi  the  Council-hall  at  Florence,  for  which  he  made  a 
cartoon  of  the  "  Battle  of  Anghiari ",  corresponding  to  the  great 
cartoon  of  Michelangelo ;  both  are  now  lost.  On  the  French  occupa- 
tion of  Milan,  Louis  XII.  appointed  Leonardo  Court-painter.  In 
1 5 14,  the  artist  accompanied  Giuliano  de'  Medici  to  Rome,  where 
Leo  X.  entrusted  him  with  some  work  at  the  Vatican.  He  went  to 
France  in  1516  at  the  invitation  of  Francis  L,  and  died  at  the 
Chateau  de  Cloux  aged  about  sixty-seven. 


Testone  of  C  o  a        Gi\     zzo  Sforza  and  Ludovico  II  Mora,  engraved 
b)  L.  a  losso         i  designed  by  Leonardo  da  Vinci. 

Leonardo  da  '\  nc  w  s  i  man  of  imposing  personal  appearance; 
a  portrait  of  him,  by  himself,  is  preserved  in  the  Royal  Library, 
Turin.  He  wrote  a  "Treatise  on  Painting",  published  in  1651, 
which  has  been  widely  translated.  Among  his  many  pupils,  the 
most  eminent  were  Bernardino  Luini,  Andrea  Salaino,  and  Marco 
d'Oggione.  The  latter's  copy  of  his  Master's  "  Cenacolo  "  was 
reproduced  by  Raphael  Morghen  in  his  celebrated  engraving  publish- 
ed about  iSoo, 

Under  LEONARDO  DA  MILANO  we  have  noticed  that  a  writer  of 
1502  eulogizes  the  talent  of  iour  Gem-engravers,  among  whom  is 
probably  Leonardo  da  Vinci  (named  there  da  Milano)  and  that 
he  says  they  were  "  equal  to  any  of  the  ancients  in  their  profes- 
sion '  . 

In  a  remarkable  letter,  written  by  Leonardo  da  Vinci  to  Ludo- 
vico  II  Moro,  the  artist  mentions  his  various  qualifications,  and 


>stsd  by  Google 


says  :  "  I  will  also  undertake  any  work  in  sculpture,  in  marble,  in 
bronze,  or  in  terra-cotta;  likewise  in  painting  I  c^n  do  what  can  be 
done,  as  well  as  any  man,  be  he  who  he  may  ".  Soon  after  1480, 
when  Ludovico  Maria  Sforza  took  the  reins  of  Government  in  his 
nephew's  name,  the  artist  entered  into  the  service  of  the  Duke  with 
a  salary  of  five  hundred  crowns  per  annum,  and  he  was  consulted 
in  every  question  concerning  art.  It  is  proved  beyond  doubt  that 


Testone  of  Ludovico  Maria  Sforza,  engraved  by  Caradossso, 
and  designed  by  Leonardo  da  Vinci. 

Caradosso  engraved  the  coins  of  the  Dukes  Giovanni  Galeazzo 
Maria  Sforza  (1481),  Giovanni  Galeazzo  Maria  Sforza  and  the 
Regent  Ludovico  (1481-1494),  and  Ludovico  Maria  Sforza,  called 
II  Moro  (i494-i499)from  designs  supplied  by  Leonardo  da  Vinci 
{Fide FrnteWi  Gnecchi,  Le  Monete  di  Milano,  LXI).  These  coins  con- 
sist, according  to  Rossi,  of  the  following  types  :  Giov.  Gal.  Maria 
Sfon^a,  Doppio  Testone  d'Oro;  β€”  Muhiple  of  the  Testone 
d'argento.  β€”  Gio.  Gal.  Maria  and  Ludovico  Maria  Sforza,  N.  Doppio 
Zecchino ;  β€”  Zecchino  ;  β€”  JR..  Multiple  of  Testone ;  β€”  Testone 
(illustrated).  β€”  Ludovico  Maria  Sforza,  AI.  Doppio  Testone ;  β€”M.. 
Muhiple  of  Testone ;  β€”  Testone  (illustrated). 

King  states  :  "I  have  seen  an  enamelled  pendant  attributed  to 
Da  Vinci,  and  which  certainly  does  bear  his  usual  monogram. 
Cesare  Borgia  having  appointed  him  his  architect  in  1502,  L.  da 
Vinci  was  thus  actually  brought  into  contact  with  the  duke's  phy- 
sician, Camillo  :  besides,  he  had  made  Milan  his  home  ever  since 
entering  Ludovico's  service  in  1483,  which  would  explain  the 
designation  "  Da  Milano  ". 

BiBLiOGRAPHY.  β€”  Encyclopaedia  Brilannica,  X.  Edition,  1903.  ^  Dictionary  of 
Universal  Bic^raphy.  β€”  E.  MQntz,  UonarAde  Vinci.  β€”  Vasari,  op.  cil..  Ill,  VL β€” 
Gnecchi,  Le  Monele  di  Milano.  β€”  King,  Antique  Gems  and  Rings,  1872. 

LEOMI,  LEONE  (Ital.).  Sculptor  and  Medallist,  born  at  Arezzo  in 
1509,  died  at  Milan  on  July  22.,  1590.  Whether  he  belonged  to  the 
same  family  as  Giovanni  Leone  da  Arezzo,  upon  whom  the  Emper- 
or Sigismund  conferred  a  knighthood  in  1418  or  not,  it  is  impos- 
sible to  ascertain.  Nothing  is  known  either  of  this  artist's  early 


,/ Google 


career.  In  1537  he  was  appointed  Mint-engraver  at  Rome,  a  post 
β– which  he  filled  until  1540.  It  wouid  appear  that  his  first  medallic 
work  of  note  was  a  Portrait- medaUion  ot  General  Ferrante  Goti- 


Leone  Leoni,  at  the  age  of  30. 


zaga's  daughter,  Isabella,  whom  he  represented  at  the  age  of  sixteen, 
in  1537;  the  General  was  so  delighted  with  this  work  that  he 
henceforward  became  a  zealous  patron  of  Leone  Leoni,  and  secured 
for   hill),  from  the   Governor  of   Milan,    Alfonso   d'AvaloS,    the 


Leone  Leoni,  at  the  age  of  40. 


important  office  of  Director  ofthe  Imperial  Mint  there,  which  the 
artist  retained  until  his  death,  except  for  a  brief  stay  at  Brussels  in 
1549-50.  Thanks  to  Ferrante,  he  was  introduced  to  Charles  V., 


,stsd  by  Google 


who  attached  him   to   his  service  as  Sculptor   and  Mednllist,   and 
raised  him  to  the  knighthood. 

It  is  said  that  Leoni  was  of  a  very  violent  temper;  one  of  his 
bitterest  enemies  was  Benvenuio  CelHni,  who  accused  him  of  hav- 
ing endeavoured  to  poison  him;  he  disfigured  the  pontifical  gold- 
smith Pellegrino  di  Lenri;  did  grievous  bodily  injury  to  Orazio 
Veccelli,  Titian's  son,  and  had  thelatter's  assistant,  Martino,  killed 
by  a  bravo;  we  find  him  ready  to  use  the  dagger  in  his  many 
quarrels  with  friends  and  foes,  Michelangelo  was  the  only  contem- 
porary anist  with  whom  Leoni  entertained  intimate  relations.  He 
executed  of  him  a  curious  Portrait-medal,  on  the  reverse  of  which  is 
represented  a  blind  man  led  by  a  dog,  with  the  legend  :  DOCEBOS 
INIQUOS  VIAS  TUAS  ET  INIQ.UI  AD  TE  CONVERTENTUR ; 
also  a  Portrait-medallion  in  wax  (illustrated). 


3,  by  Leouc  Leoni. 


From  the  time  when  Leoni  was  employed  by  Charles  V,  date 
some  of  his  most  Important  works  of  sculpture,  generally  of  large 
size  and  mostly  in  bronze.  There  is  only  one  left  in  Italy,  the  beau- 
tiful monument  of  Jacopo  de'  Medici,  Marquis  of  Melegnago,  in  the 
cathedral  of  Milan,  designed, -it  is  said,  by  Michelangelo,  The 
numerous  statues  and  busts  which  were  commissioned  to  the  artist 
by  the  Imperial  family  are  nearly  all  either  in  Spain  or  at  Vienna. 
A  group  representing  Charles  V.'  slaying  a  monster  (Caesans  virtule 
domitus  furor)  and  commemorating  the  Victory  of  Muhlberg  was 
erected  in  1526  on  the  public  square  of  Gustalla,  but  sent  towards 
the  end  of  the  eighteenth  century  to  the  castle  of  Buen  Retire  in 
Spain,  whence  it  has  been  transferred  to  the  Prado  Museum,  The 
same  Museum  preserves  a  bust,  and  half-length  figure  in  bronze  of 


loBtsdo/Googlc 


β€”    ^01    β€” 

Charles  V.,  and  the  Real  Academla  of  San  Fernando  an  alabaster 
bust  of  Philip  II.,  marble  busts  of  Queen  Mary  of  Hungary,  and 
Queen  Eleonora,  sister  of  Charles  V.  and  consort  of  Francis  I. ;  all 
three  busts  were  cast  in  1549.  In  the  Vienna  Imperial  Museum  are 
treasured  a  half-length  figure  in  bronze  of  Charles  V.,  similar  to 
the  Madrid  one,  and  a  large  Portrait-medallion  of  the  same  Emper- 
or, as  well  as  a  bust  of  Mary  of  Hungary.  The  Louvre  acquired 
within  the  last  twenty  years  a  Portrait- medallion  in  bronze  of 
Charles  V,,  mentioned  by  Vasari,  who  says  that  it  was  commis- 
sioned by  Granvella.  "  All  these  portraits  ",  observes  M.  Bertaux, 
"  are    modelled  with  great   firmness;  the  bronzes  offer  a  refined 


-medal  of  Charles  V.,  by  Leone  Leoiii. 


poUsh  and  very  rich  black  patina,  which  remind  one  of  the  busts 
by  the  Venetian  sculptors  Alessandro  Vittoria  and  others ;  the  detail 
ot  the  draperies,  the  hair,  and  ornaments  of  cuirasses.  Sec.  are  of  an 
exquisite  finish ;  and  the  artist  has  displayed  ingenious  taste  and 
discreet  fancy  in  the  decoration  of  his  stands  and  frameworks.  " 

But  of  surpassing  merit  are  Leorie  Leoni's  m,edallic  productions, 
including  the  coins  which  he  engraved  at  the  Milanese  Mint;  they 
belong  to  the  finest  and  boldest  works  of  the  latter  part  of  the 
Renaissance. 

Specimens  are  generally  met  with  in  silver,  and  also  in  bronze  : 
(1549).  Charles   V.    ^.    DISCITE'IVSTITIAM-MONITI.  Zeus 


./Google 


β€”  402  β€” 

overpowering  the  Titans;  73  mill.  (obv.  illuslr cited);  β€”  (1549). 
Tlie  Empress  Isabella.  ^.  HAS-HABET.ET-SVPERAT.  The 
Three  Graces;  73  mill.  (obv.  illustrated).  Both  these  medals  were 
commissioned  to  the  artist  at  the  time  of  liis  journey  to  Brussels; 
that  ot  the  Empress  was  struck  10  her  memory  by  order  of 
Charles  V.,  as  she  had  died  in  1536.  β€”  (1547).  Charles  V, 
^.  IN- SPEMPRISCI- HONORIS -β€”TYBERIS.  The  Tiber  reclin- 
ing to  1.;  40  mill;  β€”  (Before  1546).  Charles  V. and  Isabella,  their 
busts  on  either  side;  36  mill,  (illustrated).  Aspecimen  realized  €40 
a:  the  Rome  Sale,  February  1904;  β€”  (Before  1537).  Titian 
^C.  Bacchante  to  r.  preceded  by  Cupid;  54  mill. ;  β€”  1537.  Pietro 


Obv.  of  Portrait-medal  of  the  Empress  Isabella, 


of  Char 


Aretino.  ^L.  VERITAS-ODIVM-PARIT' 1537  within  wreath; 
37  mill.  (2  var.;  signed  :  LEO);  --  1537.  Titian  and  Pietro  Are- 
tino, their  busts  on  either  side;  37  mill;  β€”  1537-  Isabelhi  Villa- 
marina,  Princess  of  Salerno  (only  known  by  a  letter  of  Leoni  to 
Aretino);  β€”  15 37-  Pietro  Bembo,  medallion  in  wax,  and  bronze 
medal  (no  specimens  have  as  yet  been  found};  β€”  1537-  Pope 
Paul  in.,  Medal  on  the  fortification  of  Rome  (mentioned  in  the 
Mint  accounts  of  the  Roman  Zecca);  β€” Another,  Bust  of  Pope  tol.; 
signed:  LEO.  ^.  DOMINVS'CVSTODIT-TE'DOMINVS-PRO- 
TECTIO  β–   TVA .  Horsemen  galloping  from  the  walls  of  a  city  under 
a  hail  of  stones;  4^  mill.;  ~  Another,  Similar  bust  ^.  SECVRI- 


,y  Google 


β€”  40?  β€” 
TAS'TEMPORVM.  Three  horses  grazing;  45  mill.;  β€”  Another, 
Similar  bust  ^.  No  legend;  Roma,  helmeted,  seated,  to  r. ;  near 
her,  wolf  and  twins ;  to  r.,  the  Tiber  reclining  to  1, ;  in  the  field, 
S.C. ;  45  mill.  jLeoni  reproduced  this  same  figure  of  Tiber  on  a 
small  medal  of  Charles  V.,  which  is  unsigned]  ;  β€”  Andrea  Doria 


...etlal  of  CliarJes  V.  sua  ijabtUa,  by  Lcui 

and  Leone  Leoni,  their  busts  on  either  side  (SjL.  illustrated,  repre- 
senting Leoni  at  the  age  of  30);  43  mill.  [This  medal  alludes  to  some 
occasion  on  which  Admiral  Doria  had  freed  the  artist  from  impris- 
onment and  labour  in  the  galleys,  Leoni's  bust  is  shown  bare- 
headed; behind  him  a  galley  and  the  tools  of  his  art;  border  of 
fetters];  β€”  Andrea  Doria;  1^.  Galley  sailing  to  r. ;  in  foreground  a 
small  boat  is  seen  approaching  carrying  two  men.  [This  is  another 
allusion  to  the  artist's  deliverance  by  his  protector] ;  β€”  Andrea 
Doria;  ^.  LIBERTA-PVBLICA.  Liberty  standing  to  r.  ;  β€”  1541. 
Giovannettino  Doria,  nephew  of  the  Genoese  admiral  (mentioned 
in  a  letter  from  the  Bishop  of  Arras  to  Leoni,  but  no  specimen 
extant);  β€”  Martin  de  Hanna  I^.  SPES . MEA TN β–   DEO β–   EST . 
Hope  to  r.;  signed  :  LEO;  70  mill,  (a  specimen  in  the  Rome  Sale 
(London,  February  1904)  realizedi  17.5 .0)  ;β€” Daniel  de  Hanna, 
son  of  Martin ;  Obv.  Bust  to  r. ;  signed  :  LEO  1^.  VOEI  Abundance ; 
33  mill. ;β€”  (Beforei546).  Alfonso d'Avalos,  marquis  del  Vasto,  and 
his  consort;  their  busts  on  either  side;  46  mill,  (a  specimen  exists 
in  the  Imperial  Museum  at  Vienna);  β€”  Francesco  Molza,  poet 
(only  known  by  a  letter  from  Aretino  to  Leoni,  1546);  β€”  Philip, 
prince  of  Spain;  Obv.  Youthful  bust  to  1.  S^.  COLIT  ARDVA" 
VIRTVS.  Hercules  between  Voluptuousness  and  Virtue;  signed  : 
LEO,  F.;  84  mill.  [The  artist  presented  specimens  of  this  medal  in 
gold  to  the  Emperor  and  the  Queens  oi^  France  and  Hungary,  on 
his  arrival  at  Brussels  in  1549];  β€”  (1549).  Mary,  Queen  of 
Hungary;  Obv.  MARIA -HVN-BOH' REG  "MOXXL  Bust  to  1.  in 
rich  coiffure  (possibly  copied  Irom  Michael  Hohenauer's  medal  of 
1526);  ^L.  unknown  [All  the  specimens  known  of  this  medal  are 


,stsd  by  Google 


in  the  form  of  reverses  of  the'  Inrge  medal  of  Charles  V.] ;  73  mill. ; 
β€”  Jerome  Perrenot,  of  Ch:unpagiiey  (known  only  from  Leoni's 


Maximilian,  King  of  Bohemia,  by  Leone  Leoni. 

letter  to  Cardinal  Granvelk,  1549)  ;  β€”  (1551).  Leone  Leoni,  Bust 
of  the  artist  tor.;  legend  :  LEO' ARETINVS'SCVLPTOR-CAE- 
SAREVS  (in   the  Ambrosian   Library;  illustrated,  Leoni   is  there 


.isdo/GoogIc 


represented  at  the  age  of  about  40);  ^~-  (-1551).  Ippolita  Gonzaga, 
Obv.  Bust  to  I.;  signed  :  AEHN-A'PHTINOZ.  ^.  PAR'VBIQ- 
POTESTAS.  Three-fold  representation  of  Heca-te  as  Diana,  the 
Moon,  and  Proserpina  carried  away  by  Pluto;  6tj  mill.;  β€”  The 
beautiful  Felipina  {known  by  a  letter  of  LeOni  to  the  Bishop  of 
Arras);  β€”  (1555).  Charles  V.  and  Don  Philip;  Obv,  Their  busts 
conjoined  to  r.  ^L.  PLVS'OVLTRE.  The  pillars  of  Hercules  sup- 
porting'the  Imperial  crown,  &c. ;  42  mill.;  β€”  Antoine  Perrenot, 
Cardinal  Granvella;  Obv.  Bust  to  1.;  signed  :  LEO;  ^.  DVRATE. 
Vessel  beaten  by  the  storm;  66  mill.;  β€”  Another,  smaller 
^L.  Neptune  pacifying  the  sea;  near  him,  to  r.,  Thetis  is  seen 
fighting  with  a  sea  monster,  &c.;  51  mill. ;  β€”  (1556)  Ferrante 
Gonzaga;  ^..Hercules  hurling  his  club  against  monsters,  65  mill. - 


β€”  (1555-58).  Baccio  Bandinelli;  Obv.  signed  :  LEO.  ^L.  CHAN. 
DORTLLESVS  within  laurel-wreath;  41  mill.;  β€” β–   (1557-1558). 
Giorgio Vasari;  Obv.  signed  :  LEO.  ^.  blank;  62  mill.;  β€” (1561); 
Pius  IV.  Obv.  Bust  to  r.  I^.  DESIDERIQ-DESIDERAMVS. 
Hen  with  brood  of  chickens;  48  mill.;  β€”  (1561).  Gonzalvus  of 
Cordova,  Duke  of  Suessa ;  ^.  DABIT'DEVS-HIS- QVOQ.. 
FINEM.  Hercules  slaying  the  Hydra;  58  mill;  β€”  Another 
^.  DOCEBOTNIQVOS  &c.  Blind  man  led  by  a  dog  (similar  to 
the  ^.  ot  the  medal  of  Michelangelo);  58  mill.  [The  first  of  these 
two  medals  shows  a  lion  seeking  refuge  between  the  legs  of  Hercu- 
les ;  Plon  suggests  that  the  lion  stands  for  the  artist's  signature  and 
gives  it  a  character  of  authenticity];  β€”  (1561).  Francesco  d'Ava- 
los,  marquis  of  Pescara ;  I^,   Hercules  trampling  on  Dragon  and 


,/ Google 


β€”  4Β°^  β€” 
gathering  iipples  in  the  Garden  of  the  Hesperides  (ascribed  to 
Annibale  Fontaiiii  by  Lomazzo,  but  more  likely  the  work  of  Leone 
Leoni;  vide  FONTANA,  vol.  II,  p.  119);  β€”  Francesco  d'Avalos 
Portrait-medal,  uniface;  60  milh  (Ambrosian  Library)  ;β€” Michel- 
angelo, wax  medallion  (published  by  Drury  Fortnum,  Archaeol. 
Journal,  vol.  XXXU,  n"  I2>  (illusirated)  ;  β€”  (1561)  Michelangelo; 
Obv.  Bust  to  r.  ;  signed  ;  LEO.  ^L.  DOCEBO-INIQVOS- V-T" 
ET-IMPll-AD-TE-CONVER.  Blind  man  advancing  to  r.  led  by 
a  dog;  59  mill.  (Obv.  illustrated);  β€”  (1554)-  Maximilian  II.  as 
King  of  Bohemia;  ^.  QVO'ME  FATA  VOCANT.  Mercury  hold- 
ing caduceusflying  to  I.  ;  65  mill,  (ascribed  to  Leoni  by  Domanis;, 
Bertaux  and  others);  β€”  Archduke  Ferdinand,  Governor  of  Bohe- 
mia;^ Philippina  Welzer,  Archduke  Ferdinand's  first  wife  (medal 


Philippma  Welzer. 

ascribed  to  Leone  Leoni  by  Domanig;  probably  the  same  as  the 
one  described  by  Plon  as  "The  beautiful  Filepina"  ;  executed  circa 
1551;  a  fine  specimen  is  preserved  in  the  Imperial  Museum  at 
Vienna;  DIVAE"  -PHILIPPINAE  Bust  to  r.). 

Besides  the  medals  mentioned  above,  Plon  describes  a  few  others 
which  he  thinks  should  be  given  to  Leoni,  who  in  1555,  was 
informing  Cardinal  Granvella  that  he  had  up  to  that  date  executed 
already  thirty  medals.  Among  these  are  :  Bernardo  Tasso,  Torqua- 
to's  father ;  ^.TVTE-SITIM-PELLE.  Unicorn;  56  mill.; β€”Ber- 
nardo Spina;  ^.  SUPERAT'OMNIA'VIRTVS.  Virtue  on  horseback 
spearing  Envy ;  46  mill. ;  β€”  Giovanbattista  Castaldo ;  ^L.  SVBAC- 
TAE-DACIAE'RESTITVTORI-OPTIMO.  The  General  raising  a 
female  figure  seated  on  im  plements  of  war ;  5 1  mill.  [In  1555  Gas- 


,/ Google 


β€”  407  β€” 
raldo  mentions  a  nieda!  which  Leoni  was  to  make  of  him  by  desire 
of  Granvella ;  Von  Fabriczy  places  this  medal  amon<;  Leoni's  authen- 
licated  works];  β€”Another;  IJi..  OBREM-MILITAREM-FELICI- 
TER'GESTAM.  Victory  holding  wreath  and  palm-branch  ;  5 1  mill. ; 
β€”  Gianello  della  Torre;  ^.  VIRTVS  NVNQ.-DEFICIT.  The 
Fountain  of  science;  80  mill.  [This  ^L.  occurs  also  on  a  medal  of 
Philip  II.,  which  is  no  doubt  by  Jacopo  daTrezzo,  and  indeed  Von 
Fabriczy  is  convinced  that  the  latter  artist  is  the  author  of  this 
medal  also]  ;  β€”  Cardinal  Granvella;  '^L.  DVRATE.  The  Ship  of 
Aeneas  in  a  storm  ;  60  mill. ;  -β€”  Another,  executed  after  1561 ;  ^L. 
Mount  Calvary ;  β€” β–   Another ;  '^L.  The  ship  of  Ulysses  nearing  a  rock 
on  which  Sirens  are  playing  with  various  instruments ;  β€”  Another; 
'^L.  Neptune  striking  the  ship  of  Aeneas  with  his  trident.  [It  is  not 
unlikely  however  that  some  at  least  of  the  unsigned  medals  of 
Granvella  are  by  other  artists,  as  Melone,  or  Domenico  de'  Compagni, 
who  both  repeatedly  portrayed  the  famous  Bishop  of  Arras  on 
medals];  β€”VincenzoBovi;  $6.  ANTIDOTVM  VITAE.  Religion, 
facing,  holding  cross  (Keary,  op.  cU.,  p.  42);  β€”  Danae;  leg  : 
NON  ABSQVE  PLUVIA  DANAE.  Female  bust  to  r.  (diam. 
67  mill.;  in  MM.  Rollin  and  Feuardent's  Collection). 

Between  1537  and  1540  Leone  Leoni  was  employed  as  Engraver 
at  the  Papal  Mint  of  Rome  under  Paul  III.,  but  it  is  difficult  to 
ascertain  which  of  this  Pontiff's  coins  were  engraved  by  him,  as 
none  are  dated,  and  Benvenuto  Cellini  who  was  his  colleague,  and 
worked  there  before  and  after  him,  is  credited  with  the  cutting  01 
most  of  the  dies  of  that  period.  At  any  rate  it  is  now  beyond  doubt 
that  Cellini  is  the  author  of  the  fine  Doppia  and  Testone  of  this 
Pope  (^Vide  G.  Castellani,  Lo  Scudo  d'oro  at  Paolo  111  emtio  di  Benve- 
nuto Cellini,  Num.  Circular,  XI,  col,  7090 ;  Bolletinodi  Numismatica 
1904).  Leoni's  short  tenure  of  office  at  the  Roman  Zecca  has  all  the 
savour  of  mediaeval  romance;  out  of  spite  against  Cellini,  he  pro- 
cured his  imprisonment  in  1538  under  the  pretext  that  during  the 
sack  of  Rome  he  had  purloined  the  pontifical  jewels  ;  Cellini  was  able 
to  clear  himself  of  the  charge,  but  soon  after  Leoni  him.self  was 
arrested  and  condemned  to  the  galleys  for  an  act  of  violence  against 
the  German  goldsmith  Waldener.  Delivered  from  incarceration  by 
his  protector  Andrea  Doria,  he  accompanied  him  to  Genoa  in  1541, 
where  he  executed  the  medals  of  his  benefactor,  and  in  the  follow- 
ing year  he  was  appointed  Mini-engraver  at  Milan,  a  post  which  he 
held  until  1 545,  and  again  from  1550  until  his  death.  In  1546,  after 
several  short  stays  at  Venice,  where  he  endeavoured  to  get  rid  of  a 
cumbrous  assistant  by  hired  banditti,  he  became  Mint-master  at 
Parma;  but  in  1547  we  find  him  again  at  Rome  working  for  the 
Zecca,  and  in  1549  at  Brussels,  called  there  at  the  special  invitation 
of  Charles  V.  From  1558  to  1590,  the  artist  resided  at  Milan,  and 


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diedin  the  '  Palace ',  still  extant,  which  the  Emperor  had  presented 
him  in  recognition  for  his  services  in  Art.  During  the  latter 
period  of  his  life,  he  once  more  had  recourse  to  murder,  his  victim 
being  Titian's  son,  who  had  come  to  Milan  to  collect  a  large  sum 
of  money  and  whom  he  probably  wished  to  rob.  Alhough  Leoni 
remained  unpunished,  his  many  misdeeds  are  so  many  blots  on  his 
memory. 


Cardinal  Granvella. 


D'  Casari  reproduces  several  Milanese  Mint  documents,  which 
show  that  during  the  whole  period  of  1542  to  15S9  Leoni  received 
payments  for  dies  cut  by  him,  and  we  are  safe  in  ascribing  to  him 
ail  the  more  important  coins,  issued  at  Milan  under  Charles  V.  and 


Testone  of  Charles  V.,  by  Leone  Leoni. 

Philip  II.  Among  these  I  may  mention  the  following  :  Charles  V. 
(1535-1556).  A/,  Doppio  Scudo  d'oro,  Laur.  bust  to  r.  ^.  The 
pillars  of  Hercules  in  the  sea ;  between  them,  a  crown ;  β€”  jR.  Duca- 
tone(da  Soldi  cento);  ^.  TE  DEVM  LAVDAMVS ;  ex  :  S-AGV" 
S'AMB.  St.  Augustine  abjuring  Manichaeism  at  the  feet  ot  St. 
Ambrosius;  β€”  Ducatone;  ^..  DJSCITE-IVSTITIAM-MONITI. 
Zeus  on  Mount  Olympus  hurUng  fulmen  at  ihe  Titans  ;  β€”  Mezzo 


,;.Goo'^lc 


β€”  409  ~ 

Ducatone ;  Type  of  the  preceding ;  β€”  Duatone ;  ^.  CVIQ..  SWM 
Crowned  eagle  standing  on  fulmen  above  thegJob'e;jdated  1551 ;  β€” 
Mezzo  Ducatone;  similar  type;  dated  i5;,2  (2  or  3  var,);  β€”  Buri- 
gozzo  (da  J2  Soldi);  IJi,.  St.  Ambrosius; β€” Testone;:^  Pietas 
(2  var.);  St.  Ambrosius  (4  var.);  Salus  Augusta'(2  var.);  The 
Pillars  of  Hercules  (3  or  4  var,;  one  illustrated') ;  β€”  Mezzo 
Testone;  ^L  OB  |  INSVB  |  RIAM  1  SERVA  |  TAM  within 
vi/reath  ;  β–  β€”  10  Soldi;  β€”  8  Soldi  3  Denari;  -β€”  3  Soldi;  β€”  Mezzo 
Bianco;  β€” Parpagliola;  β€”  Quindicino;  β€”  Sesino;  β€” Trillina;  β€” 
Denaro.  β€”  Philip  II.  (1556-1598;  Leoni  at  the  Mint  of  Milan 
until  1589).  jy.  6  Zecchini;  obv.  Radiated  bust  of  Philip  II.  I^. 
Facing  bust  of  St.  Ambrosius;  β€”  Proof  of  the  Mezzo  Ducatone 
(2  var.) ;  β€”  Doppia  da  tre ;  ^  Arms ;  1 5  5  5  ;  β€”  Quadrupla  or  Doppia 
da  due  (3  var.)  i  β€”  Doppia  (15  var,  in  Gnecchi);  β€”  Scudo  d'oro; 
IJ6.  MVNDI'SALVS-VNICA  Cross;  β€”Scudo  d'oro  del  Sole;  ^. 
MEDIOLA'NI  D.  (3  var.);  --  Scudo  d'oro;  β€”  JK.  Ducatone 
(22  types  described  by  Gnecchi,  but  some  bear  dates  after  1590  and 
are  consequently  not  by  Leoni) ;  β€”  Mezzo  Ducatone  (many 
varieties,  some  dated  1577,  1579,  1582,  1584,  1588);  β€”  Quarto 
di  Ducatone ;  β€”  Scudo  or  Filippo;  β€”  40  Soldi ;  β€”  Lira;  β€”  Mezza 
Lira ;  β€”  5  Soldi ;  β€”  Grosso  da  2  |  soldi ;  β€”  Soldino ;  β€”  Parpa- 
gliola; β€”  Sesino;  β€”  TriUina;  β€”  Denaro.  β– -, 

Leoni  distinguished  himself  also  as  a  Gem-engraver,  but  we  have 
unfortunately  no  record  of  his  productions  in  that  particular  branch. 
Plon  describes  a  cameo  representing  the  Emperor  Charles  V,,  the 
Prince  of  Spain  Don  Philip  and  the  Empress  Isabella,  which  is  only 
known  by  a  letter  of  the  artist  to  Granvella. 

"  The  emperor  Charles  V.  was  a  lover  and  collector  of  cameos. 
Leone  Leoni  of  Arezzo  cut  a  fine  one  of  hira  with  his  son  on  one 
side  and  another  of  his  Empress  on  the  other  side,  this  being  the 
earliest  recorded  instance  of  the  making  of  a  double  cameo,  a  fashion 
which  was  not  uncommon  during  the  Renaissance,  and  sometimes 
shows  an  antique  backed  by  a  modern  piece  of  work  "  (Davenport, 
op.  cit.,  p.  50). 

The  Madrid  and  Vienna  Museums  preserve  medallions  in  colour- 
ed wax  by  Leoni,  and  there  is  one  of  Michael  Angelo  in  the 
British  Museum  (illustrated).  "  T|ie- head  is  modelled  with  the 
greatest  care  for  detail.  Every  line  and  wrinkle  is  faithfully  repro- 
duced, as  is  also  each  hair  of  the  head  and  beard.  The  ear  is  delight- 
fully expressive,  and  what  a  refined,  sensitive  nature  it  indicates. 
The  colour  of  the  wax  is  uniform  β€”  a  yellowish  red  of  the  shade 
of  terra  cotta.  The  inscription  oh  the  reverse  of  the  medallion  runs  : 
MICHAEL  ANGELO  BUONAROTTI  SUO  RITRATTO  FATTO 
DAL  NATURALE  DA  LEONE  LEONI  ARETINO  SUO  AMICO 
1562  "  (B.  Kendeli,  Jewelled  Waxes  and  others^  The  Connoisseur, 
vol.  VIII,  p.  134). 


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Some  Plaques  ^re  attributed  to  Leone  Leoni  by  Molinier, 
although  one  only  appears  to  be  undoubtedly  by  him,  as  it  forms 
the  reverse  of  one  of  his  authenticated  medals  :  Andrea  Doria  as 
Neptune;  95  X70  mill.  (Berlin  and  South  Kensington  Museums); 

β€”  Allegory  of  the  "  Fountain  of  science  "  (Ri,.  of  Gianello  della 
Torre's  rr.edal,  which  is  now  ascribed  to  jacopo  da  Trezzo,  by 
C.  von  Fabriczy)  ;  β€”  Apotheosis  of  Charles  V.  (Vatican  Library) 
[erroneously  attributed  to  Cellini  by  Plon]. 

Li  the  Victoria  and  Albert  Museum,  South  Kensington,  there  is 
a  circular  Medallion,  representing  a  Female  figure  holding  on  her 
head  a  vase  from  which  water  flows  on  either  side;  young  and 
aged  men  drink  and  gather  it  in  jars;  inscribed  above,  VIRTVS; 
beneath,  NVNQ_ :  DEFICIT.  This  Plaque,  which  is  of  the  year 
1562,  is  ascribed  to  Leone  Leoni  by  Fortnum. 

D'  Bode  ascribes  to  Leone  Leoni  the  following  Plaques  :  Jupi- 
ter fighting  the  Titans;  circular  ;  β€”  Neptune  and  Amphitrite  ; 
circular,  74  mill,  (Mol.  n.  35).  Female  bust  (Livia  Columna)  ; 
^L.  Euterpe,  circular,  37  mill. 

"  Vasari",says  Keary"speaks  in  high  praise  of  Leoni's  perform- 
ances as  a  sculptor,  the  greatest  of  which  was  a  bronze  statue  of 
Charles  V.  Leoni  brought  into  requisition  his  silvermith's  art,  and 
made  a  suit  of  armour  of  thin  silver  plates,  with  which  the  nude 
figure  could  upon  occasion  be  clothed.  When  the  figure  was 
completed  he  made  a  large  die  for  the  purpose  of  striking  medals  of 
the  Emperor ;  on  the  reverse  was  Jupiter  launching  his  thunderbolt 
at  the  Titans.  "  For  these  works  his  Majesty  gave  the  artist  a 
pension  of  a  hundred  and  fifty  ducats,  secured  on  the  Mint  of  Milan, 
with  a  commodious  house  in  the  Contrada  de'  Moroni.  Charles 
also  made  him  a  knight,  conferring  at  the  same  time  a  patent  of 
nobility  upon  his  descendants;  and  while  Leoni  was  in  Brussels  he 
had  rooms  in  the  palace  of  the  Emperor,  who  sometimes  amused 
himself  by  going  to  see  the  artist  at  his  work"  (^Num.  Chron., 
1879,  P-  210). 

Although  Leone  Leoni  does  not  equal  some  of  the  earlier  medal- 
lists, and  perhaps  not  even  Valerio  Belli  or  Cellini,  his  contempo- 
raries, stillhe  deserves  a  place  in  the  front  ranks  of  Italian  artists  of 
his  period,  were  it  alone  for  his  exquisite  coin-dies  of  Charles  V., 
which  continue  at  Milan  the  fine  series  of  Caradosso,  and  will 
remain  a  perpetual  witness  of  one  of  the  most  glorious  epochs  in 
Art  the  world  ever  saw.  "  His  was  one  of  those  unrestrained,  over- 
flowing, forceful  natures  such  as  the  decline  of  the  Renaissance 
produced.  "  (Von  Fabriczy). 

Bibliography.  β€”  Eugene  Plon,  Leone  Leoni,  sciilptmr  de  Charles  V,  et  Pom^o 
Leoni,  sculpleur  de  Philippe  II,  Paris,  1B87.  β€”  Vasari,  ed.  Milanesi,  t.  VII.  β€” 
Paolo  Morigia,  La  Nobilta  di  Milano,  Milan,  1615.  β€”  Bottari,  Lettere pittorkhe, 
Roma,  I7i4-7J.  β€”  E.  Bertaux,  Leam  Leoni,  Grande  EticyclopMie,  t.  XXII,  p.  34. 

β€”  L'Art,  i?>TJ,  t.  11  ;   1878,  t.  I.  β€” Jahrbuch  der  Kumlhislorischen  Sammlungen  des 


MbjGoogle 


β€”  4"  β€” 

allerhdchsltn  Kaiserlicheii  Haasss,  t.  V  and  t.  XIII.  β€”  Armand,  Lei  MedailUurs 
italUns  des  XV'  d  XVl^  siides,  Paris,  18P7.  -  C.  von  Fabiczy,  Die  Mcdaiilen  der 
italieniseben  Renaissance,  15OJ.  β€”  C.  F.  Keary,  A  Guide  'io  the  Exhibition  of 
Italian  Medals  at  the  British  Museum,  London,  19O}.  β€”  D''  Carlo  Casati, 
Leone  Leonid' AreXf(p,  scultore,  Milano,  1884.  β€”  Y .  &c  E.  Gatcc\C\,  Le  Moneie  di 
Milano,  Milano,  1884.  β€”  I.  B.  Supino,  II  MedagUere  del  S.  Museo  Naxionale  di 
Firenjie,  1899.  β€”  Campori,  Gii  artisti  italiani  e  slranieri  negli  Stati  Estensi,  and 
Letlere pilloricbe,  vol.  Ill,  n.  21,  60,  89.  β€”  Emile  Molinier,  Les  Plaqmtles,  Paris, 
1886.^^  Keary,  Italian  Medals  of  the  fifteenth  and  sixteenth  centuries,  Numismatic 
Chronicle,  1879,  p.  196.  β€”  D'  Julius  Cahn,  Die  Medailien  und  Plahetlen  der 
Kuttstsanmlung  iv.  Metier  in  Frankfiirt-am-Mein.  β€”  A.  Pinchart,  Hisloire  de  la 
Grmntre  des  rnddaillet  en  Belgiqae,  Bruselles,  1870,  β€”  Cean  Bermudei,  Diccionaiio 
historico,  &c.,  vol.  III.  β€”  Uumesnil,  Histoire  des  plus  cMbres  amateurs  italiens .  β€” 
Bolzeachal,  op.  dt.  β€”  E.  Babelon,  La  Grmnire  en  pierres  fines,  Paris,  1884,  β€” 
J.  Arneth,  Die  dnquecento  Cameen.  β€”  Dr  Eug.  Merzbacher,  Kunst-Medaillen'Kata- 
hg,  MQochen,.  i^.  β€” Ad.  Hess,  Felix  Sammiung  Katalog.  β€”  Franks  &  Grueber, 
MedalUc  Illustrations,  &e.  β€”  Catalogtts  der  Nederlandsche  en  06  Nederland  hetrekhing 
hebbende  Gedenkpenningen,  /, 's  Graven h age,  190?.  β€”  Blancnec,  Noitveau  Manuel, 
&c.,  II.  β€”  Domaaig,  Portr&tmedaiUen  des  Er^hauses  Oesterreich.  β€”  Eug.  MOntz, 
L' Atelier  monltaire  de  Rome,  1884,  β€”  Cyril  Davenport,  Cameos,  London,  1900,  β€” 
C.  Drury  E.  Forcnum,  A  descriptive  Catalogue  of  the  Bronjes  of  European  origin  in 
theSouth  Kensington  Museum,  London,  1876.  β€”  P.  Valton,  Midaille  de  Danadpar 
Leone Leoni,  Rev.  num.,  1905,  p,  495-7.β€”  Eo6e,op.cit. 

LEONI,  LODOVICO  callfcd  IL  PADOVANINO  or  IL  PADOVANO  (Ilal). 
Painter,  Modeller  in  wax,  Medallist,  and  Coin-engraver,  horn  at 
Padua  in  1531;  died  at  Rome  in  1606;  some  say  in  1612.  He 
executed  Portrait- medallions  in  wax,  besides  painting  in  oil  and 
fresco  landscapes  and  historical  subjects.  He  is  said  to  have  been 
employed,  as  Engraver  at  the  Mint  of  Rome,  circa  1573-1586; 
notwithstanding,  only  one  of  the  many  medals  of  Pope  Gregory  XIII. 
bears  his  signature  L.  PADOVAN. ;  others  may  be  looked  for  among 
his  unsigned  pieces.  The  artist  spent  the  greater  part  of  his  life  at 
Padua,  and  executed  there  the  Portrait-medal  ot  Baldassare  d'Ossa, 
signed  :  LOD.  LEONI  (reproduced  in  Fabriczy),  and  another  of 
Francesco  Lomellini,  obv.  signed  :  LVD  ;  L,  '^L.  DVRABO.  Land- 
scape over  which  thesun  is  shining  (Sn(,Mwj.  Guide,  p.  56,  n"  179); 
perhaps  also  a  medal  of  Pope  Gregory  XIII.,  1775,  signed  L.L.  P. 

To  these  Armand  adds  :  Ricardo  Vito  Basinstocchi  ;  signed  : 
LVD.  LEO.  MDLXVIII ;  β€”  Stanislas  Minski;  Signed  :  L.  PADOVAN 
(Bolzenthal) ;  β€”  Johann  von  Reichenberg ;  signed  :  L,  L. ;  β€”  Louis 
Desmoulins  de  Rochefort,  physician  of  Blois;  obv.  signed  :  L.  LEO. 
^.  SPONTE-MEA-MELIVS.  Horse  in  landscape ; β€”Jacopo  Tatti, 
surnamed  Sansovino;  signed  :L.  L.;  β€”  Sperone  Speroni ;  signed: 
L.  LVD.  L.  ;  β€”  Female  bust  to  1. ;  signed  :  L.  L.  ;  β€”  Marco  Mantova 
Benavides ;  signed  :  LVD.  LEO. ;  β€”  Francesco  Maria  del  Monte  Santa 
Maria,  Cardinal;  signed  :  LVD.  LEO  ;  β€”  Gregory  XIII.,  obv.  Bust 
to  r.  ^.  IVSTMNTRABVNT-PER-EAM.  The  Porta  Sancta; 
signed  :  L.  L.  P.  AN.  DNI.  .MDLXXV.  Most  of  these  medals  are  uniface. 

The  coinage  of  Gregory  XIII.   may  safely   be   ascribed  to  this 


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artist  and  his  colleague  at  the  Mint  of  Rome,  Lorenzo  Fragni; 
payments  were  made  to  these  Engravers  In  1574,  1576  and  1586, 
This  coinage  consists  of:  Af .  Scudo  d'oro  MDLXXV  Jnbileetype;  β€” 
Scudod'oro;^.  Bust  of  Christ  (7  var.);  β€” Scudod'oro;  ^.Charity 
(b  var.);  β€”  Another,  Assumption  of  the  Virgin;  β€”  Another,  St. 
Peter's  Miracle;  β€” Another;  Ri..  NIGRA  SED  FORMOSA  ROMA; 
β€”  je^.  Testone.  ^.  LETAMINI  GENTES  (9  var.);  β€”Another; 
^.  Porta  Santa  (Jubilee  type  ;  illustrated) ;  β€”  Another  ^.  Religion 
seated (6  var.);  β€”Another;  ^L.  ALMA  ROMA  Arms  (2  var.);  β€” 
Another;  ^.  Christ  delivering  the  keys  to  St.  Peter  (8  var. ;  some 
dated  1584);β€” Another;^.  ME  SEQVERE.  The  Angel  rescuing 
Peter  from  prison  (8var.);  β€”  Another;  ^L.  Seated  figure  of  Fides 


Jubilee  Testone  of  Gregory  XIII. 


(4 var.);  β€” Another ;ijiβ€ž  St.  Peter  seated (2  var.);  β€” Another;^, 
NVNOVAM  DEFICIET  ROMA.  Standing  figure  of  Fides  (8  var.) ; 

β€”  Another;  !l^.  Christ  and  the  Samaritan  woman  at  the  well;  β€” 
Another; ^.Christ's baptism (7  var.);  β€” Another;  I^.  Thebrazen 
serpent  in  the  wilderness ;  ~  Another ;  ^.  Moses  changing  his  rod 
intoasnakeC4  var.)  ;  β€” Another;  1^.  Christ  and  the  multitude  ;  β€” 
JR..  GiuUo  (various  types) ;  β€”  ^.  Grosso  (var.  types) ;  β€”  JB^. 
Mezzo  Grosso  (var.  types)  and  subsidiary  coinage. 

Bibliography.  β€”  C.  von  Fabriczy,  op.  cit.  β€”  C.  F.  Keary,  Bril.  Mus.  Guide 
to  the  Italian  Medals  in  the  British  Museum.  β€”  Supine,  op.  cit.  β€”  Cinagli,  Le  Monete 
dt'  'Papi,  Roma,  1848.  β€”  Bolzeathal,  op,  cit.   β€”  Armand,  Mddailhitrs  itaUens  &c. 

β€”  Vasari,  op.  cit.  β€”  Franks  &  Grueber,  op.  cit.  β€”  Domanig,  op.  cit.  β€”  Blanchel, 
op.  cit., 11. 

LEONI,  OTTAVIO  called  IL  PADOVANINO  (Ital.).  According  to 
Bolzenthal,  a  son  ot  Lodovico  Leonl.  He  is  said  to  have  cast  medals 
in  all  kinds  of  metals,  and  to  have  imitated  with  extraordinary 
cleverness  antique  coin-types.  None  of  his  productions  have  however 
come  down  to  us. 

LEONI,  POMPEO  (Ital.).  Sculptor  and  Medallist  of  the  second 
half  of  the  sixteenth  century  ;  asonof  Leone  Leoni;  died  at  Madrid 
in  1610.  He  served  the  Lnperial  House  of  Austria  and  assisted  his 
father  in  several  of  his   works,    notably  in   his  famous  group  of 


.isdo/ Google 


β€”  413  β€” 
Charles  V.   skying   the   Monster,   which   was   commissioned   by 
Ferrante    Gonzaga    in    1547,    achieved   in    1556,  and    bears    the 
signature  :  LEO  P.  POMPfi  F.  ARET.  F. 

PompeoLeoni  spent  the  greater  part  of  his  life  in  Spain,  where 
most  of  his  works  of  sculpture  are  still  preserved  :  a  statue  of 
Philip  II.  at  Aranjuez,  and  in  the  Church  of  the  Escurial,  fifteen 
statues  of  Saints  in  gilt  bronze,  and  Royal  statues  of  Charles  V.,  his 
Q.ueen  Isabella,  his  daughter  Mary  of  Hungary,  his  sisters,  the 
Q.ueens  of  France,  and  England;  Philip  II.,  his  Queen,  Anne; 
Queen  Mary ;  and  Queen  Isabella,  for  their  funereal  monuments. 

As  a  Medallist,  this  artist  produced  also  some  fine  works,  which 
stand  almost  on  a  par  with  the  exquisite  portrait-pieces  byPoggini : 
Granvella,  1552  (mentioned  by  Leone  Leoni  m  a  letter  to  the 
Bishop  of  Arras);  β€”  Ercole  II.  d'Este;  obv.  Bust  to  1.;  signed  : 


Obv.  of  Portrait  Badge  of  Don  Carlos,  by  Pompeo  Leoni. 


POMPEIVS.  1^.  SVPERANDA,  &c.  Female  figure  standing  to  1.  near 
fountain(2  var.);  66  mill.;  ^  Fernando  Castaldo;  obv.  Bust  to  r. ; 
signed:  POMPEIVS;  no  IJi.. ;  64  mill.; β€”  1557.  Don  Carlos  (in 
his  twelfth  year);  obv.  Bust  tol. ;  signed  :  F.  POMP.  1557  '^L.  IN. 
BENIGNITATEM-PKOMPTIOR.  Apollo  standing;  to  r.,  the 
three  Graces;  β€”  Another;  ^L.  CONSOCIATIO  β–   RERVM - 
DOMINA.  Draped  female  to  1.;  β€”Another;  ^.  COGITATIO- 
MEA'AD-DOMINVM.  Female  figure  seared;  beside  her,  Mercury, 
a  child  and  a  dog;  β€”  Another;  Ri..  OBVIIS"  VLNIS.  Fortune 
leaving  a  female  in  mourning  attitude.  [The  last  three  reverses  do 
not  probably  belong  to  Pompeo  Leoni,  and  the  last  is  by  Pastorino 
da  Sienna];  β€”  Another,  Badge  with  bust  of  Don  Carlos  to  1, 
(illustrated);  ^.  Venus  and  Cupid;  dated  1559  (a  reduction  of  the 
larger  medal) ;  β€”  Onorato  Juan;  66, mill.;  β€”  1575.  Francisco 
Hernandez  de  Llcvana;  obv.  Bust  to  r. ;  signed  :  POMP.  L,  1B75. 
^.  STABILIS-VT-NEC'METV'NEC-SPE.  Justice;  58  mill. 


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Plon  reproduces  a  cameo  by  Pompeo  Leoni,  representing  Concor- 
dia (illustrated),  signed  :  PONPEVS  FECIT. 


Concordia,  cameo  by    Fonipto  Leoni. 

Referring  to  Pompeo's  Don  Carlos  medal,  Von  Fabriczy  observes  ; 
"  Diese  MedaiUe  zeigt,  wie  weit  die  verschwommene  Manier 
Pompeos  kinter  dem  robusten  Realismus  seines  Vaters  zurucksteht 
β€”  man  selie  nur  die  sanft-und  kraftlose  Gestalt  des  Apollo  auf  der 
RCickseite!  Oder  wollte  der  KCinstler  damit  etwa  den  Charakter 
seines  Helden  symbolisieren  ? ! 

To  this  artist  should  also  be  ascribed  a  Portrait- medal  of  Mary 
of  Austria,  unsigned,  which  has  a  similar  reverse  to  that  of  Don 
Carlos,  which  is  signed;  probably  also,  from  a  similarity  of  style, 
the  medal  described  as  follows  in  the  Maxwell  Sale  Catalogue, 
26.  March  1906  (Sotheby,  Wilkinson  &  Hodge)  : 

Alfonso  Guevara,  D. ALPHONSVS.GVEVAKA,  bare-headed 
bust  in  doublet  with  puffed  sleeves  to  right;  ^.  OMNE  DECVS. 
BELLI. TRADE. GRADIV^  MIHL  Guevara  on  one  knee  paying 
homage  to  a  warrior  in  ancient  armour  who  is  seated  upon  a  dais 
(ArmandWl,  282/J),  diam.  67  mill. 

This  medal  sold  for  ^  50.  β€” β–   A  very  excessive  price. 

The  reverse  of  the  medal  of  Ercole  II.  d'Este  has  been  added  to 
a  modern  copy  of  Primavera's  medal  of  Mary,  Queen  of  Scots, 
1572,  and  it  occurs  also  as  the  reverse  ofamedal  of  John  Rantzati 
{Med.  111.,  I,  p.  118).  The  reverse  COGITATIO  MEA  AD 
DOMINVM  is  also  found  attached  to  a  portrait  of  Margaretha  von 
Calslagen,  wife  of  Joachim  Polites  of  Antwerp  (J'iiK  }j)on,  I,  202), 
The  medal  is  by  Stephen  of  Holland,  according  to  Armand. 
,  Bolzenthal  remarks  that  Pompeo  Leoni  was  a  man  of  science  and 
an  artist  much  esteemed  on  account  of  his  fine  draughtmanship. 

Bibliography.  β€”  E.  Plon,  Lsam  Leoni  el  Pompeo  Leoni.  β€”  Franks  &  Graeber, 
Meddlk  Illustrations,  &c.  β€”  1.  B.  Supino,  op.  cit.  β€”  Bolzenthal,  op.  cit.  β€” 
Babelon,  op.  cit.  β€”  Armand,  op.  cit.  β€”  Domaiiig,  op.  cit.  β€”  Hamburger,  RaritS- 


β€žGooglc 


β€”  41!  β€” 

ten-Cahinef,    V,     Ot.    55.   β€”  Calalogm  der  Ntderhindsche,  &c.    β€”  Kcaty,    B.  M. 
Guide,  &c, 

lEONI,    ZUANO  (Ital.).  Mint-rector  at  Cattaro,  1449-1451. 

LEOPARDI,  ALESSANDRO  (Ital.).  Mint-engraver  at  Venice,  1506. 
He  prepared  the  dies  for  the  copper  coins  issued  during  his  term  of 
office. 

Bibliography,  β€”  C'=  Papadopoli,  Alcane  NoHxie  sugli  InlagUatori  dslla  Zecca 
di  Feneiia,  MiUno,  18^8. 

LEOPOLD  VON  DER  HOCHSTRASSE  (Austr.).  Mint-master  at 
Vienna  in  the  fourteenth  century. 

LEORNARDY,  HENRI  CHARLES  (Frtmh).  Contemporary  Sculptor, 
born  at  Forbach  (Lorraine) ;  pupil  of  the  National  Drawing  School- 
At  the  Salon  of  1876  he  exhibited  a  Portrait-medallion  of  M,  C, 
de  L***;  β€”  1877.  M""'  C.  de  L***;  β€”  1878.  M.  Joseph  C***. 

LEOSTANOS  (Brit.).  Goldsmith  of  London,  and  possibly  Otho 
Fitz  Otto's  successor  as  Mint-engraver,  London,  under  Henry  L, 
1125. 

LE  PAGE  or  LE  PAIGE,  MICHEL  (French).  (..  15 1 5-1 55 1).  Gold- 
smith ofLyoos,  and  Mint-engraverthere,Β«VM  1524.  He  was  known 
as  "Michel  le  Graveur".  Documents  mention  his  naaie  between 
1515  and  155 1. 

Bibliography.  β€”  N.  Rosidot,  Les  Graveun  de  Moimaies  a  Lyon,  Macon,  1897. 

LE  PADTRE  (French).  Engraver  at  the  Paris  Medal  Mint,  circ. 
1650-1693. 

LE  PELLfi,  GUILLAUME  (FrencF).  Mint-master  at  Angers  under 
Francis  L,  15 19 ;  distinctive  mark,  a  key.  His  successor  was  Marc 
Couanue,  1522-1527,  1528-1535. 

LE  PELLt,  GOILLAUME  (French).   Mint-engraver  at  Angers,  1545. 

LEPfiRE,  JEAN  (French).  Goldsmith  and  Medallist  of  Lyons,  who, 
in  1500,  was  entrusted,  in  conjunction  with  his  brother  Colin,  to 
execute  the  medal  issued  in  honour  of  Louis  XII.  and  Anne  ot 
Brittany's  visit  to  Lyons,  and  the  models  for  which  were  prepared 
by  Nicolas  Leclerc  and  Jehan  de  St.  Priest. 

This  medal  of  which  only  silver  and  bronze  specimens  now  exist 
appears  to  have  been  held  in  high  estimation  by  contemporaneous 
artists;  it  is,  observes  M.  Mazerolle,  the  first  medal  of  large  dimensions 
and  bold  relief,  cast  by  Frenchmen,  but,  although  inspired  from 
Italian  art,  it  lacks  both  in  vigour  and  suppleness. 


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Louis  XII.  and  Anne  of  Ri 


β€”  4^7  β€” 

Jean  Lepere  was  also  entrusted  with  the  execution  of  the  medal 
of  Charles  VIII.  and  Anne  ot  Brittany. 

Bibliography.  β€” Mazerolle,  op.cil.  β€”  t^.'Rondot,  Medailkurs  fyotmah.  β€”  Ibid., 
Gravmrs  lyonnais.  β€”  Rondor  &  H.  De  La  Tour,  op.  cit. 

LEPΒ£rE,  LOUIS  {French).  Goldsmith-  and'  Medallist  of  Lyons; 
father  of  Jean  and  Colin  Lepfere,  already  mentioned,  died  c'lrc. 
I534-IS37-  β–         β–       β–   '      *     ' 

Louis  Lepfere,  Nicom  de  Floreni,e,  his  son  m  hw  (J-  1499)  md 
Jean  Lepere,  his  eldest  son,  modtlled  the  mt-dals  \\lii(.h  wcie  pre- 
sented to  King  Charleb  \  III  and  Anne  oi  Btituny  on  the  c 
of  their  Visit  to  Lyons,  1494 


Charles  Vlil.  and  Anne  of  Brittany. 


Louis  Lepere,  and  Nicolas  de  Florence  cut  the  dies  from  designs 
supplied  by  the  celebrated  artist  Jehan  Perr^al;  and  Jean  Lepere 
was  entrusted  with  the  execution  of  the  medals,  restrikes  of  which 
were  made  in  1502  and  1514. 

N.  Rondot  states  that  this  is  the  first  French  medal,  thus  described 
in  documents,  and  at  the.  same  time  the  filrst  bearing  the'  effigy  of 
a  personage  in  bust  form.    ,β–         .  β–     . 

Bibliography.  β€” Mazerolle,  of.  cit.-β€”^RoadotyLameiaiJkd'Aime  de  Brelagiie 
el  IPS  aiiteuTS,  Louis  Lepere^  Nicolas  de  Florence  it  Jean  Lepiie,.i4g4,  1885.  β€”  Jean 
Perreal.  '  β–   .     "  .,..-. 

LEPfiRE,  ALFRED  ADOLPHE  fiDOUARD  (French).  Contemporary 
Sculptor,  Painter,  and  Medallist,  Born,  at  Paris;  pupil  of  Ramey, 
Dumont,  Toussaint,  and  Gleyre.  In  1852  he  obtained  the  first  Grand 
Prix  de  Rome,  and  he  was  made  a  Knight  of  the  Legion  of  Honour 
in  1870.  By  him  are  several  Portrait-medallions,  cast  in  bronze. 

LEPERRE  (French).  Designer  of  a  medal  on  the  Peace  of  Pres- 
bourg,  engraved  by  Andrieu. 

L,  FOBBEB.  β€”  Bi^yaphiml  Noting  of  UldalU^s.  β€”  III.  i^ 


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β€”  4rS  β€” 

LEPETIT,  GfiRAKD  (FreΒ«c^).  Mini- engraver  at  Saint-L6,  1558- 
1569 ;  deprived  of  his  office  in  1569  as  a  Huguenot,  he  was  rein- 
stated in  1570,  in  consequence  of  the  edict  of  pacification,  and 
probably  held  his  post  until  1584. 

Bibliography.  β€”  N.  Rondot  et  H.  Dc  La  Tour,  op.  cil. 

LfiPINE,  LODIS  (French).  Contemporary  Sculptor,  born  at  Paris; 
pupil  of  Gabriel  Levasseur  and  Osbach.  By  him  are  Portrait- 
medallions  :  1880.  M.  Tresca,  vice-director  of  the  Conservatoire 
des  Arts  et  Metiers  (bronze);  β€”  Alfred  Meyer  (wood);  β€”  1881. 
Amide  Martin  (clay);  β€”  M.  Krick  (bronze);  β€”  1883.  Portrait- 
medallions  of  Tresca,  and  Lyonnet,  &c. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LEPOIVRE,  FRAKgOIS  (French).  Mint-engraver  at  Nancy,  circ. 
1545-1567. 

Bibliography.  β€”  Lepage,  op.  cit.  -  Katalog  der  Mun:^-und  Medailhn-SUmpel- 
Sammbmg  da- Mun^slatte  Wien,  III,  1905. 

LE  POIVRE,  JEAN  I  (French).  Brother  of  the  last ;  Mint-engraver 
at  Nancy,  circ.  1556-1581 ;  died  in  1585. 

IE  POIVRE,  JEAN  II  (French).  Son  of  the  last ;  Goldsmith,  Seal- 
engraver,  and  Die-cutter  at  the  Mint  of  Nancy,  circ.  1571-1617. 
Lepage  quotes  from  several  contetnporaneous  Mint-records  showing 
this  Engraver's  activity  at  the  Nancy  Mint. 

LE  POMMEREUX,  JEAN  (French).  Appointed  Mint-engraver  at 
Romans  and  Mont^limar,  1450;  later,  Jje  was  Die-cutter  to  the 
mints  of  Dauphlny. 

LE  POT,  ALEXANDRE  (French).  Mint-master  at  Nantes,  1818-1825 ; 
differential  mark,  a  key. 

LE  PRESTRE,  DUm^  (Frmch).  Mint-engraver  at  Rouen,  nVc.  1540. 

LE  PRIEUR,  JOSEPH  HEINRICH  (Germ.).  Mint-warden  at  Munich, 
1787;  Bavarian  "  Kreiswardein'  (the  last  to  hold  this  office), 
1793;  Mint-director,  1820-1837.  He  was  born  in  1766  and  died 
in  1837. 

LE  PRINCE,  GUILLADME  (French).  Mint-engraver  at  Aix,  circ. 
1549. 

lΒ£py,  NICOLAS  (French).  Sculptor,  born  at  Nancy  on  the  2.  May 
1785,  died  there  on  the  21.  June  1869.  In  the  early  years  ot  the 
nineteenth  century  he  executed  Portrnit-medals  in  ivory  of  the 
Emperor  Alexander  I.  of  Russia,  Archduke  Charles  of  Austria,  and 
other  celebrities.  Fide  Chavignerie  et  Auvray,  op.  dt.,  I,  p.  1018. 


,.Goo(^[c 


-  419  β€” 

LEQUΒ£RU,JEAN  (French).  Engraver  of  jetons,  1528-1534;  he 
was  residing  at  Paris  in  1533.  By  him  are  the  following  counters  : 
1528.  Jetons  for  Pierre  du  Plessis;  β–  β€”  Jetons  for  the  officers  of 
Renee  de  France,  Duchess  of  Ferrara  and  Chartres;  β€”  1529.  Jetons 
for  Jean  Vaillant;  β€”  1532.  Jetons  for  the  Chambre  des  Comptes 
of  Renee  de  France  ;  β€”  1534.  Jetons  for  Claude  Enjorrant,  &c. 

Bibliography.  β€”  MazeroUe,  op.  cit.  β€”  N.  Rondot  &  H.  De  La  Tour,  of.  cit. 

LfiQtIIEN,  iMlXA  {French).  Contemporary  Sculptor,  born  at  Paris 
on  I.  November  1826.  By  him  are  Portrait-medallious  in  bronze 
ot  Philibert  Pompee,  first  director  of  the  Ecoie  municipale  Turgor ; 
and  Pescalozzi,  the  famous  pedagogue. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LERCH,  BALTHASAR  (Germ.).  Mint-masterat Ratisbon,  1523-1539. 

LERCH,  MARTIN  (G^fW!.).  Mint-master  at  Hall  in  Suabia,  1494, 
Wurzburg,  1507,  Straubing,  iJoS,  Ratisbon,  1509β€”  circ.  1523, 
Neuburg-a-D.,  1515. 

Bibliography.  β€”  KuU,  Repertorium  :^ir  Miln^kandeBayerns,  1903. 

LERCH,  JOSEPH  (Austr.).  Mint-engraver  at  Vienna,  1S31-1833 
(in  private  capacity),  Assistant-engraver  at  Prague,  1835-1854,  and 
Chief-engraver,  1854-1857.  His  full  name  is  JOSEPH  LERCH  VOM 
LERCHENAU,  but  his  medals  are  variously  signed  :  JOS.  BE  LEHCHE- 
NAD  FECIT  FRAGAE  or  I.  0.  LERCH  F.  FRA&AE. 

Lerch  was  employed  at  the  Vienna  Mint  during  the  period  ot 
the  great  coinage  of  1831-1833,  and  between  1835  and  1857  he 
engraved  a  great  many  dies  for  the  currency  issued  Jt  Prague. 

By  him  are  also  several  medals  :  Visit  of  the  Emperor  Francis  I. 
and  Empress  to  Prague  (struck,  at  Vienna,  in  1833);  β€”  Visit  ot 
the  Emperor  Ferdinand  I.  and  Empress  to  Prague,  1835 ; β€”  Bohem- 
ian Coronation  of  King  Ferdinand,  1836 ;  β–  β€”  Bohemian  Corona- 
tion of  Queen  Marie  Anne,  1836;  β€”  Visit  of  the  Czar  Nicholas  I, 
to  Prague,  1835 ;  β€”  Prize  Medal  for  Industry  ;  β€”  XV.  Congress 
of  German  Physicians  and  Scientists  at  Prague,  1837; β€”  Christening 
Medal  (in  commission  for  Franz  Josef  Hoor;  signed  :  LERCH  F. 
PRAGAE)  ;  β€”  Jubilee  of  Bishop  Joseph  Knauer  of  Breslau,  1839; 
β€”  Victories  of  the  Allied  Powers  over  Napoleon  I.,  1814  (2  var. 
which  should  probably  be  ascribed  to  another  LERCH,  possibly 
this  artist's  father,  who  was  residing  at  Zbirow) ;  β€”  Enthroni- 
zation  of  Andreas  Aloys,  Count  Skarbeck,  as  Archbishop  of  Prague, 
1834;  β€”  Enthronization  of  Aloys  Joseph,  Baron  von  Schrenck, 
as  Archbishop  of  Prague,  1838  (signed  :  I.  L.);  β€”  Alois  Klar,  of 
Prague,  1833,  &c. 

Bibliography.  β€”  E.  Fiala,  op.  cii.  β€”  Kalalog-  de'  Munien-iimi-Medaillm-SUinpel- 
Sammhing.  β€”  Ad.  Hess,  Reimmann  Sale  Catalogue. 


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β€”  420  β€” 

LEBCHENAU,  JOSEPH  LERCH  VON.  Fide   LERCH,  JOSEPH  sup'd. 

LEROTE,  THOMAS  (French).  Mint-engraver  at  Auxonne,  circ.  1420. 

LEROUX,  CLAUDE  (French).  Mint-master  at  Roueti,  1595. 

LEROUX,  GtJILLAUME  (French).  Mint-master  at  Rouen,  previous 
to  19.  June  1515. 

LEROUX,  GASTON  (French).  Contemporary  Sculptor,  born  at 
Paris;  pupil  of  Jouifroy  and  Hiolle.  At  the  Salon  of  1888  he  exhibited 
the  following  Portrait-medallions  :  M"*^  Alice  D***;  β€”  Edouard 
Lanier;  β€” β–   Henri  Sauvage,  &c. 

LEROY,  GUILLAUME  (French).  Mint-master  at  Tours,  who  in 
conjunction  with  Jehan  de  Lorrenne,  Jeban  de  Chantemerle  and 
Jehan  Alleaume  issued,  between  1426  and  1429,  Blancs  of  Charles  VII. 

BiBLiOGRAPfiV.  β€”  E.  Faivre,  Elatactuel  des  ateliers  monitaires franfais,  1894.. 

LEHOT,  HIPPOLYTE  (Belg.).  Contemporary  Sculptorand  Medallist, 
residing  at  Ghent,  where  he  was  born  on  4.  April  1857.  He  is  the 
recipient  ofvarious  distinctions  at  national  and  foreign  exhibitions.  Of 
late  years  be  has  produced  numerous  medals,  among  which  the  most 
remarkable  are  :  Queen  Wilhelmina  of  Holland  ;  β€”  Visit  of  Prince 
and  Princess  Albert  of  Belgium  to  Ghent;  β€”  Provincial  Exhibition 
at  Ghent,  1899  ;  β€”  Portrait-medal  of  King  Leopold  IL;  β€” Princess 
Albert  of  Belgium ;  β€”  Agricultural  Show  at  Namur ;  β€”  Association 
of  Engineers  educated  at  the  Industrial  schools  of  Ghent ;  β€”  Arrival 
of  President  Kruger  in  Europe  on  board  the  "  Geldeiiand",  1900; 
β€”  Birth  of  Prince  Leopold,  with  portrait  on  obv.  of  Princess  Albert 
of  Belgium; β€” Princess  Elizabeth  of  Belgium,  1901  (commissioned 
by  the  Belgian  government)  ;  β€”  The  Queen  of  Holland  extending 
her  protection  to  President  Kruger,  &c. 

Referring  to  some  of  the  medals  above-mentioned,  M.  de  Witte 
says:  "  Les  m^dailles  de  M.  Le  Roy,  en  g6n^ral  de  composition 
assez  charg^e  et  un  pen  lourdes  de  fagon,  t6nioignent,  parfois,  d'uue 
certaine  h&te  dans  1  execution. " 

At  the  Paris  Salon  of  1902,  Le  Roy  exhibited  a  frame  containing 
thirteen  medals. 

Bibliography.  β€”  Laioire,  Medailles  de  Belgique.  β€”  A.  de  Witie,  La  me'daiUe  an 
salon  triennal,  Gaz.  num.,  1904,  p.  43.  β€”  Keuue  Mge  de  nutnUmatique,  1900, 1902, 
1903. 

LEROY,  PIERRE  (Belg.).  Goldsmith  and  Seal-engraver  of  Bruges, 
mentioned  in  numerous  documents  dating  between  1469  and  1480. 
He  cut  seals  for  Charles  the  Bold,  Maximihan  and  Mary,  and  in 
1470  a  Pattern  Denier  a  la  toison. 

BiBLiooRAPHV.  β€”  Biographic  nationak  de  Bdgique,  XI,  922. 


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β€”    421    β€” 

LESACHΒ£  (French).  Die-sinker  of  the  middle  of  the  nineteenth 
century.  Several  medals  issued  during  the  1S48  Revolution  are  by 
him:  Commemorative  medal  of  the  citizena  killed  in  February  1848; 
β–  β€”  The  Lille  Rejoicings  in  October  1848;  β€”  The  Events  on  23. 
and  24.  February  1848,  etc. 

Bibliography.  β€”  DeSauicy,  Souvenirs  numismatiqttes  de  la  Rivolulion  de  1848, 

LESCHOT,  ARNOLD  (Swiss).  Contemporary  Sculptor  and  Medallist, 
residing  at  Cortaillod  (Neuchatel).  He  is  the  author  of  various 
medals  :  FSte  federale  de  gymnastique,  Geneva,  1891 ;  β€”  Fete 
federate  de  la  Soci^t6  du  Grutli,  Neuchatel,  1893  ;  β€” The  Military 
Schools  of  Coiombier,  1895  (2  var.)  ;  β€”  Manoeuvres  of  the  Svifiss 
First  Army  Corps,  1895  ;  β€”  Fete  federale  de  gymnastique,  Chaux- 
de-Fonds,  1900,  etc. 

Bibliography,  β€”  Revuesahse  de  numismatiqm,  1891-1906. 

LESCOT,  FRANCOIS  (French).  Goldsmith  and  Seal-engraver  at 
Paris,  first  quarter  of  the  seventeenth  century. 

I.ESGARE,  PIERRE  (French).  Mint-master  at  Rouen,  1515-1520. 
His  differential  mark  is  "two  trefoils"  between  FRANCORVM 
and  REX,  and  also  between  XPS  and  IMPERAT  in  the  legends.  He 
succeeded  Guillaume  le  Roux. 

Bibliography.  β€”  E.  Faivre,  op.  cit. 

LESLEU,  GUILLAUME  (French).  Mint-engraver  at  Saint-L6,  cite. 
1515. 

LESOING,  AUGUSTIN  JOSEPH  CHARLES  (French).  Goldsmith  and 
Seal-engraver  of  the  latter  end  of  the  eighteenth  century ;  he  resided 
at  Nancj',  where  on  5.  December  1785  he  was  appointed  Engraver 
to  the  Corporation  of  Goldsmiths. 

Bibliography.  β€”  Lepage,  op.  cit. 

LESPEUVRIER,  ALAIN  (French).  Goldsmith  of  Troyes,  eirc.  1556- 
1573  ;  Mint-engraver  there  in  1558. 

LESSE,  DANIEL  (Germ.).  Mint-master  at  Danzig,  1656-1685.  His 
initials  occur  on  some  of  the  currency  issued  by  him. 

Bibliography.  β€”  Max  Kirmis,  Handbuch  der  ToliiisclKn  Mim^kuiide,  1892, 

LESSE,  JDRGEN  (Germ.).  Mint-master  at  Roth  and  Eckersmiihlen 
(Brandenburg),    1621-1622.  Ammon   calls   him  JOHANN  LESSEN. 

Bibliography.  β€”  Geberl,  Die  Brandenhmg-Frdnkischen  Kippermunj^stdtien, 
1620-1622.  β€”  Spiesem  Brandeni.  Man^beiust,  P.  Ill,  52, 


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β€”    422    β€” 

LESSER,  KARL  (Germ.).  Medallist  of  thefirst  half  of  ihe  nmeteenth 
century;  born  in  1783;  resided  at  Breslau,  wliere  he  died,  27. 
September  1849.  He  was  the  last  official  to  hold  the  post  of  Medallist 
to  the  Mini  at  Breslau,  and  was  appointed  in  1812.  He  is  the  author 
of  several  commemorative  medals  relating  to  the  Royal  House  of 
Prussia ;  one  of  the  best  known  was  struck  on  the  Visit  to  Breslau 
of  Nicholas  I.  of  Russia  and  Frederick  William  HI.  of  Prussia; 
also  :  Portrait- medal  of  D'  Elias  Henschel  of  Breslau.  1837  ;  β€”  50* 
Jubilee  festival  of  the  Lodge  of  True  Unity  at  Breslau,  1833  ;  β€” β–  
1803.  Jubilee  of  the  University  of  Breslau;  ^~  1813.  Coahtion  of 
the  Allied  Powers  against  Napoleon  I. ;  β€”  1817.  Luther  commem- 
oration medals  (2  var.);  β€”  Shooting  Prize  Medals;  β€”  Agricul- 
tural Prize  Medals,  etc. 

Bibliography.  ~  Bolzenthal,  op.  cU.  β€”  Menadier,  op.  cii.  β€”  Friedensbiirg, 
op.  cil. 

LESSING,  KARL  GOTTHELF  (Germ.).  Brother  of  the  Poet;  born 
at  Camenz  in  1741,  worked  first  at  Berlin,  then  became  Mint- 
engraver  at  Breslau,  and  filled  the  office  of  Director  of  the  Mint 
from  14.  July  1779  to  Easter  i8ro;  he  died  on  17.  February  1812. 

BiBLiOGHAPHY.  β€”  Friedensburg,  op.  cit. 

LESSORE,  FREDERICK  (Brit.).  Contemporary  Sculptor,  residing 
in  London.  At  the  Royal  Academy  of  1905  he  exhibited  a  Portrait- 
plaque  of  Mark  Fischer,  in  bronze. 

LETELLIER,  AflSfeNE  (French).  Contemporary  Sculptor,  born  at 
Rouen  ;  pupil  of  Duret  and  J.  Debay.  By  him  are  numerous  Portrait- 
medallions,  exhibited  at  the  Salons  since  1869, 

LETHIELLEUX,  P.  (Canad.).  Designer  of  a  medal  on  the  Univer- 
sity College  of  Ottawa,  struck  in  1847,  by  Trouchou. 
BiiiUOGiiAPHY.  β€”  J.  Lcroux,  MMailUer  du  Canada,  Montreal,  1888. 

LETTRE,  CORNEILLE  DE  (Belg.).  Mint-master  at  Antwerp,  18. 
February  1600  to  31.  March  1606. 

LEU,  MAX  (Swiss).  Contemporary  Sculptor,  born  at  Soleure; 
pupil  of  Cavelier  and  L.  Morice.  In  1885  he  exhibited  at  the  Salon 
a  Portrait-medallion  in  bronze,  and  he  is  the  author  of  a  number 
of  others. 

LEUKIOS  (LUCIUS).  This  Gem-engraver's  signature,  whichoccurson 
a  carnelian  of  the  former  Stosch  collection,  and  represents  a  Winged 
Nike  in  biga  galloping,  appears  authentic  to  most  critics  (illustrated), 
and  Prof.  Furtwangler  does  not  express  any  doubt  about  it.  He 
says  :   "Die  Arbeit  ist  ganz  reizend   frisch  ond  lebendig,  ohne 


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β€”  423  β€” 
alkuviel  Detail,  ganz  in  der  Art  des  Aulus  nnd  seines  Viergespanns". 
According  to   King,  tliis  signature  has  been  added,  also  on  other 


gems  ;  Masque  of  a  bearded  Faun  (Gori);  β€”  Head  of  Poppaea, 
sard  (Wackerbarth)  ;  β€”  Head  of  Silenus-  β€”  Victory,  carnelian; 
etc. 

Bibliography.  β€”  De  Siosch,  Pierres  gravies,  pi.  41.  β€”  Babelon,  Gemmae,  Diet, 
des  ant.  gr.  et  rom.  β€”  Reinach,  Pisrres  graves.  β€”  King,  Handbook,  London, 
188;.  β€”  Raspe,  Tassk's  Gems,  1791-  β€”  Furtwangler,  op,  cit.  β€”  D",  Gemmen  mit 
Kunstkrinscbriften,  1889. 

LEUKON  or  DEUKON.  Probably  a  fictitious  engraver's  signature 
on  gems. 

LEUlIE,  CHARLES  ACHILLE  (^French).  Contemporary  Sculptor  and 
Gem-engraver,  born  at  Paris  on  the  12.  November  1826.  At  the 
Salon  of  1867,  he  exhibited  two  cameos  in  agate-onyx  :  Polyhymnia, 
study  after  the  antique ;  β€”  Portrait  of  young  G.  Lenlie ;  β€”  1868. 
The  Spinner,  cameo  in  oriental  carnelian;  β€”  1869.  Portrait  of 
Napoleon  I.,  cameo  in  sardonyx,  &c. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit. 

LEUFOLD  (Germ.).  Mint-engraver  at  Dresden,  circ.  1765-1770. 
His  signature  L.  occurs  on  Polish  Ducats  of  1765.  Vide  Ammon, 
Sammlung  etc. 

LEUTNANT,  I.  (Attstr.).  Assistant-engraver  at  the  Vienna  Mint, 
1829-1832. 

LEUSSfiOUR,  BLANC  (French).  Goldsmith,  Seal  and  Jeton  Engraver, 
circ.  1357-1359- 

LEUTZE  (Amer.).  Designer  of  a  "Shipwreck  Medal"  ot  the 
U.S. A,  the  dies  for  which  were  cut  by  Ellis.  "These  medals  were 
struck  for  presentation  to  officers  of  vessels  of  foreign  nations,  as  an 
acknowledgment  of  their  services,  in  saving  the  lives  and  property 
of  shipwrecked  Americans.  " 

Bibliography.  β€”  Snowden,  Washington  Medals,  p.  9}. 


atdb,  Google 


β€”  434  β€” 
LE  VASSEUB,  ANTOINE  (PfMci?).  Mini-master  at  Angers,  1599. 

LEVASSEXIR,  JDLES  CLfiMENT  (French).  Contemporary  Sculptor, 
born  a:  Paris  ;  pupil  of  Michel  Pascal.  Among  liis  various  exhibits 
at  the  Paris  Salons,  Chavignerieet  Auvray  mention  the  following: 
Portrait-medallions  ;  1874.  L,  Noel,  dramatic  artist;  β€”  1875. 
M".-  C***;  β€”  1876.  M.  Nob^court;  β€”  M.  Ploton,  actor;  β€”  1877. 
M.  A.  F**;  β€”  1881.  M.  Ploton,  of  the  Theatre  de  I'Ambigu, 
bronze  medal;  β€”  1886,  M.  Gady;  β€”  1887.  Henri  Eudine,  etc. 

LfiVEQTJE,  PIERRE  (French).  Sculptor  and  Die-sinker  at  Paris, 
Palais  Royal;  born  at  Beauvais  in  1780;  died  at  Passy  in  1845, 
One  of  his  daughters  married  the  celebrated  engraver  L.  Ch.  Bouvet. 
He  is  said  to  have  cut  several  medals  commemorating  the  Revolu- 
tion of  July  1830.  By  him  are  also  Portrait-medals  :  Giuseppe  Blan- 
gini,  Italian  composer  (signed  :  LEVEQUE  SC) ;  β€”  Rev.  J.  C.  Lava- 
ter  (3  var.);  β€”  Birth  of  Louise  Marie  Tb^rfese  de  France,  1819, 
etc.,  and  Jetons  :  Mines  de  charbon,  Dep'  du  Nord.  β€”  Soci6t6  des 
Mines  houilleres  de  la  Btondi^re,  1840  or  1841 ;  β€”  Mines  de 
houille  de  La  Grand'Croix,  1837  ;  β€”  Compagnie  fratiijaise.  Exploi- 
tation des  Houilleres,  Mines  et  Usines,  1837;  β€”  '^.  of  Medal  ot 
St.  Lonisby  Gayrard,  with  representation  of  the  Order  of  St.  Louis; 
β€”  Compagnie  du  canal  Monsieur,  Strassburg,  1821. 

Lev^ue  contributed  to  Durand's  medaUic  series. 

BiBT.ioGRAPHY.  β€”  Roliemhal,  op.  cil.  β€”  Florange,  Esuii  sur  ks  jtloiis  et 
Medailhs  de  Mines  fraiifaises,  Paris,  1904. 

LEVI,  ISAAC  (Germ.).  Mint-engraver  at  Wiirzburg,  1759-1762. 

LEVICE,  ROBY  (Sr/(.).  Contemporary  Sculptor,  residing  in  Lon- 
don, who  at  the  Royal  Academy  Exhibition  of  1899  showed  a 
Portrait-medallion  of  W,  B.  Rickman. 

"Miss  Levick",  says  Mr.  Spielmann  in  British  Sculpture  and 
Sculptors  of  to-day",  who  first  exhibited  at  the  Academy  in  1893, 
seems  to  have  made  a  special  study  of  youth  at  sport.  Her  admirably 
arranged  bronze  statuette-groups  of  "  Boys  fishing",  "  Boys 
wrestling  "  and  *'  Foot-ball  "  are  all  clever  and  well  modelled;  the 
last  named  composition  is  full  of  life  and  vigour." 

LE  VIDAME,  GERVAIS  (French).  Mint-engraver  at  Angers,  circ. 
1401-1402. 

LEVIEIL,  JEAN  (?)  (French).  Medallist  of  the  early  part  of  the 
seventeenth  century,  who  resided  at  Rennes.  He  is  the  author  of  a 
medal  (signed  :  I.  LEViEIL  F.)  with  portraits  of  Louis  XTU.  and 
Marie  de  M^dicis,   commemorating  the  laying  of  the  foundation- 


,/ Google 


stone  of  a  bridge  on  La  Vilaine,  at  Rennes,  1612.  The  work  is 
poor. 

Bibliography.  β–  β€”  Mazerolle,  op.  cil. 

LEVILLAIN,  ANDRΒ£  (French).  Mint-engraver  iii  Dijon,  1555-1558. 

LEVILLAIN,  FERDINAND  (French).  Contemporary  Sculptor  and 
Medallist,  born  at  Paris  (^Passy);  pupil  of  Lequien  and  Jouffroy. 
He  first  began  to  exhibit  m  1861.  In  1872,  he  was  rewarded  with 
a  medal  of  the  second  class;  a  medal  ot  the  first  class  in  1884;  a 
silver  medalat  the  Universal  Exhibition  of  1889;  and  made  a  Knight 
of  the  Legion  of  Honour  in  1892.  He  died  on  the  22"*  January 
1905.  For  many  years  he  had  been  a  member  of  the  Jury  of  the 
Salon.  A  number  of  his  productions  are  exhibited  at  the  Luxemburg 
Museum. 


Besides  numerous  works  of  sculpture,  Levillain  has  produced 
some  very  fine  medals  and  belongs  to  the  leading  French  medallists 
of  ourtime.  By  him  are  :  1866.  Ceres,  bronze  medal;  β–  β€”  Youthful 
Bacchus;  β–  β€”  1867.  Pandora  and  Epimetheus;  β€”  Napoleon  L;  β€” 
1868.  Menalchus  andMopsus ;  β€” Juno;  β€”  1869.  The  Golden  Age; 

β€”  Heralcles  and  Omphale ;  β€”  Jupiter  and  Juno ;  β€”  The  Vintner, 
plaque  ;  β€”  1870,  Homer  and  the  Shepherds,  bas-relief  in  bronze;  ' 

β€”  1872.  Market-day,  and  Return  from  Market;  medal  in  clay, 
obv.  and  1^.;  β€”  JB^.  Portrait-medal  of  C.  Sevin,  sculptor;  β€” 
1873.  A  Procession,  bas-relief  In  bronze ;  β€”  .^.Portrait-medal  of 
F.  Jouffroy,  the  medalHst ; β€”  1874.  Mercury;  β€” Portrait  of  M.B.***; 
β€” β–   1875.  The  Rape  of  Europa,  bas-relief  in  bronze;  β€” 1876.  Fight 
between  Centaurs  and  Lapich^,  bas-relief  in  terracotta;  β€”  Vulcanus, 
medal  of  the  Society  of  bronze  manufacturers;  β€”  Education  β€” 
Bacchus;  β€”  1877.  Youth  leading  a  goat;  β€”  The  Amphora  of 


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β€”  426  β€” 

Medusa;  β€”  1H78,  Hop  Gathering;  β€”  1879.  Portrait  of  M.  Noel 
Louis;  β€”  1880.  Large  bas-relief  in  bronze  represeuting  various 
scenes  of  rbe  myth   of  Bacchus,  &c. ;  and  among  the  artist's  later 


X 


medals  and  medallic  works,  the  best  known  are  no  doubt  :  |uno 
and  Psyche  (executed  in  commission  for  the  "  Societe  francaise  des 
Amisde  la  M^daille;  illustrated);  β€”  La   Lecture;  β€”  Ceres  and 


Bacchus;  β€”  Universal  Exhibition  of  1889;  the  Eiffel  Medal;  β€” 
The  National  Manufactory  of  Sevres;  β€”  Alexandre  Barbier 
(plaquette)  ;  β€”  M.  Z.  Beau,  Oinon  of  St.  Maurice  at  Sens ;  β€”  The 


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β€”  427  β€” 
Cliariot  of  the  Sun  ;  β€”  Portrait  ofayoung  Girl;  β€”  The  Education 
of  Bacchus ;  β€”  Youth  and  Old  age;  β€” β–   Aristide  Bruant;  β€”  The 
Charmer    (illustrated) ;    β€”  Jean    du    Cogno ;    β€”  Diogenes ;    β€” 
Larona  and  the  frogs;    β€”   Medaea;  β€”  The    Death    of    Argus; 

β€”  The  four  Seasons;  β€”  The  Seine;  β€”  The  City  of  Paris;  β€” 
Louis  Nogl;  β€”  George  Gapnac;  β€”  La  Terre;  β–  β€”  The  Death  of 
Argus;  β€” Perseus;  β€”  Idyl;  β€”  Ganymede;  β€”  Theodore  Deck, 
rSSyi  β€”  Abb^  Beau,  ivory  portrait-medallion;  β€”  The  Potter, 
1888;  β€” Commemorative  medal  of  the  Eiffel  Tower,  1889;  β€” 
Diogenes  and  Alexander  bronze  medal;  β€”  Agricultural  Prhe 
Medal,  1890;  β€”  Diogenes  searching  for  a  man;  β€”  Latona  and 
the  farmers,  1893 ;  β€”  M,  Georges  Berger,  Deputy  of  the  Seine;  β€” 
M.  Alexandre  Barbier,  1896;  β€”  M"^  Clemence  Tetu,  1897;  β€” 
Ceres  and  Bacchus,  medal,  1898,  &c. 

Levillain  has  been  called  "  un  puissant  evocateur  de  I'antique  ", 
Most  of  his  subjects  are  drawn  from  mythology,  but  he  has  adapted 
β– 'them  to  modern  ideas,  without  falling  into  the  excesses  of  some  of 
the  representatives  of  the  modern  school.  His  feminine  forms, 
whether  nude  or  enclothed  in  drapery  are  natural  and  delicately 
modelled.  Most  of  his  compositions,  in  sculpture,  decorative  art,  as 
well  as  in  medal-engi;aving,  are  well  drawn,  carefully  designed  and 
elaborately  executed. 

M.  Roger  Marx  has  described  Levillain  as  a  very  able  artist,  who 
has  been  successful  in  modernizing  the  antique  and  stamping  his  work 
with  his  own  individuality  ", 

Bibliography.  β€”  Chavigaerie  et  Auvray,  op.  cit.  β€”  Roger  Marx,  MidaiUeurs 
conlemporains.  β€”  Do,  The  Studio,  Oct.  1898,  p.  21.  β€”  Do.,  MddaiJletirs  fratifais. 

β€”  Calahgai  du  Salon,  iqo^-igo^.  β€”  Z.'Wr(,  1894,  p,  7a.  β€”  Art  d  Dhoration, 
1899,  II,  51;  1903,  11,  36.  β€”  Art  dkoratif,  1901,  65,  67.  β€”  L.  B^n^dite, 
op.  cit.  β€”  Gazette  numismuliqtie  jraifaue,  1898,  1900.  β€”  D'  J.  ile  Dompierre  tie 
Chaufepi^,  MiiailUs  et  Plaquettes  moda-nes,  it. 

LEVISON,  DAVID  (^Scotcl)).  Mint-master  at  Edinburgh  under  Mary 
Stuart.  From  the  rz""  March  1555  to  1556  he  coined  in  Testoons 
and  Half-testoons  557  stones  4  pounds  2  \  ounces;  1556-1558. 
Three  Pound  pieces  (none  of  1556  are  known);  1556.  Lions;  β€” 
1557.  Placks;  β€”  1558.  Lions  or  Hardheads,  &c. 

Bibliography,  β€”  Burns,  The  Coinage  of  Scotland,  1887. 

LEVY,  CHARLES  (French).  Contemporary  Sculptor,  born  at  Paris; 
pupil  of  Toussaint.  At  the  Silons  of  1873  and  1878  he  exhibited 
Portrait-medallions  of  private  persons. 

LEW,  Vide  LEWEN,  SALOMON. 

,  LEWEN,  SALOMON  (Germ.).  Coiner  at  Breslau,  said  to  have  been 
arrested  and  imprisoned  on  16.  November  1583  for  issuing  light 


,stsd  by  Google 


currency.  He  was  Mine-master  at  Breslau,  1565-1600;  but  before 
that  he  had  tilled  the  post  of  Imperial:  Mint-warden  there. 
Bibliography.  β€”  Fried  en  sburg,  op.  cU. 

LEWIS,  W.  0.  (Br;Y.).  Die-sinker  of  Birmingham,  whosesignature: 
W.  0.  LEWIS  BIRMM  I  have  noticed  on  a  Jubilee  Medal  of  Q.ueen 
Victoria,  1S87,  and  also  on  a  Portrait-medal  of  General  Gordon, 
who  died  at  Khartoum,  1888.  He  is  a  manufacturer  of  buttons, 
badges,  medals,  &c. 

LEYDIER,  ANTOINE  (French).  Goldsmith  and  Seal-engraver  of 
Lyons,  circ.  i445-'l-i46o.  He  is  called  "  Antoine  le  doner  "  in 
contemporary  documents.  In  1456  he  was  entrusted  with  the  cutting 
of  dies  for  the  Mint  of  Lyons.  By  him  are  jetons  of  Queen  Marie 
of  Anjou,  consort  of  Charles  VII. 

BiBLIOGBAPHY.  β€”  N.  Rondot,  Lis  Orfiwcs  de  Lyon  du  XIF'  au  XVllb  sikle, 
Paris,  188a. 

LEYGEBE  or  LEIGEBE,  GOTTFRIED  (GiTm.^.Medallist  of  the  seven- 
teenth century;  born  at  Freistadt (Silesia)  in  1630, learned  the  art 
of  die-cutting  at  Nuremberg  in  1645,  worked  at  Dresden,  and  in 
1668  was  appointed  Mint-engraver  at  Berlin,  where  he  remained 
until  his  death  in  1683.  He  attained  an  early  celebrity  as  already  in 
1660  the  Nuremberg  copper-plate  engraver  Andreas  Greiff  had  made 
his  portrait. 

As  a  Sculptor  in  iron,  Leygebe  is  not  only  the  first  but  also  the 
most  famous ;  his  statuettes  cut  out  of  solid  iron  are  most  important 
works;  one  of  them,  a  small  equestrian  statue  of  the  Great  Elector, 
represented  as  Bellerophon  slaying  the  three-headed  Chimaera,  is 
now  preserved  in  the  HohenzoUern  Museum. 

Bv  this  artist  are  the  following  medalhc  productions  :  Portrait- 
medallion  of  the  Great  Elector,  in  life-size  (signed  :  1671 .  G.  LEIGEBE 
AD  VIV  :  FECIT)  ;  β€”  1664.  J.  M.  Dilherr,  Nuremberg;  β€”  1665. 
Hieronymus  Gutthater;  β€”  1666.  J.  M.  Dilherr  (without  the  usual 
signature  :  G.  L.);  β€”  Balthasar  Kauffman  ;  β€” 1667.  Johann  Mich. 
Dilherr  (a  copy,  of  smaller  module,  of  the  medal  dated  1664) ;  β€” 
Undated.  Jodocus  Christoph  Kress  (profile  bust);  β€”  1668.  Jod. 
Christ.  Kress  (facing  portrait) ;  β€”  Undated.  The  Great  Elector 
(facing  bust) ;  β€”  Another  (profile  portrait);  β€”  1669.  The  Great 
Elector,  on  his  return  from  Prussia;  β–  β€”  1670,  Birth  of  Princess 
Maria  Amalia,  obv.  Bust  of  the  Electress  Dorothea  1^.  QVAE 
PATRE  SCEPTRIGERO,  &c.- Palm-tree,  &c. ;  β€”  1673'.  Prince 
Charles  Emil,  on  the  Campaign  in  Alsace;  β€”  1673.  Frederick  III., 
Margrave  of  Brandenburg  ^L.  SVVM  CVIOVE.The  city  of  Berlin,, 
above  which  an  eagle;  β€”  1675.  Octavian  Burger,  of  Dresden 
(illustrated);  β€”  1677.  The  Great  Elector  (similar  to  that  of  1673); 
β€”  1678.  Heinrich  Zipfel  (nor  signed); β€”  1679,  Elizabeth  Henrietta, 


o,C.oo(^lc 


β€”  4^9  β€” 
first  consort  of  the  Great  Elector;  β–  β€”  (1680).  Raban  von  Cansrein  ; 

β€”  1680.  11"'  Birthday  of  Prince  Philip  WiUiam  of  BrandenbLirg ; 

β€”  Undated.  The  Great  Elector  and  his  consort.  All  these  are 
mentioned  by  Friedlatider,  but  I  have  found  records  of  some  others : 
1675.  Battle  of  Fehrbellin  (2  var.);  β€” -  Schauthaler  on  the  same 
event  ^.  PAX  VNATRIVMPHIS  INNVMERIS  POTIOR.  Peace; 
ex.  :  F  :  BELLINVM  18.  JVN.  1675 ;  β€”  1667.  Death  of  the  Great 
Elector's  consort,  Louise  Henriette,  1667  (6  var.);  β€”  1677,  Capture 
of  Stettin,  ^L.  NON  NISI  lUSTA  PROBANTUR  ARMA.  Justice; 

β€”  1669.  Marriage  of  the  Great  Elector  with  Princess  Elizabeth 
Henrietta  of  Hesse-Cassel ;  β€”  1681.  Henrietta  Catherina,  Princess 
of  Orange,  etc. 


Octavian  Burger,  1675,  by  G.  Leygebe. 

Most  of  this  artist's  medals  are  cast  and  chased,  but  some  are 
also  struck.  To  the  cast  specimens  belong  those  dated  1664-1667, 
which,  were  executed  in  all  probability  at  Nuremberg,  and  also  his 
earlier  Berlin  productions ;  they  are  by  far  the  best,  as  the  models 
were  prepared  in  wax  in  a  very  free  manner. 

Leygebe's  initials  occur  also  on  currency  of  Brandenburg.  I  have 
noticed  them  on  a  Thaler  of  the  Great  Elector,  dated  1679., 

Bibliography.  β€”  Erman,  Deutsche  Medaitkure,  Berlin,  1884.  β€”  Bolzenthai, 
06.  cj;.,  β€”  Menadier,  SchaumUr^en  des  Houses  Hehen^ollem,  Berlin,  1901.  β€” 
Hatnburger,  Mritdten  Katalog,  IV,  n"  259,  β€”  J.  Friedlander,  Gottfried  Leigebe, 
Zeitschrifl  fiir  Numlsmatik,  X,  ao2-ai6.  β€”  Catalogus  der  Nederlandsche  en  op 
'Nedf.Tlaitd  hetrekhing  hebbende^Gedenkpenningen, 'sGiiveahage,  190J.  β€”  Blanchet, 
op.cit.  β€”Ad,  Heis^adii., ReimmannCatalogue,  II,  1892.  β€”  De  historiepemingen 
en  munten  betrehking  hebbende  op  het  Siamhuis  van  Oranje-Nassati,  1898.  β€”  D' Julius 
Cahn,  Medailten  und  Plaketten  der  Sammlung  W.  P.  Metier,  1898. 


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LEYWER,  VALENTIN  (^Β«ri^.)-  Mint-warden  at  Kremnitz,  i ;  5 1- 
1565. 

LEYSALLE,  PIERRE  EMILE(fi-Β£Kc/<).  Contemporai-y  Sculptor,  born 
at  Paris;  pupil  of  Mathurin  Moreau  and  Carpeaux.  By  him  are 
several  medallic  works :  1 874.  Portrait-medallion  in  bronze ;  β€” 1875. 
Portrait-medallion  of  M.  D"***;  β€”  Another  of  D'  Lsinne;  β€”  1878. 
Portrait-medallion  of  M'"^  L.  S***;  β€”  Portrait-medallion  ot 
Alphonse  Poitevin  (signed  :  E.  LEYSALLE.  [uniface,  cast  in  bronze]); 
β€”  Medal  commemorating  the  Utilization  of  the  Motive  povi^ers  of 
the  Rhone,  1886  (engraved  by  Hugues  Bovy  and  C.  Richard);  β€” 
Fourth  Cantonal  Rifle  Meeting  at  Geneva,  1882  (engr.  by 
C.  Richard);  β€”  1892.  The  Triumph  of  Universal  Suffrage;  β€” 
Three  Portrait-medallions  in  wax,  etc. 

Bibliography.  β€”  Chavlgncrie  el  Auvray,  op.  ctt.  β€”  Bulletin  suisss  de  num., 
1882.  β€”  Tobler-Meyer,   op.   cU.  ~  Information  received  from  M.  juks  Florange, 

L.  P.  VidelMZli.  FALIERO.  Mint-inspector  at  Venice,  1631. 

L.  F.  Vide  LEEFKEN,  J.  J.  Medallist  at  St.  Petersburg,  circ.  1694- 
1709. 

L.  F.  Vide  L0NGERBERGER,  J.  Medallist  at  St.  Petersburg,  circ. 
1730-174J. 

L.  F.  Vide-LQO^,  G.  F. Medallist  and  Mint-engraver  at  Nuremberg, 
Ratisbon  and  Wurzburg,  1742-1766, 

L.  F.  Vide  LAVY,  AMADEO.  Mint-engraver  at  Turin,  circ.  1796- 
1826, 

L.  G.  Videhk-R%  GBANDEL.  Medallist  at  Stockholm,  1800-1836. 

_L.  C,  r/t/e  GENNARI,  L.  Roman  Medallist  of  the  early  part  of  the 
nineteenth  century. 

L.  G.  L.  Vide  LAZAROS  GOTTLIEB  LAUFER.  Mint-master  at 
Nuremberg,  1670-1690. 

L.  H.  Vide  LUBERT  HADSSMANN.  Mint-master  at  Miihlhausen, 
1616,  and  Cassel,  1635-1638. 

L.  H.  Vide-LUXmiG  HELD.  1805,  β€”  f  1839.  Medallist  at  Berlin. 

LH.  fiWe  HAUBOLD  LEHNER.  Mint-master  at  Ratisbon,  i';98-died 
in  1628.  '^    ' 


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L.  H.  B.  Fide  LUDWIG  HEINRICH  BARBIEZ.  Medallist  at  Berlin, 
1738-1754. 

L.  H.  L.   Fide  LUDOLPH  HEINRICH  LUDERS.  Mint- master  at   Det- 
mold  and  Brake,  1716-1727. 
Bibliography.  β€”  Schlickeyseti-Pallmann,  ojj.  ctt. 

L'HOEST,  EUGfeNE  tfiON  (French).  Contemporary  Sculptor,  born 
at  Paris  on  the  12.  July  1874;  pupU  of  Thomas  and  Lanson,  and 
of  the  Β£co!e  Nationale  des  Beaux-Arts.  He  first  began  exhibiting  at 
the  Salon  in  1893,  and  has  earned  the  following  awards :  1895, 
Mention  honorable;  and  1900,  Medal  of  the  3"'  Class.  He  is  also 
a  Laur^at  de  I'lnslitut  and  OfEcier  d'AcadSmie. 

Beside  numerous  work  of  sculpture  this  artist  has  produced 
the  following  Plaquettesand  Medallions  :  Gorge  Ville,  Admlnistra- 
ceur  du  Museum  (JR..  Plaquette,  Salon  1901);  β€” Maurice  MuUer; 
β€”  M""  Georges  Ohnet  (^.  Plaquette,  Salon  1902);  β€” 
M"'^  L'hoest ;  β€”  M"'^  X***";  β€”  M.  R.  Lecocq,  1903 ;  β€”  Salon  of 
1904.  Portrait  of  M"Β°  Simone  Magnanl;  β€”  Frame  containing 
various  medals  in  silver; β€”  1905.  LaGtS  future;  β€” Two  Portrait- 
medallions  and  a  Plaquette,  etc. 

Bibliography.  β€”  Injormation  Imdly  supplied  by  the  Artist. 

L'HOMME-DE-MERCEY,  BERKARH  (French).  Sculptor  of  the  nine- 
teenth century;  a  pupil  of  David  d' Angers  and  F.  Rude;  has 
exhibited  at  the  Salons  between  1847  and  1865.  By  him  are  some 
Portrait-medallions  in  the  style  of  David  d' Angers. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cii. 

L'HOMMEAU,  JULES  AURfiLE  (f  rracA).  Contemporary  Sculptor  of 
Mans  (Sarrhe);  pupil  of  Barrias.  He  exhibited  at  the  Salon  of  189S 
a Porcrait-plaquette ;  and  in  1905.  M""'  L,  R***,  etc. 

LHOSTE,  LADRENT  BRUNO  (French).  Director  of  the  Bordeaux 
Mint,  from  year  IV  to  year  XL  of  the  First  Republic;  distinctive 
mark,  an  ancient  lamp. 

LHOSTE,  PIERRE  (French).  Mint-master  at  Chambiiry,  circ. 
1420. 

LJALIN,  ALEXANDER  (Rms.).  Medallist  of  the  second  quarter  ot 
the  nineteenth  century,  who  worked  at  St.  Petersburg.  Iversen 
states  that  he  was  born  in  1799,  entered  in  1813  the  Academy  ot 
Fine  Arts,  where  he  obtained  the  second  silver  medal,  appointed 
Engraver  at  the  Mint  in  1824,  and  died  in  1861.  From  185 1  until 
his  death  he  held  a  chair  of  Professor  of  medal-engraving  at  the 
Academy. 


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Amongst    his    productions,   which  are  usually   signed  A.JI.  or 
A.JIH.IHE'b  I  have  noticed  ;  Portrait- medal  of  Peter  the  Great;  β€” 


Transfer  of  the  University  to  the  building  of  the  !2  Colleges, 
1838;  β€”  Sir  James  Wylie,  Bart.,  physician,  1840;  β€”  Coronation 
Medal  of  Alexander  II,   1856  (illustrated)  ;  β€”  D'  Pietro  Zagorski, 


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β€”  433  β€” 
St.  Petersburg;  β€”  D'  Johaiin  Georg  vonRuehl;  β€” D' Johann  von 
Busch,  St.  Petersburg,  &c. 

Bibliography.  β€”  Iversetv,  Medailhn  auj  die  Thateii  Peter  des  Grossen, 
St.  Petersburg,  1872.  β€”  F.  P.  Weber,  op.  at. 

LJALIN,  PAUL  (^Rtiss.).  Medallist  of  the  end  of  the  eighteenth  and 
early  part  of  the  nineteenth  century;  father  of  the  more  celebrated 
Engraver  Alexander  Ljalin.  None  of  his  medallic  works  have  come 
under  my  notice. 

BiBUOGiiAPHY.  β€”  Iversen,  op.  cii. 

L'HUILIER,  ADOLPHE  (French).  Contemporary  Gem-engraver, 
born  at  Breteuii  (Eure),  At  the  Salon  of  1898  he  exhibited  a  Plaque 
representing  the  facade  of  the  Paris  Opera  House. 

LIARD,  A.  (French).  Son  of  Ferdinand  Liard,  and  also  one  of  the 
most  expert  Founders  of  modern  times.  He  is  employed,  not 
only  by  French,  but  also  by  British  medallists  to  cast  their 
medallions.  There  is  a  Portrait-plaquette  of  A,  Liard  by  Lechevrel. 

LIARD,  ANTONIN  LOUIS  (French).  Contemporary  .Sculptor,  born 
at  Paris;  pupil  of  David.  At  the  Salon  of  [895  he  exhibited  a 
Portrait-medal  of  AchiUe  Wilmotte. 

LIARD,  PERDIMAND  (French).  A  celebrated  Founder,  well-known 
by  his  casts  of  early  ItaUan  medals  in  the  Victoria  and  Albert 
Museum,  South  Kensington.  He  cast  various  Portrait-medallions, 
amongst  which  that  of  Darwin,  by  Prof.  Legros.  There  is  a  Portrait- 
medallion  of  F.  Liard  byFremy,  1866. 

Bibliography.  β€”  F.  P.  Weber,  op.  cit. 

LIATOOD,  JEAN  (French).  A  native  of  Valence,  Mint-master  at 
Lyons  in  1340,  and  also  designated  in  a  contemporary  document 
"sculptor  ferrorum".  According  to  Rondot, the  coins  engiaved  by 
Liatoud  in  1340  were  :  Denier  blanc  (2  var.);  β€”  Denier  double 
noir;  β€”  Petit  Denier  noir ;  β€”  Obole  noire. 

BcBLiOGRAPHY.  β€”  Naialis  Rondot,  Las  Graveurs  de  Monnaus  A  Lvoti,  Macon, 
1897. 

LIBBEKE,  JEANNE  VAN  (Belg.).  Widow  of  Dominique  Wouters, 
and  his  successor  as  Mint-master  at  Antwerp,  from  i.  April  1618 
to  19.  August  1 619. 

LIBBEKE,  JEAN  and  JEANNE  (Belg.).  Joint  Mint-masters  at  Ant- 
werp, 18.  September  1619 β€” 24  April  1620. 

LIBBEKE,  JEAN  (Belg.).  Mint-master  at  Antwerp,  30.  April  1620 
β€” 31  March  1624. 


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β€”  434  β€” 
LIBBEKE,  LAURENT.  Fide  LIEBEKE. 

IIBENS.  According  to  Raspe,  a  caftielkn  intagUo  with  the  heads 
of  AiKoninus  Pius  and  Faustina  Senior  is  tlius  signed. 

LICHTE,  JACOB  (Germ.).  Mint-master  at  Mfinsfcid,  1621. 

LICINIUS.  Fictitious  signature  on  a  Poni^towsH  gem  represent- 
ing Orion  in  Hades. 

uma,  OLOF  (Siued.).  Mint-master  at  Stockholm,  1774-1819. 

LICINIUS,  NERVA  A.  (Rom.).  Mint-master  (Triumvir  monetalis) 
at  Rome,  B.C.  49-45. 

LICINIUS  STOLO,  P.  (Rovi.).  Mint-master  ('Triumvir  monetalis) 
at  Rome,  B.C.  17. 

LIDL,  MATHES  VON  MISSLAW  (Ausir.).  Mint-master  at  Kutten- 
berg,  circ.  1550. 

LIEBEKE,  CORNEILLE  VAN  {Belg.).  Mint-master  at  Bruges, 
10,  January  1600  to  8.  November  1605;  also  at  Brussels, 
15.  January  i6or  to  21.  March  of  same  year.  His  name  occurs  in 
some  documents  as  LIBBEKE. 

LIEBEKE,  JEAK  VAU  (Belg.).  Mint-master  at  Bruges,  15.  December 
1606  to  31.  August  1613,  and  again  from  30.  December  1618  to 
14.  September  1619. 

LIEBEKE,  LAURENT  VkT>l(Belg.).  Mint-masterat Bruges,  10.  March 
to  15.  May,  1584. 

LIEBEL,  LUDWIG  (Germ.).  Mint-engraver  at  Giinzburg,  1786. 
Previously  to  his  appointment  at  Glinzburg,  he  had  been  Mint- 
engraver  at  Prague,  1765-1784.  He  cut  dieslor  Thalers,  Zwanziger, 
Zenner  and  Groschen  of  Joseph  IL 

Bibliography.   β€”  E.  Fiala,  op.  cii. 

LIEBHARD,  RUDOLF  (Austr.).  Mint-engraver  at  Carlsburg  in  Trans- 
sylvania,  after  1779. 

LIEBHOLZ,  ANDREAS  (Germ.).  Mint-contractor  at  Kemnath, 
1633. 

LIEBMANN,  A.  (Germ.).  Engraver  and  Die-sinker  at  Berlin. 
I  have  seen  a  medal  by  him  of  Prof.  Ludwig  Pietsch,  on  his 
80'''  Birthday,  25.  December  1904. 

LIEBMANN,  JOHABN  (Germ.).  Mint-warden  at  Clausthal,  1646, 
Krossen,  1664-1667,  and  Berlin,  1667-16S2.  His  initials  occur  on 


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medals  by  G.  Leygebe  issued  on  the  death  of  Louise  Henrieue, 
Priticessof  Orange,  Princess  Elector  of  Brandenburg  (sev.  vnr.),etc. 

LIEROSLAW,  SIEGMUND  VON  {Austr.).  Mint-engraver  at  Kuttcn- 
berg,  1516-1522. 

IIEBST,  DIETRICH  CHRISTIAN  (Gem.)-  Mint-master  at  Altona, 
1783-1787.  Sotne  of  his  issues  are  signed  D.C.L. 

LIEBL,  MICHAEL  (G^rm.).  Mint-master  at  Amberg,  1622-1623. 

LifiNARD,  P,  G.  {French).  Medallist  of  the  early  part  of  the  nine- 
teenth century,  residing  at  Paris,  who  issued  a  large  series  of  oval 
Portrait-plaques,  uniface,  of  celebrated  Men,  ancient  and  modern. 
One  of  these  bears  the  reverse  inscription  :  MEDAILLEUR 
GΒ£nΒ£RAL  DES  HOMMES  CfiLEBRES  OU  FAMEUX  ANCIENS 
ET  MODERNES  C0MMENCΒ£  EN  1801  PAR  P.  G.  LifiNARD 
A  PARIS. 

The  series  is  a  very  large  one ;  the  plaques  are  oval  in  shape  and 
oi repousse  work,  generally  with  the  name  of  the  person  represented. 
The  foUowinghavecome  under  my  notice  :  Napoleon  I.  (many  varie- 
ties); β€”  Empress  Josephine;  β€”  Empress  Marie-Louise;  ^Louis 
Napoleon,  King  of  Holland;  β€”  Queen  Hortense ;  β€”  Joseph 
Napoleon,  King  of  Spain;  β€”  Jerome  Napoleon,  King  of  West- 
phalia; ~  Prince  Mural;  β€”  Bernadotte,  Prince  oi  Ponte  Corvo, 
i8o6;  β€”  J.  B.  Jules  Bernadotte,  Prince  Royal  of  Sweden,  1810;  β€” 
Queen  Caroline ;  β€”  Princess  Borghese ;  β€”  Princess  Pauline ;  β€” 
Marshal  Oudinot,  Duke  of  Reggio;  β€”  Prince  Lebtun,  Duke  of 
Placentia;  β€”  Massena,  Prince  of  Esslingen;  β€”  Marshal  Ney;  β€” 
Marshal  Souk;  β€”  The  Duke  of  Wellington;  &c,,  and  many 
other  portraits  of  ancient  and  modern  Emperors  and  Empresses, 
Kings  and  Queens,  Princes  aud  Princesses,  Generals  and  Admirals ; 
also  Painters,  as  P.  P.  Rubens,  Sculptors,  Architects,  &:c. 

Bramsen,  Medaillier  Napoleon  le  Grand,  Copenhagen,  1904,  de- 
scribes the  following  productions  of  Li^nard  :  1799.  Cambaceres;  β€” 
Lebmn; β€” 1800,  Death  of  Genera]  Desaix  at  Marengo  (5  var.);  β€” 
Assassination  of  Kleber  (4var.)  ;  β€”  Homage  to  Napoleon  (3  var.); 
β€”  1806.  Louis  Napoleon,  King  of  Holland;  β–  β€”  Hortense,  Queen 
of  Holland  ;  β€”  General  L.  G.  Suchet;  β€”  1807.  Death  of  Count  de 
Portalis  (2  var.);  β€”  The  Empress  Josephine;  β€”  r8o6.  Death  ot 
Cardinal  de  Belloy;  β€” Alexander  L,  Czar  of  Russia;  β€”  The  Queen 
of  Prussia;  β€”  Camille,  Prince  Borghese;  β–  β€”  Pauline,  Princess 
Borghese;  β€”  Amelia,  Vice-queen  of  Italy;  β€”  Marshal  Ney;  β€” 
General  Junot  (2  var.);  β€”  General  HuUin;  β€”  Fran^ais,  directcur 
des  droits  rSunis  (2  var.);  β€”  1809.  Charles  Louis,  Archduke  of 


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β€”  436  β€” 
Austria;  β€”  The  King  of  Saxony;  β€”  The  King  of  Wurlemberg; 
Henri  IV.;  β€”  Turcnne  (2  var.)  ;  β€”  Abbe  de  I'Epee  (2  var.),  etc. 

LIENPACHER,  HANNS  VON  LIEKPACH  (Austr.).  Mint-master  at 
Kremnitz,  appointed  on  the  12.  December  1618. 

LIEPHARD,  HANS  (Gc?-m.).  Mint-master  at  Erfurt,  1 592-1 599,  and 
Gottingenj  1601-1606. 

LIEPHARD,  VALENTIN   (Auslr.).  Mint-master    at   Vienna,    1455- 
1473,  under  Frederick  IH. 
BiBLioGEflPHY.  β€”  Von  Ebengreiith,  op.  cit.,  pp,  84,  85. 

LIEWID  {Germ.).  Moneyer  at  Breslau,  1627. 

LIGBER,  3.  (Germ.').  Mint-engraver  at  Warsaw,  ciVc.  1808. 

LIGER,  ANTOINE  (French).  Mint-engraver  at  Aix,   i^yS-l  1583. 

LIGER,  JEAN  (French').  Son  of  Antoine  Liger;  Mint-engraver  at 
Aix,  1 581-1609. 

LIGER,  lΒ£ger  (French).  Leodegarius  Ligerii.  Goldsmith,  appointed 
by  the  Archbishop  of  Lyons,  on  23.  February  1383,  as  Mint- 
engraver  there  (Sculptor  seu  scissor  cugnorum  dicte  monele)  under  the 
Mint-master  Barthelemy  Lambert. 

Bibliography.  β€”  N.  Rondot,  Les  Graveurs  a  la  Monnaii  de  Lycn,  1897.  β€” 
Rondot  and  De  La  Tour,  op.  cit. 

LIGIER,  GEOFFROY  or  GEUFFROY  (French).  Goldsmith  and  Mint- 
engraver  at  Troyes,  1482-1515. 

LIGORIO,  PIRRO  (lial.).  A  Neapohtan  Forger  of  the  seventeenth 
century,  whose  productions  are  commonly  known  as  "  Ligoriana  ", 
and  consist  mostly  of  ancient  coins,  probably  Roman  Imperial 
copper  coins,  which  he  cleverly  patinaied,  also  coins  and  medals  of 
Popes  and  Cardinals,  amongst  which  the  medal  of  Cardinal  Jacomo 
Savello  (Uter  Pope  Honorius  IV.,  1285-1287),  &c. 

Prof.  Dressel  of  Berlin  suggests  that  many  of  the  so-called 
Paduans  are  probably  by  Ligorio,  and  quotes  the  following  docu- 
ments concerning  this  renowned  Forger  from  Martinelli's"  Roma 
ex  ethnica  sacra    (Rome,  1653,  p.  423). 

Pirro  Ligorio,  mi  disse  Jacomo  Card.  Sauello,  H  quale  I'haueuaconos- 
ciuto,  ch'era  un  antiquarto,  che  faceua  projessiane  di  cercare  li  vesiigi 
anlichi  dellefabriche  di  Roma,  e  di  disegnarli  :  si  dilettam  delle  meda- 


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gUe  antiche,  &  ne  fees  improniare  molte  di  nwuo,  dandoli  una  ruggine 
verde,  b  altro  fuco,  accid  paressero  antiche,  delle  quail  ne  fece,  b  contra- 
fece  gran  quantith,  che  hanno  inganflBto  molti.  Tali  medaglie  stampd 
anche  de  Papi  e  Cardinali,  ianto  de  tempi  antichi,  come  de  tempi  bassi, 
&  questo  mi  disse  H  detto  Jacomo  Card.  Sauello  mm  giorno,  ch'iogiouane  li 
portai  una  medagUa  di  Jacomo  Card.  Sauello  Cardinale  antico  di  questa 
casa,  che  fit  Papa  Honorio  IV  dicendomi,  non  i  antica,  deue  essere  di 
Pirro  Ligorio,  &  mi  signified  ch'era  huomo  manuale  &  non  di  lettere, 
come  si  pud  vedere  da  questo  libretto,  al  quale  non  est  tutum  credere. 

Bibliography.  β€”  H.  Dressel,  Pino  Ligorio  als  Miin^fHschir ,  Zeitschrift  (ur 
Numismatik,  XXII,  206.    -  Ponipeo  Ugoni.  Ligorio';  book '^  delle  aniicbila  di 

LIHR  (Sived.)  Mini-Director  at  Helsingtors,  appointed  in  1896. 
LIKOS.  Inscription  on  a  fine  Gem,  but  probably  the  name  of  the 


Gem  inscribed    AIK02- 

LILLABT  (French').  Contemporary  Die-sinker  at  Lyons,  by  whom 
is  an  Agricultural  Prize  Medal  with  bust  of  Jean  Francois  Rozier. 

LILLT,  M.  6.  (Amer.).  Goldsmith  or  Jeweller  of  Columbus, 
Ohio,  who  published  in  1899  a  medal  of  the  American  Public 
Health  Association  (A.J.N.  1490). 

LIMA,  CASIMIR  JOSfi  DE{Port.).  Mint-engraver  at  Lisbon,  1856- 
1899,  and  Medallist;  pupil  of  Fred.  A,  de  Campos.  He  was 
appointed  Second  Engraver  in  1870. 

At  the  Universal  Exhibition,  Paris,  1900,  this  artist  exhibited  a 
medal  dedicated  to  D''  Jose  de  Souza  Martino. 

By  Lima  is  a  Catalogue  of  the  puncheons,  matrices  and  dies 
existing  al  the  Lisbon  Mint  Museum,  which  was  published  in 
1873. 

LIMPRUKN  orLINNBRUNN.  CEOEG  VON  {Germ.).  Mint  and  Min- 
ing-counsellor at  Munich;  "l*  1787. 

LIMPRUNN,  JOHANN  DOMINIKUS  VON  {Germ.).  Mint-master  at 
Amberg,  1763-1780. 


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-  438  - 

LINCK,  JOHANN  (Germ.).  Medallist  and  Mint-engraver  at  Heidel- 
berg, 1659-1711.  His  initials  occur  in  1690  on  currency  of  the 
Bishop  of  Wiirzburg,  and  son:ie  of  his  medals  are  signed  :  LINCK; 
or  I.  LINCK  sculp.  Heidelbergae. 

Amongst  his  productions  are  :  Frankfurt  Medal  of  Leopold  I., 
1696  (signed  ;  I.L.); β€” Peace  of  St-Germain-en-Laye,  and  Foiitaine- 
bleau,  1679  (signed  :  LINCK :  sculp,  Heidelbergae). 

A  Thaler  of  Charles,  Count  Palatine  of  the  Rhine,  i68r,  bears 
the  initials  XL  which  refer  to  a  Mint-master  of  the  name  of  j,  Linck 
(Vide  Ad  Hess  Nachf.,  Reimmann  Sale  Catalogue,  11,  n"  4355). 

Schlickeysen-Pallmann  suggest  that  he  may  have  also  worked  at 
Cassel,  circ.  1691. 

Bibliography.  β€”  Bolzenthiil,  op.  ctl.  β€” Amman,  op.  dl.  β€”  Hildebrand,  o/>. 
cit.,  1,  417. 

LINCKE  or  LYNCH  or  LINCHE,  GERMAYNE  (Brit.').  Master  of  the 
Mints  in  Ireland,  from  the  end  of  Henry  VI.'s  reign  to  the  13"'  year 
of  Edward  IV.  He  was  indicted,  An  12  Edward  IV.  (1462)  "for 
that  when  the  statute  said,  that  every  pound  of  Bullion  coined, 
should  be  forty-four  shillings  in  money,  he  coined  out  of  every 
pound  forty-eight  shillings,  and  that  he  coined  at  Drogheda  one 
thousand  groats,  which  being  tried,  Ic  was  foutid  that  eleven  weigh- 
ed but  three-quarters  of  an  ounce"  and  found  guilty;  but  the  King 
having,  by  letters  patent,  granted  him  his  pardon  m  1473,  he  was 
again  employed. 

BiBLiOGnAPHY.  β€”  Rudijig,  Op.  Ctl.  β€”  Sitnon,  An  Essay  on  Irish  Coins,  Dublin, 

LINDAHL,  S.  (Dan.).  Contemporary  Sculptor  and  Medallist  of 
Copenhagen.  D'  Storer  knows  of  an  unsigned  medal,  by  him,  of 
the  Medical  Students  at  the  University  of  Copenhagen  (1889). 

LINDAUER,  EDMOND  EDGΒ£ne  Β£mile  (French).  Contemporary 
Sculptor  and  Medallist,  residing  at  Paris;  pupi!  of  Jacques  Perrin 
and  Keltz. 

By  him  are  the  following  medallic  productions  :  1896.  M""" 
Lindauer;  -β€”  1899.  Portrait  of  Pierre;  β€”Four  medals  in  silver;  β€” 
1900.  M"'^  Lindauer,  medal  in  steel;  β€”  Pierre,  portralt-plaquette 
in  steel ;  β€”  1901.  La  Vierge  au  lys;  β€”  L'Ange  pleureur;  β€” β–   Le 
Christ  du  Sacre  Cceur ;  β€”  Virgin  and  Child ;  β€”  "  Mater  Inviolata  "  ; 
β€”  Tricoteuse;  β–  β€”  1902.  Portrait-plaquettes ;  β€”  1903.  Alcool 
industriel  (bronze  medallion);  β€”  The  French  Repubhc  (bronze 
medallion)  ;  β€”  Portrait-plaquette  of  M.  J.  Buffet; β€”  1904,  Portrait 
of  M,  Laurent  Buffet  (plaguette) ;  β€”  M^daille  du  37''  de  ligne  ;  β€” 
Alcool  industrel;  β€”  1905. Portrait  of  Pierre; β€”  1906.  Plaquette,  and 
various  medals,  &c. 

BiiiLiooRAPHY.  β€”  Catalogues  du  Sdon,  1900. 


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LINDBERG,  ERIK  (Swed.).  Contemporary  Sculptor  ^iid  Medallist, 
residing  at  Stockholm;  a  son  of  Prof.  Adolf  Lindberg,  born  in  1873 
and  although  quite  young,  a  very  able  and  clever  artist.  "  He  has 


Nobel  Medcii  ( Literature),  hy  Erick  I.inJberg. 


shown  in  the  execution  of  the  various  medals  he  has  already  pro- 
duced a  very  rare  ability,  not  only  in  regard  to  composition  and 


./Google 


artistic  workmanship,  but  also  in   the  delicacy  of  expression  and 
feelim  of  form  in  his  modelling  of  the  subjects.  The  likeness  of  the 


^.  of  Nobel  Medai  ("Physics  and  Chemistry). 


r-,~  ,.'     β– '  ,j  *-  i 


%^ 


^T^ 


kte  Alfred  Nobel  on  the  various  Prize  Medals  reproduced  here,  is 
considered  excellent  "  {The  Studio,  XXVIII,  p.  145). 


./Google 


By  Erik  Lindberg  are  other  Portrait-medals  of  celebrated  Swedes 
and  historic^  medals. 

LINDBERG,  ADOLF  (Sioed.')  Contemporary  Medallist  and  Professor 
of  drawing  at  tlie  official  School  of  Art  in  Stockholm;  also  Engraver 
of  medals  to  the  King  of  Sweden;  he  studied  at  Paris  at  the 
Academy  of  Fine  Arts  and  was  a  pupil  of  PatiHn  Tasset.  His  earliest 
productions  date  from  about  i860. 

The  following  medals  by  this  talented  artist  have  come  under 
my  notice  :  Medal  of  the  Industrial  and  Commercial  Association  of 
Upsala,  1862 ;  β€”  Medal  of  the  Stockholm  Sharpshooters'  Club, 
1868;  -β€”  Marriage  of  Princess  Louise  of  Sweden  with  Crown 
Prince  Frederick  of  Denmark,  1869  (3  var.);  β€”  Memorial  Medal 
of  Queen  Louise  of  Sweden,  1871;  β€”  Memorial  Medal  of  King 
Charles  XV.  of  Sweden,  1S72;  β€”  Medal  of  the  Royal  Military 
Academy  of  Sweden ;  β€”  Upsala  Agricultural  Show,  1875 ;  ~ 
Medal  of  the  Swedish  Numismatic  Society,  with  portrait  of  Jonas 
Hallenberg,  1876  ;  β€”  Another,  with  portrait  of  Karl  Johann  Torn- 
berg,  1878; β€” D' Lorenz  Gabriel  Branting,  St,  Petersburg,  1879; 

β€”  Portrait-medal  of  J.  C.  Hedlinger,  the  famous  medallist,  1882; 

β€”  Portrait  Memorial  Medal  of  Jenny  Lind,  1887  (Prize  Medal  of 
the  Royal  Academy  of  Music  at  Stockholm;  it  is  signed  on  "^L. 
ADOLF  LINDBERG)  ;  β€”  Oscar  IL,  on  the  Dedication  of  the  Masonic 
Temple  in  Stockholm,  1876;  β€”  Christian  Frederick  Ewert,  1878 
(semi-centennial  medal  dedicated  by  the  Freemasons  of  Go  ttenburg) ; 

β€”  Portrait  of  King  Oscar  II. ;  β€”  D*"  Ewert ;  β€”  Prof.  Palmstcdt ;  β€” 
M.  Keder;  ^- Head  of  Minerva,  &c. 

Bibliography.  β€”  Hildebrand,  op.  dt.  β€”  Weberi  op.  ci!.,  48,  117.  β€”  Marvin, 

op.  cil. 

LINDBERG,  AL^RECHT  (Szvcd.).  Mint-master  at  Stockholm,  1762- 
1773.  His  initials  A.  L.  occur  on  coins  of  Adolph  Frederick  and 
GustavLis  III.  of  Sweden. 

LINDELHACfi,  SEBALD  (Germ.).  Mint-master  at  Sorau,  1622-1623, 
in  conjunction  with  Friedrich  von  Stierbitz,  Johann  Jakob  Huser 
and  Johann  Merchel. 

Bibliography.  β€”  Erbsttin,  op.  ell. 

.  LINDENSCHMIDT,  JOHANN  (Germ.).  Medallist  and  Coin-engraver, 
born  in  1770  at  Camberg  in  Westerwald,  died  at  Wiesbaden  in  1819. 
"  He  was  brought  up  at  first  to  be  a  gunsmith  ",  says  D^  F.  P. 
Weber,  "  his  father  Wllhelm's  trade,  DUt  soon  found  means  to 
educate  himself  in  drawing,  engraving,  &c.  and  worked  as  a  Medal- 
list and  Mint-engraver,  first  in  Mayence,  1790-1808,  then  at  Wies- 
baden, 180S-1819.  Wilhelm  Lindenschmidt,  the  historical  painter, 
and  D'  Ludwig  Lindenschmidt,  the  antiquary,  were  his  sons  ",  He 


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β€”  442  β€” 

was  higlily  esteemed  at  Mayence,  alrhougli  from  circumstances  he 
was  almost  limited  to  mere  mechanical  works.  "  He  however  ", 
observes  Bolzenthal, "  executed  some  medals  which  show  his  ability, 
especially  one  with  his  own  Hkeness  and  that  of  his  wife." 

Lindenschmidt  was  "  Hof-und  Munzgraveur  ";  Mint-master  at 
Usingen  (Nassau),  1808-1S19;  and  supplied  dies  to  the  mints  of 
Ehrenbreitstein,  Darmstadt,  Mayence,  Arolsen,  and  Wiesbaden ;  he 
worked  also  for  Frederick  Charles  Joseph,  Baron  von  Erthal, 
Bishop  of  Mayence;  the  Grand  Duke  of  Hesse,  Ludwig  I.;  George, 
Prince  of  Waldeck-Pyrmont ;  and  the  Dukes  of  Nassau,  Frederick 
Augustus,  and  Wilhelm. 

Most  of  the  coins  engraved  by  Lindenschmidt  are  signed  L. ;  some 
however  :  LINDENSCHMIDT,  or  I.  L.  Amongst  these  are  :  NASSAU. 
Duke  Frederick  Augustus.  1808,  Darmstadt  6  Kreuzer;  3  Kreuzer ; 
I  Kreuzer  (sev.  var.);  Dickkreuzer;  JR.  Proof  of  the  Dickkreuzer; 


Conv,  Thaler  of  Frederick  Augustus  of  Nas 


1811.,  by  Limlenschmidt. 


I  Kreuzer  (or  Heller)  (sev.  var.);  M.  Proof  of  the  {  Kreuzer  or  Heller  ; 
~  Ehrenbreitstein,  Similar  currency;  β€”  1809.  N.  Ducat  (and 
Proofs  in  .Β£);  Conv.  Thaler ;  Conv.  |Thaler;  Conv.  Gulden  ot 
Usingen;  Zwanziger;  Zehner;  Conv.  Zwanziger  (20  Kreuzer); 
Zehner(i2  Kreuzer);  Fiinfer  (6  Kreuzer);  Kreuzer  (sev.  var.); 
i  Kreuzer  (Heller) ;  β€”  iSto,  Conv.  Thaler;  3  Kreuzer;  Kreuzer; 
Heller;  β€”  iSii.  Conv.  Thaler  (illustrated) ;  3  Kreuzer;  | Kreuzer  ; 
β€”  1812.  Conv.  Thaler;  3  Kreuzer:  {  Kreuzer  (and  ^  Proof 
of  same); β€” i8i'3.  Conv.  Thaler ;  3  Kreuzer ;  Kreuzer  ;  |Kreuzev; 
4Kreuzer;  β€”  1814.  Conv.  Thaler;  3  Kreuzer;  J  Kreuzer,  &c. 
Duke  IVilhelm.  1816.  Kronenihaler ;  6  and  3  Kreuzer;  β€”  18.17. 
Kronenthaler ;  6  Kreuzer;  3  Kreuzer;  r  Kreuzer;  -  Kreuzer 
(sev.  var.);  β€”  1818.  Kronenthaler;  Kreuzer;  \  Kreuzer  β€”  1819. 
Kreuzer;  {  Kreuzer.  β€”  BISHOPRIC  OF  MAYENCE.  Frederick  Charles 
Joseph,  Baron  von  'Erthal.   l'794.   Obsidional   Conv.  Thaler,  1794 


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β€”  443  - 
(illustrated) ;  β€”  Other  currency  of  1 794-1 796.  β€”  HESSE.  Grand  Duke 
Ludwig  J.    1809.  Conv.     Th:i!cr;    β€”    WALDECK-PYRMONT.   Prince 
George.  i8ii.Conv.Tli.iler,  &c. 

Lindenschmidt's  best  known  medals  are  :Opening  of  the  navigation 
on  theLahn  upto  WeJIburg,  1810;  β€” Abolition  oi  Serfdom,  1812; 
β€”  Visit  of  Frederick  Augustus,  Duke  of  Nassau,  to  the  Ehrenbreit- 
stein  Mint,  1815;β€”  Proclamation  Medal  of  Duke  Frederick  Augus- 
tus, struck  at  the  Mint  of  Ehrenbreiistein,  l8o8  ;  β€”  Medal  of  Merit, 
with  bust  of  the  same  Ruler;  β€”  Portrait-medal  of  Nicolaus  Fischer 
(of  Thaler  size),  1812;  β€”  i\iedal  for  Valour  in  the  field,  with  bust 
of  Duke  Frederick  I.  (signed  LINDENSCHMIDT  F.); β€”The  Waterloo 
Medal  (granted  to  the  troops  of  Nassau  by  Duke  Frederick  Augustus; 
β–  β€”  Piarrer  Zeitmann,  of  Frankfort-on-M.,  1809,  on  his  Jubilee ;  β€” 
Portrait-medal  of  the  Artist  himself  and  his  wife  (one  of  Linden- 
schmidt's best  productions). 


"Lindenschmidt  worked  more  as  a  Seal-engraver  than  a  Medallist", 
remarks  D''  Weber,  "  His  name  should  be  familar  to  all  antiquaries 
on  account  of  one  of  his  sons,  the  late  D''  Ludwig  Lindenschmidt, 
Hon.  F.  S.  A.,  to  whose  untiring  energy  the  splendid  collection 
illiistrative  of  Teutonic  antiquities  at  Mayence  owes  so  much". 

Bibliography.  β€”β–   Julius  Isenbeck,  Djs  Nassaatsche  Mun-(vjesen,  Wiesbaden, 
1879.  β€” Bokenthal,  op.  cit.-,  p.  520.  β€”  Ad.  Hess  Nachf.,  RHmmann  Sale  Cata- 
logue, 1893.  β€”  Dr  F.  P.  Weber,  English  Medals  by  foreign  ArtislSy  pp.  48,  117. 
β€”  G.  H.  Lockner,  Main^er  MUn^lieamle  des  i-j.  iind  iS.  Jahrhunderls,  Berlinei: 
Miinzblatter,  ,1904,  p.  4J3. 

LINDEBMAN,  HON.  HEMRY  RICHARD  (Amer.).  Director  of  the 
Mints  and  Assay  oiEces  of  the  United  States,  1873-1878.  In  1855, 
he  received  his  first  appointment  as  Chief  Clerk  of  the  Philadelphia 
Mint,  and  held  it  until  i864;in  1867, President  Johnson  appointed 
him  Director  of  the  Mint,  a  post  which  he  resigned  in  1869. 


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β€”  444  - 

"  It  was  D'  Liiiderman  who  projected  tlie  trade  dollar,  solely  for 
commerce,  and  npt  intended  lo  enter  into  circuktion  in  the  United 
States.  It  was  a  successful  means  of  finding  a  market  for  the  great 
surplus  of  silver,  which,  he  sought  to  send  to.  Oriental  countries 
rather  than  flood  his  own  and  depreciate  its  fickle  value  ".  (Evans, 
op.  cii.,  p.  io6.) 

D'  Linderman  died  at  Washington  in  January  1879. 

BiBLiOGKAPHY,  β€”  Georee  G.  Evans,  Ilhislraled  Hiilarv  oj  the  Unihd  Sialics 
Mini,  1892. 

LINDNER,  ABRAHAM  {Austr.).  Administrator  of  the  Mint  at  Hal! 
(Tyrol),  1612-1613). 

LINDNER,  GEORG  (Germ.').  Manufacturer  of  Decorations,  Badges, 
and  Prize  Medals  for  Societies,  &c. ;  established  at  Nuremberg, 
since  about  1890.  His  signature  occurs  also  on  a  memorial  Portrait- 
medal  of  Prince  Bismarck,  1898. 

LINDNER,  JOHANN  M.  (Germ.).  Counter-manufacturer  at  Nurem- 
berg, eighteenth  century. 

LINDQUIST,  EDITH  (Brit.).  Contemporary  Modeller,  residing  in 
London.  At  the  Royal  Academy,  1901,  she  exhibited  a  medallion, 
cast  in  bronze,  representing  "  The  Triumph  of  Good  over  Evil". 

LINDSAY,  P.  Y.  (Brit.).  Mint-master  at  Calcutta,  January  to  June 
1824. 

LINLEy,  WILLIAM  {Brit.).  Mint-master  at  Madras,  from  February 
1805  to  March  1807. 

LINSOLAS,  ARMAND  (French).  Mint-master  at  Villeneuve-Saint- 
An dr^-l^s- Avignon,  1626.  He  issued  there  Doubles  and  Deniers,  the 
dies  for  which  were  cut  by  Pierre  Regnier. 

LIOTARD  DE  LAMBESC,  PASCAL  (French).  Contemporary  Sculptor, 
born  at  Lambesc  (Bouches-du-Rhone);  pupil  of  David  d'Angers. 
By  him  are  various  Portrait-medallions  in  the  style  of  his  master. 

BiBLiOGRfiPHY.  β–  β€”  Chavigiierje  el  Auvray,  op.  cil. 

LIPASIUS  probably  for  ASPASIUS.  A  iictitious  signature  on  a  gem, 
with  head  of  Rhea,  formerly  in  the  Wofsley  Museum. 

LIPHARD,  or  LIPHART,  HANS  (Germ.). Mint-masterat  Erfurt,  1592- 
1599.  Schlickeysen-Pallmann  suggest  that  he  may  have  acted  in  the 
same  capacity  at  Gottingeu,  1601-1606,  but  this  is  rather  doubtful. 

LIPOVSKY,  MARTIN  CARL  (Bohem.).  Mint-engraver  at  Prague, 
1718-1726,  and  probably  until  after  1731,  although  Fiala  mentions 
only  the  former  dates. 


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β€”  445  β€” 

He  cut  dies  for  the  Bohemian  Half  Kreuzers  of  1728,  Grosclien 
and  Kreuzers  of  173 1 ;  also  |  Ducats,  Thalers,  Half  Tlialers,  and 
Groschen  of  1718  (with  bust  of  Charles  Yl.),eic. 

Bibliography.  β€”  Fiala,  .Bsschrdhmig',  &c.  β€”  Katalog .der  Mm^en,  &c. 

LIPPI,  FILIPPINO  (/(a/.).  Florentine  Painter  (1460-15.04);  son  ot 
FraFilippo  Lippi;  he  is  presumed  to  have  been  a  pupil  of  Botticelli. 
His  earhest  known  work  is  the  "Vision  ofSt.  Bernara"in  Florence, 


wXiA , 


atid  he  executed  various  works  in  Bologna,  Genoa  and  Rome ; 
painted  frescoes  and  altar-pieces,  and  scenes  in  the  lives  of  St.  Peter 
and  St.  Paul. 


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β€”  446  β€” 

Friedlander  has  suggested  him  as  the  author  of  some  medals  of 
Lucrezia  Borgiaj  which  are  however  undoubtedly  the  work  of  Gian 
Cristoforo  Romano,  (j.  v.') 

LIPP,  HANNS  {Germ.).  Mint-master  at  Thorn,  circ.  1629-1650. 
Vide  Ammon,  op.  cit.,  nΒ°  381.  Schlikeysen-Pallmann  call  him 
LIPPE  and  give  his  date  as  1629-1630. 

LIPPI,  MAGNO  (Ital.).  Mint-master  at  Parma,  1618. 

LIPPOMANO,  ZUANO  (Ital.).  Mint-overseer  at  Cattaro,  1592-1594, 

LIRSCH,  BALTHAZAR  (Germ.).  Probably  a  Mint-official  at  Breslau, 
arc.  r6i8.  The  initials  B  L  on  a  24  Kreuzer  piece  of  that  mint  and 
date  may  stand  for  his  name.  He  appears  to  have  been  implicated 
in  ihc  proceedings  against  Burchard  Hase  for  fraud  in  connection 
with  the  working  of  the  mint. 

BiBLioGRAPHV.  β€”  Friedensburg,  f/>.  Β«/.β–  β€” SchJesieus  Vorseit  &C.VII. 

LISOLA,  FRANZ  (BARON  VOW)  (Germ.).  The  last  contractor  of  the 
Breslau  Mint,  1663-1665.  Coins  of  the  respective  values  of  15,  6, 
and  3  Kreuzers  were  issued  by  him  and  bear  his  initials  F  B  L 
or  F  B  D  L  (Franciscus  Baro  De  Lisola). 

RiBJ-iOGRAPHV.  β€”  Friedensburg,  SchUsieiis  neuere  Miinigeschichle. 

LISLE,  ANDRfi  DE  (FrcMi:/)).  Goldsmith  of  Lyons,  1538-1549,  who 
was  working  as  Die-cutter  at  the  Mint  there  in  1538-1541  ;  later, 
1 541-1549,  he  filled  the  post  of  Mint-master  (Garde  de  la  Monnaie) 
at  Grenoble. 

He  usually  signed  himself  :  Andre  de  lysle. 

BiBLlOGRAFHV.  β€”  N,  Rondot,  Les  Graveiirs  de  Lyon. 

LIU  CH'E  (Chin.).  B.C.  156-87.  Son  of  Liu  Ch'i,  whom  he 
succeeded  in  140  as  sixth  Sovereign  of  the  Han  dynasty.  In  136 
copper  coins  were  cast,  the  forerunners  of  the  present  Cash. 

LIUNG,  T.  (Swed.).  A  Prize  Medal  of  the  Royal  Historical  and 
Archaeological  Society  of  Sweden,  with  bust  of  King  Charles  XIV. 
JohOj  1826,  bears  this  signature,  which  is  probably  that  of  a  Die- 
sinker. 

LJUNGBERGER,  GUSTAV  (Swed.).  Medallist  of  the  second  half  of 
the  eighteenth  century,  born  circ.  1740,  who  worked  at  Stockholm, 
1765-1801-  On  the  death  of  Fehrman  in  1780,  he  was  appointed 
Court-medallist.  His  talent  found  recognition  from  the  Academies 
of  Florence,  Bologna,  Vienna,  and  Copenhagen  which  received 
him  as  a  member,  and  the  King  of  Sweden  (Gustavus  III.)  invested 
him  with  the  Order  of  Wasa. 


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β€”  447  β€” 
Among  this  artist's  best  known  productions  are  the  following 
medals  :  Medal  of  the  Lodge  "  Hintracht",  of  Stralsund,  commem- 
orating the  Convocation  in  that  Lodge  of  Swedish  Masons,  at  the 
close  of  the  Seven  Years'  War,  and  presented  to  those  who  attended 
(2  var.  of  1762) ;  β€”  Another,  issued  by  the  officers  and  members 
of  a  Swedish  Army  Lodge,  when  in  Stralsund,  during  the  Seven 
Years'  War  (2  var.  of  1757);  β€”  Badge  of  honour  for  wounded 
soldiers  in  a  Swedish  Army  Lodge,  during  the  Seven  years'  War 
[All  these  medals  were  cut  by  Ljungberger  at  Stralsund,  the  capital 
of  Pomerania,  which  at  that  time  was  Swedish  territory] ;  ~ 
Prince  Charles  of  Sweden,  1788  (medal  struck  at  Stockholm  By  the 
Grand  Land  Lodge  for  presentation  to  the  Grand  Duke);  β€”  Jubilee 
of  the  Bank  of  Stockholm,  1768  ;  β€”  Jacob  Albrecht,  Baron  von 
Lantingshausen,  Lieutenant  General  of  Stockholm,  1770; β€” Prize 
Medal  of  the  Swedish  Royal  Academy  of  Sciences,  with  bust  of 
Jon.  Alstromer  (illustrated);  β€”  Prince  Charles  of  Hesse,  Protector 
of  the  four  united  Lodges  of  Hamburg  (signed :  G.  L.) ;  β€”  Adolphus 


Medal  of  the  Swedish  Royal  Academy  of  Sciences. 


Frederick,  King  of  Sweden,  on  his  Abdication,  15.  December  1768; 
β€”  The  King's  gratitude  for  the  festivities  given  in  his  honour, 
1769;  β€”  King  Adolphus  Frederick  and  Queen  Louisa  Ulricas 
Silver  Wedding,  1769;  β€”  Crown  Prince  Gustavus,  1770;  β€” Deah 
of  King  Adolphus  Frederick,  and  Burial,  1771  ;  β€”  Stockholm  Fre 
Insurance  Company;  β€”  Death  of  Queen  Louisa  Ulrica,  and  Bural, 
1782;  β€”  16"' Anniversary  of  Crown  Prince  Gnstavns,  24.  Januars 
1761;  β–  β€”  Journey  of  the  Crown  Prince  to  the  mining  districts 
1768(2  var.);  β€” Medal  ot  the  Swedish  Royal  Academy  of  Science 
(Gustavus  IIL),  1771 ;  β€”The  King's  encouragement  to  thespeaker 
of  the  nobility  and  commons  at  the  Royal  Diet,  1771;  β€” Insti- 
tution of  the  Order  of  Wasa  on  the  occasion  of  King  Gustavus  IH.'s 
Coronation,  1772;  β€” β–   Coronation  oi  Gustavus  III.  at  Stockholm, 
1772  (sev.  var.) ,  β€”  The  King  presenting  a  new  Constitution  for 
the  adoption  of  the  Diet,  1772  ;  β€”  Institution  of  voluntary 
Workhouses  in  Stockholm,  1773  ;  β€”  The  King  grants  the  Liberty 


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of  the  Press,  1774  ;  β€”  The  Groenknd  Company  instituted  for  the 
promotion  of  Whalefishery,  etc.,  1774 ;  β€”  Statue  of  Gustavus  I, 
erected  at  Stockholm,  1774;  β€”  Duke  Charles  of  Sodermanland's 
marriage  with  Princess  Hedwig  Elizabeth  Charlotte  ot  Holstein- 
Gottorp,  7.  July  1774 ;  β€”  Finland's  new  superior  Courts  of  Justice, 
1775  ;  ^~  '^^^  J^ing  visits  the  Royal  Bank  of  Stockholm,  27.  May 
jyyy;  β€”  Sportiiig  aod  Athletic  F^te  at  Stockholm,  May  and  June 
1777  ;  ~~  Increase  of  official  wages  by  ordinance  of  24.  June  1778 ; 

β€”  The  King's  reguktion  for  a  new  national  Uniform,  1778;  β€” 
Restoration  of  Gustavus  II.  Adolphus'  Order  of  Knights,  1778;  β€” 
Birth  of  the  Crown  Prince  Gustavus  Adolphus,  i.  November  1778  ; 

β€”  Christening  of  the  Crown  Prince,  10.  November  1778  (2  var.); 

Medal  of  Honour  granted  by  the  King  to  the  representatives  of 

the  Diet  present  at  the  Christening;  β€”  Religious  Tolerance  in 
Sweden,    1779  ;  ~-  The  security  of  Swedish   Trade    vindicated. 


Cnrlstrona,  4.  Jnnc  1779;  β€”  Various  jetons;  β€”  Birth  of  the  Duke 
of  Smaland,  Charles  Gustavus,  25.  August  1782;  β€”  Another,  on 
the  same  event  ^L.  FOECVNDITAS  II ;  β€”  The  King's  care  con- 
cerning Swedish  commerce;  β€”  Portrait-medal  of  Voltaire,  1786; 

β€”  Progress  of  the  Crown  Prince  Gustavus  Adolphus' studies,  1786; 

β€”  Prize  Medals  for  Agricuhure  (2  var.);  β€”  Prize  Medal  ot  the 
Academy  of  Painting  and  Sculpture,  1780;  β€”  Orlogsmanna 
Sallskapet,  1771  (2  var.);  β€”  Royal  Patriotic  Association  (2  var.^; 
Association  "  Pro  Patria",  1774;  β€”  Coronation  of  Queen  Sophia 
Magdalena  at  Stockholm,  29.  May  1772;  β€”  The  Crown  Prince 
Gustavus  Adolphus  as  Chancellor  of  Upsala  University,  1785 ;  β€” 
Marriage  of  Duke  Charles  with  Princess  Hedwig  Elizabeth  Charlotte 
of  Holstetn-Gottorp,  at  Stockholm,  7.  July  1774;  β€”  Jeton  of 
H.R.H  the  Duchess  of  Sudermania  ;  β€”Death  and  Burial  of  Queen 
Hedwig  Elizabeth  Charlotte,  1818  ;  ^Linnaeus(2  var.)  ;  β€”  .  JO. 


isdo/Googk 


β€”  449  β€” 
Bergman,  Upsala,  1784  .ind  1785  (2  var.);  β€”  D'  Johan  Heovik 
Liden,Upsala,  1781;  β€” D'' Nils  Rosen  of  Roseiistein,  Stockliolm; 
β€”  D''  Daniel  Girl  Solander;  β€”  D'  Olof  Acre!,   Stockholm;  β€” 
M"=  Clairon  (illustrated),  etc. 

Bibliography.  β€”  Hildebrand,  Sveriges  och  Svenska  Kammgalnisets  Mhtnes- 
penningar,  etc.,  Stockholm,  1875. β€”  Thomsen  Catalogue.  β€”  Marvin,  Masonic 
Medals,  1880.  β€”  Bohenthal,  op.  cit.  β€”  Nagler,  MonogrammisUn,  1881.  β€” 
Informatian  kindly  supplied  by  D<  Storer. 

LIVENS  or  LIEVENS  JAN  (Dutch).  Painter  and  Engraver,  born  at 
Leyden  in  1-607,  ^^^^  ^^  Antwerp  in  1663.  He  came  to  England 
in  1630,  and  executed  paintings  of  Charles  I.  and  Henrietta  Maria. 
A  Portrait-medal  of  the  famous  Dutch  Admiral,  Martin  Tromp, 
byDericvan  Rijswick,  bears  on  obv.  a  second  signature  :  I.  L.  DEL., 
which  is  generally  interpreted  in  Jan  Livens  detineavit. 


BmuOGuAPHV.  β€”  Franks  &  Grueber,  op.  cil. 

LIVINGSTOXIN,  ALEXANDER  (Brit.).  Mint-master  In  Scotland,  in 
con)unction  with  Thomas  Tod,  1476-1488.  under  James  III.  Their 
initials  T  and  L  occur  on  Groats  of  Beβ„’ck,  Edinburgh,  and  Aber- 
deen (sometimes  Tβ€” A  or  T β€” W  erroneously). 

Livingstoun  and  Tod  are  mentioned  In  the  records  as  the  King's 
Coiners, 

BiBLlooRAPHV.  β€”  H.  A.  Gruebcr, (jji.  cil.  β€”  Burns,  up.  di.  β€”  Cochran-Patrick, 
Records  of  the  Coinage  of  Scotland,  iBjb. 

LIVINEITJS  REGDLUS  (Rom.).  Mint-master  (Qmtmrvir  monetalis) 
at  Rome,  circ.  B.C.  43-42. 

LIVINEIUS  REGULUS,  L,  Regulus  Taunts  Pukher  (Rom.)  Mint- 
master  (Triumvir  monetalis')  at  Rome,  circ.  B.C.  9-4. 

L.  FoRRER.  β€”  BieirKphical  UiaUis  of  MuhSiai.  β€”  m.  i, 


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LIVIO,  DOMINIQUE  IGSACE  (French).  Director  of  the  Mint  at 
Strassburg,  1825-1834;  special  mark,  a  beaver. 

LIV0RWE3E,  IL  FiWe  HIERONYMO  ROSSI  of  Livorno.  Gem-engraver 
of  the  eighteenth  century, 

LIXIGNOLO,  GIACOMO  (ltd.).  MedalUst  of  the  third  quarter  of  the 
fifteenth  century,  whose  signature  occurs  on  a  medal,  dated  1460, 
of  Borso  d'Este,  first  Duke  of  Ferrara(i4i3-i45o-l-  147 1).  On  obv. 
is  a  bust  of  the  Duke  tor.  ^.  OPVS.IACOBVS.LIXIGNOLO. 
MCCCCLX,  Unicorn  beside  a  stream  in  mountainous  landscape, 
over  which  the  sun  is  shining.  Diam :  83  mill. 

Heiss  mentions  that  a  painter  of  the  name  oi  Jacobus  de  Lusciuiis 
was  residing  at  Parma  in  1471  but  that  it  is  not  possible  to  identify 
him  with  the  medallist.  "  In  the  Commentario  to  Vol.  IV  of  Va- 
sari,  ed.  of  1848,  he  is  twice  reterred  to  (pp.  157,  note  3,  and  174) 
but  no  details  of  his  life  are  given".  (Keary,  op.  cit ,  p    q) 

A  similar  medal  was  executed  by  Petrecini  (q.  v  ) 

Bibliography.  β€”  Arm^iid,  op.  cU.  β€”  A.  Heiss,  Giacomo  Ltxignoio  1S8}  β€” 
Keary,  A  Guide  lo  the  ExbibUimi  of  Italian  Medals  at  the  British  Mtiieutii  189}  β€” 
Friedliinder,  op.  cit.  β€”  Bolzentlial,  op.  cit.  β€”  Revue  beige  de  immumattqtie,  1884, 
p.  9. 

L.  i.  (French).  Signature  of  an  Engraver,  who  cut  medals  ot  the 
Louis  XIV,  series,  dated  1680-1688. 

L.  K.  Vide  LUflWIG  KRUG.  Goldsmith  and  Medallist  of  Nurem- 
berg ;  died  in  1532. 

L.  L.  F^/rfe  LOUIS  LOIR.  McdaUist  at  Paris,  arc.  1663-1719. 

L.  L.  Vide  lUDOVICO  LEONI.  Medallist  at  Rome,  circ.  1575. 

L.  L.  P.    Probably  the  signature  of  LUDOVICO  LEONE  PADOVANO 

(q.  V.)  A  medal  on  the  Jubilee  of  1575,  with  bus:  of  Pope  Greg- 
ory XIII.  m.  IVSTI.INTRABVNT.PER.EAM.  The  Holy  Gate, 
is  signed  :  L.L.P.  AN.DNI.MDLXXV. 

LLACH,  FRANCOIS  (French).  Mint-engraver  at  Perpignan,   1774- 
1781. 
L.  M.  Fide  LIBORIUS  MDLLER.  Mint-master  at  Berlin,  1620-16^2. 
L.  M.  Vide  LORENZO  MARCELLO,  Mint-overseer  at  Veiiice,  1709. 

L.  M,  or  L,  M.  F.  Vide  LUIGI  MANFREDINI.  1771-1840.  Medallist 
at  Milan. 

L.  M.  II  Vide  LODOVICO  MOROSINO  11.   Mint-overseer  at  Venice, 


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β€ž  451  β€” 

L.  M,  r.  Fide  L.  MAINERT.  Medallist  at  Warsaw,  1845. 

L.  M.  V.  or  L,  M.  W.  Vide  LORENZ  MARIA  WEBER.  Medallist  at 
Florence,  1720-1757. 

L.  N.  Vide  LUDWIG  WETJ.  Die-cutter  in  Saxony,  circ.  1550. 

L.N.  r;W^  LEVINS  HUMMERS.  Mint-master  at  Narva,  1670-1672. 

L.  N.  or  L.  N.  F.  Vide  LORENZ  WATTEB.  1705-1775.  Gem-engraver 
and  Medallist,  born  at  Biberach,  died  at  St.  Petersburg;  worked  in 
Germany,  Italy,  England  and  Russia. 

L.N.  or  LN.  F.  Fide  LUDWIG  NEIFAHRER.  German  Medallist,  nVi:. 
1537-1560.  Also  L'N;  LV.NE.  ;  or  LVDNEIFA. 
BiBLloGRftPHY.  β€”  SchlkkeysCH-Pallraann,  op,  cit. 

L  :  NF  (Jtal.).  Presumably  the  signature  of  an  artist  who  was 
working  circ.  1550.  It  occurs  on  a  Portrait-medal  of  Giaiibattista 
Pisani,  representing  on  T^.  Milo  of  Croton.  Another  medal  of  the 
same  personaae  with  ^.  INOPEM ,  ME .  COPIA .  FECIT  Tree 
laden  with  fruit,  although  unsigned,  may  be  by  the  same  artist. 

Milanesi  suggests  the  following  interpretation  of  the  letters 
L  :  NF  =  LUDOVICTJS  HICfllNOS  FECIT.  Luigi  Anichini  {Fide,  vol.1, 
p.  58)  was  a  famous  Ferrarese  Gem-engraver,  who  was  flourishing 
at  Venice,  arc.  1550. 

In  my  opinion  the  author  of  this  medal  is  Ludwig  Neifahrer, 
who  signet!  also  L  :  NF. 

BiDLioGHAPHY,  β€”  Arniand,  op.  c'd. 

LOBENICH,  EDUARD  (Germ.).  Ivory-carver  at  Nuremberg,  circ. 
1588  ;  later  at  Dresden.  By  him  are  various  Portrait-medaUions. 

LOBKOWIC,  JOHANN  DER  JUNGERE  VON  (Bohem.).  Mint-master- 
general  for  Bohemia,  circ.  1551. 

LOBKOWITZ,  ULRICH  or  UDALRICH  ADAM  POPPL  (Bohem.).  Mint- 
master-general  for  Bohemia,  circ.  1636-1646. 
BiBLioGRAjJHV.  β€”  Fiala,  op.  cit. 

LOBSINGER,  HANS  (Germ.).  Founder,  Gem-engraver,  and  Worker 
in  metal  and  bone-stone,  who  worked  at  Nuremberg,  circ.  1530- 
1570.  He  was  born  in  1510  and  died  about  1570. 

Doppelmayr,  speaking  of  Hans  Lobsinger,  says  that  he  was 
skilled  in  many  things,  and  showed  much  talent  in  modelling  and 
casting  in  metal,  wax  and  plaster,  and  in  cutting  precious  stones, 
and  it  is  therefore  probable  that  a  place  in  the  circle  of  artists 
belongs  to  him.  However,  the  medal  which  is  shown  as  his  work, 
having  his  portrait  at  the  age  oi  25,  and  which  is  dated  1539,  does  not 


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β€”  452  β€” 
quite  merit  this  eulogium.  li  on  the  contrary  we  could  ascribe  to 
him  with  certainty  a  medal  having  the  portrait  of  Lorenz  Stayber 
of  Nuremberg,  and  his  wife,  of  the  year  1535,  and  signed  by  the 
author  L,  then  Doppelmayr's  praise  would  fall  far  short  of  its  merit, 
to  such  a  pitch  of  perfection  is  this  medal  brought,"  (Bolzenthal, 
op.  cit-,  p.  127.) 
Vide  β€’LiΒ»  suprd. 

B1BL10GBAPHI .  β€”  Doppclmayr,  Historischc  Nachrichtm  von  den  fiiirnbergiscljm 
Malhematicis  will  Kiiiistlern,  NCirnberg,  1730. β€”  Nagler,  Kilmlkr-Lcxlkon. 

LOCH,  CHRISTOPH  (Germ.).  Goldsmith  and  Burger  of  Hall  in 
Tyrol,  presented  in  1560  a  medal  to  the  Emperor  Ferdinand  I.  (as 
a  token  of  his  ability  as  an  Engraver)  and  was  paid  5  Gulden  for 
his  expenses  and  return  journey  from  Vienna. 

Before  1550,  we  find  his  name  in  official  documents,  as  Assist- 
ant-engraver to  the  elder  Ursenthaler  at  the  Mint  of  Hall.  He  later 
applied  for  the  office  of  Master  of  the  Mint,  but  apparently  he  was 
unsuccessful. 

His  medal  of  Ferdinand  I.  is  still  unknown. 


LOCHEE,  JOHN  CHARLES  (Brit.).  Gem-engraver  and  Modeller  of 
the  second  half  of  the  eighteenth  century.  A  number  of  Tassie's 
medallions  in  enamel  paste  were  taken  from  models  by  this  artist, 
thus  :  Edmund  Burke,  1797;  ~  Major  Henniker,  1789  (signed  : 
LOCHEE  F.) ;  β€”  Princesse  de  Lambalie,  1792 ;  β€”  Frederick,  Duke 
of  York  and  Albany;  β€”  The  Prince  of  Wales  (George  IV.);  β€” 
Prince  William  Henry  (2  var .) ;  β€”  George  Barret,  English  painter ;  β€” 
Count  O'Kelly;  β€”  The  Chevalier  Pinto,  Portuguese  Ambassador; 
β€”  Portrait  of  a  Lady,  &c. 

BoiLiOGRAPHV,  β€”  J.  M.  Gray,  James  and  fFitUam  Tasne,  Edinbui^h,  1884.  ^- 
Raspe,  Tassie's  Gsms,  1791. 

LODE,  GOSTAV  (Dan.).  MedalUst  of  the  first  half  of  the  eighteenth 
century,  who  was  working  at  Copenhagen. 

LODER,  FRANZ  (Aiistr.).  Contemporary  Medallist  of  Vienna. 
1  have  seen  by  him  :  Uniface  commemorative  Plaquette  of  the 
Jubilee  Rifle  Meeting  at  Dobling,  1898 ;  β€”  Badge  of  Honour  for 
"Kapselgewehrmeisterschutzen",  Vienna,  1S98;  β€”  Uniface  Rifle 
Meetmg  Plaquette  "FestScheibe  Kaiser",  1898,  &c. 

LODER,  RODERT  (Brit.).  Published  in  1796  a  token  with  the  bust 
and  arms  of  Thomas  Seckford.  According  to  Med.  III.,  he  lived  at 
Woodbridge  in  Suffolk  (Med.  III.,  I.  p.  144 ;  β€”  Pye,  Provincial 
Tokens,  pi.  xux,  4). 


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β€”  4  53  β€” 

LODOWIC  (LODEWICK,  or  LOWYS),  JOHN  (Bril.).  Mint-master  at 
London  and  Calais,  latter  portion  of  King  Heniy  IV. 's  reign  and 
first  two  years  of  Henry  V. ;  again,  anni  5-7  of  Henry  V.  (Circ. 
1411-1415  and  1418-1420). 

Bibliography.  β€”  Ruding,  op.  cit. 

LODOVICO  DA  FOLIGNO  {Vide  vol.  II,  p.  1 18).  Von  Fabriczy 
makes  the  following  comment  on  Armand  and  Heiss's  attribution 
to  this  artist  of  the  medals  of  Pietro  and  Giovanni  de'  Medici. 
"Beide  Medaillen  sind  wahrscheinlich,  wie  auch  die  Cosimos, 
iiber  Auftrag  Piero  Medicis  entstanden,  und  zwar  zwischen  1465 
und  1469.  Auf  das  Zeugnis  eines  Schreibens  hin,  das  der  seit  145 1 
in  Ferrara  thiitige  Goldschmied  und  Medailleur  Lodovico  da  Foli- 
gno  im  juni  1471  an  Lorenzo  de'  Medici  richtete,  hat  Armand  und 
nach  ihm  Heiss  geglaubt,  sie  diesem  zuschreiben  zu  soUen.  Uns 
scheint  der  Brief  gerade  das  Gegenteil  zu  besagen.  Obwohl  er 
namlich  die  Sendung  einer  Denkmunze  der  Herzogin  Bona  von 
Mailand  begleitete,  und  somit  fast  selbstverstandJich  dazu  auffor- 
derte,  die  Medaillen  von  Lorenzos  Vater  und  Oheim  zu  erwahnen, 
wenn  Lodovico  solche  friiher  ausgefiihrt  hiitte,  so  spriclit  der 
Meister  darin  nur  "  von  der  Liebe,  die  er  srets  fiir  seine  HerrUch- 
keit  den  edlen  Herrn  Piero  de  Cosimo  gehegt  habe  ",  sowie  auch 
von  dem  dringenden  Wunsche,  Lorenzo  zu  sehen  (der  Ausdruck 
kann  auch  als  "kennen  zu  lernen"  gedeuret  werden,  womit  dann 
bewiesen  ware,  dass  Lodovico  in  den  Jahren  1465-1469  nicht  in 
Florenz  gewesen  sei).  Leider  ist  uns  keine  der  urkundlich  bezeug- 
teii  Denkmunzen  des  Kunstlers  (auf  Galeazzo  Maria  Sforza  ')  und 
seine  Gemahlin  Bona,  auf  Lionello  und  Sigismondo  d'Este)  erhalten 
geblieben  und  somit  der  stilistische  Vergleich  derselben  mit  den  beiden 
Medicistucken  versagt.  Aber  diese  scheinen  uns  denn  doch  in 
ihrem  strengen,  die  HSsslichkeit  der  Darge&teilten  in  nichts  beschon- 
igenden  oder  mildernden  Realismus  vie!  eher  auf  Florenz  als  auf 
die  um  jene  Zeit  in  ihrem  Charakter  weichere  ferraresische  Medail- 
listik  zu   weisen,  Sollten  wir  aber  fiir  sie  einen  Amor  nennen,  so 


t.  Oder  soUttn  wit  in  dem  grossen  (Diam.  ;  cm.)  1470  darierten  gepragten 
Medallion  mit  dem  behelmtea  Sforialowen  auf  dem  Revers  eine  dieser  Arbeilen 
vor  uns  haben?  Friedlaader  hat  sie  Taf.  XXXVI,  11  unterdenvonilim  dem  Cara- 
dosso  zugeteilten  Munzen  und  Medaillen  abgebildet. 

Nun  ist  es  aber  kaum  glaublich,  dass  man  dem  erst  Aclitzehnjabrigen  eine  so 
bedeutende  Arbeit  sollte  anvertraut  haben  fer  ist  friihesrens  1452,  nicht  wie 
Friediandec  will,  schon  1445  geboven).  Auch  will  sie  stilistisch  gar  nicht  zu  Cara- 
dossos  b^laubigteti  Pragungen  stimmcn.  M:in  knnt  davon  nur  Silberexemplare, 
und  Lodovico  sagt  ja  in  seinem  Briefe,  er  bilde  sie  in  Sllber.  Die  um  ein  lahr 
verspatete  Datlerung  kOnnte  ein  Versehen  des  Kunstlers  sein  ;  oder  aber-walir- 
scheinlicher-hatte  er  das  Wachsmodell,  das  er  in  seinem  Schreiben  erwalint,  schon 
das  Jahr  zuvor  in  Mailand  gemacht  und  darnach  die  Medaille  auch  datiert. 


.i,d=,  Google 


ware  es  vor  alien,  audi  deo  anonymen  Florentinern,  am  ehesten  : 
Niccolo  Fiorentino. "  (C.  von  Fabriczy,  Medailhn  der  italieniscbm 
'Renaissance,  p.  55  sqq.) 

LOEFFLEB,  FERDINAND  (Austr.).  Mint-master  at  Hall  in  Tyrol, 
1601-1602. 

LOEFFLER,  HANS  (Germ.').  Goldsmith,  Die-cutter,  nnd  Assayer, 
at  Munich,  1507. 

LOEFKOWITS,  A.  (Austr.).  Publisher  of  a  Medal  of  the  Emperor 
Francis  Joseph  of  Austria,  on  his  Visit  to  Debreczin,  September 
1890,  the  dies  for  which  were  cut  at  Vienna. 

LOEHR,  FRANZ  (Atistr.).  Contemporary  Sculptor,  who  at  the 
Salon  of  1904,  exhibited  various  Plaquetres  and  Portrait-medallions : 
M""^  D***;  β€”  Male  head;  β€”  Head  of  a  young  Woman;  β€”  1905. 
M.  G***;  β€”  M.  Gr*"* ;  β€”  Portrait  ofa  child,  &c. 

LOEHR,  HEINRICH  (Germ.).  Mint-master  at  Quedlinburg,  1617- 
1 6 19.  His  issues  are  tisually  signed  H.L.  or  Hi  (in  monog.);  amongst 
these  the  broad  . Q.uedlinburg  Schauthaler  of  Princess  Dorothea, 
1617,  &c. 

LOEHR,  PETER  (Germ.)  of  Goslar,  Mint-master  at  Paderborn, 
1655-1658;  Gottingen,  1659-1663;  Bikkeburg,  1660;  Episcopal 
Mint  DfHildesiieim,  1663-1665 ;  Nordheim,  1665-1671 ;  1675-1676 
Mint-master  of  the  "  Heken"  Mint  of  Count  Gustavus  von  Sayn- 
Wittgenstein  at  Catlenburg;  and  1676-1679  at  Ellrich. 

I  have  come  across  Peter  Loehr's  initials  on  a  Thaler  ofPhilip, 
Count  ofSchaumburg-Lippe,  1660. 

LOEHRER,  JOHANN  (Germ.).  Episcopal  Mint-master  at  DilUngen- 
Augsburg;  Mint-warden  at  Augsburg,  1621. 

LOESER  (Germ.).  Die-sinker  of  Mecklenburg-Schwerin,  whose 
signature  occurs  on  a  "Dobberau"  medal,  described  by  D' Storer. 

LOEWENBACH.  J.  W.  (Germ.).  Die-sinker,  Seal-engraver,  &c.  at 
Munich  circ.  1824-1860.  I  have  noticed  his  signature  on  the  two 
following  medals  :  Unveiling  of  the  "Bavaria",  1850 ;  β€”Seventh 
centenary  of  Munich,  1857. 

LOGAN,  JOHN  (Brit.).  Gcm-engraver  of  the  eighteenth  century, 
who  resided  at  Dublin.  There  is  a  cameo-portrait  by  him  of  D' Henry 
Quin,  Professor  of  Physic  in  the  Dublin  School  of  Physic  from 
1749  to  1786,  taken  from  the  medal  by  Mossop,  and  reproduced  in 
Tassie's  enamel  paste;  also  Portrait-gems  of  D"'  Lucas,  the  celebrat- 


,/ Google 


ed  patriot  of  Ireland ;  β€”  Portraits  of  Matrons,  in  the  taste  ot  the 
present  age ;  β€”  Head  of  Alexander  the  Great,  white  carneHan,  &c. 

LOGGAN,  DAVID  {Germ.').  Engraver,  born  at  Danzig  about  1630; 
died  in  London  in  1693.  He  was  a  pupil  of  Simon  Passe  and  executed 
Medallions  in  the  style  of  his  master. 

LOHE,  CHRISTIAN  VOK  (^Germ.).  A  native  of  Giistrow  or  Hamburg ; 
Mint-warden  at  Oels,  1694-1717;  appointed  Assayer  at  the  Bres- 
lau  Mint  in  1723,  but  dismissed  some  time  after  for  unfortunate 
operations. 

Bibliogr;\phy.  β€”  Friedensburg,  op.  cit. 

LOHMANN  (G^cfw.).   Born    in    1752;    1779  Warden,   1782  First 
Warden,  and  1793  Master  of  the  Breslau  Mint;  died  in  1795. 
Bibliography.  β€”  Friedcnsburg,  ap.  cit. 

.  lOHSE     MARTEN    HENDRIK  {Dutch).   Mint-master  for  Guelders, 
1782-1794;  special  mark,  ear  of  corn. 

LOIR,  LOUIS  {French).  Medallist  and  Jcton-engraver,  circ-  1663- 
1719.  He  took  in  1675  the  title  of  Goldsmith  anAEngraver  to  the 
King.  I  have  seen  his  signature  on  a  commemorative  medal,  of  the 
Capture  of  Maestrichl  by  the  French,  1673,  signed  .L.  LOIR 
{illustrated).  Numerous  jetons  bear  his  initials  :  L.L. 


r  Ma(;stucht  bv  ihe  Flench, 


LOISEAU-BAILLY,  GEORGES  {French).  Contemporary  Sculptor,  and 
Medallist,  born  at  Sauvigny-le-Bois  (Yonne);  pupil  of  A,  Dumont. 


o,Goo(^[c 


β€”  456  β€” 
By  him  are  various  Portrait-medallions,  winuli  have  been  exhibited 
at  the  Paris  Salons,  since  1879.  At  the  'Exposition  Universellc'  of 
1900,  be  obtained  a  Gold  Medal  for  a  series  of  MedalUons.  His  stud- 
ies of  children,  busts  and  medallions,  are  very  fine;  also  his 
bronzes,  decorative  works  in  tin,  terra-cotta,  &c.  Salon  of  1901. 
Six  medallions  in  clay,  terra-cotta,  &c. ;  β€” 1902.  Three  Bas-reliefs, 
and  a  Portrait-medallion;  β€”  1903.  Plaquettes,  representing  the 
Forges  of  Gu^rigny  (Ni^vre) ;  i.  Lamineur-cingleur.  2.  Chalmers; 
β€”  Portrait-medallion  of  M.  Berdin;  β€”  1904.  Eight  Plaquettes  : 
Blacksmiths,  Harvesters,  &c. ;  β€”  M""^  X***. 

By  him  are  also:  1892.  jersey  Girl;  β€”  Florentine  Lady;  β€” 
Roman  Lady ;  β€”  1897.  A.  Jacquin;  β€”  The  Model;  β€”  A  Natural- 
ist; β€”  1899.  W'  M.  G***;  β€”  Gautherin  ;  -  M"-^  G.  T***;  β€”  La 
pri^re;  β€” Souvenir  d'Avallon;  β€”  Mon  fils;  β€”  Nenuphar;  β€”  1906. 
Forgerons;  β€”  Courses  p^destres;  β€”  Allegory;  β€”  Society  des 
sciences  of  Yonne;  β–  β€” M.  M.;  β€”  Le  Depart,  ike. 

Bibliography.  β€”  Information  kindly  supplied  by  tlie  Artist.  β€”  Catalogues  ilu 
Salon,  1900-1904, 

LOISEAU-ROUSSEAU,  PAUL  (French).  Contemporary  Sculptor, 
born  at  Paris;  pupil  ofBarreau.  At  the  Salon  of  1894  he  exhibited 
Portrait-plaquettes  of  M""^'  R***;  β€”  M.  L***;' β€”  1897.  H.  Labeyrie. 

LOISON,  PIERRE  (French).  Sculptor  of  the  nineteenth  century, 
born  at  Mer  (Loir-et-Cher),  5 .  July  1 8 1 6 ;  pupil  of  David  d' Angers ; 
entered  the  Ecole  des  Beaux-Arts,  30.  March  1842.  At  various  times, 
this  artist  exhibited  Ponrait-medallions  at  the  Paris  Salons,  amon  g 
which  are  :  M"^  Andrfe  Rivet;  β€”  M.  Sallandrouze  de  Laraornaix  ; 
β–  β€”  Alphonse  Duchalais;  β€”  Paui  Moreau,  &c. 

BiBUOGRAPiiY.  β€”  Chavignerie  et  Auvray,  op.  cil. 

LOISY,  CLAUDE  JOSEPH  DE  (French).  Goldsmith  of  Bcsancon ;  son 
of  Pierre  de  Loisy;  born  27.  April  1644  and  died  9.  June  1717. 
He  was  Mint-engraver  at  Besangon,  1673-1694,  and  issued  many 
Jetons. 

LOIST,  JEAN  PIERRE  DE  (French).  Goldsmith,  Line-engraver,  and 
Jeton-engraver  of  the  first  half  of  the  seventeenth  century  at 
Besancon,  cm.  1601--I-1659.  He  was  for  some  time  Mint-master  and 
Engraver  there,  1637-1659,  and  obtained  from  the  Government 
the  exclusive  privilege  of  engraving  and  selling  medals. 

LOISY,  JEAN  PIERRE  DE  (French).  Goldsmith  of  Besancon,  Line- 
engraver,  Medallist  and  Jeton-engraver.  Son  of  the  last  and  his 
pupil;  he  was  born  at  Besancon  20.  September  1619;  Engraver  at 
the  Mint  there,    12.  April   1666.   in  succession  to  Claude  Poux, 


,/ Google 


β€”  457  β€” 
until  1667.  By  him  are  some  fine  engravings,  and  lie  also  worked 
as  a  Medallist  and  Seal-engraver,  and  shared  his  father's  "  Privilege 
de  frapper  et  de  vendre  des  miidailles  dans  I'etendue  de  la  juridiction 
bisontine.  ".  His  best  engravings  are  :  Portrait  of  Philip  IV.,  King 
of  Spain;  β€”  Estat  de  liUustre  Confr^rie  de  Saint-Georges  en  la 
France;  β€”  Series  of  Religious  Subjects,  in  the  style  of  Wiericx,  &c. 
By  Pierre  de  Loisy  are  the  Jetons  of  Governors  of  Besan^jon,  1665- 
1669.  In  1664-65  Pierre  de  Loisy  engraved  the  "  Pieces  de  circon- 
stance  "commemorating  the  rennion  of  Besan^on  to  Franche-Comte. 
A  Porrrait-medal  of  Leopold  L  on  his  election  in  1658  is  also  by 
him. 

BiBLIOGKAPHY.  β€” β–   Chavignerie  et  Auvray,  ap.  cit.  β€”  N.  Rondot  et  H.  de  la 
Toi=r,  op.  cit. 

LOLETTI  Qtal.).  Gem-engraver  of  the  second  half  of  the  eighteenth 
century.  By  him  is  a  bust  of  Lucius  Verus,  engraved  on  an  aqua- 
marine. 

LOMAZZr,  GIOVANNI  (ltd.).  Die-sinker  of  the  nineteenth  century. 
His  signature  occurs  on  a  Portrait-medal  of  Volta. 

LOMBARD,  HEMRY  fiOOUARD  {French).  Sculptor,  born  at  Mar- 
seille; pupil  of  Cavclier.  At  the  Salon  of  1879  he  exhibited  a 
Portralt-mcdallionof  M""^  A.  R***  in  terra-cotta. 

LOMBARDI,  ALFONSO  CITADELLA,  surnamed  ALFONSO  (Ital.'). 
A  Ferrarese  Sculptor  and  Medallist  of  the  first  three  decades  of  the 
sixteenth  century;  he  died  in  1537.  The  medals,  described  below, 
which  are  ascribed  to  this  artist,  are  still  unknown.  "  Their  attribu- 
tion to  Alfonso  Lombardi",  says  Armand,  "rests  on  documents 
which  M.  G.  Milanesi  has  been  kind  enough  to  indicate  to  me". 
The  most  important  of  these  are  two  letters  addressed  by  Alfonso 
to  the  Duke  of  Mantua,  Federigo  II.  Gonzaga.  One,  dated  6.  May 
1536,  informs  us  that  he  had  executed  a  medal  of  Pope  Paul  III.; 
from  the  other  we  gather  that  he  cut  the  medals  of  Molza,  Antonio 
Tebaldeo,  and  Cardinal  Hippolytus  de'  Medici;  and  in  commission 
for  the  same  cardinal  Alfonso  would  appear  to  have  made  the  medal 
of  Giulia  Gonzaga  (widow  of  Vespasiano  Colonna). 

The  only  known  extant  medallic  work  of  Lombardi  is  a  Portrait- 
medal  of  the  Milanese  architect  Andrea  Tectori,  ^L.  CAXA.DE. 
CONCESA.  A  fortified  bridge,  which  is  signed  :  ALFONSUS. 
LOMB.  F. 

Bibliography.  β€”  Armand,  op.  cit.,  I,  p.  129  ;  III,  p.  52.  β€”  Bkiichet,  op.  cit. 

LOMBARDI,  ANTONIO  iltal.).  Sculptor,  who  worked  at  Venice  and 
Ferrara,  i^(,2-i'^iG.  D'  Bode  describes  two  statuettes  by  him,  and 
a  large  Bronze  Relief  representing  Christ  holding  orb. 

BiBLioGRAPiiY.  β€”  Bode,  Dii  italkmschcn  Eroiiicn,  Berlin,  1904. 


.i,d=,  Google 


-  4SB  - 

LOMBARDI,  TOLLIO  (lial.).  Sculptor,  who  worked  lU  Vienna, 
circ.  1460-15  32.  By  him  is  a  Female  bust  in  bronze  (Bevlin  Museum; 
Wallace  Collection ,  London) ,  In  his  art  and  that  of  An  tonio  Lombard! 
are  Bronze  Reliefs  :  The  Risen  One;  152x95  mill.;  β€”  Ecce 
Homo;2SoX225  mill;  β€” St.  Hieronymus;  270x230  mill. 

LOMBARDO,  GABRIELE  {Ital.').  Mint-Overseer  at  Venice,  circ. 
1565. 

LOMBARDUS,  TINO  (Austr.).  Moneyer  at  Prague,  chr.  1300. 
LOMELLINO,  GIACCOMO    (Ital.).  Mint-Overseer   at   Genoa,    circ. 
1572. 
LOMELLINO,  GIAN  (IlaL).  Mint-overseer  at  Genoa,  circ.  1626. 

LON,  FRANZ  ANTON  VAN  (Dutch.).  Mint-engraver  at  Cologne, 
1727,  Treves,  1757,  and  Bamberg-Wilrzhurg,  1763,  1764.  He  was 
a  Line-engraver,  and  worked  in  turn  at  Cologne,  Bonn  and  Ehren- 
breitstein,  1727-1764.  The  coins  he  engraved  for  the  Bishop  of 
Wurzburg,  Adam  Frederick,  Count  Seinsheim,  are  signed  L,  or 
V.  LON,  A  Cologne  Thaler  of  1727,  and  a  Mining  Gulden  of  1757, 
of  Treves  (John  Philip,  Baron  von  WalderdorfF),  also  a  Thaler  ot 
1762,  are  all  signed  :  V.  LON. 

:'(.,  11,  711.  β€”  Amnion,  op.  cit.,  nΒ°  aii. β€” 

LONGACBE,  JAMES  B.  (Amer.).  Mint-engraver  at  Philadelphia,  Sep- 
tember 6,  1 844  to  3 1  December  1868.  He  was  born  on  August  1 1, 1 794, 
in  Delaware  Co.,  Pa.,  and  served  an  apprenticeship  as  a  Line-engrav- 
er with  George  Murray,  Philadelphia,  doing  some  high-class  plate- 
work  before  he  was  free,  in  1819.  He  was  one  of  the  originators 
of  the  National  Portrait  Gallery  of  distinguished  Americans,  the  first 
volume  of  which  appeared  in  1834.  Longacre  drew  from  life  and 
en^^raved  many  of  the  portraits  entire.  β€” β–   Like  his  predecessors,  he 
died  in  office,  on  January  i,  1869.  During  his  term  Longacre  was 
variously  assisted  by  P.  F.  Cross,  William  Barber,  Anthony 
C.  Paquet,  and  William  H.  Key.  The  changes  and  additions  during 
the  Longacre  term  were  numerous  and  important,  both  as  to  alloys 
and  denominations.  The  pattern  pieces  also  record  various  experi- 
ments in  the  art  of  coining.  (Evans,  Illustrated  History  of  the  United 
Stales  Mint,  p.  127). 

Longacre's  signature  occurs  on  the  I^.  of  a  medal  of  Captain 
Ingraham,  the  obv.  of  which  is  by  P.  F.  Cross. 

BiDLiOGRflPHY.  β€”  Evans,  op.  cit.  β€”  Snowdcn,  The  Medals  of  Washington, 
I86r, 

LONGEPIED,  GEORGES  (French).  Contemporary  Sculptor,  born  at 
Paris.  At  the  Salon  of  1886  he  exhibited  a  Portrait-medallion. 


ogle 


β€”  459  β€” 

LONGERICH,  ADAM  (Germ.).  Minr-master  at  BurgFriedberg  in  der 

Wetterau,  1674- 1676;  Coblence,  1 678-1 683  ;  appointed  at  Mayence, 

4.  June  1683,  where  he  was  succeeded  in  1684  byUlrich  Burkhard 

Wjllerding, 

BiBLiOGiiAPHY.  β€” β–   Lockner,  Main^cr  Miin^^kainle  des  i-j,  nnd  18.  Jahrhmdetls. 

LONGERICH,  CASPAR  (Germ.).  Mint-master  at  Treves,  1683- 
1693. 

LONGERICH,  JOHAKN  (Germ.).  Mint-master  at  Sayn,  Mulilheim- 
on-Rliine,  Dortmund  and  Miinster,  1664-1680, 

LONGERICH,  JOHANK  ADAM  (Germ.).  Mint-master  at  Cologne, 
1700;  Dortmund,  1700-1705;  Diisseldorf,  1707-1708,  According  to 
Sclilickeysen-Pallmann  the  initials  I.  A,  L,  on  a  Gimborn  5  Ducat 
piece  of  1696  (which  bears  reference  to  Prince  Ferdinand  von 
Schwarzenberg)  may  stand  for  tliis  Mint-master's  name. 

LONGERICH,  JOSEPH  (Germ.).  Mint-master  and  Engraver  at 
Treves,  1690.  His  initial  L,  occurs  on  an  undated  Double  Thaler 
of  the  Archbishop  Johann  Hugo  von  Orsbeck;  and  a  medal  with 
bust  of  the  Prelate  is  signed  I.  L. 

LONGERICH,  MATHIAS  (Germ.).  Mint-ma:iter  at  Idsteln  (Nassau), 


LONGERICH,  NIKOLAUS  (Germ.).  Mint-master  at  Diisseldorf, 
1682-1690;  later  at  Bonn,  1693-1694;  Cologne,  1699-1700;  and 
in  1688  also  at  Dortmund  and  Essen.  I  have  noticed  his  initials 
N.  L.  on  Julicher  Double  Thalers,  Thalers  and  Gulden,  &c.  of 
various  dates  of  Count  Palatine  John  William  (1690- 17 16);  also  on 
Thalers  and  subsidiary  coinage  of  Joseph  Clement,  Archbishop  of 
Cologne  (1680-1703). 

LONGUEIL,  HONORS  DE  (French).  Grandson  of  the  celebrated 
Line-engraver,  Joseph  de  Longueil  (f  1793),  was  born  on  the 
16"' February  1818  at  Paris;  settled  in  business  as  an  Engraver, 
rue  Royale,  8,  in  1818;  retired  into  private  life  in  1861,  and  died 
on  the  31.  July  18S9  at  Grignon  Castle,  Thiais  (Seine),  his 
nephew's  residence. 

By  this  Engraver  are  several  medals  and  jetons,  some  of  which 
are  signed  ;  DELONGDEIL  F,  I  have  come  across  the  following  : 
Jetons  ofthe  Asphalte  Works  of  Seyssel-Lobsann,  1839;  β€”  Hos- 
pice de  Gisors,  1859;  β€”  Pascal  and  Poussin,  Prize  Medal  of  the 
Academy  of  Sciences,  Letters  and  Arts  of  Bordeaux ;  β€”  Jean  de  la 
Qiaintinie,  Horticultural  Prize  Medal  of  Beaune,  &c. 

BiBLioGHAPHY.  β€”  Florange,  Juloiii  el  MedaUks  de  Mines  franfaisis,  Paris,  1904. 


,stsd  by  Google 


β€”  4^"  ~" 
LONGUET,  GERMAIN  (French).  General  des  Monnaies,  circ.  1559- 
1589. 

LONISON  or  LONYSON,  JOHN  (Brit.).  Mint-master  at  London, 
anni  14-15  of  Elizabeth,  1571-1576.  Kenyon  makes  two  references 
to  this  Mint-master  :  "  By  an  indenture  of  the  19'''  April,  1572, 
made  with  John  Lonison,  only  three  gold  coins  were  to  be  made, 
namely,  Angels,  Angelets,  ana  Quarter  Angels,  of  the  old  standard 
and  the  same  weight  as  before,  and  these  were  to  be  current  at 
their  old  values  of  10  s.,  5  s.,  and  2  s  &d  respectively. 

"  Or]  the  19'''  December,  1578,  a  commission  was  made  out, 
authorizing  Lonison  slightly  to  debase  the  coins,  making  the 
gold  23Cts.  3I  grs,  fine  instead  of  23  cts.  3  |  grs ;  and  a  pound 
weight  of  gold,  which  had  hitherto  been  coined  into  ^  36  by  tale, 
was  now  to  be  coined  into  i  36.  is.  io\  d,  so  that  the  angel 
would  now  weigh  7g^48'^^-  instead  of  80  grs.  "  In  1582-3,  liowever, 
by  an  indenture  with  Richard  Martin,  the  old  standard  and  weight 
were  restored,  and  the  coinage  was  to  be  as  ordered  in  1572. 

Lonyson  was  a  goldsmith  by  profession;  he  died  in  1583,  aeiat 
59,  and  was  buried  in  the  church  of  St.  Vedast,  alias  St.  Foster's 
Church,  in  Foster  Lane. 

Bibliography.  β€”  Ruding,  cp.  cit.  β€”  Kenyon,  Gold  Coins  of  England,  p.  122. 
β€”  ChLiffers,  Gilda  Aurijdbrcnim,  p.  52. 

LONZO,  GIAN  GIROLAMO  (//Β«;.).  Mint-overseer  at  Venice,  1746; 
hi.s  issues  are  signed  G.  G.  L. 

LOPEZ,  MANUEL  (Sphn.).  Medallist  of  the  early  part  of  the 
nineteenth  century.  His  signature  :  MAN*'  LOPEZ  LOP^  occurs  on  a 
Proclamation  Medal  of  Ferdinand  VJL,  1809,  of  Toluca. 

LOPES-TEXEIBA,  JOSΒ£  JOAQUIN  (Port.).  Contemporary  Sculptor 
and  Medallist,  residing  at  Villa  Nova  de  Gaya,  where  he  was  born; 
pupil  of  JoufFroy.  At  the  Paris  Universal  Exhibition  of  1900,  he 
exhibited  several  medallic  productions  :  Head  of  a  young  Girl ;  β€” 
Christ;  β€” Portrait-medallions,  &c. 

WOV,  J  Mi  (Dufch).  MedaUist  of  Middleburg,  second  quarter  of  the 
seventeenth  century.  His  medals  are  dated  between  1627  and  r66o. 
He  received  a  special  permission  from  the  States  General  of  Holland 
to  commemorate  remarkable  events  by  medals.  Amongst  his  best 
known  medallic  productions  are  :  1629.  Taking  of  Bois-le-Duc 
(2  var.)  ;  ~  1631.  Naval  Engagement  at  Slaak  (2  var.)  ;  β€”  1632. 
Death  of  King  Gustavus  Adolphosof  Sweden;  β€”  1637.  Takingof 
Breda  by  Prince  Frederick  Henry  of  Orange  (2  var.);  β€”  1639. 
Destruction  of  the  Spanish  Fleet  by  the  Dutch  off  Dover  (size; 
3.5  in. ;  signed  :  /.  Loof  f.;  illustrated.)  Another  variety  (signed  : 


./Google 


I.  LOOFFE.);  β€”  Other  vnYieues  (Calalogus ,  &c.,  n^^  663-665);  β€” 
1647.  Preliminaries  of  Peace  with  Spain  (Van  Loon,  II,  p.  306,  i.); 
β€”  Golden  Wedding  of  Hans  van  Loon  and  Anna  Ruyckhavers ;  β€” 


1648.  PeaceofMunster; β€”  1651.  AdmiralMartinHarpetzzoonTromp 
(diescut  by  D.  van  Rijswick);^ β€”  1 660.  Presentation  Medal  of  the  Stale 
of  Zeeland  to  Trewleben  for  his  raising  the  ship  and  cargo  of  the 
wrecked  vessel  of  Captain  Waterdrinker ;  β€”  1644.  Ghent  taken  by 
Prince  Frederick  Henry;  β€” -  1645.  Hulst  taken  by  Prince  Frederick 
Henry,  etc, 

Loof  signed  his  medals  :  J.  L.  or  J.  LOOFF  T. 

"  Loof  ",  says  Bolzenthal,  "  endeavoured  by  an  excessive 
length  of  inscriptions  to  make  up  for  want  of  talent  in  the  compo- 
sition, as  his  medals  prove,  of  the  Conquest  of  Bois-le-Duc,  Sea 
Victory  of  Prince  Frederick  Henry  of  Orange,  and  Capture  of  Breda. 
He  obtained  a  Patent  and  showed  great  industry,  " 

Bibliography.  β€”Van  Loon,  Hisloire  nultalliqtie  des  XFH  provinces  des  Pays- 
Bos.  β€”  Franks  &  Grueber,  MedalUc  lUtutrations,  Sk.  β€”  Calalogtis  dcr  Neder- 
landschs  en  op Nederland  beirekkinghebbendeGedtahpennii^en,!,  190}.  -β€” Hildebrand, 
op.  cit.  β€”  Bohenthal,  op.  cit.  β€”  Piochart,  op.  nt.  β€”  Flad,  Beri&mte  Medailhurs, 
p.  2}.  β€”  Numophylac.  Burekh.,  P.  li.  ^  Kramni,Ife  Levens  en  Werim  der  Iioltand- 
sche  en  v!a<nnsche  Kunstschilders,  6ic.,  i86}. 

LOOS,  DAMIEL  FRIEDRICH  (Germ.).  Medallist  and  Coin-engraver, 
born  at  Altenburg  15.  January,  173S;  died  I.  October,  1819,  at 
Berlin.  He  was  a  pupil  of  Johanii  Friedrich  Stieler,  and  in  1756 
went  to  Prussia,  became  Mint-engraver  at  Magdeburg,  1756-1767, 
and  was  appointed  Chief-sngraver  and  Medallist  to  the  Court  at 
Berhn  in  1768.  Amongst  his  medallic  productions  I  may  mention  : 
Elizabeth  of  York  ("  Souvenir  Medal,  engraved  at  the  expense  of  a 
Mr.  Thane,  who  considered  that  the  legal  representative  of  the 


,stsd  by  Google 


β€”  4^2  β€” 

House  of  York  was  entitled  to  a  place  by  the  side  of  her  husband  in 
the  series  of  English  sovereigns".  Mf(^.  ///.,  I,  p.  22); β€” Patriotic 
Medal  On  the  Alliance  of  Russia,  Austria,  Prussia  and  Sweden 
against  Napoleon  I.,  1813  ;  β€”  Marriage  of  the  Crown  Prince  Wil- 
liam Frederick  of  Prussia  with  Princess  Frederica  Louise  Wilhel- 
minaofMecklenburg-Streluz,  1793; β€” Capitulation  of  Amsterdam; β€” β–  
Peace  ofTeschen,  1779;  β€” Death  of  Frederick  II.  the  Great  (1786); 

β€”  Centenary  of  the  Medical  College  of  BerUn,  1789  (signed  D.  LOOS); 

β€”  Victories  of  1814;  β€”  The  Duke  of  WelUngton;  β€”  Welling- 
ton and  Blucher  at  the  Battle  of  Waterloo,  181 5  ;  β€”  Great  Britain 
and  Prussia  giving  help  10  the  Orange  refugees,  1805 ;  β–  β€”  Welling- 
ton and  Blucher;  Entry  of  the  English  and  Prussians  into  Paris, 
7"'  July,  1815 ; β€” jubilee  of  Prince  Leopold  III.  (Frederick  Francis) 
of  Anh alt-Dessau,  i8or ;  β€”  Accession  of  Frederick  Williarq  11., 
King  of  Prussia,  1786;  β–  β€”  Relief  of  Miyence  by  Frederick 
William  II.,  1793  ; β€” Peace  of  Basle,  5.  April  1795 ;  β€”  New  East 
Prussia  renders  homage  to  Frederick  William  II.,  1796  ;  β€”  Death 
of  King  Frederick  William  II,,  id.  November  1797  ;  β€” Centenary 
ofthe  Palatine  Colony  at  Magdeburg,  i7S9(obv.  by  FriedrichLoos); 


,  Daniel  Fricdtidi  Loos. 

β€”  Visit  of  King  Fred.  William  III.  and  his  Queen  to  Tarnowitz 
in  Silesia,  1798;  β€”  Retaking  of  Frankfort-on-M.  by  Prussian  and 
Hessian  troops,  1792;  β€”  Assassination  of  Louis  XVI.,  1794  (seV. 
var.) ;  β€”  Trial  of  Marie-Aatoinette,  1793  (sev.  var.) ;  β€”  Memorial 
Medal  of  Madame  Elizabeth  (sev.  var.);  β€”  The  Children  of 
Louis  XVI.,  1794  (sev.  var.);  β€”  Death  of  Louis,  second  son  oi 
Louis  XVI.,  8.  June  1795  ;  β€”  Memorial  medal  of  the  Dauphin, 
Louis  Charles  of  France,  1795  (sev.  var.);  β€”  Proclamation  oi 
King  Frederick  William  III.  at  Koenigsberg  and  Beriin,  1798 
(illustrated)  ;  β€”  Life  Saving  Medal,  with  bust  of  Fred.  Will.  III. ; 


./Google 


β€”  4^3  β€” 

β€”  Proclamation  Medal  of  the  annexed  provinces,  Hildeslieim,  1803; 

β€”  Alliance  between  King  Fred.  William  III.  of  Prnssia  and  Emperor 
Alexander  I.  of  Russia,  against  Napoleon  I.,  181 3  ;  β€”  Birthday  of 
the  Crown  Princess  of  Prussia,  10.  March  1774;  β€”  Birthday  of 
Queen  Louise  Augusta  Wilhelmina  Araalia  of  Prussia,  1798;  β€” 
Commemorative  medal  of  the  25,  June  1798;  β€”  Centenary  of  the 
Kingdom  of  Prussia,  1801 ;  β€”  Return  of  the  King  and  Queen  of 
Prussia  to  Berlin,  23.  December  1809;  β€” β–   Death  of  Queen  Louise 
at  Hohenzieritz,  19,  July  i8io;  β€”  Marriage  of  Frederick  Louis 
Charles,  Pritice  of  Prussia,  with  Frederika  Caroline  Sophie,  Princess 
of  Mecklenburg-Strelitz,  26.  December  1793  ;  β€” β–   Birthday  of 
Princess  Sophie,  2.  Marcb  1794;  β–  β€”  Battle  of  Roslau  near  Dessau, 
29.  September  1813  ;  β€”  Battle  of  Leipzig,  19.  October  1813;  β€” 


Prodamalioii  Medal  of  King  Fredciii;!.   '.V..   .  m     II,,       β–    β–  

Erection  of  a  Statue  to  John  IIL  Sobiesky,  King  of  Poland,  1789 
(signed  on  obv.  D.  LOOS  ond  on  ^L.  F.  LOOS);  β€”  Karl  Gottlieb 
Anton,  jurisconsult  of  Gorlitz,  1801;  β€”  Karl  Ludwig  von  Cocceji, 
1.802  (3  var.);  β€”  Baron  Fr.  Ant.  .von  Heinitz;  β€”  Jubilee  of  the 
Church  of  Hirschberg,  in  Silesia,  1S09 ;  β€”  Marriage  of  Constantin 
Fellner,  1802;  β€” Raising  of  the  Blockade  of  r-heElbe,  1S05 ;β€”  Gold- 
en Wedding  of  Alexander  Gontard,  of  Frankfort-on-Main,  1809  ; 
β€”  Commemorative  Souvenir  to  Ladies ;  β€”  Souvenir  for  Faithful 
Services;  β€”  Medal  on  Conjugal  Happiness;- β€” Prize  Medal  for 
Merit;  β€”  Jubilee  Medal  of  the  Foundation  of  the  Prussian  Privy 
Council;  β€” The  Fischer  Institute  at  Riga;  β€”  Prize  Medal  ot  the 
University  of  Gottingen;  β€”  Medal  of  the  Royal  Academy  of 
Sciences  of  Berlin  ;  β€”  Visit  of  D'"  Gall  to  Berlin,  1805 ;  β€”  Return 
of  the  explorer  Alexander  von  Humboldt  to  Berlin,  i8p5 ;  ~  Life 
Saving  Medal;  β€”  Small  Academic  Prize  Medal;  β€”  Syndicus 
Herrmann  von  Post;  β€”  Count  Henry  XLIX  of  Reuss,  and  his 
Consort;  β€”Von  Gersdorf  and  D'^  Anton; β€” β–   Kammerpresident  von 


lo.tedb/ Google 


β€”  4^4  β€” 
Auerswald  ;  β€”  Jubilee  Medal  of  Regierungsr;it  Heclit  von  Halber- 
stadc;  β€”  Commemorative  medal  otthe  Erection  of  a  monument  to 
the  skin  at  the  Battle  of  Copenhagen,  1804;  β€”  Building  of  the 
Masonic  Lodge  at  Altenburg  on  the  Plesse;  β€” Immanuel  Kant;  β€” 
Hamburg's  Millenary  Festivals;  β€”  Medal  for  "First  Communion"; 
β€”  Medal  for  Porters,  Messengers,  &c. ;  β€”  Medal  to  commemorate 
pleasant  Circumstances;  β€”  Medal  to  offer  Good  Wishes;  β€”  The 
French  Almshouse  at  Berhn ;  β€”  Surgeon  Gen^^ral  Gorcke ;  β€”  Raising 
of  the  Elbe  Blockade,  1805 ;  β€”  Victory  of  the  Prussians  at  Kaisers- 
lautern,  1793  ;  - β€”  General  F.  A,  von  Favrat,  Governor  of  Glatz  (in 
conjunction  with  F.  Loos);  β€”  Goniing  von  Berem;  β€”  Battle  of 
Gross-Gorschen ;  β€”  Battle  of  Gross-Beeren ;  β€”  Battle  of  Hanau ;  β€” 
Battle  of  Luchau  ;  β€”  Battle  of  Culm ;  β€”  Battle  of  Katzbach ;  -^ 
Battle  of  Dennewitz;  β€”  Battle  of  Leipzig-Belzig ;  β€”  Battle  of 
Leipzig;  β€”  Taking  of  Dresden;  β€”  Relief  of  Stettin,  Liineburg 
ana  Bremen;  β€”  Victories  of  18 14;  β€”  Countess  von  Ross,  Amster- 
dam, 1814;  β€”  D'  Carl  Asmund  Rudolph! ;  β€”  D*^  Johann  Goercke, 
Beriin; β€” -D'  Carl Friedrich  von  Kielmeyer,  Stuttgart;  - β€” D^Lorenz 
Oken,  Munich;  β€”  D'  Christoph  Heinrich  Pfaff,  Stuttgart,  β€” 
Medal  of  the  Society  for  Prevention  of  Cruelty  to  Animals,  Ham- 
burg; β€”  Recovery  of  Queen  Louise  of  Prussia,  1798;  β€”  D'  Bre- 


mer, ot  Berlin;  β€” D'  Johann  David  Lange,  oi  Lithuania,  181 1 ;  β€” 
D''  Michael  Skjelderup,  of  Christiania  ;  β–  β€”  Peace  of  Basle,  5.  April 
1795  (2  var.j;  β€”  Medal  of  Leopold  Friedrich  Franz,  Duke  of 
Anhalt;  ^DERTREUEN  BURGER  LIEBE,  WAND  DANKBAR 
DIESEN  KRANZ,  1808;  β€”  Field  Marshal  Charles  Phihp  of 
Schwarzenberg,  1771  'f  1820;  β€”  Golden  Wedding  of  Christian 
Frederick,  Count  of  Stolberg,  and  his  consort  AugusteEleonore,  18 18. 
Many  of  the  coins  engraved  by  D.  F.  Loos  ol  Frederick 
William  IL  and  Ilf.  are  signed  :  L  ;  thus  Double  and  Single  Frede- 
ricks d'or,  &c.,  Thalers,  Half  Thalers  and  subsidiary  currency,  &c., 
of  various  dates  between  1786  and  1813. 


./Google 


β€”  4^5  β€” 

"  Loos  ",  observes  Bolzeiith^l,  "  was  a  diligent  artist  and  was 
assisted  by  his  talented  son,  who,  aias!  too  soon  ended  his  life. 
To  these  two  artists  and  Abrabanison  belong  the  merit  of  having, 
in  a  time  of  bad  taste,  appHed  themselves  to  tne  study  of  portraiture 
and  ancient  types.  The  elder  Loos  had  made  himself  known  by 
various  discoveries  in  the  art  of  striking  and  was  an  inventor  in 
the  mechanism  of  coining.  He  formed  two  pupils,  Koenig,  and 
Stierle,  by  whom  he  was  surpassed,  especially  by  the  latter,  " 

On  the  I.  May  1816,  D.  F.  Loos  had  been  serving  the  Prussian 
government  for  sixty  years. 

Bibliography.  β€”  Bohenthal,  oj>.  cil.  β€”  Franks  &  Grueber,  op.  dl.  β€”  D'.  F.  P. 
Weber,  English  Medals  by  j'onign  Artists.  β€”  Menadier,  Sclxiummiim  des  Houses 
HohmiolUm,  1901,  β€”  Friedensburg  u.  Seger,  Schlesiens  M&nxm  und  MidaiUen 
der  neueren  Zeit,  Breslau,  1901.  β€”  Paul  Joseph  u.  Eduard  Fellner,  Die  Mfln^ew 
von  Frankjurt-am-Maifi,  1896.  β€”  Nagler,  op.  cit.  ~  Tobler-Meyer,  op.  cit. 

LOOS,  DANIEL  (Germ.).  Son  of  Gottfried  Bernhard  Loos,  and  his 
successor  as  Director  of  the  Loos  Medallic  Establishment.  His  name 
occurs  on  some  medals  β– .  DAN.  LOOS  SOHN  IN  BERLIN. 

LOOS,  FRIEDRICH  WILHELM  (Germ.).  Eldest  son  of  Daniel  Fried- 
rich  Loos ;  also  a  Medallist,  who  worked  with  his  father  at  Berlin, 
and  did  not  long  survive  him. 


^  .i . 


t'riudrkh  Willielm  Loos. 


His  signature  F.  LOOS  occurs  on  the  following  medals  :  D'  Edward 
Jenner,  the  discoverer  of  vaccination  (2  var.)  ;  β€”  Centenary  of  the 
Palatine  Colony  at  Magdeburg,  1789  (^,  by  D.  F.  Loos);  β–  β€” 
Centenary  of  the  Kingdom  of  Prussia,  18.  January  i8or;  β€” Prize 
Medal  of  the  Academy  of  Sciences,  1786;  β€”  Another,  of  1797, 


>stsd  by  Google 


β€”  466  β€” 

with  bust  of  Fred.  William  III. ;  β€”  Prize  Medal  of  the  University 
of  Gottingcn  (1806)  (signed  :  FR.  LOOS);  β€” iMarriage  of  Frederick, 
Duke  of  York,  with  Princess  Friederike  ot  Prussia,  1791  (signed  : 
F.  LOOS  JXJN.)  ;  β–  β€” -Marriage  of  William  Frederick,  Crown-Prince  of 
the  Netherlands  (afterwards  William  I.),  with  Princess  Wilhelmina 
of  Prussia,  i.  October  179 1  (signed  :  F  :  LOOS  JUK  .β– );  β€”  Erection 
of  an  equestrian  Statue  to  the  memory  of  John  III.  Sobiesky,  King 
of  Poland,  1789  (^  only) ;  β€”  Memorial  Medal  of  Franz  Andreas 
von  Favrat,  Governor  of  Glatz,  1804;  β€”  Baron  Fr.  Anton  von 
Heinitz ;  β€”  Count  von  Bernstorf,  Danish  statesman,  1799;  β€” 
King  Frederick  William  III.  and  his  Queen  ;  β€”  Count  von  Finken- 
stein ;  β€”  Visit  of  the  King  and  Queen  at  Tarnowitz  (executed  in 
conjunction  with  D.  F.  Loos);  β€”  Count  von  Solms-Tecklenburg; 

β€”  D*^  Blumenbach,  ot  Gottingen;  β€” β–   D'  J,  C.  A.  M.  Theden,  of 
Berlin;  β€”  D"  Franz  Josef  Gall,  Vienna,  1805;  β€”  D''  Johann 
Goercke,  Berlin ; β€” Daniel  Friedrich  Loos  (signed  :  DAN.  LOOS  SOHN 
AUS  DER  ANSTALT) ;  β€”  Assassination  of  Louis  X  VL ;  '^.  PLEURSS 
ET  VENGfiS  LEI  (signed  :  F.  L.),  1794  (4  var.);  β€” Immanuel 
Kant,  1804;  β€”  Birthday  of  King  Frederick  William  IL  and  550''' 
Anniversary  of  the  city  of  Beriin,  1787  (signed  :  F.  LOOS).  β€”  Trial 
and  Execution  of  Marie-AnCoinette,  1793  ;  β€”  Memorial  Medal  of 
Madame  Elizabeth  de  France,  1794  (sev,  var.) ;  β€”  The  Children  of 
Louis  XVL,  1794  (sev.  var.);  β€”  Death  ot  Louis,  second  son  of 
Louis  XVL,  8.  June  1795 ; β€”Memorial  Medalof  the  Dauphin,  1795 
(sev.  var.),  &c. 

Friedrich  Loos  engraved,  in  conjunction  with  hisfathcr,a  series  of 
medals  of  tlie  victims  of  the  French  Revolution. 

This  artist's  signature  is  usually  F.LOOS;  β€” FR.  LOOS;  β€” LOOS  FIL; 

β€”  F.L.  or  F.  LOOS  JUM. 

BlliLIOGRArHY.  β€”  As  uliovs. 

LOOS,  GOTTFRIED  BERNHARD  (Germ.),  Second  son  of  Daniel 
F.  Loos,  born  6,  August  1774,  and  died  29.  July  1843;  Mint- 
master  at  Berlin,  1806-1812;  General  Warden  to  the  Prussian 
Mint,  etc.  In  1812  he  opened  the  famous  Die-sinking  estabHshment 
of  Loos  at  Berlin,  which  produced  a  large  number  of  med.ils,  and 
employed  some  of  the'best  German  medallists, The  medalltc  estab- 
lishment which  he  founded  now  exists  as  the  "Berlin  Medallic 
Mint  of  L.  Ostermann  (5.  ii.), formerly  G.  Loos."  There  are  medals 
with  the  portraits  of  G.  Loos  and  his  father  D.  F.  Loos  made  by 
C.  PfeufFer  and  Goetze  respectively, 

G.  Loos  is  the  author  of  a  work  on  the  art  of  detecting  forgeries. 

It  is  not  possible  to  enumerate  all  the-  productions  of  the  Loos 
Works,  and  I  shall  content  myself  with  mentioning  a  few  of  the  best 
knowit  or  more  important  ones  :  Portrait-medal  of  Augusta,  Princess 
of  Liegnitz  (engraved  by  Gube);   ~   Marriage    of   Crown-Prince 


o,Goo(^[c 


β€”  467  β€” 

Maximilian  of  Bavaria  with  Mary,  Princess  Royal  of  Prussia,  5  Oct. 
i832(K6nig);  β€”  Marriage  of  Charles,  Prince  of  Hesse,  with  Princess 
Elizabeth  of  Prussia,  1836  (F.  Konig);  β€”  Inauguration  ot  the 
Railway  from  St.  Petersburg  to  Paulovsk,  1837  (by  Konig);  β€” 
Third  Centenary  of  the  Incorporation  of  Pomerania  into  Prussia, 
1821;  β€”  Carlo  Spontini;  β€”  Rebiiilding  of  the  town  of  Gnesen, 
burnt  down  in    1813,   1823  (F,  Konig);  β€”  Inauguration  of  the 


Gottfrii;d  Bt:mh;u-d  Loos. 

,  Frederick  the  Great  Memorial  at  Berlin,  1851 ;  β€” Marriage  of  the 
Crown- Prince  Frederick  William  of  Prussia  with  Princess  Elizabeth 
Louise  of  Bavaria,  29.  November  1823  ;  β€”  Prince  Frederick 
William  Louis  of  Prussia  (afterwards  William  I.)  joins  the  Free- 
masons and  is  elected  Patron  of  the  Prussian  Lodges,  1840  (by 
H,  Lorentz)  ;  β€”  Railway  Congress  at  Breslau,  1855 ;  β€”  25''' Anni- 
versary of  the  Cologne  "  Dombauverein  ",  1867;  β€”  Marriage  of 
Prince  William  (I.)  with  Princess  Augusta  of  Saxony,  11.  June  1829 
(C.  PfeufFer);  β€”  Memorial  Medal  of  the  city  of  Coblence  of  the 
Marriage  of  the  Crown-Prince  William,  1829;  with  busts 
conjoined  on  obv.  (engraved  by  Bubert)  ;  β€”  Entry  of  George  IV, 
into  Hanover,  182 1  (engraved  by  C.  Voigt);  β€”  Peace  of  Paris, 
1856,  after  the  Crimean  War  (W.  Kullrich);  β€”  Marriage  of  the 
Princess  Royal  of  England  with  the  Crown-Prince  of  Prussia,  1S5S 
(W.  Kullrich); β€”  Richard  Cobden;  on  his  death,  1865,  and  Jubilee 
of  ihc  European  Peace  of  181 5  (E.  Weigand);  β€”  Marriage  of  Crown- 
Prince  WiUiam  of  Prussia,  with  Princess  Victoria  of  Schleswig- 
Holstein,  27.  February  1881 ;  β€”  Birth  of  Prince  William,  6.  May 
1882  (W.  Kullrich);  β€”  Inauguration  of  the  Gnadeiikirche  at 
BerUn,  1895  ;  β€”  Inauguration  of  the  Emperor  Frederick  Memorial 
Church  at  Berlin,  1895  ;  β€”  The  Russian  Camp  at  Kalisch,  1835  ; 
with  busts  of  Nicholas  I.  of  Russia  and  Fred.  -William  III.  of 
Prussia;  β€” Death  of  Prince  Charles  of  Prussia,  21.  January  1883  ; 


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β€”  Marriage  of  Prince  Charles  of  Prussia  with  Princess  Mary  oi 
Saxony,  26.  May  1827  (H.  Gube)  ;  ~  Prize  Medal  of  the  Exhibirion 
of  Wittstock,  1885 ,  wirii  bust  of  Princess  Mary  Anne  of  Prussia ; 

β€”  Marriage  of  Prince  Frederick  of  the  Netherlands,  with  Princess 
Louise  Augusta  Wilhelmina  of  Prussia,  21.  May  1825  ;β€”  Marriage 
of  Prince  Albrecht  of  Prussia,  with  Princess  Marianne  of  the  Nether- 
lands, at  the  Hague,  14.  September  1830  ;  β€”  50  years'  Jubilee  of 
Emanuel  von  Schimonski's  priesthood,  1825 ;  β€”  Karl  Theophil 
Anton,  Rector  of  Gorlitz,  1853  (Buberr) ;  β€”  Battle  of  Brienne, 
1814  (Stettner);  β€”  La  Belle  AUiance,  1815  (busts  of  WeUington 
and  Blticher);  β€”  Prince  Bliicher  von  Wahlstadt  (sev,  var,);  ~ 
Johann  von  Diebitsch,  Russian  general,  1829  (Pfeuffer)  ;  β€”  90''' 
Birthday  of  Field  Marshal  Count  von  Moltke,  1890  (A.  Kruger); 

β€”  Robert  SchaerfF,  of  Brieg,  f  1880  (Kullrich) ;  β€”  Friedrich 
Daniel  Schleiermacher,  theologian,  1834  (Held)  ;  β€”  Centenary 
of  Schleiermacher,  1868  ;  β€”  Johann  Steinbeck,  of  Breslau,  1819  ; 
C.F.H,,  Count  von  Wylich  u.  Lottum,  of  Lissa,  i834(K6nig); 

β€”  Field  Marshal  Hans  Ludwig,  Count  York  von  Wartenburg, 
β– |-  1830;  β€”  Commercial  Employes'  Institute  of  Breslau,  1834  (H. 
Cube);β€” The  Breslau  Lodge  of  the  Golden  Sceptre,  1826  (Gube); 
~-  Marriage  Medal  of  H.  von  Deckens,  with  Louise  Gerhard,  1828 
(Gube);  β€”  The  Cholera  Epidemics  at  Breslau,  i832(C.  Pfeuffer); 

β€”  Congress  of  Physicians  at  Breslau,  1833  (C.  Pfeuffer)  ;  β€”  Visit 
of  King  Fred.  William  III.  to  Gorhtz,  in  Silesia,  1835  (F.  Koenig); 

β€”  Agricultural  Congress  at  Breslau,  1 845 ;  β€”  Society  of  the  Twelve, 
Breslau,  1846  (Schilling);  β€”  Badge  of^ Riflemen  ofNeisse,  1850; 

β€”  Second  Centenary  of  the  Friedenskirche  at  Schweidnitz,  1852  ; 

β€”  Agricultural  Show  at  Liegnilz,  1854  '  β€”  Meeting  of  Represen- 
tatives of  the  German  Railway  Companies,  at  Breslau,  1855 ;  β–  β€” 
Riflemen's  badge  of  Breslau,  1856 ;  β€”  260"'  Anniversary  of  the 
Rifle  Brigade  of  Oels,  i860  ;  β€”  Rebuilding  of  the  Town  Hall  of 
Frankenstein,  Silesia,  1861 ;  β€”  50'''  Anniversary  ot  the  Rifle  Club 
of  Gleiwitz,  1862 ;  β€”  The  new  Evangelical  Church  at  Cbarlotten- 
brun,  1863 ;  β€” Agricultural  Show  at  Liegnitz,  1863  ;  β€”  Agricultural 
Show  at  Lauban,  1864;  β€”  Rifle  Meeting  at  Peiskretchau,  1866; 

β€”  Congress  of  Agriculturists,  at  Breslau,  1869;  β€”  Rifle  Club 
badge  of  Brieg,  1874;  β€”  Rifle  Club  badge  of  Kanth,  1874;  β€” 
Agricultural  Exhibition  at  Oels,  1874  (2  var.);  ~  Agricultural 
and  Industrial  Exhibition  at  Lauban,  1875;  β–  β€” β–   Provincial  Rifle 
Meeting  at  Glogau  (1876);  β€”  Agricultural  Exhibition  at  Neisse- 
Grottkau,  1876;  β–  β€”  Congress  of  Butchers,  Breslau,  1879;  β€” 
Agricultural  Exhibition  at  Liegnitz,  1S80;  β€”  Patriotic  Society  of 
Oels,  1884;  β€”  Agricnliural  Society  Medal  of  Lowenberg,  1892; 

β€”  25'''  Anniversary  of  Rybnik,  1893 ;  β€”  Agricultural  Exhibition 
at   Gleiwitz,   1898;  β€”  Johann  Wolfgang  von  Goethe,  1826  (F. 


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β€”  469  β€” 

Koenig);  β€” Samuel  Thomasvon  Soemmering,  1828  (C.  Pfeuffer)  ; 

β€”  Edward  Riippell,  1828  (C,  Pfeuffer);  β€”  Third  Centenary  of 
the  Dutch  community  at  Frankfort-on-M.,  1885  (G.  Kaupert  inv. ; 
O.  Schulte  F.)  ;  β€”  Third  Centenary  of  the  Augsburg  Confession, 
1830  (C.  Pfeuffer);  β€”  Medical  College  of  Berlin,  1819  ;  β€”  D'  J. 
J.  Berzelius,  of  Stockholm; β€”  D' G.  F.  von  Adeimann,  ofFulda; 

β€”  D'  J.  H.  Barth,  of  Hamburg;  β€”  D'  Blumenbach,  of  Gottingen 
(sev.  var.);  β€”  Count  D''  Ellenberger;  β€”  Goethe  (sev.  var.);  β€” 
D'  Carl  F.  von  Graefe,  of  Berlin  ;  β€” β–   D'  D.  E.  Giinther,  of  Duis- 
burg;  β€”  D''  C,  G.  Hagen,  of  Koenigsberg(2  var.)  ;  β€” -  D''Christoph 
Knape,  of  Berlin  (2  var.);  β€”  D'  J,  C.  H.  Meyer,  of  Berlin ;  β€”  D' 
H .  W .  M.  Olbers,  physician  and  archaeologist  of  Bremen ;  β€”  D'  J. 
C.  Reil,  of  Berlin;  β€”  D^-  E.  Rueppell,  of  Frankfort-on-M.;  β€” 
Schiller  (3  vac);  β€” β–   D""  S.  j.  von  Soemmering,  of  Frankfori-on- 
M.  (3  var.)  ;  β€”  D'  J.  Wendt,  of  Breslau  (3  var.) ;  β€”  Hamburg 
Hospital,  1823  ;  β€”  Prussian  Geneva  Cross  Society,  1873  ;  β–  β€”  Ger- 
man Congress  of  Naturalists  and  Physicians,  Hamburg,  1830;  β€” 
German  Congress  ofNaturalists  and  Physicians,  Breslau,  1833  ;  β€” 
Vaccination  in  Prussia;  β€”  D'  Balthazar  Kaufman n ;  β€”  Daniel 
Friedrich  Loos;  β€”  Lorenz  Oken  (really  Okenfuss),  a  famous 
naturalist,  1779-185 1  (by  Koenig);  β€”  Martin  Luther;^.  Zwingli 
and  Melanchthon,  Jubilee  of  the  Reformation,  1817 ;  β€”  Death  of 
King  Frederick  William  III.,  1840  (by  Konig) ;  β€” Golden  Wedding 
of  Count  aad  Countess  Christian  Frederick  of  Stolberg,  r8i8 ;  β€” 
Death  of  Francis  I.,  Austrian  Emperor,  1835  (by  Konig);  β€” β–   Cle- 
ment Wenceslaus  Lothaire,  Prince  Metternich,  1835  (by  Held);  β€” 
Charles,  Prince  of  Schwarzenberg  ; β€” β–   r  i'^  Centenary  of  the  discov- 
ery of  the  Teplitz  Springs,  1862;  β€”  Jewel  of  the  Lodge  of  the 
Golden  Lion  of  Dantzig ;  β€”  Semi-centennial  celebration  ot  the  Free- 
masons of  the  Lodge  of  the  Three  Gavels,  Halberstadt  (by  Schilling) ; 

β€”  Centennial  celebration  of  the  Lodge,  Ferdinand  of  Felicity, 
Magdeburg,  1861 ;  β€”  Charles,  Grand  Duke  of  Mecklenburg- 
Strelitz,  f  1816;  β€”Christian  Charles  Fred.  William,  Baron  von 
Nettelbladt,  f  1843;  β€”  Mecklenburg's  first  Masonic  Lodge,  founded 
at  Schwerin,  1854;  β€”  Inauguration  of  a  Monument  to  Frederick 
the  Great,  1840;  β€”  The  Lodge  Archimedes  of  the  Three  Trestle 
Boards,  Altenburg  ;  β€”  Johann  Wilhclm  Ellenberger  (von  Zinnen- 
dorf),  1826  ;  β€”  D'  Ehmsben,  of  Osnabruck,  1827;  β€”  Frederick, 
Prince  and  Heir  of  the  kingdom  of  Prussia,  received  into  the  Order 
of  Free  Masons,  1838;  ~  John  Michael  Palmie,  of  Berlin,  1840 
(by  C.  Pfeuffer);  β€”  Frederick  William  Louis,  Prince  of  Prussia, 
initiated  into  the  Order  of  Freemasons,  Berhn,  1840  (by  Lorenz); 

β€”  Frederick  11.,  founder  of  Freemasonry  at  Berlin,  centennial 
medal,  1840 ;  β€”  William  Louis  Victor,  Count  Henckel  von  Donners- 
marck,  1841,  etc. 


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J.  li.  Bcnnert  describes  six  Portrait-medals  of  Prince  Bismarck, 
struck  to  commemorate  various  events  of  his  life  (Bismarck- 
Medailkn,  1904),  and  issued  at  the  Loos  Mint. 

Among  the  more  important  medallists  who  worked  for  the  Loos 
Medal  Mint  and  whose  signature  occurs  in  connection  with  that  of 
G.  LOOS  are  :  H.F.  Brandt,  of  La  Chaux-de-Fonds ;  Friedrich  Konig, 
of  Berlin;  Carl  PleufFer,  of  Suhl;  Ludwig  Held,  of  Altenburg; 
Heinrich  Gube,  of  Breslau ;  W.  KuUrich,  of  Berlin;  G.  Kaupert; 
Otto  Schulte,  and  others. 

The  founder,  Gottfried  Loos,  who  died  in  1S43,  was  succeeded 
as  Director  by  L.  Ostermann,  1S43-1879  ;  Emil  Kriiger,  1879- 
1895  '  ^"^^  Arthur  Kriiger,  since  1895. 


LOOS,  GEORG  FRIEDRICH  {Germ.).  Medallist  and  Mint-engraver 
at  Nuremberg,  1742-1762,  and  Wiirzburg,  1762-17S6.  He  was' the 
son  of  Karl  Friedrich  Loos.  We  meet  with  his  signature  on  Thalers 


Thaler  of  Raiisbon,  1756    by  G.  F.  Loos. 


and  other  currency  of  Nuremberg,  Wurzburg  (Thalers  of  Adam 
Frederick,  Bishop  of  Wurzburg,  1763-1765  (2  var.)  and  Ratisbon. 
Bibliography.  β€”  As  libmie. 

LOOS,  KARL  FRIEDRICH  (Germ.).  Medallist,  and  Mint-cngraver 
at  Nuremberg,  1745-1776.  Kirmis  gives  his  date  as  1756-1770, 
and  states  that  his  issues  are  signed  :  L. 

LOQTJE  (French).  Medallist  of  the  early  part  of  the  nineteenth 
century.  His  signature  :  LOQUE  occurs  on  the  following  medals  : 
Visit  of  Pius  VIL   at  Paris,   1804   (4   var.;  one  signed  :    LOQUE 


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mvenit)  ;  β€”  Pius  Vn.,  Palis,  1805  (l?i.  Crucifix,  etc.);  β€”  Pius  VII., 
Paris,  1806,  etc. 

Bibliography.  β€”  Edwards,  The  Napoleon  Medals,  Paris,  1837. 

LORDONNOIS,  MARCEL  PROSPER  (PrmcA).  Contemporary  Sculptor 
and  Medallist,  born  at  Paris ;  pupil  of  Mouchon,  F.  Vernon  and 
Kluge.  At  the  Salons  of  1896,  1898,  1902,  1903,  1904,  and  1906  he 
exhibited  several  Medals  and  Portrait-pkquettes,  which  display  a 
good  taste  and  technical  ability.  One  of  them,  that  of  M"Β°  Dugat 
I  have  seen  ;  and  also  one  of  M"^  Jeanne  Cordonnier.  At  the  Salon 
of  1905,  he  exhibited  :  Portrait  of  M^'M.  B***;  β€” M"'  M.B.  A*'**; 

β€”  A.  Bassinet,  senator;  β€”  G.  Marion,  surgeon ;  β€”  Head  of  the 
French  Republic ;  β€”  M.  MoUier ;  β€”  Senynlu,  etc. ,  and  was  awarded 
a  Mention  honorable;  β€”  1906.  Portrait-plaquette  of  M.  Paul 
Chautard,  president  of  the  Conseil  municipal;  β€” Tir  aux  pigeons; 

β€”  Musique  ;  β€”  Diane  ;  β€”  Gallia;  -β€”  Inauguration  racdal  of  the 
Theatre  royal  at  Ostend  ;  β€”  Portrait  of  Marcclle  de  B***,  etc. 

LOREDANO,  ZXJANO  (ltd.).  Mint-overseer  at  Venice,  1590-1593. 
His  initials  Z.  L.  occur  on  some  of  his  coins. 

LORENZ,  CARL  HEINRICH  (Germ.).  Medallist  and  Coin-engraver, 
born  at  Berlin  on  the  24"' of  August  1810;  died  in  the  seventies. He 
studied  first  at  the  .Berlin  Academy,  then  at  Vienna,  visited  Italy, 
and  returned  to  Berlin,  where  he  was  working  up  to  1848,  when  he 
obtained  employment  as  Engraver  and  Medallist  to  the  Mint  of 
Altona,  from  the  Dani.sh  government.  From  1859  to  1861  he  filled 
the  post  of  Chief  Medallist  at  St.  Peteirsburg,  and  definitely  settled 
at  Hamburg  towards  the  end  of  1S61.  For  some  years  he  worked 
in  conjunction  with  his  son  Johann,  their  joint  productions  being 
signed  :  H.  LORENZ  0.  SOHN. 

By  Heinrich  Lorenz  are  the  following  medals  :  Portrait- medal 
of  Gutenberg;  β€”  Ministerial  Director  Beuth;  β€”  Prize  Medal  of 
the  Hamburg  Agricultural  Exhibition,  1869 ;  β€”  Hamburg  Ktinstler- 
Verein,  1869  (signed:  LOREWZU.  SOHN);  β€”  The  United  Masonic 
Lodges  of  Hamburg,  1870-71  (signed  :  H.  LORENZ  U.  SOHN)  ;  β€” 
D'  Christoph  Heinrich  Pfaff,  of  StuttgaYt,  1843  (2  var.); β€”  Chol- 
era, Chiavari,  1837;  β€”  Commemorative  medal  of  the  German 
Industrial  Exhibition  at  Berlin,  1844;  β€” β–   The  Holsteln-Schleswig 
Insurrection,  1848-1851;  β€”  Frederick  William  Louis,  Prince  of 
Prussia,  initiated  into  the  Order  of  Free  Masons,  1 840 ;  β€”  William 
Louis  Victor,  Count  Henckel  von  Donnersmarck,  1841 ;  β€”  Monu- 
ment to  Frederick  the  Great  at  Breslau,  1840 ;  β€”  Patriotic  Society 
of  Schweidnitz-Jauer;  β€”  Prince  and  Princess  Leopold  of  Lippe, 
25"'  Anniversary,  1845;  β€”  Commemorative  medal  of  the.  First 
Diet  at  Frankfort-on-M.,  1848  (LORENZ  F.).  .    . 


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-  472  β€” 

Lorenz  signed  his  medals  :  lORENZ;  β– β€” H.LOBENZ;  β€”  H.  L. 

Both  he  and  his  son  were  employed  by  the  Loos  Medallic  Mint 
to  cut  dies  for  medals  at  various  times, 

BiBUOGiiAPHV.  β€”  Boli^enthal,  op.  at.  β€”  Fried eiisburg,  op.  cil.  β€”  Menadier, 
op.  cH. 

LORENZ,  HANS  {Gcrm.).  Mint-warden  at  Teschen,  1620-162^ 
and  1643-1649. 

LORENZ,  JOHANN  JACOB  (Germ.).  Medallist  to  the  Mint  of  Ham- 
burg, born  at  Berlin,  24.  June  1845,  died  29,  August  1887.  He  wa^ 
the  son  of  the  medallist  Carl  Heinrich  Lorenz,  Irom  whom  he 
received  his  first  tuition.  From  1864  to  1867,  he  was  a  student  at 
the  Berlin  Royal  Academy  of  Arts,  and  while  residing  in  the  Prus- 
sian capita!  lie  occasionally  worked  for  the  Loos  Medallic  Mint. 
He  then  visited  Dresden  and  was  employed  there  by  the  Court- 
medallist  Friedrich  Hermann  Jahn.  By  the  end  of  1868  we  find 
him  back  at  Hamburg,  On  the  opening  of  the  mint  of  Hamburg, 
in  1874,  he  was  appointed  Medallist  and  Mint-engraver,  and  he 
died  in  office,  from  an  apoplectic  fit  brought  on  by  overwork. 

Johann  Lorenz  is  the  author  ot  numerous  Medallic  works, 
Reliefs,  Portraits,  Commemorative  medals,  etc.,  some  of  which  he 
executed  in  conjunction  with  his  father.  The  coins  struck  at  Ham- 
burg, from  1874  to  1887,  were  also  engraved  by  him.  Among  his 
best  known  productions  are  :  Large  official  commemorative  medal 
of  the  Completion  of  Cologne  Cathedral,  1880 ;  β€”  Meda!  of  Ger- 
man Coastguards  and  Seamen,  1881;  β€”  Prize  Medal  of  the  Geo- 
graphical Society  of  Hamburg,  with  bust  of  the  burgomaster  Gustav 
Heinrich  Kirchenpauer,  i88r;  β€”  Burgomaster  Hermann  Ant. 
Corn.  Weber,  1885 ;  β€”  Portrait-medallion  of  Carl  Heinrich 
Lorenz;  β€”  Baptism  of  the  medallist's  daughter,  Anna,  24.  August 
187S;  β€”  The  United  Lodges  of  Hamburg,  1870-1871  (signed  : 
LORENZ  D,  SOHn)  ;  β€”  Prince  Bismarck ;  β€”  The  Curiosities  of 
Hamburg;  β€”  Hamburg  Kutistler  Verein,  187; ;  β€”  Portrait- jeton 
of  Prince  Bismarck  (1871);  β€”  Prince  Bismarck,  1872  (edge 
insctibed  :  NIGHT  NACH  CANOSSA) ;  β€”  D"-  John  Martin 
Lappenberg,  numismatist,  of  Hamburg,  1864. 

"Lorenz  Starb",  observes  D' Erbstein,  "daec  sich  bel  seinem 
rastlosen  Eifer  eine  Nervenkrankheit  zugezogen,  in  Folge  eines 
Gehirnschlages.  VonermudlichemSchaffensdrangebeseelt,begeistert 
fiir  alles  Schone,  neidlosgegen  Andere,  mit  den  trefilichsten  Eigen- 
schaften  des  Herzens  ausgestattet,  hinterlasst  er  bei  seinen  zahlreichen 
Freunden  auch  als  Mensch  das  beste  Andenken. 

Bibliography.  β€”  D'  Erbstein,  Blatter  fiir  Mdnifnundc,  1887,  col.  1534. 

LORENZ,  PAUL  (Germ.).  Mint-engraver  at  Breslau,  1627, 

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LORBNZALE  (Span.).  Designei'  of  a  medal,  engraved  by  Jubany, 
on  the  Inauguration  of  the  Barcelona  to  Matano  Railway,  1848. 

LOREHZANUS,  J.  AND.  (ltd.).  According  to  Bonanni,  Numismata 
Pontificum  Romamriim,  vol.  II,  p.  7S5,  n"  XI,  Lorenzanus  engraved 
a  medal  with  bust  of  Pope  Alexander  VIII.,  commemorating  the 
gift  by  Queen  Christina  of  Sweden  of  her  library  to  the  Vatican, 
1690.  Hildebrand  describes  the  piece  from  Bonanni's  drawing. 

Bii!UOGiiAPH\-.  β€”  Hildebrand,  o/>,  dt.,  1, 321. 

LORENZO  PARMENSE.   Vide  FRAGNT  (Vol.  II,  p.  133). 

LORENZO  DE'  MEDICI,  snrnamed  the  Magnificent,  Ruler  of  Plo- 
rence,    1469-1492,     and    the    greatest   Patron    of   Art  that    ever 


Portrait  of  Lorenzo  de'  Medici,  by  Domeaico  di  Polo 
(enlarged  from  the  cameo  in  the  Biblioth^que  Nationals,  Paris). 

lived.  He  gathered  around   him  all  the  most  renowned  painters, 
sculptors,   gem-engravers,  literati  and   poets  of  his  time.   At   his 


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court  at  Florence,  Michel  Aogelo  essayed  the  first  strokes  of  his 
chisel,  and  many  artists,  amongst  them,  Brunelleschi  and  Donatello,' 
owed  their  prosperity  to  the  protection  of  this  enUghCened  Prince. 

"Laurent",  says  Muntz  {Histoire  de  I'Art,  vol,  1,  p.  56),  "  est 
I'arbitre  du  goflt;  c'est  lui  qui  dirige  revolution  supreme  de  la 
Renaissance  florentine,  ec  dont  les  artistes  ou  les  amateurs  de  I'ltalie 
enti^re  sollicitent  respectueusement  les  arrets  ;  Thomme  d'iniciative 
qui  ddcouvre  les  talents  nouveaux  et  Tamateur  prodigue  dont  les 
largesses  peuplent  Florence  de  chefs-d'ceuvre.  " 

"Lorenzo's  intellectual  powers  were  of  exceptional  strength 
and  versatility.  He  could  speak  with  equal  fluency  on  painting, 
sculpture,  music,  philosophy  and  poetry.  But  his  crowning  superior- 
ity-over  every  other  Maecenas  known  to  history  lay  in  his  active 
participation  in  the  intellectual  labours  that  he  promoted  (Encycl. 
Brit.). 

Loreii/^ode'  Medici  wasan  enthusiastic  collector,both  of  antiques  as 
well  as  of  gems  cut  in  his  own  day.  The  finest  cameo  in  his  collec- 
tion was,  perhaps,  the  Tazza  Farnese,  which  is  now  in  the  museum 
at  Naples.  Many  of  the  gems  which  belonged  to  htm,  and  are  now 
dispersed  chiefly  in  the  museums  of  Naples,  Florence,  and  Paris, 
bear  the  inscription  "LAVRMED". 

But  not  only  was  he  by  far  ' '  the  most  celebrated,  as  he  was  the 
most  powerful  and  the  richest",  says  Davenport  {Cameos,  1900, 
p.  52),  "but  he  was  also  probably  areallover  andjudge  of  first-rate 
art  for  its  own  sake.  He  gave  advice  and  directions  to  medallists 
and  gem-engravers,  showing  what  keen  interest  he  took  in  that 

E articular  branch  of  art.  Giovanni  detle  Corniole  was  one  ot 
orenzo's  favourite  cameo-and  intaglio-cutters,  and  one  of  his  pupils, 
Domenico  di  Polo,  executed  a  fine  cameo -portrait  of  the  Prince 
(illustrated),  which  is  preserved  in  the  Cabinet  des  M^dailles  of  the 
Biblioth^ue  nationale,  Paris. 

BiBLiOGRAjHV.  β€”  Fide  also  Vol.  I.,  Introd. 

LORFELIN  or  L'ORFELIH.  Fide  DARMAND  L'ORFELIN  and  JEAN 
DARMAND  (/(V  L'ORFELIN  (Vol.  I,  p.  336).  Mint-engraver  at  Paris, 
born  about  1600 ;  died  there  6.  December  1669.  He  became  Mint- 
engfaver  General,  1626.  Fide  ORPHELIN  infra. 

L'ORFilVRE,  REMI  (^French).  Goldsmith  and  Die-cutter  at  the  Mint 
of  Sainte-Menehould,  circ.  1394-1402. 

LORIEUX,  JULIEN  (French).  Contemporary  Sculptor  and  Medallist, 
born  in  Paris;  pupil  of  Alph^e  Dubois  and  Georges  Lemaire.  He 
has  been  very  successful,  and  his  exhibits  at  the  Salons  since  1899 
have  met  with  approval  from  the  best  critics. 

His  medalUc  productions  are  not  numerous.  I  have  only  noticed  : 
Vierge(i4mill.); β€” Premiere  Communion  (Plaquette  without^.); 


,,Goot^lc 


~  475  β€” 
β€”  St.Sehzsthn(ilhislnited).^Th(i  Villagerand  the  Serpent  (thelast 
two  executed  in  commission  for  the  iirm  of  Artluis  Berlrand   el 
B^ranger,  of  Paris) ;  β€”  Premiere  Communion  (Medal)  ;  β€”  Virgin 
and  Ciiild,  etc. 


"  St.  Sebastien  ",  observes  M.  Babelon,  in  Sevue  de  I'Art,  1903, 
ir,  26,  "  est  une  excellenie  etude  d'anatomie ;  il  y  a  de  lasonplesse 
dans  le  models  de  ce  grand  corps  renvers^  en  arrifere  et  perce  de 
fl^ehes. " 

LORION,  GABRIEL  NICOLAS  LOUIS  {French).  Contemporary  Gem- 
engraver,  bom  at  Paris ;  pupil  of  Lucien  Staiget.  This  artist 
exhibited  at  the  Salon  of  1886  a  sardonyx  cameo  representing 
Herakles. 

LORME,  ABEL  DE  (French).  Director  of  the  Mint  at  Perpignan, 
1829-1837;  distinctive  mark  'β–   a  bunch  of  grapes, 

LORMIER,  fiDOTIARD  (French).  Contemporary  Sculptor,  bom  at 
St.  Omer  in  1847;  pupil  of  Jouffroy.  By  him  are  a  number  of 
Portrait-medallions  :  1868.  V.  Lormier;  β€”  1865).  M"^  F.  Lor- 
mier;  β€”  1873.  C.  Lormier;  β–  β€”  U.  Lormier;  β€”  1874.  M.  Le 
Mari^  des  Land^lles;  β€”  1888.  AlfredLeroux; β€”  1900.  Plaquette 
(souvenir  du  Palais  de  I'Optique),  a  very  pretty  work. 


,stsd  by  Google 


β€”  47^  β€” 

LORRENNE,  JEHAN  DE  (French).  Mint- master  and  contractor  at 
Tours,  circ.  1426-1^129,  in  conjunction  with  jehan  de  Chante- 
merle,  Guilkume  Le  Roy  and  Jehan  Alleaume.  They  struck  Blancs 
of  Charles  VIT.,  bearing  as  mint-mark,  a  tower. 

Bibliography.  β€”  Faivre,  Elat  actuel  des  AuUers  monetaires  fraiifais. 

LORRIS,  GUIUAUME  DE  (French).  Known  also  as  GUILLEBMIN, 
or  GUILLEMIN  DE  LOBRIS,  or  DE  LORRY,  1350-1371.  He  was 
appointed  Die-cutter  at  the  Mint  of  Lyons,  and  engraved  jetons 
(getouers)  for  Louis  de  France,  Duke  of  Orleans. 

Bibliography,  β€”  Rondoi,  Les  Gravmirs  de  Lyon,  1897.  β€”  Rondot,  and  De  La 
Tour,  op.  cii. 

LORTHIOR,orr.OHTHIOIR,  PIERRE  JOSEPH  (French).  Sculptor  and 
Medallist,  born  at  Lille  on  the  22.  January  1733, became  "  Engrav- 
er to  the  King"  in  1776,  and  died  at  Paris  on  the  8*  of  March 
1813,  at  the  age  of  eighty. 

He  is  the  author  of  a  number  of  medals  and  jetons,  also  medal- 
lions and  plaquectes  "ot  elegant  design  and  fine  execution  ",  and 
he  took  part  in  1791  in  the  competition  for  the  coinage.  He  was 
especially  clever  as  an  Engraver  of  seals  and  gaming  counters,  and 
produced  some  good  work  in  gems. 

Lorthior  signed  :  LORTHIOR.P. ;  β€”  LORTHIOR.  LOR.F.;  or  Lorthior. 

The  following  medallic  productions  by  him  are  described  by  Van 
Hende  :  Medals  and  Jetons.  De  Caumartin,  1756;  β€” β–   Due  de  Berry, 
1761 ; β€”  Comtede  Provence,  1771;  β€”  ProcureursauChatelet,  1766 
signed  :  LOR.);  β€”  Constabulary  of  France,  1770;  β€”  Louis  Pheli- 
peaux,  Comre  de  St,  Floresitin,  177S;  β€” Another,  of  1770 ;  β€” 
Due  de  Choiseulj  1765 ;  β€”  Marriage  of  the  Dauphin,  1770;  β€” 
Madame  la  Dauphine,  1770 ;  ^-  Comte  d'Artois  (later  Charles  X.), 
1773  (118  mill.);  β€”  Comte  d'Artois,  1775;  β€”  Academie  de 
Marine,  1769;  β€”  ficole  dcs  Beaux-Arts,  1774;  β€”  Caisse  d'Es- 
compte,  1776;  β€”  Ordre  de  St, -Louis  (remis  en  honneur  par 
Louis  XVI),  1779 ;  β€”  fitats  de  la  Flandre  wallonne  (signed  : 
LtlR,F,);  β–  β€” .  De  Montbarey,  1778;  β€”  Duchesse  d'Aumont  (sev. 
var.);  β€”  Charles  Alexandre  de  Calonne,  1784;  β–  β€”  Visit  to  the 
Paris  Mint  of  the  Princes  of  Lorraine,  1786  ;  β€”  "Maison  philanthro- 
pique  "  of  Versailles,  17S6 ;  β€”  "  Maison  philanthropique  "  of  Paris, 
1781  ;  β€”  C.  Gravier,  comte  de  Vergennes,  1784 ;  β€”  Sugar  Refi- 
neries of  Bordeaux,  1786 ;  β€”  The  City  of  Bordeaux;  β€”  Marquis  de 
Beaupreau;  β€”  Muguet-Daugeret  de  Montgant  of  Lyons,  1782 
(signed  :  LOR.) ;  β€”  City  of  Lyons  (signed  :  LOR.  F.)  ;  β€”  Sir  James 
Harris,  1786 ;  β€” β–   Louvenie  ;  β€” β–   V^tferance  des  Sergents ;  β€”  Corres- 
pondance  generale  et  gratuite  pour  les  sciences  et  les  arts,  1777 ; 
β€”  OTIUM  CUM  DIGNITATE,  1780;  β€”  Capitainerie  voyale  des 
chassesde  la  Varenne  du  Louvre,  MDCCLXXII;  β€”  Th^tre  de  la 
Salle  Louvois;β€”  Brevet  d'invention;  β€”  Hunting,  &c. 


,/ Google 


Seals  and  Gems.  Seal  of  Madame  la  Daupliine  (2  var.) ;  β€”  Seal  of  the 
Comte  d'Artois;  β€”  Seal  ol  Queen  Marie  Aiitomette  of  France, 


Obv.  of  Pattern  Ecu  of  Louis  XVI.,  1796,  byl-orthior. 

1774;β€”  Seal  of  ihc  Due  d'Orleans  (ex.  MDCCLXXXII.  LOR- 
THIOR  IN  ET  S)  ;  β€”  Signet,  PRUDENCE  SUCCES;  -  Various 
other  private  signets- 

'     "    '    "  'β– β– '-*β€”'  β– β– β– ;β– .β–   j^^HBtt 


Repentir,  Pkqueite  by  P.  Lorthior, 


atdb,  Google 


-  478- 

Coins.  Pattern  of  1^.  of  Louis  XVI.  Double  Louis  of  48  livres, 
1786;  β€”  Pattern  of  '^.  of  20  Sols,  1785 ;  β€”  Pattern  of  obv.  of 
Louis  XVL  hcu,  1791  (illustrated);  β€”  Obsidional  Bon  pour 
40  Sols  a  ^changer  en  Assignats  par  Dairolant  ct  Comp.  I'an  4  de 
la  Lib.  1792;  β€”  Pattern  5  Ddcimes,  an  8  (2  var.);  β€”  Pattern 
2  D^cimes,  an  8  (signed  :  LOR  F.). 

Plaquettes.  Recompense  et  Punition  (119  X99  mill.);  β€” 
Seduction;  β€”  Repentir  (illustrated);  β€”  Prudence  (signed  :  LOR- 
THIORβ€” AN  1805) ;  β€”  Succcs. 

Lorthior  wrote  in  1791  a  Memoire  on  the  manufacture  of  assi- 
gnats which  he  addressed  to  the  Assembl^e  nationale. , 

Bin  LI  OGR  A  PHY,  β€”  Ed.  van  Heiide,  P.  Lorlhior  ei  son  ceuvre,  Lille,  1898.  β€” 
N.  Rondot  and  H.  De  La  Tour,  Les  MedailUttrs  et  les  Graveurs  de  monnaies  en 
France,  Paris,  1904.  ^  Bulletin  de  numismatique,  189B,  p.  77.  β€”  Revue  beige 
de  numismatique,  1877,  p,  jio. 

LOSCH,  FRANZ  XAVER  or  JOSEPH  (Germ.).  Medallist,  born  in 
1770  at  Ambergj  died  in  1826;  pupil  of  j.  G.  Whitska.  He  resided 
at  Munich,  and,  says  Bolzenthal,  "was  much  employed  by  the 
Bavarian  Court,  and  one  of  the  first  who  in  Germany  exercised  the 
art  in  fine  taste  and  after  the  example  of  the  French  in  the  old 
style.  His  numerous  productions  prove  this;  they  chiefly  refer  to 
events  in  the  reign  of  King  Maximilian  Joseph.  " 

He  was  appointed  Chief-engraver  at  the  Mint  of  Munich  in  1808. 
In  1810  he  visited  Paris. 

Amongst  Losch's  medals  I  may  mention  :  Death  of  Celestin 
Steiglehner,  last  Prince  Abbot  of  St.  Emmeran's  Benedictine  Institu- 
tion at  Ratisbon,  1819;  β€”  Presentation  Medal  of  the  States  of 
Bavaria  to  King  Maximilian  Joseph  on  the  first  Anniversary  of  the 
Constitution,  1819;  β–  β€” β–   25'''  Anniversary  of  Mas-Joseph's  Reign, 
1824;  β€”  Marriage  of  Prince  Frederick  William  of  Prussia  with 
Princess  Elizabeth  Louise  of  Bavaria,  16.  November  1823  (IJi,.  by 
Sciglmaier);  β€”  Marriage  of  the  Emperor  Francis  II.  with  Princess 
Caroline  of  Bavaria,  1816 ;  β€”  Death  of  Prince  Maximilian  Joseph, 
1803 ;  β€”  Medal  of  Merit,  1801 ;  β€”  Restoration  of  the  Kingdom 
of  Bavaria,  1806  (2  var.);  β€”  Medal  of  Merit  (Der  Tapferkeit);  β€” 
Another  (Dew  Ferdienste,  &.c.);  β€”  Peace  of  Tilsit,  1807; β€” β–   Jeton 
(seared  philosopher);  β€”  Medal  of  tlie  Academy  of  Sciences;  β€” 
Others (4  var.  (a)  Minerva  standing;  (b)  MERENTI;  (c)  INGENIO 
ET  INDUSTRIA;  (d)  OB  MILITES,  &c.);  β€”  Wiirzburg  Polytech- 
nic School;  β€”  Inauguration  of  the  Royal  Mint,  1809;  β€”  The 
Bridge  over  the  Isar,  1814;  β€”  Visit  of  Alexander  I.  of  Russia  to 
Munich,  1815 ;  β€”  Visit  of  Francis  I.  of  Austria,  181 5;  β€”  Soolen- 
teigung  Berchtesgaden,  1817;  β€”  "Sanftmuth";  β€” β–   Lion  Monu- 
ment ofVilshofen,  1823;  β€”  Various  Proclamation  Medals,  1824, 
of  Munich,  Memm.ingen,  Sonnthofen,  Landshut,  &c. ;  β€”  Jeton  of 


,/ Google 


β€”  479  ~ 
1824;  β€”  Laying  of  the  foundation  stone  of  the  Synagogue  at  Munich, 
1824;  β€”  Rebuilding  of  the  K.  Hofthearer,  1824;  ~  "The  fine 
Fountain"  at  Munich,  1824;β€” Visit  of  the  Archdulce  Francis 
Charles  to  the  Royal  Mint,  1824;  β€”  Visit  of  Prince  John  of 
Saxony  to  the  Royal  Mint,  1824;  β€”  Medals  of  celebrated  Men 
(for  the  Durand  Series);  β€”  Portrait-medal  of  Queen  Karoline 
Friederike  Wilhelmine;  β€” Visit  of  the  Crown  Prince  Ludwig  I.  of 
Bavaria  to  Innsbruck,  1810;  β€” β–   Laying  of  the  foundation  stone  of 
the  Glyptothek  at  Munich,  1816;  β€”  King  Ludwig  of  Bavaria ;  β€” 
Another;  ^.  RERVM  COGNOSCERE  CAVSAS;  β€”  Marriage  of 
the  Crown  Prince  Ludwig  with  Princess  Therese  Caroline  of  Saxe- 
Altenburg,  iSio;  β€”  Eugene  de  Beauharnais,  Vice-Roy  of  Italy, 
1824;  β€”  Maximilian  I.,  Duke  of  Bavaria,  1821 ;  β€”  Fountain  of 
Nuremberg,  1829  ;  -β€”  The  Pantheon  of  Rome;  β€”  The  Academy 
of  Bavaria,  &c. 

Ldsch,  who  always  signed  his  medals  :  LOSCH,  is  given  the 
Christian  name  of  JOSEPH  by  Kull,  and  tlie  period  of  his  activity 
at  Munich  is  placed  between  1802  and  1826. 

Bibliography.  β€”  Bokenthal,  op.  cit.  β€” Menadier,  op.dS.  β€”  Sale  Cuhihgves. 
β€”  Kull,  Reperiorium  \iir  Mitt^ktmde  Bayerns,  Muiichen,  1900, 

LOSCH,  JOSEPH  JUMK(Gfβ„’.).  A  son  of  the  last,  was  born  at 
Munich,  1S04;  also  a  Medallist,  died  at  Munich,  in  1843.  He 
became  Chief  Medallist  to  the  Munich  Mint  in  1834,  and  executed 
many  interesting  medals  of  fine  workmanship. 

Bibliography.  β€”  Kull,  op.  cit.  β€”  Beierlein,  op.  cit.,  IV,  no  75.  β€”  Singer, 
Allgcmeines  Kztmthr  Lexikon,  1898. 

LOSE,  ALBRECHT  (Germ.).  Mint-master  at  Wiesbaden,  1560. 

LOSEN  (Germ.').  I  have  met  with  the  signature  :  LOSEN  F.  on  a 
medal  of  Francis  II,,  Emperor  of  Austria,  1813. 

LOSSIER,  JlDOOARD  (Swiss).  Designer  of  numerous  Swiss  mtidals, 
struck  during  the  last  twenty  years  at  Geneva,  and  engraved  by 
H.  Bovy,  C.  Richard, G.  Hantz  and  others. They  mostly  commem- 
orate lo&il  events  of  Geneva. 

BiiSLiOGRAPHY.  β€”  Bulletin  et  Revtie siiisses  de  mimismaiique,  1882-1902. 

LOTH,  JOHANH  JOSEF  (Bohem).  Mint-engraver  at  Prague,  1717, 
A  Thaler  of  that  date  (Joachimsthal  Miningthaler)  bears  his  ini- 
tial L.,  and  has  on  obv.  a  laur.  bust  of  the  Emperor  Charles  VI. 

LOTHEBURY,  RICHARD  DE  (Brtt.).  Mint-master  at  St.  Edmunds- 
bury,  under  Edward  I. 

LOTTARD,  FOURNIER  (French).  Mint-engraver  at  Valenciennes, 
circ.  1434. 


,stsd  by  Google 


β€”  48o  β€” 

LOTTIK,  ANTOIKE  FRA'NgOIS  (French).  Coin-engraver  and  engi- 
neer, born  at  Paris  on  23.  September,  1740,  died  at  Orleans, 
6.  February  1808.  I  have  been  unable  to  trace  any  other  particulars 
concerning  this  artist. 

Bibliography.  β€”  Chavignerie  ct  Auvray,  op.  cit. 

LOUGH  (Brit.').  Designer  of  a  Portrait-medal  oi  Edward  Forbes, 
engraved  by  L.  C.  Wyon,  in  1854. 

LOUIS  (French).  Engraver  at  Paris,  arc.  1670-1675,  He  is  the 
author  of  some  jetons  of  the  city  of  Paris. 

LOUIS,  HUBERT  NOEL  (French).  Contemporary  Sculptor,  born  at 
St.  Omer  (Pas-de-Calais)  on  the  r^' of  April  1839;  pupil  of  Jouffroy, 
By  him  are  Portrait-medallions  cast  in  bronze  :  Abbe  Derguesse, 
1867;  =  M"*  L.  B*'*  (medalhon  in  silver),  1869;  β€”  Abb6  Binet 
(med.  in  silver),  1S73  ;  β€”  President  Quenson,  1875 ;  β€”  M.  B***, 
1877;  &c.  His  productions  in  sculpture  and  statuary  arc  both 
numerous  and  important. 

EliiLiOGKAPHY. β€”  Chavignerie  et  Auvray,  op.  oit, 

LOUIZI  (Ital.).  Medallist  of  the  first  half  of  the  nineteenth  cen- 
tury, who  worked  for  Durand's  series.  His  signature,  LOUIZI  F. 
occurs  on  a  Portrait-medal  of  Pasquale  de'  Paoh,  the  Corsican 
patriot,  on  his  death  at  London,  1807  (published  in  1844), 

Bibliography-β€”   D' F.  P.  Weber,  op.  rif.,p.  iiR. 

LOUP,  AKTOIHE  (French).  Goldsmith  of  Lyons,  was  employed  as 
Die-cutter  at  the  Mint  there.  On  14.  September  1429  he  was 
appointed  Engraver  to  the  Mints  of  Romans,  Mout^limar  and  Cre- 
mieu,  and  he  remained  in  cfKce  until  his  death  in  1433. 

BmLioGRAPHY.  β€”  Rondot,  Gvaveurs  lyoiinais,  β€”  Rondot  and  Dc  La  Tour, 
op.cil.,  p.  145. 

LOURS,  GOLIN  (French)..  Goldsmith  and  Seal-engraver  of  Arras, 
clrc.  1387,  who  worked  for  the  Comte  de  Nevers. 
Bibliography.  β€”  Lecoy  de  la  Marche.  Les  Scmux,  Paris,  1889. 

LOUVET,  JACQUES  (French).  Mint-master  at  Saint-L6,  1522- 
1523. 

LOUVIERS,  JACQUES  DE  (French).  Mint-master  at  Paris,  circ. 
1535.  There  is  a  jeton  with  his  arms,  engraved  by  Guillaume 
Feu  ret. 

LOVETT,  GEORGE  HAMPDEN  (Anier.).  Medallist,  born  at  Philadel- 
phia, February  14,  1834,  died  at  Brooklyn,  Januaij  28,  1894. 
The  following  particulars  of  this  Engraver's  hfe  are  borrowed 


,,Goot^lc 


β€”  4^1  ~ 
from  Mr.  W.  E.   Weeks'  obituary  notice  in  Amcr.  Journ.  of  Numis- 
matics, April  1894,  p.  104. 

"When  still  an  infant,  Lovett's  father  moved  to  New  York, 
and  there  the  artist  spent  the  greater  part  of  his  life.  His  father, 
Robert  Love tt,  and  his  brothers  JobnD.,  and  Robert,  all  of  whom 
he  outlived,  were  die-sinkers.  Atter  giving  George  a  common 
school  education,  his  father  took  him  into  his  employ,  at  the  age 
of  sixteen,  to  learn  the  art  of  engraving  and  die-sinking.  He  spent 
the  rest  of  his  life  at  that  business,  in  New  York  City,  and  during 
the  last  twenty-five  years,  he  resided  in  Brooklyn. 

"In  March  1873,  he  issued  a  circular,  in  which  he  claimed 
"  thai"  medal  die-sinking  is  a  distinct  branch  of  art";  thus  showing 
his  own  high  estimate  of  the  possibihties  of  his  profession.  He 
thought  "competition  for  national  coins  and  medals  should  be 
thrown  open  to  all  ".  Solomon  said,  "  Of  making  many  books 
there  is  no  end  ".  If  he  could  have  seen  the  hundreds  (shall  we  say 
thousands)  of  medals,  to  which  G.  H.  Lovett  stood  sponsor,  he 
certainly  would  have  included  medals  also  in  his  ejaculation.  As 
one  of  his  friends  somewhat  mildly  expresses  it,  "  he  was  prolific  ". 
He  certainly  was. 

"Ill  his  advertisement,  in  April  1879,  in  the  American  Journal  of 
Nutnis}}iatics ,  which  continued  in  the  Journal,  without  change, 
until  October,  1890,  he  referred  to  but  four  of  his  patrons  by 
name,  Hamilton  College  of  the  City  of  New  York,  the  American 
Institute,  and  the  Whiting  Manufacturing  Company.  He  announced 
as  on  hand,  for  sale,  the  issues  of  Mr.  Wood's  series  and  of  the 
New  York  Medal  Club.  He  advertised  to  design  and  execute  Medals 
for  Societies,  Schools  and  Colleges,  and  promised  particular  atten- 
tion to  Political  Tokens  and  Commemorative  Historical  Medals  and 
Numismatic  Series. 

"Lovett  kept  no  list  of  his  productions,  many  of  which  he 
donated  to  the  American  Numismatic  and  Archaeological  Society. 
His  medals  tell  the  story  of  the  Centennial  Exposition,  Phikdelphia, 
1876 ;  β€”  the  World's  Industrial  and  Cotton  Centennial  Exposition, 
New  Orleans,  1885;  β€”  the  North,  Central  and  Sonth  American 
Exposition,  New  Orleans,  1886;  β€”  the  Piedmotit  Exposition, 
Atlanta,  1887;  β€”  the  American  Exhibition,  London,  1887;  β€” 
and  the  World's  Columbian  Exposition,  Chicago,  1893.  Numisma- 
tic, Flistorical,  and  Agricultural  Societies,  Colleges  and  Schools,  and 
the  Social  Clubs,  American  and  foreign,  the  Masons,  Odd  Fellows, 
Grand  Army,  National  Guard,  firemen  and  politicians  have  sought 
his  aid,  time  and  time  again. 

"  His  work  commemorates  the  battles  and  principal  events  of  the 
Revolution  and  the  Civil  War,  the  erection  of  statues  and  monu- 
ments, and  the  dedication  of  cathedrals,  churches  and   pubhc  or 

L.  FoRKEK.  β€”  Biogmfhki^l  Nolkn  uf  Midnttiili.   β€”  III.  Jl 


>stsd  by  Google 


β€”  4f^2  β€” 

historic  buildings.  Medals  were  designed'  by  him  to  celebrate 
events  abroad  as  well  as  at  home.  He  cut  the  dies  for  the  coins  of 
Honduras,  and  for  the  plantation  or  hacienda  currency  on  the  Island 
of  Cuba.  The  Lord's  Prayer,  on  a  diameter  of  less  thaa  half  an 
inch,  he  cut  without  the  aid  of  a  reducing  machine. 

"  His  membershipin  the  American  Numismatic  and  Archaeolo- 
gical Society  dates  from  December  23,  1867.  He  engraved  the 
plate  for  the  printing  of  certificates  of  membership,  and  cut  the 
dies  for  the  striking  of  membership  medals  of  the  Society  in 
1876. 

"  He  was  married  three  times.  His  first  wite  was  Sarah  Basmore. 
He  married  his  third  wife,  Mary  A.  Turzanski,  September  7, 1868. 
She  survives  him,  with  three  children,  Mary  Emma  Lovelt, Robert 
Lovett,  and  Joseph  P.  Lovett, 


Medalet  of  George  Washington,  by  G,  H,  Loveit, 


"  His  last  illness  was  but  short,  but  he  had  been  in  failing  health 
for  several  years.  He  had  a  press  at  his  house,  where  he  could 
work  quietly  and  without  interruption.  Only  a  short  time  before 
his  death,  he  brought  home  a  gold  plancbet  to  strike,  and  told  his 
wife  he  should  spend  the  afternoon  at  home  striking  the  medal. 
When  night  came,  he  said,  with  evident  feeling,  that  he  was  too 
feeble  to  undertake  the  work,  and  he  should  have  to  get  someone 
else  to  do  it.  Death  had  set  his  seal  upon  him !  He  died  of  nervous 
prostration,  January  28,  1894,  at  his  residence.  No,  26.  IrvingPlace, 
Brooklyn". 

Among  the  works  of  G.  H,  Lovett  which  have  come  under  my 
notice,  I  may  mention  :  Series  of  16  Portrait-Medalets  of  U.S.A. 
Presidents,  from  Washington  (illusirated)  to  Lincoln  (some  signed  : 
G.  H.  LOVETT ;  β€”  G.H.L. ;  β€”  and  GHL^^ ;  Others  unsigned)  ;  β€”  Several 
medals  of  Washington ;  β€”  D'  E,  K.  Kane  (3  var.) ;  β€”  D'  Valentine 
Mtitt,  Med.  Dep'  of  University  of  New  York ;  β€”  St.  John's  Float- 
ing Hospital,  New  York; β€”  Washington  Kranken-Unterstiitzung's 
Verein  ;  β€”  Dedication  of  the  Masonic  Temple  in  New  York,  June 


,,Goot^lc 


-  4^3  - 
1875; β€” ^  Benjamin  Franklin;  β€” ^  The  Olive  Branch  Lodge,  1S77; 
β€”  Lake  City  Lodge;  β€”  Hopkins  Lodge,  Black  Jacques  Grove, 
Texas; β€”  Holland  Lodge,  State  of  New  York;  β€”  Solomon's 
Lodge,  N"  I.  Po'keepsie,  New  York;  β€”  Armory  Seventh  Regi- 
ment, Grand  Lodge,  New  York;  ^  Inauguration  of  the  Railway 
from  Bahia  de  laHabana  to  Matanzas,  Cubaj  1858,  etc. 

The  present  owners  of  Geo.  H.  Lovett's  works  are  ROBERT 
SNEIDER  &  CΒ°.  145,  Fulton  St.,  New  York  (?.  v.). 

Bibliography.  β€”  W.  R.  Weeks,  I  c.  - 
The  Medals  of  Washington,  Philadelphia, 
1891. 

LOVETT,  JOHN  D.  (Amer.).  Brother  of  the  last ;  also  a  Die-sinkei 
at  NewYork. 

LOVETT,  ROBERT  (Amer.).  Father  of  G.  H.  Lovett.  Die-sinker 
at  Philadelphia,  later  at  New  York.  By  him  are  various  medals,  one 
of  which,  that  of  the  Medical  Society  of  New  York  County  has 
been  brought  to  my  knowledge  by  D'  H.  R.  Storer.  It  is  dated 
1806  (Am.  Journ.  of  Num.,  nΒ°  1553). 

LOVETT,  ROBERT  (Amer.).  A  brother  of  G.  H.  Lovett;  also  a 
Die-sinker  at  New  York.  G.  FI.  Lovett  outlived  both  his  brothers 
John  D.  and  Robert. 

LOVETT,  ROBERT  JUNi*  (Amer.).  A  son  of  G.  H.  Lovett,  residing 
at  Philadelphia,  where  he  is  practising  as  a  Die-sinker,  He  is  the 
author  of  a  Portrait-medal  of  Stephen  Girard,  of  Philadelphia  (Am. 
J.  ofN.,  n"  203");  β€”  Medals  of  Washington,  and  others. 

LOW,  CONRAD  (Germ.).  Mint-master  atSteinfurt,  1617-1632. 

LOW,  WOLFGANG  (Bohem.).  Mint-master-general  at  Plan,  circ. 
i624--t-  1631. 

LOWE,  JOHANN  HEINRICH  (Germ.).  Mint-master  at  Hamburg; 
his  initials  I.  H.  L.  occur  on  Thalers  of  1726,  1735,  1748, 
1759,  &c. 

LciwEL  (Germ.)  Mint-master  at  Saalfeld,  1803-1833.  His  distinc- 
tive mark  occurs  also  on  coins  of  Reuss  in  1807  and  1812.  Vide 
Schlickeysen-Pallmann,  op.  cit.,  p.  278. 1  have  noticed  his  initial  L 
on  a  Conventionsthaler  of  Francis,  Duke  of  Saxe-Coburg-Saalfeld, 
1805,  Conventionsthaler  of  Henry  XIII.  of  Reuss,  1807,  1812, 
Gulden,  and  Half  Gulden. 

LOWEW,  MAX  (Germ.).  A  Jew,  who  in  conjunction  with  Zwirncr, 
contracted  for  the  working  of  the  Mint  at  Briinn,  1620-1624. 


>stsd  by  Google 


-484- 
LOWENBACH,  J.  W.  {Germ.).  Medallist  and  Die-sinker,  who 
worked  at  Munich,  circ.  1824-1860.  He  engraved  the  following 
medals  :  Inauguratioa  of  tlie  new  Synagogue  at  Munich,  1S26;  β€” 
Inauguration  of  the  statue  "  Bavaria"  at  Munich,  1850;  β€”  Seventh 
Centenary  of  Munich,  1858;  β€”  50"'  Anniversary  of  the  October 
Festival  at  Munich,  iS6o,Scc. 

-  V.  Eyb,  Die  Mmi^m  und  Medaillen 

LOWENSTARK  &  SONS,  A.  D.  (Brit.).  A  Jewish  firm  of  Masonic 
Jewellers  and  Die-sinkers,  who  had  two  branches,  one  in  the 
Strand,  and  the  other  in  Atdersgate  St.,  London.  E.G.  It  failtd,  and 
at  the  end  of  1S95,  Mr.  Loewenstark  left  this  country  for  Bulu- 
wayo,  Rhodesia,  Messrs  Spink  and  Son  purchasing  his  plant, 
dies,  &c. 

Loewenstark  and  Sons  issued  a  number  of  Prize  Medals  for 
Agricultural,.  Sporting,  Masonic  &c.  Societies,  and  a  Portrait-medal 
ofSir Moses  Montefiore,  Bart.,  F.R.S.  1S84. 

LOWENSTEIN  (Germ.).  Die-sinker  at  Wiesbaden,  circ.  1849.  He 
signed  a  Medal  commemorating  the  Capture  of  the  Danish  frigate 
Gefion  off  Echernforde,  5 .  April  1849,  and  intended  as  a  Reward  to 
the  Brave  Gervian  Warriors:  Vide  Isenbein,  op.  cit.,  p.  178. 

LOWS,  CARL  FRIEDRICH  (Germ.).  Die-sinker  at  Nuremberg,  circ. 
1756-1770.  His  productions  are  signed  C.F.L. 

LOWYS  orLODEWICK,  JOHN  (Brit.).  Mint-master  at  London  and 
Calais,  anni  1-2  of  Henry  V.,  1412-1413.  In  a  contemporary 
document,  he  is  stylei  Master  and  Worker  of  the  mints  of  London  and 
Calais. 

-  Senrure,  Diet.  giog.  de  I'lnstoire  monitaire 

LOY,  ERASMUS  (Germ.).  Modeller  at  Ratisbon,  drc.  1520. 

Bibliography.  β€”  W.  Schratz,  Reg'etisburger  Inedila  und  Seltenheitm,  1640. 

LOY kKQ  (French).  Mint-engraver  at  Pau,  1695-1717.  M.  Blan- 
chel  has  recorded  various  payments  which  were  made  to  this  Die- 
cntter  in  1695  and  1696.  His  successor  in  1618  was  Pierre 
Duvive. 

Bibliography.  β€”  J.-A.  Blancliet,  Les  Graveurs  en  Biarn,  Dax,  1888.  β€”  Id., 
HhtoiremaitUairedu  Biarn.  β€”  Rondot  et  De  La  Tour,  op.  cit. 

LOYET,  GIRARD  (French).  Goldsmith,  and  Mint-engraver  to  the 
Duke  of  Burgundy,  Charles  the  Bold,  atLille,  circ.  1466-1467.  He 
was  appointed  Mint- master-general  at  Antwerp,  27.  November 
1477,  but  entered  office  only  in  1495. 


./Google 


LOTET,  H0GUEN1N  (French).  Minc-engraver  at  Dijon,  drc.  1460; 
he  engraved  gecloirs  for  the  Chambre  des  Comptes. 

LOYET  or  LOTIYET,  PERRENOT  (French).  Mint-engraver  at  Dijon 
and  Chalon,  circ.  1429-f  1437.  He  succeeded  at  Dijon  Andry  de 
Wailly  in  1433. 

Bibliography.  β€”  N.  Rondot  et  H.  De  La  Tour,  op.  cU. 

LOVR,  LOUIS.  Vide  LOIR  supra. 

LOYSEATJ,  AMΒ£dΒ£e  CHARLES  (French).  Contemporary  Sculptor, 
born  at  Paris.  A  Portrait-medahion,  entitled  "Venando"'  was 
exhibited  by  him  at  the  Salon  of  1886. 

LOZANO,  ESTEBAN  (5'/)iiK).  Contemporary  Medallist  of  Madrid, 
by  whom  I  have  noticed  a  commemorative  medal,  dated  1879,  on 
the  Inauguration  of  the  Railway  from  Madrid  to  Ciudad  Real. 

L.  P.  or  p.  Vide  LAURENTIUS  PARMENSIS.  Medallist,  -\  at  Rome 
after  i6r8.  Also  LAV.P.,  and  L.  PARM. 

L.  P.  Vide  LEONARDO  PISANI.  Mint-master  at  Venice,  1686. 

L.  P.  Vide  LtlDWIG  PICHLER,  1773-1854.  Gem-engraver  and 
Medallist,  who  worked  at  Rome  and  Vienna. 

L.  P.P.  FiW^  LEWIS  PINGO.  Medallist  at  London,  1768-1783. 

L.  P.  H.  Vide  LEONHARD  P.  HALLER.  M int- master  at  Nelsse,  1678- 
170 1. 

L.  P.  L.  Vide  LUDWIG  PERSSON  tUNDGREN.  Medallist  at  Stockholm, 
circ.  1818-1843. 
Bibliography.  β€”  Schlickey sen-Pal Imann,  op.  cii. 

A'  n  (Paul  Lambros?)  (Greek).  Signature  of  a  Greek  Engraver, 
which  occurs  on  a  medal  presented  by  the  Cretan  National  Assembly 
to  J.  Woodhouse  in  recognition  lor  his  services  in  the  public 
administration  of  the  Ionian  Islands,  under  British  rule,  1845. 

L.  P  (Germ.).  Signature  of  a  South  German  Medallist,  on  a 
Portrait-medal  of  Otto  Truchsess  von  Waldburg,  bishop  of 
Augsburg,  1543-73,  cardinal,  1554,  -j  1583.  This  medal  has  been 
ascribed,  but  probably  in  error,  to  Laurentius  Parmensis. 

L.  R.  Vide  LDDWIG  ROLLIN.  Mint-master  at  Cassel,  1724-1744. 

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L.  R.    Fide   LORENZ   RUCKDESCHEL.    Mint-master    at   Bayreutli, 
1747-1765.  Also  C.  L.  R 

I.   R.    Fide  LOREKZ   ROSENBAUM.    Goldsmith   and   Medallist   at 
Augsburg,  circ.  1543. 

!β– β–   R.  (S,)-  According  to  D'  Merzbacher,  this  signature  is  I.  R. ; 
Erman  gives  it  as  I.  L.  R.  It  occurs  on  a  beautiful  medal  (illustraud) 


.on]ugf. 


of  Mary  and  Maximilian,  joint  ruleis  of  Bohemia,  also  on  medals 
of  Prince  Elector  Augustus  of  Saxony,  1556 

The  artist  was  probably  a  Saxon,  01  at  least  worked  in  Saxony. 

BiBLiOGRArHY.  β€”  Ernian,  op.  dt.,  p.  74,  β€”  MeiKbaelier,  Kunst-MedaiUen 
Kalahg,  Mai  1900. 

L.  R.  F.  Vide\.l,.^.,h.  R. 

L.  S,  Signature  on  a  medalHc  box  of  the  eighteenth,  century, 
representing  a  Bacchic  procession,  and  in  the  style  of  Obrissct.  It 
is  of  English  workmanship. 

L.  S.  Fide  LORENZO  SALOMON.  Mint-director  at  Cattaro,  1542- 
1544. 

L.  S.  Fide  LELIO  SCAJOLI.  Mint-master  at  Parma,  1 580-1604. 

L.  S.  Fide  LORENZ  SCHNEIDER.  Mint-master  at  Coblent^,  r6i6- 
1624. 

L.  S.  f^ide  LORENZ  SCHILLING.  Medallist  at  Frankfort-on-Main, 
1611-1630. 

L.  S.  Fid&  LODOVICO  SELVATICO.  Mint-master  at  Modena,  1612- 
1613,  Pesaro,  1621,  and  Parma,  1629. 

L.  S.  or  L.  S.  F.  Fide  LODOVICO  SERIES.  Medallist  in  Tuscany,  drc, 
1747- I 779. 


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L.  S.  Vide  lEONHABD  STOCKMAR.  Mint-master  and  Engraver  nt 
Eiienach,  1785-1835.  Also  I.  L.  ST, 

E.  S.  L.  Tiife  L.  S.  LADER,  Counter-manufacturer  at  Nuremberg, 
circ.  1790. 

Bibliography.  β€”  Sclilickeysen-Pailmann,  0^.  cil. 

LDAK,  PIERRLTtE  (French).  Mint-master  at  Bourg,  1574. 

LUARD,  MAJOR  C.  H.  (Brit.).  Officiating  Master  of  the  Calcutta 
Mint,  20.  July  to  23.  October  1876. 

LUBBECKE,  HEIWRICH  {Germ.).  Mint-warden  at  Grunstadt 
(Leiningcn),  r6io, 

LOC-LABADIE,  ANTOIWE  MARIE  (French).  Contemporary  Sculptor, 
born  at  Francescas-  (Lot-et-Garonne) ;  pupil  of  Falguiere  and 
A.  Mercie.  At  the  Salon  of  1904  he  exhibited  two  bronze  Portrait- 
medallions  :  M.  Chaumit;,  Minister  of  Public  Instruction;  β€” 
T.  Thiolin,  etc. 

LUCAM,  J.  V.  (Aastr.).  This  signature  occurs  on  the  reverse  of  a 
medal  commemorating  the  recovery  of  the  Emperor  Francis  I., 
1826  (in  Boston  Coll"). 

LUCAS,  J.  R.  N.  (French).  Sculptor  01  the  end  of  the  eighteenth 
and  beginning  of  the  nineteenth  century,  born  at  Rouen ;  pupil  of 
Pigalle.  By  him  are  some  Portrait-medallions  cast  in  bronze. 

LUCAS,  NICOLAUS  and  PETRUS  (Germ.).  Moneyers  at  Liibeck, 
1356-1363. 

LUCCHESI,  ANDREA  c.  (//rt/.).  Contemporary  Sculptor,  by  whom 
is  a  Portrait-medallion  of  Ruskin  inserted  in  his  Memorial. 

LUCCHESIMI,  GIUSEPPE  (Hal.).  Sculptor  of  the  third  quarter  of 
the  eighteenth  century.  He  is  the  author  of  a  Portrait-medal  of 
Gabriel  Manfredi,  astronomer  and  mathematician  of  Bologna, 
1766  (signed  :  OPVS  JOSEPH  LVCCHESINl). 

LUCENTI  or  LUCIM,  GIROLAMO  (Ital.).  Sculptor,  Medallist  and 
Mint-engraver  at  Rome,  circ.  i668-i6go;  pupil  of  Cav.  Algardi, 
became  Assistant-engraver  in  1668  under  Gasp.  Moronc.  He  work- 
ed principally  for  the  Popes  Clement  X,,  Innocent  XL,  and 
Alexander  VIII.,  and  also  for  Sa.  Maria  di  Monte  Santo.  As  a  rival 
of  the  Hameranis,  he  did  not  however  attain  their  fame.  His  statue 
of  an  Angel  with  the  nails  of  the  cross  on  Sant'  Angelo  Bridge  at 
Rome  is  no  mean  work.  For  his  accomplishments  as  an  artist  he 
was  raised  to  the  knighthood  by  Clement  X. 


./Google 


Lucenti  engraved  many  dies  for  medals  and  coins  which  bear  his 
signature  in  various  forms:  G.  L.;  β€”  EQ.  HIER,  LUCEKTI ;  β€”  EQ 
LVCEMTI ;  β€”  EQV.  HIER.  LVCENTl ;  -  EQVES  LVCENTI ;  β€”  LV.  F.  &c. 
I  liave  made  a  note  of  the  following  coins  and  medals  by  him  : 
Corns,  ClenienI  X.  (1670-1676).  Scudo,  an  II,  ^.  dementia  et 
Liberalitas  (2  var.);  β€”  an  IV,  1^.  Pius  V.  kneeling  and  receiving 
from  an  angel  the  news  of  the  victory  ofLepanto(2  var.);  β€”  1675, 
Jubilee  ^.  The  Porta  Santa  (sev.  var.);  and  probably  some  of  the 
subsidiary  coinage  of  that  Pontiff,  unsigned.  β€” -  Innocent  XI.  {16^6- 
1689).  Scudo,  an  I,  ^L.  St.  Matthew  seated. 


Scudo  of  Clement  X.,  1671,  by  Lucciiti. 


Medals.  Ckmeni  X.  Portrait-medal,  1670.  ^L.  ROMA  RESVR- 
GENS ;  β€”  Jn  IV,  INTERCEDITE  PRO  NOBIS.  SS  Peter  and  Paul 
standing;  β€”  1671,  Christ  washing  the  feet  of  his  disciples;  β€” 
Jn  III,  View  of  the  tribune  of  the  Basilica  Liberiana;  β€”  An  IIII, 
The  Holy  Conception;  β€”  An  V,  1674,  Commemoration  of  the 
Battle  of  Lepanto;  β€”  An  VII,  Diminution  of  Import  duties  .at 
Civita  Vecchia.  β€”  Innocent  XL  Porttait-medal  (cast);  no  ^. 
(signed  :  EVCENTI).  β€”  Alexander  VIII.  (1689-1691).  Medal  of 
1690.  ^L.  NON  PR^VALEBIT.  Religion  trampling  upon  hydra 
(signed  :LV.  F.). 

Lucenti  had  two  sons,  the  elder,  AMBROSIUS,  who  distinguished 
himself  as  a  founder  in  metal,  and  the  younger,  LYBERIUS,  who  was 
a  lawyer. 

Bibliography.  β€”  Amraoii,  op.cil.  β€”  Bolzenthal,  op.  cil.  ~  Cinagli,  op.  cil. 
β€”  Keary,  B.  M.  Guide  to  Italian  Medals. 

LTJCHO  (Germ.).  Moneyer  at  Ratisbon,  circ.  1281. 

LUCIUS.  Fide  A€TK  lOY.  Signature  on  an  antique  Gem  of  the  old 
Stosch  collection  representing  a  winged  Nike  in  biga  at  full  speed. 


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-48?  - 
King  gives    others:    Bust  of  young    Satyr;  β€”  Mask  of  bearded 
Satyr;  β€”  Bust  of  Poppaea  (signed  :  AEY). 

Bibliography.  β€”  Babelon,  op.  cil.,  p.  171.  β€”  De  Stosch,  Picms  gmveei, 
PI.  41.  β€”  King,  op.  cil. 

LUCHIEU,  JACQUET  DE  (French').  Minr-engravcr  at  Rouen,  circ. 
1351-1355. 

LUCHIEU,  JEAN  BZ(French).  Mint-engraver  and  Assayer  at  Rouen, 
circ.  1366-1368. 

IiUCHIEU,  MATTHIEU  DE  (French).  Also  MATHIEU  or  MAHIEU 
(DE  IISIEUX).  Mint-engraver  at  Troyes,  Β«fc.  1375-t  1376. 

lUCHIEU,  MICHEL  {French).  Mint-engraver  at  Rouen,  circ.  1355- 
1356. 

LUCHINI,  TIBERIO  Dl  {Ilal.).  Chief-engraver  at  the  Mint  of 
Venice,  1443. 

LUCHIKl,  vmCENZO  DI  (Juil.).  Assistant-engraver  at  the  Mint  of 
Venice,  1443. 

LUCIUS.  Vide  LEUKIOS. 

LUCKE  {Gsrm.).  Several  carvers  in  ivory  (CARL  A.  L.  Sen'  1668- 
f  1730;  CASLA.  L.  Jun%  1710-1771;  JOHANN  CHRISTOPH  LUDWIG 
VON  L.  1703-1750)  of  that  name  distinguished  themselves  in  the 
eighteenth  century,  and  have  signed  Portrait-medallions  in  ivory, 
and  also  in  porcelain,  which  one  sometimes  meets  with. 


LUCKNER,  JOSEPH  (Gn 
engraver  thcro,  third  qu. 


7).   Medallist  of  Hildesheim,  and  Mint- 
-:or  of  the  eighteenth  century.  He  is  the 


Convent  ions  thaler  ol  Hildeiheim,  1766. 
author  of  a  medal  of  the  Italian  anatomist  Giov.  Batt.  Morgagni,  of 


isdo/Googlc 


β€”  490  β€” 
Pndua,  1771,  theobv.  of  which  is  signed  :  LVCKMER,  while  the  I^. 
is  by  Balugani.  Some  of  the  currency,  as  for  instance  a  Conventions- 
thaler  of  1766  of  Frederick  William,  bishop  of  Hildesheim,  bears 
his  initial  L. 
Bibliography,  β€”  Bolzenthal,  op.  c-it.  β€”  Rdmmmin  Sale  Catalogue. 

LiiCKGER,  HERMANN  JOSEPH  (Germ.).  Die-sinker  at  Nuremberg, 
in  the  employ  of  the  Die-sinking  establishment  of  L.  Chr.  Lauer. 
His  initials  H.  J.  L.  occur  on  Portrait-medals  of  Prince  Bisinarck  and 
otliers. 

LUCOT,  JEAN  BAPTISTE  {French').  "FerraiergciiiJral"of  theFrencli 
coins,  1674. 

LDCTEtJ.  The  signature  AOTTCT  occurs  on  several  modern  gems 
imitated  from  the  antique  :  Mask  of  Pan,  carnelian;  β€”  Mask  oi 
Faim  (3  var.). 

LUCY  (Frencl}).  Some  pattern  copper  coins  of  Napoleon  I.  are 
signed  by  this  Engraver,  who  flourished  in  the  early  part  of  the 
nineteenth  century, 

I  have  noticed  the  signature  :  LncyJ.  on  a  Pattern  10  Centimes 
of  Louis-Philippe,  1838,  with  obv,  and!^.  types  in  incuse. 

iiDBER,  H.  (Dutch).  Probably  a  son  of  Jan  Liider,  by  whom  are  a 
number  of  medals  :  City  of  Amsterdam  Medal,  1729  (signed  : 
H.  LVDER  F.  CVM  PRIV.). 

LUDER,  JAN  (Dutch).  Medallist  of  the  fourth  quarter  of  the 
seventeenth  century  and  early  part  of  the  eighteenth,  eirc.  1680- 
,17 [0.  He  executed  a  large  number  of  medals  tor  William  HI,  of. 
Great  Britain  and  also  for  John  George  III,,  Elector  of  Saxony. 
His  work  is  not  of  great  merit,  and  he  is  said  to  have  trequentjy 
copied  the  designs  of  other  medaUists. 

This  etigraver  visited  England,  where  he  may  have  cut  some  of 
his  medals  : 

Among  his  productions,  we  find  :  James  II.  and  Mary,  1685 
β€”  James  II.  and  Mary,  1685  ^.  FORTES  RADII  &c.  Full  Sun 
(imitated  from  Bower's  medal) ;  -;β€”  Landing  of  William  of  Oraijge 
at  Torbay,  1688;  β€” Rebellion  "in  Ireland,  1689;  β€”  Coronation 
of  Queen  Mary,  1689; β€”  William  KI.'s  resistance  to'  France, 
1689;  β€”  Fortmies  of  William  IIL,'  1689  I^.  Q.VI  -^^MPER 
'FORTIS&c;  β€”  Tribute  to  William  JIL,  1689^.  AMORBATA- 
VAE  GENTIS  &.;  β€”  Tribute  to  Mary,  16S9;  β€”  William  IIL 
called  to  Ireland,  j.6^0;  β€”  Mary,  as  Regent,  1690  (2  var,);  β€” 
Battle  of  the  Boyne,  1 690  (3  var.) ;  β€”  William  III.  enters  Dublin,  β–  
July  i69o(2var.); β€” Ireland  subdued,  1690;  β€” Mary,  as  Re  gent. 


./Google 


β€”  491  β€” 
1691  ^L.  Lioness  at  the  mouth  of  a  cave;  β€”  Triumphal  Entry 
into  the  Hague  of  WiUiam  III.,   1691  (sev.  var.);  β€”  Duke  of  Zell, 
Knight  oi  the  Garter,  1691 ;  β€”  Relief  of  Coni  by  Prince  Eogene  of 
Savoy,  1691 ;  β€”  Battle  of  Aghrim,  July  1691 ;  β€”  Limerick  taken. 


October  1691;  β€”  Tlie  Reformation  preserved,  by  tlie  King  of 
England,  1691;  β€”  WiUiam  IIL's  throne  established,  1691  (avar.); 
β€”  Deventer  Testimonial  to  WiiHam  IIL,  1691  (medal  struck  at  the 


,stsd  by  Google 


-  493  -- 

expense  of  Peter  Sloyskeri,  Master  of  the  Mint  at  De\enter);  -^ 
Ireland  reunited,  1692  (2  var.);  β€”  Battle  of  La  Hogue,  |g  May, 
1692  (sev.  var.);  β€”  Death  of  Queen  Mary,  7.  January  1695 
(sev.  var.  one  illustrated  ;  β€” β–   Death  and  Funeral  of  Queen  Mary, 
1695;  β€”  Namur  retaken  by  William  III.,  1695  (signed  :  L);  β€” 
Others,  on  the  same  event;  β€”  Peace  of  Ryswick,  :697(sev,  var.); 

β€”  Memorial  of  William  III.  (unique  gold  badge  in  British' 
Museum);  β€”  Liberty  and  Religioi]  restored  to  England,  1689 
^L.  Ark  of' the  Covenant;  β€” Victories  of  Frederick  III.,  Prince 
Elector  of  Brandenburg,  1689;  β€” John  George  III.,  Prince  Elector 
of  Saxony,    1689  ;  β€”  Rebellion  at  Amsterdam  quelled,  1690. 

Liider  signed  his  medals  variously  :  I.  L.  F. ;  β€”  lAN.LUDER  1  FECIT ; 

β€”  I.  LUDER  FECIT; β€”  I.  LTJDER  F. ;  β€”  L.;  β€”  I.  L.;   β€”  I.  LUDER; 

β€”  IAN  LUDER  F. ;  β€”  IAN,  LUDER  :  FEC-,  &c. 

BlliLioGRAPHY.  β€”  Bdzenthal,  op.  cit.  β€”  Frimlts  and  Grueber,  op.  dt.  -- 
Aromon,  oji.  dt.  β€”  Catahgus  der  Nederlandsdie  m  op  Neilerland  helrekking  hebbende 
Gedenkpfniiihgen,  's  Gravetihage,  1903,  β€”  De  Hisioriepemiivgen  en  Miinten  betrek- 
Mttg  hebbende  op  het  Stamhiis  v^-t  Orimje-Noisau. 

LUDERS,  CHRISTIAN  FRIEDRICH  (Germ.).  Medallist  at  Berlin,  arc. 
1702-1742,  and  Mint-engraver  there.  He  was  employed  by  the 
Royal  House  ofPrussia,  and  was  a  successful  Engraver.  Hisproductions 
are  usually  signed  :  -^  ;  β€”  C.  F.  L.;  or  C.  F.  LUDERS  F.  They 
comprise  :  Marriage  of  King  Frederick  I.  of  Prussia  with  Sophie 
Louise  of  Mecklenburg-Grabow,  1708;  β€”  Marriage  of  Frederick 
Louis,   Prince  of  Wurtemberg,  with  Henrietta  Maria,  Princess  of 


of  Ihaler  of  Fredeiicl;  I, 


Prussia,  1716;  β€”  Marriage  of  Crown  Prince  Frederick  at  Salzdah- 
lum,  1733  (2  var.,  one  of  which  is  signed  KOCH  on  obv.^  ;  β€” 
Marriage  of  Sophia  Dorothea  of  Brunswick  v/iih  Crown  Prince 
Frederick  William  of  Prussia,  1706;  β€”  Birth  of  Crown  Prince 
Frederick  WiUiam  (later  Frederick  the  Great),  24.  January  1712. 


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Luders  engraved  dies  for  the  Mints  of  Berlin  and  Koeiiigsberg, 
His  coins  are  signed  1,  β€”  C.  F.  L.  β€”  or  C.  F.  LUDERS,  &c.;  β€”  Berlin. 
Double  Ducat,  1732;  β€”  Ducats,  1703-1729  (many  varieties); 
Thalers,  1703-1730;  Gulden,  1702-1730;  |  Tlialers,  1229,  &c.  β€” 
Koenigsherg.  Ducat,   1711. 


Thaler  of  Frederick  I., 


Liiders  engraved  dies  for  Thalers  and  Half  Tlialers  ot  Frederic!; 
William  I.  struck  for  Neuch&tel,  in  1714  and  1715. 
His  initial    S^.      occurs  under  the  king's  bust. 


HalfThaler  of  Neuch,l:d.  i;!;. 

Bibliography.  β€”  Von  Sdironer,  Miini^tuafii  Preussm.  β€”  Sale  Cdtahgues.  β€” 
Bolzenthal,  op,  cU.  β€”  Menaditr^  op.  cit. 

LUDERS,  D.  {Genu.).  Medallist  of  the  second  quarter  of  the 
nineteenth  century,  by  whom  I  have  seen  a  medal,  signed  : 
D.  Luders,  on  the  Marriage  of  Duke  Alexander  Charles  of  Anhalt 
with  Princess  Frederica  Charlotte  of  Holstein,  30.  October  1834. 


LUDERS,   HANS  (Germ.)  of  Goslar.  Mint-r 
1622. 


VII  Pegnitz,  circ. 


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LUDERS,  HANS  (Genu.).  Mint-master  at  Hildtslielm,  1695-1710, 
and  Detmold,  1710-1716.  His  issues  are  signed  :  H.L.;  β€”  JL  or 
^.Β£. 

LUDERS,  HERMANN  (Germ.).  Mint-masier  at  Bremen,  1670-1673, 
and  Hamburg,  1674-1692.  He  coined  for  Schleswig-Holstein,  1676- 
:689,  and  also  for  the  city  of  Luneburg,  1677-1678.  In  16S1  he 
became  Warden  of  the  South  Saxon  Circle.  His  issues  are  signed  : 
H,  L. ;  β€”  HL,  or  EL. 

LDDERS,  1.  H,  (Germ.).  Mint-master  at  Lippe,  circ.  1712-1720. 
His  issues  are  signed  H,  L.  or  I.  H.  L, 

LUDERS.  LUDOLPH  HEINRICH  (Germ.).  Mint-master  for  Lippe- 
Detmold,  resided  at  Carlshafen  (eighteenth  century). 

LUDEWIG,  EWALT  (Germ.).  Mint-master  at  Miltenherg,  1437. 

LUDEWIG,  HEKNE  (Germ.).  Mint-master  at  Milteuberg,  1434. 

LDDOLF.  Fide  LUDERS,  LUDOLPH  HEmRICH. 

LUD,  NE.  I^ide  LUDWIG  NEUFAHBER.  German  Medallist,  circ. 
1537-1560. 

LDDWIG  DER  MONZER  (Aaslr.).  Moneyer  at  Vienna,  circ. 
1409. 

LUDWIG,  CHRISTOPH  (GcHK.).  Mint-engraver  at  Oels,  1621. 

LDDWIG,  JOHANNES  (Germ.).  Gem-engraver  at  Breshiu,  who  died 
in  1606. 

LUDWIG  &  MAYER  (Genit.).  Type  founders  of  Frankfort-on-Mein, 
who  in  1890,  issued  a  medal  on  the  occasion  of  the  450*  Anniver- 
sary of  Printing.  The  medal  is  in  lead,  and  was  presented  to  all  the 
persons  present  at  the  celebration. 

LUDY,  FRIEDRICH  (Germ.).  Medallist  at  Ncuwied,  in  the  early 
part  of  the  nineteenth  century.  He  engraved  coin-dies  for  the  Mint 
of  Mayence  :  24  Kreuzer  piece  of  Nassau,  1809;  β€”  12  Kreuzer, 
1809;  β€” Conventionsthaler,  1809,  with  bust  of  Frederick  William, 
Prince  of  Nassau,  signed  on  truncation  :  LUDY  (Fide  Catalogue 
Wamboh,  1833,  p.  505,  n"  1640). 

BiiiLiOGRAPHY.' β€”   Julius   Iseiibeek,  Das  Nussaiiisc/K  Mrm-^umn,   Wiesbaden, 


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~  495  -- 

LUGEMAN,  HENDRICK.  Fide  LAGEMAN  supra.  Dutch  Medallist, 
born  in  1765,  died  in  181 6. 

LUGOL,  L.  (FrencF)-  Editor  of  a  medal  of  V.  Haiiy,  Societe  Inter- 
nationale pour  I'am^lioration  dn  sort  des  aveugles. 

LUISDEFER,  ROBIN  DE  (French).  Mint- engraver  ar  Angers,  before 
1451. 

LtJLLIK,  JEAN  ANTOINE  (Swiss).  In  conjunction  with  David 
Camp,  LuUin  undertook  for  the  city  of  Geneva  a  coinage  of  Diiciits, 
on  34.  September  1692.  These  are  signed  C,  L, 

BiisLioGRAPHY.  β€”  Demok,  op.  cil. 

L0MLEY  (Brit.).  Author  of  a  Portrait-medallion  of  D''  E.  J.  Hop- 
kins, of  London  (Amer.  Jotirn.  Num.,  660). 

LUND,  FRIEDRICH  (Genu.)-  Mint-master  at  Nuremberg,  1374. 

LUND,  TROELS  (Dan.).  Mint-master  at  Kongsberg,  1737-1769. 

LUNDBERG.  Fide  LUNDERBERG, 

L0NDE,  JOHANN  WILHELM  (Germ.).  Director  of  the  Clausthal 
Mint  (Brunswick),  1807-1819. 

LUSDEN,  MICHEL  VON  (Germ.).  Mint-master  at  Lubeck,  1309. 

LUNDER,  GABRIEL  (Morweg.).  Medallist  ot  the  second  half  of  the 
eighteenth  century;  Dorn  at  Kongsberg  (in  Norway);  resided  for 
some  time  at  Nuremberg,  then  at  Koenigsberg,  and  finally  settled 
at  Copenhagen,  where  he  was  working  from  1742  to  1782.  His  pro- 
ductions are  usually  signed  G.  L,  or  G.  L.  F.,  but  also  L.  One  of  the 
most  artistic  is  his  Portrait-medal  of  the  ecclesiastic  Johann  Meyer, 
superior  of  Sr.  Lorenz,  at  Nuremberg. 

BiBLiOGRAfHY.   β€”  Amnion,   op.  cit.     β€”    Bolzenthal,  op.    cit.   β€”  I.  V.  KuU, 

LOMDERBERG,  LAWRENCE  D.  (Svjed.).  Medallist  of  the  end  of  the 
eighteenth  century  and  early  part  of  the  nineteenth.  He  resided  at 
Stockholm,  and  is  the  author  of  some  medals  :  Charles  (afterwards 
Earl)  Grey,  M.  P.,  1801  (signed  :  LONDERBERG);  β€”  Medal  of  the 
Historical  and  Archaeological  Society  ofSweden,  1801;  β€”Return 
ofKing  Charles  XIII.  from  the  Riksdag  at  Orebro,  i8.  October  18 10; 
β€”  New  year's  Medalet  (1800);  β€”  D'  Lorenz  Gabriel  Branting;  β€” 
D'  Frans  Joaquim  von  Aken,  apothecary,  of  Orebro,  Sweden ;  β€” 
D'^  Abraham  Baeck,  of  Stockholm;  β€”  Bengt Ferrner,  astronomer, 
&c. 


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-  4S6  - 

Lunderberg  was  probably  born  in  1749;  he  died  alter  i8ro.  His 
medals  date  from  1797  to  iSio, 

BiBLioGHAPHV.  β€”  "Weber,  MnUils  &  Medalliotis,  &c.  β€”  Hildebiaiid,  o/i.  dl.  β€” 
Bolzemhal',  op.  cit. 

LXINDGREK,  LUDWIG  PETERSSEN  (Swed.).  Medallist  of  the  first 
half  of  the  nineteenth  century,  and  Mint-engraver  at  Stockholm, 
circ.  1818-1853.  He  died  about  1854,  the  year  in  which  his  daugh- 
ter, Leah  Ahlborn,  succeeded  to  his  post  at  the  Mint,  and  he  was 
born  towards  the  end  of  the  eighteenth  century. 

Besides  engraving  dies  for  the  coinage  of  King  Oscar  I.,  Lund- 
gren  produced  a  large  number  of  medals,  some  of  which  rank  very 
high  among  contemporaneous  works.  They  are  signed  in  various 
forms  :  L.  P.  L. ;  β€”  P.  L.;  β€”  L,  P.  LXJMDGREN  F.  or  PEG. ;  β€”  PEHR 
LUNDGREKF. ;  β€”  LUNDGREKF.;  or  PEHR  LDNDGREM  INV,  ET  FEC. 
Hildebrand  describes  the  following:  Coronation  of  Charles  XIV. 


I  Riks  Species  of  Osc^r  I.,  by  I, 


John,  1S18  ;  β€” ^Medal  of  the  Royal  Academy  of  Sciences,  Centen- 
ary, 1839  (I^.'  by  Frumerie);  β€”  25'''  Anniversary  of  King 
Charles  XIV.  John's  Reign,  1843;  β€”  Another,  REG.ACADE- 
MIAR.HOLM.  &c.;  β€”  Another,  HAUD  DIMINUTO  SPLEN- 
DORE;  β€”  Death  of  King  Charles  XIV.  John,  8.  March,  and 
Burial,  26.  April,  1844; β€”  Medals  for  Civil  Merit,  with  bu.st  of 
Charles  XIV.  John  (sev.  var.) ;  β€”  Medal  for  Acts  of  Courage,  Life- 
saving,  &c.  (sev,  var.);  β€”  Prize  Medals  for  Useful  Discoveries ; 
β€”  Reward  Medals  for  Faithful  Services  (sev,  var.) ;  β€”  Prize  Medal 
of  the  Royal  Agricultural  Society  of  Sweden;  β€”  Medal  of  the  Royal 
Military  Academy  of  Sweden;  β€”  Medal  of  the  Royal  College  of 
Medicine;  β€”  Iron-trade  Companies  established  under  government 
authority ;  β€”  Prize  Medal  of  the  town  of  Vexio  for  assistance 
against  accidents,   fire,   &c. ;  β€”   Portrait-medal  .of  Charles  XIV. 


./Google 


-  497  β€” 
John  (uniface);  β€”  Portrait-medal  of  King  Charles  XIV.  John  and 
Queen  Desideria,  and  Koyal  Family,  1841 ;  β€”  Coronation  of 
Charles  XIV.  John  at  Drontheim,  7.  September,  1818  (2  var.); 
β€”  25"'  Anniversary  of  the  King's  Coronation,  1843  ;  β€”  Norwe- 
gian Prize  Medal  for  Civil  Merit ;  β€”  Medals  of  the  K.oyal  Norwe- 
Sian  Society  of  Sciences  (sev,  var.) ;  β€”  Coronation  of  Q.ueen  Desi- 
eria  at  Stockholm,  11.  August  1829;  β€”  Coronation  of  King 
Oscar  I.  and  Queen  Josephina  at  Stockholm,  38.  September  1844; 

β€”  Centenary  of  Lund  Cathedral,  1845 ;  β€”  Erection  of  a  statue  to 
Charles  XIV.  John  at  Norrkoping,  1846;  β€”  Centenary  of  the 
Mining  Company  founded  by  King  Frederick  I.,  1847 ;  β€”  Centen- 
ary of  the  three  oldest  Kniglicly  Orders,  1848;  β€”  Visit  of  King  Oscar 
to  the  Royal  Mint,  29.  December  1851;  β€”  Medals  for  Military 
Merit;  β€”  Medals  for  Civil  Merit,  with  bust  ot  Oscar  I.  (sev.  var.); 

β€”  Numerous  Medals  for  Academies,  Societies,  Colleges,  Exhibi- 
tions, &c. ;  β€”  'Memorial  Medals  and  Medalets  of  Queen  Josephina ; 

β€”  Prince  Charles's  first  Visit  to  Skane,  1836;  β€”  The  Crown 
Prince  Charles  as  Chancellor  of  Upsal  University,  1844;  ~  Mar- 
riage of  the  Crown  Prince  Charles  with  Louise,  Princess  of  the 
Netherlands,  19.  June  1850;  β€”  VLsit  of  the  Crown  Prince  and 
Princess  to  the  Royal  Mint,  26.  March  1852;  β€”  Prize  Medal  for 
Arts  and  Literature,  with '  busts  of  Charles  XV.  and  consort  (sev. 
var.); β€” Various  Prize  Medals  of  Crown  Prince  Charles;  β€”  Por- 
trait-medal of  Edmund  Gammal,  &:c. 

By  Lundgren  are  further  :  Medal  struck  in  1843  at  Stockholm  by 
the  Grand  Lodge  to  commemorate  the  Quarter  Centennial  of 
Charles  XIV.  John's  reign ;  β€”  Coming  of  age  of  the  Crown  Prince 
Oscar,  1817;  β€”  Magnus  Brahe,  Swedish  general,  f  1844;  β€” 
Jenny  Lind,  the  famous  singer  (sev.  var.),  1848;  β€”  Jacobus 
J,  Berzelius,  chemist,  1848;  β€”  Eric  Gustav  Geijer,  historian;  β€” 
D'  Nils  Gabriel  Sefstrom,  of  Stockholm,  1835,;  β€” 'D''  Charles  Tho- 
mas Jackson,  of  Boston  (medal  presented  by  the  Xing  of  Sweden  for 
his  discovery  of  anaesthesia);  β€”  D''  Christophe'r  Carlander,  of 
Stockholm,  1858;  β€” D'  Peter  von  Afzelius,  of  Upsala  (2  var.  of 
1821  and  1835);  β€”  D"'  Arvid  Flenrik  Florman,  of  Lund,  1851 ;  β€” 
D'  Olaf  Rudbeck,  of  Upsala,  1702;  β€”  Emmanuel  Swedenborg, 
1852,  &c. 

BiBUOGKAPHY.  β€”  H.  W.  Singer,  JUgmneines  Kimstkr-Lexikon,  1898.  β€” β–   Hilde- 
brand,  oj>.  cil.  β€”  Thovwn  Calalogue. 

LUNDTHER,  or  LINDNER  ABBAHAM  {Germ.).  Mint-master  at  Hall  i. 
Tyrol,  1611-1613. 

LUNEL, PIERRE  DE(Frm;^).  Mint-engraver  at  Niort,  was  appointed 
at  La  Rochelle,  in  1422,  where  he  appears  to  have  been  employed 
until  1425. 

L.  FoKBKii,  β€”  BmirupliiialNalkelofMidaliiili.β€”m.  ]1 


./Google 


LUMEN,  HERBART  VON  (Germ.').  A  native  of  Oldenburg,  and 
Mint-engraver  at  Dresden,  circ.  1605-1616,  and  Medallist  there 
until  about  1626.  He  signed  his  productions  H.  V.  L.  or  H.  V.  I,.  F. 
The  coins  issued  at  Dresden  between  1605  and  1616  are  mostly 
the  work  of  this  Engraver,  who  was  succeeded  in  i6r6  by  Ruprecht 
Niclas  Kilsikatz,  and  among  his  medals  are  :  Medal  of  John  George  I., 
Prince  Elector  of  Saxony,  obv.  PRO  LEGE  ET  GREGE.  Prince 
on  horseback  ^L.  SCOPVS  VIT^  ME/E  CHRISTVS  (signed  : 
H.  v.  L.);  β€”  Small  gold  Medal,  dated  1612,  of  the  same  Prince,  on 
the  first  Vicariate;  β€”  Medal  on  the  second  Vicariate,  161^  (iUus- 


of  John  George  !.,  1619, 


hated)  ;  β€”  Another,  on  the  same  event  ^.  Inscription  in  12  lines: 
D.G  I  lOHANN.GEORG.  |  etc.  ;  β€”  Medal  on  the  beginning  of 
the  campaign  against  Lausiiz  and  Silesia,  1620;  β€” Another,  larger, 
on  the  same  event. 

Bibliography,  β€” Julius  u.  kVotrt  ErhiXma,  Erortenmgen  auj  dan  GebieU  dsr 
sdchsischen  Miln^-  und  MidailUn-Guchichte,  Dresden,  1888. 

LOMGERBERGER,  JOHARH  {Swed.).  Mint-engraver  at  St.  Peters- 
burg, aVc.  1730-1745  (w'lie  Schlickeysen-Pallmann). 

LV,NF.  Tii^e  LUDWIG  NEUFAHRER.  German  Medallist,  Β«Vc.  153O- 
1535-      < 

LOPICINI,  VINCENZO  DI  GIOVANNI  (Ital).  A  Florentine  artist, 
whom  Gaetano  Milancsi  supposes  to  have  been  the  author  of  a 
medal,  signed  :  V.  G,  L.  F.  F.,  of  Faustina  Sforza  wife  of  Marquis 
Caravaggio  Muzio,  obv,  FAVSTINA. SFORTIA, MARCH, CARA- 


>sted  by  Google 


VAGII.V.G  L.F.F.  Bust  to  r.   of  Faustina  Sforza ;  no  ^L.  Tlic 
date  of  this  medal  is  about  1560. 
Bibliography.  β€”  Arraand,  op.  cit. 

LURIUS  AGRIPPA,  P.  {Rom.).  Mint-tnaster  (Triumvir  moneialis) 
at  Rome,  circ.  B.C.   12. 

LlinSSEN,  EDUARO  (Germ.).  Contemporary  Sculptor  and  Medallist 
of  Berlin,  wiio  in  1880,  modelled  a  Portrait-medal  of  D'Friedricli 
Wohler,  chemist  of  Gottiiigen,  -f  22.  Sept.  1882.  The  medal, 
which  is  signed  :  OP.  ED.  LURSSEN.  i88o,  was  struck  on  Wohler's 
80'''  Birthday.  Another  Portrait-medal  by  this  artist  is  that  of  Prot. 
Carl  MiillenhofE,  of  Kiel,  1878.      ' 

ITJSIGNU,  JACOPO  (iifl/.). .Sculptor  of  Livorno,  during  the  first 
half  of  the  sixteenth  century,  is  mentioned  by  Bolzenthal,  as  deserv- 
ing a  place  amongst  medallists. 

LDSSAHLT,  MATHURIN  (French).  Goldsmith  of  Paris,  circ.  155 1. 
According  to  M,  Bordeaux,  he  was  probably  commissioned  by 
Queen  Mary  Stuart  to  engrave  two  puncheons  in  copper  "  ouvrcz 
,et  marqueim"  for  10  Sols, 

Vide  P.  Bordeaux,  Jetons  et  lipreuves  de  Monnaies  jrappies  pour 
Marie  Stuart,  1906. 

LUSSON,  GUILLAUME  (French).  First  President  of  the  Cour  des 
Monnaies,  1624. 

LUSSY,  GOSTAVE  (French).  Contemporary  Sculptor,  born  at  Paris, 
pupil  of  M.  Fourquet.  At  the  Salon  of  1890  he  exhibited  a  bronze 
medalhon,  "  Les  pkisirs  de  la  ronde  ",  He  is  the  author  of 
numerous  Portrait-medallions  in  bronze. 

LUSTER,  CHRISTIAN  (Dan.).  Medallist  and  Coin -en  graver,  a 
native  of  Denmark,  entered  into  the  service  of  the  Engraving 
Department  at  the  Mint  of  Rio  de  Janeiro  on  i.  March  1855,  and 
was  appointed  officially  to  the  post  of  Engraver  by  special  decree 
of  the  Finance  Minister,  on  17.  December  1863.  A  further  decree, 
dated  II.  August  1869,  named  him  Chief-engraver  to  the  Mint. 

Ltister  was  considered  as  a  very  intelligent  and  clever  artist  and 
an  indefatigable  worker.  He  was  decorated  wit4  the  Imperial  Order 
of  the  Rose.  He  died  after  a  painful  illness  on  17.  May  i^yr. 

The  following  is  afairly  complete  list  of  Luster's  works,  which  are 
indifferently  signed  :  C.  L. ;  β€” C.  L.  F.;  β€”  LUSTER  ;  β€” LUSTER  F. ; 
β€”  LUSTER  G.;  β€”  C,  LUSTER  F.;~CHR.  LUSTER  F.  I  owe  this  list 
and  all  the  biographical  details  about  this  artist  to  the  kindness  and 


,stsd  by  Google 


courtesy  of  Herr  Julius  Meili,  who  i; 
in  the  preparation  of  a  work  entitled  : 


at  the  present  time  engaged 
"Die auf  BrasiHen  bezugllch- 


en  Medaillen  ",  intended  as 
on  the  coinage  of  Brazil. 


t  to  his  preceding 


PUNCHEONS    FOR   COINS    OF    THE    EMPIRE    OF  BRAZIL 

Fide  Julius  Meili,  Die  Mtm:(en  des  tinabhiingigen  Brasilkn,   1905. 

863.  Pattern  for  a  new  type  of  the   silver   2000  Reis  piece;   signed  : 

LOSTER  F.  (PI.  XXXV,  no  225).  This  work  which  is  well  designed 
and  carefully  executed,  shows  a  decided  improvement  on  former 
types  and  the  superior  ability  of  the  Engraver. 


3  Reis,  1863,  by  Luster. 


,/ Google 


β€”  SOI  β€” 

1867-1869,  Adaptation  of  the  approved  type  to  the  denominations  of  2000,  1000, 
500,  and  :;oo  Reis  (PI.  XXXVI,  op^  229-232) ;  signed  :  LuSTER  F. 
.on  the  two  larger  values,  and  C.L.  on  the  lesser, 
1868-1870.  Adaptation  of  a  similar  type  for  the  bronze  coins  of  20  and  10  Rcis 
(PI.  XXXVII,  nΒ°i  235-234);  signed  :  C.L. 
Luster's  name  has  been  preserved  on  the  dies  of  the  silver  2000  Reis  pieces 
dated  1875  and  1876  {PI.  XXXVIII,  nf  259). 


PUNCHEONS     FOR    BRAZILIAN    MEDALS    SIGNED    BY    THE    ARTIST 

Fide  Julius  Meili,  Die  anf  das  Kaiserrekh   Brasilien    he^iiglkhen 
Medaiilen,  1890. 

26.  Sept.  185^.     Cav.  S.  Thalberg.                                  -  186 

17,  Nov.  1856.    VisittotheMintofthe  Princesses  D^kabel  . 

and  D^  Leopoldina.  28 

i8i8.            Foundation  of  the  new  Mint  buildings.  loO 

20.  March  1S58.  Inauguration  ofthe  Don  Pedro  II.  RaUwiiy 

(^.  by  Carneiro).  101 

The  reproduction  in  Meili  is  erroneous  as  the  obv.  of  this  medal  should  be  that 
given  under  N"  99. 

1858.  The  Empress,  as  protectress  of  abandoned 

18-^59.  Obv.  Homage  to  the  tenorMirate(Iil.  by         '    I  bust 

FehppeNery  da  Costa  Ferreira).  187   ;        ofthe  1 

18  ^  60.         Ohv.  Homage  to  .the  music  director  Fran-  I     Empress 

Cisco  Manoel  daSilva(^.  by  Carneiro).      188  ' 
Prize  Medal  of  the  Academy  of  Fine  Arts 

(Iji.  by  Carneiro).  166  large  size. 

Another  similar.  1^7  stnall  size. 

Exhibition  of  the  Academy  of  Fine  Arts,      168  large  size. 
Another,  similar.  169  small  size. 

Inauguration  of  the  Imperial  Docks  at  Kio 

de  Janeiro  (I^.  by  Carneiro).  102 

First  National  Exhibition  at  Rio  de  Janeiro, 

Commemorative  medal.  60 

Similar  ;  Prize  Medal (^.  signed  :E.R.S. 

Eleutrio  Ribeiro  Sampaio),  61 

Provincial  Exhibit!  on  at  J  uizdeF)ira(Minas),     72 
Provincial    Eshibilion     at     Ooro     Preio  1       Bust  of 

(MInas);  IJi.  by  Carneiro.  71  f  the  Emperor 

Another,  similar,  75  1     as  on  no  72 

Campaign  in  Uruguay  {a  pattern). 


(i860), 

(i860), 

(i860), 

(i860). 

ii.Sept.  1861 


1861. 
(1 86a). 


1870. 
1864-1865, 


,-20 


Β»ilar: 
Similar,  oval  (also  a  pattern). 


To  the  Army  and  Navy  for  their 'Successes, 
Prize  Medal  of  the  second  National  Exhi- 
bition at  Rio  de  Janeiro  (i",  a-d,  and 
3rd  classes).  = 

Prize  medal  of  the  Provincial^Exhibiiion 
at  Pernambuco  (^,  by  Carneiro), 


LUSTER  G, 
(gravou). 


,  Google 


will  be 

reproduced 

in  Mr.  Meili's 

forthcoming 

book. 

β€”  502  β€” 

8.  April  1866.     Christening  of  the  Emperor's  gr:iiid-son, 

Don  Pedro.  }4 

1867.  Calendar  with  dates  referring  to  Brazilian 

history.  J  5 

29.  July  1869.    Christening  of  the  Emperor's  grand-son, 

Don  JosS.  ii 

1871.  Marshal  Gastoa  d'Orleans,  Comte  d'Eu, 

Victor  ofPirebehuhy  and  CampoGrande. 

Undated  Religious  medal ;  Pieta  IJi.  Laurel- wreath. 

and  without      Uniface  ;  Bust  of  D''   Azredo  Coutinlio, 

inscriptions  Director  of  the  Rio  Mint. 

Although  ^gned  by  LQster,  the  medals  of  the  Provincial  Exhibitions  at  Pernam- 
buco  in  1872  and  1875  are  not  by  the  artist,  who  was  then  dead,  but  u-trc  struck 
ttoni  old  dies  by  him. 

The  following  unsigned  medals  are  ascribed  to  Christian  Liisier  by  Mr.  Meili  : 
iS  ^  S4.  Visit  to  the  Mint  of  the  Emperor  Don 

Pedro  II. 
(i8)5).  Life  saving   Medal  (iow  Ihy  neighbour  a; 

thysd/).  204 

(18;;).  Religious  Medal,  Confraternity  of  the  S. 

Altar  Sacrament  of  Marica   (Province 
of  Rio  de  Janeiro).  207 

18  '^  59.         Visit  to  the  Mint  of  the  Archbishop  of 

Athens,  M.  F.  Antoniacci.  91 

18  I  59.  Arrival  ol    Their   Imperial   Majesties   at 

(1862).  Prize  Medal    of  the   Elementary   Public 

Schools,  223 

18  '-^  64.       Visit  to  the  Mint  of  the  Emperor,  Princess 

Imperial  and  her  consort.  31 

18  fj6s.  Visit  10  the  Mint  of  the  Due  dePenthi^vres 

(obv.  by  Carneiro).  jj 

18  ^68.         VisittotheMintofthePrincesDonFelippe 

and  Augusta  (^L.  by  Carneiro). 
18  g  69.        Visit  to  the  Mint  of  Prince  Don  Felippe 

(Ri.  by  Carneiro).  38 

18  I  70,        Cross  for  the  Paraguay  War.  129 

Bibliography.  β€”  Information  kindly  supplied  by  Mr.  Julius  Meili,  oj  Zurich 
(Swil^erlani). 

LUTEGER  (Germ.).  'Sculptor  at  Altenburg',  as  he  calls  himself, 
cut  dies  for  many  Thuringian  and  neighbouring  mints,  from  1 160 
to  1 190.  He  was  employed  at  the  mint  of  Altenburg,  which  was 
very  active  under  King  Frederick  Barbarossa  (1152-1192).  The  die- 
cutter  Fuvitiger  appears  at  about  the  same  time  at  Saalfekl.  Luteger's 
name  occurs  on  Bracteates  :  LVTEGER  ME  FECIT. 

Bibliography.  β€”  D'H.  Buchenau,  Bracteaten  fund  von  Seega,  Marburg,   1905. 

LTJTIGER,  FRANZ  (Swiss).  Contemporary  Sculptor,  born  at 
Lucerne  (Switzerland);  pupil  of  the  School  for  Industrial  Arts  of 
Geneva,  and  Prof  Salmson  and  Jerdelet.  At  the  Salon  of  1892  he 
exhibited  a  medallion  in  chased  silver  representing  "Dawn". 


./Google 


β€”  503  β€” 

LUTHT(5u'iJ-5).  Sculptor  of  Berne,  who  in  1886,  submitted  designs 
for  the  proposed  new  coinage  of  5  Franc  pieces.  His  obv,  presented 
a  standing  figure  of  Helvetia,  holding  sword  in  one  hand,  and  olive- 
branch  in  the  other. 

LUTMA,  JAN  (Dutch').  Goldsmith  and  Engraver  of  the  seventeenth 
century;  born  about  158431  Groningen,  died  at  Amsterdam,  1669  ; 
a  pupil  of  Paulus  van  Vianen.  He  is  said  to  have  contributed  to 
medallic  art,  but  none  of  his  productions  in  that  branch  have  been 
recognized  so  far. 

LUTMA,  JAN  FILIUS  (Dutch).  Goldsmith  and  Engraver,  born  at 
Amsterdam  in  1605  or  1609,  died  there  in  1685.  His  engravings 
are  numerous  and  of  very  fine  execution  remarks  Mr.  Grueber, 
"but  his  initials  occur  on  one  medal  only.  "  It  is  on  a  commemo- 
rative medal  of  the  Peace  of  Breda,  1667,  signed  on  obv.  OAL  or 
lOANL.  An  oval  medal,  representing  on  one  side  a  half-length 
figure  of  Admiral  Martin  Herp.  Van  Tromp  between  the  initials 
F β€” L  (Fiiius  Lutmd)  is  also  by  this  artist,  and  another  medal  by 
Lutma  jun''  is  preserved  at  The  Hague  Museum;  it  is  a  portrait- 
piece  of  his  father,  Jan  Lutma  de  oude  (De  Vries  &  De  Jonghe,  I, 
PI.  VI,  4);  and  by  him  are  further  Portrait-plaques  of  the  poets 
Vondel,  Hoofc,  and  his  own. 

Bibliography.  β€”  Bokenthal,  op.  cii.  β€”  Calali^is,  Sec.  β€”  Franks  &  Grueber, 
op,  cit.  I,  p.  529.  β€”  Mss.  Catalogue  of  Mr.  H.  Montagu's  Medal  Calkclwii.  β€” 
Singer,  Allgemeines  KiimtUr-Lex&ion. 

LUTTMER  (Germ.').  Mint-engraver  at  Danzig,  circ.  1760. 

LUTWTCHE,  WILLIAM  (Brit.').  A  Birmingham  Die-sinker  and 
Manufacturer  of  tokens,  towards  the  end  of  the  eighteenth  century 
and  during  the  early  years  of  the  nineteenth.  He  issued  large 
quantities  of  Tokens  for  tradesmen  all  over  the  country,  as  well  as 
for  himself.  We  read  in  Davis'  Token  Coinage  of  Warwickshire,  p.  24 
that  "he  issued  over  two  tons  of  his  private  pieces,  on  which  a 
large  and  unjustifiable  profit  was  made.  The  extent  of  the  fraud  on 
the  public  was  great,  for  it  was  afterwards  discovered  that  manu- 
facturers were  supplied  with  tokens  to  pay  the  wages  of  workmen, 
at  the  rate  of  3  6/  face  value  for  20/.  This  ill-gotten  wealth  did  not 
satisfy  those  who  trafiicked  in  it,  as  tons  of  imitation  pieces  were 
also  struck,  of  only  half  their  proper  weight." 

We  meet  with  the  names  of  the  Engravers  Arnold,  Dixon,  Jacobs, 
James,  Ponthon,  and  P.  Wyon  on  Lutwyche's  issues  of  the  end  of 
the  eighteenth  century  and  early  part  ot  the  nineteenth,  which 
comprise  Lutwyche's  own  tokens ;  β€”  Pidcock's  Royal  Menagerie 
Tokens;  β€”  Tokens  of  various  dates  for  Appledore,  Aylesbury, 


,stsd  by  Google 


β€”  504  β€” 
Bakers,  Banbury,  Bath,  Beccles,  Bcnendeii,  Birmingham,  Brighton 
Camp,  Brighton,  Bristol,  Bungay,  Bury,  Bnrni  Island,  Canterbury, 
Chelsea,  Chesham,  Cinque  Ports,  Covenivy,  Deal,  Devizes,  Dun- 
kirlc.  East  Grinstead,  Falmouth,  Feversham,  Glasgow,  Hastings, 
Hawkehurst,  Hereford,  Holt,  Hoxae,  Kendal,  Kent,  London 
(numerous  issues),  Maidstone,  Manchester,  Northiam,  Norwich, 
Perth,  Plymouth,  Poole,  Romney,  Sandwich,  Sleaford,  Staplehurst, 
Sussex,  North  Wales,  Warwickshire,  West  Cowes,  Westminster, 
Wiltshire,  Winchelsea,  Woodbridge,  Yeovil,  York,  etc. 

One  of  Lutwyche's  Tokens,  engraved  by  James,  commemorates 
the  War  with  France,  1794,  and  has  on  obv.  a  bust  of  Fox;  another, 
is  a  Masonic  Penny  Token  of  the  Prince  of  Wales,  1795. 

Bibliography.  β€”  Pye,  Provhioial  Coins,  etc.  β€”  Atkins,  Tradesmen's  Tokens  oj 
the  eighteenth  century.  β€”  Davis,  op.  cit. 

LTITZ,  GEORG  (Germ.).  Mint-warden  to  the  city  ot  Kempten, 
1623. 

LUTZ,  HANS  (Germ.).  Mint-master  at  Ratisbon,  1525.  He  was 
succeeded  by  his  widow,  who  was  in  office  from  1536  to  1538. 

LUTZ,  JOHAHN  (Germ.).  Mint-master  at  Kempten  (Hochstift), 
1623. 

LtJTZ,  J.  (Swiss).  Mint-engraver  at  Calcutta,  1863-1S74,  and  again 
appointed,  i,  November  1875,  and  in  office  until  1884, 

LUTZ,  JOHANN  GEORG  (Swiss).  Engraver  of  the  ^.  of  a  rare 
medal  of  Strassburg,  published  by  Herr  Julius  Feist,  in  Revue  suisse 
de  numismalique,  1892,  p.  ir6.  The  obv.  is  by  Fechter  of  Basle, 
the  1^.  is  signed  JOHANN  GEORG  LUTZ  FEC.  and  presents  a  view 
of  the  city.  The  medal  belongs  to  the  first  halt  of  the  seventeenth 
century. 

LUTZELBDRGER,  HANS  (Germ.).  Modeller  of  South  Germany, 
circ.  1524.  He  is  said  to  have  signed  his  productions  H.  L.  F. 

LUXDMON,  ANANDRAE  (Ind.).  Mint-engraver  at  Bombay, 
appointed  in  1904. 

LUXUMOH,  KAGHUNATH  (Ind.).  Mint-engraver  at  Bombay,  1867- 
1891. 

LUZE  (Swiss).  A  citizen  and  banneret  of  Neuchatel,  who  in  1776, 
had  three  medals  engraved,  at  his  own  cost,  by  Jonas  Thi^baud,  for 
presentation  as  School  Prizes.  Fide  Musee  Neuchatelois,  1893, 
P-  243- 


,stsd  by  Google 


LVOF,  GREGOR  (Rnss.).  Mint-master  at  St.  Petersburg,  1797, 
whose  issues  are  signed  f.  A- 

L.  W.  Vide  LEOPOLD  WEBER  (sometimes  called  LIPPOLD  WEFER). 

Mint-master  at  Clausthal,  1640-1674, 

L.  W.  Vide  LUDWIG  WAGNER.  Medallist  at  Stuttgart,  179S-1845. 
Also  I.  L.  W. 

L.  W,  Vide  LEOPOLD  WIENER.  Belgian  Medallist  of  the  second  half 
of  the  nineteenth  century. 

L.  X.  Vide  LUCA  XELL.  Mint-master  and  Engraver  at  Guastalla, 
1618-1622,  and  Parma,  1623-1629.  His  issues  sometimes  bear  the 
letters  L.  X. 

L.  Y.  (Mmc).   Engraver's   initials  on  a  Medal  of  Reward  for 
valour  and  fidelity,  of  the  state  of  Puebla  (Mexico),  1866. 
Bibliography.  β€”  B.  Belts,  Mexican  Imperial  Coinage,  1899. 

LTKOMEDES  (Greek).  A  chalcedony  intaglio  of  the  Tyskiewicz 
Collection,  representing  a  female  portrait,  diademed,  and  probably 
that  of  the  first  Cleopatra,  with  forehead  surmounted  by  headdress 
oflsis,  is  signed  iHAHMO>IYA,  and  attributed  to  an  ancient  Gem- 
engraver.  This  gem  is  reproduced  in  Fartw^-agler,  Anlike  Genimen, 
PI.  XXXII,  31,  and  also  described  in  Gemmen  mtt  KUnstlerinschriften, 
Jahrbuch,  1888,  p.  206,  PI.  iii. 

BiBLiOGKAFHY.  β€”  Biibeloii,  op.  cit.  β€”  Dareraberg-Saglio,  art.  Gemmae,  p.  (476. 

LYCOS.  Probably  a  fictitious  signature  on  Poniatowski  gems, 
representing  a  Head  of  Charon;  β€”  Meleager  presenting  the  head 
of  the  wild  boar  to  Atalanta ;  β€”  Pluto  giving  Peleus  a  sword ; 
β€”  Briseis  lamenting  the  death  of  Patroclus;  β€”  Metabus  dedicating 
his  infant  daughter,  Camilla,  to  Diana. 

LYMBURNER  (Canad.).  Issuer  of  a  Memorial  Medal  of  Pope 
Pius  IX.,  1878  (sev.  var.),  also  one  of  the  same  Pontiff's  50"'  Epis- 
copal Anniversary,  1877.  Vide  Leroux,  MedaiiUer  dn  Canada, 
n"^  1640-1642. 

LYNCH,LYNCHEorLIMCHE,  GERMAYNEor  GERMYN  (Brit.).  Mint- 
master  for  Ireland  under  Henry  VI.  and  anni  1-13  of  Edward  IV., 
and  Graver  of  the  puncheons.  He  was  granted  a  patent  for  the 
coinage  of  Groats,  Half-groats,  Pennies,  Halfpennies  or  Mailles, 
and  Farthings  or  Q.uadrantes,  to  be  issued  at  the  various  mints  of 
DubUn,  Cork,  Drogheda,  Limerick,  Trim,  Waterford,  and 
Wexford. 


,stsd  by  Google 


β€”  5o6  β€” 

Chaffers  GUda  AiLrifabroruw,  p,  37,  gives  the  following  informa- 
tion on  Lynche:  "  German  Lynche  of  London,  Goldsmith,  Warden 
of  the  Mint,  was  elected  Graver  of  the  Puncheons  for  life  (1460- 
1483),  Master  and  Warden  of  the  King's  Mints  in  his  realm  of 
Irland  within  his  castle  of  Dybelin,  and  he  was  authorized  to  strike 
money  for  currency  in  Ireland,  to  make  all  manner  ot  puncheons, 
irons,  gravers,  &c,,  within  the  city  of  London,  or  elsewhere,  as 
should  to  him  seem  most  speedful  ", 


Dublin  Groat  of  Edward  IV. 


"  Simon,  on  the  autority  of  a  manuscript  in  the  Library  of 
Trinity  College,  Dublin,  states  that  in  1472,  Germyn  Lynch  was 
indicted  for  making  light  groats  at  Drogheda.  But,  independent  of 
this  authority,  there  is  evidence  in  the  Act  of  1471,  that  Lynch 
had  been  deprived  of  his  office  of  Master  of  the  Mint,  for  on  the 
eighteenth  of  October,  in  the  tenth  year  of  his  reign  (1470), 
William  Crunye  and  Thomas  Barby,  merchants,  were  by  letters 
patent  constituted  masters  of  the  coinage;  and  in  1473,  it  was 
ordered,  that  Germyn  Lynch  be  Master  of  the  Mint  during  good 
behaviour. 

"  It  is  reasonable  to  suppose,  that  Lynch,  being  restored  to  his 
office,  would  be  annous  to  adhere  more  strictly  to  the  provisions 
of  the  Statutes ;  and  as  so  many  frauds  had  been  committed  in  the 
coinage,  he  probably  adopted  the  letter  G  as  his  privy  mark;  and  I 
find  chat  the  Groitswlth  this  mark  on  them  are  remirkable  for  the 
uniformity  of  their  weight,  and  correspond  pretty  closely  with  the 
standard  fixed  in  1473.  Lynch's  coins  are  more  numerous  than  the 
other  varieties,  which,  with  few  exceptions,  do  not  appear  to  be 
regulated  by  any  standard".  (D'  Smith,  op.  cit.,  p.  29). 

BiBLioGitAPHY.  β€”  Ruding,  op.  cit.  β€”  Grueber,  Handbook  &c.β€”  D'  Aqiiil.i 
Smith,  Irish  Coins oj Edward  IV.,  1839.  β€”  Chaffers,  o/".  cil. 

LYNG,  GASPER  HENDRIK  (Dan.)  of  Altona ;  Mint-master  at 
Copenhagen,  1783-1797,  and  before  that,  from  1771  to  1783,  at 
Altona.  His  issues  are  usually  signed  :  C.  H.  L. 

LTNG,  TRDELS  (Dan.).  Mint-master  at  Kongsberg,  1737-1770. 
Usually  called  TROELS  LUND.  His  initials  T.  L.  occur  on  some  of  his 
issues. 

Bibliography,  β€”  Schlickey sen- Kallmann,  op.  cit.  β€”  Nagkr,  Monogrammisten, 

V,  753. 


,,Goot^lc 


LTOKET,JAME  (French).  Mint-master  at  Mont^limar,  under 
Louis  XL,  before  September  1483. 

LTR,  JACOB.  (GfirjK.).Mint  -engraver  at Coiogue,  1678-1649,  to  the 
Westphatian  District.  His  coins  are  signed  I.  L. 

LYSANDER  or  LYSANDROS.  A  scarabeus  in  the  Volterra  Museum 
bears  the  inscription  AY2ANAPOj  which  is  evidently  tlie  owner's 
name,  and  not  an  Engraver's  signature. 

LYSIPPUS  (Jifl/.).  Medallist  of  the  second  half  of  the  fifteenth 
century;  a  nephew  of  Cristoforo  di  Geremia.  Friedliinder  was  the 
first  to  place  his  name  among  the  medallists,  and  more  recently 
Herr  von  Fabriczy  has  been  able  to  add  several  medals  to  the  already 
known  list  of  his  works. 

Raphael  of  Volterra  informs  us  that  Lysippus  was  entrusted  with 
the  execution  of  a  medal  of  Pope  Paul  II,  (β– ]β€’  1471),  and  as  he 
wrote  at  the   beginning  of  the  sixteenth   century,  we  can  fairly 


Portrait-medal  of  Candida,  by  Lysippus. 


accept  his  assertion .  He  however  does  not  give  any  further  infor- 
mation about  this  artist,  and  under  the  medals  of  Sixtus  IV.  none 
may  be  attributed  to  him  with  any  reasonable  grounds.  Fohunately, 
continues  Von  Fabriczy,  two  of  bis  signed  productions  have  been 
traced;  the  one  is  a  Portrait-medal  of  Giulio  Marasca  (reproduced 
on  a  print  of  1610);  and  the  other,  also  a  Portrait-medal,  of 
Marinus  Philethicns,  a  poet  and  scholar,  professor  at  the  University 
of  Rome  in  1475  (now  in  M.  Prosper  Valton,  Armand's  heirs 
collection).  The  latter  medal  presents  on  oov.  the  laureated  bust  of 


,stsd  by  Google 


β€”  5o8  β€” 

Philethicus,  and  the  1^.  a  copy  of  the  pehcan  of  Pisano's  Victorino 
da  Feltre  medal,  accompanied  by  the  legend  in  Greek  :  EPTON 
LYlinnOY  NEOTEPOY  (the  work  of  Lysippus  the  younger).. 

By  comparison  with  these  authenticated  works,  the  following 
may  be  ascribed  to  Lysippus  without  much  doubt  :  Giovanni  Luigi 
Toscani  (6  var.,  some  of  which  bear  the  signature  L^ysippus) 
P(ictor);  β€”  Giovanni  Francesco  Marasca;  β€”  Antonio  aa  Santa- 
Maria  ;  β€”  Francesco  Massimo ;  β€”  Francesco  Vitali ;  β€”  Partheniu. 
(Ippolito  Aurispa) ;  β€”  Pier  Paolo  Mellini ;  β€”  MiUtias  Jesuallus. 
These  medals  have  all  in  common  the  same  style  and  the  preference 
of- their  author  for  Greek  legends.  Further  they  all  represent  person- 
ages vijho  officiated  between  1473  and  1484  at  the  Curia  as  Abbre- 
viatori,  lUditori  di  cameria,  Advocates  and  Notaries,  and  ihost  of 
them  are  young  and  garbed  in  similar  costumes. 


Portrait-medaL  of  Cardinal  Rafiaele  Riario,  by  Lysippus, 


To  Lysippus  we  may  also  ascribe  two  medals  of  Giovanni  Can- 
dida, who  probably  studied  sculpture  under  him ,  β€”  on  one  of 
them,  whicii  is  preserved  in  the  Este  Museum  at  Modena,  he  is 
depicted  as  a  youth,,  and  apparently  as  a  pupil  of  an  ecclesiastical 
seminary;  on  the  larger  one,  which  belongs  to  M.  G.  Dreyfuss, 
(illustrated),  and  which  is  of  oval  shape,  we  see  him  still  in  clerical 
garb.  Both  pieces,  observes  Von  Fabriczy,  and  especially  the  last, 
belong,  for  the  ingenuousness  of  the  conception  and  softness  of  the 
modelling  to  the  gems  of  Quattro  Cento  medallic  art. 

From  the  similarity  of  siyle  as  well  as  from  the  testimony  of 
Rafael  da  Volterra,  who  informs  us  that  Lysippus  vas  working  for 
Pope  SixtusIV.,  we  may  still  further  consider  as  the  work  of  this 
artist  the  medal  of  Raffaele  Riario,  the  Pope's  nephew,  who  was 
raised  in  1478  at  the  age  of  17  to  the  dignity  of  a  cardinal.  The  !^ 
of  this  medal  represents  St  George  on  horseback  spearing  the 
Dragon,  an  allusion  to  the  cardinal's  title  of  San  Giorgio  in  Velabro. 
And  closely  connected  with  this  medal  is  that  of  Gatalano  Cosali 


,,C.oo(^lc 


(a  later  Proton  orarius)  of  the  same  year,  which  occurs  sometimes 
with  the  ^  of  the  Riario  medal,  and  displays  again  the  same 
characteristics  of  treatment. 

To  the  above  list  of  Lysippus's  productions,  D'Bode',  in  his 
review  of  C,  Von  Fabriczy's  Medaillen  der  Italienischen  Renaissance, 
has  been  able  to  add  the  following  :  Dioniede  Caraffa  (illustrated) ; 


G.    L.    '1  oicani,    by    Lysippus. 

β–  β€”  Girolarao  QUagrano  (with  arms  on  ^L)  ;  β€” β–   CacaUuio  Cosali,  a 
Bolognese,  1478 ;  β€”  Fabricp'  Varano ;  β€”  and  probably  also  Gabriel, 
Cardinal  San  Prassede,  with  a,  Greek  legend  :"'kAAON  fEPONTA 


β– njedal  of  Dioraedc  Caraffa,  by   Lysippus. 


KAITAAAHNHN  MA0EIN;  β€”  also  the  larger  medal -of  Giovanni 
Aurispa  (iji  arms),  which  was  formerly  attributed  to  Pisanello,  &c. 


I.  D"  Bod^,  Zar  mueslen  Forschiiii^  auf  dent  GeUete  der  italienhchen  MedailUn- 
kunde,  Zcilsdiriil  fiir  bildende  Kunst,  190;,  p.  41. 


aedb,  Google 


β€”  sio  β€” 

Lysippus  was  a  Mantuan,  according  to  Armand,  but  it  is  remark- 
able cliat  most  of  the  personages  he  has  depicted  are  of  Neapolitan 
origin,  many  of  them  having  belonged  to  the  Roman  Curia. 

Both  Friedlander  and  Armand  have  given  to  this  artist  the 
medal  of  Sixtus  IV.,  but  later  writers  have  not  confirmed  this 
attribution. 

The  style  of  Lysippus  is  often  dry,  and  as  a  rule  the  reverses  are  not 
of  exceptional  merit.  He  was  greatly  surpassed  by  his  pupil  Giovanni 
de  Candida,  and  D'  Bode  says  :  "  Weit  bedeutender  als  Lysipp, 
der  regelmassig  trocken  ist  und  auf  komponierte  Riickseiten  sich 
nicht  einlasst,  ist  sein  Schiiler  Giovanni  Candida  aus  vornehmen 
Neapler  Geschlecht ". 

On  the  IJi-  of  the  medal  of  Giulio  Marasca,  the  artist  signs 
himself:  LYSIPPVS  AMICO  OPTIMO.  This  medal  is  reproduced  in 
Petavius  Pa  P.  in  Francor.  curia  comilia  :  auliquariae  supellecHlis 
portiuncula  Parisius,  1610. 

Bibliography.  β€”  Friedliinder,  Dk  lialimischcn  Schivmuiv^en,  Berlin,  1882.  β€” 
Armand,  Lss  MidaiUairs  italiens,  1883-1887.  β€”  C.  Von  Fabriczy,  op.  cit.  β€” 
Blanchet,  op.  cit.  β€”  Rwiie  uumhmcUiqm,  1903,  p.  199.  β€”  D'  Bode,  /.  c.  β€” 
Merzbacher,  Kunsl-MedaiUen-Katalc^yiMmchtu,  1900. 

LYSLE,  ANDRfi  DE  {French).  Goldsmith  of  Lyons,  ^fVc.  15  38-1 549. 
He  was  Engraver  at  the  Mint  of  Grenoble  in  1540  and  1541,  and 
Warden  of  the  Mint  from  1541  to  IJ49.  He  signed  -.Andride  lysle. 

BiBLJOGRAPHY.  β€”  Rondot,  Orftvres  lyonnais,  β€”  Rondot  ec  De  La  Tour,  op.  dt. 

L.  Z.  FiWe  LEVIN  ZERNEMAMI  (Germ.).  Mint-engraver  at  Clausthal 
and  Brunswick,  1678-1690. 


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M.  fji^e  MICHAEL  MARTENS.  Mill :-m aster  at  Wisniar,  1622-1623. 

M.  Vide  MAXKIENLEN.  Mini-master  at  UIid,  1635-1639.  Also 
M.  E. 

M.  Vide  HIERONYMUS  MULLER.  Mint-master  at  Augsburg,  1494- 
1515. 

M.  Fide  HEINRICH  MULLER.  Mint-master  at  Nuremberg,  circ. 
1615-1616. 

M.  Vide  1.  C.  MiJLLER.  Medallist  at  Stuttgart,  1670-1695.  Also 
1.  C.  M. 

M,  Vide  B.  MULLER,  Miiit-engravcr  at  Ulm,  1671-1706.  Also 
B.  M. 

U.  Vide  ANTON  MEYBUSCH.  Medallist  at  Stockholm  and  Copen- 
hagen, circ.  1675-1701.  Also  A.  M.  His  son,  of  the  same  name, 
worked  in  Sweden,  during  the  second  quarter  of  the  eighteenth 
century,  and  also  usually  signed  his  productions,  M. 

M.  Vide  PHILIP  HEINRICH  MULLER.  Medallist  at  Nuremberg,  and 
Augsburg;  died  in  1718.  Also  P.  H.  M. 

H.  Vide  G.  W.  METELLES.  Medallist  at  Konigsberg  in  Prussia, 
lyil-i-ji^.  Also  G.  W,  M. 

M.  VideC.E.  MULLER.  Medallist  at  Augsburg,  1717-1741.  Also 
O.E.  H. 

M.  Vide  F.  MARL.  Medallist  at  Berlin,  first  half  of  the  eighteenth 
century.  Also  F.  M. 

M.  Vide?.  MARTEAU.  Medallist  at  Paris,    1720-1749.  Also  F.  M. 

M.  Videl.  C.  MARMfi.  Medallist  at  Cleves,  arc.  1735-1757-  Also 
I.e.  M. 

M.  Vide  MAHRENHOLZ.  Mint-engraver  at  Brunswick,  circ.  i-j^z. 
M.   Vide  I.  F.  MULLER.   Mint-engraver  at  Ansbach,    1758-1766. 
Also  I.  F.  M. 

M.  r/f/e  I.  MELLINGER.  Mint-master  at  Zwcibriicketi,  1758-1769. 
Also  I.  M. 

M,  VideC.  MOTTA,  Mint-eograver  at  Geneva,  circ.  1770. 

Hosted  by  Google 


--    $!2   β€” 

M.  Fide  F.  X.  MATZENKOPF.  MedalHsi:  and  Mint-engraver  at 
Salzburg,  circ.  1738;  the  son,  drc.  1755  ;  and  the  grand-son,  circ. 
1790-1814.  Also  F.  M.  or  F.  X.  M. 

M.  Fide  MAXEN.  Mint-engraver  at  Ahona,  1788-1799. 

M.  Fide  P.  L.  MAGIUS.  Mint-master  at  Clausthal,  1792-1802. 
Also  P.  L.  M. 

H.  F/rfsMAURISSET.  Medallist  at  Paris,  drc.  1790-+  1825. 

H.  Fide  JOHN  MILTON.  Medallist  in  England,  end  of  the  eighteenth 
centuiy  and  early  part  of  the  nineteenth.  Also  I.  M.  F. 

M.  Fide  G.  F.  MICRAELIS.  Mint-master  at  Clausthal,  1802-1807. 
Also  G.  F.  M. 

M.  FideUE^ER.  Mint-master  at  Danzig,  1808-1812. 

M.  Fi'iieHEINRICH  LUDWIG  MAASS.  Medallist  at  Hanover,  circ. 
1816-1831. 

M.  Fide  C.  A,  MOLLER.  Mint-engraver  ai  Copenhagen,  and 
Medallist  there,  after  1813. 

M.  Fide  MIDDELTHUN.  Medallist  at  Kongsberg,  after  1819. 

M.  Fide  C.  A.  IHUHLE.  Medallist  at  Copenhagen,  second  quarter 
of  the  nineteenth  century. 

M.  Fide  HANS  MliliLER,  Mint-master  at  Koenigsberg,  1661-1666. 
Bibliography.  β€”  Schlickeyscn-Pallmann,  op.  cil. 

M.  (Greek).  This  signature,  which  probably  represents  the  abbre- 
viated form  of  MOAOIZOI,  occurs  on  the  obv.  of  a  didracbm  of 
Thurium  (illustrated). 


The  ^.  of  this  piece  is  signed  M0A02202  (vide  infrd). 
The  reproduction   is  from  a  specimen  in  the  British  Museum 
Collection  (B.  M.  Cat.,  Italy,  p.  292,  n"  59). 


,stsd  by  Google 


M.  (GeriH.).  SigLiature  of  an  unknown  Mint-master  at  Sagan,  in 
Wallcnstein's  service,  1629;  perhaps  identical  with  the  one  who 
signed  V.  M.  on  Groschl  of  1625. 

M.  Signature  of  an  unknown  Engraver,  by  whom  is  a  commem- 
orative medal  of  the  Peace  of  Passarowitz,  1718,  reproduced  in 
Domanig,  Porlrdt-tiiedaillen,  &c..  n"  251. 

M.  or  M  B  (M  D)  {Ital.).  Signature  of  an  unknown  Medallist,  who 
was  working  ^t  Rome,  circ.  1585.  It  occurs  on  a  struck  Portrait- 
medal  of  Pope  Sixtus  v.,  dated  1588  (Armand  I.,  294  ;  III,  141). 

A.  M.  Vide  ANTOK  MEYBUSCH.  German  Medallist,  who  worked 
principally  at  Copenhagen  and  Stockholm,  i6j6--[  1701.  His  signa- 
ture occurs  also  as  A.  M.  F. ;  A.  MB  F.,  or  AMB.  F.,  and  he  spelt  his 
name  variously,  MEIBUS,  MAIBUS,  MEIBUSCH,  &c. 

A.  M.    Vide  ALEXEI  MALEJEFF.   Mint-master 
1818. 

A.  M.    Vide  ANDREAS  MEVIUS.  Mint-master  ; 
1830. 

A.  M.   Vide  ANDREA  MORELLO.  Mint-master  at 
1565. 

A.  M.  Vide  ALOYSIO  MODANA.   Mint-master 


A.  M.  Vide  A.  MINOTTO.  Mint-master  at  Cattaro,  1567-1569. 

A.  M.  Fide  ALOYSIO  MARCELLO.  Mint-director  at  Venice,  under 
the  Doge  Giovanni  Cornaro,  1624-1629. 

A.  M.  Vide  JOHANN  ANSELM  MUNCH.  Mint-master  at  Frankforc- 
on-Main,  1636-1643. 

A.  M.  Fide  A.  MERTENS.  Medallist  at  Bcdin,  1851-1871. 

A.  M.   F.   Vide  ANTONIO  MONTANTI.   Medallist  at  Florence  and 
Rome,  circ.  1710-1714;  died  in  1740. 
Bibliography.  ^-  Schlickeysen-Pallmann,  op.  cil. 

A.  M.  Perhaps  ANTON  MOLL.  The  signature  A.  M.  occurs  on  a 
Breslau  medal  of  1777,  the  work  of  which  has  much  similarity  with 
that  on  the  commemorative  medal  of  the  Battle  of  Kollin, 
signed  A.  MOLL. 

AM  (Germ.').  Signature  of  a  MedaUis:  of  the  middle  of  the 
seventeenth  century.  It  occurs,   in  raised  letters,  on  the  1^.  of  a 


It  Koliwan, 

1812- 

t  Koliwan, 

1821- 

Cham  Wry, 

1563- 

at   Cattaro, 

1528- 

atdb,  Google 


small  oval   Portrait-badge  of   the  Count  Palatine,  Charles  Louis, 
dated   1649  (Berlin  Museum  ;  illustrated').  Of  the  same  year,  and 


probably  by  the  same  1  aid    js  i  1  i^e  medil    ftith  similar  bust, 
and  ^L.  Hope. 

Bibliography.  Eiinan    D    I  I    Me!   II         ^     7 

B.  M.  Fide  BERTHOLD  MEINHART  Mmt  n  1  ter  at  Eisleben,  1582- 
1595  ;  he  officiated  at  the  same  time  for  the  Prince  of  Anhalt  and 
the  Archbishop  of  Magdeburg. 

B.  M.  Vide  BERTHOLD  MEIER.  Mint-engraver  at  Copenhagen,  circ. 
1688 ;  Warden  of  the  Mint  at  DSmitz,  16S9,  and  Mint-master  at 
Schwerin,  1696-1702. 

B.   M.   Fide   BARTHOLOMATIS  MULLER.    Mint-engraver   at  Dim, 
1671-1706. 
Bibliography.  β€”  Schlickeysen-Pallmann,  op.  cil. 

B.  M.  Vide  MARTINEZ.  Spanish  Medallist  of  the  last  quarter  of  the 
eighteenth  century,  and  author  of  a  Proclamation-medal  of 
Charles  IV.,  1789. 

B.  M.  F^i(fc  BARTHOLOMfi  MAURA  YMONTASER.  Director  of  the 
Casa  de  Monedas  of  Madrid,  since  1S93. 

B.  M.  (Ital.).  This  signature  occurs  on  a  plaque,  in  gilt  bronze, 
with  a  circular  medallion,  in  which  a  half-figure  of  Lucretia  stab- 
bing herself;  on  either  side,  youthful  tritons.  Also  on  a  bronze 
Medallion,  with  seated  nude  figure  and  two  Cupids  ;  inscription  : 
lEMNHKAOriA. 

Bibliography.  β€”  E.  Fortnum,  Bronzes  in  llie  South  Kmsingion  Museum,  1876. 

iiosBdb,  Google 


C.  M.  Fide  CHRISTIAN  MALER.  Medallist  nt  Nuremberg,  circ. 
1604-1640.  Also  C.  MAL. 

C.  M.  Vide  CONRAD  MARQUARD.  MiiiMiiasier  at  Nordhauseii, 
1624. 

β–    C.  M.  /^/ii(^CASPARO  MOLD.  Mint-engraver  and  Medallist  at  Rome, 
circ.  1625-1669. 

C.  M.  Vide  CORNELIUS  MELDE.  Mint-master  at  Dresden,  1635. 

C.  M,  Vide  CHRISTOPH  MELCHIOR.  Mint-master  at  Koenigsberg 
in  Prussia,  1646-1656. 

C.  M.  Vide  CONRAD  MAIER.  Mint-engraver  at  Ulm,  1633-1682. 

C.  M.  Vide  CHRISTOPH  MULLER.  Warden  of  the  Mint  at  Dessau, 
1693-1694,  and  Mlihlhausen,  1701  ;  Mint-master  at  Eisenach, 
1702-1715. 

C.  Jft.  r/iie CHRISTIAN  ERNST  MDLLER. Medallist  andMint-engravcr 
at  Augsburg,  are.  1714-1741.  AlsoCE.M.  and  C.H.M. 

C.  M.  A  large  Portrait-medallion  ofT.  B.  Macaulay  (9.2  in.  diam.), 
dated  1S48,  is  thus  signed. 

C.  M.  or  C.  M.  M.  Vide  CARL  MAGNUS  MELLGREN.  Medallist  at 
Stockholm,  second  quarter  of  the  nineteenth  century. 

C.  M.  C.  P.  CHRISTIAN  MALER  CVM  PRIVILEGIO. 

C.  M.  F.  Fide  C.  MARTIN.  French  Medallist,  cite.  1665-1680. 

C.  M.  F.  Fide  CHARLES  MOTTA.  Medallist  at  Geneva,  during  the 
second  half  of  the  eighteenth  century. 

C.  M.  F-  Vide  CARL  MEISSNER.  Medallist  at  St.  Petersburg,  circ. 
1801-1810. 

C.  M.  M.  Vide  CARL  MAGNUS  MELLGREN.  Medallist  at  Stockholm, 
1830. 

BiBuoGRAPHY.  -β€”  Schlickeysen-PLillmanD,  op.  (it. 

D.  M.  Vide  DANIEL  MEBES.  Mint-master  at  Gerbstadl  (Mansfeld), 
1621-1623. 

D.  M.  TiieDOMENICO  MOLINO.  Mint-master  at  Venice,  1625. 

F.  M.'  i^ide  FEDERIGO  MOLINO.  Mint-master  at  Venice,  circ. 
1630. 


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F.  M.  TiWe  FRANCESCO  MOROSINI.  Mitit-mastcr  at  Cattaro,  1608- 
1610. 

F.  M.  Vide  FRIEDRICH  MARL.  Medallist  at  Berlin,  circ.  1704- 
t  1743- 

F.  M.  Vide  FRANgOIS  MARTEAO.  Medallist  at  Paris,    1720-1749. 

F.  M,  Vide  FRIEDRICH  MAUL.  Mint-master  at  Dusseldorf,  1738- 
1741. 

F.  M.  Vide  FRANZ  MATZEKKOPF.  Medallist  at  Salzburg,  circ.  17^8- 
1755  ;  his  son,  of  the  same  name,  circ.   1755-1796.  Also  F.  M.  K. 

F.  M.  F.  Vide  FRANCESCO  MOCCHI.  Florentine  Sculptor  and 
Medallist,  f  1646. 

F.  M.  R.  Vide  FRANCESCO  MARIA  RIZZI.   Mint-master   at  Venice, 
1786. 
Bibliography.  β€”  Schlickeysen-Pallmann,  op.  ml. 

F.  M.  (Austr.').  Signature  on  a  commemorative  medal  of  the 
Siege  of  Ofen,  1686,  the  die  of  which  is  preserved  at  the  Vienna 
Mint  Museum. 

G.  M.  Vide  GOTTFRIED  MAINERT.  Mint-engraver  at  Warsaw,  born 
in  1767,  died  in  1846. 

G.  M.  VideGza^G  MEINHART.  Mint-master  at  E  isle  ben,  Halle  and 
Stolberg,  1595-1615. 

G.  M.  Vide  GEORG  MEINHOLT.  Mint-master  at  Saalfeld,  1595- 
1623. 

G.  M.  Vide  GASPARE  MOLO.  Swiss  Medallist,  who  worked  at  Flo- 
rence and  Rome,  circ.  i6io-f  1669.  Also  G.  M.  F.  or  G.  MOL. 

G.  M.  Vide  GOTTFRIED  (WILHELM)  METELLES.  Medallist  at  Min- 
den,  circ.  1600-1711. 

G.  M.  Vide  GOTTHARD  MARTINENGO.  Mint-master  at  Coblence, 
1762-1794. 

G.  M.  Vide  GEORG  MICHAELIS.  Mint-master  at  Clausthal,  r8o3- 
1807.  Also  G.  F.  M. 

H.  M.  Vide  CONRAD  MUNT  (Magdeburgensis).  Mint-master  at 
Magdeburg,  1577-1594. 

H.  M,  r/i^e  HEINRICH  MEYER.  Mint-master  at  Barby,  1611-1615, 
Magdeburg,   1617,  and  Konigssee,  1620. 


./Google 


β€”    Jiy    _ 

H.  M.  Fide  HANS  MULLER.  Mint-master  atKoenigsbergin  Prussia, 
1661-1666. 

H.  M.  Vide  HEKNING  MTILLER.  Mint-master  at  Sondershausen, 
1675-1681 ;  also  at  Ellrich,   1675-1678,  and  Gotha,  1681-1683. 

H.  M.  Fidenxm  MALMBERG,  Mint-master  at  Stockholm,  1738- 
1762. 

H.  M,  Fide  J.  HANDMANN.  Mint-engraver  at  Basle,  arc.  1770- 
1798. 

H,  M.  Fide  HEINRICH  MEIDINGER.  Director  ot  the  Mint  at  Fiilda, 
1765-1770. 

H.  M.  Fide  NICOLAUS  MUNT.  Mint-master  at  Ekaterinenburg, 
1810-1821. 

H.  M.  0.    Fide  HANS  MATTHAUS  OBERMULLER.   Mint-master  at 
Meiningen,  1714-1717. 
Bibliography.  -β€”  Schlickeysen-Pallmann,  op.  cit. 

H.  M.  This  signature  occurs  on  coins  of  Goldberg,  :622,  and 
probably  represents  a  Mint-master.  A  medal  of  Amsterdam  Cadets 
is  also  signed  H,  M.,   1783. 

I.  M.  Fide  JEAN  MIRETTO.  Mint-master  at  Chambery,  1577" 
IS79- 

I.  M.  Fide  JOACHIM  MEIHECKE.  Mint-warden  at  Riga,  1652; 
Mint-master  there,  1663-1668, 

I.  H.  Fide  JEAN  MAUGER.  Medallist  at  Paris,  circ.   l66o-t  1722. 

1.  M.  Fide  JOHANN  MEMMIXIS.  Mint-master  at  Gustrow,  1673- 
1678;  Rostock,  1679-1710;  Stade,  1696,  and  Stettin,  1705-1710. 

I.  M.  Fide  JOSEPH  MELLINGER.  Mint-master  and  Engraver  at 
Zweibrucken,  1758-1769. 

I.  M.  FideJOEN  MILTON.  Medallist  in  England,  circ.  1795-1805. 

I.  M.  Fide  JOSEPH  MOORE.  A  Birmingham  Medallist,  of  the 
second  half  of  the  nineteenth  century;  his  son,  of  the  same  name, 
now  carrying  on  the  same  business. 

I.  M.  B.  F.  Fide  JOHANN  MARTIN  BUCKLE.  Medallist,  born  in 
1742,  died  in  1811 ;  he  worked  at  Augsburg  and  Durlach,  and  was 
Mint-master  in  the  latter  place,  1778-1803. 

r.  M.  E.  Fide  JOHANN  MICHAEL  EDLER.  Mint-master  at  Saalfeld, 
1724-1731. 


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-  5i8- 

I.  M,  F.  ffWfi  JEAN  MAUGER.  French  Medallist,  mr.  i66o-f  1722, 

I.  M.  F.  fiiie  JOHANN  MICHAEL  FEDERER.  Mint-master  at  Ratis- 
boii,  1700-1738. 

I.  M.  F.  Fide  JOHAKK  MARTIN  FORSTER.  Mint-master  at  Nurem- 
berg, 1755-1764. 

I.  M.  F,  f;W^  JOHN  MILTON  Medallist  in  England, c/rc.  1795-1805. 

I,  M,  F.   Fidi:  J.  MINHEYMER.  Medallist  at  Wavsaw,  circ.    1850. 

I.  M.  F.  Vide  JOS'e.F'A  MAINERT.  Medallist  and  Mlnt-engravcr  at 
Warsaw,  circ.  1840-1855. 

I.  M.  G.  Fide  JUAN  MARIA  DE  GUERRERO.  Medallist  oi  Mexico, 
first  quarter  of  the  nineteenth  century. 

I.  M.  K,  Fide  JOHANN  MICHAEL  KRUSE.  Mint-master  at  Konlgs- 
berg,  1834-1837. 

I,  M.  MK.  VideiO^Am  MELCHIGR  MORIKOFER.  Swiss  Medallist, 
born  at  Bern,  1706;  died  in  1761. 

I.  M.  W.  Fide  JOHANN  MICHAEL  WUNSCH.  Mint-master  at  Wur^- 
burg,  1693,  and  Heidelberg,  1694-1732, 
Bibliography.  β€”  Schlickeysen-Pallniann,  op.  dt. 

I.  M.  (Afmc),  Initials  of  a  Mint-master  or  Engraver  at  the  Mint 
of  Mexico,  under  the  short  reign  of  the  Emperor  Augustine,  1823- 
1833.  These  letters  I.  M.  occur  on  the  1822  and  1823  Af  Onza, 
3^.  Peso  (4  or  5  var.),  Peseta,  Real  and  Medio  Real;  and  Betts, 
Mexican  Imperial  Coinage,  1899,  considers  them  as  the  Engraver's 
signature, 

IM.  {Swiss).  Medallist's  signature  on  a  Portrait-medal  of  Bartho- 
lomaus  Schubinger  (Schowinger)  of  St.  Gallen,  1500-1585,  dat-^^d 


7\ 


Medal  of  bartllme  bchowinger,  1561. 

iiosBdbf  Google 


β€”  519  β€” 
Tj6i.    Vide  D'  Merzbacher's  Kunsi-MedailUn  Katahj^,  Mai   1900, 
lot   351.   This   medal,    notices   Erman,   does   not    belong   to    the 
sixteenth  century  master-pieces;  the  lettering  is  particularly  broad 
and  flat. 
Bibliography.  β€”  Erman,  op.  cil. 

ICM.  Fide  JOHANN  CHRISTOPH  MULLER.  Medallist  at  Stuttgart, 
circ.  1674-1680. 

L.  M,  Fide  LUIZ  MARCHIONNI.  Mint-engraver  at  Madrid,  during 
the  latter  end  of  the  reign  of  Isabel  II.,  the  Republic,  Amadeo  I., 
and  early  part  of  Alfonso  II. 

L.  M.  F/Wg  LIBORIUS  MTJLLER.  Mint-master  at  Berlin,  1620-1642. 

L.  M.  F/de  LORENZO  MARCELLO,  Mint-master  at  Venice,  1709. 

L.  M.  Fids  LUIGI  MAMFREDINI.  Milanese  Medallist,  born  in  1771, 
died  in  1840. 

L.  M.  W.  Fide.  LORENZO  MARIA  WEBER.  Medallist  at  Florence, 
1720-1757- 

N,  M.  Fide  NICOLAUS  MARTINENGO.  Mint-master  at  Coblence, 
and  Wiirzburg,  1757-1762. 

0.  M.  Fide  JOSEPH  MAGER.  Mint-master  at  St.  Petersburg,  1798- 
i8or. 

0.  M.  D.  P.  V.  =OPVS  MATTHAEI  DE  FASTIS  Fide  MATTED  DE 
FASTI.  Painter  and  Medallist  of  Verona,  circ.  1446-1460. 

F.  M.  FideTAVh  MONAU.  Mint-master  at  Schweidnitz,  1518. 

FM.  Fide  GIOVANNI  MARIA  FOMEDELLO.  Medallist  of  Verona, 
second  half  of  the  fifteenth  century. 

F.  M.  Fide  FHILIFP  MUSSLER.  Mint-warden  at  Frankfort-on- 
Main,  1567;  died  in  1603. 

P.  M.  Fide  PIETRO  MOROSINI.  Mint-master  at  Cattaro,  1634- 
1627. 

P.  M.  Fide  MICHAEL  PFROGNER,  Provisional  Mint-miistcr  at 
Prague,  1710-1711. 

F.  M.  Fide  PAUL  MAASSEN:  Mint-master  at  Dusseldorf,  1771- 
1783. 


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β–  β€”  52<J  β€” 

p.  M.  Fide  PAUL  MERKER.  Mint-engraver  at  Brunswick,  nVc. 
1794-t  1833. 

PM.  Vide  JOHANN  PHILIPP  MAI.  Mint-master  at  Zweibriickcn, 
1612-1631. 

P.  M.  K,  TiWe  MICHAEL  KUTSCHKIN.  Medallist  at  St.  Petersburg, 
circ.  1850. 

T.  M.  Vide  TOMMASO  MERCANDETTI.  Medallist  at  Rome,  1797- 
t  1821. 

V.  M.  Vide  URBAKO  MALIPIERO.  Mint-master  at  Venice,  1630. 

V.  M.  or  Ml.  Vide  VALENTIN  MALER.  Medallist  at  Nm-emberg,  arc. 
1569-7  1603. 

W.  M.  VideWlLllXM  MAINWARING.  Medallist  in  England,  end 
of  the  eighteenth  century. 

Z.  M.  Vide  ZXIANO  MAGKO.  Mint-master  at  Cattaio,  1598-1600. 
Z.  M.  TiWi;  ZORZl  MOROSINI.  Mint-master  at  Cat  tare,  1638-1640. 
Z.  M.  Vide  ZUANO  MORO.  Mint-master  at  Venice,  i78i. 

Z.  M.  M.    Vide  ZUANO  MARCO  MOLINO.   Mint-master  at   Caitaro, 
1602-1604. 
RiBLiocRAPHY.  β€”  Schlickeysen-Pallmami,  op.  cil. 

M.  A.  Vide  MAGNUS  ARBIEN.  Medallist  at  Copenhagen,  circ.  1732- 
1760.  Also  MA  or  M.  G.  A. 

MA.  Vide  MAXEN.  Medallist  atAltona,  1788-1799. 

M.  A.  S.  Vide  MARIO  AURELIO  SORANZO.  Mint-master  ar  Venice, 
1659, 

M.  A.  V,  Vide  MARCO  A.  VENIER.  Mint-master  at  Cattaro,  1583- 
1856. 

MA.  These  letters    occur  on  a  variety  of  the  Obol  of  Massilia  : 
Obv.  Head  of  Apollo  to  1. ;  on  his  cheek  in  minute  lettens :  MA. 

^L.  Wheel  with  inscription,  MA. 

Lenornnant  has    considered   this    inscription   as   an   Engraver's 

signature,  but  von  Sallet  and  others  only  see  in  it  a  repetition  of 

thel^.  inscription,  wliich  designates  the  Mint. 

MAAS,  HEINRICH  LUDWIG  (Germ.).  Mint-engraver  at  Hanover, 
circ.  1818-1831. 1  have  noticed  his  signature  M  on  the  truncation  of 


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-    521   β€” 

George  IV. 's  bust:  on  Gulden  of  1826,  1829,  &c.,  aud  on  a  Portrait- 
mcdai  of  D'  Bernhard  Christoph  Faust  of  Buckcburg,  1827. 

MAASEN,  PAUL  (Germ.).  Mint-master  at  Diisseldorf,   1771-1783. 

MABAREAUX  (also  MABEREAUX  or  MASBEREAUX)  (French).  The 
brothers  Mabareaux,  Goldsmiths,  executed  in  1605  two  large  medals 
in  gold,  which  were  presented  to  Henri  IV.,  on  his  visit  to  Limoges, 
and  in  1615  two  medals  "  d'or  de  ducat  massif  "of  the  size  of  a  plate 
and  thickness  of  a  finger,  one  for  the  King,  and  the  other  for  the 
Queen  on  the  occasion  of  their  entry  in  Bordeaux. 

The  brothers  Mabareaux,  goldsmiths,  chasers,  armourers,  &c, 
were  reputed  to  be  "  the  most  worthy  workmen  of  France  for  the 
making  of  arms,  plate,  sculpture  and  other  inventions  ".  In  1628 
they  were  established  in  the  Louvre. 

Bibliography.  β€”  Rondot  el   De  La  Tour,  op.  cii.,  p.  265.  β€”  MazeroUe, 

MABEY,  C.  H.  and  J.  (Brit.).  Engravers  ot  a  medal,  executed  by 
Foot  and  Tebay,  on  the  Removal  ofTemplc  Bar,  1878,  and  made 
of  lead  from  the  roof  of  the  building.  It  is  reproduced  in  Welch's, 
Numismata  Londinensia,  pi.  viii,  nΒ°  15, 

MABILLE,  JULES  LOUIS  (French).  Contemporary  Sculptor,  bom  at 
Valenciennes  (Nord),  14.  August  1843;  a  pupil  of  the  medallist 
Jouffroy.  He  has  signed  a  number  of  Portrait-medallions  in  clay, 
or  cast  in  bronze;  β–  β€” 1894.  Hippolyce  Maze; β€” Emile  Lii^nart,  &c. 

MACCASIUS,  JOHANN  JACOB  (Austr.).  Mint-master  at  Joachims- 
thai,  1670,  The  coins  issued  by  him  are  usually  signed  M. 

MAC  CLURE,  J.  CROSSLAND  (Brit.).  Contemporary  Sculptor  and 
Medallist,  residing  in  London  ;  a  member  of  the  Society  of  Medal- 
lists, to  the  exhibitions  of  which  he  has  contributed. 

I  have  seen  by  him  :  Portrait  medallion  of  Wm.  Lees  McClure; 
β€”  Panel  "  Good  Luck  ";  β€”  Dawn,  Relief;  β€”  Brooch  in 
bronze,  &cc.,  and  in  the  Royal  Academy,  1901,  he  exhibited  a  Por- 
trait-medallion. 

MACCHERONI,  CESARE  (ItaL).  Engraver  at  the  Mint  of  Rome 
under  Pope  Clement  VII.  Cellini  mentions  his  name  in  his  Auto- 
biography. 

MACGHIAVELLI,  AHTOKIO  (ItaL).  Mint-engraver  at  Bologna, 
under  Pope  Leo  X.,  1520-1523.  He  was  commissioned  to  engrave 
dies  for  a  new  coinage  consisting  of  Fiorini  d'oro,  Leoni  d'argento, 


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Mezzi  and  Q.uarti  Leoni,  Bolognini  and  Mezzi  Bolognini,  and 
billon  Piccoli.  This  coinage  does  not  appear  to  have  been  issued. 

Bibliography.  β€”  Francesco  Malaguzzi,  La  Zfcca  di  Bologna,  1898. 

MAC  CORMICK,  JOHN  (Anur.').  Assistant-coiner  at  the  Mint  ot 
Philadelphia,  since  June  1890.  He  was  born  at  Philadelphia 
(Northern  Liberties)  and  was  educated  in  the  North  East  Grammar 
School. 

BrBLiOGftAPHY.  ~  Evans,  Hislary  of  ihe  Uitiled  Stales  Mini,  1892, 

MACS,  Smile  LOOIS  (French).  Contemporary  Sculptor;  born  at 
Angers ;  pupil  of  Cavelier.  By  him  are  several  Portrait-medallions 
in  bronze  i  18S4.  Portrait  of  M.  E.  L***;  β€”  1893.  Three  Children's 
heads;  β€”  D'  Lujelouze's  children;  β€”  1896.  Portrait-medalHon. 

MAC  GILES,  MARGARET  (Mrs  Bernard  Jenkin)  (Bril.).  Contem- 
porary Sculptor  and  Modeller,  a  member  of  the  "  Society  of 
Medallists  ",  who  has  produced  at  various  times,  a  number  of  fine 
medallic  works ;  thus  :  Seal  and  Impression  for  a  Submarine;  β€” 
Portrait-medallion  ;  β€”  Friendship,  medallion  ;  ~  Two  medals,  &c. 

MAC  GILL,  DAVID  (Brit.').  Contemporary  Sculptor  and  Medallist, 
residing  in  London,  a  member  of  the  Society  of  Medallists,  at  the 
exhibitions  of  which  association  he  has  shown  some  very  artistic 
productions  :  Portrait-medallion;  ~  Medal  for  Cambridge;  β€” 
Design  for  a  medal  and  reverse;  β€”  The  Nineteenth  Century;  β€” 
St.  Peter's  College,  Westminster;  β€”  Prince  of  Bhavnagar;  β€”  The 
Mirror  of  Nature ;  β€”  Cambridge  University  Medal  (illustrated  in  The 
Studio,  XXII,  126) ;  β€”  Hero  and  Leander ;  β€”  Hugh  Mac  Gill,  &;c. 

MAC  GILLIVRAT,  PITTENDRIGH  (Bril.).  Contemporary  Sculptor, 
born  in  Aberdeenshire,  and  brought  up  at  Edinburgh,  where  he 
attended  the  S;hool  of  Design  and  went  through  the  usual 
curriculum.  He  then  studied  under  William  Brodie,  R.S.A., 
Edinburgh,  and  John  Mosstnann  H.R.S.A.,  Glasgow.  He  is  now 
an  Associate  of  the  Royal  Scottish  Academy. 

This  sculptor  has  also  touched  medallic  work  :  Portrait-medallion 
of  Mrs  Hannah  Kindlay;  β€”  A  Portrait;  β€”  Bas-reliefs  "Burns 
and  Highland  Mary;  β€”  "Rhythm",  &c. 

'β– '  Gifted  with  imagination  and  artistic  sensibility,  with  a  facile 
and  skilful  hand  the  work  he  has  already  done  is  the  best  guarantee 
that  can  be  advanced  for  his  future  success"  (The Studio,  XVI,  205). 

MACHAULT,  PAUL  Β£miLE  (French).  Sculptor,  born  in  Paris, 
r.  September  1800,  died  in  1867;  pupil  ot  Francin  and  the  Ecole 
des  Beaux-Arts.  By  him  are  Portrait-medallions  in  bronze,  some  of 
which  were  exhibited  at  the  Salon  of  1834. 


./Google 


β€”  523  β€” 

MACHAULT,  PAUL  (French).  Son  of  tlie  preceding  ;  Sculptor  and 
Medallisr,  residing  at  Paris;  pupil  of  Simart.  Amongst  his  med-iilic 
productions  are  :  1864.  Portrait-Medallion  of  M.  Paul  C***;  β€” 
1868.  Portrait  of  M.  B*** ;  β€” Portrait  of  M.  M***;β€”  1873.  Por- 
trait ofM.  S***;  β€”  1874.  Portrait  of  M.  Quinsat;  β€”  Portrait  of 
M.  Lesaffre;  β€”  Portrait  of  M.  Surge.  β€”  1875.  Portrait  of  M.  H. 
Pinat;  β€”  1876.  Poitait  of  M.  May;  β€”  1878.  Portrait  of  M.  H. 
Lozier;  β€”  Portrait  of  M.  P.  May,  &c. 

BiTiLiOGRAPHY.  β€”  Chavignerie  el  Aiivray,  op.  cit. 

MACHETTE,  GUILLAUME  (French).  Mint-engraver  and  Assayer  at 
Monrpellier  in  1462.  In  i486  Ins  name  occtjrs  in  a  document  as 
"soi-disam  tailleur  et  essayeur"  of  that  Mint. 

BiBuOGRAPHY.  β€”  Natalis  Rondot,  Les  Midailhurs  et  les  Gmveun  de  Moisnaks, 
Jelotis  et  MidailUs  en  France,  Paris,  1 904 . 

MACHTS,  F.  (Austr.).  A  medal  commemorating  the  Plague  of 
cholera  at  Vienna,  1831,  is  signed  by  this  Engraver. 

MACE,  W.  {Brit.').  A  Bristol  Die-sinker,  whose  signature  I  have 
noted  on  a  Portrait -medal  in  pewter  of  the  R'  Hon'''^  Viscount 
Palmerston,  to  commemorate  the  Bristol  Exhibition,  1865. 

MACKENZIE  {Brit.).  Medallist  and  Engraver,  who  presumably 
resided  at  Lucknow,  towards  the  end  of  the  eighteenth  century. 
His  name  occurs  in  full  on  School  Prize  Medals  (1.65  in),  and 
medallic  double  and  single  Rupees,  with  Genera!  Claude  Martin's 
bust,  the  founder  of  the  Martini^re  Schools.  Although  unsigned,  the 
smaller  meda!  (of  the  size  and  weight  of  a  Rupee),  is  undoubtedly 
by  the  same  engraver.  These  medals  occur  in  gold,  silver  and 
copper. 


One  side  has  the  General's  bust  and  motto,  the  other  a  Persian 
inscription  with  title.  The  work  is  exceptionally  good  {Vide 
C.   J.    Rodgers,    Coin-collecting    in    Northern   India,    Allahabad, 

1894-) 

Claude  Martin,  a  French  adventurer,  was  born  at  Lyons  m 
January  1732,   and   died   near    Lucknow,    13.  September    1800. 


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-  '  β€”  524  " 
He  distinguished  himself  first  ynd'er  Count  de  Lally,  the  French 
commander  in  India  and  Governor  of  Pondicherry,  then  he  enUsied 
in  the  service  of  the  East  India  Company,  as  chief  of  a  company  of  ' 
French  deserters.  Later,  he  became  a  favourite  ot  Sidi-ed-Daulah, 
king  of  Oudh,  and  amassed  a  colbssal  fortune.  The  splendour,  of 
his  palace  at  Constantia,  near  Lucknow,  was  proverbial.  In  1796  he 
was  appointed  Major  General  in  the  East  India  Co,  He  founded 
several  schools,  known  under  the  name  of  Martini^re  Schools,  at 
Lyons,  Calcutta,  Chandernagor,  and  Lucknow,  some  of  which  still 
exist.  The  medals  above-described  were  intended  as  Prizes  for  the 
encouragement  of  study  and  diligence  at  those  schools. 

Traditioa  has  ascribed  to  General  Martin  "the  issue  of  a  number 
of  imitation  zodiacal  halt  Rupees,  which  were  evidently  not 
intended  to  pass  as  counterfeit  money,  but  merely  struck  as  orna- 
ments, Marsden  however  denies  the  General's  connection  with 
'  these  forgeries;  on  the  authority  of  Martin's  personal  friends 
(Marsden,  Numist/iata  Orimtalia,  11,  p.  615.  β€”  Stanley  Lane-Poole, 
The  Coinsof  the-  Moghul, Emperors  of  Hindustan  in  the  British  Museum, 
London,  1892,  p.  lxxxiv). 

MACKERNAL,  EDGAR  BERTRAM  (Bril.).  Contemporary  Sculptor, 
born'  at  Melbourne  (Australia).  At  the  Paris  Salon  of  1894  he 
exhibited  a  Portrait-plaque  of  M"'^  Sarah  Bernhardt,  and  a  bronze 
relief.  Silence. 

MACKNITZKY.  ZACHARIAS  (Pole).  A  public  notary  at  Breslau, 
who  in  1710,  issued  a  commemorative  medal,  which  bears  his  ini- 
tials Z,  M. 

MACKWORTH,  SIR  HUMPHREY  (Brit.).  Owner  of  silver  mines  in 
Wales,  lemp.  Anne.  Some  of  the  current  money  of  that  reign,  with 
plumes  on  the  ^.,  was  struck  from  silver  derived  from  the  Welsh 
mines  of  Sir  Carberry  Price  and  Sir  Humphrey  Mackworth.  "  An 
order  of  Council  of  5*  of  April,  1706,  directed  that  money  coined 
from  silver  brought  into  the  mint  by  the  Governor  and  Company 
for  melting  down  lead  with  Pitcoale  and  Seacoale  should  have  the 
mark  of  distinction  on  each  piece  as  represented  in  their  petition, 
/.  e.,  roses  aird  plumes  alternately.  The  coins  with  the  plumes 
were  frequently  called  Quakers'  money,  because  the  company  by 
which  the  mines  were  worked  comprised  among  its  members  many 
persons  of  that  denomination.  " 

BiDLiOGRAPHY.  ^  Hawkins,  ^iVwr  Coins  of  England,  18S7,  p.  399. 

MACLEOD,  MAJOR  MALCOLM  (5nV.).  Mint-master  at  Calcutta.May 
1814  to  1816. 


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β€”  525  β€”         ,       . 
MACLISE,     D.     (Brit.).    Designei'    of    a   medal,    engraved    by 
L,  C.  Wyon,  with  portrait  of  the  painter  Turner,  1851  (Art  Union 
,  series)  ;  also  of  Heaton's  Medal  of  the  1862  Exhibition,  etc. 

MACLURE.  Vide  MACCLUBE  silprd^     .     ' 

MACKERREL,  J.  (Brit.).  Mint-master  at  Madras  from  April  1820 
to  January  1830. 

M(acmillan).    Vide  DAVIS. 

MACOKOCHIE,  R.  {Brit.).  Mint-master  at  Madras,  from  January 
1819  to  April  1820. 

MAC  MONNIES,  FREDERICK  WILLIAM  (Amer.).  Contemporary 
Sculptor  and  Medallist,  born  at  Brooklyn  in  1863  ;  pupil  of  Falgui6re 
Mercie,  and  Saint-Gaudens ;  he  now  resides  at  Brooklyn,  after  h;iving 
spent  some  years  in  Piris  and  on  the  continent  of  Europe. 


In  1884  he  left  Mr.  St.  Gaudens'  studio  in  New  York,  where  he 
received  his-first  artistic  training.  So  talented  had  been  his  drawings 
and  sketches  that  the  older  sculptor  was  of  the  opinion  chat  Mc 
Monnies  might  become  great  in  both  arts. 

Ahhough  his  medallic  productions  are  few  in  number,  they  are 
of  exceptional  merit.  One  ot  them,  the  Niagara  Falls  (lUuslraled) 
was  ptrrchased  for  the  Luxembourg  Museum,  and  was  exhibited, 
together  with  the  medal  dedicated  "  To  my  friend  Elijah  Robinson 
Kennedy"  at  the  Paris  Universal  Exhibition,  1900.  By  him  is  also 
a  Portrait-medal  of  Miss  Kennedy,  etc. 

The  sculptor  and  Medallist  John  Flanagan  is  one  of  Mc  Monnies' 
pupils. 

Bibliography.  β€”  Art  et  Dicoraticn,  1899,  II,  p.  54.  ^  Marx,  Lei  Medailleurs 
modernes  en  France  el  a  fiVraiig-er, pL xxix.  5.6.  β€”Studio,  XXII, 226.  xxxviir, 519. 


,;.Goo'^lc 


β€”  526  β€” 

MAC  NABB,  JAMES  MUNRO  (Brii.').  Mint-master  at  Calcuttii, 
August  1820  to  1824. 

MACPHAIL,  NEIL(BnV.).  Contemporary  Sculptor  and  Medallist, 
residing  at  Glasgow.  His  signaiure  :  N.  MACPHAIL  SC.  occurs  on  the 
following  medals  ;  D'  William  CuUen  ;  β–  β€”  D""  William  Hunter;  β€” 
John  Hunter ;  β€”  John  Black  (all  four  are  medals  of  the  Faculty  of 
Medicine  of  Glasgow  University);  β€”  Glasgow  School  of  Art  and 
Haldaiie  Academy  Prize  Medal,  with  bust  of  Haldane;  β€”  Prize 
Medals  of  the  Institution  of  Engineers  and  Shipbuilders  in  Scotland, 
comprizing  the  "Institution  Medal";  the  "Marine  Engineering 
Medal";  the"Railway  Engineering  Medal"  in  gold,  and  the 
"Graduate  Section  Medal"  in  silver;  β€”  The  National  Wallace 
Monument,  near  Stirling,  founded  24.  June  1861 ;  β€”  Medal  com- 
memorating the  25'''  Anniversary  of  the  Volunteer  Movement  in 
Scotland,  1881  (signed  :  NEIL  MACPHAIL  SCβ€” NOEL  PATONINV.); 
β€”  Sir  Humphrey  Davy;  β€”Royal  Society  of  London  Medal,  etc. 

Bibliography.  β€”  R,  W.  Cochran-Pairicb,  Medals  of  Scotland,  Edinburgh, 
1884. 

MACQUET,  EUGΒ£ke  CHARLES  (French).  Contemporary  Medallist 
and  Gem-engraver,  born  at  Paris  in  1839;  pupil  of  Salmson  Sen"^. 
The  following  exhibits  were  made  by  him  at  the  Paris  Salon  in 
1880  :  Minerva  entrusting  youthful  Mars  to  the  care  of  Priapus, 
oriental  carnelian  ;  β€”  Dancing,  sapphirine;  β€”  Birth  of  Venus, 
rock  crystal ;  β€”  The  Farnese  Bull,  after  the  antique,  sardonyx ;  β€” β–  
Cupid  and  Psyche,  carnelian ;  β€”  Neptune  on  hippocamp,  holding 
Eumolpus  in  his  arms,  carnelian;  β€” The  Chariot  of  Apollo,  rock 
.crystal,  etc. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cU.,  11,  p.  6. 

MACZ,  MCLAS  (Austr.).  "  Hofpfenningmelster"  to  the  Archduke 
Leopold  William,   1657. 

MADELUNG,  JOHAN  GEORG  (Dan.).  Mint-master  at  Kongsberg 
(Denmark),  1797-1806.  His  initials  occur  on  the  currency  issued  by 
him. 

MADELUNG,  JOHAN  HENDRIK  (Dan.).  A  native  of  Oldenburg, 
Mint-master  at  Kong.sberg,  1769-1776.  His  issues  bear  his  initials 
IHM. 

BiBLioGBftPHV.  β€”  C.  T.  jorgensen,  Beskrhvhe  over  Dartske  Monter,  144S-1SSS, 
Copenhagen,  1888. 

MASER,  SEBALS  (Germ.).  Mint-engraver  at  Nuremberg,  1560- 
1567.  He  is  called  "Eisengraber"  in  contemporary  documents.  His 
immediate  predecessor  at  the  Mint  was  Wenzel  Jamnitzer  and  his 
.successor  Hans  Jamnitzer,  both  renowned  goldsmiths. 

Bibliography.  β€”  C.  F.  Gebert,  Geschkhle  der  MunpiiUU  der  Rekhstadl  Nutii- 
herg,  1891. 


.ledo.GoOf^lc 


β€”  527  ~ 

MADERO,  A.  B.  (iWmc).  Medallist  of  Mexico,  second  half  of  the 
eighteenth  century.  His  signature  A.  B.  MADERO  F.  occurs  on  medals 
dated  1760.  The  following  are  described  in  Betts  :  Proclamation 
Medal  of  Charles  III.,  1760  (issued  by  the  Bishop  and  Chapter  of 
the  Catliedral  of  the  Holy  Cliurch  in  Guadalaxara) ;  β€”  Proclama- 
tion Medal  of  Mexico^.  INSIGN.FIDELIT.&c.  (5  var.,  Betts, 
nΒ°=  473-477);  β€”  Another;  ^L.  NOVUS  MIHI  NASCITUR 
ORDO;  β€”  Another;  ^.IMPERATORINDIARUM  (3  var.),  &c. 

Bibliography.  β€”  C.  Wyllys  Betis,  American  Colonial  History  iUustrated  by  con- 
temporary medals.  New  York,  1894.  β€”  A.  Rosa,  Monelario  Americano,  1892.  β€” 
Catalogue  Fidal  Quadras  y  Ramon. 

MADRASSI,  LUCA  (ItaL).  Contemporary  Sculptor  and  Medallist, 
residing  at  Paris ;  a  pupil  of  Cavelier.  He  is  the  author  of  numerous 
Portrait -medallions  of  distinguished  personages,  among  which 
D'  F.  P.  Weber  mentions  the  following  :  George  Meredith,  1892; 

β€”  Lord  Ronald  Cower,  1892  ;  β€”  Lord  Beaconsfield  (1805-1881), 
1894  ;  β€”  The  Right  Hon"=  W.  E.  Gladstone,  1894.  These  are  all 
cast  in  bronze.  Also  :  Venus  Astarte,  1891 ;  - β€”  1892.  Child's  Por- 
trait; β€”  Reading;  β€”  1S95.  Problt^  commerciale,  bronze  medal; 

β€”  1896.  Polyphemus,  &c. 

Bibliography.  β€”  D'  F.  P.  Weber,  Medals  and  Medallions.  β€”  Catalogues  du 

MAECENAS,  G.  {Rom^.  Seal-engraver  of  the  first  century  A. D., 
mentioned  in  the  inscrip.  ap.  Grub.  638,  6.  From  the  similarity  of 
work  on  the  seals  and  coins,  we  may  suggest  that  both  kinds  of 
work  were  undertaken  by  the  same  craftsmen  or  artists, \ind  it  is 
quite  possible  that  this  Maecenas  also  executed  dies  for  the 
coinage. 

MAECILIUS  TDLLUS,  M.  (Rom.).  Mint-master  (Triumvir  monelalis) 
at  Rome,  circ.  B.C.  12. 

MAEHN,  THfiODORE  (Gem).  Medallist,  born  at  Strassburg  in  1834, 
was  apprenticed  in  the  firm  of  Mondini,  Paris,  where  he  married 
his  chiefs  daughter  and  succeeded  to  the  business  in  1866.  He  retir- 
ed from  active  life  in  1879,  but  still  resides  in  Paris  (53,  Avenue 
Ledru-RoUtn).  In  1875  he  engraved,  amongst  others,  the  medal 
(jeton  de  prince)  of  the  Society  des  Bateaux  parisiens(.;R,&iE,), 
and  that  of  the  "  Syndicat  des  Charpentiers  "  of  Paris. 

Bibliography.  β€”  Informalicn  kindly  supplied  by  M.  Jules  Florange 

MAESHORN.  Vide  MARSHOORN  infrd. 

MATTEO  DA  CLIVATE  {Fide  vol.  I,  p.  441).  The  Double  Ducat  of 
Galeazzo  Maria  Sforza  said  to  have  been  engraved  by  this  Goldsmith 


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-  p8  - 
is  most  probably  the  one  reproJuccd  below.  That  of  Bona  di  Savoia, 


Double  Ducat   of  Galeazzo  Maria  Sforza  of  Milan. 


engraved  by  the  same  artist,  from  tiie  portrait  by  bis  son  Ambrogio, 
is  not  described  by  Armand. 

MAGDEBORGER,  HIERONYMUS  {Germ.').  Mint-master  and  Engraver 
at  Annaberg  and  Freiberg  (Saxony),  circ.  1530-154S)  to  whom 
have  been  erroneously  attributed  fprmany  years  the  medals  signed 
1^  which  are  undoubtedly  the  work  ot"  the  Austrian  Medallist, 
MICHAEL  HOHENATJER  {q.  v.  vol.  II,  p.  517). 

Bibliography.  β€”  BoUenthal,  op.  cit.  β€”  Erman,,D/>.  ciL,  jii.  β€”  Nagler,  Moiij- 
grammislen.  III,  454. 

MAGER,  JOSEPH  (G&rm.).  Mint-m'aster  at  St.  Petersburg,  circ. 
1798-1801.  According  to  Schlickeysen-Pallmann  his  issues  of  coins 
were  signed  :  0.  M. 

MAGC(G^rffl.).  Mint-warden  at  Langenargen,  1735,  in  the  service 
of  the  Counts  of  Montfort. 

Bibliography.  β€”  Bahrfeldt,  Mim^en  der  FimUntbuimr  Holieiiiollern. 

MAGISTRETTI  (Jnier.).  This  signature  occurs  on  a  medallion  in 
cast-iron  of  the  American  general  Zaragoza,  on  the  Victory  of 
Puebla,  1862. 

MAGITJS,  PHILIP  LUDWIG  (G^rm.).  Mint-mastcr  at  Clausthal,  1792- 
1800.  His  initials  P.L.  M.  occur  on  the  coins,  as  for  instance  on  a 
Gulden  of  1800  of  George  HI. 

MAGLIOLI,  SPERANDIO  TiWe  SPERANDIO. 

MAGKANI,  ANTONIO  DI  BATTISTA  (ltd.).  Mint-engraver  at  Bolo- 
gna, circ.  lii'j'J-  He  was  assisted -in  the  work  of  cutting  dies  for  the 
coinage  by  his  two  brothers  Matteo  and  Giacomo. 

Bibliography.  β€”  F.  Malaguzzi,  LaZecca  di  Bologna,  1897. 

MAGKE,  H.  MARCEL  (French),  Contemporary  Sculptor  of  Paris, 
by  whom  I  have  seen  a  Portrait-plaquette  of  a  lady,  in  tin. 


,/ Google 


β€”  529  β€” 

MAGNENAT  (Szuiss).  Contemporary  Seal-engraver  and  Die-sinker 
of  Lausanne,  by  whom  tlierc  is  a  Jcion  of  the  Rifle  Meeting  of 
Lausanne,  1^76. 

MAGNIADAS,  FRANKY  (French).  Medallist  of  the  middle  of  the 
nineteenth  century,  whose  productions  are  fairly  numerous.  I  have 
noticed  his  signature  on  the  following  medals  :  Jean  Francois  Le 
Sueur,  composer,  1852;  β€”    Jean    Pierre    B^ranger,  poet,    1856 


Patiern  5  Franc  Piece,  by  Magniadas 


(2  var.);  β€”  Giuseppe  Garibaldi,  1859,  (signed  :  FRANKY 
MAGNIADAS)  &;c.  Several  of  his  medals  were  edited  by  Massonnet. 

In  1848,  this  Engraver  submitted  various  Patterns  for  Al. 
20  Francs,  M..  5  Francs  and  M.  ro  Centimes  to  the  Coinage 
Committee  of  the  Second  Republic. 

BiBLiOGKAPHV.  β€”  De  Saulcy,  Souvenirs  niimismaliques  de  la  Revohttion  He  184S. 

MAGNO,  ZUANO  (Ital).  Mint-master  at  Cattaro,  1598-1600.  The 
coins  issued  under  him  are  said  to  bear  his  initials  Z.  M. 

MAGNOLINO,  JACOPO  (//c/.).  Goldsmith  of  Florence,  who  settled 
at  Rome  under  Pope  Innocent  VIIL,  for  whom  and  liis  successor, 
Alexander  VL,  he  worked  from  cin.  1485  to  1495.  In  a  document 
of  1495  he  is  called  presidem  seu  superstans  in  ^cca  S""  D.  N.  in 
Urbe,  but  whether  he  cut  any'dies  for  the  Papal  coinage  is  not 
certain.  He  executed  in  i486  the  golden  Rose,  which  was  presented 
to  King  James  III-  of  Scotland,  and  that  of  1488. 

Bibliography.  β€”  Eug.  Miintz,  Les  Arts  A  la  Coiir  des  Papa  Innocent  VIII., 
Alexandre  VL,  PΒ«  Ji/ (1484-150?),  Paris,  1898,  pp.  106,  113,  1 14,  117-119.  β€” 
Ibid.,  L' Atelier  ^oniiaire  de  Rome,  Revue  numismarique,  1884,  p,  228. 

MAHIEU,  JAKOB  {Germ.').  Mint-Inspector  at  Oels,  1699-1717. 

MAHER  and  SON  (Brit.).  Die-sinkers  of  Birmingham,  by  whom 
is  a  Reform  League  Medal,  1865. 

MAHLER,  PADL  (French).  Contemporary  Sculptor,  born  at  Strass- 
burg;  pupil  of  Gerflme.  At  the  Salon  of  1904  he  exhibited  four 
Plaquettes  In  bronze,  representing  Dogs. 

L.  FoiiiEii.  β€”  Ews'iifliiinl  NMrei  of  Medatliili.  β€”  III.  H 


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MAHBENHOLZ  (fierm).  Minc-engraver  at  Brunswick,  circ.  1742. 
His  initial  M  is  said  to  occur  on  .V  10,5  and  2  \  Reiclisthalers  oi 
that  date. 

BjBUOGKAPHY.  β€”  Ammon,  op.  cit.,  a"  165.  β€”  Kohkr,  Ducatea  Caiinel, 
n-  1843. 

MAI..,  (GfEf/;.).  Abbreviation  ofa  Coin-engraver's  signature  MAIHN 
or  MAIOinN-  D'  Arthur  Evans  was  the  first  to  publish  it  (Numismatic 
Chronicle,  1890,  p.  292). 

This  inscription  MAI  occurs  on  a  Tetradrachni  of  Himera  in  the 
Paris  Medal  Cabinet.  I  reproduce  it  here  from  D'^  Evans'  woodcut. 


(4  diams). 

The  type  of  this  interesting  tetradrachm  belongs  to  the  period 
which  immediately  preceded  the  destruction  of  Himera  by  the 
Carthaginians,  circ.  B,  C.  409. 

Obv.  Nymph  facing,  head  to  1.,  wearing  sleeved  chiton  and 
peplos,  the  ends  of  which  fall  over  right  arm ;  she  holds  in  r,  hand 

Eatera,  over  altar  viiith  square  horns;  behind  her,  a  Seilen,  facing, 
ending  sideways  to  receive  on  his  1.  shoulder  jet  of  water  issuing 
from  lion's  head  fountain;  in  exergue  :  |-|. 

1^.  Quadriga  to  r.,  driven  by  charioteer  wearing  long  chiton, 
who  holds  rein  in  both  hands;  horses  in  high  action ;  above.  Kike 
to  1.,  holding  wreath  and  tablet  or  pinakion  inscribed  MAI ;  in  ex., 
hippocamp  to  1. 

Weight  ;  263.6grs. 
Evans,  Some  new  Artists'  Signatures  on  Sicilian  coins,  Num. 
Chron.,  1890,  p.  292,  PI.  xvin,  2.  Park,  Medal  Cabinet. 
B.  M.  Cat.,  Sicily,  p.  81,  n"  48  (without  the  signature). 
Holm,  op.  dt'.  Ill,  p.  632,  n"  204,  PI.  i,  14. 


Tetradrachm,  of  Himera. 


In  drawing  attention  to  the  similarity  of  this  type  with   that  ot 
the   Syracusan   engraver's,  Euainetos,  D'  Rudolf  Weil  had  already 


./Google 


β€”  53i  β€” 
suggested  the  presence  of  an  artist's  signature  on  the  tablet  which 
Nike  holds  in  her  hand,  but  none  of  the  specimens  known  when 
he  wrote  were  sufficiently  well  preserved  to  enable  one  to  decipher 
the  inscription  MAI  which  however  D'  Evans,  has  discovered  on  the 
Paris  coin.  The  M  is  not  very  distinct,  but  the  signature  could 
scarcely  be  other  than  MAI,  which  when  completed  would  form 
the  name  of  MbSh  or  perhaps  M^thi6n. 

It  is  certain  that  the  coin  of  Euainetos  served  as  prototype  to 
the  engraver  MAI  of  Himera.  D''  Evans  shows  numerous  points  of 
similarity  between  the  two  pieces  and  proves  that  the  tetradrachm 
of  Himera  is  much  later  than  the  Syracosan  one,  issued  circ.  425- 
420  B.  C,  and  probably  belongs  to  the  period  preceding  immedi- 
ately the  destruction  of  the  town,  circ.  409-408  B.  C. 

Bibliography.  β€”  L.  Forrer,  op.  dt. 

MAI,  JOHANN  PHILIP(GmΒ«.).  Mint-master atZweibrucken,  1612- 
1621.  His  initials  HM  are  said  to  occur  on  some  of  his  coins. 

MAIA,  C.  {Port.').  Engraver's  signature  on  a  Tercentenary  medal 
of  Camocs,  1S80;  also  the  author  of  a  Portrait-medal  of  Francesco 
Antonio  da  Veigo  Beirao. 

MAIARIUS  GALLDS  (Rmn.).  Mint-master  (Triumvir  momtalis)  at 
Rome,  circ.  B.  C,  12. 

MAICHAIN,  GEORGES  (French).  Contemporary  Sculptor,  born  at 
Niort.  By  him  are  various  Portrait-  medallions :  1883 .  M""'  M.  B***,  &c. 

MAIER,  CONRAD  (Germ.).  Mint-engraver  and  Medallist  at  Ulm, 
circ.  1 663 -1 682.  His  issues  are  signed  C.  M. 

MAIGNAN,  MAURICE  (French).  Contemporary  Sculptor,  born  at 
Neufchatel  (Seinc-Inf^rieure);  pupil  of  M.  Aube.  At  the  Salon  of 
1890  he  exhibited  a  Portrait-medallion  of  his  mother ;  β€”  189 1.  Feu 
M.  Caufourier,  &c. 

MAIGNIET,  JOSEPH  (French).  Mint-master  Central  in  1561. 

MAILHE  or  MAILLE,  FRANCOIS  (French).  Mint-engraver  at 
Romans,  1548-1549. 

MAILLARD,  AUGDSTE  (French).  Contemporary  Sculptor  and 
Medallist,  born  in  1S66  and  residing  at  Paris ;  pupil  of  Dalou, 
Gaudez,  and  Falguiere.  He  has  obtained  the  following  awards  1 
Salon  of  1894,  Med-il  of  the  Third  Class  (for  a  bronze  statue,  La 
Defense  du  Sol)  ;  Salon  of  1898,  Medal  of  the  Second  Ckss  (for  a 
marble  statue,  acquired  by  the  French  government.  The  Fall  of 


./Google 


~  532  β€” 

Icarus);  Universal  Exhibition  of  1900,  Medal  of  the  Third  Ckss.  He 
is  an  officer  of  Public  Instruction. 

Amongst  his  best  known  worlcs  are  three  monumentSj  those  of 
Captain  Menard,  at  Lunel  (Htoult);  Breton  soldiers  and  sailors  slain 
for  the  fatlierland,  at  Brest ;  and  Children  of  Asnieres  slain  in  the 
defence  of  their  country,  at  Asnieres,  and  busts,  executed  for  the 
State,  of Treilhard,  (VersaiHes);  Brant6me,  chronicler,  (Brantome) ; 
J.-B.  Oudry,  (Gobelin  Manufactory);  Tisserand,  astronomer, 
(_French  Institute),  &c. 

At  the  Salon  of  1 90 1  this  artist  exhibited  a  medal  "  Automobile  ", 
which  was  commissioned  to  him  by  the  Nice  Motor  Club;  in  1903 
a  Badge  intended  for  the  "  Conseillers  gen^raux  "  of  the  Seine 
Department;  in  1904,  seven  Plaquettes  in  silvered  bronze;  in  1905, 
Plaquette  in  silver,  Soci^t6  des  Jur^s  orphfeniques  francais;  β€” 
Insigne  des  Conseillers  g^n^raus  de  la  Seine;  and  in  1906,  several 
medals. 

Bibliography.  β€”  Catalogues  of  the  Salon,  1900-1906.  β€”  Information  kMly 
supplied  by  the  artist. 

MAILLABD,  CHR,  (Germ.).  Die-sinker  at  Frankfort-on-M.,  and 
Engraver  of  a  Medal  of  the  Society  for  the  Protection  of  Animals 
of  Frankfort-on-M.,  founded  in  1841.  f^/ife  Joseph  u.  Fellner,  Die 
Munx_en  von  Frankfurt  am  Main,  p.  542. 

MAILLART  or  MAILLARD,  JEAN  {French).  Mint-master  and  Engraver 
at  Nantes,  c/rc.  1563-1566. 

MAILLART,  JOSEPH  {French).  Mint-master  at  Nantes,  circ.  1567- 
1570.  jean  I.  Beaucousin,  engraver  at  the  Paris  Mint,  is  recorded  to 
have  supplied  him  with  puncheons  for  Ecus,  Testons,  Sols  parisis 
and  other  currency  in  1567  and  1570.  Malllart  was  no  longer  In 
office  after  March  16,  1570. 

Bibliography  β€”  MazecoUe,  Les  Medailleurs  franfais ,  1,  p.  604.  β€”  Rondot,  op. 

MAILLART,  NICOLAS  {French).  Mint-master  at  Rennes,  from 
9.  July  1546β€” aVc.  1549. 

MAILLET,  DOMAINE  (5wiΒ«.).  Mint-master  at  Geneva,  24.  February 
1581  to  26.  Jannuary  1585.  His  issues  are  signed  M.  Before  1581, 
he  had  been  Warden  of  the  Mint,  and  once  again  filled  that  office 
after  1585. 

Bibliography,  β€”  Bug.  Demole,  Les  Mattres,  Us  Graveurs  et  les  Essayears  de  la 
Monnaie  de  Gengve(i^y^-ij^z),  Fribourg,  1885. 

MAIMIN.  A  native  Engraver  of  Java,  who  cut  dies  for  the  British 
Colonial  coinage.  I  have  seen  a  Rupee    of  1816,  with   date  ""rr 


>sted  by  Google 


(1232)  and  on  the  Arabic  word  dharb  a  small  M,  which  stands  for 
his  initial. 

MAIKDRON,  6TIENHE  HIPPOLYTE  (French),  Sculptor  of  the  nine- 
teenth century,  born  at  Champtoceaux  (Maine-et-Loire),  on 
16.  December  1801;  pupil  of  David  d' Angers  and  the  Ecole  des 
Beaux-Arts,  He  was  knighted  in  1874,  and  died  6.  March  1884. 

By  this  artist  are  numerous  Portrait-medallions,  amongst  which 
are  :  CI.  and  Gab.  Fillon  de  Pontenay;  -β€”  Aloys  Senefelder,  of 
Prague  (1772-1S34);  β€”  Sister  Rosahe;  β€” -  Antoine  Rivoulon 
painter  (1810-1S64);  size  9.1  in. ;  cast  by  Lafosse  (in  D''  F.  Parkes 
Weber's  collection),  &c. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cU. 

MAINDBOZ,  H.  {French).  Sculptor  of  the  second  and  third  quarters 
of  the  nineteenth  century.  His  signature  occurs  on  a  cast  Portrait- 
medallion  in  bronze  of  Ben)amin  Fillon,  the  distinguished  numis- 
matic writer;  it  is  dated  1856  and  measures  210  mill,  in  diameter. 
It  has  occurred  to  me  that  Durand  may  have  misread  the  artist's 
signature  for  Maindron. 

Bibliography.  β€”  A.  Durand,  MMailks  itjetans  des  Niimisviates,  Genuvc,  1865. 

MAINERT,  GOTTFRIED  (Germ.).  Mint-engraver  at  Warsaw,  born 
in  1767,  died  in  1846.  His  coins  are  usually  signed  :  G.  M. 

MAINERT,  JOSEPH  (Germ.).  Mint-engraver  at  Warsaw,  son  of  the 
last,  worked  there  arc.  1840-1855,  This  Engraver  distinguished 
himselt  also  as  a  Medallist,  and  his  initials  I.  M.  or  full  signature  : 
I.  MAINERT  RYTOWAL  occur  on  medals  of  :  Josef  Xaver  Eisner, 
composer  (1769-1854) ;  β€”  Copernicus,  astronomer,  1830,  &c. 

Bibliography.  ^  Kirmis,  Handbtich  der  Polnhchen  Mut^kunde,  Posen,  1892, 

MAIHHART,  G.  (Germ.).  Mint-master  at  Bomstadt,  circ.  1605,  in 
the  service  of  the  Counts  of  Mansfeld,  Bruno  II.,  William  and 
John  George  (1604-1607).  His  initials  G.  M.  occur  on  the  coinage. 
He  also  acted  in  the  same  capacity  at  Eisleben,  Halle  and  Stolberg, 
1595-1615. 

MAINONI  (French).  Superintendent  of  the  Tobacco  r^gie  at  Strass- 
burg,whoin  1797  issuedamedal  with  bust  of  Bonaparte, commem- 
orating the  Treaty  of  peace  of  Campo  Formio. 

MAINWARING,  WILLIAM  (Brit.).  Engraver  of  Tokens,  and 
Medallist,  whose  productions  date  between  1790  and  1798.  He 
resided  at  Birmingham,  but  I  have  been  unable  to  trace  any  further 
information  concerning  his  life. 


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β€”  534  β€” 
From  Pye  we  learn  that  M;^inwaring  was  a  Manufacturer  of  Tokens, 
as  well  as  Die-sinker.  By  him  are  :  Hickman's,  Birmingham, 
Halfpennies,  1792,  with  bust  of  John  Howard  (4  var.);  β€”  P.  Deck's, 
Bury,  Pennies  (one  var.  illustrated'),  and  Halfpennies,  1794,  with 
bust  of  QiarleSjMarquis  Comwallis  (sev.  vnr.);  β€” Robert  Reynolds 
&  CΒ°'s,  Halfpennies  of  Coventry,  1 792,  with.  obv.  Lady  Godiva  on 
horseback  (7  var.  onΒ£  illustrated);  β€”  R.  B.  Wilkins,  Isle  of  Wight, 
Halfpennies,  1792,  with  bust  of  Robert  Bird  Wilkins;  β€”  S.  Barker's, 
Lichfield,  Halfpennies,  1797,  with  bust  of  D'  Samuel  Johnson  (sev. 


Penny  Token  of  Bury,  {β– j^^. 

var.);  β€”  W.  Steward's,  London  and  Middlesex,  Halfpennies  and 
Farthings,  1792,  with  bust  of  Shakespe.ire  (sev.  var.);  β€”  J.  Field- 
ing':^, Manchester,  Halfpennies,  1792;  β€”  Dunham  and  Yallop's, 
Norwich,  Halfpennies,  i792and  1793  (sev.  var.);  ~  North  Wales, 


Halfpenny  Token  of  Coventry,  1792. 

Halfpennies,  1793,  with  head  of  Druid  (sev.  var.)  ;  β€”  North  Wales, 
Farthings,  1793,  with  youthful  bust,  laureate  (8  var.)  ;  β€” β–   South 
Wales,  Farthings,  1793,  with  laur.  bust  (10  var.);  β€”  Farror's 
Warwickshire,  Halfpennies,  1791,  with  bust  of  Shakespeare ;  β€” 
H.  Hickman's,  Westminster,  Halfpennies,  1792,  with  bust  ot 
John  Howard  (sev.  var.);  β€”  Non  Local.  Halfpennies,  with  busts 


,stsd  by  Google 


--  53  5  β€” 
of  Louis  XVI.  and  Marie-Antoinette,  1793  IJi..  MURD.BY  THE 
FACTIOUS,  &c.  (numerous  varieties;  either  obv.  or  ^L.  having 
been  used  in  connection  with  ^L.  or  obv.  of  other  tokens,  as 
David  Garriclc,  Two  men  at  a  forge,  &c.  Fii^^  Atkins,  pp.  112- 114, 
368-^69);  β€”  Halfpennies,  1793,  with  bust  of  the  Dauphin, 
and  ^.  MAY  .THE .  DOPHIN  BE  RESTORED  TO  THE  CROWN 
OF  FRANCE,  &c. 

Mainwaring's  signature  :  W.  M.  or  more  rarely  :  W.  MAINWARING 
FECIT  occurs  on  the  following  medals  :  The  Rev.  Caleb  Evans, 
f  1791;  β€” John  Howard,  F-  R.  S.,  Memorial,  1790;  β€”  Selina, 
Countess  of  Huntingdon,  1791 ;  β–  β€” Frederick,  Bishop  of  Osnabruck, 
1791 ;  β€”  Decapitation  of  Louis  XVI.,  1793  (copy  of  a  medal  by 
Fr.  Loos);  Others,  on  the  same  event,  with  ^L.  CUMCTIS  ILLE, 
&c.  cypress  tree,  or  guillotine,  &c.  (many  varieties) ;  β–  β€” β–   Decapita- 
tion of  Marie- Antoinette  1793,  with  her  bust  on  obv,,  1793;  β€” 
Louis  XVL  and  Marie-Antoinette,  1793  (sev.  var.);  β€”  Louis  XVIL, 
,1793,  obv.  Bust  of  the  Dauphin.  ^.  Crown  (sev.  var.);  β€”Freder- 
ick, Duke  of  York,  Valenciennes  surrendered,  1793  ;  β€”  Thomas 
Ryder,  actor,  etc. 

The  work  of  Mainwaring  compares  favourably  with  that  of  his 
foremost  contemporaries,  J.  G.  Hancock,  Peter  and  Thomas  Wyon, 
C.  H.  Kuchler,  and  others. 

'Bibliography.  β€”  Pye,  Provincial  Coins  mi  Tokens,  n.  d.  β€”  Atkins,  Tokens  oj 
the  eighkenth  century,  LonJon,  1892.  β€”  H.  A.  Grueber,  English  Personal  Medah 
from  ij6o.  β€”Benoin,  Hisloirenumismaliquede  la  Revolution  fraufaise,  Fans,  1826. 

MAIRE,  ANKA  (French).  Sculptor  and  Medallist;  dimgher  of  J.-B. 
Maire  (a.  v.).  She  is  the  author  of  Portrait-medallions  in  bronze  of 
J.-B.  Maire;  β€”Herself;  β€”  Abb6  E.  M***;  β€”  1901.  Mgr.  Petit, 
Archbishop  of  Besan^on;  β€”  1905.  Just  Becquet,  statuary. 

MAIRE,  JEAN  BAPTISTE  (French).  Medallist,  born  at  Bcsan^on, 
5.  August  1787,  died  there,  13.  December  1859.  His  first  teacher 
was  Dominique  Paillot,  Director  of  the  Drawing  school  of  bis 
native  city.  He  then  studied  medicine,  and  in  1809,  accompanied 
the  French  army  to  Spain  as  surgeon,  but  wounded  at  the  siege  of 
Saragossa,  he  returned  to  Besan^on  and  turned  his  attention  to 
sculpture.  In  1816,  he  was  admitted  at  the  Ecole  des  Beaux  Arts, 
and  worked  under. and  for  the  sculptor  Leniot,  whom  he  assisted 
in  the  execution  of  certain  of  his  works,  as  for  instance,  the  statue 
of  Henry  IV.,  re-erected  by  Louis  XVIII.,  near  the  Pont-Neuf. 

J.  B.  Maire  exhibited  at  the  Paris  Salon,  from  1819  to  1852,  in  the 
section  of  sculpture.  His  principal  works  are  :  Head  of  Christ  (in 
Besan^on  Museum);  β€”  Head  of  St.  John  the  Baptist;  β€”  Bust  of 
Lieut. -General  Donzelot,  governor  of  Martinique;  β€”  Bust  of  Mairet; 


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β€”  Head  of  Eurydice ;  β€”  Bust  of  Cardinal  de  la  Luzerne ;  β€”  Bust  of 
Mgr.  de  Qu6len,  Sec. 

On  the  invitation  of  his  friend,  Chades  Weiss,  town  librarian  of 
Besangon,  the  artist  executed  a  series  of  medals  representing  distin- 
guished citizens  of  Franche-Corat^.  A  subscription  was  opened  in 
1836,  and  the  first  medal  which  appeared  was  that  of  Gilbert 
Cousin,  the  friend  of  Erasmus;  the  last  was  that  of  Mgr.  Mathieu, 
archbishop  of  Besancon,  which  his  daughter,  M""  Anna  Maire,  had 


J.-B.  Mairc(i797-iΒ«59)- 

to  finish,  death  having  overtaken  the  medallist  before  he  could 
achieve  it.  He  could  not  either  complete  the  ^.  of  General  Lecourbe's 
medal,  and  onlyprepared  the  model  of  that  of  Bichat. 

All  the  medals  of  j.  B,  Maire  are  struck.  At  his  death,  the  dies 
were  acquired  by  the  Municipal  Council  of  Besangon  and  deposited 
in  the  Archaeological  Museum  of  that  town.  He  had  invented  a 
Reducing  Machine  for  the  use  of  medallists,  which  is  now  preserv- 
ed at  the  Conservatoire  des  Arts  et  Metiers. 

The  artist's  portrait  is  reduced  from  a  drawing  bv  M""  Anna 
Maire. 

LIST    OF  J.  B.   MAIRE'S    MEDALS 

1834.  Pri;^e  Medal  of  the  Academy  of  Besancon  ;  β€”  1836.  Gilbert 
Cousm,  chanoine  de  Nozeroy  (1506-1572);  β€”  L.  F.  A.  de  Rohan- 
Chabot,  archbishop  of  Besancon  (1788-1833);  β€”  J- }β–   A.  Courvoi- 
sier,  garde  des  Sceaux  (1775-1835);  β€”  1837-  Jean-Jacques  Chifflct, 
historian  (1588-1673); β€” Joseph  d'Olivet,  abbot  (1682-1768);  β€” 
Antoine  Perrenoc,  cardinal  Gr'anvella(i5i7-i586;  illustrated);  β€” 
J.  B.  V.  Proud'hon,  jurisconsultus  (1758-1838);  β€”  1839.  J.  I.  de 
Froissard-Broissia,  caraerlingo  of  Pope  Innocent  XI.(-i-  1694);  β€” 


./Google 


β€”  537  β€” 
1840.  C.  L.  de  Faletans,  Governor  of  tlie  Order  of  Saint-Georges  de 
Franche-Comce(i624-i70o);β€”  1841.  Jacques  Curasson,  president 
of  the  Academy  ofBesan^on  (1770-1841);  β€”  Phiiibert  de  Chalon, 
baron  d'Arlay,  prince  of  Orange  (1502-1530);  β€”  J.  de  Jouffroy, 
bishop  of  Arras  and  Albi  (1412-1475);  β€” β–   1843.  Georges  Cuvier, 
naturalist  (1769-1832);  β€”  Pierre  Joseph  Desault,  surgeon  (1744- 
1795);  β€”  1844,  Lieut.  General  Comte  JVIorand  (1771-1S35);  β€” 

1845.  Antoine  Pierre  de  Grammont,  archbishop  ot  Besancon  (1614- 
1698);  β–  β€” β–   F.  J.  Dnnod  de  Charnage,  historian  (1678-1752);  β€” 

1846.  Charles  Weiss,  keeper  of  the  Besancon  Civic  Library  (1779- 
1866); β€”  1853.  J.  M.  A.  Cesaire  Mathieu,  archbishop  of  Besamjon 
(1796-1875);  β€”  Undated.  Xavicr  Bichat,  surgeon  of  the  H6tel- 
Dieu,  Paris  (i 771- 1802;  β€”  General  Lecourbe  (1759-181 5). 


M"^  .Maire  presented  recently  to  the  Bcsani;on  Museum  seven  dies 
by  her  father,  which  represent  :  Napoleon  L ;  β€”  Frederick  the 
Great;  β€”  Benjamin  Franklin;  β€”  Jean  Jacques  Rousseau;  β€” 
Voltaire;  β€”  F^nelon,  Massillon  and  Bourdaloue.  They  seem 
to  have  beer]  intended  (or  repousse  vtoik,  and  not  medals. 

Bibliography.  β€”  F.  Mazerolle,  /.  B.  Maire,  Gazette  aQmismatique  [ran^alse, 
1S97,  pp.  289-298.  β€”  Chavignerie  et  Auvray,  op.  cii. 

MAIRE,  JULIEN  Vide  LpMAIRE  (Vol.  Ill,  p.  386). 

MAISTKE,  PIERRE  LE  {French').  Mint-master  at  Cremieu,  153S- 
1542  and  later,  as  his  privy  mark,  a  P  at  the  end  of  the  legends, 
still  appear  on  the  last  coins  issued  at  that  mint  in  1551  and  1552, 

Bibliography.  β€”  E.  Faivre,  Etat  acluel  des  didiers  nioiu'taires  franfais  elde  lews 
diffirents,  1896. 


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-  538- 

MAITLAND,  ALEXANDER  (BriV.).  Mint-warden  at  Edinburgh, 
1662-1690. 

MAITLAND,  CHARLES  (Br//,)  of  Haltoun  "  Generall  of  his  Maiesties 
Mint  heer  in  Scotland,  to  coyne  or  cause  to  be  coyned  in  turners 
three  thousand  stane  weight  of  good  poore  copper,  "  He  was  acting 
in  the  capacity  of  Mlnt-master-general  of  Scotland,  in  the  early 
years  of  Charles  II.,  and  in  conjunction  with  "  Sir  Johne  Falconer, 
Master  of  ihe  Conyiehouse",  1661-1663. 

Bibliography.  β€”  Burns,  The  Coinage  of  Scotland,  II,  ^52,  49  j, 

MAJAKO,  BENEDETTO  DA  (ltd.).  Sculptor  of  the  last  decade  of 
the  fifteenth  century,  to  whom  Friedliluder  suggests  the  attribution 
of  a  Portrait-medal  of  Giovanni  Tornabuoni,  a  variety  of  which  is 
dated  1492,  Armand  describes  it  under  the  works  of  the  MMailleur 
a  I'Espirance. 


.-^0^%^ 


β– ft 


Prof.  W.  Bode  has  however  no  ascribed  this  medal  also  to 
Niccolo  Spinelli  of  Florence. 

In  his  art  are  two  Reliefs  in  bronze,  representing  the  Madonna 
enthroned,  and  another,  in  silvered  bronze,  of  St.  S3bastian. 

Bibliography.  β€”  D'  Merzbacher,  KimU-Medailleu-Kalahg,  1900,  ti"  51.  β€” 
Bode,  Die  ilalienischen  Bi-on^L-n,  Berlin,  J904. 

MAJOR,  JOHANN  DANIEL  (Germ.).  De.signer  of  a  medal  of  the 
Institute  ot  Natural  History  and  Sciences  at  Gottorp.  It  is  dated 
1688  and  signed  I.D.M.  Major  was  Professor  and  physician  at  Kiel. 

Bihliography.  β–  β€”  Schlickeysen-Pallmann,  op.  cit. 

MARKING,  H.  J.  (Dutch).  Sculptor,  Medallist,  and  Chaser,  residing 
at  Utrecht,  and  born  in  1868.  He  studied  at  Amsterdam  as  a  pupil 
ot  the  Academy  of  Fine  Arts.  By  him  are  :  Portrait-plaquette  of 
President  Krugcr,  1900;  β€”  Prize  Medal  tlf  the  Society  "Arti  et 
Industriae",  of  The  Hague,  1905,  &c. 

Bibliography.  β€”  Tijdscbrijt,  X,  p,  321.  β€” D"  J,  H.de  Dompierre  de  Chaufepi^, 


o,C.oo(^lc 


β€”  539  - 
MALACAN,  JEAN  BAPTISTE    (Frcncji).     ContemporaiY    Sculptor, 
boni  at  Bfeiers  (Herault) ;  pupil  of  J.  Thomas,  Tasset  and  W.  Kluge. 
At  the  Salon  of  1899  he  exhibited  five  Portrait-medals  and  medal- 
lions, and  in  1905  various  Portrait-medallions  and  Plaquettes. 

MALAHIN,  NICHOLAS  {Ilal.).  A  Florentine,  who  was  appointed 
Mint-master  in  London,  in  the  iS""  year  of  Richard  II.,  first  in 
conjunction  with  John  Wildeman,  and  alone  in  the  19""  year  (1395- 
1396).  Whether  his  successor,  whose  name  appears  in  contempo- 
rary docnments  as  GEOFFREY  MULLEKYN  (g.  v.)  was  one  of 
his  relatives,  I  have  been  unable  to  ascertain. 

Bibliography.  β€”  Ruding,  op.  dl. 

MALAISSON,  JACQDEUN  DE  (French)-  Engraver  of  Jetons  at 
Bourges,  circ.  1494-1498.  He  was  a  Goldsmith,  and  executed  in  1497 
"gectoers"  for  the  Chamber  of  Bourges.. 

Bibliography.  β€”  Rondoi  &  De  La  Tour,  op.  cit. 

MALASSIS,  Smile  (French).  Contemp  irary  Gem-engraver,  born 
at  Paris;  pupil  of  H.  Bourgeois.  At  the  S:ilon  of  18S4  this  artist 
exhibited  a  cameo  in  sardonyx. 

MALAY ASI, GIUSEPPE  (Ital).  Sculptor  and  Medallist  of  Modena, 
first  half  of  the  nineteenth  century.  His  signature  occurs  on  a  cast 
medal  commemorating  the  Birth  of  the  heir  apparent  of  Duke 
Francesco  IV.  of  Modena,  1819. 

MALHET  (Fiench)  A  Paris  Die  sinker  ^\  ho  w  as  one  of  the  compet- 
itors for  the  coinage  of  the  second  Republic  184S  He  presented 
to  the  Monetary  Commission  pattern  -V  20  Fitn  b  JR.  5  Francs, 
and    E  10  Centimes   but  his  t^pe  \\  1    n       l1     r   1 


Pattern  5  Francs    1848  b)  Malbet 

Bibliography.  β€”  De  Saulcy,  Souvmirs  numismatiques,  &c. 

MALDINI  (Ital.).  Sculptor  and  Medallist  of  the  nineteenth  century. 
I  have  noticed  his  signature  on  a  Portrait-medal  of  Cardinal 
Oppizoni  of  Bologna. 


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β€”  54t>  β€” 

MALEPILSS,  BARDET  DE  (Brit.).  iMint-m aster  at  London,  undei 
Edward  III.,  1 372-1375.  He  was  of  Florentine  origin,  and  was  first 
appointed  Mint-master  at  Calais,  20.  May  1371.  There  he  issued 
Nobles,  Half,  and  Quarters  Nobles,  ot  the  same  weight  and  standard 
as  those  struck  at  the  Tower  of  London ;  silver  Gros,  Half  Gros, 
Sterlings  or  Pennies,  Half,  and  Quarter  Sterlings,  The  Gold  coins 
of  Edward  IIL  of  the  Calais  Mint  have  a  Q  in  centre  of  ^.  instead 
of  the  usual  €,  and  a  flag  on  ship ;  the  silver  coins  are  all  known 
with  the  exception  of  the  Half  Sterling  and  Ferling. 

Bibliography.  β€”  Ruding,  op.  cii.  β€”  Serruce,  Hisloire  monilaire  de  la,  France, 
.h-Q,  Paris,  188;. 

MALER,  CHRISTIAN  (Germ.').  Son  of  Valentin  Maler,  to  whose 
business  as  a  Goldsmith  and  Medallist  he  succeeded,  circ.  1603.  He 
was  born  at  Nuremberg  about  1584  and  died  there  after  1648,  but 
neither, the  date  of  his  birth,  nor  that  ot  his  death  are  known.  The 
period 'of  his  activity  is  placed  between  1603  and  1648,  Although 
a  son  of  Valentin  Maler,  and  grand-son  of  Wenzel  Jamnitzer,  his 
productions,  which  are  very  numerous,  "are  executed,"  says 
Bolzenthal,  "  in  a  mechanical  manner  and  frequently  in  a  bad 
style. " 

Christian  Maler  was  most  successful  in  the  portraits  of  some  Nurem- 
bergians,  but  worked  also  for  the  House  of  Brandenburg,  and  the 
Emperors  Rudolph  IL,  Matthias,  and  Ferdinand  IL,  "from whom 
he  received  permission  to  strike  medals  in  his  own  house,  a  privilege 
noted  on  most  of  his  works  cum  privUegio." 


Hans  Jakob  Tewel,  by  C.  Mali 


Most  of  Christian  Maler's  medals  are  struck;  some  however  are 
cast,  and  bear  the  monogram  CM'  incuse,  whereas  it  is  raised  on 
medals.  Amongst  these,  Erman  mentions  the  following  :  1605. 
Ernst  Haller;  β€”   Georg  Volckamer;  β€”  1628.    Georg  Graf;   β€” 


,stsd  by  Google 


β€”  S4I  - 
1629.    Hans  Jakob  Tcuel  (illustrated');  β€”  Undated.  Maximilian, 
Count   Pappenheim;   β€”  and    probably    also   :    Henricus    Coler, 
Consul.  Primarius.  Lvbecensis,  1636  (illustrated),  &c. 

Similar  111  style  are  the  medals  signed  MH  and  many  other  oval 
portrait- pieces  of  Nuremberg,  of  the  two  first  decades  of  the  seven- 
teenth century;  many  oi  these,  suggests  Erman,  should  certainly 
belong  to  Christian  Maler.  J^ 

This  artist's   medals  are  variously  signed     CCr    1    CM-  β€”  C. 

M.  C.  P.;  β€”  C.  M.  C.  PRiVI.  CAES;  β€”  C.  MAL;  β€”  C.  MALER;  β€”  C. 
MALLER;  β€”  C.  PRI.  CM.;β€”  C.  PRI.  CX.  C.  MALER;  β€”  C.  PRIVI. 
C.  MALER;  β€”  C.  PRIVI.  CAE.C.  M. ;  β€”  CVM.  PRIVI.  C.  CM.;  β€”  CVM. 
PRIVIL.  CAE.  CM.  ;  β€”  M.  C,   or  privy  mark,  a  crane. 

I  have  made  a  note  of  the  following  medals  by  Christian  Maler, 
which  however  only  represent  a  small  portion  of  his  work  i  Fred- 
erick, Count  Palatine,  and  Princess  Elizabeth,  1615.  ^L.  Shields 
of  arms;  β€”  Coronation  of  Frederick  and  Ehzabeth'  of  Bohemia, 


tym^:  J 


1619  (4  var.;  me  illustrated);  β€”  Elizabeth  Stuart,  oval  badge, 
30  X  38  mill.,  obv.  QVAE  SIM  POST  TERGA  VIDEBIS. 
Crowned  bust  to  r.  ^L.  SIC  NVNC  :  PVLCHERRIMA  QVON- 
DAM.  Skeleton  holding  hour-glass  above  table  inscribed  :  CVM 
PRIVIL :  CAES  :  C ,  M,  (illustrated)  ;  β€”  Emperor  Rudolph  II.  ;  β€” 
Emperor  Matthias  and  consort  Anna;  β€”  Matthias  11.  King  of 
Hungary,  161  r  "^L.  King  on  horseback;  β€”  Emperor  Matthias  and 
consort  Anna,  1617;  β€”  Archduke  Ferdinand,  1617;  ~  Empress 
Eleonora,  1630;  β€”  Jeton  on  the  Capture  of  JuUch,  by  John 
Sigismund,  Margrave  of  Brandenburg,.  16 10  (2  var.);  β€”  Frederick 
William,  Margrave  o(  Brandenburg,  and  consort,  Louise,  1648; 
β€”  Christian  IL,  Margrave  of  Brandenburg,  1606  (2  var.);  β€” 
Marriage  of  Joachim  Ernest,  Margrave  of  Brandenburg,  with  Princess 


./Google 


β€”  542  β€” 

Elizabeth  of  Solins,  4.  October  1612;  β€”  Ovab  Portrait-Medal  of 
Joachim  Ernest,  of  Brandenburg,  undated  (signed  :  C.  MALLER 
C.  PRIVI.  CAES.)  ;  β€”  John  George  I.,  Duke  of  Saxony,  1611  ;  β€” 
Another,  undated,  with  ^.Dulte  on  horseback  (1614);-^  Centen- 
ary of  the  Reformation,  1617  (6  var.); β€”  Portrait- medal  of  John 
George  I.  of  Saxony  ^.  MONT.DVX.&c.  Duke  on  horseback 
(Engelh.  n"   790);  β€”  Siege  and  Capture  of  Rautwu,   1620;  β€” 


Medd  of  Quoe 


Hungarian  and  Bohemian  Coronation  of  Kmg  Matthias  II.  (1608) 
^.  MANET  VLTIM  A  COELIS ;  β€”  Portrait-medal  of  the  Emperor 
Mathias  II.  and  Empress  Anne,  on  the  Reichstag  at  R,itibbon, 
1615  ;  β€”  John  Casimir,  Dulie  of  Saxony,  i6i^  {ilinsiiated;  a 
variety  reproduced  in  Tentf^el  L.  E.  Plate  20.  lis  dated  iliiS);  β€” 


of  John  Casimir,  Duke  of  Saxony,  1613. 


Naval  Victory  of  Admiral  van  der  Does,  near  the  Canary  Islands, 
with  bust  on  obv.  of  Prince  Maurice  of  Orange-Nassau,  1595  ;  β€” 
Prince-Elector  Frederick  William  of  Brandenburg  and  consort  Louise 


,stsd  by  Google 


-  543  - 
ofNassaii-Orange,'i646;  β€” Brunswick  medal  of  1615,  obv.  AL/ 
CRITAS  CALCAR  LIBERALITAS  J^.  CAVTE  Acrobats,  &c.;- 
Religious  Medal,  Ein  vernunftig  Weiberfrischtihres  Manns  Hert^,  &c 

-  Another,  Bust  of  Christ,  EGO.SVM.VIA  VERITAS  E 
VITA;  β€”  Reformation  Memorial,  1630; β€” Proclamation  Medal  ar 
Coronation  of  Matthias  II.,  at  Frankfort-on-M.,  1612  (sev.  var/ 
^β€”  "Apostles"  Medal;  β€”  Matthias  II.,  Wars  -  against  the  Turk 

1612;  β€”  Matthias  II.'s  solemn  entry  into  Ratisbon,  1613;  - 
"  Utraquistenmedaille";  β€”  Ferdinand  II.  and  the  six  Princ 
Electors;  β€”  The  Nuremberg  Town  Hall,  1619;  β€”  Rudolph  1 
and  the  six  Prince- Electors,  1607;  β€”  Medal  of  Strassburg,  i6i' 
β€”  Siege  of  Brunswick,  161 5. 


Among  the, personal  medals  engraved  by  Christian  Maler  an 
Martin  Luther,  1617  (sev.  var.);  β€”  Johanii  Tserclaes  Tilly,  162. 
β€”  Ernest,  Count  Mansfeld ;  β€”  Prince-Elector  Frederick  Willia 
of  Brandenburg  and  consort  Louise  of  Nassau-Orange,  1646;  β–  
Duke  John  George  I.  of  Saxony;  β€”  Prince  Maurice  of  Orang 
Nassau,  1600  and  1613  (sev.  var.);  β€”  Georg  Volckamer,  16 
and  1627;  -^  Emperor  Marthias  IL,  obv.  legei'id  :  MATTHL 
MVNDI  MODERATOR  MAGNIFICATUS ;  β€”  Emperor  Fi 
dinand  II.  (sev.  var.);  β€”  Frederick  V.,  Count  Palatine,  King 
Bohemia,  1619;  β€”  Rudolph' II.;  β€” -  Prince  Henry  Frederick, 
Orange- Nassau ;  β€”  Christian  I.,  Prince  of  Anhalt,  1607  (o- 
medalet). 

At  the  Kumtgezoerbe-Ausstdiung,  Dresden,  1906,  the  followi 
medals  by  Christian  Maler  were  exhibited,  which  Prof.  D''  B.  Pi 
de,scribes  in  his  Catalogue  :  Emperor  Rudolf  II.,  1603  (M..  gi 
Gotha  Museum);  β€”John  Casimir,  Duke  of  Saxony,  in  Gobi 
(-^.gilt.  Weimar);  β€” Anna, consort  ot  Prince  Christian  of  Anha 


,/Goo(^[c 


-  544  β€” 
i6o7  (iR.  gilt);  β€”  Emperor  Mathias  and  iiis  familj';  Coro 
medal  of  Frankforc-on-Main,  1612  {JR..  Gotlia);  β€”  Joachim 
Ernest,  Margrave  of  Brandenburg-Ansbacb,  1612  (jR.); β€” Ano- 
ther, similar  (but  undated);  β€”  Ernst,  Count  of  Mansfeld,  undated 
(jR.  Gotha);  β€” John  Frederick,  Duke  of  Wiirtemberg,  undated 
(^.  eilt);  β€” Maximilian,  Duke  of  Bavaria,  undated  (JK.  gilt. 
Gotha);  β€”  Medal  of  the  Bsyersdorf  Convention,  with  busts  of  the 
four  Prankish  Princes  (^.  gilt);  β€” β–   John  Georg  I,,  Prince  Elector 
of  Saxony,  1320  (JR..  Gotha);  β€”  Johannes  Dresel  von  Hoelfeld, 
abbot  ofErbach,  i6i8(jR.  gilt  and  enamelled.  Gotha). 

Christian  Maler  engraved  dies  for  coins,  as  for  instance  the 
"  Reichsvikariat"  Thalei'  of  John  George  I.,  1612,  and  a  Portrait- 
thaler  of  George,  Margrave  of  Brandenburg,  but  he  never  filled  the 
office  of  a  Mint-engraver.  According  to  Oesterreicher,  he  applied 
on  13,  November  1630  for  the  post  of  Die-cutter  at  the  Vienna 
Mint,  and  recalled  in  support  of  his  appfication  his  twenty  years' 
services  to  that  Mint. 

By  Christian  Maler  are  also  Porcrait-medallions  in  coloured  wax. 

BiBLioGEAPHY.  β€”  Bolzenthal,  Kumt^eschichte  der  modernen  Medaillen-Arheil, 
Berlin,  1840.  β€”  Erman,  Deutsche  Medaitteure,  Berlin,  1884.  β€”  Franks  &  Grueber, 
Medaliic  Illustrations,  &c.  β€”  Animon,  Sammhing  leri'ihmter  Medailletirs  und 
Mun^meister  luhsl  ihren  Zeichen,  Numberg,  i7;B.  β€”  K6hler,  MunzMusligungen, 
pi.  V,  281,  XH,  17.  β€”  Wills,  mmbergisehe  Mimxpel.,  pi.  I,  jj.40.  II,  140.  IV, 
307.195-  β€” Seyler,LefcnFn(J.  IViih.  dis  Grossen  Churjiirslen  ^iti  Brandejihirg,  p.  26. 

β€”  Numophyl.  Burckh.  PI.  Il.noqiy,  &c.  iz)2,  1707,  1835,  2613.  β€”  Doppelraaier, 
Hist.  Nacb/:  von  Niimb.  Malbematkis  und  K&mtleri.,  p.  215,  β€”  Votistdndig 
Braunschweig.  LUneburg.  MUnsi  mid  Med.  Cabin.,  nos  243.  1217.  β€”  Flad,  Ben'ihmte 
Medailteurs ,  β€”  Lohner,  Medailkn  Sammiung,  pi.  II,  49.  V,  297.  VII.  417.  β€” 
Madai,  Thder  Cabinet,  !ioΒ»  2168,  3794.  β€”  Ad.  Hess  Naclif.,  kdmmaim  Sale  Cola- 
logue,  1892.  β€”  L.  S;  L.  Hamburger,  Saritalen  Cabinet,  IV.  β€”  T>'  Merzbacher, 
Kmsl-Medailkn  Catalog,  1900.  β€”  Domanig,  Porliatnredaillen  des  Eijljanses 
Oestetreich,  β€”  Katalcg  der  Miinien-  mid  MedailUnStempelSammltmg  des  K.  K. 
Hmtptm&Β»x.amtes  in  Wten,   1901.  β€”   SchlickeyseQ-Pallmann,   Abkiin;ui^en,  etc. 

β€”  Menadier,  Schaumiavzendes  Rauses  Hohenjollem,  1901.  β€”  Erbstein,  Erdrtenmgen 
auf  dem  Gebiete  der  Sitcbsischen  MSn^und  Medaillen-Gescbichle,  Dresden,  1888.  β€” 
Theodor  Distel,  Nachrichten  Ober  den  Corttraf actor  und  Eisenschneider  Christian  Maler 
\u  NUmberg,  Blatter  fQr  MQnzfreuode,  1036.  β€”  Blanchet,  op.  cit.,  II.  β€”  Gebert- 
liiXmhtrg,Geschichte  der  Mmistdtte  der  Reichstadt  NUrnherg,  1891.  β€” -Nagler,  Neues 
allgemeines  Kiinstler-Lextcon,  1839.  β€”  H.  W.  Singer,  Allgemeines  Kniistler-Lexicon, 
1898.  β€”  De  Hisloriepenningen,  en  Munlen  hetre0iing  hebbende  op  bet  Stamhiis  van 
Orange-Nassau.  β€” 1>  Julius  Cahn,  Medaillen  und  Plaketten-Sammlung  W.  P.  Met^ler, 
Frankfurt-am-Main.  β€”  Paul- Joseph  &  Eduard  Fellner,  Die  MUn^jen  von  Frankfurt' 
am-Main,  1896.  β€”  Fiala,  Beschreibimg  der  Sammiung  iahmischer  Munlen  und 
Medaillen  des  Max  Donebauer,  Prag,  1888.  β€”  Catalogus  der  Nederlandsche  en  op 
Nederlandbelrekking hebbende G/denkpenningert 1, 1903.  β€”  C.  Oesterreicher,  R^esten 
aus  J.  Neiiiald's  Fuhlicalionen  iiber  ost^reichische  MUnxprdgutigen. 

MALER,  CHRISTOPH  (Germ.).  Die-cutter  to  the  Vienna  Mint,  1609. 
His  initials  C,  M.  occur  on  Thalers  of  Vienna,  of  that  date.  But  I 
suspect  the  author  of  the  Vienna  Mint  Catalogue  has  misinterpret- 
ed these  initials  which  undoubtedly  stand  for  Christian  Maler,  who 
was  engaged  on  various  occasions  with  work  for  the  Vienna  Mint. 


o,C.oo(^lc 


β€”  545  β€” 

MALER,  VALEMIN  (Germ.).  A  celebrated  Medallist  of  Nurem- 
berg; son-in-law  of  Wenzel  jamnitzer,  the  famous  Nuremberg 
goldsmith;  and  father  of  Christian  Maler.  The  date  of  his  activity 
ranges  from  1568  to  1603,  in  which  year,  according  toDoppelmayr, 
he  probably  died,  Mummenhof  has  traced  this  artist's  origin  to 
Iglau  in  Moravia,  and  Erman  has  further  shown  that  before  set- 
tling at  Nuremberg  he  had  been  employed  as  Mint- engraver  at 
Joachimsthal,  He  married  Wenzel  iamnitzer's  daughter  Maria  in 
1569,  and  by  special  favour  of  tlie  Nuremberg  Town  Council 
obtained  the  privileges  of  a  Mastership, 

It  is  highly  probable  that  Valentin  Maler  settled  at  Nuremberg 
in,  or  some  time  before  1568,  A  few  years  later  we  find  him 
taking  up  his  residence  at  the  Saxon  Court,  which  might  account 
for  the  fact  that  of  1573  only  one  medal  is  known  by  the  artist  and 


of  1574  and  1575  none  at  all.  He  may  also  have  worked  in  Silesia. 
After  his  return  to  Nuremberg,  he  remained  in  connection  with  the 
Prince-Elector  of  Saxony,  and  in  1590  executed  a  Portrait-medal  of 
Christian  I. 

Valentin  Maler's  cast  medals  are  usually  signed  :  \/V\.  The 
following  are  known  to  Erman  :  Undatetf.  Hans  Erasmus  von 
Schwanberg,  Mint-master-general  for  Bohemia,  previous  to  1566, 
and  perhaps  Maler's  chief,  when  engraver  at  the  Joachimsthal  Mint ; 
it  was  executed  before  1568 ;  β€”  Undated,  Georg  Piclil  von  Pichl- 
berg,  a  Bohemian  (aet.  26  ;  i.  e.  modelled  before  1568);  β€”  1568. 
Hans  Thomas  Newkum ;  β€”  Wenzel  Jamnitzer  (2  var. ;  one,  dated 
ijyi,  formerly  in  the  T.  W.  Greene  collection);  β€”  Katharina 
Goswein :     ~     Leonhart    Tucher;    β€”    Lorenz   Dnrnhofer  ;  β€” 


ii  Noih-^  nf  Mid^mt 


>stsd  by  Google 


β€”  546  β€” 
1)6^-  JobstTetzel;  β€” -Jacob  Muffel;β€”  Balihazar  Derrer  (r7/ju/mf- 
ed)i  β€”  Sebald  Haller ;  β€”  Gabriel  Niitzel;  β€”  Andreas  I.  Imhof 
(some  varieties ;  there  was  a  coloured  wax  Portrait-medallion  of  the 
same  personage  in  the  Felix  collection);  β€”  1570.  Martin  Holdwick; 
β€”  Susanna  Holdwick  ;  β€”  Sebastian  Inihof;  β€”  Lienhard  Dilherr; 


Johann  Hcrel. 

β€”  Stephan  Breclitl  the  elder;  β€”  Erhard  Behaim  and  consort  Mag- 
dalena;  β€”  rS7^-  Christoph  Creutz  of  Letnan  in  Bohemia;  β–  β€” β–  
Hans  von  Hohenwart,  of  Joachimsthal;  β€”  1572.  Margarethe 
Gwandtschneider  the  elder  (2  var.); β€” -MatthSus  Fetzer;  β€”  I573- 
Georg  Roggenbach;  β€”  1576.  Georg  Romer  the  younger  (3  var,); 


Martin  Luther  and  Georg  Myli 


β€”  Philipp  Romer;  β€”  1578.  Matthias  Schilherr  and  consort  Anna; 

β€”  1579.  Johann  Neudorffer  junior;  β€”  1580.  Georg  Roemer 
junior;  β€”  ("1581?).  Conrad Knipping,  of  Mergentheim  (3  var.);  β€” 
(1581),  Jonann  Herd  (illustrated);  β€”  1582.  Wenzel  Jamnitzer, 
oval;  β€”  1583.  Paul  Scheurl;  β€” Religious  Medai  with  figure  of 
Christ;   β€”    (1584).  Georg   Mylius,    the   well-known    Augsburg 


,ledo/GoO(^[c 


β€”  547  ^ 
theologian,  l^.  Head  of  Luther,  in  flat  reViei  (illuslrated) ;  β€” 
UndatetJ,  johann  Rieter,  "I"  1584;  β€”  1584.  Wen^el  Jamniczer, 
oval;  β€”  Matthaeus  Schyrer; β€” (1584).  Ernst  von  Mengersdorf, 
bishop  of  Bamberg;  β€”  Undated.  Frederick  VII. ,  of  Limpurg, 
Court  Chamberkin  to  the  Count  Palatine,  at  Heidelberg;  β€” β–  
Martin  Rehlen; β€”  1585.  SigismundFeierabend;  β€”  1587.  Heinrich 
Thenn  (the  head  and  arms  are  cast  separately  and  soldered  on  a 
silver  plaque);  β€”  i593-  Hermann  Heher;  β–  β€” β–   Undated.  Joachim 
Camerarius;  β€”  Simon  Naub  and  consort  (Naub  was  a  native  of 
Frankfort-on-M,,  his  wife  was  of  Nuremberg);  β€”  Felicitas  Sidel- 
mann;  β€” -  1594.  Johannes  Masler  (hi  British  Museum;  published 
by  D"^  Juhus  Cahu,  Num.  Chron. ,  1904,  pi.  vii,  6)  ;  β€”  Paul  Luther, 
(Luther's  son),  Facing  portrait  {Berl.  Mim^liiHer,  1 903 , 
p.  390). 

The  above  list  of  Maler's  cast  medals  is  no  doubt  very  incom- 
plete. Erman  suggests  that  the  following  unsigned  medals  of  Wurz- 
burg  and  Bamberg  are  by  him  also.  In  style  and  workmanship  they 
bear  a  strong  similarity  to  the  medals  of  Georg  Myhus  of  1584  and 
Matthias  Schilherr  of  1 578 ;  the  portraits  are  facing,  and  in  very  low 
relief,  and  the  lettering  reminds  one  entirely  of  Maler's  peculiar 
characteristics.  It  is  further  known,  from  contemporary  documents, 
that  the  artist  worked  for  the  Bishop  of  Bamberg,  but  did  not  sign 
his  productions  at  the  episcopal  court.  Heller  (p.  27)  has  recorded 
a  payment  of  22  florins  made  to  Maler  for  the  modelling  of  the 
Portrait-medal  of  Ernst  von  Mengersdorf,  bishop  of  Bam  berg ;  a  cast 
in  gold  was  made  of  this  by  the  Bamberg  goldsmith,  Bernhard 
Rchm.  Erman  ascribes  to  Valentin  Maler  the  Portrait-medals  of  : 
1575-  Julius  Echter,  bishop  of  Wurzburg;  β€”  1577-  Wiihelm 
Schutzper,  surnamed  Milchling,  of  Wurzburg  {Zeils.  f.  Num.,  lo, 
174);  β€”  Johann  Georg,  bishop  of  Bamberg;  β€”  Undated.  Adam 
Calvus,  of  Wurzburg ;  β€”  Lienhart  Hiebner  and  consort  Barbara 
(probably  a  son  of  Lienhart  Hiebner  of  Nuremberg,  who  was  born 
in  1502). 

Amongst  the  unsigned  Nuremberg  Povtrait-medals  in  very  low 
relief  Erman  suggests  the  attribution  of  the  following  to  Valentin 
Maler,  and  in  support  of  this  he  points  out  that  thel-'eizer  medal 
of  1576  is  a  copy  of  that  of  1572,  which  bears  the  artist's  mono- 
gram. As  however,  Maler's  productions  before  1568  cannot  be 
traced,  there  must  still  be  some  uncertainty  as  to  the  authorship  of 
these  medals  :  1367.  Paul  Behaim  ;  β€”  1573-  Gabriel  Tucher ;  β€” 
1575.  Lorenz  Zollikofer;  β€”  1576.  Matthaeus  Fetzer;  β€”  Leonhardt 
Nierenberger  and  consort  Frau  Froniga;  and  probably  also  :  1580. 
Willibald Imhof  the  Elder;  and  1588.  Michael  lensinger. 

Many  of  the  medals  formerly  ascribed  to  Wenzel  Jamnitzer 
belong  in  reality  to  Valentin  Maler. 


,stsd  by  Google 


-  548  - 
Besides  the  above-mentioned  cast  medals,  Maler  is  the  author  of 
numerous  struck  pieces,  most  of  which,  says  Erman,  were  made 
for  sale,  but  some  also  as  Presentation-pieces  for  princes,  as  the  oval 
badge  of  Charles  II.  of  Hohenzollern-Sigmaringen  (^Zeits.fur  hlum., 
XI,  pi.  2).  These  struck  medals  are  by  no  means  inferior  in  style 
to  the  cast  pieces,  but  are  usually  signed  V.M.  or  still  more  frequent- 
ly :  V.M.CVMPRIVILE.  CAES. ;  and  also  FA.  V.M.C.  PRIVILE  (Fadebat 
Valentin  Maler  cum  Privilegio).  The  following  struck  medals  bear 
Valentin  Maler's  signature ;  they  however  represent  but  a  portion 
of  the  artist's  productions  in  that  category  :  Jakob  Scholtz  (one  of 
the  artist's  earliest  medals,  the  dies  of  which  were  formerly  preserv- 
ed at  the  Joachimsthal  Mint);  β€” Portrait-jeton  of  Valentin  Maler; 

β€”  Maximilian  11.,^.  Eagle  supporting  orb  in  its  claws(sev,  var.); 

β€”  Coronation  Medal  of  the  Emperor  Rudolph  II.,  1576  and  1589 
(sev.  var.) ;  β€”  Medal  of  the  Prince-Electors,^. MANE  NOBISCVM 
&c.  (sev.  var.)  ;  β€”  Medal  of  the  Augustine  friar  Gottfried,  of  Raab, 
1601;  β€”  LconhardDilherrvonThummenberg,  ofNuremberg;β€” Se- 
baldHallervonHallerstein,  1569;  β€” StephanBrechtl,  mathematician, 
of  Nuremberg;  β€”  Wolff  von  Breuningen;  β€”  S.  Ludovicus  Schau- 
blein(?);  β€”  Homage  to  the  Emperor  Rudolph  II.  and  his  ancestors, 
1590  and  1594  (sev.  var.) ;  ^Nuremberg  New  year's  Medal,  1 5  80 ;  β€” 
Building  of  the  Fleischbriicke  on  the  Pegnitz,  by  the  Nuremberg  Urban 
Council,  1598;  β€”  Accession  of  Prince-Elector  Christian  II. ,  Duke  of 
Saxony,  1601; β€” ^.Jewelled  Badge  of  Duke  Augustus  of  Saxony, 
circ.  1574  (2  var.);  β€”  Medallic  Thaler  of  Christian,  Duke  of 
Saxony,  1590;  The  Prince-Elector  on  horseback;^.  Arms;  β€” 
Commemorative  Medai  of  the  Shooting  F&te  at  Nuremberg,  1592; 

β€”  Birth  of  Princess  Claude  of  France,  a  presentation  piece  to 
Nuremberg  notabilities,  1580 ;  β€”  Medal  of  1599  struck  in  honour 
of  the  Burgomaster  and  Aldermen  of  Frankfort-on-M.  (sev.  var.); 

β€”  "Shooting"  Thaler  of  Frankfort-on-M.,  1582  (sev.  var.);  β€” 
Capture  of  tne  Fortress  of  Raab  (Schwarzenberg),  1598;  β€” 
Various  Religious  medals ;  β€”  Jakob  Fugger  the  wealthy  (attributed 
to  Durer  by  Erman);  β€”  Bishop  Johann  von  Speyer  (the  last  two 
medals  are  very  similar  in  style),  &c. 

At  the  Dresden  'Kunstgewerbe-Ausstellung',  1906,  the  following 
medals  by  Valentin  Maler  were  exhibited,  and  they  are  described  in 
Prof.  D"'  B.  Pick's  catalogue  :  Andreas  Imhoff,  1569  (lead,  uniface); 

β€”  Jakob  Muffel,  15 69 (lead,  uniface); β€” Wenzel  Jamnitzer,  1571 
(lead,  uniface);  β€”  Julius  Echter,  bishop  of  Wurzburg,  1575  (M.. 
gilt);  β€”  Another,  smaller  (jR.);  β€”  Georg  Mylius,  of  Augsburg 
(^.  Martin  Luther),  1584  {J?^.  gilt.  Gotha);  β€”  Wenzel  Jamnitzer, 
1584  (lead,  Gotha);  β€”  Slgismund  Feierabend,  of  Frankfort,  1585 
(^.)  ;  β€”  Hieronymus  Paumgartner,  1598  (^.  gilt).  All  the 
above  are  cast  medals,  whereas  the  following  are  strudi  specimens  : 


,/ Google 


β€”  549  β€” 
Emperor  Rudolf  II.,  undated  (.R.  Gotha) ;    β€”  Prince-Elector's 
medal,  1589;  β€”  King  David.  Medal  of  David  Weiss  of  Augsburg; 
β€”  Balthasar  Panmgartner,   1592  (lead,  uniface.  Gotha).  The  last 
may  be  by  Val.  Maler,  and  Is  a  cast  piece. 


Johann  Neudorffei,  by  V.  Maler. 


Some  interesting  notes  are  given  by  D'  Julius  Cahii  in  his 
article  on  German  Renaissance  Medals  (Num.  Chron.,  1904,  p.  41)  : 
"  So  far  as  the  technical  work  of  medals  of  the  German  Renaissance 
is  concerned,  the  masters  of  the  sixteenth  century  preferred  casting, 
only  few  examples  of  striking  being  in  existence.  It  is  well  known 
that  casting  is  the  nobler  and  more  artistic  method  of  producing 


Andreas   Imhoff. 
(^Portrait-medallion  in  w. 


medals,  and  among  all  nations  the  best  work  in  this  branch  of  art 
has  been  done  in  this  way. 

"The  models  were,  as  a  rule,  first  carved  in  wood,  the  letters 
being  afterwards  fastened  on.   Many  of  these  wooden  models  are 


loBtsdo/Googlc 


β€”  550  β€” 

still  preserved,  and  serve  as  ornaments  of  our  collections.  A  good 
many  medals  were  also  executed  in  honestone.  The  art  of  model- 
ling in  wax  came  into  use  later,  but,  once  known,  was  soon  in 
general  favour.  The  finished  cast  was  often  worked  over  with  the 
chisel,  in  order  to  bring  out  details.  But  there  are  also  in  existence 
most  successful  casts  which  have  not  been  touched.  The  metal  in 
general  use  was  bronze;  silver  was  less  used  at  first,  and  one  must 
not  de  surprised  to  find  that  many  of  the  medals  are  of  lead.  The 
first  casts,  which  were  at  the  same  time  the  proofs,  were  always 
produced  in  the  less  valuable  metal,  and  of  many  medals  we  possess 
only  these  casts  in  lead." 

Valenitn  Maler,  says  D'  B.  Pick,  modelled  his  medals  in  wax, 
and  many  of  his  Portrait-medallions  in  wax  are  still  in  existence. 
One  of  Andreas  Imhoff  (illustrated)  was  formerly  in  the  Felix 
Collection. 

The  artist  was  employed  also  by  various  mints,  as  Wurzburg, 
Nuremberg,  &c.,  to  engrave  coin-dies.  A  rare  Guldenthaler  of 
Wurzburg,  dated  1593,  bears  his  initials. 

Bibliography.  β€”  Ermstn,  op.  Β«(.,  pi  jj.  β€”  Mumiuenhof,  Aiii-  J.  Kunde  d. 
Varr.,  24,  p.  253.  β€”  Heller,  BambergUche  Mmxen.f^.  27,  28.  β€”  Ammon,  op.cit., 
no  61.  β€”  Nitmopbyl.  Burckhard,  p.  II,  n"'  915-916.  β€”  Doppelmaier,  op.  cil., 
p.  210,  215.  β€”  Flad,  op.  cii.  β€”  Wills,  op.  cit.,  II,  137,  &c. ;  III,  34;,  393,422; 
IV,  219,  243,  2SO,  315.  β€”  Nagler,  Altgsmeines  Kmstier-Lexikon,  1839.  β€”  Fiala, 
0*.  cit.  β€”  D'  JuliusCahn,  Medaillen  Β«.  PlaketUii  der  Sammlang  W.  P.  Mets;ler.  β€” 
Ibid.,  Inediled  or  ran.  German  Medals  in  tbi  British  Mujsam,  Num.  Chron,,  1904, 
p.  60.  β€”  Bolzajithal,  op.  cit  β€”  Domanig,  op.  cit.  β€”  L.  and  L.  Hamburger,  Rari- 
tdten-Calinet,  IV,  n"  390.  β€” D' Merzbacher,  Kiinsl-Medailleii-Katahg,  1900.  β€” 
Bahrfetdt,  Mfin^e?;  der  Fiirstsnthiimer  Hohen^ollern.  β€”  Katahg  der  Mi'mjen-tind 
Medaillen  Stempd-!>amml%mg  des  K.  K.  HauptmUnt^mtes  in  Wien,  1901.  β€” 
Erbstein,  op.  cit.  β€”  Blanche!,  op.  cit.,  II,  375.  β€”  Ad.  Hess  Nachf.,  Reimmami 
Sale  Catdl<mte,  1892.  β€”  N.  Rondot  and  H.  de  La  Tour,  Lis  nddaiUmrs  el  les 
graveurs  as  nuniiiaies,  jetoiis  et  mSdailles  en  France,  1904.  β€”  Paul  Joseph  and 
Eduard  Fellner,  op.  cit.  β€”  H.  W.  Singer,  Ailgemeines  Kilnsller-Lexikon,  1898. 
β€”  Dr  Geoi^  Habich,  Studien  \ur  Deuischen  Renaissance-medailk,  1906. 

MALFREDUS,  PETROS  (French').  Mint-master  and  Engraver  to 
Aymar  VI.,  comte  de  Valentinois,  1358.  He  was  a  native  of 
Marcilia. 

MALGRIN  (French).  According  to  Bolzenthal,  a  Die-sinker  whose 
productioiis  commemorate  events  of  the  French  Revolution,  1789- 
1793 ;  one  of  tbem  is  a  Badge  of  Huissier  d'honiieur  a  I'Assemblee 
nationale,  1789,  described  in  Hennin,  Hiu.  num.  de  la  Rihiolution 
frangaise,  p.  GG. 

MALIPIERO,  URBANO  (Ilal.).  Mint-master  at  Venice,  circ.  1630. 

MALL,  CHANDA  (Ind.).  A  notorious  manufacturer  of  antiquities  and 
coins,  a  native  of  Rawal  Pindi,  by  whom  are  Parthian  coinsand  in 
particular  gold  statersandsilvertetradrachmsof  Andragoras.(rΒ»WeSir 


,/Goo(^[c 


Henry  Howorth,  Somi  Notes  on  Coins  atinhuted  lo  Parthia,  Num. 
Chron.,  1905,  p.  209 sqq,) 

MALLEROYS,  GUILLATJME  DE  (French).  Mine-master  at  Dijon  under 
Henry  III.  (privy  mark-^  M),  the  League,  and  Henry  IV.,  1596-- 
1596.  His  successor  was  Guillaume  Audinelle. 

MALLET,  CHARLES  (French).  Contemporary  Gem-engraver,  born 
at  Seraur  (C6te-d'Or);  pupil  of  M.  Macquet.  At  the  Salon  of  1885 
lie  exhibited  two  intaglios  in  sardonyx  ;  The  Fariiese  Heraldes  β€” 
Herakles  crushing  the  lion. 

MALLET,  JACQUES  (>S"t!/('sj).  Mint-master  at  Geneva,  10.  January β€” 
29.  December,  1655.  D' Demole  remarks  that  he  has  not  met  with 
Genevese  coins  of  that  date. 

MALM,  J.  A.  (Swed.).  Sculptor  and  Medallist  of  Stockholm,  first 
half  of  the  nineteenth  century.  His  initials  I.A.M.  occur  on  a  Portrait- 
medallion  in  gold  of  Prof.  Peter  Heinrich  Ling  (iyjG--\-  1839), 
which  was  presented  by  his  pupil  in  1821. 

MAIiMBERG,  HANS  (Swed.).  Mint-master  at  Stockholm,  1738- 
1762.  Th;ilers  and  other  coins  of  Frederick  (1746-1751)  and 
Adolph  Frederick,  bear  his  initials  H.M. 

MALPELLIS,  BARDET  DE  (Bclg.).  Mint-master  at  Ghent, 
10.  December  to  22.  July  1357. 

MALTESE  (Ital.).  Mint-engraver  at  Turin,  ciir.  1735. 

MALTHDS,  jOnxHK  (Austr.).  Mint-warden  at  Budweis,  appointed 
4.  August  1569.  Certain  documents  call  him  HANNS  MATHES. 

MALTRAVEBS,  HENRY,  LORD  (Brit.).  Is.sued,  in  conjunction,  with 
Sir  Francis  Crane,  the  so-called  Rose  or  Royal  Farthings  of 
Charles  I.,  under  a  patent  granted  in  1635, 

Bibliography.  β€”  H.  A.  Grueber,  Handbook  of  the  Coins  of  Great  Britain  and 
Ireland,  London,  1899. 

E  (French).  Mint-master  at 
His  privy  mark  on  tne  coins  is  an  episcopal  1 
Bibliography.  β€”  Mazerolle,  op.  cil.  β€”  E.  Faivre,  op.  cit. 

MALVETER,  HANNS  (Auslr.).  Mint-engraver  at  Freyberg.  At  the 
beginning  of  1594  he  cut  dies  for  the  smaller  currency  issued  at 
Hal!,  and  Oesterreicher  adds  that  he  may  have  been  the  engraver 
of  the  Alsatian  Double  Thaler  of  Archduke  Ferdinand,  the  work  of 
which  is  rather  inferior. 


,stsd  by  Google 


MALYNES,  GERARD  (Brit.)  and  William  Cockayne,  contractors 
for  an  issue  of  ^E  Farthings  of  James  I.  Before  these,  grants  had 
been  made,  first  to  Lord  Harrington  (i/.  v.),  then  to  his  widow. 
Lady  Anne  Harrington,  and  afterwards  to  the  Duke  of  Lennox  and 
others. 

BiBuooRAPHY.  β€”  Montagu,  Copper  Coins  of  England,  1893. 

MAW,  PAUL  (v^wjJc.).  Mint-master  at  Schweidnitz,  circ.  1525. 

MANCEAU,  JACQUES  LE  (French).  Mint-master  at  Angers,  1399. 

MANFELD,  ROBERT  (French).  Mint-master  at  London,  anno  4  of 
Henry  VL  ;  London  and  Calais,  (jΒ«n/ 34-38.  His  initial,  the  letter  M, 
occurs  also  (in  centre  of  the  cross)  on  coins  of  Canterbury  and 
Durham,  showing  that  the  dies  were  issued  by  the  Master  of  the 
Mint  in  the  Tower  of  London. 

BiBLioGiiAPiiY.  β€”  Ruding,  op.  cit. 

MANFREDINI,  LUIGI  (ltd.).  Medallist,  born  at  Bologna  in  1771, 
died  on  22.  June  1840.  He  was  for  many  years  Protessor  of  Medal- 
lie   Art  at   the  Milan  Academy  ot  Arts,  and  Minc-engravet  there. 


Napoleon  I.,  5  Lire,  1811. 

rom  1798  to  1830,  (first  as  assistant,  then  chief-engraver  from 
1S08)  during  which  period  he  cut  dies  for  the  Kingdom  of  ItalVj  the 
Austrian  province  of  I.ombardy,  and  executed  a  series  of  medals  ot 
indisputable  merit.  His  predecessor  and  colleague  at  the  Mint  was 
Giuseppe  Salvirch,  by  whom  are  also  Milanese  Patterns  of  Napo- 
leon I.  The  Medallist  Gerolamo  Vassallo  was  also  a  colleague 
with  Manfredini  as  Engraver  at  the  mint  from  1808  to  1819. 

Manfredini's  series  of  coins  comprise  :  Napoleon  I.  N .  40  Lire, 
1808-1814;  20 Lire,  1808-1814;  .iR..l5  Lire,  1808-1814;  2  Lire,  Lira, 
15,  10  and  5  Soldi,  1808-1814;  Parpagliola,  1808-1813;  35  Cen- 


>sted  by  Google 


β€”  553  β€” 
tesimi,  1808;  Ai.  Soldo,  1807-1813;  3  Centesmi,  1807-18 13  ;  Cen- 
tesimo,  1807-1S13.  Also  various  Patterns  of  1806  and  1807,  and  a 
curious  Lira  of  1810  reading  NATOLEONE.  β€” FrancisJ.  Various 
Pattern  coins  :  M^.  Scudo  da  6  Lire,  1816  (2  proofs  in  the  Imperial 


Medal  of  the  Cisalpine  Republic,  1797,  by  Maiifredi 


Museum,  Vienna);  Lira  austriaca  1822,  23,  24;  MezKa  Lira,  and 
Quarto  di  Lira,  1822-1824;  i^,  j  Centesirai,  1832  and  1834 ;  3  Cen- 
tesimi,  and  Centesimo,  1822  and  1834,  Currency  :  M.  Sovrano, 


,stsd  by  Google 


β€”  5  54  ~ 
1820-1830;  I  Sovrano,  1820  and  1822;  jR.  Tallero,  1819-1831 ; 
Fiorino,  1822-24,  1^27,  &c.  β€”  Marie-Louise,  Duchess  of  Parma. 
N.  40  and  20  Lire,  18 15  and  1832;  JR  .  ^,  2,  and  i  Lire,  1815  and 
1832,  and  subsidiary  currency,  J^.  5  and  ro  Soldi;  JE.  i,  3  and 
5  Centesimi,  1815,  1830,  1832,  &c. 

The  list  of  Manfredini's  medals  is  a  large  one,  but  only  the 
following  have  come  under  my  notice.  They  are  usually  signed  : 
L.M.;  bur  also  M. ;  L.  MANFREDISI  and  L.F.M.  :  Napoleone  Bona- 
parte ^.  Cisalpine  Republic,  1797  ;  Bonaparte  1^.  DVX'TVTVS- 
Sac.  (illustrated');  β€”  Attempt  on  Napoleon's  life,  1800; β€” 'Courrier 
national' of  the  Cisalpine  Repubhc,  1801 ;  β€”  Constitution  at 
Lyons  of  the  Cisalpine  Republic,  1802  (4  var.) ;  β€” β–   The  Commune 
of  Parma  to  Bodoni,  1802;  β€”  Royal  Institute  of  Sciences  and  Arts, 
1806;  β€”  Coronation  of  Napoleon  I.  at  Milan,  1805  (2  types;  one 
with  :  LA  2ECCA  DI  MILANO .  MAGGIO  on  obv.);  β€”  Capture 
of  Vienna,  1805;  β€” Battle  ol  Jena,  1806;  β€”  Prize  Medal  of  the 
Royal  Academy  of  Fine  Arts  of  Milan,  1806  (sev,  var.) ;  β€” -  Medal 
of  tiie  Royal  Italian  Institute  of  Sciences,  Letters  and  Arts,  1806 
(signed :  L);  β€”  General  Marmont;  dedicated  by  the  inhabitants  of 
Spalatro  in  Dalmatia,  1807;  β€”  Milanese  Prize  Medal  for  useful 
Discoveries,  1807;  β€”  Battle  of  Ratisbon,  1809  (RC.  only;  obv. 
by  Vassalio);  β€”  Battle  of  Wagram  and  Campaign  of  1809  (2  var,) ; 

β€”  Marriage  of  Napoleon  I,  with  Marie  Louise,  1810  (Hymen 
driving  Mars  before  him);  β€”  Birth  of  the  King  of  Rome,  1811; 

β€”  Return  of  Duke  Francesco  IV.  to  Modena,  1814 ;  β€”  Proclama- 
tion (Giuramento)  Medal  of  Francis  I.,  of  the  Lombardo-Venetian 
Kingdom,  at  Milan,  1815  (struck  in  three  sizes,  both  for  Venice  and 
Milan);  β€”  Visit  of  Francis  I.  to  Milan,  1816  (^.  only)  ;  β€”  Visit 
of  Francis  I.  to  the  Milanese  Mint;  β€”  Visit  of  the  Archduke  John 
to  the  Mint  of  Milan,  1816;  β€”  Visit  of  the  Archduke  Raiuer  to 
the  Milanese  Mint,  i8r6;  β€”  Belzoni's  discoveries  In  Egypt, 
medal  presented  by  the  inhabitants  of  Padua,  1819  ;  β€”  Elizabeth, 
Duchess  of  Devonshire  (sev.  var.,  with  the  Column  of  Focas  at 
Rome,  &c,) ;  β€”  Helmeted  head  of  Athena; β€” Laureate  bust  of  Dante ; 

β€”  Bust  of  Virgil;  β€”  Death  of  Lord  Byron  at  Missolonghi, 
1824  (sev.  var.,  with  Sepulchral  urn ;  Nude  male  figure  leaning  on 
a  globe;  Female  figure  wearing  mural  crown;  and  smaller  med- 
alets);  β€”  Giovanni  Battista  Bodoni,  typographer,  1802;  β€”  Marie 
Louise,  Empress  of  Au.stria,  1S16,  Memorial  Medal  (struck  by 
order  of  Francis  I.);  β–  β€”  Joseph  Eckhel,  numismatist,  1837; β€” - 
Coronation  of  Ferdinand  I.,  Emperor  of  Austria,  1831 ; β€”  D''Gia- 
como  Tommasini,  of  Parma,  1822  ;  β€”  D*^  A,  Scarpa,  of  Pavla;  β€” 
Galileo  Galilei;  ^  D'  A.  Sacco,  of  Milan;  β€”  Giuditta  Pasti, 
l^i,.  Heads  of  Goldoni  and  Alfieri,  1829;  - β€”  James,  Count  of 
Carrara,  Director  of  the  Academy  of  Bergamo,  1797  (this  is  the 


./Google 


β€”  555  β€” 
first  Porcrair-medal  engnived  by  the  arcist);  β€”  Arcliduke  Rainer, 
Viceroy  of  Lombardy,  1818;  β€”  Giuseppe  Barbieri,  1833;  β€” 
Inauguration  of  the  Bridge  on  the  Trebia,  1825  (a  successful 
medal,  with  portraits  of  Francis  1.  and  his  daughter  Marie-Louise)  ; 
β€”  Prize  Meaal  of  the  Milanese  MiHtary  Academy ;  β€”  Prize  Medal 
of  the  Academy  of  Fine  Arts  of  Venice  (with  ^L.  Minerva);  β€” 
Coronation  Medal  of  Ferdinand  I.,  1838;  β€”  Medal  of  the  "Acade- 
raia  filodrammarica  "  of  Milan,  1S40,  with  busts  of  Goldoni  and 
Alfieri  (one  of  Manfredini's  last  productions) ;  β€”  Industrial  Pri-se 
Medal  ofPrague  fobs',  only);  β€”  Andrea  Appiani,  1S26;  β€”  Leo- 
nardo da   Vinci   (2  var.);  β€” Faocesco  Hayes,  etc. 

Luigi  Manfredini  rose  to  the  first  rank  of  early  nineteenth  cen- 
tury Italian  medallists;  his  coins,  in  particular, display  a  great  effort 
of  art.  Many  of  his  medals  were  from  designs  of  the  celebrated 
painter,  Appiani,  whose  portrait  he  lias  represented  on  a  medal 
executed  in  1826. 

BiBUOGRAJHY.  β€”  Giiecchi,  Lb  Mamie  di  Milano.  β€”  Hennin,  Hhtoii 


Dr  F,  P.  Weber,  op.  dt.  β€”  Alfredo  Commandmi,  Vltalia  n 
XlX^iSot'i^oo),  Milano,  1901.  β€”  H.  W.  Singer,  Allgmneities  Kiinslkr-Lextkon, 
1898.  β€”  Ad.  Htss  Nachf.,  Reimmann  Sale  Catalc^rie,  1892.  β€”  Jos.  C.  Adam, 
Die  Meisler  der  sogenannten  'Schwarzen  Midaillen  ,  Mitth.  des  Klubs,  &c.,  1902. 

f.  ji.  β€”  Spink's  Numismatic  Circular,  vol.  Vlll,  col.  3869.  β€”  Schlickeysen- 
allmann,  op.  cit.  β€”  H.  A.  Grueber,  English  Personal  Medals  from  ij6o.  β€” 
E.  Fiala,  op.  cit.  β€”  Thomsen  Bronce-Medailler.  β€”  Domanig,  op.  cit.  β€”  Bolzenlhal, 
op.  cit. 

MANFREDINI,  LUIGI  Junior  (Ital.).  Son  of  the  last;  Sculptor  and 
Founder  of  Milan,  second  and  third  quarters  of  the  nineteenth  cen- 
tury. By  him  are  the  Bas-reliefs  of  the  Milanese  Triumphal  Arch, 
ana  the  statue  of  V.  Monti  in  the  Galleria  Vittorio  Emanuele,  He 
has  also  executed  cast  Portrait-medallions  in  bronze. 

MAWFREZ,  PIERRE  (Sudss).  A  native  of  Flanders,  who  filled  the 
post  of  Mint-master  and  Engraver  at  Lausanne,  under  the  Bishop 
Guy  de  Prangins,  from  circ.   1375-1378.  He  was  commissioned  to 


Demi-Gros  of  Guy  de  Prangins,  bishop  of  Liiusanne  (:  575-1 378). 


strike   Deniers,  Mailles,  and  Demi-Gros  (of  6  Deniers,  conmionly 
known  as  Sesem,  or  in  Latin  Sextt). 


,stsd  by  Google 


-  556- 

MANGEM  or  MANGIN,  A.  (Port.).  Mint-engraver,  of  foreign  origin, 
at  Lisbon,  during  the  seventeenth  century.  His  signature:  A.  MAN- 
GIN  F.  occurs  on  a  Portrait-medal  of  John  V.  of  Portugal,  1717, 
reproduced  in  Fern^ndes,  Meiiwria  das  Medalhas  e  Condecora(o^s por- 
tuguexfis,  1 86 1, 

Bibliography.  β€”  Raczynski,  Dictionnmre  Jiistorko-arHuique  dii  Portugal,  1847. 

MANGO  (Ilal.).  Cameo-engraver  at  Rome,  circ.  1790-1810,  with 
whom  the  celebrated  Benedetto  Pistrucci  wast  first  placed  in 
apprenticeship. 

MANIGRAM  (Jnd.').  Mint-engraver  at  Calcutta,  1804;  a  native 
Die-sinker. 

MANlfiRE,  Β£MILEDΒ£sIRΒ£  MARIE  (French).  Contemporarj'  Sculp- 
tor, born  at  Orleans;  pupil  ot  Monceau  and  Chapu.  At  the  Salon  of 
189 1  he  exhibited  a  Portrait-medallion  of  M.  H,  Chouppe;  β€”  1892. 
M"'  Maniere ;  β€”  Charles  S***  ;  β€” ^  D'  E.  Arque ;  β–  β€”  M.  Monceau. 

MANIGLIER,  HENRI  CHARLES  (French).  Sculptor  of  the  second  halt 
of  the  nineteenth  century,  born  at  Paris,  11.  October  1826 ;  pupil 
of  Rameyand  Dumont.  By  him  are  numerous  Portrait-medalhons, 
among  which  I  have  noted  :  1864.  M"'  J.  M***;  β€”  1866. 
M.  Bonnet;  β€”  1869.  M"=  Cartenier;  β€”  1875.  M""^  J.  M***;  β€” 
1884.  M.  Chauvel. 


-  Chavignerie  et  Auvray,  op.  cit. 

MANIKDS,  P.  F.  (Dutch).  Editor  of  a  Prize  Medal  of  the  town  of 
Arnhem,  1878,  engraved  by  J,  A.  de  Vries. 
BiBLioGiiAPHY.  β€”  Tijdschriji,  &c.,  X,  193. 

MANLEY,  J.  (Amer.).  Medallist  of  Philadelphia,  last  decade  of  the 
eighteenth  century.  In  1790  he  issued  a  Portrait-medal  of  Washing- 
ton, as  First  President  of  the  United  States,  1789,  which  bears  a 
striking  likeness.  It  is  signed  :  J.  MANLY.  A  small  masonic  medal, 
of  1797,  unsigned,  has  a  similar  portrait. 

Bibliography.  β€”  J.  R.  Soowden,  77m  Medals  0/ JFiij/jmf(ra,  Phikdelpliia, 
1R61. 

MANLICK,  PAUL  (Belg.).  Aburgherof  Liege,  who,  under  a  patent 
of  27.  August  1613,  was  allowed  to  issue  JB^.  Testons,  Doubles, 
and  Quarter  Testons. 

Bibliography.  β€” β–   Serrure,  Dkthimaire,  &c. 

MANLIUS  TORQOATUS,  h.(Rom.).  Mint-master (Tn'Mmwr  moneta- 
lis)  at  Rome,  circ.  B.C.  54. 

MANLY.  Vide  MANLEY  supra. 

Hosted  by  Google 


β€”  557  β€” 
MANN,  GEORG  MICHAEL  (Germ.).  Warden  of  tlie  Mint  M  Nurem- 
berg in  conjunction  with  the  Mint-master  Lauffer  in    1755,   and 
Forster,  till  1780. 

MANN,  SAMUEL  (Germ.).  xMint-warden,  in  the  service  of  Brati- 
denburg,  at  Kitzingenand  Onolzbach,  163 1  (Spiess,  II). 

MANNEVILLE,  ANDRfi  (French).  Contemporary  Sculptor,  born  at 
Paris;  pupil  ofPuech  and  Patey.  By  him  is  as  Portrait-pkquette 
of  a  Lady,  which  was  exhibited  at  the  Salon  of  1897. 

MAHNLICH,  HEIKRICH  (Germ.).  Goldsmith  and  Seal-engraver  at 
Augsburg, -[β–   i6^S  (Rosenberg,  Merkietchm,  66). 

MANNLICH,  JOHANN  HEINRICH  (Germ.).  Goldsmith  and  Scal- 
engraver  at  Augsburg,  -{-  1718. 

MANNO  (ItaL).  Goldsmith  of  the  sixteenth  century,  a  pupil  ot 
Cellini,  who  worked  in  the  service  of  the  Farnese  family  and  the 
Popes.  His  name  frequently  occurs  in  pontifical  documents  for 
plate,  jewellery,  decorative  plaques  &c.  he  was  ordered  to  execute. 

MANOZ,  JEAN  SE  (French).  Mint-master  at  Bayonne,  circ. 
1597- 

MANSUY,  CHARLES  (French).  Medallist  at  Nancy,  circ.  1688-1690. 
By  him  are  some  medals  of  local  interest  only. 

Bibliography.  β€”  Rondot  et  de  La  Tour,  op.  cil. 

MANSUY,  DOMINIQUE  LEOPOLD  (French).  Medallist  at  Nancy, 
circ.  i7^3--I'  1743-  He  was  the  son  of  Charles  Mansuy,  and  born  in 
1708.  His  signature  occurs  on  some  medals  of  local  interest,  and 
he  probably  worked  also  as  a  Die-cutter  at  the  Mint. 

MANSUY,  JEAN  (French).  Medallist  (/cw7/mr  rfWfl'>Β«)  of  Nancy, 
son  of  Mansuy-Gauvain,  during  the  latter  end  of  the  reign  of  Duke 
Antoine,  1542-1544. 

BiBtioGRAPHY.  β€”  Lepage,  op.  at. 

MANSVELT  &  ZOON,  P.  (Dutch).  Issuers  of  medals  at  The 
Hague;  amongst  these:  50"'  Anniversary  of  the  Battle  of  Water- 
loo, with  bust  of  William  II.  of  Holland,  1865  ;  β€”  25'''  Anniver- 
sary oi  King  William  III.'s  reign,  1849-1874; β€” ^  Jubilee  of  the 
Independence  of  Holland,  1863,  &c. 

BiBLioGKAPHY.  β€”  Tijdidmfl,  &c. 

MANTEGNA,  ANDREA  (ItaL).  A  celebrated  Italian  Painter  and 
Engraver,  born  at  Padua,  1430-1504.  His  works  were  numerous; 
he  did  altar-pieces  and  frescoes,  his  greatest  being  "The  Triumph 


./Google 


-  !58  - 
of  Caesar".  He  was  a  man  of  versatile  genius  and  poet  as  well^as 
painter.  His  influence  on  Italian  art  was  very  considerable. 

At  the  Victoria  and  Albert  Museum,  South  Kensington,  are  two 
bronze  Plaques,  both  representing  The  Entombment,  probably 
contemporary  adaptations  from  the  engraving  on  the  same  subject 
by  Mantegna. 

Others,  Christ  standing  in  the  Sepulchre;  β€”  The  Virgin  and 
child  under  a  canopy  with  saints;  β€”  A  Roman  sacrifice,  &c.  are 
described  in  Fortnum's  Catalogue  oi  Brmiz^s  in  the  South  Kensington- 
Museum,  as  of  the  school  of  Mantegna. 

Mantegna  may  be  the  author  of  the  admirable  bronze  Portrait- 
medallion  of  himself  on  his  tomb  in  the  chapel  of  S.  Giovanni,  in 
Sant'  Andrea  Basilica  at  Mantua. 

MANTICA,  AMBROGIO  {Ital)  of  Genoa.  Goldsmith,  Jeweller  and 
Gem-engraver,  who  worked  atRome,  aVc.  1485-1489. 

MANTICA,  BENEDETTO  (Ital.).  Engraver,  condemned  to  death  at 
Sienna  in  1441  for  issuing  false  coins. 

BiBLiOGHAPHY.  β€”  E.  Miimz,  Les  Arts  a  la  Courdes  Papes,  &c. 

MANTUAN  MEDALLIST  of  1506.  An  unknown  Mantuan  Medal- 
list worked  as  Mint-engraver  at  Hall  (Tyrol)  in  1506,  and  executed 
several  medals  with  busts  of  the  Emperor  Maximilian  I.  and  con- 
sort, Bianca  Maria  Sforza  I^.  Virgin  and  Child;  also  coins,  obv. 
Head  of  Maximilian  I,  ^.  Crowned  eagle,  etc. 

Possibly  MAN  MARCO  CAΒ₯ALLI  (Vol.  I,  p.  365). 

Bibliography.  β€”  Armand,  op.  cit.,  Ill,  47.  β€”  Kmntr,  Jahrbuch  dir  Kumt- 
insloruchen  Sammhingea  dcs  alkriiochsien Kaiserhauses,  x,  IV,  p.  4. 

MANZ,  RUDOLF  (Swiss).  Tin  Founder  at  Zurich,  in  the  early  years 
of  the  nineteenth  century.  By  him  are  :  Medal  commemorating  the 
Defence  of  Zurich  during  the  bombardment  of  the  city  by  the 
Helvetic  troops  under  General  Andermatt,  1802  ;  β€”  Expedition  to 
Affoltern,  1804,  &c. 

BiBLioGRAJHY.  β€”  W.  Tobler-Meyef,  IHe  Milti^-  und  Medaillm-Sammliuigm  da 
Hcrrn  Hans  IV under! y-v.  Muralt,  Zurich,  1896. 

MAPPIN  &  WEBB  (Brit.).  Silversmiths  of  Sheffield  and  London, 
published  various  medals,  among  them,  one  of  the  University  of 
Durham,  College  of  Medicine,  two  varieties  of  which  are  in  the 
Boston  collection. 

MAO,  MACC  (Germ).  Moneyer  at  Ratisbon,  955-985.     - 

MAR.,  F.  (Gernt.).  A  sixteenth  century  Plaque,  in  the  Dreyfus 
collection,  bears  this  signature,  and  represents  a  nude  female  figure 
riding  on  a  dolphin  (Dlam,  44  mill.). 

Bibliography.  β€”  Molinier,  Us  Plaqveltes,  II,  16R. 


./Google 


-  559  - 
MAR.,  T.  Signature  on  a  cornelian  intaglio,  representing  Cupid 
teaching  an  old  Faun,  who  is  kneeling,  to  play  on  the  flute. 

MARATHI.  This  signature  occurs  on  an  intagho  with  a  representa- 
tion of  the  Discobolus  (^Vtde  Raspe,  Tassics  Gems,  n"  7977)- 

MARBEAUX  or  MARBEAO  (^French).  Goldsmith  and  Engraver,  by 
whom  is  a  Portrait-medal  of  Louis  XV.,  1738. 

MARC  ANTONIO  SPINELLI  (Ilal.).  Mint-engraver  at  Venice, 
appointed  in  1572,  in  succession  to  Andrea  Spinelli,  his  father. 
Fide  SFimiLl. 

MARCEL,  ANDRYT  (French)  "  Anglo-Gallii: "  Mint-master  at  Le 
Mans,  1 43 1. 

MARCEL,  CLAUDE  (French).  Assay er- general  of  French  coins, 
1564-5. 

MARCEL,  fiTIENNE  (French).  Mint-master  at  Rouen,  1426,  under 
Henry  VI.  of  England. 

MARCEL,  JACQUES  (French).  Mint-master  at  Rouen,  1393. 

MARCEL,  ?l-Β£hRE  (French).  Moneyer  at  Paris,  1556. 

MARCEL,  REGNAUD  (FrewA),  Goldsmith  and  Engraver,  n'/T.  1371- 
1 389,  also  called  "  Regnaut  lo  dourer,  Regnaut  I'of.ivro,  Regnaut  lo 
tailleour". 

BiBUoGHAPHY.  β€”  Rondot,  op.  cit. 

MARCELLIN,  JEAN  BAPTISTE  (fr^Wi:^).  Sculptor  of  the  second  half 
of  the  nineteenth  century,  born  at  Gap,  34,  May  1821;  pupil  of 
F.  Rude,  and  the  ficoledes  Beaux  Arts.  By  him  are  numerous  Portrait- 
medallions  :  1849,  M-'^  W***;  β€” M.  Marccllin;β€”  1864.  M""^  J***; 
β€”  1868.  Faure;  β€”  M""  B***;  β€”  1877.  M"^  A.  R***;  β€”  1878. 
M"'=F.  G***. 

MARCELLO,  ALOYSIO  (Ital.).  Mint-master  at  Venice,  1624-1629, 
under  the  Doge,  Giovanni  Cornaro.  Some  of  his  issues  are  signed  : 
A.M. 

MARCELLO,  LORENZO  (i/a/.).  Mint-master  at  Venice,  1707;  privy 
mark  :  L.M. 

MARGELLUS,  M.  This  signature  occurs  on  a  gem  in  the  Stosch 
Collection,  representing  Herakles  extended  on  his  lion's  skin  with 
the  quiver  in  his  right  hand. 


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β€”  5^0  β€” 

MARCET,  JACQUES  {Swiss).  Mint-master  at  Geneva,  1708.  A 
contract  was  passed  with  him  on  10.  December  1707.  His  issues 
bear  his  initials  I.M. 

MARCET,  PAUL  {Siviss).  Mint-contractor,  with  whom  a  treaty 
was  passed  by  the  city  of  Geneva  on  25.  June  1677;  Jean  anii 
Andre  Emery  undertook  striking  currency  for  him,  A  six  Sol  piece 
of  1678  in  the  Wunderly  Collection  (nΒ°  3041)  bears  the  privy 
mark  JE.,  which  represents  Marcet  and  Emery.  Possibly  this  mono- 
gram is  not  accurately  drawn,  but  I  have  given  it  after  Demoie's 
design. 

BiBLioGiiflPHY.  β€”  E.  Demole,  op.dl. 

MARCEUR,  iOmi(French).  Mint-masterat St.  Lo,  underHenryV. 
of  England,  appointed  in  141 9  "to  make  money  therein". 

MARCHAIS  (French).  Engraver  at  the  Mint  of  Bordeaux,  1870. 
In  December  1870,  during  the  siege  of  Paris,  5  and  2  Franc  pieces 
were  issued  at  Bordeaux  (letter  K),  bearing  instead  of  an  anchor 
(privy  mark  of  Albert  Barre,  Engraver  general),  a  star,  on  which  is 
punched  an  M,  Marchais'  initial. 

MARCEAND  {French).  Die-sinker,   whose  signature  occurs  on  a 
medal  of  the  Societe  dc  Mi^decine,  of  Caen . 
MARCHAND,  GOTTFRIED  (Austr.).  Mint-master  at  Salzburg,  1709. 

MARCHAND,    KOKRAD   {Austr.).    Mint-master   at  Salzburg,    circ. 
1693. 
MARCHANT.  VideLY.  MARCHANT,  supra,  p.  390. 

MARCHANT,  NATHANIEL  {Brit.\  Gem-engraver  and  Medallist, 
born  in  Sussex  in  1739,  died  in  Somerset  Place,  London,  in  April 
1816,  aged  77.  He  was  a  pupil  of  Edward  Burch,  R.  A.,  and  in  1766 
became  a  Member  of  the  Incorporated  Society  of  Artists.  In  1773, 
he  went  to  Rome,  where  he  studied  and  worked  for  sixteen  years. 
He  sent  impressions  from  ancient  intaglios  to  the  Royal  Academy 
from  1781  to  17S5.  and  continued  to  exhibit  there  until  i8ri.  In 
1791  he  was  elected  Associate  of  tlic  Royal  Academy,  and  Acade- 
mician in  1809.  He  was  also  a  Fellow  of  the  Society  of  Antiquaries, 
and  a  Member  of  the  Academies  of  Stockholm  and  Copenhagen. 

Marcliant  was  employed  from  about  1782  by  the  Royal  Mint; 
not  as  Engraver  of  dies,  but,  under  the  appellation  of  Probationer, 
or  Designer,  to  make  models  for  L.  Pingo  and  T.  Wyon,  the  engrav- 
ers, to  copy;  and  held  the  office  till  181 5,  when  lie  was  superan- 
nuated. He  was  also  styled  Engraver  of  H.M's  seals. 

The  earliest  coins  for  which  Marchant  executed  models  appear  to 
be  Pingo's   Seven   Shilling  Pieces,   1804,    6,    8,   9,    lO,    11,    13, 


lo.tedo/GoogIc 


althougli,  we  gather,  from  Ruding,  that  he  was  appointed  Probation- 
er at  the  Mint  in  anno  37  of  George  III.  (1797).  His  head  of  the 
King  appears  further  on  the  Bank  Token  Coinage  of  1812,  consisting 
ot  3  sh.,  I  s.  6  d.,  9  d.,  which  was  continued  until  1816  (except 
the  9  d.  which  exists  only  for  1812) ;  Bank  of  Ireland  10  d.  Token, 
181 3  ;  and  Guinea  (the  so-called  "  Military  Guinea")  of  1813,  which 
is  by  Thomas  Wyon. 

Marchant's  bust  of  George  ni.  occurs  on  Half  Guineas  of  1804, 
1806,  i8o8-i8ii,and  1813,  and  Seven  Shilling  pieces  of  same  dates. 
It  was  copied  by  Wilham  Wyon  on  his  Pattern  Crown  of  1817. 

Marchant's  signature  :  N.  MARCHAKT  is  found  also  on  some  medals, 
as  on  the  large  gold  Peninsular  Medal,  the  ^.  of  which  represent- 
ing Britannia,  he  modelled.  The  same  type  occurs  on  the  small  gold 
Peninsular  Medal,  which  is  however  unsigned. 

"As  an  Intaglio-engraver,"  observes  BiUing,  "Marchant  was 
one  of  the  best  and,  in  a  pecuniary  point  of  view,  most  successful 


of  the  Gem-engraveis  of  the  eighteenth  century ;  his  works, 
excepting  portraits,  are  all  copies  from  the  antique  statues  in 
Rome ;  they  are  all  intaglios,  except  one  poor  copy,  from  an  obelisk, 
of  a  hieroglyphic  Sphinx,  β€”  which  is  not  a  real  bas-relief,  but 
sunken,  hke  the  Egyptian  one  on  the  staircase  of  the  British 
Museum.  " 
_  King  calls  Marchant  the  chief  of  English  Gem-engravers  of  the 
eighteenth  century,  and  says  that  he  executed  many  fine  works, 
both  modern  portraits,  antique  heads,  and  groups  in  the  Greek 
style.  He  adds  :  "  There  is  much  grace  and  delicacy  in  his  figures, 
but  the  finish  of  them  is  too  minute  to  be  effective,  and  consequently 
his  heads  are  deficient  in  boldness  and  expression.  At  the  sight  of 
his  engravings  you  become  sensible  that  they  were  executed  with 
the  aid  of  a  powerful  magnifying  glass,  and  they  require  to  be 
viewed  through  such  a  medium  to  produce  their  full  effect.  This 
is  a  common  error  with  modern  engravers,  and  one  of  Pichler's 
chief  merits  is  that  he  has  avoided  it,  and  that   his  works,  like 


>stsd  by  Google 


-  i62- 

those  of  the  ancient  arcists  in  this  Hne,  produce  their  effect  on  the 
eye  at  the  first  glance.  Marchant'ssltill  was,  however,  fully  appreciat- 


The  large  gold  'Peninsulai:  Medal', 
cd  in  his  own  times;  probably  from  the  circumstance  of  his 
carrying  on  his  profession  at  Rome,  and  thus  becoming  known  to 
wealthy  English  amatenrs,  who  at  all  times  have  preferred  to  pay 
ponnds  for  works  of  art  abroad,  rather  than  as  many  shillings  for 
productions  of  equal  merit  executed  at  home.  I  have  seen  a  Sard, 
engraved   by  him,   with  two  female  figures,  the  one  seated,  the 


o,C.oo(^lc 


-  S63  - 
Other  standing  by  her,  apparently  portraits,  for  which  he  was  paid 
200  guineas.  Clarac  mentions  his  having  been  shown  at  Otranto  a 
paste  taken  from  one  of  Marchant's  gems,  which,  backed  with  a 
slice  of  Sard  after  the  usual  manner  of  sucli  forgeries,  had  been  sold 
at  an  enormous  price  to  an  amateur  as  a  first  class  Greek  work, 
recently  discovered  in  that  locality.  " 

Marchant's  genis  are  usually  signed  :  MARCHAKT;  β€”  N.  MAR- 
CHANT; β€”MAPXANT  enOiei;  β€”  andalsoMARCHANT  F,  ROMX. 

"The  artist",  says  Mr.  Wroth,  "had  a  high  and  well-merited 
reputation  as  a  Gem-enaraver,  His  productions  are  intaglios,  and 
consist  of  portraits  from  the  life,  and  of  heads,  figures  and  groups.  " 
In  his  style,  he  successfully  imitated  the  archaic  Greek,  especially 
coins,  in  its  sublime  simplicity,  but  with  a  little  stiffness.  (Nagler's, 
Kunstkr-Lexihm). 


Intaglio,  by   Marchant. 

"He  pubUshed  by  subscription  in  1792,  "A  Catalogue  of  one 
hundred  Impressions  from  Gems  engraved  by  Nathaniel  Marchant, 
London,  4'Β°,  to  accompany  a  selection  of  casts  of  his  intaglios. 
A  number  ot  his  works  are  described  in  Raspe's  '  Tassie's  Gem  Cata- 
logue'. Various  intaglios  by  him  are  in  the  British  Museum,  but 
many  of  his  choicest  pieces  were  made  for  the  Marlborough  cabin- 
et, and  among  these  may  be  mentioned  his  'Hercules  restoring 
Atcestis  to  Admetus  ',  a  commission  from  the  Elector  of  Saxony, 
and  a  present  from  him  to  the  Duke  of  Marlborough.  The  duke 
sometimes  specially  sent  fine  stones  to  Rome  to  be  engraved  by 
Marchant.  The  Prince  Regent  (George  IV.)  appointed  Marchant  his 
Engraver  of  gems.  "  (Wroth,  he.  citT). 

Among  Marchant's  productions  not  yet  mentioned  are  :  The 
nymph  Amalthea  giving  drink  to  the  infant  Jupiter  in  a  large  horn ; 

β€”  Head  ot  Serapis,  sardonyx  and  chalcedony  (2  var.) ;  β€” Isis,  sard- 
onyx and  chalcedony  (2  var.);  β€”  Diana  and  Endymion;  β€”  Apollo,  a 
copy  from  the  statue  in  the  Capitol,  rock  crystal  ;β€”Clytia,carnelian; 

β€”  Salus,  carnelian ;β€”  Bacchus;  β€”  Portrait  of  the  Countess  of  Suf- 
folk, topaz;  β€”Portrait  of  William  Pitt;  β€” Bacchus  enthroned;  β€” 


,stsd  by  Google 


β€”  sH  β€” 

Ariadne  pouring  wine  into  his  goblet;  β€”  Faun,  from  the  statue  in 
Florence;  β€”  Crowned  bust,  cameo;  β€”  Bacchant  drunk,  support- 
ed by  a  Faun,  carnelian;  β€”  Herakles,  sardonyx  (2  var.);  β€”  The 
Farnesian  Herakles  of  GlycoUj  sardonyx ;  β€”  Venus  sitting  on  the 
ground  near  a  lighted  altar,  sardonyx;  β€”  Roman  marriage  scene 
(2  var.);  β€”  Two  betrothed  lovers  sitting,  veiled,  and  engaged  in 
conversation;  β€”  Victory,  paste;  β€”  Victory  making  a  libation, 
emerald;  β€”  Fortune  flying  over  a  globe,  black  jasper;  β€”  Leander 
and  Hero,  onyx,  β€”  Head  of  Atalanta,  carnelian;  β€”  Medusa, 
cameo ;  β€”  Mask  of  Medusa,  onyx ;  β€”  Antilochus,  the  son  of  Nes- 
tor, announces  to  Achilles  the  death  and  fate  of  his  favourite  Patro- 
cius,  sardonyx;  β€” -Priam  kneeling  at  the  feet  of  Achilles  and  inter- 
ceding with  him  to  be  permitted  to  redeem  the  body  of  Hector, 
sardonyx;  β€”  Head  of  a  Negro,  cameo;  β€”  Head  of  Demosthenes, 
white  paste ;  β€”  Demosthenes  sitting  upon  a  stone,  carnelian ;  β€”  Bust 
of  Homer,  carnelian  ;  -β€”  Head  of  Periklcs  and  Aspasia  ;  β€” β–   Bust 
of  Julius  Caesar,  carnelian;  β€”  Head  of  Brutus,  sardonyx;  β€” 
Agrippina  seated,  carnelian;  β€”  Head  of  Augustus,  carnelian;  β€” 
Bust  of  Caligula,  cameo ;  β€”  Head  of  Trajan,  sardonyx ;  β€” β–   Head  of 
Antinoijs,  sardonyx  (2  var.);  β€”  Another,  carnelian;  β€”  Head  of 
Marcus  Aurelius,  carnelian;  β€”  Bust  of  Faustina  Junior,  sardonyx ; 

β€”  Head  ofLucius  Verus,  sardonyx;  β€”  Bust  of  Susanna,  after  the 
statue  by  Flamingo,  cameo;  β€”  Garrick  looking  at  the  mask  of 
Shakespeare,  sardonyx;  β€”  Bust  of  Garrick  (sev.  var.);  β€”  Prince 
Luborairsky,  carnelian  (2  var.);  β€”  Lord  Lucan;  β€”  Lady  Lucan; 

β€”  Lady  Lucan  in  the  character  of  a  Muse,  carnelian ;  β€”  Sir  Wil- 
liam Molesworth; β€”  Bust  of  Petrarch,  sardonyx;  β€”Bust  of  Major 
Pearson;  β€”  Torquato  Tasso,  cameo;  β–  β€”  Lord  Duncannon,  sard- 
onyx; β€”  Portrait  of  a  Musician;  β€”  Bust  in  modern  taste,  yellow 
carnelian;  β€” β–   Mrs.  Hartley,  of  Covent  Garden  Theatre;  β€”  Lord 
Mulgrave ;  β€”  Head  of  the  famous  Zingara;  β€”  Herakles,  carnelian  ; 

β€”  Bust  of  Cupid  or  Hymen,  yellow  carnelian  ;  β€”  Cleopatra  lying, 
from  the  statue  in  the  Vatican,  cameo;  β€”  Pericles,  sardonyx;  β€” 
Unknown  head,  sardonyx ;  β€”  Pope  Pius  VL,  carnelian ;  β€”  Sphinx, 
cameo  in  carnelian ;  β€” Juno,  sardonyx  and  carnelian  (2  var.) ;  β€”  Cas- 
tor, sardonyx  (2  var.) ;  β€” Pollux,  carnelian ; β€” Castor  and  Pollux,  sard- 
onyx; β€”  Head  of  Minerva  (2  var.);  ^ β€” An  Angel,  sardonyx; β€”  Bust 
of  Dante,  carnelian ;  β€”  Torquato  Tasso,  carnelian ;  β€” -  Pius  VL ;  β€” 
Qitherine  IL  ;  β€”  Endymion,  sardonyx;  β€”  Head  of  Apollo,  sard- 
onyx; β€”  Apollo  and  the  Muse  Euterpe,  sardonyx;  β€”  Head  of 
Mercury,  sardonyx  (2  var.);  β€” β–   Mercury,  carnelian;  β€” Nereid  and 
marine  bull,  antique  carnelian  ;  β€”  A  Muse,  yellow  carnelian  ;  β€” 
Head  of  Melpomene,  sardonyx ;  β€”  Head  oi  Niobe,  carnelian ;  β€” 
Ethodaea,  orThera,  sardonyx; β€”  Bacchus  and  a  Bacchante,  sard- 
onyx;   β€”    Head   of  Ariadne,  sardonyx;  β€”  Bacchante,    sardonyx 


./Google 


-  SSi  - 

(2  var.);  β€” β–   Bacchante  giving  drink  to  a  young  Paun,  sardonyx; 

β€”  Bacchant  and  Faun,  carnelian  and  sardonyx  (2  var.) ;  β€”  Faun, 
carnelian  and  sardonyx  (2  var.);  β€” Herakles  and  Omphale,  sard- 
onyx ;  β€” β–   Herakles  supporting  the  vanquished  Hippolyte,  sardonyx ; 

β€”  Herakles  seizing  the  Maenalian  hina,  sardonyx ;  --  -  Adonis,  clial- 
cedony  ; β€” β–   Cupid  and  Psyche,  carnelian;  β€”  Two  Cupids,  sard- 
onyx; β€”  Cupid  carrying  game  uponapeduni,  sardonyx;  β€”  Cupid 
in  a  car,  carnelian;  β€” A  young  Bride  with  the  pronuba,  sard- 
onyx; β€”  A  wounded  Amazon,  sardonyx; β€”  Head  of  Achilles,  sard- 
onyx; β€”  Bust  of  Diomedes,  carnelian;  β€”  Pylades  and  Orestes, 
sardonyx;  β€”  Iphigenia  in  Aulis,  sardonyx;  β€”Head  of  Alexander, 
sardonyx  (3  var.); β€”  Head  of  Sappho,  carnelian;  β€” Euripides, 
carnelian;  β€”  Perikles,  sardonyx;  β€”  Phocion,  sardonyx;  β€”  Head 
of  RoiTia,  carnelian  ;  β€” ^  Mars  descending  to  Rhea  Silvia,  carnelian; 

β€”  M.  T.  Cicero,  sardonyx;  β€”  A  conquered  Province,  sardonyx; 

β€”  A  Vestal,  sardonyx;  β€”  A  Roman  matron,  sardonyx ;  β€”  A  naval 
Victory,  carnelian;  β€”  Britannia  sacrificing  to  ^sculapius;  β€” 
General  Woife;  β€”  ANymph,  &c. 

Bibliography,  β€”  W.  Wroth,  Nathaniel  Marchant,  Diet.  Nat.  Biog.,  XXXVI. 

β€”  Kenyon,  op.  cit.  β€”  Ruding,  op.  cii.  β€”  Numismalic  journal,  II,  18.  β€”  Nagler, 
op.  cit.  β€”  Redgrave,  Dictionary  oj  Artists.  β€”  King,  Antiqitt  Gems  and  Rings,  1, 
446-7.  β€”  Gent.  Mag.,  1816,  I,  p.  377.  β€”  Marchanl's  Sale.  Catalogue  of  Books, 
London,  1816.  β€”  Raspe,  Descriptive  Catalogue  oj  Tassie's  Gems,  1791.  β€”  Babeloii, 
op.  cit.  β€”  Gray,  James  and  William  Tassie,  Edinburgh,  1887.  β€”  Renton,  intaglio 
Engraving  0}  Gems,  London,  1886.  β€”  Marchant,  A  Caiali^ie  of  one  hundred 
Impressions  oJ  Gems,  London,  1792- 

MARCHETTI,  GUSTAVE  HENRI  (French).  Contemporary  Scuiptor, 
born  at  Paris;  pupil  of  Jacques  Perrin.  He  is  the  author  of  numerous 
Portrait-medallions,  and  in  1894  exhibited  at  the  Salon  a  bronze 
plaque.  Carmen, 

MARCHIONNI,  LUIZ  (Span.).  Medallist,  and  Mint-engraver  at 
Madrid,  during  the  latter  end  of  the  reign  of  Isabel  II.,  the  Republic 
of  1868-1870,   Amadeo  I.,  and  early  part   of  Alfonso  XII.,  circ. 

1858-1875. 

I  have  noted  this  artist's  signature  on  the  following  coins  and 
medals  :  Isabel  II.  Af.  Dobloon  of  10  Escudos,  1865-1868  ;  β€” 
100  Reales,  i860  ;  β€” Dobloon  of  4  Escudos,  1865-68;  β€”  Dobloon 
of  2  Escudos,  1865-68;  β€”  2^.  Duro,  i860,  1865-68;  M.  Medio 
Duro,  1865-68  and  subsidiary  coinage.  M.  4,  2  and  one  Peso  for 
the  Philippine  Islands,  1861  ;  jR.  Peso,  |  Peso  and  lesser  denomi- 
nations, 1865-1868.  Provisional  Gwermmnt  (i^d^-i^-jo).  M.  100 
Pesetas,  1870,  and  various  Patterns ;  β€”  J?^.  Duro  of  5  Pesetas 
1869-1870;  β€”  3  Pesetas,  i  Peseta,  50  Centimes,  25,  and  20  Cen- 
times, 1868-1870;  β€”  jE.  10,5,   2   and  I  Centimos,  1868-1870 


Hosted  by  Google 


β€”  566  β€” 

(struck  at  Bai-colona,  modelled  by  A,  Dubois,  and  issued  by  Oes- 
cliger,  Mesdach  &:  C").  Amadeo  I.  M.  loo  Pesetas  1870;  β€”  25 
Pesetas,  1870;  JK.  5  Pesetas,  1871  (illustrated).  Alfonso  XII.  First 
Coinage. 


5  Pesetas,  1871,  of  Amadeo  I. 


Medals:  Prize  Medal  oftheCastilian  Exhibition  at  ValladoUd,  1859; 
β€”  Medal  of  the  Royal  Society  of  History  of  Spain,  1S60 ;  β€”  Inaugu- 
ration of  the  Mint  at  Manila,  1861  ;  β€”  Inauguration  of  the  works 
of  the  Tubular  Bridge  at  Manila,  1862;  β€”  Visit  of  Queen  Isabel  II. 
to  Seville,  1862;  β€”  Visit  of  T.R.H.  to  Ciudad  de  Jerez  dc  la 
Frontera,  1862 ;  β€”  Visit  of  the  Queen  and  her  Consort  to  the 
Madrid  Mint,  5.  December  1862  (signed:  L.  MARCHIONNI);  β€” 
Medal  of  the  Provisional  Government,  1868;  β€”  Accession  of 
Amadeo  I.,  1870,  etc. 

Bibliography.  β€”  A.  Heiss,  Monedas  Hispano-Crisliaiias,  Madrid,  1865.  β€” 
Calalogo  de  la  coleccion  de  Monedas  y  Midallas  de  Manuel  Vidal  Quadras  y  Ramon, 
Barcelona,  1S93. 

HARCINKOWSKI,  LADISL4S  (Pole).  Contemporary  Sculptor, 
born  at  Miesrkow  (Poland) ;  pupil  of  Godebski.  A  Portrait-medal 
of  D  Karel  Marcinkovi'ski^  of  Posen,  1891,  is  signed  :  MARCIN- 
KOWSKI  FCT.  At  the  Salon  ot  1885  he  exhibited  ten  Portrait- 
medallions  in  bronze,  and  in  1890,  one  of  M.  Paderewski. 

MARCIUS  CENSORINUS,  C.  (Rom.).  Mint-master  {Triumvir  mme- 
talis)  at  Rome,  circ.  B.C.  12. 

MARCOMBES,  LOUIS  {Swiss).  Secretary  of  the  Chambre  des 
Comptes  at  Geneva,  and  Mint-engraver  there  from  1720  to  1736. 
His  coins  bear  no  distinctive  mark. 


MARCOS,  SMILE  AUGDSTE  {French).  Contemporary  Gem-engraver 
and  Medallist,  born  at  Paris ;  pupil  of  Petremant  and  Vimont. 


,isdo/ Google 


β€”  5^7  β€” 

He  has  made  the  following  exhibits  at  the  Paris  Salons  :  ii?oi.  St. 
George,  intagUo,  engraving  on  rock-crystal; β€” β–   1902.  St.  George, 
medal;  β€”  1903-  Medal  of  the  "Aero-Club  de  France"  ;  β€”  La 
PSche,  intaglio-engraving  on  rock-crystal. 

Bibliography.  β€”  Catalogues  du  Sahn,  1901-1904.  β€”Rcvw  num.,  1905,  p-  7;- 
β€”  Revue  de  V Art  anckn  d  viodevne,  1903,  11,24. 

MARCOS  &  Co  (Anier).  New  York  Die-sinkers,  by  whom  is  the 
W.  H.  Nicbols  medal  of  the  American  Chemical  Society,  with 
portrait  of  Johann  Faust  (Goethe's  alchemist)  in  his  laboratory,  which 
was  designed  by  FI.  B.  Waechsler  and  H.  M.  Joch. 

MAREIL,  BERTRAND  DE  {French).  Mint-engraver  at  Amiens, 
1499-1501.  His  successor  was  Hugues  de  Bailly, 

MARES,  F.  H.  (Brit.).  Die-sinker  of  Dublin,  who  in  1868  cut  a 
medal  on  the  Visit  of  the  Prince  of  Wales  (Edward  VII.)  to 
Ireland. 

MARENZ,  DAVID  MICHAEL  (Germ.).  Mint-warden  at  Ratlsbon, 
1761,  A  Medallist  of  the  name  of  Mare nz  is  given  by  Bolzenthal, 
in  his  list  of  German  Engravers  of  the  second  half  of  the  eighteenth 
century,  but  I  do  nor  know  whether  he  was  the  same  person  as  David 
Michael  Marenz. 

MARENDE,  ANTOINE  {French).  Goldsmith,  and  Mint-master  at 
Bourg,  15 16-1520. 

MARENDE,  HENRI  DE  {French).  Mint-warden  in  Brabant,  1467- 
1469. 

MARENDE,  JEAN  {French).  Goldsmith  of  Bourg-cn-Brcssc,  who 
in  1502  executed  the  large  medal  cast  in  gold  (weighing  490 
grammes)  with  portraits  of  Phihbert  the  Fair  and  Margaret  of 
Austria  (obv,  illustrated)  which  was  presented  to  these  Princes  by 
the  town  of  Bourg  on  their  visit  there.  "La  medaille  de  Philibert 
le  Beau  et  de  Marguerite  d'Autriche",  says  Rondot,  "  aus  bustes 
aifront^s  et  au  champ  sem^  de  devises  est  le  produit  d'un  art 
savant ;  elle  a  I'originalite,  I'harmonie  et  I'il^gance,  sans  qu'il 
paraisse  qu'aucun  effort  ait  itt  fait  pour  les  obtenir,  Elle  a  cette 
particularity  que,  sur  d'anciens  exeniplaires,  les  fonds  ont  et6  revetus 
d'un  email  opaque  de  couleur." 

A  lead  proof  of  Marende's  first  design  of  this  medal  is  still  in 
existence. 

Specimens  in  bronze  now  and  then  turn  up  at  auction  sales ;  the 
one  reproduced  above  was  formerly  in  the  collection  of  D'  Belli  of 


>stsd  by  Google 


-   S68- 

Frankfort-on-Main,  sold  in   1905,  and  now  in  tlic  possession  of 
M.  Gallet,  of  La  Chaiix-de-Fonds. 


I'  - 


of  Medallion  of  Philibert  the  Fair  and  Margar 


.  of  Aiisti 


Bibliography. β€”  Natalis  Rondot,  Jean  Marende  et  la  medaille  de  PUliba-t  h  Rean 
el  de  Marguerite  d'Autriche,  1885.  β€”  Ibid.,  Les  orfivres  de  Lyon,  p.  50.  β€” Ibid., 
I.es  MidaiiUurs  lyonnais,  1896.  β€”  Mazerolk,  o/>.  cH.  β€”  Domanig,  op,  cit.  β€”  Blan- 
chet,  op,  oil.  β€”  Armand,  op.  cil.,  I,  113.  β€”  T.  Whitcombe  Greene,  Tlie Medallion 
of  Philibert  the  Fair  of  Savoy  and  Margaret  oj  Austria,  Num.  Cliron.,  1883. 

MARESCHAL,  rRANgOIS  LE  (French).  Goldsmith  at  Lyons  in  1448 
and  Grenoble  in  1452,  who  on  13,  October  1453  was  appointed 
by  the  Dauphin,  Engraver  to  the  Mints  of  Cr^mieu,Monrdiniar  and 
Romans.  He  was  still  in  office  in  1463. 

BiBUOGHAPHY.  β€”  Rondot  &  De  La  Tour,  op.  sit.  β€”  Rondot,  Les  oifevres  de 

MARESCHAL,  PIERRE  LE(French).  Goldsmith  of  Troyes, appointed 
Mint-master  for  the  gold  coinage  in  1338. 


,stsd  by  Google 


β€”  5^9  β€” 
MARESCOTTI,  ANTONIO  (ltd.).  Mediillist  of  tlie  seraiid  and  third 
quarters  of  the  fifteenth  century,  about  whom,  unfortunately,  very 
little  is  known,  beyond  that  he  was  one  of  the  cleverest  of  early 
artists  which  Italy  has  produced  in  that  particular  branch,  and  that 
he  resided  at  Ferrara.  The  seven  medals  which  bear  his  signature 
are  dated  between  1446  and  1462  :  Giovanni  da  Tossignano,  bishop 
of  Ferrara,  f  1436;  diam.  90  mill.;  signed  MARE  SCOTVS  and 
dated  :  MCCCC β€” XLVI;  β€”  Antonio  Marescotti,  probably  a  rela- 
tive of  the  medallist,  1448.  I^.  MEMORIA-DE' ANTONIO* 
MARESCOTO-DA'FEIWRA;  diam.  44  mill.  (An  unpublished 
variety   ot   this    medal    is    in    the   British   Museum    Collection). 


by  Marescotti. 


β€”  Galeazzo  Marescotti,  Bolognese  senator  (1407-1503).  ^ 
LOIALMENT  :  SENS:  DOTIER  :  ANTONIVS' MARESCOTTI 
F. ;  diam.  96  mill. ;  β€”  Galeazzo  Maria  Sforza,  Duke  of  Milan 
I^.  OPVS-MARESCOTI-PERRARIENSIS-MCCCCLVII.  Sun: 
diam.  50  mill.;  β€”  Borso  d'Esic  L,  Duke  of  Ferrara.  I^.  OPVS- 
ANTONII-MARESCOTI'DE-FERRARIA.  Unicorn;  ex.  ; 
MCCCLX ;  diam.  64  mill. ;  β–  β€”  San  Bernardino  of  Siena.  '^.  MANX- 
FESTAVrNOMEN-TVVM-HOMINIBVS  β€”  ANTONIO -MA' 
RESCOTO-DA-FERRARA-F. ;  diam.  77  mill.  {obv.  illustrated) 

β€”  Another;  ^.  plain;  β€”  Fra  Paolo  Veneziano.  Ri..  HOC' VIRTV- 

tis-opvs~opVs  ANTHONII  MARESCOTO  DE  ferraria. 

Paolo  Veneziano  seated  in  armchair,  on  which  is  inscribed  the  date : 
MCCCCLXII;  diam.  105  mill.,  etc. 

Two  varieties  exist  of  the  St.  Bernardine  medal,  which  is 
undoubtedly  the  best  production  of  the  artist,  and  offers  a  remark- 
able portrait  of  the  ascetic  reformer  of  the  Franciscan  order.  It  was 


>stsd  by  Google 


Giovanni  da  Tossigttano. 


,  Google 


~  57f  β€” 
executed  after  his  canonization  in  1450,  and  perhaps  from  memory. 
"All  the  works  of  Marescotti ",  says  von  Fabriczy,  "show 
something  of  the  severe  realism,  the  strong  modelling  of  Pisanello. 
Although  in  this  atnong  all  Pisanello's  successors  he  approaches 
nearest  to  the  master,  nevertheless  he  is  far  from  attaining  the 
grand  style,  the  monumental  conception,  which  go  hand  in  hand 
with  these  qualities  in  the  Veronese.  The  insignificant  reverses 
cannot  in  the  least  compare  with  Pisanello's,  either  in  choice  ot 
subject,  in  concentration  of  composition,  or,  finally,  in  the  mighty 
cast  of  the  figures.  They  display  for  the  most  part  nothing  but 
emblems  :  thus  the  medal  of  San  Bernardino  bears  only  the  so- 
called  Chrism  of  his  order,  the  monogram  of  the  Saviour  (Y .  H ,  S.) 
enclosed  in  a  nimbus  of  flames.  " 

As  von  Fabriczy  remarks,  Marescotti's  style  is  closely  allied  to 
that  of  Pisanello,  except  that  it  lacks  in  grandeur  and  power,  and 
that  his  reverses  are  of  commonplace  design. 

Bibliography.  β€”  A.  Heiss,  Les  MMailleiirs  de  la  Renaissance,  Paris,  1883.  β€” 
C.  von  Fabriczy,  Medaillen  der  itaUenhdien  ifenaifjanee, Leipzig,  190a.  β€”  Armand, 
op.  cit.,  I,  28 ;  II,  286  ;  III,  5.  β€”  T.  B.  Supino,  II  MsdagUeri  Mediceo,  Firen^e, 
1899.  β€”  Friedliinder,  Die  ilalienischen  SclmintUnieTi,  Berlin,  1882.  β€”  Tr^sor,  MM. 
ital.  β€”  Mazzuchelli,  op.  cit.  β€”  Aramon,  op.  dt.,  n"  70.  β€”  Bolzentiial,  op.  cit.  ~ 
Revue  beige  de  numismaiiqiie,  1884,  p.  8. 

MAREY,  CHARLES  (French).  Engraver  and  Editor  of  medals,born  at 
Issy-les- Moulin eaux,  on  31.  December  i860,  and  since  1886  in 
business  at  Paris  (44,  Quai  des  Orfevres).  By  him  is  a  Jeton,  struck 
after  1890,  of  the  "  Compagnie  des  Mines  de  la  Grand'Combe  ", 
and  a  Souvenir  I^laquctte  ot  the  Macon  Rifle  Meeting,  1903. 


Souvenir  PJaquette  of  the  fficon  Rifle  Meeting,  igoj. 

MARGALIK,  CHRISTOPH  (Bchem.).  Mint-master  at  Prague,  1656- 
1668.  His  privy  mark  is  an  anchorwithin  a  circle,  which  occurs  on 
Kreuzers  and  Groschen,  1655-57,  '0  Ducat  piece  of  Leopold,  1663, 
Groschen,  Kreuzers,  Half  Kreuzers,  Funfzehners,  Scchsers,  and 
Hellers,  1657-1668. 

BiBLioGRAPHV.  β€”  E.  Fiala,  op.  cit. 


,stsd  by  Google 


MARGEBI  (Frmch).  Medal-manufacturer  ac  Lyons,  circ.  1848. 
Amongst  his  issues  is  a  commemorative  medal  of  the  Revolu- 
tion of  February  1848,  engraved  by  Pennin,  and  reproduced  in  De 
Saulcy,  Souvenirs  numismatiques ,  &c.,  PI.  XVIII,  8. 

MARGUES,  FRANCOIS  DE  (French).  Savoyard  Mint-engraver  at 
Cornavin  (Geneva),  1529. 

MARI  (Greek  ?)  This  signature,  probably  a  fictitious  one,  occurs 
on  a  gem  representing  Bacchus,  nude,  leaning  upoQ  his  thyrsus, 
and  emptying  his  goblet;  a  panther  at  his  feet.  It  is  perhaps  a  work 
of  Giovanni  Maria  of  Mantua. 

MARIA,  PIETRO,  DA  PESCIA  Vide  PESCIA.  Florentine  Gem-engrav- 
er, who  worked  at  Rome  for  Leo  X.,  and  was  a  friend  of  Michael 
Angelo. 

MARIA  GIOVANNI  (Ila!.).  Gem-engraver  of  Mantua,  one  of  the 
four  artists  whom  Camillo  Leonardi  (writing  in  1502)  praises  as 
equal  to  any  of  the  ancients  in  their  profession . 

MARIA  FEODOROWNA  (Fide  Vol.  II,  p.  79).  Czarina  of  Russia, 
widow  of  Paul,  and  a  Gem-and  Medal-engraver  of  the  first  quarter 
of  the  nineteenth  century;  she  died  5.  November  1828.  Her 
Portrait-medal  of  her  son,  the  Czar  Alexander  I., and  her  Portrait- 
cameos  of  various  members  of  the  Imperial  family,  are  well-known. 

HARIANI,  CAMILLO  (liaL).  Medallist,  born  at  Vicenza  in  1565, 
died  at  Rome  in  161 1.  By  him  are  the  following  medals  :  CorneUo 
Gallo ;  β€”  Quinto  Remio  Palemone  ;  β€” β–   Allieno  Cecina  (a  satirical 
piece)  ;  β€” β–   Alferisio,  conte  di  Vicenza ;  β€”  Frate  Giovanni  da  Schio ; 
β€”  Alberto  Marano;  β€” Girolamo  Gualdo,  &c. 

Bibliography.  β€”  Bernardo  Morsolin,  Camilki  Mariant,  coniatore  diniedagUe, 
Milano,  1891.  β€”  Ibid.,  Una  mfdagUa  salirica  di  Camillo  Manani,  Riv.  ital.  d[ 
num.,  1896,  p.  79.  β€”  Ibid.,  11  Museo  Gualdo  in  Ficeiiia,  1B94, 

MARIETTI,  ERNEST  (French).  Contemporary  Sculptor,  born  at 
Paris ;  pupil  of  Rude.  At  the  Salon  of  1883  he  exhibited  a  silvered 
bronze  medallion  representing  a  head  of  the  Republic. 

MABILLAC,  GDILLAUME  DE  (French).  Superintendent  of  the  Paris 
"Mill",  and  Mint-master-general,  circ.  1551-1555.  Accompanied 
by  a  clever  workman  of  Lyons,  Aubin  Olivier,  he  was  sent  to 
Germany  in  155 1  tostudy  the  new  coining-machinery  by  the  mill- 
process,  just  introduced  at  Augsburg  and  other  towns. 

Bibliography.  β€”  MazeroUe,  op.  cit. 

MARIN.  GIUSEPPE  (Ital.).  A  young  Sculptor  of  Triest,  by  whom 
is  a  Portrait-medallion  of  the  late  D"^  Brettauer  (size  :  2.2  in.; 
signed  G,M.),  with  a  dedicatory  inscription  on  the  reverse. 


,/ Google 


MARINAS,  A.  (Span.').  Contemporary  Sculptor  and  Medallist,  by 
whom   are   a  series  or   medals  commemorating  the   Marriage   of 


Marriage  Medil  of  King  Altoti'io  XIII.,  1906. 

Alfonso  XIII.  and  Princess  Ena  of  Battenberg,  1 906.  These  raedalt. 
were  issued  by  the  firm  of  Alvarez  &  C"  at  Bilbao. 


./Google 


MARIN,  PIERRE  (French).  Mint-m,ister  at  Montelimar,  1523- 
152S. 

MARINO,  ANTONIO  (IlaL).  Mint-master  at  Venice,  1570-1572. 
Privy  mark  :  A.M. 

MARINUS, EGBERTUS  (Dutch).  Mint-master  at  Gronlngen,  1690. 

MARINUS,  HERBERT  (Dutch).  Mint-master  in  Friesland,  1704- 
1719. 

MARION,  JEAN  (French).  Mint-engraver  at  Grenoble  from  1503 
to  1522.  On  7.  February  1521  (1522)  Jacques  Gauvain  was 
appointed  in  his  stead,   but  we  find  him  again  in  office,  1526-27. 

Bini.iooRAPHY.  β–  β€”  Rondot,  op.  dl.  β€”  Ibid.,  Jacques  Gauvain. 

MARIOTON,  ALFRED  (French).  Contemporary  Scnlptor,  pupil  of 
Claudius  Marioton,  Valton,  and  Levasseur.  By  him  is  aPortrait- 
med^iUion  of  M.  Claudius  Marioton,  1882. 

MARIOTON,  CI.AUDIDS  (French).  Contempor^iry  Sculptor  and 
Medallist,  born  at  Paris  on  February  2.,  1844;  pupil  of  Dumont 
and  the  Ecole  des  Beaux-Arts,  also  of  Jules  Gabriel  Thomas,  and 
Levasseur. 

Amongst  his  medalHc  productions  are  :  Portrait-medallion  of 
M""  V***,  1874;  β€”  -  Sir  James  Sivewright;  β€”  Lady  Sivewright;  β€” 
Valere  Mabelle;  β€”  Musiquc  des  Champs,  1893;  β€”  Female 
restraining  lion ;  β€”  Female  caressing  goat ;  β€”  Christ  on  the  cross, 
medalet;  β€”  L'Urbaine,  jeton ;  β€”  C,  Marioton ;  β€”  D'  Outin  ;  β€” 
M"'  C.  Marioton ;  β€”  Etienne  Charboniiier ;  β€”  Return  of  Spring ; 
β€”  Mβ„’'  J*** ;  β€”  Portraits  of  the  artist's  Father,  Mother  and 
Daughter  (Plaquettes  and  Medals); β€”  Old  Farmhouse; β€” D^'G.  L. 
Morel;  β€”  Rustic  music;  β–  β€”  Offensive  et  Defensive;  ~J.  Guillou, 
Portrait-medallion;  β€”  1895.  M.  Pelliot;  β€”  1897.  Sympathie,  pla- 
quette,  in  gold  and  silver;  β€”  Two  medals  of  the  Insurance  Com- 
pany "L'Urbaine";  β€”  1898.  Bonne  ann^e,  chased  plaquette  in 
gilt  bronze;  β€”  1899.  M.  Emile  Colin,  plaqiiette;  β€” Oifensive;  β€” 
Defensive  ;  β€”  Musique  pastorale;  β€”  Jeunesse  et  Seduction. 

Some  of  these  medals  exhibit  very  fine  work. 

Bibliography.  β€”  R.  Marx,  MidaiUeiirs  fraiifais,  1889.  β€”  Ibid.,  Midailkurs 
cantemparaim,  1897.  β€”  Catahpwdu  Salon,  1905. 

MARIOTON,  EIIGΒ£KE  (French).  Contemporary  Sculptor,  born  at 
Paris,  pupil  of  Dumont,  Thomas,  and  fionnassieux.  In  1890  he 
exhibited  a  Portrair-medaiilon  of  himself. 

MARIOS  (IlaL).  Medallist,  who  was  working  about  1560.  The 
signature  MARIVS  occurs  on  a  Portrait-medal  of  Jean  Parlsot  de  la 


>sted  by  Google 


β€”  575  β€” 
Valette,  Grand-Master  of  Maira  (i^jy-f  1568);  i^,  HABEOTE" 
Elephant,  &c, ;  diani.  59  mill.  On  a  medal  of  Giulia  Pratonien,  of 
Reggio,  in  the  Vienna  Museum,  the  obv.  legend  ends  in  :  PETllVS " 
MARIVS;  diam.  68  mill.  Armand  suggests  the  attribution  of  this 
piece  to  the  same  artist. 
Bibliography.  β€”  Armand,  vp.  cit. ,  I,  220  ;  III,  102.  β€”  I.  B.  Supino,  op.  cU,, 

MARIUS  C.  F.  TROMEKTINA,  C.  (Rom.).  Mint-master  (Triumvir 
monetalis)  at  Rome,  circ.  B.  C.  17. 

MARIZ  (^Mj/r.).  Moneyer  at  Vienna;  f  26.  March  1411. 

MARK,  HANNS  ULRICH(v4!Β«fr.).  Mint-masteratGratz;i"  3- January 
1655.  His  initials  MHV  in  monogram  occur  on  Thalers  of  r  648  and 
1649. 

Bibliography.  β€”  Th.  Unger,  Kleine  Beitrage  jur  Miin^kunde  des  Kronlandes 
Stdermark,  Mitlii.  des  Klubs,  &c.,  1890,  p.  ij. 

MARKOWITSCH  und  SCHEID  (Austr.).  A  Firm  of  PuUishers  of 
medals  at  Vienna,  by  whom  are  :  Commemorative  medal  of  the 
Silver  Wedding  of  Francis  Joseph  and  Elizabeth  of  Austria,  1879 ; 
β€”  Inauguration  of  the  "  Votivkirche  "  at  Vienna,  1879,  &c. 

MABKOWITZ  (Hung.').  Editor  ot  medals,  residing  at  Pest,  By  him 
is  a  commemorative  medal  of  the  "Trooping  of  the  Colours"  at 
Budapest  in  the  presence  of  the  Archduke  Francis  Ferdinand  ot 
Este,  1892,  and  others. 

MARKS  (Brit.).  Contemporary  Sculptor  and  Modeller,  who 
exhibited  at  the  Royal  Academy,  1899,  a  Portrait-medallion  and 
various  other  decorative  works. 


MARQUES,  AMARO(Por;w^.).  Mint-engraver  at  Lisbon;  he  enter- 
ed the  Mint  as  an  apprentice  on  12.  December  173 1,  under  his 
uncle  Domingos  Marques  Ouaresma;  in  1736,  he  became 
Assistant- en  graver,  and  in  1753  be  was  called  upon  to  fill  the  post 
left  vacant  by  the  death  of  Quaresma.  On  the  death  of  Bernardo 
Jorge  he  was  promoted  to  the  office  of  second  Engraver,  1 1 .  August 
1771.  He  died  on  28.  September  1797. 

Bibliography.  β€”  Aragao,  Descripciio  das  Moedas  de  Portugal,  Lisbon,   1874. 

MARL,  FRIEDRICH  (Germ.).  Medallist  of  the  first  half  of  the 
eighteenth  century;  a  pupil  of  Raimund  Faltz,  "  of  whose  dies  he 
became  possessed  on  his  death".  He  worked  for  the  Berlin  Mint, 
and  was  appointed  Chief  Medallist  to  the  King  of  Prussia.  He  died 
in  1743.  This  artist's  earliest  works  date  from  1704.  One  of  his 
medals,  signed :  P,  MARL  and  commemorating  the  Alliance  of  William 


,stsd  by  Google 


β€”  576  β€” 

of  Orange  with  the  Elector  of  Brandenburg 
from  a  die  by  Faltz,  and  was  not  struck  bi 
signature  is  :  F,  MARL  ;  β€”  F.  M ;  β€”  M  ;  o 
ot  the  BerHn  Academy  of  Sciences,   171 
Berlin;  β€”  Marriage  of  King  Frederick  I. 
Louise,  Princess  of  Mecklenburg,  1708; 
bust  of  Charles  XII.,  1709  (illustrated); 


^  in  1688,  is  really  a  copy 
lefore  1704.  Marl's  usual 
,  /6.  By  him  are  :  Medal 
;  β€”  Aggrandizement  of 
of  Prussia  with  Sophie 
Peace  of  Brcslau,  with 
Princess  Johanna  Char- 


Peace  of  Breslau,  1709. 

Jotte  of  Anhalt,  elected  Abbess  of  Herford,  4.  February  1729  ;  - β€” 
Marriage  of  Princess  Charlotte  of  Prussia  with  Duke  Charles  of 
Brunswick-Luneburg,  1733  ;  β€” β–   Portrait-medal  ot  King  Frederick 
William  of  Prussia,  17 19  (diam.  130  mill. ;  A;  weight :  584  grs); 
β€”  Frederick  William  and  his  Queen  Sophia  Dorothea  (1715);  β€” 
Birth  of  Prince  Frederick  William  (later  Frederick  the  Great), 
24.  January  1712,  &c. 

He  also  engraved  coin-dies  for  Frederick  I.  and  Frederick 
William  I.,  signed  M. 

Bolzenthal  says  of  Marl  that  he  was  not  a  talended  artist  and 
that  he  stood  on  a  level  with  C.  F.  Laders  for  the  merit  of  his 
work. 

BiBUOGRAPHY.  β€”  Bolzeathal,  op.  cit.  β€”  Animon,  op.  dl.  β€”  Dr  Menadier, 
Schattmiinien  des  Haiises  Hoheniolkrn,  igoi.  β€”  Von  Sdironer,  Das  Preussisdis 
Munxviiien,  Berlin,  1902.  β€”  Franks  aod  Grueber,  op.  cU.  β€”  Flad,  Beruhmte 
Medailleiir.  β€”  Lohner,  Medaillen-Saminhiiig,    &c. 

MABMfi,  JOHANN  CHRISTIAN  (Germ.).  Mint-engraver  and  Medal- 
list at  Cleves,  1741-1757.  According  to  I.  V.  Kull  he  worked  also 
as  Mint-engraver  at  Dusseldorf,  1737-1750;  and  Ammon  states  that 
his  signature  occurs  on  Ducats  of  Wied,  1744,  and  currency 
of  the  Elector  Palatine,  1737,  1749,  &c.  He  executed  commemo- 
rative medals  of  the  Treaties  of  Dresden  and  Aix-la-Chapelle. 
His  best  known  works  are  :  Peace  of  Dresden,  1745  ;  β€”  Peace  of 


./Google 


-  577  - 
Aix-la-Ch^pelle,  1748  (signed  :  MABME  F. ;  2  or  3  var.);  β€”Frede- 
rick Alexander,  Count  of  Wied,  1738  (Obv.  iM;  ^.  MARME);  β€” 
Frederick  the  Great,  Victory  of  Lobosit^,  i.  October  1756  (Obv. 
GRAVΒ£  PAR  MARMfi;  ^.  M);  β€”  Silver  Wedding  of  C.  H.  van 
Leeuwen,  burgomaster  of  Brielle,  and  A.  van  Bucren,  1759;  β€” 
Golden  Wedding  of  Jan  Jacob  Westrenen  and  Johanna  Catharina 
Mamuchet  van  Houdringe,  1759  ;  β€”  To  the  Prosperity  of  the  city 
of  Utrecht,  1768;  β€”  Marriage  of  Prince  William  V,,  1767;  β€” 
Peace  of  Dresden,  1745  (Obv.  MARME  F.  ^L.  M*  FECIT*);  β€” 
Portrait  of  Prince  Hendrik  Friso  of  Orange,  on  his  elevation  to  the 
stadholderate,  1747  (sev.  var.);  β€”  Medal  of  the  City  of  Amster- 
dam (The  Maid  of  Amsterdam),  1747;  β€”  Prize  Medal  ofHerto- 
genboschon  the  Peace  of  Aix- la-Chape  lie,  1748  ;  β€” -The  Company 
of  the  Swarte  Knegien,  1759;  ^  Flourishing  state  of  the  City  oi 
Utrecht,  1765 ;  β€”  Prize  Medal  of  The  Hague  Drawing  Academy, 
17S0;  β€”  Silver  Wedding  of  Gerrit  Blaauw  and  Maria  Agnata  van 
Heyst,  1755  ;  β€”  Silver  Wedding  of  Frederik  Cramer  and  Elisabeth 
van  Houten,  1757;  β€”  Golden  Wedding  of  Pleter  van  Schoon- 
hovcn  and  Maria  Anna  Witheyn,  1758,  &c. 


Biiitlc  of  LobositK,  1756. 

He  engraved  also  :  Double  Fredericks  d'or,  1752,  i753  J  β€”  I"'*'^" 
dericks  d'or,  1751-55;β€”  Half  Fredericks  d'or,  1753; β€” Thalers, 
1751-1753  ;-- Half  Thalers,  1751 ;  β€”  Half  Gulden,i755 ;β€” |  Tha- 
lers, 1751-57;  β€”  j| Thalers,  1741,  1751-1755;  β€”  Gute  Groschen, 
1751.   1753-55 ; β€”  Sechser,  1740-49. 

Bibliography.  β€”  Bolzenthal,  op.  cil.  β€”  Ammon,  op.  at.  β€”  Df  Menadier 
op.  cil.  β€”  Fiala,  op.  cit.  β€”  Franks  and  Grueber,  op.  cit.  β€”  Madai,  Tliakr  CaUnet 
nΒ°  5508.  β€”  Exeter,  Versuch  einer  Sammlung  von  ChurpfdlihdsmMunim. 

MARMfe,  J.  W.  (Germ.).  Medallist  of  the  third  quarter  of  th{ 
eighteenth  century,  and  perhaps  a  relative  of  the  last.  By  him  are  ; 
Golden  Wedding  of  I.  I.    van   Westreven  and    I.C.   Mamuchet. 

L.  FoBBEn,  β€”  Blos'iipWcfl  Nol-ia  of  Midallhls.  β€”  ni.  37 


./Google 


-  S78  ~ 
1759  ;  β€”  Portrait-med:il  of  Prince  Hendrik   FrUo  of  Orange;  β€” 
Marriage  of  Prince  William  V.  of  Orange  with  Princess  Prederikii 
Sophia  Wilhelniina  of  Prussia,  1766. 

This  Engraver's  medals  are  all  connected  with  Holland. 

MARMITTA  (or  MARMITA)  the  Elder(/(fl/.).  Painter,  Gem-engraver, 
and  Medallist,  of  Parraa,  first  part  of  the  sixteenth  century.  Pupil 
of  the  painter  and  sculptor,  Francesco.  He  is  said  to  have  excelled 
in  engraving  gems  after  the  antique,  and  to  have  produced  some 
works  of  note. 

BiBLiOGRftPHY.  β€”  Marictte,  Hisloire  des graveurs  en  plcrres  fines,  3750, 

MARMITTA,  LXIIGI  (llal.).  Son  of  the  last,  and  also  a  Painter, 
Gem-engraver,  and  Medallist.  He  was  better  known  by  the  name 
of  LUDOVICO  DA  PARMA,  and,  as  an  artist,  greatly  surpassed  his 
father.  We  learn  from  Vasari  that  he  was  in  the  service  of  Cardinal 
Salviati  at  Rome,  where  he  distinguished  himself  by  his  extraor- 
dinary talent,  at  a  period  when  nothing  mediocre  would  have  pass- 
ed muster  there.  He  engraved  crystal  and  gems  in  intagUo  and 
cameo,  his  most  famous  work  being  a  cameo  of  Socrates,  but  he  did 
not  confine  himself  to  this  branch  of  art,  as  is  proved  by  the  medals  "of 
his  own  invention  "  which  he  executed.  Bolzenthal  mentions  that 
"some  medals  of  Gregory  XIII.  and  Urban  VII.  have  been  attributed 
to  this  artist,  but  no  doubt  in  error,  as  it  is  hardly  to  be  supposed 
that  he  lived  and  worked  until  the  time  of  these  poniiifs".  King 
further  states  that  Marmitta  abandoned  gem-engraving  tor  the  more 
profitable  trade  of  making  dies  for  imitations  of  ancient  coins. 

Luigi  Marmitta  executed  many  cameos  in  imitation  of  the  antique, 
which  were  sometimes  bought  as  antique;  one  of  the  most 
remarkable  is  that  with  a  bust  of  Commodus,  which  Mariette 
describes  from  the  Zanetti  collection. 

Bibliography.  β€”  Bolzeiiihal,  op.  ell.  β€”  King,  Antique  Gems,  i860,  p.  265.  β€” 
Babeloii,  P'lerres  gravces,  189J.  β€” β–   V;isari,  op.  cit.  β€”  Nagkr,  Kiimiler-Lexikofi. 
β€”  Mariette,  op.  cil. 

MARNAS,  BARTHfiLEMY  DE  (French).  Mint-master,  appointed  in 
1593  by  Henry  IV,,  at  Montelimar,  during  the  League;  he  issued 
Douzains  in  the  name  of  Henry  IV.  in  the  last  months  of  1593  and 
beginning  of  1594, 

Bibliography.  β€”  E.  Faivrc,  op.  cil. 

MAROILLES,  JEAN  DE  {French).  Goldsmith,  and  Mint-engraver  a: 
Valenciennes,  1368. 

MARQUARD,  CONRAD  (Germ.).  Mint-master  at  Nordbausen, 
1624. 


,stsd  by  Google 


MARQUARD,  MICHAEL  CHRIST.  (Genu.).  Suponor  Official  at  the 
Mint  of  Kreranitz,  c/Vc.  1718. 

MARQUART,  JEAN  BAPTISTE  (Belg.).  A ss aye r- general  to  the 
government  of  the  Netherlands,  appointed  on  7.  June,  1745-  At 
various  times  he  was  instructed  to  make  stamps,  seals  &c,  In  con- 
nection with  his  office, 

MARQUART,  J.  B.  C.  {Belg.).  Son  of  the  last;  studied  metallurgy 
under  his  father,  and  was  sent  by  the  government  of  the  Nether- 
lands to  learn  medal-engraving  at  the  Vienna  Mint.  Returning  after 
a  few  months'  stay  in  Austria,  he  went  to  Paris  where  he  resided  for 
thirteen  years.  We  then  find  him  filling  an  official  post  in  govern- 
ment mining  works  in  Hungary,  and  in  1764,  appointed  Warden 
of  the  Brussels  Mint.  Pincharr  describes  a  medal  by  him,  probably 
executed  in  Austria,  of  the  Archduke  Joseph,  dated  1755,  and 
signed  :  MARQVART  F. 

Bibliography.  β€”  A.  Pinchari,  Hiiloire  de  la  grainire  des  mhkiilks  en  Bclgigm, 
1S70.  β€”  Revue  beige  de  niimismalique,  1896,  pp.  140,  249,  269. 

MARQUE,  GAILLABD  DE  {French).  Mint-engraver  at  Toulouse, 
appointed  in  March,  1533. 

MARQUES,  ANTONIO  {Portiig.).  Mint-master  and  Engraver  at  Goa, 
1525-26. 

MARQUES,  ANTONIO  JOSfi  {Poring.).  Son  and  pupil  of  Amaro 
Marques,  and  Assistant-engraver  at  the  Lisbon  Mint,  1758- 
t  1780. 

MARQUES,  JOSE  {Poring.).  Mint-master  at  Lisbon,  1794. 

MARQUES  (or  MARQUE)  PIERRE  {French).  Mint-engraver  at 
Angers,  1461-1469;  also  Mint-assayer  and  Engraver  a r  Bordeaux. 

MAROTTE,  LfiON  VICTOR  {French).  Contemporary  Sculptor,  born 
at  Paris ;  pupil  of  A.  Lansoji,  and  Pecou.  At  the  Salon  of  1896  he 
exhibited  a  Portrait-medallion  of  Henri  Bricre  ;  β€”  1S99.  Portrait 
de  ma  fille;  β€”  1901.  Mon  Ami  B***,  &c. 

MARRAC,  JEHAN  DE  {French).  Mint-master  at  Bayonne,  circ. 
1508-1515.  Privy  mark  :  a  pellet  between  anchor  and  crossiet. 

MARREL  (French).  Medalhst  and  Engraver  of  the  middle  of  the 
nineteenth  century.  He  took  part  in  the  competition  for  the  coinage 


./Google 


β€”  5f^o  β€”     . 

of  the  Second  Republic,   1848,  and  executed  Pattern  20  Francs  in 
AT,  5  Francs  in  ^.,  and  10  Centimes  in  JE. 


Obv.  of  Pjtlern  5  Francs,  by  Mar 


Bibliography.  β€”  De  Saulcy,  cp.  cit. 

MARRETTA,  GIROLAMO  (Jto/.).  Goldsmith  of  the  first  half  of  the 
sixteenth  century,  whose  name  is  mentioned  by  Bolzenthal,  as  one 
of  the  Medallists  of  that  period. 

MARRIAN  AND  GAUSBY  (Brit.).  Die-sinters  of  Birmingham,  dur- 
ing the  early  portion  of  Queen  Victoria's  reign.  They  issued  a  series 
of  Pattern  pieces,  comprising  ;  10,  5,  2  and  i  Cents,  1846  in  N, 
JB^.  and  S.  (of  which  many  restrikes  exist);  β– β€”  One  Centum, 
1846,  in  tin,  &c.  All  these  patterns  read  :  MARRIAN  &  GAUSBY.D. 
BIRM.  beneath  the  head  of  the  Queen,  and  the  legend  on  Ei.  is  : 
SMITH  ON  DECIMAL  CURRENCY  1846. 

Bibliography,  β€”  S.  M.  Spink,  Catalogue  of  Mr.  Montagu's  CoUecHon  of  Coins 
from  George  I.  to  Victoria,  London,  1890. 

MARSCHALL,  D^  GOTTFRIED  (Auslr.).  Publisher  of  a  medal, 
engraved  by  Leisek,  on  the  Jubilee  of  H.  H.  Pope  Leo  XIIL, 
1893. 

MARSCHALL,  RUDOLPH  FERDINAND  (Justr.').  Contemporary 
Medallist,  born  at  Vienna  on  the  3"'  ot  December  1873  ;  studied  at 
the  School  of  Engraving  nnder  Professors  Schwarz,Schulmeister,  sad 
Zapf.  In  1891  he  was  awarded  a  First  Prize  (silver  medal)  by  the 
Commercial  and  Industrial  Institute  of  Lower- Austria ;  then  the 
bronze  and  silver  medals  of  the  Engravers'  Association,  for  model- 
ling, drawing  and  engraving.  After  an  absence  ol  some  duration, 
during  which  Marshall  visited  the  principal  artistic  centres  of 
Europe,  he  returned  to  Vienna,  and  became  a  pupil  of  the  Aca- 
demy ol  Decorative  Arts,  devoting  three  years  to  the  study  of  medallic 
art  under  the  special  supervision  of  Prof.  Tautenhayn.  During  that 
time,  he  obtained  numerous  prizes,  amongst  which  the  gold  Fuger 
Medal.  In  1898  he  left  the  Academy,  and  has  since  produced  numer- 


lo.tedo/Googlc 


-  s8i  - 

ous  works,  not  only  in  medallic  art,  but  also  in  sculpture  and  stat- 
uary. 

The  following  are  Marschall's  best  known  medallic  produc- 
tions :  1893.  Silver  Wedding  ot  Matthaeus  and  Hermine  Mar- 
schall  (cast,  155  mill.);  β€”  1894,  Cast  P  or  traic-p  Liquet  re  of  Franz 
Gahler  (155  mill.) ;  β€”  Portrait- plaquette  of  Marie  Urban 
(155  mill);  β€”  1896.  Lady's  Pendant,  representing  country 
people  playing  music  (95X95x230  mill,);  β€”  1897.  Portrait- 
plaquette  of  Antonio  Tomasone  (145  X  200  mill.);  β€”  Lady's 
Pendant,  Historia  Vindobonensis  (68 X  68 X  190  mill,);  β€”  Chris- 
tina Martino,  medal  (150  mill.);  ~  Franz  Lahner,  ptaquette 
(160x198    mill.);   β€”   Albert  Braunlich,  plaquette   (240X195 


Portrait-pkitjuetie,  by  Prof.  R.  Marsch.ill. 

mill.)  ;  β€”  Anton  Kreuzig,  plaquette  (142  X240  mill.);  β€” β–   Anton 
Robert,  plaquette  (cast,  143  X  196  mill, ;  struck,  41  X  57  mill.); 
β€”  1898.  Medal  of  Joseph  Lewinsky  (cast,  152  mill,;  struck, 
57  mill.);  β€”School  Children's  Festivities  Medal  (cast.  98  mill,; 
struck,  30  mil!,)  ;  β€”  Jubilee  Medal  of  the  Emperor  Francis  Joseph  I, 
(cast,  180  mill, ;  β€”  struck,  30  mill,);  β€”  1899.  Ludwig  Lobmeyer 
(cast,  155  mill, ;  struck,  61  mill.);  ^  D''Friedricb  Kenncr,  numis- 
matist (plaquette,  cast,  103  X  180  mill.;  struck,  35  X62  miU,)This 
plaquette  is  termed  "  un  pur  chef  d'ceuvre"  in  Kemt  de  I'Art,  1900, 
II,  40)  ;  β€”  Frau  Suchanek  (plaquette,  cast,  128  X  187  mill.) ;  β€” 
D'  Ludwig  Koessler  (plaquette,  cast  128 X  187  mill.);  β€”  1900. 
Max  Schaffner  (cast,  isymill.;  struck, 61  mill,);  β€”  H.  M.  Emperor 


,;.Goo'^lc 


Francis  Joseph  I.  (plaquette,  cast,  153  X  223  mill.;  struck  63  X  93 
mill.,  illustrated);  β€”  70'''  Anniversary  of  H.  M.  Emperor  Francis 
Joseph  I.  (cast,  185  mill.;  struck,  29  mill.);  β€”  Baroness  M.  von 
Ebner-Eschenbach  (cast.,  160  mill.  ;  struck,  58  mill.);  β€”  C.  Karl- 
weiss  (plaqnette,  cast.  135  X  193  mill.);  β€”  Paul  Heyse  (plaquette, 


Port  rait -pkquette  ofH.  M,  Francis  Josepli,  Empi 


cast,  120X  175  mill.;  struck.  50  X  75  mill.);  --  1901.  Emcrich 
Robert  (cast,  500  mill,); β€” D'  GustavTschermak(cast,  185  mil!.; 
struck,  50  mill.);  β€”  V.  Mayer  (cast,  500  mill.  ;  β€”  H.  H.  Pope 
Leo  XIII.,  in  commemoration  of  the  Holy  Year  1900  (cast, 
200  mil!.;    struck,   34  mill.);  β€”  D''   Heinrich  R.    von  Wittek 


>stsd  by  Google 


-  S8;  - 

(pl^quette,  211  X  315  mill;  struck,  43  x  64  mill.);  β€”  Commem- 
orative Plaquette  of  the  Inauguration  of  the  Goetlie  Monument 
at  Vienna  (cast,  198x285  mill.;  strucl;:,  52X75  mill.);  β€”  1902. 
Me<kl  of  the  Viennese  Academy  of  Sciences  commemorating  the 
Golden  Wedding  of  the  Archduke  n-'c!  \'Tliduchess  Rainer  (struck, 


Joseph  Lewinski, 


60  mill.);  β€”  H.I.  H.  Archduke  Rainer  (plaquette);  β€”  Rifle  Meet- 
ing Prize  Medal,  with  bust  of  H.  I.  H..  the  Archduchess  Marie 
(struck,  37  mill);  β€”  School  Prize  Medal(30  mill.);  β€”  1903.  Karl 
Ritter  von  Stremayr  (plaquette,  cast,  59  X  58  mili. ;  β€”  1904.  Prof. 
Adolph  Friedrich,  plaquette  (60  mill.);  β€”  International  Exhibition 
"fur   Spiricus-Verwertung    und   Garungs-Gewerbe",  Vienna;  β€” 


./Google 


-  S84  - 
50*  Anniversary  of  the  Semmering  Railway;  β€”  K.  K.  Consulai 
Academy,  1906;  β€”  D'  Joseph  Scholz,  plaqnetre,  1906. 


Dr  Friedvich  Kmntr,  iSgy. 


I!i.  of  Jiibilfo  Medal,  i 


./Google 


-  S8S  " 
At  the  Paris  Universal  Exposition,  1900,  Marschall  was  awarded 
the  bronze  medal.  AwriterinA^Β«m.  Circular.  1901,  col.  4893,  makes 
the  following  comment  on  this  clever  artist's  work  :  "  Dem 
Schopfersolchidealer  Bildermiissendie  Musen  ihren  Weihekuss  auf 
die  Stirn  gedruckt  haben.  Allein  das  Verdienst  des  also  Bevorzugten 
liegt  in  seinem  Fleisse,  seinem  Talente  erst  Wert  verleiht,  denn 
nur    ditrch  diese   war   es  moglich,  dass  Marschall   in    so  juiigen 


Obv.  ol  Medal  ot  H.  H.  I'ope 


Jahren  schon  so  Bedeutendes  geleistet  und  so  viele  Erfolge  aufzu 
weisen  hat,  welche  leicht  zu  SelbstCiberhebung,  die  gleichbedeiiten 
mix  Stillstand  und  Ruckgang  im  Schaffen  eines  Kunstier.s  isi 
fiihren  konnten.  Bei  Marschall  ist  dies  nicht  zn  fiirchten,  denn  t 
gehort  zu  jenen  Kunstlern,  die  stets  an  ihren  eigenen  Arbeite 
strengste  Kritik  iiben,  die  sich  nie  oder  selten  mit  ihren  Leistunge 
zufrieden  geben  und  an  ihrer  kunstlerischen  Vervollkommnun 
unermudlich  weiter  arbeiten.  Auf  seinen  Reisen  durch  DeutschlaiK 


,/ Google 


-  -  586  β€” 

Frnnkreich  nnd  Italien  Iiat  er  mannigfache  Gelcgenheit  zii  interes- 
saiiten  Studien  gefimden,  der  steto  Verglcich  mit  den  besteii 
Werken  alter  una  neuer  Meister  hat  ihm  einen  Maasstab  fur  seine 
eigenen  Scliopfnngen  gegeben  und  ihm  den  weiten  Weg  vorge- 
zeichnet,  den  er  .tuf  seiner  kunstlerischen  Laufbahn  noch  zuriick- 
zulegen  hat. " 

Bibliography.  β€”  A.  voii  Loelnr,  Wiener  Msdaillenre,  1899,  and  Nachlra^, 
1902.  β€”  Mitth.  des  Klubs,  &c.,  1898-1904.  β€”  MonHtsWatt  der  num.  Geselhchaji  ia 
Wien,  1900-4.  β€”  Niimisiiiaiic  Circular,  October  1901,  pp.  4889-4895.  β€”  Doni- 
pierre  de  Chaufepi^,  op.  cit.,  11,  III.  β€”  Dii  Moderne  Medaitle,  1000.  β€”  Tlie.  Studio, 
XXn,  231;  XXVIII,  ^β€’M.β€”  RewieikVArlavcknd  moderiie,  II,  1900,40. 

MAKSCOVS,  PIERRE  (Belg.).  Goldsmith  and  Seal-engraver  at 
Brussels,  circ.  1472. 

MARSHALL,  0.  (Bni.).  Designer  of  a  medal,  engraved  by 
J.  Moore,  commemorating  the  Meeting  of  the  British  Association 
at  Cheltenham,  6.  Aug.  1856.  It  bears  on  obv.  a  bu.st  of  Charle,^ 
Giles  Bridle  Daubeny,  M.  D.  (1795-1867). 

MARSHOORN,  GERARD  (GERRIT)  (Dutch.').  Medallist  of  Haarlem, 
first  half  of  the  eighteenth  century.  His  signature  is  found  on 
various  medals,  and  he  worked  for  the  Hereditary  Stadholder, 
Willem  IV.  The  Portrait-pieces  of  Lorenz  J.  Coster,  typographer 
of  Haarlem  (1740)  are  his  best  known  productions,  and  I  have  seen 
by  him  also  Portrait-medals  of  Prince  Willem  Karel  Hendrik 
Friso,  1747,  on  his  first  Stadholderate;  (sev.  var.)  β€”  Commemo- 
rative medals  of  the  Treaties  of  Peace  of  MCinster  and  Aix-la- 
Chapelle,  1748;  β€”  Medal  of  the  Rifle  Club  of  Haarlem,  1747 
(signed  ;  GERRIT  MARSHOORN);  ~  The  New  year,  1752,  etc. 

Bibliography.  β€”  Nagler,  Moiioguvmnistei:,  III,  n"  19R.  β€”  Bolwnthal,  op.  cil, 
β€”  Van  Loon,  op.  cit, 

MARSON,  ETIGtNE  (French').  Contemporary  Scniptor,  born  at 
Troyes;  pupil  of  L.  Maynot.  In  1882  he  exhibited  at  the  Salon  a 
Port  rait -medallion  of  M.  Stadler. 

MART.  (//Β«/.).  Signature  on  a  commemorative  medal  of  the 
Anglo-Iranco-picdmontese  Alliance,  with  bust  of  Victor  Emma- 
nuel II. 

MART.  SA.  OP.  (Ital.).  Perhaps  MARTINO  DA  SAVONA.  This 
signature  occurs  on  a  circular  plaque,  with  bust  of  Girolamo 
Conestaggi,  dated  MDXC;diam.  59X45  mill. 

BiitLioGRApHY.  β€”  Armaiid,  op.  cit.,  I,  199  ;  III,  145. 

MARTEATJ  or  MARTO,  FRANCISCO  (French?).  Mint-engvaver  at 
Lisbon,  appointed  on  29.  October  1721.  Aragao  mentions  that  on 
a  document  of  1722  his  name  occurs  as  Marto. 


./Google 


-  5f^7  - 

MARTEAU,  FRANgOIS  JOSEPH  (Frawli).  Goldsmith  and  Medallist 
of  Paris,  circ.  1720-1759.  He  engraved  several  medals,  usually 
signed  :  MARTEAU  F.  or  F.  M.,  of  the  Series  of  medals  of  Louis  XIV. 
and  XV. 

Marteau's  best  known  medals  are  :  Battle  of  Fontenoy,  1745 
(signed  :  /.  M.  on  obv.  and  M  on  ]^;  illustrated');  β€” β–   French  Cam- 
paign of  1745   (V^.  by  J.    C.   Roetriers) ;  β€” β–   Battle  of   Rocoux, 


1746  (^  bv  J.C.  Roettiers);  β€” BattleofLawfeldt,  i747(scv.  var.); 
β€”  Peace  of  Aix-la-Chapel!e,  1748  {^.  by  ].  C.  Roettiers);  β€”  Loss 


Loss  ol  Minorca,  1756 

of  Minorca,  1756  (^  signed  :  L.  LEON,  illustrated);  β€”  Jetons, 
β– witb  bust  of  Louis  XV.  (signed  F.  M.,  M.,  fm.Scc);  β€” Franco- 
American  Jeton,  1756;  1^  COL. FRANC. DE  L'AM.  I756;signed 
on  obv.  m) ;  β€”  Philip  L.,  Baron  von  Stosch,  German  archaeolo- 
gist, 1727;  β€”  Louis  XV.,  1745,  on  the  Marriage  of  Princess 
Maria  Theresa  of  Spain  with  the  Dauphin(^  by  J.  C.  Roettiers); 


>stsd  by  Google 


-  s8S  - 

β€”  Academy  of  Dijon,  1740  ;  β€”  Societe  acadcmiqne  de  Cliirurgie, 
Paris,  1731  and  1741;  β€”  Illness  of  Louis  XV.  at  Metz,  1744;  β€” 
Recovery  of  Louis  XV.,  1744  (2  var.);  β€”  Assistance  rendered  to 
the  Elector  of  Bavaria,  1741  (^L  by  J.  C.  R.) ;  β€”  Audience  of 
the  Turkish  Embassy,  1742  {^L  by  Duvivier);  β€”  The  Italian 
Campaign,  1744  (^  by  Roettiersjun.);  β€”  Capture  of  Furnes,  1744; 

β€”  French  Astronomical  Mission  to  the  Equatorial  regions  and  the 
North  Pole,  1744 ;  β€”  Capture  of  Berg-op-Zoom,  1747  ;  β€”  Battle 
otLawfeldt,  1747;  β€”  Melchior  de  Polignac,  French  cardinal,  1730; 
β– --  Jeton  of  the  Chamber  of  Commerce  ot  Bordeaux,  1750(2  var.); 

β€”  Head  of  Louis  XV.  (^L  by  J.  C.  Roettiers;  DEPVLSA  MOLE 
RESVRGET  Mercury  raising  the  City  of  Lyons,  1760);  β€”  Taking  of 
Meenen  by  the  French,  1744  (2  var,);  β€”  Ypres  captured  by  the 
French,  1744  (2  var.);  β€”  Furnes  taken  by  the  French  1744  (^  by 
J.  C.  Roettiers); β€” -  Tournay  taken  by  the  French,  1745;  β€” 
Louis  XV.,  Campaign  in  South  Netherlands,  1745  (^  by  J.  C. 
Roettiers);  β€” French  Campaign  in  Italy,  1745  (by  J.  C.  Roettiers 
Jun.);  β€”  The  French  take  Brussels,  1746;  β€”  Capture  of  Brussels, 
Antwerp,  Jemmapes,  Bergen,  Namur  and  Charleroi,  1746;  β€” 
Taking  of  Berg  op  Zoom,  1748,  etc. 

Bibliography.  β€”  Rondot,  op.  cil.  β€”  Franks  and  Grueber,  op.  cit.  β€”  Bctts, 
op.  cil.  β€”  Ammon,  op.  cit.  w  64.  β€”  Fayolle,  Numisinatiqm  de  la  Chamhrc  de  com- 
merce de  Bordeaux. 

MARTEAU,  JEHAN  DE  (^French).  Mint-master  at  Angers,  previous 
to  14.  June  1355. 

MARTEAD,  NICOLAS  (freΒ«,:/j).  Goldsmith  of  Cliarleville,  aVc.  1609- 
162 1.  He  was  employed  as  Engraver  at  the  Mint  of  Charleville, 
under  Charles  de  Gonzague,  Duke  of  Nevers,  and  in  1619  vi-as 
appointed  Master  of  the  Mint  at  Mangienne,  in  succession  to 
Claude  Bailly,  under  Charles  de  Lorraine-Chahgny,  bishop  ot 
Verdun.  He  fled  in  1621,  and  returned  to  Charleville. 

Bibliography.  β€”  Rondot,  op.  cit.  β€”  Mazerolle,  op.  cit. 

MARTENISE,  VIRGILIO  (Ital.').  Mint-master  at  Naples,  circ.  1731, 
under  the  Emperor  Charles  VI.  Flis  initials  V.  M.  and  that  of  Ariania 
(A)  Mint-warden,  occur  on  Thalers  of  that  date. 

MARTENS,  JEAN  BAPTISTE  (Belg.).  Contemporary  Sculptor,  born 
at  Wonterghem  (Belgium);  pupil  of  V.  Vilain  and  the  Ecole  des 
Beaux-Arts,  Paris.  The  following  medallic  productions  were  exhib- 
ited by  him  at  the  Salon:  1861.  Portrait-medallion  of  M.  P.].  R.  ***; 
β€”  1864.  Portrait-medallion  of  M.  ie  Comte  de  H.***;  --  1866. 
Portrait-medallion  of  the  artist's  father  and  mother;  β€”  Portrait- 


o,C.oo(^lc 


-  ;8?  - 

mctkllion  of  Jules  Fiivre;  β€”  1S70.  Portrait-mediillion  of  a  young 
I^dy. 

Bibliography.  β€”  Clmvigneric  et  Auvray,  op.  cil. 

MARTENS,  MICHAEL  (Germ.).  Mint-master  at  Wismar,  1622-162$. 

MARTERSTECKEN,  BURKHARD  (Gmn.).  Mint-master  at  Sadfeld, 
1448. 

MARTERSTECKEN,  HElNRICH  (Germ.).  Mint-master  at  Weimar 
and  Gotha,  1463, 

MARTI,  ROSSLERit  LADE  (5iwVj-).  A  firm  of  Medal-publishers  at 
Berne;  successors  of  Durussel.  They  have  issued  a  number  of 
Sporting  and  Agricultural  medals,  badges,  &c. 

MARTIN,  BARTHOLOMAUS  (Germ.).  Mint-master  at  Wachenheim, 
1439-1446. 

MARTIN,  CHARLES  (French).  Mint-master  at  Bordeaux,  1537- 
1541  ;  was  appointed  Engraver  at  the  Mint,  4.  April  1)40(1541). 
Jean  Dusondo  became  his  assistant,  5.  June  1542. 

BlBLIOGKAPHY.   Roildot,  Op.  clI. 

MARTIN,  C.  (French).  Medallist  of  the  seventeenth  century,  whose 
signature  :  C.  MARTIN;  C.  M.  F.  or  C.  M.  F.  occurs  on  various 
medals;  amongst  them  on  a  Portrait-piece  of  Pierre  Caignart 
(diam,  54  mill!),  reproduced  iu  Rondot,  G>'aveun  et  MedaiUeur.'-, 
PI.  XXXII,  fig.   4. 

Bibliography.  β€”  Rondot,  op.  cil. 

MARTIN,  COLONEL.  Vide  MACKENZIE  supra. 

MARTIN,  DIEGO  (Span.).  Goldsmith  of  the  fourth  quarter  of  the 
sixteenth  century,  about  whom  Bolzenthal  (p.  173)  gives  the 
following  particulars  :  "  Towards  the  end  of  the  sixteenth  century, 
an  artist,  who  m.ight  pass  for  a  second  Cellini,  worked  for  the 
Electoral  Court  of  Brandenburg,  in  the  reign  of  the  Markgrave 
John  George.  A  cloud  seems  to  rest  over  his  name  and  history, 
which  we  may  perhaps  succeed  in  dispelling.  Might  he  not  be 
identified  in  the  Spanish  goldsmith,  Diego  Martin,  whose  works 
for  the  Electoral  Count  are  of  great  beauty  and  fineness.  Two 
medals  may  be  ascribed  to  him,  of  the  well-known  Count  Rochus 
of  Lynar.  One  of  them  has  on  the  obverse  the  arms  of  the  Count 
with  the  legend  :  ROCH'GRAF-ZV-LINAR'MEIN-HOFNVG- 
ZV^GOT  and  on  reverse,  the  emblem  of  two  hands  clasped;  the 
date  is  1578,  and  the  Spanish  inscription  reads  :  RA  (me)-ESTOS' 
ASSITVNTADOS-AMAS-SEAN'A'PARTACCar).    The  other 


./Google 


β€”  590  β€” 

med:il  bears  !i  portrait  of  the  Count  and  his  consort,  Anna  of  Montot. 
It  is  true  that  neither  of  these  productions  display  that  skilful  hand, 
assurance  and  practice  one  would  expect  to  find  in  Martin's  work, 
Diego  does  not  appear  to  have  remained  very  long  in  the  service 
of  the  Elector,  for  after  his  residence  at  the  Count  of  Lynar  at 
Spandau,  in  1580,  every  trace  disappears  of  his  life  and  doings  in 
the  Electorate.  At  the  end  of  the  sixteenth  century,  a  silver  worker 
of  the  name  of  Martin,  was  employed  in  England,  according  to 
Walpole,  but  it  is  hardly  possible  to  identify  him  with  tlit;  Spanish 
goldsmith. 

"Diego  Martin  was  succeeded  at  the  Electoral  Court  by  Peter 
Wolff,  who  in  1 583  was  appointed  Court-Goldsmith,Geni-engraver, 
and  Assayer,  and  who  also  cut  dies  for  coins.  " 

MARTIN,  GEORGES  LOUIS  GABRIEL  (French).  Contemporary 
Sculptor,  Medallist  and  Gem-engraver,  born  at  NeuiUy  (Seine); 
pupil  ofFosseyandMerley.  By  him  are  the  following  works  :  1866. 
Modesty,  cameo  in  pietra  dura;  β€”  1867.  Portrait- cameo  of 
Leopold  I.,  King  of  the  Belgians;  β€”  1868.  Two  cameos  in  onyx  : 
Marie  Antoinette  at  the  Conciergerie,  and  Portrait  of  M'"'  B*** ;  β€” 
1869,  Portrait-medallion  in  bronze  of  Mβ„’=  M***;  β€”  Portrait- 
ol  the  artist,  cameo;  β€”  Female  head,  study,  a  cameo;  β€”  Female 
head,  study,  a  cameo;  β€”  1870.  Empress  Josephine,  cameo  in 
onyx;  β€”  1873.  Bacchante,  onyx  cameo. 

Bibliography.  β€” β–   Chavignerle  et  Auvray,  op.  cit. 

MAKTIN,  GUILLAUME  (/β– >Β«;!:/;).  Moneyerat  the  Mint  of  Saint-Lo, 
1551. 

MARTIN,  GOILLAUME(FfOTt:/?). Sculptor,  Goldsmith,  and  Engraver 
of  Paris,  whose  period  of  activity  is  comprised  between  circa  1558 
and  1590,  which  latter  date  is  supposed  to  be  that  of  his  death. 
Although  somewhat  inferior  to  Etienne  de  Laulne,  as  an  artist,  he 
nevertheless  ranks  amongst  the  first  Masters  of  the  early  French 
Renaissance  Medallic  School.  On  the  34.  March  :557  (1558)  the 
Cour  des  Monnaies  authorized  him,  at  the  same  time  as  Claude  de 
H^ry  "  a  faire  chef-d'ceuvre  de  tailleur  et  graveur  general ",  but  the 
work  of  his  competitor  obtained  the  preference. 

Martin's  first  production  on  record  is  a  gold  medal,  commissioned 
by  Henry  II.,  in  1558.  with  the  King's  bust,  which  was  to  be 
presented,  after  the  treaty  of  Caceau-Cambresis,  to  the  German 
troops  in  his  service.  Specimens  exist  in  silver,  which  give  a  very 
good  idea  of  the  artist's  style. 

In  the  same  year,  the -artist  was  entrusted  with  the  execution  of 
dies  with  portraits  and  emblems  of  Francis  II.  and  Mary  Stuart 
(  "  des  coins  pour  meetre  en   tenailles,  pour   monnoyer  et  faire 


./Google 


pieces  de  monnoyes  k  leurs  portraitz  et  devises,  etc.  ").   A  silver 
piece,  in  the  Cabinet  des  Medailles,  corresponds  to  this  description, 


but_  appears  to  be   a   pattern  coin  or  a  medal   rather  than  a  real 
"Testooii  ".  [t  is  the  work  of  a  clever  engraver. 


Seven  years  later,  Martin  was  commissioned  to  prepare  dies  for 
'  large  gold  pieces  often  Ecus  "  with  bustii  of  the  King  (Charles  IX) 


Medal  of  Qiaile;,  1\.  and 


,stsd  by  Google 


-β– -  592  β€” 

and  Dowagi;r  Queen.  None  of  these  are  extant,  bur  a  silver  piece 
of  1565,  in  the  French  National  Collection,  was  no  doubt  struck 
from  the  same  dies. 

To  the  same  Engraver,  MazeroUe  ascribes  several  medals,  all  in 
silver,  with  portraits  of  Henry  11.,  Cathenne  de'  Medici  and  their 


^i-^/.p^'    -ffi.'^ 


sons.  The  puncheon  of  the  bust  of  Henry  II.  (1558)  was  used  for 
a  restitution  medal,  the  IJi.  of  which  represents  Diana  and  bears  the 
date,  1552.  With  a  similar  puncheon  of  Catherine  de'  Medici, 
preserved  in  the  Paris  Mint  Museum,  various  medals  were  struck. 
The  ^L  of  Martin's  medal  of  1565  is  also  used  as  the  obv.  of  a 
piece  which  shows  on  ^L  the  monogram  JHC  under  a  crown.  The 


>sted  by  Google 


_  593  ~ 
head  of  the  same  dncen  occurs  with  a  bust  of  Henry  II.  (1558), 
and  under  the  reign  of  Henry  III,,  with  the  busts  face  to  face  of 
Henry  III.  and  Charles  IX.  By  Martin  are  no  doubt  also  the  two 
struck  medals  of  Catherine  de'  Medici  ^  Bust  of  Francis  II., 
Charles  IX.,  and  Henry  III.  {illustrated),  and  Henry  II.,  1559 
^  Fame  blowing  her  trumpet  {illustrated).  This  last  medal  displays 
uncommonly  fine  work  and  is  of  charming  taste. 


Medal  at  Henry  11. ,  1559. 


On  the  death  of  Marc  B^chot,  Engraver-general  of  the  coins 
(1558)  Martin  applied  for  his  post,  but,  as  we  have  seen,  Claude 
de  Hery  was  appointed.  The  artist's  merit  however  obtained 
recognition  under  the  reign  of  Charles  IX.,  when  in  1565  he  was 
granted,  by  letters  patent,  the  right  of  cutting  dies  for  the  coins  of 
the  Kingdom,  and  a  yearly  stipend  of  three  hundred  livres.  The 
creation  of  this  novel  office  raised  strong  ob'iections  on  the   part 


of  the  Cour  des  Monnaies,  and  it  is  difficult  to  say  wliether  the 
artist  ever  really  exercised  his  right. 

In  1565,  Martin  engraved  dies  for  the  Ducats  and  Testons  of 
Jeanne  d'Albret,  Queen  of  Navarre,  and  contemporary  documents 
prove  that  he  filled  the  office  of  Engraver-general  of  the  coins  of 
Navarre,  circ.  1 564-1571.  In  1565  he  engraved  two  jetons  with  bust 


>stsd  by  Google 


β€”  594  β€” 
of  Jeanne  d'Albret  (one  illusirated).  The  \  Tesion  is  by  him  also, 
and  probably  various  other  coins  of  Navarre.  The  original  puncheon 
of  Jeanne  d'AIbret's  Teston  is  preserved  in  the  Paris  Mint  Museum. 
Both  Brucher  and  Beaucousin  seem  to  have  engraved  dies  from  models 
or  puncheons  by  Martin. 


"  Guilbume  M;irtin  ",  observes  Mazerollc  "  doit  occuper  dans 
I'histoire  des  medailleurs  une  place  iionorable  a  cote  de  Marc  Bechot 
et  d'Etienne  de  Laune.  II  n'a  pas  toute  I'ampknr,  encore  itahenne 


Enlacgeraeiit  of  the  Jeton  by   Guillaume  Martin  oi  Fraiicis  and  Maiy. 
(executed  in  die  XVII.  Cent.,  by  an  unknown  artist). 

dc  B(5chot,  mais  il  egale  au  nioins  Etienne  de  Laune  par  la  purete 
de  son  style  el  la  suave  expression  de  ses  figures.  Son  ceuvre 
personnifie,  avec  ceiles  d'Etienne  de  Laune  et  d'Antoine  Brucher, 
cette  belle  Renaissance  frangaise,  qui,  se  d^gageant  peu  a  peu  de 
I'infiuence  italienne,  atteint  sa  pleine  maturite  dans  la  seconde 
nioitie  du  xvi'  siecle  ". 


,stsd  by  Google 


_  595  - 

The  puncheons  and  dies  which  .still  exist  of  Guilldume  Martin 
show  him  to  have  been  an  Engraver  of  real  talent,  but  who  however 
comes  second  to  Etienne  de  Laune  (FideRondot,  op.  at.,  p.  220). 

Bibliography.  β€”  F.  Mazerolle,  Etienne  de  Laune  el  GuUlaume  Martin,  Gazette 
dcs  Beaux-Arts,  1892,  pp.  312-536. β€”Ibid.,  M^rfoiHsurj/cnnfrttj,  1902.β€”  Roiidot 
and  De  La  Tour,  op.  cit.  β€”  Blaiidiet,  Les  graveurs  en  Bdarn,D3.%,  \?.%?,.  β€”  Bulletin 
Numismatique  Serrure,  190;,  p.  55.  β€”  A.  Barre,  Gravems  en  ni/daitUs  de  la 
Renaissance  fraifaise,  1867. 

MARTIN,  GOSTAVE  JOSEPH  (French).  Contemporary  Sculptor  and 
Modeller  in  wax;  pupil  of  Ch.  Gautier.  At  the  Salon  of  1890  he 
exhibited  a  wax  medallion  representing  a  Veiled  Lady;  β€”  1892. 
Portrait-medallion  in  wax  of  M'"^  Martin; β€”  1893.  Mary  Magdalene; 
β€”  Night; β€”  1894.  La  Danse;  β€”  1S98.  Dawn. 

MARTIN,  JEAN  I  {French),  circ.  1539-  f  1542.  Mint-engraver  at 
Montpelher. 

MARTIN,  JEAN  II  (French),  circ.  1546-1547.  Mmt-engraver  at 
Montpellier. 

MARTIN,  JEAN  III  (French).  Engraver,  born  in  Saintonge,  circ. 
1633.  By  him  are  various  jetons.  In  1688  he  was  accused  of 
cutting  dies  for  false  coins. 

Bibliography.  β€”  Roiidot,  op.  oil. 

MARTIN,  LOUIS  (/-Vmc/j).  Mint-engraver  at  Angers,  1720. 

MARTIN,  RAOUL  (French).  Contemporary  Sculptor,  born  at 
Mehun-en-Berry  (Cher).  At  the  Salon  oi  1902  he  exhibited  a 
medallion  in  bronze  "  La  Ravaudeuse". 

MARTIN  (or  MARTYN),  SIR  RICHARD  (Brit.).  (1534-1617).  The 
following  exhaustive  account  of  Martin's  life  was  contributed  by 
Mr.  WarwicI;  Wroth,  to  the  Dictionary  of  National  Biography 
(Vol.  XXXVI).  "Master  of  the  Mint  and  Lord  Mayor  of  London 
was  borii  in  1534.  He  adopted  the  business  of  a  Goldsmith,  and 
in  1594  is  mentioned  as  one  of  the  goldsmiths  to  Queen  Elizabeth 
(Cal.  State  Papers,  Dom.  1 591-4,  p.  559;  1603-10,  p.  574).  In  1559- 
60  he  was  appointed  Warden  of  the  Mint,  and  held  this  ofEce  til! 
1594-5,  ^n'^  perhaps  later.  In  1580-1  he  was  appointed  Master  of 
the  Mint,  and  appears  to  have  held  this  ofRce  till  his  death  in  1617 
(ib.  1611-18,  p.  489;  cf.  ib.  1603-10,  p.  566).  In  September  1597 
he  petitioned  the  Queen  for  sixteen  pence  on  every  pound  weight 
of  silver  coined,  on  account  of  his  losses  in  connection  with  the 
mint.  He  declared  that  he  had  done  good  service  in  apprehending 
counterfeiters  of  the  coin,  and  that  the  money  made  in  his  time  was 
richer  by  30.000  /.  at  the  least  than  the  like  quantity  made  by  any 
former   Mint-master,   '  by  reason  of  his    care   to    keep    the  just 


,stsd  by  Google 


standard  '  (ib-  1595-7,  P-  50'')-  A  manuscript  tract  by  Martin, 
entitled  '  A  brief  Note  of  tliose  Things  which  are  to  be  done  by  the 
Warden  of  the  Mint  ',  is  in  the  Brit.  Mus.  (Harl.  MS.  No.  698, 
fol.  13),  and  some  extracts  from  it  are  given  in  Ruding's  '  Annals 
of  the  Coinage  ',  I,  71.  About  1600  Martin  made  an  offer  to 
improve  the  coinage  of  Ireland,  and  to  make '  small  copper  moneys ' 


Portrait  of  Sir  Ridi.ird  Mil- 


iar currency  in  England  (Cal.  State  Papers,  Dom.  1598-1601, 
pp.  516,  5i7)-  In  May  (?)  1601  he  issued  the  report  of  himself 
and  eleven  other  commissioners  appointed  by  the  Queen  '  to  inquire 
concerning  the  preservation  and  augmentation  of  the  wealth  of  the 
realm  '  (;6    1601-3,  pp  47,48)  OniiSept    r6io  Martin  received 


Pattern  Hjlfcrown  of  Queen  Elizabeth,  1602. 

a  warrant  from  James  I.  for  the  repayment  of  410  I.  still  due  to 
him  as  warden  of  the  mint  under  Elizabeth  (ib.  1603-10,  p.  632; 
cf,  Nichols,  Progresses  of  Jama  I.,  II,  411). 

"  Martin  was  elected  Alderman  of  the  city  of  London  on  29.  May 
1 578,  and  was  sheriff  in  1581.  He  was  Lord  Mayor  for  the  remain- 
der of  the  year,  on  the  death  of  Sir  Martin  Calthorpe,  on  5.  May 
1589,  and  again  on  the  decease  of  Sir  Cuthbert  Buckle,  on  i.  July 
1594.  He  was  a  strenuous  supporter  of  the  city's  rights.  On 
31.  August  1602  he  was  removed  from  his  aldermanship,  the 
reasons  assigned  being  his    poverty  and   imprisonment  for  debt, 


.Google 


β€”  597  β€” 
and  his  refusal  to  surrender  his  office  after  having  accepted  one 
thousand  marks  as  a   condition   of  his    retirement  (Remembrancia, 
1579-1664,20,  Dec.  1602), 

"  Martin  was  knighted  by  Queen  Elizabeth  some  time  between 
1562  and  1594...  He  died  in  July,  1617,  and  was  buried  in  the 
south  chancel  of  Tottenham  Church...  One  of  his  five  sons,  named 
Richard  (f  1616)  was  citizen  and  goldsmith  of  London,  and  was 
from  about  1584  associated  for  several  years  with  his  father  in  the 
mastership  of  the  mint. 

"  A  fine  silver  medal  (obv.  illustrated')  in  the  British  Museum, 
cast  and  chased  by  Stephen  of  Holland  in  1562,  and  believed  to  be 
unique,   bears  the  portraits  of  Martin  and  liis  wife  (Vide  Vol.  II. 

P-  530"- 

Under  Martin  in  1582-3,  the  old  standard  and  weightof  the  gold 
coins,  which  had  been  slightly  debased  by  Louison,  his  predecessor, 
was  restored,  but  in  1601,  the  weight  of  the  money  both  of  gold 
and  silver  was  somewhat  reduced. 

The  curious  and  unique  Pattern  Halfcrown  of  Qyeen  Elizabeth 
reproduced  here,  which  was  originally  in  the  cabinet  of  the  Ear!  of 
Oxford  and  is  now  in  the  National  Collection,  was  supposed  to  have 
been  engraved  at  the  Royal  Mint,  in  the  last  year  of  the  Queen's 
reign,  under  the  Mint-master,  Sir  Richard  Martin. 

Horace  Walpole  "  Catalogue  of  Royal  and  Noble  Authors  ", 
I"  ed,,  I,  126,  describing  a  fragment  of  one  of  the  gold  coins  of 
this  Queen,  says  :  "  Vertue,  the  engraver,  had  a  pocket  book  of 
Isaac  Oliver,  in  which  the  latter  had  made  a  memorandum  that 
the  queen  would  not  let  him  give  any  shade  to  her  features,  tehing 
him,  '  that  shade  was  an  accident,  and  not  naturally  existing  in  the 
face  ',  Her  portraits  are  generally  without  shadow.  I  have  in  my 
possession  another  strongly  presumptive  proof  of  this  weakness;  it 
is  a  fragment  of  one  of  her  last  broad  pieces,  representing  her 
horridly  old  and  deformed.  An  entire  coin  with  this  image  is  not 
known;  it  is  universally  supposed  that  the  die  was  broken  by  her 
command,  and  that  some  workman  in  the  mint  cut  out  this  morsel 
which  contains  barely  the  face.  As  it  has  never  been  engraved,  so 
singular  a  curiosity  may  have  its  merit  in  a  work  which  has  no  other 
kind  of  merit.  "  The  fragment  referred  to  was  purchased  by  the 
British  Museum  at  the  Strawberry  Hill  Sale,  1842,  and  is  engraved 
in  Ruding,  Suppl.  part  ii  PI.  111,  N"  7. 

The  pattern  Halfcrown  shov/s  no  doubt  a  similar  portrait  of  the 
Queen*. 

Bibliography.  β€”  W,  Wroth,  Richard  Marlpt,  Diet.  Nat.  Biog.  XXXVI.  β€” 
Ruding,  op,  cit.  β€”  Hawkins's  Medallic  Illustrations,  &c  ,  ed.  Franks  and  Grueber, 

*Botli  the  Halfcrown  and  thegold  piece  are  now  believed  to  be  early  nineteenth 
century  concoctions. 


atdb,  Google 


-  !98  - 

I,  107,  108.  β€”  Cataiddis  of  Slate  Papers.  β€”  Overall's  Remeiiibrancia.  β€”  Robinson's, 
Tollenham.  β€”  Grueber,  Handbook,  &c.  β€”  Kenyon,  op.  cit.  β€”  Chaffers,  Gilda 
Aiirijabrorum,  p.  51,  β€”  Pinkerton,  MedaUic  Hist.,  PI.  x,  j.  β€”  Guide  to  English 
Medals,  PI.  r,  35.  β€”  R.  Whitbourn,  On  an  Unique  and  Unpublislied  Patlim  for  a 
Half-crown  of  the  last  year  of  the  reign  of  Queen  Elizabeth,  Archaeologia,  11,  169. 

MARTINENGO,  GOTTHARD,  or  GEORG  {Germ.').  Mint-master  at 
Coblen;^,  1762-1794  (Schlkkeysen).  A  Conventionsthaler  of  Johann 
Philipp,  Archbishop  of  Treves,  1764  is  signed  G.M.  ;  also  another 
(on  ^)  of  Antofi  Ignaz,  Prince  ofElwangen,  1765. 

MARTINENGO,  GOTTHARD  (Gem.).  Provisional  Mint-warden  at 
Wiirzburg,  1794;  Assistant  Mint-master,  1802;  Provisional  Mint- 
snperinrendent,  1806-1813 ;  died  in  1857. 

MARTINENGO,  JOHAMN  NIK0LAU8  (GΒ«-m.)- Minc-masterand coun- 
cillor at  Wur;(burg,  1762-1803,  and  previously,  1757-1762,  Mint- 
master  at  Cobienz.  The  initials  N.M-  occur  on  Conventionsthaler 
and  Half  Thaler  of  Johann  Philipp,  Archbishop  of  Treves,  176 1. 

MARTINESI,  VIRGIL  (Ital.).  Medallist  at  Naples,  circ.  1731.  His 
initials  V  H.  are  said  to  occur,  in  conjunction  with  an  A  (Mint-master 
Ariani's  signature)  on  medals  of  about  that  date  (Nagler,  Mono- 
^rammiiten,  V,  1303). 

MARTINET,  AIMfi  ACHILLE  {French).  Contemporary  Sculptor, 
born  at  Paris ;  pupil  of  his  father  and  J.  Gautherin,  and  d'Echerac. 
He  exhibited  at  the  Salon  of  1880,  a  Portrait-medallion,  entitled 
"  Portrait  de  maman  Simon  d'Ablon",  and  in  18S1,  another,  cast 
in  bronze,  ot  M""  Martinet. 

BmuoGRApHV.  β€”  Chavignerie  et  Auvray,  op.  di. 

MARTINEZ,  B.  (Span.).  Medallist  of  the  last  quarter  of  the  eighteenth 
century  and  early  part  of  the  nineteenth.  His  signature :  MARTINEZ 
occurs  in  full  on  a  Proclamation  medal  of  Charles  TV.  and  Louise, 
at  Soria,  1789  (Herrero,  n"  100). 

MARTINEZ,  DOMINGO  {Span.).  Line-engraver,  born  at  Valencia, 
1816;  died  14.  November  1898  at  Madrid.  He  obtained  great 
notoriety  as  a  copper-plate  Engraver,  and  from  1868  to  1898  he 
was  Chief-engraver  to  the  Bank  of  Spain.  By  him  are  some  Medals 
and  Portrait-medallions,  as  well  as  Patterns  for  coins. 

MARTINI,  FRANCESCO  (Ital.).  Slenese  Painter,  Sculptor,  and 
Architect,  1439-1502.  According  to  Vasari,  he  executed  a  Portrait- 
medal  ot  Fcderigo  del  Montefeltro,  first  duke  of  Urbino,  which 
has  not  been  identified  hitherto. 

MARTINI  (.S'wwj).  Goldsmith  of  Lucerne  and  Fribourg,  who  in 
1601-2  was  engaged  in  cutting  dies  for  Uri. 


./Google 


β€”   599  β€” 
MARTINIC,  ZDISLAW  BORITA  VON  (Bohem.).    Mint-master-general 
for  Bohemia,  1 572-1 575. 
ISim.ioGiiAPHY.  β€”  E,  Fiala,  op.  cit. 
MARTINO  BERGAMASCO.   Vide  MOB. 

MARTINO  DA  BERGAMO  {IlaL).  Medallist,  who  was  working  at 
Bergamo,  circ.  1565.  By  him  are  probably  the  Portrait-medals, 
which  exist  in  two  si^es  (87  and  29  mill.)  of  the  Paduan  lawyer, 
Marco  Mantova  Benavides  (1489-1582);^.  FESSUS  LAMPADA 
TRADO  Bull.  Vide  also  M  -  M,B  β€”  M.BO.  β€”  infra. 

Bibliography.  β€”  Armand,  op.  cit.,  I,  248,  β€”  Blanchet,  op.  cit.  β€”  Morelli, 
Nolij^ie  iFopei-e  di  disegno.  β€”  Mus.  Maxxt'ch.,  I,  Lxxxiv,  5. 

MARTINO  DA  SAVONA  (/to/.).  This  Medallist's  signature:  MART. 
SA.  OP.  occurs  on  the  obv.  of  a  Portrait- medal  of  Girolamo  Cones- 
taggi,  dated  1590. 

BniuoGRAPHY.  β€”  Armand,  op.  of,, I,  299;  III,  145.  β€”  Blanchct,  op.  cit. 

MARTINUZZI,  FRATER  GEORGIUS(H//Β«^.).  Hungarian  State  Treas- 
urer, whose  initials  F.G.  and  symbol,  unicorn,  are  found  on  Ducats 
of  John  I.  Zapolya,  for  Transsylvania,  1538-1540. 

Bibliography.   β€”  Adolf  Resch,  Siebenhurgisclie  Miin^cn  wid  MedaiUeii,  1901. 

MARTYN,  RICHARD.    Vide  SIR  RICHARD  MARTIN  supra. 

MARX,  LUCIEK  (^French).  Contemporary  Sculptor,  born  at  Vesoul 
(Haute-Saone) ;  pupil  of  M.  Tranchant.  By  him  are  numerous 
Portrait-medaUions,  amongst  which  I  have  noticed  :  1S96.  A.  Cou- 
tard ;  β€” β–   J.  Lavigayrie. 

MARTYN,  T.  (Brit.).  Designer  of  a  medal,  engraved  by  T.  Wyon, 
commemorating  the  Centenary  of  the  Union  of  England  and 
Scotland,  1807  :  obv.  Busts  of  George  III.  and  Queen  Charlotte. 
^C.  Three  female  figures,  etc. 

BiRLiOGLiAPHY,  β€”  Cocliran-Patricli,  Medals  of  Scotland,  p.  31, 

MARYON,  MISS  EDITH  (BnV.)-  Contemporary  Sculptor  and 
Modeller,  whose  works,  exhibited  at  the  Royal  Academy  since  1899 
"  show  taste  and  elegance,  and  are  full  of  promise  ".  Amongst 
these  I  may  mention  :  Mother  and  child,  medallion  in  bronze;  β€” 
Religion,  plaque;  β€”  May  Morning,  relief  for  a  fire-place,  etc. 

Bibliography.  β€”  M.  H.  Spielman,  British  Sculpture  and  Sculptors  of  To-day. 

MASBARREAUX  or  MASBEREADS,  THE  BROTHERS  (Fntich).  Gold- 
smiths, Chasers,  and  MedaUisis  of  Limoges,  first  quarter  of  the  seven- 
teenth century.  Vide  MABAREAUX  supra. 

MASCARON,  ANTOINE  (French').  Mint-master  at  Marseilles,  1593- 
1594- 


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MASCARON,  JEAN  (Frt'nch).  Mint-master  at  Sisteron,  who  struck 
coins  in  the  name  of  Henry  IV.,  1593-1594. 

MASER,  BENEDIKT  {Germ.').  Mint-administrator  and  Warden  at 
Michelstadt,  1561. 

MASINI,  LORENZO  (/;Β«/.).  Venetian  Gem- engraver  of  the  eighteenth 
century,  whose  signature  HASINI  or  MASINOS  occurs  on  some 
intagli  executed  by  him.  He  also  imitated  antique  gems :  Diana  ot 
the  Mountains,  in  amethyst,  signed:  AflOAAnNlOY;  ~  Diana 
with  a  bow  in  her  hand,  carnelian,  eqnally  signed;  β€”  Head  of 
Syrius,  with  a  collar,  on  which  is  inscribed  :  TAIOC  EPOIEI 
(a  copy).  Masini  is  said  to  have  engraved  his  name  on  this 
gem  in  the  presence  of  Baron  Stosch  in  whose  possession  it  was; 
β– β€”  Head  of  Sextus  Pompeius  (a  copy),  etc. 

Masini  is  the  author  of  a  work  entitled:  Considera:(:oni  sopra 
Marielie,  Venice,  1756,  4'Β°. 

BintlOGRAPHY.  β€”  Babclou,  0^.  fit.  β€”  Raspe,  Tassi^  Gems,  1791- 

MASINOS.  Fide  AGATHANGELOS  (Vol.  I,  N.  E.,  p.  29),  A  Portrait- 
intaglio  in  carnelian  of  Sextus  Pompeius,  copied  from  the  well-known 

ArAOANTEAOr 
gem  bearing  Agathangelos's  signature,  is  signed  :        MACINOC 

€noi€i 

and  is  no  doubt  the  work  of  Lorenzo  Masini. 

MASIO,  JEAN  DE  (7J(j/.).  Mint-master  at  Chambcry,  1421.  He 
was  a  native  of  Asti,  and  filled  a  similar  office  at  Turin,  i4i8(under 
Louis  of  Achaia),  and  Embrun,  1^20. 

MAStlTZER,  HANS  (Germ.).  Goldsmith  and  Medallist  of  Nurem- 
berg, circ.  1538-1574,  of  whom  however  very  little  is  known.  The 
late  Alfred  von  Sallet  suggested  that  he  may  have  been  the  author 
of  the  medal  reproduced  here,  which  bears  his  portrait  on  obv. 

Neudorffer  in  his  Nachrkhten  von  Kmstlem  und  Werkkuten,  1547, 
gives  the  following  particulars  of  this  artist:  "  dieser  Maslitzer  ist 
eine  Zeit  lang  Rechenmeister  gewesen  und  ein  zierlicher  Schreiber, 
wohl  gegrundet  und  beruhmt.  Seinen  Anfang  im  Giessen  hat  er 
von  Herrn  MelchiorPfinzing,  Propst,  aber  sein  Fleiss  und  Uebung 
hat  ihn  mit  gottlicher  Hilf  dahin  bracht,  dass  er  alien  Goldschmiden 
genug  zu  giessen  hiitce.  Er  geusst  aber  von  Gold  und  Silber  und 
durchbrochen  so  rein,  als  ware  es  verseubert  (ciselirf)  hohl  gegosscn 
oder  getrieben. 

' '  In  Probieren  allerlei  Erz  Bergwerk,  und  Silber  auch  im  Scheiden, 
ist  er  ganz  gewiss(ifo-  erste)  und  alles  das  so  an  ein  Miinz  gehort, 
kann  er  verrichten,  und  weiss  im  Priigen  der  Munz  solche  Vortheil, 
wie  wenig  Miinzmeister  noch  erfunden  werden.  Die   Probierung 


,ledo/GoO(^[c 


β€”  6oi  β€” 

Kumachen,  hat  ereinen  grossen  Beruf,  aber  die  Streiclinadel  von 
Gold  und  Silber  zuzurichten,  wird  seines  gleichen  wcnig  gefunden. 
Erhat  a.  1538  die  goldene  und  bleierne  Miinz  gegossen,  die  zutn 
Gedaechtniss  an  dem  Bau  zwischen  dem  Vestner  und  Thiergaitner 
Thor  gelegc  worden.  Ward  Genannter  des  grosseren  llaths  1532  ". 
Maslitzer  died,  accordingto  Lochner,  in  1574.  The  medal  attrib- 
uted to  him,  by  Neudorffer,  of  the  Building  above-mentioned,  is 
not  by  hitn,  but  by  Peter  Flotner,  whose  initials  it  bears ;  and  it  is 
more  likely  that  Maslitzer  was  not  a  modeller,  but  only  a  clever 
founder,  vi'ho  may  have  been  employed  to  cast  medals  as  well  as 
other  decorative  and  sculpture  worlds.  His  Portrait-medal  however 
is  signed  Β£_  which  characteristic  mark  occurs  on  his  tombstone, 
where  we  find  his  name  as  Hans  Miicxlic7;er .  It  seems  possible 
therefore  that   this   interesting  medal  is  by  him,  and  that  it  may 


Portrait-medal  of  Hans  Masll 


have  been  executed  to  commemorate  his  election  to  the  Gross  Kaih 
in  1532.  Bolzenthal  expressed  the  same  opinion,  and  states  :  "  It  is 
said  of  Hans  Maslitzer  that  in  1538  he  cast  medals  in  gold,  silver, 
copper  and  lead,  which  were  laid  as  a  memorial  under  the  Building 
between  the  Vestner  and  Thiergartner  Gates.  As  Maslitzer  was 
celebrated  for  his  cast  works  in  gold  and  silver,  so  do  his  medals 
belong  to  the  most  remarkable  works  of  the  kind,  and  as  he  lived 
until  1574,  we  may  conclude  that  he  executed  many.  Perhaps  his 
own  likeness  at  the  age  of  27  may  have  been  his  own  production.  " 

Ammon  adds  that  Maslitzer  did  not  sink  irons,  but  on  the  other 
hand  von  Sallet  connects  his  name  with  seal-engraving. 

Bibliography.  β€”  A.  von  Sallet,  Deutsche  Gussinedailleii,  Zeits.  fur  Num.,  XI, 
pp.  124-8.  β€”  Doppelmayr,  op.  cU.  β€”  NeudOrffer,  oO.  cU.  β€”  BoUenthal,  op.  cil.  β€” 
Amnion,  op.  cit. 

MASLITZER,  TOBIAS  (GΒ«-m.).  Mint-master  at  Nuremberg,  1575- 
ijSj.  He  was  a  clever  artist,  and  in  1593  the  Nuremberg  city 
council  entrusted  him  with  the  execution  of  Seals  in  silver. 

Bibliography.  β€”  Gebert,  Geschkhlider  Mfm^stdUe  der  Reichsladl  Niii-jiberg,  189a. 


,  Google 


β€”    602    β€” 

MASNAGO,  ALESSANDBO  (Ilal.).  Son  of  Antonio  Masnago  of 
Milan,  and  Gem-engraver  In  the  service  of  the  Emperor  Rudolph  II. , 
end  of  the  sixteenth   century.  Arneih,  Die  Cinque  cento    Cameen, 

Ep.  29-30,  mentions  the  following  cameos  as  having  been  executed 
y  this  artist:  Jupiter  killing  the  Titans;  β€” β–   Psyche;  β€”  Rape  of 
Proserpina  by  Pluto;  β€”  Virgin  and  child. 
Bibliography.  β€”  Babelon,  op.  cil. 

MASNAGO,  ANDREA  DI  (Ilal.').  Gem-  and  Seal-engraver  to  Ferdi- 
nand of  Aragon,  Klngof  Naples,  c/rc,  1487. 

MASNAGO,  ANTONIO  (Ilal.).  Milanese  Gem-engi-aver  of  the  second 
half  of  the  sixteenth  century,  whose  son  Alessandro  attained  great 
notoriety  at  the  imperial  court  of  Vienna. 

MASO.  Vide  FINIGUERRA.  Vol.  II,  p.  93. 

MASON,  MABEL  (Brit).  Contemporary  Sculptor  and  Modeller; 
pupil  of  M"^  Genevieve  Granger;  residing  in  London;  exhibited 
at  the  Royal  Academy  in  1904  some  Portrait-plaquettes  and  a 
Medallion:  Maggie;  and  previously,  at  the  Salon  of  1902,  and 
1903,  two  Portrait-plaquettes. 

MASSACHUSETTS  AND  CALIFORNIA  Co.  Issuers  of  a  Californian 
5  dollar  piece,  1849,  with  Arms  on  obv,  and  Wreath  on  I^. 

MASSAUN,  PIERRE (FrfWj). Mint-master  at  St.  Palais,  i6i4;Pau, 
1612-1618. 
ISuiLiOGRAPHY.  β€”  J.  A.  Blanchet,  Histoin  mone.taire  liu  Beam. 

MASSARA,  MARCHESE  (Ilal).  Chief-Inspector  at  the  Mint  of 
Naples,  civc.  1756. 

MASSAULT,  JEAN  (French).  Mint-engraver  at  La  Rochelle,  nrc . 
1454-1458. 

MASSAUX,  GHISLAIN  JOSEPH  (Belg.).  Goldsmith  of  the  first  hall 
of  the  nineteenth  century,  who  is  said  to  have  produced  some 
medaUic  work.  He  was  born  at  Bois-de-Villers,  near  Namur, 
7  February  1772;  died  at  Ghent,  9  September  185 1.  Pupil  of  Van 
Pouche. 

MASSELIN,  JOSEPH  fiDOUARll  (French).  Contemporary  Sculptor 
and  Medallist,  born  at  Paris;  pupil  of  Levasseur. 

At  the  Salon  of  1888  this  artist  exhibited  a  bronze  medal  bearing 
a  Head  of  the  French  Republic;β€”  1889.  Two  Portrait-medallion,s; 
β€”  1892.  H.  H.  Pope  Leo  XIII. 

MASSON  (French).  Mint-engraver  at  Bourges,  circ.  1576. 

I  lo.tedb/ Google 


β€” β–   6o^   β€” 

MASSON  (French').  Medallist  of  the  first  quarter  of  tlie  nineteenth 
century.  He  wzs  Logistein  1812;  subject  of  the  medahThe  French 
Hercules.  By  him  are  the  following  medals:  Alesis  Piron,  poet, 
1817;  β€” J.  Hardouin  Mansart,  architect,  1817;  β€”  JeanRotrou, 
1818  ;  β€”  Marc  Gu^lon  of  Ti'oyes,  hostage  of  Louis  XVI. 

MASSON,  AVGUSIZ  (French).  Sculptor  and  Medallist,  circ.  1842- 
1870;  horn  at  Paris;  pupil  of  the  Brothers  FanniSres.  Amongst  his 
medaliic  productions  I  may  mention:  1842.  Richard  Lucas;  β€” 
Louis  Malleray ;  β€”  1848.  Eugene  Sainl-Amand  ;  β€”  Auguste  B***; 
β€”  1870.  Horace  Vernet.  All  these  are  bronze  Medallions,  cast, 

B:biiography.  β€”  Chavignerie  et  Auvcay,  op.  cU. 

MASSON,  SfiBASTIEN  (French).  Contemporary  Sculptor,  born  at 
Rheims  (Marne).  Chavignerie  et  Auvray  mention  two  Portrait- 
medallions  by  him:  1866.  M.  D***;  β€”  1870.  R.  P.  Jiicquier. 

MASSONNET  (French).  Editor  of  medals,  whose  signature  : 
MASSONNET  EDIT,  occurs  on  Prize  Medals,  Badges,  Tickets,  etc., 
engraved  by  various  artists;  for  instance:  Medal  of  the  conseil 
municipal  of  Bordeaux  (1890),  by  A.  Borrel;  β€” J.  P.  Beranger, 
1856; β€” Isabel  II.,  of  Spain,  War  against  Morocco,  1859,  by 
A  Gerbier;  β€”  Isabel  II.,  African  campaign,  1859-1860;  β€” Pri?;e 
Medal  of  the  Argentine  Agricultural  Society,  1874;  β€” Landingof 
Garibaldi  at  Marsala  i860;  β€”  Landing  of  Garibaldi  in  Calabria, 
i860;  β€” Ambulances  duXI^  arrondissement,  1834;  β€”  Compagnie 
des  lits  railitaires,  1866;  β€”  Proclamation  to  the  Italian  Nation, 
1859,  &c. 

MASSOULLE,  ANBRfi  ARTHUR  PAUL  (French).  Sculptor  and 
Medallist,  born  at  Epernay  (Marne),  died  at  Paris,  19,  June  1901,  at 
the  age  of  fifty.  He  was  a  pupil  of  Salmson  and  Cavelier.  His  prin- 
cipal works  are  aStatueofMadame  deSevigne,  which  was  purchased 
by  the  State  and  which  now  decorates  the  Legion  of  Honour  Board- 
ing School  at  Saint-Denis;  two  Water-genii  on  the  Alexander  III. 
Bridge,  and  the  Tomb  of  Carnot  atChMons-sur-Marne.  He  obtained 
a  medal  of  the  second  class  and  a  purse  in  1882,  a  silver  medal  at 
the  Universal  Exhibition  of  1889,  and  was  created  a  Knight  of  the 
Legion  of  Honour  in  1894. 

His  medaliic  productions  are  few  in  number:  1881.  Portrait- 
medallion  of  M.  X***,  barrister;  β€”  1886.  Henry  J***;  β€”  1886. 
M'"'  H.  J.***;  β€”  1898.  Plaquette,  representing  on  one  side  the 
the  Republic  covering  with  her  shield  a  child  reading,  and  on  the 
other,  a  cock. 

Bibliography.  β€”  Chavignerie  et  Auvray,  op.  cit.  β€”  Catalogue  d-u  Salon,  188c- 
1900.  β€”  L'Art,  1894,  p.  ;2i.  β€”  Gazelle  tiumumatiqiie  jran(aise,  1S99,  p.  98. 


atdb,  Google 


^  604  β€” 

MASSYS  or  METSYS,  QUENTIM  (Belg.).    Also    QUINTIJN  MESSIJS 

or  QUINTIN  MATSYS,  a  celebrated  Smith  and  Painter  of  Antwerp, 
born  at  Louvain  about  1460,  is  said  to  have  died  in  the  Carthusian 
convent  at  Antwerp,  during  the  second  half  of  1530,  between 
July  13  and  September  16.  He  was  brought  up  by  his  father  as  a 


Portrait  of  Quentin  Massys. 

smith,  "a  pursuit  then  often  requiring  artistic  knowledge  and 
manipulative  skill.  "  The  early  years  of  his  life  were  spent  at  Lou- 
vain, where  he  began  to  distinguish  himself,  then  he  settled  at 
Antwerp,  and  there,  falling  in  love  with  a  painter's  daughter,  in 
order  to  gain  her  hand,  he  took  to  painting,  removing  for  a  time 


,;.Goo'^lc 


β€”  6o5  β€” 

to  Brussels  to  learn  the  art  of  Roger  van  der  Weyden.  In  a  short 
time  he  was  able  to  handle  the  brush  as  well  as  the  hammer.  In  1491 
he  was  admitted  a  master  into  the  Antwerp  guild  of  St.  Luke,  and 
shortly  afterwards  he  married  Adelaide  van  Tuylc,  by  whom  he  had 
six  children;  after  her  death,  he  married  again  in  1508-9,  and  had 
by  his  second  wife  seven  children.  In  the  well-known  portrait  at 
Florence,  Massys  is  represented  with  his  second  wife,  Catherine 
Heyens;  it  is  dated  1520. 

Quentin  Massys  was  undoubtedly  one  of  the  most  celebrated 
painters  of  his  time  at  Antwerp.  His  master-piece,  the  "  Taking 
down  from  the  cross",  paintea  in  1508,  for  the  altar  of  the  chapel 
of  the  Joiners' company  in  the  cathedral,  is  now  one  of  the  principal 
attractions  of  the  Antwerp  Museum.  It  is  most  carefully  and  elabor- 


β€ž,'5i?S8?- 


Portrait- medal  of  Erasmus  of  Rotterdam,  by  Jean  Second,  and  probably  modelled 
from  Quentin  Massys's  original,  now  lost. 

ately  executed,  and  is  an  admirable  work,  in  spite  of  its  Gothic 
taste.  The  painter  received  only  three  hundred  florins  for  it, 
about  Β£  25  ;  and  the  city  purchased  it  of  the  Joiners'  company  for 
fifteen  hundred  florins  in  1577.  Queen  Elizabeth  wished  to  possess 
it,  and  is  said  to  have  offered  in  vain  forty  thousand  florins  for  it. 
The  careful  works  of  this  painter  are  well-known  in  this  country, 
from  the  so-called  "  Misers  '  at  Windsor,  the  picture  in  the  National 
Gallery,  and  other  examples.  Quentin  enjoyed  the  friendship  of  the 
municipal  secretary,  Peter  Gillis  (Egidius),  of  B.  Thomas  More, 
of  Diirer,  and  Holbein. 

The  painter  was  originally  buried  in  the  convent  of  the  Carthu- 
sians, and  when  this  convent  was  suppressed  his  remains  were 
reburied  in  front  of  the  cathedral  at  Antwerp,  with  the  following 
inscription  placed  in  the  wall  of  the  cathedral,  to  commemorate  the 
circumstance  and  his  history :  β€”  "  Qnintino  Matsys,  incomparabiHs 


o,Goo(^[c 


β€”  6o6  β€” 
artis    pictori,  admiratrix    grataquc   Poiteritis   aonu    post   obitum 
saecukri  CID.  DC.  XXIX.  posuit.  Coniiubialis  amor  de  muliebre 
fecit  Apeliem  "  (ZJ/c/.  of  Univ,  Biog.,  Ill,  p.  333}. 

On  Erasmus  of  Rotterdam's  own  testimony,  we  learn  that 
Massys  executed  a  Portrait-medal  of  himself  (...Unde  statuarms 
iste  iiactus  sit  effi-giem  tnei  demiror,  nisi  fortasse  habet  earn  quam  Quin- 
Hnus  Antverpiae  fudtt  ^re).  The  medal,  reproduced  here  (p.  605), 
has  been  hitherto  attributed  to  Quencin,  but  recent  research  has 
led  D'' Simonis  (LMc/  da McdaiUetir  en  Belgitjue,  1900)10  conclude 


Ponrait-medaliioii  of  Qjiciitin  Massys,  by  himseli. 

that  it  is  the  work  of  the  medallist  Jean  Second,  who  probably 
modelled  it  from  Massys's  medallion  (^Vide,  op.  at.,  pp.  31  and  83). 
But  there  are  at  least  two  other  Portrait-medallions,  which  are 
ascribed  to  the  celebrated  painter;  one  with  his  own  portrait 
(illustrated),  and  the  other  with  that  of  his  sister  Christine  Massys 
(in  the  possession  of  M.  le  Chevalier  Van  den  Bergh,  of  Antwerp). 
These  medals  are  absolutely  different  in  style  and  treatment  to  that 
of  Erasmus,  who  probably  knew  of  the  work  of  Jean  Second,  as  he 
says  in  a  letter  to  Botteus  :  "  Where  did  this  sculptor  procure 
my  portrait  ?  Perhaps  he  possesses  that  which  Quentin  Metsys 
cast  in  bronze  at  Antwerp  ?" 


,stsd  by  Google 


Commenting  on  Christine  Massys's  portrait,  D'  Simonis  observes : 
"  Quentin  Metsys  a  donne  au  portrait  de  sa  sceur  iin  fort  relief;  il 
la  presente  de  face  avec  un  talent  el  une  surete  de  main  que  n'ont 
pas  atteints  les  artistes  italiens,  qui  n'ont  en  general  laisse  que  des 
profils,  et  qu'atteindront  vingt-cinq  ans  plus  tard  seulement  les 
medailleurs  allemands  dans  leurs  magnifiques  medailles  en  bois  on 
en  pierre.  La  figure  de  Christine  est  captivante  dans  sa  modestie, 
elle  se  presente  avec  la  meme  grice  naive  que  les  saintes  femmes  de 


Massys,  by  QLn,-[itin  Matsys 


I'ensevelissenient  du  Christ  du  tableau  du  musee  d'Anvers.  C'est  Ic 
grand  art  de  la  medaille  iconique,  sans  ornements,  sans  details  qui 
apparent  la  grandeur  et  la  simplicite  de  I'ojuvte,  Nous  connaissions, 
jusqu'a  ce  iour,  deux  niedaillons  attribu^s  a  Quentin  Metsys;  sa 
niMaille  a  ini,  qui  a  et^  reproduite  dans  Van  Mieris,  et  la  medaille 
d'Erasme,  dat^e  de  1519,  qui  figure  a  la  fois  dans  Van  Mieris  et 
dans  le  Trisor  de  numismatique  (Midailles  allemandes).  Les  miJdaiUes 
de  Quentin  Metsys  et  de  sa  sceur  sont  coiiinie  des  bas-reliefs,  tenant 

filutot  de  la  sculpture;  eltes  ont  entre  elles  les  plus  grandes  ana- 
ogies  et  proviennenc  certainement  du  meme  artiste;  mais  la 
medaille  dTirasme  est  plut6t,  comme  le  dit  M.  PicquiJ,  une  ceuvre 
de  peintre  d  fines  degradations  de  plans.  " 

B litL  10 GRAPH Y.  β€”  D''  Julien  Simonis,  L'Arl  du  metlaiHetir  en  Belgiqiie,  Bruxellts, 
1900.  β€”  Brvan's  Dictionary  of  Painters  and  Ei^-auers,  1904.  β€”  I.  B.  Supino,  // 


atdb,  Google 


β€”  6oS  - 

MedagUere  Mcdiceo.  β€”  Bolzenthal,  op.  cit.  β€”  Pitich^rl,  Biographies  dcs  Gravmrs 
beiges,  Rmnie  de  la  num.  beige,  I,  2,  p.  66.  ^  Gazette  des  Beaux-Arts,  i888,  I,  j, 
J04 ;  II,  197.  β€”  A.  PiQchart,  Hisloire  de  la  Gravure  des  me'dailles  en  Belgique, 
Bruxelles,  1870.  β€”  Immerzeel,  De  Leveiis  en  Werkm  der  fiollandsche  en  Vlaanuehe 
Kiinstschilders,  Beeldhoutuers,  Gravears  en  Botcwenusters,  Amsterdam,  1843. 

MASTER,  THE,  OF  THE  ORPHEUS  LEGEND.  Under  this  heading 
Bode  has  described  a  number  of  Reliefs,  dating  from  the  second 
half  of  the  fifteenth  century,  and  the  work  of  an  artist  of  Northern 
Italy.  These  are  :  Vulcan  in  his  forge  with  Mercury  and  Venus  ;-β–  
Mars  crowned  hy  Victory;  β€”  Apollo  and  Daphne;  β€”  Orpheus 
slain  by  theThracian  maids;  β€”  Rape  of  Europa;  β€”  Achilles  taking 
leave  of  Thetis;  β€”  Venus  brings  arms  to  Aeneas;  β€”  Antique 
sacrificial  Scene;  β€”  Three  mythological  Representations;  β€” 
Memento  mori. 

BiULioGRAPiiv.  β€”  Bode,  Die  ilalieimclsen  Broaden,  Berlin,  1904. 

MASTERS,  Vide  MEDALLISTS. 

MASTINI,  A.  {hal).  Gem-engraver  ot  the  early  part  of  the 
nineteenth  century,  and  author  of  a  I^ortrait-cameo  on  sardonyx  of 
Napoieon  I. 

MASTRELLE,  ELOY.  Vide  ELOTE  MESTRELL. 

MASTRELLE,  PHILIPPE.  Vide  PHILIPPE  MESTRELL. 

MASTRELLINI  (//a/.).  Roman  Sculptor  of  the  second  half  of  the 
eighteenth  century,  and  author  of  numerous  Portraic-medaliions, 
among  which  two,  one  with  bust  of  John  Pichler,  the  Gem-engraver, 
and  the  other,  with  an  unknown  male  portrait,  were  reproduced 
in  enamel  paste  by  the  Tassies. 

Bibliography.  β€” Raspe,  op.  cH.  β€”J.  M.  Gray,  Jawes  ami  Ifiliiam  Tassie,  1894. 

MASUDA,  J.  (Japan).  Deputy  Commissioner  of  the  Mint  at 
Osaka,  from  May  1892  to  June  1893,  and  Chief-engraver  at  the 
Mint  there  from  August  1892  and  still  in  office  (January  1907). 

MATABON,  CHARLES  (French).  Sculptor  of  the  second  half  of  the 
nineteenth  century,  born  at  Lyons,  pupil  of  Duret,  Bontour,  and 
Caillouette.  By  him  are  various  Portrait-medallions,  mostly  cast  in 
bronze  :  1864.  Portrait  ot  a  Lady;  β€”  1866.  M.  Julian  Sen'';  β€” 
1876.  Mrs  P.  Gordon-Duff;  β€”  1880.  M"''  Marguerite  Cordier; 
β€”  1881.  The  Spring,  plaquette  in  bronze. 

Bibliography.  β€”  Chavignerie  et  Auvray,  0^.  cil. 

MATAGRIN  (French).  Sculptor  of  the  second  half  of  the  nineteenth 
century,  and  author  of  a  Portrait- medal  of  Emile  Joseph  Maurice 
Cheve  (vide  Musiker-Medaillen,  Mitth.  des  Kliihs  &c.,  1900,  98). 


lo.tedo.GoOf^lc 


β€”  6u9  β€” 

MATHAREL,  GDILLAOME  (French).  Mint-engraver  at  Dijon,  circ. 
1380-1400.  There  are  also  jetons  by  him  with  the  arms  of  the 
Duke  of  Burgundy,  1400. 

BiBLiOGiiAPHY.  β€”  Rondot,  Gravmn  el  Midailhurs,  1904, 

MATHAS,  A.  (Austr.).  Assistant-engraver  at  the  Vienna  Mint, 
iSi  1-1834.  He  died  on  i.  March  1834. 

MATHELIN,  MAURICE  DE  (Belg.).  Painter  and  Sculptor,  residing 
at  Brussels,  mentioned  in  M,  de  Witte's,  La  Midaille  en  Belgique 
au  XIX'  sikk,  1905. 

HATHES  {Austr.).  Goldsmith,  and  Mint-engraver  at  Landshut, 
circ.  1458. 

MATHES  (Austr.).  Moneyer  at  Vienna,  1368;  died  2.  March,  1383. 

MATHES,  MICHAEL(^M5;r.).  Mint-engraver  at  Vienna,  1850-1S5  2; 
Nagybanya,  1852-1856,  Vienna,  1856-1858;  Carlsburg  (Gyula- 
fehervar),  1858-1859,  then  again  at  Vienna,  1863-1869.  He  engraved 
the  dies  for  an  issue  of  5  Kreutzer  pieces,  1858-59,  1863-64,  witli 
laur,  head  ofFrancis  Joseph!.,  also  the  divisionary  coinage  of  that 
same  period  for  the  Austrian  provinces  of  Lombardo-Venetia.  He 
died  at  Vienna  on  2.  September  1869, 

Bibliography.  β€”  Heinr.  Ciibasch  jun..  Die  Mi'inim  uiUer  der  Rcg'ienmg  des 
Kaisers  Fruni  Joseph  I.,  189S-1896. 

MATHET,  LOUIS  (French).  Contemporary  Sculptor,  born  atTarbes; 
pupil  of  Dumont.  He  is  the  author  of  numerous  Portraic-medalHons, 
cast  in  bronze,  some  of  which  were  exhibited  at  the  Salon,  in  1884, 
1886,  and  later. 

MATHIAS,  DENIS  (French).  Mint-engraver  at  Rennes,  from 
25.  Februaiy  1654  to  his  death  in  1674. 

MATHIAS,  RENE  (French).  Son  of  Denis  Mathias,  was  appointed 
his  successor  in  1674,  but  ceded  his  office  to  Jean  Bedart. 

MATHIAS  DER  MDNZER  (Austr.).  Moneyer  at  Vienna,  y  I353' 
Another,  of  the  same  name,  held  this  office  in  1383. 

HATHIEU,  fiTIENNE  EUKkWEh  (French).  Manufacturer  of  buttons 
and  Die-sinker  at  Lyons.  In  1791-92  he  took  part  with  Claude 
Antoine  Merci6  and  Jean  Marie  Mouterde  in  the  undertaking  to 
coin  pure  bell-metal  as  currency,  and  is  said  to  have  engraved  some 
of  the  dies  of  the  pattern  coins.  He  was  an  Associate  of  the 
"  Soci^te  des  Artistes  r^unis  de  Lyon  ".  (Vide  MERClfi).  In  the 
association,  Mathieu  was  entrusted  with  the  mechanical  part  of  the 

I..  FotKKi.,  β€”  BwgrafhiialNolUtKif  MiilMhl>.  β€”  III.  i9 


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work,  Mercie  with  the  cutting  of  the  dies,  :md  Moiitcrde  with  the 
casting  of  the  metal. 

Bibliography.  β€”  N.  Roiidoi  et  il.  dc  la  I'our,  up.  at.  ~~  RoLidot.-Gjijwiiis 
lyonnais,  p.  70. 

MATHIED,  JEHAN(FraieA).  Mint-master  at  Bourge.s,  in  1528; 
dismissed  in  the  same  year  for  altering  his  Letters  Patent,  iind 
replaced  by  Pierre  Roiisard  in  1529. 

BiiiLloGHAtHY.  β€”  E.  Faivrc,  11^.  wV, 

MATHIED-MEUSNIER  (French).  Sculptor,  born  ar  Paris  on  tlie 
I.  April  1824;  pupil  of  A,  Duniont,  and  C.  Desains;  entered  the 
bcole  des  Beaux-Arts  in  1841 ;  and  obtained  a  medal  of  the  Third 
Class  in  1844.  He  has  executed  several  Portrait-medallions,  castin 
bronze,  some  of  which  were  exhibited  at  the  Salon  :  1865.  Emile 
OUivier;  β€”  1867.  Vallon  de  Villeneuve  ;  β€”  r868.  Delangle;  β€” 
1869.  Sarah  Bernhardt;β€”  1875.  Mβ„’=  S.  Testard ;  β€”  1878.  Rio- 
creux;  -^  1879.  Sarah  Bernhardt,  in  her  roleof  the,Q.ueen,  inRuy- 
Blas  (silvered  bronze  medallion);  β€”  Mβ„’"  Regnard ;  β€”  1880. 
M"=  Reneede  Pont-Jest;  β€”  1884.  D'  L.  P.***;  β€”  1884.  Dussienx- 
Keller. 

By  this  artist  are  numerous  statues,  busts,  sculptural  groups,  &c. 

BiKLioGiiAPHY.  β€”  ChavigLierie  et  Auvray,  op.  cii. ^li,  p.  53. 

MATTEI,  LOUIS  OCTAVE  (French).  Contemporary  Sculptor,  born 
at  Van  (Maine-et- Loire);  pupil  of  Tonnellier.  At  the  Salon  of  1904 
he  exhibited  two  Portrait- medals  in  silver  of  M""  Alice  and  Gabrieile 
Wahher,    and   in    1906    :  D"'  Cange ;    β€”   M"'=   Helene   C***;  β€” 

MATTEO  DEI  BENEDETTI  (/ia/.).- Gem-eiigraver  at  Bologna;  died 
in  1523.  He  is  extolled  by  Achillini  in  his  "  Viridario  ". 

MATTEO  DEL  NASSARO.  F/ifi^NASSABO. 

MATTEO  DE' PASTI.   FidePkSTl. 

MATTHAEUS,  CARL  (Germ.).  Mint-engraver  at  Nuremberg,  circ. 
1584-1602. 

β–      MATTHIAS  DER  MUMZER  (Aaslr.).  Moneyer  at  Vienna,  ckc.  13S3. 

MATTIGHOFER  VOK  STERNFELS,  CHRISTOPH  (Austr.).  Provisional 
Miiit-master  at  Budweis,  1577,  during  the  absence,  of  Tobias 
Gebhardt  at  Prague;  then  Mint-master  there,  i583-ti9-  July  1613  ; 
privy  mark,-a  small  lion's  head  within  a  circle. 

Bibliography.  β€”  E.  Fiala,  op.  cit. 


atdb,  Google 


MATTEO  DI  GIOVANNI  DEI  Qtal.).  Goldsmith, Clmscr,  and  Niello- 
worker  of  the  fifteenth  century.  At  the  Real  Musco  Nazionale, 
in  Florence,  is  a  "  Pace  "  in  chased  silver,  with  a  representation   of 


"  Pace  ",  by  Matteo  di  Gi 


the  Crucifixion  in  niello-work,  by  this  artist.  It  was  executed  for 
the  coniinunity  of  St.  Paul  in  1455  and  has'  been  erroneously 
ascribed  to  Finiguerra. 

BiBLioGHAPHV.  β€”  Nagler,  op.  cit. 

MATTIS,  VERIUS  DE  (Bohem.).  Mint-master  at  Prague,  circ.   1335. 

MATTON,  ARSΒ£nE  Β£D0UARD  (Bdg.).  Sculptor  and  Medallist,  born 
at  Harlebeke,  15.  Decembiir  1875 ;  pupil  of  the  Royal  Academies  of 
Malines  and  Brussels.  He  has  hitiierto  worked  principally  for 
publishers  of  medals, 

MATTON,  W^^  IDA  {Swed.).  Contemporary  Sculptor,  born  at 
Gefle  (Sweden);  pupil  of  Chapu.  At  the  Salon  of  1897  she  exhibited 


,ledo/GoO(^[c 


Portrait-medallions  and  Bronze  Reliefs  :  Phyllis;  β€”  The  Castle  of 
Montfort ;  β€”  A  Brittany  girl,  &c. 

MATZENKOPF,  FBAKZ  (Auslr.).  Mint-engraver  and  Medallist  at 
Salzburg,  cux.  1727-1754.  His  signature  F.  M.  K.  or  MK;  F.  DK  ; 
WK.  occurs  on  currency  (AT.  Double-Ducats,  Ducats  ;..R.TiiaIers, 
Half,and  Q.uai'ter  Th3lers&c.),ofLeopoldAnton(i727-r744),Jacob 
Ernst  (1745-1747),  and  Andreas  C1747-175  3).  One  of  liis  last 
works  is  a  medal  on  the  Coronation  of  the  Archbishop  Sigismund  III., 
Count  von  Schrattenbacb,  1753,  which  exists  in  various  sizes  and 
types ;  β€”  but  he  did  also  :  iji,  of  Medal  on  Coronation  of  Leopold 
Anton,  Count  von  Firmian,  1727  (obv.  by  Doiiner);  β€”  Medal  on 
Coronation  of  Jakob  Ernst,  Count  von  Liechtenstein,  1745  (2  ^ 
types,  IN  MANU  DOMINI  SORS  MEA,and  DOMINUS  AUTEM 
ASSUMPSIT  ME);  β€”  Medal  on  Coronation  of  Andreas  Jakob, 
Count  von  Dieirichstein,  1747  ^L.  AMORE  ET  JUSTITIA ;  ~~ 
Undated  Pattern  100  Ducat  piece  in  gold  of  Archbishop  Andreas 
Jakob  (80  mill,  in  diameter) ;  β–  β€”  and  others,  described  in  the 
Catalogue  of  the  Gustav  Zeller  Collection  (Vienna,  1902)  : 
Leopold  Anton,  Enthronization  {^L  by  Becker);  β€”  Ducats  of  1728, 
1739;  β€”  Half  Ducat,  1728  ;  β€”  Quarter  Ducat,  1740;  β€”  Thaler, 
173S,  &c.  β€”  Jacob  Ernst,  Portrait-medal  of  1745;  β€”  {  Ducat, 
174s;  β€” Thalers,  1745,  1746;  β€”  Andreas  Jacob,  Double  Ducat, 
1750;  β€” Ducats,  1747,  1748;  β€”  I  Ducats,  1749,  1751;  β€” 
Thalers,  1748,  1750,  1752,  &c.  β€”  Sigismund  III.  Enihwm-/,stion 
Medal,  1753 ;  β€”  Ar;other,  on  his  Consecration  (sii^ned  :  F.  M,  K.), 
&c. 


β– K  iw:  '.-  MS 'S\ 


C.oion  iri(.>ii  ijl' Archbishop  Leopold,   1727. 

Zeller  calk  Matzcnkopf  an  artist  of  exceptional  talent,  whose 
productions  rank  among  the  best  struck  at  Salzburg.  Many  of  his 
Thalers  are  medallic. 

Bibliography.  β€”  Gustav  Zeller,  Die  an  den  fiirsteixMicljdllich-saljburgischen 
MUn^e  angesiBllien,  oder  fiir  dieselbe  thdtig  gevjesenen  answartigen  Mun^eisenschneidei; 
Graveurs  und  Medailkurs,  Wiener  Numismatische  Zeitschntt,  XX,  J99. 


db,  Google 


-  6i3  - 

MATZENKOPF,  FRANZ  JUNR  (Juslr.).  Son  of  the  last;  Mint- 
engraver  and  Medallist  at  Salzburg,  1755-1805  ;  born  In  1738,  died 
in  1808.  He  worked  under  the  Archbishop  Sigismund  (Graf  von 
Sch  ratten  bach)  and  later.  The  currency  {M.  10,  5,  2  and  i  Ducat 
pieces ;  M..  Thalers  and  subdivisions)  engraved  by  this  artist  is  usually 
signed  :  F.  M. ;  β€”  M  ;  β€”  F.  M.  K. ;  β€”  P.  BK  ;  β€”  MK  and  also  BK,  and 
comprises  the  reigns  of  Sigismund  (1753-1771),  Hieronymus(i772- 
1803), and  Ferdinand  (1803-1805).  By  him  are  also  medals:  Sede 
Vacante,  1772  ;  β€”  Prize  Medal  for  Mint-workmen.  1766 
BL.  ARTIS  MONETARIAE  PRAEMIUM ;  β€”  Medals  of  1763/6 
(^.  South  Gate  of  the  Sigismundthor)  ;  β€”  Twelfth  centenary  ot 
the  Archbishopric  of  Salzburg;  β€”  Medal  of  1767  on  the  Completion 
of  the  Sigismundthor,  and  1782  (signed  on  obv.  :  MAZENKOPF  and 
on  ^.  F.  M.),  sev.  var. ;  β€”  Jubilee  of  Dominicus  II.  Schnizer, 
Abbot  of  Weingarten,  1781  ;  β€”  Medals  with  bust  of  the  Archbishop 


:  .^sv? 


Sigismund  HI.,  Count  von  Schrattenbach  1^  CUIQUE  SUUM,  1756 
and  1764;  β€”  Another;  I?i..  IN  MANU  DOMINI  SORS  MEA,  1756 
(this  piece  exists  also  in  gold,  weight :  20  Ducats) ;  β€”  Medal  on  the 
Sede  Vacante  atEichstiidt,  1757;  β€”  Sigismundsthor  Medals  of  1757, 
1767  and  1769  ;  β€”  Undated  Medal ;  Β₯jL.  SCIENTIARUM INCRE- 
MENTO  (also  in  gold,  weiglit :  15  Ducats);  β€” Sede  Vacante  at 
Passau,  1772,  &c. 

In  the  Gustav  Zeller  Collection  were  the  following  productions 
by  Franz  Matzenkopf  Jun  β– .Sigismund  III.  (1753-1771).  Medal  on 
the  Erection  of  new  Coining-presses  at  the  Salzburg  Mint,  1776; 
β€”  Medals  of  1767/69 ;  obv.  Bust ;  ^,  South  Gate  of  the  Sigis- 
mundthor;β€”  Large  Medal  of  1767  on  the  Completion  of  the 
Sigismundthor;  β€”  Medalof  1756;  ^.  View  ofSalzburg;  β€”  Medal, 
undated,  on  the  Salzburg  University;  β€”  Double  Ducat,  175  j ;  β€” 
Ducats,  1753,  1754,  1768;  β€”  \  Ducat,  1755; β€”  Thalers,  1754, 


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β€”  6i4  β€” 


1755' ^757'  1758,1759,1760-1769;  β€”  Half  Tbalers,  1757,  1760, 
1766,  1770  &c.  and  subsidiary  coinage.  β€”  Sede  Vacante  (1772). 
Medals  in  A',  iK,  JE,  and  pewter;  β€”  Ducat;  &c.  β€”  Hieronymus 
(1773-1803).  MeJal  on  liis  Election,  1773  (signed  -.  MATZEHKOPF, 
F.)  ;  β€”  Medal  of  1782  on   tlic  12"'  Centenary  of  tlie  Arbisliopric  ; 


Thrill 


i  Archbishop  Hieronymus,  lySy. 


β–  β€”  Ducats  of  1773,  1783,  &c.  ;  β€”  Thalers  1772,  1774,  1779, 
1780,  1783,  1783,  1785-1787,  1789  {illustrated),  &c.  ;  β€”  Half 
Thalers,  1772,  1773,  1782,  &c.,  and  subsidiary  coinage. 

The  productions  of  this  engraver,  like  those  of  his  father, 
distinguish  themselves  by  very  good  drawing  and  careful  execution ; 
they  are  very  numerous. 

BiBUOGRAPHY.  β€”  Bolzenthai,  o/).  cii.  β€”  Wurzbiich,  Bii^raph,  Lexikon  des 
Kaiserilmms  Oesierrdch,  XVII,  125.  β€”  Bergmann,  MedaUlen  mif  btHihmte  uiid 
atisge^ichnete  Mdnner  des  oesterreicMsclxn  KaiserstaaUs,  I,  jg.  β€”  Domanig,  op.  cil. 
β€”  Ad.  Hess  Nachf.,  Rnnimann  Sale  Catalogiie,  1892.  β€”  Kalalt^  tfer  Mhnxenriind 
MedailUn-Stempel-Sammluw  des  K.  K.  Miinramles  in  Wien,  1902.  β€”  Zeller,  loc. 
cil.  β€”  Welhnheim Sale  Catalogue,  1844.  β€”  Egger,  Salihirger  Mi'mien  and  Mtdnillm 
(GmUw  Zeller  Saminliiiig),  13.  November  1902. 

MATZEKKOPF,  FRANZ  XAVER  (Austr.).  Son  of  the  last,  bom  in 
1767;  Mint-engraver  and  Medallist  at  Salzburg,  1789-1807;  died 
on  7.  February  1844.  On  the  secularization  of  the  Archbishopric  in 
1809,  he  worked  in  the  service  of  Bavaria,  but  in  1816/17  we  lind 
him  filling  the  post  of  Engraver  at  the  Mint  of  Vienna.  Amongst  his 
productions  are  :  Memorial  medalof  General  Laudon,  1790; β€” Medal 
of  Merit,  with  bust  on  obv.  of  the  Grand  Duke  Ferdinand  HI.  of 
Tuscany,  i8o6(signed  :  F.  X.  M.)  ;  β€”  Medal  of  Hieronymus,  &)unt 
von  CoUoredo,  Archbishop  of  Salzburg;  I?i..  MISERICORDIA 
SUPEREXALTAT  JUDICIUM;  β€”  Military  Medal  of  1799; 
^L.  DEN  KAEMPFERN  FUR'S  VATERLAND  (signed  : 
F.    MAZENKOPF);    β€”    Medal    of  Merit,  with   bust  of  Ferdinand, 


,/ Google 


-6is  - 

Archduke  of  Austria,  Arclibisliop  of  Sa!:^bui-g,  iSo6;15^.  DEM 
VERDIENSTE;β€” Medal  of  1810,  with  bust  of  Maximilian  I.  Joseph 
of  Bavaria;B6.  SECVLA  NUNC  REDEUNTBAVARO, 

In  the  Zeller  Collection   were  the   following  works   by   F.   X. 
Matzenkopf  :  MiUtary  Medal  of  Merit,  1799  ;  β€”  A'.  Ducats,  1801- 


Sakbiirg  Lawcntli^ilcr 


1802;  β€”  JK.  Conv.  Thaters,  1790-1803  (last  date,  ext,  rare,  :ind 
signed  M);  β€”  LSwen thaler,  1790  (illustrated);  β€”  H;ilf  Thalers, 
1792,  1797,  1802,  &c.  and  subsidiary  coinage;  β€”  Incorporation 
of  Salzburg,  18 10  (signed  :  F.X,  MATZENKOPF  P.);  β€”  Mrd.ilonthe 


the  Loyalty  oftht  TyroU.ins  to  iht!  Emptror  Fra 


1797- 


Death  ofGedeon  Laudon,  1790;  β€”  Loyalty  of  the  Tyrolians  to 
Francis  II.,  1797  (illustrated),  &c. 

Zeller  mentions  that  tliis  engraver  followed  in  the  footsteps  of  his 
father    and   grandfather,   producing   many  works    of  exceptional 


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β€”  6i6  β€” 

merit,  from  the  two  Portrait-medals  of  Field  Marshal  Laudon, 
executed  in  1790,  to  the  medal,  engraved  in  1810,  commemora- 
ting the  Acquisition  of  Salzburg  by  Bavaria. 

Bibliography.  β€”  Zeller,  /oc.  cil.  β€”  Avnmon,  op.  cit.  β€”  Rolzenthal,  op.  cil. 
β€”  i^gS^i'.  ol>.  cil. 

MATZENKOPF,  PETER  PAUL  {Aiisir.).  Mint-engraver  and 
Medallist  at  Salzburg,  c/fira  1765 ;  thenatGratz,  1771.  His  signature  : 
P.  P.  MAZEKKOPF  F.  occurs  on  a  medal  struck  at  Salzburg  in  1765, 
commemorating  the  second  marriage  of  the  Emperor  Joseph  II. 
witli  Josefa  of  Bavaria.  He  died  on  3 1 .  January  1808. 

BfBLiOGRAi'H-y,  β€”  Kaidog   dcr  Munxfit  mil    MedaillenSlempelSammhing,  &c. 

MAUBERT,  FONTAINE,  HUGONIN  DE  (French).  Mint-warden  at 
Lausanne,  1417. 

BiiiuOGR,\PHV,  β€”  Morel- F;itio,  Hhloire  mmiilaire,  de  Laiuanne. 

MAUCROIX,  PERRIW  DE  (French).  Mint-warden,  Assayer,  and 
Engraver  at  Hmbrun,  and  Briancon,  arc.  1419-1429, 

HAUDER  {Amir.).  Die-sinker  of  Prague,  whose  name  I  have 
noticed  on  a  medal  commemorating  the  friendly  relations  between 
the  Czech  nation  and  France,  1902.  It  is  in  gold  and  measures 
60  mill,  in  diameter. 

MAUGAIN,  JEAN  (French).  Mint-engraver,  and  later,  Mint-master 
at  St.  Pourcain,  niT,  1336-1339. 

MAUGENDRE-VILLERS,  fiDODARD  (French).  Contemporary  Sculp- 
tor, .  born  at  Gournay-en-Bray  (Seinc-Inl'i^rieure);  pupil  01 
A.  Dumont,  By  him  are  numerous  Portrait-medallions,  cast  in 
bronze:  1881.  Louis  Cognard,  hostage  of  the  Prussians  in  1870 
(commissioned  by  the  town  of  Saint-Germain-en-Laye);  β€”  1890. 
15  Portrait- medallions  in  bronze,  &c. ;  β€”  1891.  26  Medals  and 
Medallions  (among  these  a  medal  in  bronze,  "  Instruction  mater- 
nelle");  β€”  1894.  Salammbo;  β€”  Cleopatre  (the  two  last  are 
Bronze  reliefs  or  Plaques). 

MAUGER,  JACQUES  (French).  Engraver  at  Paris,  circ.  1684. 

MAUGER,  JEAN  {French).  MedalUst  of  the  second  half  of  the 
seventeenth  century  and  first  quarter  of  the  eighteenth ;  probably 
born  at  Dieppe  about  1648,  where  he  is  said  to  have  had  his  first 
training  as  a  carver  in  ivory,  which  trade  was  then  a  flourishing  one 
in  that  town;  died  at  Paris  on  the  9"'  of  September  1722  at  the  age 
of  seventy-four.  Nothing  is  known  of  the  circumstances  which  led 
the  artist  to  settle  in  Paris,  circ.  1677,  and  later  to  enter  the  King's 


lo.tedo.GoOf^lc 


-  6i7  β€” 

service  as  an  Engraver.  B.  Duvivier  states,  however,  that  he  studied 
under  the  famous  Warin.  In  Mint  documents,  Mauger  is  variously 
called  Graveur  des  midailles,  Midailliste  du  Rot,  and  o^ier  midail- 
Ustedu  Roi.  By  an  order  of  the  Court,  dated  27,  April  1698,  he  was 
given  an  apartment  (the  seventeenth)  in  the  Louvre  Galleries, 
which  on  his  death  fell  to  the  Duviviers,  who  preserved  it  until  the 
end  of  the  eighteenth  century, 

Mauger  married,  some  time  previous  to  1698,  Elizabeth  Clay,  the 
daughter  of  a  Paris  goldsmith,  by  whom  he  had  five  children. 

Tlie  period  of  the  medallist's  activity  extends  between  1677  and 
1772,  and  his  works  are  very  numerous;  they  are  variously  signed  : 
I.  MAVGER.  r. ;  β€”  MAVGER  F. ;  β€”  M.,  &c.  His  bust  of  Louis  XIV. 
occurs  on  many  medals  with  reverses  engraved  by  different  artists. 

Mauger  was  patronized  by  the  Academy  and  was  principallj' 
engaged  on  the  medallic  series  of  Louis  XIV.  "  His  works  are  of 
bold  and  vigorous  workmanship ;  many  were  executed  after  designs 
drawn  by  Sebastian  Le  Clerc"  {Med.  III.,  II,  p.  732). 

It  is  as  well  to  notice  that  the  dates  of  the  events  represented  on 
Mauger's  medals  hardly  ever  correspond  with  those  of  their  execu- 
tion, and  we  find  that  the  artist  repeated  between  1700  and  1703 
the  whole  series  of  Louis  XIV.  from  1643  to  1700. 

In  my  list  of  Mauger's  productions,  I  mention  first  all  those  that 
have  some  connection  with  English  history  :  Battle  of  Dunkirk, 
1658;  β€”  Another;  ^.  by  Henri  Roussel ;  β–  β€”  Cession  of  Dunkirk, 
1662;  β€”  Another;  ^L.  by  Thomas  Bernard;  β€”  Alliance  of  France 
and  Holland,  1666;  β€”  The  English  driven  from  the  Island  of 
St.  Christopher,  1666  ;  β€”  Battle  of  Solebay,  1672;  β€”  Louis  XIV. 
receives  James  II.,  1689;  β€”  Battle  of  Fleurus,  1690 ;  β€”  Action 
off  Beachy  Head,  1690;  β€”  Quebec  attacked,  1690;  β€”  Capitulation 
ofMons,  1691  ;  β€”  Namur  taken,  1692;  β€”  Battle  of  Steinkirk, 
1692  (sev.  types)  ;  β€”  Sea  fight  off  Gibraltar,  1693  ;  β€”  Battle  of 
Landen,  1693;  β€”  Expedition  to  Brest,  1694;  β€”  Dunkirk  bomb- 
arded, 1695;  β€”  Indian  trade  molested,  1695;  β€”  Successes  of 
Louis  XIV.,  1697;  β€”  Peace  of  Ryswick,  1697  (sev.  types);  β€” 
Naval  Engagement  off  Malaga,  1704;  β€”  Battle  of  Almanza,  1707; 
β€”  Toulon  relieved,  1707;  β€”  Battle  of  Villa  Viciosa,  1710;  β€” 
Gerona  taken,  1711 ;  ^,  by  Dassier;  β€”  Peace  of  Utrecht,  1713. 
Many  varieties  of  legends,  types,  &c,  occur  of  most  of  these. 

The  Americans  claim  the  following  medals  by  Mauger  in  their 
series :  French  Conquest  of  St.  Christopher  Island,  1666;  ^Victory 
at  Martinique,  1674  (2  var.) ;  β€”  Recovery  of  Cayenne,  1676 
(2  var.) ;  β€”  Victory  at  Tabago,  1677 ;  β€”  Quebec  attacked,  1690 
(i  var.) ;  β€”  Carthagena  recaptured,  1697  (5  var.). 

Guiffrey's  list  of  Mauger's  productions  comprises  the  following  : 
Birth  of  Louis  XIV.  (several  types),  1638;  β€”  Death  of  Louis  XIII., 


./Google 


β€”  6i8  β€” 

1643 ;  β€”  Italy  pacified  throiigb  llie  French  Troops;  β€”  Regency  of 
the  Queen  Mother,  Anne  of  Austria;  β€”  Battle  of  Rocroy;  β€” 
Capture  of  Thionville;- β€”  Capture  of  Trin  and  of  Sturi  Bridge;  β€” 
Battle  of  Carthagena  (2  var.) ;  β€”  Taking  of  Graveiines,  1644 ;  β€” 
Peace  ot  Italy ;  β€”  The  three  Engagements  of  Freiburg ;  β€”  Capture 
of  thirty  Towns ;  β€”  Capture  of  Roses,  1645  (2  var.);  β€” Battle  of 
Nordlingen;  β€”  Embassy  from  Poland ;  β€”  Campaign  of  1645;  β€” 
Restoration  of  the  Elector  of  Treves;  β€”  Capture  of  Balaguera;  β€” 
l"hirty-four  towns  taken;  β€”  Capture  of  Dunkirk,  1646;  β€” 
Thirteen  towns  takens;  β€”  Capture  of  Courtrai,  Winexbergen  and 
Mardik;  β€”  Capture  of  Piombno  and  Portulongo;. β€”  Eleven  towns 
taken,  1647  ;  β€”  Defeat  of  the  Duke  of  Bavaria,  T648;  β€”  Rattle  of 
Lens;  β€” Peace  of  Miinster,  or  Westphaha  (sev.  var.);  β€”  Ypres 
captured  by  the  French;  β€”  Tortosa  taken;  β€”  Siege  of  Guise 
raised,  1650;  β€”  Cond^  and  Maubeuge  taken;  β€” Battle  of  Rethel; 

β€”  Successes  of  the  French  Troops  in  Flanders;  β–  β€” ^King  Louis  XIV. 
attains  his  majority,  1651  (2  var.);  β€”  Return  of  Louis  XIV.  to 
Paris,  7652  ;  β€”  Capture  of  several  tovifns  by  the  French,  1653  ;  β€” 
Capture  of  Belfort,  1654;  β€” β–   Coronation  of  Louis  XIV.;  β€” 
Capture  of  Stenay ;  β€”  Siege  of  Arras  raised ;  β€”  Capture  of  fourteen 
towns;  -^  Capture  of  Cadaques  and  Castillon,  1655  ;  β€”  Capture 
of  Landrecy,  Conde  and  St.  Ghislain  (2  var.);  β€” Establishment  ot 
the  "  Hopital  general  ",  1656;  β€”  Queen  Christina  of  Sweden  in 
Paris;  β€”  Capture  of  Valencia;  β€”  Capture  of  Kapelle;  -β– -  Capture 
ofMontm^dy,  1657;  β€”  Mardik  and  Saint- Venant  taken; β€” -Battle 
of  the  Downs,  1658;  β€”  Convalescence  of  the  King  (Calais);  β€” 
Rapidity  of  the  King's  victories;  β€”  The  Spaniards  defeated  at 
Dunkirk;  β€”  Dunkirk  captured  for  the  second  time;  β€”  French 
victories  en  the  Scheld;  β€”  Capture  of  Mortare;  β€”  Conferences 
for  Peace,-  1659  (2  var.)  ;  β€”  The  Citadel  of  Marseilles,  1660  ;  β€” 
Peace  concluded  between  France  and  Spain  ;  β€”  Interview  between 
Louis  XIV.  and  Philip  IV. ;  β€”  Marriage  of  Louis  XIV.  with  Maria 
Theresia  of  Austria  (sev.  var.) ;  β–  β€”  Arrival  of  Maria  Theresia  in  Paris ; 

β€”  The  King  rules  the  State,  i66r;  β€”  Assiduity  of  the  Kingatthe 
Councils ;  β–  β€”  Chamber  of  Justice ;  β€”  The  King  accessible  to  all  his 
Subjects;  β–  β€”  The  Secret  of  the  King's  ^Councils;  β€” The  Duke  ot 
Lorraine  renders  homage  to  Louis  XIV.;  β€”  Birth  of  the  Dauphin  (sev, 
var.) ;  β€”  Creation  of  the  Order  of  the  Knights  of  Saint- Esprit  (in  two 
sizes),  1662;  ^Abolition  of  duelling;  β€”  Precedence;  β€”  The  Famine 
of  1662  ;  β€”  The  Carrousels;  β€”  Acciuisition  of  Dunkirk  (2  var,); 
β– β€”  To  the  glory  of  Louis  XIV.,    1663;   β€”  Flourishing  state  of 

.  France;  β€”  Foundation  of  the  "  Academie  des  Inscriptions";  β€” 
Marsala  taken ;  β€”  Alliance  with  the  Swiss;  β€” The  King's  "Motto"  ; 

Erection  of  a  Pyramid  at  Rome,  1664;  β€”  Engagement  of  Saint- 

Gothard ;  β€”  Audience  granted  to  the  Pontifical  Legate ;  β€”  Capture 


>sted  by  Google 


"  6i9  - 
of  Erfurt  (2  v.ir.);  β€”  Trade  reorganized,    1665;   β€”  Madagascar 
taken;  β€”  Military  manoeuvres;  β€”  Death  of  the  Queen  Dowager, 


Medtl  ol  Louis  XIV.,  on  the  Sub)ection  of  Holland,  1672. 

Anne  of  Austria,  1666;  β€”  Prize  Medal  for  attainments  in  the  Arts; 
β€”  Royal  Academy  ofSciences;  β€”The  Harbour  of  Cette;  β€”  The 


,isdo/Goog[c 


β€”    620    β€” 

English  driven  out  of  Sr.  Cliristopher  Island;  β€”  The  Harbour  of 
Rochefort;  β€”  France  supporting  the  Netherlands;  β€”  Clemency 
ot  Louis  XIV. ;  β€”  Douai  captured,  1667;  β€”  Oudenarde  taken  ;  β€” 
Sewerage  (1666-7-8)  ;β– β€” The  Paris  Observatory ;  β€”  Junction  of  the 
seas  (2  var.) ;  β€”  Tournai  and  Courtral  taken  ;  β€”  Lille  taken;  β€” 
Courtrai  and  Oudenarde  taken  ;  β€”  Rout  of  the  Comte  de  Marsin  ; 

β€”  Capture  of  Rysel ;  β€”  The  New  Ordinances  ;  β€” β–   Victory  of  the 
French  near  Bruges ;  β€”  Campaign  of  1667 ;  β€”  Capture  of  Besan- 
^on,  1668;  β€”  Dole  taken;  β€”  Peace  of  Aix-la  Chapelle  (2  var.);  β€” 
Conquest  of  Burgundy  in  ten  days;  β€”  Surrender  of  Burgundy  to 
Spain ;  β€”  The  Pyramid  demolisned  ai  Rome ;  β€”  Inauguration  of 
Public  Lighting,  1669;  β€” β–   Paving  the  city  of  Paris;  β€”  Security 
reestablished  throughout  the  Kingdom ;  β€”  King  Casimir  of 
Poland's  visit  to  Paris ;  β€”  Peace  of  the  Church  ;  β€” β–   Conquest  of 
Lorraine,  1670;  β€”  The  Fortifications  of  Dunkirk,  1671  ;  β€” 
Naval  Victory  at  Solebay,  1672;  β€”  Rout  of  the  Dutch  troops  on  the 
Ysse! ;  β€”Campaign  of  Louis  XIV.  in  the  Netherlands;  β€”  Capture 
of  Orsoy,  Rijnberk,  Burich  and  Wezel  (2  var.);  β€”  Louis  XIV. 
crosses  over  the  Rhine ;  β€”  Capture  of  the  Dutch  frontier  fortresses 
by  the  Freoch  (3  var.);  β€”  Louis  XIV,  as  Protector  of  the  French 
Academy;  β€”  fiolland  subdued  (iV/jirfratei/);  β€”  Capture  of  forty 
towns  in  twenty-two  days  by  the  French ;  β€”  Twelve  towns  taken  ; 

β€”  Relief  of   Woerden;   β€”    Granaries    and    Warehouses    built; 

β€”  Siege  of  Charleroi  raised;  β€”  Brandenburg  repulsed,  1673 
(2  var,);  β€” -  Maestricht  taken  (3  var.);  β€” β–   The  Quadriga,  or 
Second  Conquest  of  Franche-Comte  (sev,  var,);  β€”  Burgundy 
reconquered ;  β€”  Besan^on  taken  for  the  second  time  ;  β€”  Recapture 
of  D61e;  β€”  Engagement  of  Sinzheim  (sev.  var,);  β€”  Victory  over 
the  Germans  on  the  Neckar ;  β€” β–   Battle  of  Senef ;  β€”  Attempt  of  the 
Dutch  on  Martinique;  β€”  Siege  of  Oudenarde  raised ;  β€”  Victories 
over  the  Germans;  β€”  Engagement  of  Ladenburg;  β– β€”  Battle  of 
Ensheim;  β€”  The  Security  of  France  and  the  Dutch  fleet;  β€”  Retreat 
of  60,000  Germans  over  the  Rhine,  1675 ; β€” Defeat  of  the  Spaniards 
in  the  straits  of  Messina;  β€”  Capture  of  Dinant  and  Huy;  β€” 
Capture  of  Limburg;  β€”  Victories  of  the  French  near  Altenhetm 
(2  var.);  β€”  Capture  of  eighty  towns  in  Catalonia;  β€”  Siege  of 
Hagenau  raised;  β€”  The  Collar  of  the  Order  of  St.  Esprit  given  to 
the  King  of  Poland ;  β€”  Foundation  of  the  "  Invalides  ",  1676 ;  β€” 
Capture  of  Conde ;  β€”  Bouchain  taken ;  β€” β–   Aire  taken  ;  β€”  Siege  of 
Maestricht  raised ;  β€” β–   Capture  of  the  fort  of  Cayenne  ;  β€”  Defeat  of 
the  Dutch  Fleetunder  Admiral  de  Ruyter  in  Sicilian  waters  by  the 
French ;  β€”  Naval  Battle  of  Agesta  ;  β€”  Victory  of  the  French  fleet 
near  Palermo ;  β€”  Cambrai  taken,  1677 ;  β€”  Saint-Omer  taken ;  β€” 
Siege  of  Charleroi  raised;  β€” Freiburg  taken;  β€” Tabago  taken;  β€” 
Saint- Ghi slain  taken;  β€”  Burning  of  the  Dutch  fleet  at  Tabago;  β€” 


>sted  by  Google 


β€”   621   β€” 

Capture  of  Valenciennes;  β€”  Victories  of  the  French  at  Kassel  in 
Flanders;  β€”  Peace  of  Nymwegen,  1678;  β€”  Ghent  talien  ;  β€” 
Capture  of  the  citadel  of  Ghent;  β€”  Ypres  taken;  -β€”  Puycerda 
talten;  β€”  Engagement  of  St.-Denis;  β€”  Campaign  ot  Louis  XIV. 
near  Ghent;  β€”  Capture  ofLewe  by  night;  β€”  French  troops  cross 
the  Pyrenees;  β€” -Victories  of  the  French  over  the  Germans; 
β€”  Battle  of  St.-Denis;  β€”  Marriage  of  Marie-Louise  of  Austria 
with  Charles  IL  of  Spain,  1679;  β€”Peace  between  France  and 
Denmark;  β€”  Conquest  often  towns  in  Alsace,  1680;  β€”  Marriage 
of  the  Dauphin  (sev.  var.);  β€”  The  Port  of  Toulon  ;  β€”  Enlistment 
of  Sailors ;  β€”  The  Palace  of  Versailles ;  β€”  Construction  of 
Huningen  ;  β€”  Strassburg  taken,  1681 ;  β€”  Reduction  of  Strassburg 
and  Casale ;  β€”  The  Citadel  of  Casale  surrenders  to  Louis  XIV. ;  β€” 
Defeat  of  the  Privateers  of  Chio ;  β€”  The  Port  of  Brest ;  β€”  Institu- 
tion of  Cadet  Corps,   1682;  β€”  The  King  ^condemns  himself;  β€” 


Birth  oS  the  Duke  of  Burgundy,  father  of  Louis  XV.;  β€”  Fortification 
of  Strassburg,  1683 ;  β€”  Redemption  of  the  Captives ;  β€”  The  King's 
Apartments;  β–  β€”  Death  of  Q_ueen  Maria-Theresia ;  β€”  Courtrai  and 
Dixmunden  captured ;  β€”  The  Coast-guards ;  β€”  Birth  of  the  Duke 
of  Anjou  (Philip  V.  of  Spain);  β€”  Construction  of  Sarrelouis;  β€” 
Luxemburg  taken  by  the  French,  1684;  - β€”  Twenty  years'  Truce 
concluded  between  France,  Spain  and  Holland;  β€” Bombardment 
of  Genoa ;  β€”-  Peace  concluded  with  Algeria ;  β€”  Surrender  of  three 
millions  to  the  Spaniards;  β€”  Louis  XIV.  grants  an  audience  to  the 
Doge  of  Genoa,  1685  ;  β€”  Extinction  of  Heresy,  or  Revocation  of 
the  Edict  of  Nantes  (sev.  var.) ;  β€”  The  destroyed  Churches;  β€” 
The  Pont  Royal ;  β€”  Building  of  three  hundred  Churches ;  β€” 
Discovery  of  the  satellites  of  Saturn;  β€” Birth  of  the  Dukeof  Berry ; 
β€”  Audience  granted  to  the  Siamese  ambassadors ;  β€”  F^tes  given  at 
the  Paris  Hotel  de  Ville,  1687;  β€”  Recovery  of  Louis  XIV.  (2  var.)  ; 


tiostsdo/Goof^lc 


β€”    623    β€” 

β€”  The  daughters  of  Saint-Cyr;  β€”  Philipsburg  captured  by  the 
French,  1688;  β€”  Building  of  Galleys  at  Marseilles;  β€”  The  King's 
commisiioners  setic  to  the  provinces;  β€” Twenty  towns  captured  on 
the  Rhine  by  tlie  Dauphin;  β€”  James  TI.  received  by  Louis  XIV., 
1689;  β€”  Capture  of  Camperdown ;  β€”  Battle  of  Fleorus,  1690 ;  β€” 
Destruction  of  the  united  EngHsh  and  Dutch  fleets  on  the  English 
coast;  β€”  Battle  of  Staftard  (sev.  var.);  β€”  Naval  Victory  of  the 
French;  β€”  Medal  on  the  Three  Victories;  β€”  The  Galleries  of 
the  "  HJLvre-de-Grace  " ;  β€”  Conquest  of  Savoy;  β€”  Relief  of 
Quebec;  β€”  Mons  taken,  1691;  β€” Nice  taken;  β€”  Capture  of  Mons 
and  Nice  on  the  same  day;  β€”  Battle  of  Leuze;  β€” ^  Capture  of  Mont- 
m^lian;  β€”  Namur  taken,  1691;  β€”  Engagement  of  Steinkirk 
(2  var.); β€”  150  towns  fortified;  β€”  Engagement  of  Pforzheim;  β€” 
Rewards  given  to  naval  Officers,  1693 ;  β€”  Institution  of  the  Order 
of  Saint-Louis;   β€”  Second  Capture  of  Roses;    β€”  Battle   of  La 


Tht  Duke  of  Aiijou  proclaimed  King  uf  Spain,   1700. 

Marsaille;  β€”  Capture  of  Charl:?roi;  β€”  Veurnc  (Furnes),  and 
Dixmunden  captured  by  the  French;  β€”Defeat  of  the  Fleet  oil 
Smyrna;  β€”  Battle  of  Nerwinden ;  β€”  The  flourishing  Navy;  β€” 
Defeat  of  the  united  English  and  Dutch  Fleets  off  the  coast  of 
Brittany,  1694;  β€”  Capture  of  Gerona;  β€”  Palamos  taken;  β€”  The 
March  of  Pont-de-Pierre;  β€”  French  Victories  in  Spaio;  ^France 
provided  with  corn  by  the  King's  care;  β€”  Campaign  of  the 
Dauphin  on  the  Scheld;  ~  Seizures  made  by  French  Shipowners 
1695;  β€”  The  Enemy  repulsed  at  Dunkirk;  β€”  Dixmunden  and 
Deinsetaken;  β€”Capture  of  ships. on  the  Texel,  1696;  β€” The 
Campaign  of  1696;  β€”  Peace  concluded  with  Savoy;  β€” Ath  taken, 
1697 ;  β€”  Barcelona  taken  ;  β€”  Carthagena  (in  America)  taken  ;  β€” 
France  resists  Europe ;  β€”  Capture  of  three  hundred  and  fifty  towns ; 
β€”  Peace  of  Ryswick  (sev.  var.);  β€”  Marriage  of  the  Duke  of 
Burgundy ;  β€”Jeton  of  Louis  Jo.seph,  Due  de  Vcndome,  1698  (signed : 


,/Goo(^[c 


β–   -  as  - 

I.  M.)  ;  β€”  Prosperity  of  the  French  arms  during  a  ten  years'  War; 
β€” Atli,  Barcelona  and  Carthagena  conquered  in  the  same  year ;  β€” 
The  Camp  of  Compiegne,  1698;  β€”  Equestrian  statue  of  the  King 
erected;  β€”  The  Duke  of  Anjou  accepts  his  candidature  for  the 
Spanish  succession;  β€”  Peace  between  France  and  Spain;  β€” β–   Jetoiis 
of  the  Artillery  and  Galleys;  β€”  Homage  of  the  Duke  of  Lorraine, 
1699;  β€”  Foundation  of  Neu-Brisach;  β€”  Jetons  of  the  "  Extraor- 
dinaire "  and  "  Chambre  aux  Deniers"  ;  β€”  The  Duke  ot  Anjou 
proclaimed  King  of  Spain  under  the  name  of  Philip  V.,  1700 
(illustrated);  β€”  Philip  V.  enters  Madrid  (sev.  var.);  β€”  Concord 
between  the  two  -Kingdoms  of  Spain  and  France;  β€”  Cremona 
held  by  the  French ;  β€”  Victories  ot  the  French  and  Spaniards  at 
Luzara;  β€”  The  Sumptuary  Laws;  β€”  Victory  of  the  French  at 
Friedlingen.;  β€”  Law  against  Idlers;  β€”  Chamber  of  Commerce  of 
Paris  ;    β€”    Jeton  for  the  Provost  of  the  Merchants  of  Paris,  1702; 

β€”  Birch  of  Prince  Louis,  son  of  Leopold  and  Elizabeth  Charlotte  oi 
Lorraine,  1704;  β€”  Versailles  Castle,  1707;  β€”  Plan  of  Strassburg; 

β€”  The  King's  motto;  β€”  Mansart,  French  architect;  β€”  Bust  of 
Louis  XIV. 

GuifFrey  gives  lists  ot  the  dies  and  puncheons  Mauger  had  to 
alter  at  various  times,  as  late  as  1707  and  even  after  that  date ;  also 
of  dies  by  him  not  approved  of  by  the  Academy.  In  all  over  four 
hundred  puncheons  are  known  of  this  engraver,  which  however  do 
not  represent  the  whole  of  his  work,  as  neither  his  earliest  medallic 
productions  nor  the  latest  have  been  placed  on  record. 

Until  1698,  the  medals  of  the  Louis  XIV  series  were  struck  in 
sizes  of  30,  32  and  36  "  lignes  "  ;  about  that  time.  Abbe  Bignon 
induced  Mauger  to  engrave  200  medals,  at  150  livres  each,  of  the 
size  of  18  lignes,  which  were  executed  between  1699  and  1703. 

Bolzenthal  remarks  that  Mauger  took  the  chief  part  in  a  series  ot 
small  medals,  principally  from  Pontchartrain's  designs,  and  from 
drawings  of  Coypel's  medals,  of  which  in  less  than  seven  years 
he  had  engraved  in  steel  two  hundred  and  sixty  pieces,  with  the 
King's  bust  on  all  of  them,  the  monarch's  likeness,  however,  being 
rather  poor.  In  1702  the  artist  claimed  1400  livres  for  seven 
puncheons,  one  with  the  head  of  Louis  XIIL  and  the  other  six  with 
that  of  Louis  XIV.  at  the  respective  ages  of  5,  11,  22,  27,  34  and 
42  years,  which  were  to  accompany  the  reverses  of  the  series  of 
18  lignes  (36  mill.)  medals. 

The  artist  was  paid  30,000  livres  for  work  done  between  1697 
and  1701,  but  in  1703  he  claimed  another  38600  livres,  and  his 
claim  was  supported  by  Abbe  Bignon. 

Mauger  never  belonged  to  the  Royal  Academy  of  Painting  and 
Sculpture,  although  he  appears  to  have  held  a  distinguished  rank 
among  his  rivals,  Bernard,  Cheron,  and  others. 


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β€”  624  β€” 

Bibliography.  β€”  J.  J.  GuifFrey,  Jean  Maiiger,  Revue  numismatiquc,  1889, 
pp.  27J-J09.  β€”  Jal,  Dictiounaire,  &c.  β€”  Bokeathal,  op.  cit.  β€”  Hawkins,  Franks 
&  Grueber,  Medallk  Illustrations,  &c.  β€”  H.  A.  Gruel>er,  Guide  to  tlx  Exhibition 
of  English  Medals  at  ihe  BriHsh  Mtismoi,  1891.  β€”  Ammon,  op.  cit.  β€”  C.  Wyllys 
Belts,  American  Colonial  History  illustrated  by  contemporary  Medals,  New  York, 
1894.β€”  N.  Rondot,  £«  M^daSUurs  et  les  Graueurs  de  monnaies,  jelons  et  nMailks 
en  Fra^e,  1904.  β€”  Catalogus  der  Nederlandschem  op  Nederland  betrekkitig  hebhende 
Gedtnkpenningen,  19OJ.  β€”  Van  Loon,  op,  cit.,  Midailhs  de  Louis  le  Grand.  β€” 
Blanchet,  Notiveau  Manuel  de  Numismatique,  II,  MidailUs  Jrau(aises,  pp.  388  and 
397.  β€”  Hildebrand,  0^.  cit.  β€”  Cochran-Patrick,  Medals  of  Scotlanj.  β€”  Lepage, 
op.  cit.  β€”  Catalogue  des  poingons,  coins  et  viedailles  du  niuse'e  monetaire  de  Paris.  β€” - 
Catalogue  Monnier.  β–  β€”  A,  de  Foville,  Les  Mddaitks  de  raiicimiie  collection  royale, 
Paris,  1900. 

MAUL,  FRIEDRICH  (Germ.).  Mint-master  at  Dusseldorf,  1736- 
173S.  Ammon  stiites  that  his  initials  M.  F.  occur  on  Ducal  currency 
of  Julich,  1738. 

MAULBRONNER,  HARTMANN  (Germ.).  Mint-master  at  Augsburg, 
1603. 

MAURA  T  MOHTANSR,  BARTOLOMfi  (Span.).  Contemporary 
Medallist  and  Line-engraver,  born  at  Palma  de  Mallorca,  aVf .  1850. 
He  went  to  Madrid  in  1858  in  order  to  continue  his  studies,  and 
there  became  a  pupil  of  D.  Frederico  de  Madrazo  at  the  Escuela 
Especial  de  Pintura,  Escultura  y  Grabado.  For  five  consecutive  years 
he  was  engaged  at  the  Prado  Museum  reproducing  in  copper-plate 
the  most  famous  works  of  Spanish  Masters,  direct  from  the 
originals.  Since  1869,  he  has  executed  a  large  number  of  engravings, 
and  especially  portraits  of  ancient  as  well  as  contemporary 
personages. 

The  artist  obtained  Awards  at  the  Spanish  National  Competition, 
1871;  Universal  Exhibition  of  Philadelphia,  !876;Medal  of  Honour 
at  the  Universal  Exhibition  of  Vienna,  1873  ;  Gold  Medal,  General 
Exhibition  of  Fine  Arts,  Madrid,  1901. 

From  time  to  time  Maura  has  also  engraved  medals,  amongst 
which  the  best  known  are  :  Fourth  Centenarj'  of  the  Discovery  ot 
America,  1893;  β€” Prize  Medal  of  the  National  Spanish  Exhibition 
Fine  Art  Section ;  β€”  Medal  of  tlie  Exhibition  of  National  Industries, 
Madrid,  1897-1898;  β€”  Visit  to  the  Mint  of  the  Queen  Regent 
Maria  Cristina,  1 894 ;  β€”  Medal  on  the  Majority  of  King  Alfonso  XIII.. 
1902;  β€”  Commemorative  medal  of  Queen  Maria  Cristina' 
Regency,  1903 ; β€” Medal  on  the  Catalonian  Journey  of  Alfonso  XIII. 
1904;  β€” Visit  to  the  Mint  of  King  Alfonso  XIII.,  February  1904 
β€”  Prize  Medal  of  the  "  Anales  del  Ejercito  y  de  la  Armada  ', 
with  bust  of  Mars;  β€”  Medal  on  the  third  Centenary  of  the  publi- 
cation of  Don  Quixote;  β€”  Coronation  of  Allonso  XIII.,  1902. 

Since  1887,  Maura  has  been  Engraver  to  the  Bank  of  Spain,  and 


lo.tedo/GoogIc 


β€”    62)    β€” 

in  1893   be  was  appointed  Chief-engraver  and  Artistic  Director  at 
tlie  Royal  Mint  of  Madrid. 

The  coins  issued  at  the  Madrid  Mint,  since  1893,  bear  tlie  artist's 
initials  :  B.  M.  and  consist  of  :  1893-1903  :  Third  Coinage  of 
Alfonso  XTII.  N.  looand  20  Pesetas;  JR..  5,  2  and  i  Pesetas,  and 


;  Pesetas  of  Alfonso  XIII.,  1896. 


50  Centimos.  1904.  Fourth  Coinage.  The  Kinginunitorm.  Similar 
denominations. 

Maura  is  in  possession  of  the  Cross  of  Carlos  III.,  Hncomienda 
de  Isabel  la  Catolica,  Civil  Order  of  Alfonso  XIII.  and  various  other 
distinctions. 

Bibliography.  β€”  Information  Iiiiii/ly  supplied  by  tlje  lulisl  Ihrough  ihe  courtesy  oj 
Seiior  Don  Adrian  Roino,  of  Madrid. 

MAURER  {Germ.^.  Die-sinker  and  Engraver,  born  at  Dresden,  and 
nephew  of  John  Croker,  Chief-engraver  at  the  London  Mint, 
1 705 -1 74 1.  At  the  call  of  Croker,  Maurer  came  to  London  towards 
1740,  to  assist  his  uncle  in  his  work  at  the  mint,  but  nothing 
further  is  known  of  him,  nor  can  it  be  ascertained  how  long  he 
stayed  in  England.  It  is  surmised  that  as  Croker  died  without  male 
issue  Maurer  had  been  appointed  his  heir. 

BiBLioGR.^PHY.  β€”  Ammon,  0/1.  CfV.  β€”  Lochnev,  Medaiikn  Saminhiiig,  p.  viir, 

MAURETTE,  HENRY  MARIE  (French).  Contemporary  Sculptor, 
born  at  Toulouse ;  pupil  of  Duret.  He  is  the  author  of  a  number  of 
Portrait-medallions  cast  in  bronze,  one  of  which  was  exhibited  ar 
the  Salon  in  1864. 

Bibliography.  β€”  Chavigoerie  et  Auvray,  op.  cit. 

MAURICE  (French).  Two  Gem-engravers  of  that  name,  father  and 
son,  flourished  under  Louis  XIII.,  during  the  first  half  of  the  seven- 
teenth century.  The  father,  who  was  a  native  of  the  Netherlands, 
first  settled  at  Rouen,  then  at  Paris;  the  son  practised  the  art  of 
gem-engraving  at  Rouen,  but  died  at  The  Hague  in  1732,  at  the 


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β€”  626  β€” 

age  of  eighty.  As  none  of  the  works  of  these  artists  are  signed,  it  is 
impossible  to  ascertain  which  of  the  gems  of  that  period,  some  ot 
which  are  of  undoubted  merit,  may  be  ascribed  to  either  of  tliem. 
Bibliography.  ^-  King,  op.  cit.  β€” β–   Babdon,  Histotre  de  la  Gravure  sur  Geiiiiiies 
en  France,  1902. 

MAURICE  (B^/^.).  Gem-engraver,  bom  in  the  Netherlands,  who 
settled  at  Rouen  under  Louis  XIII.  His  son  died  in  1732,  at  the 
age  of  eighty,  and  is  said  to  have  executed  a  large  number  of  fine 
works.  The  latter,  who  spent  most  of  his  life  in  Paris,  left  France 
during  the  religious  troubles,  and  ended  his  days  at  the  Hague. 

Bibliography.  ^Mariette,  Traiti  des  'Pierres  gravees,  Paris,  1750. 

MAURISSET,  JEAN  THflODORE  (French).  Medallist,  born  at  Paris  in 
1768,  died  there  on  the  4'''  of  September  1825.  By  him  are  several 
medals  :  Medal  of  the  Tribunal  de  premiere  instance,  signed  on 
obv.  MAURISSET  ;β€” Tribunal  d'Appel,  rSoo  ;  β€”  Pope  Pius  VII. 's 
visit  to  Paris,  1805;^  Tribunal  de  premiere  instance,   1805,  &c. 

BiBUOGRAPiiY.  β€”  Bondot,  op.  cit.  β€” Edwards,  op.  cit.  β€”  Bokendial,  ap.  cit. 
β€”  Bramsen,  MUaUlisr  Napoleon  le  Grand,  Copenhagen,  1904. 

MAURISY,  ANTOINE  (French).  Mint-master  at  Sisteron,  1591. 

BiBLioGUAPHy.  β€”  Vailemin,  L' AleUer  lemporaire  de  Siikron,  1 591-1 S93. 

MAOS,  CHARLES  (fVCTii:/)).  Contemporary  Gem-engraver ;  pupil 
ofBissinger.  At  the  Salon  of  1887  he  exhibited  Portrait-cameos  of 
Marie-Louise,  and  in  1892,  one  of  the  Emperor  Caracalla,  all  cut  in 
sardonyx. 

MAUVALLET,  GILLES  (French).  Mint-master  at  Paris,  circ.  1569- 
1571. 

MAVELOT  or  MAVELOTE,  C  (French).  Engraver,  whose  name  is 
mentioned  in  the  Mercure  Galant,  February,  1684,  p.  369,  and  in 
the  Journal  historiquc  de  la  Monnoye  des  medailles,  1718,11,  p.  49.  His 
signature  :  C.  MAVELOT  F.  occurs  on  a  Jeton  of  the  "Coramunaut^ 
de  I'Art  de  Graveure";  also  on  two  others  :  Octagonal  Jeton  of 
the  Ducde  Coigny,  171 5;  β€”Jeton  with  the  cross  of  Lorraine  and 
crowned  L's  interlinked,  1708. 

Bibliography.  β€”  Rotidot  &  Dc  La  Tour,  op.  cU.  β€”  Lepage,  op.  cit. 

MAWATORI,  H.  L.  (Japan.).  Mint-master  at  Osaka,  January  to 
September  1871. 

MAXALDS.  Spurious  engraver's  signature,  on  a  cameo  with 
laureated  head  of  Antoninus  Pius,  formerly  in  the  Gori  collection. 

MAXEN  (Dan.).  Mint-engraver  at  Altona,  circ.  1788-1799,  under 
Christian  VII.  of  Denmark,  of  whom  he  is  said  to  have  also  execut- 
ed medals.  Some  of  the  currency  engraved  by  him  is  signed  with 


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MAXIAS,  HΒ£LIΒ£  (French).  Mint-engraver  at  Poiders,  appointed  on 
25.  July  1631,  bill  resigned  in  August  or  September  1640. 

Bibliography.  β€”  Rondot,  op,  cil,  β€”  Barre,  !oc.  cit. 

MAXIO.  JEAN  DΒ£.    Vide  l&&S,ia . 

MAXWELL,  COL.  J.  H.  (Brit.).  Officiating  Mint-master  at  Bombay, 
under  Col.  J.  A.  Ballard,  who  held  the  post  from  1862  to  1875. 

MAT,  CLAUDE  DE.  ^zW^  CLAUDE  LEMAY  (Vol.  Ill,  p.  390).  Mint- 
engraver  at  Paris  (1511-1552).  He  engraved  coin-dies  for  the  Mints 
of  Angers,  Poitiers,  Rennes,  Rouen,  Tours,  and  Troyes.  In  February 
155 1  (1552I  JeanBeaucousin,  his  son-in-law,  was  appointed  to  take 
his  place,  on  account  of  his  failing  sight  (  "  atendu  limb^ciUite  de 
veue  dudit  Le  May  "), 

BiBLiOGUAPHY.  β€”  Rondot  &  De  La  Tour,  op.  cit. 

MAY,  FRANCOIS  DE.  Fiif^  FRANgOlS  LE  MAY  (Vol.  Ill,  p.  391). 
Engraver  of  jetons,  dated  1528,  and  1532-34,  some  of  which  were 
executed  for  Louise  de  Savoie,  Duchess  of  Bourbon. 

MAY,  GUILLAUMEDE  (French).  Engraver,  who  on  i.  April  1492 
(1493)  was  prohibited  to  engrave  Jetons  without  the  sanction  of  the 
Court  ("  non  doresenavant  faire  aucunes  pilles  on  trousseaulx  ;\ 
marquer  et  faire  des  gectons  sans  le  congid  de  la  cour  "). 

MAY,  GDILLADME  DE.  Vide  GDILLAUME  LEMAY  III  (Vol.  Ill, 
p.  392).  Mint-engraver  ac  Paris,  15  r2- 15 23,  appointed  on  8.  August 
1512  in  the  place  of  Nicolas  de  Russange,  Between  1492  and  15 17 
he  engraved  numerous  Jetons  and  Mer^aux. 

Bibliography.  β€”  Rondot  &  De  La  Tour,  op.  cil. 

MAY,  JOHANN  PHILIPP  (Germ.).  Mint-master  at  Zweibrticken, 
1612-1621. 

MAY,  MICHAEL  AND  COMPANY  (Germ.).  Mint-contractors  ac 
Heidelberg,  1734-35. 

MAY,  WILHELM  (Germ.).  Die-sinker  and  Medallist,  residing  at 
Frankfort-on-Main .  I  have  noticed  his  signature  :  WILH.  MAY 
FRANKFURT  A.  M.  on  prize-medals  of  the  5"'  German  General 
Gymnastic  Fete  at  Frankfort,  1880  (2  var.)  and  other  badges, 
decorations,  and  provincial  medals  of  little  interest. 

MAYER,  ALEXANDER  (Aitstr.).  Mint-engraver  at  Kremnitz,  circ. 
1859-1868.  He  was  born  at  Modliog  near  Vienna,  4.  July  1840, 
and  was  a  pupil  of  the  Academy  of  Fine  Arts  of  Vienna. 

MAYER,  ALEXIUS  (Auslr.).  Assistant-engraver  at  the  Mint  of 
Kremnitz,  1868-1879,  and  Chief-engraver  since  1879;  was  still  in 


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office  in  i8g6.  The  Hungarian  one  Kreiizer  pieces  of  r868  were 
engraved  by  iiim,  in  conjunction  with  A.  ScharfF. 

MAYER,  B.  H.  {Germ.).  Die-sinking  Establishment  at  Pforzheim, 
and  one  of  the  leading  works  in  Germany  for  the  striking  of  medals, 
coins,  decorative  works,  art  brooches  and  pendants,  &c.  The  firm 
obtained  a  silver  medal  for  their  exhibit  at  the  Paris  Universal 
Exhibition,  1900,  and  in  1902  B.  H.  Mayer  received  from  the  Grand 
Duke  of  Baden  the  Order  of  the  Lion  of  Zaeringen. 

The  firm's  prospectus  states  :  "  Der  ganze  Betrieb  ist  elektrisch 
eingerichtet  und  sind  die  neuesteii  Erlindnngen  anf  dem  Gebiete 


B.  H.  Mayer 


der  Technik  zur  Verwendung  gekommen.  In  der  Anstalt  sind 
aufgestellt  :  elektrisch  betriebene  Pragmascliinen  System  Uhlhorn, 
mit  den  neuesten  Verbesserungen,  von  hochster  Leistungsfahiglieit, 
ferner  funf  elektrisch  betriebene  Schwungradpressen  von  150.000, 
JO. 000,  45.000,  15.000  und  4.000  Kilo  Druck,  sowie  eine  grosse 
Anzahl  Kugelpressen,  ausserdem  elektrisch  betriebene  Excenterpres- 
sen  neuester  Konstruktion,  Ferner  ein  elektrisch  betriebenes 
Walzwerk  mil  dem  patentierten  Grossmann'schen  Antrieb  mit 
Dickblech-,  Diinnblecii-  und  Drahtwalze,  sowie  einer  damit  in 
Verbindung   stehenden    Circiilarschecre,     ausserdem    Dick-     und 


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-  629    - 

Diinnblechschecren,  sowie  eiiie  Reihe  von  elektrisch  betriebenen 
Hilfsmaschinen,  als  Drehbanke,  Hobel-,  Sag-und  Bohrmaschinen, 
sowie  ein  neu  konstrtiterrer  Gasgliihofen, 

"Feriier  eigene,  bestens   eingenchtete  Gravieranstalr   mit  drei 


elektrisch  betriebenen  Relief-  Graviermascbinen,  sowie  Vergoldungs- 
und  Versilberungsanstalc  mit  elektriscii  betriebenen  Burst-  und 
Poliermaschinen  setzen  mich  in  Stand,  meine  verehrlen  Abnehmer 
stets  prompt  und  zur  Zufrieden lieit  bedienen  zu  konnen. 

"  Eigene  Emaillierwerkstatte  ermoglicht  eine  vorzugliche  Aus- 


,stsd  by  Google 


-  6,0- 

fuhrung  aller  email lierter  Arbeiten  bei  prompter  und  billigster 
Bedienung  ". 

Most  of  the  medallic  productions  of  this  firm  were  modelled  by 
Professer  Rudolf  Mayer  of  Karlsruhe,  under  the  name  of  which 
artist  a  number  will  be  found  enumerated.  They  are  conspicuous  by 
their  exquisite  execution  and  finish.  Amongst  the  Dest  are  : 
Portrait-plaquette  of  Martin  Luther  (^illustrated);  β€”  Portrait- 
plaqtiettes  and  Medals  (6)  ot  Prince  Bismarck;  β€”  Portrait-plaquette 
of  Grand  Duke  Frederick  of  Baden;  β€”  Portrait-plaquette  of  Philip 
Melanchihon  ;  β€”Portrait-medals  of  Q_ueen  Louise  of  Prussia;  β€” 
Queen  Wilhelmlna  of  Holland;  β€”  Wagner;  β€”  Liszt;  β€”  Beetho- 
ven; ~  Gutenberg;  β€”  Europa ; β€”  Germania;  β€”  Pkquette, 
representing  an  Angel  holding  a  child  in  her  arm ;  - β€”  Orpheus ;  β€” 
Marriage  Medal ;  β€”  Christening  Medal  (struck  in  various  sizes); 

β€”  Virgin  and  Child;  β€”  St.  Cecilia;  β€” β–   St.  George;  β€” β–  
St.    Hubert;  β€”    Hagen  ;   β€”  Isolde;  β€”  Tristan;   β€”   Elizabeth; 

β€”  Trika ;  β€”  ScegHnde ;  β€”  Walter  Stotdng ;  β€”  Eichen ;  β€”  Ortrud ; 

β€”  Lurlei;  β€” TannhSuser;  β€” Parsifal; β€” -Head  of  young  boy;  β€” 
Head  of  young  girl;  β€”  Siegfried;  β€”  Wotan;  β€”  Walktire;  β€” 
Gutrund ;  β€”  Lohengrin  ;  β€”  Alberich ;  β€”  St.  Elizabeth  ;  β€”  Foot- 
ball prize-medal;  β€”  Tennis  prize-medal,  Sec. 

This  firm's  medallic  Brooches,  Pendants,  Ornaments,  &c.  are  all  of 
superior  design  and  modelling,  and  amongst  the  best  products  of  the 
kind  manufactured  of  late  years  not  onlj'  in  Germany,  but  even  in 
France  and  Italj',  which  latter  countries  have  hitherto  had  the 
monopoly  in  this  branch  of  art. 

MAYEB,  CONRAD  (Jtislr.).  Mint-inspector  for  Moravia,  1701. 

MAYER,  ISAAK  (Boi^m.).  Mint-contractor  at  Breslau,  1546-1549. 
He  was  a  native  of  Prague,  and  is  described  a  "  Prager  Jude  "  in 
official  documents. 

BiBLiOGHAPHY.  β€”  Friedensburg,  op.  pil. 

MAYER,  lΒ£ON  (French).  Contemporary  Sculptor,  born  at  Pans ; 
pupil  of  Joseph  Cn6ret.  At  the  Salon  of  1883  he  exhibited  a  Portrait- 
medallion  in  bronze  of  M.  Paul  Foucher. 

MAYER,  RUDOLPH  (Aiistr.).  "The  revival  of  the  Medal  is  arousing 
at  the  present  time  more  interest  in  Germany  than  has  hitherto 
been  shown  in  this  branch  of  art,  one  of  whose  chief  exponents  is 
Professor  Rudolph  Mayer,  of  Karlsruhe.  The  artist  is  a  native  of 
Austria,  and  his  technical  Itnowledge  of  metal-work  was  gained  in 
the  Arc-Handicraft  School  ("  Kunstgewerbeschule  ")  in  Vienna.  He 
won  his  first  laurels  at  the  Vienna  Exhibition  of  1873,  and  as  a 
result  was  invited  to  Stuttgart  as  teacher  of  raedalling  in  the  School 
of  Art -Handicraft  there.  After  twelve  years'  teaching  he  went  in  a 


,/ Google 


-  (531  - 
similar  capacity  througli  the  Leh  re  [β– -collegium  of  the  Kunstgewer- 
beschule  at  Karlsruhe,  where  he  has  now  been  engaged  for  the  past 
sixteen  years.  Apart  from  his  teaching,  he  has  undertaken  many 
private  commissions,  particularly  for  embossed  gold  and  silver 
vessels.  For  some  years  past,  however,  Jie  has  continued  to  indulge 
his  old  fancy  for  the  medal  and  the  plaquette,  which  was  stimula- 
ted by  a  first  prize  which  was  awarded  to  him.  The  few  medals  and 
plaquettes  reproduced  here  give  ample  proof  of  his  ability.  In  addition 
to  figures  and  heads  are  ornamental  works,  which,  as  decorative 


Portniit-plaqiiette  of  Prof,  Rud.  Mayer,   by  himself. 

objects,  became  popular  when  issued  from  the   minting  establish- 
ment of  B.  H.  Mayer  of  Pforzheim. 

Professor  R.  Mayer  takes  the  best  modern  Frenchmen  as  his 
models,  without  directly  imitating  them,  however.  He  strives  to 
present  his  motive  in  all  simplicity,  with  broad  effects,  but  without 
disregarding  detail.  Therein  one  recognizes  the  accomplished 
m^teo',  and  realises  how  out  of  the  craftsman  has  sprung  the  artist.  " 
(Studio,  XXXI,  pp.  81-83). 


,stsd  by  Google 


-   6,2    - 

Among  the  artist's  best  productions  Lire  :  A  Child's  head  {ilhis- 
irated);  β€”  Schopenhauer;  β€”  Liszt  (illustrated)  ;  β€”  Melanchthon 
(after   Hagenatier's   medal);    β€”    Goethe;     β–  β€”    Richard    Wagner 


ijf  Act-  Handicraft  a 


Ri,  Walkiiren  ;  β€”  Wilh.  Lorenz  (illustrated') ;  β€”  Frederick,  Grand 
Duke  of  Baden  (ptaquette);  β€”  P.  Stolz  (plaquette);  β€”  The 
Freedom  of  Science  (phiquette,  Uluslraled);  β€” β–   Medal  of  the  School 


./Google 


β–   Β«3! 


The  Freedom  of  Science. 


,  Google 


-  sm  - 

ot  Art  Handicraft  of  Karlsruhe  (illustrated^;  β€”  Marriage  of  Queen 
Wilhelmina  of  Holland  with  Prince  Henry  of  Mecklenburg,  1901 
(illustrated');  β€”  70"'  Anniversary  of  the  Grand  Duke  of  Baden, 


Medal  of  Wilh.  Lorenz. 


1896;  ~  Pbquctte  with  busts  of  Bunsen  and  Pettenkofcr;  β€” 
Portrait-plaquette  of  the  Artist  himself  (j7/j(j;riiW);  β€”  Medal  of 
the  Paris    Universal    Exhibition    of    1900;    β€”  Commemorative 


>sted  by  Google 


-  6,5  - 

Plaqueite  of  Wenzel  jamnirzer ;  β€”  Sanaa  Elisabeth ;  β€”  Tlie  Ober- 
bniniien  Spring  at  Bad  Sal^brunn,  plaquette;  β€”  Dr.  Emil  Fieser, 


,β– ,..'11.'.     >' 


Elaquettc;    - 
a  Renomrr 


Marriage  ot  Ciueen  Wilhelmina  and  Pi 


Jismarck,  commemorative  plaquette,  1813-1898  ;  β€” 
,  plaquette;  β€”  Baby  (illustrated);  β€”  International 


./Google 


~  6^6  - 

Colonial  Exhibition  at  Amsterdam,  1885;  --  10'''  Anniversary  of 
the  reign  of  Emperor  WilHam  II.,  1898;  β€”  Death  of  Prince 
Bismarck,  1898  (plaquette);  β€”  70'''  Birthday  ofKing  Albert  of 
Saxony,  1898; β€” Martin  Luther,  commemorative  plaquette  {Vide 
reproduction  under  B.  H.  Mayer);  β€”  Queen  Louise  of  Prussia;  β€” 
Beethoven;  β€”Louise,  Grand  Duchess  of  Baden,  1898;  β€”  Corona- 
tion of  Queen  Wilhelmina,  1898;^ β€” John  Gutenberg,  5""  centenary 
commemoration  fetes;  β€”Philip  Melanchthon;  ^.  Melancluhon's 
House  at  Brctten ;  β€”  Philip  Melanchthon,  plaquetre;  β€”Inauguration 
ofthe  Port  of  Dortmund,  1899;  β€”  Inauguration  of  the  Evangelical 
Town  Church  of  Pforzheim,  1899;  β€”  Plaquette;  Angel  holding 
child  in  her  arm;  β€”  Bakery  Exhibition  at  Piorzheim,  1900; 
β€”    Europa;  β€”   Germania;    β€”    Marriage    commemoration;    β€” 


Baby  (Portrait  of  a  Child), 


β€”  Orpheus;  β€”  Christening  Medal;  β€”  Head  of  Clirist ;  β€” 
St.  George  Medal;  β€”  Hunting  Medal;  β€”  Head  of  a  young  girl;  β€” 
Helmeted  head  of  Minerva  ;  β€”  Virgin  and  Child ;  β€”  St.  Cecilia ;  β€” 
Various  medals,  badges,  pendants,  &c.  with  heads  representing 
heroes  from  Wagner's  operas  :  Lorelei;  β€”  Parsifal;  β€” Tannhauser; 

β€”  Hagen ;  β€”  Isolde;  --β–   Tristan;  --  Elizabeth;  β€”  Trika;  β€” - 
Seglinde;  β€” -  Walter  Stotting  ;  β€”  Eichen;  β€” Ortnid;  β€”  Siegfrid; 

β€”  Wotan ;  β€”  Walkure ;  β€”  Guirund ;  β€”  Lohengrin  ;  β€”  Alberich  ; 
β–  β€”  Schiller  Festivities  of  1905  (said  to  be  the  best  Schiller  medal 
issued) ;  β€”  Franz  Schubert ;  β€”  Golden  Wedding  of  Frederick  and 
Louise  of  Baden,  1906;  ^  Rembrandt,  1906  (illustrated);  β€” 
78'*' Congress  of  German  Naturalists  and  Physicians;  β€”  Millenary 


,;.Goo'^lc 


-  637- 
of  Weilburg  a.  d.  Lahn ;  β€”  Alberich  Plaquette ;  β€”  Lohengrin  and 
Else;  β€”  European  Peace;  β€”  Silver   Wedding  Medal;  β–  β€” Golden 
Wedding  of  Grand  Duke  and  Grand  Duchess  of  Baden,  1906 ;  β€” 


and  many  pri;;e  medals,  plaquettes,  decorative  subjects  suitable  for 
badges,  ornaments,  pendants,  brooches,  &c.  struck  at  the  die- 
sinking  establishment  of  B.  H.  Mayer  of  Pforzheim. 


,stsd  by  Google 


β€”  63B  β€” 

Some  of  the  latest  productions  of  tlie  ^iriist  ure  reproduced  in  The 
Studio,  November  1905, 

Commenting  on  Prof.  Mayer's  worlc,  a  writC'r  in  ModerneMedaiile, 
1900,  p.  37  refers  to  the  Artist's  Porirait-plaquette  of  himself  in  the 
following  terms  :  "Die  Unmittelbarkeit,  Lebenswahrheit,  mit  der 
diese  Medaille  uns  die  ganze  Personlichkeit  des  Meisters  versinnlicht, 
spricht  sowohl  fur  das  ausgezeichnere  Talent  des  Kiinstlers,  wie  fur 
ale  Hohe  der  Kimst,  auf  welcher  er  steht.  Ihr  Anblick  zeitigt  in  uns 
den  Wunsch,  es  mochte  auch  anderen  Melstern  des  Stichelsgefallen, 
der  kunstliebenden  Mitwelt  ihr  kunstlerisches  Autograph  in  Gestalt 
von  Selbstportraits /.u  ilbergeben,  es  wiirde  hiedurch  der  Kunstrich- 
tung  unserer  Zeit  eine  Reihe  von  Denkmalen  gesetzt  werden,  in 
β– vvelclien  diese  weit  richtigeren  Ausdruck  fiinde,  wie  in  so  manchem 
unter  dem  Hochdruck  der  Mode  entstandeneu  und  mit  demganzen 
Riistzeug  der  modernen  Anschauungen  geschaffenen  Werke  '. 


Two  Mark  piece  of  Baden,  1902. 

Prol.  Mayer  prepared  the  models  from  which  the  1902  coinage 
of  Grand  Duke  Frederick  of  Baden  was  struck,  consisting  of  50,000 
Five  Mark  pieces  and  375,000  Two  Marks  (illustrated').  These  coins 
are  amongst  the  best  now  struck. 

BiBLioGRAFHY.  β€”  Die  Moikme  Medaille,  1900.  β€”  Tlie  Studio,  XXII,  222; 
XXX!,  106-108.  β€”  D^  J.  H.  de  Donipierre  de  Chaufepii,  op.  at.  β€”  R.  Mars, 
Les  MAIailhurs  modtnies  en  France etitt'Etrangir,  1900.β€”  Blatter fiir  Miinifreimde, 
1902-;.  ^ Zdtschrift  fiir  bildeitde Kunsi,  I,  ij. 

MAYER.  J.  (Brit.).  Designer  of  the  medal,  struck  by  Allen  and 
Moore,  on  the  Foundation  of  St.  George's  Hall  at  Liverpool,  1854. 
His  signature  occurs  on  the  medal. 

MAYER,  WILHELM  &  FRANTZ  WILHELM  or  TEE  STUTTGARTER 
METALLWAREN  FABRIK  (Germ.).  A  Die-sinking  Establishment 
founded  in  i860  by  Wilhelm  Mayer,  Sculptor  and  Engraver,  and 
directed,  since  1876,  by  him  and  his  brother-in-law,  Frantz 
Wilhelm. 

The  name  of  the  old  firm,  WILHELM  MAYER  METALLWAREN 
FABRIK,  waschanged  into  its  present  form  in  1896. 


./Google 


β€”  ^39  β€” 

Wilheiiu  Mayer  was  born  at  Lauffen-on-the-Neckar  in  1840  and 
studied  at  the  Stuttgart  School  of  Art  sculpture  and  engraving. 

Frantz  Wiihelm  was  born  at  Hanau-on-Main  in  1846,  and  is  an 
Engraver  by  trade. 

The  firm  was  awarded  a  Gold  Medal  for  an  exhibit  of  Medals 
and  Plaquettes  at  the  Dresden  "  Kunstgewerbe-Ausstellung  ",  1906. 

Amongst  the  best  Icnown  productions  of  Mayer  and  Wiihelm 
one  may  mention  the  following  :  Portrait-medals.  Conr,  Bansa, 
25  Sept.  1867-92  ;  β€”  Detective  Inspector  R.  J.  Child,  of  the  City 
of  London  Police ;  β€”  Lui  Theodor  Stepbanesen ;  β€”  G.  Biacoianu  ; 

β€”  Prof.  Virchow  (2  var.);  β€”  D'  William  Frederick  Ludwig,  of 
Tubingen,  r8ii  ;  β€”  Johannes  Gutenberg,  1903  ;  β€” -  Ancoine  Lau- 
rent Lavoisier  (1843-1894);  β€”  Augustus,  Baron  von  der  Heydt, 
Prussian  Finance  Minister ;  β€”  Emmanuel  Kant,  centenary  medal; 

β€”  Joh.  GeorgAdler;  β€”  Gutenberg,  5""  centenary;  β€”  Prof.  D' 
Robert  Koch;  β€” -Friedrich  von  Schiller  (sev.  var.);  β€”  Justus  von 
Liebig;  β€” β–   Schiller  and  Goethe;  β€”  Leo  XIII.,  Memorial;  β€” 
Pius  X.,  Accession  (sev.  var.  and  sizes);  β€”  Martin  Luther  (scv.  var. 
1883,  1889,  1898, &c.);  β€”  Ernst  MoritzArndt;  β€”  HenryLysius 
and  Georg  Ellendt,  of  Koenigsbcrg;  β€”  D'  Francisco  Muriinho, 
185S;  β€”  FridtjofNansen;  ^.  The  "Fram";  β€”  Wolfgang  Amad. 
Mozart ;  β€”  Richard  Wagner ;  β€”  Ludwi"  van  Beethoven  (sev.  var.) ; 

β€”  Franz  Liszt ;  β–  β€”  D'' jur.  Carl  Friedrich  Rietsch ;  β€”  Friedrich 
Alfred  Krupp,  f  1902  ;  β€”  Major  Wissmann,  D"'  Emin  Pascha  and 
D' C.Peters;  β€”  Philipp  Melanchtlion,  4''' centenary;  β€”  The  Schiller 
Monument;  β€”  Monument  of  Franz  Abt;  β€”  Ludwig  Uhland, 
centenary;  β€”  President  Kriiger ;  -β€”  Sebastian  Kneipp;  β€”  Major 
General  Hector  Macdonald,  Memorial ;  β€”  Labor!  and  Dreyfus ;  β€” 
Esterhazy  and  Paty  de  Clam;  ^L.  Zola,  Labori,  and  Dreyfus;  β€” 
Carl  Theodor  K6rner ;  β€”  Lord  Roberts ;  β€”  President  Kriiger ; 
IJi,.  President  Stein,  Plaquettes  :  Schiller;  β€”  Goethe  ;  β€”  Virchow; 

β€”  J.  E.  Bennert;  β€”  Rich,  Schmidt-Kabanis;  β€”  Mommsen;  β€” 
Beethoven,  Brahms,  Joachim  ; β€”  Mozart,  Schubert ;  β€”  Liszt;  β€” 
Wagner;  β€” β€’  Bismarck;  β€”  Moltke ;  β€”  Luther;  β€”  Pius  X. ;  β–  β€” 
Emperors  WiUiam  I. ;  β€”  William  II. ;  β€”  Frederick ;  β€”  The  Great 
Elector ;  β€”  Bismarck  Medals  and  Plaquettes  (30  varieties  of  reverses, 
and  several  var.  of  heads;  dares  1888,  1894,  1898,  &c.);  β€”  Medals 
of  Wurtemberg  Rulers  :  WiUiam  I. ;β€”  William  II.  (comiuemorating 
various  events,  Exhibitions  at  Stuttgart,  Inaugurations  of  monu- 
ments, &c.)  ;  β€”  Queen  Charlotte ;  β€”  Charles  and  Q_ueen  Olga ;  β€” 

β€”  Queen  Olga  (β– [β€’  30,  October  1892),  &c. ;  β€”  Medals  of  Foreign 
Princes  :  Grand  Duke  Frederick  of  Baden,  1896  (sev.  var.);  β€” 
Queen  Victoria  of  England  (International  Exhibition  in  London, 
1893  and  1897);  β€”King  Charles  and  Queen  of  Roumania;  β€” 
Milenial  Commemoration  Fetes  of  Budapest ;  β€” Jubilee  of  the  Emperor 


,stsd  by  Google 


β€”  640  - 

Francis  Joseph  of  Austri^i,  1898  ;  β€”  Emperor  Charles  IV. ;  I^.  View 
of  Carlsbad,  1901  (obv.  illustrated);  β€”  King  Albert  of  Saxony 
50  years'  Soldiers' Jubilee,  1893;  β€”  Another,  25"'  Anniversary  of 
Reign,  1S98  ;~King  Albert  and  Duke  Geurge,  of  Saxony,  4"'  Cen- 
renary  of  Annaberg,  1896  ;  β€”  25'''  Anniversary  of  the  Kingdom 
of  Italy  with  busts  of  Victor  Emmanuel  II.  and  Umberto  I.,  1895  ; 

β€”  William  in..  King  of  the  Netherlands,  Exhibition  at  Amsterdam 
1883;  β€”  Prince  Henry  of  Prussia,  Exhibition  at  Konigsberg,  1895 

β€”  Leopold  II.,  King  of  the  Belgians,  Exhibitionat  Antwerp,  1885 

β€”  Duke  Alfred  of  Saxe-Coburg-Gotha;  ^L.  "  Preis  Erfurt ' ,  1897, 

β€”  Augustus,  Baron  von  der  Heydt,  1898;  β€”  Memorial  Medal  of 
King  Albert  of  Saxony,  1902;  β€”   Queen  Wilhelmina  and  Prince 


Charles  IV.,  Founder  of  Carlsbad, 

Henry,  Colonial  Exhibition ;  β€”  King  Umberto  of  Italy ;  l^i..  Peace, 
29  July  1900;  β€” β–   Prince  Alexander  of  Bulgaria,  Exhibition  at 
Philippopel,  1892  (sev.  var.);  β€”  Duke  Ernest  of  Saxe-Coburg- 
Gotha,  Industrial  Exhibition  at  Gotha,  1893;  β€”  Charles  Augustus, 
Hereditary  Grand  Duke  of  Saxe-Weimar  Eisenach,  1844-1894;  β€” 
The  Belgian  Jubilee,  1830-1880,  with  busts  of  Leopold  I.  and  II. ; 

β€”  Prince  Henry  XXVII.  of  Reuss  ;  β€”  Nicholas  II.  and  Alexandra, 
I3L.  Resurrection  of  Christ;  β€”  Napoleon  III.,  Emperor  of  the 
French;  β€”  Ernest  Louis,  Grand  Duke  of  Hesse,  Agricultural  Show 
at  Darmstadt,  1900  ;  ~  Edward  VII.  and  Alexandra,  Coronation  in 
London,   1902;  β€”  Philip,  Count  zu  Ysenburg,  Offenbach,  1899; 

β€”  Khan  Bahadur  Rastomji  Thancnala  ^L.  Ralambai  Khurshedji 


>sted  by  Google 


~  641  - 

Klian,  1842-1892  ;  β€” Grand  Duke  of  Luxemburg,  1891;  β€”  King 
George  of  Hanover ;  ^L  Duke  Ernest  Augustus  of  Cumberland ;  β€” 
Prince  Albert  Victor  of  Great  Britain,  1889-1890;  ~  Duke  Fred- 
erick of  Anlialt,  1896;  β€” Grand  Duke  Frederick  of  Baden,  Military 
manoeuvres  of  1901;  β–  β€”  Anotlier,  Jubilee  Medal,  1832-1902  ;  β€” 
Inauguration  of  tlie  Emperor  Joseph  II.,  Statue  at  Winterberg,  1901 ; 
^Queen  Wilhelmina  of  Holland,  1898  (sev.  var.);  β€”  Death  of 
King  Albert  of  Saxony,  β– (β–   19.  June  1902;  β€”  Grand  Ducliess 
txjuise  of  Baden ;  β€”  Tiie  Saxon  Royal  Pair,  S"*  Centenary  of  the 
House  of  Wetten,  1889;  β€”  Accession  of  King  Victor  Emmanuel  III, 


of  Italy,  39  July  1900 ;  β€”  Marriage  ot  (iiiecn  Wilhelmina  with 
Prince  Henry  of  Mecklenburg,  1901  (sev.  var.); β€”  William  Ernest 
and  Caroline  of  Saxe- Weimar;  β€” Prince  Regent  Luitpold  of  Bavaria; 
^  Coronation  of  Czar  Nichokis  II  and  Czarina,  at  Moscow,  1896 ; 

β€”  Nicholas  II.,  Emperor  of  Russia;  β€”  20"' Anniversary  of  Carol  I. 
of  Rumania's  reign,  189 1 ;  β€”  Count  W;\klersee,  Relief  of  Peking  ; 

β€”  Queen  Victoria;  ^.  Prince  and  Princess  of  Wales;  β€”  The 
Roumanian  Royal  Pair,  1900;  β€”  Prince  Ludwig  of  Bavaria;  β€” 
King  Leopold  of  Belgium;  and  Breloques  with  portraits  of  Queen 
Wilhelmina;  β€” King  Albert  of  Saxony  ; β€” Emperor  Francis  Joseph; 


,stsd  by  Google 


β€”  642  β€” β–  

β€”  King  George  of  Saxony  ;  β€”  and  Grand  Duke  Frederick  oi  Biiden ; 

β€”  Gedt;nkthaleron  tlie  Birth  of  Prince  William  of  HohenzoUern, 
1906;  β€”  78"'  Congress  of  German  Naturalists  and  Physicians 
at  Stuttgart,  September  1906. 

Struck  Portrait-plaqueiles  :  Christ;  β€”  Bismarck;  β€”  Emperor 
WilUam  II.  (2  var.) ;  β€”  Empress  Augusta  Victoria ;  β€”  Emperor 
William  [. ;  β€” β–   Emperor  Frederick  ;  β€”  Bismarck  ^ev.  var.);  β€” 

β€”  Moltke;  β€”  Schiller (i I lustraled);  β€” Goetht:;  β€”  Queen  Wilhel- 
mina  ;  β€”  King  William  II.  of  Wurtemberg;  β€”  Queen  Charlotte 
ofWiirtemberg;  β€” Pope  Leo  XIII.;  β€”  Pope  Pins  X. ; β€” Madonna  ; 

β€”  Communion  ;  β€”  Madonna  of  Lourdes;  β€”  Lord  Roberts;  β€” 
Cologne  Cathedral ;  β€”  Auerhahn  ;  ^  Boar  Hunt;  β€”  Paradise.  The 
followingare  5x7  cm.  :  Emperor  William  II.,  as  Cuirassier  and 
Admiral;  β€”  Empress  Augusta  Victoria  ;  β€”  Emperor  William  I. ; 

β€”  Emperor  Francis  Joseph  I,  ;  β€”  King  Albert  of  Saxony  ;  β€” 
Pope  Leo  XIII. ;  β€”  Pope  Pius  X. ;  β€”  Madonna  (2  var.) ;  β€”  King 
William  II.  of  Wiirttemberg ;  β€”  Queen  Charlotte  of  Wiirttemberg ; 
- β€” Bismarck  (3  var.);  β€”  Moltke;  β€”  "  Reichstag"  Palace;  β€” 
Germania  ;  β€”  jahn  ;  β€”  Cologne  Cathedral ;  β€”  The  GrCitli  Oath ; 

β€”  The  Lion  of  Lucerne;  β€”  Dying  Warrior;  ^  Winkelried  ;  β€” 
Petofi ;  β€”  Nikolaus  von  der  Fliie  ;  β€”  Monument  of  St.  Jakob  at 
Basle;  β€”  Prince  Regent  Luitpold  of  Bavaria;  β€”  Auerhalin  ;  β€” 
Boar;  β€”  General  Kuropatkin. 

Electrotype  Plaquettes  :  Christ;  β€”  Bismarck  Monument  at  Berlin  ; 

β€”  Wiesbaden  Theater ;  β€”  Auerhahn ;  β€”  Boar ;  β€”  Bismarck 
(2   var.);   β€”   Moltke;    β€”   Madonna   (2  var.);    β€”  St.   Amalia; 

β€”  KinL'  William  II.  of  Wurttembert^;  β€”  Sancta  Maria ;  β€”  The  first 


Song ;  β€”  Young  Girl  with  a  flower  (illustrated)  β–   β€”  Yoiing  Girl 
with  a  fly;  β€” Jaim;  β€”  Grand  Duke  of  Baden ; β€” Grand  Duchess 
ot  Baden ;  β€”  Prince  Hermann  of  Saxe-Weimar ;  β€”  Emperor 
William  II. 


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_  6^3  ~ 
Historical  Medals.  Twenty-fifth  Anniversary  of  the  restored 
German  Empire,  with  busts  of  William  I.,  Bismarck,  Moltke, 
Frederick  III.,  and  William  II.,  1895  ;  β€” β–   Inau^ration  of  the  Kiel 
Canal ;  β€”  German  Exhibition  in  London;  β€”  The  Triple  Alliance, 
with  busts  of  William  II.,  Francis  Joseph  I.,  and  Umbertoj^The 
Kyffhauser  Monument ;  β€”  Opening  of  the  Reischstag,  with  btist  of 
William  II.,  (sev.  var.);  β€”  Germania,  '^.  Arms,  including  those 
of  Alsace-Lorraine;  β€”  Kaiser  parade  1893  J  ''Usts  of  William  II. 
and  King  William  11.  of  Wiirttemberg;  β€”  Baden-Baden  Exhibition, 
1896;  β€”  Sporting  Show  at  Cologne;  β€” Proclamation  Medal,  1871- 
1896;  β€”  The  New  Century,  1900;  β€”  Journey  of  the  German 
Emperor  to  Palestine;  β€”  Numerous  medals  of  the  Emperor 
William  II.  with  different  reverses,  alluding  to  visits  of  foreign 
rulers,  military  manceuvres,  opening  of  the  Reichstag,  &c;  β€” β–   Inau- 
guration of  the  harbour  of  Emden,  1901 ;β€” The  Niederwald  Monu- 
ment;β€”  Second  Centenary  of  the  Prussian  Kingdom,  1901  ;  β€” 
Alexander  of  Russia,  Memorial  Church,  1902;  β€”  Prince  Henry  of 
Prussia,  on  his  Visit  to  America,  1902;  β€”  Coming  of  age  of  Crown 
Prince  Frederick  William,  1900;  β€” Visit  of  President  Felix  Faure  to 
Russia;  β€”  Cession  of  Helgoland  by  Great  Britain  to  Germany;  β€” 
William  II.  and  Nicholas  H. ;  β€” β–   Peace  Medal;  β– β€”  Accession  of 
William  IL,  1888  (sev.  var.) ;  β€”  Memorial  Medal  of  William  I. ;  - 
Medals  of  William  I.  (numerous  varieties  of  obverses  and  reverses, 
commemorating  episodes  of  the  Franco-German  War,  inaugurations 
of  public  buildings,  &c. ;  β€” Medals  ofFrederick  III.  (several  types); 
β€” Third  Centenary  of  Salzburg  Mineral  Springs,  1601-1901;  β€” 
Return  of  the  German  Troops  from  China,  1900,  &c, 

Pri^e  Medals  for  Rifle  Competitions  of  Ennetmoos  (Nidwald), 
1898;  β€”  Rastatt,  1903;  β€”  Neustadt  A.  Hi  (Bavaria),  1902;  β€” 
Segeberg,  1883  ;  β€” Heilbronn,  1900;  β€”  Jena,  1903  ;  β€”  Esslingen, 
1903;  β€”  Godesberg,  1902  ;  β€”  Gdppingen,  1902;  β€”  Leipzig,  189S; 

β€”  Chemnitz,  1895;  β–  β€”  Oberndorf,  1894  (to  commemorate  the 
Sultan's  accession);  β€”  Isny,  1903  (4"'  Centenary  of  the  Rifle  Corps) ; 

β€”  Geislingen,  1903  ;  β€”  Berlin,  1903 ;  β€” Hohentiibingen,  1900;  β€” 
Torgau,  1894;  β€” Leipzig,  1893  ;  β€” Ellwangen,  1902;  β€” Stuttgart, 
1901;  β€”  HalberstadE,.i893;  β€”  Karlsruhe,  1891;  β€”  Plauen,  1889; 

β€”  Neuchkel,  1902;  -β€”  Speyer,  1902;  β€”  Homburg,  :89o;  β€” 
Eisleben,  1899;  β€”  Halberstadt ;  β€”  Biasca;  β€”  Halle  A.  S. ;  β€” 
Berlin,  1890;  β€”  Frankfort-on-M.,  3-10.  July  1887;  β€” Mylau, 
1891;  β€”  Altona,  1894;  β€”  Reutlingen,  1891;  β€” β–   Vohrenbach, 
1899 ;  β€”  Hochst,  1889 ;  β€”  Mayence,  1894;  β€”  Stuttgart,  1895  ; 

β€”  Frauenfeld,  1890;  β€”  Glarus,  1892;  β€”  St.  Gall,  1895;  β€” 
Zofingen,  1896;  β€”  Frauenfeld,  1S97;  β€”  Lichtensteig;  β€”  Burg- 
dorf,  1891 ;  β€”  Winterthur,  1891 ;  β€”  Meiningen,  1893  ;  β€” Lucerne; 


./Google 


β€”  (544  β€” 

β€”  Locarno,  1S96 ;  β€”  Weilburg,  1801;  β€”  Creussen,  1890;  β€” 
Rabenach,  1893;  ~  Dommitzoch,  1901 ;  β€”  Halle,  1892;  β€” 
Ludwigsburg;  β€”  Erfurt,  1891 ;  β€”  Ostrowa,  1892;  β€”  Wiesbaden, 
1893  ;  β€”  Ragnitz,  1892;  β€”  Weissenfels,  1892  ;  β€”  Neu-Oertels- 
dorf,  1900; β€” Flensburg,  1889,  and  many  others ;  also  Badges, 
Insignia,  &c,  of  Rifle  Clubs,  Sporting  Associations,  &c. 

I  have  myself  noted  Mayer  &  Wilhelm's  signature  on  the  follow- 
ing plaquettes  and  medals  not  already  enumerated  in  the  above 
official  list  supplied  to  me  by  the  firm  :  Marriage  of  Princess  Pau- 
line of  Wiirtteniberg  with  the  hereditary  Prince  of  Wied,  1898  ; 

β€”  Marriage  of  Prince  Max  of  Schaiimburg-Lippe  with  the  Duchess 
Olga  of  Wurttemberg,  1898;  β€”  150"'  Anniversary  of  the  Printing 
Establishment  of  Schluchter  at  Hanover,  1898;  β€”  Johann  Georg 
Adler,  of  Buchholz;  β€”  Exhibition  of  Foodstuffs  at  Elberfeld,  with 
bust  of  Baron  Augustus  von  der  Heydt,  1899  ;  β€”  Choral  Festival 
at  Cassel,  1899  (modelled  by  Hans  Everding);  β€”  Marriage-Medal 
(signtd  by  Diirrich  of  Cassel) ;  β€”  Hungarian  Millenium,  896- 1896 ; 

β€”  Death  of  Leo  XIIL,  1903;  β€”  Exhibition  at  Breslau  for  the 
Nursing  of  Infants,  1897;  β€”  150'''  Anniversary  of  the  Court  Chapel 
at  Breslau,  igoo;  β€”  SanltiltsaussteUungat  Breslau,  1900;  β€”  Medal 
with  busts  on  obv.  of  the  Hungarian  ministers  D'  Wekerle,  Count 
Csaky,  and  D.  Szilagyi,  1895 ;  β€”Exhibition  of  Art-Handicraft  and 
Electrotechnique  at  Stuttgart,  1896 ;  β€”  Diamond  Jubilee  of  Qiieen 
Victoria,  1897;  β€”  Fridtjof Nansen ;  1^.  The  "Fram",  1897;  β€” β–  
I^.  Portrait-medal  of  Prince  Bismarck,  1897  ^.  Inscription,  under 
oak-branch  : 

Und  wenii  die  Welt  voll  TeMfel  w;ir', 

Es  kann  iiir  niclit  gelingen, 

Durch  Undank  dicli  zu  And'rer  Ehr' 

Um  deinen  Rulim  zu  bringen. 

Es  fehh  noch,  dass  ein  Streit  entstciit, 

Wer  sei  der  Reich sbaurneister  ? 

Ffir  uiis  und  alle  braven  Leut' 

Kein  Zweifel,  "  Bismarck  "  heissi  or  1 

Die  alien  Geireuen. 

Satirical  medalof  the  Franco-Russian  Alliance,  1897;  β€” Launch- 
ing of  the  transatlantic  liner  'Kaiser  Wilhelm',  1S97;  β€” β–   Jubilee 
of  the  Emperor  Francis  Joseph  I. ,  1898  (sev.  var.);  β€”  Inauguration 
of  the  Franz  Abt  Monument  at  Wiesbaden,  1891 ;  β€”  Musical  F&te 
at  Bonn,  1885  ;  β€” -  Ludvig  van  Beethoven,  25"'  Anniversary  of  the 
Choral  Society  of  Muifendorf,  1888  ;  β€”  Others,  with  portrait  of 
the  composer  fseveral  varieties);  β€”  Death  of  King  Umberto  I., 
1900  (modelled  by  H.  Durrich) ;  β€”  550"'  Anniversary  of  Zurich's 
entry  into  the  Swiss  Confederation,  1902;  β€”  Journey  of  Prince 
Henry  of  Prussia  to  the  United  States,  1902  ;  β€”  Medallion  of  the 


isdo/Googlc 


β€”  Hs  - 

Wurttemberg  "  Kriegerbund ",  1902;  β€”  Visit  ot  Prince  Aibert 
Victor  of  Wales  to  India,  1889-1890;  β€”  Bird  Show  at  Zuricli, 
1890 ;  β€”Tenth  Federal  German  Rifle  Meeting  at  Berlin,  1890 
(sev.  var.) ;  β€” -  Medal  of  Hans  Waldniann  of  Zurich,  4"'  centenary 
of  the  city,  1889;  β€”  90''' Anniversary  of  Count  von  Mohke,  1890; 

β€”  Reproduction  of  the  5  Franc  piece,  1870,  with  1^.  FINIS  GER- 
MANIC. 1870;  β€”  Prof.  D'  Robert  Koch;β€”  Portrait-medallion 
of  Charles,  King  of  Wurttemberg ;  ^L.  Eberhard  im  Barr,  Duke  of 
Wurttemberg;  β€”  D'  Ludwig  von  Windthorst,  1891  ;  β€” Grand 
Duke  Adolph  of  Luxemburg,  1891  ;  β€”  Commemorative  medal  of 
the  Meeting  at  Strassburg  of  the  Choral  Societies  of  Alsace-Lorraine, 
1891;  β€”  58'''  Anniversary  of  Francis  Joseph  L,  1888;  β€”  Columbus 
Exhibition  at  Genoa,  1892;  β€”  Centenary  of  the  10.  August  1792; 

β€”  Fifth  Centenary  of  the  Reunion  of  Gross-  and  Klein-Basel, 
1892 ;  β€”  Medal  of  the  Philadelphia  Exhibition,  1893 ;  β€”  Bulgar- 
ian National  Exhibition  at  Philippopel,  1892;  β€”  "  Festspiel"  at 
Basle,  1892;  β€”  German  Exhibition  in  Ijsndon,  1891 ;  β€”  W.  E. 
Gladstone,  1893  (edited  by  J.  Rochelle  Thomas);  β€”  England  and 
the  Triple  Alliance  in  Europe  (1892?);  β€”  Helgoland  ceded  to 
Germany,  1890 ;  β€”  The  Duke  of  Cumberland  and  his  father 
George  V.  of  Hanover;  β€”  Dr.  Emin  Pasha  and  German  Explorers 
in  Africa;  β€” Silver  Wedding  of  the  Prince  of  Wales  (Edwari  VIL), 
1888;  β€”  Hygiene  Exhibition  in  London,  1893;  β€” Brahms;  β€” 
Schubert ;  β€”  Joachim  ;  β€”  Fifth  German  Gymnastic  Fete  at  Frank- 
fort-on-Main,  1880  ;  β€”  Exhibition  of  "Patent  and  Musierschutz  " 
at  Frankfort-on-Main,  1881  ;  β€”  Ninth  German  Federal  Rifle 
Meeting  at  Frankforc-on-Main,  1887  (sev.  var.);  β€”  Inauguration 
of  the  Central  Railway  Station  at  Frankfort-on-Main,  1888;  β€” 
Inauguration  of  the  Paris  Hfitelde  Ville,  1882;  β€”  50'''  Anniversary 
of  Belgian  Independence,  1880  ;  β€”  Portrait-medal  of  Ernest,  Duke 
of  Saxe-Altenburg,  1882;  β€”  Swiss  Federal  Rifle  Meeting  at 
Lugano,  1883;  β€” Swiss  Military  Manoeuvres  in  Graubunden, 
1884 ;  β€”  Swiss  Federal  FSte  of  non-commissioned  Officers  at  Frei- 
burg, 1885  ;  β€”  Chora!  Festival  at  Basle,  1893 ;  β€”  Federal  Griitli 
FSte  at  Neuchatel,  1891 ;  β€”  75"'  Anniversary  of  the  Swiss  Students' 
Society  of  Zofingen,  1891 ;  β€”  Cantonal  Rifle  Meeting  of  Vaud,  at 
Lausanne,  1894  '>  β€”  Inauguration  of  the  Tell  Monument  at  Ahdorf, 
1S95  ;  β€” Inauguration  of  a  Monument  at  Strassburg  commemo- 
rating the  help  given  to  that  city  by  the  Swiss  in  1870;  β€”  Swiss 
National  Exhioition  at  Geneva,  1896;  β€” Adrien  de  Bubenberg; 
^  Defence  of  Morat,  1476-1866;  β€”  President  Kruger,  1900  ;  β€” 
International  Exhibition  for  Hygiene,  London,  1893  ;  β€”  D'  Robert 
Koch,  of  Berlin  (1890);  β–  β€” β–   A.  Menzel,  painter,  1905  ;  β€”  Schiller 
Festivities,  1905 ;  β€”  Marriage  of  the  Crown  Prince  of  Germany; 

β€”  Silver  Wedding  of  H.  M.  William  II.,  1906;  β€”  Marriage  of 


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β€”  64^  β€” 

Prince  Eitc!  with  Princess  Sophie  Chi\rlotte  orOliicnburg,  1906;  β€” 
The  Springtime  and  the  Aummn  of  Life  (plnquelte,  reproduced  in 
tlie  traUhmake}-  and  Jeweller.  Aug.  1906). 

J,  E.  Bennertj  Bismanh-Medaillen,  1904  describes  no  less  than 
42  medals  and  plaquettes  of  Prince  Bismarck  struck  by  Mayer  & 
Wilhelm,  to  commemorate  various  events  of  his  hfe. 

MAYERL,  JOSEF  (Auslr.).  Mint-warden  at  Kremnit^,  appointed 
OH  16. January  1703.    . 

MAYNERT  (Austr.').  Forger  of  various  Polish  coins  and  medals. 
Several  are  described  in  the  Sale  Catalogue  of  the  Sigismund  von 
Chelminski's  collection,  Munich,  1904. 

MAYNERT,  GOTTFRIED  (^Austr.).  Mint-engraver  at  Warsaw,  circ, 
1850. 

MAYNERT,  F.JOSEPH  (Auslr.).  Sun  ot  Gottlried  M. ;  Medallist 
at  Warsaw,  during  the  second  half  ot  the  nineteenth  century.  By 
him  is  a  portrait-medal  of  his  father,  and  I  have  also  noticed  his 
signature  on  commemorative  medals  of  the  inauguration  of  the 
railway  from  Warsaw  to  Vienna,  1845  (2  var.). 

MAYR,  A,  (Germ.).  Medallist  to  the  Mint  of  Nuremberg,  nrc.  1770. 
β€”  His  signature  occurs  on  the  ^  of  a  medal,  the  oljv.  of  which 
is  by  G.  F.  Niirnberger,  on  the  election  of  the  Emperor  Charles  VI. 
and  prediction  of  a  successful  reign. 

MAYR,  HANS  (Aiisfr.).  Warden,  and  later  Mint-master  at  Salzburg, 
1599-1620. 

MAYR,  JOHANN  JAKOB  (Jriilr.).  Mint-engraver  at  Kremnitz, 
1675-1687. 

MAYR,  ISAAK  Fide  MAYER.  A  Jew  of  Prague  who  worked  the 
Imperial  Mint  of  Breslau,  between  1546  and  1549. 

MAYR,  MARX  VON  {Germ.).  Member  of  the  "  Miinzsocietat  ", 
Munich,  1691. 

MAYR,  WOLFGANG  (Germ.).  Mint-warden  at  Stuttgart  to  the 
District  of  Suabia,  1599-1615. 

MAZARON.  Fide  ANTOINE  MASCARON.  Mint-master  at  Marseilles, 
1593-94. 

HAZENS,  GEORGES  (French).  Contemporary  Sculptor,  born  at 
Paris;  pupil  of  Gautherin.  By  him  are  various  portrait-medallions 
in  bronze,  some  of  which  were  cxiiibited  at  the  Paris  Salon 
of  1883. 


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β€”  647  β€” 

MAZltRES,  ANTOINE  DE  (P'lemh).  Miiu-tiigraver  at  Villeiicuve- 
Saim-Andr^-les-Avignon,  1533-1547.  In  1540  lie  was  assistant 
warden  at  the  Montpellier  Mint. 

liiBLiOGRAPHY.  β€”  N.  Rondot  &  H.  dc  La  Tour,  op.  cit. 

MAZIERES,  BERNARDIK  DE  (Frcvch).  Mint-engravcr  at  Villeneuve- 
Saint-Andre-les-Avignon,  1545-1551. 

MAZIΒ£reS,  PIERRE  DE  {French).  Mint-engraver  at  Villeneiive- 
Saint-Andr^-l^s-Avignon,  1 560-1 569. 

MAZURE,  ANTOINE  (French).  Mint-engraver  at  Villeneuve- Saint- 
Andre-Ies-Avignon,  appointed  by  the  King  in  1534.  Probably  tlie 
same  as  ANTOINE  DE  MAZlfiRES  (q.  v.). 

MAZZAFIRRI,  MICHELE  (Dal).  Florentine  Medallist,  bovn  cirr. 
1530,  died  about  1597.  He  was  attached  to  the  Court  and  person 
of  the  two  sticcessors  of  Cosimo  I.  and  especially  to  the  third  Grand 
Duke,  Ferdinand  III.,  of  whom  and  his  consort,  Christine  of  Lor- 
raine, no  less  than  eleven  medals  are  known  by  him.  He  was  really 
a  Goldsmith  by  profession,  and  attained  greater  celebrity  in  that 
branch  than  in  medallic  art,  although  none  of  his  works  of  plate 
and  jewellery  have  come  down  to  us,  and  are  only  known  from 
documentary  evidence.  The  fihgree-like  delicacy  of  the  elaboration 
of  all  the  accessories  marks  them  as  the  works  of  a  goldsmith's 
hand,  and  v.  Fabriczy  notices  that  the  artist's  fame  as  a  goldsmith 
surpassed  that  of:  the  medallist,  documents  proving  that  he  received 
a  great  number  of  commissions  for  goldsmith's  work. 


t-erdinand  1,  of  Lou 


The  following  medals  bear  the  artist's  signature,  which  occurs  in 
various    forms  :    MI.  MA.  ;  _  m.  M. ;  β€”  MICHE.  M.;  β€”  MICHELE 


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β€”  648  β€” 

UAZA.  F.,  etc.  ;  Vincenzo  I.,  fourtli  Duke  of  Mantii;i,  Bust  to  r.  ; 
beneath  :  MI. MA.  I^  Shield  of  arms;  β€”  Francesco  I.  de'  Medici; 
obv.  Bust  to  r. ;  beneath  :  M.  M.  1577.  V^.  MAIOR.AGIT.DEVS. 
Constelktion  of  the  Ram;  β€”  Another,  with  different  '^(Vide  C. 
von  Fabriczy,  op.  cit.,  p.  90);  β€”  Ferdinand  I.,  Third  Grand  Duke 
of  Tuscany ;  obv.  Bare  head  to  r. ;  beneath  ;  M.  M.  1587.  ^.  St- 
Stephen's  cross;  β€”Another,  same  date;  ^.  A ,  DNO .  FACTVM . 
EST.ISTVD.  St.  Stephen's  cross ;  β€”  Another,  1588;  signed  on 
obv.  :  MICHE.  M.  (a).  l?i..  VIRTVTIS  PREMIA  Grand  Ducal 
cr6wn;  β€”  (b)  1^.  MAIESTaTE  TANTVM.  Q.ueen  bee  and 
swarm  ;  (c)  I^.  PVBLICAE  SECVRITATI.  Plan  of  the  fortress  ot 
Livorn o,. beneath  :  A.S.CIC.IC.XV;  ^Another,  1588;  signed 
on  obv.  MICHELE.  MAZA  F;  ^.  SIC  ITVR  AD  ASTRA.  Herakles 
stunnino;  the  centaur  i^essus  (^illmtrtited);  β€”Another,  with  similar 


obv.  and  ^L,  Cross  of  St,  Stephen;  β€”  Another,  with  similar  obv. 
^L.  MAIESTATE  TANTVM.  Plan  of  the  fortress  of  Livorno;  β€” 
Another,  with  obv.  :  FERDINANDVS  MED .  MAGN .  DVX . 
ETRVRIiE.III.  Cuirassed  bust  to  r.  and  same  ^L.  type  as  last;  β€” 
Ch-istine  of  Lorraine  (1565  f  1636).  Obv.  CHRISTIANA . PRINC. 
LOTHAR.MAG.DVX.HETR.  Bust  to  r. ;  K--  FRVCTVM.LV- 
MENQYE-PVDORIS.  Ear  of  corn  surrounded  by  seven  stars 
07/Β»j;mic,a!);  β€” Another,  with  obv.  legend  :  CHRISTIANA. P. D. 
L.GRAN.DVCDI  TOSCA. ;  β€”  Christine  and  Ferdinand,  1592. 
Obv.  Bust  of  Ferdinand;  ^  Bust  of  Christine  to  r. ;  β€”  Another, 
of  same  date ;  1^  Bust  of  Grand  Duchess  Christine  to  1. 

The  portraits  of  the  Tuscan  Grand  Dukes  by  Mazzafirri  are  ot 
very  lifelike  and  powerful  execution. 

Bibliography.  β€”  A.  Heiss,  Im  MidailUurs  de  la  Renaissance.  Florence,  et  la 
Tosame,  Pnris,  1892.  β€”  Cornelius  von  Fabric;!y,  Medaillen  der  italimiscben  Renais- 


,/Goo(^[c 


β€”  ^49  β€” 
sancs,  1903.  β€”  Armand,  oji.  cil.  β€”  Blanchet,  op.  cit.,  II,  570.  β€” β–   Supino,  op.  at. 
β€”  Bolzentlial,  op.  cit.  β€”  Keary,  Biilish  Mitseum  Guide  to  Italian  Medals,  1892. 

MAZZAEA,  MARCHESE(/ifl/.)-  Mint-master-general  for  the  King- 
dom of  Sicily  at  Naples,  circ.  1747.  His  signature  occurs  on  cur- 
rency of  that  date  struck  at  tliat  Mint  (Vide'  hmmon,  op.  rii., 
p.  r6i,  n"  464.) 

MAZZINGHI,  GIOVANNI.  Vide  MEA,  Florentine  Painter  and  Medallist 
(?)  circ.  1488-1520. 

MAZZIO  (Ital.).  Mint-master  at  Rome,  1812-1814,  under  Napo- 
leon I.  His  privy  mark  on  coins  is  the  Capitolian  wolf. 


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