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VOLUME viii: 1933-34 



VOLUME VIII: 1933-34 



Sold at 


BERNARD QUARITCH ri Grafton Street London fV.i. 

HUMPHREY MILFORD Oxford University Press London E.C.\. 


38 Great Russell Street London W.C.i. 




The Garraway Rice Bequest of Prehistoric Objects 

The Cesena Treasure . 

Ornaments of Keszthely Type 

A Pendant with Byzantine Coin 

An Early British Spoon 

Examples of Mesolithic Art . 

Roman Gold Coins ...... 

Coins of Thessaly ...... 

Medieval Muhammadan Coins .... 

The Fletcher Collection of Irish Tokens 

A New Kushan Coin ...... 

Italian Medals from the Whitcombe Greene Collection 
Two Rare Greek Coins ..... 

Greek and Roman Coins . . 

A Rare Italian Medal 


An Early Painted Vase from Khafaji 
Sumerian and Babylonian Antiquities 
Granite Ram from the Sudan 
A Hieratic Papyrus ..... 
Two Head-rests and other Egyptian Antiquities 
Three Antiquities from Syria 

Two Italic Girdles ........ 

A Cycladic Idol ......... 

Geometric Bronzes from Potidaea ...... 

A New Corinthian Aryballos ...... 













An Archaic Greek Gem 

The Elgin Athena . ' . 

Mycenaean and Greek Gems 

Early Greek Bronzes . 

A Cameo Portrait of a Roman General 


Three Manuscripts from the Chester Beatty Collection 

A Register of Deeds from Shaftesbury Abbey 

Two New Liturgical Manuscripts . 

Simpson Documents 

On an Answer to the Articles of the Rebels 

Devonshire .... 
The Garraway Rice Genealogical Collections 
A Dering Manuscript . 
The Skinner Manuscripts 
The Keene Papers 
Papers of the late F. G. Edwards . 
An Autograph of Borodin 
The Lithuanian New Testament . 
The Muchelney Breviary 
Townshend Papers 

A 'Private View' of the Museum in 1756 
Nelson's Log-Book 
The George Smith Memorial Bequest 
The Codex Sinaiticus 
An Early MS. of Greek Canon Law 
Seals of Evesham Abbey 
The Whalley Chartulary 
A Religious Tract of Charles II 
Letters of Talleyrand . 
The Coventry Mysteries 
The Papers of Richard Cobden 
Two Leaves from the Book of 'the Monk of Hyeres' 
Laurence Nowell and a recovered Anglo-Saxon Poem 
A Collection of Autographs and Charters 
A Letter in Slavonic .... 

of Cornwall and 





















A Katharine Adams Binding ...... 

New Letters of John Wesley ...... 

Charles Dickens's Letters to his Wife ..... 



A Chinese Painting 

Two Indian Paintings . 

A Sculpture from Indo-China 

Hangchow Potsherds . 

Ceramic Documents from Honan 

A Nepalese Painting of the early Sixteenth Century 

A Woodcut by Okumura Masanobu 

A Han Pottery Group ..... 

A T'ang Bronze Mirror .... 

A Persian Pottery Box .... 

A Seventh-Century Chinese Painting 
English Glass ...... 

A Persian Pottery Jug ..... 

Inlaid Bronzes of the Han Dynasty 

A Glass Pall from Chin-ts'un 

An Early Mughal Illuminated Page 


English Ewer and Punch-Bowl from Ashanti . 

Bequest of the late Dame Clarissa Reid, D.B.E. 

A Wooden Figurine from Easter Island 

The 'Charles Beving' Collection of Textiles 

An Ethnographical Series from the Sudan 

Carved Shields and Spears from Dutch New Guinea 



















Two illustrated Assamese Manuscripts . . . . . 10 

A Tibetan Collection of Books and Manuscripts . . . 12 

An illustrated Divan of 'Khata'i* 13 


A Collection of Chinese Printed Books . 
A Unique Manuscript of the Amali of Ibn al-Shajari 
A Manuscript of Works of Kasim ul-Anvar . 
Some Hindustani Poems ..... 
Two Persian Manuscripts ..... 
Some Oriental Manuscripts ..... 


An Early Printed Book of Hours for Sarum Use 

An Early Latin Comedy written in London 

Three Early Printed Spanish Books 

Two Tracts in Verse by William Samuel 

A News-Sheet of 162 1 . 

Bunyan's Pilgrim's Progress . 

Early English and Welsh Schoolbooks . 

A Cobden-Sanderson Binding 

A Tract by St Augustine 

A Spanish Writing-Book 

Three Sixteenth-Century English Pamphlets 

Three Cologne Aristotle Incunabula 

Three Early Printed English Books 

An Irish Library .... 

English Bookbindings .... 

A Drawing by Rubens ...... 

An Etching and a Drawing by Antoine Watteau 
An Undescribed Florentine Engraving of the Fifteenth Century 
Prints acquired at the Boerner Sale, Leipzig, May 1933 
Etchings by Seymour Haden 
Drawings by Walter Crane . 
Theatrical Designs by Charles Ricketts, 
The Turner Bequest 
Blake's Songs of Innocence 
A Dutch Drawing of the first half of the 
A Drawing by Gentile Bellini 
A Sheet of Studies by Jacopo Pontormo 


Sixteenth Century 

Drawings from the Selwyn Image Collection 

A Drawing by Philippe Mercier . 

Sporting Prints and Drawings 

Prints acquired at the Boerner Sale, Nov. 1933 

Drawing by Jacopo Ripanda . 

Drawing by John Crome 

The Elgin Marbles in an Idealized Setting 

Engraving after Andrea Mantegna 

Contemporary Prints and Drawings 








53, 83, 88 (erratum), 119, 155 


English Art . . . . . . . . .125 

Arpachiyah Expedition . . . . . . .167 

Drawings by George du Maurier . . . . . .168 

Prehistoric Antiquities . . . . . . . .168 


Infra-red Photographs of Illegible Leather Manuscripts . . 52 

The Department of Oriental Antiquities and of Ethnography . 60 

A Catalogue of Bronze Age Metal Objects . . . .123 

Supply of Casts . . . . . . . . .162 

Loan Series of Drawings and Water-Colours from the Turner 

Bequest . . . . . . . . . .162 


Facsimile of Lexicon of al-Kali . . . . . . 58 

General Catalogue of Printed Books, New edition. Vol. V . . 59 

» » ,, » » Vol. VI. . *87 

„ „ „ „ „ „ Vol. VII . .165 

Catalogue of Greek, Etruscan, and Roman Paintings and Mosaics 59 

Guide to Processes and Schools of Engraving . . . . 87 

Subject Index of Modern Books, 1925—30 .... 123 

The Book of the Dead . . . . . . . .124 

The Mount Sinai Manuscript of the Bible . . . .163 


The Royal Cemetery at Ur . 

Facsimile of MS. of Zu '1-Fakar ShirwanI 

Woodcuts of the Fifteenth Century 

The Assyrian Sculptures .... 

Guide to the Department of Coins and Medals 

Reproductions and Postcards 

59, 87, 125, 163 


61, 88, 169 


I. Drawing by Rubens 
II. Drawing by Antoine Watteau 

III. Florentine Engraving . 

IV. Engraving by HW 
V. Indo-Chinese Sculpture 

VI. Scenes from the Life of King Sib Singh 

of Assam ..... 
VII. Scenes from the Life of King Sib Singh 
of Assam. .... 

VIII. Sumerian Vase from Khafaji . 
IX. Antiquities from 'Iraq . 
X. Babylonian Terracotta Plaques 
XI. Granite Ram from the Sudan . 
XII. Garraway Rice Bequest . 

XIII. Cesena Treasure .... 

XIV. Keszthely Ornaments . . 
XV a. Byzantine Coin-Pendant 

b. Roman Gold Coins 
XVI. Coins of Thessaly 

XVII. English Ewer and Punch-Bowl from 

Ashanti ..... 
XVIII. Infra-red photography of illegible Manu 
scripts ..... 
XIX. Drawing of the early Dutch School 
XX. Drawing by Gentile Bellini . 
XXI. Drawing by Jacopo Pontormo 
XXII. Drawing by Philippe Mercier 

XXIII. Coloured Etching by Thomas Rowlandson 

XXIV. Details from Nepalese Painting 
XXV ^,^. Italic Girdles . . . ' . 

c. Gold Coin of Wima Kadphises ( i^) . 

To J ace page 2 


» 4 
















» 52 

Frontispiece to no, 2 
To face page 64 












XXXV a-e, 













Early British Bronze Spoon . 
Peruvian Gold Beaker . 
Page from Nelson's Log-Book (reduced) 
The Codex Sinaiticus. Luke xix. 1 3-xx. 34 
The Codex Sinaiticus. Luke xxii. 36-52 
Engraving by Benedetto Montagna 
Drawing by Jacopo Ripanda . . 
Egyptian Limestone Head-rest 
Egyptian Limestone Head-rest 

Geometric Bronzes. /. Archaic Greek 

Gem. g. Corinthian Oil-bottle . 
The Elgin Athena 

T'ang Bronze Mirror . 
Han Pottery Group 

A Seventh-Century Chinese Painting 
Wooden Figure from Easter Island 

Italian Medals from the Whitcombe 
Greene Collection 

Italian Medals from the Whitcombe 

Greene Collection 
Miniature from the Book of 'the Monk of 

To face page 74 



Frontispiece to no. 3 

To face page 90 

„ 104 

„ 105 







Hy^res' . 
Drawing by John Crome 

Frontispiece to no. 4 
To face page 139 

The Elgin Marbles in an Idealized Setting 
Mycenaean and Greek Gems. Syrian 
Seals. Roman Cameo. Greek Geometric 
Bronzes ...... 

Engraved Deer-antler from Romsey and 
Ox-bone Implement from the Thames . 
Inlaid Bronze Finials from Chin-ts'un 
Glass Tesserae from Chin-ts'un 
Page from the Ta*rikh-i Alfi . 






L. Helmet worn in Funeral Dances, Latuka 
Tribe. Pottery Vase, Azande Tribe. 
Pottery Lion, Shilluk Tribe . . To face page i ^2 

LI. Carved and Painted Wood shields from 

Dutch New Guinea .... „ 153 

LIL Carved Wood 'Paddle-spears* from Dutch 

New Guinea ..... „ 154 

YAW a. Medal of Francesco de' Girardenghi. 

h. Greek Coins ..... „ 155 



An Irish Library ....... 

English Bookbindings ...... 

Two Leaves from the Book of 'the Monk of Hyeres 
Laurence Nowell and a recovered Anglo-Saxon Poem 
A Collection of Autographs and Charters 
A Letter in Slavonic .... 

A Katharine Adams Binding 

New Letters of John Wesley 

Charles Dickens's Letters to his Wife 

Some Oriental Manuscripts . 

Drawing by John Crome 

The Elgin Marbles in an Idealized Setting 

Engraving after Andrea Mantegna 

Contemporary Prints and Drawings 

Three Antiquities from Syria 

Mycenaean and Greek Gems 

Early Greek Bronzes .... 

A Cameo Portrait of a Roman General . 

Examples of Mesolithic Art . 

English Glass ..... 

A Persian Pottery Jug .... 

Inlaid Bronzes of the Han Dynasty 

A Glass Pall from Chin-ts'un 

An Early Mughal Illuminated Page 

The 'Charles Beving' Collection of Textiles 

An Ethnographical Series from the Sudan 

Carved Shields and Spears from Dutch New Guinea 

Two Rare Greek Coins 

Greek and Roman Coins 


A Rare Italian Medal 156 

Other Gifts . . . . . . . . .157 

Supply of Casts . . . . . . . . .162 

Loan Series of Drawings and Water-Colours from the Turner 

Bequest . . . . . . . . . .162 

Recent Publications . . . . . . . .163 

Exhibitions . . . . . . . . .167 

Appointments . . . . . . . . .169 



■^ JUL 1934 

l4 SffP 3;^ 


QUARTERLY-.voL.viii.NO. i 






ANNUALLY, each dealing with the 
principal acquisitions of the previous 
quarter. The descriptions are intended to 
be not too technical for the layman, and 
to give the expert part at least of what 
he needs to know. Notice is also given of 
the temporary exhibitions periodically 
installed in the galleries, the results 
of excavations, and additions to the 
publications of the Museum. 

Crown /^tOy averaging 3 2 pages 4- 1 6 pages 
of plates. Price 2s, td,: 2s, ()d, postjree, 
I OS, impost jree) jor jour parts. 

It would help the Trustees if those intend- 
ing to subscribe would do so for 
five-year periods at a cost, 
post free, of ^2 i oj. 

Cases and title-pages for the annual volumes can be 

obtained from the Oxford University Press at a charge 

of 3s. 3d. for case and binding or is. 6d. for case 

alone (packing and postage in the British Isles 


The price of back parts has been raised to is. td. each 
as from the issue of Vol. VI, No. i. 




F3 R 1 1 1 S H 

j 14 SEP 3:, I 



QUARTERLY-.voL.viii. NO. I 


Sold at 


BERNARD QUARITCH 1 1 Grafton Street London W,\ 

HUMPHREY MILFORD Oxford University Press London E.C.4. 


38 Great Russell Street London W.C.i 



1 . A Drawing by Rubens ...... 

2. An Etching and a Drawing by Antoine Watteau . 

3. An undescribed Florentine Engraving of the Fifteenth Century 

4. Prints acquired at the Boerner Sale, Leipzig, May 1933 • 

5. Etchings by Seymour Haden ..... 

6. Drawings by Walter Crane ..... 

7. Theatrical Designs by Charles Ricketts, R.A. 

8. The Turner Bequest . . . 

9. A Chinese Painting ...... 

0. Two Indian Paintings ...... 

1 . A Sculpture from Indo-China ..... 

2. Hangchow Potsherds ...... 

3. Two illustrated Assamese Manuscripts 

4. A Tibetan Collection of Books and Manuscripts . 

5. An illustrated Divan of 'Khata'i' .... 

6. A Collection of Chinese Printed Books 

7. A unique Manuscript of the Amali of Ibn al-Shajari 

8 . A Manuscript of Works of Kasim ul-Anvar . 

9. Three Manuscripts from the Chester Beatty Collection . 

20. A Register of Deeds from Shaftesbury Abbey 

2 1 . Two new Liturgical Manuscripts .... 

22. Simpson Documents ...... 

23. On an Answer to the Articles of the Rebels of Cornwall and 

Devonshire ....... 

24. The Garraway Rice Genealogical Collections 

25. A Dering Manuscript ...... 

26. The Skinner Manuscripts ..... 

27. The Keene Papers . ...... 

28. Papers of the late F. G. Edwards .... 

































An Autograph of Borodin 

The Lithuanian New Testament 

An early Printed Book of Hours for Sarum Use 

An early Latin Comedy written in London . 

Three early Printed Spanish Books 

Two Tracts in verse by William Samuel 

A News-Sheet of 1 62 1 .... 

Bunyan's Pilgrints Progress . . . 

Early English and Welsh Schoolbooks 

A Cobden-Sanderson Binding . 

An early Painted Vase from Khafaji . 

Sumerian and Babylonian Antiquities . 

Granite Ram from the Sudan . 

The Garraway Rice Bequest of Prehistoric Objects 

The Cesena Treasure .... 

Ornaments of Keszthely type . 

A Pendant with Byzantine Coin 

Roman Gold Coins .... 

Coins of Thessaly . . . 

Medieval Muhammadan Coins. 

The Fletcher Collection of Irish Tokens 

English Ewer and Punch-Bowl from Ashanti 

Infra-red Photographs of Illegible Leather Manuscripts 

Corrections . 

Other Gifts 

Recent Publications .... 

The Department of Oriental Antiquities and of Ethnography 

Appointments ....... 



I. Drawing by Rubens 

II. Drawing by Antoine Watteau 

III. Florentine Engraving 

IV. Engraving by HW . 
V. Indo-Chinese Sculpture 

VI. Scenes from the Life of King Sib Singh of Assam 

VIII. Sumerian Vase from Khafaji 
IX. Antiquities from 'Iraq 
X. Babylonian Terracotta Plaques 
XI. Granite Ram from the Sudan 
XII. Garraway Rice Bequest 

XIII. Cesena Treasure 

XIV. Keszthely Ornaments 
XV a. Byzantine Coin-Pendant 

b. Roman Gold Coins . 
XVI. Coins of Thessaly 
XVII. English Ewer and Punch-Bowl from Ashanti 
XVIII. Infra-red photography of illegible Manuscripts 


To face 

page 2 





































14 SBP 3?. 



A REMARKABLY fine study in black chalk by Rubens 
(Frontispiece) was recently acquired from an English private 
collection. It is a sheet of folio size showing, on one side, the study 
of a draped female figure, and on the other a series of sketches of an 
infant. A note on the reverse in Samuel Woodburn^s hand states that 
'this drawing was lent by M'" Geddes to Sir T. Lawrence and was 
returned by him after being stamped', so that Lawrence's mark in 
the corner is an erroneous indication. 

The study of the seated figure might have been done in view of a 
penitent Magdalene, or a Magdalene in a Pieta, such as the picture 
of 1 6 14 at Vienna, while the sketches on the reverse might equally 
have served for a Virgin and Child ^ or for some figures in a Bacchanal, 
But as Rubens was in the habit of making drawings in the studio 
without definite thought of any particular subject, it is possible that 
no specific relation to any finished work will be found. A. M. H. 


THE Department of Prints and Drawings has received a notable 
accession to its collection of the work of Antoine Watteau in 
one of his exceedingly rare original etchings, and in a drawing of 
a type hitherto unrepresented. 

Watteau is known to have etched in all ten plates, from which a 
total of only fifteen impressions had hitherto been recorded. The 
present example is of the plate known under the title Les Habits sont 
Italiens; it was sold in 1901 in the Defer-Dumesnil Sale (lot 478), 
and again at Sotheby's, as the property of Lady Harcourt, on 
29 March of the present year (lot 38). Only one other impression is 
known before the plate was reworked by Simoneau I'Ain^, in which 
state the print is included in Jullienne's (Euvre grave de Watteau 
(D. & V. 130). This other impression, now in the Bibliotheque 
Nationale, belonged formerly to the brothers Goncourt, and is 
described by Edmond in La Maison d'un Artiste as la piece la plus 
precieuse de ma collection. It is annotated in Mariette's hand peint par 

Wattaux et gravS a leaujorte par luy mesme, which corroborates the 
underline appearing on the re-worked state of the print. The subject 
represented is a group of actors and actresses in the conventional 
costumes of the Italian comedy; it corresponds with a picture in the 
collection of Baron Edmond de Rothschild and with the engraving 
by Boucher entitled La Troupe Italtenne (D. & V. 85). 

Watteau's etchings are admittedly more in the nature of technical 
experiments than of works invested with the full measure of his genius. 
His preference as a draughtsman for soft crumbling chalks as opposed 
to the more linear vehicle of the pen is well known: tout lui etoit 
bon excepte la plume ^ writes d'Argenville in his interesting summary 
of Watteau's technical methods, and the etcher's needle is of course 
the instrument more nearly akin than any other to the draughtsman's 
pen. Thus in all Watteau's etchings there is something suggestive 
of a medium not altogether compatible to him, and this no doubt 
accounts at once for his reluctance to employ it, the comparative medi- 
ocrity of his work of this class and of the extreme rarity of impressions. 
It need hardly be pointed out, however, that in such passages as 
the hands Watteau's inimitable mastery becomes clearly discernible. 

The newly acquired drawing (PI. II) is a rapid but fully articu- 
late sketch in red chalk, representing, like the etching aforesaid, a 
group of comedians. This was, of course, one of Watteau's favourite 
subjects, to which he repeatedly turned his attention at different 
stages of his career; a marked resemblance, however, to the composi- 
tion of the picture painted for Dr Mead during the artist's sojourn 
in London and engraved by Baron under the title hes Comediens 
Italiens makes it possible that there is a direct connexion with this 
particular work. Two similar sketches, in the Jacquemart-Andr^ 
Museum at Paris and in the Laughlin (formerly Marius Paulme) 
Collection, show variants of the same theme and a close analogy in 
the style of execution. As already mentioned at the outset, the draw- 
ing is of a type hitherto lacking in the magnificent collection of 
Watteau's work in the Print Room: the type of composition study, 
comprising several figures, grouped as they would appear in one of 
the master's finished pictures. Very few such drawings are known 
to exist, indeed Count Caylus in his celebrated address on Watteau 





delivered to the Academy in 1 748 goes as far as to say that they were 
dispensed with by the artist entirely, haplupart du tems^ says Caylus, 
la figure qu^il desstnott d^apres le nature I rCavoit aucune destination 
determinee, . , . Car jamais il n^ a j ait ni esquisse ni pensee pour aucun de 
ses tableaux^ quelque legeres et quelque peu arretees que f^a pu ^tre. 
That Caylus, while essentially correct in this assertion, overstated the 
case, and that the present drawing, and certain others resembling it, 
are the work of Watteau himself and not merely of one of his many 
imitators, is beyond all doubt. The fact remains nevertheless that 
composition studies are of altogether exceptional occurrence in his 
work, and it is fortunate that a representative example could be 
added to the Museum collection. K. T. P. 


AN engraving of the greatest interest (PI. Ill) found in an 
JLjl album of miscellaneous prints in an English private collection, 
and recently submitted to the Museum. It was purchased and pre- 
sented to the British Museum by the National Art-Collections Fund. 

It is manifestly Florentine, engraved in the Fine Manner in the 
style of the so-called 'Otto Prints', of which the Museum possesses 
the largest number. One cannot regard the 'Otto Prints* as a series, 
except in so far as most of them came from the collection of an 
eighteenth-century collector of that name, but under that title have 
been grouped a variety of decorative pieces of various shapes, chiefly 
representing subjects of gallantry, engraved about 1465-70. 

The present example is certainly among the most important of its 
kind. It is an allegory on love and death, showing a gallant and his 
mistress with a musician and Death carrying a coffin. The word 
Sansobrien on the lady's sleeve also occurs on the sleeve of the 
mounted lady in the early Florentine engraving, 'Encounter oj a 
Hunting Party with a Family oj Wild Folk, which is only known in 
Paris. It may be some name from Italian or French Romance, but 
its source is unknown to me. The four lines of verse in the scroll are 
somewhat obscure, but their meaning is probably somewhat as follows: 
Neither graces, nor honours [nor pomp], nor state, nor riches, nor 

knowledge, [none of these your possessions] will avail against my 
fierce desire; perchance in you all delight will break. . . . 
The mutilated word in the first line is evidently pon[/>e]. 
Mr Arundell Esdaile offers the following version: 
Not all your favour, honour, pride. 

State, riches, learning, aught avail 
That my stern will be set aside; 

Haply all your delights shall fail. A. M. H. 

LEIPZIG, MAY, 1933. 

A CONSIDER ABLE number of rare and interesting prints were 
acquired at the recent sale at Leipzig, chiefly from the North- 
wick collection, and from that of Friedrich August II, Dresden. In 
the lack of official purchase grant acquisitions were made by ex- 
change of a Malcolm duplicate, from the H. L. Florence Fund, and 
by gifts from four friends of the Museum. An attractive and rare 
line-engraving of the Virgin and Child (dated 1 504) by the Upper 
German Monogrammist HW, was presented by Mr John Char- 
rington (PI. IV); a Dutch woodcut of the sixteenth century, the 
Wise Man and Wise Woman, an allegory, by Cornells Teunissen, was 
given by Mr Henry Van den Bergh; an interesting series of military 
prints, signed S. K. and probably illustrating operations of the 
Imperial Armies in Eastern Europe 159 1-3, was given by 
Viscount Bearsted; a sixteenth-century French line-engraving, 
Judith by Jacques Bellange, and an early seventeenth-century Dutch 
etching, the Gunner and the Peasant Woman by Willem Buytewech, 
were presented by an anonymous donor. The gifts of Viscount 
Bearsted and Mr. Van den Bergh were made through the National 
Art-Collections Fund. 

A series of 107 line-engravings by Hans Vredeman de Vries, 
hitherto poorly represented in the Department, largely architectural 
designs, was purchased out of the H. L. Florence Fund. 

The following prints were acquired by the Malcolm exchange, 
and will be considered as a supplement to the Malcolm collection: 

The Monogrammist FVB, St Peter, Lehrs, 26. A most brilliant 
impression of this rare fifteenth-century engraver. 




' "v^ US FUN/ 

14 SEP 37. 


Jacob Binch St Jerome. B. 22. Line-engraving. 

Francis Deiaram, Portrait of Albrecht Diirer. Line-engraving. 
A brilliant impression with the address of Compton Holland. 

Rembrandt School, Seated beggar. Rovinski, Lievens, 77. A large 
etching, only known in this impression, from the collection of 
Friedrich August II. It gives the same subject as the Rem- 
brandt etching, H.ii, in reverse. Rovinski's attribution to 
Lievens is not accepted by Dr H. Schneider [Lievens, 1932, 
p. 232), and the name of Salomon Koninck has been suggested. 
Personally I am not convinced of either attribution, and would 
raise the question whether it might not be a youthful experiment 
by Rembrandt himself. It certainly falls into the group repre- 
sented by H. 4, 4 a, and 309. 

The Monogrammist B.G. Coat of Arms with the Signs of the Pas- 
sion. Undescribed German woodcut of the sixteenth century. 

Erhard Schon, Coloured Broadside *Der Narrenfresser' with verses 
by Hans Sachs. Rottinger 193. Woodcut, coloured by hand. 

Erhard Schon, Portrait of Ivan IV, the Terrible (1529-84). 
R. 272. In its second state, lettered as a portrait of Ivan's son 
Vassili Ivanovitch (regn. 1505-33). Woodcut, coloured by 

Ludwig von Siegen, St Jerome. Andresen, and C.S. 8. 

Another print from the Boerner Sale, the Virgin and Child, a 
woodcut by Hans Leu, has been presented by a body of subscribers, 
completing the tribute which was noted in Vol. VII, No. 3 of the 
Quarterly, A. M. H. 


A NOTABLE series of etchings by Sir Francis Seymour Haden 
has been presented to the Museum by Mr W. M. Bocquet and 
his son Mervyn Seymour Bocquet in memory of the late Mrs W. M. 
Bocquet, grand-daughter of the artist. Eighteen examples form a 
supplement to the fine collection already in the Museum, which was 
acquired for the most part from Dr H. N. Harrington in 19 10. 
Twelve other duplicate impressions have been added to the Loan 
Collection of Prints. A. M. H. 


TWO hundred and fifty-three drawings, and touched proofs, by 
Walter Crane, have been acquired from the artist's daughter-in- 
law, Mrs Lionel Crane. They are almost entirely studies for his 
book-illustration, and represent him at all periods of his life, in pre- 
liminary sketches and finished drawings and watercolours. A. M. H. 


A SERIES of eight designs for theatrical costume and scenery by 
the late Charles Ricketts, R.A., has been presented to the 
Print Room by the National Art-Collections Fund. Three of these 
are for stage-settings; one is for the Balcony scene in Romeo and 
yuliet, another is for a scene in Much Ado About Nothing (these two 
are drawings in black chalk, grey wash, heightened with white); the 
third represents the court of a temple and was designed for a play 
on Montezuma; this last is in colour. The other five drawings are all 
in colour and are designs for dresses. Two are figures, dressed with 
a splendid and savage magnificence, for Montezuma (a theme which 
greatly attracted the artist) ; one, of two figures, a woman and a page, 
was for a scene in Winter's Tale, The remaining two are for Parsijal; 
one is a single figure, the other represents a back view of Amfortas, 
wearing a great cloak of blue and gold and leaning on the shoulders 
of two pages. The eight designs are fine examples of Ricketts*s later 
style as a draughtsman, and illustrate a side of his work in which his 
genius for colour and imaginative design was shown with peculiar 
richness. L. B. 


THE drawings and watercolours of the Turner Bequest to the 
National Gallery have been deposited on indefinite loan in the 
Prints and Drawings Department of the British Museum since 
October 193 1. The transfer was made largely on account of the 
lack of Students' Rooms at the National Gallery or the Tate Gallery. 
In the British Museum any of the sketch-books and drawings can be 
seen at any time on application in the Print Room. Over six hundred 
drawings are already mounted, and by the end of the year this 


number may be increased to nearly a thousand. This will form a basis 
for selected series for exhibition in the Tate Gallery, the Victoria and 
Albert Museum, and the Prints and Drawings Gallery in the British 
Museum, where four screens are now permanently devoted to this 
end. In addition, several series of framed drawings will be formed for 
short loans to Provincial Museums, and these will probably be avail- 
able by the beginning of 1934. Applications for these loans may be 
submitted after October ist. The immense number of sketches 
in the Turner Bequest, amounting to upwards of nineteen thousand, 
is chiefly made up of the leaves of sketch-books, which are still to a 
large extent intact. Much work remains to be done in the recondi- 
tioning and rebinding of these books. Many of them had been 
broken up, and separate leaves placed on exhibition. Except in 
the case of drawings whose character is more suited for mounting 
and exhibition, the sketch-books are being restored to their original 
condition. Any of these can be seen, as well as the mounted draw- 
ings, but particular care is needed in their handling, and students 
must accept greater restrictions in this section for the sake of the 
preservation of material that can easily be damaged. The damage 
caused by the flood at the Tate Gallery in January 1928 was con- 
siderable, and it will be some years before all that can be done in 
cleaning stained drawings will be achieved. In general it may be said 
that immersion in the Thames affected watercolours less than pastel and 
chalk drawings. But in relation to the mass of work in the collection, 
the irremediable damage is not so great as might have been expected. 
The drawings are arranged chronologically according to the official 
Inventory by Mr A. J. Finberg, two volumes published by the 
Trustees of the National Gallery in 1 909. This Inventory, originally 
published at 1 5J., can now be obtained from the British Museum 
at 6^. It contains a wealth of material of interest to all students 
of Turner's work, and its topographical and other indexes make 
it a most valuable book of reference. A. M. H. 


SMALL Chinese painting bequeathed by Mrs Alfred Morri- 
son, who died in April of this year, enriches the Oriental 


section of the Department of Prints and Drawings with a work which 
has unusual features and is rather difficult to place but is both beauti- 
ful and interesting. 

It measures 2i| x lof inches, and appears to be a fragment of a 
larger composition. Women, grouped on a verandah, hold long gilt 
staves, each tipped with a branch of blossom. The disposition of the 
groups seems to indicate that they are gathered to do honour to some 
one unseen who is at the right of the spectator. The head-dress and 
costume suggest that these are Apsaras, celestial rather than mortal 
beings; they are such as might appear in a Buddhist vision of Para- 
dise: but the staves and the blossom are quite unusual. Are they 
perhaps ladies playing, at some ceremony or festival, the part of 
heavenly nymphs? 

The date of the painting, which is on paper, not silk, is also matter 
for conjecture, and is the more difficult to determine in that it is not 
in its original state and has been retouched. The brush-line remains 
unobscured; it is fine and sensitive; but the colour seems in places 
to have disappeared. A deep red in the dress of the central figure 
seen in profile, and the blue in a robe hanging over her arm, are the 
strongest notes of colour. The faces, arms, and hands were white, 
but a good deal of the white has been rubbed o£F. L. B. 


THE National Art-Collections Fund has presented to the Oriental 
section of the Department of Prints an Indian painting of the 
Mughal School. This represents the Emperor Jahanglr sitting in a 
small pavilion in a courtyard, and giving audience. He is embracing 
an envoy, an elderly man, who bends to kiss his hand. At the left 
is a group of people, among whom a man in European dress is 
noticeable. Miniatures of the time of Jahanglr are comparatively 
rare, and this, though unfortunately damaged in the lower right 
portion, is a welcome addition to the small series in the Department. 
Its interest is heightened by the introduction of the European, whom 
it is tempting to identify with Sir Thomas Roe, the ambassador from 
James I who was first received by Jahanglr in January 1 6 1 6 and who 
remained in India till February 1 6 1 9. The only known portrait of 



14 SEP 37, 



Roe, in the National Portrait Gallery, was painted many years later, 
some time after 1636 (he lived to 1644); and allowing for the 
difference in years and a different fashion of wearing the pointed 
beard, one can see a real resemblance in the shape of the face and a 
certain spirited carriage of the head. As in the other portraits in the 
miniature, the artist has set the eyes a little obliquely in the face. The 
blond colouring precludes the Portuguese; and though this might 
possibly be a portrait of William Hawkins, an earlier envoy, not from 
the king but the East India Company, it seems most likely that it 
represents Roe, who was so frequently and favourably received by 

Another Indian painting has been acquired as a gift from the 
Keeper of the Department. The subject is a 'Prince visiting a holy 
man among his disciples', and the painting presents some unusual 
features. While the landscape background shows conventions of the 
early Mughal School and reminiscences of Persian painting, the 
figures are in Rajput style. It seems to date from some time late in 
the seventeenth century. L. B. 


THE stone sculpture illustrated on PI. V has been presented to 
the Museum by the National Art-Collections Fund. It is part 
of a many-headed statue of the Bodhisattva Avalokitesvara, com- 
monly known in Indo-China as Lokesvara (Lord of the World); and 
it can be identified as such by the small image of Buddha in the tiara 
of the topmost head. 

There are five heads on this fragment, and it may be that the 
tale of them is complete as there is a five-headed Avalokitesvara in 
Buddhist iconography. On the other hand, the more usual number 
is eleven when the Bodhisattva is represented as many-headed. 

The sculpture is of sandstone. The facial features are character- 
istic of Khmer art in its mature period, about the twelfth century. 
Its provenance is not known, but persons familiar with Indo- 
Chinese sculpture regard it as a provincial piece, perhaps from Eastern 
Siam, and not as an example of the metropolitan art of Angkor. 

R. L. H. 


AN important though not spectacular addition to the Ceramic 
xjL Collections has been a series of fragments of porcelain and 
stoneware from the neighbourhood of Hangchow. Some of them 
come from kiln-sites and others from a neighbourhood where kilns 
probably existed, though they have not yet been precisely located, 
Chinese Ceramic histories tell us of three factories in this district 
which were active in the Southern Sung period. The most important 
is that situated below the Phoenix Hill, in the old Palace enclosure, 
which supplied the Sung Court with kuan (imperial) ware. Kiln 
refuse and a large variety of potsherds found below the Phoenix 
Hill can be definitely associated with this factory. The ware has a 
dark body-material which accords with the statements of the old 
Chinese writers, and the glaze-colours are varying shades of greenish 
and bluish grey. 

A second factory, which is reputed to have made wares of a similar 
nature, stood 'near the Suburban Altar*. This site has not been 
definitely located. 

The third recorded factory was at Yii-yao Hsien, about eighty 
miles east of Hangchow. The kiln-sites here were located by 
Dr Nakao, and he sent a few of the waste pieces and fragments found 
on them. These give us an insight into the nature of the Yiieh ware 
which was manufactured from the T'ang dynasty down to the 
Ming. Another group of fragments, found on a much disturbed site 
just outside the south wall of Hangchow, includes a variety of 
celadons and some ying ch'ing white porcelain. While it is probable 
that many of these objects are of local make, the site evidence is too 
vague to allow of any certainty. 

For these fragments, many of which are documents of great 
importance, we have to thank Sir Percival David, Dr Nakao, and 
Messrs O. Karlbeck and Peter Boode. R. L. H. 


TWO Assamese manuscripts which have been lately acquired by 
the Department of Oriental Printed Books and Manuscripts are 
of very considerable interest. The older of the two is a copy of the 



















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Dhar ma-pur ana ^ a metrical manual of Hindu religious doctrine and 
practice according to one of the churches which worship Vishnu in 
his incarnation as Krishna. It is written on thin smooth sheets of 
wood 23 inches in width by 6| inches in height, the borders being 
coloured red, and was copied in the §aka year 1657, corresponding 
to A.D. 1735/36. The folios run to 179, but a few are missing. The 
book is profusely illustrated throughout with coloured drawings in 
a local style of art. Most of these are of somewhat mediocre quality; 
but a few of them, obviously by a different master, are of real merit, 
and are designed to illustrate not themes of Hindu religion but the 
life of the patron of the book, who was no less a personage than Sib 
Singh (Siva-sirnha), the contemporary Ahom King of Assam. The 
reign of this monarch lasted from 171 4 until his death in 1744. 
During the life of his first queen, Phulesvarl, he achieved a rather 
bad eminence by persecuting the worshippers of Vishnu-Krishna, 
both he and his consort being ardent devotees of Siva. Phulesvarl 
died about 173 i, and Sib Singh then married her sister Ambika. 
During the latter's reign, which ended with her death about 1738, 
more tolerance seems to have been shown to the church of Vishnu- 
Krishna. Our Dharma-purana bears evidence to this change of 
attitude. A manual of Vishnuite religion, it explicitly claims as its 
patrons Sib Singh and Ambika. On fol. 2 a we have a picture of Sib 
Singh on his throne graciously receiving a copy of the book; and on 
fol. 1 79b we see him on his throne ^examining the Dharma-purana', 
as the title below tells us, while behind him sits Ambika with the heir 
apparent on her knee. Fol. 179 a (Plate VI) presents the royal pair 
riding in procession. On fol. 2 b (Plate VII) is seen a dark handsome 
woman, with her hair dressed in the high chignon {jatd) affected by 
holy persons, who is seated on a couch, and holds in her lap the heir 
apparent; she is Rajapatesvari, 'Mistress of the King's Diadem*, 
the guardian genius of the throne. She reappears on fol. 3a, where 
she is seen sitting, again with the young prince in her lap, and convers- 
ing with Sib Singh. 

The other book is also an extremely rare religious poem, written on 
similar sheets of wood, which are 25 J inches wide and 8| inches in 
height; the date of copying is the Saka year 1758 (a.d. 1836). It 


is the Brahma-khanda, the first section of the Brahma-vaivarta-purdna, 
in an Assamese metrical adaptation by one Durgacharya, who seems 
to be otherwise unknown to fame. It is Ukewise abundantly illus- 
trated with coloured drawings of a local Eastern school. These, 
despite their crudity, have some merit and more interest, as they 
show a slight but distinctly recognisable influence from Burma. A 
quaint anachronism in them is their frequent representation of the 
troops of soldiers attending upon kings, who are clad not in the garb 
of ancient Ind but in uniforms faithfully copied from those used by 
the British Army at the time, with shakos and muskets. L. D. B. 


THE generosity of Sir Charles A. Bell, K.C.I.E., who has 
presented to the British Museum sixty-eight printed books and 
twelve manuscripts, has very notably enriched the Tibetan library in 
the Department of Oriental Printed Books and Manuscripts. A 
striking and welcome feature in this collection is its wealth in works of 
history, biography, legend, and antiquities. The manuscripts include 
a copy of Sum-pa's History of Buddhism in Tibet and Mongolia, 
two sections of the voluminous epic cycle of Kesar, and an account of 
the sacred places in Sikkim. Among the printed books we may make 
special mention of the biographies of the Fourth, Fifth, and Sixth 
Dalai Lamas and of dPal-ldan-ye-ses-dpal-bzaii, Chhos-kyi-rgyal- 
mthsan, and other Lamas of Tashilhunpo; the Mani-bka-'bum or 
Hundred Thousand Orders ascribed to King Sroii-btsan-sgam-po; 
a history of King Khri-sron-ldeu-btsan ; the history of Tibet styled 
dPal mii dbah pot rtags pa brjod pa *jtg rten kun tu dga bat gtam\ a 
biography of the popular humorist Kun-dga-legs-pa; another section 
of the Kesar Saga; and a treatise on the duties of officials written in 
the reign of the Fifth Dalai Lama by Sahs-rgyas-rgya-mthso. Arts 
and crafts are represented by two manuscripts styled respectively 
Bjn po chhe bzo-yi las kyt bsgrub pat rgyud dan ja dan dar gos chhen 
dan rta rgyud thsugs bzan nan gyi rtagpa, 2. guide to the various kinds 
and qualities of metal objects of art, tea, silks, and horses, and bZo ris 
kha sas kyi pa kra lag len ma yod pa, a practical manual of the 

knowledge of certain arts and crafts, besides a printed inventory of 
the rare images in the great temple of Lhasa. Poetry, grammar, 
popular drama, and of course the Buddhist religion are also 
adequately represented in this remarkable collection. L. D. B. 


A WELL-KNOWN friend of the British Museum, who desires 
to remain anonymous, has lately enriched the collections of the 
Department of Oriental Printed Books and MSS, by the gift of a 
fine copy of the Divan i Khatat or Navddir ul-muiuk, the Turkish 
poems of 'Khata'i', the literary name assumed by Shah Isma'Il 
Safavi, the famous ruler who founded the Safavl dynasty of Persia 
in 1 50 1-2. Though a Persian, Isma'Il wrote his Divan in the Azari 
dialect of Turkish, for he had passed his earlier years in Azarbaijan 
and Gilan among the Turkish tribes of Kachar and Afshar. The 
work is extremely rare: apart from the present copy and another 
manuscript in the British Museum, it would seem that no copies 
exist in Europe, though possibly some may be found in Con- 
stantinople. The manuscript, which is 6 inches in width and 10 
inches in height, is beautifully written in a nasi a Ilk hand, apparently 
of the late sixteenth century, and is embellished with six coloured 
drawings of good style, some of which seem to belong to the seven- 
teenth century. A note in a later hand at the end, after stating truth- 
fully that there are 19 folios and 6 drawings, adds the date 906 
[a.h.], which corresponds to a.d. i 500-2 and thus is approximately 
the year of Isma*Il Safavi*s accession, but certainly is not the date of 
copying. L. D. B. 


TWO outstanding features of this collection of 80 works, 
presented by Mrs Wakefield of Nailsworth, Gloucestershire, 
are the books relating to the Province of Hunan, and those on 
Chinese painters and painting. Among the former is the Ch'ang sha 
fu chih, one of the old-fashioned topographical works — sometimes 
for want of a better word called 'gazetteers' — ^which the Chinese 
have compiled with such industry for every part of their empire. 


There is also a descriptive account of Hunan as a whole, and another 
work deals in considerable detail with the Miao tribes of that province 
and their subjugation by China. The Sacred Mountain of the South, 
which is situated to the north-west of Hengchowfu, has two separate 
treatises devoted to it, one of them running to i6pen (Chinese paper- 
covered volumes). 

The books on art include two catalogues of famous paintings, 
with descriptions, references, and historical notes. One of these is the 
Shu hua chien ytng in 1 2 volumes, compiled by Li Tso-hsien, which 
treats of calligraphy as well as painting, and starts as far back as the 
fourth century a.d. Three fine works are concerned exclusively with 
the biography of artists and calligraphists, and there is also an 
interesting collection of essays on art by various authors in eight 

Several other items call for mention. Of great historical value is 
a lithographed facsimile of the diary of the famous statesman and 
general Tseng Kuo-fan, who quelled the T'ai-p'ing rebellion, from 
1841 to 1872, in no fewer than 40 volumes. The Tu shih ptng liieh 
is a useful military history of China down to the Sung dynasty 
(a.d. 960), and the Pal hat is a miscellaneous collection of reprints 
in 80 volumes. An even more extensive work is a collection of 
treatises on philosophical and other subjects, arranged under cate- 
gories, in 1 10 volumes. The Chin shih tse contains a great number of 
ink-rubbings of ancient inscriptions on bronze and stone, and in the 
Pao ching chat shih chi we have the collected poems of the Manchu 
statesman Pin-liang (i 784-1 847). The Keng ch'iang iu, printed in 
Korea, deserves notice if only on account of its quaint title, which 
means literally 'Soup and Wall Record'. This is a good instance of 
the freakish allusiveness often found in Chinese titles, which is so apt 
to confound the cataloguer. We are told in the Later Han History 
that after the death of the Emperor Yao, his successor Shun yielded 
himself up to the contemplation of his virtues for three years: 
^sitting, he saw Yao on the wall opposite; eating, he beheld him in his 
soup.' Hence the phrase 'soup and wall' is used to express admiration 
for the rulers of old; and, in effect, our book turns out to be a 
chronicle of incidents redounding to the credit of the Kings of Korea. 

It would appear to be rather rare, as it is not given in Cordier*s 
Bibliographie Coreenne, 

With few exceptions the books in this collection are in excellent 
condition, and all will form a welcome addition to the Chinese 
Library. L. G. 


MOSLEM belief in the verbal inspiration of the Koran, which 
easily transcends the rigour of any western 'fundamentalism*, 
together with the Arabs' pride and delight in their wonderful 
language, fostered the production of a multitude of treatises devoted 
to Arabic lexicography and grammar. Of such works the Arabic 
collection in the Museum contains some fine examples, and it has 
now been further enriched by the purchase of a manuscript of 
Amdlt or 'Dictations* by one of the greatest philologists of his age, 
the Sharif Hibat Allah b. 'All Ibn al-Shajari, who lived from a.h. 
450 to 542 (a.d. 1058 to 1 148). Moslem scholars of the past are 
unanimous in their praise of this work, which they describe as the 
most extensive and important of all the author's compositions. This 
is the only copy now known to exist. The work was not written 
but dictated by the author in 84 Majdlis, or 'sessions'. Each 
Majlis consists of an exposition of some point of lexicography, 
syntax, poetic diction, or Koranic exegesis, the last three 'sessions' 
being specially concerned with passages in the poetry of al-Muta- 
nabbi. The book is divided into two parts [yuz) containing 49 
and 35 'sessions' respectively. An interesting feature is that 23 of 
the 'sessions' are dated, showing that the master's disquisitions here 
collected covered a period of at least twelve years, when he was 
between 74 and 86 years of age, and thus represent the fruit of a life- 
long study. In the year 524 (1130), we are told, he dictated on 
Saturdays, in 526 (i 132) on Tuesdays, and in 536 (i 141-2) again 
on Saturdays. He was a native of Baghdad and a descendant of the 
Prophet, as his title Sharif indicates. In the Baghdad suburb of al- 
Karkh he held the office of Naklb al-Tdlibtytn^ i.e. examiner of the 
genealogies of those who claimed the honour of descent from the 


Caliph 'All. The volume contains 320 folios, 9 inches by 7, with 
25 lines 4 J inches long to each page. The writing, which is in clear 
naskht carefully executed, is the work of one Muhammad Shahin 
b. Fath Allah, a native of Damascus, domiciled in Egypt, and is 
dated the 8th of the month Sha'ban a.h. mo (9 February 1699). 
Fols. 133 to 137 are by a different but contemporary scribe. Two 
folios 138 and 139 were apparently lost and have been restored in 
a modern hand. A. S. F. 


THE Department of Oriental Printed Books and MSS. is again 
under a debt of gratitude to Mr R. S. Greenshields, who has 
presented to it a manuscript of Persian and Turkish poems and other 
compositions by Kasim ul-Anvar, finely written by the calligrapher 
*Abd Ullah al-Katib al-Isfahani, who completed it in a.h. 861 
(a.d. 1457), and embellished by five miniature illustrations of good 

Kasim ul-Anvar, whose original name was Mu'In ul-Din 'All, was 
one of the most original and popular of the later Timurid poets of 
Persia. He was born in 1356, and died in a.d. 1433. Like many of 
his compatriots, he united poetry with mysticism. During his 
residence at Herat, under the reigns of Timur and Shahrukh, he 
acquired great influence, and attracted to himself a large number of 
disciples. His political and religious sentiments however were 
suspect, and many traces of Hurufi ideas have been detected in his 
writings. He showed equal facility in the composition of both Persian 
and Turkish verses, and several of his poems are in the dialect of 

Manuscripts of his works are not rare, though no printed edition 
of them has yet appeared. The present copy is one of the earliest 
and finest that have been preserved. It was written only 24 years 
after the poet's death, in a small and elegant nastdltk hand, and 
comprises poems {ghazals or odes, ktfahs or fragments, and rubats 
or quatrains) and two tracts on Sufism, styled Anis ul-'arifin and 
Anis ul-'ashikin or Risalah-i-Amanah. In contents it is almost 
identical with the MS. Brit. Mus. Or. 3304, except that it contains 

more odes and quatrains, but omits the tract entitled Nasihat-i-dar- 
vlshan contained in Or. 3304. 

The decoration of this manuscript originally was limited to the 
illuminated heading or 'unvdn on fol. i verso and the beautiful 
design on fol, i recto in which was inscribed probably the name of 
the patron or library for whom the copy was made, which has been 
erased. About a hundred years after the date of copying, in all 
probability, were added the five miniatures which now adorn the 
book, as well as another ^unvdn preceding one of the later sections. 
The margins of the folios containing the miniatures and the 'unvans^ 
together with the pages facing them, are decorated with designs of 
animals, birds, flowers, and foliage. The miniatures in style and exe- 
cution are good examples of the artistry of the beginning and middle 
of the Safavl period. Many of the faces display considerable character 
and liveliness, and the colour-scheme is graceful and pleasing. E. E. 


THE Department of Manuscripts has been fortunate in securing 
three volumes of unusual interest at the recent dispersal of the 
second portion of Mr A. Chester Beatty's once remarkable collection 
of Western MSS. The most important, as also the earliest in date, 
is an eighth-century MS. of the *De Vera Religione* and other 
works of St Augustine, followed by the unique text of the 'Carmen 
Apologeticum' of Commodianus. The volume, which was formerly 
Phillipps MS. 12200, is one of a group of books executed probably 
at Nonantola, near Modena, the greater number of which now form 
the Codices Sessoriani in the Biblioteca Vittorio Emmanuele, Rome, 
and is fully described as no. 3 in Mr Beatty's privately printed 
catalogue. The writing is of great palaeographical interest, afford- 
ing an example of the Italian pre-Caroline minuscule of 'Beneventan' 
type, with a curious admixture in places of uncials or half-uncials, 
while there are some rough initials in a debased Celtic style. In 
addition, the first 1 1 1 leaves are palimpsest, containing portions of 
the earliest known MS. of the Latin translation by Mutianus 
Scholasticus of the Homilies of St John Chrysostom on the Epistle 

D 17 

to the Hebrews, written in uncials apparently of the seventh century. 
This splendid volume was included as lot 3 5 in the sale catalogue of 
9 May 1933, but was withdrawn and sold privately to Mr Wilfred 
Merton, of Messrs Emery Walker Ltd, who immediately offered 
to transfer it to the Museum at cost price. It has been numbered 
Add. MS. 43460. 

The second MS. (lot 39 in the sale catalogue, and no. 16 in 
Mr Beatty's catalogue) is a copy of the Dialogues of St Gregory the 
Great, written probably in the south of France, perhaps at Clermont- 
Ferrand, in the tenth century. The writing is a Caroline minuscule 
with some marked peculiarities, such as might be expected in a MS. 
of southern origin, and the volume is decorated with two large and 
six smaller initials, some with figures, in a curious style showing 
some Spanish influence. It is now Egerton MS. 3089. 

Third and last (sale catalogue, lot 49, and no. 59 in Mr Beatty's 
Catalogue) is a fine English thirteenth-century MS., written prob- 
ably at Dore Abbey in Herefordshire, of Bede's 'De Temporum 
Ratione* and other works, followed by a chronicle of Dore Abbey, 
on account of which the MS. was especially desired by the Museum. 
The original hand stops at the year 1243, which may be regarded 
as the approximate date of the MS., and there are continuations 
down to 1362. The text of the chronicle from 687 onwards has been 
printed with some inaccuracies in Pertz, Monumenta Germaniae 
Historica, this edition being cited as no. 1686 in Gross, Sources and 
Literature of English History, p. 262. The volume is decorated with 
a large panel and a number of diagrams, &c., most of which are in 
elaborate architectural frames, the work being characteristically 
English and of good quality. This MS. has also been purchased out of 
the Egerton fund, and is numbered Egerton MS. 3088. It is note- 
worthy that all three volumes were obtained privately from the 
Phillipps Collection by the late owner. E. G. M. 


THAT great possessions entail great responsibilities is a sentiment 
which would have been cordially echoed in any of the wealthier 


medieval monasteries, whose estates were often scattered through 
many counties and formed the subject of numerous title-deeds. The 
object of the monastic chartulary was to collect copies of at least the 
more important of such deeds in one volume or series of volumes and 
in an order which facilitated reference. But a transcript was not a 
satisfactory substitute for the original; nor did its mere presence make 
the task of finding the latter any easier. This was the sad experience 
of Shaftesbury Abbey in Dorset, a house of Benedictine nuns, whose 
possessions were so extensive that a popular saying arose to the effect 
that if its abbess were to marry the abbot of Glastonbury their heir 
would hold more land than the king himself, but which had occasion 
more than once to realize the deceitfulness of riches. Alike for the 
proper management of its property and for the not infrequent law- 
suits in which the abbey was involved, a proper supervision of its 
muniments was requisite, but this was by no means always exercised; 
and at length Margery Twynyho, who was abbess from 1496 to 
1505, gave orders for the compilation of a proper register, which 
has recently been acquired by the Department of Manuscripts 
(Egerton MS. 3098). The preface to this work throws so instructive 
a light on the method (or lack of method) employed in the preserva- 
tion and use of monastic muniments that it is worth while to quote 
the greater part of it: 

'This book was compiled for the profit and advantage of this 
monastery by order of the lady Margery Twynyho, late its abbess, 
in the year of our Lord 1 500 and the third year of her abbacy. To 
this step she was specially moved because she realized by true rela- 
tion of others and by her own judgement that several controversies 
and pleas and many matters of doubt as well for as against the profit 
and advantage of the monastery had often been set on foot in the 
times of the abbesses her predecessors and even her own, and might 
probably come to be set on foot in the future, and that to the no 
small prejudice and hurt of this monastery, since at that time there 
was none who had any eff^ectual knowledge of the liberties, privileges, 
and muniments of this most noble monastery. Therefore on occasion, 
nay oftentimes, the monastery, through ignorance, by not claiming 
that which was its own, lost its right; sometimes, too, by not defend- 


ing its right when it was impleaded or molested by others, owing to 
failure to produce its liberties, privileges, and muniments, it similarly 
lost what was its own, because it did not know what it was able to 
produce and prove. For all the liberties, privileges, and muniments 
of this aforesaid noble monastery had been preserved in the treasury 
not arranged by manors, according to their order as it is clearly 
shown below, but very confusedly, in diverse chests and boxes, in 
such manner that if search had to be made for any liberty, privilege, 
or muniment, great or small, which was required for the good of the 
monastery, none knew for certain whether such muniment could be 
produced or no, and, if it could, in which chest or box it was to be 
found; whence it was needful to begin the search with one chest or 
box and to examine all the chests and boxes in turn, reading diligently 
with great care and labour the single liberties, privileges, and muni- 
ments until that one for which search was being made should be 
reached, if it was there; a task which required not one day but 
several and was exceedingly tedious to the searcher or searchers; 
insomuch that the officers on whom by reason of their office this 
duty fell neglected it and thus, as aforesaid, the truth oftentimes 
remained unknown, whence many disadvantages were daily more 
and more feared, for the future, for this most noble monastery.* 
The worthy Margery took this state of affairs much to heart and 
pondered over it daily and in the watches of the night, till she 
bethought her to refer the matter to her brother, Christopher 
Twynyho, who was the steward of the abbey. On his advice 'she 
required and earnestly and heartily desired Alexander Katour, 
bachelor of both laws, at that time sacristan of this monastery, 
assuring him of a worthy recompense for his labour, to search into 
all the aforesaid chests and boxes, diligently inspect and read and 
effectually consider and note all liberties, privileges, and muniments, 
and distinctly and separately place the single muniments, according 
to the manors whereto they appertained, in the single chests or 
boxes; and to make a table or calendar of all and singular the afore- 
said thus seen by him and as aforesaid arranged by manors, whereby 
he could easily find whatever might be sought.' 
Such was the origin of the volume which is the subject of this article. 


That Egerton MS. 3098 is a copy and not the original is suggested 
by the fact that the preface dates the compilation in 1 500 but speaks 
of Margery Twynyho as 'late' abbess; she died in 1 505. The volume 
was written, then, after her death but is obviously not much later. 
There is reason to think that it may have been a copy made for the 
abbess's brother Christopher in his capacity as steward of the abbey. 
J. Hutchins in his History of the County of Dorset^ iii (1868), pp. 86- 
8, publishing extracts from this very MS., states that it was formerly 
the property of 'the reverend Mr Twyniho*. In the pedigree of 
Twinyhoe of Turn worth which he prints on p. 468 we find that the 
Rev. Christopher Twinyhoe (i 689-1 773) was of the same family 
as the abbess Margery. His daughter Sarah married Walter Erie of 
Blandford, and on the brown paper wrapper is a note with the initials 
of the latter's great-grandson, Twinyhoe William Erie (d. 1908). 
The volume has therefore a continuous pedigree for four centuries; 
and it has now joined in the Department of Manuscripts the chartu- 
lary of Shaftesbury, Harley MS. 61, which dates from the early 
fifteenth century. It might be expected that many, if not most, of 
the deeds there transcribed would appear in the calendar, but so far 
as a somewhat hasty search has revealed there is no discoverable 
connexion between the two. We may perhaps infer either that many 
deeds had disappeared before 1 500 or that the sacristan's researches 
were less thorough than duty required. 

Little space remains to describe the calendar in detail. The entries, 
which are brief, are, as stated in the preface, arranged under manors, 
whose order is not alphabetical but roughly topographical. There 
is, except in one case ('Magna carta cum tribus folijs in magna et 
longa piscide'), no attempt to indicate in which 'chests or boxes' the 
deeds were stored. Towards the end is a list of 'cantarie' (chantries), 
with mention of some of the saints in whose honour they were 
dedicated, followed by a section headed 'Pro Abbatissa', in which 
are some interesting entries, such as 'De festo Translacionis sancti 
Edwardi solempniter obseruando per archidiachonum Dorsett', 'De 
festo Translacionis Sancti Edwardi obseruando ab omnibus in 
Comitatu Dorsett et de Indulgencia concessa obseruantibus idem 
festum', &c. Farther on we find mention of various inventories, 


e.g. 'Inuentarium de Beddyng et Napre', *Inuentarium off y" plate 
of dame Margarete Stourton'. The whole volume would well repay 
study. H. I. B. 


EVERY pious layman in the later Middle Ages must have been 
brought into contact with three liturgical books. The Missal 
provided him with his means of public worship; the Ritual or 
Manual with the services connected with such landmarks in his 
life as baptism, marriage, and the last Offices of the Church; while 
the Book of Hours formed a basis for his private devotions. By the 
generosity of Sir George Warner, formerly Keeper of MSS., the 
Museum has become possessed of two further specimens of the second 
and third classes in this trio. They are numbered Additional MSS. 
43472 and 43473 respectively, and both formerly belonged to the 
Rev. E. S. Dewick, a noted liturgist and benefactor of the Museum. 

The Ritual, a well-written quarto of the fourteenth century, with 
some decoration, comes from a church in the diocese of Chalons-sur- 
Marne. This origin is indicated by the presence of SS. Lupentius, 
Memmius, Alpinus, and Poma in the litany for the blessing of the 
fonts on Holy Saturday and the eve of Pentecost. As for the con- 
tents, they are of the usual type and cannot be better summarized 
than by quoting from Lyndwood's Provinciale: 'Omnia quae 
spectant ad sacramentorum et sacramentalium ministrationem. Item 
benedictiones tarn fontium quam aliorum, secundum usum ec- 
clesiasticum benedicendorum.* It is gratifying to record that this 
gift fills a gap in the Museum collection, the only other French 
Ritual being Add. MS. 22007, a Paris book of later date and 
inferior execution. 

'They all attend Mass every day, and say many Paternosters in 
public, the women carrying long rosaries in their hands, and any 
who can read taking the Office of Our Lady with them, and with 
some companion reciting it in the church verse by verse.* So, about 
1 500, a Venetian visitor describes the religious life of the laymen of 
this country. Sir George Warner's second MS., a Book of Hours of 
Sarum use, is a good example of the books used by the devout and 


literate people mentioned above. Certainly written after the death 
of Henry IV in 141 3 — his obit is entered by the original scribe in 
the calendar — ^it is probably not much later in date. Besides such 
formal contents as the Office of Our Lady, the Penitential and 
Gradual psalms with the litany, and the Office of the Dead, a con- 
siderable number of prayers and pious exercises in Latin and French 
are found. Though the majority of these are fairly well-known, an 
interesting devotion affording protection against thunder-storms may 
be singled out for mention. It is preceded by a tale relating how it 
was revealed to Edward the Confessor by the Holy Spirit during 
Mass, and is probably the same as a prayer mentioned by the Abb^ 
V. Leroquais [Les Livres (THeures MSS. de la Btbliotheque Nationale, 
i, p. 149), in Paris Bib. Nat. lat. 1328, an Arras MS. The book is 
illuminated in gold and colours, with one historiated initial, in a 
fairly good fifteenth-century English style. Though the origin of 
the MS. is not known, a note recording the birth of Mary Fitzhugh 
of Wavendon in Buckinghamshire in 1564, coupled with an obit 
(1462) of Sir Thomas Green of Greens Norton, a great landowner 
in Wavendon, argues an early home in Buckinghamshire. From the 
sixteenth to the nineteenth century there is no evidence of the 
vicissitudes of the book. Then, probably before 1821, a note was 
added at the end by Mr John Symonds Breedon, of Bere Court, 
Pangbourne, to the effect that he had found it in the china closet 
of that house, and supposed it (without any foundation) to have lain 
there from the time of Hugh Faringdon, the last abbot of Reading. 


SIXTY-SIX miscellaneous documents have been selected from a 
large collection of family and other papers offered for presenta- 
tion by P. W. Simpson, Esq. These date from 141 7 to 1788, and 
include four leases by Queen Henrietta Maria, with her sign-manual; 
two leases by Queen Catherine of Braganza, with her signature 
stamp and sign-manual respectively; and an illuminated grant of 
arms of 1695. This last has been numbered Add. MS. 43464, and 
a number of paper documents will be bound into a volume, to which 
the number Add. MS. 43465 has been given; the remainder have 


been incorporated among the charters and rolls, and are numbered 
Add. Ch. 70740-70788. 

The bulk of the family papers, largely concerned with property in 
Mitcham, have been presented by Mr Simpson to the Central 
Library, Croydon, one of the authorized repositories for the county 
of Surrey, and a number of other charters relating to other counties 
have been transferred to the British Record Association for distribu- 
tion to the appropriate centres. E. G. M. 

MS. 18 B. XI) J 

IT has been supposed that Royal MS. 18 B. XI was Nicholas 
Udall's reply to the articles the Rebels of Cornwall and Devon- 
shire sent to the Privy Council in 1 549. 

The title on the first folio of the text (now numbered f. 3) runs: 
An answer to the articles / of the commoners of Devonsheir / and 
Cornewall. declaring to / the same, howe they haue ben / seduced by 
Evell persons. And / howe their conscyences may be / satysfyed and 
stayed; consernyng / the said artycles, sette jorth \ by a Countryman 
of theirs, much tenderyng the welth bothe of their j bodyes and solles. 
The words in italic have been added in the space originally left 
between the title and the text. 

This answer to the rebels has been attributed to N. Udall on account 
of some notes on the parchment fly-leaves that originally protected 
the manuscript and that now are numbered as ff. i and 2. On the 
top of f. I recto has been written: An aunswer to y' commons of 
Devonshire and Cornewall with the words by Vdall above the line 
after the second word; at the foot of f. 2 verso the MS. is described 
as Vdairs answer to the Devon men. 

These indications are wrong and cannot stand when checked with 
internal evidences. 

* I am happy to tender my keenest gratitude to the Director of the British Museum, 
who has kindly granted me permission to state my view with regard to Royal MS. 1 8 
B. XI in the British Museum Quarterly, although that periodical has not published 
hitherto articles by persons other than members of the Museum staff. In consequence, 
there is no need to make it clear that my article has not any official character. 


The author is a countryman of the rebels; he is described as your 
countreyman borne\^ he addresses them as good countrymen oj Deuon- 
sheir and Cornewall^ good countrymen ^^ my symple and play n meanyng 
countrymen ^^ my countrymen.^ Moreover the title informs us that the 
author was a native of the country, but the clause in which that 
information is given must not be held as a genuine evidence, as it has 
been added later. 

Besides, the author is not an inhabitant of Cornwall but of Devon- 
shire; he is really a Devonian, for when he addresses the Cornish 
people, he calls them good neighbours, ye Cornlshmen,^ 

Now Udall was not connected with Devonshire; hence this answer 
to the rebels is not his; it is Philip Nichol's, who according to Bishop 
Bale w2LSpatria Devonius and who composed an answer to the articles 
of the same rebels.^ G. Scheurweghs. 

Schilde (Belgium), May 1933. 

IN accordance with the will of the late Robert Garraway Rice, J.P., 
F.S.A.,there has been presented to the Department of Manuscripts 
a series of volumes (now numbered Add. MSS. 43444-43456) 
connected with Surrey and Sussex, for the most part transcripts 
and extracts from parish registers and similar sources. One original 
parish register, that of Fairlight in Sussex for the years 1716-65, is 
included. The large and important copy of Mitcham parish register 
has been deposited for six months with the Society of Genealogists 
by the terms of the bequest. Other registers transcribed or extracted 
are those of Lyminster, Burton-cum-Coates, and Funtington, all in 
Sussex, and Reigate in Surrey. Add. MS. 43453 is a copy of the 

^ MS. f. 40 a (line 1 5). These words are above the line and take the place of these 
cancelled ones: as your ffreind and countryman. 

2 MS. ff. 3 a (11. 1-2); 37 a (28-9). 

3 MS. a. 3 b (23); 4 b (26); 6 a (16-17}; 7 a (27-8); 7 b (6-7); 8 a (31-2); 14 a 
(14-15); 17 a (26-7); 22 b (22); 22 b (33); 29 b (20); 30 b (3); 35 a (27); 37 b (24). 

4 MS. 3 a (7).^ 5 MS. 7 a (11). 6 MS. 24 a (17-18). 
7 J. Bale, Scriptorum lllustrium . . . Catalogus. Basileae, 1557-9, vol. ii, p. 122; 

Index Brittaniae Scriptorum (ed. by R. L. Poole and M. Bateson, Oxford, 1902), p. 324. 
Udall's answer is referred to in the Catalogus, vol. i, p. 717, in the Index, p. 310. 

E 25 

burial-ground register of the Quakers at Pleystowe in Capel, co. 
Surrey. Horsham occupies two volumes— one of monumental 
inscriptions in the parish church, the other of extracts from the 
Churchwardens' Accounts, and there are two general volumes 
of monumental inscriptions, one for Sussex and one for Surrey. 
Finally, two volumes are devoted to collections about the compiler's 
own family name, that of Rice, in Sussex. H. J. M. M. 


THE debt which students of the present day owe to scholars of 
the past, and specially to those of the sixteenth and seventeenth 
centuries, is a great one, and one which has not yet received the 
systematic study which it deserves. It was fortunate that the age 
which followed the break-up of the great monastic libraries produced 
a succession of keen antiquaries and private collectors, who provided 
a home for some at least of the scattered treasures. Most eminent of 
all, of course, was Sir Robert Cotton, the tercentenary of whose death 
the Museum celebrated two years ago by an exhibition of selected 
manuscripts from his collection. 

Not the least interesting of the exhibits on that occasion was a large 
folio volume, lent for the purpose by its owner, F. W. Cock, Esq., 
M.D., F.S.A. By a further act of generosity on his part the loan 
has been converted into a gift, and the manuscript is now definitely 
part of the Museum collections (Add. MS. 43471). The bulk of the 
volume consists of transcripts of charters of Anglo-Saxon Kings of 
Kent, made by another seventeenth-century antiquary. Sir Edward 
Dering, ist Bart. Annotations by these old collectors in manuscripts 
which have passed through their hands have provided many a clue 
to their vicissitudes. In this volume, for example, the feature of 
greatest interest is perhaps the marginal notes made by Dering him- 
self. Against a charter of Coenuulf we find 'Hanc Cartam ipse dono 
dedi CI: V: dno. Robto Cotton mil: et Bar^° A°dni. 1623°'— the 
original referred to being Cotton Charter Augustus ii. 98. Another 
document he records to have been presented by himself to Sir 
Thomas Finch, Bart., afterwards 2nd Earl of Winchilsea. Many of 
the documents copied into the book are also noted as in Cotton's 


possession. They were borrowed for the purpose of transcription, 
and in an extant letter of lo May 1630 (Cotton MS. Julius C. iii, f. 
143), Dering promised to return them *as fast as I can coppy them*. 
The manuscript passed from the Surrenden library through that 
of the celebrated nineteenth-century collector. Sir Thomas Phillipps, 
before its acquisition by the present donor. It is appropriate that a 
volume with so many associations with Sir Robert Cotton should 
find a permanent abode in the British Museum. B. S. 


DURING the spring of the year 1800, the parishioners of 
Camerton, co. Somerset, received as their rector the Rev. John 
Skinner, M.A., with whom they were destined to pass an uneasy 
existence of nearly forty years' duration, and from whose efforts to 
prove the place to be the site of the Roman Camulodunum their 
village was to derive a wholly unexpected, and perhaps unjustified, 

Skinner was one of those individuals who admirably exemplify the 
virtues and failings of the typical English antiquary of the end of the 
eighteenth century. Devoid of real critical acumen, he was neverthe- 
less enthusiastic and persevering, and was prepared to undertake 
almost unlimited labour when seeking after what he fondly believed 
to be a pearl of great price. Moreover he was firmly convinced that 
it was his bounden duty as an Englishman to compile and preserve 
a record of all the objects of antiquarian interest to be found within 
these islands, before time and other destructive agencies should have 
obliterated them, and so that *my country men' should 'know how to 
value such a territory as this as it ought to be valued'. With this laud- 
able object in view. Skinner made a number of excursions, chiefly 
through the southern counties, and recorded his progresses (together 
with many other things) in a series of journals which he compiled 
with the purpose of bequeathing them to the British Museum. 
John's handwriting was somewhat illegible, and he therefore pre- 
vailed upon his brother Russell to transcribe the manuscripts for 
him; and then, after the compiler had finished the numerous charm- 
ing water-colour drawings with which his pages are so profusely 


illustrated (and which form, perhaps, the most valuable items from 
these records of the days before the ^restorer' had commenced in 
business), the volumes were handsomely bound up and numbered. 
Russell Skinner died in 1832, and from then until John's death in 
1839 the manuscripts were allowed to remain in their original state. 

In addition to antiquarian matters, the journals contain references 
to the rector's frequent disputes with his parishioners and others, 
including the members of his own family, and Skinner therefore 
stated in his will that although he bequeathed his treasures to the 
Museum, yet he preferred that the chests in which they were con- 
tained should remain unopened for fifty years after his death. This 
wish the Trustees respected, and the collection was not catalogued 
until 1889, when the discovery was made that instead of one hundred 
and fifty volumes, as specified, no more than ninety-eight were avail- 
able to the Department of Manuscripts. These were incorporated 
into the Museum collections as Add. MSS. 33633-33730, and con- 
sisted of Russell's transcripts (which ended at the year 1832) together 
with two volumes of John's miscellaneous memoranda, including his 

The series of journals covering the period from the death of Russell 
in 1832 to that of John in 1839 remained hidden from sight until 
May of this year, when the Museum was offered twenty-one volumes 
of John Skinner's original holograph manuscripts, comprising the 
years 1832-6, together with four volumes of transcripts by Russell 
relating to the rector's disputes with his neighbours, and containing 
some of his unpublished verses. Such an opportunity was not to be 
missed, and the wanderers are now reunited with the manuscripts 
already in the Museum and are numbered Egerton MSS. 3099- 
3123. The remainder of the Skinner collection is still untraced, but 
it is to be hoped that the missing volumes will eventually join their 
fellows on the shelves. H. R. A. 


THE lives of the British statesmen to whom was entrusted the 
conduct of the nation's foreign policy during the second quarter 
of the eighteenth century were, indeed, never free from doubts and 


trials, and amidst all the manifold difficulties with which they were 
afflicted one ever-present stumbling block could always be relied 
upon to cause trouble even when other sources of discord were 
temporarily quiescent, namely, the Family Compact between 
France and Spain. It was fortunate, therefore, that during this 
period England was served at Madrid by one of the ablest ministers 
whom she has ever sent to the Spanish capital, and who attained a 
considerable measure of success in his endeavours to neutralize 
French influence in the Peninsula. 

Sir Benjamin Keene, K.B., was born in 1697, and after having 
acted as Agent in Spain to the South Sea Company became, in 1727, 
British Minister at Madrid, holding this post until the outbreak 
of the war of 1739. In 1745 he was appointed to Lisbon, and 
from thence he returned to Madrid in 1 749 and died at his post in 

Although Keene's activities have hitherto been well represented in 
the Department of Manuscripts, particularly amongst the Newcastle 
Papers, it is with great pleasure that we chronicle the gift by Mrs 
Ruck Keene (through the Friends of the National Libraries) of a 
very welcome supplement and addition to the Museum collections 
in the shape of those papers of Sir Benjamin which came into the 
possession of his brother Edmund, Bishop of Chester, and later of 
Ely, as sole executor and residuary legatee of the diplomatist. These 
papers, which have been arranged into thirty-two volumes as Add. 
MSS. 43412-43443, fall naturally into three series. The first 
consists merely of copies of Keene's despatches to the various English 
Secretaries of State from 1 730 to 1 73 6, the originals of many of which 
are already in public collections. The second group is more valuable, 
and contains the original despatches received during the important 
period 1748-57; whilst the final section comprises three volumes of 
private letters (1740-56) from Keene to Abraham Castres, British 
Minister at Lisbon. The official despatches were extensively used by 
Archdeacon Coxe for his history of the Bourbon kings of Spain; but 
the letters to Castres remained practically unknown until their 
inclusion by Sir Richard Lodge in his recently published Private 
Correspondence oj Sir Benjamin Keene, K.B. H. R. A. 



JUST over five years ago the Department of Manuscripts had the 
good fortune to acquire a selection of the papers and correspon- 
dence of Frederick George Edwards, Editor of the Musical Times 
from 1897 until his death in 1909 (Add. MSS. 41570-4). Their 
contents amply illustrated the veneration which he had for the life 
and works of Mendelssohn, in contrast with the disparagement to 
which the latter was already exposed in some quarters. Most note- 
worthy of the autographs in the collection is a sheet in the hand of 
the composer containing a list of alterations to be made to the manu- 
script of the anthem *Hear my prayer* (now in the Victoria and 
Albert Museum), which was specially written at the request of 
William Bartholomew for one of the Crosby Hall concerts given by 
his future wife. Miss A. S. Mounsey. There is also an original letter, 
concerning the libretto of 'Elijah', from Mendelssohn to Bartholo- 
mew, who is famed as the English translator and adaptor of the 
words of most of his songs and oratorios. A History of Mendelssohn^ s 
Oratorio Elijah, published in 1896, was one of the fruits of Edwards's 
interest, and for information on many points connected therewith, as, 
indeed, on particular details of that composer's career and works, he 
was indebted, among others, to Mrs Bartholomew's sister. Miss 
Elizabeth Mounsey, and to Mendelssohn's daughter, Mrs Victor 
Benecke. Many of their letters are to be found in Add. MSS. 41 572 
and 41573. 

More recently, by means of the Farnborough Fund, a further 
portion of the Edwards papers has been added to the Department's 
collections, where they now bear the numbers Egerton MSS. 3090- 
3097. The Mendelssohn interest, though relatively not so important 
as in the earlier acquisition, is maintained in a further volume 
(Egerton MS. 3094) of letters from Miss Mounsey and the Benecke 
family. Five volumes of correspondence, on matters of musical 
history and antiquities, with Sir George Grove, J. A. Fuller-Mait- 
land. Sir John Stainer, J. S. Bumpus, William Cowan, and others 
bear witness to Edwards's keenness for accuracy of detail and in- 
defatigable research. But the chief value of this portion of the papers 
lies in some fifty letters of Sir Edward Elgar, and this eminent 


English composer is further represented by an autograph score of 
the part-song 'How calmly the ev'ning once more is descending'. 
In addition, a number of letters of Sir Hubert Parry, Sir C. V. Stan- 
ford, Sir A. C. Mackenzie, Edward German, Coleridge Taylor, 
Granville Bantock, and others make the collection well representa- 
tive of English music and musical interest at the close of the nine- 
teenth and beginning of the twentieth century. B. S. 


Among the large collection of music in the Department of 
JL\. Manuscripts, scarcely anything is to be found of nineteenth- 
century Russian music, so that the recent acquisition of an autograph 
collection of pieces by Alexander Porfirevich Borodin is specially 
welcome. In 1885-6 this distinguished member of the 'New Russian 
School', in company with Cesar Cui, paid two visits to Belgium at 
the suggestion of the Comtesse de Mercy- Argenteau, whose interest 
in the school had been awakened by a Belgian pianist Theodore 
Jadoul. Among the works of Borodin which date from this period 
are the well-known 'Petite Suite' for pianoforte and the Scherzo in 
A flat for orchestra, the former dedicated to the Comtesse, the latter 
to Jadoul, who himself made an arrangement of the same work for 
pianoforte duet. The manuscript which has now been acquired by 
the Museum from the resources of the Farnborough Fund is a happy 
souvenir of these Belgian visits and friendships. It consists of twenty- 
five leaves, measuring 8| by 7 inches, and has received the number 
Egerton MS. 3087. They contain, written on one side only, six of 
the seven pieces which compose the 'Petite Suite', the first and most 
popular of the numbers 'Au Couvent' being omitted. On the other 
side of the leaves, except the second, the composer has copied his 
own pianoforte arrangement of the A flat Scherzo. They are now 
bound in dark purple crushed morocco in such wise that the latter 
work appears in correct order on f. i verso and the recto of ff. 2-1 2, 
with the result that the pieces of the Petite Suite do not follow con- 
secutively, nor does the order in which they occur correspond with 
that of the printed edition. The Intermezzo, the second of the printed 
pieces, called in the manuscript 'Menuetto', is to be found on fF. 9^, 


lo'', 12^; the first Mazurka (here 'Mazurka 2') on fF. 7^, 8^; the 
second Mazurka (here 'Mazurka i') on fF. i'", 3^; the Reverie on 
fF. 2'" and 2^; the Serenade on fF. 4"^, 5^, and 6^. The last of the 
printed pieces, the Nocturne, here called 'Berceuse', occupies f. 1 1'', 
but has been completely cancelled. 

The manuscript is written throughout in pencil, and the numerous 
alterations and erasures serve to show the stages by which the 
compositions reached their final form. B. S. 


THE discovery of the New Testament portion of Chylinski's 
translation makes it possible to re-examine an old problem, 
namely the source of the Lithuanian version of the Lord's Prayer 
printed by John Wilkins in his Essay towards a Real Character and 
a Philosophical Language^ 1668, pp. 435-9. A persistent tradition 
connects this version with the London bible. Wilkins was Warden 
of Wadham College, Oxford, 1648-59, and his philological interests 
were likely to bring him into contact with Chylinski, who was at 
Oxford 1657-9. Anyhow, the two versions are remarkably alike, 
the following being the more notable differences. In the 'on earth 
as in heaven' clause Chylinski's has danguy, Wilkins and dangaus\ 
in the 'daily bread' clause Chylinski keeps the order of the Latin 
vulgate; for 'temptation' and 'evil' Chylinski writes pagundimg. and 
pikta, Wilkins pagundynima and pikto. Wilkins's scheme omits the 
doxology, which runs in Chylinski: Nes tawo est Karaliste, ir 
galibe, ir gar be and amziu. Amen.^ {amzynuju).^ Galibe is a later 
correction from macis. The figures give the proper order of the last 
two words. 

Another vexed question is the date to be assigned to the printed 
text, which, never having been published, bears no imprint in the 
three surviving specimens. The early references speak of 1660, 
and, for all we know, that year may have seen the printers start 
work. Lack of funds certainly dragged out the process. The Brief of 
12 July 1 66 1, authorizing a public collection for the Lithuanian 
churches, declares that about one-half was already printed. This, if 
true, may mean that so much had been set up and proofs taken for 

revision. On 19 December 1661 two hundred reams of paper were 
delivered to Tyler the printer. By May 1662 the printed portion 
had reached the Psalms and was destined to get no farther. An 
altered plan was instituted by the Synod of Vilna in June 1663, dis- 
pensing with Chylinski and substituting new translators. The notes 
of expenses, September 1663-September 1664, on f. 219 must refer 
to the new project. Further details of these matters will be found in 
articles by H. Reinhold in Mitte'tlungen der Litauischen liter arischen 
Gesellschaft, Heft 20, 1895, pp. 105-63, and by R. Steele in The 
Library, 1907, pp. 57-62. H. J. M. M. 


ON the completion of fifty years since his entering the service of 
the Trustees Mr A. W. Pollard, formerly Keeper of Printed 
Books, has presented to the Library an early printed Horae B. 
Virginis ad usum Sarum 'as a thank-offering for the happiness which 
my work in the Museum, both on the staff and as a reader, has 
brought me\ There are no indications of the date or printer of this 
book and the edition to which it belongs may be unrecorded, but it 
must have been printed at Paris for the English market somewhere 
about the year 1 500. It is a small octavo of 92 leaves and 25 lines to 
the page and contains 1 5 full-page woodcuts, besides a number of 
smaller cuts, each page being also surrounded by a decorative border. 
A leaf at the beginning, containing the calendar for January, is 
wanting. Many of the cuts, as well as the type (a variety of the 
lettre bdtarde usual in this class of work), originally formed part of 
the stock of Philippe Pigouchet, by whom books of Hours printed 
in this style were first introduced, but the same material is also found 
in the hands of Jean Poitevin, Etienne Jehannot, and others, making 
precise identification of unsigned and undated work very difficult. 
On the verso of leaf 28, however, there occurs a cut of the Visitation, 
the border of which has breaks not visible when the same block was 
used by Poitevin in an edition of the Hours for Paris use of 1 5 May 
1498 (I A. 40904), and this date therefore presumably forms a 
terminus post quern. The borders of human and animal grotesques 

^ 33 

and fleurs-de-lys on backgrounds in the mantere criblee have not been 
discovered elsewhere in the Museum collection, but in style they 
closely resemble those in an undated Sarum Horae assigned to the 
same printer, Poitevin, by Proctor (lA. 40910). 

A noticeable feature in the make-up is the presence of two quires 
signed b, each comprising eight leaves. The second of these, con- 
taining *sequentiae* or extracts from the Gospels relating to the 
Nativity, the Resurrection, and the Passion, is fitted into the middle 
of the first and bears on its last page a cut of the Tree of Jesse which 
combines with a cut of the Trinity in glory on the next following 
page, belonging to the other quire, to form a pictorial opening of 
unusually fine effect. 

On a fly-leaf an unnamed English owner has written: *This Book 
I picked up on a Stall at Venice in 1741 & had it bound there' — 
evidently in the dress of white vellum with a few gold stamps which 
it still retains. V. S. 


THE Department of Printed Books has acquired by purchase 
a copy of the Paris edition of the Palamedes of Remaclus 
Arduenne, a Latin poet of whom nothing personal is known save 
that he was a native of Florennes, studied at Cologne University, was 
a *jurisconsultus* at Luxemburg, and secretary to a Spanish prince. 
He must have come to England on some occasion, for he dates the 
dedicatory epistle of Palamedes — addressed to Petrus Gryphus, 
Papal Legate in England — *ex museo nostro exiguo London.', 
1 5 1 2/ 1 3. The work is a Latin prose comedy in five short acts, with 
an allegorical plot and characters. Usus is offering for sale two slaves 
of Fortune, Chrysus and Sophia. A youth, Palamedes, after hearing 
a lengthy speech from each of the two, prefers to buy Chrysus, but 
Fortune refuses to part with him alone. By the advice of a friend, 
the young man apologizes to Sophia and takes both slaves together to 
his home. This play is followed in the latter part of the volume by a 
series of poems on the Gospel history in Latin elegiacs. The present 
edition, an undated quarto, is probably a reprint (by Gilles de 


Gourmont, whose mark appears on the title-page) of the folio 
printed by Pynson in March 1 5 1 2/ 1 3 , of which the only known 
copy was sold at Sotheby's in 1926 to Dr Rosenbach for ^^560, 
being part of the Britwell, and previously of the Heber, collection. 
The Paris edition is also exceedingly rare, no sale being recorded in 
Book-Prices Current, though there was a copy in the Heber sale. 

H. S. 


TAKING advantage of the one market in which conditions are 
still very favourable to this country, the Department of Printed 
Books has recently acquired three rare early Spanish books. The 
earliest in date is a Tarragona Ritual, Ordinar'tu sacrametoru secudum 
ritu ? cosuetudtne sct'e metropolis eccrie Tarracon, printed by Johann 
Rosembach at Barcelona in 1530. This book has two crucifixion 
cuts, woodcut borders on the title-page, and a much larger amount 
of text than usual in the vernacular (Catalan). It is the last produc- 
tion of Rosembach's press. 

The next in date is a book of Spanish emblems, Juan de Borja's 
Empresas morales, printed at Prague in 1581, while the author was 
Spanish ambassador at the court of the Emperor Rudolph. It con- 
tains one hundred engraved plates of emblems, with mottoes, and 
printed explanations of each. A second edition with the emblems 
printed from the same plates as before, and with a second part 
added — of which there is a copy in the King's Library — ^was printed 
at Brussels in 1680 for a descendant of the author. 

The third book is a copy of Cervantes's pastoral novel. La Galatea, 
here called La Discreta Galatea, printed at Lisbon (for the second 
time) in 16 18. Thanks largely to the Grenville Library, the 
Museum is particularly rich in early editions of Cervantes's works in 
the original language. In the case of the Galatea, while it still lacks 
two early editions, it is now slightly better off than the Biblioteca 
Nacional in Madrid and the Biblioteca de Catalunya in Barcelona. 


MAINLY through the Friends of the National Libraries, 
with contributions also from the Drapers' and the Grocers' 


Companies, the Department of Printed Books has acquired two 
unique EngHsh verse tracts by William Samuel, printed in London 
by Humphrey Powell for Hugh Singleton about 1550. Both tracts 
are Protestant polemics, and both were unknown to the author's 
biographer in the Dictionary of National Biography. One of them, 
'The Practice practiced by the Pope and his prelates, which they 
haue vsed synce they came to their estates', is written in rhyme- 
royal. It deals with the suppression of the monasteries and the 
abolition of the Pope's supremacy in England, and is in the form of 
a lament by the Pope himself, whereby he is naturally brought to 
confess religious and secular abuses by the clergy. The other tract, 
'A Warning for the cittie of London. That the Dwellers there in 
may Repent their euyll lyues for fears of Goddes Plages', is in a more 
archaic type of verse. This contains more direct attacks on religious 
and secular abuses, such as the deceits of tradespeople, the painting of 
women's faces, and other obsolete practices. It also mentions by 
name King Edward VI, and two Protestant martyrs, Anne Askew 
and Richard Hunne, a merchant tailor of London, who is quoted 
as an example of 'hanging the true man and letting the thief go'. 
As specimens of English verse of the formative and experimental 
period between middle and modern English, as well as for their 
topical and historical interest, these two tracts are a valuable addition 
to the Museum collections. H. T. 

35. A NEWS-SHEET OF 1621. 

SHORTLY before the outbreak of the Great War the Depart- 
ment of Printed Books acquired a collection of twenty-four 
unique English news-sheets printed in 1620 and 1621. These are 
earlier in date than any previously known, and as the first eighteen 
were printed in Holland, they appear to place the origins of the 
English newspaper in a foreign country. These eighteen numbers 
were deemed of sujfficient importance to be reproduced in facsimile, 
but in spite of the attention thus drawn to them, so far as is known no 
other example has been brought to light until quite recently, when 
the Department was fortunate enough to acquire by purchase a 
Corrant out oj Italy ^ Germany, ^c, 'Imprinted at Amsterdam by 


George Veseler, Ao. 1621. The 4 of Januari*. The eariiest numbers 
in the existing collection in the Department were printed by this 
same printer. The first two are dated respectively 2 December and 23 
December 1620, while the third number is dated 21 January 1621. 
The newly acquired number therefore fills a gap between the second 
and third numbers of the collection. H. T. 


THE Department of Printed Books has received as a gift from 
Sir Leicester Harmsworth, Bart., a copy of the ninth edition of 
Bunyan's Pilgrim's Progress, London, 1684. This is the second 
ninth edition, as the Museum already possesses a copy of the ninth 
edition dated 1683. While no merit attaches to this particular 
edition, Mr F. M. Harrison's Bibliography oj the Works of John 
Bunyan, published by the Bibliographical Society in 1932, gives 
the impression that it is rare. Except for the seventeenth edition, 
which also appears to be rare, the Museum now has a complete run 
of editions down to the thirty-second, printed in 177 1. H. T. 


THE Department of Printed Books has been allowed to select, 
from Mr David Salmon's extensive library of School-Books, 
one hundred and nine works not already in the Museum collection. 
These consist mainly of English and Welsh educational works of 
the seventeenth to nineteenth centuries. They cover the subjects 
taught in elementary schools, with some additional subjects, such as 
shorthand, both English and Welsh, and fill many gaps in the 
material available for the study of the history of elementary educa- 
tion in England and Wales. H. T. 


AN important acquisition by the Department of Printed Books 
jljL is a fine example of the bookbinding of T. J. Cobden-Sander- 
son, bequeathed by Mrs Caroline B. Poole, of Pasadena, California. 
This binding, which encloses a copy of Ruskin's TJnto this Last, is 
of red levant morocco richly tooled with a design of roses, rose-leaves, 


and stars, the gilded sides of the book being gauffered with a similar 
pattern. The book carries, in Cobden-Sanderson's handwriting, 
two dedications to his daughter Stella, the first recording that he was 
engaged upon the binding on the day of her birth ( 1 9 March 1886), 
the second rededicating it to her on the occasion of her marriage 
(30 July 19 10). It has thus the added interest of a peculiar personal 
history, the details of which can be pieced together from entries in 
Cobden-Sanderson's published Journals, Under various dates he 
records making drawings for the rose and rose-leaf tools, working 
upon the binding of this copy, with the circumstances of the two 
dedications, and sending it for exhibition at the Society of Arts, 
with the resulting award. It is evident that TJnto this Last was a 
favourite with him. The yournals show that later in the same year 
he bound another copy of the book, in a fellow binding to this, 
which he presented to Ruskin; and he included the work among the 
elect company of books subsequently printed at the 'Doves Press'. 
By this welcome bequest Unto this Last joins the little group of 
Cobden-Sanderson's bookbindings in the British Museum, begun 
in the binder's lifetime with his gift of Adonais, and substantiated 
by Mrs Cobden-Sanderson, who in 1922 presented five bindings by 
his own hand and six executed under his direction at the 'Doves 
Press'. W.A.M. 


KHAFAJI is the modern name for two low mounds on the 
Diyalah river due east of Baghdad, of which the smaller has 
proved a fruitful source of antiquities both before and since the 
'Iraq Expedition of the Oriental Institute, University of Chicago, 
commenced work there. The ancient name of this site, which 
appears to have been abandoned at the end of the archaic Sumerian 
period for the larger mound on the river bank, is not known, but it 
must have been an important town in the province Ashnunnak, 
called by the Elamites Tupliash. The painted pot from there, 
illustrated on PI. VIII, is hand-made, the striation that may be 
seen on the inside being due to the wood or fibre scraper used. The 
ware is of coarse quality, buff in colour, and thin. The decoration is 


14 SEP 3?. 


'^^^:- -jl.-^ 



carried out in a matt red and black on a bufF engobe, and covered 
the whole surface of the vase from the top of the rim, of which 
nothing now remains, to the rim-base. The prime element in the 
decoration is the division of the surface into panels by red bands, 
without attention to symmetry. The shoulder is entirely occupied by 
geometrical patterns of the net type. The figure designs in the panels 
on the body of the vase are illustrated in black and white. Figs. 1-3. 
It must be understood that many details are extremely doubtful 
owing to the fading of the lustrous black paint and the washing out 
of the matt red, represented in the figures by shading. In certain 
cases it is fairly certain that details which would produce a normally 
balanced design should be restored, as in the panel of the hero with 
goats, where a second kid is missing owing to the accidents of time. 
The object held by the seated man before the boar (?) in Fig. 2 is not 
so certainly a harpoon as the drawing suggests, and the hole is due 
to a loss of paint rather than to intention. 

The interesting point about these figure paintings, which are charac- 
terized by free brush-work, is that their character as *Sumerian' 
cannot be questioned. Some scenes, e.g. the drinking scene, the bull 
in front of a harp, the hero with animals, in Fig. 3, are well known on 
archaic cylinder seals. On the other hand, the pot cannot well belong 
to the archaic Sumerian period, though it resembles in shape pots 
from Cemetery *A* at Kish, for no pottery painted in this style 
has ever been found connected with archaic Sumerian remains 
of the period First Dynasty of Ur — Sargon of Agade. The matt 
red paint is used on a ware often found with the very different 
Jamdat Nasr ware at Ur and Erech, and the shape would not be 
impossible in the painted pottery period. The vase then most prob- 
ably belongs to the period when the Jamdat Nasr pottery was 
made, but even so is at present an isolated example, without true 

The vase then is an historical document of some importance. 
Additional interest attaches to it on account of the chariot scene. 
Fig. I. The details of this picture, such as the shape of the chariot, 
or the saw-edged wheels, which may represent the effect of wear on 
wooden bands, are found on other monuments of the archaic 




Sumerian period, though the ornament in front of the quiver is not 
known elsewhere; but the presence of a 'reserve' behind the four 
harnessed animals should prove that these cannot be asses, since they 
could hardly be so trained. Either the horse (Przewalski's horse ) or 
the mule may be intended; in that case much that has been written 
about the introduction of the horse into Babylonia requires revision. 
It is interesting to note that on this vase, as on the 'standard* from Ur 
{B.M.Q., Vol. Ill, PI. XXXIII) scenes of war and banqueting are 
juxtaposed. S. S. 


THE small Sumerian head. No. 123285, illustrated on PI. IX A, 
a and b, is known to have been found at Khafaji, a site on the 
Diyalah River in the ancient province Ashnunnak marked by two 
mounds; of these the older, not apparently inhabited after the 
archaic Sumerian period which ends about 2500 B.C., is being 
excavated by the 'Iraq expedition of the Oriental Institute, Univer- 
sity of Chicago. The head is a good example of many heads found 
at this site; the noticeable peculiarities as compared with other heads 
at present in the collection are the treatment of the ear, and the 
exaggerated nose, fortunately complete. 

The two terracotta plaques, PI. X, are of peculiar interest owing 
to their subjects. No. 123287 {a) shows a human figure holding 
weapons, with weapons standing beside him, in a chariot drawn by 
four lions, themselves driven or led by a charioteer. The extreme 
sides of the chariot are apparently decorated with two demon's 
heads, of a well-known type. Chariot and lions stand on a pedestal, 
presumably of brick-work, at either end of which is a figure bearing 
the holy water-pot from which two streams flow.^ Apparently the 
plaque depicts a colossal group-statue on a raised platform; the 
chariot group from Carchemish will serve as the type. It would be 
natural to suppose that the principal figure was intended for a god, 
but in the present instance he does not wear the usual horned head- 
dress of the Babylonian deity, though he appears to do so on less 

^ Recently discussed by Mrs E. Douglas van Buren, The Flowing Vase and the God 
with Streams^ Berlin, 1933. 

G 41 

well-preserved examples in the Baghdad Museum. The plaque is 
probably not much later in date than the Third Dynasty of Ur, 
about 2300-2150 B.C., and is certainly not much earlier. 

The explanation of plaque No. 123286 (S) must be very doubtful. 
It may be that a truss of reeds, bound round at intervals, with a 
conically rounded top, is intended; out of this there peers a bearded 
god, with long hair that runs round the lower face and beard like a 
halo; the two hands once held objects modelled in relief, now broken 

The six cylinder seals of which impressions are published on 
PI. IX, c-h, are all finely cut. No. 123280 (g) is very early, 
possibly as old as any seal in the collection, and is of special interest 
as illustrating the reed hut construction recently discussed by 
Dr Andrae.^ No. 123279 (c) is also an archaic seal, with a clear 
representation of a god whose hands and feet are shackled, while the 
man approaching him is carrying a net; the scene may refer to the 
Babylonian myth which describes the murder of a rebellious god 
from whose blood mankind was created. No. 123 281 (e) is a fine 
specimen of the Third Dynasty of Ur period; the goddess to whom 
the suppliant is introduced is probably Ba-u or Ba-ba, whose sacred 
birds below in this case most resemble swans swimming in celestial 
waters (compare B.M.Q., Vol. I, PL XXI b). 

No. 123284 {d) is a product of the 'mixed' art of Syria. Two 
figures wearing the atef crown and a kilt like that of a Pharaoh, 
stand with crossed legs, after the fashion of Akhnaten, holding what 
should be a was sceptre but has grown into a flower; between these 
twins is a human figure wearing a Hittite cap, with a cerastes head 
taking the place of the ordinary cobra-head uraeus, and a fringed 
garment. The female figure in a long skirt also has a uraeus, and 
appears to be wearing rings round her waist, like the figures with 
the atef crown — a Cretan fashion. The date is uncertain; '14th to 
1 2th century B.C.* is an approximation, 'Amarna period' a reason- 
able guess. 

No. 123283 (/) contains some interesting magical figures, winged 
gryphons, 'running' female sphinxes, and the twined-cord pattern. 
' W. Andrae, Gotteshaus^ Berlin, 1931. 







I— I 




14 SEP 37. 



Date uncertain, probably second half of second millennium, say 
1 500-1 200 B.C. 

The enigmatical seal no. 123282 [h) may be either archaic or 
provincial; the archer wears an unusual skirt, and the subject recalls 
Assyrian seals of the late second millennium. S. S. 


THE purchase of objects from Professor Griffith's Oxford 
Excavations in Nubia 1 930-1 has been completed^ this year by 
the acquisition of the colossal granite ram (PI. XI) ^ of which the 
pair is at the Ashmolean. 

It is an imposing monument in grey granite. The ram is lying full- 
length, in the traditional position with forelegs doubled under, and 
protects a figure of the pharaoh Taharqa, who stands upright 
between the ram's knees and under his chin. Despite the rather 
clumsy cutting of the figure of the king, his face, if not a good 
portrait, yet shows a marked resemblance to that of his (smaller) 
granite sphinx, acquired from the same source last year, and now 
on exhibition in the Egyptian Sculpture Gallery (No. 1770; see 
B.M.Q., Vol. VII, PL XIX 6), The monumental proportions of the 
ram itself are suited to the simple treatment of its sculpture, so that 
there is a finished appearance about the whole figure; and its excel- 
lent state of preservation makes it generally superior to the familiar 
series of rams at Karnak. A corner of the right front knee and a 
fragment of the tail, together with the parts of the plinth adjacent 
in each case, have been broken off; and the gilded disk which fitted, 
with a socket, into the hole in the top of the ram's head has been lost. 
But the surface of the object is unimpaired. 

The ram is one of four, found in front of the first and second pylons 
respectively of the stone temple which Taharqa began to build for 
Amen at Kawa in 683 B.C. An inscription in duplicate runs round 
the sides of the plinth from front to back and proclaims Taharqa as 
the son of Amen and Mut, Lady of Heaven, 'who fully satisfies the 
heart of his father Amen'. S. R. K. G. 

1 See B.M.Q., Vol. VII, p. 45 f. 

2 No. 1779. Plinth 5 ft. 4 in. by 2 ft. i in.; greatest height of monument 3 ft. 5J in.; 
height of figure of king i ft. 9I in. 



/iPART from some specific bequests, Mr R. Garraway Rice, 
xjL J.P., F.S.A., left to the Museum the first choice of his extensive 
and miscellaneous collection; and the chief specimens selected for the 
Department of British and Medieval Antiquities are here briefly 
described in chronological order (PI. XII). Two unusually large 
palaeoliths come from Reculver and Gillingham, Kent, and may be 
dated early St Acheul. There are six hand-axes from various sites 
in London, but the largest selection came from the gravel pits on the 
loo-feet contour at Yiewsley, two miles south of Uxbridge. Here 
the ancient Thames gravel is exceptionally prolific, and both St 
Acheul and Le Moustier periods are well represented, the latter by 
flake-implements of Levallois or Northfleet type, rather smaller than 
those from the type-station near Swanscombe (also represented in the 
Bequest). Flakes and implements probably of middle Palaeolithic 
date from Broom, near Axminster, are all made of the local chert; 
and some interesting flakes of somewhat later appearance come from 
Ospringe, near Faversham (Proc. Soc, Ant'tq.^ xxiii. 450). A bronze 
spear-head of the late Bronze Age from Sutton End, near Petworth, 
Sussex, has been described in Archaeologta^ Ixix, fig. 13, p. 15, and 
is peculiar in having six circular holes in two lines along the central 
rib of the blade. Several examples of the 'bucket* urn of pottery, 
used to contain cremated remains, have been restored from pieces 
found in the soil at Yiewsley, and belong to the Ashford type now 
recognized as a phase of the late Bronze Age, and connected with 
the Urnfield culture of the Continent. With these urns are some tile- 
like slabs of clay with many perforations, perhaps used for cooking. 
A bronze bowl from Mitcham is a late Roman type which goes back 
to the Hallstatt period, with hemispherical bosses round the hori- 
zontal lip. It may have come from an Anglo-Saxon grave, as there 
is a cemetery of that date in the vicinity; but in any case it is a rarity 
in England. The freedom of choice allowed in Mr Rice's will is 
much appreciated, and several other museums will absorb the out- 
standing specimens of a remarkable collection. In addition to the 
spear-head and clay grid the following are selected for illustration; 


^2^ if' 



14 SEP 3?; 





a patinated flake-implement from Yiewsley of Levallois type; a 
skinning knife of flint with polished edges from Thetford, Norfolk; 
and a neolithic celt with pointed butt from Harlington, Middlesex, 
made of hornblende-gneiss, probably a glacial erratic in the gravel. 

R. A. S. 

THE belated discovery that the Cesena treasure was not found in 
Hungary, as originally stated, has induced the National Museum 
of Hungary to part with the portion of it secured by Buda-Pest 
to the British Museum, the cost being shared by the Trustees and 
the National Art-Collections Fund. There is a jewelled eagle from the 
hoard in private hands (figured in colours on the frontispiece of the 
Catalogue of the Dark Ages Exhibition at the Burlington Fine Arts 
Club, 1930), and other items in Nuremberg Museum (briefly des- 
cribed by Nils Aberg in Die Goten und Langobarden in Itaiien, p. 29); 
but the present purchase includes most of the types, and may be 
regarded as a product of Ostrogothic Italy early in the sixth century, 
just before the death of Theodoric the Great in 526. The treasure is 
now known to have been found at Cesena, 20 miles south of Ravenna, 
where the imperial tradition was strong but subjected to barbarian 
pressure, and it is at present difficult to distinguish the Roman and 
Gothic elements. The Ostrogoths were Arian heretics, and it is inter- 
esting to find in the two principal pieces of the hoard (PI. XIII, 
Figs. 4 and 6) a Latin cross inlaid with garnet, raised on a background 
of similar garnet cell-work and flanked by fishes, which are early 
Christian symbols, the letters of the Greek word for fish being the 
initials of the Christian confession of faith. Among the Lombards, 
who entered Italy in 568, the equal-armed or Greek cross was in 
common use; and an early limit of date is given by the second 
Szilagy-Somlyo (early fifth century) hoard which has the beginnings 
of S scrolls in filigree on a brooch, evidently earlier than the hairpin 
from Cesena (Fig. 5). The bee or cicada pattern, well seen in the 
treasure from Child eric's tomb at Tournai (d. 48 1), is much debased 
in the pendants of a necklace (Fig. 2); and the elaborate ear-ring 
(Fig. 3), with garnet cell-work and pearl drops, is removed by several 
generations from those in the late Roman treasure described by the 


late Professor Walter Dennison, PI. XLI. The massive gold finger- 
ring (Fig. 7) with octagonal hoop and flight of steps below a pyra- 
midal garnet, is of a rare type represented in the Museum by No. 176 
a of the Catalogue of Finger Rings, Early Christian, Medieval and 
Later-, and the pair of gold casings (Fig. i), with open filigree on one 
face, are more likely to be the chapes of knife-sheaths than strap- 
ends, as the projecting border and rivets would hamper their passage 
through a buckle. All the pieces are presumably of the same date, 
and the fine quality of the garnet inlay on Figs. 4 and 6 recalls the 
jewellery connected with Theodoric at Ravenna {Archaeologia, 
xlvi, 237, PI. VII). A hint as to their place of manufacture is 
given in the latest work on Byzantine art (Hayford Peirce and 
Royall Tyler, UArt Byzantin, tome i, p. 32): 'We do not know 
any garnet cell-work that can be said to be Byzantine, but the 
character of the ornament is too like that on jewels represented on 
Byzantine objects for them to be passed over. Would the jewellery 
called barbarian, with its violent contrasts of red and gold, have been 
repugnant to them?' R. A. S. 


IN 1878-9 a cemetery was discovered at Keszthely, Com. Zala, at 
the west end of Lake Balaton in Hungary and produced a large 
quantity of grave-furniture, strange in appearance and of uncertain 
origin. It is perhaps best known from Joseph Hampel's illustrations 
in AlterthUmer desjriihen Mittelalters in TJngarn, and the most com- 
mon form is a girdle-end in bronze with scrolls in openwork and low 
relief. Some of these are already in the Museum, but the rarer 
ornaments are included in the purchase from Buda-Pest Museum, 
towards which the National Art-Collections Fund has generously 
contributed (PL XIV). The distribution of this type in Hungary is 
now seen to cover a rectangular area including the middle courses 
of the Danube and Theiss, Keszthely itself being the western limit 
(P. Reinecke in Germania, xii. 91); and most authorities agree in 
explaining it by an invasion from the east, whether of the Sarma- 
tians, Huns, or Alans. The tendency now is to identify this type 
with the Avars, who were in control from late in the sixth century 





till about 800. Historical and archaeological evidence has been 
published by Alfoldi (Ungarische Bibliothek, xii, vol. ii) and Fettich 
\Das Kunstgewerbe der Avarenzeit in Ungarn)\ and parallels to all 
the articles here figured may be found in Hampel's three volumes. 
The 'basket' ear-rings in gold and silver with openwork filigree are 
easily distinguishable from the so-called Merovingian type with 
polygonal terminal and garnet inlay. The long bronze pins have 
open swellings to prevent slipping, and were used for toilet purposes 
as well as for fastening the hair or cloak. They are sometimes com- 
pared with the stylus, with flattened end for erasing the script on 
wax tablets. Two patterns of penannular bronze bracelets are 
included — one has a lozenge section with zig-zag ornament on the 
two outer facets; the other is evidently derived from a classical type 
with serpent's head terminals, but here the decoration is carried out 
with punches, and is presumably far removed from the original. 
Other bronzes of Keszthely type are illustrated in the Quarterly, 
Vol. I, PL XXIX. R. A. S. 


THOUGH the circumstances of its discovery are unknown, the 
gold coin-pendant acquired from the Marquess of Sligo and 
figured on PI. XV a may be dated and located with some confidence. 
While the practice of framing gold coins and medallions for wear- 
ing on a necklace extended over some centuries among the barbarian 
peoples of the Dark Ages, certain stages of development can be 
recognized. Early examples are included in the first hoard of 
Szilagy-Somlyo, Siebenbiirgen (end of fourth century), and one of 
the latest developments is the silver brooch, with imitation coin centre 
and a pearled border of twelve rows, found at Canterbury (Proc. 
Soc, Antiq,, xix. 210; Catalogue Dark Ages 'Exhibition, Burlington 
Fine Arts Club, PI. Ill, no. A 44). The Museum already possesses 
four mounted coins which follow this fashion, but are embellished 
with garnet inlay: (i) coin of Valens (364-78), no locality; (ii) coin 
of Valentinian II (375-92), from Forsbrook, Staffs.; (iii) copy 
of coin of Mauritius and Theodosius (590-602), found between 
Bacton and Mundesley, Norfolk; (iv) jewelled cross enclosing coin 


of Heraclius I (610-41), from Wilton, Norfolk. The latest dates 
are naturally the most significant, and there is evidence of the type's 
popularity in the early years of the seventh century, witness the 
Wieuwerd hoard in Friesland, which was deposited about 628 and 
contains four large coin-pendants with the same barrel-shaped loop. 
This was derived from a cylindrical form with raised ribs, and in the 
present case is decorated with coarse filigree in the form of broken 
rings. This is no doubt a careless rendering of S-scrolls, as on the 
Museum's large brooch from Sarre, which is also dated by coin- 
pendants in the early seventh century. On the reverse the pearled 
border of five rows is interrupted by a ring and pair of S-scrolls; and 
the coin is of Mauritius Tiberius who was Emperor of the East 
582-602. The coin gives a limit in one direction, and the workman- 
ship of the mount suggests a date about 630, the place of origin being 
somewhere in north-east France or the Netherlands. R. A. S. 


THE collection of Roman gold in the British Museum has been 
considerably strengthened by the acquisition of a series of coins 
from the cabinet of Mr L. A. Lawrence. Apart from minor varieties 
which help to complete the series, a number of coins deserve atten- 
tion for their rarity, interest, or beauty (PI. XV b). An aureus of 
Vespasian has the interesting reverse type of Titus and Domitian, as 
Trincipes luventutis', marked by the branches they carry as 
*Princes of Peace' (no. i). An aureus of Septimius Severus, with the 
reverse, VOTA PVBLICA, the emperor sacrificing, illustrates most 
attractively the best style of the mint of Rome in the years a.d. 195- 
6 (no. 9). The style of the mint a few years later is favourably 
represented by a very rare coin, showing Caracalla on the obverse, 
with his young Empress, Plautilla, on the reverse (no. 10). But the 
main strength of this acquisition lies in a splendid series of aurei of 
Hadrian, illustrating in particular the later years of the reign from 
A.D. 128 to 137. Among the portraits one notes the exceptionally 
fine draped and laureate portraits to left (no. 7) and to right (no. 3) 
and the bare head to left (no. 4) in a fine and studied style reminding 
one of L. Aelius Caesar. Among the reverses stand out the group of 


Hadrian, Rome, and Senate (COS III) — probably commemorating 
the 'Concordia' of the State at the moment when Hadrian was 
acclaimed 'Pater Patriae' (No. 8),theFortuna-Spes — representing the 
present fortune of the Emperor and the hopes of his line (No. 5) — 
and the very rare type of Venus Genitrix holding Victory and spear 
and leaning on a massive shield (No. 4). The combination of dies 
represented by our No. 8 on the Plate is almost, if not quite, unique. 
This coinage of Hadrian has apart from its historical interest a 
special interest for art as an example of the Hellenic revival of his 
reign. , H. M. 


THE Department of Coins and Medals has just purchased (with 
the help of a substantial gift from the owner) the collection of 
Greek coins of Thessaly formed by the Very Rev. Edgar Rogers, 
a selection of which is illustrated on PL XVI. This acquisition 
almost doubles the existing collection in numbers, and very largely 
increases its range and quality, particularly in the beautiful bronze 
coinages for which the cities of Thessaly are famous. The natural 
features of the country, lofty mountains fencing off fertile plains, 
which had made it a centre of culture in the Heroic Age, turned 
Thessaly into something of a backwater when the main stream of 
Hellenic culture was flowing in channels farther south, but the 
art of the finest coins in the fifth and fourth centuries will bear 
comparison with that of any Greek mint; and this partial isolation 
had the advantage that, just as in Crete, it gave an individual quality 
to the coin-types which greatly increases their interest and variety. 
Thus, echoes of the Heroic Age are common: at Halus the golden- 
fleeced ram flying with Phrixus on his back rescued from the 
sacrifice to Zeus Laphystius, whose forbidding head appears on 
the obverse (No. i, bronze): at Homolium the splendid head of 
Philoctetes, with the serpent, to which he owed his poisoned wound, 
on the reverse (No. 2, bronze): at Lamia the same hero shooting at 
the birds of Lemnus (No. 3, obv. Nymph's head, bronze): at 
Mopsium the struggle of Centaur and Lapith, with the fine facing 
head of Zeus on the obverse (No. 4, bronze). Other types of special 
H 49 

local interest include the rainmaking waterpot mounted on wheels, 
which was paraded in time of drought through the streets of Cran- 
non; a raven, the harbinger of rain, is perched upon it (No. 5, 
obv. horseman, bronze): at Orthosia the horse of Poseidon in the act 
of springing from the cleft rock (No. 6, obv. head of Athena, bronze) : 
at Pelinna the sibyl Manto holding a casket full of oracles which she 
has just unlocked — the key is in her right hand (No. 7, obv. Thessalian 
cavalryman): at Tricca, Asclepius seated and holding a bird in his 
hand to feed to his serpent (No. 8, obv. head of Apollo, bronze): the 
representation of the local bull-fights at Larisa, showing on one side 
the dismounted toreador throwing the bull, and on the other his 
riderless horse in full gallop (No. 9, silver): the mounted warrior at 
Pharsalus, in helmet and mail coat, attended by a squire on foot, 
wielding his peculiar weapon which resembles the military flail of 
medieval times (No. 10, obv. head of Athena, bronze): the slinger of 
the Aenianes in action (No. 11, obv. head of Athena, silver). 
Finally a coin of Meliboea may be cited as perhaps the finest example 
of the die-sinker's art in the collection; the head of Dionysus has a 
gem-like quality which it is difficult to parallel on any other bronze 
issue (No. 12, rev. grapes); here, as with the other bronze coins, 
illustration can only reproduce the outline of the design; all the 
charm of texture and colour added by patination is necessarily 
lost. E. S. G. R. 


BY the purchase of a selection of 30 gold and 52 silver coins from 
the collection formed in the middle of last century by Colonel 
Miles the Museum has considerably strengthened its series of 
medieval Muhammadan coins of Persia and Mesopotamia. These 
coins with their mints and dates and genealogical details illustrate 
the spread of Arab power in the early days of the Umayyad and 
Abbasid caliphs, the decline of the Caliphate, the rise of the Buyids, 
Ghaznawids, and Seljuks who replaced it, and the extinction of all 
these with the coming of the Mongols. The interest of the coins is 
purely historical for the stiff Kufic script of the period allowed little 
scope for the engraver's art. Among the more important pieces are 


two dinars of the caliph Harun al-Rashid bearing the name of his 
vizier, the Barmecide Ja'far, an interesting group of coins of the 
Buyids, the Persian family in whose hands the caliphs were puppets 
in the tenth century, dinars of the great conqueror Mahmud of 
Ghazna and of later Ghaznawids, a number of coins illustrating the 
rise of Seljuk power and a series of pieces illustrating the Mongol 
conquest of Persia and Mesopotamia, including rare dirhems of 
Great Khans Mangu and Hulagu. J. A. 


THE late Mr Lionel Fletcher had for many years specialized in 
the collection of the Irish seventeenth-century tokens and had 
formed a remarkable cabinet. Its importance may be judged from 
the fact that it numbers 1,140 pieces, more than four times as many 
as are in the present British Museum collection, and includes 165 
places of issue compared with 52 in the Museum. These tokens were 
issued in Ireland, as in England, in the middle of the seventeenth 
century by merchants and towns to supply the necessity which arose 
for small change at a time when the smallest government issue was 
still the silver penny. They are halfpence and farthings bearing the 
name of the issuer, the arms of his trade, and the place of issue. They 
are of considerable interest to the local historian and topographer in 
addition to being interesting memorials of a stage in the development 
of our copper coinage. With the introduction of a bronze halfpenny 
and farthing by Charles II, these tokens were prohibited as the 
necessity for them no longer existed. 

Mr Fletcher had in his lifetime expressed his intention of bequeath- 
ing this valuable collection to the Museum, and his heirs, through 
his brother and executor, Lt-Colonel Bernard Fletcher, have now 
presented the cabinet to the Trustees in fulfilment of his desire. 
Individually the pieces are rare and a collection like this, which is 
practically complete, is unique. It is a matter of congratulation for 
the historian that this cabinet has not been dispersed but has found 
a permanent home in the Museum. The collection will be kept 
together in a separate cabinet and not amalgamated with the Museum 
series. J. A. 



THE Trustees of the Christy Fund have presented to the British 
Museum a bronze tripod ewer and a silver punch-bowl. Apart 
from their intrinsic qualities, both are of interest from the circum- 
stances under which they were found, and the unrecorded history 
of their migration. 

They were obtained by the late Sir Cecil Armitage, K.B.E., 
C.M.G., D.S.O., ex-Governor of the Gambia, when serving in the 
Gold Coast. 

The bronze ewer (PL XVII a) is English, and can be attributed 
to the fourteenth century; it measures 14 inches in height. Sir Cecil 
(then Captain) Armitage was in command of the faithful native 
levies during the Ashanti war, and, in the course of an action, this 
ewer was captured from the opposing troops. It was the great war 
fetish of the Ashanti Nation, and was always taken into battle. 

The silver punch-bowl (PL XVII b) with circular foot and cover, 
was obtained about the same time, and is interesting from the fact 
that it has been repaired, by native methods, on many successive 
occasions. Certain holes have been repaired by patching, the patches 
neatly secured by rivets. Later repairs, less skilfully carried out, take 
the form of 'strapping' with flat silver wire. At the bottom is a 
London hall-mark which gives the date as 1 764. 

Objects relating to the early trade communication between Europe 
and the West Coast of Africa are not unknown ; for instance, in the 
British and Medieval Department there is a fine bronze jug — also 
found in Ashanti, bearing the badge of Richard II (Guide to the 
Mediaeval Antiquities^ fig. 156), but instances of such intrinsic value 
are extremely rare. T. A. J. 


THE experimental use of infra-red photography to facilitate the 
reading of papyri has proved, in the experiments conducted 
with Egyptian hieratic documents, generally disappointing; in very 
few passages are the results better than those obtained with ordinary 











I— I 





14 SEP 37. 



■^^^ '«%=^ 






^^.'•f' ?!»' 


(Scale I) 

plates, and in fewer still can the camera be said to be more efficient 
than the eye. 

The result of using infra-red plates for some Egyptian leather 
documents, on which writing in black ink can only just be discerned 
but not deciphered, has, on the other hand, been conspicuously 
successful. In certain cases this leather has turned a dark brownish 
red, and the surface has a 'bubbled' appearance due to partial 
liquefaction owing to exposure to damp or some other atmospheric 
condition. PL XVIII, Fig. a from a panchromatic plate shows, in 
the case of one specimen, what the normal eye can see. Fig. b, from 
a panchromatic plate with red screen, brings out fairly clearly the 
writing in red ink which constitutes the 'rubrics' of a copy of 
the 'Book of the Dead'; this could be deciphered directly from the 
document. Fig. f, from an infra-red plate, shows the writing in 
black ink with a clarity that can be little inferior to its original state 
apart from rents and damage to the surface. The specimen is a 
fragment of a document. No. 1 028 1 , in 13 pieces, which can now be 
deciphered. It is written in a good hieratic hand, and appears, so 
far as the study has yet proceeded, to present a very sound text, free 
from the corruptions which abound in many copies. The photo- 
graphs prove that at least five joins of separate fragments should be 
effected, and that the average number of lines to a 'page' was 16. 

There are not many of these leather documents in the collection, 
and most of them are legible. The other documents previously 
considered illegible are some Coptic magical texts, chiefly of the 
love potion type, and some fragments of secular hieratic texts. 
Though the discovery of the efficacy of infra-red photographs for 
this kind of material will not result in the discovery of any unusual 
texts so far as the collection in this museum is concerned, the official 
photographer's experiment has a technical interest and may lead to 
noteworthy results. S. S. 


IN the notice on p. 65 of Vol. VII (December 1 93 2) of the copy of 
Blake's Songs of Innocence and oj Experience given by Miss Carey, 
some slight inaccuracies should be corrected. The book came to 


Miss Carey from her mother Lady Carey, to whom it was given by 
her aunt (not mother) Mrs Charles Warren, who may well have got 
it direct from Blake, but of this there is no actual evidence. 

The Muchelney Breviary (p. 109 of Vol. VII) was presented by 
the anonymous donor through the Friends of the National Libraries. 


POEMS on Domestic Circumstances. Fare thee well! A Sketch 
from Private Life. By Lord Byron. With the Star of the Legion 
of Honour, and other poems. London: printed for J. Bumpus, 1 8 1 6. 
Presented by Miss M. S, Ho/gate through the Friends of the National 

The Barges of the Merchant Taylors* Company. By R. T. D. 
Sayle. Printed for private circulation, 1933. Presented by the 
Master and Wardens of the Merchant Taylors^ Company. 

The Wisdom of Jesus the son of Sirach, commonly called Ecclesias- 
ticus. The Ashendene Press, Chelsea, 1932. Presented by Mr 
C. H. St John Hornby. 

The History of the Finch Family. By Bryan I'Anson. Janson 
& Co., London, 1933. Presented by the author. 

Vilh. Gronbech: William Blake, kunstner, digter, mystiker. 
Kobenhavn, 1933. Presented by the author. 

Pomes Penyeach. By James Joyce. Initial letters designed and 
illuminated by Lucia Joyce. The Obelisk Press, Paris; Desmond 
Harmsworth Ltd., London, 1932. Presented by the author. 

Rhymes and Roundelayes in praise of a country life. London, 1857. 
In a handsome green morocco binding signed: N. M. Holloway, 
London. Presented by Mr E. Zaehnsdorf. 

A Check List of Fifteenth-Century Books in the Newberry Library 
and in other libraries of Chicago. Compiled by Pierce Butler. 
Chicago, 1933. Presented by the Trustees of the Newberry Li- 

Schloss Hallwil. II. Die Ausgrabungen. Ill: i. Die Fund- 
gegenstande. Von Nils Lithberg. Stockholm, 1932. Presented by 
Professor Nils Lithberg. 

J. W. Power. Elements de la construction picturale. Apergu des 


methodes des maitres anciens et des maitres modernes. Paris, 1933. 
Presented by Mr y. JV. Power. 

Heroic Statues in Bronze of Abraham Lincoln. Introducing the 
Hoosier Youth of Paul Manship. By Franklin B. Mead. The 
Lincoln National Life Foundation, Fort Wayne, Indiana, 1932. 
Presented by the author, 

Le College de France (i 530-1930). Livre jubilaire compost 
a I'occasion de son quatrieme centenaire. Paris, 1932. 

Le IV* Centenaire du College de France (i 530-1 930). Relation 
des fetes commemoratives donnees ^ Paris au mois de Juin 193 1. 
Paris, 1932. Presented by the College de France, 

Three children's books, published in London about the year 1800: 
The Entertaining History of Little Goody Goosecap. The Histories 
of More Children than One. Waters*s Poetical Flower Garden. 
Presented by Mr Percy Z, Round, 

The Story of Kalaka. Texts, history, legends, and miniature 
paintings of the Svetambara Jain hagiographical work The Kala- 
kacaryakatha. With 15 plates. By W. Norman Brown. The 
Smithsonian Institution, Washington, 1933. Presented by the 
Smithsonian Institution, 

English Catalogue of Treasures in the Imperial Repository, 
Shosoin. By Jiro Harada. Tokyo, 1932. Presented by the Imperial 
Household Museum, Tokyo, 

Pocket note-book of an English surgeon, c. 1609 (Add. MS. 
43408). Presented by Dr Maurice Ernest, 

Glossary of Cornish English, by Dr William Pryce in preparation 
for his Miner alogia Cornubiensis, 1778 (Add. MS. 43409). Presented 
by Mr Richard Bevan, L.R.C.P, Lond,, &c, 

Commonplace-Book of Charles Caesar, 1705 (Add. MS. 43410). 
Presented by Mr Stonewall Jackson, 

Letters from Sir H. M. Stanley to John Bolton, 1878-99, and an 
autograph article by Gen. Gordon on India (Add. MS. 4341 1). 
Presented by Mr P, C, Bolton, 

Score of Weber's *Der Freyschutz' (selection), by L. A. Jullia and 
compositions of H. Vogels (Add. MSS. 43468-43470). Presented 
by Miss Mapleson, 


Two letters and copy of will of Charles Fitz-Charles, Earl of Ply- 
mouth ('Don Carlos'), natural son of Charles II, and letter of Thomas 
Hickman Windsor, Earl of Plymouth. Presented by Mr A. Francis 
Steuart through the Friends of the National Libraries. 

Three letters of Thomas Castle, the antiquary, concerning the Act 
for making deductions of sixpence in the pound from payments 
from the Crown, 1798-9. Presented by Mr Warren R. Dawson 
through the Friends oj the National Libraries. 

Copy (10 Dec. 1 501) of an agreement, 17 June 1428, between the 
towns of Guadalcanal and Azuaga regarding water rights in the 
rivers Sotillo and Guaditoca; Spanish (Add. Ch. 70789). Presented 
by Mr G. A, Keen. 

A manuscript of Cherita Chekil Wanang Pati, a Malay heroic tale 
belonging to the Javanese cycle of legend. Eighteenth century (?). 4°. 
Presented by Tengku Khalid ibni Bendahara Tengku Chik Abdullah, 
of Kelantan. 

Charles Conder: Portrait of Mrs A. A. Humphrey; proof of 
original lithograph, CD. 12. Presented by Mr T, B, Layton 
through the National Art-Collections Fund. 

Six prints from the Print Collectors* Club, 1932 and 1933. 
Presented by Mr Martin Hardie, R.E. 

Six etchings by Mr Anton Lock. Presented by the artist. 

Fine painted jug, beak spout, from a Luristan grave. Presented by 
Mr 0. C. Raphael. 

Egyptian gold ring. Presented by Mr Howard C. Back. 

Stone fragment with Egyptian inscription and a clay tablet with 
New Babylonian inscription. Presented by Dr Sherborn. 

Funerary box with mummified remains in miniature human form. 
Presented by the Committee oj the Public Library, Museum, and Art 
Gallery, Herejord. 

A Chinese white porcelain bowl with Hsiian Te mark (1426-35). 
Presented by Mrs Walter Sedgwick. 

A Chinese blue and white bowl with Hsiian Te mark, but 
probably of eighteenth-century date. Presented by Mr Ernest 

A Chinese porcelain vase with ying ch'ing glaze: Sung or Yiian 


Dynasty. Presented by Mr H. Eric Miller through the National 
Art-Collections Fund. 

A Chinese blue and white porcelain vase, sixteenth century. 
Presented by Sir Percival David, Bart. 

A Sung pottery bowl of Ting type. Presented by Mr F. D. Samuel. 

Five Chinese porcelain dishes with jamille verte decoration, a 
Canton carved ivory tray, and three reticulated ivory boxes. Pre- 
sented by Mr G. Abercromby. 

Tortoise-core of flint from Yiewsley, Middlesex; and flakes of 
Clacton type from Swanscombe, Kent. Presented by Mr y, P, T, 

Collection of flint graving tools from Puy-de-Lacan, near Brive, 
Correze. Presented by Mr H. H. Kidder. 

Twenty-seven flint knives of plano-convex type. Presented by 
Mr G. y. Buscall Fox. 

A selection of flint implements; a bronze bowl from Mitcham, 
fifth century; a late Bronze Age spear-head from Petworth, Sussex; 
Early Iron Age urns from Yiewsley, Middlesex; and other anti- 
quities. Bequeathed by Mr R. Garraway Rice. 

Two Early British urns from Wing, Leighton Buzzard. Presented 
by Mrs H. G. Goold. 

Pottery fragments, bone spools, &c. from Saxon huts at Sutton 
Courtenay, Berks. Presented by Mr E. Thurlow heeds. 

Cone-knop spoon of latten, fifteenth century. Presented by Mr and 
Mrs Norman Gask. 

Two ivory reliefs, with portrait busts from the antique, French, 
eighteenth century. Presented by the Director, 

Mystery clock made by McNab of Perth about 1 8 1 6. Presented 
by Miss Isabel N. Napier. 

Two fibre dresses with shell pendants and three convicts' identity 
discs, from the Andaman Islands. Presented by Mrs W. H. Burt. 

Three pottery pipe bowls from Uganda, collected about 1870 by 
the Rev. C. T. Wilson. Presented by Mrs C. T. Wilson. 

Swaddling clothes with Hebrew inscription embroidered in colours. 
Anonymous donation. 

Large series of beadwork and a few ethnographical specimens 

I S7 

from the neighbourhood of Tsolo, East Griqualand, S. Africa. 
Presented by Mr Frank Corner, 

Flax woven cloak, with embroidered borders, from New Zealand. 
Presented by Miss M. E. Ashby, 

Cylindrical stone, possibly a pounder, grooved at one end. Pre^ 
sented by Mr Clarence Elliott, 

A pair of chank-shell trumpets, with gilt metal mounts showing 
Buddhist emblems in relief, and silk streamers; a painted double 
skull-drum; and an ivory plaque, representing Garuda, in gilt-copper 
setting. Lamaistic Buddhism, Tibet. Presented by Mr H.Eric Miller. 

A stone polished axe, grooved at the butt, from Dominica. Pre^ 
sented by Mr A. H. L. Thomas, M.R.C.S. 

An old pottery vase and potsherds, excavated on Government Hill, 
Tarkwa, Gold Coast. Presented by Mr R. P. Wild. 

A guinea of William III, two shillings of James I, a Scots quarter 
merk of James VI, and four specimens of the Irish gun-money of 
James II, all rare variants. Presented by Miss Helen Farquhar. 

Fifty-seven silver, 1 2 nickel, and 43 bronze English, European and 
Oriental coins of the eighteenth and nineteenth centuries. Presented 
by Mr Henry Garside. 

Eight Constantinian bronze coins and a 40-nummi piece of 
Justinian I. Presented by Brigadier-Gen. W. E. Clark, CM. G., D.S. O. 

Ten silver Anglo-Saxon sceattas found during the Whitby exca- 
vations. Presented by the Hon. Mrs Tatton Willoughby. 

Six silver and 1 3 bronze Roman coins of the fourth and second 
century. Presented by Monsieur Paul Tinchant. 


SEVERAL years ago the Department of Oriental Printed Books 
and Manuscripts had the good fortune to secure 74 large and 
closely written vellum folios containing portions of the huge Arabic 
lexicon of al-Kall, celebrated as the founder of philological studies 
in Moslem Spain. Of this work nothing was previously known to 
exist save some short fragments preserved in the Biblioth^que 
Nationale. The British Museum MS. provides a fine example of old 


Andalusian writing, not particularly elegant, but executed with that 
extreme accuracy and completeness of vocalization so vital to a text 
whose subject matter is an exact science, and dating probably not 
more than fifty years after the author's death, which took place in 
A.D. 967. Those surviving portions enable us to realize the vast scope 
of the complete work, embracing the whole treasure of the Arabic 
language and packed with copious citations from the ancient Arabian 
poetry. In order that such an important text might be made avail- 
able to students, a facsimile has been published by order of the 
Trustees, with an introduction containing a description of the 
manuscript, an account of the author and his writings, an examina- 
tion of the peculiar plan of the lexicon, and an index of all the Arabic 
roots dealt with in the text. The price is los. 6d. 

The fifth volume of the new edition of the General Catalogue of 
Printed Books in the British Museum was published in April of this 
year. This instalment carries the letter A from the heading Anne, 
Queen of Great Britain and Ireland, to that of Aristias, in 1004 
columns as against 596 columns in the corresponding section of the 
previous edition. 

The Catalogue of the Greek, 'Etruscan, and Roman Paintings and 
Mosaics in the British Museum, by R. P. Hinks, describes the 
material from Egypt, Cyprus, Crete, Greece, Asia Minor, North 
Africa, Italy, France, and England in the Departments of Greek and 
Roman Antiquities and British and Medieval Antiquities. Thirty- 
two collotype plates and 168 half-tone blocks illustrate almost every 
piece described; and the catalogue is preceded by an introduction 
dealing with the history and technical development of ancient 
pictorial and ornamental art. (Price \os,) 

Reproductions issued since the last appearance of the Quarterly are: 
Saxton's map of Yorkshire, double sheet, loj. 

Two letters of Queen Elizabeth: (i) to her brother Edward VI 
{c, 1550-3); (2) to James VI of Scotland (1603). 9^/. each. 




UNDER this name has been constituted a new Department, 
combining portions of the existing Departments of Ceramics 
and Ethnography, and of Prints and Drawings. It comprises: 

(a) Antiquities and Objects of Art of the Near, Middle, and Far 
East and India, other than those which are already included in the 
Departments of Egyptian and Assyrian Antiquities and of Greek 
and Roman Antiquities. 

(S) Oriental Paintings, Drawings, and Prints, which were hitherto 
included as a Sub-Department of Prints and Drawings. 

(f) As a Sub-Department, the Ethnographical Collections. 

The Department of Ceramics as such ceases to exist; but the 
Western Ceramics and Glass for the present remain under the charge 
of the Keeper of the new Department. Later they will be returned 
to the Department of British and Medieval Antiquities. The 
galleries hitherto devoted to illustration of the Religions of the East 
will serve for series illustrating the development of Asiatic sculpture, 
metal-work, and other allied arts. 

Other minor modifications will probably be made, as trial shows 
them to be desirable. 

The staff will for the present consist of: 

Keeper: Mr R. L. Hobson, C.B. 

Assistant-Keepers: Mr William King (Western Ceramics and 
Glass); Mr Basil Gray; Mr R. S. Jenyns. 

Sub-Department of Ethnography. Deputy-Keeper: Mr T. A. Joyce. 

Assistant-Keepers: Mr H. J. Braunholtz; Mr Adrian Digby. 

For the most part the objects constituting the collections affected 
will not for the present be moved from their locations; for instance, 
the oriental paintings, drawings, and prints, will remain in the Print 
Room; the Western Ceramics and Glass in the Medieval and Ceramics 
Gallery of the King Edward VII Building. 

The prospect of the installation of all the Oriental Collections in one 
wing of the Museum, or possibly in a Central Museum of Asiatic Art 
and Antiquities, and the creation of an independent Department or 


Museum of Ethnology, may be remote; but the newly constituted 
Department is a first step in that direction, and brings the collections 
affected into line with the other collections of antiquities, which, in 
accordance with the policy of the Museum, are normally arranged 
on a geographical and historical, not on a technical basis. 


MR ARTHUR MAYGER HIND, O.B.E.,has been appointed 
by the Principal Trustees to succeed Mr Laurence Binyon, 
C.H., as Keeper of the Department of Prints and Drawings, from 
lo September 1933. 

Mr Arthur Ewart Popham has been appointed to be Deputy- 
Keeper of the same Department from the same date. 



14 SEP 37. 



Squire, M.V.O., M.A., F.S.A., F.R.C.M. 

Mus.Bac. Pp. X4-278. 1929. los. 

PartIIL printed music AND musical LITERATURE. Pp. iv + 
384. 1929. 15s. 

BADGES, TOKENS, AND PASSES. Pp. x4- 206, with 8 plates. 1930. 13s. 

edition. 1930. Pp. 40, with 39 illustrations. 6d. 

LECTIONS. New edition. 1930. Pp. 460, with 233 illustrations. 2s. 6d. 

CELLINI, by G. F. Hill. Two vols.: text, pp. xvii+371, and 201 plates. 1930. 

NOW IN THE BRITISH MUSEUM. PartVL Italy: Foligno, Ferrara, Florence, 
Milan, Bologna, Naples, Perugia, and Treviso. Pp. 1 + 301 (599-899), with 31 plates 
of facsimiles (XLII*-LXXII»). 1930. ;^3 3s. 

Vespasian to Domitian. With an introduction and 83 plates. By Harold Mattingly, 
M.A. 1930. 8vo. i^ 3s. 

Two contemporary maps. Second edition, revised. 1931. 4to. 3s. 6d 

Prehcllenic and Early Greek. Pp. viii+214, with 43 plates and 246 figures in text. 
1928. i8s. Part II. Cypriote and Etruscan. Pp. viii+ 261, with 6 plates and 132 
figures in text. 1931. ;^i. 

CODEX ALEXANDRINUS in reduced photographic facsimile. Old Testament, 
Part II. I Samuel — II Chronicles. 232 plates. 1931. ;^2 2s. 

BRITISH MUSEUM. By Arthur M. Hind, M.A., F.S.A. Vol. IV. Dutch 
Drawingsof the 17th Century (N-Z and Anonymous). 1931. 8vo. ;^2 los. 

THE STURGE COLLECTION: An Illustrated Selection of Flints from Britain 
bequeathed in 1919 by William Allen Sturge, M.V.O., M.D., F.R.C.P. By Reginald 
A. Smith, F.S.A. 1931. 8vo. With 11 plates and numerous illustrations in the text. £1 5s. 

BRITISH MUSEUM. Part XLI (50 plates), by C. J. Gadd, M.A., F.S.A. 1931. 
Folio. 1 6s. 


BY SIR AUREL STEIN. By Arthur Waley. Pp. Hi + 328. 1931. 8vo. £2. 

L. D. Barnett. Pp. 695. 193 1. ;^3 3s. 

1004 cols. 1931. Vol. II, Aegidius-AIeu. 996 cols. 1931. Vol. III. Alevra- 
America. 10,04 cols. 1932. Vol. IV, America-Anne. 988 cols. 1932. Vol. V, 
Anne-Aristias. 1004 cols. 1933. Each j[^ (to original subscribers ^^3). 

Dr. R. Campbell Thompson. Pp. 36, with 18 plates. 1931. los. 

Budge. New edition. Pp.76. 1931. is. 6d. 

THELUTTRELL PSALTER. 183 Plates,withan Introduction by E.G.Millar. 

R. L. HOBSON. 2S. 

CORPUS VASORUM ANTIQUORUM (Great Britain fasc. X, British Museum 
VII}. Edited by F. N. Pryce. 48 plates. 15^. 

1 2 Plates. 6^. (with portfolio ys.) or 6d. each. 

AND XVI CENTURIES. By A. E. Popham. 83 plates. £2 7s. 6d. 

700 B.C. to A.D. 270, based on the work of Barclay V. Head. 50 plates. 1932. 15/. 

1933- ;^3 lOJ. 

FLINTS. An illustrated manual of the Stone Age for Beginners. By R. A. Smith. 
Reprint. 1932. bd. 

INGS AND MOSAICS. By R. P. Hinks. Pp. Ixxi +157, with 168 figs, and 
32 plates. 1933. £2. 

by Al-Kali, Edited by A. S. Fulton. Pp. 16, with 148 plates. 1933. los. 6d. 

WALES, reproduced in colour. Single sheets, 5^. each. In progress. 

REPLICAS AND CASTS of the finest objects from Ur can be supplied to order 
List and prices will be sent on application to the Department of Egyptian and Assyrian 


PHOTOGRAVURES and other Reproductions issued by the British Museum can 

be had on application to the Director, British Museum, London, W.C. i. 







ANNUALLY, each dealing with the 
principal acquisitions of the previous 
quarter. The descriptions are intended to 
be not too technical for the layman, and 
to give the expert part at least of what 
he needs to know. Notice is also given of 
the temporary exhibitions periodically 
installed in the galleries, the results 
of excavations, and additions to the 
publications of the Museum. 

Crown j\.to, averaging 22 pages + 16 pages 
oj plates. Price 2s. 6d, : 2s, 9^. postjree, 
los, {postJree)Jor Jour parts. 

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12 DEC 3S 


.^5^-'--jJBW»?»»a»T»*«. *, .,•..,■*. 




Sold at 


BERNARD QUARITCH ii Grafton Street London W.\ 

HUMPHREY MILFORD Oxford University Press London E.C.^ 


38 Great Russell Street London W.C.i 



54. A Dutch Drawing of the first half of the Sixteenth Century 

55. A Drawing by Gentile Bellini . . . 

56. A Sheet of Studies by Jacopo Pontormo 

57. Drawings from the Selwyn Image Collection 

58. A Drawing by Philippe Mercier 

59. Sporting Prints and Drawings . 

60. Ceramic Documents from Honan 

61. A Nepalese Painting of the early Sixteenth Century 

62. A Woodcut by Okumura Masanobu . 
6 2' Two Italic Girdles ..... 
64. A new Kushan Coin .... 
6^, A Hieratic Papyrus .... 

66. An early British Spoon .... 

67. Bequest of the late Dame Clarissa Reid, D.B.E. 

68. Townshend Papers .... 

69. A 'Private View* of the Museum in 1756 

70. Nelson's Log-Book .... 

71. The George Smith Memorial Bequest 

72. A Tract by St Augustine 

73. A Spanish Writing-Book 

74. Three Sixteenth-Century English Pamphlets 

75. Some Hindustani Poems 

76. Other Gifts 

Recent Publications .... 

Appointments ..... 
Erratum ...... 











XIX. Drawing of the early Dutch School 

XX. Drawing by Gentile Bellini 

XXI. Drawing by Jacopo Pontormo . 

XXII. Drawing by Philippe Mercier . 

XXIII. Coloured Etching by Thomas Rowlandson 

XXIV. Details from Nepalese Painting 
XXViZ,^. Italic Girdles .... 

c. Gold Coin of Wima Kadphises ( T) 
XXVI. Early British Bronze Spoon. 
XXVII. Peruvian Gold Beaker 
XXVIII. Page from Nelson's Log-Book (reduced) 

To jace page 64 





; i3!ir;]SH 



12 DEC 33 



TO the beautiful red-chalk portrait drawing, which appears as 
the frontispiece in the present number of the Quarterly^ it seems 
impossible to assign a name with certainty. Jan van Scorel is the most 
obvious attribution to put forward, but claims might equally well be 
made in favour of Marten van Heemskerck or of Antonio Mor as 
young men. It is certainly not by the same hand as the equally pro- 
blematical half-length portrait of a young woman from the Mal- 
colm Collection attributed to Scorel {Catalogue of Dutch and Flemish 
Drawings, v, p. 40, No. 3), the handling of which is more force- 
ful. The chalk used in the present drawing is much browner in 
tone than that of the Malcolm drawing, except for some retouching 
along the line of the cap by the left cheek which is in redder chalk. 
The paper has for watermark a Gothic p (visible through the draw- 
ing in a rather unsightly way even in the reproduction). This is of 
some importance as confirming the Northern origin of the drawing. 
The sheet is said to have been bought at an auction in Tonbridge 
Wells, but nothing further is known of its provenance. It measures 
7^x 5I inches (20-2 x 14 cm.). AFP 


THE Department of Prints and Drawings has acquired a docu- 
ment of particular interest to the student of Venetian painting 
and drawing. This is a composition sketch apparently by Gentile 
Bellini for the large picture in the Venice Academy (No. 567) of 
the Procession in the Piazza of St. Mark's. The drawing, in pen 
and ink over red chalk, measuring 5^ x 7I inches (13 x I9'6 cm.), is 
schematic in the extreme, but the place, the point of view, the rela- 
tion of the groups of figures to the processional relic, correspond in 
the main so closely with those of the picture that there can be little 
doubt of the connexion between the two. The picture is signed and 
dated 1496, and the drawing may be supposed to have preceded it 
by some time. The salient points of difference between the sketch 
and the picture are that in the former the frontage of St Mark's 

K 63 

has only four bays, while in the latter (and in reality) it has five; in 
the drawing the procession is nearer to the church and more sky is 
visible above. 

In the collection of the Duke of Devonshire at Chatsworth is a 
drawing of exactly the same type, undoubtedly by the same hand 
(reproduced in Detlev Freiherr von Hadeln's Venezianische Zeich- 
nungen des Quattrocento^ Berlin, 1928, PI. 8). It also represents a 
procession, and was at one time supposed to be a preliminary sketch 
for the same picture. But the scene is quite obviously not the Piazza 
of St Mark's, though it is as certainly some actual square in Venice, 
the Campanile and one of the domes of St Mark's being visible in 
the distance to the left. 

But to return to the British Museum drawing. This was purchased 
at a sale at Sotheby's (August 2 1933, lot 58), and was formerly in the 
collections of Padre Resta, Lord Somers, and perhaps one of the 
Richardsons (it does not bear either of the Richardsons' stamps, but 
the handwriting on the mount is apparently that of one of them). It has 
in the right-hand bottom corner the mark g 34 written in the manner 
characteristic of the Resta-Somers drawings. In the catalogue of that 
collection written in Padre Resta's hand, which is in the Department 
of Manuscripts (Lansdowne 802), ^5^ is ascribed to Giovanni Bellini 
and described as *p[er] I'istesse istorie d'Alessandro 3° in Sala del 
maggior Consiglio'. This statement, that the drawing was the sketch 
for one of the series of paintings on canvas, partly by Giovanni, 
and partly by Gentile, Bellini, representing the struggle between 
Frederick Barbarossa and the Pope Alexander III, is one which 
needs examination. The paintings themselves were destroyed in 
the fire of 1577, and our knowledge of their contents rests on the 
descriptions of Vasari and Sansovino and on the rather doubtful 
evidence of one drawing in the British Museum (published by the 
late Sir Sidney Colvin in the Prussian yahrbuch, xiii (1892), p. 23). 
But the events depicted in them took place for the most part in Venice, 
and St Mark's formed the background of at least one of them. The 
Chatsworth drawing, referred to already, which comes from the 
same source, is more precisely described in the Resta Catalogue {g32) 
as follows, 'Aless" 3° riconosciuto nella Carit^, e condotto proces- 


t ^tw 



— 3p^' 

A 7f' ■ 

»t ,- 

,^^^^^^' -vi 



JI> DEC 3? 


1/ ^ «♦• '^ " 



sionalmente in S. Marco', again a quite plausible interpretation of 
the subject. But our confidence in Padre Resta is somewhat shaken 
by his identification of other drawings. He possessed no less than 
six sketches which he ascribed to Giovanni Bellini and connected 
with the paintings in the Sala del Gran Consiglio, g2y, g3i, g32t 
i33f g 34 ^^^ gS^' Of these, g32 and g34 have already been ac- 
counted for: g2y and g33 have not been identified: ^ jj is a sheet 
of studies of Orientals by Vittore Carpaccio in the Louvre (Hadeln, 
op. cit., pi. 22): and g36 described as *Porto d'Ancona dove smon- 
tarono I'lmp" e si trovo il Doge p[er] la Pace d'Aless.** 3° ut Supra* 
is in the British Museum (Hadeln, op. cit., PI. 14). It does not 
represent Ancona nor is it by Giovanni Bellini but certainly also 
by Carpaccio. I think, therefore, that Padre Resta's interpretations 
need not be taken too seriously. They are rather guesses based on 
the descriptions in Ridolfi (whom he quotes), than well founded 
traditional identifications. 

The connexion between the recently acquired drawing and 
Carpaccio which is raised by their juxtaposition in Padre Resta's 
collection is a question which is not so easily resolved. Though the 
relation of the drawing to the picture by Gentile is unequivocal and 
seems to confirm Hadeln 's previous attribution of the companion 
Chatsworth drawing to Gentile, the difference in style which 
separates these two drawings on the one hand from drawings by 
Carpaccio on the other is imperceptible. Place the former beside 
such a drawing as the landscape in the British Museum referred to 
above: the style, the ink, the red chalk, the colour, and the look of 
the paper, all are the same. Hadeln finds in the Chatsworth drawing 
the expression of a temperament different to Carpaccio's; the tech- 
nique and the shorthand for expressing the figures might, he says, 
be employed by any one. But they are employed by Carpaccio and 
not, as far as is known, by another artist in quite the same way^ 
If the procession sketches are indeed by Gentile there seems no 
reason why other 'Carpaccio' drawings should not be his. A criterion 
by which the works of the two can be separated will have to be 

It should be added that the editors of the Catalogue of Italian 


Drawings exhibited at Burlington House came to the conclusion that 
the Chatsworth Drawing (No. 169) was in fact by Carpaccio. 

A. E. P. 

[A note by Tancred Borenius on the drawing appeared in Pantheon for September 
I933> P- 296.] 


THE Department of Prints and Drawings acquired at the same 
sale in which the Bellini sketch appeared, a fine drawing by 
Pontormo (Sotheby's, August 2 1933, lot 59). It is a study in red 
chalk on white paper of a seated female figure, measures i if x 8 
inches (28*9 x 20*3 cm.), and has on it the collector's marks of Sir 
Joshua Reynolds and Nathaniel Hone. The figure shows all the 
strength and most of the characteristic mannerisms which distinguish 
Pontormo as a draughtsman. It seems to be that of a mourning 
Virgin at a Crucifixion or an Entombment, but it does not apparently 
occur in any picture by the artist. The pose of the head and the 
slightly indicated features are reminiscent of those in the study for 
a portrait of a young girl in the Uffizi (No. 449). 

The date of the present sheet is fixed by the drawings on the verso 
(which were covered at the time of its acquisition). These disjointed 
but individually powerful studies are for The Deposition in the 
Capponi Chapel in Santa Felicita, Florence. They are for the torso 
(two studies across the sheet) and for the head and shoulders (one 
study at right angles to the others) of Christ in this picture. Another 
very slight outline sketch made in the same direction as, and subse- 
quent to, the torso studies is for the hips and thighs of the same figure. 

The number of studies for the Capponi Deposition which are 
known is considerable. F. M. Clapp (hes Dessins de Pontormo^ Paris, 
19 14) enumerates ten certainly, and five less definitely, connected 
with this composition, all except one being in the Uffizi. 

Of the six drawings already in the Department attributed to this 
last of the great Florentine draughtsmen only three can be con- 
sidered authentic, only two of first class importance. The present 
sheet is therefore an addition of a value to the Museum beyond its 
considerable intrinsic merits as a work of art. A. E, P. 



MRS SELWYN IMAGE generously offered the Museum a 
selection of the Old Master Drawings collected by the late 
Mr Selwyn Image, sometime Slade Professor of Fine Art in the 
University of Oxford. The ten drawings accepted are as follows: 

1. Luca Signorelli. Study of a naked Man seen from the Back. 
Black chalk. Reproduced by the Vasari Society, ist Series, vi. 
p. 8, under the name of Timoteo Viti, and apparently accepted as 
such by Fischel in his Zeichnungen der Umbrer, Berlin 19 17, 
p. 240, No. 195. In a recent article, however, Berenson has 
shown convincingly that the drawing is connected with Signorelli 
{Gazette des Beaux Arts, vii, p. 1 86). In the Uffizi is a drawing 
of the same figure in practically the same position but seen from 
the front, and in the Louvre two figures, one seated and one kneel- 
ing on the ground. Curiously enough, the two Louvre figures and 
the Uffizi figure are copied in an elaborate allegorical drawing in 
the Albertina formerly attributed to Francesco Francia, but more 
probably by Jacopo Ripanda. Other drawings belonging to the 
same group as the Selwyn Image drawing are in the collection of the 
late Henry Oppenheimer and in the ficole des Beaux-Arts, Paris. 
They are probably all studies for the Orvieto frescoes, though 
none of them are translated literally into the wall-paintings. 

2. School of Michelangelo, The Body of Christ, with indication of 
twC) other figures. Study for a Descent from the Cross. Black 
chalk: squared for enlargement. Attributed to Daniele da 
Volterra, no doubt on the ground that his most famous work was 
of this subject. The figures bear no particular resemblance to 
those of the fresco in SS. Trinity de' Monti, but the style of the 
drawing points to some close follower of Michelangelo. 

3. North Italian: Sixteenth Century. Adoration of the Magi. Pen 
and ink. A mannered drawing of secondary importance. 

4. German: SixteenthCentury. Study of aWoman's Head. Red chalk. 

5. Probably German about 1600 (Adam Elsheimer?), Small Study 
for a Christ on the Cross. Pen and ink. 

6. Rembrandt (or his School). The Infant Moses brought by his 
Mother to Pharaoh's Daughter. Pen and bistre with blue, yellow, 


and rose water-colour tints, and touches of red chalk. A very 
interesting drawing by Rembrandt, or one of his pupils, in the 
middle period of his life (about 1645-55). Its variety of colour 
inclines one to think of some painter of the school rather than 
Rembrandt. But the draughtsmanship is powerful, and very 
near Rembrandt's style of about 1650, in which he had a close 
follower in Nicolaas Maes. The subject is a little uncertain, but 
it might be a pendant to the study of the Finding of Moses (W. 
R. Valentiner, Rembrandt: Des Meisters Handzeichnungen, 
Klassiker der Kunst, p. 1 24, from the Muller Sale, Amsterdam, 
22-3 June 1 9 10, No. 302), to which it is clearly related in style. 
If this interpretation is correct, the episode would be illustrated 
in the later stage described in Exodus ii. 10. 

7. Anonymous: Seventeenth Century, A Funeral Procession in the 
Forum, Rome, with the Basilica of Constantine in the back- 
ground. Black and red chalk and bistre wash. Probably by some 
Northern artist in Rome, in a style somewhat akin to Callot. 

8. Attributed to Jean Cousin. Study of a Saint, holding a cup and 
standing in flames. Pen and blue wash. 

9. French: Eighteenth Century, Head of Mercury. Red chalk. 
Attributed to Boucher, but possibly by Carle Vanloo or some 
other French artist of the first half of the eighteenth century 
under Boucher's influence. 

10. Thomas Rowlandson. Mars and Venus. Pen and ink. Copy 
of an engraving by Chiari (1635) after Nicolas Poussin described 
by Andresen, No. 349. A. M. H., A. E. P., K. T. P. 


THROUGH the generosity of Mr Philip Hofer, of the New 
York Public Library, the Department of Prints and Drawings 
has acquired a charming pencil sketch of a young woman seated 
which has been most plausibly attributed to Philippe Mercier. It 
was formerly in the Bellingham Smith Collection, but did not figure 
in the Amsterdam Sale of 1927, at which the bulk of the drawings 
brought together by that discriminating collector was dispersed. 
Mercier, by birth a German, though of purely French extraction, 



12 DEC 3?i 


was a pupil of Antoine Pesne, but later settled in England as the 
Court painter of Frederick, Prince of Wales. He seems to have 
belonged to the circle of Watteau's familiars during the latter's 
period of residence in London, in 1719/20, and it is entirely under 
Watteau's influence that Mercier's earlier productions are seen to 
stand. A drawing in the British Museum, obviously imitating 
Watteau's manner and formerly classified with the works of Pater, 
has lately been shown to belong definitely to the earlier phase of 
Mercier's development. Later, however, his style underwent marked 
changes and acquired a strongly anglicized appearance. To this 
phase belong his many figure subjects, reproduced and popularized 
in the mezzotints of McArdell, Houston, Faber, and others; and also 
the attractive sketch which is the welcome gift of Mr Hofer. There 
are many close, indeed unmistakable, analogies between the draw- 
ing and such prints as Domestic Employment, The Seamstress, Sweet 
pleasing Sleep, &c. The Department has nothing of equal charm 
by the master in pencil technique, indeed it should be mentioned 
that two of the more important pencil drawings hitherto thought 
to be Mercier's, have now been shown fairly conclusively to be the 
work of Peter Angillis. K. T. P. 


A LEADER in The Times on the 8 February last regretted the poor 
representation of English Sporting Art in the National Collec- 
tions. The British Museum must plead guilty, and efforts are being 
made to add to the collection of prints and drawings in this field. 
Some fine examples had been presented to the Museum in 1 9 1 7 by 
Lady Lucas in memory of her brother, including a perfect copy 
of Howitt's British Field Sports, and there are some good coaching 
prints in the Grace Collection of London Views, but the number of 
separate impressions of the best colour-aquatints of the earlier nine- 
teenth century, after such painters and draughtsmen as Henry 
Aiken, James Pollard, and Dean Wolstenholme, is still extremely 
limited. Even if their artistic value is not of the highest, there is 
social and historical interest in these prints which demands their 
place in the National Collections. 


Recent donations include: 

The Vale oj Aylesbury Steeplechase^ from colour-aquatints by C. and 
G. Hunt after F. C. Turner, 1 836, from the National Art-Collec- 
tions Fund; 

Fox-hunting, four colour-aquatints by Clerk and Dubourg after 
Henry Aiken, 18 13, from Mr Herbert W. Hollebone (through 

Samuel Howitt's Oriental Field Sports, 1807, from Arthur Acker- 
mann & Son, Ltd. (through the N.A.-C.F.); 

The Death of Tom Moody, colour-aquatint by Dean Wolstenholme, 
1829, from Sir Robert Mond, F.R.S. (through the N.A.-C.F.); 

Fox-hunting, a set of six coloured etchings by Thomas Rowlandson, 
1787-8 (in which appears George IV as Prince of Wales), from 
the National Art-Collections Fund (see Plate XXIII). 

Parts I and III of The Hunter's Annual, 1836 and 1839, by R. B. 
Davis (of which the Museum already possessed Part II), a rare 
series of coloured lithographs, purchased out of the Florence 
Fund with the aid of a donation from Lord Wakefield; 

A remarkable series of 1 90 sketches by James and Robert Pollard 
of sporting and kindred subjects, many of them the studies for 
their prints, from Mr Arthur Du Cane (through the N.A.-C.F.); 

And a fine set of six colour-aquatints of Epsom Races, by C. Hunt 
after James Pollard (for which the original studies are in Mr Du 
Cane's gift), from Mr C. F. G. R. Schwerdt. 

A selection of these and other sporting subjects is now displayed in 
a revolving stand in the Prints and Drawings Gallery, and other ex- 
amples may be seen on application in the Print Room. It is hoped that 
the collection will gradually become more representative if the in- 
terest indicated in the gifts already received is continued. 

A. M. H. 


AN interesting series of moulds, stamps, trial pieces, and speci- 
JLJL mens of various kinds of porcelain and stoneware found in a 
valley called Tang Yang Yu near the Peking Syndicate's Mines at 
Chiaotso, Honan, was given to the Museum in July. The purchase 


price was generously subscribed by Mr and Mrs Walter Sedgwick, 
and Messrs G. Eumorfopoulos, O. C. Raphael, H. J. Oppenheim, 
and Eustace Hoare. 

The series included: (i) moulds for making small figures and orna- 
ments and toy vessels together with actual specimens of similarly 
moulded objects in a white porcellanous ware; (2) A number of 
coarse dishes and bowls with reddish body dressed with white slip 
and partially covered with creamy white glaze: one dish is clearly 
a spoilt piece, or waster, rejected from the kiln; (3) A mould for an 
elegant bowl with fluted sides and relief ornament on the bottom; 
(4) Eleven trial pieces, for testing glazes in the kiln, made of 
greyish buff stoneware with opalescent glazes of Chiin type. With 
these last were several fragments and a complete bowl of similar ware. 

The importance of the gift lies in the kiln-site evidence which it 
supplies, the moulds, waster, and trial pieces all pointing to a local 
industry of considerable extent and variety. Hitherto nothing has 
been recorded about pottery in this part of Honan which lies north of 
the Yellow River. It is, however, only about 80 or 100 miles north 
of the famous ceramic centres of Ju Chou and Yii Chou, the latter of 
which was the original home of the Sung Chiin wares. R. L. H. 


SIR HERBERT THOMPSON, Bart., and Mr Louis Clarke 
have presented to the Sub-Department of Oriental Prints and 
Drawings (since incorporated in the Department of Oriental 
Antiquities) a Nepalese painting which is of particular interest and 
importance because it bears a date corresponding to the year 
1 504 A.D, The picture is designed in a formal scheme; the centre 
is occupied by a figure which is probably Amogha-pasa, a form of 
the great Bodhisattva Avalokitesvara, having the attributes of the 
noose (pasa), the book, and the lotus. Eight smaller figures surround 
him. This forms the centre of a square, which is set within a richly 
ornamented circle. The top and bottom of the picture, and the 
angles at the four corners outside the circle, are occupied with hori- 
zontal panels filled with votaries, scenes from legend, &c., and with 

L 71 

small square or circular spaces containing beatified beings. The 
colour-scheme is composed of deep red, dark green, and yellow, 
and the general effect is that of a carpet-pattern: but at a closer view 
the drawing of the small scenes is seen to be full of life and not 
merely the repetition of a formula. Details of two of these scenes 
are shown in Plate XXIV. No painting of this type has hitherto 
been acquired for the Museum, and its comparatively early date 
adds greatly to its value for purposes of study. L. B. 


THE Oriental section of the Department of Prints and Drawings 
(since incorporated in the Department of Oriental Antiquities) 
has acquired a hand-coloured Japanese woodcut, formerly in a German 
collection, which is an important addition to the Museum series. 
The least adequate part of the collection is the representation of the 
Primitives'; that is, the artists who worked before the complete 
colour-print was invented: * Primitive' is a relative term, and in this 
case connotes no insufficiency of technical mastery. Of these earlier 
designers, Okumura Masanobu is the most genial and varied. The 
new acquisition is one of his tall upright prints called Kakemono-ye, 
measuring 24J x 9 inches. The subject is a woman sitting on a veranda 
and confiding a love-letter to her little maid, as she lays one arm about 
her shoulder. The motive, which makes a charming group, was re- 
peated later by Harunobu. The woodcut, which is hand-coloured, 
mainly in yellow ochre and light red, is an excellent example of Masa- 
nobu's art at its ripest, when with all his grace a certain grandeur of 
style is retained. It dates from about 1 740, the artist having adopted 
the title Hogetsudo in his signature, as here, in 1 739. L. B. 


THE two bronze 'girdles' illustrated on Plate XXV a, b are not 
new acquisitions, but their present appearance will be unfamiliar. 
The longer of the two is No. 2855 of the Catalogue of Bronzes, 
where it is described as decorated with studs and bosses; recently 
the surface incrustation has been removed, when further ornament, 
in faint incision, came to light; bands of key-pattern, rays, and birds. 
This decoration in itself calls for no comment, but the execution is 



2 DLC 33i 















I— H 




of unusual quality. The girdle is complete and illustrates the method 
of attachment to the waist-belt below it; one end is grooved to slide 
along the belt, the other has a hook which engaged in the clasp. 

Similar 'girdles' are familiar objects in Italian graves of the early 
Iron Age. Those decorated only with embossed ornament are rare 
and early; the Museum possesses an example from the Towneley 
Collection. More often incised patterns are added, either spirals or 
vertical bands as on the present example, which is one of the best 
extant. Its date is the late Geometric period, in the second half of 
the eighth century B.C.; when acquired in 1857 it was described as 
Etruscan, from which it is reasonable to suppose that it was found in 
Etruria, where girdles have been repeatedly found in Villanovan 
cemeteries. The second girdle has been recently reconstructed from 
fragments stored amongst the 'old collections'; there is no clue to 
its finding-place, but it is later in date than the first; the vertical 
lozenge chains are subsequent to the vogue of the key-pattern, and 
the relief-work is less prominent — the bosses are flatter and the 
studded border has gone, to be replaced by incised herring-bone. 
The one remaining bird is executed in the crude style typical of 
the majority of girdles, and demonstrates the exceptional excellence 
of the first girdle. F. N. P. 


THE Museum has acquired an Indian coin of considerable 
historical interest (PI. XXV c). It is a gold stater of the great 
Kushan conqueror Wima Kadphises, who was the first of his line to 
cross the Hindu Kush and establish an empire in north-west India 
in the middle of the first century a.d. The coin differs from his 
usual type which has a bust on the obverse in that Kadphises is 
represented riding on an elephant. This type, which was hitherto 
unknown, commemorates the conquest of India, and represents the 
Central Asian monarch as an Indian ruler. J. A. 


THE Museum has recently received, as a gift from Dr Alan 
Gardiner, a hieratic papyrus older than any hitherto existing 
in our collection. It was one of three stated to come from Sakkarah, 


of which the second largest has been presented to the Oriental 
Institute, while the destination of the smallest is not yet decided. 
The texts are to be published by Dr de Buck in the edition of the 
Coffin Texts which he is preparing. The papyrus which has thus 
come into the Museum's possession dates from the period inter- 
mediate between the Sixth and the Eleventh Dynasties, the writing 
recalling that of the earlier of these two limits. It was originally 
of great length, no less than lo metres, by a height of 21 cm. 
Unfortunately the outer folds have suffered badly from the white 
ant, and it is only the second half that is relatively complete; there 
are, however, a number of perfectly preserved pages fully inscribed 
on both sides, with many rubrics and mainly in vertical columns. 
The texture of the papyrus is finer than became usual at a later 
date, and a unique trait is the great size of the individual sheets of 
which it is composed. In no less than five cases these sheets show 
a length of 140 cm. or over. The maker has evidently tried to use 
as much of his individual papyrus-stems as possible, and in several 
instances he has not possessed enough stems of sufficient length to 
carry the same join vertically through the entire height of the 
papyrus. Consequently we find the strange phenomenon of a join 
extending for only two-thirds of the height, while the join of the 
remaining third occurs a few centimetres further back. 

The texts belong to the three early collections known respectively as 
the Pyramid Texts, the Coffin Texts, and the Book of the Dead, and 
contain many interesting variations, or earliest versions of, religious 
spells of the familiar kind. There is a particularly valuable copy of the 
rare spell. Book of the Dead, ch. 69, first part, and a unique early 
example of ch. 76, second part. Among the texts of the verso is a 
very long spell comparable to ch. 153, that in which parts of the net 
are identified with different gods; here many mythological allusions 
occur. There is also a spell resembling, but not identical with, the 
well-known 'cannibalistic* spell of the Pyramid Texts. A. H. G. 


A RECENT discovery at Andover, Hants, has added another to 
the long list of spoon-shaped bronzes from the British Isles, 










I— I 








and the specimen on PL XXVI has been presented by the Christy 
Trustees. It is complete and in good order, though of thin metal 
and somewhat worn on the handle. Casting was the method adopted, 
and the bowl is thinner towards the edge, with crossed lines extending 
the whole length. This cruciform pattern is normally found on one 
of a pair, the other having a small round hole near one of the side 
edges but otherwise plain. The present example was ploughed up, 
and there is no chance of investigating the spot in order to decide 
if it accompanied another in a burial, as was the case at Upper 
Walmer, Kent [Archaeoiogia Cantiana, xxvi, 9, PI. IV). It is of 
average length, 4-6 inches with a maximum breadth of 2-8 inches, 
and the weight is just over i J oz. avdp. When found it had a fine 
green patina, but this has unfortunately been removed, and cleaning 
has further obscured the ornamentation of the openwork handle; 
but at least the two innermost triangular spaces had a kind of basket- 
pattern, like that on several of the contemporary bronze mirrors. 
As may be seen in the sketches accompanying Mr J. H. Craw's 
article on the type in Proc, Soc, Antiq. Scot.^ Iviii (1923-4), p. 147, 
the rosette handle is not uncommon, but more characteristic is the 
eccentric scroll pattern for which the ancient Britons are famous. 
This seems to be the ninth specimen found in England, against four 
from Wales, two from Scotland, five from Ireland, and two from 
France. A pre- Roman date is indicated, and the decoration is mostly 
La T^ne III, but the skeleton with the Upper Walmer pair does 
not agree with the Belgic and early-Roman practice of cremation. 
The use of these 'spoons* is still conjectural, but they were clearly 
meant for something better than table use, and their burial on three 
occasions with the dead points to some religious or ceremonial 
meaning that may some day be revealed. The jewelled spoons with 
perforated bowls found in several Jutish graves in Kent are about six 
centuries later, but may belong to the same order of ideas. R. A. S. 


BY the wishes of the late Dame Clarissa Reid, an important series 
of Peruvian antiquities has come to the British Museum. These 


were originally collected by the late James Guthrie Reid (Manager 
of Messrs Duncan Fox in Peru), whose personal estates covered part 
of the important prehistoric cemetery of Nasca (in the south of the 
Republic), which was discovered shortly before the War. The collec- 
tion embraces some very fine examples of the polychrome pottery 
of the Nasca and Yea valleys, as well as gold and silver objects from 
coastal sites farther north. Among the more remarkable is the gold 
beaker of the Chimu Period, from the Truxillo Region, illustrated 
in PI. XXVII. Textiles, in admirable preservation, are also repre- 
sented, as well as certain types of wood-carving which are very 
poorly represented in the British Museum. There are also a few 
specimens of stone- and copper-work. 

The collection is not only a valuable supplement to the series in the 
British Museum, but will fill many gaps in the National Collection. 

T. A. J. 

THE complicated nature of English politics during the opening 
years of the reign of George I is well exemplified by the series 
of State Papers belonging to the Department of Manuscripts. There 
are, however, gaps in the Museum collections, and it is therefore 
gratifying to record the partial filling of one of these by the recent 
acquisition of a number of original documents selected from the 
papers of Charles, 2nd Viscount Townshend, as one of the two 
Secretaries of State. These papers (Eg. MS. 3124) relate almost 
entirely to the diplomatic transactions of the year 171 6 (a period 
hitherto unrepresented in the Museum Townshend collections), and 
illustrate the eff^orts made by the British Government to isolate the 
Pretender. The most important section consists of Townshend*s 
private and confidential correspondence with his colleague James 
(afterwards ist Earl) Stanhope, who accompanied George I to 
Hanover during a most critical period in the negotiations for the 
Triple Alliance, whilst Townshend remained in England with the 
Prince of Wales, who was acting as Regent. The Museum already 
possesses Stanhope's letter-book (Add. MS. 22510) containing 
copies of the official despatches which passed between the two 
Secretaries on this occasion, but this cannot compare in interest and 


value with the holograph private letters from Stanhope which form 
such a welcome feature of the new acquisition. H. R. A. 


THE British Museum was not opened to the public till 1 5 January 
1759, so that, if its foundation be dated from the purchase of 
the Sloane Collection in April 1753, nearly six years were spent in 
the preliminary arrangement of the books, manuscripts, &c., in their 
new home at Montague House. 

A glimpse of the Museum at this period of its infancy is afforded 
us by Miss Catherine Talbot (1721-70) in a letter to Mrs Anne 
Berkeley (the widow of Bishop Berkeley, the philosopher, who had 
died in 1753), dated from St. Paul's Deanery, 9 August {continued 
12, 15, 17), 1756 (the portion printed here was written on 15 
August). Miss Talbot (for an account of whom see the D.N.B.) 
and her mother were for over forty years members of the household 
and family of Archbishop Seeker, consequently attending him in all 
the changes of residence due to his successive preferments. At the 
time of this letter Seeker held simultaneously the bishopric of Oxford 
and the deanery of St. Paul's, and his family had but just quitted 
Cuddesdon with its Voses and honeysuckles' for London in August, 
which however Miss Talbot finds 'not only more tolerable than we 
expected, but really not unpleasant, & S* Pauls at this Season 
quite delightful'. (For a letter written by Miss Talbot three days 
earlier (12 August) to Miss Elizabeth Carter (d. 1806) see Miss 
Carter's Letters, 1809, ii, pp. 236-8.) 

In the earlier part of her letter Miss Talbot describes visits paid at 
Fulham and at Lambeth, and her visit to Montague House was 
probably made with Dr Seeker himself, possibly at the invitation of 
Lord Royston (2nd Earl of Hardwicke, 1764), who was an 'Original 
Trustee', and whom she mention selsewhere in this letter. (Further 
on she describes a visit to Samuel Richardson at Parson's Green.) 

The letter itself (Add. MS. 393 11, f. 82) was acquired by the 
Museum, as part of the 'Berkeley Papers', in 19 16. The portion of 
the letter relating to the visit to Montague House is as follows: — 

'One Evening we spent at Montague House, henceforth to be 


known by the name of the British Museum. I was delighted to 
see Science in this Town so Magnificently & Elegantly lodged; 
perhaps You have seen that fine House & Pleasant Garden: 
I never did before, but thought I liked it much better now, 
inhabited by Valuable MP, Silent Pictures, & Ancient 
Mummies, than I should have done when it was filled with 
Miserable Fine People, a Seat of Gayety on the inside, & a 
place of Duels without. Indeed in another Reverie I looked 
upon the Books in a different View, & consider'd them (some 
persons in whose hands I saw them suggested the thought) as 
a Storehouse of Arms open to every Rebel Hand, a Shelf of 
Sweetmeats mixed with Poison, set in the reach of tall overgrown 
Children. Nothing is yet ranged but two or three rooms of 
Mr. Three & Thirty Rooms in all are to be filled with 
Curiosities of every kind. A Number of Learned & Deserving 
Persons are made happy by the places bestowed on them to 
{)reserve & show this fine Collection: These have Comfortable 
Apartments in the Wings, & a Philosophic Grove & Physick 
Garden open to the view of a delightful Country, where at 
leisure hours they may improve their health & their Studies 
together.' G. T. H. 


THE munificence of Lord Wakefield has recently enriched the 
already extensive collection of Nelson material in the Depart- 
ment of Manuscripts with a new relic of great importance, the auto- 
graph log-book of Nelson himself on his last voyage. This is a 
modest exercise-book of twenty-four paper leaves with a back of 
stiff marbled paper. The watermark is for the year 1801. At the 
top of the first page a clerk's hand has written * State of the Weather 
by the Barometer 1805', and has then ruled the page into columns, 
with the proper headings, for the date, time of observation, *Rise 
and fair [of the barometer], and state of the weather and wind. 
These rulings and headings are continued by the same hand on each 
page to f. 13 (= p. 25), but Nelson's entries end on f. 10 with 
Sunday, 20 October, the day before the Battle of Trafalgar (see 


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12 DEC 33 


Plate XXVIII). On fF. 13 S-14. has been added later an account 
relating to 'The residuary Estate of Lord Viscount Nelson with Mrs. 
Matcham'. The first entry in the log, which is in Nelson *s own hand 
throughout, is for Tuesday, 14 May 1 805, though, by a curious slip 
of the pen. Nelson has written 1785 instead of the proper date. The 
entries are very brief and indicate merely the date, time, readings of 
the barometer (normally three times a day, at 7 a.m., 3 p.m., and 8 
p.m. respectively, though the times and numbers of entries vary), and 
the direction and strength of the wind, with occasional notes of rain. 
The log of Thomas Atkinson, the sailing-master of the 'Victory' 
(Add. MS. 39862), which was presented to the Department in 191 9 
by Lord Woolavington, is, as is natural, a good deal fuller, recording 
not only such details but also the principal events of the official 
routine. The chief value of the new acquisition lies, in fact, in its 
'association interest* rather than in the addition of new historical 
evidence for the campaign of Trafalgar; but even from the former 
point of view alone it is an exceptionally important gift, and Lord 
Wakefield's public-spirited action in acquiring it for the nation and 
in enabling it to be placed along with Atkinson's log, where the two 
can be compared, calls for the fullest recognition and warmest thanks. 
Grateful acknowledgement must also be made to Mr J. L. Douth- 
waite, the Librarian of the Guildhall, who played no small part in 
arranging for the acquisition. The new manuscript has been 
numbered Add. MS. 43504. H. I. B. 


THE Department of Manuscripts, despite some regrettable 
lacunae, is notably rich in autograph manuscripts of works of 
English literature, and it owes many of its treasures to the generosity 
of private benefactors. At the present day indeed, when important 
manuscripts of this class are apt to fetch very high prices in the sale- 
room, the Museum can hardly hope to acquire works of outstanding 
interest by its unaided resources. Few, if any, of its acquisitions of 
literary material can vie with one made recently. The late Mrs 
Elizabeth Smith, the widow of the well-known publisher, Mr George 
Smith, by her will left certain autographs of literary works published 

M 79 

by the firm to her Trustees upon trust for her five children during 
their lives and on the death of the last survivor to the Trustees of the 
British Museum as a memorial of her husband. In the early summer 
of 1933 the three surviving children, in the exercise of a right given 
them by the will, very self-sacrificingly decided forthwith to present 
these manuscripts to the Museum; and the collection was accordingly 
received and at once placed on exhibition. The manuscripts are at 
present shown temporarily in one of the cases reserved for recent 
acquisitions, but they will eventually be transferred to a special case 
which is being made for them, and will become, as the exceptional 
importance of the gift demands, a permanent part of the exhibition. 
The manuscripts in question are: Charlotte Bronte's three great 
novels, 'Jane Eyre, Shirley, and Villette, each in three volumes; a 
volume of Emily Bronte's poems; Mrs Browning's Sonnets Jrom the 
Portuguese, including the additional sonnet appended to the series 
later, and with a letter and presentation inscription from R. Barrett 
Browning; Robert Browning's The Ring and the Book, in two 
volumes, together with four holograph letters; and Thackeray's The 
Wolves and the Lamb, a particularly valuable autograph, since it 
contains specimens of both the styles of hand which Thackeray 
employed and will therefore be extremely useful in identifying 
manuscripts attributed to him. H. I. B. 


THE Department of Printed Books has received from the 
Bodleian Library, through the Friends of the National Libraries, 
the gift of an excellent copy of Augustinus, Sermo de verbis evan- 
gelicis: N on potest filius a se jacere quidquam, &c, [John v. 19]. 
This book, a small quarto of eight leaves, belongs to the class of 
anonymous early quartos, reputed of Cologne origin, which has long 
had a special interest for bibliographers but the true provenance of 
which is not yet satisfactorily settled. It was included by Proctor 
among the output of the * Printer of Dictys', a craftsman who neither 
signed nor dated any of his tracts but who is proved by a rubricator's 
date to have been at work not later than 1471. The location of his 
press at Cologne depends on the close resemblance of his fount of 


heavy gothic to that undoubtedly used in that city by Arnold ther 
Hoernen, but it also resembles just as closely the type of another 
anonymous group of quartos, that of the 'Printer of Dares*, which 
has latterly fallen under the strong suspicion of having been printed 
at Basel, not Cologne. Any addition to the body of evidence on 
these matters available at the Museum is therefore specially welcome. 
The present tract forms a companion volume to that containing 
two other sermons of St Augustine (those on the resurrection of the 
dead) produced by the same 'Printer of Dictys', which is already 
in the Library (lA. 3315). Both tracts have the same measurements 
and typographical characteristics, and both, incidentally, constitute 
the first editions of their respective texts. The press-mark of the 
new-comer is lA. 3 3 20, and the bibliographical references to it are: 
Proctor t98ij Hain 1993 a, Gesamtkatalog 2918. V. S. 


THE Department has acquired by purchase a copy of a very rare 
edition of Juan de Yciar's Libro subtilisstmo por el cual se ensena 
a escreuir perfetamete, printed at Seville in 1596. Yciar is the most 
famous of all Spanish writing-masters, and his book the most famous 
of all Spanish writing-books. The Museum possesses a fine copy of 
the first edition of 1548. This was printed in Saragossa, where 
Yciar worked, as were all the later editions except the present, which 
is the last known. The original blocks for the different alphabets 
were taken from Saragossa to Seville for printing the 1596 edition, 
which shows that the influence of Yciar*s book spread beyond the 
district and period hitherto generally assigned to it. The Seville 
edition was recorded in a note by Gagangos, but no copy is known 
to Escudero y Perosso*s Ttpograjia Hispalense, or to Cotarelo y 
Mori's Diccionario de Caligrafos Espanoles, unless an imperfect copy 
described in the latter agrees with the newly acquired copy. H. T. 


THE Department has also received as a gift, from Dr A. S. W. 
Rosenbach of New York, three sixteenth-century English 
pamphlets which are apparently unrecorded in the Bibliographical 

M2 81 

Society's Short-title Catalogue oj 'English Books printed bejore 
1641, One, printed in London by John Wolfe in 1 591, is entitled 
Newes sent out oj Britayn, and other places on the third of jfune 1391. 
to a Gentleman oj account. Another, 'imprinted at London for lohn 
Kid', but with part of the imprint cropped, is entitled Newes out 
oj France jor the Gentleman oj England. Both these are patriotic 
pamphlets relating to the exploits of the English forces sent to 
Brittany in 1591 to help Henry IV of France against the League, 
the English being under the command of Sir John Norris, who had 
distinguished himself as a military leader in Ireland and the Nether- 
lands, and had conducted, along with Sir Francis Drake, the great 
expedition dispatched against Spain and Portugal the year after the 
Armada. The third pamphlet lacks the title-page, but the second 
leaf is headed A most wonderjull^ and true report^ the like neuer hearde 
oj bejore^ oj diuerse vnknowne Foules: hauing the Fethers about their 
heads ^ and neckes, like to the jry sled jore-tops^ Lockes, and great RuJ^es, 
now in vse among men, and JVemen: I ate lie taken at Crowley in the 
Countie oj Lyncolne, 1586. A colophon gives the printer and place 
of printing as Robert Robinson, London. There is no date, but 
the printing is contemporary with the event described. The Depart- 
ment possesses two contemporary German versions of the pamphlet. 
These three pamphlets were formerly in the Library of York 
Minster. H. T. 


A MANUSCRIPT recently incorporated in the Department of 
Oriental Printed Books and MSS. (Or. 1 1, 368) merits special 
mention. It contains three poems in Dakhani Hindustani, sc. the 
Nur-namah, a mystical religious poem by ""Inayat Shah, the Tusuj 
Zulaikhd, a masnawt poem on the favourite topic of the loves of 
Yusuf and his mistress, by Shah Hashim, called Hashimi, of Bijapur, 
and the Kissah La^l Gauhar, another masnawt poem, by '"Ajiz. All 
three are in the handwriting of Muhyi ad-Din, Khan of Honawar, 
who wrote them for Muhammad Yusuf Naik; the second is dated 
II Shawwal of 1355 a.h. (an error for 1255, corresponding to 
December 1839). 

Hashimrs Tusuf o Zuiaikhdis, an exceedingly rare work, though the 
author was a prominent poet in his time. He flourished under ""All 
^Adil Shah II (1070-83 a.h.) and later; and although he was blind 
from birth, he was celebrated for his acute intellect. He is credited 
with the invention of the style of poetical composition known as 
rekhtt. He died in 1 109 a.h. (a.d. 1697-8), ten years after writing 
his Yusuj Zulaikha, the text of which contains its date of composi- 
tion, 1099.^ 

The Kissah La^l Gauhar in our manuscript is illustrated by fifty- 
four drawings in colour. Though these are of no great artistic merit, 
and are sometimes ludicrously crude, they are interesting because of 
their marked affinity with the so-called Jain painting of the fifteenth 
and sixteenth centuries. J. V. S. W. 


THREE seventeenth-century French tortoise-shell bindings, all 
stamped with the same pattern, one signed Xemol, Dieppe'. 
Presented by Her Majesty the Queen, 

M. A. Pardee: Autour des masques de Napoleon. Privately 
printed, 1933. Presented by Mr and Mrs Alfred Day Pardee, 

Two Madrid periodicals: Crisol, Nos. 1-202, and its continuation, 
Luz, Nos. 1-309, 4 April 193 1-3 i December 1932. Presented by 
Mr A. Carreras. 

Montaigne, 153 3- 1933. Album tir^ ^ I'occasion du IV" cente- 
naire de la naissance de Montaigne. Bordeaux, 1933. Presented by 
Monsieur Adrien Marquet^ Deputy^ and Mayor oj Bordeaux. 

The Parochial Churches of Sir Christopher Wren. (The tenth 
volume of the Wren Society, Part II.) Oxford, 1933. Presented by 
the Wren Society, 

Bibliotheque de Madame G. Whitney HofF. Catalogue des manu- 
scrits, incunables, editions rares, reliures anciennes et modernes. 
2 vols. Paris, 1933. Presented by Madame Whitney Hof, 

I See the notice of him in rAbd al-Jabbar Khan's Mahbub al-zaman tazkirah i shucard 
i Dakan (Hyderabad, 1 329 a.h.), p. 1 202 (where, however, the date of his death is given 
wrongly as 11 90 a.h.}, also Nasir ad-Din Hashiml's Dakan-men Urdu (Hyderabad, 
1926), p. 44, and Ram Babu Saksena's History of Urdu Literature^ pp. 15, 40, 94. 


Cuadro de la Corte de Espana en 1722, por el Duque de Saint- 
Simon. Madrid, 1933. 

Manuel Serrano Sanz: Expedici6n de Hernando de Soto a la 
Florida. Madrid, 1933. Presented by the Duke of Berwick and 

Charlotte Bronte (Currer Bell): Jane Eyre. With lithographs by 
Ethel Gabain. Paris, 1933. Presented by Monsieur Edmond Paix. 

Fran9ois Rabelais: Le tiers livre des faits et diets de Pantagruel. 
Illustrations de J. Stall. Socidt^ des Amis des Livres, Paris, 1933. 
Presented by the Societe des Amis des Livres. 

History of the Dorsetshire Regiment, 19 14-19. Published by 
Henry Ling Ltd., Dorchester [1933]. Presented by the Officers of 
the Dorsetshire Regiment and the Publishers. 

Papyri from Tebtunis. Part I. By Arthur E. R. Boak. University 
of Michigan Press, Ann Arbor, 1933. Presented by the University 
of Michigan. 

An Elegy written in a Country Churchyard. By Thomas Gray. 
The three manuscripts. Printed by Edward Walters and Geoffrey 
Miller at Primrose Hill, 1933. Presented by Mr Edward Walters. 

The Torch. Number one. A journal produced by students of the 
City of Birmingham School of Printing. General Editor, Leonard 
Jay. 1933. Presented by the Birmingham Central School oj Arts and 

Facsimile edition of the works of Bishop Mikael Agricola. 3 vols. 
Helsinki, 1 93 1 . Presented by the Committee Jor Publishing the Works 
of Mikael Agricola. 

Catalogue of the Pictures, Miniatures, and Art Books, collected by 
Henry George Bohn. Privately printed, London, 1884. Presented 
by the Corporation Art Gallery and Museum^ Cartwright Memorial 
Hall, Bradford. 

Sir Charles Tennant, his forbears and descendants. By H. J. T. 
Privately printed, 1932. Presented by the Rt. Hon. H. j. Tennant. 

The Prophetic Times. By Philip Henry Gosse. Printed for private 
circulation, 1871. 

Notes by Mr Edmund Gosse on the Pictures and Drawings of 
Mr Alfred W. Hunt, 1884. Together with four other works by 


or with prefaces by Sir Edmund Gosse. Presented by Mr Philip 
Gosse through the Friends of the National Libraries. 

(i) A proclamation in Marathi issued by Mountstuart Elphinstone 
on 1 1 February 1 8 1 8 and signed by him, reciting the misdeeds of the 
Peshwa Bajl Rao and the measures taken by the East India Company 
to remove him and reduce the Maratha country to order; in manu- 
script, on a paper strip 14 feet 19 inches long and 6 inches wide. 
(2) A proclamation in Persian, Marathi, and Telugu containing 
Regulations by Major Pitman for the settlement of territory ceded 
by Baji Rao, dated 2 1 December 1 8 1 8 ; in manuscript, on paper 3 feet 
I J inches long and 8 J inches wide. (3) A Telugu kaijlyat or local 
history of Kondavidu from ancient times to modern; in manuscript, 
on paper, copied about i8oo a.d. Presented by Mr G. H. Bedford. 

T'ui pei t'u, an illustrated work on prophecy ascribed to Yiian 
T'ien-kang of the T'ang Dynasty: a manuscript copy. Presented 
by Mr Paul King. 

A commentary by Tsai Chen on Tzu Yiian and a chronological 
biography of Shao Erh-yiin by Huang Yiin-mei. Presented by the 
Director ojthe Institute of Chinese Cultural Studies, Nanking University, 

'Kentiana*: compiled by Percy Ramsey-Kent. 4 vols. (Add. MSS. 
43492-5). Bequeathed by the Compiler. 

Six royal documents, James III of Scotland — James II of England. 
(Add. MS. 43496). Bequeathed by Mr Richard Henry Bath. 

Copies (autograph) of correspondence of Charles Godfrey Woide 
concerning the reading 6c in i Timothy iii. 16 in the Codex 
Alexandrinus. (Add. MS. 43497.) Presented by Mr A. M, 

Papers relating to mines in Jamaica, 1720, and the South Sea 
Bubble. 2 vols. (Add. MSS. 43498, 43499.) Presented by Major 
H. R. M. Howard. 

Gerald Brockhurst: Casper; etching. Presented by Messrs P. and 
D. Colnaghi & Co. 

Dresses of the York Hussars: eight coloured drawings. Presented 
by Major H. R. M. Howard. 

Rockwell Kent: one wood-engraving and one lithograph. Presented 


Cicely Hay (Mrs R. R. Tatlock): Portrait of D. S. MacColl. 
Presented by Mr, R, R. Tatlock, 

Jules de Bruycker: three etchings. Presented by the Artist, 

John Vanderbank: two studies for portrait groups. Pencil. 
Presented by Mr E, Francklin, 

G. R. Schjelderup: Portrait of Sir George Hill, K.C.B. Etching. 
Presented by Sir George Hill. 

Edmond X. Kapp: Portrait of H.R.H. the Prince of Wales. 
Lithograph. Presented by the Artist, 

Edmond X. Kapp: Portrait of Delius (drawing), and eight litho- 
graph portraits. Presented anonymously, 

Philippe Mercier: Study of a Young Woman Seated. Drawing. 
Presented by Mr Philip Hojer, 

Ludwig Michalek: sixteen etchings. Presented by the Artist, 

J. Walter West, R.W.S.: Energy; lithograph. Presented by Miss 
Cicely West, 

Nine miscellaneous prints. Presented by Mr H, Simmonds. 

The Hon. Booth Grey: five etchings; G. B. Piranesi, Book-plate 
of the Earl of Aylesford. Presented by the Countess of Aylesjord, 

Edith Grace Wheatley (Mrs John Wheatley): three drawings of 
animals. Presented by the Artist, 

Jacques Bellange, Une Jardiniere; etching. Presented by Mr A, E, 

Portrait of Fernando Autori, operatic singer: drawing, by himself. 
Presented by the Artist. 

Isabel Codrington: four etchings. Presented anonymously, 

Charles Grignion, the elder: Portrait of Richard Tyrrell, Rear- 
Admiral of the White: drawing. Presented by Mr E, Croft 

A purple glass mug, late seventeenth century, perhaps English. 
Presented by Mr C, F, Bell, 

A series of stone implements collected in Madras by Mr L. A. 
Cammiade and described in Antiquity^ ^930> 3^7. Presented by the 
Christy . Trustees, 

Ten hand-axes, flake tools, and arrow-heads from various sites in 
the Sahara. Presented by M, Maurice Reygasse, 


Jadeite celt and prehistoric strike-a-light from Hopton, Suffolk. 
Presented by Dr y, C. Hawks/ey, 

Pre- Roman and Romano-British pottery fragments from a settle- 
ment site at Runcton Holme, King's Lynn. Presented by Mr Ivan 
y, Thatcher through the Fenland Research Committee, 

Four sard intaglios of the eighteenth century. Presented by Mrs 

Corpus Nummorum Italicorum, Vol. XIV. Presented by His 
Majesty the King of Italy, 

Over 2,000 plaster casts of rare Greek and Roman coins. Presented 
by Dr yacob Hirsch, 

One specimen of each of the two types of the exceedingly rare gold 
coins ( 1 00 piastres) issued by the Mahdi at Khartum. Presented by 
Mr G, W, Grabham, 

Eight silver, and five bronze coins of Tibet and Nepal. Presented 
by Sir Charles Bell, K.CLK, C,M,G, 


THE sixth volume of the new edition of the General Catalogue oj 
Printed Books in the British Museum was published in October 
of this year. This instalment carries the letter a from the heading 
Aristide, pseud, to that of Asmondo (Bartolomeo d') in 1,004 
columns, a section spanned in the previous edition within the space 
of 606 columns. 

The outstanding headings in this volume are those of Aristo- 
phanes and Aristotle. Of these it is proposed to print a limited 
number of off-prints, which will be put on sale separately; and it is 
the intention of the Trustees to issue separately, as the new edition 
of the General Catalogue progresses, excerpts of headings of similar 
importance and extent. 

THE Guide to Processes and Schools of Engraving has been issued 
in a third edition; price 6d. 
The following reproductions have been issued: 
Saxton's Atlas of England and Wales, 1579: Dorsetshire and 
Lancashire, ^s, each. 


Frontispiece Portrait of Queen Elizabeth as Patron of Geography 
and Astronomy, 'js, 6d. 
Coloured reproductions of illuminated manuscripts., each is.: 
Beatus Page from the Psalter of the St Omer Family: East 

Anglian, early fourteenth century. 
The Virgin and Child from the Psalter of Robert de Lisle: East 

Anglian, early fourteenth century. 
The States of Good Souls (Penitence, Devotion, Contemplation). 

From the Sainte Abbaye. French, about a.d. 1300. 
Christ in Majesty. English (School of Peterborough). Thirteenth 

Coloured postcard sets of 6 cards, is. per set; by post, is. 2d,: 
B 66. Miniatures of the Life of Christ. Twelfth century. (Cotton 

MS. Caligula A VII). 
B 67. Miniatures of the Life of Christ. Thirteenth century. 

(Additional MS. 17868). 
B. 68. Society Pastimes. Fifteenth century. (Harley MS. 443 1). 
Monochrome postcard set (No. 99) of 15 cards, u.; by post, 
I J. 2d: 
Portraits of Christ. Third to sixteenth centuries. 


THE Principal Trustees, on 6 September 1933, appointed as 
Assistant Keepers of the Second Class: 
Mr Edward Frederick Croft-Murray, formerly of Magdalen 
College, Oxford (to the Department of Prints and Drawings). 

Mr Cyril Ernest Wright, formerly of Edinburgh and Cambridge 
Universities (to the Department of Manuscripts), 



OL. VIII, No. I, p. 56,1. 5. 

For Thomas Castle read Thomas Astle 


12, DEC 33 



Squire, M.V.O., M.A., F.S.A., F.R.C.M. 


Mus.Bac. Pp. x+278. 1929. I OS. 

PartIII: PRINTED MUSIC and musical LITERATURE. Pp. iv + 

384. 1929. 15s. 

edition. 1930. Pp. 40, with 39 illustrations. 6d. 

LECTIONS. New edition, 1930. Pp. 460, with 233 illustrations. 2S. 6d. 

CELLINI, by G. F. Hill. Two vols.: text, pp. xvii+371, and 201 plates. 1930. 

NOW IN THE BRITISH MUSEUM. PartVL Italy: Foligno, Ferrara, Florence, 
Milan, Bologna, Naples, Perugia, and Treviso. Pp. I + 301 (599-899}, with 31 plates 
of facsimiles (XLII*-LXXII*). 1930. ^^3 3s. 

Vespasian to Domitian. With an introduction and 83 plates. By Harold Mattingly, 
M.A. 1930. 8vo. I2 3s- 

Two contemporary maps. Second edition, revised. 1931. 4to. 3s. 6d 

Prehellenic and Early Greek. Pp. viii + 214, with 43 plates and 246 figures in text. 
1928. i8s. Part II. Cypriote and Etruscan. Pp. viii4- 261, with 6 plates and 132 
figures in text. 1931. j^i. 

CODEX ALEXANDRINUS in reduced photographic facsimile. Old Testament, 
Part II. I Samuel — II Chronicles. 232 plates. 1931. ;^2 2s. 

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77. The Codex Sinaittcus . . . , 

78. An Early MS. of Greek Canon Law 

79. Seals of Evesham Abbey 

80. The Whalley Chartulary 

8 1. A Religious Tract of Charles II 

82. Letters of Talleyrand . 

83. The Coventry Mysteries 

84. The Papers of Richard Cobden 

85. Two Persian Manuscripts 

86. Prints acquired at the Boerner Sale, Nov. 1933 

87. Drawing by Jacopo Ripanda 

88. Two Head-rests and other Egyptian Antiquities 

89. A Cycladic Idol 

90. Geometric Bronzes from Potidaea 

9 1 . A New Corinthian Aryballos 

92. An Archaic Greek Gem 

93. The Elgin Athena 

94. A Han Pottery Group 

95. A T'ang Bronze Mirror 

96. A Persian Pottery Box 

97. A Seventh-Century Chinese Painting 

98. A Wooden Figurine from Easter Island 

99. Italian Medals from the Whitcombe Greene Collection 

100. Three Cologne Aristotle Incunabula 

10 1. Three Early-printed English Books 

102. Other Gifts ..... 
A Catalogue of Bronze Age Metal Objects 
Recent Publications .... 
Exhibition of English Art . 




















XXXV a-e, 








The Codex Sinaiticus. Luke xix. 13— xx. 34 

The Codex Sinaiticus, Luke xxii. 36—52 

Engraving by Benedetto Montagna 

Drawing by Jacopo Ripanda 

Egyptian Limestone Head-rest 

Egyptian Limestone Head-rest 

Geometric Bronzes. /. Archaic Greek 
Gem. g. Corinthian Oil-bottle 

The Elgin Athena 

T'ang Bronze Mirror 

Han Pottery Group . 

A Seventh-Century Chinese Painting 

Wooden Figure from Easter Island 

Italian Medals from the Whitcombe 

Greene Collection 
Italian Medals from the Whitcombe 

Greene Collection . 

To face page 90 






NEVER before in the course of its long history can the British 
Museum have witnessed an apparently unending stream of 
visitors waiting patiently to file past a manuscript the austere and 
unadorned pages of which make no clamorous appeal to the eye, a 
volume, moreover, which can be read by very few of those who 
come to do homage. What then is this venerable book which, it is 
to be hoped, will soon find a permanent resting-place beside the 
Codex Alexandrinus, that fifth-century manuscript which has been 
hitherto the oldest copy of the Bible, as a whole, in the posses- 
sion of the British people ? In its original state the Codex Sinaiticus 
comprised the entire text of the Bible in Greek, but owing, in part 
at any rate, to adventures which will be recounted later, it has 
reached the Museum in a sadly mutilated condition. As received, 
the volume consists of 347 leaves, embracing: (i) fragments of 
Genesis, Numbers, i Chronicles, Tobit and Jeremiah, and the com- 
plete books of Judith, i Maccabees, 4 Maccabees, Isaiah, Joel, 
Obadiah, Jonah, Nahum to Malachi, Psalms, Proverbs, Ecclesiastes, 
Song of Solomon, Wisdom, Ecclesiasticus and Job, from the Old 
Testament; (2) the whole of the New Testament; and (3) two apo- 
cryphal works which narrowly missed a place in the Canon, namely 
the Epistle of Barnabas and the 'Shepherd* of Hermas (the latter 
imperfect at the end). In point of age it rivals the fourth-century 
Codex Vaticanus, which is claimed to be the earliest of the three most 
famous codices of the Greek Bible and has been in the Vatican Library 
certainly since the fifteenth century. By general consent the Codex 
Sinaiticus is assigned to the middle or second half of the fourth cen- 
tury. It can, indeed, hardly be earlier than the middle of the century, 
for the Eusebian sections are indicated by a hand coeval with the 
text. These sections or divisions, which serve as a Harmony of the 
four Gospels, were devised by Eusebius of Caesarea, who died in or 
about A.D. 340. The work of at least three scribes, and written in 
bold uncial characters upon pages of fine vellum, each measuring 
15 inches by 13J inches, the text is set out in four narrow columns, 
except in the poetical books. Psalms — Job, where two columns are 
used. To quote the words of Sir Frederic Kenyon, the open book, 

N 89 

with its eight columns in sequence, suggests 'the succession of 
columns in a papyrus roll; and it is not at all impossible that it was 
actually copied from such a roll'. Egypt has claims to be regarded as 
the birthplace of the manuscript, and it may even have originated from 
the same scriptorium as the Codex Vaticanus. But although these 
ancient codices unite to preserve some good readings rejected by 
many later manuscripts and concur in the omission of a few important 
passages, as, for instance, the last twelve verses of St Mark, they were 
not copied from a common exemplar; so that, to borrow the words of 
Sir Frederic Kenyon once more, 'the independence of their testimony 
is not seriously impaired*. Hardly had the Codex Sinaiticus been 
completed when the first of its many correctors set to work. The 
pages at present displayed in the show-case afford a striking illustra- 
tion of the importance of these corrections for the textual criticism 
of the Bible. The book lies open at St Luke's Gospel (PI. XXIX, 
Frontispiece, and, on a larger scale, two columns on PI. XXX). 
On the latter, in ch. xxii. 43, 44, we read of the appearance of the 
Angel to Christ in the Garden and of the Bloody Sweat. This pass- 
age of surpassing pathos, one universally held in deep reverence, is 
omitted from several of the best manuscripts. Rows of dots, a device 
indicative of cancellation, mark the passage in the Codex Sinaiticus, 
signifying that some corrector, who had failed to find the verses 
in the copy that lay before him, doubted their authenticity. The 
famous German scholar, Constantine Tischendorf, to whom the 
initial discovery of the manuscript was due, has maintained that the 
marks were the work of the first corrector, who made his collation 
with a very good and ancient copy, and whose testimony is entitled 
to grave respect. It is at such moments that the value of the original 
manuscript becomes most apparent. Certainly, a photographic repro- 
duction of every extant portion of the manuscript has been made, 
but no facsimile, however perfect, can be of the least service to the 
student or critic who may wish to form his own judgement upon so 
delicate a matter. Nor is this all. Hampered though he needs must 
be by the show-case, the visitor should have little difficulty in satis- 
fying himself that at some time an attempt has been made to erase 
the marks of cancellation. Whether a detailed study of the text 


1 HI >AMCX/ CO rO I 

MM lONXY rt)yK>M 


At rem ApYMJNon 
ll>Y nvi Of c r pXMM^ 

N O N A c r f iPACrC^ f » 

xo r I cor I KAI f A j'T- 
T I e f » t'M C>T7,^A<^^ ^*^*' 
o I Keen iXNiAoy 
M XXA» ftcLDKeJ^fa 
Dxeci r 1 eNXYTOi' 
KXi e > t- xo ci ) N tf r r o 
f eyo n KX r X rc>e«— 
ei croof oc r^i>N€ 


e h r cxN xexy Ta)K>j 


f eN 1 1 M t H^^icxc en i 
TOY'i or I oyt n k nxi 
rx> I en poet YxecoM 
M M ei cexoei N e k 

lllfXCM ON 

OMXnXY ru)NU)-^i 


ee I CI XI o NX ixnj^' 
rr xjepei KicTyAn lAfe 
Nei Kxiroyroro 
iiornfioNYoy [- 
XT leM oyr I XM N MH 

TO OeAH M AM oyxK 

Xxroco N re/ n t? ^«- 
cuk)>o h xexy TCI >xr 
r exocxr 1 oy /'XN-T 
eN rcxyai n xy |on 
KXI I c N XM eN oc<5 
NArcoNiXt Kft^N* 
c re {'O hinf ooiy 
xe I t^KXi ereisier- 
I A pc o cxy TOY*-i> *"' 

O J'O M KO I XI M XI <^i^' 



ni^i \ puceyxnc 
exocDNi ipoofoy^ 
M xo r 1 1 xcx~ Yi'tTN 


XYToycxi ro iMor 
rrMCKXitu fCNxr 
Toic I I KXoeyxcrp 
Ai\l Xc I AN' I 'cc 1 1 p»' 
e yxecoxi im ami 
eiceAenTAieid II 


t rixyToyAXXoyN 
' foai Aoyoxxo ci^ 
o AeroM eNocitJT 

KXT r poM I'xeToXT 

KXI MiriceN Konr 

«4>ixncAi AyroN h 
xt-.e I r I en AyicuVovAA 

loyAN o pel >n oynx 

ei Ao N recxJBOf ri«= 
p I Ay TO M roecoxi* 
N o N ei n XN Kee; 
r I XTAXO M C N e N 
M XXXI pn KXI en A 
■ I A> e- H e I C I I C C- 5,Nf 

TeoH I oyApx I e p*- 


K Ai Avh I Ae M r ooy- 
Ay I c 1 V roxe i. i o n 

A M O K p I oe I oAeoF 
en fc~NeAT«rc-cni- 
Toy TOY 

ci > ri oy I A CA'f oxT 


eii leNxercripo^- 
ToyeiiAPXr ^ NO 
M e N o Yc 1 1 p o c^xy 

c I pxii iroY<^^i<->T'* 
poyKXif ipt cRy r^ 
j^ayocairt-i 1 1 KH-m 

(Reduced by one-fifth) 

holds more important surprises in store it is, of course, impossible 
to guess. In its relation to the New Testament, the manuscript, 
known to scholars as Aleph^ is summed up by Sir Frederic Kenyon 
thus: 'Besides being one of the most ancient, the Codex Sinaiticus 
is also one of the most valuable texts.* It has been argued from 
certain of the corrections that at a very early period the Codex 
Sinaiticus made its home in the great Christian library at Caesarea. 
Nothing definite can be said of its history, however, until the year 
1 844. In that year Tischendorf, in quest of ancient texts for a pro- 
jected critical edition of the New Testament, visited the monastery 
of St Catherine on Mount Sinai. Among a basketful of fragments 
from manuscripts he was fortunate enough to find forty-three leaves 
from a copy of the Septuagint, which he at once recognized as being 
in an extremely ancient hand. Other basket-loads of similar waste 
material, he was told, had previously been destroyed. These forty- 
three leaves, containing portions of i Chronicles, Ezra, Tobit, 
Jeremiah and Lamentations, with Nehemiah and Esther complete, 
he was suffered to retain; but although he discovered some eighty 
more leaves of the Old Testament, he was denied an opportunity 
to study them. His travels at an end, Tischendorf presented his 
treasure to Frederick Augustus, King of Saxony, publishing its 
contents under the title of the 'Codex Friderico- Augustan us'. At 
Leipzig the leaves still remain. A second visit to Sinai in 1853 
proved fruitless, but in 1 859 Tischendorf returned to the monastery, 
this time under the aegis of the Czar. Towards the end of his stay 
the steward produced for his inspection a pile of loose leaves which 
were soon to be known as the Codex Sinaiticus. Negotiations, the 
subject of much subsequent controversy, resulted in the dispatch 
of the manuscript to Cairo, where Tischendorf transcribed it, and 
thence to the Imperial Library at St. Petersburg. This then is the 
Codex Sinaiticus which now lies within our grasp. Like most 
famous men and objects, it has not wanted detractors. Let one be 
mentioned, Constantine Simonides. Tischendorf had lent his aid in 
the exposure of the frauds of Simonides, and the forger sought 
revenge by claiming that the Codex was the product of his own pen. 
It only remains once more to remind every friend of the British 


Museum that a great sum is still required to secure this priceless 
manuscript, and that all subscriptions, however small, will be 
welcome. They should be sent to the Director, British Museum, 
London, W.C. I. A.J.Collins. 


THE Department of Manuscripts possesses many manuscripts 
dealing, wholly or in part, with the canon law of the Greek 
Church, but nothing so early as a fragment (Egerton MS. 3125) 
recently acquired by private purchase. It is therefore to be regretted 
that this fragment is but a small one, consisting of two quires only, 
each of eight leaves, the first numbered k (20), the second Ka (21; 
by a slip of the pen the scribe has continued the numeration of the 
first quire on to the first two leaves of the second). The hand 
suggests a date not far removed from a.d. iooo; and since nineteen 
quires are lost, the portion here described would seem to come from 
the later part of the volume, as indeed the contents suggest. The 
corpus of Greek canon law was fixed, in almost its present extent, by 
the Council 'in Trullo' in a.d. 692. Its elements consisted of (a) the 
85 so-called 'Apostolic Canons'; (if) the canons of various councils; 
{c) certain canonical letters, decisions, and extracts from the works 
of early Fathers, from Dionysius of Alexandria to Gennadius of 
Constantinople. Commentaries on this body of legal matter were 
written from time to time, and arrangements of it, no longer chrono- 
logical but under subject headings, were made by Johannes Scho- 
lasticus in the sixth and by Photius in the ninth century. By the 
addition of the Imperial laws relating to church matters was formed 
the 'Nomocanon', of which the earliest example is that passing 
under the name of Johannes Scholasticus and the best known 
that issued by Photius, Patriarch of Constantinople. Egerton 3125 
shows an early stage in the history of the manuscript transmission 
of the corpus. Its arrangement is by sources, not by subjects, and it 
lacks the commentary. Presumably the Apostolic Canons and those 
of councils came first; the portion remaining begins in the middle of 
the series of extracts from Basil, followed by the Canonical Epistle 
of Gregory of Nyssa to Letoius, the usual extract from the poem on 


the canon of scripture by Gregory of Nazianzus, and the iambics 
on the same subject commonly attributed to Amphilochius. Thus 
it belongs to the class of work represented by William Beveridge's 
IxjvoT^iKov she Pandecta Canonum (Oxonii, 1672) and Cardinal 
J. B. Pitra's luris Ecclesiastici Graecorum Historia et Monument a 
(Romae, 1 864-1 868); but the former includes the commentaries. 
Among the manuscripts in the British Museum the nearest analogy 
is with Add. MS. 28823, which, however, like Beveridge's work, 
contains the commentaries or §piir|veTai. So far as the fragment 
extends, the choice and order of letters and extracts are identical with 
those seen in 28823 and in the printed works named above, ^ except 
that the extracts from Timothy, Theophil us, and Cyril of Alexandria, 
which in all of them occur between Gregory of Nyssa and Gregory 
of Nazianzus, are here wanting. Whether this points to derivation 
from an earlier form of the compilation, in which these particular 
Fathers were not yet represented, or merely to a different arrange- 
ment, it is, in the present state of the manuscript, impossible to 
decide. H. I. Bell. 


THE Department of Manuscripts has acquired three fine 
examples of the well-known thirteenth-century seal of the 
Abbey of Evesham. All three are attached to leases granted by 
the last abbot, Philip Hawford or Ballard, and dated between 
4 November 1538 and 8 April 1539. They are now numbered 
Egerton Charters 2175-7. 

E. J. Rudge in his Short Account of the History and Antiquities of 
'Evesham^ pp. 1 24-3 i , while treating of the Abbey seal, describes 
three leases to which impressions of it were attached. There can be 
little doubt that two of these documents form part of the present 
acquisition. Egerton Charter 2177, dated 16 December 1538, is 
evidently the second lease described by Rudge, it being then, 1820, 
in his own possession. At some time previous to 1 8 1 9 he appears to 
have communicated an account of it to the editors of Dugdale's 

^ There are some minor differences between Egerton 3125 and the other three, and 
between 28823 and Beveridge on the one side and Pitra on the other, but these can be 
neglected here, as not affecting the general agreement. 


Monasticon^ who mention it in vol. ii, p. 13, of that work. Egerton 
Charter 2176 is equally certainly the third of the leases noted by 
Rudge, in whose time it was owned by a Mr W. Hamper of 
Birmingham. The seal attached to it may therefore be identified 
with one of the two in Hamper*s possession, which were used by him 
for his notes on the Evesham seal published in Archaeologia^ xix 
(1821), pp. 66-9. 

Both the seals attached to the two leases mentioned above, though 
good examples, are somewhat damaged. Egerton Charter 2175 is> 
however, quite perfect and remarkably well preserved. Thus, 
although the Museum already has three other specimens (Detached 
Seals XXXV, 58, 59, and Add. Ch. 42601, the latter attached to 
another lease of Abbot Philip, none of them quite complete), the 
new ones are very welcome and useful additions to the national 
collection. F. Wormald. 


FIRST at Stanlow, in Cheshire, later farther north, at Whalley, 
a chequered existence of four centuries, culminating in the 
execution of the last abbot for treason, was the portion of the 
Cistercian house named by its founder 'Locus Benedictus*. In this 
retreat litigation, the bugbear (or was it the relaxation ?) of English 
monasticism, was chronic and called for systematic record-keeping. 
After the Dissolution, so the evidence would suggest, there remained 
three registers or coucher-books which passed, along with the abbey 
site, into the possession of Richard Assheton, of Whalley. In the 
course of the seventeenth century these books were consulted by 
several well-known antiquaries, and extracts taken by Roger Dods- 
worth, Christopher Towneley, and the youngest Randle Holme 
have long stood upon the shelves of the Bodleian Library and the 
British Museum. Attention of a less enlightened kind was destined 
to come their way. It was the uncomeliness of their rough monastic 
bindings, no doubt, that prompted house-proud owners to clothe 
the oaken boards of two at least of the books in velvet: in the case of 
the volume recently acquired (and the later to receive this treat- 
ment) a silver-gilt clasp, bearing the hall-mark for 1824-5, was 


added. A century ago the Museum became possessed, in Add. MS. 
10374, of what may be identified from external evidence^ as 'the 
lesser coucher booke of Whalley Abbey, in the Keepeing of Richard 
Ashton of Downham 1658'. The second of the series, a mere frag- 
ment, was secured through the Bridgewater Fund (Egerton MS. 
2600) in 188 1. Finally, the decision of Earl Howe, a descendant of 
the first lay owner of Whalley, to part with the chartulary remaining 
in his hands has led to the acquisition of the last, the latest and the 
most important of the group, the 'major liber de Whalleye et 
Stanlawe', drawn up in the time of Abbot John de Lindelay [circa 
1 342-77). As the 'registrum de Whalley penes Radulphum Ashton 
militem et bar. a. 1627' it served the compilers of Dugdale*s 
Monastkon Anglic anum, and the entire text has since been published 
in the Chetham Society's four-volume Coucher Book oj Whalley. It 
may be of interest to mention that the handful of Whalley deeds 
which have from time to time found their way to the Museum are 
endorsed with press-masks corresponding to the disposition of the 
deeds in the new register. Once again the benefaction of the eighth 
Earl of Bridgewater has stood the Department of Manuscripts in 
good stead, and the book will bear the number Egerton MS. 3 1 26. 

A.J. Collins. 


SHORTLY after the death of King Charles II there appeared in 
print two tracts concerning the authority of the Roman Catholic 
Church said to have been written by the late monarch and found 
among his papers after his decease. The following year they were 
reprinted with a third tract written by James IFs first wife, Anne 
Hyde, Duchess of York, and a copy was sent by the new King to 
his daughter the Princess of Orange. Various translations were 
immediately published on the Continent. Referring to these pamph- 
lets later, Halifax, in his Character of King Charles II, commented: 
'As to his writing those Papers, he might do it. Though neither his 
Temper nor Education made him very fit to be an Author, yet in 
this case, (a known Topick so very often repeated) he might write 
^ Harley MS. 2064, f. 8 1 b, quoting from 'the 23 page' of the manuscript. 


it all himself, and yet not one word of it his own, ... he might, by 
the Effect chiefly of his Memory, put together a few Lines with his 
own Hand, without any help at the time; in which there was nothing 
extraordinary, but that one so little inclined to write at all, should 
prevail with himself to do it with the Solemnity of a Casuist*. 
Though the tracts created a stir at the time nothing is known of the 
whereabouts or of the history of Charles's own manuscript. A few 
years ago, however, there came to light a copy of the first of them, dif- 
fering in a few minor particulars from the printed version, in the hand 
of James II himself. 'The discourse we had the other day*, it begins, 
*I hope satisfyd you in the maine that Christ can have but one church 
here upon Earth' and, after arguments in favour of the view that 
Christ left His authority to this Church, it concludes: Tf they had 
this power then, I desire to know how they came to loose it, and by 
what authority men seperat them selvs from that church. The only 
pretence I ever heard of was, because that the church had failed in 
wresting and interpreting the Scripturs contrary to the true sence and 
meaning of it, and that they have imposed articles of faith upon us, w*=** 
is not to be warrented by Gods word; I do desire to know who is to be 
the jude (jf. judge) of that, whether the whole Church, the succession 
where of has continud to this day without inturuption or parti- 
cular men who have raised shismes for their owne advantage.* There 
follows a note: 'this is a true copy of a paper writen by the late King 
my brother, w*=^ I found in one of his strongboxes, after his deceasse*. 
Such material from such a source was obvious food for the 
controversialists. Nor were they slow to grasp their opportunity. 
Among others, Stillingfleet, afterwards Bishop of Worcester, and 
Gilbert Burnet, later Bishop of Salisbury, assailed the views expressed 
in the royal pamphlets. Dryden, himself but recently converted to 
the Roman Catholic faith, was employed by the King in their 
defence, and a bitter controversy ensued. The documents were 
obviously intended to play a part in the effort of the later Stuarts to 
bring about a reconciliation with Rome. This recently found copy of 
James II has, therefore, a strong historical interest apart from its value 
as a royal autograph; and the Museum is thus greatly indebted to the 
late Captain T. B. A. Haggard, who presented it. B. Schofield. 



*TT 7E are persuaded that, had Napoleon been able to retain and 
V V work with Talleyrand, his fall would not have taken place.' 
So it seemed to the late Lord Rosebery, weighing in his Napoleon: 
the Last Phase the causes of the collapse of the First Empire. In his 
library, rich in Napoleonic treasures, were eight letters addressed by 
Talleyrand to the Emperor between 20 August 1804 and 15 July 
1808. Recently, when the library came under the auctioneer's 
hammer, the present Earl purchased these letters for presentation 
to the Museum in commemoration of his father's long services as a 
Trustee. The gift (Add. MS. 43503) brings to the Department of 
Manuscripts a sheaf of the minister's informal day-to-day reports 
upon foreign affairs, more than three hundred of which, preserved 
in the archives of the French Foreign Office, have long been avail- 
able in print. If few in number, the new letters are apparently un- 
published^, and would seem to be carefully selected specimens, 
reflecting many traits of this most adroit and unscrupulous dip- 
lomatist. On 13 December 1805 the Austrians, lately crushed at 
Austerlitz, sought to mitigate the sacrifices demanded of them by 
a suggestion that Hanover should be conferred upon one of the 
Archdukes. The idea intrigued Talleyrand, and he passed it on 
thus: *La verite est que I'electorat d'Hanovre donn6 \ un archiduc 
auroit I'avantage de detacher pour jamais I'Autriche de I'Angleterre 
et d'augmenter la rivalite qui subsiste entre I'Autriche et la Prusse; 
cela produiroit aussi de la mesintelligence entre les cours de Peters- 
bourg et de Vienne; ce qui mettroit I'Autriche dans I'obligation de 
vivre en bonne intelligence et de s'entendre avec la France. Mais il 
est possible que cette proposition ait ete faite uniquement pour savoir 
si le Hanovre etoit donne ou promis \ la Prusse. Je n'ai rien repondu 
qui ait pue claircir \ leurs yeux cette question.' The denouement 
followed with dramatic swiftness. Next day, upon the receipt of this 
dispatch. Napoleon made known the Austrian proposal to the waver- 

^ The letter of 1 3 December 1 805 is printed from a divergent copy, said to derive from 
the minute of a Foreign Office official, in P. Bertrand's Lettres inedites de Talleyrand h 
Napolion^ p. 213. 

o 97 

ing Prussian envoy, who was at once brought to his knees. By the 
Treaty of Vienna, signed on 1 5 December, Hanover was bartered 
to Prussia in exchange for territories demanded by the French. In 
another letter Talleyrand naively confesses to one of his many 
besetting sins. 'J'avoue,' runs an interlined afterthought to the letter 
of 20 August 1 804, 'que je trouve ma note [to the Russian charge 
d'affaires at Paris] un peu dure, surtout par I'ironie qui y regne.* 
He knew something of the art of flattery also, greeting detailed news 
of the battle of Jena with the remark: 'Votre Majestd a depuis 
longtems ^puis^ I'admiration; notre amour et notre reconnaissance 
pour Elle sont seules in^puisables' (letter of 1 8 October 1 806). The 
most intimate glimpse is reserved until the end. Upon retirement 
from office Talleyrand withdrew to his villa at Valen9ay, in Touraine. 
Here Ferdinand VII of Spain became his unwilling guest, and it fell 
to Talleyrand to provide the kidnapped monarch with soothingly 
bucolic occupations — fishing, gardening, hunting. 'J'esp^re*, he 
wrote on 15 July 1808, *que I'ignorance absolue dans laquelle j'ai 
ddsir^ qu'on fut a Valen9ay pendant toute la Junte, et Toubli des 
affaires qui en a et^ la suite, aura rempli les vues de Votre Majeste.* 
For himself he adds: 'Cet ^tat de mort convenoit a la disposition 
de tristesse dans laquelle je suis personnellement.* Hitherto this 
fascinating correspondence has been represented in the British 
Museum by a single letter, Add. MS. 26053, ^* ^7* 

A. J. Collins. 


IN 1825 the Coventry antiquary, Thomas Sharp, published his 
Dissertation on the Pageants or Dramatic Mysteries anciently per- 
jormed at Coventry^ in which he discussed with full and interesting 
illustrative detail the craft plays of Coventry and printed as an 
example the pageant of the Company of Shearman and Taylors. 
The book has considerable importance in the study of the religious 
plays of medieval England, and the gift by the Hon. John W. Leslie 
of the proof sheets of the volume, accompanied by certain original 
documents quoted in it and correspondence connected with it, is 
therefore very welcome. The volume is now numbered Add. MS. 


43645' The contents include some excellent drawings made for the 
engraved illustrations by David Jee, a young Coventry artist 
employed by Sharp, and various states of the engravings themselves. 
Among the original documents are two interesting papers of the 
early seventeenth century relating to Thomas Massie, who acted as 
a contractor for the Drapers' Company to furnish performers and 
play this Pageant. These statements of his case show Massie at odds 
with the Municipal authorities of the city where he produced his 
shows. In one he tells how *Mr. Page Maior did buffitt me w*^ both 
his clutch ffists, manny blowes, and spitt filthily in my face, for telling 
hym, I heard saye. The Lady Elizabeth's grace was desirous to see 
Coventrie'; in the other he states that in March 1603 he 'intimated 
to the Maior and his brethren then in Councell that his intent was 
to make a shew uppon the Kinges dale, and to that purpose craued 
allowance, who receiued answere thence, that such toyes (as he 
would sett abroad) deserued noe Contribucon. But seconding his 
request and making offers to perform yt uppon his own Charges . . . 
his Proiect and Speaches were referred to the view of two Preachers, 
who mislyking many thinges both in subject and forme, there was 
an order prescribed for his proceeding, and he confirmed in his 
shews.' These records of a producer's trials refer to the visit of the 
Princess Elizabeth to Coventry on 1 3 April 1 604 and to the accession 
of James I. Another document of the early seventeenth century gives 
an account of the times of performance of the city 'waits'. 

The letters addressed to Sharp by his fellow antiquaries are a useful 
addition to the documentation of English literary scholarship. The 
most copious writers are Francis Douce, Dawson Turner, and Robert 
Pitcairn. Douce, in particular, to whom Sharp's book is dedicated, 
discusses at length many of the problems there treated. He sets out 
at length, for example, the reasons for denying to Coventry the 
plays in Cotton MS. Vespasian D. VIII, which Sharp did not admit, 
but which modern scholarship has confirmed. But the most interest- 
ing items of this correspondence are two letters from Sir Walter 
Scott, dated 7 March and 7 September 1 826, in which he records his 
rnemories of the folk-plays of his youth in Scotland, tells how he 
himself used to play the part of Judas bearing the bag, and quotes 


a fragment which he and his father before him had been wont to 
repeat. This is an attractive amplification of his note on the subject 
in *Marmion\ These two letters, which in their composition show 
some evidence of the stress of mind under which Scott was labouring 
at the time — it was the year of the Ballantyne failure and of Lady 
Scott's death — are a welcome addition to the Museum collection of 
his autographs. R. Flower. 


THE gift to the Museum early in 1933 of the papers of John 
Bright (by the generosity of Mrs Darbishire and Mr J. A. 
Bright) is now rounded off and completed (as it were) by the acquisi- 
tion of the papers of one whose name will always be linked with that 
of John Bright — his close friend and companion-in-arms, Richard 
Cobden. These papers, which have been received by the Museum in 
eight separate instalments (beginning in 1924), have been gener- 
ously presented by Cobden's last surviving daughter, Mrs Jane 
Cobden Unwin, in her own name and in those of her late four sisters. 
Great use has already been made of the collection (correspondence 
and diaries alike) by Lord Morley in his Life, 1 88 1 (Jubilee edition, 
1896), who refers in the Preface to its partial arrangement by Mr 
Henry Richard, M.P. (for Cobden's letters to whom see below). 

The papers have been arranged so as to form thirty-two volumes 
(Add. MSS. 43647-43678), and contain what must be an unrivalled 
collection of Cobden autographs — consisting, not merely, as is usually 
the case with political correspondence, of drafts of letters in reply, 
but, for the most part, of the original letters dispatched by Cobden 
(returned, doubtless, by the recipients to Cobden himself or members 
of his family). These letters written by Cobden (with the other side 
of the correspondence included, where it is available) constitute more 
than half of the collection (eighteen volumes out of the thirty-two). 

The first two volumes contain the correspondence with Henry 
Ashworth, a founder of the Anti-Corn Law League, the next four 
Cobden's letters to John Bright (for Bright's letters to Cobden — in 
two volumes — see the Bright Papers, described in the British Museum 
Quarterly for May 1933, Vol. VII, No. 4, p. 119). The next two 

volumes consist of the correspondence with George Combe of 
Edinburgh, the writer on education and social ethics, while in 
Vol. IX are letters addressed to William Hargreaves. Volumes X- 
XII contain Cobden's extensive series of letters to Henry Richard, 
Secretary of the Peace Society, and Vol. XIII his letters to Joseph 
Sturge, the Birmingham philanthropist. Those recipients of letters 
from Cobden whose letters bulk less largely (Vols. XIV-XVI) are 
(a) J. B. Arles-Dufour, the Lyons silk manufacturer and economist 
(one of the negotiators of the Treaty of Commerce of i860); 
(6) Joseph Parkes, the Birmingham politician; (c) William Tait, 
the Edinburgh publisher; (^) Edward Baines (knighted 1880), 
the journalist and economist; (e) John Roberton, the Manchester 
surgeon; (f) Charles Pelham Villiers, M.P.; (g) Col. (afterwards 
Gen.) J. W. Fitzmayer (K.C.B. 1871); and {/i) A. W. Paulton, 
lecturer and editor for the Anti-Corn Law League. To conclude the 
series of letters in Cobden's autograph are two volumes (Vols. XVII, 
XVIII) of letters written by Cobden to various correspondents — 
none of the series being of sufficient bulk to form a separate group. 

We now come to the letters addressed to Cobden by others, where 
Cobden's letters to them are not forthcoming. Of these the largest 
is the series from Michel Chevalier, the French economist (one of 
the negotiators of the Treaty of Commerce of i860), whose letters 
occupy Vols. XIX and XX. Volume XXI comprises the letters from 
(a) Earl Cowley, British Ambassador at Paris; (6) Sir Louis Mallet 
(knighted 1868), of the Board of Trade; and (c) George Wilson, 
Chairman of the Anti-Corn Law League, and Volume XXII the 
letters from (a) Thomas Milner-Gibson, President of the Board of 
Trade; (^) Goldwin Smith (before, of course, his migration to 
America); and (c) General Thomas Perronet Thompson, M.P., 
author of the Catechism on the Corn Laws, Volumes XXIII-XXV 
contain miscellaneous letters addressed to Cobden, and to Vol. XXVI 
are allotted all letters and papers of folio-size or upwards, which are 
too large to be conveniently included in the preceding volumes. 

The third section of the Cobden Papers consists of the statesman's 
diaries of his tours and of his residence at Paris in connection with 
the Commercial Treaty of i860. Vol. XXVII (A and B), the 


Mediterranean tour, extends from 1 7 October 1 836 to 1 5 April 1837 
(Morley, Jubilee edn. I, 43-88). Vol. XXVIII (A and B), the tour 
in Germany, extends from 25 August to 26 October 1838 (Morley, 
I. 1 28-34). Vol. XXIX (A-E), the fourteen-months European tour 
(5 August 1846 to 12 October 1847), begins shortly after Cobden's 
great triumph in the repeal of the Corn Laws by Sir Robert Peel's 
Government (Morley, I, ch. xviii). The last volume occupied by the 
account of this tour contains also Cobden's diary to, at, and back from 
Paris, where he attended — unofficially — the Congress of the Peace 
Society, 1 6 to 3 i August 1 849 (Morley, II, 46-49). The latest diary 
(Vol. XXX A-C) covers the period 18 October 1859 to 18 May 
1 8 6 1 , the period of the negotiation of the famous Treaty of Commerce 
of 1 860 between England and France (Morley, II, chs. xi-xiii). Con- 
sequently most of the entries are during Cobden's residence at Paris. 
Included are (a) a visit to the Riviera, 3 February to 24 March 1 860, 
and (^) a long stay in Algiers, 13 December i860 to 23 April 1861 
(Cobden visited Marseilles, Avignon, and Lyons on his way back to 
Paris); also copies of three letters from Cobden to Lord Palmerston. 
The fourth, and last, section of the Cobden Papers (Vols. XXXI, 
XXXII) consists of type-written and other copies of letters from 

The whole, collected and preserved with loving filial care, and now 
so generously presented to the national library, is a worthy memorial 
to a great Englishman. G. T. Hales. 


A FRIEND whose generosity has laid the Department of Oriental 
.Printed Books and Manuscripts under frequent obligation has 
added to our debt by enriching it with two interesting Persian 
manuscripts. The first of these is a copy of the Divan or collected 
poems of the famous Salman Savajl, who was born circa a.d. i 290 
and died circa 1376; as this manuscript is dated a.h. 796, corre- 
sponding to November 1393 — October 1394, it appears to be the 
earliest copy in existence. The poet, whose full name was Jamal ul- 
Dln Salman ibn 'Ala ul-Din Muhammad, was a native of Savah, 
whence his surname Savajl, and flourished at the courts of Hasan 


Buzurg, the founder of the Ilkhani dynasty (a.h. 72^- 5?)^ his wife 
Dilshad, his son Uvais (a.h. 7S7-7^)i ^^^ his grandson Husain 
(a.h. 776-84). His works include two masnavJ romances, kasatd or 
longer odes, for which he was particularly famous, tarjT-band or 
refrain-poems, rnardsi or dirges, mukatta^dt or miscellaneous verses, 
ghazaliyydt or shorter odes, and quatrains {rubd'tyydt). The present 
manuscript, which is bound in a cover of stamped leather measuring 
io|- by 7 inches, contains the Kasa'id and miscellaneous verses, and 
is written in a neat but scholarly handwriting midway between 
naskht and nasta'lik. It is illustrated by eight miniatures of good 
quality, which seem to be somewhat later than the text, but are 
certainly earlier than the Safavl period. 

The other manuscript is contained in a fine painted and lacquered 
binding of ctrca a.d. 1800, which measures 6J by 4 inches, and 
is decorated outside with floral designs and inside with figures of 
women. The manuscript itself consists of various mu'ammd or riddles 
in verse, quatrains, and other short poems, which were compiled by 
an unknown man of letters for 'Abbas Kuli Shamlu, Beglerbegi of 
Herat and son of Hasan Beg Shamlu, Beglerbegi of Khurasan, in 
the latter half of the seventeenth century. It is an exquisite specimen 
of delicate calligraphy and illumination, being written in a small 
fine nasta'lik with floral designs in colours on a gold ground, while 
the first and last pages are decorated with a beautiful 'unvdn and 
shamsiyyahs or medallions, &c. E. Edwards. 


THE exchange of a duplicate print from the Malcolm Collection 
enabled the Museum to purchase a certain number of engravings 
at the recent sale at Leipzig, which came largely from the Friedrich 
August II collection at Dresden. 

The most important is the beautiful engraving of St Francis 
receiving the Stigmata^ by Benedetto Montagna, P. V, 15, 44, of 
which the only other impression known is at Bassano. The Bassano 
impression is cut along the upper margin, and its condition is other- 
wise inferior to the Museum print (see PL XXXI). Benedetto 


Montagna was the son of Bartolommeo Montagna, the leading 
painter of the School of Vicenza, and was probably working in 
Vicenza between 1500 and 1540. It is in the broadly engraved 
manner of his earlier works, immediately inspired by Bartolommeo, 
and probably engraved about 1 500. 

The other prints acquired are as follows: 

Abraham Bosse^ La Noblesse frangaise b. I'^glise. A set of 13 
costume prints. Blum, 926-38. 

Herman Brekervelt^ Landscape with Abraham and Isaac. Etching. 
Only known to Burchard ('Die holland. Radierer vor Rembrandt' 
19 1 7, p. 46) in the present impression. 

Pieter Brueghel, the elder. Large Alpine landscape etching. Van 
Bastelaar, 1 8. A fine impression. 

Abraham Casembrot, Shipwreck. Etching. Undescribed. 

Jeremias Falck. Seven portrait engravings (Bl. 207, 215, 229, 249, 
257, 274, and 286). 

Jacob de Gheyn. Set of six landscape etchings. Rare. 

A. M. Hind. 


IN 1 899 the late Franz WickhofF published in the Vienna Jahrbuch 
an article with the title 'Marcantons Eintritt in den Kreis Romi- 
scher Kuenstler'. In this article Wickhoff connected a number of 
drawings with the frescoes representing the Punic Wars in the 
Palazzo de' Conservatori in Rome which were then believed to be 
by Baldassare Peruzzi but have since been shown by Fiocco {JO Arte, 
XXIII (1920), p. 27) to be the work of Jacopo Ripanda. The con- 
nexion between the group of drawings and the frescoes established 
by WickhofF remains valid. The drawings, as well as the frescoes, 
are by Ripanda. The drawings described and illustrated by Wick- 
hofF and subsequently by Fiocco included two in the Louvre, the 
one an allegorical representation of the third Punic War, the other 
a subject connected with Cleopatra, and a third drawing also repre- 
senting a scene in the life of Cleopatra. This third drawing was 
reproduced by WickhofF (Tafel XIII) from a photograph in the 
collection of Raphael material formed by the Prince Consort and 




preserved in the Royal Library at Windsor Castle. The whereabouts 
of this drawing, which was photographed when in the Heubel 
Collection in Berlin, was not known to Wickhoff and remained un- 
known until the drawing itself was brought to the British Museum 
a few months ago on behalf of its actual owner, from whom it 
has since been purchased. The drawing which is reproduced on 
Plate XXXII is carefully finished in pen and brown ink and measures 
I2j^ by 8| inches. The subject, according to Wickhoff, represents 
Mark Antony interrupting Furnius, who was pleading before him, 
to accompany Cleopatra, as related by Plutarch. Mark Antony is 
seated on a throne to the right, Cleopatra holding a child by the 
hand is behind in the centre; Furnius is presumably the man who 
stands in front to the left, holding a scroll. In subject, in style, and in 
size the drawing is closely connected with the second drawing in the 
Louvre already referred to. 
The interest to the department of Jacopo Ripanda has lately been 
increased by his probable identification with the engraver I B with 
the bird. Mr J. Byam Shaw, in a recent series of articles in 
the Print Collectors^ Quarterly (1933), has brought together a 
great deal of evidence towards this identification, which may be 
regarded as established. The department already possessed a fine 
series of the artist's engravings and woodcuts but no authenticated 



A SMALL collection, recently acquired, contains pieces, which, 
though damaged, are all of exceptional interest. 
A limestone head-rest, reported to have come from Dair Mawas, 
on the other side of the river from Al ' Amarnah, is remarkable both 
for its form and for its decoration (Plate XXXIII). It is clearly 
adapted from the type with octagonal fluted shaft, found commonly 
in the XVIIIth Dynasty and more rarely in the XlXth. But in 
deference to the material of which it is made the space between the 
horns of the rest proper and the base has been only partially cut 

P 105 

away, so as to leave a panel of stone on either side of the shaft, and 
thus minimize the chance of breaking off the tips of the rest. These 
panels have been subsequently decorated with four figures in low 
relief, one on each side of the shaft, back and front. One horn of 
the rest and part of the corresponding panel, and the ends of the 
base have been broken ofl^, but comparatively little detail has been 
lost from the decoration. 

On the front (probably) of the head-rest, two figures of Bes face in 
to the support. The figure to the right brandishes a serpent in his 
left hand and carries a spear in the other. Two more snakes are held 
between his teeth. He wears the lotus flower often shown on the 
head of Bes and Taurt in the XVIIIth Dynasty. Of the other figure, 
little is left but the snake in his left hand balancing the spear of 
his vis-a-vis. An inscription in hieroglyphs down the centre of the 
shaft between the figures expresses a hope for 'Good sleeping in the 
West, the Land of Righteousness, by the royal scribe Qenherk- 
hepeshef, justified*. 

On the back of the head-rest a griffin, on the left, with lotus flower 
head-dress, faces a lioness ( ?) eating a snake. Both rest their forefeet 
on conical supports and are armed with knives. Between them on 
the shaft a complementary inscription asks for good sleep *at the 
hand of Amen' for Qenherkhepeshef. Two more inscriptions ran 
down the edges of the two panels, of which one survives, repeating 
the title and name of the owner with his affiliation. Unfortunately 
the stone is broken away where the father's name begins. The 
amplified title 'True scribe of the King whom he loves' (for simple 
'royal scribe') is written with the seated ape for ^ and the seated 
King wearing both crowns and holding a crook for ^, in that order, 
and is followed by a seated goddess with feather and ^ (for w/*) mr-J. 
The four figures are all reminiscent of the designs on carved ivory 
wands of the Xllth-XVIIIth Dynasties, the use of which is still 
debated. Their presence, therefore, confirms the general impres- 
sion, made by the form of the head-rest and the name of its owner, 
that the object should be dated to the XVIIIth or XlXth Dynasties. 
If so this figure of Bes with a spear is one of the earliest to give him 
a warlike character. 




The head-rest for daily use would not be made of stone. This was 
part of Qenherkhepeshef's tomb furniture, as is proved by the 
magical character of the figures and by the funerary inscriptions. 
Height 7i inches; length 8 J inches. 

A second head -rest, also broken at one end, is either funerary or 
for use in ritual (Plate XXXIV). It is made of glazed composition, 
and is of the early form derived from a plain block of wood with 
sloping sides and slightly curved top. But the nature of the glaze 
and the style of the decoration incised in it show that the object is of 
late Ptolemaic if not Roman date. Its most unexpected feature is 
the hollowing out and carving of the ends to represent shrines. Of 
one practically nothing is left; but the other displays a double cornice 
with sun disk and uraei between, over the doorway to a small cham- 
ber. The sides show, on the one side the Gods Maahes, Haroeris, 
and Shu advancing towards a seated lion, on the other Amen-Re*, 
ram-headed, and another god of whom only legs and staff remain, 
approaching a loaded altar. The four angles above, caused by the 
dip in the top of the pillow, were filled with the fore-parts of 
sphinxes. Two remain, one hawk-headed, the other ram-headed. 
The object is all the more interesting in that its purpose is uncertain. 
Height 5I inches; length SJ inches. 

The tail end of a blue glass fish (length 4! inches) with fins of 
yellow glass, though incomplete and never so fine a piece of work as 
the variegated fish from Al 'Amarnah already in the Museum, is a 
splendid example of XVIIIth Dynasty glass technique. Some frag- 
ments of variegated blue glass with the decorative strips of white, 
yellow, and mauve make it possible to reconstruct what must have 
been one of the loveliest and largest vases of the best period of the 
art. The rims of both lip and foot of this vase were finished off with 
a narrow strip of coiled white and brown glass. A third, blue glass, 
vase is of the same quality of material, but undecorated. Com- 
paratively few examples, however, of this shape have survived in so 
complete a state. Height 3} inches. 

A finely carved carnelian figure of Amen-Re* wears the conven- 
tional ostrich plumes, and has a suspension ring on the back of the 
head and a minute plinth. 


In addition the collection contains part of a document written in 
Demotic. It is the right hand half of a contract for sale of a house 
dated on the 20th Mesore of the i ith year of Ptolemy VI Philo- 
metor (19 September 170 B.C.). The names of the parties are lost 
and the legal contents unimportant. But no other document of this 
year has so far come to light, and a lacuna in the list of eponymous 
priests, the most valuable means of precise dating of Ptolemaic 
records, is thus partly filled. The name of the priest of Alexander is 
ilgsntrws ('AAe^cxv^^pos) son oiipygrts (. . . Kpdrris). The name of the 
Athlophoros is lost; that of the Canephoros is Strtngse (Stpoctovikti ?) 
daughter oiiwtnws son of T/iwgrs. S. R. K. Glanville. 


A MARBLE idol of Early Cycladic date (about 2500 B.C.) has 
been bought by Sir Arthur Evans for the Department of Greek 
and Roman Antiquities. It represents a woman in pregnancy. This 
condition has been noted in other examples of the class, but it is not 
so definitely expressed in them. Such representations may help to 
indicate the purpose for which these images were made. A pregnant 
woman is not likely to have been chosen for a ushabti in the grave, 
nor even, in this pose, to have represented a Mother Goddess. The 
feet show, as in many other instances, that the figure is recumbent, 
and the folded arms seem to belong to the same pose. It probably 
represents an ordinary woman, perhaps with magical or religious 
reference to sexual functions. E. J. Forsdyke. 


AN addition to the material of the Early Iron Age in Macedonia 
xX described in B.M.Q., VI, p. 82, has been acquired by the 
Department of Greek and Roman Antiquities. The new group 
includes, besides bronze ornaments, some beads of amber, bone, 
cornelian, and glass. These evidently come from irregular excava- 
tions in a cemetery, and it is not certain that they all belonged to 
Geometric burials. Noteworthy pieces among the bronzes are 
illustrated in Plate XXXV a-e. There are a pair of linked rings 
with triple bosses, apparently representing heads of dogs or bulls; 







a large lobed rosette which is shown by a bronze hook and remains 
of an iron pin on its back to be a fibula-plate; and spiral armlets 
of single and multiple coils with moulded ends and simple linear 
engraving. The fibula-plate is decorated with finely incised circles. 



AN archaic Greek oil-bottle, bought from the J. R. Vallentin 
xV Fund, is a new and important document in the history of Corin- 
thian pottery (Plate XXXV^). It belongs to the middle period, about 
590 B.C., and is by the same hand as the well-known aryballos with 
the boar-hunt in the Louvre (E 612), and three with heroic battles 
in Vienna (Payne, Necrocorinthia, p. 304, nos. 807-9). The 
Austrian battle-scenes are very similar to this, and one has a com- 
batant distinguished by his name, Aineas, so that they may all be 
taken to represent Homeric incidents. Other points of similarity in 
the group are key-patterns on the rims, chequered handles, and the 
ornaments in the field, particularly the formal flowers springing from 
the ground. But the portraits of the two Corinthian ladies in the 
tondo underneath this vase are unique. Single heads are not un- 
common on the backs of handles, as on the aryballos in this Museum 
with the lady's name inscribed beside it, Aineta, and below, the long 
list of her male admirers. There is no record of the provenience of 
the new vase. It had been in private possession in London for many 
years. E. J. Forsdyke. 


A FINE Greek intaglio of about 500 B.C. has been given by 
Mrs Ormerod, of Harrogate. The stone is a chalcedony cut 
scarab. Its surface has been worn so that the ladder border is only 
partly visible, but the engraved design is perfectly preserved (Plate 
XXXVy). It shows a sphinx seizing a young Greek, who defends 
himself with a sword. This evidently refers to the Theban legend. 
Sphinxes are often represented seizing men, but the men are usually 
dead, and the sphinx may then be a creature of death in general. 
Other variants have a griffin instead of a sphinx. By a strange 
coincidence the closest parallel to the subject of the new archaic gem, 


in which the victim fights with a sword, is on one of the latest gems 
in the collection, an amethyst from the Arras Treasure, found in 
1922 with medallions of Constantius Chlorus {Cat. Gems, 191 8*). 



THE Earl of Elgin and Kincardine has generously deposited on 
loan his bronze statuette of Athena flying her owl (Plate 
XXXVI). This rare and beautiful piece belonged to the original 
Elgin Collection, and has been known for many years; but it has not 
previously appeared in public, or even in a photograph. Alexander 
Conze saw it at Broomhall in 1889 and published a note on it in 
Festschrift Jiir Benndorf, illustrated with a drawing which is re- 
produced in Reinach's Repertoire, The bronze is in extremely fine 
condition. The slender but robust forms, the lively pose and the 
severe drapery, belong to the second quarter of the fifth century b.c, 
and the technique of engraved hair and sharply cut features, and the 
sketchy finish of the owl and raised hand, point to the same time. 
The figure can therefore be identified as an original Greek work 
contemporary with the sculpture of the Temple of Zeus at Olympia. 
It was probably acquired in Athens by Lusieri, Lord Elgin's Nea- 
politan agent, and it seems likely that it was made there. 

The motive of flying the owl, like a carrier-pigeon, occurs on 
Athenian bronze coins of the time of Hadrian (Imhoof-Gardner, 
Numismatic Commentary, pi. A A, iv); but Athena there has an Attic 
helmet and stands in a later fifth-century pose. The only other 
record of the type, an archaistic marble relief in the Lanckoroiiski 
Collection in Vienna (Schrader, Pheidias, 76), follows the Elgin 
statuette so closely that both must be derived from the same model 
at Athens, a monumental statue or relief or perhaps a painting. A 
curious point is that the shaft of the spear in the Lanckoroiiski relief, 
held in the left hand, passes under the arm. The hand of the statuette 
is pierced for a shaft which would similarly go under the arm; but 
there has been a later adaptation, leaving its marks in a deep groove 
outside the fingers and a shallow one inside the forearm, in which 
the spear was fixed so as to lean on the shoulder in the ordinary 
position, which is shown in the statue on the coins. The goddess is 

1 10 

evidently represented in one of her familiar Athenian aspects, but 
her title has not been identified. Beule suggested, for the coins, 
Athena Archegetis of the Birds of Aristophanes, because the 
scholiast says that she held an owl in her hand. E. J. Forsdyke. 


THE Han group illustrated on Plate XXXVII b was acquired 
for the Museum by subscriptions organized by Mr Peter Sparks. 
The names of the subscribers are: Mr and Mrs Alfred Clark; Mr 
Anthony de Rothschild; Mr H. J. Oppenheim; Mr C. E. Russell; 
Mrs Meyer Sassoon; Mr C. T. Loo; Sir Louis and Lady Baron; 
Mr J. H.Jones; Mr Oscar Raphael; Major the Hon. Sir John Ward, 
K.C.V.O.; Mr and Mrs Cedric Lane-Roberts; Maj.-Gen. Sir Neill 
Malcolm, K.C.B., D.S.O.; Sir Percival David, Bart.; Mr R. H. 
Palmer; Mr George Eumorfopoulos; Prof. C. G. Seligman; Lord 
Alington; Mr Cecil E. Byas; Lord Edward Hay; Mr J. A. Barlow, 
C.B.; Sir Philip Sassoon, Bart.; Mr Victor Rienaecker; Mrs James 
V. Rank; Mrs Julius Spier; Mrs Baldwin Bantock; Mr W. Llewellyn 
Jones; Miss Edith M.Jones; Mrs John Sparks; Mr Peter Sparks. 

It is a group which has given rise to much discussion and it cannot 
be said that any definite conclusions have yet been reached as to its 
meaning. All we know of its history is that it is reputed to have been 
found near Loyang, and, according to the original Chinese vendor, 
with the component parts in the positions indicated by our reproduc- 
tion. The only real confirmation we have of this statement is in the 
material and the surface condition of the various pieces. They are 
all of a similar red ware and with a green glaze which is encrusted 
with silvery iridescence; and they are so alike in condition as to 
warrant the belief that they were found together. It cannot be denied 
at any rate that thus posed they make a fascinating tableau. 

As shown, the two principal figures are squatting on their heels 
beside a low table on which is a board fitted with certain intriguing 
appliances. A jar and a standing figure complete the composition. 
The main discussion centres round the board, which is rectangular, 
with six transverse strips at the right end and two notched strips along 
the sides at the left end, the rest of the surface being level except for 


two disks which appear like flat buttons mid-way between the 
notched strips, and some shallow L-shaped depressions in the corners 
which the glaze has almost filled up. 

So far two suggestions as to its meaning have been explored. The 
first supposes that the scene represents a game played by the two 
seated figures with the standing figure as spectator, the vase being 
used for holding counters or perhaps refreshment. Unfortunately 
the only table game which we know to have been played in the Han 
dynasty (206 b.c.-a.d. 220) is the game of 'checkers*, which could 
not by any stretch of imagination be represented here. 

The second suggestion is that the board is a musical instrument, in 
two parts, the right end with six transverse strips being played on, 
perhaps with a hammer, by one of the figures, while the notched 
strips on the left held five strings on which the other figure per- 
formed. The attitude of the two persons would suggest that one has 
just finished his piece and the other is applauding. 

The only pictorial relics of the Han dynasty to which we can refer 
are the stone bas-reliefs in Shantung, and only on two of these have 
we been able to find any analogous scene. In one^ two figures are 
seen similarly seated with a rectangular board or low table between 
them, but unluckily the stone is so worn that there is nothing left to 
show the purpose of the table. It is, however, significant that this 
picture appears in a series of groups representing musicians. 

The other^ scene includes a wine jar, a table with food vessels, and 
a square table on which are inscribed L-shaped lines, four disks and 
a square; but there is nothing in the attached inscriptions or in the 
context to explain the meaning of these diagrams. 

With regard to the standing figure, the two-pronged fork which he 
carries stamps him as an agricultural worker.^ Assuming that he 
actually has some connexion with the 'musicians*, it can only be in 
the role of listener; and we must infer that the scene was set, quite 
conformably with Chinese habits, out of doors. The table is 1 1*5 
inches long and 8*8 inches wide and the seated figures are 7*8 inches 
high. R. L. HoBSON. 

* See Chavannes, Mission Archiologique dans la Chine Septentrionale^ Part I, fig. 158. 

* Chavannes, op. cit., fig. 104. 3 Chavannes, op. cit.y fig. 75- 

I 12 








^■- ']''., 




THE T'ang mirror, illustrated on Plate XXXVII a^ was ac- 
quired by purchase. It is made of whitish bronze, the normal 
Chinese mirror metal. It is polished on one side, and ornamented 
on the other with mother-of-pearl bedded in black lacquer. The 
mother-of-pearl design represents two flying phoenixes with heads 
converging on a jewel which is enclosed in a ring bound with fillets. 
In the spaces are a knot and detached feathers and the whole design 
is enclosed by a double border which consists of an inner ring of 
feather ornaments and a plain outer ring. The lacquer bed is much 
decayed and crackled, and parts of the inlay show signs of decay. 
Some segments have fallen out and been lost, but not enough to 
destroy the general effect of the design. 

The style of the composition bespeaks T * an g workman ship; and the 
technique is that of the inlaid, eighth-century mirrors which are pre- 
served in the Shoso-in at Nara, though the latter are rather more sump- 
tuous and elaborate, being inlaid with amber as well as mother-of-pearl. 

Examples of mirrors with shell inlay are extremely scarce and no 
specimens with the dimensions of the present example (i i*55 inches 
in diameter) have been recorded outside Japan. R. L. Hobson. 


THE Museum has also acquired by purchase a Persian pottery 
box which appears to have been used to carry weighing scales. 
It is made of the sandy, white ware with lettuce-white glaze which 
is known in the antique trade as lakabl\ and its borders and reliefs are 
coloured with cobalt blue. Apart from the mouldings which follow 
the contours of the box, the chief ornament consists of two bands of 
formalized and illegible Cufic characters. The place of its origin may 
be conjectured to have been Rayy (Rhages) and its date of manu- 
facture the twelfth century. The width of the box is 8*8 inches. 

R. L. HoBSON. 


MR A. W. BAHR has lately presented to the Department of 
Oriental Antiquities a Buddhist painting of very considerable 
interest. On paper measuring 12 by i if inches this painting shows 

Q 113 

the Buddha between two attendant Bodhisattvas (Plate XXXVIII). 
Though it is only a rough sketch, the line is so free and the move- 
ment of the figures so well expressed that it is clearly the product of 
an advanced and vigorous school. An inscription below the paint- 
ing, in black ink on a prepared blue ground, states that it was made 
in the 4th moon of the 3rd year of Ta-yeh (a.d. 607) by Chih-Kuo, 
a monk of the Ta-chuang-yen Monastery, on behalf of Ya-ya 
Ling-hu, military Governor of Tun-huang. Practically no Chinese 
painting of the seventh century survives. The date is as much as two 
hundred and fifty years earlier than the earliest dated example among 
the paintings recovered from Tun-huang by Sir Aurel Stein, which 
range between a.d. 864 and 983. But among the manuscripts of 
the Stein Collection are found documents going back to a.d. 406, 
so that there is no reason to reject the suggestion of Tun-huang as 
the provenance of the new painting. The colouring, red, green, 
ochre, and purple, suggests some influence from the West, and only 
in such a place as the walled library at Tun-huang could the paper 
have survived so long with comparatively little damage. The 
acquisition of so early a dated example is clearly a matter of im- 
portance to the Department. B. Gray. 


THE Sub-Department of Ethnography, through the Vallentin 
Fund, has secured a paramount specimen of the so-called 
'ancestral* wooden figures from Easter Island (Plate XXXIX). The 
Museum already possesses the finest series of these peculiar objects 
in the world, but the present example is equal to any of the specimens 
in the British Museum, far surpassing any of the few which have 
been available during the last thirty years. 

A particular interest attaches to this acquisition, because it bears a 
label, signed Hugh Cuming, and marked as No. 3. Hugh Cuming, 
in the early half of last century, presented to the British Museum an 
Ethnographical series of over one hundred objects, collected from 
the Pacific and America. This series included two similar figures 
from Easter Island. The records for the period are defective, but the 
list of the Cuming Collection is preserved in the Sub-Department of 




m m 



Ethnography on paper which bears the dated water-mark of 1 8 3 1 . 
The label attached to the figure under discussion is in the same hand- 
writing as the British Museum record; the figurine is obviously the 
companion of the two which have been in the National Collection 
since the early nineteenth century. 

The figurine was in the possession of Lord Hothfield, who how- 
ever can give no information as to how it came into the possession 
of his family. 

The label attached by Hugh Cuming to this specimen calls atten- 
tion to the fact that in every case the right eye is missing. This is a 
coincidence. The previous Cuming figures also lack the right eye 
(which is a 'surround' of bird-bone, inlaid with obsidian) but purely 
by accident, as can be proved by other examples of earliest date. 

Examples of pre-European Polynesian art are rare, and this example 
of wood-carving, produced by a people living under stone-age condi- 
tions, is worthy of record ; especially as it is connected with a collection 
presented to the British Museum about a century ago. T. A. Joyce. 


THE sale of the well-known collection of Renaissance Medals 
formed by the late Thomas Whitcombe Greene took place on 
the 30th October. The low prices, due to the prevailing depres- 
sion, furnished an opportunity which was not missed by the Museum, 
which acquired all but two or three of such Italian medals as were 
not already adequately represented in the national collection. A few 
of these acquisitions are illustrated in Plates XL, XLI. Mr Whit- 
combe Greene had in previous years parted with many fine pieces 
from his cabinet, but there remained a number of unique specimens, 
and a few very fine examples of medals otherwise known. Of the 
latter class, the Museum secured the charming little piece of F. 
Francina, of the Mantuan School (PI. XL e); the perfect specimen 
of Francesco Roseti, attributed to Mafl?"eo Olivieri; the fine Francois I 
by Pomedelli (PI. XL/); the Dante, with the Mountain of Pur- 
gatory on the reverse; Valerio Belli's Pietro Bembo; Antonio 
Abondio's Niccolo Madruzzo, the only known specimen with the 


original reverse (PI. XL a), and also his Jacopo da Trezzo; Andrea 
Cambi's charming portrait of his wife Leonora (PL XL^); and 
an admirable example of Pastorino, the Giulia Barattieri Baiardi 
(PI. XL ^). Of the unique pieces which fell to the Museum, the most 
important is the fine portrait of Beraud Stuart d'Aubigny, Chevalier 
de Saint Michel, one of the suite of Charles VIII on his Italian ex- 
pedition, a characteristic work of Niccolo Fiorentino (PI. XLI a). 
Next, perhaps, comes a Florentine work of the early sixteenth 
century, the portrait of the unknown Catalan, Rafael Martin 
(PI. XLI ^), which has, however, suffered somewhat from tooling. 
The early sixteenth-century Scipione Buzzacarini of Padua, and the 
Venetian Scipione Clusona dated 1554 ( ?), who is also known from 
a portrait by Tintoretto dated 1561, are important pieces, if not 
attractive. Finally, three wax-models (a valuable addition to the 
miscellaneous series from the same collection acquired at a previous 
sale) were secured. One of them, in wax on slate (PL XL c), repre- 
sents Alessandro de' Medici, and may be by Francesco dal Prato or 
Domenico di Polo, although it is greatly superior to the medallic 
work of either of these artists. George Hill. 

AMONG recent acquisitions by the Department of Printed 
xTLBooks is a volume of fifteenth-century printing which is interest- 
ing for several reasons. It contains, in what is doubtless the original 
binding of half leather over boards, texts of Aristotle's De anima and 
Parva naturalia^ with commentaries by two luminaries of Cologne 
University, printed at Cologne by Heinrich Quentell in June 1497, 
and September 1498, respectively. The fact that they are small 
folios renders them somewhat exceptional among the work of 
Quentell, the overwhelming majority of whose four hundred or 
more editions are quartos; generally it required the stimulus of a 
commission for an academic text-book, as here, to reconcile him to 
a larger size. A much more remarkable feature, however, is the 
appearance on the title-page of the De anima of a large woodcut, 
about 195 X 181 mm., representing a scholar in his study, with an 
angel holding a scroll above his lectern and a dog gnawing a bone on 



the floor, which is obviously French work and seems in point of fact 
to be printed from a block used by Gilles Couteau and Jean Menard 
at Paris in their edition of the Danse macabre of 1492; a facsimile of 
this may be found in Claudin, Histoire de rimprimerie en France, &c.y 
vol. ii, p. 1 76. Instances of the westward migration of decorative 
material in printed books of the early period have long been on 
record, but the transference of such material from France to Ger- 
many is much more noticeable and must indeed be almost unique. 
The title-cut of the De anima is so far our only positive evidence of 
the closeness of QuentelFs connexion with the Parisian book-trade, 
but further light might be thrown on it if it should prove possible 
to identify three smaller blocks, measuring about 86x 61 mm., of 
which weakly inked impressions appear on different pages of the 
present book. One of them represents two men conversing in a 
narrow room, another shows Death standing over a coffin, a scroll 
with an unfortunately quite illegible inscription above his head ; the 
third, which is oblong, is of a man paddling in the stern of a boat, 
with two others apparently standing on the bank behind. These cuts 
are clearly contemporary work, but beyond this all is uncertain. The 
press-mark of the T)e anima is IB. 46 5 8 and that of the Parva Naturalia 
IB. 4670; the bibliographical references are: Voulli^me, Buchdruck 
Kolns, nos. 142 and 160; Gesamtkatalog, nos. 2348 and 2429. 
The Department has further acquired a copy of Johannes Versor, 
Quaestiones super logicam Aristoteiis, completed at Cologne in June 
i486 by Conrad (Welker) of Boppard, and the only recorded book 
containing his signature (press-mark: IB. 5040). Of the printers 
known by name who worked at Cologne during the fifteenth 
century only two now remain unrepresented by signed work in the 
Museum collection — Gerardus ten Raem and Peter ther Hoernen. 



AN important acquisition recently made by the Department of 
jljL Printed Books is one of the only two known copies of the 
original edition of yohn Bon and Mast person [i.e. Master Parson], 
a dialogue in verse between a husbandman and a priest, described by 


the Dictionary of National Biography (in its account of the author, 
Luke Shepherd) as *an extremely powerful satire directed against 
the Real Presence'. The first page bears a woodcut representing the 
Corpus Christi procession. The interest of the work may be partly 
judged from the fact that it was twice reprinted in the nineteenth 
century. The book is undated, but the date is established by the 
summoning of John Day, one of the printers (the other was William 
Seres) before the Lord Mayor in 1 548 to answer for the publication. 
Sir John Gresham, then Mayor, had a sense of humour, and after 
perusing "John Bon decided that it was *bothe pythie and mery' and 
dismissed the printer. Shepherd was, however, imprisoned in Mary's 
reign. He was the author of several other anonymous pamphlets 
on the side of the Reformers. 

Two other books acquired at the same time are distinctly deserving 
of mention. One is a fragment of a hitherto unknown poem entitled 
A breje apologye or answere to a certen craftye cloynar, or popyshe 
parasyte, called Thomas smythe, written by William Gray of Reading 
about 1540, for on 4 January 1541 Gray and Thomas Smyth, 'clerk 
of the council to the queen', were committed to the Fleet prison 'for 
writing invectives against one another'. The Museum possesses nine- 
teenth-century reprints of several of these invectives, but hitherto 
none of the original editions, which are all exceedingly rare. In 
the present poem Gray is defending 'TroUe awaye' and 'Trolle in', 
two of his known pamphlets, against Smyth's attacks in his 'Lytell 
treatyse agaynst sedicyous persons'. 

Of William Muggins's Londons Mourning garment^ or Funerall 
Teares: worm and shedjor the death of her wealthy Cittizens [in the 
plague], 1603, two other copies are known, at the Bodleian and 
Huntington libraries. It is a poem in rhyme-royal stanzas lamenting 
the plague and its resultant evils. 

*But most of all my sorrowing heart doth grieue 
For such as worke and take exceeding care 
And by their labour knowe not how to Hue, 
Going poore soules in garments thinne and bare.' 
This is followed by a prayer and a list of burials in the different 
parishes from 14 July to 17 November 1603. H. Sellers. 



AMONG other gifts received during the last quarter may be 
jLjL mentioned: 

The Architectural Work of Graham Anderson, Probst, & White, 
Chicago, and their predecessors. 2 vols. Privately published. 
London, 1933. Presented by Mr Ernest R, Graham. 

Comus, a Mask. By John Milton. With a frontispiece and the six 
characters in costume designed and engraved on wood by Blair 
Hughes-Stanton. The Gregynog Press, 193 1. Presented by the 
Misses G, E. and M. S, Davies. 

A. Gavrilovic: Znameniti Srbi xix. veka. 3 vols. Zagreb, 190 1-4. 
Presented by the Royal Serbian Legation. 

J. and J. A. Venn: Alumni Cantabrigienses. Vols. 1-4. Cambridge, 
1922-7. Presented by the Rev. Dr G. R. Woodward. 

A Collection of Dissertations published by the University of 
Chicago. 920 numbers. Chicago, 1 894-1 928. Presented by the 
University oj Chicago, 

M. A. Pardee: Le Masque authentique de Napoleon. Son Strange 
histoire de 1821 a nos jours. Edition privee. 1933. Presented by 
Mr and Mrs Alfred Day Pardee. 

A Collection of Documents and Letters forming a history of the 
Imperial Maritime League, brought together by Mr L. G. H. 
Horton-Smith, joint founder of the League and for some years joint 
Hon. Secretary. 18 vols. 1908-15. Presented by Mr L. G. H, 

Hallwylska Samlingen. Beskrifvande forteckning. Grupp XLII. 
Silfver. Grupperna I^LV. Brons-Skulpturer. Text and plates. 
5 vols. Stockholm, 1932-3. Presented by the Board of the Hallwyl 

Copies of the records of the distribution of the Royal Bounty to 
French Protestant Refugees in England. London, 1708-10, 1725, 
1728, 1729. Presented by the Secretary of the French Hospital, 
Victoria Park Road^ London. 

Autograph MS. of Mrs Humphry Ward's 'Bessie Costrell' (Add. 
MS. 43505). Presented by Mrs Reginald J. Smith. 

James Albery's play, 'Jingle', proof sheets, 1887, with corrections 


and additions by Henry Irving (Add. MS. 43506). Bequeathed by 
Richard Henry Bath, 

Papers of the Dukes of Cleveland, 1 756-1 9th cent. (Add. MS. 
43 507). Presented by Mr H, C. Price, 

Genealogy, with evidences, of the Oznobishin family (Russia); 
Add. MS. 43508. Presented by Mrs L. J, de Rochejort. 

Letters of 'Zion* Ward to the Nottingham connection, 1829-31 
(Add. MS. 43 509). Presented by the executors of C. B. Holinsworth, 

Notes of cases made by Sir Samuel Martin, Baron of the Exchequer, 
on the Western Circuit, Spring '1864, and Home Circuit, Summer 
1864 (Add. MS. 43646). Presented by the Rt Hon. Sir Frederick 

Account-book of Francis Bedwell, locksmith, ijji-6 (Add. MS. 
43679). Presented by Mr E. H. JV. Meyer stein through the Friends 
of the National Libraries. 

Letters of literary men to A. R. Waller, Secretary to the Syndics 
of the Cambridge University Press (Add. MSS. 43680, 43681). 
Presented by Mrs A. R. Waller and Mr Harold Child. 

A fourteenth-century volume of Franciscan sermons. Presented by 
Dr Robert Steele. 

Two autograph poems of Lionel Johnson, written at Winchester. 
Presented by Mr Campbell Dodgson, C.B.E. 

Autograph letters of Madame D'Arblay (Fanny Burney), S. T. 
Coleridge, Sir Thomas Lawrence, &c. Presented by Mrs E. Hugh N. 
Wilde through the Friends oj the National Libraries. 

Three letters of R. D. Blackmore and a letter of Kenneth Graham. 
Presented by Miss M. Fedden as a thank-ofering for pleasure and 
instruction received by her from the official guide-lecturers. 

Three foreign passports. Presented by Mr H. M. Paull through the 
National Art-Collections Fund. 

Letter of O. W. Holmes, 29 December 1890. Presented by Mr 
F. D. Flory. 

Letter of J. G. Wille, the engraver, to Chretien de Mechel, 
28 May 1775. Presented by Dr J. S. Pearson. 

A collection of American literary autographs. Presented by Dr 
Thomas Ollive Mabbott. 


Three fourteenth-century charters (Add. Ch. 70792-70794). 
Presented by Major H, R. M. Howard, 

Two deeds relating to the Tresham family (Add. Ch. 70795, 
70796). Presented 6y Mr H. R. Moulton. 

Charter of Robert, Earl of Orkney, 1591, &c. (Add. Ch. 70797 
A-C). Presented by Mr Allan Pea. 

Rental of Tiverton, co. Devon, 1596 (Add. Roll 70798). Pre- 
sented by Dr E. G. Millar. 

Compotus roll of Okehampton, co. Devon, ijz-ili Philip and 
Mary (Add. Roll 70799) Presented by Miss B. Herapath, 

The Mishnah of Rabbi Eliezer. Edited by Dr H. G. Enelow. 
New York, 1933. Presented by the Editor, 

Nan-Shan-Li: Brick Tombs of the Han Dynasty at the foot of 
Mount Lao-t'ieh, Manchuria. 1933. Presented by Marquis Mori- 
tatsu Hosokawa. 

Miles Birket Foster: Two drawings. Presented by Mr C. R. 


G. B. Castifflione: Six small etchings) „ 7 / 7- ; tt^-j 

T ^ r> !:> • .^ } Presented by Lady IVtlson. 

J. C Baquoy: r our vignettes j ^ •' 

William Evans: Portrait drawings of Richard Payne Knight and 
Joseph Planta. Presented by Mr George A. Simonson through the 
National Art-Collections Fund. 

Mahogany fitting for the exhibition of prints and drawings. 
Presented by Messrs Ellis and Smith. 

Attributed to G. B. Tiepolo: Design for a wall-painting. Presented 
by Captain George Fenwick Owen. 

Noach van der Meer and R. Vinkeles: Unfinished proof of the 
engraving 'L'Auditoire dans Tedifice de la Societe Felix Meritis', 
1 794. Presented by Mr W. H. White. 

Five drawings by Old Masters. Presented by Mr A. P. Rudolf, 

Five Rumanian drawings. Presented by Professor G. Oprescu, 

Luigi Servolini: Six woodcuts. Presented by the artist. 

Ronald Gray: Two water-colours. Presented by the artist. 

C. F. G. R. Schwerdt: Catalogue of Books, MSS., Prints, and 
Drawings (Hunting, Hawking, Shooting). 3 vols. 1928. Privately 
printed. Presented by the author, 

R 121 

Campbell Dodgson: 'Los Desastres dela Guerra' (Roxburghe Club 
Publication). Presented by Sir yohn Stirling Maxwell^ Bart. 

A stone vase in the form of a duck, a sculptor's trial piece, and a 
scarab of the Second Intermediate Period. From the excavations at 
al Amarnah. Presented by the Egypt Exploration Society. 

Inscribed half-mina weight, of pebble shape, from the city of 
Ashur. Presented by Mr J. W. A. Cooper. 

The Llewellyn Phillips collection of Arab glass weights. Given by 
Mrs Phillips. 

Replicas of a bronze 'arrow vase' and a ewer in the Shoso-in at 
Nara; and four boxes of ying ch'ing porcelain with inscriptions. 
Given by Sir Percival David ^ Bart. 

A Chinese pottery covered jar of the Han Dynasty (206 b.c- 
A.D. 220). Given by Mr O. C. Raphael. 

Chinese porcelain vase. Sixteenth century. Given by Mr G. 

Japanese lacquered helmet box decorated in Tosa style. Seven- 
teenth century. Given by Mr G. Fenwick Owen. 

Pair of bronze knockers from a gate in Peking. Given by Col, 
G. H. W. O'Sullivan, R.E. 

Flint core and flakes from the estuarine clay. Island Magee, N. 
Ireland, and pre-Crag implements from Suffolk and the Norfolk 
coast. Presented by Mr J. P. T. Burchell. 

Series of microlithic flints from a site below peat at Brox- 
bourne, Herts. Presented by Mr S. Hazzledine Warren and 
Mr O. RickoJ. 

Flint arrow-head, pygmy implements and flakes from sand-hills 
near Boulogne-sur-Mer. Presented by M. Seymour de Ricci. 

Pewter spoon, pied-de-biche type, with crowned head of William 
III. Presented by Mr and Mrs Norman Gash 

Crystal seal with intaglios of the Colosseum, Baths of Caracalla, and 
the Pantheon. Presented by Mr James R. Ogden. 

Seven bronze portrait medals of English men of letters by T. 
Spicer-Simson. Presented by the Director, 

Portrait medals of Mrs Anna P. Taft and Mrs Eleanor Ashley Bach 
by T. Spicer-Simson. Presented by the artist, 


A portrait plaque of Sir George Hill, K.C.B., F.B.A., by Frank 
Bowcher. Presented by the artist. 

Forty-six silver, 43 bronze, and 32 nickel, &c., British, Colonial 
and European coins. Presented by Mr Henry Garside, 

Twenty-one denarii and 2 bronze coins of the early Roman 
Empire. Presented by Monsieur Paul Tinchant. 

Eighty-five varieties of Irish seventeenth-century tokens to be added 
to the Lionel Fletcher collection. Presented by the Executors of the 
late Lionel L. Fletcher, 

Five early Abbasid bronze coins from the Oxford University ex- 
cavations at Hira, Presented by Mr Gerald Reitlinger, 

A bronze coin, apparently unpublished, of Xerxes, King of Armenia 
(f. 170 B.C.). Presented by Dr y. Prendergast. 



THE elaborate catalogue of all known implements of the Bronze 
Age in England and Wales was undertaken by a Committee of the 
British Association some years ago and has been completed to date 
under the chairmanship of Professor Myres, with Mr Harold Peake 
as Secretary. By arrangement with the Trustees the card-index has 
now been removed from Burlington House and accommodated in 
one of the Sturge Bequest rooms in the basement of the White Wing, 
where it can be consulted by students under the same conditions as 
the Sturge collection. The departmental staff will enter any further 
finds brought to the notice of the Museum, and it is hoped that new 
specimens will be submitted to the Keeper of British and Medieval 
Antiquities for registration, as drawings and exact measurements are 


THE recently issued quinquennial volume of the Subject Index 
of Modern Books acquired by the British Museum since 
1880 carries the work forward over the years 1925 to 1930. The 
preceding eight volumes include entries amounting to rather less than 


45o>ooo; ^i^d the present volume being estimated to contain 77,400 
entries, students have now at their disposal a classified list of more 
than half a million references to books representing the recent litera- 
ture of all countries of European and Western civilization, including 
new editions of books originally published at earlier dates. 

The whole inventory now covers a range of half a century. Con- 
trived originally by its first editor, Dr G. K. Fortescue, to meet the 
domestic needs of the Reading Room of the British Museum and 
intended to be used as a supplement to the General Catalogue of 
Printed Books, which is an *Author Index*, the Subject Index is not 
an exhaustive bibliography of the literature of the period which it 

It has its definite limitations: only books which are in the British 
Museum are entered; and no analytical index of periodical publica- 
tions is attempted. 

But despite these limitations the British Museum Subject Index 
supplies to the general public a need which nothing else meets, and 
has become an indispensable work of reference in most of the libraries 
of the Western World. It may be hoped that in the future it will 
be possible to carry the Index backwards so far as to include the 
literature of the whole of the nineteenth century — though not, in 
this form, further backwards into regions where it is very doubtful 
whether the existing structure would be suitable. 

It becomes ever more obvious, as Dr Fortescue foresaw, and as this 
procession of portly volumes makes clear, that the idea of combining 
the whole into a cumulative index is impracticable. To be of real 
service the index must continue to be issued in volumes of manage- 
able size; the alternative would be an impenetrable and overwhelm- 
ing mass of entries, in which the student would grope and flounder 

The price of the present volume is ^5 ^s. 

Off-prints of the headings Aristophanes (23 double-columned 
pages) and aristotle (86 pages) from the new edition of the General 
Catalogue of Printed Books are now on sale at the price of 2s. 6d, 
and js, 6d. respectively. 

A new reprint of the pamphlet The Book of the Dead^ with 24 


illustrations, has been issued (is.). The reproductions of the Saxton 
Maps have been continued with Suffolk, Somerset, Hampshire, 
and Cornwall (5^. each). 

In connexion with the Mt Sinai Manuscript of the Bible, a post- 
card showing one opening (end of St Luke and beginning of St 
John) has been issued at 2^. ; also a full-size collotype reproduction of 
the same opening at is.; and a pamphlet (with four illustrations) 
giving the main facts of interest concerning the Manuscript at 6^. 

A penny leaflet giving the facsimile, transliteration, and A.V. and 
R.V. versions of the Lord's Prayer according to St Luke, is in 

Those who wish to dispose of large quantities of these publications 
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AN Exhibition of English Art, gathered from various depart- 
JLjL ments, is being held in the Prints and Drawings Gallery. It 
supplements the exhibition of the Royal Academy in showing prints 
as well as drawings, and by admitting work produced by foreigners 
on English soil. The work of Holbein and Van Dyck could hardly 
be omitted in any attempt to show the development of native art, 
and any picture of England in the seventeenth century would be 
incomplete without the illustration of Hollar. The period of the 
exhibition is roughly the same as that of the Royal Academy, i.e. from 
Anglo-Saxon times to about 1 860: it includes a few examples of later 
date, but nothing by contemporary artists. 

Four departments have combined to bring together outstanding 
examples of English art from various parts of the Museum: the 
Mediaeval Antiquities (with the wall-paintings from St Stephen's 
Chapel, and examples of ivory carvings, seal-matrices, and em- 
broidery), the Coins and Medals, the Manuscripts (with an un- 
rivalled series of illuminations), and the Prints and Drawings. The 
exhibition may give some visitors a fresh view, if not a first sight, of 
objects which may have escaped their notice in the various corners 
of a vast building, and the amateur may be enabled to assess the 


qualities of draughtsmanship and design which have characterized 
English creation throughout the ages. 

The exhibition is inevitably only a small selection from the rich 
variety of the Museum collections, and the visitor may be directed 
to certain parts of the building where other branches of English art 
are represented: to Anglo-Saxon antiquities in the Iron Age Gallery; 
to alabaster carvings, to pottery and porcelain, and other antiquities 
in the west end of the ground-floor of the King Edward VII 
Galleries; to the illustrations in early printed books shown in the 
King's Library, and notably to a special exhibition of English book- 
bindings in the same gallery. 

A Guide to the Exhibition has been printed, and is on sale at the 
price of is. 6d, 




Squire, M.V.O., M.A., F.S.A., F.R.C.M. 


Mus.Bac. Pp. X4-278. 1929. los. 

384. 1929. 15s. 

CELLINI, by G. F. Hill. Two vols.: text, pp. xvii4-37i> and 201 plates. 1930. 

NOW IN THE BRITISH MUSEUM PartVL Italy: FoHgno, Ferrara, Florence, 
Milan, Bologna, Naples, Perugia, and Treviso. Pp. I + 301 (599-899}, with 31 plates 
of facsimiles (XLII*-LXXII*). 1930. ;^3 3s. 

Vespasian to Domitian. With an introduction and 83 plates. By Harold Mattingly, 
M.A. 1930. 8vo. ^2 3s- 

Prehellenic and Early Greek. Pp. viii + 214, with 43 plates and 246 figures in text. 
1928. 1 8s. Part II. Cypriote and Etruscan, Pp. viii+ 261, with 6 plates and 132 
figures in text. 1931. £1. 

CODEX ALEXANDRINUS in reduced photographic facsimile. Old Testament, 
Pan II. I Samuel — II Chronicles. 232 plates. 1931. ;^2 2s. 

BRITISH MUSEUM. By Arthur M. Hind, M.A., F.S.A. Vol. IV. Dutch 
Drawings of the 1 7th Century (N-Z and Anonymous). 1931. 8vo. ;^2 los. 

THE STURGE COLLECTION: An Illustrated Selection of Flints from Britain 
bequeathed in 1919 by William Allen Sturge, M.V.O., M.D., F.R.C.P. By Reginald 
A. Smith,F.S.A. 1931. 8vo. With 11 plates and numerous illustrations in the text, ^i p. 

BRITISH MUSEUM. Part XLI (50 plates), by C. J. Gadd M.A., F.S.A. 1931. 
Folio. 1 6s. 

BY SIR AUREL STEIN. By Arthur Waley. Pp. lii+328. 1931. 8vo. £2. 

L. D. Barnett. Pp. 695. 1 93 1. £2 3^' 

1004 cols. 1931. Vol. II, Aegidius-Aleu. 996 cols. 1931. Vol. III. Alevra- 
America. 1004 cols. 1932. Vol. IV, America-Anne. 988 cols. 1932. Vol. V, 
Anne-Aristias. 1004 cols. 1933. Each £4. (to original subscribers £2). 

Dr. R. Campbell Thompson. Pp. 36, with 18 plates. 1931. los. 

THE LUTTRELL PSALTER. 183 Plates, with an Introduction by E.G.Millar. 

R. L. HOBSON. 2S. 

CORPUS VASORUM ANTIQUORUM (Great Britain fasc. X, British Museum 
VII). Edited by F. N. Pryce. 48 plates. 15^. 

1 2 Plates. 6s. (with portfolio ys.) or 6d. each. 

AND XVI CENTURIES. By A. E. Popham. 83 plates. £2 7s. bd, 

700 B.C. to A.D. 270, based on the work of Barclay V. Head. 50 plates. 1932. 15*. 

1933- I2 10^- 

FLINTS. An illustrated manual of the Stone Age for Beginners. Bv R. A. Smith. 
Reprint. 1932. bd. 

INGS AND MOSAICS. By R. P. Hinks. Pp. Ixxi + 157, with 168 figs, and 
32 plates. 1933. £2. 

by Al-Kali. Edited by A. S. Fulton. Pp. 16, with 148 plates. 1933. los. bd, 



BRITISH MUSEUM from 1925 to 1930. Pp. 1,759. 1933. ^^5 5^. 

THE BOOK OF THE DEAD. Reprint. With 25 illustrations, is. 

WALES, reproduced in colour. Frontispiece portrait of Queen Elizabeth, ys. bd. 
Single sheete, 5^. each. In progress. 

REPLICAS AND CASTS of the finest objects from Ur can be supplied to order. 
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be had on application to the Director, British Museum, London, W.C. i. 







ANNUALLY, each dealing with the 
principal acquisitions of the previous 
quarter. The descriptions are intended to 
be not too technical for the layman, and 
to give the expert part at least of what 
he needs to know. Notice is also given of 
the temporary exhibitions periodically 
installed in the galleries, the results 
of excavations, and additions to the 
publications of the Museum. 

V O-** ^"^ J"*^ |>*^ """^ ^"^ '"•^ '^"^ °^'' *** "■'"^ "^ 

, >«-,(v«-wO-»» 0""M!-«% !■--•■» IK"-! O-^* 

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xkfitmmnMiptotf^^ ■tfi^Blg^iig dtaexttAmne tdv&t&ntn^ 

^^ A»V^)l»t« «1W# «^ fettT" 





Sold at 


BERNARD QUARITCH 1 1 Grafton Street London W.\ 

HUMPHREY MILFORD Oxford University Press London E.C.i, 


38 Great Russell Street London W.C.i 



103. An Irish Library . . . . 

104. English Bookbindings ..... 

105. Two Leaves from the Book of 'the Monk of Hy^res' 

106. Laurence Nowell and a recovered Anglo-Saxon Poem 

107. A Collection of Autographs and Charters . 

108. A Letter in Slavonic .... 

109. A Katharine Adams Binding 
no. New Letters of John Wesley 

111. Charles Dickens's Letters to his Wife 

112. Some Oriental Manuscripts 

113. Drawing by John Crome .... 

114. The Elgin Marbles in an Idealized Setting 

115. Engraving after Andrea Mantegna . 

116. Contemporary Prints and Drawings . 

117. Three Antiquities from Syria . 

118. Mycenaean and Greek Gems 

119. Early Greek Bronzes .... 

120. A Cameo Portrait of a Roman General 

121. Examples of Mesolithic Art 

122. English Glass . . . . . . 

123. A Persian Pottery Jug .... 

124. Inlaid Bronzes of the Han Dynasty . 

125. A Glass Pall from Chin-ts'un . 

126. An Early Mughal Illuminated Page . 

127. The 'Charles Beving' Collection of Textiles 

128. An Ethnographical Series from the Sudan . 

129. Carved Shields and Spears from Dutch New Guinea 

130. Two Rare Greek Coins .... 

131. Greek and Roman Coins .... 

132. A Rare Italian Medal .... 












Other Gifts . 

Supply of Casts 

Loan Series of Drawings and Water-colours from the 
Turner Bequest . 

Recent Publications 







XLII. Miniature from the Book of 'the Monk of 

Hyeres' ...... Frontispiece 

XLII I. Drawing by John Crome . . . To face page i "t^^ 

XLIV. The Elgin Marbles in an Idealized Setting „ 140 

XLV. Mycenaean and Greek Gems. Syrian 
Seals. Roman Cameo. Greek Geometric 
Bronzes ...... „ 142 

XLVI. Engraved Deer-antler from Romsey and 

Ox-bone Implement from the Thames . „ 144 

XLVII. Inlaid Bronze Finials from Chin-ts'un . „ 147 

XLVI 1 1. Glass Tesserae from Chin-ts'un . . „ 148 

XLIX. Page from the Ta*rikh-i Alfi ... „ 150 

L. Helmet worn in Funeral Dances, Latuka 
Tribe. Pottery Vase, Azande Tribe. 
Pottery Lion, Shilluk Tribe ... „ 152 

LI. Carved and Painted Wood Shields from 

Dutch New Guinea . ... „ 153 

LI I. Carved Wood 'Paddle-spears' from Dutch 

New Guinea ..... „ 154 

LIII. «. Medal of Francesco de' Girardenghi. 

b. Greek Coins ..... „ 155 



THE Department of Printed Books has received as a gift from 
Lord Moyne a small library of some two thousand volumes, of 
Irish interest, and for the most part printed in Ireland, collected by 
Mr Mathew Dorey of Dublin. Two-thirds of the books are dupli- 
cates of copies already in the Museum collection, but upwards of 
seven hundred volumes and pamphlets form new additions to the 
Library. These new additions date from the sixteenth to the nine- 
teenth century, but the great majority belong to the late eighteenth 
or early nineteenth century, and so go to strengthen the Museum 
collection at a point where it is probably weakest. The volumes not 
required by the Museum are to be distributed among other libraries, 
in accordance with Lord Moyne's wishes, by the Friends of the 
National Libraries. H. Thomas. 


THE modern section of the Exhibition of English Bookbindings 
installed in the King's Library has been enriched by two new 
specimens as a result of the continued interest of Mr Julian Moore 
in the Museum's collection of bookbindings. 

Mr Moore has presented to the Museum a copy of the 1892 
Kelmscott Press edition of Wilfrid Scawen Blunt's The Love Lyrics 
and Songs oj Proteus^ bound by Messrs Birdsall of Northampton in 
a green morocco binding decorated in the style of Mr Douglas 
Cockerell. He has also been responsible for the presentation to the 
Museum of a large-paper copy of the 1 8 2 1 Chiswick Press edition 
of Sir Thomas More's The History oj King Richard the Third, 
bound by F. Bedford in a dark brown morocco binding decorated 
in a style reminiscent of the French binders of the sixteenth century. 
This copy was shown at the Burlington Fine Arts Club's Exhibition 
of Bookbindings in 189 1. It was later acquired by Lt.-Col. W. E. 
Moss and was shown again at a recent bookbinding exhibition, 
where it was seen by Mr Moore. As a result, the book was presented to 
the Museum as a joint gift from Mr Moore and Lt.-Col. Moss. The 
Museum now has worthy specimens of two English bookbinding 
firms hitherto badly represented in its collections. H. Thomas. 

s 127 


AMONG the illuminated manuscripts of Italian provenance in 
XjLthe Museum two remarkable fragments of a late fourteenth- 
century MS., acquired at different times, Add. MS. 27695 in 1867 
and Add. MS. 28841 in 1871, have always occupied a position of 
their own in virtue of the marked originality of their decoration. 
Internal evidence suggests that they were executed in Genoa or its 
neighbourhood and they have usually been attributed to a certain 
Cybo, 'the monk of Hy^res', no doubt a member of the well-known 
Cibo family of Genoa, surviving descriptions of whose work would 
certainly apply very well to some of the features of these fragments 
(see J. W. Bradley, Dictionary of Miniaturists, I, p. 268). The monk is, 
however, a somewhat shadowy figure, and the attribution cannot be 
considered as certain, particularly as it is possible that more than one 
hand was employed on the book represented by these fragments (cf. 
P. Toesca, La pittura e la miniatura nella Lombardia, p. 41 1, note). 

The fragments have a particular interest as representing the work 
of a school of miniature painters of the Ligurian district which does 
not appear to be elsewhere attested. It is therefore a matter for con- 
gratulation that two more leaves, one of them of exceptional beauty, 
which originally belonged to the same book, have been recently 
acquired for the Museum (Egerton MS. 3 1 27). A brief description 
of the two fragments already in the collection will serve to place the 
two new leaves in their proper setting. The original book contained 
two Latin texts, analogous in subject, though different in form, the 
one being in prose and the other in loose rhythmical verse. The 
prose text is a treatise on the vices by a member of the Cocharelli 
family of Genoa, who states that he compiled it for his children, in 
particular his son John, and illustrated the theme with tales derived 
from his grandfather, Pelegrino Cocharelli. This same authority is 
referred to in the verse treatise, which deals with the history of Sicily 
in the time of Frederick II (1298-13 37), as *de Cocharellis vir 
nobilis nomine dictus Pelegrinus'. There is some interesting historical 
matter in those passages of the two treatises which derive from the 
author's grandfather. As the form of the two texts differs, so does the 


scheme of decoration. The most marked feature of Add. MS. 27695 
is a series of full-page paintings in illustration of the text. Certain 
of these, it has often been remarked, have a decided oriental character 
both in the handling and, in some cases, in the types depicted.^ 

The text pages of this section are for the most part framed in 
borders of decorative work, usually sharply divided off from the 
text by a gold line and inset with roundels containing figures and 
little scenes, animals, insects, birds, and grotesques, and here again 
oriental influence is to be observed. Minute studies of animals, birds, 
and insects are used for line-fillings. One leaf of this series has 
strayed into the other fragment (Add. MS. 28841, fol. i). The decora- 
tion of this other text is conceived very diff^erently. The border is 
not contained within a formal frame, but consists of branching sprays 
with their leafage and fruit (more rarely of grass or of water), which 
break in between the lines of the text at irregular intervals, extending 
across the whole breadth of the column. Careful naturalistic studies 
of insects, shells, and animals (in this order of preference in the 
surviving fragment) are interspersed throughout these borders. No 
birds occur here. Similar details, though generally on a smaller 
scale, are used for line-fillings.^ 

The two new leaves belong to that part of the book represented by 
the fragments in Add. MS. 27695, as is immediately clear from the 
subject of the text (two prose passages on Usury and Treachery) and 
the style both of the miniatures and the border work. The first minia- 
ture (fol. I b, see Plate XLII) is a delightful picture of a hawking 
party, showing marked oriental influence. In general plan it most 
nearly resembles Add. MS. 27695, fol. 13 b, the lower half of the 
page being occupied with the figure subject, while, above, flights of 
birds enliven the borders and the space between the two columns of 
text, which, however, is not separated off by any formal division. The 
figures are drawn with a clean, decisive line upon the plain vellum 
and tinted with colours and gold paint. The birds are depicted with 

^ Cf. particularly the representation of a Tartar Khan in illustration of the vice of 
Gluttony, fol. 6, reproduced in British Museum, Reproductions from Illuminated MSS.y 
Series IV, PL XXXI. 

2 For a reproduction of one of these pages see Reprod. from III. MSS., Series IV, 


great spirit and the characteristics of the different species are minutely 
observed. In the upper margin there is a scene of carrion birds tear- 
ing at a dead horse, which recalls the insistence on details of cruelty 
thatisamarkedfeatureof some of the miniatures in Add. MS. 27695. 
This characteristic comes out even more strongly in the drawings of 
scenes of slaughter and mutilation in the border of the first page of the 
second leaf, a choice of subject appropriate to the text, which illustrates 
the theme of treachery by an interesting account of the dynastic 
history of Cyprus in the late thirteenth and early fourteenth centuries. 
The borders to the other two pages closely resemble other examples 
in Add. MS. 27695, having running patterns of a rather oriental 
type round the three sides and roundels enclosing insects in the base. 

R. Flower. 


BY the generosity of Lord Howard de Walden the Museum has 
come into the possession of eight transcripts by the Elizabethan 
scholar, Laurence Nowell, Dean of Lichfield (d, 1576), and twenty- 
eight printed books of the sixteenth and seventeenth centuries in 
the original vellum wrappers, twelve of which have the inscription 
of ownership of William Lambarde and five that of Nowell. In- 
cluded among these are copies of John Speidell's New Logarithmes, 
16 ig, A Collection oj the Lawes concerning Liueries of Companies, 
1 571 , King 'James's Daemonologie, Edinburgh, 1 597, R. Hitchcock*s 
Pollitique Piatt Jor the honour of the Prince, 1580, and J. Proctor*s 
Historic of Wyates rebellion, 1 595. Nowell was active in the revival of 
Anglo-Saxon studies in England, in concert with Archbishop Parker 
and his secretary John Joscelin, in the sixties of the sixteenth cen- 
tury. The interest of the scholars of that period was mainly in 
ecclesiastical, historical, and legal texts. Nowell, however, owned the 
manuscript of Beowulf and it has been shown recently that his was 
the hand which glossed certain passages in the famous Exeter Book 
of Anglo-Saxon poetry. ^ It is therefore appropriate that we should 
^ See the introduction to the facsimile published by the Dean and Chapter of Exeter, 
1933, p. 91- 

owe to him the recovery of a long-lost Anglo-Saxon poem, which is 
among these transcripts. 

The most important manuscript included in the gift is a copy (Add. 
MS. 43703) of the Cotton MS. Otho B. XI, made while it was in the 
collection of Sir William Cecil in 1562. The manuscript suffered 
badly in the fire of 1 73 1 and this transcript, which apparently repre- 
sents the greater part of its original, is therefore of high value. Otho 
B. XI contained texts of the translation of Bede's Historia Eccle- 
siastica attributed to King Alfred, a version of the Anglo-Saxon 
Chronicle, a collection of laws, a poem on fasting, and a number of 
leechdoms. The two historical texts had been used by Abraham 
Wheelock while the manuscript was intact. Fragments only of these 
and of the laws now remain, the poem and the leechdoms having 
entirely disappeared. This poem, now restored to us in what appears 
to be a reasonably accurate transcript, is of considerable interest. Its 
metrical form is unique, for the alliterative lines in which it is com- 
posed are divided into twenty-nine stanzas normally of eight lines. 

The subject is fasting, particularly the Ember Days and the 
Lenten fast. The periods assigned to the Ember Days (in the first 
week of Lent, the week after Pentecost, the week before the equinox 
in September, and the week before Christmas) agree with the state- 
ment of St Egbert in his dialogue De Institutione Catholica, Migne, 
Pair. Lat., Ixxxix, col. 440, where, as in the poem, the introduction 
of the practice into England is ascribed to Pope Gregory. The poem, 
which ends with exhortations to priests to avoid gluttony, ends incom- 
pletely. It has hitherto been known only through the quotation by 
Humfrey Wanley of the opening passage ('Wass in ealddagum* 
Israheala folc', &c.). There is no evidence as to the date of composi- 
tion, but it does not appear to be earlier than the tenth century. 

Of the other transcripts most are of a historical nature. There is 
a copy (Add. MS. 43704) of a large part of the version of the 
Anglo-Saxon Chronicle known as the Peterborough Chronicle (now 
Bodleian MS. Laud Misc. 636); of part of the history of Florence 
of Worcester (Add. MS. 43705); and of the Descriptio and Itine- 
rarium Walliae of Giraldus Cambrensis (Add. MS. 43706), two 
works which appear to have possessed great interest for sixteenth- 


century scholars. Another volume (Add. MS. 43707) contains 
extracts from William of Malmesbury's De Antiquitate Glastoniensis 
Ecclesiae and a copy of Thomas de la More*s Vita et Mors Edwardi 
Secundi. There has been some controversy about this last tract, 
which in this independent form only exists in sixteenth-century 
copies of which this appears to be the earliest (it was copied in 1566), 
but it seems probable that it is merely an excerpt from the chronicle 
of Geoffrey le Baker. Another small manuscript (Add. MS. 43708) 
contains what appears to be a compilation from various historical 
sources, Higden's Polychronicon, Henry of Huntingdon, &c. Two 
other small volumes (Add. MSS. 43709, 43710) contain copies of 
deeds of the hospital of St Katherine's near the Tower and of Andrew 
Boorde*s Itinerary (printed by Hearne in 1735). 

These manuscripts seem to have passed with many other of No- 
well's manuscripts and printed books to his pupil William Lambarde, 
who published the first edition of the Anglo-Saxon Laws in 1568. 
A number of the printed books included in the present gift would 
appear to have come the same way. 

Even apart from the great importance of the recovery of the 
greater part of the burnt MS. Otho B. XI this collection is valuable 
for the light it may be expected to throw, when studied in conjunc- 
tion with other books and manuscripts of Nowell and Lambarde in 
the Museum and elsewhere, on the beginnings of Anglo-Saxon 
scholarship in England. R. Flower. 


A COLLECTION of ten documents and seven charters pre- 
sented to the Museum by the Rev. E. A. Dentith, F.R.G.S., 
contains some interesting items. One of these, a letter in Slavonic, 
is dealt with elsewhere in this number. The documents, which range 
from 1528 to 1 83-, include a Privy Council warrant to pay monies 
for the wars in Ireland, 1607, a letter from — Mazel to Arnaud, 
secretary of Louis XIV, 1677, a letter in Modern Greek from 
Zachaeus, Ka6r|you|Ji£vos of the monastery of Mega Spelaion, Morea, 
Greece, 1689, an order for the payment of salary to J. B. H. 


Dugazon, the French actor, 1776, and others. A short note which 
throws some light on the methods used in the famous Westminster 
Election of 1775 ^^J ^^ quoted in full. 

*Mr Griffiths' respects to the Duke of Northumberland & sends 
his Grace a parcel of Papers. He met with some scurrilous ones 
yesterday of the other side, & thought this the best way of answering 
them. They have been given out last night to a number of Ballad 

Singers & News Hawkers. Mr. G does not own himself the 

author, as it might offend some of his friends in Ireland. 

Hyde Street, Tuesday Morn.* 

It is not surprising that Thomas Percy, editor of the Reliques^ as 
chaplain to the duke came into possession of this note, as is attested 
by the following annotation which is written in a hand identifiable 
as his: 'N.B. The Above is the Mr. Henry Griffiths; whose wife 
Frances corresponded with him etc. & afterwards published their 
epistles under the Title of Letters of Henry & Francis etc. in several 
Vols. 12'"°.' 

The charters (Add. Ch. 70802-70808) range from 1350 to 1783. 
The two most interesting of these are the earliest in date, one (Add. 
Ch. 70802) relating to a suit of homage between Guillaume Roger 
and Jean Comte d'Armagnac concerning the moiety of the castle 
of Aurella held by the former in right of his wife, 28 December 1 3 50, 
the other (Add. Ch. 70803) an inventory of goods surrendered by 
Godfrey son of Walter Mynninck to Sir Gerard tSerclaes, the names 
of many of the goods being given in Flemish, Brussels, 6 August 
1 4 1 8. The others have all some point of interest. R. Flower. 


AMONG the papers presented by the Rev. E. A. Dentith there is an 
-^ljL unusual item, without parallel in the Department of Manuscripts, 
namely, a letter in Serbo-Croatian, written in a cursive Cyrillic hand 
and dating from 1 528. We know from an Italian note of receipt that 
the letter emanates from the chancery of the Sanjak of Bosnia. That 
province was now entirely in the hands of the Turks as a result of their 
overwhelming victory at Mohacsin 1 526, and much of Dalmatia itself 


had been wrested from the Serenissima. The writer tells us who he 
is in the subscription: Pisa sluga vas dragoman i jazacija basin za 
lubav — *Writes your servant, interpreter, and head clerk* (presuming 
that basin derives from the Turkish word meaning 'head* and not 
from Basha = Pasha). The letter is addressed to the Proweditore 
of Dalmatia, and requests his good offices with his Lady in behalf 
of a delinquent servant, the writer*s brother, a weaver of the name 
Djura Djurasinovic Opastovic. Though of purely domestic interest, 
the letter gives a glimpse of the essential solidarity among the Slav 
common folk beneath the surface variety of alien governments. 

H. J. M. Milne. 


BY bequest of the late Sir Emery Walker the Department of 
Manuscripts has acquired a charming example of the work of the 
well-known binder Miss Katharine Adams (Mrs Webb). Her art 
is always prized for its delicacy and fine workmanship, and in the 
present case we have a rather more elaborate design than is found 
on the few examples of her bindings already in the Museum. The 
material is red niger morocco, and conventionally treated flowers, 
in pointille, form the main scheme of the decoration. A green silk 
cover, embroidered with a rose tree and the late owner*s initials, 
protects this little book, which measures 3I x 2| inches. 

The manuscript (Add. MS. 43694) thus bound is a Book of Hours 
of Roman use written in Italy in the second half of the fifteenth 
century. Its contents are the usual ones: Calendar, Hours of the 
Virgin, the Penitential Psalms with the Litany, the Office of the 
Dead, and the Hours of the Holy Cross. Certain saints, viz. Eupuria, 
virgin and martyr ( 1 6 May), Herasmus, bishop and martyr (2 June), 
and Marcianus, bishop and martyr (14 June), written in red in the 
calendar, seem to indicate that the original home of the book was in 
the neighbourhood of Gaeta near Naples. A mysterious feast of a 
St Ambrose, abbot, also in red, on 3 i October has defied identi- 
fication. Three illuminated initials of the conventional white vine 
type are found before the Penitential Psalms, the Office of the Dead, 
and the Hours of the Cross. The manuscript may be seen in the 


special exhibition of English bookbinding at present in the King's 
Library. F. Wormald. 


A PARTICULARLY valuable addition to the Wesley material 
in the Department of Manuscripts is due to the kindness of 
Mr C. Tindall, CLE., who, in fulfilment of the wishes of his late 
father, John Tindall of Cotmaton House, Sidmouth, has presented 
a series of thirty-six holograph letters of John Wesley to Miss Ann 
Tindall of Scarborough (i 747-1 806). They range in date from 
6 July 1774 to 23 February 1790, the last showing only too clearly, 
in its shaky and uncertain characters, the influence of increasing 
age and infirmity. They are accompanied by typewritten transcripts 
(not always impeccably accurate) both of the letters themselves and of 
poems by Ann Tindall and others, from the originals at Sidmouth, 
and by useful notes on biographical and other points. With them is 
an original poem by Ann Tindall, sent to Wesley in August 1775, 
on his recovery from his illness in Ireland, and referred to by him 
in a letter of 19 January 1776 (T did not disapprove of the Verses 
you sent me at the Conference; much less blame [you] for sending 
them'), besides contemporary copies of two hymns by John Cennick 
(1718-55) and of one by Charles Wesley. 

So substantial an addition to the letters of John Wesley in the 
Department would in any case be notable; but the value of the gift is 
increased by the facts that these letters are all unpublished and that 
they are intrinsically of considerable interest. They are written in 
ah intimate and aff^ectionate and at times in a playful tone which 
gives them a real charm; and though some are brief and concerned 
with business affairs, others touch on matters of a wider appeal. 
Miss Tindall had literary leanings and wrote both hymns and other 
poems, though judging from the specimens of her work here repre- 
sented she can claim no exalted rank among even the lesser lights 
of eighteenth-century poetry. Probably this was Wesley's own feel- 
ing, though he contrived, with much tact, to give her encourage- 
ment and more than once begged her not to 'bury your talent in y 

T 135 

The first letter of the series deals mainly with Miss Tindall's verses 
and gives her some sound advice: 

*I have read over your Verses. There is a great difference between 
them: Some are far better than others. GOD has intrusted you with 
a dangerous talent: For who can bear Applause? 

* As to the construction of Verses, I w'^ give you a few little Advices; 
I. Beware oi jalse Rhymes\ such as GOD — Word; Woes — Cause; 
Choirs — Powers; Vain — Name, and a few others: 2. Take care always 
to end an Iriyninjull^ as you commonly do: D"" Watts often end's flat. 
3. Do not write toojast: Finish one thing as well as you can, & then 
go on to another. 4. You will write best, when yoMJeel most: I love 
Pathos above all. Therefore I am most pleased with y* 39^ Hymn, 
"O give me the wings of a Dove" ! and w^ y* 6o*^ 61. & 62. If 
you please, write me a Letter, either in that measure, or in All Eights 
(whether four or 6 lines in a Stanza) expressing just your present 
Feelings and Desires.' 

In a letter dated 29 November 1776 he writes that he has asked 
Mr Fletcher (i.e. John Fletcher, Vicar of Madeley, d, 1785) to look 
at a poem of hers: 'We altogether agreed in our opinion. That the 
Sentiments are just throughout; That the Diction is generally not to 
be blamed, & that many of the lines are good. Yet we are clearly 
persuaded, it is not advisable to commit them to the press. We know 
y* taste of the World pretty well.' 

The letters contain several references to Calvinism and the troubles 
occasioned by it in the Methodist societies. *That bane of all vital 
Religion. Calvinism, has much hindered the work of GOD at 
Scarborough', he writes on 1 1 August 1776. 'But I hope, our Friends 
are now guarded against it, & will be carefull to warn others. You 
sh** particularly watch over them y* are just setting out, that they 
fall not into y' deadly snare.' His attachment to the Church of 
England is more than once expressed: *I am in hopes,' he writes on 
16 August 1777, 'you will see a considerable increase of the work 
of GOD, both in Scarborough & the other parts of the Circuit; 
Especially if our Brethren can be prevailed upon, Not to leave the 
Church. It is highly probable, if we continue therein, a little leaven 
will leaven the whole lump.' And on 26 November 1785 he de- 


dares: *I think the Doctor must be in a dream, or out of his Senses, 
to talk of the Methodists* Separating from the Church! Stay till 
I am in a better place. It will hardly be while I live.* 

The letters have received the number Add. MSS. 43695, 43696. 
The Rev. John Telford, editor of The Letters of yohn Wesley, A,M, 
(London, 193 1, 8 vols.), has kindly supplied some notes on this 
correspondence. H. I. Bell. 


MRS KATE PERUGINI, daughter of Charles Dickens, pre- 
sented to the Museum in 1 899 the letters which her father had 
written to his wife before and after marriage, attaching the condition 
that they should be reserved for twenty-five years, a period which 
she afterwards extended for the lives of herself and her brother, the 
late Sir Henry Fielding Dickens. The recent death of the latter 
released the letters and they have now been incorporated in the 
collections as Add. MS. 43689. The letters are 136 in number and 
range between 1835 and 1867. The first sixty bear dates previous 
to the marriage and, with trifling exceptions, have never been pub- 
lished. They relate to the health and love affair of the parties and 
to the publication of * Pickwick'. The remainder were written at 
irregular intervals during Dickens's absences from his family on pro- 
fessional and other business. The most interesting of them have been 
published in The Letters of Charles Dickens, 1882, most of those not 
included being in the main of an unimportant nature. This series 
ends in 1856 and contains nothing directly bearing on the differ- 
ences between Dickens and his wife which led to their separation in 
1858. Four letters written after the separation are of a more or less 
formal character. A prayer for family use, in Dickens's hand, is in- 
cluded in the collection. A statement in Mrs Perugini's hand records 
that the letters were given to her by her mother to be preserved and 
ultimately published as evidence that Dickens 'had once loved her' 
and that the separation was not owing to any fault on her side. 

By an arrangement with the Dickens family the administration of 
the copyright, both for periodical and book publication, has been 
vested in the Trustees. R. Flower. 


AMONG the manuscripts recently acquired by the Department 
xJLof Oriental Printed Books and Manuscripts there are three which 
merit especial mention. 

In his History of Ottoman Poetry, vol. I, pp. 428fF., Mr Gibb gives 
an account of a Turkish romantic poem variously entitled by biblio- 
graphers 'Ferrukh-Name', 'Khurshid u Ferrukh-Shad', and 'Khur- 
shid-Ndme', which was composed by Shaikh Oghlu. The poem is 
extremely rare, and no copy had been seen by Gibb, whose informa- 
tion was wholly derived from second hand. By a happy chance a 
fine manuscript of it has been secured by the Department of Oriental 
Books and Manuscripts. It contains 235 folios, written in a very 
good hand, apparently of the fifteenth century, and measures 10 
by 6\ inches. As soon as we open it we observe that the first 
two titles mentioned above as given to it by bibliographers are 
wrong: the names here authenticated are Farah-ndmah and Khur- 
shtd u Farah-Shdd, with an alternative Kissah i Khurshtd-Bdnu given 
on the flyleaf. The theme of the poem is a romantic tale of the love 
and adventures of Khurshid, daughter of King Siyavush, and Farah- 
Shad, son of the king of the Western Land (Maghrib). The King of 
Cathay, enamoured of Khurshid, made war upon Siyavush, but was 
slain by Farah-Shad; and then Farah-Shad, returning home to the 
Western Land, was cast into prison, from which, however, he was 
soon released on the death of the king, and thereupon he ascended 
the throne and wedded Khurshid, everything ending happily in 
orthodox fashion. 

Two Persian manuscripts also deserve notice, as they are apparently 
unique, no copies being on record as far as can be ascertained. Both 
are treatises on Sufic mysticism. One of them is entitled Kttdb ul- 
tasjiyah Ji ahvdl il-mutasarrtjat, and its author was Amir Kutb ul- 
Dln Abu '1-Muzaffar Mansur ibn Ardashir al-'Ibadl. The date of 
copying is a.h. 707 (a.d. 1307-8), and the number of folios 131. 
The other work is Hadlkat ul-haklkat, and it was composed in 
A.H. 641 by a scholar who gives his name and pedigree as Abu 
'1-Fath Muhammad ibn Shaikh il-Islam Abi '1-Ma'ali il-Mutahhar 
ibn Shaikh il-Islam Abi Nasr Ahmad ibn Abi '1-Hasan ibn Ahmad 



ibn Ahmad ibn Muhammad ibn Jarlr ibn 'Abd Illah ibn Lai§ al- 
Balkhi al-Jami al-Namaki. The preface is in Arabic. The date of 
copying is a.h. 706 (a.d. 1306-7), and the book contains 113 
foHos. Both manuscripts measure 10 by 7 inches, and are in ex- 
cellent handwriting of the period. L. D. Barnett. 


A BEAUTIFUL drawing of trees overhanging water was re- 
cently purchased from the Florence Fund from Sotheby's sale, 
1 9 December 193 3, lot 88. The drawing, which is in black chalk and 
water-colour, was in its original frame, and the blue and greens have 
faded to a somewhat uniform brown. The reproduction here given 
shows quite clearly the darker unfaded portion which was beneath the 
blackened border on the glass of the frame (Plate XLIII). The 
drawing is also reproduced as frontispiece to the Guide to the Ex- 
hibition of English Art which is open in the Prints and Drawings 
Gallery throughout 1934. The latter reproduction only gives the 
part which was exposed in the frame, and in its present mount. The 
fading, which is the fate of so much of the indigo used by English 
water-colour painters, by no means impairs the beauty of the design. 

The drawing was originally given by Crome to Madame de 
Rouillon, who with her two sisters, the Misses Silke, established a 
ladies' school at the Chantry, Norwich, after their father's death in 
1 795. Crome taught at the school, and was their personal friend. It 
had remained in thefamily and was putinto Sotheby's auction by adirect 
descendant of one of the Misses Silke who married a Mr John Oakley. 

The drawing certainly dates between 1800 and 1807. The back- 
board of the old frame was inscribed outside in ink, possibly in the 
artist's hand, Caistor Castle, John Crome, and inside in white chalk 
M^^ De Rouillon Chantry, In the Norwich Society's Exhibition of 
1807 were three views of Caister Castle (near Yarmouth) 'coloured 
on the spot' (see Collins-Baker, yohn Crome, 1921, p. 125). These 
had not been identified, and the present drawing is possibly one of 
them. The title might only imply that they were drawings done 
near the castle, of which only small remains were in existence. 

A. M. Hind. 



A LARGE water-colour painting by James Stephanoff, dated 
1833, representing the Elgin Marbles and other antiquities in 
the British Museum, has been presented by Mr George A. Simonson 
through the National Art-Collections Fund (Plate XLIV). 

The drawing was shown in the Old Water-colour Society's ex- 
hibition of 1833 under the title of 'The Virtuoso*, with a description 
as follows: 'the surrounding antiquities are a selection from the Elgin 
Marbles, the Hamilton Vase, and the Mosaic pavements in the British 
Museum; on the walls are the metopes, representing the battle of the 
Centaurs and Lapithae; underneath is the celebrated frieze; on the 
left of the picture is the mutilated group of the Fates; opposite to 
which are the remains of the statues of Ceres and Proserpine; and on 
the table stands the marble bust of Pericles, under whose direction 
the Parthenon was erected.' 

The drawing is a composition, based in part on the arrangement in 
the temporary Elgin Room (18 17-3 1), but not showing the collec- 
tion as it ever actually appeared. For the history of the collection 
and its placing in the Museum reference should be made to Ancient 
Marbles in the British Museum^ VII ( 1 8 3 5), p. 35 and pis. 1 8 and 1 9, 
and A. H. Smith, 'Lord Elgin and his Collection', 'Journal oj Hellenic 
Studies^ 1 9 1 6, p. 3 50. 

The artist may have intended to represent Lord Elgin in his 
'Virtuoso'. This is at least more probable than identification with 
Edward Hawkins, Keeper of Antiquities in 1833, while Sir Henry 
Ellis, the Principal Librarian, in no way resembles the figure. 

A. M. Hind. 

AN undescribed early state of one of the contemporary versions 

■L\.oi Mantegna's Kisen Christ between St Andrew and St Longinus 
has been presented by Messrs P. and D. Colnaghi & Co. The 
Museum already possesses a later state, with added shading, and 
lacking the quality of the impression now acquired. The engraving 
has been attributed to Giovanni Antonio da Brescia (Bartsch, XIII, 


I— I 



I— ( 


I— I 





3 1 8, 3, and Hind, Catalogue of Early Italian Engravings in the 
British Museum, p. 343, 7*). A. M. Hind. 


SIXTEEN etchings by Eugene Bejot have been presented by 
the Bibliotheque Nationale, Paris. They form a most acceptable 
supplement to the series by Bejot already in the Department of Prints 
and Drawings. 

A series of forty-one prints by English and foreign artists, selected 
by Mr Campbell Dodgson, has been presented by the Committee of 
the Contemporary Art Society. Other gifts include a splendid series 
of twelve drawings and water-colours by Sir George Clausen, R. A., 
twenty-one etchings and one mezzotint, largely animal subjects, by 
Herbert Dicksee, R.A., water-colours by Sir D. Y. Cameron, R.A., 
and Willy Eisenschitz, presented in each case by the artist, and two 
water-colour drawings by Charles Ginner, presented anonymously. 
Among Clausen's drawings are portraits of Sir Emery Walker, Henry 
Festing Jones, and Dr Thomas Ashby. A. M. Hind. 


THE two seals illustrated on Plate XLV, 10 and 1 1, are said to 
have been found at Carchemish. The larger is a bead of soft 
blackish brown stone, a little more than one inch long and slightly 
less than one inch across, of more or less lentoid shape and pierced 
lengthwise. The subject represents an oryx giving milk to her young 
and turning her head back to touch its hind-quarters. Above are 
three drilled circles. The young animal is no more than a series of 
drilled holes joined together; the mother's legs are similar but her 
body and head are most carefully carved. The lentoid shape and 
the subject both suggest the strong influence of Mycenaean art, or 
the similar group of a goat and kid on a plaque of glazed composition 
from Knossos. This example is probably a Syrian imitation of a 
Mycenaean type, made about 1 400-1 200 B.C., and the motif survives 
to reappear in the groups of cow and calf among the ivories of Arslan 
Tash and Nimrud. 
The central figure on the scaraboid is probably intended for a lizard. 


The two opposed bird-headed winged monsters are balanced by two 
bulls kneeling with heads turned back. A reasonable date for this 
object is about the ninth century B.C. 

A bronze seated figure, which is also certainly from North Syria, 
once had arms fitted separately and eyes inlaid in the Sumerian 
manner, and was covered with gold or silver foil pinned down 
along lead-filled grooves which remain at the back. The fringed 
straps across the chest seem to be a misunderstanding of the cloak 
with a thick border in which one of the Syrian deities is com- 
monly wrapped. This figure was fastened to its throne by a hook 
under the lap and prongs projecting from the feet. If the forelegs 
were perpendicular, the trunk sloped backwards at an angle of about 
75 degrees. Height 4 J inches. R. D. Barnett. 


THE most important pieces in a series of Mycenaean and Archaic 
Greek intaglios, recently acquired through the J. R. Vallentin 
Fund, are illustrated from impressions in Plate XLV. A rock-crystal 
lentoid (i) has a bull with head turned back in front of a branch or 
tree which stands apparently on an altar; underneath the bull is a 
shield. In subject and material this resembles the L.M.I gem from 
a Mycenaean tomb at lalysos (B.M. Gems, 71), but its style is not 
so free. Two cornelian lentoids (2 and 3) have animal subjects which 
occur elsewhere: a calf falling and kicking at an arrow-wound, and 
two galloping calves. Another (4) has a dog wearing a collar. An 
agate lentoid (5) bears a curious design of a deer standing with a bird 
above and in front and a cuttlefish underneath. These are all L.M. 
Ill in date, about 1 300 B.C. The Greek stones are green steatite. An 
amygdaloid (6) of very early style, about 700 B.C., has two goats 
beside a tree. A thick disk (7) has devices on both faces and a ribbed 
edge, like an ivory seal. On one side is a sphinx, on the other a 
radiating figure composed of two horse protomes, two griffin heads, 
and two serpents. This and a heavy pyramidal seal with a lion on its 
base (8) are to be dated about 600 B.C., and a scaraboid with an 
eagle (9) about 500. E. J. Forsdyke. 



10, II, SYRIAN SEALS (i : i). 12, ROMAN CAMEO (2 : i) 



FOUR particularly fine bronze figures of the class that is generally 
called Geometric have been acquired through the J. R. Vallentin 
Fund for the Department of Greek and Roman Antiquities (Plate 
XLV, 13-16). The largest of these is a purely decorative piece, a 
fantastic horned bird supported on a knobbed pole from a rectangular 
cusped base. There is a suggestion of a horse about this creature's 
head, but it can hardly be an anticipation of the archaic cock-horse. 
A slanting hole pierced from the breast to the middle of the back 
is so accurately adjusted that the figure hangs vertically from a 
string. The underside of the base is moulded with reduplicated out- 
lines, apparently for use as a seal, as is common with such figures. 
The bases of the long-legged bird and the lamb are also made for 
sealing, the one rectangular with a simple key pattern, the other 
trefoil with four pellets in each of three rings. The short-legged 
crested bird seems to be meant for a farmyard cock. Its comb and 
tail are decorated with small rings containing central points. This is 
also evenly balanced from the ring on its back. The formal design 
of the large seal is in the Geometric tradition, but the freedom of the 
other representations is nearer to the Protocorinthian style. They 
should probably be dated about 700 B.C. E. J. Forsdyke. 


THE Department of Greek and Roman Antiquities has acquired 
through the J. R. Vallentin Fund a steatite cameo bearing the 
bust-portrait of a bearded man in the dress of a Roman general 
(Plate XLV, 1 2). Over his cuirass he wears a military cloak fastened 
with a plain circular brooch on his right shoulder and falling in zig- 
zag folds over his left; his pleated tunic is visible at the neck. He 
has thick curly hair, beard, and moustache; his nose is broad and 
flat; and his eyes are large and almond-shaped. The head is 
turned slightly to the left. The stone is 24 mm. (|f inch) high, 
and its greatest thickness is 1 1 mm. (^ inch); it is dark greyish 
brown in colour. The oval background is broken away for some 
distance along the right edge, but the bust and head are perfectly 

^ 143 

The cameo is believed to come from Greece. The features and 
dress suggest, in their general type, a portrait of the late second or 
early third century a.d.; the uniform is of the classical, not the post- 
Constantinian, kind, and the manner of wearing the hair and beard 
is that in fashion under the Antonines. But the style differs from that 
of cameos made about a.d. 200. The workmanship is careful, even 
minute; and the flattening and simplification of the planes are evi- 
dently deliberate. This does not seem to be explained by the exi- 
gencies of the medium; it would rather suggest the formal sense of 
a later period. During the fourth century there was a revival of 
interest in the types and fashions, and to some extent the style, 
of earlier Roman imperial art; and this cameo may perhaps be a 
product of this archaizing phase of late antique taste. R. P. Hinks. 


RECENT discoveries have stimulated interest in the middle 
■Stone Age, between the Palaeolithic and the use of polished 
stone; and an example of primitive art from Romsey belonging to 
the period in question has been deposited on loan by the Rev. S. T. 
Percival. It is the tine of a red deer engraved with rows of chevrons, 
evidently something more than a mining pick (Plate XLVI). About 
two years ago an excavation was made for a septic tank near the 
point where the Salisbury road leaves Romsey, and about J mile 
from the main channel of the Test. The surface is here about 70 feet 
above sea-level, and near the river about 42 feet. The tine lay 
isolated in a greenish muddy sand mixed with gravel 20 feet from 
the surface (8 feet above the river bank and 50 feet above the sea). 
It is natural to turn to Denmark for parallels, as the harpoon of 
Maglemose type found 25 miles off the Norfolk coast in moorlog 
suggests a land bridge across the North Sea at that date; and several 
engraved bones of the period are published, mostly with patterns in 
dotted lines. Detached tines are also frequent, but one fragment from 
Svaerdborg is engraved with groups of chevrons much like the 
Romsey specimen, and is declared unique in Denmark [Mem. Soc. 
Antiq. du Nord, 1926-7, p. 113, Fig. 61). The site is one of the 
best known in the Ancylus (Boreal) period, and contemporary 



decoration is well illustrated in Sophus Miiller's Oldtidens Kunst i 
Danmark: Stenalderen, 

Opportunity is taken to put on record an engraved bone adze- 
head which was acquired in 1927 (Plate XLVI). It came from 
the Thames, and like several from a lake-dwelling in Holderness 
[Archaeologia^ Ixii, 599) is the distal end of the radius of an ox, the 
bone being cut transversely to give a cutting edge (as Journ. R. Anth, 
Inst.^ Ixi, 327, Plate XXXIX, Fig. 3), or socketed for a stone im- 
plement. But the present example was evidently not for any ordin- 
ary purpose; and the unusual decoration is clearly akin to that of the 
Romsey tine. Reginald A. Smith. 


A NOTABLE gap in the Museum collections has been filled by 
the generosity of Mr Rennie Manderson, who has presented 
eighty-three specimens of glass, mainly English work of the eigh- 
teenth century. The Museum contains a number of pieces of English 
glass of capital importance, but the ordinary domestic glass of the 
period has hitherto been scantily represented, although a bequest of 
twenty-one examples from Dr H. R. Hall, Keeper of the Depart- 
ment of Egyptian and Assyrian Antiquities, who died in 1930, did 
something to make up the deficiency. 

Mr Manderson's gift includes a comprehensive collection of small 
and medium-sized drinking-glasses, beginning with the baluster 
period and extending to the close of the eighteenth century, the 
ordinary tavern glasses and finer wine and cordial glasses being 
equally well represented. Three of these pieces deserve a special 
note. The first is an early baluster of the late seventeenth century, 
with an irregular tear and a narrow fold on the foot, showing the 
Venetian influence common to all early specimens. The second, a 
rare fine incised twist of about 1750, has an unusual trumpet bowl 
with a collar beneath it. The third is a cordial glass which exhibits 
the exceptional feature of a tinted opaque twist and which can be 
dated at about 1780. Among other vessels connected with wine and 
spirits may be mentioned a glass of about 1765, made in the form of 
a boot with a canting allusion to the unpopular prime minister. Lord 


Bute, as well as an unusually fine toddy-ladle and a comport for 
holding punch-glasses. 

There are also some unusual pieces which do not come under the 
category of drinking-glasses and which include sweetmeat-dishes, 
patch-stands, a mortar for grinding face-powder, and a knob for 
calendering linen. A rare example is an early candlestick with two 
tears in the knop and true baluster of the stem, which latter sur- 
mounts a fine domed and folded foot. The collection further con- 
tains one example each of the Bristol opaque and Nailsea marbled 
types, and there are a few pieces of continental origin which are not 
without their interest. William King. 


APE RSI AN jug acquired through the Vallentin Fund is the 
only addition to the Near Eastern Ceramic Collections for 
January. It is almost devoid of ornament but distinguished by its 
graceful form and delightful material. It has suffered the usual fate 
of buried Persian pottery and is now a mosaic of repairs; but the 
beauty of the lettuce-white glaze set off by discreet touches of blue 
on the edges is still apparent and has indeed acquired a further 
attraction in the silvery iridescence which burial has added to parts of 
the surface. 

The form is simplicity itself, a globular body and cylindrical neck, 
but it is redeemed from commonplace by a slight contraction below 
the lip. This deft touch of the potter's hand is a stroke of genius. 
The ware is similar to that of a lakabi box described in the last 
number of the Quarterly and it was probably made at Rayy (Rhages) 
in the twelfth century. R. L. Hobson. 


ONE of the most important archaeological finds made in China 
in recent years was at Chin-ts'un, near old Loyang, in Honan. 
Here a group of graves, excavated, unfortunately, in the usual un- 
scientific manner, have yielded a remarkable series of objects in 
bronze, jade, pottery, and lacquer, which evidently formed the furni- 
ture of princely interments. Some idea of their variety and quality 



has been given by Bishop White in two articles in the Illustrated 
London News (28 Oct. and 4 Nov. 1933) and sinologues were 
astonished to learn that the whole series was assigned to a period in 
the Chou dynasty variously calculated as in the sixth or fourth cen- 
tury B.C. The evidence for this attribution is a historical reference 
in an inscription on a bronze bell which formed part of the find; and 
the conclusion was astonishing because most of the objects were of 
types which have hitherto, with very good reasons, been regarded 
as of the Han dynasty (206 b.c.-a.d. 220). There seems to be no 
doubt about the Chou date of the bell; but that it necessarily carries 
with it all the other things found in this group of tombs is not so 
apparent; and until we are given convincing proof that all the objects 
in all graves must have been of the same date, or alternatively that the 
bell could not have been an 'antique* at the time of burial, it will 
be premature to revise our well-established ideas of the nature of 
Han art. 

We shall therefore continue for the present to describe as Han the 
three remarkable examples of inlaid bronze work which are illus- 
trated in PI. XLVIL They are a part of the Chin-ts'un treasures and 
in themselves are evidence that we have here to do with a princely 
interment. The splendour of the equipment indicated by these 
three items of chariot furniture could hardly have become any but 
a royal personage. 

One is apparently the finial of a central chariot pole. It takes the 
form of a water-buffalo's head, powerfully modelled in naturalistic 
style and heavily gilt where it is not inlaid with gold and silver. The 
eyes are made of a black lacquer-like composition. The pole-socket 
at the back is rectangular. The two other pieces appear to be ends 
of two side shafts and they are fitted with rests for a cross-bar. 
The design of these two pieces is superb. It is highly conventional, 
the hinder and upper part representing a dragon's head with gaping 
jaws of which the lower tapers off into the cross-bar support. The 
curious bird-head terminal is quite in keeping with the idioms of 
Chinese bronze composition at this time. It is frequently seen on 
the small bronze ornaments found in Northern China, especially 
those which have a flavour of Siberian art. The series of thread holes 


along the lower jaw were probably used to attach a strip of leather on 
which the cross-bar would ride. 

The three pieces match in their decoration. On top of the buffalo 
head is gold plating broken by circles in which are silver rings and 
by bands of inlaid silver striping. On the ears and under the muzzle 
are inlaid spiral scrolls in gold and silver similar to those seen on 
fig. 2. The patina in places has taken on a deep brownish red colour. 
The length of this object from back to front is 6*5 inches. 

The detail of the two shaft-ends is sufficiently clearly seen in the 
reproduction, and the ornament consists chiefly of inlaid spiral scrolls 
in gold and silver. The length of this pair of finials is iO'75 inches. 

The artistic merit of these objects is self-evident; and representing 
as they must do the best craftsmanship of the period, they are of 
inestimable value to the student of early Chinese art. They were 
acquired by purchase through the Vallentin Fund with very gener- 
ous help from the National Art-Collections Fund. R. L. Hobson. 


ANOTHER extremely rare and interesting object acquired 
-/jLthrough the Vallentin Fund is a set of 3 70 glass tesserae found 
in the same princely tombs at Chin-ts'un which produced the inlaid 
bronze finials. They are shown in Plate XLVIII laid out as they are 
believed to have been arranged in the tomb, and it is thought that they 
were applied to the coffin cover which was of some textile material. 
Each of the pieces which make up the main body of the pall is pierced 
at the four corners so that it could be attached with thread or wire. 

The tesserae are of semi-opaque, pale honey-coloured glass, the 
surface of which has in most cases disintegrated in the earth into a 
powdery white. The interior tesserae are quite plain and the border 
pieces are deeply incised with designs of dragon, tiger, red bird, and 
tortoise and snake, the emblems of the Four Quarters of the Universe. 
Alongside the main body is arranged a fringe of disks alternating 
with lozenges, also incised, the former with dragons and the latter 
with quatrefoils. The incised ornament has been inlaid with gold, 
but only traces of this now remain; and it is possible that leaf gilding 
was also applied to other parts of the tesserae. Plate XLVIII shows 







.^ . 





examples of the decorated tesserae. The whole as laid out measures 
67 inches in length. 

While there is no reason to doubt that this important object comes 
from the tombs at Chin-ts'un, near Loyang, the scheme by which it 
is said to have been arranged and the use to which it is said to have 
been put, though likely enough in themselves, can only be accepted 
with the necessary reservations which apply to most excavated 
material in China. So long as these excavations are carried out in 
secret and the descriptions of them rest on hearsay, all statements 
regarding them must be subject to revision. 

It is in any case certain that the glass of the pall is not complete. 
One of the plain pieces, for instance, is missing and has been replaced 
by an engraved tessera which should belong to the border. No doubt 
there was originally more of it, perhaps another row or two, which 
have been broken or lost. 

But, complete or not, it is a truly remarkable object, the like of 
which has been found nowhere else in China. If our dating of the 
inlaid bronzes is correct, it belongs to the Han dynasty, as indeed 
one would expect from the style of the decorated pieces. As glass it 
is of much interest, for no one could reasonably suggest such objects 
as these were made anywhere but in China. 

In the absence of any written evidence of glass-making in China 
before the fifth century a.d., it was for a long time assumed that all 
glass of earlier date in China was imported. But proofs of a native 
glass manufacture at least as early as the Han dynasty have been 
accumulating, and when the history of Chinese glass, which is long 
overdue, is written, this glass pall from Chin-ts'un will be one of the 
important witnesses. R. L. Hobson, 


A YEAR or two ago a discovery, at once exciting and sad, was 
announced by Mr Mahfuzul Haq. There had come to light in 
India a portion of a manuscript of the Ta'rlkh-i Alfi, which seemed 
from its magnificence to have been the Imperial copy made for the 
library of the Emperor Akbar. But it was no more than a fragment 
of the work. An opportunity has since occurred for the Museum to 


acquire a fine leaf from it with a miniature on each side. Owing to a 
substantial contribution from the National Art-Collections Fund it 
was possible to take advantage of the opportunity. 

The Ta'rikh-i Alfl owes its origin to Akbar who, in the year 990 of 
the Hijra, ordered the preparation of a history of the world down to 
1 000 to commemorate the arrival of the millennium. It was carried 
down to 997 by the year looi which corresponds to a.d. 1592-3. 
Several unillustrated manuscripts, one continued to the year 974, 
are in the Department of Oriental Manuscripts. The text of the 
portion recovered is of little importance, for it deals with the history 
of the 'Abbasid house during the ninth century, at which point it is 
merely a compilation from earlier surviving sources. The illustra- 
tions, however, are as fine as any that survive from the period of 
Akbar. The great page, now without any margins, measures 
1 6J X 10 inches and is only equalled by the famous Jaipur Razmnama 
and the Timurnama at Bankipur. The enormous Hamzanama 
painted on cotton alone exceeds it in size. The names of the painters 
were originally recorded below the miniatures, but, as so often, most 
of them have been cut away in binding. Five alone survive: Sur 
Das and his son Shankar of Gujarat, Sarwan, Tiriyya, and Brihaspat. 
These names, except the last, occur in other famous manuscripts of 
the period, especially the Darabnama and the Baburnama in the 
Museum collection. 

These manuscripts are generally supposed to have been finished 
about 1575-80. The new page from the Ta'rikh-i Alfl may be 
placed with confidence about ten years later, both on the grounds of 
style and of historical evidence of the composition of the work. It 
thus marks the complete maturity of the first Mughal style. 

The scene represented on the recto of the Museum leaf (PI. XLIX) 
is the destruction of the tomb of Husain at Kerbala by the orthodox 
Caliph Mutawakkil (a.d. 847-61). By his order the building was 
not only razed but the site ploughed up. The artist has made skilful 
use of the division of the page between text and illustration. The 
main lines of the composition seem all to diverge from a point outside 
it on the left, thereby giving an impression of directed action to the 
whole. The treatment of the man on the harrow shows a familiarity 


' I^^^^V'"''.' 



with European art much commoner under Jahanglr than under 
Akbar. Basawan, alone of the painters of the period, seems to have 
acquired so much knowledge and mastery of the European style from 
the engravings introduced by the Jesuits; and so, though there is 
no ascription on the page, it is possible to hazard an attribution to 
his hand. 

On the reverse, three separate scenes are represented; at the top, 
the murder of Yusuf, wall of Armenia, by insurgents; in the middle, 
the execution of the insurgents by Bogha, general of Mutawakkil; 
and at the bottom, the mosques of Egypt burned and the inhabitants 
drowned by Prankish invaders. B. Gray. 


ALARGE and important collection of (i) West African textiles 
and (2) Javanese 'batiks* has been presented to the Sub-Depart- 
ment of Ethnography by Mr C. A. Beving, on behalf of Messrs 
Beving & Co., Ltd, of Manchester. 

(i) These specimens of native-woven and native-dyed cloth, more 
than 200 in number, were collected in various parts of West Africa, 
more particularly in Nigeria, the Gold Coast, Dahomey, Mendi- 
land, Gambia, and Senegal, during the latter part of the nineteenth 
century, in order to provide samples for imitation by the Manchester 
export trade. 

A series such as this could probably no longer be obtained, since 
West African native industries have been seriously affected by Euro- 
pean influence. Of particular interest are the variety of designs, 
often very effective, produced by the so-called 'tie-dyeing* process. 
The effects are achieved by protecting parts of the cloth from the 
dye, generally indigo, (a) by embroidering, and picking out the 
embroidery after dyeing, (6) by 'stitch-tying*, (c) by 'rope-tying*, 
or crimping, (^) by tying up in small bunches before dyeing. Each 
of these processes is illustrated in detail by samples of cloth in all the 
different stages of manufacture — a most instructive technological 
series. In addition there are cloths dyed by a kind of 'batik* process, 
with the use of a wax or rice-paste 'resist*. 

X 151 

A number of finely embroidered tobes and caps, wooden fans and 
carved gourds are also included in this West African series. 

(2) There are about 100 Javanese 'sarongs' and 'slendangs' in 
'batik' work, whereby the designs are reserved by painting with a 
wax resist before dyeing, and subsequently boiling the wax out. 
Some of these show the influence of Western ideas; in one specimen the 
all-over design is composed of representations of umbrellas, bicycles, 
and gramophones — an interesting example of culture-contact! 

The donor has requested that this collection be known as the 
'Charles Beving Collection' in memory of his father, who formed it 
originally. Part of this collection was exhibited temporarily in the 
Manchester City Art Galleries last year, where it aroused consider- 
able interest. H. J. Braunholtz. 


ALARGE and valuable Ethnographical Series, comprising about 
250 pieces, collected from various tribes of the Anglo-Egyptian 
Sudan, has been presented to the Ethnographical Sub-Department 
by Major and Mrs P. H. G. Powell-Cotton. These specimens were 
obtained during the donors' expedition in 1933, and are all carefully 
documented. The chief tribes represented are the Dinka, Latuka, 
Jur, Lango, Bari, and Azande, and the objects range from spears and 
shields to personal ornaments and objects of domestic use. It is im- 
possible to do justice to such a collection in a short note, and it is 
perhaps invidious to single out particular pieces from a collection, 
the importance of which consists chiefly in its range and compre- 
hensive character. 

A few pieces are illustrated in PI. L. The vase with human head 
from the Azande is an excellent piece of realistic modelling in which 
racial character is clearly expressed (Fig. 2). The helmet, from 
the Latuka tribe, is worn by men in iFuneral dances. It is covered 
with brass plates and ornamented with red and black clipped feather 
plumes, and white ostrich feathers (Fig. i). Some of the portable 
wooden stools contain hollowed-out receptacles for tobacco and 
other small articles. Perhaps the most ingenious combination of 
uses is seen in the ambatch wood shield from the Dinka, covered 


{Ht. 2, ft. io\in.). 2, POTTERY VASE, AZANDE TRIBE {Ht. 12^ in.). 

I {Heights ft.) 

2 {Height 6 ft. 4. in.) 

2 {Height S ft. sin.) 



with skin and provided with four little wooden feet. This, though 
primarily a parrying shield, can also be used as a stool or pillow by 
being placed on its feet, or as a float when swimming; moreover it 
contains 'pockets' for tobacco, tinder, &c. — a very useful provision 
for a people that goes practically naked. 

Two sets of potter's tools, from the Latuka and Lango tribes, are 
included in this collection, which is also accompanied by photographs 
showing the actual use of some of the specimens. 

H. J. Braunholtz. 


THE Ethnographical Collections have been enriched by a gift 
from Lord Moyne, D.S.O., of a very interesting group of objects 
from an almost unknown region of South-Eastern Dutch New 
Guinea, inhabited by warlike and truculent members of the Papuan 
race, who are still living in the Stone Age. 

These objects were collected by the donor in 1929 from two 
villages about 60 miles up the Eilanden River, and its tributary the 
Kampong (approx. 139° E. long., 5° 30' S. lat.). They comprise 
elaborately carved shields, spears, and canoe prows, bows and arrows, 
cassowary bone daggers, fishing nets and other objects. 

A selection of the shields and spears is shown in Plates LI and LII. 
In spite of their size the shields (Plate LI) are very thin and light, the 
handles being cut from the solid. ^ They may possibly have had a 
ceremonial purpose, like some of the painted boards in other parts of 
New Guinea; but the fact that several of them have been penetrated, 
apparently, by spear-thrusts, seems to indicate a practical function. ^ 
The designs, carved all over the frontal surface, are outlined by pairs 

* Only three out of the series often shields are illustrated here. 

2 The view of the Dutch authorities on similar shields from the neighbouring Lorentz 
River is that they were only used in dances, or as objects of exchange. Similar shields 
have been seen used in fighting dances on the Mimika River. The carved spears are 
also presumed to have been used in dances or other ceremonies. In that case the carved 
expansion may have been intended to prevent the spear from penetrating the shield far 
enough to inflict a wound. Since the length from spear-point to expansion is about 
1 1 feet, the point could have been prevented from touching the body by holding the 
shield out at arm's length. 

of narrow and more or less parallel ridges, enclosing broad grooves 
or channels, which are invariably painted red, the remainder of the 
sunk background being whitened with lime, and certain details 
added in black. A bold and distinctive effect, suggestive of cloisonne 
work, is produced by this ' rid ge-and -groove' style. All the principal 
designs appear to be derived from the human form, and, when 
arranged in a series, illustrate in an admirable way the principle of 
degeneration from zoomorphic to geometric forms. The facial 
features are gradually lost until only a mouth or nose remains (Fig. 3) 
and these may in turn be reiterated, so that in one case there are 
three mouths, and in others the nose has a perforated septum 
repeated a number of times, with the characteristic grass nose- 
ornament in each perforation (Figs. 2 and 3). Only one of the shields 
(Fig. i) shows the human body in a clearly recognizable form, the 
limbs terminating in obvious fingers and toes, although they are 
stylized into a symmetrical pattern. This shield supplies the clue to 
the more highly geometrized forms (Figs. 2 and 3), whose origin 
would hardly be demonstrable without it. Some of the shields have 
subsidiary 'arabesques' traversing the background as seen in Fig. 2; 
these have almost the appearance of a kind of cursive script, though 
they are more probably to be explained as zoomorphic derivatives. 
The spears (Plate LII) are cut from a single piece of hard wood, 
tipped with a cassowary's claw (one of them being also decorated 
with feathers and seeds at the butt end) and expanding, about a 
quarter of their length from the point, into a kind of paddle-blade 
carved in open-work. Similar types of spears and shields are found 
in Flamingo (East) Bay, at the mouth of the Lorentz River about 50 
miles to the north-west,^ and there are evident affinities between the 
decorative art of this region and the better-known Utakwa and 
Mimika Rivers, extending at least 1 50 miles in a westerly direction.* 

* See H. A. Lorentz: Nova Guinea, vol. VII, Ethnographic, Li v. I (Leiden, 191 3), 
pp. 126, 134 fF., PI. XX, XXIII; and R. P. Meyjes, E. J. de Rochemont, J. W. R. 
Koch, &c. : De Zuidwest Nieuw-Guinea Expeditie 1904-5 (Leiden, 1 908), Pis. IV and X. 

2 See A. C. Haddon and J. W. Layard: Report on the Ethnographical Collections from 
the Utakwa River, in Reports on the British Ornithologists' Union Expedition and the 
Wollaston Expedition in Dutch New Guinea, igio-13 (London, 1916}, and A. F. R. 
Wollaston : Pygmies and Papuans (London, 1 9 1 2}. 





Unfortunately the natives* own account of the significance of their 
designs is not yet forthcoming. H. J. Braunholtz. 


THE Department of Coins and Medals has recently acquired two 
fine Greek coins, purchased from the Vallentin Fund. The first 
is a bronze litra of Sicily (weight 33*83 grammes) struck about 
340 B.C., when the native Sicel cities banded themselves together 
under Timoleon to repel the Carthaginian invader. The types are 
appropriate to the occasion: Zeus Eleutherios on the obverse to stand 
for freedom, and on the reverse a pattern of torch and ears of corn 
for Demeter of Enna, the representative goddess of the island, with 
the legend 'Alliance (coinage)'. This identical piece was in the 
Alessi Collection in 1828, as an engraving shows. The reverse has 
been twice struck so that the type is repeated at an acute angle to 
itself. This repetition of the legend is perhaps the cause of a variant 
reading which has gained currency, SupiJiocxiKov AAaiaivcov 'Alliance 
coinage of Alaesa', but for which the only other specimen that can 
be traced offers no support. If the mint was not Alaesa it may well 
have been Enna (PI. LIII, 2). 

The other coin is a silver stater of Abdera (weight 10-99 grammes) 
of the first decade of the fourth century B.C. Only one other speci- 
men of this beautiful coin is known. One side shows a griffin, the 
badge of Abdera, the other a cult statue of Artemis, holding bow 
and branch, with a stag behind her, and the magistrate's name Poly- 
crates (PI. LIII, i). E. S. G. Robinson. 


AN important gift of a series of two electrum, 39 silver, and 42 
xjLbronze Greek and Roman coins has been received from Mr 
E. S. G. Robinson, F.S.A. Among these may be mentioned: a third 
stater (PL LIII, 3) in electrum of the seventh century B.C. (weight 
4-71 grammes) with a bee on the obverse and plain punch-marks 
on the reverse; although the bee is in profile the coin is probably of 
Ephesus; a fourth-century silver stater of Ephesus (PI. LIII, 4), 


obverse a bee seen from above, reverse the forepart of a stag and a 
palm-tree, with the magistrate's name Phocylus; a didrachm of 
Calymna (weight 5*56 grammes) with the usual types, helmeted 
heroic head and lyre, but with the unique addition of a magistrate's 
name Cleuphanes (PI. LIII, 5). The other Greek coins are an 
electrum stater of Carthage, silver pieces of Cos, and a series of 
Imperial bronze from Asia Minor. Among the Roman coins, in 
addition to three fine didrachms of the Romano-Campanian series, 
special mention should be made of a sextans or two-ounce piece of 
the Italian cast bronze series {aes grave) (weight 25-45 grammes) 
(PI. LIII, 7) the types of which reproduce those of the well-known 
Carthaginian silver coin of Hasdrubal or Hannibal, struck in Spain 
just before the Second Punic War, which is also illustrated for com- 
parison (PI. LIII, 6). The types, head of Melkarth with club on 
shoulder and African elephant with driver, are reproduced reversed. 
Possibly the mould was made by direct cutting, without allowance 
being made for the fact that casting would reverse them. This 
crude document is of considerable historical importance as showing 
that the reduction to its weight standard had not at the time of the 
Second Punic War reached a point hitherto thought to have been 
reached half a century earlier. J. Allan. 


THE Department of Coins and Medals has acquired through the 
Vallentin Fund an important Italian medal (Plate LIII). This 
is a portrait of Francesco de' Girardenghi, a printer of Pavia and 
Venice of the end of the fifteenth century. The obverse bears his 
portrait and is dated 1504; the reverse type is an allegory of the 
attainment of fame with a motto from Ovid. The medal, which is 
Milanese work, is not only a singularly attractive piece in itself but 
is also of considerable historical interest to the bibliographer. It has 
hitherto only been known from a specimen in Milan in very poor 
condition {Corp, Ital. Med, no. 700). The specimen now acquired 
by the Museum is in an unusually beautiful state of preservation. 

J. Allan. 



AMONG other gifts received during the last quarter may be 
Jl\ mentioned : 

The Reconstruction of Tokyo. Tokyo Municipal Office, 1933. 
Presented by the Mayor of Tokyo, 

Records of the Skinners of London. Edward I to James I. Com- 
piled and edited by John James Lambert. 1933. Presented by the 
Master and Wardens of the Skinners' Company. 

Modruvallabok (Codex Modruvallensis). MS. No. i32fol. inthe 
Arnamagnsean Collection in the University Library of Copen- 
hagen. With an introduction by Einar Ol. Sveinsson. Levin and 
Munksgaard: Copenhagen, MCMXXXIIL Presented by Mr Ejnar 

Ode on the Pleasure arising from Vicissitude. Left unfinished by 
Mr Gray, and since completed. With an introduction by Leonard 
Whibley. Printed for William Andrews Clark, Jr, by John Henry 
Nash: San Francisco, 1933. Presented by Mr William Andrews 
Clark, yr. 

The Visionary Gentleman Don Quijote de la Mancha. By Miguel 
de Cervantes Saavedra. Translated into English by Robinson Smith. 
2 vols. New York, 1932. Presented by the Hispanic Society of 

Private Papers of James Boswell from Malahide Castle. In the Col- 
lection of Lt.-Colonel Ralph Heyward Isham. Prepared for the Press 
by Geoffrey Scott and Frederick A. Pottle. Vols. 17, 18. Privately 
printed, 1933, 34. Presented by Lt.-Col. Ralph Heyward Isham. 

A Collection of Orders of Service, Programmes of Festivals, &c. 
Printed for private use at Gregynog. Presented by the Misses G. E. 
and M. S. Davies. 

The Folger Shakespeare Library, Washington. Published for the 
Trustees of Amherst College, 1933. Presented by the Trustees of 
Amherst College. 

C6dices indigenas de algunos pueblos del Marquesado del Valle de 
Oaxaca, publicados par el Archivo General de la Nacion. Mexico, 
1933. Presented by Sr D. Rafael Lopez. 
Fra Luca de Pacioli of Borgo S. Sepolcro. By Stanley Morison. 


The Grolier Club: New York; printed by Bruce Rogers at the 
University Press, Cambridge, England, 1933. Presented by the 
Grolier Club. 

My Adventures with General William Booth, Founder of the 
Salvation Army. By Henry Edmonds, his first A.D.C. 3 vols. For 
private circulation only. Presented by the Author. 

Papeio prepared for the Fifth Biennial Conference of the Institute 
of Pacific Relations, 1933. 15 vols. Presented by the Royal Institute 
oj International Affairs. 

Further diaries of George Sturt (see B.M.g., VII, pp. 73 f.), sup- 
plementary to those in Add. MSS. 43359-74, 43466, 43467 
(Add. MSS. 43690-3). Presented by Miss S. Sturt. 

A collection of transcripts of Dutch State Papers from the archives 
at The Hague, relating to the First Dutch War, covering the period 
October 1652-December 1653 (Add. MSS. 4371 1-14). Presented 
by the Navy Records Society, 

A notebook of Sir Frederick Morton Eden, containing political 
poems by himself and others (Add. MS. 43702). Presented 

A translation by the late Walter Farrell of Captain Nerger's 
S. M. S. Wolf, with notes, appendices and corrections (Add. MSS. 
43697-701). Presented, under the terms of the translator s will, by 
his brother Mr Richard Farrell. 

Deed relating to the Tresham family and the manor of White 
Notley, CO. Essex, 1594 (Add. Ch. 70800). Presented by the late 
Mr T. B. Clarke-Thornhill. 

Four documents relating to Olive, Duchess of Cumberland. Pre- 
sented by Mr y. Lightbody. 

Six foreign charters, 1 402-1 702, including two Papal Bulls (Boni- 
face IX and Paul III) (Add. Ch. 70810-15). Presented by Mr 
Arthur Hawley. 

Inscriptions of Burma, portfolio I. Rangoon, 1933. Fol. Pre- 
sented by the University oj Rangoon. 

Sepher Hammaggidh, pt iii of an edition of the Old Testament in 
Hebrew containing the Hagiographa, &c. Frankfort on the Oder, 
1725. 8°. Presented by Miss K. Herbert. 


A Tibetan manuscript containing coloured pictures of saints, deities, 
&c., with appropriate devotions; sixteenth or seventeenth century, 
and a Tamil book of stories, on palm-leaf; c. 1800. Presented by 
Rev, E. A. Dentith, F.R.G.S. 

Six engravings of various schools. Bequeathed by Alfred W. Rich, 
through the National Art-Collections Fund. 

Ten aquatints by Alfred Hartley, R.E. Bequeathed by the artist, 

A. Dauzats: Convent of St Catherine on Mount Sinai. Lithograph. 
Presented by Mr Frank L. Emanuel. 

P. L. Parizeau: Two water-colour drawings. Presented by Mr E. 
y. Dent. 

The Nettlefold Collection (Vol. I, A-C): Catalogue by C. Regi- 
nald Grundy, with separate impressions of the plates. Presented by 
the author. 

Charles Shannon, R.A.: Three lithographs, completing the 
Museum Collection. Presented by Mr Cecil French. 

Alfred W. Hunt: Sonning-on-Thames. Water-colours. Presented 
by Mr C, F. Bell, F.S.A. 

One hundred and forty-three prints of miscellaneous schools. 
Presented by Sir John Stirling-Maxwell, Bart, K, T, 

Two modern impressions from either side of a fifteenth-century 
Italian copper plate. Probably Ferrarese, about 1 470. Presented by 
Mr John Hunt. 

John Bacon: Design for a monument to Captain James Montagu. 
Presented by Mr Edward Crojt Murray, 

S. R. Badmin: Two etchings. Presented by the artist. 

Three stone fragments and a terra-cotta pot, of the Achaemenean 
period. Presented by Brigadier-General Sir Percy Sykes. 

A small bronze lion from the rim of a bowl; archaic Greek. 
Presented by Mr R. H. Bulmer, 

A Corinthian oinochoe painted with two friezes of animals. Be- 
queathed by the late Mr J. H. Picard. 

Two Cretan neolithic idols of clay and one of marble. Presented 
by Sir Arthur Evans. 

A plaster reconstruction of a model house or temple of the Greek 
Geometric period, cast from terra-cotta fragments excavated at the 

Heraion of Perachora. Presented by the British School oj Archaeology 
at Athens. 

A marble statuette (headless) of a draped woman, from Athens, of 
Hellenistic style. Presented by the Misses E. and P. MacLeod Carey. 

A Campanian lepaste. Presented by the Earl oj Perth, 

Series of worked and patinated flints with fossil bones, found below 
the Suffolk Crag. Presented by Mr J. Reid Moir, 

Flint implements from Ash and Swanscombe, Kent; from below 
the Crag at Ipswich; and from below the Estuarine clay on Island 
Magee, co. Antrim. Presented by Mr J. P. T. Burchell. 

Series of palaeoliths from various terrace-gravels at Farnham, 
Surrey. Presented by Major A. G. Wade. 

Half a bronze tore from Hazelbury Bryan, Dorset, to complete 
the group acquired in 1892. Deposited on loan by the Dorset Natural 
History Society, 

Bronze Age spear-head found at Tower Bridge, London. Pre- 
sented by the Christy Trustees, 

Two pottery vessels of Swiss-Lakes type (950-750 b.c.) possibly 
found in Surrey. Presented by the Parochial Council of St PauFs^ 
Wimbledon {Rev, Neville Robertson, Vicar), 

Bronze ornament of tore form and Picene origin, probably sixth 
century b.c. Presented by Dr C, Davies Sherborn, 

Bronze armlet of Hallstatt type found near Scarborough Castle, 
Yorks. Presented by Mr Reginald A, Smith, 

Part of Roman gravestone inscribed with the name Goban(nia), 
from Ford, Kent. Presented by Mr E, W, Turner, 

Roman pottery found with a coin of Caligula on the site of a kiln 
at Corfe Mullen, Dorset. Presented by Mr J, B, Calkin. 

Roman pottery found together at Boughton near Worcester, late 
first century. Presented by Mr E. D, Rickard. 

Eighteen loose garnets probably from Vandal jewellery, found 
at Mount Carmel. Presented by Mr G. F, Lawrence. 

Oval sandstone, engraved and 'tracked' on one face, from Lowes- 
toft. Presented by Mr E. L, Arnold, 

Bronze seal-die of Hamon Baniard, from Castle Acre priory, 
thirteenth century. Presented by Mr Herbert Smith. 


Bronze stirrup, probably German, seventeenth century. Pre- 
sented by Mr A, G. Gordon. 

Gold icon pendant, eighteenth century, probably from one of the 
Greek Islands. Presented by Mr y. R, Ogden. 

Four blue and white Chinese porcelain cups with the Ch'eng Hua 
mark. Presented by Mr F, C, Harrison, 

Pottery jug with handle, from the Shirati area of Musoma, 
Tanganyika; made by a M'Girango (Jaluo-BaKuria crossbreed); 
also two water gourds with engraved designs, from Ushashi area, 
Musoma District, Tanganyika Territory. Presented by Mr E. C. 

Alabaster figure of seated Buddha, from Burma; formerly in King 
Mindon's Palace at Mandalay, and afterwards in the possession of 
King Thibaw, until the British occupation of Mandalay in 1885. 
Presented by Miss E, Mason. 

White marble figure of a Jain Tirthankara (Saint), from India. 
Presented by Mr C, F, Woodbridge. 

Series of brass goldweights, from Ashanti (collected at Kumasi at 
the time of the Second Ashanti Expedition, 1895); also a large spear 
from Somaliland. Presented by Mrs Bertha Stan Arthur. 

Ivory and shell spoons and other objects from the Upper Congo, 
iron sweat-scraper from the ANgoni, Nyasaland, and soapstone pipe, 
from the Sudan. Presented by Professor A. Werner. 

A series of flaked stone implements, including microlithic types, 
from a coastal kitchen-midden, at Windang, about 65 miles south 
of Sydney, New South Wales. Presented by Mr R. Turner. 

A series of stone arrow-heads, and wood and bone objects, exca- 
vated from a depth oi c. 15 feet in guano deposits at Punta Pichala, 
south of Pisagua, Chile. Presented by Capt. Sir David W. Barker^ 
R.D., R.N.R, 

A collection of 400 photographic negatives in cabinet, illustrating 
the Veddas of Ceylon (cf. donors' book: 'The Veddas', Cambridge, 
1 9 1 1 ). Presented by ProJ, and Mrs C, G, Seligman, 

Old pottery vase with roulette-marked surface, excavated at a 
depth of 26 feet in Kassa tin mine, Jos, Northern Nigeria; also a 
grooved grinding stone, bronze bell and key, and three stone and 

Y 2 161 

glass beads, excavated at various sites in Ashanti, Gold Coast. Pre- 
sented by Captain R. P. Wild. 

Twelve portrait medals by Mr Theodore Spicer-Simson. Presented 
by the artist, 

A very rare bronze coin of the Bruttii of the third century B.C. 
Presented by Mr H. M. Hake, C.B.E, 

A very rare Roman tessera of the second century a.d. Presented 
by Mr Percy H, Webb, M.B.E, 

A rare gold coin of the emperor Arcadius and two sestertii of 
Vespasian restruck by the Vandals. Presented by Mr J. W. E. Pearce, 

Silver medals on the quincentenary of Winchester College (1893) 
and on the extension of Merchant Taylors' School (1875) ^^^ ^^^ 
other coins and medals. Presented by Mr H. Gordon Clark, 


THE production and sale of plaster casts from sculpture in the 
Departments of Antiquities in the British Museum, which has 
been managed since 1 9 1 9 by the Department for the Sale of Casts in 
the Victoria and Albert Museum, has been taken over by the British 
Museum since the beginning of this year. A revised Price List is being 
prepared and will be published by the Trustees shortly. It is pro- 
posed to return to the prices which were current in 1 9 1 o, when the 
last List was printed. 


FOUR series of loan collections are now available. Two of these 
include twenty-five drawings each, the other two include eleven 
drawings each. A framed notice on Turner's Drawings and Water- 
colours is included in each series. Each series represents Turner's 
work in pencil and water-colour at various periods. 

Applications for loans should be made to the Keeper of Prints and 
Drawings, British Museum, under the conditions set forth in the 


official * Regulations for the Loan of Works of Art by the Trustees 

of the British Museum to Museums and Art Galleries', with special 

conditions made for the drawings of the Turner Bequest, as follows: 

( i) That loans are not made for longer periods than three months, 

nor, as a general rule, in the months of April, May, June, July, 

and August, owing to the strength of light at that time of 


(2) That the rooms in which the drawings are exhibited shall be 
perfectly dry and well ventilated. 

(3) That the drawings should in no case be exhibited on walls 
which are at any time exposed to direct sunlight. 

(4) That, outside the British Museum, no drawing shall be taken 
out of its frame. 

(5) That frames must only be hung by the brass plates attached, 
and in their countersunk positions; that holes must not be 
bored in the frames. 


Codex Sinaiticus, To meet the popular demand for some account 
of the Mount Sinai manuscript and for reproductions of specimen 
pages several publications have been issued. A pamphlet, entitled 
The Mount Sinai Manuscript oj the Bible (22 pp., with four illustra- 
tions), published at the price of sixpence, is in its second edition. It 
contains some account of the discovery and of the manuscript itself, 
rebuts the reports that the manuscript was wrongfully obtained by 
the Russian Government and that it is a forgery, and gives some 
typical instances of textually interesting passages in the New Testa- 
ment. One of these passages, the Lord's Prayer in St Luke's 
version, is the subject of a leaflet (The hordes Prayer in St Luke's 
Gospel according to the Codex Sinaiticus^ 4 pp., i penny), which repro- 
duces the passage, with a transliteration into modern Greek charac- 
ters and the English of the Authorized and Revised Versions. A 
collotype facsimile, showing two pages (Luke xxiv. 23-John i. 39), 
full size, has been issued at a price of one shilling, and postcards 
showing respectively the same opening and a view of the Monastery 


of St Catherine are on sale at twopence each. The following photo- 
graphs can be supplied from official negatives at the prices shown 

4083. Ps. cxviii. 1 3 2-cxxiii. 1 . 2oin. xi6in. 5/. 

4084. Ps. cxviii. 169-cxxiii. I. 20 in. X 16 in. 5/. 

4085. Luke xix. 13-xx. 34. 24 in. x 20 in. yj. 6d. 

4086. Luke xxii. 20-52. 2oin. xi6in. 5^. 

4087. Luke xxii. 20-52. 10 in. x 8 in. 2s. 3^. 

4088. Luke xxii. 20-xxiii. 14. 20 in. x 16 in. 5J. 

4089. Luke xxii. 36-52. 10 in. x 8 in. 2j. 3^. 

4090. John i. 1-39. 2oin. X 16 in. ^s. 

The second volume of the Publications of the Joint Expedition of 
the British Museum and of the Museum of the University of Pennsyl- 
vania to Mesopotamia is published for the Trustees of the two 
Museums, by the aid of a grant from the Carnegie Corporation of 
New York. The volume is entitled The Royal Cemetery, and con- 
tains Dr C. L. Woolley's report on the 'pre-dynastic' and Sargonid 
graves excavated between 1926 and 1931; the Rev. Dr Ldon Le- 
grain, of the Museum of the University of Pennsylvania, has con- 
tributed a general description and a catalogue of the seals, the Rev. 
Father E. R. Burrows, S.J., a chapter on the inscriptions, Prof. Sir 
Arthur Keith a discussion of the skeletal material, and Dr H. J. 
Plenderleith some notes on the chemical analyses of the metals and 
on the possible provenance. The volume is in two parts, the first of 
text, pp. XX and 604, and 83 figs., a coloured frontispiece and a map, 
the second consisting of 274 plates, of which 37 are in colour and 
173 collotype. The subscription price is three guineas, the list to 
be closed on 30 April 1934; the price thereafter is fixed at four 

Dr Woolley gives a detailed description of the excavations of the 
cemetery, which he divides into 'royal tombs' and 'private graves* 
of the pre-dynastic period, 'Second Dynasty' graves, and Sargonid 
graves, and then discusses separately, with full descriptions, the 
classes of objects found, e.g. musical instruments, shell inlay, metal 
objects. Both the excavations and the objects are very amply illus- 


trated, and the coloured plates provide a useful record of antiquities 
many of which are now well known, such as the gold vessels of Mes- 
kalam-dug, the harps with golden bull's heads, the gold helmet, the 
rein-rings, and the mosaic 'standard'. A valuable feature of the 
publication for students is the catalogue of objects, arranged by 
excavation numbers, with the present location and number, where 
identified, either in the Baghdad Museum, the Museum of the Uni- 
versity of Pennsylvania, or the British Museum. The cheapness of 
this publication is due to the munificence of the Carnegie Cor- 

The seventh volume of the new edition of the General Catalogue of 
Printed Books in the British Museum was published in March of this 
year. This instalment carries the work to within sight of completion 
of the letter A, from the heading Asmund to that of Auszuge, in 
986 columns as against 592 columns in the corresponding section 
of the previous edition. 

The Trustees have now published a facsimile reproduction of their 
unique manuscript containing the Persian poems of Zu '1-Fakar 
ShirwanI (Or. 9777). This poet, who flourished in the thirteenth 
century a.d., was one of the most brilliant figures in literary circles 
of his age, and was particularly admired for his skill in the composi- 
tion of the artificial kastdah, for which he found patronage in the 
courts of the Atabeks of Luristan and the Kutlugh Khans of Kirman. 
The immense success which he won in his own day, however, did not 
last long: after his death his writings fell into neglect, and although 
his reputation survived in the schools of literature, and some of his 
verses were occasionally quoted, fewer and fewer scholars studied his 
poems at first hand, and copies of them became rarer and rarer, until 
at last they seem to have disappeared, with the exception of the 
manuscript now in the Department of Oriental Printed Books and 
Manuscripts, which has just been published by the Trustees. This 
contains about 10,000 couplets of various kinds of verse (kasaid^ 
kita\ ghazaliyyat, and rubaiyyat) ; it may be mentioned that hitherto 
only about fifty of our poet's couplets have been preserved in quota- 
tions, and none in independent manuscripts. The reproduction has 
been edited by Mr E. Edwards, who has contributed a short preface, 


in which he thoroughly discusses all the historical data available for 
the poet's life. The price is i ^s. 

The first volume of reproductions of the Woodcuts of the XVth 
Century in the Department oj Prints and Drawings^ with text by Mr 
Campbell Dodgson, late Keeper of the Department, contains i88 
subjects on 73 plates, including a frontispiece printed in colours. The 
complete publication will consist of three volumes, two reproducing 
woodcuts, and the third metal-cuts, including numerous examples of 
the maniere criblee. The contents are chiefly of German or Nether- 
landish origin, but a few fine examples of the Italian and French 
Schools are also included. The selection is limited to prints issued 
separately, book illustration being on principle omitted. 

The British Museum collection of such prints is one of the five 
large collections that exist, the others being at Berlin, Munich, Paris, 
and Vienna. It is the only collection of which till now no complete 
set of reproductions was available. The text is purposely brief; more 
detailed descriptions of the majority of the prints are to be found in 
Mr Dodgson's Catalogue, Vol. I, 1903, though numerous acquisi- 
tions have been made since then. 

The price of the First Volume of the publication, which is limited 
to 300 copies, is ^2 los, 

A short monograph on The Assyrian Sculptures by C. J. Gadd 
contains eighteen half-tone illustrations and is sold at is. 6d, It gives 
a brief account of the discovery of the slabs, the development of 
Assyrian art and some explanation of the content and meaning 
of the scenes. A detailed list gives a description of individual slabs 
in the chronological order under kings' reigns, and the index of 
sculptures by galleries enables the visitor to use this book in the 

A fourth edition of the Guide to the Department of Coins and 
Medals has been issued. The chief changes are that the Greek section 
has been revised in keeping with the recently published detailed 
Guide to the Principal Coins of the Greeks and that important addi- 
tions and alterations have been made in the English section. 



Lantern Lectures on the Sinai Manuscript, Lantern lectures on the 
Codex Sinaiticus can be given, on application (three days' notice is 
requested), at the British Museum by members of the staff on 
Mondays, Wednesdays, and Saturdays at 1 1 a.m. and 2.45 p.m., to 
parties of not less than 1 5 and not more than 60 persons. In special 
cases, lectures on other days or at other hours may be arranged. No 
charge will be made for admission, but it is hoped that those who 
avail themselves of these facilities will contribute as liberally as 
possible to the purchase fund. Two lectures have been prepared, one 
of a more advanced kind specially intended for students and adults, 
one for a less instructed audience, particularly for children. 

Arpachiyah Expedition, The share of duplicate antiquities allotted 
to the expedition to Arpachiyah, near Nineveh, by the Department 
of Antiquities in Iraq, is now exhibited, so far as complete or nearly 
complete and typical specimens are concerned, in the Nineveh 
Gallery. This expedition, which was financed by the British School 
of Archaeology in Iraq, the Percy Sladen Memorial Fund, Sir 
Charles Marston, and other generous subscribers, and directed by 
Mr M. E. L. Mallowan, M. A., F.S.A., aimed at investigating a small 
site of great antiquity to establish such sequence datings for early 
types of painted pottery in Assyria as might be possible. This pur- 
pose has been satisfactorily achieved, and in broad terms the prin- 
cipal result of the excavation was to show that the early black on 
buff wares from Babylonia are preceded in the north by a polished 
polychrome ware of the type already known from Tall Halaf on the 
Habur River in Syria, and elsewhere. 

This polychrome ware is hand-made, thin, and of finely levigated 
clay. The geometrical designs are carried out in various colours in 
lustrous paint. Several examples which were broken in antiquity 
and are now rejoined show remarkable differences in colour due to 
accidental circumstances, but in general orange, red, brown, black, 
or white is fairly clear. The shapes are as characteristic as the beauti- 
ful designs, and do not occur afterwards. The finds connected with 
this pottery show that the stone weapons and tools are all of the 


*chalcolithic' period, and the fortunate find of a copper axe blade 
side by side with polished stone axes leaves no doubt on the subject. 
The amulets are of some interest in that they present true antecedents 
for later amulet forms, and the naked female figures with pinched 
heads, or no heads at all, show the prevalence of these magical 
figurines in Western Asia in very early times, which has been 
doubted. A point of some interest is the fine polish of the obsidian 
cores found and the skill with which this substance is worked. 

The curious pebble causeways and the associated small buildings 
of this early settlement, which yet await explanation, are illustrated 
by the plans of Mr Cruikshank Rose, and some idea of the rich 
collection at Baghdad from this site is given by the water-colour 
drawings of objects there. 

The finds of the later period, though much less spectacular, have 
their value in co-ordinating finds from such sites as Samarra and 
Ur. The exhibition closes on 14 April, but the greater number of 
objects will be exhibited in the new Babylonian Room, when 

Drawings by George Du Maurier. A selection of Du Maurier's 
drawings are on exhibition in the Prints and Drawings Gallery to 
mark the centenary of the artist's birth (6 March 1834). The depart- 
ment possesses in all twenty-one drawings by Du Maurier. 

Prehistoric Antiquities. The increasing interest taken by the public 
in prehistoric research is reflected in a series of special exhibitions 
arranged in the Department of British and Medieval Antiquities; and 
two table-cases are set aside for the purpose at the head of the main 
staircase. The first subject illustrated was the sequence of flint imple- 
ments from Swanscombe and Northfleet in Kent as revealed by Mr J. 
P. T. Burchell's excavations. This was followed by an exhibit provided 
by Mr Hazzledine Warren and Mr O. Rickof of mesolithic flints 
from a sealed deposit on the Pleistocene gravel at Broxbourne, Herts. 
A selection from Dr L. S. B. Leakey's finds in Kenya included 
skeletal remains of Homo sapiens from a surprisingly early deposit; 
and in January Mr J. Reid Moir demonstrated the variety of patina- 
tion in pre-Crag flints, suggesting at least four periods of Pliocene 
man ; while Mr J. B. Calkin exhibited the results of his excavations 


at Slindon Park, Sussex, with a view to dating the raised beach and 
Coombe-rock. These were followed by a display of the culture- 
sequence discovered by Miss Dorothy Garrod in caves on Mount 
Carmel, with portions of palaeolithic and mesolithic (Natufian) 
skeletons. It is proposed to continue these temporary exhibits of 
topical interest; and the collaboration of several collectors has been 
promised, to amplify material already in the Museum. An oppor- 
tunity will thus be afforded for the public to study what might 
otherwise be difficult of access in private possession. 


THE Principal Trustees have made the following appointments: 
6 February. To be an Assistant Keeper, Second Class, in the 
Department of Egyptian and Assyrian Antiquities, Mr lorwerth 
Eiddon Stephen Edwards, B.A. (Gonville and Caius College, Cam- 
bridge), John Stewart of Rannoch University Scholar (1928), Tyr- 
whitt University Scholar, Wright University Student, and Mason 
University Prizeman (1932); 

19 April. To be an Assistant Keeper, Second Class, in the 
Department of Prints and Drawings, Miss Elizabeth Senior, B.A. 
(Newnham College, Cambridge, and Courtauld Institute, London). 

To be Assistant Cataloguers in the Department of Printed Books: 

30 January. Mr George Lisle Glutton, B.A. (Merton College, 

6 February. Mr Gordon Harold Spinney, B.A. (St John's College, 
Oxford); Mr Alexander Hyatt King, B.A. (King's College, Cam- 
bridge), Jebb Travelling Student; Mr Richard William Ladborough, 

B.A. (Magdalene College, Cambridge). 





NOW IN THE BRITISH MUSEUM. Part VI. Italy: Foligno, Ferrara, Florence, 
Milan, Bologna, Naples, Perugia, and Treviso. Pp. I + 301 (599-899), with 31 plates 
of facsimiles (XLII*-LXXI I*). 1930. ;^3 3s. 

Vespasian to Domitian. With an introduction and 83 plates. By Harold Mattingly, 
M.A. 1930. 8vo. £2 3s- 

AND ROMAN ANTIQUITIES: By F. N. Pryce, M.A., F.S. A. Vol. I, Part L 
Prehellenic and Early Greek. Pp. viii + 214, with 43 plates and 246 figures in text. 
1928. 1 8s. Part II. Cypriote and Etruscan. Pp. viii4- 261, with 6 plates and 132 
figures in text. 1931- ;^i. 

CODEX ALEXANDRINUS in reduced photographic facsimile. Old Testament, 
Part II. I Samuel — II Chronicles. 232 plates. 1931. j[,2 2s. 

BRITISH MUSEUM. By Arthur M. Hind, M.A., F.S.A. Vol. IV. Dutch 
Drawings of the 1 7th Century (N-Z and Anonymous). 1931. 8vo. ^^2 los. 

THE STURGE COLLECTION: An Illustrated Selection of Flints from Britain 
bequeathed in 1919 by William Allen Sturge, M.V.O., M.D., F.R.C.P. By Reginald 
A. Smith, F.S.A. 1931. 8vo. With 11 plates and numerous illustrations in the text. ;^i 5^. 

BRITISH MUSEUM. Part XLI (50 plates), by C. J. Gadd, M.A., F.S.A. 1931. 
Folio. 1 6s. 

BY SIR AUREL STEIN. By Arthur Waley. Pp. lii+328. 1931. 8vo. £2. 

L. D. Barnett. Pp. 695. 1 93 1. £2 3^' 

1004 cols. 1931. Vol. II, Aegidius-Aleu. 996 cols. 1931. Vol. III. Alevra- 
America. 1004 cols. 1932. Vol. IV, America-Anne. 988 cols. 1932. Vol. V, 
Anne-Aristias. 1004 cols. 1933. Vol. VI, Aristide-Asmondo. 1004 cols. 1933. 
Vol. VII, Asmund-Auszuge. 986 cols. 1934. Each £4. (to original subscribers £2)- 

Dr. R. Campbell Thompson. Pp. 36, with 18 plates. 1931. los. 

THE LUTTRELL PSALTER. 183 Plates, with an Introduction by E. G. Millar. 

R. L. HOBSON. 2S. 

CORPUS VASORUM ANTIQUORUM (Great Britain fasc. X, British Museum 
VII). Edited by F. N. Pryce. 48 plates. 15J. 

1 2 Plates. 6s. (with portfolio ys.) or 6^. each. 

AND XVI CENTURIES. By A. E. Popham. 83 plates. £2 7s. 6c/. 

700 B.C. to A.D. 270, based on the work of Barclay V. Head. 50 plates. 1932. 15^. 

1933- ;^3 IO:f. 

FLINTS. An illustrated manual of the Stone Age for Beginners. By R. A. Smith 
Reprint. 1932. 6d. 

INGS AND MOSAICS. By R. P. Hinks. Pp. Ixxi + 157, with 168 figs, and 
32 plates. 1933. £2. 

by Al-Kali. Edited by A. S. Fulton. Pp. 16, with 148 plates. 1933. ^os. 6d. 



BRITISH MUSEUM from 1925 to 1930. Pp. 1759. 1933. ^5 5^. 

THE BOOK OF THE DEAD. Reprint. With 25 illustrations, ix. 

WALES, reproduced in colour. Frontispiece portrait of Queen Elizabeth, ns 6d 
Single sheets, 5^. each. /„ progresi 

REPLICAS AND CASTS of the finest objects from Ur can be supplied to order. 
List and prices will be sent on application to the Department of Egyptian and Assyrian 

DoDGSON. Vol. I. Pp. 28. Frontispiece and 68 plates. £2 los. 

poems of Zu'l-Fakar Shi rwanl. Edited by E. Edwards. Pp.466. \$s. 

THE ASSYRIAN SCULPTURES. By C. J. Gadd. Pp. 77, with 18 
illustrations. \s. 6d. 

and others. Two volumes. I. Pp. xx + 64, with coloured frontispiece and map ; 
II. Plates 274 (37 in colour). Price l^^ 4s. 


PHOTOGRAVURES and other Reproductions issued by the British Museum can 

be had on application to the Director, British Museum, London, W.C. i.