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THE BOOK OF CAPR
HAROLD E. TROWER
EMIL PRASS.
9 & 60 PI A ZZA DEI M A R T I R /.
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Galleria Principe di Napoli
First floor (Lift)
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OLD ESTHBLISHED PARISIAN HOUSE
- FIXED PRICES =iz=iz=
UNION DES FABRIQUES
mom k o,
— NAPLES
VIA S. CARLO— VIA S. BRIGIDA
EVENING DRESS MATERIALS SILKS: WOOLEN, GOODS
Every variety of chiffons and tissues
Handkerchiefs, Hats, Stockings, Scarves
TraveHing rugs. Valises, Umbrellas,
Kid and dogskin gloves
Costumes
Undergarments & Ready-Made
Clothing for Men, Women & Children
English, French and German Spoken
The largest Emporium of novelties in Italy
CAPRI
GRAND HOTEL QUISI8ANA
CAPRI -
Patronised by Royalties & the elite of English
and American society
I FASHIONABLE HIGH CLASS HOTEl]
Magnificent southern exposure
Superb rose garden
Bright sunny lounge and palm garden
Music during luncheon and dinner
Evening concerts
[modern sanitary ARRANQEMENTsl
Steam heating ^ Electric light
ADMIRABLE CUISINE
Proprietor: Comm. F. SERENA
an
EDEN HOTEL MOLHRO
* CAPRI ^'
The most comfortable and fashionable
first-class Hotel on the island. Unrival-
led position. Full South. Surrounded
by large gardens, and sunny terraces.
Every modern comfort. Hot water
heating throughout. Electric light.
Splendid view over Bay of Naples and
Salerno.
^(@X^r E. MOLARO Proprietor ll^-^^^S^^
CAPR
QRANP HOTEL CAPRI
Most charming situation on VIA TRAGARA
Forty bed-rooms, facing full South with sea view
EVERY MODERN COMFORT
Large drawing room, Ladies reception room,
writing room, bath rooms.
Extensive gardens & terraces with
Southern exposure
Moderate pension rates for prolonged May
CARLO DELLO JOIO Prop.
fmmmM
♦ cnpRi ♦
EXCELLENT ANB THROUQHLY COMFORTABLE FAMILY HOTEL
Fine position, facing FULL SOUTH
surrounded by palms & orange trees,
Numerous reception rooms decorated hy celebrated painters
PENSION RATES FROM Lire 8 per day
LUNCHEON „ 3
DINNER „ 4
ROOMS (one bed). . . „ 2 to Lire 3
The interesting collection of frescoes and paintings
can be seen by visitors daily from 10 a. m. to 12, and after 3 p. m.
Propr. Cav. MnHFREDI PnOnNO
i^=
■=^
Hotel Pension " yililifl SPPSEli „
(formerly ELENn)
«i
Is the most beautiful full South, central Hotel on the island
Surrounded by gardens
Patronised by English, Americans, and Scandinavians
EXQUISITE CUSINE
MODERN SANITARY ARRANGEMENTS
Electric light throughout, bath rooms, and every modern comfort
WORLD KNOWN SERINO
NAPLES WATER SUPPLIED
All modern languages spoken. Terms moderate
Telegraphic address: SKANSEN - CAPRI
■^ C. DI DOMIZIO Propr.
HOTEL VITTORIA
nnncnPRi
- FIRST CLASS HOTEL - ■ SITUATION FULL SOUTH ■
Large sunny gardens — Luncheons served al fresco
Steam beaHng k\)ro(sg\)oist — Up (o date sanUaHon
^atbrooms a))tb all modern conveniences
Highly recommended — Library of English books
English and Hmerican newspapers taken in
UNDER ENGLISH MANAGEMENT
QRnriT & GHRQIULO
^ -■= '^=r^crG'
PGNSION WHiie
CAPRI
Distant three minutes from Piazza & Funicular Station
A HOMELIKE RESIDENCE
WITH ALL THE COMFORT OF A GOOD HOTEL
Highly spoken of — Large garden, and Terraces
Electric light = Modern Sanitary arrangements
No children received
Prices from Lire 6 up
A G. WHITE, Prop. & Manager
PARADISO HOTEL AND PENSIOH
Full South = Modern comfort = Large gardens & terraces
Special Terms for families or for prolonged stay
Prop. N. FHRHCE —
5 eAp-Ri J
\
nJ
First class Hotel, 450 feet above sea, at the entrance
of the town of Capri, commanding unrivalled
panorama of the island, Vesuvius, and the whole
Bay of Maples.
RESTAURANT A LA CARTE - EXTENSIVE GARDENS
STEAM HEATING, baths, electric light. Principal papers & periodicals taken
—p Prop. F. EIDENBENZ (from Zurich Switz). c~ — ^
WEBER'S STHflND PEpSIOl^
PICCOLA MARINA
Price Lire 4,50 per day
A-coomodation for 13 guests
7
\A
^^S \i * 1/ 2^^
\
nJ
iiiii fiisiii f liiiii
(3 zxxizi'u.'kes fxoro. IPiazza.)
Splendid panorama and sea view
»*:i.Ijei*t3 oool«:ii:xg:» r»oia.«ioj:x I^. O
F. RUSSO Proprietor
?
\A
CAPRI MEDICAL DIBECTOBY
D/ VINCENZO CUOMO
XJniversity o£ KTaples - KCealtli Officer irL Oapri
Speaks Engtish, Garman and French with fliiency
Can be seen daily in Capri from 10 a. m. till 1 p. m.
at Hotel Quisisana or Quisisana Pharmacy.
Hours of consultation at Villa Cuomo. Anacapri. From 2.30 p. m. till 4 p. m.
Dr Cuomo is the author of many important works
among which may be mentioned:
« L' Isola di Capri » as a health resort (Medal, XI
International Congress at Rome, 1894).
€ Climatologie insulaire et particulierement de 1' ile
de Capri ». (First prize VII International Congress of
Hydrology, Venice, 1905).
Advantages and disadvantages of blood letting & ves-
sicatories. Children' s convulsions. Social and individual
prophylaxis of acute pneumonia. Typoid and pseudo-
typhoid. Hygiene of the altitudes etc. (First prizes at
scientific Conferences).
D: GEORGE CERIO
PHYSICIAN & SURGEON OF THE ROYAL UNIVERSITY OF NAPLES
and THE UNIVERSITY OF NEW YORK
Formerly clinical assistant at the Manhattan Eye
and Ear Hospital
Past Graduate Medical School and Hospital
of Columbus, New York
NOW RESIDENT IN CAPRI - Villa Jenny, Via Tragara
OFFICE HOURS. 11-30 a. m. to 12-30 p. m. or by appointment
QUISISANA PHARMACY
(opposite Hotel Pagano)
I I
Cav. CARLO FERRARA
Patronised liy Prince Leopold Hohenzollern, Grand Duke of Hesse
and Prince Constantinovitcli of Russia
Prescriptions carefully prepared
Italian & foreign Patent Medicines
Mineral waters
Burroughs & Welcome tabloids
Pertumeiy & Toilet articles
TJrgeia-fc ISTigli-t service^ I^alazzo JFerraro
Many years 'Professor of the bondon Academy of Music
JF»i^3c:i.ls-t*c5orxa looser
Successful Piano "Recitals in bondon, St. 3'aa2es j^ail 5 Italy
Composer of Pieces for Piano, Songs, Chamber 5 Orchestral music
ADRESS: Hotel Quislsana, or Studio dl Musica, Via Matromania, I
TEACHER OF LANGUAGES
foreigners, (jj\)0 (jj)s\) to acquire i\)e Italian language
m a sbort Hme, sbouJd apply to,
Cobo undertakes to enable t^em to spea^ Utalian ^ery
quickly by means of an easy and sim'^le metbod,
ODJtbout being obliged to fill tbeir beads (oitb irritating
rules and grammar.
Studio Carlo pj QjuSeppe
^%r±&L I'lt^e^orlo, a^^e^^r Hotel I^ozsr&.±
PecoraH\)e ® ®"
® ® ® ® (DorHs
® PortraKs ®
Lessons ® ® ®
® ® in painHng
•^
Visitors are cordially
invited to visit the
Studio.
^m'-
Mr. ARTHUR CERIO'S STUDIO
Via Tragara, opposite Hotel Quisisana
Mr. Cerio' S pictures are on exhibition Only
in his Studio, which can be visited daily from
10 a. m. to 12-30 and from 1-30 to 6-30 p. m.
Mr. Cerio speaks Enghsh, French, German and Italian
Mf. BEBNAHD HAY'S STUDIO
In the Piazza at foot of Church steps
/Vlarine subjects — Views of Venice
Landscapes of Capri
Visitors are cordially invited to visit Mr. Hay's Studio and Exhibition
e. f)H)VI)V10]V[D )VIHSO)V
(American painter, formerly of Florence)
Ras pictures on exhibition daily
from 10 a* m*f to 12 ^ from 2 to 4 p» m*
At the. Villa Bella Vista, No. 7, Main Road, Anacapri
Cappi International Art ExMMtion
— K///a Sinibaldi — Via Tragara -=-
Open from 9 a. m. to 6 p. m.
Portraits = M:arine subjects
A limited number of pupils taken
♦ Capri Sculptor ♦
Italo Campagtioli (from )VIii*atidola , JModena).
Student of the Hcademy of Bologna^ and pupil
of Senator 6. JVIonteverde of Rome* M^niber and
honorary Hssociate of the Hcademy of Bologna.
Signor Campagnoli has been awarded numerous
prizes, and received honorable mention at Exhibitions
held at Munich, Budapest, Venice, Curin, JVLilan,
Rome etc.
executes portrait-busts from life in bronze,
marble and terra-cotta— Lessons in modelling.
Studio: Tia Cragara (near Rotcl Qutstsana)
Sculpture 8i bronzes
^eniammo ^oppo
Qia Tragara — Capri
PeprodacHorv of V)orJ^S o/^rt
,rv,^->f{jv-^ Art Silver Shop <rv^%^.v.
Fixed Frices
Choice and varied selection of buckles, belts, purses, caskets,
vases, spoons, jardiniers, buttons, bonbon boxs etc etc.
OUR OWN WORK -COPIES FROM ANTIQUE DESIGNS EXECUTED
Special commissions executed to order at moderate prices
Via Principe, H.« 13-14 (opposite Jiotel Quisisana)
E) :( ^H7^-
Anglo-Saxon Company
opposite iiotel G^VLlsisaxia.
island of Qapri — CnglisI) 8{ ^mencan Qrocery
Photographic Department Kodak materials
^rOsHc pl)otograpl)S and post cards
Household requisites Toilet articles
^ Capn IReal Estate ©fRce *
PIETRO SCOPPn- Villa Scoppa
3BuilMn0 sites ant) bouse propetti^ ==:
lFurnlsbe5 ant) unturntsbeb, JBou^bt d Solb
: /iDoberate commtsston
MICHELE GEROOTTO (OiGheiuccioj & SONS
Commissioners
»^»
ProDipl attention to bnsiness k oioderate ekrges
Daily service to Naples for execution of orders
Checks cashed, and money changed at comot rate of exchange
Patronised by the principal English
and American residents & visitors in Capri
1/ -^
FILIPPO LEMBOScSONS
©ommissloners and Shipping oMgQnis
OtaLSit;oim 'lioxisio t^rokors
Special daily service between Capri
and Naples for the execution of commissions,
& transport of baggage
Ooi:i:xj3loi:o stook of j>i?0^%ri{sioi:as
Cafe Restaurant "Gaudeamus,,
CAPRI, opposite Post Office
® —
Pinners : : : : Luncbeons : : Late suppers
: : : : Cbo'ce Capn and otb^^ Utalian Comes : :
ErLglisli G-roceries
QernDan beer VbiS^Jes : : ^Jrandies etc.
* Au Bon Marche *
_ _.0^=iO«
near Quisisana Hotel
Original manufactory of silks and Sorrento wood
Large s('lection of silk materials, blouses, stockings,
scarfs, foulards, and embroderies
OA.I»I«I - Corso Tiberlo, 1 — OiVI»I«I
Boot and Shoe Maker
Light, strong, durable— Boots and shoes all hand made
American model a speciality
Old 6stabl)$bed pansian House
f
"^
Union des Fabriqaes =
Via S. Carlo - )S|APL)ES - "^ia S. Brigida
Evening dress materials * # *
Ilk Ilk fk ^
Silks, Woolen goods
Every variety of chiffons* ^
i9t*»^^^^^^ and tissues
Handkerchiefs, Hats ^ ^ <i ^ ^
« ip^ * * « «
Stockings, Scarves
Travelling rugs, valises, umbrellas * ^
^ i9t » ^ <» ^ kid and dogskin gloves
Costumes, undergarments, & ready-made
* clothing for men, women & children *
Cngl'jsbt yrencb and Qerrpan spoken ;: :: ;;
Tbg largest 6mpor)un7 of no^elHes in D^aly
THE^OOK OF CAPRI
^^t^U^
/^}U^iza/izr ///^
BY
HAROLD E. TROWER B. A.
BALLIOL COLLEGE OXFORD.
(barrister -AT- law)
BRITISH CONSULAR AGENT AT CAPRI, ITALY.
WITH
ILLUSTRATIONS.
•
•
J • • • • •
>••••■ •
« •• • • • •
• • •• < « » ^
, • , 1
: : :. ; ':
:•: :.: :
••• •• • •
« • • •• •
EMIL PRASS.
59 & 60 PIAZZA DEI MARTIRI.
NAPLES.
1906.
All rights reserved.
*ilf I Off
Veiled head of Tiberius, found in Capri. (British iVIuseum).
BIBLIOGRAPHY.
Addison , Joseph ; " Remarks on some parts of Italy
1701, 1702, 1703 ".
Alvino, F. ; " Due giorni a Capri ". Napoli, 1838.
Andersen, Hans.; "Improvisator ". 1834.
AuRELius, Marcus.
Ausonius.
Bellini ; " Alcuni appunti pella Geologia dell' Isola di
Capri ".
Bl^sus.
Breislak ; " Tipografia fisica della Campania ". 1798.
Brooks, Ellingham ; Sonnet.
Canale, a. ; " Storia dell'Isola di Capri \ Napoli, 1887.
Capaccio; " Historiae Neapolitanae ". 1607.
Cerio, I. & Bellini, R. ; *" Flora dell' Isola di Capri ".
Napoli, 1890.
Chevalley di Rivaz. ; " Voyage de Naples a Capri et
a Paestum \ Naples, 1846.
Church , Sir Richard ; " Sir Richard Church in Italy
and Greece \
Claudian.
CoLLETTA, F. ; " Storia del Reame di Napoli dal 1734
al 1825 \ Firenze, 1838.
M81999
THE BOOK OF CAPRI
Consular Reports; South Italy, 1902; No. 3070 & 1903
No. 3249.
Costa ; " Statistica fisica ed economica dell' Isola di
Capri ".
Cuomo, Dr. Vincenzo ; " L' Isola di Capri ".
D'Aloe, Stanislaus; "Naples, ses Monuments et ses
curiosites ". Naples, 1847.
Dion Cassius.
Di Lorenzo ; " Osservazioni Geol. sull'Appennino della
Basilicata Meridion. ".
Di Stefano ; " Osservazioni sulla Geol. del Monte Bul-
gheria in Prov. di Salerno ''.
Douglass, Norman ; " Blue Grotto, and its Literature ''.
London, 1904.
Dumas, Alexander.
Feola , G. ; " Rapporto sullo stato attuale dei ruderi
Augusto-Tiberiani nella isola di Capri ". Pubblicato
ed annotato dal Dr. ignazio Cerio.
" Field " ; " Quail shooting and netting in Capri ". (Nov.
14, 1903).
" Gentlewoman " ; " Festival of San Costanzo — an
island carnival ", (Oct. 24, 1903).
GiANNETTASio, N. P.; " Autumni Surrentini ", Nap. 1698.
Gibbon; " Rise and fall of the Roman Empire ".
Gould-Baring; "Tragedy of the Caesars \
Gregorovius ; " Die Insel Capri. Idylle vom Mittel-
meer ".
GuNTHER , R. T. ; " Earth-movements in the Bay of
Naples ".
Hadrava; Letters. Napoli, 1793.
JOSEPHUS.
JULIANUS.
BIBLIOGRAPHY HI
Juvenal.
Karsten; " Zur Geologie der Insel Capri \
Kopisch; " Entdeckung der Blauen Grotte ".
Lanciani, Prof. ; " Ruins and excavations of Ancient
Rome \
Idem ; " The Destruction of Ancient Rome \
Lamarque, General ; Extract from Report to King of
Naples , in regard to the capture of Capri by the
French in 1808.
Lowe, Hudson; Letter to General Lamarque.
Mackowen, Col. ; " Capri \
Mangoni, R. ; " Ricerche Topografiche ed archeologiche
suirisola di Capri \ Napoli, 1834.
Idem ; " Ricerche Storiche suH'isola di Capri \ Na-
poli, 1834.
Martorelli, G. ; " De regia theca calamaria " Milano,
1840.
Martorana , p. ; " Notizie biografiche e bibliografiche
degli scrittori del dialetto Napolitano ". Napoli, 1874.
Melloni ; "" Sulla luce azzurra che illumina la Grotta
di Capri ".
Mendelssohn; Letter to his sisters, May 28, 1831.
Merivale, Dean ; ** History of the Romans ".
MiDDLETON ; " Remains of Ancient Rome ".
Montorio, Serafino ; ' Zodiaco di Maria Santissima \
Napoli, 1715.
Oppenheim ; " Beitrage zur Geologie der Insel Capri,
und der Naltinsel Sorrens ".
Ovid.
Panza; " Istoria dell'antica repubblica di Amalfi ". Na-
poli, 1724.
IV THE BOOK OF CAPRI
Parrino , D. A. ; " Nuova Guida dei forestieri delle
isole Ischia, Capri ".
Pellicia. a. a. ; " Ricerche istoriche filosofiche sull'an-
tico stato del ramo degli Appennini, che termina di
rincontro Tlsola di Capri ".
Philo.
Pliny, the Elder.
Pliny, the Younger.
Plutarch.
" PoLiORAMA PiTTOREsco " ; " Angelo Ferraro detto il
Riccio "1841.
Poole-Lane; " Barbary Corsairs".
PoMPONius Mela.
PuGGARD ; " Description geologique de la Peninsule de
Sorrento \
Ptolemaus.
PuLLEN, Revd. H. W. ; " Handbook of Ancient Roman
Marbles ".
Quattromani ; " Album Scientifico Artistico-Letterario ".
RoMANELLi ; " Isola di Capri. Manoscritti inediti. Del
Conte della Torre Rezzonico, del Professore Breis-
lak, e del Generale Pommereul ". Napoli, 1816.
RuFFO, Marquis; " Sulla Grotta azzurra di Capri ".
Schoener, Dr. R. ; " Capri " Leipzig, 1892.
ScuLTZE, Dr. ; " Ein geographischer und antiquarischer
Streifzug durch Capri \ Berlin 1886.
Secondo, G. M. ; " Relazione storica dell' antichita ro-
vine e residue di Capri ". Napoli, 1
Seneca.
Sextus Aurelius.
SiSMONDi; "Italian Republics".
SiLius Italicus.
BIBLIOGRAPHY
SOLINUS.
Stamer ; " Dolce Napoli ".
Statius.
Steinman ; " Sull'eta del Calcare Apenninico di Capri ".
StEPHANUS of BYZANTIUM.
Strabo.
Suetonius.
Symonds, John Addington ; "Sketches in Italy \
Tarver ; " Tiberius the Tyrant ".
Tacitus ; ** Annals ".
" Times " ; " Quail shooting and netting in Capri \
(Nov. 14, 1903).
Virgil.
Vitruvius.
Walther ; " I vulcani sottortiarini del Golfo di Napoli ".
Walters, Allan. ; "" A Lotos Eater in Capri ".
Weichardt; "" Tiberius' Villa, and other Roman Buil-
dings on the isle of Capri \ Translated by Harry
Butt.
Ziphellinus.
CONTENTS
PART I.
CHAPTER I.
Topography.
Latitude and longitude — Distances from Naples &c —
Area, and acreage under cultivation — Form, fanciful
comparisons — Altitudes — Water supply — Population.
Rate of mortality — Production of wine — Electrical sta-
tion, Anacapri.
CHAPTER 11.
Climate.
Climate and weather distinguished — Temperature,
humidity, pressure of atmosphere — Climate warm and
dry — Rapid drainage — Prevailing winds , their cha-
racteristics — Rainfall — Mean annual temperature —
Bright sunshine.
VII THE BOOK OT CAPRI
CHAPTER III.
Classical Capri.
Virgil mentions Capri — Pomponius Mela, and Stra-
bo — References of Ovid, Seneca, and Pliny the Elder —
Juvenal, Statius, Claudian , and Sidonius — Plutarch —
The younger Pliny — Tacitus — Suetonius — Marcus Au-
relius — Ptolemy and Solinus — Inscriptions — Blaesus,
the Capri poet.
CHAPTER IV.
Geology.
Enumeration of chief authorities — Geological for-
mation — Inclination of stratification — Composition of
limestone of Capri — Age of geological formation —
Oppenheim quoted — Upheavals of earth's crust — Gla-
ciers — Traces of primitive man — Historic period —
Line of erosion — Giinther quoted — Tiberian land lev-
el — Island did not rise horizontally — Submerged ma-
sonry — Inclination of sewer at Grande Marina — Mea-
surements of Blue Grotto — Two openings, and pheno-
menon explained — Interior corridor of Blue Grotto —
Blue Grotto known to Romans — Ruffo's theory of
blue light.
CONTENTS VIII
CHAPTER V.
Capri under Augustus.
His first visit — Legend of oak tree — Wealthy Ro-
mans favour island homes — Palaces to be attributed
to Augustus, not Tiberius — Quotation of Tacitus exam-
ined — Last visit of Augustus — His boyish amuse-
ments — Death of Augustus — His diversions — Baring-
Gould's account of Emperor's last hours.
CHAPTER VL
Capri under Tiberius.
His reasons for leaving Rome — His reasons for choos-
ing Capri — His appearance , habits , and tastes — His
companions in Capri — His death — His character, and
how it was affected by the disappointments of his life —
Our reasons for declining to accept the estimate of the
character of Tiberius , as portrayed by Suetonius and
Tacitus — Conclusions arrived at from a study of the
busts, cameos, and reliefs of Tiberius.
CHAPTER VIL
Capri in the Middle Ages, and more recent times.
Caligula and Commodus — Capri joined to Sorrento :
afterwards to Naples — Saracen raid, 812 — Paestum,
a pirate stronghold — Capri transferred to Amalfi — Im-
IX THE BOOK OF CAPRI
portance of Amalfi — Norman conquest of South Italy —
Sicilian Vespers — Capri captured by Sicilian fleet — Suc-
cessive exemptions of island from taxes — Garrison mu-
tinies— Fidelity of island to Alphonso — Further exemp-
tions in 1491 — Two communes separated — Ravages
of Keyrd-ed-din — Short account of Barbary Corsair,
Keyrd-ed-din — Castle of Barbarossa destroyed —
Plague, 1656— Military Governor appointed — First exca-
vation, Villa Jovis — Ferdinand visits island — Disputes
between Capri and Anacapri — Seminary for priests —
Bishopric .abolished, 1818— Vines destroyed by disease.
PART II.
CHAPTER I.
Construction of Roman Masonry and Pavements.
Method of building walls , " opus quadratum " and
" concrete " — Observations of Middleton on " opus
quadratum " — Concrete walls, " faced " or " unfaced "
Remarks of Lanciani thereon — Pliny on mosaic pave-
ments—Vitruvius— Middleton on various Roman pave-
ments.
CHAPTER II.
Ancient marbles found in Capri.
Pullen's definition of marbles — His enumeration of
fifteen groups — Colouring and place of origin — List
of marbles actually found in Capri — Important collec-
tions of marbles mentioned by Lanciani.
XI THE BOOK OF CAPRI
CHAPTER III.
Removal, and destruction of Ancient Marbles.
Discrepancy between number of Palaces in Capri, and
result of excavations — Weichardt on removal of Roman
relics — Quotation from Lanciani — Christian churches
enriched with pagan treasures — Consumption of mar-
bles in lime-kilns.
CHAPTER IV.
Site of old City — Contrada Torre.
#
Site of Greek city of Capreoe , its present bounda-
ries — Cisterns, mosaics, pavements &c, scattered over
entire district. — Greek inscription — Description of sar-
cophagus and contents, found here.
CHAPTER V.
Greek Stairway to Anacapri.
Stairway partially destroyed in making new road —
Number of steps existing in time of Hadrava and Man-
goni — Captain Church leads his horse up steps — French
fort at Capodimonte.
CONTENTS XII
CHAPTER VI.
Cyclopean Wall.
Extension of wall — Construction of wall — Probably
of Phoenician construction.
CHAPTER VII.
Villa Jovis.
Most important remains on island — Reference to Al-
vino's drawing and plan — Weichardt compares these
remains to Palace of Augustus at Rome — Quotation
from Suetonius — Identity of Villa Jovis proved — Weich-
ardt describes construction of Imperial Palace — De-
tailed description of the ruins — Remains of bath-room —
" Peristyle " — " Triclinium " — Gardens — Sloping cor-
ridor — First excavation of Villa Jovis — Second exca-
vation — Discovery of two " puteals " — Discovery of
bas-reliefs, now in Naples Museum — Precious stones ,
now in mitre of San Costanzo.
CHAPTER VIII.
The Faro.
Compared with Pharos of Alexandria — Grain fleets
described by Merivale — Quotations from Seneca and
Suetonius — Legend of its destruction by earthquake —
Discovery of lead pipes — Discovery of bas-relief —
Measurements of tower — Discoveries of Hadrava.
XIII THE BOOK OF CAPRI
CHAPTER IX.
Palazzo a Mare.
Temple of Isis — Augustus , the probable builder —
Weichardt's estimate of its extent — Excavations of Ha-
drava — Altar of Cybele — Hamilton collection — Other
results of Hadrava's excavations — Cisterns, a curious
deposit — Quotations from Pliny and Merivale on mur-
rhine vases.
CHAPTER X.
Palace at Punta Tragara.
Hadrava and Mangoni agree, that an Imperial Palace
stood here — Weichardt identifies this spot by reference
to Suetonius — Quotation from Suetonius — Discovery
of Roman pavement.
CHAPTER XI.
Palace at Unghia Marina.
To be attributed to Augustus — Feola argues from
words stamped on bricks — This view controverted —
Middleton quoted, as to brick stamps.
CONTENTS XIV
CHAPTER XII.
Villa, or Thermae of Castiglione.
First excavation by Hadrava — Weichardt's opinion —
Discoveries of Hadrava, marble vase &c — Further dis-
coveries by Hadrava — Hadrava's account of Festa for
King of Naples — Governor of Capri continues excava-
tions— Further discoveries in 1823 and 1857.
CHAPTER XIII.
Temple of San Michele.
Position of mountain — Description of Hadrava —
Feola' s description of ruins and road in 1830 — Weich-
ardt's surmises as to purpose of road — Conclusion of
Weichardt, that this was site of Temple.
CHAPTER XIV.
Camerelle.
Theory that they supported a road — Hadrava and
Romanelli consider them " Sellarie " of Tiberius — Dis-
covery of " spintrie " — Remarks by Addison — Cis-
terns, probably beneath roadway.
XV TUn BOOK OF CAPRI
CHAPTER XV.
Mulo, and Scoglio della Sirena.
Harbour on South side — Masses of masonry seen
by Feola — Weichardt observes remains of baths &c —
Scogh'o della Sirena, the fabled abode of the Sirens.
CHAPTER XVI.
Monacone.
Ancient steps leading to top — Feola, Weichardt, and
others identify it as the " Island of Sloth ^ mention-
ed by Suetonius — Passage from Suetonius relating
thereto.
CHAPTER XVll.
Certosa.
Carthusian monastery — Erected on Roman founda-
tions — Site of imperial residence — Weichardt places
here an Augustan Palace — Roman cisterns — Monastery
founded by Arcucci ,— Hadrava's description of monas-
tery in 1790.
CONTENTS XVI
CHAPTER XVIII.
Palazzo Inglese.
Largest building on island — Built by Thorold , an
English merchant — Ferdinand IV stays there — Col.
Lowe makes it his headquarters — Stone with Greek
inscription used as threshold.
CHAPTER XIX.
Roman Remains at Anacapri.
Feola places five Imperial Palaces at Anacapri — Pro-
bably two only were Palaces — Excavations at Capo di
Monte — Discovery by Feola of huge vaults at il Pozzo —
Discoveries of Feola at Monticello — Damecuta tlje most
important — Derivation of name — Area occupied by
Palace — Discoveries mentioned by Mangoni — More
recent discoveries mentioned by Dr, Cerio.
CHAPTER XX.
Campo Pisco.
Bought by Bishop Gallo — Meaning of name — Dis-
scoveries of Hadrava — Mangoni thinks some public
building stood here.
XVII THE BOOK OF CAPRI
CHAPTER XXI.
Porto Tragara.
Safe anchorage for Roman galleys — Traces of
masonry — Flight of steps below sea-level — Discovery
of leaden pipes — Mooring rings.
CHAPTER XXII.
Trugiio and Sopra-fontana.
Excavations in 1827 discover pavements and statues —
Mangoni mentions four cisterns — Dr. Schoener des-
cribes cisterns, and considers them reservoirs of the old
town.
CHAPTER XXIII.
Villa at Aiano.
Site of Roman Villa according to Hadrava and Man-
goni — Discoveries mentioned by Mangoni — Discovery
in the vicinity of eight marble columns — Four removed
to Caserta — Other four at Church of San Costanzo.
CONTENTS XVIII
CHAPTER XXIV.
Blue Grotto.
Measurements — Mackowen, Weichardt, and Schoener
on change of sea-level — Present opening used for ven-
tilation— Grotto used in ancient times — Flight of steps
Interior corridor , views of Mangoni , Mackowen , and
Schoener — Discovery of Roman Villa above Grotto in
1875 — Who really rediscovered the Grotto ? — Opinions
of Norman Douglass — Reference by Capaccio and Par-
rino — Negative evidence — Extract from archives of
Naples — Conclusion, Kopisch rediscoverer — Early
authorities on Grotto — Quotations from Alexander
Dumas, and Hans Andersen.
CHAPTER XXV.
Cave of Mithras.
Situation , and mean5 of approach — Derivation of
name " Matromania "— Feola and others conclude that it
was dedicated to Mithras — Discovery and description
of bas-relief — Altar referred to by Hadrava — Disco-
very of terra-cotta statuette — Feola's description of the
Temple— Schoener attributes it to early Imperial times —
Weichardt's remarks — Dr. Cerio asserts that the vault
and walls were adorned with glass — Dr. Roane examines
the theory that the rays of the rising sun fell on statue
of Mithras — Weichardt admits Mithraic use — Summary
of writer.
XIX THE BOOK OF CAPRI
CHAPTER XXVI.
" Grotta arsenale. "
Description and measurements of Feola — Used to
repair ships &c — Discoveries of Dr. Cerio in 1879 —
Theory of Dr. Cerio, that Grotto was used as a temple —
Weichardt considers it a shipwright's yard — Mangoni
mentions holes for beams.
CHAPTER XXVII.
Grotto of Castiglione.
Largest Grotto — Place of refuge from Saracens —
Ascent of engineer Santo — Description by Schoener.
CHAPTER XXVIII.
" Grotte dell'Arco e Felce. '
Remarks of Feola and Breislak on peculiar sub-
stance adhering to limestone — Excavation and disco-
veries of Dr. Cerio in Grotta delle Felce in 1882.
CONTENTS XX
CHAPTER XXIX.
" Grotta Oscura " — A Lost Grotto.
Well known till 1808 — Identified by Norman Doug-
lass — Largest of the Grottos , and chief attraction to
visitors — Mentioned by Giannettasio and Serafino Mar-
torio — Description by Joseph Addison — Excerpt from
unpublished MS. of Feola — Referred to by Mangoni.
CHAPTER XXX.
Church of San Costanzo.
Situated near old Greek town — Bishopric created —
Stood on pagan foundations — Byzantine wall painting —
Eight marble columns of Roman period — Architectural
description of Schoener.
CHAPTER XXXI.
Church of San Stefano.
Dates from 1683 —Pavement in Presbytery made of
marbles from Villa Jovis — Other Roman pavement —
Relics — Monument of Arcucci — Silver figure of San
Costanzo — Precious stones found at Villa Jovis.
XXI THE BOOK OF CAPRI
CHAPTER XXXII.
Convent of Santa Teresa at Capri.
Founded by Serafina di Dio — Other monasteries esta-
blished by her— High altar adorned with marbles from
Villa Jovis — Painting of St. Nicholas of Bari.
CHAPTER XXXlil.
Church of San Michele at Anacapri.
Majolica pavement of 1769 — High altar adorned with
large piece of lapislazuli.
PART III.
CHAPTER I.
English and French occupation of Capri.
Ferdinand IV. deposed , two Sicilies separated — Sir
Sydney Smith captures island — Col. Lowe made Mili-
tary Governor — Lowe strengthens fortifications — Capt.
Church, engineer officer at Anacapri — Two unsuccessful
attempts by French to take Capri — Murai King of
Naples — French fleet in three divisions attacks island —
Real attack on Anacapri — Feints on Grande and Pic-
cola Marinas — Landing effected at Orico — English
camp rushed, and Anacapri stairs occupied — Retreat of
Church down cliffs of Monte Solaro — Lowe holds out
in lower town — Reappearance of Anglo-Sicilian fleet-
Fleet compelled by bad weather to retire — French force
revictualled — Lamarque presses siege of town — Lowe
surrenders — English fleet returns too late — French
strengthen island — Letter from Lowe to Lamarque —
Extract from Report of Lamarque to King of Naples.
XXIII THE BOOK OF CAPRI
CHAPTER II.
Unknown Qrottos, and Rock-climbers.
General description of White Grotto — Exploration of
Ewers and party in 1902 — Difficult ascent — Dimen-
sions of Grotto — Imaginative description of interior —
Ewers explores Grotto di S. Maria del Soccorso.
CHAPTER III.
Quail shooting, and netting.
" Bishop of Quails " — Number formerly netted —
Large profits — Ferdinand IV. visits Capri for shooting-
Description of quail nets — Two flights yearly — Wind
influences their arrival — Blind quail as decoys — Hand-
net, its dangers — Poaching.
CHAPTER IV.
Some Capri flowers, and where they grow.
An unscientific chapter — Where the myrtle blooms —
Narcissus, where to find it — No primroses — Haunt of
the violet — Early crocuses — Orchids — Asphodels —
Anemones — Rosemary and cistus.
CONTENTS XXIV
CHAPTER V.
Festival of San Costanzo — an island Carnival.
Original verses by Ellingham Brooks — Early history
of San Costanzo — Preparations — The " octave " —
Description of the Festa — Silver figure of San Costan-
zo — Superstitions — Festivities at night.
CHAPTER VI.
Exploration of Blue Grotto by Kopisch and Pagano.
Legends — The start — Pagano swims in — Tubs of
lighted tar — Sketch taken — Proprietor of Grotto ap-
pears, and sees the Devil — Inner passage explored in
hope of treasure — Christening of Grotto.
CHAPTER Vll.
Capri versus Anacapri.
PREFACE.
The conspicuous part that the h'ttle island of Capri
has played in the world's history is out of all proportion
to her size, which is a mere pin-prick on the map of Eu-
rope. The stranger to Capri is wonder struck as he be-
gins to gather labourously thread by thread, some trace
of her great world-history. This rocky islet, which is
now chiefly known to the traveller by its Blue Grotto,
was for seven years the cynosure of that vast Roman
Empire, which has had no rival, except it be England's
Imperialism of today. Nearly a thousand years of slum-
ber followed the too fierce light that had focussed on
her shores. For eight centuries her wretched and half-
starved people were harried by fierce Corsairs , when
richer booty failed. Then came the brief sway of French
and English, productive of h'ttle glory to either.
Ten years of life spent on this charmed island have
not exhausted , but enhanced her fascinations for the
writer, and where the field of search is limited, and the
mind active, a complete exploration of all sources of
information regarding Capri's history has been the
inevitable result. 1 lay no claim to originality of matter
XXVI THE BOOK OF CAPRI
or thought. Mine has been rather the work of the honey
bee, who explores each petal in search of treasured
sweetness for the common hive ; often too the plainest
and most unprententious blossom renders richest har-
vest of garnered wealth. I have merely collected, from
every source known to me, facts as well as theories
and opinions of other writers, which I have laid before
the reader, using in nearly every case " ipsissima verba ".
I have endeavoured to act the part of a just and upright
judge, who marshalls the evidence before a discerning
jury , with ; " Gentlemen , the evidence is before you ,
consider your verdict \ in every case (except perhaps
in the Chapter on Tiberius), I have avoided dogmatism,
and have appealed rather to the reader' s intelligent res-
ponsibility, by leaving the final decision on vexed ques-
tions to his own good judgment.
" The Book of Capri " has not been compiled for
the specialist on Roman remains and architecture, but
for that larger class, the average traveller, who neces-
sarily possesses little exact knowledge on these points. I
have therefore added chapters on ' The Construction
of Roman Masonry and Pavements \ '' Ancient marbles
found in Capri ", and " Removal and destruction of An-
cient Marbles ". Those who desire to pursue further
these studies ca« readily do so by obtaining the works
of high authority, referred to in the Bibliography.
I have abstained from illustrating the book with
reproductions of such hackneyed subjects as the Blue
Grotto, the Arco Naturale , fair peasants carrying su-
perhuman loads , or sprightly tarentella dancers in
tawdry finery : those whose predilections lie in this
direction can easily satisfy their taste at illustrated-
PREFACE XXVH
card shops. It is hoped that the photographs here re-
produced will be found of cpnsiderable interest. The
veiled head of Tiberius which forms the frontispiece
was found in Capri, and was bought in 1873 from the
^ dealer Castellani by the British Museum. The vow to
Mithras, p. 223 which was found in the Grotto Mitroma-
nia, has been specially photographed for this work by
Messrs. Sommer and Son of Naples. Through the cour-
tesy of Mr. A. H. Smith, Assistant Keeper of Greek and
Roman Antiquities at the British Museum, 1 have obtained
two excellent photographs of the altar (or base of can-
delabrum) p. 127 a 128, which forms part of the Hamilton
collection in the British Museum. This photograph has
never been published before. The ground plan of Villa
Jovis p. 139, and the view of the Faro and Villa Jovis
p. 140 as they appeared in 1853, have by the kind per-
mission of the Dr. 1. Cerio been photographed from his
rare volume of Alvino, which is now out of print.
I take this opportunity of expressing my thanks to
my friend, Mr. T. S. Jerome , United States Consular
Agent at Capri , for the ready access he has always
granted me to his complete and well chosen library :
indeed, it is not too much to say, that without the aid
of his copious books of reference, this little book could
not have been undertaken or completed.
The monotony of a " one man show " has provi-
dentially been avoided by the kind and willing help of
various friends , who have acceded to my request to
write chapters for ' The Book of Capri " on subjects
with which they were specially conversant, and to which
my absence of technical knowledge would have render-
ed it impossible for me to do justice. I refer to the
XXVIII THE BOOK OF CAPRI
chapter on Geology , contributed by Dr. I. Cerio , on
which much care, and the result of many years research
has been faithfully bestowed. The chapter on Climate
has been written by Mr. Silva White Secretary to the
British Association who has treated the subject in a
manner so light and informal as almost to conceal his
thorough knowdedge of the science and practice of
meteorology. In writing this chapter, Mr. White has
been greatly assisted by the table of decennial observa-
tions and other information contained in Dr. Vincenzo
Cuomo' s valuable book " L' isola di Capri ". The
dainty chapter on the fragrant treasures of mountain
and woodland by Mrs Longworth Knocker; the lively
and graphic account of Kopisch' s adventurous explora-
tion of the Blue Grotto by Mrs Wolffsohn ; the erudite
condensation of classic lore by Mr T. S. Jerome; and
the fantastic and imaginative periods of Dr. Hans
Heinz Ewers , will 1 feel sure appeal to many readers ,
who will, 1 hope, think that these chapters have consider-
ably added to the value of this work.
CHAPTER I.
Topography.
The island of Capri lies in latitude 40.° 32' N. and
longitude 14^ 15' E.. it rises like an alpine rock at the
extreme south of the Gulf of Naples, overlooking, to-
wards the East, the Sorrentine peninsula; to the North,
Naples, Vesuvius, and the unbroken line of cities that
stretch from Pozzuoli to Castellamare; to the West, Pro-
cida, Ischia, and lying beyond them, in the glow of the
setting summer sun, the far distant islands ofVentotene
and Ponza of unhappy memory.
Capri is distant from Naples 19 miles (Kil, 31), from
Ischia (Monte Solaro to Monte Epomeo) 19 ^5 miles
(Kil. 33), from Amalfi 19 ^ 3 miles (Kil. 32), from Sor-
rento 9 miles (Kil. 14, 500). The distance from Lo Capo
to Campanella, the nearest point of the mainland, is 3
miles (Kil. 5) : this channel is called the " bocca pic-
cola ".
The greatest length of the island, from Lo Capo to
Punta Carena is 4 miles (Kil. 6. 170), the greatest breadth
is between Punta Tuoro and Gradelle 1 7^ miles (Kil.
2. 800) ; the distance in a straight line from the Grande
to the Piccola Marina is ^5 miles (Kil. 1. 375).
3
THE BOOK OF CAPRI
The area of the entire island is 2560 acres (Capri
989, Anacapri 1571). Of this area in the year 1900, 622
acres were under cultivation in the Commune of Capri,
and 1060 in the Commune of Anacapri. (See Consular
Report for South Italy, N.^ 2744).
Jean Paul Richter compares the form of Capri to a
'Sphif'xva'nd 'Cregorovius to " an ancient sarcophagus,
whose -sides were adorned with snaky-haired Furies ".
Others have- aHt)wed their fancy to persuade them that
its outline resembles the boot of a cavalier, while Mack-
owen finds a likeness to a crocodile.
The highest point of the island is Monte Solaro 1919
feet (585 met.) next comes S.Maria Cetrelle 1620 feet
(494 met.). Barbarossa 1334 feet (407 met.), above sea-
level. The Villa Jovis on Tiberio is 1114 feet (340 met.).
Castiglione 820 feet (250 met.) San Michele 803 feet
(245 met.), the Telegraph, or Semaphore hill 852 feet
(260 met.), and Damecuta 495 feet (151 met.) above
sea-level.
The water supply of the island is at present quite in-
sufficient , and though it is seldom that the supply of
drinking water fails entirely, yet every summer, building
has to be abandoned, owing to lack of water.
The cultivation of flowers and vegetables is also
rendered difficult and expensive owing to the sparse and
unreliable water supply. At present the islanders rely al-
most exclusively on cisterns , usually built under their
houses, which collect the rain water. One of the great
needs of Capri is a liberal and unfailing supply of water,
(See Consular Report, South Italy, 1902, N.o 3070). In
addition to the system of cisterns there are on the island
three natural springs called in Italian, " sorgente " or.
TOPOGRAPHY 3
" fontane ": being the reservoirs or receptacles in which
rtie water, after percolating through the soil, is collect-
ed and drawn off. Mangoni mentions five springs, but
of these the one at Lo Capo under the hill of S. Maria
Soccorso, has ceased to flow, having been choked by
the falling in of rocks and soil : the other spring men-
tioned by Mangoni, Marrocella, is simply a branch or
offshoot of the spring of Aquaviva. Three springs ac-
cordingly still exist, one on the South side of the island
between Monte Solaro and Castiglione, near the Piccola
Marina: this spring, is said to yield the best and purest
water. The spring of Aquaviva is to be found where the
old steps (lately repaii'ed), leading from the Piazza to
the Grande Marina are crossed by the carriage-road.
The third spring, that of Truglio, is to be found in the
Piazzetta at the Grande Marina. In addition to these
natural springs , various reservoirs (serbatoi) exist for
the collection of the overflow of the springs of Aqua-
viva and Marrocella, and are thrown open to the inha-
bitants only , in times of great scarcity of water : the
principal one lies close to the Strada Nuova, at the point
where the steps formerly passed under the carriage-
road.
In considering the hydrographic conditions of the
island, and consequently the relative purity or impurity
of the water furnished by these springs, it is necessary
to remark, that , owing to the short distance traversed
by the water , (on account of the limited area of the
island), the water is only partially purified by filtration.
In June 1891, a careful chemical analysis of the waters
of Aquaviva and Truglio was made by Professor Tur-
sini. Director of the Chemical chair of the Municipality
4 THE BOOK OF CAPRI
of Naples. The result of this analysis was to show that,
the water from these springs was very strongly impreg-
nated with lime , and " was not fit for drinking pur-
poses, and could not be rendered so, on account of its
impurities, its hardness, and brackish taste \ (L' Isola
di Capri. Dr. Cuomo, p. 31).
It is of interest to observe how slowly the popula-
tion of the island has increased in the course of the
last five or six hundred years. This must be accounted
for in early times by the constant ravages of the Sara-
cens , who killed the male population , and carried off
the women. In later times the natural increase of the
population has been checked by the constant flow of
emigration to South America. Mackowen calculates that
in 1307 there were 1500 souls in the entire island. In
the time of Hadrava (1792) the population had only
risen to Capri 2200, Anacapri 1300. Mangoni (1834)
places the number of inhabitants et Capri 1980, Anacapri
1500. The census of 1871 estimates the population of
Capri at 2333; and that of Anacapri at 1675. In 1881
the population of Capri was 2827, and that of Anacapri
2021. From 1881 to Dec. 31,1892 there was an in-
crease of 629 souls in Capri, and 223 in Anacapri. In
1903, " according to statistics furnished by the Municipal
authorities of the communes of Capri and Anacapri, the
population of the entire island amounted to 6369 per-
sons". (See Consular Report, South Italy. 1903. N. 3249).
It will readily be conceded that the healthfulness of
a place is in great part to be judged by the average du-
ration of life of the inhabitants; it is therefore of some
importance to consider the death-rate of the island of
Capri. Again availing ourselves of the Table of Mortal-
TOPOGRAPHY
ity, compiled by Dr. Cuomo, (L'IsoIa di Capri p. 78,
79) we find that, during the period extending from 1878
to 1892, the average death-rate for the whole island was,
17.5 per 1000 inhabitants; if from these figures we ex-
clude the mortality of infants under one year old, (which
under the conditions prevailing in South Italy is excep-
tionally high), the death-rate is reduced to 13.2 per
1000. During the same period the average birth-rate the
whole island was, 31 per 1000.
In regard to the derivation of the name Capri, there
can be little room for doubt that, we must look for a
Greek and not a Latin, derivation. Greek was the lan-
guage of the island when Augustus first brought it into
notice, and as we shall see in a later chapter, the island
had been occupied by Greeks, probably from Cumae, for
several centuries. All the other cities and islands on and
round the Gulf of Naples had been peopled by Greek
colonists and bore Greek names, and there is no ap-
parent reason why Capri should be an exception to
this rule.
We may therefore discard as improbable and unten-
able the Latin derivation from " capra " or " caprea "
a wild goat. Mackowen also observes that the prefix
"* Ana " of Anacapri being obviously the Greek word
for " upper ' it is unlikely and contrary to all the pre-
cedents of etymology that this, Greek prefix, should be
attached to a Latin termination.
According to Alvino the word is said to be of Tyr-
rhenian origin — signifying " island of the rough rocks \
Martorelli derives it from the Phoenician "Kaprajim",
two towns.
THE BOOK OF CAPRI
In the absence however of any more plausible or
convincing derivation , we may be satisfied with the
generally accepted derivation, and assume that the name
comes from the Greek word Kanpoc, wild boar.
The spelling of the name varies much among diff-
erent writers.
Strabo writes it KaTipeai.
Plutarch — KccTtptat.
Ptolemaeus — KaTiperz,
Dion Cassius and Ziphilinus — KaTipta.
Julianus — KaTipata.
Stephanus of Byzantiam — KaTiirjvy].
The Roman name is written " Capreae " by Virgil,
Tacitus, Pliny, Suetonius, Statius, and Juvenal.
Solinus — Capraria.
The principal industry of the island is the production
of wine. From statistics furnished me by the Municipal-
ity of Capri we find that during the year 1905 the
production of wine for the entire island amounted to
103,400 gallons. Formerly the reputation of Capri wine
stood deservedly high , and even today " Capri wine "
figures on the wine-lists of the principal hotels and res-
taurants. Unfortunately of late such an inferior quality
of wine has been put on the market under the soubri-
quet of " Capri wine ", that its reputation has suffered
in no small degree. The deterioration of the wine is
due to two causes, the primitive method in which it is
made , and the introduction of grapes grown on the
mainland, which are mixed with the real Capri grape.
Gallons
Wine produced in 1905 . . . 103,400
„ exported* ....*.. 4,180
„ imported 17,380
TOPOGRAPHY
The above Table shows the large discrepancy which
exists between the amount of wine produced on the
island, and that sold under the name of " Capri wine "
in Europe and the United States. As a matter of fact,
the bulk of the wine exported under the name of "Capri"
is grown on the mainland in the district in which the
Falernian wine was produced in classical times. This
district is only a few miles in a direct line from Capri,
and the name has been adopted as a trade designation
of that particular class of local wine. In my Consular
Report for 1900, 1 called attention to the above facts,
and suggested a remedy. " The Times " of April 5, 1902,
quoting from the Report says, " The method which is
pursued at present is crude and primitive in the extre-
me , for each farmer makes his own wine in his own
way, the grapes are often picked before they are ripe,
they are not properly selected and freed from foreign
matter, and perfect cleanliness is not sufficiently consi-
dered : in addition to this, a large quantity of wine from
the mainland is mixed with the island-grown wine ".
English capital might profitably be employed in esta-
blishing a Winery on the system adopted in California.
The Company enters into contracts with the growers
for a term of five years, — agreeing to' buy their grapes at a
stipulated price per pound; the grapes are then conveyed
to the Winery or Manufactory, where being scientifically
treated in a uniform way, and with the aid of improv-
ed machinery a first-class and above all , a uniform
quality of wine is produced, which might be confidently
hoped to re — establish the character of Capri wine , and
at the same time be remunerative to the investors.
8 THE BOOK OF CAPRI
In October 1901, the associated Academies of Mun-
ich, Vienna, Leipsic and Gottingen established at Anacapri
(1,000 feet above the sea level) a station for the ob-
servation and registration of the dispersion of electric-
ity in the open air. This station has been placed in
the charge of Dr. Vincenzo Cuomo, who has been sup-
plied with delicate and accurate apparatus for the mea-
surement of electricity, after the Elster and Geitel system.
The adjustment and capacity of the apparatus was tested
by Dr. Elster before being handed over to Dr. Cuomo.
In 1902 Dr. Cuomo published the first report of his
daily observations, which, however, have extended over
too short a period to permit of any definite conclusions
being reached , but there is little doubt that results of
great importance will eventually be arrived at.
CHAPTER II.
Climate.
This Chapter has been specially written
for " The Book of Capri " by Arthur Silva
White , Secretary to the British Associa-
tion, author of " The Expansion of Egypt" ,
" The Development of Africa ", &c.
Some people take themselves too statistically: they
needs must have exact figures before they venture upon
anything, and, even when these are at their command,
they are not always competent to draw correct conclu-
sions. For instance , ladies at a bargain-sale will per-
suade themselves that they require certain articles simply
because these happen to be below the normal market
value, which is absurd.
Now, nothing is more difficult to define than the cli-
mate of a given locality. Climates, like our dearest friends,
have their good and their bad points : it all depends on
the point of view. There are some climates, of course,
that are as near perfection as a newly-made bride ;
but, after the acclimatization of the honeymoon stage,
one is apt to weary of the monotony of perfection : a
climate is not good , in fact , unless one can grumble
at it; because variety and contrast are essential anti-
10 THE BOOK OF CAPRI
dotes to boredom. Thus, when a change for the worse
comes, one can appreciate what one has enjoyed. It
may be simply the scirocco of h'stlessness, which lowers
one's estimate of mankind in general and of oneself in
particular ; it may be a summer storm , which clears
the air ; or, again, a cyclone that compels us to sup-
port home-industries : in any case, someone will bene-
fit by it. We must be reasonable.
in considering the climate of Capri, we are the more
willing to dispense with the tyranny of statistics, because
these do not happen to be at our command. It is true
that, during the past 20 years, regular observations have
been made by Dr. Cuomo, in his well-equipped obser-
vatory ; but the results of the last decade have not, like
those of the former, ^ been tabulated and published by
this accomplished meteorologist. Moreover, since local
variations are considerable in a high rocky islet like
Capri , and climates proverbially deteriorate almost as
much as generations later than our own, we must be
satisfied in this place with a general description , un-
biassed by the fact that most residents in Capri com-
monly regard their own locality as the most favored one.
There remains the point of view to be considered:
and it is obvious that this must differ very widely. Your
professional invalid, who has visited every Winter resort
and tries Capri for a change , will not hold the same
view as your robust tourist, who plays tennis or smo-
kes Neapolitan cigars ; whilst neither class can have
the experience of residents , who have summered and
1 " L'lsola di Capri ", by Dott. Vincenzo Cuomo. Napoli;
Tipografia A. Irani, 1894.
CLIMATE 1 1
wintered the place, perhaps for several years. Our point
of view, therefore , must be broad and impartial ; and
our standard of comparison will be the climate of the
British Isles.
We must distinguish, too, between climate and wea-
ther — the general and the particular — and remember
that there are days on which the meteorologist and the
pathologist would agree to differ: since environment, in
its effect on the human constitution , is an important
adjunct to climate.
Unlike Ischia, which is larger and higher, and has
other characteristics that give it a purely insular climate,
Capri is small enough to feel the full effect of the sea
in producing equability of temperature throughout the
year, and also a small diurnal range ; it is, moreover,
large enough to offer many sheltered spots, and high
enough to afford slight local variations of climatic
phenomena.
The island, with its twin massifs, Solaro and Tiberio,
connected by a ridge on which the town of Capri is
situated , has a general slope towards the West , and
therefore intercepts and cools the rain-bearing winds ,
producing a slightly heavier rainfall than if the versant
of the island were in the reverse direction; but its mo-
derate elevations sometimes escape the rain clouds that
precipitate on the higher altitudes of the adjacent main-
land and even cling round Ischia. The rain, too, when
it does fall, is not absorbed by the impervious limestone
rock of which the Island is composed , but is drained
off radiply down its declivities : indeed , so highly em-
bossed is Capri, that, even after the heaviest showers,
the roads and paths are never muddy. As for the dust
12 THE BOOK OF CAPRI
in the rainless summer months, that, as Kiph'ng rem-
arks, is another story.
The prevaih'ng winds in the winter are N. and E.,
alternating with S., SW., and SE.; and of these, southerly
winds are the least frequent. In the Summer, westerly
winds prevail , particularly the maestrale (NW. wind) ,
which ushers in the finest weather and blows constantly
between the bright hours of eleven and five, giving place
towards evening to the land-breeze from the north. Feb-
ruary to April are the windiest months ; June to Au-
gust , the calmest. The tramontana (N.) , greco (NE.) ,
and maestrale (NW.) are fresh — in winter, cold — dry
and tonic winds ; the South, scirocco (SE.), and libec-
cio (SW.) are warm, humid, and sedative winds. The
scirocco proper is moist and relaxing to a degree. East
winds are moderately dry; west winds, moderately hu-
mid. The maestrale in winter, though comparatively
rare, is bitterly cold and stormy — the tramontana too; but
the worst storms come, of course, from the South-west,
when the Atlantic system of weather prevails over the
Mediterranean.
The Island carries a fairly high and steady barometer
throughout the year. Taking January and July — the
extreme months — as examples, Capri lies well within
the isobar of 30. 0 inches in the former , and just on
the edge of it (29. 9 in.) in the latter. The oscillations
of the barometer are inconsiderable, except in the stormy
winter months (January to March). To support a column
of mercury under a pressure of 30. 0 inches means that
you must pretty often enjoy anti-cyclonic conditions,
or fine weather.
CLIMATE 13
The mean relative humidity of the air does not vary
greatly throughout the year, and is not excessive, owing
to rapid drainage, impervious sub-soil, and high winds.
The climate of Capri may, therefore , be regarded as
neither dry nor humid , as the vegetation proves , but
as occupying a mean position between these two extre-
mes. Anacapri, being higher, may be relatively more
humid in calm weather, when the clouds cling round
Monte Solaro; but,*on the other hand, being more expos-
ed than the town of Capri , the high winds act bene-
ficially in this respect. Mist is not frequent, nor of long
duration, and occurs only in the winter months.
The rainfall is relatively light, as compared with the
rest of Southern Italy. Owing to the precipitous cha-
racter of the island, it is caught only on the roofs and
terraces of the houses, (catchment basins, so to speak),
and carefully stored in cisterns. In the summer, the
water-supply occasionally gives out : then, water has to
be brought from Naples. There is little or no rain be-
tween June and August, inclusive; but about the middle
of September the weather breaks, and there is a copious
rainfall, accompanied by thunderstorms and gales. The
rainiest months are October to January, inclusive, dur-
ing which the air is relatively humid.
Hail is not of frequent occurrence — perhaps it may
fall on eight days in the year ; and snow is unknown
except in winters of exceptional severity. From Octo-
ber to May , the sky is more or less cloudy ; during
the remainder of the year it is clear , reaching, in the
Summer months, and on occasional days in the winter,
a serenity which is the principal charm of Capri, and
the despair of the painter, who is condemned ever to
14 THE BOOK OF CAPRI
reproduce himself in smiling guise. Roughly speaking,
and in the aggregate, one may say that, during the
Spring, there is over a month of fine and under one
month of rainy days ; in the Summer, two months per-
fectly fine, and one week bad ; in the Autumn, a month
and a half of good , and nearly one month of rainy
weather; in the Winter, at least one month of fine days
and one month of very much the reverse. The re-
mainder , probably, will be days on which there may
be a difference of opinion.
in the important matter of temperature, one cannot
speak with the same confidence and precision, because
temperature varies with altitude (1° Fahr. less for every
270 ft) and is subject to many modifications due to
position. Nothing is more deceptive than temperature;
because the wind, although not locally affecting the air
itself , lowers the temperature of the exposed skin by
rapid evaporation : consequently, one feels colder than
the thermometer registers. For purposes of compari-
son, too, all published observations of temperature are
reduced to sea-level, and are not absolute, as would be
preferable for regional comparisons. You may tell your
servant to use the thermometer, in preparing your morn-
ing bath , but he much prefers to trust to his hand .
Temperature, therefore, is to some extent a matter of
feeling, though not of opinion— as time is— in Capri.
The mean annual temperature, taken at 60^ Fahr.,
is higher than at any station in the British isles ; . it is,
for instance, nine degrees warmer than that of London.
According to Dr. Cuomo's observations for the period
1885-1892, the mean maximums for the seasons were :
Winter, 57°; Spring , 66° ; Summer, 80° ; Autumn, 71°.
CLIMATE
This shows a seasonal range of 23°. As regards mean
monthly temperatures for the same period, the lowest
recorded is 48° for January and February ; and the
highest, 740 for August — or, a mean annual range of 26°,
as in London. The diurnal range is exceptionally low,
as a result of proximity to the sea : it is greater in
Summer than in Winter, the maximum being reached in
August. It nay be stated with some confidence that none
of the popular health resorts can be compared to Capri
for its low daily range of temperature — a matter of
great importance to invalids ; in particular, there is no
sudden fall of temperature at sunset. The result is that,
in Winter, even the most delicate persons can live in
the open air (weather permitting) from eight or nine in
the morning until after sunset , so far as temperature
is concerned, in the Summer , of course , the cooler
nights are welcome : in the absence of dew , one can
sleep out of doors with safety.
Equability of temperature and, (considering its posi-
tion as. an island in a proverbially inconstant sea), com-
parative uniformity of climatic phenomena are the most
marked characteristics of the climate of Capri. But the
outstanding feature, and principal charm, is the bright
sunshine which is almost constant in the summer and
is comparatively frequent in the winter ; the moonlight
nights, too, are very beautiful, its romantic land-sculp-
ture and bold coast-line, the precipitous character of
which is very impressive, make Capri one of the most
picturesque islands in the world.
With these facts before him, the reader need have no
difficulty in determining the most suitable spot for re-
sidence, according to the season. A southern exposure
16 THE BOOK OF CAPRI
in the winter and a northern aspect in the summer are
more essential in Capri than in any health-resort on
the mainland ; and there is no house on the island which
completely enjoys the advantages of both.
The best winter residences are situated on the Via
Tragara — the only level path in Capri proper ; and still
more sheltered spots, though few houses, are available in
the small amphitheatre above the Piccola Marina. The
best Summer residences are to be found , and in any
number, on all the northern slopes of the island, on
Tiberio, and at Anacapri. Those who wish to be near
the sea, for the excellent bathing and boating, will neces_
sarily be attracted to the Grande Marina. But the island
is so small, and the service of cabs so plentiful and good,
that, so long as one is not far from the carriage-road
which connects the Marina with Anacapri and Caprile,
there are many other convenient and favourable local-
ities in which to pitch one's tent, in particular, up at
Anacapri , nearly a thousand feet above sea-level , the
air is so light and fresh, that full advantage can be taken
of the numerous walks along the flat, or on the gentler
slopes of this high region.
Note-" Climatologia insulare con particolare riguardo al clima
deirisola di Capri '',beinga communication made by Dr. Vin-
cenzo Cuomo of Capri to the Seventh International Congress
of Hydrology and Climatology held at Venice. This valuable
and comprehensive report, which contains Dr Cuomo' s daily
observations from 1890 to 1905 is the last word on the scien-
tific climatology of our island. It is hoped that the report will
shortly be published in book form.
CHAPTER III
Classical Capri.
(Being a statement of the extent of our
knowledge of the island in Groeco-Roman
times, derived from the classical writers
and ancient inscriptions, by Thomas Spen-
cer Jerome, United States Consular Agent
at Capri).
It is my purpose in what follows to lay before the
reader, as briefly as is consistent with completeness, a
statement of what is contained in the classical writers
and inscriptions, concerning the island of Capri in an-
cient times. When we read the two hundred and eighty-
eight pages of Mangoni's History devoted to this sub-
ject, to say nothing of his volume on Capri archaeol-
ogy, or the one hundred and forty five pages of Ca-
nale , not to mention many others of greater or less
renown, we get the impression that the fortunes of the
island in Greek and Roman times are well known. It
will be my endeavour to indicate just what we really
do know on this subject.
Passing over the references in the 12th Book of the
Odyssey, relating to the hero's passage of the Island of
4
18 THE BOOK OF CAPRI
the Sirens, as scarcely historical in character , and the
lines in the Argonautica of Apollonius Rhodius (IV. ,
891) as equally mythical , and in both cases probably
not even referring to Capri at all, we come chronolo-
gically to Virgil (Aeneid VII, 733-6) who mentions Oe-
bale, " whom Telon is said to have begotten with the
nymph Sebethis , when , already an old man , he held
Capri, the kingdom of the Teleboans ", — this being the
first recorded instance of the stimulating effect of the
Capri climate in cases of senility, a phenomenon which,
so it is said, has since been noticed. I may observe in
passing that, the Teleboans originally were a tribe inha-
biting some small islands off the coast of Acarnania ,
and having as their only title to fame, a propensity to
rob travellers. (See Argonautica, 1, 749, and Strabo X
2, 20). It would appear that at some time Capri was
colonized by them, but of course their bad habits were
soon forgotten here.
Pomponius Mela (II, 7), names the island, and Strabo
(63 B. C.-21 A. D.) describes it as follows (V , 4 , 9)
" Capri anciently contained two small cities; now, only
one. The Neapolitans possessed this island, but having
lost Ischia in war they received it again from Caesar
Augustus, giving Capri in exchange. Having erected here,
very splendid edifices, he made it his special retreat ".
He suggests (I, 3, 19, & VI, I, 6) that, Capri was once
disjoined from the mainland , and mentions its name ;
(II, 5, 20, and V, 4, 8).
Ovid (Met. XV, 709), and Seneca (Ep. 77), make
bare mention of ships passing the island, and Pliny the
Elder, (Nat. Hist. Ill, 12) says that, " at a distance of
" eight miles from Sorrento lies Capri, famous for the
CLASSICAL CAPRI 19
castle of the noble prince Tiberius : it is eleven miles
in circumference ". Silius Italicus (25-100 A. D.) re-
fers to Capri as " the rocky island of ancient Telon "
(Pun. Vll, 50), and in the same poem sings of a " troop
of affrighted Nereids hastening helter-skelter back to
their accustomed haunt, where the Teleboan land lifts
itself up in the midst of the sea ".
Juvenal refers (Sat. X, 71), to the '^ wordy and lengthy
epistle " which Tiberius sent from Capri to denounce
Sejanus, and a few lines further on speaks of " the prince
sitting on the narrow rock of Capri with his Chaldean
herd " (i. e. of soothsayers). Neglecting the chrono-
logical order, and continuing on with the poets, we find
Statius (61-96 A. D.), referring to the mild winters and
cool summers of the country about here ; and again
(Silv. Ill, 5), he speaks of " the home of the Teleboans,
where the lighthouse, rival of the night wandering
moon, sheds its rays, sweet to anxious ships ", and
also mentions its name at 111, 2, 23. Possibly it is Sta-
tius, though 1 have not found the original passage, who
speaks of Capri as, " Indeed a little island, but once
a rival of Rome : it was a worthy home of Caesars
and men ". Claudian and Ausonius, poets of the IV.
Century , mention Tiberius's residence at Capri (de
Quart. Con. Hon. Pan and Tetrastich. 31), and Sidonius,
in the fifth Century twice used the expression , " the
Capri of Tiberius ", referring to his reign (V, 32, 2,
VII, 104). In the same class may be included Julian' s
reference to Tiberius's life here (Caesars, sub nom, Tib.).
Returning now to the historians and other prose wri-
ters, I shall give their references to Capri. These have
principally to do with the life of Tiberius, and the weight
20 THE BOOK OF CAPRI
to be given to the tales they tell has been discussed in
another place, and need not be dwelt on here. I shall
do no more than to transcribe them.
Plutarch (On Banishment, 9), says that, Tiberius
Caesar passed the last seven years of his life on the
island, and " that sacred, governing spirit that swayed
the whole world, and was enclosed, as it were, in his
breast, yet for so long a time never removed nor chan-
ged place. And yet the thoughts and cares of the Em-
pire, that were poured in upon him, and invaded him
on every side, made that island's repose and retirement
to be less pure and undisturbed to him \
The Younger Pliny (Ep. VI 20) speaks of the cloud
from the great eruption of Vesuvius in 79 A. D. hav-
ing surrounded and concealed Capri from the view of
those on Cape Misenum, across the bay. The Jewish
historian Josephus , in his " Antiquities of the Jews " ,
written late in the first Century, (XVIll, VI, 4, 5, 6 and 8),
refers, but without details, to the fact of Tiberius's re-
sidence at Capri.
Tacitus, writing early in the second Century, contains
a number of references to Tiberius' life here. His retinue
was slender, one Senator Cocceius Nerva, his minister
Sejanus, and one knight Curtius Atticus. " The rest were
men of letters , chiefly Greeks , whose conversation
might amuse him \ (Annals. IV, 57). Tiberius " seclu-
ded himself in Capri " (IV, 67) and we read further on that
the historian was "strongly inclined to believe," that he was
taken by its perfect solitude and inaccessibility. " The
climate is mild in winter from the shelter of a mountain
which intercepts the rigour of the winds; its summers
are refreshed by breezes from the West and rendered
CLASSICAL CAPRI * 21
delightful by the wide expanse of the sea which the
island commands Tradition records that the
Greeks occupied the region and that Capri was inhab-
ited by the Teleboans. However it was, Tiberius chose
for his retreat twelve villas having different names and
of considerable magnitude, and the more intent he had
formerly been on public cares, so much the more he
now abandoned himself to secret debaucheries " and
cruelty. He occasionally went to Campania (IV, 74),
and " often came to the neighbourhood of the city
(Rome), and even visited the gardens upon the Tiber.,
but went back again to the rocks and loneliness of the
island, ashamed of his villanies and lusts, in which he
rioted inordinately ", — and so on, with a few choice
details (Vi, I). Later on, (VI, 6), the clairvoyant histo-
rian, refers to Tiberius' secret anguish " in this inac-
cessible solitude " and (VI, 20), mentions the fact that,
Caius (Caligula) accompanied the Emperor to Capri.
Suetonius writing at about the same time, is our most
voluminous though probably untrustworthy authority on
Capri. On the occasion of the arrival of Augustus in
Capri, " some decayed branches of an old ilex, which
hung drooping to the ground, recovered themselves, at
which he was so delighted that he made an exchange
of the island of Ischia for that of Capri ". (Suet. Aug. 92).
He had here a kind of museum of " the huge limbs of
sea-monsters and wild beasts, which some affect to call
the bones of giants : and also the arms of ancient he-
roes \ (Suet. Aug. 72). On his last visit here, A. D. 14,
he spent four days on the island, during which time he
distributed gifts , " constantly attended to see the boys
perform their exercises, according to an ancient custom ;
22 THE BOOK OF CAPRI
Still continued in Capri. He gave them likewise an en-
tertainment in his presence, permitting the greatest free-
dom in jesting and scrambling for things thrown among
them, etc. enjoying himself in every way he could. " He
called an island near Capri " Apragopolis " — the Town
of the Idlers, from the indolent life that several of his
party led there. A favourite of his, Masgabas, whom
he called " the founder of the island , " had been
buried there the year before, and observing from his
dining-room a great many people with torches as-
sembled there , he improvised some verses, and asked
Thrasyllus , a campanion of Tiberius , to name the
author: at which the courtier wisely praised them
highly, and greatly delighted the old man, (Suet. Aug.
98). Tiberius, the same author tells us, " retired to Ca-
pri , being greatly delighted with the island because it
was accessible only by a narrow beach, being on all
sides surrounded by stupendous cliffs and by a deep
sea ". (Suet. Tib, 40), and cast off all care of the
government (Suet. Tib. 49). Having now the advantage
of privacy " he abandoned himself to all the vicious
propensities which he had long but imperfectly concealed
and of which 1 (Suetonius) shall here give a particular
account from the beginning \ (Suet. Tib. 42) . The
author then proceeds for four chapters to give the al-
leged private life of this old man from the age of sixty-
eight to his death at the age of seventy-eight. The
delicacy of our manners prevents even a transcription
of these obscene passages, nor is there in them any-
thing of importance relating to the island, unless it be
that certain revels were held in caves and hollow rocks,
and that Tiberius was often called Caprineus (Suet.
CLASSICAL CAPRI 23
Tib. 42-45;. Further on (Tib. 60) certain alleged cruel-
ties of Tiberius are mentioned; his punishment of a
fisherman who came upon him unawares, and the exe-
cution of a guard for the theft of a peacock from the
imperial orchard ; and we read , without too much
compassion, of the punishment of a centurion for failing
in his duty of keeping the roads in good condition.
(See also Suet. Tib. 62). He also tried and punished
the poisoners of his son Drusus. " The place of exe-
cution is still shown at Capri, where he ordered those
who were condemned to die, after long and exquisite
tortures, to be thrown before his eyes from a precipice
into the sea. There a party of sailors belonging to
the fleet , waited for them and broke their bones with
poles and oars lest they should have any life left in
them " (Suet. Tib. 62). This description hardly fits
the present alleged Salto, nor any other possible place.
On the occasion of the conspiracy of Sejanus, he had
ships ready to enable him to escape to the legions if
necessary. " Meanwhile he was upon the watch from
the summit of a lofty cliff, for the signals he had order-
ed to be made if anything occurred , lest the mess-
engers should be tardy. Even when he had quite foiled
the conspiracy, he was still haunted as much as ever
by fears and apprehensions, in so much that he never
stirred out of the Villa Jovis for nine months thereafter "
(Suet. Tib. 65). This is the only mention of the name
of any Villa and fails to identify it. " During the whole
of his seclusion at Capri, twice only did he make an
effort to visit Rome " (Suet. Tib. 72). " A few days
before he died , the lighthouse at Capri was thrown
down by an earthquake " (Suet. Tib. 74); but we
24 THE BOOK OF CAPRI
know that it was standing again by the time of Statius.
Caligula lived at Capri with Tiberius , and seemed to
find it necessary to disguise himself in order to engage
in disreputable pleasures, (Suet, Calig, 10), while Philo,
the only contemporary writer, says; (Amb. Ill) that his
manner of living while with Tiberius was very simple
and wholesome, and draws a very different picture of
Tiberius from the writers of a century later. The fu-
ture Emperor Vitellius is said to have been at Capri as
a youth during Tiberius' time: (Suet, Vitel, 3).
Marcus Aurelius in his " Meditations " (XII, 27) refers
to " Tiberius at Capri " and Dion Cassius, the historian
(155-220 A. D.) has this to say in narration of the
events of the year 29 B. C, after Augustus had triumphed
at Actium in 31 B. C. " Augustus obtained from the
Neapolitans the island of Capri, which had belonged to
them from the most remote times, in exchange for an-
other territory which he granted to them. Capri is sit-
uated not far from Sorrento : it produces nothing useful,
but it preserves a celebrity even to the present time
because of the sojourn of Tiberius \ (Rom. Hist. LII
42). He says further that Livia (his mother) was one of
the causes of Tiberius' retirement to Capri (LVII, 12) ;
and that during Sejanus' prosperity he seemed to be
Emperor, and Tiberius only lord of the island of Ca-
pri (LVIII, 5,) ; and that Tiberius had prepared ships to
escape in case Sejanus came to attack him. (LVIII. 13).
His last reference to Capri is one to the effect that
Crispina (the wife of the Emperor Commodus) and
Lucilla (his sister), before disappearing from the world,
were exiled to Capri (LXXII, 4).
CLASSICAL CAPRI 25
Ptolemy in the second century, and Solinus in the
third, mention Capri ; and Sextus Aureh'us Victor , an
historian of the fourth century says , that, " Tiberius
chose the island as a place of concealment for his
wickedness ^ (Caesars III).
The foregoing, with one exception hereafter to be
noted are , I believe, all the references to Capri to be
found in the writings of antiquity, and it will be seen
that they afford a meagre basis for the many pages of
alleged history we find in some modern writers.
But an important source of historical information is
often to be found in extant inscriptions. Let us examine
what there may be of these, in the Grotto of Mitro-
mania, which, from reliefs found there, is, probably cor-
rectly, believed to have been at some time — (but I think
not before the second century) , a place of Mithraic
worship — is said to have been found a Greek inscription
in the nature of an epitaph, — but there seems to be
some doubt about it. In it, Hypatus, aged under twenty,
bewails his untimely fate and relates that a '^ despot "
(not a " Caesar " , as it is often translated) , " had
once favoured him, but now deprives him of hope '; and
he asks his brother and parents to " mourn for him no
longer ". So far as 1 know, there is no way of connecting
it with any particular " despot, age \ or circumstance.
Another sepulchral inscription found in Capri reads,
" Taurikes, daughter of Taius, farewell ", and another,
" Theano, daughter of Oenicus , farewell " . Another
on a pedestal , " Athenodorus, son of Agesandros of
Rhodes, made this ": and another. " Gnaeus Megacles,
Patron of the people of Paestum ". Another found at
26 THE BOOK OF CAPRI
Sopra-Fontana is so mutilated as to be quite unde-
cipherable, except that the Greek word meantng " Au-
gustus " occurs in it. Another found near Tragara
reads. " Yacinthi Juliae August (ae) \ This probably
refers to a slave or freedman of Julia Augusta, by which
name Livia, wife of Augustus , was known after his
death. " Yacinthi " is doubtless the same as our word
" Hyacinth ".
Pellicia reports one of more importance, which
Dr. Schultze in his book on Capri (p. 35) seems to
me to have slightly misapprehended, though the Greek
is by no means clear. I make it read, " The people
must not make a noise, nor an altar to the daemons,
either in the agora (Piazza), or on the property of the
public \ As the word " daemon " was the regular
one applied by the early Christians to the pagan gods —
whose existence as supernatural powers they never
doubted — we seem to have here one of the early laws
looking to the suppression of paganism. It dates, 1
should think, from about the reign of Constantius, for
the later laws were far more drastic, as the Christians
became more firmly seated in the saddle.
The above are all the inscriptions reported in any
of the books on Capri, which I have seen, though
doubtless there have been others found. At any rate
no others seem to have been used as a basis for his-
torical narratives. In view of the foregoing , which ,
as I have said, is practically exhaustive, the reader can
determine how much is truth and how much is fable,
or perhaps we might say poetic imagination , in what
is written and told as to Capri in ancient times. Pos-
sibly there is some more evidence to be produced to
CLASSICAL CAPRI 27
convert Capri myths into history: if so, all will welcome
it. Scientific archaeology may do much, and such in-
vestigations as Doctor Cerio has made are most val-
uable, though 1 have not touched on them here, as
they seem to belong to prehistoric times. It is an
interesting speculation that, his discovery of indications
of an anthropophagous tribe resident here, may sug-
gest the true nature of the " Siren " myth.
But 1 have left to the last , to reward the patience
of the faithful reader, something of by no means the
least importance — the only line of the only Capri poet
of ancient times, — the predecessor of , how noble a
brood in these days! Stephanus of Byzantium, a late
writer, speaks of " Capri , an island of Italy: hence
came Blaesus the Caprese serio-comic poet ", (de
Urbibus). He must be the same who is mentioned by
Athenaeus in his Deipnosophists. (Ill Centuriy). He
tells us (III, 76) what word Blaesus used for " sur-
feit \ so we can surmise that there was sometimes a
note of satiety in his verse: but more momentous far,
he quotes (XI, 75) a line from Blaesus, noteworthy for
its origin and its rarity, as well as for its sentiment.
It runs ;
" Pour out for me seven measures of the best
sweet wine ".
This is the one articulate cry of ancient Capri
which has come to us across the ages!
CHAPTER IV.
Geology.
This Chapter has been specially written
for. " The Book of Capri " by Dr. Igna-
zio Cerio, author of " Flora dell' Isola di
Capri " , who also edited and annotated
" Ruderi Augusto-Tiberiani *, written by
Giuseppe Feola in 1830.
The first observations on the geology of the island
of Capri, we owe to Pelliccia ^ who in his work treated
principally of the separation of the island from the
mainland. A few years afterwards Breislak ^ described
its rocks with sufficient accuracy , considering that he
wrote when geology, as a science, was in its infancy,
and there were no serious studies on the subject. Rez-
zonico did not add anything new to what Breislak
had written, while in 1840 La Cava ^ made known
some of the mistakes of the latter, and was the first to
notice the extensive deposits of volcanic materials ac-
^ " Richerche istorico fiiosofiche suH'antico stato del ramo
degli Appennini che termina di rincontro Tisola di Capri *.
2 " Topografia fisica della Campania ".
3 " Statistica fisica ed economica dell' isola di Capri ".
30 THE BOOK OF CAPRI
cumulated on the surface of the hmestone, attributing
their origin to the violent Vesuvian eruptions , or to
some other volcano , which may have since dis-
appeared beneath the sea. More accurate studies,
founded on modern scientific progress , are due to
Oppenheim ^ , Karsten '^ , Walther ^ , Steinman ^ , De
Stefano, Bellini -' , Canevaro, and recently to Giinther ^,
Parona^, Airaghi ^ , De Angelis d'Ossat^ and to so-
me of my own researches, extending over many years.
The island of Capri is formed principally of un-
stratified limestone of a light greyish colour, which con-
stitutes the frame-work , as it were , of the island. It
varies in some localities in its appearance , as at the
base of Tiberio , and on the other side of the island
under the cliff of Anacapri , and near the Grotto of
the Madonna , where it has an oolitic structure : and
near the ' Grotto dell' Arco ": also on the way to Lo
Capo ; near the road to Tiberio it is mixed with white
1 " Beitrage zur Geologic der insel Capri und der Hal-
binsei Sorrent ".
2 " Zur Geologic der Insel Capri ".
3 " 1 vulcani sottomarini del Golfo di Napoli ".
4 " Suir eta del Calcare Appenninico di Capri ".
5 " Alcuni appunti per la Geologia dell'lsola di Capri ".
6 " Earth-Movements in the Bay of Naples ".
"^ Sulla presenza di calcari a Toucasia carinata nell' isola
di Capri.
Nuove osservazioni sulla Fauna de' calcari con Ellipsactinidi
deir isola di Capri
8 Echinodermi infracretacei dell' isola di Capri.
9 I coralli del Calcare di Venassino Isola di Capri
GEOLOGY 31
spots of limestone spar' (due to fossils enclosed). In
Anacapri , towards Migliara , there is a layer of dark
grey limestone with noduli of flint.
In the valley , which forms the lower part of the
island, which like an isthmus, joins the cliffs of Anacapri
with the hills of Capri, overlaying the limestone in
irregular stratifications , there are sandstone , marls ,
layers of limestone, enclosing globules of iron pyrites
and a siliciferous limestone of greyish or greenish co-
lour. These latter materials constitute , what Italian
geologists call the formation of macigno : and these
extend down the two shores of the Grande and Pic-
cola Marinas. Worthy of attention too is a bed of
sandstone, at the little beach of Caterola on the north-
ern side of the island , not unlike that on the shore
and cliffs of Massa Lubrense. In a few localities the.
limestone of the island is stratified, and the layers are
inclined from south to north, and at angles varying
from twenty -fire to seventy degrees. At Punta Ven-
troso the inclination is twenty-five to thirty ; at the
Green Grotto forty, and at the Marmolata and Punta
Carena from sixty to seventy degrees. Banks of yellow
or dark red clay , coloured by oxide of iron , either
pure or mixed with fragments of limestone , fill the
cavities and depressions of the rocks, and on these
and the limestone lie large beds of pozzolana, lapilli,
and volcanic ashes , which in some places attain to
several metres in depth. Similar formations , hori-
zontally stratified, are to be seen also in some of the
Grottos near the sea.
On examining fragments of the limestone of Capri
it is found to be composed of an infinity of closely
32 THE BOOK GF CAPRI
compacted marine bodies, which however are so amal-
gamated with the rock, that it is almost impossible to
isolate them. The greater part can be best examined
at the surface, where fragments corroded by the action
of the atmosphere , show embedded fossils , slightly
raised. Among those which can be recognised , are
some belonging to the genus, Itieria, Nerinea, Ceritium,
Terebratula, pecten etc. Quite recently 1 discovered in
the limestone of Capo di sopra Tiberio, the white im-
pressions (to which I have made reference before), as
belonging to shells of Toucasia sarinata, other Cha-
midae and large Nerinee, of which I was able to isolate
some fine specimens. Besides these, numerous species
of corals are frequently found , together with Sphae-
ractiniae and Ellipsactiniae, all of them being important
.for determining the epoch of the formation of the rocks
beneath the sea. Of equal importance are two layers
of fossils which 1 noticed a few years ago ^ , one of
them on S. Michele , at about two hundred metres
above the present level of the sea, corresponding with
an ancient sea-beach at the same level at Lo Capo di
sopra Tiberio, with characteristic conglomerate of round-
ed pebbles : the other at the level of the town at
Pastena, (138 metres), and also to the east of the
English church, corresponding with a similar layer at
Cesina, on the north side of S. Michele. Conglome-
rate sand, and rounded pebbles found there were the
unmistakable indications of a sea-beach , the shells
found are of the same kind, as those still living in the
shallow waters of the sea round our island , such as
' Specimens of the above can be seen in my Natural
History collection at Palazzo Cerio.
GEOLOGY 33
Columbella, Conus, Trochus, Cerithium, Phasianella etc.
some of these still retaining their colour.
The rock upon which this lower shore stood, was
perforated by lithophagi ^ , the shells still remaining in
their holes.
Scientists, who have studied the geology of the
island, do not entirely agree as to the age of its for-
mation. Oppenheim, who published an interesting mo-
nograph on Capri, believes that the greater part of
its limestone was formed in the Titonic period — com-
prised between the Jurassic and lower cretaceous epochs
of the great mesozoic period. He sums up the subject
in the following manner :
" In the Titonic and lower cretaceous epoch the
island of Capri was continually being formed essen-
tially by organic remains, as a deposit in low waters
along the western shore of the Tyrrhenian continent,
and by the slow and continual lowering of the bottom
of the sea. We must believe that it had been mainland
already in the upper cretaceous, and at the beginning
of the eocene period it underwent a series of convul-
sions, caused by inundations, and from the phenomena
of the formation of mountains, in consequence of which
the limestone was again submerged. At that period,
eocenic deposits (macigni) were formed at low depths ;
the sea was then fifty metres above the present level;
the connection with the Sorrentine coast was probably
temporarify interrupted at that time, and in this manner
the " Bocca Piccola " was formed, which was once
* Shells which live in holes, which they bore in the rocks.
34 THE BOOK OF CAPRI
more filled up, and again reopened at a very recent
epoch \
" We must then admit a gradual rising of the island
in the course of the tertiary period , until in the qua-
ternary period a movement was produced in the op-
posite direction, and the sea rose to the height of two
hundred metres. ^ During the tertiary period the island
was still connected with the mainland of the Tyrrhenian
sea now submerged , and it was united again to the
Sorrentine coast, recently emerged. Between that pe-
riod and the quaternary it was already inhabited by
man who as it seems kept domestic animals such as
sheep , goats , and chased the stags supposed to be
indigenous to Capri, their weapons being arrows and
lances cut in obsidian. ^
1 This statement is consistent with the fact of my having
found on S. Michele and elsewhere traces of a sea beach, with
shells of species still existing, at two hundres metres above the
present sea level (See page 32).
2 The obsidian implements, alluded to by Oppenheim, and
found by me in the Fern Grotto above the volcanic deposits,
and at no great depth, were the only ones known to him at
the time he wrote his work on the Geology of Capri. These
[ mplements belonged to the neolithic age , and were conse-
quently a great deal more recent than the period of the ca-
tastrophe , which caused the destruction of the Tyrrhenian
continent. Lately however (Oct. 1905) I have had the good
fortune to discover in the vally of Tragara, immediately to
the east of the Hotel Quisisana , a variety of extremely pri-
mitive flint instruments, together with the remains of elephants,
hippopotami, rhinoceros, and other vertebrate animals. These
remains were found beneath the eruptive deposits, and on the
surface of horizontal beds of red clay, which had doubtless
at some period formed the mud of an ancient lake, showing.
GEOLOGY 35
Then occurred the great catastrophe, which caused
the destruction of the Tyrrhenian continents : the sea
invaded the land then existing : large tracts ot the coast
were inundated, and the Bays of Salerno and Naples
were formed. At the same time the volcanic action be-
gan, and many craters rose on the margin of the sub-
merged land. A crater that made its appearance between
Capri and Ischia, covered the former with trachytic
deposits " ; such is Oppenheim's theory.
Steinman, and Canevari, who annotated and tran-
slated his work, comparing the limestone of our island
with that of other localities containing Ellispactinie
concluded that the island belonged to the Jurassic for-
mation. Major Piatz of Munich, who examined some
corals, found by Walther at Capri, attributed them to
the same period. Baldacci also observed that the lime-
stone of Capri, containing Ellipsactinie, forms almost
all the mass of the island, and came to the same con-
clusion. However further observations on the strati-
graphic position of Ellispactinie, made by Bellini, Di
Stefano \ Di Lorenzo -, and the above mentioned
Baldacci, threw further light on the subject. They ob-
served that those fossils are also found in the lower
cretaceous, while the Nerinee and Itierie of Capri are
found also in the formation of the Urgonian epoch of
that at some remote archaelothic period, man existed on the
island of Capri, at a time when it was still connected with the
mainland. For further information consult Appendix.
1 " Osservazioni sulla Geol. del Monte Bulgheria in Pro-
vincia di Salerno ".
2 " Osservazioni Geol. sull' Appennino della Basilicata
'"Meridion. ".
36 THE BOOK OF CAPRI
Sicily. The limestone of Capri must therefore be attri-
buted to the same formation. 1 may add, that my own
discovery of Toucasia carinata, and Nerinea gigantea
in the limestone of Tiberio finally almost settles the
question, as these are characteristic of the Urgonian pe-
riod. The sandstone, marls , clay etc, in the valley
between the hills of Capri and Anacapri, are eocenic
(tertiary) , and were judged byPuggard ^ to be without
fossils : but Walther found in the bank of sandstone at
Lo Capo, a layer rich in bryozoa of the same formation.
My naturalist friend Dr. Bellini, and 1, collected there
Fucoids and Nummulites.
Some of the foregoing indications — that is to say,
shells of the same species as still exist in our seas,
rounded- pebbles on S. Michele , Pastena at Capo di
sopra etc., prove that our island, while still forming
part of the mainland, subsided again under the sea ,
emerging afterwards at four distinct periods. At first
the summits of S. Michele , Telegrafo , Castiglione, Ti-
berio, and Monte Solaro, became dry land, forming a
small archipelago of islets, with their marine life, and
their shores of sand and pebbles. The inner forces of
nature, which had been inactive for a long period, once
more became energetic, and produced a second upward
movement of the crust of the earth , and raised the
group of islets to the level at which the town of Capri
now stands.
Another uplifting occured which brought the island
further out of the waters, changes which probably oc-
cured at the begining of the quaternary period. At
1 " Description geologique de la Peninsule de Sorrento ".
GEOLOGY 37
this time the volcanoes of the Phlegrean region, Vesuvius,
Ischia (which had been recently formed) and a volcano
between the latter island and Capri, (which has since disap-
peared) displayed great activity, throwing and scattering
all round, their sanidine deposits, part of which fell on
our island. We can form a conception of these con-
vulsions by examining the thickness of the volcanic
deposits. Deep beds of pure pozzolana, sometimes in-
terposed with layers of ashes, lapilli, and pumice stone,
bear evidence of violent eruptions of long duration, while
the alternations of strata of calcareous fragments and
detritus deposited on or between them, indicate, accor-
ding to their depth, long or short periods of inaction.
it might be inferred that these volcanic convulsions
were the cause of the many changes in the surrounding
continent and islands : this however is not the case :
their influence being relatively small. These eruptions
and the modifications occuring and extending to a far
wider region of land and sea, were all the consequence
of gigantic, although perhaps slow, and continual mo-
vements of the earth's crust, to which are also to be
attributed the dislocations , the irregular formations of
our island, and the dips in the stratification of its lime-
stone, which being originally deposited as soft mud in
the depths of ancient seas, had undoubtedly formed in
horizontal layers. It is not possible to ascertain which
of these convulsions caused the separation of the Sor-
rentine Peninsula.
Centuries elapsed, the phenomena which made the
crust of the earth so unstable, although not entirely
subdued, had lost a great deal of their energy. The
period in which glaciers had covered the greater part
38 THE BOOK OF CAPRI
of Europe, and which left even on this island traces of
their existence, had ceased ^.
The mild temperature favoured a rich vegetation,
the dense woods afforded shelter to the wild stag, the
hog, the goat, and other animals. Primitive man, who
had existed for ages in the surrounding regions , and
even in Capri at a time when the island formed a part
of the continent — a fact which is proved by the disco-
very of flint instruments, and the bones of elephants
&c. alluded to above — found refuge in its grottos, and
lived by hunting, fishing, and probably even by culti-
vating the virgin soil. Abundant proofs of its existence
in the second period of the stone age, were found as
before stated in the Fern Grotto, at the Parate, and
other localities, in the form of primitive obsidian and
flint implements , bones of various animals, land and
marine shells, and the bones of fish, Among these were
also five or six human lower jaws, and other human
bones. While examining these 1 could not help putting
to myself the question whether our neolithic man was
anthropophagous. This subject has been discussed
already by eminent anthropologists, as discoveries of
a similar character have been made in other parts of
Italy, and my fancy turned to the fable of the Sirens.
We have now reached the historic period. Phoe-
nicians and Greeks occupied the island, and these gave
1 I arrived at this conclusion by examining buried rocks
( brought to light for building purposes ) some of which were
highly polished, while others had long parallel grooves cut in
them by the moving ice, which contained stones embedded ;
these stones being flat and polished were anciently used for
paving streets.
GEOLOGY 39
place to tbe Romans. Imposing ruins , scattered over
the island, bear evidence of the magnificent buildings,
which the latter erected. A careful examination of some
of those standing near the sea, (or covered by it) and
of certain grottos show traces of their having been
submerged at a comparatively recent period. A deep
groove (produced by the action of the sea) which is
noticeable all around the base of the island at levels
varying from three to four metres, and now beyond the
waterline , is an indication of geological phenomena,
which have occurred within the last twenty centuries of
our era. Nor" is it to be wondered at , for there are
not wanting facts to prove the instability of the earth's
crust. The north-eastern coast of Scandinavia is slowly
emerging from the water ; on the southern side it is
subsiding ; whereas Greenland is rising on its north-
western side, and south-west it is dipping for a length
of over two hundred leagues. The coast of Scotland
on the north is emerging, while that of the south part
of England is being slowly encroached on by the
sea . In the Mediterranean , the coast of central and
northern Italy are sinking at the rate of from fifteen
to forty centimetres per century. We need not go far
to prove this geological fact , the Temple of Serapis
at Pozzuoli (a few miles West of Naples), with its co-
lumns still standing, places it beyond doubt that the
temple was built above the level of the sea. There is
evidence that the temple was submerged to the depth
of seven metres for a considerable period, and then
slowly re-emerged.
Mr. R. T. Giinther F. R. G. S. has recently published
an erudite and exhaustive report of the " Earth-Move-
40 THE BOOK OF CAPRI
ments in the Bay of Naples ", which was read by him
at a Meeting of the Royal Geographical Society, on
Feb. 9th 1903, and published in the " Geographical
Journal " for August and September 1903. Mr. Giin-
" ther comes to the conclusion that " whereas there
" is an abundant evidence that the Island of Capri has
" undergone very considerable changes in level, there
" is no evidence that the level of the sea has altered.
" The land has remained nearly stationary at its pre-
" sent level for a long enough period to allow of the
" formation of erosion along the water line. At some
" previous period (post-Roman) the land also remained
" stationary in a lower position at the level indicated
" by the 22 to 12 feet water-line — i. e. the land has
" risen 22 feet at the East end, but only 12 feet at the
" West end. The land was at a level sufficiently high
" to raise the large aperture of the Blue Grotto par-
" tially above water, and to lift all low sites with Ro-
" man buildings, such as that at the Grotto Arsenale,
** sufficiently above the water to make them suited to
" their purposes. Thus, the Tiberian land-level must
" have been at least 20 feet higher than the present.
" At a still earlier epoch the land must have been at
" a level high enough for the erosion of the floors of
" the Blue Grotto, of Faraglioni rocks, and of all other
" partially submerged caves. Land must have been
" at levels low enough for the roofs of the caves to
" have been awash. Thus the land must now stand
'^ higher by the altitude of the roofs of the caves above
" sea-level ".
As I have already treated in this chapter of three
previous remote upheavals, which left undoubted traces.
GEOLOGY 41
I will follow Qiinther, summarising that portion of his
paper which refers to comparatively recent changes of
the level of Capri during post-Roman times. He begins
his argument by pointing out the present line of ero-
sion on the rocks which runs all round the island at
the sea-level: this furrow is about a foot deep, but where
the rock was cracked or soft, the erosion is deeper,
as cavities have been formed. In some other parts,
similar but deeper furrows are noticed , at from three
to five metres above the level of the sea, and therefore
beyond its reach , while innumerable round holes, the
work of mytil , are visible between the upper and the
present line of erosion, undoubted indications of that
part, having been under water. Such marks can be
traced in several places ; in many of the Grottos at the
sea-level, the line of erosion may be observed, at Cala
di Matromania (reaching its greatest height i. e. five
metres), all round and inside the lower part of the White
Grotto, on the western side of the Scoglio di Matro-
mania, here and there round the Faraglioni rock, and
elsewhere. On the south-western side, near Punta Ca-
rena, the same traces of erosion, at about three metres
above the sea, may be recognised , showing that the
island did not rise horizontally, but was subjected to
the same tilting movement, which caused the previous
horizontal layers to dip in more remote periods. These
marks which are so noticeable in many places, have
disappeared where the rock has crumbled, or has been
corroded by atmospheric agents. The Scoglio della
Ricotta on the north-eastern side near the Capo, bears
also evident traces of the old water-line. Beside these,
furrows, indications of old beaches containing rounded
42 THE BOOK OF CAPRI
pebbles and coarse sand may be seen at very little
height, between Punta Ventroso and Carena. It is of
some interest to decide whether these changes of land-
level occured after the Roman dominion.
I will follow GiJnther's argument. Near Punta Tra-
gara, at the Unghia Marina, there is a flight of steps
cut partly in the rock, and partly made of solid ma-
sonry, which is now about three metres under water.
Evidently it must have been above the sea-level, when
it was constructed. At Palazzo a Mare, there are re-
mains of an immense building, locally known as Bagni
di Tiberio, on account of the building having a wing,
which is partly near the beach, and partly in the sea.
A large room, built of very strong masonry, is specially
to be noted, the original pavement of which, now about
forty centimetres above the sea-level, has been almost
entirely destroyed by the action of the waves , and a
drain has been exposed under the North wall at about
one metre and a half under water. There are also
pipes in the walls, which are continued under water at
a depth of little more than a metre and a half. These
drains and pipes, at the time of their construction,
must have been above the sea level, and it is evident
that there has been a subsidence of the soil on which
the building stood, carrying it partly under water.
On the western side of the Grande Marina, a sewer
is to be observed under the cliff near the beach, which
probably conveyed to the sea the drainage of a great
part of the northern side of the old town. It is easy
to inspect a small part of this drain , and we notice
that its inclination has undergone a change : instead of
inclining towards the sea, it dips in a contrary direc-
GEOLOGY 43
tion at an angle of twenty five degrees. Colonel
Mackowen ^ cites the position of this drain as a proof
of a considerable subsidence having taken place between
S. Michele and Monte Solaro, since the Roman period.
But when it is remembered that other ruins in the
neighbourhood are perfectly upright and perpendicular,
that the acqueduct of the Fontana at the Grande Ma-
rina still preserves its original inclination, and serves
its purpose to this day, that the walls of Palazzo a
Mare still keep their perpendicular position, we can
without looking for further proofs, safely assert that the
dip of the Cloaca is due to a very limited local dislo-
cation, caused either by some earthquake or by some
exceptionally heavy storm, the waves undermining the
hardened puzzolana , of which the drain is con-
structed.
Capri has three places, were ships can find shelter
in heavy weather the so-called Porto di Tragara on the
east, the Piccola Marina on the south side , and the
Grande Marina on the north side. The Porto di Tra-
gara, although not serviceable in all weathers , could
give shelter to vessels during westerly gales ; and in
fair weather the Roman galleys could ship their sup-
plies and water. There are on the rocks looking eastward,
still to be seen remains of Roman buildings which in
heavy storms are washed by the waves; it is evident
that these buildings must have stood higher, and beyond
the reach of the sea, when they were built. Large leaden
pipes were found embedded in the cliffs of Punta Tra-
gara, probably in connection with immense reservoirs,
1 "
Capri, Mackowen, p. 5
44 THE BOOK OF CAPRI
which stood on the Castiglione , and on S. Michele,
and ran along the present Via Tragara. A few years
ago fragments of rusty iron, which served to hold rings
to moor ships, could be seen in holes cut in the rock
round the Porto di Tragara. At the Piccola Marina,
or Mulo, on the " Sirena " there are traces of Roman
masonry: this rock, which juts out into the sea is now
washed by it during storms. In Roman times it must
have stood higher above the sea-level, and afforded an
even more effectual shelter, than it does at present,
during northerly gales. At the Grande Marina, looking
from the terrace of the Hotel Continental, large square
masses of masonry can be seen in the sea, which re-
semble other similar constructions in the surrounding
bays, and it is easy to identify them as part of an
ancient breakwater. This breakwater evidently served
to shelter the anchorage from the northerly and west-
erly storms. It certainly stood above sea-level , and
the subsidence of the soil brought it below that level,
while the silting of sand, and the fall of debris from
the cliffs above, filled up the harbour, which in Roman
times must have been much deeper than it is at pre-
sent. Further evidence might be produced to prove
the change of level to which the island was subject
during historical times, but I will only add the result of
the observations of such eminent Italian scientists as
Marquis Ruffo \ Melloni, Belli, and others on the Blue
Grotto, which will serve the double purpose of giving
a condensed description of the Grotto, and of proving
that it is to earth-movements, that we are indebted for
1 " Sulla Grotta azzurra di Capri ".
GEOLOGY 45
the wonderful luminous phenomenon, which has made
this cave, and the island of Capri celebrated all the
world over.
»
This celebrated cave is on the northern side of
the island, and stands at the foot of a precipitous cliff,
which plunges almost perpendicularly into very deep
water. It can be entered only by small boats through
a natural arched entrance of which only eighty or
ninety centimetres remain above water: the side walls are
little more than one metre apart, although they widen
out under water, and at the depth of about one metre
a platform, or kind of sill is formed. Ou account of
the narrow entrance, access to the Grotto is only pos-
sible in very calm weather. As soon as the boat has
crossed the low archway, it enters a large oval-shaped
cave, which according to the measurements given by
Marquis Ruffo is fifty-one metres in length, twenty-seven
in width, and about twenty-one metres above the sea-
level in height; the sides of the Grotto go down almost
perpendicularly to the bottom: the greatest depth being
about twenty-one metres. As the measurements given
by the numerous writers on the Grotto vary conside-
rably, Mr. Harold E. Trower and I decided to take very
careful measurements and soundings ourselves, with the
following results, length of the Grotto from the wall
of the inner landing place to the entrance (inside wall)
52 metres, maximum width 28 metres. Depth in the
centre of the Grotto 21 metres 40 centimetres.
On the right side of the entrance, at a depth of
about two metres, another large opening in the rock
is to be observed, in communication with the Grotto,
which measures at its widest part about ten metres.
46 THE BOOK OF CAPRI
The presence of this submerged arch causes the
phenomenon of the blue light, which renders the
Grotto unique. The Grotto, which faces North , does
not derive any direct light from the sun , and if the
small entrance , which is scarcely noticeable on the
surface of the water , were the only aperture , very
little light would be admitted , and at a short distance
from the opening , there would be almost total
darkness, but the light enters through the submerged
window.
It is a recognised scientific fact, that sea water,
when seen in small quantities, appears perfectly clear
and colourless, but in large bodies it has a perceptible
green or blue tint, according to its depth. The same
is the case with the water of lakes , when not mixed
with mud or vegetable matter. In order to enter the
cave, the light must pass through the sea water, which
all round Capri is perfectly clear , and of the deepest
blue colour. The white rays passing through this'
body of blue water are refracted , the blue water
absorbs the red and yellow rays, transmitting rays of
blue colour, which are reflected on the walls, and roof
of the north side of the Grotto, while its southern side
retains its original colour: the phenomenon is seen to
best advantage , when a boat or screen intercepts the
small amount of light, which enters through the upper
entrance.
At the back of the Grotto there is an opening in
the rock about one metre above the sea-level, and on
landing a narrow passage is discovered, which gradually
leads upward for a distance of over 150 metres.- This
passage has been visited by many explorers , either
GEOLOGY 47
from curiosity , or to ascertain whether it would be
possible to clear a pathway to the ruins of a Tiberian
Palace, which stood on the plain of Damecuta , and
with which this passage may have been in communi-
cation in Roman times. The visitors to this passage
have however only been able to ascertain , that it is
possible to penetrate a certain distance , when it
becomes narrower, and very difficult to ascend, that
the temperature inside is some degrees higher than
that of the outside atmosphere ; in addition to this ,
large boulders block the way , any attempt to remove
them being impossible, as it would result in the fall
of the low roof of the passage , which is formed of
loose and crumbling rock and earth , and the daring
explorer would either be buried alive, or crushed to
death. It is very probable that torrential rains, earth-
quakes , and other causes , have in the course of
centuries caused these blocks to fall and obstruct the
passage , which must always have been narrow , but
was possibly practicable.
Inside the Grotto borings of mytili are observed,
and on the sides almost as high as the vault ; on the
other hand submerged steps , which must have been
above sea-level when constructed , and traces of the
chisel near the entrance to the passage, prove that the
Grotto must have been known to the Romans, and
that there were changes of the sea-level at a time
posterior to their dominion. No ancient writer, makes
any mention of the Grotto, or of the phenomenon of
blue light, because in all probability this phenomenon
did not then exist , and the Grotto was in no way
different from the many other Grottos to be found
round the coast.
48 THE BOOK OF CAPRI
Marquis Ruffo, a learned Neapolitan scientist, from
whom we have already quoted, was the first to study
the light effects of the Blue Grotto , from a scientific
point of view. He published an interesting paper ,
which was read before the Royal Academy of Naples
in 1836, in which he contends that the entrance to
the Grotto during the Roman period , stood much
higher above the sea-level than at present, consequently
the light, passing freely into the Grotto, overcame the
effect of the blue light, which entered from the opening
under water, and which had very little effect, and was
not sufficiently conspicous to attract attention.
Melloni ^ another scientist who also studied the
light of the Blue Grotto, and read a scientific paper
on the subject before the Royal Academy of Sciences
of Naples , in concluding his lecture states that, on
account of the periodic relative variations of the level
of the earth , and that of the sea , and accepting the
result of accurate observations made by Nicolini (who
proved that in historic times , between the coast of
Amalfi and the promontory of Gaeta, the sea succes-
sively reached a level of six metres, above or below,
the present coast line) — he came to the conclusion
that, Capri had been subjected to the same variations ,
and endorsed the theory of Ruffo that , the opening
of the Grotto at the beginning of the Christian era
was entirely out of water. Melloni also calculated that
eight or nine centuries later , the Grotto was entirely
submerged and consequently was inaccessible, and its
very existence forgotten.
1 " Sulla luce azzura che illumina la Grotta di Capri ".
Rendiconto dei lavori dell' Ace. delle Scienze Sez. della Soc.
Reale Borbonica di Napoli anno V. 1846.
CHAPTER V.
Capri under Augustus.
" Ecquid iis videretur mimum vitae com-
mode transegisse ". (Suet. Aug., XCIX).
The first historical mention of Capri is an account
of the first visit of the Emperor Augustus in 29 B. C.
and of the lucky omen which greeted his landing. Like
a young beauty, who has hitherto hidden her charms
in happy obscurity, at the touch of the imperial wand
Capri was raised to a high place, she became an object
of envy to all the vast Roman Empire , and for a pe-
riod of over fifty years , was the cynosure of millions
of jealous, watchful eyes, envious and suspicious of
her good fortune, in being the favourite of two success-
ive Emperors, Augustus and Tiberius.
Weichardt says; " In the year 29 B.C. on his return
from Asia, and shortly before his three days of trium-
phal festivities at Rome, Augustus (then 33 years old)
came to Capri, whether for the first time or not , is
unknown. He was shown an old stone-oak (Quercus
Sessiflora, S. M.) which had hitherto appeared withered,
but had at his coming, put forth fresh shoots. In conse-
quence thereof, Augustus who was superstitious, regard-
6
50 THE BOOK OF CAPRI
ed the occurence as a good omen; and having taken a
liking for the island, he asked to have it exchanged for
Ischia , although the latter was much larger and more
fruitful than Capri. It was in this wise that Capri, which
had belonged to Naples since the year 326 B. C, passed
into imperial possession \ (" Capri ^ Weichardt p. 33
and Suet. Aug. Chap XCll).
In the account of Suetonius, the gist of which is
related with sufficient accuracy by Weichardt, a very in-
teresting side-light is thrown on the superstitious, or
at any rate highly imaginative side, of Augustus. He
landed quite by chance at Capri , as he might have
done at Ischia, Procida or Ponza, but a happy omen
of hopeful portent instantly occurred: nature herself dis-
regarded her inviolable laws to do him honour , and
bid him welcome, and the dead bough blossomed in
homage to the Dictator of the world. The Emperor
was delighted, his pride was flattered, he had at last
found a spot, where nature in harmony with man,
bowed to his will, and acknowledged his sway. In fu-
ture he would take Capri to his imperial bosom , he
would shower kingly gifts upon her , he would crown
her rugged cliffs with majestic palaces, tame her forbid-
ding mountains with roads, and with ample supply of
water, make his favourite bright, and deck her with
flowers.
" In the davs of Augustus we find that, there was
on the part of Romans of rank and wealth, a decided
preference for residing on islands. The exciting life in
Rome induced statesmen and others of high rank to
seek rest and strength for fresh labours by taking their
ease from time to time on beautifully situated islands.
CAPRI UNDER AUGUSTUS 51
Brutus resided at the country-seat of Lucullus at Nisida,
Antonius lived before the battle of Actium at Samos
for a long while, and to this place Augustus also retired
after the victory of Actium. Agrippa lived at Lesbos
and long before he became emperor, Tiberius went
into seven years of voluntary banishment at Rho-
des, devoting himself while there to his studies with
friends of like mind. As emperor however, as is known
to us, he spent the last eleven years of his life at Ca-
pri \ C Capri " Weichardt p. 32).
It has been assumed by all writers of the eighteenth
and nineteenth centuries, that the numerous palaces, vil-
las, acqueducts and roads, which we see today scattered
over the entire face of the island of Capri, were the
work of Tiberius. " Nothing exists to justify this as-
sumption—on the contrary, it may be accepted as a fact
that the whole or at least the majority of the villas by
the sea and at the mid-altitudie were built by Augustus,
and that his successor Tiberius, only took over and used
them, it is, however possible that he partially altered
or enlarged them enough to suit his own purposes.
Augustus was as we know, next to Adrian, the emper-
or most fond of building. Tiberius on the other hand
built but little, and only that which was absolutely ne-
cessary, or seemed to him to be a matter of honour ".
(" Capri ", Weichardt, p. 62,). We will again have re-
course to Weichardt; " Augustus who owned the island
for nearly half a century , had acquired it in his
young, enterprising and happy days — because it spe-
cially pleased him — is much more likely to have given
expression to this predilection by building, than the
misanthropic Tiberius who being near old age , came
52 THE BOOK OF CAPRI
to Capri, in order to withdraw himself from the world
he so hated. " (" Capri ", Weichardt, p. 67). On the
other hand, and in strong contrast to the passion for
building possessed by Augustus, Suetonius tells us that
Tiberius " during the whole of his government , never
erected any noble edifice: for the only things he did
undertake, namely building the temple of Augustus,
and restoring Pompey's Theatre, he left at last after
many years unfinished. " (Suet, Tib. Chap. XLVll).
Tiberius' connection with Capri lasted only during
his declining years; he came here an old man, tired of
life and its vanity, seeking relief from the anxieties of
Empire, and the leisure to indulge his favourite pur-
suits of learning and astronomy. Is it likely or reason-
able to suppose that, he would have " turned the island
into a vast building area, with all the confusion attend-
ant thereon: that he should have converted the har-
bour into a landing place for ships laden with building
materials, and that the whole of the noisy activity con-
sequent on building operations , the hammering of the
stonemasons, the shouts of the load-drawing labourers,
should have been allowed to disturb the much needed
calm and quiet of the island? " (Weichardt p. 67).
Tacitus (Annals, 4, 67) uses these words; " Sed tum
Tiberius duodecim villarum nominibus et molibus inse-
derat \ Now this single word " insederat " is abso-
lutely the only stone, and a very feeble and fallible
pebble, on which almost all previous writers have tried
to build their theory, that " Tiberius built on Capri
twelve palaces ". Let us examine the exact meaning
of the word: according to Smith's Latin Dictionary ,
the primary meaning of " insederat " is " to sit down,
CAPRI UNDER AUGUSTUS 53
or settle on ", (as birds perch " insessum din's avibus
Capitolium " Tac.A. 12, 43,). Secondly the word means,
"" to settle in a place, in order to dwell there ". Third-
ly " to occupy, keep possession of a place " .
There is not a suggestion in any of these mean-
ings, capable of supporting the assertion, that Tiberius
built or erected a single Villa or Palace. The simple
and obvious construction of the text is that he " took
possession of certain villas, which had been previously
erected ^ it is of course possible that he may have
changed or adapted some of these Villas to his own
taste, which was very different from that of Augustus,
who was of a genial sociable temperament and loved
contact with his fellow-man.
The last visit of Augustus , of which we have any
historical details, was paid by the Emperor when he
was suffering from the disease (diarrhoea) to which he
finally succumbed a few days later. But though shaken
in health, and old, we find the Emperor still full of
vivacity and simple enjoyment in the unsophisticated
pleasures of others. " He went round the coast of
Campania and the adjacent islands and spent four davs
in that of Capri, where he gave himself up entirely to
repose and relaxation. Happening to sail by the bay
of Puteoli, the passengers and mariners aboard a ship
of Alexandria, just then arrived, clad all in white, with
chaplets upon their heads, and offering him incense, load-
ed him with praises and joyful acclamation, crying out;
" By you we live, by you we sail securely, by you we
enjoy our liberty and our fortunes "; at which he being
greatly pleased , distributed to each of those who
attended him, forty gold pieces, requiring from each an
54 THE BOOK OF CAPRI
assurance on oath, not to employ the sum given them
in any other way, than the purchase of Alexandrian
merchandise. And during several days afterwards he
distributed Togae and Pallia, (the Toga was a loose
woollen robe, which covered the whole body , close at
the bottom, but open at the top down to the girdle,
and without sleeves: the Pallium was a cloak generally
worn by the Greeks both men and women) among
other gifts, on condition that the Romans should use
Greek, and the Greeks, the Roman dress and language.
He likewise constantly attended to see the boys perform
their exercises, according to an ancient custom still con-
tinued at Capri. He gave them likewise an entertainment
in his presence; and not only permitted , but required
frpm them the utmost freedom in jesting, and scrambling
for fruit, victuals and other things which he threw amongst
them, in a word he indulged himself in all the ways
of amusement he could contrive ". (Suet. Aug.
Chap. XCVIil).
Suetonius then proceeds to give us an account of
the Emperor's interest in, and observations on, the
company of people, who had assembled at the tomb
of Megasbas, which will be found quoted in full, in the
Chapter on Monacone.
A few days later, the kindly old citizen-Emperor,
who had outlived the splendours of his youthful re-
nown, lay dead in the arms of Livia at Nola. Thus
we see, that to the very last days of his life, Augus-
tus preserved not only his bright and happy spirits,
but what is truly remarkable in a man of his age
(in his seventy-sixth year,) suffering as he was from
a depressing and disquieting disease, he joined with
CAPRI UNDER AUGUSTUS 55
the buoyant spirit of a bright ingenuous boy in the
pranks of the Capri lads, and telh'ng them to throw
off all restraint, and to think of him as an equal,
evidently derived much 'kindly amusement from their
struggles to secure the best fruit , and the most pre-
cious prize. He was fond of games of chance ,
playing for small sums with the boys or with his
friends.
" As soon as the civil wars were ended, he gave
up riding and other military exercises in the Campus
Martins, and took to playing at ball, or foot-ball : but
soon afterwards used no other exercise than that of
going abroad in his litter or walking. Towards the end
of his walk he would run, leaping wrapped up in a
short cloak or cape. For amusement he would some-
times angle, or play with dice, pebbles, or nuts, with
little boys, and particulary Moors and Syrians, for their
beauty or amusing talk \ (Suet. Aug. Chap. LXXXIIl).
His death came painlessly, and he was prepared
for it.
" The closing scene of this illustrious life % says
Dean Merivale, " has been portrayed for us with con-
siderable minuteness, it is the first natural dissolution
of a great man we have been called upon to witness,
and it will be long, I may add, before we shall assist
at another ". (" Hist, of Romans ", Merivale, vol. IV
p. 288).
The following brief but excellent account of the
end of Augustus is taken from Baring-Gould; " At Nola
his exhaustion became so great that he was obliged to
take to his bed. Here he was in the family house of
the Octavian race, and he was placed in the very room
56 THE BOOK OF CAPRI
in which his father had died. The old Emperor did
not deceive hifnself with hopes of recovery ; he was
short of his seventy-sixth birthday by only a little over
a month. On the last day of his life, after inquiring
whether his condition had aroused commotions in
Rome, which he feared, knowing the hostility of the rival
parties there, and being satisfied that there was tran-
quillity, he asked for a looking-glass, and fiad his hair
put straight, and something done to his cheeks, that
they might not appear as hollow as the dysentry had
made them. Then, calling in his friends, and making
them surround his bed, he asked whether they thought,
he had played his part well in the drama of life. He
immediately added, in a Greek verse with which Roman
plays usually concluded: " Let all applaud and clap
their hands with joy ". After that he dismissed them
and inquired of Livia, who remained at his side, whether
any tidings had been heard of Livilla, the daughter of
Drusus, who was out of health. Then suddenly he
threw his arms round the neck of Livia, and kissing
her, said, "" Livia! live mindful of our union, and now
farewell "! " Then he gently expired without pain, and
withont a struggle. " (" Tragedy of Caesars ", Baring-
Gould, p. 220-221).
" By his peculiar personality, Augustus was able
to stamp upon the Roman Empire a character which
has never left it; he made a religion as well as a state;
and it was due to his work, and to his sense of the
sacredness of his work, that there are still men living
in England, who cannot feel happy in the regulation
of what they believe to be their most important con-
cerns , unless they are assured that their actions are
CAPRI UNDER AUGUSTUS 57
in accordance with the dictates of the authority across
the mountains which is resident in Rome. C* Tiberius
the Tyrant ", Tarver, p. 140).
"" The self-reh'ance of Augustus was justified by
his success. He had resolved to raise himself to power,
and he had succeeded. He had vowed to restore the
moral features of the republic, and in this too he had,
at least outwardly, succeeded. While however the las-
situde of the Romans, and their disgust at the excesses
of the times, had been the main cause of his success,
another and more vulgar agent, one which it might
seem to need no genius to wield had been hardly less
efficacious: and this was simply his command of mon-
ey. Throughout his long reign, Augustus was enabled
to maintain a svstem of profuse liberality, partly by
strict economy and moderation in his own habits, but
more by the vast resources he had derived from his
conquests. He was anxious to keep the springs of
this abundance ever flowing, and he found means to
engage the wealthiest of his subjects to feed them with
gifts and legacies. The people were content to barter
their freedom for shows and largesses, to accept fo-
rums and temples in place of conquests : and while
their ruler directed his sumptuary laws against the
magnificence of the nobles, because it threw a shade
over the economy which his own necessities required,
he cherished the most luxurious tastes among the peo-
ple, and strained every nerve to satiate them with the
appliances of indolent enjoyment, with baths and ban-
quets, with galleries and libraries, with popular amuse-
ments and religious solemnities ". C Hist, of the Ro-
mans \ Merivale (Bk. IV. p. 289 a 290).
CHAPTER VI
Capri under Tiberius.
" Oderint dum probent ". (Tiberius)
I will not attempt, in this work which is at best of
a very cursory and unambitious character, to summa-
rise the reign of the Emperor Tiberius , to enumerate
either his political acts and reforms, or to detail the
various campaigns that were undertaken, with more or
less success, during his reign. My object is merely to
attempt to present to the reader a fairly intelligible view
of the Emperor Tiberius, as he was when he sought a
retreat in Capri, after a long life of unusual trial and
disappointment, to sketch his character, his appearance,
his companions, his habits and tastes, and finally by
quoting from writers whose reputation and authority is
unimpeachable, to endeavour to clear his memory from
that miasma of inhuman brutality and obscenity, which
has been accepted without doubt by generation after
generation of historians, and swallowed with docile cre-
dulity by countless readers. With this object in view
I will divide this chapter into eight heads.
1. His reasons for leaving Rome.
2. His reasons for choosing Capri.
60 THE BOOK OF CAPRI
3. His appearance, habits, and tastes.
4. His companions in Capri.
5. His death.
6. His character, and how it was affected by the
disappointments of his life.
7. Our reasons for dech'ning to accept the estimate
of the character of Tiberius, as portrayed by Suetonius
and Tacitus.
8. Conclusions arrived at from a study of the busts,
cameos, and reliefs of Tiberius.
1 - His reasons for leaving Rome.
At the time when Tiberius finally determined to
leave Rome he was well advanced in years, being sixty-
seven years of age, and the state of his health was far
from satisfactory: he appears to have suffered from a
kind of eczema, his face was so disfigured by sores
and eruptions that it was impossible for him to appear
in public. The Romans, like the Italians of to-day, are
singularly susceptible to beauty, and peculiarly repelled
by whatever jars on their sensitive love of what is
pleasing and attractive to the senses. The unfortunate
Emperor, whenever he appeared in public was greeted
by the jeers and heartless outspoken comments of a
sharp-tongued and satirical people, who would never
lose a " bon mot " merely because it gave pain.
" Till the year in which his son Drusus had died,
Tiberius had hardly quitted Rome. For two whole
years after he became prince, he never even set foot
outside the gates; and after that he allowed himself but
short periods of relaxation from work, and never went
further than Antium, there to inhale the fresh air from
the sea, and he never remained there for more than a
CAPRI UNDER TIBERIUS 61
few days. Yet he felt a craving for country air and
rest, and so often spoke of his intention of taking a
hoh'day that the Romans in joke called him a Callipides
" always on the run , but never advancing a step ".
Wearied with the burden of government, and no longer
animated with the thought that he was working to con-
solidate the empire for his son, knowing that his suc-
cessor was inspired by the party about him with dislike
towards himself, and that minds were poisoned against
him, sick at heart over the revelation of the falsehoods
circulated relative to his private life, and looking back
to the restful period in Rhodes, he suddenly turned his
back on Rome and went into Campania , on the plea
that he must dedicate a couple of temples there, one
of which was at Nola where Augustus had died ".
(" Tragedy of Caesars \ Baring-Gould, p. 315).
The natural bent of a mind such as Tiberius pos-
sessed was towards seclusion and scholarly leisure, this
he proved by his early retirement to Rhodes, which so
exasperated Augustus as nearly to ruin his future ca-
reer. Unlike Augustus, Tiberius had never been pop-
ular with the people, he did not lavish vast sums of
money on gladiatorial shows, he had no natural "bonhom-
mie ", none of the democratic stirring spirit, ever ready
with a friendly recognition or familiar joke, which, then
as now, endears a ruler to his people, and seats him
more firmly in the hearts of his subjects, than unfailing
success in war, or rigid justice meted out with the
unwavering hand of equity, but without a sympathetic
smile.
Tiberius with his sensitive nervous woman's chin,
and that want of determination noticeable in his lower
62 THE BOOK OT CAPRI
face, was rather a student and a pedant than a man
of action: he was also somewhat of a mystic and dream-
er. He doubtless often recalled with mingled feelings
of pain and pleasure (the pleasure however largely
predominating) the peaceful, simple, uneventful years he
had passed at Rhodes, and from which he had so re-
luctantly severed himself, not from any ambitious desire
to take part in the government of the Empire, but sole-
ly at the call of what he considered his duty , and to
relieve his patron Augustus from the almost intolerable
load of State. Tiberius must have felt that he had
indeed sacrificed enough of his fast-waning life to the
harassing and thankless cares of office. What had been
his reward ? " Every one he had trusted had failed
him. His first wife he had been told had been unfaithful
to him:; his second wife he knew had been untrue. His
adopted sons had turned against him in revolt. His
mother had dealt him the cruelest blow conceivable in
showing him that Augustus, whom he had reverenced
and loved, had disliked him. Drusus, his own son, had
caused him anxiety, and then had been snatched from
him. The senate, the Roman people, for whom he had
lived and laboured , inspired him with contempt and
disgust at their servility and changeableness \ (" Tra-
gedy of Caesars ". Baring-Gould, p. 338).
" The love of retirement, manifest in Tiberius when
he went to Rhodes, that shyness which he was never
able to cast off , weariness with the cabals of the cap-
ital ever reformed as fast as broken, combined to make
Tiberius, as he felt his powers fail, and when troubled
with physical disorder, seek a refuge out of the current
of Roman life, where, nevertheless, he could control
CAPRI UNDER TIBERIUS 63
the course of public affairs. But a man of his tempera-
ment and reserve was so incomprehensible to the
Roman society-man, that he was driven to invent rea-
sons satisfactory to himself to explain this voluntary
banishment \ (" Tragedy of Caesars \ Baring-Gould,
p. 348).
Tacitus tells us, that Tiberius retired to Capri through
the machinations of Sejanus. " He adopted the expe-
dient of urging the emperor to pass his time in some
agreable situation far from Rome. From this counsel
he foresaw many advantages: upon himself would de-
pend all access to the emperor; the letters would, as
the soldiers were the carriers, be for the most part un-
der his direction; in a little time the prince now declin-
ing in years, and enervated by retirement, would more
easily transfer to him the whole charge of the empire:
the envy felt towards himself would be diminished by
getting rid of the crowd of visitors, and though the
empty parade of power was removed, he would pos-
sess more of its essentials. He therefore began by
little and little to rail at the hurry of business at Rome,
the throng of people, the conflux of suitors, applauding
retirement and quiet, which afford the greatest facilities
for deliberation on the most important matters, unweari-
ed by importunities and unexposed to annoyance from
the disatisfied ". (Tacitus. Ann. IV c. 41).
2 — His reasons for choosing Capri.
After leaving Rome Tiberius passed through Cam-
pania, and dedicated the capitol at Capua and a temple
to Augustus at Nola, at which place Augustus had
died. Finally he made his escape from official duties
and joyfully directed his galleys to head for Capri, the
64 THE BOOK OF CAPRI
haven of repose on which he had long ago fixed his
attention, as his final retreat.
Suetonius tells us that he selected Capri, " being
greatly delighted with the island because it was acces-
sible only by a narrow beach, being on all sides sur-
rounded with rugged cliffs, of a stupendous height and
by deep sea". (Suetonius, Tib. Chap. XL). This state-
ment that the island of Capri had only one beach,
which was accessible for boats, may at first sight seem
difficult to reconcile with our knowledge of Capri today;
but the reader must bear in mind the fact (which is
discussed at greater length in the Chapter on Geology,
and in that on the Blue Grotto) that during the Ro-
man ocupation the sea level was eighteen to twenty
feet lower than it is today , and consequently the
shelving spaces, which to-day serve as landing places,
were at that period low cliffs on which a boat could
not be beached.
We will again quote from Tacitus ;M am strongly
inclined to beieve that he was taken with its perfect
solitude, for the sea in its neighbourhood is void of
havens, and the stations even for smaller vessels are
few, while none could put in unperceived by the coast-
guards. The temperature of the climate is mild in
winter, from the shelter of a mountain, which inter-
cepts the rigour of the winds: its summers are re-
freshed by gales from the west, and are rendered de-
lightful from the wide expanse of sea which the island
commands: before the fiery eruptions of Mount Vesu-
vius had changed the face of the country, there was
also a prospect of the lovely bay of Naples ". (Taci-
tus, Ann. IV. c. 67).
CAPRI UNDER TIBERIUS 65
Besides the advantages above enumerated the Em-
peror would obviously seek as his place of retirement
a spot sufficiently accessible to Rome; the extreme
healthfulness of the island, the absence of extremes of
heat and cold, and the absence of dust would tend to
the alleviation of the distressing disease from which he
suffered.
We learn from Suetonius that one of the compan-
ions whom Tiberius chose to accompany him in his
retirement was Thrasyllus, the mathematician and astro-
loger, and we may well assume that the Emperor an-
ticipated pursuing with pleasure, and under most fa-
vourable circumstances, his favourite study of astrono-
my, from the elevated rocks and hills of his mountain-
ous retreat.
" The island was as though constituted by nature
to be a resting-place for a lord of the world, with
mind clouded by painful experiences, who desired to
withdraw from the public eye, and yet had no intention
of allowing the reins of government to be taken from
his hands, it is accessible at one point only, easily se-
cured: everywhere else its limestone cliffs start sheer
out of the blue sea to a height of a thousand feet.
This gave the old emperor security against attack. More-
over the station of the fleet was at Misenum, two
hours distant, and it was separated from Surrentum
on the Campanian coast, by a channel six miles wide \
(" Tragedy of Caesars. " Baring-Gould, p. 317).
Dean Merivale remarks; " While few other spots
could have combined the requisites of solitude and diffi-
cult approach with such actual proximity to the seat
of government, Tiberius was not insensible to the
7
66 THE BOOK OF CAPRI
charms of its climate, and even the attractions of its
scenery: to the freshness of its evening breeze, the
coolness of its summers, and the pleasing mildness of
its winters. The villas he erected enjoyed every variety
of prospect , commanded every breath of air , and
caught the rays of the sun at every point of his
diurnal course. From the heights of Capreae the eye
comprehended at one glance the whole range of the Ita-
lian coast from the promontory of Circe to the temples
of Paestum, clearly visible through the transparent at-
mosphere. The Falernian and Gaurian ridges, teem
ing with the noblest vineyards of Italy , the long
ridges of the Samnite Apennines, even to the distant
Lucanian mountains , formed the framework of the
picture, while Vesuvius reared its then level crest , yet
unscarred by lava directly in the centre. Facing the
south the spectator gazed on the expanse of the Sici-
lian sea. So wide is the horizon that it is, perhaps no
fiction that at some favorable moments the outline of
the fiery isles of >€olus , and even of Sicily itself are
within the range of vision ". (" History of Romans ",
Merivale. vol. V. p. 205).
3 — His appearance, habits and tastes.
As a young man Tiberius must have been ex-
tremely handsome, he was tall, well proportioned and
broad shouldered. From the numerous statues and
busts that have survived to us we can see that he had
a broad brow, his mouth was nervous, refined and
sensitive: he had a weak chin , and large sad looking
eyes: his nose was delicate and intellectual. The fol-
lowing description of him in his youth is quoted from
Suetonius. " In person he was large and robust of a
CAPRI UNDER TIBERIUS 67
Stature somewhat above the common size: broad in his
shoulders and chest, and proportionable in the rest of
his frame. He used his left hand more readily and
with more force than his right, and his joints were so
strong that he could bore a fresh sound apple through
with his finger, and wound the head of a boy with a
fillip. He was of a fair complexion, and wore his hair
so long behind, that it covered his neck, which was
observed to J)e a mark of distinction affected by his
family. He had a handsome face, but it was often full
of pimples. His eyes, which were large had a won-
derful faculty of seeing in the night-time and in the
dark for a short time only, and immediately after
waking from sleep. He walked with his neck stiff
and upright: generally with a frowning countenance,
being for the most part silent: and usually accompanied
with a slight gesticulation of his fingers \ (Suet.
Tib. LXVIll).
In his old age a less attractive portrait is given by
Tacitus. " He was exceedingly emaciated, tall and
stooping, his head bald, his face ulcerous and thickly
patched with plasters \ (Tacitus, Ann, 4, 57,).
The elder Pliny in speaking of the peculiarity of
his sight says; " This Caesar alone among all men had
the faculty of seeing for a few moments after waking
in the night, as clearly as by day, but soon after all
grew dark again \ (Plin, Nat. Hist.. XI, 37). His
health was sound, " during almost the whole period
of his reign, though from his thirtieth year he treated
himself according to his own discretion, without any
medical aid ^ (Suet. Tib. LXVIII). Tiberius was a
bad patron of the medical fraternity, and used to say
68 THE BOOK OF CAPRI
" Those are poor creatures, who after having passed
their thirtieth year, need other advice than their own
experience to tell them what is good, and what is bad
for their health \
Like our own George 111 the emperor's tastes in
his diet were simple and frugal, he loved vegetables
especially cucumbers, parsnips, asparagus and a vege-
table, which from the description of Pliny, must have
been brussels-sprouts. In his old age he drank only
Surrentine wine, and he was very partial to a special
variety of dried African grape.
Like all highly educated men of his day, he was
thoroughly conversant with Greek, and himself composed
some Greek poems in imitation of Euphorion, Rhianus,
and Parthenius: he considered it however an affectation
to use Greek in the senate-house, and if forced to
employ a Greek word , apologised for its use. " His
principal study was the history of the fabulous ages,
inquiring even into its trifling details in a ridiculous
manner ". (Suet. Tib. LXX).
He was well skilled in astronomy, and his constant
companion during his retirement to Rhodes was Thrasyl-
lus the mathematician , who was also with him in
Capri. Tacitus, tells us, that by means of his wonderful
knowledge of astrology, he predicted that Galba would
some day be emperor, using these words in Greeek;
" And thou Galba shalt hereafter taste of Empire \
(Tac. Ann. 6, 20).
4 — Mis companions in Capri.
The old Emperor wearied with the servile adulation
of a crowd of sycophants , and fully convinced of the
treachery and infidelity of mankind in general, naturally
CAPRI UNDER TIBERIUS 69
brought with him to Capri but a slender retinue, and
those all tried friends. Tacitus mentions their names :
Cocceius Nerva, a senator of consular rank, who was
the greatest lawyer of his day in Rome; Sejanus, and
Curtius Atticus, a friend of Ovid who afterwards was
ruined by Sejanus. " The rest were men of letters,
chiefly Greeks, whose conversation might amuse him \
(Tac. Ann. 4. c. 58 and Suet. Tib. LVl). In addition
he had with him Caligula and Gemellus, as well as
Livilla and her daughter Julia, and after A. D. 35 the
wife of Caligula.
5 — His death.
Tiberius expired in the seventy - ninth year of his
age at the Villa of Lucullus at Misenum. Suetonius
says; " He fell ill at Astura: but recovering a little ,
went on to Circeii. And to obviate any suspicion of
his being in a bad state of health, he was not only
present at the sports in the camp, but encountered with
javelins a wild boar, which was let loose in the arena.
Being immediately seized with a pain in the side, and
catching cold upon his over-heating himself in the
exercise, he relapsed into a worse condition than he
was before. He held out, however, for some time,
and sailing as far as Misenum, omitted nothing in his
usual mode of life, not even in his entertainments, and
other gratifications, partly from an ungovernable appe-
tite, and partly to conceal his condition. For Charicles,
a physician, having obtained leave of absence, on his
rising from the table, took his hand to kiss it: upon
which Tiberius, supposing he did it to feel his pulse,
desired him to stay and resume his place, and contin-
ued the entertainment longer than usual. Nor did he
70 THE BOOK OF CAPRI
omit his usual custom of taking his station in the centre
of the apartment, a h'ctor standing by him, while he
took leave of the party by name ". (Suet. Tib. LXXII).
Suetonius quoting from some lost work of Seneca says;
* finding himself dying he took his signet ring off his
finger, and held it a while as if he would deliver it to
somebody, but put it again on his finger, and lay for
some time with his left hand clenched and without
stirring, when suddenly summoning his attendants and
no one answering the call, he rose: but his strength
failling him, he fell down at a short distance from
his bed \ (Suet. Tib. LXXIII).
Tacitus supplies us with the following painful story
oi the termination of a life that seems never to have
been devoid of a tragic strain; " Charicles however had
assured Macro that life was ebbing fast, and could not
outlast two days. Hence the whole court was in a
bustle with consultations, and expresses were despatched
to the generals and armies. On the seventeenth before
the calends of April, he was believed to have finished
his mortal career, having ceased to breathe, and Caligula
in the midst of a great throng of people paying their
congratulations, was already going forth to make a
solemn entrance on the sovereignty, when suddenly a
notice came that " Tiberius had recovered his sight
and voice, and had called for some persons to give
him food to restore him \ The consternation was
universal: the concourse about Caligula dispersed in all
directions, every man affecting sorrow or feigned ignor-
ance: he himself stood fixed in silence, — fallen from
the highest hopes, he now expected the worst. Macro,
undismayed, ordered the old man to be smothered
CAPRI UNDER TIBERIUS 71
with a quantity of clothes, and the doorway to be
closed. Thus Tiberius expired in the seventy-eighth
year of his age ". (Tacitus. Ann. 6, 50).-
The following passage from Baring-Gould , which
is a condensation of the report of Josephus, (Joseph.
Ant. Jud. XVIII. 6-9.) is not without interest, descri-
bing, as it does, the dying Emperor's last meeting with
his grandson and successor Caligula; it also throws a
curious light on the superstitions side of Tiberius; " He
retired to his room feeling weak and exhausted, and
bade Evodius, the most confidential of his freedmen,
bring his two grand-children to him betimes the next
morning. After having given directions, he prayed the
gods to make known to him by some token, which of
the two they destined to succeed him. For the old
man's mind was perplexed, knowing the evil nature
and crazed head of the elder of the princes, and
knowing also how impossible it would be for the boy
Gemellus to maintain himself at the head of affairs.
Accordingly he asked that the sign of the will of the
gods should be, that he who was called to empire,
should first enter his room. Then, so goes the tale, in
his anxiety to control, if possible, the decree of the
gods, he bade the tutor of Gemellus make sure and
bring his charge to him as early as possible. But the
younger boy, dawdling over his meal, was forestalled
by Caligula, who first entered the room of the dying
man. Tiberius received the token with a sad heart ,
and said to Caius, " My son, although Tiberius (Ge-
mellus) is nearer to myself than you are, yet both of
my own choice and in obedience to the gods, 1 com-
mend the empire of Rome into your hands ". Then
72 THE BOOK OF CAPRI
he earnestly adjured the truculent lad to love his young
and unprotected kinsman, and enforced his words by a
solemn warning of the perils of the position to which
he was about to be raised, and the punishments which
the gods send on the ungrateful ". (" Tragedy of the Cae-
sars. " (Baring-Gould, p. 376).
We have from the hand of Suetonius the following
account of the contents of the will of Tiberius. " He
had made about two years before duplicates of his
will, one written by his own hand, and the other by
that of one of his freedmen: and both witnessed by
some persons of mean rank. He appointed his two
grandsons, Caius by Germanicus, and Tiberius by Dru-
sus, joint heirs of his estate ; and upon the death of
one of them, the other to inherit the whole. He gave
likewise many legacies: amongst which were bequests
to the Vestal Virgins, to all the soldiers, and each one
of the people of Rome, and to the Magistrates of the
several quarters of the city ". (Suet. Tib. LXXVI).
6 — His character, and how it was affected by the
disappointments of his life.
In attempting to estimate with rigid fairness and
with a total absence of bias the true character of Ti-
berius, what strikes the intelligent and receptive reader
with most force, is not so much the complexity, the
contradictions, or inconstancies of the character of Ti-
berius, as the manner in which his mind, originally full
of loveable and amiable qualities, was warped and per-
verted by the singularly unfortunate relations with those
on whom he was most dependant , and who were
brought most closely into his inner life.
CAPRI UNDER TIBERIUS 73
The historian of today who is acceptable to the
modern student of history, and who will be capable of
-gaining his confidence, must needs possess, like the
successful palmist or phrenologist, many powers, chief
of which must be the capacity of balancing cause and
effect, he will find that certain conditions on the one
side are balanced or, it may be, over-balanced by cer-
tain conditions of a totally different character, so that
the result we should expect is not arrived at, but a
diametrically opposite conclusion is reached. The stu-
dent of a past day demanded, and was naturally accom-
modated with, a series of historical electric shocks (if
the flippancy of the expression may be pardoned) ;
each leading character was portrayed in brilliant colours,
red or black, with striking vividness, and no uncertainty
of touch. The " dramatis personae " were either para-
gons of every conceivable virtue, or were steeped to
the lips in vitriol streams of abhorrent vice. But it
was indispensable that the vivid colours must, in order
to satisfy the requirements of the student and secure
the fame of the author, be clothed in rich oratorical
English, or in terse clear-cut phrases. To-day the spirit
of analysis and hyper-analysis is rampant. We weigh
and balance motives and actions, and their causes and
effects; to-day the writer of the novel of mental dissection
reaps a rich harvest, and the up-to-date reader turns
with nausea from deeds, exploits, perils, or action, to
the more intellectual, though possibly less healthy study,
of intricate analysis of character. To-day too the icon-
oclast holds high his head, we have thrown down our
old gods, broken them in pieces, and melted their gra-
ven images, and out of the molten mass of our quon-
74 THE BOOK OF CAPRI
dam divinities, have fashioned brand new gods, to whom
we are wilh'ng to bow down and sacrifice.
As a young man, the character of Tiberius was
distinguished by many noble and admirable features ,
which marked him out as a successful leader of men.
He had a strong sense of duty, he was brave, vigorous
and conscientious, and showed an extraordinay aptitude
for affairs. He was accused of pride, but this arose
rather from awkwardness and shyness, and in his actual
conduct of affairs, he showed himself retiring and diffi-
dent, and in his relations with the Senate actually dem-
ocratic. He was over critical and distrustful of others,
feeling no confidence in his power to please, neither
possessing or caring to cultivate the art of winning
approbation, he gave his friendship reluctantly, slowly,
hesitatingly. But like many another shy, critical, sus-
picious man of our own day and acquaintance, when
he had made up his mind to offer his friendship, con-
fidence or love, he gave with all his heart and without
reserve. Having however given with all his heart, and
given the more abundantly, because he resembled the
dull moth, rather than the bright hued butterfly, when he
found his friendship thrown back upon him, repudiated,
and scorned, when he found his love betrayed, and his
motives misjudged, then he retired into himself.
The effect of such an experience on a man poss-
essing the nature we have attributed to Tiberius , may
make him a dangerous vindictive tyrant, with an errand
of revenge against all mankind, or he may become an
agnostic, mystic or cynical misanthrope, who seeks
compensation for his failure to win his fellow-man, in
study, in licence, in cruelty, or in religion. We shall
CAPRI UNDER TIBERIUS 75
endeavour to prove fact by fact, the statements we
have advanced in this brief, and necessarily incomplete
summary, by carefully chosen quotations from writers
of well known reputation, and believe that if the reader
will have the patience to continue this chapter to the
end, his estimate of the character of Tiberius will be ,
if not completely changed , at any rate considerably
modified.
" In estimating Tiberius, we must take into account
the circumstances of his life, and also the character of
the witnesses who have recorded his reign. A Claudian
both on the father' s and on the mother' s side, de-
scended from the Neros to whom , as Horace sang
Rome owed so much, he had' all the pride of his patri-
cian house. He was strong, tall, well-made, with a
fair complexion, and long hair profuse at the back of
his head — a characteristic of the Claudii. He had un-
usually large eyes, and a serious expression. In his youth
he was called * the old man \ so thoughtful was he,
and slow to speak. He had a strong sense of duty ,
and a profound contempt for the multitude. The spirit
of his ancestress , the Claudia who uttered the wish
that her brother were alive again, to lose another fleet
and make the streets of Rome less crowded, had in
some measure descended upon Tiberius. He was, as
the originally Sabine name Nero signified , brave and
vigorous , and had a conspicous aptitude for the con-
duct of affairs. But he was too critical to have implicit
confidence in himself : and he was suspicious of others.
His self-distrust was increased by the circumstance of his
early manhood. His reserved manner, unlike the genial-
ity of his brother Drusus, could not win the affection
76 THE BOOK OF CAPRI
of his stepfather Augustus, who regarded his pecuiarities
as faults: and when he was youug enough to have am-
bition, he was made use of indeed, but he never enjoyed
imperial favour. Kept, when possible, in the second place,
he was always meeting rebuffs. He was forced to divorce
Vipsania and marry Julia,who brought him nothing but
shame. Thus the circumstances of his life, and his re-
lations to his stepfather were calculated to deepen his
reserve, to embitter his feelings, and produce a habit of
dissimulation : so that there is little wonder that a man
of his cold , diffident nature should not have won the
affections of subjects whom he did not deign to concil-
iate. On the other hand his diffidence made him de-
pendent on others, first on Livia, and then on Sejanus,
who proved his evil genius \ C History of Roman Em-
pire \ Bury. Chap. XIII).
Dean Merivale remarks: " He was in fact, one of
those very unamiable men, who subject their conduct
to harsh interpretations from mere perverseness of
temper, and the dislike and distrust they create in the
breasts of those around them \
Baring-Gould adds: " The lack of amiability in Ti-
berius was due to his being self-enclosed : slighted ,
thrust aside in youth and early manhood, he had been ob-
liged to conceal his wounded feelings, and when he was
suddenly elevated to the throne this reserve was so
inveterate that he could not shake it off. He found
himself an object of harsh and spiteful comment, found
himself accused of monstrous crimes of which he was
guiltless, found himself out of harmony with the light-
headed Roman people. Grave, sad, thoughtful, and
sensitive to every form of unkindness he gave umbrage
CAPRI UNDER TIBERIUS 77
to the people because the gladiatorial shows that de-
lighted them bred in him disgust : he offended the no-
bility because he would speak plain homely Latin in
the senate instead Greek, and treated their Hellenisation
of speech and manners and morals with undisguised dis-
dain". ("Tragedy of the Caesars", Baring-Gould, p. 284).
His very unhappy experience of women Baring-
Gould comments on as follows: " Tiberius was brought
into contact with three women in his own family of
remarkable character, against whom he had to contend
in secret, and who conspired to render his life one of
trouble. His wife Julia, dishonored him openly, and
he was unable to resist her secret machinations against
him with her father. His mother Livia, had held him in
bonds, then let him go from under her control , and
then again tried to master him. Lastly, Agrippina his
niece, used all her power, her influence, her position,
to break down the confidence his subjects had in him,
and to alienate their heart from him. When he had her
before him, with her defiant face, her eyes glaring with
anger, her brows knitted, when he heard her deep voice
quiver with ill-suppressed animosity, he felt that she was
the worst enemy with whom he had to contend ".
(" Tragedy of the Caesars \ Baring-Gould, p. 305),
" The pride which so many believed they saw in
his manner — he showed no pride in his conduct— was
due to his natural shyness. . . . His awkwardness of
holding himself and of address was due to the same
cause: in youth he was reprimanded for it, and what
must have hurt him greatly, heard his adopted father
apologise to the senate for it. There can be no ques-
tion but that his wife Julia cast it insultingly in his
78 THE BOOK OF CAPRI
teeth. He was at his ease only among students and
philosophers , or in camp. He never associated with
ladies after his separation from Vipsania. The only
exception to this was his visits to the worthy Antonia,
whom he ever loved and respected for her virtues.
But these visis were infrequent. Perhaps he distrusted
women : he had certainly cause to do so ... , When
he became emperor he knew that all he said and all
he did were turned into mockery and cruelly perverted.
He was driven to shut up his own thoughts and sor-
rows in his own heart. But this sense of being ever
the observed with intent to take occasion against him,
increased his awkwardness \ (" Tragedy of the Cae-
sars % Baring-Gould, p. 379).
The last blow to his faith in mankind came when
Sejanus , whon he had loved and trusted as a friend ,
proved traitor and turned against him, " Now his last,
his only stay was taken from him , and his solitude
was absolute. Every one he had trusted had failed
him. His first wife he had been told had been unfaith-
ful to him : his second wife he knew had been untrue.
His mother had dealt him the cruellest blow conceiv-
able in showing him that Augustus , whom he had
reverenced and loved , had disliked and ridiculed him.
Drusus his own son had caused him anxiety and
then had been suddenly snatched from him. The
senate, the Roman people, for whon he had lived, and
laboured, inspired him with contempt and disgust at
their servility and changeableness. He had trusted Se-
janus, and his friend had proved false — how false he
now had revealed to him, — unexpectedly, to add to his
CAPR[ UNDER TIBERIUS 79
despair and misery \ (" Tragedy of the Caesars ", Bar-
ing-Gould, p. 338).
It would be difficult to close this estimate of the
character of Tiberius more appropriately than by tran-
scribing the following beautiful and comprehensive pas-
sage from the " Tiberius " of Adolp Stahr. " It was
in his own family that misfortune first struck him,
and afterwards pursued him through life. History
shows us no sovereign who was so unhappy in his
domestic relations as was Tiberius. Even as a boy
he was placed in a difficult position , by the separa-
tion of his parents , and by his adoption into the im-
perial family, where he was regarded as an unwelcome
intruder, and was surrounded by the dislike and exposed
to the disrespect of its privileged members. His first
happy marriage was violently broken that a woman
might be forced on him who brought shame and dis-
honour on his head. After this marriage was at an end,
he remained from his thirty-fifth year to the end of his
days unmarried and alone. His only brother , whom
he tenderly loved, the handsome, heroic Drusus, was
taken from him by death. So also his only son , and
he had to learn that the wife of this son had been his
murderess, and further that the daughter of this son
likewise betrayed her husband to Sejanus. His kinsfolk
of the Julian branch, Agrippina and her sons paid him
with black ingratitude for all the care he took of them,
and the unhappy old man had good cause when con-
sidering them , to liken himself, in more than one par-
ticular to Priam. The treachery of Sejanus finally
filled up the picture of measureless misfortune and
sorrow which is revealed to us , when we consider
80 THE BOOK OF CAPRI
this life, and which at moments drew from the restrain-
ed heart of the great sufferer a cry of despair , of
doubt in gods and men. If the gloomy earnestness of
his temper was intensified finally into contempt for
mankind , the only wonder is that this took place so
late \
7 — Our reasons for declining to accept the esti-
mate of the character of Tiberius , as portrayed by
Suetonius and Tacitus.
There is a limit to the credulity even of the stu-
dent of history, and that limit has been reached, when
we are requested to accept without reservation , the
extraordinary contradictions concerning the earlier and
later periods of the reign of Tiberius, as served up to
us by Suetonius and Tacitus. Only two alternatives
are open to us ; either that Tiberius in his later life
became deranged, or else we must reject the accuracy
of the accounts of Suetonius and Tacitus, by showing
that their evidence was tainted by prejudice. " That a
man close on seventy should suddenly change his
habits is incredible , unless we are to assume the exist-
ence of a hideous form of senile dementia , whose
victim is to be pitied rather than condemned \ (" Tibe-
rius the Tyrant " Tarver, p. 422).
" All accounts of the licentious abominations com-
mitted by Tiberius are referred to his life from his
seventy-fourth to his seventy-ninth year, and to a time
when he was suffering from the break-up of his con-
stitution and from continous ill-health. All the scan-
dalous stories refer to the retreat to Capreae. The
Romans could not comprehend how a man should
care to live away from Rome. To be away from the
CAPRI UNDER TIBERIUS 81
capital, its shows, its festivals, its scandal, was to be
out of the world — death were preferable ". (" Tragedy
of the Caesars ", Baring-Gould, p. 348).
" If we accept the stories of Suetonius and Taci-
tus of the dissolute morals of Tiberius in his old age,
then we must suppose that he was deranged. This is
an easy method of reconciling the contradictions of
the historians. But before accepting these stories we
may well ask for some better evidence than Roman
gossip and lampoon, and there is no other on which
the historian and biographer based their charges.
And, before pronouncing Tiberius to have been insane
we must have better grounds to go on than the desire
to save the reputation of Tacitus and his jackal. There
was derangement in the Julian , not in the Claudian
stock \ (" Tragedy of the Caesars \ Baring-Gould,
p. 374).
" For twenty-four years — from the age of forty-
four till he was sixty-eight — he had lived in the midst
of a scandal-loving people, eager to discover a blemish
in the life of a ruler, and nothing had been found in
him that could furnish a paragraph in the " chronique
scandaleuse \ But now that he was gone, accompanied
as before when he went to Rhodes , by a few learned
men, the fervid and foul mind of Rome set to work to
invent every loathsome detail that imagination could
create, and to circulate it as the record of the old man
in his solitary retreat \ (" Tragedy of the Caesars "
Baring-Gould, p. 316).
In weighing the value of legal evidence the first
duty of the lawyer is to examine carefully whether the
testimony of the witness is tainted : whether in other
8
82 THE BOOK OF CAPRI
words, the witness has any known cause for exhibiting
" animus \ for or against the accused. The same rule
applies to the value of historical evidence ; no sane
student of history would seek from an avowed Tory
an impartial estimate of a great Whig leader, or would
expect an ardent Southerner , whose family has been
ruined and brought low by the great war between the
North and South , to paint a flattering or impartial
picture of a Northern chief. Suetonius, it must be re-
membered , wrote fifty or sixty years after the death
of Tiberius , it must also be borne in mind that he
was, as Voltaire says, an " anecdote-collector" or gossip-
monger, and that belonging, as he did, to the Senator-
ial or anti-monarchical party, it was part of his " role "
to represent the Emperors one and all in the least
attractive light.
" Tacitus wrote under the influence of a reaction
against the imperial system , and he lays himself out
to blacken the character of all the Emperors prior to
Nerva. The dark character of Tiberius, and a certain
mystery which surrounded his acts and motives, lent
themselves well to the design of the skilful historian ,
who gathered up all sorts of popular rumours and
stories imparting crime to the exile of Capreae ".
(" Roman Empire " , Bury, Chap. XIII).
Baring-Gould says of Tacitus; " With regard to his
stand-point there can be no question. He viewed the
past from that of the aristocratic-republican party, and
his estimate of the Caesars is unfavourable , because
through them that party was deprived of its influence,
power, and means of accumulating wealth. He indeed
disclaims the intention of writing with partiality, never-
CAPRI UNDER TIBERIUS 83
theless his own feelings were deeply engaged and he wrote
for readers who were members of that oligarchy \ (" Tra-
gedy of Caesars ", Baring-Gould, p. 646). Again quot-
ing from Baring-Gould; " According to the representa-
tions of Tacitus , the life of Tiberius was one of dis-
simulation till he reached the age of seventy-three:
first , because he feared Augustus : secondly , because
he feared his mother Livia ; thirdly, because he feared
his favourite minister Sejanus. The theory carries
absurdity on its face : nevertheless Tacitus adopted it
for want of a better , and set to work to accomodate
facts to fit into this theory. The manner in which he
does so is more ingenious than honest ". (" Tragedy of
the Caesars ", Baring-Gould, p. 650).
In addition to this we know Tacitus had access
to the memoires of Agrippina, the younger , the daugh-
ter of Agrippina the wife of Germanicus , who doubt-
less draws her information from Agrippina the elder,
whose " bitter animosit/ against the memory of Tibe-
rius and all members of the Claudian stock not closely
related to herself, is well known ". (" Tiberius the Ty-
rant ", Tarver p. 266).
One of the scandals at Capri was the presence of
a number of young people of both sexes: but in this
fact there is nothing that should arouse in the unpre-
judiced mind the least ground for suspicion. Owing
to his position as Emperor, Tiberius was guardian to
many children, and it was according to Roman custom
that these children should accompany, and be educated
under his eye and personal supervision.
In addition to these wards of the Empire " Tibe-
rius had brought to Capreae the two boys, Caligula
84 THE BOOK OF CAPRI
and Gemellus , to live there under his supervision.
Moreover , there resided with him in his villa , both
Lavilla and her daughter Julia; also, after A. D. 35,
the young wife of Caligula. Is it conceivable that the
old man should have surrounded himself with his young
relatives to witness his debauches ? " (" Tragedy of
Caesars \ Baring-Gould, pp. 348 349).
The later exponents of Christianity in order to
present a vivid and striking contrast between the purity
of Chistianity and the turgid lust and licence of the
Empire, distorted into evil, and collected all the incrim-
inating details in regard to the Roman Emperors.
" Tiberius himself had in this aspect the misfortune to
be the contemporary of the founder of Christianity ,
and in the idle tales of Suetonius and the studied ma-
lignity of Tacitus an opportunity was found for start-
ing the contrast from the commencement ". (" Tibe-
rius the Tyrant ", Tarver, p. 430).
The first to throw doubt on the disagreable nar-
ratives of cruelty and licence supposed to have been
indulged in by Tiberius during his sojourn at Capri
was Voltaire. " I have often said to myself, in reading
Tacitus and Suetonius: are all these atrocious extrava-
gances attributed to Tiberius , Caligula , Nero, actual
facts ? Can 1 believe on the testimony of one man, who
lived a long time after Tiberius, that the emperor, when
nearly eighty years old, who had lived a life decent to
austerity,-that this emperor spent his time at Capri in
debauches which would make a young rake blush ?.
Can I be sure that he changed the throne of the world
into a common stew in a manner unknown to the
most dissolute youths? The abominations related of
CAPRI UNDER TIBERIUS 85
him are in their nature incredible. An old man, an
emperor observed of all who approach him , with the
eyes of the whole world fixed searchingly upon him ,
is he to to be accused of such inconceivable infamy
without proper evidence? Where are the proofs pro-
duced by Suetonius ? There are none. Who has ever
seen an old judge, chancellor, king, assemble about
him a hundred attendants to partake with him in such
abominable orgies, to be an object of ridicule, of con-
tempt to them ? The hard and crafty Tiberius was
execrated: and because in his advanced old age he re-
ired to Capri, it was at once alleged that he had gone
there to devote himself to the most unworthy debau-
ches I presume that the malicious Tacitus, and that
anecdote-collector Suetonius, tasted supreme satisfaction
in decrying their masters at a time when nobody
troubled himself to discuss the truth of what was told.
Our copyists of all countries have repeated these base-
less tales. They resemble not a little the historians
of the Middle Ages who followed the dreams of the
monks. These latter blasted the reputations of all the
princes who did not give them largess, and so Tacitus
and Suetonius set themselves to render odious the
whole family of the oppressor Octavius \ (" Le
Pyrrhonisme de I'histoire \ Oeuvres de Voltaire).
Those who would make themselves more fully in-
formed, as to the evidence that exists, to doubt the
truthfulness of the testimony of Tacitus against Tibe-
rius, should consult the works of three very competent
scholars: — Sievers — " Studien zur Geschichte der Ro-
mischen Kaiser"; Freytag — " Tiberius und Tacitus "; —
Stahr — " Tiberius \
86 THE BOOK OF CAPRI
8 — Conclusions arrived at from a study of the
busts, cameos, and reliefs of Tiberius.
Attempting, as we have been, throughout this chap-
ter to gather every tittle of evidence that may throw a
gleam of light on the very contradictory qualities of
the character of Tiberius, it would be manifestly unjust
and incomplete on our part to ignore the evidence of
the numerous busts, which are known to us. The study
of phrenology and physiognomy has long emerged
from the empiric stage, and deserves now to be con-
sidered as a science. There are in existence and known
to us over forty busts of Tiberius, but while examining
and comparing the prominent features conspicuous in
each, the student must be careful not to accept blindly
and without discrimination and comparison every so-
called bust of Tiberius. For instance there is consider-
able doubt as to the authenticity of the so called veiled
bust of Tiberius as Pontifex Maximus or Augur , now
in the British Museum, and which was found in Capri
and sold to the Governors of the British Museum in
1873. This bust differs in so many respects, especially
in the chin and lower face, and has indeed so few
points of resemblance in common with the undoubted
busts or statues of the Emperor, that to say the least,
it would be most rash to draw any inference of cha-
racter therefrom.
" In comparing the portraits of Augustus and Ti-
berius ", says M. Mayor, " we observe essential dif-
ferences. The skull of Tiberius is squarer. The expres-
sion is less false, less cunning, but much more power-
ful. The width between the parietal bones — great in
Augustus — is enormous in Tiberius. The nose is
CAPRI UNDER TIBERIUS 87
larger, stronger in structure, more blunted. The jaw
is more powerful, more salient. The ears heavier and
more projecting. The chin well marked , with a
dent ^
Bernoulli , the greatest authority on Roman por-
traiture says; " About the delicate mouth plays a smile
of superiority, whilst, perhaps hard thoughts slumber
under the brow. The preponderating expression in
the face is one of nobility, far removed from indicating
such a character as Tacitus described ".
Baring-Gould remarks; " There remain over forty
statues and busts of Tiberius, and we are able to form
a very tolerable conception of the appearance of the
emperor when in his prime of vigour and beauty.
They all show us a singulary broad brow, lofty, the
forehead advancing. The nose is finely moulded and
thin, well bridged; the face wide at the cheek-bones ,
but thence rapidly narrowing to a small chin. The
mouth is refined and beautiful, drawn back between the
nose and projecting chin. The skull is flat, or with a
very low arch, and in this it is as different as possible
from the head of Julius Caesar. The flatness of the
skull is sometimes disguised by the hair being heaped
up on the top, or by a civic crown. The width in the
head of Caesar was between the ears; that in Tiberius
is between the temples. The brows are not arched but
straight, except in early years. There was no attempt
made by the artists to Grecise the face of Tiberius ,
which diverges widely from the Greek type of beauty.
He was represented in the fullness of manhood long
after he had begun to be old, but no attempt was
made to rectify the angles of his face, and to straighten
88 THE BOOK OF CAPRI
his nose into line with the brow. The lower h'p re-
treats, and is small. There is no projection of the
upper lip. Indeed the breadth of brow, the rapid nar-
rowing to the small chin, and the peculiar mouth are
the three characteristics of the head of Tiberius that
distinguish it ". ("Tragedy of the Caesars", Baring-Gould,
p. 378). .
CHAPTER VII.
Capri in the Middle Ages ; and more recent times.
After the death of Tiberius, Capri instead of being
the favourite and play thing of Emperors, became for
many centuries the happy hunting-ground of Corsairs.
It is true that occasional flashes of royal distinction
shone upon her shores , but they were brief and tran-
sient ; for instance , the Emperor Caligula at the age
of twenty, assumed the manly " toga " and shaved his
head at Capri on the same day. (Suet. Cal. Chap. XI).
We learn from Dion, that the Emperor Commodus
sent his wife Crispina, and his sister Lucilla, as exiles
to Capri, which may or may not be taken as a com-
plement to the island: the supposed remains of the
said Lucilla were found in 1890 in a sarcophagus,
which may now be seen at the Hotel Qrotte Bleue.
(See Chapter ' Site of old City ").
Upon the fall of the Western Empire , the island
of Capri was joined to the territory of Sorrento, which
was itself subject to the Dukes of Naples.
The first written mention of the island in Christian
times occurs in the sixth Century, when we learn that
90 THE BOOK OF CAPRI
during the pontificate of Gregory the Great, a monas-
tery of the monks of Monte Cassino was in existence
at Capri. The Pope reported to John, Bishop of Sor-
rento, the petition of one Savino, who sought to de-
posit the remains of St. Agatha in his monastery, which
was dedicated to St. Stephen. (Mang. Ric. Stor. p. 490).
In the year 812 a fleet of forty Saracen vessels
entered the Bay of Naples, and ravaged that city and
the adjacent towns. (Mang. Ric. Stor. p. 312). It is
probable that Capri did not escape this predatory ex-
pedition, and from this time until the begining of the
19th Century, our unhappy island knew no respite
from the ravages of pirates, who under the various
names of Saracens, Moors, Turks, or Barbary Corsairs,
sometimes in alliance with one naval power, and some-
times with another , ravaged the Mediteranean from
east to west, and were a constant terror to the towns
and villages fringing the coast, and still more to the
unprotected islands. The Saracens had established col-
onies in Sicily in 828 , which till then had been sub-
ject to the Greek Empire , and a few years later
passed over into Southern Italy. About the year 860
the Saracens established themselves at the Acropolis,
an ancient castle about five miles to the south
of Paestum. This spot had all the requisites for a
pirate stronghold, it was strong by nature, and still fur-
ther strengthened by walls and towers. There was good
anchorage, the air was pure and healthy , there was
plenty of water, and ample supplies of necessary pro-
visions could be obtained from the fertile regions in the
rear, while the sea teemed with fish. The Saracens ren-
dered the place impregnable, filled it with desperadoes.
CAPRI IN THE MIDDLE AGES ; AND MORE RECENT TIMES 91
and it remained till 915 a menace to the coast for
many miles around. (Mang. Ric. Stor. p. 329-334).
We now come to 868; in this year Servius Duke
of Naples , having imprisoned his uncle Athanasius ,
Bishop of Naples, in the Castello dell' Uovo, the Em-
peror directed Marino , Doge of Amalfi , to proceed
with a fleet to Naples and rescue the incarcerated Bish-
op. A fierce encounter took place between the Nea-
politans and the Amalfitans: the latter finally succeeded
in liberating Athanasius , and conducted him to Sor-
rento. As a reward for this important service the island
of Capri was transferred to the Doge of Amalfi.
( " Storia di Amalfi " Vol. 1 p. 37 ). it is necessary
here to remind the reader , who merely remembers
Amalfi, as an insignificant town infested by importunate
beggars , that at the period of which we are treating
it was a republic of great strength and importance,
ruled over by a Doge. The following account from
Gibbon's " Decline and Fall of the Roman Empire ",
gives the fullest and most convincing proof of the po-
sition occupied by Amalfi ; " Fifty thousand citizens were
numbered in the walls of Amalfi ; nor was any city
more abundantly provided with gold , silver , and the
objects of precious luxury. The mariners who swarmed
in her port , excelled in the theory and practice of
navigation and astronomy : and the discovery of the
compass, which has opened the globe, is due to their
ingenuity or good fortune. Their trade was extended
to the coasts, or at least to the commodities of Africa,
Arabia, and India: and their settlements in Constanti-
nople, Antioch, Jerusalem and Alexandria, acquired the
privileges of independant colonies. ( " Roman Empire ".
92 THE BOOK OF CAPRI
Gibbon, Vol. V p. 463 ). This passage from Gibbon
may well be supplemented by the following lines from
" Sketches in Italy " by John Addington Symonds. " Be-
tween the year 839 A. D., when Amalfi freed itself
from the control of Naples and the yoke of Benevento,
and the year 1131 , when Roger of Hautville incorpo-
rated the republic in his kingdom of the Two Sicilies,
this city was the foremost naval and commercial port
of Italy. The burghers of Amalfi elected their own
doge : founded the Hospital of Jerusalem, whence sprang
the knightly order of St. John : gave their name to the
richest quarter of Palermo : and owned trading establish-
ments or factories in all the chief cities of the Levant.
Their gold coinage of " tari " formed the standard of
currency before the Florentines had stamped the lily
and St. John upon the Tuscan florin. Their shipping
regulations supplied Europe with a code of maritime
laws. Their scholars, in the darkest depth of the dark
ages , prized and conned a famous copy of the Pan-
dects of Justinian : and their seamen deserved the fame
of having first used, if they did not actually invent, the
compass \
In 920 a bloody naval battle took place in the
Gulf of Naples between the Neapolitans and Saracens,
in which the latter were beaten, their ships destroyed,
and the greater part of them made prisoners. One of
the Saracen ships attempted to take refuge at Capri ,
but the sturdy islanders captured the vessel , and put
every pirate to the sword. (Mang. Ric. Stor. p. 339).
In the early part of the year 1000 there arrived at
Salerno and afterwards in Apulia, Norman adventurers
under Roger XII , the last of the sons of Tancred ,
CAPRI IN THE MIDDLE AGES ; AND MORE RECENT TIMES 93
whose youth beauty and elegance of manners sec-
ured for him the love of his soldiers. " In the first
attempt Roger braved in an open boat the real and
fancied dangers of Scylla and Carybdis: landed with
only sixty soldiers on a hostile shore, drove the Sara-
cens to the gates of Messina, and safely returned with
the spoils of the adjacent country \ (Gibbon, Vol. V.
p. 464). At the siege of Irani, 300 Normans withstood
and repulsed the forces of the island, and on the field
of Ceramio, 50,000 horse and foot were overwhelmed
by 136 Christian soldiers. In 1041 the Normans con-
quered Apulia, in 1060 Calabria, and from 1061-1090
Sicily, in all which deeds of prowess Roger was sec-
onded and assisted by the zeal and policy of his bro-
ther Guiscard. In 1131 Amalfi surrendered to the
Normans, and in 1138 the city of Naples, though in
turn helped by the Emperor of Germany and the re-
public of Pisa, was forced to surrender to the Normans.
C Italian Republics \ Sismondi , pp. 27. 28). Local
chroniclers tell us that the Caprese not wishing to
submit to the Normans, retreated to the castle of
Barbarossa, where they withstood a siege ; but were at
last obliged to capitulate from want of provisions.
(Mang. Ric. Stor. p. 351).
The Sicilian Vespers, March 30 1282, engineered
by John of Procida , took place at Palermo. Every
town in Sicily followed the example of Palermo. The
tyranny of Charles of Anjou and the Guelphs was
overthrown , and the kingdom of Sicily was separated
from that of Naples. After a war of twenty years,
the crown of Sicily was transferred to don Pedro of
Arragon , son-in-law of Manfred , who was considered
94 THE BOOK OF CAPRI
the heir to the house of Hohenstaufen , while Naples
continued to be ruled by the house of Anjou. (Gibbon
Vol. VI, pp. 164-166).
" Charles of Anjou, the first French king of the
two Sicilies , survived the Sicilian Vespers only three
years. He died on January 7, 1285. At this period
his son Charles II was a prisoner in the hands of the
Sicilians: he was set at liberty in 1288, in persuance
of a treaty, by which he acknowledged the separation
and independance of the two crowns of Naples and
Sicily. The first was assigned to the Guelphs and the
house of Anjou , the second to the Gibellines and the
house of Arragon. Chads II however broke his oath ,
and the war between Naples and Sicily was renewed
and lasted twenty four years \ (" Italian Republics \
Sismondi, p. 104). In the course of this war Capri
was attacked by a Sicilian fleet under Bernardo di
Sarriano, who captured the island, and leaving a small
garrison attacked and captured also the adjoining island
of Procida : both islands were however soon afterwards
restored to Charles II. (Mang. Ric. Stor. 353,354). The
islanders proved themselves loyal and devoted to the
king, who having regard to the sterility and poverty
of the island, by a Decree of Dec. 20th 1299 exempted
them from the payment of all royal dues. (Mang. Ric.
Stor. p. 354).
In 1309 Robert the " Wise " succeeded Charles as
King of Naples , and confirmed to the Caprese their
privileges of exemption by a Decree dated Aug. 20
1330. As famine prevailed and starvation was immi-
nent, the King permitted them to import from the
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 95
mainland 346,00 kilogrammes of grain yearly. (Mang.
Ric. Stor. p. 355).
The next sovereign of Naples was Joanna I, daughter
of Charles Duke of Calabria, and niece of Robert.
In recognition of the loyalty and devotion of the
islanders to her house, their usefulness to the arsenal
of Naples in repairing ships , and the sterility of the
island, which at that time was always on the brink of
a famine, (even today it is far from self-supporting).
Queen Joanna by a Decree of Feb. 7 1344, exempted
the Caprese from the laws which prohibited the im-
portation of grain from the mainland. (Mang. Ric. Stor.
p. 356). Giacomi Arcucci , Count of Minervino and
Altamura, who was the most notable resident in Capri,
and was Queen Joanna's Secretary and Chamberlain,
having made a vow to found a Monastery of Carthu-
sians on the island , (probably as slight palliation for
his sins , for the Court of Naples was at that time
extremly gay) Queen Joanna lent him her assistance
in every way, and by a Deed of May 1st 1371 granted
considerable tracts of the richest land on the island, to
the use of his newly founded Monastery of Certosa.
(Mang. Ric. Stor. pp. 356 & 357).
in 1386 Ladislaus , being at that time only ten
years old, succeeded to the throne of Naples; but his
claims were contested by Louis 11 of Anjou. " The
war between the two aspirants ruined the kingdom of
Naples during the latter part of the 14th century, and
destroyed its influence over the rest of Italy. It was
not till 1399 that Ladislaus succeeded in driving out
the princes of Anjou , and subduing the kingdom \
(" Italian Republics. " Sismondi, p. 210). During his
96 • THE BOOK OF CAPRI
reign the guard of the castle of Capri mutinied , and
attempted to murder the commandant and escape from
the island , the islanders (who it will be remarked
always had an eye to the main chance) informed the
Governor of the conspiracy, which consequently proved
abortive. To reward the Caprese for their action on
this occasion, the King by a Decree, dated March 12
1408, exempted them from the payment of taxes and
exactions of all kinds. (Mang. Ric. Stor. p. 358).
In 1414 Joanna 11 ascended the throne of Naples,
and by a Decree of Sept. 18 1414, and by a further
Decree in 1428, (the previous one having been lost),
ratified and renewed the privileges granted to Capri.
(Mang. Ric. Stor. p. 359).
On the death of Joanna 11, Renato of Anjou, who
had been nominated by Joanna , succeeded in 1435.
The Barons of Naples favoured the claims of Alfonso,
and as usual in these stormy times, war between Re-
nato and Alfonso was the result. During this war a
priest of Capri went to the camp of Alfonso at Capua,
and offered him the allegiance of the island of Capri.
Alfonso accepted, and sent six galleys to take possess-
ion of the island. A short time after a vessel reached
Capri from France, having on board 80,000 scudi for
Renato, and the Captain being unaware of the political
change of heart that had moved the Caprese, landed,
whereupon the islanders seized the treasure , and sent
it to Alfonso. (Canale p. 206 and Mang. Ric. Stor. p. 362).
The capture of so large a treasure was disastrous to
Renato, who was in sore straits for money to satisfy
his soldiers, whose pay was already in arrear. Alfonso
on the other hand greatly benefited by this wind-fall;
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 97
he renewed his efforts to capture Naples, and on June
2nd 1442 succeeded in entering the city through an
acqueduct.
Alfonso 1 was succeeded by Ferdinand , who in
1482 again ratified the privileges conferred on the
island. By a further Decree of 1491 he ordered that
the fees received by the Mastrodattia, of the two Com-
munes of Capri and Anacapri should be expended on
the restoration of the walls of the town of Capri.
(Mang. Ric. Stor. p. 366).
Alfonso II followed Ferdinand : this sovereign by a
Decree of May 15 1494 not only ratified their former
privileges , but granted them still further exemptions.
The reign of Alfonso 11 was of short duration , for
being threatened by Charles Vlll of France, he fled to
Sicily, and abdicated in favour of his son Ferdinand II.
(Mang. Ric. Stor. p. 367).
Ferdinand II was succeeded by Frederick of Ar-
ragon, son of Ferdinand I. This sovereign, recognising
the greivances of the people of Anacapri , who were
oppressed by the people of Capri, by a Decree dated
Oct. 24 1496 separated the government of the two
Communes, and ordered that all disputes arising between
them should be referred for decision to the courts of
Naples, and conferred on the people of Anacapri (called
in the Decree " Donnacapri ") all the privileges and im-
munities enjoyed by the inhabitants of Ischia and
Procida. Frederick was attacked by the Kings of France
and Spain, was forced to take flight to Ischia, and sur-
rendered to Louis, by whom he was sent to Tours,
in which city he died in exile in 1504, and with him
perished the House of Arragon. (Mang. Ric. Stor. pp.
9
98 THE BOOK OF CAPRI
370, 371). Hostilities at once broke out between the
French and Spaniards. The French army was entirely
destroyed on June 19 1502 at the battle of Atripalda,
and by the surrender of Gaeta to Gonzales on Jan.
1st 1504, the whole kingdom of Naples, like Sicily,
became a Spanish possession. (" Italian Republics \
Sismondi pp. 301, 302).
In 1507 Ferdinand of Spain ratified the privileges
and immunities granted to Capri. He died in 1516 and
Charles, Archduke of Austria, became sovereign of the
kingdom of Naples. (Mang. Ric. Stor. p. 372). During
the reign of the Austrians the government of Naples
and the Gulf was entrusted to Viceroys. The people
of Capri seem to have been always docile and faithful
to whatever ruling power was in the ascendant, and
were rewarded for their pliancy by special protection ,
immunities, and exemptions.
The local chroniclers say that in 1535 the famous
Barbary Corsair Barbarossa, Kheyr-ed-din, at that time
Admiral of the fleet of Solyman the Magnificent, ente-
red the Gulf of Naples with a huge fleet , and spread
ruin and devastation all along the coast, and that among
other places Capri was attacked. (Man, Ric. Stor. p.
375). The Barbary Corsairs play so important part in
the wars of these times and affect so seriously the bal-
ance of power along the whole coast of the Mediter-
ranean, that some short account should here be given
of their rise and power, and of the career of their
greatest leader, and most romantic figure, Barbarossa,
Kheyrd-ed-din. When Ferdinand and Isabella drove the
Spanish Moors from Granada, thousands of desperate
Moors left Spain, and unwilling to live under the Span-
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 99
ish rule, crossed over to Africa, where they estabh'shed
themselves at various points, but notably at Algiers.
The Barbary coast which extended from Tangier to
Tripoli , was just the coast line most suitable for the
operations of pirates. The map shows a series of
natural harbours , at the back of which were often
lagunes, specially fitted for the escape of light draught
vessels; " the mountains rose steep and high near the
coast, so that the Corsairs could sight the vessels to
be attacked a long way out to sea , and thus give
notice of a prize, or warning of an enemy " ; in addition
to these desiderata for a pirate Eldorado, " the coast
was visited by terrible gales , which while avoidable by
those who had experience and knew where to run, were
fatal to the unwary, and foiled many an attack of the
avenging enemy \ ( " Barbary Corsairs \ Lane-Poole,
pp. 16 to 21).
Undoubtedly the greatest of the Corsairs was
Kheyr-ed-din, the Barbarossa of modern writers, though
he was never so called by Turks or Moors. While
endowed with marvellous courage and determination,
" he was gifted with prudent and statesmanlike intelli-
gence, which led him to greater enterprises (than his
brother) though not to more daring exploits. He meas-
ured the risk by the end , and never exposed himself
needlessly to the hazard of defeat ; but when he saw
his way clear, none struck harder or more effectual
blows ". " (Barbary Corsairs \ Lane-Poole, pp. 53,
54). Everything that Kheyr-ed-din undertook succeed-
ed. His fleet increased month by month, till he had
36 galleots perpetually cruising about in search of
victims. The foundries of Algiers were constantly kept
100 THE BOOK OF CAPRI
employed to supply his fleet, and seven thousand Chris-
tian slaves laboured to strengthen the defences of the
harbour, Soleyman the Magnificent saw the necessity
for a combination with the Turkish Corsairs, who by
the capture of Algiers, and the establishment of numer-
ous garrisons on the Barbary coast, held the command
of the western basin of the Mediterranean. According-
ly Kheyr-ed-din received the Imperial command to pre-
sent himself at Constantinople. He was not however
inclined to weaken his importance in the Sultan's eyes
by a too ready compliance with his orders. It was
not till 1533 that having appointed Hasan Aga, a Sar-
dinian eunuch, to be his Viceroy, Kheyr-ed-din set sail
from Algiers, and arrived in due course at the Golden
Horn, where he was enthusiastically received and ap-
pointed to reconstruct the Ottoman navy. He found
that the Turks of Constantinople were ignorant of how
to build or work their own galleys. During the winter
he built sixty one galleys, and in the following spring
(1534) was able to take the sea with a fleet of eighty
four vessels: entering the straits of Messina , he sur-
prised Reggio. (Barbary Corsair. Lane-Poole, pp. 76-86).
It was during this raid, which ended in the capture of
Tunis, that Kheyr-ed-din ravaged the Bay of Naples ,
and as local historians relate, landed at Capri, where
he destroyed the most formidable fortress on the island,
which since that time has borne the name of Barba-
rossa. It is also said that during this attack on Capri,
the ancient walls of the city were finally destroyed,
and many of the inhabitants abandoned entirely their
island, and fled to the mainland. (Mang. Ric. Stor.
p. 376).
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 101
The Viceroy, Pietro di Toledo, after this disas-
trous attack by the Corsairs permitted the Caprese
to keep and bear arms, because, " owing to the per-
petual incursions of barbarians, they were compelled
to stand always to arms to defend their lives and
property from their voracity ". (Man. Ric. Stor.
p. 377).
In the year 1656 Naples was visited by the Plague,
which was imported by a ship of Sardinia: in a
short time the scourge spread to Gaeta , Sorrento ,
Paola, and to the provinces of Otranto and Calabria;
it is said that during six months 300,000 persons
died of this dread disease. The Plague was intro-
duced into Capri in the following manner; a young
lady of the noble family of Morcaldi, having died of
the disease in Naples, her family sent a tress of her
hair and some articles of clothing to her relations
in Capri, which the ignorant and careless guards per-
mitted to be landed. At first the Plague attacked
only the poorer classes, but soon the rich also were
infected. Physicians and medicine could not be ob-
tained , so that the malady spread unchecked, until
the whole island was attacked. The only persons
who escaped from the awful visitation were the monks
of Certosa, who on the first appearance of the Plague,
with inconceivable cowardice and selfishness, shut
themselves up in their monastery, and communicated
with none outside its walls. The deaths were so
numerous that it was found impossible to provide
any sort of decent burial, and the corpses were left
where they died, exposed to the elements , and the
"ravages of beasts. " From this scourge perished the
102 THE BOOK OF CAPRI
greater part of the inhabitants as well as the princi-
pal people of the island, and all the priests. (Mang.
Ric. Stor. pp. 378-382). Many families who owned
land were exterminated , and the Carthusian monks,
who were strong and hearty, having taken excellent
care of themselves inside their monastery walls, prompt-
ly absorbed these unclaimed lands , and so became
possessed of the larger and richer part of the island.
Under Charles II of Spain, the privileges that the
Caprese had enjoyed under previous rulers were con-
firmed, but instead of a civic governor annually ap-
pointed, a military officer was sent to rule Capri (1670),
assisted by an assessor learned in the civil law. This
apparent benefit, turned out however to be really a
grievance, for the assessor resided in Naples , and it
was necessary for those engaged in law suits to go
themselves to Naples, which was often impossible owing
to bad weather, and in any case increased the cost of
litigation. (Mang. Ric. Stor. p. 385, 386).
In 1734 Charles Bourbon , son of Philip V, of
Spain, ascended the throne of Naples; the rule of the
Bourbons began, and Charles by right of birth and
conquest, ruled over the two Sicilies. The attacks of
Turkish Corsairs were even at this time a constant
menace, and during this reign the defence of the island
was better organised, for guards were placed to watch
the various landing-places, and a system of signals was
arranged by which the armed Caprese could be con-
centrated at any given point. A large supply of pro-
visions was stored both in the village of Capri , and
also at Anacapri, at the public expense , so that during
the stormy months of winter, when intercourse with
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 103
the mainland was interrupted, the islanders might not
suffer from famine. (Mang. Ric. Stor. p. 388, 389)
The Bourbons were from the first notable patrons of
the arts, and collectors of the rare and beautiful. Charles
caused the foundations of Villa Jovis to be excava-
ted, and presented to the Cathedral of Capri a magnif-
icent pavement of variously coloured marbles found
in a subterranean chamber there. (Mang. Ric. Stor.
p. 390. See also Chapter, Villa Jovis).
Ferdinand IV, the son and successor of Charles ,
often visited the island for quail hunting. He encour-
aged the preservation of this sporting little bird, and
offered rewards for the destruction of the snakes which
destroyed their eggs. During his. hunting trips to Capri,
Ferdinand made the Palazzo Inglese his headquar-
ters. The king frequently held reviews of the local
militia of the island, which was not subject to military
service outside the island. Here is a description. of one
of these reviews, by Hadrava; " Every year there is a
parade during which every one of the arms-bearing
population must present himself with his gun, and am-
munition consisting of three balls and a half pound of
gun powder. Once I was present at this beatiful ce-
remony , at which 1 saw guns without any barrels,
which with the powder and balls were borrowed from
the old men. This review takes place in the spring,
usually on the day of San Costanzo, and after dinner,
as at that hour the men exhibit more vigour and mil-
itary ardour ". (Had. Letter XXXVIII).
In 1758 both the towns of Capri and Anacapri
sent a petition to the King, begging him to replace the
military by a civil governor, thus putting an end to
104 THE BOOK OF CAPRI
the expensive and prolonged litigation consequent on
the judge's residence in Naples : this petition was not
brought to the attention of the King till 1764 and in
November of that year, to the satisfaction of the people,
the military governor was removed, and as in earlier
times, Capri was ruled by a civil magistrate, it seems
that the Caprese, then as now, were somewhat whim-
sical, for in 1782 (only eighteen later) a demonstration
was made against the then Governor, Doctor Marcello
de Angelis, at which Hadrava was present, and describes
in the following formal and conscientious manner;
" The Governor and a crowd of Capriots awaited
the landing of the King and his party, the Governor had
learned a set speech, with which he intended to wel-
come his Majesty to Capri: but on the stepping ashore
of the King, the cries and laments of the men and wo-
men drowned his voice, and finally he was thrust aside
by several of the islanders, who drew from their breasts
bread, broke it , and exhibited its bad quality to the
King. Then they poured forth their complaints against
the Governor, specifying his crimes and tyranny , and
implored that they might be freed from this monster in
human shape. The King , at the time , took no notice
of these complaints, but during his stay on the island
made enquiries, and on the day of his departure had
the Governor arrested, and sent him for trial to Naples,
amid the hearty applause of the delighted people \ (Had.
Letter III).
The people of Capri represented that they were a
military people, and could only be controlled by a
military man , and therefore prayed his Majesty to re-
CAPRI IN THE MIDDLE AGES; AND MQRE RECENT TIMES 105
Store to them their mihtary chief. This the King con-
sented to do, and appointed Emmanuele Diversi as
military governor. The following year however (1783)
the town of Anacapri protested against his misrule ,
alledging that living as he did in Capri , he favoured
the people of that Commune to the disadvantage of
the more remote mountaineers of Anacapri. Capri on
the other hand was perfectly satisfied with the governor's
alledged one-sided justice. The matter came for trial
before the court of Salerno, which decided that not only
should a military governor reside on the island , and
be appointed annually but that a civil governor should
also be sent to Capri, that he should reside permanently
on the island to administer civil affairs , and that all
his expenses should be defrayed by the two Communes.
Which was rather like the judgement of Solomon !
(Mang. Ric. Stor. p. 396 & 397). " From this time
elected governors were sent out from Naples , who
governed the inhabitants zealously and righteously, and
every petition presented to them was promptly listened
to and considered \ (Mang. Ric. Stor. p. 400).
In 1775 Doctor Giraldi, an Italian, went to Capri
and caused excavations to be made to a depth of three
or four feet , but found little of any importance , he
collected however from the peasants all the antiquities
which they had found in cultivating their vineyards ,
and wrote a short descriptive account of the island
and his stay there: the most interesting part of his
manuscript refers to the flora of Capri. (" Capri " Mac-
kowen, p. 86).
in 1776 Monsignor Gamboni became Bishop of
Capri. "* In addition to forming a seminary for train-
106 THE BOOK OF CAPRI
ing young men for the priesthood , he established
four other schools, one of which was devoted to agri-
culture , and instruction in naval affairs. He also
formed a school for girls, in which they were taught
not only reading and writing but also how to prepare
silk, so that it could be sold as ribands and scarfs \
(Capri. Mackowen. p. 87).
For the period of the French and English occu-
pation of Capri, consult Book ill, Chapter. 1.
In 1815 the Bourbons resumed the reins of gov-
ernment , and the old order namely, a civil and mili-
tary governor , was restored. During the reign of
Ferdinand I, and his successors, Francis I, and Ferdi-
nand II, much attention was paid to the cultivation of
the vine. Choice and selected vines were planted, and
great care bestowed on the manufacture of the wine ,
so that " to this day (1834) the wine is much es-
teemed, and in great demand for its singular fullness
and delicacy \ (Mang. Ric. Stor. p. 429).
Much attention was also given to the improvement
in quantity and quality of olive oil. Bishop Gamboni
having been compelled, on account of political troub-
les in 1799, to seek refuge in North Italy, the school
which he had formed was closed. In 1818 the Bish-
opric of Capri was abolished, and the island came
under the ecclesiastical jurisdiction of the Bishop of
Sorrento.
Under the later Bourbon kings Capri was used as
a place of exile, and both criminals, and political pri-
soners were sent to its shores.
CAPRI IN THE MIDDLE AGES; AND MORE RECENT TIMES 107
A hospital for invalid soldiers was also formed in
the Convent of Santa Teresa , but was subsequently
removed to Massa.
" In 1848 a terrible disaster occurred, which al-
most ruined the land-owners and peasants. A disease
infected the vines, and so great was the damage done
that in 1850 not a single barrel of wine was made on
the island ". (Capri. Mackowen. p. 114).
PART II.
CHAPTER 1.
Construction of Roman masonry and pavements.
" The methods of building walls in Rome may be
classified thus ;
1. " Opus quadratum % that is rectangular blocks
of stone set either with, or without mortar.
2. * Concrete", either unfaced, or faced.
These two main classes really include the whole
system of building employed in ancient Rome. The
usual classification , which makes " opus incertum "
" opus reticulatum " and " opus testaceum " or brick,
distinct methods of construction like " opus quadratum "
is wholly misleading, as they are merely used as thin
facings to concrete " walls ". (" Remains of Ancient
Rome ". Middleton, vol. 1 p. 37). In the " opus qua-
dratum ' at first tufa was the only material, but soon
the harder * peperino " was employed. The use of
mortar was introduced at a very remote period, both
in Greece and Rome. The length of the blocks, as a
rule varies. Travertine was probably not much used,
before the first century B. C. " When used for walls,
110 THE BOOK OF CAPRI
it was not cut into regular courses , as the tufa and
peperino biocl^s usually were, but was wori<ed up so
as to involve as little labour as possible, and the least
amount of waste, being both much harder and more
valuable than tufa or even peperino ". (" Remains of
Ancient Rome \ Middleton, vol. I, p, 40).
Concrete; " structura caementitia ". " The most
striking feature in the construction of the buildings of
ancient Rome, is the extensive use of concrete for the
most varied purposes. (Vitruvius VI, 8, 9,). " Immense
beds of pozzolana exist over the Campagna (and also
in various parts of Capri), and when mixed with lime
has tlie peculiar property of forming a sort of natural
hydraulic cement , of the very highest excellence in
strength , hardness , and durability It is to this
remarkable product that the great durability of the
buildings of Imperial Rome is due \ (" Remains of
Ancient Rome^ Middleton. Vol. I, p. 44). Concrete walls
were either faced or unfaced. The unfaced concrete
was employed usually for the walls of foundations and
substructures. A sort of wooden box was formed, into
which the concrete was poured, the wall was in fact
cast , the result being a coherent mass like a solid
block of stone. (Middleton Vol I, p. 47).
Faced concrete was of four kinds.
A. " Opus incertum "; second and first centuries B.
C. " In forming " opus incertum, " the face of the con-
crete wall was studded with irregular-shaped pieces of
tufa, 3 or 4 inches across, each having its outer face
worked smooth, and the inner part roughly pointed ".
" Remains of Ancient Rome ". Middleton. Vol I, p, 51).
CONSTRUCTION OF ROMAN MASONRY AND PAVEMENTS 1 1 1
B. " Opus reticulatum ";— first century B. C. to
second century A. D. — so called from its resemblance
to the meshes of a net (reticulatum). " The " opus
incertum " was given up about the time of Sulla and
replaced by the " opus reticulatum % made of regular
prisms of tufa made in imitation of network. There
are three kinds of " opus reticulatum " : in the oldest
the prisms are small and the intersecting lines of the
network slightly irregular: it marks the infancy of the
new style In the second stage the prisms become
larger , and the cross lines of the network perfectly
straight, while the angles of the walls are strengthened
with irregular pieces of tufa resembling large bricks
The last period, from Trajan to the first Antonines, marks
a decided improvement fn the solidity , and the wall
itself is strengthened by horizontal bands of the same
material ". (* Ruins and Excavations of Ancient Ro-
me ". Lanciani, p, 44-45).
C. " Opus testaceum "ror brick — first century B.
C. to end of Wertern Empire. " Till the first century
B. C, only unburnt bricks appear to have been used
in Rome, and no example of brick, earlier than Julius
Caesar is now to be seen .... The most important point
to notice about the use of burnt brick in Rome is,
that (in walls) they are only used as a thin facing for
concrete, and in no case is a wall formed of solid
brickwork. The shape of these bricks is always trian-
gular ". C Remains of Ancient Rome \ Middleton Vol.
p. 54 and 56).
D. * Opus mixtum " — third century A. D. to end
of Western Empire \ This is a modern term used
for a variety of concrete facing, which did not come
112 THE BOOK OF CAPRI
into use till the close of the third century A. D., the
usual facing of triangular bricks, in this sort of work,
is varied by bands at regular intervals of small rectang-
ular blocks of tufa about 10 inches long, by 4 deep ,
and tailing 3 to 5 inches into the concrete backing ".
( " Remains of Ancient Rome ^ Middleton. Vol. I,
p. 62).
Pavements.
Pliny tells us that; " pavements are an invention
of the Greeks, who also practised the art of painting
them, till they were superseded by mosaics. The first
pavements, in my opinion, were those now known to
us as barbaric and subtegulan (under cover) pave-
ments, a kind of work that was beaten down with
the hammer: at least if we may judge from the name
( " pavio " to beat down) that has been given to them.
Mosaic pavements ( " spicata testacea " ), probably so
called, because the bricks were laid at angles to each
other, like the grains in an ear of wheat, or like
spines projecting from either side of the back-bone
of a fish, were first introduced in the time of Sulla ".
(Pliny. Nat, Hist. XXXVi, 60, 64 69.).
Vitruvius (Vll, I), describes the various kinds of
concrete and cement used to form a bed for marble
pavings and mosaics. The pavements of Roman houses
were specially remarkable for the frequent elaboration
of their designs in mosaic. The earlier houses, till the
time of Augustus, had mosaics of a very simple char-
acter, with merely geometrical patterns formed of grey
and white " tesserae " only. Under the Empire the
CONSTRUCTION OF ROMAN MASONRY AND PAVEMENTS 113
mosaic gradually became more pictorial in character,
and great varieties of coloured marbles, imported from
all over the Roman Empire, were used to give realistic
effects to the picture-like designs, which the bad taste of
the Romans made so popular. (" Remains of Ancient
Rome \ Middleton, Vol. 1! , p. 240). The following is
a list of the various pavements used by the Romans.
1. " Pavimentum sectile " — composed of marbles
cut into sets of regular form and size; such as squares,
hexagons etc.
2. " Pavimentum tesselatum " — Made of marbles
cut in regular dies, without the admixture of other
form.
3. " Pavimentum vermiculatum " — A mosaic pave-
ment representing natural objects animate and inan-
imate.
4. " Pavimentum scalpturatum " — A pavement
on which designs were produced by engraving or in-
laying.
5. " Pavimentum testaceum " — This was made of
broken pieces of pottery (testae).
10
CHAPTER II.
Ancient marbles found in Capri.
Though the study of ancient marbles is a subject
to which httle attention is usually given by the student
of Roman history, it seems to be worthy of more con-
sideration than it generally receives, when we recall
the affection, almost devotion which the Romans paid
to the exquisite marbles of every conceivable hue, and
combination of colour, which were brought from the
remotest parts of their Empire. Under the rule of the
Emperors, Rome was indeed a " marble city ": not
only did the Palaces of the Emperors, the temples ,
baths and other public buildings, glow resplendent with
coloured marbles, but every private Villa, of any pre-
tension, likewise boasted its columns and statues of
Parian, or Pentelic marble, while the walls were ren-
dered vivid by the slabs of rarer and more brilliant
marbles, which, with the exception of mosaic and wall-
painting, was the only form of decoration employed
by the Romans. After a successful campaign, no spoil
was more esteemed than columns of priceless, marble,
ruthlessly torn from the temples and theatres of the
enemy.
116 THE BOOK OF CAPRI
Pliny has placed on record the manner of trans-
porting these enormous columns and blocks of mar-
ble. After having been marked at the quarries with
the year in which they were excavated, and the name
of the Consul or Emperor, they were shipped in vessels
of peculiar form , manned by 200 to 300 rowers to
Porto, at the mouth of the Tiber, from whence they
were conveyed up the river in flat-bottomed boats.
For the above general remarks, and for the fol-
lowing classification of the stones employed in ancient
Roman buildings, 1 am indebted to the Rev. H. W.
Pullen's admirable, " Handbook of Ancient Roman
marbles ".
Correctly speaking, marble is some variety of car-
bonate of lime, and the name was originally applied
only to the white or statuary marbles, such as Parian,
Pentelic, or Carrara. For the purpose of commerce
however, the name of marble is applied to any hard
stone, which is capable of receiving a fine polish, and
in this sense the stones employed in Roman buildings,
may be divided into fifteen groups.
White or statury marbles, of which the best known
is the species quarried at mount Hymettus near
Athens.
Black or grey marbles.
Coloured marbles, comprising only yellow and
red.
Veined or variegated marbles of almost every hue.
Shell marbles , containing molluscous animals
and formed for the most part at the bottom of pre-
historic seas.
ANCIENT MARBLES FOUND IN CAPRI 117
Breccia, which is a conglomerate of angular stones,
or rounded pebbles, cemented together by paste of
gravel or clay.
Africano.
Alabasters; which according to the Roman signif-
icance of the narne are simply stalagmites, formed by
the dropping of water, charged with carbonate of
lime.
Jaspers; agates, and precious stones.
Arenaceous; and calcareous stones.
Serpentine ; of which " verde antico " is the finest
example.
Porphyry; which may be either red, black, grey
or green, it consists chiefly of feldspar, coloured by
tiny particles of copper or iron.
Granite ; a combination of mica, quartz , and
feldspar.
Basalt ; a species of compressed lava.
Travertine ; (" Handbook of Ancient Roman mar-
bles " Pullen).
The following complete list of the ancient mar-
bles, found in Capri has been kindly supplied me by
Dr. I. Cerio, who has an interesting collection of spe-
cimens in his Natural History Collection. For the
description of the place of origin, and colouring of the
marbles, 1 have again freely availed myself of Mr.
Pullen's Handbook.
1. Carrara — (marmor lunensel). From the Fan-
tiscritti quarries at Carrara. Pure white: no crystals:
texture soapy inclining to that of china.
2. Pentelic — (marmor pentelicum). From Mount
Pentelicus between Athens and Marathon. Pure white,
118 THE BOOK OF CAPRI
with fine dust-like opaque crystals. Turns yellow after
long exposure to the air.
3. Palombino — (marmor coraliticum). From the
banks of the Coralio in Phrygia. Ivory white, of very
fine grain, without crystals. Sometimes faintly spotted
with grey.
4. BiGio ANTico — (marmor batthium). Probably
from North Africa. Light and dark grey in long pat-
terns, with transparent surface and sparkling crystals.
5. GiALLO ANTICO — (marmor numidicum). Sup-
posed to have been brought from Numidia. Large
quarries of this marble , exhibiting many beautiful va-
rieties, have been discovered on mountain flanks in
Algeria. Pale yellow, flushed with deeper yellow , and
finely veined with purple.
6. Rosso ANTICO — (marmor teanarium). From
the Promontory of Taenarum in Laconia, now Cape
Matapan. Dark red, with parralel lines of dark hue :
broad yellowish streaks: texture of raw beef: patches
of fleecy white and bluish grey. " Rosso antico " is
more commonly employed for statues , shallow vases,
and tripods than for columns.
7. Nero antico — From the promontory of Tae-
narum in Laconia. Jet black with faint streaks of pure
white.
8. Marmor africano— is strictly a Breccia. From
the island of Chios. It is called African because of its
dusky hue. Black, green, grey, purple, and bronze, in
form of large pebbles : colours always strongly pro-
nounced.
9. CiPOLLiNO — (marmor carystium), so called from
the resemblance of its veining to the vertical section of an
ANCIENT MARBLES FOUND IN CAPRI 119
onion (cipolla). From Carystus in the island of Eu-
boea.
10. FiORE Di PERSico — (marmor molossium). From
Epirus. Lilac, peach blossom, red, and white in flowery
patterns.
11. Settebasi — It derives its name from Septimius
Bassus, who had a Villa adorned with this marble on
the Via Tuscolana. its general hue is greyish violet ,
but it is often beautifully flushed with blood-red, or
golden yellow.
12. Pavonazzetto — (marmor synnadicum). From
quarries near Synnada in Phrygia. Very dark brown
ground, with hue of clotted blood, and slightly metallic
texture. Large pebbles of semi-transparent cream white,
tinged with orange, pink or green.
13. Breccia corallina — This marble is named
after its cement, which is usually of coral colour, though
there is often very little of it, and sometimes none at
all. The pebbles are most frequently red, pink, white
or yellow.
14. Breccia di serravezza — Yellowish white in-
clining to pink with purplish veins. Pebbles small,
oblong or oval, and closely set.
15. Porta Santa — so called because the door
jambs of the Jubilee Gate under the portico of St.
Peters, and the other Basilicas in Rome are made of
it. From the island of Jasus off the coast of Caria.
Pink, lilac or flesh colour, in irregular mottlings, with
tortuous veins of white and red. It has one unfailing
characteristic— a most remarkable resemblance to cold
roast beef.
f> *
120 THE BOOK OF CAPRI
16. Alabastro antico — (marmor alabastrum). Said
to have been first brought from the Theban hermitages
in Egypt. Its varieties are too numerous to describe
here.
17. Red granite — (lapis pyrrhopoecilus). From
Syene (Assouan), and hence called Syenite. Crystals
of fiery red, mixed with black, white and green. All
the obelisks in Rome are of Syenite.
18. White and black granite — White round oval
black spots, evenly distributed.
19. Red porphyry — Very dark reddish purple,
crowded with small pinkish spots.
20. Green porhyry — Olive green ; with many
little crystals of yellowish green, and larger ones of
white.
21. Green Egyptian basalt — Dark green, pricked
with minute spots of yellowish green.
22. Nero paragone— (lapis lydicus). An extreemly
hard variety of Basalt, said to come from Lydia and
to be the touchstone of Metallurgists. Jet ebony black*
with faint streaks of mottled white.
It is a somewhat remarkable fact that no exam-
ples of * verde antico ^ the finest of the specimens
of Serpentine, have been found in Capri.
Splendid collections of ancient marbles have for-
tunately been placed at the disposal of those who may
wish to study the subject in a more through manner:
* one at Oxford, which numbers one thousand tablets:
one in the Geological Museum in Jermyn Street, Lon-
don: a third in the University of the Sapienza in Rome,
consisting of six hundred large, and about one thou-
sand smaller slabs. The best of all is the set bequeathed
ANCIENT MARBLES FOUND IN CAPRI 121
by Baron Ravenstein to the Museum of the Porte de
Hal, Brussels. It contains seven hundred and sixty
four specimens , which were arranged and catalogued
by Tommaso and Francesco Belli. The variety and
richness of Roman marbles may be estimated from
the fact, that there are forty three qualities of '^ bigio ",
and one hundred and fifty one of alabaster \ (" Ruins
and Excavations of Ancient Rome ". Lanciani, p. 43).
CHAPTER III.
Removal and destruction of ancient marbles.
One is constantly struck with wonder, at the com-
paratively few objects of art and interest, which have
rewarded the strenous, though rather intermittent ef-
forts, of the excavating antiquarian in Capri during the
last century and a half. On the one hand we are told,
and have every reason to believe that nearly twenty
Palaces or Villas of some importance were scattered
over the island. We know that for at least fifty years
Capri was resorted to by the Roman Emperors. We
know the lavish taste of that age , that numbers of
columns of costly material were used for the embel-
lishment of the Imperial FJalaces and the Villas of the
wealthy. We know too that, the terraces halls and
gardens of these Palaces and Villas must have been
adorned with countless statues, and innumerable pave-
ments of choice marbles brought at infinite cost from
every corner of the then known world. Yet , we are
faced by the apparently extraordinary fact that, after
years of careful excavations, conducted by skilled anti-
quariaus, the expense of which was defrayed from the
lavish purse of the Bourbons , the total result is
inadequate, and entirely out of proportion to the results
124 THE BOOK OF CAPR!
that might have been confidently looked for. How
then can we account for this discrepancy between ex-
pectation and result?
Weichardt remarks; " It may well be assumed that,
in the early middle ages and later on, whole ship-loads
of columns, statues, and mosaic pavements were car-
ried of from the island ". (" Capri ". Weichardt.
p. 79).
In order to illustrate the uses to which these
ship-loads of marbles, columns and statues were put, I
cannot do better than make a few extracts from " The
Destruction of Ancient Rome \ by Professor Rodolfo
Lanciani, than whom, no greater authority on ancient
Rome exists. " The earliest instance of the removal
of marbles from the Eternal City dates from the time
of King Theodoric " « The portion of the cathedral
of Aix-la-Chapelle erected by Charlemagne in 799-804
and consecrated by Leo III, is an octagon copied from
S. Vitale at Ravenna, designed and built by Roman
marmorarii. The lofty openings of the upper story are
decorated with a double row of columns of unequal
length, of rare marbles and breccias, brought from
Rome, Treves, and Ravenna " " The cathedral of
Pisa, begun in 1063, and consecrated in 1118 by Pope
Gelasius II, is mostly built of marbles taken from Rome
and Ostia " " The inexhaustible stores of Rome
were resorted to for the construction of the cathedrals
of Lucca (1060-1070) and of Monte Cassino (1066) of
those of S. Matteo at Salerno, (1084) and of S. Andrea
at Amalfi (eleventh century) ; of the baptistry of S. Gio-
vanni in Florence (begun in 1100): of the monastery
of Nostra Signora di Tergu , on the north coast of
REMOVAL AND DESTRUCTION OF ANCIENT MARBLES 125
Sardinia , between Sorso and Castel Sardo , of the
church of S. Francesco at Civita Vecchia, of the cathed-
ral of Orvieto (1321-1360), and even of some parts of
Westminster Abbey " ** We are indebted to Luigi
Fumi for detailed information concerning the use of
materials from Rome in the building of the cathedral
of Orvieto. The first barge-loads were shipped from
the Tiber, from the quay of the Ripetta, in June 1316.
For the space of nearly forty years the " maestri del
r Opera del duomo ", or superintendants of construc-
tion sent their agents through the country around Rome
in search of blocks of marble for their carvings " ,
** In process of time the villa of Domitian at Castel
Gandolfo, the mausoleum of Hadrian, the portico of
Octavia, the temple of Isis and Serapis, and the ruins
of Veii were in like manner put to ransom. The doc-
uments collected by Fumi give us some details of
this remarkable trade in old marbles ". (Lanciani, pp.
183-186).
In addition to this process of obliteration, we are
certain even from what we have seen in our own
times that hundreds of tons of precious marbles, the
smallest fragment of which is now eagerly sought by
private collectors and the purchasers for public Mu-
seums, were in times past reduced into their original
elements in the lime-kiln, and serve today to bind to-
gether the wretched and sordid hovels of the poor,
and the rapidly crumbling walls, which separate vine-
yard from orange-grove.
As illustrating and proving conclusively the whole-
sale and barbaric destruction of rare and precious marbles
wrought by lime-burners, not only during the Middle
126 THE BOOK OF CAPRI
Ages, but even into our own times, I will again ven-
ture to avail myself of the vast leaning and wide ex-
perience of Prof. Lanciani, quoting still from " The De-
struction of Ancient Rome "; " From a document of
July 1, 1426, preserved in the Vatican archives, we
learn that the papal authorities while giving a free
hand to a company of limeburners to destroy the Ba-
silica Julia, for the sake of the blocks of travertine of
which the pillars of the nave and aisles were built,
reserved to themselves half the produce of the kilns:
a present was afterwards made of the income from
this source to Cardinal Giacomo Isolani, who was then
engaged in repairing his titular church of S. Eu-
stachio. A fate similar to that of the Basilica Julia, fell
to the lot of the tomb of Alexander Severus at the Monte
del Grano: thus perished half of the Coliseum, the
arch of Lentulus, the Circus Maximus, the square base-
ment of Caecilia Metella,and a hundred other monuments,
the spoils of which served to build St Peter's, St Mark's,
the Palazzo di Corneto, the Palazzo Farnese, the Can-
cellaria, the Villa Giulia " " Pirro Ligorio, the
architect, discussing the best way of obtaining a particu-
larly fine plaster, suggests the use of powdered Parian
marble, obtained from the statues which are constantly
destroyed " " Other famous kilns were those of
S. Adriano, for the burning of the marbles of the im-
perial Forum: of the " Agosta ", fed with the spoils
of the mausoleum of Augustus: and of " La Pigna ^
supplied with materials from the Baths of Agrippa and
the temple of Isis. There were temporary establish-
ments opened near this or that edifice, which were
abandoned as soon as the supply was exhausted "
REMOVAL AND DESTRUCTION OF ANCIENT MARBLES 127
" I have myself, had no small experience in tracing the
results of the operations of the lime-burners: in fact
none of the important excavations with which 1 have
been connected either in Rome or on neighbouring
sites, have failed to bring to light remains of one or
more lime-kilns. I mention two examples as specially
worthy of note. A lime-kiln was found in the palace
of Tiberius on the Palatine hill by Rosa in 1869. it
was filled to the brim with fine works of art, some
calcined, some intact; among the latter, were the
veiled bust of Claudius, now in the Museo delle Ther-
me, a head of Nero: three carrying caryatides in " nero
antico ": an exquisite little statuette of an ephebus in black
basalt " Mn February 1883, in the excavations on
the south side of the Atrium of Vesta a pile of mar-
ble was found about 14 feet long. 9 feet wide, and 7
feet high. It was wholly made up of statues of the
" Vestales maximae ", some unbroken, others in frag-
ments ** There were eight nearly perfect statues,
and we were agreably surprised to find among the
broken ones, the lower part of the lovely seated Vesta
with the footstool, which alas lis now hardly recogni-
sable owing to the number of years it has been left
exposed in the dampest corner of the Atrium. " (Lan-
ciani, p. 191-196).
As I am unable to find any evidence as to where,
or when, this altar was discovered, I have decided to
insert in this place the two reproductions of photo-
graphs taken for me by Mr. A. H. Smith , Assistant
Keeper of Greek and Roman Antiquities in the British
Museum.
128 THE BOOK OF CAPRI
The following is the description of the altar or
plinth from the official Catalogue of the British
Museum.
2487. Altar (or perhaps base of candelabrum).
On a square plinth is an altar or pedastal, the four
sides of which are slightly concave. The four corners
are supported by four female Sphinxes. Their heads
are encircled with chaplest of beads. From each of
these a string of bead and reel ornament funs up the
angle. Front side (A): In the panel in front is a low
relief representing Apollo standing by the side of a
tripod. He stands to the right, with right hand on his
hip, and with left hand resting on the lyre which
stands on a table. He is nude , except for a small
chlamys and shoes, and has long hair, tied up behind
the head. On the table are two rolls of manuscript ,
and from a crossbar between its legs hang two sashes.
The tripod is placed on a higher level beyond the table.
Two sashes hang from the crossbar of the tripod. The
raven of Apollo pecks at one of the sashes.
On the left side (B) is a sacrificial group. On the
left is a bearded priest, wreathed, and draped, in his
right hand is a sacrificial ewer; in his left a lustral
branch. In front of him is an attendant, who is drag-
ging forward a sheep by the horns with his right
hand, while with his left he holds a fillet. On the
right side (C) of the pedestal has been a group of
which all that remains are the naked feet ot a male
figure standing on an elevated platform on the left, the
legs of a goat or of Aegipan, and the feet of a san-
dalled figure on the right. At the back of the pedestal
(D) is Diana Lucifera feeding a deer. She extends her
Altar, (or base of candelabrum), Hamilton Collection. (British Museum).
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Altar, (or base of candelabrum), Hamilton Collection. (British Museum).
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REMOVAL AND DESTRUCTION OF ANCIENT MARBLES 129
right hand holding a branch towards the deer, her left
hand holds a torch ; in front of her is a laurel-tree.
Between the goddess and the deer a dish for charcoal
is placed on the ground. This is so nearly worn away
as to be hardly discernible. The whole is surmounted
by a cornice, on the four corners of which are couc-
hant fermale Sphinxes. A string of oval beads is cast
round their bodies. — Capri. Presented by Sir William
Hamilton, 1772.
Marble. Height, 2 feet 3 ^/o inches; width, 1 foot 9 inches.
Restored: small parts of the Apollo relief; in the group
on the left side, the greater part of the goat, the
right forearm and hand of the priest ; in the group
at the back, the greater parti of the tree and upper
part of the deer. Also part of the lower Sphinxes,
and all but one of the upper Sphinxes. Ellis, Town.
Gall. II., p. 280.
11
CHAPTER IV
Site of old city — Contrada Torre.
The ancient Greek city of Caprea was spread out
over the middle of the wide fertile valley , which con-
nects the two rocky halves of the island, and occupied
the district, now known as Contrada Torre (Dry dis-
trict), being bounded by the Palazzo a Mare, the Church
of San Costanzo, and the Greek steps to Anacapri.
No actual buildings exist, but ancient terraces and
cisterns are scattered over the whole of this part of the
island, and almost all the houses are constructed on
ancient foundations. Numerous antiquities such as
coins, mosaic pavements, amphorae, tiles, glass vessels,
and fragments of terra cotta have been found , while
digging foundations or working the vineyards, in more
profusion in this section of the island than in any other
part. A further reason, (if such were needed,) why this
is almost certainly the site of the old Greek town, is
that, then as now, a harbour existed at the Grande
Marina ; and further, the only good spring of water is
within the limits of the ancient city.
During the eighteenth century a marble tablet was
discovered in this valley, and subsequently acquired by
132 THE BOOK OF CAPRI
Sig. Alexii Aurellii Pelliccia, the following inscription was
chisselled in finely out Greek letters.
AHMOC . . . MOriC EFEIPH
KEAAAON or AAIMON BQMON
EniArOPAN K AFPON AHMOCIO
This inscription contained an edict forbidding tu-
mults ; and a series of rules were laid down for the
regulation of the inhabitants of the Town and surround-
ing country. (Mang. Ric. Top. p. 185)
Dr. James Roane of Washington U. S. has kindly
supplied me with the following note, describing the sar-
cophagus now to be seen outside the Hotel Grotte
Bleue: the measurements were all taken by him with
great care and accuracy.
" The ancient sarcophagus now on the terrace of
the Hotel Grotte Bleue, was found in the year 1810 in
a garden, about one hundred paces to the north of the
Church of San Costanzo. It contained the skeleton of
a young woman, and some remains of garments richly
embroidered in silver and gold, two bracelets, two ear-
rings, and a finger-ring with a cameo setting. The
skeleton had in its mouth a gold coin of the head of
Vespasian, having on one side the words ;
Imperator Caesar Vespasianus - Aug; Tr. P.
and on the reverse side;
Fort - red. Cos.
SITE OF OLD CITY — CONTRADA TORRE 133
This coin was sold to a foreigner for ten ducats, (about
£. 2). The most remarkable object found was a scep-
tre-like rod, about fifty centimetres long, encircled with
three gold bands , which led to the belief that the re-
mains belonged to a member of the Imperial family.
Some authors think they may have been those of Cris-
pina, wife of the Emperor Commodus , or of Lucilla
his sister, (whowas murdered by the Emperor in Capri
A. D. 183): both of these royal ladies having, ac-
cording to Dion Cassius, been banished to the island
of Capri. What became of the skeleton, the jewels,
and the sceptre-like rod, is not known.
The sarcophagus is 2,04 metres long, 85 centime-
tres high, and there is no difference in the dimensions
at the top and at the bottom, in the centre is a circular
cutting 30,5 cm. in diameter, surrounded by a raised
bevelled rim, the diameter of the entire ornament being
41 cm. This cutting may once have contained a me-
dallion or an inscription, but there are no evidences
now of either, the chiselled surface being quite the same
as the rest of the sarcophagus. Just above this circular
cutting are the ends of two festoons. , which droop
gracefully, and are caught up again at either corner.
Above and below the ends of these two festoons , in
the centre and at each corner, are exquisitely sculp-
tured flying ribbons. The festoons are very heavy in
their centre, and taper at their extremities. Above the
centre of each of these is a winged head (Medusa?) 18
cm. in diameter, in relief. On each of the four corners
are bull's heads, 33 cm. long, by 22 cm. wide. On
each narrow side of the sarcophagus, there is a single
drooping festoon similar to those above described .
134 THE BOOK OF CAPRI
with flying ribbons, above and below each tapering end.
Above the centre of the festoon is a rosette 17 cm. in
diameter. The top of the sarcophagus is very heavy,
gable-shaped, with sphere ornaments rising 12 cm. high
at each of the four corners, and is ornamented on
its anterior half with scales, fashioned after the manner
of the " testudo " formation. They are beautifully cut,
each having a central ridge , and are in four rows ,
sixteen in a series, the lower row having fourteen on
account of the corner ornaments.
There is in the centre of each gable on the narrow
sides a rosette smaller than those on the narrow sides
of the sarcophagus. The posterior side of the sarcop-
hagus , and the posterior half of the lid are rough cut,
and without ornament. There are rough chiselled cut-
tings for metal clamps 22 cm. from each corner on the
superior part of the anterior and posterior sides of -the
sarcophagus, with corresponding cuttings on the lid.
The sarcophagus bears no inscription. It is hewn out
of a single block of white marble and is massive. It
is in an excellent state of preservation, but the lid has
a large piece broken of the corner , which however
still remains " in situ ".
CHAPTER V
Greek stairway to Anacapri.
Until about twenty five years ago the only poss-
ible means of communication between Capri and Ana-
capri was the old Greek stairway, which may still be
seen scaling the precipitous mountain side. It is prob-
able that in Roman times Anacapri had its own land-
ing place at Gradelle, but at all events in more recent
times, and until the present road was completed, every
block of stone, and all the other materials for building,
as well as all provisions, had to be transported on the
patient heads of the pedestrian islanders.
During the construction of the highway, which
was planned and executed by Sign Emilio Meyer, and
completed in 1877, through the blasting of the rock,
and falling of fragments of the cliff, the old stairway
was almost entirely destroyed. Not more than 159 of
the original steps remain in perfect preservation: they
show a breadth of from 5 to 6 feet.
Hadrava says that, in his time, the stairway con-
sisted of 552 steps, and that after ascending about 300
steps, the visitor reached a Chapel with a terrace in
front, the view from which dominated all the surround-
ing country. (Had. Let. XXXI). Mangoni remarks ;
136 THE BOOK OF CAPRI
'^ The stairway of Anacapri, which is wonderfully cut
out of the face of the living rock, to a height of more
than 1000 feet, deserves observation. It is formed ir-
regularly, and has a serpentine or zig-zag form it
is composed of 533 steps and the variety of the steep
and rugged rocks, which dominate and overhang the
steps, render it a unique curiosity ". (Mangoni Ric.
Top. p. 39).
Captain Richard Church, (afterwards General Sir
Richard Church), who was a Captain in the Corsican
Rangers for two years, from October 1806 to Septem-
ber 1808, in command at Anacapri, writing to his sister
says ; " The only road from Capri here (Anacapri) is up
a rock cut into 600 perpendicular steps Fancy me
leading a high-spirited Arabian horse up these steps !
which I have done, and he is the only horse in the
island ". ( " Sir Richard Church in Italy and Greece \
E. M. Church).
At Capodimonte, at the head of the steps may be
seen the remains of a fort erected by the French, which
was still further strengthened by stockades raised by
Captain Church during the English occupation of the
island.
CHAPTER VI.
Cyclopean wall.
Dr. I. Cerio gives us the following information.
" Before entering the Piazza, the archeologist will visit
with interest the remains of a wall which extends from
the base of Mount Michele to that of Castiglione, along
the northern slope of the island, and which serves as
foundations to many of the dwellings on this slope.
Well preserved traces can be seen under the houses in
the place called " i Pizzi ", and on the Castello Road,
but to observe them carefully it is necessary to betake
oneself to the level ground below. The wall is made
in part of large masses of rock worked with the chisel,
and showing many angles ; but a great part of the
stones, which constitute it have rectangular faces, placed
in rectangular strata, seldom of the same height, and
placed together without cement. This mamner of con-
struction is perhaps Phoenician. One sees may exam-
ples of this sort of work especially in Phocis, Boetia,
and Argolis \ (Note to " Feola \ Chap. V).
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CHAPTER VII.
Villa Jovis.
If anywhere in Capri, the magnificence and reality of
the occupation and dominion of the Caesars, (whether
Augustus or Tiberius , matters little) , can be best ap-
preciated, and moulded into concrete form, it is at the
so-called Villa Jovis at Tiberio , the extreme eastern
point of the island, and that which is nearest to the
mainland. The position itself is stupendous, and isola-
ted in the highest degree, and seems to be formed
by nature as the final retreat of a disappointed potentate.
The cliffs drop straight into the sea , one thousand
feet below, with menacing precipitousness, and the only
approach, by means of a narrow causeway, could have
been easily rendered unapproachable to over insistent
friend or prying enemy.
In the other Palaces and Villas, to which we have
referred, too heavy a strain may be put on the powers
of imagination , which (luckily for the harmony of
humanity) are very unequally developed in different
individuals. We are shown a broken wall, a few pieces
of " netted ' brick work , or perhaps the shattered
remnant of arch or cistern, and are required to recon-
struct for ourselves an Imperial Palace glittering with
gold, rich with marble statues of colossal size, parterres
140 THE BOOK OF CAPRI
brilliant with glowing flowers, and peopled by the Ruler
of the earth, and his gorgeous attendant retinue. This
to many is difficult, if not impossible, and the tourist,
unable to mount to the required heights of fancy, feels
himself humiliataed and out of touch with his surroun-
dings , and doubtless hurries back to his Hotel table
d'hote, where he lustily execrates the phantasmal imagin-
ings of Gregorovius and others. At Villa Jovis on the
other hand, the most prosaic Briton can realise without
too painful effort, that here indeed stood a mighty Imperial
Palace. Here he sees for himself huge chambers, with
arched roofs still intact, portions of tesselated pavements,
fragments of marble columns , and traces of frescoe
on the walls. To still further kindle the lagging imag-
ination the visitor is advised to glance at the repro-
duction here given of an interesting drawing, made by
the architect Sig. F. Alvino in 1853, which shows the
remains of the Palace, as they then were.
Weichardt observes; " the similarity of the appor-
tionment of the apartments of the Palace of Augustus
on the Palatine, and of this Imperial Palace is astonishing,
excepting only that the apartments on the Palatine
occupy an area four times as large This fact
must naturally lead us to the assumption, that our last
and highest situated palace on Capri was built by Au-
gustus, but possibly somewhat altered by Tiberius, that
is to say so far as to suit his special purposes \ (" Capri *
Weichardt, p. 99 and 103).
The only one of the Palaces of Tiberius to which
Suetonius gives a name is Villa Jovis; " Speculabundus
ex altissima rupe identidem signa, quae ne nuntii mora-
rentur, tolli procul ut quidque foret factum mandaverat.
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VILLA JOVIS 141
Verum et oppressa conjuratione Sejani, nihilo securior,
aut constantior , per novem proximas menses non
egressus est Villa quae vocatur Jovis \ (Suet, Tib, Chap,
LXV). This passage may be translated as follows
" Meanwhile he was upon the watch from the summit
of a lofty cliff, for the signals which he had ordered
to be made if auything occurred , lest the messengers
should be tardy. Even when he had quite foiled the
conspiracy of Sejanus, he was still haunted with fears
and apprehensions, insomuch that he never once stirred
out of the Villa Jovis for nine months ".
All the writers on Capri prior to Mackowen, have
concluded that , we are in the presence of the Villa
Jovis, thus described by Suetonius, and though 1 admit
that, logical or definite proof on the point is wanting
I am inclined to agree with them. Mackowen observes
that there were other palaces " placed on lofty cliffs "
besides the one at Tiberio, and mentions San Michele
and Monte Solaro; and he contends that the fire-signals,
that would be made in case of danger or conspiracy
at Rome, would be made from Gaeta, which is on the
Appian way, and nearer Rome than the Capo Minerva,
(the point on the mainland nearest to Tiberio), " and
that from either San Michele or Monte Solaro , such
signals could be more easily seen, especially from the
latter ". This is perfectly true, as far as it goes, but as
we have endeavoured to prove (Chap. XIII. San Michele)
no Imperial Palace, but a Temple, stood on that hill;
at Monte Solaro there are no traces of a gigantic and
magnificent Palace, such as exist at Tiberio.
Again, it seems improbable that Tiberius would have
elected to immure himself for nine months in so exposed
142 THE BOOK OF CAPRI
and bleak a situation as Monte Solaro, which in winter
is swept by every wind that blows, and is often immersed
in fog clouds for days together. Apart from the existence
at this day of such considerable remains at Tiberio,
which clearly demonstrate the existence of an Imperial
Palace, is the fact that, no more beautiful spot could
have been selected by the Emperor in the whole island
for his self-imposed confinement. A Palace placed here
commands the entire island, is easily accessfble to the
landing place at Punta Tragara, and, as stated above,
could be made inviolable to friend or foe.
" The palace of a Roman emperor had not , like
a modern princely castle , in addition to a few state
apartments, some five hundred rooms expressed exter-
nally by innumerable windows only , instead thereof, a
few vast halls and appartments sufficed, together with
a limited number of smaller chambers, for the needs
of the ruler of the world. But these few areas were
fitted out with the choicest of splendour: the most dis-
tant races were compelled to furnish the costliest kinds
of marble and wood for the requirements of the Em-
peror, and the greatest masters required to hold their
arts at his disposal. ... in view of the superabundance
of statuary, together with the costly meterials, the incrus-
tations of the interior with gold, bronze, and marbles,
the costliness of the paintings which distinguished this
architectural age, the palaces on Caprae must have stood
at the height of the times and have been monuments
of imperial splendour \ C* Capri \ Weichardt p. 122).
After passing the ruins of the light-house , (See
Chap. VIII " Faro "), we come to the alledged Salto:
from this point looking North, the ruins of the Imperial
VILLA JOVIS 143
Villa lie before us. The present ascending path nearly
follows the ancient principal stairway. Looking down
to our left, we see a small, fairly well preserved apartment,
(lying nine feet below the present path): this apartment
Weichardt regards as the vestibule to the sole official
entrance of the Palace : here may be seen some frag-
ments of pavement of black and white " tesserae " ,
and the drums of some columns of ** cipollino ^ In
the rear of this apartment, the visitor will observe a
niche, which may be regarded as the resting place of
the Praetorian on guard, or perhaps a marble statue,
or altar rested here. On our right may be seen the
remains of three bath-rooms with leaden pipes, which
served to conduct the water from huge reservoirs in
the overlying masonry. Beneath us may be observed
vast cisterns , and indeed we may conclude that this
portion of the Palace was devoted to store-rooms, baths,
cisterns, and the slave quarters : these cells are lighted
by a small slit in the wall: the walls of some of these
apartments are still in a tolerable state of preservation,
and show traces of red painting, and remains of mosaic
pavements.
From the hall on the ground-floor , which is ac-
cessible to all the household , a single flight of steps
led up to the private appartments of Tiberius, which
occupied the first floor of the Palace. The entrance
to the Emperor' s apartments was probably through a
corridor, about three metres in breadth, by which the
peristyle and throne-room were reached. " The peri-
style, which was never wanting in any Roman residence
of the better sort, and still less in an Imperial Palace,
was invariably the central point of the dwelling. Sur-
144 THE BOOK OF CAPRI
rounded by colonnades, it obtained its light through a
large opening in the roof, through which both sun and
rain had free admission \ (" Capri ^ Weichardt ,
p. 112-113). Proceeding due south, we reach the
substructure of a long apartment, terminating in an
apse , which Weichardt considers to have been the
triclinium, or dining-room. Other antiquariaus, however,
hold that the form of this large chamber suggests a
theatre , which would be looked for in a Palace of
such magnificence and importance. Running round the
triclinium or theatre, and facing due east was a semi-
circular colonnade ; now occupied by the little Chapel
of S. Maria del Soccorso, and the walled " bella vista \
in the centre of which is a gilded figure of the Madonna.
Further on to the south is to be seen a level
space, which Weichardt, probably correctly, identifies
as a private garden. " A particularly stout wall with
a semicircular projection still stands on the southern
side of the palace , marking of the boundary of the
area. As no foundations are found at this place, but
on the other hand, a quantity of mould, it is probable
that a small, palace garden existed here ". (" Capri ".
Weichardt, p. 106).
As we retrace our steps , leaving behind us the
peristyle and throne-room , and descending the steps
that lead from the little Chapel, we enter on our right
a corridor, still paved with the original black and white
mosaics. " The sloping almost steep condition of the
corridor has led many to conclude that a path led
from here to the sea , or else through the rocks to a
grotto situated beneath the palace, but the walls — as
Alvino still saw them , altough they have since then
VILLA JOVIS 145
fallen down at their termination — prove that the
corridor only led to the apartments of the palace
lying on the western slope of the hill , which were
probably reserved for the Imperial suite. Traces of
what is to all appearance the same corridor or passage,
can be seen lower down the hill, where doubtless was
the principal garden of the Villa \ (" Capri \ Weichardt,
p. 111).
Such are some of the chief features of these
imposing ruins , but those interested in such matters
can easily spend hours in wandering about the various
chambers, which are scattered over the hill far down
its westerly slope.
The first excavations at Villa Jovis were undertaken
in the year 1777, during the reign of Carlo 111, by Dr
Luigi Giraldi of Ferrara. A pavement was discovered
of rare and precious African marbles, " giallo antico %
" rosso ", and " saravazza ". This pavement was most
artistically designed and made ; (See, Chap. XXX San
Costanzo) : it is now to be seen in the presbytery of
the Church of San Costanzo. (Mang. Ric. Top. p. 88).
A statue of white marble in the Greek style was also
found in the course of these excavations. This statue,
which represented a nymph, came into the possession
of Sig. d' Andrea , the Regent of Capri at that time.
(Romanelli, p. 84). Other columns of " giallo antico "
were also brought to light, which now adorn the altars
of the Church of Salvatore belonging to the monks of
Santa Teresa. C Storia dell' Isola di Capri ". Canale ,
p. 292 and Mang. Ric. Top. p. 89).
The second excavation of the Villa Jovis was
undertaken in 1806 by Hadrava, who says; " Of the
12
146 THE BOOK OF CAPRI
twelve Villas alluded to, the most celebrated and con-
spicuous was that of Jove, situated on the eastern prom-
ontory , where was a palace erected by Augustus ,
and afterwards enlarged by Tiberius. To gain an idea
of the magnificence of this Villa , one must observe
the great mass of masonry, not only what is today in
ruins, but what is buried out of sight. Here one sees
the floors of various chambers , as well as numerous
cisterns. Everyone marks with surprise a long dark
Grotto, hewn out of the living rock. There still exist
prisons , where the unhappy Drusus was confined ".
(Had. Letter. XIll). Hadrava prepared for publication
an account of his excavations with many illustrations,
but his death took place before its publication , and
the MSS.. were lost.
in 1827 the Royal Architect Antonio Bonucci was
sent to Capri to examine the site of the Villa Jovis,
and consider whether it would be possibile to clear away
the masonry, which encumbered the various chambers,
and excavate the parts, which were covered with earth.
Having associated himself with Sig. Atticiati of Naples,
Sig. Bonucci expressed the opinion that excavations could
be undertaken with valuable results, provided he had the
right to acquire the left side which belonged to Francesco
Salvio , he was conceded the permission to excavate
on the right side, which was part of the Charity lands
of the Comune of Capri. The King having given his
sanction to this arrangement , by a ministerial order
of Oct. 1st 1827, directed Sig. Giuseppe Feola to un-
dertake the work of excavation. (Feola , p. 28). Sig.
Feola discovered two marble " puteals " or well-heads,
decorated with bas-reliefs , one representing growing
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VILLA JO'VIS 147
vegetation , and the other the autumn season. Both
these " puteals " were sent to the Naples Museum ,
where they can be seen today. (Feola , p. 30). In
Feola' s presence another discovery of considerable
interest and value was made : this being a marble bas-
relief measuring in length about twenty inches. This
bas-relief, which is now in the Naples Museum, repre-
sents a nude male figure (said by Feola to be Augustus),
with wreathed head , and bearing in his right hand a
wand. He is mounted on a spirited horse , which is
pawing the ground : the horse is being restrained by
a groom with a flowing robe. In front of the male
figure is seated a female figure, in her right hand she
holds a torch, and with the left holds up her drapery.
To the right of the group is the nude figure of a boy,
holding a basket, and mounted on a wreathed pedestal.
To the left of the pedestal is seen a tree, possibly an
oak , as Feola says ; " there is also an ancient oak ,
which with its hanging fruit and leaves, forms a com-
plete pavilion \ (Feola, p. 30).
Secondo in his " Relazione storica dell'antichit^,
ruine e residui di Capri \ relates that a column of
lapislazuli, five feet in height and ten inches in diameter,
and elaborately sculptured, was discovered at the Villa
Jovis and was sold to an Englishman for 40 scudi.
The precious stones, consisting of sapphires, beryls
and garnets which now adorn the mitre of the figure
of San Costanzo , were also found at Villa Jovis.
(Mang. Ric. Top. p. 89).
CHAPTER VIII.
The Faro.
This important lighthouse was probably erected by
Augustus or Tiberius, not only to light the neighbour-
ing Villa Jovis, but also as a beacon for the grain and
treasure ships returning from Alexandria, and making
for Pozzuoli, and those on their course to Baia. From
the size and importance of the ruins we may suppose
that, " in its magnificence and height it must have com-
•* pared with the celebrated Pharos at Alexandria, erect-
" ed by King Ptolemy , and executed by the architect
" Sostrates Gridio, not to mention that of Puzzuoli
" and Ravenna, described by Pliny the Naturalist \
(Feola. Chap. XI p. 26).
Dean Merivale, gives a vivid and spirited picture
of the vast importance of the trade in corn, which all
passed through the " bocca ^ or channel, which se-
parates Capri from the mainland, and of the consequent
importance of the Faro at Villa Jovis. " First in the
rank of commerce was the traffic in corn, which was
conducted by large fleets of galleys, sailing from certain
havens once a year at stated periods, and pouring their
stores into her granaries in their appointed order ^
Gaul and Spain, Sardinia, and Sicily, Africa and Egypt,
were all wheat-producing countries, and contributed of
their produce partly as a tax, partly also as an article
50 THE BOOK OF CAPRI
of commerce, to the sustentation of Rome and Italy.
The convoy from Alexandria was looked for with the
greatest anxiety , both as the heaviest laden , and as,
from the length of the voyage, the most liable to de-
tention. The vessels which bore the corn of Egypt
were required to hoist their topsails on sighting the
promontory of Surrentum , both to distinguish them
from others and to expedite their arrival. These vessels
moreover, according to the institution of Augustus were
of more than ordinary size, and they were attended by
an escort of war galleys. The importance attached to
this convoy was marked by the phrases " auspicious "
and " sacred " applied to it.
Statins has a picturesque allusion to the mariner
hailing the isle of Capreae and pouring his libation
before the statue or temple of Minerva on the opposite
height :
.... Modo nam trans aequora terris
Prima Dicarchaeis Pharium gravis intulit annum :
Prima saluvit Capreas, et margine dextro
Sparsit Tyrrhenae Mareotica vina Minervae.
As it neared the Italian coast, its swiftest sailors were
detached and gave notice of its approach. Hence it
glided rapidly by night and day under the guidance of
the Surrentine Minerva on the right , and on the left
the lighthouse of Capreae.
" Teleboumque domos, trepidis ubi dulcia nautis
Lumina noctivagae toilit Pharus aemula Lunae. "
[Stat, Silv, 3, 5, 100]
A deputation of Senators from Rome was directed
to await its arrival at the port where it was about to
cast anchor , which from the absense of a haven at
THE FARO 151
Ostia, was generally at this period Puteoli. As soon
as the well-known topsails were seen above the horizon,
a general holiday was proclaimed, and the population
of the country, far and near, streamed with joyful ac-
clamations to the pier, and gazed upon the rich flotilla
expanding gaily before them. Seneca gives a lively
account of this circumstance " Cum intravere Capreas
et promontorium ex quo alta procelloso speculatur
vertice Pallas , caeterae velo jubentur esse contentae ,
supparum Alexandrinarum insigne indicium est. " (His-
tory of the Romans. " Merivale, Vol. IV. p. 313).
Suetonius tells us that a few days before the death
of Tiberius the lighthouse was destroyed by an earth-
quake. (Suet, Tib, 74).
Statius informs us that it still existed in the time
of the Emperor Domitian : we must therefore either
discard the story fold by Suetonius , or presume that
it was rebuilt.
Signor Secondo says that, about the year 1750,
he discovered in this district a leaden pipe , on which
was cut the name of the Emperor Marcus Aurelius,
son-in-law of Antoninus Pius. (Feola, Chap. XI).
We learn from the historian Dion Cassius that in
the year A. D. 185, Crispina and Lucilla, the wife and
sister of the Emperor Commodus were banished to
Capri, and put to death by his orders. fRom. Hist.
LXXII. 4).
in 1804 Hadrava made excavations at the Faro,
but died before his report was published. We learn
however from the notes of Romanelli to Rezzonico (p.
83) that he discovered a splendid bas-relief of Crispina
and Lucilla in an attitude of supplication and with dis-
hevelled hair.
152 THE BOOK OF CAPRI
The edifice is square, each side measuring 42 feet,
and is soh'dly constructed of brick. The height is 50
feet. -The whole of what remains appears to be the
first floor , the upper story having been destroyed by
lapse of time, or by the shock of an earthquake. On
the south side a huge piece of masonry, almost entire,
is to be observed, which probably formed part of the
arch of a winding stair-way , which led to the top.
(Feola, Chap. XI).
On the west side Hadrava found another mass of
masonry with squared holes, probably for the reception
of beams. He also discovered a subterranean flight of
squared stone steps, which led fo a floor covered with
ashes, which were examined by Signor Poli, who de-
clared them to be of a volcanic character. (Feola, Chap.
XI, and Mangoni, Ric Top, p, 101). Dr Cerio, in his
note to Feola, says " This bed of ashes 1 have examined
many times : it is about one metre in depth , and is
derived from an accumulation of the remains of burnt
coniferous wood : this one can infer from the small
fragments of carbon, which are mixed with the soil.
There is no doubt, that during the night huge fires of
resinous wood were kept lighted on the top of this
Tower \
Hadrava likewise discovered a tear-bottle of glass,
somewhat burnt, a sculptured Faun, and a Doric cap-
ital ; in another place near the Faro , was found the
site of a sepulchre, with a broken tablet, representing
three figures , on which was carved the following in-
scription.
TAYRIKES TAIOY XAIRE
C C C(
* t
t C € I
C C C t •
< t t C C
t c t c c
c c as
c « ec
CHAPTER IX.
Palazzo a Mare.
A little to the west of the Grande Marina is to be
observed a flat plateau, on the Eastern side of which
is the charming Villa of Mons. Q, Dubufe, which has
been cunningly built on to an old French fort. The
Villa formerly belonged to Mr. Haan, (the Hungarian
painter, who died in 1888), in whose time numerous
pieces of Egyptian granite inscribed with hieroglyphics
were dug up in the garden below. This has led fo the
fairly reasonable assumption that at some time this
spot may have been the site of a Temple of Isis-
(Capri. Mackowen, p. 152).
From the above-described plateau to the present
so-called Bagni di Tiberio , on the margin of the sea ,
are continous traces of Roman remains on a vast and
massive scale. Here we may suppose stood a grand
summer Palace of immense dimensions, and occupying
what cannot but be regarded as one of the most mag-
nificent positions on the island. Cooled by the never
failing north-west breezes , with its outer walls laved
by the bright transparent wavelets , warmed to an
agreeable and tempting heat , by the constancy of the
Sun God, neither Roman Potentate or modern million-
154 THE BOOK OF CAPRI
aire could find a spot better fitted for languorous
dallying , or softly revivifying repose. The vast extent
of the walls, the numerous important columns, and the
infinite variety and richness of the rare marbles found
here in such lavish abundance , still further lead one
unavoidably to the conclusion, that in the Roman times
this summer Palace must have been one of the chief
glories of Capri, and a true triumph of taste and pro-
digality, as well as an example of the marvellous power
of unlimited wealth, and unstinted labour.
Weichardt is of opinion that Augustus was the
author of this noble Palace; " He alone, the kind and
gracious friend of the inhabitants of the island , could
have built his Palace so near to the city — most cer-
tainly not Tiberius , the despiser of humanity and mis-
antrophist , who lived a lonely life on well-guarded
mountain tops, with very few confidants. But, in view
of the extent of these palatial grounds, the choice can
only be between these two builder-emperors ". (' Capri "
Weichardt; p. 39). Again we will quote from Weichardt,
" On ascending the hill by the sea we soon reach
a level plateau , situaded about 25 metres above
the sea-level , which (according to Schoener) is now
used as an exercise-ground and measures 90 metres in
length by 60 in breadth, in these measurements we
find the dimensions of the principal building, which as
is shown by the remains of substantial supporting-walls,
contained terraces and steps leading right down to the
sea, the latter then being, as we already know, 6 metres
lower than at the present day. We first come to un-
derstand this, after wandering through the area behind,
and taking notes of the extensive substructures and arches
PALAZZO A MARE 155
Standing imperishably and prominently out of the
garden grounds. Towards both the east and west
too , were wings connected with the main building
which , extending along the hillside right down to the
then sea-shore, still raise their unadorned, adamantine
walls above the waves \ (" Capri " Weichardt, p. 40).
In his excavations which began in 1790, and
extended over several years, Hadrava brought to light
various treasures of which those mentioned below are the
most important.
An altar to Cybele was found; being used to or-
nament the pergola of a house near by! " The altar
is cylindrical in form , about , two feet and a half in
height, it is ornamented with garlands of corn, various
fruit and the head of a goat, the whole being in half-
reliel " (Had. Let. XIX. Feola. Chap. I). This altar
passed into the possession of Sir William Hamilton ,
whose collection was bought by the British Museum
in 1772, and formed the nucleus of a department of
antiquities. It included 730 vases, 627 gems and ivories,
and 6000 coins. Almost all previous writers have asserted
that this altar of Cybele is in the British Museum, this
however appears to be an oft-repeated error. I have
myself written several letters to the British Museum ,
and am informed by Mr A. H. Smith, the Assistant
Keeper of Greek and Roman Antiquities, that the only
statues or bas-reliefs from Capri in the Museum are.
(1) A head of Tiberius, with a veil drawn down over
the head , as by a person about to offer sacrifice. It
was bought by the Museum in 1873 from the great
art-dealer Castellani. (2) Well-head (puteal) with figures
of Heracles, Omphale, and Satyrs. Townley Collection,
156 THE BOOK OF CAPRI
purchased in 1772 from the Colombrano Palace in
Naples. (3) Altar , or perhaps base of candelabrum ,
on square plinth-presented by Sir William Hamilton.
(For detailed description and reproduction, see page 128)
A large and splendid pavement of exquisite marbles
and of great symmetry : it was composed of " giallo
antico ", " serravezza ", and African marbles. (Had.
Let. XXX).
Two columns of Egyptian " cipollino ', one whole,
the other broken in half : the latter cut into four sec-
tions , is now to be seen in the Museum of Naples ,
supporting four porphyry vases. (Had. Let. XXI).
Two columns of porta-santa , measuring 13 feet
in length, and 20 inches in diameter. (Had. Let. XXVlll).
A circular Temple approached by a stair-way of
ten steps of marble , which measured 6 V2 ^eet in
length, and 32 inches in breadth. (Had. Let. XXX).
Another pavement composed of " porta-santa ",
" bigio antico ", and " giallo antico ^ arranged in geo-
metrical figures. (Had. Let. XXXIX).
A large quantity of " serravezza ^ cut into trian-
gles , and probably intended for the construction of a
new pavement. (Had. Let. XXX).
A vaulted acqueduct twenty feet in height.
In his various excavations at Palazzo a Mare and
the vicinity, Hadrava actually took out and removed
sixteen hundred weight of precious marbles.
Feola tells us, (Chap, i) that in his time there were
" two moss-grown columns of the celebrated marble
called " porta santa ", height 11 V^ ^^^t* diameter 20
inches, which had been broken in half by a fall \
These columns were still " in situ " about twenty five
Palazzo a mare 157
years ago, when they were sold to a marble dealer in
Naples, and removed from Capri. (See note by Dr Cerio
to Feola Chap. I). Feola further mentions numerous
" cellars connected one with the other , and in good
preservation. Five, each of which measured 47 feet in
length and 12 feet in breadth, communicating with each
other by five low arched tunnels , by which the water
passed from one to the other , were discovered under
the vineyard of Signor Morcaldi ". (Feola Chap. 1).
Feola (Chap. II) also mentions four similar connecting
cellars, " on the east an extension of the ruins of
other cellars , arranged in such manner as to lead to
the opinion, that they must have served for the found-
ations of a royal and imperial road of communication,
from the above mentioned Villa to another magnificent
Villa situated in the higher region of Fontana ". In
the same chapter Feola says; " I found four other
enormous cellars of great strength measuring 166 feet
in length , and 32 feet in breadth. At the botton was
found an immense quantity of the finest chalk , which
is supposed to have been used for the purpose of
filtration. This deposit when dried presented a metallic
blue colour , from which Signor Secondo argues that,
these cisterns may have been used to produce those
delicate vases, like the celebrated ones introduced from
Pompeii after the Mithridatic war, and called " Murrini ";
these vases are mentioned by Pliny the elder ". (Feola
Chap. II).
" Murrhime vessels come from the East , in nu-
merous localities of which, remarkable for nothing else,
they are, to be found. It is in the empire of the
Parthians especially that they are met with , though
158 THE BOOK OF CAPRI
those of the very finest quah'ty come to us from Car-
mania. It is generally thought that these vessels are
formed of a moist substance , which under ground
becomes solidified by heat, in size they never exceed
a small waiter (abacus), and as to thickness they rarely
admit of being used as drinking-cups, so large as those
already mentioned. The brightness of them is destitute
of strength , and it may be said that they are rather
shining than brilliant. But their chief merit is the great
variety of their colours and the wreathed veins, which
every here and there , present shades of purple and
white, with a mixture of the two : the purple gradually
changing as it were to a fiery red, and the milk-white
assuming a ruddy hue. Some persons praise the edges
of these vessels more particularly with a kind of re-
flection in the colours, like those beheld in the rain-bow,
others again, are more pleased with them when quite
opaque, it being considered a demerit, when they are
at all transparent, or of a pallid hue. The appearance
too of crystals in them is highly prized, and of spots
that look like water warts: not prominent, but depressed
as we mostly see upon the human body. The perfume
too of which they smell, is looked upon as an additional
recommendation \ (Pliny Nat. Hist. Book XXXVll ,
Chap. 8).
Dean Merivale in his " History of the Romans "
says; " 1 believe it is now understood, that the murrha
of the Romans was not porcelain, as has been supposed
from the line " Murrheaque in Parthis pocula cocta
focis ". (Propert. IV, 5, 26) but an imitation in coloured
glass of a transparent stone. (Book IV, Chap. 39).
PALAZZO A MARE 159
Weichardt says; ' In addition to the Grand Palace
by the Sea, it would appear that imperial villa-residen-
ces existed in other spots, and in touch with the ancient
city , and that these were probably occupied either by
members of the imperial family or by favorites.
But is equally possible that the same belonged to
rich citizens. On . two sites many chambers with
mosaic pavements, Roman handiwork, cisterns, tanks,
and terrace-walls which must have belonged to extensive
palaces, or villa-grounds, have been disinterred. Again,
in addition to five headless marble statues, the colossal
imperial statue , now in Rome , for the missing head
of which (as mentioned by Hadrava) that of Tiberius
was substituted , was found here ". (" Capri " Wei-
chardt, p. 41).
CHAPTER X.
Palace at Punta Tragara.
Hadrava is of the opinion , that at Punta Tragara
stood an Imperial Place, and says that in his time a
large acqueduct, and many Roman remains had been
found there. (Had. Chap. XVI).
Mangoni follows suit, and argues from the beauty
of the situation, the southern aspect, and the remains
of a Roman road that led to this spot, that an Augustan,
or Tiberian Villa must have crowned this eminence :
he adds " all the antiquarians have been of opinion
that here stood another vast Augustan Tiberian Villa \
(Mang. Ric. Top. p. 133).
Weichardt endeavours from another stand-point to
prove that an Imperial Villa existed at Punta Tragara.
" We learn that Masgabas, one of the favorites of
Augustus , had died the year preceding the Emperor's
last visit to Capri, and that on the adjacent island
(which by way of a joke , had been nicknamed " the
Island of Sloth "), was the tomb holding the remains
of Masgabas , to whose memory , during the banquet
given by the Emperor to the indigenous Greek youths,
torch-light honors were being paid. Now , with the
exception, of the inaccessibly steep and rocky Faraglioni,
there is only one single rocky island of moderate
13
162 THE BOOK OF CAPRI
dimensions (known to day as " Monacone ") , which
is broad rather than high, lying, in the neighbourhood
of Capri. This is near the Faraghoni and contains
not only the remains of a Roman tomb , but also of
an antique stair-way, cut out of and into the rocks \
" At the banquet Augustus gazed down upon this islet,
as we must assume , from one of his Villas. But of
all the places. at which (as is proved by the finding of
antique remnants) Roman sites could have existed ,
there is but one which can possibly agree with the
above description as that from which the islet Monacone
can be overlooked, and that is the precipitous foreland
now known as Punta Tragara on the south side of
the island \ (" Capri " Weichardt, pp. 37, a 38).
" In good truth, the present Punta Tragara furni-
shed a wonderful position for an Imperial castle which,
at this spot, formed the final link of this chain of rich
Villas, and it was well worth the trouble of an Emperor
to direct that employment should be given to hundreds
of busy hands in chiselling the steep rock to the extent
required ". (' Capri " Weichardt, p. 75).
A beautiful pavement found at Punta Tragara can
now be seen in the Church of San Stefano and is thus
described by Dr. I. Cerio; " There was recently collec-
ted in the Chapel of Rosario in this Cathedral another
pavement of " saravezza " and yellow marble , with
fillets of " rosso antico ". This was found a few years
ago among the remains of a sumptous Villa of the
time of Tiberius at Punta Tragara and saved from de-
struction by the Parish priest , who superintended its
removal to , and preservation in the Church \ (Note
by Dr. Cerio to Feola Chap. V).
CHAPTER XI.
Palace at Unghia Marina.
This Villa or Palace, which is generally attributed
to Augustus, is situated a little to the east of Certosa,
on the very edge of the cliff, the site being now oc-
cupied by the modern Villa Mercedes.
The following is the account given by Feola, who
discovered it in 1826; " The site, not far from Tragara
on the western slope of the mountain Tuore Grande,
was on the pleasant eminence of Unghia Marina. Here
were found bricks used in the construction of the Villa
marked,
YACINTHI
JULIAE
AUGUSTAE
as well as many valuable marbles some of which were
ornate , " of vivid colour with the figures of birds
painted on them. The remains of a precious fragment
of a pavement of rare marbles of exquisite design was
also discovered in this spot , and transferred to the
National Museum of Naples ". (Feola, Chap. Vlll).
Feola was of the opinion, based on the discovery
of the bricks stamped with the words YACINTHI
JULIAE AUGUSTAE, that this Villa was built by Au-
164 THE BOOK OF CAPRI
gustus for the use of his daughter Juh'a. This view is
not however tenable for the following reasons: in the
first place this Julia Augusta was certainly Livia the
wife of Augustus, who was so called after the Emperor's
death. Again the following quotations from two such
recognised authorities as Middleton and Lanciani will
convince the reader that it was not customary for Roman
builders to stamp their bricks with the name of the
intended occupant of the house they were constructing.
" The stamps which occur on the bricks of buildings
of Imperial Rome are of great value in determining
the dates of various structures....... Various names and
facts are recorded on these stamps e. g. the names of
the Consuls, though rarely : of much more frequent
occurrence is the name of the owner of the brickfield
from which the clay came , and that of the potter
(figulus) who made the brick : after his name comes
the phrase " Valeat qui fecit " — may the maker pro-
sper \ (Remains of Ancient Rome, Middleton, Vol. I,
p. 13).
" Roman bricks are often stamped with a seal, the
legend of which contains the name of the owner and
manager of the kilns, of the maker of the tile, of the
merchant intrusted with the sale of the products, and
of the Consuls under whose term of office the bricks
were made ". (" Destruction of Ancient Rome ". Lan-
ciani, p. 39). Further corroboration of this view is
supplied by Dr. I. Cerio' (Note to Feola Chap. Vill,) in
which he remarks that in 1880 upon the discovery of
another supposed Palace or Villa at Punta Tragara, a
large numer of bricks with a similar inscription were
found.
CHAPTER XII.
Villa or Thermoe of Castiglione.
On a rock plateau, which h'es below the final cone
of the Monte Castiglione excavations were commenced
by Hadrava in 1786- Probably no site on the island
has been so throughly ransacked as this spot, and the
untiring perseverance of Hadrava met with unqualified
success, as will be seen, when I proceed to enumerate
in detail the treasures which he unearthed.
" Here once stood \ says Weichardt, " a temple
or perhaps a treasure house , this , at least , is the
conclusion one is induced to arrive at after inspecting
a semicircular antique wall continued right to the edge
of the rocks , which still retains in part its net-like
tile-facing. The remains of a second wall, introduced
in large concentric curves, which resembles a retaining-
wall , are also to be found here. The actual Villa
however, joined on to this last mentioned ringed-wall ".
C Capri " Weichardt p. 78).
I will now proceed to enumerate the principal
results of the excavations of Hadrava. At a depth of
6 or 7 feet he found a house consisting of five rooms,
communicating with each other. The walls were
beautifully frescoed and the colours so bright , that
166 THE BOOK OF CAPRI
they might have been laid on only yesterday. The
pavement of the first room (which was vaulted) , was
of simple cement. In the second and third room were
found large quantities of coloured marbles: the second
room had a pavement of bricks (tavolozze) which were
about 13 inches square, and many of which were
inscribed with the maker's name. " Finally on the day
before my departure I was the witness of a most
gratifying sight. At the depth of eight feet was discovered
a marble vase. It was large and round, and ornamented
with figures in bas-reh'ef , and weighed 160 pounds.
The form is very elegant and represents a sacrifice ".
(Had. Let. VIII).
A bas-relief was found here , representing four
figures , one having a bag-pipe in his mouth , two
carrying torches , and the fourth having a well-bucket
attached to a long rope , which he is about to lower
into a well. (Romanelli p. 80). In the third year of
the excavations (1789) Hadrava discovered in the fourth
room a very fine pavement. Mackowen says, " probably
the most perfect and best preserved of all the antique
pavements \ (Mackowen p. 169). It was composed
of " giallo antico ", " torchino venato \ and " rosso
antico ", and measured 20 feet in length by 15 in breadth.
Hadrava took the pavement to Naples to be restored,
after which it was on exhibition at his own house for
a year. It was then removed to the Museum at Naples
and subsequently sold to the King , who placed it in
the Favorita Palace at Portici. (Romanelli p. 81).
Hadrava' s account of the little Festa , which he
organised on the occasion of the pavement being first
exhibited to the King, is so quaint that I have transcribed
VILLA OR THERMyC OF CASTIGLIONE 167
it in full; " I informed the King of my joyful discovery.
The King appointed a day to visit it, and I immediately
sent to Naples for two marble workers to clean and
polish the pavement with pumice stone. When all was
ready the King after dinner arrived with the gentlemen
of his suit , and a great company. As soon as he
arrived at the fourth room, four of the workmen threw
on water, and the pavement appeared in all its beautiful
brilliancy, at this moment the sun shot forth a ray of
sunshine. His Majesty seeing it said " It is superb. I
observe the rare geometrical composition, the rhombi,
he rhomboids , and the square-sided figures , and also
the charm of coloured marbles red, yellow, and white ^
From thence I conducted the King by a little path to a
loggia which I had excavated at the same time, whence
he ascended by ten steps to another pavement of
mosaics. When His Majesty approached, he encountered
an unexpected scene, for the work-people were seated
inside at two tables, on one side the men, and on the
other side the women , according to their custom ,
having macaroni freshly prepared before them. Upon
the arrival of the King they all cried out, " Evviva !
Evviva ! " Then they began to grate cheese over the
macaroni, and in a fev/ moments they had eaten about
forty pounds , but with such skill that the King was
highly amused ; they seized as much of the hot
macaroni as they could grasp with their five fingers ,
raised it in the air, and whirling it round two or three
times threaded it into their mouths , as a housewife
threads her needle. After this they danced the tarantella
to the accompaniment of a tambourine, and lute. A
peasant , Niccolo , aged 80 years, opened the dance
168 THE BOOK OF CAPRI
with one of the youngest girls , and this respectable
old man danced with vivacity, joy and skill. So
finished the Festa , and the King retired perfectly
satisfied " (Had. Let. X).
Hadrava not being always able to give his attention
to the excavations in person , requested the governor
to take charge of the work in his absense. " All the
superb marbles , which were found in this fourth
excavation were transported to the Governor' s house,
and among them were discovered a fragment of a
bas-relief, which representes a Sacrifice in which is seen
a Victory, a head of Tiberius , and a Genius with a
platter, all executed in the Greek style. They have all
become the property of Prince Schwartzenburgh who
spent several months in Capri , in the character of
ambassador extraordinary upon the occasion of the
coronation of the Emperor \ (Had. Let. XII). During
the fourth excavation conducted by the Governor , an
acqueduct was exposed " with various leaden pipes
which ran round the four sides , and conducted the
water to all the rooms , which 1 had excavated in the
previous year. Therefore 1 clearly perceived that the
chamber , where 1 found the pavement , served for a
bath , because from one side entered the pipes for
" hot water and on the other for cold. In the preceding
room were also observed small furnaces. These
acqueducts were so large that a man could hide himself
in them \ (Had. Let. XIV).
Hadrava also found the heads of two children, one
laughing and the other crying both in the Greek style.
These were sent to Rome to the celebrated German
sculptor Tripple. A fine cameo with the head of
VILLA OR THERMS OF CASTIGLIONE 169
Germanicus was brought to light at the same time.
(Had. Let. XVII) and presented to the Empress Catherine
of Russia. (Romanelh*, p. 82). Hadrava further discovered
numerous lamps, tiles, and pieces of delicately worked
stucco, one representing a very beautiful child, another
a Genius, the third a hippogriffin, and another a maiden
tinted in colour. (Had. Let. XXVI).
From the extensive baths and immense acqueduct
discovered at Castiglione by Hadrava, Mangoni formed
the opinion that this Villa merely served as a bathing
establishment, accessory to an important Imperial Villa,
which has not yet been brought to light. (Mang. Ric.
Top. Chap. XIV). Stamer in " Dolce Napoli " also
speaks of these remains at Castiglione as " The
Thermae \ Some weight is lent to this view of
Mangoni, by the following observation of Feola. '^ We
rrfey assume that the apartments of this Villa extended
as far as the neighbouring district of Valentino, because
in 1823 the colono Natale Catuogno, in digging on his
land found some tablets of marble, which formed part
of a pavement of antique marbles of different colours;
when I was informed of this, I visited the spot, and
recognising the value of the discovery , made a report
to the proper authorities, and in the year 1825 with
the approval of the King, the pavement was removed
to the Royal Museum at Naples ". (Feola. Chap. VI).
Dr. 1. Cerio in his note to this Chapter adds that
in this same district at various times large lead pipes,
a bronze key, which is now in the National Museum at
Naples, fragments of statues, bronze utensils, and a
Greek inscription have been found. In the district of
170 THE BOOK OF CAPRr
Valentino was also found a slab of marble with the
inscription ;
eCANQ OHNIKOY
XAIPC
(Mang. Ric. Top, p. 178). This tablet may now be seen
at Villa Cesina.
From Dr. Cerio's " Note to Feola " Chapter Vi, we
learn that in 1857, Cav. Bonucci then Director of ex-
cavations at Pompeii, acting under the Government of
Naples, pursued the excavations on the farm of Arcan-
gelo Aucellone, and found many rooms with coloured
stucco and pavements of mosaic or marbles; in one of
these, which was painted yellow, he found the doorposts
of a door in statuary marble. The pavement consisted
of 700 sheets of " africano " and " giallo antico*"
marble with a beautiful framing of " rosso antico \
Unhappily no traces of the extensive excavations
of Hadrava, so naively described in his letters, remain;
the splendid baths , the house with five chambers, the
acqueducts have all been covered with earth by the
thrifty peasants (in 1791); as Mangoni says, ' to enable
them to plant a few scanty vines ".
CHAPTER XIII
Temple of San Michele.
The hill of San Michele occupies a unique position,
and from its semicircular cone-like form is ever an
object of interest in the landscape. Dominating, as it
does the ancient City of Capreae, one would naturally
expect to find here some signs of Roman remains. As
a matter of fact in mounting the hill from the south
the remains of an ancient road arrest the attention of
the visitor. Hadrava is very brief, all he has to say
is; " There exists there various pedestals of columns,
as well as the ruins of masonry, and a road shows
itself, which leads to the summit of the hill. Finally
we perceive various vaults, an aqueduct, and reservoirs
for water, which one may suppose were placed there
for the support of gardens ". (Had. Let. XVI).
Feola, who seems to be the chief authority on the
remains on San Michele, (Mangoni simply copying him),
remarks, " Here the Roman Emperor built a magnif-
icent Palace, and a large and commodious road by
which to ascend. The ruins of the Palace are first
observed about half way up the hill. They consist ot
a vast vaulted edifice which leads to the top of the
hill. The measurements are, length 80 feet, breadth 13
172 THE BOOK OF CAPRI
feet, and height 17 feet. The solidity of the walls is
surprising. On the right of the entrance the stranger
will admire numerous square connecting chambers, each
measuring about 14 feet: the line of these chambers
follows the curve of the hill. These chambers com-
municate with each other by means of a line of arches,
(of the height of a man), and are plastered with a
mortar of pebbles, and with " lacerti " (arms or braces)
in all the corners, like those in the Camerelle
At the entry are visible twenty one chambers in line,
all of equal size , in good preservation and facing
south, and many others equally well preserved facing
north. One can still recognise on the limestone rock
the marks of tools, which were used to widen the road,
in the same manner as can be seen on the road which
leads to Tragara \ (Feola. Chap. X).
What was the purpose of this road ? " Did a col-
umned pergola run round the mountain here forming
a flower-clad promenade? Was it made to serve as a
corso for racing and processions to be held on the steep
island, which in a few spots only, allowed of level lo-
comotion ? Or was it a road, whereon the Greeks
and Romans of the Imperial Court, and the officers of
the Proetorian guard caused their horses to gambol in
sight of the Villa-rich island , and of the vast Bay of
Naples? Was it made to serve as a racecourse, which
for want of level ground, encircled the mountain , and
was perhaps used to reproduce the pleasures of the
Capital on the Imperial country-seat ? " (" Capri ".
Weichardt. p. 81).
" The plateau on the top of the hill appears to
be formed in part of rock cut into shape, and is built
TEMPLE OF SAN MICHELE 173
on long parallel arches, supported by a solid wall. The
form of this upper plateau is perfectly regular, the
length is about 230 feet, and the breadth 103 feet "
(Feola. Chap. X). " Underneath this plateau and facing
north may be seen a rude vaulted chamber, which
measures in length 190 feet, 11 feet in breadth, and 7 V2
feet in height. This building has been for many years
used as a Chapel dedicated to S. Michele ". (Mang.
Ric. Top. p. 164).
No regular scientific excavations have ever been
made on San Michele, but Romanelli says; " We ob-
served many rocks cut in a circular form, which served
without doubt for the bases of columns. Here too
were discovered two columns of " cipollino " (now in
the possession of Mr. C. C. Coleman). 1 also noticed
remains of half buried ruins. Below are to be obser-
ved the traces of a road, which leads to the top of the
hill ". (Romanelli, p. 107). Feola found portions of
statues, fragments of columns of " giallo antico " and
" rosso antico \
It seems clear that this rectangular space on the
summit of San Michele must have been the site of a
Roman temple, and not of a Palace, for the following
reasons; (1) To anyone conversant with the plan and
form of ancient temples, it is apparent that the foun-
dations which still appear, suggest the familiar form of
such a structure. (2) The presence of the broad road
circling round the hill, and admirably adapted to sacred
processions. (3) The fact that a temple must have
existed in Capri, and that no other site has been as-
signed, or seems suitable for such a purpose. (4)- The
remains of the base of a column of white marble still
174 THE BOOK OF CAPRI
exist, which show that the original measurements of
the columns must have been 90 centimetres in diameter
at the base, with a total height of 8 to 11 metres, it
is highly improbable that this height belonged to the
facade of an Imperial palace, which was always from
two to three stories high. C* Capri ". (Weichardt, p.
83). (5) That in the substructure is found a Christian
Chapel, intended as an atonement and consecration of
this seat of heathen worship. (Weichart p. 84). These
points are very lucidly treated and enlarged upon
by the following passages from Weichardt, " At
about the last third of the altitude of the mountain
we still see to this day well preserved in its contours,
an antique highway 12 metres in breadth, which runs
round the mountain for about one kilometre. On the
outer side this circular highway, where the steep nature
of the ground rendered it necessary, was supported by
mighty masonry, thus giving rise to cellarage and tanks,
whereas on the east and north sides the inner side of
the ring was cut out of hard rock. Up to the height
of 4 metres, the slope of the hill was converted into a
perpendicular wall, (which still bears the marks of the
chisel), and thereby a terrace climbing round the mountain
in an oval line was produced, which is in respect of
beauty of position without a rival ". (" Capri \ Wei-
chardt. p. 80).
" On the southern side of the horizontal road,
and in front thereof, the vaulted walls of a not unim-
portant building, are still standing: these enclose an
anteroom , as well as a hall 25 metres long by 4
metres in breadth, it is possible that on this spot may
have stood a large and splendid arch way in harmony
TEMPLE OF SAN MICHELE 175
with the grand terrace, a propylaeum (gateway), or
other structure, in connexion with the building on the
summit of the mountain '. (" Capri \ Weichardt p.
81). "On the northern side, the retaining wall is of
antique workmanship and made of a cement composed
of exceedingly hard rubble-stone. This is in a com-
plete state of preservation, whereas on the other side
it has been extended, probably by the English, who at
the beginning of the 19th century, built here a fort
and in so doing destroyed such parts of the ruins as
may have remained \ (" Capri \ Weichardt p. 82).
" If, as is assumed on all sides, (to judge by the found-
ations), an Imperial palace also stood here , it can
only have been a rectangular building without any
projecting parts, and consequently, quite different to
that which one finds everywhere else in connection
with the Capri palaces — which show various groups of
buildings. This simple ground plan it is which gives
rise to the idea that we, possibly have to do here with
another style of edifice, namely with a temple ". (" Ca-
pri ". Weichardt. Capri p. 82). " It is certainly very
remarkable that until now nobody has succeeded in
proving the existence of temples on Capri ; there can
be no question that such existed here, and that
they were not built solely by the Greeks. Nevertheless,
none of the ruins still remaining are suited to a temple;
the large square on the Monte San Michele is the only
foundation suited to serve as the basis of a temple ".
(" Capri " Weichardt. p. 82).
CHAPTER XIV
Camereile.
The " Camereile " (little chambers) are a succession
of vaulted chambers which run parallel with the road,
leading from the Hotel Quisisana to the Punta Tragara.
Those lying between the Hotel Quisisana and Villa
Camereile have recently been turned into shops ; but
the original form and character of the " camereile ",
can be seen in the garden of Villa Camereile, and
again further on in the garden of La Certosella.
" Here are to be seen a long extent of masonry
in the form of equal and continuous rooms , lying
beneath the ancient and magnificent imperial road ,
which extended from Villa Castiglione to another Villa,
which seems to have been placed at the Punta Tragara ".
The front part of this track of ancient masonry is
formed of short arches of equal size , the chord of
each does not exceed 14 feet, supported by solid walls.
The front half seems to be in ruins, and the inside is
covered with hard plaster made of pebbles having in
the corners ** lacerti " (arms or braces): these are an
unfailing sign that the chambers not only served to
form the foundation of a large and well buih road,
but being in communication with each other , these
14
178 THE BOOK OF CAPRI
chambers were well adapted to collect and store rain
water \ (Feola. Chap. VII).
The form of these arches is semicircular, and this
has led Signor Secundo to infer that they formed the
remains of an Amphitheatre.
Conte Rezzonico considers that they formed the
foundations of an Imperial Villa , while Hadrava and
Signor Romanelli are of opinion that these connected
chambers , are the site of the famous " Sellarie " of
Tiberius, described by Suetonius. Though we entirely
disagree with the conclusion arrived at by Hadrava, it
may interest the reader to peruse his remarks. " The
whole accumulation of arcades, walls, vaults and rooms
indicate that here was situated the famous or infamous
" Sellarie \ where it is said Tiberius designed a College
of Lust, in which the youth of either sex exercised
themselves with the monstrous figures of the " Spintria ",
to excite the languid powers of the Emperor. It is
added that Tiberius made here various chambers in
which were placed models of " Elephantide ". " Finally
" he constructed in the groves and woods retreats
" sacred to Venus, where in the dress of nymphs and
" satyrs they satisfied their impure desires. In proof
" of this, there was found on this spot the remains of
" ancient painting, and even medals, which they called
" " Spintrie ", which have on one side an obscene
" position , and on the other a number. We do not
" know if this number refers to the numbers of the
" rooms, or the posture. A medal of the form and
" size of these " Spintrie " was found here, on which
" one sees on the front a head with this epitaph " C.
" Mitreius. Mag. Juven, " and on the reverse side a
CAMERELLE 179
" building of an oval shape, which perhaps represents
" that of the " women's rooms " , and explains thai
'^ this C. Mitreius was the Director of the infamous
" school, or « Sellaria ". (Had. Let. XVI).
Addison in his " Remarks on Italy " says; " They
often find medals in this island. Many of these they
call the Spintriae, which Aretin has copied, have been
dug up here Those I have conversed with about
it, are of opinion they were made to ridicule the
brutality of Tiberius, though I cannot but believe they
were stamped by his order. They are unquestionably
antique , and no bigger than medals of the third
magnitude. They bear on one side some lewd invention
of that hellish society which Suetonius calls " monstrosi
concubitus repertores \ and on the other the number
of the medal. I have seen as high as to twenty. 1
cannot think they were made as a jest on the Emperor,
because raillery on coins is of a modern date ".
Thus finally does the pure and logical Feola crush the
heated imaginings of Hadrava; " These opinions vanish
when on*e reflects on the details ; these continous
chambers not being adorned with that elegance, which
would be demanded especially in " Sellarie ^ (Feola,
Chap. Vll). " Thus it seems not to be in doubt, that
the above described ruins called " Le Camerelle " ,
formed the street of communication between the Villa
of Castiglione and Valentino, as far as the higher part
of Tragara , where one cannot doubt stood another
Imperial Villa long since destroyed by time, and the
ruthless hand of man. " (Feola, Chap. VII).
In our examination of the Roman remains in
Capri , we must not lose sight of the fact that , the
180 THE BOOK OF CAPRI
Romans , more far-sighted and more luxurious than
ourselves, never failed to make ample provision for a
generous supply of water; their needs were immense:
provision had to be made for innumerable troops of
slaves and animals ; the constant watering of their
gardens ; and above all, for the baths , which were so
indispensible to every right-minded Roman , and for
which never failing streams of water must be available.
A much later writer , Colonel Mackowen says ;
" The Camerelle were a series of cells , formed by
arches, closed at both ends, and were used as cisterns,
for catching and preserving rain water; and on the
top of the arches was a road which led from Tragara
to Castiglione ; back of these cells exist other cisterns
much larger, and the quantity of water which could be
collected in them must have been immense The
cisterns of Camerelle were not only built to furnish
water for the baths and household of Tiberius , but
some years ago a canal was discovered , which led
down to the Port of Tragara , and in this canal were
found leaden pipes, which could have been used only
for conveying drinking water to the Roman fleet ".
Mackowen, " Capri " p. 174).
CHAPTER XV
Molo and Sco^lio della Sirena.
The harbour on the south side of the island ,
overshadowed by the towering heights of Monte Solaro,
is called by foreigners the Piccola Marina: the islanders
however invariably speak of it as the Mulo, which is
probably a corruption of Molo, the Italian word for a
Port or Mole. On the west side can be seen above
and below the sea-level, immense masses of Roman
masonry. These ruins are in all probability the remains
of a break-water, which existed in ancient times; " there
was need of a Port at this point to contain the ships
of the Emperor, which were always kept in readiness \
(Feola. Chap. 111).
'' it may be assumed that in addition to the har-
bour works, other settlements, possibly small country
houses and baths stood here, and that the same have
been destroyed, and partially cast into the sea, for such
remains are still to be seen on the sea-shore \ (" Capri \
Weichardt. p. 47).
182 THE BOOK OF CAPRI
SCOGLIO DELLA SIRENA
A flat mass of rock of considerable size extends
from this beach, which from the remotest age of Homer,
has retained the name of " Scogh'o della Sirena ", as
being the special place frequented by the sirens, accor-
ding to the annotation of Servius, referring to the 864th
verse of the Fifth Book of the Aeneid. (Feola. Chap. 111).
CHAPTER XVI.
Monacone.
The island o' Monacone lies a little to the east of
the Faraglioni rocks. The top of the island is reached
by a hole, through which the climber passes over rough
rocks, until he reaches an ancient flight of steps which
leads to a crescent shaped slope measuring 500 feet by
100 and shelving towards the east.
This little islet has acquired a fictitious fame ,
quite out of proportion to its size, from the fact that
it has been identified as the " Island of Sloth \ or the
" City of the Do-littles ^ referred to by Suetonius in
the following passage, which is perhaps worthy of being
trascribed in full. " Augustus called an island near
Capri AizpayonoXK; "- the City of the Do-littles ", from
the indolent life which several of his party led there.
A favourite of his, one Masgabas, (who seems by his
name to have been of African origin), he used to call
KxtaxTj;, as if he had been the planter of the island.
And observing from his room a great company of
people with torches, assembled at the tomb of this
Masgasbas, who died the year before, he uttered very
distinctly this verse, which he made extempore.
Kx'.aiou to, xuijipo. s'.aopo) Tto'jpo6|i,svov "
Blazing with lights, I see the founder's tomb.
184 THE BOOK OF CAPRI
Then turning to Thrasyllus , a companion of
Tiberius, who rech'ned on the other side of the table,
he asked him, who knew nothing about the matter, what
poet he thought was the author of that verse: and on
his hesitating to reply, he added another.
" 'Opag cpaeaai Maayapav xiiiwjjievov „
Honor'd with torches Masgabas you see :
and put the same question to him concerning that
likewise. The latter replying that, whatever might be
the author, they were excellent verses, he set up a
great laugh, and fell into an extraordinary vein of jesting
upon it \ (Suet. Aug. 98).
There is no accessible island near Capri other
than the Monacone, we must therefore perforce take
it for granted, notwithstanding its insignificance, that on
the plateau forming the top of this rocky islet, the
pampered and nerve worn companions of Augustus
exerted themselves in doing nothing, an accomplishment
which in these latter days has not entirely been lost by
the dwellers in Capri.
Feola says; " Here too one recognises remains
of ancient brick work. This has led me to the opin-
ion , that it may be the tomb in which was buried
Masgasbas, the favorite of the Emperor, the year before
his last coming to this island \ (Feola Chap. Vlll).
" The island of Monacone still has remains of a
tomb, from which however the sarcophagus, if one
ever existed, has been removed ". (Mackowen. Capri
p. 178 and Mang. Ric. Top. p. 137).
CHAPTER XVII
Certosa.
The Certosa Cloisters, on the south side of the
island, occupy a warm and sunny plateau between the
hills of Castiglione and Telegrafo. A fruitful sheltered
valley skirts this huge block of buildings on the east.
As is well known, all Carthusian monasteries in Italy
are called " Certosa ", this being the Italian equivalent of
" Chartreuse ", the noble monastery in southern France,
where the founder St. Bruno retired. Until quite re-
cently the Certosa has been used as a Military Prison
of Discipline.
" On its eastern side antique Roman walls are
seen, which serve as foundations for the monastery
walls, and it is very probable that the builders of this
religious house used antique foundations in a great
measure, for many antique walls can be seen in the
vicinity ". (Mackowen, " Capri ", p. 172). Hadrava also
places here an Imperial residence. (Had. Let. XV
and Romanelli, p. 87).
" There can be no doubt that an Imperial palace
once stood here whose builder was Augustus , while
the wide court yards surrounded by halls and massive
186 THE BOOK OF CAPRI
building-complexes, which we can detect today look
more like a Roman Palace than Cloisters. Again in
the cloister garden, enclosed within a high wall , are
still found Roman foundations, fractions of marbles
and coins: but it is more particutarly on the elevation
in the south-west, on which two narrow rocks connected
by an arch form a plateau, that a small building ap-
purtenant to the Palace probably stood ^ (" Capri ",
Weichardt p. 58 & 59). The enormous cisterns, which
in time of a water famine are thrown open for the use
of the people, are also unquestionably of Roman con-
struction.
" During the reign of Joanna, 1, Giacomo Arcucci,
Count of Minervino and Altamura, founded the mon-
astery called Certosa, and by a deed dated May 1st 1372
the Queen granted considerable tracts of land on the
island to this Carthusian monastery, whose construction
commenced that same year ". (Mang. Ric. Stor, p. 356).
Some years afterwards Arcucci fell into disgrace with
the powers that be, and sought shelter at Certosa,
where the monks received him affectionately, and where
he died in 1397. The monks gave him a stately fu-
neral, and erected in his memory a handsome marble
tomb in the monastery Church.
The Monastery of Certosa was thus described by
Hadrava more than a century ago; " The fathers pos-
sess all the ground in this part of the island, and much
elsewhere both in Capri and on the mainland. There
are only fourteen of them, with a revenue of 12,000
ducats (about £2000), who give away in alms enough
corn and bread for the wants of the poorest in the
island, besides contributing to various extraordinary
CERTOSA 187
expenses of the Bishop: They make the best bread
and an excellent " rosoh'o ", or h'queur. They are now
and then engaged in h'tigation with the Chapter, for the
simple reason that wealth opposed to beggary brings
forth envy \ (Had, Let, XXV). The dismantled Church
of San Salvatore is of fine proportions, 159 feet long
by 40 in width. The altar has been removed to a
Church at Posilippo.
CHAPTER XVIII
Palazzo Inglese.
By far the most conspicuous block of buildings on
the north side of the island is the Palazzo Inglese, or
Canale. Embedded in orange groves it faces full north,
and from its broad and ample loggia commands all
the lower part of the island. It was erected by Sir
Nathaniel Thorold, a Lincolnshire Baronet, who having
run through his fortune at home , retired to Italy and
established at Genoa a trade in salt and dried codfish,
from which he realised a considerable fortune. He
eventually determined to enjoy the fruits of his labour
in peace and leisurely seclusion , and came to Capri ,
where he erected the Palazzo Inglese , which was at
that time , and long continued , the most imposing
mansion on the island. The date of his arrival in Capri
is not certain, but he is known to have died in 1764.
After his death the Palazzo passed into the possession
of the Canale family. Those, who would learn more
of the interesting romance connected with Palazzo
Inglese should consult •* Dolce Napoli " by Stamer,
pp, 242 to 246,
" During the visit of twelve or fifteen days made
to the island by King Ferdinand IV of Naples, he was
190 THE BOOK OF CAPRI
quartered with all his suite in the house of Thorold ,
a rich English merchant, who passing his life here for
many years , built a house like a castle , and adorned
it with English furniture, and every convenience. After
he had finished his happy days , the house passed to
the family of Canale, to whom he had left it. This is
the most beautiful house on the island, and charmingly
situated. On going out of the drawing-room , one
comes to a loggia , from which is seen a magnificent
picture , the entire island being spread out like an
amphitheatre, while opposite the shores of Naples can
be clearly distinguished \ (Had. Let. IV).
During the French attack on Capri in 1808, Colonel,
afterwards Sir Hudson Lowe , ( who was destined
later to figure as the tactless and ungenerous gaoler of
Napoleon at St. Helena) made the Palazzo Inglese his
headquarters. This naturally concentrated on himself
and his abode the relentless fire of the French batte-
ries. As may still be seen, the French " held straight ",
and the Palazzo was left in a somewhat dilapidated
condition, from which it has never entirely recovered.
" In front of the entrance " says Feola " one
perceives a block of stone of oblong form, measuring V2
foot in length and 9 inches in breadth, which is used
as a threshold. An inscription in Greek characters can
be seen on the stone, and though worn away by con-
stant traffic, is not entirely erased, as the letters were
originally deeply cut. It is possible to make out the
following
TNAIOS
ME : -^ AKAEOS
r EESTAN
PALAZZO INGLESE 191
Gneus Magacles Patronus Pestanorum ^ (Feola Chap,
v.). About fifteen years ago this stone was acquired
from the Canale family by the late Mr. Wreford , and
was removed by him to his Villa Cesina, where it
still can be seen. The stone was in all probablity a
boundary stone, to mark the limits of the property of
Magacles.
CHAPTER XIX
Roman remains at Anacapri.
Feola assumes that twelve Imperial Palaces were
erected on the island either by Augustus or Tiberius,
as he only finds in the present Commune of Capri
traces of six such Palaces of sufficient magnitude to
be considered Imperial Palaces, he concludes that the
remainder must be looked for in Anacapri. He accor-
dingly enumerates the following districts as having been
the sites of Imperial Palaces, which he inclines to at-
tribute to Augustus :
Capo di Monte ;
II Pozzo ;
monticello ;
Veterino ;
Damecuta.
(Feola. Chap. XIV).
Whether these Villas were Imperial Palaces, or
merely the country houses of rich and influential attend-
ants on the Emperors, is, and must always remain,
matter of conjecture. Certain it is that, at all the above
sites in Anacapri , considerable and unmistakeable
15
194 THE BOOK OF CAPRI
Roman remains were visible in the time of Feola and
Mangoni. Having regard to the magnificent and com-
manding situation of Damecuta , placed, " on a four-
sided eminence " and to the enormous extent of the
remains to be seen at II Pozzo, it may not be rash
to assume at any rate that, these two latter were Impe-
rial Palaces.
Capo di Monte.
Excavations were conducted here by Duke Gallo
of Naples, and brought to light ruins of walls, pave-
ments, sheets of marble etc. (Feola Chap. XIV).
// Pozzo.
A vast vaulted building of Roman work, it is
composed of three vaults communicating with each
other, each 16 feet in lenght , and 14 in breath, the
whole space occupied being 7171 feet. As in the Villa
Jovis, the vaulted chambers certainly formed the found-
ation of a vast Palace. Tesselated pavements and
bas-reliefs were found here. (Feola. Chap. XIV).
Monticello.
Feola himself saw here a large room with a pave-
ment of minute " tesserae ", and walls ornamented
inside with polished " intonaco " of bright red, blue,
and yellow, and the remains of delicate cornices. (Feo-
la. Chap. XIV).
Veterino.
Feola mentions finding on this spot the remains
of a wall 9 feet in length. The masonry was in part
covered with " intonaco ", which shows that it was
used as a dwelling. For the convenience of these Villas,
roads, of which traces can be seen in numerous
places, were probably made by the Emperor Augustus.
ROMAN REMAINS AT ANACAPRI 195
Vaults, formed the foundations of the above-mentioned
road, which not only led to the Villas of Pozzo, Vete-
rino, and Monticello, but also to the Port on the north
called Gradolo, so that we may without presumption
conclude, that all these Villas had road connection with
this Port. (Feola. Chap. XIV).
Damecuta.
This Villa situated on a four sided eminence, like
a " loggia " overhanging the sea, was according to
Mangoni " the fifth Imperial Palace, which 1 think was
the largest, built by Augustus in Anacapri \ (Man-
goni. Ric. Top. p. 255). Antiquarians have supposed
that the name Damecuta is a corruption of " Domus
Augusti " : this definition does not commend itself to
us, especially as it is not claimed that any of the other
sites occupied by Roman Villas, Imperial or otherwise,
still preserve their original, or a corruption of their
original names.
Feola suggests that the doctor of Augustus, Anto-
nius Musa, recommended the Emperor to make use of
this Villa in preference to the Villa Jovis, thinking that
the purity of the air would be beneficial to the disease,
relaxation of the bowels, from which he suffered. (Feo-
la. Chap. XIV). Feola informs us that the length of
the space covered by the Palace was 50 feet, breadth
31 feet, forming an anterior area of 15750 feet. On
the north side still stands a Tower, (lately renovated
by Dr. Axel Munthe), which was used " as a watch-
tower to give warning to the inhabitants of the ap-
proach of the Saracens ". Tesselated pavements were
found near this Tower to the west : higher up on the
western side, the remains of antique reticulated ma-
196 THE BOOK OF CAPRI
sonry, formed partly of the rock of the island, and
partly of tufa of Posiljppo, have been brought to
light ".
On the south side Mangoni mentions two vaulted
receptacles for water, length 145 feet, breadth 16 Vs
feet. He further mentions the discovery of marble
columns, and a capitol of the Doric order. (Mang. Ric.
Top. p. 259).
In his Note to Feola, (Chap XIV,) Dr. Cerio informs
us that in more recent times remains of pavements of
coloured marbles, capitols of the Doric order, and
other columns of " bigio antico " and " cipollino ",
but reduced to fragments, have been brought to light.
Amidst the ruins of a large semicircular chamber was
found a beautiful pavement, almost intact, composed
of large bricks of " palombino ", a stone which in its
extreme whiteness resembles ivory.
A very fine fragment of a marble vase, adorned
with garlands and clusters of flowers was found at
Damecuta, and is now in the possession of Mr. C. C.
Coleman at Villa Narcissus, as well as a terra-cotta
female head.
It was on the level plateau of Damecuta that the
English under Major Hamill were camped, and from
thence marched to meet the French under General La-
marque. (Mang. Ric. Top. Chap. 29).
CHAPTER XX
Campo Pisco.
In or about the year 1683 Bishop Gallo bought
and rebuilt the house at Fortino, and from this fact the
present name Campo Pisco , which is a corruption of
" campus episcopus ", is derived. (Had. Let. XX).
In this place Hadrava discovered various concrete
pavements, an infinite quantity of " giallo antico ", and
in another excavation a great quantity of fragments of
marble of different colours , and especially lapislazuli.
He also found a bust of Vesta. (Romanelli p. 108.
Mang. Ric. Top. p. 212). From the absence of any
choice works of art Mangoni supposes that the buildings
existing here were part of some Public building: others
have conjectured that they were the remains of a Temple
of Vesta.
In 1809 the French erected a fort on this site.
CHAPTER XXI
Porto Tragara.
The Port of Tragara was evidently used by the
Romans as a harbour , and would afford shelter to
their galleys from the westerly and northern gales.
On one of the rocky points at the beginning of the
inner part of the landing place, can be observed below
the level of the sea , three distinct pieces of masonry
at equal distances apart , which might have been the
foundations of elevated piles, to support arches, which
formed the " banchetta ", or Mole. These are distin-
guished by the name of " Preciolelle ". (Feola ,
Chap. VllI).
The landing place is at the north west corner of
the port ; a flight of steps can be seen at a depth of
22 feet below the water, and a portion of a stairway,
which led to the water's edge, still exists. On the
western side of the port are massive walls , some of
which are of Roman construction , and some of later
date; the latter were most likely built to prevent the
landing of the Saracens, in the middle ages. (Mackowen,
p. 176).
200 THE BOOK OF CAPRI
Several large leaden pipes were found not many
years ago , embedded in the soil near Porto Tragara ,
which probably were used to conduct the water needed
for the use of the Roman galleys, from large reservoirs,
which were situated on the hills of Castiglione and
San Michele. Dr. I. Cerio tells us, that a few years ago
fragments of iron rings could be seen attached to the
rocks, and evidently used for mooring ships.
CHAPTER XXII
Truglio and Sopra-Fontana.
Near the Aqueduct in the middle of the Piazzetta
of the Grande Marina , excavations were made in the
time of Francis I (1827), and the ruins of several
apartments , the vaults of which were totally crushed ,
the walls demolished , and the pavements almost
obliterated, were brought to light. Two pavements of
yellow and green marble were found on this spot, and
removed to Naples. Mangoni informs us that a column
of " giallo antico " , measuring nine feet in height ,
and fifteen inches in diameter, and five headless statues,
(of which one of colossal size was recognised as a
statue of Tiberius), as well as a smaller statue of a
young warrior in short tunic, were discovered here.
(Mang. Ric. Top. p. 190).
Sopra-Fontana.
At the Fontana close by , four cisterns were
discovered: two of these measured 183 feet in length,
and 32 feet in breadth. These cisterns were probably
built to supply water to the adjoining Villas, and are
to this day full of spring, or at any rate flowing water,
202 THE BOOK OF CAPRI
and there is no record of their having ever run dry.
(Mang. Ric. Top. p. 196). In one of these cisterns
was found a porphyry head of a divinity, or Egyptian
priest. (Secondo, Relazione, p. 17).
Schoener remarks; " There are three very interesting
cisterns in a row, the first of which has the remarkable
length of 59 metres (200 Roman feet), with a width of
ten metres, and a height of five metres. They show
evidence of great antiquity and extreme solidity. The
vaulting is of great strength. The walls are two metres
in thickness. At the entrance on the north side , one
can see that they consist of brick-shaped tufa and
* opus reticulatum " Three quadrangular holes
in the vaulting may have been for the purpose of
admitting light There was a tradition that this
mighty cistern was never without water , and that it
could not be ascertained whence the water came.
In the summer 1880-1881 in consequence of prolonged
draught, this cistern became empty: it was then seen
that the water came from the adjoining smaller cistern
by a communicating opening , and that the latter
contained the spring. Of these cisterns which are
closely connected, and quite of the same construction,
there are three , and not four as Mangoni indicates.
Only the westernmost cistern has the above described
dimensions, the other two being much smaller it
is evident that these cisterns were the public reservoirs
of the ancient town, they were nearer than any other
source of water, and it is certainly not without reason,
that three paths meet here \ (Schoener, Chap. V).
An immense quantity of very fine chalk was found
at the botton of the cistern , which contained metallic
SOPRA-FONTANA 203
particles , which when dry became of a pecuh'ar blue
colour. This fact has given rise to the idea that in
the days of Tiberius, the celebrated " Murrini " vases
were manufactured on the island. (Romanelli p. 105).
For further information in regard to these peculiar and
precious vases. (Part. II, Chap. IX Palazzo a Mare).
CHAPTER XXIII
Villa at Aiano.
The district now called Aiano, lies towards the
south west end of the Valley of the Marina, and about
half way up the hill. Hadrava places here an Imperial
Villa, and Mangoni follows suit. The latter remarks;
" In times not very remote, many subterranean cham-
bers were discovered, in which I recognised pavements
of ancient coloured marbles and several tablets of white
marble, as well as the remains of an acqueduct containing
several hundred pounds of lead piping ". (Mang. Ric.
Top. p. 208, and Romanelli. p. 109). " In the environs
were found in times long ago, eight magnificent antique
columns, of which four were of " giallo antico ", and
the remainder of Egyptian " cipollino ", each of twenty
feet in height and in one piece: for many years they
served to adorn the ancient Cathedral of San Costanzo,
which is not far from the place of their discovery.
Those of " giallo antico " were afterwards removed to
the Royal Chapel of Caserta, where they may be seen
today (Romanelli, p. 109); while the remaining four of
Egyptian " cipollino " can still be seen by the travel-
ler in the Church of San Costanzo ". (Mang. Ric.
Top. p. 208).
206 THE BOOK OF CAPRI
" On entering the piece of property occupying the
northern part of the hill, immediately to the left we
find a rough wall 45 paces long, well preserved, and
partly covered with " opus reticulatum ", and beyond
following the same direction, another wall slightly in
advance. The latter, against which the peasant's dwel-
ling rests, is about thirty paces long, and rises in se-
veral gradations to the height of about five metres,
showing traces of brick mosaic pavement. Above these
walls is a terrace, planted with vines; behind which
rises another antique wall of " opus incertum " and
brick work. The six layers of brickwork show con-
clusively, that this wall belongs to the Tiberian buil-
dings. The breadth of the terrace (about 12 metres),
is the same as that of the Villa of San Michele, the
Camerelle, and Punta Tragara. The walls are parallel,
and run from W. N. W. to E. S. E. \ (Schoener,
Chap. X).
CHAPTER XXIV
Blue Grotto.
At the present time the Blue Grotto is the principal
attraction of the island, and yearly brings from 30,000
to 35,000 visitors to Capri. Each visitor pays a tax of
Lire 1,25, which furnishes a considerable source of re-
venue, and is divided between the Municipalty, the poor
of Capri, and the mariners.
The strangely evasive blue light which suffuses the
Grotto has been so often described by pens more full
of poetry and Teutonic idealism than mine, that I will
leave the visitor to satisfy the imaginative and pictorial
portion of his soul from such pen-paintings. I .will
merely confine myself to facts.
The grotto as we see it today, is elliptical in shape
with extensions north, east, and south west. It is 163
feet long by 83 feet wide, its greatest height is 50 feet,
with a depth of 60 to 70 feet, which varies according
to the direction, and force of the wind. The height of
the present entrance is 6 V^ feet, 3 feet being under
water.
Mackowen says; " Since the Blue Grotto has been
hollowed out to its present size , it has been about
sixteen feet lower in the water than at present, and
208 THE BOOK OF CAPRI
must have remained at that level some hundreds of
years, because a line of holes, which in some cases
have a depth of several feet, can be seen running round
the inside of the Grotto, about sixteen feet above the
present level. When the Grotto was at this lower
level, the sea water could run into the passage at the
back, and thus destroyed the continuation of the pave-
ment, which now exists under the artificial arch , with
the pavement in the passage; this latter pavement has
been cracked, and in great part destroyed by the rising
and subsidence of the island ^ (Mackowen. p. 156),
Weichardt remarks ; " Clear traces of the mediaeval
sea-level, 5 metres above that of the present day , are
recognisable on the interior walls of the Grotto. The
entrance to the Grotto was consequently entirely cov-
ered, and the Grotto thus unknown in post - Roman
days, namely until the island once more rose to its
present level ". (Weichardt. " Capri. " p. 43).
" Nearly 15 feet above the water level within the
Grotto, there is a row of holes upon the sides evidently
produced by the action of the water. The island there-
fore in past antique times must have been 15 feet
deeper in the water than today ". (Schoener. Chap. X).
Again referring to Mackowen who has made a
special study of the Blue Grotto: " The present entrance
to the Grotto is through an arch whose height above
the present water level is three feet, and a half, the
depth of the water under the arch is three feet, which
gives an arched entrance, whose height below and above
the water-level, amounts to six and a half feet, with a
width of three and a half. On close inspection it will
be seen that the rock which forms the floor of this
BLUE GROTTO 209
arched entrance was level, and that this level floor
projects several feet into the sea in front of the arch
in the shape of a commodious platform. The vertical
sides of this entrance meet the level platform at right
angles, and it is seen at a glance that this entrance is
artificial, and has not been formed by the action of the
sea water, for under those circumstances the floor
would have a round shape. A few feet to the right of
the present entrance, and at a depth of seven and a
half or eight feet below the water level, can be seen
the top of a large arch , which widens out until it
reaches a profundity of about thirty feet, then the two
sides approach each other gradually until they meet,
forming thus a large round hole about fifty feet high
by forty in width, through which the water of the Bay
of Naples flows freely in and out of the Grotto ".
(Mackowen. Capri p. 158). in order to ventilate the
Grotto " an opening six and a half feet high was cut
through the rock, four feet and a half above the top
of the old entrance, and this opening furnishes today
the only means of access to the interior of the Grotto \
("Mackowen. p. 159).
" That the Grotto was used in ancient times, is as-
sumed, not only from the artificially made and enlar-
ged opening with its level base projecting like a plat-
form, and the remains of steps hewn in the living rock,
leading to and from the outside — but also from other
artificial constructions in the rear of the Grotto ".
(Schoener. Chap. X).
From the quotations made above, it will be seen
that we have every right to assume with considerable
security that the Grotto was known to the Romans,
16
210 THE BOOK OF CAPRI
but not as the * Blue Grotto ', and that entry was made
by an opening now submerged, and ventilation afforded
by the present entrance. We may further be sure that
by the gradual subsidence of the island all knowledge
of the Grotto was lost for many hundreds of years,
how many exactly we have no means of estimating.
Weichardt remarks; " A set of steps cut into the
outer rock, of which a number still remain, and have
recently been repaired, then led from the entrance up
to the steep wall of rock and onwards to the heights,
whereon stood a not unimportant structure— also sup-
posed to have been an imperial villa. The steps, which
began on a platform lying in the sea in front of the
antique grotto-arch, show that the grotto was used in
the time of antiquity \ (Weichardt. '* Capri " p. 42).
" About eight years ago a flight of steps, which
leads down to the water in front of this entrance, was
cut out of the solid rock; this was only a renovation
of an old flight of steps, which was built in ancient
times, but had been much injured, and almost totally de-
stroyed by the action of the waves. Remains of the old
Roman masonry may still be seen under a modern
wall, which has been pierced to make room for the
new flight of steps ". (Mackowen. Capri, p. 160).
At the back of the Grotto is a passage which
penetrates a considerable distance into the mountain
side. Antiquarians have at all times been much exercised
in their minds as to whether this passage is a natural
fissure, caused by the action of rainwater, or whether
it is the work of man , and was a secret corridor
leading to some Villa or Palace above the Grotto ,
(some suggest Damecuta). Still another theory has
BLUE GROTTO 211
been suggested more lately, that these passages may
have been nothing more romantic than the sewer of a
Villa above.
1 have thought it fair to the reader to allow him
to compare the respective accounts of Mangoni , of
Mackowen, (who is undoudtedly a high authority), and
of Dr. Schoener the latest explorer, who tells us that
he penetrated these corridors on numerous occasions.
Mangoni says ; " On the right hand of the Blue
Grotto, is another grotto about two feet above the level
of the water, which enters the limestone rock in a
southerly direction. The breadth of the entrance is
about 26 feet , but it is divided midway by a natural
pillar of rock , so that it has two distinct entrances.
At the beginning , it is sufficiently high , but as you
advance it gets lower, and the breadth also dimimishes.
At the same time one may suppose , that anciently
when the floor was not so covered with soil , it was
accessible. This subterranean passage advances in a
straight line for about 200 feet, and one can walk on
a sort of cement made of limestone mixed ^iith
pebbles We have observed no ancient masonry
in this passage , except a great quantity of rocks for
masonry, and a stone of a rectangular shape which is
seen to cover the upper part of the vault at its end ,
which might have been placed there to conceal the
Grotto \ (Mang. Ric. Top. p. 34-35).
Mackowen remarks; ** in the back part is an arch,
cut out of the solid rock , and under this arch is a
pavement made of unhewn stones and masonry: below
this pavement and in front is a ledge hewn out of the
rock, and on the right of this ledge are the remains
212 THE BOOK OF CAPRI
of Steps , which probably led down to the sea level ,
when the island stood higher out of the water than it
does now. This arch and ledge are artificial, because
the marks of the chisel can be plainly seen. The
pavement extends a short distance back of the arch into
a, passage, and then ceases , but the passage becoming
narrower as it proceeds, extends three or four hundred
feet into the mountain. There the passage ends abruptly,
and quantities of clay exist on the floor and sides, to
show that it was formed naturally by the action of
acidified rainwater , dripping through a fissure. Many
writers have adopted the theory that this passage was
a subterranean entrance to the grotto from some place
above, but a close examination of the sides shows no
marks of the chisel, nor any other sign to prove that
it is artificial \ (Mackowen. p. 155).
Those who believe that the Grotto was the theatre of
the voluptuous Tiberian bathing scenes, have readily
accepted the supposition that it was in secret commu-
nication with one of the imperial palaces, and have
without much thought, asserted that a corridor in the
background of the grotto was the communication by
which the libidinous tyrant was wont to betake himself
with his retinue of women and boys to the magic
bathing place.
Dr Schoener, who frequently explored the interior
corridor of the grotto , gives the following results of
his explorations, which 1 have transcribed at length, as
it is the best and fullest description of this mysterious
passage , the use of which has been the subject of so
much discussion. " He who inspects the opening and
first few steps of the corridor may consider himself
BLUE GROTTO 213
justified in this presumption. The opening which is
about 150 feet from the entrance in the south western
part of the grotto has a width of nearly 30 feet. It is
divided by a pillar of rock into two entrances differing
in height and width. The one in advance, which faces
the entrance of the grotto, shows distinct traces of the
chisel on its walls and vault, its floor-way three feet
in thickness, is constructed of quarry stone, and at its
foot projects a small platform flush with the present
water level, from which steps went down to the water
level, which was originally 18 feet deeper, in the interior
of the subterranean corridor which begins here, and which
leads to a third , but much narrower opening , in the
lower part of the cavern , we find clear -traces of
workmanship. The footway consists of a very hard
mass of limestone and hewn rock : the ceiling was
covered with masonry , which has since for the most
part fallen down. Spacious in its beginning , the
cavernous opening rapidly diminishes in height and width,
and at about 150 feet from the entrance there are no visible
traces of artificial work. The direction of the corridor
is nearly due south west : its height and width varying
considerably. Nowhere can more than two persons
walk abreast : for the most part there is only room
for one person, and often it is necessary to stoop very
low , and push oneself cautiously along between the
projecting rocks 1 have done so repeatedly, and
finally traversed as far as 600 feet " " As 1 was
unable to find any native who had penetrated more
than 300 feet, and who could boast of any acquaintance
with the corridor 1 undertook to make the expedition
alone. After I had advanced 300 paces, and passed
214 THE BOOK OF CAPRI
several places where it was possible to make progress
only by stooping and edging along sidewise , I saw
the way obstructed by loose fragments of rock. Whether
the way continued beyond this, and if so how far, I
cannot say. From the condition of the twisting passage
this much can be stated with certainty, that the corridor
is nothing more or less than a natural cavity, (many
such existing in the limestone formation of the island),
and it is absolutely certain , that it could never have
been used as a means of communication between the
Grotto and an imperial palace. Even if the traces of
workmanship on the walls could be obliterated by the
dripping from the limestone , which covered them
with a thick slimy crust , it is inconceivable that the
builders should have neglected to remove the numerous
inequalities of the footway, as well as the jagged projec-
tions from the walls and from the ceiling which cons-
tantly menace the pedestrian ". (Schoener. Chap. X).
Excavations made immediately above the grotto by
Colonel Mackowen between the years 1875 and 1876
discovered the remains of a Roman Villa ; he found,
" fragments of statues, many bits of coloured marble ,
columns and other things which proved the richness
with which this palace was adorned \ (Mackowen,
p. 162).
Dr. Schoener says ; " The parts of the Villa were
built on different levels in consequence of the sloping
of the hill seaward. Only a small portion of it has
been excavated. Above small rooms of " opus
reticulatum " are to be seen , cisterns of "" opus
incertum " and a few bath-rooms: further below
stuccoed and painted rooms with marble thresholds, an
BLUE GROTTO 215
irregular building with two round niches , looking
towards Portici and Ischia — and behind a water conduit,
and other rooms difficult to classify \ (Schoener ,
Chap. X).
The vexed question as to who really rediscovered
the Blue Grotto, after its disappearance in post-Roman
times, has been complicated and obscured by numerous
references by various writers to what is now known to
be the Grotta Oscura, but which many writers, generally
considered careful and reliable , have confounded with
the then unknown Blue Grotto. Mr Norman Douglass
remarks; C Blue Grotto and its Literature ", p. 7).
" Soon after 1826 , attention was drawn to accounts
by older writers of a Grotta Oscura in Capri. The
merit, such as it is, of starting this confusion belongs,
1 think , to Waiblinger. Chevalley de Rivaz and
Stanislaus d' Aloe also refer to older authors. The
latter writes, (" Naples: ses Monuments et ses Curiosites ";
1847) ; " Our friend, Mr. Kopisch , rediscovered the
Blue Grotto, mentioned by the historian Capaccio ".
The real facts appear to be as follows : prior to
1832, that is, six years after the German painter August
Kopisch rediscovered the Grotto, there is no clear and
unmistakeable reference to it by early writers. The
reference gf Capaccio in his " Historiae Napolitanae "
published in 1605; " Inter speluncas, una reliqua est,
quam ingressu valde obscuram cernes, in lucidum deinde
sinum desinit in quem superne aquarum stillicidiis, mare
nimis delectabile redditur ", refers probably to the
Grotta Oscura , and not to the Blue Grotto , because
no mention is made of the blue light , or of the low
entrance, the two principal characteristics of the Grotto.
216 BOOK OF THE CAPRI
Parrino , ( " Nuova Guida dei Forestieri ") , has the
following passage; " Delle spelonche una ve ne resta ,
che ha I'entrata molto oscura , ma in lucido seno per
la riflessione dell'acqua termina molto dilettevole " : it
is however certain that Parrino never himself visited
Capri, and merely copied Capaccio's account.
Neither Secondo, Romanelli, Breislak, Rezzonico,
or Hadrava make the slightest reference to the Blue
Grotto. In an interesting pamphlet (dated March 23
1828) the archeologist Feola describes the steps that
lead to the sea close to the mouth of the Blue Grotto,
but says not a word of the Grotto itself. The manu-
script of Mangoni's " Ricerche Topografiche " dated
Capri, Feb. 1831, contains not a single reference to the
Blue Grotto.
From negative we pass to positive evidence, as to
the real discoverer of the Grotto. The Grotto was
certainly known to Angelo Ferraro, a Capri fisherman,
and possibly to many another Capri mariner. The
Neapolitan " Poliorama Pittoresco ", in an article en-
titled, " Angelo Ferraro, detto il Riccio, ", gives a por-
trait of him, and fixes the date of his discovery of the
Blue Grotto for the 16th May 1822. This opinion is
further confirmed by the following extract from the Ar
chives of Naples.
BLUE GROTTO 217
CoNsiGLio Genrrale degli Ospizii della Provincia
Di Napoli.
26 Marzo, 1845.
Ecceilenza,
II marinaio Angelo Ferraro, scopritore della Grotta
Azzurra in Capri, che tra le momentanee sovvenzioni
ottenute da S. M. il Ministro della Polizia per aver con-
tribuito alia celebrita della sua patria, fu abilitato al
triplo turno tra gli altri marinai che conducono i cu-
riosi di naturali fenomeni a visitare quel sito, privo or-
mai di vigoria per la sua eta avanzata, ed inabile a
trar profitto di tale abilitazione, nonche ridotto alia
estrema indigenza, ha mosso il sotto-intendente di Ca-
stellammare a promuovere a di lui favore un mensuale
sussidio di carlini trenta, da gravitare per carlini diciotto
al mese sulla beneficenza di Capri e per gli altri carlini
dodici sulla beneficenza di Anacapri.
A me sembra che meriti il nominato individuo la
considerazione proposta, pel riflesso non solo che gli
ottenne fin dapprima dei riguardi, e per un principio
di pieta a causa della sua indigenza, ma pel motivo
ancora dell'utile che la scoverta fatta dal suo coraggio
ha procurata alia infelice classe dei marinai, e special-
mente ai suoi compatriotti, e perche attesa la sua eta
218 THE BOOK OF CAPRI
inoltrata non dara luogo per lungo tempo a questa
gravezza per le due amministrazioni dinanzi dette.
Mi onoro quindi di rassegnare la proposizione
alia E. V. per le superiori sue determinazioni.
Per l' Intendente Presidente,
// Consigliere,
(signed) Canonico Carbonelli
As the first intelligent foreigner, who since Roman
times, entered the Blue Grotto, described its wondrous
colour charms , reintroduced it to the great world
outside Capri, and conferred upon it its present name
of Blue Grotto, the honour in our opinion belongs to
August Kopisch. On August 17 1826 Kopisch , a
painter of Breslau, entered the Grotto, accompanied by
his friend Ernst Fries, also a painter and a pupil of
of Rottmann, and Giuseppe Pagano. The curious may
consult the autograph record of Kopish's exploit pre-
served in Pagano's Hotel.
In 1838 Kopisch published his " Entdeckung der
Blauen Grotte ^ which has siuce been republished. An
interesting account of the legends connected with the
Blue Grotto, and the adventures of Kopisch and his
companions during their now famous exploration, which
is an abbreviation and adaptation of Kopisch's account,
may be found in Part, ill. Chap. VI.
For the following authorities, who refer to the Blue
Grotto, I am largely indebted to Mr. Norman Doug-
lass', * Blue Grotto and its Literature \ Among the
earliest accounts of the Blue Grotto may be mentioned
that contained in a letter of the composer Mendelssohn
BLUE GROTTO 219
to his sisters, dated May 28, 1831: the account of Ma-
rianna Starke, " Voyages historiques et h'tteraires en
Itah'e ". A pamphlet of Marchese di San Tommaso
" La Grotta Azzurra ", 1840. " Poh'orama Pittoresco *,
" Angelo Ferraro detto il Riccio ', 1841. Chevalley
di Rivaz " Voyages de Naples et a Paestum " 1846.
Quattromani, and Pietro Martorana * Notizie biogra-
fiche e bibliografiche degli scrittori del dialetto Napoli-
tano ", 1874.
Among so many descriptions of the Blue Grotto
poetic, fantastic, tedious and copious, it is not easy to
make choice. 1 have however decided to quote at
length two passages, the first from the brilliant pen of A.
Dumas pere, and the second from that king of phantasy
Hans Andersen.
" J'avais devant moi, autour-moi, et derriere moi,
des merveilles dont aucume description ne pourrait
donner I'idee, et devant lesquelles le pinceau lui-me-
me, ce grand traducteur des souvenirs humains de-
meure impuisant. Qu'on se figure une immense ca-
verne toute d'azure, comme si Dieu s'etait amuse a
faire une tente avec quelque reste du firmament, une
eau si limpide, si transparent, si pure, qu'on semblait
flotter sur de I'air epaisi: au plafond, des stalactites
pendantes comme des pyramides renversees: au fond
un sable d'or mele de vegetation sous-marines: le long
des parois qui se baignent dans I'eau, des pousses de
corale aux branches capricieuses et eclatantes: du cote
de la mer un point, une etoile par lesquel entre le
demi-jour qui eclaire ce palais de fee: enfin a I'extre-
mite oppossee, une espece d'estrade menagee comme
le trone de la sompteuse deesse qui a choisi pour sa
220 THE BOOK OF CAPRI
salle de bains Tune des mervellles du monde ". (" Le
Speronare ").
The following dainty fairy-like suggestion is from
" Ths Improvisatore " of Hans Andersen. " The rower
took in his oars: we were obliged to lie down in the
boat, which he guided with his hands, and we glided
into a dark recess beneath the stupendous rocks which
are washed by the great Mediterranean. Instantly we
were in a vast vault, where all gleamed like ether. The
water below was like a blue-burning fire, lighting up
the whole. All around was closed in: but, benealh the
water, the little opening by which we entered prolonged
itself almost to the bottom of the sea, forty fathoms
in depth, and expanded itself to about the same width.
Thus the powerful sunshine outside threw a reflected
light upon the floor of the grotto, and streaming in
now like fire through the blue water, seemed to change
it into burning spirit. Everything gave back the reflec-
tion: the rocky arch — all seemed as if formed of con-
solidated air, and to dissolve away into it. The drops
of spray tossed up by the movement of the oars ,
fell red, like fresh rose leaves. It was a fairy world ".
CHAPTER XXV
Cave of Mithras.
The cave of Mithras is to be found in the plain of
Matromania , (on the south side of the island) which
is bounded on the west by the hill of Tuoro Grande
(now commonly called the Telegrafo) and on the east
by the Tuoro Piccola. The entrance to the cave can
best be seen by looking up from the Cala di Matromania,
but the approach must be made by means of a long
flight of very ancient steps, which lead down to it from
the path which goes to the Arco Naturale. There is
no spot on the island which appeals so strongly to the
imagination of the spectator : the peculiar remoteness
and loneliness of the spot, its freedom from intrusion,
the magnificient view to be obtained from the Grotto,
embracing the Cape of Minerva , the outlines of the
heights of the Surrentine peninsula , the islands of the
Sirens , and still farther off on the blue hazy horizon
the temple of Pesto: the appearance of extraordinary
antiquity of the few surviving remnants of masonry ,
while * all around a luxuriant vegetation grows out of
the damp and fragrant humus, and a refreshing coolness
welcomes us. A peculiar sense of enchantment has
its home here , an almost fearsome sense of solitude
222 THE BOOK OFiCAPRI
and silence , which is only broken in upon by the
monotonous dripping of the water in the cavern ".
(Weichardt, p. 85).
The imagination is fired, and teeming thoughts set
loose ; thoughts full of infinite suggestion, thoughts and
phantasies all the more fascinating because of their
supreme vagueness and uncertainty. Here, at least, no
rigid, exacting scientist can either crush or condemn
our flights of fancy : we are free as the birds to picture
what we will , and with boundless fields of thought
around us, there is no logical limit to our irresponsible
conclusions.
In regard to the meaning and derivation of the
word Matromania, Sign Secondo was of opinion, that,
it is derived from Ara Matris Magnae, or Matris Manium;
and that here once stood a temple built by Augustus,
in honour of Cybele ; he bases this opinion upon the
fact that, from time to time, many sepulchres have been
discovered in the vicinity of the Grotto, and also, from
the inscription carved on the tomb of the Greek Upatos,
which will be referred to at greater length at the end
of this chapter. Conte Rezzonico derives the name
from Magnum Mithrae antrum , and decides in favour
of the cave having been dedicated to the worship of
Mithras. Feola and all later writers, agree in supposing
that, in this remote Grotto were practised the secret
mysterious rites of Mithras.
The celebrated Mithraic bas-relief, which is now in
the National Museum of Naples , was found by Dr.
Giraldi about 1775. A narrative of his excavations and
discoveries, and especially an account of the Flora of
Capri, was written by Dr. Giraldi, and is quoted by
f C C t c
■ C r € €
■€ t'
c «
tcctc cc«««
^* * c •
* ac c
CAVE OF MITHRAS 223
Mangoni : this interesting MS. has unfortunately disap-
peared. The dimensions of the bas-relief are 3 feet in
length by 2 V2 in breadth , and represents the god
Mithras , adorned with a Phrygian cap , in the act of
sacrificing a bull ; the central figure is surrounded by
the usual Mithraic symbols : two youths to right and
left respectively, one raising, and the other lowering a
torch, symbolise Life and Death. (Romanelli: p. 39,
and note K. p. 91). This extreemly interesting Mithraic
bas-relief , was given by Dr. Gennaro Arcucci to
Ferdinand 1. of Naples , and is now preserved in the
Naples Museum.
Hadrava, considers that, this temple was dedicated
to Cybele, and observes (Letter XXIX) that, an altar
dedicated to that goddess was discovered in the cave
of Mithras, and states that it is now in the British
Museum. Mangoni quoting Hadrava, repeats the same
story. (Mang. Ric. Top. p. 111). As a matter of fact,
no such altar exists in the British Museum, and I can
learn nothing further of its history, or destination.
Dr. I. Cerio in his Note to Feola, (Chap. IX,) says
that , he saw some years ago , a beautiful terra-cotta
statuette , (about eight inches in height) , of a figure
wearing a Phrygian cap, which was found in the grotto.
Feola thus describes the temple; " The temple at
present consists of a wide and dark cave carved out
of the hard rock by nature. Its shape is an exact
oval, provided with two openings , one towards the
south, which admits the chief light, and the other
smaller one to the east, which serves as an entrance.
The length from the back to the southern opening is
about ninety feet , and the breadth is sixty feet. The
224 THE BOOK OF CAPRI
height of the vault is very irregular. There are still
remains in the Grotto of ancient masonry of the Roman
style, similar to that found in the Imperial Villas, not
only in form, but in the material used, it has in the
interior some walls constructed of volcanic rock from
Herculaneum, and the outer wall is faced with reticulated
tufa of Posilipo ". (Feola, Chap. IX).
" The perfect " opus reticulatum " is an evidence
that, the construction is of the early imperial times.
As the worship of the Persian Sun God was introduced
into Italy before the time of Pompey, it may be possible
that, this Grotto was intended to serve as a sanctuary
of Mithras from the first : on the other hand , it may
be that it originally belonged to the Augustan and
Tiberian constructions and was used at a later period
for those religious rites. In the former case it would
be one of the earliest Mithras sanctuaries in Italy ".
(Schoener, Chap. VI).
" The material for the " opus reticulatum " consists
of large wedge-shaped pieces of limestone , gray tufa
from Sorrento and yellow tufa from Posilipo. In the
apse, which is probably of a later date , we see brick
shaped pieces of tufa , and burnt bricks have been
used for the entrance pillars, which also seen to belong
to a later period \ (Schoener, Chap. VI). The sides
of the Grotto are constructed of solid masonry , and
one can observe where the arches sprang , which
supported the vault of the roof. "" The architectonic
form produced by a barrel roof, conjointly with the
apse, leads to the inference that, a sort of facade
stood at the front of the Grotto \ C Capri \ Weichardt,
p. 86).
CAVE OF MITHRAS 225
Dr. I. Cerio in his Note to Feola (Chap. IX,) says ;
" From other investigations made in the Grotto, one
can estabh'sh the fact that the vault and walls were
adorned with glass mosaic of various colours, while the
semicircle at the back of the Grotto, and perhaps the
plinth, was covered with encrustations of carbonate of
lime ^
Mackowen says; " a semicircular wall runs round
the cave, above this and a few feet back of it, runs
another wall parallel to the first: in the middle, a flight
of steps leads from the floor to the tops of these semi-
circular walls , and then leads up to what was prob-
ably, the " holy of holies ", of the temple *. (Mac-
kowen, p. 180).
Dr. James Roane, of Washington D. C, has most
kindly placed at my disposal his notes, made after a
personal examination of the Grotto, his object being to
prove the inclination of the sun's rays within the Cave
of Mithras at the equinox. " in descriptions and com-
ments of the Grotto of Mithras, various writers have
stated that, in the back of the Grotto, above the two
raised platforms, and considerably to the right of their
centre, there is to be observed a depression in the rear
wall, which in former times was probably a niche for
the statue of Mithras. The awkard position of this niche
with reference to the symmetry of tlie interior, they
explain by saying that, it was so constructed that it
might receive the first rays of the rising sun at equi-
noctial periods — the very pretty idea being that, as
Mithras was the Sun-God, and as peculiar significance
was attached to equinoctial periods, the statue of the
god was so placed in the cavern, that the first rays of
17
226 THE BOOK OF CAPRI
rising sun at each of these periods, would fall full upon
it. An investigation of this statement made on Sept.
21st. 1903 proved conclusively its falsity. The rays of
the rising sun falling very much nearer the entrance of
the Grotto, than on the depression above mentioned.
And further, the highest point reached by the sun's rays
was considerably lower than the very lowest portion of
the niche. It must be admitted however that, in former
times when the island stood some 15 or 20 feet higher
out of the water than at the present day, the altitude
then reached by the sun's rays into the Grotto, was
considerably greater than at present ; but the vertical
line, where they first appeared, was the same then, as
it is now ".
Weichardt, though ready to admit that it is highly
probable that a temple of Mithras existed here, thinks
it improbable that during the days of the first Roman
Emperors, it was used for this purpose. He inclines to
think that, the Grotto was rather used as a theatre ;
" The first impression produced by the interior of the
cavern, after we have overcome the gruesome feeling
due to the solitude of the place; is that the * genius
loci ' is not the Persian sun-god, but rather a lustful
faun, for the semicircular rows of seats are more in
harmony with the interior of a small theatre, than with
that of a temple. To use a somewhat unsophisticated
simile, we probably have here before us a sort of Roman
speciality theatre, the programme of which was mostly
confined to erotic representations ". (" Capri ". Wei-
chardt, p. 88). " The position of our cavern thus fa-
cing full east, the discovery of a Mithras-relievo , of
remains of columns and marble slabs, of an altar of
CAVE OF MITHRAS 227
white marble (as mentioned by Hadrava), renders the
assumption that a temple to Mithras existed here highly
credible; but it is very improbable that, in the days of
the first Roman emperors here — on their private pro-
perty — such a temple could have existed ; for, like the
Isis cult, that of Mithras was then interdicted, and only
silently tolerated in the provincial towns. In Rome it
was totally forbidden, and no one would have ventured
to carry on the secret worship of Mithras, on the little
island, so to say, right under the eyes of the Emperor \
(Weichardt, p. 87).
To sum up then our conclusions, from the data
from which we have quoted, we may assume, from
the evidence of the masonry in the Grotto that, it was
used for some purpose during the period of the early
Roman Emperors: what purpose is however, shrouded
in obscurity and uncertainty. We may further assume
with some probability that at a later period, the Grotto
was adapted to the service of Mithras. The Mithras
cult was specially cultivated and held in reverence by
sailors, and the people of the Orient, the home of its
origin, and we well know that the greater part of the
immense grain traffic of the Roman Empire, for the
supply of the city of Rome, passed by the island of
Capri on its way to Pozzuoli. We are further aware
that, the grain trade was largely in the hands of Egyp-
tian merchants, and that a considerable colony of these
merchants had established themselves at Pozzuoli. How
natural and convenient a spot then, would this be for
a temple of Mithras for the outgoing sailor to offer
prayers for a safe and prosperous voyage; and for the
228 THE BOOK OF CAPRI
returning mariner to render thanks for a safe deliver-
ance from the dangers through which he had passed.
On or near t!ie Grotto, was found a marble slab
having a metrical Greek epitaph, which was translated
into Latin by the learned Matteo Egizio, who had be-
come possessed of it. He presented it to the Library
of the Fathers of the Oratory of St. Philip at Naples:
here it was seen by Signor Martorelli, who corrected
the translation, and in his " Theca " greatly praised
the epitaph for the elegance of its style. (Mang., Ric.
Top. p. 111).
I will here add the graceful translation made by
Allan Walters;
" Dread powers, in murky Stygian shores who roam
Thrice wretched, me receive into your home:
Me snatched ere life's allotted race is sped.
By death resistless, swift, unmerited.
The hand that me with ample honours crowned
Hath dealt to sire and son this hopeless wound.
Ere thrice five years their finished course have run,
I, hapless child of sorrow, leave the sun.
My name is Hypatus — dear brother mine,
And weeping sire, I bid ye not repine ".
CHAPTER XXVI
Orotta Arsenate.
This Grotto whfch is to be found on the south
side of the Island and almost immediately beneath
the Grotto Castiglione, can best be reached by boat
from the Piccola Marina. The Grotto itself consists
** of a deep and regular incision in the hard limestone
rock, the vault above resembling a perfect tortoise in
shape ". (Feola. Chap. IV). The Grotto is approach-
ed by an inclined plane sloping gradually towards the
entrance: this is evidently artificial, the mortar being com-
posed of pebbles and scraps of brick mixed with lime.
This inclined plane was constructed to facilitate the
ascent and descent of boats. According to Feola the
length of the Grotto is 133 feet, breadth 104, and
height nearly 50 feet. (Feola. Chap. IV). The Grotto
was according to Feola and Mangoni used by the
Romans as a place for preserving naval stores, making
oars and sails , and for repairing their boats , and
launching them. The Roman floor is covered with
sand and stones, which have been dashed up by the
sea, or fallen from the top of the Grotto to a depth
of 3 or 4 feet: however the original floor can be seen.
230 THE BOOK OF CAPRI
and is composed of concrete made by mixing volcanic
cinders and broken pieces of pottery with lime.
On the right of the Grotto is to be observed
some masonry formed of the volcanic red tufa of
Herculaneum, this cavity was probably used as an inner
store, or special workshop. On the left and at the
back are to be seen two chambers in which were
discovered pavements. Dr. 1. Cerio in his Note to
Feola, (Chap IV,) says; " In 1879 certain excavations
were made in this Grotto and at about one metre
in depth, under the rubble and masses of rock, which
having fallen from the vault, had accumulated for cen-
turies, were found the remains of a rich pavement ,
made of * rosso antico " and arranged in the form
of a square , inside which were enclosed alternately
smaller squares of gray and black marble. On the
right of this cave was found, still in position, a broad
threshold of white marble. Mosaics of variously
coloured glass were also discovered in such quantity as
to lead to the opinion that, the sides of the Grotto
and vault were originally entirely covered with them. At
the bottom of the Grotto was found a large and most
precious fragment of a dish or plate in opalescent
blue glass, with fish drawn in relief with white cement,
and is now preserved in the Metropolitan Museum
of Art of New York. The workmanship of this plate
is similar to that of the celebrated Portland vase, and
to that found in a tomb at Pompeii in 1837, and now
preserved in the Museum of Naples. In the times of
Augustus and Tiberius this place must have been used
as a temple, or large bathing-place; the second pave-
ment about a metre above the first or original one.
GROTTA ARSENALE 231
was of later work, and was probably made when this
place was applied to other purposes ".
Weichardt says ; ** It is still known as the * Grotta
dell'Arsenale " and was probably used in the days of an-
tiquity as a yard for the repairing of small vessels.
The walls thereof seem to have been entirely faced
with masonry, on account of the dripping water. At
all events, remains of masonry are found on the walls,
as also traces of a small chamber, which was possibly
used by- the attendant watchman, it is very probable
that this grotto was used as shipwright's yard , as
both to right and left , at a very slight distance
therefrom there is found, a landing place, namely behind
the Faraglioni on the Tragara Foreland, and on the
" little marina ". (Weichardt. Capri p. 44).
On the left side are to be observed in the face of
the cave, and at a convenient height, six holes, each
20 inches square, at equal distance apart, and covered
inside with very hard mortar. These holes correspond
with an equal number on the opposite side, and at the
same height, though only three now survive, the re-
mainder having been destroyed by a fall of the rock.
One may presume that the object of these holes was
to receive huge beams, so that the Grotto could be
divided into two parts. (Mang. Ric. Top. p. 140),
or to support an awning to preserve the naval store
from the dripping of water, or falling rock. (Mac-
kowen. p. 171).
Immediately to the right of the principal Grotto, a
smaller cave of the same character should be observed,
inside which one may recognise Roman masonry of
Herculaneum tufa, consisting of elevations which may
232 THE BOOK OF CAPRI
have served as workbenches, on which could be ex-
ecuted such small repairs as are always necessary in
refitting boats. Traces of reticulated tufa of Posilippo
are to be seen attached to the rocks just under the
surface of the sea, which were undoubtedly part of the
inclined plane for launching boats, long since destroyed,
(Feola. Chap. IV).
. About the year 1777 an iron tool used for ship-
building, or as others think, a portion of a Roman
galley, was discovered, and sold to Dr. Giraldi. (Mac-
kowen p. 172).
CHAPTER XXVII
Grotto Castiglione.
On the south side of the Castiglione there is an
immense Grotto , which is certainly the largest on the
island and is well worth a visit. The path though
steep , and in dry weather slippery , is not dangerous
or inaccessible to the ordinary pedestrian , the rugged
broken steps being protected at the most threatening
points by a wire rope. Like similar caves on the island,
the Grotto is wide open towards the sea, and can only
be seen from that direction. A fairly plausible legend
exists, for which however I can quote no authority ,
that during the Saracenic raids in the middle ages, the
panic-stricken islanders sought, and found refuge here,
and certainly, provided they had a sufficient supply of
food and water, no more suitable spot could have been
chosen.
In the following graphic passage, Hadrava relates
how the engineer Santo, the director of his excavations
descended from above into the Grotto ; " I cannot omit
describing the courage of the engineer Santo, who was
inspired by a vague tradition related by the monks ,
that under the Castle was a Grotto , which was very
deep and most dangerous to enter. It was said that
234 THE BOOK OF CAPRI
a peasant, who happened on one occasion to descend
to the Grotto found there a tablet of precious marble
of great size. Santo being animated by these and similar
reports, resolved to visit the Grotto, in spite of all the
protests which the Governor and 1 made to him , not
to risk his life. Accordingly Santo with one islander,
who was to act as guide, undertook this perilous
expedition. The islanders are accustomed to scramble
over the rocks like cats, and often when quail hunting,
venture with their nets over the most perilous cliffs ,
for the sake of a single bird. The guide of the
engineer who was sure of gaining the value of a
hundred quail , took courage , and showed him the
spots where he should put his feet. For the first
fifteen feet all went well. About half way up , not
finding any support, and seeing beneath them a horrible
precipice, they made every effort to clutch to the rock
with hand and foot , and to lower themselves by
degrees by the bushes , but with imminent danger ,
because if a bush broke, or a rock fell, both of them
would certainly have perished. Seeing death beneath
them , they arrived covered with wounds at the foot
of the grotto. There they had to rest in order to
regain their strength for the dangerous return journey.
In the meantime the engineer examined the Grotto ,
and found nothing to verify the reports of the monks.
He made an exact sketch of the Grotto, and took away
some small pieces of the stalactites with which it was
filled : these stalactites being probably what the first
islander supposed was precious marble. Santo was
anxious to avoid spending the night there, not knowing
what animals might be hidden in the cave , or what
GROTTO CASTIGLIONE 235
noxious vapours might poison it , and knowing how
much time was necessary to return to the top. Besides
this the setting sun obscured the grotto and rendered
the return journey more perilous. Accordingly he
rekindled his daring, and after three hours incredible
suffering, scrambling with as much danger as before ,
they emerged at the top , with their hands and feet
covered with blood \ (Hadrava, Let. XXI).
The best modern account of the Grotto is given
by Dr. Schoener ; " The height of the Grotto is much
greater than its breadth, and spacious enough to give
shelter to several hundred people. The roof is covered
with numerous stalactites. The floor, sloping down
steeply at the entrance, becomes somewhat level towards
the rear. Near the east wall a small stone watch-
tower with loop-holes, guards the entrance. A good
many shapeless, but compact remains of rubble stone
substructions are to be seen in the centre of the Grotto,
and a few unmistakeable remains of walls , with a
coating of " opus reticulatum " in the best style, can
be observed in the back part of the Grotto. There is
also at the west end near the entrance a cistern about
twelve feet in length, now half filled with rubbish and
deprived of its vaulting , near which there must be
another cistern as a hollow sound is produced by
knocking on the partition wall. In the direction of the
extreme rear wall , which is still covered with " opus
reticulatum ", there is towards the west an opening in
the wall, near which the rock appears to have been
artificially dressed by the chisel \ (Schoener, Chap. Vli).
CHAPTER XXVIII
Qrotte dell'Arco e Felce.
On the south side of the island under the cliffs of
Mount Solaro, and facing the road leading down to the
Piccola Marina , an immense arched cave has been
carved by the hand of Nature out of the face of the lime-
stone rock, and has been named by the islanders Qrotta
dell'Arco. " This cavec laims the attention of all anti-
quarians, naturalists, and geologists on account of a
peculiar black shiny substance attached to the limestone
rock. It has the form of a protuberance, like the breast
of a woman, and seems to have been at some anterior
time in a fluid condition. It is met with on the sides
and top of the Grotto, and is so hard as to require a
hammer to detach it from the rock ". (Feola Chap III).
Breislak, Professor of Mineorology in Naples, in a letter
to Hadrava, which may be found in Romanelli page 119,
says; " I saw adhering to the limestone rock a sub-
stance which was black and shining, which for the
moment I believed to be bitumen In order
not to be inconvenienced by the pungent odour of this
substance, I placed it outside the house in which I was
sleeping, and the next morning I found to my surprise
that some of the specimens had attracted moisture
238 THE BOOK OF CAPRI
during the night: this caused me to doubt its being
bitumen After my arrival in Naples 1 examined
the substance more carefully with my friend Mr. Thom-
son: after analysing it, we found that it contained nothing
but an empyreumatic oil, ammonia, and a residuum of
carbon ....... The substance was found on the sur-
face of calcareous rock, forming prutuberances like the
breasts of a woman, in other places elongated and some-
what compressed, as if it had a certain degree of
liquidity. It adhered firmly to the rock, so that it was
necessary to detach it with a hammer The taste
is like that of tanned shoe leather, and the odour is
like that which may be met with in a closed grotto,
impregnated with the dung of goats ". (Romanelli,
p. 119).
Qrotta delle Felce.
As the visitor faces towards the sea looking from
the Grotto dell'Arco, he will perceive on his right a
smaller Grotto, previously almost concealed by an im-
mense rock which has fallen across the entrance.
From the roof and sides of this smaller Grotto hang
luxurious festoons of maidenhair fern, from which the
place takes its name of the " Fern Grotto \
Dr. I. Cerio remarks; " In 1882 while occuped in a
search for monuments and prehistoric objects, my at-
tention was called to this Grotto , which is a typical
• abri sous roche *. At a little more than one metre
in depth I came upon a great quantity of fragments of
pottery, made without the use of the wheel, among
which are noticeable the fragments of a large vase with
GROTTE dell'arco e felce 239
designs deeply marked, and of graceful form. I found
a pointed lance and several bone knives, one flint knife
entire, and two broken ones, a hammer of basalt,
smoothing tools, mallets, and other objects. Among a
large quantity of the bones of ruminant animals, were
also human bones. From what 1 found in this Grotto,
which was not completely explored, one may assume
that it served for a long time as an habitation for man
in the neolithic period \ (Dr. Cerio's Note to Feola,
Chap III).
CHAPTER XXIX
' Qrotta Oscura " — A lost Grotto.
The very existence of the Grotta Oscura , which
prior to 1808 was known to all visitors to Capri, had
well night passed into oblivion , and its recrudescence
is due to an interesting pamphlet " The Blue Grotto
and its Literature ", (Adams Bros, 1904), written by Mr
Norman Donglass. Mr Douglass proves very conclusive-
ly, that the occasional references by early writers to
the Grotta Oscura , have been confounded with the
Blue Grotto , which he maintains was not mentioned
by any writer prior to 1830.
It is matter of very considerable interest to learn
from numerous authorities, (to whom further reference
will be made) , that until 1808 a large and important
Grotto existed on the south side of the island, a little
to the east of the Certosa. This Grotto was the
largest of the many Grottos then known: it was oval
in shape, the entrance was low and narrow, and water
was constantly dripping from the roof. Until the
Grotta Oscura was destroyed by a landslip, it appears
to have been the principal attraction, and to have been
visited by all strangers, who came to Capri. In 1808
it disappeared, and from that year till 1826 Capri was
18
242 THE BOOK OF CAPRI
grotto-less , and would doubtless have remained an
obscure and unremembered island , had not August
Kopisch fortunately rediscovered, and exploited the now
world-famous Blue Grotto.
The Grotta Oscura is mentioned by N. P. Gian-
netasio " Autumni Surrentini " published in 1698, and
again by Serafino Montorio " Zodiaco di Maria Santis-
sima " 1715. The fullest and most interesting description
of the Grotto is from the pen of Joseph Addison,
" Remarks on Several Parts of Italy in the year 1701,
1702 , and 1703 ". " I entered one , which the
inhabitants call Grotta Oscura, and, after the light of
the sun was a little worn off my eyes , could see all
the parts of it distinctly by a glimmering reflection that
played upon them from the surface of the water. The
mouth is low and narrow : but, after having entered pretty
far in, the Grotto opens itself on both sides in an oval
figure of an hundred yards from one extremity to the
other, as we were told , for it would not have been
safe measuring of it. The roof is vaulted, and distils
fresh water from every part, which fell upon us as fast
as the first drippings of a shower. The inhabitants
and Neapolitans who have heard of Tiberius' grottos,
will have this to be one of them, but there are several
reasons which show it to be natural. For besides the
little use that we can conceive of such a dark cavern
of salt waters there are nowhere any marks of the
chisel : the sides are of soft mouldering stone
Not far from this Grotto lie the '^ Sirenum Scopuli %
which Virgil and Ovid mention in Aeneas' voyage:
they are two or three sharp rocks that stand about a
stones's throw from the south side of the Island \
GROTTA OSCURA — A LOST GROTTO 243
A passage from a still unpublished manuscript
(dated March 23 1828), of the archeologist Feola,
explains the disappearance and destruction of the Grotto;
" This Grotto , known to us many years ago as the
largest of the many that lie round about the island ,
has now its entrance blocked up. On enquiring as to
this change, we were informed of an unexpected event
of the 15th of May 1808, whereby the overlying soil,
on which was built a high and solid tower of the
Carthusians at the time of the Barbary invasions that
perished simultaneously , fell away and damaged the
said Grotto by closing up its entrance \
Mangoni also refers to the catasprophe , which
robbed Capri of one of its chief attractions. (Mang.
Ric. Top. p. 46). " On the eastern side of the Certosa
there was built upon an eminence a tower for the
defence of that monastery that was of pleasing archi-
tecture and very strong , and below it in the interior
of the hill was formerly observed a very profound cave
called Grotta Oscura. This tower in our days suddenly
fell in, together with the little hill on which it was
built, so that nowadays one can hardlv show its site '.'
CHAPTER XXX
Church of San Costanzo.
This small church, which was originally consecrated
to the Virgin of the Assumption, is at present dedica-
ted to the patron Saint, of the island, San Costanzo,
and is situated in the centre of the Contrada Torre, the
district where stood the old town of Capri, it is said
to be the oldest place of public worship in the South
of Italy. As early as the time of Justianus Favius, the
Benedictine monks of Monte Cassino are said to have
had possession here; in 987 a Bishopric was established,
and the Church then became the Cathedral.
it has the basilica form and probably stood on the
site of a pagan temple, though Dr. Schoener is not of
that opinion, and says that, * it is certain that the
Church did not succeed a Roman temple ".
Wall-painting of Byzantine style, was found a few
years ago, when the floor of the Church was repaired;
but it is no tonger to be seen.
Mangoni tells us that, the Church of San Costanzo
was originally adorned with eight columns, found in
the region of Aiano, shortly before his time; (in the
beginning of the 19th century); four were of " giallo
antico *, and the other four of * cipollino *, each being
twenty feet in height, and formed of one solid piece.
246 THE BOOK OF CAPRI
These columns for many years served to adorn the
Church, but the four composed of " giallo antico "
were removed in the year 1751 to the Chapel of the
Royal Palace of Caserta. (Mang. Ric. Stor. p. 496).
At the entrance to the Presbytery are to be ob-
served two fine columns of " giallo antico \ A single
column was found on the property called * Lacala %
somewhat to the south east of the Church, and was cut
in half, thus making the two columns: that portion on
the left, as you face the altar, plainly showing the fluted
base.
The basin for containing holy water " aquasan-
tiera \ near the entrance, is mounted on a handsome
antique column of " verde antico " : this column was
recovered from the sea by some Capri fishermen, who
presented it as a pious offering to their Church.
** The construction is as clearly as possfble of the
early Christian era. Two high and narrow tunnel vault-
ings each resting upon eight columns — pillars and
columns alternating — cut each in the centre and form,
by the aid of four pilasters in each direction , three
naves, of which the middle one is five paces broad.
Above the crossing of the middle nave rises the cupola
The entrance is on the north side, facing the sea.
The whole interior is 18 paces long by 16 wide. In
later times additions were added in a southerly direc-
tion, which increased its length. One step higher is
the presbytery, 16 paces square. It is covered by a
cross vaulting with heavy ribs The front is
perfectly plain and without any ornamentation of any
kind, except a clumsily shaped Gothic door in its cen-
tre \ (Schoener, Chap. V).
CHAPTER XXXI
Church of San Stefano.
The Collegiate Church of San Stefano stands on
the east side of the Piazza , and is approached by a
broad flight of steps. The present edifice, which dates
from 1683, stands on the site of a Benedictine hospice,
and was erected by the Bishop of Capri, Dionisio Petra.
(Mang, Ric, Stor, p. 497). It was consecrated thirty
years later by Bishop Gallo.
The magnificent pavement of antique marbles in the
Presbytery, was brought from the Villa Jovis in 1759,
and presented to the Church by Charles III, King of
Naples. It is composed of " giallo antico ", " rosso ",
and " saravazza " marbles. Another pavemente of an-
tique marbles, but of less importance, may be seen in
the Chapel of the Blessed Sacrament. The pieces of
which it is composed, were found in 1888, on the
property of Filippo Esposito, at the Palace of Tragara.
It was placed in its present position in 1892, the diffi-
cult work of arranging and fitting together the small
pieces being executed by Oreste Monsagrat, a Roman
artist.
In the Chapel of the Sacred Heart are collected a
number of interesting sacred relics, which were trans-
248 THE BOOK OF CAPRI
ferred to their present resting-place from the Monas-
tery of Certosa. Among the most curious of these is
a cross of charred wood set in silver. This cross dates
from the Saracen incursion of Barbarossa: the monks
of Certosa paraded this cross in order to exorcise the
Saracen marauders; the infidels however laid violent
hands upon it, and having kindled a huge fire, flung
the sacred emblem into the midst of it: after the de-
parture of the Saracens, the cross was discovered
slightly charred , but otherwise uninjured. Amongst
other relics may be seen a bone of Saint Prospero
Martyr, Saint Secundus Bishop and Martyr, and Saints
Thomas and Nicolas, as well as those of many, other
Saints.
In the Chapel of the Crucifixion is a monument
with a full length marble figure of Giacomo Arcucci,
the founder of Certosa, who died in 1397. (See chap-
ter, Certosa). He holds in his hands a model of the
Monastery of Certosa.
The visitor should ask the Sacristan to take him
to the Sacristy, where he will be shown a silver half-
length figure of St. Jacob, to whom Arcucci dedicated
his Monastery of Certosa. There too is preserved the
half-length silver image of San Costanzo , ( made in
1715), the patron Saint of the island, which is borne
in procession through the streets on the day of his
Festa, May 14th, The Saint's mitre is adorned with
garnets, saphires, and beryls picked up at the Villa Jovis.
At the bottom of the figure can be read these words.
* Divo Constantio Caprearum Insulae Patrono aman-
tissimo simulacrum hoc ex publica annonae questu,
CHURCH OF SAN STEFANO 249
piorumque hominum subsidiis, grati animi cives cons-
truxere anno ab orbe redempto 1715.
Dignissimo Praesule 111. mo ac R.mo D. Michaele
Gallo Vaudenegrede \
A pyx and monstrance also ornamented with emer-
alds, saphires, and garnets from Villa Jovis may be
seen.
In the floor of the nave are interred the remains
of John Hubert, an English Army Doctor , who was
converted to the Roman Catholic faith , and died in
Capri in 1780, after a life spent in good and charitable
works, which are enumerated in an inscription which
marks the spot,
CHAPTER XXXII
Convent of Santa Teresa at Capri.
The Convent of Santa Teresa at Capri was foun-
ded in the middle of the 17th century by Serafino di
Dio, the daughter of Antonio Piso a Neapoh'tan : her
mother being a native of Capri. The foundation stone
was laid by Bishop Pellegrini in October 1666, and the
Church was consecrated on October 11th 1685 by the
Archbishop of Manfredonia , afterwards Pope Bene-
dict XIII. (Canale, p. 357 & 359). The Convent under
the rule of Santa Teresa carried on the work of edu-
cation till the suppression of the Convent at the begin-
ning of the last century. Besides the Convents at Capri
and Anacapri, Serafino di Dio founded Monasteries at
Massa , Vico Equense, Nocera, and Torre del Greco.
The pious founder died in 1699, at the advanced age
of seventy seven.
The Convent of Santa Teresa has long ceased to
be used for sacred purposes. The Church of the Con-
vent is dedicated to the Saviour (San Salvatore) , and
is still used for public worship. On Christmas Eve a
most interesting ceremony takes place: on this occasion
an allegorical representation of the birth of the infant
252 THE BOOK OF CAPRI
Saviour is given, and the holy child is carried in pro-
cession round the Church.
The high altar, and two of the side ahars, are
adorned with antique marbles, " porta santa *, " giallo
antico ", * verde antico % and " saravazza % which
have been dug up at Villa Jovis.
Behind the high altar is a painting, evidently of
great antiquity, of Saint Nicolas of Ban: the light how-
ever is so bad, that is seems a pity it is not moved
to a better position.
CHAPTER XXXHI
Church of San Michele at Anacapri.
The Church of San Michele at Anacapri, connected
with the disused Convent of Santa Teresa which was
founded in the middle of the 17th century by Serafino
di Dio, is worthy of some notice. The door is usually
kept locked, but the key can be obtained from the
Parocco. The Church is circular in from. A most
interesting majolica pavement, representing Adam and
Eve, surrounded by the conventional animals in the
garden of Eden, is extremely quaint: it was executed
in 1761 by Leonardo Chianese. The high altar is
rich with particoloured marbles, and flanked by two
graceful angels also of marble: in the centre of the
high altar is an enormous piece of antique lapis-lazuli,
said to be the largest in Europe.
PART III.
CHAPTER 1
English and French occupation of Capri.
English readers should be interested in being
reminded, that little less than one hundred years ago we
English occupied the island of Capri, though our tenure
was brief , and our final exit the reverse of glorious.
It seems to bring that time very near our own, when,
only the other day , Dr Axel Munthe of Anacapri ,
summoned to the death bed of an old peasant, over
ninety years old , found that , the dying man was
wrapped in an old English military coat! (with the
buttons still intact to prove its origin).
it would indeed be strange, if the English had not
occupied this rocky island, so well suited for defence,
in the days of short range guns, and commanding, as
it does, the port of Naples, important then, as now,
for its commerce: for it is difficult to recall a single
island in the Mediterranean that was not held by the
English during the Napoleonic wars ; Minorca, Ponza,
Corfu, Zante, Cephalonia, Stromboli, Malta, Corsica
and many others.
In the year 1806, the Two Sicilies were separated:
King Ferdinand IV — husband of Caroline, the famous
256 THE BOOK OF CAPRI
Queen of Naples , the friend of Nelson and patron of
the notorious Lady Hamilton — was deprived of his
entire kingdom , with the exception of the Island of
Sicily, to which he was removed with his wife and
other valuables in a British man-of-war by our own
Lord Nelson. The French entered Naples, and Joseph
Buonaparte was proclaimed King: smarting under the
crushing defeat of Trafalgar, they made every effort to
maintain and regain their position in the Mediterranean,
and to exclude British commerce from European ports.
With this object in view, they determined to establish
garrisons at numerous points along the vulnerable
coast of Italy. Recognising at once the strategic
importance of Capri , a French garrison was thrown
into the island under the command of Captain Chevret,
the strength of which was shortly afterwards increased
by reinforcements. The French had determined to
bring over from Naples heavy artillery and strength-
en the garrison , so as to render the island if
possible impregnable, but this determination was arrived
at too late. Flushed with the glorious victory of
Trafalgar, the English conceived that, the sea was their
exclusive heritage ; that they were destined by Heaven
itself to universal dominion over that element : the
Mediterranean seemed but a British lake, over which
they could brook no rivalry ; the more desperate
the enterprise, the more attractive it seemed to the
many bold sea captains, trained in the glorious school
of Nelson, and taught to consider no odds too great,
no hardships insuperable. The English having got
wind, through their spies, of the design of the French
to further strengthen the island of Capri , decided to
ENGLISH AND FRENCH OCCUPATION OF CAPRI 257
anticipate them. For this purpose a fleet under Sir
Sydney Smith, consisting of four vessels, including one
frigate and two Sicilian bomb boats, was collected, and
on the morning of May 12th 1806 an unexpected attack
was made on the Grande Marina , on the north side
of the island. The French, though taken by surprise,
bravely defended themselves , and repelled with spirit
the attempts of the English to effect a landing. For
some hours the contest was sustained on both sides ,
the French firing briskly from behind the numerous
rocks and boulders, which line the coast, and the English
pouring in a demoralising fire from their heavy guns
afloat. However, towards evening the English effected
a landing at a point near the Grande Marina , which
they would have been unable to do had the French
been provided with artillery. Under cover of night,
the * royalists " — for so the historian calls the mixed
force of English, Neapolitans, Corsicans, and Sicilians, —
advanced in force across the saddle, that connects the
twin massifs of the island, and attacked the heights of
" Castello " or , Castiglione , which commands the
village. The French commander , Captain Chevret,
was himself in command at this point, and in attempting
to stem the impetous rush of the Royalists, was killed,
together with a handful of his men. In the morning
the village of Capri was occupied by about 300 English:
the loss to the Royalists being only three men killed
and wounded. Captain Chevret was buried with military
honours, and the French troops were allowed to retain
their arms , and were conveyed to the mainland on
board their own ships.
19
258 THE BOOK OF CAPRI
A civil Governor was sent over by King Ferdinand
from Sicily, to administer the island. During the short
period of the English occupation the Caprese enjoyed
complete protection for themselves and their property,
and at the same time luxuriated in abundance of cheap
food, which was brought from Sicily or captured from
the enemy's ships by the English cruisers. Colonel
Lowe (afterwards Sir Hudson Lowe), who was appointed
military Governor, took up his quarters at the Pal-
azzo Inglese , or Canale , and at once set to work
with energy and determination to put the island into
a complete state of defence. The heights of San Mi-
chele, S. Maria Soccorso, Castiglione, and Cesina were
crowned with batteries of heavy artillery, the Grande
and Piccola Marinas were also fortified. At Anacapri
Captain Church was appointed engineer and inspector
of the coast at that end of the island , and erected
stockades at the Chapel of San Antonio (at the head
of the stairs), at S. Maria Cetrella , at Damaceuta,
and at several places along the western coast. In a
letter to his brother dated April nth 1807 Captain
Church writes; * By offering rewards for the balls
fired by the British ships into the island , when the
place was taken , and which were to be found in the
vineyards, I have recruited as far as 500 extra rounds \
Strong walls were also built at various points , and
huge masses of rock rolled into the rea to prevent the
approach of vessels. So impregnable did the English
consider that they had made the island, that, in after
dinner speeches, when warmed by the good red wine
of Capri , they called it , half in joke , Mhe little
Gibraltar ", a piece of bragadocio which they must
ENGLISH AND FRENCH OCCUPATION OF CAPRI 259
soon have regretted. The EngHsh held the island for
about three years, and during that time their cruisers
entirely crippled the sea commerce between Naples and
the provinces. According to Pietro Colletta who wrote
a " History of the Kingdom of Naples " (1838), and
himself took part in the landing of the French at
Anacapri, two attempts were made to recapture Capri
during the reign of Joseph , but they were foiled by
the vigilance of the Governor, and the presence of an
English fleet. Captain Church in a letter to his
brother writers; " On March 1st a division of 2000 or
3000 French under General Merlin embarked from
Baia , and were half way across , when a tempest
arose which obliged them to put back ". in 1808
Joachim Murat , — who had married Caroline Buona-
parte , the youngest sister of the great Napoleon , —
received the crown of Naples. No more brilliant and
chivalrous figure than Murat, (the son of a country
innkeeper), "^ le beau sabreur " of the imperial cavalry,
flashes across the dazzling firmament of daring soldiers
of fortune, whom Napoleon delighted to honour , and
to raise to pinnacles of glory, hitherto reserved exclu-
sively for members of a privileged class. Thus Napoleon
himself describes him; * Murat is a good soldier — one
** of the most brilliant men 1 ever saw on the field of
" battle. Of no superior talents: without moral courage:
" timid even in forming his plan of operations: but
" the moment he saw the enemy, all that vanished —
" his eye was the most sure, and the most rapid —
* his courage truly chivalrous. Moreover he is a fine
" man , tall and well-dressed , though at times rather
260 THE BOOK OF CAPRI
•* fantastically. It was really a magnificent sight to see
" him in battle leading the cavalry ".
This gallant leader, eager to justify his choice as
King of Naples, and to inaugurate his reign by some
deed of successful daring, was not the man to calmly
endure the sight of the English complacently occupying
their " little Gibraltar ", and he at once determined to
make another and more concerted effort to dislodge
them, and remove the stigma of their presence. The
expedition for the recapture of Capri was planned with
the greatest secrecy, Murat only confiding his plans to
the Minister of War, and Pietro Colletta, an officer of
engineers , who was entrusted with the dangerous and
delicate task of recconnoitering the island , disguised as a
fisherman, to find out where a landing could most safe-
ly be made, and of ascertaining what opposition was
likely to be met with. Orders were given that all the
ships of war and transports lying at Naples should be
put in commission, so that when the favourable mo-
ment arrived no valuable time might be lost. It was
of vital importance for the success of the enterprise
that absolute secrecy should be maintained, that the
English fleet should be absent, and that the sea should
be perfectly calm, as there is no anchorage for large
vessels, and the bays which are accessible are impract-
icable in stormy weather.
A conjunction of all these favourable conditions
occurred on October 4th 1808, for the Commandant
of Capri, having supposed the expedition destined for
the attack of the Ponza islands, had despatched thither
the frigate " Ambuscade " , Captain D'Urban , and
other ships of war, which had been stationed at Capri
ENGLISH AND FRENCH OCCUPATION OF CAPRI 261
accordingly on that day orders were given to the cap-
tains of the French transports to hold themselves ready,
to get under way at a minute's notice. The fleet, com-
prising one frigate, and one corvette, convoyed nearly 100
transports, having on board 2000 soldiers. Lamarque,
a General of Division, was Commander-in-chief of the
expedition, with Generals Mont-Serras, Destres, and the
Prince of Strongoli Pignatelli , assisted by Adjutants
Chevardes and Thomas. The fleet was divided into
three divisions, the main flotilla containing about 1500
troops, composed of Carabineers and Grenadiers and
a strong force of the Royal Guard, sailed from Naples
and Puzzuoli; another small squadron sailed from Cas-
tellammare and the remainder from Salerno , having on
board 400 men of the French Corsican regiment quar-
tered there. By dividing their fleet into three divisions,
the French hoped to divert the attention of Colonel
Lowe from their true objective, the heights of Anacapri,
where they were determined to force a landing. To
prevent his concentrating his forces on Anacapri , a
vigorous attack was simultaneously delivered by the
Castellammare and Salerno squadrons, on the Grande
and Piccola Marinas.
The two Marinas were defended by a cordon of
boats, fastened together at prow and stern, and filled
with riflemen. Captain Panettiere, a Corsican, com-
manded a force at Punta Tragara, and a battery was
established at Matromania. It will be interesting to
consider what forces Colonel Lowe had to oppose to
the French attack. Captain Church had been placed in
command at Anacapri with his Corsican Rangers: in a
letter to his sister he writes; " 1 am sole governor here,
262 THE BOOK OF CAPRI
civil and military. My military force consists of two
" companies, besides an officer's detachment of forty
* men, making my regular troops about 200, and two
" four-pounders. Besides these I have about sixty mil-
* itia, and some few of the King of Naples' gamekeep-
* ers. I am at the advanced post , the first to be
" attacked when King Giuseppe (Buonaparte), shall be
" that way inclined. 1 am totally independent of the
* commanding officer, except what relates to the regi-
** ment, and communicate with him by telegraph and
* night signals. The population consists of about 900
" people, not one of whom can go down to Capri
" without my passport. There is here a convent of
" nuns, and a college for ecclesiastical education. I
" am on great terms with the " abbadessa ", a most
" respectable old lady, who was obliged to fly from
* Naples by the French, and is much attached to the
" English. We correspond almost daily, and as often
" as possible 1 make her a present of fish, fresh butter,
" hams , and anything I can pick up! " (" Sir Richard
Church in Italy and Greece \ p. 11).
Previously, however, to the French attack, a Mal-
tese regiment had been sent to Capri, by way of
strengthening the garrison, under the command of Major
Hamill; this was an unfortunate event, for the Maltese
were of inferior fighting material, though their com-
mander Major Hamill, was a gallant soldier : Captain
Church was therefore relieved by Major Hamill, and
with his Corsicans joined Colonel Lowe at Capri. The
two regiments together furnished an effective force of
1800 men to oppose the French.
ENGLISH AND FRENCH OCCUPATION OF CAPRI 263
Colonel Lowe, assisted by the batteries posted at
Matromania, Castiglione, and Tragara had no difficulty
in repelling the attacks on the Grande and Piccola
Marinas, and the French ships soon retired beyond
range of the British heavy guns, having accomplished
their object in preventing Colonel Lowe from sending
reinforcements to Major Hamill at Anacapri. As soon
as the attack on the Marinas began to relax, the British
commander promptly despatched two companies of the
Corsican Rangers, each of 100 men, under the com-
mand of Captains Church and Susino , to strengthen
the toops defending Anacapri, where he at length per-
ceived that the main attack was being made. As the
Corsican Rangers had been previously quartered for a
long time at Anacapri, they knew every pass and pre-
cipice at that end of the island, and were well suited
for the work in hand.
We will now proceed to recount the attack on
Anacapri, and in doing so, will follow as far as possi-
ble, the account of Pietro Colletta, who, it will be re-
membered, was himself one of the attacking party, and
one of the first to land at Orico. The French had se-
lected Anacapri for their main attack, because this part
of the island was not defended by heavy guns , and
when once captured, the rest of the island could easily
be dominated from its heights. The point selected to
attempt a landing was Orico, not far from the Blue
Grotto: the French vessels approached within short
range, and under a heavy covering fire an attempt was
made to land by means of ladders , one end being
placed on the rocks and the other on the ships. The
first to reach the land were the Grenadiers and French
264 THE BOOK OF CAPRI
Corsican Rangers, led by their adjutant Thomas. Col-
letta says that no opposition was offered to the landing
party, and that the number who landed were only 500,
(of whom 135 were killed or wounded), that the weather
then became so stormy that the ships had to stand out
to sea , and the disembarkation ceased. Other ac-
counts state that the whole force of 1500 men lan-
ded , and that then the flotilla proceeded to cover
another body of Corsicans from the Salerno squadron,
who under cover of night had effected a landing at
Punta Gradelle, while still another party gained a pre-
carious footing at Rio and Lupanaro to the south of
Orico.
At break of day the attack was renewed , the
French advanced in two columns, the English camp
at Demaceuta was rushed, and the defenders, finding
themselves overwhelmed by numbers , retired to the
higher ground. The stairs, leading from Capri to Ana-
capri, having been occupied, and the fort at the head
of the stairs surrounded, Major Hamill and his Maltese
found their retreat from Capri cut off: they were at-
tacked on all sides by the French Corsicans , Major
Hamill was killed \ and the Maltese , disheartened by
1 John Hamill , a native of Ireland , was a man of much
tried military experience , and during the attack on Capri
having given proof of the greatest attention to duty, and that
courage that fits a man for command, had gained the respect
of his fellow countrymen and of King Ferdinand. The gallant
Major was hastily buried a short distance from the place
were he fell with so much glory and distinction. The distur-
bances of war did not allow a more honourable burial. But
not long after his fall, his cousins John and Caroline Hamill,
came to Naples to search for his remains, and with the help
ENGLISH AND FRENCH OCCUPATION OF CAPRI 265
the loss of their gallant leader, retreated in disorder to
Monte Solaro, where two companies of English had
already fortified themselves: having no artillery, and
finding that the French had surrounded, and were about
to attack them, they demanded terms, and surrendered
to the number of 800 men on the morning of Octo-
ber 5th. The two companies of English Corsicans ,
taking advantage of the darkness, and of the suspen-
sion of hostilities to define the terms of surrender, and
being well acquainted with the country, effected their
retreat unperceived by the enemey.
Captain Church with the third company found
himself cut off, and his retreat intercepted. " What
was to be done? He, with his little force remained
quiet till eight o' clock in the evening, hoping that the
of a peasant, having succeeded in finding the place of his
burial, piously collected the remains and had them buried in the
parish Church. As he had been a worthy man, and belonged to
a Roman Catholic family, his relations requested that a mon-
ument should be raised to his memory: in order that, a me-
morial of the circumstances, and a lasting record of the depar-
ted might be preserved, his relations caused the following in-
scription to be carved on a marble tablet:
TO THE MEMORY OF JOHN HAMILL
A native of County Antrim in Ireland, and Major in his
Britannic Majesty's late regiment of Malta, who fell while brave-
ly resisting the French invasion of Anacapri on the 4th of
October 1808; and whose mortal remains are deposited near
to this place , this tribute of affection and respect has been
placed by his kinsman and namesake, October 3rd 1839.
REQUIESCAT IN PACE
266 THE BOOK OF CAPRI
enemy would re-embark, and leave them free to descend
the rocky stairs, and rejoin their friends at Capri below.
But just then the moon rose , and under her calm
clear light the enemy were to be seen forming into
columns, and advancing across the plain, with beat of
drum and fire of musketry. * Finding all hopes of
defending the post I occupied, entirely dissipated ", he
says, in his report ; " 1 threw the gun 1 had into the
' sea, and commenced my retreat by the left, marching
" through vineyards and narrow roads leading from
" Dama Conta (Damaceuta) to the Capo di Monte, the
" only retreat 1 had left, all others being occupied by
• the enemy ". But, to his amazement, they had not
gone a quarter of a mile when they were met by a
challenge. They had marched straight upon a large
body of French troops! Richard Church's ready wits
did not desert him : reflecting that the dark uniforms
of his Corsicans would be a protection , he answered
readily in French that they were French troops pushing
on to rejoin thdir comrades below: and as Murat had
a regiment of Corsican sharpshooters they were allowed
to pass without difficulty. But the red uniforms of
some Maltese who were following them discovered the
trick, and brought down a volley upon the adventurous
captain and his men, doing no harm, however, for the
Corsicans knew the country , and speedily dispersed
among the sheltering rocks. But to descend the rocky
stairs to Capri , was manifestly impossible, and yet to
Capri they were bound to go. There was nothing for
it but to climb down the face of the rock which
divides Anacapri from Capri : and this they did ,
scrambling along a goat-track through the darkness ,
ENGLISH AND FRENCH OCCUPATION OF CAPRI 267
clinging to bush here , to crag there : and not daring
to speak even in whispers : feehng sometimes that all
was up with then if a pebble dislodged from its place
bounded echoing down the cliff : and at last , finding
themselves safely at the bottom, with the loss of only
one poor fellow , whose foot slipped , and who was
killed by falling from the rocks into the valley below.
This daring feet received its due meed of praise from
the colonel and commandant, Hudson Lowe. ** Captain
Church' s exertions, " he reports , " were peculiarly
" conspicous. The orderly retreat of this detachment,
" through parties of the enemy and down precipices
" heretofore deemed impracticable, forms the highest
" eulogium on the officer who guided it. They had
" been twenty hours under arms and in constant
" movement. " (" Sir Richard Church in Italy and
Greece \ pp. 14, 15, 16).
The position of Colonel Lowe in Capri was still
far from desperate, he had with him 1000 men, including
the Corsicans who had escaped from Anacapri. At
that time the town of Capri was defended on the
northern and western sides by a strong wall , then in
good condition: the fortifications of San Michele and
Cesina commanded the road leading from the Grande
Marina, and those of the Castiglione or Castello com-
manded the approach from the Piccola Marina. There
were also several stockades on the stairs leading to
Anacapri, and these were filled with troops by Colonel
Lowe. Besides this, the British commander had every
expectation of reinforcements , supplies , and the co-
operation of the Anglo-Sicilian fleet, which had sailed
for Ponza prior to the attack on Capri, and which by
268 THE BOOK OF CAPRI
this time was certainly aware of his precarious position.
Although Fortune had so far frowned upon him, still
if he could hold his own for a few days only , relief
was sure to come, and in the hands of a more spirited
and experienced General, (for Colletta distinctly asserts
that, * he had no experience in war, though a good
" disciplinarian "), a seeming disaster might at the last
moment have been transformed into a brilliant success.
But unfortunately Lowe was not made of that stern
material, which defies Fortune; his prowess, as a leader
of men at this crisis, is as much open to criticism, as
was seven years later, his conduct as the guardian of
a Hero. Those who would estimate at its true value
the character of Colonel, aftewards Sir Hudson Lowe,
must read the pages of " Napoleon at St Helena " ,
by Forsyth, " Napoleon in Exile * by O' Meara , and
* Sir Hudson Lowe and Napoleon ", by Seaton: here
they will, we venture to think, be convinced that, though
he was conscientious, he was tyrannical, timid, narrow
and bowed down by the magnitude of his European
responsibility; in a word a man of equations and ounces,
and not of avoirdupois.
The French greatly encouraged by the ease with which
they had expelled the Royalists from Anacapri, set to
work with prodigious energy and enterprise to strengthen
their position. With infinite labour they dragged guns
of heavy calibre up the almost inaccessible rocks of
Monte Solaro, and succeded in establishing a battery
on the top of S. Maria a Cetrella, which completely
commands the town below. Not content with this
effort, they decided to attempt with a picked force of
men to force the Anacapri stairway, which was at
ENGLISH AND FRENCH OCCUPATION OF CAPRI 269
that time the only means of communication between
the two parts of the island. This stairway consisted
of more than 500 steps cut out of the face of the cliff,
and being defended by cannon placed on the heights
above, and the greater part being also within range of
the batteries on Cesina and San Michele, the under-
taking was one requiring unusual courage. On the
night of October 5th the attempt to gain possession
of the stairway was made: the Royalists poured down
on the French an incessant rain of shot and shell, and
obstinately contested every inch of the way, but finally
the French, assisted by the darkness, drove back the
enemy, and made their way into the valley ot the Ma-
rina, where they planted a battery at Campo Pisco.
Under cover of this battery, and that of S. Maria a Ce-
trella, the French advanced near the town of Capri,
and taking possession of the houses in the vicinity ,
kept up a brisk and galling fire on the Royalists, who
being inferior in numbers, were driven behind the walls
of the town.
The Royalists found themselves invested in the
town of Capri, and continually exposed to a heavy
connonade from the battery on S. Maria a Cetrella,
when on October 7th the beleagured garrison was
cheered by the sight of the Anglo-Sicilian fleet, which
appeared unexpectedly in the offing. The relieving
fleet proved to be of considerable strength , consisting
of 4 frigates, 2 corvettes, 4 bomb-boats , and 9 trans-
ports , and doubtless Colonel Lowe felt that , at last
his hour had come, and that by the opportune succour
thus sent him, he might retrieve his former errors, and
in the end expel the hitherto triumphant French. The
270 THE BOOK OF CAPRI
fleet immediately surrounded the island, and cut off all
communication with the mainland, but on account of the
high wind it was not practicable to land troops from
the transports. The commander of the Anglo-Sicilian
fleet hoped, by depriving the French of ammunition
and supplies, to force them to surrender to Colonel
Lowe. However, the English star was not at that mo-
ment in the ascendant; the wind increased in violence,
and Colonel Lowe, who was evidently not a " Man of
Destiny " — like his future prisoner, — saw with despair
the fleet stand out to sea, and leave him and his hard-
pressed forces to their own resources. Perceiving this
freak of Capri weather, Murat, who was himself at Capo
di Campanella, gave orders that a flotilla of gunboats,
and vessels laden with supplies and ammunition, which
was lying in readiness at Massa, should run over to
Capri, in spite of the heavy weather. The English
ships endeavoured to intercept them, but did not arrive
in time, and though the French flotilla was hotly can-
nonaded, it succeeded in reaching the island in safety,
the boats were beached, and the cargoes discharged.
The weather now became so stormy, that the Anglo-
Sicilian fleet was compelled to run for Sicily, and thus
the French were left free to carry on the siege of
Capri undisturbed.
General Lamarque now determined to push the
siege with redoubled vigour, knowing that if the weather
improved, the Ango-Sicilian fleet would return , and
make another, and more obstinate effort to extricate
the imprisoned garrison. A continual cannonade was
kept up by the French night and day, which caused
much damage to the walls and houses of the town ,
ENGLISH AND FRENCH OCCUPATION OF CAPKI 271
and considerable loss of life to the Royalists. Finally
on October 16th Colonel Lowe lost all hope of suc-
cess or relief, and fearing that the French might carry
the town by assault, hoisted a white flag. The French
offered favourable terms , which were accepted , and
the Royalists marched out with flying colours, arms
and baggage to the " Certosa \ which was assigned
to them as their quarters after the capitulation. Once
again ill Fortune seems to have dogged Colonel Lowe
and his troops ; the ink with which the capitulation
was signed, was scarcely dry, when a powerful English
fleet, which had been sent expressly from Sicily to
relieve the island , hove in sight. It had however,
arrived too late ; the capitulation had already been
formally signed ; so nothing remained for honourable
soldiers , but to embark on their own ships : in spite
of the heavy weather this was accomplished , and the
garrison was conveyed to Sicily.
Leaving behind him a suitable garrison under
Adjutant Thomas , the new Commandant , General
Lamarque with his Generals, and the remaining troops
left for Naples, where they were received with enthusiasm
by the King , and were presented with pictures , made
on the spot, representing the attack on Capri by land
and sea. Adjutant Thomas at once set to work to
fortify the island in such a manner, that its recapture
would be a work of great difficulty. To prevent any
approach through the " Bocca Piccola ", (the channel
separating the island from the mainland), he erected a
fort at Lo Capo, under S. Maria del Soccorso, in which
he placed five heavy guns, and constructed a road from
the fort to the top of the hill behind it. At the Grande
272 THE BOOK OF CAPRI
Marina he built two forts , one to the east on the
foundations of the old Monastery of San Francesco ,
and the other at the Campo Militare, now the Villa of
Monsieur G. Dubufe. Forts were also erected by him
on the heights above the anchorage of the Piccola
Marina , while at Anacapri forts were built at Pino ,
Campetiello, Orico, and Gradelle. The " plateau " of
Castiglione , which being in. the middle of the island
was of considerable strategic importance, was fortified
and supplied with cannon, engineers were sent to the
island to furnish plans for a port at the Grande Marina,
which was to have been strongly fortified ; but the
disasters which soon after fell on the French arms in
the Russian campaign , prevented the carrying out of
these intentions.
A Judge was sent to Capri by Murat, to settle all
legal questions and disputes as to property, the island
still remaining divided into the two Communes of Capri
and Anacapri. This state of things did not, however,
last long, for in 1815 the Bourbons were restored to
Naples, and, as before, the island was administered by
a civil and military Governor.
Of this siege, the only thing which remains at
Capri to recall it, is the ruined west side of the Palazzo
Inglese or Canale, whose walls were demolished by the
French battery at Cetrella, and have never been rebuilt,
and a few rusty seven pounders, which are dug up by
the peasants in their vineyards, and some of which are
in the possession of the writer.
ENGLISH AND FRENCH OCCUPATION OF CAPRI 273
Letter from Colonel Lowe to General Lamarque.
24 October 1808. On board H. B. M. Frigate
" L' Ambuscade ".
General,
The proofs of fairness and kindness which I have
received from you, embolden me to beg you to aid us
in embarking the few people and effects which remain
ashore. The ships boats have been nearly all swamped
in this work , and it is only the large feluccas of the
locality which can stand the severity of the wind and
sea. An officer from shore having signalled to the
captain , that you desire free passage , and communi-
cation between Capri and Naples for three days after
the evacuation of our troops shall have taken place ,
I have the honour of sending you a pass , and rest
assured that our cruisers will put no obstacle in the
way of anything that you may desire to send to the
coast, for the three days following the departure of-the
troops.
There remain on shore three horses, of which
two belong to me, and one to a wounded officer. If
circumstances do not permit their embarcation at pre-
sent, 1 would beg that they may be left in the charge
of my servant until 1 can send a boat to take them
off. In case there remains some of the officer's baggage
and some women, 1 desire to leave an officer on shore to
take charge of them, until it be possible to send a boat
to get them — availing myself of what you and Gen.
Thomas have kindly indicated regarding this matter.
20
274 THE BOOK OF CAPRI
Some of my personal effects are still at the nunnery,
as I did not wish to overcrowd the boats with it yesterday,
and which I fear I am unable to take away at present.
1 shall ask permission to take them away at the same
time as the other things.
Assuring you General , of perfect reciprocity on
our part in all that may depend on my representation
to my superiors, both naval and military, and also of
my personal thanks.
/ have the honour to be General
With the highest consideration
Your most obedient and faithful servant
H. Lowe
Lt. Col. Com.
Troops of H. B. M.
(Extract from the Report of General Lamar-
que to the King of Naples in regard to the
capture of Capri by the French and
Neapolitan troops in 1808).
" Voyage de Naples a Capri et a Pestum *
J. E. Chevalley De Rivaz. 1846
" if I should make known to your Majesty all
those who have distinguished themselves, it would be
necessary for me to send you a complete list of all
the combatants, and above all of the 700 brave fellows,
who on October 4th scaled the heights of Anacapri.
Special mention however must be made of Generals
Pignatelli Strongoli and Cattaneo, naval lieutenant Bar-
bara, my aide-be-camp Peirio, Captains Caraffa, Sau-
ENGLISH AND FRENCH OCCUPATION OF CAPRI 275
ray, Ciruti , Lanzetta and Brocheti ; all the Neapolitan
sappers , and among them specially Serjeant Dom-
manga and the artillery officers Salvo and Codelui. In
the royal Corsican regiment 1 will specially mention
Galloni, the chief of the battalion, which held for three
days the Red House, the most advanced post, and ex-
posed to a cross fire of three batteries of the enemy:
Captain Pompei, who deserves promotion, lieutenants
Rezz, Galvani, Bonavita, adjutant Hector (wounded);
Napoleon Mastretti, Lega, Paolini and Massoni Serjeants
of carabineers, Silvestri and Cometi corporals, who
captured two cannon, Agostini and Graziani of the ca-
rabineers. Speaking generally that regiment suffered
heavier loss than any other, but it also inflicted more
severe punishment on the enemy and gained greater
glory.
The grenadiers of the second Napolitan regiment
defended the ships with unusual intrepedity , and sever-
al of them were wounded by the fire and attack of
the enemy's frigates and other vessels. The detachment
of the first Neapolitan regiment under the command of
its officers Alberti, Palmieri, and Cerillo made itself
conspicous. as well as Serjeants Toni and Madolina. I
have nothing but praise for the soldiers of the third
Italian regiment of the line, which served with courage
and discipline fully equal to that of any French regi-
ment; Captain Terini in command of these chosen com-
panies is worthy of special mention, in short all the
troops have done their duty, and the General Pigna-
telli and Colonel Arcovito have shown the greatest
enthusiasm, bravery and devotion ".
CHAPTER II
Unknown Grottos, and rock-climbers. ^
(Written by Dr. Hans Heinz Ewers).
Everyone who has made even a short stay in the
Pearl of the Gulf of Naples, will be sure to 1<now the
White Grotto (Grotta Bianca): it is always included in
the " giro \ or tour of the island by boat. After en-
tering the White Grotto in a small fishing boat you
land on the rock, and find another salt lake inside the
first, climbing still further you find yourself before a
second dark pool of salt water, which appearently has
no connection with the sea. At the mouth of the White
Grotto , your boatman is sure to point out to you
another Grotto at a height of about forty feet above
the sea, which opens wide to the blue sea, giving a
glimpse of huge stalactites. He will tell you that this
cave is haunted by mighty ghosts and no money would
induce him to explore its uncanny depths — this seems
all the more probable because he could not possibly
climb the vertical cliff, which separates the Grotto from
the sea beneath.
1 In the year 1900 Mr. Oakely Maund , accompanied by
Lieut Ralston Kennedy R. E. , and Mr. Harold E. Trower,
British Consular Agent at Capri , chartered a sailing boat of
about 20 tons, and had her towed to the mouth of the White
278 THE BOOK OF CAPRI
Early on the morning of August 5th 1902, accomp-
anied by my wife, Una Ewers-Wunderwald, Charles
Boehme, the well known painter of marine subjects ,
and F. Shushard also a German painter, I took a boat
for the White Grotto, determined, if possible, to explore
the innermost recesses of the upper Grotto , so far
unbaptised, and not admitted into the respectable society
of the other legitimate Capri Grottos, the Blue, the White,
the Green, the Red. For how can an anonymous
Grotto be tolerated even in lenient Capri ? 1 took with
me two peasants , Natale and Peppino, who could climb
with the certainty and agility of apes. 1 was also provided
with some stout rope , 100 feet in length , and the
Grotto from the Grande Marina, and moored to the rocks, so
that the yard of the big lateen sail was brought within about
four feet of the upper Grotto , since christened by Dr. Hans
Heinz Ewers, the " Grotta Maravigliosa ". Mr. Maund offered
25 Lire to any of the men who accompanied him, who would
climb up the yard and enter the Grotto. After some hesitation
a monkey faced youth of about eighteen volunteered to make
the ascent, and having had a rope tied round his waist, to
guard against accidents, he succeeded after two or three at-
tempts, in gaining a foot-hold and entered the Grotto. He
then proceeded to fix a tackle and block to a projecting point
of rock , by means of which Mr Kennedy hauled himself up ,
and made a cursory examination of the interior of the Grotto.
Mr. Kennedy was not provided with candles, but on descending
he told the writer that he had penetrated about 100 yards, and
that the Grotto ran uphill at rather a steep gradient. Mr.
Maund had intended to have a corkscrew staircase erected, by
means of which the public might in fine weather ascend to
the Grotto, and he had even gone so far as to have estimates
prepared, but death unfortunately cut short this philanthropic
project. (The Editor).
UNKNOWN (JROTTOS, AND ROCK-CLIMBERS 279
ladder belonging to the Capri Cathedral , lent me by
the kindness of the Parroco. As the rock is over-hung
to a height of nearly eight yards above the sea , we
were compelled to plant our ladder in the water. Natale
and 1 climbed up the ladder and secured a foot-hold
on the wall of rock. We were now about ten yards
above the sea , but there was still another thirty
yards of perpendicular rock to be negotiated before the
top was reached, inch .by inch we crept upwards, until
with bleeding hands and feet we drew ourselves to the
top, and lowered a string to which our friends below
attached a stout rope and pulley, this we hauled up
and made fast to a convenient stalactite. By means of
rope and pulley we drew up first my wife, and then
the two painters.
The fateful and long expected moment of entering
the Grotto was now at hand: for a few seconds we
hesitated to disturb with our twentieth century feet the
dust of a thousand years, and to penetrate into the
• arcana " of the unknown , but soon Progress and
Philistinism routed hesitation and sentiment , and we
passed on over that wonderful brittle, yellow and blue,
glittering carpet of sand. 1 fear that my description of
this Grotto of Marvels will be poor and inadequate,
and indeed to do it full justice would tax the pen of
a Milton, or the word-moulding of the author of " Childe
Harold *. The mouth of the Grotto is wide and slopes
downwards towards the sea: its length is about 400 feet
100 of which is level; for the remaining 300 feet the
floor of the Grotto slopes gradually upwards. The
greatest breadth is 50 feet, and the height 80 to 100 feet.
Whichever way you turn your eyes strange and unex-
280 THE BOOK OF CAPRI
pected phantasies meet your half terrified gaze. Here
a group of white long-necked, sharp-billed herons ,
crowned with verdant halos of maidenhair fern, seem
to hover beneath the blue ceiling. There, a cluster of
great brown mushrooms, as large as a man, seem to
grow, while behind them appears a vista of white lace
curtains of the finest texture. Here are stalactites, each
20 yards in length, of a dark blue colour, just like the
blue posts we see on the Canals of Venice, to which
the gondoliers lash their gondolas. Again we see others
as silver-white as the pipes of a huge Cathedral organ.
An enormous black polypous seems to be crawling
down the wall of rock, above this monster hang sus-
pended from the roof bamboo canes , the colour of
water, and as slender as a pencil, in the midst of
the Grotto you will discover a circular lake of intensest
blue, in which plays a fountain, all around grow big
bushes of yellow cowslip and golden wallflower — all of
stone, to be sure ! !
For its wonders of colour and form, and on account
of the strange fantastic shapes and ghostly apparitions
which inhabit its recesses , we determined to call the
Grotto, Wundergrotto, Maravigliosa, the Grotto of Mar-
vels. The Grotta Azzura is justly admired for its
wondrous blue colour, but this marvellous colour-effect
sinks into neutral tints and nothingness, when compared
with the intensely rich hues of our new-found Grotto.
The dark blue sea throws its reflections (as in the
Grotta Azzura), from beneath onto the openiug of the
Grotta Maravigliosa: as you advance the intense blue-
ness shades off to a light blue green , and in the far
end of the Grotto it has turned to the green of a
UNKNOWN GROTTOS, AND ROCK-CLIMBERS 281
polished emerald. On the right hand side of the roof,
you will observe hanging a cluster of rose-coloured
stalactites, two steps further on they appear to possess
the dazzling whiteness of snow: now again they are
yellow, blue and black, a very kaleidoscope of changing
brilliancy of colour. Yet strange to say, in this scheme
of colour, apparently so bizarre and strongly contrasted,
there is no jarring note; all is in perfect harmony of
colour.
We think we have said enough to prove, that we
were indeed justified in christening this latest addition
to the famous galaxy of Capri Grottos, " Maravigliosa *,
" Wundergrotto ', " The Grotto of Marvels \
Grotta di S. Maria del Soccorso,
Grotta di Tiberio, or Grotta del Monaco
By these names is variously called that vast Grotto,
which is formed under the Villa Jovis , at a height of
about 180 metres above the sea. With the exception
of the Grotto Castiglione and the Grotta Maravigliosa,
it is the most extensive Grotto on the island. There
is a tradition or legend that an underground passage
connected the Grotta S. Maria del Soccorso with the
Villa Jovis. Signor Canale in his book, " Storia del-
risola di Capri \ informs us that he discovered the
entrance to this subterranean passage , inside a house
on Monte Tiberio , that he caused it to be excavated
for a distance of 100 metres, but proceeded no further.
282 THE BOOK OF CAPRI
Dr. Schoener saw this passage, and describes it in his
book " Capri ", pp. 84-86: he also tells us that he
interviewed one of the workmen , who described the
wonders and glories of the Grotto , its wealth of
gorgeous colours, blue, yellow, white : " era troppo
magnifico ", said this enthusiastic labourer, finding he
had come to an end of his laudatory epithets. However,
truth compels me to aver, that this labourer must have
had a singularly pictorial and fertile imagination , for
I myself have visited the Grotto and found it ugly ,
devoid of brilliancy, and not in the least " magnificent " !
Having had my curiosity whetted by Dr. Schoner's
description, 1 determined to explore for myself this
Grotto. Accordingly, accompanied by my wife and my
two climbers , Peppino and Natale , and supplied with
some stout rope and a ladder, I took a boat from the
Piccola Marina to the little beach , Cala del Salto ,
which is immediately beneath the Grotto. From thence
we began our ascent, which was difficult and somewhat
dangerous , as the rocks have an unpleasant trick of
unexpectedly taking a fancy to leave us, and " take a
header " into the blue sea far below. The entrance
is lofty and fully open to the weather ; we found the
floor covered with a fine dust, moist from the constant
dripping of water from the roof: there were no traces
of stalagmites or stalactites , in fact nothing of special
interest was observed. We found, however, an under-
ground passage , which ascended in the direction of
the Villa Jovis, but as it was choked with fallen rocks
and debris, we were unable to penetrate more than a
few metres. We discovered, embedded in the sand of
the floor two Roman coins , one of silver , the other
UNKNOWN GROTTOS, AND ROCK-CLIMBERS 283
of bronze. It is not possible that these coins can have
fallen or been thrown from above, because they were
found well inside the Grotto itself.
The writer concludes his interesting description of
the Grotto by surmising , that a careful excavation
would bring to light many interesting Roman antiquities.
CHAPTER III
Quail shooting and netting. ^
The island of Capri has always been a specially
favourite resting place for the quail in their spring and
autumn flights, and the capture of quail by means of
nets has been a substantial, and welcome source of
income to the islanders. So important a part did the
quail industry play a couple of hundred years ago that,
Antonio Parrino, who wrote a description of the Bay
of Naples in 1727, says; " For its spiritual needs Capri
has a bishop, who derives most of his income from
the quails, turtle doves, and other bird of passage ,
which are caught here in abundance ". The bishopric
of Capri has long since ceased to exist, but happily the
quail have not followed the bishop and deserted our
coasts, though they are not taken in such numbers as
they were a hundred years ago, which may be explain-
ed by the increase of netting in Egypt and Palestine.
Hadrava, who wrote in 1 793 a series of letters on Cap-
ri, says that in his time as many as 12,000 quail were
taken in a single day, and 150,000 in the fifteen days
1 The contents of this Chapter appeared as an article
in " The Field " of Nov. 14th 1903, and is reprinted here
by the kind permission of the Editor of that paper:
286 THE BOOK OF CAPRI
during which the flight lasted. Even in our times large
profits have been made by quail netting, and an old
inhabitant has assured me that a peasant, who paid
him £ 3 per annum rent for the right of netting a smalj
piece of land , took in a good season, quail to the
value of £ 24, while on larger tracts five or six times
that amount would be realised during the two flights.
Ferdinand IV King of Naples, and husband of Caroline,
the friend of Nelson , was a great sportsman , and
used to come every season to Capri for the quail
shooting with a party of jovial companions. He used
to spend fourteen or fifteen days on the island , and
always lodged at the Palazzo Inglese (now called Pa-
lazzo Canale), afterwards the headquarters of Sir Hudson
Lowe, the Governor of the island during the English
occupation, 1806 to 1808.
The apparatus for the fixed nets consists of poles
about 30ft. in height and 50ft. apart, to which are at-
tached several rows of pockets , into which the quail
drop, and become entangled in the meshes. The height
of the nets varies considerably; those placed near the
sea not being so high, as those on the uplands and
crests.
There are two flights of quail, in the months of
May and September. During the spring flight, the birds
fly very low on the water and reach the island early
in the morning, unless they are anticipating a storm,
in which case they land on the hills. During the spring
flight (May) the quail arrive with a N. W. wind in the
evening, and an easterly wind the following morning.
When the wind blows from other points of the compass,
the birds are driven away from Capri, and have to
QUAIL SHOOTING AND NETTING 287
make their landing on some other part of the Bay of
Naples. Like all tailless birds, quail fly in a straight
line, using one wing higher than the other, as a sail.
They seem unable to take a sharp or sudden turn,
consequently during the spring flight, (when they are
flying low) they often dash themselves against the rocks,
and fall down stunned into the sea. The fishermen are
on the look out for the disabled birds, and often by
cruising round in their small boats, pick up as many
as twelve or fifteen in a day. As a rule the spring
birds are in poor condition and tasteless, but the au-
tumn flight, having fattened on the rich grain fields 6f
Apulia and Campania, are heavy and in excellent con-
dition.
During the autumn flight (September), the birds fly
high, and arrive during the night. Blind quail, placed
in boxes on the top of a high pole near the nets, are
used to decoy the new arrivals, who gather round, and
under their cages. The Society for the Prevention of
Cruelty to Animals has long tried to put a stop to
the cruel practice of blinding the decoy birds, but has
hitherto been unable to convict, as the mere possession
of a blind quail is not by Italian law, sufficient evidence:
the owner of the bird must be taken " in flagrante
delicto \
in addition to the fixed nets described above, the
islanders use a fan-shaped hand net, which is attached
to a leather belt worn by the snarer. The net is about
7ft high, and 8 Vsft wide at the top. With this net,
accompanied by a boy to mark, and a small dog to
find the quail , the snarer scales the cliffs and narrow
ravines of the rocky coast. As soon as a bird is
288 THE BOOK OF CAPRI
flushed , he spreads out his net to its fullest capacity ,
and directs it toward the quail on the wing. Should
the bird strike the net , he gives it a dexterous turn ,
enclosing the bird in its meshes. The little dogs that
accompany the fan-net man are half-starved clever
little mongrels, of no particular breed, but of wonderful
intelligence and endurance. They seem to be tireless,
and work all day under the fierce rays of the sun
without water, and with only a small piece of black
biscuit to eat. Many a poor fellow has lost his life in
this dangerous and precarious sport, for, turning sud-
denly with the large unwieldy net, he loses his balance,
and is hurled down a thousand feet of gagged precipice.
Quail are very prolific, often breeding three times
in a year: the broods average fifteen young birds. A
friend of mine , who is an ardent quail shooter and
has lived all his life in Capri , tells me that he has
often taken the seeds of rare exotic plants from the
crops of quail, that he has shot. These seeds he has
subsequently planted, and has showed me the flowering
plants, which boast so curious a pedigree. The birds
never stay more than one day , and part of the night
on the island, and in only a few instances during the
last century, have they been known to breed on our
shores.
Poaching is carried on at night by means of a
small scoop net, very similar to a butterfly net, and a
dark lantern. The birds blinded by the light , remain
perfectly still, and so are easily captured. Poaching with
a light is prohibited by law, but easily evaded, as the
small police force in Capri is quite inadequate for this
purpose.
QUAIL SHOOTING AND NETTING ' 289
Perhaps one other curiosity of natural history is worth
recording. From time immemorial, a pair of falcons has
occupied each of the principal headlands of Capri , the re-
markable point being that the original number, (as of
Noah' s Ark), has always been maintained. As is well
known the falcon is the natural foe and destroyer of the
quail. The falcons do not patiently await the arrival of
the quail on shore, but go a long way out to sea to meet
them. They then turn and follow them , strike them
with one lightning blow, and by a second swift swoop
catch them in their talons, before they strike the sea.
These Capri falcons may be seen teaching the young
idea how to strike , and kill their quarry. As soon
however, as they have learnt their lesson, and become
self-supporting, they give their progeny their " marching
orders ", and forcibly drive them off to the mainland.
That then, is the reason, why the original number of
falcons for each headland is ever the same.
Though the quail are far less numerous than they
used to be, a pair of live birds are still worth in Sep-
tember from 3d to 6d, and the increased facilities for
rapid transport by rail and sea, enable the birds to be
delivered in good condition in the Paris market , so
that several thousand lire are made every year by the
quail netters in Capri.
21
CHAPTER IV
Some Capri flowers, and where they grow.
This chapter has been specially written for the
Book of Capri by Mrs. Longworth Knocker
^("Gratiana Chanter'), author of " Witch of
Withyford», "The Rainbow Garden » etc.
To all true lovers of flowers , the island of Capri
is a veritable Garden of Eden. When once the Spring
sets foot upon her lovely shores, the flowers spring up
as if by magic. Turn were you may, there are flowers.
Flowers everywhere! You cannot wander any distance
of the rocky paths without treading under foot some
lovely gem, for they literally grow so luxuriantly as to
spread a carpet for your feet. It seems as if Flora in
her dance over the island , had emptied her apron all
at once , so enamoured has she become of beautiful
Capri.
Now 1 do not for one moment presume to speak
to the scientific botanist, for alas ! I am no botanist my-
self, and therefore in no way qualified so to do, though
to them, I know truly, Capri ranks high, if merely for
the quantity and variety of flowers to be found there.
So it is, that I can talk alone to those few, or many,
who love flowers just because they are flowers , those
292 THE BOOK OF CAPRI
who will wander all day long happy in the mere gather-
ing of them , seeking them in their special haunts ,
drinking in at the same time the beauty of their sur-
roundings , carrying home their treasures after a long
tiring day, and however travel-worn and weary they
may feel, dropping their flowers lovingly and comfort-
ably into the water-jug, before they have given a thought
to rest themselves. To these 1 would say, linger long
enough in Capri to see the myrtle blossoming against
the emerald and turquoise sea, the Bay of Naples spread
out before you, Vesuvius far away, seemingly uplifted ,
wrapped about in a mystic majestic garment of gold
and rose-coloured haze , and with the scents of the
myrtle around , you will realize a dream exceeding in
beauty all dreams you have ever dreamed.
It was Christmas Eve when I gathered my first
Capri flowers. 1 had come out to search for evergreens,
(holly if possible), to decorate our little room at the
Paradiso , to make it look a little bit like home, for it
was our first Christmas out of England. But holly I did
not find, so contented myself with a generous bundle
of rich green myrtle and rosemary branches, which as I
held them closely to me on our home-ward way gave
out its sweet aromatic scents, saying so plainly, " Re-
member you are in Southern Italy , and not in En-
gland \ and many a time I repeated those words that
evening, as I filled the quaint Calabrian pots full of
narcissus, and wreathed my room with the rich sweet
scented foliage. Fancy decorating ones room with
rosemary and myrtle at Christmas-tide ! " E vero: we
are in Italy ". " But " I think I can hear you say, " a
whole faggot of myrtle would not be the same to me
SOME CAPRI FLOWERS, AND WHERE THEY GROW 293
as one sprig of holly ". Ah ! the old associations, how
they cling! But we " cannot eat our cake and keep
it too ". if we are wise we will take the goods the
gods provide, and in Capri they are more than gene-
rous. 1 do not think that dear old England , as yet,
has been able to manufacture quite the same article,
and owing to sundry natural causes, 1 doubt if she
ever will. So it will be just as well to content our-
selves with rosemary and myrtle in the present, with
the hope of once more embracing our beloved prickly
holly in the future.
In the months of January and February the nar-
cissus are at their best. You take the path from Ana-
capri which winds downwards through the olive groves
to the tower of Damaceuta, and just where the path
emerges from between the loose limestone walls on
to the edge of the cliff , pause a moment and look
below. Yes , it is undoubtedly very steep, but looks
much steeper than it is, and shod in Capri shoes one
can do wonders. Descend cautiously the uneven steps,
which lead to the tiny gardens terraced out of the
cliff , then find your wary way downwards through
heath and coronilla, and lo ! you are in the middle
of the narcissus , and soon (if you are as greedy of
these beauties as I am) , will have gathered a bunch
which you can scarceiy hold in both your hands. You
will spend many a happy day amongst the narcissus ,
for they linger long in Capri, even from Christmas
time till the end of March. Early where the sun shines,
and later in the cool shadows of the cliffs.
Every English country child knows the delight of
finding the first primrose. Aye , and every English
294 THE BOOK OF CAPRI
country man or woman feels something of the spring-
time of their youth come back to them, when they go
" a-primrosing *. But alas! the primrose does not
bloom in Capri. Once upon a time it did , for seven
years ago I had one brought me as a great treasure,
by some one who knew the island well. But it is no
longer to be found. Its sweet hiding-place has been
discovered , and thoughtless , ruthless hands have dug
up and destroyed the last primrose of Capri! So it is
no more. But towards the end of January you will
find something else , something which you remember
hunting for in the fresh breezy days of your boyhood,
with almost equal delight. That is the first sweet vio-
let. There is a little wood at the begining of the Ana-
capri road , upon the Capri side , with terraced vine-
yards above it , climbing right up the steep mountain
side to the very foot of the great limestone crags
towering above. Turn up through this wood , step
over the path which cuts right across , and find the
easiest way into the nearest vineyard , search carefully
among the long grass under the high walls , which
support the gardens above, and there, hiding its mod-
est head as well as it may, from the keenest edge of
the " tramontana " , you will find the first violet. In-
deed in a few weeks time , when the southern sun
grows warmer , you will gather generous bunches of
these same sweet flowers, not only there, but in many
other places. I remember finding some particularly
large and deep-coloured violets on the way down to
the old battery, Lo Capo end of the island , almost
as fine and deep in colour, as the great russian vio-
let of our gardens. They are well worth seeking for.
SOME CAPRI FLOWERS, AND WHERE THEY GROW 295
The dog-violet grows everywhere. Beautiful in form ,
delicate in colour , but personally I always think him
somewat of a fraud , with no right whatsoever to the
name of violet, so long as he remains without a scent.
But nevertheless he is a flower , and a charming one,
also one of the first, so must not be altogether des-
pised.
It is also in the little * bosco " at the beginning
of the road to Anacapri, that you will find the first
crocus, forcing its slender head up through the dead
oak leaves, and winter grasses. When closed , it is a
soft buff colour, but when open, a delicate lilac. Pluck
it tenderly for its stem is so fragile it will break most
easily in the handling. As the month goes on, not only
in this * bosco " will you find the crocus growing,
but everywhere, for these are some of the flowers
wherewith Flora has woven her carpet. These and the
anemones: I think if it be possible to make any choice
at all, that the crocus and anemone are amongst some
of the most beautiful of the Capri flowers. Spend an
afternoon in " Gasto " wood at the beginning of April,
or even at the end of March, for each day brings forth
fresh wonders. There you will find the crocus starring
the earth, wide open to the sun, with anemones in all
their beauty. But do not fill your hands too full, you
have yet to climb up amongst the boles of the chesnut
trees, to hunt for cyclamen amongst the fallen leaves.
Ah, there they are! Little rosy gems doing their best
to hide themselves from all observers. You must not
pick the cyclamen, but pull him , as you would a lily
of the valley. Place them amongst your crocus and
anemones, and see how the colours blend, violet, pink
296 - THE BOOK OF CAPRI
and rose-colour, and behold ! what a bouquet you
have gathered ! Later go to the same wood when the
golden broom and coronilla are in bloom: just to see
the trick which Flora has played to plant it so against
the blue of the Capri sea, When your eyes are fairly
<lazzled with gazing at so much beauty, drop down into
the cool shades of the lemon groves below, and look
for the fragile blue anemone apenennina, which grows
Juxuriantly beneath their shade. Why they have favour-
ed this one particular lemon grove, who can say?
But that they grow nowhere else in Capri I believe is
well assured.
Now there is another walk you must take in the
month of April, and that is to the breezy hill of the
Semaphore, in search of orchids. You must not keep
to the path, but turn off the beaten track, for it is
always there, as in life, that one is likely to stumble
on the most interesting things. Keep to the eastern
side of the hill, and wind your way amongst the tall
white asphodel spires, and sweeps of golden broom,
not permitting their beauty to distract you. Think only
and entirely of what you have come to seek, for the
colouring of the bee orchids especially, blends so cu-
riously with its surroundings, that it is a necessity to
have all your wits about you, also a very sharp pair
of eyes to discover it at all. I have before me now a
bunch of these same fairy-like flowers, their waxen
wings outspread, as if each little floweret were ready
to take flight and soar away. Pale pink or pure white
are their wings, all veined with apple green. Their
rich soft downy bodies clothed in velvety brown , or
merging as only an orchid can , into subtle browns
SOME CAPRI FLOWERS, AND WHERE THEY GROW 297
and greens. The delicate stem, which alone keeps
these winged things to earth, is a joy in itself. One
feels that if it had been one whit less beautiful , they
would never have been content to stay. One of these
gems alone would be reward enough for a whole day's
wander. But no need to be content with one. Keep
your eyes open, and as I have said before, your wits
about you, (partly because the Semaphore hill is not a
** Strada Carrozzabile "), and if you have the eye of a
true flower-hunter, in an hour you will have gathered
a bunch of these lovely imprisoned winged things,
which will be a delight to you for a whole week to
come. Put them in water and watch them as they de-
velope then 1 think you will go again to the Sema-
phore hill.
Yes, you will most assuredly go again to the
Semaphore hill, if not to hunt for orchids, just to spend
a quiet hour amongst the asphodels whose beauty you
found it an absolute necessity to ignore the other day,
causing you, as they did, to crush beneath your feet
one of the most perfect specimens of the flower you
had come to seek. Well, now you may pick out the
most comfortable limestone rock you can find , and
give yourself up entirely to the glamour of the aspho-
dels. " Ah, " you will say at length, " no wonder the
Greeks chose them for their national flower ". You
are amongst a miniature forest of silver spires topped
with soft rosey pink. You have seen the snowy Al-
pine peaks with just such a sheen and glow upon
them. Now look beyond, or rather between their rich
warm stems, how the sapphire sea flashes and dances
below, then beyond again , where the islands of the
298 THE BOOK OF CAPRI
Sirens seem afloat upon the bay wrapped in an opal
haze, then the purple coast, then Calabria, until your
eyes rest at length upon the silvered peaks of the snow-
capped Apennines. And the asphodels: there they stand
all around you, slowly waving to and fro in the breath
of the southern breeze. What a foreground to the
classic scene before you ! How they cling about the
old ruins of the gods ! The gods are dead , but the
asphodel still lives. Ah, so you will rest awhile and
dream of the fields Elysian , and maybe of the great
dead, whom these same flowers inspired to sing of
their beauty.
But if, after your meditations, your enthusiasm car-
ries you so far as to gather a bunch of these same
classic beauties to take home with you, I would say
as Punch once said " To those about to marry. Don't ".
Most emphatically don't. I have a strong suspicion
you will take no heed whatever to my advice, anymore
than the rest of the world have hitherto taken that of
Mr. Punch on the subject of matrimony; so you will
gather your asphodels all the same , with long stalks
and a plentiful supply of graceful leaves, and you will
place them in your tallest pot in the very centre of
your mantelpiece , (always if possible choose a room
with a mantelpiece), then you will rest on your sofa
and admire them. " How lovely they are, " you say,
" what can there possibly be against them ? " So it is
that you will settle yourself comfortably into your book,
now and again glancing up at your flowers, or maybe
at the fire of olive wood burning upon the hearth. How
cosy it is ! How lovely the flowers look in the light of
the lamp ! How they turn this simple bare room into
SOME CAPRI FLOWERS, AND WHERE THEY GROW 299
a veritable bower ! So musing , you bury yourself
again in your book, allowing the soothing influence
of the wood fire to creep over you. It is then, just
at the moment when you are most comfortable and
cosy, that you gradually become aware that there is
something in the room, something which annoys you,
indeed it greatly disturbs you. " Good gracious " you
exclaim, " What an awful — What on earth can it
be * ? You arise from your comfortable corner in an
extremely irritated condition , and follow that sensitive
organ, your nose, round the room on a voyage of
discovery. No, there is absolutely nothing in the room
that could possibly account for it. Then if not in the
room it must be out of it. Dare you open the window!
Yes, at all risks you must find out from whence it
comes. You turn the latch, and cautiously pull the
window towards you: in rushes the cool night breeze
from the sea. Oh how delicious! No, it is certainly
not from without, then it must be within. Again you
make a voyage round your chamber, until at length
you come to a halt in front of your lovely mantel-
piece. Yes, it is most certainly here. Who is it? What
can it be? You insert your nose first into the violets,
then into the cyclamen, then into the anemones, orchids,
lithospermum, lastly into the great pot of golden broom
and coronilla. No! it is none of these, they are abso-
lutely free of any offence. You gaze upwards to the
asphodels, where their starry eyes look down upon
you from the heights above. Can it be possible ! You
place your feet upon the fender, and reach the lowest
star. Oh! howappaling! and " hey presto " Calabrian
pot and all are hurled outside, and the window tightly
300 THE BOOK OF CAPRI
locked upon them. No! you cannot interfere lightly
with those whom the gods have loved, nor is it always
wise to neglect the advice of Mr. Punch.
There is a knoll partly grass, and partly rock on
the way to Damaceuta where you would like to go.
it lies on your right, where the pathway turns a cor-
ner not far below Anacapri. Climb over the wall and
take a short cut across, until you again meet the path-
way below. It is my favourite place for anemones ,
for their colours seem to vary there, in a way they do
nowhere else. It was also there , one day in the be-
ginning of May , that I came across what 1 at first
thought to be a gigantic flight of blue butterflies. Cau-
tiously 1 approached them, for, 1 feared as my shadow
fell , they would fly away into space , before I could
get a good look at them , but I was right amongst
them, and they took no notice of me whatever. Then
it was that 1 discovered they were no butterflies at all,
but quantities of the most lovely little blue iris 1 had
ever seen, so delicate their stems, that a little distance
off, they seemed scarcely alight upon the grasses. 1
hope you may find these iris, and enjoy them as much
as 1 did, they are worth a considerable hunt, 1 as-
sure you.
There are long delightful days to be spent on Monte
Solaro , where flowers grow , which are to be found
nowhere else on the island. There is another day to
be spent, or many, most certainly many, on the lovely
way to the Lighthouse. There you will see the rose-
mary and cistus at their best. There, later on you may
lie, and dream amidst the myrtle and arbutus bowers.
It is on that same pathway too, you will see at their
SOME CAPRI FLOWERS, AND WHERE THEY GROW 301
best the cornfields under the olives ablaze with pop-
pies , cornflowers , and marigolds. It is also in these
cornfields, that you will find the tall rose-coloured glad-
eoli, and large purple anemone.
But it is not possible in so small a space to enu-
merate one half, or one quarter, of the flowers to be
found on the way to the Lightouse , and still more
impossible to speak of all those which deck the island.
Of the deep blue drapery of the lithospermum, of the
clustering bells of the campanula, hanging amidst the
great limestone towers, of the sunshine of the spurges.
No, it is impossible. The subject is endless, for each
one deserves a chapter to themselves. So 1 will say
finally to help you, buy Dr. I. Cerio's most excellent
book, " Flora dell'lsola di Capri " published by Emilio
Prass of Naples, for in it he gives you every flower
which blooms upon the island , with their Latin , and
often their English, French, and German names. Also
in many cases, where they are to be found. With this
if you read, mark , and learn, and with your own in-
stinct , love , and knowledge , your pleasures will be
unlimited and lasting.
So may you linger long in Capri , and be happy
amongst its flowers.
CHAPTER V.
Festival of San Costanzo — An Island Carnival. ^
" Paganisme immortel, es tu mort? On le dit
Mais Pan, tout bas, s' en moque et la Sirene en rit •.
" What mean these flower-strewn lanes, these banners gay,
These blue-veiled maidens in this fair attire,
These gossips come to see and to admire,
These ruddy youths, who make such brave display,
A long procession files in slow array.
Aloft, a silver image gleams like fire.
Borne shoulder-high, amid a white-robed choir,
The patron saint moves on his festal way.
Great Pan is dead ? Ah, No 1 he lives. Tis we
Blind with the scales of centuries on our eyes,
Have lost belief and thus the power to see.
These humble folk, in their simplicity,
Perceive the glory which around them lies
And commune with their Gods perpetually ".
Ellingham Brooks.
^ The greater part of this Chapter appeared in " The
Gentlewoman " of Oct. 24th 1903, and is repainted here by the
kind permission of the Editor of that paper.
304 THE BOOK OF CAPRI
The island of Capri in best known to the world
in general as the quondam retreat of the Emperor
Tiberius , a much maligned and misunderstood old
gentleman, who, according to popular report and local
gossip, at the advanced age of seventy is credited with
having committed untold naughtiness. We are also
celebrated in a more reputable way, for our Blue
Grotto, which is indeed extremely blue during the long
hot days of July and August , when nobody sees it
except a stray fisherman or itinerant painter , but is
not half as blue as it is painted under the cold, inclement
skies of February and March , when the unfortunate
tourists , after a rough crossing , are precipitated into
the cockle-shell boats , which await the arrival of the
steamer, and told to admire its beauties.
Our shady Emperor and our Blue Grotto are
known to all men, and are, in a measure, our excuse
for existence. But the reader of average intelligence is
probably not aware, that as we are associated with a
special sinner , so we are under the protection of a
very particular Saint. Every town and parish (paese)
in Italy, has its own particular patron saint. Our Saint
is " San Costanzo " and like many another saint and
sinner, has a very remarkable private history. He was
at one time Bishop of Constantinople, but having made
himself unpopular was murdered, and his remains being
placed in a large cask , were flung surreptiously into
the Bosphorus , and the murderers thought they had
heard the last of the good Bishop. But this was not
to be. The remains of this excellent, but unappreciated
Bishop were taken in charge by the proverbially fickle
winds and waves, which after due consideration, agreed
FESTIVAL OF SAN COSTANZO - AN ISLAND CARNIVAL 305
to convey him, " franco di posto, " to the shores of
Capri, where they knew that the Saint would be rec-
eived with welcome and hospitality. After a somewhat
long and stormy voyage, the cask reached the Grande
Marina, where it was discovered by a young fisherman,
who promptly informed the priest of the arrival of the
sainted voyageur , and whatever was left of him was
given decent and honourable sepulture.
Others may date all events of importance from
the ides of March, from Old Lady Day, or New Lady
Day , from the Hjira, from Washington' s birthday, or
Declaration Day. We in Capri, " set our house in
order " for our annual Festa of San Costanzo. For
weeks prior to the great event the houses and street
arcades are freshly whiteswashed , the churches are
cleaned inside and out, and glow resplendent in paint
and shining gold. Woe! to the Capri maiden, who on
that auspicious day does not succeed in providing
herself with a new gown, and still more Woe! to the
sweetheart, who does not help in the providing, for
assuredly he may pay in his " amourous chips ", and
expect to be discarded forthwith , " without benefit of
clergy " , in favour of some other swain , who better
understands his obligations.
Our Festa of San Costanzo takes place on May
14th, a most charming season of the year, for spring
has but newly visited us, the air is warm and balmy,
and loaded with the scent of the orange, and the lemon,
the sky is a serene and placid blue , but without the
passion of late summer, and the landscape has not that
wearied look , exhausted , as it were , by the constant
warm devotion of the Sun, which seems to prevail at
22
306 THE BOOK OF CAPRI
the end of August , when Nature waits anxiously for
the hoped-for baptism of autumn rain.
Eight days (the " octave ',) previous to the Festa,
the benighted stranger in Capri will be aroused from
his slumbers at 4 o' clock in the morning by the most
furious cannonade, of what appears to his half-awakened
sense, heavy artillery. He will spring up horrified, and
hurry to the window , expecting to see the indistinct
forms of ironclads, looming up in the misty half light.
The sea appears calm, placid, and peaceful : still the
roar of the artillery continues. Each discharge seems
louder : the boom is tossed from hill to hill. Evidently
the gunners are warming to their work. At last with
one terrific blast the climax is reached, the echoes die
reluctantly away, and again a perfect calm settles down
on the quiet island, while a cloud of smoke rolls down
the wind. The benighted stranger with beating heart
returns to bed, and possibly to sleep, to learn later in
the day that this is the Capri manner of ushering in
with due decorum the " octave " of the Festa of their
patron saint.
Here it is well to note that San Costanzo is as
exacting as a modern potentate. If from motives of
economy, or spiritual lukewarmness on the part of his
humble subjects , he is deprived of a tittle of his
ceremonial rights , he will show his resentement and
annoyance by sending on the penurious islanders rain
and wind, that will drown and lay low their vines, and
if their shortcomings are very marked , he may even
visited them with the much-dreaded blight , which in
Capri spells ruin.
FESTIVAL OF SAN COSTANZO - AN ISLAND CARNIVAL 307
Solemn mass is held at 9° clock in the morning
on the great day itself, and the church of San Stefano
is packed to its fullest capacity with throngs of the
devout , and observant groups of critical, sharp-eyed
tourists — alas ! how seldom in sympathy with the charm
of the scene , and the touching lesson of faith to be
learned from these simple peasants ! Mass ends: then,
with loud clangour of not discordant bells slowly issue
from the church, with downcast eye and measured pace,
two by two, " the maidens of Mary " — " Figlie di
Maria " — robed all in white , save for the blue veil
reaching below the waist, which scarce conceals the
glory of luxuriant locks , ranging from raven black to
auburn red. With deliberate step they descend the
broad cathedral steps, pressing the perfume from a
dainty carpet , formed of scented rose leaves , and the
vivid yellow petal of the broom. Softly they tread
twixt rows of worshippers , the men bare-headed , and
the girls on bended knee , their leaders tiny tottering
babes of three or four, who sway and cling together,
as they walk. To be permitted to bear the badge of
Mary' s daughters is a high honour to the budding
motherhood of Capri girls, and Woe! to the maiden,
should the sharp-eyed Parroco detect her in unlicensed
kiss, or pressure of the hand, or even in the less dread
sin of " occhio di pesce " (making eyes) , for surely
and without appeal she will forfeit for a time at least
the blue ribbon, (not that of the Turf,) which is sign of
highest chastity, and magnet to the wife-seeking bachelor.
Next in the train , contrast and balance to the
preceding visions of undeveloped loveliness, march two
by two the sturdy manhood of the town , Brothers of
308 THE BOOK OF CAPRF
Saint Filippo Neri , mostly men of middle life , some
verging to gnarled old age. Hardy fishermen are here,
with faces tanned by frequent contact with the baffling
gales, and patient tillers of the soil, laborious " conta-
dinas " , their backs bowed by frequent study of the
vine , nut-brown their faces , but with less of daring ,
more endurance in their gaze. All these are clad in
gowns of white, and carry in their hands huge candles.
Behind them march the elders of the brotherhood ,
distinguished by rich hoods of gold and black, embla-
zoned on their breast a bleeding heart. And all the
while the bells clang their loudest and their gayest from
neighbouring belfry, the ungrudging sun gilds the scene
with his staunch allegiance, and a constant rain of
scented petals of the rose and broom flutter down from
terrace and from roof, alighting softty, and with equal
willingness , on the curly head of childhood , and the
scanty grizzled locks of age. The patron Saint himself,
the dimax and the zenith of the scene will soon ap-
pear, and by his rare presence dazzle alike the eye of
sceptic and devout. But first we see a score of bright-
faced acolytes, swinging their silver censers right and
left: to them succeed a phalanx of portly priests, gor-
geous in rare old lace, and robes of purple, red, and
violet, chanting with might and main appropriate paeans
to their saintly patron. Then, borne aloft by four
well-practised athletes, heboid ! the saint himself, a noble
figure formed of beaten silver , vested in pontifical
robes. In his left hand he holds a staff, and book with
two metallic bambini: with his right hand he bestows
on all around the benediction — sure presage of a
prosperous year to come. Today upon his silver coun-
FESTIVAL OF SAN COSTANZO - AN ISLAND CARNIVAL 309
tenance there seems to lurk a smile of self-content, for
ail goes weli, tlie sun is bright, the faithful have been
liberal in their gifts, nfew banners flutters in his honour,
a band from Naples has arrived to " do him proud ",
and their strains fall gratefully upon his complacent
silver ears.
Close behind the saint a canopy of white and scar-
let silk is borne. Beneath its shade majestically paces,
second only to the saint himself, Monsignor the Bishop
of Sorrento, supported by our worthy Sindaco , his
massive middle cinctured with a broad sash of red and
green and white, a noble field his country's colours to
display.
When the saint reaches the Piazza, he is greeted
by a rattle of platoon firing: the flame rushes from
roof to roof: dreadful the noise, blinding the smoke.
The riflemen fire wildly, and scarce take aim, while
from the park (villa) below, salvoes of heavy guns
follow each other crescendo. Now the procession amid
much smoke and roar, the swaying of the saint, the
chanting of the priests, and clangour of church bells,
slowly wends its way down the Marina steps, to con-
sign the saint in safety in the old basilica, which bears
his name.
To us, who watch from shady vantage ground ,
this is perhaps the memory that lingers with us long-
est, when the horizon of our vision may be bounded
by chimney-pots, or saffron fog clouds. Surely some
giant spinner has thought fit to weave and wind along
the curving snowy road a ribbon, broad and long, the
colours blended with harmonious skill , of white and
every shade of blue, that colour-experts can discrimi-
310 THE BOOK OF CAPRI
nate. So down the white smooth road winds this
colour-scheme, amidst the distant chanting of the attend-
ant priests, and rolling clouds of fleecy smoke.
At night the middle of the Piazza is the scene of
a most excellent and creditable display of fireworks,
all made on the spot by the local genius , the official
" fuocista " of the island, in appearance rather like
Guy Fawkes. There are a number of set pieces, and
a liberal discharge of rockets and fire balloons. Although
the space available in the Piazza is extremely limited ,
no accident ever occurs. The people sit undisturbed
at the little marble-topped tables, eating their ices, sip-
ping their vermouth, and inhaling their " tuscani \
amid a shower of sparks from the fireworks exploding
a couple of yards away: but nobody is ever hurt,
though there is a legend that once an old " forestiere "
lady had the misfortune to have her wig burned !
And we who know and love these simple graceful
kindly folk, so full of faith, so prone to joy and cheer-
fulness, so sensitive to brilliancy of colour and har-
mony of sound, we learn in time to reverence and
respect their colour-schemes, which, while they keep
alive their faith, provide happy sinless holidays, untaint-
ed by sordid grossness and untouched 'by licence.
CHAPTER VI
Exploration of Blue Grotto by Kopisch and Pagano.
(Written by^Mrs. Wolffsohn)
Far back in the Twenties of Victoria's reign when
the island was uncrowded by world-trotters; when its
maidens married the fisherfolk , and never thought of
running after foreign artists and wandering " my lords %
there was rediscovered the now famous grotto, whose
existence was indeed known, but whose character was
uncanny; for legend hung about the gloomy cave, and
the fisherman, as he rapidly rowed past the minute
opening in the mighty cliff, shuddered as he gazed,
half expecting to see some fearful monster issue
forth.
It was in the summer of 1826 that an Austrian
artist , Mr. August Kopisch , arrived with his friend
Ernest Fries, at Capri. The travellers took up their abode
in the small white-washed Inn kept by Don Giuseppe
Pagano, the town notary, and ancestor of the present
family of that name. In the course of conversation
between the travellers and their host, their curiosity was
aroused by hearing, that one of the numerous caverns
in the island was said to be haunted by evil spirits;
312 THE BOOK OF CAPRI
that years ago two priests decided to venture in and
exorcise these demons, and actually swam a little way
into the grotto, but seized with fear they hastily made
their exit, and no one since then had braved its terrors.
Some years ago a fisherman was busy close to the cliff;
the morning was so fine and still, that he could see
the stones and shells and seaweed fifty feet below, at
the bottom of the water. All at once a shoal of fish
that had been playing in the transparent waves darted
away, leaving one which began to swim round and
round rising higher and higher, untill it seemed as big
as a man. The fisherman poised his harpoon as the
fish rose, while its body kept changing from red to
green, and its eyes flashing green and red. Never had
the fisherman seen such a creature and he began to be
alarmed, but instead of breathing a prayer, he threw
his harpoon at the fish " in the devil's name \ The
harpoon struck the fish in the neck and the sea was
immediately so stained with blood, that nothing could
be distinguished. Feeling the line attached to the har-
poon grow slack, the fisherman believed the fish was
dead. He drew it up, and, lo, the harpoon came out
of the water without its prey, the iron handle looking
as if it had been melted by fire. In a panic the fish-
errnan seized his oars and endeavored to escape,
but his boat only turned round and round, as the
fish had done. At last the boat stood still, and out of
the waves rose a bleeding man, with the prong of the
harpoon still sticking in his neck. He shook his fist
at the fisherman, who sank fainting into the bottom of
the boat, which eventually drifted ashore at the Grande
Marina. For days the poor man lay speechless, but
EXPLORATION OF BLUE GROTTO BY KOPISCH AND PAGANO 313
on the fourth day he recovered, and related his ad-
venture. But now a curious thing happened. His right
hand began to wither like a dead leaf, then his arm
and next all his other limbs. Last of all his head and
body shrank, and he died. His corpse did not look
like that of a man; but a dried root in an apothecary's
shop. Other legends of the grotto were related; that
fire and smoke had been seen issuing from the en-
trance; that creatures like crocodiles crept in and out;
that every day the opening expanded and contracted
seven times; that at night the Sirens sang sweetly in
the grotto; that cries like those of infants were heard
mingled with moans and groans. Others related, how
young fishermen who had ventured near the entrance
had disappearred, and never been seen again; and that
the grotto was full of human bones !
In spite of all these horrors, the two foreigners, Don
Giuseppe aud his boy of twelve years old , started on
an expedition to explore the grotto. Two large tubs,
a basket of provisions, a caldron of pitch, a lantern,
some buckets, ropes and other things were packed into
a boat, while the adventurers, their number increased by
Angelo Ferraro, an experienced old fisherman, with a
face the colour of cinnamon, and a donkey driver,
named Michele Federico, embarked in a large boat
and t6wed the other after them. As they rowed past the
gigantic cliffs, the two foreigners began to take off their
clothing. The party grew silent, as they neared the
grotto, where tjie oars were unshipped and the boats
lay still. In and out of the narrow opening ebbed and
flowed the sapphire water. Don Giuseppe Pagano had
grown very pensive. Mr. Kopisch ordered Angelo to
314 THE BOOK OF CAPRI
kindle the pitch, and soon it boiled and flamed mer-
rily. Meanwhile Don Giuseppe had reluctantly removed
his clothing, and now stood hesitating on the side of
the boat , but Mr. Kopisch gave him a push, and over
he went in the water, to rise the next moment puffing
and blowing. After him jumped the two strangers, and
Angelo entered one of the tubs and pushing the other,
in which he had placed the pitch caldron before him,
he paddled towards the grotto. Soon he was in the nar-
row archway, hauling himself along by the walls. The
smoke from the boiling pitch nearly blinded the swim-
mers who followed, and on entering the cave they could
distinguish nothing but fire and smoke , where Angelo
was feeling his way along the sides. By and by Mr.
Kopisch discerned the figures of Don Giuseppe and his
friend Ernst Fries, who were turning back. They seemed
to be enveloped in blue flames, and he himself felt
as though he were swimming in an infinite blue
sky. He called to his friends. * Come back! come
back ! were there nothing in this grotto but this divine
water, it would still be a wonder of the world! Come
back, 1 say. Here are neither demons nor sharks, but
a beauty of color that canot be equalled ! *
Angelo , with his caldron , presently reached the
back of the grotto where a landing-place was found.
The cave at that point seemed to penetrate the moun-
tain; " This must be the secret passage of Tiberius ! "
exclaimed Don Giuseppe. Mr. Kopisch took the lighted
lantern from Angelo, and went forward. Stalactites
hung from the roof, and at every step the rocks chang-
ed their form. All at once Kopisch started. He had
seen a skeleton ! But it proved to be only a white
EXPLORATION OF BLUE GROTTO BY KOPISCH AND PAGANO 315
stalactite. Suddenly he saw his own shadow at his
side. He turned and saw a small opening in the rock
through which shone the light from the entrance oi the
large grotto. He called to his companions that he
had found traces of human handiwork, and they climbed
after him. From the little opening the view was mag-
nificent. A great deep basin, vaulted by a lofty roof
studded with stalactites, walled by fantastic rocks; paved
with a blue liquid sky, the blue light of which, was
reflected on the roof. Along the deep red border
deposited by innumerable marine animals on the rocks
at the sea level, the ripples broke and sparkled in the
colors of a million jewels, only through the narrow
entrance a band of light, trembled like moonlight , on
the surface of the water, and from below rose the
indescribable blue reflections. Enchanted with all they
saw, the strangers swam to the boats to fetch drawing
materials, and returning seated themselves at the little
crevice, and held the lantern for each other, while ac-
complishing two sketches of the scene.
Then Don Giuseppe swam out of the grotto ,
and perceived the proprietor of this part of the island,
standing on a point of rock, gazing at them with open
mouth. He had heard the shouting, and had climbed
down the precipice like a goat, to a point of rock ,
and now called to the notary to ask the cause of the
outcry. " The Devil is in the grotto ^ shouted Don
Giuseppe, as he swam to the boats. " Go in yourself
" and see what kind of fellow he is ! *, he shouted
again, as he drew on his shirt. The astonished pro-
prietor took courage , plunged into the sea, and swam
into the grotto. He was still more astonished when he
316 THE BOOK OF CAPRI
perceived the foreigners. " How did you dare ? " he
cried. " I was born here; the property belongs to me,
yet never would I have ventured in had some one
not entered before me. You foreigners must have
hearts of stone and iron " ! he cried. The sketches
were finished; Mr. Kopisch took the lantern, and the
whole party proceeded to explore the place thor-
oughly , turning first to the left through a labyrinth
of passages. This portion of the grotto had also an
opening into the larger one. Retracing their steps, the
explorers proceeded to the right, and found another
small passage , in which was a heap of masonry.
* This must contain a heap of treasure, and it is
mine " ! cried the proprietor, and threw himself upon
it, but there was nothing. Mr. Kopisch observed, that
when he happened to hold the lantern low down, it
burned badly. " This is uncanny ^ remarked the pro-
prietor, " let us go back ". It is only foul air, said Kop-
isch » and he pointed to a white mist, hovering on the
ground. The Capresi called to Kopisch to return, and
set the example. But all were rather alarmed, when
they found they had lost their way. They were in a
far wider passage than that by which they had come.
Placing a heap of loose stones, to mark the place Kop-
isch urged the others to explore this new passage;
but suddenly the light in the lantern went out, and left
them in total darkness. " We shall starve here ", cried
Ernst Fries , " we shall never find the way out " !
and the others began to mutter prayers. Kopisch ,
feeling himself responsible for the safety of the party,
begged them to keep calm. One of them must stand
still , while the others tried to find the way, keeping
EXPLORATION OF BLUE GROTTO BY KOPISCH AND PAGANO 317
in touch by calling to each other continually. They
had decided upon this, when all at once a howl, like
that of a wild beast, reached their ears. * Thank
the Madonna ! That is Angelo's voice ", cried Michele,
" He is really an Angel *, laughed Kopisch, " he is not
far off, we shall certainly find him ". And so they
did. They followed the sound of the voices, and soon
reached the place, whence they had taken the sketches.
After the intense darkness in which they had been,
the wonder of the grotto seemed doubly beautiful, and
they all greeted Angelo, who was paddling around in
his tub, with shouts of * Eviva ' ! He had been anxious,
and thought they had met with an accident. The
foreigner plunged with joy into the liquid azure, the
surface of which was slightly agitated, for a fresh breeze
had sprung up outside. Angelo urged the party to
leave at once, if they wanted to get out. They gathe-
red all their things into the tub and swam out. The
Capresi now considered themselves heroes. " How the
people in Capri will stare ", cried Michele, as he took
the oars.
After an adventurous trip, they landed at the Grande
Marina, to be received with admiration, and somewhat
of awe by the population, who fully believed that they
had comejrom the " house of the Devil ^ in the
private room of Don Giuseppe, the family assembled
to congratulate the foreign guests, who, by their ad-
venture had enriched Capri with a wonder and a charm,
which, in future years, was to attract to the island an
ever-increasing flood of foreign visitors. After supper
a grand discussion took place as to what name should
be given to the grotto. Don Giuseppe wished it to be
318 THE BOOK OF CAPRI
called " The Kopisch Grotto ", after his guest, but fin-
ally it was decided to christen it " La Grotta Azzurra ',
the • Blue Grotto " , the name which it has ever
since born.
The charm of terror, the legend and loneliness have
vanished; the grotto often echoes to vulgar sounds,
and no one fears to enter it; but the charm of divine
color, and of nature in one of its most fantastic as
well as loveliest forms, remains to gladden the hearts
of men, who come from all over the world to ad-
mire the place which has acquired such far-spread
fame.
CHAPTER VII
" Capri versus Anacapri "
(Adele Schaefer)
Every body knows Antonio. He sits in a little
natural niche, just under the statue of the Madonna,
on the road to Anacapri. He is a beggar now, though
I don't think he makes much by it. There are two
sorts of beggars; the whining beggar and the cheerful
beggar, some people are touched by a smiling and
hopeful attitude, while others give to the beggar who
keeps up a sing-song whine, which is heard a hundred
yards away. It is all a matter of taste; " de gustibus
non disputandum \ though for my parti like giving ot
the cheerful ones. But Antonio is one of the other
sort; he makes a decidedly determined and brigandish
dash at one's carriage, and decides one instantly in fav-
our of the smilling humble old person, who sits a
few yards farther on.
But Antonio was an old friend; long before he
took up begging as a profession, he alway had the
instincts for it, and would invariably manage to get a
glass of wine because " he was so hot *, or, " because
the day was so cold ", as the case might be, when
he brought me down fresh eggs from Anacapri.
320 THE BOOK OF CAPRI
But Antonio has had a sad history, so perhaps
allowances should be made for him. One day, when
his heart had been warmed with a glass of ** Capri
rosso ", and -a pipeful of English tobacco, he took me
into his confidence, so far as to tell me his history. I
had heard it before, but his version threw a new light
on the subject. Perhaps he hadn't been so much to
blame after all?
He began by telling me that, he had been a "" bello
giovane ". Perhaps he realized that I never should
have known it otherwise, or he may have been philos-
opher enough to have come to the conclusion that,
when one is goodlooking, lots of things happen to one,
which would not occur otherwise.
He is very brown and wrinkled now, but his eyes,
though not beautiful, are still very blue. His father
had a small vineyard, and he helped to gather the grapes
and olives; and when the quails fluttered on to the
broom covered hills, after their long flight of three
hundred miles, across the sea from Africa, or, when
they made the island their first halting place, when
they came, fat and plump, after a summer in the north,
on their way to the south, Antonio would wander over
the mountain in the hope of getting a few to sell to
the " foreigners ".
In the vineyard next to his father's, there was a
charming little maid, as brown as a quail and as plump,
who used to chatter and sing as continually as a locust
on a hot summer day. Antonio used to talk to her
across the low stone wall which divided the vineyards,
and once, he brought her a red clove pink and a sprig
of " cedra "; she got as red as if the last rays of the
CAPRI VERSUS ANACAPRI 321
setting sun had shone on her. Antonio saw the won-
der, and saw that it was his doing, and was glad, and
he soon after asked her to be his " anamorata \
Angeh'na wore the sunsetglow on her smooth brown
cheeks nearly all the time after that; there was no need
for her and Antonio to wait long before being married.
Angelina, like all island girls , had begun before she
was ten yars old, to spin and Weave the flax for her
wedding linen, and to crochet the lace, with which to
adorn her trousseau.
And so they were married; she and Antonio felt
like a king and queen, as they were pelted with wheat,
confetti, rose-leaves, and small bronze coins, all the
way to the tiny house which they had prepared. An-
tonio couldn't find words with which to express how
happy they were; Angelina was such a good little wife,
and so helpful during the vintage. Antonio wishes I
could have just seen her, with a bright yellow handker-
chief around her neck, and a great basket of purple
grapes on her head. She was, in fact, just like a pic-
ture ! And surely no one ever looked half so pretty,
with her black eyes and white teeth flashing out of the
gloom of the dark old cellar, where the wine was
pressed.
One day the niece of a neighboring vine grower
came up from Capri. She was a pretty girl with fair,
fair hair, and eyes blue like the sea, only one was a
little crooked, not much, but there it was, and she had
a limp also. Oh, yes it was a pity, such a beautiful
girl ! Well ! Antonio often met her on the steps, and
it was only natural that they should walk together.
What would I wish ? That he should have run on ahead,
23
322 THE BOOK OF CAPRI
and left her as if he had seen an evil spirit ? Not
at all, he was too kind to let a poor girl feel her mis-
fortune in that way. But Angelina, ah, she was differ-
ent! She, thought nothing too bad for a Capri girl,
and told Antonio that he was a stupid not to listen
to her.
And so it went on; when Angelina found her
earthly Antonio wouldn't listen to her, she went to
the small chapel on the old steps, which is dedicated
to the heavenly St. Antonio, and gave a candle, and
made a prayer to the effect that, her earthly Antonio
might be changed. And from the chapel she often
used to see him passing by with the Capri girl. At
last she got angry with St Antonio and her own An-
tonio, and told them both, in nearly the same terms,
that it had got to stop. Her black eyes flashed with
the wildest jealousy, and the sunset glow used to come
and go on her cheek with brilliant flashes.
One day Antonio went to shoot quail on the
mountain; if Angelina insisted, he didn't mind showing
her that he wasn't at all anxious to haunt the old steps;
and Angelina went to cut grass for their cow.
Her sack was only half full, and she had cut all
there was near, so she went over to the hill, where
the old ruin of Barbarossa's castle shelters the greenest
and longest grass. When she got to the ruin, she saw
Serafina, the Capri girl, sitting in the shade of a wall,
knitting. Oh, yes, it was quite plain that she was wait-
ing for some one ! Angelina scrambled to the edge
of the cliff, and called to her to know who she was
waiting for. Serafina, all in a moment, got as angry
as possible, and rushed towards Angelina, and insisted
CAPRI VERSUS ANACAPRI 523
on her speaking more plainly. Angelina told her sus-
picions , and Serafina rushed at her like a tiger-cat.
Antonio wasn't there, he didn't know how the devil ar-
ranged it, but his poor little Angelina feel back over
the cliff on to the road below, just near the statue
of the Madonna,
Poor Angelina 1 She had a beautiful funeral; all
the priests in the parish walked behind her, and all her
friends threw rose leaves, confetti and small bronze
coins on to the pink coffin, just as they had done on
her wedding day. And Serafina ? " poveretta ! " But
she well deserved it ! She was taken down to the steam-
er with a carabiniere on either side , and all the little
boys and people ran after her, and threw stones and
mud at her, and she went limping down the road, just
glancing back with her crooked eye, and declaring she
was innocent !
But that was over thirty years ago, and she is still
in prison; so she must have been guilty after all.
APPENDIX
The following notice, by Prof. Rudolfo Lanciani in
his ** Notes from Rome ", occurs in " The Atheneum "
of Feb. 17, 1906 in reference to the recent important
and suggestive discovery made by Dr. 1. Cerio in
Capri.
" it is a know fact that, Augustus, the founder of
the Empire, was a palae-ethnologist, a student of prehis-
toric remains. The " res vetustae ac raritates notabi-
les " which he found in the caverns of the island of
Capri, are described by Suetonius (Aug. 72) as " bones
of giants ", that is to say, of fossil monsters, and as
" arma heroum ", weapons of men living in past ages,
which is a tolerably good definition. The researches
of Augustus are earned on at the present day by a
local physician, to whom we are indebted for the fol-
lowing discovery. At a place adjoining the Eremitag-
gio, and at the bottom of a deep trench, he has found
bones of rhinoceros and other animals, and stone
hammers of the roughest make, some of which weigh
six pounds. Bones and hammers are buried in a layer
of reddish clay — probably the bottom of a lake marsh —
which rests on the limestone core of the island, and
which is covered in its turn by a volcanic formation
of tufa. This find shows the correctness of the state-
ment of Suetonius. Had Augustus discovered ordinary
326 THE BOOK OF CAPRI
flint implements belonging to the age of polished stone,
the biographer would, as usual, have called them
" gemmas ceraunias *, or * lapidesfulminis " (lightning
stones). By making use, however, of the expression
" arma heroum * he distinctly alludes to the special
kind of heavy hammers just rediscovered at the Ere-
mitaggio, which belong to the first representatives of the
human race who ever set foot in the beautiful island ,
which was still undergoing the process of geological
formation ".
The following is Dr. 1. Cerio's statement of the
nature and extent of the recent discovery referred to
above by Prof. Lanciani :
" The chapter on Geology, written by me for
" The Book of Capri " had already been completed,
when in the month of September 1905 a new discovery
was made in Capri, which is of great geological and
palae-ethnological importance. Although 1 briefly called
attention to this discovery in the note at page 34,
some further details may be of interest to the reader.
Owing to the enlargement of the^Quisisana Hotel, it
was necessary to carry out extensive excavations in
order to reach the limestone rock, on which were to
be laid the foundation walls. Beneath a layer of vege-
table-mold, one metre and eighty centimetres in depth,
were found the usual volcanic deposits, which are dis-
persed all over the island: the depth of the latter de-
posits were about two metres, superimposed on beds
of brown-red clay. This red clay derives its colours
from a large quantity of oxide of iron contained in it:
it is almost pure, and contains neither volcanic matter
nor fragments of limestone: it varies in depth from two
APPENDIX 327
to five metres according to the elevation or depression
ot the underlying limestone rock, upon which it rests.
This substance appears to owe its origin to deposits
usually found at the bottoms of extensive lakes.
On the surface of this clay soil, and on its upper
layers — underneath the pozzolana — were found flint
and quartzite implements very roughly formed, but evi-
dently the work of the human hand. Many of these
implements were of Jarge dimensions , and oval, or
almond shaped, bearing the character of those typical
forms found at Chelles, and belonging to the most re-
mote prehistoric period — called ChelLeen.
Scattered amongst these implements were bones of
vast size, being without doubt the skeletons of hippo-
potami, elephants, rhinoceros, stags, leopards and other
mammalia; but alas ! so decomposed were the bones ,
that it was utterly impossible to preserve any of them
complete. 1 succeeded, however, in saving several large
teeth, a link of much importance in determining the
classification of certain of those species which are known
to have existed at the time when Capri formed part of
the mainland, and during the paleolithic period. That
the existence of primitive man and animals (which have
since then migrated to regions further south , or have
become extinct in many cases), was coeval during the
glacial period in central and southern Europe, is an
established fact, and as Lartet says " une verite desor-
mairs inattaquable et definitivement acquise a la
science ".
Nothing of so convincing a character , as these
lately discovered teeth and bones, has before come to
light in our province of Naples, most likely from the
328 THE BOOK OF CAPRI
fact that no accurate research has been made. There-
fore, these discoveries on the island of Capri, besides
adding another to the many proofs, that the island up
to a very recent geological period, joined the mainland,
also add the interesting suggestion that, primitive man
watched the disintegration of an extensive continent :
saw it almost disappear: saw the terrible conflagration,
that scorched the Phlegrean regions: witnessed the
upheaval of Ischia, and the phenomenon of a country
saved by the invasion of the waters of the Mediterra-
nean, which was covered by deep layers of volcanic
material, which destroyed all life and vegetation then
existing.
I will add that, at about twenty metres from the
place where the excavations were recently made, there
are extensive and imposing remains of Roman buildings:
they seem to extend all along the Via Tragara; I have
scarcely any doubt that, it was during the time of the
digging of the original foundations of those early buld-
ings that, were found just such huge bones — and
stone implements, called " bones of giants' and " wea-
pons of heroes ^ which Suetonius records that " Au-
gustus liked to collect ^ A hint for us of the first
reference to a Museum of natural curiosities existing
in Capri " ?
INDEX
Acarnania, 18.
Acropolis, 90.
Addison, Joseph, 179, 242.
Agrippina, 77, 79, 83.
Aiano, 205, 206, 245.
Airaghi, 30.
Alfonso I, 96.
- II, 97.
Altar, 128, 129, 156.
Alvino, 5, 140, 144.
Amalfi, 1, 91. 92, 93.
Anacapri, 4, 5, 13, 16, 30, 31, 97, 102, 103, 131, 135, 136
193 — 195, 259, 261, 263, 264, 266, 267, 268, 272.
Andersen, Hans, 220
Anemone, 295, 300.
Antonia, 78.
Ausonius, 19.
Apollonius Rhodius, 18.
Appian way, 141.
Apragopolis, 22, 183.
Acquaviva, 3.
Acqueduct, 43, 156, 168, 171, 205.
Arco Naturale, 221.
Arcucci Dr. Gennaro, 223.
Arcucci Giacomo, 95, 187, 248.
Area of C, 2.
Argonautica, 18.
330 THE BOOK OF CAPRI
Asphodels, 296, 297, 298.
Athanasius, 91.
Atripalda, 98.
Astura, 69.
Augustus, 5, 18, 21, 24, 49 - 57, 61, 62, 63, 78 , 83, 112,
140, 146, 149, 150, 154, 162, 164, 183, 184, 185. 193,
194, 222.
Bagni di Tiberio, 42, 153-5^^ Palazzo a Mare.
Baldacci, 35.
Barbarossa, Castle, 93, 100.
- Corsair, 98, 99, 248.
— Monte, 2.
Baring-Gould, 55, 56, 61, 62, 63, 65, 71, 72, 76, 77, 78,79,
80, 81, 82, 83, 84, 87, 88
Barometer, 12.
Bas-reliefs, 147, 151, 166, 168, 194, 222, 223.
Baths, 169, 180.
Bernoulli, 87.
Belli Francesco, 121.
— Tommaso, 121.
Belfini, 30, 35, 36.
Bernardo di Sarriano, 94.
" Bigio antico ", 118, 121. 156, 196.
Birth rate, 5.
Blaesus, 27.
Blue Grotto, 40, 44, 45, 46. 47. 48. 207—220, 241, 242.
" Bocca piccola ", 33.
Bonucci Antonio, 146. 170.
Brick-stamps, 164,
Breadth of C, 1.
Breislak, 29, 216, 237
British Museum, 86, 128, 155, 156, 223.
Broom, 296.
Brooks, Ellingham, 303.
INDEX 331
Buonaparte Joseph, 256.
Bury, 75, 76, 82.
Caius. 72.
Caligula, 21, 24, 69, 70, 71, 83, 84, 89.
Callipides, 61.
Cameo, 168, 169.
" Camerelle ", 172, 177—180, 206.
Campanella, 1.
Campo Pisco, 197, 269.
Canale, 17, 96, 145, 189, 190, 191,251, 281.
Canevaro, 30, 35.
Capaccio, 215, 216.
Capo, lo, 1, 3, 30, 32, 36, 271.
Capo di Monte, 136, 193, 194, 266.
Capreae, 6, 150
Caprea, 131.
Caprineus, 22.
Caprile, 16.
Capua. 63, 96.
Carrara marble, 116, 117.
Caserta, 205, 246.
Castellammare, 1. 261.
Castiglione. 2, 36, 44, 257, 258, 263, 267.
— Thermae, 165 — 170.
Castellani, 155.
Cassino, Monte, 90, 245.
Caterola, 31. -^.
Cava, 29.
Census, 4. *
Ceramio. 93.
Cerio, Dr. I. 27, 29-48, 117, 137, 152, 157, 162, 164, 169,
170, 196, 200, 223, 225, 230, 238, 239, 301.
Certosa, 95, 101, 102, 185-187, 248, 271.
Certosella, la, 177.
332 THE BOOK OF CAPRI
Cesina, 32, 258, 267, 269.
— Villa, 170, 191.
Cetrella, S. Maria, 2, 258, 268, 269.
Charicles, 69. 70.
Charles of Anjou, 93, 94.
Charles, Archduke of Austria, 98.
Charles, II, of Spain, 102.
Chevalley de Rivaz, 215, 219, 274.
Chevret, Capt, 256, 257.
Chianese, Leonardo, 253.
Church, Capt. Richard, 136,258, 259, 261, 262, 263, 265, 266,
267.
" Cipollino ", 118, 143, 156, 173, 196, 205, 245.
Cisterns, 131, 139, 143, 157, 159, 180, 186, 202.
Cistus, 300.
Classical Capri, 17—27.
Claudian, 19.
Climate, 9—16, 20.
Cloaca, 43.
Cocceius Nerva, 20, 69.
Coleman, C. C, 173, 196.
Colletta Pietro, 259, 260, 263, 264, 268.
Commodus, 89, 133, 151.
Concrete, 109, 110.
Consular Reports, 2, 4, 7.
Contrada Torre, 131, 245.
Corals, 32.
Coronilla, 296.
Corsairs, 89, 90, 98, 100, 101, 102.
Corsicans, 257, 261, 262, 263, 264, 265, 266.
Costanzo, S. Church of, 132, 145, 205, 245, 246.
— Saint, 147, 248.
— Festa of, 303 — 310.
Crispina, 24, 89, 133, 151.
INDEX 333
Crocus, 295,
Cumae, 5.
Cuomo, Dr. V, 4, 8, 10, 14, 16.
Curtius Atticus, 20, 69.
Cybele, 155, 222, 223.
Cyclopean wall, 137.
Cyclamen, 295.
D'Aloe Stanislaus, 215.
Damaceuta, 2, 47, 193, 194, 195, 210, 264, 266
De Angelis d'Ossat, 30.
Death rate, 4, 5.
Decrees, royal, 94, 95, 96, 97, 98, 102
Derivation of name Capri, 5, 6.
De Stefano, 30, 35.
Di Lorenzo, 35,
Dion Cassius, 24, 89, 133, 151.
Domitian, 151.
* Donna-capri ", 97.
Douglass, Norman, 215, 218, 241.
Drusus, 23, 60, 62, 72, 78, 79, 146.
Dubufe, Mons. G. 153, 272
Dumas, 219, 220.
Earth-movements, 39, 40, 44.
Electrical station, 8.
Emmanuele Dwersi, 105 .
English occupation of Capri, 255—275.
Eocene period, 33.
Erosion, line of, 40, 41.
Ewers, Dr. Hans Heinz, 277 — 283.
Faraglioni, 40, 41, 161, 162, 183.
Faro, 149—152.
Favorita Palace, 166.
Feola, 29, 137, 146, 147, 149, 152, 156, 157, 163, 164, 169,
170, 171, 172, 173, 179, 181, 184, 190, 191, 193, 194,
195, 196, 199, 216, 222, 223, 229, 230, 237, 239, 243.
334 THE BOOK OF CAPRI
Ferdinand I., 97.
— II., 97.
— IV., 103, 189.
Fern Grotto, See Grotta delle Felce.
Ferraro, Angelo, 216, 217, 218, 313, 314, 317.
Festa at Castiglione, 167, 168.
Flint instruments, 38.
Flora of Capri, 105, 222.
" Fontane ^ 3.
Fontana, 43, 157.
Fossils, 32.
Francis I, 201.
Frederic of Aragon, 97.
French occupation of Capri, 255 — 275.
Freytag, 85.
Fries, Ernst, 218, 311, 316.
Gaeta, 98, 101, 141.
Galba, 68.
Gallo Bishop, 197, 247.
Gallo, Duke, 194,
Gamboni, Bishop, 105, 106 .
Gemellus, 69, 71, 84.
" Geographical Journal ", 40.
Geographical Society, Royal, 40.
Geology, 29—48.
Geological Museum, London, 120.
" Giallo antico ", 118, 145, 156, 166, 170, 173, 197, 201
205, 245, 246, 247, 252.
Giannettasio, N. P., 242.
Gibbon, 91, 92, 93, 94.
Gibellines, 94.
Giraldi Dr. Luigi, 105, 145, 222. 232.
Glaciers, 37, 38, (note).
Gladeoli. 295.
INDEX 335
Governor, civil, 102, 103, 104, 105, 258.
- military, 102, 103, 104, 105.
Gradella, 1, 272.
Gradolo, 195.
Greco, (wind), 12.
Greeks, .5.
Greek city of Capri, 131.
Greek Stairway, 135, 136.
Gregorovius, 2.
Gregory the Great. 90.
Grotto Arsenale, 40, 229 — 232.
— Azzurra, See Blue Grotto.
— Castiglione, 229, 233—235.
— dell'Arco, 30, 237, 238.
— della Felce, 238, 239.
— Fern— 5^^ Grotta della Felce, 34. 38.
— Green, 31.
— of the Madonna, 30.
— Maravigliosa, 277 — 281.
— Mitromania, 25.
. — Maria del Soccorso, 281, 282, 283.
— Oscura, 215, 241 243.
— Tiberio, 281, 282, 283.
— White. 41, 277.
Guelphs, 94.
Giinther R. T., 30, 39, 40, 41, 42.
Haan, 153.
Hail, 13.
Hadrava, 4, 103, 104. 135 145, 151, 152, 155, 156, 159,
161, 165, 166, 167. 168, 169, 171, 178, 185, 186, 187,
190, 197, 205, 216, 223, 233, 234. 235, 237, 285.
Hadrian, 51.
Hamill. Major, 196, 262, 264, 265.
Hamilton collection, 128, 129, 155. 156.
336 THE BOOK OF CAPRI
Hospital for soldiers, 107.
Hotel Continental, 44.
— Grotte Bleue, 89, 132.
— Quisisana, 34, 177.
Hubert, John, 249.
Humidity, 13.
Hydrographic conditions, 3.
Hypatus, 25, 228.
Inscriptions, 25, 26, 132, 152, 170, 190, 228.
Ischia, 1, 11, 18. 35, 37.
Iris, 300.
Isis temple of, 153.
Jerome, T. Spencer, 17 — 27. .
Joanna I., 95, 186.
— II., 96. . .
Josephus, 20.
Jovis, Villa. See Villa Jovis.
Julia, 69, 77, 84.
Julius Caesar, 87.
Julian, 19.
Julia Augusta, 26, 164.
Juvenal, 19.
Kaupo^, 6.
Kaprajim, 5,
Kennedy, Lieut Ralston, 277, 278.
Karsten, 30.
Knocker, Mrs Longworth, 291— 301,
Kheyrd-ed-din, 98, 99, 100.
Kopisch, August, 215, 218, 242, 311, 313, 314, 316, 317.
" Lacerti ", 172, 177.
Ladislaus, 95.
Lamarque, General, 196, 261, 270, 271, 273, 274, 275.
Land— level, 40.
Lane— Poole, 99, 100.
IKDEX 337
Lanciani, Prof., Ill, 121, U4—m, 164.
Lapilli, 31, 37.
Lapislazuli, 147, 197, 253.
Lead pipes, 43, 143, 151, 168, 169, 200, 205.
Length of Capri, 1.
Libeccio (wind), 12.
Lighthouse, 19, 23, 142, 149—152.
Lime-kilns, 125.
Limestone, 30, 31.
Lithophagi, 33.
Li via, 24, 56, 77, 83. 164.
Livilla, 56, 69, 84.
Lowe, Col., 190, 258, 261 , 262, 263, 267, 268, 269, 270,
271, 273, 274.
Lucilla, 24. 89, 133, 151.
Lucullus, 69.
" Macigno ", 31.
Macro, 70.
Mackowen, Col., 2, 4, 5, 43, 105, 141, 153, 166, 180. 184,
185, 199, 207, 208, 209, 210, 211, 212, 214, 225, 231,
232.
Maestrale (wind), 12.
Maltese, 262, 264, 266.
Mangoni, 4, 17, 90, 91, 94, 95, 96, 97, 98, 100, 101, 102,
103, 105, 106, 132, 136, 145, 152, 161, 169, 170, 186,
194, 195, 196, 197, 201, 202, 205, 211, 216, 223, 228.
229, 231, 243, 245, 246, 247.
Marbles, destruction of, 123—129.
Marbles, Roman, 115—121.
Marbles, removal of, 123—129.
Marcello de Angelis, 104.
Marcus Aurelius 24, 151.
Marmolata, 31.
Marina Grande, 3, 31, 42, 44, 131, 257, 258, 261, 263, 267,
272.
24
338 THE BOOK OF CAPRI
Marina Piccola, 3, 31, 43, 44, 229, 237, 258, 261,263, 272.
Marino, Doge of Amalfi, 91.
Marrocella, 3.
Martorana, 219.
Martorelli, 5, 228.
Masgabas, 22, 54, 161, 183.
Masonry, Roman, 109 — 113.
Mastrodattia, 97.
Matromania, 221, 261, 263.
— Cala di, 41, 221.
— Scoglio di, 41.
Maund, Cakely, 277, 278.
Mayor, 86.
Melloni, 44, 48.
Mendelssohn, 218.
Metropolitan Museum of Art., New York, 230,
Meyer, Emilio, 135.
Michele, S. Anacapri, 253.
— Chapel, 173.
— Hill of 2, 32, 34, 36, 43, 44. 141, 258, 267, 269.
— Temple of, 171—175.
Middleton, 109, 110, 111, 112, 113, 164.
Migliara, 31.
Military prison, 185.
Minervino, Count of, 95, 186.
Merivale, Dean, 55, 57, 65, 66, 76, 149, 150, 151, 158.
Misenum, 20, 65, 69.
Mithras, 222, 223, 224, 225, 227,
- Cave of, 221—228.
Mithraic worship, 25, 222, 224, 225, 227.
Monacone, 162, 183, 184.
Monticello, 193, 194, 195.
Montorio, 242.
Morcaldi, 101.
INDEX 339
Mulo, 44, 181.
Munthe, Dr. Axel, 195, 255.
Murat, Joachim, 259, 160, 170.
Murrine vases, 157, 158, 203.
" Murrini ", See murrhine vases.
Museum, British, See British Museum.
Museum Brussels, 121.
Museum Naples, See Naples Museum.
Names of Capri various, 6.
Naples Museum, 147, 156, 163, 166, 169, 222, 223, 230.
Narcissus, 293.
Neolitithc age 34 (note).
Nelson, 256.
" Nero antico ", 118.
Nicolini, 48.
Nola, 54, 55, 61, 63.
Normans, 92, 93.
Obsidian implements, 34, 34 (note), 38.
Odyssey, 17.
Ohve oil, 106.
" Opus incertum ", 109, 110, 111, 206.
" Opus mixtum ", 111, 112.
" Opus reticulatum, ", 109, 111, 202, 206, 224, 235.
" Opus testaceum ", 109, 111 .
" Opus quadratum ", 109.
Oppenheim, 30, 33, 34, 35.
Orchids, 296, 297. •
Orico, 263, 264
Ovid, 18.
Pagano, Giuseppe, 218, 311, 313, 314, 315.
Palazzo a Mare, 42, 43, 153—159.
Palazzo Inglese, 103, 189—191, 258, 272. 288.
" Palombino ", 118, 196.
Pallium, 54.
340 THE BOOK OF CAPRI
Parate, 38.
Parian marble, 115, 116.
Parona , 30.
Parrino, Antonio, 216, 285.
Pastena, 32, 36.
Pavements, 112, 113, 143, 144, 145, 156, 162, 166, 167, 169,
170, 194, 195, 196, 201, 205, 230.
Pentelic marble, 115, 116, 117.
Pellegrini, Bishop, 251.
Pellicia, A. A., 26, 29, 132.
" Peperino ", 109.
Peristyle, 143, 144.
Petra, Dionisio, 247.
Philo, 24.
Phlegrean regions, 37.
Phoenicians, 38.
Piatz, 35.
Pietro di Toledo, 101.
Plague, 101, 102.
Pliny, Elder, 18, 67, 112, 116, 158.
Pliny, Younger, 20.
Plutarch, 20.
Poliorama Pittoresco, 216, 219.
Pomponius Mela, 18.
Pontifex Maximus, 86.
Ponza, 1, 255, 260, 267.
Population. 4. •
Portland vase, 230.
" Porta santa ", 119, 156, 252.
Pozzo, 193, 194, 195.
Pozzuoli, 1, 39, 149, 227.
" Pozzolana ", 31, 37.
Priveleges, See Decrees*
Propertius, 158.
INDEX 341
Propyleum, 175.
Ptolemy, 25.
Puggard, 36.
Pullen, Revd. H. W., 116-120.
Punta Carena, 1, 31. 41. 42.
— Gradelle, 264.
— Tragara, 42, 43, 161, 162, 164, 177. 261, 263.
— Tuora, 1.
— Ventrosa, 31. 42.
Puteals, 146. 147, 155.
Puteoli, 53.
Quail netting. 285—289.
— shooting, 103, 285—289.
Quattromani, 219.
Rainfall, 13, 14.
Rezzonico Count 29. 151. 178, 216, 222.
Renato of Anjou, 96.
Reservoirs, 3, 171, 178. 200. 202.
Review, military, 103.
Rhodes, 61, 62, 81.
Richter, Jean Pahl, 2.
Roane, Dr. James, 132—134. 225, 226.
Robert the Wise, 94.
Roger of Hautville, 92.
Roger XII, 92, 93.
Romanelli. 151, 166, 173, 178, 197, 203, 205, 237.
Roman roads, 171, 172, 173, 174, 177.
Rosemary,
" Rosso antico ", 118, 145, 162, 166, 170, 173, 230, 247.
Ruffo, Marquis, 44, 45, 48.
Salerno. 261. 264.
Salto, 23. 142.
Saracens, 90, 92, 93, 195, 199, 233.
Sarcophagus, 89, 132—134.
342 THE BOOK OF CAPRI
Savino, 90.
Schaefer, Adele, 319—322
Schultze, Dr.. 26.
Schoener, Dr. 154, 202, 206, 208, 209, 211, 212, 213, 214,
215, 224, 235, 245, 246, 282.
Scirocco (wind), 12.
Scoglio della Sirena, 182.
— della Ricotta, 41.
Sea-beaches, 32.
Sea-level, 42, 44, 64.
Secondo, 147, 151, 157, 178, 202, 216, 222.
Sejanus, 19, 20, 23, 24, 63, 69, 78, 79, 83, 141.
" Sellarie ", 178, 179.
Semaphore hill, 2.
Seneca, 18, 151.
Serafino di Dio, 251, 253.
Serapis, temple of, 39.
Servius, Duke of Naples, 91.
" Serravezza ", 119, 145, 156, 162. 247, 252.
Shells, 36.
Sicilian Vespers, 93.
Sicily, 93, 94, 256, 258, 270, 271.
Sidonius, 19.
Sievers, 85.
Silius Italicus, 19.
Sirens, 18.
Sismondi, 93, 94, 95.
" Sloth, island of ", 161, 183.
Smith, A. H. 127, 155.
Smith, Sir Sydney, 257.
Snow, 13.
Soccorso, S. Maria, 144, 258.
Solaro, Monte, 1, 2, 11, 13, 36, 43, 141, 265, 268,
Solinus, 25.
INDEX 343
Solyman the Magnificent, 98, 100.
Sopra-Fontana, 26, 201, 202, 203.
" Sorgente ", 2.
Sorrento, 1, 18. 24, 89.
" Spintrie ", 178, 179.
Stahr, Adop, 79, 80, 85.
Stamer, 169, 189.
Starke, Marianna, 219.
Statius, 19, 24, 150, 151.
Statues, 143, 145, 152, 155, 159, 201, 202.
Stefano, S. Church., 162, 247, 248.
Steinman, 30, 35.
Storms, 12.
Stephanus of Byzantium, 27.
Strabo, 18.
Strongoli PignateUi, Prince, 261.
Suetonius, 21, 22, 23. 24, 50, 52, 54, 55,64, 65,66, 67, 69,
70, 72, 80, 82, 84, 85, 140, 141, 151, 178, 179, 183. 184.
Susino, Capt., 263.
Symonds, John A., 92.
Tacitus, 20, 21, 52, 53, 63, 64, 67, 68, 69, 70, 71, 80, 81,
82, 83. 84, 85. 87.
Tancred, 92.
Tarver, 57, 80, 83, 84.
Teleboans, 18, 19, 21.
Telegrafo, 36.
Telegraph hill, 2.
Teion, 18, 19.
Temple, San Michele, See San Michele.
Temperature, 14, 15. *
Teresa, S. Convent, 251, 252.
Thomas, Adjutant, 261, 264, 271.
Thorold, Sir Nathaniel, 189, 190.
Thrasyllus, 22, 68.
344 THE BOOK OF CAPRI
Tiberius, 19, 20, 25, 51, 52, 53, 59-88, 89, 140, 141, 143,
146, 149, 178.
Tiberio, See Villa Jovis.
Titonio period, 33.
Toga, 54.
" Tofchino venato ", 166.
Townley collection, 155.
Tragara, Palace, 161, 162.
Tragara, port, 43, 44, 180, 199, 200.
Tragara punta. See Punta Tragara.
Tramontana (wfnd), 12.
Trani, 93.
Travertine, 109.
Triclinium, 144.
Truglio, 3, 201.
Tursini, Prof., 3.
Unghia Marina, 42.
- — Palace, 163, 164.
Upatos, 222.
Urgonian period, 35, 36.
Valentino, 169, 170, 179.
Vase, marble, 166, 196.
Ventotene, 1.
" Verde antico ", 120, 246, 252.
Vespasian coin, 132.
Vesta, bust of, 197.
— Temple of, 197.
Veterino, 193, 194, 195.
Vesuvius, 20, 30, 37.
Victor, Sextus Aurelius, 25.
Vines, 106, 107.
Vipsania, 78.
Villa Jovis, 2, 23, 103, 139—147, 149, 249, 252, 281, 282.
Virgil, 18.
INDEX 345
Violets, 294, 295.
Vitellius, 24.
Vitruvius, 110, 112.
Voltaire, 84, 85.
Water supply, 2.
Walters, Allan, 228.
Walther, 30, 35, 36.
Weichardt, 49. 51 , 52 , 124, 140, 142, 143, 144, 145, 154,
159, 161, 162, 165, 172, 174, 175, 181, 186, 208, 210,
222, 224, 226, 227, 231,
White, A. Silva, 9—16.
Winds, 12.
Wine, production of, 6, 7.
Winery, 7.
Wolffsohn, Mss, 311—318.
Wreford, 191.
Wundergrotto, 277—281.
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San Carlo Opera House (& National Museum
easily accessible
/^ocfern sanUation — Lift — (Admirable cuisme
MHPLES =
GRAKD HOTEL
— ffi —
Open from October 1st to June 1st.
T^Srsi class and most comfortable y{ote]
Situated in the finest and most select part of Naples,
with magnificent views of the town, Vesuvius,
and the Bay.
J^eCoest and most perfect
sanitary arrangements
Steam beating tbrougbout.
tbrougbout :: :: ;:
Pr'Wate batbrooms and
suites
Proprietors. HHUSER & DOEPFMER
• NAPLES
GtHOTEUUlNDRES
FIRST aASSCEMTRAL-FULLS0UTHSPLEHDI0Vl£WBATH^-2UFISSTEAMHtATm(i
PERFECT DRAIMAGE OPEN AUTHE YEAR ROUNDAPPARTE.VENTS WITHBMHA1DT0ILET.
• NAPLES •
,EM'l 1HI©TE1L
= (late Tramontano) ==
On the Corso ^ittorio Emanuele, 200 feet above
the sea, in the healthiest part of town
Splendid ^iew over the city, Vesuvius,
and the entire Bay
Apartments connected with bath-rooms
Terms for rooms include electric light,
attendance, and baths
bift — Steam heating — Open fire-places
Macpereon's Hotel Britannique
♦ NAPLES ♦
First class and most comfortable English Hotel
Situated on the Corso Emanuele, in a splendid position, facing
full South, and surrouded by Gardens, from which is enjoyed
a charming view over the Bay and Mount Vesuvius. Fitted
with all modern and latest sanitary improvements.
Electric lift — Steam heating — Electric light throughout
Omnibus meets trains and steamers
NnPLES ♦
Professional t)irectory
♦ rifiPLES
Dr. HUGH GIBBON
7, Via Pontano — Rione Amadeo, NAPLES
Telephone 14-34
Dr. 0. EHRLICH
Via Gaetano Filaiigieri, 3 Via Vittoria
(opposite Pharmacy Durst).
Aw. AMILCARE CERVELLI
Vico Filatorio a Materdei, 16 — NAPLES
Ho<J''S of consuUaHon from 8 to 10 a. m.
and from 3 to 6 p. m.
Orient "Royal Mail bine
— Fortnightly sailings from J^APbES to —
/vlarseilles, Qjbraltar, 'plymoutb 8i London
also to
port Said, Suez, Colombo, freemantle, (^deta)de
/v^elbourne, Sydney 8^ ^nsbane
For Passages apply to | 24, Via Guglielmo Sanfelice
HOLME & C.^ T NAPbES
To see Naples and Environs pleasantly and intelligently
take;
Mrs. George Sawyer Keliogg's
to
Pompei, Pozzuoli, and Baia, Capri, Sorrento,
Amalfi, 'Ravello and Paestum.
Programmes may be found in Hotels in Naples and environs;
in many stores in Naples and also at Green's in Capri
22 Corso VIHorlo Emanuele, NAPLES Telephone 16-25
The Rev. Denis Moore Cann. B. A.
(late Scholar of St. Catherine's College, Cambridge)
J^eceWes pupils for instruction in /Modern Languages,
/^atbematics, Classics etc.
Adress: 114, Corso Vittorio Emanuele, NAPLES
Terms moderate
M S S. typed by Miss Moore Cann. (same address)
The Only English Pharmacy in Naples
6stablisbecf in 1826
• K: E> HMV o O^ .
Chemist to his Majesty the King of Italy
English Pharmacy
NAPLES - Strada San Carlo, 14 (opposite Royal Opera House)
Prescription k Family recipes accurately prepared. Genuine patent medicines
"Dursf s JiytDOSphosphifes
Invigorate the nervous system, the integrity of which is
absolutely necessary to check the morbid condition of the
Body. Their ingredients contribute largely to the formation
of bone, muscle, nerves, blood and tissues. Highly recommended
by the Profession, adopted at numerous Hospitals and Sanitaria.
I>I^TCE LII^E 396O
Wholesale & Eetail at: Tbe (^nglo-^merican Pba^macy
J^AJE^I^lE^^ — 51 - 63, Via Filangieri - Via Mille (Chiaia)
» NAPLES «
G. RIGOR DI & G
MUSICAL PUBLISHERS
SpecidlificS, popular [Neapolitan songs, both old
& new Mandolines — Quitars
Piapos for sale or hire
t)epot, Carlo Clauseffi
Sole -A^gertts of ib.e Flrna of QscfjStcm
Corner Via Chiaja (N. 28) and Piazza Carolina
Giovanni De Biase
= Via "Roma, 293 - JSlapleS =
Emporium for all sorts of India Rubber =
= GuttSL-percha and eaouthouG goodt
Waterproof coats, Goloshes, Hot Water bottles
Lawn teunis balls. Footballs. Toilet articles
Telephone 13-44
Eiiglisli Scientific
dPIii
A. B. Talbot
Optician from London— Specialist in ocular diopterics
ANTIQUITIES and CURIOS
5p6C)a!Ky in old painHngs
Comm. B. CANNA^iNA
Telephone 422
-^ -€!- -C^ -^ -^ -^ -€?!- ^S^- ^^ -^ -^^ ^S^ -^ -^ ^ -#- ^^ -85!^ -^ -^
I^OeCO MOI^ABITO
32, Piazza dei Martiri & 32 Via Calabritto
— ^ NHPLES ^
Qoral and Tortoise §1)^'^ /^anafactarer
Gold and silver copies of Pompeian Antiquities
prices marked in plain figures on eS)ery article
-^ -^ -^ -S^ *€}- -^ -^ ^^ -^ -^^ -^'^ -^ -^^ -^ -^ -0- -^ "^gJ- -^ ^^
Piazza dei Martiri - HnPLES
Wines, Liqueurs, Whiskies, Brandies, Pale Ale,
Stout, Pilsener Beer, Mineral Waters.
Tea, Cofiee, Biscuits, Chocolate, Preserved Provisions
& Groceries — Wholesale & Retail
Qalleria Umberto 1 mo (opposite S. Carlo Theatre)
for
High class Confectionery
Afternoon Tea & Refreshments.
6UTTE1^It)eE 5 Co.
o o o o I^APbES o o o o
— = Via Roma, 189 to 193 =
5?eta)l and ^^)f)oleSale PraperS
"Woolens, Cotton goods, PreSS St(s§s,
^h^(Dh, y(oS)ery etc.
Old bleacf) Cmbroidery Linens
Scotcl) 8{ 3r)S}) Linen PamaS^
Tableclotf)S 8^ J^apHinS = f >^^^^ Qeylon Tea
Numerous medals awarded
First Class Stioemaker
Boots & shoes for ladies , gents & children — First class
goods kept in stock or made to order — French and American styles.
Fancy Work Shop
FTlATEbbl HAPObI
Naples - 70, Piazza dei Martiri, 70 - NAPLES
Complete assortment of materials
All kinds of silks, wools and cottons
Fancy work designed, begun, finished & taught
at most reasonable prices
-^ <^ -^ -^ ^ <^ «^ <^ -S^ ^> -^ -^^ <^ <^ -^ -^ -^ <^ <4^ <#*
Olimpia Cecere &l Co.
Dress materials & costumes made to order
Select Parisian models
Special line of latest novelties
Au Chevreau
Grlove ^vCaniafact-Lirer <& JPerfuraer
Oreste T^usso
]X^o.;plo® « Via Chiaia 62 & 53 - ]X^a-;pl^si
Kid, Chamois leather Gloves & mittens.
Gloves made to order
Newest style — Variety of colours — Toilette requisites
-^ -^ <^ ^ -^ -^ <^ -^ -^^ <^ -^ -^ -#> ^ -^^ -^ -^^ -0> ^ -^
CA-ROLINA blBE-RTlNO
JVo.:plesi - Strada di Chiaia, 180-187 - ^^Vajiles
Corsets and silk petticoats kept in stock and made to order
Latest fashions — Parisian style
/vioderate prices — 6ngt)sb 84 f rencb spoken
Best, Purest and Most Delicious Chocolates
O. E. GAY § (p.
MAPLES
Via Roma 281 - Via Chiaia 236
Frinoipal Factory at Turin
PORK DELICACIES
(Open day and night)
i«A.\rE>iv «& Oo.
263-264, Via Roma— NAPLES
W. COD-RINSTON
S^rada d) Q^iaia, (under the bridge)
/Naples >
Importers of all sorts of Alimentary goods
Groceries etc.
General agents
The International Hospital - Naples
Via Tasso, Corso Vittorio Emanuele
This useful institution founded in 1877 under the super-
vision of a local Committee, is situated in a healthy
position with a fine garden, and has rooms set apart for
private patients where they can receive every care and
attention, including the servic^es of a trained English nurse.
The hospital has been instituted and is st'll maintained
for the benefit of visitors of different nationalities , and
is almost entirely dependant for its income upon the con-
tributions from visitors and foreign residents, the fees of
patients, and collections from vessels.
During its existence 10912 patients have been assisted
by the hospital, of whom, 3L43 were British or American
subjects.
The hospital is of inestimable benefit to British and
American Sailors who find English speaking Doctor, Matron
and Nurses with the care and comfort of home.
The Committee earnestly appeal for subscriptions and
donations, which will be gratefully received by the mem-
bers of the Committee and by:
Messrs Ho±7ncxG> Sc 0» (Via Flavio Oioia N. 3)
Dr. O^rl ^oo-ttl [Resident Physician)
COMMITTEE 1906
HONORARY PRESIDENT: Prof. O. v. Schroen.
PRESIDENT: R. Neville Rolfe, British Cons.Een.
VICE PRESIDENT: Prof. Paul Mayer.
TREASURER: M. S. Embleton.
HON. SECRETARY: E. Brnnner.
A. Berner Sen.'-— Sydney E Cruse—
M. Grutteridge -G. Krebs, Cons. Gen.
of Austria-Hungary — "L. A. de Lalande
Cons. Gen. of France— F. S. Meuricv^ffre
Cons. Gen, of Svizzerland M. Meissner— '
A. Oulmann — R. Wenner.
AUDITORS: F. K. Williamson- F. Meu-
ricolffre — Hoase-Surgeou: Prof. C. Scotti
Matron: Miss. M Lohmann.
NAPLES SOCIETY
FOR THE
PROTECTION OF ANIMALS
Opposite the American Express Co. and 100 yards from Cooics
An inspector is on duty in Capri at intervals for a
few weeks at a time. Through his intervention the
trapping of small birds has been checked to a large
extent, the furious driving of cabs and overloading of
carts greatly dimiuished, and the use of iron instru-
ments of torture on horses euitreiy suppressed.
The Society has held four Horse and Donkey Para-
des in Capri; at which prizes amouting to 376 lire
were distributed in cash to the drivers of the best
kept animals.
It is proposed to plant shady trees on the cab-stands,
where the horses suffer greatly in summer from the
intense heat of the sun.
FUNDS ARE URGENTLY NEEDED
Contributions will be gratefully received by the
Hon. Secretary in Capri: —
Harold E. Trower, British Consular Agent,
or by the Treasurer in Capri: —
Dr. George Cerio
THIS BOOK IS DUE ON THE LAST DATE
STAMPED BELOW
AN INITIAL FINE OF 25 CENTS
WILL BE ASSESSED FOR FAILURE TO RETURN
THIS BOOK ON THE DATE DUE. THE PENALTY
WILL INCREASE TO SO CENTS ON THE FOURTH
DAY AND TO $1.00 ON THE SEVENTH DAY
OVERDUE.
FEB 6 1i?4/
LD 21-100m-12,'43 (8796s)
RETURN TO the circulation desk of any
university of California Library
or to the
NORTHERN REGIONAL UBRARV FACILITY
Bidg 400. Richmond Field Station
University of California
Richmond, CA 94804-4698
Ai I BOOKS MAY BE RECALLED AFTER 7 DAYS
^2 r?onth loans may be renev^ed by calling
/f.;rioi?may be recharged by bringing
.Srwals'and recharges may be made 4
days prior to due date.
DUE AS STAMPED BELOW
4UW4^493^^ —
12.000(11/95)
(
iyi81999
C2II
THE UNIVERSITY OF CAUFORNIA UBRARY
1^