^^.,, JiBRARY OF
WELLESLEY COLLEGE
PRESENTED BY
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bi^'^TS?
Date Due
THE ALLEN A. BROWN COLLECTION
CATALOGUE
OF THE
Allen A. Brown Collection
of Music
IN THE
PUBLIC LIBRARY OF THE
CITY OF BOSTON
Vol. 1
A— Hezekiah
BOSTON
PUBLISHED BY THE TRUSTEES
1910
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The Public Library of the City of Boston: Printing Department.
PREFACE.
The Allen A. Brown Musical Library owes its existence to the collector whose name it bears, Mr.
Allen A. Brown, of Boston. Mr. Brown began to collect musical productions many years ago without
the definite intention of forming such a library ; but as his acquisitions steadily increased in importance
and in representative character, he realized that a permanent location for them was desirable, where
they could not only be preserved but also made available for public use. He therefore presented the
large and valuable collection to the Boston Public Library in 1894, and a room was set apart for its re-
ception in the new library building in Copley Square, which was then approaching completion. Since
that time important additions have been made, and are being made from year to year, largely through
the generosity of Mr. Brown, but occasionally by gifts from others or by expenditures from the Public
Library funds.
It must be remembered that any printed catalogue represents a library as it is at a definite moment,
and since the process of printing is slow, and new material is received while the catalogue is moving
through the press, no such catalogue is ever complete. In spite of this unavoidable limitation the
present volume will show how rich a collection is here open to the student, the professional musician or
the dilettante: a collection containing not only the principal works of the great composers — the founda-
tion and the essentials of any musical library — but also many specimens of the large number of lighter
or ephemeral works of which a complete collection is impossible. Many of these lighter M-orks may not
deserve a place in such a library, but a just estimate of the musical tastes and standards of any particu-
lar period is impossible without the inclusion of a fairly liberal number of such compositions.
A collection such as this is more or less incomplete, but as the library is constantly growing, the
deficiencies may be in part supplied by new material bought as its worth is perceived. The addition of
contemporary productions is one of the collector's problems. The gaps in all libraries are usually the
result of a failure to purchase on its appearance, the first and seemingly unimportant work of an un-
known writer, whose merit may be afterward established, and whose early productions are then found
difficult to obtain. Such compositions, however, frequently find their way into a library through those
friends of the author who have confidently preserved the examples of his youthful labors.
While the contents of the Allen A. Brown collection are here .shown at length, only a careful study
of the catalogue will disclose some of the most interesting aspects of the library ; for this reason they
may be dwelt upon briefly in this place. It will be seen that, although every form of music is more or
less fully represented — in symphonies, symphonic poems, oratorios, cantatas, operas, songs and all de-
scriptions of chamber music — particular attention has been paid to securing orchestral scores; this,
indeed, may be called the special feature of the collection, and must prove a great stimulation to stu-
dents of orchestration.
Many of the volumes, which are attractively and harmoniously bound, contain insertions that
greatly enhance their value. These insertions sometimes contain accounts of the composer whose work
appears in the volume ; sometimes they are devoted to criticisms of the work and of its rendering as
viewed by different critics at different times, or even at the same performance : thus furnishing impor-
tant side-lights on many a musical career, as well as on the art itself.
v
There are, too, many bound volumes of programmes which represent performances in different
parts of the world — memoranda that might seem of the slightest and briefest significance. Yet once
preserved, they are not negligible as records of when and how certain musical works were produced ;
they form a real part of the material from which history is written.
In 1894 this collection comprised 6,990 volumes, including musical scores and the literature of
music. Mr. Brown has made continuous additions to his library, and it contains today about 11,000
volumes. This figure, however, gives no adequate idea of the actual number of works here gathered,
since it has been Mr. Brown's practice to bind in one volume several compositions by the same writer,
or productions of the same character by several composers. If these had been separately bound, the total
number of volumes would exceed 50,000.
No phase of music has been neglected in these accessions, although the number of orchestral
scores has been more largely augmented than any other side of the collection. The literary section
including periodicals, is practically of the same extent as in 1894. Most of the important musical
literature published since 1895, not found in this catalogue, may be obtained from the general musical
collection of the Public Library. This general collection, at the time of Mr. Brown's gift, numbered
about 4,000 volumes; of the 7,000 volumes which have since been added, some 5,000 are single pieces of
piano music, mostly acquired by gift, and separately bound.
An Appendix will contain new material received too late to be entered in the main body of the
catalogue, and any titles found to have been omitted through oversight.
FORM.
The catalogue has been arranged in dictionary form — '- author, title and subject entries together
forming a single main alphabet, with sub-alphabets under the subjects and titles — mainly in accordance
with the design of the late Edward Browne Hunt, sometime Chief Cataloguer of the Library. The use
of certain arbitrary methods, both in arrangement and in type display, made necessary by the nature of
the material and the exigencies of linotype composition, needs some brief explanation which here
follows. Some inconsistencies of treatment will doubtless be observed, but they are almost inevitable
in a publication that has been long preparing for the press, and the copy for which has been the work
of many hands.
TYPES.
The main body of the work is in ordinary roman type, from which certain departures have been
made in accordance with the following general plan. The catch-words in the main alphabet and the
shelf -numbers, by which the works cited may be called for, have been put in a heavier and blacker face.
The catch-words in the sub-alphabets are printed in small capitals : a sub-alphabet under each title entry
being assumed, for the sake of uniformity, even though this collection may contain but a single work
bearing that title. Italic type has been used for such words or phrases, extraneous to the title, as
characterize or describe persons, places, or compositions. A few minor and self-explanatory variations
will be found, but the classes named above give the key to the general method of display adopted.
AUTHOR ENTRIES.
It has been the intention to make under the author's name, a full entry, including place of publica-
tion, publisher and date, for each of his separate works, and full contents have been given for any
collection, great or small, of which he is the author or the editor. A separate entry, however, under
the author, has not been made for works which appear only in these collections.
If, for example, one is looking for Abt's "Abends am Rhein," he will not find it in its alphabetical
place among Abt's separate works, but in the contents under Abt's "Leichte Mannerchore." The
necessity for a double entry -under the author is believed to have been obviated by the fulness of the
title entries.
A large proportion of the songs catalogued have been published (so far as the Brown Library
is concerned) only in miscellaneous collections, and the more popular songs have appeared in a great
vi
many of these compilations. In such cases, the main entry under the author's name gives the title and
shelf-number of the first collection only (alphabetically regarded) in which a song is to be found, while
the other collections are indicated in a note immediately below.
TITLE ENTRIES.
Every work in the Brown Collection which has a distinct title, should appear under that title in the
main alphabet. When such a work has been published only in the collected works of the author that
fact is stated; if, however, the work has also been published separately, or in some incomplete collection
of the author's works, the copy in the complete collection is ignored except in the shelf-number, to
which the letters "etc." are attached. In other words, "etc." added to a shelf-number indicates that
the Brown Collection includes at least one other copy of the work indexed, and that it may be found
under the author's name, either in its alphabetical place or in the table of contents following some
collection which the author has composed or edited. For example :
Abschied, Der. Sony. Beethoven. Werke. Serie 23. M.413.1.23
Annie Lee. Part-song. Barnby. No. i in M.IS8.23.; etc.
In the first case the title will be found under Beethoven only in the contents of his works ; in the
second case the title will be found under Barnby as a separate entry, with this and an additional shelf-
number, and it will also be found among the contents of the author's "Eight four-part songs."
A troublesome factor in the preparation of this catalogue has been that of dealing with a title which
has been used for several distinct compositions by the same author. Robert Franz wrote at least six
different songs entitled "Auf dem Meere," and the only practicable method of distinguishing one from
the other has seemed to be the use of a dash to denote a repetition of the author's name, followed by the
first words of each song and the opus number, if there is one. For example :
Abendlied. Part-song. Hauptmann, M. Ich stand auf Berges
Halde. Sechs vierstimmige Lieder. No. 2 in M. 157.22
— Die Nacht ist gekommen. Sechs geistliche Gesangc.
No. 3 in M.157.22
Auf dem Meere. Song. Franz, R. .^n die blaue Himmels-
decke. Sechs Gesange. Op. 6. No. 46 in M.244.5.7
— An die bretterne Schiffswand. [Op. 25.]
No. 66 in M.244.5.2
Under the author, the first of these will be found in the collection entitled "Sechs vierstimmige Lieder";
the second, in that entitled "Sechs geistliche Gesange."
The word "same" has been used in cases where two or more entries are necessary for different
words accompanying the same music, either as title or text. Many editions of the same work published
in different languages, or translated into English under different titles, are thus grouped together
under the title of the original work. For example :
Barnett, John Francis.
The ancient mariner. Cantata, written by S. T. Coleridge.
Composed ... by J. F. Barnett. [Accomp. for piano-
forte.] London. Hutchings & Romer. [1867?] M. 154.33
Same. (Der alte Matrose.) \ cantata for solo voices, cho-
rus, and orchestra. The words by S. T. Coleridge. The
German translation by Ferdinand Freiligrath. Composed
by John Francis Barnett. Full score [and ad lib. part for
organ]. London. Xovello, Ewer & Co. [187-?] M.227.1
»
The same words set to music by different composers are so indicated under the name of the librettist.
The treatment of operas under their titles has given rise to great differences of opinion. Many of
the operas in the Brown Collection appear in such a variety of forms, from full scores to ordinary
librettos, that a full entry in more than one place seemed out of the question ; at the same time it was
often impossible to discriminate regarding the relative importance of these various forms. There are
two editions of "Lucia di Lammermoor," one without words and with orchestral score; the other with
Italian words, and with piano accompaniment ; for either of these there might well be an equal enquiry.
vii
It is obvious that the bulk of the catalogue would have been unwarrantably increased by detailed entries
in two places, and the user of the catalogue has therefore been referred, in each case, to the name of
the composer for all information regarding music of this character, — cantatas, oratorios and some
incidental music as well as operas.
It has been by no means uncommon for several authors to use the same title for an opera or oratorio.
Only one entry has been made under the title, and the composers are grouped alphabetically under this
one entry, as in the case of "Don Quixote."
The word Partition indicates the full score. Under such headings as Chamber music this arrange-
ment is to be understood, unless some other form is specified.
SHELF-NUMBERS.
It will be noticed that shelf -numbers do not always show the place of a particular work in the
volume of which it forms a part. Volumes so treated contain indexes to which reference may easily
be made.
The books in the Brown Collection may not be taken from the Library, but the majority of those
in the general collection are for home circulation.
September i, 1910.
viu
THE
ALLEN A. BROWN COLLECTION
OF MUSIC
A * * * , A.
L'incendio di Babilonia, opera seria.
Feltre.
A .... t.
Standchen an Luise. [Mannerchor.]
pp. S8, S9-)
Still! Still! [Mannerchor.]
55.)
Wer seinen Wein in einer
[t. t. b. b.]. {In Orpheus.
Musique de A. de
M.262.39
(In Orpheus. Band 6,
No. 211 in M.i2ga.43.6
(/n Orpheus. Band 6, pp. 54,
No. 208 in M.i29a.43.6
Ecke trinkt allein. Trinklied
Band 6, pp. 44-47-)
No. 204 in M. 1293.43.6
ABC. Part-song. Hopp, J. No. 94 in M.204.39
Sattler. No. 93 in M.204.39
ABC Dario musico. Bath. 1780. No. i in M.107.19
A satire on the musicians of that time.
ABC Quadrille. Part-song. Neumann, E. No. 24 in M.392.19
A basso porto. Opera. For the Music see Spinelli. For the
Libretto see Checchi.
A Berenice e Vologeso. Aria. Mozart. Werke. Serie 6,
Band I. No. 4 i" M-3iS-i-6.i
A bientot. Song. Schubert, F. P. Melodies. Vol. 7. M.327.4.7
A bon chat, bon rat. Clement, J. P. M.i29a.s
A ce matin. Part-song. Lassus. Sammtliche Werke. Band 12.
M.8o4oa.67.i2
A che tenderm'. Amor. Part-song. Lassus. Sammtliche
Werke. Band 8. M.8o4oa.67.8
A chi more per dio. [Madrigal, a. x. t. b.] (In Hawes. Col-
lection of madrigals. Pp. i33-i35) No. 24 in M.235.12
A Clichy. Opera. For the Music see Adam, Adolphe C. For
the Libretto see Philippe, A.
A demain les peines. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.S
A deux de jeu. Opera. For the Music see Vandenesse. For
the Libretto see Sonnois.
A deux pas du bonheur. Opera. For the Music see Godefroid,
D. J. G. F. For the Libretto see Bully.
A Dieu ma voix j'ay haussee. Psalm. Sweelinck. Werken.
Deel 3. M.413.2.3
A G. Donizetti. Cantata. For the Music see Ponchielli. For
the Libretto see Ghislanzoni.
A huitaine. Opera. For the Music see Japy.
A Jenny. Song. Schubert, F. P. Melodies. Vol. 4. M.327.4.4
A rfitre infini. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
A I'ocean. Song. Schubert, F. P. Melodies. Vol. 6. M.327.4.6
A la brisc. Song. Gounod. Vingt melodies, se recueil.
No. II in M.157.36.5
A la Madone. Song. Gounod. Vingt melodies. 4e recueil.
No. 8 in M.IS7.36.4
A la m6moire d'un heros. For orchestra. Gi.azunov.
No. I in M.412.4
A la merl Song. Vaucorbeil. Melodies. M.213.35
I.I
A la paix. Part-song.
A la plus belle. Song.
Jaeger. No. 7 in M.130.7
Blum, C. L. Lyre fiir Damen.
No. 32 in M. 221.30
la source. Song. Vaucorbeil. Melodies. M.213.2S
la Villa Medicis. Suite. Busser. M.404.74
ma lyre. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
ma voix naissez, animaux. Song. Haydn, F. J.
No. I in M.193.21.2
miei prieghi arrise il cielo. Song. Donizetti.
No. 2 in M.364.10
Mignonne. Song. Massenet. No. 3 in M.391.28.2
minuit. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
mirarvi io son intento. Duet. Handel. Werke. Lieferung
32. M.313.1.32
mon CQEur. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
mon fils. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
morire. Cantata. Carissimi. Six cantatas. No. 2 in M.sgi.ss
peine un instant ta jeunesse. Cavatina. Glinka. Romances.
No. 3 in M.244.8
A Pio IX. Part-song. Morini. No. 2 in M.202.29
A propos d'opera comique! Lardin. No. 6 in M.372.20
A questo seno. Aria. Mozart. Werke. Serie 6, Band i.
No. 22 in M.315.1.6.1
A qui le bebe? Opera. For the Music see Pericaud.
A quinze ans. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M.158.44
A sa fontaine. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
A Santa Lucia. Opera. For the Music see Tasca. For the
Libretto see Golisciani.
A se tu dormi. Duet. Vaccaj. No. 51 in M. 157.39
A solis ortus cardine. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
A son rosier. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
A table. Song. Schubert, F. P. Melodies. Vol. 8. M.327.4.8
A' the syghes that come fro my hart. Song. (In Smith.
Musica antiqua. P. 27.)
Ancient song of the 15th century,
A toi. Song. Schubert, F. P.
A Toi je crie, o Jesus Christ.
Werke. Band 16.
toi mon coeur.
M.236.10
with a bass part added.
Melodies. Vol. 3. M.327.4.3
Anthem. Lassus. Sammtliche
M.8o4oa.67.i6
A toi mon coeur. Song. Gounod. Vingt melodies. 3e recueil.
No. 3 in M.157.36.3
A toi, mon seul bonheur. Trio. Panseron. Collection de
40 morceaux. No. 17 in M.260.13
A Toy, mon Dieu, mon coeur monte. Psalm. Sweelinck.
Werken. Deel 3. M.413.2.3
A Toy, 6 Dieu, qui es la haut aux cieux. Psalm. Sweelinck.
Werken. Deel 2. M.413.2.2
1
A travers
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Abendglocken
A travers chants. Criticism. Berlioz, L. H. M.129.15
A travers rAmerique. Travels. Kowalski. M.113.7
A une bourse. Song. Gounod. Vingt melodies. 2e recueil.
No. 13 in M. 157.36.2
A une etoile. Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
A une jeune fille. Song. Gounod. Vingt melodies. 2e re-
cueil. No. I in M.1S3.36.2
Meyerbeer. 40 melodies. No. i in M. 157.38
A une reveuse. Song. P^navaire. Vingt melodies.
No. 3 in M.287.6
Aarons, Alfred E.
A China doll. A musical comedy. Book & lyrics by Harry
B. and Robt. B. Smith. Music by Alfred E. Aarons. Vocal
score [with pianoforte accomp.]. New York. Witmark.
1904. M.397.1
His Honor the Mayor. Book & lyrics by Chas. J. Campbell
and Ralph M. Skinner. Music by Julian Edwards and
Alfred E. Aarons. Vocal score. No. I in M.389.31
Ab Oriente venerunt magi. Anthem. Sweelinck. Werken.
Deel 6. M413.2.6
Abbandono, L'. Song. Mariani, A. XXII melodie.
No. I in M. 158.28
Abbe Stadler. Canon. Beethoven. Werke. Serie 23. M.413.1.23
Abbia da te quel misero. Song. Mercadante. No. 2 in M.364.10
Abbiate, Louis.
Quatuor en fa majeur pour 2 violons, alto et violoncelle.
Partition. Paris. Enoch & cie. [189-?] No. i in M.405.69
Abbott, Emma.
Martin, S. E. The life and professional career of Emma
Abbott. Minneapolis. 1891. Portraits. M.143.25
Abbott, Ernest Hamlin.
Hamlet, or the sport, the spook, and the spinster. Musical
score of the '93 Hasty Pudding play. Music by Percy Lee
Atherton and Ernest Hamlin Abbott. Words by Samuel
Francis Batchelder. [Accomp. for pianoforte.] Boston.
Miles & Thompson. 1893. No. 2 in M.245.14
Abdallah, the last Moorish king. Cantata. For the Music see
Gilbert, .\.
Abdul und Erinieh. Opera. For the Music see Curschmann.
For the Libretto see Hardt.
A Beckett, Mrs. G. A. See A Beckett, Mary Anne.
A Beckett, Gilbert Abbott.
Agnes Sorel. The music by Mrs. G. A. a Beckett. M.251.1
Captain Therese. Opera comique, lyrics by F. C. Burnand
and Gilbert a Beckett. Music by Robert Planquette.
M.287.29
A Beckett, Gilbert Arthur.
The Canterbury pilgrims. Opera. Composed by C. Villiers
Stanford. M.323.6
Signa. Opera. The libretto by Gilbert a Beckett, H. Rudall
and F. E. Weatherly. The music by Frederic H. Cowen.
H.246.5
A Beckett, Gilbert Arthur, translator.
Jonas, E. The two Harlequins. M.253.6
A Beckett, Mary Anne.
Agnes Sorel. [A collection of songs, duets, choruses, etc.,
in the opera. The words by G. A. a Beckett. Accomp. for
pianoforte.] London. Mori & Lavenu. [1836.''] M.251.1
Abeilard a Heloise. Song. Poniatowski. No. ii in M.391.28.2
Abeille, Johann Christian Ludwig.
Amor und Psyche. Ein Singspiel in 4 Aufziigen, von F. K.
Hiemcr, in Musik gesetzt, und fur das Klavier eingcrichtet
von L. Abeille. Augsburg. Gumbart. [1801.] M. 230.1
Komm, stiller Abend. [Mannerchor.] {In Orpheus. Band i,
pp. 8, 9.) No. 7 in M. 1293.43. 1
Peter und Annchen. Singspiel in i Aufzuge. Klavieraus-
zug. Leipzig. Breitkopf & Hartel. [1809?] M.230.2
The libretto was written by F. C. Hiemer after Harmontel and
Favart.
Abeilles et Bourbons. Opera. For the Music see Laurent de
Rille. For the Libretto see Rocheblave, E. R.
Abelard. Glee. Callcott, J. W. Collection of glees.
No. 13 in M.234.1.1
See also Webbe, S. Delusive, sightless god.
Abenceragen, Die. Opera. For the Music see Cherubini. For
the Libretto see Etienne, V. J.
Abencerraghi, Gli, ed i Zegrindi. Opera. For the Libretto see
Galzercini.
Abend, Der. Part-song. Abt, F. 4 Gesange fiir vier Manner-
stimmen. No. 19 in M. 392.1
— [s. T. B. B.] No. 18 in M.392.3
Jouret. No. 32 in 11.392.12
Kretzschmar. No. 26 in M.392.36
Krug, a. No. 5 in M.333.9
Lachner, F. Morgen . . . No. 18 in M. 194.16
ScHULZ, J. P. C. No. 55 in M.213.9
Strauss, R. Zwei Gesange. No. 7 in M.380.25
Zerlett. No. 33 in M.203.20
Abend, Der. Song.
Curschmann. Curschmann-.-Vlbum. No. i in M. 157.37
HiLLER, F. Zwolf Lieder. No. 20 in M. 192.3
RiGHiNi. Zwolf deutsche Lieder. No. 27 in M.221.33
Schubert, F. P. Der Abend bliiht, Teir.Jra gliiht. Werke.
Serie 20, Band 2. M.317.1.20.2
— I'urpur malt die Tannenhtigel. Werke. Serie 20, Band i.
M.317.1.20.1
Abend am Meer. Part-song.
Blumner. Drei Lieder. No. 2 in M.392.S
Leu, F. No. 4 in M.392.16
Wolff, C. No. 3 in M.370.30
Abend am Meere. Part-song. Schultz, E. No. 11 in M.203.16
Abend am Toro-See. Part-song. Rheinberger, J. G. See-
bilder. No. 3ain M.392.37
Abend im Hochgebirge. For string orchestra. Grieg. Zwei
lyrische Stiicke. No. 3 in M.4I0.32
Abend im Walae, Der. Opera. For the Music see Wolf, E. W.
For the Libretto see Heermann, G. E.
Abend sinkt, Der. Part-song. Bergt. No. 33 in M. 1293.43.1
Abendandacht. Part-song. Gernsheim. No. 19 in M.392.10
Abendandacht der Schopfung. Part-song. Schultz, E.
No. 5 in M.212.16
Abendbiid. Part-song. Debois. No. 32 in M.3g2.6
Raff. Sanges-Frtihling. Heft i. No. i in M.192.4
Abendbilder. Song. Schubert, F. P. Werke. Serie 20,
Band 6. M.317.1.20.6
Abenddaemmerung. Song. Brahms. Fiinf Lieder. Op. 49.
No. 12 in M.380.40.1
Abendempfindung. Song. Mozart. Werke. Serie 7, Band i.
No. 30 in M.315.1.7.1; etc.
Abendfantasie eines Liebenden. Song. Gruber, G. W. Gott-
fried August Btirgers Gedichte. Vol. i. No. 25 in M.130.9.1
Abendfeier. Part-song. Baumgartner, W. No. 3 in M.130.7
Heim, M. C. Drei Lieder. No. 52 in M.3g2.8
Kreutzer, C. No. 207 in M.147.4
Naret-Koning. Vier Lieder fiir Mannerchor.
No. 10 in M.392.ig
Abendfriede. Part-song. Lachner, F. No. 7 in M.392.46; etc.
Abendfrieden. Part-song.
Abt, F. Op. 146, No. 4. No. 10 in m. 392.1
— Op. 408. Vier Lieder fiir s. a. t. b. No. 10 in M. 158.22
Becker, R. No. 20 in M.392.3
FucHS, O. No. 27 in 11.392.19
Menager. 2 Lieder. No. 24 in M.392.17
Abendgebet. Part-song. Haeser, J. Vier Lieder.
No. 14 in M.3g2.io
Abendgebet. Song.
RiTTER, F. L. Zehn Kinder-Lieder. No. 7 in M.iga.4
Taubert, C. G. W. Fiinf Lieder. No. 3 in M.192.7
Abendgefuehl. Song. Cornelius. Werke. Band i. M.414.20.1
Abendgelaeute. Part-song. Storch. No. 23 in M.392.39
Abendgesang. Part-song. Burkhardt, S. No. 234 in 11.1293.43.7
Abendglocke, Die. Part-song. Kalliwoda, J. W.
No. 43 in 11.393.11
Abendglocke, Die, auf dam Berge. Part-song. Belcke.
No. 197 in M. 1293.43.6
Abendglocken, Die. Part-song. Abt, F. No. 8 in M.130.7
— Vier vierstimmige Mannergesange. No. 5 in M.392.2
Becker, R. No. 18 in M.393.3
Abendglocken
THE ALLEN A. BROWN COLLECTION OF MUSIC
Abendstem
Abendglocken, Die. (Continutd.)
Jahn, a. No. 2 in M.370.30
Mueller, W. ^'o- 9 in M.130.7
Otto, E. J. >>"o- 59 in M-iaga^s-io
Abendgloeckchen. Part-song. Erk. Volksklange.
No. I in M.130.8
Abendgloecklein. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 3- No. 12 in II.192.6
Abendgruss. Part-song. Muehlisg, A. No. 44 m M.i29a43.io
T.\u\\ itz. ^"o- 27 in M.203.7
Abendhimmel. Part-song. Beate. Funf Lieder.
No. 38 in M.392^
Abendlaeuten. Part-song. Abt, F. Vier Gesange fiir vier
Mannerstimmen. N'o. 26 in M.392.1
Beschnitt. Sieben Lieder fiir Mannerchor.
No. 32 in If.392.18
Kl.\uss. Funf Lieder. No. 8 in M.392.18
Rheinberger, J. G. Vom Rhein. No. 17 in M.392.22
Abendlied. Duet. Mendelssohn-Bartholdy, J. L. F. W erke.
Serie 18. M.4i3.3-i8
Abendlied. Part-song.
Abt, F. Der Abend sinkt. No. I20in M.1474; etc.
— Im Himmel und auf Erden. Sechs Lieder.
No. 6 in M.158.22
Becker, V. E. No. 142 in M.246.22
Beseke. >>0- 36 in M.3924
BoEDECKER. Drei Lieder. No. 3 in M.392.5
Boehme, a. von. Zwei Gesange. No. 6 in M.392.5
Debois. Zwei Gesange. No. 36 in M.392.6
Dregert. No. 4 in M.392.7
FiLKE. No. 17 in M.392.8
Gruett.ver. Drei Lieder. No. 43 in M.392.8
Hauptmakx, M. Ich stand auf Berges Halde. Sechs vier-
stimmige Lieder. No. 2 in M.iS7.a2
— Die Nacht ist gekommen. Sechs geistliche Gesange.
No. 3 in M. 157.22
Hexschel, G. Drei Gedichte. No. 11 in M.592.36
Hiller, F. Acht Gesange. No. 63 in M.392.S
Kern. No. 47 in M.392.12
KoELLNER. Zwei Lieder. No. 16 in M.392.13
Lachxer, L Sechs Gesange. No. 2 in M.393.34
Langert. Ich stand auf Berges Halde. Drei Liedtr.
No. 6 in M.3g2.37
— Die Sonne geht hinunter. Drei Lieder. No. 0 in M.392.37
LiEBE, E. L. No. 87 in M.246.22
Mangold. No. 32 in M.39242.4
MENDELSSOHN-BARTHOLDy, J. L. F. No. 10 in M.392.38
MuEHLiNG, A. No. 206 in M.i29a.43.6
iluELLER, B. Zwei Gesange. No. 23 in M. 194.16
Naater. No. 13 in M.246.22
Naum.\nn, J. G. No. 138 in M.i29a43.4
Nessler. No. 2S in M. 194.16
Oakeley. Six part-songs. No. 4 in M.130.8
PoDBERTSKi. Flint Lieder. No. 26 in M.392.37
RiNCK. No. 125 in M.147.4
RoECKEL, A. No. 21 in M.392.42.3
Schicut. Sechs Gesange. Nu. 2 m M. 152.29
ScHXEiDER, J. C. F. No. 31 in M.i29a.43.i
Schuppert. . No. 9 in M.392.42.4
Speidel. Fiinf Chore. No. 33 in M.3g2.25
Tauwitz. No. 27 in M.392.42.4
Cberlee. Chorlieder. No. iS in M. 158.31
Zoellner, C. F. No. 29 in M.246.32
Zoellker, C. H. Vier Lieder fiir Mannerchor.
No. 79 in M.393.34
Abendlied. Song.
CuRSCHMANX. Curschmann-.\lbuni. No. 1 in U. 157.37
KuECKEN. Leichte Lieder. No. 3 in M.244.6.2
LoEWE, J. C. G. Riickert's Gedichte. No. 2 in M.331.30
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M413.3.19
ScHtJBERT, F. P. Gross und rothentflammet schwebet.
Werke. Serie 20, Band 3. M.31 7.1.20.3
— Der Mond ist aufgegangen. Werke. Serie 20, Band 4.
M.317.1.30^.
Abendlied. (Continued.)
— Sanft glanzt die Abendsonne.
Werke.
Serie 20, Band 4.
M.3I7.I.20^.
Schumann, R. A. Sechs Gesange. No. 3 in M.244.i5-t: etc.
Tal-bert, C. G. W. 6 geistliche Lieder. No. 30 in M.193.7
— 12 Lieder. No. 4 in M.221.25
Abendlied der Furstin. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317.1.30.4
Abendlied fiir die Entfemte, Song. Schubert, F. P. Werke.
Serie 20, Band 8. M.31 7.1.20.8
Abendlied unter'm gestirnten Himmel. Song. Beetho\-en.
Werke. Serie 23. M.413.1.23
Abendlied zu Gott. Part-song. Haydn, F. J.
No. 7 in M.203.8; etc
Abendmahl, Das. Song. Weissheimer. Funf geistliche Son-
nette. No. I in M^04.35
Abendmusik. Seremide. Beer, M. J. No. i in M.403.6
Abendregen. Song. Brahms. Vier Gesange. Op. 70.
No. 6 in M.380.40.3
Abendreigea. Part-song. Abt, F. Fiinf Lieder. No. 3 in M.392.1
Abendroethe. Song. Schubert, F. P. Werke. Serie 20,
Band 6. M.3i7.i.2a6
Abendroth, August.
Kriegslied. [Mannerchor.] (/n Orpheus. Band 2, pp. 54. 55.)
No. 76 in M.i29a.43.3
Abendroth, Das. Part-song. Schubekt, F. P. Werke. Serie 19.
M.317.1.19
Abendroth, Das. Song. Schubert, F. P. Werke. Serie 20,
Band 5. M.31 7.1.20.5
Abendruhe. For orchestra. Kretschmer. Musikalische Dorf-
No. II in M.342.10
No. 41 in M.392.24; etc.
No. 9 in M. 130.7
No. 14 in M.393.17
No. ID in M.393.38.3
No. 37 in M.392.21
No. 26 in M.1474
Collected compo-
M.390..33
No. 40 in M.393.10
geschichten.
Abendruhe. Part-song. Hamm.\, B.
Heim, L
Mair. Drei Mannerchore.
Moz.\rt.
Rheixberger, J. G. -A.uf der Wandening.
S.\ntner.
Abendruhe. Song. Albert, Prince Consort.
sitions.
Abends. Part-song. Heldt, J. Drei Lieder.
Hoffman. No. 10 in M.392.1 1 ; etc
MusioL. Lieder fur vier Mannerstimmen. No. 9 in M.392.19
Abends. Soi\g. Franz, R. .A.bendlich schon rauscht der Wald.
Sechs Gesange. Op. 16. No. 22 in M.344.5.a
— O lachle. Freund der Liebe. Sechs Gesange. Op. 11,
Heft 2. No. 79 in M.244.5.1
— Der Tag beginnt zu dunkeln. Sechs Gesange. Op. 20.
No. 40 in M.344.5.3
Killer, F. Vier Gesange. No. 15 in M.ig3.8
Abends. Symt'iionic foem. Raff. No. i in M.347.26
Abends am Rhein. Part-song. .\bt, F. No. 120 in M.346.33
Abends am Strand. Song. Schum.<xn, R. A. Romanzen und
Balladen. No. 3 in M.244.15.3 ; etc
Abends unter der Linde. Song. Schubert, F. P. Werke.
Serie 20, Band 2. M.31 7.1.30.3
Abendscene beim Bivouak. Part-song. Appel. No. 2 in M.213.3
Abendsegen. Part-song. Muehldorfer. No. 4 in M.3g3.i9
Otto. F.
Abendsegen. Song.
LieJer.
Abendstaendchen. Part-song
Gade. 6 Gesange.
Gramm.
Haertel.
Mendelssohn-Bartholdy, J
No. 217 in M.!29a.43.7
Weber, C. M. F. E. von. SainmtHche
No. 67 in M..244.7
No. 3 in M.392.9; etc
No. 7 in M.393.9; etc
No. 2^ in M.392.10
No. 7 in M.393.10
Werke. Serie 17.
M4i3-3i7;etc
Serie 20, Band 3. M.31 7.1.20.3
.\hlstrom.
L. F.
Schubert, F. P. Werke
ScHULTZ, E. Zwei Gesange.
Abendstem, Der. Part-song.
Schmidt, Gustav. Funf Lieder.
Schubert, F. P. 12 Gesange.
Same. Neun Gesange.
Schumann, R. A.
Abendstem. Song. Schubert, F. P. Serie
No. 5 in M.393.3S
No. 22 in M.393.33
No. II in M. 158.31
No. 14 in M.158.31
No. 202 in M.1474
20, Band 8.
M.3i7.i.aa8
Abendstern
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Abschied
Abendstern. (Continued.) . . , •,
Schumann, R. A. Lieder fiir die Jugend. Abtheilung i.
No. 2 in M.244.IS.3; etc.
Abendstille am Meer. Cantata. For the Music see Schwalm.
For the Libretto see Berent.
Abendstimmung. Song. Raff. Sanges-Friihling.
No. 3 in M. 192.4
Abend-Wehmuth. Song. Moehring. Drei Lieder.
No. 8 in M.236.8
Abendwind, Der. Part-song. Reinecke, C. H. C.
No. 25 in M.392.42.1
Aben-Hamet. Opera. For the Music see Dubois, F. C. T.
For the Libretto see Detroyat.
Abenteuer Carl des Zweiten, Ein. Opera. For the Music see
Vesque von Puettlingen. For the Libretto see Mosen-
thal, S. H. ^ , ,^
Abenteuer einer Neujahrsnacht, Die. Opera. For the Music
see Heuberger. For the Libretto see Schaumann.
Abenteuer Handels, Ein. Opera. For the Music see Reinecke,
C. H. C. For the Libretto see Grove, W. te.
Abenteurer, Der. Opera. For the Music see Stix. For the
Libretto see Philipp.
Abentheuer, Das, in der polnischen Schenke. Opera. For the
Music see Angely.
Abercrombie, Beatrice.
Hezekiah, a sacred drama, composed by J. L. Hatton.
M.I53-33
Abert, Johann Joseph.
Astorga. Romantische Oper in 3 Akten. Text von E.
Pasque. Musik von J. J. Abert. Vollstandiger Klavieraus-
zug. Leipzig. Breitkopf & Hartel. [1866.] M.251.2
Choral, (/n Bach, J. S. Praludium und Fuge ... P. 14.)
No. I in M.346.45
Columbus. Musikalisches Seegemalde in Form einer Sin-
fonie fiir grosses Orchester. Op. 3i- Partitur. Mainz.
Schott. [1864.] M.345.20
Ekkehard. Oper in 5 Acten. Nach J. V. v. Scheffels Roman
frei bearbeitet. Musik von J. J. Abert. Vollstandiger
Klavierauszug bearbeitet von W. Abert. Leipzig. Breit-
kopf & ninth [1878.] M.255.1
Friihlings-Sinfonie fur Orchester. Partitur. Leipzig. Breit-
kopf & Hartel. [188-?] M.33I.I
Die Zufriedenen. [Mannerchor.] (/n Stuttgarter Lieder-
kranz. Mannerchor-Album. Pp. 1-4.) No. 5 in M.203.22
Abert, Johann Joseph, editor.
Bach, J. S. Andante sostenuto; Scherzo allegretto. Fiir
Orchester eingerichtet. Partitur. No. 4 in M.332.3
Abgebluehte Linde, Die. Soitg. Schubert, F. P. Siimmtliche
Compositionen. M.244.12; etc.
Abgeschiednen, Die. Song. Curschmann. Curschmann-
Album. No. I in M.IS7.37
Abide with me. Anthem. Hanscom. No. 25 in M.203.27
Millard, H. No. 24 in M.158.18
Abos, Girolamo.
[Padre, con quest' amplesso. Aria, T., coll' orchestra.]
Manuscript. [182-?] No. I in M.120.16
Stabat Mater. Terzetto [s. s. a. Accomp. for piano], (/m
Lalrobe. Selection of sacred music. Vol. 5, pp. 110-112.)
The first movement only. No. 1 8 in M.290.29.S
About the Maypole. Ballet. Morley. First set of ballets.
No. 2 in M.234.20
Above all praise and all majesty. Anthem. Mendelssohn-
Bartholdy, J. L. F. Six cathedral anthems.
No. 3 in M.243.2
Abraham, Fmile.
Les croqueuses de pommes. Operette. Paroles de Grange
& Abraham. Musique de L. Deffes. M.39S.23
La cruche cassee. Opera comique. Poeme de Lucas et
Abraham. Musique de £mile Pessard.
No. I in M.a77.28; etc.
L'homme entre deux ages. Operette. Musique de Henri
Cartier. No. 3 in M.275.27
Jeanne, Jeannette & Jeanneton. Operette. Paroles de Con-
Abraham, fimile. (Continued.)
stantin & Abraham. Musique de J. Nargeot.
No. I in M.393.47
Le train des maris. Operette. Musique de Henri Cartier.
No. 3 in M.302.15
Tu I'as voulu. Operette. Paroles de Abraham et Prevel.
Musique de Samuel David. No. 3 in M.295.6
Abraham. Oratorio. For the Music see Blumner; also Man-
gold; also Molique.
Abraham auf Moria. Oratorio. For the Music see Rolle, J. H.
For the Libretto see Niemeyer.
Abraham's sacrifice. Cantata. For the Music see Haite.
Abram, John.
The widow of Nain, an oratorio. The words from the Holy
Scriptures. [Accomp. for pianoforte.] London. Weekes
& Co. [1874-] M.241.1
Abrams, Harriet.
And must we part? Duet [a. t. Accomp. for pianoforte].
(In Bland. The Ladies' collection. Vol. 2, pp. 220, 221.)
Also to be found in The Harmonist. No. 243 in M.235.17.3
A smile & a tear, a favorite song [s. with pianoforte
accomp.]. London. Lavenu. [180-?] No. 39 in M.384.48
Abranyi, Emil.
Toldi szerelme. Toldi's Liebe. Musik Drama von Csiky u.
Abranyi. Musik von Edmund von Mihalovich. M.395.44
Abrede. Song. Taubert, C. G. W. 12 Lieder. Sang der Liebe.
No. 4 in M.221.26
Abreise, Die. Opera. For the Music see Albert, E. F. C. d'.
For the Libretto see Steigentesch.
Ahreisc. Part-song. Otto, F. [Sechs Lieder.] No. 40 in M.392.19
Abroad and at home. Opera. For the Music see Shield. For
the Libretto see Holman.
Absalon. Opera. For the Music see Campisiano. For the
Libretto see Roucoux.
Absalon. Oratorio. For the Music see Schneider, J. C. F. For
the Libretto see Brueggemann.
Abschied. Duet. Weber, C. M. F. E. von. Siimmtliche Lieder.
No. 59 in M.244.7
Abschied. Part-song.
Abt, F. Friihlings-Wanderung. No. 27 in M.392.1
Baader. No. 8 in M.130.7
Becker, V. E. No. 24 in M.392.4
— Vier leichte Gesange. No. 11 in M.392.4
Drumm. Drei Leider. No. 12 in M.392.7
Esser. No. 53 in M.392.7; etc.
Gade. Reiter-Leben. No. 8 in M.392.9; etc.
GoLDMARK. Im Fuscherthale. No. 20 in M.158.22
Greger. Drei heitere Lieder. No. 28 in M.392.10
Grote. Vier Mannerquartette. No. 40 in M.392.8
Jansen, F. G. No. 16 in M.392.42.4
Kistler. Drei Lieder. No. 20 in M.392.36
Klein, B. O. Sechs Lieder und Gesange. No. 5 in M.203.16
Marschner, H. a. No. 246 in M. 1293.43.8
Mueller, R. Drei Gesange. No. 11 in M.212.11
Otto, E. J. Der Philister. No. 4 in M.392.20
Otto, F. Sechs Lieder. No. 40 in M.392.19
Rheinberger, J. G. Vom Rhein. No. 17 in M.392.22
Schumacher, P. P. H, Musikanten-Lieder. No. 7 in M.212.16
Schuppert. No. 26 in M.392.24.3
SiLCHER. Silcher-Album. No. 4 in M.370.30
Staff. No. 5 in M.203.22
TscniRCH. No. 40 in M.3g2.26; etc,
Witt, J. No. 24 in M.392.42.3
Abschied, Der. Song. Beethoven. Werke. Serie 23. M.413.1.23
Brahms. Fiinf Gesange. Op. 69, Heft i. No. 4 in M.380.40.2
Franz, R. Das gelbe Laub erzittert. Sechs Gesiinge. Op. 31.
No. 5 in M.244.5.3
— Wie schienen die Sternlein. Sechs Gesange. Op. 11.
No. 74 in M.244.5.1
Grieg. Grieg-Album. No. 2 in M. 155.16
Kuecken. Fiinf Lieder. No. 2 in M.244.6.2
Schubert, F. P. Ade! du muntre . . . Werke. Serie 20,
Band 9. M.317.1.20.9
— Lebe wohl, lebe wohll Werke. Serie 20, Band 10.
M.31 7,1,20.10
Abschied
THE ALLEN A. BROWN COLLECTION OF MUSIC
Abt
Abschied, Der. (Coniinued.)
— tjber die Berge. Werlce. Serie 20, Band 4. M.317. 1.20.4
Stern, J. Compositionen. No. 8 in M.236.8
Same. Fiinf Ges.inge. No. 11 in M.221.30
Taubert, C. G. W. Sechs Lieder. Op. 137- No. 17 in M.192.7
— Sechs Lieder. Op. 169. No. 24 in M.192.8
TiEHSEN. Funf Gesiinge. No. 9 in M.221.2S
WoEHLER, G. Sechs Lieder. No. 15 in M.236.8
Abschied an S. Part-song. George V., of Hanover. Sechs Ge-
dichte. No. 2inM.155.17
Abschied, Kampf, Sieg. Overture. Largo. No. 3 in M.342.12
Abschied vom Heim. Part-song. Rheinberger, J. G. Fah-
rende Schuler. No. 18 in M.392.22
Abschied vom Leben. Song. Weber, C. M. F. E. von. Sammt-
liche Lieder. No. 36 in M.244.7.1
Abschied vom Lenz. Part-song. Kuntze. Drei Gesange.
No. 38 in M.392.14
Abschied vom Steckenpferd. Song. Taubert, C. G. W. Kliinge
aus der Kinderwelt. No. 5 in M.192.8
Abschied vom Vaterland. Part-song. Heim, L No. 9 in M. 130.7
Moehring. No, 139 in M.246.22
Abschied vom Wald. Part-song. Mendelssohn-Bartholdy,
J. L. F. Werke. Serie 16. M.413.3.16
Abschied vom Walde. Part-song. Abt, F. Funf Lieder. Op.
215. No. 28 in M.392.1
— (Zweite Composition.) No. 57 in M.246.22
Behrens. No. 9 in M. 130.7
BuECHLER. Sechs Gesange. No. 35 in M.3g2.5; etc.
EssER. No. 113 in M. 147.4
Hummel, F. Waldwanderung. No. s in M.203.2
Klauer. No. 5 in M. 1293.44
Spiedel. Fiinf Mannerchore. No. 40 in M.392.25
ZiMMERMANN, AntoH. No. 219 in M.147.4
Abschied vom Walde. Song! Schumann, R. A. Sechs Ge-
sange. No. 7in M.244.15.3; etc.
Abschied von den Bergen. Part-song. Weinzierl. Wander-
lied aus den Alpen. No. 51 in M.392.24
Abschied von der Erde. Melodrama. Schubert, F. P. Werke.
Serie 20, Band 10. M.317.1.20.10
Abschied von der Geliebten. Song. Hiller, F. Sechs leichte
Gesange. No. 26 in M. 192.3
Abschied von der Harfe. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317.1.20.4
Abschied von der Heimath. Volksweise. [Mannerchor.] (In
Steinhausen. Conferenz-Gesange. Band 2, Heft i, p. 14.)
No. 10 in M.3g2.38
Abschied von der Heimath. Parf-wnff. Kern. No. 49 in M.392.12
Abschied von der Welt. Song. Schumann, R. A. Werke.
Serie 13, Band 4. M.316.1.13.4
Abschied von Frankreich. Song. Schumann, R. A. Werke.
Serie 13, Band 4. M.316.1.13.4
Abschiedsgesang. Part-song. Beethoven. Werke. Serie 25.
M.413.1.2S
Abschiedsgesang. Song. Beethoven. Werke. Serie 23.
M.413.1.23
Abschiedsgesang der Auswanderer. Volksweise. [Manner-
chor.] (In Das Riitli. Pp. 505-507.) No. 212 in M.147.4
Abschiedsgruss an's Vaterland. Cantata. For the Music see
Tschirch, F. W. For the Libretto see Sturm, J. C. R.
Abschiedslied. Volkslied [t. t. b. b.]. (/» Orpheus. Band 10,
p. 25.) No. 50 in M.t2ga.43.io
Abschiedslied. Part-song.
Brahms. Deutsche Volkslieder. No. 3 in M.204.7
Otto, F. No. 168 in M. 1293.43. 5
Abschiedslied der Zugvogel. Duet. Mendelssohn-Bartholdy,
J. L. F. Werke. Serie 18. M.413.3.18
Abschieds-Lied eines Frankfurter Handwerksburschen. Song.
Stern, J. Compositionen. No. 8 in M.236.8
Abschieds-Sinfonie. Haydn, F. J. No. 6 in M.344.29
Abschiedsstaendchen. Part-song. Bohl. No. 3 in M.370.30
Orth. No. 49 in M.392.16; etc.
Abschiedstafel. Part-song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 17. M.413.3.17; etc.
Abschiedsversprechen. [Volkslied, t. t. b. b.] (In Fink. Die
deutsche Liedertafel. Pp. 10, 11.) No. 10 in M.213.9
Absence. Part-song. Hatton.
Schneider, J. C. F.
Schubert, F. P.
Absence. Song. Berlioz, L. H.
Bizet. Vingt melodies.
No. 2 in M.195.1.6; etc.
No. 22 in M.20S.10.3; etc.
No. 10 in M.204.38
No. I in M.341.24; etc.
No. 2 in M.265.24
Gounod. Vingt melodies. 3e recueil. No. 18 in M.157.36.3
Absents, Les. Opera. For the Music see Poise. For the Li-
bretto see Daudet.
Absolve Domine. Part-song. Cornelius. Werke. M.414.20.2
Abt, Albert.
Herr, Du bist gross! Gedicht von J. G. Seidl, fiir Manner-
chor, Baritonsolo u. Orchester componirt von Albert Abt.
Clavier Auszug. Op. i. Braunschweig. Bauer. [188-?]
No. I in M.212.3
Abt, Franz.
Abend [s. T. b. B.]. Op. 480, No. 3. Wien. Buchholz & Die-
bel. [1878?] No. 18 in M.392.2
Abendfrieden [t. t. b. b.]. Op. 146, No. 4. Offenbach a. M.
Andre. [1856?] No. 10 in M.392.1
Die Abendglocken. [Mannerchor.] (/» Eidgenossischer
Sangerverein. Wettgesange bei dem 12. . . . Sanger-
feste. P. 15.) No. 8 in M.130.7
Abendlied [t. t. b. b.]. (/« Regensburger Liederkranz. Pp.
110,111.) No. 47 in M.I 293.44
Also to be found in Das Rutli.
Ach, ware mein Liebster tod. Lied [s. oder t.]. Mit Be-
gleitung des Pianoforte. Op. 60, No. 4. Offenbach a. M.
Andre. [185-?] No. 3 in M.192.1
Acht patriotische Lieder fiir vierstimmigen Mannerchor.
Op. 398. Offenbach a. JvL Andre, [187-?] No. 12 in M.392.2
Contents. — Gott segne dich, mein Vaterland. — Mahnruf an's Vater-
land. — Dich halt ich treu im Herzen. — Deutsche Zuversicht. —
Heil dir, O Vaterland. — Vom Fels zum Meer. — Letzte Bitte des
Dichters der ,,Wacht am Rhein." — Ade und Wiedersehn.
8 vierstimmige Mannergesange. Op. 336, Heft i. Mainz.
Schott. [1868?] No. 4 in M.392.2
Contents. ' — Gondelfahrt. — Scheidegruss an die Heimath. — Waldes-
gruss. — Wenn die Lerchen wiederkommen.
Am Neckar, am Rhein. Gedicht von Otto Roquette, mit
englischer Ubersetzung, fiir eine Singstimme (hohen
Bar.) mit Pianofortebegleitung, componirt von Franz Abt.
Op. 89. Offenbach a. M. Andre. [185-?] No. 27 in M.192.1
Am Sonntag. [Mannerchor.] (In Regensburger Lieder-
kranz. Pp. 57-59.) No. 20 in M.i29a.44
An das Vaterland. [Mannerchor.] (In Eidgenossischer
Sangerverein. Mannerchore fiir das 12. . . . Sangerfest.
Pp. 30-32.) No. I in M.130.7
At Andernach. Part song [t. t. b. b.]. (In The Orpheus.
New series. Vol. 6, pp. 143-147.) No. 22 in M.205.10.6
At early morning [t. t. B. b.]. Brooklyn. Molineux. [188-?]
No. 25 in M.392.2
Also to be found in Chickering collection.
Auf den Bergen. [Mannerchor.] (In Regensburger Lieder-
kranz. Pp. 54-56.) No. 25 in M.i29a.44
Auf der Reise zur Liebsten. Lied [s. oder t.]. Mit Beglei-
tung des Pianoforte. Op. 61, No. 10. Offenbach a. M.
Andre. [185-?] No. 8 in M.192.1
Auf die Schwingen deiner Tone [t. t. b. b.]. Op. 413, No. i.
Leipzig. Forberg. [187-?] No. 13 in M.392.2
Auf ewig dein! Lied [s. oder T.]. Mit Begleitung des Piano-
forte. Op. 66, No. 2. Offenbach a. M. Andre. [185-?]
No. II in M.192.1
„Ave Maria." Der Abendglocke . . . Fiir eine Altstimme
mit Begleitung des Pianoforte. Op. 128, No. 2. Wien.
Spina. [185-?] No. 22 in M.192.2
Ave Maria (Hedwig am Gnadenbilde), . . . fiir eine Sopran-
stimme mit Pianofortebegleitung. Op. 96. Miinchen.
Aibl. [186-?] No. I in M.192.2
Ave Maria. Nun ist der laute Tag verhallt [t. t. b. b.]. Op.
533, No. 3. Coin. Tonger. [188-?] No. 20 in M.392.2
Ave Maria. The twilight fast is falling, [t. solo, t. t. b. b.]
(In Chickering collection. Vol. i, pp. 40, 41.)
No. 17 in M.392.48.1
Also to be found [for s. s. a.] in Novello's Collection of trios, etc.
Ave Maria in the Alps. [Part song, t. t. t. b. b.] (In Mosen-
thal. Songs of the Mendelssohn Glee Club. Pp. 30-36.)
No. 8 in M.204.38
Abt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Abt
Abt, Franz. (Continued.)
Awake, the day is breaking [t. t. b. b.]. Boston, bchmidt.
[i8go.] No. imM.392.3
The bird's question. [Part song, s. solo, t. t. b. b.] (/«
Mosenthal. Songs of the Mendelssohn Glee Club. Pp.
85-87.)
No. 22 in M. 204.38
The birds are coming hither. (Wanderlust.) Part song for
4 voices [a t. t. b.]. (/n Warren. Cocks's Hand-book of
glees. Vol. I, no. 49. PP- 193-196.) No. 49 in M.i57-6.i
The boat song [s.s. .«..]. (/n Hills. Vocal trios. Vol. 3,
pp. 5_28.) No.29inM.i57.i7.3
Breaking thro' the silence. [Trio, s. s. a.] (/n Hills. Vocal
trios. Vol. 3, PP- 13-16.) No. 26 in M.i57-i7-3
Bright little birds. [Part-song, t. t. b. b.] (In Chickenng
collection. Vol. 2, pp. 64, 65.) No. 32 m M.392.48.2
Calm is the lake. Solo [t.] and chorus [t. t. b. b.]. (/n The
Orpheus. New series. Vol. 7, pp. 126-132.)
No. 25 in M.20S.10.7
The cheerful drum. (Wandermarsch.) Part-song for 4
voices [a. T. T. b.]. (/« Warren. Cocks's Hand-book of
glees. Vol. I, no. 50, pp. 197-200.) No. 50 in M.157.6.1
La cloche du soir [t. t. b. b.]. Paroles frangaises. Bruxelles.
Schott. 1857. No. 14 in M.392.39
Dear angel! sleep thee well. Schlaf wohl du siisser Enge! du.
Serenade [s. or T. Accomp. for pianoforte. Op. 213, no. 3].
Boston. Ditson & Co. 1864. No. 24 in M.192.2
Dear home of my childhood. [Song, s. or t. Accomp. for
pianoforte.] Philadelphia. Ditson & Co. [186-?]
No. 25 in M.192.2
Departure. Part-song [t. t. b. b.]. (/n The Orpheus. New
series. Vol. 7, PP- 133-136.) No. 26 in M.20S.10.7
Der Polenmutter Wiegenlied. Soldatentod. Zwei Lieder
fiir eine tiefe Stimme mit Begleitung des Pianoforte.
Op. 65. Offenbach a. M. Andre. [185-?]
No. 9, ID in M.192.1
Der Sanger Fahnenlied [t. T. b. b]. (7n Tauwitz. Deutsches
Liederbuch. Pp. 179-181.) No. 84 in M.204.39
Des Liedes Verklarung. Gedicht von Fr. Oser, fur Miinner-
chor mit Begleitung des Orchesters componirt von Franz
Abt. Op. 422. Partitur mit unterlegtem Clavier-Auszug.
Leipzig. Forberg. [1870?] No. 3 in M.352.21
Des Schiffers Traum [t. t. b. b.]. Mit Baritonsolo. Op. 224,
No. 1. Leipzig. Siegel. [187-?] No. 30 in M.392.1
Der deutsche Knabe. Lied fiir eine Singstimme mit Piano-
fortebegleitung. Op. 61, No. 6. Fiir t. oder s. Offenbach
a. M. Andre. [185-?] No. 5 in M.192.1
Deutsche Volkslieder fiir eine Singstimme [s. oder t.], mit
Pianoforte. Op. 90. No. 1-4. Offenbach a. M. Andre.
[185-?] No. 28-31 in M.192.1
Contents. — - Die Auserwahlte. — Liebesscherz. — Vogelsang. —
Herzelied.
Deutschland hoch! [t. t. b. b.] (/n /iu Leichte Mannerchore.
Heft 4, pp. 8-10.) No. 20 in M.246.22
Dim and grey appear the mountains. Part song [t. t. b. b].
{In The Orpheus. New series. Vol. 6, pp. 137-142.)
No. 21 in M.205.10.6
Drei Gedichte von W. Floto . . . fiir eine Singstimme [a.],
mit Begleitung des Pianoforte. Op. 118. Offenbach a. M.
Andre. [185-?] No. 12-14 in M.192.2
Contents. — Nie kann ich dich vergessen. — Sie flustert leise: Gute
Nacht. — Die Thrane sagt es dir.
Drei Gesange fiir Mannerstimmen. Op. 73. Offenbach a. M.
Andre. [185-?] No. i in M.392.1
Contents. — Ruhe. — Gute Nacht. — Nachtliche Wanderung.
Drei Gesange fiir vier Mannerstimmen. Op. 218. Offenbach
a. M. Andre. liS6-?] No. 29 in M.392.1
Contents. — O Vaterland, wie bist du schoni — Nachtgebet — Am
Rheine. w
Drei komische Lieder fiir Bass, mit Begleitung des Piano-
forte. Op. 87. Offenbach a. M. Andre. [185-?]
No. 24 in M.192.1
Conltnls. — Beim Weine. — Rund. — Schoabart.
3 Lieder fiir eine Sopranstimrae und Manner-Quartett. Op.
568. Mainz. Schott. [1882?] No. 21 in M.392.2
Conltnts. — Bedrohtes Gluck. — Danunerung. — Vogelein in blaucr
Luit.
Abt, Franz. (Continued.)
Drei Lieder fur s. a. t. b., mit Begleitung des Pianoforte oder
der Orgel ad lib., zum Gebrauch bei Trauungsfeierlich-
keiten. Offenbach a. M. Andre. [187-?] No. 9 in M.158.22
Contents. — Senke dich in heil'ger Stille. — Ist's Gottes Willi —
Liebt den Hermt
Same. Fiir 4 Mannerstimmen bearbeitet. No. 10 in M.392.2
Drei Lieder fiir Sopran und Manner-.Quartett. Op. 363.
Offenbach a. M. Andre. [1870?]
No. 5 in M.392.35; No. 8 in M.392.39
Contents. — Muntrer Bach. — Lerchenjubel. — Dort sind wir her.
Drei Lieder fiir t. oder s., mit Pianoforte. Op. 106. Leipzig.
Senff. [18s-?] No. 7 in M.192.2
Contents. — Dein Bild. — Der liebe Gott hat's treu gemeint. — Dort
sind wir her.
Drei Lieder fiir vier Mannerstimmen. Op. 293. No. i, 2.
Leipzig. Forberg. [186-?] No. 41, 42 in M.392.1
Contents. — I. Der Tod fiir's Vaterland. 2. Am friihen Morgen.
Drei vierstimmige Mannergesange . . . Op. 236. Offenbach*
a. M. Andre. [r86-?] No. 32-34 in M.302.i
Contents. — Waldabendschein. — Des Sangers Harfe. — Wann, Rose
Deutschland, bliihst du auf.
The earth it loves rain. Part-song for 4 voices [a. T. T. B.].
{In Warren. Cocks's Hand-book of glees. Vol. i, pp. 81-
84.) No. 21 in M.157.6.1
8 four-part songs. For men's voices. No. 1-3, 5-8. Boston.
Ditson. [185-?] No. 1-7 in M.270.4
Contents. — I. Good night. 2. The soldier's adieu. 3. The hunts-
man's song. 5. The earth it loves rain. 6. Fondest, dearest, now
good night. 7. Love's greeting. 8. My fatherland.
Es ist nun einmal so. Gedicht. Fiir eine Singstimme [s.
oder T.] mit Pianoforte. Op. 127, No. i. Wien. Spina.
[185-?] No. 21 in M.192.2
Evening. B. solo and chorus [t. t. b. b.]. {In The Orpheus.
New scries. Vol. 5, pp. 144-148.) No. 29 in M. 205. 10.5
Evening glow on the woods.- A four-part song. {In No-
vello's Part-song book. 2d series. Vol. 12, pp. 50-56.)
No. 12 in M.195.1.12
Eventide. A four-part song. {In Novello's Part-song book.
2d series. Vol. 12, pp. 33-36.) No. 8 in M. 195.1.12
Father of mercies. Quartet and solo [s. Accomp. for organ.
Arranged by M. F. H. Smith]. Boston. Ditson & Co.
1875. No. 21 in M.igo.7
The Father's watchful eye. Solo [t.] and chorus [x. x. b. b.].
{In The Orpheus. New series. Vol. 7, pp. 137-145.)
No. 27 in M.20S.10.7
FIv forth, my song. Trio [s. s. A. Accomp. for pianoforte].
{In Novello's Collection of trios, etc. Vol. 3, pp. 78-82.)
No. 13 in M.204.36.3
Fondest, dearest, now good night. Part-song for 4 voices
[a. X. X. b.]. {In Warren. Cocks's Hand-book of glees.
Vol. I, pp. 85-88.) No. 22 in M.157.6.1
A forest ramble. {In Hills. Vocal trios. Vol. 2, pp. 17-24.)
No. 3 in M.157.17.2
A fresh song in the forest. (Ein frisches Lied im Walde.)
Quartette for male voices (with accomp. of horns ad libi-
tum). Op. 312. Philadelphia. Andre & Co. 1872.
With German and English words. No. 2 in M.392.2
Friihlingsahnung [x. x. b. b.]. Op. 224, No. 2. Leipzig. Siegel.
[186-?] No. 31 in M.392.1
Friihlingsklingen. [Mannerchor.] Op. 329, No. 2. Leipzig.
Senff. [186-?] No. 2 in M.392.35
Friihlingsmorgen. Noch voni Schlumnier [x. x. b. b.]. {In
Eidgenossischer Sangcrverein. Wettgesange bei dem II.
. . . Siingerfeste. P. 27.) No. 9 in M.130.7
Friihlingsmorgen: „Die Wachtel ruft." [r. T. B. B.] Op. 329,
No. I. Leipzig. Senff. [1872?] No. 3 in M.392.2
Friihlings - Wanderung. Fiinf Gedichte von Hermann
Francke, fiir vierstimmigen Mannergesang componirt . . .
von Franz Abt. Op. 208. Leipzig. Siegel. [186-?]
No. 27 in M.sga.i
Contents. — O wundersel'ge Friihlingszeit. — Abschied. — Wander-
lust, — Gruss der Heimath. — Heimkehr.
Fiinf Gesange fiir Mannerchor. Op. 145. Offenbach a. M.
Andre. [185-?] No. 8 in M.392.1
Contents. — Die Heimath. - — Wanderlicd, von Floto. — Ein Stunden-
weiser, Trinklied. — Der Sonntag. — StrudeUahrt.
Abt
THE ALLEN A. BROWN COLLECTION OF MUSIC
Abt
Abt, Franz. (Continued.)
Funf Gesange fur s. a. t. b. Op. 369. Offenbach a. M. Andre.
[187-?] No. 8 in M. 158.22
Contents. — Bleibe nur still. — Waldeinsamkeit. — • Friihlingswande-
rung. — Es bluhen die Blumen und Baume. — Gute Nacht,
Fiinf Gesange fiir s. a. t. b. Op. 453- Offenbach a. M. Andre.
[187s?] No. 17 in M.392.2
Contents. — Still ruht der See. — Bedrohtes Gluck. — Gott und mein
Lied. — Berglust. — Durch die Nacht zum Licht.
Fiinf Gesange fiir vier Mannerstimmen. Op. 203. Heft i.
Leipzig. Siegel. [186-?] No. 5 in M.392.39
Contents. — Deutsches Lied. — ■ Waldeszauber. — In der Friihlings-
nacht [mit t. Solo].
Funf Gesange fiir vier Mannerstimmen. Op. 232. Heft i.
Leipzig. Siegel. [186-?] No. 6 in M.392.39
Contents. — Die Hoh'n und Walder. — Fahrwohl mein Vaterlandl
5 Gesange fiir 4 Mannerstimmen. Op. 448. Offenbach a. M.
Andre. [187-?] No. 16 in M.392.2
Contents. — Morgengesang. — Hoffnung. — Lied der Nacht. — Ich
bleibe hier. — Im Herbst.
Fiinf Gesange fiir vierstimmigen Mannerchor. Op. 185.
Offenbach a. M. Andre. [185-?] No. 3, 4 in M.392.39
Contents. — i. Sonntag Morgen im Walde. — Friihlingslust. — Be-
grabet mich im Walde. 2. Der brave Grenadier. — Standchen [mit
T. Solo].
Fiinf Lieder fiir Alt oder Bass mit Pianoforte. Op. 94.
Offenbach a. M. Andre. [185-?] No. 35 in M. 192. i
Contents. — Der drei Burschen Lied. — Lass still mich traumen. —
Strudelfahrt. — Heimath. — Das Schlagen meines Herzens.
Fiinf Lieder fiir eine Singstimme [s. oder t.], mit Piano-
fortebegleitung. Op. 92. Offenbach a. M. Andre. [185-?]
No. 33 in M.102.1
Contents. — So muss mein Liebchen sein. — Vom Fruhjahr. — War*
ich ein Voglein klein. — Schoner als Alles. — Standerl.
Fiinf Lieder fiir eine Singstimme [s. oder T.], mit Pianoforte-
begleitung. Op. 93. Offenbach a. M. Andre. [185-?]
No. 34 in M. 192.1
Contents. — Hast du nicht eineu Gruss fiir mich. — Die Thrjine. —
Nachtruhe. — Den fernen Lieben. — Tausend Griisse.
Fiinf Lieder fiir s. A. T. B. Op. 81. Offenbach a. M. Andre.
[185-?] No. 3 in M.392.1
Contents. — Waldesfeier. — Kunst und Liebe. — ■ Bild der Liebe. —
Nach den Bergen. — Abendreigen.
Fiinf Lieder fiir s. a. t. b. Op. 538. Offenbach a. M. Andre.
[ 187-?] No. 4, 5 in M.158.22
Contents. — Wogender, griiner Rhein. — Waldabendschein. — Guten
Morgen. — Sie wissen es nicht. — Ruhe.
Fiinf Lieder fiir s. oder t., mit Begleitung des Pianoforte.
Op. 103. Offenbach a. M. Andre. [186-?] No. 2 in M. 192.2
Contents. — Wer ein Herz treueigen halt. — In den Augen. — Weist
du noch? — Standchen. — Schneeglockchen.
Fiinf Lieder fiir vierstimmigen Mannergesang. Op. 215.
Leipzig. Siegel. [186-?] No. 28 in M.392.1
Contents. — Der Heimath Bild. — Abschied vom Walde. — Wander-
lied. — Kein Herz ist so enge. — Auf die Berge steigt.
Fiinf Schweizerlieder fiir Sopran mit Begleitung des Piano-
forte. No. 1-4. Op. 80. Offenbach a. M. Andre. [185-?]
No. 19-22 in M.I92.I
Contents. — Der Senneriu Morgenlied. — Heimweh. — Auf dem#
Berge im Friihling. — • Der Aelpler.
Fiinf vierstimmige Mannergesange. Op. 261. Heft 2, No.
4,5. Leipzig. Siegel. [186-?] No. 37 in M.392.1
Contents. — Ein Wiegenlied: Die Bliimelein schaukelt. — Adel
Gaily o'er the ocean. Part-song for 4 voices. {In Warren.
Cocks's Hand-book of glees. Vol. 2, no. 91, pp. 161-164.)
No. 91 in M.157.6.2
Geleit. [Mannerchor.] (/» Eidgenossischer Sangerverein.
Wettgesange bei dem 11. . . . Sangerfeste. P. 33.)
Also to be found in Das Riitli. No. 9 in M.130.7
Good night. Part-song for 4 voices [a. t. t. b.]. (In War-
Also to be found in Willard's Arion. No. 30 in M. 157.6. 1
ren. Cocks's Hand-book of glees. Vol. i, pp. 1 17-120.)
The grave of a singer. Part-song [t. t. b. b.]. (/» The
Orpheus. New series. Vol. 6, pp. 148-153.)
No. 23 in M.205.10-6
Gruss. Lied [s. oder t.]. Mit Begleitung des Pianoforte.
Op. 61, No. 9. Offenbach a. M. Andre. [185-?]
No. 7 in M.igz.i
Abt, Franz, (Continued.)
Gruss an Deutschland [t. t. b. b.]. Op. 156, No. i. [Offen-
bach a. M.? Andre? 186-?] No. 13 in M.392.1
Gute Nacht, du mein herziges Kind . . . Fiir eine Sing-
stimme [s. oder t.] mit Begleitung des Pianoforte. Op.
137, No. 2. Offenbach a. M. Andre. [186-?]
No. 23 in M.192.1
Gute Stellvertreter [t. t. b. b.]. Op. 353, No. 2. Leipzig.
Kistner. [1870?] No. 7 in M.392.2
Haidevoglein. Lied [s. oder t.]. Mit Begleitung des Piano-
forte. Op. 60, No. 2. Offenbach a. M. Andre. [185-?]
No. 2 in M.192.1
Happiness in wait [s. a. t. b., with s. solo]. Boston. Schmidt.
[ 1882.] No. 45 in H.392.1
Hark! Hark! it is the evening breeze. Part-song for 4 voices
[a. T. T. B.]. (In Warren. Cocks's Hand-book of glees.
Vol. I, no. 25, pp. 97-100.) No. 25 in M.157.6.1
Das Heimatland. [Mannerchor.] (In Das Riitli. Pp. 226,
227.) No. 94 in M. 147.4
The herdsman's mountain home. [Song, s. or t. Accomp.
for pianoforte.] Boston. Ditson & Co. [186-?]
No. 29 in M.192.2
The hermit's harp, cantata for female voices. The words by
Edward Oxenford, the music by Franz Abt. [Accomp. for
pianoforte.] London. Augener & Co. [1881?]
No. I in M. 154.12
The hills and woods. [Part-song, t. t. b. b.] (In The Osgood
collection of part-songs. Vol. i, pp. 56-58.) M.193.23.1
Home so blest. For a. or b, [Accomp. for pianoforte.]
Boston. Perry & Co. [186-?] No. 27 in M.192.2
Home that I love. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 27-32.) No. 7 in M.ig5.i.i2
Hornist und Musketier. Gedicht von Georg Scheurlin fur
Bariton oder Bass, mit Begleitung des Pianoforte und
Horn ad libit. Op. 86. Offenbach a. M. Andre. [185-?]
No. 23 in M.192.1
The huntsman's song. (Jagerlied.) Part-song for 4 voices
[a. T. T. B.]. (In Warren. Cocks's Hand-book of glees.
Vol. I, pp. 189-191.) No. 48 in M.157.6.1
I heard the bells. (In Hills. Vocal trios. Vol. 3, pp. 1-4.)
No. 23 in M.157.17.3
I see thee. Love, in every flower. (Ich sehe dich in jeder
Blume.) Song, s. [Accomp. for pianoforte.] Boston.
Ditson & Co. [186-?] No. 28 in M.192.2
Im Friihling. [Mannerchor.] (In Das Riitli. Pp. 258-260.)
No. 109 in M. 147.4
Im Wald ist's so schon. [Mannerchor.] Op. 367, No. 2.
Offenbach a. M. Andre. [1872.''] No. 11 in M.392.39
Immer bei dir. Lied [s. oder t.]. Mit Begleitung des Piano-
forte. Op. 60, No. I. Offenbach a. M. Andre. [185-?]
No. I in M.192.1
Kaiserblumen-Lied. Ausgabe fiir Mannerquartett. Berlin.
Erler. [187-?] No. 44 in M.392.1
Die Kirmes. Cyclus von zwolf Gesangen mit verbindender
Declamation von Hermann RoUett, fiir vier Mannerstim-
men gesetzt . . . von Franz Abt. Op. loi. Schleusingen.
Glaser. [185-?] Xo. 4 in M.3g2.i
Contents. — Morgens. — Maienlied. — Unterm Fenster. — Gebet. —
Rundgesang. — Bauern-Trinklied. — Festzug. — Ankunft der Gaste.
— Tanzlied. — Rauferei. — Das Kauschchen. — Gute Nacht.
Krieger's Abschied, fur eine Singstimme [bar.] mit Beglei-
tung des Pianoforte. Op. 77. Offenbach a. M. Andre.
[186-?] No. 17 in M.192.1
Kriegs- und Sieges-Lieder fiir vierstimmigen Mannerchor.
Op. 392. Braunschweig. Litolff. [1873?]
No. 12 in M.3g2.39
Contents. — Deutschland iiber Alles. — Hurrah, Germania! — In
Frankreich hmein. — • VorwartsI soil die Losung sein. — Kriegers
Abschied. — Heldentod. — Den Gefallenen. — Hoch Deutschland 1
herrljche Siegesbraut.
Laughing [t. T. B. B.]. New York. Molineux. [188-?]
Also to be found in The Orpheus. New series. No. 24 in M.392.2
Lebe wohl mein Vaterland . . . Fiir 4stimmigen Manner-
gesang. Op. 120. Braunschweig. Meyer. [185-?]
No. 5 in M.392.1
Abt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Abt
Abt, Franz. (Continued.)
Lebensfriihling. Gedichte fiir die Jugend, von Karl Enslin,
fiir eine Singstimme [s. oder T.], mit Begleitung des Piano-
forte, von Franz Abt. Op. 88. Offenbach a. M. Andre.
[185-?] No. 25, 26 in M.192.1
ConteJtts. — Heft l. Wunsche. — Schneeballenlied. — Der Schmied.
— Der Postilion. — Hahnenruf. Heft 2. Fruhlingsmorgen. — Schif-
ferlied. — Beim Spaziergang. — Zum Tanz. — Bienenlied.
Lebt wohl, ihr blauen Augen. Lied [t.] mit Begleitung des
Pianoforte. Op. 66, No. 3. Offenbach a. M. Andre.
[185-?] No. 12 in M. 192. 1
Lieb' ist ein Bliimelein. [Mannerchor.] (In Das Riitli.
Pp. 342, 343) No. 143 in M.147.4
Love's greeting. Part-song for 4 voices [a. t. t. b.]. (In
Warren. Cocks's Hand-book of glees. Vol. i, pp. 89-92.)
No. 23 in M.1S7.6.I
Eine Maiennacht. [Part-song, t. t. b. b.]. (/n Regensburger
Liederkranz. Pp. 42-44.) No. 20 in M. 1293.44
Same. A May night. (In Chickering collection. Vol. 2,
p. 31.) No. 52 in M.392.48
The merry dancing streamlets. (In Hills. Vocal trios.
Vol. 3, pp. s-S.) No. 24 in M. 157.17.3
Merry May. t. solo and chorus [t. t. b, b.]. (In The Or-
pheus. New series. Vol. 5, pp. 131-136.) No. 26 in M.205.10.5
Minster bells, a cantata for female voices. The words by
Edward Oxenford. The music by Franz Abt. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [188-?]
No. 4 in M.1S4.12
The minstrel's good night. (Sanger's Abendlied.) Part-
song for 4 voices [a. t. t. b.]. (In Warren. Cocks's Hand-
book of glees. Vol. 2, no. 52, pp. 205, 206.)
No. 52 in M. 157.6.2
The minstrels. (In Hills. Vocal trios. Vol. 2, pp. 71, 72.)
No. 14 in M.157.17.2
Mochte wohl ein Voglein sein! [s. solo, t. t. b. b.]. Op. 571,
No. 3. Leipzig. Forberg. [1880?] No. 23 in 11.392.2
Der Morgen im Walde [t. t. b. b.]. Op. 146, No. i. Offen-
bach a. M. Andre. [185-?] No. 9 in M.392.1
Morgenlied. Am frischen Morgen. [t. t. b. b.]. Op. 176, No. i.
Leipzig. Leuckart. [187-?] No. 20 in M.392.1
Morgenlied. Was heimlich tief. [Part-song, t. t. b. b.] (In
Regensburger Liederkranz. Pp. 163-167.)
No. 66 in 14.1293.44
Morning greeting. (Morgengruss.) [Song. s. or x. Accomp.
for pianoforte.] Boston. Tolman & Co. [1863.]
No. 26 in M.192.2
The mountain shadows are falling. [Part-song, t. x. b. b.]
(In Chickering collection. Vol. 2, p. 3.) No. i in M.392.48.2
My Fatherland. Part-song for 4 voices. (In Warren.
Cocks's Hand-book of glees. Vol. i, pp. 173-176.)
No. 44 in M.157.6.1
Nach der Heimat zieht's das Herz [x. x. b. b.]. (In his Leichte
Miinnerchore. Heft 20, pp. 12, 13.) No. 12S in M.246.22
Die Nacht [x. t. b. b.]. (In his Leichte Mannerchore. Heft 2,
pp. 14-16.) No. 10 in M.246.22
Night in slumber. [Song, a. or bar. Accomp. for piano-
forte.] Boston. Reed & Co. [186-?] No. 31 in M.192.2
Night song. [s. a. x. b.] (/« Novello's Part-song book. 2d
series. Vol. 12, pp. 47-49.) No. 11 in M.195.1.12
Also to be found in Willard's Arion [for T. T. B. b.].
The night watchman's call. Solo [b.] and chorus [x. i. b. b.].
(In The Orpheus. New series. Vol. 7, pp. 146-152.)
No. 28 in M.205.10.7
Nur nicht im Winter sterben [i. x. b. b.]. Op. 413, No. 2.
Leipzig. Forberg. [187-?]
No. 14 in M.392.2; No. 13 in M.392.39
O du mein heiss Verlangen ... fiir 4stimmigen Mannerge-
sang. Op. 120. Braunschweig. Meyer. [185-?]
No. 7 in M.392.1
O fatherland! A four-part song [x. x. b. b.]. (In The Orpheus.
New series. Vol. s, pp. 127-130.) No. 25 in M.205.10.5
O pray you, warblers. [Song. a. or b. Accomp. for piano-
forte.] Boston. Ditson & Co. [1859.] No. 32 in M.192.2
O rosy morn. [Song, s. or x. Accomp. for pianoforte
Op. 213, no. 3.] Boston. Ditson & Co. [186-?]
No. 33 in M.ig2.2
8
Abt, Franz. (Continued.]
O thou world so fair. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 37-42) No. 9 in M.iQS-i.ia
O Vaterland, wie bist du schon! [x. x. b. b.] Op. 200. Bres-
lau. Leuckart. [187-?] No. 25 in M.392.1
„0 Wald, wie ewig schon bist du" [x. x. b. b.]. Op. 176, No. 2.
Leipzig. Leuckart. [187-?] No. 21 in M.392.1
Oh lovely night. [Trio, s. s. A.] (In Hills. Vocal trios.
Vol. 3, pp. 17-20.) No. 27 in M.157.17.3
On departure. Trio [s. s. A. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 3, pp. 61-64.)
No. 10 in M.204.36.3
On the mountains [Part-song, x. x. B. b.]. (In Chickering
collection. Vol. 2, pp. 40, 41.) No. 20 in M.392.48.a
On the water [Part-song, x. x. b. b.]. Op. 279, No. 2. Brook-
lyn. Molineux. [188-?] No. 40 in M.392.1
Also to be found in Chickering collection.
Once again the day hath flown. [Trio, S. S. A. .\ccomp. for
pianoforte.] (In Novello's Collection of trios, etc. Vol. 6,
pp. 142-145.) No. 25 in M.204.36.6
Our Father's watchful eye. Trio [s. s. a. Accomp. for piano-
forte]. (In Novello's Collection of trios, etc. Vol. 3,
pp. 65-72.) No. II in M.204.36.3
Our native land. (In Hills. Vocal trios. Vol. 3, pp. 9-12.)
No. 25 in M.157.17.3
Parting beam of daylight. [Trio, s. s. a. Accomp. for piano-
forte.] (In Novello's Collection of trios, etc. Vol. 6, pp.
139-141.) No. 2 in M.204.36.6
The parting day [x. x. b. b.]. (In Willard. Arion. P. 82.)
No. 47 in M.109.1
Promenade au printemps [Choeur, x. x. b. b.]. (In Eidgenos-
sischer Sangerverein. Wettgesange bei dem 12. . . .
Sangerfeste. Pp. 17, 18.) No. 8 in M.130.7
Recruten Abschied [x. x. b. b.]. Op. 156, No. 2. [Offenbach
a. M. Andre? 186-?] No. 12 in M.392.1
Reflection. [Song, s. or x. Accomp. for pianoforte. Op. 153.]
Boston. Ditson & Co. i860. No. 34 in M.192.2
Reisebekanntschaften. Singspiel von Fr. X. Seidl. Musik
von Franz Abt. Op. 525. Klavier-Auszuge. Offenbach
a. M. Andre. [187-?] No. i in M.391.27
Rheinlied [x. x. b. B.]. Op. 176, No. 3. Leipzig. Leuckart.
[187-?] No. 22 in M.392.1
Die Rose nur. [Mannerchor mit x. Solo.] Op. 367, No. i.
Offenbach a. M. Andre. [1872?] No. 10 in M.392.39
Riibezahl, a cantata for soprano and alto solos and chorus
of female voices with pianoforte accomp., connected by
declamatory recitations. Music by Franz Abt. English
version from the German of Herrmann Francke (after
Musiius) by W. Grist. London. Augener & Co. [188-?]
No. 2 in M.154.12
Sabbatfeier. [Mannerchor.] (In Das Riitli. Pp. 46, 47.)
No. 16 in M.147.4
Sangermarsch fiir vier Mannerstimmen. Offenbach a. M.
Andre. [186-?] No. 43 in M.392.1
Die Schiffer [x. x. b. b.]. Op. 156, No. 3. [Offenbach a. M.?
Andre? 186-?] No. 14 in M.392.1
Schifferstandchen [x. x. b. B.]. Op. 176, No. 3. Leipzig.
Leuckart. [187-?] No. 23 in M.392.1
Schon Anna von Ortrant, nach Op. 354 arr. [Mannerchor.]
Magdeburg. Heinrichshofen. [186-?] No. 3 in M.3g2.35
Schweizerisches Kriegslied. [Mannerchor.] (In Das Riitli.
Pp. 164, 165.) No. 65 in M.147.4
Schweizers Heimweh. Lied [s. oder x.]. Mit Begleitung des
Pianoforte. Op. 61, No. 7. Neue Ausgabe. Offenbach
a. M. Andre. [185-?] No. 6 in M.192.1
Sechs Gesange fiir gemischten Chor. Op. 443. Leipzig.
Siegel. [187-?] No. I, 2in M.158.23
Contents. — I. Fruhlings-Sonntag. — Die Thrane. — Herbstrosleln.
2. Waldandacht. — Trost im Winter. — Waldeseinsamkeit.
Sechs Lieder fiir eine Alt- oder Baritonstimme mit Beglei-
tung des Pianoforte. Op. 67. Offenbach a. M. Andre.
[186-?] No. 14 in M.192.1
Contents. — Des Burscbcn Abschied. — Erinnerung. — Das Vatcr-
haus. — Auge und Thranen. — Das treue deutsche Herz. — Die Verlassne.
Sechs Lieder fiir eine Singstimme [s. oder x.], mit Beglei-
Abt
THE ALLEN A. BROWN COLLECTION OF MUSIC
Abt
Abt, Franz. (Continued.)
tung des Pianoforte. Op. 71. Offenbach a. M. Andre.
[185-?] No. IS in M.192.1
' Contents. — Ein Jude. — Selma. — Ob ich an dich gedacht. — Tren-
nung. — Walperga's Lied. — Witt, witt.
Sechs Lieder ftir eine Singstimme [s. oder t.], mit Beglei-
tung des Pianoforte. Op. 119. Offenbach a. M. Andre.
[185-?] No. 15-20 in M. 192.2
Contents. — Ueberall Liebchen. — Du bist mein einzig Gliick. — O
Blatter, diirre Blatter. — Sternlein mit den goldnen Fussen. — Guten
Morgen. — Muntrer Bach.
Sechs Lieder fiir s. a. t. b. Op. 139. Offenbach a. M. Andre.
[186-?] No. 6 in M. 158.22
Contents. — Ich muss nun einmal singen. — Im Maien. — Willst du
mit, so komm. — Wanderlust. — Abendlied. — Blumen-Parade.
Sechs Lieder fiir s. a. t. b. Op. 339. Heft 2. Offenbach a. M.
Andre. [187-?] No. 7 in M.158.22
Contents. ■ — Waldvoglein. — O abendliches Schweigen. — Hinaus in
die Welt.
Sechs Lieder fiir Sopran oder Tenor mit Begleitung des
Pianoforte. 40. Werk. Stuttgart. Gopel. [184-?]
No. 2 in M.204.37
Contents. — Mein Grab. — ■ An die Lieben in der Feme. — An die
Welle. — Beim Abendlauten. — Griisse. — ■ Nur du.
Sechs Lieder fiir vier Mannerstimmen. Op. 437, Heft 2.
Leipzig. Siegel. [187-?] No. 15 in M.392.2
Contents. — Ave Maria. — Am siissesten duften die Blumen. —
Schonster Schmuck.
Sechs vierstimmige Mannergesange. Op. 361. Offenbach
a. M. Andre. [1870?] No. 8, 9 in M.392.2
Contents. — i. Gute Nacht. — Das treue Ross. — Die Waldfee. 2.
Die dunklen Linden. — Und die Sonne scheint. — Sanger-Testament.
Same. Heft 2. No. 4in M.392.35
Sei gegriisst, du stille Nacht. [Mannerchor.] (In Stuttgart
Liederl<ranz. Mannerchor-Album. Pp. 5, 6.)
No. 5 in M. 203.22
Sei still. Lied [s. oder t.]. Mit Begleitung des Pianoforte.
Op. 60, No. 5. Offenbach a. M. Andre. [185-?]
No. 4 in M.192.1
Serenade [t. t. b. b.]. (/» Mosenthal. Songs of the Mendels-
sohn Glee Club. Pp. 111-113.) No. 27 in M.204.38
Sieben leichte Mannerchore. Op. 382. Heft i. Offenbach
a. ^L Andre. [1872?] No. 7 in M.392.35
Contents. — Die schonste Liebe. — Heimweh. — Drei Glaser.
Same. Heft 2. No. 11 in M.392.2
Contents. — Perle des Jahres. — Urn Liebe. — Im Arm der Liebc.
— Mein Paradies.
Sieben Lieder aus dem „Buch der Liebe" von C. Herlosssohn
fiir eine Sopran- oder Tenorstimme mit Begleitung des
Pianoforte. 39. Werk. Stuttgart. Gopel. [184-?]
No. I in M.204.37
Contents. — Agathe. — Irene. — Adelheid. — Agnes. — Maria. —
Luise. — Pauline.
Siegesgesang. Gedicht von Hermann Francke, fiir 4 Man-
nerstimmen mit Begleitung von Blasinstrumenten com-
ponirt von Franz Abt. Op. 394. Partitur mit unterlegtem
Clavier- Auszug. Leipzig. Forberg. [186-?]
No. 2 in M.352.21
Siegesgesang der Deutschen nach der Hermannschlacht
(Gedicht von Felix Dahn) fiir vierstimmigen Mannerchor
mit Clavier-Begleitung. Op. 267. Leipzig. Siegel. [185-?]
No. I in M.352.21
Also to be found in Eidgenossischer Sangerverein. Mannerchore fiir
das 13. . . . Sangerfest.
The silver cloud, a cantata for female voices. The words bj'
Edward Oxenford. The music by Franz Abt. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [188-?]
No. 6 in M.1S4.12
Six trios for female voices. The words translated [from
Ernst] by H. W. Dulcken. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. [187-?] No. 2 in M. 157.16
Contents. — Ave Maria. — The wanderer's greeting. — Where deep-
est shadows hover. — Parting beam of daylight. — Once again the
day hath flown. — Thou heaven blue and bright.
Sleep, thou wild rose. [Part-song, t. t. b. b]. (In Chickering
collection. Vol. i, p. 60.) No. 26 in M.392.48.1
So shall my darling be. [Song, s. or t. Accomp. for piano-
forte. Op. 92.] Boston. Russell & Co. 1863.
No. 35 in M. 192.2
1.2
Abt, Franz. (Continued.)
The soldier's adieu. Part-song for 4 voices [a. t. t. b.]. (In
Warren. Cocks's Hand-book of glees. Vol. i, pp. 93-95.)
No. 24 in M.157.6.1
The song of consecration. (Weihgesang.) Part-song for 4
voices [a. T. T. b.]. (In Warren. Cocks's Hand-book of
glees. Vol. I, no. 47, pp. 185-187.) No. 47 in M. 157.6.1
The spirit of song. [Trio, s. s. a.] (In Hills. Vocal trios.
Vol. 3, pp. 21-24.) No- 28 in M.157.17.3
Spirit of the woods. [Part-song, s. solo, t. t. b. b.] (In Mo-
senthal. Songs of the Mendelssohn Glee Club. Pp. 81-84.)
No. 21 in M.204.38
Spring evening. [Part-song, t. t. b. b.] (In Chickering col-
lection. Vol. I, pp. 75-78.) No. 34 in M.3g2.48.i
A spring morning. Trio [s. s. a. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. 3, pp. 55-60.)
No. 9 in M.204.36.3
Spring's awaking. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 43-46.)
No. 10 in M.195.1.12
Springtime. A pastoral cantata for female voices. Written
by Edward Oxenford. Composed by Franz Abt. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [188-?]
No. I in M.194.1
Standchen: Sonnenlicht ist schlafen gangen [x. x. b. b.]. (In
Regensburger Liederkranz. Pp. 160-162.)
No. 65 in M.i29a.44
"Stay with me." „Bleib' bei mir." Gedicht von Sternau fiir
eine Singstimme [s. oder x.] mit Begleitung des Piano-
forte. Op. 72. New edition with English [and German]
words. Offenbach a. M. Andre. [186-?] No. 16 in M.192.1
Stay with me. (Bleib' bei mir.) [Song. a. or b. Accomp.
for pianoforte. Op. 72.] Boston. Ditson & Co. i860.
No. 36 in M. 192.2
A summer night. [Part-song, x. x. b. b.] (1h Chickering col-
lection. Vol. I, p. 65.) No. 29 in M.392.48.1
Sunset. Trio [s. s. a. Accomp. for pianoforte]. (In No-
vello's Collection of trios, etc. Vol. 3, pp. 48-54.)
No. 8 in M.204.36.3
Sweet my love. Lieb Aennelein. [x. i. b. b.] Philadelphia.
Boner & Co. [1886.] No. 46 in M.392.1
With German and English words.
Swiss morning hymn. [Part-song.] (In Turk and Taylor.
The People's music book. Vol. 2, pp. 230, 231.)
No. 54 in M.I 1 1.4.2
Tell me, O bird of the merry greenwood. [Song, s. or x.
Accomp. for pianoforte. Op. 237, no. 4.] Boston. White,
Smith & Perry. 1869. No. 30 in M. 192.2
Thee only I love. Song [s. or x. Accomp. for pianoforte].
Boston. Ditson & Co. [i86-?J No. 37 in M. 192.2
There sings a bird. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 16, pp. 77-80.)
No. 13 in M,i95.i.i6
Thou art the world. [Song, a. or b. Accomp. for pianoforte.]
Boston. Tolman & Co. 1866. No. 38 in M.192.2
Thou heaven blue and bright. [Trio, s. s. a. Accomp. for
pianoforte.] (In Novello's Collection of trios, etc. Vol. 6,
pp. 146-148.) No. 26 in M.204.36.6
Thuringian Volkslied. A four-part song [x. x. b. b.]. (In
The Orpheus. New series. Vol. 5, pp. 137-139.)
No. 27 in M.246.23.5
Thus spake, one summer's day. [Part-song.] Words by J.
Oxenford. [London. 185-?] No. 54 in M.ijy.i
Toast. Er lebe hoch [x. T. B. B.]. (/n Das Riitli. P. 544.)
No. 233 in M.147.4
Trinklehre. [Part-song, x. i. b. b.] (In Regensburger Lie-
derkranz. Pp. 174, 175.) No. 70 in M. 1293.44
Also to be found in Das Rutli.
Twilight. Trio [s. s. a. Accomp. for pianoforte]. (In No-
vello's Collection of trios, etc. Vol. 3, pp. 73-77.)
No. 12 in M.204.36.3
Ueber den Sternen. [Mannerchor.] (In Das Riitli. Pp. 179,
180.) No. 71 in M.1474
Abt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Abt
Abt, Franz. (Continued.)
Vier Duette fiir s. und a. mit Pianoforte Begleitung. Op. 95.
Offenbach a. M. Andre. [185-?] No. 36 in M.i 92.1
Contents. — Ich denke dein. — Voglein im Walde. — Fruhlmgslied.
— Gute Nacht.
Vier Gesange fiir 3 Frauenstimmen [s. s. a.] mit Begleitung
des Pianoforte. Mainz. Schott. [187-?] No. 3 in M.158.22
Coiifcnfi. — Schwanenlied. — Des Sangers Harfe. — Die weite Gottes-
welt. — Traute Abendglockenkliinge.
Vier Gesange fiir s. oder t., mit Begleitung des Pianoforte.
lostes Werk. Braunschweig. Meyer. [186-?]
No. 3-6 in M. 192.2
Contents. — Dich segn' ich alle Tage. — Schwabisches Liedchen. —
Mein Gedenken. — Standchen.
Vier Gesange fiir vier Mannerstimmen. Op. i7i- Heft i.
Leipzig. Siegel. [186-?] No. 18 in M.392.1
Contents. — Deutsches Wort und deutsche Lieder. — Vom Bodensee
bis an den Belt.
4 Gesange fiir vier Mannerstimmen. Op. I7S- Leipzig.
Siegel. [186-?] No. 19 in M.392.1
Contents. — Der Abend. — Waldandaoht. — Schifferlied. — Zum
Abschied gab sie mir die Hand.
Vier Gesange fur vier Miinnerstimmen. Op. 205. Offenbach
a. M. .\ndre. [186-?] No. 26 in M.392.1
Contents. — Gesanges Fruhlingstrost. — Sonntags am Rhein. —
Abendlauten. — Trinklied vom Main.
Vier Lieder fiir eine Bariton- oder Bass-Stimme, mit Beglei-
tung des Pianoforte. Op. 109. Braunschweig. Meyer,
figg-?] No. 8-1 1 in M. 192.2
Contents. — Lebwoiil, mein Vaterland. — Was schliessest du dein
Fensterlein? — Gliick aut, mein Deutschland. — Der Friihling ist da.
Vier Lieder fiir s. a. t. b. Op. 408. Offenbach a. M. Andre.
[187-?] No. 10 in M.158.22
Contents. — Herr, der du rufst dem Morgenroth. — • Vieltausendmal.
— Abendfrieden. — Spatzenlenz.
Vier Lieder fiir Sopran und vier Mannerstimmen. Op. 366.
Offenbach a. M. Andre. [1872?! No. 9 in M.392.39
Contents. — Friihlingsruf. — War ich ein Traum. — Vogleins Frage.
— Waldesweise.
Vier Miinnerquartette. Op. 80. Offenbach a. M. Andre.
[187-?] No. 2 in M.392.1
Cotitents. — Der Sennerin Morgenlied. — Heimweh. — Auf dem
Berge im Fruhling. — Das Schwyzerhiisli.
Vier vierstimmige Mannerchore. Op. 331. Magdeburg.
Heinrichshofen. [i860?] No. 7 in M.3g2.39
Contents. — Sabbathruh. — Im Walde lasst mich schweifen. — Hinaus
in die Welt. — Fest-Comitat.
Vier vierstimmige Miinnergesange. Op. 238. Offenbach
a. M. Andre. fi86-?] No. 35 in M.392.1
Contents. — Deutschland, meine Braut. — Es ist das Lied mein
Gotteshaus. — Sinke hinab, ambrosische Nacht. — Der Wald.
Vier vierstimmige Mannergesange. Op. 268. Leipzig. Sie-
gel. [1S6-?] No. 38, 39 in M.392.1
Contents. — i. Deutsches Vatererbe. — Wann und wo? 2. Friihlings-
morgen. — Hallelujah dem Herrn.
Vier vierstimmige Mannergesange. Op. 312, Heft l. Offen-
bach a. M. Andre. [186-?] No. i in M. 392.2
Contents. — Ein frisches Lied im Walde, mit Begleitung v. 4 Hornern,
ad lib. — Schiifers Abschied.
Same. Heft 2. No. i in M.392.35
Contents. — Gute Nacht. — Wann ist die beste Zeit?
Vier vierstimmige Mannergesange. Op. 345. Offenbach a.
M. Andre. [1870?] No. 5, 6 in M.392.2
Contents. — l. Thu's seinem Wald zuvor. — Abendglocken. 2. Das
eigne Herz. — Wenn es bei dir doch war I
Vier vierstimmige Mannergesange. Op. 367. Heft 2. Offen-
bach a. M. Andre. [1870?] No. 6 in M.392.35
Contents. — Im Wald ist's so schon. — Dornroschen schlaf. — Trinker-
Weisheit.
Vineta. [Gesang, t. t. b. b.] Op. 163, No. 3. Leipzig. Senff.
[186-?] No. 16 in M.392.1
Same. [With English words.] New York. Molineux.
[188-?] No. 17 in M.392.1
Also to be found in Chickering collection ; The Orpheus, New series.
"The violet's fate." Part-song. Words by Edward Oxen-
ford. London. Patey & Willis. 1883. No. i in M.158.13
Vom Konig Saul [t. t. b. b.]. Op. 176, No. 5. Leipzig.
Leuckart. [187-?] No. 24 in M.392.1
Waldes Echo [x. t. b. b.]. Op. 146, No. 5. Offenbach a. M.
Andre. [185-?] No. 11 in M.392.1
Waldfrieden. [Mannerquartett mit t. solo.] Op. 171, No. 4.
Leipzig. Siegel. [1877?] No. 2 in M.392.39
Abt, Franz. (Continued.)
The wanderer's greeting. [Trio, s. s. a. Accomp. for piano-
forte.] (/n Novello's Collection of trios, etc. Vol. 6,
pp. 132-134.) No. 22 in M.204.36.6
The wanderer's return. (Am Thore.) [a. t. t. b.] (In
Warren. Cocks's Hand-book of glees. Vol. 2, pp. 201-203.)
No. 51 in M. 157.6.3
Also to be found in Willard's Arion [for T. T. B. B.].
Wanderlied. Lied [s. oderT.] mit Begleitung des Piano-
forte. Op. 66, No. 4. Offenbach a. M. Andre. [185-?]
No. 13 in M.192.1
Wanderlied v. Jul. Hammer ... fiir 4 stimmigen Manner-
gesang. Op. 120. Braunschweig. Meyer. [185-?]
No. 6 in M.392.1
Was rauschen die Wogen? [Mannerchor.] Op. 146, No. 2.
Offenbach a. M. Andre. ]i85-?] No. i in M.392.39
The water-fairies, a cantata for female voices. The words
by Edward Oxenford. The music by Franz Abt. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [188-?]
No. 5 in M. 154.12
The water nymphs. [Part-song, x. x. b. b.] (In Mosenthal.
Songs of the Mendelssohn Glee Club. Pp. 1 18-120.)
No. 30 in M.204.38
When gathering clouds around I view. [Motet. Accomp.
for organ.] (In Buck. Motette collection. Vol. 2, pp.
152-154.) No. 36 in M. 100.4.2
When I am near thee, Marie. [Song, bar. Accomp. for
pianoforte.] Boston. Ditson & Co. [186-?]
No. 39 in M. 192.2
Where deepest shadows hover. [Trio, s. s. a. Accomp. for
pianoforte.] (In Novello's Collection of trios, etc. Vol. 6,
pp. 135-138.) No. 23 in M.204.36.6
Der Wirth, der hat ein Fasslein [x. x. b. b.]. Op. 156, No. 4.
[Offenbach a. M.? Andre? 186-?] No. 15 in M.392.1
The wishing stone, a cantata for female voices. The words
by Edward Oxenford. The music by Franz Abt. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [188-?]
No. 3 in M. 154.12
With thee. Song [a. or b.] from the "Prince of Caucasus."
[Accomp. for pianoforte.] Boston. Ditson & Co. 1862.
No. 40 in M.192.2
Ye stately pines. [Trio, s. s. A.] (In Hills. Vocal trios.
Vol. 3, pp. 29-32.) No. 30 in M.157.17.3
Zehn Duettinen fiir zwei Singstimmen [s. a. oder x. b.], mit
Pianofortebegleitung. Op. 91. Offenbach a. M. Andre.
[185-?] No. 32 in M. 192. 1
Contents. — Griisse. — Frohsinn. — Fruhlings Wiederkehr. — Der
Tag geht nun zu Ende. — Hinaus ins Freie. — Mailied. — Der Vog-
lein Abschied. — Guten Morgen. — Das Taubenhaus. — FeWmarschall
Friihling.
Zur fiinfundzwanzigjahrigen Jubelfeier [x. x. b. b.]. Op. 490,
No. 4. Offenbach a. M. Andre, [1877?] No. 19 in M.392.2
Zwei Lieder fiir eine Singstimme [s. oderx.], mit Begleitung
des Pianoforte. Op. 79. Offenbach a. M. Andre. [185-?]
No. 18 in M.192.1
Contents. — Du bist mein Traum. — - Bliimchen am Hag.
Zweifacher Friihling [s. solo, x. x. b. B.]. Op. 571, No. 2.
Leipzig. Forberg. [1880?] No. 22 in M.392.2
Abt, Franz, compiler.
[Deutsche Sangerhalle. Vierstimmige Mannerchore. Cyclus
1-4. Leipzig. Leuckart. [187-?] 4 v. in 2. M.392.42
Contents. — Vol. i. Veit : Freie Kunst. — Herbeck: Zum Walde. —
Abt: Morgenlied. — Storch : Husarenlied. — Herbeck; Der traurige
Jager. — Weidt : Morgengrauen. — Hamma: Abendruhe. ■ — Braune:
Jagdlied. — Eckert : Schifferlied. — Scholz : Die Frosch' und die
Unken. — Liebe: Waltzes. — Schultz : Waldlied. — Veit: Die Hoff-
nung. — Vierling: Lieben ohne Haass entflammt. — Abt: O Wald
wie ewig schon bist du. — Tschirch: Im Mai. — Tschirch : Mein
Vaterland. — V. E. Becker: O trinkt! — Mohring: Wanderlied im
Gewitter. — Hamma : Gute Nacht. — Rust : Ich und mein Flasch-
chen! — Schultz: Wachet auf! — Tschirch; Der deutsche ZoUverein.
— Mangold: Auf der Wacht. — Reinecke: Der Abendwind. — - Dom:
Weinprobe. — Mohring; Kriegslied. — Santner: Auf der Alpe. —
Herbeck: Wanderlied der Prager Studenten. — Veit: Schon-Roh-
traut. — Liebe: Sterne sind schweigende Siegel. — Genee: Das Quar-
tett. — Hecht : Du soUst willkommen sein. — • Fischer: Sangergruss.
— V. E. Becker: Mailied. - — Hamma: Deutsche Nationalhymne. —
Blumenstengel ; Trinklied. — Vierling: Der Winter bringt mich nicht
zum schweigen. — Grobe : Seelendrang. — Veit ; Wanderlied. — Baum-
gart ; Aus der Vierzeilen. — Abt : Rheinlied. — Tauwitz : Gut' Nacht.
10
Abt
THE ALLEN A. BROWN COLLECTION OF MUSIC
Accepit
Abt, Franz. Deutsche Sangerhalle. (Continued.)
— Santner: Morgengebet. — Vierling: Mensch, verspotte nicht den
Teufel.
Vol. 3. Kohler: Stehe fest! — Ecker: Trost. — Bonicke: Lied vom
Rhein. — Zimmermann : Die Sonne geht zur Ruh'. — Dorn : Herr
Durst. — Beschnitt : Rheinfahrt. — Abt : Schifferstandchen. — Thiele :
Der Ritter vom Rhein. — Reinecke: Toast. — Genee: Seid einig. —
Herbeck: Die Studenten. — Schaeffer: Um Pfingsten. — V. E.
Becker: Friihlingslied. — Stuckenschmidt : Sommemacht. — Meth-
fessel : AUgemeines Wandern. — Billeter: Waldrose. — Beschnitt :
Ossian. — Oberhoffer: Reiterlied. — Abt: Vom Konig Saul. —
Rockel : Morgenlied. — Rockel : Abendlied. — Vierling: Friihlings-
botschaft. — Herbeck: Trinkspruch. — Stuckenschmidt: Der Wald.
— Hermes: Das einsame Roslein im Thai. — Mohring: Winternacht.
— Perfall: Tannhauser. — Veit : Soldatenlied. — Weudt: Droben
und drunten. — Th. Herbert: Jagerlied. — Hille: Fruhlings Sieg. —
Schaffer: Der weise Salomo. — Tauwitz: Trinklied. — Thieme: Fest-
lied. — Abt : Sangergruss. — Bonicke : Fruhmorgens. — Jelinek :
Studenten-Valctlied. — V. E. Becker: Fruhlingsreigen.
Vol. 3, Beschnitt: Drei Blumen. — Tauwitz: Barkarole. — F. Hiller:
Unsterblichkeit. — Pichler-Bodog: Der Himmel im Thai. — F. G.
Jansen : Das macht das dunkelgriine Laub. — Ememann: Mai-Lied.
— Lux: Trinklied. — Hermes: Traum der Liebe. — Liebe: Wander-
lied. — Naret-Koning: Einheit und deutsche Treu! — Menager. Ihr
lieben Voglein. — F. G. Jansen: Wanderers NachtUed. — Vierling:
Marznacht. — Abt: Wandern im Friihling. — Stuckenschmidt: Dass
ich war' der Mondenschein. — Beschnitt : Am Donaustrom und Ostsee-
strand. — Menager: Schlaflied. — Weinwurm : Auszug. — Hermes:
Ich bin ein Sanger. — F. G. Jansen: Da driiben. — Engelsberg:
Sangermarsch. — Zabel : An die Sonne. — F. G. Jansen : Der brave
Grenadier. — Witt: Abschied. — Hempel : Die Welt ist deini —
Schuppert : Abschied. — Derckum : Wanderlied. — Stuntz ; Trink-
chor. — Stuckenschmidt: Wacht auf die Berge loh'nl — F. G. Jansen:
Reiterlied. — Miil'.er : Sonntagsfriihe. — Mohring: Kommender
Herbst. — Derckum: Fischers Abendlied. — Abt: Der Tag verbluht.
— Faisst : Jagerlied. — Faisst: Sangers Trost. — Seifert: Weinlied.
— Rietz: Rheinsage. — Hoffmann: Abends. — Vierling: Im Wald.
Vol. 4. Faisst : Gesangeshuldigung. — Weinwurm : Sehnsucht. —
Schneider: Leid und Freud. — Wilhelm : Die Liebe. — Engelsberg:
Waldesweise. — Seifriz : Das Voglein. — Bonicke: Studentenlied. —
Kleffel: VolksHed. — Schuppert: Abendlied. — V. E. Becker:
Staendchen. — Krause: Ich schlag' mir ein Schnippchen. — Seifert:
Fruhlingsaugen. — Reiter : Waldeszauber. — Ulrich : Stromfahrt. —
F. G. Jansen: Das Bliimelein. — Jansen: Abschied. — Abt: In blauer
Nacht. — Engelsberg: Der Gliickliche. — Vierling: Das Hildebrand-
lied. — ■ Speidel: Unterm Schleedomhag. — C- F. W. Miiller: Ewige
Liebe. ■ — Eyrich: Das macht das dunkelgrune Laub. — Krause:
Margret am Thore. — Speidel: Beim Wandern. — Krause: Prager
Musikanten. — Methfessel : Die Spielleute. — Tauwitz: Abendlied.
— Krause: Ein Heller und ein Batzen. — Schaffer: Die Weinprobe.
— C. F. W. Miiller: Waldandacht. — V. Lachner: Die Allmacht. —
Mangold: Abendlied. — Abt: Trinklied beim Scheiden. — Mangold:
Mein Herz ist am Rheine. — Schuppert : Fruhlingsglaube. — F. G.
Jansen : Friihlingslied. — Bonicke : Standchen. — F. G. Jansen :
Vom Berg ergeht ein Rufen. — Nessler : Und wiissten's die Blumen.
— V. Lachner: Scchs Groschen und drei Dreier. — Sachs: Der
Trompeter an der Katzbach. — Witt: Ich bin der Sturm! — V. Lach-
ner: Das deutsche Lied die Waffe. — V. E. Becker: Wanderfreude.
Leichte Mannerchore zum Auswendiglernen. Componirt
von Mehreren. Heft 1-24. Partitur. Schleusingen.
Glaser. [i8s-?-62?] 24 parts in i v. M.246.22
Contents. — Heft i. Abt: Jagerlied. — Abt: Wanderlust. — Abt:
Sangers Abendlied. — Abt: Wandermarsch. — ■ Abt: Weihgesang. —
Abt: Am Thore. Heft 2. Abt: Wanderburschens Abschied. — Her-
beck: Volkslied. — Becker: Das deutsche Kleeblatt. — Abt: Die
Nacht. — Zollner: Lebewohl dem Vaterland. — Miihlbrecht: Reiter-
lied. Heft 3. Naater: Abendlied. — Abt: Zum Abschied. — Zwyssig:
Der Tag des Herm. — Toast. — Abt: Lebensgenuss. — Abt: Ade.
Heft 4. Abt: Fruhlingsmorgen. — Abt: Deutschland hochi — Abt:
Willkommen, froher Wandersmann. — Abt: Mondes Aufgang. — Abt:
Wein, Lieb' und Lied. — Abt: Rund ist AUes auf der Welt. Heft 5.
Zollner: Unser Leben gleicht der Reise. — Zollner: Gottvertrau'n.
— Zollner: Bruder, das ist deutscher Wein I — Zollner: Verganglich-
keit. — Zollner: Abendlied. — Zollner: Marsch. Heft 6. Kuntze :
Waldeinsamkeit. — Kuntze: Der gute Wein. — Kuntze: Traume sind
Schaume. — Kuntze: Marschlied. — Kuntze: In vino Veritas! —
Kuntze: Ich wollt, ich war' ein Vogel. Heft 7. Abt: O Vaterland,
mein schonster Stern. — - Abt: Muntrer Bach. — Abt: Wanderers
Morgengruss. — Abt : ThiJringisches Volkslied. — Abt : Ach, du
lieber Tannenwald. — Abt: Gott griisse dich! — Mohring: Freund-
schaft beim Wein. Heft 8. Lorenz: Ave Maria. — Lorenz: Musi-
kantennatur. — Lorenz: Nachtgesang. — Lorenz: Waldleben. —
Lorenz: Immer zu ihr! Heft g. Abt: Marschlied. — Heim: Hymne
an die Nacht. — Abt: Die Heimath. — Abt: Ruhe. — Anding:
Wanderlust. — Anding: Was wird denn wohl das Beste sein! — Abt:
Der Hirt. — Abt: Abschied vom Walde. Heft 10. Ellmenreich:
Weinrecht. — Ellmenreich: Kling, Kling! — Ellmenreich: Der Bur-
schen Wein-Examen. — Ellmenreich: Wenn Gott ein braves Lieb
bescheert. — Ellmenreich : ' Soldatenlied. Heft 11. Dunker : Vom
Knaben und der Rose. - — Dunker: Kirmeslied. — Dunker: Von der
Liebe und dem Wein. — Fritzsche: Gestem Abend. — Dunker; Lebe-
wohl. — Fritzsche: Trinklied. Heft 12. Schmolze: Ein deutscher
Mann. — Bechstein: Waldlied. — Hamma: Schwabisches Volkslied.
— Weidt: Rheinfahrt. — Blumenstengel: Auf die Berge lasst uns
steigen. — Blumenstengel: Das Vaterland. — Scholz: Leb' wohl, du
schoner Wald! Heft 13. Abt: Son ntagrsf ruhe. — Abt: Das liebe
Abt, Franz. Leichte Mannerchore. (Continued.)
deutsche Lied. — Abt: TanzHed. — Abt: Des Trinkens Zweck! —
Abt: Steh' fest! — Abt: Die Welt. — Abt: Kriegslied. Heft 14.
Sehnsucht nach den Alpen. — Wichtl : Husarenlied. — Schmolzer:
Steyrisches Lied. — Weidt: Waldlied. — Liebe: Abendlied. — Hecht:
Studenten-Standchen. — Wilhelm: Deutsches Bundeslied. Heft 15.
Kuntze: Friihlingslied. - — Kuntze: Vaterlandslied. — Kuntze: Lied
fiir Fussganger. — Kuntze: Willkommen. — Kuntze: Lied. — Kuntze:
Wanderlied. Heft :6. Abt: Der Reiter. — Abt: Sternennacht. —
Abt: Du deutsches Volk. — Abt: Nun geht es auf die Reise. — Abt:
Gruss Gott! — Abt: Der gute Konig. Heft 17. Schultz: Waldruhe.
— Weidt: Reiterlied. — Zollner: Trinklied. — Mohring: Kriegslied.
— Schmolzer: Lob des Gesanges. — Weidt: Trank und Sang. Heft
18. Mohring: Wunsch imd Gruss. — Mohring: Pionirlied. — Moh-
ring: Heirathsanerbieten. — Mohring: O wenn das ganze Mittelmeer.
— Mohring: Wiederkehr. — Mohring: Mein Paradies! — Mohring:
Der arme Thoms. Heft 19. Abt: Jagergliick. — Abt: Er lebe hochI
— Abt: Der Trompeter. — Abt: Friihes Wandern. — Abt: Abends
am Rhein. — Abt: Der Wald. — Abt: Zum Abschied. — Abt: Wal-
zer. Heft 20. Abt: Unser Mann. — Abt: Friihlingsnacht. — Abt:
Bannerspruch. — Abt: Ich lobe rair das Wandern. — Abt: Nach der
Heimath zieht's das Herz. — Abt: Die stille treue Nacht. — Abt:
Trinklied. — Abt: Das Bliimlein auf der Haide. Heft 21. Weidt:
Waldlied. — Weidt: Loreley. — Weidt: Rhein- und Main-Wein. — ■
— Weidt: Feldlied. — Weidt: Das Grab der weissen Rose. — Moh-
ring: Der junge Invalide. — Mohring: Schlachtgesang. — Mohring:
Abschied vom Vaterland. Heft 22. Becker : Die Rose. — Becker :
Trinklied. • — Becker: Abendlied. — Becker: Am Rhein. — Becker:
Im Friihling, ja im Friihling. — Becker: Rheinsehnsucht. — Becker:
Wenn ich einmal der Herrgott war'! — Becker: In dulci jubilo. Heft
23. Greger : Wandern. — Greger : Gesellenlied. — Greger : Der Sanger
Wanderlied. — Chwatal : Ich kenn' ein Auge, das so mild. — Chwa-
tal : 'S ist schlimm genug. — Chwatal: Des Sangers Rosenzeit. — •
Chwalal: Silbernes Bachlein im tiefen Thai. Heft 54. Tschirch: SchiJt-
zenlied. — Tschirch : Aufforderung zum Tanze. — Tschirch : Am
Grabe. — Tschirch: Du frischer, froher Morgenwind. — Tschirch:
Hohen und Thaler. — Tschirch : Lob Thiiringens. — Tschirch : O
konnt' ich dich begliicken.
Abt, Franz, editor.
Berg, G. Der Hirt. No. 56 in M.246.22
EssER, H. Farewell, thou lovely forest glade.
No. 28 in M. 205.10.5
Heimat, Die. Englisches Volkslied. No. 52 in M.246.22
Schubert, F. P. Die Post . . . No. 47 in M.392.23
— 12 Gesange fiir s. a. t. b. No. 9-11 in M. 158.21
Abt, Franz, translator.
PiESTRE. Das Pathenkind des Konigs. M.326.9
Abt, Der, von St. Gallen. Opera. For the Music see Guenther.
For the Libretto see Franz, G.
Abu Hassan. Opera. For the Music see Weber, C. M. F. E.
VON. For the Libretto see Hiemer.
Abu Kara. Opera. For the Music see Dorn, H. L. E. For the
Libretto see Beckstein.
Acacia bower. The. Song. Attwood. No. 11 in M.236.2
Academic de musique, Quebec.
Reglements et constitution. [Quebec] Delisle. 1869.
No. 26 in M.147.3.2
Academic imp^rialc de musique, Paris. See Opera, L', Parts.
No. 26 in M.147.3.2
Academic de musique de Lille.
Gaudefroy, a. Academic de musique dc Lille. Lille. 1891.
M.215.8
Academic nationale dc musique, Paris. See Opera, L', Paris.
Academic royale de musique, Paris. See Opera, L', Paris.
Academy of Ancient Music, London.
The words of such pieces, as are usually performed by the
Academy. 2d edition, London. Dixwell. 1768.
No. I in M. 146.6
Hawkins, J. An account of the institution and progress of
the Academy of Ancient Music. By a member. London.
1770. No. I in M.114.8; etc.
Academy vocalist, The. Root, G. F. M.100.38
Accademia del regio istituto musicale di Firenze.
Atti. Anno 23. Firenze. Galletti & Cocci. 1885.
No. 2 in 14,372,39
Accent.
See also Rhythm.
Petit, P. A. Dissertation sur la psalmodie et les autres
parties du chant gregorien dans leurs rapports avec Tac-
centuation latine. Paris. 1855. M.207.27
Accepit Jesus calicem. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
11
Accept
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Acoustics
Accept, great Source. Song. Hodson, W. Fourteen songs.
No. 3 in M.221.32
Accessit, Les. Waltces. Louis, N. No. 13 in M.390.9
Accipe, daque mihi. Motet. Lassus. Sammtliche Werke. Bands.
M.8o4oa.67.3
Accipe qua recrees. Motet. Lassus. Sammtliche Werke. Band
II. M.8o4oa.67.ii
Accipite spiritum sanctum. Motet. Lassus. Sammtliche
Werke. Band 13. M.8o4oa.67.i3
Accompaniment.
CoRDER, F. Recitation with music. Music. (In Voice,
speech and gesture . . . London. 1895.) M.218.2
NiEDERMEYER, L. Traite theorique et pratique dc I'accom-
pagnement du plain-chant par Louis Niedermeyer et Jo-
seph d'Ortigue. Paris. 1857. No. i in M.213.16
Sauzay, C. E. L'ecole de I'accompagnement. Paris. 1869.
M.113.4
According to Thy gracious word. Hymn. Jolly. Hymns,
canons . . . M.235.2
Ach Aesculapi wohl erfahrn. Part-song. Schein. Werke.
Band 2. M.414.1.2
Ach, dass du kamst. Song. Franz, R. Zwolf Gesiinge. Op. 4.
No. 31 in M.244.5.1
Ach, des Knaben Augen. Song. Wolf, H. Spanisches Lieder-
buch. No. 6 in M.380.30
Ach, du klar, blauer Himmel. Part-song. Moehring. 6 Ge-
sange. No. 8 in M.392.18
Ach edles Bild, von Tugend mild. Part-song. Schein. Werke.
Band i. M.414.1.1
Ach Elslein. Part-song. Kunz. No. 21 in M. 1293.44
Ach, Elslein, liebstes Elslein. Part-song. Cavallo.
No. IS in M.392.6; etc.
Ach, englische Schaferin. Song. Brahms. Deutsche Volks-
lieder. Heft 2. No. 10 in M.380.40.3
Ach Filli, Schafrin zart. Part-song. Schein. Werke. Band 2.
M.414.1.2
Ach Gott, nun ist mein' Zeit vorbei. Part-song. Ludolfs.
No. 20 in M.392.15
Ach Gott, nun ist mein' Zeit vorbei. Song. Kuecken.
No. 12 in M.244.6.3
Ach Gott, verlass mich nicht. Song. Taubert, C. G. W. Sechs
geistliche Lieder. No. 30 in M. 192.7
Ach Gott, vom Himmel sieh darein. Cantata. For the Music
see Bach, J. S. Cantaten im Klavier-Auszuge.
Ach Gott, wem soil ich's klagen. Part-song. Becker, R. Fiinf
altdeutsche Lieder. No. 15 in M.392.3
Ach Gott, wie manches Herzeleid. Cantata. Erste, zweite
Composition. For the Music see Bach, J. S. Werke.
Jahrgang i; 12 (Theil i).
Ach Gott, wie weh thut Scheiden. Song. Brahms. Deutsche
Volkslieder. Heft 3. No. 11 in M.380.40.3
Ach Herr, mich armcn Sunder. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 28.
Ach, ich sagt's dir so gern. Part-song. Becker, V. E. Drei
Gesange v. F. Oser. No. 10 in M.392.4
Ach, ich sehe, jetzt da ich zur Hochzeit gehe. Cantata. For
the Music see Bach, J. S. Werke. Jahrgang 33.
Ach, im Maien war's. Song. Wolf, H. Spanisches Lieder-
buch. No. 30 in M.380.30
Ach! kann ich's sagen. Song. Kuecken. No. 10 in M.244.6.2
Ach kbnnt ich diesen Abend. Song. Brahms. Deutsche Volks-
lieder. Heft 4. No. 12 in M.380.40.3
Ach Lieb', ich muss nun scheiden. Song. Strauss, R.
"Schlichte Weisen." No. 19 in M.380.24.1
Ach, lieben Christen, seid getrost. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 24.
Ach Maedl! Part-song. Herbeck, J .F. No. 8 in M.246.22
Ach, mein liebstes Annelein. Part-song. Weinwurm. Deutsche
Minnelieder. No. 22 in M.392.38
Ach! schwer und dunkel schwebt die Zeit. Motet. Schicht.
Motetten. No. 9 in M.236.19
Ach, war' es nie geschehen! Song. Franz, R. Sechs Gesange.
Op. 23. No. 57 in M.244.S.2
Ach, ware mein Liebster tod. Song. Abt, F. No. 3 in M.192.1
Ach, waren doch die Trauma nicht! Part-song. Wilhelm, C.
No. 20 in M.392.27
12
Ach, was ist die Liebe. Part-song. Bergt. No. 68 in M.i29a.43.2
Ach was Kummer, Qual und Schmerzen. Song. Strauss, R.
Acht Lieder. No. 18 in M.380.24.4
Ach weh, bin ich Amor? Part-song. Schein. Werke. Band 2.
M.414.1.2
Ach weh mir ungliickhaftem Manne. Song. Strauss, R.
"Schlichte Weisen." No. 20 in M.380.24.1
Ach, wem ein rechtes Gedenken bliiht. Song. Tiehsen. Drei
Lieder. No. 8 in M.236.8
Ach, wende diesen Blick. Song. Brahms. Lieder und Ge-
sange. Op. 57. Heft I. No. i in M.380.40.2
Ach, wenn du warst mein eigen! Part-song. Schleinitz.
No. 116 in M.213.9
Ach, wenn ich doch ein Immchen war'. Song. Franz, R.
Sechs Gesange. Op. 3. No. 19 in M.244.5.1
Ach wie fluchtig, ach wie nichtig. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 5, Theil i.
Ach, wie komm ich da hinuber? Song. Franz, R. Sechs Ge-
sange. Op. 41. No. 56 in M.244.S.3
Ach, wie lang die Seele schlummert! Song. Wolf, H. Spa-
nisches Liederbuch. No. 8 in M.380.30
Ach, wie nichtig. Part-song. Cornelius. Trauerchore. Heft i.
No. 24 in M.3g2.6; etc.
Ach, wie so traurig erhellt. Part-song. Reinecke, C. H. C.
Drei italienische Volkslieder. No. 17 in M.392.21
Ach, wie so wonnig. Part-song. Koellner. No. 7 in M.212.8
Ach, zu kurz ist unsers Lebens Lauf. Double canon. Mozart.
Werke. Serie 7, Band 2. No. 41 in M.315.1.7.2
Achille et Polixene. Opera. For the Music see Collasse. For
the Libretto see Campistron.
Achilles. Opera. For the Music see Paer. For the Libretto
see Gamera.
Achilleus. Cantata. For the Music see Bruch. For the Li-
bretto see Bulthaupt.
Aci e Galatea. Opera. For the Libretto see Bianchi, F.
Acis. Cantata. For the Music see Wormser. For the Li-
bretto see Colombeau, E. A. de.
Acis and Galatea. Cantata. For the Music see Handel.
Acis et Galatee. Opera. For the Music see LuUy. For the
Libretto see Campistron.
Ackers, C. F.
Old Bacchus. A four-part song [t. t. b. b.]. (/» The Orpheus.
New series. Vol. 5, pp. 44-47.) No. 11 in M.20S.io.s
Acosta, Paul d'.
Godefroid de Bouillon. Grand opera en trois actes et un
epilogue. Texte de Constant Fredricx. Musique de Paul
d'Acosta. [Partition piano et chant.] Bruxelles. Van-
derauwera. [189-?] M.402.1
Acoustics.
See also Pitch; Scales.
Bartoli, D. Del svono de' tremori armonici e dell' vdito.
Bologna. 1680. M.207.4
Bary, £. L. F. Acoustique. Note sur un precede tres-simple
pour accorder un guitare sans le secours de I'oreille.
[Paris. 1835.1 No. 2 in M.207.18
Blaserna, p. The theory of sound in its relation to music.
London. 1876. Illus. M.218.12
Broadhouse, J. Musical acoustics; or the phenomena of
sound as connected with music. London. 1881. Illus.
M. 1393.13
CuRWEN, J. A tract on musical statics: an attempt to show
the bearing of the most recent discoveries in acoustics on
chords, discords, transitions, modulations, and tuning, as
used by modern musicians. London. [1874.]
No. I in M.2I5.7
Daurio, C. p. Recherches sur les causes physiques de nos
sept sensations, et erreurs des physicians sur le son et la
lumiere. Paris. 1838. No. 2 in M.207.24
Gallimard, J. E. La theorie des sons applicables a la mu-
sique. Paris. 1754. No. 6 in M.207.X8
Griesbach, J. H. Analysis of musical sounds, with illustra-
tive figures of the ratios of vibrations of musical intervals
and their compounds . . . London. [185-?] Plates.
M. 121. 23
Guillemin, A. V. Le son. Notions d'acoustique physique
et musicale. Paris. 1875. Illus. M.ig8.ia
Acoustics
THE ALLEN A. BROWN COLLECTION OF MUSIC
Adam
Acoustics. (Continued.)
Hall, A. W. The "substantial" and 'wave' theories of
sound. Two letters, by A. Wilford Hall, and Sedley Tay-
lor. London. 1891. No. 7 in M.216.18
Hautfeuille, J. DE. Probleme d'acoustique, curieux et in-
teressant, dont la solution est proposee aux savans, d'apres
les idees qu'en a laissees M. I'Abbe de Hautfeuille [par
M. ***]. Paris. 1787. M.370.13
A selection of Hautfeuille's essays, with introduction and notes,
namely : Explication de I'etfet des trompettes parlantes ; L'art de
respirer sous I'eau; Extrait de I'ouvrage, Balance magnetique ; Lettre
a M. Bourdelot; Extrait d'une Dissertation sur la cause d'echo.
HiGGiNS, W. M. The philosophy of sound and musical com-
position. London. 1838. Plate. M. 103.26
Contains a second title-page with the title: The philosophy of sound,
and history of music.
Hughes, F. J. Harmonies of tones and colours, developed
by evolution. [With supplement and additional matter.]
London. 1883-86. Plates. M.236.24
Kastner, J. G. La harpe d'fiole et la musique cosmique.
£tudes sur les rapports des phenomenes sonores de la
nature avec la science et l'art. Suivies de Stephen, ou la
harpe d'fiole, monologue lyrique avec chceurs. Paris. 1856.
Plates. M.121.32
La Salette, P. J. J. de. De la fixite et de I'invariabilite des
sons musicaux. Paris. 1824. No. 4 in M. 207. 18
Laugel, a. a. La voix, I'oreille et la musique. Paris. 1867.
M. 139.2
Lesfauris, J. Elements de I'acoustique musicale. Paris.
1867. No. 2 in M. 198.12
Mahillon, V. C. filements d'acoustique musicale et instru-
mentale. Bruxelles. 1874. Illus. M.215.10
Radau, R. L'acoustique, ou les phenomenes du son. Paris.
1867. Illus. Plates. M.198.22
R.\MBOSSON, J. Les harmonies du son et I'histoire des instru-
ments de musique. Paris. 1878. Illus. Plates. M. 132. 10
Stone, W. H. Sound and music. London. 1876. Illus.
No. 2 in M. 128.36
Taylor, S. Sound and music: a non-mathematical treatise
on the physical constitution of musical sounds and har-
mony. London. 1873. Illus. M. 107.22
Tyndall, J. Sound. Eight lectures. London. 1867. Illus.
M.107.7
WooDHOUSE, W. S. B. Essay on musical intervals, har-
monics and the temperament of the musical scale. Lon-
don. 1835. M.146.15
Wylde, H. The evolution of the beautiful in sound. Man-
chester. 1888. M.148.28
Young, M. An enquiry into the phaenomena of sounds and
musical strings. Dublin. 1784. Plate. M.113.10
Zamminer, F. Die Musik und die musikalischen Instru-
mente in ihrer Beziehung zu den Gesetzen der Akustik.
Giessen. 1855. Illus. Plates. M.372.65
Acquaint thyself with God. Anthem. Greene, M.
No. 58 in M.290.22.1; etc.
Across the far blue hills, Marie. Song. Blumenthal.
No. I in M.192.12
Across there at the window. Port-song. Loring.
No. 24 in 11.392.48.2
Acteon. Opera. For the Music see Auber. For the Libretto
see Scribe.
Acteon et le Centaure Chiron. Opera. For the Music see
Chassaigne. For the Libretto see Ribbing.
Acworth, Harry Arbuthnot.
Caractacus. A cantata. The music by Edward Elgar.
M.384.56
Ad altre le voi dare ste passate. Madrigal. Lassus. Sammt-
liche Werke. Band 10. M.8o4oa.67.io
Ad amphoram. Song. Vaucorbeil. Melodies. M.213.2S
Ad coenam Agni providi. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Ad coenam Agni providi. Mass. Palestrina. Werke. Band 10.
M.8o4oa.66.io
Ad fugam. Mass. Palestrina. Werke. Band 11. M.8040.66.11
Ad preces nostras. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Ad Te clamamus. Anthem. Hasse, J. A. P.
No. 20 in M.290.29.1; etc.
Ad Te Domine levavi. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.g
Ad Te igitur piissime. Motet. Lassus. Sammtliche Werke.
Band 13. 111.80403.67.13
Ad Te levavi. Motet. Cherubini. No. 10 in M.260.24.1
Webbe, S. No. I in M.156.50
Ad Te levavi animam meam. Offertory. Palestrina. Werke.
Band g. M.8o4oa.66.9
Ad Te perenne gaudiutn. Motet. L.^ssus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Ad Te suspiramus. Motet. Lassus. Sammtliche Werke. Band
13. M.8o4oa.67.i3
Leo. No. 15 in M.2go.2g.4
Ada to Alexis. Song. Himmel. No. 67 in M.235.18.1
Adagio pathetique. For violin and orchestra. Hutchison, W. M.
No. 3 in M.405.47
Adagio religioso. For violin and orchestra. Bull, O. B.
No. 2 in M.403.16
Adagio romantico. For string quartet. Balthasar, A.
No. I in M.404.39
Adalevski, Ella.
La musique et les compositeurs russes contemporains. M"e
Ella Adaiewski. Paris. Chaix & Cie. 1877. Portrait.
No. 4 in M. 134.9
Adam de la Halle.
Ci commence le Jeu de Robin et Marion qu' Adam fit.
Premier essai d'opera-comique (1275), public avec un
accomp. de piano, par J. B. Weckerlin. Paris. Durand &
Schoenewerk. [1872.] Facsimile. No. I in M.255.2
Adam, Adolphe Charles.
A Clichy, opera comique en i acte, paroles de Dennery
[pseud.] et E. Grange, musique de Ad. Adam. Partition
piano et chant. Paris. Vialon. [1854.] No. 2 in M.361.11
Le bijou perdu. Opera comique en 3 actes de MM. de Leu-
ven [pseud.] et de Forges [pseud.]. Mis en musique . . .
par Ad. Adam. [Partition chant et piano.] Paris. Benacci-
Peschier. [1853.] M.361.10
Une bonne fortune. Opera bouffon en i acte, de MM.
Edouard [pseud.] et Fereol [pseud.]. Mis en musique
. . . par Adolphe Adam. Partition. Paris. Petit. [1834.]
M.223.19
Same. [Chant et piano.] Richault. [1817?] No. 2 in M.2S5.3
La bouquetiere. Opera en i acte. Paroles de Hippolyte
Lucas. Musique de Adolphe Adam. [Partition chant et
piano.] Paris. Richault & Cie. [1848?] M.2SI.12
Le brasseur de Preston. Opera comique en 3 actes. Paroles
de MM. de Leuven [pseud.] et Brunswick [pseud.], mis en
musique . . . par Adolphe Adam. Partition. Paris. Ri-
chault. [1838.] M.223.22
Same. Accomp. de piano. Mainz. Schott. [184-?] M.2S1.7
The words are in both French and German.
Cagliostro. Opera comique l-ii 3 actes. [Paroles de Scribe
et St. Georges.] Musique d'Ad. Adam. Partition avec
accomp. de piano. Paris. Bureau central de musique.
[1845?] M.361.12
Le chalet. Opera comique en un acte . . . Paroles de MM.
Scribe et Melesville [pseud.]. Mis en musique . . . par
Adolphe Adam. [Partition.] Paris. Schonenberger. [1834.]
M.226.1
Same. [Partition chant et piano.]
No. I in M.255.3; No. I in M.362.21
Comrades in arms. Chorus for 4 male voices. Written and
arranged by George Linley. [London. 186-?]
No. 79 in M.157.S.2
The comrades' song of hope. [Part-song. Accomp. for
pianoforte.] (,/n Plaistow part-songs. Part i, pp. 17-27.)
No. 5 in M. 158.23
Derniers souvenirs d'un musician. Paris. Levy. 1859.
M.139.14
Elle est a moi. Air [x. Accomp. de piano]. Paris. Schonen-
berger. [1834?] No. 23 in M.390.37
.13
Adam
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Adam
Adam, Adolphe Charles. (Continued.)
Falstaff. Opera-comique en i acte de MM. de Saint-Georges
et de Lenven [pseud.]. Musique de Ad. Adam. Partition
piano et chant. Paris. Richault. [1856.] No. i in M.361.13
Le fanal. Opera en 2 actes. Paroles de Mr. de S*. Georges.
Musique de A. Adam. Partition reduite pour piano. Paris.
Le Bel. [1850?] M.251.10
Le farfadet, opera comique en i acte, paroles de Mr. Planard,
musique de Ad. Adam. Partition piano et chant. Paris.
Brandus & Cie. [1852.] No. 2 in M.361.13
La fete des arts. Chants de I'avenir. Intermede. Paroles
de Mery. Musique de Adolphe Adam. Transcrit pour le
piano [et chant]. Paris. Benacci-Peschier. [185-?]
No. 3 in M.361.11
Le fidele berger. Opera comique en 3 actes. Paroles de
Scribe et de S*. Georges. Mis en musique avec accomp. de
piano par Adolphe Adam. Paris. Richault. [1838.]
M.361.15
La fille de Dominique. Couplets [s. Accomp. de piano].
Paris. Petit. [183-?] No. 33 in M.390.37
Giralda, ou la nouvelle Psyche, opera comique en 3 actes,
paroles de Scribe, musique de Ad. Adam. Partition piano
et chant. Paris. Brandus & c'e. [1850.] M.361.7
Giselle ou les wilis. Ballet pantomime en 2 actes . . .
[Partition reduite pour le piano par V. Cornette.] Paris.
Meissonier. [1841.] M.404.37
Le grand prix ou le voyage a frais communs. Opera co-
mique en trois actes . . . Paroles de MM. Gabriel [pseud.]
et Masson, mis en musique . . . par Adolphe Adam. Par-
tition. Paris. Lemoine. [1831?] M.380.48
Le houzard de Berchini. Opera comique en 2 actes, paroles
de Mr. Rosier, musique de Ad. Adam. Partition piano et
chant. Paris. Brandus & Dufour. [1855.] M.361.1
J'ai peur, j'ai peur! [Chant, b. Accomp. de piano.] (In
Bibliotheque musicale. Serie 2, t. 2, pp. 121-124.)
No. 20 in M. 193.21.2
Der Konig von Yvetot. Komische Oper in 3 Aufziigen. Frei
nach dem Franzosischen [von de Ribbing und Lherie
ubersetzt] von Julius Franke. Musik von Adolphe Adam.
[Partitur.] Manuscript. [184-?] M.223.21
Lambert Simnel. Opera comique en 3 actes, paroles de MM.
E. Scribe et Melesville [pseud.], musique posthume de
Hipp. Monpou, terminee par Ad. Adam. Partition piano
et chant. Paris. Meissonnier. [1843,] M.267.10
La main de fer, ou un mariage secret. Opera comique en 3
actes. Paroles de MM. Scribe et de Leuven [pseud.].
Musique de Ad. Adam. Partition reduite avec accnmp.
de piano. Mainz. Schott. [184-?] M.251.11
Le mal du pays. Opera vaudeville en i acte. Paroles de
Scribe et Melesville [pseud.]. Musique d' Adolphe Adam.
[Partition chant et piano. Paris? 184-?] No. 2 in M.391.27
La marquise. Opera comique en un acte. Paroles de MM.
de St. Georges et de Leuven [pseud.]. Musique de
Adolphe Adam. [Partition.] Paris. Schonenberger.
[1835] . M.400.34
Same. Partition chant et piano. M.361.9
Messe solennelle a 4 voix & choeurs, avec accomp. d'orgue,
violoncelles, contrebasses, trombones, ophicleide & cor-
nets a piston. Paris. Nicou-Choron & Canaux. [1850?]
M. 250.1
Micheline ou I'heure de I'esprit. Opera comique en un acte
de MM. St. Hilaire & Masson. Mis en musique par Ad.
Adam. Partition. Paris. Boieldieu. [1835.] M.400.35
Mois de Marie de Saint-Philippe. 8 motets a i et 2 voix avec
accomp. par Adolphe Adam. Paris. Brandus & c'=. [186-?]
No. 1-8 in M.260.10.8
Coitlents. — I. Ave Maria pour s., avec accomp. de hautbois, ad lib.
2. Ave Maria, a. solo. 3. Ave Maria, duo, s. a., avec accomp. de haut-
bois, ad. lib. 4. Ave verum, s. solo. 5. Ave Regina, duo, s. m.-s.
6. Inviolata, duo, s. m.-s. 7. O Salutaris, s. solo. 8. Ave maris Stella,
duo, s. H.-s.
Le muletier de Tolede, opera comique en 3 actes, paroles de
Dennery [pseud.] et Clairville [pseud.]. Musique de
Ad. Adam. Partition piano et chant. Paris. Colombier.
[1854] M.361.6
Adam, Adolphe Charles. (Continued.)
Les pantins de Violette. Operette bouffe en i acte, paroles
de L. Battu, musique de Ad. Adam. Partition piano et
chant. Paris. Brandus, Dufour & cie. [1856.]
No. 3 in M.361.13
La petite chanteuse. [Chanson, s. Accomp. de piano.] (/«
Album de chant. Pp. 2, 3.) No. i in M.202.28
Pierre et Catherine. Opera en i acte de Mr. de S'. Georges,
mis en musique . . . par Adolphe Adam. Partition. Paris.
Pleyel & cie. [1830?] M.2SI.6
Le postilion de Lonjumeau. Opera comique en 3 actes. Pa-
roles de M". de Leuven [pseud.] et Brunswick [pseud.].
Musique de Ad. Adam. Partition piano et chant. Paris.
Schlesinger. [1853?] M.36i.8
La poupee de Nuremberg. Opera comique en i acte, paroles
de MM. de Leuven [pseud.] & de Beauplan [pseud.],
musique de Ad. Adam. Partition piano et chant. Paris.
Brandus & cie. [1832.] No. 2 in M.361.S
[Le proscrit, ou le tribunal invisible. Drame lyrique en 3
actes. Paroles de Carmouche et X. Saintine. Musique
d'Adolphe Adam. Partition. Paris? 183-?] M.2S1.9
The title-page is lacking.
Quoi, tons les deux! Duo [s. s. From Le postilion de Lon-
jumeau]. (In Bibliotheque musicale. Serie 2, pp. 155-173.)
No. 12 in M. 157.40
Regine, ou deux nuits. Opera comique en 2 actes. Paroles
de M. E. Scribe. Mis en musique . . . par Adolphe Adam.
Partition. Paris. Delahante. [1839.] M.223.18
Same. Accomp. de piano. Mainz. Schott. [184-?] M.251.8
The words are in French and German.
La reine d'un jour. Opera comique en 3 actes. Paroles de
MM. E. Scribe et de S'. Georges. Musique de Adolphe
Adam. Partition. Paris. Delahante. [1840?] M.223.20
Sr>mp. Arromp. de piano. Mainz. Schott. [184-?] M.251.13
The words are in French and German-
Reve heureux du jeune age. Romance de Giralda. (In Album
lyrique du chant frangais. Pp. 69-71.) No. 2 in M.1S7.38
Richard en Palestine. Grand opera en 3 actes. Paroles de
Paul Foucher. Musique de A. Adam. Partition avec
accomp. de piano. Paris. Bureau central de musique.
[1844.] M.361.3
Le roi d'Yvetot. Opera comique en 3 actes. Paroles de MM.
de Leuven [pseud.] et Brunswick [pseud.]. Musique de
Ad. Adam. Partition piano et chant. Paris. Meissonnier.
[184-?] M.361.14
Le roi des Halles. Opera comique en 3 actes. Paroles de
MM. de Leuven [pseud.] et Brunswick [pseud.]. Mu-
sique de Adolphe Adam. Partition piano et chant. Paris.
Bureau central de musique. [1853.] M.361.3
Si j'etais roi. Opera comique en 3 actes. Poeme de MM.
d'Ennery [pseud.] et Bresil. Mis en musique . . . par
Adolphe Adam. Partition pour piano et chant. Paris.
Leduc. [1852.] M.361.4
Same. Ouverture pour orchestre. Partition. Paris. Leduc.
[186-?] No. I in M.334.1
Le sourd. Opera comique en 3 actes, poeme de MM. de
Leuven [pseud.] et Langle. Musique de Ad. Adam. Par-
tition piano et chant. Paris. Gerard. [1856.]
No. I in M.361.5
Souvenirs d'un musicien. Nouvelle edition. Paris. Levy.
1868. M. 127.8
Le toreador, ou I'accord parfait. Opera bouffon en deux
actes. Paroles de Mr. T. Sauvage. Musique de Adolphe
Adam. Grande partition. Paris. Latte. 1849. M.402a.i
Same. Partition piano et chant. Brandus & cie.
No. I in M.361.11
Victoire! Cantate, en I'honneur de la prise de Sebastopol.
Paroles de Michel Carre. Musique [t. t. b. b.] de Ad.
Adam. Paris. Heugel & cie. [1855?] No. I in M.193.2
Adam, Adolphe Charles, edtior.
MoNsiGNY, P. A. Le deserteur. No. i in M.393.41
Adam, Adolphe Charles. Works about.
Jacquot, C. J. B. Adolphe Adam. Par Eugene de Mirecourt
[pseud.]. Paris. 1868. No. 4 in H.iaga.36
14
Adam
THE ALLEN A. BROWN COLLECTION OF MUSIC
Adenis
Adam, Adolphe Charles. Works about. (Continued.)
Neumann, W. Adrien Francois Boieldieu. Adolph Adam.
Cassel. 1855. No. 4 in M.205.1S
Paroisse-Pougin, F. A. A. Adolphe Adam: sa vie, sa car-
riere, ses memoires artistiques. Paris. 1877. Portrait.
Facsimile. M.129.17
Adam, Alexander.
Morgengruss an die Geliebte . . . Fiir Mannerchor. Op. 18.
Berlin. Luckhardt. [1892.I No. 2 in 11.392.3
The words are in German and English.
Adam, Carl Ferdinand.
The artillerist's oath [t. T. B. B.]. (/n Willard. Arion. Pp.
22, 23.) No. 12 in M.iog.i
Same. Des Artilleristen Schwur. [Mannerchor. 1 (In
Orpheus. Band 10, pp. 32, 33.) No. 54 in M.i29a.43.io
Maiden, listen. Part-song for t. t. b. b. (/» The Orpheus.
New series. Vol. 4, pp. 60-63.) No. 13 in M.205.io.4 "
Sechs Turnlieder fiir vier Mannerstimmen. Op. 24. Leipzig.
Kahnt. [186-?] No. 26 in M.392.2
Contents. — Turnerruf. — Tumfahrt. — Die Tumbriider. — Tum-
lied. — Fahnenschwur. — Festgesang.
Sorgenvolle, wetterschwiile Madchenstirne. [Mannerchor.]
(/« Orpheus. Band 10, p. 51.) No. 67 in 11.1293.43.10
Standchen. [Mannerchor.] (/n Orpheus. Bandg, p. 11.)
No. 5 in M. 1293.43.9
Tyroler Adler. [Mannerchor.] (/n Orpheus. Band 10, p. 12.)
No. 42 in M.i29a.43.io
Waldeinsamkeit. [Mannerchor.] (In Otto, E. J. Ernst und
Scherz. Heft 7, pp. 9, 10.) No. i in M.392.20
Was wir lieben. [Mannerchor.] (/« Orpheus. Bandg, p. 27.)
No. 15 in M.i2^a.43.9
Whom we love most! [t. t. b. b.] (/n Willard. Arion. P. 56.)
No. 33 in M.iog.i
Adam. Ofera. For the Music see Lesueur. For the Libretto
see Guillard, N. F.
Adam catch'd Eve. Part-song. Baildon. No. 4 in M.220.7; etc.
Adam et Eve. Opera. For the Music see Serpette. For the
Libretto see Blum, E.
Adam und Eva. Opera. For the Music see Hornstein. For
the Libretto see Heyse.
Adam-Boisgontier, Mme, pseud. See Rocheblave, Elisabeth
Fran(;oise. '
Adami, Friedrich Wilhelm.
Die Falkensteiner. Romantische Open Musik von J. H.
Franz [Pseud.]. M.272.11
Adamless Eden, An. Opera. For the Music see Slaughter.
For the Libretto see Clarke, H. S.
Adams, Estelle Davenport, editor.
Sea song and river rhyme from Chaucer to Tennyson. With
a new poem by Algernon Charles Swinburne. New edition.
London. Kegan Paul, Trench, Triibner & Co. [1897?]
Etchings. M.216.1
Adams, F. A.
The octave staff; diatonic and chromatic: reducing the dif-
ferent staves to one; furnishing an exclusive place for each
tone, without flats or sharps. New York. Appleton & Co.
1851. No. 2 in M.372.S6
Adams, John S., compiler.
The psalms of life: a compilation of psalms, hymns, chants
. . . 4th edition. Boston. Ditson & Co. [1857.] M. 108.23
Adams, Thomas.
Come, Holy Ghost. Anthem for Whitsuntide. [Accomp.
for organ.] London. Reeves. 1894. No. 2 in M. 158.13
Adcock, John.
The singer's guide to pronunciation, with an appendix. Not-
tingham. Farmer. [1873.] No. 3 in M.147.31
Addio. Duet. Campana. No. 20 in M. 244.9
Donizetti. Un hiver a Paris. No. 16 in M.244.4
Addio d'Ettore, L'. Duet. Paer. No. 3 in M.1S2.28
Addison, John.
A collection of the vocal music in Shakespear's plays, in-
cluding the whole of the songs, duetts, glees, choruses,
&c. Engraved from original MS. & early printed copies
chiefly from the collection of W. Kitchiner. Revised &
arranged with an accompaniment for the piano forte, by
Addison, John. (Continued.)
Mr. Addison, [London.] Caulfield. [1804?] 2 v. M.112.11
Same. Boon. [1864?] 2 v. M.12S.24
The sleeping beauty, a grand legendary melodrama . . .
written by Lumley S'. George Skeffington. Composed . . .
by Jno. Addison. [Accomp. for piano.] London. The
Author. [1805.] No. I in M.39i.2a
Addison, John, editor.
Arne, T. A. [Artaxerxes.] No. 2 in M.391.13
Address to a locket, An. Song. Arnold, S. No. 40 in M.235.18.3
Address to a wounded soldier. Part-song. Richmond.
No. s in M.340.15
Address to Echo. Glee. See Webbe, S. Daughter sweet.
Address to the Deity, An. Anthem. Stokes, C.
No. 16 in M.290.9.1
Address to the lovers and followers of the fine arts, and par-
ticularly music. [London. Dale.] 1800. No. 8inM.ii4.8
A prospectus of a treatise on the philosophy of music.
Address to the unsuccessful lover. Ballad. Haydn, F. J.
Twelve ballads. No. i in M.221.32
Ade, George.
Peggy from Paris. A musical comedy. Music by William
Loraine. M.381.28
The Sho-Gun. A comic opera. Music by Gustave Luders.
M.397.44
The Sultan of Sulu. A musical comedy. Music by Alfred
G. Wathall. M.381.63
Ade! Volksweise. [Part-song, t. t. b. b.] (/n Das Riitli. Pp.
340, 341.) No. 142 in M.147.4
Ade! Part-song. Abt, F. Er schritt hinan den Hiigel. Fiinf
vierstimmige Mannergesange. No. 37 in M.392.1
— Wohlauf in Gottes schone Welt. No. 18 in M.246.22
MoEHRiNG. No. 9 in M.130.7
Orth. No. 54 in M.392.16
Otto, E. J. Fiinf Quartetten. No. 59 in M.392.16
Ade! Song. Brahms. Sechs Lieder. Op. 85.
No. 9 in M.380.40.2
Ade denn, du stolze! Song. Franz, R. Sechs Gesange. Op.
31. No. 2 in M.244.S.3
Ade, fein's Lieb. Part-song. Reimann. Vier Lieder.
No. 27 in M.194.16
Ade und Wiedersehn. Part-song. Abt, F. Acht patriotische
Lieder. No. 12 in M.392.2
Ade zur guten Nacht. Part-song. Schmidt, Gustav. Acht
Lieder. No. 24 in M.392.23
Adela. Opera. For the Music see Tolkien.
Adelaide. Song. Beethoven. No. 28 in M.235.18.4; etc.
Schubert, F. P. Melodies. Vol.8. M.327.4.8; etc.
Adelaide di Borgogna. Opera. For the Music see Rossini.
Adelaide, L', di Guesclin. Opera. For the Music see Mayer,
J. S.
Adelaide et Ferdinand. Opera. For the Music see Villebichot.
For the Libretto see Blondelet.
Adelasia. Opera. See Donizetti. Adelia.
Adelasia e Aleramo. Opera. For the Music see Mayer, J. S.
Adele de Foix. Opera. For the Music see Reissiger. For the
Libretto see Blum, R.
Adele et Dorsan. Opera. For the Music see Dalayrac. For
the Libretto see MarsoUier des Vivetieres.
Adelheid. Song. Abt, F. Sieben Lieder aus dem „Buch der
Liebe." No. i in M.204.37
Adelia. Opera. For the Music see Donizetti. For the Li-
bretto see Romani, F
Adelina. Opera. For the Music see Generali.
Adeline. Song. Gruber, G. W. Gottfried August Biirgers
Gedichte. Vol. i. No. 4 in M.i30.g.i
Adelson e Salvini. Opera. For the Music see Bellini.
Adelwold und Emma. Song. Schubert, F. P. Werke. Serie
20, Band 2. M.317.1.20.2
Adely, Paul.
L'escargot. Operette. Paroles de Paul Adely et Albert
Barre. Musique de Antoine Banes. No. 3 in M.393.3
Adenis, fidouard, pseud. See Colombeau, Jules Adenis de.
15
Adenis
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Adventures
Adenis, Eugene, pseud. See Colombeau, Eugene Felix Adenis
de.
Adenis, Jules, pseud. See Colombeau, Jules Adenis de.
Aderer, Adolphe.
Daria. Drame lyrique de Adolphe Aderer et Armand
Ephraim. Musique de Georges Marty. No. 2 in M.389.2
Adeste fideles. Anthem. Reading. No. loin M.201.33; etc.
Same. Portuguese hymn. With the addition of an original
interlude by Gounod. M.384.28
Adice, G. Leopold. .
Theorie de la gymnastique de la danse theatrale. Pans.
Chaix & cie. 1859- M.121.29
Adieu. Song. Schubert, F. P. Melodies. Vol. 4- M.327.4.4
Spontini. No. 26inM.221.30
Adieu, Bessy. Song. Berlioz, L. H. No. 8 in M.391.32; etc.
Adieu d'une mere a son fils. Song. Hortense, Queen of Hol-
land. Romances. M.221.27
Adieu, L', des Bohemiens. Chorus. Weckerlin. Soirees
parisiennes. No. 2 in M.158.44
Adieu, foret! Part-song. Heyberger. No. 7 m M.130.7
Adieu, love, adieu. Part-song. Macfarren, G. A.
No. 6 in M.195.1.2
Adieu, ma mere. Song. Schubert, F. P. Melodies. Vol. 3.
M.327.4.3
Adieu, my fears and sorrows. Duet. Arnold, S.
No. 10 in M.237.2
Adieu, my love. Duet. Giordani, T. No. 175 in M.235.17.1 ; etc.
Adieu my native shore. Part-song. Pearsall.
No. 3 in M. 195.1. 11
Adieu supreme. Symphonic poem. Bordier, J. No. 2 in M.334.1
Adieu, sweet Amarillis. Round [for 3 voices]. (/» Webbe, Jr.
Convito armonico. Vol. 2, p. 214.) No. 43 in M.234.3.2
Adieu, sweet Amaryllis. Part-song. Wilbye.
No. 12 in M.234.19.1; etc.
Adieu! sweet love. Madrigal. Bateson. First set of madri-
gals No. 2 in M.234.22
Adieu the verdant lawns. Glee [t. t.]. (/n Bland. The Ladies'
collection. Vol. I, p. 99) No. 158 in M.235.17.1
Also to be found in Social harmony.
Adieu, thou soft flowing stream. Duet. Mozart.
No. 24 in M.2 18.8.4
Adieu to the village. Glee. Baildon. No. 17 in M.158.13
Adieu to the woods. Part-song. Egerton. No. 25 in M.195.1.13
Adieu, vain joys. Glee [t. t. b.]. {In Apollonian harmony.
Vol. 2, p. 25.) No. 20 in M.141.21.2
Also to be found in Social harmony.
Adieu, ye jovial youths. Glee. Cooke, R. Eight glees.
No. 4 in M.220.8
Adieu, ye streams. Part-song. Atterbury.
No. 9 in M.220.3.4; etc.
Adieu, ye streams. Song. Reissiger. No. 34 in M.235.18.1
Adieux, Les. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M.158.44
Adieux a Charence. Song. David, F. C. Cinquante melodies.
M.363.28
Adieux a mes amis. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Adieux, Les, de De'idamia. Opera. For the Music see Polig-
nac. For the Libretto see Musset, L. C. A. de.
Adieux de I'hotesse arabe. Song.
Bizet. Vingt melodies. No. 2 in M. 265.24
Cressonnois. Harmonies. No. 2 in M.295.9
Vaucorbeil. Melodies. M.213.25
Adieux de Marie Stuart. Song. Rouget de Lisle. 48 chants
francjais. M.202.44
Adieux du matelot. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Adina. Opera. For the Music see Rossini.
Adios montanas mias. For violin. Sarasate y Navascues.
No. 7 in M.410.45
Adjure vos, filiae Hierusalem. Motet. Palestrina. Werke.
Band 4. M.8o4oa.66.4
Adjutor et susceptor meus. Anthem. Cherubini.
No. 10 in M.222.24
Adjutor in opportunitatibus. Anthem. Haydn, J. M.
No. 9 in M.202.g
Adjuva nos, Deus. Canon, 4 in i. (/n Warren. Collection of
catches. Vol. i, p. 9.) No. 9 in M.220.9.1
Adler, Guido.
Umfang, Methode und Ziel der Musikwissenschaft. (Cut
from Vierteljahrsschrift fiir Musikwissenschaft. Jahrgang
I, pp. 5-20. Leipzig. 1885.) No. I in M.373.27
Adler, Guido, editor.
Publicationen der Gesellschaft zur Herausgabe der Denk-
maler der Tonkunst in Osterreich. For the separate vol-
umes of this series, see Denkmaeler der Tonkunst in' Os-
terreich.
Adler, Der, und der Kukuk. Song. Rubinstein. Fiinf Fabeln.
No. 14 in M.ig2.5
Adlerflug. Novel. Koch, W. No. 3 in M.370.62
Admet. Overture. Handel. No. 2 in M.344.32
Admeto. Opera. For the Music see Handel. Werke.
Admiral's daughter. The. Opera. For the Music see Wetherell.
Adolfo, Don, pseud.?
Troisieme messe, breve et facile a trois voix egales, avec
accomp. d'orgue. Op. 54. Bruxelles. Schott. [187-?]
No. I in M.201.1
Adolphe et Clara. Opera. For the Music see Dalayrac. For
the Libretto see Marsollier des Vivetieres.
Adonis. Opera. For the Music see Wagner, C. J. For the
Libretto see Baur, C. W.
Adoramus. Anthem. Panseron. Mois de Marie.
No. 16 in M. 260.12
Adoramus Te. Anthem. Anerio. No. 30 in M.202.6.1
Benelli. No. 25 in M.260.24.2
Feroci. No. 10 in M.233.26.1
Handl. No. 39 in M.202.6.1
Lassus. Sammtliche Werke. Band i, 5. M.8o4oa.67.i, 5
Mozart. Werke. Serie 3. M.315.1.3
Palestrina. No. i in M.260.20; etc.
Perti. In A moll. No. 9 in M.233.26.3
— In C. No. 2 in M.158.33.4
RuFFO. No. I in M. 158.334
Adoration. Duet. Brown, O. B. No. 14 in M.203.26
Adoremus in aeternum. Anthem. Cherubini. No. 7 in M.222.24
Adoremus Te, Christe. Motet. Reissiger. 15 Graduales.
No. 2 in M. 158.27
Adorna thalamum. Moifi. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Adoro Te. Anthem. Dietsch, P. L. P. No. 31 in M.260.30
Ghinste. No. 46 in M.260.1S
Janssen, N. a. No. 34, 38 in M.26o.ig
Lambillotte. No. 24 in M.260.10.6
Adoro Te, supplex. Hymne au St. Sacrement. (Liturgie ro-
maine.) [4 voix. Accomp. d'orgue.] (In Gounod. The
Royal Albert Hall choral music. Vol. i, pp. 25-29.)
M.384.28
Adown the river. Part-song. Lynes. No. 24 in M.3g2.i6
Adrian von Ostade. Opera. For the Music see Weigl. For
the Libretto see Treitschke.
Adriana Lecouvreur. Opera. For the Music see Cilea; also
Vera. For the Libretto see Colautti; also Lauzieres de
Themines.
Adrien, Martin Joseph.
Hymne a la victoire. L'evacuation du territoire de la Re-
publique. [b. solo et choeur, s. a. t. b. Accomp. de piano.]
(/n Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise . . . Pp. 298-301.) M.380.Z4
Adrien, Robert, pseud. See Basset, Charles Alexandre.
Adrift. Part-song. Florio, C. No. 7 in M.203.7
Advent hymn. Cantata. For the Music see Schumann, R. A.
For the Libretto see Rueckert.
Advent of spring. Part-song. Curschmann. No. 18 in M.157.5.1
Adventlied. Cantata. For the Music see Draeseke; also Schu-
mann, R. A. For the Libretto see Rueckert.
Adventlied. Song. Curschmann. Curschmann-Album.
No. I in M.157.37
Adventure of Don Quixote, An. Opera. For the Music see
Macfarren, G. A. For the Libretto see Macfarren, G.
Adventures, The, of a travelling musician in Australia, China,
& Japan. Chisholm. M.3704
16
Adversum
THE ALLEN A. BROWN COLLECTION OF MUSIC
Aesthetics
Motet. Lassus.
Sammtliche
M.8o4oa.67.9
M.208.18
Adversum me loquebantur.
Werke. Band 9.
Advice to singers. Crowest.
Advielle, Victor.
La musique chez les Persans en 1885. Paris. 1885. Por-
trait. Plate. No. I in M. 123.10
Advocat, Un, dit a sa femme. Part-song. Lassus. Sammtliche
Werke. Band 12. M.8o4oa.67.i2
Advocaten, Die. Part-song. Schubert, F. P. Terzette.
No. 5 in M.156.1; etc.
Adye, Willet.
Musical notes. London. Bentley. 1869. M.108.29
Contenls. — The great composers. — Violinists and the violin. — The
violin and its history.
Aebtissin, Die. ^ong. Taubert, C. G. W. Drei heitere Ge-
sange. No. 5 in M.192.7
Aeferno gratias Patri. Anthem. Walther, J. No. 36 in M. 202.6.1
Aegle. Ofera. For the Music see Lagard. For the Libretto
see Laujon.
Aegra currit ad medicum. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Aegyptischer Tanz. Ballet Music. Bizet. No. 2 in M.405.5
Aehrenfeld, Das. Duet. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 18. M.413.3.18
Aelpler, Der. Song. Abt, F. Fiinf Schweizerlieder.
No. 22 in M.192.1
Aelplers Grass. Part-song. Rosciier. No. 56 in M.392.21
Aeneas in Lazium. See Righini, V. Enea del Lazio.
No. I in M.150.15
Aennchen lieb. Part-song. Andre, L. No. 29 in M.3g2.2
Aennchen und Robert. Opera. For the Music see Neukomm,
S. For the Libretto see Tiedge.
Aennchen von Tharau. Opera. For the Music see Hofmann.
For the Libretto see Rosenfeld, J.
Aennchen vcn Tharau. Part-song. Silciier. No. 9 in M. 130.7; etc.
Aeolian harp.
Kastner, J. G. La harpe d'fiole et la musique cosmique.
£tudes sur les rapports des phenomenes sonores de la
nature avec la science et I'art. Suivies de Stephen, ou la
harpe d'fiole, monologue lyrique avec choeurs. Paris.
1856. Plates. M. 121.32
Aeolic harp. Glee. Smart, G. T. Collection of glees . . .
No. 5 in M.235.8
Aeolus, you must appear. Song. Purcell, H. Beauties of
Purcell. M. 221.2
Aequinoktialstuerme. Part-song. Lachner, V. [Drei Miin-
nerchore.] No. 19 in M.392.15
Aerg're dich, o Seele, nicht. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 37.
Aerndtekranz, Der. Opera. For the Music see Hiller, J. A.
Aertsen, Guilliaem.
Machiavelli. A comic opera. Music by Leland B. Hall.
M.399.95
Aeschylus.
The Eumenides. The text in Greek and English. [Trans-
lated by A. W. Verrall. The incidental music by C. Villiers
Stanford.] No. i in M. 203.23
Orestes. Eine Trilogie nach der "Oresteia" des Aischylos
von Felix Weingartner. M. 381.66
Contents. — Theil i. Agamemnon. Theil 2. Das Todtenopfer. Theil 3.
Die Erinyen.
L'Orestie. Trilogie musicale. M.3g6.40
The title-page and words are in Russian, French and German. The
Russian translation is by Venkstern, the French by Delines, the German
by Hans Schmidt.
Aesthetics.
Address to the lovers and followers of the fine arts, and
particularly music. [London.] 1800. No. 8inM.ii4.8
A prospectus of a treatise on the philosophy of music.
Ambros, a. W. Die Grenzen der Musik und Poesie. Eine
Studie zur Aesthetik der Tonkunst. Leipzig. [1855.]
M.370.1
Arnold, Y. F. Der Einfluss des Zeitgeistes auf die Ent-
wickelung der Tonkunst. Leipzig. 1867. No. 4 in M.ii9a.i3
Banister, H. C. Musical art and study. Papers for musi-
cians. 2d edition, with an additional paper. London. 1888.
M.103.16
Aesthetics. (Continued.)
Bedford, A. The great abuse of musick. Containing an
account of the use and design of musick among the antient
Jews, Greeks, Romans . . . Also an account of the immo-
rality and profaneness which is occasioned by the corrup-
tion of that most noble science in the present age. London.
1711. M.147.IS
Bellaigue, C. Psychologic musicale. Paris. 1893. M.138.4
Bernhardt, J. W. Music & mind and musical physics. Lon-
don. [1878.] No. 2 in M.116.S
Buckley, O. D. Musical truths; or an analysis of music; a
delineation of some of the nicer parts of the science. Ken-
sington. 1843. M.i09b.2i
CoLLiNA, G. Delia musica. Ragionamento . . . Bologna
. . . 1817. Parma. 1817. No. 4 in M.370.70
CoMBARiEU, J. Les rapports de la musique et de la poesie
considerees au point de vue de I'expression. Paris. 1894.
M.207.13
Donovan, J. Music and action; or, the elective affinity be-
tween rhythm and pitch. A psychological essay on a new
principle of explanation for the genesis and development
of music. London. 1889. M.376.13
DuBoc, £. Considerations sur I'art musical. Havre. 1861.
No. 3 in M.373.24
DuRUTTE, F. C. A. Esthetique musicale. Technie, ou lois
generales du systeme harmonique. Paris. 1855. M.372.5
Engel, J. J. Ueber die musikalische Malerey. An den
Konigl. Kapell-Meister Herrn Reichardt. Berlin. 1780.
No. 2 in M.377.17
EsTCOURT, M. J., compiler. Music the voice of harmony in
creation. London. 1857. M. 1093.22
Favre, L. La musique des couleurs et les musiques de I'ave-
nir. Paris. 1900. M. 102.25
Fetis, F. J. Music explained to the world; or, how to under-
stand music and enjoy its performance. London. 1844.
M. 1093.32
Gail, J. F. Reflexions sur le gout musical en France. Paris.
1832. No. I in M.116.14; etc.
Gardiner, W. Music and friends. London. 1838. 3 v.
M. 101.40
Gervinus, G. G. Handel und Shakespeare. Zur Asthetik
der Tonkunst. Leipzig. 1868. M. 106.7
GjERTZ, M. G. La musique au point de vue moral et religieux.
Paris. 1859. No. 9 in M.373.23
Goddard, J. Musical development; or, remarks on the spirit
of the principal musical forms. London. [1867.] M. 149.28
— — The philosophy of music. A series of essays. Lon-
don. 1862. M. 118.23
Goodrich, A. J. Music as a language, or the meaning of
musical sounds. New York. 1881. M. 107.1
Grigor, a. L. Hints and maxims to players on the piano-
forte, harmonium, etc. Glasgow. 1883. M. 1093.34
Gurney, E. The power of sound. London. 1880. M. 123. 14
Hand, F. G. .Esthetics of musical art. Translated by Walter
E. Lawson. Book i. 2d edition. London. 1880. M.101.35
Hanslick, E. Vom Musikalisch-Schonen. Ein Beitrag zur
Revision der Aesthetik der Tonkunst. 2. .\uflage. Leip-
zig. 1858. No. 2 in M.370.57
Same. 3. Auflage. 1865. No. i in M.370.57
Hastings, T. Dissertation on musical taste. New York.
1853. M.109.31
Haweis, H. R. Music and morals. London. 1871. M. 147.14
Jaijll, M. T. La musique et la psychophysiologic. Paris.
1896. lUus. M.376.8
Koelle, L. L. C, compiler. Music in song. From Chaucer
to Tennyson. London. 1883. No. i in M.i29a.37
KuLLAK, A. Das Musikalisch-Schone. Ein Beitrag zur Aes-
thetik der Tonkunst. Leipzig. 1858. No. i in 11.1393.17
Lenz, £. Quel est le veritable genie de la musique? [Caen.
1844.] No. I in M. 207.25
Mainzer, J. Music and education. London. 1848. M. 143.11
Musical athenaeum; or nature and art, music and musi-
cians, in Germany, France . . . London. [1842.] M. 112. 12
Marx, A. B. Ueber Malerei in der Tonkunst. Ein Maigruss
an die Kunstphilosophen. Berlin. 1828. No. 3 in M.373.2S
1.3
17
Aesthetics
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Agnus
Aesthetics. (Continued.)
Mathews, W. S. B. How to understand music. New York.
1884. M.106.2S
Maurice, P. Wliat shall we do with music? A letter to the
Earl of Derby. London. 1856. No. 16 in M.143.18
A plea for more attention to, and interest in music at Oxford.
NicoT, F. Du goijt musical en France. Nimcs. 1855.
The first eight pages are missing. No. ID in M.373.23
O'Neill, J. Inaugural lecture of the department of English
and Italian singing, Boston University [on musical aes-
thetics. Boston. 1872]. No. 4in M.148.7
P , J. E., compiler. Musical moments. Short selections
in prose and verse for music lovers. Chicago. 1889.
M.io9b.34
Paine, J. K. Inaugural lecture of the department of musical
composition, history, and aesthetics, Boston University
[on the historical development and aesthetical character of
music. Boston. 1872]. No. 5 in M.148.7
Pauer, E. The elements of the beautiful in music. London.
[1877.] M. 144.16; etc.
Physiology, The, of music; or, music explained. London.
1845. M. 1293.27
Porte, J. F. Des moyens de propager le goiit de la musique
en France, et particulierement dans les departements de
I'ancienne Normandie. Caen. 1835. No. 2 in M.218.4
Rambosson, J. P. Les harmonies du son et I'histoire des
instruments de musique. Paris. 1878. Illus. M.132.10
Specification des diverses influences de la musique sur
le physique et sur le moral. Paris. 1877. No. 3 in M.372.39
Reprinted from the Compte rendu de I'Academic des sciences morales
et politiques.
Skeffington, T. C. F. Handy-book of musical art. London.
[1858.] M.101.28
Tapper, T. Chats with music students; or, talks about music
and music life. Philadelphia. 1890. M. 1093.30
The music life and how to succeed in it. Philadelphia.
1892. M.104.43
Thoughts on the use and advantages of music, and other
amusements . . . London. 1765. M. 145.19
V****, M. Reflexions sur la musique, ou recherches sur la
cause des effets qu' elle produit. Amsterdam. 1735.
No. 2 in M.197.8
Webb, D. Observations on the correspondence between
music and poetry. By the author of An enquiry into the
beauties of painting. London. 1779. M.104.34
WiECK, J. G. F. Piano and song: how to teach, how to learn.
[Translated by Mary P. Nichols.] Boston. 1875. M. 108.25
Wylde, H. Music in its art-mysteries. London. 1867.
M.105.13
Aestimatus sum. Anthem. Palestrina. Werke. Band 32.
M.8o4oa.66.32
Aeterna Christi munera. Mass. Palestrina. Werke. Band 14.
M.8o4oa.66.i4; etc.
Aethiop, The, or the child of the desert. Opera. For the Music
see Bishop, H. R. For the Libretto see Dimond.
Aetius. Overture. Handel. No. i in M.344.32
Aeugerl, Die, voll Wasser. Part-song. Gauby. Neue Lieder
aus Steiermark. No. 22 in M.392.8
Af Mannens Solverglod. Song. Kjerulf. S.inger och visor.
Band 2. M.IS8.47
Afanasef, Nikolai Sergeivitch.
Le Wolga. Quatuor pour 2 violons, viola et violoncelle.
Partition. Leipzig. Senff. [i860?] No. 2 in M.335.1
Afflictus sum. Motet. Haydn, F. J. No. 38 in M.260.24.1
Afflige opprimentes nos. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Afloat on the tide. Song. Keller, M. No. i in M.ig2.i3.i
Africa. For pianoforte and orchestra. SAiNT-SAiiNS.
No. I in M.343.36
Africaine, L'. Opera. For the Music see Meyerbeer. For the
Libretto see Scribe.
Part-song. Groschoff.
No. 29 in M.392.10
For the Music see Suppe. For the
M.
Afrikanisches Standchen.
Afrikareise, Die. Opera.
Libretto see West,
Aftenstemning. Song. Kjerulf. Sanger och visor. Band i.
No. 2 in M.158.47
After the battle. Part-song. Liebe, E. L. No. 6 in M.392.16
Again as evening. Anthem. Millard, H. No. 2 in M.190.6; etc.
Again my lyre. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Again my mournful sighs. Hymn. Battishill.
No. 20 in M.175.1.4
Again returns the day of holy rest. Motet. Babcock.
No. 2 in M.100.4.1
Again the balmy zephyr. Part-song. Beale, W. A collection
of 13 glees. No. 5 in M.158.30
Danby. No. 131 in M.220.9.3
Holder. A collection of catches. No. 4 in M. 120.31
Again the day returns. Anthem. Palmer. No. 38 in M.158.19
Against the shaft of cruel fate. Part-song. Storage.
No. 15 in M.i3ga.i8.4
Against Thee only. Anthem. Haeser, A. F. No. 5 in M.2go.29.4
Agandecca. Cantata. For the Music see Umlauft. For the
Libretto see Ossian.
Agar. Part-song. Pfeiffer, G. J. No. 4 in M. 193.8
Agathe. Song. .A.BT, F. Sieben Lieder aus dem „Buch der
Liebe." No. i in M.204.37
Ages ago. Opera. For the Music see Clay. For the Libretto
see Gilbert, W. S.
Agghazy, Karoly.
Maritta. Die Madonna mit dem Kruge. Oper in zwei
Aufziigen. Text von J. Fuhrmann. Musik von Carolus
Agghazy. Maritta. A korsos madonna. Opera ket fel-
vonasban szoveget irta Fuhrmann J. Zenejet szerzette
Agghazy Karoly. Op. 32. [Clavier-.\uszug.] Budapest.
Kunosy. [1898.] M.393.1
Aghina, J. J., translator.
Heinze, G. a. Vincentius de Paulo. No. 2 in M.155.20
Agimus Tibi gratias. Motet. Lassus. Sammtliche Werke.
Band i, 5, 13. M.8o40a.67.i, 5, 13
— [s. s. s. T.] No. 3 in M.221.43
Agitato ancor mi sento. Song. Sabatino. No. i in M. 120.29
Aglae, I'eleve de 1' Amour. Ballet music. Lindpaintner.
No. I in M.232.39
Aglaja. Opera. For the Music see Blech. For the Libretto
see Kunhardt.
Agnes. Song. Abt, F. Sieben Lieder aus dem „Buch der
Liebe." No. i in M.204.37
Brahms. Lieder und Gesange. Op. 59, Heft 2.
No. 3 in M.380.40.2
Agnes Bernauer. Opera. For the Music see Mottl.
Agnes der Engel von Augsburg. Opera. For the Music see
Krebs.
Agnes Sorel. Opera. For the Music see A Beckett, M. A.; also
Gyrovyetz. For the Libretto see A Beckett, G. Abbott.
Agnes Sorel. Song. Rouget de Lisle. 48 chants frangais.
M.202.44
Agnes, to thee. Recitative. A Beckett, M. A. Agnes Sorel.
No. 2 in M.251.1
Agnese. Opera. For the Music sec Paer. For the Libretto
see Buonavoglia.
Agnete und der Mecrmann. Song. Gade. Lieder und Ge-
sange. No. 3 in M. 192.3
Agnete und die Meermadchen. Cantata. For the Music see
Gade. For the Libretto see Andersen, H. C.
Agnetes Wiegenlied. Song. Gade. Lieder und Gesange.
No. 3 in M.192.3
Agnus Dei. Anthem. Agostini. No. 6 in M.220.9.4
Beethoven. No. 33 in M.290.22.2
Braune. No. 23 in M.260.10.4
BuEHLER. No. 40 in M.260.20
Caldara. No. 14 in M.2go.29.4; etc.
Choulet. No. 24 in M.260.10.4
Cramsie. No. 22 in M.260.10.1
Danzi. No. 30 in M.290.29.6
Durante, F. No. 3 in M.290.29.6
Hasse, J. A. P. No. 20 in M. 290.29.4
Haydn, F. J. No. 25, 41 in M.290.29.2
Haydn, J. M. No. 9 in M.2go.29.3
18
Agnus
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ah! taci
No. 12 in M.260.10.5
No. 8 in M.260.21
No. 17 in M.2go.2g.4
M.236.10
No. 29 in M.290.29.3
No. 33 in M.290.29.6; etc.
No. IS in M.290.29.2; etc.
No. 51 in M.260.20
No. 18 in M.201.35
M.260.13
No. 10 in M.260.12
No. 26 in M.234.6
No. 25 in M.263.I0.5
No. 8 in M.260.20
No. 25 in M.290.29.6
No. 14 in M.260.10.1
M.156.S2
No. 43 in M.158.20
Agnus Dei. Anthem. (Continued.)
HiRD.
HOCHBERG.
JOMMELLI.
JOSQUIN DePRES.
MoRARI.
Mozart.
Naumann, J. G.
Neukomm, S.
Panofka.
Panseron.
— Mois de Marie.
Phillips, W. L.
Reber, N. H.
Schneider, J. C. F.
VOGLER, G. J.
Warren, J.
Weber, C. M. F. E. von.
Whitney.
Agostini, Paolo.
Agnus Dei. Canon [8 in i]. (In Warren. Collection of
catches. Vol. 4, pp. 21-23.) No. 6 in M.220.9.4
Agreeable surprise, The. Opera. For the Music see Arnold, S.
For the Libretto see O'Keeffe.
Agricola, Martin.
Musica instrumentalis deudsch, erste und viertc Auss;abe.
Wittemberg 1528 und 1545. In neuer diplomatisch genauer,
zum Teil facsimilierter Ausgabe. Leipzig. Breitkopf &
Hartel. 1896. Illus. Folded plates. [Publikation .-elterer
praktischer und theoretischer Musik-Werke, vorzugs-
weise des XV. und XVI. Jahrhunderts. Band 20. Jahr-
gang 24.] M.185.7
Agrippina. Opera. For the Music see Handel. Werke.
Agrippina condotta a morire. Aria. Handel. Werke. Liefe-
rung 52A. M.313.1.S2A
Aguilar, Emanuel A.
A little book about learning the pianoforte. London. Groom-
bridge. 1866. M.101.21
Summer night, a cantata for treble voices. Words by Mrs.
Newton Crosland, music by Emanuel Aguilar. [Accomp.
for pianoforte.] London. Hutchings & Romer. [1875.]
No. I in M.204.2
Agutter, Benjamin.
Andante for the organ. [London.] Metzler & Co. 1868.
No. 23 in M. 157.23
Ah! c' rindien! Opera. For the Music see Bernicat. For the
Libretto see Gedhe.
Ahlgaira. Song. BtcouRT. M. 380.14; etc.
Same. [t. t. b. English words] No. 209 in M.215.21
Ah! calmons nous. Duet. Carafa. No. 11 in M.390.37
Ah! cannot sighs nor tears. Madrigal. Wilbye. Works. Vol. 2.
No. 30 in M.234.19.2
Ah cara immagine. For violoncello and pianoforte. Lee, S.
No. \6 in M. 210.3
Ah ch'il destine. Part-song. Hutchinson, F.
No. 131 in M.220.10: etc.
Ah che crudel tormento. Song. Piccini, N. No. S in M. 120.27
Ah che la morte io veggo. Song. Cimarosa. No. 2 in M.120.12
Ah! che la morte ognora. Song. Verdi. Verdi Album.
No. 21 in M.236.S
Ah! che pur troppo e vero. Aria. Handel. Werke. Lieferung
50. M.3I3.I.50
Ah! che troppo inequali. Cantata. For the Music see Handel.
Werke. Lieferung 52B.
Ah, could I with fancy stray. Part-song. Hatton.
No. 34 in M.IS7.2
Ah, crudel, nel pianto mio. Aria. Handel. Werke. Liefe-
rung S2A. M.313.1.52A
Ah I cruel Amaryllis. Madrigal. Wilbye. Works. Vol. 2.
No. 3 in M.234.19.2
Ah! cruel love. Part-song. Marenzio. No. 70 in M. 157.6.2
Ah, daignez m'entendre. Duet. Sacchini. Le Sacchini des
concerts. M.274-9
Ah! dear heart, why do you rise. Madrigal. Gibbons, O. Mad-
rigals and motets. No. i in M.234.20
Ah, dove siete. Canzonet. Weber, C. M. F. E. von. Sammt-
liche Lieder. No. 23 in M. 244.7
Ah! dunque non i\i notturno inganno. Duet. Pacini, G.
No. 9 in M.221.20
Ah, fading joy. ilfadW^n/. Coward. 10 glees. No. i in M.236.18
Ah! forse e lui. Song. Verdi. Verdi Album. No. ifi ni M.236.5
Ah, how gladly. Part-song. Purcell, H. No. 79 in M. 220.9.3
Ah! how happy are we. Duet. Purcell, H. Beauties of Pur-
cell. M.221.2
Ah! how lovely. Duet. Eccles. No. 126 in M.215.21
Ah, how Sophia. Part-song. Callcott, J. W.
No. II in M.i39a.i8.3; etc.
Ah, how sweet it is to love. Song. Purcell, H. Beauties of
Purcell. M.221.2
Ahll'honnetehomme. Duet. Meyerbeer. No. 2 in M.390.37: etc.
Ah! laissons pleurer. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Ah! lead me, genius. Part-song. Haye.?. W. No. 136 in M.215.21
Ah! lo previdi. Aria. Mozart. Werke. Serie 6, Band i.
No. 16 in M.315.1.6.1
Ah! lorsque la mort. Song. Mehul. No. 53 in M.235.18.2
Ah! may the red rose live alway. Song. Foster, S. C.
No. I in M.380.41.1
Ah me! can every rumor. Madrigal. Wilbye. Works. Vol. i.
No. 3 in M.234.ig.i
Ah me! my mistress scorns. Madrigal. Bateson. First set of
madrigals. No. 2 in M.234.22
Ah! me, my wonted joys. Part-song. Weelkes.
No. 1 in M.234.21; etc.
Ah me! what perils dc inviron. Part-song. Travers.
No. 3 in M. 220.9.1
Ah me! where is my true love? Madrigal. Anerio, F.
No. 13 in M. 157. 28.1 ; etc.
Ah! mon seigneur. Duet. Hal^vy, J. F. F. li. No. 6 in M. 157.40
Ah! monsieur, je suis tremblante. Duet. Isou.\rd.
No. 8 in M.157.40
Ah, n'avangons pas davantage. Duct. Sacchini. Le Sacchini
des concerts. M.274.9
Ah! neir alma ancor mi suona. Song. Aspa, M.
No. 2 in M.364.10
Ah no! from the bower. Duet. Kelly. No. 16 in M.237.7
Ah no che il mio contento. Duet. C.\mm.\rano, L.
No. 14 in M.221.20
Ah! no in quell' alma ingenua. Song. Ricci. F.
No. 2 in M. 364.10
Ah no, povero Prence. Aria. Piccini, N. No. 3 in M.120.27
Ah! no, son io. Song. Gluck. No. 6, 7 in M.120.16
Ah! non crede. Song. Bellini. No. 33 in M. 157.39
Ah, non giunge. Aria. Bellini. No. 36 in M. 157.39
Ah! non lasciarmi no. Song. Asioli. No. 2 in M.235.18.1
Ah, non son io che parlo. Aria. Handel. 12 Sopran-Arien.
No. i in M.270./!8
Ah perchi serbai fin' ora. Duet. Manfroce. No. 6 in M.120.26
Ah! perdcna al primo affetto. Duet. Mozart.
No. 40 in M. 235.14
Ah! perfido. Song. Beethoven. Werke. Serie 22. M.413.1.22
Ah, piii tremar non voglio. Aria. Mozart. Werke. Serie 24,
Band I. No. 4 in M.315.1.24.1
Ah, pour moi quelle ivresse. Song. Halevy, J. F. F. £.
No. 9 in M.igs.ai.i
Ah! pour soumettre une fiere coquette. Song. L.\barre.
No. 25 in M.390.37
Ah! se giusto. Part-song. Rossini. No. 16 in m. 157.14
Ah si! Duet. Pacini, G. No. 5 \v. M.221.20
Ah si in ciel, benigne stelle. Aria. Mozart. Werke. Serie 6,
Band 2. No. 38 in M.315. 1.6.2
Ah, spiegarti, oh Dio. Song. Mozart. Werke. Serie 24.
M.3t5.t.a4
Ah! sure, sweet maid. Part-song. Loder, E. J.
No. 22 in M.335.7.1
Ah! taci ingiusto core. Part-song. Mozart. No. 6 in M.1S7.14
19
Ah! tu
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Alarich
Ah! tu non m' ami piu. Song. Mariani, A. XXII melodic.
No. I in M.158.28
Ah! tu non sai. Song. Meyerbeer. No. 2 in M.364.10
Ah! tu sai. Part-song. Donizetti. No. ii in M.157.14
Ah! what were spring. Part-song. Webbe, S., Jr.
No. 10 in M.234.3.4
Ah! with me. Part-song. Seyfried, F. X. No. 27 in M.20S.10.3
Ahab. Oratorio. For the Music see Arnold, George B.
Ahi che '1 mio petto. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Ahi che quest' occlii miei. Madrigal. Palestrina. Werke.
Band 28. M.So4oa.66.28
Ahi che questo mio cor. Madrigal. Palestrina. Werke.
Band 28. M.8o4oa.66.28
Ahi! letizia fugace. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Ahlstrom, Jolian Niklas.
Abendstandchen [t. t. b. b.]. Berlin. Simon. [186-?]
No. 27 in M.392.2; No. 3 in M.392.3
Ahnen, Die. Part-song. Naegeli. No. 3 in M.130.7
About, W. Th.
Missa tribus vocibus virilibus organis comitantibus. Am-
stelodami. Roothaan. [185-?] No. 3 in M.201.1
Ahrendt, Carl.
The song of the Nibelungen Brunhild. An analytical sketch
[of Geibel's tragedy]. Boston. Cummings & Co. 1877.
No. 8 in M.115.4
Ahrenssen, A.
Germania. [Mannerquartett.] Op. 7. No. i. Magdeburg.
Heinrichshofen. [186-?] No. 8 in M.392.35
Stiftungsfeier. [Mannerchor.] {In Das Riitli. Pp. 456-458.)
No. 193 in M. 147.4
Ai nostri gemiti. Duet. Carafa. No. 17 in M.221.20
Aiblinger, Johann Caspar.
Deus, noster Deus. Offertoire [s. s. a. a. t. t. b. b. Accomp.
de piano]. Paris. Schott. [183-?] No. 4 in 1*1.280.39
Jubilate Deo. Offertoire pour s. a. t. t. b. [On a ajoute la
partition de piano.] Paris. Schott. [185-?]
No. I in M.201.32
[Messa Santa Clara.] Fur s. s. a. a. mit Begleitung der
Orgel, Basso und Violoncello, ad libitum. Partitur.
Regensburg. Pustet. 1859. No. I in M.191.1
O my gracious God. Duett [s. a. Accomp. for pianoforte].
{In Falkenstein. Sacred music. Pp. 5, 6.) No. 17 in M.201.33
Sovereign Ruler. Ave maris Stella. Quartette. [Accomp.
for pianoforte or organ.] {In Falkenstein. Sacred music.
Pp. 3. 4) No. 17 in M.201.33
Aichinger, Gregor.
Factus est repente. [Motet.] {In Lueck. Sammlung ausge-
zeichneter Compositionen fur die Kirche. Band 3, pp. 100-
105.) No. 27 in M.158.33.3
Aida. Opera. For the Music see Verdi. For the Libretto see
Ghislanzoni.
Aide, Hamilton.
Widows bewitched. An operetta. The music by Virginia
Gabriel. M.272.17
Aieule, L'. Opera. For the Music see Boieldieu, A. L. V. For
the Libretto see Saint Georges.
Aignan, Ftienne.
Nephtali ou les Ammonites. Opera de M"". * * * [fitienne
Aignan]. Mis en musique . . . par Feli.x Blangini. M.271.22
Der portugiesische Gasthof. (L'hotellerie portugaise.) Ko-
mische Oper. Musik von Luigi Cherubini. M.285.10
Aiken, Mrs. George E.
Hosanna in the highest. [Anthem. Accomp. for organ,]
Boston. Russell. [1883.] No. 3 in M.IS8.13
Aimable, L'. Rondo. Meves, A. No. 8 in M.237.7
Aime, crois, espere. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Aimer, c'est vivre ! Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
Aimer encore. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Aunez-vous. Song. Darcikr. No. 8 in M.391.28.1
Aimon, Pamphile Leopold Franqois.
Les jeux floraux. Opera en 3 actes. Paroles de Mr. Bouilly.
Musique de Leopold Aimon. [Partition.] Paris. L'auteur.
[1818?] M. 251. 14
Aimons mes soeurs. Song. Gounod. Vingt melodies. 4e re-
cueil. No. 17 in M. 157.36.4
Aimons-nousI Song. Gounod. Vingt melodies. 3e recueil.
No. 12 in M. 157.36.3
Aimons toujours! Song. Lefebure-Wely. No. 29 in M.391.28.1
A-ing-fo-hi. Opera. For the Music see Wueerst. For the
Libretto see Wichert.
Ainsi qu'on oit le cerf bruire. Anthem. Sweelinck. Werken.
Deel 4. M.413.2.4
Ainsi qu'un mystere. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Air de Ceres. Song. Lully. No. 2 in M. 206.6
Air de Pan. Song. Lully. No. 2 in M.296.6
Air de Paris, L'. Opera. For the Music see Thony. For the
Libretto see Lanes.
Air patriotique. Part-song. Jadin, L. E. M.380.14
Aire daiiino. El. Song. Gomis. No. 15 in M.391.57
Airs ecossais. For violin. Sarasate y Navascues.
No. 2 in M.406.30
Airs espagnols. For violin. Sarasate y Navascues.
No. 4 in M.405.47
Airs of haut-ton. Songs. Bishop, H. R. No. 3 in M.244.19
Airs varies. Criticism. Jullien. M.127.40
Ajo, L', neir imbarazzo. Opera. For the Music see Donizetti.
For the Libretto see Ferretti, G.
Akademische Fest-Ouvertiire. Overture. Brahms.
No. I in M.346.39
Akar, Charles.
L'heureuse rencontre. Divertissement-Watteau par L.
Roger-Miles et Charles Akar. Musique de Louis Ganne.
No. 2 in M.384.17
Akerman, William.
Sardanapalus. Dramatic musical poem. Music by Franco
Leoni. No. 2 in M.245.13
Akimenko, Fedor.
Poeme lyrique pour grand orchestre. Op. 20. Partition.
Leipzig. Belaieff. 1903. No. i in M.40S.1
Trio en ut mineur pour violon. alto et violoncelle. Op. 7.
Partition. Leipzig. Belaieff. 1900. No. i in M.4i2a.i
Akme und Septimius. Part-song. Schoen, E. No. 5 in M. 392.28
Al chiaror d' amica luna. Duet. Lillo. No. 3 in M.221.20
Al fin madre di Dio. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
Al mio contento. Duet. Guglielmi, P. No. 44 in M. 157.39
Al mio pregar t'arrendi. Song. Rossini. No. 38 in M.157.39
Al raggio della luna. Song. Cimarosa. No. 7 in M. 120.18
Al venticello. Song. Ferrari, G. G. Six favorite ariettes.
No. 7 in M.221.21
Aladdin. Cantata. For the Music see Watson, W. M. For the
Libretto see Oxenford, E.
Aladdin. Opera. For the Music see Horneman.
Aladdin; or, the wonderful lamp. Opera. For the Music see
Bishop, H. R. For the Libretto see Soane.
Aladdin the Second; or, a new light on an old lamp. Opera.
For the Music see Ronger, F. For the Libretto see
Thompson, A.
Aladin. Opera. For the Music see Gyrowetz. For the Li-
bretto see Castelli.
Aladin [sic], or the wonderful lamp. Opera. For the Music
see Shield. For the Libretto see O'Keeffe.
Aladin, ou la lampe merveilleuse. Opera. For the Music see
Isouard. For the Libretto see ^tienne, C. G.
Alarcon, Pedro Antonio de.
Brunhilde, or the last act of Norma. Translated by Mrs.
Francis J. A. Darr. New York. Lovell & Co. [1891.]
Portrait. . M.102.3
Le finale de Norma. Nouvelle. Traduite de I'espagnol par
Charles Yriarte. Paris. Lacroix, Verboeckhoven & cie.
1866. M.198.1
Alarich. Cantata. For the Music see Vierling. For the Li-
bretto see Fitger.
20
Alary
THE ALLEN A. BROWN COLLECTION OF MUSIC
Albert
Alary, Jules Eugene Abraham.
La beaute du diable. Opera comique en i acte. Paroles de
Mrs. * * * [Scribe] et de Najac. Musique de Giulio Alary.
[Accomp. de piano.] Paris. Flaxland. [1861.]
No. I in M.255.4
La locanda gratis, ossia Don Entichio della Castagna. Farsa
in I atto e in prosa del Conte Giovanni Giraud, ridotta in
versi da * * * e messa in musica dal M". Giulio Alary. [Per
canto e piano.] Paris. Flaxland. [1867.] No. 2 in M.255.4
Messe pour soprano, contralto et baryton. Paris. Flaxland.
[186-?] No. I in M. 154.13
L'orgue de Barbaric, operette. Paroles de M^. Leris [pseud.].
Musique de Giulio Alary. Paris. Flaxland. [186-?]
No. 2 in M. 154. 13
La redemption. Mystere en 5 parties. Poeme de MM.
!£mile Deschamps et fimilien Pacini. Musique de Giulio
Alary. Partition, piano et chant. Paris. Boieldieu. [1850?]
M.241.2
Ricreazioni musicali. Colezione di 6 ariette, 3 duetti e 2 ter-
zetti. Con accomp. di piano forte. Parigi. Schlesinger.
[184-?] No. I in M.244.19
Contents. — Siciliana [s.]. — II trovatore [bak.]. — La partenza [t.].
— L'orgia, barcarola [t]. — II rimorso [bar.]. — II cacciatore [t.].
— L'esule [bar.]. — L'invito [5. s.]. — La luna [s. s.]. — La sedu-
lione [s. t.]. — II dono [s. s. a.]. — La speranza [s. t. b.].
Sulla tomba di Bellini. Elegia [s. o. x. Accomp. di piano].
(In Musical library. Vol. 3, pp. 121-123.)
No. 39 in M.235.18.3
Le 3 nozze, opera buffa in 3 atti, parole di A. Berettoni,
musica di Giulio Alary. [Per canto e piano. Paris.] St.
fitienne. [1851.] M.361.16
La voix humaine. Opera en 2 actes. Paroles de Melesville
[pseud.]. Musique de Giulio Alary. [Partition chant et
piano.] Paris. Flaxland. [186-?] M.251.15
Alas, cry'd Damon. Catch. Callcott, J. W.
No. 108 in M.220.9.4
Alas! how vain. Glee. Webbe, S. Selection of glees. Vol. 3.
No. 3 in M.235.13.3
Alas, poor heart. Part-song. Hilton. No. 123 in M. 220.10
Alas, poor Lubin. Duet. Stevenson. No. 20 in M.218.8.S
Alas! what a wretched life. Madrigal. Wilbye. Works. Vol. i.
No. 19 in M.234.19.1
Alas, what boast. Part-song. Harrington.
No. 210 in M.110.1.3; etc.
Alas! what hope of speeding. Madrigal. Wilbye. Works.
Vol.1. No. 9 in M.234.19.1
Alas! where is my love. Madrigal. Bateson. First set of
madrigals. No. 2 in M.234.22
Alassio. Overture. Elgar. M.410.25A
Alba, L'. Song. Roberti. Inspirations italiennes.
No. I in M.364.10
Alban, Brother.
Mass of Our Blessed Lady for 2 voices [s. s. or t. t.]. Manu-
script. [1876.] No. 5 in M. 250.6
Mass of St. Camillus [s. s. orx. t.]. Manuscript. [1876.]
No. 4 in M. 250.6
Albano, Gaston d', pseud. See Chevalier de Montreal, Julie.
Albeniz, Isaac.
Catalonia. Suite populaire pour orchestre. En trois parties.
No. I. Partition d'orchestre. Paris. Durand. [189-?]
M.403.1
Pepita Jimenez. A lyric comedy in two acts and three ta-
bleaux (from the novel of Juan Valera) by F. B. Money-
Coutts. Deutsche Bearbeitung von O. Berggruen. Music
by I. Albeniz. Mit deutschem und englischem Text. Par-
titur. Leipzig. Breitkopf & Hartel. 1896. M.401.1
Same. Klavierauszug. M.394.11
Alberdingk Thijm, Elisabeth. See Thijm, Elisabeth Alberdingk.
Alberge, Eugene.
Un passe-temps a Trianon. Opera comique en un acte.
Musique de Prosper Mortou. Paris. Librairies-imprimeries
reunies. [1897.] lUus. Portrait. No. 4 in M. 102.21
This contains the words only.
Albert, (Francis Albert Augustus Charles Emanuel), Prince
Consort.
The collected compositions of His Royal Highness, the
Albert, Prince Consort. (Continued.)
Prince Consort. Edited by W. G. Cusins. London. Mctz-
ler & Co. [1882.] M.290.23
Contents. — Songs: Abendruhe; Gruss aus der Feme; Morgengebet ;
Standchen ; Trauerlied ; Schmerz der Liebe ; Die letzten Worte eines
Barden I Standchen; Lebensregel ; Gruss an den Bruder; Vereinigung;
An einen Boten ; Sehnsucht nach dem Tode; Klage der Liebe; Der
Ungeliebte; Der Bettler; Vergissmeinnicht ; Einsamkeit; Der Zauber
der Erinnerung ; Dem Fernen ; Der Orangenzweig ; Reiterlied (with
chorus); Sontags-Klange ; Aus Wilhelm Meister ; Choral; Nichta
schoneres ; Das kranke Madchen ; Lebewohl ; Pretty baby. — Die
Winterreise, trio. — Invocazione all' armonia, coro con soli. — Te
Deum, Jubilate, Sanctus, Responses, Out of the deep, anthem. —
Christmas hymn. — Choral. — Melody for the violin.
[Invocazione alia armonia. Chorus with solos. Accomp. for
orchestra. Full score.] Autograph manuscript. [185-?]
M.312.S
Albert, Eugene Francis Charles d'.
Die Abreise. Musikalisches Lustspiel in einem Aufzuge.
Dichtung von A. von Steigentesch bearbeitet von Ferdi-
nand Graf Sporck. Musik von Eugen d'Albert. Klavier-
auszug mit Text. Leipzig. Brockhaus. 1898.
No. I in M.381.1
Concert, C dur, fiir Violoncello mit Begleitung des Orches-
ters Oder des Pianoforte. Op. 20. Ausgabe mit Begleitung
des Pianoforte vom Componisten. Leipzig. Forberg.
1900. No. I in M.410.4
Concert (H-moll) in einem Satz fiir Pianoforte mit Orches-
ter. Op. 2. Partitur. Berlin. Bote & Bock. [1881?]
No. I in M.332.1
Concert, Zweites (E-dur), fiir Pianoforte mit Orchester.
Op. 12. Orchester-Partitur. Berlin. Bote & Bock. [1893.]
M.403.a
Flauto solo. Musikalisches Lustspiel in einem Aufzuge.
Dichtung von Hans v. Wolzogen. Musik von Eugen
d'Albert. VoUstandiger Klavier-Auszug mit deutschem
Text von Egon Pollak. Berlin. Bote & Bock. [1905]
M.389.33
Gemot. Oper in drei Aufziigen. Dichtung von Gustav
Kastropp. Vollstandige Partitur. Leipzig. Breitkopf &
Hartel. 1897. M.400.30
Ghismonda. Oper in drei Aufziigen (mit Benutzung des
dramatischen Gedichts von Immermann). VoUstandiger
Klavierauszug mit Text von Otto Singer. Leipzig. Breit-
kopf & Hiirtel. 1895. M.402.a
Der Improvisator. Oper in drei Aufziigen. Dichtung von
Gustav Kastropp, Musik von Eugen d'Albert. VoUstandi-
ger Klavier-Auszug mit deutschem Text. Berlin. Bote &
Bock. [1902.] M.38i.a
Same. Ouverture fiir grosses Orchester. Partitur. Berlin.
Bote & Bock. [1901.] No. i in M.410.5
Kain. Musikalische Tragodie in einem Aufzuge. Dichtung
von Heinrich Bulthaupt. Musik von Eugen d'Albert. VoU-
standiger Klavier-Auszug mit deutschem Text. Berlin.
Bote & Bock. [1899.] No. 2 in M.381.1
Same. Vorspiel fiir grosses Orchester. Partitur. Berlin.
Bote & Bock. [1901.] No. 2 in M.410.S
Quartett (A-moU) fiir 2 Violinen, Viola und Violoncell.
Op. 7. Partitur. Berlin. Bote & Bock. [1890?]
No. I in M.333.4
Quartett N". 2 (Es-dur) fiir 2 Violinen, Bratsche u. Violon-
cell. Op. II. Partitur. Berlin. Bote & Bock. [1893.]
No. 2 in M.333.4
Der Rubin. Musikalisches Marchen in zwei Aufziigen mit
Benutzung des gleichnamigen Marchen-Lustspiels von Fr.
Hebbel, von Eugen d'Albert. Partitur. Leipzig. Breit-
kopf & Hartel. 1894. M.400.31
Same. VoUstandiger Klavierauszug. 1893. M.25S.S
Symphonic (F dur) fiir grosses Orchester. Op. 4. Partitur.
Berlin. Bote & Bock. [1886?] No. 2 in M.332.1
Tiefland. Musikdrama in einem Vorspiel und 2 Aufziigen.
Text nach A. Guimera von Rudolph Lothar. Musik von
Eugen d'Albert. Klavierauszug mit Text von Otto Singer.
Berlin. Bote & Bock. [1903.] M.383.X
Albert, Eugene Francis Charles d', editor.
Sullivan, A. S. The martyr of Antioch. M.154.8
21
Albert
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Alcestis
Albert, Eugene Francis Charles d'. Works about.
RiEMENSCHNEiDER, G. Eugen D' Albert. Konzert (C dur)
fiir Violoncello mit Begleitung des Orchesters. Erliiutert.
Leipzig. [1901?] No. 14inM.217.12.11
Albert, Georges.
Bacchanale. Opera-comique de Georges Bertal [pseud.]
et Jules Lecocq. Musique de Herve [pseud.].
No. I in M.394.36
Alberti, Carl Edmund Robert.
Ludwig van Beethoven als dramatischer Tondichter. Stettin.
Nahmer. 1859. No. 2 in M.370.62
Raphael und Mozart. Eine Parallele. Vortrag zur Feier
des loojahrigen Geburtstags Mozart's, am 28. Januar 1856.
Stettin. Miiller. 1856. No. 5 in M.217.11
Alberti, Domenico.
Care sposo, aria a soprano solo con stromenti. [Partitura.]
Manuscript. [180-?] No. 6 in M. 120.17
Same. [Voice and continuous bass and separate parts for
the different instruments.] No. 7 in M. 120.17
O God, be not far from me. Aria, a. [Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. 6,
pp. 127, 128.) No. 22 in M.2go.2g.6
O Jesu Salvator. Coro. [Accomp. for pianoforte.] (/n
Latrobe. Selection of sacred music. Vol. 6, pp. 161-163.)
No. 28 in M.2go.2g.6
VIII sonate per cembalo . . . London. Walsh. [179-?]
No. I in M.140.1
Salve Redemptor. [Chorus. Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 5, pp. 142-144.)
No. 35 in M.2go.2g.5
Albery, James.
The spectre knight. Operetta. Composed by Alfred Cellier.
No. I in M.276.6
Albigenser, Die. Opera. For the Music see Swert. For the
LiDRETTO see Rullmann.
Albini, Francesco Maria.
Un giorno in quarantena. Opera comica in 2 parti. Versi
di Luigi Scalchi. Musica di F. M. Albini. Riduzione per
canto con accomp. di pianoforte. Bologna. Alberti &
Branca. 1865. M.255.6
Albini, Giuseppe.
Isaias, a sacred cantata. Music by L. Mancinelli.
No. 2 in M.IS3.S
Albion, thy sea-encircled isle. Glee. Cooke, B.
No. 17 in M. 157.28.2
Alboise de Pujol, Jules fidouard.
Les Montenegrins. Opera-comique. Poeme de MM. Al-
boize et Gerard [pseud.]. Musique de A. Limnander.
M.366.28
L'organiste. Opera-comique. Musique de J. B. Wekerlin.
No. 2 in M.326.20
Le paysan. Opera comique. Musique de Charles Poisot.
No. 2 in M.a25.23
Tabarin. Opera comique. Poeme de MM. Alboize [.'\lboise
de Pujol] et Andrei. Musique de Georges Bousquet.
M.27S.S
Alborghetti, F.
Gaetano Donizetti e G. Simone Mayr. Notizie e documenti.
[Par] F. Alborghetti e M. Galli. Bergamo. Gaffuri &
Gatti. 1875. Portraits. Plates. Fac-similes. M.372.46
Elenco delle opere, cantate, ecc, pp. 143-157.
Albrecht Beiling. Cantata. For the Music see Coenen. For
the Libretto see Heije.
Albrechtsberger, Johann Georg.
Douze preludes [et trois fugues] pour I'orgue. Manuscript.
[1787.] No. 2 in M.200.11
Fugues et 12 preludes pour les orgues ou le piano forte.
CEuvre 6, 7, 9, 10, 11, 12. Manuscript. [179-?]
No. I in M.312.30
Methods of harmony, figured base and composition. Trans-
lated from the German edition as augmented and arranged
by von Seyfried, with the remarks of M. Choron. Trans-
lated from the Paris edition by Arnold Merrick. London.
Cocks & Co. [1834.] 2 V. Portrait. M.13S.1
Album d'un jaloux, L'. Fiction. Ballard. 11.1293.5.2
Album de chant. Offert aux abonnes de la Gazette musicale,
1851. [Accomp. de piano.] Paris. Au bureau du Journal.
1851. Portrait. No. i in M.202.28
Contents. — La petite chanteuse, par Ad. Adam. — La belle Madelon,
par Maurice Bourges. — Le ramier, par Felicien David. — Marcel Ic
marin, par E. Dassier. — Regina, par G. Duprcz. — - Fabliau, par F.
Halevy. — Confidences, par G. Meyerbeer. — L'heure des reves, par
A. Panseron. — L'exile, par Ch. Vivien
Album de I'opera. Principales scenes . . . des meilleurs ou-
vrages representes sur la scene de I'Academie royale de
musique. Paris. Challamel. [184-?] Plates.
M.i2i.ig; M. 122. 18
Album des curiosites musicales. [10 pieces selected from the
album, with piano accomp. Paris. 183-?] No. 3 in M. 158.34
Contents. — Chanson des Arabes bedouins. — Chanson turque. —
Chanson arabe. — Chanson persanne. — Ode saphique. — Hymne k
Nemesis. — Chanson siamoise. — Romance, musique des troubadours.
— Chanson chinoise. — Seguidilla manchega.
Album du Gaulois. CEuvres inedites, recueillies par Eugene
Tarbe & Armand Gouzien. Vol. i, 2, [Paris. 1869.] Por-
trait. Facsimiles. M.391.28
Contents. — • i. Auber: Prelude. — Arditi : La partenza. — Bazin : La
feuille. — Bizet : Serenade. — Boieldieu : Chant du caidji. — Cohen :
Une pensee. — Coste : Le nid. — Darcier; Aimez-vous. — Dau-
tresme : Espoir en Dieu. — David : Tristesse. — Deffes ; Chant du
patre. — Delibes : Myrto. — Donizetti : Berceuse. — Duprato : Duetto. —
Duprez : La vue. I'ouir et I'odorat. — Ernst : Le pecheur. — Flotow :
Les trois chevaliers. — Gabrielli: Le printemps. — Gautier : Villa-
nelle. — Gevaert : En mer. — Gounod: Donne moi cette fleur. — Gou-
zien : Chanson chinoise. — Grandval : Avril. — Halevy : Blanche. — -
Jonas : II est charmant. — Kalkbrenner : Page et lansquenet. —
Kreutzer : La tourterelle. — Troubeskoi : Imprompu. — Lefebure-
Wely ; Aimons toujours! — L*£pine : Ici-bas. 2. Maillart: Sur une
tombe. — Masse : .\u herd de la mer. — Massenet : A Mignonne. —
Mercadante: [Portrait and facsimile]. — Mermet: Serenade. —
Meyer : Impromptu. — Nibelle : Querelle d'araour. — ■ Offenbach :
Sur la greve. — Fatti; Speme arcana. — Poise: La menteuse. —
Poniatowski ; Abeilard a Heloise. — Reyer: Vieille chanson. — Ricci :
Derniere pensee. — Rille: Chceur de chasseurs. — Rossini: [Portrait
and facsimile]. — - Rubinstein: Le fils des Asra." — Rothschild: Ich
will's dir nimmer sagen. — Saint-Saens: La coccinelle. — Schumann:
Chanson de mai. — C, Schumann : Declaration. — Semet : Melan-
cholic. — Servais : Cantique. — Sivori : Adagio. — Strauss : .\u re-
voir! — Strauss: Simple-valse. — Strakosch: Confession de jeune
fille. — Tarbe: Serments envoles. — Thomas: Le soir. — Wagner:
Appel aux armes. — Vaucorbeil : Voix lointaines. — Wekerlin : Qui
j'aime?
Album leaves. For pianoforte. Ewer & Co. No. i in M.375.1
Album lyrique, compose de 12 romances, chansonettes et noc-
turnes, mis en musique avec accomp. de piano par A. de
Beauplan [pseud.], Theod. Labarre et E. Troupenas.
Paris. Troupenas. [18.3-?] No. 2 in M.I58.34
Contents. • — Labarre : La jeune fille ; Le roi de la montagne ; La
mere ; La vengeance. — Rousseau : Clemence ; Sorrente ; Vols tu la
has; Les cloches du soir. — Troupenas: L'oasis; Le vrai bonheur
est la ; Le lac ; Les prestiges de I'amour.
Album lyrique du chant frangais. Paris. 1855. No. 2 in M.1S7.38
Contents. — Meyerbeer: Grace pour toi meme. — Halevy: II va venir.
Auber: Du pauvre seul ami fidele. — Rossini: Sombrcs forets. —
Halevy : Pour expier envers lui ses outrages. — Auber : Plaisir du
rang supreme. — Halevy : Pendant la fete une inconnue. — Auber :
II est un enfant d'Israel. — Donizetti : Pour tant d'amour ne soyez pas
ingrate. ■ — Halevy: Marguerite qui m'invite. — Auber: C'est la cor*
vette. — Meyerbeer: Tous les deux. — Adam: Reve heureux du jeune
age. — Herold: Souvenirs du jeune age. — Auber: Ferme ta paupiere.
— Auber; LTne fee, un bon ange. — Panseron: Louise au revoir. —
Labarre : L'humble toit de men pere. — Auber : Dans les defiles des
montagnes. — Herold ; C'en est fait le ciel meme.
Album of 16 Hungarian songs. Berger-Henderson.
No. 2 in M.384.63
Albumsblad. Song. Kjerulf. Sanger och visor. M. 158.47
Alcade, L', de la Vega. Opera. For the Music see Onslow.
For the Libretto see Bujac.
Alcandro, lo confesso. Aria. t. Mozart. Werke. Serie 6,
Band i. No. 17 in M.31S.1.6.1
— [A different setting for b.] No. 3s in M.315.1.6.2
Alceste. Opera. For the Music see Gluck; also Handel; also
LuUy; also Schweitzer, A. For the Libretto see Du Rol-
let; also Quinault; also Willand.
Alceste. Overture. Gluck. No. 5 in M.346.28; etc.
Alcestis. Drama. For the Music see Gadsby. For the Text
see Euripides.
Alcestis. Novel. Cornish, Mrs. M.io9a.8
Alcestis. Opera. For the Music see Brambach. For the Li-
bretto see Herder.
22
Alchymist
THE ALLEN A. BROWN COLLECTION OF MUSIC
Alexandre
Alchymist, Der. Opera. For the Music see Spohr, L. For the
Libretto see Pfeiffer, J.
Alcide al Bivio. Opera. For the Music see Hasse, J. A. P.
Alcina. Opera. For the Music see Handel. Werke.
Alcock, John.
The fool that is wealthy. Glee. (In Warren. Collection of
catches. Vol. 3, pp. 31-34-) No. 8 in M.220.9.3
Friendship, thou dearest. Glee, a. t. t. b. (In Warren. Col-
lection of catches. Vol. 2, pp. 245-247.) No. 104 in M.220.9.2
Hail, ever pleasing solitude. Glee. (In Amusement for the
ladies. Vol. i, pp. 36-38.) No. 14 in M.220.3.1
Also to be found in Bland's The Ladies' collection; dementi's Collec-
tion of catches ; dementi's Vocal harmony ; Collection of glees and
catches ; The Harmonist ; Social harmony ; Warren's Cocks's Hand-
book of glees; Warren's Collection of catches; Webbe, Jr.'s Convito
armonico.
Here beneath this lofty shade. Glee [a. t. t. b.]. (In Warren.
Vocal harmony. Pp. 142, 143.) No. 18 in M.220.10
Here's a health to all honest men. Catch [for 3 voices]. (In
Social harmony. P. 293.) No. 235 in M.21S.21
Also to be found in Warren's Collection of catches.
Hide and seek. Glee. (In Warren. Vocal harmony. Pp.
40-44.) No. 28 in M.220.10
Hovvr long wilt Thou forget me? Canon, 4 in i. (/n Warren.
Vocal harmony. Pp. 176, i77-) No. 102 in M.220.10
I have no hopes. Catch [for 4 voices]. (In Warren. Col-
lection of catches. Vol. 2, p. 159.) No. 63 in M.220.9.2
Like as the hart. Canon [3 in 2 with bass free]. (In Warren.
Collection of catches. Vol. 2, pp. 108, 109.)
No. 44 in M.220.9.2
May harmony and mutual love. Glee [a. t. t. b.]. (In War-
ren. Vocal harmony. Pp. 210, 211.) No. 120 in M.220.10
O give thanks unto the Lord. Canon, 4 in i per arsin et
thesin. (In Warren. Collection of catches. Vol. 3, p. 44-)
No. II in M.220.9.3
Soon as the genial spring. Glee [s. a. t. t. b.]. (In Warren.
Collection of catches. Vol. 2, pp. 322, 323.)
No. 135 in M.220.9.2
We'll drink. Glee [a. t. x. b.]. (In Amusement for the
ladies. Vol. 3. PP- S0-S2.) No. 18 in M.220.3.3
Also to be found in Clementi's Vocal harmony ; Same, 2d edition ;
Warren's Collection of catches.
When Troy town. Catch [for 3 voices. London? 17—?!-
No. 27 in M.235.14
Also to be found in Bland's The Ladies' collection ; Social harmony.
Wherewithal shall a young man. Anthem. (In Cope. A
Collection of anthems. Pp. 104-107.) No. 23 in M.290.34
Also to be found in Hullah's Part music, Sacred.
Whilst in the dark. Catch [for 3 voices], (/n Warren. Vocal
harmony, P. 220.) No. 127 in M.220.10
Why art thou so heavy? Canon, 3 in i. (In Warren. Vocal
harmony. Pp. 114, I iS) No. 72 in M.220.10
Alcock, John, Jr.
Once in Arcadia. Catch [for 3 voices]. (In Amusement for
the ladies. Vol. 4, P- n) No. 4 in M.220.3.4
Also to be found in Warren's Collection of c.-\tche3.
Alcock, Walter.
The repentance of Nineveh, a dramatic oratorio. The words
selected from Holy Scripture by Joseph Bennett. The
music ... by J. F. Bridge. The pianoforte accompani-
ment arranged by Walter Alcock. No. 3 in M.154.29
Alder, Ernest.
Les almees. Melopee orientale pour piano. Partition d'or-
chestre [sans piano]. Paris. Enoch & Costallat. [189-?]
No. I in M.410.6
Alderman's thumb. The. Part-song. Harington.
No. 18 in M.i39a.i8.i; etc.
Aldini, Giovanni.
Precis des experiences galvaniques faites recemmont a
Londres et a Calais. Paris. Levrault. 1803.
No. I in M. 103.32
Aldrich, Henry.
Catch on tobacco, a 4 voci. (In Clementi. Collection of
catches. Vol. i, pp. 36, 37.)
No. 31 in M.iio.i.i; No. 31 in M. 110.2. i
Also to be found in Musical times [Music] ; Warren's Cocks's Hand-
book of glees.
Aldrich, Henry, (Continued.)
A catch upon nothing. For 3 voices. (In Warren. Cocks's
Hand-book of glees. Vol. 3, no. 120, p. 80.)
No. 28 in M. 157.6.3
Hark, the bonny Christ church bells. Catch a 3 voci. (In
The Apollo. Vol. i, p. 72.) No. 27 in M.i39a.i8.i
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion ; Clementi's Collection of catches ; Collection of glees and catches ;
The Harmonist; Musical times [Music]; Social harmony; Webbe,
Jr.'s Convito armonico.
If all true friends. Catch [for 3 voices]. (In Vocal har-
monist's magazine. Vol. i, p. 44.) No. 4 in M.220.S
Not unto us, Lord. Full anthem. Arranged from H. Lawes
and R. Farrant. (In Cope. A Collection of anthems. Pp.
81-86.) No. 19 in M.290.34
Also to be found in Turle and Taylor's The People's music book.
O give thanks. Anthem. (In Boyce. Cathedral music. Ed.
Warren. Vol. 2, pp. 310-315.) No. 28 in M.233.23.2
Out of the deep. Anthem. (In Boyce. Cathedral music.
Ed. Warren. Vol. 3, pp. 38-43-) No. 4 in M.233.23.3
Also to be found in Cope's A Collection of anthems.
Sanctus & Gloria in excelsis, in G, with the greater third.
(In Ouseley. Cathedral services. Pp. 34I-345-)
No. 29 in M.233.9
Sing merrily now. Catch [for 3 voices]. (In Vocal har-
monist's magazine. Vol. i, p. 3.) No. 4 in M.220.S
Te Deum, Jubilate, Kyrie, Nicene creed, Sanctus, Magnifi-
cat, and Nunc dimittis in G. (In Boyce. Cathedral music.
Ed. Warren. Vol. i, pp. 276-301.) No. 10 in M.233.14.1
Also to be found in Novello's Cathedral choir book.
Aldrich, Henry, editor.
Wise. Thy beauty, O Israel. No. 35 in M.233.23.3
Aldrich, Perley Dunn.
Softly now the light of day. [a. solo and chorus. Accorap.
for organ.] Boston. Schmidt. 1894. No. 3 in M.203.26
Aldrich, Thomas Bailey.
The little violinist [James Speaight. Boston]. 1880.
No. 4 in M. 143.18
Alembert, Jean Le Rond d'.
filemens de musique theorique et pratique, suivant les prin-
cipes de M. Rameau. Nouvelle edition, augmentee. Lyon.
Bruyset. 1766. Plates. M.147.20
Aleph. Anthem. Klein, B. O. No. 15 in M.158.32
Aleph, Das. Part-song. Schoen, E. No. 27 in M.392.7
Alessandro. Opera. For the Music see Handel. Werke.
Alessandro Stradella. Opera. For the Music see Flotow, F.
F. A. For the Libretto see Riese.
Alexander, Alfred.
Why seek ye the living? Full anthem for Easter. [Accomp.
for organ.] (In Novello's Collection of anthems. Vol. 11,
pp. 99-104.) No. 99 in M.i95.a.ii
Alexander, Carl, translator.
Mercadante. Le due illustri rivali. M.310.29
Alexander, J. W.
Near the Cross was Mary weeping. [Hymn.] .\rranged by
Irving Emerson. [Boston.] Russell. 1884.
No. 43 in M.158.19
Alexander, Louis.
The opera glass; or, a clear view of too popular operas . . .
London. Bogue. 1881. Portraits. M.149.31
Alexander. Cantata. For the Music see Koellncr. For the
Libretto see Lingg.
Alexander. Opera. For the Music see Handel. For the Li-
bretto see Rolli.
Alexander Balus. Oratorio. For the Music see Handel. Werke.
Alexander's feast. Oratorio. For the Music see Handel. For
the Libretto see Dryden.
Alexander's Fest. Oratorio. For the Music see Handel. Werke.
Alexandra Josifovna, Grand Duchess of Russia.
Bolero. Partition [d'orchestre]. St. Petersbourg. Johan-
sen. [186-?] No. 4inM.334.4
Titan. Symphonisches Fragment nach Richter . . . Parti-
tur. St. Petersbourg. Johansen. [186-?] No. 5 in M.334.4
Alexandre, Andre.
Broceliande. Opera-feerique. Musique de Lucien Lambert.
M.3oa.3
23
Alexandre
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
AU
Alexandre, Andre. (Continued.)
fivangeline. Legende acadienne. Tiree du poeme de Long-
fellow par Louis de Grammont, Georges Hartmann &
Andre Alexandre. Musique de Xavicr Leroux. M.302.7
Madame Chrysantheme. Comedie lyrique. Poeme de
Georges Hartmann & Andre Alexandre. Musique de
Andre Messager. 11.257.27
Rose-Mousse, piece de Andre Alexandre et Peter Carin.
Musique de Charles Lecocq. No. 2 in M.399.31
Sire Olaf. Legende dramatique. Musique de scene par
Lucien Lambert. No. 3 in M.206.12
Le spahi. Poeme lyrique par Louis Gallet & Andre Alex-
andre. Musique de Lucien Lambert. M.395.41
Alexandre, Michel.
Quelques reflexions d'un orpheoniste. Paris. Proux & cie.
1847. No. 5 in M.206.3
Alexandre a Babylone. Ol^erc. For the Music see Lesueur.
For the Libretto see Baour-Lormian.
Alexandre aux Indes. O/'cra. For the Music see Mereaux.
For the Libretto see Morel de Chedeville.
Alexis, W., I>seud. See Haering, G. W. H.
Alexis. Opera. For the Music see Dalayrac. For the Li-
bretto see Marsollier des Vivetieres.
Alexis. Song. Pepusch. No. 7 in M.23S.18.4
Alexis et Justine. Opera. For the Music see Dezede, — . For
the Libretto see Monvel.
Alexis und Ida. Songs. Himmel. M.221.31
Alfeland. Sonp. Kjerui-f. Sanger och visor. Band 2.
M.1S8.47
Alfernes Hvisken. Sana. Kjerulf. Sanger och visor. Band 2.
M.I58.47
Alfieri, Pietro.
Iste confessor. [Motette, t. t. b. avec accomp. d'orgue.]
(/n Lambillotte. Musique religieuse. 7= salut, pp. 7-1 1)
No. 27 in M.26o.i8
Precis historique et critique sur la restauration des livres du
chant gregorien. [Traduction de I'auteur.] Rennes. Vatar.
igjg. No. I in M.207.2
Ristabilimento del canto e della musica ecclesiastica. Roma.
Tip. delle belle arti. 1843. M.207.1
Veni Creator. [Motette, a 4 voix. Accomp. d'orgue.] (/u
Lambillotte. Musique religieuse. I2<: salut, pp. 12-15.)
No. 48 in M. 260.18
Alfin brillar nell' iride. Song. Ricci, L. No. 2 in M.364.10
Alfin sen tua. Song. Donizetti. No. 7 in M.157.39
Alfonsi, Theodore.
Mousselinette. Saynette. Musique de E. W. Bordogni.
No. 2 in M.277.21
La petite mendiante. Petit opera-comique. Musique de
M. E. W. Bordogni. No. 3 in M.277.21
Alfonso. Opera. For the Music see Hasse, J. A. P.
Alfonso und Estrella. Opera. For the Music see Schubert,
F. P. For the Libretto see Schober.
Alfred. Cantata. For the Music see Prout. For the Libretto
see Grist.
Alfred the Great; or, the enchanted standard. Opera. For the
Music see Lee, G. A. For the Libretto see Pocock.
Algarotti, Francesco, Conte.
Hssai sur I'opera, traduit de I'italien du Comte Algarotti par
M. *** [F. J. de Chastellux]. Pise. Ruault. 1773.
M.373.37
An essay on the opera. Glasgow. Urie. 1768. M. 109b. 25
Saggio sopra I'opera in musica. Livorno. Coltellini. 1763.
No. 2 in M.376.1
Alger, Abby Langdon, translator.
Wasielewski. Life of Robert Schumann. M.io9a.i9
Algerian, The. Opera. For the Music see De Koven. For the
Libretto see MacDonough.
Alhambra. Suite. Lange-Mueller. No. 3 in M.337.7
Alheim, Pierre d'.
Moussorgski. [Conferences. Opinions de la presse. Paris.]
Magazine international. 1896. Portraits. No. 6 in M.372.43
Ali Baba. Cantata. For the Music see Bottesini.
Ali Baba. Opera. For the Music see Bottesini; also Cheru-
Ali Baba. Opera. (Continued.)
bini; also Lecocq, A. C. For the Libretto see Taddei;
also Scribe; also Vanloo.
Ali Pascha von Janina. Opera. For the Music and Libretto
see Lortzing.
Alibi. Opera. For the Music see Schmidt, Gustav.
Alice Brand. Ballad. Porter, P. W. A collection of melodies.
No. 2 in M.236.21
Alice de Nevers. Opera. For the Music and Libretto see
Ronger, F.
Alienor. Opera. For the Music see Hubay. For the Libretto
see Haraucourt.
Alike in temper. Part-song. Hayes, W. No. 196 in M. 215.21; etc.
Alimon und Zaide. Opera. For the Music see Kreutzer, C.
Alinde. Song. Schubert, F. P. Werke. Serie 20, Band 4.
M.31 7.1.20.4
Aline. Opera. For the Music see Schulz, J. A. P. For the
Libretto see Sedaine.
Aline, reine de Golconde. Opera. For the Music see Berton,
H. M.; also Monsigny. For the Libretto see Vial; also
Sedaine.
Ali-Pot-d'Rhum. Opera. For the Music see Bernicat. For
the Libretto see Gedhe.
Alix, Celeste.
Cours complet de chant ecclesiastique. Paris. Lecoffre &
cie. 1853. No. 2 in M.207.3
All about a bonnet. Opera. For the Music see Harraden, R. E.
For the Libretto see Harraden, H.
All abroad. Opera. For the Music see Rosse, F. For the Li-
bretto see Davis, J.
All amcng the barley. Part-song. Bridge, E. S.
No. 16 in M.157.4; etc.
Air amore. Part-song. Cocchi. No. 54 in M.215.21
All at once well met. Part-song. Weelkes. No. 93 in M.iii.4.3
All cold beneath this narrow heap. Part-song. M.. R.
No. 131 in M.235.17.5
All creatures now are merry. Part-song. Bennet, J.
No. I in M.235.7.1; etc.
All glory to God. Carol. Bailey, E. H. No. 9 in M. 158.13
All hail, Britannia! Part-song. Lotti. No. 21 in M. 157. 28.1
All hail! thou dwelling, pure and lowly (Faust). Song.
Gounod. Ten popular songs. No. i in M.157.10
All hail to the greenwood. Trio. Donizetti. No. 4 in M. 244.10.2
All Hallow eve. Cantata. For the Music see Gilbert, E. T. B.
For the Libretto see Oxenford, E.
All I wish in her obtaining. Duet. Florio, C. H.
No. II in M.218.8.3
Air idea di quelle pene. Anthem. Jommelli.
No. 15 in M.290.22.2
All in the dark; or, the banks of the Elbe. Opera. For the
Music see Livius. For the Libretto see Planche, J. R.
All into service. Catch a 3 voci. (In Bland. The Ladies' col-
lection. Vol. I, p. 55.) No. 90 in M. 235. 17.1
Also to be found in dementi's Collection of catches.
All is not gold that shineth. Part-song. Westbrook.
No. 20 in M.195.1.2
All is still. Part-song. Macfarren, G. A. No. 2 in M.195.1.14
Air mein' Gedanken. Song. Brahms. Deutsche Volkslieder.
Heft 5. No. 13 in M. 380.40.3
Air mein' Gedanken, mein Herz und mein Sinn. Song.
Strauss, R. Schlichte Weisen. No. 17 in M.380.24.1
Air meine Gedanken. Part-song.
Rheinbercer, J. G. No. 4 in M.158.27
Weinwurm. No. 21 in M.392.38
Air meine Herzgedanken. Part-song.
Brahms. 7 Lieder. No. 5 in M.204.7
Gericke. Vier Lieder. No. 16 in M.392.10
All my past life. Duet. Sacchini. No. 105 in M.235.17.4
All naticns whom Thou hast made. Anthem.
FowLE. No. I in M.233.29
Selby. No. 16 in 11.195.2.12
Air orologio. Song. Ferrari, G. G. Six favorite ariettes.
No. 7 in M.221.21
All people clap your hands. Anthem. Weelkes.
No. 3 in M.234.26; etc.
24
All
THE ALLEN A. BROWN COLLECTION OF MUSIC
Allen
All people now. Glee. Callcott, J. W. No. 26 in M.220.g.5
All people that on earth do dwell. Antkem. Tallis.
No. 26 in M. 175.1.1; etc.
All pleasure is of this condition. Madrigal. Wilbye. Works.
Vol. 2. No. 19 in M.234.ig.2
All sole alone. Part-song. Braun. No. 28 in M.392.S; etc.
All's well. Duet. Braham. No. i in M. 1393.18.6
All they that trust in Thee, Lord. Anthem. Hili.er, F.
No. 4 in M.2 70.22; etc.
All things love thee. Part-song. Hatton. No. ii in M.205.10.1
All through the night. At hyd y nos. [Welsh air.] Arranged
for I voice, [also] harmonized for 4 voices. {In Thomas,
J. Welsh melodies. Vol. i, pp. 19-25.) No. 3 in M.235.6.1
All Thy works praise Thee. Anthem.
Kent. Anthems. Vol. i. M. 233.21. i.; etc.
Nanino. No. 26 in M.233.25.1
Thorn. No. 4 in M. 195.2.2
Air ungherese. For violin. Wilhelmj. No. 2 in M.405.67
All we like sheep. Anthem. Spark. No. i in M. 233. 29
All who sing. Part-song. Goodban, T. No. 7 in M. 175. 1.5
All ye who music love. Madrigal. Donato.
No. 2 in M.157.28.1 ; etc.
All ye who weep. Anthem. Gounod. No. 10 in M. 290. 13; etc.
All ye whom love. Part-song. Dowland, J. First set of songs.
No. 2 in M.234.21
All ye woods and trees. Part-song. Lahee, H.
No. 22 in M. 195. 1. 2
Alia caccia dei fiori. Opera. For the Music see Varisco. For
the Libretto see Casati.
Alia campanna andiamo. Duet. Campana. No. 4 in M. 244.9; etc.
Alia mazurka. For orchestra. Gernsheim. No. 3 in M.410.26
Alia polacca. For violin. Wilhelmj. No. i in M.405.67
Alia viva del Tebro. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Alia siciliana. For violin. Louis, N. No. 4 in M.390.18
Alia voce della gloria. Song. Rossini. No. 15 in m. 283.45
Alladin. Overture. Reinecke, C. H. C. No. 3 in M.347.5
Allah giebt Licht. Part-song. Belcke. No. 158 in M. 1293.43.5
Allala, pia calia. Part-song. Lassus. Sammtliche Werke.
Band 10. M.80403.67.10
Allsn, James.
Wight, A. The life of James Allan, the Northumberland
piper ... 3d edition, enlarged. Newcastle upon Tyne.
1818. Portrait. M.146.11
Allard, Paul.
Jeanne d'Arc. Drame lyrique. Musique de Ch. Lenepveu.
No. 3 in M.384.55
Alldeutschland Heil! Part-song. Horn, C. No. 12 in M.392.12
Alle Blumen mocht ich binden. Part-song. Debois.
No. 4 in M. 212.4
Alle gingen, Herz, zur Ruh. Song. Wolf, H. Spanisches
Liederbuch. No. 31 in M.380.30
Alle Lust hat Leid. Part-song. Boehme, F. M. Heimische u.
fremde Weisen. No. 8 in M. 392.5
Alle Zeit gedenk' ich Dein! Quartet. Jahn, A. Vier Quartette.
No. 27 in M.3g2.i2
Allegiance we swear. Part-song. Bishop, H. R.
No. 13 in M.I57.I9; etc.
Allegri, Gregorio.
Jesu dulcis memoria. A 4 voix [s. s. a. bar.]. (In Frober.
Jvbiivs rythmicvs de nomine Jesv. Pp. 28-35.)
No. 2 in M.201.1
Miserere, [s. s. a. T. B.] (/» Ayrton. Sacred minstrelsy.
Vol. I, pp. 133-135.) No. 47 in M. 290.22. 1
Also to be found in dementi's Collection of catches ; Lueck's Samm-
lung ausgezeichneter Compositionen fur Kirche ; Novello's Music for
Holy Week ; Rochlitz's Sammlung vorzuglicher Gesangstiicke ; War-
ren's Vocal harmony.
Allegria. Dnet. Roberti. Inspirations italiennes.
No. I in M.364.10
Allegro, L'. Song. Brambilla. No. 2 in M.364.10
Allegro appassionato. For orchestra. Lalo. No. 4 in M.343.23
Allegro appassionato. For violoncello. Saint-Saijns.
No. 4 in M.405.53
Allegro, L', ed il pensieroso. For the Music see Parry, C. H.
H. For the Libretto see Milton.
Allegro, L', il pensieroso ed il moderate. For the Music see
Handel. For the Libretto see Milton.
AUein zu Dir, Herr Jesu Christ. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 7.
Alleluia, laudate Dominum. Motet. Neukomm, S. Recueil de
40 motets. No. i in M.158.37
AlleluJ3. Anthem. Bach, J. S. No. 75 in M. 220.9.4
Bates, W. No. 68 in M.220.9.2
Berchem. No. 20 in M. 158.33.3
Bernabei. No. 8 in M.202.6.2
BoYCE. No. 64 in M.220.9.1
Hayes, W. No. 2 in M.220.5; etc.
Mozart. Werke. Serie 7, Band 2. No. 52 in M. 315. 1.7.2
Portogallo. M. 260.23.2
Smith, J. S. No. 145 in M.220.9.2
Vecchi. No. 34 in M. 158.33.3
Alleluja Amen. Anthem. Handel. Werke. Lieferung 38.
M.313.1.38
Alleluja, laus et glori3. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Alleluja pr3e g3udio. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Alleluja! tulerunt Dominum. Motet. Palestrina. Werke.
Band i. M.8o4oa.66.i
Alleluja vox l3et3. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Allem3nisches Lied. Song. Kuecken. No. 13 in M.244.6.1
Allen, Aubrey Mayhew.
Florette (or the goose girl). [Operetta.] Composed by
Agnes Bartlett. No. i in M.255.41
Allen, Edward Heron-.
De fidiculis bibliographia: being the basis of a bibliography
of the violin and all other instruments played with a bow
in ancient and modern times. Part i, section 1-5, with
supplement; Part 2 and 2d supplement; Part 3-6; 3d sup-
plement; Concluding part. London. Griffith, Farran,
Okeden & Welsh. 1891-93. 2 v. M. 371.40
De fidiculis opuscula. Opusculum IIL Libri desiderati . . .
3d edition. London. Mitchell & Hughes. 1890.
No. 5 in M.376.2
Same. Opusculum V. 4th edition. No. 3 in M.376.2
Libri desiderati. Prolegomena to „De fidiculis bibliographia."
4th supplement. Instruction books. London. 1890.
No. 2 in M.376.2
Opuscula fidicularum. No. i. The ancestry of the violin.
Being a discourse delivered at the Freemasons' Tavern on
June 2, 1882, to "The Sette of Odd Volumes." London.
Mitchell & Hughes. 1882. No. 4 in M.376.2
Bibliography, p. (l).
The violin. Books wanted. Prolegomena to "De fidiculis
bibliographia." 5th supplement. London. 1892.
No. 2a in M.376.2
The violin. Duplicate books for sale or exchange from [his]
collection. Prolegomena to „De fidiculis bibliographia."
6th supplement. London. 1892. No. i in M.376.2
Allen, Edward Heron-, editor.
Violin times. A monthly journal . . . Edited by Eugene
Polonaski, and Edward Heron-Allen. London. 1894-97.
M.372.2g
Allen, George.
The life of Philidor, musician and chess-player. With an
essay on Philidor, by Tassilo von Heydebrand und der
Lasa. Philadelphia. Butler & Co. 1863. M. 105.4
Allen, George Benjamin.
"Castle Grim." A comic opera (in 2 acts). Written by R.
Reece. Composed by G. B. Allen. [Accomp. for piano-
forte.] London. Metzler & Co. [1S65.] M.361.17
Fifteen anthems. [Accomp. for organ.] London. Novello.
[1853-] M.233.1
Contents. — Almighty and everlasting God. — And lo! I beheld the
dead. — And there was war in heaven. — By the waters of Babylon.
— Have mercy upon me. — I will ahvay give thanks. — I will give
thanks. — It is a good thing to give thanks. — Let my complaint. —
LorJ, what love have I. — O be joyful. — ■ O give thanks. — O God,
who hast prepared. — O Lord Thy word. — The Lord is my shepherd.
1.4
25
Allen
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Alma
Allen, George Benjamin. (Continued.)
Harvest home, a pastoral cantata, written by Guernsey,
composed by George B. Allen. [Solos and chorus, s. a.
T. B. Accomp. for pianoforte.] London. Metzler & Co.
[1863.] M.270.5
I love my love in the morning. [Trio. s. S. A. Accomp. for
pianoforte.] London. Leader & Cock. [185-?]
No. 14 in M.244.10.3
Same. [s. a. t. b.] Hutchings & Romer. No. 16 in M.157.23
In the beginning was the Word. Anthem for Christmas.
[Accomp. for organ.] London. Novello & Co. [186-?]
No. I in M.190.1
Listen, O isles. Anthem. {In Ouseley. Special anthems.
Vol. I, pp. 217-219.) No. 27 in M.233.24.1
The Lord is my Shepherd, verse anthem for 4 voices.
[Accomp. for organ.] London. Novello. [185-?]
Also in his Fifteen anthems. No. 3 in M.190.I
Now is Christ risen, anthem for Easter. [Accomp. for
organ.] London. Novello & Co. [186-?] No. 2 in M.191.1
Te Deum laudamus. In D. (/n Novello. Parish choir book.
Pp. 24-31.) No. 5 in M.157.30
The voice of moonlight. [Trio. s. s. a. Accomp. for piano-
forte.] London. Cock, Hutchings & Co. [186-?]
No. 22 in M. 244. 10.4
Allen, Nathan H.
The apotheosis of St. Dorothy. Cantata for tenor solo,
chorus and orchestral accompaniment. [Words by Ed-
mund W. Gosse.] Vocal score [with pianoforte accomp.].
New York. Schuberth & Co. [1891.] No. i in M.384.11
AUen-a-Dale. Part-song. Lloyd, C. H. No. 11 in M.19S.1.17
AUerseelen. Song. Strauss, R. Acht Gedichte.
No. 8 in M.380.24.1
Alles, Joao Victoriano Jacome.
O Salutaris Hostia, for 4 voices. [Accomp. for organ.]
London. Novello. [184-?] No. 4 in M.260.10.1
Alles dir, mein Vaterland. Part-song. Kuecken.
No. 18 in M.130.7
Alles Gute, alles Schone! Canon. Beethoven. Werke. Serie
12. M.413.1.23
Alles hat seine Zeit. Part-song.
Haydn, F. J. Gesange. Heft i. No. i in M.312.35; etc.
Same. Neun Quartetten. No. 2 in M.203.8
Matschinsky. No. 28 in M.392.16
Alles ist richtig. Song. Mozart. No. 4 in M.204.37
Alles mit Gott. Part-song. Kremser. No. 41 in M.392.13
Alles nur nach Gottes Willen. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 18.
Alles steht in Gottes Hand. Song. Taubert, C. G. W. Fiinf
Gesange. No. i in M.192.7
Alles urn Liebe. Song. Schubert, F. P. Werke. Serie 20,
Band 2. M.317.1.20.2
Alles, was die Erd' enthalt. Part-song. Call.
No. 33 in M.213.9; etc.
Alles, was mein ist. Song. Taubert, C. G. W. KLange aus der
Kinderwelt. Heft I. No. 3 in M.192.6
Alles, was wir lieben, lebe! [Mannerchor.] (In Das Rutli.
Pp- 364, 365.) No. 153 in M.147.4
Allez regner, jeune princesse. Chorus. Sacchini. Le Sac-
chini des concerts. M.274.9
Allgegenwart der Liebe. Part-song. Osthoff.
No. 74 in M.i29a.43.2
Allgemeine Musik-Gesellschaft, Zurich.
Biographic von Johann Gottlieb Naumann. Abtheilung 1-3.
Ziirich. Orell, Fiissli & Co. 1843-45. Portraits. Plates.
No. 4 in M. 132.3
Allgemeine Musikschule, Basel.
Jahresbericht iiber den 11, 12 Kurs, 1877-79. Basel. Riehm.
1878-79. No. I in M.373.60
Allgemeiner deutscher Musiker-Kalender fiir 1879. Heraus-
gegeben von Oscar Eichberg. Berlin. Luckhardt. [1878.]
M. 109b. 10
Allgemeiner deutscher Musik-Verein.
Almanach. Jahrgang i, 2. Leipzig. Kahnt. 1868, 69.
M.ig8.2
Allgemeiner deutscher Musik-Verein. (Continued.)
Same. Jahrgang 2. 1869. No. i in M.376.3
Tonkunstler-Versammlung zu Leipzig. Programm fiir die
Festtage vom 3 bis mit 6 Mai, 1883. [Leipzig. Bar &
Hermann. 1883.] No. 10 in M.375.2
Allgemeines Wandern. Part-song. Methfessel.
No. IS in M.392.42.2
Alliance, The, of musick, poetry and oratory. Bayly, A.
M. 148.4
Allingham, John Till.
Who wins? or the widow's choice. A musical farce. The
music by H. Condell. No. I in M.391.14
Allingham, William.
The fairies. Ballad. [Music by] H. K. Hadley.
No. 18 in M.203.27
Allison, Horton Claridge.
"Sigh no more, ladies." Part-song. [London.] Metzler &
Co. 1871. No. 41 in M.157.23
Allmacht, Die. Cantata. For the Music see Schubert, F. P.
For the Libretto see Pyrker.
Allmacht, Die. Part-song. Lachner, V. No. I4in M.212.9; etc.
Allmacht, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 8. M.317.1.20.8
Allmers, Hermann.
Phobos Apollon. Hymne von Friedr. Gernsheim.
No. 4 in M.212.6
AUnaechtlich im Traume. Song. Franz, R. Sechs Gesange.
Op. 9. No. 6s in M.244.5.1
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M.413.3.19
Schumann, R. A. Dichterliebe. Heft 2. No. S in M.244.15.2
AUon, Erskine.
Annie of Lochroyan. Traditional Scotch ballad. Set to
music for s. solo, mixed chorus and orchestra by Erskine
Allon. Op. 20. Vocal score. [Accomp. for pianoforte.]
London. London Music Publishing Co. [1890.]
No. 2 in M.204.2
The maid of Colonsay. Cantata for soli [a. t. bar.], chorus
& orchestra. The words adapted by F. W. Felkin from
the ballad by John Leyden. The music composed by
Erskine Allon. Op. 25. [Accomp. for pianoforte.] Lon-
don. Willcocks & Co. 1894. No. i in M.213.1
Allon, Henry.
Church song in its relations to church life. [London. 1862.]
No. 7 in M. 128.36
Allons, aliens, venez le prendre. Duet. Rifaut.
No. IS in M.390.37
Allons, mourez, je vous en prie. Song. Louis, N.
No. 18 in M.390.4
AUor ch' io dissi addio. Song. Handel. Werke. Lieferung so.
M.313.1.50
AUor che a notte splendere. Duct. Campana. No. 14 in M.244.9
Ally Croaker. Harmonized for 2 voices [s. a.]. (In Bland.
The Ladies' collection. Vol. s, PP- 57o, S7I-)
No. 160 in M.235.17.S
Alma cortese. Madrigal Lassus. Sammtliche Werke. Band 2.
M.8o4oa.67.2
Alma Dei Creatoris. Offertory. Mozart. Werke. Serie 3.
M.31S.1.3
Alma grande e nobil core. Aria. Mozart. Werke. Serie 6,
Band 2. No. 4 in M.315.1.6.2
Alma I'incantatrice. Opera. For the Music see Flotow, F. F. A.
For the Libretto see Saint-Georges.
Alma innamorata, Un'. Cantata. For the Music see Handel.
Werke. Lieferung S2B.
Alma parens, dilecta Deo. Motet. Lassus. Sammtliche Werke.
Band 5. M.8o4oa.67.5
Alma real, dignissima d'impero. Part-song. Lassus. Sammt-
liche Werke. Band 8. 11.80403.67.8
Alma Redemptoris. Anthem.
Barbieri, G. [Partitura.] No. i in M.260.22
Bernabei, G. a. No. 40 in M.158.33.4
GiRAC. No. 25 in M. 260.10.2
Hamma, B. No. 8 in M.I58.32
Janssen, N. a. No. 37 in M.260.19
26
Alma
THE ALLEN A. BROWN COLLECTION OF MUSIC
Alt
Alma Redemptoris. Anthem. (Continued.)
La Face. No. i6 in M.26o.ig
Lassus. Sammtliche Werke. Band 5, 13. M.8o4oa.67.5, 13
Neukomm, S. Recueil de 40 motets. No. i in M. 158.37
Nixon, H. G. No. 6 in M.260.10.6; etc.
NovELLO, V. [In A.] s. solo. No. 13 in M. 270.3.2
— [In G.] No. 6 in M.250.17.1
— [In C. ] s. s. A. T. B. M.260.23.2
Palestrina. Werke. Band 6, 7. M.8o4oa.66.6, 7; etc.
Schneider, J. G. No. 36 in M.260.17.2
ViLLEMiN. No. 10 in M.201.33
Webbe, S. No. 68 in M. 156.50
Alma Redemptoris. Mass. Palestrina. Werke. Band 20.
M.8o4oa.66.20
Alma Virgo. Offertory. Hummel, J. N. No. 6 in M.201.32; etc.
Almanacs.
Allgemeiner deutscher Musikverein. Almanach. Jahr-
gang I, 2. Leipzig. 1868, 69. M.ig8.2
Almanacco de' reali teatri S. Carlo e Fondo, del annata
teatrale 1834. Napoli. Tipografia Flautina. 1835. Por-
traits. M.iogh.45
Almanach des Konigl. Hof- und National-Theaters und
des Konigl. Residenz-Theaters zu Miinchen, 1883. Her-
ausgegeben von .\nton Hagen. Miinchen. Wolf. 1884.
Portrait. No. i in M.115.12
Almanach des musiciens de I'avenir. Paris. Librairie du
Petit journal. [1866.] Illus. M.205.29
Almanach des orpheons et des societes instrumentales . . .
Sous la direction de J. F. Vaudin. Annee i. 1863. Paris.
Pagnerre. [1863.] Illus. Portraits. No. 2 in M.208.21
Almanach illustre, chronologique, historique et anecdo-
tique de la musiqiie. Par un musicien. Annee 1-3. Paris.
Ikelmer. 1866-68. M.103.23
Almanach litteraire, ou etrennes dApolIo . . . Par M.
d'Aquin de Chateau-Lyon. [Paris.] Duchesne. 1780.
M.205.30
Almanach musical pour 1855-65. Annee 2-12. [Paris.
Houssiaux. 1854-64.] Illus. M. 216.2
Boll's Musikalischer Haus- und Familien-Kalender,
1898. 10. Jahrgang. Berlin. Boll. 1898. No. 4 in M. 112. 17
Deutscher Saenger-Kalender. Herausgegeben von Hein-
rich Pfeil. Jahrgang i. 1875. Leipzig. 1874. Portrait.
No. 4 in M.377.16
Hesse, M. Max Hesse's Deutscher Musiker-Kalender fiir
das Jahr 1897, 98, 1901, 02, 04. Leipzig. [1896-1903.]
Portraits. M.205.27
Musikalischer Almanach auf das Jahr 1783, 84. [Von Carl
Ludwig Junker.] Freyburg. [1782, 83.] Plate. M. 370.44
Alme Deus qui cuncta. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Almees, Les. For orchestra. Alder. No. i in M.410.6
Almen per breve istante. Aria. Fioravanti. V.
No. 3 in M.120.16
Almighty and everlasting God. Anthem. Allen, G. B. Fif-
teen anthems. No. 15 in M.233.1
Corfe, J. Morning and evening service. M.233.5
Gibbons. No. 26 in M.290.22.2
Haydn, F. J. No. 3 in M. 236.34
Tompkins. No. 31 in M.233.23.2
Almighty and everliving God. Anthem. Palestrin.\.
No. 5 in M.233.25.1
Almighty God, we beseech Thee. Anthem. Webbe, S. Twelve
anthems. No. 2 in M.234.7
Almighty God, we come to Thee. Introit. Blodgett. An-
thems, responses and hymns. No. 4 in M.203.Q
Almighty God! who hast brought me. Psalm. Ford, T.
No. 30 in M.157.28.1
Almighty God, who has promised. Anthem. Button.
No. 19 in M.158.14
Almira. Opera. For the Music see Handel. For the Libretto
see Feustking.
Alone. Song. Cowen. No. i in M.ig2.ii
Mendelssohn-Bartholdy, J. L. F. Songs. No. 34 in M.244.21
Alone thro' unfrequented wilds. Part-song. Rock. W.
No. 58inM.235.i7.3
Alonso e Cora. Opera. For the Music see Mayer, J. S.
Alors qu' affliction me presse. Anthem. Sweelinck. Werken.
Deel 4. M.413.2.4
Alors que de captivite. Anthem. Sweelinck. Werken. Deel 4.
M.413.2.4
Alouette, L . Song. Glinka. Romances. No. i in M.244.8
Alouette, L', et le vieux hibou. Song. Vaucorbeil. Melodies.
M.213.25
Alpenfee, Die. Part-song. Kremser. No. 35 in M.3g2.i3
Alpengang, Der. Part-song. Becker, V. E. No. 22 in M.3g2.4
Alpenhuette, Die. Opera. For the Music see Kreutzer, C.
For the Libretto see Kotzebue.
Alpen-Jaeger, Der. Song.
Liszt. Gesammelte Lieder. No. 11 in M.244.14
Schubert, F. P. Auf hohem Bergesriicken. Werke. Serie
20, Band 5. M.317.1.20.5
— Willst du nicht das Lammlein hiiten. Werke. Serie 20,
Band 5. M.317.1.20.S
Same. Sammtliche Compositionen. M.244.12
Taubert, C. G. W. Dichtungen von F. v. Schiller.
No. 4 in M. 192.8
AlpenjaegerUed. Part-song. Raff. Zehn Gesange.
No. 27 in M.3g2.37
Alpenkoenig, Der, und der Menschenfeind. Opera. For the
Music see Mueller, L.; also Blech. For the Libretto see
Raimund; also Batka.
Alpenlied. Part-song. Schumann, A. No. 31 in M.i2ga.43.g
Alpenlied. Song. Taubert, C. G. W. Sechs Gesange.
No. 16 in M.ig2.6
Alpennacht. Part-song.
Beschnitt. 6 Lieder fiir Mannerchor. No. 12 in M.392.35
Spiedel. No. 9 in 11.392.38
Debois. No. 33 in M.392.6
Alpenrose, Die. Part-song. Billeter. No. 43 in 11.392.4
ScHMOELZER. No. 35 in M.3g2.23
Alpestre monte. Cantata. For the Music see Handel. Werke.
Lieferung 52A.
Alphonso und Estrella. Overture. Schubert, F. P.
No. I in M.334.18
Alpine fay, The. Part-song. Kremser. No. 25 in M.392.36; etc.
Alpine hunter's song. Part-song. Raff, No. 6 in M.205.10.7
Alpine hunters. The. Part-song. Moscheles, I. Tyrolese
melodies. Vol. I. No. 2 in M.244.24.1
Alpine hymn. Part-song. Gomes. No. 3 in M.392.29
Alpine lay, The. Song. Balfe. No. 24 in M.ig2.g.i
Alpine shepherd's song. Song. Waley. No. 4 in M.380.18
Alplied. Part-song. Thiele, E. No, 57 in M.i2ga.43.io
ZuMSTEEG, E. No. 113 in M.i2ga.43.3
Alproesli, Das. Part-song. Sturm, W. Vier Lieder.
No. 27 in M.3g2.24
Already snow has fallen. Part-song. Franz. R.
No. I in M.ig5.i.i3
Alruna. Opera. For the Music see Spohr, L.
Als aus Aegypten Israel. Anthem. Mozart. Werke. Serie 3.
M.315.1.3
Als die Geliebte sich trennen wollte. Song. Beethoven.
Werke. Serie 23. M.413.1.23
Als Filli zart einst etwas durstig ward. Part-song. Schein.
Werke. Band 2. M.414.1.2
Als ich sie errothen sah. Song. Schubert. F. P. Werke.
Serie 20, Band 2. M.317.1.20.2
Als Luise die Briefe. Song. Mozart. Werke. Serie 7, Band i.
No. 29 in M.315.1.7.1
Als triig' man die Liebe zu Grab'. Song. Franz, R. Sechs
Gesange. Op. 40. No. 52 in M.244.5.2
Alsbury, Morrison M.
Meditation in the forest, composed for violin and piano.
New York. White, Smith & Co. [1888.] No. i in M.410.7
Also hat Gott die Welt geliebt. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 16.
Also sprach Zarathustra. Symphonic poem. Strauss, R. M.356.27
Alt Heidelberg. Song. Rheinberger, J. G. No. i in M.392.22
Alt Heidelberg, du feine. Part-song. Isenmann.
No. 13 in M.392.36
27
Alt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Am Geburtstage
Alt Heidelberg du feine. Symphonic poem. Volbacii.
No. 3 in M.410.80
Alta cagion, L', del mio fermo. Part-song. Palestrina. Werke.
Band 30. M.8o4oa.66.30
Alta e la notte. Part-song. Gordigiani. No. ii in M.244.10.5
Altdeutsche Liebeslieder. Part-songs. Plueddeman.
No. 25 in M.392.37
Altdeutscher Schlachtgesang. Part-song. Rietz.
No. I in M.352.24; etc.
Altdeutsches Friihlingslied. Song. Mendelssohn-Bartiioldy,
J. L. F. Werke. Serie 19. M.413.3.19
Altdeutsches Lied. Song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 19. M.413.3.19
Altdeutsches Minnelied. Part-song. Isenmann.
No. 17 in M.392.12
Alte, Die. Song. Mozart. XXX. Gesiinge. M.221.28; etc.
Alte, Der, der die Stunden. Part-song. Zoellner, C. F. Zehn
Lieder u. Gesange. Heft 2. No. 41 in M.392.27
Alte Derffling, Der. Part-song. Schaeffer, A. Drei Helden-
lieder. No. 11 in M.392.23
Alte Dessauer, Der. Opera. For the Music see Findeisen. For
the Libretto see Henschel, M.
Alte Dessauer, Der. Part-song. Schaeffer, A. Drei Helden-
lieder. No. II in M.392.23
Alte Erinnerungen. Minuet. Hartmann, J. P. E. Nordische
Volkstanze. No. 3 in M.342.4
Alte Fritz, Der, auf Sans-Souci. Part-song. Schaeffer, A.
No. 9 in M.392.23
Alte gute Zeit, Die. Part-song. Schumann, R. A. Fiinf Lieder
von R. Burns. No. 6 in M.280.49; etc.
Alte Hahn, Der. [Mannerchor.] (In Orpheus. Band 6, pp.
3-6.) No. 182 in M.i29a.43.6
Alte Jahr, Das, vergangen ist. Part-song. Paulus Homeer-
GERUS. No. 17 in M. 204.40
Alte Laute. Song. Schumann, R. A. Zwolf Gedichte von
Kerner. No. 9a in M.244.15.1; etc.
Alte Liebe. Song.
Brahms. Fiinf Gesange. Op. 72. No. 8 in M.380.40.2
Dannstroem. Vier Lieder. No. 6 in M.236.8
Alte Liebe rostet nie. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317. 1.20.4
Alte Lied, Das. Part-song. Klein, B. 0. Sechs Lieder und
Gesange. No. 5 in M. 203. 16
Alte Lied, Das. Song. Grieg. Grieg-Album. No. 3 in M. 155. 16
Alte Mutter, Die. Song. Grieg. Grieg-Album.
No. 5 in M. 155. 16
Alte Postilion, Der. Part-.so;i(;. Nolopp. No. 47 in M.3g2.i6; etc.
Alte Soldat, Der. Part-song. Cornelius. Drei Mannerchore.
No. 26 in M.392.6; etc.
Alte und junge Zecher. Part-song. Genee. Drei lustige Lieder.
No. 32 in M.392.9
Alte Weiber. Song. Weber, C. M. F. E. von. Siimmtliche
Lieder. Band 2. No. 60 in M. 244.7
Alte Ziethen, Der. Part-song. Schaeffer, A. Drei Helden-
lieder. No. 11 in M.392.23
Alten bosen Lieder, Die. Song. Schumann, R. A. Dichter-
liebe. Heft 2. No. 5 in M. 244. 15.2
Alten Helden, Die. Part-song. Leonhard.
No. 29 in M.i29a.43.9; etc.
Alten Junggesellen, Die. Part-song. Kuntze. No. ii in M. 392. 15
Alten Lieder, Die. Part-song. Schoen, E. No. 44 in M.392.7
Alten, Die, und die jungen Zecher. Part-song. Lachner. V.
[Drei Mannerchore.] No. 19 in M.392.15
Altenbernd, L.
Lenzfahrt. Av^fay to the forest. Componirt von Karl Zusch-
neid. No. 8 in M. 212.20
Alter Mann grimmer Mann. Song. Rubinstein. Zwolf
Lieder. No. 18 in M.192.5
Altes Liebeslied. Part-song. Loewenstamm. No. 6 in M.212.10
Altes Liebeslied. Song. Kuecken. Lieder fijr Sopran.
No. 7 in M. 244.6.1
Altes Lied. Song. Franz, R. Sechs Lieder von H. Heine.
Op. 39. No. 48 in M.244.S.3
Altes Minnelied. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30 I
Altes Reiterlied. Part-song. Filke. No. 15 in M.392.8
Althea. Opera. For the Music see Popper. For the Libretto
see Caroline.
Altho' you're a cuckold. Port-song. Green, J. No. 98 in M.220.g.4
Although soft sleep. Part-song. Stevens, R. J. S.
No. 33a in M.i57.a
Altmann, Julius.
Schwertesgriisse. Patriotische Lieder componirt von Ph.
Tietz. No. 5 in M. 130.8
Alto Signer, L', dinanzi a cui non vale. Part-song. Lassus.
Sammtliche Werke. Band 4. M.8o4oa.67.4
Alton Locke's song. Part-song. Macfarren, G. A.
No. 28 in M.195.1.3
Altr' ier, L', sul mezzo giorno. Madrigal. Lassus. Sammt-
liche Werke. Band 2. M.8o4oa.67.2
Altschottische Ballade, Eine. Song. Schubert, F. P. Werke.
Serie 20, Band 9. M.3i7.i.20.g
Alva Vine; or, art versus duty. Novel. Gordon, H. M.i2g.i2
Alvary, Max.
The abiding charm of Wagner's roles. Illus. Portraits, (/n
The Music of the modern world . . . Vol. i, pp. 72-74.
New York. [1895.]) M.14.1.1.
The article is written by another, with a few quoted remarks by Alvary.
Always more. Part-song. Seifert, U. No. 21 in M.392.48.1
Alwyn, William Crowther-.
Mass in F (in vocal score), with a separate accompaniment
for pianoforte or organ. London. Novello, Ewer & Co.
[1S8-?] No. I in M.I56.16
Alzate il fiasco. Catch [for 3 voices], (/n Bland. The Ladies'
collection. Vol. i, p. 58.) No. 6ia in M.23S.17.1
Alzate, O porte. Canon [4 in 2]. (/n Warren. Collection of
catches. Vol. 2, pp. 14-16.) No. 6 in M.220.9.a
Alzira. Opera. For the Music see Verdi. For the Libretto
see Cammarano, S; also Buonaiuti.
Am Abend. For string quartet. Rosenhain. No. 3 in M.sss.ii
Am Abend. Part-song.
Blied. Drei Abendlieder. No. 21 in M.392.3S
Kuecken. Vier Gesange. No. 15 in M.194.16
Am Abend aber desselbigen Sabbaths. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang 10.
Am Altar. For string orchestra. Sinigaglia. No. 3 in M.404.ig
Am Altare der Wahrheit. Part-song. Mohr, H.
No. 3 in M.212.11
Am Ambos. Part-song. Hofmann, F. H. No. 14 in M.392.11
Am Bach. Part-song. Hoffmeister. No. 29 in M.3g2.ig
Am Bach. Song. Berger, L. Gesange aus . . . Die schone
Miillerin. No. 18 in M.221.30
Am Bach im Friihling. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317.1.20.4
Am Berge steht das Jagerhaus. Song. Taubert, C. G. W.
Sechs Lieder von Reinick. No. 9 in M.221.26
Am Bodensee. Part-song. Schumann, R. A. Vier Gesange
fiir gemischten Chor. No. 2 in M. 158.24; etc.
Am Brunnen. Song. Gade. 5 Gedichte aus „BiIder des
Orients." No. i in M. 192.3
Am Brunnen fliesst die Welle. Song. Taubert, C. G. W.
Gliick der Liebe. No. 5:^ in M.iga.S
Am Caecilientage. Part-song. Hauptmann, M.
No. 4 in M.27o.4g
Am Chiemsee. Part-song. Goepfart. No. 37 in M.392.8
Am Donaustrom. Part-song. Beschnitt. No. 16 in M.392.42.3
Am Elbefall. Part-song. Moeldner. No. 52 in M.204.39
Newikluf. No. 88 in M.204.39
Am Feierabend. Song. Schubert, F. P. Sammtliche Compo-
sitionen. M.244.i2;etc.
Am Fenster. Song. Schubert, F. P. Werke. Serie 20, Band 8.
M.31 7.1.20.8
Am fernen Horizonte. Song. Franz, R. Sechs Gesange.
Op. 37- No. z:i in M.244.5.3
Am Flusse. Song. Rosenhain. Lieder. No. 2 in M.221.33
Schubert, F. P. Werke. Serie 20, Band 2, 7. M.317. 1.20.2, 7
Am friihen Morgen. Part-song. Abt, F. Drei Lieder fiir vier
Mannerstimmen. No. 42 in M.392.1
Am Geburtstage. [Mannerchor.] (/n Orpheus. Band 4, pp
.'-4) No. 117 in M.i29a.434
28
Am Geburtstage
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ambros
Am Geburtstage des Kaisers. Part-song.
Werke. Serie 17.
Am Grabe. Part-song. Lindpaintner.
SCHULZ.
TSCHIRCH.
Song.
Schubert, F. P.
M.317.1.17
No. 42 in M. 147.4
No. 41 in M.2i3.g
No. 157 in M.246.22
Am Grabe Anselmo's. Song. Schubert, F. P. Sammtliche
Compositionen. M.244.12; etc.
Am Grabe eines Junglings. Part-song. Els.\esser, C. G.
No. 38 in M.147.4
Am Grabe eines Sangers. Part-song. Werner, F. W.
No. 34 in M.147.4
Am Hochzeitstag. Opera. For the Music see Jacobi, G. For
the Libretto see Busnach.
Am Kreuzweg. Part-song. Rheinberger, J. G. Am Walchen-
see. No. 13 in M.158.27
Am Kyfhauser. Part-song. Lachner, I. No. s in M. 203.22
Am leuchtenden Sommermorgen. Song. Franz, R. Sechs
Gesange. Op. II. No. 75 in M.244.5.1
Schumann, R. A. Dichterliebe. Heft 2. No. 5 in M.244.15.2
Am Lindenbaum. Part-song. Knappe. No. 12 in M.392.13
Am Maienfeste. Song. Berger, L. Gesange aus . . . Die
schone Miillerin. No. 18 in M.221.30
Am Meer. Duet. Cornelius. Werke. Band 2. M.414.20.2
Am Meer. Song. Schubert, F. P. Werke. Serie 20, Band 9.
M. 317.1.20.9
Am Meere. Part-song. Schubert, F. P. No. 8 in M. 392.41; etc.
Same. 12 Gesange. Eingerichtet von F. Abt.
No. II in M.158.21
Am Meeresstrande. Cantata. For the Music see Otto, E. J.
For the Libretto see Klopsch.
Am Morgen. Song. Cornelius. Werke. Band i. M.414.20.1
Am Neckar, am Rhein. Song. Abt, F. No. 27 in M.192.1
Am Neckar, am Rhein. Part-song. Becker, V. E. 5 Gesange
fur Mannerchor. No. 3 in M.392.4
Kuecken. No. 26 in M.392.14
Am Neujahrstage. Song. Curschmann. Curschmann-Albutn.
No. I in M.157.37
Am Nil. For orchestra. Kuecken. No. 4 in M.342.11
Am obern Langbathsee. Part-song. Schoen, E. von.
No. 10 in M.392.28
Am Plattensee. Part-song. Fahrbach. No. i in M.212.S
Am Rhein. Cantata. For the Music see Brambach. For the
Libretto see Kinkel.
Am Rhein. Part-song. Becker, V. E. No. 143 in M.246.22
Boenicke. Vier Lieder. No. 10 in M.392.5
Am Rhein. Song. Cornelius. Werke. Band i. M.4i4.20.i
Am Rhein im schonen Strome. Song. Liszt. Gesammelte
Lieder. No. 13 in M.244.14
Am Rheine. Part-song. Abt, F. Drei Gesange fiir vier Man-
nerstimmen. No. 29 in M.392.1
Am Rheinfall. Song. Franz, R. Sechs Gesange. Op. 44.
No. 78 in M.244.S.3
Am Runenstein. Opera. For the Music see Flotow, F. F. A.
Am schonsten Sommerabend war's. Song. Grieg. Grieg-
Album. No. 4 in M. 155.16
Am See. Song. Cornelius. Werke. Band i. M.414.20.1
Schubert, F. P. In des Sees Wogenspiele. Werke. Serie
20, Band 7. M.317. 1.20.7
— Sitz' ich im Gras. Werke. Serie 20, Band i. M.317.1.20.1
Am sonnigen Rhein. Part-song. Tausche. No. 20 in m. 392. 26
Am Sonntag. Part-song. Abt, F. No. 26 in M.i29a.44
Am Sonntag Morgen. Song. Brahms. Fiinf Lieder. Op. 49.
No. 12 in M.380.4Q.1
Am Spinnrad. Song. Hiller, F. Zwolf Lieder.
No. 19 in M. 192.3
Am Strande. Overture. Radecke, A. M. R. No. i in M.342.25
Am Strom. Song. Franz, R. Sechs Gesange. Op. 30.
No. 87 in M. 244.5.2
Am Strome. Song. Schubert, F. P. Sammtliche Composi-
tionen. M.244.12
Am siissesten duften die Blumen. Part-song. .'Vbt. F. Sechs
Lieder fiir vier Mannerstimmen. No. 15 in M.392.2
Am Thore. Part-song. Abt, F. No. 6 in M.246.22
Am Traunsee. Cantata. For the Music see Thierot. For the
Libretto see Scheffel.
Am Traunsee. Part-song. Isenmann. No. 23 in M.392.11
Am Ufer. Song. Strauss, R. Fiinf Lieder. No. 8 in M.380.24.3
Am Ufer blies ich. Part-song. Kremser. 2 Lieder aus dem
Trompeter von Sakkingen. No. 38 in M.392.13
Am Ufer des Flusses, des Manzanares. Song. Jensen, A.
Ausgewiihlte Lieder. No. 3 in M. 157.37
Am Ufer hin und wieder. Volksweise [t. t. b. b.]. (In Das
Riitli. Pp. 484-486.) No. 205 in M.147.4
Am vollen Fasse. Part-song. Dregert. No. 74 in M.392.3
Am Walchensee. Part-songs. Rheinberger, J. G.
No. 13 in M.158.27
Am Weiher. Characterstiick. Kretschmer. Musikalische Dorf-
geschichten. No. 11 in M. 342.10
Am Worther See. Part-song. Koschat. No. 12 in M.212.8
Amadigi. Opera. For the Music see Handel. Werke.
Amadis. Opera. For the Music see Lully. For the Libretto
see Quinault.
Amalia. Song. Schubert, F. P. Werke. Serie 20, Band 2.
M.317.1.20.3
Amant, L', et le mari. Opera. For the Music see Fetis, F. J.
For the Libretto see Etienne, V. J.
Amant jaloux, L'. Opera. For the Music see Gretry, A. E. M.
For the Libretto see Hales.
Amant statue, L'. Opera. For the Music see Dalayrac. For
the Libretto see Des Hayes, G. F. F.
Amante impaziente, L'. Song. Beethoven. Werke. Serie 23.
M.413.1.23
Amante spagnuolo, L'. Arietta. Donizetti. Soirees de Paris.
No. 10 in M.244.4
Amanti, Gli, di Teruel. Opera. For the Music and Libretto
see Breton y Hernandez.
Amanti tirolesi, Gli. Duet. Campana. No. ii in M. 244.9
Amants, Les, de Verone. Opera. Ivry. M.395.61
Amaryllis. For violin and piano. Louis XIII., of France.
No. 24 in M. 357.12
Amavit eum Dominus. Anthem. Mozart. No. 8 in M.26o.ii
Amazilia. Opera. For the Music see Pacini, G; also Palmin-
tri. For tlie Libretto see Zanardini.
Amazone, Die. Opera. For the Music see Blon. For the
Libretto see Wulff.
Amazones, Les. Cantata. For the Music see Chaminade. For
the Libretto see Grandmougin.
Ambassadrice, L'. Opera. For the Music see Auber. For the
Libretto see Scribe.
Ambra, Raffaele d'.
Diana, o la fata di Pozzuoli. Opera buffa. Musica del
Errico Petrella. M.383.28
Ambre, fimilie.
Une diva. 4e edition. Paris. Ollendorff. 1885. M.118.6
An autobiography.
Ambroise, Henri.
Titi a la representation de Robert le Diable. Operette-
monodrame burlesque en une scene. Paroles de Am-
broise. Musique de E. Dejazet. [Traduit en anglais par
W. L. Apthorp.] Boston. Mudge. 1883. No. 6 in M.127.1
Words only, in French and English.
Ambroise. Opera. For the Music see Dalayrac. For the
Libretto see Monvel.
Ambros, August Wilhelm.
Bunte Blatter, [ite,] Neue Folge. Skizzen und Studien fiir
Freunde dcr Musik und der bildenden Kunst. Leipzig.
Leuckart. 1S72, 74. 2 v. Portrait. M.i09a.3i
Culturhistorische Bilder aus dem Musikleben der Gegen-
wart. 2. Auflage. Leipzig. Matthes. 1865. M.ios.ia
Geschichte der Musik. 2. Auflage. Leipzig. Leuckart.
1880-82. 5 V. M.I 14.12
Band 5 is entitled: Beispielsammlung zura 3ten Bande, ausgestattet
von Otto Kade.
Die Grenzen der Musik und Poesie. Eine Studie zur Aes-
thetik der Tonkunst. Leipzig. Matthes. [1855.] M.370.1
Zwei musikalische Nachlasshefte. Pressburg. Drodtleff.
[188-?] No. I in M.207.3
Contents. — VoUstandige Einleitung in die Musikgeschichte. — Auf-
satze iiber : Heinrich Schiitz ; J. S. Bach ; Handel ; Johann Francisci ;
Cluck : Die musikalische Armiden ; Haydn.
29
Ambrosch
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Amor
Ambrosch, Joseph Carl, editor.
Schmidt, J. P. S. An die Hoffnung. No. 33 in M.221.33
Ambrose, R. S.
One sweetly solemn thought. [Anthem. Accomp. for
organ.] Arranged by O. B. Brown. Boston. Schmidt.
1894. No. 2 in M.203.26
Ambrosianische Lobgesang, Der. Oratorio. For the Music
see Weyse.
Amcotts, Vincent Amcotts Cracroft.
Endymion, a pastoral, the music by Edwin Aspa.
No. I in M.IS4.17
In the forest, cantata. The music by J. F. H. Read.
No. 3 in M.1S5.39
Psyche, a dramatic cantata. The music by J. F. H. Read.
M.155.40
The statue bride. An operetta. The music by Edwin Aspa.
M.240.1
Ame d'un ange, L'. Song. Gounod. Vingt melodies. le
recueil. No. 16 in M.157.36.1
Same. Die Seele eines Engels. No. i in M.192.10
With French and German words.
Ame du purgatoire, V. Song. Niedermeyer. 10 melodies.
No. 4inM.157.37
Ame en peine, L'. Opera. For the Music see Flotow, F. F. A.
For the Libretto see Saint-Georges.
Ameer, The. Opera. For the Music see Herbert, V. For the
Libretto see Ranken.
Ameise, Die. und die Libelle. Song. Rubinstein. Funf Fa-
beln. No. i4inM.i92.s
Amelot, Eugene.
Fantaisie pour violon avec accomp. de piano. Op. 3. [Par-
tition.] Paris. Brandus & cie. [185-?] No. i in M.210.1
Same. [Partie de violon.] No. i in M.210.9
Amen. Anthem. Caffaro, P. No. 6 m M.233.26.2
CoNTi, G. No. 8 in M.233.26.4
Cooke B. No. 26 in M.218.8.6; etc.
Hopkins, J. L. A collection of anthems. No. 2 in M.233.29
Neukomm, S. No. 7 in M.157.28.2
Willaert. No. 108 in M.23S.i7.i;etc.
Amen. Opera. For the Music see Heydrich.
Amen amen dico vobis. Motet. Lassus. Siimmtliche Werke.
Band I. M.8o4oa.67.i
Amen chorus. Anthem. Cooke, B. M.260.23.2
Amen dico tibi. Anthem. Haydn, F. J. No. 32 in M.290.29.1
Amen! Lob und Ehre. Anthem. Telemann. No. 12 in M.202.6.3
Amen, praise the Lord. Anthem. Hasse, C. F. No. 31 in M.201.37
American and Italian cantatrici. Fiction. Lucius, pseud.
M. 1493.17
American banner, The. Part-song. Pierson. No. 3 in M.392.31
American College of Musicians.
Constitution adopted at the annual meeting, June 26, 1891.
Providence. 1893- No. 3 in M.375.2
Prospectus. [Providence?] 1886. No. i in M.375.2
Same. 2d edition. 1889. No. 4 in M.375.2
Regulations for the degrees of bachelor and doctor of
music. [Providence? 188-?] No. 2 in M.375.2
Syllabus and regulations governing the examinations, cre-
dentials, and the registration of tutors, instructors and
professors. [New York? 1896.] No. 6 in M.375.2
American hymn. The. Song. Keller, M. No. 2 in M.192.13.1
American Lecture and Musical Agency.
Pond, J. B. Season of 1891-92. Preliminary announcement.
[New York. 1891.] No. 13 in M.373.30
American school song book. The, improved. Fitz.
No. I in M.205.32
Americans, The. Opera. For the Music see King, M. P. For
the Libretto see Arnold, S. J.
Amerikaner, Der. Opera. For the Music see Gothov-Grue-
necke. For the Libretto see Moser.
Ames, Mrs. Henry.
Lovely May! [Trio. s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [185-?] No. 17 in M. 244.10.3
O peace of mind! [Trio. s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [184-?] No. 14 in M.244.10.1
We meet again. [Trio. s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [185-?] No. 12 in M.244.10.3
Amfiparnaso, L'. Musical comedy. For the Music see Vecchi.
Ami, L', de la maison. Opera. For the Music see Gretry, A.
E. M. For the Libretto see Marmontel.
Amica. Opera. For the Music see Mascagni. For the Li-
bretto see Choudens, P. de.
Amico, L', del' uomo. Opera. For the Music see Farinelli.
Amico Fritz, L'. Opera. For the Music see Mascagni. For
the Libretto see Suardon.
Amicus meus. Anthem. Palestrina. Werke. Band 32.
M.8o4oa.66.33
Amid the din of the war-trumpet. Part-song. Gluck.
No. 2 in M.157.28.3
Amid the meizy dance. Part-song. Blangini.
No. 13 in M.244.10.3
Amid the shades. Smig. Purcell, H. Beauties of Purcell.
Vol. 2. M.221.2
Amidst the myrtles. Glee. Battishill. No. 3 in M.235.7.1
Amilie, or the love test. Opera. For the Music see Rooke.
For the Libretto see Haines.
Aminta e Fillide. Aria. Handel. Werke. Lieferung S2.v
M.313.1.52A
Amitie, L'. Pianoforte trio. Louis, N. No. 8 in M.3go.i4
Amitie, L'. Song. David, F. C. Cinquante melodies. M.363.28
Amitie a I'epreuve, L'. Opera. For the Music see Gretry,
A. E. M. For the Libretto see Favart, C. S.
Amleto. Opera. For the Music see Buzzolla. For the Libretto
see Peruzzini.
Ammenlied. Song. Schubert, F. P. Werke. Serie 20, Band i.
M.317.1.20.1
Ammen-Uhr. Song. Taubert, C. G. W. Klange aus der Kin-
derwelt. Heft i. No. 3 in M. 192.6
Amo amas I love a lass. Part-song. Shield.
No. 44 in M.157.18.1 ; etc.
Amor, ben puoi tu ormai. Madrigal. Palestrina. Werke.
Band 28. M.8o4oa.66.28
Amor, che meco in quest ombre. Madrigal. Palestrin.\.
Werke. Band 28. M.8o4oa.66.28
Amor, che vedi ogni pensiero aperto. Part-song. Lassus.
Sammtliche Werke. Band 4. M.8o4oa.67.4
Amor conjugale, L'. Opera. For the Music see Mayer, J. S.
For the Libretto see Rossi, G.
Amor contrastato, L'. Opera. For the Music see Paisiello.
Amor, das blinde Gottelein. Part-song. Schein. Werke.
Band 2. M.414.1.2
Amor de miei sospiri. Song. Fioravanti, V. No. 2 in M. 120.16
Amor, fortuna, e la mia mente. Madrigal. Palestrina. Werke.
Band 28. M.8o4oa.66.28
Amor gioie mi porge. Duet. Handel. Werke. Lieferung 32.
M.3i3-i-32;etc.
Amor immaginario, L'. Opera. For the Music see Fioravanti, V.
Amor im Nachen. Part-song.
Cornelius. Werke. Band 2. M.414.20.2
Gastoldi. No. 18 in M.392.27
Amor, io sent' un respirar si dolce. Part-song. Sweelinck.
Werken. Deel 8. M.413.2.8
Amor mi strugge '1 cor. Part-song. Lassus. Sammtliche
Werke. Band 4. M.8o4oa.67.4
Amor! possente nome! Duet. Rossini. No. 15 in m. 157.40
Amor, quando fioria. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.2S
Amor, se pur sei Dio. Song. Palestrina. Werke. Band 30.
M.8o4oa.66.30
Amor, senza il tuo dono. Madrigal. Palestrina. Werke.
Band 29. M.8o4oa.66.29
Amor tra le vendemie. Opera. For the Music see Guglielmi, P.
Amor und Fortuna. Part-song. Reinecke, C. H. C. Sechs
Lieder und Gesange. No. 26 in M.392.21
Riedel, F. E. S. Sechs humoristische Gesange.
No. 2 in M. 158.21
Amor und Psyche. Cantata. For the Music see Schumann,
G. A. For the Libretto see Bulthaupt.
Amor und Psyche. Opera. For the Music see Abeille. For
the Libretto see Hiemer.
Amor, wie ist dein' Lieblichkeit. Part-song. Schein. Werke.
Band I. M.414.1.1
30
Amore
THE ALLEN A. BROWN COLLECTION OF MUSIC
Amusement
Amore artigiano, L'. Opera. For the Libretto see Gassmann.
Amore e morte. Arietta. Donizetti. Soirees de Paris.
No. II in M.244.4
Amore e pieta. Duet. Roberti. Inspirations italiennes.
No. I in M.364.10
Amore e speme. Song. Guglielmi, P. No. 2 in M.364.10
Amore, non volendo io. Part-sonq. Palestrina. Werke.
Band 30. M.8o4oa.65.30
Amore traditore. Cantata. For the Music see Bach, J. S.
Werke. Jahrgang 11, Lieferung 2.
Amoretten seh' ich Fliigel schwingen. Song. Schubert, F. P.
Werke. Serie 20, Band 10. M.317.1.20.10
Amori e trappole. Opera. For the Music see Cagnoni.
Amori marinari, Gli. Opera. For the Music see Weigl.
Amori veneziani. Songs. Bortolini. No. i in M.390.44
Amorous goddess. Opera. For the Music see Howard, S.
Amors Guckkasten. Opera. For the Music see Neefe. For
the Libretto see Michaelis, J. B.
Amors Rache. Opera. For the Music see Tanieev, A. S. For
the Libretto see Shtchepkin-Kupernik.
Amour, L'. .S"o»<7. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Amour a la Bastille, L'. Opera. For the Music see Hirsch-
mann. For the Libretto see Auge de Lassus.
Amour africain, L'. Opera. For the Music see Paladilhe. For
the Libretto see Legouve.
Amour au village, L'. Opera. For the Music see Camys. For
the Libretto see Riondel.
Amour aux ecoutes, L'. Song. Schubert, F. P. Melodies.
Vol. 6. M.327.4.6
Amour charlatan, L'. Opera. For the Music see Cellot. For
the Libretto see Lange, F. de.
Amour createur, L'. Song. David, F. C. Cinquante melodies.
M.363.28
Amour, crois en ma foi. Song. Campra. No. 2 in M.296.6
Amour d'epicier, Un. Opera. For the Music see Javelot. For
the Libretto see Perrin, J.
Amour de Florian, Un. Opera. For the Music see Max, £.
Amour de la rue Copeau, Un. Opera. For the Music see
Javelot. For the Libretto see Bouvier.
Amour, donnes-moi paix. Part-song. Lassus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
Amour en livree, L'. Opera. For the Music see Street, G. For
the Libretto see Carre, Albert.
Amour et charitc. For violin and piano. Louis, N.
No. 7 in M.390.7
Amour et cor de chasse. Opera. For the Music see Wachs.
For the Libretto see Laroche.
Amour & I'appetit, L'. Opera. For the Music see Desormes.
For the Libretto see Durafour.
Amour et I'honneur, L'. Song. Rouget de Lisle. 48 chants
fran^ais. M.202.44
Amour et la musique, L'. Stories. Demoliere. M.128.26
Amour et les allumettes, L'. Opera. For the Music see
Dubost. For the Libretto see Jouhaud.
Amour et mystere. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Amour et rose. Song. Fay, E. No. 14 in M.221.33
Amour et son carquois, L'. Opera. For the Music see Lecocq,
A. C. For the Libretto see Marquet.
Amour et son hote. Opera. For the Music see Hartog. For
the Libretto see Barbier, P. J.
Amour filial, L'. Opera. For the Music see Gaveaux. For the
Libretto see Demoustier.
Amour mannequin, L'. Opera. For the Music see Gallyot.
For the Libretto see Ruelle.
Amour medecin, L'. Opera. For the Music see Poise. For
the Libretto see Monselet.
Amour mouille, L'. Opera. For the Music see Varney, L. For
the Libretto see Prevel, J.
Amour musician, L'. Cantata. Bourgeois, T. L.
No. 3 in M. 281. 18
Amour nous appelle, L'. Chorus. Ronge. 12 choeurs rhyth-
miques. No. 48 in M.392.21
Amour papillon, L'. Song. Richer. No. 2 in M.281.18
Amour perdu. Song. David, F. C. Cinquante melodies.
M.363.28
Amour pour amour. Song. David, F. C. Cinquante melodies.
M.363.28
Amour quinze-vingt, L'. Opera. For the Music see Roger, V.
For the Libretto see Fromage-Chapelle.
Amour romanesque, L'. Opera. For the Music see Woelfl.
For the Libretto see Charlemagne.
Amour secret. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Amour supreme. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Amour trahi. Cantata. For the Music see Le Borne. For the
Libretto see Tiercelin.
Amour trahi. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Amour venge, L'. Opera. For the Music see Maupeou. For
the Libretto see Auge de Lassus.
Amoureux d'une valse. Opera. For the Music see Moniot.
Amoureux de Catherine, Les. Opera. For the Music see
Marechal. For the Libretto see Barbier, P. J,
Amoureux de Fanchon, Les. Opera. For the Music see Douay.
For the Libretto see Turpin de Sansay.
Amoureux de quinze ans. L', ou la double fete. Opera. For
the Music see Martini, J. P. £. For the Libretto see
Laujon.
Am.oureux depit, L'. Opera. For the Music see Corlieu. For
the Libretto see Bouvret.
Amours d'un pianiste, Les. Novel. Audeval. M.129.24
Amours d'un tenor, Les. Novel. Golitzen. M. 138. 16
Amours d'une Cosaque, Les. Par un ami de I'abbe X . . .
[Liszt]. Paris. Degorce-Cadot. [1875.] No. 2 in M.129.3
A reply to Souvenirs d'une Cosaque by Olga de Janina.
Amours des anges, Les. Oratorio. For the Music see Michaeli.
For the Libretto see L'Etang.
Amours du diable, Les. Opera. For the Music see Grisar. For
the Libretto see Saint Georges.
Amphiaraos. Song. Schubert, F. P. Werke. Serie 20, Band 2.
M.317.1.20.2
Amphion. Song. Naumann, J. G. M.311.1
Amphion Anglicus. Songs. Blow. M.121.1S
Amplewitz, R.
Bestattung [t. t. b. b.]. Op. 2. Leipzig. Siegel. [1889.]
No. 4, s in M.392.3
Amplius lava me. Anthem. Ciampi. No. 2 in M.290.29.1
Ellerton. No. 32 in M.260.3
Sarti. No. 61 in M.2go.22.2
Amstel, Hugo von der, translator.
Schuil. De Woudkoningen. Die Waldkonigin.
No. 2 in M.389.11
Amusement for the ladies, being a selection of catches, glees
and madrigals. London. Longman & Broderip. [18 — ?]
4 V. in 2. M.220.3
Contents. — Vol. i. [Hayes] : On Menander (On thy sweet lips). —
Smith: Return blest days. — Arne : Hush to peace. — Webbe: You
gave nie your heart. — Ame: Come shepherds we'll follow. — To the
old long life. — Cooke: Hark! hark the lark. — Jenner: Hail lovely
shade. — Ireland; Where weeping yews. — Este : How merrily we live.
— Ye birds for whom. — Cooke: How sleep the brave. — Jenner:
Thou'rt gone away. — Alcock : Hail ever pleasing solitude. — In vain
you tell. — Aylward: A cruel fate. — Webbe: A gen'rous friendship.
— Long: Where e'er you tread. — Tread soft ye lovers. — Haring-
ton : Quaker's wedding. — Hayes : Melting airs. — Brewer : Turn,
Amarillis. — Ravenscroft : The sailors. — Come live with me.
Vol. 2. Rogers: Come all noble souls. — Baildon: When gay Bacchus.
— Underneath this myrtle shade. — Berg: Swell the song. — Ireland:
Could gold prolong. — Ode to fancy. — Norris : On the death of the
Duke of Cumberland (O'er William's tomb). — Arne: Sweet muse.
— Arne: The love rapture (Fair the op'ning lily). — Webbe: Dis-
cord dire sister. — Smith: Let us my Lesbia. — Mornin^rton: Here
in cool grot. — Paxton : How sweet 1 how fresh! — Cooke: In the
merry month of May. — Weelks : The nightingale. — ■ Morley : Fair
Phillis I saw sitting. — Wilbye : Flora gave me fairest flowers. —
Baildon: Ye heav'ns if innocence. — Webbe: Tell me, ye powers. —
Hayes : Come follow me to the greenwood. — • The debate [Mr,
Speaker].
Vol. 3. Smith: Let happy lovers. — Long: Happy the youth. — Smith;
Blest pair of syrens. — Webbe: Pretty warbler. — Cooke: Now the
bright morning. — Ford: Fair, sweet, cruel. — Webbe: To me the
wanton girls. — Cooke: If the prize. — Webbe: Rise my joy. —
Harington : Weep, gentle shepherds. — Battishill : I lov'd thee beauti-
31
Amusement
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
An die
Amusement for the ladies. (Continued.)
ful. — Bera : Let us drink. — Atterbury : Sweet enslaver. — Hayes :
Winde gentle evergreen. — Atterbury : Joan said to John. — Purcell :
Fairest isle. — So che vanti. — Alcock : We'll drink. — Weelkes:
Welcome, sweet pleasure. — Morley : Now is the month of Maying.
. — Cooke: Susanna and the two elders. — Arne: Which is the prop-
erest day. — Wilbye : Lady, when I behold. — Atterbury: One a
penny. — Gibbons: The silver swan. — Conversi : When all alone. —
Battishill : Amidst the myrtles.
Vol. 4. Mornington: Delightful scene. — Smith: While fools their
time. — Wcbbe: Breathe soft. — Alcock: Once in Arcadia. —
Webbe: Now I'm prepared. — Smith: Slaves are they. — Harington :
Give me the sweet delights. — Arne: Make haste to meet. — Atter-
bury : Adieu ye streams. — Mornington : Come, shepherds, come. —
Freeman: Of all the brave birds. — Cooke: Hand in hand. — Hymn
to harmony (Daughter of heav'n). — Cooke: As now the shades. —
Danby: Lift up your heads. — The beggar's petition (Pity the sor-
rows). — Arne: The wooden walls of England. — Danby: The force
of music (When Sappho tun'd). — Webbe: Come unto me. — Pax-
ton: Upon the poplar bough. — Callcott : Blessed is he. — Paxton :
Go, Damon, go. — Norris: A long farewell. — Arne: The emperor
Adrian dying to his soul (Poor little, pretty, flutt'ring thing). — Call-
cott: Stray not to those distant shores. — Return, my lovely maid. —
Go, go, banish thy sorrow. — Smith: The huntsman's roundelay (V/hat
shall he have). — Callcott : Farewell to Lochaber. — Cooke : Her par-
tial taste. — Atterbury : Now round the board. — Atterbury : Oh thou
s«eet bird. — Purcell: Fear no danger. — Freeman: We be soldiers
three. — Paxton: In friendship's mask. — Callcott: When Arthur
first. — Paxton: Round the hapless Andre's urn. — Smith: Take, oh
take those lips away. — Mornington: Gently hear me. — Webbe: When
winds breathe soft. — Smith: Flora now calleth. — Paxton: Sonnet
spake in the character of Werter (Make there my tomb). — Danby:
The fairest flow'rs. — Paxton: Happy are they. — Webbe: O Lord,
shew us thy mercy. — Stevens: Sigh no more. — Callcott: Art the
white hours. — Webbe: Sweet is the soft, the sunny breeze. — Call-
cott: Go, idle boy. — Webbe: Swiftly from the mountain's brow. —
Paxton: In vain I strike. — Callcott: Have you Sir John Hawkins'
hist'ry. — Webbe : Non fidi al Mar. — Callcott : Here rests his head.
Amy Cassonet. Opera. For the Music see Tryon.
Amy Robsart. Ofera. For the Music see Lara. For the Li-
bretto see Harris, A. H. G.
Amynts Klagen iiber die Flucht der Lalage. Cantata. For the
Music see Benda, G.
An * * *. Song. Wiedebein. Lieder. No. 10 in M.221.33
An Agathe. Song. Gruber, G. W. Gottfried August Biirgers
Gedichte. Vol. i. No. 11 in M.iso.g.i
An Amaranth. Part-song. Bauer, L. No. 12 in M.392.3
An Anne. Song. Schumann, R. A. Werke. Serie 14.
M.316.1.14
An Babels Wasserflussen. Part-song. Cornelius. Werl^e.
Band 2. M.414.20.2
An Bertha. Songs. Cornelius. Werke. Band i. M.414.20.1
An Chloe. Song. Mozart. XXX Gesange. M.221.28; etc.
An Chloen. Song. Schubert, F. P. Werke. Serie 20, Band 4.
M.317.1.20.4
An das deutsche Lied. Part-song. Kuntze. Drei Gesange.
No. 38 in M. 392. 14
An das Vaterland. Cantata. For the Music see Hiller, F. For
the Libretto see Mueller von Konigswinter.
An das Vaterland. Part-song. Abt, F. No. i in M. 130.7
Jo'uRET. No. 31 in M.392.12
Kreutzer, C. No. 9 in M. 130.7; etc.
Mueller, J. G. No. 5 in M.203.3
An das Vaterland. Symphony. Raff. m. 347.31
An den Abendstern. Duet. Hennig. 20 ein und zweistimmigc
Lieder. No. 17 in M.203.8
Schumann, R. A. Werke. Serie 10, Band i. M.316.1.10.1
An den Abendstern. Song. Methfessel, A. G. Sechs Lieder.
No. 5 in M.221.33
An den fernen Geliebten. Song. Beethoven. Werke. Serie 23.
M.413.1.23
An den FrUhling. Part-song. Schubert, F. P. Werke. Serie 16.
M.317.1.16
An den FrUhling. Song.
Rubinstein. Sechs Lieder. No. 16 in M. 192.5
Schubert, F. P. Werke. Serie 20, Band 3. M.317.1.20.3
Taubert, C. G. W. Dichtungen von F. V. Schiller.
No. 2 in M. 192.8
AndenGesang. Part-song. Erk. Volksklange. No. i in M. 130.8
Schneider, J. J. No. 94 in M.213.9
An den Himmel. Song. Kiel, A. 6 Lieder. No. i in M.221.33
An den Maienwind. Part-song. Mair. Drei Mrinnerchore.
No. 14 in M.392.17
32
An den Mond. Part-song. Wendt, J. G. No. 56 in M.2i3.g
An den Mond. Song.
Brahms. Fiinf Gesange. Op. 71. No. 7 in M.380.40.3
Schubert, F. P. Fijllest wieder Busch und Thai. Werke.
Serie 20, Band 3. M.317.1.20.3
— Geuss lieber Mond. Werke. Serie 20, Band 2. M. 317.1.20.2
— Was schauest du so hell und klar. Werke. Serie 20,
Band 4. M.317.1.20.4
Schumann, R. A. Die Tochter Jephta's.
No. 9 in M.244.15.3; etc.
Taubert, C. G. W. No. 19 in M. 192.6
Weber, C. M. F. E. von. Sammtliche Lieder. Band i.
No. 4 in M.244.7
An den Mond in einer Herbstnacht. Song. Schubert, F. P.
Werke. Serie 20, Band 5. M.317. 1.20.5
An den Schlaf. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
An den Sommer. Song. Ritter, F. L. Zehn Kinder-Lieder.
Heft I. No. 6in M.192.4
An den Sonnenschein. Part-song.
Lachner, F. No. 71 in M. 1293.44
Lachner, V. Sechs Quartette. Heft i. No. 3 in M.392.34
An den Sonnenschein. Song. Schumann, R. A. Sechs Ge-
dichte von Reinick. No. 10 in M.244.15.1 ; etc.
An den Sturmwind. Part-song.
Cornelius. Werke. Band 2. M.414.20.3
Jadassohn. No. 2 in M.212.8
An den Tod. Song. Schubert, F. P. Werke. Serie 20, Band 5.
M.31 7.1.20.5
AndenTraum. Song. Cornelius. Werke. Band r. M.414.20.1
An den Traumgott. Song. Gruber, G. W. Gottfried .-Vugust
Biirgers Gedichte. Vol. i. No. 7 in M.130.9.1
An den Vetter. Duet. Haydn. F. J. Gesange. Heft i.
No. I in M.312.35
An den Vollmond. Part-song. Naumann, C. E. Vier Lieder.
No. II in M.392.ig
An den Wassern zu Babel. Psalm. Hast. No. s in M.384.30
An den Wind. Song. Franz. R. Sechs Gesange. Op. 26.
No. 72 in M.244.5.2
An den Winter. Song. Ritter, F. L. Zehn Kinder-Lieder.
Heft I. No. 6 in M.192.4
An der Bahre einer jungen Frau. Song. Grieg. Grieg-Album.
No. 6 in M. 155.16
An der Elbe. Part-song. Hopp, J. No. 49 in M.204.39
Moeldner. No. 48 in M.204.39
An der Linden. Song. Jensen, A. Ausgewahlte Lieder.
No. 3 in M. 157.37
An der Mosel. Opera. For the Music see Conradi. For the
Libretto see Haber.
An der Quelle. Part-song. Weinzierl. No. 55 in M.392.24
An der Rose Busen. Song. Rubinstein. Sechs Lieder.
No. 6 in M.192.5
An der Saale hellem Strande. Part-song. Baumgartner, W.
No. 172 in M. 147.4
An der schonen blauen Donau. Walt::. Strauss, J. iS^s-iSg^.
M.404.22
An der Tafel. Part-song. Zaeh. Sechs vierstimmige Manner-
chore. No. 23 in M.392.38
An der V/iege. For string orchestra. Grieg. Zwei lyrische
Stiicke. No. 3 in M.410.32
An Deutschland. Part-song. Spiedel. Fiinf Miinnerchore.
No. 40 in M.3g2.25
An die Apfelbaume, vio ich Julien erblickte. Song. Schubert,
F. P. Werke. Serie 20, Band 2. M.317. 1.20.2
An die blaue Himmelsdecke. Song. Tiehsen. Drei Lieder.
No. 8 in M.236.8
An die deutsche Jugend. Part-song. Eberwein.
No. 4 in M.3g2.46
An die Deutschen. Part-song. Gruber, J. No. i in M.370.30
An die Einsamkeit. Song. Mozart. XXX Gesange. M.221.28
An die Entfernte. Song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 19. ' M.413.3.19
Schubert, F. P. Werke. Serie 20, Band 7. M.31 7.1.20.7
An die feme Geliebte. Part-song. Becker, V. E. Im Fruh-
ling. Heft 2. No. 4 in M.392.4
An die
THE ALLEN A. BROWN COLLECTION OF MUSIC
An Mignon
An die feme Geliebte. Songs. Beethoven. Werke. Serie 23.
M.413.1.23
An die Frauen. Trio. Haydn, F. J. Gesange. Heft 2.
No. 2 in M.312.35
An die Freude. Part-song. Doerrjen. No. 2 in M.213.9
An die Freude. Song.
Mozart. Werke. Serie 7, Band i. No. 2 in M.315.1.7.1
Greger. No. 8 in M. 130.7
Schubert, F. P. Werke. Serie 20, Band 2. M.317. 1.20.2
An die Freunde. Song. Schubert, F. P. Werke. Serie 20,
Band 6. M.317. 1.20.6
An die Freundschaft. Part-song. Neithardt.
No. 147 in M. 1298.43.4
An die Geliebte. Song.
Beethoven. Werke. Serie 23. M.413.1.23
Haydn, F. J. Gesange. Heft 2. No. 2 in M.312.3S
Pierson. No. 4 in M.236.6
Schubert, F. P. Werke. Serie 20, Band 3. M.317.1.20.3
An die heilige Jungfrau. Song. Curschmann. Curschmann-
Album. No. I in M.157.37
An die Heimat. Part-song. Mueller, J. G. No. 54 in M.147.4
Schmidt, K. No. 8 in M.130.7
Vogler, B. No. 59 in M.147.4
An die Hoffnung. Cantata. For tiie Music see Krug, A. For
the Libretto see Tiedge.
An die Hoffnung. Song. Beethoven. Op. 32, 94. Werke.
Serie 23. M.413.1.23
Gruber, G. W. Gottfried August Biirgers Gedichtc. Vol. i.
No. 8 in M.130.9.1
Mozart. XXX Gesange. M.221.28
Schmidt, J. P. S. No. 32 in M.221.33
An die Konigin Elisabeth. Song. Schumann, R. A. Werke.
Serie 13, Band 4. M.316.1.13.4
An die Kiinstler. Cantata. For the Music see Liszt. For the
Libretto see Schiller.
An die Kiinstler. Part-song. Taubert, C. G. W. 6 Gesange.
Heft I. No. 19 in M.392.26
An die Kunst. Song. Wagner, W. R. No. s in M.212.18
An die Laute. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
An die Leyer. Song. Schubert, F. P. Werke. Serie 20,
Band 7. M.317.1.20.7
An die Lieben in der Feme. Song. .\bt, F. Sechs Lieder.
No. 2 in M.204.37
An die Liitzow'schen Jager. Part-song. Ecker.
No. 5 in M.203.22
An die Melancholic. Song. Mihalovich. Sechs Lieder.
No. 3 in M. 380.21
An die Musik. Cantata. For the Music see Grimm, J. O. For
the Libretto see Schuecking.
An die Musik. Song. Schubert, F. P. Werke. Serie 20,
Band 5. M.317.1.20.5
An die Nacht. Part-song.
Brah-Mueller. Nachtlieder. No. 10 in M.392.37
Haeser, J. [Vier Lieder.] No. 14 in M. 392. 10
An die Nachtigall. Duet. Henschel, G. Serbisches Liedcr-
spiel. No. 2 in M. 194.15
Schumann, R. A. Werke. Serie 10, Band i. M.316.1.10.1
Taubert, C. G. W. No. 37 in M.192.8
An die Nachtigall. Song.
Brahms. Vier Gesange. Op. 46. No. 9 in M.380.40.1
Schubert, F. P. Er liegt und schlaft. Werke. Serie 20,
Band 4. M.317.1.20.4
— Geuss nicht so laut. Werke. Serie 20, Band 2. M.317.1.20.2
An die Natur. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
An die Nymphe des Negenborns. Song. Grueer, G. W. Gott-
fried August Biirgers Gedichte. Vol. 2. No. 3 in M. 130.9.2
An die Romantik. Part-song. Vogel, W. M. Vier Gesange.
No. 45 in M.392.26; etc.
An die Schlafmiitze. Part-song. Genee. No. 38 in M.392.9
An die Sonne. Part-song.
Schubert, F. P. Werke. Serie 17. M.317.1.17
Zabel. No. 22 in M.392.42.3
An die Sonne. Song. Schubert, F. P. Konigliche Morgen-
sonne. Werke. Serie 20, Band 3. M.317.1.20.3
— Sinke, liebe Sonne. Werke. Serie 20, Band 2. M.3i7.i.20.a
An die Sterne. Part-song. Pickert. No. 27 in M.203.7
Schumann, R. A. Vier doppelchorige Gesange.
No. 7 in M. 280.49; etc.
An die Stolze. Song. Brahms. Funf Lieder. Op. 107.
No. 5 in M. 380.40.3
An die Stunden des Gesanges. Song. Rungenhagen.
No. 13 in M.221.33
An die Thiiren will ich schleichen. Song. Schumann, R. A.
Lieder . . . aus Wilhelm Meister. No. 11 in M. 244.15.3; etc.
An die Todten. Part-song. Pierson. No. 112 in M.204.39
An die Tondichter. Part-song. Tauwitz. No. 2a in M.204.39
An die Tonkunst. Song. Taubert, C; G. W. Sieben Lieder.
No. 25 in M.192.8
An die Trosterin der Betrubten. Part-song. Kalliwoda, W.
Fiinf geistliche Lieder. No. i in M.157.24
An die untergehende Sonne. Song. Schubert, F. P. Werke.
Serie 20, Band 4. ' M.317.1.20.4
An die V/alschen. Part-sonq. Gartz. No, 27 in M.203.7
An die Welle. Song. Abt, F. Sechs Lieder. No. 2 in M.204.37
An die Wolke. Song. Franz, R. Sechs Gesiinge. Op. 30.
No. 90 in M. 244.5.2
An ein kleines Kind. Duet. Hennic. 20 ein und zweistimmige
Lieder. No. 17 in M.203.S
An ein Maienliiftchen. Song. Gruber, G. W. Gottfried .\u-
gust Biirgers Gedichte. Vol. i. No. i in M. 130.9.1
An ein Veilchen. Song. Brahms. Fiinf Lieder. Op. 49.
No. 12 in M.380.40.1
An eine Aeolsharfe. Song. Brahms. Fiinf Gedichte.
No. 5 in M.380.40.1
An eine Freundin. Song. Becvarovsky. Gesange beim Kla-
vier. Heft I. No. 20 in M.221.33
Weber, C. M. F. E. von. Siimmtliche Lieder. Band i.
No. 17 in M.244.7
An eine Quelle. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
An eine Rose. Song. Seidel, F. L. Lieder. Heft 2.
No. 17 in M.221.33
An eine Rosenknospe. Song. Righini. Zwolf deutsche Lieder.
No. 27 in M.221.33
An einem Bache. Song. Grieg. Grieg-Album.
No. 5 in M. 155.16
An einen Boten. Song. Albert, Prince Consort. Collected
compositions. M.290.23
An einen Saugling. Song. Beethoven. Werke. Serie 23.
M.413.1.23
An Elisa. Song. Wollank. No. 13 in M.221.33
An Emma. Part-song. George V., of Hanover. Vier Gedichte.
No. 4 in M.155.17
An Emma. Song. Schubert, F. P. Werke. Serie 20, Band i.
M.317.1.20.1
An hellen Tagen. Part-song. Gastoldi. No. 17 in M. 392.27
An ihre treue Brust. Part-song. Skroup. No. 232 in M. 1293.43.8
An Iris. Song. Haydn, F. J. Gesiinge. Heft 2. No. 2 in M.312.3S
An Johanna. Part-song. Otto, F. No. 232 in M. 1293.43. 7; etc.
An Laura. Song. Schubert, F. P. Werke. Serie 20, Band i.
M.317.1.20.1
An Lina. Song. Wiedebein. Lieder. No. 10 in M.221.33
An Malzel. Canon. Beethoven. Werke. Serie 23. M.413.1.23
An Maria. Part-song. Lachner, V. No. 20 in M.392.15
An mein Clavier. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
An mein Herz. Song. Schubert, F. P. Werke. Serie 20,
Band 8. M.317.1.20.8
An mein Vaterland. Part-song. Baumgartner, W.
No. 9 in M.130.7; etc.
An mein Vaterland. Symphony. Kaun. M.404.84
An meinem Herzen. Song. Schumann, R. A. Frauenliebe
und Leben. No. 2 in M.244.15.2
An Mignon. Song. Erste, zweite Fassung. Schubert, F. P.
Werke. Serie 20, Band 2. M.317.1.20.2
Same. [Zweite Fassung.] Sammtliche Compositionen.
M.244.12
I. 5
33
An mil
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Andenken
An mil, L'. Opera. For the Music see Grisar. For the Li-
bretto see Duveyrier, A. H. J.
An mil, L'. Symphonic poem. Pierne. M.400.43
An Minna. Song. Beethoven. Werke. Serie 25. M.413.1.25
An Paulina. Part-song. Otto, F. No. 178 in M.i29a.43.s
An Rosa. Part-song. Wichtl. No. 104 in M.246.22
An Rosa. Song. Schubert, F. P. Rosa denkst du an mich?
Werke. Serie 20, Band 3. M.317.1.20.3
— Warum bist du nicht hier? Werke. Serie 20, Band 3.
M.317.1.20.3
An Rose. Song. Curschmann. Curschmann-Album.
No. I in M.IS7.37
An Sachsens Kbnig. Part-song. Anacker. No. 96 in 11.213.9
An Schwager Kronos. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317.1.20.4
An sein Madchen. Song. Taubert, C. G. W. 12 Lieder. Sang
der Liebe. No. 4 in M.221.26
An Sie. Part-song.
George V., of Hanover. Sechs Lieder. No. 7 in M. 155. 17
Schmidt, Gustav. Drei Gedichte. No. 25 in 1^.392.23
An Sie. Song.
Curschmann. Curschmann-Album. No. i in M. 157. 37
Schubert F. P. Werke. Serie 20, Band 3. M.317.1.20.3
Str.vuss, R. Drei Gesange. No. 11 in M.380.24.3
Weber, C. M. F. E. von. Sammtliche Lieder. Band 2.
No. 87 in M. 244.7
Wustrow. Neun Gesange. No. 11 in M. 221.33
An Sie im Alter. Part-song. Fromm. No. ii in M.203.16
An Sylvia. Song. Schubert, F. P. Werke. Serie 20, Band 8.
M.317.1.20.8
An Themiren. Song. Gruber, G. W. Gottfried August
Burgers Gedichte. Vol. i. No. 19 in M.130.9.1
An Thyrsis. Soyig. Haydn, F. G. Gesange. Heft 2.
No. 2 in M.312.35
An Weber's Grabe. Part-song. Wagner, W. R.
No. IS in M.392.34
An Wina. Song.
Taubert, C. G. W. Sechs deutsche Lieder. No. 2 in M.221.26
Wiedebein. Lieder. No. 10 in M. 221.33
An Zuleikha. Song. Taubert, C. G. W. Vier Lieder.
No. 8 in M.192.7
Anacker, August Ferdinand.
An Sachsens Konig [t. t. b. b.]. (/» Fink. Die deutsche
Liedertafel. Pp. 146, 147.) No, 96 in M.213.9
Astronomie [t. t. b. b.]. (/« Fink. Die deutsche Liederta-
fel. P. 152.) No. 99 in M.213.9
Bergmann's Gruss. Gedicht von Moritz Boring, melodra-
matisch in Musik gesetzt fiir Solo- und Chorstimmen mit
Orchesterbegleitung . . . von A. F. Anacker. Klavier-
auszug. Leipzig, Hofmeister. [183-?]
No. I in M.221.9; No. 4 in M. 221.5
Freude in Ehren [t. t. b. e.] . {In Fink. Die deutsche Lieder-
tafel. Pp. 126-131.) No. 8s in M.213.9
Das Licht des Glaubens. Kirchen-Cantate . . . fiir vier-
stimmigen Chor mit Begleitung des Orchesters. [Parti-
tur.] Meissen. Goedsche. [183-? Repertorium fiir
Deutschland's Kirchenmusik.] No. 3 in M. 221.34
The miner's song. Part-song for t. t. b. b. {In The Or-
pheus. New series. Vol. 3, pp. 150-154.) No. 36 in M.205.10.3
Morgengruss [t. t. b. b.], {In Fink. Die deutsche Lieder-
tafel, Pp. 156, 157,) No, 103 in M.213.9
Selber ist der Mann [x. t. b. b.]. {In Fink. Die deutsche
Liedertafel. P. i37-) No, 88 in M.213.9
Anacreon.
The celebrated odes of Anacreon, arranged from the Greek,
as English songs; ... by Charles Dibdin the younger:
the music composed ... by John Whitaker.
No. I in M.380.19
Contents. — The bower of roses I built for my love, — Love van-
quishes all. — My fair & my friend. — Smiling maid, you bid me
smg. — Beauty says I'm growing old. — Round the cot, where
smiles my fair. — Whose eyes seem lights of Heaven. — The wreath
of the Muses. — 'Tis red, 'tis red, 'tis ruby red. — Love no longer
^ true. — For, O, I dreamt of love. — Care came knocking at my door.
Six select odes of Anacreon in Greek and three of Horace in
Latin, set to music by M. Heighington. M.340.23
Anacreon. Opera. For the Music see Cherubini. For the
Libretto see Mendouze.
Anacreon chez Polycrate. Opera. For the Music see Gretry,
A. E. M. For the Libretto see Guy, J. H.
Anatole ***. See Luquin, Anatole.
Anbetung. Song. Strauss, R. Vier Lieder. No. 20 in M.380.24.2
Ancelot, Jacques Frangois Arsene.
La grille du pare. Opera comique. Paroles de MM. * * *
[Pain, Ancelot et Audibert]. Mis en musique . . . par
Auguste Panseron. M.293.2S
Ancetre, L'. Opera. For the Music see Saint-Saens. For the
Libretto see Auge de Lassus.
Ancien eleve de I'ficole polytechnique. See Bardonnaut, J. N.
Marcellin.
Ancien officier, pseud. See Varenne de Beost, C. M. A.
Ancient mariner, The. Cantata. For the Music see Harnett,
J. F.; also Pattison, T. M. For the Libretto see Cole-
ridge, S. T.
Ancient Phyllis. Part-song. Jenner. No. 214 in M.235.17.2; etc.
And all the people saw the thunderings. Anthem. Stainer,
No. 6 in M. 195.2. 13
And does a fond emotion. [Duet, s. t. Accomp. for piano-
forte.] {In The Harmonist. Vol, 4, pp. 69-71.)
No. 23 in M.218.8.4
And God made the firmament. Anthem. Haydn, F. J.
No. 10 in M.233.18.1
And it was the third hour. Anthem. Elvey, G. J.
No. 20 in M.I95.2.II
And lo! I beheld the dead. Anthem. Allen, G. B. Fifteen
anthems. No. 9 in M.233.1
And must I needs depart. Madrigal. Bateson. First set of
madrigals. No. 2 in M. 234.22
And must wfe part? Duet. Abrams, No, 243 in M.235.17.2; etc.
And Saul was very wroth. Anthem. Haydn, F. J.
No. 8 in M.221.22.3
And the angel came in unto her. Anthem. Lassus,
No. 14 in M.233.25.1
And the city had no need of the sun. Anthem. Whittington.
No. 45 in M.158.20
And the years glide by. Part-song. Brown, O. B,
No, 52 in M.392.3
And then no more. Part-song. Raff. No. iS in M. 195.1. 17
And there v/as a pure river. Anthem. Ouseley.
No. I in M.233.24.2
And there was war in Heaven. Anthem. Allen, G. B. Fifteen
anthems. No. i in M.233.1
And there were shepherds. Anthem. Foote. No. 3 in M.203.27
And they rest not day and night. Anthem. Tuckerman, S. P.
No. 2 in M.154.19
And they went forth. Anthem. Croce. No, i in M.233.25.1
And they're a nodding. Ballad [s. a.]. (/« Bland. The Ladies'
collection. Vol. 5, pp. 530, 531.) No. 139 in M.235.17.5
And though my love abounding. Madrigal. Wilbye. Works.
Vol. I. No. IS in M.234.19.1
And were they not happy days? Part-song. Mori, F.
No. 63 in M.157.5.2; etc.
And whither would you lead me? Part-song. Mazzinghi.
No. 12 in M. 235. 16
And why my soul. Part-song. Danby. No. 135 in M.220.9.3
And with songs. Anthem. Marcello, B. No. 19 in M.234.4.I
Andacht. Part-song. Schulz-Weida. No. 19 in M.392.2S
Andalusian, The. Opera. For the Libretto see Soane.
Andante et finale. For pianoforte. Tchaikovski, P. I. M.404.25
Andante funebre. For orchestra. Svendsen. No, 4 in M. 403.93
Andante religiose. For orchestra. Klose. No, 2 in M.403.8S
Scharweniva, F. X. No. 3 in M.342.33
Andante symphonique. For orchestra. Grossman.
No. 2 in M.410.64
Andemo in gondola. Barcarole. Bortolini. Amori veneziani.
No. I in M.390.44
Andenken. Part-song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 16. M.413.3.16
Andenken. Song. Beethoven. Werke. Serie 23. M.413.1.23
Schubert, F. P. Werke. Serie 20, Band i. M.317.1.20.1
34
Anders
THE ALLEN A. BROWN COLLECTION OF MUSIC
Andreozzi
Anders, Gottfried Engelbert.
Details biographiques sur Beethoven, d'apres Wegeler et
Ries. Paris. Revue & gazette musical. 1839.
No. 2 in M.145.34
Nicolo Paganini. Sa vie, sa personne, et quelques mots sur
son secret. Paris. Delaunay. 1831. No. 2 in M. 126.6
Andersen, Carl Christian Thorvaldus.
Bilder des Jahres. Componirt von Niels W. Gade.
No. I in M.270.32
Kalanus. Dramatisches Gedicht, componirt von Niels W.
Gade. M.352.ii;etc.
Die Kreuzfahrer. Dramatisches Gedicht componirt von
Niels W. Gade. M.3S2.13; etc.
Same. The crusaders, a cantata. Composed by N. W. Gade.
No. I in M. 155.5
„Psyche." Concertstuck von Niels W. Gade. M.352.12
Andersen, Hans Christian.
Agnete und die Meermadchen. Componirt von Niels W.
Gade. No. i in M.333.12
Ravnen. Trylle-Opera. Musiken af I. P. E. Hartmann.
M.232.13
Andersen, Hans Christian. Works about.
Enna, a. H. C. Andersen. Eine Festouvertiire fiir Orches-
ter. Partitur. Leipzig. [1905] No. i in M.406.65
Andersen, J. F. Reynolds.
Victorian (The Spanish student). An opera. Music by
Julian Edwards. M.305.35
Anderson, E. N.
I will extol Thee. Anthem. [Accomp. for organ.] Boston.
Ross & Co. [1887.] No. 4inM.158.13
Anderson, G. F. R.
In music's praise. A cantata. Music by Henry K. Hadlcy.
No. 6 in M.384.11
Anderson, George Frederick.
Statement ... in reply to calumnious charges against him
as director of Her Majesty's private band. Norwich.
Mercury Office. [1855.] No. 11 in M. 149.8
Anderson, Green H.
Mass in F. [Accomp. for organ.] Op. 12. Cincinnati. J.
Church Co. [1870.] No. 2 in M.191.1
Anderton, Thomas.
The curfew. Part-song. (In Leslie. Cassell's Chorus music.
Pp. 173-176.) No. 41 in M.235.10
English requiem. Words by Julia Goddard. Music by T.
Anderton. [Accomp. for pianoforte.] London. Beres-
ford. [1890.] No. I in M. 154.15
John Gilpin, cantata for solos and chorus, words by Cowper,
music by T. Anderton. London. Hutchings & Romcr.
[1871.] No. I in M.154.14; No. 2 in M.154.15
The Norman baron, a cantata [for solos, s. e., and chorus].
The poem by Longfellow, the music by T. Anderton.
[Accomp. for pianoforte.] Octavo edition. London.
Novello, Ewer & Co. [1884.] No. 3 in M.154.15
The sleighbells. [Trio. s. s. a. Accomp. for pianoforte.]
London. Hutchings & Romer. [187-?] No. 9 in M.244.10.3
The three jovial huntsmen, set to music as a short cantata
[for chorus], with the permission of R. Caldecott, by T.
Anderton. [Accomp. for pianoforte.] London. Patey &
Willis. [1881?] No. iinM.154.16
The wise & foolish virgins, a sacred cantata, for female
voices with tenor & bass parts, (ad: Hb:) composed by T.
Anderton. London. Hutchings & Romer. [188-?]
No. S in M.154.15
The wreck of the Hesperus. A cantata, for solo voices [s. t.
B.] & chorus. Words by Longfellow, music by T. Ander-
ton. [Accomp. for pianoforte.] London. Novello, Ewer
& Co. [1882?] No. 2in M.154.14; No. 4111 M.155.22
Yule-tide, a cantata [for solos and chorus, s. a. t. b.]. The
words by Julia Goddard, the music by T. Anderton. [Ac-
comp for pianoforte.] Octavo edition. London. Novello,
Ewer & Co. [1885?] No. 4 in M.IS4-I5
Anding, Johann Michael. ,, ^ -ir r
Lied deutscher Auswanderer [x. t. b. B.]. (In Otto, L. J.
Ernst und Scherz. Heft 21, p. 43-) No. 2 m M.3g2.20
Anding, Johann Michael. (Continued.)
Wanderlust [t. T. B. B.]. (/» Abt. Leichte Miinnerchore.
Heft 9, pp. 12-14.) No. 54 in M.246.23
Was wird denn wohl das Beste sein? [x. x. b. b.] {In Abt.
Leichte Mannerchore. Heft 9, pp. 15, 16.)
No. 55 in M.246.22
Andre, F., f'scud. See Raballet, £. A.
Andre, Johann.
Laura Rosetti. Ein Schauspiel mit Gesang. Clavierauszug.
Offenbach. [177-?] M.251.16
Andre, Johann Anton.
Grosse Sinfonie ... in Es. Op. 25. Partitur. Offenbach
a. M. Andre. [185-?] No. i in M.332.3
Missa [in Bb] ... in einem Klavier - Auszug gebracht.
Offenbach a. M. Andre. [185-?] No. 2 in M.222.45
Zaide, Oper in 2 Acten von W. A. Mozart. Klavierauszug.
Offenbach a. M. Andre. '[iSsS.] M.310.41
The overture and final chorus are by Andre. The text was revised
and augmented by Carl Gollmick.
Andre, Ludwig.
Aennchen lieb. Bohmisches Volkslied fiir Mannerchor (mit
Bariton-Solo ad libitum). Op. 83. Offenbach a. M.
Andre. [188-?] No. 29 in M.392.2
Diandle tief drunt' im Thai. Volkslied aus Karnten . . .
fiir Mannerchor mit Bariton-Solo (Jodler). Op. 78. Of-
fenbach a. M. Andre. [188-?] No. 28 in M.392.2
Drei deutsche Volkslieder fiir vierstimmigen Mannerchor.
Op. 40. Offenbach a. M. Andre. [188-?] No. 6 in M.392.3
Conlenls. — Ein Marchen. — Hui auf! — Die Erde braucht Regen.
lUyrisches Trinklied [x. x. B. B.]. Op. 79, No. 2. Offenbach
a. M. Andre. [188-?] No. 8 in M.392.3
Minka und Janes [t. x. b. b.]. Op. 79, No. i. Offenbach a. M.
Andre. [1S8-?] No. 7 in M.3g2.3
Der Mond ist schon verblichen. Volkslied aus Bohmen fiir
x.-Solo mit Brummchor [x. x. b. B.]. Op. 87. Offenbach
a. M. Andre. [188-?] No. 30 in M.392.2
Andre, Peter Friedrich Julius.
Angelus. [Motet. Accomp. for organ.] (In Lutz. Motets
for the year. No. 23. Pp. 104-109.) No. 23 in M.156.50
Arranged from Andre's Organ book.
Gloria in excelsis. (In Buck. Motette collection. Vol. 2,
pp. I lo-i 14.) No. 26 in M.ioo.4.3
Improperium. [Motet. Accomp. for organ.] (In Lutz.
Motets for the year. No. 20. Pp. 88-91.) No. 20 in M.156.50
Arranged from Andre's Organ book.
Intende voci. [Motet. Accomp. for organ.] (In Lutz. Mo-
tets for the year. No. 32. Pp. 150-153.) No. 32 in M.156.50
It is a good thing. [Anthem.] (In Buck. Motette collec-
tion. Vol. 2, pp. 115-119.) No. 27 in M.ioo.4.2
Rend your hearts. [Anthem.] (7k Buck. Motette collec-
tion. Vol. 2, pp. 162-164.) No. 40 in M.ioo.4.2
Andre, Richard.
Lilliputian opera: Red-Riding Hood. The music by Isidore
de Solla. M.128.40
Andre Chenier. Opera. For the Music see Giordano. For
the LiBREXXo see Illica.
Andre del Sarto. Duet. Millex. Duos, trios . . . M.157.11
Andreas Christi famulus. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Andreas Hofer. Part-song. Reichardx, G. No. 60 in M.i2ga.44
Andreasfest, Das. Ofcra. For the Music see Grammann. For
the LiBREXxo see Rosenfeld, J.
Andree, Elfrida.
Snofrid. Ballad af Viktor Rydberg. For soli [s. m.-s. och
X.], kor och orkester af Elfrida Andree. Klaverutdrag.
[Med svensk och tysk text. Stockholm. 1884.]
No. I in M.391.31
Taba'rin. Opera comique. Poeme de MM. Alboize [Alboise
de Pujol] et Andrei. Musique de Georges Bousquet.
M.27S.5
Andreozzi, Gaetano.
Caro Enea dove son. Terzetto a due soprani, e tenore.
Nella Didone abbandonata. [Partitura.] Manuscript.
J7p^ No. 7 in M. 120.13
35
Andreozzi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Anfossi
No. I in M.203.26
. . Composed by-
No. 2 in M.220.19
The music selected and
No. I in M.391.30
Andreozzi, Gaetano. (Continued.)
Pietoso Dio che adoro, cavatine con quartetto. Manuscript.
[i79_?] No. S inM.120.12
Andrews, A.
Blessed be the Lord God. [Anthem. Accomp. for organ.]
New York. Firth. 1867. No. 5 in M.190.1
It is a good thing. [Anthem. Accomp. for organ.] New
York. Firth. 1867. No. 4 in M.190.1
Andrews, Joseph Warren.
Te Deum [in C. Accomp. for organ]. Medford. Hutchins.
1884. No. 5 in M.158.13
Andrews, M. H.
How beautiful upon the mountains. Anthem. [Accomp. for
organ.] Boston. White-Smith Music Publishing Co.
[1894.]
Andrews, Miles Peter.
Belphegor, or the wishes, a comic opera.
F. H. Barthelemon.
The enchanted castle. Pantomime,
arranged by William Shield.
Andries, Jean.
Precis de I'histoire de la musique, depuis les temps les plus
recules. Gand. De Busscher. 1862. Portrait. M.215.1
Andromaca. Opera. For the Music see Paisiello.
Andromaque. Incidental Music. Saint- Saens. M.406.27
Andromaque. Ofera. For the Music see Gretry, A. E. M.
For the Libretto see Pitra.
Andromeda. Cantata. For the Music see Lloyd, C. H. For
the Libretto see Weatherly.
Andromeda. Opera. For the Music see Baumgarten, G. von.
Andromeda und Perseus. Opera. For the Music see Zimmer-
mann, Anton.
Andromede. Song. Richer. No. 2 in M.281.18
Andromede. Symphonic poem. Holmes, A. M. A. M.404.83
Anecdotes.
Busby, T. Concert room and orchestra anecdotes of music
and musicians. London. 1725. Portraits. Plates. M. 128.23
CoxE, W. Anecdotes of George Frederick Handel, and
John Christopher Smith. [Anon.] London. 1799.
No. I in M.TI1.5
Crowest, F. J. A book of musical anecdote, from every
available source. London. 1878. 2 v. M. 126.17
Ella, J. Musical sketches, abroad, and at home . . . Lon-
don. i860. Portrait. M.i49a.33
Kleine Erzahlungen fiir Musiker und alle Freunde einer
aufheiternden Lektiire. Weissenfels. 1802. M.370.20
Lecomte, J. Le perron de Tortoni. Indiscretions bio-
graphiques. Paris. 1863. M. 198. 19
Phillips, H. Musical and personal recollections during
half a century. London. 1864. Portrait. 11.1493.2
PoLKO, E. Musical sketches. Translated from the 6th Ger-
man edition by Fanny Fuller. Philadelphia. 1864.
M.i09b.47
Robertson, J. C. The Percy anecdotes. By Sholto [pseud.]
and Reuben Percy [pseud.]. Vol. 17. The stage; music.
London. 1826. Portraits. M. 1293.39
Weckerlin, J. B. T. Musiciana. Extraits d'ouvrages rares
ou bizarres, anecdotes, lettres, etc. Paris. 1877. M.127.9
Nouveau musiciana. E.xtraits d'ouvrages rares ou bi-
zarres, anecdotes, lettres, etc. Paris. 1890. Portraits.
Plates. M. 127.10
Anecdotes sur W. G. Mozart. [Anon.] See Rochlitz, F. J.
M.14S.10
Anelli, Angelo.
Griselda. Opera compose par F. Paer. M.3ii.29
Same. La virtii al cimento. Melodramma. Musica del
Sigre. Ferdinando Per [Paer]. M.360.13
L'ltaliana in Algieri. Atto secondo. [Musica di Rossini.]
M.60.8
maestro Rossini.
No. 3 in M.147.8.1
Same. Dramma giocoso. Musica
Venezia. Molinari. [181-?]
Libretto only, in Italian.
Same. [In English and Italian.]
[1819.]
36
del
London. Winchester.
No. 6 in M.ioga.i.a
Anelli, Angelo. (Continued.)
Same. Opera complet. Paroles italiennes. Musique de Ros-
sini. M.369.28
Ser Mercantonio. Dramma giocoso. [Musica] del Sig"'.
Stefano Pavesi. M.51.15
Anerio, Felice.
Adoramus Te [s. s. T. B.]. (7n Rochlitz. Sammlung vorziig-
licher Gesangstiicke. Band i, Abtheilung 2, p. 21.)
No. 30 in M.202.6.1
Ah me! where is my true love? Madrigal. (In Hullah. Part
music. Secular. Vol. i, pp. 39-41.) No. 13 in M.157.28.1
Also to be found in Oliphant's Madrigals in parts.
Angelus autem Domini. [Motet.] (In Lueck. Sammlung
ausgezeichneter Compositionen fiir die Kirche. Band 3,
pp. 74-76.) No. 21 in M.158.33.3
Christus factus est. [Motet. Accomp. d'orgue.] Bruxelles.
Schott. [185-?] No. I in M. 260.19
Also to be found, without accomp., in Rochlitz's Sammlung vorziiglicher
Gesangstiicke.
Jesu, Decus angelicum ... A 3 voix [s. s. t.]. (In Prober.
Jvbilvs rythmicvs de nomine Jesv. Pp. 2, 3.)
No. 2 in M.201.1
Missa quatuor vocum. (In Proske. Selectus novus missa-
rum. Vol. I, pp. 33-58.) No. 2 in M.250.39.1
Now morn awaketh. [Madrigal, s. s. a. t. b.] (In Taylor.
Vocal school of Italy. Pp. 64-68.) No. 13 in M.237.28
O beatum incendium. A 4 voix [s. s. M.-s. .\. ou T.]. (In
Prober. Jvbilvs rythmicvs de nomine Jesv. Pp. 20, 21.)
No. 2 in M.201.1
O Jesu mi dulcissime. A 3 voix [s. s. a. ou x.]. (In Prober.
Jvbilvs rythmicvs de nomine Jesv. Pp. 4-7.)
No. 2 in M.201.1
Rex virtutum. A 3 voix [s. a. t.]. (In Prober. Jvbilvs ryth-
micvs de nomine Jesv. Pp. 10, 11.) No. 2 in M.201.1
Tunc amplexus, tunc oscula. A trois voix [s. s. a. ou t.].
(In Prober. Jvbilvs rythmicvs de nomine Jesv. Pp. 8, 9.)
No. 2 in M.201.1
Venite ad Me omnes. [Motet, s. s. a. a. t. t. b. b.] (In Lueck.
Sammlung ausgezeichneter Compositionen fiir die Kirche.
Band 3, pp. 126-133.) No. 33 in M.158.33.3
Te Deum [s. a. t. b.]. (In Lueck. Sammlung ausgezeich-
neter Compositionen fiir die Kirche. Band 4, pp. 149-155.)
No. 38 in M.I 58.33.4
Anfangs woUt ich fast verzagen. Song. Liszt. Gesammelte
Lieder. No. 18 in M.244.14
Schumann, R. A. Liederkreis von Heine. No. i in M.244.15.1
Anfossi, Pasquale.
Berenice che fai more il tuo. Scena ed aria [x., con accomp.
d'orchestra. Partitura]. Manuscript. [180-?]
No. 5 in M.120.17
[II curioso indiscreto. Opera. Partitura.] Manuscript.
[1778?] 2 V. M.30.15
Eccossi tratta il padre un figlio capitano. [Scena ed aria,
T., con accomp. d'orchestra. Partitura.] Manuscript.
[ iSo-?] No. 4 in M.120.17
From L'incognila perseguitala.
La forza delle donne. Opera buffa. [Partitura.] Manu-
script. [1780?] 2 V. M.30.16
L'incognita perseguitata. [Opera. Partitura.] Manuscript.
[1773] M.30.17
Minaccia avverso il fato. [Aria, s., con accomp. d'orches-
tra. Partitura.] Manuscript. [1820.] No. 2 in M.120.17
Same. [Soprano and continuous bass, with separate parts
for the different instruments.] Manuscript.
No. 3 in M.120.17
Quartetto nell' opera intitolata Le gelosie fortunate. [Parti-
tura.] Manuscript. In Venezia. [1788?] No. i in M.129.13
Silla, a serious opera. London. Reynell. 1783.
Libretto only, in Italian and English. No. 10 in M. 147,5
Lo sposo disperato. Opera giocosa. [Partitura.] Manu-
script. 1778-79- M.30.18
This copy is incomplete.
[Sposo timante. Duet, s. t. With accomp. for strings.
Score.] Manuscript. [180-?] No. i in M.120.17
This copy is incomplete.
^
Anfossi
THE ALLEN A. BROWN COLLECTION OF MUSIC
Anne
Anfossi, Pasquale. (Continued.)
La vera costanza. [Opera. Partitura.] Manuscript. 1776.
3 V. M.30.19
I viaggiatori felici. [Opera. Partitura.] Manuscript.
[178-?] 2 V. M.30.20
Same. [Libretto only, in English and Italian.] London.
Reynell. 1782. No. 9 in M.147.5
Ange, L'. Song. Schubert, F. P. Melodies. Vol. i. M.327.4.1
Ange adorable. Duet. Gounod. Quinze duos.
No. 12 in M.157.36.6
Ange de la famille, L'. Chorus. Weckerlin. Chceurs. M.1S7.12
Ange rebelle, L'. Song. David, F. C. Cinquante melodies.
M.363.28
Angedenken. Song. Cornelius. Werke. Band i. M.414.20.1
Angel, pseud. See Villeneuve, T. F. V. de.
Angel, Alfred, editor.
Bach, J. S. Blessing, glory, wisdom and thanks (Lob und
Ehre und Weisheit). No. 3 in M.270.6
Angel, Joseph.
An evening service, consisting of the Cantate Domino &
Deus misereatur in B flat. [Accomp. for organ.] Lon-
don. Novello. [184-?] No. 6in M.190.1
Angel, The. Duet. Rubinstein. Eighteen two-part songs.
No. I in M.15S.47
Angel of charity. Anthem. Handel. No. 16 in M.221.22.3
Angel of dream, The. Song. Keller, M. No. 3 in M.192.13.1
Angel of life. Song. Callcott, J. W. No. 34 in M.23S.14
Angel song. Part-song. Westmeyer. M.193.23.1
Angel's in the house, The. Song. Linley, G. [Songs.]
Vol.1. No. 6in M.235.19.1
Angelgalopp, Der. Part-song. Schaeffer, A. No. 12 in M.392.23
Angeli archangeli. Anthem. Nixon, H. G. Selections from
sacred compositions. Vol. 2. M. 270.1. 2
Angeli Dei. Anthem. Zucchini. No. 5 in M.260.22
Angelina, pseud. See Goetz, A. L.
Angelina Baker. Song. Foster, S. C. No. 2 in M.380.41.1
Angelique et Medor. Opera. For the Music see Thomas, C.
L. A. For the Libretto see Sauvage.
Angelis suis Deus mandavit. Anthem. Haydn, J. M.
No. 12 in M.202.g
Angelo. Opera. For the Music see Kui. For the Libretto
see Burenin.
Angeloni, Luigi.
Sopra la vita, le opere;. ed il sapere di Guido d'Arezzo. Si e
aggiunta una novella edizione de' versi latini sopra i pesi
e le misure de' Romani di Q. R. Fannio Palemone. Parigi.
Charles. 1811. M.141.18
Angels, The, breathe on flowers. Part-song. Naylor.
No. 32 in M.157.23
Angels ever bright and fair. Air. Handel. No. 39 in M.290.22.2
Angels' voices. Song. Waley. No. i in M.380.18
Angelus. Motet. Andre, P. F. J. No. 23 in M. 156. 50
Angelus, L'. Opera. For the Music see Bailie, C. For the Li-
bretto see Mitchell, G.
Angelus. Part-song. Osgood. No. 33 in M.392.19
Angelus ad pastores ait. Motet. Lassus. Sammtliche Werke.
Band 3. 11.80403.67.3; etc.
SwEELiNCK. Werken. Deel 6. 11.413.2.6
Angelus autem Domini. Motet. Anerio, F. No. 21 in M. 158.33.3
Angelus Domini. Anthem. Niedrist. No. 5 in M.3g2.34
Angelus Domini descendit. Motet. Lassus. Sammtliche Werke.
Band 13. M.8o4oa.67.i3
Palestrina. Werke. Band 3. M.8o4oa.66.3
Angelus Domini descendit. Offertory. Palestrina. Werke.
Band 9. M.8o4oa.66.9
Angelus Domini locutus est. Motet. Lassus. Sammtliche
Werke. Band 5. 111.80403.67.5
Angely, Louis.
[Das Abentheuer in der polnischen Schenke.] Ouverture
und Gessenge aus dem komischen Liederspiel: Das Aben-
theuer in der polnischen Schenke. Aus dem Russischcn
frei iibertragen von Louis Angely. Vollstandiger Clavier-
auszug. Berlin. Trautwein. [182-?] No. i in M.320.2
Angely, Louis. (Continued.)
List und Phlegma. Vaudeville-Posse in einem Aufzug.
Vollstandiger Klavier-Auszug. Leipzig. Reclam. [1871.]
No. I in M.395.1
Paris in Pommern, oder die seltsame Testaments-Klausel.
Singspiel in einem Aufzug. Vollstandiger Klavier-Aus-
zug. Leipzig. Reclam. [1871?] No. 2 in M.39S.1
[Schiilerschwanke.] Overture und Favoritgesange aus der
Vaudeville Posse; Schiilerschwaenke, oder die kleinen
Wilddiebe. Nach dem Franzosischen frei bearbeitet von
L. Angely. Clavierauszug. Berlin. Trautwein. [182-?]
No. 3 in M.320.2
Sieben Madchen in Uniform. Vaudeville in i Aufzuge, von
Theaulon. Musik von L. Angely. Klavierauszug. Leip-
zig. Breitkopf & Hartel. [182-?] No. 2 in M.320.2
Angenehmes Wiederan. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 34.
Angers, Jules Bordier d'. See Bordier, J.
Angiol di Dio. Terzetto. Gordigiani. Melodies sacrees.
No. 3 in M.270.42
Angiol di pace. Part-song. Bellini. No. i in M. 157.14; etc.
Angioli, Alessandro de.
Tantum ergo, for a bass voice and chorus. . . . The organ
accomp. from the full score by A. Le Jeune. London.
Novello. [184-?] No. 6 in M.260.10.1
Angiolin dal biondo crin. Song. Liszt. Gesammelte Lieder.
No. 31, 32 in M.244.14
Angiolina. Opera. For the Music see Salieri.
Angla. Opera. For the Music see Hummel, F. For the Li-
bretto see Demandowski.
Angler's trysting-tree, The. Part-song. Corfe, C. W.
No. 29 in M.157.4
Anglers, The. Opera. For the Music see Hatton. For the
Libretto see Ball, E.
Angriff. Part-song. Gade. Reiter-Leben. No. 8 in M.392.9; etc.
Anicet Bourgeois, Auguste.
Le bon gargon. Opera comique. Paroles de MM. Anicet
Bourgeois & [Simon]. Musique d'Eugene Prevost.
M.2S4.31
La moissonneuse. Drame lyrique. Paroles de MM. Anicet
Bourgeois & Michel Masson. Musique de Ad. Vogel.
M.326.8
Anichini, Francesco.
Ave Maria. Coro a quattro voci sole. Milano. Ricordi.
[186-?] No. I in M.201.33
Quartetto in mi min. [2 violini, viola e violoncello. Parti-
tura.] Firenze. Guidi. [1862.] No. I in M.4i2a.2
Anile, Antonino.
Manuel Menendez. Dramma lirico di Vittorio Bianchi e
Antonino Anile. [Musica di] L. Filiasi. M.383.16
Anima Christi. Trio. Lambillotte. Musique religieuse.
No. 21 in M.260.18
Anima, dove sei. Part-song. Palestrina. Werke. Band 30.
M.8o4oa.66.30
Anima mea. Cantata. Carissimi. Six cantatas. No. 2 in M.391.3S
Anima mea liquefacta. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Anima nostra. Offertory. Palestrina. Werke. Band 9.
M.8o4oa.66.9
Animam meam. Anthem. Palestrina. Werke. Band 32.
M.8o4oa.66.32
Animam meam dilectam. Motet. Lassus. Sammtliche Werke.
Band 5. M.8o4oa.67.5
Anklaenge. Song. Brahms. Sechs Gesange. Op. 7.
No. 3 in M.380.40.1
Ankunft der Gaste. Part-song. Abt, F. Die Kirmes.
No. 4 in M.392.1
Anna Bolena. Opera. For the Music see Donizetti. For the
Libretto see Romani, F.
Annabel Lee. Song. Balfe. No. i in M.ig2.g.i
Annacker, August Ferdinand. See Anacker, A. F.
Anne, Queen of England.
Handel, G. F. An ode, or serenata for the birth day of
Queen Ann, in the year 1713. [London? 1713.]
No. 3 in M.380.6
37
Anne
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Aoust
Anne, Theodore.
Le guerillero. Opera. Musique de Ambroise Thomas.
M.284.18
Marie Stuart. Opera, musique de L. Niedermeyer. M.368.3
Annee musicale, L'.
Bellaigue, C. L'annee musicale, 1886/87-92. Paris. 1883-
92. 6 V. M.138.7
ScuDO, P. L'annee musicale. Annee 1-3. Paris. 1860-62.
3 V. M. 138.8
Annette et Lubin. Opera. For the Music see Blaise; also
Laborde; also Martini, J. P. £. For the Libretto see
Favart, M. J. B. du R. ; also Marmontel, J. F.
Anni nostri sicut aranea. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Annibal traversant les Alpes. Chorus. Bazin. No. ii in M. 157.8
Annie Lee. Part-song. Barnby. No. I in M. 158. 23; etc.
Annie my own love. Song. Foster, S. C. No. 3 in M.380.41.1
Annie of Lochroyan. Cantata. For the Music see AUon.
Annie of the vale. Song. Thomas, J. R. No. i in M. 192. 14
Anniversaire, L'. Opera. For the Music see Lenepveu. For
the Libretto see Bisson.
Annuaire des lettres du Journal Le constitutionncl. M.373.32
Annuaire general de la musique et des societes chorales et
instrumentales de France. Annee 1888. [Directeur;]
Henry Abel Simon. Paris. 1888. M.112.9
Annuaire musical et orpheonique de France. Coyon. M.127.18
Annuaire special des artistes musiciens. Par Madame J. de B.
Annee i. Paris. [1863,] M.198.3
Annuario musicale, storico, cronologico, universale. Compi-
lazione di Giovanni Paloschi. Edizione seconda, accres-
ciuta. Milano. Ricordi. 1878. No. 2 in M.123.4
Annuals.
Apollo's gift, or the musical souvenir for 1831. Edited by
l\hizio dementi and J. B. Cramer. London. [1830.] F.nc-
similes. 11.158.5
Musical Bijou, The. An album of music, poetry, and prose.
1829, 34. Edited by F. H. Burney. London. [1829, 34.]
M.158.4
Musical Gem, The; a souvenir for 1833. Edited by N. Mori
and W. Ball. London. [1832.] Portraits. Plates. Fac-
similes. M.I58.2
Anschuetz, Ernst Gebhard.
Der Verdriissliche. [Mannerchor.] (/n Orpheus. Band 9,
pp. 17-19.) No. 9 in M.i29a.43.9
Anschuetz, Johann Andreas.
2 Tantum ergo und i Ecce panis, vierstimmig mit Orches-
ter-Begleitung. Partitur und Clavier Auszug. Mainz.
Schott. [1833?] No. 2 in M.201.32
Anseaume, ■
La clochette. Comedie. Mis en musique par Mr. Duny.
M.262.15
Same. Comedie en i acte et en vers; melee d'ariettes. Par
M. Anseaume. La musique de M. Duny. Paris. Duchesne.
1766. No. 3 in M. 104.14
This contains the words only,
Les deux chasseurs et la laitiere, comedie. Mis en musique
par Mr. Duny. M.262.17
L'ecole de la jeunesse, ou le Barnerelt franQais. Opera-
comique. Parolles . . . remies en musique par M. Prati.
M.225.34
L'isle des fous. Parodie. [Paroles d' Anseaume, Marcou-
ville et Bertin d'Antilly.] Mis en musique par Mr. Duny.
No. 3 in M. 283. 15
Mazet. Comedie. Mis en musique par Mr. Duny. M.262.18
Le medecin de I'amour. Opera comique. Mis en musique
par Mr. Laruette. No. 2 in M.271.20
Le peintrc anioureux de son modele. Opera comique. Mis
en musique par Mr. Duny. M. 262. 19
Le soldat rnagicien. Opera comique. Mis en musique par
A. D. Philidor. No. 4 in M.271.20; etc.
Le tableau parlant. Comedie parade. Mis en musique par
Gretry. M.282.31
Same. Das redende Gemahlde, eine comische Oper. In die
Musik gesetzt von C. D. Stegmann. No. 2 in M.350.14
38
Ansell, J. K.
Sacred music for the service of the Catholic church. Con-
sisting of a mass, an anthem for the royal family & other
pieces, for I, 2, 3, 4, & 5 voices, with a separate accomp.
for the organ . . . London. Green. [1818.]
No. 3 in M.igi.i
Ansiedler, Die. Cantata. For the Music see Mohr, H. For
the Libretto see Schultz, C.
Anson, Charles Lyman.
The Freshman. A musical comedy in two acts and an inter-
lude. The eighth annual Tech show. Book by George
Henry Bryant. Lyrics by George Henry Bryant, Edwin
Warley James. Music by Emerson Hurd Packard, Harry
Lawrence Moody, Charles Wolston Coffin, Charles Ly-
man Anson, Harold Sayward Wonson. Vocal score. Bos-
ton. The Tech Show. 1906. No. 7 in M.389.17
Antar. Symphonic poem. Marechal. No. 2 in M.338.23
Antar. Symphony. Rimski-Korsakov. No. i in M.333.17
Ante me non est formatus. Motet. Lassus. Sammtliche
Werke. Band li. M.8o40a.67.ii
Anthiome, Eugene Jean Baptiste.
Roman d'un jour. Opera comique en 3 actes. Poeme de
Michel Masson fils & Armand Lafrique. Musique de
Eugene Anthiome. Partition piano & chant. Paris. Lis-
sarrague. [1884.] M.25S.7
Antigona. Opera. For the Libretto see Bianchi, F.
Antigone. Cantata. For the Music see Biisser. For the Li-
bretto see Beissier.
Antigone. Incidental music. For the Music see Mendelssohn-
Bartholdy, J. L. F.; also Saint-Saens. For the Libretto
see Sophocles.
Antigone. Opera. For the Music see Zingarelli. For the Li-
brf.tto see Marmontel, A. F.
Antigone und Oedip. Song. Schubert, F. P. Sammtliche
Compositionen. M.244.12; etc.
Antiochus. Opera. For the Libretto see Heidegger.
Antiphonal music. [Anon.] See Whiting.
Antiphonals. See Liturgical music.
Antiquary, The. Musical drama. For the Music see Bishop,
H. R. For the Libretto see Terry.
Antoine et Cleopatre. Opera. For the Music see Desormes.
For the Libretto see Guenee, A.
Antoinette au Coeur d'or. Opera. For the Music see Gob-
baerts. For the Libretto see Carolus.
Anton. Opera. For the Music see Galeotti. For the Libretto
see Illica.
Anton, Johann Daniel, translator.
Herold, L. J. F. La medecine sans medecin. 11.292.29
Antonia. Walt:. Pour piano. Louis, N. No. 11 in 11.390.25
Same. Pour piano et violon. No. i in M.390.29
Antonius et Cleopatre. Overture. Rubinstein. No. 3 in M.342.29
Antonius und Cleopatra. Opera. For the Music see Sayn-Witt-
genstein-Berleburg. For the Libretto see Mosenthal, S. H.
Antwrerp. Music.
Burbure de Wesembeek, L. p. M. de. Deux virtuoses fran-
gais a Anvers [Georges Lohoys et Jean Hobreau, sur-
nomme Petit-Jehan]. fipisode des moeurs musicales au
XVI^ siecle. Bruxelles. 1880. No. 2 in M.128.8
Antwort. Song.
Blumentiial. 6 Lieder. 2. Sammlung. No. 35 in M.244.1
Waley. The rose . . . No. 16 in M.380.18
Antwort auf die Frage eines Madchens. Song. Haydn, F. J.
Gesange. Heft 2. No. 2 in M. 312. 35
Anyoransa. For violin. Manen. No. 2 in M.40S.37
Anzeiger fiir die Koniglichen Theater. 1. Januar-31. Dezem-
ber, 1874. Miinchen. Wolf. 1874. 350 nos. in i v. M.236.27
Anzi, se foco e ferro. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa. 66.29
Anzoletti, Francesco.
Salve Regina, motet pour s. s. t. b., avec accomp. d'orgue.
Paris. Richault. [185-?] No. 8 in M.260.10.3
Aoust, Jules, Marquis d'.
La chasse aux rivaux. Opera-comique en un acte. Paroles
de Francis Tourte. Musique de Jules d' Aoust. [Partition
chant et piano.] Paris. Chatot. [187-?] No. 3 in M.39S.1
^
Apajune
THE ALLEN A. BROWN COLLECTION OF MUSIC
Apollonian
Apajune der Wassermann. Opera. For the Music see Mil-
loecker. For the Libretto see Walzel.
Ape, L', et la serpe. Part-song. Spofforth.
No. 9 in M.234.2.5; etc.
Apel, Johann August.
Das Weltgericht. Oratorium, in Musik gesetzt von Frie-
drich Schneider. M. 152.19; etc.
Aphrodite. Opera. For the Libretto see Erlanger, C. For
the Libretto see Gramont,
Apigiane, Le. Part-song. Pinsuti. No. 4 in M.244.10.5
Aplech. For violin. Manen. No. 3 in M.405.37
Apollo. Cantata. For the Music see Roeder, M. For the Li-
bretto see Shelley.
Apollo, The. A collection of part-songs for male voices.
English words by C. J. Sprague. Series i, 2. Boston.
Russell & Co. 1871-74. 17 parts in i v. M.384.12
Contents. — Lachner: Hymn to music. — Liszt: Student's song. —
Kiicken: On the Rhine. — Franz: Rhine wine song. — Reiter: The
woods. — Truhn: Swan song. — Otto: The sparrow's twitter. —
Liszt: Light! more light. — V. Lachner: To the Virgin. — Ilatton :
Bugle song. — Gade: the poet's joy. — C. ZoUner: Thou art my
better angel. — R. Schumann: The lotus flower. — Gade: Return of
spring. — Franz: Night song. — Gade: The desert fountain. —
Stuntz: The hunter's war song.
Apollo, The, or harmonist in miniature. A collection of an-
cient and modern catches, glees, canons, etc. London.
Williams. [1S2-?] 8 v. in 3. Portraits. M. 139a. 18
Contents. — Vol. i. Bird: Non nobis Domine. — Jenkins: A boat, a
boat. — Carey: God save the king. — Wright: With a jolly full bot-
tle. — Travers: When Bibo thought fit. — Webbe : Glorious Apollo.
— Corfe: Could a man be secure. — Webbe: Would you know my
* Celia's charm. — Sacchini : How should we mortals. — Ilarington :
Look! neighbors, look! — Danby : While beams the bright morn. —
Callcott: Peace to the souls. — Callcott: When Arthur first. — •
Danby: When Saj'pho tun'd. — Ilarington: How great is the pleas-
ure. — Callcott: To all you ladies. — Wainwright: Life's a bumper.
— Harington : The alderman's thumb. — Cooke: Hark the lark. —
Dyne: Fill the bowl with rosy wine. — Harington: The Egyptian
love song. — Callcott: The Derbyshire ram. — Webbe: The mighty
conqueror. — Smith: Hark! the nightingale. — Purcell: Jack, thou'rt
a toper. — Dame Durden. — Aldrich: Christ Church bells. — Horn:
As the evening sun. — Giardini : Beviamo tutti tre. — TopUff: Hie
away. — Cirri : Domine non mea.
Vol. 2. Horn: No, Mother, no. — Momington: Here in cool grot. —
Savile : The waitts. — Savile: Here's a health. — Smith: The silver
swan. — Danby: Fair Flora decks. — Stevens: Prithee, foolish boy.
— Webbe: Belinda's sparkling wit. — Atterbury : Come let us all.
— Clark: Wellington's health. — Harington: Tne delights of love.
— Skarratt: Scots wha hae. — Battishill : I lov'd thee beautiful. —
Paxton: How sweet 1 how fresh 1 — Webbe: Great Apollo. — Cooke:
Her partial taste. — Smith: Return blest days. — Hayes: Winde,
gentle evergreen. — Freeman: Of all the brave birds. — Reeve: The
gypsies' glee. — Callcott: The fairies' glee. — Atterbury: Who like
Bacchus. — Jackson: Love in thine eyes. — Topliff: Three merry
ghosts.
Vol. 3. Horn: The horn of the chace. — Blow: Fie, nay, prithee,
John. — Webbe: Music's the language. — Boyce : The mirth inspir-
ing bowl. — Webbe: Now I'm prepared. — Mornington: Hail, hal-
low'd fane. — Este: How merrily we live. — Gibbons: Who comes
so dark. — Harington : The stammering glee. — Calcott : Ah, how
Sophia. — Rogers: Come, come, all noble souls. — Paxton: Breathe
soft, ye winds. — Ye banks and braes. — Stevenson : Come buy my
cherries. — Scotland: Lightly tread. — Stevens; Ye spotted snakes.
— Baildon: Mr. Speaker, — Shield: The loadstars. — Hawes: Bring
me flow'rs.
Vol. 4. Webbe: Discord, dire sister. — Webbe: Come live with me.
— Danby: The fairest flow'rs. — Danby: Awake, Aeolian lyre. —
Ame: Which is the properest day. — Lawes : Great Tom is cast. —
Geary: Soft is the zephyr's. — Smart: The happy fellow. — Smith:
The huntsman's roundelay. — Jolly: Oh! banish all vain alarms. —
Webbe: To the old long life. — Jackson: Time has not thinn'd. —
Ford: Since first I saw your face. — Linley: Let me careless. —
Russell: In rosy bow'rs. — Storace : Against the shafts of cruel fate.
— Harington: Laughing catch. — Webbe: Thy voice, O harmony.
— Cooke: In paper case.
Vol. 5. Arne : Sweet muse. — Arne: Poculum elevatum. — Travers:
Haste my Nannette. — Jackson: Sad is my day. — Friendship, love
and wine. — Kelly: Sing Megan oh. — Ford: There is a lady. —
Maddison : Hush, every breeze. — Stevens: Sigh, no more, ladies.
— Webbe: Swiftly from the mountains. — Mozart: The lake min-
strels. — Webbe: To me the wanton girls. — Harington: How sweet
in the woodlands. — Harington: Damon and Clora. — Price: Young
Fanny. — Bates: Sir, you are a comical fellow. — Smith: While fools
their time. — Storace: The lullaby. — Linley: This bottle's the sun
of our table. • — Arne: The wooden walls.
Vol. 6. Braham: All's well. — Harrison: Oh Nanny. — Horn: Hark!
Italy's music. — If sadly thinking. — Callcott: With sighs, sweet
Rose. — Horn: The tyger. — Callcott: Slow men of London. —
Horn: The watch word. — Callcott: Go, idle boy. — Ives: Come,
Apollo, The. (Contimted.)
honest friends. — Callcott: It was a fryar. — Nelham: Have you
any work. — Cooke: Let Rubinelli. — Maddison: The butterflies. —
Shield: Amo amas. — Ireland: How sleep the brave. — Burgess:
Sweet Miss Prue. — Come pull away, boys. — Maddison: Oh! 'tis
love. — Callcott: While the moonbeams. — Atterbury: Joan said to
John.
Vol. 7. Callcott: Drink to might. — Mozart: Benedictus. — Ireland:
Return my lovely. — Waelrant: Over desert plains. — Smith: Hark,
the hollow woods. — Danby: Sweet thrush. — Eccles: Wine does
wonders. — Webbe: Rise my joy. — Cooke: Comrades, come. —
Brewer: Turn Amarillis. — Paxton: Go, Damon, go. — Callcott:
In the lonely vale. — Smith: As on a summer's day. — Weber: Hunts-
man's chorus. — Mozart: The fairies' roundelay. — Stevens: It was
a lover. ■ — Danby: Call the waiter. — Cherubini: Wine brightly
flowing.
Vol. 8. Shield: Health to our sovereign. — Shield: Wisdom, riches
and greatness. — Maddison: The sun that lights. — Shield: Beauties,
have you seen. — O'Meara: The hunter's halloo. — Callcott: The
red cross knight. — Williams: The broken vow. — King: The owl is
out. — Maddison: Doubt thou the stars. — Maddison: Row, brothers,
row. — King : Oh never say. — Callcott : Farewell to Lochaber. —
Webbe: Live to day. — Webbe: Hail, star of Brunswick. — Webbe:
Bacchus, Jove's delightful boy. — Baildon: When gay Bacchus.
Apollo and the muses. Glee [t. t. b.]. {In Apollonian har-
mony. Vol. I, p. 23.) No. I in M.I4I.2I.I
Also to be found in Social harmony.
Apollo Club, Boston.
Programmes. Vol. 1-6. No. 1-151, Dec, 1878-May, 1901.
[Boston. T878-1901.] 6 V. M.304.1
Arranged, with indexes and many newspaper cuttings, by Allen A.
Brown.
Rules. Boston. Marvin. 1871. No. i in M. 137.13
Apollo e Dafne. Cantata. For the Music see Handel. Werke.
Apollo Musical Club, Chicago.
Directory, containing a brief history of the club. Chicago.
1S76. Photograph. M.ioga.ii
Apollo's gift, or the musical souvenir for 1831. Edited by
Muzio Clemcnti and J. B. Cramer. London. Cramer & Co.
[1830.] Facsimiles. M.158.5
Apolloni, Apollonio.
La Dori ovvero lo schiavo reggio. [Musica di] M. A. Cesti.
M.400.6.2
Apolloni, Giuseppe.
L'Ebreo. Melodramma tragico in un prologo e 3 atti [di F.
de' Boni]. Riduzione per canto con accomp. di pianoforte
di L. Truzzi. Milano. Ricordi. [1856?] M.230.3
Gustavo Wasa. Melodramma in 4 atti del Prof^. Ulisse
Poggi, Posto in musica dal Mo G. Apolloni. Canto e
pianoforte. Milano. Lucca. [1S72?] M.251,17
Apollonian harmony, a collection of glees, catches, madrigals
. . . London. Thompson. [183-?] 2 v. in i. Plate.
M.I4I.2I
Contents. — Apollo and the muses. — Webbe: Merry and wise. —
Smart: The happy fellow. — Hayes: Melting airs. — Arne: Hush
to peace. — Webbe: Heigh Ho. , — • Hayes: The rose. — Aldrich:-
Hark the bonny. — Webbe: The moon and woman. — Arne: On the
death of Mr. Shenstone. — Hayes: When Flora decks. — Webbe:
Surely that's the tender. — Battishall: Amidst the myrtles. — Pur-
cell: Fye, nay prithee, John. — Purcell: Come all, come all. —
Hayes : Let the French hop and sing. — Fickle Cupid, ever roving.
— Hayes: Oh ever against eating cares. — Savile: Viva tutte le vez-
zose donne. — Hayes: Give me but my bottle. — Care, thou canker of
our joys. — Webbe: A batchelor wou'd have a wife. — Bates: Sir
you, sir you. — Hook : Hush, hush, the god of love. — Hayes : Winde,
gentle evergreen. — Drink to me only with thine eyes. — Hayes: May
the king for ever live. — Purcell : Soldier, soldier, take off thy wine. —
Brewer: Why shou'd not we three be merry? — Purcell: Let's live
good, honest lives. — Handel: When Phoebus the tops. — Eccles:
Wine does wonders. — Green: Hail! hail! green fields and shady
woods! — While Adam slept. — Sneezing catch. — Edwards: Where
griping grief. — Playes: A catch that is merry and gay. — Dibden:
Far from the wood. — A boat, a boat, haste to the ferry. — Webbe:
If Eve in her innocence. — Hayes: In a domestic teteatete. — Now
we're met like jovial fellows. — Baildon : Ye heav'ns, if innocence. —
Harington: How great is the pleasure. — Green: Come, come, all
noble souls. — Atterbury: Sweet enslaver. — Boyce: A blooming
youth. — God save great George our king.
Vol. 2. Hayes: Cobweb breeches. — Purcell: I gave her cakes. -^
Mornington: 'Twas you sir. — Purcell: Fear no danger to ensue. —
Hayes: Plaste, ye soft gales. — Berg: Not a day more than thirty.
— Purcell: While bolts and bars. — Webbe: As Thomas was cudg-
el'd one day. — To Portsmouth, to Portsmouth. — Pasqualli : O happy
solitude. — Dear friend, this brown jug. — Purcell : Jack, thou'rt a
toper. — Thomas: Tho' you are young and I am old. — Giardini:
Beviamo tutti. — Come, honest friends & jovial boys. — Purcell:
39
Apollonian
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Arbre
Apollonian harmony. (Continued.)
Fairest isle, of isles excelling. — Este : How merrily we "''^- — ^".f-
bury : Pretty maidens, buy my fairings. — Hayes : On a scolding wife.
— Adieu vain joys. — Green: I've lost my mistress, horse & wife.
— Blow: Go, perjur'd man. — Carissimi: Dite O cieli. — Hayes:
Ars longa, vita brevis. — Berg: How happy are we. — Hilton: Turn
Amarillis. — Brewer: Go, Damon, go. — Ravenscroft : We be three
poor mariners. — Lawes : Gather your rosebuds. — Hayes: Hail!
flow'ry mead. — Arne : Which is the properest day to drink. — Ives:
Now we are met. — Nares: Wilt thou lend thy mare. — Howard: Ye
chearful virgins. — Baildon: Adieu to the village delights. — Carey:
In these groves. — Hayes: This tomb be thine, Anacreon. — Tallis :
Like as the doleful dove. — Holcombe : When here, Lucinda. —
Webbe- A gen'rous friendship. — Morley: Sweet nymph, come to
thy lover. — Carter: A match, a match, a match. — Follow me, my
jovial boys. — Arne: Rise, glory, rise. — Travers: Doubtless the
pleasure is as great. — Hold thy peace.
Apollonicon, The, or musical album. [No. 1-4.] London,
dementi & Co. [1832.] 4 nos. in I v. Portraits. Plates.
M. 123.17
Apollonide, L'. Opera. For the Music see Servais, F. M.
Apologues. Songs. Rodrigues-Henriques. M.204.41
Apostel, Die, von Philippi. Oratorio. For the Music see
Loewe, J. C. G. For the Libretto see Giesebrecht.
Apostles, The. Oratorio. For the Music see Elgar.
Apoteosi, L', d'Ercole. Opera. For the Music see Mercadante.
For the Libretto see Schmidt, Gustav.
Apotheke, Die. Opera. For the Music see Neefe.
Apotheker, Der. Opera. For the Music see Haydn, F. J. For
the Libretto see Rota, V.
Apotheker, Der, und der Doctor. Opera. For the Music see
Ditters von Dittersdorf. For the Libretto see Stephanie.
Apotheose, L'. Cantata. For the Music see BerUoz, L. H.
Apotheose de Lulli. Concerto. Couperin. No. 16 in M.3s5.ii
Apotheosis, The, of St. Dorothy. Cantata. For the Music see
Allen, N. H. For the Libretto see Gosse.
Apothicaire et perruquier. Opera. For the Music see Offen-
bach. For the Libretto see Frebault.
Appariran per me le stell' in cielo. Part-sonq. Lassus. Sammt-
liche Werke. Band 8. M.8o4oa.67.8
Apparition. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Apparuit gratia Dei. Motet. Palestrina. Werke. Band 7.
M.8o40a.66.7
Appeal, The, of Spain. Song. Hodges, G. L. Collection of
Peninsular melodies. Vol. l. No. 15 in M.244.25.1
Appel, Carl.
Abendscene beim Bivouak. Fiir Mannerstimmen (Soli und
Chor). Op. 8. Leipzig. Kahnt. [187-?] No. 2 in M.212.3
Das war zu Assmannshausen . . . Fiir vier Mannerstimmen
(Solo und Chor). Op. 59- Leipzig. Kahnt. [188-?]
No. 32 in M.392.2
Gegriisset sei'st du in Liebe! Fiir vier Mannerstimmen,
Solo [Bar.] und Chor. Op. 17. Leipzig. Kahnt. [185-?]
No. 31 in M.392.2
Herr, sei Du mit mir! Gebet . . . Fiir Miinnerstimmen, Soli
und Chor. Op. 9. Leipzig. Kahnt. [1855?]
No. 3 in M.392.33
Serenade. Sologesang fiir x. und b. mit Begleitung von vier
Mannerstimmen. Op. 12. Leipzig. Kahnt. [1855?]
No. I in M.392.33
Appel au pouvoir. Chev]6, E. J. M. No. 6 in M.207.16
Appel aux armes. Song. Wagner, W. R. No. 28 in M.392.28.2
Appia, Adolphe.
La mise en scene du drame wagnerien. Paris. Chailley.
1895. No. 4 in M.372.39
Applaud so great a guest. Part-song. Hudson, M.
No. 18 in M.220.9.2
Apprenti sorcier, L'. Scherso. Dukas. M.410.20
Approach, The, of May. Part-song. Walmisley, T. A.
No. 5 in M.204.36.3
Apres avoir constamment attendu de I'fiternel la volonte.
Anibem. Sweelinck. Werken. Deel 2. M.413.2.2
Apres Fontenoy, ou manche a manche. Opera. For the Music
see Weckerlin. For the Libretto see Galoppe d'Onquaire.
Apres I'hiver. Song. Bizet. Vingt melodies. No. 2 in M.265.24
Apres la noce. Opera. For the Music see Legouix. For the
Libretto see Boisselot, P.
Apres la valse. Opera. For the Music see Tolbecque. For
the Libretto see Clouzot.
Apres-midi, L', d'un faune. Overture. Debussy. No. i in M.406.7
Apres une aussi longue absence. Duet. Auber. No. 2 in M. 157.40
Apri gli occhi. Canzonetta. Curschmann. Curschmann-Album.
No. I in M.157.37
April is in my lady's face. Part-song. Morley.
No. 2 in M.235.7.1 ; etc.
April showers. Part-song. Hatton. No. 3 in M.195.1.6; etc.
Aprile, Giuseppe.
[Notturni, no. 1-6. Per 2 voci, s. A., e basso continue.]
Manuscript. [180-?] No. 10 in M.120.29
Aprillaunen. Song. Franz, R. Sechs Gesange. Op. 44.
No. 74 in M.244.S.3
Apthorp, William Foster, translator.
Ambroise, H. Titi a- la representation de Robert le Diable.
No. 6 in I.I.127.1
Berlioz, L. H. Hector Berlioz. Selections . . . M.i49a.32
Aquarellen. For orchestra. Henriques, R. No. i in M.405.20
Aquarellen. For string quintet. Gade. No. 2 in M.345.44
Aquerelles. Suite. Le Borne. No. 4 in M.343.45
Aquin de Chateau-Lyon, Pierre Louis, editor.
Almanacii litteraire, ou etrennes d' Apollo . . . M.20S.30
Ar hyd y nos. All through the night. [Welsh air.] Arranged
[for I voice, also] harmonized for 4 voices, (/n Thomas,
J. Welsh melodies. Vol. i, pp. 19-25.) No. 3 in M.235.6.1
Araba, L'. Song. Gordigiani. fichos de la Toscane. Vol. 2.
No. 34 in M.244.13.2
Arabesque. Song. Penavaire. Vingt melodies. No. 3 in M.287.6
Arabi, Gli, nelle Gallic. Opera. For the Music see Pacini, G.
Arabia. Music.
Daniel, F. S. La musique arabe. Ses rapports avec la mu-
sique grecque et le chant gregorien. Alger. 1879. M. 197.6
Delpiun, G. Complainte arabe sur la rupture du barrage de
Saint-Denis-du-Sig. Notes sur la poesie et la musique
arabes dans le Maghreb algerien par G. Delphin et L.
Guin. Paris. 1886. M.376.6
Kiesewetter, R. G. Die Musik der Araber, nach Original-
quellen dargestellt, . . . begleitet mit einem Vorwort von
dem Freiherrn v. Hammer-Purgstall. Leipzig. 1842. Dia-
grams. M.214.20
Arabian love song. Song. Sullivan, A. S. Twelve songs.
No. 2 in M. 157.10
Arabian maid's song, The. Song. Bishop, H. R.
No. 23 in M.236.2
Arabische Serenade. For orchestra. Langey. No. 2 in M.342.12
Araby's daughter. Ballad [s. or x.] from Lalla Rookh. The
melody by , with symphonies and accomp. by G.
Kiallmark. London. Power. [185-?] No. 15 in M.236.2
Arachne once. Part-song. Long.
Arago, Jacques fitienne Victor.
Memoires d'un petit banc de I'Opera.
Arbaud, Damase, editor.
Chants populaires de la Provence.
[Bibliotheque provengale.]
The airs of many of the songs are given.
Arbeitsmann, Der. Song. Strauss, R.
Arbel, Marguerite.
Coeur brise. Pantomime
No. 52 in M.220.9.1
Paris, fibrard. 1844.
M.i2ga.i&
Aix.
Makaire. 1864.
M.218.1
Funf Lieder.
No. 3 in M.380.24.5
Musique de Georges Hiie.
No. 2 in M.303.Z6
Arblay, Frances d'.
Memoirs of Doctor Burney. London. Moxon. 1832. 3 v.
M.135.4
Arbore, L', di Diana. Opera. For the Music see Martin y Solar.
For the Libretto see Ponte.
Arbre enchante, L'. Opera. For the Music see Gluck. For
the Libretto see Vade.
40
Arcadelt
THE ALLEN A. BROWN COLLECTION OF MUSIC
Arien-Album
Arcadelt, Jacob.
Ave Maria. A 4 voix. [Accomp. de piano ou d'orgue.] (/n
fichos du monde religieux. Pp. 1 18-120.) M.156.52
Same. [Voices only.] (/» Lueck. Sammlung ausgezeich-
neter Compositionen fiir die Kirche. Band 4, pp. 24-36.)
No. 12 in M. 158.33.4
Same. [s. a. t. b.] Edited by Sir Henry R. Bishop. Lon-
don. Lonsdale. [183-?] No. 21 in M.260.10.5
Same. Reduit pour 2 voix egales. (/n Chapelle, La. Vol. i,
pp. 4, s.) No. 10 in M.201.33
Same. "Give ear unto my prayer." (In Leslie. Cassell's
Choral music. Pp. 87, 88.) No. 19a in M.235.10
Same. Hail! Thou that art highly favour'd. Hymn. For
s. A. T. B. (In Hullah. The Singer's library. Sacred.
Pp. 81, 82.) No. 16 in M.157.3
— [A different setting. Without accomp.] (In Gounod.
The Royal Albert Hall choral music. Vol. 2, pp. 12, 13.)
M.384.28
Uovf spring in all her glory. Madrigal. London. Novello.
1858. No. 31 in M.1S7.25
Also to be found in Musical times [Music].
Arcadian, The. "A paper written by gentlemen for gentle-
men." [Weekly.] Vol. 1-3; 4. no. 1-6, 8-15. New York.
1873-75. 4 ■«■ Illus. M. 180.2
Archambeau, Jean Michel d'.
Ecce panis. [Motet, t. t. b.] Accomp. d'orgue. Paris.
Schott. [187-?] No. 2 in M.201.33
Tota pulchra es. [Motet, t. t. b.] Accomp. d'orgue. Paris.
Schott. [187-?] No. 3 in M.201.33
Arche Noah, Die. Part-song. Fink. No. 30 in M.2i3.g
Arcona. Part-song. Stein, C. No. 28 in M. 203.7
Ardant amour. Part-song. 4 voci. Lassus. Sammtliche
Werke. Band 12. M.8o4oa.67.i2
Ardant amour souvent. Part-song. 5 voci. Lassus. Sammt-
liche Werke. Band 14. M.8o4oa.67.i4
Ardennaise, L'. Song. Louis, N. No. 16 in M.sgo.ii; etc.
Ardens est cor meum. Motet. Carissimt. No. 3 in M. 202.6.2
ViTTORiA. Opera. Tomus i. M.313.2.1
Arditi, Luigi.
L'orfanello. Canzonetta [s. o. t. Accomp. de piano]. (In
Fleurs d'ltalie. Pp. 36-.39.) No. 2 in M.364.10
La partenza. Romanzetta [s. ou bar. Inedite. Accomp.
de piano. Portrait. Facsimile]. (In Album du Gaulois.
Vol. I.) No. 2 in M.391.28.1
Ardo lungi e dappresso. Madrigal. Palestri.na. Werke.
Band 28. M.8o4oa.66.28
Ardo, SI, ma non t'amo. Part-song. Lassus. Sammtliche
Werke. Band 8. M.8o4oa.67.8
Are the white hours. Glee. Callcott, J. W.
No. 89 in M.220.g.4; etc.
Are ye able to drink of the cup? Anthem. Lassus.
No. 20 in M.233.25.1
Are you coming, bonny Annie? Song. Linley, G. [Songs]
Vol. I. No. 7 in M.235.19.1
Arene, Paul Auguste.
Le char. Opera-comique. Poeme de Paul Arene et Alphonsc
Daudet. [Musique de] £mile Pessard. No. 2 in M. 287. 15
Les deux loups-garous. Operette. Musique de Leopold
Dauphin. No. I in M.295.8
Arenski, Anton Stepanovitch.
Intermezzo pour orchestre. Op. 13. Partition d'orchestrc.
Moscou. Jurgenson. [188-?] No. 2 in M.405.1
„Nal und Damajanti." Opera. „Ha.)lt h ^HaMa.iHTll".
Onepa 6-h yt. ^^iiicxBiaxi. h 6th KapxHHaxT..
TeKCTT. M. HattKOBCKaro (no }KyKOBCKOMy), iiys-
HKa A. ApSHCKaro. Op. 47. Ausgabe fiir Gesang und
Klavier. MocKBa. lOprencoHT,. [1903] M.383.2
Same. Einleitung zur Oper Nal und Damajanti. Partitur.
Moskau. Jurgenson. [1899.] No. i in M.406.68
Quatuor (la mineur) pour violon, alto et deux violoncelles.
Op. 35. Moscou. Jurgenson. [188-.] No. 3 in M.358.19
Quatuor pour 2 violons, alto et violoncelle. [Op. ii.] Mos-
cou. Jurgenson. [188-?] No. i in M.358.19
Quintuor pour piano, 2 violons, alto et violoncelle. Op. 51.
Arenski, Anton Stepanovitch. (Continued.)
[Partition et parties.] Moscou. Jurgenson. [190-?] 5
parts in i v. M.410.96
Raffaelo. Scene musicale dell' epoca del Rinascimento.
Testo originale russo di A. Krjukoff, tradotto in italiano
da L. Egidi. Musica di A. Arensky. Per canto e piano-
forte. Mosca. Jurgenson. [1896.] No. i in M.393.2
Silhouettes (2me suite) pour deu.x pianos a 4 mains. Op. 23.
Pour orchestra (par I'auteur). Partition. Moscou. Jur-
genson. [188-?] No. 3 in M.405.1
CoHt Ha BOJiri. Onepa hi. 4x1. ^ifiCTtinxt. ,ZI|jia
4)opTeniaHO. Tckctb . . . hst. ;i;paMU OcipoBCKaro
.jCoH-b na Bo/i;ri." ]\locKBa. lOpreHcom.. [1890.]
M.38X.3
Der Springquell von Bachtschissarai. Dichtung von A.
Puschkin, deutsche Umdichtung von Fr. Bodenstedt.
Musik [Solo, s. und Chor] von A. Arensky. Clavieraus-
zug mit Text. Moskau. Jurgenson. [1899.]
No. I in M.193.3
Suite, 3me (Variations), pour 2 pianos a 4 mains, instrumen-
tee [pour I'orchestre] par I'auteur. Moscou. Jurgenson.
[188-.] No. 2 in M.358.19
Symphonic No. i en si mineur pour grand orchestre.
QEuvre 4. [Partition.] Moscou. Jurgenson. [188-?]
The title is in Russian and French. M.405.2
Trio (D-moll) pour le piano, violon et violoncelle. Op. 32.
[Partition et parties.] Moscou. Jurgenson. [189-.]
3 parts in i v. M.404.38
Arete. Song. Mozart. XXX Gesange. M.221.28
Arethusa. Cantata. For the Music see Gray, A. For the Li-
bretto see Shelley, P. B.
Arethuse. Of>cra. For the Music see Montgomery, L. de.
Argenide e Serse. Opera. For the Libretto see Portogsdlo.
Argine, Rinaldo dall'.
Ricciarda. Dramma tragico, posto in musica da F. Baroni.
M.230.7
Argonautes, Les. Cantata. For the Music see Holmes, A.
M. A.
Argument, An. Part-song. Moscheles, I. No. 22 in M. 235.18.4
Argwohn. Part-song. Juengst. No. 39 in M.392.12
Aria de lo mare, L'. Song. Cottr.\u. No. 4 in M.390.44
Ariadne. Opera. For the Music see Brambach. For the Li-
bretto see Freudenberg, O.
Ariadne auf Naxos. Cantata. For the Music see Scheibe. For
the Libretto see Gerstenberg.
Ariadne auf Naxos. Cantata. For the Music see Haydn, F. J.
Gesange. Heft I.
Ariadne auf Naxos. Duodrama. For the Music see Benda, G.
For the Libretto see Gotter.
Ariane. Cantata. For the Music see Maupeou. For the Li-
bretto see Gallet.
Ariane. Opera. For the Music see Massenet. For the Li-
bretto see Mendes.
Ariane dans I'isle de Naxos. Opera. For the Music see Edel-
mann. For the Libretto see Moline.
Arianna. Opera. For the Music see Handel. Werke. Also
Marcello, B. For the Libretto see Cassani.
Arie im Walde. Songs. Methfessel, A. G. No. 6in M.221.33
Ariel's song in The tempest. Song. Arne, T. A. Lyric har-
mony. Vol. 2. M.380.1
Arien-Album. Sammlung beruhmter Arien fiir Bariton und
Bass mit Pianofortebegleitung. Band i. Leipzig. Peters.
[187-?] No. 4 in M.204.37
Contents. — Bach : Gebt mir meinen Jesum wieder. — Ilandel : Wer
inag den Tag seiner Zukunft erleiden. Das Volk das im Dunkeln wan-
Jelt. Sie schallt die Posaun. Genug, der Ew'ge sei mit euch. Soil ich
auf Mamre's Fruchtgefild. — Haydn: Rollend in schiiumenden WcIIen.
Nun schcint in vollem Glanze. Schon eilet froh der Ackersmann. Seht
auf die breiten Wiesen hin. — Gluck: Ihr, die ihr mich verfolgt. Ihr,
die ihr das Land des wilden Volkes schiitzt. — Mozart : Wer ein Lieb-
chen hat gefunden. Solche hergelaufne Laffen. O ! wie will ich trium-
phiren. Ich soil ein GliJck entbehren. Will einst das Griiflein ein Tanz-
chen wagen. Dort vergiss leises Flehen. Ach offnet cure Augen. Siisse
Rache, o siisse Rache. Keine Ruh* bei Tag und Nacht. Schoene Donnal
dieses kleine Register. Treibt der Champagner das Blut erst im Kreise.
Horch auf den Klang der Zither. O Isis und Osiris. In diesen heil'gen
llallen. Der Vogelfanger bin ich ja. Ein Madchen oder Weibchen.
Bald muss ich dich verlassen. — Beethoven : Hat man nicht auch Gold
1.6
41
Arien-Album
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Armstrong
Arien-Album. (Continued.)
daneben. — Boieldieu : Weil man jetzt hier im Haus. — Weber : Hier
im iid'schen Jammerthal. Schweig! damit dich Niemand warnt. Wo
berg' ich raich? — Spohr: Der Kriegeslust ergeben.
The words are in German and Italian.
Arienzo, Marco d'.
II carnevale di Venezia, ovvero le precauzioni. Opera buffa.
Musica del Mo. E. Petrella. M.311.36
La contessa di Mens. Melodramma. Musica de Lauro
Rossi. M.264.18
Leonora. Melodramma. Musica di S. Mercadante.
M.283.3; etc.
Napoli di carnovale. Opera giocosa, musica di Niccola de
Giosa. M.396.23
Pelagio. Tragedia lirica. Posta in musica dal Cav. S. Mer-
cadante. M.310.34
Ariodant. Opera. For the Music see Mehul. For the Libretto
see Hoffmann, F. B.
Ariodante. Opera. For the Music see Handel. Werke.
Arion. Cantata. For the Music see Josephson. For the Li-
bretto see Nyblom.
Arion. Part-songs. Willard. M.109.1
Arion, der Tone Meister. Cantata. For the Music see Tschirch,
F. W. For the Libretto see Sturm, J. C. R.
Arise and help us. Anthem. Marcello, B. No. 57 in M.iii.4.2
Arise! arise! my fair. Part-song. Horsley, W.
No. I in M.23S.9.4; etc.
Arise, arise, the sunbeams hail. Part-song. Berger, F.
No. 12 in M.19S.1.3
Arise, awake. Part-song. Morley. No. 44 in M. 157.20.2; etc.
Arise, my fair one. Part-song. Hook, J. No. 72 in M.220.9.3
Spofforth. No. 7 in M.235.15
Arise, O Judah. Chorus. Haydn, F. J. No. 33 in M.221.22.2
Arise, O Lord. Anthem. Blodgett. Anthems, responses and
hymns. No. 4 in M.203.9
Arise! shine! for thy light has come. Motet.
Buck, D. No. 6 in M. 100.4.2
Elvey, G. J. No. 2 in M.190.3
FowLE. Fifteen short anthems. M.290.26
Arise! shine, O Zion. Anthem. Greene, M. Forty select
anthems. Vol. i. M.233.7.1
Arise, sweet love. Part-song. Leslie, H. D. No. 20 in M.ig5.i.4
Arise, Thou Judge. Anthem. Nares. Twenty anthems.
No. 5 in M.236.33
Arise up, my love. Easter carol. Danks. No. 24 in M.158.15
Arise, ye people, clap the hand. Anthem. Hayes, W.
No. 22 in M.190.5
Arise, ye winds. Part-song. Webbe, S. No. 23 in M.235.13.2; etc.
Aristippe. Opera. For the Music see Kreutzer, R. For the
Libretto see Giraud, P. F. F. J.
Aristodemo. Opera. For the Libretto see Buonavoglia.
Aristophanes.
[The frogs.] The music to The frogs, composed by C. H.
H. Parry. With an English version. No. 3 in M.155.36
[The wasps.] The music to The wasps, composed by T.
Tertius Noble. English translation. No. 3 in M.193.6
Arkadelt, Jacob. See Arcadelt, Jacob.
Arkadische Suite. For orchestra. Scharwenka, L. P.
No. 3 in M.342.32
Arkansas traveller. For violin. Vieuxtemps. No. 4 in M.410.4
Arlequin. Scher-o. Delahaye, L. L. No. i in M.213.26
Arlesiana, L'. Opera. For the Music see Cilea. For the Li-
bretto see Marenco.
Arlesienne, L'. Opera. For the Music see Bizet. For the Li-
bretto see Daudet.
Arlesienne, L'. Suites. Bizet. No. i, 2 in M.358.2
Ariette. Pantomime. Gregh. No. i in M.384.7
Arm, arm, ye brave. Part-song. Handel. No. 22 in M.221.22.1
Armaillis, Les. Opera. For the Music see Doret. For the
Libretto see Cain.
Armando il gondoliero. Opera. For the Music see Chiaro-
monte. For the Libretto see Micci.
Arme Heinrich, Der. Opera. For the Music see Rheinberger,
J. G. For the Libretto see Bonn.
Arme Herz, Das. Song. Hamm, J. V. No. 6 in M.236.6
Arme Jonathan, Der. Opera. For the Music see Milloecker.
For the Libretto see Wittmann, H.
Arme kind, Het. Opera. For the Music see Miry. For the
Libretto see Story.
Arme Peter, Der. Part-song. Schwalm. No. 5 in M.392.38
Arme Peter, Der. Song. Schumann, R. A. Romanzen und
Balladen. Heft 3. No. 8 in M.244.IS.2; etc.
Arme Sanger, Der. Song. Kiel. Sechs Lieder.
No. I in M.221.33
Arme Thoms, Der. Part-song. Moehring. No. 115 in M.246.22
Arme Thoms, Der. Song. Bratsch. No. 3 in M.236.6
Armellino, Giorgio.
Die Kunst des Clavierstimmens . . . Zum Selbstunterricht
fiir angehende Slimmer, sowie fiir alle Clavierbesitzer.
Nach dem „Accordeur" des G. Armellino . . . frei bear-
beitet von einem vielerfahrenen Clavierstimmer. 2. ver-
mehrte Auflage. Weimar. Voigt. 1863. Plate. [Neuer
Schauplatz der Kiinste und Handwerke. Band 21.]
No. I in M.3 70.69
Armenian Church.
[The responses, hymns, etc. in Armenian, with music.
Venice. 1865?] No. I in M. 158.3a
Armer Mann, Ein, ein braver Mann. Part-song. Goldmark, C.
No. 6 in M.212.6
Armes, Philip.
Give ear, O ye heavens. Anthem. [Accomp. for organ.]
(In Novello's Collection of anthems. Vol. 4, pp. 110-117.)
Also to be found in Ouseley's Special anthems. No. 10 in M.195.2.4
Hezekiah. A short oratorio. The words selected from the
Book of Isaiah, and the music composed by Philip Armes.
[Accomp. for pianoforte.] London. Novello, Ewer & Co.
[1878.] No. 3 in M.194.1
I will sing a new song. Anthem. [Accomp. for organ.]
(In Novello's Collection of anthems. Vol. 5, pp. 22-41.)
No. 2 in M.195.2.5
The Lord preserveth the souls of His saints. Anthem.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 15, pp. 41-55.) No. 7 in M.195.2.15
Rejoice in the Lord, O ye righteous. A festival anthem for
solo [s.] and chorus. [Accomp. for organ.] (In Novel-
lo's Collection of anthems. Vol. 15, pp. 186^203.)
No. 20 in M.195.2.IS
St. Barnabas. A sacred cantata or church oratorio. The
words selected from the Scriptures. The music by Philip
Armes. [Accomp. for pianoforte.] London. Novello,
Ewer & Co. [188-?] No. 4 in M.194.1
Te Deum laudamus. In G. (In Novello's Parish choir book.
Pp. 68-72.) No. I4in M.IS7.30
Armes, Philip, editor.
Gibbons, O. The eyes of all wait. No. 14 in M.195.2.14
Armes Baumchen. Song. Taubert, C. G. W. Klange aus
der Kinderwelt. Heft i. No. 3 in M. 192.6
Armes Kind am Wege. Song. Taubert, C. G. W. Klange aus
der Kinderwelt. Heft 11. No. 36 in M.192.8
Armida. Opera. For the Music see Gluck; also Righini; also
Rossini; also Salieri. For the Libretto see Quinault;
also Coltellini.
Armida abbandonata. Cantata. For the Music see HandeL
Werke. Lieferung S2a.
Armide. Opera. For the Music see Gluck; also Lully. For
the Libretto see Quinault.
Armide, vous m'allez quitter? Duet. Gluck. No. 4 in M.1S7.40
Armin. Opera. For the Music see Hofmann. For the Li-
bretto see Dahn.
Arminio. Opera. For the Music see Handel. Werke.
Arminius. Oratorio. For the Music see Bruch; also Kiese-
wetter, G. For the Libretto see Cueppers; also Immer-
gruen.
Armor. Opera. For the Music see Lazzari. For the Libretto
see Jaubert.
Armor. Overture. Lazzari. No. 2 in M.404.80
Armourer, The, of Nantes. Opera. For the Music see Balfe.
For the Libretto see Bridgeman.
Armstrong, George Frederick,
Eudora. A dramatic idyll. Music by William Creser.
No. 2 in M.285.38
42
Armstrong
THE ALLEN A. BROWN COLLECTION OF MUSIC
Arne
Armstrong, M. F.
Hampton and its students. By Mrs. M. F. Armstrong and
Helen W. Ludlow. With 50 cabin and plantation songs
arranged by Thomas P. Fenner. New York. Putnam.
1874. Illus. Plate. M.146.3
Armstrong, William.
Thekla: a story of Viennese musical life. Philadelphia.
Lippincott Co. 1887. M.108.34
Armstrong, William D.
Choral mass in G. [Accomp. for pianoforte.] Boston. O.
Ditson & Co. 1899. No. 2 in M.193.17
Arnal, fitienne Nicolas Joseph.
Jacquet, C. J. B. Arnal. Par Eugene de Mirecourt [pseud.].
Paris. 1868. Portrait. No. 3 in 14.1293.36
Same. 2e edition. 1867. M.124.12.1
Arnaud, Angelique.
The art of oratory, system of Delsarte, from the French of
I'Abbe Delaumosne and Mme. Angelique Arnaud. With
an essay on the attributes of reason, by F. Delsarte . . .
2d edition. [Translated by Frances A. Shaw.] Albany.
Werner. 1884. 11.1493.10
Arnaud, Francois.
Lettre sur la musique a Monsieur le Comte de Caylus.
[Paris?] 1754- No. 6 in M.103.3
Arn3ud, J.
Mois de Marie. Trente-trois choeurs religieux, hymnes et
cantiques a trois voix egales, avec accomp. d'orgue ou de
piano et de contre-basse non obligee. [Aussi de violon i,
2, alto, harpe, etc.] Paris. Nicou, Choron & Canaux.
1839. M.201.26
Am3ud, Joseph.
Deux beautes d'autrefois. Saynete-bouffe. Paroles de MM.
E. Durafour et J. Arnaud. Musique de L. C. Desormes.
No. I in M. 295.34
Ragivore et Collodium. . Saynete-bouffe. Paroles de J.
Arnaud et E. Durafour. Musique de Charles Hubans.
No. 3 in M.286.13
Arnsud, Simone, pseud. See Copin-Albancelli, Anne.
Arnault, Antoine Vincent.
Chant lyrique pour I'inauguration de la statue votee a Sa
Majeste I'Empereur et Roi. Musique de Mehul. M.273.25
Horatius Codes. Opera lyrique. Musique de Mehul.
M.273.21
Melidore et Phrosine. Drame lyrique. Mis en musique par
Mehul. M.273.34
Same. [Pieces choisies.] No. 2 in M.273.28
Arndt, Ernst Moritz.
Bundeslied, componirt von Ferdinand Hiller.
No. 2 in M.392.40; etc.
Trinklied [t. t. b. b.]. (/» Das Riitli. P. 433.)
No. 183 in M.147.4
Arndts, Maria von.
Der Schwalben Abschied . . . Fiir Manner-Quartett. Pa-
derborn. Esser. [188-?] No. 9 in 11.392.3
Arne, Michael.
Cymon. A dramatic romance. [By David Garrick.] Com-
posed by Michael Arne. [Accomp. for piano. London.]
Longman, Clementi & Co. [1767?] M.350.1
Same. Johnston. [i793?] No. I in M.130.1
Same. A dramatic romance. [By David Garrick.] The
original music composed by Michael Arne. New music
composed, and the whole arranged for the pianoforte
[and voice] by Henry R. Bishop. London. Goulding,
D'AImaine, Potter & Co. [1815.] M.396.1
Arne, Thomas Augustine.
Artaxerxes, an opera. Arranged by John Clarke. [Accomp.
for piano. The words translated from Metastasio by the
composer.] London. Birchall & Co. [1821.] M.251.18
Same. Dale's new edition of Artaxerxes, a serious opera
. . . composed by Dr. Arne. [The words from Metas-
tasio by the composer. Accomp. for the pianoforte.]
London. Dale. [181-?] No. 8 in M.391.S4
Same. The overture, recitatives, airs & duets in the opera
of Artaxerxes, composed by Dr. Arne, with an accomp.
for the piano forte, arranged from the scores by J. Addi-
Ame, Thomas Augustine. (Continued.)
son. In this edition are added the quartet "Mild as the
moon beams" by Braham, and the accompanied recitative
& grand finale by Henry R. Bishop. [The words adapted
from Metastasio.] London. Goulding & D'AImaine.
[182-?] No. 2 in M.391.13
[As you like it.] The whole of the music in As you like it,
by H. R. Bishop. Added the 3 songs composed for the
play by Dr. Arne. [Accomp. for pianoforte.] London.
Goulding, D'AImaine & Co. [1824?] M.391.2
Bewitch'd, Lady Fanny. Catch a 4 voci. {In Warren. Col-
lection of catches. Vol. i, pp. 130, 131.) No. 117 in M.220.9.1
Blind man's buff. Glee [a. t. t. B.]. (/« Warren. Collection
of catches. Vol. i, pp. 197-203.) No. 151 in M.220.9.1
Blow, blow, thou winter wind. Song [s. or t.]. {In Musical
library. Vol. 2, pp. 42-44.") No. 17 in 11.235.18.2
Also to be found in Turle and Taylor's The People's music book.
Same. Song harmonized [a. t. b.]. {In Social harmony.
Pp. 276, 277.) No. 224in M.21S.21
Buz, quoth the blue fly. Catch [for 4 voices], {hi Bland.
The Ladies' collection. Vol. i, p. 33.) No. 50 in M.235.17.1
Also to be found in Flowers of harmony ; The Harmonist ; Social har-
mony.
Clear the course. Catch [for 4 voices]. (/» Warren. Vocal
harmony. Pp. 100, loi.) No. 64 in M. 220.10
A cock-match. Catch [for 4 voices]. {In Warren. Vocal
harmony. Pp. 38, 39.) No. 26 in M.220.10
Come, shepherds, we'll follow. Elegy [a. t. t. b.]. {In
Amusement for the ladies. Vol. i, pp. 10-13.)
No. 5 in M.220.3.1
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion; dementi's Collection of catches; dementi's Vocal harmony;
Same, 2d edition; The Harmonist; Social harmony; Turle and Tay-
lor's The People's music book; Warren's Collection of catches;
Webbe, Jr.'s Convito armonico.
[Comus.] The musick in the masque of Comus. Written
by Milton. Composed by Mr. Arne. [For voices and
orchestra.] London. Walsh. [1738-] M.401.2
Same. For voice, harpsichord, and violin. Harrison & Co.
[178-?] No. I in M.220.35
Cymon and Iphigenia. A cantata. [Accomp. for figured
bass. London. 17S-?] No. 4 in M.237.26
Dear Jenny, I love you. Catch [for 3 voices]. {In Warren.
Collection of catches. Vol. i, pp 286, 287.)
No. 186 in M.220.9.1
Dite Carlo. Catch [for 3 voices]. {In Warren. Collection
of catches. Vol. i, p. 238.) No. 167 in M.220.9.1
Do, re, mi, fa. Catch a 5 voci. {In Warren. Collection of
catches. Vol. i, pp. 104, 105.) No. 104 in M.220.9.1
Eliza; an English opera. [Words by Richard Rolt.] For
the voice, harpsichord and violin. Composed by Dr. Arne.
London. Harrison & Co. [i743] No. i in M.130.4
Fair Aurora. Duet [s. a.]. {In Webbe, Jr. Convito ar-
monico. Vol. 2, pp. 148, I49-) No. 10 in M.234.3.2
The fairy prince. A masque [by George Colman, the el-
der]. Composedby T. A. Arne. [Accomp. for pianoforte.]
London. Welcker. [i77i-] No. i in M.220.19
The overture is missing.
Follow my path. Canon [3 in 2]. {In Warren. Collection
of catches. Vol. i, p. 133) No. 119 in M.22o.g.i
From tyrant laws. Duet [t. t.]. {In Bland. The Ladies'
collection. Vol. I, pp. 88, 89.) No. 138 in M.235.17.1
Also to be found in Webbe, Jr.'s Convito armonico.
Gentle youth, ah! tell me why. Song [s.] from Love in a
village. {In Musical library. Vol. 3, pp. 70-7I-)
No. 21 in M.23S.18.3
Gia riede prima. Glee [a. x. b.]. (/n Warren. Collection of
catches. Vol. I, pp. 214-217) No. 155 in M.220.9.1
Giocondie felici. Catch [for 3 voices]. {In Warren. Vocal
harmony. P. I35-) No. 78 in M.220.10
Good neighbours, be quiet. Catch [for 4 voices]. {In War-
ren. Collection of catches. Vol. i, pp. 124, 125.)
No. 113 in M.220.9.1
Good statesmen. Glee [a. x. B.]. {In Warren. Vocal har-
mony. Pp. 144, I4S) No. 92 in M.220.10
Ha' done, you little teazing wretch. Catch [for 4 voices].
(/; Warren. Vocal harmony. Pp. 6, 7.) No. 4 in M.220.10
43
Arne
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Arne
Ame, Thomas Augustine. (Continued.)
Hail to thy living light. Duet and chorus, from Elfrida.
{In Turle and Taylor. The People's music book. Vol. 3,
PP- 52-57.) No. 2SinM.iii.4.3
Hark you, my dear. Catch a 3 voci. {In dementi. Collec-
tion of catches. Vol. i, pp. 46, 47-)
No. 40 in M.iio.i.i ; No. 40 in M.110.2.1
Also to be found in Warren's Collection of catches.
Help me, O Lord. Canon [3 in i]. (/» Warren. Collection
of catches. Vol. i, p. 129.) No. Ii6in M.220.9.1
Also to be found in Webbe, Jr.'s Convito armonico.
Homeward bound. [Song, T., with accompaniment for
harpsichord and clarinets.] London. Harrison & Co.
[178-?] No. 37 in M.384.48
How cheerful along the gay mead. The hymn of Eve [s.]
from the oratorio of Abel. [Accomp. for piano.] {In
Ayrton. Sacred minstrelsy. Vol. i, p. 105.)
No. 37 in M.290.22.1
How gentle was my Damon's air, recit., and On every hill,
in every grove, air [s.], from The masque of Comus. {In
Musical library. Vol. 4, pp. 58-60.) No. 20 in M.235.18.4
Hush to peace. Glee [t. t. b.]. {In Amusement for the
ladies. Vol. i, pp. 6, 7.) No. 3 in M.220.3.1
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion; Clementi's Collection of catches [for four voices]; Social har-
mony ; Warren's Collection of catches.
If 'tis joy to wound. Glee [a. t. b. b.]. {In Bland. The
Ladies' collection. Vol. 2, pp. 168, 169.)
Also to be found in The Harmonist. No. 2o8 in M.235.17.2
In friendship. Canon [3 in 2]. {In Collection of glees and
catches. Pp. 70, 71.) No. 18 in M.iio.8
Also to be found in Warren's Collection of catches.
Is the devil in you? Glee [t. t. b.]. {In Warren. Collec-
tion of catches. Vol. i, pp. 288-290.) No. 187 in M.220.9.1
Joan marching forth. Catch [for 4 voices]. {In Warren.
Collection of catches. Vol. i, pp. 232, 233.)
No. 163 in M.220.9.1
Judith, an oratorio. [Full score.] London. Walsh. [1764?]
M.241.4
Let mirth abound. Canon [4 in i]. {In Warren, Collec-
tion of catches. Vol. i, pp. 334, 33S) No. 204 in M.220.9.1
The love rapture. Glee [a. t. t. b.]. {In Amusement for the
ladies. Vol. 2, pp. 30-33) No. 9 in M.220.3.2
Also to be found in Warren's Collection of catches.
Lurk, lurk. Round [for 4 voices]. (/» Webbe, Jr. Convito
armonico. Vol. 2, p. 205.) No. 37 in M.234.3.2
Lyric harmony, consisting of eighteen entire new ballads,
with Colin and Ph.-ebe in score . . . London. Printed for
the Author, by W. Smith. [175-?] 2 v. in i. M.380.1
Contents. — i. The kind inconstant. — The invitation. — The charms
of Isabel. — The complaint. — The rover reclaim'd. — Philosophy
no remedy for love. — Colin's invitation. — The generous distress'd.
— Kindness and a gracefuU air preferr'd to beauty. — Cloe, generous
as fair. — The lovesick invocation. — The fond appeal. — To a lady,
who being ask'd by her lover for a token of her constancy, gave him
a knife. — The complaint. — The contest between love and glory. —
The dumps, selected and alter'd from Gay's Pastorals. — The happy
bride. — Colin and Phaebe, a pastoral. 2. Phillis. — The tout ensemble.
— Dione. A pastoral ballad. — Nature beyond art, written by Ben
Jonson. — • Ariel's song in The Tempest. — The caution, modernized
from Chaucer. — A song from Shakespear's Cymbeline. — Love and
wine in alliance. The words by Lord Lansdown. — The syren's song
to Ulysses. — The despairing shepherd. — ■ The scholar's relapse. —
The rose bud. — To Chloe. The words by Addison. — On Cloe, sleep-
ing, taken from Shakespear. — Love and reason inconsistent. The
words by John Suckling. — On a young lady . . . — [Why so pale and
wan, fond lover?] The words by John Suckling. — Damon and Cloe.
The maid's with child. Catch [for 3 voices]. {In Warren.
Collection of catches. Vol. i, pp. 332, 22:^.)
No. 203 in M.220.9.1
Make haste to meet. Glee [a. t. x. b.]. {In Amusement for
the ladies. Vol. 4, pp. 20-30.) No. 8 in M.220.3.4
Also to be found in Clementi's Vocal harmony ; Same, New edition ;
Warren's Collection of catches ; Webbe, Jr.'s Convito armonico.
My beloved is mine. Canon [3 in 2]. {In Flowers of har-
mony. Vol. I, pp. 73-75) No. 46in M.1S7.18.1
Also to be found in Warren's Collection of catches.
Ombre a mene. Canon, 4 in 2. {In Warren. Collection of
catches. Vol i, pp. 228, 229.) No. 159 in M.220.9.1
Ame, Thomas Augustine. (Continued.)
Overture to Thomas and Sally. [Also the Scotch air, s., in
the overture.] London. Goulding & Co. [178-?]
No. 30 in M.237.7
The play-house hubbub. Catch [for 4 voices]. {In Social
harmony. Pp. 158, 159.) No. 137 in M.215.21
Poculum elevatum. Glee [t. t. x. B. b.]. {In The Apollo.
Vol. S, pp. 327-331) No. 2 in M.i39a.i8.s
Also to be found in Warren's Collection of catches.
Poor, little, pretty, flutt'ring thing. Glee [a. x. x. b.]. {In
Amusement for the ladies. Vol. 4, pp. 88, 89.)
Also to be found in Warren's Vocal harmony. No. 24 in M,220.3.4
Rise, glory, rise. Song [x. x. B.]. {In Apollonian harmony.
Vol. 2, pp. 56-60.) No. 44 in M. 141.21.3
Also to be found in Social harmony.
Rule Britannia. A favorite song. Voice [s.] or Ger. flute
with pianoforte accomp. London. Andrews. [179-?]
No. I in M.384.48
Same. Harmonized for 4 voices, by Vincent Novello. Lon-
don. Novello. [184-?] No. 57 in M.158.18
Also to be found in Bland's The Ladies* collection; The Choralist;
Hullah's Part music. Secular; Musical times [Music]; Social har-
mony ; Turle and Taylor's The People's music book.
Same. Englisches Volkslied. {In Orpheus. Band 6, pp.
57, 58.) No. 210 in M.i2ga.43.6
Sigh no more, ladies. Song harmonized [for x. x. b.]. {In
Social harmony. Pp. 70, 71.) No. 61 in M.215.21
Silence, ye jades. Catch [for 3 voices]. {In Warren. Vocal
harmony. Pp. 112, 113.) No. 70 in M.220.10
Sound the trumpet. Catch a 4 voci. {In Warren. Collec-
tion of catches. Vol. i, pp. 182, 183.) No. 140 in M.220.9.1
Stout Hodge. Catch [for 3 voices]. {In Warren. Collec-
tion of catches. Vol. i, pp. 236, 237.) No. 166 in M.220.9.1
Sweet muse, inspire. Glee [a. x. x. b.]. {In Amusement for
the ladies. Vol. 2, pp. 25-29.) No. 8 in M.220.3.2
Also to be found in "The Apollo; Clementi's Collection of catches;
Warren's Collection of catches ; Webbe, Jr.'s Convito armonico.
Tell me, where is fancy bred. Glee [a. x. x. b.]. {In Warren.
Vocal harmony. Pp. 61-63.) No. 41 in M.220.10
[The tempest.] The music in Shakspeare's Tempest, by
Purcell, Arne, Smith & Linley. New edition. [Accomp.
for pianoforte.] London. Lonsdale. [183-?]
No. 5 in M.391.S8
Thomas and Sally; or, the sailor's return: a dramatic pas-
toral. [Words by Bickerstaff.] Composed by Dr. Arne
for the voice, harpsichord, and violin. London. Harrison
& Co. [178-?] No. 2 in M.220.36
Thou soft flowing Avon. Harmonized [t. i. b.]. {In Col-
lection of glees and catches. Pp. 21, 22.) No. 5 in M.110.8
Also to be found in Ditson's The Orphean lyre ; The Harmonist ; So-
cial harmony.
To fair Fidele's grassy tomb. Dirge [x. x. b.]. {In Social
harmony. P. 181.) No. 154 in M.21S.21
To soften care. Glee [a. x. x. b.]. {In Warren. Collection
of catches. Vol. i, pp. 328-330.) No. 201 in M.220.9.1
Two English cantatas for a voice and instruments. London.
Walsh.
Contents.
[174-
No. 3 in M. 237.26
Lydia, from Sappho,
The school of Anacreon,
Water parted from the sea. Part-song. The melody by
Arne. Harmonized by the editor. {In HuUah. The
Singer's library. Secular. No. 37. Pp. 49-52.)
No. 37 in M.157.2
When all the Attic fire was fled. [Duet, a. b.] {In Social
harmony. Pp. 218, 219.) No. 181 in M.215.21
When forc'd from dear Hebe. Ballad [x.]. {In Musical
library. Vol. I, pp. 144, 145.) No. 64 in M.235.18.1
Also to be found in Turle and Taylor's The People's music book.
Same. Glee [a. x. x. b.] harmonized by I. Brooks. {In Bland.
The Ladies' collection. Vol. 5, pp. 492, 493.)
No. 124 in M.235.17.S
When Phoebus the tops. Duett [x. x. Accomp. for piano-
forte]. {In Bland. The Ladies' collection. Vol. 2, p. 171.)
Also to be found in The Harmonist. No. 210 in M.235.17,3
Where the bee sucks. Glee [s. s. x. b.]. Harmonized by
44
Arne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Arnold
Arne, Thomas Augustine. (Continued.)
Wm. Jackson. (/» The Harmonist. Vol. 7, pp. 44-5i)
No. II in M.218.8.7
Also to be found in Novello's Glee-hive; Webbe, Jr.'s Convito
armonico.
Which is the properest day to drink? Glee [a. t. t. b.]. (/»
Amusement for the ladies. Vol. 3, pp. 63-65.)
No. 22 in M.220.3.3
Also to be found in The Apollo; Apollonian harmony; Bland's The
Ladies' collection; dementi's Collection of catches; dementi's Vocal
harmony; Same. 2d edition; Flowers of harmony; The Harmonist;
Hullah's Part music, Secular; Social harmony; Warren's Collection
of catches.
The wooden walls. Glee [a. t. b.]. {In Amusement for the
ladies. Vol. 4, pp. 65-71.) No. 17 in M.220.3.4
Also to be found in The Harmonist; Warren's Collection of catches.
You ask me, dear Jack. Glee [x. t. b.]. (/n Bland. The
Ladies' collection. Vol. 2, pp. 225-227.)
No. 245inM.235.i7.2
Also to be found in dementi's Collection of catches; Warren's Collec-
tion of catches.
Arne, Thomas Augustine, editor.
Gay, J. [The beggar's opera.] No. 6 in M.391.S4
Amim, Carl, Baron von.
A selection of German national melodies, with the words
both in the original and translated into English . . . The
introductory symphonies by J. Mazzinghi. [Accomp. for
pianoforte.] London. Goulding, D'Almaine, Potter & Co.
[181-?] 2 V. in I. M.212.21
Contents. — 1. Himmel: To Hebe. — Hurka : Remembrance. —
Himmel : The e-xchange of hearts. — May song. — Beneken : The
grave. — To Laura. — Reichard : Sportsman's evening song. — Strang-
ford: Use of time. — Himmel: The white rose. — The adieu. —
Zumsteg: Serenade. — Wiistenberg: The soldier's farewell. — Zelter:
The hunter. — Ellis : The rat-catcher. — Arnim : Indifference and
affection. — Sterkel : Remuneration. — L. Reichard: The shaphera's
complaint. — Hurka: Longing for happiness. — Himmel: The
changes of time. — J. F. Reichard: Sorrows and pleasures. 2. J. F.
Reichardt: The minstrel. — On parting. — Harder: The first of
May. — Beczwarzowsky : The song of the sword. — J. F. Reichardt:
Calm at sea. — Arnim: The marriage song. — Zumsteg: Fernando and
Clare. — J. F. Reichardt: Camp song. — Complaint. ^ Italy.
Arnim, Elizabeth von.
Briefe von Beethoven und Frau Rath Goethe an Bettina
Brentano. [Herausgegeben von M. Carriere. Leipzig.
1880.] No. sinM.372.44
In the Allgcmeine conservative Monatsschrift fiir das christliche
Deutschland, Januar, 1880.
Arno's vale. Part-song. Holcombe. No. 4 in M.220.S; etc.
Arnold, Sir Edwin.
The light of Asia, a cantata. The music by Dudley Buck.
No. I in M. 154.38
Arnold, George Benjamin.
Ahab. An oratorio. The words from the Holy Scriptures.
[Accomp. for piano.] London. Addison & Lucas. [1863.]
M.241.5
Sennacherib. A sacred cantata. The words selected from
the Scriptures. The music by George B. Arnold. [Solos,
s. T. B., and chorus. Accomp. for pianoforte.] London.
Weekes & Co. [1883.] No. i in M.204.3
Te Deum and Jubilate [in D. With organ accomp.]. Lon-
don. Addison, Hollier & Lucas. [186-?] No. i in M.236.22
Te Deum laudamus. In C. {In Novello's Parish choir book.
Pp. 80-86.) No. 16 in M.157.30
Arnold, Gottfried.
Das jiingste Gericht. Oratorium, in Musik gesetzt von L.
Spohr. M.243.28
Arnold, Gustav.
Hinaus in die Welt! [Mannerchor.] {In Eidgenossischer
Sangerverein. Wettgesange bei dem 12. . . . Siingerfeste.
Pp. 64-66.) No. 8 in M. 130.7
Der Riitlischwur. Dramatische Scene fiir Mannerchor, Soli
und Orchester, nach Worten aus Schiller's „Wilhelm
Tell." . . . Componirt von Gustav Arnold. Klavieraus-
zug. Ziirich. Hug. [1891.] No. i in M.203.9
Arnold, John.
Toby Swill. Song [t. b.]. {In Social harmony. P. 192.)
No. 169 in M.21S.21
Arnold, John Harvey Vincent.
[Catalogue of his] Library. New York. Leavitt & Co.
1879. M.I 13.3
Particularly rich in dramatic literature.
Arnold, Samuel. 1740-1802.
An address to a locket. Song [s. Accomp. for pianoforte].
{In Musical library. Vol. 3, pp. 124, 125.)
No. 40 in M.23S.18.3
Adieu, my fears and sorrows. A duett [s. x.], in The maid
of the mill. [Accomp. for pianoforte.] London. Dussek.
[179-?] No. 10 in M.237.2
The agreeable surprise, a comic opera in 2 acts . . . The
music composed by Dr. Arnold. For the voice, harpsi-
chord, or violin. [Text by John O'Keeffe.] London.
Bland. [1781.] No. 4 in M.220.17
As pants the hart. Canon in the 4th and 8th below. {In
Warren. Collection of catches. Vol. 2, p. 278.)
No. 1 16 in M.220.9.2
Auld Robin Gray, a pastoral entertainment . . . Written by
Samuel Arnold junr The music selected & composed by
Dr. Arnold. Op. 36. [Accomp. for pianoforte.] London.
Preston. [1794.] No. 5 in M. 360.15
[The battle of Hexham.] The overture, songs, chorusses,
&c., in The battle of Hexam [sic] . . . The words by G.
Colman, jr. The music by Dr. Arnold. [Vocal score.
Accomp. for piano.] London. Longman & Broderip.
[1789.] No. I in M.320.1; No. 2 in M.220.17
The best compliments. Catch [for 3 voices]. {In Warren.
Collection of catches. Vol. 2, p. 270.) No. 113 in M.22o.g.2
Brisk wine. Two part song [x. b.]. (/w Bland. The Ladies'
collection. Vol. 2, p. 205.) No. 235 in 11.235.17.3
The castle of Andalusia. A comic opera . . . the selected
airs by Handel, Vento, Giordani . . . The overture, cho-
russes, new airs, &c., composed by Dr. Arnold. [Words
by John O'Keeffe. Accomp. for piano.] London. Bland.
[1782.] No. 2 in M.320.I
The enchanted wood. [Opera. For voices and pianoforte.]
Op. 35. [Words by Mr. Francis.] London. Smart.
[1792.] No. 3 in M.220.36
Faint and wearily the way-worn traveller. [Duet, s. x.] in
The mountaineers. [Accomp. for pianoforte.] London.
Goulding & Co. [182-?] No. 21 in M.237.7
The genius of nonsense; an original, whimsical, operatical,
pantomimical, farcical, electrical, naval and military ex-
travaganza . . . Composed by Dr. Arnold for the voice,
harpsichord and violin. (Opera XXVIL) [Vocal score.]
London. Harrison & Co. 1784. No. i in M.30.24
Great god of sleep. Glee [a. x. B.]. {In Bland. The Ladies'
collection. Vol. 2, pp. 239-241.) No. 252 in M.23S.17.2
Happy island. Song harmonized [s. a. b.]. {In Social har-
mony. Pp. 288, 289.) No. 231 in M.215.21
The hardy sailor. Song [s. orx.] from The castle of Anda-
lusia. [Accomp. for pianoforte.] {In Musical library.
Vol. 3, pp. 56, 57-) No. 17 in M.235.18.3
[Harlequin D"". Faustus.] The songs, tunes, and dances in
Harlequin D"". Faustus for the harpsichord. London.
Welcker. [i793] No. 5 in M.391.30
Here lyes poor Teague. Catch a 3 voci. {In Clementi.
Collection of catches. Vol. 3, p. 64.)
No. 206 in M.110.1.3; No. 206 in M.iio.2.3
Idalian queen. Duet [s. s. or x. x.] from The castle of Anda-
lusia. [Accomp. for pianoforte.] {In Musical library.
Vol. 3, pp. 58-60.) No. 18 in M.235.18.3
In yonder grave. Elegiac [a. x. x. b.]. (/m Warren. Collec-
tion of catches. Vol. 2, pp. 238-241.) No. 102 in M.220.9.a
Inkle and Yarico. A comic opera . . . The words by George
Colman junr. The musick composed by Dr. Arnold.
Adapted for the voice, harpsichord, piano forte, &c. Lon-
don. Longman & Broderip. [1787?] No. 3 in M.130.1
Lira, lira, a favorite song, ... in the Surrender of Calais.
[s., with pianoforte accomp.] London. Preston. [179-?]
No. 38 in M.384.48
The maid of the mill, a comic opera [by Isaac Bickerstaff].
45
Arnold
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ars longa
Arnold, Samuel. 1740-1802. (Continued.)
For the voice, harpsichord, or violin. London. Bremner.
[lyQc] No. I inM.i52.i2
An arrangement of songs and choruses by many composers.
The mountaineers . . . Written by George Colman, jr., the
music selected and composed by Dr. Arnold. [Accomp.
for piano.] London. Preston. [i795] No. 3 in M.320.1
The muleteer's glee [t. t. b.]. {In The Harmonist. Vol. 7,
pp. 11-13.) No. 2 in M.218.8.7
Obi; or three finger'd Jack. The overture, songs, chorusses
& appropriate music in the pantomimical drama. Com-
posed & adapted by Sami. Arnold, with selections from
the most eminent masters arranged for the voice & piano
forte. London. Longman, Clementi & Co. [1800.]
The words are by John Fawcett. M.3gi.29
On board the Valiant. Song [t.] from The shipwreck.
[Accomp. for pianoforte.] (/« Musical library. Vol. 4,
pp. 132, 133.) No. 44inM.23S.i8.4
Peeping Tom of Coventry; a comic opera [by John
O'Keeffe]. Composed by Dr. Arnold, for the voice, harp-
sichord, and violin. Op. 25. London. Harrison & Co.
[1784?] No. 2 in M.130.1
The seasons. Glee, (/re Musical library. Vol. 3, pp. 164-
169.) No. 55 in M.235.18.3
The shipwreck, a comic opera, in two acts . . . written by
S. Arnold, junr., the music composed by Dr. Arnold.
Op. 40. [Accomp. for pianoforte.] London. Longman
& Broderip. [1796.] No. I in M.120.31
Solace of life. Glee [a. t. b.]. (In Warren. Collection of
catches. Vol. 2, pp. 225-229.) No. 96 in M.22o.g.2
[The Spanish barber.] The fandango, overture, airs, &c. in
The Spanish barber . . . Op. 17. [The words after Beau-
marchais, by George Colman, the elder. Accomp. for
pianoforte.] London. Bland. [1777?] No. 4in M.360.15
Such a liar is Tom. Catch [for 3 voices]. (In Social har-
mony. P. 241.) No. 198 in M.215.21
The surrender of Calais, . . . written by George Colman,
Esq. junr, the music by Dr. Arnold. Op. XXXHL [Vocal
score.] London. Preston. [1791.] No. 3 in M.30.24
The Te Deum, Jubilate, Sanctus, Kyrie, Nicene creed, Mag-
nificat, & Nunc dimittis, in B flat major. (In Goss and
Turle. Cathedral services. Vol. 2, pp. 123-153.)
No. 5 in M.233.10
Turk, and no Turk. A comic opera . . . For the voice,
harpsichord, violin, or German flute. Composed by Dr.
Arnold. [Text by George Colman, the younger.] Lon-
don. Skillern. 1785. No. i in M.220.17
Two to one; a comic opera . . . Composed by Dr. Arnold,
for the voice, harpsichord, and violin. [Text by George
Colman, the younger.] London. Harrison & Co. 1784.
No. 3 in M.220.17
The veteran tar. A comic opera in two acts for the voice
and pianoforte. The words by S. L Arnold. The music
composed by S. Arnold. Opera 50. London. Thompson.
[1801.] No. I in M.396.2
Who is this that cometh? Anthem [a. t. b.] for Palm Sun-
day. The organ part by Vincent Novello. (In Novello's
Collection of anthems. Vol. 6, pp. 14-24.) No. 2 in M. 195.2.6
Arnold, Samuel, editor. 1740-1802.
Convivial harmony. Being a collection of catches, canons
and glees ... for the voice and piano forte. London.
Harrison, Cluse & Co. [179-?] No. 7 in M.158.13
Contents. — Greene: How soft the delights. — Come let us laugh.
Great Bacchus. — .\s Thomas was cudgel'd. — Mortals learn. So
peaceful rests. — Greene: I've lost my mistress. — Jolly mortals fill
your glasses. — On the poor confin'd debtors. — Hail, green fields.
Come all noble souls. — Prithee, foolish boy. — Gibbons: The silver
swan. — Morley; Fair Phillis. — Rogers: Come all noble souls. —
Conversi : When all alone. — Ford: Fair, sweet, cruel. — Baildon:
Adieu to the village.
Handel, G. F. Redemption. M.241.3
Arnold, Samuel, Jr. 1774-1852. See Arnold, Samuel James.
Arnold, Samuel James.
The Americans. A comic opera, the music composed by
M. P. King & Mr. Braham. M.380.S0
Arnold, Samuel James. (Continued.)
Auld Robin Gray, a pastoral entertainment . . . The music
selected & composed by Dr. Arnold. No. 5 in M.360.15
The devil's bridge, an operatic romance. The music com-
posed by C. E. Horn and M^. Braham. No. 2 in M.391.64
Frederick the Great, or the heart of a soldier. An operatic
anecdote. Composed by T. Cooke. No. 3 in M.391.14
The maniac, or the Swiss banditti. Serio comic opera.
Composed by Henry R. Bishop. M.391.13
Nourjahad, a romantic grand opera. Composed by E. J.
Loder. M.263.14
Plots, or the north tower. A melo dramatic opera. The
music composed by M. P. King. No. i in M.391.66
The shipwreck, a comic opera, the music composed by Dr.
Arnold. No. i in M.120.31
Up all night, or the smugglers' cave, a comic opera. Com-
posed by M. P. King. M.253.9
The veteran tar. A comic opera. The music composed by
S. Arnold. No. i in M.396.a
Arnold, Yuri Fedorovitch.
[Boris Godunow.] Ouverture zu Alex. Puschkin's Drama,
„Boris Godunow." Partitur. Leipzig. Heinze. [186-?]
The title is repeated in Russian. No. 2 in M.332.a
Der Einfluss des Zeitgeistes auf die Entwickelung der Ton-
kunst. Leipzig. Rhode. 1867. No. 4in M.ii9a.i3
Franz Liszt's Oratorium: „Die Legende von der heiligen
Elisabeth" und die neue Musikrichtung. Leipzig. Rhode.
1868. No. 5 in M.I 193.13
Teopia ,zi;peBHe-pyccKaro ii;epKOBHaro h Hapo/i;Haro
niniH . . . BtmycKt nepBHft : Teopia npaBOCJiaB-
Haro ii,epKOBHaro ninia BOo6in;e, no yHeniio sjijhh-
CKHXT, H BHsaHxificKHXT. HHcaxejieft. MocKBa. 1880.
M.215.3
Vier und zwanzig auserlesene Opern-Charaktere in Bezug
auf deren musikalisch-deklamatorische, wie dramatisch-
mimische Darstellung analysirt und beleuchtet. Heft i.
Der Freischiitz. Leipzig. Rhode. 1867. Plates.
No. 6 in M.145.6
Arnold, Yuri Fedorovitch, translator.
Kui, T. A. Angelo. M.396.28
Tchaikovski, p. L OnpmHHKT.. M.396.41
Arnoud, J.
Athalie, tragedie de J. Racine. Musique, solos, duos, trios
et choeurs a 3 voix egales, avec accomp. de piano, par J.
Arnoud. Paris. Gautier. [1876?] No. i in M. 156.17
Arnould, pseud. See Mussot, Auguste Jean Frangois.
Arnould, Edmond.
Les poemes de la nature. Poeme musical compose par A.
Prevost-Rousseau. No. i in M.321.5
Aroldo. Opera. For the Music see Verdi. For the Libretto
see Piave.
Around the festive board. Part-song. Webbe, S.
No. 28 in M.23S.13.2; etc.
Around the May-pole tripping. Part-song. Hatton.
No. 17 in M.157.23
Around we pace. Chorus. Purcell, H. Beauties of Purcell.
Vol. I. M.22i.a
Arracheuse de dents, L'. Opera. For the Music see Chau-
tagne. For the Libretto see Charles.
Arrachez de men coeur. Aria. Sacchini. Le Sacchini des
concerts. M.274.9
Arresta il passo. Cantata. For the Music see Handel. Werke.
Lieferung 52A.
Arri, arri. Duet. Masini. No. 50 in M.157.39
Arrieta, Juan Emilio.
Ildegonda. Dramma lirico in 2 atti di T. Solera, posto in
musica ... da Emilio Arrieta. Riduzione per canto con
accompto. di p. f. Milano. Lucca. [1848.] M.140.3
Arrow, The, and the song. Part-song. Hav.
No. 16 in M.195.1.16
Simpson, J. F. No. 15 in M.121.3
Ars longa, vita brevis. Part-song. Hayes, W.
No. 24 in H.141.21.3; etc.
46
Arse
THE ALLEN A. BROWN COLLECTION OF MUSIC
As they
Arse la fiamm' e consume I'ardore. Part-song. Lassus.
Sammtliche Werke. Band 6. 11.80403.67.6
Arsenal, The; or war and peace. Cantata. For the Music see
Speer. For the Libretto see Longfellow.
Arsene. Opera. For the Music see Seydelmann. For the
Libretto see Favart, C. S.
Art, L', d'etre grand-pere. Cantata. For the Music see Saint-
Saens. For the Libretto see Hugo.
Art divin qui faisais ma gloire. Song. Halevy, J. F. F. £.
No. 9 in M.193.21.2
Art, The, of improving the voice and ear, and of increasing
their musical powers on philosophical principles. Lon-
don. Prowett. 1825. M. 136.9
Art theatrale, L'. Poem. Samson, J. I. M.208.10
Art thou weary? Anthem. Lloyd, C. H. No. 19 in M.195.2.11
Artamof, Piotre, pseud. See La Fite de Pellepore, Vladimir.
Artaxerxes. Opera. For the Music see Arne, T. A. For the
Libretto see Metastasio.
Artciboucheff, N. See Artsybushev, Nikolai Vasilievitch.
Arteaga, Stefano.
Les revolutions du theatre musical en Italic. Traduites et
abregees de I'italien de Dom Arteaga [par le Baron de
Rouvrou]. London. Gameau & Co. 1802. M. 149. 25
Le rivoluzioni del teatro musicale italiano. Bologna. Trenti.
1783. 2 V. in I. M.i09a.27
Article de Paris. Opera. For the Music see Audran. For the
Libretto see Boucheron.
Articulation.
Dorval, p. L'art de la prononciation appliquee au chant et
maniere facile d'augmenter les resources de la voix. Ver-
sailles. 1850. No. 7 in M.206.3
Ellis, A. J. Speech in song: beiijg the singer's pronouncing
primer. London. [1878.] No. i in M.117.5
Artillerist's oath. The. Part-song. Adam, C. F.
No. 12 in M.109.1
Artisan, L'. Opera. For the Music see Halevy, J. F. F. fi. For
the Libretto see Saint-Georges.
Artist's model. An. Opera. For the Music see Jones, S. For
the Libretto see Hall, O.
Artistes, Les, par occasion. Opera. For the Music see Catel.
For the Libretto see Duval, A. V. P.
Artisti, Gli, alia fiera. Opera. For the Music see Rossi, L.
For the Libretto see Ghislanzoni.
Artot, Jean Desire, pseud. See Montagney, Jean Desire.
Artsybushev, Nikolai Vasilievitch, and others.
Bapiai],in na pyccKyio xcMy /i,jiii CMHHKOBaro Knap-
TCTa. [Variations sur un theme populaire russe.J Ba-
piai^ia I : H. Apu,u6ymeBa. II : A. CKpadnna. liL :
A. FjiasyHOBa. IV : H. PHMCKaro-KopcaKoua. V :
A. JlaflOBa. VI : I. BHTO.aa. VII : O. B.ii3'MeH4)e-
jBfla. VIII : B. 3Ba.3Bfla. IX : A. BHHKjiepa. X :
Oinajit H. CoKOJiOBa. EEapTHxypa. .leiinu.nrt.
EijCKCB-B. 1899. No. 2 in M.4i2a.i
As a beam o'er the face of the waters may glow. (Irisli
melody.) Harmonized for 4 voices, (/n Warren. Cocks's
Hand-book of glees. Vol. 3, no. 146, pp. 181-184.)
No. 64 in M.I 57.6.3
As a rosy wreath. Part-song. Evans, C. S. No. 8 in M.235.12
As afternoon, one summer's day. Glee. Baildon.
No. 80 in M.220.10
As Colin one evening. Catch [for 3 voices], (/n Warren. Col-
lection of catches. Vol. 2, p. 84.) No. 35 in M.220.9.2
As Dick returning. Part-song. King, J. No. 37 in M.220.g.4
As Dolly and Nan. Part-song. Wellesley, G. C.
No. 148 in M.220.9.2
As fades the morn. Modinha [s. or t. Accomp. for piano-
forte]. {In Musical library. Vol. I, p. 164.)
No. 72 in M.235.18.1
As fair as morn. Part-song. Wilbye. No. 23 in M.23S.18.1 ; etc.
As Flora slept. Fa la. Hilton. Ayres or fa las.
No. 3 in M.234.21
As for sinners, they shall be consumed. Anthem. Gardiner.
No. 21 in M.236.30.3
As I live, saith the Lord. Anthem. Chipp. No. 14 in M.195.2.15
As I saw fair Clora. Duet. Hayden. No. 18 in M.i39a.i8.5; etc.
As I was going to Derby. Glee. See Callcott, J. W. The
Derbyshire ram.
As I was going to St. Ives. Part-song. Brown, O. B.
No. 8inM.1s8.14
As I wove. Part-song. Pring, J. C. No. i in M.220.g.5
As in the field . . . Part-song. Reinecke, C. H. C.
No. 4 in M.204.36.7
As it began to dawn. Anthem. Vincent, C. J.
No. IS in M.195.2.16
As it fell upon a day. Part-song. Reay. No. 8 in m. 158.23; etc.
Wellesley, G. C. No. i in M.236.23; etc.
\s Jenny one morning. Part-song. Berg, G. No. 69 in M.220.9.1
As Joan was lamenting. Catch [for 3 voices]. {In Warren.
Collection of catches. Vol. 2, p. 86.) No. 37 in M.220.g.a
As Joseph was awalking. Carol. H., C. No. 25 in M. 158.17
As matchless beauty. Madrigal. Wilbye. Works. Vol. 2.
No. IS in M.235.19.2
As Nancy danced. Part-song. Webbe, S.
No. 19 in M.235.13.2; etc.
As now the shades. Part-song. Cooke, B.
No. 14 in M.220.3.4; etc.
As o'er the past. Quartet. Morris, J. W. Vocal quartets.
No. 34 in M.190.S
As o'er the past my memory strays. Sacred song. Bach. C.
P. E. No. SI in M.290.22.2
Richards, H. B. No. 25 in M.234.6
As o'er the varied meads. Part-song. Webbe, S.
No. 20 in M.110.8; etc.
As on a mournful poplar bough. Glee. Callcott, J. W.
No. 18 in M.234.1.1
As on a summer's day. Part-song. Smith, J. S.
No. 4 in M.235.7.1 ; etc.
As pants the hart. Anthem. Arnold, S. No. 116 in M.220.9.2
Clifton, J. C. No. S3 in M. 157.1; etc.
Handel. Werke. Lieferung 34, 36. M.313.1.34, 36
Marston. No. 16 in M.158.18
Millard, H. No. 25 in M.158.18; etc.
Mozart. No. 24 in M.157.34; etc.
Pattison, J. N. No. 36 in M. 190.6
Spohr, L. No. 12 in M.zgo.g.i ; etc.
Thomas, J. R. No. i in M.2go.6
Warren, G. W. No. 3 in M.190.9
As Quin and Foote. Catch. Holder. A collection of catches.
No. 4 in M. 120.31
As Roger was sitting. Catch a 3 voci. {In Warren. Collec-
tion of catches. Vol. i, pp. 362, 363.) No. 216 in M.220.9.1
As St. Joseph lay asleep. Carol. Ayers, D. J. Christmas
carols. No. 8 in M.158.13
As Sir Toby reel'd home. Catch. Hayes, W. Catches, glees
and canons. Vol. i. No. i in M.220.5
As soon as the chaos. Duet. Purcell, H. Beauties of Pur-
cell. Vol. 2. M.221.2
As steals the morn. [Duet, s. t.] {In Bland. The Ladies'
collection. Vol. 4, pp. 382-384.) No. 67 in M.235.17.4
As t'other day. Part-song. Atterbury. No. 17 in M.220.9.3
As the blossom oft is broken. Part-song. Kuecken.
No. 93 in M.i57.6.a
As the evening sun. Part-song. Horn, C. E.
No. 28 in M.i3ga.i8.i
As the fragrant flowers. Part-song. Weinwurm.
No. 6 in M.203.19
As the hart panteth. ^nfA?m. Marcello, B. No. 12 in M.236.30.3
As the hart pants. Anthem. Chadwick, G. W. No zZ in M. 158.14
Gounod. No. 12 in M.2go.i3; etc.
Mendelssohn-Bartholdy, J, L. F. No. i in M.280.17
SouTHAED. No. 2S in M.igo.7
As the moments roll. Glee. Webbe, S. Selection of glees.
Vol. 2. No. 27 in M.235.13.2
As they departed. Anthem. Este, M. No. 3 in M.234.26; etc.
47
As they
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Assmayer
As they tramp up and down. Catch. Hayes, W. Catches, glees
and canons. Vol. 2. No. 2 in M.220.5
As Thomas was cudgel'd. [Catch for 3 voices.] (/n Arnold.
Convivial harmony. P. 5.) No. 7 in M.158.13
As Thomas was cudgel'd. Part-song. Webbe, S.
No. 8 in M.141.21.2; etc.
As Vesta was. Madrigal. Weelkes. No. 28 in M.157.20.2; etc.
As we have borne the image. Anthem. Barney.
No. 12 in M.234.10; etc.
As when the weary traveller. Anthem. Dana. No. 22 in M.158.15
As years go past. Song. Co wen. No. 2 in M. 192. 11
As you like it. For the Music see Bishop, H. R. For the
Text see Shakespeare.
Asbein. Novel. Kirschner. M.370.3S
Ascanio. Opera. For the Music see Saint-Saens. For the
Libretto see Gallet.
Ascanio in Alba. Opera. For the Music see Mozart. Werke.
Ascanio il gioielliere. Opera. For the Music see Giosa. For
the Libretto see Giannini.
Ascendens Christus. Mass. Vittoria. Opera. Tomus 2.
M.313.2.2
Ascendens Christus in altum. Motet. Palestrina. Werke.
Band 7. M.8o4oa.65.7
Vittoria. Opera. Tomus I. M.313.2.1
Ascendit Deus in jubilatione. Motet. Palestrina. Werke.
Band i. M.8o4oa.66.i
Vittoria. Opera. Tomus i. M.313.2.1
Ascendit Deus in jubilatione. Offertory. Palestrina. Werke.
Band 9. M.8o4oa.66.g
Ascendit Deus in jubilo. Motet. Webbe, S. No. 27 in M. 156.50
Ascendo ad Patrem. Mass. Palestrina. Werke. Band 21.
M.8o4oa.66.2i
Ascendo ad Patrem meum. Motet. Handl. No. 24 in m. 158.33.3
Palestrina. Werke. Band 2. M.8o4oa.66.2
Ascension, The. Oratorio. For the Music see Edwards, H. J.
Ascension, L', du Mont Blanc. Opera. For the Music see
Geraldy. For the Libretto see Pericaud.
Aschenbroedel. Cantata. For the Music see Hofmann. For
the Libretto see Grabbe.
Aschenbroedel. Opera. For the Music see Blech; also Wolf-
Ferrari. For the Libretto see Batka; also Pezze-Pasco-
lato.
Aschenbroedel. Symphonic poem. Bendel. No. i in M.332.5
Ascolta se Romeo. Aria. Bellini. No. 10 in M. 157.39
Ascribe unto the Lord. Anthem. Bassani. No. 29 in M.2go.22.i
Cornell. No. 12 in M. 158.15
Travers. No. 16 in M. 195.2. 17
Wesley, S. S. No. ii in M. 195. 2.5
Ascribe ye strength. Introit. Blodgett. Anthems, responses
and hymns. No. 4 in M. 203.9
Ash grove. The. Song. Llwyn onn. [Welsh air.] Arr. [for
1 voice, also] harmonized for 4 voices. (/« Thomas.
Welsh melodies. Vol. i, pp. i-g.) No. i in M.235.6.1
Ashton, J.
Sweetly let's enjoy. Laughing glee. {In Bland. The Ladies'
collection. Vol. 4, pp. 388-390.) No. 70 in M.235.17.4
Asilio al pellegrino. Song. Mercadante. Soirees italiennes.
M.367.10
Asioli, Bonifazio.
Ah! non lasciarmi no. Arietta [s. Accomp. for pianoforte].
(/n Musical library. Vol. i, p. 61.) No. 2 in M.235.18.1
Messa a 3 voci [t. t. b.] con violini, viole, flauto, 2 clarinetti,
2 corni, fagotto, tromba e contrabass. [Partitura.] Mi-
lano. Ricordi. [180-?] M.222.21
Pimmalione. Azione teatrale. [Accomp. di piano.] Lon-
don. Birchal
[179-
M.230.4
Se resto sul lido. Arietta [s. or t. Accomp. for pianoforte]
{In Musical library. Vol. 2, p. 80.) No. 32 in M.235.18.2
Tisbe. Cantata a voce sola di soprano. [Accomp. d'or-
chestra.] Partitura. Manuscript. [180-?] M.35o.i
Ask me why I bring. Part-song. Stevens, R. J. S.
No. 22 in M.234.3.4
Asket, Der. Opera. For the Music see Schroeder, C. For the
Libretto see Schriefer.
Asleep in Jesus. Anthem. Sprague, N. B. No. 22 in M.203.20
Asmodeus, pseud. See Meighan, Thaddeus W.
Aspa, Edwin.
Endymion, a pastoral, the poem by Vincent Amcotts, the
music by Edwin Aspa. [Solos and chorus. Accomp. for
pianoforte.] London. Novello, Ewer & Co. [187-?]
No. I in M.154.17
The gipsies, a cantata, words by Marmaduke E. Browne,
music by Edwin Aspa. [Solos, s. a. t. b., and chorus. Ac-
comp. for pianoforte.] London. Novello, Ewer & Co.
[187-?] No. 2 in M.1S4.17; No. 2 in M.i94.i
The statue bride. An operetta in two tableaux. The words
by Vincent Amcotts, the music by Edwin Aspa. [Vocal
score with pianoforte accomp.] London. Ollivier & Co.
[187-?] M.240.1
Aspa, Mario.
Ah! neir alma ancor mi suona. Romanza [s. ou t. Accomp.
de piano]. (7n Fleurs d'ltalie. Pp. 132-134.)
No. 2 in M.364.10
Quando Ciccotto per I'lndia parti. Barcarola [b. Accomp.
de piano]. (/» Fleurs d'ltalie. Pp. 120-124.)
No. 2 in M.364.10
Sul sentier della soria. Romanza [a. ou bar. Accomp. de
piano]. (/» Fleurs d'ltalie. Pp. 82-85.) No. 2 in M.364.10
Aspasia. Opera. For the Music see Schroeder, C. For the
Libretto see Bittong.
Asperges. (Chorus. Gregorian.) [Accomp. for organ.]
{In Lutz. Motets for the year. No. 64. Pp. 308-311.)
No. 64 in M. 156.50
Asperges. Anthem. Kollros. No. 30 in M.201.33
Mayo. No. 5 in M. 201.35
Novello, V. No. 21 in M.260.10.6; etc.
Palestrina. Werke. Band 32. M.8o4oa.66.33
Pergolesi. No. 6 in M.290.29.3
Webbe, S. No. 2 in M.260.24.1
Aspice Domine. Mass. Palestrina. Werke. Band 11.
M.8040a.66.ii
Aspice, ut invictos. Motet. Lassus. Werke. Band 5.
M.8o4oa.67.5
Aspinwall, John W.
Give ear, O Lord. Sacred song. [Accomp. for pianoforte.]
{In Haycraft. Sacred harmony. Pp. 77-81.)
No. 24 in M.234.6
God is our refuge. Psalm. [Accomp. for pianoforte.] {In
Haycraft. Sacred harmony. Pp. 44, 45.) No. 7 in M.234.6
I will judge you. Anthem. [Accomp. for pianoforte.] {In
Haycraft. Sacred harmony. Pp. 1 17-130.)
No. 31 in M.234.6
Aspirant, L', de marine. Opera. For the Music see Labarre.
For the Libretto see Rochefort-Lugay.
Aspiration. Cantata. For the Music see Meyerbeer. For the
Libretto see Thomas a Kempis.
Asra, Der. Song. Rubinstein. Sechs Lieder. No. 5 in M.ig2.5
Asrael. Opera. For the Music see Franchetti. For the Li-
bretto see Fontana, F.
Assarpai. Opera. For the Music see Hummel, F. For the
Libretto see Duncker.
Assarpai. Overture. Hummel, F. No. 3 in M.410.34
Assaut de soubrettes. Opera. For the Music see Bordese. For
the Libretto see Flan.
Assedio di Arlem, L'. Opera. For the Music see Verdi. For
the Libretto see Cammarano, S.
Assedio di Brescia, L'. Opera. For the Music see Pontoglio.
For the Libretto see Belotti.
Assedio di Calais, L'. Opera. For the Music see Donizetti.
For the Libretto see Cammarano, S.
Assedio di Leida, L'. Opera. For the Music see Petrella. For
the Libretto see Bolognese.
Assignation, The. Catch. See Come, where shall we walk?
Assis dans ma barque. Song. Carafa. No. 3, 8 in M.390.37
Assmayer, Ignaz.
Saul und David. Dramatisches Oratorium von Christian
[sic] Kuffner. In Musik gesetzt . . . von I. Assmayr.
[Partitur.] Wien. Haslinger. [1841.] Portrait. M.241.5
48
Assumpta
THE ALLEN A. BROWN COLLECTION OF MUSIC
Attenhofer
Assumpta est. Motet. Neukomm, S. No. 43 in 11.156.50
Palestrin.\. Werke. Band 6. M.8o4oa.66.6
Prenner. No. 17 in M.I58.33.4
Assumpta est Maria. Mass. Palestrina. Werke. Band 23.
M.8o4oa.66.23; etc.
Astaroth. Opera. For the Music see Debillemont. For the
Libretto see Boisseaux.
Astarte. Opera. For the Music see Leroux. For the Libretto
see Gramont.
Astarte. Romanza. Linley, G. [Songs.] Vol. 2.
No. 5 in M.235.19.2
Astholz,
Hunter's joy. [Part song, t. t. b. b.] {In Chickering col-
lection. Vol. 2, pp. 28-30.) No. 12 in M.3g2.48.2
Jagers Lust. [Mannerchor.] (/» Regensbvirger Lieder-
kranz. Pp. 77-80.) No. 34 in M.i2ga.44
Astiterunt reges. Anthem. Palestrina. Werke. Band 32.
M.8o4oa.66.32
Astonish'd seraphim. Anthem. Graun. No. 30 in M.2go.2g.3
Astorga, Emanuele, Barone d'.
Blessed be the power. Coro. [Accomp. for pianoforte.]
{In Latrobe. Selection of sacred music. Vol. i, pp. 72-74.)
No. 17 in M.2go.2g.i
Christe! cum sitiam exire. Coro. [Accomp. for pianoforte.]
{In Latrobe. Selection of sacred music. Vol. i, pp. 18&-
191.) No. 43 in M.2go.2g.i
Fac me penitentem flere. Duetto [a. t.] from his Stabat
Mater. [Accomp. for pianoforte.] {In Latrobe. Selec-
tion of sacred music. Vol. i, pp. 129-131.)
No. 29 in M. 290.29.1
Also to be found in Rochlitz's Sammlung vorziiglicher Gesangstiicke.
God be merciful. Chorus, from the "Stabat Mater." [Ac-
comp. for organ.] {In Turle and Taylor. The People's
music book. Vol. 2, pp. 133-145.) No. 34 in M.iii.4.2
Hear my crying. [Trio, s. t. b. Accomp. for organ.] {In
Cotton. Bangor cathedral collection. Pp. 104-108.)
No. 17 in M.290.33
O quam tristis. Terzetto [s. t. b., from his Stabat Mater.
Accomp. for pianoforte]. {In Latrobe. Selection of
sacred music. Vol. i, pp. 22-25.) No. 4 in 11.290.92.1
Also to be found in Rochlitz's Sammlung vorzuglicher Gesangstiicke.
Quis est homo. Duetto [s. a., from his Stabat Mater.
Accomp. for pianoforte]. {In Latrobe. Selection of
sacred music. Vol. i, pp. 25-29.) No. 5 in H.2go.2g.i
Recordare. Aria [s. Accomp. for pianoforte]. {In Latrobe.
Selection of sacred music. Vol. i, pp. 158, 159.)
No. 35 in M.2go.2g.i
Stabat Mater. [Soli and choruses.] Klavier-Auszug. Bos-
ton. Priifer. [187-?] No. 2 in M.158.31; No. 4 in M.156.1
Same. [Opening quartet.] {In Rochlitz. Sammlung vor-
zuglicher Gesangstiicke. Band 2, pp. 68-71.)
No. 17 in M.202.6.2
Same. Fiir 4 Singstimmen ... In erweiterter Instrumen-
tation und mit Clavierauszug versehen von Robert Franz.
Partitur mit Clavierauszug. Halle. Karmrodt. [1864.]
No. I in M.352.20
Astorga. Opera. For the Music see Abert. For the Libretto
see Pasque.
Astrella. Opera. For the Music see Grunewald. For the
Libretto see Tannenhofer.
Astres, Les. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
Astrologi imaginari, Gli. Opera. For the Music see Paisiello.
Astronome, L', de Pont-Neuf. Opera. For the Music see
Durand, £. For the Libretto see Moinaux.
Astronomie. Part-song. Anacker. No. 99 in M.2i3.g
Astuta, L', in amore. Opera. For the Music see Fioravanti, V.
Astuzie femminili, Le. Opera. For the Music see Cimarosa.
For the Libretto see Metastasio.
At Andernach. Part-song. Abt, F. No. 22 in M.205.10.6
At break of day. Part-song. Schumann, R. A.
No. 20 in M.205.10.6
At early dawn from humble cot. Song. Attwood.
No. 26 in M.237.2
At early morning. Part-song. Abt, F. No. 25 in M.3g2.2; etc.
At first the mountain rill. Part-song. Macfarren, G. A.
No. I in M. 195.1. 14
At home. Song. Bishop, H. R. Airs of haut-ton.
No. 3 in M.244.ig
At illi dixerunt. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
At length the dawn of joy. Part-song. Mozart.
No. 88 in M.iii.4.3
At midnight. Part-song. Lachner, F. No. 28 in M.204.36.5
At morning, noon, and evening. Anthem. Mozart.
No. I in M.236.30.4
At night. Part-song. Leavitt. No. 8 in M.igo.5
At parting. Part-song. Franz, R. Six songs for mixed voices.
No. 10 in M. 270.4; etc.
At that dread hour. Glee. Linley, W. Eight glees. M.235.3
At the close of the evening. Part-song. Purcell, H.
No. 4 in M.158.30
At the coming of the spring. Part-song. Hatton.
No. 25 in M.195.1.12
At the spinning-wheel. Part-song. Hering, C. E.
No. 24 in M.204.36.7
At the voice of ocean's king. Quartet. Bishop. H. R. Com-
plete collection of glees. Vol. 3. M.235.1.3
At the window. Part-song. Koschat. No. 29 in M.392.13; etc.
Atala. Opera. For the Music see Folville. For the Libretto
see Collin, P.
Atalanta. Opera. For the Music see Handel. For the Li-
bretto see Zeno.
Aterkcmsten. Song. Kjerulf. Sanger och visor. Band i.
M.158.47
Athalia. Incidental music. For the Music see Schulz, J. A. P.
For the Libretto see Racine.
Athalia. Oratorio. For the Music see Handel.
Athalie. Incidental music. For the Music see Arnoud; also
Clement, F; also Mendelssohn-Bartholdy, J. L. F. For
the Libretto see Racine.
Athen. Cantata. For the Music see Baake.
Atherton, Percy Lee.
Hamlet; or, the sport, the spook, and the spinster. Musical
score of the '93 Hasty Pudding play. Music by Percy Lee
Atherton and Ernest Hamlin Abbott. Words by Samuel
Francis Batchelder. [Accomp. for pianoforte.] Boston.
Miles & Thompson. 1893. No. 2 in M.245.14
Atkinson, Robert Whitman.
Obispah. The '91 Hasty Pudding play. The words by B. A.
Gould, Jr. The music by R. W. Atkinson and L. S.
Thompson. Some of the words and music. [Accomp. for
pianoforte.] Boston. Oliver Ditson Co. 1891.
No. 4 in M.394.29
Atlas, L'. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5; etc.
Attaque, L', du moulin. Opera. For the Music see Bruneau.
For the Libretto see Gallet.
Attend, ye sons of mirth. Part-song. Webbe, S.
No. 170 in M.220.9.1
Attende. Anthem. Dietsch, P. L. P. No. 13 in M.260.20
Attendez-moi sous I'orme. Opera. For the Music see Indy,
P. M. V. d'. For the Libretto see Prevel, J.
Attenhofer, Carl.
Das Erkennen. [Mannerchor.] (/n Das Riitli. Pp. 361-364.)
No. 152 in M.147.4
Friihlings-Warnung. [Mannerchor.] Op. 46, No. i. Leip-
zig. Kistner. 1895. No. i in M. 203.11
In einer Sturmnacht . . . Fiir Mannerchor, Bariton-Solo
und Orchester. Op. 57. Klavier-Auszug. Leipzig. Hug.
[1887?] No. 2 in M.203.9
Kreuzfahrt. Dichtung von Carl Hecker, fiir Mannerchor,
Bariton-Solo und Orchester componirt von Carl Atten-
hofer. Op. 67. Clavier-Auszug. Berlin. Luckhardt.
[1890.] No. I in M.203.10
Morgenlied. [Mannerchor.] {In Eidgenossischer Sanger-
verein. Mannerchore fur das 12. . . . Sangerfest. Pp. 3-5.)
No. I in M.130.7
Pater Franzesco. [Mannerchor mit B.-solo.] {In Claasen.
Ludwig Liebe-Album. Pp. 4, 5.) No. 11 in M.203.16
1.7
49
Attenhofer
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Attrup
Attenhofer, Carl. (Continued.)
Spring's warning [t. t. b. b.]. Boston. Schmidt & Co.
[1884.] No. 33 in M.392.2; No. 10 in M.392.3
Trutzlied „B'" ein frommer Waffenknecht" von Albert
Westermann, fiir Mannerchor und Bariton-Solo, mit Or-
chester oder Pianoforte, componirt von Carl Attenhofer.
Op. 85. Clavier-Partitur. Leipzig. Leuckart.^ [1895.]
No. 3 in M.2I2.3
Volkerfreiheit. Freedom. Gedicht v. Fr. Rohrer, (Engl.
ver. by E. Buek,) fiir Mannerchor, Tenor Solo und Or-
chester componirt von Carl Attenhofer. Op. 60. Clavier-
auszug. Berlin. Luckhardt. 1889. No. 2 in M.203.10
Attente, L'. Song.
HoRTENSE, Queen of Holland. Romances. M.221.27
Schubert, F. P. Melodies. Vol. 3. M.327.4.3
Atterbury, Luffman.
Adieu, ye streams. Glee [a. t. t. b.]. (In Amusement for
the ladies. Vol. 4. pp. 31-33.') No, 0 in M.220.3.4
Also to be found in Clementi's Collection of catches ; Clementi's Vocal
harmony ; Musical times [Music] ; Warren's Collection of catches.
As t'other day. Catch [for 3 voices]. (In Warren. Collec-
tion of catches. Vol. 3, p. 56.) No. 17 in M.220.9.3
Begone, dull care. Glee [a. t. t. b.]. (In Clementi. Vocal
harmony. Vol. 4, pp. 350-356.) No. 7 in M.235.9.4
Also to be found in Warren's Collection of catches.
A canvassing squire. Catch a 3 voci. (In Warren. Collec-
tion of catches. Vol. i, p. 331.) No. 202 in M.220.9.1
A collection of catches & glees for 3 and 4 voices. London.
Thompson. [1777.] No. 3 in M. 220.7
Contents. — Love's a gentle, gen'rous passion. — Pretty maidens. —
Yes, these are the scenes. — Ye gentle swains. — How fair and
sweet. — Farewell forever. — Welcome, friendly gleam. — Sweet
enslaver. — Content and rosy dimpled mirth. — Now round the
board. — Hot cross buns. — Tell me, gentle shepherd. — • With the
juice of the grape.
Come, fill the board. Glee [a. t. t. b.]. (In Bland. The
Ladies' collection. Vol. 2, pp. 212-215.)
No. 239 in M.235.17.2
Come, let us all a Maying go. Glee [a. t. t. b.]. (In The
Apollo. Vol. 2, pp. 106-10S.) No. 9 in M.i3ga.i8.2
Also to be found in Page's Festive harmony ; Warren's Collection of
catches.
Same. [s. a. t. b.] London. Novello. 1858.
No. 32 in M. 157.25
Also to be found in Hullah's Part music. Secular ; Musical times
[Music].
Don't you know. Catch a 3 voci. (In Warren. Collection
of catches. Vol. i, p. 196.) No. 149 in M. 220.9.1
Farewell forever now to all that's gay. Round for 3 voices.
(In Warren. Cocks's Hand-book of glees. Vol. 2, p. 120.)
No. 80 in M. 157.6.2
Gentle air. Glee [a. t. t. b.]. (In Warren. Collection of
catches. Vol. 4, pp. 193-19S.) No. 61 in M.220.9.4
Go, thou gentle whisp'ring wind. Glee [a. t. t. b.]. (In
Clementi. Collection of catches. Vol. 4, pp. 97-99.)
No. 259 in M.110.1.4; No. 259 in M.iio.2.4
Also to be found in Warren's Collection of catches.
Happy the man. Glee [a. t. b.]. (hi Warren. Vocal har-
mony. Pp. 1-3.) No. I in M.220.10
Here I, Thomas Wharton. Catch [for 3 voices], (hi War-
ren. Collection of catches. Vol. 4, p. 104.)
No. 35 in M.220.9.4
Here lie as dead. Catch a 4 voci. (In Warren. Collection
of catches. Vol. i, p. 183.) No. 141 in M.220.9.1
Hodge told Sue. Catch [for 3 voices]. (In Warren. Col-
lection of catches. Vol. 2, p. 37.) No. 14 in M.220.9.2
Hot cross buns. Catch [for 3 voices]. (In Amusement for
the ladies. Vol. 3, p. 71.) No. 24 in M.220.3.3
Also to be found in Bland's The Ladies* collection; Flowers of har-
mony : Warren's Cocks's Hand-book of glees ; Warren's Collection of
catches.
How fair and sweet. Glee [a. t. b.]. (In Social harmony.
Pp. 256, 257.) No. 212 in M.215.21
Also to be found in Warren's Cocks's Hand-book of glees.
How I enjoy. Catch [for 3 voices]. (In Warren. Collec-
tion of catches. Vol. 3, p. 226.) No. 90 in M.220.9.3
I want to have a habit. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 3, p. 171.) No. 66 in M.220.9.3
Atterbury, Luffman. (Continued.)
Joan said to John. Catch [for 3 voices]. (In Amusement
for the ladies. Vol. 3, p. 47.) No. 15 in M.220.3.3
Also to be found in The Apollo: Bland's The Ladies' collection;
Flowers of harmony; The Harmonist; Warren's Collection of catches:
Webbe, Jr.'s Convito arraonico.
Lay that sullen garland. Glee [x. t. b.]. (/n Clementi. Col-
lection of catches. Vol. 2, pp. 82-86.)
No. 155 in M.110.1.2; No. 155 in M.iio.2.2
Also to be found in Warren's Collection of catches.
Now round the board. Glee [a. t. b.]. (In Amusement for
the ladies. Vol. 4. pp. 104-106.) No. 31 in M.220.3.4
Also to be found in Warren's Vocal harmony.
[O harmony. Glee, A. T. T. B.] Autograph manuscript.
1796. No. I in M.220.7
Oh thou sweet bird. Glee [a. t. t. b.]. (In Amusement for
the ladies. Vol. 4, pp. 107-109.) No. 32 in M.220.3.4
Also to be found in Clementi's Vocal harmony ; Ditson's The Orphean
lyre ; Warren's Collection of catches.
One winter's night. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 3, p. 388.) No. 138 in M.220.9.3
Pretty maidens. Catch [for 3 voices]. (In Apollonian har-
mony. Vol. 2, p. 23.) No. 18 in M.141.21.2
Also to be found in Social harmony.
Rejoyce, brave boys. Catch [for 4 voices]. (In Warren.
Vocal harmony. P. 21.) No. 16 in M.220.10
Round with the glass. Catch [for 4 voices]. (In Warren.
Collection of catches. Vol. 2, p. 345.) No. 140 in M.220.9.2
Says Nan. Catch [for 3 voices]. (In Warren. Collection
of catches. Vol. 4, p. 54.) No. 18 in M.220.9.4
[See the blooming spring. Round for 3 voices.] Autograph
manuscript. 1795. No. 2 in M.220.7
Some modern wives. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol 3, p. 51.) No. 40 in M.220.9.3
Sweet enslaver. Catch a 3 voci. (In Amusement for the
ladies. Vol. 3. p. 46.) No. 13 in M.220.3.3
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion; Clementi's Collection of catches; Collection of catches; Flowers
of harmony ; The Harmonist ; Musical library ; Musical times [Music] ;
Social harmony; Turle and Taylor's The People's music book; War-
ren's Collection of catches ; Webbe, Jr.'s Convito armonico.
Take, oh take those lips away. Catch [for 3 voices]. (In
Bland. The Ladies' collection. Vol. 2, p. 215.)
Also to be found in The Harmonist. No. 240 in M.235.17.2
Tell me, gentle shepherd. Glee for 4 voices. (In Warren.
Cocks's Hand-book of glees. Vol. 2, pp. 181-184.)
No. 96 in M.157.6.2
Tell me, then, the reason why. [t. t. b.] (In Musical li-
brary. Vol. 2, pp. 150, 151.) No. 55 in M.23S.18.2
Also to be found in Warren's Vocal harmony.
Who like Bacchus. Glee [a. t. b.]. (In The Apollo. Vol. 2,
pp. 149-152.) No. 22 in M.i39a.i8.2
Also to be found in Clementi's Collection of catches ; Collection of
glees and catches ; Warren's Vocal harmony.
Winter has a joy for me. [Chorus. Accomp. for organ.]
(In Handel and Haydn Society Collection of church
music. Vol. I, pp. 88, 89.) No. 21 in M.221.22.1
With horns and hounds. Catch [for 3 voices]. (In Bland.
The Ladies' collection. Vol. 5, p. 551.)
No. 151 in M.23S.17.S
.\lso to be found in Clementi's Collection of catches; Social harmony;
Warren's Collectictn of catches; Webbe, Jr.'s Convito armonico.
Yes, these are the scenes. Glee [t. T. B.]. (In Social har-
mony. Pp. 172, 173.) No. 147 in M.215.21
You must go. Catch [for 3 voices]. (In Warren. Collec-
tion of catches. Vol. 3, p. 281.) No. 107 in M.220.9.3
Attila. Opera. For the Music see Malipiero; also Verdi. For
the Libretto see F., L.; also Solera.
Attilio Regolo, L'. Opera. For the Music see Jommelli. For
the Libretto see Metastasio.
Attinger, L.
Vier Trinklieder fiir vierstimmigen Mannerchor. Op. 11.
Heft 2. Leipzig. Seitz. [1874?] No. 34 in M.392.2
Contents. — 3. Wein-Revolution. 4. Zum Quartett gehoren vier.
Attolite. Motet. Webbe, S. No. 7 in M. 156.50
Attrup, Carl August.
Romanze fiir Violine mit Orchester. Op. 18. Partitur.
Berlin. Simrock. 1888. No. i in M.338.8
50
Attwood
THE ALLEN A. BROWN COLLECTION OF MUSIC
Au bon
Attwood, Thomas.
The acacia bower. [Song, s. orx.] From Lalla Rookh.
[Accomp. for pianoforte.] London. Power. [185-?]
No. II in M.236.2
At early dawn from humble cot. A song [s.] in the farce
Fast asleep. [Accomp. for pianoforte.] London. Gould-
ing & Co, [179-?] No. 26inM.237.2
II bondocani, a musical drama . . . written by T. Dibdin,
composed by T. Attwood and J. Moorehead. [Accomp.
for pianoforte.] London. Goulding, Phipps & D'Al-
maine. [180-?] No. 2 in 11.391.22
Caernarvon castle. [A musical drama. Accomp. for piano-
forte.] London. Preston. [1793.]
The text is by John Rose. No. 4 in M.230.5; No. 3 in M.220.18
The Castle of Sorrento. A comic opera. The words [adapted
from the French of Duval] by Henry Heartwell. Com-
posed by T. Attwood. [For voice and pianoforte.] Lon-
don. Goulding, Phipps & D'Almaine. [1799.]
No. 2 in M.396.2
Attwood's Cathedral music . . . Edited and the organ ac-
comp. arranged by Thomas Attwood Walmisley. Lon-
don. Novello. [1852.] Portrait. M.233.2
Contents. — Service in F, A, C, D. — Anthems: Teach me, O Lord;
O God, who by the leading ; Grant, we beseech Thee ; O Lord, we
beseech Thee ; Teach me Thy way ; Withdraw not Thou Thy mercy ;
Let the words of my mouth ; They that go down to the sea. — Nine
chants.
The cold wave my love lies under. [Song, s. or x.] From
Lalla Rookh. [Accomp. for pianoforte.] London. Power.
[185-?] No. 10 in M.236.2
Come, Holy Ghost. Hymn for Whitsuntide. [Accomp. for
organ.] London. Novello & Co. [185-?] No. 8 in M.190.1
Also to be found in Musical times [Music].
[The curfew.] The music as performed in The curfew.
Written by the late J. Tobin. Composed by T. Attwood.
[For voice and pianoforte.] London. Monzani & Co.
[1807.] No. 3 in M.396.2
Enter not into judgment. Full anthem. [Accomp. for
organ.] London. Novello. [183-?] No. 9 in M.190.1
Also to be found in Ayrton's Sacred minstrelsy.
The escapes; or, the water carrier, a musical entertainment
. . . composed by Thomas Attwood. [Accomp. for piano-
forte.] London. Dale. [1801.] No. 5 in M.391.45
An adaptation, with additions, of Cherubini's Les deux jouniees.
Full well our Christian sires of old. Glee for 3 voices. (/)i
Warren. Cocks's Hand-book of glees. Vol. 2, no. 82, pp.
125-130.) No. 82inM.i57.6.2
Go, lovely rose. Canzonet [t. Accomp. for pianoforte].
(In Musical library. Vol. 2, pp. 73-75.) No. 30 in M.23S.18.2
God, that madest earth and heaven. Vesper hymn [s.
Accomp. for organ]. (In Ayrton. Sacred minstrelsy.
Vol. 2, pp. 54, 55.) No. 21 in M.2go.22.2
[Guy Mannering.] The overture, songs, duett, glees &
chorusses in the musical play of Guy Mannering, or the
gipsy's prophecy. [The words by Daniel Terry.] Com-
posed and aranged for the piano forte by Thos. Attwood
and Henry R. Bishop. London. Goulding, D'Almaine,
Potter & Co. [1816.] No. i in M.390.41
Two numbers only were composed by Attwood.
Hark! the curfew's solemn sound. Glee [s. s. b.]. (In
Boosey's Standard English glees. Vol. I, pp. 1-6.)
No. I in M.1S7.7
Also to be found in Novello's Glee-hive; Warren's Coclcs's HriiiJ-
book of glees.
He is gone on the mountain. Coronach [s. t. Accomp. for
pianoforte]. (In Musical library. Vol. 3, pp. 71-73.)
No. 22 in M.235.18.3
Her hands were clasp'd. Recit. and air [s. or x.] from Lalla
Rookh. [Accomp. for pianoforte.] London. Power.
[185-?] No. 12 in M.236.2
I was glad when they said. Anthem. [Accomp. for piano.]
(In Novello's Collection of anthems. Vol. 6, pp. 1-13.)
No. I in M. 195.2.6
In liquid notes, as music floats. Trio [s. s. a. Accomp. for
pianoforte]. London. Longman & Broderip. [182-?]
No. 2 in M.237.2
Attwood, Thomas. (Continued.)
Same. Cock & Co. [185-?] No. 23 in M.244.10.2
The magic oak; or, Harlequin woodcutter. Composed by
Thos. Attwood. The words by T. Dibdin. [For voice
and pianoforte.] London. Goulding, Phipps & D'Al-
main. [1799.] No. 4 in M.396.2
The mariners; a musical entertainment in two acts. [Ac-
comp. for pianoforte. London.] Longman & Broderip.
[1793.] No. 2 in M.230.5
The text is by Samuel Birch.
More sweet than odours which at morn. Glee for 5 voices
[s. s. A. X. B.]. (In Warren. Cocks's Hand-book of glees.
Vol. 3, no. 132, pp. 127, 128.) No. 43 in M. 157.6.3
The mouth of the Nile. A favorite musical entertainment
. . . Composed by T. Attwood. The words by T. Dibdin.
[Accomp. for pianoforte.] London. Goulding, Phipps &
D'Almaine. [1798.] No. i in M.391.63
The old cloaths-man. A comic opera [by T. Holcroft].
Composed by Thos. Attwood. [For voice and piano-
forte.] London. Goulding, Phipps & D'Almaine. [1799.]
No. 5 in M.396.2
The poor sailor; or, little Ben and little Bob; a musical
drama in two acts. [Accomp. for pianoforte.] London.
Longman & Broderip. [1794?] No. 3 in M.230.5
The text is by John O'Keeffe.
The prisoner; a musical romance. [Accomp. for piano-
forte.] London. Longman & Broderip. [1792]
The text is by John Rose. No. I in M.230.5
Rise to the battle. Glee [s. s. b.]. (In Page. Festive har-
mony. Pp. 89-96.) No. 15 in M.23S.II
St. David's Day, a favorite comic opera. Composed by T.
Attwood. The words by T. Dibdin. Arranged for the
harp or pianoforte [with voices]. London. Goulding,
Phipps & D'Almaine. [1801.] No. 6 in M.396.2
Sanctus and responses [in G. Accomp. for organ]. London.
Novello. [183-?] No. I in M. 236.16
The smugglers, a musical drama in 2 acts. Composed by
Thomas Attwood. The words by Sami. Birch. [Accomp.
for pianoforte.] London. Longman & Broderip. [1796?]
No. 16 in M.220.4; No. 4 in M.340.16
The song of the fire-worshipper [x.], from Lalla Rookh.
[Accomp. for pianoforte.] London. Power. [185-?]
No. 9 in M.236.2
Sweet, soothing hope. Glee. (In Hullah. The Singer's
library. Secular. Pp. 25-29.) No. 33 in M. 157.2
Teach me, O Lord. Full anthem. (In Hullah. The Singers'
library. Sacred. Pp. 89-91.)
No. 52 in M.1S7.1 ; No. 18 in M. 157.3
Also to be found in Turle and Taylor's The People's music book.
They that go down to the sea. Full anthem. [.Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 8,
pp. 54-64.) No. 6 in M.195.2.8
To all that breathe. [Glee. s. A. x. b. b.] (In Clementi.
Vocal harmony. Vol. I, pp. 58-74.) No. 13 in M.235.g.i
Also to be found in the second edition of the same.
Turn Thee again, O Lord. Anthem. [Accomp. for organ.]
London. Novello & Co. [184-?] No. 10 in M.190.1
Also to be found in Novello's Collection of thirty-one anthems.
Turn Thy face from my sins. Anthem for a treble voice
with chorus. [Accomp. for organ.] London. Novello.
[1830?] No. II in M.190.1
Also to be found in Ayrton's Sacred minstrelsy ; Musical times [Mu-
sic] ; Parish choirs in the Diocese of Massachusetts, Annual festival,
Order of music, 7th festival.
The waves retreating from the shore. Duet [s. s.] in The
smugglers. [Accomp. for pianoforte.] London. Long-
man & Broderip. [18 — ?] No. 3 in M.237.2
Ye visions. Glee. (In Page. Festive harmony. Pp. 134-139.)
No. 2'2 in M.235.11
Atys. Opera. For the Music see LuUy; also Piccinni, N. For
the LiBREXXO see Quinault.
Atys. S<mg. Schuberx, F. P. Werke. Serie 20, Band 5.
M.317. 1.20.5
Au bon lapin saute. Opera. For the Music see Villebichot.
For the Librexxo see Gothi.
51
Au bonheur
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Auber
Au bonheur. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Au bord de la fontaine. Song. Schubert, F. P. Melodies.
Vol. 2. M.327.4.2
Au bord de la mer. Song. Masse. No. 2 in M.391.28.2
Schubert, F. P. Melodies. Vol. 5. M.327.4.S
Au bosquet. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Au camp. Song. Schubert, F. P. Melodies. Vol. 2. M.327.4.2
Au cimetiere. Song. Berlioz, L. H. Les nuits d'ete.
No. II in M.391.32
Same. 33 melodies. No. 5 in M.26S.8
Au clair de la lune. Ol>era. For the Music see Gariboldi. For
the Libretto see Longuet.
Au convent. Song. David, F. C. Cinquante melodies. M.363.28
Au feu, venez moi secourir. Part-song. Lassus. S.Tmmtliche
Werke. Band 14. M.8o4oa.67.i4
Au jeu d'amour. Pantomime. Palicot. No. i in M.389.14
Au main [sic] par en ajournant. Song. Thiebaut de Blason.
M.236.10
Au mois de mai. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Au mois de may. Part-song. Sweelinck. Werken. Deel 7.
M.413.2.7
Au pied de I'autel. Oratorio. For the Music see Thielemans.
For the Libretto see Ropartz, S.
Au pied de la croix. Soug. Louis, N. No. 14 in M.390.4
Au point du jour. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M.158.44
Au printemps. Song. Gounod. Vingt melodies. 2e recueil.
No. 12 in M. 157.36.2
Au revoirl Polka. Strauss, J. 1825-1899. No. 23 in M.391.28.2
Au rossignol. Song. Gounod. Vingt melodies. 2e recueil.
No. 19 in M.157.36.2
Au septieme etage. Opera. For the Music see Herman, A.
For the Libretto see Coron.
Au soleil. Song. Schubert, F. P. Melodies. Vol. 5. M.327.4.S
Au Soleil d'or. Opera. For the Music see Uzes. For the
Libretto see Beissier.
Au temps jadis. Part-song. Lassus. Sammtliche Werke.
Band 14. M.8o4oa.67.i4
Au terme de tes maux. Song. Schubert, F. P. Melodies.
Vol. I. M.327.4.1
Au tombeau de Beethoven. Chorus. Meyerbeer. 40 melodies.
No. I in M. 157.38
Au travers du mur. Opera. For the Music see Poniatowski.
For the Libretto see Saint Georges.
Au village. For orchestra. Godard, B. L. P. Scenes poetiques.
No. I in M.343.41
Aubade. Song. Cowen. No. 3 in M.192.11
Gounod. Vingt melodies. le recueil. No. 6 in M.157.36.1
Aubade aux maries. For orchestra. Lacombe. No. i in M.343.22
Aubade printaniere. For orchestra. Lacombe. No. 2 in M.343.22
Aube tombe, L'. Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
Auber, Daniel Frangois Esprit.
Acteon. Opera comique en i acte. Paroles de E. Scribe.
Musique de D. F. E. Auber. Partition. Paris. Troupe-
nas & cie. [1836?] M.223.6
Same. Accomp. de piano. Mainz. Schott. [184-?] M.251.31
The title and text are in both French and German.
[L'ambassadrice. Opera. Paroles de Scribe et de St.
Georges. Musique d'Auber. Partition.] Manuscript.
[Paris? 184-?]
M.223.2
Same. Opera comique en 3 actes, paroles dc Scribe et de
S'. Georges, musique de D. F. E. Auber. Partition piano
et chant. Paris. Brandus & cie. [1850?] M.361.23
Apres une aussi longue absence. Duo [s. t. From La part
du diable]. (In Bibliotheque musicale. Serie 2, pp. 31-
44) No. 2 in M. 157.40
Barcarola. [t. solo. Accomp. de piano.] Lisboa. Sassetti.
[185-?] No. 2 in M.391.57
La barcarolle. Opera comique en 3 actes, paroles de Mr.
E. Scribe, musique de D. F. E. Auber. Partition. Paris.
Troupenas & cie. [1845.] M.223.9
Auber, Daniel Frangois Esprit. (Continued.)
Same. Avec accomp. de piano. M.36i.2g
Le bel etat que celui d'aubergiste. Air [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie, 2, tome 2, pp.
88-89.) No. IS in M.193.21.2
La bergere chatelaine. Opera en 3 actes . . . Paroles de M.
Planard, mis en musique . . . par D. F. E. Auber. Parti-
tion. Paris. Petit. [1820.] M.223.14
Same. Partition piano et chant. Brandus & cie. [184-?]
M.36i.3a
C'est la corvette. Couplets de Haydee. (In Album lyrique
du chant frangais. Pp. 60-64.) No. 2 in M.157.38
Les chaperons blancs. Opera comique en 3 actes. Paroles
de E. Scribe. Musique de D. F. E. Auber. Partition.
Paris. Troupenas & cie. [1836.] M.223.10
Same. Avec accomp. de piano. Mainz. Schott. [184-?]
M. 251. 28
With French and German words and the German title Die schone
Flamanderin.
Che gusto, ah! que mon sort est beau. Air [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, tome 2, pp.
74-82.) No. 12 in M.i93.2i.a
Le cheval de bronze. Opera feerie en trois actes. Paroles
de E. Scribe. Musique de D. F. E. Auber. Partition.
Paris. Depot central de musique et de librairie. 1835.
M.402a.2
Same. Partition piano et chant. Brandus, Dufour & cie.
['84-?] M.36i.2a
La Circassienne. Opera comique en trois actes. Paroles de
Eug. Scribe, musique de D. F. E. Auber. Partition. Paris.
Colombier. 1861. Plates. M.402a.3
Same. Partition piano & chant. M.362.10
Come hither all who wish to buy. The market chorus in
Masaniello. Arranged for 3 voices [s. s. b.] by T. Cooke.
[Accomp. for pianoforte.] London. Willis & Co. [181-?]
No. 27 in M.235.7.1
Concert a la cour, ou la debutante. Opera comique en i acte
et en prose. Paroles de MM. Scribe et Melesville [pseud.].
Musique de D. F. E. Auber. [Partition.] Paris Frere
[1824?] M.251.27
Same. Das Concert am Hof. Komische Oper. Klavier
Auszug, eingerichtet von Heinr. Zeuner. Frankfurt a. M.
Fischer. [182-?] No. 2 in M.110.14
Dans les defiles des montagnes. Bolero des Diamants de la
couronne. (In Album lyrique du chant frangais. Pp. 86-
^9-) No. 2 in M.157.38
Les diamants de la couronne. Opera comique en 3 actes,
paroles de Scribe et de S'. Georges, musique de D. F. E.
Auber. Partition piano et chant. Paris. Brandus & cie.
[1847?] M.361.19
Same. Partition. No title-page. [184-?] 2 v. M.223.16
Same. The crown diamonds. With French and -English
words. Translated into English by J. W. Bernhardt.
Edited and corrected by W. Boulvin. [Vocal score with
pianoforte accomp.] London. Dicks & Co. [187-?]
Portrait. [Dicks' Edition of standard operas.] M.237.20
Same. Opera in 3 acts, by Auber. [The words by Scribe
and St. Georges.] With Italian and English words.
Edited by Arthur Sullivan and J. Pittmann. [Accomp.
for piano.] London. [187-? Boosey's Standard operas.]
M.25S.9
Le dieu et la bayadere. Opera en 2 actes. Paroles de Scribe.
Musique de D. F. E. Auber. Partition. Paris. Troupenas.
[1830?] M.223.7
Same. Partition piano et chant. Brandus & cie. [184-?]
M.361.33
Same. Ouverture. [Partition.] Paris. Brandus & cie.
[185-?] No. I in M.332.3
[Le domino noir. Opera comique en 3 actes, paroles de
Scribe, musique de D. F. E. Auber. Partition.] Manu-
script. [Paris? 184-?] M.223.3
Same. Opera comique en 3 actes, paroles de Scribe, mu-
sique de D. F. E. Auber. Partition piano et chant. Paris.
Brandus & cie. [184-?] M.361.31
52
Auber
THE ALLEN A. BROWN COLLECTION OF MUSIC
Auber
Auber, Daniel Frangois Esprit. (Continued.)
Du pauvre seul ami fidele. Cavatine de la Muette de Portici.
(In Album lyrique du chant frangais. Pp. 12-15.)
No. 2 in M. 157.38
Le Due d'Olonne. Opera comique en 3 actes. Paroles de
Scribe et Saintine. Musique de D. F. E. Auber. Partition.
Paris. Troupenas. [1842?] M.223.8
Same. Avec accomp. de piano. M. 361.20
Same. Ouverture a grand orchestre. Partition. Paris.
Troupenas & cie. [184-?] No. 2 in M.332.3
Emma, ou la promesse imprudente, opera comique en 3
actes et en prose, paroles de M''. Planard, musique de D.
F. E. Auber. [Partition.] Paris. La lyre moderne. [1821?]
M.251.21
Same. Partition piano et chant. Colombier. [184-?]
M.361.18
L'enfant prodigue. Opera en 5 actes. Paroles de Scribe.
Musique de D. F. E. Auber. Partition piano et chant.
Paris. Brandus, Dufour & cie. [185-?] M.361.36
Entendez-vous? C'est le tambour. Duo [s. t. From La
fiancee]. (In Bibliotheque musicale. Serie 2, pp. 174-
187.) No. 13 in M.157.40
Une fee, un bon ange. Couplets du Domino noir. (In Album
lyrique du chant fran;ais. Pp. 77-81.) No. 2 in M. 157.38
Ferme ta paupiere. Romance de la Part du diable. (In
Album lyrique du chant frangais. Pp. 74-76.)
No. 2 in M. 157.38
La fiancee, opera-comique en 3 actes. Paroles de Scribe.
Musique de D. F. E. Auber. Partition. Paris. Troupe-
nas. [1829.] M.223.17
Same. Accomp. de piano. [183-?] M.361.30
La fiancee du roi de Garbe. Opera-comique en 3 actes et 6
tableaux. Paroles de Scribe et de Saint Georges. Mu-
sique de D. F. E. Auber. Partition chant et piano. Paris.
Challiot & cie. [1863?] Portrait. M.262.2
Fiorella. Opera comique en 3 actes, paroles de Scribe,
musique de D. F. E. Auber. [Partition.] Paris. Pleyel.
[1826?] M.223.13
Same. [Accomp. de piano.] Schonenberger. [183-?]
M.362.12
Fra Diavolo, a comic opera, in 3 acts, written & adapted by
M. Rophino Lacy, composed by Auber. [Accomp. for
piano.] London. Chappell. [183-?] M.2S1.19
[Same. Opera comique en 3 actes, paroles de Scribe, mu-
sique de D. F. E. Auber. Partition.] Manuscript. [Paris?
184-?] M.223.4
Same. Opera comique en 3 actes, paroles de Scribe, musique
de D. F. E. Auber. Partition piano et chant. Nouvelle
edition. Paris. Brandus, Dufour & cie. [184-?] 14.362.1
Grande ouverture composee pour inauguration de I'Expo-
sition universelle de Londres (1862). [Partition.] Paris.
Brandus & Dufour. [186-?] No. i in M.353.16
Gustave, ou le bal masque. Paroles de Mr. Scribe, musique
de D. F. E. Auber. Opera historique en cinq actes. [Par-
tition d'orchestre.] Paris. Troupenas. [1833.] i v. in 2.
Pages 645-674 are missing. M.4OO.32
Same. Partition piano et chant. Brandus, Dufour & cie.
[185-?] M.362.3
Same. Ouverture a grand orchestre. Partition. Paris.
Troupenas & cie. [183-?] No. 3 in M.332.3
Same. Gustavus the Third; or the masked ball. [The li-
bretto by A. Bunn after Scribe.] Composed by D. F. E.
Auber. f Accomp. for piano.] London. D'Almaine & Co.
[183-?] No. 2in M.223.1
Haydee, ou le secret, opera comique en 3 actes, paroles de
Mr. E. Scribe, musique de D. F. E. Auber. Partition piano
et chant. Nouvelle edition. Paris. Brandus & Dufour.
[i8s-?] M.361.24
Hear, Holy power. The nuptial chorus in Masaniello.
[Accomp. for pianoforte.] London. Willis & Co. [182-?]
Also to be found in Musical times [Music]. No. 33 in M.235.7.I
II est un enfant d'lsrael. Romance de I'Enfant prodigue.
(In Album lyrique du chant frangais. Pp. 46-50.)
No. 2 in M.157.38
Auber, Daniel Frangois Esprit. (Continued.)
Je suis content, je suis heureux. Air [b. Accomp. de piano].
(In Bibliotheque musicale. Serie 2, tome 2, pp. 26-32.)
No. 5 in M.193.21.2
Jenny Bell. Opera-comique en 3 actes, poeme de Scribe,
musique de D. F. E. Auber. Partition pour piano et
chant. Paris. Meissonnier. [185-?] M.362.7
Same. Partition d'orchestre. [1855.] M.400.26
Le lac des fees, opera en 5 actes, paroles de Scribe, musique
de D. F. E. Auber. Partition piano et chant. Paris.
Brandus, Dufour & cie. [184-?] M.361.35
Le voila, c'est heureux. Duo [s. T. From Le serment]. (In
Bibliotheque musicale. Serie 2, pp. 127-142.)
No. 10 in M.157.40
Leicester, ou le chateau de Kenilworth. Opera comique en
3 actes et en prose. Paroles de Scribe et Melesville
[pseud.]. Musique de D. F. E. Auber. Partition. Paris.
Frere. [1823.] M.223.1S
Same. Partition piano et chant. Brulle. [182-?] M.361.27
Leocadie. Drame lyrique en 3 actes . . . Paroles de MM.
Scribe et Melesville [pseud.]. Musique de D. F. E. Auber.
[Partition.] Paris. Pleyel. [1825?] M.2S1.22
Same. [Partition chant et piano.] Schonenberger. [183-?]
M.362.11
Lestocq. Opera-comique en 4 actes. Paroles de E. Scribe.
Musique de D. F. E. Auber. Partition. Paris. Troupe-
nas & cie. [1834?] M.223.11
Same. Partition piano et chant. Brandus & cie. [185-?]
M.2S5.IO
Same. Opera, composed by D. F. E. Auber. The poetry
by A. Bunn [after Scribe]. The music arranged [with
pianoforte accomp.] by T Cooke. London. D'Almaine
& Co. [183-?] No. I in M.223.1
Le magon. Opera frangais. [Paroles de Scribe et G. Dela-
vigne.] Musique de D. F. E. Auber. [Partition chant et
piano.] Paris. Schonenberger. [185-?] M.362.S
Manon Lescaut. Opera comique en 3 actes, poeme de
Scribe, musique de D. F. E. Auber. Partition piano et
chant. Paris. St. fitienne. [1856.] M.362.9
Marco Spada. Opera-comique en 3 actes, poeme de Scribe,
musique de D. F. E. Auber. Partition pour piano et chant.
Paris. Meissonnier. [1853.] M.362.8
La marquise de Brinvilliers. Paroles de MM. Scribe et
Castil-Blaze. Musique de MM. Auber, Batton, Berton,
Blangini, Boieldieu, Carafa, Cherubini, Herold et Paer.
[Partition chant et piano. Paris.] Pacini. [183-?] 10
parts in i v. M. 251.23
Masaniello. See his La Muette de Portici.
La muette de Portici. Opera en 5 actes. Paroles de MM.
Scribe et Germain Delavigne. Musique de D. F. E. Auber.
[Partition.] Paris. Troupenas. 1828. 2 v. M.402a.4
Same. La muta di Portici. Melodramma in 5 atti dei Sig".
E. Scribe e G. Delavigne. Posto in musica del Mo. D. F.
E. Auber. Ridotto per canto con accomp. di pianoforte.
Paris. Troupenas & cie. [1828.] M.361.21
Same. Masaniello (The dumb girl of Portici). An opera in
5 acts [by Scribe and Delavigne], composed by Auber.
Edited and translated into English by Natalia Macfarren.
[Accomp. for piano.] London. Novello, Ewer & Co.
[187-?] M.25S.8
Same. Ouverture fiir Orchester zur Oper Die Stumme von
Portici. Partitur. Offenbach a. M. Andre. [187-?]
No. I in M.335.16
Same. [Ouverture. Partition.] No title-page. [Paris.
185-?] No. 2 in M.353.16
Mon noble gendre a done quitte la terre. Air [b. Accomp.
de piano]. {/" Bibliotheque musicale. Serie 2, tome i,
pp. 10-20.) No. 2 in M. 193.21. 1
Ne nous trahissez pas tons deux. Duo [s. t. From Les-
tocq]. (In Bibliotheque musicale. Serie 2, pp. 79-83.)
No. 5 in M.157.40
La neige, ou le nouvel figinard. Opera comique en 4 actes
et en prose. Paroles de MM. Scribe et Germain Dela-
53
Auber
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Audinot
Auber, Daniel Frangois Esprit. (Continued.)
vigne. Musique de D. F. E. Auber. [Partition.] Paris.
Frere. [182-?] M.251.25
Same. Partition piano et chant. Schlesinger. [183-?]
M.362.6
O Salutaris Hostia, for 4 voices. [Accomp. for piano, ad
lib.] London. Cock, Addison & Co. [i860?]
No. 9 in M.260.10.7
Parlez! Quel destin est le notre? Duo [s. t. From Le
domino noir]. (In Bibliotheque musicale. Serie 2, pp.
211-230.) No. 16 in M.157.40
La part du diable. Opera-comique en 3 actes [de Scribe].
Musique de D. F. E. Auber. Avec accomp. de piano.
Paris. Troupenas & cie. [184-? Repertoire des operas
frangais.] M.361.28
Le philtre. Opera en 2 actes. Paroles de Eugene Scribe.
Musique de D. F. E. Auber. Partition. Paris. Troupenas.
[183-?] M.2SI.29
Same. Avec acct. de piano par V. Ripant. M.251.30
Plaisirs du rang superieur. Air de La muette de Portici.
(/» Album lyrique du chant frangais. Pp. 26-37.)
No. 2 in M.157.38
Prelude. [Inedit. Pour piano. Portrait. Facsimile.] (In
Album du Galois. Vol. i.) No. I in M.391.28.1
Le premier jour de bonheur. Opera comique en 3 actes.
Poeme de Dennery [pseud.] & Cormon [pseud.]. Mu-
sique de D. F. E. Auber. Partition chant et piano. Paris.
Escudier. [1868.] M.362.4
Reve d'amour. Opera-comique en 3 actes. Poeme de Den-
nery [pseud.] & Cormon [pseud.]. Musique de D. F. E.
Auber. Partition piano & chant. Paris. Escudier. [1S70.]
M.362.13
Saint bien heureux. Choeur de la «Muette de Portici. » (In
Eidgenossischer Sangerverein. Wettgesange bei dem 12.
. . . Sangerfeste. Pp. 49, 50.) No. 8 in M.130.7
Le sejour militaire. Opera comique en i acte. Paroles de
M"". Bouilly. Musique de M"". Auber. Paris. Boieldieu.
[181-?] M.251.24
Le serment, ou les faux monnoyeurs. Opera en trois actes.
Paroles de Scribe. Musique de D. F. E. Auber. Partition.
Paris. Troupenas. 1832. 2 v. M.402a.33
Same. Partition piano et chant. Brandus & cie. [184-?]
M.361.34
La Sirene. Opera comique en 3 actes. Paroles de Mr. E.
Scribe. Musique de D. F. E. Auber. Partition. Paris.
Troupenas. [1844.] M.223.12
Same. Partition piano et chant. Brandus & cie. [1853.]
M.351.25
Sois ma bayadere. Air [b. Accomp. de piano]. (In Biblio-
theque musicale. Serie 2, tome i, pp. 83-86.)
No. II in M.193.21.1
Le testament et les billets doux, opera comique en i acte,
paroles de M"". Planard, musique de D. F. E. Auber. Par-
tition. Paris. Petit. [1819?]
M.251.20
Le timide. Opera comique en i acte. Paroles de MM.
Scribe & Xavier [pseud.]. Musique de D. F. E. Auber.
[Partition.] Paris. Pleyel. [1826?] M.251.26
Toi qui versas la lumiere. Air [b. Accomp. de piano]. (In
Bibliotheque musicale. Serie 2, tome 2, pp. 38-45.)
No. 7 in M.193.21.2
Vous me connaissez tous. Messieurs. Air [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, tome i, pp.
40-53-) No. 6in M.ig3.2i.i
Ye guardian spirits. Chorus. For s. a. t. t. b. From "Ma-
saniello." (In Hullah. The Singer's library. Secular.
No. 31. Pp. 13-18.) No. 31 in M.157.2
Les yeux. [Chanson, bar. Accomp. de piano.] Hamburg.
Christiani. [182-?] No. 4 in M.221.33
Zanetta. Opera comique en 3 actes, paroles de Scribe et
S^ Georges, musique de D. F. E. Auber. Partition. Paris.
Troupenas & cie. [1840?] M.223.S
Same. Partition piano et chant. Brandus & Dufour. [185-?]
M.361.2S
Auber, Daniel Frangois Esprit. (Continued.)
Zerline, ou la corbeille d'oranges, opera en 3 actes, paroles
de Scribe, musique de D. F. E. Auber. Partition piano et
chant. Paris. Brandus & cie. [1851.] M.361.37
Auber, Daniel Frangois Esprit. Works about.
Jacquot, C. J. B. Auber. Par Eugene de Mirecourt [pseud.].
Paris. 1857. Portrait. Facsimile. No. i in M.io9b.4; etc.
JouviN, B. D. F. E. Auber: sa vie et ses oeuvres. Paris.
1864. Portrait. Facsimile. No. i in M.122.12
Neumann, W. Dan. Frangois Esprit Auber. Eine Bio-
graphic. Cassel. 1855. Portrait. No. i in M.205.1S
Auberge de Bagneres, L'. Opera. For the Music see Catel.
For the Libretto see Jalabert.
Auberge du Tohu-Bohu, L'. Opera. For the Music see Roger,
V. For the Libretto see Ordonneau.
Aubergistes, Les, de qualite. Opera. For the Music see CateL
For the Libretto see Etienne, J. V.
Aubertin, •
Le voyage impromptu. Opera comique. Paroles de Dumer-
san et Aubertin. Mis en musique . . . par Pacini. M.225.29
Aubespin, L', chasse tout malheur. Part-song. Sweelinck.
Werken. Deel 7. M.413.2.7
Aubryet, Xavier.
Les jugements nouveaux. Philosophie de quelques ceuvres.
Paris. Librairie nouvelle. i860. M.139.10
Criticisms on various composers and French authors.
Auburn. Part-song. Hatton. No. 16 in M.ig5.i.5
Aucassin et Nicolette. Opera. For the Music see Gretry, A.
E. M. For the Libretto see Sedaine.
Aucassin und Nicolete. Opera. For the Music see Enna. For
the Libretto see Michaelis, S.
Auch, France. Music.
KuNC, A. M. Recherches historiques sur I'art musical re-
ligieux dans la province ecclesiastique d'Auch. (3e arti-
cle.) Auch. 1863. No. 2 in M.206.9
Auch ein Lied an den lieben Mond. Song. Gruber, G. W.
Gottfried August Burgers Gedichte. Vol. 2.
No. 25 in M.130.9.3
Auch ich will trinken. Part-song. Mangold. Drei Lieder.
No. 17 in M.392.17
Auch kleine Dinge konnen uns entziicken. Song. Wolf, H.
Italienisches Liederbuch. Band i. M.380.29
Auctor beate saeculi. Motet. Fauconier. Salut solennel.
No. 4 in M.20I.32
Audebrand, Philibert.
La serenade de Don Juan. Paris. Dentu & c"^. 1887.
M.I 1 9.2
Audeval, £lie Adolphe Hippolyte.
Les amours d'un pianiste. Paris. Levy. 1880. M. 129.24
Audi benigne Conditor. Hymn. Palestrina. Werke. Band 32.
M.8o4oa.66.32
Audi benigne Conditor. Motet. Lassus. Sammtliche Werke.
Band 7. 11.80403.67.7
Palestrina. Werke. Band 31. 11.80403.66.31
— A selection of [his] sacred music. No. 3. No. 4 in M.201.33
Audi, Domine, hymnum. Motet. Webbe, S. No. 39 in M.156.S0
Audi dulcis amica mea. Motet. Lassus. Sammtliche Werke.
Band i. 1^.80403.67.1
Audi nos, exaudi nos. Anthem. Panseron. No. 19 in M.260.17.2
Audi tellus. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.i5
Audibert, Auguste.
La grille du pare. Opera comique. Paroles de MM. * * *
[Pain, Ancelot et Audibert]. Mis en musique . . . par
Auguste Panseron. M.293.25
Audigier, Georges.
La nuit. Musique de C. Saint-Saens. No. 4 in M.384.40
Audin de Rians, Stefano L. G. E., editor.
Marcello, B. II teatro di musica alia moda. M.371.S
Audinot, Nicolas Medard.
Le tonnelier. Opera comique en i acte. Mis en musique
par Messieurs * * *. [Partition.] Paris. Le Clerc. [1765.]
M.251.32
".Kudinot a compost les paroles et la musique du Tonnelier. Quetant
y ayant fait des changements, et Gossec ayant corrige quelques de-
fectuositcs de la musique, I'ouvrage fut remis au theatre." = Fitis,
54
Audivi
THE ALLEI^ A. BROWN COLLECTION OF MUSIC
Auf das
Lupi.
No. 8 in M. 233.26.3
Audivi vocem. Motet.
Audley, Agathe.
Franz Schubert: sa vie et ses oeuvres. Paris. Didier & cie.
1871. M. 128.14
Catal^tgue des ouvragcs de Schubert, pp. 310-352.
Frederic Chopin: sa vie et ses ceuvres. Paris. Plon & c'«.
1880. M.118.21
Louis van Beethoven; sa vie et ses oeuvres. Paris. Didier
& c'e. T867. M.128.16
Catalogue des oeuvres de Beethoven, pp. 283-300.
Audran, Edmond.
Article de Paris. Operette en 3 actes de Maxime Bouche-
ron. Musique de E. Audran. Partition chant et piano.
Paris. Choudens. 1892. No. i in M. 255.28
Le brosseur. Comedie avec musique en i acte. Paroles de
Alfred Hennequin. Musique de Edmond Audran. [Ac-
comp. de piano.] Paris. 1883. M.25S.18
From the Almanach de Figaro.
La chercheuse d'esprit. Opera en i acte de Favart. Musique
de Ed. Audran. Partition chant & piano. Paris. Chou-
dens. [1883.] No. I in M.255.13
La cigale & la fourmi. Opera-comique en 3 actes et 10
tableaux [de] Chivot & Duru. Musique de E. Audran.
Partition chant et piano. Paris. Kriegelstein & cie.
[1886.] M.2S5.23
Same. "La cigale." Comic opera in 3 acts. English libretto
by F. C. Burnand (founded on the French of Chivot and
Duru). Songs & concerted pieces by Messrs. Burnand &
Gilbert a Beckett. Music by E. Audran, with additions
and alterations by Ivan Caryll [pseud.]. [Accomp. for
piano.] London. Hopwood & Crew. [1890.] M.255.30
La dormeuse eveillee. Opera comique en 3 actes de Chivot
et Duru. Musique de Ed. Audran. Partition chant &
piano. Paris. Choudens. [1884.] M. 255.11
La duchesse de Ferrare. Operette en 3 actes, de Ma.xime
Boucheron. Musique de Edmond Audran. Partition
chant & piano. Paris. Choudens. 1895. No. i in M.303.17
L'enlevement de La Toledad. Operette en 3 actes, de
Fabrice Carre. Musique de Edmond Audran. Partition
chant et piano. Paris. Choudens. 1894. No 2 in M.303.17
La fiancee des Verts Poteaux. Opera-comique en 3 actes
de M. Ordonneau. Musique de E. Audran. Partition
chant et piano. Paris. Choudens. [1887.] No. i in M. 255.26
La fille a Cacolet. Vaudeville-operette en 3 actes et 5 ta-
bleaux de H. Chivot & A. Duru. Musique de E. Audran.
Partition chant et piano. Paris. Choudens. [1889.]
No. 2 in M. 255.27
Gillette de Narbonne. Opera comique en 3 actes de Chivot
et Duru. Musique de Ed. Audran. Partition chant et
piano. Paris. Choudens. [1882.] M.25S.19
Le Grand Mogol. Opera-bouffe en 3 actes de Chivot et
Duru. Musique de Ed. Audran. Partition chant et piano.
Paris. Choudens. [1884.] M.255.20
Indiana. Opera comique in 3 acts. Written by H. B. Farnie.
Composed by E. Audran. [Accomp. for piano.] London.
Boosey & Co. [i886.] M.255.22
Love's vow (Serment d'amour). Comic opera in 3 acts. By
Maurice Ordonneau. Music by Audran. Translated and
adapted by B. E. Woolf. [Accomp. for piano.] Boston.
Ditson. 1886. M.25S.15
La lune. Fantaisie-pantomime en i acte et 3 tableaux de
Fernand Beissier. Musique de E. Audran. Partition indi-
cations de scene et piano. Paris. Choudens. [1889.]
No. 2 in M.255.26
Madame Suzette. Operette en 3 actes de Andre Sylvane
[pseud.] & Maurice Ordonneau. Musique de Edmond
Audran. [Partition chant et piano.] Paris. Choudens.
1893. No. 2 in M.3g5.7
La Mascotte. Opera-comique en 3 actes de Chivot et Duru.
Musique de Ed. Audran. Partition chant et piano. Paris.
Choudens. [1881.] M.255.16
Miss Helyett. Operette en 3 actes de Maxime Boucheron.
Musique de E. Audran. Partition chant et piano. Paris.
Choudens. [1890.] M.255.25
Audran, Edmond. (Continued.)
Mon prince! Opera-comique en 3 actes de A. Sylvane
[pseud.] & Ch. Clairville. Musique de E. .\udran. Par-
tition chant et piano. Paris. Choudens. 1893.
No. I in M.255.2g
Monsieur Lohengrin. Operette en 3 actes, de Fabrice Carre.
Musique de Edmond Audran. Partition chant et piano.
Paris. Choudens. [1896.] No. I in M.395.64
Les noces d'Olivette. Opera-comique en 3 actes de A. Duru
et H. Chivot. Musique de E. Audran. Partition chant &
piano. Paris. Choudens. [1879.]
No. 2 in M.255.13; M.255.21
Same. Olivette. Opera comique in 3 acts. English adapta-
tion by H. B. Farnie. [Accomp. for piano.] London.
Chappel & Co. [1881.] M.255.17
L'ceuf rouge. Opera comique en 3 actes par A. Vanloo et
Busnach. Musique de E. Audran. Partition chant &
piano. Paris. Choudens. [1890.] No. i in M. 255.27
L'oncle Celestin. Operette bouffe en 3 actes de Maurice
Ordonneau et Keroul. Musique de E. Audran. Partition
chant & piano. Paris. Choudens. [1891.] No. 2 in M.255.28
La petite fronde. Opera comique en 3 actes de A. Duru et
H. Chivot. Musique de E. Audran. Partition chant et
piano. Paris. Choudens. [1888.] M.255.24
Les petites femmes. Operette en 4 actes, de Andre Sylvane
[pseud.]. Musique de Ed. Audran. Partition chant et
piano. Paris. Choudens. 1897. No. 2 in M.3g5.64
Les pommes d'or. Operette feerie en 3 actes de Chivot,
Duru & Blondcau-Monreal. Musique de Ed. Audran.
Partition chant et piano. Paris. Choudens. [1882.]
M.255.12
La poupee. Opera-comique en 4 actes et 5 tableaux de
Maurice Ordonneau. Musique de Edmond Audran. Par-
tition chant et piano. Paris. Choudens. i8g6. M.395.2
Le puits qui parle. Opera-comique en 3 actes et 6 tableaux
de Beaumont [pseud.] et Burani [pseud.]. Musique de
E. Audran. Partition chant et piano. Paris. Choudens.
[1888.] M.255.14
Sainte Freya. Opera-comique en 3 actes de Ma.xime Bou-
cheron. Musique de E. Audran. Partition chant et piano.
Paris. Choudens. 1892. No. 2 in M.255.29
Les soeurs Gaudichard. Opera comique en trois actes et
quatres tableaux de Maurice Ordonneau. Musique de
Edmond Audran. Partition chant et piano. Paris. Chou-
dens. 1899. M.402.3
Audray-Deshorties, Eugene.
Un vieu.x printemps. Operette. Musique de J. Nargeot.
No. 3 in M.393.47
Audubert, Jules.
L'art du chant. Suivi d'un traite de maintien theatrale.
Paris. Brandus & cie. 1876. IIlus. M.122.7
Auer, C.
Serenade, fiir Miinnerquartett (mit T. und B. Solo), mit . . .
Pianoforte. Offenbach. Andre. [186-?] No. 2 in M.270.58
Auer, Leopold.
Rhapsodie hongroise pour violon avec accompagnement
d'orchestre ou de piano. Op. 5. Partitur. Leipzig.
Kistner. [186-?] No. 2 in M.358.20
Auersperg, Anton Alexander von.
Begriissung des Meeres. Gedicht, komponirt von Gustav
Schreck. No. 2 in M.280.8; etc.
Auf! Part-song. Schum.\cher, R. Drei Lieder.
No. 20 in M.392.25
Auf, Briider, lasst am trauten Heerd. Motet. Schicht. Mo-
tetten. Heft 9. No. 9 in M.236.19
Auf Christi Himmelfahrt allein. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 26.
Auf das Trinkglas eines verstorbenen Freundes. Song. Schu-
mann, R. A. Zwolf Gedichte von Kerner.
No. ga in M.244.15.1 ; etc.
Auf das Wohl aller Freunde. Canon. Mozart. Werke. Serie
7, Band 2. No. 51 in M.315.1.7.3
55
Auf dein
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Auf weichen
Auf dein Wohl trink' ich. Song. Rubinstein. Zwolf Lieder.
No. II in M. 192.5
Auf deinen Hohen. Part-song. Heim, I. No. 8 in M.130.7
Auf dem Baumstamm im Moos. Part-song. Rheinberger,
J. G. Am Walchensee. No. 13 in M.158.27
Auf dem Berge. Song. Taubert, C. G. W. Gliick der Liebe.
No. 33 in M.192.8
Auf dem Berge im Friihling. Part-song. Abt, F. Vier Man-
nerquartette. No. 2 in M.392.1
Auf dem Berge im Friihling. Song. Abt, F. Fiinf Schweizer-
lieder. No. 21 in M.192.1
Auf dem Felde der Ehre. Cantata. For the Music see Clarus.
For the Libretto see Niess.
Auf dem Flusse. Song. Schubert, F. P. Werke. Serie 20,
Band 9. M.317.1.20.9
Auf dem Friedhofe. Song. Berlioz, L. H. Die Sommer-
nachte. No. 4 in M.270.55
Auf dem griinen Balcon. Song. Wolf, H. Spanisches Lieder-
buch. No. 15 in M.380.30
Auf dem Kirchhofe. Song. Brahms. Fiinf I.ieder. Op. 105.
No. 3 in M.380.40.3
Auf dem Lande. For orchestra. Nicode. No. i in M.404.3; etc.
Auf dem Meere. Song. Franz, R. An die blaite Himmels-
decke. Sechs Gesange. Op. 6. No. 46 in M.244.5.1
— An die bretterne Schiffswand. [Op. 25.]
No. 66 in M.244.5.2
— Aus den Himmelsaugen. [Op. S] No. 34 in M.244.S.1
— Eingewiegt von Meereswellen. [Op. 9.] No. 67 in M.244.S.1
— Es triiumte mir. [Op. 11.] No. 78 in M.244.5.1
— Das Meer hat seine Perlen. [Op. 36.] No. 25 in M.244.5.3
Auf dem Rhein. Cantata. For the Music see Kuecken. For
the Libretto see Benedix.
Auf dem Rhein. Song. Schumann, R. A. Lieder und Ge-
sange. Heft 2. M.244.is.2;etc.
Auf dem Schiffe. Song. Brahms. Sechs Lieder. Op. 97-
No. 2 in M.380.40.3
Auf dem See. Part-song. Hauptmann, M. No. 4 in M.204.18
Krug, F. No. 7 in M.392.20
MENDELSsoHN-BARTnoLDY, J. L. F. Sechs vierstimmige
Lieder. No. 6 in M.312.8; etc.
Stolz. No. 52 in M.392.25
Auf dem See. Song. Brahms. An dies Schifflein. Fiinf Lie-
der. Op. 106. No. 4 in M.380.40.3
— Blauer Himmel. Lieder und Gesange. Op. 59- Heft i.
No. 3 in M.380.40.2
Schubert, F. P. Werke. Serie 20, Band 5. M.317.1.20.5
Auf dem Strom. Song. Schubert, F. P. Werke. Serie 20,
Band 10. M.317.1.20.10
Auf dem Thurme. Song. Lindpaintner. Lieder des Schmerzes.
No. 2 in M.380.22
Auf dem Wasser. Part-song.
Kjerulf. Sang pa vandet. No. 6 in M.392.13
Kuecken. Drei Gesange. No. 2 in M.392.15
Schultz, E. No. 4 in M.392.25
Auf dem Wasser. Song.
Kuecken. Zwei Gesange. No. 14 in M. 244.6.2
Methfessel, a. G. Sechs Lieder. No. 7 in M.221.33
Auf dem Wasser zu singen. Song. Schubert, F. P. Werke.
Serie 20, Band 7. M.317.1.20.7
Auf den Bergen. Part-song. Abt, F. No. 25 in M. 1293.44
Auf den Lagunen. Song. Berlioz, L. H. Die Sommernachte.
No. 4 in M.270.55
Auf den Sieg der Deutschen. Song. Schubert, F. P. Werke.
Serie 20, Band 10. M.317.1.20.10
Auf den Tod einer Nachtigall. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317.1.20.4
Auf der Alpe. Part-song. Santner. No. 28 in M.392.42.1
Auf der Andacht heil'gen Schwingen. Part-song. Otto, E. J.
No. 3 in M.3g2.20
Auf der Bruck. Song. Schubert, F. P. Werke. Serie 20,
Band 8. M.31 7.1.20.8
Auf der Donau. Song. Schubert, F. P. Werke. Serie 20,
Band 5. M.317.1.20.5
Auf der Haide saust der Wind. Part-song. Rheinberger, J. G.
Am Walchensee. No. 13 in M.158.27
Auf der Kirchweih zu Schwyz. Part-song. Tietz, P.
No. I in M.130.7; etc.
Auf der Reise zur Heimath. Lied. Grieg. No. 5 in M.155.16
Auf der Reise zur Liebsten. Song. Abt, F. No. 8 in M.192.1
Auf der Riesenkoppe. Song. Schubert, F. P. Werke. Serie
20, Band 5. M.31 7.1.20.5
Auf der Wacht. For orchestra. Hiller, F. No. 2 in M.348.12
Auf der Wacht. Part-song. Mangold. No. 24 in M.392.42.1
Moehring. 6 Gesange . . . fiir Mannerchor. Op. 58.
No. 8 in M.392.18
Auf der Wanderschaft. Song. Mendelssohn-Bartholdy,
J. L. F. Werke. Serie 19. M.413.3.19
Auf der Wanderschaft. Suite. Klughardt. No. 3 in M.410.68
Auf der Wanderung. Song. Taubert, C. G. W. Sechs Ge-
sange. No. 8 in M.ig2.8
Auf der Wanderung. Songs. Rheinberger, J. G.
No. 34-40 in M.392.21
Auf der Wartburg. Symphonic poem. Bungert. No. 3 in M.336.a
Auf der Wiese. Charactcrstiick. Kretschmer. Musikalische
Dorfgeschichte. No. 11 in M.342.10
Auf der Wiese. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 4. No. 14 in M.ig2.6
Auf die bei Thermopylae Gefallenen. Part-sonq. Brucii. Zwei
Mannerchore mit Orchester. No. 3 in M.154.37
Auf die Berge lasst uns steigen. Part-song. Blumen.stengel.
No. yz in M.246.2a
Auf die Berge steigt. Part-song. Abt, F. Fiinf Lieder fiir
vierstimmigen Mannergesang. No. 28 in M.3g2.i
Auf die Schwalbe. Song. Gade. Lieder und Gesange. Heft 6.
No. 9 in M.ig2.3
Auf die Schwingen deiner Tone. Part-song. Abt, F.
No. 13 in M.sgs.a
Auf ein Kind. Song. Strauss, R. Fiinf Lieder.
No. I in M.380.24.4
Auf ein schlummerndes Kind. Song. Cornelius. Werke.
Band i. M.414.20.1
Auf eine Unbekannte. Song. Cornelius. Werke. Band i.
M. 4 1 4.20. 1
Auf einem Schlachtfelde. Part-song. Laur. No. 87 in M.147.4
Auf einen Kirchhof. Song. Schubert, F. P. Werke. Serie
20, Band 2. M.317.1.20.2
Auf einer Burg. Song. Schumann, R. A. Lieder-Kreis . . .
von Eichendorff. No. 12 in M.244.15,1; etc.
Auf ewig dein! Sotig. Abt, F. No. 11 in M. 192.1
Auf ewig ist der Herr. Anthem. Meyerbeer. Sieben geist-
liche Gesange. No. 5 in M.280.24
Auf Fliigeln des Gesanges. Song. Mendelssohn-Bartholdy,
J. L. F. Werke. Serie 19. M.4i3.i.ig
Taubert, C. G. W. Sechs deutsche Lieder. No. 5 in M.221.26
Auf Gott und nicht auf meinen Rath. Motet. Schiciit. Mo-
tetten. Heft 11. No. 11 in M.236.19
Auf hohem Berg. Part-song. Gelbke. No. 20 in M.392.9
Auf hohen Befehl. Opera. For the Music see Reinecke, C. H. C.
Auf ihrem Grab. Part-song. Mendelssohn-Bartholdy, J. L.
F. Sechs vierstimmige Lieder. No. 6 in M.312.8; etc.
Auf meines Vaters Grab. Song. Haydn, F. J. Gesange.
Heft 2. No. 2 in M.312.35
Auf neutralem Boden. Opera. For the Music see Grammann.
For the Libretto see Koppel-Ellfeld.
Auf offner See. Cantata. For the Music see Moehring. For
the Libretto see Schultze, C.
Auf's Wohl der Frauen. Part-song. Schneider, J. C. F.
No. II in M.213.9
Auf ! schenket ein. Part-song. Cavallo. No. 14 in M.3g2.6
Auf, schmettemde Tone. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 20 (Theil 2), 34.
Auf und trinkt. Part-song. Zoellner, C. F.
No. 40 in M.3g2.27; etc.
Auf Waldespfaden. Part-song. Gernsheim. No. ii in M.203.16
Auf weichen Abendliiften. Part-song. Krug, A. Zwei Man-
nerchore. No. I in M.213.9
56
Auf wir
THE ALLEN A. BROWN COLLECTION OF MUSIC
Aus dem
Auf, wir Ziehen froh in's Feld. Part-song. Mozart.
No. 257 in M. 1293.43.8
Auf zur Wahl. Part-song. Randhartinger. No. 30 in M. 204.39
Aufbruch. Part-song. Hirsch, C. Landsknechtlieder. Heft i.
No. 3 in M.392.12
Aufbruch. Song. Franz, R. Sechs Gesange. Op. 35.
No. 24 in M.244.5.3
Aufenthalt. Song. Schubert, F. P. Werke. Serie 20, Band 9.
M.31 7.1.20.9
Auferstehn. Song. Taubert, C. G. W. Sechs Gesange.
No. 16 in M.192.6
Auferstehung, Die. Oratorio. For the Music see Heinze, G. A.
For the Libretto see Heinze-Berg.
Auferstehung und Himmelfahrt Jesu. Cantata. For the Music
see Bach, C. P. E. For the Libretto see Ramler.
Auferweckung, Die, des Lazarus. Oratorio. For the Music
see Loewe, J. C. G.; also Vogt, J. For the Libretto see
Hopfe, compiler.
Aufforderung zum Tanz. Part-song. Pache. No. i in M. 202.25
TscHiRCH, F. W. No. is6in M.246.22
Aufforderung zum Tanz. See also Weber, C. M. F. E. von.
Invitation a la valse.
Aufgeblueht! Part-song. Kremser. Neue Chor-Composi-
tionen. Band i, Heft 2. No. 14 in M.392.14
Aufloesung. Song. Schubert, F. P. Werke. Serie 20, Band 8
M.317.1.20.8
Aufmunterung zur Freude. Song. Becvarovsky. Gesange
beim Klavier. Heft i. No. 20 in M.221.33
Aufruf. Part-song. Finck, C. W. No. i in M.392.20
Schoen, E. No. 2 in M.392.8
Aufruf zur Freude. Part-song. Greger. No. 7 in M.392.20
Aufruf zur Jagd. Part-song. Pohlenz. Sieben Lieder.
No. 20 in M.392.20
Auftraege. Song. Schumann, R. A. Lieder und Gesange.
Heft 3. No. I in M.244.1S.3; etc.
Auftrag. Song. Cornelius. Werke. Band i. M.414.20.1
Auftrag an den Friihhng. Song. Taubert, C. G. W. Sechs
Lieder. No. 12 in M.192.8
Aufzug, Der, der Romanze. Cantata. For the Music see Ru-
dorff. For the Libretto see Tieck.
Aug' und Meer. Song. Stern, J. Compositionen.
No. 8 in M.236.8
Auge de Lassus, Lucien.
L'amour a la Bastille. Opera-comique. Musique de Henri
Hirschmann. No. 2 in M.402.68
L'amour venge. Opera comique. Musique de L. de Mau-
peou. M.257.14
L'ancetre. Drame lyrique. Musique de C. Saint-Saens.
M.399.96
Didon. Scene dramatique. Musique de Gustave Charpen-
tier. M.158.45
Endymion. Scene lyrique. Musique de Xavier Leroux.
No. 4 in M.194.18
Partie carree. Opera comique. Musique de R. Lavello.
No. 2 in M.296.23
Phryne. Opera-comique. Musique de C. Saint-Saens.
No. I in M.321.25
Auge und Thranen. Song. Abt, F. Sechs Lieder.
No. 14 in M.192.1
Augellin, V, della biondina. Song. Mariani, A. XXII melo-
dic. No. I in M. 158.28
Augenarzt, Der. Opera. For the Music see Gyrowetz.
Augenblick, Der. Quartet. Haydn, F. J. Gesange. Heft 2.
No. 2 in M.312.35
Same. Neun Quartetten. No. 4 in M.203.8
Augenlied. Song. Schubert, F. P. Werke. Serie 20, Band 3.
M.317.1.20.3
Auger, Hippolyte Nicolas Juste.
Memoires d'Auger (1810-1859). Publics pour la premiere
fois par Paul Cottin. Paris. La revue retrospective. 1891.
M.370.5
Auger de Lassus, L. See Augfe de Lassus, L.
Augier, Guillaume Victor fimile.
Sapho. Opera. Musique de Ch. Gounod. M.365.11
Augsburg. Libraries.
Schletterer, H. M. Katalog der in der Kreis- und Stadt-
Bibliothek, dem staedtischen Archive und der Bibliothek
des historischen Vereins zu Augsburg befindlichen
Musikwerke. Glogau. [1879.] No. 6 in M. 115. 12
Augurio, L', il ciel secondi. Aria. Jommelli. No. 3 in M.120.23
Auguste, Mr., pseud. See Creuze de Lesser, A. F.
Auguste jam coelestium. Duet. Schubert, F. P. Werke.
Serie 14. M.317.1.14
Augustin-Thierry, Gilbert. See Thierry, Gilbert Augustin.
Auld lang syne. Part-song. Adapted by W. H. Birch. (In
The Choralist. Vol. i, pp. 17-19.) No. 6in M.157.5.1
Auld lang syne. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Auld Robin Gray.
Moon, A. M. In memoriam. The Rev. W. Leeves, author
of the air of "Auld Robin Gray" . . . [Brighton.] 1873.
Portrait. Plate. M.145.4
Auld Robin Gray. Opera. For the Music see Arnold, S. For
the Libretto see Arnold, S. J.
Aumer,
Programme of the story, scenery, and dances, of the fairy
tale. La belle au bois dormant; founded on the English
tale The sleeping beauty. The music by M. Herold . . .
[Translated and adapted by Alfred Bunn.] London.
Miller. [1833.] No. 2 in M.147.3S
Libretto only, interleaved.
Aumonier, L', du regiment. Opera. For the Music see Salo-
mon. For the Libretto see Saint Georges.
Aupres de mon berceau. Song. Schubert, F. P. Melodies.
Vol. 4. M.327.4.4
Aupres de toi. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Aura. Song. Harder. Drei Gedichte. No. 21 in M.221.33
Aure amiche. Song. Mueller, F. F. G. No. 15 in M.235.18.4
Aure soavi e liete. Song. Handel. Werke. Lieferung 50.
M-3I3I-50
Aurea luce. Hymn. Palestrina. Werke. Band 8.
M.8o40a.66.S
Aureliano in Palmira. Opera. For the Music see Rossini.
For the Libretto see Romani, F.
Auria, Francesco d'.
Gulnare, or the crusader's ransom. Dramatic cantata, in
two parts, for solo voices [s. t. bar. or b.], chorus and
orchestra. Words by Mrs. Edgar Jarvis. Music by Fran-
cesco d'Auria. Vocal and piano score. Toronto. Suck-
ling. 1891. No. I in M.213.2
Auriac, Eugene d'.
La corporation des menetriers et le roi des violons. Paris.
Dentu. 1880. No. 4 in M.123.29
Auris bona est. Motet. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
Aurora. Opera. For the Music see Bungert; also Soffredini.
Aurore. Song. Choudens, A. 20 melodies. No. 2 in M.285.14
Schubert, F. P. Melodies. Vol. i. M.327.4.I
Aus aller Herren Lander. For orchestra. Moszkowski.
M.333.15
Aus alten Marchen. Part-song. Grote. No. 41 in M.392.8
Aus alten Marchen. Suite. Kienzl, W. Dornroschen-Cyclus.
No. 7 in M.342.9
Aus alten Marchen winkt es hervor. Song. Schumann, R. A.
Dichterliebe. Heft 2. No. S in M.244.15.2
Aus dem griinen Walde. Song. Taubert, C. G. W. Klange
aus der Kinderwelt. Heft 11. No. 36 in M.ig2.8
Aus dem hohen Liede. Song. Cornelius. Werke. Band i.
M.414.20.1
Aus dem Leben eines Musikers. Lobe. M.208.11
Aus dem Mittelalter. Part-song. Haan. No. 53 in M.392.10
Aus dem Orient. Song. Kuecken. No. 10 in M.244.6.3
Aus dem osmanischen Liederbuch. Part-song. Buechler.
Sechs Gesange. No. 37 in M.392.S
Aus dem Sangerleben. Part-songs. Rheinberger, J. G.
No. 10, II in M.3g2.3a
L8
57
Aus dem
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Autographs
Aus dem schottischen Hochlande. Overture. Lamond.
No. 2 in M.331.20
Aus dem Tagebuche eines alten Schauspielers. Autobiography.
Genast. M.isga.i
Aus dem Wanderbuche eines osterreichischen Virtuosen.
Travels. Hauser, M. M. 128.17
Aus den hebraischen Gesangen. Song. Schumann, R. A.
Werke. Serie 13, Band i. M.316.1.13.1
Aus den Karawanken. Part-song. Koschat. No. 28 in M. 392.13
Aus den Liedem der Trauer. Song. Strauss, R. Fiinf
Lieder. Op. 15. No. 9 in M.380.24.1
— Sachs Lieder. Op. 17. No. 10 in M.380.24.1
Aus den Memoiren eines Kiinstlers. Symphonic poem. See-
ling. No. 5 in M.33S.11
Aus den ostlichen Rosen. Song. Schumann, R. A. Myrthen.
Heft 4. No. 5 in M.244.IS.1; etc.
Aus den Schilfliedern. Part-song. Fischer, C. W.
No. 39 in M.i2ga.43.io
Aus den Spruchen Salomonis. Part-song. Schaeff. Drei
Lieder. No. 7 in M.392.23
Aus den „Vierzeilen." Part-song. Baumgaet.
No. 41 in 11.392.42.1
Aus der Edda. Cantata. For the Music see Hiller, F. For
the Libretto see Baltzar.
Aus der Feme. Cantata. For the Music see Kahn. Zwei Ge-
sange.
Aus der Feme. Part-song. Otto, F. No. 201 in 11.1293.43.6
SuTOR. No. 167 in M.i29a.43.s
Aus der Jugendzeit. Part-song. Janson, F. XII Lieder fiir
vier Mannerstimmen. No. 34 in M.392.11
Klein, B. O. Sechs Lieder und Gesange. No. 5 in M.203.16
Aus der Musik- und Theater-Welt. Catalogue of autographs.
Batka, R. M.371.33
Aus der Musikwelt. Autobiography. Hanemann. M.197.11
Aus der neuen Welt. Symphony. Dvorak. M.331.4
Aus der Ritterzeit. Symphony. Hartmann, E. M.403.54
Aus der Tiefe. Cantata. For the Music see Henschel, G. Out
of darkness.
Aus der Tiefe. Motet. Kiel. 6 Motetten. No. 2 in M. 194.20
Santner. No. 2 in M.392.23
Aus der Tiefe rufe ich, Herz, zu dir. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 28.
Aus der Tiefen ruf ich Gott. Psalm. Spohr, L. Drei Psalmen.
No. 4 in M.221.16
Aus der Wanderzeit. Suite. Krug, A. No. 3 in M.336.19
Aus der Welt der Tone. Criticism. Pasque. M.149.12
Aus Deutschland's grosser Zeit. Cantata. For the Music see
Seyffardt. For the Libretto see Kiepert.
Aus Diego Manazares. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317.1.20.4
Aus Goethe's Faust. Song. Beethoven. Werke. Serie 23.
M.413.1.23
Aus grosser Zeit. Cantata. For the Music see Mueller-Reuter.
For the Libretto see Unbescheid.
Aus Heliopolis. Part-song. Schubert, F. P. 9 Gesange.
No. 14 in M. 158.21
Aus Holberg's Zeit. Suite. Grieg. No. 3 in M.332.23
Aus Italien. Symphonic poem. Strauss, R. m.338.15
Aus Liebeszauber. Song. Curschmann. No. 7 in M.221.30
Aus Lieder eines fahrenden Gesellen. Part-song. Herbert, V.
No. 60 in M.392.8; etc.
Aus meinem Leben. Criticism. Dorn, H. L. E.
No. 1-3 in M.217.5
Aus meinem Leben. Quartet. Smetana. No. 22 in M.211.1
Aus meinem grossen Schmerzen. Song. Franz, R. 6 Ge-
sange. Op. 5. No. 32 in M.244.5.1
Aus meinen Thranen spriessen. Song. Schumann, R. A.
Dichterliebe. Heft l. No. 4 in M.244.15.2
Aus meiner Erinnerung. Song. Franz, R. Sechs Gesange.
Op. 12. No. 4 in M.244.5.2
Aus neuer und neuester Zeit. Criticism. Hanslick. M.373.35
Aus Odysseus' Fahrten. Symphonic poem. Boehe. M.410.82
Aus tiefer Noth. Anthem. Bach, J. S. Werke. Jahrgang 7.
M.8040.21.7
Aus tiefer Noth. (Continued.)
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 14, Ab-
theilung B. No. 98 in M.413.3.14, b; etc.
Aus unserer Zeit. Symphonic poem. Brecher. M.403.10
Auserwaehlte, Die. Part-song. Kuecken, F. W. Volksme-
lodien. Heft 2. No. 14 in M. 194.16
Silcher. Silcher-Album. No. 4 in M.370.30
Auserwaehlte, Die. Song. Abt, F. Deutsche Volkslieder.
No. 28 in M.192.1
Ausfahrt. Lied. Grieg. Grieg- Album. No. 2 in M.15S.16
Ausflug. Part-song. Palme. No. id in M.392.20
Ausmarsch. Volksweise [t. t. b. b.]. (/n Das Riitli. Pp. 197,
198.) No. 80 in M.147.4
Aussoehnung. Cantata. For the Music see Ruber, H. For
the Libretto see Goethe, J. W. von.
Austin, Walter.
The fire-king, dramatic cantata, by Maud Hargreaves,
music by Walter Austin. [Accomp. for pianoforte.] Lon-
don. Boosey & Co. [1877?] No. i in M. 194.2
Auswanderer, Die. Opera. For the Music see Felix. For the
Libretto see Pasque.
Auswanderer, Die. Cantata. For the Music see Mair. For
the Libretto see RoUett.
Auswandrerlied. Part-song. Zopff. No. 24 in M.392.38
Auszug. Part-song. Weinvvurm. No. 18 in M.392.42.3
ZoELLNER, C. F. Wanderlieder. No. 44 in M.392.27
Auteri Manzocchi, Salvatore.
Dolores. Dramma lirico in 4 parti di M. Auteri Pomar.
Musica del Maestro S. Auteri Manzocchi . . . Con ac-
comp. di pianoforte. Milano. Lucca. [1875?] Portrait.
M.247.1S
Stella. Dramma lirico in 3 atti di Stefano Interdonato.
Musica del Maestro S. Auteri Manzocchi. Riduzione per
canto e pianoforte. Milano. Sonzogno. 1883. M.247.16
Auteri Pomar, M.
Dolores. Dramma lirico. Musica del Maestro S. Auteri
Manzocchi. M.247.15
Auteur mort et vivant, L'. Opera. For the Music see Herold,
L. J. F. For the Libretto see Planard.
Auteur par amour. Opera. For the Music see Guerineau. For
the Libretto see Nores.
Autograph waltzes. For piano. Strauss, J. 1825-1899.
No. I in M.357.12
Same. For violin and piano. No. 6 in M.357.12
Autographs. Catalogues.
Baer, J., & Co. Autographen i. Bildende Kiinstler, Dich-
ter, Musiker, Schriftsteller . . . Lager-Catalog 433. Frank-
furt am Main. 1900. No. i in M.375.6
Batka, R. Aus der Musik- und Theater-Welt. Beschrei-
bendes Verzeichnis der Autographen-Sammlung Fritz
Donebauer. [Anon.] Prag. 1894. M.371.33
BovET, A. Katalog einer hervorragend schonen Sammlung
von Musiker-Autographen . . . zum grossten Theil aus
dem Besitze des verstorbenen Herrn A. Bovet . . . Ver-
steigerung zu Berlin . . . den 7 Marz, 1901 . . . [Berlin.
1901.] No. 2 in M.375.6
Brentano, F. Katalog einer werthvoUen Sammlung von
Autographen und Urkunden aus dem Nachlasse des
Schceffen und Senators Franz Brentano und . . . Antonia
Brentano . . . CEffentliche Versteigerung ... 9 April 1896
. . . durch die Buchhandlung Joseph Baer & Co. . . .
Frankfurt a. M. 1896. No. 2 in M.372.48
Most of the items are priced.
Giliiofer & Ranschburg. Katalog der bedeutenden und
werthvollen Autographen - Sammlung Angelini - Rossi
(Rom), II. Theil . . . Collection Aloys Fuchs, Musik-
Manuscripte und Briefe von Musikern. Versteigerung zu
Wien . . . 1901. Wien. 1901. Fac-similes.
No. 3 in M.37S.6
Liepmannssohn, L. XXVI. Autographen- Versteigerung.
Katalog einer wichtigen Sammlung von Musiker-Auto-
graphen . . . nebst einem Anhange: Biicher mit eigen-
h.-indigen Widmungen ihrer Verfasser . . . Versteigerung
zu Berlin ... 29 Oktober, 1900 . . . [Berlin. 1900.]
No. 5 in M.375.6
58
Autographs
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ave Maria
Autographs. Catalogues. (Continued.)
Mueller, A., Sr. Katalog der bedeutenden und werthvollen
Autographen-Sammlung weiland des Herrn . . . Adolf
Miiller sen. Fortgesetzt von Adolf Miiller, jun. Musik-
Manuscripte. Briefe von Componisten, Sangern, Schau-
spielern . . . Versteigerung zu Wien . . . October, 1901
. . . Wien. 1901. No. 4 in M.37S.6
PosoNYi, A. Autographen-Sammlung A. Posonyi. II.
Musiker. Meist kostbare Briefe und Musikmanuskripte
der beriihmtesten Komponisten, Virtuosen und Musik-
schriftsteller . . . Bonn. 1900. No. 6 in M.37S.6
Autolycus' song. Part-song. Macirone, C. A.
No. ID in M. 195.1.2
Automatic flute-player.
Vaucanson, J. DE. Le mecanisme du fliiteur automate.
Paris. 1738. No. 2 in M.131.14
Automne, L'. Song. Niedermeyer. id melodies.
No. 4 in M. 157.37
Autran, Joseph Antoine.
Les poemes de la mer. Ode-symphonie, musique de J. B.
Wekerlin. No. i in M. 156.15
Autre vie, L'. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
Autreau, Jacques.
Platee (ou Junon jalouse). Comedie-ballet. Paroles de
Autreau (retouchees par] Ballot de Sauvot . . . [Musique
de] J. P. Rameau. M.297.34
Autumn. Part-song. Callcott, J. W. No. li in M.220.4
DiEMER, P. H. No. 48 in M.121.3
Heuberger. No. 2 in M.3g2.ii
Macfarren, W. C. No. 9 in M.195.1.5; etc.
Mackenzie, A. C. No. 20 in M.195.1.12
Steglich. M.193.23.2
Autumn. Song. Mendelssohn-Bartholdy, J. L. F. Songs.
No. 56 in M.244.2I
Autumn is come again. Part-song. Corder, F,
No. 23 in M.195.1.16; etc.
Autumn sadness. Duet. Rubinstein. Eighteen two-part
songs. No. I in M.155.47
Autumn song. Duet. Mendelssohn-Bartholdy, J. L. F.
No. II in M.280.22
Autumn song. Part-song. Mendelssohn-Bartholdy, J. L. F.
Quartettes. No. 8 in M.244.22
PiNsuTi. No. 26 in M. 195. 1.5; etc.
Smart, H. No. 50 in M.158.19
Auvergne, Antoine d'.
Les troqueurs. Intermede [paroles par J. J. Vade, musique]
par M"". Dauvergne. [Partition.] Paris. L'auteur. [1753]
M.252.24
Aux bords du Nil. Symphonic poem. Consolo. No. i in M.355.4
Aux champs. Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
Aux manes de la Gironde. Part-song. Gossec. M.380.14
Aux paroUes que je veux dire. Anthem. Sweelinck. Werken.
Deel 5. M.413.2.5
Aux petits enfants. Song. L'fipiNE. Scenes et chansons.
M. 158.42; etc.
Auxilium Christianorum. Motet. Schulthes. Six invoca-
tions. No. 3 in M.201.36
Avalanche, L'. Opera. For the Music see Everaerts. For the
Libretto see Bogaerts, P. G.
Avaleur, L', de fldte. Opera. For the Music see Nicolaie, fi.
For the Libretto see Richemont.
Avant la noce. Opera. For the Music see Jonas, £. For the
Libretto see Mestepes.
Avant la retraite. Opera. For the Music see Roques. For the
Libretto see Pericaud.
Avant, pendant et apres le bal. For pianoforte. Louis, N.
No. 18-20 in M.390.25
Avare, L'. est toujours en soucis. Catch [for 3 voices]. {In
Bland. The Ladies' collection. Vol. i, p. 109.)
Also to be found in Social harmony ; Vocal harmonist's magazine.
Ave cor Jesu. Motet. Schulthes. A collection of six sacred
vocal pieces. No. 2 in M.201.36
Ave decus coeli. Motet. Lassus. Sammtliche Werke. Band
II. M.8o4oa.67.ii
Ave del mare o Stella. Duet. Gordigiani. Melodies sacrees.
No. 8 in M. 270.42
Ave Maria, [s. a. t. b. Without accomp.] (/« Gounod. The
Royal Albert Hall choral music. Vol. 2, pp. 12, 13.)
Attributed to Arcadelt. M.384.28
Ave Maria. Anthems, etc. Abt, F. No. 2 in M.192.2; etc.
Adam, A. C. Mois de Marie de Saint-Philippe.
No. 1-3 in M.260.J0.8
Anichini. No. i in M.201.33
Arcadelt. M.156.52; etc.
Barnett, J. No. 4 in M. 158.32
Bassini. No. 9 in M.260.10.4
Bennet, T. No. 23 in M.201.35
Blahetka. No. 5 in M.260.10.4
Brahms. No. 7 in M.260.10.7 ; etc.
Bruch. No. I in M.345.25
BuoNAMici. No. 7 in M.203.6
Busschop. No. 13 in M.260.19
Casali. No. 13 in M.158.33.4
Ceupens. No. 23 in M.260.10.7
Cherubini. No. 56 in M.156.50 ; etc.
CocciA. No. 6 in M. 221. 16
CoNCONE. No. II in M.260.10.2
Cooke, T. S. No. 2 in M.250.6
CuRCi. No. 7 in M.260.10.4
Dietsch, p. L. p. No. 7 in M.260.20
Doss. No. 26 in M.260.18
Dubois, C. V. No. 13 in M.201.33
DuFRESNE. No. 6 in M.260.10.4
Duval, E. No. 18 in M.260.19; etc.
Ett. No. 16 in M.260.10.3
EvERS. No. 54 in M.392.7
Eykens. No. is in M.201.33; etc.
Falkenstein. No. 14 in M.260.10.7; etc.
Fauconier. Salut solennel. No. 4 in m. 201.32
Faure, J. B. Save, Lord. No. 21 in M.201.33
Florimo. No. 2 in m. 244.19; etc.
Franz, R. Sechs Gesange. Op. 17. No. 25 in M.244.5.2
Freer. No. 20 in M.157.17.2
Gordigiani. Melodies sacrees. No. 2 in M.270.42
Gounod. Vingt melodies. le recueil. No. 3 in M.157.36.1
Gregoir, J. M. J. No. 24 in M.201.33; etc.
Haine. No. 26 in M.201.33
Hargitt. No. 8 in M.260.10.4
Hauptmann, M. Zwei Marienlieder. No. 27 in M.201.33
Haydn, F. J. No. 28 in M.260.20
Herrmann. No. i in M.370.30
Hille. Les echos sacres. No. S in M.201.32
Hochberg. No. 7 in M.260.21
Janssen, N. a. No. 39 in M.260.19
JuviN. No. 10 in M.201.33
Koenig, F. Huit motets. No. 2 in M.158.25
Kremser. No. 48 in M.392.13
Kreutzer, C. No. 2 in M. 157.24
Kuecken. No. 9in M.244.6.1
Lachner, F. No. 6 in M.333.9
Lambilotte. Musique religieuse.
No. 6, IS, 19, 30, 49 in M.260.18
— Saluts pour le Mois de Marie. No. 2 in M.20I.34
Lassus. Sammtliche Werke. Band 5, 13. M.8o4oa.67.5, 13
Lejal. No. 30 in M. 260.10.2
Lickl, C. G. No. 3 in M.260.10.4
Lindau, R. No. 34 in M. 201.34
Liszt. Neun Kirchen-Chor-Gesange. No. 2 in M.X94.21
LiTOLFF. No. 10 in M.201.34
Lof.hr, F. N. No. 2 in M.155.22
Lorenz, O. No. 44 in M.246.22
Louis, N. No. ii in M.3go.i2
LUTZ. No. 4 in M.156.50
Luzzi. No. 12 in M.201.34; etc.
Mandanici. No. i in M.201.35
Marchesi. No. 3 in M.201.35
Marchetti. No. 13 in M.244.10.5; etc.
Mariani, A. XXII melodic. No. i in M.158.28
Marston. No. 4 in M.201.35
59
Ave Maria
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ave verum
Ave Maria. Anthems, etc. (Continued.)
Mendelssohn-Bartholdy, J. L. F.
theilung B.
Messemaeckers.
Millard, H.
Moehring. 3 Gesange.
Montell.
Moreau, C.
Mozart. Werke. Serie 7, Band 2.
Mueller, J. E.
Navo.
Werke. Serie 14, Ab-
M.3i3-3-i4.B;etc.
No, 8 in M.201.35
No. 14 in M.260.10.2; etc.
No. 16 in M.392.18
No. ri in M.201.35
No. 10 in M.201.35
No. 53 in M.315.1.7.2; etc.
No. 29 in M.260.10.2
No. IS in M.201.3S
No.
Neukomm, S. Recueil de 40 motets. No. i in M.158.37; etc.
Palestrina. Motetten. Werke. Band 3, S, 6.
M.8o4oa.65.3, 5, 6
— Offertorium. Werke. Band 9.
Panofka.
Panseron. Mois de Marie.
PlERSON.
Quint.
Raff. A four-part song.
Same. [Song.] Sanges-Friihling.
M.8o4oa.66.g
I in M. 260.10.4
M. 260. 1 2
No. 19 in M. 158.32
No. 21 in M.201.35
No. 17 in M. 195. 1. 17
Heft 2. No. 2 in M.192.4
H.
15 Graduales.
J.
, C.
P.
Reber, N
Reissiger
Reyer.
RiGHINI.
Ritter, T.
Romberg, A,
Rossi, G. G.
Rossini.
RUPES.
Saint Clair.
Salome.
SCHICHT.
Schira.
schletterer.
Schneider, J
Schubert, F.
schulthes.
schultz, e.
Schumacher, R,
Schwing.
Sessa.
Sieber, F.
Smart, H.
Southard.
Tamaro.
Tottmann.
Cberlee. Cliorlieder.
Verdi.
Vittoria. Opera.
Weckerlin. a I
Same. Quartet.
WiLM.
Zucchini.
Ave Maria. Masses.
F.
Melodies.
Drei Lieder.
Tomus I.
voix [s. ou T.]
6 quatuors.
Palestrina.
No. 22 in M.260.10.5
No. 2 in M. 158.27
No. 22 in M.201.35
M.156.52
No. 23 in M.201.35
No. 15 in M. 260.10.3
No. 9 in M.260.10.2
No. 5 in M.280.32
No. 26 in M.201.35
No. 33 in M.201.35
No. 5 in M.260.10.2
No. 37 in M.260.20
No. 25 in M. 121.3
No. 14 in M.244.10.6
No. 25 in M.260.20
Vol. 2. M.327.4.2
No. 4 in M.250.10.4
No. I in M.392.25
No. 20 in M.392.25
No. 4 in M. 201.36
No. 6 in M.201.36
No. 7 in M.157.15
No. 49 in M. 121.3; etc.
No. 4 in M.260.10.2
No. 8 in M.260.10.2
No. 6 in M.157.15
No. 18 in M. 158.21
No. II in M.201.36
M.313.2.1
No. 12 in M.201.36
No. 2 in M.328.35
M.193.23.2
No. 5 in M. 260.22
Band 16, 32.
Werke.
P.
M.8o4oa.66.i6, 32
Ave Maria. For orchestra. Schubert, F. P. No. 4 in M.337.8
Ave Maria, alta stirps. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Ave Maria in the Alps. Part-song. Abt, F. No. 8 in M.204.38
Ave Maria on the lake. Part-song. Lachner, F.
No. 25 in M.204.38
Ave maris stella. A Spanish melody. Harmonized for 4 voices
with an organ accomp. by V. Novello. (/n Novello. Con-
vent music. Vol. 2, pp. 94, 95.)
Ave maris stella. Anthems, etc. Adam, A.
de Saint-Philippe.
Aiblinger. Sovereign Ruler. Quartette.
Koenig, F. Huit motets.
Liszt. Neun Kirchen-Chor-Gesange.
Palestrina. Hymn. Werke. Band 8.
Panseron. Duet. Mois de Marie.
Proch. Offertory. [In E.]
— Solo [in D].
SwEELiNCK. Part-song. Werken. Deel 9.
No. 33 in M.260.17.2
C. Mois de Marie
No. 8 in M.260.10.8
No. 17 in M.201.33
No. 2 in M. 158.28
No. 2 in M. 194.21
M.8o4oa.66.8
No. 17 in M.260.12
No. 20 in M.201.35
M.156.52
M.413.2.9
Ave maris stella. Anthems, etc. (Continued.)
Tadolini. No. II in M.260.10.6; etc.
WouTERS. No. 14 in M.201.36
Ave maris stella. Mass. Vittoria. Opera. Tomus 2. M.3i3.2.a
Ave mater matris Dei. Motet. Lassus. Sammtliche Werke.
Band l. M.8o4oa.67.i
Ave mitis, ave pia. Anthem [s. a. t.]. (/« Smith. Musica
antiqua. P. 9.) M.236.10
A hymn to the Virgin composed in the 14th century. The text written
by John, the Carthusian monk.
Ave mundi spes, Maria. Motet. Palestrina. Werke. Band 6.
^ M.8o4oa.66.6
Ave Patrone noster. Trio. Lambillotte. Musique religieuse.
No. 2 in M.260.18
Ave Regina. Anthems, etc. Adam, Adolphe C. Mois de Marie
de Saint-Philippe. No. s in M.260.10.8
Barbieri, G. No. 2 in M.26o.2a
Guernsey. No. 25 in M.201.33
Hamma, B. No. 9 in M. 158.32
Janssen, N. a. No. 28 in M. 260.19
La Fage. , No. 15 in M. 260.19
Lambillotte. Saluts pour le Mois de Marie. No. 2 in M.201.34
Lassus. Sammtliche Werke. Band i, 5, 13. M.8o4oa.67.i,5,i3
LoTTi. No. 41 in M. 158.33.4
Marcello, B. M.i56.5a
Neukomm, S. Recueil de 40 motets. No. i in M.158.37
Nixon, H. G. Selections from Sacred compositions. Vol. 2.
M.270.I.2
Novello, V. No. i4in M.270.3.2; etc.
Palestrina. Werke. Band 3, 7. M.8o4oa.66.3, 7
Schneider, J. G. No. 7 in M.260.17.1
Sergent. No. 10 in M.201.33
Soriano. No. 42 in M. 158.33.4
Stadler. M.260.23.2
Tadolini. No. 2 in M. 260.10.3
Vilbac. No. 10 in M.260.10.5
Vogler, G. J. No. 40 in M.260.17.2
Webbe, S. No. 69 in M. 156.50
Wesley, S. No. 39 in M.260.17.3
WouTERS. No. 24 in M.201.36
Ave Regina coelorum. Mass. Palestrina. Werke. Band 18.
M.8o4oa.66.i8
Ave Rex noster. Motet. Basili. No. 4 in M.26o.ig
Cifra. No. 10 in M. 158.33.4
Ave vera Virginitas. Anthem. Josquin Depres.
No. 41 in M.26o.ig
Ave verum. Anthems, etc. Adam, Adolphe C. Mois de Marie
de Saint-Philippe. No. 4 in M.260.10.8
Cherubini. No. 21 in M.26o.i7.a
Dachauer. No. i in M.260.10.3
Dietsch, P. L. P. No. 24 in M.260.20
Duprez, G. L. No. 6 in M. 158.32
Falkenstein. No. 16 in M.260.10.7
Gordon. No. 18 in M.260.10.1
Gounod, [s. c. t. b.] No. 5 in M.290.13
— Word of God incarnate, [s. s. a. t. b.J No. 2 in M.157.31
Guedron. M.i56.5a
GuiLMANT. No. 16 in M.203.27
Guynemer. No. ii in M.26o.i7.a
Haydn, F. J. No. 43 in M.260.20; etc.
Helle. Les echos sacres. No. 5 in M.20i.3a
Janssen, N. A. No. 29 in M.260.19
KoENiG, F. Huit motets. No. 2 in M.158.25
Labat. 26 grands motets. M.213.23
La Fage. No. 10 in M.201.33
Lambillotte. Musique religieuse. No. 13 in M.260.18
Lamotte. No. 6 in M.201.34
Lassus. Sammtliche Werke. Band 13. M.8o4oa.67.i3
Liszt. Neun Kirchen-Chor-Gesange. No. 2 in M.194.31
LuTGEN. No. 9 in M.260.10.3
Martineau. No. 18 in M.260.10.3
Mercadante. No. 24 in M.260.10.7
Mine. No. 9 in M.201.35
Mozart. M.156.52; etc.
Neumann, S. Recueil de 40 motets. No. i in M.158.37
60
Ave verum
THE ALLEN A. BROWN COLLECTION OF MUSIC
Awaking
Ave venim. Anthems, etc. (Continued.)
Panseron. Mois de Marie.
Pearsall.
Prumier.
RiGHINI.
Rossini.
Saint-Saens. Musique d'eglise.
M.260.12
No. 45 in M.26o.ig; etc.
No. 6 in M.260.10.S
No. ID in M.260.20
No. 24 in M.201.35
No. 28 in M.201.3S; etc.
ScHULTHES. A collection of six sacred vocal pieces.
No. I in M.201.36
SiEBER, F. No. 17 in M.201.33
Steinkuehler. No. 12 in M.260.10.3
Tamaro. No. 8 in M.201.36
Webbe, S., Jr. No. 5 in M.270.3.2
Wesley, S. No. 17 in M.260.10.6; etc.
Wouters. No. 21 in M.201.36
Avec les tiens. Motet. Sweelinck. Werken. Deel 5. M.413.2.5
Avec vous mon amour. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o40a.67.i2
Aveling, Claude.
The girl from Kay's. A musical play. Music by Ivan Caryll
[pseud.] and others. No. 2 in M.381.7
Avenel, Paul.
Mademoiselle de Mancini. Operette. Musique de J. Jave-
lot. No. 2 in M.393.53
La revanche de Candaule. Opera bouffe de Henry Thiery
et Paul Avenel. Musique de J. J. Debillemont.
No. I in M.295.10
Le tour de Moulinet. Operette. Musique de Charles Hu-
bans. No. 4 in M.286.13
Aventiure. Symphony. Grammann. No. i in M.342.2
Aventure d'Arlequin, Une. Opera. For the Music see Hille-
macher, P. J. W. For the Libretto see Judicis.
Aventure de Clairon, Une. Opera. For the Music see Berni-
cat. For the Libretto see Pericaud.
Aventure de la Guimard, Une. Ballet. For the Music see
Messager. For the Libretto see Cain.
Aventurier, L'. Opera. For the Music see Poniatowski. For
the Libretto see Saint Georges.
Averkamp, Anthonie, editor.
Enschede, J. W., compiler. Marschen in gebruik bij het
nederlandsche leger gedurende den spaanschen successie-
vorlog. No. 3 in M.41S.5
Averte, Domine, faciem Tuam. Motet. Lassus. Sammtliche
Werke. Band 5. M.8o4oa.67.5
Averte faciem Tuam. Offertory.
Gladstanes. No. 3 in M.260.10.5
Haydn, F. J. No. 63 in M.260.24.1
Avery, Ellen.
The winter being over. Part-song. London. Jefferys.
[ 187-?] No. 4 in M. 121.3
Aveu, L'. Duet. Millet. Duos, trios . . . M.157.11
Aveu, L'. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M. 158.44
Aveugle de Bagnolet, L'. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Aveugle de Palmyre, L'. Opera. For the Music see Rodolphe.
For the Libretto see Des Hayes, G. F. F.
Aveugle par amour. Opera. For the Music see Sivry. For the
Libretto see Domicent.
Aveugles, Les, de Tolede. Opera. For the Music see Mehul.
For the Libretto see Marsol'ier des Vivetieres.
Aveux indiscrets, Les. Opera. For the Music see Monsigny.
For the Libretto see La Ribadiere.
Avis au public. Opera. For the Music see Piccinni, L. A. For
the Libretto see Desaugiers.
Avis aux femmes. Opera. For the Music see Gaveaux. For
the Libretto see Guilbert de Pixerecourt.
Avison, Charles.
Brightest and best. [Anthem. Accomp. for organ.] (/«
Musical times. [Music] Vol. 6, pp. 156, 157.)
No. 18 in M. 175.1.6
An essay on musical expression. With alterations and addi-
tions. Added, a letter to the author concerning the music
Avison, Charles. (Continued.)
of the ancients . . . [by Dr. Jortin]. Likewise, Mr. Avi-
son's Reply to the author of Remarks on the Essay on
musical expression [William Hayes]. 3d edition. Lon-
don. Davis. 1775. M.i29a.ia
Sound the loud timbrel. Chorus. For s. a. t. b. The words
by Thomas Moore. The music adapted from Avison by
Sir John Stevenson, (/n Hullah. The Singer's library.
Sacred. No. 34. Pp. 33-38.) No. 34 in M.157.3
Avocat, Henri.
Un fusilier dans I'embarras. Operette-bouffe de Henri Avo-
cat et fimile Lorrain. Musique de Leon Fossey.
No. I in M.256.I2
Avrele,
Mam'zelle Mariette. Operette. Musique de fimile Bour-
geois. No. 3 in M.27S.I
Avrigny, Charles Joseph Lceillard d'.
Le miroir. Opera comique de Bayard et d' Avrigny. Mu-
sique de Leon Gastinel. No. 2 in M.256.20
Avril. Song. Grandval. No. 23 in M.391.28.1
Avventura di Scaramuccia, Un'. Opera. For the Music see
Ricci, L. For the Libretto see Romani, F.
Awenturieri, Gli. Opera. For the Music see Braga. For the
Libretto see Ghislanzoni.
Awake! Part-song. Zoellner, H. No. 35 in M.203.20
Awake .ffiolian lyre. Pori-jo;i J. Danby. No. 23 in m. 158.15; etc.
Awake and stand up. Anthem. Este, M. No. 3 in M.234.26; etc.
Awake, awake, put on thy strength. Anthem. Stainer.
No. 4 in M. 195.2.3
Awake, awake, the flow'rs unfold. Part-song. Leslie, H. D.
No. 15 in M.ig5.i.a
Awake, awake, 'tis Easter morn. Anthem. Truette.
No. 19 in M.158.20
Awake, my fair. Part-song. Hutchinson, F.
No. 77 in M.220.9.3; etc.
Awake, my lyre. Part-song. Horsley, W.
No. II in M.235.9.2; etc.
Awake, my muse. Part-song. Danby. No. 53 in M.220.9.4
Awake my soul. Anthem. Clarke, J. No. 14 in M. 157.28.2
[Awake, my soul, and with the sun.] Morning hymn. [4 voices
with accorap. for organ.] (/n Gounod. The Royal Albert
Hall choral music. Vol. 2, pp. 31, 32.) M.384.28
Awake, O earth. Carol. MacGregor. No. 20 in M. 158.17
Awake, put on thy strength. Anthem. Wise.
No. 34 in M.233.23.3; etc.
Awake, sweet love. Part-song. Dowland, J.
No. 4inM.235.4;etc.
Awake, sweet muse. Glee. Webbe, S. Selection of glees.
Vol. 3. No. 34 in M.235.13.3
Awake, the day is breaking. Part-song. Abt, F.
No. I. in M.3g2.3
Awake, the mom is breaking. Part-song. Clari.
No. Ill in M.in.4.3
Awake, the starry midnight hour. Part-song. Mendelssohn-
Bartiioldy, J. L. F. No. 24 in M.157.4
Awake the trumpet's lofty sound. Anthem. Handel.
M.i93.23.a
Awake, thou pretty dreamer. Part-song. Schmidt, Gustav.
No. 14 in M.22I.22.4
Awake, thou that sleepest. Anthem.
Horsley, W. No. 45 in M.1S7.28.1
Ouseley. No. 16 in M.233.24.1
Stainer. No. 12 in M.i95.2.io
Awake up, my glory. Anthem. Broderip, J. No. 24 in M. 236.30.3
Maker. No. 7 in M.203.28
Nares. Twenty anthems. No. 12 in M.236.33
Patten. Six anthems. No. 4 in M.28o.3a
Wise. No. 33 in M.233.23.3 ; etc.
Awakened are the breezes light. Part-song. Moehring.
M.193.23.1
Awakening of spring. Cantata. GouvY. No. 4 in M.392.29
Awaking of morn. The. Part-song. Reinecke, C. H. C.
No. 31 in M.204.36.6
61
Awaking
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Azevedo
Awaking of the rose, The. Part-song. Metzger.
No. 39 in M.204.38; etc.
Away, away, my maidens. Trio. Bishop, H. R. Complete
collection of glees. Vol. 3. M.235.1.3
Away, thou shalt not love me. Madrigal. Wilbye. Works.
Vol.1. No. 2 in M.234.19.1; etc.
Away to the west. Part-song. Horn, C. E. No. 7 in M.244.10.1
Away to the woods! Glee. Congreve, B. No. 55 in M.157.5.2
Away, we know that tears are vain. Song. Porter, P. W. A
collection of melodies. No. 2 in M.236.21
Away with melancholy. Song. Mozart. No. 7 in M.237.2
Away with nature's melodies. Song. Bishop. H. R. Airs of
haut-ton. No. 3 in M.244.19
Away with the daylight. Song. Bishop, H. R. Airs of haut-
ton. No. 3 in M. 244.19
Away with these self-loving lads. Part-song. Dowland, J.
First set of songs. No. 2 in M.234.21
Away with this pouting. Song. Moore, T. No. 17 in M.237.7
Awful matron. Chorus. Purcell, H. Beauties of Purcell.
Vol. 2. M.221.2
Awful, pleasing being. Air. Handel. No. 45 in M.290.22.2
Ax, Guilhaume d'.
Les mysteres du piano. Paris. Messager de la Banlieue.
1869. No. I in M.11S.6
Axel. Overture. Georges. No. 2 in M.343.45
Axur Konig von Ormus. Opera. For the Music see Salieri.
For the Libretto see Schmieder.
Ayers, David Jacob.
Christmas carols. [Accomp. for piano.] Boston. Miles &
Thompson. [1890.] No. 8 in M. 158.13
Contents. — Our Christmas holiday has come. — Stars of glory shine
more brightly. — As St. Joseph lay asleep. — Sleep, Holy Babe. —
O divinest childhood.
Ayes pitie. Psalm. Sweelinck. Werken. Deel 5. M.413.2.5
Aylicson, A.
La cinquantaine. Opera-comique. Musique de Gennaro-
Chretien. No. 4 in M.39S.16
Le menuet de ITmperatrice. Musique de Mm« Gennaro-
Chretien. No. 3 in M.395.16
Aylward, Theodore.
A cruel fate. Glee [a. t. b.]. {In Amusement for the ladies.
Vol. I, pp. 42, 43.) No. 16 in M.320.3.1
Also to be found in dementi's Collection of catches ; Clementi's
Vocal harmony ; Warren's Collection of catches.
Here lies honest Ned. Catch [for 5 voices]. (/» Warren.
Collection of catches. Vol. 2, p. 299.) No. 125 in M.220.9.2
To drink or to sing. Glee [a. x. b.]. (/« Warren. Vocal
harmony. Pp. 56-58.) No. 36 in M.220.10
Ayres or fa las, for 3 voices. Hilton. No. 3 in M.234.21
Ayrton, Edmund.
No, no, for my virginity. Catch [for 3 voices], (/n Warren.
Vocal harmony. P. 19.) No. 14 in M.220.10
We will rejoice. Canon, 5 to 12 in i. {In Warren. Vocal
harmony. Pp. 74, 75.) No. 4 in M.220.10
Ayrton, William, editor.
Sacred minstrelsy: a collection of sacred music by the great
masters of all ages and nations; consisting of anthems,
solos, duets, trios, &c.; with accomp. for piano-forte or
organ. [Anon.] London. Parker. 1834,35. 2 v. M. 290.22
Contents. — I. Handel: O come let us worship. — Wise: Prepare ye
the way of the Lord. — Greene: Behold I bring you glad tidings. —
Righini : How bless'd the man. — Beethoven: The Lord, the al-
mighty monarch, spake. — Travers : Single chant. — Mozart : Eter-
nal ruler of the skies. — Dupuis: Hear my prayer, O Lord! — Pur-
cell: In God's name will I rejoice. — • Haydn: Of stars the fairest!
— Nares; O come hither and hearken. — Marcello: O hold thou
me up. — Neukomm : Yon abbey bell. ■ — Himmel : Come, O come
with sacred lays. — Mozart: O Lamb of God. — Soaper: Double
chant. — Kent : Lord what love have I unto Thy law. — Handel :
Every day will I give thanks unto Thee. — Gibbons: Nunc dimittis.
— C. P. E. Bach: Messiah! at Thy glad approach. — Boyce: Halle-
lujah. — Croft : O Lord Thou hast searched me out. — Stef fani : Re-
joice in the Lord, O ye righteous. — Beethoven: Oh! most delight-
lul hour. — Farrant: Hide not Thou Thy face. — Humphreys: Grand
chant. — T. Purcell : Funeral chant. — Boyce : The sorrows of my
heart are enlarged! — ■ Green: Praise the Lord, O my soul. — Han-
del: Vouchsafe O Lord. — Cherubini: Pie Jesu Domine. — Handel:
Comfort ye. Every valley. — Bassani: Ascribe unto the Lord. —
Spohr: Thee, Lord, our king. — Nares: Wherewithal shall a young
man. — Hayes: Blessed are all they that fear the Lord. — Dupuis:
Double chant. — Gibbons: Sanctus. — [Ayrton]: Cantate Domino.
Ayrton, William, editor. Sacred minstrelsy. (Continued.)
— Gliick [sic] : Maker of all! — Wise: The ways of Zion do mourn.
— Handel: He shall feed his flock. — Ame: The hymn of Eve. —
Child: O Lord grant the king a long life. — M. Haydn: Oh, Thou
who kindly. — Mehul : When childhood's gay dreams. — Purcell : Thy
song shall be alway. — Camaby : Sanctus. — Handel : He was de-
spised. — Kent: Hear my pray'r, O God. — Attwood: Turn Thy
face from my sins. — Mozart: Grant, we beseech Thee. — Allegri:
Miserere. — Greene: The Lord is my shepherd. — Handel: But
Thou didst not leave his soul in hell. — [Ayrton] : Thou to whom all
power. . — Pergolesi: O Lord! have mercy upon me. — Handel: The
plague of darkness. — Marcello : Lord, who shall dwell in Thy taber-
nacle? — Haydn: By Thee with bliss. — Handel: How beautiful are
the feet. — Mason: Lord of all power and might. — Croft: We will
rejoice in Thy salvation. — Greene: Acquaint thyself with God. —
Mendelssohn-Bartholdy: Lord, when we bend before Thy throne. —
Gasparini: Quando corpus morietur. . — Handel: Thy rebuke. Be-
hold and see. — Rogers: Teach me, O Lord. — Werner: Resigna-
tion. — Nares: The souls of the righteous. — Kent: My song shall
be of mercy. — Handel: I know that my Redeemer liveth. — Blow:
The Lord hear thee. — Neukomm: Sanctus. — Marcello: O Lord
our governor. — Creyghton : I will arise. — Dupuis: Sing unto God,
O ye kingdoms I ^ Handel: Lord, to Thee each night and day. —
Haydn: Hymn. [Lord of heav'n.] — S. Bach: Choral. [Thus ne'er
Thy side forsaking.] 2. Spohr: Blessed are the dead. — • Porter:
Like as the hart. — • Wise: Awake up my glory. — Harwood: The
dying Christian to his soul. — Handel: Pious orgies. — Beethoven:
Happy is the man. — Boyce: By the waters of Babylon. — Nares:
Rejoice in the Lord. — Mozart: Ave verum corpus. — Kent: Sing,
O heavens! — Handel: Father of heaven I — Greene: O Lord God
of hosts. — Steffani: O praise the Lord! — Croft: Sing unto God,
O ye kingdoms. — Jommelli : All' idea di quelle pene. — Handel :
From mighty kings. — Romberg: Pater noster. — Dupuis: Teach
me, O Lord. — Beethoven : A grace. — Marcello : Give ear unto me.
Lord. — Attwood: God that madest earth and heaven. — Farrant:
Gloria Patri. — ■ Hayes : Praise the Lord, O my soul. — Pergolesi :
O sing praises unto our God. — Zingarelli: Brother, thou art gone
before us. — Gibbons: Almighty and everlasting God. — Luther;
Great God, what do I see. — Handel: Total eclipse! — Cherubini:
Et incarnatus est. — Battishill: O remember not the sins. — Han-
del: Return, O God of hosts. — Helwig: Bow down Thine ear, O
Lord. — Beethoven: Agnus Dei. — Batten: Deliver us, O Lord. —
Lemon: Double chant. — Greene: O praise the Lord, ye angels. —
Nares: Have mercy upon me! — J. S. Bach: Crucifixus. —^ Galliard:
Join voices, all ye living souls. — Handel : Angels ever bright and
fair. — Haydn: The heavens are telling. — Boyce; Their sound is
gone out into all lands. — ■ Lock: Lord, let me know mine end. —
Winter: Father of heaven. — Marcello: Qual anelante. — Handel;
Awful, pleasing being. — Bernabei : Who can tell how oft he offend-
eth? — Purcell: Thy way, O God, is holy. — Attwood: Enter not
into judgment. — Handel: O God who in Thy heavenly hand. O
Lord! we trust alone in Thee. — Cooke: Double chant. — Kent: My
song shall be of mercy. — C. P. E. Bach : As o'er the past my mem-
ory strays. — Mozart : Recordare. — Handel : Shall I in Mamre's
fertile plain. — Carissimi : I am well pleased. — • Greene : O God of
my righteousness. — Croft: Lord, what love have L — Dupuis: Oh,
how sweet are Thy words! — Caldara: Benedictus. — Farrant: Call
to remembrance. — Handel : O magnify the Lord. — Sarti : Amplius
lava me. — Giinsbacher: O Thou! who hast at Thy command. —
Nares: By the waters of Babylon. — Boyce: Shew us Thy mercy,
0 Lord! — Reynolds: My God, my God, look upon me. — Handel:
Oh! had I Jubal's lyre. — Haydn: Et incarnatus est. — Clarke;
How long wilt Thou forget me? — Caldara: Agnus Dei. — • Handel:
Risorga il mondo. — Handel ; When the ear heard Him. — Schulz :
Glory be to God on high. — Tye: Laudate nomen Domini. — Hayes:
1 will give thanks unto Thee, O Lord. — Blake : Thou shalt shew
me the path of life. — Tallis : Nunc dimittis. — Greene : O that my
ways were made so direct. — Dupuis : Comfort the soul of Thy ser-
vant. — Mozart : Benedictus qui venit in nomine Domini.
Azantchevski, Mikhail Pavlovitch.
Concert-Ouverture fur grosses Orchester. Op. 9. Partitur.
Leipzig. Kistner. [187-?] No. i in M.358.20
Azara. Opera. For the Music and Libretto see Paine, J. K.
Azemia. Opera. For the Music see Dalayrac. For the Li-
bretto see La Chabeaussiere.
Azevedo, Alexis Jacob.
Les double-croches malades. Melanges de critique musi-
cale. Paris. L'auteur. 1874. 2 v. in i. M.246.33
Vol. 2 was published by Dantu.
F. David: coup d'oeil sur sa vie et son oeuvre. Paris. Hcu-
gel & cie. 1863. Portrait. Facsimiles. No. 2 in M. 122.13.
G. Rossini: sa vie et ses oeuvres. Paris. Heugel & cie. 1864.
Portraits. Facsimiles. M.122.14
Impressions d'un vieux dilettante. Jules Diaz de Soria.
Paris. Escudier. [1874?] M.373.53
M. Aime Paris et ses inventions. Dieppe. Delevoie. [1863?]
No. 4 in M.207.I7
Sur un nouveau signe propose pour remplacer les trois clefs
de la notation musicale. Paris. L'art musical. 1868.
No. 2 in M.112.17
62
Azioli
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bach
Azioli,
Dixit Dominus. Choeur [s. t. b. Accomp. d'orgue]. (In
Lambillotte. Musique religieuse. 3e Salut, pp. 4-19.)
No. II in M.260.18
O Salutaris. Motet . . . Reduit pour 2 voix egales. [Accomp.
d'orgue.] (/n Chapelle, La. Vol. i, pp. 21-24.)
No. 10 in M.201.33
Azopardi, Francesco.
Le musicien pratique, ou legons qui conduisent les eleves
dans I'art du contrepoint . . . Paris. Leduc. 1786. 2 v.
in 1. M.107.2S
Azor & Zemira, or the magic rose. Opera. For the Music see
Spohr, L. For the Libretto see Marmontel, J. F.
B
B.. Dr.
Herr Richard Wagner und seine neueste Schrift: "Das Ju-
denthum in der Musik." Breslau. Heidenfeld. 1869.
No. 7 in M.igy.iS
B * * * *, C. See Brack. Charles de.
B., D. L. See Laborde, Jean Benjamin de.
B., Madame J. de, editor.
Annuaire spfeciAL des artistes musiciens. Paris. [1863.]
M.198.3
B., W. See Burge, William.
B U bu; Z A za. [Catch for 3 voices.] (In Warren. Collec-
tion of catches. Vol. i, p. 58.) No. 74 in M.220.9.1
Ba-a, ba-a, black sheep. Part-song. Wiske. No. 22 in M.392.27
Baader, G.
Abschied. [Mannerchor.] (In Eidgenossischer Siinger-
verein. Wettgesange bei dem 12. . . . Sangerfeste. Pp.
36, 37.) No. 8 in M.130.7
Baake, Ferdinand Gottfried.
Athen. Fine Cantate. Partitur. Manuscript. 1826. M.234.17
This apparently is the original score of an unpublished work.
Baba-Yaga. Symphonic poem. Liadov. No. 3 in M.406.70
Babcock, William James.
Again returns the day of holy rest. [Accomp. for organ.]
(In Buck. Motette collection. Vol i, pp. 12-14.)
No. 2 in M.100.4.1
Rock of ages. Solo-quartette. (In Buck. Motette collec-
tion. Vol. I, pp. 63-65.) No. 16 in M.100.4.1
Babes, The, in the wood. Opera. For the Music see Fox. For
the Libretto see Barham, R. H.
Babes, The, in the wood. Pantomime. Slaughter.
No. I in M.397.62
Babes in Toyland. Opera. For the Music see Herbert, V.
For the Libretto see MacDonough.
Babilons Piramiden. Opera. For the Music see Megdrzicky.
For the Libretto se Schikaneder.
Babiole. Opera. For the Music see Laurent de Rille. For the
Libretto see Nicolaie, L. F.
Babolin. Opera. For the Music see Varney, L. For the Li-
bretto see Ferrier.
Baby's opera, The. Crane. M. 101.24
Babylon. Oratorio. For the Music see Nicholds; also Walton.
Babylones, Les. Cantata. For the Music see Marcelles. For
the Libretto see Levy, A.
Baccanali, I, di Roma. Opera. For the Music see Generali.
Baccanti, L Opera. For the Music see Fontana, U. For the
Libretto see Sacchero.
Bacchanal. Song. Chopin. 17 polnische Lieder.
No. 2 in M. 157.37
Bacchanal's song. Song. Purcell, H. Beauties of Purcell.
Vol. I. M.221.2
Bacchanale. Opera. For the Music see Ronger, F. For the
Libretto see Albert, G.
Bacchanalian song. Part-song. Hatton. No. ii in M.19S.1.7
Bacchanalian song, A. Song. Eckley. No. 7 in M.235.14
Bacchanten, Die. Opera. For the Music see Generali.
Bacchantes, Les. Song. Gounod, Vingt melodies. 4e recueil.
No. 12 in M.157.36.4
Bacchus. Ballet. Duvernoy. M. 384.4
Bacchus and Apollo. Glee. Smart, G. T. Collection of glees.
No. 7 in M.235.8
Bacchus, Jove's delightful boy. Glee. Baildon. A collection
of glees. No. 4 in M.220.7
NoRRis, T. No. 175 in M.220.9.1
Webbe, S. No. 10 in M.235.9.7; etc.
Bacchus, ovyn me for thy son. Glee. Blewitt.
No. 28 in M.157.6.1
Bacchus prens pitie. [Duet, t. b.] Manuscript. [Paris.
176-?] No. 3 in M.340.3
Bacchus, sprightly god. Part-song. Welleslev, G. C.
No. 16 in M.236.23
Bacchus to arms. Part-song. Hutchinson, F.
No. 79 in M.220.9.2
Bacchus, would'st thou deign. Glee. Spofforth. Collection
of glees. No. 13 in M.235.15
Bach, Alberto B.
The art ballad: Loewe and Schubert. Edinburgh. Black-
wood. 1890. Portrait. M. 107.18
On musical education and vocal culture. 3d edition, en-
larged. Edinburgh. Blackwood. 1883. M.135.7
Bach, August Wilhelm.
Bonifacius. Oratorium in 3 Abtheilungen. Klavierauszug.
Manuscript. Autograph. [1837.] 3 parts in i v. M.222.3
Fantaisie pour le piano-forte. CEuvre 9. Manuscript. [183-?]
No. I in M. 120.18
Intrade, soli und Chore zu K. L. Kannegiesser's Iphigenia
in Delphi. Comp. von A. W. Bach. Klavierauszug.
[Leipzig? 184-?] Lithograph script. M. 154.18
Rondeau pour le pianoforte. Qiuvre 11. Manuscript. [183-?]
No. 2 in M. 120.18
Bach, Carl Philipp Emanuel.
As o'er the past my memory strays. Sacred song [s. or bar.
Accomp. for organ]. (In Ayrton. Sacred minstrelsy.
Vol. 2, p. 133.) No. 51 in M.290.22.2
Due senate per il cembalo solo. Manuscript. [177-?]
The first is in A, the second in E. No. 8 in M.200.9
Gli Ebrei nel deserto. Oratorio in 2 parti. Posto in musica
dal Mo. C. F. E. Bach. Ridotto per il forte piano dal S"".
G. Mendel. Traduzione italiana di S"". Sforzosi. Parigi.
Choron. [183-?] No. 5 in M.280.S
Et misericordia ejus. [Aus dem grossen Magnificat fiir
s. s. a. A. t. B., mit Pianoforte-Begleitung.] (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 3, pp. 162-
167) No. 28 in M.202.6.3
Fantasie u. Fuge v. Ph. Em. Bach. Voluntary u. Fuge v.
demselben. Fantasie u. Fuge v. Ernst Bach. Fiir Piano-
forte. Manuscript. [187-?] No. 3 in M.200.9
Friihlings-Erwachen. Lied ohne Worte. [Partitur fur
grosses Orchester.] Manuscript. [185-?] No. i in M.312.1
Heilig ist Gott. [Doppelchor, mit Pianoforte-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 3, pp. 168-176.) No. 29 in M.202.6.3
Herrn Professor Gellerts geistliche Oden und Lieder mit
Melodien von C. P. E. Bach. 3. Auflage. Berlin, Winter.
1764- No. I in M.220.24
63
Bach
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bach
Bach, Carl Philipp Emanuel. (Continued.)
Karl Wilhelm Rammlers Auferstehung und Himmelfahrt
Jesu, in Musik gesetzt von K. P. E. Bach. [Partitur.]
Leipzig. Breitkopf. 17S7. M.241.7
Letters. (In Nohl. Letters of distinguished musicians. Pp.
49-67. London. 1867.) M.101.5
Messiah! at Thy glad approach. Christmas song [s. or t.
Accomp. for organ]. (In Ayrton. Sacred minstrelsy.
Vol. I, pp. 51, 52.) No. 18 in M.2go.22.i
O come, let us worship. Anthem. [Accomp. for piano.)
(In Cotton. Bangor cathedral collection. Pp. 9-1 1.)
No. 3 in M.290.33
Also to be found in Latrobe's Selection of sacred music.
O Lord, hide not Thy face. Aria [a. or bar.] and chorus.
[Accomp. for pianoforte.] (In Latrobe. Selection of sa-
cred music. Vol. I, pp. 120-127.) No. 27 in M.2go.2g.i
Orchester-Sinfonie. N". 2. [Es dur.] Partitur. Leipzig.
Peters. [185-?] No. 2 in M.346.34
Same. Manuscript. [180-?] No. 3 in M. 120.18
Sonata, in Es-dur, per il clavicembalo. Manuscript. [177-?]
No. 6 in M.200.9
Senate due per il cembalo solo. Manuscript. [177-?]
The first is in A flat, the second in E flat. No. 7 in M.200.g
Symphonic, D dur, fiir Orchester. Partitur. Leipzig. Breit-
kopf & Hartel. [184-?] No. I in M.346.34
Tantum ergo. [s. a. t. b. Accomp. d'orgue.] (In Dietsch.
Repertoire de musique religieuse. Pp. 20-24.)
No. S in M.260.20
Zwolf geistliche Oden und Lieder als ein Anhang zu Gel-
lerts geistlichen Oden und Liedern mit Melodien von C.
P. E. Bach. Berlin. Winter. 1764. No. 2 in M.220.24
Bach, Carl Philipp Emanuel. Works about.
Bitter, C. H. Carl Philipp Emanuel und Wilhelm Friede-
mann Bach und deren Briider. Berlin. 1868. 2 v. Por-
traits. Facsimiles. M.i4i.i3
Bach, Johann Christian.
La clemenza di Scipione. A serious opera. London. Da
Ponte. 1805. No. 3 in M.147.6
Libretto only, in English and Italian.
lo lo SO. Duet [s. s.]. (In Musical library. Vol. 4, pp. 161-
163.) No. 56 in M.23S.18.4
Symphonic periodique. [Partitur.] Manuscript. [177-?]
M.403.4
Bach, Johann Christoph.
Ich lasse dich nicht. [Chorale.] (In Rochlitz. Sammlung
vorziiglicher Gesangstiicke. Band 3, pp. 32, 33.)
No. 6 in M.202.6.3
Bach, Johann Christoph Friedrich.
Die Kindheit Jesu. [Cantate. Dichtung von Klopstock. In
Musik gesetzt, fiir Solostimmen, s. a. t. b., Chor und Or-
chester von J. C. F. Bach. Partitur.] Manuscript. [179-?]
M.202.1
Bach, Johann Ludwig.
Verzeichniss von Kirchencantaten des Johann Ludwig
Bach in Meiningen. (In Bach, J. S. Werke. Jahrgang
41) M.8040.21.41
Bach, Johann Sebastian.
Werke. Herausgegeben von der Bach-Gesellschaft. Leip-
zig. Breitkopf & Hartel. [1851-99.] 46 v. in 49. Por-
trait. Facsimiles. M.8040.21
Jahrgang x. Kirchencantaten. Band i.
Contents. — i. Wie schon leuchtet der Morgenstern. 2. .\ch Gott,
vom Himmel sieh darein. 3. Ach Gott, wie manches Herzeleid. 4.
Christ lag in Todesbanden. 5. Wo soil ich fliehen hin. 6. Bleib' bei
uns, denn es will Abend werden. 7. Christ unser Herr zum Jordan kam.
8. Liebster Gott, wann werd' ich sterben? 9. Es ist das Heil uns kom-
men her. 10. Meine Seel' erhebt den Herren.
For Kirchencantaten, Band ^-/p, see Jahrgang z, 5 (Lief. 1), 7, jo, 12
(Lief. 2), 16, iS, 20 (Lief. 1), 22, 23, 24, 26, 2i, 3p, 32, 33, 3;, 37. For
Indexes to Kirchencantaten see Jahrgang 27 (Lief. 2), 46.
Jahrgang 2. Kirchencantaten. Band 2.
Contents. — II. Lobet Gott in seinen Reichen. 12. Weincn, Klagen,
Sorgen, Zagcn. 13. Meine Seufzer, meine Thranen. 14. Wiir' Gott
nicht mit uns diese Zeit. 15. Denn Du wirst meine Seele nicht in der
Holle lassen. 16. Herr Gott Dich loben wir. 17. Wer Dank opfert, der
preiset mich. 18. Gleich wie der Regenund Schnee vom Himmel fallt.
19. Es erhub sich ein Streit. 20. O Ewigkeit, du Donnerwort.
Bach, Johann Sebastian. Werke. (Continued.)
Jahrgang 3. Clavierwerke. Band i.
Contents. — Fiinfzehn Inventionen und fiinfzehn Symphonien. Cla-
vierubung: Theil i. Sechs Partiten. Theil 2. Ein Concert und eine
Partita. Theil 3. Choralvorspiele und Duetten. Theil 4. Aria mit 30
Veranderungen. Toccata, Fis moll, C moll. Fuga, A moll.
For Clavierwerke, Band 2-6, see Jahrgang 13 (Lief, i), 14, 36, 42, M
(Lief. I).
Jahrgang 4. Passionsmusik nach dem Evangelisten Matthaus.
Jahrgang 5, Lief. 1. Kirchencantaten. Band 3,
Contoits. — 21. Ich hatte viel Bekummerniss. 22. Jesus nahm zu sich
die Zwolfte. 23. Du wahrer Gott und Davids Sohn. 24. Ein ungefarbt
Gemiithe. 25. Es ist nichts Gesundes an meinem Liebe. 26. Ach wie
fluchtig, ach wie nichtig. 27. Wer weiss, wie nahe mir mein Ende.
28. GottlobI nun geht das Jahr zu Ende. 29. Wir danken Dir Gott, wir
danken Dir. 30. Freue dich erloste Schaar.
Jahrgang 5, Lief. 2. Weihnachts-Oratorium.
Jahrgang 6. Messe, H moll.
Jahrgang 7, Kirchencantaten. Band 4.
Contents. — 31. Der Himmel lacht, die Erde jubiliret. 32. Liebster
Jesu, mein Verlangen. 33. Allein zu Dir, Herr Jesu Christ. 34. O
ewiges Feuer, o Ursprung der Liebe. 35. Geist und Seele wird ver-
wirret. 36. Schwingt freudig euch empor. 37. Wer da glaubet und
getauft wird. 38. Aus tiefer Noth schrei ich zu Dir. 39. Brich dem
Hungrigen dein Brod. 40. Dazu ist erschienen der Sohn Gottes.
Jahrgang 8. Messen. F dur. A dur. G moll. G dur.
Jahrgang g. Kamheruusik. Band i.
Contents. — Drei Sonaten fur Clavier und Flote. Suite fur Clavier
und Violine. Sechs Sonaten fiir Clavier und Violine. Drei Sonaten fur
Clavier und Viola da gamba. Senate fur zwei Violinen und bezifferten
Bass.
For Kamnterniusik, Band *-8, see Jahrgang 17, ig, zi (Lief, i, 2)y if
(Lief, i), 31 (Lief. 3), 43 (Lief. i).
Jahrgang 10. Kirchencantaten. Band 5.
Contents. — 41. Jesu nun sei gepreiset. 42. Am Abend aber desselbigcn
Sabbaths. 43. Gott fahret auf mit Jauchzen. 44. Sie werden euch in
den Bann thun. 45. Es ist dir gesagt, Mensch, was gut ist. 46. Schauet
doch und sehet, ob irgend ein Schmerz sei. 47. Wer sich selbst erhohet,
der soil erniedriget werden. 48. Ich elender Mensch, wer wird mich
erlosen. 49. Ich geh' und suche mit Verlangen. 50. Nun ist das Heil
und die Kraft.
Jahrgang 11, Lief. i. Magnificat, D dur, und vier Sanctus, C dur,
D dur, D moll, G dur.
Jahrgang 11, Lief. 2. Kammermusik fur Gesang. Band i.
Contents. — Der Streit zwischen Phoebus und Pan. Weichet nur be-
trubte Schatten. Amore traditore. Von der Vergniigsamkeit. Der
zufriedengestellte Aeolus.
For Kammermusik, Band 2-4, see Jahrgang zq (Lief. 2), 29, 34-
Jahrgang 12, Lief. i. Passionsmusik nach dem Evangelisten Johannes.
Jchrgang 12, Lief. 2. Kirchencantaten. Band 6.
Contents. — 51, Jauchzet Gott in alien Landen. 52. Falsche Welt,
dir trau ich nicht. 53. Schlage doch, gewiinschte Stunde. 54. Widcr-
stehe doch der Sunde. 55. Ich armer Mensch, ich Sundenknecht. 56.
Ich will den Kreuzstab gerne tragen. 57. Selig ist der Mann. 58. Ach
Gott, wie manches Herzeleid [2. Composition]. 59. Wer mich liebct»
der wird mein Wort halten [i. Composition]. 60. O Ewigkeit, du
Donnerwort [2. Composition].
Jahrgang 13, Lief. i. Trauuncs-Cantaten.
Contents. — Dem Gerechten muss das Licht. Der Herr denket an
uns. Gott ist uns're Zuversicht. Drei Chorale: Was Gott that, dM
ist wohlgethan. Sei Lob und Ehr* dem hochsten Gut. Nun danket
alle Gott.
Jahrgang 13, Lief. a. Clavierwerke. Band 2.
Contents. — Sechs grosse Suiten, genannt Englische Suiten. Sechs
kleine Suiten, genannt Franzosische Suiten.
Jahrgang 13, Lief. 3* Trauer-Ode.
Jahrgang 14. Clavierwerke. Band 3.
Contents. — Das wohltemperirte Clavier.
Jahrgang 15. Orcelwerke. Band i.
Contents. — Sechs Sonaten fur zwei Claviere und Pedal. Sechs Prae-
ludien und Fugen, Folgc i, 2, 3. Drei Toccaten. Passacaglia.
For Orgelwerke, Band 2-4, see Jahrgang 25 (Lief. 2), 38, 40,
Jahrgang 16. Kirchencantaten. Band 7.
Contents. — 61, 62. Nun komm, der Heiden Heiland [i. 2. Composi-
tion]. 63. Christen, atzet diesen Tag. 64. Sehet, welch' eine Liebe
hat uns der Vater erzeiget. 65. Sie werden aus Saba A!le kommcn.
66. Erfreut euch, ihr Herzen. 67. Halt* im Gedachtniss Jesum Christ.
68. Also hat Gott die Welt geliebt. 69. Lobe den Herrn, meine Seele.
70. Wachet, betet, seid bereit allezeit.
Jahrgang 17. Kaumermusik. Band 2.
Contents. — Sieben Concerte fiir Clavier mit Orchesterbegleitung.
No. I D moll. No. 2 E dur. No. 3 D dur. No. 4 A dur. No. s F moll.
No. 6 F dur. No. 7 G moll. Tripel-Concert fiir Clavier, Flote und Vio-
line mit Orchesterbegleitung, A moll.
Jahrgang 18. Kirchencantaten. Band 8.
Contents. — 71. Gott ist mein Konig [1708]. 72. AUes nur nach
Gottes Willen. 73. Herr, wie Du willst, so Schick's mit mir. 74. Wer
mich Hebet der wird mein Wort halten [2te, grossere Bearbeitung].
75. Die Elenden sollen essen. 76. Die Himmel erzahlen die Ehre Gottes
[1723]. yy. Du sollst Gott, deinen Herren lieben. 78. Jesu, der Dtt
meine Seele. 79. Gott, der Herr, ist Sonn* und Schild. 80. Ein* feste
Burg ist unser Gott.
J
64
Bach
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bach
Bach, Johann Sebastian. Werke. (Continued.)
Jahrgang 19. Kammermusik. Band 3.
Contents. — 1. Concert in F dur fiir zwei Horner, drei Oboen, Fagott,
concertirende Quart-Geige, zwei Violinen, Viola, Violoncell und Con-
tinuo. 2. Concert in F dur fur concertirende Trompete, Flote, Oboe
und VioHne mit Begleitung von zwei Violinen, Viola und Continue.
3. Concert in G dur fur drei Violinen, drei Violen, drei Violoncelle imd
Continuo. 4. Concert in G dur fur concertirende Violine mit Beglei-
tung von zwei Floten (flutes a bee), zwei Violinen, Viola, Violoncell
und Continuo. 5. Concert in D dur fiir Clavier, Flote und Violine mit
Begleitung von Violine, Viola, Violoncell und Continuo. 6. Concert in
B dur fur zwei Violen, zwei Gamben, Violoncell und Continuo.
Jahrgang 20, Lief. i. Kirchencantaten. Band 9.
Contents. — 81. Jesus schlaft, was soil ich hoffen? 82. Ich habe
genug. 83. Erfreute Zeit im neuen Bunde. 84. Ich bin vergnugt mit
meinem Gliicke. 85. Ich bin ein guter Hirt. 86. Wahrlich, ich sage
euch. 87. Eisher habt ihr nichts gebeten in meinem Namen. 88. Siehe,
ich will viel Fischer aussenden, spricht der Herr. 89. Was soil ich aus
dir machen, Ephraim? 90. Es reiset euch ein schrecklich Ende.
Jahrgang 20, Lief. 2. Kammermusik fur Gesang. Band 2.
Contents. — Drama auf das Geburts-Fest August III: "Schleicht
spielende Wellen." Drama zu einer Universitatsfeier: "Vereinigte
Zwietracht der wechselnden Saiten." Anhang: Drama zum Namens-
tage des Konigs Augustus: "Auf schmetternde Tone der muntern
Trompeten."
Jahrgang 21, Lief. i. Kammermusik. Band 4.
Contents. — Concerte fiir VioHne mit Orchesterbegleitung: No. i in
A moll ; No. 2 in E dur fiir eine Violine ; No. 3 in D moll fiir zwei
Violinen ; No. 4 in D dur, Symphoniesatz fiir concertirende Violine.
Jahrgang 21, Lief. 2. Kammermusik. Band 5.
Contents. — Drei Concerte fiir zwei Claviere mit Orchesterbeglei-
tung : No. I in C moll. No. 2 in C dur, No. 3 in C moll.
Jahrgang 21, Lief. 3. Oster-Oratorium.
Jahrgang 22. Kirchencantaten. Band id.
Contents. — 91. Gelobet seist Du, Jesus Christ. 92. Ich hab' in Gottes
Herz und Sinn. 93. Wer nur den lieben Gott lasst walten. 94. Was
frag* ich nach der Welt. 95. Christus, der ist mein Leben. 96. Herr
Christ, der ein'ge Gottessohn. 97. In alien meinen Thaten. 98-100.
Was Gott thut, das ist wohlgethan [erste Composition, B dur; zweite,
G dur ; dritte, G dur].
Jahrgang 23. Kirchencantaten. Band ii.
Contents. — 101. Nimm von ims, Herr, Du treuer Gott. 102. Herr.
Deine Augen sehen nach dem Glauben. 103- Ihr werdet weinen und
heuben. 104. Du Hirte Israel, hore. 105. Herr, gehe nicht in 's Ge-
richt. 106. Gottes Zeit ist die allerbeste Zeit. 107. Was willst du dich
betriiben. 108. Es ist euch gut, das ich hingehe. 109. Ich glaube,
lieber Herr. no. Unser Mund sei voll Lachens.
Jahrgang 24. Kirchencantaten. Band 12.
Contents. — III. Was mein Gott will, das g'scheh* allzeit. 112. Der
Herr ist mein getreuer Hirt. 113. Herr Jesu Christ, Du hochstes Gut.
114. Ach. lieben Christen, seid getrost. 115. Mache dich, mein Geist,
bereit. 116. Du Friedefiirst, Herr Jesu Christ. 117. Sei Lob und Ehr
dem hochsten Gut. 118. O Jesu Christ, mein's Lebens Licht. 119.
Preise, Jerusalem, den Herrn. 120. Gott, man lobet Dich in der Stille.
Jahrgang 25, Lief. i. Die Kunst der Fuge.
Jahrgang 25, Lief. 2. Orgelwerke. Band 2.
Contents. — I. Orgelbiichlein. II. Sechs Chorale, die sogenannten
Schiibler'schen. III. Achtzehn Chorale, die sogenannten grossen mit
dem Schwanenliede, *'Vor deinen Thron tret' ich."
Jahrgang 26. Kirchencantaten. Band 13.
Contents. — 121. Christum wir sollen loben schon. 122. Das neuge-
boren Kindelein. 123. Liebster Immanuel, Herzog der Frommen. 124.
Meinem Jesum lass' ich nicht. 125. Mit Fried' und Freud' ich fahr'
dahin. 126. Erhalt* uns, Herr, bei Deinem Wort. 127. Herr Jesus
Christ, wahr'r Mensch und Gott. 128. Auf Christi Himmelfahrt allein.
129. Gelobet sei der Herr, mein Gott. 130. Herr Gott, Dich loben alle
wir.
Jahrgang 27, Lief. i. Kammermusik. Band 6.
Contents. — Solowerke fiir Violine [Sechs Sonaten]. Solowerke fiir
Violoncello [Sechs Suiten].
Jahrgang 27, Lief. 2. Thematisches Verzeichniss der Kirchencantaten
No. 1-120.
Jahrgang 28. Kirchencantaten. Band 14.
Contents. — 13X. Aus der Tiefe rufe ich, Herr, zu Dir. 132. Bereitet
die Wege bereitet die Bahn. 133. Ich freue mich in Dir. 134, Ein
Herz, das seinen Jesum lebend weiss. 135. Ach Herr, mich armen
Sunder. 136. Erforsche mich, Gott, und erfahre mein Herz. 137. Lobe
den Herren, den machtigen Konig der Ehren. 138. Warum betriibst
du dich, mein Herz. 139. Wohl dem, der sich auf seinen Gott. 140.
Wachet auf, ruft um die Stimme.
Jahrgang 29. Kammermusik fijr Gesang. Band 3.
Contents. — Cantaten. Was mir behagt, ist mir die muntre Jagd.
Non sa che sia dolore. O holder Tag, erwijnschte Zeit (Hochzeits-
Cantate). Hochsterwiinschtes Freudenfest. Schweigt stille, plaudert
nicht. Mer hahn en neue Oberkeet. Anhang: Mit Gnaden bekrone
der Himmel die Zeiten (Gratulations-Cantate). O angenehme Melodei.
Instrumentalsatz fur Violine, Oboe und Continuo.
Jahrgang 30. Kirchencantaten. Band 15.
Contents. — 141. Das ist ie gewisslich wahr. 142. Uns ist ein Kind
geboren. 143. Lobe den Herrn, meine Seele. 144. Nimm, was dein
ist, und gehe hin. 145. So du mit deinem Munde bekennest Jesum.
146. Wir mussen durch viel Triibsal in das Reich Gottes eineehen. 147.
Bach, Johann Sebastian. Werke. (Continued.)
Herz und Mund und That und Leben. 148. Bringet dem Herrn Ehre
seines Namens. 149. Man singet mit Freuden vom Sieg. 150. Nach
Dir, Herr, verlanget mich.
Jahrgang 31, Lief. i. Orchesterwerke.
Contents. — • Ouverturen in C dur, H moll, D dur, D dur. Sinfonia
in F dur.
Jahrgang 31, Lief. 2. Musikalisches Opfer.
Jahrgang 31, Lief. 3. Kammermusik. Band 7.
Contents. — Zwei Concerte fiir drei Claviere rait Orchesterbegleitung.
No. I in D moll, No. 2 in C dur.
Jahrgang 32, Kirchencantaten. Band 16.
Contents. — 151. Siisser Trost, mein Jesus kommt. 152. Tritt auf
die Glaubensbahn. 153. Schau', lieber Gott, wie meine Feind*. 154.
Mein liebster Jesus ist verloren. 155. Mein Gott, wie lang*, ach lange.
156. Ich steh' mit einem Fuss im Grabe. 157. Ich lasse Dich nicht, Du
segnest mich denn. 158. Der Friede sei mit dir. 159. Sehet, wir geh'n
hinauf gen Jerusalem. 160. Ich weiss, dass mein Erloser lebt.
Jahrgang 33. Kirchencantaten. Band 17.
Contents. — 161. Komm, du susse Todesstunde. 162. Ach, ich sehe,
jetzt da ich zu Hochzeit gehe. 163. Nur Jedem das Seine. 164. Ihr,
die ihr euch von Christo nennet. 165. O heil'ges Geist- und Wasser-
bad. 166. Wo gehest du hin. 167. Ihr Menschen, riihmet Gottes Liebe.
168. Thue Rechnung! Donnerwort. i6g. Gott soil allein mein Herze
haben. 170. Vergniigte Ruh', beliebte Seelenlust.
Jahrgang 34. Kammermusik fur Gesang. Band 4.
Contents. — Serenate ; Durchlaucht'ster Leopold. Cantata; Schwingt
freudig euch empor, die Freude reget sich. Dramma per musica;
Lasst uns sorgen, lasst uns wachen. Tonet, ihr Pauken! Erschallet,
Trompeten. Cantata gratulatoria; Preise den Glucke, gesegnetes Sach-
sen. Anhang: Dramma per musica; Angenehmes Wiederan. Auf,
schmetternde Tone der muntern Trompeten.
Jahrgang 35. Kirchencantaten. Band 18.
Contents. — 171. Gott, wie Dein Name, so ist auch Dein Ruhm. 172.
Erschallet, ihr Lieder. 173. Erhohtes Fleisch und Blut. 174. Ich
liebe den Hochsten von ganzem Gemiithe. 175. Er rufet seinen Schafen
mit Namen. 176. Es ist ein trotzig und verzagt Ding. 177. Ich ruf
zu Dir. Herr Jesu Christ. 17S. Wo Gott der Herr nicht bei uns halt.
179. Siehe zu dass deine Gottesfurcht nicht Heuchelei sei. 180.
Schmucke dich, o liebe Seele.
Jahrgang 36. Clavierwerke. Band 4.
Contents. — Suiten, Toccaten, Prahidien. Fugen, Fantasieen und
andere Stucke.
Jahrgang 37. Kirchencantaten. Band 19.
Contents, — 181. Leichtgesinnte Flattergeister. 1S2. Himmelskonig,
sei willkommen. 1S3. Sie werden euch in den Bann thun (zweite
Composition). 1S4. Erwunschtes Freudenlicht. 185. Barmherziges
Herze der ewigen Liebe. 186. Arg're dich. o Seele, nicht. 1S7. Es
wartet Alles auf Dich. 18S. Ich habe meine Zuversicht. 1S9. Meine
Seele riihmt und preist. 190. Singet dem Herrn ein neues Lied (Lobe,
Zion, deinen Gott).
Jahrgang 38. Orgelwerke. Band 3.
Contents. — Abtheilung i. Praeludien, Fugen, Fantasieen und andere
Stiicke. Abtheilung 2. Concerte nach Antonio Vivaldi. Anhang:
Variante; Compositionen, deren Aechtheit nicht volHg verbiirgt ist;
Erster Satz des zweiten Concertes in Vivaldi's Original.
Jehrgang 39, Abtheilung i. Motetten.
Contents. — No. i, Singet dem Herrn ein neues Lied ; No. 2, Der
Geist hilft unsrer Schwachheit auf; No. 3, Jesu, meine Freude; No. 4,
Furchte dich nicht, ich bin bei dir; No. 5, Komm, Jesu, komm; No. 6,
Lobet den Herrn alle Heiden. Anhang: Instrumentalbegleitung zu
No. 2 ; Motetten (Achtheit nicht sicher verbiirgt) : Ich lasse dich
nicht ; Sei Lob und Preis mit Ehren.
Jahrgang 39, Abtheilung 2. Chorale und Lieder.
Jahrgang 40. Orgelwerke. Band 4.
Contents. — Choralvorspiele in Kirnberger*s Sammlung. Ubrige
Choralvorspiele. Choralvariationen. Anhang: I. Varianten und
Bruchstiicke. II. Compositionen, welche mangelhaft liberliefert oder
als acht nicht sicher verbiirgt sind.
Jahrgang 41. Kirchenmusikwerke.
Contents. — Erganzungsband. Kirch encantate 191, Gloria in ex-
celsis Deo. Drei unvollstandige Kirchencantaten: i. Nun danket alle
Gott. 2. Ihr Pforten zu Zion. 3. Ehre sei Gott in der Hohe. Zwei
unvollstandige Trauungscantaten : i . O ewiges Feuer, o Ursprung
der Liebe. 2. Herr Gott, Beherrscher aller Dinge. Einzelne Satze.
Anhang: I. Vier Kirchencantaten, deren Achtheit als Sebastian
Bach'sche Compositionen nicht verburgt ist: i. Gedenke, Herr, wie
es uns gehet. 2. Gott der Hoffnung erfiille euch. 3. Siehe, es hat
iiberwunden der Lowe. 4. Lobt ihn mit Herz und Munde. II. Ver-
zeichniss von Kirchencompositionen des Johann Ludwig Bach in
Meinungen.
Jahrgang 42. Clavierwerke. Band 5.
Contents. — Umarbeitungen eigener und fremder Compositionen.
Verschiedene Praludien, Fugen und andere Stiicke, deren Achtheit
wahrscheinlich ist. Anhang: I. Compositionen deren Achtheit nicht
sicher verbiirgt ist, und einige Varianten. II. Concert No. 2 von
Vivaldi und Fuge von Erselius in der Originalgestalt.
Jahrgang 43, Lief. i. Kammermusik. Band 8.
Contents. — Drei Sonaten fiir Flote und beziffecten Bass. Senate
und Fuge fiir Violine und bezifferten Bass. Senate fur zwei Claviere.
Concert fiir vier Claviere nach Antonio Vivaldi. Anhang: Concert fiir
vier Violinen von Antonio Vivaldi in der Originalgestalt.
1.9
65
Bach
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bach
Bach, Johann Sebastian. Werke. (Continued.)
Jahrgang 43, Lief. 3. Musikstiicke in den Notenbiichern der Anna
Magdalena Bach.
Jahrgang 44. Handschrift in zeitlich geordneten Nachbildungen.
Jahrgang 45, Lief. i. Clavierwerke. Band 6.
Contents. — Neue berichtigte Ausgabe. Suiten. Canons. Verschie-
dene Instrumentalcompositionen. Clavier-Biichlein fiir Wilhelm Fried-
mann Bach.
Jahrgang 45, Lief. 2, Passionsmusik nach dem Evangelisten Lucas.
Jahrgang 46, Schlussband. Bericht und Verzeichnisse.
Agnus Dei. Solo. [Accomp. de piano ou d'orgue.] (In
fichos du monde religieux. Pp. 41-43.) M. 156.52
Alleluja. Canon [4 in i]. (/n Warren. Collection of catches.
Vol. 4, p. 253.) No. 75 in M.220.9.4
Andante aus dem italienischen Concert fiir Violine und Or-
gel. Eingerichtet von Hermann Kretzschmar. [Partitur
und Violine-Stimme.] Leipzig. Forberg. 1869.
No. 4 in M.414.30
One page in manuscript is inserted, and pp. 3, 4 arc mutilated.
Andante sostenuto (Praludium, H-moll); Scherzo allegretto
(Fuga, G-dur). Fiir Orchester eingerichtet von J. J.
Abert. Partitur. Berlin. Ries & Erler. [186-?]
No. 4 in M.332.3
Behold, the mountain. Quartett. [Accomp. for pianoforte.]
(/» Falkenstein. Sacred music. P. 7.) No. 17 in M.201.33
Blessing, glory, wisdom and thanks, (Lob und Ehre und
Weisheit). An anthem for 8 voices, adapted to English
vi'ords, with an accomp. for the organ or piano forte . . .
by Alfred Angel. London. Novello. [185-?]
No. 3 in M.270.6
Bourree en la mineur. [Partition.] Paris. Durand,
Schoenewerk & cie. [187-? Gevaert. Transcriptions
pour orchestre.] No. 4 in M.343.48
Cantaten im Klavier-Auszuge, von A. G. Ritter. No. i, 2.
Magdeburg. Heinrichshofen. [1854.] 2 parts in i v.
No. I, 2 in M.270.6
Covients. — I. Wie schon leuchtet der Morgenstcrn. 2. Ach Gov,
vom Himniel sieh' darein.
The words of No. 2 are in German and English.
Ciaconna (in D moll) fiir Solo-Violine bearbeitet fiir grosses
Orchester . . . von Joachim Raff. Partitur. Leipzig.
Seitz. [187-] No. 4 in M.346.45
Clavier Uebung. [Theil 2-4.] Manuscript. [Bernburg, etc.
I79~?] 3 parts in I v. M.200.12
Contents. — Theil 2. Concerto und Ouverture fiir einem Clavicymbel
mit 2 Manualen. 3. Vorspielen uber die Catechismus und andere
Gesaenge vor die Orgel. 4. Aria mit verschiedenen Veraenderungen
vors Clavicimbal mit z Manualen.
Each of these three parts was copied by a different scribe. Part 2
belonged to J. C. Oley ; part 3, dated I79S, to Noebergall ; part 4
(placed first in binding), to Balthasar Schmid. They are all to be
found in Bach's Werke [m. 8040.21. 3].
The "Coffee cantata" (comic cantata), [s. t. b. and chorus.]
Adapted to English words, and edited with pianoforte ac-
comp. by Samuel Reay. London. Weekes & Co. [1882.]
No. I in M.ig4.3
Come unto Me. Anthem for a double chorus. Adapted . . .
by J. Stainer. [Accomp. for organ.] (In Novello's Col-
lection of anthems. Vol. 5, pp. 66-72.) No. 5 in M.ig5.2.5
From the Matthew Passion-music.
Compositionen. Uebertragen fiir die Orgel, bearbeitet,
revidirt und mit Beitragen von Franz Liszt. Leipzig.
Garbrecht. [187-?] M.312.45
Concert en ut majeur pour 3 clavecins avec 2 violons, viola
et basse, fe edition revue . . . par F. C. Griepenkerl sen.
Partition. Leipzig. Peters. [1850.] No. i in M.353.17
Concert fiir 2 Violinen [und Pianoforte], D moll. [Parti-
tur.] Leipzig. Peters. [188-? Violin-Concerte von Joh.
Seb. Bach . . . bearbeitet von F. Hermann. No. 3.]
No. I in M.357.1
Concerto, Premier, pour violino piccolo, 3 hautbois et deux
cors de chasse, avec accomp. de 2 violons, alto, violoncelle
et basse. [Publiee pour la premiere fois d'apres les manu-
scrits originaux par S. W. Dehn. Leipzig. Peters. 1850.]
No. I in M.403.3
Credo a 4 voix sur des chorals. [Accomp. de piano ou
d'orgue.] (In £chos du monde religieux. Pp. 16-29.)
M.156.52
Bach, Johann Sebastian. (Continued.)
Crucifixus. Quartet. [Accomp. for organ.] (In Ayrton.
Sacred minstrelsy. Vol. 2, pp. 90-92.) No. 37 in 11.290.22.2
Dominica Palmarum: „Himmelskonig sei willkommen!"
Partitur mit unterlegter Pianoforte-Begleitung von J. P.
Schmidt. Berlin. Trautwein & Co. [1885.]
No. 4 in M.192.20
8 airs for an alto voice. From various cantatas and masses.
Pianoforte arrangement by Robert Franz. Boston. Dit-
son & Co. 1859. 8 parts in i v. M.244.16
Contents. — Well done, ye good and faithful servants. — Cradle song
from the Christmas oratorio. — Domine Fill Unigenite, from the
mass in G minor. — Mortals trust this wondrous mercy. — The her-
ald comes, behold! — O man in sin no longer languish. — A life
devout and faithful. — With trembling steps I groped.
Festo ascensionis Christi. Cantata. Edited by Robert Franz.
[Piano and vocal score, t. b. and chorus.] Cincinnati.
Church & Co. [189-?] No. 2 in M.384.11
From all that dwell below the skies. Hymn. For s. a. t. b.
(In Hullah. The Singer's library. Sacred. P. 128.)
No. 2Sa in M.157.3
Fugen aus dem Wohltemperirten Clavier von Johann Se-
bastian Bach in progressiver Ordnung fur die Orgel
eingerichtet und mit Angabe des Fingersatzes und der
Pedal-Applicatur nebst Anweisung iiber den Gebrauch
der Register versehen von J. A. van Eijken. Haag. Wey-
gand & So. [186-?] 3 parts in i v. No. 1-3 in £1.312.49
Gavotte en re mineur. [Partition. Paris. 187-? Gevaert.
Transcriptions pour orchestre.] No. 5 in M.343.48
Gebt mir meinen Jesum wieder. Bass-Arie [mit Pianoforte-
begleitung]. (In Arien-Album. Band i, pp. 3-6.)
From the Matthew Passion. No. 4 in M. 204.37
God, my King. [Anthem. Adapted by R. R. Rose. Accomp.
for organ.] (In Musical times. [Music] Vol. 3, pp. 83-86.)
No. 22 in M.175.1.3
God's time is the best. A sacred cantata. The English
translation and adaptation by J. Troutbeck. [For a. t. b.
solos and chorus. Accomp. for pianoforte.] London.
Novello, Ewer & Co. [187-.]
No. 4 in M. 154.19; No. 2 in M.204.4
Grosse Passions Musik nach dem Evangelium Johannis.
Vollstandiger Klavierauszug von L. Hellwig. Berlin.
Trautwein. [183-?] M.222.I
Grosse Passionsmusik nach dem Evangelium Matthaei.
Vollstandiger Klavierauszug von Adolph Bernhard Marx.
Berlin. Schlesinger. 1830. M.222.2
See also his Passion music.
Hirtenmusik aus dem „Weihnachts-Oratorium" . . . Nach
der Bearbeitung von Robert Franz. Theil 2. Orchester-
Partitur. Leipzig. Leuckart. [i8g-?] No. 3 in M.410.8
Die hohe Messe in H-molI. Partitur. Leipzig. Peters.
[187-?] M.I56.I8
Jesus, Thy boundless love. [Chorale.] (In Plaistow part-
songs. Part 2, p. 64.) No. 6 in M. 158.23
Konzert-D-moll, fiir Klavier & Streichorchester. Freie
Bearbeitung von Ferruccio B. Busoni. Partitur. Leipzig.
Breitkopf & Hartel. 1899. No. 2 in M.403.3
Konzert in F dur, fiir den Konzertgebrauch eingerichtet von
Felix Mottl. Partitur. Leipzig. Breitkopf & Hartel.
[1901.] No. 1 in M.410.8
Mache dich, mein Geist, bereit. [Chor, mit Orchester und
Orgel. Partitur.] (In Rochlitz. Sammlung vorziiglicher
Gesangstiicke. Band 3, pp. 39-44.) No. 8 in M.202.6.3
Nimm von uns, Herr. [Chor mit Pianoforte-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 3, pp. 34-38.) No. 7 in M.202.6.3
O, Jesus my Lord! (Motett.) Double chorus. (In Gounod.
The Royal Albert Hall choral music . . . Vol. i, pp. 35-41.)
M.384.28
Die Kunst der Fuge von Joh. Seb. Bach. Fiir die Orgel
iibertragen und zu Studienzwecken mit genauer Bezeich-
nung des Vortrags, so wie der Manual- u. Pedal-Applica-
tur versehen von G. Ad. Thomas. Heft I. Leipzig. Rie-
ter-Biedermann. [187-?] No. 5 in M414.30
66
Bach
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bach
Bach, Johann Sebastian. (Continued.)
O Lord! Chorale. [4 voices with accomp. for organ.] (/»
Gounod. The Royal Albert Hall choral music. Vol. 3,
pp. 12-17.) M.384.28
Ouverture in D dur fiir 2 Violinen, Viola, Bass, 3 Oboen,
Fagott, 3 Trompeten und Pauken. Partitur. Leipzig.
Breitkopf & Hartel. [189-?] No. 2 in M.410.8
Ouverture, ou suite en re majeur pour 2 violons, viola,
basse, timballes, 3 hautbois, basson, 3 trompettes . . .
publiee pour la premiere fois par F. A. Roitzsch. [Parti-
tion.] Leipzig. Peters. [1881.] No. 7 in M.332.3
Farce and Hosanna. Choral et fugue. [s. a. t. b., with
accomp. for organ.] (In Gounod. The Royal Albert Hall
choral music. Vol. 2, pp. 20-30.) M.384.28
Passacaglia fiir die Orgel componirt von J. S. Bach, fiir
grosses Orchester eingerichtet von H. Esser. Partitur.
Mainz. Schott. [185-?] No. 2 in M.346.45
Passion music (according to the Gospel of St. Matthew).
Words English and German. English translation and
adaptation by J. S. Dwight. Full vocal score, with piano-
forte mainly by Julius Stern. Boston. Ditson & Co.
[1869.] M.IS3.I
See also his Grosse Passionsmusik.
The "Peasants' cantata" (comic cantata), [s. b. and chorus.]
Adapted to English words, and edited with pianoforte
accomp., by Samuel Reay. London. Weekes & Co. [1882.]
No. 2 in M.194.3
[Praludium, Adagio, Gavotte e Rondo. 3 movements from
violin-sonatas, transcribed for string orchestra by S.
Bachrich. Wien? Gutmann? 188-?] No. 3 in M.346.34
Praludium fiir die Orgel. Fiir grosses Orchester bearbeitet
von Bernh. Scholz. Partitur. Leipzig. Rieter-Bieder-
mann. 1874. No. I in M.333.6
Praludium und Fuge von Joh. Seb. Bach und Choral von
Abert, fiir Orchester eingerichtet von J. J. Abert. Parti-
tur. Leipzig. Seitz. [186-?] No. i in M.346.45
Sarabande, Andante und Bourree aus den Violinsonaten . . .
fiir Streichorchester bearbeitet von S. Bachrich. Partitur.
Wien. Wetzler. [187-?] No. 8 in M.332.3
Sechs Motetten. Partitur. [Ohne Begleitung.] Leipzig.
Peters. [186-?] No. i in M.204.4
Contents. — Jesu, meine Freude. — Der Geist hiUt unsrer Schwach-
heit auf. — - Furchte dich nicht, ich bin bei dir. — Komm, Jesu,
komm. — Lob und Ehre und Weisheit und Dank. — Siuget dem
Herrn ein neues Lied.
All these motets are for eight voices except the first, which is for
s. s. A. T. B.
Sicilienne. Extraite de la sonate en mib pour flvite et clave-
cin. Transcription pour orchestre. [Partition. Paris.
187-? Gevaert. Transcriptions pour orchestre.]
No. 6 in M.343.43
Suite in D-dur (Ouverture, Air, Gavotte, Bourree und
Gigue) fiir Orchester. Neue Ausgabe . . . von Ferdinand
David. Partitur. Leipzig. Senff. [187-?] No. 6 in M.332.3
Suite in H moll fiir Flote, 2 Violinen, Viola, Violoncell und
Contrabass, mit ausgefiihrtem Accomp. [des Klaviers]
versehen . . . von Robert Franz. Partitur. Leipzig.
Leuckart. [187-?] No. 5 in M.332.3
Tantum ergo. A 4 voix. [.\ccomp. de piano ou d'orgue.]
(In Echos du nionde religieux. Pp. 94, 95.) M. 156.52
Tantum ergo. [Chorus. Accomp. for organ.] (In Novello.
Collection of sacred music. Vol. 2, pp. 60, 61.)
No. 3 in M.270.3.2
Tantum ergo, motet pour s. s. T. & B., avec accomp. d'orgue.
Paris. Richault. [185-?] No. ii in M.260.10.3
Also to be found in Novello's Motetts.
Thus ne'er Thy side forsaking. Choral. [Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. i, p. 210.)
No. 74 in M.290.22.1
Toccata fijr die Orgel componirt von J. S. Bach, fiir grosse?
Orchester eingerichtet von H. Esser. Partitur. Mainz.
Schott. [186-?] No. 3 in M.346.45
Weihnachts-Oratorium. Th. I, 2. Mit ausgefiihrtem Ac-
comp., bearbeitet von Robert Franz. Te.^ct deutsch und
englisch. Partitur mit unterlegtem Clavierauszuge. Leip-
zig. Leuckart. [188-?] M. 202. 12
Bach, Johann Sebastian. (Continued.)
Wie sich ein Vater erbarmet. [Doppelchor.] (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 3, pp. 49-58.)
No. 10 in M.202.6.3
Wir setzen uns in Thranen nieder. [Doppelchor, mit Piano-
forte-Begleitung.] (In Rochlitz. Sammlung vorziiglicher
Gesangstiicke. Band 3, pp. 45-48.) No. 9 in M.202.6.3
Worthy art Thou o'er us to reign. Chorale. (In Hullah.
The Singer's library. Sacred. P. 72.) No. 13a in M.157.3
Bach, Johann Sebastian. Works about.
Bitter, C. H. Johann Sebastian Bach. Berlin. 1865. 2 v.
Portrait. Facsimiles. M.116.11
The life of J. Sebastian Bach. An abridged transla-
tion by Janet E. Kay-Shuttleworth. London. [1873.]
Portrait. M.108.31
Cart, W. Un maitre deux fois centenaire. :£tude sur J. S.
Bach. Paris. 1885. M.isg.s
David, E. La vie et les oeuvres de Jean-Sebastien Bach.
Paris. 1882. M.137.12
FoRKEL, J. N. Life of John Sebastian Bach; with a critical
view of his compositions. Translated from the German.
London. 1820. M.144.23
Vie, talents et travaux de Jean Sebastien Bach.
Traduit . . . par Felix Grenier. Paris. 1876. Portrait.
Plate. Facsimiles. M.119.10
Glueck, a. Joh. Seb. Bach. Weihnachts-Oratorium. Er-
lautert. Leipzig. [1899?] No. 5 in M.2I7.I2.8
Hehemann, M. Johann Sebastian Bach. Der Streit zwi-
schen Phobus und Pan. Dramma per musica. Erlautert.
Leipzig. [1903.] No. igin M.217.12.11
Heinrich, E. Johann Sebastian Bach. Ein kurzes Lebens-
bild. Berlin. 1885. No. 2 in M.372.40
Macfarren, G. a. Addresses and lectures. London. 1888.
M.i4qa.i5
Contents. — To the students of the Royal Academy of Music, 1S7S-87.
— The lyrical drama. — Handel and Bach [2 lectures].
Neumann, W. Johann Sebastian Bach. Fine Biographic.
Cassel. 1855. Portrait. M.205.15
Niemann, W. J. S. Bach. Violonkonzerte in A moll und
E dur. Erlautert. Leipzig. [1901?] No. 12 in M.217.12.10
Poole, R. L. Sebastian Bach. New York. 1882. M. 104.22
Prieger, E. Echt Oder Unecht? Zur Lucas-Passion [J. S.
Bach's?]. Berlin. i88g. M. 371. 20
SiTTARD, J. Joh. Seb. Bach. H-moll Messe erlautert.
Frankfurt a. M. [1895.] No. ig, 20 in M.217.12.1
Spitta, J. A. P. Johann Sebastian Bach. Leipzig. 1873, 80.
2 V. M.I 13.3
Johann Sebastian Bach: his work and influence on
the music of Germany, 1685-1750. Translated by Clara
Bell and J. A. Fuller-Maitland. London. 1884, 85. 3 v.
Portrait. M.134.2
Wesley, S. Letters of Samuel Wesley to Mr. Jacobs, relat-
ing to the introduction into this country of the works of
John Sebastian Bach. Edited by his daughter, Eliza Wes-
ley. London. 1875. No. i in M. 216. 18
Same. 2d edition. 1878. No. 3 in M. 144.12
WiDMANN, B. Johann Sebastian Bach, Johannes-Passion.
Nach der Ausgabe der Bach-Gesellschaft. Erlautert.
Frankfurt a. M. [1897.] No. 2 in M.217.12.3
Joh. Seb. Bach. Matthaus-Passion. Frankfurt a. M.
[1895.] No. 38, 39 in M.217.12.2
Zimmer, R. Gedanken beim Erscheinen des dritten Bandes
der Bach-Gesellschaft in Leipzig. Berlin. 1854.
No. 3 in M.372.41
Bach, Leonhard Emil.
Irmengarda. Opera di L. Emile Bach. Libretto tedesco di
P. Gisbert. Traduzione italiana di A. Zanardini. Ridu-
zionc per canto e pianoforte. Leipzig. Hatzfeld. [1892.]
M.402.4
The lady of Longford. Lyric drama in one act. By Sir
Augustus Harris and F. E. Weatherly. Italian.version by
G. Mazzucato. Music by L. Emil Bach. Vocal score.
[Accomp. for pianoforte.] London. Ascherberg & Co.
1894. M.246.1
67
Bach
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Baildon
Bach, Otto. , „ ..
Lenore. Romantische Oper in 3 Akten, (frei nach Burger s
Ballade „Lenore"). Dichtung nach dem Scenarium des
Componisten von O. Prechtler. Musik von O. Bach. Voll-
standiger Clavierauszug. Wien. Buchholz & Diebel.
1873. M.251.33
Bach, Otto, editor.
Schubert, F. P. Grosser heroischer Marsch bearbeitet fur
grosses Orchester. No. 4 in M.334.18
Bach, Wilhelm Friedemann.
Concert fiir die Orgel mit zwei Manualen und dem Pedale.
I. Aufgabe, nach dem Autographum von J. S. Bach, dem
Vater des Componisten, durch Friedr. Konr. Griepenkerl.
Leipzig. Peters. [1844] No. 4 in M.312.49
Bach, Wilhelm Friedemann. Works about.
Bitter, C. H. Carl Philipp Emanuel und Wilhelm Friede-
mann Bach und deren BrUder. Berlin. 1868. Portraits.
Facsimiles. M.141.13
Brachvogel, a. E. Friedemann Bach; or, the fortunes of
an idealist. [Adapted from the German by J. Walker.]
London. 1875. Facsimile. M.i39a.i6
Bach, Wilhelm Friedrich Ernst.
Fantasie u. Fuge [fiir Pianoforte]. {In Bach, C. P. E. Fan-
tasie u. Fuge ... Pp. 17-24-) No. 3 in M.200.9
Bach, Echo und Kuss, Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band 2. No. 78 in M.244.7
Bach Gesellschaft, Leipzig.
ZiMMER, R. Gedanken beim Erscheinen des dritten Bandes
der Bach-Gesellschaft in Leipzig. Berlin. 1854.
No. 3 in M.372.41
Bachanal. Song. Chopin. Werke. Band 14. M.316.2.14
Bacharach. Part-song. Moehring. Fiinf Gesange.
No. 13 in M.392.18
Bache, Constance.
Hansel and Gretel, a fairy opera. Music by E. Humper-
dinck. M.246.9
Bache, Constance, translator.
Bruch, Max. Gustav Adolf. M.381.5
MiDDLEMORE, M. T. H., editor. Songs of the Pyrenees.
No. I in M.384.63
Bachelier, Le, de Salamanque. Song. Masini. Album.
No. 6 in M.237.5
Bachelor's apology, A. Part-song. Mosenthal, J. Three songs
... for male voices. No. 29 in M.392.18
Bachelor's hall. Song. Dibdin, C. No. 3 in M.384.48
Bachmann, Georg Christian.
Chanson du bon vieux temps. Gavotte composee par G.
Bachmann et orchestree par Fr. Pehell. Partition. Paris.
Leduc. [187-?] No. 6 in M.343.46
Bachrich, Sigismund, editor.
Bach, J. S. [Praeludium, Adagio and Gavotte e rondo,
transcribed for string orchestra.] No. 3 in M.346.34
Sarabande, Andante und Bourree aus den Violinso-
naten ... fur Streichorchester bearbeitet. No. 8 in M.332.3
Bacichi, V., translator.
SUPPE, F. VON. Fatinitza. M.323.38
Bacio, II. Song. Ferrari, G. G. Six favorite ariettes.
No. 7 in M.221.21
Bacio, Un, al diavolo. Opera. For the Music see Sauvage, A.
For the Libretto see Barbieri, F.
Bacio, Un, di mano. Aria. Mozart. Werke. Serie 6, Band 2.
No. 40 in M.31S.1.6.2
Bacon, Fred P.
Commemorative record of the Handel and Haydn Society of
Boston, 18x5-1903. By Fred P. Bacon and Edward O.
Skelton. [Boston.] Handel & Haydn Society. [1903]
Portraits. Plates. Facsimiles. M.121.41
Bacon, George Blagden.
Sermon in commemoration of Lowell Mason. [Boston.]
Gushing, Bardua & Co. 1872.
No. 7 in M.i02.ig; No. 5 in M.127.1
Bacon, Richard Mackenzie.
Elements of vocal science . . . London. Baldwin, Cradock
& Joy. [1824.] M.147.11
Bacon, Richard Mackenzie, editor.
Quarterly Musical Magazine and Review. M.i84.a
Bacon, Robert.
See, see, my boys. Catch [for 4 voices], (/n Warren. Vocal
harmony. P. 59.) No. 38 in M.220.10
Bactria's sage. Trio. Bishop, H. R. Complete collection of
glees. Vol. 3. M.235.1.3
Badalic, Hugo.
Nikola Subic Zrinjski. Glasbena tragedija. Glasbotvorio
Ivan pi. Zajc. M.294.30
Bader, Carl Adam.
Veni Creator Spiritus. Hymnus fur 4 Singstimmen . . .
Orgel- oder Clavierauszug. Bonn. Simrock. [182-?]
No. 12 in M.222.24
Baduel, Maurice.
Un cas pressant. Operette. Paroles de Baduel & Lefebvre.
Musique de J. Miiller. No. 4 in M.267.1
Baebu, Der. Opera. For the Music see Marschner, H. A. For
the Libretto see Wohlbrueck.
Baechlein und Miihle. Song. Taubert, C. G. W. Klange aus
der Kinderwelt. Heft 11. • No. 36 in M.192.8
Baendchen, Das. Trio. Mozart. XXX Gesange. M.22i.28;etc.
Baenkelsaenger Willie. Part-song. Schumann, R. A. Roman-
zen und Balladen fur Chorgesang. No. 16 in M.is8.2i;etc.
Baer, Joseph, & Co.
Autographen i. Bildende Kuenstler, Dichter, Musiker,
Schriftsteller . . . Lager-Catalog 433. Frankfurt am Main.
1900. No. I in M.375.6
Baer, Der, und der Bassa. Opera. For the Music see Blum,
C. L.
Baerenhaeuter, Der. Opera. For the Music see Wagner, S.
Bagatelle. Opera. For the Music see Offenbach. For the
Libretto see Cremieux.
Bagatta, Francesco, Conte.
Macalda. Melodramma. Musica di Angelo Bottagisio.
M.399-5
Bagelito nuovo, El. Song. Garcia, M. del P. V.
No. 17 in M.391.S7
Bagge, Selmar.
Gedanken und Ansichten iiber Musik und Musikzustande in
einer Reihe gesammelter Aufsatze. Wien. Wessely &
Biising. i860. No. i in M.13S.13
Baggesen, Jens Immanuel.
Erik Eiegod. En Opera. Sat i Musik af Kunzen. M.232.32
Holger Danske, oder Oberon. Eine Oper. [Musik] von
F. L. A. Kunzen. M.232.31
Bagpipe music.
McDonald, P. A collection of Highland vocal airs, never
hitherto published. Added, a few of the most lively coun-
try dances or reels, of the North Highlands & Western
Isles: and some specimens of bagpipe music. Edinf.
[1784.] No. I in M.380.42
Bague magique. La. Opera. For the Music see Castegnier.
Bai, Tommaso.
Cum jucunditate. [Motet.] (In Lueck. Sammlung ausge-
zeichneter Compositionen fur die Kirche. Band 4, pp.
55-57) No. 18 in M.158.33.4
Miserere [s. s. A. A. T. t. B. B. Accomp. for organ]. (In No-
vello. Music for Holy Week. Pp. 10-18.) No. i in M.201.38
Baiaderen, Die. Opera. For the Music see Catel. For the
Libretto see Etienne, V. J.
Baiersche Madchen, Das. Song. Taubert, C. G. W. Sechs
deutsche Lieder. No. i in M.221.26
B^jidon, Joseph.
Adam catch'd Eve. Catch for 3 voices. (In Warren. Col-
lection of catches. Vol. i, p. 156.) No. 129 in M.220.9.1
Adieu to the village. Glee [a. t. b.]. (In Apollonian har-
mony. Vol. 2, pp. 42, 43) No. 35 in M.141.21.2
Also to be found in Arnold's Convivial harmony; Bland's The Ladies'
collection; dementi's Collection of catches; The Harmonist; Musical
library ; Social harmony ; Warren's Vocal harmony ; Webbe, Jr.'s
Convito armonico.
As afternoon, one summer's day. Glee [a. t. b.]. (In War-
ren. Vocal harmony. Pp. 138-141.) No. 80 in M.220.10
68
i
Baildon
THE ALLEN A. BROWN COLLECTION OF MUSIC
Baker
Baildon, Joseph. (Continued.)
A collection of glees and catches. For 3 and 4 voices. Lon-
don. Randall & Abell. [1768.] .^ No 4 in M.220.7
Contents. — What Anacreon lov'd. — Come, bind my brows. — When
gay Bacchus fills. — The primrose op'ning. — Bacchus, Jove's de-
lightful boy. — Happy the man whose wish. — Oft with wanton
smiles. — Prithee, friend, fill t'other pipe. — When is it best. —
Ye heavens, if innocence. — Cry'd Strephon pantmg. — My sledge
and hammer. — Adam catch'd Eve. — Says my lord to his lady. —
Mr. Speaker.
Cry'd Strephon. Catch [for 3 voices]. (In Warren. Col-
lection of catches. Vol. I, pp. 100, loi.) No. 102 in M.220.9.1
If gold could wasted life restore. Glee [a. t. b.]. (/« War-
ren. Vocal harmony. Pp. 8-1 1.) No. S in M.220.10
Master Tommy, marry pray. Catch [for 4 voices], (/n
Warren. Vocal harmony. Pp. 20, 21.) No. 15 in M.220.10
Mr. Speaker. Catch a 3 voci. (/n Amusement for the ladies.
Vol. 2. p. 70.) No. 21 in M.220^.2
Also to be found in The Apollo ; Bland's The Ladies' collection ; de-
menti's Collection of catches ; Collection of glees and catches ; Flowers
of harmony ; The Harmonist ; Musical times [Music] ; Social harmony ;
Warren's Cocks's Hand-book of glees ; Webbe, Jr.'s Convito armonico.
My sledge and hammer. Catch a 3 voci. (In Clementi. Col-
lection of catches. Vol. 3, pp. 78, 79-)
No. 213 in M.110.1.3; No. 213 in M.iio.2.3
Also to be found in Warren's Collection of catches.
Prithee, friend, fill t'other pipe. Glee [a. t. b.]. (In Bland.
The Ladies' collection. Vol. 3, pp. 248-250.)
No. 6 in M.235.17.3
Also to be found in Collection of glees and catches.
Says my lord. Catch [for 3 voices]. (In Warren. Collec-
tion of catches. Vol. i, p. 231.) No. 162 in M.220.9.1
To bed, to bed, cries sleepy Ned. Catch [for 3 voices]. (In
Warren. Vocal harmony. P. 184.) No. 107 in M.220.10
When gay Bacchus. Glee [a. t. b.]. (In Amusement for the
ladies. Vol. 2, p. 4-7-) No. 2 in M.220^.2
Aslo to be found in The Apollo; Bland's The Ladies' collection; de-
menti's Collection of catches; dementi's Vocal harmony; Same, 2d
edition; Collection of glees and catches; The Harmonist; Warren's
Collection of catches.
When is it best. Catch a 4 voci. (In Warren. Collection of
catches. Vol. i, pp. 94, 9S-) No. 96 in M.220.9.1
When Phoebus wras am'rous. Catch [for 4 voices]. (In
Warren. Vocal harmony. P. 48.) No. 30 in M.220.10
Ye heav'ns, if innocence. Catch for 3 ladies. (In Amuse-
ment for the ladies. Vol. 2, p. 66.) No. 18 in M.220.3.2
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion; Flowers of harmony; Social harmony; Warren's Collection of
catches.
Bailey, Eben H.
All glory to God. [Carol.] Boston. White, Smith & Co.
[1883.] No. 9inM.158.13
God shall crown thy work. Quartette. [Accomp. for piano-
forte.] Boston. White, Smith & Co. [1884.]
No. 10, II in M.158.13
Mass (in D flat). Composed in honor of the silver jubilee
of Thomas Magennis. Op. 295. Vocal score, with accomp.
for organ or pianoforte. Boston. [1891.] No. i in M.193.16
Veni, Creator Spiritus. Quartet. [Accomp. for organ.]
Boston. White-Smith Music Publishing Co. [1892.]
No. 3 in M. 158.32
Bailey, Joseph Greenoak.
"Per mare, per terram." A martial dramatic cantata. The
music by J. A. Kappey. No. 2 in M.194.17
Bailiff's daughter, The. Part-song. Cutter, B. No. loin M.203.11
Bailie, Adrien.
Messe en la mineur a trois voix, choeurs et soli. [Accomp*.
de piano.] Paris. David. [188-?] No. i in M.156.19
Bailie, Casimir.
L' Angelus. Un acte de Georges Mitchell. Musique de Casi-
mir Bailie. Partition chant et piano. Paris. Choudens.
1897. No. I in M.393.3
Baillet, V.
Musique en lettres. Simple idee sur I'etude de la musique
vocale. Toulouse. Pradel & Blanc. 1864. No. 7 in M.373.23
Baillot, Pierre Marie Frangois de Sales.
Observations relatives au.x contours de violon du Conserva-
toire de musique. CEuvre posthume. Paris. Didot. 1872.
Table. No. 2 in M.205.11
Baini, Giuseppe.
Beati mortui. [Motet. T. T. B. Accomp. d'orgue.] Bruxelles.
Schott. [185-?] No. 3 in M.260.19
tjber das Leben und die Werke des G. Pierluigi da Pales-
trina . . . Nach den Memorie . . . des Abbate Giuseppe
Baini verfasst . . . von P. S. Kandler. Nachgelassenes
Werk herausgegeben von R. G. Kiesewetter. Leipzig.
Breitkopf & Hartel. 1834. M.141.26
Baini, Lorenzo.
Caro mea. [Motet, t. t. b. Accomp. d'orgue.] Bruxelles.
Sch(ptt. [185-?] No. 2 in M.260.19
Salve Regina. Reduit a 3 voix egales. [Accomp. d'orgue.]
(In Chapelle, La. Vol. i, pp. 17-20.) No. 10 in M.201.33
Baireuth. Biihnenfestspiel.
Bennett, J. Letters from Bayreuth descriptive and critical
of Wagner's "Der Ring der Nibelungen." London. 1877.
No. 3 in M.128.37
Chamberlain, H. S. 1876-1896. Die ersten zwanzig Jahre
der Bayreuther Biihnenfestspiele. Bayreuth. 1896.
No. I in M.372.28
Fischbach, G. De Strasbourg a Bayreuth. Notes de voyage
& notes de musique. Strasbourg. 1882. No. i in M.144.17
Kloss, J. E. Vingt annees de „Bayreuth"; 1876 a 1896. Con-
siderations et pensees diverses. Traduit de I'allemand par
Georges Korczewski. Berlin. 1896. No. 3 in M.102.30
Lavignac, A. Le voyage artistique a Bayreuth. Paris. 1897.
Illus. Plan. M.370.22
LiNDAU, H. G. P. Niichterne Briefe aus Bayreuth . . . Aus
der „Schlesischen Presse." 2. Auflage. Breslau. 1876.
No. 5 in M.373.29
Lipsius, Marie. Das Biihnenfestspiel in Bayreuth. Von
La Mara [pseud.]. Leipzig. 1877. No. 3 in M. 145.6
Nietzsche, F. W. Richard Wagner a Bayreuth. Traduit
par Marie Baumgartner. Schloss-Chemnitz. 1887.
No. 2 in M.128.37
Plueddemann, M. Die Biihnenfestspiele in Bayreuth, ihre
Gegner und ihre Zukunft. Colberg. 1877. No. i in M.373.29
Tardieu, C. Lettres de Bayreuth. L'anneau du Nibelung
de Richard Wagner. Representations donnees en 1876.
Bruxelles. 1883. M.102.S
Wild, C. Bayreuth 1894. Manuel pour les visiteurs de Bay-
reuth. Leipzig. [1894.] Illus. Maps. No. l in M.370.71
Wild, F. Bayreuth 1897. Praktisches Handbuch fiir Fest-
spielbesucher. Herausgegeben von Friedrich Wild unter
Mitwirkung von Heinrich Bulthaupt, Max Chop, Robert
West ... 2. Auflage. Leipzig. [1897.] Illus. M. 370.34
WoLzoGEN, H. P. Die Tragodie in Bayreuth und ihr Satyr-
spiel. Leipzig. 1877. No. 6 in M.373.29
Zur Einfiihrung in die Bayreuther Festspieldramen
1886. „Tristan" und „ParsifaI," ihre Entstehung und ihre
Bedeutung. Leipzig. 1886. No. 2 in M.145.21
Baiser, Le, ou la bonne fee. Opera. For the Music see Cham-
pin. For the Libretto see Florian, J. P. C. de.
Baiser a la porte, Le. Opera. For the Music see Champin.
For the Libretto see La Guette.
Baiser d'un ange, Le. Song. Schubert, F. P. Melodies.
Vol. 7- M.327.4.7
Baiser d'Yvonne, Le. Opera. For the Music see Domergue, E.
For the Libretto see Damien.
Baiser de Suzon, Le. Opera. For the Music see Bemberg.
For the Libretto see Barbier, P.
Baiser du matin. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Baiser pour lot, Un. Opera. For the Music see Douay. For
the Libretto see Tourte.
Bait, The. Part-song. Hatton. No. 14 in M.195.1.6
Bajaderen-Gesang. Duet. Lxndpaintner. No. 9 in M.380.22
Bajazet. Opera. For the Music see Fane, J.
Baker, Benjamin Franklin.
Camillus, the Roman conqueror. A dramatic cantata, for
mixed voices. Libretto by I. N. Carman. Music by B. F.
Baker. Boston. Tolman & Co. [1865.] M.384.13
The storm king! A cantata. The words by Howard M.
69
Baker
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Balfe
Baker, Benjamin Franklin. (Continued.)
Ticknor. The music by B. F. Baker, [s. t. b. and chorus.
Accomp. for piano.] Boston. Ditson. [1856.]
No. 3 in M.280.41
Baker, Benjamin Franklin, editor.
The Haydn collection of church music. Selected and ar-
ranged . . . by B. F. Baker and L. H. Southard. Boston.
Johnson. 1851. M.ioo.ig
The union glee book. Selected and arranged by B. F. Baker
and L. H. Southard. Boston. Tolman. [1852.] M.100.17
Baker, Evelyn.
The catch of the season. A musical comedy. Book by Sey-
mour Hicks and Cosmo Hamilton. Lyrics by Chas. H.
Taylor. Music by Herbert E. Haines and Evelyn Baker.
Vocal score. London. Francis, Day & Hunter. 1904.
M.399.92
Baker, Everett L.
Shout the glad tidings. Christmas hymn. [Accomp. for
organ.] Buffalo. Blodgett & Bradford. [187-?]
No. 12 in M.igo.i
Baker, Henry.
Mine eyes look unto Thee. Anthem for Advent, [s. solo
and chorus. Accomp. for organ.] {In Novello's Collec-
tion of anthems. Vol. 11, pp. 21-26.) No. 2 in M. 195.2.11
Baker, Henry Barton.
The Italian opera in England. [London. 1877.]
From Belgravia. No. 9 in M.125.8
Baker, R. M.
Miss Pocahontas. An Indian war-whoop in two whoops.
Book by R. A. Barnet and R. M. Baker. Music by Dan J.
Sullivan. M.383.52
Baker, Ralph Hindle, compiler.
The organist & choirmaster's diary, 1897. London. Low,
Marston & Co. [1896.] M.375.7
Contains blank forms for various records.
Baker, Theodore, translator.
KuLLAK, A. The aesthetics of pianoforte-playing. 1^.149.24
Weitzmann, C. F. a history of pianoforte-playing and
pianoforte literature. M.105.32
Baker riding, A. Catch. Hayes, W. Catches, glees and
canons. Vol. i. No. i in M.220.5
Bal, Le. For pianoforte. Louis, N. Trois fantaisies brillantes.
No. 4 in M.3go.6
Bal, Un, a la Sous-prefecture. Opera. For the Music see
Villebichot. For the Libretto see Trefeu.
Bal costume. Suite. Rubinstein. No. i in M.342.28
Bal de I'opera, Le. Fiction. Guezenec. M.iogb.sg
Balakirev, Mill Alexievitch.
[Koenig Lear.] Ouverture fiir Orchester zu W. Shake-
speare's Tragodie „Konig Lear". Partitur. Leipzig,
Zimmermann. [186-?] No. 2 in M.406.68
Ouverture pour orchestra sur un theme de marche espa-
gnole. Partition. S'. Petersbourg. Besse & c'^. [1887?]
No. I in M.333.7
Recueil de chants populaires russes, notes et harmonises par
M. Balakirew. Traduction frangaise de J. Sergennois.
[Accomp. de piano.] Leipzig. Bela'ieff. 1898. M.384.64
Symphonie en ut majeur (C dur) pour grand orchestre.
Partitur. Leipzig. Zimmermann. [1898.] M.358.21
Thamar. Poeme symphonique pour orchestre d'apres une
poesie de Mich. Lermontow. Nouvelle edition. Parti-
tion. Moscou. Jurgenson. [1884.] M.412.1
There is also a Russian title-page.
Balayeuse et chiffonier. Opera. For the Music see Lefay.
For the Libretto see Malteau.
Balcon, Le, de I'opera. Criticism. Ortigue. M.143.13
Bald muss ich dich verlassen. Song. Mozart. No. 4 in M. 204.37
Baldamus, Gustav.
Beliebte und empfehlenswerthe Mannerchore. Coburg.
Glaser. [188-?] No. 2 in M.203.11
Contents. — Die Linde im Thai. — Wenn alle Briinnlein fliessen
Gartheil und Krauseminz. — Heil'ge Nacht. — Mai. — Im Grase
thaut's. — 's treui Deandle. — Oft bluhet a Rosen. — Frohliche Armuth.
Das Lied. Gedicht von Fritz Rohrer. The source of song.
English version by E. Buek. [Mannerchor, t. Solo, mit
Baldamus, Gustav. (Continued.)
Begleitung des Pianoforte.] Op. 41- New York. Luck-
hardt & Belder. [1895.] No. 4 in M.212.3
Weihe des Liedes. Gedicht v. Fr. Rohrer, fiir Mannerchor,
Baryton Solo mit Pianoforte- oder Orchesterbegleitung
componirt . . . von Gustav Baldamus. Op. 14. [Klavicr-
auszug.] Berlin. Luckhardt. 1890. No. 3 in M.203.10
Baldassarre. Opera. For the Music see Villate. For the Li-
bretto see Ormeville.
Baldensperger, Fernand.
Cesar Franck. L'artiste et son oeuvre. Conference d'intro-
duction a une seance de musique de chambre, consacree a
Cesar Franck, et donnee a Lyon, le 26 avril, 1901. Paris.
[1901.] Portrait. No. 2 in M.102.38
Catalogue complet de ses ceuvres publiees, pp. 20-24. Reprinted from
Courrier musical.
Baldi, Giovanni.
Mass, for a treble, tenor and bass, . . . with alterations and
additions by V. Novello. [Accomp. for organ.] London.
Novello. [184-?] No. 5 in M.260.8.1
Also to be found in Novello's Twelve easy masses.
Balducci, Giuseppe.
II conte di Marsico. Melodramma . . . Posto in musica per
sole voci di donne, con accomp. di due piano-forti dei quali
uno a 4 mani. Milano. Ricordi. [1839?] 2 v. in i.
M.261.15
Baldur's Tod. Opera. For the Music see Kistler. For the
Libretto see Sohlern.
Baldwin, Ralph L.
Sweet is the light of Sabbath eve. [Anthem. Accomp. for
organ.] Boston. Schmidt. 1894. No. 4 in M.203.26
Balen, II, del suo sorriso. Song. Verdi. Verdi album.
No. 22 in M.236.5
Balfe, Michael William.
The Alpine lay. [Song, s. or T. Accomp. for pianoforte.]
Boston. Ditson. [185-?] No. 24 in M.192.9.1
Annabel Lee. Ballad [a. or bar. Accomp. for pianoforte].
Boston. Ditson & Co. [185-?] No. i in M.192.9.1
The armourer of Nantes. A grand romantic opera in 3 acts.
The libretto by J. V. Bridgeman, the music by M. W.
Balfe. [Accomp. for pianoforte.] London. Addison &
Lucas. [1863.] M,36i.3
Behold the happy home. Ballad [s. or t. Accomp. for piano-
forte]. Boston. Prentiss & Clark. [185-? Music in the
Maid of honor.] No. 22 in M.192.9.1
Blanche de Nevers, an opera in 4 acts . . . Written by John
Brougham. Composed by M. W. Balfe. [Accomp. for
pianoforte.] London. Addison & Lucas. [1864?] M. 251.36
The Bohemian girl . . . Written by Alfred Bunn. Com-
posed by M. W. Balfe. [Vocal score.] London. Chap-
pell. [186-?] M.362.14
Same. La Bohemienne, grand opera en 4 actes, poeme de
Mr. de S'. Georges, musique de M. W. Balfe. Partition
chant et piano. Paris. Gerard & cie. [1862?] Plate.
M.255.32
Same. Die Zigeuner. Oper in 3 Acten [von A. Bunn].
Musik von Balfe. [Partitur.] Manuscript. [185-?] 3 v.
M.i52.3a
The bondman, a grand opera, in 3 acts, . . . Written by
Alfred Bunn. Composed by M. W. Balfe. [Accomp. for
pianoforte.] London. Chappell. [184-?] M. 251.35
The canteeneer. Concert song [s. Accomp. for pianoforte].
Boston. Ditson & Co. [185-?] No. 2 in M.192.9.1
Catherine Grey, a grand opera. Written by George Linley.
Composed by M. W. Balfe. [Accomp. for pianoforte.]
London. Cramer, Addison & Beale. [1837.] M.261.6
The churchyard wall. [Song, bar. Accomp. for pianoforte.]
Boston. Ditson. [185-?] No. 25 in M.192.9.1
Come away to the sands. [Song, s. or t. with accomp. for
pianoforte.] Boston. Ditson. [185-?] No. 3 in M.192.9.1
Come into the garden, Maud. Serenade [t.]. With accomp.
for the piano forte. Boston. Ditson & Co. [1858?]
No. 4 in M.192.9.1
Come with the gipsy bride. Song [s.], with chorus ad lib.
70
Balfe
THE ALLEN A. BROWN COLLECTION OF MUSIC
Balfe
Balfe, Michael William. (Continued.)
In the opera of The Bohemian girl. [Accomp. for piano-
forte.] London. Chappell. [184-?] No. 26 in M.23S.7.1
Could'st thou but know. [Song, t. Accomp. for pianoforte.]
Boston. White, Smith & Perry. 1869. No. 23 in M.192.9.1
The day is done. [Song, a. or bar. Accomp. for piano-
forte.] Boston. Ditson & Co. [186-?] No. 5 in M.192.9.1
The enchantress, an opera in 3 acts. Written by M. de St.
Georges & Alfred Bimn. Composed by M. W. Balfe.
[Accomp. for piano.J London. Chappell. [1845.] M.261.9
[Enrico IV. Cavatine, duette e cori nell' opera. Accomp.
di piano.] Milano. Lucca. [183-?] M.350.2
L'etoile de Seville. Opera en quatre actes, partition piano
et chant. Paroles d'Hipp. Lucas. Musique de M. W.
Balfe. Paris. Schonenberger. [1845?] M.390.42
Falstaff, a grand opera. The poetry by M. Maggioni. The
music by M. W. Balfe. [Accomp. for piano.] London.
Cramer, Addison & Beale. [1838?] M.261.1
Farewell, dear home. Ballad [a. or bar. Accomp. for piano-
forte]. Boston. Ditson & Co. [186-?] No. 6 in M.192.9.1
The first kiss. Song [bar. Accomp. for pianoforte]. Bos-
ton. Ditson & Co. [185-?] No. 26 in M.192.9.1
Forget thee. Song or duet [a. bar. Accomp. for piano-
forte]. New York. Gordon. [186-?] No. 7 in M.192.9.1
Fresh as a rose. Ballad [x. Accomp. for pianoforte]. Bos-
ton. Ditson & Co. [18&-?] No. Sin M.192.9.1
Gentle Nellie Gray. Song [bar.] and chorus [a. t. b. b.
Accomp. for pianoforte]. Boston. Ditson & Co. [185-?]
No. 9 in M.192.9.1
Gently o'er the rippling water. [Song, s. or x., with accomp.
for pianoforte.] Boston. Ditson & Co. [185-?]
No. 10 in M.192.9.1
The gipsy chorus, in the opera of The Bohemian girl. Lon-
don. Chappell. [184-?] No. 25 in M.23S.7.2
Go, lovely rose. [Song, x., with accomp. for pianoforte.]
Boston. Ditson & Co. [185-?] No. 11 in M.192.9.1
Good night! beloved. Serenade [x. Accomp. for piano-
forte]. Boston. Ditson&Co. [186-?] No. 12 in M.192.9.1
The green trees whispered low and mild. [Song, x. Accomp.
for pianoforte.] Boston. Ditson & Co. [1S6-?]
No. 27 in M.ig2.9.i
Guide me, O Thou great Jehovah. Anthem, Arranged and
adapted from Balfe by Howard M. Dow. [Accomp. for
pianoforte.] Boston. Russell & Co. 1876.
No. 33 in M. 190.2
Gushing from this living fountain. [Song, s. or x. Accomp.
for pianoforte.] Boston. Ditson & Co. [185-?]
No. 13 in M.ig2.9.i
Ho girato tutto il mondo. Aria per basso. [Accomp. di
pianoforte.] Paris. Mayand & cie. [185-? La lira
d'ltalia.] No. 14 in M. 192.9.1
I love you. Song [x. Accomp. for pianoforte]. London.
Davison & Co. [185-?] No. 15 in M.192.9.1
I'm a merry Zingara. Song [s. Accomp. for pianoforte].
Boston. Ditson. [185-?] No. 18 in M.192.9.1
I'm leavin' hame, my Willie. Scotch ballad [a. Accomp.
for pianoforte]. London. Addison, Hollier & Lucas.
[185-?] No. 19 in M.192.9.1
I'm not in love, remember. Song [s. Accomp. for piano-
forte]. London. Davison & Co. [185-?]
No. 20 in M.igc.g.i
I'm with you once again. [Song, a. or bar. Accomp. f„r
pianoforte.] Boston. Ditson & Co. [185-?]
No. 21 in M.192.9.1
I wandered by the brookside. Ballad [a. or bar. Accomp.
for pianoforte]. Boston. Ditson&Co. [186-?]
No. 16 in M.192.9.1
If I could change. Ballad [a. or bar. Accomp. for piano-
forte]. Boston. Ditson&Co. [186-?] No. 17 in M. 192.9.1
Joan of Arc, a grand opera. Written by Edward Fitzball
[pseud.]. Composed ... by M. W. Balfe. [Accomp. for
pianoforte.] London. Cramer, Addison & Beale. [1837.]
M.261.7
Balfe, Michael William. (Continued.)
Keolanthe, oder das Traumbild. Grosse Oper in 3 Akten.
Clavierauszug ohne Ensembles und Finales. Wien. Spina.
[1854?] M.261.12
Lady Mildred. [Song, x. Accomp. for pianoforte.] Lon-
don. Cramer & Co. [186-?] No. 1 in M.192.9.2
Let me whisper in thine ear. Ballad [x. Accomp. for piano-
forte]. Boston. Ditson & Co. [185-?] No. 2 in M.192.9.2
Letty, the basket maker. Comic opera in three acts. Writ-
ten by Palgrave Simpson. Composed by M. W. Balfe.
[Vocal score. Accomp. for pianoforte.] London. Hutch-
ings & Romer. [186-?] M.390.43
The original title of this opera was The devil's in it.
The light of other days. [ Song, s. or x. Accomp. for piano-
forte.] Boston. Davenport. 1877. No. 13 in M.192.9.2
Magenta, or "Sound, trumpet, sound." Song [a. or bar.
Accomp. for pianoforte]. London. Boosey. [186-?]
No. 3 in M.192.9.2
The maid of Artois. A grand opera in 3 acts . . . The
words by Alfred Bunn. The music by M. W. Balfe. Ar-
ranged for the piano forte by Jules Benedict. London.
Cramer, Addison & Beale. [1846?] M.251.34
The maid of honor. [Overture and 19 numbers of the opera.
Text by Edward Ball. Music by Balfe. Accomp. for
pianoforte.] London. Chappell. [1847?] 20 parts in i v.
M.391.1
Margaretta. [Song, bar. Accomp. for pianoforte.] Boston.
Ditson&Co. [186-?] No. 4 in M.192.9.2
Mazeppa, a cantata, written by Jessica Rankin, composed by
M. W. Balfe. [Accomp. for pianoforte.] London. Cramer,
Beale & Wood. [186-?] M.270.7
The moon is up. [Song, a. or bar. x\ccomp. for pianoforte.]
Boston. Ditson & Co. [i86-?] No. 14 in M.192.9.2
Moro, or the painter of Antwerp. Grand opera in 3 acts,
with a prologue. Translated [from Piave] and adapted by
W. A. Barrett. Music by M. W. Balfe. [Accomp. for
pianoforte.] London. Cramer & Co. [1882.] M.2S5.31
Der Mulatte. Romantische Oper in 3 Acten. Nach dem
Englischen des Alfred Bunn von J. C. Grunbaum. Musik
von M. W. Balfe. Vollstandiger Clavierauszug. Wien.
Mechetti. [185-?] M.261.11
My native land. [Bravura song, s. or x. Accomp. for piano-
forte.] Boston. Ditson&Co. [185-?] No. 5 in M.192.9.2
Norah, darling, don't believe them. Irish ballad [x. Ac-
comp. for pianoforte]. Boston. Ditson & Co. [186-?]
No. 6 in M.192.9.2
"O take me to thy heart again." Song [a. Accomp. for
pianoforte]. London. Davison. [185-?] No. 8 in M.192.9.2
O weep not, lady. [Song, bar. Accomp. for pianoforte.]
Boston. Ditson&Co. [185-?] No. 7 in M.192.9.2
O what full delight. Final rondo [and chorus from the Bo-
hemian girl]. London. Chappell. [184-?]
No. 12 in M.235.7.2
One smile from thee. Song [a. or bar. Accomp. for piano-
forte]. Boston. Ditson&Co. [185-?] No. 9 in M.192.9.2
Pealing chimes. Four part song. London. Hutchings &
Romer. [185-?] No. 2 in M. 157.23
The power of love. Part-song. Arranged by W. H. Birch.
(In The Choralist. Vol. i, pp. 33-36.) No. 11 in M.157.S.1
Le puits d'amour. Opera comique en 3 actes. Paroles de
Scribe et de Leuven [pseud.]. Musique de M. W. Balfe.
[Partition. Paris. 1843.] M.261.13
Same. Partition piano et chant. Paris. Bernard-Latte.
[1843?] M.362.15
The Puritan's daughter, an opera in 3 acts. The libretto by
J. V. Bridgeman, the music by M. W. Balfe. [Accomp.
for pianoforte.] London. Addison, Hollier & Lucas.
[1861?] M.261.2
The quadroon girl. Song [a. or b. Accomp. for pianoforte].
London. Boosey & Co. [186-?] No. 19 in M.i92.9.a
The reaper and the flowers. [Song, a. or b. Accomp. for
pianoforte.] Boston. Ditson & Co. [186-?]
No. 17 in M.192.9.2
The rose of Castille, opera, in 3 acts, written by A. Harris
& E. Falconer [pseud.], the music ... by M. W. Balfe.
71
Balfe
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ballade
Balfe, Michael William. (Continued.)
[Accomp. for pianoforte.] London. Cramer & Co. [1857?]
M.261.8
The rowan tree. [Song, a. or b. Accomp. for pianoforte.]
Boston. Ditson & Co. [189-?] No. 16 in M. 192.9.2
The sands of Dee. ISong, s. or t. Accomp. for pianoforte.]
London. Boosey & Co. [186-?] No. 15 in M.192.9.2
Satanella; or, the power'of love. Romantic opera in 4 acts.
Written by E. Falconer [pseud.] & A. Harris. Composed
by M. W. Balfe. [Vocal score.] London. Boosey. [1858.]
M.328.2
Si tu savais, "Didst tkou but know." Romance [t. Accomp.
for pianoforte]. London. Davison & Co. [186-?]
No. 10 in M.ig2.g.2
The music is the same as in Coulds't thou but know.
The Sicilian bride. [Overture, airs, duets, songs, etc. Piano-
II parts in
M.237.21
forte accomp.] London. Chappell. I187-
I v.
The words are by Alfred Bunn.
The siege of Rochelle, a grand opera. The poetry by E.
Fitzball [pseud.]. Composed . . . by M. W. Balfe. [Ac-
comp. for piano.] London. Cramer, Beale & Co. [1836?]
M.261.4
The sleeping queen, comic opera in 2 acts. Written by
Henry Farnie. Composed by M. W. Balfe. [Accomp. for
pianoforte.] London. Cramer & Co. [1863.] M.261.10
"Smile, O heaven, upon the day!" Chorus from "Satanella."
[Accomp. for pianoforte. London. Boosey & Co. 186-?]
No. 68 in M. 157.5.2; No. 13 in M.157.1
The spirit of light. Cavatina [s. or x. Accomp. for piano-
forte]. Boston. Ditson & Co. [186-?] No. 18 in M.192.9.2
The sun upon the silent hills. [Song, s. or t. Accomp. for
pianoforte.] Boston. Ditson & Co. [185-?]
No. 20 in M.192.9.2
Sweet blossom of parental joy. Duet [s. t.] in the opera
The siege of Rochelle. [Accomp. for pianoforte.] Bos-
ton. Ditson. [185-?] No. II in M.ig2.9.2
Sweetheart. A bird's song [s. or x. Accomp. for piano-
forte]. Boston. Ditson & Co. [186-?] No. 12 in M.192.9.2
II talismano (The talisman), or the Knight of the leopard.
A grand romantic opera in 3 acts. English libretto by
Arthur Matthison. Italian translation by Sigr. Zaffira.
Music by M. W. Balfe. [Accomp. for piano.] New York.
Pond & Co. 1874. M.261.5
Then lady, wake. [Song, i. Accomp. for pianoforte.] Bos-
ton. Ditson & Co. [185-?] No. 21 in M.192.9.2
Threads of gold. Ballad [s. or x. Accomp. for pianoforte].
Boston. Ditson & Co. [186-?] No. 22 in M.192.9.2
Through wood and through forest. Hunting glee [x. x. b. b.],
in the opera of The bondman. London. Chappell. [184-?]
No. 29 in M.235.7.2
Till thou sought'st my happy cot. Ballad [x.] from The
maid of honor. [Accomp. for pianoforte.] Boston. Oakes.
[185-?] No. 23 in M.192.9.2
To me the world's an open book. [Song, a. or b. Accomp.
for pianoforte.] Boston. Ditson & Co. [185-?]
No. 24 in M.192.9.2
'Twas he, my only thought. Ballad [s.] in the opera Bianca
the bravo's bride. [Accomp. for pianoforte.] London
Boosey. [186-?] No. 25 in M.192.9.2
'Twas in that garden beautiful. [Song, s.] In The siege of
Rochelle. [Accomp. for pianoforte.] Boston. Ditson.
[i^S-?] No. 26 in M.192.9.2
Die vier Haimons Kinder; komische Oper in 3 Aufziigen
nach dem Franzosischen der Herrn Leiiven [Pseud.] u.
Brunswick [Pseud.] von F. Ritter von Seyfried. Musik
von Balfe. [Partitur.] Manuscript. [184-?] 2 v. M.230.6
Same. Komische Oper in 3 Acten, nach dem Franzosischen
. . . von J. Kupelwiser. Musik von M. W. Balfe. [Cla-
vierauszug.] Wien. Diabelli & Co. [184-?] M.261.14
We may be happy yet. Ballad [s. or x.] in The daughter of
St. Mark. [Accomp. for pianoforte.] Boston. Ditson &
Co. [185-?] No. 27 in M.192.9.2
What's a tear? Ballad [s. or x. Accomp. for pianoforte]
Boston. Ditson & Co. [186-?] No. 28 in M.192.9.2
72
Balfe, Michael William. (Continued.)
Woman's heart. Romance [s. or x.] in The enchantress.
[Accomp. for pianoforte.] Boston. Ditson. [186-?]
No. 29 in M.192.9.2
Write to me. [Song, x. Accomp. for pianoforte.] Boston.
Ditson. [185-?] No. 30 in M.192.9.2
Yon moon o'er the mountain. Romance [s. or x. Accomp.
for pianoforte]. New York. Atwill. [184-?]
„. „. No. 31 in M.192.9.3
Die Zigeuner. See his The Bohemian girl.
Balfe, Michael William. Works about.
Barrexx, W. a. Balfe: his life and work. London. 1882.
Portraits. Plates. M.I26.2I
Kenney, C. L. a memoir of Michael William Balfe. Lon-
don. 1875. Portrait. Plate. Facsimile. M.105.6
Neumann, W. William Balfe. . . . Cassel. 1856. Portrait.
c T TT T T, . . No. 3 in M.20S.1S
bx. Leger, H. J. Reminiscences of Balfe. London. [1870.]
N0.4inM.128.32
Ball, Edward.
The devil's eli.xir. The music by G. Herbert Rodwell.
No. 2 in M.391.56
Joan of Arc, a grand opera. Composed . . . by M. W. Balfe.
M.261.7
The Lord of the Isles. The music by G. Herbert Rodwell.
M.264.15
Lurline. Grand romantic opera. Composed by W. V. Wal-
rT^}^^^' M.294.I3
The maid of honor. [Music by Balfe.] M.391.1
Maritana, a grand opera, in three acts, by Edward Fitzball
[pseud.]. The music by W. V. Wallace . . . London
Johnson. [184-?] No. Sin M.145.25
Libretto only. ^•' •'
Same. The music by M. V. Wallace. M.294.9
[Paul Clifford.] The music ... by G. Herbert Rodwell
and John Blewitt. No. 2 in M.390.40
Raymond & Agnes, a grand opera. The music by Edward J.
Loder. M.356.30
The robber's bride. A grand opera. Composed by Ferdi-
nand Ries. M.264.11
She stoops to conquer, an opera. Composed by G A Mac-
^/arren. M.263.27
The siege of Rochelle, a grand opera. Composed bv
M W. Balfe. ^.261.4
Uncle Grayling, or Queen of the Thames, or the anglers.
Operetta. The music by J. S. Hatton. M.292.22
Ball, Edward, translator.
Scribe, A. E. [The crown jewels.] No. 11 in M-id": 2":
Ball, J. Meredith. ^^ *
A poor soul sat sighing. [Part-song.] London. Jefferys
r,iJt^m^ 1 No.36inM.i2i.3
Ball, T. Hanly.
Sketch of Handel and Beethoven. London. Skeet. 1864.
Ball, William. "'''''•'^
Hymn of the night, a sacred work. The music by Sigismund
Neukomm. No. 5 in M.221.IS
Ball, William, editor.
The musical gem; a souvenir for 1833. Edited by N Mori
and W. Ball. M.158.2
Ball, William, translator.
MoscHELES, I., editor. The Tyrolese melodies. M.244.24
Ballabile. For orchestra. Boekelman. No. 4 in M.358.22
Ballad, The, of a knight and his daughter. Chorus. For the
Music see Parker, H. W. For the Librexxo see Stolberg-
Stolberg.
Ballad of the weaver. Part-song. Haxxon. No. 46 in M.121.3; etc.
Ballad singer, The. Song. Linley, G. [Songs.] Vol. i. '
No. 13 in M.235.19.1
Ballade. For orchestra. Glazunov. No. i in M.406.12
PiRANi. No. 3 in M.406.56
Ballade de la reine Marguerite de Valois. Song. Meyerbeer.
40 melodies. No. i in M.1S7.38
Ballade de minuit. For violoncello. S^ligmann.
No. 8 in M.2I0.6; etc»
Ballade
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ballet
Ballade des Harfners. Song. Schumann, R. A. Lieder . . .
aus Wilhelm Meister. No. ii in M.244.15.3; etc.
Ballade et polonaise de concert. For violin. Vieuxtemps.
No. 3 in M.410.4
Ballade serbe. Song. Vaucorbeil. Melodies. M.213.25
Ballade vom Haideknaben. Song. Schumann, R. A. Werke.
Serie 13, Band 4. M.316.1.13.4
Balladine et Casquenfer. Opera. For the Music see Barbier,
F. £. For the Libretto see Blondelet.
Ballads.
See also Songs. With music.
Bach. A. B. The art ballad: Loewe and Schubert. Edin-
burgh. 1890. M. 107.18
Chappell, W. a collection of national English airs, con-
sisting of ancient song, ballad & dance tunes. The airs
harmonized by W. Crotch, G. A. Macfarren, and J. Augus-
tine Wade. [London.] 1839, 40. 2 v. M. 121. 16
Chopin, F. F. Balladen fiir das Pianoforte. Werke. Band i.
M.316.2.1
Christie, W., editor. Traditional ballad airs. Arranged
for the pianoforte and harmonium, from copies in Aber-
deen, Banff and Moray, by W. Christie, M.A., and the late
Wm. Christie, Monquhitter. Edinburgh. 1876, 81. 2 v.
M.121.12
Jewitt, L., editor. The ballads & songs of Derbyshire. With
illustrative notes . . . London. 1867. M.103.15
La Villemarque, T. C. H. H. de. Ballads and songs of
Brittany. By Tom Taylor. Translated from the "Barsaz-
breiz." With some melodies harmonized by Mrs. Tom
Taylor. London. 1S65. M.106.4
RiMBAULT, E. F. Musical illustrations of Bishop Percy's
Reliques of ancient English poetry. A collection of old
ballad tunes, &c. London. 1850. M.123.7
Ballande, Hilarion.
La parole, ou I'art de dire et d'exprimer applique a la cause-
rie, au professorat a la lecture a haute voix . . . Paris.
Dentu. 1868. M. 198.4
Ballard, Charles.
L'album d'un jaloux. {In Foyer de I'Opera. Tome 2, pp.
35^-142.) M.i29a.5.2
Bcdlerina amante. La. Opera. For the Music see Cimarosa.
Ballet.
Adice, G. L. Theorie de la gymnastique de la danse thea-
trale. Paris. 1859. M.121.29
Blaze, F. H. J. La danse et les ballets, depuis Bacchus
jusqu'a Taglioni. Par Castil-Blaze. Paris. 1832. M. 129.26
Heath, C. Beauties of the opera and ballet. London.
[1845] M.123.9
Ballet-comique, Le, de la reine. Opera. For the Music see
Baltazarini. For the Libretto see La Chesnaye.
Ballet d'autrefois. Duets. For the Music see Godard, B. L. P.
For the Libretto see Boyer.
Ballet de la reine.
Celler, L. Les origines de I'opera et le Ballet de la reine
(1581). Paris. 1868. M.I29.33
Ballet girl. The. Opera. For the Music see Kiefert. For the
Libretto see Tanner.
Ballet music.
See also Pantomimes.
Adam, Adolphe C. Giselle, ou, les wills. Ballet pantomime
en 2 actes . . . [Partition reduite pour le piano.] M.404.37
Baltazarini. Ballet comique de la royne. [Choix de pieces
dans le ballet. Partition.] {In Deldevez. Fondation de
I'opera en France.) No. i in M.356.11
Banes, A. Zilda. Divertissement-ballet en i acte de Paul
Bilhaud. Musique de A. Banes. [Partition piano.]
No. 3 in M.255.33
Bayer, J. Der Kinder Weihnachtstraum. Ballet in i Acte
u. mehreren Bildern von Robert Koller. Musik von Josef
Bayer. Clavierauszug. No. i in M.255.42
Rouge et noir. Ballet in i Acte und 3 Bildern. Cla-
vierauszug. No. 2 in M.255.42
Sonne und Erde. Ballet in vier Abtheilungen, und eilf
Ballet music. (Continued.)
Bildern von J. Hassreiter und F. Gaul. Musik von Josef
Bayer. [Klavier-Auszug.] No. i in M.384.1
Ein Tanz-Marchen. Grosses Ballet in i Vorspiel, 3
Abtheilungen und 15 Bildern, von J. Hassreiter und F.
Gaul. Musik von Josef Bayer. Clavierauszug.
No. 3 in M.255.42
Bishop, H. R. [Caractacus.] The overture, quartetto, &
most favorite airs in the grand ballet of Caractacus.
[Piano score.] No. 3 in M.391.8
[Sadakand Kalasrade.] The overture, songs, marches,
and a selection of the favorite airs in the grand Asiatic
spectacle, Sadak & Kalasrade; or the waters of oblivion.
Composed by Henry R. Bishop. The action &c. arranged
by Charles Farley. M.396.12
Tamerlane et Bajazet, the new grand heroic ballet
. . . The ballet by Sigr. Rossi, the music composed, se-
lected, and the whole arranged for the pianoforte, by H.
R. Bishop. No. 2 in M.396.17
Bizet. Agyptischer Tanz aus der Oper „Djamileh." Par-
titur. No. 4 in M.405.5
Tanz der Hindus aus der Oper „Die Perlenfischer."
Partitur. No. 4 in M.405.5
Blockx. Kermesse flamande extraite de Milenka. Ballet-
pantomime en un acte et deux tableaux. [Partition.]
No. 3 in M.358.22
BouvAL. Lais, ou, le scandale du Louvre. Ballet mime
en I acte de L. Roger-Miles & Charles Akar. Musique de
Jules Bouval. [Partition pour piano.] No. 2 in M.384.1
Chabrier. Danse slave [dans] Le roi malgre lui. [Parti-
tion.] No. 2 in M.358.23
Fete polonaise [dans] Le roi malgre lui. [Partition.]
No. 3 in M.358.23
Cherubini. Balletmusik fiir grosses Orchester aus der
Oper Anacreon. Revidirte Ausgabe. Von Joh. N.
Cavallo. Partitur. No. 2 in M.336.6
Zwischenact- und Ballet-Musik aus der Oper Ali Baba
fiir grosses Orchester. Herausgegeben von Carl Reinecke.
Partitur. No. i in M.336.6
Covven. The language of flowers. Suite de ballet. Full
score. M.331.14
Deldevez. Suite de ballets pour orchestre. Op. 27. Parti-
tion. M.356.13
Delibes. Le roi s'amuse, de Victor Hugo. Scene du bal.
Airs de danse dans le style ancien. Partition.
No. I in M.343.5I
Sylvia. Ballet. Suite d'orchestre. Partition. M.343.52
Sylvia, ou la nymphe de Diane, ballet en trois actes et
cinq tableaux de Jules Barbier & Merante . . . Partition
piano. M.384.2
Dubois, F. C. T. La farandole. Ballet en 2 actes et 3 ta-
bleaux, de Ph. Gille, Arnold Mortier et L. jNIerante. Mu-
sique de Theodore Dubois. [Partition pour piano.]
No. 2 in M.305.17
Duvernoy. Bacchus, ballet en trois actes et cinq tableaux
de Georges Hartmann & J. Hansen (d'apres un poeme
de Mermet). Musique de Alphonse Duvernoy. [Partition
piano.] M.384.4
Forster, J. Der Spielmann. Phantastisches Ballet. Or-
chester-Partituren: Mazurka, Violin-Solo, Scene und Wal-
zer, Finale. No. 2 in M.331.7
Ganne. L'heureuse rencontre. Divertissement-Watteau
mele de chant par L. Roger-Miles et Charles Akar. Mu-
sique de Louis Ganne. No. 2 in M.384.1 7
Gastinel. Le reve. Ballet en 2 actes et 3 tableaux de MM.
fidouard Blau et J. Hansen. Musique de Leon Gastinel.
Partition pour piano, reduite par F. Koenig.
No. I in M.256.20
Glazunov. L'hiver. Premier tableau du ballet „Les sai-
sons." Op. 67a. Partition. No. I in M.410.31
Pas de caractere. (Genre slave-hongrois.) Pour or-
chestre. Op. 68. Partition. No. 2 in M.410.31
Raymonda. Ballet en trois actes. Sujet de Lydie
Pachkoff et de Marius Petipa. Musique par Alexandre
Glazounow. [Partition.] M.402a.3S
1. 10
7i
Ballet
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ballet
Ballet music. (Continued.)
Glazunov. Ruses d'amour. Pastorale Watteau. Ballet en
un acte par Marius Petipa. Musique de A. Glazounow.
[Partition.] M.406.47
Les saisons. Ballet en un acte et quatre tableaux,
compose par Marius Petipa. Musique de Alexandre Gla-
zounow. [Partition.] M.406.48
Gluck. Airs de ballet disposes en suite d'orchestre. Suite
1,2. [Partition.] No. I, 2 in M.343.43
Ballet-Musik (Aria per gli atleti, Chaconne und Ga-
votte) aus Paris und Helena. Herausgegeben von Carl
Reinecke. Partitur. No. 3 in M.332.19
Ballet-Suite. Balletstiicke aus Opern von Chr. W.
Gluck fiir Orchester frei bearbeitet von Felix Mottl.
[Partitur.] No. 4 in M.403.39
Don Juan. Ballet. Vollstandiger Klavierauszug von
Friedrich Wollank. No. 3 in M.3S0.4
Same. [2. Serie.] No. i in M.410.32
GoDARD, B. L. P. Ballet d'autrefois. (Old viforld ballet.)
Petite scene a deux personnages. Poeme de Georges
Boyer. Translated by M. C. Gillington (Mrs. G. F. By-
ron). Musique de Benjamin Godard. No. 2 in M.384.20
The title-page and text are in French and English.
Grandval. [Mazeppa.] Ballet de Mazeppa. Opera. Par-
tition d'orchestre. No. 3 in M.406.50
Gregh. Arlette, pantomime-ballet en 2 actes (2 tableaux)
de Fernand Beissier, musique de Louis Gregh. Partition
piano, 2 mains. No. i in M.384.7
Gretry, a. E. M. Drei Tanzstiicke aus Gretry's heroischem
Ballet „Cephale et Procris" zum Konzertvortrag frei bear-
beitet von Felix Mottl. i. Tambourin. 2. Menuetto. 3.
Gigue. [Partitur.] No. 2 in M.410.32
Grossmann. Trois airs de ballet. Partition. No. 2 in M.358.26
GuiRAUD. Danse persane. Air de ballet. Partition.
No. 2 in M.3S8.15
Gretna-Green. Ballet en i acte de Ch. Nuitter [pseud.]
& Merante. Musique de E. Guiraud. Partition reduite
pour piano. No. i in M.276.10
Hartog. Sevilliana. Air de ballet. Partitur.
No. 2 in M.358.13
HoELLERER. Pas de quatre pour grand orchestre. [Parti-
tion.] M.333.1
Lalo. Namouna. Suite d'orchestre extraite du ballet en
deux actes. [lere,] 2e suite. Partition. M.404.86
Le Borne. L'idole aux yeux verts. Ballet-pantomime en
deux actes de Raoul Lefebvre. Choregraphie de J. Han-
sen. Musique de Fernand Le Borne. Partition complete.
[Accomp. de piano.] No. 2 in M.384.7
Lefebvre, C. £. Divertissement de Djelma, opera. Parti-
tion. No. 4 in M.4o6.5r
Legrand-Howland. Pippo. Ballet en deux tableaux.
[Partition pour piano.] No. 2 in M.384.5
LiNDPAiNTNER. Aglae. I'eleve de I'Amour. Ballet anacreon-
tique en i acte de Philippe Taglioni. Compose . . . par
P. Lindpaintner. [Partition pour piano.] No. i in M.232.39
Danina, oder Joko, der brasilianische Affe, Ballet in 4
Acten von Ph. Taglioni, in Musik gesetzt . . . von Lind-
paintner. Clavier-Auszug. M.232.37
LoRENZ, C. A. [Harald und Theano.] Taubenlied und Bal-
letmusik aus der Oper „Harald und Theano." Partitur.
No. 3 in M.403.95
Mackenzie, A. C. Ballet music and rustic march from the
opera "Columba." [Full score.] M.331.26
Massenet. Le Cid. Opera. Ballet. Partition. M.403.100
Messager. Une aventure de la Guimard. Ballet en un acte.
[Partition piano et chant.] No. i in M.389.14
Les deux pigeons. Ballet en 3 actes, d'apres la fable
de La Fontaine par Henry Regnier & Louis Merante.
Musique de Andre Messager. Partition piano seul.
M.394.19
Metra. Le repos de Mikado. Morceau detache [du ballet
Yedda] pour orchestre. Partition. No. 4 in M.343.15
Mozart. Balletmusik zur Oper Idomeneo. Partitur.
Werke. Serie 5, No. 14. No. 2 in M.31S. 1.5.7
Ballet music. (Continued.)
Naumann, J. G. [Medea.] Le sort de Medee. Grand ballet
pantomime, de I'invention du Sieur Lauchery, mis en mu-
sique par le Sieur Naumann. Arrange pour le clavecin
par J. C. F. Rellstab. No. 4 in M.225.26
NoszKOVSKi. Zigeunertanz (Taniec-Cyganski) und uk-
rainischer Tanz [Kolomyjka) . . . Balletmusik aus dem
Volksschauspiel: Die einsame Hiitte, fiir Orchester. Par-
titur. No. 2 in M.410.51
Pirani. Scenes de ballet pour orchestre. [Partition.]
No. 4 in M.33i.g
Pfohl. Eine Balletszene fiir grosses Orchester. Op. 12.
Partitur. No. 2 in M.406.56
" PuGNi. The grand ballet of Ondine, or La naiade. Com-
posed by M. Perrot. the music ... by C. Pugni. [Piano-
forte score.] M.235.21
PuGNO. Viviane. Ballet en 5 actes et 6 tableaux, de Ed-
mond Gondinet. Musique de R. Pugno & C. Lippacher.
Partition pour piano solo. M.297.23
Rameau. Castor et Pollux. Fragments disposes en suite
d'orchestre. Partition. No. 3 in M.343.48
Drei Balletstiicke fiir Orchester. Zum Konzertvor-
trag frei bearbeitet von Felix Mottl. [Partitur.]
No. I in M.404.S
Drei Balletsuiten . . . eingerichtet von Hermann
Kretzschmar. Partitur. No. 2-4 in M.404.5
RiGHiNi. Minerva belebt die Statuen des Dadalus. Ein
pantomimischer Tanz. Klavierauszug. No. i in M.350.11
Rimski-Korsakov. [Mlada.] Suite pour orchestre tiree
de I'opera-ballet Mlada. Partition. No. 3 in M.410.79
RiOTTE. Elisene, oder der Wald bey Hermannstadt. Grosses
pantomimisches Ballet . . . Vollstandiger Clavier-Aus-
zug. No. 2 in M.350.11
Royer, J. N. P. Zaide, ballet heroique [de I'Abbe Dela-
mare], mis en musique par M"'. Royer. 2e edition. [Par-
tition.] M.400.28
Rubinstein. Balletmusik fiir Orchester aus der Oper Der
Damon. Partitur. No. 2 in M.345.11
Balletmusik fur Orchester aus der Oper Nero. Par-
titur. No. 2 in M.342.28
Balletmusik und Hochzeitszug fiir Orchester, aus der
Oper Feramors. Partitur. No. i in M.34S.11
Die Rebe (La vigne). Ballet in 3 Acten (funf Bil-
dern) von Taglioni, Grandmougin und Hansen. Musik
von Anton Rubinstein. Vollstandiger Clavierauszug [zu
vier Handen]. M.200.i3
Saint-Saens. Airs de ballet de Parysatis. Partition.
No. I in M.4o6.2g
Danse des pretresses de Dagon, de Samson & Dalila.
Partition. No. i in M.404.12
fitienne Marcel. Opera. Airs de ballet. Partition.
No. 2 in M.342.31
Fantaisie pour orchestre sur Javotte. Ballet. Parti-
tion. M.406.28
Javotte. Ballet en i acte et 3 tableaux de J. L. Croze.
Musique de C. Saint-Saens. Partition pour piano seul.
No. 2 in M.193.10
Schubert, F. P. [Rosamunde.] Ballet-Musik. Partitur-
ausgabe. No. 3 in M.334.17
Smetana. Zwei Wittwen, komische Oper. Ballet-musik.
Partitur. No. 5 in M.405.S7
TcHAiKovsKi, P. I. Casse-noisette. Ballet-feerie, en 2 actes.
Danses caracteristiques. Partition. No. 3-8 in M.404.26
Der Nussknacker. (Casse-noisette.) Ballet-Feerie in
zwei Acten. Vollstandiger Clavierauszug von S. Taneeff.
M.384.10
Suite pour grand orchestre, tiree de la partition du
ballet Casse-noisette. Partition. No. 4 in M.342.43
Thomas, C. L. A. [Frangoise de Rimini. Opera. Ballet.
Partition.] M.404.28
Thome. [Les noces d'Arlequin. Ballet-pantomime. Par-
tition.] No. I in M.333.20
ViDAL, P. A. L'imperatrice. Ballet-feerie en deux actes et
74
Ballet
THE ALLEN A. BROWN COLLECTION OF MUSIC
Banger
Ballet music. (Continued.)
un prologue. Poeme de Jean Richepin. Musique de Paul
Vidal. [Pour piano.] No. 2 in M.383.42
La maladetta. Ballet en deux actes et quatre tableaux.
Partition [piano]. M.394.62
VizENTiNi. Ordre du roi. Grand ballet en 4 actes et 5
tableaux. [Partition de piano.] M.331.13
Wenzel. La cour d'Amour. Ballet en 3 actes de Balbiani.
Musique de L. de Wentzel. Partition pour piano.
No. I in M.326.25
The press. Ballet in one act and three tableaux.
Invented by C. Wilhelm . . . Produced and arranged
by Madame Katti-Lanner. Lyrics by Horace Lennard.
Music by Leopold Wenzel. M.397.75
Balletszene, Eine. For orchestra. Pfohl. No. 2 in M.406.S6
Balleyguier, Delphin.
L'Alceste de Gluck. Notice historique (1776-1861). Pans.
Tresse. [i86t.] No. 4 in M.197.3
An autograph letter of Balleyguier is inserted.
Balliere de Laissement, Charles Louis Denis.
Theorie de la musique. Paris. Didot. 1764. M.205.1
Hallo, Un, in maschera. Opera. For the Music see Verdi.
For the Libretto see Somma.
Ballot de Sovot, , editor.
Rameau, J. P. Platee (ou Junon jalouse). Comedie-ballet.
Paroles de Autreau [retouchees par] Ballot de Sovot . . .
M.297.34
Balmy gale. Part-song. Horsley, W. No. 13 in M.235.g.4; etc.
Balmy sweetness. Glee. Bayley, W. No. S in M.237.9
Balmy zephyrs. Part-song. Webbe, S. No. 47 in M.235.17.3; etc.
Balocchi, Vincenzo.
Moise. Opera en 3 actes. Musique de M. Rossini. [Paroles
de Balocchi et Ftienne.] Paris. Andre. 1832.
Contains the libretto only. No. 3 in M.370.37
Same. Opera ... par G. Rossini. [Paroles de Balocchi
et fitienne.] M.264.21; etc.
Le siege de Corinthe. Tragedie lyrique en 3 actes, paroles
de MM*** [Balocchi et Soumet] ; musique de M. Ros-
sini. Paris. Jonas. 1836. No. 2 in M.370.37
The libretto only.
Same. Tragedie lyrique. [Paroles de Balocchi et Soumet.
Musique de] G. Rossini. M.226.14; etc.
Same. The siege of Corinth. Opera [by Balocchi and Sou-
met]. Composed by G. Rossini. M.226.14; etc.
The words are in French and English.
I virtuosi arabulanti. Opera buffa. Posta in musica dal
Maestro Fioravanti. M. 227.2; etc.
Balorre, Charles de.
Serenade pour piano. [Arrangee pour orchestre.] Paris.
Hamelle. [187-?] No. i in M.358.22
Baltazar. Oratorio. For the Music see Carissimi. Oratorios.
Baltazarini.
Le ballet-comique de la reine fait aux noces de Monsieur le
Due de Joyeuse avec Mademoiselle de Vaudemont, par
Balthazar de Beaujoyeux [pseud.]. Les paroles sont de
La Chesnaye. Reconstitue et reduit pour piano et chant
par J. B. Weckerlin. Paris. Michaelis. [18S-?] Plate.
[Chefs-d'oeuvre de I'opera frangais.] No. 3 in M.275.22
Ballet comique de la royne. [Choix de pieces dans le ballet.
Partition.] {In Deldevez. Fondation de I'opera en France.
Pp. 1-6.) No. I in M.356.11
Balthasar, A.
Adagio romantico, fiir 2 Violinen, Viola und Violoncello.
Partitur. New York. Breitkopf & Hartel. 1892.
No. I in M.404.39
Balthazar. Cantata. For the Music see Guilmant. For the
Libretto see Guinaud.
Baltzar, Wilhelm Eduard.
Aus der Edda. Gcdichte componirt von Ferd. Hiller.
No. 3 in M. 270.52
Banbury ale. Catch a 4 voci. {In Clementi. Collection of
catches. Vol. 2, p. 91.)
No. 160 in M.iio.1.2; No. 160 in M.iio.2.2
Banc, Le, de pierre. Song. Gounod. Vingt melodies. 4e
recueil. No. i in M. 157.36.4
Vaucorbeil. Melodies. M.213.25
Banck, Carl.
Deutsches Trinklied. Die Petition aus Alingen. [Zwei
Lieder, T. T. B. b.] Op. 61, Liv. 2. Mainz. Schott. [184-?]
No. 35 in M.392.2
Evening song [t. t. b. b.]. (/» Willard. Arion. P. 43.)
No. 22 in M.109.1
Sechs Gesange [s. oder t.] mit Begleitung des Pianoforte.
Magdeburg. Wagner & Richter. [185-?]
No. 17 in M.221.30
Contents. — Fischers Liebeslied. — Nimmerl — Verrathene Liebe. —
Lustiges Lied im Mai. — Lebensmotto. — Soldatenweh.
Vom Berge. Fiir 2 Tenor-Soli mit Chor [t. t. b. b]. Magde-
burg. Heinrichshofen. [187-?] No. 9 in M.392.35
Banck, Carl, editor.
Haydn, F. J. Sechs Sinfonien. M.344.26
Bancroft, Frederick W., editor.
Becker, C. J. Columbus. No. 2 in M.194.4
Band-Bovy, D.
Poeme alpestre. Musique de E. Jaques-Dalcroze. M.3g4.66
Band music.
Patton, G. F. a practical guide to the arrangement of band
music. Leipzig. 1875. M. 123.12
Banditenstreiche. Opera. For the Music see Suppe. For the
Libretto see Boutonnier.
Banditenstreiche. Overture. Suppf:. No. i in M.345.19
Bandits, Les. Part-song. Eykens. No. 10 in M.392.33
Bands, Brass. See Brass bands.
Banes, Antoine Anatole.
Le bonhomme de neige. Operette fantastique en 3 actes
d'apres une nouvelle de Paul Laurencin [pseud.]. Paroles
de Henri Chivot & Albert Vanloo. Musique de Antoine
Banes. Partition chant et piano. Paris. Choudens. 1899.
M.383.3
Les delegues. Vaudeville en 4 actes. Paroles de £mile
Blavet & Fabrice Carre. Musique de A. Banes. Partition
piano et chant. Paris. Enoch & Costallat. [1887.]
No. 2 in M.255.33
Un do malade. Operette en i acte. Paroles de A. de Forges
[pseud.] & C. Laurencin [pseud.]. Musique de A.ntoine
Banes. Partition piano et chant. Paris. Bathlot. [188-?]
No. 5 in M.39S.I
L'escargot. Operette en I acte. Paroles de Paul Adely et
Albert Barre. Musique de Antoine Banes. Partition piano
et chant. Paris. Bathlot. [1884.] No. 3 in M.393.3
Madame Rose. Opera-comique en i acte de Paul Bilhaud &
Albert Barre. Musique de Antoine Banes. Partition chant
et piano. Paris. Choudens. 1893. No. 3 in M. 255.2
Me'ie portez-arme! . . . Operette en trois actes de Albert
Barre, E. Martin & Henry Berhard. Musique de Antoine
Banes. Partition chant et piano. Paris. Choudens. 1901.
M.382.1
Le roi Frelon. Opera bouffe en trois actes. Paroles de Al-
bert Barre. Musique de Antoine Banes. [Partition chant
et piano.] Paris. Dupont. 1895. M.397.2
La soeur de Jocrisse. Opera comique en un acte d'apres le
vaudeville de Duvert et Varnier par Albert Vanloo. Mu-
sique de Antoine Banes. [Partition piano et chant.] Paris.
Choudens. [1901.] No. i in M.399.1
Toto. Operette en 3 actes de Paul Bilhaud & Albert Barre.
Musique de A. Banes. Partition chant et piano. Paris.
Choudens. 1892. No. i in M.255.33
Same. Tata-Toto. Vaudeville Operette in 3 Acten von
Paul Bilhaud & Albert Barre, deutsch von Victor Leon
[Pseud.] & F. Zell [Pseud.]. Musik von A. Banes. Cla-
vier-Auszug mit Text. Leipzig. Weinberger. [189-?]
No. I in M.399.2
Zilda. Divertissement-ballet en i acte de Paul Bilhaud.
Musique de A. Banes. [Partition piano.] Paris. Mackar.
[1886.] No. 3 in M.255.33
Banger, G.
Donna Maria Infantin von Spanien, Oper. Musique de
MM. le Comte de Reiset et G. Banger. [Klavierauszug.]
Darmstadt. Wirtz. [1865.] No. 2 in M.iso.6
75
Bangor
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Barbers
Bangor cathedral collection. Cotton, J. H., editor. M.290.33
Bangs, John Kendrick.
The man from now. A fantastical musical comedy. Book
& lyrics by John Kendrick Bangs and Vincent Bryan.
Music by Manuel Klein. 11.389.25
Banierzang. Cantata. For the Music see Heijblom. For the
Libretto see Cock.
Banish, O maiden. Part-song. Lorenz, O.
No. 9 in M.205.10.3; etc.
Banister, Charles William.
Vocal music. A new and complete edition. With an accomp.
for the piano forte. Edited by Henry J. Banister. London.
The editor. [1833] M.23S.20
A collection of church music ; anthems and psalm tunes.
Banister, Henry Charles.
George Alexander Macfarren; his life, works, and influence.
London. Bell. 1891. Portrait. M.i49a.2i
A morning in May. [Trio, s. s. a. Accomp. for pianoforte.]
London. Cock, Hollier & Co. [185-?] No. 6 in M.244.10.4
Musical art and study. Papers for musicians. 2d edition,
with an additional paper. London. Bell. 1888. M.103.16
Contents. — Our art and our profession. — Some methods of musical
study. — Some musical ethics and analogies. — The enjoyment of
music.
Summer days. Trio [s. s. A. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 3, pp. IS3-IS8.)
No. 21 in M.204.36.3
Banister, Henry Joshua.
Domestic music for the wealthy; or, a plea for the art and its
professors. London. The author. [1843.]
No. 3 in M.116.10
Banister, Henry Joshua, editor.
Banister, C. W. Vocal music. M.235.20
Banister, John.
New ayres and dialogues composed for voices and viols, of
two, three, and four parts ... by John Banister and
Thomas Low. London. Brome. 1678. M.ii9a.i4
Banjo.
Temlett, W. The banjo, its origin, construction and capa-
bihties. London. [1888.] No. 3 in M.208.13
Bank Ban. Opera. For the Music see Erkel. For the Libretto
see Egressi.
Bankett-Lied. Part-song. Stuntz. No. 44 in M.i29a.44
Banks, W. F.
I thought of thee. Part-song. London. Jefferys. [187-?]
No. 8 in M.121.3
Banner, The. Duet. Waley. No. 21 in M.380.18
Banner of Baccleuch, The. Song. Beethoven. Werke. Serie
24. M.413.1.24
Banner of Saint George, The. Cantata. For the Music see
Elgar. For the Words see Wensley.
Banner voran. Part-song. Perfall. No. 2 in M. 130.7
Banners wave. The. Part-song. Kuecken. No. 30 in M.20S.10.4
Bannerspruch. Part-song. Abt, F. No. I26in M.246.22
Bannieres, L.
Le puits d'amour. Vaudeville-operette de P. Veber & L.
Bannieres. Musique de Louis Gibaux. No. i in M.39g.22
Bannis un cruel desespoir. Aria. Sacchini. Le Sacchini des
concerts. M.274.9
Bantock, Granville.
The fire-worshippers (adapted from Moore's "Lalla Rookh").
A dramatic cantata for chorus, soli [s. t. b.] and orches-
tra. Vocal score. London. London Music Publishing
Co. [1891?] No. 2 in M.213.1
Die Perle von Iran. (The pearl of Iran.) Romantische Oper
in einem Aufzug. Vollstandiger Klavierauszug mit [en-
glischem und deutschem] Text. Leipzig. Breitkopf &
Hartel. 1894. M.395.3
The time-spirit. Rhapsody for chorus and orchestra. Poem
by Helen F. Bantock. [Music by Granville Bantock.]
Deutsche tjbersetzung von Ludmilla Kirschbaum. Parti-
tur. Leipzig. Breitkopf & Hartel. [1904.] M.410.89
The text is in German and English.
The witch of Atlas (after Shelley). Tone-poem (No. 5) for
orchestra. Full score. London. Novello & Co. 1903,
M.4io.g
Bantock, Helen F.
The time-spirit. Rhapsody for chorus and orchestra. [Mu-
sic by Granville Bantock.] M.4io.8g
Baour-Lormian, Pierre Marie Francois Louis.
Alexandre a Babylone. [Opera.] Musique de Lesueur.
M.263.8
Jerusalem delivree. Opera. Compose par L. Persuis. M.2S4.1
Bapteme, Le. Chorus. Bazin, F. E. J. No. 14 in M. 157.8
Bapteme, Le. Song. Meyerbeer. 40 melodies.
No. I in M.157.38
Bapteme de Clovis, Le. Cantata. For the Music see Dubois,
F, C. T. For the Libretto see Leo XIII., Pope.
Baptie, David.
A handbook of musical biography. London. Morley & Co.
[1883.] M.109.21
Baptism. Oratorio. For the Music see Hatherly.
Baptiste, L.
Methode elementaire et classique de plain-chant romain.
Paris. Lecoffre. 1870. No. 3 in M.198.13
Bar, Alexandre de.
Dans la rue. Pochade musicale. Paroles de [Laurencot]
et de Bar, musique de Henri Caspers. No. i in M.275.32
Baralle, Alphonse.
Un bon oncle! Opera-comique. Musique de Charles Hu-
bans. No. i in M.277.24
Barbare amour, tyran des cceurs. Aria. Sacchini. Le Sac-
chini des concerts. M.274.9
Barbares, Les. Opera. For the Music see Saint-Saens. For
the Libretto see Sardou.
Barbarossa. Cantata. For the Music see Hopffer, L. B.; also
Leu. For the Libretto see Hein; also Herrmann.
Barbarossa. Part-song. Silcher. No. 141 in M. 147.4
Barbarossa. Symphonic poem. Hausegger. M.406.IS
Barbarossa's Erwachen. Cantata. For the Music see Naubert.
For the Libretto see Lepel.
Barbarossa's Erwachen. Part-song. Ecker.
No. 16 in M.212.4; etc.
Barbe Bleue. Opera. For the Music see Gretry, A. E. M.;
also Offenbach. For the Libretto see Sedaine; also
Meilhac.
Barbe de Betasson, La. Opera. For the Music see Douay.
For the Libretto see Turpin de Sansay.
Barbedette, Hippolyte.
Beethoven. Esquisse musicale. La Rochelle. Gout. 1859.
M.21S.3
Chopin. Essai de critique musicale. Paris. Leiber. 1861.
No. 3 in M.372.ig
Fantaisie concertante pour piano et violon sur les motifs de
Moise, opera de G. Rossini, par Barbedette et Pellegrin.
[Partition.] Paris. Troupenas & cie. [184-?]
No. 2 in M.210.1
Same. [Partie de violon.] No. 2 in M.210.9
Felix Mendelssohn (Bartholdy): sa vie et ses ceuvres.
Paris. Heugel & cie. 1868. Portrait. No. i in M.123.28
Fr. Schubert: sa vie, ses osuvres, son temps. Paris. Heugel
& cie. 1865. Portrait. No. 2 in M. 122.12
Gluck: sa vie, son systeme et ses oeuvres. Paris. Heugel.
1882. Portrait. M.206.1
Haydn: sa vie et ses ceuvres. Paris. Heugel & cie. 1874.
Portrait. Facsimiles. No. i in M. 122.15
Stephen Heller: his life and works. From the French. By
Robert Brown-Borthwick. London. Ashdown & Parry.
1877. Facsimile. No. 3 in M.128.32
The twelve pages at the end contain a Catalogue of Heller's piano-
forte works.
Weber. Essai dc critique musicale. Paris. Heugel & cie.
1862. No. I in M.197.1 .
Barber of Bath, The. Opera. For the Music see Offenbach. I
Barber of Seville, The. Opera. For the Music see Bishop, *
H. R. For the Libretto see Terry.
Barberinen's Lied. Song. Rubinstein. Zehn Lieder.
No. 19 in M.ig2.5
Barbers, The, of Bassora. Opera. For the Music see HuUah,
J. P. For the Libretto see Morton, J. M.
76
Barbier
THE ALLEN A. BROWN COLLECTION OF MUSIC
Barbier
Barbier, Frederic fitienne.
Balladine et Casquenfer. Operette bouffe en i acte. Pa-
roles de Ch. Blondelet et F. Baumaine. Musique de
Frederic Barbier. [Partition chant et piano.] Paris.
Feuchot. [1869.] No. i in M.2SS.34
La baronne de Haut-Castel. Operette en un acte. Paroles
de Laurencin [pseud.]. Musique de Frederic Barbier.
[Partition piano et chant.] Paris. Feuchot. [185-?]
No. I in M.399.3
La Carmagnole. Operette en i acte. Paroles de L. Peri-
caud. Musique de Frederic Barbier. Partition piano et
chant. Paris. Bathlot. [1883.] No. i in M.393.4
Le champagne de ma tante. Operette en i acte. Paroles de
Hippolyte Bedeau. Musique de Frederic Barbier. [Par-
tition chant et piano.] Paris. Feuchot. [186-?]
No. 4 in M.2S5.39
La cigale et la fourmi. Operette bouffe en i acte. Paroles
de Achille Eyraud. Musique de Frederic Barbier. Parti-
tion piano et chant. Paris. Legouix. [1862.]
No. 2 in M.25S.34
Les deux parfaits notaires. Operette en un acte. Paroles
de Villemer & Pericaud. Musique de Frederic Barbier.
Partition piano et chant. Paris. Joubert. [187-?]
No. 2 in M.393.4
Deux permissions de dix heures. Operette en i acte. Pa-
roles de Pol Mercier & Henry Currat. Musique de Frederic
Barbier. Partition piano et chant. Paris. Legouix.
[1864.] ' No. I in M.255.38
Le Docteur Tam-Tam. Operette bouffe en i acte. Paroles
de Francis Tourte. Musique de Frederic Barbier. Parti-
tion piano et chant. Paris. Ikelmer. [1859.]
No. 2 in M.255.38
Don Ferocio. Saynete bouffe en i acte. Paroles de Blonde-
let et Baumaine. Musique de Frederic Barbier. [Accomp.
de piano.] Paris. Feuchot. [1869.] No. 3 in M.255.39
La fermiere et son gargon. Operette en i acte. Paroles de
Auguste Jouhaud. Musique de Frederic Barbier. [Parti-
tion chant et piano.] Paris. Feuchot. [185-?]
No. 3 in M.25S.3.7
Francastor. Operette en i acte. Paroles de [H. A. Eyraud
et] Labottiere. Musique de Frederic Barbier. [Partition
chant et piano.] Paris. Ikelmer et cie. [1858.]
No. 3 in M.255.34
Gervaise. Opera-comique en i acte. Paroles de Hippolyte
Lefebvre & Alexis Bouvier. Musique de Frederic Barbier.
Partition chant et piano. Paris. D'Aubel. [1868.]
No. I in M.2S5.3S
Le loup et I'agneau. Opera-comique en i acte. Paroles de
MM. Choi de Clercy et Hippolyte Messant. Musique de
Frederic Barbier. Partition piano et chant. Paris. Le-
gouix. [1862.] M.255.36
M'ami Nicolas. Operette en i acte. Paroles de Villemer.
Musique de Frederic Barbier. [Partition chant et piano.]
Paris. Feuchot. [185-?] No. 3 in M.255.38
Un mariage au gros sel. Operette. Paroles de Armd. Lio-
rat [pseud.]. Musique de Fr. Barbier. [Partition chant
et piano.] Paris. Jaquot. [1869.] No. 4 in M.255.34
La noce a Suzon. Operette en un acte. Paroles de Jouhaud
& Villemer. Musique de Frederic Barbier. [Partition
piano et chant.] Paris. Bathlot. [185-?] No. 2 in M.399.3
Une nuit a Seville, opera comique en i acte, paroles de Ch.
Nuitter [pseud.] et Beaumont [pseud.]. Musique de
Frederic Barbier. Partition piano et chant. Paris. St.
fitienne. [1855.] No. i in M.2S5.37
On demande un pitre. Parade. Paroles de H. Bedeau.
Musique de Frederic Barbier. [Partition chant et piano.]
Paris. Feuchot. [1870.] No. 2 in M.255.39
Les oreilles de Midas. Opera comique en i acte. Paroles
de Neree Desarbres et Ch. Nuitter [pseud.]. Musique de
Fred. Barbier. Partition piano et chant. Paris. D'Aubel.
[1866.] No. I in M.362.16
Les points jaunes! Saynette. Paroles de J. Pacra et Fetre.
Musique de Frederic Barbier. [Partition chant et piano.]
Paris. Egrot. [1872?] No. 6 in M.395.1
Barbier, Frederic fitienne. (Continued.)
Les premieres armes de Parny. Operette en un acte. Pa-
roles de Pericaud et Delormel. Musique de Frederic Bar-
bier. Partition piano et chant. Paris. Bathlot. [1882.]
No. 4 in M.393.4
Un proces en separation. Saynete en i acte. Paroles de H.
Bedeau. Musique de F. Barbier. [Partition chant et
piano.] Paris. Feuchot. [1870.] No. i in M.25S.39
La Sainte Catherine. Operette en i acte. Paroles de La-
combe et Gerny. Musique de Frederic Barbier. [Parti-
tion chant et piano.] Paris. Benoit. [185-?]
No. 5 in M.255.34
Un souper chez Me'ie Contat. Operette en i acte. Paroles
de Armand Liorat [pseud.]. Musique de Frederic Bar-
bier. [Partition chant et piano.] Paris. Bathlot. [1870.]
No. 2 in M.2SS.37
Le souper d'Arlequin. Operette en un acte. Paroles de Jules
Perrin. Musique de Frederic Barbier. [Partition chant et
piano.] Paris. Feuchot. [187-?] No. 7 in M.395.1
Les trois Normandes. Operette-bouffe en i acte. Paroles
de Pol Mercier. Musique de Frederic Barbier. Partition
piano et chant. Paris. Legouix. [1863.] No. 4 in M.255.38
Le verrou. Operette en i acte. Paroles de L. Battaille.
Musique de Frederic Barbier. [Partition chant et piano.]
Paris. Benoit. [187-?] No. 5 in M.255.39
Barbier, Henri Auguste.
Benvenuto Cellini. Opera de Leon de Wailly et Auguste
Barbier. Musique de Hector Berlioz. M.362.30; etc.
Barbier, Paul Jules.
Amour et son bote. Opera-comique. Musique de fid. de
Hartog. M.276.16
Les amoureux de Catherine. Opera comique. Musique de
Henri Marechal. M.367.I
Bianca Capello. Opera. [Musique de] H. Salomon. M.321.28
Le cabaret des amours. Opera comique. Musique de Pros-
per Pascal. No. 2 in M.277.38
La colombe. Opera comique de J. Barbier et M. Carre,
musique de Ch. Gounod. M.365.IS
Les contes d'Hoffraann. Opera fantastique. Musique de J.
Offenbach. M.267.35
Daphnis et Chloe. Comedie lyrique de Jules & Pierre Bar-
bier. Musique de Henri Marechal. M.402.38
Dinorah, ossia il pellegrinaggio di Ploermel. Opera semi
seria [di Barbier e Carre]. Musica di G. Meyerbeer . . .
avec paroles italiennes et alleraandes. M.367.23
Same. With Italian and English words. No. 56 in M.157.1
Same. Le pardon de Ploermel. Opera comique. Paroles
de Jules Barbier et Michel Carre. Mis en musique par
Giacomo Meyerbeer. M.226.11; etc.
Don Mucarade. Opera-bouffe. Paroles de Michel Carre et
Jules Barbier. Musique de Ernest Boulanger.
No. I in M.275.2
Les dragees de Suzette. Opera comique. Paroles de J'es.
Barbier & J'es. Delahaye. Musique de Hector Salomon.
No. 2 in M.321.29
L'eventail. Opera comique. Poeme de Carre et Barbier.
Musique de E. Boulanger. No. 2 in M.27S.2
Faust. Dramma lirico, dei Sig". Barbier e Carre. Musica
del Mo. C. Gounod. M.365.17
Same. Opera de Jules Barbier & Michel Carre, musique de
Ch. Gounod. 2e edition. M.365.16
Same. Opera in five acts, by Barbier and Carre, the music
by Ch. Gounod. The English version imitated from the
French by H. F. Chorley. London. Chappell & Co. [1864.]
This contains the words only. No. 6 in M.373.44
La fille d'figypte, opera, poeme de Jules Barbier, mis en
musique . . . par Jules Beer. M.333.3;etc.
Frangoise de Rimini. Opera. Paroles de Jules Barbier et
Michel Carre. Musique de Ambroise Thomas. M.324.14
Galathee. Opera comique, paroles de Jules Barbier et
Michel Carre, musique de Victor Masse. No. I in M.247.28
Gil-Bias. Opera de Jules Barbier et Michel Carre. Musique
de Th, Semet. M.322.14
77
Barbier
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bardare
Barbier, Paul Jules. (Continued.)
Graziella. Drame lyrique. Musique de Antony Choudens.
No. I in M.285.14
La guzla de I'emir. Opera-comique, de Jules Barbier et
Michel Carre. Musique de Th. Dubois. M.305.16
Hamlet. Opera. Paroles de Michel Carre et Jules Barbier.
Musique de Ambroise Thomas. M.327.15
Jeanne d'Arc. Drame. Musique de Ch. Gounod.
No. I in M.36S.13
Jehan de Saintre. Opera-comique de Jules Barbier et Pierre
Barbier. Musique de Frederic d'Erlanger. M.305.3g
Lovelace. Opera de Jules Barbier & P. de Choudens. Mu-
sique de Henri Hirschmann. M.394.55
Le magnifique. Opera bouffe. Musique de Jules Philipot.
No. I in M. 287.36
Manfred. Symphonic dramatique. Paroles de Jules Bar-
bier, de Chateau-Renaud et Adolphe Queyroy. Musique
de Louis Lacombe. M.225.11
Le medecin malgre lui. Comedie de Moliere arrangee par
Jules Barbier & Michel Carre. Musique de Charles Gou-
nod. M.365.9
Same. The mock doctor (Le medecin malgre lui), a comic
opera; adapted by Jules Barbier and Michel Carre. Com-
posed by Charles Gounod. M.282.13
Mignon. Opera. Musique de Ambroise Thomas. Paroles
de Michel Carre & Jules Barbier. M.327.14
Miss Fauvette. Opera-comique. Paroles de J. Barbier et
Michel Carre. Musique de Victor Masse. No. i in M.247.35
Nero. Oper von Jules Barbier. Musik von Anton Rubin-
stein. M.321.8
Les noces de Jeannette, opera comique . . . Paroles de
Michel Carre et Jules Barbier. Musique de Victor Masse.
M. 225.17; etc.
Une nuit de Cleopatre. Opera. Musique de Victor Masse.
M.367.5
Les papillotes de M"". Benoist. Opera comique. Paroles de
Jules Barbier et Michel Carre. Musique de Henri Reber.
M.254.36; etc.
Le pardon de Ploermel. See his Dinorah.
Paul et Virginie. Opera. Poeme de Jules Barbier et Michel
Carre. Musique de Victor Masse. M. 247.29
Philemon et Baucis, opera, de Jules Barbier et Michel Carre,
musique de Ch. Gounod. 11.365.10
Polyeucte. Opera. Paroles de Jules Barbier et Michel
Carre. Musique de Ch. Gounod. M.266.26
Psyche. Opera. Paroles de Jules Barbier & Michel Carre.
Musique de Ambroise Thomas. M.324.15
La reine Berthe. Opera. Musique de Victorin Joncieres.
M.286.26
La reine de Saba, grand opera, de Jules Barbier et Michel
Carre, mis en musique par Ch. Gounod. M. 266.25
Romeo et Juliette. Opera de J. Barbier et M. Carre. Mu-
sique de Ch. Gounod. M.382.26
Same. Romeo e Giulietta. Opera dei Sig". J. Barbier e M.
Carre. Musica di C. Gounod. M.365.8
Les sabots de la marquise. Opera comique, paroles de
Michel Carre et Jules Barbier, musique de Ernest Bou-
langer. No. i in M.368.30
Les saisons. Opera-comique. Paroles de Jules Barbier &
Michel Carre. Musique de Victor Masse. M.247.34
La statue. Opera de J. Barbier et M. Carre. Musique de
E. Reyer. M.307.11
Le Tasse. Opera de Jules et Pierre Barbier. Musique de
Eugene d'Harcourt. M.381.24
La taverne des Trabans. Opera-comique de Erckmann-
Chatrian et J. Barbier. Musique de H. Marechal. M.247.23
La tempete. Ballet fantastique. Musique de Ambroise
Thomas. " M.324.13
Le timbre d'argent. Drame lyrique de J. Barbier et M,
Carre. Musique de Camille Saint-Saens. r/l.321.21
Valentine d'Aubigny. Opera comique. Paroles de Jules
Barbier et Michel Carre. Musique de F. Halevy. M.276.14
Barbier, Paul Jules, translator.
Gounod, C. F. Biondina. No. i in M.156.28
Barbier, Pierre.
Le baiser de Suzon. Opera-comique. Musique de H. Bem-
berg. No. 4 in M.255.35
Daphnis et Chloe. Comedie lyrique de Jules & Pierre Bar-
bier. Musique de Henri Marechal. M.402.38
L'enclume. Opera comique. Musique de Georges Pfeiffer.
No. 3 in M.277.38
Le follet. Poeme lyrique. Musique de Ernest Lefevre.
No. 3 in M.399.31
Gifles & baisers. Opera-comique. Musique de fimile Pes-
sard. No. 2 in M.300.8
Jehan de Saintre. Opera-comique de Jules Barbier et Pierre
Barbier. Musique de Frederic d'Erlanger. M.305.39
Simone. Opera comique. Musique de R. Cottier. M.397.20
Le Tasse. Opera de Jules et Pierre Barbier. Musique de
Eugene d'Harcourt. M.381.24
Barbier de Seville, Le. Opera. For the Music see Paisiello;
also Rossini. For the Libretto see Sterbini.
Barbier de Trouville, Le. Opera. For the Music see Lecocq,
A. C. For the Libretto see Jaime.
Barbier von Bagdad, Der. Opera. For the Music see Cor-
nelius.
Barbier von Sevilla, Der. Opera. For the Music see Benda,
F. L.; also Rossini.
Barbiere improvisee. La. Opera. For the. Music see O'Kelly.
For the Libretto see Roucoux.
Barbieres, Les, de village. Opera. For the Music see Bernicat.
For the Libretto see Blondelet.
Barbieri, Francesco.
Un bacio al diavolo. Opera. Musica del Maestro A. Sau-
vage. M.381.40
Barbieri, Gaetano.
Notizie biografiche di M. F. Malibran. [Added, Cenni bio-
grafici di C. A. de Beriot.] Milano. Stella. 1836. Por-
trait. No. 3 in M.125.7
II talismano, ossia la terza crociata in Palestina. Melo-
dramma storico posto in musica dal Mo. Giovanni Pacini.
M.311.13
Barbieri, Girolamo.
Alma Redemptoris, per tenore con istrumenti. [Partitura.]
Milano. Bertuzzi. [185-?] No. I in M.260.22
Ave Regina ccelorum, a 3 voci [t. t. b.] con istrumenti.
[Partitura.] Milano. Bertuzzi. [185-?] No. 2 in M.260.22
Tantum ergo, per tenore con coro . . . ridotto per canto e
accomp. d'organo. Milano. Lucca. [187-?]
No. 8 in M.221.26
Barbierolli, Lorenzo.
I Trojani in Laurento, dramma serio.
[1837.]
Libretto only.
Barcarola. Duet. Gounod
Venezia. Rizzi.
No. 2 in M. 147.8.3
Vingt melodies, se recueil.
No. 20 in M.157.36.5
Barcarola. Song. Auber. No. 2 in M.391.57
Barcarole. For orchestra. Mo6r. No. 2 in M.356.21
Barcarole. Part-song. Krug, A. Zwei Mannerchore.
No. 2 in M.212.9
Barcarole. Song. Strauss, R. Sechs Lieder.
No. 10 in M.380.24.1
Barcarolle. For pianoforte. Louis, N. No. 12 in M.390.26
Barcarolle, La. Opera. For the Music see Auber. For the
Libretto see Scribe.
Barcarolle. Part-song. MacDovvell. No. 2 in M.391.48; etc.
Schmoelzer. No. 73 in M.392.21
Barcarolle. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
Barcroft, George.
O Almighty God. [Anthem.] (In Rimbault. Collection of
ancient church music. Vol. 3, pp. 1-3.) No. I in M.233.2S.3
Te Deum & Benedictus [in F]. (In Rimbault. Collection
of ancient church music. Vol. 2, pp. 55-77-)
No. 4 in M.233.25.3
Bard, The. Cantata. For the Music see Monk, E. G. For the
Libretto see Gray, T.
Bardare, Emanuele.
Chatterton. Dramma lirico dei Sig". Michelangelo Pinto cd
78
Bardare
THE ALLEN A. BROWN COLLECTION OF MUSIC
Barnby
Bardare, Emanuele. (Continued.)
Emanuele Bardare. Musica di Erennio Gamraieri.
M.256.18
Bardari, Giuseppe.
Maria Stuarda. Dramma. Musica di G. Donizetti. M.364.23
Barde, Der. Part-song. Silcher. No. 8 in M.130.7
Barde, Le. Part-song. Schubert, F. P. Melodies. Vol. 7-
M.327.4.7
Barden, Die. Ol>era. For the Music see Freudenthal.
Bardengeist, Der. Song. Beethoven. Werke. Serie 23.
M.413.1.23
Bardengesang. Part-song. Schubert, F. P. Werke. Serie 19.
M.317.1.19
Bardensohn, Der. Part-song. Juengst. No. 40 in M.392.12
Bardin, Hippolyte H., Vicomtc de.
Hymne a la Vierge. Paroles et musique de H. H. de Bardin.
[s. A. t. B. Accomp. de piano.] Paris. Canaux. [180-?]
No. 6 in M.380.3
Oraison dominicale. Paroles et musique de H. H. de Bardin.
[s. T. B. Accomp. de piano.] Paris. Canaux. [180-?]
No. 4 in M.380.3
Salutation angelique. Paroles et musique de H. H. de Bar-
din. [s. t. b., avec accomp. de piano.] Paris. Canaux.
[180-?] No. S in M.380.3
Symbole des apotres. Paroles et musique de H. H. de Bar-
din. [s. T. B. Accomp. de piano.] Paris. Canaux. [180-?]
No. 3 in M.380.3
Bardonnaut, J. N. Marcellin.
Observations sur la musique, par un ancien eleve de I'ficole
polytechnique. Paris. Carilian-Goeury. 1841.
No. 3 in M.2i8.g
Bards.
David, E. fitudes historiques sur la poesie et la musique
dans la Cambric. Paris. 1884. M.215.22
Jones, E. Musical and poetical relics of the Welsh bards.
London. 1784. M.121.24
Same. 4th edition, with additions. Vol. i. M. 121.25
La Rue, G. de. Essais historiques sur les bardes, les jon-
gleurs et les trouveres normands et anglo-normands.
Caen. 1834. 3 v. M.136.1S
Walker, J. C. Historical memoirs of the Irish bards. Dub-
lin. 1786. Portrait. Plates. M.122.36
Baret, Charles.
Changement de garnison. Operette de V. Meusy et Ch.
Baret. Musique de G. Marietti. No. 2 in M.393.37
Barfussele. Opera. For the Music see Heuberger. For the
Libretto see Hirschfeld, F.
Bargain, A. Part-song. Brown, O. B. No. 51 in M.3g2.3
Bargheer, Carl Louis.
L. van Beethoven's funf letzte Quartette fiir die Kammer-
musik - Abende der Philharmonischen Gesellschaft in
Hamburg analysirt. Hamburg. Richter. 1883.
No. 2 in M.215.4
Bargiel, Woldemar.
Adagio fiir Violoncell mit Orchesterbegleitung. Op. 38.
Partitur, Leipzig. Breitkopf & Hiirtel. [1873?]
No. 5 in M.332.2
„Der Herr ist mein Hirt" (Psalm 23), fiir 3 stimmigen weib-
lichen Chor und kleines Orchester. Clavierauszug. Bonn.
Simrock. [186-?] No. 2 in M.270.54
Intermezzo fiir Orchester. Op. 46. Partitur. Leipzig.
Breitkopf & Hartel. [188-?] No. 4 in M.346.43
[Medea.] Ouverture zu Medea fiir grosses Orchester.
Op. 22. Partitur. Breslau. Leuckart. [186-?]
No. 3 in M.346.43
Octett fiir 4 Violinen, 2 Violen und 2 Violoncelle. Op. isa.
Partitur. Leipzig. Breitkopf & Hartel. [1876?]
No. 3 in M.33S.7
Overture zu einem Trauerspiel fiir grosses Orchester.
Op. 18. Partitur. Leipzig. Senff. [186-?]
No. 2 in M.346.43
[Prometheus.] Ouverture zu Prometheus fiir grosses Or-
chester. Op. 16. Partitur. Leipzig. Breitkopf & Hartel.
[186-?] No. I in M.346.43
Bargiel, Woldemar. (Continued.)
Psalm XCVI. fiir Doppel-Chor ohne Begleitung. Leipzig.
Breitkopf & Hartel. [187-?] No. i in M.221.1
Pp. 13, 14 are missing.
Quartett [D moll] fiir 2 Violinen, Viola und Violoncell.
Op. 47. Partitur. Leipzig. Breitkopf & Hartel. [1889.]
No. 2 in M.335.7
Quartett, No. 3, fiir 2 Violinen, Viola und Violtmcell. Op.
15b. Partitur. Leipzig. Breitkopf & Hartel. [1876?]
No. I in M.335.7
Symphonic in C fiir Orchester. Op. 30. Partitur. Leipzig.
Breitkopf & Hartel. [187-?] No. i in M.346.44
Trio, Drittes, fiir Pianoforte, Violine und Violoncell. Op. 37.
[Partitur.] Leipzig. Breitkopf & Hartel. [1869.]
No. I in M.2II.3.I
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. I in M.211.4.1, a
Trois danses allemandes pour orchestre. Op. 24. Partition.
Leipzig. Rieter-Biedermann. [187-?] No. 2 in M.346.44
Bargiel, Woldemar, editor.
Chopin, F. F. Friedrich Chopin's Werke. M.316.2
Barham, Richard Harris.
The babes in the wood, new comic cantata. Music by George
Fox. No. 3 in M.1S5.3
Hamilton Tighe. Cantata. The music by George Fox.
No. 4 in M.277.ig
The jackdaw of Rheims: cantata. Music by George Fox.
No. 2 in M.285.ig
Winifred Pryce; the milkmaid's story. A melodramatic can-
tata. Music by G. Fox. No. I in M.1S5.3
Barham, Thomas Foster, editor.
Pergolesi, G. B. Stabat Mater, or Calvary. No. 2 in M.280.2
Baric, Jules Jean Antoine.
Le loup-garou. Opera comique. Paroles de Jules Delahaye
et Baric. Musique de Adolphe Nibelle. No. 2 in M.a67.a7
La part a Dieu. Opera-comique. Musique de Laurent de
Rille. No. 3 in M.307.20
Barilli, Giuseppe.
La locandiera. Melodramma giocoso. Musica del Mo.
Emilio Usiglio. M.284.2a
Barkarole. Part-song. Tauwitz. No. 2 in M.392.42.3
Barker, Theodore T.
O that I had wings. [Anthem. Accomp. for organ.] (/«
Buck. Motette collection. Vol. i, pp. 104, 105.)
No. 28 in M.100.4.1
Barker, Theodore T., translator.
Grisart. The infanta's dolls. M. 266.40
Herold, L. J. F. The field of honor. M.402.26
Barkworth, John Edmund.
The Lord hear thee. Anthem. [Accomp. for organ.] [In
Novello's Collection of anthems. Vol. 11, pp. I54-I57-)
No. IS in M.195.2.11
Barmherziges Herze der ewigen Liebe. Anthem. Bach, J. S.
Werke. Jahrgang 37. M.8040.21.37
Barnard, Charles.
Camilla: a tale of a violin. Being the artist life of Camilla
Urso. Boston. Loring. [1874.] M.i29a.4
Money and music: an art story. Being the sequel to "The
soprano." [Boston. Lee & Shepard. 1874.] M.102.6
The soprano: a musical story. By Jane Kingsford [pseud.].
Boston. Loring. [1869.] M.108.6
Too soon. An operetta for young performers. Music by
Alfred Cellier. No. I in M.291.1
Zegelda Romanief. A story about music. Boston. Musical
Herald Co. 1880. Plates. M.102.8
Barnard, William Vincent.
O Lord, we beseech Thee. Anthem. [Accomp. for organ.]
London. Novello. [185-?] No. 17 in M.157.29
Barnby, Sir Joseph.
Annie Lee. A four-part song. {In Novello's Part-song book.
2d series. Vol. 3, pp. 112-115.)
No. I in M.158.23; No. 23 in M.195.1.3
As we have borne the image. Full anthem. [Accomp. for
organ.] London. Novello & Co. [1865.] No. 12 in M.234.10
Same. 1865. [Musical times.] No. 12 in M.158.13
79
Barnby
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Barnby
Barnby, Sir Joseph. (Continued.)
Behold, I bring you good tidings. Anthem for Christmas.
[Accomp. for organ.] (/)s Novello's Collection of an-
thems. Vol. 4, pp. 1 19-124) No. II inM.195.2.4
Drop down, ye heavens. Anthem. [Accomp. for organ.]
London. Novello & Co. [186-?] No. 21 in M.234.10
Eight four-part songs. London. Novello, Ewer & Co.
[187-?] No. I in M. 158.23
Contents. — Phoebus. — Luna. — A wife's song. — Home they brought
her warrior dead. — Annie Lee. — Starry crowns of heaven. — The
wind. — The skylark.
Four hymns, from "Original tunes to popular hymns" . . .
London. Novello, Ewer & Co. 1883. No. 18 in M.158.13
Contents. — I lay my sins on Jesus. — In time of fear. — Softly now
the light of day. — Ye holy angels bright.
Grant to US, Lord, we beseech Thee. Full anthem. [Accomp.
for organ.] London. Novello, Ewer & Co. [187-?]
No. S in M.1S7.32
Have mercy upon me. Full anthem. [Accomp. for organ.]
London. Novello. [186-?] No. 13 in M.234.10
Home they brought her warrior dead. A four-part song
[s. A. T. B.]. (/n Novello's Part-song book. 2d series.
Vol. 3, pp. 109-111.) No. I in M.158.23; No. 22in M.195.1.3
Also to be found [for A. T. T. B.] in The Orpheus, New series.
I bow my knee. Full anthem. [Accomp. for organ.] Lon-
don. Novello & Co. [186-?] No. 18 in M.234.10
I will give thanks. Anthem. [Accomp. for organ.] (In
Novello's Collection of anthems. Vol. 2, pp. 20-33.)
No. 3 in M. 195.2.2
I will lift up mine eyes. Full anthem. [Accomp. for organ.]
London. Novello. [186-?] No. 11 in M.234.10
It is a good thing. Anthem. [Accomp. for organ.] (In
Novello's Collection of anthems. Vol. 9, pp. 132-146.)
No. 10 in M.19S.2.9
It is high time to awake. Anthem. [Accomp. for organ.]
London. Novello & Co. fi86-?] No. 23 in M.234.10
Also to be found in Novello's Collection of thirty-one anthems.
King all glorious. Motett for soli [x. & b.] and chorus [s. s.
A. T. B. B. Accomp. for organ]. London. Novello & Co.
[186-?] No. 25 in M.234.10
Also to be found in Novello's Collection of anthems.
Let the words of my mouth. Full anthem. [Accomp. for
organ.] London. Novello & Co. [186-?] No. 15 in M.234.10
"Let Thy merciful kindness, O Lord." Anthem. [Accomp.
for organ.] London. Boosey & Co. [186-?]
No. 9 in M.157.10
Let your light so shine. Full anthem. [Accomp. for organ.]
London. Novello & Co. [186-?] No. 17 in M.234.10
The Lord is king (Dominus regnavit). Psalm XCVIL
[For s. A. B. solos and chorus, s. s. a. a. t. t. b. b. Accomp.
for organ.] London. Novello, Ewer & Co. [187-?]
No. 2 in M. 204.5
Lullaby. A cradle song [s. a. t. b. London. Cramer & Co.
187-?]. No. 30inM.1s7.23
Same. Novello, Ewer & Co. 1877. No. 19 in M.157.25
Luna. A four-part song. (In Novello's Part-song book. 2d
series. Vol. 3, pp. 101-104.)
No. I in M.158.23; No. 20 in M.195.1.3
Magnificat, in C. [Unison. Accomp. for organ.] (In
Parish choirs in the Diocese of Massachusetts. Annual
festival. Order of music, 7th festival. Pp. 14-16.)
No. 59 in M. 158.18
Make me a clean heart. Full anthem. [Accomp. for organ.]
London. Novello & Co. [1S6-?] No. 14 in M.234.10
Also to be found in Fowle's Parochial anthems; Novello's Collection
of anthems.
Morning and evening service, together with the office for
the Holy communion. Set to music in the key of E.
[Accomp. for organ.] London. Novello & Co. [186-?]
No. I in M.2go.27
Not unto us, O Lord. Anthem. [Accomp. for organ.]
London. Novello, Ewer & Co. [187-?] No. 20 in M.234.10
O how amiable. Anthem. [Accomp. for organ.] (In
Novello's Collection of anthems. Vol. 2, pp. 175-181.)
No. 21 in M.195.2.2
Barnby, Sir Joseph. (Continued.)
O Lord God, to whom vengeance belongeth. Anthem for a
double choir. [Accomp. for organ.] London. Novello
& Co. fi86-?] No. 19 in M.234.10
Also to be found in Ouseley's Special anthems.
O Lord, how manifold. [Anthem. Accomp. for organ.]
Boston. Davenport. 1868. No. 13 in M.190.1
O paradise. Sacred quartett with solo for s. or x. Arranged
[by Ambrose Davenport. Accomp. for organ]. Boston.
Goullaud. 1870. No. I4in M.190.1
Same. White & Goullaud. [187-?] No. 12 in M.2go.i2
O praise the Lord, ye angels. Full anthem. [Accomp. for
organ.] London.. Novello, Ewer & Co. [187-?]
No. 16 in M.234.10
Also to be found in Novello's Collection of anthems.
O risen Lord. Anthem. [Accomp. for organ.] London.
Novello, Ewer & Co. [187-?] No. 22 in M.234.10
Original tunes to popular hymns. London. Novello, Ewer
& Co. [1869.] M.154.21
Same. [Incomplete.] No. 25-29 in M. 157.29
Phoebus. A four-part song, (hi Novello's Part-song book.
2d series. Vol. 3, pp. 97-100.)
No. 19 in M.195.1.3; No. I in M.158.23
Rebekah, a sacred idyll, written by Arthur Matthison, set to
music [for s. t. b. and chorus] by Joseph Barnby. London.
Novello, Ewer & Co. [188-?] M.154.20; No. i in M.204.5
Silent night. Four-part song. London. Novello, Ewer &
Co. [189-?] No. 39 in M. 157.23
The silver streamlet. Part-song. [London. Boosey & Co.
186-?] No. 85 in M.157.5.2
Sing and rejoice. Anthem for Christmas. [Accomp. for
organ. London. Novello, Ewer & Co.] 1870.
No. 13 in M.158.13
The sky lark. A four-part song. London. Novello, Ewer
& Co. [187-?] No. i8in M.157.2S
Also to be found in his Eight four-part songs ; Novello's Part-song
book, 2d series.
Sleep! the bird is in its nest. [Part-song, s. s. a. t. b. Lon-
don. Cramer & Co. 186-?] No. 31 in M. 157.23
Also to be found in Novello's Part-song book.
The snow-drop. [Part-song for a. x. x. b. London. Boosey
& Co. 186-?] No. 88 in M.157.5.2
Starry crowns of heaven. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 3, pp. 116-118.)
No. I in M.158.23; No. 24 in M.195.1.3
The summer days are coming. Part-song. [London.
Boosey & Co. 186-?] No 90 in M.157.5.2
A summer song. [Trio, s. s. A. Accomp. for pianoforte.]
London. Cock, Hutchings & Co. [186-?]
No. 20 in M.244.10.4
Sweet and low. A lullaby. London. Novello & Co. [186-?]
No. 22 in M.1S7.23; No. 16 in M. 157.29
Sweet is Thy mercy. Anthem. [Accomp. for organ.] Lon-
don. Novello & Co. [186-?] No. 24 in M.234.10
Sweet May. Trio [s. s. A. Accomp. for pianoforte]. Bos-
ton. Tolman & Co. [187-?] No. 11 in M.244.10.6
jMso to be found in Novello's Collection of trios, etc.
Te Deum laudamus. In B flat. (In Novello's Parish choir
book. Pp. 20-24.) No. 4in M.157.30
Te Deum laudamus. In D. (In Novello's Parish choir
book. Pp. 15-19-) No. 3 in M.157.30
Tell me, roses. Part-song. [London. Boosey & Co.
186-?] No. 89 in M.157.5.2
"Thy mercy, O Lord, reacheth unto the heavens." Anthem.
[Accomp. for organ.] London. Boosey & Co. [1S6-?]
No. 8 in M. 157.10
To blossoms. [Part-song for s. x. i. b. London. Boosey
& Co. 186-?] No. 86inM.is7.5.2
To daffodils. Part-song. London. Novello, Ewer & Co.
1879. No. 16 in M.158.13
The twilight star. [Trio, s. s. A. Accomp. for pianoforte.]
London. Foster & King. [186-?] No. 10 in M. 244.10.6
Same. Boston. Tolman & Co. 1869. No. 12 in M.244.J0.6
Also to be found in Novello's Collection of trios, etc.
Voice of the western wind. [Trio, s. s. a. Accomp. for piano-
80
Barnby
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bami
Bamby, Sir Joseph. (Continued.)
forte.] London. Williams. [i86-?] No. 9 in M.244.10.6
Also to be found in Novello's Collection of trios, etc.
Welcome Part-song. London. Novello, Ewer & Co. [1876.]
No. 1sinM.158.13
When twilight dews. [Part-song. London. Boosey & Co.
186-?] No. 87 in M.157.S.2
Who shall be fleetest? Chorus for 3 female voices (with s.
solo), from Rebekah. [Accomp. for pianoforte. London.
Novello, Ewer & Co. 1870.] No. 17 in M.158.13
A wife's song. A four-part song. (/» Novello's Part-song
book. 2d series. Vol. 3. PP- 105-108.)
No. I in M.158.23; No. 21 in M.195.1.3
The wind. A four-part song, (/n Novello's Part-song book.
2d series. Vol. 3, pp. 119-123.)
No. I in M.158.23; No. 25 m M.195.1.3
Barnby, Sir Joseph, editor.
Gounod, C. F. Messe solennelle. (St. Ceciha.) M.250.17
Mozart, J. C. W. A. Praise the Lord, O my soul.
No. 3inM.233.i8.i;etc.
Barnet, Robert Ayer.
[Baron Humbug.] Hungarian musical play. Music by
Lewis S. Thompson. M.397.68
Boodle and Co. A musical play. Book by R. A. Barnet and
Harold Otis. Music by John H. Densmore. M.399.74
Excelsior, Jr. Burlesque. Music by Geo. Lowell Tracy.
M.246.20
"1492." Operatic extravaganza. Music by Carl Pflueger.
M.246.11
Miladi and the musketeer. A romantic extravaganza. Music
by Harry Lawson Heartz. M.402.24
Miss Pocahontas. An Indian war-whoop in two whoops.
Book by R. A. Barnet and R. M. Baker. Music by Dan J.
Sullivan. M.383.S2
Miss Simplicity. A musical comedy. Music by H. L. Heartz.
M.381.23
Nicolette. A romantic comic opera. Music and lyrics by
Charles Eugene Hamlin. No. 3 in M.382.12
Prince pro tem. A comic opera. Music by Lewis S. Thomp-
son. No. I in M.245.20
Queen of the ballet. A musical comedy. Music by Edward
W. Corliss. M.394.1
The show girl. A musical play. Music by H. L. Heartz,
E. W. Corliss. M.382.30
"Tabasco." Burlesque opera. Music by G. W. Chadwick.
M.285.1
Simple Simon. A Mother Goose extravaganza. The music
by A. B. Sloane. No. 2 in M.391.36
The strange adventures of Jack and the bean-stalk. A fairy
extravaganza. The music by A. B. Sloane. M.246.17
Bamett, C. Z.
Fair Rosamond, a grand opera. The poetry by Z. C. Barnett
& F. Shannon, the music by John Barnett. M.261.17
Same. The songs, duetts, choruses, &c., in Fair Rosamond,
a grand opera. The music by John Barnett. [Words only,
by C. Z. Barnett and F. Shannon.] London. Buncombe.
[183-?] No. 2inM.145.25
Bamett, James G.
Come unto Me. [Anthem. Accomp. for organ.] (In Buck.
Motette collection. Vol. i, pp. 114-116.) No. 31 in M.100.4.1
Turn Thou unto us, O Lord. [Anthem. Accomp. for organ.]
(In Buck. Motette collection. Vol. i, pp. 44-46.)
No. II in M.100.4.1
Barnett, John.
Ave Maria, a song [m.-s.] with choral accomp. London.
Hutchings & Romer. [185-?] No. 4 in M.158.32
Bend down from thy chariot. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [184-?]
No. 13 in M.244.10.1
The carnival at Naples. The overture and the whole of the
music in the play. [Accomp. for pianoforte.] London.
Barnett. [1830.] M.261.16
Fair Rosamond, a grand opera. The poetry by Z. C. Barnett
Bamett, John. (Continued.)
& F. Shannon, the music by John Barnett. [Accomp. for
pianoforte.] London. Cramer, Beale & Co. [1837?]
M.261.17
Farewell to the flowers. [Trio, s. s. a. Accomp. for piano-
forte.] London. Leader & Cock. [185-?] .
No. 8 in M.244.10.3
It is summer. [Trio, s. s. a. Accomp. for pianoforte.] Lon-
don. Leader & Cock. [184-?] No. 12 in M.244.10.1
Lays of the passions, the poetry by Mrs. Cornwell Baron
Wilson, the music by John Barnett. London. Barnett
& Co. [183-?] Plates. M.244.20
Contents. — Hope dwells in an ever blooming bow'r. — In a dark
cave. — • Joy! joy! joy. — Sorrow's lone, dejected daughter. — He
comes, the warrior boy. — Jealousy, w^th sighs of fire. — Who rides
o'er the plain. — Cheerfulness, of ruddy mien.
Lyrical illustrations of modern English poets. A collection
of songs for s. A. T. and B. voices. [Accomp. for piano-
forte.] London. Hutchings & Romer. [1877.] M. 157.41
Contents. — Queen Mab. ■ — • Prometheus. — I arise from dreams of
thee. — Rarely, rarely comest thou, — One word is too often pro-
faned. — My faint spirit. — Ossian's glen. — Darkness. — My early
love, and must we part. — That song again. — The seals. — The lover
of music to his piano. — The kiss, dear maid. — When passion's trance.
. — • The cloud.
Merrily wake music's measure. Madrigal [s. s. a. t. b], sung
in the opera Fair Rosamond. London. Cramer, Addison
& Beale. [1837.] No. 14 in M.235.7.1; No. 74 in M.237.15
Same. [Patey & Willis. 1885?] No. 19 in M.158.13
The mountain sylph, a grand opera, in 3 acts . . . Written
by T. J. Thackeray. Composed by John Barnett. [Ac-
comp. for pianoforte.] London. Hawes. [1834.] M.261.18
The omnipresence of the Deity, an oratorio, written by
Robert Montgomery, composed by John Barnett. [Ac-
comp. for pianoforte.] London. Mayhew & Co. [1829.]
M.241.8
Bamett, John, editor.
Pepusch, J. C. The beggars opera. M.395.33
Barnett, John Francis.
The ancient mariner. Cantata, written by S. T. Coleridge.
Composed ... by J. F. Barnett. [Accomp. for piano-
forte.] London. Hutchings & Romer. [1867?] M. 154.33
Same. (Der alte Matrose.) A cantata for solo voices, cho-
rus, and orchestra. The words by S. T. Coleridge. The
German translation by Ferdinand Freiligrath. Composed
by John Francis Barnett. Full score [and ad lib. part for
organ]. London. Novello, Ewer & Co. [187-?] M.227.1
The building of the ship. Written by Longfellow, composed
... by J. F. Barnett. [Accomp. for pianoforte.] Lon-
don. Patey & Willis. [1880?] M.154.22
"Come, Thou Holy Spirit." Anthem for Whitsuntide. For
s. solo and chorus. [Accomp. for organ.] London. Patey
& Willis. 1S84. No. 20 in M.158.13
The good shepherd, sacred cantata, the words adapted from
the Holy Scriptures by Joseph Bennett, the music . . .
by J. F. Barnett. [Accomp. for pianoforte.] London.
Hutchings & Romer. [1876?] M.154.24
The lay of the last minstrel. Descriptive piece for orchestra,
in 4 movements. Full orchestral score. London. Hutch-
ings & Romer. [1874?] No. 3 in M.332.2
The raising of Lazarus, oratorio. [Full vocal score, with
pianoforte accomp.] London. Novello, Ewer & Co. [1874.]
M.153.2
Barnett, Joseph Alfred.
Exaudi, Deus. [Motet a. or bar. In G. Accomp. for organ.]
Manuscript. [185-?] No. 6 in M.2S0.6
Exaudi Deus. Solo, s. or t. [In B flat. Accomp. for organ.]
London. Novello. [185-?] No. i8a in M.260.10.2
Barnett, Robert.
Andante a la capella [for organ]. (In Haycraft. Sacred
music. Pp. 210-212.) No. 38 in M.234.6
Barnett, Z. C. See Barnett, C. Z.
Bami, Camille.
Huit nocturnes, a deux voix. (Divises en deux livraisons.)
Paroles de Metastase. Mis en musique avec accomp. de
piano ou harpe. Liv. i. Paris. L'auteur. [1822?]
No/ 2 in M.202.43
I. II
81
Barnum
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Barry
Barnum's Parnassus; being confidential disclosures of the
prize committee on the Jenny Lind song. Butler. W. A.
No. I in M.128.32
Baron, Eugene.
Qui s'y frotte, s'y pique! . . . Operette. Paroles de Sophro-
nyme Loudier. Musique de Eugene Baron. [Partition
chant et piano.] Paris. L'Orpheon. [1872.]
No. I in M.39S.4
Baron, John.
Scudamore organs; or, hints respecting organs for village
churches ... 2d edition. London. Bell & Daldy. 1862.
Illus. Plates. M.106.8
Baron, Le, de Groschaminet. Opera. For the Music see Du-
prato. For the Libretto see Truinet.
Baron Frick, Le. Opera. For the Music see Chaumet. For
the Libretto see Depre.
Baron Humbug. Opera. For the Music see Thompson, L. S.
For the Libretto see Barnet.
Barone, II, di Dolsheim. Opera. For the Music see Pacini, G.
Barone, II, di Torreforte. Opera. For the Libretto see Pic-
cinni, N.
Baroni, Fernando.
Ricciarda. Dramma tragico in 3 atti di Rinaldo dall' Argine,
posto in musica da F. Baroni. Con accomp. di pianoforte.
Milano. Ricordi. [1848?] M.230.7
Baronne, La, de Haut-Castel. Opera. For the Music see Bar-
bier, F. fe. For the Libretto see Fromage-Chapelle.
Barra, Joseph.
Devienne, F. Romance patriotique sur la mort du jeune
Bara. (In Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise . . . Pp. 390, 391.)
M.380.14
Langle, H. F. M. Hymne a Bara et Viala. (In Pierre, C.
V. D. Musique des fetes et ceremonies de la Revolution
franqaise ... P. 389.) M.380.14
Mehul, £. N. Hymne chante par le peuple a la fete de Bara
et Viala le 10 thermidor. (In Pierre, C. V. D. Musique
des fetes et ceremonies de la Revolution frangaise . . .
Pp. 387, 388.) M.380.14
Barratt, Augustus.
Kitty Grey. A musical comedy in 3 acts. Adapted from
Mars & Hennequin's "Les fetards" by J. S. Pigott. Lyrics
by Adrian Ross [pseud.]. Music by Augustus Barratt and
Howard Talbot, with additional numbers by Lionel
Monckton, Paul Rubens, and Bernard Rolt. Vocal score
[with piano accomp,]. London. Ascherberg & Co. 1901.
No. I in M.397.8
Barre, Albert.
L'escargot. Operette. Paroles de Paul Adely et Albert
Barre. Musique de Antoine Banes. No. 3 in M.393.3
Madame Rose. Opera-comique de Paul Bilhaud & Albert
Barre. Musique de Antoine Banes. No. 3 in M.255.2
Meiie portez-arme! Operette de Albert Barre, E. Martin &
Henry Berhard. Musique de Antoine Banes. M.382.1
Le roi Frelon. Opera bouffe. Musique de Antoine Banes.
M.397.2
Toto. Operette de Paul Bilhaud & Albert Barre. Musique
de A. Banes. No. i in M.255.33
Same. Tata-Toto. Vaudeville Operette von Paul Bilhaud
& Albert Barre. Musik von A. Banes. No. i in M.39g.2
Barre, Pierre Yves.
Renaud d'Ast, comedie par Radet et Barre . . . Mise en
musique par M. Dal*** [Dalayrac]. M.2gi.30
Barrett, E. R.
Te Deum, in E flat. [Accomp. for organ.] (In Parish
choirs in the Diocese of Massachusetts. Annual festival.
Order of music, 7th festival. Pp. 34-37.) No. 59 in M.158.18
Barrett, Ezra.
Sabbath school psalmody. Comprising an analysis of the
rudiments of music, with directions for the reading of
verse, and musical expression . . . also divine songs, with
music adapted to them. 2d edition. Boston. Richardson,
Lord & Holbrook. 1830. Illus. No. i in M.377.1
Barrett, Francis J.
Deus misereatur. [Accomp. for organ.] New York. Moli-
neux. [1883.] No. 21 in M.IS8.13
Barrett, Thomas.
The belle of Mayfair. A musical comedy. Book by Chas.
H. E. Brookfield and Cosmo Hamilton. Music by Leslie
Stuart [pseud.]. London. Francis, Day & Hunter. 1906.
M.240.11
Florodora. A musical comedy. Book by Owen Hall [pseud.].
Lyrics by E. Boyd Jones and Paul Rubens. Music by
Leslie Stuart [pseud.]. Vocal score. [Accomp. for piano-
forte.] London. Francis, Day & Hunter. 1899. M.393.74
The school girl, a musical play, book by Henry Hamilton
and Paul Potter, lyrics by Chas. H. Taylor. Music by
Leslie Stuart [pseud.]. Vocal score [with pianoforte
accomp.]. London. Francis, Day & Hunter. 1903.
M.397.64
The silver slipper: a modern extravaganza. Book by Owen
Hall [pseud.]. Lyrics by W. H. Risque, music by Leslie
Stuart [pseud.]. Vocal score [with accomp. for piano-
forte]. London. Francis, Day & Hunter. 1901. M.381.4S
Barrett, William Alexander.
Balfe: his life and work. London. Remington & Co. 1882.
Portraits. Plates. M.136.21
Dedication ode. Composer Alfred J. Caldicott.
No. I in M. 194.8
A dictionary of musical terms by Sir John Stainer and W. A.
Barrett. Compressed from the imperial 8vo edition by
K. M. Ross. London. Novello, Ewer & Co. [188-? Music
primers.] M.373.18
English church composers. London. Low. 1882. [The
great musicians.] M.104.31
English glee and madrigal writers. London. Reeves. [1877.]
No. 6 in M.125.8
English glees and part-songs: an inquiry into their histori-
cal development. London. Longmans, Green & Co. 1886.
M.I26.I2
Barrett, William Alexander, editor and translator.
B.\lfe. Moro; or, the painter of Antwerp. M.255.31
RiiEiNBERGER, J. G. Poor Henry. No. 2 in M.307.13
Barri, Odoardo. See Barry, Edward.
Barrie, James Matthew.
Jane Annie; or, the good conduct prize. A new and original
English comic opera. Written by J. M. Barrie & A. Conan
Doyle. Music by Ernest Ford. No. i in M.246.6
Barriere, Jose.
Messe a 4 voix d'hommes [t. t. b. b.], avec accomp. d'orgue
ad lib. Paris. Repos. [1865.] No. i in M.158.3S
Barriere, Theodore.
La boite de Pandore. Opera bouffe. Musique de Henry
Litolff. M.306.26
Le jardinier et son seigneur. Opera comique. Musique de
Leo Delibes. No. 5 in M.302.16
Barrillot, Frangois.
Sapho. filegie antique. Musique de Louis Lacombe.
No. I in M.225.10
Barrington, Daines.
Account of a very remarkable young musician [Mozart] ;
Account of Charles Wesley; Some account of little
Crotch. Portrait. (In his Miscellanies. Pp. 279-325.
London. 1781.) No. S in M.132.3
Added are portraits and newspaper cuttings about variniis musical
prodigies.
Barrow, Thomas.
The Te Deum, Jubilate, Magnificat, and Nunc dimittis, in
F major. (In Goss and Turle. Cathedral services. Vol. 2,
pp. 26-46.) No. 2 in M.233.10
Barry, Augustus.
Gentle river. [Glee, s. s. B.] (In Parker. The Orphean
lyre. Series 3, pp. 87, 88.) No. 21 in M.237.9
Barry, Edward.
The dream queen. Cantata for female voices. Written by
Nella Parker. Composed by Odoardo Barri [pseud. Ac-
comp. for pianoforte]. London. Cramer. [187-?]
No. 3 in M.194.3
82
Barry
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bartsch
Barry, Edward. (Continued.)
M.D. Operetta, written by J. B. Lawreen & Edward Oxen-
ford. Composed by Odoardo Barri [pseud. Accomp. for
pianoforte]. London. Cramer & Co. [1879.]
No. 2 in M.277.22
The summer cloud. Part-song. London. Jefferys. [187-?]
No. 17 in M. 121.3
Bartels, Adolf.
Diirer in Venedig. Oper. Musik von Waldemar von Bauss-
nern. M.402.5
Barth, Richard.
Quartett fiir 2 Violinen, Viola und Violoncell. Op. 15. Par-
titur. Berlin. Simrock. 1901. No. i in M.405.70
Romanze fiir Violine mit Begleitung des Orchesters. Op. 3.
Partitur. Leipzig. Rieter-Biedermann. 1874.
No. 2 in M.353.17
Barthe, Adrien. See Barthe, Grat Norbert.
Barthe, Grat Norbert.
La fiancee d'Abydos. Opera en 4 actes de Jules Adenis
[pseud.]. Musique de A. Barthe. Partition chant et piano.
Paris. Choudens. [1865.] M.2S5.40
Barthelemon, Frangois Hippolyte.
Belphegor; or, the wishes, a comic opera [by Miles Peter
Andrews] . . . Composed by F. H. Barthelemon, for the
voice, harpsichord, or violin. London. Thompson. [1778.]
No. 2 in M.220.19
In life, my friend. Catch [for 3 voices]. (In Warren. Col-
lection of catches. Vol. 2, pp. 92, 93.) No. 39 in M.220.9.2
Love and folly. Glee [t. t. b.]. (In Warren. Collection of
catches. Vol. 2, pp. 230, 231.) No. 99 in M.220.g.2
Orpheus. An English burletta. Introduced in the farce
called A new rehearsal, or a peep behind the curtain . . .
[Accomp. for pianoforte.] London. Welcker. [1768?]
No. 3 in M.220.19
Selections from the oratorio of Jefte in Masfa. [Accomp.
for pianoforte. Prefixed is a biography of Barthelemon.]
London. Clementi, Collard & CoUard. [182-?] M.241.10
Warm southern gales. Glee [a. t. t. b.]. (/h Warren. Col-
lection of catches. Vol. 2, pp. 241-244.) No. 103 in M.220.9.2
When, Chloe, I confess. Catch [for 3 voices]. (/;i Warren.
Collection of catches. Vol. 2, pp. 176, 177.)
No. 7S in M.220.g.2
Wine in the morning. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 2, pp. 248, 249.)
No. 105 in M.220.g.2
Barthelemon, Maria.
Six English and Italian songs, [s. or t. Accomp. for vio-
lins and pianoforte.] London. Harrison & Co. [178-?]
No. 4 in M.221.32
Contetits. — Se pieta da voi non trovo. — O Charlotte, dry up the
sad tear. — Digli che* un infedele. — Stern winter's loud blasts. —
Fr.\ tin dolce deliro. — When love first takes possession.
Barthelemy, Jean Jacques.
Entretiens sur I'etat de la musique grecque vers le milieu du
quatrieme siecle avant r£re vulgaire. [Anon.] Amster-
dam. 1777. M.103.5; No. 2 in M.207.32
Barthelemy, Louis.
La cantatrice grammairienne, ou I'art d'apprendre I'ortho-
graphe frangaise seul, par le moyen de chansons erotiques,
pastorales . . . Geneve. 1788. M. 126.33
Bartholdy, Albrecht M.
Mopsvs. Eine Favnskomodia mit Mvsik vnd Zeichnvngen
von Wilh. Volz. M. 237. 29
Der Simplicius. Oper. Musik von Hans Huber. M.382.33
Bartholomew, Ann Sheppard Mounsey.
The lark now leaves his wat'ry nest. Part-song. (In HuUah.
The singer's library. Secular. No. 14. Pp. 61-64.)
No. 14 in M.1S7.2; No. 46 in M.157.1
The nativity, a pastoral oratorio, the words by W. Bartholo-
mew, the music by Mrs. Mounsey Bartholomew. [Ac-
comp. for pianoforte.] London. Cramer, Beale & Co.
[1855.] M.241.9
Supplication & thanksgiving, a sacred cantata, the words
from the Psalms, the music by Mrs. Mounsey Bartholo-
Bartholomew, Ann Sheppard Mounsey. (Continued.)
mew. [Accomp. for pianoforte.] London. Metzler & Co.
[1864.] No. 2 in M.280.39
Bartholomew, Ann Sheppard Mounsey, editor.
Beethoven. [King Stephen.] No. i in M.270.10
Bartholomew, Robert.
Oh that men would praise the Lord. Anthem. [Accomp.
for organ.] London. Novello, Ewer & Co. [1869?]
No. 15 in M.igo.i
Bartholomew, William.
The dream, a serenata. The music ... by Michael Costa.
No. 5 in M.3gi.35
EH, an oratorio. The music ... by Michael Costa.
M.24i.ig; etc.
Naaman, an oratorio. The music ... by Michael Costa.
M.241.17; etc.
The nativity, a pastoral oratorio, the music by Mrs. Moun-
sey Bartholomew. M.24i.g
Praise Jehovah, a sacred cantata composed by F. Mendels-
sohn-Bartholdy. No. i in 11.243.1
Bartholomew, William, editor.
Elij.^h: an oratorio. The words selected from the Old Tes-
tament . . . The music composed by Felix Mendelssohn
Bartholdy . . . Philadelphia. Kildare. 1866.
This contains the words only.
Mendelssoiin-Bartholdy, J. L.
QEdipus at Colonos.
Bartholomew, William, translator.
Beethoven. [King Stephen.]
Mendelssohn-Bartholdy, J. L.
No. 3 in M.375.1
Antigone. M.28o.ig
M.280.14
No. I in M.270.10
Lorele3'.
No. 2 in M.326.39; etc.
Recitatives, trio & choruses, composed for an oratorio
entitled Christus. No. 2 in M.243.1
RiNCK. Resurrection. No. i in M.28o.3g
Sophocles. Antigone. No. I in M.116.7
Spohr, L. Jessonda. M.274.31
Bartlett, Agnes.
Florette (or the goose girl). [Operetta for treble voices.]
Written by Aubrey Mayhew Allen. Composed by Agnes
Bartlett. [Accomp. for pianoforte.] London. Williams.
[1893.] No. I in M.255.41
Bartlett, Homer Newton.
The last chieftain. Cantata for male voices. [Accomp. for
pianoforte. Words by John B. Bartlett. Op. 91.] New
York. Schirmer. [1888.] No. 5 in M.203.10
Bartlett, James Carroll.
From death to life. A cantata for Easter [s. a. t. ear. and
chorus]. Music by J. C. Bartlett. Text written and com-
piled by Kate Van Tassel. Boston. Oliver Ditson Co.
[1 902. J
Bartlett, John B.
The last chieftain.
No. I in M.384.15
Cantata.
[Music by] H. N. Bartlett.
No. 5 in M. 203. 10
Bartmuss, Richard.
Mein Taubchen. [Mannerchor.] (In Claasen. Ludwig
Liebe-Album. P. 6.) No. 11 in M.203.16
Der Tag der Pfingsten, Oratorium zur Feier der Griindung
der christlichen Kirche . . . Dichtung von W. Hosaus, in
Musik gesetzt von Richard Bartmuss. Op. 14. [Mit Be-
gleitung von Orgel, Trompeten, Posaunen, und Pauken.]
Dessau-Leipzig. Kahle. 1892. No. 2 in M.384.15
Bartocci-Fontana, D. G.
Claudia, dramma lirico, musica di Gellio Benvenuto Coro-
naro. M.399.10
Mala Pasqua (da la Cavalleria rusticana). Dramma lirico,
musica di Stanislao Gastaldon . . . M.3g6.4g
Bartoli, Daniello.
Del svono de' tremori armonici e dell' vdito. Bologna. Bot-
telli. 1680. Illus. M.2074
Bartsch, Joseph.
Zum Wald [t. T. B. B.]. Op. 19, No. 2. Leipzig. Kistner.
[1890?] No. II in M.392.3
83
Bary
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bates
Bary, fimile Louis FranQois.
Acoustique. Note sur un precede tres-simple pour accorder
un guitare sans le secours de roreille. [Paris. Casimir.
jg^c 1 No. 2 in M.207.18
Basevi, Abramo, editor.
Mendelssohn-Bartholdy, J. L. F. Ottetto. M.246.30
Basili, Francesco.
Ave Rex noster. [Motette. s. s. t. b. Accomp. d orgue.J
Bruxelles. Schott. [185-?] No. 4 in M.260.19
Christus factus est. [Motette. t. t. b. Accomp. d'orgue.]
Bruxelles. Schott. [185-?] No. S in M.260.19
Miserere for s. c. T. B. transcribed ... by A. Rotoli. [Ac-
comp. for organ ad lib.] London. Ricordi. [1878.]
No. I in M.221.34
Basoche, La. Opera. For the Music see Messager. For the
Libretto see Carre, Albert.
Bass, Michael Thomas.
Street music in the metropolis ... On the existing law, and
proposed amendments. London. Murray. 1864. M.101.18
Bassani, Giovanni Battista.
Ascribe unto the Lord. Solo [s. or t. Accomp. for piano].
(In Ayrton. Sacred minstrelsy. Vol. i, pp. 81-83.)
No. 29 in M.290.22.1
Holy Lord God of hosts. Sanctus. [Accomp. for organ.]
(In Hullah. Part music. Sacred. Vol. 2, pp. 58, 59.)
No. 22 in M. 157.28.2
O nomen Jesu. A duett [s. s. Accomp. for organ]. (In
Novello. Convent music. Vol. 2, pp. 146-148.)
No. 55 in M.260.17.2
Recordare. [Solos, s. b., and chorus. Accomp. for piano.]
(In Latrobe. Selection of sacred music. Vol. 3, pp. 177-
181) No. 32 in M.290.29.3
Regina coeli. For 3 voices [s. s. b.] and chorus. [Accomp.
for organ.] (/n Novello. Convent music. Vol. 2, pp. 114-
117) No. 38 in M.260.17.2
Sanctus. Coro. [Accomp. for piano.] (In Latrobe. Selec-
tion of sacred music. Vol. 2, p. 80.) No. 19 in M.290.29.2
Bassermann, Ernest.
Ouverture fur Orchester. Partitur. Leipzig. Breitkopf &
Hartel. [1884?] No. 4 in M.332.2
Basset, Charles Alexandre.
Le veuf du Malabar. Opera comique de P. Siraudin [pseud.]
et Adrien Robert [pseud.]. Musique de A. Doche. M.252.37
Bassford, William Kipp.
God be merciful. Quartet. [Accomp. for organ.] Boston.
Schmidt. [1894.] No. 6 in M.203.26
The Lord's prayer. [Chorus. Accomp. for organ.] Boston.
Schmidt. [1894.] No. 7 in M.203.26
Mass in E flat. [Accomp. for pianoforte.] New York. Schu-
berth. [1875.] No. i in M.156.20
O taste and see. [Anthem. Accomp. for organ.] Boston.
Schmidt. 1894. No. 8 in M.203.26
Rejoice in the Lord. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. [1894-] No. 9 in M.203.26
Response to the Beatitudes [and Commandments. Accomp.
for organ]. Boston. Schmidt. [1894.] No. 10 in M.203.26
Turn Thy face fi-om my sins. [Anthem. Accomp. for or-
gan.] Boston. Schmidt. [1894.] No. 11 in M.203.26
Bassford, William Kipp, editor.
Donizetti. Come, weary souls. No. 16 in M.i90.i
Raff. Come, weary souls. No. 5 in M.203.26
Wagner, W. R. O Thou, to whose all searching sight.
No. 17 in M.190.1
Bassi, Calisto.
II buontempone. Melodramma buffo, posto in musica . . .
dal Mo. Placido Mandanici. M.310.5
Emma di Fondi. Melodramma, posto in musica da Sig.
Pietro De Moyana. M.310.40
Bassi, Calisto, translator.
Donizetti. La figlia del reggimento. M.364.18
Bassini, Carlo.
Ave Maria (m.-s.). [Accomp. for pianoforte.] New York.
Dressier. 1859. No. 9 in M.260.10.4
Basso-Hibernicon. See Hibernian bass-horn.
Bassoon. Music.
Goepfart. 2 Charakterstiicke fiir Fagott und Klavier.
No. 3 in M.410.33
Louis, N. Serenade pour piano, hautbois et basson. [Par-
ties separees.] No. 4 in M.390.14
Mozart. Concerte fiir ein Blasinstrument und Orchester.
Werke. Serie 12, Abtheilung 2. M.31S.1.12.2
Bastiaans, Johan G.
Chromatische Fuga. [A 5 voci.] Boston. Pruser. 1869.
No. 2 in M.414.30
6 Orgelstukken. Amsterdam. Theune & C°. 1841.
No. I in M.414.30
Contents. ■ — i. Groot praeludium en fuga. 2. Andante. 3. Fughetta a
5 voci. 4. Praeludium a 4 voci. 5. Gefigureerd koraal a 4 voci. 6.
Dubbel fuga.
Bastien und Bastienne. Opera. For the Music see Mozart.
For the Libretto see Weiskern.
Bastile, The. Opera. For the Music see Chapman, R.
Ba-ta-clan. Opera. For the Music see Offenbach. For the
Libretto see Halevy, L.
Bataille d'amour. Opera. For the Music see Vaucorbeil. For
the Libretto see Sardou.
Batchelder, Samuel Francis.
Hamlet; or, the sport, the spook, and the spinster. Music by
Percy Lee Atherton and Ernest Hamlin Abbott.
No. 2 in M.245.14
Batchelor, A, would have a wife. Part-song. Webbe, S.
No. 25 in M.141.21.1; etc.
Bate, Henry. See Bate-Dudley, Sir Henry, Baronet.
Bate-Dudley, Sir Henry, Baronet.
The flitch of bacon. A comic opera. Composed & selected
by W. Shield. No. 5 in M.220.19
The travellers in Switzerland; a comic opera . . . Selected
6 composed by William Shield. No. 3 in M.340.15
The woodman, a comic opera, . . . composed chiefly by
Will"". Shield. No. 2 in M.340.16
Batelieres, Les. Chorus. Weckerlin. Choeurs. M.157.12
Bates, Arlo.
The kobolds. Set to music by H. W. Parker.
No. S in M.155.35
The lily nymph. Composed by G. W. Chadwick.
No. I in M.203.45
Bates, Joah.
Too plain, dear youth. Glee. (In Warren. Collection of
catches. Vol. 2, pp. 49-51.) No. 22 in M.220.9.2
Bates, William.
Alleluja. Canon, 4 in 2. (In Warren. Collection of catches.
Vol. 2, p. 170.) No. 68 in M.220.9.3
Be Thou exalted. Canon, 3 in i. (In Warren. Vocal har-
mony. P. 228,) No. 129 in M.220.10
Come, follow me with merry glee. Canon [4 in l]. (In
Social harmony. Pp. 142, 143.) No. 120 in M.215.21
Also to be found in Warren's Vocal harmony.
Come, my lads, that love. Catch [for 4 voices]. (In Warren.
Vocal harmony. P. 159.) No. 93 in M.220.10
Hail, sacred horrors. Glee [a. T. b.]. (In Warren. Vocal
harmony. Pp. 80-83.) No. 54 in M.220.10
Here lieth John Croker. Epitaph [t. t. b.]. (In Warren.
Vocal harmony. Pp. 231, 232.) No. 132 in M.220.10
How silent lies the chief. Glee [a. x. t. b.]. (In Warren.
Vocal harmony. Pp. 204-207.) No. 117 in M.220.10
I must perish. Catch [for 3 voices]. (In Warren. Collec-
tion of catches. Vol, 3, p, 280.) No. 106 in M.220.9.3
I will praise Thee, O Lord. Canon, 4 in i. (In Warren.
Vocal harmony. Pp. 150, 151,) No, 85 in M.220.10
Jack at the mast-head. Catch [for 4 voices]. (In Warren.
Vocal harmony. Pp. 64, 65.) No. 42 in M.220.io
Lye on. Canon, 3 in I. (In Warren. Vocal harmony. P. 37.)
No. 25 in M.220.10
Pharnaces, An English opera [by Thomas Hull], Com-
posed by William Bates. [Accomp. for pianoforte.] Lon-
don. Welcker. [1765,] No. i in M.220.2S
Push the rosy goblet. Glee [a. x. b.]. (In Warren. Vocal
harmony. Pp. 215-217.) No. 124 in M.220.25
84
Bates
THE ALLEN A. BROWN COLLECTION OF MUSIC
Battishill
Bates, William. (Continued.)
Sir, you are a comical fellow. Catch [for 3 voices]. [Lon-
don? 17s-?] No. 31 in M.23S.14
Also to be found in The Apollo ; Apollonian harmony ; Bland's The
Ladies' collection ; dementi's Collection of catches ; Flowers of har-
mony ; The Harmonist ; Social harmony ; Warren's Cock's Hand-book
of glees; Warren's Collection of catches; Webbe, Jr.'s Convito ar-
monico.
Who was the man? Catch [for 4 voices], (/n Warren. Vocal
harmony. Pp. 260, 261.) No. 145 in M.220.10
You blockhead. Catch [for 3 voices], (/n Warren. Vocal
harmony. P. 90.) No. 58 in M.220.10
Zounds, woman, don't chatter. Catch [for 3 voices]. (In
Warren. Vocal harmony. P. 12.) No. 7 in M.220.10
Bateson, Thomas.
Deliver us, O Lord. Anthem. (/« Ayrton. Sacred inin-
strelsy. Vol. 2, pp. 84, 85.) No. 34 in M.290.22.2
Also to be found in Boyce's Cathedral music, Ed. "VVarren ; Cope's
A collection of anthems.
The first set of madrigals, for 3, 4, 5 and 6 voices . . . Scored
and edited by Edward F. Rimbault. London. Chappell.
[1846. Musical Antiquarian Society. Publications. Vol. 4.]
No. 2 in M.234.22
Contents. — Beauty is a lovely sweet. — Love would discharge the
duty. — The nightingale so soon. — Ah rael my mistress scorns my
love. — Come follow me, fair nymphs. — Your shining eyes. —
Whither so fast? — Dame Venus hence to Paphos. — Down from
above falls Jove. — Adieu, sweet love. — If love be blind. — Phillis,
farewell [4 voices]. — Those sweet delightful lilies. — And must I
needs depart. — Sweet Gemma. — Yet stay alway. — • Strange were
the life. — Alas, where is my love? — O fly not. Love. — ■ Who pros-
trate lies at woman's feet. — Sister, awake. — Hark, hear you not?
— Dear if you wish my dying. — Fair Hebe, when dame Flora meets.
— Phillis, farewell [6 voices]. — Thirsis, on his fair Phillis' breast.
— Merrily my love and I. — Music, some think. — When Oriana
walk'd.
Same. Pianoforte part. Compressed from the score by G.
Alex. Macfarren. London. Chappell. [184-? Musical
Antiquarian Society. Publications.] No. i in M.234.28
Have I found her? Madrigal [s. s. a. t. b.]. (In Taylor.
Madrigals. 2d set.) No. 40 in M.237.15
Also to be found in Turle and Taylor's The People's music book.
Holy Lord God almighty. [Anthem, s. s. a. a. t. t. b., or-
gan.], (/n Rimbault. Collection of anthems. Pp. 142-148.)
No. 3 in M.234.26; No. I in M.234.27
The nightingale. Madrigal [s. s. a.]. (In Musical times,
[Music] Vol. S, pp. 7-9.) No. 2inM.i75.i.s
Also to be found [for s. a. t.] in Webb's Collection of Madrigals.
Oriana's farewell. Madrigal for s. s. a. t. b. (In Novello's
Glee-hive. Vol. 2. pp. 25-32.) No. 30 in M.1S7.20.2
Sister, awake. Madrigal [s. s. a. x. e.]. (/n Taylor. Madri-
gals. 2d set.) No. 38 in M.237.1S
Also to be found in Turle and Taylor's The People's music book.
Who prostrate lies. Madrigal [s. s. a. t. b.]. (In Turle and
Taylor. The People's music book. Vol. 3, pp. 31S-319)
No. 103 in M.1114.3
Bath Harmonic Society.
[A collection of madrigals, glees, etc., used by the society.]
London. [i8l?-i84-?] 7° parts in 2 v. M.235.7
A selection of favourite catches, glees, &c., as sung by the
society. 2d edition, with additions. Bath. Cruttwell. 1799.
Plate. M. 137.20
Bath York-house Catch-club.
A selection of catches, glees, &c. for the use of the members.
Bath. Cruttwell. 1804. No. 3 in M.i29a.20
This contains the words only.
Bathyle. Opera. For the Music see Chaumet. For the Li-
bretto see Blau, fi.
Batifort, Octave.
Finette et Philidor. Saynette a 2 personnages. Paroles
d'fidouard Doyen. Musique d'Octave Batifort. Avec
accomp. de piano. Paris. Hure. [186-?] No. 2 in M.2S5.35
Telemaque et Calypso. Operette en un acte. Paroles de
Leon Quentin et Octave Batifort. Musique de O. Batifort.
Texte et partition avec accomp. de piano. Paris. Grou.
[186-?] No. I in M.402.63
Batistin. See Struck, Batistin.
Batka, Richard.
Alpenkonig und Menschenfeind. Musik von Leo Blech.
M.397.6
Batka, Richard. (Continued.)
Aschenbrodel. Ein Marchen in drei Aufzugen. Musik von
Leo Blech. M.389.33
Aus der Musik- und Theater-Welt. Beschreibendes Ver-
zeichnis der Autographen-Sammlung Fritz Donebauer.
[Anon.] Prag. Lowitt & Lamberg. 1894. M.371.33
Das war ich. Dorfidylle. Musik von Leo Blech.
No. I in M.397.7
Der polnische Jude. Volksoper von Karl Weis. Text von
Victor Leon [Pseud.] und Richard Batka. M.397.74
Batta, Alexandre.
Fantaisie et adagio de la cavatine chantee par Rubini dans
I'opera La somnambule, composee pour le violoncelle avec
accomp. de piano par N. Louis. [Parties de piano et de
violon.] Paris. Meissonnier. [184-?] 2 v.
No. 12 in M.390.10
La romanesca, fameux air de danse de la fin du XVI« siecle,
arrange pour violoncelle, avec ace', de piano. [Partition
et partie de violoncelle.] Paris. Cotelle. [184-?]
No. 3 in M.210.1
Batta, Clementine.
Priere a la vierge. [a. ou bar. Accomp. de piano.] Ma-
yence. Schott. [186-?] No. 10 in M.260.10.4
Battaglia di Legnano, La. Opera. For the Music see Verdi.
For the Libretto see Cammarano, S.
Battaille, Louis.
Le verrou. Operette. Musique de Frederic Barbier.
No. 5 in M.25S.39
Batten, Adrian.
Hear my prayer, O God. Anthem [s. a. a. t. b.]. (In Boyce.
Cathedral music. Ed. Warren. Vol. 3, pp. 105-112.)
No. 12 in M.233.23.3
Also to be found in Cope's A collection of anthems.
My soul truly waiteth still upon God. Anthem. [Acco.mp.
for organ.] (In Cope. A collection of anthems. Pp.
63-66.) No. 14 in M.290.34
O praise the Lord. Anthem. (/)i Boyce. Cathedral music.
Ed. Warren. Vol. 2, pp. 224, 225.) No. 12 in M.233.23.2
Also to be found in Cope's A collection of anthems.
The Te Deum, Benedictus, Jubilate, Kyrie, Nicene creed,
Sanctus, Gloria in excelsis. Magnificat, and Nunc dimittis,
in D minor. (In Goss and Turle. Cathedral services.
Vol. 2, pp. 78-122.) No. 4 in M.233.10
Batteux, Charles.
Les beaux-arts reduits a un meme principe. Paris. Durand.
1747- Plate. M.102.10
Battez Philidor! Opera. For the Music see Dutacq. For the
Libretto see Dreyfus.
Battishill, Jonathan.
Again my mournful sighs. Hymn. (In Musical times.
[Music] Vol. 4, pp. 178-181.) No. 2oinM.i75.i.4
From a solo by Battishill harmonized by Vincent Novello.
Amidst the myrtles. Glee [s. A. T. T. B.]. (In Amusement
for the ladies. Vol. 3, p. 77.) No. 27 in M.220.3.3
Also to be found in dementi's Collection of catches; The Harmonist;
Warren's Collection of catches.
Same. [t. b.] London. Birchell. [182-?] No. 3 in M.235.7.1
Also to be found in Bland's The Ladies' collection; dementi's Vocal
harmony. 2d edition; Leslie's Cassell's Choral music; Musical times
[Music] ; Social harmony ; Turle and Taylor's The People's music
book ; Webbe, Jr.'s Convito armonico.
But thirty years. Catch a 3 voci. (In Flowers of harmony.
Vol. I, pp. 16, 17.) No. I4in M.1S7.18.1
Also to be found in Warren's Collection of catches.
Call to remembrance. Anthem [s. s. A. a. t. b. b.]. The organ
part by Vincent Novello. (In Novello's Collection of an-
thems. Vol. 6, pp. 25-40.) No. 3 in M.195.2.6
Come, bind my hair. Glee [a. t. b.]. (In Warren. Collec-
tion of catches. Vol. 2, pp. 62-68.) No. 26 in M.220.9.a
Consign'd to dust. Glee [a. t. b.]. (In Clementi. Collec-
tion of catches. Vol. 3, pp. 34-36.)
No. 193 in M.110.1.3; No. 193 in M.iio.2.3
Also to be found in dementi's Vocal harmony ; Same, 2d edition ;
Novello's Glee-hive; Turle and Taylor's The People's music book;
Warren's Collection of catches.
Double chant [in B minor]. (In Turle and Taylor. The
People's nmsic book. Vol. 2, p. 306.) No. 76 in M.iii.4.2
85
Battishill
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bauer
Battishill, Jonathan. (Continued.)
Double chant [in D]. {In Turk and Taylor. The People's
music book. Vol. 2, p. 208.) No. 46 in M.iii.4.2
Here on his back. [Catch for 4 voices.] (/n Warren. Col-
lection of catches. Vol. i, p. 60.) No. 76 in M.220.9.1
Here rests his head. Elegy [s. a. b.]. (In Turk and Taylor.
The People's music book. Vol. 3, pp. 11-13)
No. S in M.iii.4.3
Here sleeps what once had beauty. Elegy [a. t. b.]. (In
Page. Festive harmony. Pp. 74-78.) No. 13 in M.23S.11
A hogshead was offered. [Catch for 3 voices.] (In War-
ren. Collection of catches. Vol. i, p. 34.) No. 31 in M.220.9.1
I lov'd thee beautiful. [Catch for 3 voices.] (In Amusement
for the ladies. Vol. 3, p. 45) No. 11 in M.220.3.3
Also to be found in The Apollo; Eland's The Ladies' collection; Col-
lection of glees and catches; Flowers of harmony; The Harmonist;
Musical library ; Warren's Collection of catches ; Webbe, Jr.'s Con-
vito armonico.
Love, inform thy faithfull. Madrigal [a. t. B.]. (In Page.
Festive harmony. Pp. 3I-37-) No. 6 in M.235.11
O Lord, look down. Anthem. [Accomp. for organ.] (/;;
Novello's Collection of anthems. Vol. 9, pp. 184-191.)
No. 14 in M. 195.2.9
O my Clarissa. Glee [a. t. B.]. (In Bland. The Ladies'
collection. Vol. i. pp. 26, 27.) No. 39 in M.235.i7.i
Also to be found in Page's Festive harmony; Warren's Collection of
catches.
O remember not the sins. Trio [s. A. b. Accomp. for organ].
(In Ayrton. Sacred minstrelsy. Vol. 2, pp. 73-75)
No. 30 in M.2go.22.2
See, Phillis, yonder bower. Catch a 3 voci. (/ji Flowers of
harmony. Vol. i, p. 20.) No. 19 in M.1S7.18.1
Also to be found in Warren's Collection of catches.
See, the jolly god. [Glee. a. t. B.]. (/» Page. Festive har-
mony. Pp. 43-48.) No. 8inM.235.11
Single chant [in E flat]. (In Turk and Taylor. The People's
music book. Vol. 2, p. 297.) No. 72 in M.iii.4.2
Trust not fair nymphs. Round for 4 voices. (In Warren.
Cocks's Hand-book of glees. Vol. 3, p. 104.)
No. 35 in M.157.6.3
Underneath this myrtle shade. [Glee, a. t. b.] (In Amuse-
ment for the ladies. Vol. 2, pp. 8-12.) No. 3 in M.220.3.2
Also to be found in Webbe, Jr.'s Convito armonico.
Wise they, that with a cautious tear. Glee. (In Page. F'es-
tive harmony. Pp. 125-129.) No. 20 in M.235.11
Ye birds, for whom. [Catch for 3 voices.] (In Warren.
Collection of catches. Vol. i, p. 38.) No. 38 in M.220.9.1
Also to be found in Webbe, Jr's Convito armonico.
Battishill, Jonathan. IVorks about.
Wesley, C. Elegy to the memory of Jonathan Battishill.
[London? 1801.] No. 6 in M.380.6; etc.
Battista, Vincent.
Esmeralda (Ermelinda). Dramma lirico in 4 atti, di Do-
menico Bolognese, posto in musica da V. Battista. [Ac-
comp. di pianoforte.] Milano. Lucca. [185-?] M. 230.8
Battle, The. Part-song. Belcke. No. 42 in M.246.35
Battle in the clouds, The. Song. Keller, M.
No. 4 in M.192.13.1
Battle of Hexham, The. Opera. For the Music see Arnold, S.
For the Libretto see Colman, G., the younger.
Battle of love. The. Opera. For the Music see Golfieri. For
the Libretto see Heathorn.
Battle of the Baltic, The. Cantata. For the Music see Stan-
ford. P'or the Libretto see Campbell, T.
Battle of the Baltic, The. Part-song. Macirone, C. A.
No. I in M. 175. 1. 6
Battle of the Huns. Cantata. For the Music see Zoellner, H.
Battle of the orchestra. The. Opera. For the Music see Vin-
cent, G. F. For the Libretto see Page, B.
Battle prayer, The. Part-song. Himmel. No. 4 in M.157.5.1
Battle song. Part-song. Rubinstein. No. 13 in M.204.38
Schumann, R. A. No. 5 in M.1S7.21; etc.
Battle song and chorus. Bruch. No. 16 in M.IS8.14
Battmann, Jacques Louis.
Messe brillante et tres facile a 3 voix egales, avec accomp.
d'orgue. Paris. Cartereau. [186-?] No. 4 in M.201.1
Battmann, Jacques Louis. (Continued.)
Messe, Deuxieme, en ut, a deux voix egales d'une facile exe-
cution, avec accomp. d'orgue, ou harmonium. Op. 282.
Paris. Leduc. [187-?] No. i in M.203.33
Battu, Leon.
Le docteur Miracle. Opera-comique. Paroles de L. Battu
& L. Halevy. Musique de Charles Lecocq. No. i in M.2g6.34
L'impresario, opera bouffe, paroles de L. Battu et Lud.
Halevy, musique de Mozart. No. 2 in M.362.19
Das Miidchen von Elizondo. Komische Oper, nach dem
Franzosischen des L. Battu und J. Moinaux von J. C.
Grunbaum. Musik von J. Offenbach. No. 3 in M.267.33
Le mariage aux lanternes. Operette, paroles de Michel
Carre et Leon Battu. Musique de J. Offenbach.
No. I in M.368.23
Les pantins de Vioktte. Operette bouffe, musique de Ad.
Adam. No. 3 in M.361.13
La reine Topaze. Opera-comique. Paroles de Lockroy
[pseud.] et Battu. Musique de Victor Masse. M.247.31
Baud-Bovy, Daniel.
Les armaillis. Legende dramatique. Poeme de Henri Cain
et D. Baud-Bovy. Musique de Gustave Doret. M.389.37
Baudelaire, Charles Pierre.
Richard Wagner et Tannhauser a Paris. Paris. Dentu. 1861.
No. I in M. 128.37
Baudiot, Charles Nicolas.
La dame du lac. Duo concertant pour piano et violon,
arrange d'apres le duo pour harpe et violoncelle de Bau-
diot par N. Louis. [Partition et partie de violon.] Paris.
Guerin. [183-?] No. 10 in M.390.10
Duo brillant & concertant pour piano & violon. . . . Ar-
range d'apres le duo de A. Thys et C. N. Baudiot pour
piano et violoncelle par N. Louis. [Partition et partie de
violon.] Paris. [184-?] No. 9 in M.3go.2; No. 16 in M.390.10
Duo pour piano et violon sur la romance, Le depart de la
Montagnarde, de F. Berat. Arrange d'apres le duo de
piano et violoncelle de Baudiot, par N. Louis. [Partition
et partie de violon.] Paris. Espinasse et cie. [183-?]
No. 9 in M.390.10
Trois fantaisies pour le violoncelle avec accomp. de piano
oblige. Op. 12, no. 2. [Partition.] Paris. Pleyel. [182-?]
No. 4 in M.2I0.I
Same. [Partie de violoncelle.] No. i in M.210.11
Baudrais, Jean.
Essais historiques sur I'origine et les progres de I'art drama-
tique en France. [Anon.] Paris. Belin. 1791. 3 v.
M.iogb.s
Baudry, Alfred, editor.
Langlois, E. H. Essai . . . sur les danses des morts.
Ouvrage complete et publie par Andre Pottier et Alfred
Baudry. M.124.11
Bauer, Ferdinand Friedrich Wilhelm.
Wave high your hats. Part-song for t. t. b. b. (In The
Orpheus. New series. Vol. 3, pp. 1SS-157.)
No. 37 in M.205.10.3
Bauer, Heinrich.
Minnelied [t. T. B. B.]. (In Claasen. Ludwig Liebe-Album.
P. 7.) No. II in M.203.16
Bauer, Julius.
Der arme Jonathan. Operette, von Hugo Wittmann und
Julius Bauer. Musik von Carl Millocker. M. 257.34
Ftirstin Ninetta. Operette von Julius Bauer und Hugo Witt-
mann. Musik von Johann Strauss. M.402.52
Der Hofnarr. Operette von H. Wittmann und J. Bauer.
Musik von Adolf Miilkr jun. M.267.19
Der Probekuss. Operette von H. Wittmann und J. Bauer.
Musik von Carl Millocker. M.394.43
Die sieben Schwaben, Volksoper von H. Wittmann u. J.
Bauer. Musik von Carl Millocker. M.382.54
Das Sonntagskind. Operette von H. Wittmann und J. Bauer.
Musik von Carl Millocker. No. i in M.257.35
Bauer, Louis.
Ihr Auge. An Amaranth. Bitte. [Drei Lieder, x. t. b. b.]
Op. 21. Berlin. Challier & Co. [189-?] No. 12 in M.392.3
Bauer
THE ALLEN A. BROWN COLLECTION OF MUSIC
Baumgartner
Bauer, Ludwig Coelestin. . , • ,
Der Schmied von Ruhla. Romantische Oper, von Friednch
Lux. M.336.38
Bauer, Oscar.
Standchen fur 4stimmigen Mannerchor mit Pianoforte-
Begleitung. Leipzig. Eulenburg. [1890?] No. 37 in M.392.2
Zaubernacht. Walzer fiir vierstimmigen Mannerchor mit
Begleitung des Pianoforte. Op. 22. Clavierauszug. Leip-
zig. Forberg. [1888?] No. 36 in M.392.2
Bauer, Theodor.
Hear Father, hear our prayer, a. solo and quartet. [Accomp.
for organ,] Boston. Ditson & Co. 1877. No. 18 in M.190.1
Bauer, Der, an seinen durchlauchtigen Tyrannen. Song.
Gruber, G. W. Gottfried August Burgers Gedichte.
Vol. I. No. 22 in M.iso.g.i
Bauer, Der, ein Schelm. Ofcra. For the Music see Dvorak.
For the Libretto see Vesely.
Bauemfeld, Eduard von.
Ein Besuch in St. Cyr. Komische Oper. Musik von J. Des-
sauer. M.231.14
Bauemhochzeit, Eine. Part-song. Sodermann.
No.i7inM.i58.2i;etc.
Bauemhochzeit, Eine, in Karnten. Part-song. Koschat.
No. 13 in M.212.8
Bauernkrieg. Part-song. Tietz, P. Vier Lieder.
No. 32 in M.392.26
Bauernlied. Song. Taubert, C. G. W. Fiinf Lieder.
No. 2 in M.192.7
Bauernregel. [Mannerchor.] (In Orpheus. Band 8, pp. 56-
5p.) No. 270 in 11.1293.43.8
Bauernregel. Part-song.
BuECHLER. Sechs Gesange. No. 34 in M.392.5
Kittan. No. 59 in M.392.12 ; etc.
Bauern-Trinklied. Part-song. Abt, F. Die Kirmes.
No. 4 in M.392.1
Baumaine, F.
Adelaide et Ferdinand. Operette equestre. Paroles de Ch.
Blondelet et Baumaine. Musique de A. de Villebichot.
No. I in M.326.3
Les barbieres de village. Operette. Paroles de Blondelet
& Baumaine. Musique de Bernicat. No. i in M.301.1
Le beau Paris. Saynette bouffe. Paroles de Ch. Blondelet
et F. Baumaine. Musique de Leon Roques.
No. 2 in M.307.37
Le bravo et la Venitienne. Operette bouffe. Paroles de Ch.
Blondelet & Baumaine. Musique de Germain Laurens.
No. 2 in M.266.1
Compere et compagnon. Scene de campagne. Paroles de
F. Baumaine et Ch. Blondelet. Musique de F. Jouffroy.
With the libretto in manuscript. No. 5 in M.30I.II
Les deux postilions. Operette. Paroles de Ch. Blondelet
& Baumaine. Musique de A. de Villebichot.
No. I in M.326.4
Le diable rouge. Saynete-feerie. Paroles de Ch. Blondelet
et F. Baumaine. Musique de Leon Roques.
No. I in M.307.38
Le dindon de la farce. Operette. Paroles de Blondelet &
Baumaine. Musique de Ed. Deransart. No. 4in M.295.33
Don Ferocio. Saynete bouffe. Paroles de Blondelet et
Baumaine. Musique de Frederic Barbier. No. 3 in M.255.39
Les ficosseuses. Operette. Paroles de Blondelet & Bau-
maine. Musique de Tony Rieffler. No. i in M.307.9
Une femme qui jure. Operette. Paroles de Blondelet &
Baumaine. Musique de Francis Chassaigne.
No. 3 in M.285.5
Une femme tombee du ciel. Operette. Paroles de Ch. Blon-
delet et F. Baumaine. Musique de Leon Roques.
No. 4 in M.300.3
Les hirondelles de la rue. Saynette bouffe. Paroles de Bau-
maine et Blondelet. Musique de A. de Villebichot.
No. 3 in M.326.4
Racoleur & racole. Saynete. Paroles de Blondelet & Bau-
maine. Musique de fid. Deransart. No. 3 in M.295.33
Baumann, Alexander.
Das Versprechen hinterm Herd. Singspiel aus den oster-
reichischen Alpen in einem Aufzug, von Alexander Bau-
mann. Vollstiindiger Klavier-Auszug von Bogumil Zep-
ler. Mit der Scenenfolge und den Stichworten herausge-
geben von Carl Friedrich Wittmann. Leipzig. Reclam.
[188-?] No. I in M.402.64
Baumann, Pierre.
Symphonie pour grand orchestre. [Partition.] Paris.
Troupenas & cie. [185-?] M.3S3.7
Baumbach, Adolph.
Sacred quartetts. Boston. Ditson & Co. [1862.] M. 100.8
Search me, O Lord. [Anthem. Accomp. for pianoforte.]
Manuscript. [186-?] No. 8 in M.290.g.i
Baumbach, Rudolf.
Horand und Hilde. Oper von Viktor Gluth. M.399.23
Die Macht des Liedes. Romanzen-Cyklus. [Musik] von F.
Hummel. No. i in M.380.8
Das stahlerne Schloss. Dramatisches Marchen von R. von
Perger. M.396.34
Baumer, Henry.
Lord, how are they increased. Anthem. [Accomp. for
organ.] (In Fowle. Parochial anthems. Pp. 66-70.)
No. I in M.233.29
Baumgart, Ernst Friedrich.
Aus den „Vierzeilen." [Mannerchor.] (/» Abt. Deutsche
Siingerhalle. Vol. i, p. 118.) No. 41 in M.392.42.1
Baumgarten, C. G. See Baumgarten, Gotthilf von.
Baumgarten, Carl Friedrich.
Her image ever rose. Song [t.] from Nettley [sic] Abbey.
[Accomp. for pianoforte.] (In Musical library. Vol. 4,
pp. 112-114.) No. 36 in M.23S.18.4
Baumgarten, Gotthilf von.
Andromeda, ein Monodrama, in Musik gesetzt von C. G. von
Baumgarten. [Klavierauszug.] Breslau. Korn. 1776.
No. 2 in M.320.4
Das Grab des Mufti, oder die beyden Geizigen, eine ko-
mische Oper. Aus dem Franzosischen [des Falbaire de
Quincey], nach der Umarbeitung des Herrn Meissner, und
der Tonsetzung des Herrn von Baumgarten. [Klavier-
auszug.] Breslau. Meyer. 1778. No. i in M.320.4
Zemire und Azor, eine romantisch-komische Oper, in Musik
gesetzt von G. von Baumgarten. [Text von Marmontel
in's Deutsch iibersetzt. Clavierauszug.] Breslau. Korn.
1 775- M.320.3
Baumgartner, Marie, translator.
Nietzsche. Richard Wagner a Bayreuth. No. 2 in M.128.37
Baumgartner, Wilhelm.
Abendfeier. [Mannerchor.] (In Eidgenossischer Sanger-
verein. Mannerchore fiir das 13. . . . Sangerfest. Pp. 17-
20.) No. 3 in M.130.7
x\n der Saale hellem Strande. [Mannerchor.] (In Das Rutli.
Pp. 408, 409.) No. 172 in M.147.4
An mein Vaterland. [Mannerchor.] (In Eidgenossischer
Sangerverein. Wettgesange bei dem 11. . . . Sangerfeste.
P. 3.) No. 9 in M.130.7
Also to be found in Das Riitli.
Friihlingsglaube. [Mannerchor.] (In Das Riitli. Pp. 266,
267.) No. 112 in M.147.4
Huttenlied. [Mannerchor.] (In Eidgenossischer Sanger-
verein. Mannerchore fiir das 11. . . . Sangerfest. P. 19.)
No. 2 in M.130.7
.Mso to be found in Wettgesange bei dem 12. . . . Sangerfeste.
Mein ganzer Reichthum ist mein Lied. Mannerchor. (In
Eidgenossischer Sangerverein. Wettgesange bei dem 12.
. . . Sangerfeste. P. 3.) No. 8 in M.130.7
Mein Vaterland. [Mannerchor.] (In Das Riitli. Pp. 152,
153.) No. 61 in M.147.4
Mignon. [Mannerchor.] (In Eidgenossischer Sangerverein.
Mannerchore fiir das 14. . . . Sangerfest. Pp. 3, 4.)
No. 4 in M.130.7
O Jugendzeit! [Mannerchor.] (In Das Riitli. Pp. 502, 503.)
No. 210 in M.147.4
Schweizergesang [t. T. B. B.]. (/» Das Riitli. Pp. 215-219.)
No. 90 in M.147.4
87
Baumgartner
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bazin
Baumgartner, Wilhelm. (Continued.)
Vom hoh'n Olymp. [Miinnerchor.] (/« Das Riitli. Pp. 434,
435) No. 128 in M.147.4
Warnung vor dem Wasser. [Mannerchor.] (In Das Riitli.
Pp. 440, 441.) No. 187 in M.147.4
Weg rait den Grillen und Sorgen. [Mannerchor.] (/» Das
Riitli. Pp. 30S-307.) No. 128 in M.147.4
Wenn wir durch die Strassen ziehen. Marschlied [t. t. b. b.].
(/n Das Riitli. Pp. 390, 391.) No. 162 in M.147.4
War ist frei? [Mannerchor.] (In Eidgenossischer Sanger-
verein. Mannerchore fiir das 12. . . . Sangerfest. P. 2.)
No. I in M.130.7
Baur, Antonio.
Le due fidanzate. Melodramma serio in 2 atti con prologo,
di Antonio Ghislanzoni, musica di A. Baur. [Accorap. di
pianoforte.] Milano. Canti. [1857?] M.230.9
Baur, C. W.
Adonis. Monodisches Drama, in Musik gesetzt von Carl
Wagner. No. 2 in M.230.13
Baur, J.
"Gott mit dir, mein Vaterland." [Mannerchor.] (/n Eid-
genossischer Sangerverein. Wettgesange bei dem 11. . . .
Siingerfeste. P. 15.) No. 9 in M.130.7
Bau-Regel. Part-song. Rheinberger, J. C. In der Zechstube.
No. 8 in M.392.22
Bausset, Albert de.
Bobine. Operetta. Musique de Ban-Tayou.x. No. i in M.265.4
Fiorella. Petit opera-comique. Musique da Ben-Tayoux.
No. 3 in M.399.3
Pat-chou-ly. Operette. Paroles de A. de Bausset et Rene
da S'. Prest. Musique de Ben-Tayoux. No. 2 in M.265.4
Baussnern, Waldemar von.
Durer in Venedig. Oper in drei Akten. Dichtung von
Adolf Bartels nach der gleichnamigen Novelle von Adolf
Stern. Musik von Waldemar von Baussnern. Klavier-
auszug mit Te.xt. Leipzig. Breitkopf & Hartel. 1898.
M.402.5
Bavards, Les. Opera. For the Music see Offenbach. For the
Libretto see Truinet.
Bawr, Alexandrine Sophie Coury de Champgrand, Baronne de.
Histoire de la musique. Paris. Audot. 1823. Plate. M. 119.12
Baxter, Sylvester.
The Viking's last voyage. [Music] by G. W. Chadwick.
No. 3 in M.203.4S
Bay, William Johnston.
A scientific king. An original comic opera in two acts.
Libretto by Gerald Francis Loughlin. Music by William
Johnston Bay, Frank Sheridan Farrell, Gerald Francis
Loughlin, Leyland Clement Whipple. [Boston.] The
Tech Show. 1903. No. i in M.397.9
Bayadere, La. Song. David, F. C. Cinquante melodies.
M.363.28
Bayadere de Java, La. Song. Masini. Album. No. 7 in M.237.S
Bayaderes, Les. Opera. For the Music see Catel. For the
Libretto see Etienne, V. J.
Bayard, Jean Francois Alfred.
Le demon de la nuit. Opera. Musique da J. Rosenhain.
M.307.39
La fille du regiment. Opera comique. Paroles de Bayard
et St. Georges. Musique de G. Donizetti. M.401.11
Same. La figlia del reggimento. Opera italien, musique de
Donizetti. [Paroles de Bayard at de Saint-Georges.]
M.364.18
La medecine sans medecin. Opera comique. Paroles de
Scribe at Bayard. Musique de F. Herold. M.292.29; etc.
Le miroir. Opera comique. Paroles de Bayard et d'Avrigny.
Musique da Leon Gastinel. No. 2 in M.256.20
L'ombre d' Argentine. Opera comique, paroles da Bayard
et de Bieville, musique de A. Montfort. No. 3 in M.267.12
Bayard. Song. Rouget de Lisle. 48 chants fran^ais. M.202.44
Bayard a Mezieres. Opera. For the Music see Cherubini. For
the Libretto see Dupaty.
Bayer, Anton.
Die bomischen Amazonen. Romantische Oper in 2 Acten.
Bayer, Anton. (Continued.)
Musik von Anton Bayer. [Partitur.] Manuscript. [182-?]
M.152.20
Bayer, Josef.
Der Kinder Weihnachtstraum. Ballet in I Acte u. mehreren
Bildern von Robert Koller. Musik von Josef Bayer. Cla-
vierauszug. Hamburg. Cranz. [188-?] No. i in M.255.42
Rouge et noir. Ballet in i Acte und 3 Bildern. Clavieraus-
zug. Hamburg. Cranz. [188-?] No. 2 in M.2S5.42
Sonne und Erde. Ballet in vier Abthailungen, und ailf Bil-
dern von J. Hassreiter und F. Gaul. Musik von Josef
Bayer. [Klavier-Auszug.] Hamburg. Cranz. [1889.]
No. I in M.384.1
Ein Tanz-Marchen. Grosses Ballet in i Vorspial, 3 .Ab-
thailungen und 15 Bildern, von J. Hassreiter und F. Gaul.
Musik von Josef Bayer. Claviarauszug. Hamburg. Cranz.
[188-?] No. 3 in M.255.4a
Bayerischer Zapfenstreich. Part-song. Wohlmuth.
No. 6 in M.i29a.44
Bayley, Frederick W. N.
The souvenir of the season. The wake of extacy, a memory
of Jenny Lind. With illustrations by Kenny Meadows.
London. Willoughby & Co. 1848. M.122.33
Bayley, William.
Balmy sweetness. [Glee, a. a. t. b.] (/n Parker. The Or-
phean lyre. Series 3, pp. 26, 27.) No. S in M.237.9
Cantate Domino and Deus misereatur. [Accomp. for organ.]
London. Novello. [184-?] No. 19 in M.190.1
Bayly, Anselm.
The alliance of musick, poetry and oratory. London. Stock-
dale. 1789. M.148.4
Bayly, Anselm, editor.
A collection of anthems used in His Majesty's chapel royal
. . . London. Rivington. 1769. M.104.27
Words only.
Bayly, Thomas Haynes.
Airs of haut-ton. With symphonies and accomp. by H. R.
Bishop. No. 3 in M.244.ig
Bayly, Thomas Haynes, translator.
MoscHELES, L The Tyrolese melodies. M.244.24
Bazille, Augusta Ernest,
La poularde de Caux, operatte en i acte, de MM. A. de
Leuven [pseud.] et V. Prilleux; musique de L. Clapisson,
Gevaert, E. Gautier, F. Poise, A. Bazilla et S. Mangeant.
Partition chant et piano. Paris. Choudens. [1861.]
No. I in M.2g3.io
Bazin, Frangois Emmanuel Joseph.
Annibal travarsant les Alpes. Choeur a 4 voix d'hommes.
(/n Soirees orpheoniques. Pp. 76-85.) No. 11 in M.157.8
Le bapteme. ChcEur a 3 voix. (/» Soirees orpheoniques.
Pp. 98-100.) No. 14 in M.157.8
Le chant des ecoles communalas. Chceur a 3 voix egalas.
(7)1 Soirees orpheoniques. Pp. 94-97.) No. 13 in M.157.8
Le depart des apotres. Chceur a 4 voi.x d'hommes. {in
Soirees orpheoniques. Pp. 48-52.) No. 5 in M.157.8
Les desesperes. Opera comique en I acte. Paroles de MM.
de Leuven [pseud.] et Jules Moinaux. Musique de Fran-
cois Bazin. Accomp. de piano. Paris. Escudier. [1858.]
No. I in M.2S5.43
La feuille. Melodic [s. ou bar. Inedite. Accomp. de piano.
Portrait. Fac-simile]. (/n Album du Gaulois. Vol. I.)
No. 3 in M.391.28.1
Gloire a la France. Chreur a 4 voix d'hommes. {In Soirees
orpheoniques. Pp. 86-93.) No. 12 in M.157.8
Le loup et I'agneau. Choeur a 4 voix. (/» Soirees orpheo-
niques. Pp. 102-108.) No. 15 in M.157.8
Loyse de Montfort. Scenes lyriquas . . . Paroles de MM.
fimile Deschamps & fimilien Pacini. Musique de Fran-
gois Bazin. Avec accomp. da piano. Paris. Richault.
[1840.] No. I in M.261.20
Madelon, opera comique en 2 actes, paroles de T. Sauvage,
musique de F. Bazin. [Partition chant et piano.] Paris.
Maho. [1852.] M.362.17
Maitre Pathelin. Opera comique en I acte. Paroles da MM.
A. de Leuven [pseud] et F. Langle. Musique de Frangois
Bazin
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beale
Bazin, Fran?ois Emmanuel Joseph. (Continued)
Bazin Avec accomp. de piano. Mainz. Schott. li»S--'l
No. 2 in M.261.20
Le malheur d'etre jolie. Opera comique en I acte. Paroles
de Ch Desnoyer. Musique de F. Bazm. [Partition.]
Paris. Troupenas. [1847.] , , M.261.19
Marianne. Opera-comique en i acte. Paroles de Augustin
Challamel, musique de Frangois Bazin. [Accomp. de
piano 1 Paris. Magasin des demoiselles. 1861.
No. 3 in M.2SS-35
Les matelots de I'Adriatique. Chceur a 4 voix d'hommes.
(/» Soirees orpheoniques. Pp. 57-62.) No. 7 m M.157.8
Messe a trois voix egales. [Partition de chant.] Pans.
Escudier. [186-?] No. i m M.156.21
L'ours et le pacha. Opera comique en un acte. Paroles de
Scribe et Saintine. Musique de Francois Bazin. Parti-
tion, piano et chant. Paris. Hamelle. [1870.]
No. 2 in M.399.1
La St. Sylvestre. Opera comique en 3 actes. Paroles dc
MM. Melesville [pseud.] et Michel Masson. Musique de
F. Bazin. [Accomp. de piano.] Paris. Bonoldi. [1849.I
No. 2 in M.25S.43
Salut a Cesar. Choeur a 4 voix d'hommes. (In Soirees or-
pheoniques. Pp. 63-67.) No.8inM.iS7.8
Le soldat vigneron. Choeur a 4 voix d'hommes. (In Soirees
orpheoniques. Pp. 72-75) No. 10 in M.157.8
Le tireur d'arc. Choeur a 3 voix d'hommes. {In Soirees
orpheoniques. Pp. 68-71.) No. 9 in M.157.8
La trompette de Monsieur le Prince. Opera comique en i
acte. Paroles de Melesville [pseud.]. Mis en musique
... par F. Bazin. Partition. Paris. Troupenas & cie.
[1846.] M.224.1
Same. Partition piano et chant. Brandus & cie. [185-?]
No. 2 in M.362.15
Les vendageurs du Rhin. Choeur a 4 voix d'hommes. {In
Soirees orpheoniques. Pp. 53-56.) No. 6 in M.157.8
Le voyage en Chine. Opera-comique en 3 actes. Paroles
de MM. E. Labiche et A. Delacour [pseud.]. Musique de
Frangois Bazin. Partition, piano et chant. Paris. Lc-
moine. [1865.] M.265.1
Bazin, Frangois Emmanuel Joseph, editor.
Gluck. Iphigenie en Aulide. (Que d'attraits.) Choeur.
No. 2 in M.157.8
Mozart. La fliite enchantee. Marche instrumentale.
No. 18 in M.157.8
Bazzini, Antonio.
Francesca da Rimini. Poeme symphonique. Opus 77. Par-
tition d'orchestre. Berlin. Fiirstner. [1890.] M.403.5
Quartett, N^. 2, in D moll, fiir zwei Violinen, Viola und Vio-
loncello. Op. 75. Neue Ausgabe. [Stimmen.] Leipzig.
Leuckart. [1890?] No. i in M.211.2.1-4
Same. Quatuor (en D mineur) pour deux violons, viola et
violoncelle. Op. 75- Partition. Manuscript. 1892.
This copy was made by A. A. Brown. No. I in M. 338.9
Quartetto in do per due violini, viola e violoncello. [Parti-
tura.] Milano. Ricordi. [1864.] No. i in M.338.16
Quartetto, 4°, per due violini, viola e violoncello. Op. 79.
Partitura. Londres, Schott. [1892?] No. 3 in M.33S.1
Quartetto, 5°, per due violini, viola e violoncello. Op. 80.
Partitura. Londres. Schott. [1892?] No. 4 in M.335.1
Re Lear. Overtura. Partitura. Firenze. Guidi. 1874.
[Biblioteca del sinfonista.] No. 2 in M.3S5.1
Saul. [Overtura d'introduzione alia tragedia d'AIfieri. Par-
titura.] Firenze. Guidi. [1869. Biblioteca del sinfo-
nista.] No. I in M.3S5.I
Be glad, O ye righteous. Anthem. Smart, H. No. 3 in M. 195.2.11
Be gone ev'ry doubt. Catch. See Webbe, S. Jupiter and
Semele. Catch.
Be merciful. Anthem. Clari. No. 5 in M.233.18.1
CoERNE. No. 26 in M.203.26
Be merciful after Thy power. Anthem. Knox. No. 2 in M.158.17
Be merciful unto me, O God. Anthem. Porta. F. della.
No. 12 in M. 233.25.3
Be merciful unto me, O God. (Continued.)
PuRCELL, H. No. 28inM.233.23.3;etc.
Sydenham. No. 2 in M.195.2.13
Be not sparing. Catch. Hayes, W. Catches, glees and canons.
Vol. I. No. I in M.220.5
Be not Thou far from me. Motet. Palestrina.
No. 23 in M.1S7.28.1
Be present, ye faithful. Carol. Leslie, H. D. No. 9 in M.iS4.ig
Be still and know that I am God. Anthem. Marston.
No. 19 in M. 158.18
Be strong to hope, oh heart. Part-song. Hecht, E.
No. 13 in M.204.36.4
Be Thou exalted. Canon. Bates, W. No. 129 in M.220.10
Be Thou my judge. Anthem. Boyce. M.233.3.1; etc.
Corfe, J. Morning and evening service. M.233.5
Beach, Amy Marcy Cheney.
Bethlehem. [A Christmas hymn. Accomp. for organ.]
Boston. Schmidt. [1893.] No. 12 in M.203.26
Festival Jubilate. Composed for dedication of the Woman's
building, at the World's Columbian Exposition, Chicago,
1892. [Accomp. for pianoforte.] Boston. Schmidt. 1892.
No. 4 in M. 194.3
Mass in E flat. Vocal score with pianoforte accomp. Bos-
ton. Schmidt. 1890. No. 2 in M. 156.19
The minstrel and the king. (Rudolf von Hapsburg.) Words
by Schiller. Ballade for male chorus and orchestra, with
soli for tenor and barytone voices, by Mrs. H. H. A.
Beach. Op. 16. Vocal score with piano accomp. Boston.
Schmidt. 1894. No. 3 in M.203.9
Praise the Lord all ye nations. Anthem. [Accomp. for or-
gan.] Boston. Schmidt. [1891.] No. 22 in M.I58.I3
Symphonic (Gaelic) in E moll fiir grosses Orchester.
Op. 32. Partitur. Boston. Schmidt. 1897. M.337.1
Beach, Amy Marcy Cheney. Works about.
GoETscHius, P. Mrs. H. H. A. Beach. Boston. 1906. Por-
trait. Music. M.377.18
List of compositions by Mrs. Beach, pp. 126-134.
Beacon of liberty, The. Historical romance. Bishop, H. R.
No. 2 in M.3gi.S
Beale, Thomas Willert.
An Easter egg. An operetta in one act. Words & music by
Walter Maynard [pseud. Accomp. for pianoforte]. Lon-
don. Jefferys & Co. [1893.] No. 2 in M.393.42
The enterprising impresario. By Walter Maynard [pseud.].
London. Bradbury, Evans & Co. 1867. M. 146.26
The hemlock tree, four-part song, the words by Longfellow,
set to music by Walter Maynard [pseud.]. London. Cock,
Addison & Co. [186-?] No. 23 in M. 157.1
Violet, four-part song, written and composed by Walter
Maynard [pseud.]. London. Cock, Addison & Co. [186-?]
No. 22 in M.157.1
Beale, William.
A collection of 13 glees, (posthumous). Edited by Edward
Plater. London. Lucas, Weber & Co. [187-?]
No. 5 in M.158.30
Contents. — I'll enjoy the present time [a. t. t. b.]. — How soft the
music [a. t. t. b.]. — By the side of a grove [a. t. t. b. b.]. — Scenes
of woe [a. t. t. b.]. — Lo! the pride of the village [s. a. t. b.]. — How
often from the steep [s. s. A. A. T. T. b. b.]. — Oh, by yonder mossy
seat [a. t. t. b.]. — The humble tenant [s. a. t. b. b.]. — Chant we the
requiem [a. t. t. b. b.]. — Thou herald of the blushing morn [s. a. t. b.].
— When Fanny blooming fair [s. A. T. B.]. — Sing unto the Lord,
canon. — Again the balmy zephyr, round.
Come, let us join the roundelay. Madrigal [a. t. t. b.]. Lon-
don. Birchall. [181-?] No. 7 in M. 235.7.1
Same. [Novello. 1865.] No. 23 in M. 158.13
Also to be found in The Orpheus, New series.
Phyllis, thy lovely looks. [Madrigal. A. T. T. B.] (In Hawes.
Collection of madrigals. Pp. 17-21.) No. 3 in M. 235.12
Requiem VI. {In Fane, John. A requiem to the memory of
the late Samuel Webbe . . . Pp. 49-60.) No. i in M.220.29
This pleasant month of May. [Madrigal, a. t. t. b.] {In
Musical times. [Music] Vol. 6, pp. 119-121.)
No. Sin M.175.1.6
What ho! Madrigal [a. t. t. b.]. London. Birchall. 1816.
Also to be found in The Orpheus, New series. No. 21 in M. 235. 7. 1
I. 12
89
Beaming
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Beaume
Beaming stars, The. Song. Mendelssohn-Baetholdy, J. L, F.
Songs. No. 64 in M.244.21
Bearden, Daniel.
A collection of songs for one and two voices, properly
adapted for the harpsichord, violin, German flute and gui-
tar. London. Longman & Broderip. [1778?]
No. 4 in M.202.32
Contents. — Reserve. — Friendship. — Beauty, health and wit. —
The fireside. — To Celia. — The bloom of May. — On Delia. —
Damon and Clarinda. — On a butterfly. — The bee. — The rose
humbled. — Hannah. — Damon. — On a bird. — Content. — Clarmda.
Bearnais, Le. Opera. For the Music see Radoux. For the
Libretto see Pellier-Quensy.
Bearnaise, La. Opera. For the Music see Messager. For the
Libretto see Leterrier.
Beata. Motet. Lutz. No. 55 in M.156.56
Beata Barbara. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Beata cuius brachiis. Motet. Lassus. Sammtliche Werke.
Band II. M.8o4oa.67.ii
Beata Dei genitrix. Anthem. Porta, C. No. 14 m M.158.33.4
Beata es. Anthem. Palestrina. Werke. Band 32. M.8o4oa.66.32
Beata es, Virgo Maria. Motet. Palestrina. Werke. Band 6.
M.8o40a.66.6
Beata Genovefa. Oratorio. For the Music and Libretto see
Bourges.
Beata Maria Virgine. Mass. Vittoria. Opera. Tomus 2.
M.3I3-2.2
Beatae Mariae Magdalenae. Motet. Palestrina. Werke.
Band I. M.8o4oa.66.i
Beatam te dicent. Chceur. Millet. Duos, trios . . . M.157.11
Beate, Louis.
Funf Lieder fiir vier Mannerstimmen. Bernburg. Groning.
i8c4 No. 38inM.392.2
Contents. — 'Loh des Gesanges. — Reiterlied. — Walzer. — Wem-Lied.
— Der Abendhimmel.
Beati estis. Anthem. Handl. No. 22 in M.158.33.4
Beati mortui. Motet. Baini, G. No. 3 in M.260.19
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 14, Ab-
theilung c. M.4I3-3-I4C
Beati omnes. Motet. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
Beati omnes, qui timent. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Sweelinck. Werken. Deel 6. M.413.2.6
Beati pauperes spiritu. Motet. Sweelinck. Werken. Deel 6.
M.413.2.6
Beati, quorum via Integra est. Gradual. Reissiger. 15 Gra-
duales. No. 3 in M.158.27
Beatitudes, Les. Oratorio. For the Music see Franck, C. A.
For the Libretto see Colomb, J. B.
Beatrice di Tenda. Opera. For the Music see Bellini. For
the Libretto see Romani, F.
Beatrice et Benedict. Opera. For the Music see Berlioz, L. H.
Beatrix. Song. Concone. No. 4 in M.244.2
Beatus homo. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Beatus ille qui procul. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.57.ii
Beatus Laurentius. Mass. Palestrina. Werke. Band 23.
M.8o4oa.66.23
Beatus Laurentius. Motet. Palestrina. Werke. Band 5.
M.8o4oa.66.5
Beatus Laurentius orabat. Motet. Palestrina. Werke. Band i.
M.8o4oa.66.i
Beatus qui soli Deo confidit. Canon. Sweeli.nck. Werken.
Deel '9. M.413.2.9
Beatus vir. Anthem. Bruguera. No. 134 in M.220.9.1
Lassus. Sammtliche Werke. Band i, 3. M.8o4oa.67.i, 3
Mozart. No. 7 in M. 260.11
Roeder, G. V. Pseaumes des vepres. No. 4 in M.202.7
Selle, L. Vespers. No. 5 in M.201.36
Zingarelli. No. i6in M.26o.i8
Beatus vir, qui inventus est. Motel. Lassus. Sammtliche
Werke. Band 9. M.8o4oa.67.9
Beatus vir, qui non abiit. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Beatus vir qui suffert. Motet. Palestrina. Werke. Band 5-
M.8o4oa.66.5
Beau Dunois, Le. Opera. For the Music see Lecocq, A. C.
For the Libretto see Chivot.
Beau Dunois, Le. Song. Hortense, Queen of Holland. Ro-
mances. M.221.27
Beau le cristal. Par;-W)isr. Lassus. Sammtliche Werke. Band 12.
M.8o4oa.67.i2
Beau Nicolas, Le. Opera. For the Music see Lacome d'Esta-
lenx. For the Libretto see Vanloo.
Beau page. Song. Schubert, F. P. Melodies. Vol. 3.
M.327.4.3
Beau Paris, Le. Opera. For the Music see Roques. For the
Libretto see Blondelet.
Beau reve. Song. Schubert, F. P. Melodies. Vol. 8. M.327.4.8
Beaucoup de bruit pour rien. Opera. For the Music see Puget.
For the Libretto see Blau, £.
Beauclair, Henri.
Le luthier de Cremone. Opera. Poeme de Frangois Cop-
pee et Henri Beauclair. [Musique de] J. Hubay. M.225.7
Beaujoyeux, Balthazar de, pseud. See Baltazarini.
Beaulieu, Marie Desire Martin.
Du rhythme, des effets qu'il produit et de leurs causes.
Paris. Dentu. [1852.] No. 4 in M.372.19
Hymne du matin. Oratorio pour grand orchestre, avec solos
et choeurs. Paroles de M"". de Lamartine. Musique de D.
Beaulieu. [Partition.] Paris. Chatot. [1843?] M.270.8
Memoire sur ce qui reste de la musique de I'ancienne Grece
dans les premiers chants de I'eglise. [Paris. 1856?]
No. 2 in M.206.5
Memoire sur I'origine de la musique. Niort. Favre & cie.
[1859.] No. 13 in M.372.20
Beaumarchais, Pierre Augustin Caron de.
Tarare. Tragedie lyrique. [Musique de] A. Salieri. M.321.27
Beaume, Louis Alexandre.
La boite a musique. Opera-comique. Paroles de Ch. Nuit-
ter [pseud.] et A. Beaumont [pseud.]. Musique de Theo-
dore Lajarte. No. 2 in M.301.14
Cardillac. Drame-lyre. Paroles de Nuitter [pseud.] et
Beaumont [pseud.]. Musique de Lucien Dautresme.
M.363.25
La clef d'argent. Opera-comique. Musique de L E. Le-
gouix. No. 3 in M.393.34
Le cceur et la main. Opera comique. Paroles de Nuitter
[pseud.] & Beaumont [pseud.]. Musique de Charles Le-
cocq. M.296.27
Le dernier jour de Pompei. Opera de Nuitter [pseud.] et
Beaumont [pseud.]. Musique de Victorin Joncieres.
M.286.28
Les deu.x balcons. Opera bouffe, musique de N. Louis.
M.390.33;etc.
Une fete a Venise. Opera-comique. Poeme de Nuitter
[pseud.] et Beaumont [pseud.]. Musique de Federigo
Ricci. M.307.16
Le lion de Saint-Marc. Opera-bouffe en un acte. Paroles
de M. Nuitter [pseud.] et M. Beaumont [pseud.]. Mu-
sique de L E. Legouix. Paris. Levy. 1865.
Words only. No. I in M.372.37
Same. Musique de L E. Legouix. No. 3 in M.277.24; etc.
Les marchands de chansons. Scene. Musique de Legouix.
No. I in M.306.12
Marion. Opera-comique. Musique de Ernest Boulanger.
No. 5 in M.265.14
Les masques (Tutti in maschera). Comedie lyrique. Poeme
de Nuitter [pseud.] et Beaumont [pseud.]. Musique de
Carlo Pedrotti. M.369.1
Une nuit a Seville, opera comique, paroles de Ch. Nuitter
[pseud.] et Beaumont [pseud.]. Musique de Frederic
Barbier. No. i in M.255.37
Un Othello. Operette-bouffe. Paroles de Nuitter [pseud.]
et Beaumont [pseud.]. Musique de I. E. Legouix.
No. 3 in M.306.12
90
Beaume
THE ALLEN A. BROWN COLLECTION OF MUSIC
Becker
Beaume, Louis Alexandre. (Continued.)
Le puits qui parle. Opera-comique de Beaumont [pseud.]
et Burani [pseud.]. Musique de E. Audran. M.2S5.14
La reine d'une heure. Opera-comique. Musique de Ferdi-
nand Poise. No. 3 in M.287.36
Le soleil de minuit. Opera-comique de Nuitter [pseud.] &
de Beaumont [pseud.]. Musique de Albert Renaud.
M.394.69
Le vengeur. Opera-bouffe. Paroles de Nuitter [pseud.] &
Beaumont [pseud.]. Musique de L E. Legouix.
No. 5 in M.306.12
La voliere. Opera comique de Nuitter [pseud.] et Beau-
mont [pseud.]. Musique de Ch. Lecocq. M.306.5
Beaumesnil, Henriette Adelaide Villard de.
Tibulle et Delie, ou les Saturnales. Opera en i acte [de
Louis Fuzelier] . . . mis en musique par M"e Beaumesnil.
[Partition.] Paris. Deslauriers. [i;85?] M.223.23
Beaumont, A., pseud. See Beaume, Louis Alexandre.
Beaumont, Alexander S.
Lullaby. [For orchestra.] Score. London. Woolhouse.
[188-?] No. I inM.336.1
Quintette for 2 violins, 2 violas & violoncelle with ad lib.
part for c. bass. [Full score.] London. Woolhouse.
[187-?] No. I in M.33S.2
Beaumont, Francis.
[The humourous lieutenant, or Alexander's successors.]
The overture, songs ... in Beaumont & Fletcher's re-
vived play. Composed by Henry R. Bishop.
No. 3 in M.391.S; etc.
Beaunier, Frederic.
Messe a quatre voix, avec accomp. de piano ou orgue. Paris.
[1838.] M.201.2
Requiem in seternam, a quatre voix. Avec accomp. de piann
ou orgue. [Paris.] 1838. No. i in M. 192. 16
Beau-pere, Un, dans le plafond. Opera. For the Music sec
Pericaud.
Beauplan, Arthur de, pseud. See Rousseau, Victor Arthur.
Beauquier, Charles.
[Fiesque. Grand opera, Musique de E. Lalo.] M.296.19
La musique et le drame. fitude d'esthetique. Paris. San-
doz & Fischbacher. 1877. M.127.19
Philosophic de la musique. Paris. Bailliere. 1865. M.129.6
Beaute, La, du diable. Opera. For the Music see Alary. For
the Libretto see Scribe.
Beauteous clouds. Part-song. Werner, H. No. 14 in M. 205.10.4
Beauteous fair, A. Part-song. Callcott, J. W.
No. is in 11.220.9.4
Beauties, have you seen a toy? Part-song.
Evans, C. S. No. 18 in M.234.2.S; etc.
Shield. No. 4 in M.i39a.i8.8
Beauties, The, of Handel. Songs, etc. Handel. M.221.24
Beauties, The, of Purcell. Songs, etc. Purcell, H. M.221.2
Beautiful are the fields. Trio. Bishop, H. R. Complete col-
lection of glees. Vol. 3. M. 235. 1.3
Beautiful child of song. Song. Foster, S. C. No. 4 in M.380.41.1
Beautiful dreamer. Song. Foster, S. C. No. 5 in M.380.41.1
Beautiful maid. The. Song. Braham. No. 31 in M.237.7
Beautiful star, in heaven so bright. Part-song. Christy, E. P.
No. 51 in M. 157.5.2
Beautiful streamlet. Trio. Donizetti. No. 20 in M.244.10.1
Beautiful Zion. Anthem. Havens. No. 28 in M. 190.3
Beauty and the beast. Cantata. For the Music see Glover;
also Rogers, E. For the Libretto see Vandervell.
Beauty is a lovely sweet. Madrigal. Bateson. First set of
madrigals. No. 2 in M.234.22
Beauty is but a vain. Glee. Spofforth. Collection of glees.
No. 17 in M.235.15
Beauty is dead! Part-song. Mori, F. No. 64 in M. 157.5.2; etc.
Beauty stone, The. Opera. For the Music see Sullivan, A. S.
For the Libretto see Pinero.
Beauvallet, Leon.
Le dragon de la reine. Opera-comique de Pierre Decour-
celle et Beauvallet. Musique de Leopold Wentzel. M.326.24
Beauvallet, Leon. (Continued.)
Le guetteur de nuit. Operette. Paroles de Leon Beauvallet
et A. de Jallais. Musique de Paul Blaquiere.
No. 4 in M. 363.23
Beaux yeux, par qui 1' Amour entretient sa puissance. Duet.
Sweelinck. Werken. Deel 8. M.413.2.8
Beazley, James Charles.
Drusilla. Sacred cantata for mixed voices. The words writ-
ten and compiled, and the music composed, by James C.
Beazley. [Accomp. for pianoforte.] London. Weekes
& Co. [1888.] No. I in M.213.3
Beazley, Samuel.
Ivanhoe; or, the Knight Templar, a musical drama . . . The
music composed & selected ... by Dr. Kitchener.
No. 2 in M.39i,6&
Becher, Alfred Julius.
Jenny Lind. Eine Skizze ihres Lebens und ihrer Laufbahn
bis auf die neueste Zeit. 2. . . . vermehrte Auflage. Wien.
Jasper. 1847. Portrait. Folded sheet. No. 7 in M.372.18
Becher, Wilhelm.
Catalogue of the greater portion of [his] musical library.
[London?] 1886. No. 7 in M.127.1
Bechgaard, Julius.
Erode. Oper in 3 Akten von Julius Bechgaard. Deutsch
von M. V. Borch. [Klavierauszug.] Breslau. Hainauer.
[189-?] M.395.5
Bechstein, Ludwig.
Abu Kara, romantische Oper, in Musik gesetzt . . . von
Heinrich Dorn. M.23I.29
Beck, Christian Friedrich.
Festchor zu Mozart's Sacularfeier. In Musik gesetzt von
Franz Lachner. No. i in 111.392.41
Becker, Albert Ernst Anton.
Des Miillers Lust und Leid. (Nach W. Miiller.) Dichtung
von Albert Linge. Englische Ubersetzung von B. F.
Wyatt-Smith. Fiir Chor und Soli [s. t. b.], Orchester und
Pianoforte componirt von Albert Becker. Op. 33. Chor-
stimmcn [mit Klavierbegleitung]. Berlin. Ries & Erler.
[188-?] No. 3 in M. 384. 15
Grosse Messe in B moll fiir achtstimmigen Chor, 4 Solo-
stimmen, Orchester und Orgel. Partitur. Leipzig. Breit-
kopf & Hiirtel. [1879.] M.250.3
Quartett fiir Pianoforte, Violine, Viola, Violoncell. Op. 19.
[Partitur.] Leipzig. Peters. [188-?] No. 3 in M.357.19
Reformation cantata (English and German words), for solos
[s. A. B.] and chorus with orchestra and organ accomp.
Op. 28. [Vocal score with accomp. for pianoforte.] Leip-
zig. Breitkopf & Hartel. 1891. No. 3 in M.194.4
Schnitter Tod. Ein altes Volkslied [t. t. b. b.]. Op. 42.
Klavierauszug. Leipzig. Siegcl. [189-?] No. 5 in M.212.3
Vigilien. Gedicht von Lebrecht Dreves [x. t. b. b.]. Op. 43.
Klavierauszug. Leipzig. Siegel. [189-?] No. 6 in M.212.3
Becker, Albert Ernst Anton, editor.
William IL, Emperor of Germany. Sang an Aegir.
No. 2 in M.202.27
Becker, Albert Ernst Anton. Works about.
Glueck, a. Albert Becker. Grosse Messe in B moll, Op. 16.
Erlautert. Leipzig. [1902?] No. 6 in M.217.12.8
Sakolowski, R. p. Albert Becker. Selig aus Gnade. Ora-
torium. Erlautert. Leipzig. [1900?] No. 6 in M.217.12.9
Becker, Carl Ferdinand, the younger.
Systematisch-chronologische Darstellung der musikalischen
Literatur. Lieferung I. Leipzig. Friese. 1836. M. 122.22
Die Tonwerke des XVL und XVII. Jahrhunderts, oder sys-
tematisch-chronologische Zusammenstellung der in diesen
zwei Jahrhunderten gedruckten Musikalien. 2., mit einem
Anhange vermehrte Ausgabe. Leipzig. E. Fleischer.
1855. No. I in M.214.1
Becker, Carl Ferdinand, the younger. Works about.
ZiMMER, R. Gedanken beim Erscheinen des dritten Bandes
der Bach-Gesellschaft in Leipzig. Berlin. 1854.
No. 3 in M.372.41
Contains a criticism of Becker's editing of the works of Bach.
Becker, Constantin Julius.
Columbus. Melodramatic poem for chorus and orchestra.
91
Becker
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Becker
No. I in M.357.13
Leipzig. Siegel.
No. 20 in M.392.3
I. Leipzig. Sie-
No. 18 in M.392.3
Becker, Constantin Julius. (Continued.)
Op. 42. Adapted from the German by Frederick W. Ban-
croft. Vocal score. Boston. Schmidt. [189-?]
No. 2 in M.ig4.4
Griiner Wald. Zigeunerlied [t. t. b. b.]. (/ii Orpheus.
Band 9, pp. 42, 43.) No. 26 in 11.1293.43.9
Jagers Abendlied [t. t. b. b.]. {In Orpheus. Band 9, p. 20.)
No. 10 in M. 1293.43.9
Landsknechte im Frieden. [Mannerchor.] {In Regens-
burger Liederkranz. Pp. 15-17) No. 7 in 11.1293.44
Waldgruss. [Mannerchor.] {In Orpheus. Band 9, pp. 28,
29.) No. 16 in M. 1293.43.9
Waldlied [t. t. b. b.]. {In Orpheus. Band. 10, p. so.)
No. 66 in M. 1293.43.10
Der Wandrer und sein Herz. [Mannerchor.] {In Orpheus.
Band 10, pp. 22, 23.) No. 48 in M.1293.43.10
Wir leben frei. Zigeunerlied [t. t. b. b.]. {In Orpheus.
Band 10, pp. S4, SS) No. 69 in M.i29a.43.io
Wiirzburger Studentenmarsch [t. t. b. b.]. {In Regensburger
Liederkranz. Pp. 8-1 1.) No. 4 in M.1293.44
Die Zigeuner. Rhapsodie in 7 Gesangen fiir Solo [s. bar.],
Chor und Orchester. Op. 31. Klavierauszug. Leipzig.
Peters. [189-?] No. i in M.194.4
Becker, George.
La musique en Suisse . . . jusqu'a la fin du XVIII= siecle.
Geneve. Richard. 1874. M.127.31
Becker, Jean, editor.
Paganini. Compositions celebres pour violon.
No. 2 in M.357.1
24 Capricen fur Violine Solo.
Becker, Reinhold.
Abendfrieden [t. t. b. b.]. Op. 55, No. 3.
[189-?]
Die Abendglocken [t. t. b. b.]. Op. 55, No.
gel. [189-?]
Frauenlob. Oper in drei Akten. Dichtung von Franz Kop-
pel-ElIfeld, componirt von Reinhold Becker. Clavieraus-
zug. Leipzig. Schuberth. [1893.] M.402.6
Fiinf altdeutsche Lieder fiir Mannerchor. 41. Werk. Par-
titur. Dresden. Brauer. [1890?] No. 14, 15 in M.392.3
Contents. — i. Es steht ein Lind' in jenem Thai. — Es taget vor dem
Walde. — Mir ist ein schon's braun's Meidelein. 2. Acli Gott, wem
soil ich klagen. — Um deinetwillen bin ich's hier.
Gott griisse dich. [Fiir t. t. b. b. mit Baritonsolo.] Op. 44,
Siegel. [1889?]
No. 45 in M.392.2; No. 16 in M.392.3
Fiir Mannerchor. Op. 35. Dresden. Nau-
[188-?] No. 40 in M.392.2
Fiir Baritonsolo und Mannerchor. Op. 38.
Dresden. Naumann. [188-?] No. 43 in M.392.2
Ratbold. Oper in einem Act. Dichtung von Felix Dahn.
Musik von Reinhold Becker. Op. 88. [Clavierauszug mit
Text.] Leipzig. Schuberth & Co. [1898?] M.397.3
Sonnenschein [t. T. B. B.]. Op. 44, No. 2. Leipzig. Siegel.
[1S89?] No. 44 in M.392.2; No. 17 in M.392.3
tjber ein Stiindlcin [x. t. b. b.]. Op. 55, No. 2. Leipzig.
Siegel. [189-?]
Vor der Schlacht.
Mannerchor und
Leipzig. Siegel.
Wacht und Wehr [t. tr. b. b.]
gel. [189-?]
Waldmorgen (Dr. Lindner) fiir Mannerchor und Orches-
ter. Clavier-Auszug. Dresden. Brauer. [187-?]
No. I in M.270.12
Zwei Gesange fiir Mannerchor. Op. ZJ. Dresden. Nau-
mann. [188-?] No. 41, 42 in M.392.2
Contents. — I. Nachtlied. 2. Die Friihlingslerche.
Same. No. 2. No. 13 in M.392.3
Becker, Reinhold, editor.
Jensen, A. [Hochzeitsmusik. Instrumentirt.]
No. 2 in M.410.41
Serenade. Instrumentirt. No. 8 in M.342.8
No. I. Leipzig.
Mahnruf
mann.
Nachts .
(Theodor Korner.)
Orchester. Op. 50
[189-?]
Op. 55, No.
No. 19 in M.392.3
Fiir Baritonsolo,
Klavierauszug.
No. 7 in M.212.3
4. Leipzig. Sie-
No. 21 in M.392.3
Becker, Valentin Eduard.
Abendlied [t. t. b. b.]. {In Abt. Leichte Mannerchore.
Heft 22, pp. 6-8.) N0.142 in M.246.22
Abschied (L. Pfau) [t. x. b. b.]. Op. 80, No. 4. Leipzig.
Forberg. [1877?] No. 24 in M.392.4
Der Alpengang [x. x. b. b.]. Op. 80, No. 2. Leipzig. For-
berg. [1877?] No. 22 in M.392.4
Am Rhein [x. x. b. b.]. {In Abt. Leichte Mannerchore.
Heft 22, pp. 9-12.) No. 143 in M.246.22
Cheer up, companions. Choral march [x. x. b. b]. Boston.
White, Smith & Co. [188-?] No. 30 in M.3924
Constitutionslied [x. x. b. b.]. (/n Tsuwitz. Deutsches Lie-
derbuch. Pp. 74, 75.) No. 28 in M.204.3g
Das deutsche Kleeblatt [x. x. b. b.]. {In Abt. Leichte Man-
nerchore. Heft 2, pp. 11-13.) No. 9 in M.246.22
Deutsches Bergmannslied [x.x.B.B.]. (/n Tauwitz. Deutsches
Liederbuch. Pp. 131, 132.) No. 62 in M.204.39 |
Drei Gesange fiir vier Mannerstimmen. Op. 60. Leipzig. ■
Forberg. [186-?] No. 17-19 in M.392.4 '
Contents. — i. Sangermarsch. 2. Wanderers Waldabschied. 3. Mai-
glocklcin lautet zum Nachtgebet.
Drei Gesange fiir vierstimmigen Mannerchor. Op. 65.
Offenbach a. M. Andre. [186-?] No. 20 in M.392.4
Contents. — Beim Wandem. — Sangers Morgengruss. — ■ Friihlings-
nacht.
Drei Gesange gedichtet v. F. Oser, fiir Mannerchor compo- ii
nirt . . . von V. E. Becker. Op. 47. Leipzig. Forberg. fl
[186-?] No. 10 in M.392.4
Contents. — • FriihUngsgruss. — Was kijmmert's mich? — Ach, ich sagt's
dir so gern!
Drei heitere Gesange fiir den vierstimmigen Mannerchor.
Op. 22. Leipzig. Siegel. [1857?] No. 2 in M.392.4
Contents. — Zechers Wunsch. — Wandermarsch. — Kuriose Geschichte.
3 Vaterlands-Lieder . . . fiir 4 Mannerstimmen. Op. 35.
Offenbach a. M. [186-?] No. 8 in M.392.4
Contents. — Vaterlandslied. — Die deutsche Kaiserkrone. — Das
deutsche Lied.
Frei und deutsch in Wort und Sang [x. x. b. b.]. Op. 83,
No. 3. Leipzig. Forberg. [1878?] No. 25 in M.392.4
Freude, holde Freude! Altes Volkeslied [x. x. b. b.]. {In
Claasen. Ludwig Liebe- Album. P. 8.) No. 11 in M.203.16
Frohsinn und Freude [x. x. b. b.]. Op. 80, No. 3. Leipzig.
Forberg. [1877?] No. 23 in M.3924.
Friihlings-Anfang . . . fiir vier Mannerstimmen. Op. 54.
Offenbach a. M. Andre. [186-?] No. 14 in M.392.4
Friihiingsfreude [x.x.B.B.]. Op. 50, No. 2. Leipzig. For-
berg. [186-?] No. 13 in M.3924
Friihlings Gruss (L. Bauer) [x. x. b. b.]. Op. 34, No. 3. J
Winterthur. Rieter-Biedermann. [i860?] No. 7 in M.3924 \
Friihlingslied [x. x. B. B.]. (/n Abt. Deutsche Siingerhalle.
Vol. 2, pp. 42-47) No. 13 in M.392.42.2
Friihlingsreigen. [Mannerchor.] {In Abt. Deutsche San-
gerhalle. Vol. 2, pp. 123, 124.) No. 38 in M.392.42.2
5 Gesange fiir Mannerchor. Op. 23. Mainz. Schott. [185-?]
No. 3 in M.392.4
Contenis. — Morgenlied. — Gesang muss sein I — Wanderlust. — Lebc
wohl. — .\m Rhein.
Fiinf Lieder fur vierstimmigen Mannerchor. Op. 59. Offen-
bach a. M. Andre. [186-?] No. 15, 16 in M.392.4
Contents. — Heft i. Sangerfahrt. — Willkommen tausendmal. 2.
Lenzbeginn. — In boser Zeit. — Wiedersehen.
Die geheimnissvoUe Bliithe. Fiir Bariton-Solo und Manner-
stimmen. Magdeburg. Haushahn. [187-?]
No. 23 in M.392.3; No. II in M.392.3S
Gruss. [Lied.] Leipzig. Forberg. [186-?]
No. 12 in M. 158.22
Im Frtihling [x.x.B.B.]. {In Abt. Leichte Mannerchore.
Heft 22, pp. 13-16.) No. 144 in M.246.22
Im Friihling. Fiinf Gesange fiir vierstimmigen Mannerchor.
Heft 2. Op. 24. Leipzig. Hofmeister. [185-?]
No. 4 in M.3g24
Co-'icnls. — 4. An die feme Geliebte. 5. Zum griinen Kranze.
In duici jubilo! [x. x. b. b.]. (/n Abt. Leichte Mannerchore.
Heft 22, pp. 21-23.) No. 147 in M.246.22
Das Kirchlein. [Mannerchor.] {In Regensburger Lieder-
kranz. Pp. 68-72.) No. 30 in M.i29a.44
Also to be found in Das Riitli.
92
Becker
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bedford
Becker, Valentin Eduard. (Continued.)
Same The little church. [Part-song.] London. Jefferys.
rjg»_?1 No. 20 in M.121.3
Kirmeslied [t.t. b. b.]. Op. 20, No. 2. Leipzig. Siegel.
[1856?] No. I in M.392.4
Liedergruss. [Mannerchor.] (In Tauwitz. Deutsches Lie-
derbuch. Pp. 62, 63.) No. 22 in M.204.39
Love's call. [Part-song, t. t. b. b.] (In Chickenng collec-
tion. Vol. 2, pp. 13, 14) No. 6 in M.392.48.2
Der lustige Maikafer [t. t. b. b.]. Op. 32, No. 2. Leipzig.
Siegel. [1858?] No. 6 in M.392.4
Mailied [t. T. b. B.]. (/n Abt. Deutsche Sangerhalle. Vol. i,
pp. 100-103.) No. 35 in M.392.42-I
O trinkt! [Mannerchor.] (In Abt. Deutsche Sangerhalle.
Vol. I, pp. S3. 54) No. 18 in M.392.42.1
[On the march, t. t. b. b.] (In The Orpheus. New series.
Vol. 5, pp. 163-169.) No. 33 in M.205.10.S
Also to be found in Willard's Arion.
Pfingsten. [Mannerchor.] (/n Otto, E. J. Ernst und Scherz.
Heft s8, pp. 20-23.) No. 6 in M.392.20
Rheinfahrt [t. T. B. B.]. Op. loi, No. 3- Leipzig. Forberg.
[1880?] No. 28 in M.392.4
Rheinsehnsucht [t. T. B. B.]. (In Abt. Leichte Mannerchore.
Heft 22, pp. 16-19.) No. 14s in M.246.22
Die Rose [t. T. B.]. (/« Abt. Leichte Mannerchore. Heft
22, pp. 2, 3.) No. 140 in M.246.22
The ruined chapel [t.t. B.B.]. (/n Willard. Arion. Pp. 23-
26.) No. 13 in M.109.1
Die Schlacht im Teutoburger Walde. Grosse lyrisch-ro-
mantisch-heroische Oper in drei Akten. Text von van
Brouwer. Musik nach beriihmten Mustern und Meistern.
Klavier-Auszug. Leipzig. Glaser. [189-?] Plate.
A burlesque. No. I in M.396.3
Sei mir gegrusst, O stille Nacht [t. t. b. b.]. Op. 77, No. i.
Leipzig. Siegel. [187-?] No. 21 in M.392.4
Spielmannslied [t. T. B. B.]. Op. 50, No. 3. Leipzig. For-
berg. [186-?] No. 22 in M.392.3
Standchen: Horch auf, es fliistert der Abendwind [t. t. b. b.].
Op. so. No. I. Leipzig. Forberg. [i8s-?] No. 12 in M.392.4
Standchen: Komm in die stille Nacht [t. t. b. b.]. (In Abt.
Deutsche Sangerhalle. Vol. 4, pp. 2S-27.)
No. 10 in M.392.42.4
Sturmlied [t. t, b. b.]. (In Gruber. Sangeshort. Heft i,
pp. 61-70.) No. I in M.370.30
Trinklied: Lieblich spriesst der Wein [t. t. b. b.]. (In Abt.
Leichte Mannerchore. Heft 22, pp. 4, s)
No. 141 in M.246.22
Trinklied: Schon im altenBunde [t. t. b. b.]. Op. ioi. No. 4-
Leipzig. Forberg. [1880?] No. 29 in M.392.4
Verklungen [t. t. B. B.]. Op. loi. No. i. Leipzig. Forberg.
[1880?] No. 27 in M.392.4
Vier Gesange fiir vierstimmigen Mannerchor. Op. 31.
Offenbach a. M. Andre. [185-?] No. S in M.392.4
CoiifC7its. — Frulilings Einzug. — Zum Wald. — Trinklied [.\ngezapft !].
— Das fidele Haus.
Vier leichte Gesange fiir Mannerchor. Op. 49. Offenbach
a. M. Andre. [186-?] No. 11 in M.392.4
Contents. — Das Briinnlein. — Meine Sehnsucht ist bei ihr! —
Gruss. — Abschied.
Waldabendschein. [Mannerchor, mit b. solo.] (/;i Stutt-
garter Liederkranz. Mannerchor-Album. Pp. 7-1 1.)
No. s in M.203.22
Waldlied [t. t. b. b.]. Op. 43, No. 3. Leipzig. Forberg.
[186-?] No. 9 in M.392.4
Wanderers Waldabschied. [Mannerchor.] Op. 60, No. 2.
Leipzig. Forberg. [1867?]
No. 18 in M.392.4; No. 2 in M.392.33
Wanderfreude. Sangermarsch No. 9 [t. t. b. b.]. (In Abt.
Deutsche Sangerhalle. Vol. 4, pp. 126-128.)
No. 44 in M.392.42.4
Weberlied [b., mit Pianofortebegleitung]. (In Tauwitz.
Deutsches Liederbuch. Pp. IS4, ISS) No. 73 in M.204.39
Wenn ich einmal der Herrgott war'! [t. t. b. b.]. (In Abt.
Leichte Mannerchore. Heft 22, pp. 19-21.)
No. 146 in M.246.22
Leipzig. Forberg.
No. 26 in M.392.4
Leipzig. Forberg.
No. II inM.158.22
Schleusingen.
M. 1093.9
Becker, Valentin Eduard. (Continued.)
Wildroschen [t. t. b. b.]. Op. 83, No. 4.
[1878?]
Wohin mit der Freud'? [Lied, s. a. t. b.]
[186-?]
Beckstein, Ludwig.
Fahrten eines Musikanten [J. D. Elster].
Glaser. 1837. 3 v.
Beckwith, John Christmas.
The chimney-sweepers' glee [s. s. B.]. (In Plaistow part-
songs. Part 2, pp. 53-57.) No. 6 in M.158.23
Also to be found in Turle and Taylor's The People's music book.
Hear, Thou shepherd of Israel. Anthem. Duet [s. A.] and
chorus. [Accomp. for organ.] (In Turle and Taylor.
The People's music book. Vol. 2, pp. 60-65.)
No. 18 in M.iii.4.3
My soul is weary of life. Verse anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 10,
pp. 17-26.) No. 3 in M.I9S.2.IO
Becourt,
Ah! ga ira. Dicton populaire sur un air de contredanse inti-
tule "Le carillon national." Accompagnement par Andre,
[s. ou t. Accomp. de piano.] (In Pierre, C. V. D. Mu-
sique des fetes et ceremonies de la Revolution frangaise
... Pp. 477, 478.) M.380.14
Also to be found in Social harmony.
Becq de Fouquieres, Louis Aime Victor.
Traite de diction et la lecture a haute voix. Le rhythme,
I'intonation, I'expression. Paris. Charpentier. 1881.
M. 198.10
Becque, Henri Frangois.
Sardanapale. Opera. Musique de Victorin Joncieres.
M.286.27
Becvafovsky, Antonin Felix.
Gesange [s. oder t.] beim Klavier. Heft i. [Berlin? 180-?]
No. 20 in M.221.33
Contents. — Lyda an .^mor. — Edle Menschen seid nicht traurig. —
Aufmunterung zur Freude. — Natur, nur du allein. — Die Sehnsucht.
— Du ringst, O Mensch, vergebens. — An eine Freundin.
Gesange [s. oder T.] beim Klavier . . . Ihro Majestaet der
Konigin von Preussen zugeeignet, von Beczwarzowsky.
Offenbach a. M. Andre. [180-?] No. 19 in M.221.33
Contents. — Die letzte Herbst-Rose. — Naehe des Geliebten. — Der
Schmetterling. — Lied einer Mutter. — Der Trost. — Tirsi, ove seL
The song of the sword [t. Accomp. for pianoforte]. (In
Arnim. A selection of German national melodies. Vol. 2,
pp. 10-12.) No. 4 in M.212.21.2
Bedeau, Hippolyte.
Le champagne de ma tante. Operette. Musique de Fre-
deric Barbier. No. 4 in M.2S5.39
On demande un pitre. Parade. Musique de Frederic Bar-
bier. No. 2 in M.255.39
Paola et Pietro. Saynete. Musique de P. Henrion.
No. 2 in M.276.19
Un proces en separation. Saynete. Musique de F. Barbier.
No. I in M.255.39
Bedeckt mich mit Blumen. Duet. Schumann, R. A. Spanische
Liebes-Lieder. No. 10 in M.244.15.4
Bedeckt mich mit Blumen. Song.
Rubinstein. Sechs Lieder. No. 16 in M.192.5
Wolf, H. Spanisches Liederbuch. No. 36 in M.380.30
Bedford, Arthur.
The great abuse of musick. Containing an account of the
use and design of musick among the antient Jews, Greeks,
Romans . . . Also an account of the immorality and pro-
faneness which is occasioned by the corruption of that
most noble science in the present age. London. Wyatt.
171 1. M.147.1S
The temple musick: or an essay concerning the method of
singing the Psalms of David in the temple. Bristol. Bonny.
1706. M. 109.4
Bedford, Liza.
In a Persian garden. A song-cycle for four solo voices
[s. c. T. B.]. With pianoforte accomp. The words selected
from the Rubaiyat of Omar Khayyam (Fitzgerald's trans-
93
Bedford
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Beethoven
Bedford, Liza. (Continued.)
lation). The music composed by Liza Lehmann. Boston.
O. Ditson Co. 1896. M.193.1
Sergeant Brue. A musical farce. Book by Owen Hall
[pseud.]. Lyrics by J. Hickory Wood. Music by Liza
Lehmann. Vocal score [with pianoforte accomp.]. Lon-
don. Hopwood & Crew. 1904. M.389.10
Bedouin, Le. Song. David, F. C. Cinquante melodies.
M.363.28
Bedouin song. Part-song. Foote. No. i in M.203.14
Bedouin's prayer, The. Part-song. Foerster, Adolf M.
No. 2 in M.392.9
Bedouins, The, or Arabs of the desert. Opera. For the Music
see Stevenson. For the Libretto see Irwin.
Bedrohtes Gluck. Part-song. Abt, F. 3 Lieder fiir eine s. und
Manner-Quartett. Op. 568. No. 21 in M.392.2
— Fiinf Gesiinge fiir s. A. T. B. Op. 453- No. 17 in M.392.2
Bee, The, and the dove. Part-song. Cowen. Six part-songs.
No. I in M. 157.25
Bee voluptuous, The. Part-song. Webbe, S. No. 8 in M.220.6
Beer, Anton.
Siihne. Tragische Oper in 2 Akten. Klavierauszug mit
Text. Berlin. Stern & Ollendorff. 1896. No. i in M.397.4
Beer, Jules.
Elisabetta d'Ungheria. Opera in 4 atti e 6 quadri. Parole di
Saint-Georges, libera traduzione italiana per Carlo
d'Ormeville. Musica di Giulio Beer. Riduzione con
accomp. di pianoforte. Milano. Lucca. [187-?] M.265.2
La fille d'figypte, opera en 2 actes, poeme de Jules Barbier,
mis en musique . . . par Jules Beer. Partition grande
orchestre. Paris. Choudens. [1862.] M.333.3
Same. Partition piano et chant. M.362.18
Beer, Max Josef.
Abendmusik. (Serenade) fiir Streich-Orchester, 2 Horner
und Pauken. Op. 54. Partitur. London. Schott & Co.
[189-?] No. I in M.403.6
Deutsches Reiterlied (A. Voigt) fiir Mannerchor und . . .
Klavier. Op. 38. Leipzig. Siegel. [189-?] No. 9 in M.212.3
Liebesleben. Liederspiel nach Gedichten von Hermann
Kletke, fiir s. t. b. und Pianoforte componirt von Max
Josef Beer. Op. 22. Klavierauszug und Singstimmen.
Leipzig. Forberg. [1880?] No. 2 in M.391.31
Mailied . . . Fiir Mannerchor mit Clavier-Begleitung. Op. 33.
Berlin. Luckhardt. 1888. No. 8 in M.212.3
With German and English words.
Minnie's adventure. Minchen's Reise-Abenteuer. Polka fiir
Mannerchor und Clavier. Op. 42. Berlin. Luckhardt.
[1890.] No. 4 in M.203.10
The words are in German and English.
Das Stelldichein auf der Pfahlbriicke. Parodistische Ope-
rette in i Aufzuge von Julian Raudnitz. Musik von Max
Josef Beer. Op. 28. Vollstandiger Clavierauszug. Wien.
Rebay & Robitschek. [188-?] No. 4 in M. 194.4
Thro' wood and mead. „Durch Wald und Flur." Walzer-
Idylle. Worte von Julian Raudnitz. English version by
E. Buek. Fiir Manner- oder gemischten Chor mit Klavier-
Begleitung componirt von Max Josef Beer. Op. 43. Fiir
Mannerchor. Berlin. Luckhardt. [1890.] No. 6 in M. 203.10
Der wilde Jager. Eine Johannisnacht-Dichtung von Paul
Giinther. Fiir Soli, Chor und grosses Orchester componirt
von Max Josef Beer. Op. 20. Partitur. Leipzig. Breit-
kopf & Hiirtel. [1879?] M.352.8
Beer, Michael.
Strvensee. Tragedie. Musique de G. Meyerbeer.
No. I in M.367.19
Same. Trauerspiel. Musik von G. Meyerbeer. M.342.17
Beers, Jan van.
De oorlog. Muziek van Peter Benoit. M.227.20
Beethoven, Ludwig van.
Werke. Vollstandige kritisch durchgesehene iiberall be-
rechtigte Ausgabe. Mit Genehmigung aller Originalver-
leger. Leipzig. Breitkopf & Hartel. [1862-1887.] 39 v.
in 37- M.413.1
Beethoven, Ludwig van. Werke. (Continued.)
Serie I. Symphonien. Partitur. 3 v. in 4. M.413.1.1
Contents. — Vol. I. No. i, C dur, Op. 21. — No. 2, D dur. Op. 36. — ■
No. 3, Es dur, Op. 55 [Eroica]. Vol. 2. No. 4, B dur, Op. 60. —
No. 5, C moll, Op. 67. — No. 6, F dur. Op. 68 [Pastorale]. Vol. 3-
No. 7, A dur, Op. 92. — No. 8, F dur, Op. 93. Vol. 4. No. 9, D moll.
Op. 125 [mit Schlusschor "An die Freude"].
Serie 2. Orchester-Werke. Partitur. 2 v. M.413.1.2
Contents. — Vol. i. No. i. Wellington's Sieg oder die Schlacht bei
Vittoria. Op. 91. — No. 2. Die Geschopfe des Prometheus. Ballet
Op. 43. Vol. 2. No. 3. Musik zu Goethe's Trauerspiel Egmont. Op. 84.
— No. 4. Allegretto in Es. — No. 5. Marsch aus Tarpeja, in G. — No. 6.
Militair-Marsch. — No. 7. 12 Menuette. — No. 8. 12 deutsche Tanze.
— No. 9. 12 Contretanze.
Serie 3. Ouverturen fiir Orchester. Partitur. M.413.1.3
Contents. — Coriolan. Op. 62 in C m. — Leonore (Fidelio). No. i.
Op. 138 in C. No. 2. Op. 72 in C. No. 3. Op. 72 in C. — ■ Op. 115
(Namensfeier) in C. — Konig Stephan. Op. 117 in Es. — Op. 124
(Weihe des Hauses) in C. — Prometheus. Op. 43 in C. — Fidelio.
Op. 72 ;n E. — Egmont. Op. 84 in F m. — Ruinen von Athen.
Op. 113 in G.
Serie 4. Fiir Violine und Orchester. Partitur. M.413.1.4
Contents. — Concert. Op. 61 in D. — Romanze. Op. 40 in G. —
Romanze. Op. 50 in F.
Serie 5. Kammermusik fiir fiinf und mehrere Instrumente.
Partitur. M.413.1.5
Contents. — Septett fiir Violine, Bratsche, Horn, Clarinette, Fagott,
Violoncell und Contrabass. Op. 20 in Es. — Sextett fiir 2 Violinen,
Bratsche, Violoncell und 2 obligate Horner. Op. 8ib in Es. — Quin-
tett fiir 2 Violinen, 2 Bratschen und Violoncell. Op. 29 in C. — Fuge
fiir 2 Violinen, 2 Bratschen und Violoncell. Op. 137 in D. — Quintette
fiir 2 Violinen, 2 Bratschen und Violoncell. Op. 4 in Es ; Op. 104.
in C m.
Serie 6. Quartette fur 2 Violinen, Bratsche und Violoncell.
Partitur. 2 v. M.413.1.6
Contents. — Vol. i. No. 1-6. Op. 18 in F, G, D, Cm, A, B. — No.
7-9. Op. 59 in F, Em, C. Vol. 2, No. 10. Op. 74 in Es. — No. 11.
Op. 95 in F m. — No. 12. Op. 127 in Es. — No. 13. Op. 130 in B.
— No. 14. Op. 131 in Cis m. — No. 15. Op. 132 in A m. — No. 16.
Op. 135 in F. — Grosse Fuge. Op. 133 in B.
Serie 7. Trios fiir Violine, Bratsche und Violoncell. Par-
titur. M.413.1.7
Contents. — No. i. Op. 3 in Es. — No. 2-4. Op. 9 in G, D, Cm. —
Serenade. Op. 8 in D.
Serie 8. Fiir Blasinstrumente. Partitur. M.413.1.8
Contents. — Octett fiir 2 Oboen, 2 Clarinetten, 2 Homer und 2
Fagotte. Op. 103 in Es. — Rondino fiir 2 Oboen, 2 Clarinetten, 2
Horner imd 2 Fagotte, in Es. — - Sextett fur 2 Clarinetten, 2 Horner
und 2 Fagotte. Op. 71 in Es. — Serenade fur Flote, Violine und
Bratsche. Op. 25 in D. — Trio fiir 2 Oboen und englisches Horn.
Op. 87 in C. — 3 Duos fiir Clarinette und Fagott in C, F, B.
Serie 9. Fiir Pianoforte und Orchester. Partitur. 2 v.
M.413.1.9
Contents. — Vol. 1. Concerte. No. i. Op. 15 in C. — No. 2. Op. 19-
in B. — No. 3. Op. 37 in C m. — • No. 4. Op. 58 in G. — No. 5. Op.
73 in Es. Vol. 2. Concert fur Pianoforte, Violine und Violoncell.
Op. 56 in C. — Cadenzen zu den Pianoforte-Concerten. — Phantasie
mit Chor. Op. 80 in Cm. — Rondo in B. — Prinzipalstimme des
nach dem Violin-Concert Op. 61 arrangirten Pianoforte-Concert's.
Serie 10. Pianoforte-Quintett und Quartette. [Partitur
und Stimmen.] M.413.1.10
Contents. — Quintett fiir Pianoforte, Oboe, Clarinette, Horn und
Fagott. Op. 16 in Es. — Drei Quartette fur Pianoforte, Violine,
Bratsche und Violoncell. No. l in Es ; No. 2 in D ; No. 3 in C. —
Quartett fur Pianoforte, Violine, Bratsche und Violoncell (nach dem
Quintett, Op. 16).
Serie ii. Trios fiir Pianoforte, Violine und Violoncell.
[Partitur und Stimmen.] 3 v. M.413.1.H
Contents. — Vol. I. Pianoforte (Partitur). No. 1-3. Op. i in Es, G,
Cm.- — No. 4, 5. Op. 70 in D, Es. — No. 6. Op. 97 in B. — No. 7
in B in I Satze. — No. 8 in Es. — Adagio, Rondo und Variationen.
Op. i2ia in G. — 14 Variationen. Op. 44 in Es. — Trio fiir Piano-
forte, Clarinette oder Violine und Violoncell. Op. 11 in B. — Trio fiir
Pianoforte, Violine und Violoncell, nach der Symphonic No. 2, in D. —
— Trio fiir Pianoforte, Clarinette oder Violine und Violoncell. Op. 38
in Es, nach dem Septett Op. 20. Vol. 2. Violine- und Clarinette-Stim-
men. Vol. 3. Violoncell- Stimme.
Serie 12. Fiir Pianoforte und Violine. [Partitur und
Stimme.] 2 v. M.413.1.12
Contents. — • Vol. I. [Pianoforte- Partitur.] Sonaten. No. 1-3. Op. 12
in D, A, Es. — • No. 4. Op. 23 in Am. — No. 5. Op. 24 in F. —
No. 6-8. Op. 30 in A, C m, G. — No. 9. Op. 47 in A. — No. 10. Op.
96 in G. — Rondo in G. — Variationen (Se vuol ballare) in F. Vol. a.
Violine-Stimme.
Serie 13. Fiir Pianoforte und Violoncell. [Partitur und
Stimmen.] M.413.1.13
Contents. — ■ Vol. i. Pianoforte [Partitur]. Sonaten. No. i, 2. Op. 5
in F, G m. — No. 3. Op. 69 in A. — No. 4, 5. Op. 102 in C, D. —
12 Variationen iiber ein Thema aus Handel's Judas Maccabaus in G.
— 12 Variationen iiber ein Thema aus Mozart's Zauberflote "Ein Mad-
94
Beethoven
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beethoven
Beethoven, Ludwig van. Werke. (Conhnued.)
Chen Oder Weibchen." Op. 66 in F. — 7 Variat.onen nber era Thema
aus Mozart's Zauberflote "Bei Mannern welche Liebe fuhlen in ts.
Vol. J. [Bound with Series 10.] Violoncell-Stimme.
Serie 14. Fiir Pianoforte und Blasinstrumente. [Partitur
und Stimmen.] 2 parts in i v. '"•j^i?"'""*
Contents. — Senate fflr Pianoforte und Horn. Op. 17 in F. — 6 Themen
fur Pianoforte und Flote oder Violine (ad libitum). Op. 105. Heft i, 2.
— 10 Themen fur Pianoforte und Flote oder Violme (ad hbitum).
Op. 107. Heft i-s-
Serie 15. Fiir Pianoforte zu 4 Handen. M413.1.15
Contents. — Sonate. Op. 6 in D. — 3 Marsche. Op. 45 in C, Es, D.
— Variationen, (uber ein Thema vom Grafen Waldstein) in C. —
6 Variationen, (Lied mit Veranderungen) in D.
Serie 16. Sonaten fur das Pianoforte. 3 v, M.413.1.16
Contents. — Vol. I. No. 1-3. Op. 2 in F m. A, C. — No. 4- Op. 7 ">
Es. — No. 5-7. Op. 10 in C m, F, D. — No. 8. Op. 13 in Cm
(pathetique). — No. 9, 10. Op. 14 in E, G. — No. 11. Op. 22 in B.
— No. 12. Op. 26 in As. Vol. 2. No. 13, 14- Op. 27 in Es, Cis m
(quasi fantasia). — No. 15. Op. 28 in D. — No. 16-18. Op. 31 in G,
D m, Es. — No. 19, 20. Op. 49 in G m, G. — No. 2:. Op. S3 "> C. —
No. 22. Op. 54 in F. — No. 23. Op. 57 in F m. — No. 24. Op. 78 in
Fis. Vol. 3. No. 25. Op. 79 in G. — No. 26. Op. 8ia in Es. — No.
27. Op. 90 in Em. — No. 28. Op. loi in A. — No. 29. Op. 100 in B
(Hammerklavier). — No. 30. Op. 109 in E. — No. 31- Op. no in
As. — No. 32. Op. Ill in Cm. — No. 33, in Es. — No. 34, in F m.
— No. 35, in D. — No. 36, in C (leicht). — No. 37. 38. 2 leichte
Sonaten. No. i in G, No. 2 in F.
Serie 17. Variationen fiir das Pianoforte. M.413.1.17
Contents. — 6 Variationen. Op. 34 in F. — 15 Variationen (mit
Fuge). Op. 35 in Es. — 6 Variationen. Op. 76 in D. — 33 Verande-
rungen fiber einen Walzer von A. Diabelli. Op. 121 in C. — 9 Varia-
tionen iiber einen Marsch von Dressier, in C m. — 9 Variationen Cber
das Thema "Quanto e bello I'amor contadino" von Paisiello, in A. — -
6 Variationen iiber das Duett "Nel cor piu non mi sento" von Paisi-
ello, in G. — 12 Variationen iiber das Menuett a la Vigano von Haibl
in C. — 12 Variationen iiber den russischen Tanz aus dem Ballet:
Das Waldmadchen, in A. — 8 Variationen fiber das Thema "Une
fievre brulante" von Gretry, in C. — 10 Variationen iiber das Thema
"La stessa la stessissima" von Salieri, in B. — 7 Variationen iiber
das Quartett "Kind willst du ruhig schlafen" von Winter, in F. —
8 Variationen fiber das Trio "Tandeln und Scherzen" von Sussmayr,
in F. 13 Variationen uber das Thema "Es war einmal ein alter
Mann" von Dittersdorf, in A. — 6 leichte Variationen, in G. — 6
leichte Variationen fiber ein Schweizerlied, in F. — 24 Variationen fiber
die Ariette "Vieni amore" von V. Righini, in D. — 7 Variationen fiber
das Volkslied "God save the King," in C. — 5 Variationen fiber das
Volkslied "Rule Britannia," in D. — 32 Variationen fiber das Lied
"Ich hab' ein kleines Hfittchcn nur," in B.
Serie 18. Kleinere Stiicke fiir das Pianoforte. M.413.1.18
Contents. — 7 Bagatellen. Op. 33- — 2 Praeludien. Op. 39. — Ron-
dos. Op. 51 in C, G. — Phantasie. Op. 77 in G m. — Polonaise.
Op. 89 in C. — II neue Bagatellen. Op. 119. — 6 Bagatellen. Op.
126. — Rondo a capriccio. Op. 120. — Andante, in F. — Menuett,
in Es. 6 Menuette. — Praeludium in F m. — Rondo in A. — 6 land-
lerische Tiinze. — 7 liindlerische Tanze.
Serie 19. Kirchenmusik. Partitur. 2 v. M.413.1.19
Contents. — Vol. i. Missa solennis. Op. 123 in D. Vol. 2. Missa.
Op. 86 in C. — Christus am Oelberge, Oratorium. Op. 85.
Serie 20. Dramatische Werke. Partitur. 2 v. M.413.1.20
Contents. — Vol. I. Fidelio (Leonore), Oper. Op. 72. Vol. 2. Die
Ruinen von Athen, Fest- und Nachspiel. Op. 113. — Marsch und
Chor aus den Ruinen von Athen. etc. Op. 114- — Konig Stephan, Vor-
spiel. Op. 117. — Schlussgesang: "Es ist voUbracht" aus dem patrioti-
schen Singspiel : Die Ehrenpforten. — Schlussgesang: "Germania,
wie stehst du jetzt" aus dem Singspiel: Die gute Nachricht.
Serie 21. Cantaten. Partitur. M.413.1.21
Contents. — Der glorreiche Augenblick. Op. 136. — Meeresstille und
glfickliche Fahrt. Op. 112.
Serie 22. Gesange mit Orchester, Partitur. M.413.1.22
Contents. — Scene und Arie : Ah! perfido, fflr Sopran mit Begleitung
des Orchesters. Op. 65. — Terzett : Tremate, empj, tremate, fur So-
pran, Tenor und Bass mit Begleitung des Orchesters. Op. 116. — Opfer-
lied fur eine Singstimme mit Chor und Orchesterbegleitung. Op. 121b.
Bundeslied fur 2 Solo- und 3 Chorstimmen mit Begleitung von 2
Clarinetten, 2 Fagotten und 2 Hornern. Op. 122. — Elegischer Ge-
sang fur 4 Singstimmen mit Begleitung von 2 Violinen, Bratsche und
Violoncell. Op. 1 1 8.
Serie 23. Lieder und Gesange mit Begleitung des Piano-
forte. M.413.1.23
Contents. — An die Hoffnung. Op. 32. — Adelaide. Op. 46. — 6
Lieder von Gellert. Op. 48. — 8 Gesange und Lieder. Op. 52. —
6 Gesange. Op. 75. — • 4 Arietten und i Duett. Op. 82. — 3 Gesange
von Goethe. Op. 83. — Das Gluck der Freundschaft (Lebensgluck).
Op, 88. — An die Hoffnung. Op. 94. — An die feme Geliebte (Lie-
derkreis). Op. 98. — Der Mann von Wort. Op. 99- — Merkenstein.
Op. 100. — Der Kuss. Op. 128. — Schilderung eines Madchens. —
An einen Saugling. — Abschiedsgesang an Wien's Burger. — Kriegs-
lied der Oesterreicher. — Der freie Mann. — Opferlied. — Der Wach-
telschlag. — Als die Geliebte sich trennen woUte. (Empfindungen
bei Lydien's Untreue.) — Lied aus der Feme. — Der Jungling in
der Fremde. — Der Liebende. — Sehnsucht: Die stille Nacht. —
Beethoven, Ludwig van. Werke. (Continued.)
Des Kriegers Abschied. — Der Bardengeist. — Ruf vom Berge. —
An die Geliebte. — Dasselbe (Frfihere Bearbeitung). — So oder so.
— Das Geheimniss. — Resignation. — ■ Abendlied unterm gestimten
Himmel. — Andenken. — Ich liebe dich. — Sehnsucht, von Goethe
(4mal componirt). — La partenza. (Der Abschied.) — In questa
tomba oscura. — Seufzer eines Ungeliebten. — Die laute Klage. —
Gesang der Monche: Rasch tritt der Tod etc., fur 3 Mannerstimmen
(ohne Begleitung). — Canons [ohne Begleitung].
Alphabetical indexes of separate songs have been Inserted in Series 23,
24, 25.
Serie 24. Lieder mit Pianoforte, Violine und Violoncell.
Partitur und Stimmen. 2 v. M.413.1.24
Contents. — Vol. i. Partitur. 25 Schottische Lieder. Op. 108. —
Irische Lieder. — Englische, Schottische, Irische und Italienische
Lieder. — 12 Schottische Lieder. — 25 Irische Lieder. — 20 Irische
Lieder. — 26 Wallisische Lieder. Vol. 2. Violine- und Violoncell-
Stimmen.
Serie 25. Supplement. Gesang- Musik. Instrumental-
Musik. [Partitur.] M.413.1.2S
Gesang-Musik. Contents. — Cantate auf den Tod Kaiser Joseph des
Zweiten. Ffir Solo, Chor und Orchester. — Cantate auf die Erhebung
Leopold des Zweiten zur Kaiserwfirde. Fur Solo, Chor und Orches-
ter. — Chor zuni Festspiel : Die Weihe des Hauses. Fur Solo, Chor
und Orchester. — Chor auf die verbfindeten Fursten. Fflr vier Sing-
stimmen und Orchester. — Opferlied. Fflr drei Solostimmen, Chor
und kleines Orchester. — Zwei Arien fur eine Bassstimme mit Or-
chesterbegleitung. — Zwei Arien zu Ignaz Umlauf's Singspiel "Die
schone Schusterin" [mit Orchesterbegleitung]. — Arie "Primo amore
piacer del ciel" fur Sopran mit Orchesterbegleitung. — Musik zu
Friedrich Duncker's Drama Leonore Prohaska: No. i. Krieger-
Chor; No. 2. Romanze; No. 3. Melodram ; No. 4. Trauermarsch. -—
Abschiedsgesang. Fflr drei Mannerstimmen. — Lobkowitz-Cantate fur
drei Singstimmen mit Clavierbegleitung. — Ich, der mit flatteradem
Sinn. Lied ffir eine Singstimme mit Clavierbegleitung. — Merkenstein.
Fur eine Singstimme mit Clavierbegleitung. — Der Gesaiig derNachti-
gall. Fur eine Singstimme mit Clavierbegleitung. — Lied (fur Frau
von Weissenthurn). Ffir eine Singstimme mit Clavierbegleitung. —
Lied aus Metastasio's "Olimpiade." Ffir eine Singstimme mit Clavier-
begleitung. — An Minna. Lied ffir eine Singstimme mit (Clavier-
begleitung. — Gedenke meini Lied fur eine Singstimme mit Cla-
vierbegleitung. — Trinklied (beim Abschied zu singen). Fur eine
Singstimme mit Clavierbegleitung. — Klage. Fur eine Singstimme
mit Clavierbegleitung. — Elegie auf den Tod eines Pudels. Fur eine
Singstimme mit Clavierbegleitung. — Funf Canons: No. i. Te solo
adoro; No. 2. Freundschaft; No. 3. Glaube und hoffe!; No. 4. Ge-
deiiket heute an Baden; No. 5. Freu' dich des Lebens!
Instrumental-Musik. Contents. — Musik zu einem Ritterballet ; No. i.
Marsch; No. 2. Deutscher Gesang; No. 3. Jagdlied ; No. 4. Romanze;
No. 5. Kriegslied; No. 6. Trinklied; No. 7. Deutscher Tanz; No. 8.
Coda. Zwei Marsche ffir Militarmusik. Verfasst zum Carroussel
an dem Namensfeste Maria Ludovika. — Marsch Zapfenstreich fur
Militarmusik. — Polonaise ffir Militarmusik. — Ecossaise ffir Mili-
tarmusik. — Sechs landlerische Tanze fur zwei Violinen und Bass. — -
Marsch ffir zwei Clarinetten, zwei Horner und zwei Fagotte. — Drei
Equale fur vier Posaunen. — Trio fur Clavier, Flote und Fagott. —
Sonatine ffir die Mandoline. — Adagio ffir die Mandoline. — Zwei
Bagatellen ffir Clavier. — Clavierstuck in A moll. — Allegretto in
C moll ffir Clavier. — Lustig ; Traurig : Zwei kleine Clavierstficke. -—
Clavierstfick in B dur. — Sechs Ecossaisen ffir Clavier. — Walzer in
Es dur fur Clavier. — Walzer in D dur ffir Clavier. — Ecossaise in G
dur ffir Clavier. — Allemande in A dur fur Clavier. — Sechs Deutsche
ffir Clavier und Violine. — Zweistimmige Fuge ffir Orgel.
Adelaide. Aria [x. Accomp. for pianoforte]. (In Musical
library. Vol. 4, pp. 81-87.) No. 28 in M.23S.18.4
Agnus Dei! Quartet. [Accomp. for organ.] (/n Ayrton.
Sacred minstrelsy. Vol. 2, pp. 80-83.) No. 33 in M.29o.22.a
Andante & march. Violin and piano. [Arranged by Henri
Ernst. Full score and separate part for violin.] Boston.
Davenport. 1877. No. 4 in M.357.12
Andante cantabile aus dem Trio Op. 97, fur Orchester von
Franz Liszt. Partitur. Leipzig. Kahnt. [1870.]
No. s in M.344.2
Liszt's arrangement for orchestra, used as the instrumental introduc-
tion to his Beethoven-Cantate.
Andante from Beethoven's Sonata in D. Op. 28. Tran-
scribed for the organ by Dudley Buck. Op. 38. New-
York. Schirmer. 1868. No. 16 in M.200.2
The bird let loose. Trio [s. a. b. Accomp. for piano]. (In
Handel and Haydn Society collection of sacred music.
Vol. I, pp. 73-75) No. 17 in M.221.22.1
Blessed be the Lord God. [Anthem. Accomp. for organ.]
(In Buck. Motette collection. Vol. 2, pp. 120-124.)
No. 28 in M. 100.4.2
Briefe von Beethoven und Frau Rath Goethe an Bettina
Brentano. [Herausgegeben von M. Carriere.] (In All-
95
Beethoven
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Beethoven
Beethoven, Ludwig van. (Continued.)
gemeine conservative Monatsschrift fiir das christliche
Deutschland, Januar, 1880, Leipzig.) No. 5 in M.372.44
Briefe Drei, von Beethoven an Bettina. (In Athenffium fiir
Wissenschaft . . . Januar 1839. Pp. 1-7. Nurnberg. 1839-)
M.371.22
The calm of the sea. [Chorus. Words translated from
Goethe. Accomp. for pianoforte and organ.] {In Gardi-
ner. Sacred melodies. Vol. 4, PP- 428-439-)
No. 3 in M.236.30.4
The translation is di££erent from that on shelf-no. No. 2 in M. 270.10.
The calm of the sea & rising breeze, Meeresstille und gliick-
liche Fahrt, descriptive chorus. With the German words
by Gothe and an English version by Chas. Edwd. Hamp-
ton. The music by Beethoven. [Accomp. for pianoforte.]
London. Lonsdale. [185-?] No. 2 in M.270.10
The choral fantasia. (Op. 80.) [The verses by Christoph
Kuffner.] The English version by Natalia Macfarren.
[Accomp. for pianoforte.] London. Novello, Ewer & Co.
[188-?] No. 5 in M.194.4
Collection complete des symphonies de Beethoven, a grand
orchestre, en partition. Paris. Girod. [184-?] 9 v. in 5.
M.348.37
Cmtents. — Vol. i. Symphonic No. I, en ut. Op. 21. — No. 2, en re.
Op. 36. Vol. 2. Symphonic heroique, No 3. Op. 55- — No. 4, en sib.
Op. 60. Vol. 3. No. 5, en ut mineur. Op. 66 [sic. 67]. — No. 6. Pas-
torale, en fa. Op. 68. Vol. 4. No. 7. en la. Op. 92.— No. 8, en fa. Op. 93-
Vol. 5. No. 9, en re mineur. Op. 125.
Concerts de piano [avec accomp. d'orchestre]. Grande par-
tition. No. i-S. Leipzig. Peters [etc. 185-?] 5 v. in 3.
M.345-33
Contents. — Vol. I. No. i in C. Op. 15. — No. 2 in B flat. Op. 19.
Vol. 2. No. 3 in C minor. Op. 37- — No. 4 in G. Op. 58. Vol. 3- No. 5
in E flat. Op. 73-
[Coriolan.] Ouverture de Coriolan, tragedie de Mr. de Col-
lin. Partitur. Op. 62. Bonn. Simrock. [185-?]
No. 2 in M.345.3S
Credo. [From his ist mass.] (In Handel and Haydn So-
ciety Collection of sacred music. Vol. 4, PP- S7-68.)
No. 4 in M.221.22.4
[Egmont.] Ouverture et entr'actes d'Egmont. Partition.
Leipsic. Breitkopf & Hartel. [185-?] M.345.34
Same. Ouverture (F moll) zu Goethe's Trauerspiel Egmont.
Op. 84. Partitur. Mainz. Schott. [187-?]
No. 3 in M.345.35
Same. Ouverture, Gesange und Zwischenacte zu Gothe's
Egmont ... fiir das Pianoforte zu 4 Handen eingerichtet
von V. Worner. Leipzig. Breitkopf & Hartel. [185-?]
No. 3 in M.221.7
Die Ehre Gottes aus der Natur. [Mannerchor.] (/n Or-
pheus. Band 9, pp. 6, 7.) No. 2 in 1,1.1293.43.9
Also to be found in Das Riitli.
Engedi; or, David in the wilderness, a sacred drama. The
music by Beethoven, the words, principally from the
Scripture, by Henry Hudson. [Accomp. for piano.] Lon-
don. Novello. [184-?] M.241.11
An adaptation of the music of Christus am Oelberge.
Fahr' wohl, du gold'ne Sonne. [Mannerchor.] (In Das
Riitli. Pp. 399, 400.) No. 167 in M.147.4
Fantasie, Op. 80, C. M. Choral part. Words, Psalm of life,
by Longfellow. [Part-song without accomp.] Cincinnati.
Church & Co. 1876. No. i in M.384.16
Fest-Ouverture (C dur). Op. 124. Partitur. Mainz. Schott.
[187-?] No. 4 in M.345.3S
Feyerlicher Marsch mit Chor aus Kotzebue's: Ruinen von
Athen. Componirt von Ludw. van Beethoven. Partitur.
Wien. Haslinger. [183-?] No. I in M.270.g
Fidelio. Drame lyrique en 2 actes. Paroles francjaises et
italiennes [de P. F. Camus]. Musique de L. van Bee-
thoven. Partition de piano. Paris. Schlesinger. [183-?]
M.261.21
Same. An opera in 2 acts [by P. F. Camus]. Translated
into English, and corrected according to the original score
by Natalia Macfarren. [Accomp. for pianoforte.] Lon-
don. Novello, Ewer & Co. [187-?] M.265.3
Beethoven, Ludwig van. (Continued.)
The fortunate land. Canzonet [s. or t. Accomp. for piano-
forte], (/n Musical library. Vol. 3, pp. 90-93.)
No. 31 in M. 235.18.3
[Die Geschopfe des Prometheus.] Ouverture (C dur) zum
Ballet Prometheus. Op. 43- Partitur. Mainz. Schott.
[187-?] No. I in M.345.35
Glory to God. [Chorus from his ist mass. Accomp. for
organ.] (In Handel and Haydn Society Collection of sa-
cred music. Vol. 4, pp. 47-57.) No. 3 in M.221.22.4
God's glory in nature. [Part-song, T. T. B. B.] Arranged by
F. Lux. English version by Chas. J. Sprague. Boston.
Schmidt. ^894. No. 3 in M.203.11
A grace, for A. T. B., or s. s. b. [Accomp. for organ.] (In
Ayrton. Sacred minstrelsy. Vol. 2, p. 51.)
No. 19 in M.2go.22.2
Grand septuor [clarinetto, fagotto, corno, violino, viola, vio-
loncello, basso]. Qiuvre 20. Partition. Leipzig. Peters.
[184-?] No. 2 in M.334.2
Grand trio pour piano, clarinette ou violon et violoncelle.
Op. 38. [Partie de violoncelle.] Paris. Societe pour la
publication de la musique. [184-?] No. 9 in M.210.11
Great God of all, Holy Creator. Anthem. Selected and
arranged from the pianoforte sonata, op. 97 ... by Charles
Ashton. [Accomp. for organ.] London. Novello. [184-?]
No. I in M.290.14
Same. 2d edition. No. 7 in M.190.1
Great God, to Thee. Beethoven's hymn introduced into
Liszt's Ode to genius . . . Arranged & adapted by W.
Gardiner. [Accomp. for pianoforte.] London. Novello.
[185-?] No. 22 in M.290.9.1
Hallelujah to the Father. [Anthem. Accomp. for organ.]
(/re Pratt. Collection of anthems. Vol. 2, pp. 136-147.)
From his Mount of Olives. No. I3 in M.233.18.2
Happy is the man. Air [a. or b. Accomp. for organ]. (In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 12, 13.)
No. 6 in M.290.22.2
Hat man nicht auch Gold beineben. Arie [aus Fidelio, b.,
mit Pianofortebegleitung]. (In Arien-Album. Band i,
pp. 130-133) No. 4 in M.204.37
How can I on Thee repose? [Solo, s. Accomp. for organ.]
(In Handel and Haydn Society Collection of sacred music.
Vol. 3, p. 76.) No. 12 in M.221.22.3
How strange does all appear! Quartet [from Fidelio,
s. s. T. B.]. (In Musical library. Vol. 2, pp. 108-112.)
No. 43 in M. 235.18.2
Hymne an die Nacht. Andante aus der Sonate, Op. 57, fur
Mannerchor arrangirt von L Heim. (In Abt. Leichte
Mannerchore. Heft 9, pp. 6, 7.) No. 51 in M.246.22
Also to be found in Eidgenossischer Sangerverein, Wettgesange bei
dem II. . . . Sangerfeste; Same, 12. . . . Sangerfeste; Das Rutli.
I will give thanks unto the Lord. [Anthem. Accomp. for
organ.] (In Buck. Motette collection. Vol. i, pp. 57-62.)
No. 15 in M.100.4.1
In holy contemplation. Air, t. [Accomp. for pianoforte.]
(In Hasse, C. F. Sacred music. Pp. 155, 156.)
No. 30 in M.201.37
In questa tomba oscura. Canzonetta [Bar. Accomp. for
pianoforte]. (In Musical library. Vol. 4, pp. 56, 57.)
No. 19 in M.235.18.4.
Jesu dulcis. [Motet. Accomp. for organ.] (In Lutz. Motets
for the year. No. 11. Pp. 43-47.) No. 11 in M.i56.sa
Jesu, refugium nostrum. Quartetto. [Accomp. for organ.]
(7)1 Novello. Motetts. Vol. 2, book 10, pp. 5-7.)
No. 28 in M.260.24.2
Joy has fled. Cavatina [t. Accomp. for pianoforte] from
Fidelio. (In Musical library. Vol. 2, pp. 112, 113.)
No. 44 in M.235.18.2
[King Stephen.] Beethoven's music to the drama . . . The
pianoforte parts arranged from the score by Ann S. Moun-
sey. The English version written and adapted by W. Bar-
tholomew. London. Novello. [183-?] No. i in M.270.10
Kriegsgesang. [Nach Beethoven fiir vierstimmigen Man-
96
Beethoven
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beethoven
Beethoven, Ludwig van. (Continued.)
nerchor.] {In Steinhausen. Conferenz-Gesange. Band 2,
Heft I, p. 12.) No. ioinM.392.38
Letters (1790-1826). Translated by Lady Wallace. London.
Longmans, Green & Co. 1866. 2 v. Portrait. Facsimile.
M. 107. 16
Lobkowitz-Cantata. [Accomp. for pianoforte.] London.
Monthly Musical Record. 1882. No. 24 in M.158.13
Lord, in the morning Thou shalt hear. [Anthem. Accomp.
for organ.] {In Buck. Motette collection. Vol. i, pp. 88,
go ) No. 23 in M.100.4.1
The Lord, the Almighty Monarch spake. Sacred song [s.
or T. Accomp. for pianoforte]. {In Ayrton. Sacred min-
strelsy. Vol. I, pp. 16, 17.) No. S in M.290.22.1
March and chorus of Roman soldiers. From The Mount of
Olives. [Vocal score.] {In Handel and Haydn Society
Collection of sacred music. Vol. 4, pp. 174-192.)
No. 18 in M.221.22.4
La marmotte. Song [s. Accomp. for pianoforte]. {In Musi-
cal library. Vol. 2, p. 20.) No. 8 in M.235.18.2
Mass in C. Op. 86. With a separate accomp. for the organ
or pianoforte, arranged from the full score by Vincent
Novello. London. Novello. [184-?] No. i in M.191.2
Same. [Sanctus and Benedictus only.] No. 23 in M.201.38
May song [s. or t. Accomp. for pianoforte]. {In Musical
library. Vol. i, pp. 136, 137) No. 61 in M.235.18.1
Missa . . . Op. 123. [Accomp. for pianoforte.] Moguntiae.
Schott. [18s-?] M.362.20
The Mount of Olives, a sacred oratorio, composed by L. v.
Beethoven, . . . the vocal parts in score, adapted to Eng-
lish words, and the instrumental parts arranged for the
pianoforte by Sir George Smart. London. Smart. [182-?]
No. 3 in M.391.61
Musique de chambre pour piano seul. Paris. Schonenber-
ger. [i8s-?] 3 V. M.348.36
Contents. — Vol. i. Septuor en mib majeur. Op. 20. — Sextuor en mib
majeur. Op. 81. — Quintette en mib majeur. Op. 4. — Quintette en
ut majeur. Op. 29. — Quatuor, no. 1-3, en fa majeur, sol majeur et re
majeur. Op. 18. Vol. 2. Quatuor, no. 4-6, en ut mineur, la majeur,
et sib majeur. Op. 18. — Quatuor, no. 1-3. en fa majeur, mi mineur
et ut majeur. Op. 59. — Quatuor en mib majeur. Op. 74. Vol. 3. iic
Quatuor, en fa mineur. Op. 95. — Trio, en mib majeur. Op. 3. —
Serenade en trio, en re majeur. Op. 8. — Trio, no. 1-3, en sol majeur,
ri majeur, et ut majeur. Op. 9. — Serenade en ri majeur. Op. 25.
My wife's a winsome wee thing. Canzonet [t. Accomp. for
pianoforte]. {In Musical library. Vol. i, pp. 62, 63.)
No. 2 in M.235.18.1
O most delightful hour. Sacred song [s. or bar. Accomp.
for organ]. {In Ayrton. Sacred minstrelsy. Vol. I, pp.
64, 65.) No. 22 in M.2go.22.i
O rejoice in God our King. Solo [s.] and chorus. [Accomp.
for organ.] {In Handel and Haydn Society collection of
sacred music. Vol. 3, pp. 72-7S) No. 11 in M.221.22.3
O Sacrum Convivium. Solo & quartette. Arranged by J.
Robinson. [Accomp. for organ. London. Novello. 182-?]
No. 20 in M. 260.10.6
Also to be found in £chos du monde religieux ; Novello's Motetts.
O Salutaris. [Motet. Accomp. for organ. London. Butler.
184-?] No. 22 in M. 260.3
O Salutaris, pensee religieuse de Beethoven, transcrite pour
3 ou 4 voix en chceur, par Paul Lutgen. [Accomp. d'orgue.]
Paris. Richault. [185-?] No. 10 in M.260.10.3
Octett fiir 2 Oboen, 2 Klarinetten, 2 Fagotte und 2 Horner.
Op. 103. [Partitur.] Leipzig. [188-? Payne's Kleine
Partitur-Ausgabe.] No. 8 in M.355.2
Oh more, far more than mortal pleasure. Duet [s. t.] from
Fidelio. [Accomp. for pianoforte.] {In Musical library.
Vol. 2, pp. 114-119) No. 45 in M.235.18.2
Opere scelte. Op. 18. Quartetto no. 1-6. Nuova edizione.
[Partitura.] Firenze. Guidi. [1861?] 6 v. in 3. [Societa
del quartetto di Firenze.] M. 246.24
Contents. — Vol. l. No. i in fa. — ■ No. 2 in sol. — Vol. 2. No. 3 in re.
— No. 4 in do min. Vol. 3. No. 5 in la. — No. 6 in sife.
Ouvertures choisies de L. van Beethoven. Arrangees pour
piano et violon par W. Meves. [Partition et partie de vio-
lon.] Braunschweig. Litolff. [188-?] No. i in M.3S7.8
Contents. — Egmont. — Fidelio. — Die Ruinen von Athen. — Pro-
metheus. — Coriolan. — Leonore (Fidelio). 1803.
Beethoven, Ludwig van. (Continued.)
Per pieta non dirmi addio. Aria [s. or t. Accomp. for piano-
forte]. {In Musical library. Vol. i, pp. 146-148. London.
1854.) No. 65 in M.23S.18.1
Prometheus. See his Die Geschopfe des Prometheus.
Quartets, arranged from Beethoven with accomp. for organ,
by Ambrose Davenport. Boston. Ditson & Co. [1865.]
No. 1-4 in M.290.12
Contents. — Trust in God. — O Lord, veil not Thy face. — Praise
ye the Lord. — Celestial hope.
Quartett fiir Klavier, Violine, Viola und Violoncell. Op. 16.
[Partitur.] Leipzig. [186-? Payne's Kleine Partitur-
Ausgabe.] No. I in M.355.3
Quartetto in mib [Violino i, 2, viola e violoncello]. Op. 74.
[Partitura.] Firenze. Guidi. [1865. Societa del quar-
tetto di Firenze.] No. 2 in M.246.29
Quartetto 1-3. Op. 59. [Partitura.] Firenze. Guidi. [1862.
Societa del quartetto di Firenze.] M.246.25
Contents. — No. I in fa. — No. 2 in mi min. — No. 3 in do.
Quintett, C-moIl, fiir 2 Violinen, 2 Violen und Violoncello.
Op. 104. Leipzig. Eulenburg. [1891? Payne's Kleine
Partitur-Ausgabe.] No. 2 in M.4i2a.3
Quintett, Es-dur, fiir Pianoforte, Oboe, Clarinette, Horn und
Fagott. Op. 16. [Partitur.] Leipzig. Eulenberg. [1S91.
Payne's Kleine Partitur-Ausgabe.] No. 2 in M.35S.3
Quintett, Es-dur, fiir 2 Violinen, 2 Violen und Violoncello.
Op. 4. Leipzig. Eulenburg. [1891? Payne's Kleine
Partitur-Ausgabe.] No. i in M.4i2a.3
Quintetten fiir 2 Violinen, 2 Bratschen u. Violoncell, Op. 4
u. 29; Septett fiir Violine, Bratsche, Horn, Clarinette,
Fagott, Violoncell u. Contra-Bass, Op. 20; Se.xtett fiir 2
Violinen, Bratsche, Violoncell u. 2 Horns obligat. Op. 81.
Partitur-Ausgabe. London. Ewer & Co. [185-?]
No. I in M.246.32
Les regrets. [Chanson, a. ou bar. Accomp. de piano.] {In
Almanach des musiciens de I'avenir. Pp. 36-38.) M. 205.29
Rondo (in G). Violin and piano. [Full score and separate
part for violin.] Boston. Davenport. 1877. No. 7 in M.357.12
Les mines d'Athenes. Drame lyrique [de Kotzebue. Mu-
sique] de L. van Beethoven. [Partition chant et piano.]
Paris. Bureau central de musique. [1814?]
No. I in M.362.ig
Sanctus et Benedictus. Solo. [Accomp. de piano ou d'orgue.]
{In fichos du monde religieux. Pp. 32-34.) M.156.52
Sechs geistliche Lieder fiir eine Singstimme mit Begleitung
des Pianoforte . . . Fiir gemischten Chor a capella ge-
setzt von H. Giehne. Leipzig. Rieter-Biedermann. [187-?]
No. 10 in M. 157.24
Contents. — Bitten. — Die Liebe des Nachsten. — Vom Tode. —
Die Ehre Gottes aus der Natur. — Gottes Macht und Vorsehung. —
Busslied.
Septett [fiir Clarinette, Fagott, Horn, Violine, Viola, Violon-
cell und Contrabass]. Op. 20. Partitur. Leipzig. Peters.
[187-?] No. I in M.333.5
Serenade fiir Flote, Violine und Viola. [Op. 25. Partitur.]
Leipzig. [187-? Payne's Kleine Partitur-Ausgabe.]
No. 6 in M.3ss.a
Serenata. Trio [violino, viola e violoncello] in re. [Parti-
tura.] Firenze. Guidi. [1862. Societa del quartetto di
Firenze.] No. 4 in M.246.26
Sextuor pour 2 violons, viola, violoncelle et 2 cors obliges.
Op. 81. Partitur. Berlin. Simrock. [1845?]
No. I in M.334.2
Sonaten fiir Piano und Violoncell . . . herausgegeben von
Friedr. Griitzmacher. [Partitur und Violoncell-Stimme.]
Neue Ausgabe. Leipzig. Peters. [189-?] 2 v. in i.
M-353-20
Contents. — No. i, 2. Op. S- F dur, G moll. — No. 3. Op. 69. A dur. —
No. 4, s. Op. 102. C dur, D dur.
Spirit of meekness. Elegy, for 4 voices, with accomp. for
piano-forte or quartett of stringed instruments. The Eng-
lish version by Thomas Oliphant. [Full score.] London.
Cramer, Beale & Co. [185-?] No. 8 in M.290.14
[Streich-Quartette, fiir 2 Violinen, Alto und Violoncell. No.
1-17.] Offenbach a. M. [etc.]. Andre [etc. i82-?-i8s-?].
4 V.
Contents.
Vol. 1. No. 1-6. Op. 18.
M-345-3a
Vol. 2. No. 7-9- Op. 59. — No.
I. 13
97
Beethoven
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Beethoven
Beethoven, Ludwig van. (Contmued.)
10. Op. 74- — No. II. Op. 95- Vol. 3- No. 12. Op. 127- — No. 13.
Op. ,30. — No. 14- Op. 131. Vol. 4. No. 15. Op. 132. — No. 16. Op. I33-
No. 17. Op. 135-
Studies in thorough-bass, counterpoint and the art of scien-
tific composition. Collected ... by Ignatius von Sey-
fried; translated by Henry Hugh Pierson. Leipzig.
Schuberth & Co. 1853. Portraits. Plates. ^■''°^-'!^
Sweet was thy presence. Elegy. For s. a. x. b. The P. K
arrangement by the editor. (In Hullah. The Singers
library. Secular. Pp. 29-32.) No. 7 in M.157.2
Symphonie nach dem Cis-moll-Quartett, Op. 131. fir grosses
Orchester eingerichtet von Karl Miiller-Berghaus. Par-
titur. Hamburg. Pohle. [1884?] No. i in M.332.4
[Symphonies, no. 1-9, pour piano seul.] Paris. Schonen-
berger. [184-?] 9 v. in 2. M.348.38
Contents. — i. No. 1-5. 2. No. 6-9.
Thou art gone to the grave. [Part-song.] (In Musical times.
[Music] Vol. I, p. 60.) No. 20 in M.I7S.I.I
Tremate, empi, tremate. Terzetto per s. t. b. con accomp.
di grand' orchestra . . . Estratto per il cembalo. Vienna.
Haslinger. [184-?] No. i in M.221.21
Trio fiir Pianoforte, Violine und Violoncell [in Es dur. Par-
titur]. Braunschweig. Litolff. [186-?] No. 2 in M.357.3
Trio fur 2 Oboen und engl. Horn. [Op. 29. Partitur.]
Leipzig. [187-? Payne's Kleine Partitur-Ausgabe.]
No. 7 in M.355.2
Trio in sib [violino, viola e piano]. Op. 97. [Partitura.]
Firenze. Guidi. [1865. Societa del quartetto di Firenze.)
M.246.27
Trio [per violino, viola e violoncello] 1-3. Op. 4- [Parti-
tura.] Firenze. Guidi. [1863. Societa del quartetto di
Firenze.] No. 1-3 in M.246.26
Contents. — No. i in sol. — No. 2 in re. — No. 3 m do min.
Trio pour piano, violon et violoncelle. CEuvre posthume.
[Partie de violoncelle.] Paris. Societe pour la publica-
tion de la musique. [184-?] No. SinM.210.11
[Trios fiir Violine, Viola und Violoncell. Partitur.] Leip-
zig. [187-?] S v. in I. [Payne's Kleine Partitur-Aus-
gabe.] No. i-S in M.355.2
Contents. — I. In Es-dur. Op. 3. 2. In D-dur. Op. 8. 3. In Gdur.
Op. 9, No. I. 4. In D-dur. Op. 9, No. 2. 5. In C-moU. Op. 9, No. 3.
Trios pour piano, violon et violoncelle. [Partition.]
Braunschweig. Litolff. [187-?] M.3S3.1
Contents. — i. In Es dur. Op. 1, No. i. 2. In G dur. Op. i, Nu. 2.
3. In C moll. Op. I, No. 3. 4. In D dur. Op. 70, No. i. 5. In Es
dur. Op. 70, No. 2. 6. In B dur. Op. 97- 7- I" B dur 'n i Satze.
8. In Es dur. 9. In G dur. Op. 121. 10. Variationen in Es dur.
Op. 44. II. In B dur. Op. 11.
Same. No. 1,3-6, 11. [Partie de violoncelle.] Paris. [184-?]
No. 2-4, 6-8 in M. 210.11
Variations pour piano et violoncelle ou violon, sur La vie est
un voyage de La flijte enchantee de Mozart. Op. 66.
[Partition.] Paris. Schlesinger. [183-?] No. 5 in M.210.1
Same. [Partie de violoncelle.] No. 10 in M.210.11
Variations pour piano et violoncelle sur Je vais revoir
I'amant que j'aime de La flite enchantee de Mozart. [Par-
tition.] Paris. Schlesinger. [183-?] No. 6 in M.210.1
Vengeance is ours. [b. solo and trio, s. x. e. From Engede.
Accomp. for pianoforte.] London. Novello. [185-?]
No. 17 in M.290.14
The vesper hymn. [s. solo and chorus.] {In Orpheus glee
book. Pp. 61, 62.) No. 32 in M.246.36
Same. [t. x. b. b.] (In Mosenthal. Songs of the Mendels-
sohn Glee Club. Pp. 156-160.) No. 41 in M.204.36
Also to be found [for s. a. t. d.] in Novello's Part-song book, 2d scries.
Violin-Concert. [Mit Orchester - Begleitung. Partitur.]
Op. 61. Leipzig. Peters. [186-?] No. 2 in M. 333.5
Vita felice. Canzonetta [s. or x. Accomp. for pianoforte].
(In Musical library. Vol. 4. PP- 21-23.) No. 9 in M.235.18.4
Young spring-gods are round us. Song [s. or x. Accomp.
for pianoforte]. (In Musical library. Vol. 2, pp. 53-5S)
No. 22 in M.23S.18.2
Beethoven, Ludwig van. Works about.
Alberxi, C. E. R. Ludwig van Beethoven als dramatischer
Tondichter. Stettin. 1859. No. 2 in M.370.62
Anders, G. E. Details biographiques sur Beethoven, d'apres
Wegeler et Ries. Paris. 1839. No. 2 in M.145.34
Beethoven, Ludwig van. Works about. (Continued.)
AuDLEY, A. Louis van Beethoven; sa vie et ses ceuvres.
Paris. 1867. M.128.16
Catalogue des osuvres de Beethoven, pp. 283-300.
Ball, T. H. Sketch of Handel and Beethoven. London.
1864. M.101.13
Barbedexxe, H. Beethoven. Esquisse musicale. La Ro-
chelle. 1859. M.215.3
Bargheer, C. L. L. van Beethoven's fiinf letzte Quartette
fiir die Kammermusik-Abende der Philharmonischen Ge-
sellschaft in Hamburg analysirt. Hamburg. 1883.
No. 2 in M.215.4
Beexhoven-Monumenx in Heiligenstatt bei Wien. Wien.
Typ.-liter.-artist. Anstalt. 1863. Plate. M.371.2S
Beyer, C. L. van Beethoven, Violinkonzert. Op. 61. Er-
lautert. Frankfurt a. M. [1898.] No. 21 in M.217.12.4
BoxsxiBER, H. Ludwig van Beethoven. Christus am Oel-
berge, Oratorium. Erliiutert. Leipzig. [1903-]
No. 2 in M.217.12.12
Breidensxein, H. C. Festgabe zu der am I2ten August
184s stattfindenden Inauguration des Beethoven-Monu-
ments [zu Bonn]. Bonn. 1845. M.372.14
Zur Jahresfeier der Inauguration des Beethoven-
Monuments [zu Bonn]. Bonn. 1846. M.372.13
Coremans, V. A. J. M. Louis van Beethoven. Bruxelles.
1872. M.147.23
[Crixique of his symphony no. 4, in B flat, op. 60. London.
185-?] No. 2 in M.144.12
Duerenberc, F. L. S. von. Die Symphonien Beethovens
und anderer berijhmter Meister . . . Analysirt und zum
Verstandnisse erlautert. Leipzig. 1863. No. 3 in M.139.3
Erlanger, G. L. van Beethoven, Erste Symphonie in C-dur
(Op. 21). Erlautert. Frankfurt a. M. [1895.I
No. 34 in M.217.12.2
L. van Beethoven. Zweite Symphonie in D-dur
(Op. 36). Erlautert. Frankfurt a. M. [1895.]
No. 24 in M.217.12.Z
Ludwig van Beethoven, Achte Symphonie (in F-dur),
Op. 93. Erlautert. Frankfurt a. M. [1898.)
No. 13 in M.217.12.3
Ernouf, A. A. L'art musical au XIXe siecle. Composi-
teurs celebres: Beethoven, Rossini, Meyerbeer, Mendels-
sohn, Schumann. Paris. 1888. Portrait. M.118.1S
Fricke, W. Ludwig van Beethoven. Ein Lebensbild.
Bielefeld. 1870. Portrait. M.107.14
Frimmel, T. von. Beethovenbildnisse. (In Photographi-
sche Geselleschaft. Ludwig van Beethoven.)
No. 7 in M.380.58
Neue Beethoveniana. Neue Ausgabe. Wien. 1890.
Portraits. M.148.21
Gesellschafx der Musikfreunde, Vienna. Actenmassige
Darstellung der Ausgrabung und Wiederbeisetzung der
irdischen Reste von Beethoven und Schubert. Wien. 1863.
M.371.27
Goxxschald, E. Beethoven's pianoforte sonatas explained
for the lovers of the musical art, by Ernst von Elterlein
[pseud.]. Translated by Emily Hill. 2d edition. London.
1879. M.103.14
Beethoven's Symphonien nach ihrem idealen Gehalt,
mit besonderer Riicksicht auf Haydn, Mozart und die
neueren Symphoniker. Von Ernst von Elterlein [Pseud.].
2. vermehrte Auflage. Dresden. 1858. No. i in M.370.62
Graeme, E. Beethoven. A memoir. With an essay (quasi
fantasia) "on the hundredth anniversary of his birth" &c.
by Ferdinand Hiller. London. 1870. Portrait. M. 104.39
Compiled from the works of Mar.^t, Thayer, Schindler, etc.
Grove, G. Beethoven's nine symphonies. Analytical essays.
With an introduction by the author and a preface by
Georg Henschel. Boston. 1884. M.102.1
Heimsoexh, F. Ludwig van Beethovens Missa solennis,
Op. 123. Fine kurze erklarende Beschreibung . . . von
einem Mitgliede des Bonner Siingerchors. Bonn. 1845.
M.371.23
Helm, T. Ludwig van Beethoven, Siebente Symphonie (in
.\-dur, Op. 93). Erlautert. Frankfurt a. M. [1898.]
No. 19 in M.217.12.3
98
Beethoven
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beethoven
Beethoven, Ludwig van. JVorks about. (Continued.)
HiLLER, R, Ludwig van Beethoven. Gelegentliche Auf-
satze. Leipzig. 1871. No. 2 in M.102.24
Hoffmann, L. Ein Programm zu Beethoven's Neunter
Symphonie. Berlin. 1870. No. 5 in M.145.6; etc.
Hogarth, G. Lives of celebrated musicians. Beethoven.
London. [18—?] No. 5 in M.116.10
Hrussoczy, M. von. Recollections of Countess Theresa
Brunswick (Beethoven's "Unsterbliche Geliebte"). By
Mariam Tenger [pseud.]. Translated by Gertrude Rus-
sell. London. 1893. Portraits. M.103.4
Jahn, C. F. Ludwig van Beethoven als Mensch und Kiinst-
ler. Ein Lebensbild. Elbing. 1870. Portrait. Plates.
No. 3 in M.145.7
Jahn, O. Beethoven und die Ausgaben seiner Werke. Leip-
zig. 1864. No. 2 in M.372.43
Separatabdruck aus den „Grenzboten."
Koch, W. Adlerflug. Novelle aus Beethoven's Jugendzeit.
Koln. 1888. No. 3 in M.370.62
Landau, H. J., editor. Erstes poetisches Beethoven-Album.
Zur Erinnerung an den grossen Tondichter und an dessen
Siicularfeier, 1870. Prag. 1872. M.371.17
Lenz, W. von. Beethoven. Eine Kunststudie. Cassell.
1855, 60. 5 parts in 3 v. 11.146.17
Theil J, Abtheilung I, is of the 2d edition.
Beethoven et ses trois styles. Paris. 1855. 2 v. in i.
M.118.7
Liszt, F. Zur Sacular-Feier Beethovens. Cantate. Ge-
dichtet von Adolf Stern, componirt fiir Chor, Soli und
Orchester von Franz Liszt. [Klavierauszug.] Leipzig.
\1870.] No. I in M.194.21
LoRENZ, F. Haydn, Mozart und Beethoven's Kirchenmusik
und ihre katholischen und protestantischen Gegner. Bres-
lau. 1866. No. 5 in M.102.24
Ludwig van Beethoven. Denkschrift in Rede und Dich-
tung zur Erinnerung an die Sacular-Vorfeier des Ton-
meisters am 16. December 1870, Dresden. Dresden. [1871.]
No. I in M.145.7
Macfarren, G. a. Analytical essay on Beethoven's Fidelio.
London. 1853- M.148.30
Marx, A. B. Ludwig van Beethoven. Leben und Schaffen.
2. vermehrte Auflage. Berlin. 1863. 2 v. in i. M. 134.8
Medak, H. Ludwig van Beethoven, grosses Septett. Op. 20.
Erlautert. Leipzig. [1901?] No. 21 in M.217.12.9
Mensch, G. Ludwig van Beethoven, ein musikalisches
Charakterbild. Leipzig. 1871. Portrait. No i in M.137.9
MiEL, E. F. A. M. De la symphonie, des symphonies de
Beethoven, et de leur execution. [Paris? 1833.]
No. 2 in M.372.42
Extrait de la Relation de la seance publique de la Societe libre des
beaux-arts qui a eu lieu . . . le 30 decembre, 1833.
MoRiN, A. L. van Beethoven. Fiinfte Symphonie in C-moU
(Op. 67). Erlautert. Frankfurt a. M. [1894.]
No. I in M.217.12.1
L. van Beethoven, Sechste Symphonie. F-dur. (Pas-
torale.) Op. 68. Erlautert. Frankfurt a. M. [1898.]
No. 4 in M.217.12.4
Muehlbrecht, O. Beethoven und seine Werke. Eine bio-
graphisch-bibliographische Skizze. Leipzig. 1866.
No. 3 in M.14S.34
Mueller-Reuter, T. Ludwig van Beethoven, Phantnsie
fiir Pianoforte, Chor und Orchester. Op. 80. Erlautert.
Frankfurt a. M. [1898.] No. 19 in M.217.12.4
Naumann, E. Ludwig van Beethoven. Berlin. 1872.
In English. No. 4 in M.144.18
Ludwig van Beethoven. Zur hundertjahrigen Ge-
burtstagsfeier. Berlin. 1871. No. 5 in M.145.7
Neumann, W. Ludwig van Beethoven. Eine Biographic.
Cassel. 1854. Portrait. No. i in M.205.16
NoDNAGEt,. Ludwig van Beethoven. Koriolan-Ouverture.
Erlautert. Leipzig. [1899?] No. 14 in M.217.12.7
Ludwig van Beethoven. Leonoren - Ouverturen.
Erlautert. Leipzig. [1899?] No. 15 in M.217.12.7
NoHL, C. F. L. Beethoven depicted by his contemporaries.
Translated by Emily Hill. London. 1880. M.108.15; etc.
Beethoven, Ludwig van. Works about. (Continued.)
Beethoven, Liszt, Wagner. Ein Bild der Kunstbewe-
gung unseres Jahrhunderts. Wien. 1874. M.371.18
Die Beethoven-Feier und die Kunst der Gegenwart.
Eine Erinnerungsgabe. Wien. 1871. Portrait. Facsim-
ile. No. I in M.372.42; etc.
Beethovens Leben. Leipzig. 1867-77. 3 v. in 4.
M.146.21
An unrequited love: an episode in the life of Bee-
thoven. Translated by Annie Wood. London. 1876.
M.105.20
Nottebohm, M. G. Thematisches Verzeichniss der im
Druck erschienenen Werke von Ludwig van Beethoven.
2. vermehrte Auflage. Leipzig. 1868. M.214.2
Ortlepp, E. Beethoven's Ninth symphony. Translated
from the German, by Hermann Kreissmann. To be per-
formed at the sixth subscription concert of the Germania
Musical Society, . . . Feb. 5th, 1853 • • ■ [Boston.] 1853.
A description of the symphony. No I in M.376.2S
Pachler, F. Beethoven und Marie Pachler-Koschak. Bei-
trage und Berichtigungen. Berlin. 1866. Facsimile.
M. 371.26
Pech, J. The Beethoven centennial. A short review of the
life and works of Beethoven. New York. 1870.
No. I in M.207.26
Pochhammer, a. L. van Beethoven. IV. Konzert fiir
Klavier und Orchester in G-dur (Op. 58). Erlautert.
Leipzig. [1899?] No. 8 in M.217.12.7
PoHL, C. F. Beethoven. [Eine biographisch - bibliogra-
phische Skizze.] (In Gesellschaft der Musikfreunde in
Wien. Jahresbericht des Konservatoriums. 1869-70.)
M.3 70.30
Radecke, E. Ludwig van Beethoven, Sinfonia eroica, . . .
No. 3. Es-dur, Op. 55. Erlautert. Frankfurt a. M.
[1897.] No. I in M.217.12.3
Riemann, H. Ludwig van Beethoven. Quartett in B-dur
(Op. 130) und Quartett-Fuge in B-dur (Op. 133). Er-
lautert. Leipzig. [1900?] No. 9in M.217.12.9
Ludwig van Beethoven. Streich-Quartett A moll.
Op. 132. Erlautert. Leipzig. [1901?] No 13 in M.217.12.10
Ludwig van Beethoven. Streich-Quartett Cis moll,
Op. 131. Erlautert. Leipzig. [1901?] No. 3 in M.217.12.10
Ludwig van Beethoven. Streich-Quartett Op. 127 (Es-
dur). Erlautert. Leipzig. [1899?] No. 9 in M.217.12.7
RiEMENSCHNEiDER, G. Ludwig van Beethoven. Oktett fiir
2 Hoboen, 2 Klarinetten, 2 Fagotte und 2 Florner (Op.
103). Erlautert. Berlin. [1903?] No. 10 in M.217.12.10
Sacred Harmonic Society, London. The grand service in
D, composed by Ludwig van Beethoven. London. [185-?]
Words only. No. 3 in M.372.54
The grand service in D, composed by Ludwig van
Beethoven; with an analysis of the work, written ex-
pressly for the Society by G. A. Macfarren. London.
[1854.] No. 4 in M.372.54
Words only.
Saecularfeier des Geburtstages von Ludwig van Beetho-
ven am 20.-23. August, 1871, in seiner Vaterstadt Bonn.
[Programme u. s. w.] Bonn. Neusser. [1871.] M.371.24
Sauzay, C. E. Haydn, Mozart, Beethoven, fitude sur le
quatuor. Paris. L'auteur. 1861. M.132.12
ScHiNDLER, A. The life of Beethoven, including his corre-
spondence with his friends. Edited by Ignace Moscheles.
London. 1841. 2 v. Portrait. M.103.1
Schmidt, L. Ludwig van Beethoven. (In Photographische
Gesellschaft. Ludwig van Beethoven.) No. 6 in M.380.58
ScHUCHT, J. F. Ludwig van Beethoven. Leben und Schaf-
fen. Leipzig. 1S71. Portraits. No. 2 in M.207.3
Sittard, J. L. van Beethoven. C-dur Messe. Erlautert.
Frankfurt a. M. [1895.] No. 30 in M.217.12.2
Ludwig van Beethoven. Missa solemnis (D-dur, Op.
123). Erlautert. Frankfurt a. M. [1895.]
No. 47, 48 in M.2Z7.I2.3
99
Beethoven
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Behold
Beethoven, Ludwig van. Works about. (Continued.)
L. van Beethoven. Neunte Symphonie in D-moll.
Erlautert. Frankfurt a. M. [1894.] No. 4 in M.217.12.1
Stier, E. L. van Beethoven. Sonaten fiir Pianoforte unci
Violine. Op. 12, 23, 24, 30, 47 und 96. Erlautert. Leip-
zig. [1898?] No. 14inM.217.12.12
Thayer, A. W. Beethoven, son enfance et sa jeunesse.
(Cut from Revue britannique. Annee 1861, pp. 107-133.)
No. 2 in M.207.26
Chronologisches Verzeichniss der Werke Ludwig van
Beethoven's. Berlin. 1865. M.135.8
Ein kritischer Beitrag zur Beethoven-Literatur vor-
gelesen im „Schillerverein" zu Triest. Berlin. 1877.
No. 4 in M.372.42
Ludwig van Beethoven's Leben. Nach dem Original-
Manuscript deutsch bearbeitet. Berlin. 1866. [Vol. i
only.] M.141.12
Ulybyshev, a. D. Beethoven, ses critiques et ses glossa-
teurs. Leipzig. 1857. M.132.1
Wagner, F. Beethoven's Leben und Werke. Leipzig. 1871.
Portrait. No. 2 in M.145.7
Wagner, W. R. Beethoven. Translated by Albert R. Par-
sons. Indianapolis. 1872. M.101.33
Wegeler, F. G. Furiosa; or, passages from the life of Lud-
wig van Beethoven. [Anon.] From the German. Cam-
bridge. 1865. M.139.4
Altered from Wegeler's diary by Wolfgang Mueller. The translation
was edited by Oct. Glover.
Wilder, V. Beethoven: sa vie et son oeuvre. Paris. iSb^.
Portrait. M.129.13
Witting, C. Ludwig van Beethoven. Klavierkonzert in
Es-dur (Op. 73). Erlautert. Leipzig. [1900.]
No. 14 in M 217.12.8
Ludwig van Beethoven. Vierte Symphonie (in B-dur),
Op. 60. Erlautert. Frankfurt a. M. [1898.]
No. 9 in M.217.12.3
Beethoven. Drame. Berths. No. i in M.141.7
Beethoven. Novel. Rau. M.iiga.g
Beethoven collection, The, of sacred music. Ives, E. M.100.2
Beethoven-Lied. Part-song. Cornelius. Werke. Band 2.
M.414.20.2
Beethoven-Ouverture. For orchestra. Lassen. No. 2 in M.337.6
Beethoven Society, Atlanta.
Charter, constitution, by-laws. Atlanta. 1877. No. 7 in M.128.33
Before Jehovah's awful throne. Anthem. Madan.
No. 5 in M.175.1.8
Befreier, Die, Europas in Paris. Song. Schubert, F. P. Werke.
Serie 20, Band 10. M.317.1.20.10
Befreit. Song. Strauss, R. Fiinf Lieder. No. 4 in M.380.24.3
Befreite Deutschland, Das. Cantata. For the Music see
Spohr, L.
Befreiung Israels. Oratorio. For the Music see Rolle, J. H.
Befreyte Jerusalem, Das. See Righini. Gerusalemme liberata.
Befreyung, Die, von Jerusalem. Oratorio. For the Music see
Stadler. For the Libretto see Collin, H. J. von.
Begegnen der Schiffe. Symphonic poem. Merkes van Gendt.
No. I in M.343.4S
Begegnung. Song. Taubert, C. G. W. Gliick der Liebe.
No. 33 in M.ig2.8
Begg, James.
A treatise on the use of organs, and other instruments of
music, in the worship of God . . . Glasgow. Niven & Co.
1808. No. S in M. 104.49
The use of organs and other instruments of music in Chris-
tian worship indefensible. Glasgow. M'Pheen. 1866.
M.i09b.23
Beggar student, The. Opera. For the Music see Milloecker.
For the Libretto see Kingston.
Beggars' opera, The. Opera. For the Music see Pepusch.
For the Libretto see Gay, J.
Begin, my soul, rejoicing. Anthem. Fiorillo.
No. 25 in M.221.22.1
Begone, dull care. Duett [t. b. Accomp. for pianoforte]. {In
Bland. The Ladies' collection. Vol. 4, p. 416.)
Also to be found in The Harmonist. No. 85 in M,235.I7.4
Begone, dull care. Part-song
Begrabet mich im Walde
Atterbury.
No. 7 in M.235.9.4; etc.
Part-song. Abt, F. Fiinf Gesange.
No. 3 in M.392.39
Begraebnisslied. Part-song.
Kalliwoda, J. W. 2 Gesange. No. 45 in M.392.11
Schubert, F. P. Werke. Serie 17. M.317.1.17
Begruessung des Meeres. Cantata. For the Music see Schreck,
G. E. For the Libretto see Auersperg.
Beguin, Le, de Messaline. Opera. For the Music see Clerice.
For the Libretto see Feraudy.
Beharrlich! Part-song. Pierson. No. 4 in M.392.31
Beherrscher, Der, der Geister. Overture. Weber, C. M. F. E.
von. No. 3 in M.344.16
Beherzte Schatzerl, Das. Part-song. Pfeil. Zwei Lieder.
No. 23 in M.392.37
Behling, Heinrich.
Vier Gesange fiir vier Mannerstimmen. [Mit Pianoforte-
Begleitung.] St. Petersburg. Gillis. [186-?]
No. 10 in M.2I2.3
Contents. — Tischlied. — Der Sonnenaufgang. — Gute Nacht. —
Serenade: Dunkel ist es jetzt.
Behm, Eduard.
Marienkind. Legende in 3 Aufziigen. Dichtung von Her-
mann Erler. Musik von Eduard Behm. Klavierauszug
mit Text. Berlin. Verlag der freien musikalischen Ver-
einigung. [1901.] M.397.5
Behnke, Emil.
The mechanism of the human voice. 3d edition, enlarged.
London. Curwen. [1882.] M. 108.45
Voice, song, and speech. By Lennox Browne and Emil
Behnke. 4th edition. New York. Putnam. 1886. Illus.
Plates. M.105.33
Behold and see. Anthem. Handel. No. 61 in M. 290.22.1
Behold and see the goodness. Anthem. Righini.
No. 20 in M.221.22.4
Behold blest peace. Part-song. Webbe, S. No. 3 in M.220.6; etc.
Behold, God is my salvation. Anthem.
Clarke- Whitfeld. Services and anthems. Vol. i. M.233.4.1
Croft. No. 62 in M.iii.4.2
Ebdon. Sacred music. M. 233.15
Behold He rideth upon the storm. Anthem. Haydn, F. J.
No. 5 in M.221.22.4
Behold, howr good and joyful. Anthem. Clarke- Whitfeld.
Services and anthems. Vol. 4. M.233.4.4; etc.
Nares. No. 2 in M.236.33; etc.
Behold hovy good and lovely. Anthem. Haydn, F. J.
No. 27 in M.236.30.4
Behold how pleasant. Anthem. Gerrish. God the omnipo-
tent . . . No. 6 in M.203.25
No. 23 in M.175.1.6; etc.
Behold I bring you glad tidings. Anthem.
Croce. No. 23 in M.175.1.6; etc.
PuRCELL, H. No. 29 in M.233.23.3
Behold, I bring you good tidings. Anthem.
Barnby. No. 11 in M.195.2.4
Crament. No. 59 in M.i58.i8
Goss. No. 21 in M.190.3; etc.
Greene, M. M.158.9.2; etc.
Hall, E. V. No. 21 in M.195.2.14
Peel. No. 4, 5 in M.158.19
ViTTORiA. No. 24 in M.190.8. etc.
Behold I have given you every herb. Anthem. Button.
No. 16 in M.203.26
Behold I will send my messenger. Anthem. Lassus.
No. 12 in M.233.25.1
Behold, my love, how green the groves. Song. Beethoven.
Werke. Serie 24. M.413.1.24
Behold now, praise the Lord. Anthem.
Bennett, G. J. No. 29 in M.158.13
Calkin. No. i in M.234.10,- etc.
Caseley. Anthems. M.233.12
Clarke- Whitfeld. Services and anthems. Vol. 3. M.233.4.3
Creyghton. No. 16 in M.158.15; etc.
Croce. No. 33 in M.233.25.3
100
Behold
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beim
Behold now, praise the Lord. Anthem. (Continued.)
Nares. No. 19 in M.190.5
Oakeley. No. 23 in M.233.13
Rogers, B. No. 16 in M.233.23.2 ; etc.
ViTTORiA. No. 22 in M.233.25.3
Behold, O God our defender. Anthem.
HiRD. No. i8inM.i9S-2-iS
Nares. Twenty anthems. No. I in M.236.33
Walmisley, T. a. Cathedral music. M.233.16
Behold the happy home. Song. Balfe. No. 22 in 11.192.9.1
Behold the heaven. Anthem. Boyce. No. 2 in M.221.22.4
Behold the Lamb of God. Anthem. Buck, D. No. 30 in M.ioo.4.2
Graun. No. 9 in M.290.29.1
Latrobe, C. I. Original anthems. No. 23 in M.236.1S
Palestrina. No. 28 in M.233.25.1
Behold the morning gleaming. Part-song. Weber, C. M. F. E.
VON. No. 3 in M.246.36
Behold, the mountain. Quartet. Bach, J. S. No. 17 in M.201.33
Behold to us a child is born. Anthem. Schulz, J. A. P.
No. 28 in M.201.37
Behr, C. von.
Hymnus fiir vierstimmigen gemischten Chor. \\n caritate
perpetua.] Dresden. Ries. [187-?] No. 13 in M.is8.2a
Behr, Franz.
Friihlingsmette, fiir Mannerchor und t. Solo, mit Beglei-
tung des Pianoforte. Leipzig. Forberg. [187-?]
No. I in M.270.13
Behrend, A. H.
Fancy. A trio [s. s. A. Accomp. for pianoforte]. (Jn No-
vello's Collection of trios, etc. Vol. 6, pp. 70-76.)
No. 7 in M.204.36.6
Hay-makers. A trio [s. s. a. Accomp. for pianoforte]. {In
Novello's Collection of trios, etc. Vol. 6, pp. 77-83)
No. 8 in M.204.36.6
Isle of beauty, fare thee well. Part-song. London. Patey
& Willis. 1883. No. 25 in M.1S8.13
The voice of spring. A trio [s. s. a. Accomp. for pianoforte].
{In Novello's Collection of trios, etc. Vol. 6, pp. 62-69.)
No. 6 in M.204.36.6
Behrend, Max, editor.
Heydrich. Amen. Opern-Drama. No. i in M. 399.83
Behrens, Christoph Heinrich Theodor.
Abschied vom Walde. [Mannerchor.] {In Eidgenossischer
Sangerverein. Wettgesange bei dem 11. . . . Sangerfeste.
P. 32.) No. 9 in M. 130.7
Hort Briider, die Zeit ist ein Becher. Trinklied [t. t. b. b.].
{In Orpheus. Band 6, pp. 41, 42.) No. 202 in M.i29a.43.6
Morgens. [Mannerchor.] {In Orpheus. Band 7, pp. 19, 20.)
Also to be found in Das Rutli. No. 225 in 11.1293.43.7
Rundgesang auf derh Wasser [t. T. b. b.]. {In Orpheus.
Band 8, pp. 25, 26.) No. 255 in M. 1293.43.8
Vanitas vanitatum! [Mannerchor.] {In Orpheus. Band 6,
pp. 35-37) No. 198 in 11.1293.43.6
Vergangenheit. [Mannerchor.] {In Orpheus. Band 8, pp.
17, 18.) No. 251 in 11.1293.43.8
Behuet' dich Gott! Part-song. Lachner, V. No. 3 in II.392.37
Behuet' dich Gott. Song. Hiller, F. Sechs leichte Gesange.
No. 30 in M.192.3
Bei dem Grabe Jakob Philipp Bauers. Song. Gruber, G. W.
Gottfried August Biirgers Gedichte. Vol. i.
No. IS in M. 130.9.1
Bei dem Grabe meines Vaters. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317.1.20.4
Bei den rothen Rosen. Part-song. Bruch. Denkmale des
Volksgesangs. No. 15 in M.158.22
Bei der Belagerung. Part-song. Cavallo. Sieben Lands-
knechtslieder. No. 12 in M.392.6
Bei der Flasche. Part-song. Schumann, R. A. Fiinf Gesange.
No. 4 in M.157.21
Bei der Linde. Song. Franz, R. Sechs Gesange. Op. 36.
No. 78 in 11.244.5.3
Bei der Musik des Prinzen Louis Ferdinand. Song. Weber,
C. M. F. E. VON. Sammtliche Lieder. Band i.
No. 45 in M.244.7
Bei der Trauung. Anthem. Hauptmann, M. Drei geistliche
Chorgesange. No. 5 in 11.157.22
Bei der Wiege. Song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 19. M.413.3.19
Bei diesem kalten Wehen? Song. Bungert. No. ii in M.380.20
Bei dir sllein. Song. Schubert, F. P. Werke. Serie 20,
Band 8. M.31 7.1.20.8
Bei dir sind meine Gedanken. Song. Brahms. Sieben Lieder.
Op. 95. No. 13 in M.380.40.2
Bei Sedan. Opera. For the Music see Zoellner, H.
Bei Sonnenunterg3ng. Aquarelle. Henriques, R.
No. I in M.405.20
Bei Sonnenuntergang. Song. Billeter. No. 3 in M.270.17
Beichte, Die. Opera. For the Music see Hummel, F. For the
Libretto see Demandowski.
Beichte, Die. Part-song. Kuecken. No. 22 in M.392.33
Beiden Blinden, Die, von Toledo. Opera. For the Music see
Mehul. For the Libretto see MarsoUier des Vivetieres.
Beiden Figsro, Die. Opera. For the Music see Kreutzer, C.
For the Libretto see Treitschke.
Beiden Grenadiere, Die. Song. Schumann, R. A. Romanzen
und Balladen. Heft 2. No. 6 in M.244.15.2; etc.
Beiden Liebenden, Die. Song. Gruber, G. W. Gottfried
August Biirgers Gedichte. Vol. i. No. 20 in M.130.9.1
Beiden Savoy3rden, Die. For the Music see Dakyrac. For
the Libretto see MarsoUier des Vivetieres.
Beiden Schiitzen, Die. Opera. For the Music see Lortzing.
Beiden Veroneser, Die. Overture. Street, J. No. 2 in M.348.17
Beignets, Les, du roi. Opera. For the Music see Bernicst.
For the Libretto see C3rre, Albert.
Beim Abendlauten. Part-song. Schneider, P. F. Drei Lie-
der. No. 43 in M.392.23
Beim Abendlauten. Song. Abt, F. Sechs Lieder.
No. 2 in M.204.37
Beim Abschied. Song. Brahms. Sieben Lieder. Op. 95.
No. 13 in M.380.40.2
Beim Abschied zu singen. Part-song. Schumann, R. A.
No. 3 in M. 157.21
Beim Auseinandergehn. Part-song. Rochlitz.
No. 29 in M.213.9
Beim Ausmarsch zur Schlacht. Part-song. Sattler.
No. 87 in M.204.39
Beim Champagner. Part-song. Mueller, C. G.
No. 38 in 11.1293.43.10
Beim Fass. Song. Brune, H. Singuf. No. 3 in M.204.37
Beim Feste. Part-song. Esser. No. 3 in M.392.44
Beim Friedhof. Song. Pierson. No. hi in M.204.39
Beim Gebet eines Kindes. Part-song. Zenger. Fiinf Lieder
fiir Mannerchor. No. 71 in M.392.24
Beim goldnen Adler im alten Rom. Part-song. Gross, C. E.
No. I in M.370.30
Bei'm H33rflechten. Song. Taubert, C. G. W. Klange aus
der Kinderwelt. Heft 5. No. 17 in M. 192.6
Beim Jahreswechsel. Part-song. Juengst. No. 18 in M.392.36
Beim Pfingstreigen. Duet. Bruch. Sieben kleine Gesange.
No. 9 in M.204.7
Beim Ringvyechseln. Part-song. Volkmann. Drei Hochzeits-
lieder. No. 19 in M. 158.21
Beim Ritt auf dem Knie. Song. Brahms. Volks-Kinderlieder.
No. 8 in M.380.40.3
Beim Schaukeln. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft I. No. 3 in M.192.6
Beim Scheiden. Part-song. Franz, R. Sechs Lieder fur ge-
mischten Chor. No. 18 in M.158.22
Isenmann. No. 24 in M.392.11
Jansen, F. G. Vier Lieder. No. 35 in M.392.11
Beim Sonnenuntergang. Cantata. For the Music see Gade.
For the Libretto see Munch.
Beim Sonnenuntergang. Song. Grieg. Grieg-Album.
No. 2 in M. 155.16
Beim Spaziergang. Song. Abt, F. Lebensfriihling. Heft 2.
No. 26 in M. 192.1
Beim Tanze. Song. Taubert, C. G. W. 6 deutsche Lieder.
No. 2 in M.221.26
101
Beim
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bellaigue
Beim walschen Wein. Part-song. Cavai-lo. Sieben Lands-
knechtslieder. No. 12 in M.392.6
Beim Wandern. Part-song. Becker, V. E. Drei Gesange fiir
vierstimmigen Manne'rchor. No. 20 in M.392.4
Speidel. No. 24 in M.3g2.42.4
Beim Weine. Song. Abt, F. Drei komische Lieder.
No. 24 in M.192.1
Beim Wind. Song. Schubert, F. P. Werke. Serie 20, Band 6.
M.31 7.1.20.6
Bei'n Bachel. Part-song. Storch. No. 10 in M.392.26
Beissier, Fernand.
Antigone. Scene lyrique. Musique de Henri Biisser.
No. 2 in M.380.11
Au Soleil d'or. Opera-bouffe. Musique de J. Uzes.
No. 4 in M.324.28
Le brillant Achille. Vaudeville-operette de Charles Clair-
ville & Fernand Beissier. Musique de L. Varney.
No. I in M.325.4
Cleopatre, scene lyrique. Musique de G. Carraud.
No. I in M.154.44
Histoire d'un Pierrot. Pantomime. Musique de P. Mario
Costa. M.395.20
La lune. Fantaisie-pantomime. Musique de E. Audran. Par-
tition, indications de scene et piano. No. 2 in M.255.26
Mam'zelle Fretillon. Opera-comique. Musique de Victor
Monti. M.397.47
Le moulin des roses. [Opera bouffe. Musique de] L. C.
Desormes. M.382.IS
Proces-verbal. Operette. Paroles de F. Beissier & A. Se-
maine [pseud.]. Musique de Henry Cieutat.
No. 2 in M.3g5.i7
Le roi Arthur. Poeme lyrique. Musique de Marcel Rous-
seau. M.397.55
La Saint-Valentin. Operette de Maurice Ordonneau & Fer-
nand Beissier. Musique de Frederic Toulmouche. M.393.68
Le sire de Framboisy. Operette. Paroles de Fernand Beis-
sier et Andre Sciama. Musique de Gaston Meynard.
M.382.53
Velleda. Scene lyrique. Musique de Camille Erlanger.
No. 2 in M.213.14
Yetta. Opera comique. Musique de Ch. Lecocq. M.381.27
Bel Adonis, Le. Opera. For the Music see Wachs. For the
Libretto see Franjois.
Bel etat, Le, que celui d'aubergiste. Song. Auber.
No. 15 in M.193.21.2
Bel morire, Un. Canon. Hayes, W. Catches, glees and canons.
Vol. 2. No. 2 in M.220.5
Belamy, Th.
Messe, 2=, a quatre voix [s. s. t. b.], avec ace', de piano ou
orgue. Paris. Canaux. [184-?] No. s in M.201.1
Belanger, , translator.
Schubert, F. P. [Melodies.] M.327.4
Bel-Boul. Opera. For the Music see Laurent de Rille. For
the Libretto see Mahiet de La Chesneraye.
Belcher, John.
Lectures on the history of ecclesiastical music. London.
Unwin. 1872. No. 8 in M.128.36
Belcher, Thomas.
Venite exultemus Domino, in Bb, for quartette or chorus.
[Accomp. for organ.] Boston. White-Smith Music Pub-
lishing Co. [1893.] No. 26in M.158.13
Belcher, William Thomas.
The Fates. A cantata. The words by D. P. Carter, the
music by W. T. Belcher. [Accomp. for pianoforte.] Lon-
don. Hutchings & Romer. [1867.] M.203.34
Belcke, Christian Gottlieb.
Die Abendglocke auf dem Berge. [Miinnerchor.] (In
Orpheus. Band 6, pp. 31-34.) No. 197 in 11.1293.43.6
Allah giebt Licht. [Mannerchor.] (In Orpheus. Band 5,
pp. 17, 18.) No. 158 in M. 1293.43.5
The battle (t. t. b. b.]. (In Orpheus glee book. Pp. 77, 78.)
No. 42 in M.246.36
Confidence [t. t. b. b.]. (In Orpheus glee book. Pp. 90-92.)
No. 49 in M.246.36
Belcke, Christian Gottlieb. (Continued.)
Ehre sei Gott. Hymne [t. t. b. b.]. (/n Fink. Die deutsche
Liedertafel. Pp. 70, 71.) No. 51 in M.213.9
Also to be found in Orpheus.
The evening bell on the mountain. A four-part song [t. t.
B. b.]. (/n The Orpheus. New series. Vol. 5, pp. 26-31.)
No. 7 in M.20S.10.5
Herr! gieb uns Frieden. Gebet [t. t. b. b.]. (In Orpheus.
Band 5, pp. 39, 40.) No. 169 in M.i29a.43.5
Lob des Gesanges. [Mannerchor.] (In Orpheus. Band 7,
pp. 28, 29.) No. 230 in M.i29a.43.7
Opferlied. [Mannerchor.] (In Orpheus. Band 7, pp, 18, 19.)
No. 224 in M. 1293.43.7
Die Wachtel. [Mannerchor.] (In Orpheus. Band 7, pp. 33,
34) No. 233 in 14.1293.43.7
Weinlied. [Mannerchor.] (In Orpheus. Band 7, pp. 8, 9.)
No. 218 in 11.1293.43.7
Part-song. Sullivan, A. S.
No. 2, 25 in M.203.7
Part-song. Hatton.
Belesg^ered, The.
Les musiciens beiges.
No. 20 in M.195.1.1
Bruxelles. [1848.]
M.I 193.7
Belfry tower, The
Belgium. Music.
Fetis, £. F. L.
2 V. in I.
Gregoir, li. G. J. L'art musical en Belgique sous les regnes
de Leopold !■■ & Leopold IL 1830-1880. Bruxelles. 1879.
M. 135. 12
Pantheon musical populaire. Bruxelles. 1876, 77.
6 V. in 2. M.134.4
Thys, A. Les societes chorales en Belgique. 2e edition.
Gand. 1861. M. 122. 17
Belhoste, L.
O Salutaris. Solo [s. ou bar.] et choeur ad libitum. [Ac-
comp. d'orgue.] Paris. [Heugel. 186-?] No. 24 in M.201.34
Beliczay, Julius von.
Serenade en re mineur pour instruments a cordes. Op. 36.
Partition. Paris. Durdilly & cie. [187-?] No. 2 in M.358.23
Believe me, tears may ofttimes start. Quintet. Bishop, H. R.
Complete collection of glees. Vol. 3. M.23S.1.3
Believe my sighs. Part-song. Paxton, S. No. 71 in M.IS7.6.2
Belinda's sparkling wit. Part-song. Webbe, S.
No. 25 in M.220.9.2; etc.
Belisario. Opera. For the Music see Donizetti. For the Li-
bretto see C3mm3r3no, S.
Bell, Alexander Melville.
The principles of speech and vocal physiology; and diction-
ary of sounds . . . With directions for the cure of stam-
mering. New edition. London. Hamilton, Adams & Co.
[1865?] M.109.25
Visible speech: the science of universal alphabetics; or, self-
interpreting physiological letters, for the writing of all
languages in one alphabet. London. Simpkin, Marshall
& Co. 1867. Illus. Plates. M.112.15
Bell, Clara, translator.
Spitta, J. A. P. Johann Sebastian Bach. M.134.2
Bell, Nancy.
Elementary history of music. By N. D'Anvers [pseud.].
New edition, edited by Owen J. DuUea. London. Low,
Marston, Searle & Rivington. 1882. Illus. M.2i7.i
Bell, Robert.
The messenger dove. Cantata. Music by George Fox.
No. 4 in M.154.16
Bell3, adorata incognita. Song. Mercadante.
No. 17 in M. 157.39; etc.
Bella carbonara. La. Opera. Fioravanti, V. M.40.4
Bella Ciprignia. Song. Pollini. No. 51 in M.235.18.1
Bella guerriera mia. Part-song. Lassus. Sammtliche Werke.
Band 4. M.80403.67.4
Bell3 mi3 fismma. Aria. Mozart. Werke. Serie 6, Band 2.
No. 37 in M.3i5.i.6.a
Bella pesc3trice. La. Opera. For the Music see Guglielmi,
P. C.
Bellaigue, Camille.
L'annee musicale, 1886/87-92. Paris. Delagrave. 1888-93.
6 V. M.138.7
102
Bellaigue
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bellini
Bellaigue, Camille. (Continued.)
Georges Bizet: sa vie et ses oeuvres. Paris. Delagrave. 1890.
No. I in M.139.22
Impressions musicales et litteraires. Paris. Delagrave.
[1901.] M.102.18
Contents. — Les idees musicales d*un revolutionnaire italien [Mazzini].
• — Un grand musicien conservateur [Brahms]. — La salle du Con-
servatoire. — De la musique russe. — Le vaisseau fantome de Wagner.
— Don Lorenzo Perosi. — Fidelio. — Tristan et Iseult. — L'Iphigenie
en Tauride et I'Orphee de Gluck. — ■ Silhouettes de musiciens (3c
serie) : Halevy. — Critiques musicau.x d'aujourd'hui. — Leonard de
Vinci. — Ha:ndel. • — Rouget de Lisle. — Gretry. — Lamennais. —
Saint Alphonse de Liguori. — Hoffmann. — Luther. — Chefs d*or-
chestre allemands. — Frederic II. — Portraits litteraires; Victor
Cherbuliez. — Eugene Fromentin.
M. Camille Saint-Saens de I'lnstitut. Paris. Durand &
Schoenewerk. 1889. No. 3 in M. 102.38
Psychologie musicale. Paris. Delagrave. 1893. M. 138.4
Un siecle de musique frangaise. Paris. Delagrave. 1887.
M.138.6
Bellamy, Claxson.
Erminie, comic opera, libretto by Claxson Bellamy and
Harry Paulton, music by Ed. Jakobowski.
No. 2 in M.286.ig; etc.
Bellamy, Thomas Ludford, editor.
JoMMELLi, N. Celebration mass in D. No. i in M.igi.12
Bellasis, Edward.
Cherubini: memorials illustrative of his life. London.
Burns & Oates. 1874. Portrait. M.126.10
Belle Arsene, La. Opera. For the Music see Monsigny. For
the Libretto see Favart, C. S.
Belle au bois dormant, La. Opera. For the Music see Lecocq,
A. C. ; also Silver. For the Libretto see Vanloo; also
Carre, M.; also Aumer.
Belle au bois dormant. La. Pantomime. HiiE. No. i in 11.193.5
Belle au bois dormant. La. Symphonic poem. Bruneau.
No. 2 in M.405.4
Belle bouchere. La. Opera. For the Music see Villebichot.
For the Libretto see Brunei.
Belle Bourbonnaise, La. Opera. For the Music see Ccedes.
For the Libretto see Dubreuil, E.
Belle dame. La, sans merci. Symphonic poem. Mackenzie, A. C.
No. 3 in M.334.10
Belle epiciere. La. Opera. For the Music see Varney, L. For
the Libretto see Decourcelle.
Belle Espagnole, La. Opera. For the Music see Ronger, F.
Belle fermiere, La. Quadrille. Louis, N. No. 35 in 11.390.17
Belle fermiere. La. Song. Louis, N. No. 9 in M.390.1.1; etc.
Belle Helene, La. Opera. For the Music see Offenbach. For
the Libretto see Meilhac.
Belle Indienne, La. Opera. For the Music see Wachs. For
the Libretto see Degas.
Belle Isabeau, La. Song. Berlioz, L. H. No. 29 in M.39I.32; etc.
Belle Lurette. Opera. For the Music see Offenbach. For the
Libretto see Blum, E.
Belle Madelon, La. Song. Bourges. No. i in M.202.28
Belle mere, Une. Opera. For the Music see Steward.
Belle of Mayfair, The. Opera. For the Music see Barrett, T.
For the Libretto see Brookfield.
Belle of New York, The. Opera. For the Music see Kerker.
For the Libretto see Morton, H.
Belle poule. La. Opera. For the Music see Ronger, F. For
the Libretto see Cremieux.
Belle pour qui je pleure. Duet. Campra. No. 2 in M.296.6
Belleque jesers. La. Part-song. Sweelinck. Werken. Deel 7.
M.413.2.7
Belle qui tiens ma vie. Song [s. a. t. b.]. (In Smith. Musica
antiqua. Pp. 36, 37.) M.236.10
Belle Sophie, La. Opera. For the Music see Missa. For the
Libretto see Roucoux.
Belle voyageuse. La. Song. Berlioz, L. H.
No. 2 in M.341.24; etc.
Belle's stratagem, The. Comedy. Cowley. No. i in M.145.25
Belleisle march. For the harpsichord with Mr. Scheniman's
variations. [Edinburgh. 178-?] No. 7 in M.220.18
Bellemare, Eugene Louis Gabriel de Ferry de.
Le menu de Georgette. Operette. Paroles de Victor Ber-
Bellemare, Eugene Louis Gabriel de Ferry de. (Continued.)
nard et Gabriel Ferry [pseud.]. Musique de L. C. De-
sormes. , No. 3 in 11.295.35
Bellermann, Johann Friedrich.
Friedrich Bellermann. Seine Wirksamkeit auf dem Gebiete
der Musik. Leipzig. Rieter-Biedermann. 1874.
No. 3 in M.207.3
Bellermann, Johann Gottfried Heinrich.
Gesegnet ist der Mann, der sich auf den Herrn verlasst.
Motette fiir vierstimmigen Chor . . . Clavierauszug. Ber-
lin. Trautwein. [186-?] No. 3 in M.391.31
So0okXcods OIUttovs Tvpavvos. Chore und Melodramen aus dem
Konig Oedipus des Sophocles, in Musik gesetzt von H.
BelleriTiann. Op. 29. Clavierauszug, mit griechischem u.
- deutschem Text. Berlin. Schlesinger. [1882.]
No. II in M.212.3
Bellerophon. Opera. For the Music see Lully. For the Li-
bretto see Quinault.
Belli, Diomede.
Stabat Mater, for s. t. b., or x. t. b. [Accomp. for organ.]
London. Waud & Co. [187-?] No. 2 in M.191.2
Bellicose adventures of a peaceable prima donna. Lucca, P.
No. 3 in M.116.7; etc.
Bellini, Vincenzo.
Adelson e Salvini. Opera in 2 atti. [Per canto e piano.]
Paris. Schonenberger. [183-?] No. 2 in M.362.21
Ah! non crede. Preghiera. [Accomp. di piano.] {In Lira
d'ltalia. Pp. 123-125.) No. 33 in 11.157.39
From La sonnambula.
Ah, non giunge. Aria. [Accomp. di piano.] (/» Lira d'lta-
lia. Pp. 130-134.) No. 36 in M.157.39
From La sonnambula.
Angiol di pace. Terzettino [s. s. t. Accomp. de piano]. {In
£chos d'ltalie. Vol. 4, pp. 1-3.) No. i in M.157.14
From Beatrice di Tenda. Also to be found in Musical library.
Ascolta se Romeo. Aria. [Accomp. di piano.] {In Lira
d'ltalia. Pp. 46-52.) No. 10 in M.157.39
From I Capuletti.
Beatrice di Tenda. Musica del Sigf. Vincenzo Bellini. [Pa-
role di Felice Romani. Partitura.] Manuscript. [1833.]
M.30.22
Same. Opera seria pour piano et chant. Paroles italiennes
[de I'elice Romani]. Musique de V. Bellini. Paris. Girod.
[184-?] M.362.27
Bianca e Fernando. Melodramma serio. Vollstandiger Cla-
vierauszug von Zulehner. Bonna. Simrock. [183-?]
M.230.12
The words, by Felice Romani, are in both Italian and German.
Capuletti e Montecchi, ossia Giulietta e Romeo. [Musica di
Vincenzo Bellini, parole di Felice Romani. Partitura.]
Manuscript. [1830.] 2 v. M.31.1
Act 3 was written by Vaccai.
Same. I Capuletti ed i Montecchi. (Romeo e Giulietta.)
Opera complet pour piano et chant. [Paroles de F. Ro-
man!.] Musique de Bellini. Paris. Launer. [183-?]
M.362.25
Same. Romeo und Julie. Oper in 4 Aufziigen [von F. Ro-
mani. Musik von Bellini. Partitur]. Manuscript. [183-?]
2 V. M.230.10
Same. Romeo u. Julie. Scene & aria der Julie [von F. Ro-
mani. Musik von Bellini. Partitur]. Manuscript. [183-?]
M.230.10A
Chorus of druids. From Norma. Adapted by W. H. Birch.
{In The Choralist. Vol. 2, ser. 5, pp. 28-31.)
No. 56 in M.157.5.2
Ciel pietoso. Preghiera [s. Accomp. de piano]. (/» Fleurs
d'ltalie. Pp. 16, 17.) No. 2 in M.364.10
Col sorriso d'innocenza. Cavatina [s. or t. Accomp. for
pianoforte] from II pirata. {In Fleurs d'ltalie. Pp. 167,
168.) No. 2 in M.364.10
Also to be found in Musical library.
D'un pensiero e d'un accento. Quintetto [s. s. s. T. b.]. {In
fichos d'ltalie. Vol. 4, pp. 1 19-127.) No. 17 in 11.157.14
From La sonnambula.
Deh! non volerli vittime. [Aria, s. o. x. Accomp. de piano.]
{In Fleurs d'ltaUe. Pp. 33-35.) No. 2 in M.364.10
103
Bellini
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Belzebuth
Bellini, Vincenzo. (Continued.)
Giovin rosa. Melodia [a. Accomp. de piano]. (In Fleurs
d'ltalie. Pp. 125-128.) No. 2 in M.364.10
Norma. By Bellini. With Italian and English words. [Writ-
ten by F. Romani, translated by J. Wrey Mould. Vocal
score.] Boston. Ditson & Co. [185-?] M.328.1
Same. [Opera in 3 atti. Parole di F. Romani. Musica di
Bellini. Partitura.] Manuscript. [Genoa. 1865?] 2 v.
M.261.22
Same. Ouverture fiir Orchester zur Oper Norma. Partitur.
Offenbach a. M. Andre. [187-?] No. 2 in M.335.16
Now, e'en now. [Trio, s. s. A.] (In Hills. Vocal trios. Vol. 2,
pp. 81-83.) No. 17 in M.157.17.2
Oh! di qual sei tu vittima! Terzetto [s. s. t.]. (In fichos
d'ltalie. Vol. 4, pp. 4-10.) No. 2 in M.157.14
From Norma.
Oh divina Agnese. Romanza [t. Accomp. de pianoforte].
(/n Lira d'ltalia. Pp. 106-108.) No. 29 in M.157.39
From Beatrice di Tenda.
Ouvertures choisies de V. Bellini. Arrangees pour piano et
violon par W. Meves. [Partition et partie de violon.J
Braunschweig. Litolff. [188-?] 6 parts in i v.
No. 2 in M. 357.8
Contents. — Norma. — Die Puritaner. — Die Nachtwandlerin. —
I Montecchi ed i Capuleti. — Die Unbekannte. — Der Pirat.
Parlarti ancor. Quintetto [s. s. t. t. b.]. (/h Itchos d'ltalie.
Vol. 4, pp. 128-136.) No. 18 in M.157.14.4
From II pir^ta.
The parting. Song [t.] adapted [from] La straniera. [Ac-
comp. for pianoforte.] (/n Musical library. Vol. 2, pp.
102-104.) No. 41 in M.235.18.2
The parting hour. [Trio, s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [1852?] No. 17 in M.244.10.1
II pirata. Melodramma [di Felice Romani] posto in musica
... da V. Bellini. [Per canto e piano.] Milano. Ricordi.
[1827.] M.230.11
Same. Napoli. [183-?] M.311.19
Same. Paris. [184-?] M.362.22
Same. Opera [in due atti di Bellini. Parole di F. Romani.
Partitura]. Manuscript. [Milano. 1827.] 2 v. M.31.2
[I Puritani. Opera in tre atti. Musica di Bellini. Libretto
di Carlo Pepoli. Partitura. Manuscript. 18 — ?] 2 v.
M.30.1
Same. Opera in 3 atti. Poesia del Conte Pepoli. Musica
del Mo. Bellini. Accomp. di piano-forte. Paris. Pacini.
[1835?] M.362.24
Qual cor tradisti. [Aria, s. ou t. Accomp. de piano.] (In
Fleurs d'ltalie. Pp. 30-32.) No. 2 in M.364.10
4 Tantum ergo con accomp. d'orchestra o d'organo. No. 3
[s.],4[a. Partitura]. Milano. Ricordi. [186-?] 2 parts
in I V. No. S, 6inM.201.33
II rival salvar. Duetta [b. b. Mit Begleitung des Pianoforte].
Mayence. Schott. [184-?] No. 12 in M.236.6
From I Puritani.
Romeo und Julie. See his I Capuletti e Montecchi.
[La sonnambula. Opera in 2 atti. Parole di Romani, musica
di Bellini. Partitura.] Manuscript. [183-?] 3 v. M.401.3
Same. Opera seria pour piano et chant. Paroles italiennes
[de Felice Romani]. Musique de Bellini. Paris. Launer.
[183-?] M.362.26
Sorgi, O padre. Romanza [t. Accomp. di piano]. (In Lira
d'ltalia. Pp. 1 19-122.) No. 32 in M.157.39
From Bianca e Fernando.
La straniera. Opera. [Musica di Bellini, parole di Felice
Romani. Partitura.] Manuscript. [1829.] 2 v. M.31.3
Same. Musique de Bellini. Opera complet. Partition de
piano et chant. Paroles italiennes [de F. Romani. Paris].
Launer. [1830?] M.362.23
Vi ravviso. Cavatina [a. o. bar. Accomp. di piano]. (In
Lira d'ltalia. Pp. 135-140.) No. 37 in M.157.39
From La sonnambula.
We'll wreathe the fairest flowers. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [184-?]
No. 16 in M.244.10.1
Bellini, Vincenzo. (Continued.)'
When daylight's going. Chorus. (In The Choralist. Vol. 2,
ser. s, pp. 43-48.) No. 60 in M.157.S.2
Bellini, Vincenzo. Works about.
Cox, C. The music of Donizetti and Bellini. Illus. Por-
traits. (In The music of the modern world. Vol. i, pp.
42-44. New York. [1895.]) M.14.1.1
Florimo, F. Bellini. Memorie e lettere. Firenze. 1882.
Portrait. M. 127.3
Gehring, F. Der Schwan vom Aetna [des Bellini's]. (Cut
from Im neuen Reich. Leipzig. 1876.) No. i in M.215.4
Neumann, W. Vincenzo Bellini. Eine Biographic. Cassel.
1854. Portrait. No. 2 in M.205.16; etc.
Paroisse-Pougin, F. A. A. Bellini: sa vie et ses ceuvres.
Paris. 1868. Portrait. Facsimile. M. 118. 11
Bellman, The. Part-song. Macfarren, G. A. No. 5 in M.157.1
Bellotti, Arturo.
La carnpana di Groninga. Der Glockenguss zu Groningen.
Dramma lirico in tre atti di Eugenio de Lupi e Arturo
Bellotti. Musica di Roberto Catolla. M.389.35
Bells.
Gatty, a. The bell; its origin, history, and uses. London.
1848. M.108.17
GuERiN, J. B. Essai sur le beffroi. [Caen. 1851.] M.208.7
Bells, The. Part-song. Donizetti. No. 21 in M.157.17.2
Bells in May. Part-song. Hiller, F. No. 19 in M. 204.36.2
Bells of Aberdovey, The. Glychau Aberdyfi. [Welsh air.
Arr. for i voice, also] Harmonized for 4 voices. (In
Thomas. Welsh melodies. Vol. i, pp. 99-101.)
No. II in M. 235.6.1
Bells of Corneville. For piano. Planquette. No. 3 in M. 357. 12
Bells of New Year's eve. The. Cantata. For the Music see
Koessler. For the Libretto see Kalbeck.
Bells of St. Michael's tower, The. Part-song.
Knyvett, W. No. 37 in M. 235. 14; etc.
Stewart, R. P. No. 17 in M. 195.1. 15
Belmonte und Constanze. Opera. See Mozart. Die Ent-
fiihrung aus dem Serail.
Belocca, Anna de.
Berlioz, V. Anna de Belocca: a biographical sketch. [New
York. 1876.] M.115.4
Belone, Frederic.
Si.x etudes pour le trombone de basso, composees et ar-
rangees pour le violoncelle, avec accomp. de piano. Manu-
script. [184-?] No. 4in M.120.18
Belotti, Antonio.
L'assedio di Brescia. Melodramma posto in musica dal
Maestro C. Pontoglio. M.383.30
Beloved, I wait for thee here. Serenade. Debois.
No. 30 in M.392.6
Belphegor. Opera. For the Music see Barthelemon, F. H.
For the Libretto see Andrews, M. P.
Belsasar. Oratorio. For the Music see Reinecke, C. H. C. For
the Libretto see Roeber.
Belsatzar. Song. Schumann, R. A. No. 9 in M. 244.15.2
Belsazar. Cantata. For the Music see Clasing. For the Li-
bretto see Wolff, O. L. B.
Belsazar. Oratorio. For the Music see Handel. Werke.
Belshazzar. Cantata. For the Music see Butterfield. For the
Libretto see Blackall.
Belshazzar. Oratorio. For the Music see Handel. Werke.
Belta, se com' in ment' io t' ho scolpita. Madrigal. Palestrina.
Werkfe. Band 28. M.8o4oa.66.28
Beltjens, Joseph.
Trois cantiques a la Ste. Vierge Marie, i. Memorare. 2. Sub
tuum. 3. Tota pulchra. Pour une voix seule [s. ou t.] avec
accomp. d'orgue. Paris. Schott. [186-?]
No. 13 in M.260.10.2
Beltrame, Pietro.
Ida delle Torre. Dramma. Posto in musica dal Mo. Aless.
Nini. M.311.3
Belval, Edmond, pseud. See Caffiot, Paul Edmond.
Belzebuth, ou les jeux du roi Rene. Opera. For the Music see
Blaze, F. H. J.
104
Bemberg
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bendl
Bemberg, Herman.
Le baiser de Suzon. Opera-comique en i acte de Pierre Bar-
bier. Musique de H. Bemberg. [Accomp. de piano.]
Paris. Hartmann & cie. [1888.] No. 4 in M.255.35
Elaine. Opera in four acts and six tableaux. French words
by Paul Ferrier. English translation by Eugene Oudin.
The music by H. Bemberg. Vocal score. [Accomp. for
pianoforte.] London. Chappell & Co. [1892?] M.246.2
filaine. Opera-legende en 4 actes et 6 tableaux. Poeme de
Paul Ferrier. Musique de H. Bemberg. Partition piano
et chant. Paris. Heugel & cie. 1892. M.303.18
La mort de Jeanne d'Arc. Scene historique tiree des Mes-
seniennes. Poesie de Casimir Delavigne. Musique de H.
Bemberg. [Partition chant et piano.] Paris. Leduc.
[189-?] Plate. No. I in M.213.4
Bemetzrieder, Anton.
Music made easy to every capacity in a series of dialogues;
being practical lessons for the harpsichord . . . Translated
and adapted by Giffard Bernard. [London.] Birchall &
Andrews. 1785. No. i in M. 205.2
Precis d'une nouvelle methode de musique. Londres.
L'auteur. 1783. No. 4 in M.373.10
Traite de musique, concernant les tons, les harmonies, les
accords et le discours musical. Paris. L'auteur. 1776.
M.217.2
Ben mi credea passar. Madrigal. Lassus. Sammtliche Werke.
Band 2. 111.80403.67.2
Ben sono i premi tuoi. Part-song. Lassus. Sammtliche Werke.
Band 6. 11.80403.67.6
Ben veggio di lontan il dolce lume. Part-song. Lassus. Siimmt-
liche Werke. Band 8. M.80403.67.8
Benard, Jules.
Le moulin des Lilas. Opera comique en i acte. Paroles de
Eugene Leclerc & Gabriel Bonnet. Musique de Jules
Benard. Partition chant et piano. Paris. Colombier.
[1891?] ■ No. S in M.25S.35
Benco, Silvio.
Oceana. Commedia fantastica. Musica di Antonio Smarc
glia. M.396.38
Bend down from thy chariot. Part-song. Barnett, J.
No. 13 in M.244.10.1
Bend, The, of the river. Song. Blumenthal. No. 13 in M.192.12
Benda, Friedrich Ludwig.
Der Barbier von Sevilla, eine komische Oper in 4 Akten.
[Klavier-Auszug.] Leipzig. Schwickert. 1779.
No. I in M.230.14
Louise, eine komische Operette in 3 Aufziigen, von Frie-
drich Ernst Jester. In Musik gesetzt und fiir das Clavier
eingerichtet von F. L. Benda. Konigsberg. Nicolovius.
[1791.] No. 2 in M. 230.14
Benda, Friedrich Wilhelm Heinrich.
Die Grazien, eine Cantata im Clavierauszuge nach der
Poesie des Herrn von Gerstenberg, in Musik gesetzt . . .
von Friedrich Benda. Leipzig. Breitkopf. 1789.
No. I in M.220.26
Orpheus, ein Singspiel in 3 Aufziigen vom Herrn von L . . .
zu Dresden, in Musik gesetzt . . . von Friedrich Benda.
[Klavier-Auszug.] Berlin. Rellstab. [1787.] M.230.16
Benda, Georg.
Amynts Klagen iiber die Flucht der Lalage. Eine Cantate
fiir die Discantstimme, begleitet von 2 Waldhornern, 2
Floten, 2 Violinen, Bratsche und Bass . . . Verfertiget
von Georg Benda. [Stimmen.] Leipzig. Breitkopf. 1774.
No. 3 in M.152.30
Ariadns auf Naxos. Duodrama [von F. W. Gotter]. In
Musik gesetzt von G. Benda. Klavierauszug. Leipzig.
Schwickert. 1778. No. i in M.230.15
Same. [Duodrama, von F. W. Gotter. In Musik gesetzt
von G. Benda. Klavierauszug.] Manuscript. [Leipzig?
178-?] M.391.62
Cephalus und Aurore, Cantate, aus Herrn Weissens kleinen
lyrischen Gedichten mit Begleitung von 2 Floten, 2 Vio-
linen, Bratsche, Violoncell und Clavecin oder Pianoforte,
in Musik gesetzt von Georg Benda. [Stimmen.] Leipzig.
Schwickert. [178-?] No. 2 in M.152.30
Benda, Georg. (Continued.)
Der Christ am Rande des Grabes. [Eine Cantate. Partitur.]
Manuscript. [178-?] No. 5 in M.236.17
Der Dorfjahrmarkt, eine komische Oper in 2 Akten, in
Musik gesetzt von Georg Benda. [Text von Gotter neu
bearbeitet. Klavierauszug.] Leipzig. Dyk. 1776. M.320.5
Das Findelkind, oder Unverhoft kommt oft, eine Operette
[von F. W. Gotter] in Musik gesetzt fiir das Pianoforte
von G. Benda. Leipzig. Schwickert. [179-?]
No. 3 in M.230.1S
[Der Holzhauer. Singspiel in i Akt. Partitur.] Manuscript.
U77-''?] M.320.6
Lukas und Barbchen, oder der Jahrmarkt, eine komische
Operette in i Aufzuge [von F. W. Gotter]. Fiir das Cla-
vier eingerichtet, und von einer Violine begleitet von G.
Benda. Leipzig. Schwickert. [179-?] No. 2 in M.230.15
[Mass in E flat. Full score.] Manuscript. [177-?]
No. 2 in M.250.19
Medea, im Klavierauszuge. Der Dialog von Gotter. In
Musik gesetzt von G. Benda. Leipzig. Schwickert. 1778.
M.230.17
Pygmalion. Ein Monodrama von J. J. Rousseau. Fiir das
Clavier ausgezogen von G. Benda. Leipzig. Schwickert.
1780. M.230.19
Romeo und Julie, eine Oper in 3 Akten. Klavierauszug.
Leipzig. Dyk. 1778. No. I in M.230.13
The words are by Friedrich Wilhelm Gotter.
Sammlung italienischer Arien mit [Orchester-Begleitung
und] untergelegtem Clavierauszuge. 2. Sammlung. No.
1-6. Manuscript. Leipzig. 1788. M.220.12
[Das tartarische Gesetz.] Arien und Duette aus dem Tartari-
schen Gesetze, Singspiel von Gotter. Fur das Clavier ein-
gerichtet, mit Begleitung einer Violine, von Georg Benda.
Leipzig. Schwickert. [1787.] No. i in M.152.30
Walder, eine ernsthafte Operette in i Acte, des Herrn Cot-
ters. In Musik gesetzt von G. Benda. Clavierauszug,
nebst Begleitung einiger Instrumente. Gotha. Ettinger.
1777- M.230.I8
Same. [Der Walder. Oper. Text von F. W. Gotter. Musik
von G. Benda. Partitur.] Manuscript. [177-?] M.220.11
Bendall, Wilfred Ellington.
He stoops to win. Operetta. Written by Cunningham
Bridgman. Composed by Wilfred Bendall. Vocal score.
London. Cocks & Co. 1892. No. i in M.328.3
Parizadch, cantata, for solo voices [s. a. bar.], chorus &
orchestra. [Accomp. for pianoforte.] London. Lucas,
Weber & Co. [1884.] No. 2 in M.213.3
The rosiere. Cantata for ladies' voices, the words by Louisa
Gray Compton, the music by Wilfred Bendall. [Accomp.
for pianoforte.] London. Jefferys. [1891?]
No. I in M.393.5
Bendel, Franz.
Marchenbilder. Op. 135. Fiir Orchester bearbeitet von
Karl Miiller-Berghaus. Partitur. Hamburg. Pohle. [188-?]
4 V. in I. No. I in M.332.S
Contents. — I. Aschenbrodcl. 2. Hans im Gliick. 3. Rothkappchen,
4. Schneewittchen.
Trio in G moll, fiir Pianoforte, Violine und Violoncell. Op.
posth. No. 2. [Partitur.] Berlin. Challier & Co. [1876?]
No. 2 in M.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 2 in M.211.4.1, 2
Bendemeer's stre3m. Song. Fane, J. No. 2 in M. 236.2
Hawes, W. No. I in M.236.2
Bendix, Victor Emanuel.
Sommerklange aus Siid-Russland. 2. Sinfonie. Op. 20.
Partitur. Kopenhagen. Hansen. [1888?] M.331.2
Symphonic No. 3 (A-moll) fiir Orchester. Op. 25. Partitur.
Kopenhagen. Hansen. [189-?] M.357.14
Bendl, Karel.
Lejla. Velika opera v pateru jednani. Die novelly Bulwe-
rovy sepsala Eliska Krasnohorska, hudbu slozil Karel
Bendl. Klavirni vytah se zpevy upravil skladatel. V Praze.
Gregr & Dattel. [187-?] M.261.23
The words are in Bohemian and German.
I. 14
105
Bendl
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Benedict
Bendl, Karel. (Continued.)
Quartett, F dur, fiir 2 Violinen, Bratsche und Violoncell.
Partitur. [Op. 119.] Berlin. Sirarock. 1895.
No. I in M.338.10
Sudslavische Rhapsodie fur grosses Orchester. Op. 60. Par-
titur. Berlin. Simrock. 1896. No. i in M.40S.3
Beneath a churchyard yew. Part-song. Rock, M.
No. 16 in M.234.2.6; etc.
Beneath a weight. Part-song. Cooke, B. No. 147 in M.220.10
Beneath in the dust. Part-song. Cooke, B.
No. IS7 in 11.235.17.5; etc.
Beneath the ocean's swelling wave. Song. Pacini, G.
No. 3 in M.235.18.1
Beneath the silent rural cell. Glee [s. a. b.]. (/h Bland. The
Ladies' collection. Vol. 3, p. 252.) No. 10 in M.235.I7.3
Beneath the silent rural cell. Part-song. Harington.
No. 170 in M.110.1.2; etc.
Beneath this rural cell. Glee. Wellesley, G. C. Glees and
madrigals. No. 2 in M.236.23
Beneath this silent stone. Part-song. Danby.
No. 40 in M.235.17.3
Beneath this stone. Part-song. Berg, G. No. 55 in M.220.9.2
Holder. A collection of catches. No. 4 in M.120.31
Beneath this stone the earl. Part-song. Giardini.
No. 77 in M.220.9.1
Benedeit die sel'ge Mutter. Song. Wolf, H. Italienisches
Liederbuch. Band 2. M.380.29.2
Benedetto quel claretto. Part-song. Burney, C.
No. 4 in M. 220.5
Benedic anima mea. Anthem. Gerrish. No. 27 in M.158.16; etc.
Lassus. Sammtliche Werke. Band i, 15. M.8o4oa.67.i,i5
Marsch. No. 31 in M.190.S
Millard, H. No. 6 in M.280.26 ; etc.
Spring. No. 2 in M.190.8
Whitney. No. 59 m M.158.18
Benedic, Domine. Anthem. Warren, J. No. 12 in M.260.10.1
Benedicam Dominum. Motet. Lassus. Sammtliche Werke.
Band 3, 9. M.8o4oa.67.3, 9
Benedicam Dominum omni tempore. Gradual. Eybler. Gra-
duale, No. 1-6. No. 5 in M.191.6; etc.
Benedicam Dominum qui tribuit mihi intellectum. Offertory.
Palestrina. Werke. Band 9. M.8o4oa.66.9
Benedicam Jovam [sic]. Canon. Hayes, W. Catches, glees
and canons. Vol. 2. No. 2 in M.220.5
Benedicamus Domino. Anthem. Wesley, S. No. 9 in M.270.3.1
Benedicimus. Anthem. Webbe, S. No. 26 in M.156.50
Benedicite. Chant. Warren, J. C. No. 23 in M.158.20
Benedicite Domino. Part-song. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Benedicite Dominum. Canon. Hayes, W. Catches, glees and
canons. Vol. i. No. 1 in M.220.5
Benedicite frigus. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.g
Benedicite gentes. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Benedicite gentes Dominum nostrum. Offertory. Palestrina.
Werke. Band 9. M.8o4oa.66.9
Benedicite montes. Motet. Lassus. Sammtliche Werke. Band
g_ M.8o4oa.67.9
Benedicite omnia opera. Motet. Foote. No. i in M.158.16
Lassus. Sammtliche Werke. Band 9. 1^.80403.67.9
Benedicite sacerdotes. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Benedict, Sir Julius.
Bless'd be the home. Serenade [a. t. t. b. b.], in the opera
The gipsy's warning. London. Cramer, Addison & Beale.
[184-?] No. 24 in 11.235.7.1; No. 73 in M.237.15
Bonum est. [Solo and quartet. Accomp for organ.] (/»
Lutz. Motets for the year. No. 13. Pp. 53-57-)
No. 13 in M.156.50
Die Braute von Venedig. Grosse Oper in 4 Acten. Nach
dem Englischen [Alfred Bunn's] frei bearbeitet von Karl
Klingemann. Musik von Julius Benedict. Vollstandiger
Clavierauszug. Stuttgart. Hallberger. [185-?] M.261.26
Benedict, Sir Julius. (Continued.)
The bride of song. Operetta in i act, written by Henry
Farnie. Composed by Jules Benedict. [Accomp. for
pianoforte.] London. Cramer, Wood & Co. [1864.]
No. 2 in M.26I.25
Der Zigeunerin Warnung. Grosse Oper in 2 Aufziigen, nach
dem Englischen des Linley bearbeitet von Theodor Hell
[Pseud.]. Musik von Julius Benedict. Clavier Auszug.
Mainz. Schott. [185-?] M.261.27
Dirge for the faithful lover. A four-part song. (/» Novello's
Part-song book. 2d series. Vol. I, pp. 18-21.)
No. 4 in M.19S.1.1
A drinking song. A four-part song [t. t. b. b.]. (/» Novello's
Part-song book. 2d series. Vol. I, pp. 22-28.)
No. 5 in M. 195. 1. 1
England yet. Solo and chorus. Words by H. B. Farnie.
[Accomp. for pianoforte. London. 185-?] No. 29 in 11.157.1
Graziella, cantata, words by H. Hersee, music ... by Sir
Julius Benedict. [Accomp. for pianoforte.] London.
Chappell & Co. [1882?] M.154.26
Home. [Four-part song.] London. Novello, Ewer & Co.
1876. No. 27 in M.157.2S
Homeward-bound. [Trio, s. s. a. Accomp. for pianoforte.]
London. Cock, Hollier & Co. [185-?] No. 9 in 11.244.10.4
Invocation to sleep. A four-part song. (/« Novello's Part-
song book. 2d series. Vol. i, pp. S-ii.) No. 2 in 11.195.1.1
Jenny Lind. Portrait. (Cm* from Scribner's Monthly. Vol.
22, pp. 120-132. New York. 1881.) No. 4 in M.372J8
The legend of St. Cecilia, a cantata, the words by Henry F.
Chorley, the music by Jules Benedict. [Accomp. for
pianoforte.] London. Cock, Addison & Co. [1866?]
M.IS4.2S
Same. La legende de Sainte Cecile, cantate par Jules Bene-
dict. Texte anglais de H. F. Chorley. Traduction fran-
?aise de D. Taghafico. [Accomp. de pianoforte.] Paris.
Assoc, des artistes musiciens. [1870.] No. i in M154.27
Like to the grass that's newly sprung. Part-song. (In Hul-
lah. Part music. Secular. Vol. 2, pp. 25-33.)
No. 6 in M.i57.28.a
The lily of Killarney. Romantic opera in 3 acts. Written
by Dion Boucicault & J. Oxenford, composed by J. Bene-
dict. [Accomp. for pianoforte.] London. Chappell & Co.
[1862.] M.261.24
The Lord be a lamp. [Anthem. Accomp. for organ.] Lon-
don. Novello, Ewer & Co. 1870. No. 27 in M.158.13
May. [Trio, s. s. a. Accomp. for pianoforte.] London.
Cock, Hollier & Co. [185-?] No. 13 in M.244.10.4
A night song. A four-part song. (In Novello's Part-song
book. 2d series. Vol. i, pp. 12-17.) No. 3 in M.195.1.1
Old May-day. A four-part song. (In Novello's Part-song
book. 2d series. Vol. i, pp. 1-4) No. i in M.195.1.1
On, chieftains, on. Chorus [s. s. s. a. t. b. B.]. London. Cra-
mer, Beale & Co. [184-?] No. 11 in M.235.7.2
From The crusaders.
Overture to Shakespeare's play The tempest. [Full score.]
London. Enoch. [187-?] No. i in M.333.8
Praise the Lord, call upon His name. [Accomp. for organ.]
(In Novello's Collection of anthems. Vol. 9, pp. 17-38.)
No. 2 in 14.195.2.9
Praise the Lord, O my soul. [s. solo and chorus. Accomp.
for organ.] Boston. Davenport. 1868. No. 21 in M.190.1
Richard Coeur de Lion. Cantata, written by John Oxenford,
composed by J. Benedict. [Accomp. for pianoforte.] Lon-
don. Chappell & Co. [1863.] No. i in M.261.2S
Rondeau brillant pour le piano avec accompagnement de
I'orchestre. Score. [Op. 19? Manuscript. 185-?] M.410.10
St. Peter, an oratorio, the words selected from the Holy
Scriptures, composed for the Birmingham Festival, 1870.
London. Novello, Ewer & Co. [1870.] M.153.3
Sketch of the life and works of the late Felix Mendelssohn
Bartholdy. 2d edition, with additions. London. Murray.
1853. "•"4''
106
Benedict
THE ALLEN A. BROWN COLLECTION OF MUSIC
Benevoli
Benedict, Sir Julius. (Continued.)
Strew, strew joyously, villanella, in the opera of The brides
of Venice. [Accomp. for pianoforte.] London. Chappell.
[184-?] No. 18 in M.235.7.2
Summer is nigh. Part-song. London. Novello, Ewer & Co.
1879. No. 28 in M.158.13
Also to be found in Leslie's Cassell's Choral music.
Sweet repose is reigning now. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [185-?]
No. 5 in M.244.10.3
Sylvan pleasures. A four-part song. (In Novello's Part-
song book. 2d series. Vol. i, pp. 29-38.) No. 6 in M.195.1.1
Symphony (in G-minor) for grand orchestra. Op. loi.
Score. London. Lucas, Weber & Co. [1873.]
No. 2 in M.346.46
Try me, O God! Full anthem. [Accomp. for organ.] Lon-
don. Novello & Co. [186-?] No. 20 in M.190.1
Also to be found in Novello's Collection of thirty-one anthems.
Twelve songs by Jules Benedict and Arthur S. Sullivan.
London. Chappell & Co. [1868.] No. 2 in M.157.10
Contents. — Benedict: [5 songs from Richard Cceur de Lion, viz.:]
An hundred years ago ; Gentle shade ; I wander in search of a treas-
ure ; May is into prison cast ; The page's song. — Sullivan : The lady
of the lake (Kenilworth) ; I am a ruler on the sea (Kenilworth) ; If
doughty deeds my lady please ; A weary lot is thine, fair maid ; The
maiden's story ; I heard the nightingale ; Arabian love song.
Undine, a lyrical legend, the words by John Oxenford, the
music by Jules Benedict. [Accomp. for pianoforte.] Lon-
don. Leader & Cock, [i860.] M.270.11
Same. Ein Marchen nach La Motte Fouque fur England
frei bearbeitet von John Oxenford, ins Deutsche iibertra-
gen von Karl Klingemann, componirt von Julius Benedict.
Op. 70. Partitur. Leipzig. Breitkopf & Hiirtel. [1861.]
M.351.1
Weber. London. S. Low. 1881. [The great musicians.]
M.104.24
The wreath. [Part-song.] (In Monk. Novello's Part-song
book. Pp. 25-28.) No. 7 in M.157.4
Benedict, Sir Julius, editor.
Balfe, M. W. The maid of Artois. M.2S1.34
Short masses for small choirs. Vol. i. London. Boosey &
Co. [186-?] M.156.48
Contents. — Webbe's mass (3 voices) in A, D, B flat, F, C. D minor ;
(4 voices) in G. — Missa de angelis in D. — Dumont's mass in D
minor. — Missa in Dominicis diebus per annum in D minor. — Missa
pro defunctis in F. — Wesley's Gregorian mass (4 voices) in G.
Benedict, Sir Julius. Works about.
Neumann, W. William Balfe. W. Sterndale Bennett. J.
Benedikt. Biographien. Cassel. 1856. No. 3 in M.205.15
Benedicta. Motet. Lambillotte. Saluts pour le Mois de
Marie. No. 2 in M.201.34
Benedicta et venerabilis es, Virgo Maria. Anthem. Haydn,
J. M. No. 3 in M.202.g
Benedicta sit sancta Trinitas. Motet. Palestrina. Werke.
Band 5. M.8o4oa.66.5
Vittoria. Opera. Tomus I. M.313.2.1
Benedicta Tu. Anthem. Cherubini. No. 21 in M.260.24.2
Palestrina. Werke. Band 2. M.8o4oa.66.2
Werner, G. J. M.260.23.2
Benedicta Tu — Ave maris stella. Duo. Millet. Duos, trios.
M.IS7.II
Benedictio ante caenam. Part-song. Harington.
No. 20 in M. 218.8.6
Benedictio et claritas. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Benediction nuptiale. For organ. Saint-Saens. No. 9 in M.414.31
Benedictus, The: pointed and arranged to the third Gregorian
tone, with vocal and instrumental harmonies by John
Stainer. Oxford. Bowden. [1867?] No. 23 in M. 157.29
Benedictus. Anthem.
Barcroft. Te Deum . . . No. 4 in M.233.25.2
Buck, D. Two morning services. No. 5 in M.190.2
Caldara. No. 58 in M.290.22,2; etc.
Cherubini. No. 19 in m. 100.4.2
Cutler. Morning Service. No. 22 in M. 190.2
Davenport, A. No. 8 in M.290.12
Dedler. No. 29 in M.260.20
Benedictus. Anthem. (Continued.)
Falkenstein.
FOOTE.
Gabrieli, G.
Gerrish.
Haydn, F. J.
Hayes, P.
Hiller, F. Pater Noster . . .
Jackson, S.
Knox.
kotzschmar.
Liszt.
LUTZ.
Mendelssohn-Bartholdy, J. L. F.
Millard, H.
Mozart.
Naumann, J. G.
Panseron. Collection de 40 morceaux.
Penfield.
Phillips, W. L.
RiGHINI.
Sawyer, F. E.
Schiedermayer.
Seyfried, L X. Sanctus . . .
Warren, J. C.
No. 18 in M.201.33; etc.
No. 4 in M.158.16
No. 9 in M. 260.21 ; etc.
No. 34 in M. 158.16; etc.
No. 46 in M.260.20
M.236.32
No. 7 in M.204.18
No. 17, 18 in M. 190.4
No. I in M. 158.17
No. 5 in M.190.5
No. 3 in M.342.15
No. 31 in M.156.50
No. 14 in M.260.10.5
No. 4 in M. 280.26
No. 2 in M.i39a.i8.7; etc.
No. 29 in M.2go.29.6
M.260.13
No. 2 in M. 190.7
No. 36 in M.234.6
No. 10 in M.290.29.3
No. 3 in M.203.2g
No. 34 in M.260.20
No. 15 in M.260.20
No. 23 in M.158.20
Benedictus Domine doce me iustificationes Tuas. Offertory.
Palestrina. Werke. Band 9. M.8o4oa.66.9
Benedictus Dominus Deus. Anthem.. Palestrina. Werke.
Band 31, 32. M.8o4oa.66.3i, 32
Benedictus Dominus Deus Israel. Gradual. Haydn. J. M.
No. 7 in M.202.9
Benedictus es. Motet. Neukomm, S. Recueil de 40 motets.
No. I in M.158.37
Benedictus es, Domine. Gradual.
Reissiger. 15 Graduates. No. i in M. 158.27
Schubert, F. P. Chor-Gesangwerke. Band i.
No. 12 in M.280.48.1 ; etc.
Benedictus es, Domine. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Benedictus et priere. Motet. Panseron. Mois de Marie.
No. 22 in M.260.I2
Benedictus sit Deus Pater. Offertory. Palestrina. Werke.
Band 9. M.8o4oa.66.9
Benedite,
La famille Venus. Operette-vaudeville. Paroles de Charles
Clairville & Benedite. Musique de Leon Vasseur.
No. 2 in M.324.33
Benedix, Rodrich.
Auf dem Rhein. Gcdicht, componirt von Fr. Kuckcn.
No. 19 in M.203.15
Benedixisti Domine. Motet. Lassus, Sammtliche Werke.
Band 9. M.8o4oa.67.9
Benedixisti Domine terram Tuam. Offertory. Palestrina.
Worke. Band 9. M.8o4oa.66.g
Beneken, Friedrich Burchard.
The grave. [Song, s. or t. Accomp. for pianoforte.] (In
Arnim. A selection of German national melodies. Vol. i,
pp. 10, II.) No. s in M.212.21.1
To Laura. [Song, t. Accomp. for pianoforte.] (In Arnim.
A selection of German national melodies. Vol. i, pp. 12,
13.) No. 6 in M.212.21.1
Benelli, Antonio Peregrino.
Adoramus Te. Quartett. [Accomp. for organ.] (In No-
vello. Motetts. Vol. 2, book 9, pp. 24, 25.)
No. 25 in M.260.24.2
Benevoli, Orazio.
Christe, eleison. Quartetto. (In Rochlitz. Sammlung vor-
ziiglicher Gesangstiicke. Band 2, p. 31.) No. 7 in M.202.6.a
Laudate coeli. [Motet, s. a. t. t. b.] (/n Lueck. Sammlung
ausgezeichneter Compositionen fur die Kirche. Band 3,
pp. 1 19-125.) No. 32 in M. 158.33.3
Sanctus, 16 stimmig, in 4 Choeren mit Orgel. (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 2, pp. 24-30.)
No. 6 in M.202.6.a
107
Ben-Hur
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bennett
Ben-Hur. Incidental music. Kelley. M.384.33
Benigne fac, Domine. Anthem. Haydn, FJ. No. 66 in M.260.24.1
Beniowsky. Opera. For the Music see Boieldieu, F. A. For
the Libretto see Duval, A. V. P.
Bennet, John.
All creatures now are merry. [Madrigal, s. s. a. t. b.] Lon-
don. Hawes. [1814?] No. I in M.23S.7.1
Also to be found in Hawes's Collection of madrigals ; Leslie's Cassell's
Choral music; Novello's Glee-hive; Taylor's Madrigals [ist set].
Come, shepherds, follow me. Madrigal, dementi & Co.
London. [181-?] No. 6 in M.235.7.1
Also to be found in his Madrigals for 4 voices; Clementi's Vocal har-
mony, 2d edition; Hawes's Collection of madrigals; HuUah's Part
music, Secular; Novello's Glee-hive; Turle and Taylor's The People's
music book; Webb's Collection of madrigals.
Flow, O my tears. Madrigal. (/« Clementi. Collection of
catches. Vol. 3, pp. m, 112.)
No. 230 in M.110.1.3; No. 230 in M.iio.2.3
Also to be found 'in Hullah's Part music, Secular ; Leslie's Cassell's
Choral music; Oliphant's Madrigals in parts [ist series]; Warren's
Vocal harmony; Webbe, Jr.'s Convito armonico.
Madrigals for 4 voices. Scored and edited by Edward J.
Hopkins. London. Chappell. [1845. Musical Antiqua-
rian Society. Publications. Vol. 4.] No. i in M.234.22
Contents. — I wander up and down. — Weep, silly soul. — So gracious
is thy sweet self. — Let go, why do you stay me. — I languish to
complain. — Sing out, ye nymphs. — Thirsis, sleepcst thou. — Ye
restless thoughts. — When as I glance. — Cruel unkind. — O sleep
fond fancy. — Weep, O mine eyes. — Since neither tunes of joy. —
O grief, where shall poor grief. — O sweet grief, O sweet sighs. —
Rest now, Amphion.
Same. Piano forte part . . . Compressed from the score by
G. Alex. Macfarren. London. Chappell. [184-? Musi-
cal Antiquarian Society. Publications.] No. 2 in M.234.28
My mistress is as fair. Four-part song. Arranged by T.
Oliphant. London. Addison & HoUier. [182-?]
No. 15 in M.235.7.1
Also to be found in Hullah's Part music. Secular; Oliphant's Madri-
gals in parts, 2d series.
O sleep, fond fancy. [Madrigal, s. a. x. b.] (In Oliphant.
Madrigals in parts. 2d series.) No. 54 in M.237.1S
So gracious is thy sweet self. Madrigal, [s. a. t. b.] {In
Novello's Glee-hive. Vol. 3, pp. 169-172.)
No. 80 in M.157.20.3
Also to be found in Webb's Collection of madrigals [for A. t. t. b.].
Thyrsis, sleepest thou? [Madrigal.] (/» Hawes. Collec-
tion of madrigals. Pp. I49-IS3-) No. 27 in M.235.12
Also to be found in Hullah's Part music, Secular; Novello s Glee-hive ;
Taylor's Madrigals [ist set] ; Turle and Taylor's The People's music
book; Warren's Cocks's Hand-book of glees.
Weep, O mine eyes. Madrigal. {In Warren. Cocks's Hand-
book of glees. Vol. 2, no. 63, pp. 49-52.) No. 63 in M.1S7.6.2
Weep, silly soul. Madrigal [a. a. t. b.]. {In Novello's Glee-
hive. Vol. 3, pp. 159-164) No. 78 in M.1S7.20.3
Also to be found in Webb's Collection of madrigals.
When as I look'd. Glee [a. t. t. b.]. (/n Clementi. Collec-
tion of catches. Vol. 3, pp. 65-67.)
No. 208 in M.110.1.3; No. 208 in M.iio.2.3
Also to be found in Oliphant's Madrigals in parts ; Warren's Collec-
tion of catches; Webbe, Jr.'s Convito armonico.
Bennet, Theodore.
Ave Maria, a 2 voix [par Theodore Ritter [pseud.], t. bar.
ou s. M.-s. Accomp. d'orgue]. Paris. Gambogi. [1880?]
No. 23 in M.201.35
Marche funebre. Par Theodore Ritter [pseud.]. Op. 83.
Partition. Paris. Brandus & cie. [187-?] No. 2 in M.347.7
Marianne. Opera-comique en I acte. Paroles de Jules
Prevel. Musique de Theodore Ritter [pseud.]. Partition
piano et chant. Paris. Gambogi. [1861.] No. 7 in M.307.19
Bennett, Alfred William.
Cathedral music, composed by Alfred Bennett. Edited by
T. & H. Bennett. [Accomp. for organ.] London. No-
vello. [1830.] 3 parts in i v. No. 22-24 in M.190.1
Contents. — i. Te Deum and Jubilate in E. 2. Magnificat and Nunc
dimittis in F. 3. Magnificat and Nunc diraittis in G.
Bennett, George John.
Behold now, praise the Lord. Full anthem. [Accomp. for
organ.] London. Novello, Ewer & Co. 1883.
No. 29 in M.158.13
Blow, breezes, o'er the flow'ry lea. Serenade. London.
Novello, Ewer & Co. 1883. No. 30 in M.158.13
Bennett, George John. (Continued.)
In the meadows. A trio [s. s. a. Accomp. for pianoforte].
{In Novello's Collection of trios, etc. Vol. 7, pp. 28-33.)
No. 7 in M.204.36.7
The ivy tree. Trio [s. s. a. Accomp. for pianoforte]. {In
Novello's Collection of trios, etc. Vol. 7, pp. 21-27.)
No. 6 in M.204.36.7
The violet. A trio [s. s. a. Accomp. for pianoforte]. {In
Novello's Collection of trios, etc. Vol. 7, pp. 34-39.)
No. 8 in M.204.36.7
Bennett, Henry, editor.
Bennett, A. W. Cathedral music. No. 22-24 in M.190.1
Bennett, Joseph.
The dream of Jubal. A poem. The music by A. C. Mac-
kenzie. No. I in M.155.31
The garden of Olivet, a devotional oratorio. The music by
G. Bottesini. No. i in M. 153.5
Gethsemane, a church cantata. The music by C. Lee Wil-
liams. No. 4 in M.156.7
History of the Leeds musical festivals, 1858-1889. By F. R.
Spark and Joseph Bennett. 2d edition. Leeds. Spark.
1892. Portraits. Facsimiles. M.i4g.2
Jeanie Deans. A grand opera. Music by Hamish McCunn.
M.394.30
Letters from Bayreuth descriptive and critical of Wagner's
"Der Ring des Nibelungen." London. Novello, Ewer &
Co. 1877. No. 3 in M. 128.37
The musical year, 1883. A record of noteworthy musical
events in the United Kingdom, with a reprint of criticisms
of many of them. London. Novello, Ewer & Co. [1884.]
M.148.36
The recently discovered string quartet by the late Sir W.
Sterndale Bennett. Notes and analysis. London. No-
vello, Ewer & Co. [188-?] No. 3 in M.216.18
St. John's eve, an old English idyll. The music by F. H.
Cowen. No. 2 in M.154.48
The story of Sayid, a dramatic cantata. The music by A. C.
Mackenzie. No. 2 in M.155.32
Thorgrim. An opera. The music by Frederic H. Cowen.
No. I in M.28S.36
"The transfiguration." Cantata. The music by Frederic H.
Cowen. No. 2 in M.ig3.4
The water-lily. A romantic legend. The music by Frederic
H. Cowen. No. i in M.204.11
Bennett, Joseph, editor.
Bridge, J. F. The repentance of Nineveh, a dramatic ora-
torio. The words selected from Holy Scripture by Joseph
Bennett. The music ... by J. F. Bridge.
No. 3 in M.i54.2g
Lute, The, a monthly journal of musical news. M. 177.7
Mackenzie, A. C. The Rose of Sharon. A dramatic ora-
torio, founded on the Song of Solomon. The words se-
lected by Joseph Bennett. The music by A. C. Mackenzie.
M.247.7
Sullivan, A. S. The golden legend. M.400.48; etc.
Bennett, Joseph, translator.
Bizet. "Djamileh." ' M.394.63
Mancinelli, L. Isaias. No. 2 in M.153.5
Bennett, Thomas, editor.
Bennett, A. W. Cathedral music. No. 22-24 >n M.190.1
Bennett, Sir William Sterndale.
Sterndale Bennett's Pianoforte works. London. Cock.
[1875,76.] 2 V. in I. M.358.1
Contents. — I. Capriccio. Op. 2. — Three musical sketches. Op. 10:
"The lake," "The niillstream," "The fountain." — Six studies. Op.
II. — Scherzo. Op. 27. — Introduzione e pastorale. Op. 28, no. i.
— Rondino in E major. Op. 28, no. 2. — Capriccio in A minor.
Op. 28, no. 3. — Serenata from the sonata. Op. 13. — Allegro grazioso.
Op. iS. — Three impromptus. Op. 22. 2. Suite de pieces. Op. 24. —
Rondeau, "Pas triste, pas gai." Op. 34. — Toccata. Op. 38. — Tema
e variazioni. Op. 31. — Rondeau a la polonaise. Op. 37. — • Two
characteristic studies. Op. 22: "L'amabile," "L'appassionata." —
Caprice. Op. 22.
Cast thy bread upon the waters. Sacred duett [s. s. Accomp.
for organ]. {In Haycraft. Sacred harmony. Pp. 91-94.)
No. 27 in U.234.6
108
Bennett
THE ALLEN A. BROWN COLLECTION OF MUSIC
B^rat
Bennett, Sir William Sterndale. (Continued.)
Chamber trio for piano forte, violin and violoncello. Op. 26.
[Full score.] London. Cock. [186-?] No. 3 in M.2ii.3.i
Same. [Parts, violin and violoncello.] 2 v.
No. 3 in M.211.4.1, 2
Concerto, Fourth, for the piano forte. Op. 19. London.
Cock. [1850?] No. I in M.200.S
Fantasie-Ouverture zu Thomas Moore's „Paradies und
Peri," fiir grosses Orchester. Op. 42. Partitur. Leipzig.
Kistner. [186-?] No. 4 in M.34S.22
The fool hath said in his heart. Full anthem. [Accomp. for
organ.] (/n Novello's Collection of anthems. Vol. 11, pp.
51-60.) No. sinM.195.2.11
Also to be found in Novello's Collection of thirty-one anthems.
God is a Spirit. [Motet. Accomp. for organ.] {In Buck.
Motette collection. Vol. 2, pp. 173-176.) No. 44 in M.ioo.4.2
The may-queen; a pastoral cantata, words by Henry F.
Chorley, composed by William Sterndale Bennett. Bos-
ton. Ditson & Co. [185-?] M.154.28
Die Najaden. Ouverture fiir grosses Orchester. Partitur.
[Op. 15.] Leipzig. Kistner. [185-?] No. 2 in M.345.22
O that I knew where I might find Him. Anthem. [Accomp.
for organ.] {In Novello's Collection of anthems. Vol. 4,
pp. 103-109.) No. 9 in M.195.2.4
Also to be found in Ouseley's Special anthems.
Ode, written expressly for the opening of the International
exhibition, 1862. By Alfred Tennyson. Composed by
William Sterndale Bennett. [Accomp. for pianoforte.]
London. Cock, Hutchings & Co. [1862.] No. 4 in M.391.31
Ouverture zu Lord Byron's Dichtung Parisina. Op. 3- Par-
titur. Leipzig. Kistner. [186-?] No. i in M.345.22
Remember now thy Creator. Anthem. [Accomp. for organ.]
(In Hullah. The Singer's library. Sacred. Pp. 41-48.)
No. 35 in M.157.3
Sinfonie, G moll, fiir grosses Orchester. Op. 43- Partitur.
Leipzig. Kistner. [1865?] M.345.21
To a nightingale at mid-day. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [185-?]
No. 26 in M.244.10.3
'Twas night and all was still. [Glee, A. T. B.] (In Parker.
The Orphean lyre. Series 3, pp. 28-33.) No. 6 in M.237.9
Die Waldnymphe. Ouverture fur grosses Orchester. Op. 20.
Partitur. Leipzig. Kistner. [186-?] No. 3 in M.345.22
With a laugh as we go round. Trio [s. s. a. Accomp. for
pianoforte], (/k Novello's Collection of trios, etc. Vol. 2,
pp. 112-118.) No. 16 in M.204.36.2
The woman of Samaria, a sacred cantata. [The words prin-
cipally from the Bible. Accomp. for pianoforte.] London.
Cock, Addison & Co. [1867.] M.241.12
Bennett, Sir William Sterndale, editor.
The chorale book for England; a hymn-book for public and
private worship, in accordance with the services and festi-
vals of the Church of England. Compiled and edited by
William Sterndale Bennett and Otto Goldschmidt. The
hymns translated by Catherine Winkworth. London.
Longmans. 1865. M. 148.2
Bennett, Sir William Sterndale. Works about.
Bennett, J. The recently discovered string quartet by the
late Sir W. Sterndale Bennett. Notes and analysis. Lon-
don. [188-?] , No. 3inM.216.18
Catalogue of . . . books and music forming [his] library.
Sold April 26th, 1875. [Priced. London. 1875.]
No. I in M. 141.29
Neumann, W. William Balfe. W. Sterndale Bennett. J.
Benedikt. Biographien. Cassel. 1856. No. 3 in M.205.15
Benoist, Frangois.
Leonore et Felix, ou c'est la meme. Opera comique en i
acte. Paroles de S'. Marcelin. Musique de Benoist. [Par-
tition.] Paris. Dorval. [1821.] M. 261.28
Marche religieuse pour orgue. Paris. Heugel. [188-?]
No. 3 in M.414.30
O Salutaris. [s. ou t. Accomp. d'orgue.] Paris. [Heugel.
186-?] No. 36 in M.201.34
Benoit, Camille.
The typical motives of The Master-singers of Nuremberg,
Benoit, Camille. (Continued.)
a musical comedy by Richard Wagner. English version
by J. H. Cornell. . . . New York. Schirmer. 1889. M.37S.5
Benoit, Camille, translator.
Wagner, W. R. Musiciens, poetes et philosophes. M.127.4S
Benoit, Pierre Leonard Leopold.
Charlotte Corday. Openingstuk. Partituur. Brussel. Schott.
[1877?] No. 3 in M.335.16
Lucifer, oratorio. Words by Emanuel Hiel, translated by
Mrs. Butterfield. Music by Peter Benoit. Pianoforte
accompaniment arranged by Camille Gurickx. London.
Chappell & Co. [186-?] M.153.4
The words are in Dutch and English.
Moise au Sinai. Choeur a 8 voix d'homme. Op. 40- Paris.
Schott. [ 1 864 ? ] No. 4 in M.392.33
De oorlog. Gedicht van Jan van Beers. Muziek [s. t. b. b.
B. en koor] van Peter Benoit. Deutsche Ubersetzung von.
Heinrich Flemmich. [Partitur.] Antwerpen. Possoz.
1885. M.227.20
Benson, George.
Hear me when I call. Full anthem. [Accomp. for organ.]
London. Novello & Co. [186-?] No. i8in M.157.29
Ben-Tayoux, Louis Andre Frederic.
Bobine. Operette en i acte. Paroles de Albert de Bausset.
Musique de Ben-Tayoux. Partition chant et piano. Paris.
Minier. [1875.] No. I in M.26S.4
Fiorella. Petit opera-comique en un acte (2 personnages).
Paroles de A. de Bausset. Musique de Ben-Tayoux. [Par-
tition piano et chant.] Paris. Tralin. [1877.]
No. 3 in M.399.3
Lucrece. Opera bouffe en 3 actes et 4 tableaux. Paroles de
H. Lefebvre et L. d'Hura. Musique de Ben-Tayoux. Par-
tition piano et chant. Paris. Bathlot. [1870.] M.324.11
Pat-chou-ly. Operette en i acte. Paroles de A. de Bausset
et Rene de S'. Prest. Musique de Ben-Tayoux. Partition
piano, chant et texte. Paris. Tralin. [1876.]
No. 2 in M.265.4
Bentley, John Morgan.
The golden butterfly. A fairy pageant, for treble voices.
Written by Edward Oxenford, the music by J. M. Bentley.
[Accomp. for pianoforte.] London. Hutchings & Romer.
[1884?] No. 3 in M.204.2
Yule-tyde, or ye merrie and anciente Englyshe pastyme of
Crystmasse eve. Ye wordes by Sir Walter Scott. Sette
to musicke by J. Morgan Bentley. [s. m.-s. a. t. b. and
chorus. Accomp. for pianoforte.] London. Hutchings
& Romer. [1872?] No. 4 in M.204.2
Bentley, Richard.
The prophet. An opera composed by Sacchini, Purcell . . .
and Shield. No. 3 in M.130.14
Benvenuto. Opera. For the Music see Diaz. For the Li-
bretto see Hirsch, G.
Benvenuto Cellini. Opera. For the Music see Berlioz, L. H.
For the Libretto see Wailly, A. F. L. de.
Benz, Jean Baptiste.
Missa quatuor vocibus cantanda conjuncta organi voce.
Op. 3. Maguntiae. Schott. [184-?] No. 3 in M.I9I.2
Benz, Jean Baptiste, editor.
Cantica sacra, or Gregorian music, consisting of masses,
graduals, offertories . . . With organ accomp. London.
Novello. 1846. M.237.1
Beranger, Pierre Jean de.
Le 5 mai. Chant, . . . musique de Berlioz.
No. 10 in M.341.24; etc.
Musique des chansons de Beranger. Airs notes anciens et
modernes. 9e edition, revue par Frederic Berat. Paris.
Perrotin. 1865. Portrait. M.141.25
Nouveau recueil contenant tous les airs des chansons de
Beranger. [Avec un supplement.] Paris. Savaresse.
[183-?] M.io9b.40
Beranger, Pierre Jean de. Works about.
Lapointe, S. Memoires de Beranger. 2e edition. Paris.
1857. Portrait. M.198.16
Berat, Frederic, editor.
Beranger. Musique des chansons de Beranger. M.141.25
109
Berceau
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bergamo
Berceau, Le. Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
Berceuse. For orchestra. Jarnefelt. No. 3 in M.411.5
Berceuse. For string instruments. Broustet. No. S in M.338.11
Faure, G. U. No. i in M.358.25
Reber, N. H. No. 3 in M.334.13
Berceuse. Song. Bizet. Vingt melodies. No. 2 in M.265.24
Donizetti. No. 13 in M.391.28.1
Georges. Melodies. M.24S.16
Glinka. Romances. No. 2 in M.244.8
Schubert, F. P. Melodies. Vol. 2. M.327.4.2
Berceuse, La, de la poupee. Chorus. Weckerlin. Choeurs.
M.1S7.12
Berchem, Jachet de.
Alleluja. Am hi. Osterfeste. [Motet.] (/n Lueck. Samm-
lung ausgezeichneter Compositionen fur die Kirche. Band
3, pp. 65-73) No. 20 in M.158.33.3
Berchoux, Joseph.
La danse, ou la guerre des dieux de I'Opera. [Poeme.]
Paris. Giguet & Michaud. 1808. Plate. M.i09b.24
Bercioux, Eugene.
La bonne d'enfant. Operette bouffe. Musique de J. Offen-
bach. No. I in M.368.13
Maitre Baton. Operette. Musique de Alfred Dufresne.
No. 3 in M.393.16
Beredsamkeit, Die. Quartet. Haydn, F. J. Gesange. Heft i.
No. I in M.312.35
Same. Neun Quartetten. No. i in M.203.8
Bereitet die Wege, bereitet die Bahn. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 28.
Berel, Paul, pseud. See Choudens, Paul de.
Berenger, Maurice.
La princesse Osra. Opera romantique. Musique de Herbert
Bunning. M.397.11
Berenice. Opera. For the Music see Handel. Werke.
Berenice che fai. Song. Cocchi. No. 4 in M.200.9
Berenice, ove sei. Song. Jommelli. No. i in M. 120.23
Berenice che fai more il tuo. Aria. Anfossi. No. S in M. 120.17
Berent, Richard.
Abendstille am Meer. Componirt von Schwalm.
No. 4 in M.202.29
Berettoni, A.
Le bravo. Opera italien. Musique de M. A. Marliani. M.273.8
Le 3 nozze, opera buffa, musica di Giulio Alary. M.361.16
Berg, Albert W.
Morning service in B flat major. [Accomp. for organ.]
New York. Firth, Pond & Co. 1861. 3 parts in i v.
No. 25-27 in M.igo.i
Contents. — I. Te Deum. 2. Jubilate. 3. Venite, Kyrie eleison, Glorias.
Berg, Conrad Mathias.
Apergu historique sur I'etat de la musique a Strasbourg,
pendant les cinquante dernieres annees. Strasbourg. Le-
vrault. 1840. No. 3 in M.218.4
Grande sonate concertante pour piano et violoncelle. Oiuvre
23. [Partition.] Paris. Besozzi. [183-?] No. 7 in M.210.1
Same. [Partie de violoncelle.] No. 11inM.210.11
Berg, Georg.
As Jenny one morning. [Catch for 3 voices.] (/n Warren.
Collection of catches. Vol. i, p. 55.) No. 69 in M. 220.9.1
Beneath this stone. [Glee, a. t. t. b.] (In Warren. Collec-
tion of catches. Vol. 2, pp. 133-137.) No. 55 in M.220.9.2
Beviam' o dori. Glee [a. t. b.]. (/« Warren. Collection of
catches. Vol. i, pp. 206-209.) No. 153 in M. 220.9.1
Can you tell me? Glee [x. t. t. t.]. (/« Warren. Collection
of catches. Vol. i, pp. 292-296.) No. 189 in M.220.9.1
Come, friends and companions. [Catch for 3 voices.] {In
Flowers of harmony. Vol. i, p. 19.) No. 18 in M.157.18.1
Also to be found in Social harmony; Warren's Collection of catches.
Come, jolly god. Canon, 3 in i. (/n Warren. Vocal har-
mony. P. 91.) No. 59 in M.220.10
Come, ye jolly fellows. Canon [4 in i]. (In Warren. Vocal
harmony. P. 13.) No. 9 in M.22D.10
Compagni amor. Glee [a. t. B.]. (/» Warren. Collection of
catches. Vol. i, pp. 151-153.) No. 127 in M.220.g.i
Berg, Georg. (Continued.)
Cornus proclaims aloud.- Catch a 4 voci. (/« Warren. Col-
lection of catches. Vol. i, pp. 194, 195.) No. 148 in M.220.g.i
Dolci miei sospiri. Glee [s. s. s.]. (In Clementi. Collec-
tion of catches. Vol. 2, p. 8.)
No. 95 in M.110.1.2; No. 95 in M.iio.2.2
Also to be found in Warren's Collection of catches.
A drunken old sot. Catch [for 4 voices], (/n Warren. Col-
lection of catches. Vol. 2, p. 7.) No. 3 in M.220.9.2
Fair Ursley. Catch a 3 voci. (In Warren. Collection of
catches. Vol. i, p. 196.) No. 150 in M.220.9.1
Der Hirt. Schwedisches Volkslied. Arrangirt [fur t. t. b. b.]
von Franz Abt. (In Abt. Leichte Mannerchore. Heft 9,
pp. 16-18.) No. 56 in M.246.22
Hosanna in excelsis. Canon, 4 in i. (In Hullah. Part music.
Sacred. Vol. 2, pp. 10, 11.)
No. 5 in M.157.38.2
Also to be found in Warren's Collection of catches.
Hosanna in excelsis. Canon, 4 in i. (In Warren. Vocal
harmony. Pp. 4, 5.) No. 2 in M.220.10
A different setting from the former one.
How happy are we. [Catch for 3 voices.] (In Apollonian
harmony. Vol. 2, p. 32.) No. 25 in M.141.21.2
Also to be found in Bland's The Ladies' collection ; Social harmony ;
Warren's Collection of catches.
I laid me down. Canon, 3 in i. (In Warren. Vocal har-
mony. P. 61.) No. 40 in M.220.10
I married a wife. Glee [a. t. e.]. (In Social harmony. P.
192.) No. 168 in M.215.21
Also to be found in Warren's Vocal harmony.
Let US drink and be merry. [Catch for 3 voices.] (In
Amusement for the ladies. Vol. 3, p. 45.)
No. 12 in M.220.3.3
Also to be found in Bland's The Ladies' collection ; Warren's Collec-
tion of catches.
Lightly tread. Glee [s. a. b.]. (In Musical library. Vol. 2,
p. 17.) No. 6 in M.235.18.2
Also to be found in Turle and Taylor's The People's music book.
Not a day more than thirty. Catch [for 3 voices]. (In Apol-
lonian harmony. Vol 2, p. 5.) No. 6 in M.141.21.2
Also to be found in Flowers of harmony ; Social harmony ; Warren's
Collection of catches.
Now the bright morning star. Glee [a. t. t. b.]. (In Warren.
Collection of catches. Vol. 2, pp. 87-91.) No. 38 in M. 220.9.4
On softest beds. Glee [s. a. b.]. (In Clementi. Vocal har-
mony. Vol. I, pp. 4-8.) No. 2 in M.23S.g.i
Also to be found in Warren's Collection of catches.
Questo vetro di vin. Catch a 3 voci. (hi Warren. Collec-
tion of catches. Vol. i, pp. 268, 269.) No. 181 in M.220.g.i
Say what flow'r. Glee [a. t. b.]. (/n Warren. Collection of
catches. Vol. i, pp. 115-121.) No. 112 in M.220.9.1
Si beviam. Glee [a. t. b.]. (/n Warren. Collection of catches.
Vol. I, pp. 186-189.) No. 144 in M.220.g.i
Sirs, the serpentine river. Catch a 3 voci. (In Warren. Col-
lection of catches. Vol. i, p. 365.) No. 219 in M.22o.g.i
Swell the song. Glee [a. t. b.]. (In Amusement for the
ladies. Vol. 2, pp. 13-15.) No. 4 in M.220.3.2
Also to be found in Warren's Collection of catches.
Tell me, shepherds. Glee [a. t. b.]. (In Warren. Vocal
harmony. Pp. 116-120.) No. 74 in M.220.10
To these lone shades. Glee [a. t. t. b.]. (In Warren. Vocal
harmony. Pp. 233-235.) No. 134 in M.220.10
Unable to descant. Glee [a. t. b.]. (In Warren. Vocal har-
mony. Pp. 178-181.) No. 104 in M.220.10
Welcome, friendly gleams. Glee [a. t. b.]. (In Warren.
Vocal harmony. Pp. 22-24.) No. 17 in M.220.10
Yet once more, O ye laurels. Glee [a. t. t. b.]. (In Warren.
Collection of catches. Vol. 2, pp. 123-126.)
No. 48 in M.220.g.»
Berg. Part-song. Schneider, J. C. F. Harzlieder.
No. 42 in M.3g2.23
Berg' und Burgen schau'n herunter. Song. Schumann. R. A.
Liederkreis von Heine. No. i in M.244.1S.1
Bergamo, Italy.
Malherbe, C. T. Centenaire de Gaetano Donizetti. Cata-
logue bibliographique de la section frangaise a I'Exposi-
tion de Bergame. Paris. 1897. M. 102.32
110
Bergamo
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bergt
Bergamo. Opera. For the Music see Blum, C. L.
Berge, William.
Tantum ergo, a 3 voix [s. t. b.] avec accomp. de piano. New
York. Gordon. 1855.
No. 21 in M.260.10.7; No. 14 in M.ago.g.i
Berge, Die. Part-song. Schoen, E. von. No. 43 in M.392.7
Schubert, F. P. Neun Gesiinge. No. 14 in M.1S8.21
Berge, Die. Song. Schubert, F. P. Werke. Serie 20, Band 3.
M.317.1.20.3
Bergens Stift. Song. Kjerulf. Sanger och Visor. Band 2.
M.158.47
Berger, Carl Philipp.
Die Genueserin. Grosse romantische Oper. In Musik ge-
setzt . . . von P. Lindpaintner. M.263.g
Der Praetendent. Romantisch-komische Oper. Musik von
Fr. Kiicken. M.2S3.22
Der Rattenfanger von Hameln. Romantisch-komische Oper,
in Musik gesetzt . . . von Franz Glaser. M.272.37
Berger, Francesco.
Arise, arise, the sunbeams hail. A four-part song. (In
Novello's Part-song book. 2d series. Vol. 3, pp. S3-6o.)
No. 12 in M.19S.1.3
Childhood's melody. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 3, pp. 38-41.) No. 9 in M.195.1.3
Essay, my heart. A four-part song, (/n Novello's Part-song
book. 2d series. Vol. 3, pp. 33-37) No. 8 in M.195.1.3
Night, lovely night. A four-part song, (/n Novello's Part-
song book. 2d series. Vol. 3, pp. 30-32.) No. 7 in M.195.1.3
"Now." A part-song for 4 voices, (/n Novello's Part-song
book. 2d series. Vol. 3, pp. 42-48.) No. 10 in M.195.1.3
"Poor or rich." Four-part song. London. Patey & Willis.
1883. No. 31 in M.158.13
Sunset. A four-part song. (In Novello's Part-song book.
2d series. Vol. 3, pp. 49-52.) No. 11 in M.195.1.3
Berger, J. Muentz. See Muentz-Berger, Joseph.
Berger, Ludwig.
Gesange aus einem gesellschaftlichen Liederspiele. Die
sch5ne Miillerin, mit Begleitung des Pianoforte. Berlin.
Christiani. [182-?] No. 18 in M.221.30
Contents. — Des Miillers Wanderlied. — Mullers Blumen. — Nacht-
Hed. — Am Bach. — Am Maienfeste. — Vogelgesang vor der Miillerin
Fenster. — Der Muller. — Rose, die MuUerin. — Mullers trockin
Blumen. — Des Baches Lied.
Theodor Korner. [Mannerchor.] (In Das Riitli. Pp. 530,
531.) No. 224 in M. 147.4
Berger, Ludwig. Works about.
Rellstab, H. F. L. Ludwig Berger, ein Denkmal. Berlin.
1846. Portrait. No. 15 in M.373.61
Berger, Wilhelm.
Gesang der Geister iiber den Wassern (Gedicht von Goethe)
fur vierstimmigen gemischten Chor und grosses Orches-
ter. Op. 55. Partitur. Berlin. Plothow. [188-?]
No. I in M.401.4
Meine Gottin. Dichtung von W. von Goethe fiir Manner-
chor und Orchester componirt von Wilhelm Berger. Op.
72. Partitur. Leipzig. Breitkopf & Hartel. 1898.
No. 2 in M.401.4
Quartett fur Pianoforte, Violine, Viola und Violoncell (A
dur). Op. 21. [Partitur und Stimmen.] Bremen. Prae-
ger & Meier. [189-?] 4 parts in i v. No. I in M.404.40
Quintett (E moll) fiir zwei Violinen, Bratsche und zwei Vio-
loncelle. Op. 75. Partitur. Berlin. Bote & Bock. [1899.]
No. I in M.358.14
Symphonic in B dur fiir grosses Orchester. Op. 71. [Parti-
tur.] Leipzig. Breitkopf & Hartel. 1899. M.403.7
Berger et bergere. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M. 158.44
Berger-Henderson, Madame , editor.
Album of 16 Hungarian songs. With English translations
by Madame Zerffi. [Accomp. for pianoforte.] London.
Lucas, Weber & Co. [190-?] No. 2 in M.384.63
Contents. — Two stars. — Come here birdie dear. — The maiden in
her garden. — Let it be so. — Red, red, red. — Know ye not. —
There is no star. — In summer the meadow. — The mead is bare. —
The fisherman. — She is too small. — False man. — Down from a
trembling aspentree. — Let them find out. — Thine eyes are black. —
Green leafed walnut tree.
Bergerat, Auguste £mile.
La Burgonde. Opera de fimile Bergerat & Camille Sainte-
Croix. Musique de Paul Vidal. M.394.61
Peintures decoratives de Paul Baudry au grand foyer de
rOpera. Paris. Levy. 1875. M.118.14
Bergere chatelaine. La. Opera. For the Music see Auber. For
the Libretto see Planard.
Bergeronnette, La. Song. Choudens, A. 20 melodies.
No. 2 in M.285.I4
Bergers, Les. Opera. For the Music see Offenbach. For the
Libretto see Cremieux.
Berggeist, Der. Opera. For the Music see Spohr, L. For the
Libretto see Doering, G. C. W. A.
Berggruen, Oskar, translator.
Albeniz. Pepita Jimenez. M.40i.i;etc.
Bergknappenlied. Part-song. Schubert, F. P. Werke. Serie
16. M.317.1.16
Bergkoenig, Der. Opera. For the Music see Lindpaintner.
Berglied. Part-song. Klauss. Fiinf Lieder. No. 8 in M.3g2.l3
Bergliot. Incidental music. For the Music see Grieg. For the
Libretto see Bj0rnson.
Berglust. Part-song. Abt, F. Fiinf Gesange fur s. a. t. b.
No. 17 in M.392.2
Bergmann, Gustav.
Drei Gesange fiir vier Mannerstimmen. Op. 11. Miinchen.
Aibl. [188-?] No. 31 in M.392.4
Contents. — Schwarzbraun Kind. — Gute Nacht, mein Herz. — Wach
auf, du alter Minnesang.
S Gesiinge fiir Mannerchor. Op. 34- Freiburg i. Brg. Ruck-
mich. [188-?] No. 24 in M.392.3
Contents. — Im Walde. — Sommernacht. — Treue Liebe. — Kecke
Liebe. — Was der Dornstrauch gethan.
Der gesiihnte Hirsch. [Mannerchor.] (In Gruber. Sanges-
hort. Heft I, pp. 30, 3I-) No. i in M.370.30
Mein Herz ist wie die dunkle Nacht. [Mannerchor.] (In
Das Riitli. Pp. 470, 471.) No. 199 in M.147.4
Bergmann, Gartner und Landsknecht. Part-song. Weinzierl.
No. 53 in M.392.24
Bergmann's Gruss. Cantata. For the Music see Anacker. For
the Libretto see Doering, M.
Bergmannsleben. Part-song. Kittl. No. 65 in M.204.39
Sattler. No. 66 in M.204.39
Bergmannslied. Part-song. Doerrjen. No. ioi in M.213.9
Erk. Volkskliinge. No. i in M.138.8
KuECKEN. No. 2 in M.270.59
Seifriz. No. 67 in M.204.39
Bergmoench, Der. Opera. For the Music see Wolfram.
Bergpsalm. Cantata. For the Music see Hoffbauer. For the
Libretto see Scheffel.
Berg-Reihen. Part-song. Schein. Werke. Band 2. M.414.1.2
Bergson, Michael, editor.
Otsar horina vehatfila. A collection of sacred Jewish
hymns, and prayers, with solos & choruses and an accom-
paniment for piano or harmonium. Parts 1-4. London.
Davison & Co. [189-?] 4 v. in i. Facsimile.
No. I in M.384.30
Bergstimme, Die. Song. Kuecken. No. 4 in M.244.6.1 ; etc.
Bergsturz, Der. Opera. For the Music see Weigl. For the
Libretto see Reil.
Bergt, Christian Gottlob August.
Der Abend sinkt. [Miinnerchor.] (In Orpheus. Band i,
p. 48.) No. 33 in M.i29a.43.i
Ach, was ist die Liebe. [Mannerchor.] (In Orpheus. Band 2,
pp. 39, 40.) No. 68 in M.i29a.43.2
Briefwechsel eines alten und jungen Schulmeisters iiber
allerhand Musikalisches. Nach des Verfassers Tode . . .
herausgegeben und mit einer Lebensbeschreibung des
Verstorbenen begleitet von M. C. G. Hering. Zittau.
Birr. 1838. M.221.39
Christ is risen. Chorus. Accomp. for piano forte or organ.
(In Hasse, C. F. Sacred music. Pp. 1-7.) No. I in M.201.37
Christus durch Leiden verherrlicht. Oratorium. Passions
Musik fiir 4 Singstimmen und Chor mit Begleitung des
ganzen Orchesters. Partitur. Leipzig. Hofmeister. [18—?]
2 parts in I v. M.241.16
111
Bergt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Berlioz
Bergt, Christian Gottlob August. (Continued.)
Days of gladness. Terzetto [s. t. b. Accomp. for piano-
forte], (/n Hasse, C. F. Sacred music. Pp. 94-100.)
No. 18 in M. 201.37
Friihlingslied [t. t. b. b.]. (In Orpheus. Band s, p. 50.)
No. 176 in M. 1293.43.5
Der Glaube. Cantate fiir 4 Singstimmen mit Orchesterbe-
gleitung. [Partitur.] Meissen. Goedsche. [183-?]
No. 2 in M.221.34
Liebe um Liebe. [Mannerchor.] (In Orpheus. Band 4,
pp. 26, 27.) No. 131 in M.i29a.43.4
Lied der Freude [t. t. b. b.]. (In Orpheus. Band 2, p. 5.)
No. 45 in M.i29a.43.2
List gegen List. Eine Operetta von C. F. Bretzner, in Musik
gesetzt von A. Bergt. Klavierauszug. Leipzig. Breit-
kopf & Hartel. [181-?] M.230.32
Maria. Gedicht von Arthur von Nordstern [Pseud.]. Ora-
torium von A. Bergt. [Partitur.] Manuscript. [183-?]
M.222.4
Menschliches Gluck. [Mannerchor.] (In Orpheus. Band 3,
PP- 5-7) No. 83 in M.i29a.43.3
Praise the Lord. Chorus [s. s. t. b. Accomp. for pianoforte].
(In Hasse, C. F. Sacred music. Pp. 121-129.)
No. 23 in M.201.37
The sun is gone. [Mannerchor.] (In The Orpheus. New
series. Vol. 3, pp. 106-108.) No. 26 in M.20S.TO.3
Also to be found in Orpheus glee book.
Waldnacht! Jagdiust! [Mannerchor.] (In Orpheus. Band
I, p. 13.) No. II in M. 1293.43. 1
Whence this fruitless mourning? Terzetto [s. s. b. Accomp.
for pianoforte]. (In Hasse, C. F. Sacred music. Pp. 51-
60.) No. 10 in M.201.37
Bergtagna, Den. Opera. For the Music see Hallatrom. For
the Libretto see Hedberg.
Berhard, Henry.
M«iie portez-arme! . . . Operette de Albert Barre, E. Mar-
tin & Henry Berhard. Musique de Antoine Banes. M.382.1
Berio, , Marchese.
Ricciardo e Zoraide, dramma del Sig^. G. Rossini.
M.150.28; etc.
Beriot, Charles Auguste de.
Concerto, i''"', pour violon avec accompt. . . . de piano.
Op. 16. Mayence. Schott. [187-?] No. 3 in 11,410.7
Concerto, 6"'^, pour le violon avec accompagnement de
piano. Op. 70. Mayence. Schott. [187-?] No. 4 in M.410.7
Grandes variations pour piano et violon concertans. Par
G. A. Osborne et C. A. de Beriot. [Partition.] De Beriot,
Op. 14. Paris. Troupenas & cie. [184-?] No. II in M.210.1
Beriot, Charles Auguste de. Works about.
Barbieri, G. Notizie biografiche di M. F. Malibran. [Added,
Cenni biografici di C. A. de Beriot.] Milano. 1836.
No. 3 in M.125.7
Berla, Alois.
Das verwunschene Schloss. Komische Operette. Musik von
Carl Millocker. M.2S7.36
Berleur, Jules.
Les enfants du proscrit. Operette en I acte. Paroles de
Madame Huard. Musique de Jules Berleur. [Partition
piano et chant.] Bruxelles. Schott. [1862?]
No. I in M.381.4
Berlin. Churches. Domkirche.
Liturgische Andacht bei der Gedachtnissfeier der Verstor-
benen. [Berlin. Unger. 1850,51.] No. 3 in M.373.61
Words only.
Berlin. Music.
See also Koenigliche Hochschule fur Musik, Berlin; Koenig-
liches Opernhaus, Berlin; Stern'sche Gesangverein.
Blaze, A. H. Les salons de Vienna et de Berlin. Par I'au-
teur des Hommes du jour. Paris. 1861. M.128.27
Schneider, L. Geschichte der Oper und des Koniglichen
Opernhauses in Berlin. Berlin, 1852. M. 215.19
Berlioz, Louis Hector.
A travers chants: etudes musicales, adorations, boutades et
critiques. 2e edition. Paris. Levy. 1872. M.129.15
Berlioz, Louis Hector. (Continued.)
Absence. Melodie [t.], paroles de Th. Gautier, musique de
Hector Berlioz, instrumentee pour I'orchestre. Grande
partition. Paris. Richault. [184-?] No. i in M.341.24
Adieu, Bessy. Romance [x. Accomp. de piano]. Paris.
Richault. [183-? Irlande.] No. 8 in 11.391.32
L'apotheose, chant heroique, extrait du final de la Sym-
phonic funebre et triomphale. Arrange pour i voix [m.-s.
ou T.] et chreur, avec accomp. de piano. London. Cramer,
Beale & Co. [186-?] No. 32 in M.391.32
Autobiography. Translated by Rachel (Scott Russell)
Holmes and Eleanor Holmes. London. Macmillan & Co.
1884. 2 V. M.126.16
Beatrice & Benedict. Opera en 2 actes, imite de Shake-
speare. Paroles et musique de Hector Berlioz. Partition
piano et chant. Paris. Brandus & Dufour. [1862.] M.362.28
La belle Isabeau. Conte pendant I'orage [m.-s. Accomp. de
piano]. Paris. Bernard-Latte. [185-?] No. 29 in M.391.32
La belle voyageuse. Legende irlandaise [m.-s.]. Musique
de Hector Berlioz. Instrumentee pour orchestre. G<le.
partition. Paris. Richault. [184-?] No. 2 in M.341.24
Same. [Accomp. de piano. Irlande.] No. 4 in M.391.32
Benvenuto Cellini. Opera en 3 actes de Leon de Wailly et
Auguste Barbier. Musique de Hector Berlioz. Partition
chant et piano. Paris. Choudens. [185-?] M.362.30
Same. [9 morceaux detaches.] Paris. Schlesinger. [185-?]
9 parts in i v. No. 33 in M.391.32
Same. Ouverture. Partition. Paris. Brandus & Dufour.
[186-?] No. I in M.341.21
La captive. Reverie pour m.-s. ou contralto. Paroles de
Victor Hugo. Musique de Hector Berlioz. [Accomp.
d'orchestre. Partition.] Paris. Richault. [184-?]
No. 3 in M.341.24
Same. [Accomp. de piano.] No. 13 in M.391.32
Le carnaval romain. Ouverture. Partition. Paris. Bran-
dus & Dufour. [186-?] No. 2 in M.341.21
Les champs. Aubade, T. [Accomp. de piano.] Paris. Richault.
[185-? Feuillets d'album.] No. 26 in M.391.32
Chanson a boire. Chosur, t. b. [Accomp. de piano.] Paris.
Richault. [183-? Irlande.] No. 5 in M.391.32
Chant de bonheur. Melologue. Paroles et musique de Hec-
tor Berlioz. [Accomp. de piano.] Paris. Schlesinger.
[185-?] No. 21 in M.391.32
Le chant des Bretons, [t. t. b. b. Accomp. de piano.] Paris.
Richault. [184-? Fleurs des Landes.] No. 18 in M.391.32
Chant des chemins de fer. [t. solo et chceur, t. t. b. b.
Accomp. de piano.] Paris. Richault. [185-? Feuillets
d'album.] No. 27 in M.391.32
Chant guerrier. [Choeur, T. b. Accomp. de piano.] Paris.
Richault. [183-? Irlande.] No. 3 in M.391.32
Chant sacre, . . . musique de Hector Berlioz, instrumente
a gd. chceur [s. s. t. t. b. b.] et gd. orchestre. Partition.
Paris. Richault. [184-?] No. 11 in M.341.24
Same. [Accomp. de piano. Irlande.] No. 6 in M.391.32
Le chasseur danois. [Chanson, b. Accomp. de piano.]
Berlin. Stern & Co. [186-?] No. 28 in M.391.32
Le chef d'orchestre; theorie de son art, extrait du Grand
traite d'instrumentation et d'orchestration modernes.
Paris. Schonenberger. 1856. Diagrams. No. i in M.372.44
Le 5 mai. Chant . . . pour voix de basse avec choeurs, pa-
roles de Beranger, musique de Berlioz. [Grande partition
d'orchestre.] Paris. Richault. [184-?] No. 10 in M.341.24
Same. [Accomp. de piano.] No. loin M.391.32
Correspondance inedite, 1819-1868. Avec une notice bio-
graphique par Daniel Bernard. Paris. Levy. 1879. M. 129.36
[Le Corsaire.] Ouverture du Corsaire. Grande partition.
CEuvre 21. Paris. Richault. [184-?] No. i in M.345.28
Le coucher du soleil. Reverie [t. Accomp. de piano]. Paris.
Richault. [183-? Irlande.] No. i in M.391.32
La damnation de Faust. Legende dramatique en 4 parties
[m.-s. T. BAR. ou E. b. et chceur]. Partition. Paris. Ri-
chalt & cie. [186-?] Portrait. M.341.20
Same. Partition de chant et piano. M.265.6
Same. Faust, a dramatic legend, in 4 parts. [Accomp. for
pianoforte.] London. Chappell & Co. [187-?] M.265.7
112
Berlioz
THE ALLEN A. EROWN COLLECTION OF MUSIC
Berlioz
Berlioz, Louis Hector. (Continued.)
£legie [t. Accomp. de piano]. Paris. Richault. [183-?
Irlande.] No. 9 in M.391.32
L'enfance du Christ. Des Heiland's Kindiieit. Trilogie
sacree. Texte frangais et allemand. Paroles et musique
de Hector Berlioz. Grande partition. In's Deutsche iiber-
setzt von Peter Cornelius. Paris. Richault. [185-?]
Portrait. M.341.17
Same. Partition chant et piano. No. 2 in M.265.10
Same. The Holy family. A sacred trilogy, written and
composed by Hector Berlioz, the English version imitated
from the French, by H. F. Chorley. [Accomp. for piano-
forte.] London. Cramer, Beale & Co. [187-?] M. 265.9
fipisode de la vie d'un artiste. Symphonic fantastique en 5
parties. Partition. Paris. Schlesinger. [184-?] M.341.16
The fall of Troy. See his Les Troyens.
Feuillets d'album. Recueil de 3 morceaux de chant, avec
accomp. de piano. Paris. Richault. [185-?] 3 parts in
I V. No. 25-27 in M.227.26
Each number is catalogued separately.
Fleurs des Landes. 5 melodies, avec accomp. de piano.
Paris. Richault. [184-?] 5 parts in i v.
Each part is catalogued separately. No. I4— 18 in M.391.32
Die Flucht nach Egypten (La fuite en figypte). Biblische
Legende, Worte und Musik [t. mit Chor] von Hector
Berlioz. Clavier-Auszug. Leipzig. Kistner. [185-?]
No. 4 in M.270.54
Les Francs juges. Grande ouverture. Partition. Paris.
Richault & cie. [185-?] No. 3 in M.341.21
Grande messe des morts. 2e edition. [Grande partition
d'orchestre.] Milan. Ricordi. [184-?] M.341.26
Grande ouverture de Waverley. Partition. Paris. Richault,
[184-?] No. I in M.341.19
Grande symphonic funebre et triomphale, pour grande har-
monic militaire, avec un orchestre d'instruments a cordes
et un choeur, ad libit. Partition. Paris. Schlesinger.
[184-?] No. 4 in M.341.19
Les grotesques de la musique. Nouvelle edition. Paris.
Levy. 1871. M. 129.10
Harold en Italic. Symphonie en 4 parties avec un alto prin-
cipal. Grande partition. Paris. Brandus & cie. [185-?]
M.341.22
Hector Berlioz. Selections from his letters, and aesthetic,
humorous and satirical writings. Translated and preceded
by a biographical sketch, by William F. Apthorp. New
York. Holt & Co. 1879. [Amateur series.] M.i49a.32
Helene. Ballade a 2 voix [t. b. ou s. a. Accomp. de piano].
Paris. Richault. [183-? Irlande.] N0.2 in M.391.32
The Holy family. See his L'enfance du Christ.
Hymne a la France. [Choeur, s. s. t. t. b. En grande parti-
tion.] Paris. Richault. [1845? Vox populi.]
No. 31 in M.391.32; No. 13 in M.34I.24
L'imperiale. Cantate a 2 choeurs et a grand orchestre. Pa-
roles du Capitaine Lafont. Musique de Hector Berlioz.
Grande partition. Paris. Brandus, Dufour & cie. [1855?]
No. ss in M.332.5
Irlande. 9 melodies pour i et 2 voix avec choeur. [Accomp.
de piano.] Paris. Richault. [183-?] 9 parts in i v.
Each number is catalogued separately. No. I— 9 in M. 391.32
Le jeune patre breton. [Romance, s. ou t.] Mis en musique
avec accomp. d'orchestre par Hector Berlioz. Partition.
Paris. Richault. [184-?] No. 4 in M.341.24
Same. [Accomp. de piano. Fleurs des Landes.]
No. 17 in M.391.32
Lelio, ou le retour a la vie. Monodrame lyrique avec or-
chestre, chceurs et soli invisibles. Paroles et musique de
Hector Berlioz. Texte frangais et allemand. In's Deutsche
iibersetzt von Peter Cornelius. Grande partition. Paris.
Richault. [1855.] M.341.18
Same. Transcription pour le piano par Camille Saint-Saens.
No. I in M.265.10
Lettres intimes. Avec une preface par Charles Gounod.
Paris. Levy. 1882. M.I29.9
Life [by Daniel Bernard] and letters of Berlioz. Translated
Berlioz, Louis Hector. (Continued.)
by H. Mainwaring Dunstan. London. Remington & Co.
1882. 2 v. M.128.20
Marche funebre pour la derniere scene d'Hamlet. [Choeur
et orchestre. Partition.] Paris. Richault. [1848? Tris-
tia] No. 8 in M.341.24
Marche troyenne. Tiree de I'opera Les Troyens a Carthage.
Arrangee pour orchestre seul. Partition. [Paris.] Chou-
dens. [186-?] No. 6 in M.332.5
Le matin. Romance, s. ou t. [Accomp. de piano.] Paris.
Richault. [184-? Fleurs des Landes.] No. 14 in M.391.32
Meditation religieuse. [Choeur a 6 voix, s. s. t. t. b. b. Avec
accomp. d'orchestre. Partition.] Paris. Richault. [1848?
Tristia.] No. 6 in M.341.24
Same. Avec violon, violoncelle et piano. No. 23 in M.391.32
Memoires . . . Comprenant ses voyages en Italic, en Alle-
magne, en Russie et en Angleterre. Paris. Levy. 1870.
Portrait. M.122.9
An autograph letter from Berlioz to Marie Escudier is inserted.
Le menace des Francs. [Marche et choeur, s. s. x. t. t. t. b. b.,
avec orchestre.] Grande partition. Paris. Richault.
[185-? Vox populi.] No. 12 in M.341.24; No. 30 in M.391.32
La mort d'Ophelie. [Chceur, s. a. Accomp. d'orchestre.
Partition.] Paris. Richault. [1848? Tristia.]
No. 7 in M.341.24
Same. [Solo, s. ou t. Accomp. de piano.] No. 24 in M.391.32
Les nuits d'ete. 6 melodies pour m.-s. ou t., avec acct. de
piano. Paroles de Th. Gautier. Musique de H. Berlioz.
Paris. Richault. [184-?] No. 11 in M.391.32
CotUents. — Villanelle. — Le spectre de la rose. — Sur les lagunes.
— Absence. — • Au cimetiere. — L'ile inconnue.
Same. Die Sommernachte. (Les nuits d'ete.) 6 Gesiinge
von Th. Gautier, ins Deutsche iibertragen von P. Corne-
lius, componirt fiir eine Singstimme mit Begleitung von
kleinem Orchester oder Pianoforte von Hector Berlioz.
Partitur. Winterthur. Rieter-Biedermann. [185-?]
No. 4 in M.270.55
Contents. — • Landliches Lied. — Der Geist der Rose. — Auf den
Lagunen. — Trennung. — Auf dem Friedhofe. — Das Unbekannte Land.
Same. Summer nights (Les nuits d'ete). 6 songs by Theo-
phile Gautier. Set to music, with accomp. for pianoforte,
by Hector Berlioz. English version by Francis Hueffer.
London. Novello, Ewer & Co. [1881.] No. 2 in M.265.5
Contents. — Villanelle [m.-s. or t.]. — The spectre of the rose [a.]. —
On the lagunes [bar. or a.]. — Absence [m.-s. or T.]. — The tomb
[t.]. — The unknown land [M.-s. or T.].
L'origine de la harpe. Ballade [s. ou x. Accomp. de piano].
Paris. Richault. [183-? Irlande.] No. 7 in M.3gi.32
Le pecheur. Ballade [s. ou x.]. Avec accomp. de piano.
Paris. Schlesinger. [185-?] No. 19 in M.3gi.32
Petit oiseau. Chanson, m.-s. ou bar. [Accomp. de piano.]
Paris. Richault. [184-? Flours des Landes.]
No. 15 in M.391.32
Premiers transports. [Solo, a., tire de Romeo et Juliette.
Accomp. de piano.] Paris. Catelin. [185-?]
No. 22 in M.391.32
La prise de Troie. See his Les Troyens.
Requiem for chorus and orchestra, by Hector Berlioz.
Piano score by Leopold Damrosch. New York. Schirmer.
1880. No. I in M.265.5
Reverie et caprice. Romance pour le violon avec accomp.
d'orchestre. Partition. Paris. Richault & cie. [184-?]
No. 3 in M.341.19
[Roi Lear.] Grande ouverture du Roi Lear. Partition.
Paris. Richault & cie. [185-?] No. 2 in M.341.19
Romeo et Juliette. Symphonie dramatique avec choeurs,
solos de chant et prologue en recitatif choral . . . com-
'posee par Hector Berlioz. Paroles de Mr. fimile Des-
champs. Grande partition. 2e edition. Paris. Brandus
& cie. 1857. M.341.23
Same. Partition de piano. Avec texte frangais et allemand.
Leipzig. Rieter-Biedermann. [185-?] No. 5 in M.391.31
Sara la baigneuse. Ballade a 3 choeurs et a grand orchestre.
Paroles de Victor Hugo. Musique de Hector Berlioz.
Grande partition. Paris. Richault. [184-?]
No. 5 in M.341.24
I. 15
113
Berlioz
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bernard
Berlioz, Louis Hector. (Continued.)
Same. A 2 voix [s. a. ou t. b.] et accomp. de piano.
No. 12 in M.391.33
Scene de brigands. Melologue. Paroles et musique de Hec-
tor Berlioz. Paris. Schlesinger. [185-?] No. 20 in M.391.32
Les soirees de I'orchestre. Paris. Levy. 1852. M.137.15
Summer nights. See his Les nuits d'ete.
Symphonic fantastique. See his Episode de la vie dun ar-
tiste.
Te Deum, a 3 choeurs avec orchestre et orgue concertants.
[Partition.] Paris. Brandus & cie. [185-?] M.341.25
Le temple universel. Double choeur. [t. t. b. b.] Op. 28.
[Accomp. d'orgue. Paris. 186-?] No. 2 m M.193.2
A treatise upon modern instrumentation and orchestration.
New edition, augmented. Translated by Mary Cowden
Clarke. London. 1856. [Novello's Library for the dif-
fusion of musical knowledge. Theoretical series.] M.131.17
Le trebuchet. Scherzo, s. s. ou t. t. [Accomp. de piano.]
Paris. Richault. [184-? Fleurs des Landes.]
No. 16 in M.391.32
33 melodies pour chant et piano, a I voix ou plusieurs voix
et choeur Nouvelle edition. Paris. Richault & c'^. [186-?]
Portrait. ^ , ^.265.8
Contents. — ViUanelle [M.-s. ou T.l. — Le spectre de la rose lA.J. —
Sur les lagunes [bar. ou a.]. — Absence [m.-s. ou t.]. — Au <:irne-
tiJre [T ] — L'ile inconnue [M.-s. ou T.]. — Le coucher du soleil IT.J.
— Helene [s. A. ou T. B.]. — Chant guerrier [t. b. avec chceurs] —
La belle voyageuse [s.]. — Chanson a boire, chceur [t. b ]. — Chant
sacre, choeur [s. s. T. T. B. B.]. — L'origine de la harpe [s. ou t.]. —
Adieu Bessy [t.]. — £legie [x.]. — Hymne a la France ts. s. T. t. b.].
— La menace des Francs, pour double chceur [t. t. b. b. s. s t. t.
B. B.]. — La captive [a.]. — Sara la baigneuse [s. a. ou T. b-J- —
Tristia [s s t t. b. b.] avec violon et violoncelle. — La mort d U-
phelie [s.A.]'. — Le matin [m.-s. ou t.]. — Petit oiseau [x. ou bar.].
— Le trebuchet [s. s. ou x. bar.]. — Le jeune patre breton [s. ou x.J.
_ Le chant des Bretons [x. x. b. b.]. — Zaide [s-l- — Les champs
rx.l — Chant des chemins de fer [x. x. x. b. b.]. — Chceur d enfaiits
[s. s.]. — Le chasseur danois [b.]. — La belle Isabeau [m.-s.J. — Le
cinq mai [b. et chceur].
Tristia. 3 choeurs avec orchestre. Partition. Paris. Richault.
[1848?] 3 parts in i v. No. 6-8 in M.341.24
Each part is separately catalogued.
Les Troyens. Poeme lyrique en 2 parties. Paroles et mu-
sique de Hector Berlioz. Partition piano et chant. Pans.
Choudens. [187-?] 2 v. M.362.29
Contents. — i. La prise de Troie. 2. Les Troyens a Carthage.
Same. The fall of Troy, from „Les Troyens." lyric opera,
words and music by Hector Berlioz. English text by A.
W Donn. Festival edition. [Accomp. for pianoforte.]
New York. Schirmer. 1882. No. 3 in M.26S.5
Vox populi. 2 grands chceurs [avec orchestre. Partition].
Paris. Richault. [184-?] 2 parts in i v.
No. 12, 13 in M.341.24
Same. [Accomp. de piano.] No. 30, 31 in M.391.32
Zaide. Bolero, s. [Accomp. de piano.] Paris. Richault.
[i8s-? Feuillets d'album.] No. 25 in M.391.32
Berlioz, Louis Hector, editor.
Martini, G. B. Plaisir d'amour. Instrumentee pour un
petit orchestre. No. 3 in M.345.28
Meyer L von. Marche marocaine. Instrumentee a grand
orchestre. No. 2 in M.403.6
RouGET DE Lisle. Hymne des Marseillais arrange a grand
orchestre et a double chceur. No. 9 in M.341.24
Weber, C. M. F. E. von. Invitation a la valse . . . Orches-
tree. ' No. 2 in M.345.28; etc.
Beflioz, Louis Hector. IVorks about.
Bernard, D. Life and letters of Berlioz. Translated by H.
Mainwaring Dunstan. London. 1882. M.128.20
Berti^and, J. fi. G. La cnse musicale. A propos des Troyens
de M. Hector Berlioz. [Paris. 1863.] No. S in M.372.20
BoBiLLiER, M. Deux pages de la vie de Berlioz. Les oeuvres
de Berlioz en Allemagne; le premier opera de Berlioz. Par
Michel Brenet [pseud.]. Paris. 1889. No. i in M.116.6
Breciier, G. Hector Berlioz. "Le carnaval romain." Kon-
zertouvertiire. (Op. 9-) Erlautert. Leipzig. [1899?]
No. 23 in M.217.12.7
L'oeuvre dramatique de H. Berlioz. Paris. 18S4.
Ernst, A.
Portrait. Facsimile.
M. 129.35
Berlioz, Louis Hector. Works about. (Continued.)
Grandmougin, C. J. A Hector Berlioz. Poesie dite par M.
Mounet-Sully . . . le 6 Janvier 1878, au Concert du Chate-
let . . . Paris. 1878. No. i in M.372.43
Grueters, a. Hector Berlioz, Requiem, erlautert. Frank-
furt a. M. [1894.] No. 9, ioinM.217.12.1
Hadow, W. H. Studies in modern music, [ist series.] New
York. 1893. Portraits. M.107.21
Haiin, a. Hector Berlioz, Harold in Italien. Erlautert.
Leipzig. [1899?] No. 6inM.2i7.i2.7
Hector Berlioz, Sinfonie fantastique. Erlautert.
Frankfurt a. M. [1898.] No. 19 in M.217.12.S
Hippeau, E. Berlioz intime. Nouvelle edition. Paris. 1889.
M. 127.15
JuLLiEN, J. L. A. Hector Berlioz: la vie et le combat, les
oeuvres. Paris. 1882. Portraits. Facsimile. M.i39a.i5
Hector Berlioz: sa vie et ses oeuvres. Paris. 1888.
lUus. Portraits. Plates. Facsimiles. M. 121.37
KoENiGLiCHES HoFTHEATER, Hmiovcr. Zwei Opern-Auffiih-
rungen: I. Glinka's „Das Leben fiir den Czar." 2. Hector
Berlioz' „Benvenuto Cellini." Berlin. 1879.
No. 4 in M. 115. 12
Neumann, W. Hector Berlioz. Eine Biographic. Cassel.
1855. Portrait. No. 3 in M.205.16
Noufflard, G. La Symphonic fantastique de Hector Ber-
lioz. Florence. 1880. No. 2 in M.134.9
Smith, F. M. Berlioz and the Romantic school. Portraits.
(7)1 The music of the modern world . . . Vol. i, pp. 167-
170. New York. [189S.]) M.14.1.1
Voleach, F. Hector Berlioz, ,, Faust's Verdammnis." Er-
lautert. Frankfurt a. M. [1895.] No. 33 in M.217.12.2
VoLTZ, L. Hektor Berlioz, Romeo und Julie . . . Op. I7-
Erlautert von Ludwig Voltz und Adolph Pochhammer.
Frankfurt a. M. [1898.] No. 13 in M.217.12.4
Berlioz, Victor.
Anna de Belocca: a biographical sketch. [New York. 1876.]
M.115.4
Berlurette et Larfaillon. Opera. For the Music see Liouville.
For the Libretto see Blondelet.
Bernabei, Giuseppe Antonio.
Alma Redemptoris [s. A. T. B.]. (/» Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 4, pp.
158-160.) No. 40 in M.1S8.33.4
Missa [in D, fiir s. a. t. b.]. (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band i, pp. 64-
86.) No. 4 in M.158.33.1
Missa [in G, fiir s. a. t. b.]. (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band i, pp.
152-174.) No. 8 in M.158.33.1
Missa Veni Creator Spiritus [s. a. t. b.]. {In Lueck. Samm-
lung ausgezeichneter Compositionen fiir die Kirche. Band
2, pp. 125-148.) No. 7 in M.158.33.2
O sacrum convivium. [Motet.] (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 3, pp.
145-147.) No. 37 in M.158.33.3
Regina cceli [s. A. t. B.]. (/« Lueck. Sammlung ausgezeich-
neter Compositionen fiir die Kirche. Band 4, pp. 164-166.)
No. 43 in M.158.33.4
Who can tell how oft he offendeth? Solo [s. or t. Accomp.
for organ.] (In Ayrton. Sacred minstrelsy. Vol. 2, pp.
116-118.) No. 46 in M.290.22.2
Bernabei, Giuseppe Ercole.
Alleluja. [Schluss eines Psalms, s. a. t. b.] (In Rochhtz.
Sammlung vorzuglicher Gesangstucke. Band 2, p. 32.)
No. 8 in M. 202.6.3
Salve Regina [s. a. t. b.]. (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band 4, pp.
177-179) No. 46 in M.158.33.4
Also to be found in Rochlitz's Sammlung vorzuglicher Gesangstucke.
Bernard, Bayle. See Bernard, William Bayle.
Bernard, Daniel.
Life and letters of Berlioz. Translated by H. Mainwaring
Dunstan. London. 1882. M.138.20
114
Bernard
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bernicat
Bernard, Daniel, editor.
Berlioz, L. H. Correspondance inedite, 1819-1868. Avec
une notice biographique. Paris. 1879. 11.129.36
Bernard, £mile.
La captivite de Babylone. Cantate biblique pour voix de
baryton ou mezzo-soprano solo, choeurs et orchestre,
paroles de Leon Reed, musique de fimile Bernard. Op. 8.
Partition chant et piano. Paris. Mackar. [1879.]
No. I in M.213.S
Concerto pour le violon avec accompagnement de piano.
Op. 29. Berlin. Ries & Erler. [188-?] No. S in M.410.7
Same. Avec accomp. d'orchestre. Partition. Nouvelle edi-
tion. Berlin. Ries & Erler. [188-?] No. 2 in M.332.4
Divertissement pour instruments a vent: flutes, 2 hautbois,
2 clarinettes, 2 bassons et 2 cors. Op. 36. Partition.
Paris. Durand. [188-?] No. i in M.40S.4
Fantaisie et fugue (en fa majeur) pour orgue. Op. 24. Paris.
Mackar. [1878?] No. i in M.414.31
Guillaume le Conquerant. fipisode lyrique, en deux parties,
pour baryton et tenor soli, choeur d'hommes et orchestre.
Paroles de Henri Briere. Musique de fimile Bernard.
Reduction de piano par G. Sandre. [Paris.] Baudoux
& cie. [189-?] No. I in M.213.21
Quatuor pour deux violons, alto et violoncelle. (Op. 52.)
Partition. Lyon. Janin. 1903. No. i in M.405.71
Suite in E major for the organ; I. Andantino. 2. Scherzo-
caprice. 3. Introduction and fugue. [Op. 26.] London.
Novello. [187-?] No. 5 in M.3i2.4g
Trio pour piano, violon et violoncelle. Op. 30. [Partition.]
Berlin. Ries & Erler. [188-?] No. 4 in M.211.3.1
Same. [Parties, violon et violoncelle.] No. 6 in M.211.4.1, 2
Bernard, F.
Le reve. Musique de J. Van den Eeden. No. 4 in M.213.4
The words are in French, Dutch and German.
Bernard, Gentil. See Bernard, Pierre Joseph.
Bernard, Giffard, translator.
Bemetzrieder. Music made easy to every capacity.
No. I in M.205.2
Bernard, J. C.
Libussa. Romantische Oper. Musik von C. Kreutzer.
M.232.23
Der Sieg des Kreuzes. Religiose lyrische Dichtung. Wien.
Pichler. 1849. M.145.11
Same. Musik von P. J. Riotte. M.222.13
Bernard, Pierre Joseph.
Castor et Pollux. Tragedie, mise en musique par J. P.
Rameau. M.297.2g; etc.
Bernard, Victor.
Le bouton perdu. Operette. Paroles de MM. E. Grange,
et V. Bernard. Musique de Adrien Talexy.
No. 2 in M.324.8
Fleur d'oranger. Vaudeville de MM. A. Hennequin & V.
Bernard. Musique de A. Coedes. No. 3 in M. 285.16
Goldchignon, komische Operette von Grange, Bernard und
Trefeu. Musik von Emil Jonas. M.286.22
Le grelot. Operette de Eugene Grange & Victor Bernard.
Musique de Leon Vasscur. No. i in M.327.17
Le mariage d'une etoile. Operette. Paroles de MM. Eu-
gene Grange & Victor Bernard. Musique de L E. Le-
gouix. No. 2 in M.306.12
Le menu de Georgette. Operette. Paroles de Victor Ber-
nard et Gabriel Ferry [pseud.]. Musique de L. C. De-
sormes. No. 3 in M.295.35
Le moulin du Vert-Galant. Opera comique de M". E.
Grange et V. Bernard. Musique de G. Serpette. M.322.29
La reine des halles. Opera bouffe de Delacour [pseud.],
Bernard et Burani [pseud.]. Musique de L. Varney.
M.324.40
Rose-Polka. Operette. Paroles de E. Grange et V. Ber-
nard. Musique de E. Willent-Bordogni. No. 4 in M.277.21
Bernard, William Bayle.
The life of Samuel Lover . . . With selections from his
unpublished papers and correspondence. London. King
& Co. 1874. 2 V. Portrait. M. 145.12
Bernard de Morlaix.
Hora novissima. The rhythm on the celestial country, set
to music by H. W. Parker. M.402a.23; etc.
Bernardi, Enrico.
Patria! Dramma lirico in 4 atti, versi di Ferdinando Paga-
vini, musica di Enrico Bernardi. Canto in chiave di sol
con accomp. di pianoforte. Milano. Lucca. [1879.]
M.383.4
Bernardini, Leonie.
Richard Wagner. Sa vie, ses poemes d'opera, son systeme
dramatique et musical. Paris. Marpon & Flammarion.
[1882.] No. I in M.129.40
Bernardini, Marcello.
La finta Galatea o sia I'antiquario fanatico. Dramma gio-
coso a sette voci. [Partitura.] Musica del Sig. Marcello
di Capua. Manuscript. [1789.] 2 v. M.31.4
Bernede, Arthur.
Franijonnette. Opera-comique de J. Goujon & A. Bernede.
Musique de R. Lavallo & L. de Vaux. M.393.36
Ninon de Lenclos. fipisode lyrique de Andre Leneka et
Arthur Bernede. Musique de Edmond Missa. M.302.12
Les petites vestales. Opera-bouffe. Paroles de E. Depre
et A. Bernede. Musique de Frederic Le Rey et Justin
Clerice. M.402.36
La redingote grise. Opera-comique. Paroles de A. Leneka
et A. Bernede. Musique de Frederic Le Rey.
No. I in M.393.37
Sapho. Piece lyrique. Paroles de MM. Henri Cain et
Bernede. Musique de J. Massenet. 11.394.7
Berner, Friedrich Wilhelm.
Der Ein Hundert und Fiinfzigste Psalm fiir vier Singstim-
men [t. T. B. B.] und Orchester. Partitur. Breslau. Leuc-
kart. [182-?] No. 12 in M.212.3
Kriegsgesang. [Miinnerchor.] {In Eidgenossischer Siin-
gerverein. Wettgesange bei dem 12. . . . Sangerfeste.
P. 16.) No. 8 in M. 130.7
Studentengruss [t. t. b. b.]. (/n Orpheus. Band 2, pp. 31,
32.) No. 64 in 11.1293.43.2
Same. The students' greeting. (In Monk. Novello's Part-
song book. Pp. 34-36.) No. 9 in M.157.4
Berner, Friedrich Wilhelm. IVorks about.
Friedrich Wilhelm Berner, ehemals Ober-Organist an der
ersten evangelischen Haupt-Kirche . . . zu Breslau, nach
seinem Leben und Wirken in der Musik dargestellt. Bres-
lau. 1829. M. 104.36
Bernhard, A., translator.
Kui. Ein Gelage wahrend der Pest. No. 3 in 11.399.14
Tanieev, a. S. Amors Rache. M.397.66
Tcii.MKOvsKi, P. L Eugen Onegin. M. 324.26
Pique Dame. M.324.27
Bernhard, Tristan.
La petite femme de Loth; opera bouffe. Musique de Claude
Terrasse. 11.381.51
Bernhardt, John Wilkes.
Music & mind and musical physics. London. Chappell &
Co. [1878.] No. 2 in M. 116.5
Bernhardt, John Wilkes, translator.
AuBER. The crown diamonds. M.237.20
Bernhoff, John, translator.
Reger, M. Beitrage zur Modulationslehre. M.376.27
Samara. La Biondinetta. M.378.13
WoYRSCH. Passions-Oratorium. M.415.21
Bernicat, Firmin. • j
Ah! c' r Indien. Operette bouffe en i acta. Paroles de
Cehem Gedhe. Musique de Firmin Bernicat. [Partition
chant et piano. Paris. Dignat. 1874.] No. 3 in II.301.1
Ali-Pot-d'Rhum. Operette en un acte. Paroles de Cehem
Gedhe. Musique de Firmin Bernicat. [Partition chant
et piano.] Paris. Choudens. [1870?] No. 2 in M.39S.4
Une aventure de Clairon. Operette en un acte. Paroles de
Pericaud et Villemer. Musique de Firmin Bernicat.
[Partition piano et chant.] Paris. Michaelis. [187-?]
No. I in 11.399.70
lis
Bernicat
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bertin
Bernicat, Firmin. (Continued.)
Les barbieres de village. Operette en i acte. Paroles de
Blondelet & Baumaine. Musique de Bernicat. [Partition
chant et piano.] Paris. Feuchot. [1878.] No. i in M.301.1
Les beignets du roi. Opera-comique en 3 actes, d'apres la
comedie de Benjamin Antier. Paroles de Albert Carre.
Musique de Firmin Bernicat. Partition piano & chant.
Paris, Enoch & Costallat. [1882.] M.26S.12
Les cadets de Gascogne. Operette en i acte. Paroles de
Dorfeuil & Mey. Musique de Firmin Bernicat. [Parti-
tion chant et piano.] Paris. Michaelis. [188-?]
No. 4 in M.265.4
La cornette. Operette en i acte. Paroles de Pericaud,
Villemer & Delormel. Musique de Firmin Bernicat.
[Partition chant et piano.] Paris. Feuchot. [1878.]
No. 2 in M.301.1
Deux coups de marteau. Saynete. Paroles de Gedhe et
Calixte [pseud.]. Musique de F. Bernicat. Partition
chant et piano. Paris. Choudens. [187-?]
No. 3 in M.395.4
FraiiQois les has bleus. Opera comique en 3 actes. Paroles
de MMrs. Ernest Dubreuil, Eugene Humbert et Paul
Burani [pseud.]. Musique de Firmin Bernicat terminee
par Andre Messager. Partition piano et chant. Paris.
Enoch & Costallat. [1883.] Portrait. M.26S.11
Same. Francois the Radical. Opera comique in 3 acts.
Libretto by the author of "The candidate." Music by F.
Bernicat and A. Messager. Vocal score. London. Enoch.
[188-?] M.395.6
The music is by Bernicat, finished and revised by Messager.
La jeunesse de Beranger. Operette en i acte. Paroles de
Pericaud & Villemer. Musique de Firmin Bernicat.
[Partition chant et piano.] Paris. Bathlot. [187-?]
No. 4 in M.395.4
Un mari a I'essai. Operette en un acte. Paroles de Peri-
caud & Villemer. Musique de Firmin Bernicat. [Parti-
tion chant et piano.] Paris. Bathlot. [187-.]
No. 2 in M.402.63
On demande un Arlequin. Operette en i acte. Poeme de
Pericaud & Delormel. Musique de Firmin Bernicat.
Partition piano et chant. Paris. Gregh. [i88-?l
No. 3 in M.265.4
Une poule mouillee. Operette en i acte. Paroles de Jou-
haud, Pericaud & Villemer. Musique de Firmin Bernicat.
Partition piano et chant. Paris. Bathlot. [188-?]
No. 5 in M.265.4
Les premieres armes de Louis XV. Opera-comique en 3
actes, d'apres la comedie de Benjamin Antier. Paroles
de Albert Carre. Musique de Firmin Bernicat. Partition
piano & chant. Paris. Enoch & Costallat. [1888.]
M.265.13
La queue du diable. Opera-comique en un acte. Paroles
de Quentin et Gedhe. Musique de F. Bernicat. [Parti-
tion piano et chant.] Paris. Chatot. [1873.]
No. 4 in M.399.3
Les Tziganes de Longjumeau. Operette en i acte. Paroles
de Georges Dorfeuil. Musique de Firmin Bernicat. [Par-
tition chant et piano.] Paris. Feuchot. [187-?]
No. 4 in M.301.1
Bernier, Nicolas.
Cantates fran?oises ou musique de chambre a voix seule,
avec simphonie et sans simphonie avec la basse continue.
Paris. Boivin. [1703?] M.236.2S
Contents. — ■ Diane. — L'inconstance. — Venus et Adonis. — L'Himen.
— Le triomphe de I'Amour. — Les forges de Lemnos.
Berninzone, Raffaele.
II cadctto di Guascogna. Commedia lirica. Posta in musica
del Mo. S. A. De-Ferrari. M.29S.17
La colpa del cuore. Dramma lirico. Musica del Mo. F.
Cortsi. M.291.25
La educande di Sorrento. Melodramma giocoso. Musica
del Mo. Einilio Usiglio. M. 324.32
Giralda. Melodramma giocoso di G. Giachetti e R. Bernin-
zone, posto ill musica dal Mo. .Vntonio Cagnoni. M. 281.24
II mciiestrcllo. Musica di S. .\. De-Ferrari. M.262.40
Berninzone, Raffaele. (Continued.)
Pipele, ossia il portinajo di Parigi. Melodramma giocoso.
Musica di S. A. De-Ferrari. M.256.2
Bernoux, Leon, pseud. See Perronnet, Amelie.
Bernsdorf, Eduard.
Neues Universal-Lexikon der Tonkunst. [Erster Nach-
trag.] Dresden. Schaefer. [1856-65.] 4 v. Portraits.
M. 124.7
Bernstein, Elsa.
Konigskinder. Ein Marchen von Ernst Rosmer [Pseud.].
Musik von Engelbert Humperdinck. M.396.SI
Berr, Georges.
Princesse Bebe. Operette de P. Decourcelle & G. Berr.
Musique de Louis Varney. M.381.61
Berre, Ferdinand.
Le couteau de Castille. Opera bouffe en i acte. Paroles
de Alph. Gillard. Musique de Ferdinand Berre. [Parti-
tion piano & chant.] Bruxelles. Sauweryns. [1868.]
No. I in M. 265.14
Berta, E. Augusto.
Phantoms (Fastasmi nell' ombra). The music by Giro Pin-
suti. No. 4 in M.204.24
Bertal, Georges, pseud. See Albert, Georges.
Bertati, Giovanni.
II matrimonio segreto, or the secret marriage; a comic
opera. Music by Cimarosa. London. Winchester. N. d.
Words only, in Italian and English. No. 8 in M.I09a.I.I
Same. Posta in musica da Cimarosa. M.363.12
Same. Musique de Cimarosa. Paroles frangaises de Moline.
M.2gi.i2
Same. (The secret marriage.) With Italian and English
words [by G. Bertati]. The music by Domenico Cima-
rosa. M.382.9
[La principessa di Amalfi. Dramma giocoso. La musica di
Giuseppe Weigh] M.340.18
Bertelman, Jan Georg.
Missa pro defunctis, tribus vocis humanis comitante organo
vel pianoforte concinenda. Amstelodami. Theune &
soc. 1835. No. 3 in M.260.1
Missa [quatuor vocibus concinenda comitante orchestra]
edita a Societate Hollandica musicae promovendae. [Par-
titio.] Hagae Comitis. Beuster. 1856. M.221.40
Bertelsmann, Carl August.
The request. [Mannerchor.] (In The Orpheus. New se-
ries. Vol. 4, PP- 103-107.) No. 23 in M.205.10.4
Also to be found in Orpheus glee book.
Bertha's Lied in der Nacht. Song. Schubert. F. P. Werke.
Serie 20, Band 6. M.3I7. 1.20.6
Berthe, F. L.
Beethoven, drame lyrique, precede de quelques mots sur
I'expression en musique et sur la veritable poesie dans le
drame lyrique. Paris. Denain. 1836. No. I in M.141.7
Berthelot, Paul.
Madame Tallien (Theresia Cabarrus). Piece historique de
Paul Berthelot et Claude Roland. Musique de Jane Vieu.
M.396.67
Berthold, G.
Katzenduett [s. A. Mit Begleitung des Pianoforte]. Leip-
zig. Siegel. [185-?] No. 17 in M.236.6
Bertin, Louise Angelique.
Esmeralda. Opera en quatre actes, paroles de Victor Hugo,
musique de Louise Bertin, avec accompagnem' de piano
par F. Listz [sic], Paris. Troupenas. [1836?] M.396.4
Fausto, opera semi-seria in quattro atti della Signorina
Luigia Bertin. Ridotta per il cembalo [e canto]. Opera
II. Paris. Janet & Cotelle. 1831. M.396.5
The words are adapted from Goethe.
Le loup garou. Opera comique en i acte. Paroles de Scribe
et Mazeres. Musique de Louise Bertin. [Partition.]
Paris. Schlesinger. [1827.] M. 261.29
Bertin, Luigia. See Bertin, Louise Angelique.
Bertin, T. de la Doue.
Le jugcment de Paris, pastorale heroique. Paris. Ballard.
1 7 18. M.I 20.6
116
Berlin
THE ALLEN A. BROWN COLLECTION OF MUSIC
Beruhigung
Bertin d'Antilly, Louis Auguste.
L'isle des fous. [Paroles d'Anseaume, Marcouville et Ber-
lin d'Antilly.] Mis en musique par Mr. Duny.
No. 3 in M.283.1S
Bertini, Benoit Auguste.
Musique composee pour I'opera intitule Le prince d'occa-
sion, par Auguste Bertini et refusee par le Comite du
Theatre Feydeau. Arrangee pour le piano. [Paroles de
Lamartelliere.] Paris. L'auteur. [1817.]
No. I in M.261.30; M.261.31
Una visita a Bedlam. Opera buffa in 2 atti. [Partitura.]
Manuscript. Autograph. [1824?] 2 v. M.320.7
Bertini, Henri Jerome.
O Salutaris, pour t. ou s. Avec accomp. d'orgue. Paris.
Regnier-Canaux. [185-?] No. 20 in M.260.10.4
Regina coeli [t. T. B. B.]. Accomp. d'orgue. Paris. Regnier-
Canaux. [185-?] No. 7 in M.201.33
3 duos pour piano et violon arranges par N. Louis d'apres
les trios Op. 20, 21 et 22 composes par Henri Bertini
jeune. [Partition et partie de violon.] Paris. Meisson-
nier. [184-?] 6 v. in 2. No. 1-3 in M.390.10
Bertini, Henri, jeune. See Bertini, Henri Jerome.
Bertol-Graivil, pseud. See Domicent, Eugene fidouard.
Berton, H. See Barton, Henri Montan.
Barton, Henri Montan.
Aline, reine de Golconde. Opera en 3 actes. Paroles de
Vial & Favieres. [Musique] par H. Berton. [Partition.]
Paris. Berton & Loraux. [1803.] M.271.9
Same. Ouverture & airs, arranges par Mr. Wolff pour le
piano-forte. Bonn. Simrock. [184-?] No. 2 in M.230.20
Le concert interrorapu. Opera comique en I acte, de Mar-
sollier et Favieres. Mis en musique . . . par H. Berton.
[Partition.] Paris. Gaveaux. [1802.] M.271.3
De la musique mecanique et de la musique philosophique.
Paris. Eymery. 1826. M.101.32; No. 4 in M.116.14
Le delire. Opera en i acte . . . Par H. Berton. Les pa-
roles de Mr. Reveroni St. Cyr. [Partition.] Paris. Boiel-
dieu. [1800?] M.271.2
Les deux mousquetaires, ou la robe de chambre. Opera
comique en i acte. Paroles de MM. Justin-Gensoul et
Vial. Musique du Chevalier H. M. Berton. [Partition.]
Paris. Dufaut & Dubois. [1825?] M.224.2
Frangoise de Foix. Opera en 3 actes. Paroles de Bouilly
& Dupaty. Mis en musique . . . par H. Berton. [Parti-
tion.] Paris. Duhan & cie. [1809.] M.271.10
Le grand deuil. Opera en un acte [par J. B. C. Vial et C. G.
fitienne]. Musique de H. Berton. Klavierauszug. Leip-
zig. Breitkopf & Hartel. [1801?] No. i in M.230.20
Hymne du 21 Janvier [s. ou t. Accomp. de piano]. (In
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise . . . Pp. 94, 95.) M.380.14
Hymne pour la fete de I'agriculture [s. a. t. b. Accomp. de
piano]. (In Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise . . . Pp. 270-277.)
M. 380. 1 4
Marche militaire. [Pour le piano.] (In Pierre, C. V. D.
Musique des fetes et ceremonies de la Revolution fran-
gaise ... P. 555.) M.380.14
Les maris gargons. Opera comique en i acte. Paroles de
M"'. de Nanteuil . . . Mis en musique . . . par H. Berton.
[Partition.] Paris. Duhan & cie. [1806.] M.271.6
Montano et Stephanie. Opera en 3 actes, par le Cit. Jaure.
Mis en musique par H. Berton. [Partition.] Paris. Des
Lauriers. [1799.] M.271.4
Same. Partition de piano et chant. Launer. [184-?]
M.362.31
Ninon chez M™^ de Sevigne. Opera en un acte en vers
. . . Paroles de Mr. Emanuel Dupaty. Mis en musique
.... par H. Berton. [Partition.] Paris. Duhan & cie.
[1808?] M.227.9
Le nouveau d'Assas. Trait civique en I acte et en prose.
Paroles de M^. * * * [Dejaune]. Mis en musique par Mr.
Berton. [Partition.] Paris. Des Lauriers. [1790.]
M.271.5
Berton, Henri Montau. (Continued.)
Les promesses de mariage, ou la suite de I'fipreuve villa-
geoise. Opera bouffon en 2 actes et en vers. Paroles de
Desforges [pseud.], musique de Berton. [Partition.] Paris.
Imbault. [1787.] M.271.7
Les rigueurs du cloitre. Drame lyrique en 2 actes et en
prose, par M. Fievee, mis en musique par M. Berton.
[Partition.] Paris. Des Lauriers. [1790.] M.271.8
Roger de Sicile, ou le roi troubadour. Opera en 3 actes.
[Paroles de J. H. Guy.] Musique de H. M. Berton. [Par-
tition.] Paris. Benoist. [1817.] M.261.33
La romance. Opera en i acte. Paroles de Loraux jne.
Musique de H. Berton. [Partition.] Paris. Berton &
Loraux. [1804.] M. 261.34
Virginie ou les Decemvirs. Tragedie lyrique en 3 actes.
Paroles de M"". Desaugiers I'aine. Musique de H. M. Ber-
ton. [Partition.] Paris. Dufaut & Dubois. [1823.]
M.271.1
Barton, Henri Montan. editor.
Gretry, a. E. M. Guillaume Tell. M.261.32
Berton, Henri Montan. Works about.
MoNNAis, D. G. E. Histoire d'un chef-d'oeuvre (Montano
et Stephanie). Par Paul Smith [pseud. Paris]. 1841.
No. 2 in M.116.14
Berton, Pierre Francisque Samuel.
Sardanapale. Opera. Musique de Alph. Duvernoy. M.30S.32
La tempete. Poeme symphonique. Musique de Alphonse
Duvernoy. M.30S.3X
Bartoni, Ferdinando Giuseppe.
II convito; or, the banquet: a comic opera . . . With altera-
tions and additions by A. Andrei. London. Reynell.
1782. No. 8 in M.147.S
Libretto only, in English and Italian.
[Demofoonte.] The favorite songs in the opera Demo-
foonte. [By Sigr. Bertoni, Misliwecek, Sarti and Monza.
Accomp. for small orchestra. The overture for piano-
forte only.] London. Napier. [1788?] No. i in M.400.36
[Son amante. a. or bar. Accomp. de piano.] Manuscript.
[179-?] No. 6in M.140.1
There is no title-page.
La verginella come la rosa. Rondo [s. or t. Accomp. for
pianoforte]. (In Musical library. Vol. 3, pp. 51-53.)
No. 15 in M.235.18.3
Bartrand, Jean fidouard Gustave.
La crise musicale. A propos des Troyens de M. Hector
Berlioz. [Paris. 1863.] No. 5 in M.372.20
De la reforme des etudes du chant au Conservatoire. Paris.
Heugel & cie. 1871. No. 2 in M. 206.4
Essai sur la musique dans I'antiquite. Paris. Firmin Didot.
i860. No. I in M.116.8
fitudes d'economie theatrale. Les theatres lyriques de
Paris. [Paris. 1S66.] No. 2, 3 in M.372.20
From the Revue modeme.
Les nationalites musicales etudiees dans le drame lyrique.
Paris. Didier & cie. 1872. M.i39a.4
Les origines de I'harmonie. [Paris.] 1866. No. 4 in M.372.20
From the Revue modeme.
Bertrie, Paul.
L'ermite des Batignolles. Operette-bouffe en i acte. Pa-
roles de G. Chazol et Paul Roc. Musique de Paul Bertrie.
Partition pour piano et chant. Paris. Dignat. [1873.]
No. I in M.265.1S
La fille du charpentier. Operette en un acte. Paroles de
L. Pericaud et Delormel. Musique de Paul Bertrie. Par-
tition piano et chant. Paris. Joubert. [187-?]
No. 2 in M.381.4
Menage a quatre. Operette bouffe en i acte. Paroles de
P. Roc & C. Wartel. Musique de Paul Bertrie. Partition
pour piano et chant. Paris. Dignat. [1875.]
No. 2 in M.26S.1S
Le pari perdu. Operette bouffe en i acte. Paroles de Paul
Roc. Musique de Paul Bertrie. Partition pour piano et
chant. Paris. Dignat. [1876.] No. 3 in M.265.1S
Beruehmta Menschan. Biography. Lackowitz. M.102.IS
Beruhigung. Song. Blumenth.^l. 6 Lieder. No. 28 in M.244.1
117
Berutti
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Betrachtung
Berutti, Arturo.
Tarass Bulba. Dramma lirico in quattro atti di Guglielmo
Godio. Musica di Arturo Berutti. Opera completa per
canto e pianoforte. Riduzione dell' autore. Milano,
Ricordi & c. [189-?] M.399.4
Berwald, Franz.
Estrella de Soria. Stor romantisk opera i 3 akter af Otto
Prechtler. Musiken af Franz Berwald. Klaverutdrag.
Stockholm. Hirsch. [1865.] M.26S.16
The words are in Swedish and German,
Besanzoni, Ferdinando.
Le cherclieur d'esprit. Opera-comique en i acte. Paroles
de fidouard Foussier. Musique de F. Besanzoni. Piano
et chant. Paris. Vergnon. [1856.] M.271.11
Bescheidene Bitte. Part-song. Mueller, C. F. W. Wacker-
nagel's Weinbuchlein. Heft 3. No. 8 in M.392.19
Bescheidung. Song. Loewe, J. C. W. Riickert's Gedichte.
No. I in M.221.30
Beschnitt, Johannes.
Am Donaustrom. [Mannerchor.] (/n Abt. Deutsche
Siingerhalle. Vol. 3. PP- 49-Si-) No. 16 in M.392.42.3
Drei Blumen. [Mannerchor mit t. Solo.] {In Abt.
Deutsche Sangerhalle. Vol. 3, pp. 1-6.) No. i in M.392.42.3
Drei Lieder fiir Mannerchor. Op. 42. Stettin. Mauri.
[187-?] No. 14 in M.392.35
Contents. — Die Verlassene. — Nachtlied. — Sternennacht.
Ossian. [Mannerchor.] (/» Abt. Deutsche Sangerhalle.
Vol. 2, pp. 56-60.) No. 17 in M.392.42.2
Rheinfahrt. [Mannerchor.] (/n Abt. Deutsche Sanger-
halle. Vol. 2, pp. 17-20.) No. 6 in M.392.42.2
6 Lieder fur Mannerchor. Op. 35- Berlin. Simon. [187-?]
No. 12 in M.392.35
Contents. — Nach den Bergen. — Alpennacht. — Im Hochland. —
Serenade [bar. solo, t. t. b. b.]. — Der goldne Sonnenschein. — Stand-
chen.
Serenade, [bar. solo, t. t. b. b.] English words. Boston,
Apollo Club. [188-?] No. 13 in M.392.35
Same. New York. Schirmer. 1887. No. 34 in M.392.4
The original German edition is No. 4 in his 6 Lieder fur Mannerchor.
Sieben Lieder fiir Mannerchor. Heft 2. Op. 32, No. 4-7.
Berlin. Simon. [185-?] No. 32 in M.392.4
Contents. — Neuer Friihling. — „0 Wald, wie ewig schon bist du."
— Lebewohl. — Abendlauten.
Sunshine. Der goldene Sonnenschein [t. t. b. B.]. Phila-
delphia. Boner & Co. [1886.] No. 35 in M.392.4
The words are in English and German.
Trink- und Wanderlied bei Regenwetter [x. x. b. b. Berlin.
Simon. 186-?] . No. 5 in M.392.33
Zwei Lieder fiir Mannerchor und Bariton Solo. Op. 27-
Berlin. Simon. [186-?] No. 33 in M.392.4
Contents. — Morgenwanderung. — Wurde der Frauen.
Beschwichtigung. Part-song. Fischer, C. L. Drei Quartetten.
No. 60 in M.392.7
Beseke, Fr.
Abendlied . . . fiir vierstimmigen Mannergesang. Op. 14.
Partitur. Magdeburg. Haushahn. [188-?]
No. 36 in M.392.4
Serenade ... fiir Mannerchor und Tenor-Solo. Op. 15.
Magdeburg. Haushahn. [188-?] No. 37 in M.3g2.4
Besele, H. von.
Es muss vergessen sein! Trinklied [t. t. b. B.j. Op. 5.
Schleusingen. Glaser. [187-?] No. 15 in M.392.35
Besozzi, Louis Desire.
Veni Creator [x. x. b. b.]. (/n Eidgenossischer Siingerverein.
Miinnerchore fiir das 14. . . . Sangerfest. Pp. 19-22.)
No. 4 in M.130.7
Also to be found in Recueil des chceurs d'ensemble frangais.
Besselievre,
Concert des Champs-£lysees. [Note relative a la conces-,
sion du Concert des Champs-filysees. Considerations
sur Icsquelles M. de Besselievre s'appuie pour en obtenir
la prolongation . . . Paris. 1867.] No. 7 in M. 134.9
Bessems, Antoine.
Messe solennelle, 2"i', a 4 voix, avec ace. . . . d'orgue ou
de piano. Mayence. Schott. [1845?] No. 4, 6 in M.191.2
Messe solennelle, 4me, pour quatr« voix et orgue. Bruxelles.
Schott. [186-?] No. I in M.201.3
Besson, Louis.
Zaire. Opera d'!£douard Blau & Louis Besson. Musique
de P. V. de La Nux. M.296.aa
Best, William Thomas.
The Lord is great in Sion. Full anthem. [Accomp. for
organ.] {In Novello's Collection of anthems. Vol. 2, pp.
155-160.) No. 18 in M.195.2.3
Also to be found in Novello's Collection of 31 anthems.
A morning and evening cathedral service [Te Deum, Jubi-
late, Sanctus, Kyrie, Magnificat, Nunc dimittis, in D],
for a chorus of 4 voices with organ accomp. London.
Novello. [185-?] No. 28in M.190.1; No. 2in M.236.22
"Praise the Lord, call upon His name," anthem, for s. and x.,
with chorus and organ. London. Novello. [185-?]
No. 2 in M.270.29
Te Deum laudamus. In C. [Accomp. for organ.] {In No-
vello's Parish choir book. Pp. 91-94.) No. 18inM.157.30
While shepherds watch'd their flocks by night. Anthem for
Christmas day, for a b. voice, with chorus and organ.
London. Novello, Ewer & Co. [1869?] No. 29 in M.igo.i
Best, William Thomas, editor.
Handel. First organ concerto with orchestral accompani-
ment. No. 3 in M.30.23
Six organ concertos. M.312.46
Mendelssohn-Barxholdy, J. L. F. Six sonatas and three
preludes and fugues composed for the organ. M.312.47
Best compliments. The. Part-song. Arnold, S.
No. 113 in M.220.9.3
Best time. The, in the year. Part-song. Franz, R. Six songs
for mixed voices. No. 12 in M.270^
Bestaendig, Otto.
Deutscher Hymnus fiir Chor, Solo [s. x.] und Orchester.
Clavierauszug. Hamburg. Cranz. [188^?]
No. 6 in M.39I.3I
Der Tod Balders. Oratorium fiir Soli, Chor, Orchester und
Orgel. Text und Musik von Otto Bestandig. Op. 35.
Clavierauszug. Hamburg. Bohme. [188-?] M.202.13
Bestaendigkeit. Part-song. Boenicke. Vier Lieder.
No. 10 in M.392.S
Bestattung. Part-song. Amplewitz. No. 4, 5 in M.392.3
Beste, Das. Part-song. Hirsch, C. Drei Mannerchore.
No. 6 in M.392.12
Beste Liebesbrief, Der. Duet. Cornelius. Werke. Band 2.
M.4i4.20.a
Beste Schicksal, Das. Part-song. Weber, G. No. 8 in M.212.18
Beste Zeit, Die. Part-song. Franz, R. Sechs Lieder fiir
gemisch'ten Chor. No. 18 in M.X58.2a
Bestia stultus homo. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Bestrafte Neugier. Part-song. Dregerx. No. 80 in M.39a.3
Besuch, Ein, in St. Cyr. Opera. For the Music see Dessauer.
For the Librexxo see Bauernfeld.
Betende, Die. Part-song. Diabelli. No. 7 in M.221.5
George V., of Hanover. Drei Lieder. No. 6 in M. 155.17
ScHiCHT. Sechs Gesiinge. No. 2 in M. 152.29
Betende, Die. Song. Schuberx, F. P. Werke. Serie 20,
Band i. M.317.1.20.1
Bethany. Cantata. For the Music see Diemer, P. H.
Bethizy, Jean Laurent de.
Exposition de la theorie et de la pratique de la musique,
suivant les nouvelles decouvertes. Paris. Lambert. 1754.
No. I in M. 147.19
Bethleem. Cantata. For the Music see Imbert, G. F.
Bethlehem. Anthem. Beach. No. 12 in M.203.26
Bethlehem. Carol. Gounod. No. 2 in M.290.13
Bethlehemitischen Gefilde, Die. Cantata. For the Music see
Schwanberg.
Betjemann, Gilbert Richard.
The song of the Western men. Ballad for chorus and
orchestra. The words by R. S. Hawker. Composed . . .
by Gilbert R. Betjemann. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. [188-?] No. 5 in M.194.3
Betly. Opera. For the Music see Donizetti.
Betrachtung des Todes. Trio. Haydn, F. J. Gesiinge. Heft i.
No. I in M.312.35
118
Betrogen
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bianchi
Betrogen. Song. Raff. Sanges-Friihling. Heft i.
No. I in M.ig2.4
Betrogene Kadi, Der. Opera. For the Music see Gluck. For
the Libretto see Lemonnier, P. R.
Betrogne Welt, Die. Song. Mozart. XXX Gesange.
M.221.28; etc.
Bettelheim, Jakob.
Der Bey von Marocco. Operette. Komponirt von Victor
Hollaender. No. 2 in 11.395.65
Bettelspruch. Part-song. Zenger. Golias. Heft i.
No. 36 in M.392.27
Bettelstudent, Der. Opera. For the Music see Milloecker.
For the Libretto see Walzel.
Better far. Song. Cowen. No. S in M.192.11
Better land. The. Anthem. Hanscom. No. i in M.203.16
Better land. The. Part-song. Gaul. No. to in M. 157.25
Better land. The. Song. Cowen. No. 6 in M.192.11
Better times are coming. Song. Foster, S. C.
No. 6 in M.380.41.1
Bettler, Der. Song. Albert, Prince Consort. Collected com-
positions. M.2go.23
Betulia liberata. Oratorio. For the Music see Mozart. Werke.
Beule, Charles Ernest.
filoge de Meyerbeer. Paris. Didier & cie. 1865.
No. 2 in M.U5.6
L'Opera et le drame lyrique. Replique a I'Assemblee
nationale a propos des subventions theatrales. Paris.
Levy. 1872. No. 4 in M. 206.19
Bever voglio. Part-song. Lidarti. No. 132 in M.220.9.1
Beviam godiam. Catch. Cocchi. No. 100 in M.220.9.1
Beviam' o dori. Part-song. Berg, G. No. 153 in M.220.9.1
Beviamo amici. Catch [for 4 voices]. (In Warren. Vocal
harmony. P. 5.) No. 3 in M.220.to
Beviamo tutti tre. Glee. Giardini. No. 29 in M.isga.iS.i; etc.
Bevin, Elway.
Hallelujah. Canon (5 in i). (/» Hullah. Part music. Sacred.
Vol. 2, pp. 87-89.) No. 30 in M. 157.28.2
The Te Deum, Benedictus, Kyrie, Nicene creed, Magnificat,
and Nunc dimittis [in Dorian mode. Accomp. for organ].
(In Boyce. Cathedral music. Ed. Warren. Vol. i, pp.
115-146.) No. 4 in M.233.23.1
Beware. Part-song. Girschner. No. 16 in M.109.1
Hatton. . No. 5 in M.195.1.6; etc.
Rossini. No. 16 in M.157.17.1
Beweinet, so geweint in Babel's Land. Duet. Henschel, G.
No. 5 in M.346.10
Beviritch'd, Lady Fanny. Catch. Arne, T. A.
No. 117 in M.220.9.1
Bewusstsein. Song. Taubert, C. G. W. Zwolf Lieder.
No. 3 in M.22I.25
Bexfield, William Richard.
Church anthems. [Accomp. for organ.] London. Novello.
[185-?] Portrait. M.234.15
Contents. — Hear my prayer [s. s. A. T. b.]. — The Lord is my light
[s. s. A. T. B.]. — Remember, O Lord [s. s. A. T. B.]. — O Lord, Thou
art just [s. s. a. a. t. t. b. b.]. — Glory be to God on high. — Not unto
us, Lord. — Hide Thy face from my sins.
Israel restored; an oratorio. [The words from the Bible.
Accomp. for pianoforte.] London. [1852?] M.241.13
Bey von Marocco, Der. Opera. For the Music see Hollaen-
der, V. For the Libretto see Bettelheim.
Beyer, Carl.
Felix Draseke, Requiem (H-moll. Op. 22). Eriautert von
Carl Beyer. Frankfurt a. M. Bechhold. [1898. Der
Musikfiihrer.] No. 3 in M.217.12.4
Felix Draeseke, Symphonic tragica (Op. 40). Eriautert von
Carl Beyer. Frankfurt a. M. Bechhold. [1895. Der
Musikfuhrer.] No. 32 in M.217.12.2
Johannes Brahms, Ein deutsches Requiem, Op. 45. Eriau-
tert von Carl Beyer. Frankfurt a. M. Bechhold. [1895.
Der Musikfiihrer.] No. 40, 41 in M. 217.12. 2
Johannes Brahms, Klavierkonzert in D-moll, Op. 15. Er-
iautert von Carl Beyer. Frankfurt a. M. Bechhold. [189s.
Der Musikfiihrer.] No. 18 in M.2i7.i2.i
L. van Beethoven, Violinkonzert, Op. 61. Eriautert von
Beyer, Carl. (Continued.)
Carl Beyer. Frankfurt a. M. Bechhold. [1898. Der
Musikfiihrer.] No. 21 in M.2i7.ia.4
Mozart, Requiem. Mit Text. Eriautert von Carl Bever.
Frankfurt a. M. Bechhold. [1898. Der Musikfiihrer.]
No. 144 in M.2I 7.12.6
Peter Iljitsch Tschaikoffsky, Symphonie in E-moII (No. 5).
Op. 64. Eriautert von Carl Beyer. Frankfurt a. M.
Bechhold. [1898. Der Musikfuhrer.] No. 20 in M.127.12.6
Beyer, Hermann.
Zwei Lieder fur vierstimmigen Mannerchor. Op. 6. Leip-
zig. Forberg. [1887.] 2 parts in i v. No. 25, 26 in M.392.3
Contents. — Herbstlied. — Der Tropfen Thau.
Beyle, Marie Henri.
Memoirs of Rossini. By the author of the Lives of Haydn
and Mozart. London. Hookham. 1824. Portrait.
M.I 1 6.2
Vie de Rossini, par M. de Stendhal [pseud.]. Paris. Boul-
land & cie. 1824. 2 v. in i. Portraits. M.117.14
Beyle, Marie Henri, editor and translator.
The life of Haydn [by G. Carpani], . . . followed by the
life of Mozart [by von Schlichtegroll], with observations
on Metastasio, and the present state of music in France
and Italy. Translated [by R. Brewin] from the French of
L. A. C. Bombet [pseud.]. With notes by the author of
Sacred melodies [W. Gardiner]. London. Murray. 1817.
M.116.1
Beyond the smiling and the weeping. Anthem. Emerson,
L. O. No. 3 in M.igo.3
Bezaubernde, Die. Opera. For the Music see Tchaikovski,
P. I. For the Libretto see Shpazhinski.
Bezauberte Knabe, Der. Duet. Henschel, G. Serbisches
Liederspiel. No. 2 in M.194.15
Bezecny, Emil, editor.
Handl. Opus musicum. Herausgegeben von Emil Bezecny
und Josef Mantuani. M.414.8
Isaac. Choralis Constantinus. Theil I. Herausgegeben
von Emil Bezecny und Walter Rabl. M414.9
Biadi, Giovanni.
Messa a 4 voci (2 tenori e 2 bassi) con organo e violoncelli
obbligati. Firenze. Guidi. [1862.] No. I in M.i56.2a
Biagi, Alamanno.
Una lagrima alia memoria del Prof. Lodovico Biagi. Messa
di requiem a 4 voci in piena partitura. Firenze. Lorenzi.
[184-? Musica sacra.] M.250.5
Biagioli, Antonine Perry. See Perry Biagioli, Antonine.
Biagioli, Henri Perry. See Perry Biagioli, Henri.
Bial, Rudolf.
Der Herr von Papillon. Operette in i Aufzuge von W.
Fellechner. Musik von Rudolf Bial. Vollstiindiger Kla-
vierauszug mit Text. Berlin. Bote & Bock. [187-?]
No. I in M.265.18
Bianca Capello. Opera. For the Music see Salomon, H. For
the Libretto see Barbier, P. J.
Bianca da Cervia. Opera. For the Music see Smareglia. For
the Libretto see Fulgonio.
Bianca di Santafiora. Opera. For the Music see Litta, G.
For the Libretto see Rotondi.
Bianca e Faliero. Opera. For the Music see Rossini. For
the Libretto see Romani, F.
Bianca e Fernando. Opera. For the Music see Bellini. For
the Libretto see Romani, F.
Bianca neve e il bel collo. Part-song. Lassus. Sammtliche
Werke. Band 8. M.8o4oa.67.8
Bianca Orsini. Opera. For the Music see Petrella. For the
Libretto see Cimino.
Bianca rosa. La. Song. Handel. Werke. Lieferung 51.
M.3I3-I-5I
Bianca und Giuseppe, oder Die Franzosen vor Nissa. Opera.
For the Music see Kittl. For the Libretto see Wagner,
W. R.
Bianchi, Francesco.
Aci e Galatea; a pastoral opera . . . The translation by F.
Panormo. London. Printed by C. Clarke. 1795.
Words only, in Italian and English. No. 5 in M.ioga.l.l
119
Bianchi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
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PuTTiCK AND SiMPSON, Auctioneers. Catalogue of the im-
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voix de basse-taille. Tome I, 2. Paris. Brandus, Du-
four & cie. [185-?] M.193.21
Contents. — i. Rossini : Veiller sans cesse. — Auber : Mon noble
gendre. — Meyerbeer: Piff, paff. — Rossini: Que ton ame si noble.
— Halevj': Vous qui du Dieu vivant. — Auber: Vous me connaissez
tous. — Meyerbeer: Je t'ai trompe. — Halevy : Voila le sorcier. Ahl
pour moi quelle ivresse. Le trois, le dix et la dame de pique. —
Auber; Sois ma bayadere. II fut un jour. — Sacchini ; Elle m'a pro-
digue sa tendresse. — Halevy: Ne crois pas que je te cede. — Gluck:
Dame impitoyable. — Mozart : Non piii andrai. Gente, e qui I'uccela-
tore. — Rossini : La calunnia e un venticelli. — Mozart : Qui sdegno
non s'accende. Madamina! il catalogo e questo. — Meyerbeer: Ah!
I'honnete homme [t. b.]. — Mozart: La dove prende [s. b.]. — Catel :
Monsieur, jouons la comedie [t. bar. et b.]. 2. Haydn: A ma voix
naissez, animaux. L'onde mugit dans I'abime. — ■ Meyerbeer: Nonnes
qui reposez. — Halevy: Si la rigueur. — Salieri : Jouissez du destin
propice. — Auber : Toi qui versas. — Halevy : Le soupgon Therese.
Art divin. Je n*ai qu'un plaisir. Fete maudit. — Auber : Che gusto.
— Panseron: O Salutaris. — Meyerbeer: Rentrez, habitants de Paris.
— Auber: Le bel etat que celui d'aubergiste. — Halevy: Pas de beaute
pareille. — Meyerbeer: Le moine [Pieux symbole]. — Panseron: Le
Pacha d'£gypte [Riche et puissant Pacha]. — Delsarte: Stances a
rfiternite [Homme cheri]. — Adam: J'ai peur. — Rossini: Si per
vei si pupille amate. — Cimarosa: Udite tutte udite. — Rossini: D'un
bel uso di Turchia [b. b.]. O nume benefico [s. b. b.].
Same. Duos pour t. et s. [Accomp. de piano.] Paris.
Brandus, Dufour & cie. [185-?] M.157.40
Contents. — Meyerbeer: O ciel! oil courez-vous. — Auber: Apres une
aussi longue absence. — Rossini: Ma presence pour vous. — Gluck:
Armide, vous m'allez quitter. — Auber: Ne nous trahissez pas. — ■
Halevy: Ahl mon seigneur, a la vieillesse. — Meyerbeer: Sur son
bras m'appuyant. — Nicolo [Isouard] : Ah! mon seigneur, je suis
tremblante. — Rossini: Je vais revoir la beaute. — Auber: Le voila,
c'est heureux! — Mozart: Ma qual mai s'offre. — Adam: Quoi, tous
les deux! — Auber: Entendez-vous, c'est le tambour. — Nicolo
[Isouard]: Tous mes plaisirs. — Rossini: Amor! possente nome! —
Auber: Parlez! quel destin.
Bibliotheque provcnjale.
Arbaud, D., editor. Chants populaires de la Provence.
, M.218.1
Bibliotheque royale de Belgique.
Fetis, F. J. Catalogue de [sa] bibliotheque, acquise par
I'etat beige. M.124.2
Biblische Bilder. Symphonic poem. Beinecke, C. H. C.
No. 2, 3 in M.404.6
Bicci, A.
Dainty white pearl. [Madrigal, s. s. a. t. t. b.] (/m Hawes.
Collection of madrigals. Pp. 74-8o.) No. 15 in M.235.12
Bickerstaff, Isaac.
[The captive.] The songs in the comic opera. The words
by the author of Love in a village and the music by the
most eminent composers [Dibdin]. M.220.28
The Ephesian matron, or the widow's tears. The music by
Charles Dibdin. No. 2 in M.220.16.1
Lionel & Clarissa; or, a school for fathers, a comic opera.
The music by [Charles Dibdin]. No. 2 in M.130.2
Love in a village. A comic opera. The music by Abel,
Agus, Arne, Baildon, Boyce . . . No. 47 in M.237.7
The padlock, a comic opera. The music by Mr. Dibdin.
No. 2 in M.1S2.12; etc.
Thomas and Sally; or the sailor's return: a dramatic pas-
toral. Composed by Dr. Arne. No. 2 in M.220.36
Bicking, Alfred.
Konig Wenzel (Vinceslao). Tragische Oper in 4 Akten,
in Musik gesetzt. Vollstandiger Klavier-Auszug. Berlin.
Bote & Bock. [1864.] M.271.12
Bicknell, John Laurence.
Musical travels through England. By the late Joel Collier
[pseud.] . . . With an appendix, containing an authentic
account of the author's last illness and death. By Nat.
Collier [pseud.]. 3d edition. London. 1775. M.145.33
A satire on Charles Burney. Also attributed to George Veal.
Bicyclistes, Les, en voyage. Opera. For the Music see Car-
man. For the Libretto see Chivot.
Bid me, when forty winters. Duet. Webbe, S. Selection of
glees. Vol. 3. No. 9 in M.23S.13.3
Bid the festive glass. Glee. Carter, T. [Canons, glees and
catches.] No. 5 in M.221.32
Biddle, Horace P.
The musical scale. Boston. Ditson & Co. 1867. M.104.1
I 16
121
Bidera
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Billet
Bidera, Giovanni Emanuele.
Gemma di Vergy, tragedia. [Musica del maestro G. Doni-
zetti.] Venezia. Molinari. 1839. No. 15 in M.147.8.1
Libretto only, in Italian.
Same. Musica del Mo. Donizetti. M.364.16
Marino Faliero. Oper [componirt] von Gaetano Donizetti.
M.231.22; etc.
Biduanis ac triduanis. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Bieber, Carl.
Feldeinwarts flog ein Vogelein. [Fiir s.-Solo und vier
Mannerstimmen.] Op. 18, No. i. Leipzig. Siegel. [1882?]
No. 27 in M.392.3
Jubilaumslied [t. t. b. b.]. (In Sachsischer Elbgau-Sanger-
bund. Jubilaums Gesiinge. Pp. 4, S) No. i in M.392.24
O war' mein Lieb' die rotlie Ros'! . . . Fur Miinnerchor
Oder Soloquartett. Op. 2. Dresden. Naumann. [187-?]
No. 38 in M.392.4
Biedenfeld, Ferdinand Leopold Carl, Freihcrr von.
Die komische Oper der Italiener, der Franzosen und der
Deutschen. Leipzig. Weigel. 1848. No. 2 in M.135.13
Biedermann, Edward Julius.
Missa solemnis in honorem Sancti Augustini, ... for
s. A. T. B. With organ or orchestral accompaniment (ad
libitum). New York. Fischer. [1880.] No. i in M.380.2
Biedermann, Edward Julius, editor.
Haydn, F. J. Stabat Mater. No. 2 in M.193.18
Bielati, Alessandro.
II coscritto. Melodramma in due atti del Sig"". G. C. Casa-
nova. Posto in musica del Maestro A. Bielati e dallo
stesso ridotto con accompo. di piano forte. Milano. Ber-
tuzzi. [1841.] M.312.41
Bien d'autrui, Le. Opera. For the Music see David, S. For
the Libretto see Letnonnier, A.
Bien petit, Un, de pres me venez. Part-song. Lassus. Sammt-
liche Werke. Band 16. M.8o4oa.67.i6
Bienchen, Das. Part-song. Schoen, E. von. No. 30 in M.392.7
Bienchen, Das. Song. Taubert, C. G. W. Sechs Gesange.
No. 16 in M.192.6
Biene, Die. Part-song. Zoellner, C. F. 12 Lieder u. Gesange.
No. 43 in M.392.27
Bienenlied. Song. Abt, F. Lebensfriihling. Heft 2.
No. 26 in M.192.1
Bienheureus' est. Anthem. Sweelinck. Werken. Deel 4.
M.413.2.4
Bienheureux est quiconques sert a Dieu. Anthem. Sweelinck.
Werken. Deel 3. M.413.2.3
Bier fiihrt das Regiment. Part-song. Otto, E. J.
No. 60, 61 in M. 392.16
Bierbaum, Otto Julius.
Gugeline. Ein Biihnenspiel. Musik von Ludwig Thuille.
M.381.54
Lobetanz. Ein Buhnenspiel. Musik von L. Thuille.
No. I in M.397.69
Pan im Busch. (Pan and his pipes.) Tanzspiel. Musik
von Felix Mottl. • No. 2 in M.381.29
Die vernarrte Prinzess. Fabelspiel. Musik von Oscar von
Chelius. M.38g.54
Bierey, Gottlob Benedict.
Das Blumenmiidchen, eine Operette von Friedrich Roch-
litz, in Musik gesetzt von G. B. Bierey. Klavierauszug.
Leipzig. Breitkopf & Hartel. [1803?] M.230.22
[Clara Herzogin von Britannien.] Ouverture und Gesange
aus der Oper: Clara Herzogin von Britannien, von C. F.
Rrctzner, in Musik gesetzt von G. B. Bierey. [Klavier-
Auszug.] Leipzig. Breitkopf & Hartel. [180-?] M.230.21
Das Donauweibchen. Komisch-romantische Oper, voll-
st.-indig in 3 Theilcn. i. u. 2. Theil componirt von F.
Kauer. 3. Theil nach-componirt in Kauer'schen Manier
von G. B. Bierey. Vollstiindiger Clavierauszug mit deut-
schem Text [von C. F. Hensler]. Leipzig. Reclam.
[185-? Elegante und wohlfeilste Opern-Bibliothek.]
M.330.5
Bierey, Gottlob Benedict. (Continued.)
Faith and adoration, a sacred cantata [for quartett and cho-
rus]. Adapted to English words. Arranged for the
piano forte or organ by J. Hiles. London. Novello.
[184-?] No. 7 in M.290.g.2
Marsch zu dem Ritter-Lustspiel Das Turnier zu Kronstein.
Partitur. Breslau. Forster. [181-?] No. 3 in M.353.17
Missa in G. [Partitur.] Manuscript. [182-?] M.222.22
O Jesu mi. Quintet [s. s. a. t. b. Accomp. for organ]. {In
Novello. Evening service. Vol. 2, pp. 354, 35S) M.260.23.2
Rosette, das Schweizer Hirtenmadchen. Singspiel in 2
Aufziigen von Bretzner, in Musik gesetzt von G. B.
Bierey. Klavierauszug. Leipzig. Breitkopf & Hartel.
[180-?] M.230.23
Wladimir Fiirst von Nowgorod. Eine Oper in 3 Aufziigen
[von Stegmayer] im Klavier-Auszug . . . von G. B. Bie-
rey. Wien. [1807.] M.230.24
Bieville, Charles Henri fitienne Edraond Desnoyers de.
L'ombre d'Argentine. Opera comique. Musique de A.
Montfort. No. 3 in M.a67.i2
Biez, Jacques de.
Tamburini et la musique italienne. Paris. Tresse. 1877.
Portrait. No. 4 in M.128.31
Biggar, C.
Fly, ye moments. Duett [s. s. or t. x.]. {In Bland. The
Ladies' collection. Vol. 3, pp. 288, 289.) No. 26 in M.23S.17.3
Biggs, Walter Lyle.
Elihu, or the wonders of nature. Sacred cantata for solo
voices [s. A. t. B.], chorus, and organ obligato. Libretto
from the Book of Job. London. London Music Publish-
ing Co. [1891.] No. 5 in M.204.2
Bijou perdu. The. Opera. For the Music see Adam, Adolphe
C. For the Libretto see Ribbing.
Bijoux, Les. Duet. Louis, N. No. 2, 3 in M.390.28
Bijoux, Les, de Jeannette. Opera. For the Music see Godard,
A. For the Libretto see Constantin, M.
Bild, Das. Song. Schubert, F. P. Werke. Serie 20, Band 2.
M.317.1.20.2
Bild aus Neapel, Ein. Part-song. Schoen, E. von.
No. 4 in M.392.44
Bild der Liebe. Part-song. Abt, F. Fiinf Lieder fiir s. a. t. b.
No. 3 in M.392.1
Bild der Nacht. Song. Curschmann. Curschmann-Album.
No. I in M. 157.37
Bilder aus dem Orient. For orchestra. Muehldorfer.
No. 6 in M.342.ig
Bilder aus der Miirchenwelt. Symphonic poems. Hansmann.
No. 2 in M.3g3.24
Bilder aus Osten. Symphonic poem. Schumann, R. A.
No. 5 in M.344.18
Bilder aus Schiller's „Glocke." Cantata. For the Music see
Knappe. For the Libretto see Schiller.
Bilder des Jahres. Cantata. For the Music see Gade. For
the Libretto see Andersen, C. C. T.
Bilder des Orients. Songs. Gade. 5 Gedichte. No. i in M. 192.3
Stern, J. No. 12 in M.221.30
Bilder vom Rhein. Suite. Schumacher, P. P. H.
No. 2 in M.410.53
Bildniss, Das. Opera. For the Music see Merkes van Gendt.
Biletta, Emanuele.
La rose de Florence. Opera en 2 actes. [Paroles de M. de
St. Georges. Musique] par Em. Biletta. [Partition
piano et chant. Paris. Choudens.] 1856. M.271.13
Bilhaud, Paul.
Madame Rose. Opera-comique de Paul Bilhaud & Albert
Barre. Musique de Antoine Banes. No. 3 in M.25S.2
Toto. Operette de Paul Bilhaud & Albert Barre. Musique
de A. Banes. No. i in M.25S.33
Same. Tata-Toto. Vaudeville Operette von Paul Bilhaud
& Albert Barre. Musik von A. Banes. No. i in M.399.2
Billee Taylor. Opera. For the Music see Solomon, E. For
the Libretto see Stephens, H. P.
Billemont, J. J. de. See Debillemcnt, Jean Jacques.
Billet de Josephine, Le. Opera. For the Music see Kaiser.
For the Libretto see Feydeau, G.
122
Billet
THE ALLEN A. BROWN COLLECTION OF MUSIC
Birch
Billet de logement, Le. Opera. For the Music see Mahou-
deau; also Vasseur, F. A. J. L. For the Libretto see
Roucoux.
Billet de loterie, Le. Opera. For the Music see Isouard. For
the Libretto see Roger, J. F.
Billet de Marguerite, Le. Opera. For the Music see Gevaert.
For the Libretto see Ribbing.
Billeter, Agathon.
Die Alpenrose [t. t. b. b.]. Op. 19, No. i. Leipzig. For-
berg. [185-?] No. 43 in M.392.4
Bei Sonnenuntergang. (Gedicht v. F. Riickert.) Fiir Tenor-
solo und Mannerchor mit Begleitung des Pianoforte
componirt von A. Billeter. Leipzig. Forberg. [187-?]
No. 3 in M. 270.17
The brook. [Part-song, t. t. b. b.] {In Chickering collec-
tion. Vol. 2, pp. 51-53.) No. 27 in M.3g2.48.2
Drei Gesange fiir vierstimmigen Mannerchor. Op. 44.
Leipzig. Forberg. [1877?] 3 parts in i v.
No. 17-19 in 11.392.35
Contents, — i. Friihlingsverkundigung. 2. Der Thurmer. 3. Son-
nenuntergang.
Drei Lieder fiir vier Mannerstimmen. Op. 52. Leipzig.
Forberg. [1878?] No. 53 in M.392.4
Co'it^-.ils. — Madell mein Madel! — Die Blumen vom Walde. —
,,Komm in die stille Nacht!"
Du Schweizervolk. [Mannerchor.] {In Eidgenossischer
Sangerverein. Mannerchore fiir das 12. . . . Sangerfest.
Pp. 8, 9.) No. I in M.130.7
Der Eichwald. [Mannerchor.] {In Eidgenossischer San-
gerverein. Mannerchore fiir das 11. . . . Sangerfest.
Pp. 27, 28.) No. 2 in M.130.7
Evening song. [Part-song, x. t. b. b.] {In The Osgood
collection of part-songs. Vol. i, pp. 95, 96.) M. 193.23. i
Festlicher Lobgesang. Nach dem 98. Psalm Davids. Fiir
vier Mannerstimmen. Op. 54. Leipzig. Forberg. [1880?]
No. 52 in M.392.4
Friihlingssehnsucht [s. a. t. b.]. Op. 29, No. I. Leipzig.
Forberg. [186-?] No. 31 in M.3g2.3
Same. [t. t. b. b.] Op. 27, No. 3. No. 47 in M.392.4
Fiinf Gesange fiir Mannerstimmen, Op. 4, Heft 2. Leipzig
Forberg. [184-?] No. .39 in M.392.4
Contents. — Vorfriihling. — Der Friedensbote. — Sommernaclit.
Geliibde [x. t. b. b.]. Op. 38, No. 4. Leipzig. Forberg.
[1869?] No. 34 in M.392.3
„Habt Acht" [x. x. b. b]. Op. 34, No. 2. Leipzig. Forberg.
[ 1868 ?] No. 32 in M.392.3 ; No. 6 in M.392.33
Herbststurm [t. t. b. b.], Op. 19, No. 3. Leipzig. Forbery^
[185-?] No. 29 in M.392.3; No. 44 in M.392.4
Hymne an die Kunst. [Mannerchor.] {In Eidgenossischer
Sangerverein. Mannerchore fiir das 14. . . . Sangerfest.
Pp. 1-3.) No. 4 in M.130.7
Hymne an die Musik. Fiir Mannerchor mit Begleitung des
Orchesters. Op. 17. Partitur. Leipzig. Forberg. [1879?]
No. I in M.203.1 ; No. 7 in M.392.41 ; No. i in M.392.45
Hymne an die Tonkunst . . . Fiir Mannerchor und Soli.
Op. 21. Leipzig. Forberg. [1879?] N0.45 in M.392.4
Im Maien. [Mannerchor.] {In Eidgenossischer Sanger-
verein. Mannerchore fiir das 13. . . . Siingerfest. P. 11.)
No. 3 in M.130.7
Same. In May-time. [Part-song, t. t. b. b.] (/n ChickerinLC
collection. Vol. i, p. 79-) No. 35 in M.393.48.1
Der Jager. Altdeutsches Volkslied [x. x. b. b.]. Op. 18,
No. 3. Leipzig. Forberg. [185-?] No. 42 in M.392.4
Krieger's Abschied [x. x. b. b.]. Op. 38, No. 2. Leipzig.
Forberg. [1869?] No. 49 in M.392.4
Lied des Alten im Bart [x. t. b. b.]. Op. 18, No. 2. Leip-
zig. Forberg. [185-?] No. 41 in M.392.4
Das Lied wird That! . . . Fiir vier Mannerstimmen. Op. 53.
Leipzig. Forberg. [1880?] No. 51 in M.392.4
Muss Einer von dem Andern . . . fiir Mannerchor. Op. 51.
Leipzig. Forberg. [1877?]
No. 55 in M.392.4; No. 20 in M.3g2.35
Also to be found in Das Riitli.
O wonniger Main [x. x. b. b.]. Op. 39, No. i. Leipzig. For-
berg. [1872?] No. 54 in M.392.4
Schlafe wohl! [Mannerchor.] {In Das Riitli. P. 316.)
No. 131 in M.147.4
Billeter, Agathon. (Continued.)
Der versenkte Hort. [Mannerchor.] {In Das Riitli. Pp.
360, 361.) No. 151 in M.147.4
Vier Gesange fiir vier Mannerstimmen. Op. 8, Heft i.
Leipzig. Forberg. [185-?]
No. 28 in M.392.3; No. 40 in M.392.4
Contents. — Wie der Fruliling kommt. — Der Eichwald.
Vier Lieder im Volkston fiir vierstimmigen Mannerchor.
Op. 43. Leipzig. Forberg. [1877?] No. 16 in M.392.3S
Contents. — Der Himmel so blau. — Freue dich, mein liebes Herzl —
Daheim das Herz. — Friihlingslied.
Wach auf, du schone Traumerin [x. x. B. B.]. Op. 38, No. 3.
Leipzig. Forberg. [1869?]
No. Zi in M.3g2.3; No. 50 in M.392.4
Waldrose. [Mannerchor.] {In Abt. Deutsche Sanger-
halle. Vol. 2, pp. 54, 55.) No. i6in M.392.42.2
Wanderlied [t. t. b. b.]. {In Das Riitli. Pp. 500, 501.)
No. 209 in M.147.4
„WindstilIe" und „Mit gutem Fahrwind" . . . fur Manner-
chor. Op. 33. Leipzig. Forberg. [1S6-?] No. 48 in M.392.4
Zum Walde musst du wandern geh'n. [Mannerchor.] {In
Das Riitli. Pp. 526-528.) No. 222 in M.147.4
Zwiegesang [t. t. b. b.]. Op. 27, No. i. Leipzig. Forberg.
[186-?] No. 30 in M.3g2.3; No. 46 in M.392.4
Billington, Thomas.
Celadon and Amelia, from Thomson's Seasons, set to music
by Mr. Billington. [For voices, s. x., and harpsichord.]
London. Preston. [1791.] No. 4 in M.220.36
Bin ein fahrender Gesell. Part-song. Pache. No. 2 in M.392.21
ScHMOELZER. Vier Lieder. No. 69 in M.392.21
Bin ein frommer Waffenknecht. Part-song. Attenhofer.
Trutzlied. No. 3 in M.212.3
Bind my brows. Part-song. Stainer. No. 20 in M.205.10.2
Binder, Carl.
[Orpheus in der Unterwelt.] Ouverture fiir Orchester zu
Offenbach's Oper Orpheus in der Unterwelt. Partitur.
Offenbach a. M. Andre. [187-?] No. i in M.338.11
Weberlied [t. X. B. b.]. (/h Tauwitz. Deutsches Liederbuch.
Pp. 152, 153.) No. 72 in M.204.39
Binder, Friedrich, translator.
Blodek. Im Brunnen. No. 2 in M.393.7
Bingham, Clifton.
The royal star. Comic opera by M. Ordonneau and F.
Richardson, with additional lyrics by Clifton Bingham.
The music composed by Justin Clerice. M.3g3.i4
Bingley, William.
Musical biography; or, memoirs of the lives and writings
of . . . musical composers and writers . . . during the
last three centuries, [.^non.] London. Colburn. 1814.
2 V. M. 144.2a
Same. 2d edition. M.135.5
Biographische Notiz iiber Roland de Lattre, bekannt unter
dem Namen: Orland de Lassus. [Anon.] See Delmotte,
Henri Florent.
Biography. See Musicians.
Bion. Opera. For the Music see Mehul. For the Libretto
see Hoffman.
Biondina. Opera. For the Music see Gounod. For the Li-
bretto see Zaffiia.
Biondinetta, La. Opera. For the Music see Samara. For the
Libretto see Milliet.
Birch, Charlotte.
Der Edelknecht. Romantische Oper, in Musik gesetzt . . .
von C. Kreutzer. M.2S3.21
Die Grossfiirstin Sophia Catharina. Romantisch komische
Oper. Musik von F. von Flotow. M.272.9
La Reole. Oper. Musik von G. Schmidt. M.274.19
Santa-Chiara. Crosse Oper. ^ilusik von E. H. z. S. [Ernst
August . . . von Sachsen-Coburg-Gotha]. No. 2 in M.321.13
Birch, Edward Henry.
Via Crucis. (The way of the Cross.) Cantata for Lent and
Passion-tide. [s. a. x. b. solos and chorus.] The words
written and selected from the Holy Scriptures by Edwin
Ellis Griffin. The music composed by Edward Henry
Birch. London. Blockley. [189-?] No. I in M.384.14
123
Birch
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bischoff
Birch, Edward Henry. (Continued.)
Vortigern and Rowena. A dramatic cantata [for s. a. t.
BAR and chorus]. The verse by Edwin Elhs Gnffm.
The music by Edward Henry Birch. [Accomp. for piano-
forte.] London. Blockley. [1891.] No. i m M.204.6
Birch, Samuel. .
The mariners; a musical entertainment. [Mus:c by Thomas
Attwood.] No. 2 in M.230.S
The smugglers, a musical drama. Composed by Thomas
Attwood. No. 16 in M.220.4; etc.
Birch, William Henry.
Eveleen, the rose of the vale. An original operetta m i act.
[Accomp. for pianoforte.] Reading. Birch. [187-?]
No. I in M.27I-I4
Evening chant service in (G). Amersham. Birch. [186-?]
No. 16inM.154.19
Katrine, the pride of Killarney. Ballad-operetta in i act.
[Accomp. for pianoforte.] Reading. Birch. [187-?]
No. 2 in M.271.14
The merry men of Sherwood forest (or Forest days in the
olden time). A pastoral operetta. In 3 acts, words com-
piled, music composed by W. H. Birch. [Accomp. for
pianoforte.] Reading. Birch. [1870.] No. i in M.391.23
Te Deum and Jubilate, for 4 voices with organ or piano-
forte accomp. Amersham. [Birch. 186-? Morning ser-
vice in C] No. 31 in M.190.1
Te Deum laudamus and Jubilate Deo. [Accomp. for or-
gan.] Amersham. Birch. [186-? Morning service in
^ 1 No. 30 in M.igo.i
Birch, William Henry, editor.
Choralist, The. M.157.S
Birches, The, and the alders. Cantata. For the Music see
Bruch.
Birch-Pfeiffer, Charlotte. See Birch, Charlotte.
Bird, Arthur. .
Fine Carneval Scene. Op. S- Partitur. Breslau. Hainauer.
jgg7 No. I in M.410.11
Dritte kleine Suite, fiir grosses Orchester. Op. 32. Parti-
tur. Boston. Schmidt. 1892. M.403.8
Gavotte fiir Streichorchester aus Opus 7. Partitur. Leip-
zig. Dorffel. [188-?] No. 2 in M.405.3
Bird, George, editor.
Bird's Collection of one hundred single & double chants
For four voices. London. Novello. [184-?]
No. 4 in M.370.17
Bird, Horace.
The sacred lyrist. Edited by Joseph and Horace Bird.
Boston. Reynolds & Co. 1847. M.100.34
The singer's second book; consisting of easy rules and
tunes to illustrate them, also many of the most useful
and popular melodies. Edited by Joseph and Horace
Bird. Boston. Reynolds & Co. 1846. No. 2 in M.377.1
Bird, Joseph.
Gleanings from the history of music, from the earliest times
to the commencement of the i8th century. Boston.
Mussey & Co. 1850. M.103.12
The sacred lyrist. Edited by Joseph and Horace Bird.
Boston. Reynolds & Co. 1847. M.100.34
The singer's second book; consisting of easy rules and
tunes to illustrate them, also many of the most useful and
popular melodies. Edited by Joseph and Horace Bird.
Boston. Reynolds & Co. 1846. No. 2 in M.377.1
Bird, The. Part-song. Soderberg. No. 31 in M.392.2S
Bird at sea. The. Part-song. Smart, H. No. 6 in M.244.10.6; etc.
Bird beneath the golden ray, A. Part-song. Mendelssohn-
Bartiioldy, J. L. F. No. 52 in M.1S7.6.3
Bird let loose. The. Trio. Beethoven. No. 17 in M.221.22.1
Waley. No. 6 in M.380.18
Bird of the forest. Part-song. Duerrner. No. 28 in M. 392.48.1
Bird of the wilderness. Part-song. Hatton.
No. 20 in M.235.10; etc.
Bird that art singing. Song. Hodges, G. L. Collection of
Peninsula melodies. Vol. i. No. 11 in M.244.2S.1
Bird's question, The. Part-song. Abt, F. No. 22 in M.204.38
Birdes, The, that had left their song. Part-song. Macfarren,
G. A. No. 14 in M.121.3
Birdie. Duet. Rubinstein. Eighteen two-part songs.
No. I in M.155.47
Birds, The, are coming hither. Part-song. Abt, F.
No. 49 in M.157.6.1
Birds' awakening, The. Part-song. Rossini. No. 18 in M.244.10.6
Birds in the high hall-garden. Part-song. Metcalfe. W.
No. 41 in M.257.2
Birdseye, George W.
Once again. Words and melody [bar.] by G. W. Birdseye.
Arranged [with accomp. for pianoforte] by M. Keller.
Boston. Tolman & Co. 1866. No. 20 in M.192.13.2
Birichino, II. Opera. For the Music see Mugnone. For the
Libretto see Golisciani.
Birkenbaum, Der. Song. Gade. Lieder und Gesange. Heft 3.
No. 4 in M.iga.s
Birmingham, England.
Birmingham general hospital, and triennial musical festi-
vals. Birmingham. Hall. [1858.] Plate. M.105.34
Birmingham musical festival . . . October 6th-9th, 1891.
37th celebration. [Programmes, etc.] Birmingham.
Hall & English. 1892. Plate. M.206.2
BuNCE, J. T. A history of the Birmingham general hospi-
tal and the Musical festivals. Birmingham. [1873.]
M.ig7.2
Hogarth, G. The Birmingham festival of 1855. Birming-
ham. [i8ss-] No. 2 in M.105.34
LuNN, C. The economy of art. Birmingham. 1876.
A plea for a local academy of music. No. I in M. 128.36
Biron,
Le marquis des I'lageolets. Opera comique, paroles de
Biron et Sylvain St. fitienne. Musique de Jules Creste.
M.381.12
Birrajo, II, di Preston. Opera. For the Music see Ricci, L.
For the Libretto see Guidi.
Birth of love. The. Cantata. For the Music see Brewer, J. H.
For the Libretto see Bulwer-Lytton.
Birth of song. The. Cantata. For the Music see Bllicott.
For the Libretto see Morris, L.
Birthday, The. Cantata. For the Music see Sloper. For the
Libretto see Chorley.
Birthday festival. The. Cantata. For the Music see Spark.
For the Libretto see Curzon, F.
Birthday-ode for Queen Anne. Cantata. For the Music see
Handel. Werke. Lieferung 46A.
Birth-day of Laura, The. Song. Rauzzini. No. 29 in M.237.2
Bis, Hippolyte Louis Florent.
Guillaume Tell. Opera. [Musique de M. Rossini.] 4e edi-
tion. [Libretto only, in French.] Paris. Barba. 1837.
Plates. No. 5 in M.370.37
Same. Solos, duets, trios ... [in English only]. By Al-
fred Bunn. London. Wright. [1838.] M.147.29
Same. Johnson. [1845.] M.147.28
Same. Guglielmo Tell. Grand' opera. [Parole di fitienne
e Bis. Musica di] G. Rossini. [2a edizione.] M.35S.ia
Same. Opera [de fetienne et Bis]. Musique de G. Rossini.
Paroles italiennes et allemandes. M.327.1
Bis der Rechte kommt. Opera. For the Music and Libretto
see Gumbert.
Biscayan, The, to his mistress. Song. Hodges, G. L. Col-
lection of Peninsular melodies. Vol. i. No. 12 in M.244.25.1
Bischoff, Hans, editor.
KuLLAK, A. The aesthetics of pianoforte-playing. M.149.24
Bischoff, Kaspar Jakob.
Harmonie-Lehre. Lief. i. Mainz. Diemer. 1890.
No. 4 in M.372.S6
Walzer, Galopp & Polka. Text von J. A. Fiir Mannerchor.
Op. 10. Offenbach a, M. Andre. [185-?] No. i in M.392.5
Bischoff, Ludwig Friedrich Christian.
Treulieb' ist nimmer weit. [Mannerchor.] (In Orpheus.
Band 2, p. 28.) No. 62 in M.i29a.43.a
Ver sacrum, oder die Grundung Roms. Gedicht in Musik
gesetzt von Ferd. Hiller. M.270.S0
124
Bisher
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bishop
Bisher habt ihr nichts gebeten in meinem Namen. Anthem.
Bach, J. S. Werke. Jahrgang 20, Tlieil i. M.8040.21.20.1
Bishop, Anna.
Travels of Anna Bishop in Mexico. 1849. Philadelphia.
Deal. [1852.] Illus. M.103.25
Bishop, Anna. IVorks about.
Foster, G. G. Biography of Anna Bishop, the celebrated
cantatrice, giving accounts of her professional tour in
England, Denmark, Sweden . . . and California . . . [New
York. 1853.] No. 2 in M.373.63
Bishop, Sir Henry Rowley.
[The ^thiop; or, the child of the desert.] The overture,
songs, &c. in The ^thiop. Composed and arranged for
the piano forte by Henry R. Bishop. [The words by Wil-
liam Dimond.] London. Goulding, D'Almaine, Potter
& Co. [1822.] No. I in M.391.13
Airs of haut-ton. The poetry by Thomas Haynes Bayly.
With symphonies and accomp. by H. R. Bishop. London.
Power. [182-?] No. 3 in M.244.19
Contents. — Away with nature's melodies. — This is my eldest daughter,
sir. — Lord Harry has written a novel. — My wife is very musical.
— I must come out next spring, Mama. — My husband means ex-
tremely well. — Away with the daylight. — The men are all clubbing
together. — In the days of my great-grandmamma. — Oh! let not
your passion for Mary the maid. — At home. — Not at home.
Aladdin, or the wonderful lamp. A fairy opera, in 3 acts.
[The words by George Soane.] Composed by Henry R.
Bishop. [Accomp. for pianoforte.] London. Goulding
& D'Almaine. [1826.] M.391.3
Allegiance we swear. Chorus (s. t. t. b.). [Accomp. for
pianoforte.] London. Novello & Co. [1864?]
No. 13 in M.157.19
The antiquary, a musical drama, in 3 acts . . . Composed,
selected and arranged by Henry R. Bishop. The poetry
by D. Terry. [Accomp. for pianoforte.] London. Gould-
ing, D'Almaine, Potter & Co. [1820.]
No. I in M.sgi.S; No. i in M.391.9
The copy on shelf-number M.391.8 contains several numbers not in-
cluded in the other copy, one number being in manuscript.
The Arabian maid's song [s.], from Lalla Rookh. [Accomp.
for pianoforte.] London. Power. [185-?]
No. 23 in M.236.2
[As you like it.] The whole of the music in As you like it
. . . Added the 3 songs composed for the play by Dr.
Arne. [Accomp. for pianoforte.] London. Goulding,
D'Almaine & Co. [1824?] M.391.2
The barber of Seville. Comic opera. Partly selected from
Paesiello & Rossini . . . partly composed & the whole
arranged, altered and adapted to the English stage by
H. R. Bishop. The poetry by D. Terry. [Accomp. for
pianoforte.] London. Goulding, D'Almaine, Potter &
Co. [1818.] No. 3inM.271.15
[The beacon of liberty.] Overture, songs, duet, glees and
melodramatic music in The beacon of liberty, historical
romance . . . Composed, selected & arranged by Henry
R. Bishop. [Accomp. for pianoforte.] London. Gould-
ing, D'Almaine & Co. [1823.] No. 2 in M.391.8
Blame me not, lady. Chorus with solos. [Accomp. for
pianoforte.] London. D'Almaine & Co. [1839.]
No. 25 in M. 235.7.1
Blow, gentle gales. Quintett for s. a. t. t. b. London. No-
vello & Co. [1864?] No. I in M.i57.ig
Breathe, my harp. [Quartet, a. t. t. b.] {In Ditson. The
Orphean lyre. Vol. I, pp. 97-100.) No. 37 in M.235.22
Also to be found in The Orpheus, New series.
[Brother & sister.] The overture, songs, duetts, trios and
choruses, in the . . . musical entertainment called Brother
& sister . . . Composed & arranged for the piano forte
by W"" Reeve and Henry R. Bishop. [The words by
William Dimond.] London. Goulding, D'Almaine, Pot-
ter & Co. [1815?] No. I in M.396.6
[Caractacus.] The overture, quartetto, & most favorite
airs in the grand ballet of Caractacus. [Piano score.]
London. Goulding, D'Almaine, Potter & Co. [1806?]
No. 3 in M.391.8
The chough & crow. Trio and chorus for s. s. a. t. b. Lon-
don. Novello & Co. [1865?] No. 2 in M.IS7.19
Bishop, ^jV Henry Rowley. (Continued.)
The Circassian bride. Overture & most admired songs &
duets in the opera. Arranged for the piano forte or harp.
[London. 1809.] No. i in M.271.17
Clari, or the maid of Milan, an opera in 3 acts. The poetry
by J. H. Payne. Composed by H. R. Bishop. [Accomp.
for pianoforte.] London. Goulding, D'Almaine, Potter
& Co. [1823.] No. I in M.271.19
Come o'er the brook. Glee. (s. a. t. b.) Adapted and
arranged from Ford and Callcott by Bishop. London.
Novello & Co. [1863?] No. 6 in M. 157.19
Come, thou monarch of the vine. Glee [a. t. b.] with cho-
rus, ad lib. London. Novello & Co. [186-?]
No. 18 in M.157.19
Comedy of errors. The overture, songs, 2 duets, & glees in
Shakspeare's Comedy of errors. . . . The music com-
posed . . . compressed for the voice and piano forte, by
H. R. Bishop. London. Goulding, D'Almaine, Potter
& Co. [1819.] No. 2 in M.27I.I7
A complete collection of the glees, trios, quartets . . . com-
posed by H. R. Bishop. New edition. London. D'Al-
maine. 1839. 8 V. M.23S.I
Contents. — i. Sleep, gentle lady [s. m.-s. b.]. — The winds whistle
cold [s. M.-s. B.]. — Come, thou monarch of the vine. — Mynheer
Vandunck. — The winds whistle cold [a. t. b.]. — When the storms
aloft arise. — Up! quit thy bower. — Sleep, gentle lady [s. A. T. B.].
— • When wearied wretches. — Where art thou, beam of light? — A
cup of wine. — ■ Foresters, sound the cheerful horn. — Majestic night.
— No more the morn. — Sleep, gentle lady [a. T. T. b.]. — What
shall he have that killed the deer? — Where shall we make her grave?
2. When would a mortal? — The pilgrims. — Give me a cup. — Now
the storm begins. — O, there was a dragon. — Push about the bottle.
— Push the red wine about. — Sportive little trifler. — ■ The bishop
of Mentz. — The sailor's welcome home. — With the pomp of nodding
sheaves. — See, the glass is out. — Ronildal — Oh! skylark for thy
wing. — Come forth, sweet spirit. — E'en as the sun. — With hawk
and hound. — To harmony. 3. Blow, gentle gales [s. m.-s. b.]. —
Same [s. A. t. t. b.]. — Crabbed age and youth. — Full of doubt. —
Away, away, my maidens. — Beautiful are the fields. — Farewell, ye
storms. — Bactria's sage. — Drear, and e'en when blooming. —
Drink, drink, the red, red wine. — Drain the flask. — Go, seek some
virgin heart. — Hail, gentle master. — Hail to the chief. — Doctor!
man of copper! — At the voice of ocean's king. — Breathe, my harp.
— Believe, tears may ofttimes. — Far from home. — Fill, boys, and
drink. — Give me a cup, sister. 4. Hark! 'tis the voice. — Hark!
Apollo strikes the lyre [s. s. b.]. — Same [a. t. b.]. — In pity hear.
How deep the sigh. — List! if he be near. — In tears the heart
oppress'd. — Lightly o'er the rapid Rhine. — Hark! 'tis the Indian
drum ts. T. B.]. — Same [s. T. t. b.]. — Look out, the time is near.
— Hark! hark! each Spartan band. — Here! slaves of the lamp. —
Hark I the solemn distant bell. — Hark! the mid-watch bell. — In an
hour or so. — If in these wilds. — Haste, let us leave. — Hart &
hind are in their lair. — Illusive hope. — Listen! he must be near.
5. The chough and the crow [s. M.-s. b.]. — Same, with chorus
[s. A. T. B.]. — Maiden fair, a word. — Tender, confiding woman. —
Return, return. — Oh listen! 'tis the nightingale. — Oh! seize we the
moments. — The huge globe has enough. — Hark! comrades. — O,
how sweet the opening day. — O let the wine that sparkles. — Sweet
rose of England. — Stand! who's there. — O, for the harp. — The
fo.x jump'd over. — Now by day's retiring lamp. — My father land.
— Stay, pry'thee. — Oh! bold Robin Hood. 6. Though from our
cheerful' home. — The red, red wine in the beaker. — To that lov'd
bosom. — The knight & the maid. — The love-lorn maid. — The mon*
must arise. — The vesper bell. — Whether the sun is burning. — The
patron of science. — When the wind blows. — Welcome to this place.
— What phrase sad and soft. — The silver queen. — Welcome, great
and glorious king. — The idol of our hopes. — The Savoyard. —
While the moon shines. — Why stays he now. — Who first will strike.
— To see his face. — Welcome! — Though he be now a grey friar.
— With rapture transported. 7- Allegiance we swear. — Daughter of
error. — Hark! the merry bells. — Lads and lasses. — Gather each
flower. — Loud let the Moorish tambour. — Here! Aladdin. — Bright
orb I send forth. — From burning Afric. — Let the lively banjo play.
— Blame me not, lady. — Long life to the Count. — Bright lady,
sweet mistress. — Is it the tempest. — Merry boys, away! — Homel
there's a storm. — Joy! joy! raise the shout. — Sol in the Orient. —
Live to us! 8. Now tramp o'er moss & fell. — Ol fill the wine cup.
01 now the Bezestien.— Shout for the monarch.— Spirits ! advance.
— Vengeance! we swear. — What, ho! clansmen. — Nourmahal. —
With wonder at thy works. — On our king's natal day. — Open!
lover's eyes. — Queen of our isle. — Soft, let the Lamia sound. —
Strike the oar. — That doom is death. — This way, place them. —
Now to the forest. — Rise, messmates. — Shout! comrades. — The
tyger couches. — To arms! prepare! — Welcome, lady fair. — Where
is our country's mortal foe. — Now fhe hungry lions. — Tlascalans.
Cortez, or the conquest of Mexico. Historical drama in 3
acts. The poetry by J. R. Planche. Composed by H. R.
Bishop. [Accomp. for pianoforte.] London. Goulding,
D'Almaine & Co. [1823.] No. 3 in M.271.17
12.S
Bishop
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bishop
Bishop, Sir Henry Rowley. (Continued.)
A cup of wine. Glee [a. t. t. b.] with chorus (ad lib.). Lon-
don. Novello & Co. [1864?] No. 29inM.157.19
Daughter of error. Chorus [s. a. t. b.], and solo. London.
Novello & Co. [1864?] No. 20inM.157.19
Don John. An operatic drama . . . Composed and arranged
for the piano forte by W. H. Ware and H. R. Bishop.
London. Goulding, D'Almaine, Potter & Co. [1820.]
No. I in M. 271. 16
Don Juan, or the libertine. A grand operatic drama in 2
acts . . . Selected from the music in Mozart's II Don
Giovanni, adapted for the English stage and arranged
[for pianoforte accomp.] by H. R. Bishop. The poetry
by J. Pocock. London. Goulding, D'Almaine, Potter
& Co. [1820.] No. I in M.271.18
The echo quartett, finale to the 2d act of the opera English-
men in India. [Accomp. for pianoforte.] London.
Goulding & D'Almaine. [182-?] No. 28 in M.235.7.1
[Englishmen in India.] The overture and music in the comic
opera, called Englishmen in India. [.A.ccomp. for piano.]
London. Goulding & D'Almaine. [1827.] No. 2 in M.391.9
Epicedium in Shakspear's play of Antony and Cleopatra
. . . Composed and arranged for 4 voices, with accomp.
for the pianoforte. London. Goulding, D'Almaine, Pot-
ter & Co. [1813.] No. I in M.320.12
The fairies' song. [Part-song for s. s. s. s.] (.In Monk.
Novello's Part-song book. Pp. 85-96.) No. 22 in M.157.4
The fall of Algiers. A grand opera in three acts. The
poetry by C. E. Walker. Composed by Henry R. Bishop.
[For voices and pianoforte.] London. Goulding, D'Al-
maine & Co. [1825.] M.3g6.7
Farewell, ye storms. [Round, for 3 voices.] (In Parker.
The Orphean lyre. Serie 3, pp. 76-79) No. 18 in M.237.9
The farmer's wife, a comic opera in 3 acts. Composed by
H. R. Bishop. The poetry by Chas. Dibdin, jun. [Accomp.
for pianoforte.] London. Goulding, D'Almaine, Potter
& Co. [1814.] No. 2 in M.271.18
Faustus. A musical romance. [The words by George
Soane.] Composed by T. Cooke, Charles E. Horn, and
Henry R. Bishop. [Accomp. for piano.] London.
Goulding & D'Almaine. [1825.] No. 2 in M.390.45
The feast of roses. [Song, s. or t.] From Lalla Rookh.
London. Power. [184-?] No. 18 in M.236.2
Fill, boys, and drink about. Quintett [a. t. t. b. b.], with
chorus. London. Novello & Co. [1864?]
No. 25 in M.157.19
For England, ho! A melodramatic opera in 2 acts . . .
Written by J. Pocock. The music composed & arranged
for the piano forte by H. R. Bishop. London. Goulding,
D'Almaine, Potter & Co. [1813.] No. 3 in M.271.18
[The forest of Bondy.] The overture, pas de deux, marchss,
and a selection of the favorite airs in The forest of
Bondy; or the dog of Montargis, a melodrama . . . The
music composed by Henry R. Bishop . . . the action by
Chas. Farley. [Vocal score with pianoforte accompani-
ment.] London. Printed by Goulding, D'Almaine, Potter
& Co. [1814.] No. I in M.396.8
Foresters, sound the cheerful horn. Glee. [a. t. t. b.]
London. Novello & Co. [1864?] No. 11 in M.157.19
[Fortunatus and his sons; or, the magic purse & wishing-
cap.] The overture, song, glee, chorusses and melo-
dramatic music in Fortunatus and his sons. Composed
and arranged for the voice & piano forte by H. R. Bishop.
London. Goulding, D'Almaine, Potter & Co. [1819?]
No. I in M.391.5
The fox jump'd over the parson's gate. Quintett (s. s. t. t.
B.). London. Novello & Co. [1864?] No. 8 in M.IS7.19
Gather each flower. Chorus, with solos. In the opera of
Maid Marian. [Accomp. for pianoforte.] London.
Goulding & Co. [183-?] No. 3 in M.235.16
Same. [1839.] No. 31 in M.235.7.1
[The gnome-king!] The whole of the music in The gnome-
king! A dramatic legend in two acts, . . . composed and
compressed from the score, for the voice and piano forte.
Bishop, Sir Henry Rowley. (Continued.)
[Words by G. Colman, the younger.] London. Gould-
ing, D'Almaine, Potter & Co. [1819?] No. 2 in M.396.8
Good night, good rest. Glee [s. a. x. b.]. London. Novello
& Co. [1865?] No. 33 in M.157.19
The grand alliance, an allegorical festival, composed, se-
lected & arranged for the pianoforte by Henry R. Bishop.
London. Goulding, D'Almaine & Co. [1814.] M.396.10
[Guy Mannering.] The overture, songs, duett, glees &
chorusses in the musical play of Guy Mannering, or the
gipsy's prophecy. [The words by Daniel Terry.] Com-
posed and arranged for the piano forte by Thos. Attwood
and Henry R. Bishop. London. Goulding, D'Almaine,
Potter & Co. [1816.] No. I in M.390.41
Two numbers only were composed by Attwood.
Hail! gentle master. Finale to ist act, ... in the opera
Aladdin. [Trio, solos and chorus. Accomp. for piano-
forte.] London. Goulding & D'Almaine. [182-?]
No. 32 in M.235.7.1
Hail to the chief. Quartet with chorus, ad lib. London.
Novello & Co. [186-?] No. 27 in M.157.19
Hark, Apollo strikes the lyre. Trio [s. s. b.]. London.
Novello & Co. [1864?] No. 34inM.1s7.19
Hark! hark! each Spartan hound. [Glee, a. x. b.] (In
Parker. The Orphean lyre. Series 3, pp. 55-57.)
No. 13 in M.237.9
Hark! 'tis the Indian drum. Four part song. London.
Hutchings & Romer. [185-? Chorister's album.]
No. 8 in M.157.23
Hark to the voices! [Trio. s. s. a.] London. Cock & Co.
[185-?] No. 16 in M.244.10.4
Hart & hind are in their lair. Quartet & chorus [a. x. x. b.].
[London.] D'Almaine & Co. 1839. No. 34 in M.235.7.1
Harry le Roy. A heroic pastoral burletta, founded on Dods-
• ley's King & the miller of Mansfield. The words by J.
Pocock. The music composed & arranged for the piano
forte, by H. R. Bishop. London. Goulding, D'Almaine,
Potter & Co. [1813?] No. 2 in M.391.5
He is all the world to me. Air [s. Accomp. for piano-
forte]. London. Lavenu. [181-?] No. 44 in M.237.7
He sees and he believes. [Chorus. Accomp. for piano.]
(In Handel and Haydn Society Collection of sacred music.
Vol. I, pp. 68, 69.) No. 15 in M. 221.22.1
[The heart of Mid-Lothian.] The overture and whole of
the music in The heart of Mid-Lothian; musical drama in
three acts . . . The poetry by D. Terry. Composed . . .
by Henry R. Bishop. [Vocal score with pianoforte ac-
companiment.] London. Goulding, Dalmaine, Potter
& Co. [1819?] No. 3 in M.396.8
[Henri Quatre.] The overture, chorusses and whole of the
music to Henri Quatre, a grand musical romance, in three
acts. Composed . . for the voice and piano by Henry
R. Bishop. The poetry by T. Morton. London. Gould-
ing, D'Almaine, Potter & Co. [1820.] No. i in M.3go.45
[Home, sweet home!] The overture and whole of the music
to Home, sweet home! or the Ranz des vaches, operatic
drama in two acts. The poetry by J. Pocock. The music
composed, adapted and arranged for the voice and piano
forte by Henry R. Bishop. London. Goulding & D'Al-
maine. [1832.] M.396.9
The huge globe has enough to do. Trio [a. t. b.] and cho-
rus, ad lib. [Accomp. for pianoforte.] London. Novello
& Co. [186-?] No. 19inM.1s7.19
[The humourous lieutenant, or Alexander's successors.]
The overture, marches, songs and quartette in Beaumont
& Fletcher's revived play . . . Composed & arranged for
the piano forte by Henry R. Bishop. London. Gould-
ing, D'Almaine, Potter & Co. [1817.]
No. 3 in M.391.5; No. I in M.391.6
In tears the heart oppress'd. [Trio, s. t. b.] (In Parker.
The Orphean lyre. Series 3, pp. 43-45) No. 10 in M.237.9
John Du Bart; or the voyage to Poland. A grand melo-
drama . . . the music composed & arranged for the
126
Bishop
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bishop
Bishop, Sir Henry Rowley. (Continued.)
pianoforte. London. Goulding, D'Almaine, Potter &
Co. [iSis?] No. 2 in M.396.6
Almost all the music is for pianoforte alone.
John of Paris. Opera in 2 acts. The music partly selected
from A. Boieldieu, &c., the rest composed (and the whole
adapted and arranged) by Henry R. Bishop. [Full score.]
London. 1814. Manuscript. Autograph. M.230.26
[The knight of Snowdoun.] The overture and whole of
the music in The knight of Snowdoun, a grand musical
drama . . . The words by Tho. Morton. Composed &
arranged for the pianoforte, by Henry R. Bishop. Lon-
don. Goulding & D'Almaine. [1811?] No. 2 in M. 391.7
[The law of Java.] The music ... to The law of Java.
Composed ... by Henry R. Bishop. The poetry by
George Colman the younger. [Accomp. for pianoforte.]
London. Goulding, D'Almaine, Potter & Co. [1822.]
No. I in M.391.7
Let us twine the clust'ring roses. [Trio, s. s. a.] London.
Cock, Hollier & Co. [185-?] No. 15 in M.244.10.4
Live Henri Quatre. Chorus (s. A. T. B.). Adapted to a French
national air and arranged by Bishop. London. Novello
& Co. [186-?] No. i2in M.IS7.19
Loud let the Moorish tambour sound. [Chorus. Accomp.
for pianoforte.] London. Goulding, D'Almaine. [183-?]
From The fall of Algiers. No. 2 in M.235.7.2
The magpie or the maid? Melo-drama. [Full score.]
London. 1815. Manuscript. Autograph. M.230.25
The words are by Isaac Pocock.
Same. A melo-drama . . . The music composed & ar-
ranged for the piano forte by Henry R. Bishop. [The
words by Isaac Pocock.] London. Goulding, D'Almaine,
Potter & Co. [1815.] No. i in M.sgi.io
Maid Marian. Legendary opera. The poetry written &
selected by J. R. Planche. Composed by H. R. Bishop.
[Accomp. for pianoforte.] London. Goulding, D'Al-
maine, Power & Co. [1822.] No. 2in M.271.19
[The maid of the mill.] The additional songs, duett, &c.,
in the revived comic opera The maid of the mill. [Ac-
comp. for pianoforte.] London. Goulding, D'Almaine,
Potter & Co. [1814?] No. 2 in M.391.10
The maniac, or the Swiss banditti. Serio comic opera [by
S. J. Arnold]. Composed and arranged for the piano
forte by Henry R. Bishop. London. Goulding, D'Al-
maine, Potter & Co. [1810.] M.391.12
The marriage of Figaro. A comic opera . . . Composed
and arranged [principally from Mozart] for the piano
forte, by Henry R. Bishop. London. D'Almaine & Co.
[182-?] No. 2 in M.391.6; No. 4 in 11.391.10
Merry boys, away, away. Chorus. [Accomp. for piano-
forte.] London. D'Almaine & Co. [1839.]
No. 30 in M.23S.7.1
Same. Novello & Co. [186-?] No. 23 in M.1S7.19
The miller and his men, a melo drama, in 2 acts, by L Po-
cock. The music composed and arranged for the piano
forte by Henry R. Bishop. London. Goulding, D'Al-
maine, Potter & Co. [1813.] No. i in M.391.11
[Montrose, or the children of the mist.] The overture,
marches & vocal music in the opera of Montrose. Com-
posed & arranged by Henry R. Bishop. The poetry by
I. Pocock. [Accomp. for pianoforte.] London. Gould-
ing, D'Almaine, Potter & Co. [1822.] No. 3 in M.391.10
The moon just peeps from out the sea. [Trio, s. s. a.]
London. Cock, Hollier & Co. [186-?] No. 21 in M.244.10.4
Mourn for the mighty dead. Elegy for 4 voices. (In War-
ren. Cocks's Hand-book of glees. Vol. i, no. 29, pp.
113-116.) No. 29 in M.157.6.1
Native land, or the return from slavery. Opera, in 3 acts.
[Words by William Dimond.] Composed and arranged
for the voice & piano forte by Henry R. Bishop. With
selections from Zingarelli, Boieldieu and Rossini. Lon-
don. Goulding, D'Almaine & Co. [1824.] M.391.4
Now to the forest we repair. Chorus [t. t. b.]. London.
Novello & Co. [186-?] No. 26in M.157.19
Bishop, Sir Henry Rowley. (Continued.)
Now tramp o'er moss and fell. Chorus. [Accomp. for
pianoforte.] London. D'Almaine & Co. [1839.]
No. s in M.23S.7.2
Same. Novello & Co. [186-?] No. 4 in M.1S7.19
O, by rivers, by whose falls, serenade, from Dr. Wilson and
J. Saville, arranged for 5 voices [s. s. a. t. b.]. Adapted
to the poetry of Shakespeare and the symphonies com-
posed by Bishop. London. Novello & Co. [186-?]
Ai , , ,. „ No. 3 in M.IS7.IQ
Also to be found m Gounod's The Royal Albert Hall choral music.
O Salutaris Hostia. Solo for s. (or bar.) voice. [Accomp.
for organ.] (In Novello. Convent music. Vol. 2, p. 135.)
No. so in M.260.17.2
Oh! bold Robin Hood. Sestet [a. t. t. t. b. b.]. London
D'Almaine & Co. [1839.] No. 14 in M.235.7.2
Push about the bottle, boys. Glee [a. t. b.], with chorus,
ad lib. London. Novello & Co. [186-?] No. 22 in M.IS7.9
Push the red wine about. [Glee, a. t. b.] (In Parker. The
Orphean lyre. Series 3, pp. 50-54.) No. 12 in M.237.g
[The rencontre.] The overture and whole of the music in
the operatic comedy of the Rencontre. [Words by J. R.
Planche.] Composed by Henry R. Bishop. [Accomp!
for piano.] London. Goulding & D'Almaine. [1827.]
No. I in M.3go.46
[The renegade.] The overture, marches, songs & quar-
tette in the historical play. The renegade. The words by
F. Reynolds. The music composed & arranged for the
piano forte by Henry R. Bishop. London. Goulding,
D'Almaine, Potter & Co. [1819.] No. 2 in M.3go.4i
[A Roland for an Oliver.] The overture and whole of the
music in the farce, called A Roland for an Oliver. The
overture composed & the rest of the music adapted &
arranged by Henry R. Bishop. [The words by Thomas
Morton, .^ccomp. for pianoforte.] London. Goulding,
D'Almaine, Potter & Co. [1819.] No. 2 in M.390.41
The romance of a day, an operatic drama in 2 acts, com-
posed by Henry R. Bishop. The poetry by L R. Planche.
[Vocal score.] London. Goulding & D'Almaine. [1831.]
M.396.11
Ronilda. Glee [s. a. t. b.]. London. Novello & Co. [186-?]
No. 39 in M.157.19
[Sadak and Kalasrade.] The overture, songs, marches, and
a selection of the favorite airs in the grand Asiatic specta-
cle, Sadak & Kalasrade, or the waters of oblivion. Com-
posed by Henry R. Bishop. The action &c. arranged by
Charles Farley. London. Goulding & Co. [1814.] M.396.12
The Seventh day, cantata, from Milton's Paradise lost,
book 7. . . . Composed [for s. t. b. and chorus] . . . and
accomp. compressed [for the pianoforte] by Henry R.
Bishop. London. Novello. [1833?] No. 3 in M.270.22
The silver queen. Quartet (s. a. t. b.). London. Novello
& Co. [186-?] No. 30 in M.157.19
The slave, an opera in 3 acts, composed & adapted ... for
the pianoforte . . . by H. R. Bishop. The poetry by T.
Morton. London. Goulding, D'Almaine, Potter & Co.
[1S16.] No. 2 in M.271.15
Sleep, gentle lady. Serenade [s. A. T. B.]. London. Hutch-
ings & Romer. [185-? Chorister's album.] No. 7 in M.157.23
Same. Novello & Co. [186-?] No. 40 in M.157.19
Also to be found in Ditson's The Orphean lyre; Orpheus glee book;
Willard's Arion.
Same. Sleep, while the soft evening breezes. [Part-song.]
London. Novello, Ewer & Co. [187-?] No. 32 in M.158.13
Slow and sadly tolling. [Glee, s. A. B.] (In Ditson. The
Orphean lyre. Vol. i, pp. 52, 53.) No. 21 in M.235.22
Soft let the Lamia sound. Chorus. London. D'.A.lmaine
& Mackinlay. [1839.] No. 16 in M.235.7.2
The song of the Georgian maid [s.], from Lalla Rookh.
London. Power. [185-?] No. 21 in M.236.2
Spirits, advance. Chorus [s. A. t. b.] with solos [s. s. t. b.].
London. Novello & Co. [186-?] No. 24 in M.157.19
Sportive little trifler, tell me. Glee [a. x. b.]. London.
Novello & Co. [186—] No. 37 in M.157.19
127
Bishop
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bisson
Bishop, Sir Henry Rowley. (Continued.)
Stand! who's there? Quartet and chorus [a. t. t. b.]. Lon-
don. D'Almaine & Co. [1839] No. 19 in M.235.7.2
Same. Novello & Co. [186-?] No. 32 in M.157.19
Stay, pry'thee, stay. Sestet [s. s. a. t. t. b.]. London. No-
vello & Co. [186-?] No. 21 in M.157.19
Tamerlane et Bajazet, the new grand heroic ballet . . . The
ballet by Sig"". Rossi, the music composed, selected, and
the whole arranged for the pianoforte, by H. R. Bishop.
London. Pearce & Co. [1806?] No. 2 in M.396.17
[Telemachus.] The additional vocal music in the revived
opera of Telemachus. London. Goulding, D'Almaine,
Potter & Co. [1815?] M.396.13
That doom is death! Chorus with solos. [Accomp. for
pianoforte.] London. [D'Almaine & Co. 1839.]
No. 22 in M.23S.7.2
Though from our cheerful homes. Round [for 3 voices].
(In Parker. The Orphean lyre. Series 3, pp. 16-19.)
No. 3 in M.237.9
Though he be now a grey, grey friar. Quintetto [s. a. t.
T. B.] in the opera of Maid Marian. [Accomp. for piano-
forte.] London. Goulding, D'Almaine & Co. [183-?]
Also to be found in Ditson's The Orphean lyre. No. 26 in M.235.7.2
The tiger couches in the wood. Chorus (a. t. t. b.) with
solo. [Accomp. for pianoforte.] London. Novello &
Co. [186-?] No. 9 in M.157.19
Tlascalans. Solo [s.] and chorus, in the drama of Cortez.
[Accomp. for pianoforte.] London. Goulding, D'Al-
maine & Co. [183-?] No. 27 in M.23S.7.2
To arms! prepare. Chorus [a. t. b.]. [Accomp. for piano-
forte.] London. Novello & Co. [186-?]
No. 31 in M.IS7.19
To harmony, seraphic maid! Glee [s. a. x. t. b.]. London.
Novello & Co. [186-?] No. 38 in M.157.19
To the cuckoo. Round [s. s. a.]. (In Hills. Vocal trios.
Vol. I, p. 72.) No. 15 in M.157.17.1
[Twelfth night.] The songs, duetts & glees in Shakspeare's
play of Twelfth night. The music composed for the voice
and piano by Henry R. Bishop. London. Goulding,
D'Almaine, Potter & Co. [1820.] No. 2 in M.390.46
Twelve original English glees for three, four & five voices,
with an accompaniment for the piano forte or harp . . .
London. Lavenu. [182-?] No. 2 in M.220.29
Contents. — When would a mortal. — The knight and the maid. —
The fatal sisters. — What is love. — ■ Little Bacchus. — When the
storms aloft arise. — Sportive little trifler, tell me. — When wearied
wretches. — Ronilda. — Where art thou, beam of light. — Foresters.
— • To harmony.
Two gentlemen of Verona. The overture, songs, duets,
glees & chorusses in the play. The words selected from
Shakespeare's plays, poems & sonnets. The music com-
posed . . . adapted for the voice and piano-forte by H. R.
Bishop. London. Goulding, D'Almaine, Potter & Co.
[1821.] No. 2in M.271.16
Under the greenwood tree. Glee [a. t. t. b.]. London.
Novello & Co. [186-?] No. 17 in M.157.19
Vengeance! we swear. Chorus [s. A. T. B.] with solos. [Ac-
comp. for pianoforte.] London. Novello & Co. [186-?]
No. 36 in M.IS7.19
The virgin of the sun. Grand melo dramatic opera. Com-
posed, compressed for the pianoforte by H. R. Bishop.
The poetry by F. Reynolds. London. Goulding, D'Al-
maine, Potter & Co. [1812,] No. i in M.271.15
Wake not, dreaming maiden. [Trio. s. s. A.] London.
Cock, Hollier & Co. [185-?] No. 17 in M.244.10.4
Welcome to this place. Quartet [s. s. s. a. Accomp. for
pianoforte], (/n Novello's Collection of trios, etc. Vol.
2, pp. 67-71.) No. 10 in M.204.36.2
Welcome, welcome, lady fair. Chorus [a. t. b.] and solo
[s. Accomp. for pianoforte]. London. D'Almaine & Co.
[1839.] No. 30 in M.235.7.2
What, ho! clansmen, ho. Chorus [s. A. T. T. T. B.] with solos.
[Accomp. for pianoforte.] London. Novello & Co.
[186-?] No. 28 in M.IS7.19
Bishop, Sir Henry Rowley. (Continued.)
What phrase, sad and soft? [Glee, s. s. x. x.] London.
Novello & Co. [185-?] No. 35 in M. 157.19
Also to be found in Ditson's The Orphean lyre.
What shall he have that killed the deer? Glee (a. x. x. b.)
with chorus, ad lib. London. Novello & Co. [186-?]
No. IS in M.157.19
When the wind blows. Round (x. x. x.). London. Novello
& Co. [186-?] No. 5 in M.157.19
When wearied wretches. [Glee.] London. Novello & Co.
[185-?] No. 16 in M.1S7.19
.■Vlso to be found in Ditson's The Orphean lyre.
Where art thou, beam of light? Glee. [s. a. x. b.] London.
Novello & Co. [186-?] No. 10 in M.157.19
Same. [s. s. a.] Cock, Hollier & Co. [185-?]
No. 18 in M.244.10.4
Also to be found in Leslie's Cassell's Choral music.
Where the sweet rose. [Trio. s. s. a.] London. Cock,
Hollier & Co. [185-?] No. 19 in M.244.10.4
Who is Sylvia? Glee. (s. a. x. x. b.) Adapted and arranged
from Ravenscroft and Morley by Bishop. London. No-
vello & Co. [186-?] No. 7 in M.157.19
[Who wants a wife?] The overture, song, glee, ballet and
melodramatic music in Who wants a wife? or the law of
the land! The words by J. Pocock . . . Composed by
Henry R. Bishop. [Accomp. for pianoforte.] London.
Goulding, D'Almaine, Potter & Co. [1816.I
No. 3 in M.390.41
The winds whistle cold. Glee [a. x. b.]. London. Novello
& Co. [186-?] No. 14 in M.157.19
With hawk and hound. [Glee, a. x. x. b.] (In Orpheus glee
book. Pp. 12-15.) No. 9 in M.246.36
Also to be found in Parker's The Orphean lyre.
Zuma, or the tree of health. Comic opera. The poetry by
T. Dibdin. The music composed & arranged for the voice
& piano forte, by H. R. Bishop. Book i: Overture and
songs. Book 2: Trio, glee, concerted pieces & choruses.
London. Goulding, D'Almaine, Potter & Co. [1818.]
2 parts in i v. M.396.14
Bishop, Sir Henry Rowley, editor.
Arcadelx. Ave Maria! No. 21 in M.260.10.5
Arne, M. Cymon. M.396.1
Handel. Songs, duets, and trios. M.234.5
MozARX. Each doubt & fear now ending. No. 6 in M.235.16
Rossini. Hofer, the Tell of the Tyrol. M.264.20
Weber, C. M. F. E. von. [Der Freischiitz.] M.3go.39
Wellesley, G. C. Glees and madrigals. M.236.23
Bishop, John, editor.
Czerny. The art of preluding. M.237.12
The school of fugue playing. M.237.13
Handel. Judas Maccabseus, an oratorio . . . M.241.44
Messiah, an oratorio . . . M.153.24
Haydn, F. J. The creation, an oratorio . . . M.242.8;etc.
Bishop, John, translator.
Fexis, F. J. Notice of Anthony Stradivari. M.105.24
Bishop, The, of Mentz. Part-song. Bishop, H. R. Complete
collection of glees. Vol. 2. M.235.1.2
Pearsall. No. 19 in M.195.1.10
Bissell, T.
Hail, Merry Christmas. Four part song. Boston. Ditson
& Co. [1876.] No. 33 in M.190.1
O Salutaris Hostia. [Solo, b. Accomp. for organ.] Bos-
ton. Tolman & Co. [1866.] No. 17 in M. 260.10.2
Te Deum. [For 4 voices, with organ.] Boston. Ditson &
Co. [184-?] No. 32 in M.190.1
Bisson, Alexandre Charles Auguste.
L'anniversaire. Opera-comique. Musique de Ch. Lenep-
veu. No. I in M.306.13
Le capitaine Therese. Opera comique. Musique de Robert
Planquctte. M.382.64
Same. Captain Therese. Opera comique, by Alex. Bisson
& F. C. Burnand. lyrics by F. C. Burnand & Gilbert a
Beckett. Music by Robert Planquette. M.287.29
Le fiance de Margot. Operette. Musique de Robert Plan-
quette. No. I in M.402.44
128
Bisson
THE ALLEN A. BROWN COLLECTION OF MUSIC
Black
Bisson, Alexandre Charles Auguste. (Continued.)
Un lycee de jeunes filles. Vaudeville-operette. Musique
de Louis Gregh. No. i in M.266.32
Mam'zelle Pioupiou. Piece militaire. Musique de W.
Chaumet. No. 2 in M.28S.9
Ninetta. Opera-comique de MM. Alfred Hennequin & A.
Bisson. Musique de Raoul Pugno. M.297.19
La petite maison, opera comique de Alexandre Bisson et
Georges Dokois. Musique de William Chaumet. M.sSi.io
La veillee des noces. Opera-comique. Paroles de Alex-
andre Bisson et Bureau-Jattiot. Musique de F. Toul-
mouche. M.324.23
Same. The wedding eve. A comic opera. Music by Frederic
Toulmouche. The English libretto (founded on the
French of A. Bisson and Bureau-Jattiot) by William
Yardley. M.324.22
Bitoire,
Le rosier. Operette. Paroles de Marc Sonal [pseud.] &
Bitoire. Musique de F. Boissiere. No. 3 in M. 265.14
Bitt' ihn, o Mutter. Song. Wolf, H. Spanisches Liederbuch.
No. 26 in M.380.30
Bitte. Part-song. Bauer, L. Ihr Auge. No. 12 in M.392.3
Bitte. Song.
Franz, R. Sechs Gesiinge. Op. 9- No. 64 in M. 244.5.1
MiHALOviCH. Sieben Lieder. No. 2 in M.380.21
Bitte an die Nachtigall. Song. Taubert, C. G. W. Fiinf
Lieder. No. 16 in M.192.7
Bitten. Song. Beethoven. Sechs geistliche Lieder.
No. 10 in M. 157.24; etc.
Bitter, Carl Hermann.
Beitrage zur Geschichte des Oratoriums. Berlin. Oppen-
heim. 1872. No. i in M.207.6
Carl Philipp Emanuel und Wilhelm Friedemann Bach und
deren Briider. Berlin. Miiller. 1868. 2 v. Portraits.
Facsimiles. M.141.13
Gesammelte Schriften. Leipzig. Friedrich. 1885. M.113.9
Johann Sebastian Bach. Berlin. Schneider. 1865. 2 v.
Portrait. Facsimiles. M.116.11
The life of J. Sebastian Bach. An abridged translation by
Janet E. Kay-Shuttleworth. London. Houlston. [1873.]
Portrait. M.108.31
Bitter, Carl Hermann, editor.
Loewe, J. C. G. Dr. Carl Loewe's Selbstbiographie. M.117.7
Bitteres zu sagen. Song. Brahms. Lieder und Gesange.
Op. 32. Heft 2. No. 6 in M.380.40.1
Bittgesang. Part-song. Haupt.mann, M. Sechs geistliche
Gesange fiir s. a. t. b. No. 3 in M. 157.22
Bittong, Franz.
Aspasia. Oper. Musik von Carl Schroeder. M.300.17
Lancelot. Oper. Musik von Theodor Hentschel. M. 276.22
Die Wichtelmanner. Weinachtsmarchen. Musik von .^rno
Kleffel. No. 2 in M.391.38
Bizet, Alexandre Cesar Leopold.
Aegyptischer Tanz aus der Oper „Djamileh." Partitur.
Berlin. Simrock. [188-?] No. 2 in M.405.'5
L'Arlesienne. Drame en 3 actes de Alphonse Daudet.
Musique de Georges Bizet. Partition chant & piano.
Paris. Choudens. [1872.] No. i in M.265.21
Same. Suite d'orchestre. Partition orchestre. Op. 23bis.
Paris. Choudens. [187-?] No. i in M.3S8.2
Same. [2'^ suite d'orchestre. Partition.] Paris. Choudens.
fi88-?] No. 2 in M.358.2
[Carmen, opera-comique en quatre actes, tire de la nouvelle
de Prosper Merimee par Meilhac et Halevy. Musique de
Georges Bizet. Partition. Paris. Fouquet. 1875.]
The title-page is missing. M. 227.15
Same. Opera in 4 acts. [By Meilhac and Halevy.] The
English words by Henry Hersee. The music by Bizet.
[Accomp. for pianoforte.] London. Metzler & Co.
[187-?] M.26S.19
Djamileh. Opera comique en i acte, de Louis Gallet, mu-
sique de Georges Bizet. Partition chant et piano. Paris.
Choudens. [1872.] No. 2 in M.265.21
Same. Ouvertiire zur Oper „Djamileh." Partitur. Berlin.
Simrock. [i88-?l No. i in M.405.5
Bizet, Alexandre Cesar Leopold. (Continued.)
Same. The slave in love. "L'esclave amoureuse." Opera
comique, in one act. French libretto by Louis Gallet.
English version by Joseph Bennett. [Accomp. for piano-
forte.] London. Ascherberg & Co. 1892. M.394.63
Don Procopio. Opera bouffe en deux actes de Paul Collin
et Paul Berel [pseud.] d'apres les comedies italiennes du
XVIIe et du XVnie siecles. Musique de Georges Bizet.
Revision musicale et reduction pour piano et chant par Ch.
Malherbe. Partition chant et piano. Textes frangais et
italien. Paris. Choudens. 1905. M.389.1
La jolie fille de Perth. Opera en 4 actes de MM. de Saint-
George & J. Adenis [pseud.]. Musique de G. Bizet. Par-
tition chant & piano. Paris. Choudens. [1867.] M.265.22
Noe. Grand opera en 3 actes et 4 tableaux, de H. de S'.
Georges. Musique de Halevy et Georges Bizet. Paris.
Choudens. [187-?] M.265.23
Les pecheurs de perles. Opera en 3 actes de M. Carre &
Cormon [pseud.]. Musique de Georges Bizet. Partition
chant et piano. Paris. Choudens. [186-?] 11.265.50
Same. Vorspiel zu der Oper „Die Perlenfischer." Partitur.
Berlin. Simrock. [188-?] No. 3 in M.405.S
Petite suite d'orchestre. Jeux d'enfants. Op. 22. Partition.
Paris. Durand, Schoenewerk & cie. [187-?]
No. 2 in M.343.49
Roma. 3me suite pour orchestre. Partition. Paris. Chou-
dens. [187-?] No. I in M.343.49
Serenade. Pour t. ou s. [Accomp. de piano.] Portrait.
Facsimile. (In Album du Galois. Vol. i.)
No. 4 in M.391.28.1
Tanz der Hindus aus der Oper „Die Perlenfischer." Par-
titur. Berlin. Simrock. [188-?] No. 4 in M.405.5
■yasco de Gama. Ode-symphonie [s. s. t. b. 6 b. et choeur].
Paroles de Louis Delatre. Musique de Georges Bizet.
Partition chant et piano. Paris. Choudens. [188-?]
No. I in M.265.24
Vingt melodies pour chant et piano, fidition pour mezzo-
soprano ou baryton. Paris. Choudens. [188-?]
No. 2 in M.265.24
Conlctits. — Chanson d'avril. — Le matin. — Vieille chanson. — Adieu
de rhotesse arabe. — Reve de la bien-airaee. — J'aime I'amour. —
Vous ne priez pas. — Ma vie a son secret. — Pastorale. — Serenade.
— Berceuse. — La chanson du fou. — Absence. — Douce mer. —
Apres I'hiver. — La coccinelle. — Chant d'amoiu*. — J'en dirai rien.
— L'Esprit Saint. — Tarantellc.
Bizet, Alexandre Cesar Leopold. Works about.
Bellaigue, C. Georges Bizet: sa vie et ses oeuvres. Paris.
1890. No. I in M. 139.22
Galabert, E. Georges Bizet. Souvenirs et correspon-
dance. Paris. 1877. No. 3 in M. 134.9
Gallet, L. A la memoire de Georges Bizet. Vers. Paris.
1890. No. 2 in M.139.22
Nodnagel, E. O. Georges Bizet. L'Arlesienne. Erlautert.
Leipzig. [1899?] No. 13 in M.217.12.7
PiGOT, C. Georges Bizet et son oeuvre. Paris. 18S6. M.138.9
Schwab, F. A. Carmen, its composer and interpreters.
Illus. Portraits. (In The music of the modern world.
New York. [1895.]) M.14.1.1
Teiblkr, H. Georges Bizet. Suite „Roma". Erlautert.
Leipzig. [1901?] No. 22 in M.217.12.10
Bizet, Georges. See Bizet, Alexandre Cesar Leopold.
Bizot, Charles, editor.
Righinl Messe solennelle a 4 voix. No. 5 in M.260.8.5
Bj0rnson, Bj0rnstjerne.
Bergliot. Gedicht. Musik von Edvard Grieg. No. 4 in M.342.1
Landkennung. (Landkjending.) Gedicht, componirt von
Edvard Grieg. No. 3 in M.352.22; etc.
Scenen aus Olav Trygvason . . . componirt von Edvard
Grieg. No. i in M.155.16
The words are in Norwegian and German.
Til Molde. Komponeret af Christian Sinding.
No, 3 in M.391.58
Vor der Klosterpforte, aus „Arnljot Gelline" componirt von
Edvard Grieg. No. 2 in M.33I.24
Black knight. The (Der schwarze Ritter). Cantata. For the
Music see Elgar. For the Libretto see Uhland.
I 17
129
Black
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bland
Black rover. The. Opera. For the Music and Libretto see
Searelle.
Blackall, C. R. , „
Belshazzar. A dramatic cantata. Music by J. A. Butter-
figl(j No. 2 in M.204.8
Black-ey'd Susan. Part-song. Leveridge.
No. 75 in M.235.17.1; etc.
Black-eyed Susan. Song. Leveridge. No. 35 in M.235.18.2
Blackie, John Stuart.
War songs of the Germans. With historical illustrations
of the Liberation war and the Rhine boundary question.
Edinburgh. Edmonston & Douglas. 1870. M.i29a.30
Blackman, Robert D., editor.
Selections in prose and verse, adapted for recitation, read-
ing, and dramatic recital. {In Campbell. Voice, speech
and gesture. Pp. 219-888. London. 1895.) M.218.2
Blaes, Arnold Joseph.
Souvenirs de ma vie artistique. Bru.xelles. Monnom. 1888.
Portraits. No. i in M.207.7
Blaettchen, Das. Song. Rubinstein. Sechs Lieder.
No. I in M.ig2.5
Blaetter lasst die Blume fallen. Song. Franz, R. Sechs Ge-
sange. Op. 30. No. 86 in M.244.S.2
Blaetter und Lieder. Song. Raff. Sanges-Friihling. Heft i.
No. I in M. 192.4
Blahetka, Marie Leopoldine.
Ave Maria, pour s. ou t., avec ace', de piano. Paris. Le-
moine. [184-?] No. 5 in M.260.10.4
Blaikie, John Arthur.
Florimel, a cantata. The music by Charlotte Sainton-Dolbj'.
No. 2 in M.155.33
Blainville, Charles Henri.
L'esprit de I'art musical, ou reflexions sur la musique at ses
differentes parties. Geneve. 1754. No. 4 in M.370.64
Blaise,
Annette et Lubin. Comedie en i acte en vers, par Me.
Favart. Melee d'ariettes . . . de M. Blaise. [Partition.]
Paris. De la Chevardiere. [1762.] Engraved title-page.
M.252.33; No. I in M.271.20
The copy on shelf-number M.271.20 besides the full score has the
separate parts for the various instruments.
Isabelle et Gertrude, ou les sylphes supposees. Comedie
en I acte par M. Favart. Mise en musique par M. Blaise.
[Partition.] Paris. De la Chevardiere. [1765.]
M.271.21 ; No. 4 in 1*1.391.34
Blaise et Babet. Opera. For the Music see Dezede,
For the Libretto see Monvel.
Blaise le savetier. Opera. For the Music see Danican. For
the Libretto see Sedaine.
Blake, Charles Dupee.
The electric spark. Jollities in music. [Opera.] Libretto
by Chas. F. Pidgin. Music by Chas. D. Blake. [Vocal
score.] Boston. White, Smith & Co. 1882. M.402.7
The light-keeper's daughter. A nautical opera in 3 acts.
Libretto by Geo. M. Vickers. Music by Charles D. Blake.
[Accomp. for pianoforte.] Boston. Blake & Atkinson.
1882. M.26S.25
Priscilla, or a maid of Brown. Comic opera. Words by
S. S. Colvin, A. E. Thomas, E. W. Blake, Jr. Music by
F. L. C. Keating and Edward W. Corliss. No. 3 in 11.397.9
Blake, W. P., translator.
Middlemore, editor. Songs of the Pyrenees.
No. I in M.384.63
Blake, Walter.
Tliird mass in C, for soli voices, chorus, full orchestra and
organ. [Vocal score with organ accomp.] London.
Burns & Oates. [189-?] No. i in M.380.3
Blake, William, D.D.
I have set God always before me. Anthem [s. s, a. t. b.
Accomp. for organ]. {In Handel and Haydn Society Col-
lection of sacred music. Vol. 2, pp. 39-52.)
No. 9 in M.221.22.2
Also to be found in Novello's Collection of anthems.
Blake, William. D.D. (Continued.)
Same. [One movement only.] {In Gardiner. Sacred melo-
dies. Vol. 3, pp. 300, 301.) No. 6 in M.236.30.3
Thou shalt shew me the path of life. Duet [s. s. Accomp.
for organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp.
204, 205.) No. 75 in M.2go.22.2
Blame me not, lady. Chorus. Bishop, H. R.
No. 25 in M.23S.7.1 ; etc.
Bl:tme not. Part-song. Schumann, R. A. No. 3 in M.204.38
Blamont, Frangois Colin de.
Les fetes, grecques et romai[nes]. Ballet [musique de Bla-
mont, paroles de Fuzelier. Partition d'orchestre]. Manu-
script. [Paris? 1753?] M.374a.i
Blanc, A.
Frisette et Polydore. Saynete. Musique de J. B. de Croze.
No. 3 in M.301.3
Blanc, Adolphe.
Les deux billets. Comedie en i acte de Florian. Arrangee
en opera comique par Hippolyte Guerin de Litteau. Mu-
sique de Adolphe Blanc. [Partition piano & chant.]
Paris. Escudier. [185-?] No. 2 in M.255.14
Blanc, Claudius.
Sainte Genevieve de Paris. Mystere en 4 parties et 12
tableaux. Musique de CI. Blanc & L. Dauphin. Parti-
tion chant et piano. Paris. Heugel & cie. 1893.
No. 2 in M.213.S
Blanchard de la Bretesche,
Jean Mayeux. Mimodrame. Musique de Charles Thony.
No. 2 in M.276.10
Blanche. Song. Halevy, J. F. F. £. No. 24 in M.391.28.1
Blanche colombe. Song. Gounod. Vingt melodies. 3e re-
cueil. No. 7 in M.157.36.3
Blanche de Nevers. Opera. For the Music see Balfe. For the
Libretto see Brougham.
Blanche et Vermeille. Opera. For the Music see Rigel. For
the Libretto see Florian, J. P. C. de.
Blanche Marguerite, La. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Blanche of Provence. Part-song. Cherubini.
No. 4 in M.158.15; etc.
Blanchet, Alexandre.
La musique et I'accord des instruments mis a la portee des
aveugles et des instituteurs. Paris. Hachette & cie.
1865. Plates. M.20S.3
Blanchisseuse, La. Opera. For the Music see Vasseur, F. A.
J. L. For the Libretto see Chivot.
Blancou, Victor.
Les suites d'une indiscretion. Comedie melee de chants.
Par M™e Ferdinand Huard. Musique de Mr Blancou.
[Partition chant et piano.] Paris. Richault. 1843.
No. I in M.30I.2
Bland, John, editor.
The ladies' collection of catches, glees . . . [Vol. 1-5.]
London. Bland. [1820.] 5 v. in 2. M.23S.17
The paging is continuous.
Contents. — I. Wilbye: Down in a valley. — Holcombe: Arno's vale.
— Care thou canker. — Hayes : Poor Johnny's dead. — Hayes : Help
us, O God. — Lawes: View, Lesbia. — Hayes: Bow down Thine
ear. — Su cantiamo. — Gluck: Pour prix du sang. — Brewer: 'Tis
Amarillis. — Hayes : You beat your pate. — Now God be with old
Simeon. — Berg: How happy are we. — The silver swan. — Wilson:
Where the bee sucks. — Hayes: When Chloe's kind. — Hayes:
Haste ye soft gales. — Stevenson: Come, my heroes. — Este: How
merrily we live. — Weelkes : The nightingale. — Travers : Soft Cupid
am'rous. — Hayes: Melting airs. — Baildon: Ye heav'ns if inno-
cence. — Harington: How great is the pleasure. — Perche vezzo. —
Hayes: Winde gentle evergreen. — Now kiss the cup. — Go gentle
breezes. — Hayes: Gently touch. — O beauteous eyes. — Arne:
Hush to peace. — Hilton: Come hither, boy. — Have you any work
for a tinker. — Gregory : Fill, fill, fill. — Gregory : Let us be merry.
— Hark the bonny Christchurch bells. — Purcell: Fairest isle. —
Travers: I like a bee. — Battishill : O my Clarissa. — Atterbury:
Sweet enslaver. — Comincio solo. — Che mai d'iniqua stella. —
Cocchi: Colla bottiglia. — Brewer: Turn Amarillis. — Hayes: Phil-
lis my fairest. — Byrd : Non nobis. — Hayes : Still in our ears. — We
be soldiers three. — Horley : Sweet nymph. — Arne: Buz, quoth the
blue fly. — Do, re, mi, fa. — Hayes: Life is a jest. — Hayes: On
Anacreon. — U.xor mea. — Purcell : Now we are met. — Up and
down this world goes. — Langdon : Sweet are the banks. — Come
pull away, boys, — Atterbury : Joan said to John. — Langdon : To
130
Bland
THE ALLEN A. BROWN COLLECTION OF MUSIC
Blangini
Bland, John, editor. (Continued.)
heal the wound. — Rogers: Come all noble souls. Alzate il fiasco.
— King: O Absalom my son. — Ives: Come honest friends. — Cran-
ford : Come hither Tom. — Morley : Now is the month of Maying. —
Gibbons : The silver swan. — Giardini : Beviamo tutti. — Ne'er
trouble thyself. — Arne : Which is the properest day to drink? —
Curs'd be the wretch. — Fye! nay prithee. — Ives: Now we are met.
— Boyce: 'Tis thus. — Purcell ; Sweet tyranness. — Ireland: All
in the downs. — Nares: Wilt thou lend me thy mare. — Mercy &
truth. — Plenty, mirth. — How soft the delights. — Let's live good
honest lives. — Morley: Go ye, my canzonets. — On thy sweet lips.
— Wou'd you sing a catch. — Webbe: A gen'rous friendship. — Mr.
Speaker. — If you trust. — Berg: Let us drink. — So che vanti. —
White sand and grey sand. — Make haste, O God. — Let us sing. —
Here lyeth Sir John Guise. — Here lies old Bridges. — Purcell: Let
Caesar & Urania. — Weelkes: Welcome sweet pleasure. Ravens-
croft: We be three poor mariners. — Conversi : When all alone. —
Wills: A cheerful glee [Hail social pleasure]. — Will you hear. —
Wilson: From the fair Lavinian shore. — Scotland: Lightly tread. —
Hilton: Come let us all. — Lawes: I saw fair Chloris. — Goodgrow :
Will Chloris cast. — Holmes: Prepare your hearts. — Hilton: Turn
Amarillis. — Willaert : Amen. — Purcell : Fear no danger. — ■ Al-
cock: When Troy town. — White: Hark how the woods. — Hilton:
What shall he have. — Hilton: I charge ye. — Lawes: Gather your
rosebuds. — Oh how fleeting. — Baildon : Adieu to the village. — Price :
Winter. — Travers : Says Pontius in rage. — Tu sei pazzo. — Purcell :
Now we are met. — Morley : Leave now mine eyes. — Morley : Flora,
thou wilt torment me. — Jack & Jill. — Viva tutte. — Where weeping
yews. — Alcock : Hail ever pleasing solitude. — Arne : Elegy. — Hayes :
Chairs to mend. — Valton : Hated by fools. — Clarke : In drinking full
bumpers. — Greene : Come to me. — Purcell : Pale faces. — Hudson :
O nymph divine. — Divine Cecilia. — Valton : Peace, thou white rob'd
child. — Hayes : Let's drink. — Ridley : The morning is charming. —
Arae: From tyrant laws. — Weldon : Let ambition fire the mind. —
Eccles : Inspire us. — Carey : Love's a gentle gen'rous passion. —
Green : Hail green fields. — Boyce : A blooming youth. — Boyce : Long
live King George. — Mornington : When for the worlds repose. —
Lawes: If my mistress. — Jenner: Thou'rt gone. — Travers: Here
innocence. — Hilton: Now that the spring. — Martini: Carapana che
suona. — Caesar : To our musical club. — Gently hear me. — Howard :
Ye chearful virgins. — Travers: Doubtless the pleasure. — Greene:
So peaceful rests. — Greene: On the poor confin'd debtors. — Adieu
the verdant lawns. — Brewer: Turn Amarillis. — Webbe: Come live
with me. — Mornington: By greenwood tree. — Fairest flow'r. —
Vernon: Where is pity's melting eye. — Hayes: If neither brass. —
Greene : Mortals learn. — Purcell : Sum up all the delights. — My
dame has in her hut. — Greene : Prithee foolish boy. — Purcell :
Wou'd you know. — L'avare est toujours. — Long: Happy the youth.
— Hayes: No longer Orpheus. — Giordani: Adieu my love. — Pur-
cell: May the god of wit. — Paxton: An answer to Turn Amarillis
[Go Damon go]. — Coleman: The glories of our birth. — Posting:
Our God is great. — Harington: Look neighbors. — Drink to me
only. — Hayden : As I saw fair Clora. — Damon and Clora. 2. Danby :
When Sappho tun'd. — Hark the hollow woods. — Ireland: To love
and wine. — Dying Christian to his soul. — The curfew tolls the knell.
— O thou wert bom to please me. — In thee each joy. — - Ravens-
croft : Can'st thou love. — ■ Danby : Fair Flora decks. — Ye woods
and ye mountains. — Webbe: O come O bella. — Webbe: Stay Daphne
stay. — Danby: The mulberry shade. — Dyne: Tell me thou dear
departed shade. — Ireland : Return my lovely maid. — Amo amas. —
Bates: Sir you are a comical fellow. — Mornington: Gently hear me.
— Webbe: The answer to Come live with me [If love and all the
world were young]. — Travers: I my dear was born today. — Webbe:
The mighty conqueror. — Ford : Since first I saw your face. — Free-
man: Of all the brave birds. — Now we're met. — If 'tis joy. —
Vernon : How imperfect is expression. — When Phoebus the tops. —
Danby : Awake Aeolian lyre. — Ireland : Awake my fair. — Weedon :
Fourteen cows. — Jenner: Ancient Phillis. — Pring: Did Celia's
person. — Te Deum. — Eccles: Fill all the glasses. — Dyne: Cupid
no more. — Cuckow good neighbors. — Ireland : How sleep the brave.
— Gregory : Here's a bowl. — Follow me my jovial boys. — Baildon :
When gay Bacchus. — Thus to the muses. — Weedon : I know that
my Redeemer liveth. — Weedon: O be joyful in the Lord. — Help
me each harmonious grove. — Webbe : Remember in your ways. —
Stevens: Sigh no more ladies. — If music can charm. — I swore I
lov'd. — Poco ne fan. — Che dolce liquore. — Webbe: The lovers
and bacchanals [Cupid my pleasure]. — Arnold: Brisk wine. — Pur-
cell : To arms [Divine Andate]. — Britons strike home. — Coleman : To
Bacchus. — Atterbury : Come fill the board. — Atterbury : Take oh
take. — Marenzio : Dissi a I'amata. — Greene : When with good wine.
— And must we part forever. — Danby : Come ye party. — Arne : The
medium of life [You ask me, dear Jack]. — How shall we speak thy
praise. — Cirille : Dove son. — Webbe : Let the sage hermit. —
Corfe : The mighty bowl. ■ — Danby : When gen'rous wine. — Nel-
ham : Come follow me. — Arnold: Great god of sleep. 3. Webbe:
You gave me your heart. — Battishill : I lov'd thee beautiful. —
Stevenson: You gave me your heart. — Pring: By shallow rivers. —
Pring: Gay Bacchus liking. — Baildon: Prithee friend. — Webbe:
Thou shalt shew me. — Webbe : On a parish clerk. — Sicilian mari-
ners' hymn (O santissima). — Beneath the silent rural dell. — Webbe:
Epicedium [Tho* mirth our object]. — ■ Pring: God is our hope. —
Pring: Unto Thee. — Sweet is the breath of morn. — Webbe: As
Nancy danc'd. — The news is bad, — Webbe: Swiftly from the
mountains brow. — Hudson : Go happy soul. — Martini [Martin y
Solar] : Twelve Italian rounds. — Webbe : Let the smiles of youth.
— Webbe: Thy voice O harmony. — Burgess; When Delia. —
Webbe: Non fidi al mar. — Boyce: 'Tis on earth. — Biggar: Fly
Bland, John, editor. (Continued.)
ye moments. -Este: O come again. - Webbe : 'Tis archery. -
fer'^^Ll.^ sylvan scene. - Boyce: Get you hence [Glee in The win-
^,,r i^Mi^A -i" ^1"°'^ T^P^- — "°^ ^^^^^ '" th« woodlands.
— Batt.shill : Am.dst the myrtles.— Webbe : Think when to pleasure.
~5pln' s'",°' ^'^'°' ^"^t°'>^- - Webbe: Let kings for empire.
Dnnh ^ /' T "'°'^- ~ Stevens: It was a lover and his lass -
Danby : Tread soft. — Beneath this silent stone. — To fair Fidele's
fln^I '°t-^~,^r'''"'- I" ^^''""" - 2°^"^ Together let us
range — When festive m.rth. — Come shepherds and aid me. — Wine
cannot cure [From night till mom]. - Webbe: Balmy zephyrs -
Danby: Gay Bacchus alone. — The lovely Delia. — Webbe: Would
W^Khr^'"'; ^'l'^^' '=''¥:'"'• - '^^'^'"=- Zephyr I can tell you. -
Webbe: Is it right? - Danby: This is the season. - Ye birds for
hieZe "'n''- ~~ "^'^"^"^ ^° P'r''^'^ =°""<^^- - Danby: Dhtant
hie thee — Nares: Fear no more the heat of the sun. — Rock: Alone
thro unfrequented wilds. 4. Now the bright morning star. — Geary •
O come ye fragrant gales. -Playford: Comely swain. - Wilson : In
w\r'"'? """"'u °' May. -Handel: Let's imitate her notes. -
W.\kJ° wl ^^ '"T°u ea;«— Bifd: Hey hoe, to the greenwood.
— Webbe: When winds breathe soft. - As steals the morn. - Come
Damon leave thy sadness. — Corfe: 'Tis love and harmony. — Ash-
ton: Laughing glee [Sweetly let's enjoy]. — Content [Say smiline
lI^'E \ ~Z S"=venson: They play'd in air. - Far from hence. -
Hark the hollow woods. — Geary : Soft is the zephyr's. — Eccles :
Wme does wonders. — Shield : How shall we mortals. — O dear what
can the matter be. — King: Tell me where is fancy bred. — Could a
man be secure. — Webbe: Rise my joy. — Webbe: To the old —
Jackson: Time has not thin'd my flowing hair. — Begone dull care —
Stevenson : Come buy my cherrys. — The evening of the chase [The
spoils of the field]. — Battishill: Amidst the myrtles. — To you O
Gods. — Boyce: Eleg>- [View here the youth]. — Rogers: Let's live
and lets love. — Stevenson: Let us the fleeting hours enjoy. —
Stevenson : With the sun we rise. — Stevenson : Waft sweetest echo.
— btevenson : Take O take. — A silent shady myrtle grove — What
IS this absorbs me. — Rule Britannia. — Stevenson: With tender
lambkins. — Stevenson: 'Twas a sweet summer's morning. — Croft •
My time O ye muses. — Schroeter: Take oh take. — Stevenson: Hail
lovely sound. — Stevenson : .<V. new answer to Turn Amarillis [Yes
Damon yes]. — Sacchini : All my past. — Sacchini : Why so pale. —
Webbe: Hail peaceful shades. — Stevenson: When the morning sun
— Webbe: Love and folly. — Webbe: Were I like a monarch. —
Stevenson: Will you be pleas'd to walk before. — Webbe: Together
we range. — What beauties does Flora. — The lass of Peatie's mill. —
How stands the glass around. — Stevenson : Now steals the punctual
hour. — Stevenson: With solemn notes. 5. Jackson: Sad is my day.
— Moulds: Fair Maria. — Spofforth : Hark! the goddess Diana.
Jess Macpharlane. — Giordani: Damon's bow'r. — Oh! my love lov'st
thou me. — .\rne: When forc'd from dear Hebe. — Brooks: Thro"
verdant plains. — Brooks: Let us drink. — Carter: Say what is love.
— Smith: While fools their time. — Jackson: Love in thine eyes.
Le solitaire. [Welcome the covert]. — Epitaph on Mrs. Wren [All cold
beneath this narrow heap]. — Ebdon : Nay, nay, nay, you must.
Smith: Return blest days. — A shepherd wandering. — Danby: Go
to my Anna's breast. — Danby: The fairest flow'rs. — Smart: The
happy fellow. — Ebdon : Mimosa the sensitive plant. — And they're a
nodding. — .Atterbury: One a penny. — Purcell: "Tis too late. —
Purcell: Under this stone. — King: The orgies. — Flora gave me
fairest flowers. — Harington: Sweet doth blush [The Egyptian love
song]. — Harington: Give me the sweet delights. — Jenkins: A boat.
— 'Travers: Haste my Nanette. — Danby: May. — Howard: Gentle
gales. — .Atterbury: With horns and hounds. — Jackson: If I love
will you doom. — Webbe : Music's the language. — Ford : Fair sweet
cruel. — Cooke : The dormouse. — Smith : The fairest month. —
Cooke: Beneath in the dust. — Callcott: Those sunny flowers. —
Webbe: The bird call of Cupid [Gently let the web]. — Ally Croaker.
— Callcott : When spring returns. — Callcott : A nymph of the rock.
— Purcell : The Macedon youth, — Purcell : Were I to choose. —
Giardini : Che pena che affanno. — E pur dolce. — No ambition with-
out its anxiety. — Callcott : No more shall Ilion. — Danby : Shep-
herds I have lost my love. — Callcott: To the woods. — Arne: The
wooden walls of England.
Blanford, George, 4th Marquis. See Churchill, George Spen-
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Blangini, Giuseppe Marco Maria Felice.
Amid the mazy dance. [Trio, s. s. a. .^ccomp. for piano-
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Da quel sembiante. [Notturno, s. T. Accomp. di piano.]
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Weigh [182-?] M.230.27
Same. Nephtali ou les Ammonites. Opera en 3 actes . . .
Paroles de M"". * * * [Etienne Aignan]. Mis en musique
131
Blangini
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Blaze
Blangini, Giuseppe Marco Maria Felice. (Continued.)
par Felix Blangini. [Partition.] Paris. Naderman.
[1806.] M.271.22
Souvenirs (1797-1834) • • ■ Publics par Maxime de Ville-
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Le Cid. Opera de MM. Ad. D'Ennery [pseud,], L Gallet et
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La coupe du roi de Thule. Opera de Louis Gallet &
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Le roi d'Ys, legende bretonne. Opera. Musique de fid.
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No. I in M.115.10
[Belzebuth, ou les jeux du roi Rene. Opera en 4 actes.
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The title-page is missing.
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L'Opera italien, de 1548 a 1856. Paris. Castil-Blaze. 1856.
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132
Blaze
THE ALLEN A. BROWN COLLECTION OF MUSIC
Blessed
Blaze, Frangois Henri Joseph. (Continued.)
La pie voleuse. opera en 3 actes, d'apres le drame de Cai-
gniez et d'Aubigny et I'opera italien [La gazza ladra],
paroles ajustees sur le musique de Rossini; par M. Castil-
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No. 7 in M.370.37
Same. Opera. Paroles ajustees sur la musique de Rossini.
M.264.23
Same. [Pigeon- Vole. Opera comique en i acte. Paroles
et musique de Castil-Blaze [pseud.]. Partition piano et
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The title-page is missing.
Blaze, Francois Henri Joseph, editor.
PicciNNi, N. Le Piccinni des concerts. 11.254.21
Rossini. Le barbier de Seville. M.264.26
Sacchini. Le Sacchini des concerts. M.274.9
Sterbini. Le barbier de Seville. No. 6 in M.370.37
Blaze de Bury, Henri. See Blaze, Ange Henri.
Bleamerl, 's, am Grab. Part-song. Koschat. No. 23 in M.sgz.is
Blech, Leo.
Aglaja. Opera in einem Akt. Text von David Kunhardt.
Musik von Leo Blech. VoUstandiger Clavierauszug mit
Text. Aachen. Naus. 1893. No. i in M.382.a
Alpenkonig und Menschenfeind. In drei Aufziigen nach F.
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Op. 14. VoUstandiger Klavier-Auszug mit deutschem
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Aschenbrodel. Ein Marchen in 3 Aufziigen von Richard
Batka. Musik von Leo Blech. Op. 15. VoUstandiger
Klavier-Auszug mit deutschem Text bearbeitet von Egon
Pollak. Berlin. Bote & Bock. [1905.] 1^.389.33
Cherubina. Oper in 2 Akten von D. Kunhardt. Musik von
Leo Blech. VoUstandiger Klavierauszug mit Text.
Aachen. Naus. 1894. No. 2 in M.382.2
Das war ich. Dorfidylle in einem Aufzuge nach Joh. Hutt
von Richard Batka. Musik von Leo Blech. Op. 12.
Klavier-Auszug [mit Text]. Berlin. Bote & Bock. [1902.]
No. I in M.397.7
Trost in der Natur. Barcarole fur Orchester. Op. 7. Par-
titur. Leipzig. Brockhaus. [1902.] No. 2 in M.410.H
Bleib' bei mir. Part-song. Vogler, B. No. 231 in M.147.4
Bleib' bei mir. Song. Abt, F. Stay with me.
No. 36 in M. 192.2; etc.
Bleib' bei uns, denn es will Abend werden. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang i.
Bleibe nur still. Part-song. Abt, F. 5 Gesange fiir s. a. t. b.
No. Sin M.158.22
Blein, Francois Ange Alexandre.
Principes de melodic et d'harmonie, deduits de la theorie
des vibrations. Paris. Bachelier. 1832. Tables.
No. 4 in M.218.9
Bless the Lord. Response. Blodgett. Anthems, responses
and hymns. No. 4 in M.203.9
Bless the Lord, O my soul. Anthetn.
Graun. No. 15 in M.290.29.3
Latrobe, C. L Original anthems. No. 19 in M.236.15
Mozart. No. 18 in M.2go.29.4
Bless the Lord ye His angels. Anthem. Byrd.
No. 23 in M.233.2S.1
Bless them that curse you. Part-song. Hilton.
No. 117 in M.110.1.2; etc.
Bless'd be the home. Song. Benedict. No. 24 in m. 235.7.1; etc.
Blessed are all they that fear the Lord. Anthem. Clarke-
Whitfeld. Services and anthems. Vol. 3. M. 233.4.3
Croft. Thirty select anthems. Vol. 2. M.233.6.2
Hay, VV. M.236.32; etc.
Monk, E. G. No. 3 in M.233.24.2
Blessed are the dead. Anthem. Buck, D. No. 33 in M100.4.1
PiERSON. No. 23 in M.175.1.5
Spohr. No. I in M.290.22.2; etc.
Blessed are the merciful. Anthem. Hiles, H. No. 43 in M.190.3
Blessed are they that alway keep judgment. .Anthem. Monk,
W. H. No. 10 in M.157.29; etc.
Blessed are they that consider the poor. Anthem. Handel.
Werke. Lieferung 36. M.313.1.36
Blessed are they that dwell in Thy house. Anthem. Greene,
M. Forty select anthems. Vol. i. M. 233.7.1
Page, A. No. 12 in M. 195.2.9
Blessed are they which are called. Anthem. Hasse, C. F.
No. 9 in M.201.37
Blessed are those that are undefiled. Anthem.
Greene, M. M.158.9.2; etc.
Tallis. No. 31 in M.233.25.3
Blessed art Thou. Anthem. Handel. No. 39 in M.iii.4.2
Blessed be God. Anthem. Greene, M. No. 41 in M.157.28.2
Blessed be He that cometh. Anthem. Mozart.
No. i8iri M.ioo.io
Blessed be the God. Anthem. Wesley, S. S. Anthems. Vol. i.
M.233.22; etc
Blessed be the Lord. Introit. Blodgett. Anthems, responses
and hymns. No. 4 in M.203.9
Blessed be the Lord God of Israel. Anthem.
Andrews, A. No. 5 in M.190.1
Beethoven. No. 28 in M.ioo.4.2
Chadwick, G. W. No. 31 in M. 158.14
Hatton. No. 3 in M.270.46
Heap. No. 13 in M.195.2.9
Mendelssohn-Bartholdv, J. L. F. No. 29 in M.ioo.4.2
Mozart. No. 21 in M. 290.33
Perez, D. M.237.18
Thomas, J. R. No. 9 in M. 290.6
Wesley, S. S. No. 35 in M.158.20
Williams, C. L. No. 13 in M. 195.2.16
Blessed be the Lord God of our salvation. Anthem. Southard.
Morning and evening. No. 6 in M.2go.25
Blessed be the Lord my strength. Anthem. Hatton.
No. 2 in M.270.46
Blessed be the name of the Lord. Anthem. Gadsby.
No. 12 in M.158.16
Blessed be the power. Anthem. Astorga. No. 17 in M.290.29.1
Handel. No. 18 in M.221.22.1; etc.
Blessed be Thou Jehovah. Anthem. Lotti. No. 28 in M.157.28.1
Blessed be Thou, Lord God. Anthem. Kent. Anthems. Vol. i.
M.233.21.1; etc.
Blessed be Thou, O God. Anthem. Falkenstein.
No. 10 in M.190.3
Blessed be Thou that dwellest. Anthem. L.\trobe, C. I.
Original anthems. No. 17 in M.236.15
Blessed Christ. Anthem. Browne, J. L. No. 15 in M.158.14
Blessed forevermore. Anthem. Marcello, B.
No. SI in M.iii.4.2
Blessed is every one. Anthem. Pearsall. Sacred composi-
tions. M.234.16
Warburg. No. 35 in M.234.6
Blessed is he that considereth the poor. Anthem. Boyce.
Services and anthems. Vol. 2, 4. M.233.3.2, 4
Callcott, J. W. No. 21 in M.220.3.4; etc.
Ebdon. Sacred music. M. 233.15
Gladstone, F. E. No. 9 in M.195.2.14
Lloyd, C. H. No. 7 in M.19S.2.13
Nares. No. 30 in M.157.3 ; etc.
Smart, G. T. A collection of sacred music. M.233.19
Walmisley, T. a. No. 31 in M.233.13
Wise. No. 32 in M.233.23.3
Blessed is He that cometh. Anthem. Neukomm, S.
No. 28 in M.175.1.5
Blessed is he that readeth. Anthetn. Mackenzie. A. C.
No. 17 in M.19S.2.14
Blessed is He who cometh. Motet. Mozart. No. 32 in M.221.22.2
Blessed is the man. Anthem. Boyce. Services and anthems.
Vol. 2. M.233.3.2
Clarke- Whitfeld. M.233.4.4; etc.
Goss. No. 17 in M.157.32 ; etc.
Greatheed. No. 15 in M.233.24.2
Masera. No. 16 in M.233.25.1
Parsons, C. Cathedral music. M.233.H
Blessed is the man that sen'eth God. Anthem. Haydn, F. J.
No. 9a in M.236.30.4
Blessed is the nation. Anthem. Brewer, J. H. No. 3 in M.158.13
133
Blessed
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Blodwen
Blessed is the people. Anthem. Novello, V.
No. 22 in M.171.1.2; etc.
Blessed Jesu. Anthem. Dvorak. No. ii in M.195.2.14
Blessed pair of sirens. Part-song. Mosenthal, J.
With English and German words.
Blessing and glory. Anthem. Boyce.
Blessing, glory, wisdom and thanks.
Bach, J. S.
Tours.
Blessing, honor. Introit. Blodgett.
hymns.
Blessing of the Lord, The. Anthem.
Blessings on our absent friends.
Blest Comforter. Anthem.
No. 12 in M.203.7
M.233.3.3; etc.
Anthem.
No. 3 in M.270.6
No. 5 in M.195.2.1
Anthems, responses and
No. 4 in M.203.9
Mackenzie, A. C.
No. 7 in M.195.2.10
Part-song. Romer.
No. 8 in M.244.10.1
BuFFiNGTON. Four hymns.
No. 9 in M.190.2
Blest Jesus, Gracious Saviour. Anthem. Haydn, J. M.
No. 36 in M.290.2g.i
Blest pair of sirens. Part-song. Smith, J. S.
No. 3 in M.220.3.3; etc.
Blest power. Part-song. Paxton, S. No. 133 in M.220.9.3
Bleuets, Les. Opera. For the Music see Cohen, J. For the
Libretto see Piestre.
Blew, William Charles Arlington.
Organs and organists in parish churches. A handbook of
the law relating to the custody, control, and use of organs
. . . London. Reeves. 1878. M.104.3
Blewitt, Jonathan.
Bacchus, own me for thy son. Glee for 3 voices. (In War-
ren. Cocks's Hand-book of glees. Vol. i, pp. 109-112.)
No. 28 in M.157.6.1
Give the toast. Catch a 3 voci. (In Clementi. Collection
of catches. Vol. 4, pp. 94, 95.)
No. 257 in M.110.1.4; No. 257 in M.iio.2.4
[Paul Clifford.] Overture, songs, duets, &c., in the opera
of Paul Clifford . . . The poetry by Edward Fitzball
[pseud.], the music composed ... by G. Herbert Rodwell
and John Blewitt. [Accomp. for pianoforte.] London.
D'Almaine & Co. [1835.] No. 2 in M.390.40
Blick der Geliebten. Part-song. George V., of Hanover. Sechs
Gedichte. No. S in M.155.17
Blick' hieher, Du. Duet. Haydn, F. J. Gesange. Heft i.
No. I in M.312.35
Blick, Ein, und ein Wort. Duet. Donizetti. Nuits d'ete a
Pausilippe. No 15 in M.244.4
Blicke der Liebe. Song. Methfessel, A. G. Sechs Lieder.
No. 5 in M.221.33
Blied, Jakob.
Drei Abendlieder fiir vierstimmigen Mannerchor. Op. 36.
Coin. Tonger. [187-?] No. 21 in M. 392.35
Contents. — Waldnachtgesang. — Lieb Kindlein, gut Nacht! — Am
Abend.
Blin, Abbe.
Tantum ergo, pour t. ou s. Accomp. d'orgue. Paris. Heu-
gel & cie. [187-?] No. 8 in M. 201.33
Blind, Instruction in music for the.
Blanchet, a. La musique et I'accord des instruments mis
a la portee des aveugles et des instituteurs. Paris. 1865.
Plates. M.20S.3
Johnson, E. C. An inquiry into the musical instruction of
the blind, in France, Spain, and America. London. 1855.
Plates. No. 5 in M.207.26
Blind beggar's daughter. The, of Bethnal Green. Cantata. For
the Music see Gollmick, A. For the Libretto see Warren,
H.
Blind beggars, The. Opera. For the Music see Offenbach.
For the Libretto see Farnie.
Blind girl. The, or a receipt for beauty. Opera. For the
Music see Mazzinghi. For the Libretto see Morton, T.
Blind girl. The, of Castel-Cuille. Cantata. For the Music see
Taylor, S. C- For the Libretto see Longfellow, H. W.
Blind king, The. Cantata. For the Music see Parker, J. C. D.
For the Libretto see Uhland.
Blind man's buff. Glee. Arne, T. A. No. 151 in M.220.9.1
Blind musician. The. Novel. Korolenko. M.140.40
Blind sailor. The. Song. Dibdin, C. 1743-1814.
No. II in M.384.4S
Blinde Gartner, Der. Opera. For the Music see Lindpaint-
ner. For the Libretto see Kotzebue.
Blinde Geiger, Der. Song. Taubert, C. G. W. Fiinf Lieder.
No. 2 in M.ig2.7
Blinde Knabe, Der. Song. Schubert, F. P. Werke. Serie
20, Band 8. M.317.1.20.8
Blinde Konig, Der, Cantata. For the Music see Hoi. For
the Libretto see Uhland.
Blinde Kuh. Song. Brahms. Lieder und Gesange. Op. 58.
Heft I. No. 2 in M.380.40.2
Blindes Schauen. Song. Wolf, H. Spanisches Liederbuch.
No. 19 in M.380.30
Bliss, M.
Unto Thee, O Lord, will I lift up my soul. Anthem. [Ac-
comp. for organ. London.] Cocks & Co. [185-?]
No. 44 in M. 157.3
Bliss, William Henry.
Praise the Lord, O Jerusalem. Anthem for soli [s. a. t. b.]
and chorus. [Accomp. for organ.] (In Novello's Collec-
tion of anthems. Vol. IS, PP- 1-8.) No. i in M. 195.2.15
Bliss in sorrow. Part-song. Marschner, H. A.
No. 24 in M.204.38
Blithe old carle is Christmas. Prentice. Christmas.
No. 13 in M. 157.23
Blitz, fidouard E.
Quelques considerations sur I'art du chef d'orchestre.
Leipzig. Breitkopf & Hartel. 1887. No. 2 in M.372.23
Bloch, S. S.
The science and art of reading. [St. Albans? 1881.]
No. 6 in M.128.36
Blockx, Jan.
Kermesse flamande extraite de Milenka. Ballet-pantomime
en un acte et deux tableaux. [Partition d'orchestre.]
Bruxelles. Schott. [1887.] No. 3 in M.358.22
Princesse d'auberge. Opera en 3 actes et 4 tableaux. Poeme
de Nestor de Tiere. Paroles frangaises de Gustave Lagye.
Musique de Jan Blockx. Partition, chant et piano. Paris.
Heugel & cie. 1897. 1^.394.2
Thyl Uylenspiegel. Drame lyrique en trois actes et quatre
tableaux de MM. Henri Cain & Lucien Solvay. Musique
de Jan Blockx. Partition chant et piano. Paris. Heugel
& cie. 1899. M.382.3
Blodek, Wilhelm.
Im Brunnen. Komische Oper in einem Akt. Text von Karl
Sabina. Deutsche tjbersetzung von Friedrich Binder.
Musik von Wilhelm Blodek. Clavier-Auszug mit Text.
Leipzig. Weinberger. [1893.] No. 2 in M.393.7
Blodgett, Benjamin C.
Anthems, responses and hymns for men's voices. Boston.
Schmidt. 1890. No. 4 in M.203.9
Contents. — The Lord is my strength. — O come, let us sing. —
O love the Lord. — The Lord is my Shepherd. — We have not an
High Priest. — Blessing, honor. — Search me, O God. — ■ O Sacred
Head once wounded. — Tliou wilt show me. — In heavenly love
abiding. — O worship the Lord. — God so loved the world. — Re-
joice in the Lord. — O bless our God, ye people. — Praise ye the
Lord, trio. — Sing praises to God. — Bless the Lord. — O give
thanks [2 settings]. — Praise ye the Lord, antiphonal chant. —
Herein is love. — Let the words of my mouth. — ■ God is a spirit. —
— For He shall give. — Come unto Me. — O Head so full of bruises.
. — Almighty God, we come to Thee. — Blessed be the Lord. — Arise,
O Lord. — I love the Lord [2 versions, with s. obligato]. — With-
hold not Thou. — Ascribe ye strength. — The Lord's prayer. —
Jesus, Thy name I love. — Rise, glorious Conqueror. — Rock of
Ages. — O Zion, tune thy voice. — In my Father's house.
O come, let us sing. [Anthem, t. t. b. b. Accomp. for or'
gan.] Boston. Schmidt. 1887. No. 33 in M.i58.ij
O love the Lord. [Anthem, t. t. b. b. Accomp. for organ.]
Boston. Schmidt. 1887. No. 34 in M.158.13
The prodigal son. A scriptural cantata. Op. 32. [s. a. t. t.
bar. b. Accomp. for pianoforte.] Boston. Ditson Co.
1895. M.213.6
Blodwen: (White-flower.) Opera. For the Music see Parry^
J. For the Libretto sae Davies, R.
134
Blois
THE ALLEN A. BROWN COLLECTION OF MUSIC
Blow
Blois, de, pseud. See Gronnenrade, Charles Gui Vavier
van.
Blomberg, Adolf.
Kriegerchor aus dem Festspiele „Pandora" von Gothe, fiir
Mannerchor und Orchester. Op. 9- Partitur. Leipzig.
Seitz. [187s?] No. 2 in M.392.46
Blon, Franz von.
Die Amazone. Operette in 3 Akten. Nach dem gleich-
namigen Schwank von G. von Moser und E. Thun, bear-
beitet von Fr. W. Wulff und A. Stern. Musik von Franz
von Blon. Klavierauszug mit Text. Berlin. Wernthal.
1903. Portrait. M.399.71
Blonde Ekbert, Der. Overture. Rudorff. No. i in M.346.24
Blondeau, Henri.
Les bicyclistes en voyage. Operette de H. Chivot & H.
Blondeau. Musique de Marius Carman. M.303.20
Dagobert et son velocipede. Operette bouffe. Musique
de Frederic Demarquette. No. 2 in M.393.2
La veuve Marlborough. Operette. Paroles de Blondeau
et Monreal. Musique de J. Marc Chautagne.
No. 4 in M.27S.27
Blondeau, Pierre Auguste Louis.
Cours complet d'instruction musicale. Traite des principes
elementaires et constitutifs de la musique. Paris. Ri-
chault. [1836.] M.20S.4
Histoire de la musique moderne depuis le premier siecle de
I'ere chretienne jusqu'a nos jours. Paris. Tautenstein &
Cordel. 1847. 2 v. in i. M.143.23
Marie Stuart. Monologue lyrique de M. de Joui. Mis en
musique, arrange pour le forte-piano . . . par Auguste
Blondeau. Paris. Le Due & cie. [1808.] No. 2 in M.281.8
Blondel, Spire.
Histoire anecdotique du piano. Paris. Revue britannique.
1880. No. 4inM.132.17
Blondel a Marie. Song. Schubbrt, F. P. Melodies. Vol. 8.
M.327.4.8
Blondel zu Marien. Song. Schubert, F. P. Werke. Serie
20, Band 5. M.317.1.20.5
Blondel's Lied. Song. Schumann, R. A. Romanzen und Bal-
laden. Heft 3. No. 8 in M.244.15.2; etc.
Blondelet, Charles.
Adelaide et Ferdinand. Operette equestre. Paroles de Ch.
Blondelet et Baumaine. Musique de A. de Villebichot.
No. I in M.326.3
Balladine et Casquenfer. Operette bouffe. Paroles de Ch.
Blondelet et F. Baumaine. Musique de Frederic Barbier.
No. I in M.255.34
Les barbieres de village. Operette. Paroles de Blondelet
& Baumaine. Musique de Bernicat. No. i in M.301.1
Le beau Paris. Saynette bouffe. Paroles de Ch. Blondelet et
F. Baumaine. Musique de Leon Roques. No. 2 in M.307.37
Berlurette et Larfaillon. Operette-bouffe. Paroles de Ch.
Blondelet & Vergeron. Musique de Frantz Liouville.
No. 2 in M.306.19
Le bravo et la Venitienne. Operette bouffe. Paroles de
Ch. Blondelet & Baumaine. Musique de Germain Lau-
V rens. No. 2 in M.266.1
Compere et compagnon. Scene de campagne. Paroles de
F. Baumaine et Ch. Blondelet. Musique de F. Jouffroy.
With the libretto in manuscript. No. 5 in M.301.II
Les deux postilions. Operette. Paroles de Ch. Blondelet
& Baumaine. Musique de A. de Villebichot.
No. I in M.326.4
Le diable rouge. Saynete-feerie. Paroles de Ch. Blondelet et
F. Baumaine. Musique de Leon Roques. No. i in M.307.38
Le dindon de la farce. Operette. Paroles de Blondelet &
Baumaine. Musique de Ed. Deransart. No. 4 in M.29S.33
Don Ferocio. Saynete bouffe. Paroles de Blondelet et
Baumaine. Musique de Frederic Barbier. No. 3 in M.255.39
Les £cosseuses. Operette. Paroles de Blondelet & Bau-
maine. Musique de Tony Rieffler. No. i in M.307.9
Une femme qui jure. Operette. Paroles de Blondelet &
Baumaine. Musique de Francis Chassaigne.
No. 3 in M.285.5
Blondelet, Charles. (Continued.)
Une femme tombee du ciel. Operette. Paroles de Ch.
Blondelet et F, Baumaine. Musique de Leon Roques.
No. 4 in M.300.3
Les hirondelles de la rue. Saynette bouffe. Paroles de Bau-
maine et Blondelet. Musique de A. de Villebichot.
No. 3 in M.326.4
Racoleur & racole. Saynete. Paroles de Blondelet & Bau-
maine. Musique de fid. Deransart. No. 3 in M.295.33
Vapeur et Tyrolienne. Operette. Paroles de Ch. Blondelet
& Vergeron. Musique de fid. Deransart. No. 2 in M.295.33
Bloom of beauty. Part-song. Hayes. No. 26 in M.141.21.1; etc.
Blooming youth, A. Part-song. Boyce. No. S4in M.141.21.1; etc.
Bloor, R. H. U.
The enchanted island. An operetta. The music composed
by Richard H. Walthew. No. 3 in M.389.5
Blossom, Henry Martyn, Jr.
Mile. Modiste. A comic opera. Music by Victor Herbert.
M.399.2S
The red mill. A musical comedy. Music by Victor Herbert.
M.389.4S
The Yankee consul. A musical comedy. Music by Alfred
G. Robyn. M.397.54
Blossom, The, so pleasing. Glte. Webbe, S. Selection of
glees. Vol. 3. No. 27 in M.235.13.3
Blow, John.
Amphion Anglicus. A work of many compositions, for one,
two, three and four voices: with several accompagne-
ments of instrumental musick; and a thorow-bass to each
song . . . London. Pearson. 1700. Portrait. M. 121. 15
Come, hear me. Catch [for 3 voices]. {In Vocal harmonist's
magazine. Vol. I, p. 29.) No. 4 in M.220.S
Fye! nay, prithee John. Catch [for 3 voices]. {In The
Apollo. Vol. 3, P- i6S-) No. 2 in M.i39a.i8.3
Also to be found in Bland's The Ladies' collection.
Glory be to the Father. Canon [s. a. t. b.] in the 5th and
8th below. {In Social harmony. Pp. 338, 339)
No. 287 in M.215.21
Go, perjur'd man. Song [t. b.]. {In Apollonian harmony.
Vol. 2, pp. 27-29.) No. 22 in M.141.31.2
Also to be found in Social harmony.
God is our hope and strength. Anthem for 8 voices. {In
Boyce. Cathedral music. Ed. Warren. Vol. 3, pp. 146-
156.) No. 16 in M.233.23.3
Have mercy. Lord, on me. [Anthem. Accomp. for organ.]
{In Metcalfe. Fifty metrical anthems. Pp. 10, 11.)
No. 8 in M. 157.34
How shall we speak thy praise. Catch a 3 voci. {In Bland.
The Ladies' collection. Vol. 2, p. 227.) No. 246 in M.235.17.1
.\lso to be found in dementi's Collection of catches ; Flowers of har-
mony.
I beheld, and lo! a great multitude. Anthem [a. t. t. b.].
{In Boyce. Cathedral music. Ed. Warren. Vol. 3, pp.
381-398.) No. 43 in M.233.23.3
Also to be found in Novello's Collection of anthems.
r was in the spirit. Anthem [s. s. b.]. {In Stevens. Sacred
music. Vol. 2, pp. 22-33.) No. 5 in M.234.4.2
Also to be found in Boyce's Cathedral music, Ed. Warren ; [tor s. a.
T. T. B.] Novello's Collection of anthems.
If mighty wealth that gives the rules. A song [t., with
figured bass]. (/» Smith. Musica antiqua. Pp. 191-193.)
M.236.10
Kyrie eleeson, and Nicene creed [in G] in triple measure.
{In Boyce. Cathedral music. Ed. Warren. Vol. 2, pp.
72-79.) No. 3 in M.233.23.2
The Lord hear thee. Anthem. {In Ayrton. Sacred min-
strelsy. Vol. I, pp. 190-193) , . No. 67 in M.290.22.1
Also to be found in Boyce's Cathedral music, Ed. Warren ; Hullah 3
Part music, Sacred ; Turle and Taylor's The People's music book.
Lord, how are they increased. Anthem. {In Boyce. Cathe-
dral music. Ed. Warren. Vol. 3, pp. 47S-484)
No. 49 in M.233.23.3
My God, my God, look upon me. Anthem. {In Boyce.
Cathedral music. Ed. Warren. Vol. 2. pp. 24.^-249."»
No. 19 in M.233.23.a
135
Blow
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Blum
Blow, John. (Continued.)
O God, wherefore art Thou absent. Anthem. {In Boyce.
Cathedral music. Ed. Warren. Vol. 3, pp. 1 13-122.)
No. 13 in M.233.23.3
O Lord, I have sinned. Anthem. {In Boyce. Cathedral
music. Ed. Warren. Vol. 3, pp. 372-380.)
No. 42 in M.233.23.3
O Lord, Thou hast searched me out. Anthem. {In Boyce.
Cathedral music. Ed. Warren. Vol. 3, pp. 175-182.)
No. 19 in M.233.23.3
O sing unto God. Anthem. {In Boyce. Cathedral music.
Ed. Warren. Vol. 3, pp. 247-257.) No. 27 in M.233.23.3
Sanctus & Gloria in excelsis [in D]. {In Rimbault. Col-
lection of ancient church music. Vol. 2, pp. 103-108.)
No. 7 in M.233.2S.2
Save me, O God. Anthem. {In Boyce. Cathedral music.
Ed. Warren. Vol. 3, pp. 44-48.) No. 5 in M.233.23.3
The self-banished. Song [t. Accomp. for pianoforte].
{In Musical library. Vol. i, p. 104.) No. 47 in M.235.18.1
Te Deum, Jubilate, Kyrie, Nicene creed, Cantate Domino,
and Deus misereatur, in A. {In Boyce. Cathedral music.
Ed. Warren. Vol. 2, pp. 1-37.) No. i in M.233.23.2
Te Deum, Jubilate, Kyrie, Nicene creed, Cantate Domino,
and Deus misereatur, in E minor. {In Boyce. Cathedral
music. Ed. Warren. Vol. 2, pp. 80-130.) No. 4 in M.233.23.2
Te Deum, Jubilate, Kyrie, Nicene creed, Magnificat, and
Nunc dimittis, in G. {In Boyce. Cathedral music. Ed.
Warren. Vol. 2, pp. 38-71-) No. 2 in M.233.23.2
Whilst he abroad does like the sun. Song [t., and chorus,
s. s. A. T. B.]. (/« Smith. Musica antiqua. Pp. 194-198.)
M.236.10
Blow, blow, thou winter wind. Part-song.
Arne, T. a. No. 224 in M.215.21
Macf.\rren, G. a. No. 19 in M.195.1.1
Stevens, R. J. S. No. 10 in M.157.7; etc.
Blow, blow, thou winter wind. Song. Arne, T. A.
No. 17 in M.235.18.2; etc.
Blow, breezes o'er the flow'ry lea. Part-song. Bennett, G. J.
No. 30 in M.158.13
Blow, gentle gales. Part-song. Bishop, H. R.
No. I in M. 157.19; etc.
Blow, mountain breeze. Part-song. Kerbusch. No. 3 in M. 158.30
Blow on, ye winds. Glee. Wellesley, G. C. Glees and madri-
gals. No. 17 in M.236.23
Blow out the trumpet. Anthem. Este, M. No. 3 in M.234.26; etc.
Blow the sacred trumpet. Anthem. Hasse, J. A. P.
No. 20 in M.290.29.3
Blow thy home, hunter. Song [t.] {In Smith. Musica anti-
qua. P. 31.) M.236.10
Blow up the trumpet. Anthem. Este, M. No. 3 in M.234.26; etc.
Blow ye the trumpet in Zion. Anthem.
Jackson, W., of Exeter. No. 10 in M.221.22.2
Leslie, H. D. No. 19 in M. 195.2.4; etc.
Blue Beard. Opera. For the Music see Kelly. For the
Libretto see Colman, G. 1762-1836.
Blue bells of Scotland. [Part-song.] {In Musical times.
[Music] Vol. 7, pp. 32, 33.) No. 8 in M.175.1.7
Blue bells of Scotland, The. A song [s.], with an accomp.
for the piano forte, harp, guitar or lute. London. Buck-
inger. [179-?] No. 20 in M. 237.2
Blue-bird, The. Part-song. Hatton. No. 21 in M. 157.10
Blue-ey'd Nell. Ballad. Linley, G. [Songs.] Vol. i.
No. 37 in M.235.I9.I
Blue-eyed Jeanie. Song. Thomas, J. R. No. 2 in M. 192.14
Blue eyed Susan. Opera. For the Music see Carr, F. O. For
the Libretto see Sims.
No. 5 in M.192.13.1
Blued eyed violets are nodding. Song. Keller, M.
Blue eyes. Part-song. Schmid, C. M. 193.23.2
Blue moon, The. Opera. For the Music see Talbot. For the
Libretto see Ellis, H.
Bluecher am Rhein. Part-song. Reissiger. No. 38 in M.i29a.44
Bluem'l, A, un a Herz. Quartet. Gueth. Drei heitere Solo-
Quartette. No. 36 in M.392.10
Bluemchen am Hag. Part-song. Storch. No. 90 in M. 1293.44
Bluemchen am Hag. Song. Abt, F. Zwei Lieder.
No. 18 in M.192.1
Bluemchen Wunderhold, Das. Song. Beethoven. Werke.
Serie 23. M.413.1.23
Bluemelein, Das. Part-song. Jansen, F. G. No. 15 in M. 392.42.4
Bluemelein, Die, sie schlafen. Part-song. Killer, F.
No. 2 in M.194.16
Bluemlein auf der Haide, Das. Part-song.
Abt, F. Leichte Mannerchore. No. 131 in M. 246.22
Boderke. No. 35 in M.392.3
Bluemlein auserlesen, Ein. Part-song. Weinwurm. Deutsche
Minnelieder. No. 22 in M.392.38
Bluemli's. Volksweise. [t. t. b. b.] {In Das Riitli. Pp. 398,
399) No. 166 in M.147.4
Blueth' ohne Schnee. Part-song. Schumann, R. A. Ritornelle
von F. Riickert. No. 3 in M.158.24
Bluethgen, August Eduard Victor.
Der Richter von Zaiamea. Oper. Musik von Georg Jarno.
M.399.26
Die schwarze Kaschka. Oper. Musik von Georg Jarno.
M.402.27
Bluff King Hal. Opera. For the Music see Stewart, H. J.
For the Libretto see O'Connell.
Blum, Carl Ludwig.
Der Baer und der Bassa. Vaudeville Burleske. In i Auf-
zuge: in Musik gesetzt. Klavier-Auszug. Berlin. Schle-
singer. [183-?] No. 2 in M.230.2R
Bergamo. Opera buffa in 2 Aufziigen. Vollstandiger Cla-
vierauszug. Berlin. Bote & Bock. [183-?] M.271.23
Du schwabisches Madchen. Walzer [t. t. b. b.]. {In Or-
pheus. Band 5, pp. 11-13.) No. 154 in M.i29a.43.5
Die Flucht nach der Schweiz. Operette. [Musik] von F.
Kiicken. M.253.23
Der Goldschmiedsgesell. [Gesang, t. t. b. b. Stimmen.]
Mainz. Schott. [183-?] No. 13 in M.2i2.a
Heute ist Sonntag. [Mannerchor.] {In Orpheus. Band 2,
PP- 32-34) No. 65 in M.i2ga.43.2
Kleine Blumen, kleine Blatter. [Mannerchor.] {In Or-
pheus. Band i, pp. 41-43.) No. 29 in M.i29a.43.i
Lyra fiir Damen. Romanzen [s.] mit Begleitung des Piano-
forte. No. I. Berlin. Christiani. [182-?]
No. 32 in M.a2i.30
Contents. — Blumengruss, duet. — Die Schifferin. — - Schweitzerlied.
— A la plus belle. — Fuis melancolie. — Ecco quel fiero.
[Mary, Ma.x und Michel. Oper in einem Aufzuge. Parti-
tur. Berlin. Westphal. 1836?] M.271.25
The title-page is missing.
Same. Klavierauszug. M.350.3
Die Nachtwandlerin. Singspiel in 2 Aufziigen nach dem
Franzosischen. Klavierauszug. Berlin. Schlesinger.
[183-?] No. I in M.230.28
Der Schiffskapitain, oder die Unbefangenen. Vaudeville in
I Aufzuge, frey nach dem Franzosischen bearbeitet. Klav:
Auszug. Berlin. Schlesinger. [183-?] No. 3 in M.230.28
Schneider-Lied [t. t. b. b.]. {In Fink. Die deutsche Lieder-
tafel. Pp. 61, 62.) No. 47 in M.213.9
Also to be found in Orpheus.
What is life? A four-part song [t. t. b. b.]. {In The Or-
pheus. New series. Vol. 5, pp. 39-43.) No. 10 in M.205.10.5
Zoraide, oder der Friede von Granada. Oper in 3 Aufziigen,
nach dem Franzosischen bearbeitet, in Musik gesetzt von
Carl Blum. [Partitur.J Mainz. Schott. [182-?] 3 v.
in 2. Plates. M.271.24
Blum, Ernest.
Adam et £ve. Operette fantastique. Paroles de MM.
Ernest Blum & Raoul Toche. Musique de Gaston Ser-
pette. No. I in M.322.25
Bagatelle. Opera comique de H. Cremieux et E. Blum.
Musique de J. Offenbach. M.267.43
Belle Lurette. Opera-comique de Blum, Blau et Toche.
Musique de J. Offenbach. M.277.8
Same. Lurette. Comic opera. [By E. Blum, E. Blau, and
R. Toche.] Music by J. Offenbach. No. 2 in M.267.37
136
Blum
THE ALLEN A. BROWN COLLECTION OF MUSIC
Blumenthal
Blum, Ernest. (Continued.)
Le carnet du diable. Piece fantastique de Ernest Bkim &
Paul Ferrier. Musique de Gaston Serpette. M.246.15
Cendrillon. Grand feerie de Clairville [pseud. 1, Alb: Mon-
nie[r] et Ernest Blum. Musique de Victor Cheri et
Moran. M.312.44
Le chateau de Tire-Larigot. Operetta fantastique. Paroles
de MM. Ernest Blum et Raoul Toche. Musique de Gas-
ton Serpette. M.322.24
Le diable au corps, Berta. Opera comique. Paroles de
Blum & Toche. Musique de R. Marenco. M.247.20
La famille Trouillat, ou la rosiere d'Honfleur. Operette de
H. Cremieux et E. Blum. Musique de L. Vasseur. M.325.13
La jolie parfumeuse. Opera comique de H. Cremieux et
E. Blum. Musique de J. Offenbach. M.368.7
Mam'zelle Gavroche. Comedie-operette de MM. Edmond
Gondinet, Ernest Blum et Albert de Saint-Albin. Musique
de Herve [pseud.]. No. i in M.276.37
Le petit chaperon rouge. Operette de Blum et Toche. Mu-
sique de G. Serpette. No. i in M.322.27
Le royaume des femmes. Operette a grand spectacle de
Ernest Blum et Paul Ferrier. Musique de Gaston Ser-
pette. M.3g5.6o
Blum, Robert.
Adele de Foix, grosse Oper. In Musik gesetzt von C. G.
Reissiger. M.150.7
Blume, Die. Song. Rubinstein. Sechs Lieder. No. i in M.192.5
Blume der Eh-gebenheit, Die. Song. Rubinstein. Zwei Lieder.
No. 21 in M.192.5
Blume der Ergebung, Die. Song. Loewe, J. C. G. Riickert's
Gedichte. No. 2 in M.221.80
Schumann, R. A. Resignation. No. S in M. 244.15.3; etc.
Blume und Duft. Song. Liszt. Gesammelte Lieder.
No. 45 in M.244.14
Blumen und Sterne. Song. Kuecken. Ernste und heitere
Lieder. No. 15 in M.244.6.1
Blumen vom Walde, Die. Part-song. Billeter. Drei Lieder
fiir vier Mannerstimmen. No. 53 in M.392.4
Blumenball. Song. Taubert, C. G. W. Fiinf Lieder.
No. 16 in M.192.7
Blumenbrief, Der. Part-song. Schubert, F. P. Neun Lieder.
Heft I. No. 49 in M.392.23; etc.
Blumenield, Felix.
Allegro de concert (en la mineur) pour piano et orchestre.
Op. 7. Partition. Leipzig. Belaieff. [18S7.]
No. 4 in M.358.19
Quatuor en fa pour deux violons, alto et violoncelle. Op.
26. Partition. Leipzig. Belaieff. 1898. No. i in M.4i2a.5
Blumengeister, Die. Cantata. For the Music see Mertke. For
the Libretto see Levy, M.
Blumengruss. Duet. Blum, C. L. Lyra fiir Damen.
No. 32 in M.221.30
Blumengruss. Song.
Hiller, F. Zwolf Lieder. No. 19 in M. 192.3
Stern, J. Bilder des Orients. No. 12 in M.221.30
Taubert, C. G. W. 12 Lieder. Sang der Liebe.
No. 4 in M.221.26
Blumeninsel, Die. Opera. For the Music see Ebers, C. F.
Blumenkranz, Der. Song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 19. M.4i3.3.ig
Blumenleben. Part-song. Reissiger. 6 Chorlieder.
No. 37 in M.392.20
Blumenlied. Song. Schubert, F. P. Werke. Serie 20, Band 4.
M.317.1.20.4
Blumenmaedchen, Das. Opera. For the Music see Bierey.
For the Libretto see Rochlitz.
Blumen-Parade. Part-song. Abt, F. Sechs Lieder.
No. 6 in M.158.22
Blumenschein, William Leonard.
Come unto Me. Communion anthem. [Accomp. for organ.]
Boston. Schmidt. 189X. No. 35 in M.IS8.13
Blumenschein, William Leonard. (Continued.)
Hosanna to the Prince of light. [Easter anthem. Accomp.
for organ.] Boston. Schmidt. [1891.] No. 36 in M.158.13
Blumensprache, Die. Song. Schubert, F. P. Werke. Serie
20, Band 5. M.317.1.20.5
Blumenstengel, A.
Auf die Berge lasst uns steigen [t. t. b. b.]. (In Abt. Leichte
Mannerchore. Heft 12, pp. 12-14.) No. 73 in M.346.22
Trinklied [t. T. B. b.]. (In Abt. Deutsche Sangerhalle.
Vol. I, pp. 107-109.) No. 37 in M.3g2.42.i
Das Vaterland [t. T. B. b.]. (/n Abt. Leichte Mannerchore.
Heft 12, pp. 15, 16.) No. 74 in M.245.22
Blumenstrauss, Der. Song. Mendelssohn-Bartholdy, J. L.
F. Werke. Serie 19. M.413.3.19
Blumenthal, Jacques.
Across the far blue hills, Marie. Song [t. Accomp. for
pianoforte]. Boston. Ditson & Co. [187-?]
No. I in M.ig2.i2
The bend of the river. Song [s. or t. Accomp. for piano-
forte]. Boston. Ditson & Co. [187-?] No. 13 in M. 192.12
La capricciosa (Die Eigensinnige). Arietta [s. Mit Piano-
forte-Begleitung]. Mayence. Schott. [i860?]
No. 21 in M.244.1 ; No. 6 in M.192.X2
The children's kingdom. [Song, a. Accomp. for piano
forte.] London. Boosey & Co. [186-?] No. 4 in M.244.1
Clear and cool. [Song, a. or bar. Accomp. for pianoforte.]
London. Boosey & Co. [186-?] No. 2 in M.244.1
Come to thy lattice, serenade [t. or s. Accomp. for piano-
forte]. London. Cramer, Beale & Wood. [185-?]
No. 8 in M.244.1
The days that are no more. [Song, a. or b. Accomp. for
pianoforte.] London. Davison & Co. [186-?]
No. 9 in M.244.1
Le depart du vaisseau. Contraste pour piano. Op. 48.
Mayence. Schott. [186-?] No. 17 in M.igo.io
Les deux anges. Morceau caracteristique pour le piano.
Op. 8. Boston. Reid & Co. [1858?] No. 5 in M.igo.io
L'eau dormante. Reverie-nocturne pour piano. Op. 15.
Paris. Brandus & cie. [185-?] No. 7 in M.igo.io
Espere en Dieu. Romance [s. ou t. Accomp. de piano].
Mayence. Schott. [186-?] No. 25 in M.244.1
An evening song [bar. Accomp. for pianoforte]. London.
Chappell & Co. [185-?] No. 13 in M.244.1
Exhilaration. [Song, s. or T. Accomp. for pianoforte.]
Boston. Ditson. i88g. No. 2 in M.192.12
Fete cosaque. Caprice pour le piano. Op. 4. Leipzig.
Breitkopf & Hiirtel. [1855?] No. i in M.igo.io
The gate of gold. Romance [s. Accomp. for pianoforte].
New York. Pond & Co. [187-?] No. 18 in M.244.1
Good morrow. Love. Ballad [t. or s. Accomp for piano-
forte]. London. Davison & Co. [185-?] No. 15 in M.2d4.i
Heliotrope. [Morceau de salon pour le piano.] Op. 21,
no. 3. Mayence. Schott. [1849?] No. ii in M.igo.io
Her king. Song [s. or t. Accomp. for pianoforte]. New
York. Ditson & Co. [187-?] No. 3 in M.ig2.i2
Her name. Song [bar. Accomp. for pianoforte]. Boston.
Ditson & Co. [187-?] No. 4in M.ig2.i2
I awake and dream. Song [a. Accomp. for pianoforte].
New York. Ditson & Co. [187-?] No. 5 in M.iga.ia
I prithee, give me back my heart. [Song, a. or bar. Accomp.
for pianoforte.] Boston. Russell & Co. [186-?]
No. 19 in M.244.1
I thought to be your bride. Song [a. Accomp. for piano-
forte]. London. Boosey & Co. [187-?] No. 16 in M.244.1
Le lac. [Mazurka pour piano.] Op. 9. Boston. Read &
Co. [1859?] No. 6 in M.igo.io
Laquelle? La brune ou la blonde? La brune. Morceau de
salon pour le piano. Op. 72, no. i. Mayence. Schott.
[ i86.^?l No. ig in M.igo.io
Leoline. Song [t. Accomp. for pianoforte]. London.
Boosey & Co. [186-?] No. 11 in M.244.1
Life. [Song, a. or b. Accomp. for pianoforte.] Boston.
Ditson & Co. [187-?] No. 7 in M.192.12
Love the pilgrim. [Song, s. or t. Accomp. for pianoforte.]
Boston. Ditson & Co. [187-?] No. 30 in M.244.1
I 18
L37
Blumenthal
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bobine
Blumenthal, Jacques. (Continued.) , • r t
The message. [Song, t. or s. Accomp. for pianoforte.]
London. Davison & Co. [185-?] No. 6 m M.244.1
Same [With English and German words.] Philadelphia.
Trumpler. [187-?] No^i2 in M.192.12
Un moment heureux, caprice pour le piano. Op. 25. Fans.
Brandus & cie. [185-?] No. uin M.190.10
My queen! Song [t. Accomp. for pianoforte]. London.
Cock, Addison & Co. [185-?] No. S in M.244.1
My sweet sweeting. [Song, bar. Accomp. for pianoforte.]
London. Davison & Co. [186-?] No. 10 in M.244.1
My true love has my heart. Ballad [a. Accomp. for piano-
forte]. New York. Ditson & Co. [186-?] No. 8 in M.192.12
Night. [Four part song.] Boston. Schmidt. [188-?]
No. 37 in M.158.13
Une nuit a Venise. Fantaisie pour le piano. Op. 7- Leip-
zig. Breitkopf & Hartel. [1857?] No. 4 in M.190.10
Le papillon (Der Schmetterling). Romance [bar. Accomp.
for pianoforte]. Mayence. Schott. [185-?]
No. 22 in M.244.1
Plainte du petit Savoyard. Morceau pour le piano. CEuvre
23. Vienne. Spina. [185-?] No. 12 in M.190.10
Pour ma mere (Fiir meine Mutter). Romance [bar. Ac-
comp. for pianoforte]. Mayence. Schott. [186-?]
No. 23 in M.244.1
Priere des matelots, pour le piano. Op. 48 bis. Mayence.
Schott. [1863?] No. 18inM.190.10
Les primeveres. [Morceau caracteristique pour le piano.
Op. 21, no. I.] Paris. Brandus & cie. [185-?]
No. 9 in M.190.10
The requital. [Song, t. Accomp. for pianoforte.] London.
Cramer & Co. [186-?] No. 3 in M.244.1
Le ramier. [Mazurka pour piano.] Op. 5- Boston. Reed
& Co. [185-?] No. 2 in M.190.10
Rappelle-toi (Gedenke mein). Melodic [s. ou bar. Chant
et piano]. Mayence. Schott. [186-?] No. 26 in M.244.1
The reason why. Song [s. or t. Accomp. for pianoforte].
New York. Ditson & Co. [187-?] No. 14 in M.192.12
Regret. [Song, s. or t. Accomp. for pianoforte.] Boston.
Ditson Co. [1890.] No. 9 in M.192.12
Sais-tu pourquoi, ma douce reine? Melodie [x. Accomp.
de piano]. Mayence. Schott. [186-?] No. 24 in M.244.1
Scene de ballet. Fantaisie pour piano. Op. 18. Paris.
Brandus & cie. [185-?] No. 8 in M.190.10
6 Lieder [von Geibel u. A.] fiir eine Singstimme mit Beglei-
tung des Pianoforte. 2. Sammlung. Mainz. Schott.
[186-?] No.33-38 in M.244.1
Contents. — Trennung. — Er hat raich gekusst! — Antwort. — ■ Das
Fischermadchen. — Trost. — Im Wald.
6 Lieder von Emanuel Geibel und Betty Paoli, fiir eine Sing-
stimme mit Begleitung des Pianoforte. Mainz. Schott.
[186-?] No. 27-32 in M.244.1
Contents. — Sehnsucht. — Beruhigung. — Die Herzenrose. — Mad-
chenlied. — Es fliegt manch Voglein. — Gondoliera.
Six part songs for four and five voices. [Accomp. for
piano.] London. Novello, Ewer & Co. [187-?]
No. 2 in M. 158.23
Contents. — Evening hymn, s. a. t. b. — What care I how fair she be,
T. T. B. B. — A shadow, s. a. t. b. b. — Gather ye rosebuds, s. a. t. b.
— Tlie loyal lover, s. A. T. b. b. — The butterfly, s. a. t. b.
Le sommeil interrompu. Fantaisie pour piano. Op. 24.
Paris. Brandus & cie. [185-?] No. 13 in M.190.10
Un sourire. Idylle pour piano. Op. 44. Mayence. Schott.
[1858?] No. 16 in M.190.10
Sunshine and rain. Song [a. or b. Accomp. for pianoforte].
New York. Ditson & Co. [188-?] No. 10 in M.192.12
Sweet is true love. [Song, bar. Accomp. for pianoforte.]
London. Boosey & Co. [186-?] No. i in M.244.1
Thinking of thee. Song [x. Accomp. for pianoforte]. New
York. Ditson & Co. [186-?] No. 16 in M.192.12
Thoughts of thee. [Song, a. or bar. Accomp. for piano-
forte.] London. Cramer & Co. [187-?] No. 12 in M.244.1
La tourterelle. [Mazurka pour piano.] Op. 5. Boston.
Reed & Co. [185-?] No. 3 in M.190.10
Twilight song [a. or b. Accomp. for pianoforte]. London.
Davison & Co. [185-?] No. 7 in M.244.1
Blumenthal, Jacques. (Continued.)
The two stars. Song [bar. Accomp. for pianoforte]. Bos-
ton. Ditson & Co. [187-?] No. 15 in M.192.12
Venetian boat song. [bar. Accomp. for pianoforte.] Bos-
ton. Ditson & Co. [187-?] No. 17 in M.192.12
Le vertige. Rondo galop pour le piano. Op. 41. Mayence.
Schott. [1858?] No. 15inM.1go.10
Violette. [Morceau de salon pour le piano.] Op. 21 [no. 2].
Mayence. Schott. [1849?] No. 10 in M.190.10
Waiting. [Song, s. or bar. Accomp. for pianoforte.] Bos-
ton. Evans & Co. [188-?] No. 18 in M.192.12
The wedding day. Song [a. or bar. Accomp. for piano-
forte]. New York. Ditson & Co. [187-?]
No. II in M.192.12
When we are parted! Ballad [bar. Accomp. for piano-
forte]. London. Cramer & Co. [186-?] No. 14 in M.244.1
Why was I looking out? [Song. s. Accomp. for piano-
forte]. Boston. Tolman & Co. [186-?] No. 17 in M.244.1
Yes. Song [bar. Accomp. for pianoforte]. New York.
Ditson & Co. [186-?] No. 19 in M.192.12
Blumner, Martin Traugott Wilhelm.
Abraham. Oratorium in 2 Theilen. Clavierauszug. Leip-
zig. Breitkopf & Hartel. [1859?] 2 parts in i v. M.241.14
Drei Lieder ... fiir Mannerchor. Op. 31. Berlin. Bote
& Bock. [1876?] No.2inM.392.S
Contents. — Deutsches Land, Gott segne dich. — Abend am Meer. —
Perle des Jahres.
Der Fall Jerusalems. Oratorium in zwei Theilen. Op. 30.
Partitur. Berlin. Bote & Bock. [1879.] M.226.2
Same. Vollstandiger Klavierauszug. M.265.26
Konigspsalm. (Psalm 21, Vers. 2-8.) Fiir Soli, Chor und
Orchester. Partitur. Berlin. Bote & Bock. [187-?]
No. 2 in M.391.33
Te Deum laudamus, fiir achtstimmigen Chor mit Solostim-
men. Berlin. Trautwein. [186-?] No. i in M.391.33
Blythe is the bird. Part-song. Haxxon. No. 8 in M. 195.1.6
Boabdil, der letzte Maurenkonig. Opera. For the Music see
Moszkowski. For the Librexxo see Wittkovysky.
Boadicea, queen of the Iceni. Cantata. For the Music see
Bridge, John F. For the Librexxo see Troutbeck, E. G.
Boar's-head carol, The. (In Musical times. [Music] Vol. 5,
p. 41.) No. 13 in M.175.1.S
Boarding school of Nevers. Opera. For the Librexxo see
Devienne.
Boardman, John George.
An evening service, consisting of "Magnificat & Nunc
dimittis" . . . for 4 voices, with accomp. for the organ or
pianoforte. London. Novello. [184-?] No. 34 in M.igo.i
Boat, The. Part-song. Schumann, R. A. No. 20 in M.195.1.13
Boat, A, a boat, unto the ferry. Part-song. Jenkins, J.
No. 2 in M.isga.iS.i ; etc.
Boat song, The. Part-song. Abt, F. No. 29 in M.157.17.3
ScHUBERX, F. P. No. 54 in M.246.36
Boatie rows, The. Part-song. Waxson, W. M. No. 32 in M.121.3
Boating. Part-song. Geibel, A. No. 9 in M.203.27
Boating song. Part-song. Monk, E. G. No. 3 in M.157.4
Boatman's good night, The. Part-song. Schira.
No. 37 in M.157.23
Boatman's hymn. Part-song. Lang, M. R. No. 10 in M.203.13
Bob cherry. Catch. See Ame, T. A. Stout Hodge.
Bobby Shaftoe. Opera. For the Music see Calderwood. For
the Librexxo see Whorf.
Bobillier, Marie.
Les concerts en France, sous I'ancien regime. Par Michel
Brenet [pseud.]. Paris. Fischbacher. 1900. M.102.20
Deux pages de la vie de Berlioz. Les oeuvres de Berlioz en
Allemagne; le premier opera de Berlioz. Par Michel
Brenet [pseud.]. Paris. Vanier. 1889. No. i in M. 116.6
Gretry; sa vie et ses oeuvres. Par Michel Brenet [pseud.].
Paris. Gauthier-Villars. 1884. M.144.19
Bibliography, pp. 275-278.
Histoire de la symphonic a orchestre. Par Michel Brenet
[pseud.]. Paris. Gauthier-Villars. 1882. M.145.32
Bobine. Opera. For the Music see Ben-Tayoux. For the
Librexxo see Bausset.
138
Bocage
THE ALLEN A. BROWN COLLECTION OF MUSIC
Boeheim
Bocage, Henri.
La bonne aventure. Opera-bouffe. Paroles de MM. Emile
de Najac & Henri Bocage. Musique de fimile Jonas.
M.286.2S
Le bossu. Opera comique par Henri Bocage & Armand
Liorat [pseud.]. Musique de Charles Grisart. M.276.2
La girouette. Opera comique de MM. E. Hemery et H.
Bocage. Musique de A. Ccedes. M.28S.21
The infanta's dolls. Comic opera. [Words by Henri Bocage
and Armand Liorat, pseud.]. Music by Charles Grisart.
M.266.40
Memnon. Opera-comique. Paroles de Cadol et Bocage.
Musique de Ch. Grisart. No. i in M.276.3
Le petit abbe. Piece de Henri Bocage et Armand Liorat
[pseud.]. Musique de Ch. Grisart. No. i in M.266.38; etc.
Les trois Margots. Operette de H. Bocage et H. Chabril-
lat. Musique de Ch. Grisart. M.276.1
Boccaccio. Opera. For the Music see Suppe. For the Li-
bretto see Walzel.
Boccherini, Giovanni Gastone.
[La fiera di Venezia. Opera. Musica di Salieri.] M. 340.9
[II ritorno di Tobia. Oratorio. Musica di Giuseppe Haydn.]
M.214.8
Boccherini, Luigi.
Collection des quintetti de Boccherini, pour deux violons,
alto et deux violoncelles. La partie de premiere violon-
celle peut etre remplacee par I'alto violoncelle. [Parties
separees.] Paris. Janet & Cotelle. [1820?] 12 v. Por-
trait. M.200.1
The collection consists of 93 quintets, of which a thematic catalogue
is given in the volumes containing the first violin part.
Fac ut portem. Aria [s.] from his Stabat Mater. [Accomp.
for piano.] (/n Latrobe. Selection of sacred music.
Vol. 2, pp. 134, 135) No. 29 in M.2go.29.2
Inflammatus. Aria, s. [Accomp for piano.] {In Latrobe.
Selection of sacred music. Vol. 6, pp. 138-142.)
No. 24 in M.2go.2g.6
Menuett No. 2, in A dur, fiir 2 Violinen, Viola und Violon-
cell (mit Contrabass ad libitum). Partitur und Stimmen.
Leipzig. Leuckart. [188-?] No. 3 in M.332.4
Menuet du quintette, no. 11. [Partition d'instruments a
cordes.] Paris. Durand, Schoenewerk & cie. [187-?
Gevaert. Transcriptions pour orchestre.] No. 7 in M.343.48
Quintett [E-dur] fiir 2 Violinen, Viola und 2 Violoncells.
Leipzig. Eulenberg. [1889? Payne's Kleine Partitur-
Ausgabe. iiS] No. 3 in M.4i2a.3
Quintetto en re mineur, arrange en trio pour piano, violon
& violoncelle . . . par le Marquis de Louvois. [Piano
seal.] Paris. Schlesinger. [182-?] No. 21 in M.210.3
Same. [Partie de violon.] No. 23 in M.210.9
Same. [Partie de violoncelle.] No. 38 in M.210.11
Recordare. Terzetto [s. a. b. Accomp. for piano]. {In
Latrobe. Selection of sacred music. Vol. 6, pp. 89-96.)
No. 16 in M.290.29.6
Stabat Mater, [s. solo. Accomp. for piano.] {In Latrobe.
Selection of sacred music. Vol. 4, pp. 29-31.)
Contains the first movement only. No. 6 in M.2go.29.4
Boccherini, Luigi. Works about.
PiCQUOT, L. Notice sur la vie et les ouvrages de Luigi Boc-
cherini, suivie du catalogue raisonne de toutes ses oeuvres.
Paris. 1851. 2 portraits. No. 4 in M.145.34
ScHLETTERER, H. M. Luigi Boccherini. Leipzig. 1882.
No. 3 in M.215.4
Bochsa, Robert Nicolas Charles.
L'heritier de Paimpol, opera comique en 3 actes, paroles de
Sewrin; mis en musique . . . par N. Charles Bochsa.
[Partition. 1813.] M.271.26
La lettre de change. Opera en i acte, paroles de Planard,
musique de N. Ch. Bochsa. [Partition.] Paris. Bochsa.
[1815.] M.271.27
[Nocturne No. I, en si bemol, pour piano & violoncelle, ou
violon de J. L. Duport et R. N. C. Bochsa. Op. 68, no. i.
Partition, violon et piano.] Paris. Pacini. [181-?]
No. 9 in M.210.2
Bochsa, Robert Nicolas Charles. (Continued.)
Same. [Partie de violon.] No. 14 in M.210.9
Same. [Partie de violoncelle.] No. 24 in M.2io.ii
[Nocturne, 2™^, en si bemol, pour piano et violoncelle, ou
violon de R. N. C. Bochsa et J. L. Duport. 2e edition.
CEuvre 70. Partition violon et piano, et partie separee de
violon.] Paris. Schonenberger. [184-?]
No. 10, II in M.210.2
Same. [Partie de violoncelle.] No. 28 in M.210.11
[Nocturne, 3'"«, pour piano et violoncelle (ou violon) de
J. L. Duport et R. N. C. Bochsa. Partition violon et piano.
Op. 68, no. 3.] Paris. Pacini. [181-?] No. 14 in M.210.2
Same. [Partie de violon.] No. 15 in M.210.9
Same. [Partie de violoncelle.] No. 25 in M.210.11
Programme of the historical records of vocal and instru-
mental music . . . forming a practical illustration of the
history of music. Translated and edited by W. M'Gregor
Logan. London. Wright. [1836.] No. 5 in M.i4g.8
Le roi et la ligue ou la ville assiegee. Opera en deux actes.
Paroles de MM. Theaulon et Dartois. Musique de N.
Ch'es. Bochsa fils. [Partition.] Paris. Bochsa. [1815.]
M.380.61
Bocquillon, Guillaume Louis, editor.
Orpheon. Repertoire de musique vocale en choeur sans
accompagnement a I'usage des jeunes eleves et des adultes
. . . Par B. Wilhem [pseud.]. Paris. Perrotin. 1844-46.
7 v. in 2. M.218.10
Bodderhorn sett di! Part-song. Serpenthien.
No. 27 in M.3g2.2S
Bode, H.
Die Reue des Petrus. Oratorium. Componirt von F. W.
Liebau. M.242.28
Bodenstedt, Friedrich Martin von.
Die Weisheit des Mirza-Schaffy. Cantate componirt von
Carl Amand Mangold. No. 13 in M. 212.10
Bodenstedt, Friedrich Martin von, translator.
Arenski. Der Springquell von Bachtschissarai.
No. I in M. 193.3
Boderke, W.
Das Bliimlein auf der Heide [x. x. b. B.]. Leipzig. Siegel.
[1888?] No. 35 in M.3g2.3
Body, Albin.
Meyerbeer aux eaux de Spa. Bruxelles. Rozez. 1885.
Plates. No. 2 in M.128.18
Body of great Elizabeth, The. Part-song. Hook, J.
No. 78 in M.22o.g.4
Body which within this earth. The. Catch. Hayes, W.
Catches, glees and canons. No. i in M.220.5
Boedecker, Louis.
Drei Lieder fiir vierstimmigen Mannerchor. Op. 14. Leip-
zig. Rieter-Biedermann. [1879.] 3 parts in l v.
No. 3-5 in M.3g2.5
Contents. — I. Abendlied. 2. Wiederruf. — Epikur.
Trio-Phantasie fiir Pianoforte, Violine und Violoncell.
Op. 18. [Partitur.] Leipzig. Rieter-Biedermann. 1883.
No. 6 in M.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 6 in M.211.4.1, 2
Boedri, Paul.
Adolf Samuel, Christus. (Symphonisches Mysterium fiir
Orchester, Chor und Orgel.) Erlautert von Paul Boedri.
Frankfurt a. M. Bechhold. [1898. Der Musikfiihrer.]
No. 4 in M. 217.12.5
Boehe, Ernst.
Aus Odysseus' Fahrten. 4 Episoden fiir grosses Orchester.
Op. 6. No. I, 2. Partitur. Leipzig. Staackmann. 1903.
2 V. M.410.83
Contents. — J. Ausfahrt und Schiffbruch. 2. Die Insel der Kirke.
Boeheim, F. M. See Boeheim, Joseph Michael.
Boeheim, Joseph Michael, editor.
Auswahl von Maurer Gesangen, mit Mclodien der vorziig-
lichsten Componisten. Neue Ausgabe. [Mit Pianoforte-
begleitung.] Berlin. Maurer. 1817, 19. 2 v. M.i20.3a
139
Boehm
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bohemienne
Boehm, Theobald.
Welch, C. History of the Boehm flute. London. 1883.
IIlus. 2 portraits. M.1I4.9
Boehme, Armin von.
Zwei Gesiinge fur Mannerchor. Op. 8. Hamburg. Schu-
berth. [188-?] No.6inM.392.s
Contents. — Abendlied. — Fruhlingstag.
Boehme, August Julius Ferdinand.
Dramatische Ouverture (N". 9) fiir grosses Orchester.
Op. 40. Partitur. Leipzig. Leuckart. [187-?]
No. 4 in M.34S.28
Boehme, Franz Magnus.
Heimsche u. fremde Weisen, fiir vierstimmigen Mannerchor
gesetzt. Mainz. Schott. [1883.] No. 8 in M.392.5
Contents. — Wenn ich ein Voglein war". — Zu dir zieht s mich hin. —
Hinaus, ach hinaus! — Seht, wie diistere Wolken. — Mond, du mein
Freund. — Alle Lust hat Leid.
Das Oratorium. Fine historische Studie. Leipzig. Weber.
jg5i No. 2 in M.207.6
Sechs Volkslieder fiir Mannerchor bearbeitet. Mainz.
Schott. [1883.] No7inM.392.5
Contents. — Sommerlied. — Wandersmann. — Drei Laub auf einer
Linden. — Meiden. — Elslein. — Das stille Thai.
Boehme, H., editor.
Mendelssohn-Bartholdy, J. L. F. Quatuors pour piano,
violon, alto et violoncelle. Op. i, Op. 3- M.3S3.9
Trios pour piano, violon et violoncelle. Op. 49. Op.
66. M.3S3.8
Boehme, Max.
Die Scharwache [t. t. b. b.]. Op. 24. Leipzig. Hug.
[188-?] N0.36 in M.392.3
Boehmer, Carl.
Meerkonig und sein Liebchen. Romantisches Singspiel in
2 Aufziigen, von H. Schmidt. Musik von Carl Bohmer.
Vollstandiger Klavierauszug. Berlin. Westphal. [1816?]
M.271.28
Trinklied [t. T. B. B.]. Op. 29, No. i. Berlin. Bote & Bock.
[1877. Sanger herbei!] No. 37 in M.392.3
Boehmert, Carl Friedrich.
Taubert, O. Zweiter Nachtrag zur Geschichte der Pflege
der Musik in Torgau. Torgau. 1890. No. 2 in M.372.61
Pp. 7-15: Zwei ehemalige Schiiler des Torgauer Gymnasiums: J. G.
F. Wieck, K. F. Bohmert.
Boeie, Heinrich.
Der Fechter von Ravenna. Opern-Burleske von H. Boie.
[Klavierauszug.] Altona. Boie. [186-?] M.271.29
Der Kukuk. Humoristisches Lied fiir vierstimmigen Man-
nerchor. Op. 7. Hamburg. Schuberth. [186-?]
No. II in M.392.5
Quartett. Op. 29. [For two violins, viola and violoncello.
Manuscript. 187-?] No. 2 in M.405.70
Zu Thai! . . . Lied fiir vierstimmigen Mannerchor. Op. 12.
Hamburg. Schuberth. [186-?] No. 12 in M.392.5
Boekelman, Bernhardus.
Ballabile compose pour I'orchestre. Partition. Op. 3. New
York. Schuberth & Co. 1888. No. 4 in M.358.22
In der Einsamkeit, fiir Streich-Orchester. Op. 7. Partitur.
New York. Schuberth. 1888. No. S in M.358.22
Boelke, W.
Das treue Herz. Lied fiir vierstimmigen Mannerchor.
Op. 10. Partitur. Berlin. Bote & Bock. [187-?]
No. 38 in M.392.3
Boellman, Leon.
Gavotte pour piano. [Arrangee pour orchestre.] Paris.
Hamelle. [188-?] No. 4 in M.358.20
Symphonie en fa majeur. Op. 24. Partition d'orchestre.
Paris. Durand. [190-?] No. 2 in M.405.6
Variations symphoniques pour violoncelle solo et orchestre.
Op. 23. Partition. Paris. Durand. [190-?]
No. I in M.405.6
Boely, Alexandre Pierre Francois.
Pavanc. [Transcribed for the organ by W. T. Best.]
Maycncc. Schott. [188-?] No. 2 in M.414.31
Boemische Konigstochterlein, Das. Part-song. Pfeiffer,
E. J. No. 179 in M.t47.4
Boemischen Amazonen, Die. Opera. For the Music see
Bayer, A.
Boenicke, Hermann.
Bundeslied [t. t. B. B.]. Op. 23. Schleusingen. Glaser.
[ 1875 ?] No. 39 in M.392.3 ; No. 22 in M.392.35
Columbus. Fur gemischten Chor, Soli [t. b.] und Orchester
(event. Klavierbegleitung), . . . hrsg. von Rudolf Palme.
Klavierauszug. Leipzig. Hesse. [1882?] No. i in M.194.5
Friihmorgens. [Mannerchor.] (/« Abt. Deutsche Sanger-
halle. Vol. 2, pp. 119, 120.) No. 36 in M.392.42.2
Im Weinhaus. [Mannerchor.] (/» Das Riitli. Pp. 453-455.)
No. 192 in M.147.4
In der Schlacht. (Altere Handschrift.) Fiir Bariton-Solo,
Mannerchor und Orchester. Op. 22. Partitur mit unter-
gelegter Clavier-Begl. Schleusingen. Glaser. [1875?]
No. 14 in M.212.3
Lied und Wein. [Mannerchor.] (/n Das Riitli. Pp. 429-
432.) No. 182 in M.147.4
Lied vom Rhein [t. t. b. b.] (/« Abt. Deutsche Sangerhalle.
Vol. 2, pp. 7-9.) No. 3 in M.3g2.42.2
Staendchen [t. t. b. b.]. (/» Abt. Deutsche Sangerhalle.
Vol. 4, pp. 106-111.) No. 37 in M.392.42.4
Studentenlied [t. t. b. b.]. (/» Abt. Deutsche Sangerhalle.
Vol. 4, pp. 17-21.) No. 7 in M.392.42.4
Vier Lieder fiir Mannerstimmen. Op. 6. Leipzig. Merse-
burger. [186-?] No. 10 in M.302.S
Contents. — Bestandigkeit. — ^ Unsre Leute. — ^ Am Rhein. — Tafcllied.
Die wilde Jagd. [x. x. b. b.] Op. 3. Magdeburg. Heinrichs-
hofen. [185-?] No. 9 in M.392.S
Boerner, Arnold.
Einer Entschlafenea, in Musik gesetzt von Joachim Raff.
No. 2 in M.280.35; etc.
Boese Farbe, Die. Song. Schubert, F. P. Sammtliche Com-
positionen. M.244.12; etc.
Boese Jahr, Das. Song. Henschel, G. Serbisches Lieder-
spiel. No. 2 in M.ig4.i5
Boese Nachbarin, Die, oder: das war ich. Opera. For the
Music see Klerr. For the Libretto see Wolff, B.
Boesigk, F. L.
„Heil dir, Gottin des Gesanges." [Musik] von C. A. Krebs.
No. 16 in M.212.8
Nach Niirnberg! [Musik] von Julius Otto. No. 3 in M.212.12
Boettcherlied. Part-song. Krebs. No. 6 in M.392.14
Boettcherlied. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Hefts. No. 17 in M.192.6
Boettger, Adolph.
Gesang zu Pfingsten. Componirt von V. E. Nessler.
No. IS in M.212.H
Wittekind. Gedicht componirt . . . von Emil Biichner.
No. 2 in M.203.I2
Bogaerts, P. C. C.
Etudes sur les livres choraux qui ont servi de base dans la
publication des livres de chant gregorien edites a Malines
sous les auspices [du] cardinal Sterckx par P. C. C. Bo-
gaerts et Edmond Duval. No. 2 in M.146.2S
Bogaerts, Pierre Gerard.
L'avalance, operette de salon, paroles de P. Bogaerts,
musique de F. Everaerts. No. i in M.305.42
Marie Stuart au chateau de Lochleven, operette. Musique
de J. M. Duprato. No. 3 in M.305.23
Una promenade de Marie Therese. Operette de salon. Mu-
sique de J. Duprato. No. i in M.301.6
Bogna des Verbannten Tochter. Opera. For the Music see
Hertz. For the Libretto see Spies.
Boheme, Die. Opera. For the Music see Puccini; also Leon-
cavallo. For the Libretto see Giacosa.
Bohemia, pseud. See Silsbee, Samuel.
Bohemian girl. The. Opera. For the Music see Balfe. For
the Libretto see Bunn.
Bohemienne, La. Opera. For the Music see Balfe; also
Clement, C. F.; also Rinaldo da Capua; also Rocheblave,
A. For the Libretto see Saint Georges; also Favert,
C. S.; also Rocheblave, E. F.
140
Bohl
THE ALLEN A. BROWN COLLECTION OF MUSIC
Boieldieu
Bohl, Heinrich.
Abschiedsstandchen [t. t. b. b.]. (/» Gruber. Sangeshort.
Heft 4, p. S.) No. 3 in M.370.30
Fruhlingslied [t. T. B. B.]. (/» Gruber. Sangeshort. Heft 4,
PP- 34, 35-) No. 3 in M.370.30
Bohm, Carl.
Cavatina fiir Violine mit Begleitung des Orchesters. Parti-
tur. Berlin. Simrock. 1887. No. 4 in M.346.34
Legende fiir Violine mit Begleitung des Orchesters. Par-
titur. Berlin. Simrock. 1887. No. 3 in M.405.3
Papillon. Capriccio fiir Violine mit Begleitung des Or-
chesters. Partitur. Berlin. Simrock. 1887.
No. S in M.346.34
Bohn, Emil.
Festschrift zur Feier des 2SJahrigen Bestehens des Bres-
lauer Orchester-Vereins. Breslau. Hainauer. 1887.
No. 5 in M.112.17
Bohn, Peter, translator.
Glareanus. Glareani Dodecachordon Basiliae 1647. M.400.8
Bohrer, Max.
Duo concertant compose par Max: Bohrer, Op. 14, pour
piano et violoncelle, arrange pour piano et violon par N.
Louis. [Partition et partie de violon.] Paris. Petit.
[183-?] 2 V. No. 7 in M.390.2
Bohrer, William.
Bohrer's automatic piano hand-guide, its construction, pur-
pose and uses . . . Montreal. 1876. No. 8 in M.i2S.g
Bohrmann, Heinrich.
Griine Ostern. Oper. [Musik von] H. Kobler. M.402.31
Iduna. Komische Oper. Musik von J. P. Gotthard.
M.266.19
Das Spitzentuch der Konigin. Komische Operette. Text
von Bohrmann-Riegen und R. Genee. Musik von Johann
Strauss. M.323.1S
Bohrmann-Riegen. See Bohrmann, Heinrich.
Boieldieu, Adrien Louis Victor.
L'aieule. Opera comique en i acte. Paroles de Mr. de St.
Georges, musique de Adrien Boieldieu. [Partition chant
et piano.] Paris. Nadaud. [1841.] 8 parts in i v.
M.281.4; No. 2 in M.281.7
Le bouquet de I'lnfante. Opera comique in 3 actes. Paroles
de MM. de Planard et de Leuven [pseud.], musique de
Adrien Boieldieu. [Partition piano et chant.] Paris. Grus.
[1847.] No. I in M.265.2g
La butte des moulins. Opera comique en 3 actes, paroles
de Gabriel [pseud.] et de Forges [pseud.], musique de
Adrien Boieldieu. Partition piano et chant. Paris. Co-
telle. [1852.] M.26S.28
Le chevalier Lubin. Opera-comique en i acte de Victor
Perrot et Michel Carre. Musique de A. Boieldieu. Par-
tition piano et chant. Paris. Daubel. [1866.]
No. 2 in M.265.29
La fille invisible. Opera comique en 3 actes et 4 tableaux.
Poeme de MM. de S*. Georges et Dupin. Musique de A.
Boieldieu. Partition piano et chant. Paris. Boieldieu.
[1854.] M.26S.27
Marguerite. Opera comique en 3 actes, de MM. E. Scribe
et Eugene [pseud.]. Mis en musique par Adrien Boiel-
dieu. Partition. Paris. Boieldieu & ce. [1838.] M.271.30
Boieldieu, Frangois Adrien.
Bayard a Mezieres. Opera comique en i acte. Paroles de
MM. Emmanuel Dupaty et Chazet. Musique de Cherubini,
Boieldieu, Nicolo [Isouard] & Catel. [Partition.] Paris.
Boieldieu jeune. [1814.] M. 291.9
Beniowsky. Opera en 3 actes en prose, paroles de Duval
. . . Mis en musique par A. Boieldieu. [Partition.] Paris.
firard. [1800.] M.271.33
Le calife de Bagdad. Opera en i acte de S'. Just. Mise en
musique par A. Boieldieu. [Partition.] Paris. Erard.
[iSoo.] M.224.3
Same. [Accomp. de piano.] Richault. [1S3-?] M.362.34
Le chant du caidji. Meditation [t. Inedite. Accomp. de
piano. Portrait. Facsimile]. {In Album du Gaulois.
Vol. I.) No. S in M.391.28.1
Boieldieu, Frangois Adrien. (Continued.)
[Charles de France, ou amour et gloire. Opera-comique en
2 actes. Paroles de Theaulon et Dartois. Ouverture et no.
1-6 par Boieldieu, no. 7, 8 par Herold. Accomp. de piano.]
Paris. Boieldieu. [1816.] 9 parts in I v. M.281.1
La dame blanche, musique de Boieldieu. Opera complet
[de Scribe]. Partition de piano et chant. [Paris.] Girod.
[185-?] M.362.32
Same. (Die weisse Dame.) Opera [de Scribe) mis en mu-
sique par A. Boieldieu. Partition d'orchestre revue par
Gustav F. Kogel. Leipzig. Peters. [1880.] M.352.9
Same. Ouverture zur Oper Die weisse Fran. Partitur.
Offenbach a. M. Andre. [187-?] No. 4 in M.33S.16
Dans les beaux vallons de Clarence. Fabliau de I'opera:
"Les deux nuits" [t. t. b. b.]. (/n Recueil des choeurs
d'ensemble frangais ... 13. fete. Pp. 7-9.)
No. 6 in M.130.7
Les deux nuits. Opera en 3 actes. [Paroles de Scribe et
Bouilly.] Musique de A. Boieldieu, arrangee pour le
piano-forte. Mayence. Schott. [183-?] M.281.3
The words are in French and German.
La dot de Suzette. Opera en i acte. Paroles du C^. De-
jeure [sic]. Musique de Boieldieu. [Partition.] Paris.
Cochet. [1798.] No. 2 in M.274.4
La fete du village voisin. Opera comique en 3 actes. Pa-
roles de M"". Sewrin. [Musique] par A. Boieldieu. [Par-
tition.] Paris. Boieldieu. [1816.] M.271.34
[Jean de Paris.] Johann von Paris. Komische Oper. Cla-
vier-Auszug. Braunschweig. Meyer. N. d.
No. 2 in M.iio.io
Same. See also Bishop, H. R. John of Paris.
La jeune femme colere. Comedie en i acte de M"". fitienne,
mise en opera par M''. Claparede. [Musique] par A. Boiel-
dieu. [Partition.] Paris. Cherubini [etc. 1805]. M.271.31
Lob des Kriegerstandes. [Mannerchor.] (/» Orpheus.
Band 10, pp. 17-20.) No. 46 in M.i29a.43.io
From La dame blanche.
Ma tante Aurore, ou le roman impromptu. Opera bouffon
en 2 actes. Paroles de Longchamps . . . [Musique de]
Boieldieu. [Partition.] Paris. Magasin de musique.
[1803.] M.223.24
Same. Pour piano et chant. Launer. [183-?]
No. I in M.362.33
Le nouveau seigneur. Musique de Boieldieu. Opera com-
plet dialogue [de Creuze de Lesser]. Partition de piano
et chant. [Paris.] Launer. [184-?] No. 2 in M.362.33
Le petit chaperon rouge. Opera-feerie en 3 actes de Mr.
Theaulon . . . Componirt von Boieldieu. Klavierauszug
von J. P. Schmidt. Leipzig. Peters. [184-?] M.230.29
The words are in French and German.
Same. Rothkiippchen. (Le petit chaperon rouge.) Zauber-
Oper in drei Acten. Text nach dem Franzosischen des
Theaulon, bearbeitet von Sophie Krickeberg. Musik von
.\. Fr. Boieldieu. Clavierauszug mit Text und vollstiindi-
gem Dialog. Nach der Partitur berichtigt und neu bear-
beitet von Richard Kleinmichel. Leipzig. Senff. [188-?]
M.393-5S
Praise of the soldier [x. t. b. b.]. {In Willard. Arion. Pp.
44-46.) No. 23 in M.109.1
From La dame blanche.
La prisonniere. Opera en I acte. [Paroles de Jouy, de
Longchamps et Saint-Just.] Musique de Cherubini et
Boieldieu. Partition. Manuscript. [182-?] M.285.13
Rien de trop, ou les deux paravents. Opera comique en I
acte, paroles de Joseph Pain, musique de Adrien Boieldieu.
Partition. Paris. Boieldieu. [1811.] M.281.2
Les voitures versees. Opera comique en 2 actes avec dia-
logue [de Dupaty], pour piano et chant. Musique de
Boieldieu. Paris. Launer. [184-?] M.26S.30
Weil man jetzt hier im Haus. Arie [b., mit Pianoforte-
begleitung]. (/n Arien-Album. Band i, pp. 134-138.)
From Jean de Paris. No. 4 in M.204.37
When the moonlight streaming. Duet [s. A. Accomp. for
pianoforte]. {In Musical library. Vol. i, pp. 141-143.)
No. 62 in M.235.18.1
141
Boieldieu
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bold
Boieldieu, Francois Adrien. (Continued.)
Zoraime et Zulnar. Opera en 3 actes du C". S». Just. [Mu-
sique] par Boieldieu. [Partition.] Paris. Cochet. [1798.]
M.271.32
Boieldieu, Francois Adrien. Works about.
Hequet, C. J. G. A. Boieldieu: sa vie et ses oeuvres. Paris.
1864. Portrait. Facsimiles. No. i in M.122.13
Neukomm, E. Trois jours a Rouen. Souvenirs du cente-
naire de Boieldieu, juin 1875. Paris. 1875. No. 3 in M.i3g.22
Neumann, W. Adrien Francois Boieldieu. Adolph Adam.
Biographien. Cassel. 1855. [Die Componisten der
neueren Zeit.] No. 4 in M.20S.15
Paroisse-Pougin, F. A. A. Boieldieu: sa vie, ses oeuvres,
son caractere, sa correspondance. Paris. 1875. Portrait.
Facsimile. M.129.16
Thaunberg, H. de. Le centenaire de Boieldieu, anecdotes
et souvenirs. Paris. [1875.] No. I in M.iiga.is
Boigne, Charles de.
Petits memoires de I'Opera. Paris. Librairie nouvelle. 1857.
M.139.1
Boire a Tombre. Gounod. Vingt melodies. 2e recueil.
No. 9 in M.1S7.36.2
Bois, Le. Opera. For the Music see Cahen, A. For the Li-
bretto see Glatigny.
Bois, Les, sont verts. Song. Vaucorbeil. Melodies. M.213.25
Boisdeffre, Charles Henri Rene de.
Latone. Scene lyrique pour soli [s.] & choeurs. Poeme de
Paul Collin. Musique de Rene de Boisdeffre. Op. 22.
[Partition chant et piano.] Paris. Minier. [189-?]
No. I in M.203.35
Messe de Notre Dame de Sion, pour soli, choeurs, orgue et
orchestre. Partition pour chant et org^e. Paris. Hart-
mann & cie. [1890.] No. 3 in M.156.19; No. 2 in M.IS8.3S
Reverie pour viole d'amour, ou violon, ou alto ou violon-
celle avec accompagnement d'instruments a cordes et de
harpe ou de pianoforte. Op. 55. fidition pour viole
d'amour avec instruments a cordes et harpe. Paris.
Hamelle. [188-?] No. 3 in M.358.20
Boise, O. B, editor.
Bruch. Zwei Mannechore mit Orchester. No. 3 in M.1S4.37
Boisgontier, Madame Adam, pseud. See Rocheblave, filisabeth
Frangoise.
Boisquet, F.
Essai sur I'art du comedien chanteur. Paris. Longchamps.
1812. M.117.15
Boisseau, A.
Quatuor pittoresque. Pour deux violons, alto et violoncelle,
d'apres une fantaisie de Champfleury. [Partition.] Paris.
Hartmann. 1879. No. 2 in M.338.16
Boisseaux, Henry.
Astaroth. Opera comique. Musique de J. J. Debillemont.
No. I in M.2g5.g
Broskovano. Opera comique, paroles de MM. E. Scribe et
H. Boisseaux, musique de Louis Deffes. M.2g5.i3
La cle des champs, opera comique, musique de Louis Deffes.
No. 2 in M.2g5.i6
La maison du docteur. Opera-comique. Musique de Paul
d'lvry. M.3g3.3i
Mam'zelle Penelope. Opera comique. Musique de Th. de
Lajarte. M.366.20
Les ressources de Jacqueline. Opera comique. Musique
d'Andre Simiot. No. 4 in M.322.16
Le secret de I'Oncle Vincent. Opera-comique. Musique de
Th, de Lajarte. 2e edition. No. 4 in M.2g6.i5
Boissel,
Le nouveau Don Quichotte. Opera. Mis en musique par
S. Champein. M.2gi.6
Boisselot, Paul.
Apres la noce. Operette. Musique de L E. Legouix.
With the libretto. No. 3 in M.301.13
Avant la noce. Operette. Paroles de Mestepes & P. Bois-
selot. Musique de £mile Jonas. No. i in M. 286.23
Lischen et Fritzchen. Conversation alsacienne. Musique
de J. Offenbach. No. 2 in M.368.5
Boisselot, Xavier.
Mosquita la sorciere. Opera-comique en 3 actes, poeme de
Scribe et G. Vaez, musique de X. Boisselot. Partition
chant et piano. Paris. Meissonnier. [1851.] M.363.1
Ne touchez pas a la reine. Opera comique en 3 actes, poeme
de Scribe et G. Vaez, musique de X. Boisselot. Partition
piano et chant. Paris. Meissonnier. [1849.] M.362.35
Boissiere, Frederic.
La cloche d'argent. Opera comique en i acte. Paroles de
Paul de Neha. Musique de F. Boissiere. Partition piano
et chant. Paris. Schott & cie. [1889.] No. 2 in M.26S.31
Le cordon bleu. Operette en i acte. Paroles de H. Gabo-
riau. Musique de Frederic Boissiere. [Partition chant et
piano.] Paris. Gerard & cie. [188-?] No. i in M.265.31
Orange et macaroni. Saynete a 2 personnages. Paroles de
Villemer et Delormel. Musique de F. Boissiere. Piano
et chant. Paris. Hielard. [187-?] No. 2 in M.301.2
Le rosier. Operette en i acte. Paroles de Marc Sonal
[pseud.] & Bitoire. Musique de F. Boissiere. [Partition
chant & piano.] Paris. Schott & cie. [1888.]
No. 3 in M.265.14
Boisson, Felix.
Dix annees d'ephemerides musicales. Recueil unique de dix
faits musicaux importants pour chaque jour de I'annee.
Paris. L'auteur. 1896. M.208.4
Leon Gastinel. Paris. Schenck. 1893. [Musiciens con-
temporains.] No. 3 in M.I02.24
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142
Bolero
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bonnamy
Bolero. For orchestra. Alexandra Josifovna, Grand Duchess
of Russia. No. 4 in M.334.4
Bolero. For pianoforte. Louis, N. No. 27 in M.390.26
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Esmeralda (Ermelinda). Dramma lirico, posto in musica
da V. Battista. M.230.8
II folletto de Gresy. Commedia lirica. Posta in musica dal
Mo. Errico Petrella. M.311.35
Marco Visconti. Melodramma tragico. Posto in musica
dal M". E. Petrella. M.369.5
Morosina, o I'ultimo de' Falieri. Melodramma. Posto in
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Messe de requiem a 4 voix, choeurs, et grand orchestre, avec
accomp. de piano a defaut d'orchestre. Ouvrage consacre
a la memoire de CamSes. [Partition.] Paris. Leduc.
[183-?] „ M.250.4
Bon amour qui son repaire. Song. Erars. M.236.10
Bon chevalier, Le. Song. Hortense, Queen of Holland. Ro-
mances. M.221.27
Bon for den Elskede. Song. Kjerulf. Sanger och visor.
M.IS8.47
Bon gargon, Le. Opera. For the Music see Prevost, E. P.
For the Libretto see Anicet Bourgeois.
Bon homme Hiver, Le. Opera. For the Music see Duprato.
For the Libretto see Celieres.
Bon jour, et puis quelle nouvelle. Part-song. Lassus. Sammt-
liche Werke. Band 16. M.8o4oa.67.i6
Bon jour mon coeur. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o40a.67.i2
Bon maitre, Le. Opera. For the Music see Paisiello.
Bon oncle, Un! Opera. For the Music see Hubans. For the
Libretto see Baralle.
Bona, Pietro.
Passa tra i fiore o zeffiro. Romanza [s. ou t. Accomp. de
piano], (/n Fleurs d'ltalie. Pp. 117-119.) No. 2 in M.364.10
Bona nox. Canon. Mozart. Werke. Serie 7, Band 2.
No. 60 in M. 315. 1. 7.2
Bonawitz, Johann Heinrich.
The bride of Messina. (Braut von Messina.) Tragic opera
in three acts. Vocal score. Philadelphia. Lee & Walker.
[1874.] M.395.15
The original drama by Schiller was condensed by Hermann Miiller
and translated by G. W. Tryon and H. M. WetherilL
Irma. Oper in 3 Acten. Gedichtet und componirt von J.
H. Bonawitz. Clavierauszug. Leipzig. Sulzer. [1885?]
The words are in German and English. No. I in M. 265. 33
Ostrolenka. Grand opera in four parts. [Words by Philipp
Haimbach. Translated by H. M. Wetherill and G. W.
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Boston. Ditson & Co. 1876. M.396.15
Requiem. [Accomp. for pianoforte or organ. London.]
Chappell & Co. [1882?] Lithograph script.
No. 2 in M.155.20
Trio en ut mineur, pour piano, violon et violoncelle. CEuvre
37. [Partition.] Leipzig. Schuberth & Co. [1872.]
No. 5 in M. 211. 3.1
Same. [Parties, violon et violoncelle.] 2 v.
No. 5 in M.211.4.1, 2
Bonazzi, Luigi.
Gustavo Modena e I'arte sua. Con prefazione di Luigi Mo-
Bonazzi, Luigi. (Continued.)
randi. 2a edizione. Castello. Lapi. 1884. Portrait.
No. I in M.127.41
Bondelmonte. Opera. For the Music see Pacini, G. For the
Libretto see Cammarano, S.
Bondman, The. Opera. For the Music see Balfe. For the
Libretto see Bunn.
Bondocani, II. Opera. For the Music see Attwood. For the
Libretto see Dibdin, T. J.
Bonduca. Opera. For the Music see Purcell, H.
Bone Pastor. Anthem. Curto. No. 5 in M. 158.32
Labat. 26 grand motets. M.212.23
Neukomm, S. Recueil de 40 motets. No. i in M.1S8.37
Novello, V. No. 8 in 1*1.260.17.2
Bonesi, Benoit.
Traite de la mesure, ou de la division du tems dans la mu-
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Bonewitz, Jean Henri. See Bonawitz, Johann Heinrich.
Bonfiglio, Gioachino.
Matilde Bentivoglio, tragedia lirica, posta in musica dal
maestro Pietro Platania. M.150.1
Bonheur d'amour. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Bonheur d'esperance. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Bonhomme, Le, de neige. Opera. For the Music see Banes.
For the Libretto see Chivot.
Bonhomme Jadis, Le. Opera. For the Music see Jaques-Dal-
croze. For the Libretto see Le Grand.
Boni, Filippo de'.
L'Ebreo. Melodramma tragico, posto in musica da G.
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Ginevra di Monreale, dramma per musica. [Musica del Sig.
Pietro Combi.] Venezia. Molinari. [1840.]
Libretto only, in Italian. No. 16 in M.147.8.3
Same. Musica del M°. Pietro Combi. M.140.4
Boniface, Maurice.
La Fornarina. Scene lyrique. Musique de Noel Desjoyeaux.
No. 2 in M. 194.9
Bonifacius. Oratorio. For the Music see Bach, A. W.; also
Nicolai, W. F. G. For the Libretto see Schneider, L.
Bonifazi, I, ed i Salinguerra. Opera. For the Libretto see
Graffigna.
Bonifazio de' Geremei. Opera. For the Libretto see Ponia-
towski.
Bonis, Mel.
Quatuor en sib pour piano, violon, alto, violoncelle. [Par-
tition et parties separees.] Paris. Demets. 1905. M.410.103
Bonitatem fecisti. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Bonjour, ma nouvelle famille. Song. Rifaut. No. 16 in M.390.37
Bonjour, Suzon. Song. Choudens, A. Ving^ melodies.
No. 2 in M.285.14
Bonn, Franz.
Der arme Heinrich. Komisches Singspiel in Versen fiir
Kinder. Musik von Jos. Rheinberger. No. 3 in M.202.25
Same. Poor Henry. Comic opera for children, by J. Rhein-
berger. No. 2 in M.307.13
Dornroeschen. Dichtung. Componirt . . . von Karl Per-
fall. M.280.34
's Nibelungenringerl. Harmlose Schnadahiipfeln fiir drei
Tage und einen Vorabend. Von v. Miris [Pseud.]. 3.
Auflage. Miinchen. Braun & Schneider. [1878.]
No. 2 in M.377.16
Die 7 Raben. Oper. ISIusik von Jos. Rheinberger. M.264.7
Undine. Componirt . . . von Karl Perfall. M.280.33
Bonn, Germany.
Beethoven, L. van. Sacularfeier des Geburtstages von
Ludwig van Beethoven am 20.-23. August, 1871, in seiner
Vaterstadt Bonn. [Programme u. s. w.] Bonn. [1871.]
M.371.24
Bonnamy, fimile.
Les trois cousines. Opera-comique en un acte. Paroles de
Albert Riondel et Georges Mathieu. Musique de £mile
143
Bonnamy
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Boosey
Bonnamy, fimile. (Continued.)
Bonnamy. [Partition chant et piano.] Pans. Dupont.
[,894] No. I in M.393-6
Bonnassies, Jules.
La musique a la Comedie-franQaise. Paris. Baur. 1874.
No. 5 in M.122.1
Bonne aventure, La. Opera. For the Music see Jonas, £. For
the Libretto see Najac.
Bonne d'enfant, La. Opera. For the Music see Offenbach.
For the Libretto see Bercioux.
Bonne de chez Duval, La. Opera. For the Music see Serpette.
For the Libretto see Raymond, H.
Bonne fortune, Une. Opera. For the Music see Adam, Adolphe
C. For the Libretto see Monnais.
Bonnefont, Gaston.
Monsieur Abelard. Operette. Musique de Jules Brault.
No. 3 in M.SQS.o
Bonnefoy, Auguste.
Un maestro de bourgade. Opera comique en un acte. Pa-
roles de Ch. Bridault, musique de A" Bonnefoy. [Parti-
tion chant et piano.] Lille. Danel. 1864. No. 2 in M.393-6
Bonnemere, Lionel. ,■ c, t ■ 1
Le grand Ferre. Poeme lyrique de Louis Tiercelm & Lionel
Bonnemere. Musique de D. C. Planchet. M.395.46
Le legataire universel. Opera bouffe. Poeme de Jules
Adenis [pseud.] et Lionel Bonnemere. Musique de
Georges Pfeiffer. M.393.49
Monseigneur Scapin. Opera-comique. Paroles de Moreau-
Sainti & Lionel Bonnemere. Musique de J. G. Penavaire.
No. 2 in M.287.6
Les Templiers. Opera. Poeme de Jules Adenis [pseud.],
Armand Silvestre, & Lionel Bonnemere. Musique de
Henry Litolff. M.306.23
Winkelried. Grand opera heroique. Poeme de Moreau-
Sainti & Lionel Bonnemere. Musique de Louis Lacombe.
M.286.42
Bonnes petites amies, Les. For pianoforte. Louis, N.
No. 2 in M.3go.i7
Bonnet, Gabriel.
Le moulin des Lilas. Opera comique. Paroles de Eugene
Leclerc & Gabriel Bonnet. Musique de Jules Benard.
No. 5 in M.2SS.35
Bonnet, Jacques.
Histoire de la musique, et de ses effets. Paris. Cochart.
jyjc M.i2ga.6
Bonnie new moon. Song. Linley, G. [Songs.] Vol. i.
No. 22 in M.235.19.1
Bonnier, Elzear.
Medge. Opera, parole di Pietro Elzear [pseud.], musica di
Spiro Samara. M.399.56
Bonnieres, Guillaume Frangois Robert de Wierre de.
Attendez-moi sous I'orme. Opera comique, par J. Prevel et
R. de Bonnieres. Musique de Vincent d'Indy.
No. I in M.286.18
Bonnin, Theodose, editor.
Puy de musique, erige a fivreux, en I'honneur de Madame
Sainte Cecile, publie d'apres un manuscrit du XVI<= siecle
par Bonnin et Chassant. Evreux. Ancelle. 1837.
No. 2 in M.116.8
Bonno, Giuseppe.
Cum Sancto Spiritu. Coro a 5 voci [s. s. a. t. b. Accomp.
for organ]. (/» Novello. The Fitzwilliam music. Vol. 3,
pp. 54-59) ^°- 1° '" M.233.26.3
Bonny Eloise. Song. Thomas, John R. No. 3 in M.192.14
Bonny Jean. Song. Linley, G. [Songs.] Vol. i.
No. 4 in M.235.ig.i
Bonny laddie, highland laddie. Song. Beethoven. Werke.
Seric 24. M.413.1.24
Bonny May. Part-song. Glover, J. H. L. No. 10 in M. 121. 3
Bononcini, Giovanni Battista.
Chi mai d'iniqua Stella. Round [for 3 voices], (/n Musical
library. Vol. 4, p. 103.) No. 34 in M.235.18.4
Also to be found in Wcbbe, Jr.'s Convito armonico.
Eterna fac cum Sanctis. Trio [s. s. b.]. (In Novello. The
Fitzwilliam music. Vol. i, pp. 53-55) No. 11 in M.233.36.1
Bononcini, Giovanni Battista. (Continued.)
In Te, Domine, speravi. [Chorus for 4 voices with accomp.
for organ, horns, oboes, violins, violas and basses.] (In
Novello. The Fitzwilliam music. Vol. I, pp. 22-29.)
No. 4 in M.233.26.1
Sweet is the breath of morning. Round for 3 voices. (In
Turle and Taylor. The People's music book. Vol. 3,
p. 97.) No. 39in M.iii.4.3
• Te ergo quassumus. Quintetto [s. s. a. t. b. Accomp. for
organ, violins, viola, and bass]. (In Novello. The Fitz-
william music. Vol. 3, pp. 33-41.) No. 6 in M.233.26.3
Bonsoir. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
Bonsoir Mignone. Song. Choudens, A. Vingt melodies.
No. 2 in M.28S.14
Bonsoir, Mr. Pantalon! Opera. For the Music see Grisar.
For the Libretto see Simon, J. P.
Bonsoir, voisin. Opera. For the Music see Poise. For the
Libretto see Lherie.
Bonum est. Anthem. Benedict. No. 13 in M.156.50
Marston. No. 13, 14 in M.15S.18
MosENTHAL. In D. No. 15 in M.igo.6
— In Eb. No. 12 in M.190.6
Tebbs. No. 17 in M.203.2g
Bonum est confiteri Domino. Offertory. Palestrina. Werke.
Band 9. M.8o4oa.66.9
Bonvin, Ludwig.
Christnachtstraum (Christmas night's dream) fiir Streich-
orchester. Op. 10. Partitur [and] Stimmen. Leipzig.
Fritzsch. 1892. 7 parts in i v. No. 5 in M.358.20
Drei Tonbilder, fiir grosses Orchester. Op. 12. Partitur.
Leipzig. Breitkopf & Hiirtel. 1893. No. 3 in M.203.6
Contents. — I. In gehobener Stimmung. 2. Verlangen. 3. Verhaltene
Wehmuth bei frohlichem Feste.
Festzug (Cortege de fete), fiir grosses Orchester. Op. 27.
Partitur. Leipzig. Breitkopf & Hartel. 1896.
No. 4 in M.403.6
Morgen an nordischer Kiiste. Morn on the northern coast.
Gedicht von Paul Mathies. Fiir gemischten Chor, Bari-
ton-SoIo und Orchester. Op. 50. [Chor mit Klavierbe-
gleitung.] Leipzig. Breitkopf & Hartel. [1900.]
No. I in M.38a4
Symphonic in G moll. Op. 67. Partitur. Leipzig. Breit-
kopf & Hartel. [1902.] M.410.12
Zwei symphonische Siitze fiir Orchester. Op. 71. Partitur.
Leipzig. Breitkopf & Hartel. [1905] M.4io.go
Bony, Louis.
Une excursion dans I'orgue. Paris. Fischbacher. 1892.
No. 3 in M.116.8
Boodle and Co. Opera. For the Music see Densmore. For
the Libretto see Otis.
Boosey & Co.
National edition of standard English glees . . . With piano-
forte accomp. Vol. I. London. [186-?] M.157.7
Contents. — Attwood: Hark! hark! the curfew's solemn sound. — Cooke:
Hark! the lark at heaven's gate sings. — Callcott: The red cross
knight. — Webbe : Come live with me. — Callcott: The May fly. —
Stevenson : See our oars with feathered spray. — Callcott : The eri king.
Horsley: By Celia's arbour. — Spof forth : Hail! smiling morn. —
Stevens: Blow, blow, thou winter wind. — Callcott; Feace to the souls
of the heroes. — Storace: Five times by the taper's light. — Callcott:
In the lonely vale of streams. — Stevens: Ye spotted snakes. — Stevens:
From Oberon, in fairy land. — [Callcott] : Are the white hours. —
Webbe: Thy voice, O harmony. — Spofforth: My dear mistress had a
heart. — Callcott: You gentlemen of England. — Kny vett : The bells
of St. Michael's tower. — Callcott: With sighs, sweet rose. — Callcott:
Forgive, blest shade. — Callcott : Who comes so dark. — Danby : Fair
Flora decks. — Callcott: Go idle boy. — Mazzinghi : Ye shepherds,
tell me. — Esle: IIow merrily we live. — Stevens: The cloud-capt
towers. — Callcott: To all you ladies now on land. — [Savile] : Here's
a health to all good lasses. — Paxton : How sweet! how fresh! — Morn-
ington: As it fell upon a day. — Spofforth: Come bounteous May. —
Kindle: Queen of the silver bow. — Callcott: Lordly gallants. —
Cooke: As now the shades. — Stevens: Sigh no more. — Cooke: How
sleep the brave. — Webbe: When winds breathe soft. — Webbe:
Swiftly from the mountain's brow. — Spofforth : Marked you her eye.
— Callcott: Queen of the valley. — Stevens: Crabbed age and youth.
— Momington: O bird of eve! — Callcott: When time was entwining.
— Stevens: When the toil of day is o'er. — Danby: When Sappho
tuned. — [Webbe]: Discord, dire sister. — Callcott: Desolate is the
dwelling of Morna. — Callcott: The fairies. — Webbe: Glorious
Apollo. — Danby: Awake, Aeolian lyre. — Ford: Since first I saw
144
Boosey
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bordese
Boosey & Co. (Continued.)
your face. — Paxton : Breathe soft ye winds. — Shield : O happy fair.
— Callcott: It was a friar. — Mornington: Here in cool grot. — King:
When shall we three. — Scotland: Lightly tread. — Wainwright :
Life's a bumper.
Boosey's Part-song miscellany. No. 1-16. [London. 186-?]
16 nos. in I v. No. 6-21 in M.IS7.1 ; No. 61-96 in M.157.5.2
Each part is separately catalogued.
Contents. — Mori : Welcome heavenly peace. — Mori : The bud is on
the bough. — Mori : And were they not happy days. — Mori : Beauty
is dead! — Mori: Who shall be fairest? — Mori: O spare my tender
flowers! — Hatton : Ripe strawberries. — Balfe: Smile O heaven upon
the day! — Meyerbeer: Sancta Maria. — Smart: A legend of the Rhine.
— Smart : The hostess's daughter. — Smart : The rover. — Pech : The
three wishes. — [Verdi] : O'er the calm and sparkling waters. —
Meyerbeer : Lowly we bend before Thee. — Smart : A capstan chorus.
— Meyerbeer : The return from the tavern. — Flotow : Good night. —
Linley : Comrades in arms! — Glover: We have wandered. — Hatton:
The sailor's serenade. — Hatton : Fairy whispers. — Hatton : Of a'
the airts. — Hatton : In summer time. — Barnby : The silver stream-
let. — Barnby: To blossoms. — Barnby: When twilight dews. —
Barnby : The snow-drop. — Barnby : Tell me roses. — Barnby : The
summer days. — Gounod : The dance invites us. — Smart : Pale autumn
flowers. — Smart : The star that shines so fair. — Hatton : Dear
Georgette, we come to you. — Florimo : When the vesper bell. — Ros-
sini : Laughing and singing.
Boosey's Standard operas. Series.
AuBER. Les diamants de la couronne. M.255.9
Meyerbeer. Roberto il Diavolo. M.397.45
Bootgesang. Part-song. Schubert, F. P. Werke. Serie 16.
M.317.1.16; etc.
Booth, Eliza M. J.
Daphne. A [musical] novel. By "Rita" [pseud.]. Phila-
delphia. Lippincott & Co. 1880. M.109.20
Booth, Eliza M. J., translator.
HoFMANN, H. C. J. Aschenbrodel. No. i in M.15S.24
Booth, Josiah.
Hymn to the moon. Part-song. (In Novello's Part-song-
book. 2d series. Vol. 16, pp. 29-38.) No. 5 in M.195.1.16
It was a lover and his lass. (In Novello's Part-song book.
2d series. Vol. 15, pp. 29-36.) No. 7 in M.195.1.15
Booth, Otto.
Prizes and blanks. An operette in one act. (.A.dapted from
the farce of "The lottery ticket") by Coombes Davies.
The music by Otto Booth. [Accomp. for pianoforte.]
London. Jefferys. [1888?] No. i in M.402.65
Boott, Francis.
O Domine Deus. (O Lord my God.) Prayer of Mary,
Queen of Scots. [For s. or t. Accomp. for piano.] Bos-
ton. Priifer. 1874. No. 9 in M.201.33
With Latin and English words.
Boott, William.
A fagot from the Coliseum. By a Bostonian. Boston.
Little, Brown & Co. 1869. No. 6 in M.137.13
On music in America.
Bopp, Fr.
Hymne an den Gesang. Componirt von Hermann Franke.
No. 4 in M.212.5
Borch, Marie von, translator.
Enna, a. Die Hexe. M.30S.38
Griebel, T. „Sch6n Karin." No. 2 in M.399.22
Bordelaises, Les. Quadrilles. Louis, N. No. 21, 22 in M.3go.i7
Bordenave, Jean de.
La musique, poeme en quatre chants. [Anon.] Paris. Le
Normant. 1811. No. S in M.116.14
Border feuds. Opera. For the Music see Stevenson.
Bordese, Luigi.
Assaut de soubrettes. Opera comique en i acte a 2 person-
nages. Paroles de Alex. Flan. Musique de Luigi Bor-
dese. Partition chant et piano. Paris. Schonenberger.
[184-?] No. I in M.265.38
Chien et chat. Duo comique. Paroles de Leon Charly
[pseud.]. Musique de Luigi Bordese. [Partition chant et
piano.] Paris. Katto. [186-?] No. 3 in M.301.2
Un concert chez les demoiselles de Saint-Cyr. Operette en
I acte. Paroles de A. de Lauzieres de Themines. [Parti-
tion chant et piano.] Paris. 1877. [Journal des demoi-
selles.] No. 2 in M.265.38
Les deux comtesses. Opera-comique en i acte. Paroles de
M. Alexandre Flan. Musique de Luigi Bordese. [Parti-
Bordese, Luigi. (Continued.)
tion chant et piano.] Paris, i860. [Magasin des demoi-
selles.] No. 4 in M.301.2
L'esprit et le cceur. Operette en i acte, pour les pension-
nats. Paroles d"Alexandre Flan. Musique de Luigi Bor-
dese. [Partition chant et piano.] Bruxelles. Schott.
[187-?] No. 5 in M.301.2
La fete des fleurs. Scene operette. Paroles d'Adolphe Joly,
musique arrangee par Luigi Bordese. [Partition chant
et piano.] Paris. Schonenberger. [185-?]
No. I in M.265.34
Fleurs des champs. Operette en i acte. Paroles de Nac.
Musique de Luigi Bordese. [Partition chant et piano.]
Paris. [1868.] Plate. [Magasin des demoiselles.]
Pages 17-36 are missing. No. 6 in M.301.2
Fort comme un Turc. Proverbe operette en i acte pour
pensionnats de gargons. Paroles de Alex. Flan. Musique
de Luigi Bordese. Partition piano et chant. Paris.
Schonenberger. [185-?] No. 2 in M.26S.3S
Frere et soeur, petit opera comique en i acte . . . Paroles
de lid. Plouvier. Musique de Luigi Bordese. [Partition
chant et piano.] Paris. Schonenberger. [185-?]
No. 3 in M.265.34
Judith et Suzon. Operette en I acte. Paroles de Francis
Tourte. Musique de Luigi Bordese. [Partition piano et
chant.] Paris. 1870. [Magasin des demoiselles.]
No. 3 in M.265.38
La mantille. [Opera comique en i acte. Paroles de Planard
et Goubaux.] Musique de Luigi Bordese, arrangee pour
le piano, avec acct. de violon ad lib. Paris. Richault.
[1839?] 8 parts in i v. M.281.5
Le marche aux domestiques, paysannerie. Operette en i
acte pour gar<;ons. Paroles de Francis Tourte. Musique
de Luigi Bordese. [Partition chant et piano.] Paris.
Schonenberger. [185-?] No. 2 in M.265.34
Le marche aux servantes. Operette en i acte. Paroles de
M. E. Trefeu. Musique de L. Bordese. [Partition chant
et piano.] Paris. 1867. [Magasin des demoiselles.]
No. 4 in M.265.38
Les mensonges de la marquise. Operette en i acte pour
institutions de jeunes filles. Paroles de Francis Tourte.
Musique de Luigi Bordese. Partition piano et chant.
Paris. Lemoine. [185-?] M.265.36
Messe a 4 voix, 2 sopranos, tenor et basse. [Accom'.
d'orgue.] Paris. Richault. [183-?] No. 2 in M. 156.23
The miracle of the roses. An operetta for the parlor, by
Luigi Bordese. [Accomp. for piano.] New York. Beer
& Schirmer. 1864. No. 2 in M.368.32
Le moulin des oiseaux. Opera comique en i acte. Paroles
de fidouard Plouvier. Musique de Luigi Bordese. [Par-
tition chant et piano. Paris.] 1858. [Magasin des demo-
selles.] No. 5 in M.265.38
Petite messe solennelle a 2 voix ou choeur a 2 parties et
solo, avec accomp'. d'orgue ou piano. Paris. Richault.
[183-?] No. I in M.156.23
Petite messe solennelle a I'usage des pensions. [Accomp.
de piano ou orgue.] Paris. Mathieu. [186-?]
No. 2 in M.201.3
La poule noire, paysannerie, Operette en i acte pour jeunes
filles. Paroles de Francis Tourte. Musique de Luigi
Bordese. [Partition chant et piano.] Paris. Schonen-
berger. [i8s-?] No. I in M.265.35
La reine Jeanne. Opera comique en 3 actes. Paroles de
Brunswick [pseud.] et de Leuven [pseud.]. Musique de
Luigi Bordese et Hip. Monpou. Avec accomp. de piano.
Paris. Richault. [1840.] M.265.37
The rose of Savoy, drawing room operetta for ladies, writ-
ten by Henry B. Farnie, composed by Luigi Bordese.
[Vocal score.] London. Cramer & Co. [186-?] M.363.2
Royal Dindon, petit opera comique historique en i acte pour
pensionnats de gargons. Paroles de Alex. Flan. Musique
de Luigi Bordese. Partition chant et piano. Paris.
Schonenberger. [185-?] No. 3 in M.26S.3S
I 19
145
Bordese
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bosanquet
Bordese, Luigi. (Continued.)
Le Sultan Aboul-Azor. Operette-bouffe en i acta. Paroles
de Francis Tourte. Musique de Luigi Bordese. [Parti-
tion chant et piano.] Paris. Lemoine. [189-?]
No. 6 in 11.265.38
Les trophees de I'enfance. Choeurs, pour la distribution des
prix dans les pensionnats. Paroles de A. Flan. Musique
^ '" I. Accomp de piano.]
Paris.
No. 6 in M.265.38
No. 3 in M.362.19
de Luigi Bordese. [No.
Gerard & cie. [186-?]
Bordese, Luigi, editor.
Rossini. Messe a 4 voix.
Bordese, Stephan.
Les esprits du Nil. Legende. Musique de Jacques Durand.
No 4 in M.213.5
Lola Scene dramatique. Musique de C. Saint-Saens.
No. I in M.383.35
Ruse d'amour. Saynete. Musique de Charles Lecocq.
No. 3 in M.393.35
Bordier, Frederic.
Une grave affaire. Operette. Paroles de Lucien Gothi et
F. Bordier. Musique de Victor Robillard. No. 3 in M.307.24
Bordier, Jules.
Adieu supreme! [Poeme symphonique.] Partition. Pans.
Bruneau. [1890.] No. 2 in M.334.1
Canzonetta pour violon avec ace', d'orchestre. Partition.
Paris. Richault & cie. [1882.]
No. 3 in M.336.1; No. 3 in M.338.11
The copy on shelf-number No. 3 in M.336.1 lacks the title-page.
David. Scene biblique. [Paroles de] Paul Milliet. Musique
de J. Bordier. [Accomp. de piano.] Paris. Hartmann.
[1882.] No. 4 in M.265.31
Le fiance de la mer. Petit drame lyrique en un acte.
Poeme de E. Le Mouel. Musique de J. Bordier d' Angers.
Partition chant et piano. [Op. Si-] Leipzig. Belaieff.
[189s?] NolinM.39S.7
Nadia. Opera en i acte. Paroles de Paul Milliet. Musique
de Jules Bordier. Partition chant et piano. Paris. Dur-
dilly & cie. [1887.] No. 5 in M.26S.31
Un reve d'Ossian. Scene lyrique pour soli [b.], chosur et
orchestre, imitee des poemes gaeliques. Paroles de Henry
Moreau. Musique de Jules Bordier. Partition, chant et
piano. Paris. Durand, Schoenewerk & cie. 1885.
No. I in M.384.17
Souvenir de Budapesth. Danses hongroises orchestrees.
Partition. Paris. Richault & cie. [1881?] No. 2 in M.336.1
Suite fantaisiste pour violon et orchestre. Op. 40. Parti-
tion. Paris. Richault & c'^. 1892.
Bordier, Jules, editor.
Schubert, F. P. Marche a la hongroise.
Bordier, Paul.
La fiancee d'Abydos. Drame lyrique en 2 actes. Poeme de
F. Dartol. Musique de Paul Bordier. Partition piano et
chant. Paris. Rette & cie. [1850?] M.265.39
Bordogni, E. W. See Willent-Bordogni, E.
Bordonel, T. J.
Mass of St. Agnes. Deuxieme messe solennelle. [Accomp.
for organ.] London. London Music Publishing Co.
[189-?] No. 2 in M. 156.21
Boreades, Les. Opera. For the Music see Rameau.
Borghese, Antonio D. R.
L'art musical ramene a ses vrais principes; ou lettres d'A.
D. R. Borghese, a Julie, traduites de I'italien. Paris.
Hardouin & Gattey. 1786. M.103.33
Borgomastro, II, di Saardam. Opera. For the Music see
Donizetti. For the Libretto see Gilardoni.
Boris Godunow. Overture. Arnold, Y. F. No
Boris Lensky. Novel. Kirschner.
Bormann, Edwin.
Der Gouverneur von Tours. Komische Oper.
Carl Reinccke.
Born, Stephan.
Kudrun. Oper. Musik von Hans Huber.
Borne on the night breeze. Part-song. Cherubini.
No. 29 in M.157.2
No. 4 in M.405.3
No. 2 in M.338.11
2 in M. 332.2
M.370.39
Musik von
M.307.5
M.394-37
Bornier, fitienne Charles Henri, Vicomte de.
Dimitri. Opera de H. de Bornier & A. Silvestre. Musique
de Victorin Joncieres. M.366.17
Borodin, Aleksandr Porfir'evitch.
Le prince Igor. Opera en quatre actes avec prologue. Pa-
roles et musique de A. Borodine. Reduction pour chant
et piano. Texte; russe, frangais et allemand. Traduction
frangaise de Jules Ruelle, allemande de Mme. Alexandroff.
Leipzig. Belaieff. [1897.] M.383.5
Quartett [A dur] fiir zwei Violinen, Bratsche und Cello
(angeregt durch ein Thema von Beethoven). Partitur.
Hamburg. Rahter. [189-?] No. 3 in M.335.3
Quartett, No. 2, D-dur, fiir 2 Violinen, Viola und Violoncell.
[Partitur.] Leipzig. Eulenburg. [1891. Payne's Kleine
Partitur-Ausgaben.] No. 3 in M.3S5.3
Same. Quatuor, 2™«, pour deux violons, alto et violoncelle.
Partition. Leipzig. Belaieff. [189-?] No. 9 in M.211.1
Eine Steppenskizze aus Mittel-Asien fiir Orchester. Parti-
tur. Leipzig. Belaieff. [188-?] No. 4 in M.332.4
[Symphonic, Premiere,] en mib majeur. Partition d'or-
chestre. St. Petersburg. Bessel & c'^. [1880.] M.3S8.3
Symphonic, Deuxieme (si mineur), pour orchestre. Parti-
tion d'orchestre. fidition redigee par N. Rimsky-Korsa-
koff et A. Glazounoff. St. Petersbourg. Bessel & c'e.
[1880.] M.358.4
Borodin, Aleksandr Porfir'evitch. Works about.
Teibler, H. Alexander Borodin. Erste Symphonic (Es
dur). Erlautert. Leipzig. [1903?] No. 10 in M.217.12.8
Stasof, V. V. Alexandrine Borodine, d'apres la biographie
et la correspondance publiees par Wladimir Stassoff [par]
Alfred Habets. Paris. 1893. Portraits, Facsimiles.
No. I in M.132.2
Contents. — Borodine, sa vie & ses ceuvres. — Franz Liszt d'apres la
correspondance de Borodine.
Borri, Battista.
Christe eleison. [Chorus. Accomp. for piano.] (In Latrobe.
Selection of sacred music. Vol. 6, pp. 77-80.)
No. 13 in M.290.2g.6
Domine Deus, Rex coelestis. Terzetto [s. s. a. Accomp.
for piano]. (In Latrobe. Selection of sacred music.
Vol. 2, pp. 78, 79.) No. 18 in M.290.29.2
Laudamus Te. [Solo, s. or x. Accomp. for piano.] (In
Latrobe. Selection of sacred music. Vol. 2, p. 32.)
No. 6 in M.290.29.2
Quoniam Tu solus. Terzetto, s. a. b. [Accomp. for piano.]
(In Latrobe. Selection of sacred music. Vol. 6, pp. 29-
32.) No. 5 in M.29o.2g.6
Borthwick, Robert Brown, translator.
Barbedette. Stephen Heller; his life and works.
No. 3 in M. 128.32
Bortnyanski, Dmitri Stepanovitch.
Hear, O Thou shepherd of Israel
(In Hullah. The Singer's library.
Motet. For s. a. t. b.
Sacred. Pp. 69-72.)
No. 39 in M.157.3
Russian hymn for 2 trebles,
for pianoforte.] London.
[ 1850?] No. 37 in M.190.1
Holy Father, we adore Thee,
tenor & bass. [Accomp.
Cramer, Beale & Chappell.
Bortolini, G.
Amori veneziani. Canzonette popolari in dialetto. Parole
di F. M. Piave. Note di G. Bortolini. [Accomp. di piano.]
Milano. Ricordi. [187-?] No. i in M.390.44
Contents. — Andemo in gondola, barcarola. — La serenata [duetto,
s. s. o. T. T.]. — La spiegazion [duetto, s. T.]. — La pase, arietta. —
El gondolier, aria [bar.] con coro. — La lontananza, arietta [t.]. —
— La Canaregiota [arietta, t.]. — ■ La Castelana, arietta [t.].
Borussia. March. Spontini. No. 6 in M.342.38
Bos, Pierre.
Cours de musique theorique et pratique. Principes elemen-
taires. Paris. [1870. Bibliotheque de I'ficho de la Sor-
bonne.] M.208.S
Devoted principally to the Cheve method.
Bosanquet, Robert Halford Macdowall.
An elementary treatise on musical intervals and tempera-
ment. London. Macmillan & Co. 1876. lUus. M.148.8
146
Boscabello
THE ALLEN A. BROWN COLLECTION OF MUSIC
Botstiber
Boscabello. Opera. For the Music see Rand. For the Li-
bretto see Woodruff.
Boscoop, Cornells.
SO psalmen Davids miet vier partijen. Naar de uitgave van
1568 in partitur gebracht en op nieuw uitgegeven door
Max Seiffert. Amsterdam. Algemeene musiekhandel.
1899. Facsimile. [Maatschappij tot bevordering der
toonkunst. 22.] M.415.1
Boselli, Edme Jules Benedetto, Comte.
La mort d'Armide. Drame lyrique en trois actes. Paroles
et musique du Cte. Jules Boselli. Partition chant et piano.
Paris. Quinzard. [187-?] M.383.6
Bossaerts, L.
[Tantum ergo.] Benedictio. [Motet, s. x. b. Accomp.
d'orgue.] Bruxelles. Schott. [185-?] No. 6 in M.260.19
Bosse, M.
Ich lausche still! Solo-Quartett fiir Mannerstimmen. Coin.
Schloss. [1868?] No. 7 in M.392.33
Bossi, Enrico Marco.
Trio sinfonico in re maggiore per pianoforte, violino e vio-
loncello. Op. 123. [Partitura e parti.] Leipzig. Rieter-
Biedermann. igoi. M.410.104
Trio (en re mineur) pour piano, violon et violoncelle. Op.
107. [Partition et parties.] Leipzig. Rieter-Biedermann.
1896. M.411.1
II viandante. (Der Prophet.) Lyrisches Drama in einem
Aufzuge von Gustavo Macchi (Deutsch von Wilhelm
Weber). Musik von M. Enrico Bossi. Klavierauszug mit
Text. Leipzig. Rieter-Biedermann. igo6. M. 378.14
Bossi, Enrico Marco. Works about.
VoLBACH, F. Enrico Bossi. Das Hohe Lied. Erlautert.
Leipzig. [1900?] No. 18 in M.217.12.8
Bossi, TommawD.
Richelieu. Grand opera. Musique par Antonio L. Mora.
M.382.57
Bossu, Le. Opera. For the Music see Grisart. For the Li-
bretto see Bocage.
Boston, Mass. Churches.
Central Congregational Church. Sabbath services. May,
i8g8-June 1902. [Programmes. Boston. 1898-1902.] 2 v.
M.37S-I3
King's Chapel. Music of King's Chapel. Edited by T.
Comer. Boston. 1835. M.236.ii;etc.
Most of the music is of Comer's composition.
Old South Church. [Programmes of Sunday services from
February, 1899 to June, 1902. Boston. 1899-1902.] M.375.12
Trinity Church. Order of music, October, iSgs-June, 1898.
[Boston. Spooner Press. 1895-98.] M.373.34
Boston, Mass. Music.
See also Apollo Club; Boston Academy of Music; Boston
Conservatory of Music; Boston Music School; Boston
Musical Fund Society; Boston Philharmonic Society;
Boston Singers' Society; Boston Symphony Orchestra;
Boston Training School of Music; Boylston Club; Ce-
cilia, The; Chickering Club; Choral Art Society; Euterpe;
Foster Club; Handel and Haydn Society; Harmonick
Club; Harvard Musical Association; Kneisel Quartet;
Musical festivals; National Peace Jubilee, 1869; New Eng-
land Conservatory of Music; Orchestral Union; Orpheus
Musical Society; Parker Club; Philharmonic Society;
Tremont School of Music; Universal Singing Choir;
World's Peace Jubilee, 1872.
[Drama, fine arts and music in Boston. Cuttings from the
Memorial history of Boston and various newspapers.]
M.122.5
Boston Academy of Music.
The Boston Academy's Collection of church music. 8th
edition. Boston. Wilkins & Carter. 1849. M.iogb.s
Manual of the Boston Academy of Music, for instruction in
the elements of vocal music. By Lowell Mason. 7th edi-
tion. Boston. 1853. M.io9b.27
[Programmes of concerts. May 15, 1833-Feb. 27, 1847.
Boston. 1833-1847.] M.184.9
Boston Conservatory of Music.
[Circular.] 1870-71. Boston. Button. 1871-72.
No. 18 in M. 147.3.2
Boston Music Hall.
The great organ in Boston Music Hall. A brief history of
the enterprise from its commencement . . . Boston. 1866.
No. 5 in M.128.33
Boston Music Hall Bulletin.
Promenade concerts. [Programmes.] Summer seasons,
1887, 88. Vol. 2, 3. Boston. Ellis. 1887-88. M.165.3
Boston Music School.
[Circular.] Boston. Schofield. 1871. No. i6in M.147.3.2
Boston Musical Fund Society.
[Programmes of concerts. Series 1-7. Nov. 27, i847-.\pril
21,1855. Boston. 1847-1855.] No. I in M. 184. 10
Boston Musical Times. A review of music, art and literature.
Vol. i; 2, no. 1-15, 17; 3, no. i, 2, 4-12; 4, no. 1-4, 6; 5, no.
2-12; 6, no. 2-9, II, 12; 7; 8; 9, no. 1-8; 10, no. 2-8, 10-12;
II, no. 3; 12, no. 4-6. Boston. Russell & Tolman [etc.].
1860-70. 12 v. in 3. M. 177.2
The first and second volumes were published fortnightly, the rest
monthly. There were only seventeen numbers in volume 2.
Boston Musical Year-book. See Musical Year-book of the
United States.
Boston Musical Miscellany: a selection of songs. Vol. 2.
Boston. Buckingham. 1815. M.370.2
The music consists of the air only.
Boston Philharmonic Society.
[Programmes of concerts. Dec. 21, 1844-April 11, 1863.
Boston. 1844-1863.] M.184.11
On many of the programmes the name is printed Phil-Harmonic.
There seems to have been no connection between this society and that
organized in 1879 under the name Philharmonic Society.
Boston Singers' Society.
[Programmes. December 27, 1889 to May 9, 1891. Boston.
1889-91.] M.304.2
This volume is indexed and enriched by many critical newspaper cut-
tings. Compiled by .\llen A. Brown.
Boston Symphony Orchestra.
Programmes and comments, season 1881/82-1905/06. Com-
piled [with indexes] by .Mien A. Brown. [Boston. 1882-
1906.] 26 V. Portraits. M.125.5
Boston Training School of Music.
Calendar and announcements. 1892/93, 93/94. Boston.
Rockwell & Churchill. 1892, 93. 2 v. in I.
No. I, 2 in M.217.3
Bostonian, A, pseud. See Boott, William.
Bote, Der. Song.
Chopin. 17 polnische Lieder. No. 2 in M. 157.37; etc.
Franz, R, Sechs Gesange. Op. 8. No. 56 in M.244.S.1
Boten sendet uns der Mai. Part-song. Weinzerl.
No. 8 in M.392.27
Botenlaeufer, Der, von Pirn. Opera. For the Music see Dorn,
H. L. E. For the Libretto see Duveyrier, A. H. J.
Bothe, Der, der Geliebten. Duet. Donizetti. Nuits d'ete a
Pansilippe. No. 15 in M.244.4
Botschaft. Duet. Schumann, R. A. Spanisches Liederspiel.
No. 18 in M.244.15.2; etc.
Botschaft. Song.
Brahms. Fiinf Lieder. Op. 47. No. 10 in M. 380.40.1
CoRNBLius. Werke. Band i. M.414.20.1
KuECKEN. No. 8 in M.244.6.2
Taubert, C. G. W. Sieben Lieder. Op. I74- No. 26 in M.192.8
— Vier Lieder. Op. 129. No. 15 in M.192.7
— Vier Lieder fiir Sopran. Op. 48. No. 10 in M.221.26
Botstiber, Hugo.
Anton Dvorak. Zweite Symphonic (D moll). Op. 70. Er-
lautert von Hugo Botstiber. Leipzig. Seemann. [1903.
Der Musikfiihrer.] No. 20 in M.217. 12.17
Ludwig van Beethoven. Christus am Oelberge, Oratorium.
Erlautert. Leipzig. Seemann. [1903. Der Musikfiihrer.]
No. 2 in M.2I7.I2.I2
Robert Schumann. Musik zu Byrons Manfred. (Op. 115.)
Erlautert. Leipzig. Seemann. [1900? Der Musikfiihrer.]
No. i4inH.2i7.i2.9
147
Botstiber
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Boulanger
Botstiber, Hugo. (Continued.)
Robert Volkmann. Violoncell-Konzert A moll. Up. 33-
Eriautert, Leipzig. Seemann. [1901? Der Musikfuhrer.]
No. 24 in M.217. 12.10
Bottagisio, Angelo. . ^ , , , , -c-
Macalda. Melodramma in 5 atti. Parole del conte Fran-
cesco Bagatta. Musica di Angelo Bottagisio. Riduzione
per canto in chiave di sol con accompto. di pianoforte.
Milano. Lucca. [1889?] M.399-5
Botte secrete. La. Opera. For the Music see Terrasse. For
the Libretto see Le Grand, M.
Bottee de Toulmon, Auguste, editor.
Cherubini. Notice des manuscrits autographes de la mu-
sique composee par feu M. L. C. Z. S. Cherubini.
No. 2 in M.372.19
Bottesini, Giovanni. .
All Baba. Opera comica in 4 atti. Parole di Emilio Taddei.
Musica di Giovanni Bottesini. Riduzione per canto e
pianoforte. Milano. Ricordi. [1871.] M.281.6
Same. Cantata, for treble voices. Arranged from the opera
composed by G. Bottesini. [Accomp. for pianoforte.]
London. Hutchings & Co. [188-?] No. i in M.193.4
II diavolo della notte. Melodramma semiserio in 4 atti di L.
Scalchi, posto in musica ... da Giovanni Bottesini . . .
Accomp. di pianoforte. Milano. Ricordi. [1859.] M.230.30
Ero e Leandro. Tragedia di Tobia Gorrio [pseud.]. Musica
di G. Bottesini. Per canto e pianoforte. Milano. Ricordi.
[1879.] M.26S.40
The garden of Olivet, a devotional oratorio. Written and
arranged by Joseph Bennett, the music by G. Bottesini.
[Pianoforte accomp.] London. Hutchings & Co. [1887.]
No. I in M.153.5
Quartetto in re. [2 violini, viola e violoncello. Partitura.
Firenze. Guidi. 1862.] No. 2 in M.4i2a.2
Vinciguerra. Opera-bouffe en i acte. Paroles de MM.
Eugene Hugot et Paul Renard. Musique de Bottesini.
Partition piano et chant. Paris. Heu. [1870.]
No. I in M.302.1S
Bouche de corail precieux. Part-song. Sweelinck. Werken.
Deel 7. M.413-2.7
Bouche de coral. Duet. Sweelinck. Chanson. No. 3 in M.41S.2
Boucher, Alexandre.
Vallat, G. fitudes d'histoire, de mojurs et d'art musical.
Paris. 1890. M.137.4
The running title is Alexandre Boucher et son temps.
Boucher, Maurice.
Noel, ou le mystere de la Nativite. Musique de Paul Vidal.
No. 2 in M.325.36
Boucheron, Maxime.
Article de Paris. Operette. Musique de E. Audran.
No. I in M.255.28
Le billet de logement. Opera comique de P. Burani [pseud.]
et M. Boucheron. Musique de Leon Vasseur]. M.325.16
Le bouquet de violettes. Opera comique de Maxime Bou-
cheron & Georges Grisier. Musique de Andre Martinet.
No. 2 in M.247.19
Le droit du seigneur. Opera comique de P. Burani [pseud.]
et M. Boucheron. Musique de Leon Vasseur. M.325.23
La duchesse de Ferrare. Operette. Musique de Edmond
Audran. No. i in M.303.17
L'entr' acte. Operette. Musique de Andre Martinet.
No. I in M.247.19
Les forains. Operette de Maxime Boucheron & Antony
Mars. Musique de Louis Varney. No. 2 in M.325.9
La legende du Magyar. Opera comique. Musique de Ame-
dee Godard. M.303.3
Miss Helyett. Operette. Musique de E. Audran. M.255.25
Le petit Parisien. Opera-coraique de Paul Burani [pseud.]
et Maxime Boucheron. Musique de Leon Vasseur.
M.325.20
Sainte Freya. Opera-comique. Musique de E. Audran.
No. 2 in M.255.2g
Tante Agnes. Operette bouffe. Musique de Frederic Toul-
mouche. M.393.69
Boucheron, Maxime. (Continued.)
Le voyage en Amerique. Fantaisie-operette de Boucheron
et Hippolyte Raymond. Musique de Herve [pseud.].
No. I in M.276.33
Le roi de Paris. Opera. Musique de Georges Hiie. M.382.34
Boucicault, Dion.
The lily of Killarney. Romantic opera. Written by Dion
Boucicault & J. Oxenford, composed by J. Benedict.
M.261.24
Boucle, La, de cheveux. For the Music see Dalayrac. For
the Libretto see Hoilman.
Boudoin, F. Steno.
M^lie tie La Valliere. Scene lyrico-dramatique. Poesie de
O'Tanael [pseud.]. Musique de Steno Boudoin. [Parti-
tion chant et piano.] Paris. Mathieu. [189-?]
No. I in M.275.1
Bouff6, Marie.
Jacquet, C. J. B. Bouffe. Par Eugene de Mirecourt
[pseud.]. Paris. 1867. Portrait. No. 6 in 11.1293.36
Bouffe, Le, et le tailleur. Opera. For the Music see Gaveaux.
For the Libretto see Gouffe.
Bouffet, Jean Baptiste.
Lardin, J. Notice sur J. B. Bouffet. [Paris. 1835.]
No. I in M.207.9
Bouichere, fimile.
Maestro Griselli. Opera-comique en un acte. Paroles de
Armand Lafrique. Musique de fimile Bouichere. [Parti-
tion piano et chant. Paris.] Poulalion. [1895.]
No. 2 in M.399.70
Bouilly, Jean Nicolas.
Cimarosa. Opera comique. Musique de Nicolo de Malte
[pseud.]. M.283.33
Les deu.x journees. Opera comique, musique de Cherubini.
M.363.8
Same. Der Wassertrager. Oper von L. Cherubini. M.224.10
The words are in both French and German.
Les deux nuits. Opera. [Paroles de Scribe et Bouilly.]
Musique de A. Boieldieu. M.281.3
The words are in French and German.
Fanchon das Leyermadchen. Vaudeville . . . componirt
von Himmel. N. p. N. d. No. 3 in M.ioga.1.4
Words only.
Une folic. Opera. Musique de Mehul. M.310.23; etc.
FranQoise de Foix. Opera. Paroles de Bouilly & Dupaty.
Musique . . . par H. Berton. M.271.10
Helene. Oper [von Reveroni Saint-Cyr et Bouilly]. Musik
von Mehul. M.310.2S
L'intrigue aux fenetres. Opera. Paroles de Bouilly &
Dupaty. Compose . . . par Nicolo de Malthe [pseud.].
M.293.6
Les jeux floraux. Opera. Musique de Leopold Aimon.
M.251.14
Pierre le Grand. Comedie. Musique par Gretry. M. 282.36
Le sejour militaire. Opera comique. Musique de Mr
Auber. M.251.24
Valentine de Milan. Opera. Musique de Mehul. M. 273.23
Boulanger, Ernest Henri Alexandre.
Le diable a I'ecole. Opera comique en i acte. Paroles de
Scribe, musique de Ernest Boulanger. Partition piano
[et chant]. Paris. Lemoine & cie. [1842.]
No. I in M.281.7
Same. Ouverture a grand orchestre. Partition. Paris.
Schonenberger. [1842?] No. 4in M.353.17
Don Mucarade. Opera-bouffe en i acte. Paroles de Michel
Carre et Jules Barbier. Musique de Ernest Boulanger.
Partition piano et chant. Paris. Escudier. [1875.]
No. I in M.275.2
L'eventail. Opera comique en i acte. Poeme de Carre et
Barbier. Musique de E. Boulanger. Accomp. de piano.
Paris. Escudier. [i860.] No. 2 in M.275.2
L'hetman. Choeur a 4 voix d'hommes. [Paris. 186-?]
No. 41 in M.392.3
La meuniere Sans-Souci. Operette en I acte. Paroles de
M. Auguste Carre. Musique de M. Ernest Boulanger.
148
Boulanger
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bourget
Boulanger, Ernest Henri Alexandre. (Continued.)
[Partition chant et piano.] Paris. 1863. [Magasin des
demoiselles.] No. 7 in M.301.2
Marion. Opera-comique en i acte. Paroles de A. Beau-
mont [pseud.]. Musique de Ernest Boulanger. [Partition
chant & piano.] Paris. [185-.' Magasin des demoiselles.]
No. 5 in M.265.14
Les sabots de la marquise. Opera comique en i acte, paroles
de Michel Carre et Jules Barbier, musique de Ernest
Boulanger. Partition piano et chant. Paris. Grus.
[1854.] No. I in M.368.30
Le sac du couvent. Choeur a 4 voix d'hommes. [Paris.
186-?] No. 40 in M.392.3
Boulanger de Rivery. See Boulenger de Rivery, Claude Fran-
gois Felix.
Boulangere, La, a des ecus. Opera. For the Music see Offen-
bach. For the Libretto see Meilhac.
Boule de neige. Opera. For the Music see Offenbach. For
the Libretto see Truinet.
Boulenger de Rivery, Claude Frangois Felix.
Recherches historiques et critiques sur quelques anciens
spectacles, et particulierement sur les mimes et sur les
pantomimes. [Anon.] Paris. Meregot. 1751. M.iogb.ie
Boullard, Marius.
Nedel. Operette en i acte. Paroles de la C^se. Lionel de
Chabrillan. Musique de Marius Boullard. [Partition
piano & chant] Paris. Le Bailly. [1863.] No. 4 in M.26S.14
Niniche. Piece en 3 actes. Paroles de A. Hennequin & A.
Millaud. Musique de Marius Boullard. Partition piano
et chant. Paris. Bathlot. [1878.] M.363.3
La Roussotte. Piece en 3 actes et un prologue. Paroles de
H. Meilhac, L. Halevy et A. Millaud. Musique de Herve
[pseud.], Ch. Lecocq & M. Boullard. Partition piano et
chant. Paris. Bathlot. [1881.] No. i in M.276.26
BouUon, L.
Un oncle de Carcassone. Operette de L. Boullon, et A.
Philibert [pseud.]. Musique de L. C. Desormes.
No. 2 in M.295.34
Boult, Walter.
Louise, or the trials of love. Operetta. Composed by J.
Bolingbroke Cooper. No. 2 in M.291.1
Boulvin, W., editor.
AuBER. The crown diamonds. M.237.20
Bourn! Servez chaud! . . . Opera. For the Music see Ville-
bichot. For the Libretto see Hermil.
Boundy, Kate.
O Lord of hosts. Psalm lxxxiv (metrical version) set to
the tune "Bedford" for 8 voices. [With variations and
accomp. for organ.] (/n Novello's Collection of anthems.
Vol. 15, pp. 70-76.) No. 9 in M.195.2.15
Bouquet, Frangois.
La chanson du printemps. Opera-comique. Musique de
Mme. de Sainte-Croix. No. i in 11.321.17
Bouquet, The. Glee. Coward, J. Ten glees. No. i in M.236.18
Bouquet, Le. Opera. For the Music see Chaulier. For the
Libretto see Dubron.
Bouquet de ITnfante, Le. Opera. For the Music see Boiel-
dieu, A. L. V. For the Libretto see Planard.
Bouquet de violettes, Le. Opera. For the Music see Martinet,
A. For the Libretto see Boucheron.
Bouquetiere, La. Opera. For the Music see Adam, Adolphe
C. For the Libretto see Lucas, H. J. J.
Bouquetiere. Song. L'Epine. Scenes et chansons.
M.I 58.42; etc.
Bouquetiere, La, du Chateau d'Eau. Opera. For the Music
see Lubomirski. For the Libretto see Roucoux.
Bouquin de la Souche, J. P.
Le hanneton de la chatelaine. Excentricite musicale. Pa-
roles de Lassouche [pseud.]. Musique de Georges Douay.
No. 3 in M.393.2
Bourbonnaises, Les. Quadrilles. Louis, N. No. 19, 20 in M.390.17
Bourdeau, £mile.
Cours de musique vocale a I'usage des eleves du College
Chaptal. Annee 1-6. Paris. [187-?] 6 parts in i v.
M.205.5
Bourdereau, L.
L'amour charlatan. Operette de F. de Lange et L. Bour-
dereau. Musique de Henri Cellot. No. 2 in M.275.32
Le retour du mari. Operetta, musique de Ch. Le Corbeiller.
No. 4 in M.266.1
Bourdois, Achille.
Les dames de cceur volant, opera bouffe. Paroles de Bour-
dois et Lapointe, musique de J. Erlanger. No. 3 in M.368.31
Boufe. Opera. For the Music see Fibich. For the Libretto
see Frida.
Bourgault-Ducoudray, Louis Albert.
Adagio [for the organ. Edited by Philip Hale]. Boston.
Schmidt. [1889.] No. 3 in M.414.31
La conjuration des fleurs. [Cantate. s. a. t. b. et choeur
de femmes.] Partition chant & piano. Paris. Heugel.
[188-?] No. I in M.30S.20
Etudes sur la musique ecclesiastique grecque. Paris.
Hachette & cie. 1877. No. 2 in M. 122.4
Stabat Mater. Pour soli, s. a. t. b., choeurs et grand orgue,
avec adjonction de violoncelles, contre-basses, harpes et
trombones. Paris. Mackar. [1868.] No. 2 in M.30S.20
Thamara. Opera en 4 tableaux. Poeme de Louis Gallet.
Musique de L. A. Bourgault-Ducoudray. Partition chant
& piano. Paris. Grus. 1892. M.30S.21
Bourgeois, fimile.
Les infortunes de Sir Edward. Operette en i acte de Felix
de Lange. Musique de £mile Bourgeois. [Partition chant
et piano.] Paris. Lemoine. [187-?] No. 2 in M.27S.1
Mam'zelle Mariette. Operette en i acte. Paroles de M<".
Avrele. Musique de fimile Bourgeois. [Partition piano
et chant.] Paris. Lemoine. [187-?] No. 3 in M.275.1
Bourgeois, Louis.
All people that on earth do dwell. Psalm. Harmonized by
Claud Lejeune. (/n Hullah. Part music. Sacred. Vol.
2, pp. 90, 91.) No. 31 in M.1S7.28.2
Bourgeois, Thomas Louis.
L'Amour musicien. Cantate frangoise a voix seule avec
simphonie. [Partition.] Paris. Boivin. 1744.
No. 3 in M.28i.i8
Le combat d'Anacreon centre I'Amour. Cantate frangoise
a voix seule avec symphonie. [Partition.] Paris. Boivin.
1744. No. 4 in M.281.18
Bourgeois de Calais, Le. Opera. For the Music see Messager.
For the Libretto see Dubreuil, E.
Bourgeois gentilhomme, Le. Opera. For the Music see Lully.
For the Libretto see Moliere.
Bourges, Jean Maurice.
Beata Genovefa, oratorio. Paroles et musique de Maurice
Bourges. [Pianoforte accomp.] Paris. Lissarrague.
[188-?] No. I in M.153.7
La belle Madelon. [Chanson, s. Accomp. de piano.] {In
Album de chant. Pp. 4, 5.) No. i in M.202.28
Le choi.x d'une amie. Opera comique en i acte. Paroles &
musique de Maurice Bourges. [Accomp. de piano.]
Paris. Lissarrague. [188-? CEuvres posthumes.] M.275.4
Herminie chez les bergers. Choeur [s. .s. t. b.]. Paroles et
musique de Maurice Bourges. Accomp. de piano. Paris.
O'Kelly. [186-?] No. 2 in M.275.3
Messe a quatre voix. Paris. O'Kelly. [188-?]
No. 2 in M.153.7
Moise sur le Nil, oratorio frangais. Paroles et musique de
M. Bourges. [Pianoforte accomp.] Paris. Lissarrague.
[188-?] M.153.6
Sultana. Opera comique en i acte, paroles de MM. fidouard
Monnais et De Forges [pseud.]. Musique de Maurice
Bourges. Partition chant et piano. 2e edition. Paris.
Brandus & Dufour. [1846?] No. i in M.275.3
Bourges, Jean Maurice, translator.
Weber, C. M. F. E. von. [Euryanthe.] M.326.17
Oberon. M.328.34
Bourget, Ernest.
Les deux pecheurs. Bouffonerie musicale. Paroles de Du-
peuty et Bourget. Musique de J. Offenbach.
No. 2 in M.368.26
149
Bourget
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bow
Bourget, Ernst. (Continued.)
La legon de chant electro-magnetique. Bouffonnerie musi-
cale. Musique de J. Offenbach. No. 2 inM.293.10
La polka des sabots. Operette, paroles de Dupeuty et E.
Bourget, musique de A. Varney. No. i in 11.325.12
Tromb-al-ca-zar, ou les criminels dramatiques. Bouffon-
nerie musicale. Paroles de Ch. Dupeuty, et E. Bourget.
Musique de J. Offenbach. No. li n M.368.24
Bourguignonnes, Les. Opera. For the Music see Deffes. For
the Libretto see Meilhac.
Bourguignons, Les. Song. Vaucorbeil. Melodies. M.213.2S
Bourne, C. E.
The great composers, or stories of the lives of eminent
musicians. London. Swan Sonnenschein & Co. [1887.]
Portraits. Plates. M.108.33
Bourotte, Melanie.
Incognito. Operette. Musique de Th. Semet.
No. I in M.322.16
Bourree fantasque. For pianoforte. Chabrier. M.356.3
Bourse, La, ou la vie! Opera. For the Music see Manry. For
the Libretto see Galoppe d'Onquaire.
Bousquet, Charles.
Rosa la rose. Operette. Musique de Charles Poisot.
No. 2 in M.277.20
Bousquet, Georges.
Tabarin. Opera comique en 2 actes, poeme de MM. Alboize
et Andrei. Musique de Georges Bousquet. Partition piano
et chant. Paris. Grus. [1852.] 11.275.5
La vendetta. Scene lyrique de M. le Comte de Pastoret . . .
mis en musique par Georges Bousquet. [Partition.]
Paris. Meissonnier. [1838?] No. i in M.391.34
Boussagol, £mile.
Le sabre enchante. Opera-comique en i acte. Paroles de
Bertol-Graivil [pseud.]. Musique de fimile Boussagol.
Partition piano et chant. Paris. Bathlot & Joubert.
[1894.] No. 2 in M.302.15
Boutade. For pianoforte. Pessard. No. 6 in M.334.1
Bouteiller, Guillaume.
Hero et Leandre. Cantate [pour une voix, s.]. Paroles de
J. B. de S. Victor. Musique de G. Bouteiller. [Parti-
tion.] On a ajoute un accomp. de piano au dessous de la
partition. Paris. Nadermann. [1806.] No. i in M.281.8
Stabat Mater. [For s. t. b. with orchestra.] Manuscript.
[181-?] No. 5inM.120.18
This work is incomplete, having the first movement only.
Boutet de Monvel, Jacques Marie.
Alexis et Justine, comedie lyrique. [Musique] par M. De-
zede. M.252.33
Ambroise, ou voila ma journee. Comedie. Musique par N.
Dalayrac. M.252.6; etc.
Blaise et Babet, ou la suitte des Trois fermiers. Comedie.
Musique par M. D. Z. [Dezede]. M.252.34
L'erreur d'un moment, ou la suite de Julie. Musique par
M. D. Z. [Dezede]. M.252.32
Julie. Comedie. Musique par M. D. Z. [Dezede]. M. 252.35
Philippe et Georgette. Comedie. Musique par le Citoyen
Dalayrac. M.252.13
Raoul Sire de Crequi. Comedie. Musique par N. Dalayrac.
M. 252.17
Sargines, ou I'eleve de I'amour. Comedie. Mise en musique
par M. Dal * * * [Dalayrac]. M.252.4
Les trois fermiers. Comedie. Mise en musique par M^.
D. Z. [Dezede]. M.252.36
Bouton, Numa.
Cromwell et Charles IL Opera en deux actes. Paroles de
Isidore Lolliot. Musique de Anatole 01ivi»r et Numa
Bouton. Reduit au piano [et chant] par Rekel (J. Roec-
kel aine). Paris. Colombier. [1867.] M.382.59
Bouton d'or. Opera. For the Music see Pieme. For the
Libretto see Carre, M.
Bouton perdu, Le. Opera. For the Music see Talexy. For
the Libretto see Grange.
Boutonnier, B.
Banditenstreiche. Komische Operette. Musik von Franz
von Suppe. No. i in M.284.8
Boutons de manchettes, Les. Opera. For the Music see Bovy.
For the Libretto see C * * * .
Bouval, Jules.
La chambre bleue. Opera comique en un acte de !£douard
Noel (d'apres la nouvelle de Prosper Merimee). Mu-
sique de Jules Bouval. Partition chant et piano. Paris.
Quinzard. 1900. No. 3 in M.381.4
L'ecole des jaloux. Paroles de L. Roger-Miles. Musique de
Jules Bouval. [Partition piano et chant.] Paris. Dupont.
[189-?] No. 2 in M.396.3
Lais, ou, le scandale du Louvre. Ballet mime en i acte de
L. Roger-Miles & Charles Akar. Musique de Jules Bou-
val. [Partition pour piano.] Paris. Enoch & c'e. 1895.
No. 2 in M.384.1
Bouvet, Alphonse.
L'amoureux depit. Operette. Musique de Prosper Corlieu.
No. 3 in M.285.CS
Bouvier, Alexis.
L'amour d'un serpent. Duo bouffe. Musique de Maurice
Lassimonne. No. i in M.301.12
Un amour de la rue Copeau. Saynette bouffe. Musique de
Jules Javelot. No. i in M.399.27
Le chevalier de Piquenef, histoire du bon vieux temps. Duo
bouffe. Musique de Maurice Lassimonne. No. 4 in M.301.12
La decouvrte d'une etoile. Saynete. Musique de M". Las-
simonne. No. 5 in M.301.12
Gervaise. Opera-comique de Hippolyte Lefebvre & Alexis
Bouvier. Musique de Frederic Barbier. No. i in M.255.3S
Une paire d'Anglais. Saynette bouffe. Paroles d'Alexis
Bouvier et fidouard Prevel. Musique de Charles Do-
mergue. No. 2 in M.395.24
S*** P***. Saynete. Paroles de fidouard Prevel & Alexis
Bouvier. Musique de Maurice Lassimonne.
With the libretto. No. 6 in M.301.I2
Bovet, Alfred.
Katalog einer hervorragend schonen Sammlung von Mu-
siker-Autographen . . . zum grossten Theil aus dem
Besitze des verstorbenen Herrn A. Bovet . . . Verstei-
gerung zu Berlin . . . den 7 Miirz, 1901 . . . [Berlin.
Paul. 1901.] No. 2 in M.375.6
Bovet, Marie Anne de.
Charles Gounod; his life and his works. London. Low.
1891. Portrait. Facsimiles. M.115.H
Bovy, Antoine Nicolas Joseph.
Les boutons de manchettes. Operette en i acte. Paroles de
Martial C * * * et Edme Thomas. Musique de Jules
Bovery [pseud. Partition piano et chant]. Paris. Gerard.
[1869.] No. 4 in M.275.1
Zerbine. Opera bouffe en i acte. Poeme de MM. Octave
Fere [pseud.] et S'. Yves [pseud.]. Musique de Jules
Bovery [pseud. Partition piano et chant]. Paris. Leduc.
[1856.] No. 5 in M.27S.I
Bow down and hear me. Anthem. Wiegand. No. 14 in M. 190.9
Bow down Thine ear. Anthem.
Callcott, J. W. No. 2 in M.220.9.4
Clarke-Whitfeld. Services and anthems. Vol. 3. M.233.4.3
Dearle. a Te Deum, etc. M.233.17
Graun. No. 31 in M.2go.29.6
Hayes, W. Cathedral music. M. 236.32
Hellwig. No. 32 in M.2go.22.i
Jolly. Hymns, canons. M.23S.2
Leo. No. 9 in M.233.18.1
LoDER, K. F. No. 23 in M.234.6
Lucas, C. No. 32 in M.234.6
Mendelssohn-Bartholdy, J. L. F. No. 3 in M. 243.1
Mozart. No. 16 in M. 290.33
Pergolesi. No. 17 in M. 236.30.4
Ritter, F. L. O Salutaris. No. 9 in M.I92.4
Wagner, W. R. No. 25 in M.igo.S
Bow down Thine ear. Catch. Hayes, W. No. i in M.220.5; etc.
150
Bow
THE ALLEN A. BROWN COLLECTION OF MUSIC
Boyce
Bow instruments.
See also Varnish; Violin; Violoncello; etc.
Engel, C. Researches into the early history of the violin
family. [Revised by A. J. Hipkins.] London. 1883. Illus.
M.375-3
Fetis, F. J. Notice of Anthony Stradivari, the violin-
maker. Preceded by researches on . . . bow instruments.
Translated by John Bishop. London. 1864. Illus. Fac-
simile. M.IC5.24
Gallay, J. Les instruments a archet a I'Exposition uni-
verselle de 1867. Paris. 1867. No. 7 in M.376.2
Sandys, W. The history of the violin and other instruments
played on with the bow, by William Sandys and Simon
Andrew Forster. London. 1864. Illus. No. i in M.144.2
Savart, F. Memoire sur la construction des instruments a
cordes et a archet. Suivi du Rapport qui en a ete fait aux
deux Academies des sciences et des beaux-arts. Paris.
[1819?] Plates. M.207.3S
SiBiRE, A., Abbe. La chelonomie, ou le parfait luthier. Re-
cherches sur la facture et la restauration des instruments
a archet; augmentee d'une notice et d'une appendice . . .
par L. de Pratis. Bruxelles. 1885. M.2o8.2g
ViDAL, L. A. Les instruments a archet. Les feseurs, les
joueurs d'instruments, leur histoire sur le continent
europeen, suivi d'un catalogue general de la musique de
chambre. Orne de planches gravees a I'eau-forte par
Frederic Hillemacher. Paris. 1876-78. 3 v. Portraits.
Plates. Facsimiles. M.196.4
Bow instruments. Bibliography.
Allen, E. Heron-. De fidiculis bibliographia: being the
basis of a bibliography of the violin and all other instru-
ments played with a bow in ancient and modern times.
London. 1890-94. 2 v. Facsimiles. M.371.40
Bow instruments. Periodicals.
Strad, The. A monthly journal for professionals and ama-
teurs of all stringed instruments played with the bow.
Edited by Eugene Polonaski. Vol. 1-14. May, 1890-
April 1904. London. 1891-1904. 14 v. Illus. Portraits.
M.372.31
Bow Thine ear, O Lord. Anthem.
B VRD. No. 24 in M.233.23.2 ; etc.
Mozart. No. 15 in M.ioo.io
Bowen, Anna Maude.
The sources and te.xt of Richard Wagner's opera „Die
Meistersinger von Niirnberg." A dissertation . . . Cor-
nell University. Miinich. Uneberg. 1897. No. 4 in M.373.29
Bowers, Robert Hood.
The maid and the mummy. A musical farce in three acts.
Book & lyrics by Richard Carle. Music by Rob'. Hood
Bowers. Vocal score. [Accomp. for pianoforte.] New
York. Witmark. 1904. No. 2 in M.399.1S
Bowley, Robert Kanzow.
Grand Handel musical festival, Crystal Palace, 1857. A
letter addressed to the members ... of the Sacred Har-
monic Society. [Anon. Prospectus.] London. Brad-
bury & Evans. 1856. No. 6in M.149.8
Bowyer, Frederick.
The new barmaid. Written by Frederick Bowyer and W. E.
Sprange. Music by John Crook. M.397.21
Box, Charles.
Church music in the Metropolis: its past and present condi-
tion. With notes (critical and explanatory). London.
Reeves. 1884. M.377.2
Box, The, of shamrocks. Song. Thomas, John R.
No. 4 in M.ig2.i4
Boy,
La veillee. Operette. Paroles de M"". Boy. Musique de
Charlotte Jacques. No. i in M.301.11
Boy, The, and the owl. Part-song. Chadwick, G. W. Four
part songs. No. 20 in M.392.6
Boy, come back. Part-song. Cranford. No. 97 in M.110.1.2; etc.
Boy, go down. Part-song. Ives, S. No. 83 in M.iio.i.i; etc.
Boy, I hate their empty shows. Glee. Walmisley. Collec-
tion of glees . . . M.235.5
Boyce, William.
Allelujah. [Canon, 3 in I.] (/« Warren. Collection of
catches. P. 52.) No. 64 in M.220.9.1
Be Thou my judge. Anthem. [Accomp. for organ.] (/»
Gardiner. Sacred melodies. Vol. 3, pp. 352-359.)
No. 16 in M.236.30.3
Behold the heaven. [Chorus. Accomp. for organ.] (In
Handel and Haydn Society collection. Vol. 4, pp. 41-46.)
No. 2 in M.221.22.4
Blessing and glory. Full anthem. (In Hullah. The Singer's
library. Sacred. Pp. 17-20.) No. 4 in M.1S7.3
Also to be found in Turle and Taylor's The People's music book.
A blooming youth. [Catch for 3 voices.] (In Apollonian
harmony. Vol. i, p. 59.) No. 54 in M.i4i.2i.i
Also to be found in Bland's The Ladies collection; dementi's Collec-
tion of catches ; Flowers of harmony ; Social harmony ; Warren's
Cocks's Hand-book of glees ; Warren's Collection of catches.
By the waters of Babylon. Anthem. [Accomp. for organ.]
(In Ayrton. Sacred minstrelsy. Vol. 2, pp. 14-21.)
No. 7 in M.290.22.2
.-Mso to be found in Gardiner's Sacred melodies : Novello's Collection
of anthems.
The chaplet, a musical entertainment . . . Composed by Dr.
Boyce, for the voice, harpsichord, and violin. [Text by
Moses Mendez.] London. Harrison & Co. [1755?]
No. 2 in M.220.18
Same. [For voice and small orchestra.] Printed for I.
Walsh. [17s-?] No. I in M.380.5
Genius of harmony. Glee [a. t. b.]. (In Warren. Vocal
harmony. Pp. 221-228.) No. 128 in M.220.10
Get you hence. Glee [s. s. t.]. (In Bland. The Ladies' col-
lection. Vol. 3, pp. 296, 297.) No. 30 in M.235.17.3
Glory be to God on high. [Canon, 3 in I.] (In Warren.
Collection of catches. Vol. i, p. 50.) No. 58 in M.220.9.1
Great and marvellous. Full anthem. (In Turle and Taylor.
The People's music book. Vol. 2, pp. 334-337.)
No. 81 in M.iii.4.2
Hallelujah. Chorus. [Accomp. for organ.] (In Hullah.
Part music. Sacred. Vol. i, pp. 142-144.)
No. 46 in M. 157.28.1
Same. Sacred round [for 3 voices]. (In Ayrton. Sacred
minstrelsy. Vol. I, p. 52.) No. 19 in M. 290.22.1
Here shall soft charity repair. [Anthem, a. t. b. b. Accomp.
for organ.] (In Musical times. [Music] Vol. 8, pp. 116-
118.) No. 7 in M. 175.1.8
I have surely built. Anthem for 3 voices [a. t. b.] and cho-
rus. The organ part by Vincent Novello. (In Novello's
Collection of anthems. Vol. 6, pp. 103-114.)
No. 9 in M.195.2.6
John Cooper was boring. [Catch for 3 voices.] (In Warren.
Collection of catches. Vol. i, p. 59.) No. 75 in M.220.g.i
Long live King George. [Catch for 4 voices.] (In Apol-
lonian harmony. Vol. i, p. 44.) No. 34 in M.141.21.1
Also to be found in Bland's The Ladies' collection; Social harmony;
Warren's Collection of catches.
Same. The three lower parts in canon 3 in i, the upper part
added. (In Warren. Collection of catches. Vol. i, p. 4.)
No. 2 in M.220.9.1
Long live the queen. Canon (three in one). (In Hullah.
Part music. Secular. Vol. 2, p. 56.) No. 12 in M. 157.28.2
Lord, Thou hast been our refuge. Anthem. With an ac-
comp. for the organ or piano forte, arranged by Edward
Holmes. London. Novello. [184-?] No. 2 in M.236.16
The mirth-inspiring bowl. Glee [a. t. b.]. (In The Apollo.
Vol. 3, pp. 172-178.) No. 4 in M.i3ga.i8.2
'Mongst other roses. [Catch for 3 voices.] (In Warren.
Collection of catches. Vol. i, p. 58.) No. 73 in M.220.9.1
O where shall wisdom be found? Anthem [s. s. a. t. b.
Accomp. for organ]. (In Novello's Collection of anthems.
Vol. 6, pp. 115-133.) No. 10 in M.195.2.6
Remember, O Lord. Charity anthem [s. s. s. Accomp. for
organ]. (In Musical times. [Music] Vol. 4, pp. 200-203.)
From his Lord, Thou hast been our refuge. No. 26 in M.175.I.4
151
Boyce
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Brack
Boyce, William. (Continued.)
Boyce's services & anthems. Edited by Vincent Novello.
[With organ accomp.] London. Novello. [1847?] 4 v.
M.233.3
Contents. — I. Te Deum in A. — Jubilate in A. — Anthems: O praise
the Lord, ye that fear Him; Give the king thy judgments; Where-
withal shall a young man ; By the waters of Babylon ; If we believe
that Jesus died ; O be joyful in God ; Praise the Lord ye heavens ; Be
Thou my judge, O God ; O give thanks unto the Lord ; Turn Thee
unto me; Sing praises to the Lord; Teach me, O Lord, the way of
Thy statutes; O sing unto the Lord a new song; The Lord liveth;
Sing, O heavens. 2. Te Deum & Jubilate in C. — Anthems: Blessed
is he ; Blessed is the man ; I have surely built thee an house ; Lord,
who shall dwell in Thy tabernacle; O where shall wisdom be found;
Sing unto the Lord; The Lord is King [a. t. b.] ; The Lord is King
[b. solo & chorus] ; The Lord is my light ; The Lord is full of com-
passion; The heavens declare; O give thanks. 3. Te Deum, Jubilate,
Sanctus and Kyrie in A. — Te Deum in G. — Jubilate in G. — Burial
service in E minor. — Anthems : Save me, O God ; Blessing and glory ;
Ponder my words, O Lord; I will alway give thanks; I will magnify
Thee; Lord, what is man [with alto solo] ; Hear my crying; Let my
complaint come before Thee ; Like as the hart ; I have set God always
before me; Lord, what is man [with s. and T. duet] ; I cried unto the
Lord. 4. Anthems: Lord, teach us to number our days; Give unto
the Lord, O ye mighty ; Here shall soft charity ; How long wilt Thou
forget me; Blessed is he that considereth the poor; Lord, Thou hast
been our refuge; O be joyful in God. — ■ Two chants. — • A pastoral
hymn, "The Lord my pasture." — Sacred round, "Hallelujah."
The shepherd's lottery. A musical entertainment. [Opera.
Full score. Libretto by Mendez.] London. Printed for
L Walsh. [1750?] No. 2 in M.380.5
Shew us Thy mercy. Duet [s. s. Accomp. for organ]. {In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 174-177.)
No. 64 in M.290.22.2
Solomon. A serenata in score, [s. t. and chorus. The
words by Dr. Edward Moore.] London. Wright. [1747?]
M.241.15
The sorrows of my heart. Duet [s. s. Accomp. for organ],
{In Ayrton. Sacred minstrelsy. Vol. i, pp. 68, 6g.)
No. 24 in M.290.22.1
Tell me, lovely shepherd. Song [s. Accomp. for piano-
forte]. {In Musical library. Vol. 2, pp. 136, 137.)
No. SI in M.235.18.2
Their sound is gone out into all lands. Solo [s. Accomp.
for organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp.
102, 103.) No. 41 in M.290.22.2
'Tis on earth. [Glee. a. x. b.] (/h Bland. The Ladies' col-
lection. Vol. 3, pp. 285-287.) No. 25 in M.235.17.3
'Tis thus, and thus farewell. [Catch for 3 voices.] {In
Bland. The Ladies' collection. Vol. i, pp. 46, 47.)
No. 73 in M.235.17.1
Also to be found in Social harmony ; Warren's Collection of catches.
Together let us range. Duet [s. t. Accomp. for pianoforte].
London. Longman, dementi & Co. [179-?]
No. 5 in M.237.2
Also to be found in Bland's The Ladies' collection ; The Harmonist.
View here the youth. Elegy [s. t. b.]. {In Bland. The
Ladies' collection. Vol. 4, pp. 422, 423.) No. 90 in M.235.71.4
Boyce, William, compiler.
Cathedral music . . . Newly edited, with an appendix to
each volume, containing additional services and anthems,
a life of Dr. Boyce, memoirs of the composers, and an
accomp. for the organ, by Joseph Warren. London.
Cocks & Co. 1849. 3 v. Portrait. M.233.23
Contents. — Tallis : Preces, Venite exultemus Domino, Te Deum, Bene-
dictus. Creed of St. Athanasius, Responses, Litany, Kyrie eleison,
Doxology, Nicene creed, Sanctus, Gloria in excelsis, Magnificat, Nunc
dimittis. — Farrant : Te Deum, Benedictus, Kyrie eleison, Nicene
creed, Magnificat, Nunc dimittis. — Byrd: Te Deum, Benedictus,
Kyrie eleison, Nicene creed, Magnificat, Nunc dimittis. — Bevin : Te
Deum, Benedictus, Kyrie eleison, Nicene creed. Nunc dimittis. —
Morley : I am the resurrection. Man that is born of woman. I heard
a voice from heaven. — Gibbons: Te Deum, Benedictus, Kyrie eleison,
Nicene creed, Sanctus, Magnificat, Nunc dimittis. — Child: Te Deum,
Jubilate, Kyrie eleison, Nicene creed, Sanctus, Magnificat, Nunc dimit-
tis, in D; same, in E minor. — Rogers: Te Deum, Jubilate, Kyrie
eleison, Nicene creed. Sanctus, Magnificat, Nunc dimittis. — Aldrich :
Tc Deum, Jubilate, Kyrie eleison, Nicene creed, Sanctus, Magnificat,
Nunc dimittis. — Tomkins : Te Deum, Benedictus, Kyrie eleison, Ni-
cene creed, Magnificat, Nunc dimittis. — Parsons : I am the resurrec-
tion. Man that is born of woman. I heard a voice from heaven. 2.
Blow: Te Deum, Jubilate. Kyrie eleison, Nicene creed, Cantate Do-
mino, Deus misereatur; in A. Te Deum, Jubilate, Kyrie eleison, Nicene
creed, Magnificat, Nunc dimittis; in G. Kyrie eleison, Nicene creed;
in G. Te Deum, Benedicite, Jubilate, Kyrie eleison, Nicene creed, Can-
Boyce, William. (Continued.)
tate Domino, Deus misereatur ; in E minor. — Purcell : Te Deum, Bene-
dictus, Kyrie eleison, Nicene creed. Magnificat, Nunc dimittis, Bene-
dicite, Jubilate, Cantate Domino, Deus misereatur. — Mundy : O Lord,
the Maker of all. — Tye : I will exalt Thee. Sing unto the Lord. —
Farrant: Call to remembrance. Hide not Thou Thy face. — Gibbons:
Almighty and everlasting God. — Batten: O praise the Lord, all ye
heathen. Deliver us, O Lord. — Child: Praise the Lord, O my soul.
O Lord, grant the king. — Rogers : Behold, now praise the Lord.
Teach me, O Lord. — Blow : The Lord hear thee. My God, my God.
— Creyghton : I will arise. — Clarke : Praise the Lord, O Jerusalem.
— Tallis : I call and cry. — Byrd : O Lord, turn Thy wrath. Bow
Thine ear, O Lord. Sing joyfully unto God. ■ — Gibbons : Hosanna to
the Son of David. Lift up your heads. — Aldrich : O give thanks. —
Creyghton : Te Deum, Jubilate, Kyrie eleison, Nicene creed, Sanctus,
Magnificat, Nunc dimittis. — Tallis : O Lord, give Thy Holy Spirit. —
Tomkins : Almighty and everlasting God. O pray for the peace of
Jerusalem. — Gibbons: Why art thou so full of heaviness. O Lord
increase my faith. — Byrd: Save me, O God. 3. Child: Sing we
merrily. — Gibbons : O clap your hands. God is gone up. — Aldrich :
Out of the deep have I called. — Blow : Save me, O God. — • Purcell :
O God, Thou art my God. — Goldwin : I have set God alway before
me. — Weldon : In Thee, O Lord. — Croft : God is gone up. Put me
not to rebuke. — Bull : O Lord, my God. — Batten : Hear my prayer,
O God. — Blow: O God, wherefore art Thou. — Purcell: O God,
Thou hast cast us out. — Weldon : Hear my crying, O God. — Blow :
God is our hope. — Purcell : O Lord God of hosts. — Clark : How
long wilt Thou forget me. — Blow : O Lord, Thou hast searched me
out. — Purcell : They that go down to the sea in ships. Thy way, O
God, is holy. — Wise: The ways of Zion do mourn. — Clark: I will
love Thee, O Lord. — Humphrey : Have mercy upon me, O God. O
Lord, my God. Hear, O heavens. — Blow : O sing unto God. — Pur-
cell: Be merciful unto me, O God. Behold! I bring you glad tidings.
Thy word is a lantern. — Turner : Lord, Thou hast been our refuge.
— Wise : Blessed is he that considereth the poor. Awake up, my
glory. Awake, put on thy strength. Thy beauty, O Israel. — Croft:
O praise the Lord, all ye heathen. — Lawes : The Lord is my light. —
Humphrey : Like as the hart. Thou art my King, O God. Rejoice in
the Lord. Haste Thee, O God. — Blow : O Lord, I have sinned. I
beheld, and lo, a great multitude. I was in the Spirit. — Purcell : O
give thanks unto the Lord. — Wise : Prepare ye the way of the Lord.
— Locke : Lord, let me know mine end. — Croft : Give the king Thy
judgments, O God. — Blow: Lord, how are they increased that
trouble me.
Boyce, William, editor.
Purcell, H. [Macbeth.] No. 4 in M.380.6
Boye, Caspar Johannes.
Floribella af Weyse. M.151.40
Boyer, Georges.
Ballet d'autrefois. (Old world ballet.) Petite scene. Mu-
sique de Benjamin Godard. No. 2 in M.384.20
Biblis. Poeme, mis en musique par J. Massenet.
No. I in M.257.9
Dolores. Drame lyrique. Musique de Andre Pollonnais.
M.395.71
Herode. Musique de William Chaumet. No. i in M.285.9
La Marseillaise. Oiuvre lyrique. Musique de Lucien Lam-
bert. No. 3 in M.402.72
Le portrait de Manon. Opera-comique. Musique de J.
Massenet. No. i in M.393.45
Boyer, Georges, translator.
HoFM.\NN, H. C. J. Das Marchen von der schonen Melu-
sine. No. 2 in M.270.28
Boylesve, Marin de.
Saint Louis. Drame. Musique de P. Solart. No. 7 in M.322.i6
Boylston Club, Boston.
By-laws. Revised 1874. Boston. 1875. No. 3 in M.11S.4
Programs and comments. [December 22, 1873-May 8, 1889.]
Compiled [with full indexes] by Allen A. Brown. [Bos-
ton. 1873-89.] 3 V. M.304.J
Boysse, Ernest.
Les abonnes de I'Opera (1783-1786). Paris. Quantin. 1881.
4 portraits. Plate. M.113.5
Brachmann, Karoline Louise.
Columbus. Ballade, komponiert von Ferdinand Hummel.
No. 8 in M.391.45
Same. [English words.] No. 2 in M.384.14
Brachvogel, Albert Emil.
Friedemann Bach; or the fortunes of an idealist. [Adapted
from the German by J. Walker.] London. Tinsley. 1875.
Facsimile. M.i39a.i6
Brack, Charles de, translator.
Perotti. Dissertation sur I'etat actuel de la musique en
Italie. . . . No. i in M.207.32
152
Brackett
THE ALLEN A. BROWN COLLECTION OF MUSIC
Brahms
Brackett, Frank Herbert
Cavalier's song [t. T. B. B.]. Boston. Schmidt. [1885.]
No. 14 in M.392.5
Braconniers, Les. Opera. For the Music see Offenbach. For
the Libretto see Chivot.
Bradberry, Charles.
Golden treasures. A cantata. Music by George Fox.
No. 2 in M.277.19
Under a mask. Operetta. Music by Edward Jones.
No. 7 in M.277.19
Bradbury, William Batchelder.
The key-note, a collection of church and singing school
music. New York. Mason. [1863.] M.100.28
The shawm: a library of church music by William B. Brad-
bury and George F. Root. New York. Mason. [1853.]
M. 100.26
Bradford, Jacob.
Judith, an oratorio in two parts. [Pianoforte accomp.]
London. Weber & Co. [1885?] M.1S3.8
Bradford, England.
CuDWORTH, W. Musical reminiscences of Bradford. Brad-
ford. 1885. Portraits. No. 2 in M.ii9a.i7
Bradley, Catherine M., translator.
Franck, C. a. The Beautitudes. M.393.75
Bradsky, Wenzel Theodor.
A lover's good night [t. T. B. b. Boston]. 1884.
The music is that of his Serenade. No. 1 7 in M.392.S
Zwei Lieder fiir Mannerchor. Op. 54. Berlin. Bahn. [187-?]
2 parts in i v. No. IS, 16 in M.392.5
Coiilciils. — I. Waldesnacht. 2. Serenade.
Brady, Nicholas.
Ode, composed for the anniversary of S'. Cecilia's day, A.D.
1692, by Henry Purcell. No. 3 in M.234.23.1
Braes of Ballendine. A Scotch air harmonized for 3 voices
[t. T. B.]. Oxford. Hardy. [18 — ?] No. 12 in M.235.14
Braeuer, Carl.
[Der 15. Psalm, fiir 4 Stimmen mit Orchester-Begleitung.
Partitur. Leipzig. 183-?] No. 2 in M. 221. 13
The title-page is missing.
Mazurka [t.t. B. B.]. Op. 217. Leipzig. Siegel. [1851?]
No. 8 in M.392.33
Braeute, Die, von Venedig. Opera. For the Music see Bene-
dict. For the Libretto see Bunn.
Braeutigam, Der, und die Birke. Song. Schumann, R. A.
Die Hutte. No. 5 in M.244.15.4; etc.
Braeutigamspiegel, Der. Opera. For the Music see Ebell.
Braga, Gaetano.
Gli avventurieri. Melodramma in un prologo e 2 atti di A.
Ghislanzoni. Musica del Mo. Gaetano Braga. Riduzione
per canto e pianoforte di Enrico Bernardi. Milano. Canti.
[1867.] M.275.6
Estella di San Germano. Dramma lirico in 3 atti di Achille
de Lauzieres, posto in musica ... da Gaetano Braga. . . .
Riduzione per canto con accomp. di pianoforte di Luigi ed
Aless. Truzzi. Milano. Ricordi. [1858.] M.230.31
La mendicante. Opera in 3 atti di Piave. Musique de G.
Braga. Partition chant & piano. Paris. Choudens.
[186-?] M.363.4
The original title was Margherita la mendicantt
Reginella. Melodramma in tre atti con prologo, di A. Ghis-
lanzoni. Musicato da Gaetano Braga. Canto e piano-
forte. Milano. Ricordi. [1872.] M.395.8
Bragela. Part-song. Stevens, R. J. S. No. 8 in M.218.8.6; etc.
Braham, John.
All's well. Duett [t.t.]. (In The Apollo. Vol. 6, pp. 401-
404.) No. I in M.i39a.i8.6
The Americans. A comic opera in three acts . . . written
by S. L Arnold, Esq., the music composed by M. P. King
& Mr. Braham. [Accomp. for piano.] London. Gould-
ing, D'Almaine, Potter & Co. [181-?] M.380.50
The beautiful maid, a ballad [t.] in the opera of The cabinet.
[Accomp. for pianoforte.] London. Dale. [i8 — ?]
No. 31 in M.237.7
Braham, John. (Continued.)
The cabinet. A comic opera . . . The words by T. Dibdin.
The music by Reeve, Davy, Moor[e]head & Braham.
[Accomp. for pianoforte.] London. Dale. [1802.]
No. 2 in M.251.3
The Devil's bridge, an operatic romance in 3 acts . . . writ-
ten by S. I. Arnold. The music composed & arranged for
the pianoforte, by C. E. Horn and Mr. Braham. London.
Goulding, D'Almaine, Potter & Co. [1812.] No. 2 in M.391.64
The English fleet in 1342. Comic opera . . . Arranged for
the piano forte by D. Corri. The words by T. Dibdin.
London. Corri & Co. [1802?] No. 3 in M.251.4
[False alarms.] Braham's music in the opera False alarms,
or my cousin [by James Kenney] . Arranged for the piano
forte by the author. London. Preston. [1807.]
No. 2 in M.391.54
[Narensky.] Mr Braham's music, in the favorite serio comic
opera of Narensky, or the road to Yaroslaf, . . . Arranged
with an accompaniment for the pianoforte by the author.
London. Goulding, D'Almaine, Potter & Co. [1809?]
No. I in M.396.17
The paragraph, a musical drama. Composed & selected by
Mr. Braham, and arranged for the piano forte by D. Corri.
Written by Prince Hoare. London. Corri & Co. [1804.]
No. 4 in M.3gi.65
Said a smile to a tear. Celebrated piano forte song ... in
the opera False alarms, [t. with pianoforte accomp.]
London. Goulding, Phipps, D'Almaine & Co. [1808?]
No. 41 in M.384.48
Thirty thousand, or who's the richest? A comic opera . . .
The words by T. Dibdin. The music by Reeve, Davy &
Braham . . . [Accomp. for pianoforte.] London. Dale.
[1804.] No. 3 in M.2S1.3
Brahms, Johannes.
Akademische Fest-Ouvertiire fiir grosses Orchester. Op. 80.
Partitur. Berlin. Simrock. 1881. No. i in M.346.39
Ave Maria. Fiir weiblichen Chor mit Orchester- od. Orgel-
Begleitung. Op. 12. Fiir Orgel von Theodor Kirchner.
Leipzig. Rieter-Biedermann. [186-?] No. 2 in M.414.32
Same. Clavierauszug. Winterthur. No. 7 in M.260.10.7
Concert fiir das Pianoforte [No. i, D moll] mit Begleitung
des Orchesters. Op. 15. Partitur. Leipzig. Rieter-Bie-
dermann. 1875. M.346.36
Concert fiir Violine mit Begleitung des Orchesters. Op. 77.
Partitur. Berlin. Simrock. 1879. M.346.38
Same. Clavier-Auszug. No. 2 in M. 351.5
Concert fiir Violine und Violoncell mit Orchester. Op. 102.
Partitur. Berlin. Simrock. 1888. M.404.71
Concert (No. 2, B dur) fiir Pianoforte mit Begleitung des
Orchesters. Op. 83. Partitur. Berlin. Simrock. 1882.
M.351.8
Same. Bearbeitung fiir 2 Pianoforte. No. 2 in M.332.6
Deutsche Volkslieder. Mit Clavier-Begleitung. Ausgabe
fiir hohe Stimme. Berlin. Simrock. 1894. 7 v. in i.
No. g-15 in M.380.40.3
Contents. — I. Sagt' mir, o schonste Schaf'rin mein. — Erlaube mir, fein's
Madchcn. — Gar lieblich hat sich gesellet. — Guten Abend. — Die Sonne
scheint nicht mehr. — Da unten im Thale. — Gunhilde. 2. Ach, englische
Schiiferin. — Es war eine schone Jiidin. — Es ritt ein Ritter. — Jung-
fraulein, soil ich mit euch gehn. — Feinsliebchen, du soUst. — Wach*
auf, mein Hort. — Maria ging aus wandern. 3. Schwesterlein. — Wach*
auf, mein' Herzensschone. — Ach Gott, wie weh thut scheiden. — So
wiinsch' ich ihr ein' gute Nacht. — Nur ein Gesicht auf Erden lebt. —
Schonster Schatz, mein Engel. — Es ging ein Maidlein zarte. 4. Wo
gehst du hin, du Stolze? — Der Reiter. — Mir ist ein schon's, braun's
^laidelein. — Mein Madel hat einen Rosenmund. — Ach, konnt' ich
diesen .'\bend. — Ich stand auf hohem Berge. — Es reit* ein Herr und
auch sein Knecht. 5. Es war ein Markgraf iiber'm Rhein. — All' mein*
Gedanken. — Dort in den Weiden. — So will ich frisch und frohlich sein.
— Och Moder, ich well en Ding han. — We kumm' ich dann de Poets
eren? — Soil sich der Mond nicht heller scheinen? 6. Es wohnet ein
Fiedler. — Du mein einzig Licht. — Des Abends kann ich nicht schlafen
gehn. — Schoner Augen schone Strahlen. — Ich weiss mir'n Maidlein,
hiibsch und fein. — Es steht ein' Lind'. — - In stiller Nacht. 7. (Fiir
Vorsanger und kleinen Chor.) — Es stunden drei Rosen auf einem
Zweig. — Dem Himmel will ich klagen. — Es sass ein schneeweiss'
Vogelein. — Es war einmal ein Zimmergesell. — Es ging sich uns're
Frauen. — Nachtigall, sag', was fiir Griiss'. - — Verstohlen geht der
Mond auf.
Vol. 7 is for low voice.
I 20
153
Brahms
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Brahms
Brahms, Johannes. (Continued.)
Deutsche Volkslieder fiir vierstimmigen Chor. Hett 2.
Leipzig. Rieter-Biedermann. [1868?] No. 3 in M.204.7
Contnls. — In stiller Nacht. — Abschiedslied. — Der todte Knabe.
—Die Wollust in den Mayen. — Morgengesang. — Schnitter Tod. —
Der englische Jager.
Ein deutsches Requiem, nach Worten der heil. Schrift, fiir
Soli [s. BAR.], Chor und Orchester (Orgel ad libitum)
componirt von Johannes Brahms. Op. 45- [Partitur.]
Leipzig. Rieter-Biedermann. [188-?] M.202.11
Same. [Clavierauszug.] M.270.15
13 Canons fiir Frauenstimmen. Op. 113. Leipzig. Peters.
[i88g?] No. 6inM.i94.5
Contents. — Gottlicher Morpheus, vierstimmig. — Grausam erweiset
sich Amor, dreistimmig. — Sitzt a schons Vogerl, vierstimmig. —
Schlaf, Kindlein, dreistimmig. — Wille, wille, will, vierstimrnig. —
So lange Schonheit wird bestehn, vierstimmig. — Wenn die Klange,
vierstimmig. — Ein Gems auf dem Stein, vierstimmig. — An's Auge
des Liebsten, vierstimmig. — Leise Tone der Brust, vierstimmig. — Ich
weiss nicht was im Hain, vierstimmig. — Wenn Kmnmer hattezu tod-
ten, dreistimmig. — Einformig ist der Liebe Gram, sechsstimmig.
Four trios for female voices, with accomp. of 2 horns and
harp [or pianoforte]. Op. 17. London. Novello, Ewer
& Co. [187-?] No. 2 in M.204.7
Contents. — Whene'er the sounding harp. — Come away, Death. —
The gardener. — The death of Trenar.
Fuge. (As moll.) Fiir die Orgel. Leipzig. Breitkopf &
Hartal. [1864.] No. i in M.414.32
Fiinf Gedichte fiir eine Stimme mit Begleitung des Piano-
forte. Op. 19. Ausgabe fiir hohe Stimme. Berlin. Sim-
rock. [189-?] No. 5 in M.380.40.1
Contents. — Der Kuss. — Scheiden und Meiden. — In der Feme. — Der
Schmied. — An eine Aeolsharfe.
The words are in German and English.
Fiinf Gesiinge fur eine Stimme. Ausgabe fiir hohe Stimme.
Op. 69. Heft I. Berlin. Simrock. [1877.]
No. 4 in M.380.40.2
Contents. — Klage: Ach mir fehlt. — Klage: O Felsen. — Abschied.
— Des liebsten Schwur. — Tambourliedchen.
Fiinf Gesange fiir eine Stimme mit Begleitung des Piano-
forte. Op. 71. [With] English versions. Fiir hohe
Stimme. Berlin. Simrock. [1877.] No. 7 in M.380.40.2
Contents. — Es liebt sich so lieblich. — An den Mond. — Geheimniss.
— Willst du dass ich geh? — Minnelied.
Fiinf Gesange fiir eine Stimme mit Begleitung des Piano-
forte. Op. 72. English versions. Fiir hohe Stimme.
Berlin. Simrock. [1877.] No. 8 in M.380.40.2
Contents. — Alte Liebe. — Sommerfaden. — O kiihler Wald. — Verza-
gen. — Uniiberwindlich.
Fiinf Lieder [fiir eine Stimme] mit Begleitung des Piano-
forte. Op. 47. Berlin. Simrock. [1868.]
No. 10 in M.380.40.1
Contents. — Botschaft. — Liebesgluth. — Sonntag. — O liebliche
Wangen. — Die Liebende schreibt.
The words are in German and English.
Funf Lieder [fiir eine Stimme] mit Begleitung des Piano-
forte. Op. 49. Berlin. Simrock. [1868.]
No. 12 in M.380.40.1
Contents. — Am Sonntag Morgen. — An ein Veilchen. — Sehnsucht. —
Wiegenlied. — Abenddammerung.
Fiinf Lieder fiir eine Stimme mit Begleitung des Pianoforte.
Op. 106. Berlin. Simrock. 1889. No. 4 in M.380.40.3
Contents. — Standchen. — Auf dem See. — Es hing der Reiff. — Meine
Lieder. — Ein Wanderer.
Fiinf Lieder fiir eine Singstimme, mit Begleitung des Piano-
forte. Op. 107. Ausgabe fiir hohe Stimme. Berlin. Sim-
rock. 1898. No. S in M.380.40.3
Contents. — An die Stolze. — Salamander. — Das Madchen spricht. —
Maienkatzchen. — Madchenlied.
Fiinf Lieder fiir eine tiefere Stimme, . . . mit Begleitung
des Pianoforte. Op. 105. English version. Berlin. Sim-
rock. [1886.] No. 3 in M.380.40.3
Contents. — Wie Melodien zieht es mir. — Immer leiser wird mein
Schlumnier. — Klage : Feinsliebchen trau' du. — Auf dem Kirchhofe.
— Verrath.
The words are in German and English.
Fiinf Lieder fiir tiefe Stimme mit Begleitung des Pianoforte.
Op. 94. Berlin. Simrock. [1884.] No. 12 in M.380.40.2
Contents. — Mit vierzig Jahren. — Steig' auf, geliebter Schatten. —
Mein Herz ist schwer. — Sapphische Ode. — Kein Haus, keine Hei-
math.
The words are in German and English.
Brahms, Johannes. (Continued.)
Fiinf Lieder fiir vierstimmigen Mannerchor. Op. 41. Leip-
zig. Rieter-Biedermann. [1871?] No. 19 in M.392.S
Contents. — ■ Ich schwing' mein Horn in's Jammerthal. — Freiwillige
he! — Geleit. — Marschiren. — • Gebt Acht.
Gesang der Parzen von Goethe fiir sechsstimmigen Chor
[s. A. A. T. B. B.] und Orchester. Op. 89. Clavier-Auszug.
Berlin. Simrock. 1883. No. 4 in M.194.S
The words are in German and English.
Italian barcarolle. [Part-song, t. t. b. B.] (In The Osgood
collection of part-songs. Vol I, pp. lOi, 102.) M. 193.23.1
Liebeslieder. Songs of love. Walzer fiir das Pianoforte zu
vier Handen (und Gesang ad lib.). Berlin. Simrock.
[187-?] No. I in M.270.14
The words are from Daumer's Polydora, in German and English.
[Liebeslieder.] Neue Liebeslieder. New songs of love.
Translated [from the German of Daumer] by Mrs. Na-
talia Macfarren. Walzer fiir 4 Singstimmen und Piano-
forte zu 4 Handen. Berlin. Simrock. 1875.
No. 2 in M.270.14
Das Lied vom Herrn von Falkenstein, . . . fur eine Sing-
stimme mit Begleitung des Pianoforte von Johannes
Brahms. Op. 43, No. 4. Fiir Mannerchor und Orchester
bearbeitet von Richard Heuberger. Partitur. Leipzig.
Rieter-Biedermann. 1879. No. 15 in M.212.3
Lieder und Gesange von G. F. Daumer fiir eine Singstimme
mit Begleitung des Pianoforte. Op. 57. Englische tJber-
setzung . . . Fiir hohe Stimme. Leipzig. Rieter-Bieder-
mann. [1871.] 2 V. in I. No. I in M.380.40.2
Contents. — i. Von waldbekranzter Hohe. — Wenn du nur zuweilen. —
Es traumte mir. — Ach, wende diesen Blick. 2. In meiner Nachte. —
Strahlt zuweilen. — Die Schnur die Perl' an Perle. — Unbewegte laue
Luft.
Lieder u. Gesange von Aug. v. Platen und G. F. Daumer in
Musik gesetzt fiir eine Singstimme mit Begleitung des
Pianoforte von Johannes Brahms. Op. 32. Leipzig.
Rieter-Biedermann. [188-?] 2 v. in i. No. 6 in M.380.40.1
Contents. — 1. Wie rafft ich mich. — Nicht mehr zu dir zu gehen. —
Ich schleich* umher. — Der Strom der neben mir verrauschte. 2. Wehe,
so willst du mich wieder. — Du sprichst. — Bitteres zu sagen. — So
stehn wir. — Wie bist du, meine Konigin.
The words are in German and English.
Lieder und Gesange fiir eine Singstimrne mit Begleitung
des Pianoforte. Op. 58. Englische tjbersetzung. Fiir
hohe Stimme. Leipzig. Rieter-Biedermann. [1871.]
2 V. in I. No. 2 in M.380.40.2
Contents. — I. Blinde Kuh. — Wahrend des Regens. — Die Sprode. —
O komme, holde Sommernacht. 2. Schwermuth. — In der Gasse. —
Voriiber. — Serenade.
Lieder und Gesange . . . fiir eine Singstimme mit Beglei-
tung des Pianoforte. Op. 59. Englische Ubersetzung.
Fiir hohe Stimme. Leipzig. Rieter-Biedermann. 1874.
2 V. in I. No. 3 in M.380.40.2
Contents. — 1. Dammrung senkte sich von oben. — Auf dem See. —
Regenlied. — Nachklang. 2. Agnes. — Eine gute, gute Nacht. — Mein
wundes Herz. — Dein blaues Aug.
Lieder und Romanzen fiir eine Singstimme mit Begleitung
des Pianoforte. Op. 14. Leipzig. Rieter-Biedermann.
[1861.] No. 4 in M.380.40.1
Contents. — Vor dem Fenster. — Vom verwundeten Knaben. — Mur-
ray's Ermordung. — Ein Sonnett. — Trennung. — Gang zur Liebsten.
— Standchen (Gut Nacht). — Sehnsucht (Mein Schatz ist nicht da).
Lord, how long shall I be out of Thy remembrance? [s. s. a.
Accomp. for organ.] London. Novello, Ewer & Co.
[187-?] No. 4in M.157.16
Also to be found in Novello's Collection of trios, etc.
Marienlieder fiir gemischten Chor. Op. 22, Heft i. Leip-
zig. Rieter-Biedermann. [1865?] No. 4 in M.204.7
Contents. — Der englische Gruss. — Maria's Wallfahrt.
Mondnacht ... fur eine mittlere Singstimme, mit Beglei-
tung des Pianoforte. Neue Ausgabe. Fiir hohe Stimme.
Berlin. Raabe & Plothow. [1886?] No. 7 in M.380.40.3
Nanie von Friedrich Schiller, fiir Chor und Orchester
(Harfe ad libitum) von Johannes Brahms. Op. 82. [Par-
titur.] Leipzig. Peters. 1882. No. 5 in M.332.6
Quartett, C moll, fiir Pianoforte, Violine, Bratsche und Vio-
loncell. Op. 60. [Partitur und Stimmen.] Berlin. Sim-
rock. 1875. No. 2 in M.3S6.2
154
Brahms
THE ALLEN A. BROWN COLLECTION OF MUSIC
Brahms
Brahms, Johannes. (Continued.)
Quartett (in B dur, Nc. 3) fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 67. Partitur. Berlin. Simrock. 1876.
No. 3 in M. 346.40
Quatuor (en la maj.) pour piano, violon, alto et violoncelle.
Op. 26. [Partition.] Paris. Maho. [186-?] M.351.3
Same. [Parties des instruments a cordes.] 3 v.
No. 2 in M.211.6.1, 3, 4
Quatuor (sol min.) pour piano, violon, alto et violoncelle.
Op. 25. [Partition.] Paris. Maho. [186-?] M.3S1.2
Same. [Parties des instruments a cordes.] 3 v.
No. I in M.2II.6.I, 3, 4
Quintett fiir Clarinette (oder Bratsche), 2 Violine, Bratsche
und Violoncell. Op. 115. Partitur. Berlin. Simrock.
1892. No. 2 in M.346.41
Quintett fiir Pianoforte, zwei Violinen, Viola und Violon-
cell. Op. 34. Partitur. Leipzig. Rieter-Biedermann.
[1868?] No. I inM.2H.5.i
Same. [Stimmen.] 4 v. No. 3 in M.211.6.1-4
Quintett fiir 2 Violinen, 2 Bratschen und Violoncell. Op. 88.
Partitur. Berlin. Simrock. 1883. No. 4 in M.346.40
Quintett, Zweites (G dur), fiir 2 Violinen, 2 Bratschen und
Violoncell. Op. 1 11. Partitur. Berlin. Simrock. 1891.
No. I in M.346.41
The refusal [Mannerchor]. Cincinnati. J. Church Co.
[1888.] No. 48 in M.392.3
Rhapsodic. (Fragment aus Gothes Harzreise im Winter.)
Translated into English by R. H. Benson. Fiir eine
Altstimme, Mannerchor und Orchester componirt von
Johannes Brahms. Clavier-Auszug. BerUn. Simrock.
[187-?] No. 2 in M. 270.16
Rinaldo. Cantate von Goethe, fiir Tenor-Solo, Manner-
Chor und Orchester componirt von Johannes Brahms.
Clavier-Auszug. Berlin. Simrock. [1869.]
No. I in M.270.16
Same. English version by J. Powell Metcalfe. Op. 50. Cla-
vier-Auszug. Berlin. Simrock. 1869. No. i in M.392.43
Romanzen [No. 7-15] aus L. Tieck's Magelone fiir eine
Singstimme mit Pianoforte. Op. 33. Heft 3-5. [Fiir
hohe Stimme.] Leipzig. Rieter-Biedermann. 1875. 3 v.
in I. No. 8-10 in M. 380.40.1
The words are in German and English.
Same. 6 Romances from Tieck's Magelone. [For t. with
accomp. for pianoforte.] London. Augener & Co. [1890?]
No. 3 in M.194.5
Schicksalslied. Song of Fate. Von Friedrich Holderlin,
translated into English by M". Natalia Macfarren, fiir
Chor und Orchester. Op. 54. Partitur. Berlin. Simrock.
[1871?] No. I in M.333.9
Same. A song of destiny (Schicksalslied). Translated from
the German of Friedrich Holderlin by J. Troutbeck. [Ac-
comp. for pianoforte.] Op. 54. London. Novello, Ewer
& Co. [187-?] No. I in M.204.7
Sechs Gesange fiir eine Singstimme mit Begleitung des
Pianoforte. Op. 7. Ausgabe fiir eine hohe Stimme. Ber-
lin. Simrock. [188-?] No. 3 in M.380.40.1
Contents. — Treue Liebe. — Parole. — Anklange. — Volkslied (Die
Schwalbe ziehet fort). — Die Trauernde. — Heimkehr.
The words are in German and English.
Sechs Gesange fiir eine Sopran- oder Tenor-Stimme mit Be-
gleitung des Pianoforte. Op. 6. Leipzig. Senff. [190-?]
No. 2 in M.380.40.1
Contents. — Spanisches Lied. — Der Friihling. — • Nachwirkung. —
Juchhe! — Wie die Wolke. — Nachtigallenschwingen.
Sechs Gesange fiir eine Stimme mit Begleitung des Piano-
forte. Op. 3. Ausgabe fiir hohe Stimme. Berlin. Sim-
rock. [189-?] No. I in M.380.40.1
Contents. — Liebestreu. — Liebe und Friihling (No. i). — Liebe und
Friihling (No. 2). — Lied: Weit iiber das Feld ... — In der Fremde.
— Lied : Lindes Rauschen in den Wipfeln.
The words are in German and English.
Sechs Lieder fiir eine tiefere Stimme mit Begleitung des
Pianoforte. Op. 86. Berlin. Simrock. 1882.
No. 1 1 in M.380.40.2
Contents. — Therese. — Feldeinsamkeit. — Nachtwandler. — Uber die
Haide. — Versunken. — Todessehnen.
The words are in German and English.
Brahms, Johannes. (Continued.)
Sechs Lieder fiir eine Stimme mit Begleitung des Piano-
forte. Op. 85. English versions. Fiir hohe Stimme. Ber-
lin. Simrock. [1882.] No. 9 in M.380.40.2
Contents. — Sommerabend. — Mondenschein. — Madchenlied. — Ade.
— Friihlingslied. — In Waldeseinsamkeit.
Sechs Lieder fiir eine Stimme mit Begleitung des Piano-
forte. Op. 97. Ausgabe fiir hohe Stimme. [Englische
tJbersetzung.] Berlin. Simrock. [1886.]
No. 2 in M.380.40.3
Contents. — Nachtigall. — Auf dem Schiffe. — Entfiihrung. — Dort
in den Weiden. — Komm bald. — Trennung.
The words are in German and English.
Serenade, D dur, fiir grosses Orchester. Op. 11. Partitur.
Leipzig. Breitkopf & Hartel. [1861?] M.346.37
Serenade fiir kleines Orchester. Op. 16. Neue Ausgabe.
Partitur. Berlin. Simrock. [186-?] No. i in M.332.6
Sextett [B dur] fiir 2 Violinen, 2 Violen und 2 Violoncelli.
Op. 18. Partitur. Bonn. Simrock. [186-?] No. i in M.346.42
Sextett [G dur] fiir 2 Violinen, 2 Violen und 2 Violoncelli.
Op. 36. Partitur. Bonn. Simrock. [187-?]
No. 2 in M.346.42
Sieben Lieder [fiir eine Stimme] mit Begleitung des Piano-
forte. Op. 48. Berlin. Simrock. [1868.]
No. II in M.380.40.1
Contents. — Der Gang zum Liebchen. — Der Uberlaufer. — Liebes-
klage des Miidchens. — Gold uberwiegt die Liebe. — Trost in Thranen.
— Vergangen ist mir Gliick und Heil. — Herbstgefuhl.
The words are in German and English.
Sieben Lieder fiir eine Stimme mit Begleitung des Piano-
forte. Op. 95. Fiir tiefe Stimme. Berlin. Simrock.
[1884.] No. 13 in M.380.40.2
Contents. — Das Madchen. — Bei dir sind meine Gedanken. — Beim
Abschied. — Der Jager. — Vorschneller Schwur. — Madchenlied. —
Schon war, das ich dir weihte.
The words are in German and English.
7 Lieder fiir gemischten Chor. Op. 62. Berlin. Simrock.
1874. No. S in M.204.7
Contents. — Rosmarin. — Von alten Liebesliedern. — ■ Waldesnacht.
— „Dein Herzlein mild." — „Air meine Herzgedanken." — ■ „Es geht
ein Wehen." — ,, Vergangen ist mir Gliick und Heil."
Senate [Erste, G dur] fiir Pianoforte und Violine. Op. 78.
[Partitur und Violine-Stimme.] Berlin. Simrock. 1880.
No. I in M.356.1
Sonate, Zweite (A dur), fiir Pianoforte und Violine. Op. 100.
[Partitur und Violine-Stimme.] Berlin. Simrock. 1887.
No. 2 in M.3S6.1
Sonate, Dritte (D moll), fiir Pianoforte und Violine. Op.
108. [Partitur und Violine-Stimme.] Berlin. Simrock.
1889. No. 3 in M.356.1
Sonatepour piano et violoncelle. Op. 38. [Partition.] Paris.
Maho. [186-?] No. I in M.210.13
Same. [Partie de violoncelle.] No. i in M.210.14
Sonate, Zweite (F dur), fur Pianoforte und Violoncell.
Op. 99. [Partitur und Violoncell Stimme.] Berlin. Sim-
rock. [188-?] 2 parts in I V. No. i in M.404.41
A song of destiny. See his Schicksalslied.
Symphonie (C moll) fiir grosses Orchester. Op. 68. Par-
titur. Berlin. Simrock. 1877. M.351.4
Symphonie, Zweite (D dur), fiir grosses Orchester. Op. 73.
Partitur. Berlin. Simrock. 1878 No. i in M.351.5
Symphonie, Dritte (,F dur), fiir grosses Orchester. Op. 90.
Partitur. Berlin. Simrock. 18S4. M. 351.6
Symphonie, Vierte (E moll), fiir grosses Orchester. Op. 98.
Partitur. Berlin. Simrock. 1886. M.3S1.7
Tragische Ouverture fiir Orchester. Op. 81. Partitur. Ber-
lin. Simrock. 1881. No. 2 in M.346.39
Trio (A-moIl) fiir Pianoforte, Clarinette (oder Bratsche)
und Violoncell. Op. 114. [Partitur und Stimmen.] Ber-
lin. Simrock. 1892. 4 parts in I v. No. i in M.351.10
Trio rC dur] fiir Pianoforte, Violine und Violoncell. Op. 87.
[Partitur und Stimmen.] Berlin. Simrock. 1883. 3 parts
in I V. No. I in M.351.9
Trio (C moll) fiir Pianoforte, Violine und Violoncell.
Op. loi. [Partitur und Stimmen.] Berlin. Simrock.
1887. 3 parts in i v. No. 2 in M.351.9
Trio [Es dur] pour piano, violon et cor (ou violoncelle).
Op. 40. [Partition.] Paris. Maho. [187-?]
No. 8 in M.211.3.1
155
Brahms
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Brahms
Brahms, Johannes. (Continued.)
Same. [Parties, violon et cor.] 2 v. No. 8 in M.211.4.1, 2
Trio [H dur] pour piano, violon et violoncelle. Op. 8. [Par-
titur.] Paris. Maho. [185-?] No. 7 in M.211.3.1
Same. Trio (H dur) fiir Pianoforte, Violine und Violoncell.
Op. 8. Neue Ausgabe. [Partitur und Stimmen.] Berlin.
Simrock. 1891. [Neuere Werke fiir Kammermusik.]
No. I in M.356.2
Same. [Parties, violon et violoncelle.] 2 v.
No. 7 in M.211.4.1, 2
Triumphlied (Offenb. Job. Cap. 19.) fiir acbtstimmigen Chor
[s. s. A. A. T. T. B. B.] u. Orchester (Orgel ad lib.). Clavier-
auszug. Berlin. Simrock. 1872.
No. 3 in M.270.14.; No. 5 in M. 194.5
Ungarische Tanze. [No. 1-3.] Partitur. Berlin. Simrock.
[1873?] No. I in M.346.35
In the Thematic catalogue of Brahms's works these dances are num-
bered I, 3. 10.
Same. Zwei Ungarische Tanze, fiir Orchester bearbeitet
von Albert Parlow. (No. 5 u. 6 der Original-Ausgabe.)
Partitur. Berlin. Simrock. 1876. No. 2 in M.346.35
Same. Fiir grosses Orchester. Heft 3. (No. 11-16.) Bear-
beitet von Albert Parlow. Partitur. Berlin. Simrock.
1881. No. 3 in M.346.35
Same. Heft 4. [No. 17-21.) Bearbeitet von Albert Parlow.
Partitur. Berlin. Simrock. 1881. No. 4 in M.346.35
Variationen iiber ein Thema von Jos. Haydn fiir Orchester.
Op. s6a. Berlin. Simrock. [187-?] No. 3 in M.346.41
Variationen iiber ein Thema von Robert Schumann fiir
Pianoforte zu vier Handen. Op. 23. Leipzig. Rieter-
Biedermann. [1866.] No. 3 in M.410.6
Same. Fiir Orchester bearbeitet von Theodor Miiller-Reu-
ter. Partitur. Leipzig. Rieter-Biedermann. 1901.
No. 2 in M.410.6
Vier ernste Gesange fiir eine Bassstimme, mit Begleitung
des Pianoforte. Op. 121. English text. Berlin. Simrock.
1896. No. 6 in M.380.40.3
Contents. Denn es gehet. — Ich wandte mich. — O Tod, o Tod. —
Wenn ich mit Menschen.
Vier Gesange fiir eine Singstimme rait Begleitung des
Pianoforte. Op. 43. [With] English translation. Leip-
zig. Rieter-Biedermann. [187-?] No. 8 in M.380.40.1
Contents. — Von ewiger Liebe. — Die Mainacht. — Ich schell' mein
Horn in's Jammerthal. — Das Lied vom Herrn von Falkenstein.
The words are in German and English.
Vier Gesange fiir eine Stimme. Ausgabe fiir hohe Stimme.
Op. 69. Heft 2. Berlin. Simrock. [1877.]
No. 5 in M.380.40.2
Contents. — Vom Strande. — Ober die See. ^ Salome. — Madchen-
fluch.
Vier Gesange fiir eine Stimme mit Begleitung des Piano-
forte. Op. 46. Ausgabe fiir hohe Stimme. Berlin. Sim-
rock. [1868.] No. 9 in M.380.40.1
Contents. — Die Kranze. — Magyarisch. — Die Schale der Vergessen-
heit. — An die Nachtigall.
The words are in German and English.
Vier Gesange fiir eine Stimme mit Begleitung des Piano-
forte. Op. 70. Translated into English. Fiir hohe
Stimme. Berlin. Simrock. [1877.] No. 6 in M.380.40.2
Contents. — Im Garten am Seegestade. — Lerchengesang. — Serenate.
— Abenderegen.
Vier Lieder fiir eine Singstimme mit Begleitung des Piano-
forte. Op. 96. . . . Berlin. Simrock. 1886.
No. I in M.380.40.3
Contents. — Der Tod, das ist die kiihle Nacht. — Wir wandelten. — Es
schaun die Blumen. — Meerfahrt.
The words are in German and English.
Volks-Kinderlieder, mit hinzugefiigter Clavierbegleitung.
Leipzig. Rieter-Biedermann. [188-?] No. 8 in M.380.40.3
Contents. — Dornroschen. — Die Nachtigall. — Die Henne. — Sand-
mannchen. — Der Mann. — Haidenroslein. — Das Schlaraffenland. —
— Beim Ritt au{ dem Knie (UU Mann). — Beim Ritt auf dem Knie
(Alt* Mann). — Der Jiiger im Walde. — Das Madchen und die Hasel.
— Wiegenlied. — Weihnachten. — Marienwiirmchen. — Der Schutz-
engel.
Wiegenlied (Lullaby, Op. 49, No. 4,) . . . fiir Mannerchor
(a capella) bearbeitet von A. Zander. Berlin. Simrock.
1885. No. 18 in M.392.5
The words are in German and English.
Brahms, Johannes. (Continued.)
Zwei Gesange fiir eine Altstimme mit Bratsche und Piano-
forte. Op. 91. Berlin. Simrock. [1889.] 2 parts in i v.
No. 10 in M.380.40.2
Contents. — Gestillte Sehnsucht. — Geistliches Wiegenlied.
With separate parts for voice and violin.
The words are in German, English, and French.
Zwei Motetten. Op. 74. Translated into English by Natalie
Macfarren. Berlin. Simrock. 1879. 2 parts in i v.
No. 6, 7 in M.204.7
Contents. — Warum ist das Licht gegeben? — ,,0 Heiland, reiss' die
liimmel auf."
Zwei Quartette fiir 2 Violinen, Bratsche und Violoncell.
Op. 51. Partitur. Berlin. Simrock. 1873. 2 v. in i.
Contents. — No. I. C moll. — No. 2. A moll. No. I, 2 in M.346.4O
Zwei Sonaten fiir Clarinette (oder Bratsche) und Piano-
forte. [Partitur und Clarinette-Stimme.] Berlin. Sim-
rock. 1895. 2 V. in I. No. 2, 3 in M.351.10
Brahms, Johannes, editor.
Chopin. Werke. M.316.2
Mozart. Werke. M.31S.1
Brahms, Johannes. Bibliography.
Thematisches Verzeichniss sammtlicher im Druck erschie-
nenen Werke von Johannes Brahms. Nebst systemati-
schem Verzeichniss und Registern. Berlin. Simrock.
1897. M.214.3
Brahms, Johannes. Works about.
Beyer, C. Johannes Brahms. Klavierkonzert in D-moll,
Op. 15, erlautert. Frankfurt a. M. [1895.]
No. 18 in M.217.12.1
Johannes Brahms, Ein deutsches Requiem, Op. 45.
Erlautert. Frankfurt a. M. [1895.] No. 40, 41 in M.217.12.2
Deiters, H. Johannes Brahms. [Leipzig. 1881.]
No. 5 in M.215.4
Johannes Brahms: a biographical sketch. Translated
by Rosa Newmarch. Edited by J. A. Fuller Maitland.
London. 1888. Portrait. M. 101.29
Dietrich, A. H., editor. Erinnerungen an Johannes Brahms
in Briefen besonders aus seiner Jugendzeit. Leipzig.
1898. Portrait. No. i in M.102.24
Heuberger, R. F. J. Johannes Brahms, Konzert fiir Violine
mit Begleitung der Orchesters. Op. 77. Erlautert. Frank-
furt a. M. [1895.] No. 36inM.2i7.i2.2
Johannes Brahms, Rhapsodic, Op. 53; Nanie, Op. 82.
Erlautert. Frankfurt a. M. [1895.] No. 44 in M.217.12.2
Johannes Brahms, Trio fiir Pianoforte, Klarinette
(oder Bratsche) und Violoncello, Op. 114; Quintett fiir
Klarinette (oder Bratsche), 2 Violinen, Bratsche und Vio-
loncello, Op. 115. Erlautert. Frankfurt a. M. [1895.]
No. 45 in M.217.12.2
Knorr, L Johannes Brahms. Triumphlied fiir acbtstimmi-
gen Chor und Orchester. Op. 55. Erlautert. Frankfurt
a. M. [1898.] No. i7inM.2i7.i2.6
Johannes Brahms. Serenade fiir grosses Orchester
(D-dur, Op. n). Erlautert. Frankfurt a. M. [1898.]
No. 16 in M.217.12.6
Johannes Brahms. Serenade fiir kleines Orchester,
Op. 16, erlautert. Frankfurt a. M. [1895.]
No. 16 in M.217.12.1
Johannes Brahms, Sextett fiir Streichinstrumente.
(No. 2, G-dur, Op. 36.) Erlautert. Frankfurt a. M. [1897.]
No. 5 in M.217.12.3
Johannes Brahms. Sextett in B-dur, Op. 18, erlautert.
Frankfurt a. M. [1895.] No. 23 in M. 217.12.1
Johannes Brahms, i. Symphonie (C-moU, Op. 68).
Erlautert. Frankfurt a. M. [1898.] No. 2oin M.217.12.3
Johannes Brahms, Zweite Symphonie (D-dur). Op.
73. Erlautert. Frankfurt a. M. [1898.] No. 8 in M.217.12.4
Johannes Brahms. Variationen iiber ein Thema von
J. Haydn fiir Orchester, Op. 56a, erlautert. Frankfurt a.
M. [1894.] No. 3 in M.217.12.1
Macfarren, G. A. Analytical remarks ... on a German
requiem. London. [1873.] No. 2 in M. 216.18
156
Brahms
THE ALLEN A. BROWN COLLECTION OF MUSIC
Branch
Brahms, Johannes. (Continued.)
RiEMANN, H. Johannes Brahms. 3. Symphonie (F-dur).
Op. 90. Erliiutert. Frankfurt a. M. [1898.]
No. I in M.217.12.5
Johannes Brahms, IV. Symphonie (E-moll). Op. 98.
Erliiutert. Frankfurt a. M. [1898.] No. 15 in M.217.12.S
Schwab, F. A. Johannes Brahms. lUus. Portraits. (In
The music of the modern world. Vol. i, pp. 176-178. New
York. [189s] M.14.1.1
SiTTARD, J. Johannes Brahms. Akademische Fest-Ouver-
tiire. Op. 80. Die Tragische Ouverture, Op. 81. Erlautert.
Frankfurt a. M. [1895.] No. 25 in M.217.12.2
Johannes Brahms. Schicksalslied, Op. 54; Gesang
der Parzen, Op. 89. Erlautert. Frankfurt a. M. [1895.]
No. 37 in M.217.12.2
SoEHLE, C. Johannes Brahms, Klavierkonzert (No. 2) in
B-dur. Op. 83. Erlautert. Frankfurt a. M. [1898.]
No. 13 in M.217.12.6
WiTTE, G. H. Johannes Brahms. Konzert fur Violine und
Violoncell mit Orchester. Op. 102. Erlautert. Frank-
furt a. M. [1898.] No. loin M.217.12.6
Brah-Mueller, Carl Friedrich Gustav.
Nachtlieder. 3 Mannerquartette. Op. 34. Leipzig. Siegel.
[1875?] No. 10 in M.392.37
Contents. — Die Sterne. — An die Nacht. — Sommermondnacht.
Brainard, Charles H.
John Howard Payne: a biographical sketch. Boston.
Cupples, Upham & Co. 1885. Portraits. Plates. Fac-
simile. M.112.4
Brakl, Franz Josef.
Moderne Spieloper. 2. Auflage. Miinchen. Franz. 1886.
Portraits. Facsimiles. M.ios.27
Der Savoyarde. Burleskes Singspiel von Franz Josef Brakl
und Victor Leon [Pseud.]. Musik von Ottokar Feith.
No. 2 in M.agg.Si
Brambacb, Caspar Joseph.
Acht schottische und irische Volksmelodien fiir Manner-
stimmen bearbeitet. Leipzig. Kistner. [186-?] 2 parts
in I V. No. 42, 43 in M.392.3
Contents. — i. Frisch, Krieger, schenk den Becher ein. — • Schau her,
mein Lieb*. — Da deine Schwiire all*. — O Charlie ist mein Liebling.
2. Noch denk* ich. — O wann kehrst du zuriick. — Von alien Mad-
chen. — Noch einmal wecken Thranen bang.
Alcestis, nach J. G. von Herder's „Admetus' Haus" fiir Man-
nerchor, Soli und Orchester componirt von C. Jos. Bram-
bach. Clavier-Auszug. Leipzig. Kistner. [187-?]
No. 2 in M.270.17
Am Rhein. 2 Chore fiir Mannerstimmen mit Orchesterbe-
gleitung, aus G. Kinkel's „Otto der Schiitz," componirt
von C. Jos. Brambach. Klavierauszug. Bonn. Cohen.
[187-?] No. I in M.270.18
Ariadne. Oper in 3 Acten von Otto Freudenberg. Musik
von C. Jos. Brambach. Clavierauszug. Leipzig. Kistner.
[188-?] M.275.7
Same. Ouverture zur Oper „Ariadne." Partitur. Leipzig.
Kistner. [188-?] No. 3 in M.332.6
"Columbus!" For male chorus, soli and orchestra, by C.
Joseph Brambach . . . Words by Wilhelm von Wald-
briihl [pseud.]. English words by Auber Forestier [pseud.].
Op. 60. [Full score.] Milwaukee. Rohlfing & Co. 1886.
M.352.10
Same. [Vocal score. Accomp. for pianoforte.]
No. 5 in M.203.9
3 Gesange fiir Mannerchor. Op. 65. Leipzig. Forberg.
[1888?] 3 parts in i v. No. 24-26 in M.392.5
Contents. — i. Herbststurm. 2. Mondnacht. 3. Trinklied.
Easter morning. [Part-song, t. t. b. b.] (In The Osgood
collection of part-songs. Vol. i, pp. 84-87.) M.193.23.1
Das Eleusische Fest, von Friedrich von Schiller, fiir Soli
(s. und BAR.), Chor und Orchester componirt von C. Jos.
Brambach. [Clavierauszug.] Bonn. Cohen. [186-?]
No. 2 in M.270.18
Ein frohlicher Sang. [Mannerchor.] (In Das Riitli. Pp.
281-284.) No. 119b in M. 147.4
Gesang der Geister iiber den Wassern [t. t. b. b.]. Op. 56.
Bonn. Cohen. [1884.] No. 22 in M.392.5
Brambach, Caspar Joseph. (Continued.)
Gruss an den Wald. [Mannerchor.] (In Stuttgarter Lie-
derkranz. Mannerchor-Album. Pp. 14-16.)
No. s in M.203.22
Lenzerwachen [Mannerchor]. Op. 46. Coin. Tonger.
[1884?] No. 21 in M.392.S
Lorelei. Nach einer Dichtung von W. von Waldbriihl
[Pseud.]. Dramatische Scene fiir Mannerchor und Mezzo-
Sopransoli mit Begleitung des Orchesters oder des Piano-
forte, componirt von C. Jos. Brambach. Clavierauszug.
Leipzig. Forberg. [188-?] No. 2 in M.280.11
Die Macht des Gesanges von Fr. v. Schiller. Cantate fiir
Manner-Chor, Soli und Orchester componirt . . . von C.
Jos. Brambach. Op. 6. Clavierauszug. Mainz. Schott.
[ 1863 ?] No. 4 in M.392.40
Meeresstille und gliickliche Fahrt [Mannerchor]. Op. 40,
No. I. Mainz. Schott. [1883.] No. 20 in M.392.5
Nacht am Meere. Chor fiir Mannerstimmen mit Begleitung
des Orchesters. Op. 12. Partitur. Leipzig. Kistner.
[ 1873 ? ] No. 3 in M.392.46
Same. Clavier-Auszug. No. i in M.270.17
Nanie. Gedicht von Fr. von Schiller. Fiir Mannerchor mit
Begleitung von 4 Hornern, 3 Posaunen, Tuba und Pauken
componirt von C. Jos. Brambach. Op. 67. Partitur mit
unterlegtem Clavierauszug. Leipzig. Kistner. [1887?]
No. 2 in M.203.I
Prometheus. Nach J. G. von Herder's „Der entfesselte
Prometheus" fiir Mannerchor, Soli und Orchester com-
ponirt von C. Jos. Brambach. Clavierauszug. Bonn.
Cohen. [187-?] No. i in M.280.11
Salve, Regina. Fiir Chor, Sopransolo und Orchester. Op.
73. Klavierauszug. Leipzig. Siegel. [188-?]
No. I in M. 194.6
Sommernacht. Fiir Mannerchor. Leipzig. Licht & Meyer.
[188-?] No. 27 in M.392.5
Sonnenaufgang. Fiir Mannerchor. Op. 59. Leipzig. Kist-
ner. [1886?] No. 23 in M.392.S
Velleda. Gedicht von Gustav Pfarrius, fur Mannerchor,
Soli und Orchester componirt von C. Jos. Brambach.
Op. 7. Neue veranderte Ausgabe. Clavier-Auszug. Mainz.
Schott. [1864.] No. SinM.392.4o;No. I inM.392.44
Vier Chorlieder fiir Mannerstimmen. Op. 72. Leipzig.
Siegel. [188-?] 4 parts in I V. No. 44-47 in M-392-3
Contents. — Maiennacht. — Die Fruhlingszeit. — In den Wald! —
Wanderrast.
Waldmeisters Brautfahrt. (May's advent.) Gedicht von
Miiller von der Werra (English version by E. Buek), fiir
Mannerchor mit Orchester oder Pianoforte componirt
von C. Jos. Brambach. Clavierauszug. Leipzig. Kistner.
[1890.] No. 3 in M.270.18
Zwei Concertstiicke fiir gemischten Chor mit Begleitung
des Orchesters, oder des Pianoforte, componirt von C.
Jos. Brambach. Op. 61. Leipzig. Kistner. [188-?] 2
parts m i v.
No. I, 2 in M.2Q2.I4
Contents. — I. Morgensehnsucht, mit Begleitung des Orchesters. 2.
Friihlingsmorgen. Clavierauszug.
Brambilla, Marietta.
L'allegro. Ballata [a. ou b. Accomp. de piano]. (/» Fleurs
d'ltalie. Pp. 110-113.) No. 2 in M.364.10
La tenerezza. Romanza [s. ou t. Accomp. de piano]. (In
Fleurs d'ltalie. Pp. 4-7-) No. 2 in M.364.10
Bramley, Henry Ramsden, editor.
Christmas carols, new and old. The words edited by the
Rev. Henry Ramsden Bramley. The music edited by
John Stainer. London. Routledge. [1873.] Plate. M.122.32
Brammall, John Holland, compiler.
Simon Peter. A service of sacred song. Being a collection
of Scripture passages and hymns illustrating the principal
scenes in the life of the holy Apostle. The tunes selected
from "The hymnary." London. Novello, Ewer & Co.
[1874.] No. II inM.370.31
Branca, Emilia. See Romani, Emilia Branca.
Branch, Henry.
Momo. A Japanese operetta. Music by Ernest A. Dicks.
No. 3 in M.397.62
157
Branche
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Brautgesang
Branche cassee, La. Opera. For the Music see Serpette. For
the Libretto see Jaime.
Branche d'amandier, La. Song. Cressonnois. Harmonies.
No. 2 in M.ags.g
Brandeis, Frederick.
The sunken cloister. Ballade from the German of Uhland.
Composed for a chorus of mixed voices with piano ac-
comp. by Frederick Brandeis. Op. 63. New York. Pond
& Co. 1882. No. 3 in M.213.3
Brandes, Johann Christian.
Ino. Ein musikaHsches Drama, mit Musik von J. F.
Reichardt. No. i in M.1S0.5
Brandl, Johann.
Masse fiir 4 Mannerstimmen. Manuscript. [Regensburg?
j8 ?] No.S in M.191.2
[Preis, Anbetung und Dank.] Hymnus von Christian Er-
hard Eccard, in Musik gesetzt fiir 4 Singstimmen [s. s.
T. B.] und Forte Piano von J. Brandl. Carlsruhe. Velten.
[183-?] No. 4 in M.221.34
Die Tochter des Dionysos. Komische Oper v. Max Wald-
stein. Musik von Johann Brandl. [Klavierauszug.]
Hamburg. Cranz. [188-?] No. 2 in M.26S.18
Brandt, Adolf.
August Klughardt. Die Zerstorung Jerusalems, Oratorium.
Erliiutert von Adolf Brandt. Leipzig. Seemann. [1899?
Der Musikfiihrer.] No. 5 in M.217.12.7
Brandt, August.
Mein Preussenland. Gedicht von Th. Gesky, fiir Manner-
chor mit Begleitung von Blasinstrumenten componirt von
Aug. Brandt. Op. 24. Partitur mit Clavierauszug. Halle.
Karmrodt. [186-?] No. 3 in M.203.1
Brandt, Martin Gottlieb Wilhelm.
Leben der Luise Reichardt. Karlsruhe. Holzmann. 1858.
No. 2 in M.115.12
Brandts-Buys, Jan.
Meeressang. De zang der zee, fiir Orchester. Op. 4. Par-
titur. Hamburg. Cranz. [1892?] No. i in M.403.9
Quintett (D dur) fiir Flote, zwei Violinen, Viola und Vio-
loncell. Partitur. Wien. Doblinger. [1904?!
No. I in M.4i2a.6
Brandts-Buys, Ludwig Felix.
Das Singenthal. The vale of song. Ballade v. Ludwig Uh-
land, translated into English by Miss C. v. M. Fiir Chor,
Baritonsolo und Orchester. Op. 23. Clavier-Auszug.
Rotterdam. Alsbach & Co. [188-?] No. 3 in M.193.2
Branscombe, Arthur.
Morocco bound. A musical farcical comedy. Music by F.
Osmond Carr. M.393.10
Brard, R.
Un duel a Valence. Opera comique de R. Brard et H. Le-
febvre. Musique de N. Louis. M.3go.20
Brass bands.
Smith, F. M. The evolution of the brass band. {In The
music of the modern world.) M.14.1.1
Brassetti,
Praise ye the Lord. Coro. [Accomp. for piano.] (In Hul-
lah. Part music. Sacred. Vol. 2, pp. 78, 79.)
No. 27 in M.1S7.28.2
Also to be found in Latrobe's Selection of sacred music.
Brasseur, Le, de Preston. Opera. For the Music see Adam,
Adolphe C. For the Libretto see Ribbing.
Brassin, Louis.
Concerto pour le piano avec accomp. d'orchestre. Op. 22.
Partition pour piano seul. Leipzig. Breitkopf & Hiirtel.
[1864?] No. 4inM.332.6
Conzert (No. 2 in D moll) fiir Pianoforte mit Begleitung des
Orchesters . . . [Partitur. Manuscript. 186-?] M.410.13
Bratsch, Johann Georg.
Der arme Thorns. [Lied fiir eine Singstimme, a. oder bar.,
mit Begleitung des Pianoforte.] Manuscript, [185-?]
No. 3 in M.236.6
Ihr verbliihet, siisse Rosen. [Lied fur eine Singstimme, s.
Oder T., mit Begleitung des Pianoforte.] Mainz. Schott.
[186-?] No. 2 in M.236.6
Bratsch, Johann Georg. (Continued.)
O sieh mich nicht so lachelnd an. [Lied fiir eine Sing-
stimme, EAR., mit Begleitung des Pianoforte.] Mainz.
Schott. [186-?] No. I in M.236.6
Bratton, John W.
The man from China. A musical comedy. Book & lyrics
by Paul West. Music by John W. Bratton. Vocal score
[with piano accomp.]. New York. Witmark. 1904.
M.397.10
The pearl and the pumpkin. A musical extravaganza.
Book by Paul West and W. W. Denslow. Lyrics by Paul
West. Music by John W. Bratton. Vocal score [with
pianoforte accomp.]. New York. Witmark. 1905.
M.399.72
Brauer, Max.
Der Lotse. Oper in einem Act. Dichtung von Ferdinand
Lamey. Musik von Max Brauer. Klavierauszug mit
Text. Leipzig. Forberg. [189-?] No. i in M.393.7
Suite (E moll) fiir Streichorchester . . . Op. 14. Partitur.
Leipzig. Forberg. [1892.] No. 4in M.338.11
Brault, Jules.
Monsieur Abelard. Operette en i acte. Paroles de Gaston
Bonnefont. Musique de Jules Brault. [Partition chant
et piano.] Paris. Dupont. [189-?] No. 3 in M.393.6
Braun, Anton.
Mutterseelenallein. [Mannerchor.] (In Das Rutli. Pp.
536, 537) No. 227 in M.147.4
Same. All sole alone [t. t. b. b.]. Brooklyn. Molineux.
[188-?] No. 28 in M.392.S
Also to be found in Chickering collection.
Braun, Carl Anton Philipp, editor.
LoRTZiNG. Der Pole und sein Kind. No. i in M.320.29
Mueller, A. 1801-1886. [Lumpaci vagabundus.]
No. 2 in M.320.29
Braun, Carl Johann, Ritter von Braunthal.
Une nuit a Grenade. Opera romantique, musique de C.
Kreutzer. M.366.18
Braun, Charles.
„Ritter Olaf" (Sir Olaf). Romance by Heine. The English
version by Edward Breck & Francis Prange. The music
for solo voices [t. & b.], chorus & orchestra by Charles
Braun. Op. 2. Pianoforte score, with English and Ger-
man text. London. Ashdown. [188-?] No. 2 in M.194.5
Braun, Josef.
Der Carneval in Rom. Operette. Musik von Johann Strauss.
M.323.19
Braune, Friedrich Wilhelm Otto.
Agnus Dei, for a contr'alto or bar. voice, with piano-forte.
London. Ewer & Co. [186-?] No. 23 in M.260.10.4
Friihlingslied [t. t. b. b.]. {In Otto, E. J. Ernst und Scherz.
Heft 58, pp. 18, 19.) No. 6 in M.392.20
Jagdlied [t. t. b. b. Leipzig. Leuckart. 186-?].
No. 42 in M.392.24; No. 8 in M.392.42.1
Rubin und Gold. [Miinnerchor.] {In Otto, E. J. Ernst und
Scherz. Heft 43, pp. 16, 17.) No. 3 in M.392.20
Braut, Die. Part-song. Marschner, H. A.
No. 250 in M.i29a.43.S
Braut, Die. Song. Henschel, G. Serbisches Liederspiel.
No. 2 in M.194.15
Braut von Cypern, Die. Opera. For the Music see Kulen-
kampf, G. For the Libretto see Putlita, C.
Braut von Kynast, Die. Opera. For the Music see Litolff.
For the Libretto see Fischer, F.
Braut von Lusignan, Die. Opera. For the Music see Hent-
schel. For the Libretto see HoffscMaeger.
Braut von Messina. Overture. Schulz-Schwerin. M.412.10
Schumann, R. A. No. 2 in M.344.18
Brautgang, Der. Opera. For the Music see Oelsner. For the
Libretto see Ewald, O.
BrautgesEmg. Part-song. Schumann, R. A. Romanzen u. Bal-
laden fiir Chorgesang. No. 16 in M.is8.2i; etc.
Brautgesang. Song. Taubert, C. G. W. VII Lieder.
No. I in M.ig2.6
158
Brauthymne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Brer
Brauthymne. Cantata. For the Music see Zopff. For the
Libretto see Uhland.
Brautlied. Song. Taubert, C. G. W. Sechs Lieder.
No. 13 in M.ig2.6
Brautlieder. Songs. Cornelius. Werke. Band i. M.414.20.1
Brautlotterie, Die. Overture. Messager. No. 3 in M.410.47
Brautmarkt, Der, zu Hira. Opera. For the Music see Zepler.
For the Libretto see Cohn.
Brave Grenadier, Der. Part-song.
Abt, F. Fiinf Gesange. No. 4 in M.392.39
Jansen, F. G. No. 23 in M.392.42.3
Brave, old land, The. Part-song. Linley, G. No. 7 in M.157.5.1
Brave Reitersmann, Der. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Bravo, Le. Ofera. For the Music see Marliani; also Salvayre.
For the Libretto see Berettoni; also Blavet.
Bravo, II. La veneziana ossia il bravo. Opera. For the Music
see Mercadante. For the Libretto see Rossi, G.
Bravo, Le, et la Venitienne. Opera. For the Music see Lau-
rens. For the Libretto see Blondelet.
Brave's heir. The. Opera. For the Music see Simpson, P.
For the Libretto see Simpson, J. P.
Bray, Anna Eliza.
Handel: his life, personal and professional. London.
Ward & Co. 1857. M.109.9
Brazen serpent. The. Cantata. For the Music see Naylor.
Bread of the world. Anthem. Buck, D. No. 11 in M.290.11
Porter, W. T. No. 23 in M.203.28
Break, break, break. Part-song.
Macfarren, G. a. No. 2 in M.195.1.2
WisKE. No. 24 in M.3g2.27
Break forth into joy. Anthem.
Palestrina. No. 10 in M.233.2S.1
Prentice. No. 14 in M.195.2.4
Sewell, J. No. 17 in M. 190.7
Smith, W. S. No. 51 in M.158.19
Breaking the spell. Opera. For the Music see Offenbach. For
the Libretto see Farnie.
Breaking thro' the silence. Part-song. Abt, F.
No. 26 in M.157.17.3
Breathe, my harp. Quartet. Bishop, H. R.
No. 37 in M.235.22; etc.
Breathe soft, ye winds. Part-song..
Calkin. No. 14 in M.195.1.3; etc.
Paxton, W. No. 13 in M.i3ga.i8.3; etc.
Webbe, S. No. 3 in M.220.34; etc.
Breathing organ. The. Part-song. Horsley, W.
No. 13 in M. 235.9.5; etc.
Breche, Le, au diable. Song. Louis, N. No. 24 in M. 390.30
Brecher, Gustav.
Aus unserer Zeit. Fine symphonische Fantasie nach Versen
von John Henry Mackay, fijr grosses Orchester. Op. 2.
Partitur. Leipzig. Zimmermann. [1896.] M.403.10
Hector Berlioz. "Le carnaval romain." Konzertouvertiire.
(Op. 9.) Erlautert von Gustav Brecher. Leipzig. See-
mann. [1899? Der Musikfiihrer.] No. 23 in M.217.12.7
Richard Strauss. Aus Italien, symphonische Phantasie.
(Op. 16.) Erlautert von Gustav Brecher. Leipzig. See-
mann. [1899? Der Musikfiihrer.] No. 4 in M.217.12.8
Richard Strauss. Eine monographische Skizze. Leipzig.
Seemann. [1900.] Portrait. [Moderner Musiker.]
No. 3 in M. 102.37
Breck, Edward, translator.
Braun, Charles. „Ritter Olaf." No. 2 in M. 194.5
-Bree, Johan Bernard van.
Missa duabus vocibus aequalibus comitante organo. Am-
stelodami. Theune & soc. [184-?] No. 13 in M.260.2
Missa [quatuor vocibus comitante orchestra], edita a Socie-
tate Hollandica musicae promovendae. [Partitura.]
Roterodami. Coenen. 1834. M.20I.23
Requiem. Missa pro defunctis tribus vocibus humanis
comitante organo concinenda. Amstelodami. Theune
& soc. [184-?] No. 12 in M.260.2
Bree, Johan Bernard van. (Continued.)
St. Cecilia's day, a cantata, translated from the Dutch. The
music composed for solo [s. or t.] and chorus, with piano-
forte accomp. by I. B. van Bree. London. Novello.
[185-?] M.290.7; No. I in M.270.22
Six masses for 2, 3, or 4 voices, with an accomp. for the
organ or pianoforte. [By Van Bree and others.] Lon-
don. Novello. [185-?] 6 parts in i v. M.260.4
Contents. — 1-3. Mass in C, D, and F (with Tantum ergo). 4. Mass
in D, by W. Smits. 5. Mass in F, by J. J. Viotta. 6. Mass in C, by
Julius Miller.
Youth and love. Part-song [a. t. t. b.]. Arranged and
adapted by Theodore Distin. (In The Orpheus. New
series. Vol. 7, pp. 120-125.) No. 24 in M.20S.10.7
Breidenstein, Heinrich Carl.
Festgabe zu der am i2ten August 1845 stattfindenden Inau-
guration des Beethoven-Monuments [zu Bonn]. Bonn.
Habicht. 1845. Plates. 2 facsimiles. M.372.I4
Der Kapellmeister von Venedig. Musikalisches Quodlibet
. . . im Klavierauszug. Mainz. Schott. [180-?]
No. I in M.220.20
Zur Jahresfeier der Inauguration des Beethoven-Monu-
ments [zu Bonn]. Bonn. Habicht. 1846. Plate. M.372.13
Breit iiber mein Haupt dein schwarzes Haar. Song. Strauss,
R. 6 Lieder aus „Lotosblatter." No. 12 in M.380.24.1
Breitenbach, J. H.
Dich preist, AUmachtiger. Hymne [t. t. b. b.]. (In Das
Riitli. Pp. 30-35.) No. II in M.147.4
[Lobet den Herrn.] Der 150. Psalm. [Miinnerchor.] (In
Eidgenossischer Sangerverein. Mannerchore fiir das 11.
. . . Sangerfest. Pp. 22-25.) No. 2 in M. 130.7
Breitenstein, Heinrich Carl. See Breidenstein, Heinrich Carl.
Breitkopf und Hartel.
Verzeichniss des Musikalien-Verlages. Vollstandig bis
Ende 1874. [Leipzig. 1875.] M. 148.22
Added Musik-Verlagsbericht, 1875, 76.
Brelan de begues. Opera. For the Music see Hubans. For
the Libretto see Fromage-Chapelle.
Brelan de dames. Opera. For the Music see Louis, N. For
the Libretto see Morin, L. J.
Bremer, Friedrich.
Handlexikon der Musik. Eine Encyklopadie der ganzen
Tonkunst. Leipzig. Reclam. [1882. Universal-Biblio-
thek.) M.205.2S
Bremont, Anna, Comtesse de.
The world of music. London. Gibbings. 1892. 3 v. M.109.27
Contents. — I. Great composers. 2. Great singers. 3. Great virtuosi.
Brendel, Carl Franz.
Geschichte der Musik in Italien, Deutschland und Frank-
reich. Leipzig. Hinze. 1852. M.i45.g
Die Musik der Gegenwart und die Gesammtkunst der Zu-
kunft. Leipzig. Hinze. 1854- No. 3 in M.135.13
Largely devoted to Wagner.
Brenet, Michel, pseud. See Bobillier, Marie.
Brennende Liebe. Duet. Cornelius. Werke. Band 2.
M.414.20.2
Brennende Liebe. Part-song. Nessler. No. 35 in M.392.19
Brenno. Opera. For the Music see Reichardt, J. F. For the
Libretto see Filistri.
Brennure, Marcel.
Le sang de la sirene. Legende musicale. Musique de Ch.
Tournemire. No. 3 in M.38g.i4
Brentano, Clemens.
Die lustigen Musikanten. Componirt . . . von Ferdinand
Hiller. No. i in M.3gi.45
Brentano, Franz.
Katalog einer werthvoUen Sammlung von Autographen und
Urkunden aus dem Nachlasse des Schoeffen und Senators
Franz Brentano und . . . Antonia Brentano . . . CEffent-
liche Versteigerung ... 9 April 1S96 . . . durch die Buch-
handlung Joseph Baer & Co. . . . Frankfurt a. M. 1896.
Most of the works are priced. No. 2 in M.372.48
Brer Rabbit and Uncle Remus. Opera. For the Music see
Williams, J. For the Libretto see Parke.
159
Bresil
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bridaine
Bresil, Jules Henri. _ t^ , ■
L'escadron volant de la reine. Opera-comique. Paroles de
MM A. d'Ennery [pseud.] & J. Bresil. Musique de
Henry Litolff. M.306.25
Si j'etais roi. Opera comique. Poeme de MM. d'Ennery
[pseud.] et Bresil. Mis en musique . . . par Adolphe
Adam. M.361.4
Le tribut de Zamora. Grand opera de Adolphe d'Ennery
[pseud.] et Jules Bresil. Musique de Ch. Gounod. M.266.22
Bresilienne. God.\rd, B. L. P. No. 8 in M.332.21
Breslauer Orchester-Verein.
BoHN, E. Festschrift zur Feier der 25Jahrigen Bestehens
des Breslauer Orchester-Vereins. Breslau. 1887.
No. 5 in M.112.17
Bresler, Carl Heinrich.
Das Gediichtniss der Entschlafenen. Oratorium. In Musik
gesetzt von F. W. Markull. M.247.24
Bretagne. Cantata. For the Music see Nolopp. For the Li-
bretto see Prutz.
Breton y Hernandez, Tomas.
Gli amanti di Teruel. Dramma lirico in quattro atti e un
prologo. Parole e musica di Tomas Breton. Opera com-
pleta per canto e pianoforte. Milano. Ricrodi & C. [1889.]
M.sgg.e
La Dolores. Dramma lirico in tre atti, parole e musica di
Tomas Breton. (Versione italiana di E. Golisciani.) Opera
completa per canto e pianoforte. Madrid. Casa-Romero.
[1895.] Portrait. M.383.54
Brett, Harry, translator.
MoTTL, Felix. Pan im Busch. (Pan and his pipes.)
No. 2 in M.38i.2g
Bretzner, Christoph Friedrich.
Clara Herzogin von Britannien. In Musik gesetzt von
G. B. Bierey. M.230.21
Die Entfiihrung aus dem Serail. Oper von W. A. Mozart.
No. I in M.110.14; etc.
Same. II seraglio. An opera. Composed by W. A. Mozart.
M.267.18
List gegen List. Eine Operette, in Musik gesetzt von A.
Bergt. M.230.32
Rosette, das schweizer Hirtenmadchen. Singspiel in Musik
gesetzt von G. B. Bierey. M.230.23
Der Schlaftrunk. Oper. In Musik gesetzt von C. E. F.
Weyse. M.152.15
Breu, Simon.
Das Lied im Thai. Idylle fiir Mannerchor mit Pistonsolo.
Op. 18. Partitur. Wien. Rebay & Robitschek. [188-?]
No. 49 in M.392.3
Breuning, Gerhard von.
In memoriam. [Gherardo de Breuning. Trieste. 1892?]
No. 12 in M.372.40
Breviaries. See Liturgical music.
Brevyer, John Hyatt.
The birth of love. Cantata [for male chorus, t. solo, obli-
gato piano and organ accomp. Words by Bulwer Lytton.
Music by] J. H. Brewer. Boston. Schmidt. [1895.]
With English and German words. No. 7 in M.203.IO
Same. [Voice parts only, with English words.]
No. 4 in M.203.II
Blessed is the nation. [Anthem. Accomp. for organ.]
Boston. Schmidt. 1893. No. 38 in M.158.13
Dreamland. [Quartet.] Boston. Schmidt. [1893]
No. 39 in M.158.13
Hesperus. Cantata for female voices. Words by Frances
L. Mace. Composed by John Hyatt Brewer. [Op. 34.
Accomp. for pianoforte.] Boston. Schmidt. 1894.
No. 13 in M.203.26
Sing, sing, music was given. [Male chorus, with baritone
solo, accomp. by piano.] Op. 23, no. 4. Boston. Schmidt.
[ 1892.] No. 8 in M.203.10
Brewer, Robert Frederick.
Speech. (/)i Voice, speech and gesture . . . Pp. 55-100.
London. 1895.) M.218.2
Brewer, Thomas.
Go, Damon, go. Catch a 3 voci. (In Apollonian harmony.
Vol. 2, p. 33.) No. 28 in M.141.21.2
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches; The Harmonist; Social harmony; Webbe, Jr.'s Con-
. vito armonico.
'Tis Amarillis walking. Round [for 3 voices]. (In Bland.
The Ladies' collection. Vol. I, p. 7.) No. 10 in M.235.17.1
Also to be found in Social harmony.
Turn Amarillis. A madrigal [s. T. B.]. London. Mainzer.
1842. No. 4 in M.167.3
Also to be found in Amusement for the ladies.
Same. [s. a. t. b.] (In The Apollo. Vol, 7, pp, 520-523.)
No. 10 in M.i39a.i8.7
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches ; Hayes's Catches, glees and canons ; Mason and Webb's
The Glee hive; Monk's Novello's Part-song book; Webbe, Jr.'s Con-
vito armonico.
Same. [s. a. b.] (In Bland. The Ladies' collection. Vol. i,
PP- 30, 31-) No. 44 in M. 235.17.1
Same. [t. t. b.] (/h Warren. Collection of catches. Vol. 2,
PP- 356, 357) No. 146 in M.220.9.2
Why should not we three be merry? Catch [for 3 voices].
(In Apollonian harmony. Vol, i, p, 45,)
Also to be found in Social harmony. No. 35 in M.141.21.I
Brewster, Anne M. Hampton.
Compensation; or always a future. Philadelphia. Lippin-
cott & Co. i860. M.108.29
Contains "Counsels to teachers, and analytical descriptions of some
of the compositions of Mozart, Beethoven and Chopin."
Brian Boru. Opera. For the Music see Edwards, J. For the
Libretto see Stange, S.
Briard, Emmanuel.
Le comique en musique. Nancy. Metzner. 1884.
No. 4 in M.116.8
Brice, Laure.
Albvm de Me Laure Brice. [10 romances, etc. Accomp.
de piano.] Paris. Guerin. [185-?] 10 parts in i v.
No. I in M.158.34
Contents. — Un enfant de la greve. — Les fleurs que j'aime. — Espere.
— Une preference. — Un nom de femme. — La jeune gondoliere. —
Plus de sceur! — Gentille paysanne. — La jardiniere du couvent. —
Le reveil du jour.
Brich an, du schones Morgenlicht. Part-song. Krebs.
No. 7 in M.3g2.i4
Brich dem Hungrigen dein Brod. Anthem. Bach, J. S. Werke.
Jahrgang 7. M.8040.21.7
Bricqueville, Eugene de.
L'opera de I'avenir dans le passe. Paris. Heugel. 1884.
No. 4 in M.370.65
Bridaine, Jacques.
Cantique [au Kyrie. A une voix, A. ou bar. Accomp.
d'orgue], Paris, [Heugel, 186-? Petite maitrise.
Annee i,] No. 13 in M.201.34
Cantique en I'honneur de la S'« Vierge. A une voix [a. ou
BAR. Accomp, d'orgue], Paris, [Heugel. 186-? Petite
maitrise, Annee l,] No, 17 in M.201.34
Cantique pour la communion, A une voix [a. ou bar. Ac-
comp. d'orgue]. Paris. [Heugel. 186-? Petite maitrise.
Annee I.] No. 15 in M.201.34
Cantique pour le jour de la communion. A une voix [a. ou
bar. Accomp. d'orgue]. Paris. [Heugel. 186-? Petite
maitrise. Annee i.] No. 33 in M.201.34
Cantique sur la penitence. A une voix [a. ou bar. Accomp.
d'orgue]. Paris. [Heugel. 186-? Petite maitrise. An-
nee I.] No. 27 in M.201.34
Cantique sur le dernier jugement. A une voix [a. ou B.
Accomp. d'orgue]. Paris. [Heugel. 186-? Petite mai-
trise. Annee I.] No. 35 in M.201.34
Cantique sur les differents mysteres de la Passion de Jesus-
Christ. A une voix [a. ou bar. Accomp. d'orgue]. Paris.
[Heugel. 186-?] Petite maitrise. Annee i.]
No, 21 in M.201.34
160
Bridal
THE ALLEN A. BROWN COLLECTION OF MUSIC
Briere
Bridal lay, The. Cantata. For the Music see Rogers, E. For
the Libretto see Watson, H. P.
Bridal of Triermain, The. Cantata. For the Music see Corder,
F. For the Libretto see Scott, W.
Bridal of Triermain, The. Opera. For the Music see Ellerton.
Bridault, Charles.
Un maestro de bourgade. Opera comique. Musique de
Ate Bonnefoy. No. 2 in M.393.6
La recherche de I'inconnu. Operette. Musique de Sylvain
Mangeant. No. i in M.3g9.87
Bride, The. Cantata. For the Music see Mackenzie, A. C. For
the Libretto see Hamerling.
Bride of Dunkerron, The. Cantata. For the Music see Smart,
H. For the Libretto see Enoch.
Bride of Lammermoor, The. Opera. For the Music see Doni-
zetti. For the Libretto see Cammarano, S.
Bride of Messina, The. Opera. For the Music see Bonawitz.
For the Libretto see Schiller.
Bride of Neath Valley, The. Cantata. For the Music see
Thomas, John. For the Libretto see Chorley.
Bride of song. The. Opera. For the Music see Benedict. For
the Libretto see Famie.
Bride-elect, The. Opera. For the Music and Libretto see
Sousa.
Brides of Venice, The. Opera. For the Libretto see Bunn.
Bridge, Elizabeth Stirling.
All among tlie barle3'. [Part-song.] {In Monk. Novello's
Part-song book. Pp. 61-64.; No. 16 in M.157.4
Also to be found in Musical times [Music].
Disdain returned. A four-part song [t. t. b. b.]. (/k The
Orpheus. New series. Vol. 2, pp. 158-164.)
No. 22 in M.20S.10.2
The dream. [Part-song.] (In Musical times. [Music]
Vol. 7, pp. 68, 69.) No. 18 in M.175.1.7
Red leaves. [Part-song.] (In Musical times. [Music]
Vol. 7, pp. 70, 71.) No. 19 in M.175.1.7
Sleeping, why now sleeping? (Serenade.) A four-part
song [t. T. b. B.]. (In The Orpheus. New series. Vol. 2,
pp. 152-157.) No. 21 in M.205.10.2
The smile. [Part-song.] (In The Choralist. Vol. i, series
2, pp. 9-12.) No. IS in M.IS7.5.1
A wet sheet and a flowing sea. [Part-song, x. t. b. b.J (In
The Choralist. Vol. 2, series 5, pp. 2-5.) No. 49 in M. 157.5.2
Bridge, Mrs. F. A. See Bridge, Elizabeth Stirling.
Bridge, Sir Frederick. See Bridge, ^iV John Frederick.
Bridge, Frederick Albert.
A brief history of Mr. Henry Leslie's choir. London.
Bridge. [1880.] No. 3 in M.128.36
Bridge, Sir John Frederick.
Boadicea, queen of the Iceni. A cantata, the words by Miss
G. E. Troutbeck, the music by J. F. Bridge, [s. a. t. b.
and chorus. Accomp. for pianoforte.] London. Novell©,
Ewer & Co. [1880?] No. i in M.154.32
Callirhoe: a legend of Calydon. A dramatic cantata, the
words by W. Barclay Squire, music by J. F. Bridge, [s.
A. t. and chorus. Accomp. for pianoforte.] Octavo edi-
tion. London. Novello, Ewer & Co. [1888.]
No. I in M.154.30
Christ became obedient unto death. Short full anthem.
[Accomp. for organ.] London. Novello, Ewer & Co.
1884. No. 40 in M.IS8.13
Hymn to the Creator. (The song of St. Francis of Assisi.)
Motett for solo soprano, chorus & orchestra. Words
translated by Mrs. Oliphant. [Accomp. for pianoforte.]
London. Patey & Willis. [187-?] No. 2 in M.154.30
The Inchcape rock, ballad by Robert Southey, set to music
for chorus and orchestra by J. F. Bridge. Pianoforte
accomp. arranged by Walter .\lcock. Octavo edition.
London. Novello, Ewer & Co. 1891. No. i in M.154.29
The Lord's prayer, Dante's Purgatorio, canto XI. English
version by E. H. Plumptre. Set to music by J. F. Bridge.
Bridge, Sir John Frederick. (Continued.)
Pianoforte accomp. arranged by Walter Alcock. Octavo
edition. London. Novello, Ewer & Co. 1892.
No. 2 in M.154.29
Mount Moriah (the trial of Abraham's faith). An oratorio.
[Accomp. for pianoforte.] London. Novello, Ewer &
Co. [1875?] No. 2 in M.154.32
"Oh, Most Merciful!" Short full anthem. [Accomp. for
organ.] London. Patey & Willis. [1885? The lute.]
No. 41 in M. 158.13
"The past and the future." Inaugural lecture delivered in
the theatre of Gresham College, Nov. i8th, 1890. London.
Reeves. 1890. No. 6 in M.102.19
Peace. A fable. Set as a glee for a. t. t. b. London. No-
vello, Ewer & Co. [188-?] No. 29 in M.392.S
Also to be found in The Orpheus, New series.
The repentance of Nineveh, a dramatic oratorio. The words
selected from Holy Scripture by Joseph Bennett. The
music by J. F. Bridge. Pianoforte accomp. arranged by
Walter Alcock. Octavo edition. London. Novello,
Ewer & Co. [1890.] No. 3 in M.154.29
Rock of ages (Jesus, pro me perforatus) [by A. M. Top-
lady]. The Latin version by W. E. Gladstone. Set to
music for baritone solo, chorus and orchestra by J. F.
Bridge. [Accomp. for pianoforte.] Octavo edition. Lon-
don. Novello, Ewer & Co. [1885.] No. 4 in M.154.29
"Seek ye the Lord." Short full anthem. [Accomp. for
organ.] London. Patey & Willis. 1883. No. 42 in M.158.13
With thee, sweet Hope. Serious glee for a. t. t. b. b. (In
The Orpheus. New series. Vol. 2, pp. 37-54.)
No. 6 in M.205.10.2
Bridge, Sir John Frederick, editor.
The form and order of the service . . . and ceremonies . . .
in the coronation of Their Majesties King Edward VII.
and Queen Alexandra . . . With the music to be sung,
edited b}' Sir Frederick Bridge. London. Novello & Co.
igo2. No. I in M.384.55
Bridge, Joseph Cox.
Daniel, an oratorio. 2d edition. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. [188-?] No. I in M.154.31
"Greek war song." Part-song for male voices. Words by
Byron. London. Novello, Ewer & Co. [188-?]
No. 12 in M.157.2S
Requiem for soli, chorus and orchestra, composed expressly
for the Chester Triennial Musical Festival, July, 1900.
London. Ricordi & Co. 1900. No. i in M.384.18
Rudel, a dramatic cantata. Words by Frederic E. Weath-
erly, music by J. C. Bridge, [s. t. b. and chorus. Accomp.
for pianoforte.] London. Novello, Ewer & Co. [1891.]
No. 3 in M.154.30; No. 2 in M. 154.31
Bridgeman, John V.
The armourer of Nantes. A grand romantic opera. The
music by M. W. Balfe. M.261.3
The Puritan's daughter, an opera. The music by M. W.
Balfc M.261.2
Bridges, Robert.
Eden, a dramatic oratorio. Set to music by C. V. Stanford.
No. 2 in M. 156.9
Bridgewater, Thomas.
Morning & evening service . . . consisting of a Te Deum,
Jubilate, Cantate Domino, Deus misereatur, Sanctus,
Kyrie, and 12 single and double chants, in score: added
an accomp. for the organ. London. Novello. [184-?]
No. 5 in M.2go.i8
Bridgman, Cunningham V.
He stoops to win. Operetta. Composed by Wilfred Ben-
dall. No. I in M.328.3
Briefe an eine Ungenannte. Criticism. Hiller, F. M. 144.6
Briere, Henri.
Guillaume le Conquerant. fipisode lyrique. Musique de
Emile Bernard. No. i in M.213.21
I 21
161
Brifaut
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Brocklesby
Brifaut, Charles. i r i ■
Olimpia, grosse Oper [von Brifaut und Dieulafoy], in
Musik gesetzt . . . vom Ritter Spontini. M.284.4
Brigand leader, The. Song. Keller, M. No. 6 in M.192.13.1
Brigandage, Le, de la musique italienne. Criticism. Goudar.
M.108.5
Brigands, Les. Ol>era. For the Music see Offenbach. For
the Libretto see Meilhac.
Briganti, I. Opera. For the Music see Mercadante. For the
Libretto see Crescini.
Briggs, William A.
My faith looks up to Thee. [Anthem. Accomp. for organ.]
Boston. Russell. [1883.] No. i in M.158.14
Nearer, my God, to Thee. [Anthem. Accomp. for organ.]
Boston. Russell. [1882.] No. 2 in M.158.14
There were shepherds. [Christmas anthem. Accomp. for
organ.] Boston. Russell. [1882.] No. 3 in M.158.14
Bright as sunbeams. Part-song. Pizzoni. No. 49 in M.iii.4.3
Bright-hair'd mom. The. Part-song. Reay. No. 10 in M.19S.1.14
Bright lady, sweet mistress. Chorus. Bishop, H. R. Com-
plete collection of glees. Vol. 7. M.23S.1.7
Bright little birds. Part-song. Abt, F. No. 32 in M.392.48.2
Bright orb, send forth thy rays. Chorus. Bishop, H. R. Com-
plete collection of glees. Vol. 7. M.235.1.7
Bright star of eve. Part-song. Gounod. No. 5 in 11.157.25
Bright stars. The, are beaming. Part-song. Paer.
No. 12 in M.244.10.4
Bright sword of liberty. Anthem. Weber, C. M. F. E. von.
No. 3 in M.109.1.; etc.
Bright tulips. Part-song. Macfarren, G. A. No. i in M.1S7.1
Brightest and best. Anthem. Avison. No. 18 in M.175.1.6
Buck, D. No- ^ >" M.100.4.1
Hall, E. V. No. 5 in M.195.2.16
Marston. No. 12 in M.203.28
Stearns. No. i i in M.203.29
Brightly beaming morning star. Song. Davenport, A.
No. 19 in M.290.12
Brightly glows the morning star. Part-song. Mercadante.
No. 5 in M.244.10.2
Brightly the stars are shining. Carol. Chenery.
No. 2 in M. 158.15
Brillant Achille, Le. Opera. For the Music see Varney, L.
For the Libretto see Clairville, C.
Brindisi, II. Duet. Mercadante. Soirees italiennes. M.367.10
Brindisi. Part-song. Schmid, C. M.193.23.2
Bring away, bring away this sacred tree. Song. Laneir.
M.236.10
Bring', bring' mir her in File. Part-song. Haan. Aus dem
Mittelalter. No. 53 in M.392.10
Bring me flowers. Part-song. Hawes, W.
No. 21 in M. 1393.18.3; etc.
Bring imto the Lord. Anthem.
Gladstone, F. E. No. 22 in M.195.2.16
Hayes, W. Cathedral music. M.236.32
Bringet dem Herrn Ehre seines Namens. Anthem. Bach, J. S.
Werke. Jahrgang 30. M.8040.21.30
Bringet dem Herrn Ruhm und Triumph. Cantata. For the
Music see Zumsteeg, J. R.
Brink, Jules ten.
Suite d'orchestre, i^e, (en sol). Grande partition. Paris.
Mackar. [187-?] No. 2 in M.333.6
Brinkmann, H.
Der Wirtin Tochterlein. [Lied, t. t. b. b.] {In Gruber.
Sangeshort. Heft 2, pp. 29-33.) No. 2 in M.370.30
Brinsmead, Edgar.
The history of the pianoforte. London. Cassell, Petter &
Galpin. [1863?] Plates. M. 108.28
Briol-valzer. Songs. Nannetti. No. 5 in M.403.26
Brion, John.
Marathon, a cantata, composed . . . by R. F. Brion.
No. I in M.154.33
Brion, R. Forsey.
Marathon, a cantata, written by John Brion, composed . . .
by R. F. Brion. [s. t. b. and chorus. Accomp. for piano-
Brion, R. Forsey. (Continued.)
forte.] London. Novello, Ewer & Co. [188-?]
No. I in M. 154.33
Brise, La. Song. Georges. Melodies. M.245.16
Brise des Alpes. Tyrolicnne. Weckerlin. Chants des Alpes.
No. I in M.158.44
Briseis. Opera. For the Music see Chabrier. For the Li-
bretto see Mikhael.
Brises d'ltalie. For piano and violin. Louis, N.
No. 1-20 in M.390.24
Brises du printemps, Les. Duet. Concone. No. 12 in M.244.2
Brisk wine. Duet. Arnold, S. No. 235 in M. 235.17.2
Brisset, Joseph Mathurin.
Le coureur de veuves. [Opera.] Musique de Felix Blan-
gini. No. 2 in M.2gi.24
Brisson, Adolphe.
Vendee! Drame lyrique. Poeme de Charles Foleij et
Adolphe Brisson. Musique de Gabriel Pierne. M.246.12
Brisson, Frederic.
Ronde de nuit . . . arrangee en quintette a cordes par E.
Jacque. Partition. Paris. Richault & cie. [1883?]
No. 4 in M.336.1
Bristol tune-book. A manual of tunes and chants. London.
Novello, Ewer & Co. [1867?] M.104.6
Bristow, George Frederick.
Morning service. Consisting of Te Deum, Jubilate and
Kyrie eleison, in E flat. [Accomp. for organ.] New York.
The Author. 1855. No. 38 in M.190.1; No.i in M.190.2
Praise to God. New oratorio. [Accomp. for pianoforte.]
Boston. Ditson & Co. [i860.] No. i in M.204.8
Britain's best bulwarks. Glee. Arne, T. The wooden walls.
No. 17 in M.220.3.4; etc.
Britannia. Overture. Mackenzie, A. C. No. i in M.405.34
Britannia, encircled with glory. Part-song. Sacchini.
No. 50 in M.iii.4.3
Britannia, happy isle. Song. Hodson, W. Fourteen songs.
No. 3 in M.221.32
British light dragoons. The. Song. Beethoven. Werke.
Serie 24. M.413.1.24
British minstrel. The: a collection of English, Scottish and
Irish songs . . . London. Sherwood, Jones & Co. 1824,
25. 3 v. Portraits. Plates. M. 128.30
British Museum. Manuscripts. Music.
Catalogue of the manuscript music. London. 1842. M.i3i.g
Prepared principally by Thomas Oliphant.
Britons, arm! March & ode to the Loyal Cambrian volun-
teers. By a Briton. [Song and chorus. Accomp. for
pianoforte, flutes, horns, clarinets and bassoon.] Oxford.
Hardy. [18 — ?] No. 9 in M.234.14
Britons, strike home. Part-song. Purcell, H. M.221.2.1; etc.
Brittany. Folk-songs.
La Villemarque, T. C. H. H. Ballads and songs of Brit-
tany. By Tom Taylor. Translated from the "Barsaz-
breiz." With some melodies harmonized by Mrs. Tom
Taylor. London. 1865. M.106.4
Broad, John Astor.
Red Riding Hood's rescue, or the dangers of disobedience.
A juvenile operetta. Words by Jones E. Estabrook.
Music by J. Astor Broad. [Accomp. for pianoforte.] Bos-
ton. White, Smith & Co. 1877. No. 2 in M.208.33
Broadhouse, John.
Musical acoustics; or the phenomena of sound as connected
with music. London. Reeves. 1881. Illus. [The stu-
dent's Helmholtz.] M.i3ga.i3
Broceliande. Opera. For the Music see Lambert, L. For the
Libretto see Alexandre, A.
Brock, Ellen, translator.
Le Beau. Ruth. M.1S5.27
Brocklesby, Richard.
Reflections on antient and modern musick with the applica-
tion to the cure of diseases. Subjoined, an essay to solve
the question, wherein consisted the difference of antient
musick, from that of modern times. [Anon.] London.
Cooper. 1749. No. 2 in M.104.49
162
Brockway
THE ALLEN A. BROWN COLLECTION OF MUSIC
Brown
Brockway, Howard A.
Cavatina fiir die Violine mit Streich-Orchester, zwei Hor-
nern u. einer Clarinette. Op. I3- Berlin. SchlesiiiRer.
[189-?] No. I in M.3S8.23
Sylvan suite for orchestra. Op. 19. Orchestral score. New
York, Schirmer. 1900. M.404.72
Broderip, Frances Freeling.
Merry songs for little voices. By Frances Freeling Broderip
and Thomas Hood. Set to music by Thomas Murby.
M. 148.16
Broderip, John.
Awake up, my glory. Anthem. [Accomp. for organ.] (In
Gardiner. Sacred melodies. Vol. 3, pp. 393-395-)
No. 24 in M.236.30.3
Weep, gentle shepherds. Elegy [s. s. a. t. b.]. By Henry
Hamilton and John Broderip. (In Amusement for the
ladies. Vol. 3, pp. 42-44.) No. 10 in M.220.3.3
Also to be found in Warren's Collection of catches.
When the full organ joins. Canon in unison. (In Social
harmony. P. 190.) No. 164 in M.215.21
Broken hearted, The. Song. Keller, M. No. 7 in M.192.13.1
Broken vow. Part-song. Williams, T. No. 7 in M.isga.iS.S
Bronsart von Schellendorff, Hans.
Concert [in Fis moll] fiir Pianoforte mit Begleitung des
Orchesters, componirt von Hans von Bronsart. Partitur.
Leipzig. Fritzsch. [187-?] No. 3 in M.312.1
Friihlings-Fantasie fiir Orchester. Op. 11. Partitur. Leip-
zig. Breitkopf & Hartel. [1880?] No. i in M.332.7
Trio, G moll, fur Pianoforte, Violine und Violoncell. [Par-
titur.] Miinchen. Aibl. [1877?] No. 9 in M.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 9 in M.211.4.1, 2
Bronsart von Schellendorff, Ingeborg.
Jery und Bately. Oper in i Act von Gothe. Musik von
Ingeborg von Bronsart. [Clavierauszug.] Leipzig.
Kahnt. [188-?] No. 3 in M.26S.18
Bronson, C. P.
Abstract of elocution and music in accordance with the prin-
ciples of physiology and the laws of life. Auburn. Oli-
phant. 1842. Illif*. No. 4 in M.isga.g
Bronte, Piragmo e Sterope. Glee. Spofforth. Collection of
glees. No. 25 in M.235.15
Brook, The. Part-song. Billeter. No. 27 in M.392.48.2
MacDowell. No. 15 in M.158.17
Reissiger. No. 6 in M.195.1.16
Brook's lullaby, The. Song. Reissiger. No. 13 in M.235.18.3
Brooke, Frances Moore.
Marian, an opera . . . Composed & selected by W. Shield.
No. 2 in M.340.11
Rosina, a comic opera . . . Composed and selected by Wil-
liam Shield. No. i in M.340.11
Same. New edition. No. 35 in M.237.7
Brookfield, Charles Hallam Elton.
The belle of Mayfair. A musical comedy. Book by Chas.
H. E. Brookfield and Cosmo Hamilton. Music by Leslie
Stuart [pseud.]. M.240.11
Brooks, Edward.
Philadelphia. Board of Public Education of the First
School District of Pennsylvania. Special report on the
teaching of music in the elementary schools, by Edward
Brooks. Philadelphia. Burk & McFetridge Co. 1895.
No. 5 in M.375.2
Brooks, Henry Mason.
Olden-time music. A compilation from newspapers and
books. With an introduction by Edward S. Morse. Bos-
ton. Ticknor & Co. 1888. M. 104.13
Brooks, James.
Let us drink. Glee [a. t. b.]. (In Bland. The Ladies' col-
lection. Vol. S, pp. 496-498.) No. i26in M.235.17.5
Thro' verdant plains. Glee[s. A. b]. (/n Bland. The Ladies'
collection. Vol. s, pp. 494, 495.) No. 125 in 11.235.17.5
Broskovano. Opera. For the Music see Deffes. For the Li-
bretto see Scribe.
Brossard, Noel Matthieu.
Theorie des sons musicaux. Paris. Bachelier. 1847. M. 214.4
Brossard, Sebastien de.
Dictionnaire de musique. 3e edition. Amsterdam. Roger.
[1707?] M.147.1
Brosseur, Le. Opera. For the Music see Audran. For the
Libretto see Hennequin, A. N.
Brother & sister. Opera. For the Music see Reeve. For the
Libretto see Dimond.
Brother bucks. Song. Hodson, W. Fourteen songs.
No. 3 in M. 221. 32
Brother, thou art gone before us. Anthem. Goss.
No. 20 in M. 195.2.4
Zingarelli. No. 25 in M.2go.22.2
Brouc, Martial.
Hygiene philosophique des artistes dramatiques. Paris.
Trinquart. 1836. 2 v. M.141.10
Brougham, John.
Blanche de Nevers, an opera. Composed by M. W. Balfe.
M.2S1.36
Broughton, Frederick W.
Lady Laura's land. An operetta. Music by F. Pascal
[pseud.]. M.381.67
Broughton, Thomas.
Hercules. Composed by G. F. Handel. 11.153.29
Broustet, Edouard.
Berceuse, pour instruments a cordes. Op. 53
Paris. Minier. [187-?]
[Partition.]
No. 5 in M.338.11
Chansons polonaises. [Op. 31.] Orchestrees par J. Mas-
senet. Partition. Paris. Minier. [187-?] No. i in M.343.15
Scenes fantaisistes. Suite d'orchestre. Op. 65. Partition.
Milan. Ricordi. [187-?] 4 parts in i v. No. 2 in M.403.15
Contents. — 1. Habanera. 2. Noel. 3. Chanson bohemienne. 4. Salta-
rella.
Broutin, Clement.
La fille de Jephte. Scene lyrique de M^. ]6douard Guinand,
musique de Clement Broutin. [s. T. B. Accomp. de piano.]
Paris. Lemoine. [1878?] No. I in M.154.34
Brouwer, van.
Die Schlacht im Teutoburger Walde. Grosse lyrisch-ro-
mantisch-heroische Oper. Musik nach beriihmten Mus-
tern und Meistern von V. E. Becker. No. i in M.3g5.3
A burlesque.
Brown, Alice C, translator.
Elsenheimer, N. J. Valerian. No. 3 in M.384.11
Brown, Allen Augustus, compiler.
Apollo Club, Boston. Programmes. Vol. 1-6. Boston.
[1878-1901.] M.304.1
[Biographies of musicians. Clippings from newspapers
and periodicals, with indexes. 1835-1907.] 7 v. Portraits.
M.I 65.8
Boston Singers' Society. [Programmes. December 27,
1889-May 9, 1891. Boston. 1889-91.] M.304.2
This volume is indexed and enriched by many critical newspaper cut-
tings.
Bovlston Club, Boston. Programs and comments. [De-
cember 22, 1873-May 8, 1889. Boston. 1873-89.] 3 v.
M.304.3
Cecilia, The, Boston. Programmes and notices. [Novem-
ber, 1874-April, 1901.] Compiled [with full indexes] by
Allen A. Brown. [Boston. 1874-1901.] 5 v. M.304.4
[A COLLECTION of Concert programmes, principally in Bos-
ton, 1867-70. Boston, etc. 1867-70. 1 M.216.12
[Concert programmes, including many of the Chicago or-
chestra, 1S92-94, the New England Conservatory of Music,
1891-93, and others, 1891-95.] Boston [etc.] 1891-95.
M.37i.g
Edinburgh Choral Union. [Analytical programmes of
choral and orchestral concerts, 1S77-78, 80-S5.] Edin-
burgh. 1877-85. M.37I.3
Euterpe, Boston. Programmes and comments, 1879-1889.
[Boston. 1879-1889.] M.371.4
Harvard Musical Association, Boston. Programmes, 1865-
82. 2 V. M. 125.2
Arranged chronologically, with an index. Many newspaper cuttings
are inserted.
Kneisel Quartet, Boston. Programmes and notices, com-
piled [with indexes] by Allen A. Brown. Seasons, 1885-
igo2. [Boston. 1885-1902.] 2 v. Photograph. M.304.6
163
Brown
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Browne
Brown, Allen Augustus, compiler. (Continued.)
[Magazine articles, relating to music and musicians, theo-
retical, historical, critical, and biographical.] In 24 v.
Illus. Portraits. Plates. M.142.2
Each volume is indexed.
Same. New series. Vol. 1-7. M.373.2I
Music catalogues. 1878-1898. No title-page. [iSyS-^iS.]
17 parts in i v. M.371.38
[Musical and dramatic circulars, prospectuses, and pro-
grammes. 1880-94. Boston. 1896.] 2 V. _ M.214.12
[Musical biographies, etc., consisting of magazines, news-
papers, programmes, prospectuses, etc.] 6 v. M.142.1
Each volume is indexed.
[Musical pamphlets, programmes, prospectuses, etc. 1886-
94. Boston. 1894.] M.215.13
[Musical topics. Clippings from newspapers and periodi-
cals, with indexes. 1862-1906.] 7 v. Illus. Portraits.
M. 165.9
Philharmonic Society, Boston. Programmes and com-
ments, 1879-83. Compiled [with an index] by Allen A.
Brown. 2 portraits. M.371.11
Programmes and comments. The Parker, Chickering and
Foster Clubs. [1862-1877.] Compiled [and indexed] by
Allen A. Brown. [Boston. 1862-77.] M.371.10
[Programmes, musical and dramatic, 1887-94. Boston, etc.
1887-94.] 2 V. . M.371.13
[Programmes of concerts, prospectuses, advertisements,
etc., 1890-94. Boston. 1890-94.] Illus. Portraits. M. 208.15
[Programmes of various musical festivals, American and
foreign, 1875-87.] 3 v. M.143.1
[Prospectuses, advertisements and programmes, 1890-94.
Boston. 1890-94.] M.208.28
[Reviews of unpublished operas, cantatas, etc. Clippings
from newspapers and periodicals with indexes. 1858-
1902.] 2 V. Illus. Portraits. M.165.10
Spohr, L. String quartetts. No. 1-34. Scores made from
the parts by Allen A. Brown. M. 337.15
Brown, Allen Augustus, translator.
ScHWALM, R. Mila. No. 24 in M.392.25
Brown, Arthur Henry.
The first miracle: a drawing-room oratorio on the marriage
in Cana of Galilee. [Pianoforte accomp.] London. Rock
& Payne. 1852. No. i in M.153.9
Brown, E. A.
Elizabethan lyrics set to music. Boston. White-Smith
Music Publishing Co. 1893. No. I in M.384.19
Contents. — Are they shadows that we see? Samuel Daniel. — Come
live with me. Christopher Marlowe. — I mun be married a Sunday.
Nicholas Udall. — In youth is pleasure. R. Wever. — Love's witchery.
Thomas Lodge. — Lullaby. Thomas Dekker. — N'oserez vous, mon
bel ami? Robert Greene. — Robin Hood borne on his bier. Munday
& Chettle. — Spring, the sweet spring. Thomas Nashe. — There is
3 lady sweet and kind. Thomas Ford. — The sad shepherd's passion
of love. George Peele. — The song of Robin Hood and his huntsmen.
Anthony Munday. — Though my carriage be but careless. Thomas
Weelkes. — Thy face so fair. John Farmer. — • To his sleeping mis-
tress. John Fletcher. — Troll the bowl. Thomas Dekker. — Weep
eyes, break heart. Thomas Middleton. — Weep no more. John
Fletcher. — Why so pale and wan, fond lover? Sir John Suckling. —
Ye little birds, that sit and sing. Thomas Heywood.
Brown, Horace Manchester.
The night watch. (Sylvester.) Comic opera. Music by Th.
Rud. Reese. M.397.53
Brown, I., pseud. See Thayer, Alexander Wheelock.
Brown, James Duff.
Biographical dictionary of musicians: with a bibliography
of English writings on music. Paisley. Gardner. 1886.
M.114.2
Brown, James E.
Mose Skinner's great World's jubilee and humstrum con-
vulsion. Boston. Richardson. 1872. Illus.
A satire on the World's Peace Jubilee. No. 3 in M.147.3.2
Brown, John, d.d., of Rothbury.
David and Saul. An oratorio. The music composed by
David Jenkins. No. I in M.213.12
A dissertation on the rise, union, and power ... of poetry
and music. Prefixed The cure of Saul, a sacred ode.
London. Davis & Reymers. 1763. No. 2 in M.111.5
Brown, Rev. John Walker.
The Christmas bells. A sacred cantata, the music ... by
Charles E. Horn. No. 2 in M.270.57
Brown, Obadiah Bruen.
Adoration. Motet. [Accomp. for organ.] Boston. Schmidt.
[1894.] No. 14 in M.203.26
And the years glide by. [Part-song, x. t. b. b.] Boston.
Schmidt. [1890.] No. 52 in M.392.3
As I was going to St. Ives. [Part-song.] Boston. Schmidt.
[1890.] No. 8 in M.158.14
A bargain. [Part-song, t. t. b. b.] Boston. Schmidt. 1891.
No. 51 in M.3g2.3
Bugle song [t. T. B. B.]. Boston. Schmidt. 1881.
No. 30 in M. 392.5
How beautiful on the mountains. [Quartet. Accomp. for
piano.] Boston. Schmidt. 1886. No. 12 in M.158.14
Keep me. Saviour, near Thy side. [Quartet. Accomp. for
organ.] Boston. Schmidt. 1886. No. 13 in M.158.14
Like as a father. [Sacred quartet, x. x. b. b. Op. 14, no. i.}
Boston. Schmidt. [1894.] No. 5 in M.203.11
Now very early in the morning. [Anthem for Easter. Ac-
comp. for organ.] Boston. Schmidt. [1890.]
No. 9 in M.158.14
Peace, be still. [Anthem. Accomp. for organ.] Boston.
Schmidt. [1893.] No. 7 in M.1S8.14
Seek ye the Lord. [Motet, x. x. b. b. Op. 14, no. 2.] Bos-
ton. Schmidt. [1894.] No. 6 in M.203.H
Thy sun shall no more go down. [Quartet. Accomp. for
organ.] Boston. Schmidt. 1886. No. 14 in M.158.14
Thy will be done. [Anthem. Accomp. for organ.] Boston.
Schmidt. 1893. No. 5 in M.1S8.14
Unto Thee, O Lord. Anthem. [Accomp. for organ.] Bos-
ton. Schmidt. 1883. No. 11 in M.158.14
The way is long and dreary. [Anthem. Accomp. for or-
gan.] Boston. Schmidt. [1893.] No. 6 in M.158.14
When, as returns this sacred day. [Motet, x. x. b. b. Op. 14,
no. 3. Accomp. for organ.] Boston. Schmidt. [1894.]
No. 7 in M.203.11
Whoso dwelleth in the secret place. Anthem. [Accomp.
for organ.] Boston. Schmidt. 1883. No. 10 in M.158.14
Brown, Obadiah Bruen, editor.
Ambrose. One sweetly solemn thought. No. 2 in M.203.26
CowEN. Ladybird. No. 50 in M.392.3
Gounod. Love divine, all love excelling. No. 45 in M. 158.16
Mors et vita. M. 153.22
Mackenzie, A. C. The Rose of Sharon. M.247.7
Mendelssohn-Barxholdy, J. L. F. The Sabbath morn.
No. 4 in M.158.14
Brown, R.
Of honest malt liquor. Catch a 3 voci. (In dementi. Col-
lection of catches. Vol. 2, p. 96.)
No. 162 in M.110.1.2; No. 162 in M.iio.2.2
Peter White. Catch a 3 voci. (In dementi. Collection of
catches. Vol. 3, p. 64.)
No. 207 in M.110.1.3; No. 207 in M.iio.2.3
Also to be found in The Harmonist.
Brown, Robert, compiler.
The supplemental hymn and tune book. 2d edition. Lon-
don. Novello, Ewer & Co. [187-?] M.157.27
Broivn, William Adams.
The evolution of the horn. Illus. (In The music of the
modern world . . . Vol. i, pp. 65-68. New York. [1895.])
M.14.1.1
Evolution of the reed instruments of the orchestra. Illus.
(In The music of the modern world . . . Vol. i, pp. 50-
52. New York. [1895.]) M.14.1.1
Forerunners of the modern wind orchestra. Evolution of
the flute. Illus. Plate. (In The music of the modern
world . . . Vol. I, pp. 45-47. New York. [1895.]) M.14.1.1
Brown-Borthwick, Robert. See Borthwick, Robert Brown-.
Browne, Abel Parker.
An address delivered at the annual meeting of the Handel
and Haydn Society, May 25, 1896. Boston. Mudge. 1896.
No. I in M.102.19
164
Browne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bruch
Browne, J. Lewis.
Blessed Christ. Easter Anthem.
Boston. Thompson. [1888.]
Browne, Lennox.
Science and singing. Albany. Werner
[Accomp. for organ.]
No. IS in M. 158.14
1884.
No. I in M. 135.2
Voice, song, and speech. By Lennox Browne and Emil
Behnke. 4th edition. New York. Putnam. 1886. Illus.
Plates. M.105.33
Voice use and stimulants. London. Low. 1885. M. 109.23
Browne, Lennox. Works about.
LuNN, C. Artistic voice in speech and song. London. 1884.
Plate. No. I in M. 1393.9
"Written for the express purpose of counteracting as artistically
authoritative the statements of Mr. Lennox Browne." — Preface.
Browne, Marmaduke Edmonstone.
The gipsies, a cantata, music by Edwin Aspa.
No. 2 in M.154.17; etc.
"Sisera." A cantata. Music by Isidore de Solla.
No. I in M.204.33
Browne, Richard.
Medicina musica: a mechanical essay on the effects of sing-
ing, musick, and dancing, on human bodies. Annex'd a
new essay on the nature and cure of the spleen and va-
pours. London. Cooke. 1729. M.102.9
Bruch, Max.
Achilleus. Dichtung nach Motiven der Ilias von Heinrich
Bulthaupt, fiir Solostimmen [s. a. t. bar. b.], Chor und
Orchester componirt von Max Bruch. Partitur. Berlin.
Simrock. 1885. M.341.10
Adagio appassionato fiir Violine mit Begleitung des Orches-
ters. Op. 57. Partitur. Berlin. Simrock. 1891.
No. 2 in M.34S.2S
Adagio nach keltischen Melodien fiir Violoncell mit Beglei-
tung des Orchesters. Op. 56. Partitur. Berlin. Simrock.
1891. No. 4 in M.345.2S
Arminius. Oratorium fiir Chor, Solostimmen und Orches-
ter. Dichtung von J. Ciippers. Translated by Mrs.
Natalia Macfarren. Partitur. Berlin. Simrock. 1877.
M.341.11
Same. Clavier-Auszug. No. 2 in M. 154.35
Ave Maria. Concertstiick fiir Violoncell, mit Begleitung
des Orchesters. Op. 61. Partitur. Berlin. Simrock. 1892.
No. 5 in M.34S.25
Battle song and chorus. From Arminius. [.\ccomp. for
piano.] Boston. White, Smith & Co. [188-?]
No. 16 in M. 158.14
The birches and the alders. For soprano solo and chorus,
by Max Bruch. English translation by Chas. J. Sprague.
Boston. Priifer. 1878. No. 2 in M. 154.36
Canzone, fiir Violoncell mit Orchester- oder Pianoforte-
begleitung. Op. 55. Partitur. Leipzig. Breitkopf &
Hartel. [1891.] No. 3 in M.403.9
Chor der Winzer und Schiffer. „Riihrt euch frisch und
schafft die Fasser," fiir Mannerchor und Basssolo mit
Orchester aus der Oper: „Die Loreley." Op. 16, No. 5.
Clavierauszug. Leipzig. Siegel. [188-?] No. 16 in M.212.3
Concert [No. i, G moll] fiir die Violine [mit Begleitung des
Orchesters]. Op. 26. Partitur. Bremen. Cranz. [186-?]
No. I in M.345.26
Concert, Zweites [D moll], fur die Violine mit Begleitung
des Orchesters. Op. 44. Partitur. Berlin. Simrock. 1878.
No. 2 in M.345.26
Concert, Drittes [D moll], fiir die Violine mit Begleitung
des Orchesters. Op. 58. Partitur. Berlin. Simrock.
1892. No. 2 in M.332.9
Dem Kaiser. Mannerchor mit Orchester (Gedicht von F.
Liiders). Clavier-Auszug. Berlin. Simrock. 1881.
No. 2 in M.154.37
Dithyrambe, von F. von Schiller, fiir Tenor-Solo, sechsstim-
migen Chor und Orchester, von Max Bruch. Clavier-
Auszug. Berlin. Simrock. 1874.
No. 3 in M.154.35; No. 4 in M.154.37
Denkmale des Volksgesanges. Vierstimmig gesetzt. Heft
Bruch, Max. (Continued)
i: Schottische Volkslieder. Berlin. Simrock. 1876.
No. 15 in M.IS8.22
Contents. — Marion. — Johnie und Jenny. — O sah'st du den Vater?
— Lord Gregory. — Der Hochzeittag. — • Bei den rothen Rosen. —
Ruhelos, rastlos.
Fantasie fur die Violine mit Orchester und Harfe, unter
freier Benutzung schottischer Volksmelodieen. Op. 46.
Partitur. Berlin. Simrock. 1880. No. I in M.332.9
Das Feuerkreuz, dramatische Cantate nach einem Motiv
aus Scotts „Lady of the lake." Dichtung von Heinrich
Bulthaupt, fiir Solostimmen [s. bar. b.], Chor und Or-
chester (Orgel ad libitum) von Max Bruch. Clavier-
Auszug. Berlin. Simrock. 1889. No. i in M.154.37
Die Flucht der heiligen Familie. Gedicht von J. von Eichen-
dorff, fiir gemischten Chor und Orchester componirt von
Max Bruch. Neue Ausgabe. Clavierauszug. Leipzig.
Leuckart. [187-?] No. 3 in M.270.21
Die Flucht nach Egypten. Gedicht von R. Reinick, fiir So-
pran-Solo, Frauenchor und Orchester componirt von Max
Bruch. Clavier-Auszug. Leipzig. Kistner. [187-?]
No. 3 in M.270.19
Frithjof. Scenen aus der Frithjof-Sage von Esaias Tegner
fiir Mannerchor, Solostimmen [s. bar.] und Orchester
componirt . . . von Ma.x Bruch. Op. 23. Partitur. Bres-
lau. Leuckart. [1864?] M.334.3
Same. Clavier-Auszug. Leipzig. No. i in M.270.21
Same. Fritiof (Frithjofsage), legende scandinave d'apres
Esaias Tegner, avec texte allemand et paroles frangaises
de Victor Wilder. Musique de Max Bruch. Chant &
piano. Paris. Durand, Schoenewerk & cie. [188-?]
No. 5 in M.1S4.37
Frithjof auf seines Vaters Grabhiigel. Concert-Scene fiir
Bariton-solo, Frauenchor und Orchester, Text aus Esaias
Tegner's Frithjofsage, Musik von Max Bruch. Clavier-
auszug. Breslau. Leuckart. [187-?] No. i in M.270.19
Fiinf Lieder fiir gemischten Chor a capella. Translated into
English by Natalia Macfarren. Berlin. Simrock. 1875.
No. 14 in M.158.22
Contents. — Waldpsalm [s. s. A. T. B.]. — Der Wald von Traquair [s. a.
T. B.]. — Tannhauser [s. A. T. B.]. — Rheinsage [s. A. T. T. b. b.]. —
— Feierliches Tafellied [s. A. T. B. B.].
Gesang der heiligen drei Konige. Gedicht von M. von
Schenkendorf, fiir drei Mannerstimmen [t. b. b.] und Or-
chester, componirt von Max Bruch. Op. 21. Partitur mit
untergelegtem Klavier-x\uszuge. Breslau. Leuckart.
[188-?] No. 3 in M.353.2I
Gustav Adolf. Fiir Chor, Solostimmen, Orchester u. Orgel,
von Max Bruch. Op. 73. Dichtung von A. Hackenberg.
English version by Constance Bache. Clavierauszug.
Berlin. Simrock. 1898. M.381.S
Hermione. Grosse Oper in 4 Aufziigen. Nach Shake-
speare's Wintermarchen v. Emil Hopffer. Musik von
Max Bruch. Clavier-Auszug. Berlin. Simrock. [1872.]
M.28i.g
Hymne, nach Worten der heiligen Schrift fiir Chor, Solo-
stimmen [s. a. T. b.], Orchester und Orgel (ad lib.) com-
ponirt von Max Bruch. Op. 64. English version by Mrs.
John P. Morgan. Clavierauszug. Magdeburg, Hein-
richshofen. [1893.] No. 3 in M.202.14
In memoriam. Adagio fiir Violine mit Orchester. Op. 65.
Partitur. Berlin. Simrock. 1S93. No. 4 in M.403.9
Jubilate, amen. Gedicht von Th. Moore, aus dem Englischen
iibersetzt von F. Freiligrath, fiir Sopran-Solo, Chor und
Orchester componirt von Max Bruch. Klavierauszug.
Leipzig. Breitkopf & Hartel. [186-?] No. I in M.270.20
Kol Nidrei. Adagio fiir Violoncell mit Orchester und
Harfe, nach hebraischen Melodieen. Op. 47. Partitur.
Berlin. Simrock. 1881. No. 3 in M.345.25
Kyrie, Sanctus und Agnus Dei fiir Doppelchor, 2 Sopran-
Soli, Orchester und Orgel (ad lib.). Klavierauszug.
Leipzig. Breitkopf & Hartel. [188-?] No. 5 in M.270.19
Leonidas. Dichtung von Heinrich Bulthaupt, fiir Bariton-
Solo, Mannerchor und Orchester von Max Bruch. Op. 66.
Partitur. Berlin. Simrock. 1893. M.403.H
Same. Clavier-Auszug. No. i in M.203.12
165
Bruch
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Bruckner
Bruch, Max. (Continued.) ^ ,. , -n r- -u ^
Das Lied vom Deutschen Kaiser. Gedicht von Em. Geibel,
fur Chor und Orchester componirt von Max Bruch. Cla-
vierauszug. Bremen. Cranz. [188-?! No. 6 in M.270 19
Das Lied von der Glocke. Gedicht von F. von Schiller, fur
Chor vier Solostimmen [s. a. t. b.1, Orchester und Orgel
componirt von Max Bruch. Translated by Mrs. Natalia
Macfarren. Berlin. Simrock. 1879. M.34i-i2
Same. Clavier-Auszug. No. i m M.I54-35
Die Loreley Grosse romantische Oper in 4 Acten. Dich-
tung von Emanuel Geibel. Musik von Max Bruch. Voll-
standiger Klavierauszug. Breslau. Leuckart. [1863.!
M. 281. 10
Same Die Einleitung fur grosses Orchester. Partitur.
Breslau. Leuckhart. [1863.] No. 2 m M.403.9
Media vita [t. x. t. b. b. b. With English words by C. J.
Sprague]. Boston. Schmidt. [1887.] No. 33 in M.392.5
Morgenstunde. Gedicht von Hermann Lingg, fur Sopran-
Solo, Frauenchor und Orchester componirt von Max
Bruch. Clavier-Auszug. Leipzig. Kistner. [187-?]
No. 4 in M.270.19
Moses Ein biblisches Oratorium von Ludwig Spitta, fiir
Chor, Solostimmen, Orchester (und Orgel ad hb.) von
Max Bruch. Op. 67. English version by Paul England.
Partitur. Berlin. Simrock. 1895. M.341.14
Same. Clavierauszug. ^c-'^?^f
Normannenzug. Gedicht aus „Ekkehard von J. V. Schef-
fel, fiir Bariton - Solo, einstimmigen Mannerchor und
Orchester componirt von Max Bruch. Klavierauszug.
Leipzig. Breitkopf & Hartel. [188-?] No. 2 in M.270.21
Odysseus. Scenen aus der Odyssee. Dichtung von Wilh.
Paul Graff (in's Englische iibersetzt von Natalie Mac-
farren) fiir Chor, Solostimmen [s. m.-s. a. t. bar. b.] tmd
Orchester von Max Bruch. Partitur. Berlin. Simrock.
1872. M.34I-I3
Same. Clavierauszug. No. i in M.1S4.36
Romanze fUr Violine mit Orchester. Op. 42. Partitur.
Berlin. Simrock. 1874. No. i in M.345.2S
Romische Leichenfeier. Gedicht von Hermann Lingg, fur
gemischten Chor und Orchester componirt von Max
Bruch. Clavierauszug. Breslau. Leuckart. [187-?]
No. 4 in M.270.21
Romischer Triumphgesang, Gedicht von Hermann Lingg.
[Mit Orchester-Begleitung.] Partitur. Op. 19, Heft I.
Neue Ausgabe. Breslau. Leuckart. [188-?]
No. I in M.353.21
Same. Clavier-Auszug. Leipzig. [1864.]
No. I in M.392.28; No. 2 in M.3g2.4i
Rorate coeli. Gedicht aus dem Lateinischen iibersetzt von
Karl Simrock, fiir gemischten Chor, Orchester und Orgel
(ad lib.) componirt von Max Bruch. Clavier-Auszug.
Leipzig. Kistner. [187-?] No. 2 in M.270.19
Salamis. Siegesgesang der Griechen. Gedicht von Hermann
Lingg, fiir Solostimmen, Mannerchor und Orchester,
componirt von Max Bruch. Op. 25. Partitur. Breslau.
Leuckart. [188-?] No. 4 in M.3S3.21
Same. Clavierauszug. No. 2 in M.270.12
Same. [Translated into English. Vocal score. Boston.]
1882. No. 31 in M.392.5
[Scherz, List und Rache. Komische Oper in i Aufzuge.
Text nach Goethe. Musik von Max Bruch. Clavieraus-
zug. Leipzig. Breitkopf & Hartel. 1858.] M.281.11
The title-page is missing.
Schon Ellen. Ballade von Emanuel Geibel fiir Sopran-Solo,
Bariton-Solo, Chor und Orchester componirt von Max
Bruch. Clavier-Auszug. Bremen. Cranz. [187-?]
No. 2 in M.270.20
Serenade fiir Violine und Orchester. Op. 75. Partitur.
Berlin. Simrock. 1900. M.404.73
Sieben kleine zwei- und dreistimmige Gesange fiir weibliche
Stimmen, mit Begleitung des Pianoforte. Op. 6. Neue
Ausgabe. Partitur. Leipzig. Siegel. [187-?] 2 parts
in I V. No. 8, 9 in M.204.7
Contents. — Heft i, vier Gesange [s. s. a.] : Gluckswunsch ; Der VVald ;
Fruhlingsmuth ; Nachtlied. Heft 2, drei zweistimmige Gesange Is. s.] ;
Im Fruhling; Jesus der Morgenstern ; Beim Pfingstreigen.
Bruch, Max. (Continued.)
Sinfonie [Erste] (Es dur) ... fiir grosses Orchester. Op. 28.
Partitur. Bremen. Cranz. [1868?] M.345.23
Sinfonie, Zweite (F moll), fiir grosses Orchester. Op. 36.
Partitur. Berlin. Simrock. [1870?] M.345.24
Suite fiir grosses Orchester nach russischen Volksmelodien.
Op. 796. Partitur. Berlin. Simrock. 1904. Lithograph
script. No. 3 in M.406.68
Symphonic No. 3 (Es dur), fiir Orchester. Op. Si- Partitur.
Leipzig. Breitkopf & Hartel. [1887.] M.332.8
Trio fiir Pianoforte, Violine und Violoncell. Op. S- [Par-
titur.] Leipzig. Breitkopf & Hartel. [1859?]
No. 10 in M.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 10 in M.211.4.1, 2
Vier Alannerchore. Op. 48. Berlin. Simrock. 1881.
No. 32 in M.392.5
Contents. — Morgenstandchen. — -Trinklied. — Friede den Schlummern-
den. — Media vita, Schlachtgesang der Monche [t. t. t. b. b. b.].
Vom Rhein. Gedicht . . . fiir vierstimmigen Mannerchor.
Leipzig. Kistner. [1894.] No. 8 in M. 203.11
With German and English words.
Das Wessobrunner Gebet, Lied der Stadte, Schottlands
Thranen [t. x. B. b.], mit Begleitung von Blech-Instru-
menten. Partitur. Op. 19, Heft 2. Breslau. Leuckart.
[188-?] No. 2 in M.353.21
Same. Clavier-Auszug. Leipzig. [1864.] No. 2 in M.392.44
Zv^ei Mannerchore mit Orchester. Edited by O. B. Boise.
English text by Mrs. J. P. Morgan. Clavierauszug. Ber-
lin. Simrock. 1890. No. 3 in M.154.37
Contents. — I. Auf die bei Thermopylae Gefallenen. 2. Schlachtgesang
des Tyrtaos.
Bruch, Max. Works about.
Glueck, a. Max Bruch, Frithjof. Erlautert. Frankfurt a.
M. [1898.] No. 6in M.217.12.4
WixxiNG, C. Max Bruch. Violin-Konzert in G moll. Er-
lautert. Leipzig, [igoo?] No. 17 in M.217.12.9
ZuscHNEiD, C. Max Bruch, Odysseus. Erlautert. Frank-
furt a. M. [1848.] No. 2 in M.217.12.7
Bruckbraeu, Friedrich Wilhelm.
Mittheilungen aus den geheimen Memoiren einer deutschen
Sangerin. Neue Auflage. Leipzig. Minde. [187-?] 2 v.
M.i09b.i3.
Brucker, Raymond.
La fille de I'air. Operette fantastique. Paroles de Cogniard
freres et Raymond [pseud.]. Musique de Paul Lacome.
No. I in M.296.1
Bruckner, Anton.
Symphonic, Erste (C-moll), fiir grosses Orchester. Parti-
tur. Wien. Doblinger. [188-?] M.403.12
Symphonic, Zweite (C-molI), fiir grosses Orchester. Par-
titur. Wien. Doblinger. [188-?] M.403.13
Symphonie [Dritte] in D moll, fiir grosses Orchester. Par-
titur. Wien. Bosendorfer. [1884?] M.351.13
Symphonie, Vierte (romantische), (Es dur) fiir grosses Or-
chester. Partitur, Wien. Gutmann. 1890. M.351.11
Symphonie, Fiinfte (B dur), fiir grosses Orchester. Parti-
tur. Wien. Doblinger. [189-?] M.3S1.12
Symphonie, Sechste, A dur, fiir grosses Orchester. Partitur.
Wien. Doblinger. [189-?] M.406.1
Symphonie, Siebente (E dur), fiir grosses Orchester. Par-
titur. Wien. Gutmann. 1885. M.351.14
Symphonie, Achte (C-moll), fiir grosses Orchester. Par-
titur. Wien. Haslinger. [1892.] M.403.14
Symphonie, Neunte, fiir grosses Orchester, herausgegeben
von Ferdinand Lowe. Partitur. Wien. Doblinger. [1903.]
M.406.2
„Te Deum" fiir Chor, Soli und Orchester, Orgel ad libitum.
Partitur. Wien. Rattig. [187-?] No. i in M.40S.7
Same. Clavierauszug. No. 3 in M.194.6
Bruckner, Anton. Works about.
Grunsky, C. Anton Bruckner. Neunte Sinfonie in D moll.
Erliiutert. Leipzig. [1903.] No. Sin M.217.12.13
Kaehler, W. Anton Bruckner. Sinfonie No. 8 in C moll.
Erlautert. Leipzig. [1901?] No. II in M.217.13
166
Bruckner
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bruneau
Bruckner, Anton. Works about. (Continued.)
Niemann, W. Anton Bruckner. Symphonie No. 3 (D-moll).
Erliiutert. Leipzig. [1899?] No. 19 in M.217.12.7
Anton Bruckner. Symphonie No. 4 (romantische).
Erlautert. Leipzig. [1899?] No. 20 in M.217.12.7
. Anton Bruckner. Fi.infte Symphonie (B dur). Er-
lautert. Leipzig. [1904.] No. 17 in M.217.12.10
Anton Bruckner. VIL Symphonie in E dur. Er-
lautert. Leipzig. [1900?] No. 20 in M. 217. 12. 9
OcHS, S. Anton Bruckner, Te Deum. Mit Text. Erlautert.
Frankfurt a. M. [1898.] No. 2 in M.217.12.5
PocHHAMMEE, A. Anton Bruckner. Symphonie No. 2 in C-
moll. Erlautert. Leipzig. [1899?] No. 3 in M.217.12.7
Brudefaerden i Hardanger. Part-song. Kjerulf.
The words are in Swedish and German. No. 5 in M. 392. 13
Bruder Graurok, Der, und die Pilgerin. Song. Gruber, G. W.
Gottfried August Burgers Gedichte. Vol. 2.
No. 18 in M. 130.9.2
Bruder Jakob, schlafst du noch? Song. Taubert, C. G. W.
Kliinge aus der Kinderwelt. Heft 5. No. 17 in M. 192.6
Bruder Liederlich. Song. Strauss, R. Fiinf Lieder.
No. 9 in M.380.24.3
Bruder Lustig. Opera. For the Music see Wagner, S.
Bruderover. Opera. For the Music see Schjelderup.
Brueder als Nebenbuhler, Die. Opera. For the Music see
Winter, P. von.
Brueder, das ist deutscher Wein. Part-song. Zoellner, C. F.
No. 27 in M.246.22
Brueder, lasset uns eins singen. Part-song. Schubert, F. L.
No. 12 in M.i29a.43.i
Brueder, lasst uns lustig sein. Part-song. ]\L\rschner, H. A.
No. 156 in M. 1293.43.5; etc.
Brueder, schrecklich brennt die Thrane. Song. Schubert.
F. P. Werke. Serie 20, Band 10. M.317.1.20.10
Brueder, Schwestern, die ihr stille. Cantata. For the Music
see Zumsteeg, J. R.
Brueder, trinkt, kiisst, singt! Part-song. Otto, E. J. Sechs
Quartetten. Heft i. No. 62 in M.3g2.i6
Brueder, unser Erdenwallen. Male chorus. Schubert, F. P.
Chor-Gesangwerke. Band 2. No. 37 in M.280.48.2
Bruederschaft. [Volkslied, t. b.] (In Fink. Die deutsche
Liedertafel. P. 15.) No. 15 in M.213.9
Brueggemann, Adolf.
Absalon. Oratorium, in Musik gesetzt von Friedrich
Schneider. M. 243.24
Gideon. Oratorium, in Musik gesetzt von Friedich Schnei-
der. M.222.16
Pharao. Oratorium, in Musik gesetzt von Friedrich Schnei-
der. M.222.20
Brueggemann, Alfred, editor.
HuMPERDiNCK. Dornroschen. M.378.24
Die Heirat wider Willen. M.380.67
Bruell, Ignaz.
Concert, Erstes, fiir das Pianoforte mit Begleitung des Or-
chesters. Op. 10. Partitur. Berlin. Bote & Bock.
[187-?] No. I in M.343.30
Concert, Zweites, fiir das Pianoforte mit Begleitung des
Orchesters. Op. 24. Partitur. Berlin. Bote & Bock.
[ 1883 ? ] No. 2 in M.343.30
Drei Intermezzi fiir Orchester. Op. 99. Partitur. Wien.
Robitschek. (189-?] M.411.14
Fackeltanz, aus der Oper: Der Landfriede. [Partitur.
Berlin? Bote & Bock? 187-?] No. 3 in M.332.10
„Gebt mir vom Becher nur den Schaum," (Geibel). Chor
fijr Miinnerstimmen mit vierhiindiger Clavierbegleitung,
componirt von Ignaz Briill. Berlin. Fiirstner. [187-?]
No. 2 in M.270.13
Das goldene Kreuz. Oper in 2 Acten, nach dem Franzosi-
schen von H. S. von Mosenthal. Musik von Ignaz Briill.
Vollstiindiger Auszug fiir Pianoforte und Gesang. Berlin.
Bote & Bock. [1875.] No. i in M.324.3
Same. The golden cross (La croce d'oro). Opera in 2 acts,
by Ignaz Briill. English version of the text, after H. S.
Bruell, Ignaz. (Continued.)
Mosenthal, by John P. Jackson. Italian words by G. Eis-
ner. [Accomp. for pianoforte.] Berlin. Bote & Bock.
[ 1878?] No. 2 in M.27S.IO
Same. Ouverture. [Partitur.] Berlin. Bote & Bock.
[1875.] No. 4 in M.332.10
Gringoire. Oper in einem Act nach Banville's gleichnami-
gem Schauspiel von Victor Leon [Pseud.]. Musik von
Ignaz Briill. Clavierauszug mit Text. Leipzig. Wein-
berger. [189-?] No. 2 in M.393.41
Konigin Mariette. Komische Oper in 3 Akten. Frei nach
einem franzosischen Stoffe von F. Zell [Pseud.] und
Richard Genee. Musik von Ignaz Briill. Vollstiindiger
Klavier- Auszug. Berlin. Bote & Bock. [1883.] M.275.8
Der Landfriede. Oper in 3 Akten, frei nach Bauernfeld's
gleichnamigen Lustspiele von H. S. von Mosenthal.
Musik von Ignaz Briill. Vollstandiger Auszug fiir Gesang
und Pianoforte. Berlin. Bote & Bock. [1877.]
No. I in M.27S.10
Same. Fiir Pianoforte allein. No. 2 in M.354.8
Same. Ouverture. [Partitur.] Berlin. Bote & Bock.
[1877.] No. 5 in M.332.10
Ouverture pathetique fiir grosses Orchester. Op. 98. Par-
titur. Wien. Robitschek. [189-?] M.411.16
Ouverture zu Macbeth fiir grosses Orchester. Op. 46. Par-
titur. Leipzig. Breitkopf & Hiirtel. [1884.]
No. I in M.336.2
Rhapsodic fiir Pianoforte mit Orchesterbegleitung. Op. 65.
Partitur. Wien. Doblinger. [1891?] No. I in M.332.10
Same. Fiir 2 Claviere zu 4 Handen. No. 2 in M.332.10
Schach dem Konig! Komische Oper in 3 Akten nach
Schauffert's gleichnamigen Lustspiel von Victor Leon
[Pseud.]. Musik von Ignaz Briill. Klavier-Auszug. Leip-
zig. Zimmermann. 1893. M.303.ig
Serenade fiir Orchester. Op. 29. Partitur. Berlin. Bote
& Bock. [188-?] No. I in M.343.29
Serenade, E dur, fiir grosses Orchester. Op. 36. Partitur.
Mainz. Schott. [1882?] No. 2 in M.336.2
Serenade, Dritte, fiir Orchester. Op. 67. Partitur. Leip-
zig. Brockhaus. [189-?] No. i in M.403.1S
Sinfonie (E moll) fiir grosses Orchester. Op. 31. Partitur.
Berlin. Bote & Bock. [188-?] No. 2 in M.343.29
Das steinerne Herz. Romantische Oper in 3 Akten, von
J. V. Widmann. Musik von Ignaz Briill. Klavierauszug
von Ludwig Englander. Leipzig. Kahnt. [1888.] M.275.9
Bruennlein, Das. Part-song. Becker, V. E. Vier leichte Ge-
sange. No. 11 in M.392.4
Bruguera, Juan Bautista.
Beatus vir. Canon, 9 in i. (In Warren. Collection of
catches. Vol. i, pp. 168-172.) No. 134 in M.22o.9.i
Jubilate Deo. Canon, 4 in i. (In Warren. Vocal harmony.
Pp. 106-108.) No. 68 in M.220.10
Brumaire. Overture. Massenet. No. i in M.404.S7
Brune, Clara, tra>tslator.
Lauvv. Fourteen years with Adelina Patti. M.i46.ia
Brune, Hermann.
Singuf. Rattenfangerlieder von Jul. Wolff fiir eine Sing-
stimme [bar. oder B.] mit Klavierbegleitung componirt
von Hermann Brune. Op. 18. Hannover. Bachmann.
[188-?] No. 3 in M.204.37
Contents. — Zum Gruss. — Des Tages will ich denken. — Gekiisst.
Hoppoldey. — Ratten und Mause. — Je langer, je lieber. — Beim Fass.
— Trinkmette.
Brune, Hermann, editor.
Goldschmidt. a. von. Steyrische Tanze. No. S in M.332.3a
Bruneau, Alfred.
L'attaque du moulin. Drame lyrique en 4 actes, d'apres
Emile Zola par Louis Gallet. Musique de Alfred Bruneau.
Partition chant et piano. Paris. Choudens. 1893. M.275.13
La belle au bois dormant. Poeme symphonique pour or-
chestre. Partition. Paris. Choudens. 1902.
No. 2 in M.405.4
L'enfant roi. Comedie lyrique en cinq actes, poeme de
fimile Zola, musique de Alfred Bruneau. Partition chant
et piano. Paris. Choudens. 1905. M.383.7
167
Bruneau
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Buck
Bruneau, Alfred. (Continued.)
La faute de I'abbe Mouret. Piece en 4 actes avec musique
tiree du roman d'fimile Zola par Alfred Bruneau. Parti-
tion piano et choeurs. Paris. Choudens. 1907. M.389.55
Genevieve. Scene lyrique. Poesie de Mr. Ed. Guinand.
Musique de A. Bruneau. [Partition chant et piano.] Paris.
Girod. i88i. No. 2 in M.275.12
Kerim. Opera en 3 actes. Poeme de Paul Milliet & Henri
Lavedan. Musique de Alfred Bruneau. Partition piano
& chant. Paris. Enoch & Costallat. [188-?]
No. I in M.275.12
Messidor. Drame lyrique en 4 actes et 5 tableaux. Poeme
de fimile Zola. Musique de Alfred Bruneau. Partition
chant et piano. Paris. Choudens. 1897. M.395.10
Musiques d'hier et de demain. Paris. Charpentier. 1900.
M.375.4
Nais Micoulin. Drame lyrique en deux actes tire de la nou-
velle d'fimile Zola. Poeme et musique de Alfred Bruneau.
Partition chant et piano. Paris. Choudens. 1907. M.389.34
L'ouragan. Drame lyrique en quatre actes. Poeme de
fimile Zola. Musique de Alfred Bruneau. Partition
chant et piano. Paris. Choudens. 1901. M.382.4
Requiem pour soli et choeurs. Partition reduite pour piano
et chant. Paris. Dupont. 1895. No. i in M.213.7
Le reve. Drame lyrique en 4 actes et 8 tableaux, d'apres le
roman d'fimile Zola. Poeme de Louis Gallet. Musique
de Alfred Bruneau. Partition chant et piano. Paris.
Choudens. [1891.] M.27S.11
Bruneau, Alfred. Works about.
Destranges, L. a. fi. R. Kerim, Le requiem, La belle au
bois dormant, Penthesilee, Les lieds de France, Les chan-
sons a danser d' Alfred Bruneau. Paris. 1902.
No. 4 in M.102.38
Brunei, Raoul.
Circe. Drame en deux actes de Charles Richet. Musique
de Raoul Brunei. Partition piano et chant. Paris. Chou-
dens. 1903. No. 3 in M.399.70
La vision de Dante. Poeme symphonique en trois chants,
un prologue et un epilogue. Poesie de MM. Eugene et
fidouard Adenis [pseuds.] d'apres La divine comedie.
Musique de Raoul Brunei. Partition chant et piano.
Paris. Leduc. 1901. M.407.1
Brunet, A.
La belle bouchere. Saynette bouffe. Musique de A. de
Villebichot. No. 6 in M.326.4
Tapioca et Ducroquet. Saynette bouffe. Musique de A. de
Villebichot. No. s in M.326.4
Brunette. Chorus. Weckerlin. Soirees parisiennes.
No. 2 in M.158.44
Brunhilde. Novel. Alarcon. M.102.3
Bruni, Antonio Bartolommeo.
Celestine. Comedie lyrique, en 3 actes meles d'ariettes, par
M. Magnito, mise en musique par Mi". Bruni. [Partition.]
Paris. Des Lauriers. [1787.] M.281.15
Claudine, ou le petit commissionnaire. Opera en i acte. Mis
en musique par M^. Bruni. Les paroles sont de Jacques
Marie Deschamps. [Partition.] Paris. Bonjour. [1794.]
M. 281. 16
Hymne a la Divinite, chante a la fete de I'Etre supreme [a.
ou B. Accomp. de piano]. (In Pierre, C. V. D. Musique
des fetes et ceremonies de la Revolution frangaise . . .
P. 240.) M.380.14
Un inventaire sous la Terreur. fitat des instruments de mu-
sique releve chez les emigres et condamnes. Introduc-
tion, notices . . . par J. Gallay. Paris, Chamerot. 1890.
M.121.6
L'isola incantata, ou I'isle enchantee. Opera bouffon en 3
actes . . . Mis en musique par M. Bruni. Paroles de M.
Sedaine. [Partition.] Paris. Le Due. [1789.] M.224.4
Le major Palmer. Opera en 3 actes. Paroles de Pigault
Le Brun. Musique de Bruni. [Partition.] Paris. Im-
bault. [1797.1 M.281.13
La rencontre en voyage, comedie en i acte, en prose, par
J. B. Pujoulx . . . Mise en musique par Bruni. [Parti-
tion.] Paris. Imbault. [1798.] M.281.14
Bruni, Antonio Bartolommeo. (Continued.)
Toberne, ou le pecheur suedois. Opera en 2 actes. Paroles
de Patrat. Musique de Bruni. [Partition.] Paris. Ga-
veaux. [1795.]
Bruni, Oreste.
Niccolo Paganini. Firenze.
Brunner, Christian Traugott.
Trauungsgesang [t. t. b. b.].
M.28l.I2
Galletti & Cocci. 1873.
No. 4 in M.126.6
(In Das Riitli. Pp. 68, 69.)
No. 25 in M.147.4
Bruns, H.
Hagbart und Signe. Musikdrama von Richard Metzdorff.
Dichtung von H. Bruns und dem Componisten.
No. I in M.240.7
Brunswick, pseud. See Lherie, Leon Levy.
Bruschino. Opera. For the AIusic see Rossini. For the Li-
bretto see Pittaud.
Brush, The. Songs. Reeve. No. 7 in M.391.54
Bru-Thiellay, Paul.
Cantate a Jeanne D'Arc. Musique de Th. Sourilas.
No. 2 in M.384.35
Bryan, Albertus.
Te Deum, Jubilate, Sanctus, Kyrie, Nicene creed, Magnfi-
cat, and Nunc dimittis, in G. [Accomp. for organ.] (In
Novello. Cathedral choir book. Vol. 2.) M.233.14.2
Bryan, Vincent.
The man from novr. A fantastical musical comedy by John
Kendrick Bangs and Vincent Bryan. Music by Manuel
Klein. M.389.25
Bryant, George Henry.
The chemical maid. A musical comedy. Music by Ralph
Barton Sanders [and others]. No. 2 in M.38g.i7
The F'reshman. A musical comedy. Music by Emerson
Hurd Packard [and others]. No. 7 in M.389.17
Brydaine, Jacques. See Bridaine, Jacques,
Bua, Da, in da Angst. Part-song. Storch, No. 9 in M.392.2&
Bucalossi, Procida.
Manteaux noirs, comic opera in 3 acts, written by VV. Parke
and Harry Paulton, composed by P. Bucalossi. [Accomp.
for piano.] London. Cramer & Co. [1S82.] M.275.14
The libretto is adapted from Scribe's Giralda.
My queen. [Part-song, t. t. b. b.] Boston. White, Smith
& Co. [188-?] No. 17 in M.IS8.14
Buccaneers, The. Cantata. For the Music see Cheshire. For
the Libretto see Guernsey.
Buchanan, Robert Williams,
Meg Blane. A rhapsody of the sea. The music composed
by S. Coleridge-Taylor-Taylor. No. 2 in M.384.61
The new covenant, an ode, set to music by A. C. Mackenzie.
No. 3 in M.155.31
Buchbinder, Bernhard.
Colombine. Operette. Musik von Hans von Zois.
No. 3 in M.322.20
Die Diva. Operette von B. Buchbinder und J. Wattke.
Musik von Carl Weinberger. No. 2 in M.397.6g
Bucheron, Le. Opera. For the Music see Danican. For the
Libretto see Guichard.
Buck, Dudley.
Bread of the world. [Accomp. for organ.] New York.
Schirmer. 1869. No. 11 in M.290.11
The centennial meditation of Columbia. A cantata for the
inaugural ceremonies at Philadelphia, May 10, 1876.
Poem by Sidney Lanier, Music by Dudley Buck, [b. solo
and chorus.] New York. Schirmer. [1876.] M.154.41
"Chorus of spirits and hours." From Shelley's "Prome-
theus unbound." Composed for male chorus and tenor
solo, with accomp. of piano, flute, string quintet and reed
organ by Dudley Buck. New York. Schirmer. 1882.
No. 3 in M.270.12; No. 4 in M.203.1
[Christ our Passover,] Easter anthem in B flat. Op. 46.
[.Accomp. for organ.] New York. Schirmer. 1870.
No. 13 in M.2go.i:
Christ our Passover. Easter anthem [in C. Op. 29. Ac
comp, for organ]. New York, Schirmer, 1868,
No. 2 in M.ago.ii
168
Buck
THE ALLEN A. BROWN COLLECTION OF MUSIC
Buck
Buck, Dudley. (Continued.)
Christ the Lord is risen. [Accomp. for organ.] New York.
Schirmer. 1869. No. 9 in M.290.11
Come, my soul, thou must be waking. [Anthem. Accomp.
for organ.] Boston. Russell & Co. 1873. No. 19 in M.290.11
Come, ye disconsolate. [Accomp. for organ.] New York.
Schirmer. 1869. No. 12 in M.290.11
Concert variations on the "Star-spangled banner." Op. 23.
New York. Schirmer. 1868. No. 9 in M.200.2
Darkly rose the guilty morning. Lenten anthem. [Accomp.
for organ.] New York. Schirmer. 1868. No. 4 in M.2go.ii
Day of wrath! [Accomp. for organ.] New York. Schirmer.
i86g. No. 8 in M.290.11
Easter morning. [From the German of Emanuel Geibel.j
Cantata for solo voices [s. s. t. b.] and chorus. Composed
by Dudley Buck. [Accomp. for piano.] Boston. Tolman
& Co. 1865. No. 5 in M.270.12
18 studies in pedal phrasing. Op. 28. Book i, 2. New
York. Schirmer. 1866, 68. 2 v. in 1. No. 12, 13 in M.200.2
Episcopal church music. Series 1-3. New York. Schirmer.
1868-73. 2 v. M.290.10
Contents. — Vol. i. Ser. i. Venite in E flat. — Te Deum in B flat.
— Benedictus in E flat. — Jubilate in E flat. — Gloria in excelsis in
B flat. — Bonum est in B flat. — Deus misereatur in E flat. ^ Cantate
Domino in C. — Benedic anima in B flat. Ser. 2. Venite in A. — Te
Deum (festival) in D. — Te Deum (short without repetition). — Jubi-
late and Benedictus in A. — Sanctus (2) and Kyrie (2). Vol. 2.
Ser. 2. (Evening service). Gloria in excelsis in D and in G. — Bonum
est in G. — Deus misereatur in D. — Cantate Domino in G. — Benedic
anima in D. Ser. 3. Te Deum (no. 4) in C. — Jubilate in C. — Te
Deum (no. 5) in B minor. — Benedictus in E. — Te Deum (no. 6) in
E flat. — Jubilate in E flat. — Gloria in excelsis in A flat. — Bonum
est in E flat. — Deus misereatur in A flat.
S four part songs for male voices. Op. 69. Boston. Rus-
sell & Co. 1875. 5 parts in I v. No. 1-5 in M.203.7
Contents. — i. Concert waltz. 2. The star of love. 3. Hark! the
trumpet calleth. 4. Good night! 5. Lead, kindly light!
The 46th Psalm. "God is our refuge." For chorus, solos
[s. T. B.] and orchestra. Op. 57. Boston. Ditson & Co.
1872. No. I in M.204.1
Good night. [Chorus, t. x. b. b.] Op. 69, no. 4. [Boston.
Ditson. 188-?] No. 53 in M.392.3
Grand sonata in E flat for the organ. Op. 22. New York.
Beer & Schirmer. 1866. No. 8 in M.200.2
Hail to the Lord's Anointed. [Accomp. for organ.] New
York. Schirmer. 1869. No. 7 in M.290.11
Hark! a thrilling voice is sounding. [Accomp. for organ.]
New York. Schirmer. 1869. No. 6 in M.290.11
Hymn to music. »[Part-song.] New York. Schirmer. 1877.
No. 2 in M.154.38
Illustrations in choir accompaniment, with hints in registra-
tion. New York. Schirmer. 1877. M.i2i.io
Impromptu pastorale. Op. 27. New York. Schirmer. 1868.
No. II in M.200.2
In memoriam. [Part-song, x. I. b. b.] Op. 92, no. 3. New
York. Schirmer. 1883. [s four-part songs.]
No. 4 in M.392.6
The influence of the organ in history. Inaugural lecture of
the department of the organ, Boston University. [Bos-
ton. 1873.] No. 6 in M. 148.7
King Olafs Christmas. Poem from Longfellow's 'Saga of
King Olaf.' Composed for male chorus and baritone and
tenor solos, with accomp. of piano obligato, reed organ,
and string quintet ad lib., by Dudley Buck. New York.
Schirmer. 1881. No. 4 in M.270.12
Lead, kindly light, [s. a. x. b. Anthem. Accomp. for organ.]
Boston. Russell & Co. [1873.] No. 17 in M.290.11
Same. [x. x. b. b.] No. s in M.203.7
The legend of Don Munio. A dramatic cantata [for solos,
s. A. X. X. BAR. B., and chorus]. Words and music by Dud-
ley Buck. Boston. Ditson & Co. 1874. M.154.40
The light of Asia, a cantata. The words from the poem by
Edwin Arnold, the music by Dudley Buck. [s. x. b. and
chorus. Accomp. for pianoforte.] Octavo edition. Lon-
don. Novello, Ewer & Co. 1886. No. i in H.154.38
Buck, Dudley. (Continued.)
Midsummer fancies. 3 characteristic pieces for piano. Op. 8.
New York. Beer & Schirmer. 1866. 3 parts in i v.
No. 1-3 in M.200.2
Contents. — I. In the woods. 2. By the brookside. 3. On the seashore.
The nun of Nidaros. Poem from Longfellow's "Saga of
King Olaf." For male chorus and tenor solo, with obli-
gato piano accomp. and reed-organ ad lib. by Dudley
Buck. New York. Schirmer. 1879. No. 3 in M. 270.13
O God, the protector. Quartette in canon form. [Accomp.
for organ.] Chicago. Lyon & Healy. 1870.
No. IS in M.290.11
O holy, holy, holy Lord. [Accomp. for organ.] New York.
Schirmer. 1869. No. 10 in M.290.11
O Zion, that tellest good tidings. Christmas anthem.
[Accomp. for organ.] New York. Schirmer. 1780.
No. 14 in M.290.11
Offertory sentences . . . with accomp. for organ. New
York. Pond & Co. 1867. No. i in M.2go.ii
On the sea. [Part-song, x. x. b. b.] Op. 92, no. 4. New
York. Schirmer. 1883. [5 four-part songs. 4.]
No. S in M.392.6
Rock of ages. [Anthem. Accomp. for organ.] Boston.
Russell & Co. 1873. No. 18 in M.290.11
Rondo-caprice. Op. 35. New York. Schirmer. 1868.
No. 14 in M.200.2
Scenes from Longfellow's Golden legend. Symphonic can-
tata for solos [s. T. BAR.], chorus and orchestra. [Accomp.
for pianoforte.] Cincinnati. Church & Co. 1880. M. 154.39
Scherzo-caprice for piano. Op. 14. New York. Beer &
Schirmer. [1866.] No. 4 in M.200.2
The signal resounds. Vocal march [x. x. b. b.]. Op. 92, no. 5.
New York. Schirmer. 1883. [s four-part songs.]
No. 6 in M.392.6
Sing alleluia forth. [Anthem, for organ.] Boston. Russell
& Co. 1873. No. 16 in M.290.11
The spring is come, huzza [x. x. b. b.]. Op. 92, no. 2. New^
York. Schirmer. 1883. [s four-part songs.]
No. 3 in M.392.6
The story of the Cross. Cantata for Lenten use, for chorus,
■ solos [s. .\. T. B.] and organ. New York. Schirmer. 1892.
No. 3 in M.154.38
The strain upraise, alleluia! [Accomp. for organ.] New
York. Schirmer. 1869. No. 5 in M.290.11
A summer night. Quartette for male voices. New York.
Pond & Co. 1880. No. I in M.392.6
The tempest. Dramatic poem by A. A. Procter. Music
[s. or X., with piano accomp.] by Dudley Buck. Op. 41.
New York. Schirmer. 1870. No. 22 in M.200.2
There were shepherds. Christmas anthem [also Hark, what
mean, hymn. Accomp. for organ]. New York. Schirmer.
1868. No. 3 in M.290.11
Three songs for mezzo-soprano. [Accomp. for piano.]
Op. 36. New York. Schirmer. 1868. 3 parts in i v.
No. 19-21 in M.200.2
Contents. — Where are the swallows fled? — Down by the mill. — -
The sunset's smile has left the sky.
The triumph of David. A cantata for church use, for solo
voices [s. A. X. B.] and chorus with organ accomp. New
York. Schirmer. 1893. No. 4 in M.154.38
Triumphal march. Op. 26. New York. Schirmer. 1868.
No. 10 in M.200.2
Twilight. [Chorus, x. x. b. b.] Op. 92, No. i. New York.
Schirmer. [1883. 5 four-part songs.]
No. 54 in M.392.3; No. 2 in M.392.6
Two morning services, with obligato organ accomp. Bos-
ton. Russell & Co. 1872. 4 parts in i v. No. 2-3 in M.igo.2
Contents. — Te Deum (No. 4) in C major. — ■ Jubilate in C major. —
Te Deum (No. 5) in B mi»or. — Benedictus in E major.
The voyage of Columbus. (Reise des Columbus.) Cantata
(in six night-scenes) for male voices (solo and chorus)
with orchestral accompt. Words (English and German)
and music by Dudley Buck. Piano score. New York.
Schirmer. 1885. No. 3 in M.203.12
I 22
169
Buck
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Buelow
Buck, Dudley. (Continued.) _
Winter pictures. 3 characteristic pieces for the piano. Op.
10. New York. Beer & Schirmer. 1866. 3 parts in i v.
No. 5-7 in M.200.2
Coiilcitts. — I. Woodland scene, z. Sleigh bells. 3- Echoes of the
ball room.
Buck, Dudley, compiler.
Motette collection, [ist,] 2d. Boston. Ditson & Co. [1864,
71.] 2 V. M.100.4
Co)i(CK«j.— I. Hauptmann: O come let us worship.— Babcock: Agam
returns the day of holy rest. — Rossini: Morning hymn. — Mozart:
Benedictus. — Buck: The Lord is king. — Buck: Thou wilt keep
him in perfect peace. — Wilson : Jesus, Saviour of my soul. — Haydn :
Magnify Jehovah's name. — Rietz : Though great thy sorrow be. —
Hauptmann : Plead Thou my cause. — Barnett : Turn Thou unto us
O Lord. — Buck: I will lift up mine eyes. — Cherubmi: Requiem
aetemami — Buck: O how amiable. — Beethoven: I will give thanks
unto the Lord! — Babcock: Rock of ages. — Mendelssohn: Good
deeds avail not. — Hauptmann: God, my strength! — Buck: Out of
the deep. — Buck: Peace, troubled soul. — Buck: When the Lord
turned again. — Hauptmann: Praise thou the Lord. — Beethoven:
Lord, in the morning Thou shalt hear. — Leavens: Now the God of
hope. — Meyerbeer: The Lord's prayer. — Warren: Come Holy
Spirit. — Buck : Brightest and best. — Barker : O that I had wmgs.
— Richter: Whoso dwelleth. — Buck: Jubilate Deo! — Barnett:
Come unto me. — Haydn: Not unto us, O Lord. — Buck: Blessed
are the dead. 2. Buck: The God of Abraham praise. — Buck: Hark!
hark! my soul. — Buck: Give unto the Lord, O ye mighty! — Buck:
He shall come down like rain. — Buck: O thou afflicted. — Buck:
Arise! shinel for thy light is come. — Buck: O Lord, rebuke me not.
— Buck : O clap your hands. — Buck : I will call upon Thee. — Buck :
O praise God in His holiness. — Buck: O Lord, Thou art my God —
Buck: Evening hymn. - Haydn: Te Deum. - Mendelssohn: Te
Deum. — Mozart: Lord Jesus, Christ our Saviour. — Palestrina: We
adore Thee. — Haydn: Jubilate Deo. — Wesley : O Lord, my God. —
Cherubini: Benedictus. - Monk: H ye love me. - Goss: O Lord
God Thou strength of my health. — Novello : Sanctus — Costa Te
Deum. — Liszt: Holy Lord Almighty. — Wagner: Mornmg hymn.
— Andre: Gloria in excelsis. — Andre: It is a good thing. — Bee-
thoven: Blessed be the Lord God of Israel. - Mendelssohn: Blessed
be the Lord. — Buck: Behold the Lamb of God. — Mendelssohn
Jubilate Deo. - Wagner : Come unto me. - Rossini : God *>= ™f ^'«"';
_ Neukomm: Praise the Lord. — Mendelssohn: Happy and blest
are thev — Abt : When gathering clouds around I view. — Barnby:
Sleep thy last sleep. — Hauptmann: Thou O Lord wilt ne er forget. —
Beethoven: O that my load of sin were gone. — Andre: Rend your
hearts. — Butterfield: Turn ye unto me. — Thayer : The Lord s
prayer. - Schumann: O Saviour of the world. - Bennett: God is a
spirit. — Wilson: I will lift up mine eyes. — Wilson: Not every one
that saith unto me.
Buck, Dudley, editor.
Beethoven. Andante from Sonata m D. No. 16 in M.200.2
Flotow Alesandro Stradella. Overture. No. 17 in M.200.2
Rossini. William Tell. Overture. No. 1.5 m M.200.2
Schumann, R. A. Pictures from the Orient. No. 18 in M.200.2
Buck, Dudley, translator. , ^ .
RiESE. Stradella. No. 16 in M.144.18
Buck, Percy Carter, compiler.
Oxford University Musical Union. Ten years of univer-
sity music in Oxford. M.372.50
Buckley, Olivia Dussek.
Musical truths; or an anlysis of music; a delineation of some
of the nicer parts of the science. Kensington. 1843.
M.iogb.2i
Bud, The, is on the bough. Part-song. Mori, F.
No. 62 in M.157.S.3; etc.
Budd, George William, editor.
Wilbye. Works. M.234.19
Budde, W. H.
Te Deum. [For 4 voices. Accomp. for organ.] Boston.
Ditson & Co. [185-?] No. 6 in M.190.2
Buechler, Ferdinand.
Ich geh' nicht mehr zum griinen Wald . . . Fur vier Man-
nerstimmen. Op. 15. Offenbach a. M. Andre. [1868?]
No. 24 in M.3g2.35
Sechs Gesange fiir vierstimmigen Mannerchor. Op. 10.
Offenbach a. M. Andre. [186-?] 2 parts in I v.
No. 34, 35 in M.3Q2.S
Contents. — Heft i. In der Feme. — Bauernregel. — Dcr Blume Tod.
2. Maikafers Freierei. — Abschied vom Walde. — Veilchenluft.
Same. Heft 2. N0.23 in M.392.3S
Sechs Gesange fiir vierstimmigen Mannerchor. Op. 20.
Offenbach a. M. Andre. fi88-?l 2 parts in i v.
No. 36, 37 in M.392.5
Contents. — Heft i. Ghasel. v. J. Hammer. — ■ Verrath. — Meeresstille.
2. Aus dem osmanischen Liederbuch. — Ich wollt' ich ware weit von
hier. — Ghasel, v. Platen.
Buechner, Emil.
Wein her! [Lied, t. t. b. b.] (In Gruber. Sangeshort.
Heft I, pp. 47. 48.) No. i in M.370.30
Wittekind. Gedicht von Adolf Bottger, fiir Soli, Chor [t.
T. B. B.] und Orchester componirt . . . von Emil Buchner.
Op. 40. Klavierauszug. Leipzig. Dorffel. [188-?]
No. 2 in M.203.12
Buehler, Franz.
Agnus Dei. Solo [s.] et choeur. [Accomp. d'orgue.] (/n
Dietsch. Repertoire de musique religieuse. Pp. 195-202.)
No. 40 in M.260.20
Credo. [A 4 voix. Accomp. d'orgue.] (In Dietsch. Reper-
toire de musique religieuse. Pp. 180-193.)
No. 38 in M.260.20
Jesum omnes agnoscite. Canon a 4 voix. [Accomp. d'orgue.]
(In Lambillotte. Musique religieuse. ii^ Salut, pp. 10-14.)
No. 45 in M.260.18
Kyrie. [A 4 voix. Accomp. d'orgue.] (In Dietsch. Reper-
toire de musique religieuse. Pp. 149-155.)
No. 33 in M.260.20
Magnus Dominus. Motet pour b. solo et choeur. [Accomp.
d'orgue.] (In Dietsch. Repertoire de musique religieuse.
Pp. 122-129.) No. 26 in M.260.20
Mass [in F. Accomp. for organ]. (In Handel and Haydn
Society collection of sacred music. Vol. 4, pp. 119-132.)
No. II in M.221.22.4
O cor amoris. Canon a 4 voix. [Accomp. d'orgue.] (In
Lambillotte. Musique religieuse. i^r Salut, pp. 12-17.)
No. 42 in M.260.18
Sancta Maria. Solo [s.] and chorus. Arranged from a
litany by Biihler, by W. C. Peters. [Cincinnati. Peters.
1856.] No. 17 in M.260.10.5
Sanctus. [A 4 voix. Accomp. d'orgue.] (In Dietsch.
Repertoire de musique religieuse. Pp. 246-248.)
No. 49 in M.260.20
Buek, E., translator.
Brambach. Waldmeisters Brautfahrt. No. 3 in M. 270.18
Hirsch, C. Fahr wohl! No. 3 in M.391.4S
Schwalm. Abendstille am Meer. No. 4 in M.202.29
Spicker. Der Pilot. No. 5 in M.202.29
Buel, David Hillhouse.
Penikeese; or, cuisine and Cupid. Comic opera. Music by
T. G. Shepard. No. 2 in M.323.2
Buelow, Hans Guido von.
[Des Sangers Fluch.] Ballade fiir grosses Orchester nach
Uhland's Dichtung Des Sangers Fluch. Op. 16. Partitur.
Berlin. Schlesinger. [187-?] , No. i in M.335.18
[Jules Cesar.] Ouverture et marche des Imperiaux de la
tragedie de Jules Cesar de Shakespeare, pour grand or-
chestre. Op. 10. Partition. Mayence. Schott. [186-?]
2 parts in i v. No. i, 2 in M.3S5.17
Mazurka-Fantasie fiir Piano. Op. 13. Fiir Orchester bear-
beitet von Franz Liszt. Partitur. Breslau. Leuckart.
[187-?] No. 3 in M.33S.17
Nirwana. Orchesterfantasie in Ouvertiirenform. Op. 20.
Partitur. Munchen. Aibl. [187-?] No. 4 in M.335.17
Vier Charakterstucke fiir grosses Orchester. Op. 23. Par-
titur. Leipzig. Seitz. [187-?] 4 parts in I v.
No. 2-5 in M.33S.18
Contents. — I. Allegro risoluto. :. Notturno. 3. Intermezzo guer-
riero. 4. Funerale.
Buelow, Hans Guido von, editor.
Gluck. Paris und Helena. Ouverture. No. 6 in M.346.28
Liszt, F. Concerto pathetique fiir zwei Pianoforte.
No. I in M.200.6
Wagner, W. R. Tristan und Isolde. M.284.32
Buelow, Hans Guido von. Works about.
Hans von Bulow. A biographical sketch. His visit to
America. New York. Gushing & Bardua. 1875.
No. II in M. 144.18
Lassalle, F. Briefe an Hans von Biilow. (1862-1864.)
Dresden. 1893. No. i in M.208.16
Sternfeld, R. Hans von Bulow. Leipzig. 1894.
No. 4 in M.207.3
170
Buergel
THE ALLEN A. BROWN COLLECTION OF MUSIC
Bungert
Partitur.
Berlin. Bote &
No. 6 in M.338.11
[Carol.] Boston.
No. 18 in M.158.14
No. 30 in M.3g2.5
No. 10 in M.384.12
M.157.13
Paroles de Chauvin
Buergel, Constantin.
Schlummerlied, fiir Orchester
Bock. [1867?]
Buerger, Gottfried August.
Gottfried August Burgers Gedichte gesetzt von Georg Wil-
helm Gruber. M.130.9
Lenora. Set to music by G. A. Macfarren. M.273.3
Buergerliche Deputirte. Part-song. Hiller, F. Zehn Lieder
aus Waldmeisters Brautfahrt. No. S in M.3g2.ii
Buergschaft, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 3. M.317.1.20.3
Buesnoren. Song. Kjerulf. Sanger och Visor. Band 2.
M.158.47
Buessel, Alois, translator.
Lachner, F. Catharina Cornaro Konigin von Cypern.
M.253.29
Buffalo Philharmonic Society.
Book of the programmes . . . for the season of 1884-85.
Buffalo. The Society. 1885. Photograph. M.205.6
Buffault, Ernest.
Job et son chien. Operette. Paroles de Mestepes et Buf-
fault. Musique de fimile Jonas. No. 4 in M.286.18
Buffinton, Eugene Lucian.
Four hymns in anthem form. [Accomp. for organ.] Bos-
ton. Ditson & Co. 1875. 4 parts in IV. No. 7-10 in M.190.2
Contents. — Gracious Spirit [s. solo and chorus]. — God is love [a.
solo and chorus]. — Blest Comforter [b. solo and chorus]. — Spirit of
peace [t. solo and chorus].
The world itself keeps Easter day
Russell. [1882.]
Bugle song. Part-song. Brown, O. B.
Hatton.
Parker, J. C. D. 7 part-songs.
Buguet, Henry.
Clercs et modistes. Operette bouffe.
et Buguet. Musique de Gilles Raspail. No. i in M.383.31
Simone et Boquillon. Operette-bouffe. Musique de Ernest
Ouvier. No. i in M. 277. 20
Un telegramme. Operette. Paroles de Gaston Marot et H.
Buguet. Musique de Victor Robillard. No. 6 in M.307.23
Building, The, of the ship. Cantata. For the Music see Har-
nett, J. F. ; also Lahee. For the Libretto see Longfellow.
Buisson, Le, d'ecrevisses. Opera. For the Music see Pardon,
F. For the Libretto see Constantin.
Bujac, .
L'alcade de la Vega. Musique de G. Onslow. M.311.6
Bulgare, Der. Opera. For the Music and Libretto see Dib-
bem.
Bull, John.
O Lord, my God, I will e.xalt Thee. Anthem for s voices
[s. s. A. T. b. Accomp. for organ]. (/« Boyce. Cathedral
music. Ed. Warren. Vol. 3, pp. 93-104.)
No. II in M.233.23.3
Parthenia, or the first musick ever printed for the virginals,
composed by William Byrd, John Bull, and Orlando Gib-
bons. Translated into modern notation and edited by
Edward F. Rimbault. London. Chappell. [1847.] Fac-
simile. [Musical Antiquarian Society. Publications.]
No. 2 in M.234.26
Bull, Ole Bornemann.
Adagio religioso, pour violon avec orchestre ou piano. Op. i.
[Partition.] Hambourg. Schuberth & Co. [187-?]
No. 2 in M.403.16
Fantaisie et variations de bravoure, sur une theme de Bellini
pour violon, avec orchestre ou piano, composees par Ole
Bull. Op. 3. [Partition.] Hambourg. Schuberth & Co.
[187-?] No. I in M.403.16
Bull, Ole Bornemann. Works about.
Bull, Sara C. Ole Bull: a memoir. With Ole Bull's "Vio-
lin notes." Boston. 1883. Illus. Portraits. M.106.3
Bull, Sara Chapman.
Ole Bull: a memoir. With Ole Bull's "Violin notes," and
A. B. Crosby's "Anatomy of the violin." Boston. Hough-
ton, Mifflin & Co. 1883. Illus. Portraits. M.106.3
Portraits are inserted.
Bullen, George W., translator.
Cheve, fi. J. M. The theory of music. M.104.16
Bully, Leocadie Aimee de.
A deux pas du bonheur, proverbe lyrique de Mme. Roger de
Beauvoir [pseud.], musique de Felix Godefroid.
No. I in M.368.3I
Bulmer, John.
The dial of Ahaz. A sacred cantata (on Isaiah xxxviii).
[b. and chorus. Accomp. for pianoforte.] London. Bath.
[188-?] No. 2 in M.204.3
Bulthaupt, Heinrich Alfred.
Achilleus. Componirt von Max Bruch. M.341.10
Amor und Psyche. Componirt von Georg Schumann.
No. 2 in M.ig3.xi
Constantin, Oratorium, Componirt von Georg Vierling.
M.154.11
Das Feuerkreuz, dramatische Cantate. [Musik] von Max
Bruch. No. l in M.154.37
Kain. Musikalische Tragodie. Musik von Eugen d' Albert.
No. 2 in M.381.1
Das Kathchen von Heilbronn. Romantische Oper. Musik
von Carl Reinthaler. M.307.6
Leonidas. [Musik] von Max Bruch. M.403.ii;etc.
Bulwer-Lytton, Sir Edward George Earle Lytton, ist Baron
Lytton.
The birth of love. Cantata. [Music by] J. H. Brewer.
No. 7 in M.203.10; etc.
"Salve Eternum," a Roman dirge by H. H. Pierson.
No. 6 in M.270.22
Bulwer-Lytton, Edward Robert Lytton, ist Earl of Lytton.
Julian Fane. A memoir. London. Murray. 1871. Por-
trait. M.128.9
Bumper, A, a bumper." Part-song. Linley, T. 77^5-/795.
No. 17 in M.i3ga.i8.5; etc.
Bumpus, John S.
Catalogue of the compositions of the Rev. Sir F. A. G. Ouse-
ley. (In Joyce, F. W. The life of . . . Ouseley. Pp. 256-
270. London. 1S96.) M.373.7
The organists and composers of S. Paul's cathedral. Lon-
don. Bowden, Hudson & Co. 1891. Plate. M.216.3
Sir John Stevenson. A biographical sketch. London.
Bumpus. 1893. Portrait. M.215.S
Bunce, John Thackray.
A history of the Birmingham General Hospital and the Mu-
sical festivals. Birmingham. Cornish. [1873.] M. 197.2
Bundes-Festlied. Part-song. Helriegel. No. i in M.3g2.24
Bundeslied. Cantata. For the Music see Hiller, F. For the
Libretto see Arndt.
Bundeslied. Part-song. Beethoven. Werke. Serie 22. M.413.1.22
Boenicke. No. 39 in M.392.3; etc.
Fiby. No. 2 in M.212.5
Hegar. Drei Gedichte. No. 38 in M.3g2.io
Mozart. No. 92 in M.i2ga.44; etc.
RiCHTER, E. No. 45 in M.213.9
Ruehl. No. 119 in M.147.4
Schneider, J. J. No. 109 in M.213.9
Zoellner, C. F. 12 Lieder u. Gesange. No. 43 in M.3g2.27
Bundeslied. Song. Schubert, F. P. Werke. Serie 20, Band 3.
M.317.1.20.3
Bunge, Rudolf.
Die Miidchen von Schilda. Komische Oper. Musik von
Alban Forster. M.256.11
Margitta. Komische Oper von Rudolf Bunge und Julius
Freund. Musik von Erik Meyer-Helmund. M.276.18
Otto der Schiitz. Oper. Musik von Victor E. Nessler.
M.267.24
Der Trompeter von Sakkingen. Oper. Musik von Victor E.
Nessler. M.267.23
Bungert, August.
Auf der Wartburg. Symphonische Gedicht fiir grosses Or-
chester. Op. 29. Partitur. Mainz. Schott. [1885?]
No. 3 in M.336.2
Aurora. Ein Musik-Lustspiel in 3 Aufziigen. Klavierauszug
von Adolf Blomberg. Berlin. Bote & Bock. [188-?]
M.275.1S
171
Bungert
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Buonavoglia
Bungert, August. (Continued.)
Bei diesem kalten Wehen? [Lied.] Mit Begleitung des
Pianoforte. Berlin. Luckliardt. [i85-? Lieder eines
Einsamen.] No. ii in M.380.20
Erinnerung (Remembrance). [Mannerchor, x. t. b. b.] Op.
28, No. 2. Berlin. Luckhardt. 1888. No. 5.=; in M.392.3
With German and English words.
Junge Leiden. Lieder fiir eine mittlere Stimme. mit Beglei-
tung des Pianoforte. Berlin. Luckhardt. [186-?]
No. 12 in M.380.20
Contents. — ,,Warum sind denn die Rosen so blass?" — Wechsel. —
„Ich sahe dich im Traume." — ,,Nur ist es Zeit, dass ich mit Verstand."
Junge Lieder fiir eine Singstimme [s. o. t.] mit Begleitung
des Pianoforte. Op. 1-7. Leipzig. Breitkopf & Hiirtel.
[186-?] 7 V. in I. No. 1-7 in M.380.20
Contents. — i. Der Harfner. — Mein Herz ist wie die dunkle Nacht. —
Geh' ich einsam. — Winterruhe. — Die Liebste zur Antwort. — Wohin
mit der Freud? 2. Minnelied. — Was gilt die Scheidewand. — ■ „Wenn
ich auf dem Lager liege." — Die Liebste. — „Sie sagten ihr Gliick
nicht leise noch laut." — Die Liebende schreibt. 3. „Und gestern
Noth und heute Wein." — ,,Du bist wie eine Blume." — ■ „Air meine
Herzgedanken." — „Die Glocken lauten das Ostern ein." — Einsame
Blumen-einsame Herzen. — ,,Auf eines Berges Gipfel." 4. Nachtlied.
— ,,0 war ich ein See." — Nach der Nacht. — Junglingsklage. — Beim
Scheiden. — Gliick. 5. Lebewohl. — Scheiden und Meiden. — ■ Auf
der Wanderung. — Morgenlied. — In der Feme. 6. Minnelied. —
„So wundersiiss hab' ich getraumt." — Die Liebste harrend. — ■ Wer's
nur verstande! — „0 reiche mir nur den Mund." — Liebeslust. 7.
,,0, wie wunderschon ist die Fruhlingszeit." — „Seh' ich deine zarten
Fiisschen an." — Gemma, ,,Lass mir diese schone Sehnsucht." —
Gemma, ,,Sind sie's wirklich denn die Sterne deiner Augen." —
„Warst du krank, dass ich dich konnte pflegen." ^ Morgenthau. —
„Rauschende Bache quellenden Lebens." — An die Liebste.
Kinderleben. Lieder fiir eine Singstimme fA. o. bar.] mit
Begleitung des Pianoforte. Heft i. Creuznach. Wolff.
[186-?] No. 14 in M.380.20
Contents. — Wiegenlied. — Weihnacht. — Das Paukenschlagerlied. —
,,Was fang" ich an?" — Sehnsucht nach Genesung. — Bei'm Schnee-
ballen.
„0 sehne dich nicht an's graue Meer." [Lied.] Fiir eine
Bariton- oder Altstimme, mit Begleitung des Pianoforte.
Op. 12. Berlin. Luckhardt. [186-?] No. 13 in M.380.20
Oden fiir eine Bariton oder Altstimme mit Begleitung des
Pianoforte. Leipzig. Luckhardt. [186-?] 3 v. in i.
No. 8-10 in M.380.20
Contents. — i. Verlor'ne Klange. 2. Segen der Schonheit. — Gebet
an die Gliicksgottin.
Die Odyssee. Musik-Tragodie in vier Theilen. [Klavier-
auszug mit Text. Leipzig. Leede. 1896-1900.] 3 v. M.382.5
Contents. — I. Kirke und Vorspiel Polyphemos. 2. Nausikaa. 3.
Odysseus' Heimkehr.
Torquato Tasso von W. von Goethe. Symphonische Ouver-
ture fiir grosses Orchester. Op. 14. Partitur. Mainz.
Schott. [1886?] No. 4 in M.336.2
Bunn, Alfred.
The Bohemian girl. Composed by M. W. Balfe. M.362.14
Same. Die Zigeuner. Oper. Musik von Balfe. M.152.32
The bondman, opera. The music by M. W. Balfe. London.
Johnson. [1846.] M.147.33
Libretto only, interleaved.
Same. Composed by M. W. Balfe. M.251.35
The brides of Venice; a grand opera. The music composed
by M. Benedict. London. Johnson. [1S44.] M.147.30
Libretto only, interleaved.
Same. Die Braute von Venedig. Grosse Oper. Musik von
Julius Benedict. M.261.26
The case of Bunn versus Lind. London. Johnson. 1848.
No. gin M. 149.8
The crusaders. The words, with a preface and notes. Lon-
don. Johnson. [1848.] M.147.24; No. 7 in M.145.25
The daughter of St. Mark. A grand opera seria. The music
by M. W. Balfe. London. Johnson. [1844.] M. 147.26
Libretto only, interleaved.
A grand commemoration of the departed genius of music
[Malibran]. London. Wright. 1836. Plates.
No. 2 in M. 147.34
Lorctla, a talc of Seville, opera. The music by M. Lavenu.
London. Johnson. [1846.] M. 147.^6
Libretto only, interleaved. t/'O
The maid of Artois. Grand opera. London. Johnson. [1S46.]
Libretto only. M. 147.37; No. 9 in M.14S.25
Bunn, Alfred. (Continued.)
Same. Programme of the songs, duets, trios, &c. London.
Wright. [1836.1 M.147.38
Same. A grand opera. The music by M. W. Balfe. M.251.34
Matilda of Hungary, grand historical opera. The music by
W. V. Wallace. London. Cramer, Beale & Co. 1847.
Libretto only, interleaved. M. 147,32
Same. Matilda. Composed by W. V. Wallace M.2g4.8
A monody. Birmingham. Beilby & Knotts. 1822.
No. I in M. 147.34
Der Mulatte. Romantische Oper. Musik von M. W. Balfe.
M.261.1:
The Sicilian bride. [By M. W. Balfe. Overture, airs, duets,
songs, etc.] M.237.21
Bunn, Alfred, translator.
AuBER. Gustavus the Third; or the masked ball.
No. 2 in M.223.1
Balfe. The enchantress. M.26i.9;etc.
Etienne, Victor Joseph. Guillaume Tell. Opera.
M. 147.29; etc.
Scribe. Lestocq, ou I'intrigue et I'amour. M. 147.31
The syren. M.147.27
Bunnett, Edward.
Christ our Passover. Easter anthem. [Accomp. for organ.]
Boston. Schmidt. [1894.] No. 15 in M.203.26
Bunning, Herbert.
La princesse Osra. Opera romantique en 3 actes, d'apres
Anthony Hope [pseud.]. Paroles de Maurice Berenger.
Musique de Herbert Bunning. Vocal score [with piano
accomp.]. London. Enoch. 1902. M.397.11
Suite villageoise, pour grand orchestre. Op. 45. Partition.
Hannover. Oertel. [1896.] 4 parts in i v.
No. 3 in M.403.16
Contents. — i. Pastorale. 2. Danse des paysans. 3. Idylle. 4. Fete
de village.
Bunte Blatter. Criticism. Ambros. M.io9a.3i
Bunte Schlangen. Song. Taubert, C. G. W. Gesange aus
Shakspeare . . . No. 8 in M. 221.26
Buntes Treiben. Characterstuck. Kretschmer. Musikalische
Dorfgeschichten. No. 11 in M.342.10
Bunting, Edward.
The ancient music of Ireland, arranged for the piano forte.
Prefixed a dissertation on the Irish harp and harpers.
Dublin. Hodges & Smith. 1840. Illus. Plate. M.121.21
Bunting, Edward, compiler.
A general collection of the ancient Irish music, containing a
variety of admired airs . . . also the compositions of
Conolan and Carolan . . . and adapted for the piano-forte.
Dublin. Hime. [1796.] No. 5 in M. 380.42
Buona figliuola, La. Opera. For the Music see Piccinni, N.
For the Libretto see Goldoni.
Buonaiuti, B. Serafino.
Alzira, a serious opera. The music by F. Bianchi. Lambeth.
Tibson. 1801. No. I in M.147.6
Libretto only, in English and Italian.
La caccia de Enrico IV. . . . An heroi-comic opera. Music
by V. Pucitta. London. Brettell & Co. 1809.
Libretto only, in English and Italian. No. I in M.147.7
I villeggiatori bizzarri; or, a whim in the country. A comic
opera. Music by V. Pucitta. London. Zotti. 1809.
Libretto only, in English and Italian. No. 3 in M. 147,7
Buonamici, Giuseppe.
Pater Noster, fiir Sopran-Solo und gemischten Chor. Ave
Maria, fiir gemischten Chor. Mit oder ohne Begleitung
von Harmonium oder Orgel. Op. 3. Miinchen. Aibl.
[ 1870?] No. 7 in M.203.6
Buonanni, Filippo.
Gabinetto armonico. Pieno d'instromenti sonori . . . Roma.
Placho. 1723. 12 plates. No. 3 in M.131.14
Buonavoglia, Liiigi G.
Agnese, musique de Paer. Opera complet. M.368.35
Aristodemo, a tragic drama. The music by Pucitta. Lon-
don. Gillet. 1814. No. 3 in M.ioga.1.3
Libretto only, in Italian and English.
172
Buongiorno
THE ALLEN A. BROWN COLLECTION OF MUSIC
Burnand
Buongiorno, Crescenzio.
„Das Madchenherz." (II cuor delle fanciulle.) Lyrische
Oper in vier Akten von Luigi lUica. Deutsch von Ludwig
Hartmann. Musik von Crescenzio Buongiorno. Voll-
standiger Klavier-Auszug mit deutschem und italieni-
schem Text. Leipzig. Schuberth & Co. 1900. Portrait.
M.3g6.i8
Buono, Michele.
I moschettieri. Melodramma di Ricardo Paderni e Michele
Buono. Musica del Mo. Giuseppe Sinico. M.274.24
Buonomo, Alfonso.
Cicco e Cola. Opera comica in 4 atti, di Almerindo Spadetta.
Musica di A. Buonomo. I recitativi sono musicati da Et-
tore Gelli. Riduzione con accomp. di pianoforte. Milano.
Lucca. [1857.] M.281.19
Buontempone, II. Opera. For the Music see Mandanici. For
the Libretto see Bassi.
Burani, Paul, pseud. See Roucoux, Paul Urbain.
Burat de Gurgy, Edmond.
Le jugement dernier. Opera sacre. Musique de A. Vogel.
M.284.31
Burbank, Charles H.
Four Christmas carols. Boston. Gerrish. [1888.]
No. II in M. 158.26
Contents. — Before the paling of the stars. — Glorious star in the
eastern sky. — Christmas bells are ringing. — Glad tidings unto you
I bring.
Burbero, II, di buon cuore. Opera. For the Music see Martin
y Solar. For the Libretto see Ponte.
Burbure de Wesembeek, Leon Philippe Marie de.
Charles Luython, compositeur de musique de la cour im-
periale (1550-1620). Sa vie et ses oeuvres. Bru.xelles.
Hayez. 1880. No. 2 in M.141.5
Deux virtuoses frangais a Anvers [Georges Lohoys et Jean
Hobreau, surnomme Petit-Jehan]. fipisode des moeurs
musicales au XVI« siecle. Bruxelles. Hayez. 1880.
No. 2 in M.128.8
Burck, Joachim, pseud. See Moller, Joachim.
Burckhardt, Salomon. See Burkhardt, Salomon.
Burden, W. R.
Sacred pieces, composed & arranged for the service of the
Protestant Episcopal church. [Accomp. for organ.] Bos-
ton. Ditson & Co. [187-?! No. II inM.190.2
A small collection of Glorias, chants and hymn tunes.
Bureau, fidouard.
La veillee des noces. Opera-comique. Paroles de Alexandre
Bisson et Bureau-Jattiot. Musique de F. Toulmouche.
M.324.23
Same. The wedding eve. A comic opera. Music by Fre-
deric Toulmouche. The English libretto (founded on the
French) by William Yardley. M.323.22
Bureau, Un, de nourrices. Opera. For the Music see Douay.
For the Libretto see Tourte.
Bureau-Jattiot. See Bureau, fidouard; Jattiot, Fernand.
Burenin, Viktor Petrovitch.
Angelo. Oper von C. Cui. M.3g6.28
Burg Falkenstein, Die. Opera. For the Music see Grund.
Burge, William.
On the choral service of the Anglo-Catholic church. Lon-
don. Bell. 1844. No. 4 in M.207.26
The preface is signed W. B.
Burger, Max, editor.
ScHARWENKA, L. P. Fijr die Jugend. No. 3 in M.404.12
Burgess, Gilbert.
The wooden spoon. Operetta. Music by Hope Temple.
No. 3 in M.402.71
Burgess, J. H.
When Delia to yon verdant bank. Glee [a. x. t. b.]. (In
Bland. The Ladies' collection. Vol. 3, pp. 278-281.)
No. 23 in M.235.17.3
Burgess, R.
Sweet Miss Prue. Catch [for 3 voices], (/w The Apollo.
Vol. 6, p. 472.) No. 17 in M.i3ga.i8.6
Burgh, Allatson.
Anecdotes of music, historical and biographical. London.
Longman. 1814. 3 v. M.128.42
Burgh, Joachim, pseud. See Moller, Joachim.
Burghersh, Lord. See Fane, John, nth Earl of Westmoreland.
Burghold, Julius.
Richard Wagner. Die Meistersinger von Niirnberg. Er-
lautert von Dr. Julius Burghold. Leipzig. Seemann.
[1899? Der Musikfiihrer.] No. 7 in M.217.12.7
Burglars, The. Opera. For the Libretto see Pidgin.
Burgmein, J.
Contes de Noel. Suites mignonnes. Par J. Burgmein. Te.xte
par Armand Silvestre. Illustres par A. Edel. [Partition
chant, s. ou t. et choeur, et piano.] Paris. Durdilly & cie.
[ 189-?] No. 3 in M.204.2g
Le roman de Pierrot et de Pierrette. Historiettes musicales
pour grand orchestre. Partition. Milan. Ricordi. [188-?]
No. 6 in M.332.10
Contents. — Serenade. — Duo amoureux. — Bal de noces. — Cortege
nuptial.
Burgmueller, Norbert.
Ouverture fiir Orchester. Op. 5. Partitur. Leipzig. Kist-
ner. [1859?] No. i in M.336.S
Sinfonie No. i (C-moU), fiir Orchester. Op. 2. Partitur.
Leipzig. Kistner. [1858?] M.336.3
Sinfonie No. 2 (D-dur), in 3 Satzen fiir Orchester. Op. 11.
Partitur. Leipzig. Kistner. [186-?] M.336.4
4 Entr'actes fiir Orchester. Op. 17. Partitur. Leipzig.
Kistner. [i860?] No. 2 in M.336.S
Burgomaster, The. Opera. For the Music see Luders. For
the Libretto see Pixley.
Burgonde, La. Opera. For the Music see Vidal, P. A. For
the Libretto see Bergerat.
Burgundy. Music.
PoisoT, C. E. Essais sur les musiciens bourguignons. Dijon.
1854. No. 2 in M.116.6
Burial, The, of Christ. Cantata. For the Music see Klughardt.
For the Libretto see Hosaeus.
Burion, Amedee.
Les faiseuses d'embarras. Saynette. Musique de Jules
Javelot. No. 2 in M.3gg.27
Le preux et le mecanicien, ou autrefois & aujourd'hui. Mu-
sique de Frederic Wachs. No. 3 in M.326.10
Burkhardt, Addison.
The runaways. A new musical comedy. Music by Raymond
Hubbell. M.3g7.33
Burkhardt, Salomon.
Abendgesang. [Mannerchor.] (In Orpheus. Band 7, pp.
35, 36.) No. 234 in M.i2ga.43.7
Der Friihlingsabend. [Mannerchor.] (In Orpheus. Band 7,
pp. 49, 50.) No. 240 in M.i2ga.43.7
Kosackenlied. [Mannerchor.] (In Orpheus. Band 9, pp.
29, 30.) No. 17 in M.i2ga.43.g
Morgenlied [t. t. b. b.]. (In Orpheus. Band 7, pp. 22, 23.)
No. 227 in M.i2ga.43.7
Nature joyous smiling. [Part-song, t. t. b. b.] (In Orpheus
glee book. Pp. 59, 60.) No. 31 in M.246.36
Soldatenlied [t. t. b. b.]. (In Orpheus. Band 7, pp. 29, 30.)
No. 231 in M.i2ga.43.7
Ubi bene, ibi patria. [Mannerchor.] (In Orpheus. Band 7,
pp. 4, 5.) No. 216 in M.i2ga.43.7
Burleske. For pianoforte and orchestra. Strauss, R. M.404.23
Burlingame, Edward Livermore, translator.
Wagner, W. R. Art life and theories. M.101.16
Burmeister, Johann Peter Theodor.
Salvator Rosa, oder zwei Nachte in Rom, komische Oper in
Musik gesetzt . . . von Joseph Rastrelli. M. 150.4
Burmeister, Richard.
Die Jagd nach dem Gliick. Symphonische Fantasie fiir Or-
chester. [Op. 2.] Partitur. Berlin. Ries & Erler. [1894?]
M.403.7
Burnand, Sir Francis Cowley.
Captain Therese. Opera comique, by Alex. Bisson & F. C.
Burnand, lyrics by F. C. Burnand & Gilbert a Beckett.
Music by Robert Planquette. M.287.29
The chieftain, a comic opera, composed by Arthur Sullivan.
M.323.27
173
Burnand
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Busnach
Burnand, Sir Francis Cowley. (Continued.)
The contrabandista; or the law of the ladrones. Comic
opera. Music by Arthur S. Sullivan. M.327-7
Reproduced in 1895 with changes and additions as The chieftain.
Cox and Box, or the long-lost brothers. Triumviretta. The
music by Arthur S. Sullivan. M.284.7; No. 2 in M.277.23
His Majesty; or, the court of Vingolia. A comic opera. By
F. C. Burnand & R. C. Lehmann. Music by Alexander C.
Mackenzie. M.402.37
The miller & his man, a drawing room extravaganza, with
songs by Arthur Sullivan, the incidental music composed
and arranged by James F. Simpson. No. i in M.277.23
My aunt's secret. Operetta. Music by James L. Molloy.
No. 3 in M.277.22
Pickwick. [Music by] Edward Solomon. M.322.42
The telephone girl. By F. C. Burnand, Arthur Sturgess. and
Sir Augustus Harris. Music by Gaston Serpette, and J.
M. Glover. No. 3 in M.389.43
The tiger. Operetta. Music by Edward Solomon.
No. 4 in M.395.3S
Burnand, Sir Francis Cowley, translator.
AuDRAN. "La cigale." M.25S.30
Burnett, Vivian.
"Fool's gold." Music by John A. Loud. No. i in M.394.29
Burney, Charles.
An account of the musical performances in Westminster-
Abbey and the Pantheon, May, June, 1784. In commemo-
ration of Handel. London. Payne. 1785. Portraits.
Plates. M.I22.3S
Benedetto quel claretto. Canon [4 in i]. (/« Vocal har-
monist's magazine. Vol. I, pp. 48, 49) No. 4 in M.220.5
A general history of music. 2d edition. London. Payne.
1789. 4 V. Portrait. Plates. M.iii.i
Jack and Jill. Catch [for 4 voices]. {In Bland. The Ladies'
collection. Vol. i, p. 77-) No. 123 in M.23S.17.1
Also to be found in Vocal harmonist's magazine.
Jack Sprat. Catch [for 6 voices]. {In Vocal harmonist's
magazine. Vol. i, p. 71) No. 4inM.220.s
Mortals learn. Catch [for 3 voices]. (/» Vocal harmonist's
magazine. Vol. i, p. 31.) No. 4 in M.220.5
Peter White. Catch [for 3 voices]. {In Social harmonj'.
P. 41.) No. 30 in M. 215.21
Also to be found in Vocal harmonist's magazine ; Warren's Cocks's
Hand-book of glees.
The present state of music in France and Italy. London.
Becket & Co. 1771. M.137.22
The present state of music in Germany, the Netherlands
and United Provinces. London. Becket & Co. 1773. 2 v.
M.116.3
Burney, Charles, editor and translator.
Rousseau, J. J. The cunning-man. No. i in M.130.2
Burney, Charles. Works about.
Arblay, F. d'. Memoirs of Doctor Burney. London. 1832.
3 V. M.135.4
Veal, G. Musical travels through England. By the late
Joel Collier [pseud.]. With an appendix, containing an
account of the author's last illness and death, by Nat.
Collier [pseud.]. 3d edition. London. 1775. M. 145.33
A satire on Burney. Also attributed to J. L. Bicknell.
Joel Collier redivivus, an entirely new edition of
"Musical travels." London. 1818. M.iiga.8
Burney, F. H., editor.
Musical bijou, The. M.158.4
Burns, Robert.
Acht Lieder, componirt von Wilhelm Taubert.
No. 5, 6 in M.192.6
Contents. — 1. Hier hinaus, dort hinaus. — Mein Madchen, komm. —
Es bliiht ein schmucker Rosenstrauch. — Kalt entfloh der Winter-
wind. 2. Griin sind die Auen. — John Anderson, mein Lieb'. — Wenn
uber'm Berg. — • Wer ist an der Kammerthur?
The cotter's Saturday night. Set to music by A. C. Macken-
zie. No. 2 in M. 155.31
Fiinf Lieder, componirt . . . von Rob. Schumann.
No. 6 in M.280.49
Contents. — Das Hochlandmadchen. — Zahnweh. — ,,Mich zieht es
nach dem Dorfchen hin." — Die alte gute Zeit. — Hochlandbitrsch.
Burns, Robert. (Continued.)
Tarn O'Shanter. A cantata. Music by Howard Glover.
M.226.4; etc.
Burns. Symphonic poem. Mackenzie, A. C. No. 2 in M.345.29
Bumside, R. H.
Sergeant Kitty. Music by A. Baldwin Sloane. New York.
[1903] M.397.63
The tourists. A musical comedy. Music by Gustave Kerker.
M.240.4
Burret, Leonce, translator.
Delmet. Chansons tendres. M.102.23
Bursch, Der. Lied. Grieg. Grieg-Album. No. 5 in M.155.16
Burschen Wein-Examen, Der. Part-song. Ellmenreich.
No. 60 in M.246.22
Burschenlust. Part-song. Silcher. Silcher-Album.
No. 4 in M.3 70.30
Burst forth, my tears. Part-song. Dowland, J. First set of
songs. No. 2 in M.234.2Z
Burton, Frederick Russell.
Hiawatha. Dramatic cantata by Frederick R. Burton. The
words from the poem by Henry Wadsworth Longfellow.
[s. a. t. b. and chorus. Accomp. for pianoforte.] Boston.
O. Ditson Co. 1898. M.213.20
Bury, Bernard de.
Les caracteres de la folic. Ballet, mis en musique par M. de
Bury. [Paroles de Duclos. Partition.] Paris. L'auteur.
[1743.] No. I in M.28u8
Bury me in the morning, mother. Song. Foster, S. C.
No. 7 in M.380.41.1
Burya. For orchestra. Tchaikovski, P. I. La tempete.
No. 2 in M.343.4
Busby, Thomas.
Concert room and orchestra anecdotes of music and musi-
cians. London. Clementi & Co. 1725. 3 v. Portraits.
Plates. Engraved title-pages. M.128.23
A general history of music. London. Whittaker. i8ig. 2 v.
M.114.11
Busby, Thomas, editor.
PuRCELL, H. The tempest. No. 5 in M.380.6
Busch, Carl.
Elegie, Op. 30. Herrn W. Weber, Kansas City, Mo., in
Verehrung. Streichmusik. Partitur. Leipzig. Breitkopf
& Hiirtel. 1899. _ No. 3 in M.410.11
Buscopius, Cornelius. See Boscoop, Cornells.
Bushnell, Catherine Hayes. See Hayes, Catherine. 1825-1861.
Busnach, William Bertrand.
Ali-Baba. Opera-comique de A. Vanloo et W. Busnach.
Musique de Ch. Lecocq. M.306.6
Am Hochzeitstag (Seit Mittag verheirathet). Mariee depuis
midi. Solo Operette. Paroles de William Busnach & A.
Liorat [pseud.]. Musik von G. Jacobi. No. 2 in M.277.24
Charbonnier est maitre chez lui. Operette vaudeville. Pa-
roles de MM. Clairville [pseud.] & Busnach. Musique de
Clairville fils [pseud.]. No. I in M.28S.18
Le chevalier timide. Opera-comique. Musique de Edmond
Missa. No. i in M.267.4
Cliquette. Operette. Musique de Louis Varney.
No. I in M.325.9
La fille de Fanchon la vielleuse. Opera-comique de Liorat
[pseud.], Busnach & Fonteny. Musique de L. Varney.
M.325.2
Les gammes d'Oscar. Folic musicale. Musique de Georges
Douay. No. 2 in M.301.4
Heloise et Abelard. Opera-comique. Paroles de Clairville
[pseud.] et W. Busnach. Musique de Henry Litolff.
M.366.29
Kosiki. Opera-comique. Paroles de W. Busnach et A.
Liorat [pseud.]. Musique de Charles Lecocq. M.296.36
Madame Cartouche. Opera-comique. Paroles de William
Busnach & Pierre Decourcelle. Musique de Leon Vas-
seur. No. 3 in M.325.21
Le myosotis. Operette-bouffe. Paroles de Cham [pseud.]
et William Busnach. Musique de Charles Lecocq.
No. 3 in M.296.34
174
Busnach
THE ALLEN A. BROWN COLLECTION OF MUSIC
Butler
Busnach, William Bertrand. (Continued.)
L'oeuf rouge. Opera comique par A. Vanloo et W. Busnach.
Musique de E. Audran. No. i in M.255.27
L'ours et I'amateur des jardins. Bouffonnerie musicale.
Paroles de W. Busnach & Marquet. Musique de I. E.
Legouix. No. 4 in M.306.12
La penitente. Opera comique. Paroles de Henri Meilhac
et William Busnach. Musique de Madame de Grandval.
No. I in M.266.31
Le phoque a ventre blanc. Parade musicale. Musique de
Georges Douay. No. S in M.301.4
Pomme d'api. Operette de L. Halevy et W. Busnach. Mu-
sique de J. Offenbach. No. 3 in M.368.5
Le quai malaquais. Operette. Paroles de William Busnach
et £lie Frebault. Musique de Amedee de Roubin.
No. 2 in M.307.40
Le signal. Opera comique. Poeme de Ernest Dubreuil et
William Busnach. Musique de Paul Puget.
No. I in M.2g7.i8
La viperine. Operette. Paroles de Busnach et Prevel. Mu-
sique de J. J. Debillemont. No. 2 in M.302.16
Les virtuoses du pave. Bouffonnerie musicale. Paroles de
William Busnach. Musique de Mr. A. L'fiveille.
No. 5 in M.305.41
Busnach, William Bertrand, editor.
Lecocq, a. C. Les jumeaux de Bergame. M.405.32;etc.
Busoni, Ferruccio Benvenuto.
Concertstiick fiir Pianoforte mit Orchester. Op. 31a. Par-
titur. Leipzig. Breitkopf & Hartel. 1892. M.410.14
Konzert fiir die Violine mit Orchester. Op. 3Sa. Partitur.
Leipzig. Breitkopf & Hartel. 1899. No. I in M.403.18
Lustspiel-Ouvertiire. Op. 38. Partitur. Leipzig. Breit-
kopf & Hartel. 1904. [Zwei heitere Ouvertiiren.]
No. 2 in M.406.44
Quartett (in C) fiir zwei Violinen, Viola und Violoncell.
Op. 19. Partitur. Leipzig. Kistner, [189-?]
No. 2 in M.335.3
Quartett, Zweites (D moll), fiir 2 Violinen. Viola und Vio-
loncell. Op. 26. [Partitur.] Leipzig. Breitkopf & Har-
tel. [1889.] No. I inM.2ii.i
Symphonische Suite, fiir Orchester. Op. 25. Partitur. Leip-
zig. Kahnt. [1884.] No. i in M.403.i9
Symphonisches Tongedicht fiir Orchester. Op. 32a. Parti-
tur. Leipzig. Breitkopf & Hartel. [189-?]
No. 2 in M.403.19
Zweite-Orchestersuite (Geharnischte-Suite). Op. 34, A.
(Komponiert 1895. Umgearbeitet 1903.) Partitur. Leip-
zig. Breitkopf & Hartel. [1905.] M.406.44
Busoni, Ferruccio Benvenuto, editor.
Bach, J. S. Konzert, D moll, fur Klavier & Streichorches-
ter. No. 2 in M.403.3
Liszt, F. Rhapsodie espagnole (Folies d'Espagne et Jota
arragonesa) pour piano. Als Konzertstiick mit Orchester.
No. I in M.410.71
Busschop, Jules Auguste Guillaume.
Ave Maria. [A 4 voix. Accomp. d'orgue.] Bruxelles.
Schott. [185-?] No. 13 in M.260.19
Da pacem, Domine. A 3 voix en chceur. [s. t. b. Accomp.
d'orgue, violoncelle et contre basse.] Bruxelles. Schott.
[185-?] No. 9 in M.260.19
Laudate Dominum. A 3 voix en chceur. [s. t. b. Accomp.
d'orgue, violoncelle et contre basse.] Bruxelles. Schott.
[185-?] No. 10 in M.a6o.i9
Messe solennelle, 2en>e, en choeur a I'unisson, avec accomp.
d'orgue oblige, d'instruments a cordes et de timbales (ad
libitum). [Partition.] Bruges. L'auteur. 1859.
No. I in M.igi.3
O Salutaris. Duo [s. b. Accomp. d'orgue, violoncelle et
contre basse]. Bruxelles. Schott. [185-?] No. 8 in M.260.19
Pange, lingua. A 3 voix en choeur. [s. x. b. Accomp.
d'orgue, violoncelle et contre basse.] Bruxelles. Schott.
[185-?] No. II in M.260.19
Tu dux ad astra. Solo [s. Accomp. d'orgue, violoncelle et
contre basse, ad lib.]. Bruxelles. Schott. [185-?]
No. 7 in M.260.19
Busschop, Jules Auguste Guillaume. (Continued.)
Verbum supernum. A 4 voix en choeur. [Accomp. d'orgue,
violoncelle et contre basse.] Bruxelles. Schott. [185-?]
No. 12 in M.260.19
Busse, Friedrich Gottlieb von.
Serenade. A four-part song [x. x. b. b.]. (/« The Orpheus.
New series. Vol. 5, pp. 48-51.) No. 12 in M.20S.10.5
Biisser, Henri Paul.
A la Villa Medicis. Suite symphonique en trois parties.
[Op. 4.] Partition. [Paris.] Lemoine & cie. 1901.
M.404.74
Antigone. Scene lyrique de F. Beisser. Musique de Henri
Biisser. [Partition piano et chant, s. x. b.] Paris. Grus.
[1893.] No. 2 in M.380.11
Daphnis et Chloe. Pastorale en un acte. Poeme de Charles
Raffalli, musique de Henri Busser. Partition, chant et
piano. Paris. Grus. 1897. No. 2 in M.203.35
Hercule, au Jardin des Hesperides. Poeme symphonique.
Partition d'orchestre. Paris. Lemoine & cie. 1901.
M.410.15
Petite suite. [Op. 12.] Partition d'orchestre. Paris. Du-
rand. [190-?] No. 3 in M.405.4
La ronde des saisons. Ballet-legendaire en trois actes et
six tableaux d'apres un recit du pays Comminges de
Charles Lomon. Musique de Henri Biisser. Paris. Pou-
lalion. 1905. M.sgg.gi
Busslied. Part-song. Cornelius. Werke. Band 2. M.414.20.2
Busslied. Song. Beexhoven. Sechs geistliche Lieder.
No. 10 in M.1S7.24; etc,
Bussy, George de.
Le cadeau d' Alain. Opera comique. Musique de O. de La-
goanere. No. i in M.sgg.si
Buster, Phil E., pseud.
The world's peace jubilee and Back Bay bawl. Boston.
Childs & Sullivan. 1872. Illus. No. 14 in M.147.3.2
Bustle, The. Catch. See Arne, T. A. Dear Jenny, I love you.
Bustle's bride. Opera. For the Music see Cole, J. P. For the
Libretto see Capes, B.
Busy, curious, thirsty fly. Duet. Greene, M.
No. 38 in M.141.21.1; etc.
Busy, curious, thirsty fly. Part-song. Hatton.
No. 9 in M.igs.1.7
But hark! he strikes the golden lyre. Glee. Porter, P. W. A
collection of melodies. No. 2 in M.236.21
But the Lord is mindful of His own. Anthem. Mendelssohn-
Bartholdy, J. L. F. No. 9 in M.290.14; etc.
But thirty years. Catch. B.\ttishill. No. 14 in M.157.18.1; etc.
But Thou didst not leave his soul in hell. Anthem. Handel.
No. 49 in M.2go.22.i; etc.
But thou wilt not leave. Anthem. Gardiner.
No. 7 in M.236.30.3; etc.
But watch thou in all things. Anthem. Lassus.
No. 24 in M.233.2S.1 ; etc.
But what went you out to see? Anthem. Esxe, M.
No. 3 in M.234.26; etc.
But when she speaks. Glee. Spofforxh. Collection of glees.
No. 21 in M.235.1S
But who may abide. Anthem. Handel. No. S in M.236.16
Buths, Julius, translator.
Elgar. The dream of Gerontius. M.402a.i2
Butler, Charles.
Reminiscences. With a letter to a lady on ancient and
modern music. New York. Bliss & White. 1824. Plate.
M.ioga.26
Butler, Samuel.
Narcissus. A dramatic cantata in vocal score [s. a. or bar. x.
and chorus]. With a separate accomp. for the pianoforte.
The words written & the music composed by Samuel
Butler & Henry Festing Jones. London. Weeks & Co.
[1888.] No. I in M.194.19
Butler, William Allen.
Barnum's Parnassus; being confidential disclosures of the
prize committee on the Jenny Lind song. [Anon.] 2d
edition. New York. Appleton & Co. 1850.
No. I in M. 128.32
175
Butte
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Byrd
Butte, La, des moulins. Opera. For the Music see Boieldieu,
A. L. V. For the Libretto see Lurieu.
Butterfield, James Austin.
Belshazzar. A dramatic cantata. Libretto by C. R. Blackall.
Music for chorus, solos and orchestra by J. A. Butterfield.
[Accomp. for pianoforte.] Boston. Ditson & Co. [1876.]
No. 2 in M.204.8
Turn ye unto Me. [Motet. Accomp. for organ.] (In Buck.
Motette collection. Vol. 2, pp. 165-167.) No. 41 in M.100.4.2
Butterflies, The. Part-song. Maddison. No. 14 in M.isga.iS.e
Butterfly, The. Duet. Sale. No. 23 in M.23S.14
Butterfly, The. Part-song.
Blumenthal. 6 part-songs. No. 2 in M.1S8.23
Smart, H. No. 20 in M.244.10.3
Butterfly's ball. The. Part-song. Smart, G. A.
No. 5 in M.220.2g; etc.
Butterworth, Hezekiah.
The great composers. Boston. Lothrop & Co. [1884.]
Portraits. Plates. [Little biographies. 2d series.]
M.109.17
Button, Henry Elliot.
Almighty God, who has promised. [Anthem. Accomp. for
organ.] Boston. Schmidt. [1893-] No. 19 in M.158.14
Behold I have given you every herb. Anthem for harvest-
tide. [Accomp. for organ.] Boston. Schmidt. 1894.
No. 16 in M.203.26
Christ the Lord is risen to-day. Anthem for Easter. [Ac-
comp. for organ.] Boston. Schmidt. [1893.]
No. 17 in M.2Q3.26
Grant to us. Lord. [Anthem. Accomp. for organ.] Boston.
Schmidt. [ 1893.] No. 20 in M.158.14
Two benediction hymns. Boston. Schmidt. [1893.]
No. 18 in M.203.26
Contents. — Now that the shadows. — May He who giveth His be-
loved sleep.
We humbly beseech Thee, O Father. [Anthem. Accomp.
for organ.] Boston. Schmidt. [1893.] No. 21 in M.158.14
Butzemann. Song. Taubert, C. G. W. Klange aus der Kinder-
welt. Heft 2. No. 8inM.i92.6
Buxom Nan. Song. Dibdin, C. 1745-1814. No. 17 in M.384.48
Buxtehude, Dietrich.
Drei grosse Orgelstiicke . . . Revidirt und zum Concert- und
Schulgebrauche herausgegeben von Hermann Kretzsch-
mar. No. i, 3. Leipzig. Forberg. [187-?] 2 parts in i v.
No. 6, 7 in M.414.30
Buz, quoth the blue fly. Catch. Arne, T. A.
No. 50 in M.235.17.1 ; etc.
Buzzi, Antonio.
Saul. Tragedia lirica in 4 atti di C. Giuliani, posta in musica
dal Maestro A. Buzzi . . . Con accomp. di pianoforte.
Milano. Ricordi. [1853.] M.230.33
Buzzing. Part-song. Randegger. No. 10 in M.244.10.5
BuzzoUa, Antonio.
Amleto. Tragedia lirica di Giovanni Peruzzini, posta in
musica ... da Antonio Buzzolla. . . . Con accomp. di
pianoforte. Milano. Ricordi. [185-?] M.230.34
By Babylon's wave. Anthem. Gounod. No. i in M. 290.13; etc.
By Celia's arbour. Part-song.
HoRSLEY, W. No. 35 in M.235.14; etc.
Spofforth. No. 9 in M.235.11
By mason's art. Part-song. Cooke, B. No. 50 in M.220.9.4
By pipe and pot. Part-song. Weedon. No. 174 in M.235.17.1
By shady woods. Part-song. Smith, J. S.
No. 87 in M.iio.i.i ; etc.
By shallow rivers. Part-song. Pring, J. C.
No. 4 in M.23S.17.2; etc.
By the brookside. For pianoforte. Buck, D. Midsummer fan-
cies. No. 2 in M.200.2
By the cradle. Song. Mendelssohn-Bartholdy, J. L. F. Songs.
No. 40 in M.244.21
By the croaking of the toad. Song. Purcell. H. Beauties of
Purcell. Vol. i. M. 221.2
By the Cross, in woe and weeping. Hymn. Croce.
No. 15 in M.157.3
By the rivers of Babylon. Anthem. Hast. No. 5 in M. 384.30
Samson, L. No. 10 in M.19S.2.10
Waley. No. s in M. 380.18
By the side of a grove. Glee. Beale, W. A collection of thir-
teen glees. No. 5 in M.158.30
By the side of the Shannon. Song. Beethoven. Werke. Serie 24.
M.413.1.24
By the waters of Babylon. Anthem. Allen, G. B. Fifteen
anthems. No. 2 in M.233.1
BoYCE. No. 7 in M.290.22.2.; etc.
Marston. No. 13 in M.203.28
Nares. No. II in M.220.10; etc.
By the waters of Babylon. Sacred drama. For the Music see
Stanford.
By Thee with bliss. Anthem. Haydn, F. J. No. 54 in M.290.22.1
Byerly, Thomas.
The Percy anecdotes, original and select. By Sholto
and Reuben Percy [pseud.]. Vol. 17. The stage: music.
London. Cumberland. 1826. 2 parts in i v. M.i29a.39
Byrd, William.
Bless the Lord ye His angels. [Anthem. Accomp. for
organ.] (/;i Rimbault. Collection of ancient church music.
Vol. I, pp. 108-112.) No. 23 in M.233.25.1
Bow Thine ear, O Lord. Anthem [s. a. t. t. b. Accomp. for
organ]. (/)i Boyce. Cathedral music. Ed. Warren. Vol. 2,
pp. 274-282.) No. 24 in M.233.23.2
Also to be found in Novello's Collection of anthems.
Cantiones sacrx. Book i, for 5 voices . . . Now first printed
in score. Edited by W. Horsley. London. Chappell.
[1842. Musical Antiquarian Society. Publications.]
No. 2 in M.234.2S
Same. Organ part . . . Compressed from the score by G.
Alex. Macfarren. London. Chappell. [184-? Musical
Antiquarian Society. Publications.] No. 3 in M.234.28
Come, drink to me. Catch a 4 voci. (In Clementi. Collec-
tion of catches. Vol. 2, p. 63.)
No. 133 in M.110.1.2; No. 133 in M.iio.2.2
Also to be found in The Harmonist.
The eagle's force. Madrigal [t. T. B.]. (/» Social harmony.
Pp. 178-180.) No. 153 in M.215.21
Hey hoe, to the greenwood. Canon a 3 voci. (In Bland.
The Ladies' collection. Vol. 4, p. 373.) No. 65 in M.235.17.4
Also to be found in dementi's Collection of catches ; Webbe, Jr.'s Con-
vito armonico.
How oft the heathen poets. Glee [s. a. t. t. b.]. (In Collec-
tion of glees and catches. Pp. 59, 60.) No. 15 in M.110.8
Also to be found in Warren's Collection of catches.
A lullaby. [Madrigal, s. s. a. t. b.] (/h Oliphant. Madrigals
in parts. 2d series.) No. 70 in M.237.15
A mass for 5 voices . . . Now first printed in score, and
preceded bj' a life of the composer by Edward F, Rim-
bault. London. Chappell. [1841. Musical Antiquarian
Society. Publications.] No. i in M. 234.25
Same. Organ part . . . Compressed from the score by G.
Alex. Macfarren. London. Chappell. [184-? Musical
Antiquarian Society. Publications.] No. 4 in M.234.28
Miserere mei. Canon, 3 in i. (In Warren. Collection of
catches. Vol. i, p. 13.) No. 21 in M.220.9.1
Miserere nostri. Canon, 3 in i. (In Warren. Collection of
catches. Vol. i, p. 13.) No. 20 in M.220.9.1
Non nobis, Domine. Canon [in the 4th and 8th below]. (In
Apollo. Vol. I, p. I.) No. I in M. 1393.18.1
Also to be found in Bland's The Ladies' collection; dementi's Collec-
tion of catches: dementi's Vocal harmony; Same. 2d edition; Handel
and Haydn Society Collection of sacred music; The Harmonist; Hul-
lah's The Singer's library, Sacred ; Novello's Glee-hive ; Social har-
mony ; Warren's Cocks's Hand-book of glees ; Webbe, Jr.'s Convito
armonico.
O Lord, turn Thy wrath. Anthem. [Accomp. for organ.]
(In Boyce. Cathedral music. Ed. Warren. Vol. 2, pp.
266-273.) No. 23 in M.233.23.2
Parthenia, or the first musick ever printed for the virginals,
composed by William Byrd, John Bull, and Orlando
Gibbons. Translated into modern notation and edited
by Edward F. Rimbault. London. Chappell. [1847.]
Fac-simile. [Musical Antiquarian Society. Publications.]
No. 2 in M.234.26
176
Byrd
THE ALLEN A. BROWN COLLECTION OF MUSIC
Caccini
Byrd, William. (Continued.)
Pietas omnium virtutum. [Canon, 3 in i.] (In Warren.
Collection of catches. Vol. i, p. 51.) No. 61 in M.220.g.i
Prevent us, O Lord. fAnthem. Accomp. for organ.] {In
Rimbault. Collection of ancient church music. Vol. 3, pp.
20-22.) No. 6 in M.233.2S.3
Save me, O God. [Anthem, s. a. t. b. Accomp. for organ.]
{In Rimbault. Collection of ancient church music. Vol. 3,
pp. 110-112.) No. 26 in M.233.25.3
Save me, O God. Full anthem for 5 voices [s. s. a. t. b.
Accomp. for organ]. {In Boyce. Cathedral music. Ed.
Warren. Vol. 2, pp. 377-384.) No. 35 in M.233.23.2
Sing joyfully unto God. Anthem [s. s. a. a. t. b. Accomp.
for organ]. {In Boyce. Cathedral music. Ed. Warren.
Vol. 2, pp. 283-291.) No. 25 in M.233.23.2
Also to be found in Novello's Collection of anthems.
The Te Deum, Benedictus, Kyrie, Nicene creed, Magnificat,
and Nunc dimittis, in D minor. [Accomp. for organ.] {In
Boyce. Cathedral music. Ed. Warren. Vol. i, pp. 80-114.)
No. 3 in M. 233.23. 1
Byrne, Charles Alfred.
Gabriella. A lyric drama. Libretto by Alfred Byrne & Ful-
vio Fulgonio. Music by Emilio Pizzi. No. i in M.287.23
Venus. Vocal gems. Libretto by C. A. Byrne & Louis Har-
rison. Music by Gustave Kerker. No. 3 in M.323.10
Byron, George Gordon Noel, 6)h Baron Byron.
The corsair, a cantata, the music by W. Glover. 11.155.11
Byron, George Gordon Noel, 6th Baron Byron. (Continued.)
Jephtha's Tochter. [Musik] von Adolf Jensen.
No. 6 in M.270.54
Manfred. Musik von Robert Schumann. No. i in M.280.50; etc.
„0 weint um sie." Componirt . . . von Ferdinand Hiller.
No. I in M.270.53
Byron, Henry James.
Frolique, a musical comedy by Henry J. Byron & H. B. Far-
nie. Music by J. Fitz-Gerald. No. 3 in M.322.32
Byron, Mrs. G. F. See Byron, Mary C.
Byron, Mary C.
The frozen heart, or the snow queen, an operetta by M. C.
Gillington [Byron], music by Mary Carmichael.
No. 2 in M.397.62
The wedding guest. A musical sketch. Music by Fr. Schu-
bert. No. I in M.402.71
The wild swans. A dramatic cantata, by M. C. Gillington
[Byron], composed by A. E. Horrocks. No. 2 in M.285.1S
Byrcn, Mary C, translator.
GoDARD, B. L. p. Ballet d'autrefois. No. 2 in M.384.20
By water, H. T.
Lightly, gently ply the oar. Part-song for a double chorus,
male and mixed voices. New York. Molineux. [188-?]
No. 7 in M.392.6
Byzantine music.
Hatherly, S. G. a treatise on Byzantine music. Paisley.
1892. M.122.30
C , Dr.
Unmusikalische Noten zu Richard Wagner's .Judenthum in
der Musik." Miinchen. Neuberger & Kolb. 1869.
No. 6 in M.197.18
C***, A. de.
Le capitaine Albert. Opera comique. Musique de .\Iph. de
Feltre. M.262.37
C, K. L.
A cloud with a silver lining. Cantata. Music by Francesca
Jessie Ferrari. No. 2 in M. 154.16
C***, M. See Cochin. Charles Nicolas.
C***, Martial.
Les boutons de manchettes. Operette de Martial C * * * et
Edme Thomas. Musique de Jules Bovery [pseud.].
No. 4 in M. 275.1
Can est fait le ciel meme. Part-song. Herold, L. J. F.
No. 2 in M.157.38
Cast alia. Song. Meyerbeer. 40 melodies. No. i in M.157.38
Cast en Judee proprement. Anthem. Sweelinck. Werken.
Deel 5. M.413.2.5
Cast en sa tressaincte Cite. Anthem. Sweelinck. Werken.
Deel 5. M.413.2.5
C'est I'heura du silence. Song. Schubert, F. P. Melodies.
Vol. 8. M.327.4.8
Cast la corvette. Song. Auber. No. 2 in M.157.38
C'est moi. Song. Choudens, A. 20 melodies. No. 2 in M.285.14
C'est toujours du bonheur. Song. Schubert, F. P. Melodies.
Vol. 8. M.327.4.8
Cast un charma supreme. Aria. Sacchini. Le Sacchini des
concerts. M.274.9
C'est un prodiga. Opera. For the Music see Wachs. For the
Libretto see Laroche.
Cast una chose sainte et belle. Quartet. Panseron. Collec-
tion de quarante morceaux. No. 19 in M. 260.1 3
Cetait an ton jeune age. Part-song. L.\ssus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
Cetait moi. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Ctoi, je ne puis rien comprendre! Duet. Carafa.
No. 9 in M.390.37
Cabaret da Ramponneau, Le. Opera. For the Music see Le-
cocq, A. C. For the Libretto see Jones, P., pseud.
Cabaret des amours, Le. Opera. For the Music see Pascal.
For the Libretto see Barbier, P. J.
Cabarrus, Theresia. See Tallian, Theresia.
Cabin and plantation songs. Fenner, T. P., compiler. M. 146.3
Cabinet, The. Opera. For the Music see Reave. For the Li-
bretto see Dibdin, T. J.
Cabinet Piperlin, Le. Opera. For the Music see Ronger, F.
For the Libretto see Raymond, H.
Cabotine, Une. Novel. Sermet. M.137.18
Cabrera, La. Opera. For the Music see Dupont, G. For the
Libretto see Csiin.
Cabrol, Elie.
Le partisan. Opera romantique de Mario Uchard & E. Ca-
brol. Musique du Comte d'Osmond. M.277.32
Caccia, La. Duet. Mercadante. Soirees italiennes. M.367.10
Caccia de Enrico IV, La. Opera. For the Libretto see Buo-
naiuti.
Cacciatora, II. Song. Alary. Ricreazioni musicali.
No. I in M.244.19
Caccini, Francesca.
[Choeur dans son opera] La liberazione di Ruggiero. Tran-
scription. {In Deldevez. Fondation de I'opera en France.
Pp. 15-17.) No. 6 in M.356.11
Caccini, Giulio.
[Cori ed aria dalla opera Le nuove musiche.] {In Deldevez.
Fondation de I'opera en France. Pp. 10-13.)
No. 4 in M.356.11
L'Evridice composta in mvsica in stile rappresentativo da
Givlio Caccini, detto Romano. [Mit einem ausgesetzten
Generalbass versehen. Poesia di Ottavio Rinuccini.] (In
Oper, Die, von ihren ersten Anfangen bis zur Mitte des 18.
Jahrhunderts. Theil I, pp. 33-76.) M.400.6.1
Funeste piaggio [t.], Scender al centr' oscuro [coro, a. t.
B.B.I, Biondo arcier [coro, s. s. a. t. b. Aus der Oper:
Euridicej. {In Rochlitz. Sammlung vorzuglicher Gesang-
stiicke. Band 2, pp. 2-4.) No. i in M.202.6.2
I 23
177
Cachuca
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cahen
Cachuca, La. For pianoforte. Louis, N. Trois fantaisies pe-
tites. No. I in M.3go.6
Cadaux, Justin.
Colette. Opera comique en 3 actes. Paroles de M^. de Pla-
nard. Musique de J. Cadaux. Partition piano et chant.
Paris. Richault. [1853.] Plate. M.275.17
Les deux gentilhommes. Opera comique en i acte, paroles
de Mr. Eug. de Planard, musique de Justin Cadaux. Par-
tition. Paris. Brulle. [1844.] M.281.20
Les deux Jaket. Opera comique en i acte. Paroles de Pla-
nard. Musique de Justin Cadaux. Partition reduite avec
accomp. de piano. Paris. Richault. [1852.]
No. I in M.275.16
Cadeau d' Alain, Le. Opera. For the Music see Lagoanere.
For the Libretto see Bussy.
Cadence.
Chapman, J. The music, or melody and rhythmus of lan-
gruage. Edinburgh. x8i8. M.106.16
Cadets, Les, de Gascogne. Opera. For the Music see Bemi-
cat. For the Libretto see Dorfeuil.
Cadetto, II, di Guascogna. Opera. For the Music see Ferrari,
S. A. de. For the Libretto see Berninzone.
Cadi, Le. Opera. For the Music see Vercken de Vreuschmen.
For the Libretto see Carre, M.
Cadi dupe, Le. Opera. For the Music see Monsigny. For the
Libretto see Lemonnier, P. R.
Cadiguette, La. Opera. For the Music see Banes. For the
Libretto see Pericaud.
Cadinot, Henri.
Balayeuse et chiffonnier. Operette de MM. Ernest Malteau
& Henri Cadinot. Musique de Charles Lefay.
No. 5 in M.266.1
Cadman, Edward.
The wonder worker. A comic opera. Music by Albert W.
Ketelby. M.399.29
Cadmus et Hermione. Opera. For the Music see LuUy. For
the Libretto see Quinault.
Cadol, fidouard.
Memnon. Opera-comique de Cadol et Bocage. Musique de
Ch. Grisart. No. i in M.276.3
Le mystere. Opera-comique. Musique de Leon Vercken.
No. I in M.383.42
Caecilia, St.
BoNNiN, T., editor. Pay de musique, erige a ftvreux, en
I'honneur de Madame Sainte Cecile. Public d'apres un
manuscrit du XVIe siecle par Bonnin et Chassant. fivreux.
1837. No. 2inM.ii6.8
Caecilia. Oratorio. For the Music see Poisot.
Caecilian Choir, New York.
Book of words, Easter concert, April ist, 1891. [Also a list
of officers and members. New York. 1891.1
No. I in M.373.30
Caecilie. Song. Strauss, R. 4 Lieder. No. 2 in M.380.24.2
Caecilien-Ode. Cantata. For the Music see Handel. Werke.
Lieferung 23.
Caernarvon Castle. Opera. For the Music see Attwood. For
the Libretto see Rose, J.
Caesar, Julius, M.D.
Come, here's the good health. Catch a 3 voci. (In Clementi.
Collection of catches. Vol. i, pp. 52, S3.)
No. 45 in M.iio.i.i; No. 45 in M.110.2.1
To our musical club. Catch [for 3 voices]. (In Bland. The
Ladies' collection. Vol. i, p. 97.) No. 152 in M.23S.17.1
Also to be found in Social harmony.
Caesarine. Opera. For the Music see Wolf, M. For the Li-
bretto see Schirmer. *
Caetani, Roffredo.
Quartette (re mag:) per due violini, viola e violoncelle.
Op. I. [Partitura.] Mayence. Schott. [1890?]
No. s in M.335.1
Suite (en si-mineur) pour orchestre. Op. 10. Partition.
Mayence. Schott. [190-?] M.406.3
Cafaro, Pasquale. See Caffaro, Pasquale.
Cafe, Lc, du roi. Opera. For the Music see Deffes. For the
Libretto see Meilhac.
Cafes-concerts.
Chadourne, a. Les cafes-concerts. 3e edition. Paris. 1880.
M.i2g.7
Constantin, M. Histoire des cafes-concerts et des cafes de
Paris. Nouvelle edition, augmentee. Paris. 1872.
No. 3 in M.128.18
Schwab, F. A. Parisian cafes-concerts. Illus. Portraits.
(In The music of the modern world . . . Vol. i, pp. 185-
187. New York. [1895.]) M.i4.i.i
Caffaro, Pasquale.
Amen. Fuga a 5 voci [s. s. a. t. b. Accomp. for organ]. (In
Novello. The Fitzwilliam music. Vol. 2, pp. 50-54.)
No. 6 in M.233.26.2
Stabat Mater. [Duet, s. s. and chorus. Accomp. for piano.]
(In Latrobe. Selection of sacred music. Vol. 3, pp. 90-93.)
No. 17 in M.2go.2g.3
Caffi, Francesco.
Storia della musica sacra nella gia Cappella ducale di San
Marco in Venezia dal 1318 a 1797. Venezia. Antonelli.
1854, 55- 2 V. Portraits. Engraved title-page. M.115.2
Cagliostro. Opera. For the Music see Adam, Adolphe C.
For the Libretto see Scribe.
Cagliostro in Wien. Opera. For the Music see Strauss, J.
1825-1899. For the Libretto see Genee.
Cagnoni, Antonio.
Amori e trappole. Melodramma giocoso in 3 atti. Musica
del Cav. Antonio Cagnoni. Riduzione per canto e piano-
forte di Domenico Cagnoni. Nuova edizione riformata.
Milano. Ricordi. [1867.] M.281.22
Un capriccio di donna. Melodramma serio, di A. Ghislan-
zoni. Musica del Mo. A. Cagnoni. Riduzione per canto e
pianoforte di D. Cagnoni. Milano. Ricordi. [1870.]
M.281.23
Claudia. Dramma lirico in 4 atti. Parole di M. Marcello.
Musica del Mo. Antonio Cagnoni. Riduzione per canto e
pianoforte di D. Cagnoni. Torino. Giudici & Strada.
[1874.] M.281.2S
Don Bucefalo. Dramma giocoso in 3 parti. Musica del Mo.
A. Cagnoni. [Per canto e piano.] Paris. Escudier. [1865.]
M.363.S
II duca di Tapigliano. Libretto comico in 2 atti con prologo
di A. Ghislanzoni. Musica dal Maestro Cav^e. A. Cagnoni.
[Per canto e pianoforte.] Milano. Lucca. 1874. Por-
trait. M.383.8
La fioraja. Melodramma giocoso in 3 atti di Giorgio Gia-
chetti, posto in musica da Antonio Cagnoni . . . Ridu-
zione per canto e pianoforte di D. Cagnoni. Milano.
Ricordi. [1854] M.230.35
Giralda. Melodramma giocoso in 3 atti di G. Giachetti e R.
Berninzone, posto in musica dal Mo. Antonio Cagnoni.
Canto e pianoforte. Milano. Lucca. [1852.] M.281.24
Michele Perrin. Opera comique in 3 atti. Parole di M.
Marcello. Musica del Cav. Antonio Cagnoni. Riduzione
per canto e pianoforte di L. Truzzi. Milano. Ricordi.
[1864.] M.281.21
The porter of Havre, opera in 3 acts, the words adapted
from the Italian by John Oxenford, the music by Antonio
Cagnoni. [Accomp. for piano.] London. Boosey & Co.
[1876.] M.27S.18
The title of the original is Papa Martin, an adaptation of Les crochets
du Pcre Martin, a play by Piestre and Grange.
La tombola. Commedia lirica in 3 atti di F. M. Piave. Mu-
sica del Mo. A. Cagnoni. Riduzione con accomp. di piano-
forte di Domenico Cagnoni. Milano. Lucca. [1869.]
M.281.26
Cahen, Albert.
Auteur par amour. [Operette.] Paroles de Ed. Nores, A.
Cahen, & Em. Cohl. Musique de Thony Guerineau.
No. 4 in M.393.19
Le bois. Poeme en un acte de A. Glatigny. Musique de
Albert Cahen. [Partition chant et piano.] Paris. Hart-
mann. [187-?] No. i in M.402.72; No. i in M.194.7
Endymion. Poeme raythologique en 3 tableaux de Louis
Gallet. Musique de Albert Cahen. [Partition piano et
chant, s. M.-s. t. bar. et choeur.l Paris. Hartmann. [1883.]
M.27s.ig
178
Cahen
THE ALLEN A. BROWN COLLECTION OF MUSIC
Caldicott
Cahen, Albert. (Continued.)
La feranie de Claude. Drame lyrique en trois actes, d'apres
Alexandre Dumas fils par Louis Gallet. Musique de Al-
bert Cahen. Partition chant et piano. Paris. Choudens.
[1896.] M.394.34
Le Venitien. Opera en 3 actes et 4 tableaux. Poeme de
Louis Gallet. Musique de Albert Cahen. fPartition chant
et piano.] Paris. Girod. [i8go.] M.275.20
Cahen, Ernest.
Le calfat. Operette, paroles de Pol Mercier. Musique de
Ernest Cahen. Partition piano et chant. Paris. Challiot.
[1856.] No. 2in M.275.16
Cahusac, Louis de.
Zoroastre. Tragedie lyrique [de] J. P. Rameau. M.297.30
Catd, Le. Opera. For the Music see Thomas, C. L. A. For
the Libretto see Sauvage, T. M. F.
Caigniez, Louis Charles.
Saul, Konig in Israel. Ein Melodram in Musik gesetzt . . .
von J. R. von Seyfried. No. 2 in M.340.10
Caillavet, Gaston Armand de.
Chonchette, opera-bouffe de G. A. de Caillavet et Robert de
Flers. Musique de Claude Terrasse. No. 2 in M.381.50
Fortunio. Comedie lyrique d'apres Le chandelier d'Alfred
de Musset, par G. A. de Caillavet et Robert de Flers.
Musique de Andre Messager. M.378.9
Paris ou "Le bon juge." Operette de Robert de Flers et
G. A. de Caillavet. Musique de Claude Terrasse. M.389.19
Le Sire de Vergy, opera bouffe de G. A. de Caillavet et
Robert de Flers. Musique de Claude Terrasse. M.381.S2
Les travaux d'Hercule. Opera bouffe de G.-A. de Caillavet
et Robert de Flers. Musique de Claude Terrasse. M.381.53
Caillebotte, Martial.
Dies iras, pour soprano, tenor et orchestre. Partition pour
chant et piano. Paris. Hartmann. [189-?] No. 2 in M.194.6
Don Paez. Poeme dramatique d'apres les Contes d'Espagne
d'Alfred de Musset. Musique de Martial Caillebotte.
[Partition piano et chant.] Paris. Girod. [1878?] M.381.6
Cain, Henri.
Les armaillis. Legende dramatique. Poeme de Henri Cain
et D. Baud-Bovy. Musique de Gustave Doret. M.389.37
Une aventure de la Guimard. Ballet de Henri Cain. Mu-
sique de Andre Messager. No. i in M.389.14
La Cabrera (Die Ziegenhirtin). Musikdrama. Musik von
Gabriel Dupont. M.399.77
Cendrillon. Conte de fees. Musique de J. Massenet. M.393.44
Cherubin. Comedie chantee. Poeme de Francis de Croisset
[pseud.] & Henri Cain. Musique de J. Massenet. M.399.88
La Flamenca. Drame musical de Henri Cain et Eug-Ed
Adenis [pseud.]. Musique de Lucien Lambert. M.397.41
Le juif polonais. Conte populaire d'Alsace. Poeme de
Henri Cain et P.-B. Gheusi. Musique de Camille Erlanger.
M.402.16
La Navarraise. Episode lyrique. Poeme de Jules Claretie &
Henri Cain. Musique de J. Massenet. M.245.15
Les pecheurs de Saint-Jean. Scenes de la vie maritime.
Musique de Ch.-M. Widor. M.3g9.34
Sapho. Piece lyrique de MM. Henri Cain et Bernede. Mu-
sique de J. Massenet. M.394.7
Thyl Uylenspiegel. Drame lyrique de MM. Henri Cain &
Lucien Solvay. Musique de Jan Block.x. M.382.3
La vivandiere. Opera-comique. Musique de Benjamin
Godard. M.303.2
Same. Opera comique. English translation by G. White.
Music by Benjamin Godard. M.245.5
Cairon, Claude Antoine Jules.
La boite au lait. Opera-bouffe de Mrs. E. Grange et J. No-
riac [pseud.]. Musique de J. Offenbach. M.267.41
La branche cassee. Opera-bouffe. Paroles de MM. A. Jaime
et Noriac [pseud.]. Musique de Gaston Serpette. M.322.26
La cruche cassee. Opera-comique de J. Noriac [pseud.] &
J. Moinaux. Musique de Leon Vasseur. M.325.15
£ros. Fantaisie lyrique de Jules Noriac [pseud.] et .Adolphe
Jaime. Musique de Paul Vidal. No. i in M.325.36
La petite reine. Opera-comique de A. Jaime & J. Noriac
[pseud.]. Musique de Leon Vasseur. M.325.24; etc.
Cairon, Claude Antoine Jules. (Continued.)
Pierrette et Jacquot. Operette de Noriac [pseud.] et Ph.
Gille. Musique de J. Offenbach. No. i in M.267.34
La Sorrentine. Opera-comique de J. Moinaux & J. Noriac
[pseud.]. Musique de L. Vasseur. M.325.14
La timbale d'argent. Opera-bouffe de A. Jaime et J. Noriac
[pseud.]. Musique de L. Vasseur. No. 2 in M.327.17
Calamita, La. Duet. Gordigiani, L. fichos de la Toscane.
Vol. 2. No. 27 in M.244.13.2
Caldara, Antonio.
Agnus Dei. [Chorus. Accomp. for piano.] (/» Latrobe.
Selection of sacred music. Vol. 4, pp. 69-74.)
No. 14 in ((.290.29.4
Agnus Dei. Duetto [a. t. Accomp. for pianoforte], (/n
Ayrton. Sacred minstrelsy. Vol. 2, pp. 191-193.)
No. 69 in M.2go.22.2
Also to be found in Latrobe's Selection of sacred music ; Rochlitz's
Sammlung vorziiglicher Gesangstiicke.
Benedictus. [Trio, s. a. b. .Accomp. for pianoforte.] (In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 158-159.)
No. 58 in M.290.22.2
Also to be found in Latrobe's Selection of sacred music.
Et incarnatus est. Coro. From a MSS. mass. [Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 3, pp. 10-15.) No. 3 in 11.290.29.3
Et incarnatus est. [Solo, G minor. Accomp. for pianoforte.
(/)! Echos du monde religieux. Pp. 30, 31.) M.156.52
Also to be found in Latrobe's Selection of sacred music.
Laboravi in gemitu meo. Motett [a. t. b. Accomp. for or-
gan]. (In Novello. Evening service. Vol. i, pp. 166, 167.)
M. 260.23.1
Miserere mei. Motett fs. a. b. Accomp. for organ]. (In
Novello. Motetts. Vol. 2, book 8, pp. 22, 23.)
No. 16 in M.260.24.2
Out of the mouths of babes. Aria [a. or b. Accomp. for piano-
forte]. (In Latrobe. Selections of sacred music. Vol. 3,
p. 64.) No. II in M.290.29.3
Qui tollis [s. A. T. B. mit Pianoforte-Begleitung]. (In Roch-
litz. Sammlung vorziiglicher Gesangstiicke. Band 2, pp.
64-67.) No. 16 in M.202.6.2
Salve Rcgina [a. t. b. con basso continue]. (In Rochlitz.
Sammlung vorzuglicher Gesangstucke. Band 2, pp. 56-58.)
No. 14 in M.202.6.2
Sana me, Domine. Motett, s. a. b. [Accomp. for organ.]
(In Novello. Motetts. Vol. 2, book 8, pp. 24-26.)
No. 17 in M.260.24.2
Serve the Lord with gladness. [Trio, s. a. b. Accomp. for
organ.] (In Cotton. Bangor Cathedral collection. Pp.
121-123.) No. 20 in M.290.33
Caldecott, Randolph.
The three jovial huntsmen, a short cantata by T. Anderton.
No. I in M.154.16
Calderwood, James William.
Bobby Shaftoe. A Mother-Goose extravaganza, in prologue
and two acts. Book and lyrics by Harry Church Whorf.
Music composed and arranged by James W. Calderwood.
[Accomp. for pianoforte. Boston.] 1899. No. i in M.402.66
Caldicott, Alfred James.
"Cobwebs." Part-song. London. Patey & Willis. [18S3?]
No. 24 in M.158.14
Dedication ode. Written by W. A. Barrett for the opening
of the Albert Palace, Battersea Park . . . Composer Al-
bert J. Caldicott. [s. bar. and chorus. Accomp. for piano-
forte.] London. Metzler & Co. [1885.] No. i in M.ig4.8
■'.\ fishy case; or, the scales of justice." Operetta for chil-
dren. By Fred E. Weatherly and .Alfred J. Caldicott.
[Accomp. for pianoforte.] London. Metzler & Co. [1883.]
2 plates. No. 3 in M.277.23
Humpty Dumpty! Humorous glee. London. Novello,
Ewer & Co. [1878?] No. 26 in M.158.14
Jack and Jill. Nursery rhyme. Set to music [s. .\. t. b.].
London. Novello, Ewer & Co. [188-?] No. 25 in M.1S8.14
Same. [Part-song, arranged for male voices by Warren
Davenport.] Boston. Davenport. [1883.] No. 8 in M.392.6
Same. [Part-song for female voices.] Adapted by Charles
R.Ford. Boston. Russell. [1885.] No. 23 in M.158.14
179
Caldicott
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Call
London. Novello,
No. 27 in M.158.14
London. Patey &
No. 22 in M.158.14
Caldicott, Alfred James. (Continued.)
"Little Jack Horner." Humorous glee.
Ewer & Co. [188-?]
"The lost chord." A four-part song.
Willis. 1883.
"Queen of the May." Cantata for ladies' voices. [Accomp.
for pianoforte.] London. Weekes & Co. [188-?]
No. I in M.204.9
The widow of Nain, a sacred cantata, [s. a. t. b. and chorus.
Accomp. for pianoforte.] London. Novello, Ewer & Co.
ri88i?] M.154.42
Winter days. Choral glee. (/» Novello's Part-song book.
2d series. Vol. 16, pp. 1-8.) No. I in M.19S.1.16
Calegari, Francesco Antonio.
Tantum ergo. [Motet.] (/n Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band .1, pp. i.^.S,
1516.) No. 41 in M.i.sS.aa-a
Caletti-Bruno, Pier Francesco.
L'Eritrea. [Sinfonia, arie e quintette dalla opera.] Tran-
scription. {In Deldevez. Fondation de I'opera en France.
Pp. 18-26.) No. 7, 8 in M.356.11
II Giasone. Musica del S«. Francesco Cavalli [pseud.]
(164Q). Poesia del Dottore Giacinto Andrea Cicognini.
[Per canto e piano.] (/n Oper, Die, von ihren ersten An-
fangen bis zur Mitte des 18. Jahrhunderts. Theil 2, pp. 3-
8.1;.) M.400.6.2
Calfat, Le. Opera. For the Music see Cahen, E. For tlie Li-
bretto see Mercier, P.
Calife de Bagdad, Le. Opera. For the Music see Boieldieu,
F. A. For the Libretto see Saint-Just.
Caligaverunt oculi mei. Motet. Haydn, J. M. No. 4 in M.384.11
Lassus. Sammtliche Werke. Band 9. £1.80403.67.9
Palestrina. Werke. Band 32. M.8o4oa.66.32
Caligula. Incidental music. For the Music see Faure, G. U.
For the Libretto see Dumas, A. 1802-1870.
Calino amoureux. For the Music see Javelot. For the Li-
bretto see Jouhaud.
Calipso. Opera. For the Music see Winter, P. von.
Calixte, , pseud.
Deux coups de marteau. Saynete. Paroles de Gedhe et
Calixte [pseud.]. Musique de F. Bernicat. No. 3 in M.395.4
Calkin, John Baptiste.
Behold now, praise the Lord. Anthem for s. s. a. t. b. b.
[Accomp. for organ.] London. Novello, Ewer & Co.
[186-?] No. I in M.234.10
Also to be found in Novello's Collection of anthems.
Breathe soft, ye winds. A four-part song. {In Novello's
Part-song book. 2d series. Vol. 3, pp. 65-68.)
No. 14 in M.195.1.3; No. S in M.204.3
Same. f a. a. t. t. b. b.] {In The Orpheus. New series.
Vol. 2, pp. loi-ios.) No. 13 in M.205.10.2
The chivalry of labour. A part-song [s. s. a. t. e.]. {In No-
vello's Part-song book. 2d series. Vol. 3, pp. 73-84.)
No. 16 in M.19S.1.3; No. 5 in M.204.3
Come, fill, my boys. A four-part song [a. t. t. b.]. {In No-
vello's Part-song book. 2d series. Vol. 3, pp. 85-92.)
No. 17 in M.19S.1.3; No. 5 in M.204.3
Also to be found in The Orpheus, New series.
Echoes. A four-part song. {In Novello's Part-song book.
2d series. Vol. 3, pp. 93-96.)
No. 18 in M.195.1.3; No. s in M.204.3
Hear my prayer, terzetto [s. a. t. Accomp. for pianoforte].
London. Novello. [18.5-?] No. 16 in M.290.14
I will alway give thanks. Full anthem. [Accomp. for
organ.] London. Novello, Ewer & Co. [187-?]
No. 10 in M.234.10
I will magnify Thee, O God. Full anthem. [Accomp. for
organ.] London. Novello, Ewer & Co. [187-?]
No. 3 in M.234.10; No. 6 in M.157.32
Also to be found in Novello's Collection of anthems.
The morning and evening service, together with the Office
for the Holy Communion, in G. Op. 98. [Accomp. for
organ.] London. Novello, Ewer & Co. [188-?]
No. 4 in M.204.3
A morning, communion and evening service, in B flat. [Ac-
comp. for organ.] London. Novello & Co. [186-?]
No. 2 in M.2go.27
Calkin, John Baptiste. (Continued.)
My lady is so wondrous fair. [Part-song, s. a. x. b.] {In
Novello's Part-song book. 2d series. Vol. 3, pp. 69-72.)
No. IS in M. 195.1.3; No. 5 in M.204.3
Also to be found [for A. T. T. B.] in The Orpheus, New series.
Night winds that so gently flow. A four-part song [s. a.
t. b.]. {In Novello's Part-song book. 2d series. Vol. 3,
pp. 61-64.) No. 13 in M.19S.1.3; No. s in M.204.3
Same. [t. t. b. b.] Philadelphia. Boner & Co. 1882.
No. 9 in M.392.6
Also to be found [for a. t. t. b.] in The Orpheus, New series.
O God, have mercy. Anthem for t. and chorus. [Accomp.
for organ.] London. Novello & Co. [186-?]
No. 6 in M.234.10
Also to be found in Novello's Collection of anthems.
Out of the deep. Full anthem, [b. solo and chorus. Accomp.
for organ.] London. Novello & Co. [186-?]
No. 5 in M.234.10
Also to be found in Novello's Collection of anthems.
The righteous shall flourish. Full anthem. [Accomp. for
organ.] London. Novello & Co. [186-?]
No. 2 in M.234.10
Also to be found in Novello's Collection of anthems.
Six four-part songs. [Accomp. for pianoforte.] London.
Novello & Co. [186-? Novello's Part-song book. 2d
series.] _ No. 5 in M.204.3
Contents. — Night winds. — Breathe soft, ye winds. ■ — My lady is so
wondrous fair. — ■ Chivalry of labour. — Come, fill, my boys. — Echoes.
Te Deum laudamus. In D. {In Novello's Parish choir book.
Pp. 48-Si.) No. 9 in M.1S7.30
Thou visitest the earth. Anthem for harvest. [Accomp. for
organ.] {In Novello's Collection of anthems. Vol. 12,
pp. 106-115.) No. 13 in M.19S.2.I2
Thou wilt keep him in perfect peace. Full anthem. [Ac-
comp. for organ.] London. Novello & Co. [186-?]
No. 7 in M.234.10
To the redbreast. Part-song. [Accomp. for piano.] Lon-
don. Novello, Ewer & Co. 1870. No. 3 in M.158.1S
Two introits or short anthems, "Rend your hearts and not
your garments," and "To the Lord our God belong mer-
cies." [Accomp. for organ.] London. Novello. [185-?]
No. 8 in M.234.10; No. 12 in M.190.2
Two introits or short anthems, The sacrifices of God, If we
saj' that we have no sin. [Accomp. for organ.] London.
Novello & Co. [186-?] No. 9 in M.234.10
Unto Thee will I cry. Anthem. [Accomp. for organ.] Lon-
don. Novello & Co. [i86-?l No. 4 in M.234.10
Call, Leonhard von.
Alles, was die Erd' enthalt. [Mannerchor.] {In Fink. Die
deutsche Liedertafel. Pp. 35-37- ) No. 33 in M.213.9
Also to be found in Orpheus.
Dear maid. ] Part-song, t. t. b. b.] {In The Orpheus. New
series. Vol. 3, pp. 115-117.) No. 28 in M.20S.10.3
Also to be found in Orpheus glee book.
Evening. Part-song for t. t. b. b. {In The Orpheus. New
series. Vol. 3, pp. 26-28.) No. 7 in M.205.10.3
Ihr bangen Sorgen weicht von mir. [Mannerchor.] (In
Orpheus. Band 2, pp. 15-17.) No. 53 in M. 1293.43.2
Komm, stiller Abend, nieder. [Mannerchor.] {[n Orpheus.
Band i, pp. 44. 45-) No. 30 in M. 1293.43.1
Oft when night. [Part-song, t. t. b. b.] (In The Orpheus.
New series. Vol. 4, pp. 7-9-) No. 2 in M.205.10.4
Also to be found in Orpheus glee book ; Willard's Arion.
Pleasing pain. [Part-song, x. x. b. b.] (In The Orpheus.
New series. Vol. 4, PP- 29-32.) No. 8 in M.205.10.4
Also to be found in Orpheus glee book.
Was frag' ich viel nach Geld. [Mannerchor.] (In Fink.
Die deutsche Liedertafel. Pp. 56, 57.) No. 44 in M.213.9
Also to be found in Orpheus.
Wenn die Nacht mit siisser Ruh'. [Mannerchor.] (In Or-
pheus. Band 3, pp. 8, 9.) No. 84 in M.i29a.43.3
Where's the gain of care. A part-song [x. x. b. b.]. (In The
Orpheus. New series. Vol. 5, pp. 15-19)
No. 5 in M.205.10.5
Call for the reck'ning. Part-song. Purcell, H.
No. 54 in M.iio.i.i ; etc.
Call forth such numbers. Part-song. Cooke, B.
No. 26 in 11.334.3.3
180
Call
THE ALLEN A. BROWN COLLECTION OF MUSIC
Callcott
Call George again, boy. Part-song. Hilton.
No. 157 in M.ito.1.2; etc.
Call Jehovah thy salvation. Anthem.
Haydn, F. J. No. 18 in M. 157.34
Mozart. No. 38 in M.1S7.34
Call Philip Flat-nose. Round [for 3 voices]. (In Musical Li-
brary. Vol. I, p. 97.) No. 44 in M.23S.18.1
Call the waiter. Port-song. Danby. No. 17 in M.i39a.i8.7
Call to remembrance, O Lord. Anthem.
B.^TTisHiLL. No. 3 in M.195.2.6
Callcott, J. W. No. 86 in M.220.g.4; etc.
Farrant. No. 59 in m. 290.22.2; etc.
Fay, C. K. No. 44 in M.158.IS
FowLE. [Fifteen anthems.] 11.290.26
Nares. Twenty anthems. No. 20 in M.236.33
Call to the mountains. Part-song. Hiller, F.
No. 23 in M.204.36.2
Callcott, John George.
The golden harvest, a pastoral cantata. The words by Julia
Goddard. The music by J. G. Callcott. [s. a. t. bar. and
chorus. Accomp. for pianoforte.] London. Enoch. [187-?]
No. I in M.154.43
Callcott, John Hutchins, editor.
Jolly. A collection of hymns, canons, glees, and songs . . .
M.23S.2
Callcott, John Wall.
Ah, how Sophia. Catch [for 3 voices]. (In The Apollo.
Vol. 3, pp. 210, 211.) No. II in M.i39a.i8.3
Also to be found in The Harmonist ; Musical times [Music] ; Parker's
The Orphean lyre ; Warren's Cocks's Hand-book of glees.
Alas, cry'd Damon. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 4, pp. 357, 358.)
No. io8 in M.220.9.4
All people now. Glee [a. t. t. b.]. (/» Warren. Collection
of catches. Vol. 5, pp. 97-101.) No. 26 in M. 220.9.5
Angel of life. [Recitativo and aria. t. Accomp. for piano-
forte. London.] 1802. No. 34 in M.235.14
Are the white hours. Glee [a. t. t. b.]. (In Amusement for
the ladies. Vol. 4, pp. 162-167.) No. 4 in M.220.3.4
Also to be found in Boosey's Standard English glees ; dementi's Vocal
harmony ; Same, 2d edition ; Hullah's The Singer's library ; Novello's
Glee hive ; Turle and Taylor's The People's music book ; Warren's Col-
lection of catches.
Autumn. Glee [t. T. B. London. 1799]. No. 11 in M.220.4
A beauteous fair. Catch [for 3 voices]. (In Warren. Col-
lection of catches. Vol. 4, p. 51.) No. 15 in M.220.9.4
Blessed is he that considereth. Canon, 4 in 8. (In Amuse-
ment for the ladies. Vol. 4, pp. 80, 81.) No. 21 in M.220.3.4
Also to be found in Warren's Collection of catches.
Bow down Thine ear. Canon [4 in 2]. (In Warren. Col-
lection of catches. Vol. 4, p. 62.) No. 22 in M.220.9.4
Call to remembrance. Canon [4 in 2]. (In Warren. Col-
lection of catches. Vol. 4, pp. 284, 285.) No. 86 in M.220.9.4
Christ being raised. Canon [4 in 2]. (In Warren. Collec-
tion of catchas. Vol. 5, pp. 95, 96.) No. 25 in M.220.9.5
Ciocchi fate. Catch [for 3 voices]. (7» Warren. Collection
of catches. Vol. 4, pp. 202, 203.) No. 93 in M.220.9.4
A collection of glees, canons, and catches. . . . Arranged
with an accomp. for the piano-forte, ad libitum, with a
memoir of the author, by William Horsley. London.
Birchall, Lonsdale & Mills. 1824. 3 v. Portrait. M.234.1
Contents. — i. Lovely seems the moon's fair lustre. — Peace to the
souls of the heroes. — Go, idle boy. — The new mariners. — O snatch
me swift. — It was a fryar. — Yet stay, fair lady. — From this roof
my shepherd went. — Call to remembrance. — Blessed is he. — The
May fly. — In the lovely vale of streams. — Abelard. — • When Arthur
first. — Drink to-night. — Rise, winds of autumn. — Ah! how, Sophia.
— As on the mournful poplar bough. — Father of heroes. — Fill the
horn of glossy blue. — Radiant ruler of the day. — Green thorn of
the Hill of ghosts. — From the chambers of the East. 2. Are the white
hours forever fled? — O voi che sospirate. — With sighs, sweet rose.
— Who comes so dark? — The Red Cross knight. - — The Erl King. —
Forgive, blest shade. — Farewell to Lochaber. — Triumphant Love.
— Bow down Thine ear. — Christ being raised. — Lordly gallants. —
O tarry, gentle traveller. — Desolate is the dwelling. — Thyrsis. when
he left me. — When time was entwining. — Thou art beautiful. —
Come on the light wing'd gale. — You gentlemen of England. — Hast
thou left thy blue course? — Have you Sir John Hawkins' hist'ry. —
Thou palsied earth. — Hail, happy Albion. — Sweet blossom. — Why
does beauteous Lina weep? 3. 'Tho' from the bank of velvet torn. —
Callcott, John Wall. (Continued.)
See! with ivy chaplets bound. — Dull, repining sons of care. — Lone
dweller of the rock. — Garvan. — Oh I sovereign of the willing soul.
— The fairies. — Oh! thou where'er (thy bones at rest). — ■ Cara, vale.
— Once upon my cheek. — Ella. — Hark! the cock crows. — When
battle smeething. — The water king. — Go, plaintive breeze. — As I
was going to Derby. — Soft and safe, tho' lowly, grave. — Rosabelle.
— The knell of tyrant laws. — She who lies here. — A beauteous fair
has stole my heart. — Pleasant is the voice. - — ■ Melrose. — O blest
retirement.
The Derbyshire ram. Glee [a. t. b.]. (/n The Apollo. Vol.
I, pp. 58-63.) No. 22 in M. 1393.18.1
Also to be found in dementi's Vocal harmony ; The Harmonist.
Desolate is the dwelling of Morna. [Glee. s. s. b.] (In
Boosey's Standard English glees. Vol. i, pp. 239-242.)
Also to be found in Musical library. No. 49 in M.157.7
Drink tonight. Glee [for 3 voices]. (/« The Apollo. Vol. 7,
pp. 481-485.) No. I in M.i39a.i8.7
Druid. [Glee, s. a. t. T. b.] London. Birchall. [18 — ?]
No. 3 in M.220.4
Dull, repining sons. Glee [a. t. t. b.]. (/n Warren. Collec-
tion of catches. Vol. 4, pp. 8-12.) No. 2 in M.220.9.4
Elvers Hoh. [Glee, s. s. b. London. 1799.] No. 12 in M.220.4
The Erl King. Glee for 3 voices. (In Boosey's Standard
English glees. Vol. i, pp. 30-35.) No. 7 in M.157.7
Also to be found in Warren's Cocks's Hand-book of glees.
Same. Adapted for the pianoforte. [London.] 1799.
No. 17 in M.237.2
The Erl King's daughter. [Glee, s. a. b.] London. Birchall.
[18 — ?] No. 9 in M.220.4
The fairies. Glee [s. s. b. London. 179-?]
No. 15 in M.220.4; No. 7 in M.120.31
Also to be found in The Apollo; Boosey's Standard English glees;
The Harmonist ; Musical library ; Musical times [Music] ; Warren's
Cocks's Hand-book of glees.
Farewell to Lochaber. Glee [t. x. b.]. (In Amusement for
the ladies. Vol. 4, PP- 102, 103.) No. 29 in M.220.3.4
Also to be found in The Apollo ; dementi's Vocal harmony, 2d edi-
tion ; Ditson's The Orphean lyre ; The Harmonist ; Warren's Collec-
tion of catches ; Webbe, Jr.'s Convito armonico.
Father of heroes. Glee [a. t. t. b. b.]. (/n dementi. Vocal
harmony. 2d edition. Vol. 6, pp. 70-83.)
No. 10 in M.234.2.6; No. 10 in M.235.9.6
Also to be found in The Harmonist ; Novello's Glee-hive ; Warren's
Collection of catches.
Forgive, blest shade. Glee [s. a. b.]. (/» Boosey's Standard
English glees. Vol. i, pp. 108, 109.) No. 22 in M.IS7.7
Also to be found in The Harmonist ; Musical library ; Musical times
[Music] ; Turle and Taylor's The People's music book.
From the lake grey vapours rise. Glee [a. t. t. b.]. London.
Lavenu & Mitchell. [182-?] No. i in M.220.4
Garvan. Glee [t. t. b.]. London. Birchall. [181-?]
No. 2 in M.220.4
Go, idle boy. Glee [a. t. t. b.]. (In Amusement for the la-
dies. Vol. 4, pp. 170-175-) No. 49 in M.220.3.4
Also to be found in The Apollo; Boosey's Standard English glees;
dementi's Vocal harmony ; Ditson's The Orphean lyre ; Novello's
Glee-hive; Warren's Collection of catches; Webbe, Jr.'s Convito
armonico.
Grant, we beseech Thee. Anthem. [Accomp. for organ.]
(In Turle and Taylor. The People's music book. Vol. 2,
pp. 344-348.) No. 83inM.iii.4.2
Hail, happy Albion. Glee [a. a. x. t. b.]. (/» Warren. Col-
lection of catches. Vol. 4, PP- 272-277.) No. 84 in M.220.9.4
Harold the Valiant. Glee [x. x. b.]. [London. 18—?]
No. 6 in M.220.4
Also to be found in The Harmonist ; Musical library.
Hast thou left thy blue course. [Glee. x. t. b. London.]
1801. No. 9 in M.220.29
Same. [s. s. b.] No. 10 in M.220.29
The haughty wife of Jove. Catch [for 3 voices] . (In Warren.
Collection of catches. Vol. 4, pp. 288, 289.)
No. 91 in M.220.9.4
Have you Sir John Hawkins' hist'ry? Catch [for 3 voices].
(In Amusement for the ladies. Vol. 4, p. 187.)
No. 52 in M.220.3.4
Also to be found in Musical times [Music] ; Warren's Collection of
catches.
Here rests his head. Round [for 3 voices]. (In Amusement
for the ladies. Vol. 4, p. 192.) No. 54 in M.220.3.4
181
Callcott
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Callcott
Callcott, John Wall. (Continued.)
Here's love. Catch [for 3 voices]. {In Warren. Collection
of catches. Vol. 4, p. 53.) No. 17 in M.220.g.4
High on a mountain. Glee [a. t. b.]. (/» Warren. Collec-
tion of catches. Vol. 4, pp. 40-43.) No. II in M.220.9.4
How charming the fair one. Catch [for 4 voices]. (/» War-
ren. Collection of catches. Vol. 5, pp. 30, 31.)
No. 7 in M.220.g.5
I am well pleas'd. Canon 4 in 2. (In Warren. Collection of
catches. Vol. 4, pp. 350-353.) No. 106 in M.220.9.4
I heard a voice from heaven. Motet. [Accomp. for organ.]
(In Hullah. The Singer's library. Pp. 93-9S.)
No. 19 in M.157.3
Imperial Rome. Catch [for 3 voices], (/n Warren. Collec-
tion of catches. Vol. 4, pp. 308, 309.) No. 95 in M.220.9.4
In all her steps. Catch [for 3 voices]. (/« Warren. Collec-
tion of catches. Vol. 5, p. 74.) No. 20 in M.220.9.5
In awful pause. [Glee, t. t. t. b. b.] Boston. Schmidt. [1895?]
No. 56 in M.392.3
Also to be found in Warren's Collection of catches.
In the lonely vale. Glee. (In The Apollo. Vol. 7, pp. 528-
S3S.) No. 12 in M. 1393.18.7
Also to be found in Boosey's Standard English glees; Novello's Glee-
hive.
Inter calices. [Glee, a. t. b. London. 1799.]
No. 14 in M.220./I
An Israelite there was. Round [for 3 voices]. (In Warren.
Collection of catches. Vol. 4, p. 105.) No. 36 in M.220.9.4
It was a fryar. Glee [s. s. B.]. (In The Apollo. Vol. 6, pp.
448-453.) No. II in M.i3ga.i8.5
Also to be found in Boosey's Standai d English glees ; Novello's Glee-
hive; Warren's Cocks's Hand-book of glees.
Lone dweller of the rock. Glee [a. t. t. b.]. (In The Har-
monist. Vol. 5, pp. 26-32.) No. gin M.218.8.S
The Lord hear thee. Canon, 4 in 2. (In Warren. Collection
of catches. Vol. 4, pp. 304-307.) No. 94 in M.220.9.4
The Lord himself. Full anthem. [Accomp. for organ.] (In
Turle and Taylor. The People's music book. Vol. 2, pp.
123-127.) No. 32 in M.iii.4.2
The Lord of Falkenstein. [Glee, s. a. b.] London. Birchall.
[179-?] No. 5 in M.220.4
Lordly gallants. Glee [t. t. b.]. (/n The Harmonist. Vol.
3, pp. 64-67.) No. 17 in M.218.8.3
Also to be found [for s. s. b.] in Boosey's Standard English glees ;
Musical times [Music] ; also [for s. s. a.] in Hills's Vocal trios.
The May fly. Glee [s. a. b.]. (In Boosey's Standard English
glees. Vol. I, pp. 21-25.) No. 5 in M.157.7
Also to be found in Musical library ; Musical times [Music] ; Turle
and Taylor's The People's music book ; Warren's Cocks's Hand-book
of glees.
Morning. Glee [s. a. b.]. London. Birchall. [179-?]
No. 7 in M.220.4
A musical grammar, ist American edition. Boston. West
& Blake. [1810.] M.109.18
Same. 3d edition. London. Birchall. 1817. M.iog.ig
My flocks feed not. Glee [t. t. b.]. (In Page. Festive har-
mony. Pp. 26-30.) No. 5 in M. 235.11
No more shall Ilion. Glee [a. t. b. b.]. (In Bland. The La-
dies' collection. Vol. 5, pp. 583-588.) No. 168 in M.235.17.5
Nymph of the rock. Glee [s. a. t. b. b.]. (In Bland. The
Ladies' collection. Vol. 5, pp. 575-580.)
No. 162 in M.235.17.5
O how charming. Catch [for 4 voices]. (In Warren. Col-
lection of catches. Vol. 5, pp. 46, 47.) No. 11 in M.220.9.5
O Israel, return. Canon [4 in 2]. (In Warren. Collection
of catches. Vol. s, pp. 10-13.) No. 2 in M.220.9.5
O snatch me swift. Glee [s. a. t. b. b.]. (In dementi. Vocal
harmony. Vol. 4, pp. 334-349) No. 6 in M.23S.9.4
Also to be found in dementi's Vocal harmony, 2d edition ; Novello's
Glee-hive ; Warren's Collection of catches.
Oh, sov'reign of the willing soul. Glee [a. t. t. b.]. (In
Warren. Collection of catches. Vol. 3, pp. 339-345.)
No. 127 in M.220.9.3
O that Thou wouldst hide me. Canon [4 in 2]. (In Warren.
Collection of catches. Vol. 4, pp. 242-244.)
No. 73 in M.220.9.4
O vol che sospirate. Glee [a. a. t. b. b.]. (/n Clementi. Vocal
Callcott, John Wall. (Continued.)
harmony. Vol. 6, pp. 12-20.)
No. 3 in M.234.2.6; No. 3 in M.235.g.6
Also to be found in Warren's Collection of catches.
Oh love, how swift. Glee [a. a. x. x. b.]. (/n Warren. Col-
lection of catches. Vol. 4, pp. 77-80.) No. 27 in M.220.9.4
Oh, share my cottage. Glee [s. a. b.]. (7)i Clementi. Vocal
harmony. Vol. i, pp. 9-1 1.) No. 3 in M.235.9.1
Oh! tarry, gentle traveller. Glee [s. s. b.]. (In Musical li-
brary. Vol. 3, pp. 126-131.) No. 41 in M.235.18.3
Also to be found in Turle and Taylor's The People's music book.
Oh, thou where'er. Glee. (In Warren. Collection of catches.
Vol. 4, pp. 237-242.) No. 72 in M.220.9.4
On a summer's morning. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 4, pp. 102, 103.)
No. 33 in M.220.9.4
Once upon my cheek. Glee. (In Clementi. Vocal harmony.
Vol. 3, pp. 275-278.) No. II in M.23S.9._3
Also to be found in dementi's Vocal harmony, 2d edition ; Ditson's
The Orphean lyre.
Peace to the souls. Glee [a. x. b.]. (In The Apollo. Vol. i,
pp. 25-29.) No. 12 in M.i39a.i8.i
Also to be found in Boosey's Standard English glees ; dementi's Vocal
harmony ; Same, 2d edition ; Collection of glees and catches ; The
Harmonist ; Musical library ; Novello's Glee-hive ; Warren's Cocks's
Hand-book of glees ; Webbe, Jr.'s Convito armonico.
Perche vezzosi. Catch a 3 voci. (In Bland. The Ladies'
collection. Vol. i, p. 18.) No. 25 in M.23S.17.1
Also to be found in dementi's Collection of catches ; Vocal har-
monist's magazine ; Webbe, Jr.'s Convito armonico.
Praise the Lord, O my soul. Canon [4 in 2]. (In Hullah.
Part music. Sacred. Vol. 2, pp. 92, 93.) No. 32 in M.157.28.2
Also to be found in Warren's Collection of catches.
Pur nel sonno. Glee [a. x. x. B.]. (/n Warren. Collection of
catches. Vol. 4, pp. 254, 255.) No. 76 in M.220.9.4
Queen of the valley. Glee for a. x. x. b. b. (In Boosey's
Standard English glees. Vol. i, pp. 207-214.)
Also to be found in Novello's Glee-hive. No. 42 in M.157.7
The Red Cross knight. [Glee, s. s. b. London? 1797.]
No. 6 in M. 120.31
Same. Wheatstone & Co. [182-?] No. 41 in M. 235. 14
Also to be found in The .Apollo ; Boosey's Standard English glees ;
Musical times [Music] ; Warren's Cocks's Hand-book of glees.
Rosabelle. [Glee, s. s. b.] London. Birchall. [18 — ?]
No. 8 in M.220.4
Sciogliero. Round [for 3 voices]. (In Warren. Collection
of catches. Vol. 4, p. 309.) No. 96 in M.220.g.4
See, with ivy chaplet. Glee [a. x. b.]. (In Turle and Taylor.
The People's music book. Vol. 3, pp. 208-212.)
No. 70 in M.iii.4.3
.\lso to be found in Warren's Collection of catches.
She who lies here. Round [for 4 voices]. (In Warren. Col-
lection of catches. Vol. 5, p. 13.) No. 3 in M.220.9.5
Slow men of London. [Glee, A. x. b. London. 18 — ?]
Also to be found in The Apollo. No. 10 in M.220.4
Soft and safe. Glee [s. s. a. x. b. b.]. (In Clementi. Vocal
harmony. Vol. 2, pp. 137-146.) No. 6 in M.23S.9.2
.\lso to be found in dementi's Vocal harmony, 2d edition.
Stormy Lannow. [Glee, x. x. B.]. (/« The Harmonist. Vol.
8, pp. 16-21.) No. 4 in M.218.8.8
Stray not to those distant scenes. Glee [x. x. b.]. (In Amuse-
ment for the ladies. Vol. 4, pp. 90-93-) No. 25 in M.220.3.4
Tell me, where is fancy bred? A trio [s. s. a. Accomp. for
pianoforte], (/n Novello's Collection of trios, etc. Vol. 4,
pp. 133-139) No. 17 inM.204.36.4
Thee the voice, the dance. Glee. (In Warren. Vol. 4, pp.
24-31.) No. 7 in M.220.9.4
There was an old man. Catch [for 5 voices]. (In Knyvett.
A collection of glees. Pp. 16, 17.) No. 7 in M. 220.6
Think not, my love. [Glee, a. x. t. b. London. 1801.]
No. 13 in M.220.4
Those sunny flow'rets. Glee. (In Bland. The Ladies' col-
lection. Vol. 5, pp. 563-567) No. 158 in M.235.17.5
Thou, Lord, hast been. Canon, 4 in 2. (In Warren. Collec-
tion of catches. Vol. 4, pp. 88-90.) No. 29 in M.220.9.4
Thou pride of the forest. Glee [a. x. b.]. (In Clementi.
Vocal harmony. Vol. i, pp. 78-81 ) No. 15 in M. 235.9.1
-Also to be found in Parker's The Orphean lyre.
182
Callcott
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cambert
Callcott, John Wall. (Continued.)
Thou shalt shew me. Canon [4 in 2]. (Jn Hullah. Part
music. Sacred. Vol. 2, pp. 40, 41.) No. 16 in M.157.28.2
Also to be found in Warren's Collection of catches.
Thy mercy, Lord. Hymn, (/n Turk and Taylor. The
People's music book. Vol. 2, pp 204-207.)
No. 45 in M.iii.4.2
Thyrsis, when he left me. Glee. (/« Clementi. Vocal har-
mony. Vol. 7, p. 669-674.) No. I in M.235.9.7
Also to be found in dementi's Vocal harmony, 2d edition; Hullah's
Part music, Secular; Webbe, Jr.'s Convito armonico.
To all you ladies now at hand. [Glee, t. b.] {In Flowers of
harmony. Vol. i, pp. 8, 9) No. 9 in M.IS7.18.1
Same. [t. t. b.] (In The Apollo. Vol. i, pp. 39, 40.)
No. i6 in M.isga.iS.i
Also to be found in Boosey's Standard English glees ; The Harmonist ;
Novello's Glee-hive ; Warren's Cocks's Hand-book of glees.
To the woods. Glee [s. a. t. t. b.]. (/n Bland. The Ladies'
collection. Vol. 5, pp. 592-595) No. 170 in M.235.17.5
Tom, metaphysician. Catch [for 4 voices]. (In Warren.
Collection of catches. Vol. 4, pp 336, 337)
No. 103 in M.220.9.4
Triumphant Love. Glee [a. t. t. b.]. (/n Warreo. Collec-
tion of catches. Vol. 4, pp. 338-343-) No. 104 in M.220.9.4
Urchins' dance. [Glee, s. a. b.] London. Birchall. [179-?]
No. 4 in M.220.4
Weave the crimson web of war. Glee [a. t. b.]. (In The
Harmonist. Vol. 4, pp. 41-46.) No. 14 in M.218.8.4
Whann battayle smethynge. Glee [a. t. t. b.]. (/n Warren.
Collection of catches. Vol. 4, PP- 152-15S.)
No. 44 in M.220.9.4
When Arthur first. Glee [x. t. b.]. (In Amusement for the
ladies. Vol. 4, pp. 116-119.) No. 36 in M.220.3.4
Also to be found in The Apollo ; dementi's Collection of catches ; Col-
lection of catches; Collection of glees and catches; The Harmonist.
When Daphne dy'd. Glee [s. a. a. t. b.]. (/n Warren. Col-
lection of catches. Vol. 4. PP- 1 14-1 19) No. 39 in M.220.9.4
When spring returns. Glee. (In Bland. The Ladies' col-
lection. Vol. 5, pp. 572-574) No. 161 in M.235.17.5
When time who steals. Glee [a. t. b.]. (In Page. Festive
harmony. Pp. loi-iio.) No. 17 in M.235.11
Whene'er my dame. Catch [for 3 voices]. (In Warren.
Collection of catches. Vol. 4, p. 103.) No. 34 in M.220.9.4
While the moonbeams. Glee [for 3 voices]. (/» The Apollo.
Vol. 6, pp. 478, 479.) No. 20 in M.i39a.i8.6
Who comes so dark. Glee [a. t. b.]. (In The Apollo. Vol.
3, pp. 200-205.) " No. 9 in M.i39a.i8.3
Also to be found in Boosey's Standard English glees ; dementi's Vocal
harmony; Same, 2d edition; Ditson's The Orphean lyre; The Har-
monist ; Musical times [Music] ; Warren's Cocks's Hand-book of glees.
With sighs, sweet rose. Glee [a. t. t. b.]. (In The Apollo.
Vol. 6, pp. 420-425.) No. 5 in M.i3ga.i8.6
Also to be found in Boosey's Standard English glees ; dementi's Vocal
harmony ; Same, 2d edition ; Knyvett's A Collection of glees ; No-
vello's Glee-hive; Warren's Cocks's Hand-book of glees; Webbe, Jr.'s
Convito armonico.
You gentlemen of England. Glee [a. x. b.]. (In Boosey's
Standard English glees. Vol. i, pp. 94-99-)
No. 19 in M.157.7
Also to be found in dementi's Vocal harmony, 2d edition ; The Har-
monist; Warren's Cocks's Hand-book of glees; Webbe, Jr.'s Convito
armonico.
Youth of the gloomy brow. Glee [a. x. b.]. (In Flowers of
harmony. Vol. 2, pp. 1-9.) No. i in M.157.18.2
Also to be found in The Harmonist.
Callcott, William Hutchins.
He maketh wars to cease. Anthem. [Accomp. for organ.]
(In Hullah. The Singer's library. Sacred. Pp. 6-8.)
No. 29 in M.157.3
Hymn of peace. Anthem for s. solo and chorus. [Accomp.
for organ.] London. Novello, Ewer & Co. 1885.
No. 28 in M. 158.14
Thou visitest the earth. Harvest anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 10,
pp. 27-30.) No. 4 in M.I9S.2.IO
Callcott, William Hutchins, editor.
Handel Fesxival, London. 1859. [A list of] William Hutch-
ins Callcott's pianoforte and vocal arrangements from
Handel's works. London. [1859.] No. 4 in M.373.60
Callcott, William Hutchins, editor.
Jolly. A collection of hymns, canons, glees, and songs . . .
M.235.2
Rossini. Stabat Mater. M.250.44
Callie's Christmas. Opera. For the Music see Hodges, D. F.
For the Librexxo see Marble, E.
Calliope: or the musical miscellany. A select collection of
the most approved English, Scots, and Irish songs, set to
music. London. Elliot & Kay. 1788. M.373.47
Callirhoe. Cantata. For the Music see Bridge, J. F. For the
Libretto see Squire.
Cjdlirhoe. Suite. Chaminade. M.356.6
Calm at sea. Duet. Reichardx, J. F. No. 5 in M.212.21.2
Calm eyes of beauty. Part-song. Seyfried, I. X. von.
No. 35 in M.205.10.3
Calm is the glassy ocean. Part-song. Mozarx. No. 7 in M.175.1.6
Calm is the lake. Part-song. Abt, F. No. 25 in M.20S.10.7
Calm night. Part-song. Hatxon. No. 26 in M. 195.1.12
Calm of the sea. The. Part-song. Hiles, H. No. 15 in M.195.1.13
Calm of the sea. The, and rising breeze. Cantata. For the
Music see Beethoven. For the Libretto see Goethe, J.
W. von.
Calm on the list'ning ear. Anthem. Millard, H.
No. 26 in M.1S8.18
Calme, Le. Song. Gounod. Vingt melodies. 3e recueil.
No. II in M.157.36.3
Calme de la nuit. Le. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Calme des nuits. Part-song. Saini-Saens. No. 5 in M.321.25
Calme plat, Le. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Calmly the hour of twilight is glowing. Part-song. Rossini.
No. 18 in M.244.10.2
Calunnia, La, e un venticella. Song. Rossini. No. 18 in M.193.21.1
Calvary. Oratorio. For the Music see Spohr, L.
Calvimont, Jean Baptiste Albert, Vicomte de.
Le revenant. Opera fantastique. Musique de J. M. Gomis.
M.282.g
Calvocoressi, M. D.
Vincent d'Indy, L'etranger: action musicale en deux actes.
Le poeme. Analyse thematique de la partition. Paris.
Courrier musical. [1902?] Portrait. No. 5 in M.372.S1
Calvocoressi, M. D., translator.
Fevrier, H. Le roi aveugle. M.389.6
Calypso and Telemachus. Opera. For the Music see Galliard.
For the Librexxo see Hughes, J.
Calzabigi, Ranieri di.
Die Gaertnerin aus Liebe. Oper von W. A. Mozart. M.283.24
Orpheus. Oper in 3 Acten. Comp. von Ch. v. Gluck. [Text
von R. Calzabigi.] Triest. Lloyd. 1889. No. 13 in M.373.61
Words only.
Orpheus und Eurydice. Oper. Musik von Chr. W. von
Gluck. M.282.3
Paris und Helena. Oper von Chr. Gluck. M.365.6
Calzobaia, La. Opera. For the Music see Generali.
Camargo, La. Opera. For the Music see Lecocq, A. C; also
Leva. For the Libretto see Vanloo; also Pessina.
Camauer, Godefroid.
Gretry a Fontainebleau. Opera-comique en l acte. Paroles
de CI. Michaels. Musique de G. Camauer. Partition chant
et piano. Liege. Muraile. [1856.] M.27S.21
Cambert, Robert.
Les peines & les plaisirs de I'amour. Pastorale en 5 actes.
Paroles de Gilbert. !«■■ acte, avec accomp. de piano, par
J B Wekerlin Paris. Michaelis. [1881? Chefs-d'oeuvre
de I'opera frangais.] No. i in M.275.22
Pomone. Pastorale en 5 actes et I prologue. Paroles de
Pierre Perrin. i^^ acte, avec accomp. de piano, par J. B.
Wekerlin. Paris. Michaelis. [1880?] Engraved title-page.
[Chefs-d'oeuvre de I'opera francjais.] No. 2 in M.27S.22
Same Ouverture. [Partition.] (In Deldevez. Fondation
de i'opera en France. Pp. 31-33-) No. 10 in M.356.H
Cambert, Robert. Works about. ,
Paroisse-Pougin, F. A. A. Les vrais createurs de 1 opera
frangais, Perrin et Cambert. Paris. 1881. M.129.4
183
Cambiaggio
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Campana
Cambiaggio, Carl.
Don Procopio. Melodramma buffo. Musica del Mo. Vin-
cenzo Fioravanti e d'altri autori. M.231.38
Un terno al Lotto. Scherzo comico. Musica del Mo. Angelo
Frondoni. M.232.2
Cambiale di matrimonio, La. Opera. For the Music see Ros-
sini. For the Libretto see Rossi, G.
Cambiasi, Pompeo.
Rappresentazioni date nei reali teatri di Milano, 1778-1872.
2a edizione. Milano. Ricordi. 1872. No. i in M.123.4
Cambria. Part-song. Walmisley, T. A. No. 18 in M.204.36.5
Cambrian exile. The. Song. Thomas, J. R. Six Welsh melo-
dies. No. 31 in M.192.14
Cambyses; or, the pearl of Persia. Cantata.^ For the Music
see Leavitt. For the Libretto see Pidgin.
Camelia, La. Song. Guglielmo, P. No. 22 in M.157.39
Camera, Gago da.
Portuguese modhina [s. Accomp. for pianoforte]. (.In
Musical library. Vol. i, p. 120.) No. 54 in M.235.18.1
Cameroni, Agostino.
Mose. Poema sinfonico-vocale. Testo di A. Cameroni e P.
Croci. Musica di D. Lorenzo Perosi. M.415.19
Cameronian's dream. The. Cantata. For the Music see Mac-
Cunn. For the Libretto see Hyslop.
Camilla. Novel. Barnard, C. M.i29a.4
Camilla. Opera. For the Music see Goepfart; also Paer. For
the Libretto see Herold, R.; also Carpani.
Camille. Opera. For the Music see Dalayrac. For the Li-
bretto see MarsoUier des Vivetieres.
Camille Selden, pseud. See Krinitz, filise de.
Camillus, the Roman conqueror. Cantata. For the Music see
Baker, B. F. For the Libretto see Carman, L N.
Camisarden, Die. Opera. For the Music see Langert. For
the Libretto see Kuhl.
Cammarano, Luigi.
Ah no che il mio contento. Duettino [s. a. Accomp. di
piano]. Napoli. Girard & ci. [184-?] No. 14 in M.221.20
From I ciarlatani.
Cammarano, Salvatore.
Alzira. Tragedia lirica. Musica di G. Verdi. M.284.26
L'assedio di Calais. Melodramma lirico. Musica del Mo. G.
Donizetti. M.231.24
La battaglia di Legnano. Tragedia lirica. Musica di G.
Verdi. M.284.2S
Same. Patria. Opera. Musique de G. Verdi. M.325.34
Same. L'assedio di Arlem, tragedia lirica. Musica dal
maestro Giuseppe Verdi. M.151.21
Belisario. Tragedia lirica. [Musica del maestro G. Doni-
zetti.] Venezia. Molinari. [1840?] No. 8 in M.147.8.1
Libretto only, in Italian.
Same. Opera seria. Posta in musica dal Mo. Donizetti.
M.364.11; etc.
Bondelmonte. Tragedia lirica. Posta in musica ... dal
Cav. Giovanni Pacini. M.311.23
Cristina di Svezia, tragedia lirica di Cammarano & Sacchero,
posta in musica dal Mo. Alessandro Nini. M.257.30
Elena da Feltro, opera, musique de Mercadante. M. 367. 10
La fidanzata corsa, melodramma tragico. [Musica di Pa-
cini.) Venezia. Molinari. [1843.] No. 8 in M. 147.8.3
Woras only, in Italian.
Same. [Musica] del Mo. G. Pacini. M.368.34
Folco d' Aries. Melodramma tragico. Musica di Niccola de
Giosa. M.232.S
Ines di Castro. Opera. Musica del Sigr. M'ro. Giuseppe
Persiani. M.50.19
Same. Ines de Castro. [Opera. Musique de] G. Persiani.
M.293.34
Lucia di Lammermoor. Composed by Donizetti. VVitli
Italian and English words. M.328.4
Same. The bride of Lammermoor, a serious opera in three
acts. The music by Donizetti . . . [Words by Camma-
rano.] London. Johnson. 185-?] No. 5 in M. 145.25
Libretto only, in English.
Luigi Rolla, melodramma tragico, posto in musica da Fed.
Ricci. M.150.11
Cammarano, Salvatore. (Continued.)
Luisa Miller. Melodramma tragico, musica del Mo. Giu-
seppe Verdi. M.328.22
Same. With Italian & English words. [Music by Verdi.]
M.325.32
Macbeth. Opera seria. Musica del Mo. G. Verdi. M.328.32
Malvina di Scozia. Tragedia lirica, posta in musica dal Mo.
Giovanni Pacini. M.311.17
Maria di Rohan, melodramma tragico. Posto in musica da
G. Donizetti. Venezia. Molinari. [1846?]
Libretto only, in Italian. No. 8 in M.I47.8.I
Same. Opera. Musique de G. Donizetti. M. 364.5
Maria di Rudenz, dramma tragico. [Musica del maestro G.
Donizetti.] Venezia. Molinari. [183-?] No. 7 in M.147.8.1
Libretto only, in Italian.
Same. Tragische Oper. In Musik gesetzt von G. Donizetti.
M.231.25
I martiri. Opera italien, musique de Donizetti. M.364.1
Medea. Tragedia lirica posta in musica dal Cav. S. Merca-
dante. M.310.35
Orazj e Curiazj. Tragedia lirica. Posta in musica dal Mo.
Saverio Mercadante. M.310.27
Patria. See his La battaglia di Legnano.
II reggente. Opera. Musica del Mo. Saverio Mercadante.
M.283.2
Roberto Devereux, melodramma tragico. Musica de maes-
tro G. Donizetti. Venezia. Molinari. 1839.
Libretto only, in Italian. No. 6 in M.147.8.I
Same. [Dramma serio. Posto in musica da G. Donizetti.]
M. 231.27
Same. Roberto d'Evreux, conte d'Essex. Tragedia lirica,
musica del Cav. G. Donizetti. No. i in M.262.3
Saffo. Tragedia lirica in tre parti. Parole di S. Cammarano,
musica del maestro Giovanni Pacini. Venezia. Molinari.
1842. No. 18 in M. 147.8.2
Libretto only, in Italian.
Same. Tragedia lirica. Musica del Mo. Giovanni Pacini.
M.311.21
Stella di Napoli. Dramma lirico, posto in musica dal Mo.
Giovanni Pacini. M.311.10
II trovatore. Dramma, musica di Giuseppe Verdi. M.328.18
La vestale, tragedia lirica. Musica del M. Saverio Merca-
dante. Venezia. Molinari. [184-?] No. 12 in M.147.8.2
Libretto only, in Italian.
Same. Opera complet. Musique de S. Mercadante. M.367.11
Virginia. Tragedia lirica. Musica del Mo. S. Mercadante.
M.283.I
Cammilla. See Camilla.
Camogasker, Die. Opera. For the Music see Schneeberger.
For the Libretto see Kelterbom, R.
Camp, John S.
Softly now the light of day. Hymn-anthem with s. or t. solo.
[Accomp. for organ.] Boston. White-Smith Music Pub-
lishing Co. [1893.] No. 19 in M.203.26
Camp, The. Song. Ye gadlys. [Welsh air.] Arranged [for
I voice, also] harmonized for 4 voices, (/n Thomas.
Welsh melodies. Vol. i, pp. 60-68.) No. 8 in M.235.6.1
Camp medley, The. With the original tunes. Within compass
of the German flute, [s. or t., with pianoforte accomp.]
London. Thompson. [177-?] No. 31 in M.384.48
Camp song. Reichardt, J. F. No. 8 in M.212.21.2
Ceimpaigners, The. Opera. For the Music see Gulick. For
the Libretto see Stensland.
Campana, Fabio.
Addio. Duettino [t. s. Accomp. di pianoforte]. Wien.
Spina. [1855?] No. 20 in M.244.9
Alia campanna andiamo. Duetto [s. a. Accomp. di piano-
forte]. London. Boosey. [185-?] No. 4 in M.244.9
Allor che a notte splendere. Notturnino [s. a. ossia t. b.
Accomp. di pianoforte]. London. Mills. [185-?]
No. 14 in M.244.9
Gli amanti tirolesi. Duettino [a. t. Accomp. di pianoforte],
London. Boosey. [185-?] No. 11 in M.244.9
Cara Italia, arnica e bella. Canto [s. s. Accomp. di piano-
forte]. London. Mills. [185-?] No. 17 in M.244.9
184
Campana
THE ALLEN A. BROWN COLLECTION OF MUSIC
Campra
Campana, Fabio. (Continued.)
Dimmi che m'ami. [Duet, s. A. ossia T. A. Accomp. di piano-
forte.] London. Boosey. [185-?] No. 19 in M.244.g
Le due fanciulle. Duettino per s. e a. [Accomp. di piano-
forte.] London. Boosey. [185-?] No. 2 in M.244.9
Esmeralda. Dramma lirico in 4 atti. Poesia di Giorgio T.
Cimino. Musica di Fabio Campana. Per canto e piano-
forte. Milano. Ricordi. [1869.] M.275.23
The fairy isle. [Trio, s. s. A. Accomp. for pianoforte.]
London. Hutchings & Romer. [186-?] No. 15 in M.244.10.5
Giulio d'Este. Dramma tragico in 3 atti del S^. Monteverde,
posto in musica ... da Fabio Campana. [Con. accomp.
di pianoforte.] Milano. Lucca. [184-?] M.230.36
Giura, amor mio. [Duet, s. t. Accomp. for pianoforte.]
Boston. Ditson & Co. [1851?] No. 18 in M.244.9
II maggio. Duettino [s. A. Accomp. di pianoforte]. Lon-
don. Mills. [i8s-?] No. S in M.244.9
Maria e Rizzio. Duettino [s. s. Accomp. di pianoforte].
London. Mills. [185-?] No. 10 in M.244.9
I miei pensieri. Album musicale. [Accomp. for pianotorte.]
London. Boosey. | 1S6-? | M.244.23
Contents. — Italia, romanza [t.]. — La Rondinella, arietta [bar.]. —
La desolata, romanza [a.]. — Rimprovero, romanza [bar.]. — Alia
carapanna andiamo, duetto [s. A.]. — Per I'aure tacite, duetto [s. T.].
La notte e serena. Duettino [s. A. Accomp. di pianoforte].
London. Mills. [185-?] No. 7 in M.244.9
O'er the star-lit waters gliding. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cocks. [185-?]
No. 22 in M.244.10.2
Per I'aure tacite. Duetto [s. a. Accomp. di pianoforte].
London. Boosey. [185-?] No. i in M.244.9
II pescatore. Notturnino. [s. a. Accomp. di pianoforte.]
London. Mills. [185-?] No. 13 in M.244.9
La potenza d'amore, duetto [s. a. Accomp. di pianoforte].
London. Mills. [185-?] No. 6 in M.244.9
La preghiera della sera. Duettino [s. a. Accomp. di piano-
forte]. London. Mills. [185-?] No. 16 in M.244.9
Roma! Duetto [s. s. ossia t. t. Accomp. di pianoforte].
London. Mills. [185-?] No. 8 in M.244.9
Una sera d'amore. Notturno [s. a. Accomp. di pianoforte].
London. Boosey. [185-?] No. 12 in M.244.9
Stornello trasteverino. Duetto [s. s. Accomp. di piano-
forte]. London. Mills. [185-?] No. 15 in M.244.9
Te '1 rammenti? Notturnino [t. A. Accomp. di pianoforte].
London. Mills. [185-?] No. 3 in M.244.9
The tempest. Trio [s. s. a. Accomp. for pianoforte]. New
York. Schirmer. 1868. No. 13 in M.244.10.6
Vieni o bella, amor t'invita. Serenata [s. a. Accomp. di
pianoforte]. London. Mills. [185-?] No. 9 in M.244.9
Campana, La. Quartet. Donizetti. Matinees musicales.
No. 9 in M.236.14
Campana che suona. Part-song. Sammartini.
No. 151 in M.23S.17.1; etc.
Campana dei morti, La. Song. Roberti. Inspirations itali-
ennes. No. i in M.364.10
Campana dell' eremitaggio, La. Opera. For the Music see
Sarria. For the Libretto see Cofino.
Campana di Groninga, La. Opera. For the Music see CatoUa.
For the Libretto see Lupi.
Campanella, Giuseppe Maria.
My life and what I learned in it. An autobiography. Lon-
don. Bentley. 1874. Portrait. M.141.11
Campanello, II. Opera. For the Music see Donizetti.
Campanini, Naborre.
La fata del nord, melodramma. Musica di Guglielmo Zuelli.
M.399.68
Campardon, fimile.
L' Academic royale de musique au X'VIIIf siecle. Docu-
ments inedits decouverts au.x Archives nationales. Paris.
Berger-Levrault & cie. 1884. 2 v. M.372.16
Campbell, Charles J.
His Honor the Mayor. Book & lyrics by Chas. J. Camp-
bell and Ralph M. Skinner. Music by Julian Edwards and
Alfred E. Aarons. No. i in M.38g.3i
CampbeU, H. A. J.
O Lord, I will praise Thee. [Anthem. Accomp. for organ.]
Boston. Schmidt. [1894.] No. 20 in M.203.26
Campbell, Hugh.
Voice, speech and gesture: a practical hand book to the elo-
cutionary art. By Hugh Campbell, R. F. Brewer, and
Henry Neville. Including Essays on reciting and recita-
tive by Clifford Harrison, and on recitation with musical
accompaniment by Frederick Corder. Also selections in
prose and verse . . . Edited by Robert D. Blackman.
London. Deacon & Co. 1895. Illus. M.218.2
Campbell, Janey Sevilla, Lady.
Rainbow-music; or the philosophy of harmony in colour-
grouping. London. Quaritch. 1886. M.2o8.i7
Campbell, John George Edward Henry Douglas Sutherland,
Marquis of Lome, gth Duke of Argyll.
Diarmid. Grand opera. The music composed by Hamish
MacCunn. M.394.17
Campbell, Thomas.
The battle of the Baltic. Set to music by C. V. Stanford.
No. 5 in M. 156.8
Lord UUin's daughter. A ballad. The music by Hamish
MacCunn. No. i in M.204.22
Ccunpisiano, Achille D.
Absalon. Operette bouffe en i acte. Paroles de Paul Burani
[pseud.] & A. Pouillon. Musique de Achille D. Campi-
siano. [Partition piano et chant.] Paris. Bathlot. [1875.]
No. I in M.275.27
Campistron, Jean Galbert de.
Achille et Polixene, tragedie dont le prologue & les quatre
derniers actes ont este mis en musique par P. CoUasse, . . .
et le premier acte par J. B. de Lully. M.28X.38
Acis et Galatee. Pastorale heroique mise en musique par jM.
de Lully. M.40Q.42
Camponeza, A. Song. Frondoni. No. 4 in M. 391. 57
Campra, Andre.
Air d'Anchise. [Accomp. de piano.] {In Lacome d'Esta-
lenx. Les fondateurs de I'opera frangais. Pp. 14-20.)
No. 2 in M.296.6
Air de Cephise. [Accomp. de piano.] (/» Lacome d'Esta-
len.\. Les fondateurs de I'opera frangais. Pp. 24-26.)
No. 2 in M.296.6
Air de Hesione. [Accomp. de piano.] {In Lacome d'Esta-
lenx. Les fondateurs de I'opera frangais. Pp. 10-13.)
No. 2 in M.296.6
Amour, crois en ma foi. Air [t. Accomp. de piano]. {In
Lacome d'Estalenx. Les fondateurs de I'opera frangais.
Pp, 27-31.) No. 2 in M.296.6
Belle pour qui je pleure. Duo [s. b. Accomp. de piano]. {In
Lacome d'Estalenx. Les fondateurs de I'opera frangais.
Pp. 44-53) No. 2 in M.296.6
Douces flammes. Trio [s. t. b.]. {In Lacome d'Estalenx.
Les fondateurs de I'opera frangais. Pp. 32-38.)
No. 2 in M.2g6.6
L'Europe galante. Opera-ballet en 4 entrees et un prologue.
Paroles de La Motte. Reconstitue et reduit pour piano et
chant par Theodore de Lajarte. Paris. Michaelis. [188-?]
Engraved title-pages. [Chefs-d'oeuvre de I'opera frangais.j
M.275.2S
Les festes venitiennes. Opera-ballet en S entrees et i pro-
logue. Paroles de Antoine Danchet. Reconstitue et re-
duit pour piano et chant par Alexandre Guilmant. Intro-
duction par Arthur Pougin. Paris. Michaelis. [188-?]
Engraved title-pages. [Chefs-d'oeuvre de I'opera fran-
gais.] M.275.24
Hesione; tragedie mise en musique. Paris. Ballard. 1700.
M.120.S
Idomenee, tragedie [lyrique. Musique de Campra, paroles
de Antoine Danchet. Partition d'orchestre]. Manuscript.
[Paris? 1712?] M.374a.2
Iphigenie en Tauride, tragedie, mise en musique par Mes-
sieurs Desmarets et Campra. Paris. Ballard. 171 1. M. 120.5
Prologue and other additions by Campra.
I 24
185
Campra
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Campra, Andre. (Continued.)
Motets a I, II et III voix avec la basse-continue . . . Paris.
Ballard. 1710-17. 3 v. in i. M. 236.35
The books are of different editions, the first of the fourth edition, the
other two, new editions.
Nuit, soyez fidele. Air [s. Accomp. de piano]. (In Lacome
d'Estalenx. Les fondateurs de I'opera frangais. Pp. 21-23.)
No. 2 in M.296.6
Seuls confidents de mes peines. Air [s., dans son opera Iphi-
genie en Tauride. Partition]. (In Deldevez. Fondation
de I'opera en France. Pp. 53-55.) No. 15 in 11.356.11
Tancrede, tragedie [lyrique. Paroles de Antoine Danchet.
Partition d'orchestre]. Manuscript. [Paris? 1702?]
M.374a.3
Same. Tragedie lyrique en 5 actes et un prologue. Paroles
de Antoine Danchet. Reconstituee et reduite pour piano
et chant par Alexandre Guilmant. Paris. Michaelis.
[188-? Chefs-d'ceuvre de I'opera frangais.] M.27S.26
Tandis que je I'aimais. Air [s. Accomp, d'orchestre]. (In
, Lacome d'Estalenx. Les fondations de I'opera frangais.
Pp. 39-43.) No. 2 in M.2g6.6
Camptown races. Song. Foster, S. C. No. 8 in M.380.41.1
Camus, Pierre Frangois.
Fidelio. An opera. [Music] by L. van Beethoven. M.265.3
Same. Drame lyrique. Musique de L. van Beethoven.
M.261.21
Camys, fimile.
L'amour au village. Opera-comique en i acte en vers.
Poeme de Albert Riondel. Musique de fimile Camys.
[Partition piano et chant.] Paris. Hielard. [1888.]
No. 2 in M. 275.27
Un pas de clerc. Opera-comique en un acte. Paroles de Al-
bert Riondel. Musique de Emile Camys. [Partition chant
et piano.] Paris. Loret. [1890.] No. i in M.393.8
Can she excuse. Part-song. Dowland, J. First set of songs.
No. 2 in M.234.21
Can you tell me? Part-song. Berg, G. No. 189 in M. 220.9.1
Can'st thou love. Part-song. Ravenscroft.
No. 191 in M.235.17.2; etc.
Canadian boat song, A. Part-song. Moore, T.
No. 59inM.is7.5.2
Canadian rhapsody. Symphonic poem. Mackenzie, A. C.
No. I in M.410.91
Canard, Le, a 3 bees. Opera. For the Music see Jonas, E. For
the Libretto see Moinaux.
Canaregiota, La. Song. Bortolini. Amori veneziani.
No. I in M.390.44
Cancion militar. Duet. Moliner. No. S in M. 120.26
Cancioneiro musical portuguez. Songs. Salvini. M.206.15
Candida allor del ciel scese angioletta. Madrigal. Lassus.
Siimmtliche Werke. Band 2. 11.80403.67.2
Candida colomba, Una. Duet. Gabussi. No. 53 in M. 157.39
Cane, Claude.
Romeo and Juliet up to larks. Burlesque. The music by
Hugh A. Douglas. No. i in 11.399.75
Canepa, Luigi.
David Rizio. Dramma lirico in 3 atti di Enrico Costa. Mu-
sica del Maestro Luigi Canepa. Riduzione per canto . . .
con accompagnamento di pianoforte. Milano. Lucca.
[184-?] Portrait. 11.399.7
I pezzenti. Melodramma in quattro atti di Fulvio Fulgonio.
Musica del Maestro Luigi Canepa. Riduzione per canto
con accomp. di piano-f. Milano. Lucca. [1874.] M.383.9
Canite tuba in Sion. Motet. Palestrina. Werke. Band 2.
lI.8o4oa.66.2
Cannabich, Carl.
Mozart's Gedaechtnis Feyer. Seinen Manen gewidmet. [Fiir
s. s. A. a. t. t. b. b., mit Begleitung des Orchesters. Parti-
tur.] Munchen. [Falter.] 1797. No. i in M.391.35
Canniciari, Pompeo.
Credo, quod Redemptor. [Motet, s. A. T. B.] (In Lueck.
Sammlung ausgezeichneter Compositionen fiir die Kirche.
Band 4, pp. 115-119.) No. 32 in M.158.33.4
Missa [in A-moU, fiir s. a. t. b.]. (In Lueck. Sammlung
ausgezeichneter Compositionen fiir die Kirche. Band i,
PP- 135-151) No. 7 in M.158.33.1
Canoby, Gustave.
La coupe et les levres. Drame lyrique en 5 actes, d' Alfred
de Musset et Ernest d'Hervilly. Musique de Gustave
Canoby. [Partition piano et chant.] Paris. Durdilly &
cie. [1S90.] M.275.28
Canons.
See Church music. Anthems; Part-songs.
Canons, Les, ou la reponse au Salpetre. Song. Dalavrac.
M.380.14
Canotiers d'Argenteuil, Les. Opera. For the Music see Cle-
ment, A. For the Libretto see Huet.
Canta Giorgia. Part-song. Lassus. Sammtliche Werke. Band 10.
11.80403.67.10
Cantabo Domino. Anthem. Schmid, F. X. No. 25 in M.260.3
Cantabo Domino in vita mea. Motet. Palestrina. Werke.
Band 2.
Cantabunt labia mea. Canon.
catches.]
Cantsi; or piango. Madrigal.
Band 2.
Csntantibus organis. Motet.
Band 5.
Palestrina. Werke. Band 3.
Cantata in lode di Santa Cecilia.
52A
M.80403.66.2
Carter, T. [Canons, glees and
No. 5 in M.22I.32
Lassus. Sammtliche Werke.
11.80403.67.2
Lassus. Sammtliche Werke.
11.80403.67.5
11.80403.66.3
Handel. Werke. Lieferung
M.3I3-I-52A
C3ntata inglese in lode di Santa Cecilia. Handel. Werke.
Werke. Lieferung 52A. II.313.1.52A
C3ntata spagnuola. Handel. Werke. Lieferung 52B.
M.3I3-1-52B
Cant3tas. Mixed voices.
Albert, Prince Consort. [Invocazione alia armonia. Chorus
with solos [s. t.]. M.312.S
Allen, G. B. Harvest home, a pastoral cantata [solos and
chorus, s. A. t. B.]. M.270.S
Allen, N. H. The apotheosis of St. Dorothy. For tenor
solo, chorus and [pianoforte accomp.]. No. i in M.384.11
Allon. Annie of Lochroyan. Traditional Scotch ballad
for s. solo, mixed chorus and [accomp. for pianoforte].
No. 2 in M.204.2
The maid of Colonsay. For soli, chorus [s. A. x. b. &
pianoforte]. No. i in II.213.1
Anacker. Bergmann's Gruss. Fiir Solo und Chorstimmen.
No. I in M.221.9; etc.
Das Licht des Glaubens. Kirchen Cantate fiir vier-
stimmigen Chor [s. A. T. E.]. No. 3 in M.221.34
Anderton. John Gilpin. [Solos, s. A. t. b., and chorus.]
No. I in M.154.14; etc.
The Norman baron. [Solos, s. b., and chorus.]
No. 3 in M.154.15
■ The three jovial huntsmen. [Chorus, s. a. t. b.]
No. I in M. 154.16
■ The wreck of the Hesperus. For solo voices [s. t. b.]
& chorus. No. 2 in M.154.14; etc.
Yule-tide. [Solos and chorus, s. a. t. b.]
No. 4 in ll.154.1s
Andree. Snofrid. Ballad. For soli [m.-s. och t. s.], kor och
orkester. No. i in II.391.31
Arenski. Der Springquell von Bachtschissarai. [Solo, s.,
und Chor.] No. i in M.193.3
Arne, T. A. Cymon and Iphigenia. [s. t.] No. 4 in M.237.26
Arnold, George B. Sennacherib. A sacred cantata [for
solos, s. T. B., and chorus]. No. i in M.204.3
Aspa, E. Endymion, a pastoral. [Solos and chorus.]
No. I in M. 154.17
The gipsies [s. m.-s. or a. t. b.]. No. 2 in M. 194.1; etc.
Auria. Gulnare, or the crusader's ransom. Dramatic can-
tata for solo voices [s. t. bar or b.], chorus and piano.
No. I in M.213.2
Austin, W. The fire-king, dramatic cantata [for solos, s. a.
T. B., and chorus]. No. i in M. 194.2
Baake. Athen. [Fiir Soli und Chor. s. a. t. b.] Partitur.
M.234.17
Bach, J. C. F. Die Kindheit Jesu. [Fiir Solostimmen, s. a.
T. B., Chor und Orchester. Partitur.] M.202.1
!86
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices. (Continued.)
Bach, J. S. Kammermusik fiir Gesang. Band 1-4. Werke.
Jahrgang 11 (Lieferung 2), 20 (Lieferung 2), 29, 34.
M.8040.21.11, etc.
Cantaten im Klavier-Auszuge. No. i, 2.
No. I, 2 in M.270.6
The "Coffee cantata" (comic cantata), [s. t. b. and
chorus.] No. i in M.194.3
Festo ascensionis Christi. [Solos, t. b., and chorus.]
Edited by Robert Franz. No. 2 in M.384.11
God's time is the best. A sacred cantata [for solos,
A. T. B., and chorus]. No. 4 in M.154.19; etc.
The "Peasants' cantata" (comic cantata), [s. b. and
chorus.] No. 2 in M.194.3
Trauungscantaten. Werke. Jahrgang 13, Lieferung
I. 3. M.8040.21.13.1, 3
Baker, B. F. Camillus, the Roman conqueror. A dramatic
cantata, for mixed voices. M.384.13
The storm king! [Solos, s. t. b., and chorus.]
No. 3 in M.280.41
Balfe. Mazeppa. [Solos, s. a. t. b., and choru.s.] M.270.7
Bantock. The fire-worshippers. A dramatic cantata for
chorus and soli [s. a. t. b.]. No. 2 in M.213.1
Barney, Rebekah, a sacred idyll [for solos, s. t. b., and
chorus] . M.IS4.20; No. I in M.204.5
Barnett, J. F. The ancient mariner. (Der alte Matrose.)
For solo voices [s. a. t. b.], chorus, and orchestra. M. 227.1
Same. [.A.ccomp. for pianoforte.] M.154.23
The building of the ship. [Solos, s. a. t. b., and cho-
rus.] M.154.22
The good shepherd, sacred cantata [for solos, s. a. t.
B., and chorus]. M.154.24
Bartholomew, A. S. M. Supplication & thanksgiving, a
sacred cantata [for solos, s. a. t. b., and chorus].
No. 2 in M.280.39
Bartlett, J. C. From death to life. A cantata for Easter
[for solos, s. a. t. bar., and chorus]. No. i in M.384.15
Beazley, J. C. Drusilla. Sacred cantata for mixed voices.
No. I in M.213.3
Becker, A. E. A. Des Miillers Lust und Leid. Fiir Chor
und Soli [s. t. b., mit Klavierbegleitung]. No. 3 in M.384.15
Reformation cantata, for solos [s. a. b.] and chorus.
[With accomp. for pianoforte.] No. 3 in M. 194.4
Becker, C. J. Columbus. Melodramatic poem for chorus
[s. a. T. B.]. No. 2 in M.194.4
Die Zigeuner. Rhapsodic in 7 Gesangen fvir Solo [s.
BAR.] and Chor. No. i in M.194.4
Beer, M. J. Liebesleben. Liederspiel fiir s. t. b. und Piano-
forte. No. 2 in M.391.31
Der wilde Jiiger. Eine Johannisnacht-Dichtung, Fur
Soli [s. A. T. B.], Chor und grosses Orchester. M.352.8
Beethoven. Cantaten. Werke. Serie 21. M.413.1.21
The calm of the sea & rising breeze, Meeresstille und
gluckliche Fahrt, descriptive chorus. With the German
.(yords. No. 2 in M.270.10
Same. [Chorus.] No. 3 in M.236.30.4
The translation is different from that on shelf-no. No. 2 in M.270.10.
The choral fantasia, [s. a. t. b.] No. 5 in M.194.4
Lobkowitz-Cantata. [s. s. b.] No. 24 in M.158.13
Belcher, W. T. The Fates, [s. m.-s. c. b. and chorus.]
M.203.34
Belli. Stabat mater, for s. t. b. or t. t. b. No. 2 in M.191.2
Bemberg. La mort de Jeanne d'Arc. Scene historique [s.
solo et choeur]. No. i in M.213.4
Benda. F. W. H. Die Grazien [s. oder t. mit Chor].
No. I in M.220.26
Benda, G. Cephalus und Aurore. [Stimmen.]
No. 2 in M.152.30
Der Christ am Rande des Grabes. [Partitur.]
No. 5 in M.236.T7
Bendall. Parizadeh. For solo voices [s. a. bar.], chorus
& [pianoforte]. No. 2 in M.213.3
Benedict. Graziella [for solos, s. a. t. bar. b., and chorus].
M. 154.26
The legend of St. Cecilia [s. a. t. b. solos and chorus].
M.154.2S
Cantatas. Mixed voices. (Continued.)
Same. La legende de Sainte Cecile. No. i in M. 154.27
Richard Cceur de Lion. [s. a. t. bar. and chorus.]
No. I in M.261.2S
Undine, a lyrical legend [s. a. t. b. and chorus].
M.270.11
Bennett, W. S. The May-queen; a pastoral cantata [s. a.
t. B. and chorus]. M.154.28
Ode, written expressly for the opening of the Inter-
national Exhibition, 1862. [Chorus, s. .\. t. b.]
No. 4 in M.391.31
The woman of Samaria, a sacred cantata, [s. a. t. b.
and chorus.] M.241.12
Benoit, p. L. L. De oorlog. [s. t. b. b. b. en koor. Parti-
tuur.] M.227.20
Bentley, J. M. Yule-tyde, or ye merrie and anciente Eng-
lyshe pastyme of Crystmasse eve. [s. m.-s. a. t. b. and
chorus.] No. 4 in M. 204.2
Berger, W. Gesang der Geister iiber den Wassern fiir vier-
stimmigen gemischten Chor und grosses Orchester.
No. I in M.401.4
Bergt. Der Glaube. Fiir 4 Singstimmen [s. a. t. b.] mit
Orchesterbegleitung. No. 2 in M.221.34
Berlioz, L. H. L'apotheose, chant heroique. Arrange pour
I voix [m.-s. ou t.] et chceur, avec accomp. de piano.
No. 32 in M.391.32
Le 5 mai. Chant . . . pour voix de basse avec chceurs.
[Grande partition.] No. 10 in M.341.24
Same. [Accomp. de piano.] No. 10 in M.391.32; etc.
La damnation de Faust. Legende dramatique [m.-s.
T. bar. ou B. B. et chceurs]. Partition. M.341.20
Same. Partition de chant et piano. M.265.6
Same. Faust, a dramatic legend. M.26S.7
. Die Flucht nach Egypten (La fuite en £gypte). Bi-
blische Legende |^t. avec choeur]. No. 4 in M.270.54
L'imperiale. A 2 chceurs et a grand orchestre. Grande
partition. No. S in M.332.S
Romeo et Juliette. Symphonic dramatique avec
chceurs, solos de chant et prologue en recitatif choral.
Grande partition. 2e edition. M.341.23
Same. Partition de piano. Avec texte franqais et
allemand. No. 5 in M.391.31
Sara la baigneuse. Ballade a 3 chceurs. Grande par-
tition. No. 5 in M.341.24
Same. A 2 voix [s. a. out. b.] et accomp. de piano.
No. 12 in M.391.32; etc.
Bernard, £. La captivite de Babylone. Cantate biblique
pour voix de baryton ou mezzo-soprano solo, chceurs et
piano. No. I in M.213.5
Bestaendig. Deutscher Hymnus fiir Chor, Solo [s. t.] und
[Clavier] . No. 6 in M.391.31
Betjemann. The song of the Western men. Ballad for
chorus [s. a. t. B.] and [pianoforte]. No. 5 in M.194.3
Bierey. Faith and adoration, a sacred cantata [for quartett
and chorus]. No. 7 in M.290.9.2
Biggs. Elihu, or the wonders of nature. Sacred cantata for
solo voices [s. a. t. b.], chorus, and organ obligato.
No. 5 in M.204.2
Billington, T. Celadon and Amelia, [s. t.] No. 4 in M.220.36
Birch, E. H. Via Crucis. (The way of the Cross.) [Solo
voices, s. a. t. b., and chorus.] No. i in M.384.I4
Vortigern and Rowena. A dramatic cantata [for
s. a. t. bar. and chorus]. No. i in M.204.6
Bishop, H. R. The grand alliance, an allegorical festival
[s. a.t. B.]. M.396.10
The Seventh day [s. t. b. and chorus].
No. 3 in M.270.22
Bizet Vasco de Gama. Ode symphonic [s. s. t. b. 6 b. et
choeur]. No. i in M.265.24
Blodgett. The prodigal son. A scriptural cantata [for
s. A. T. T. bar. B. and chorus]. M.213.6
Boenicke. Columbus. Fur gemischten Chor, Soli [t. b.]
und Klavier. No. i in M.194.5
Boisdeffre. Latone. Scene lyrique pour soli [s.] & chceurs.
No. I in M. 203.35
187
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Mixed voices. (Continued.)
BoNviN. Morgen an nordischer Kiiste. Morn on the north-
ern coast. Fiir gemischten Cher, Bariton-Solo und [Kla-
vier]. No. I in M.380.4
BoRDiER, J. Un reve d'Ossian. Scene lyrique pour soli [b.],
choeur et piano. No. i in M.384.17
BouRGES. Herminie chez les bergers. Chceur [s. s. t. b.].
No. 2 in M.27S.3
BoYCE. Solomon. A serenata [s. t. and chorus] in score.
M.241.IS
Brahms. Ein deutsches Requiem fiir Soli [s. bar.], Chor
und Orchester. [Partitur.] M.202.11
Same. [Clavierauszug.] M.270.1S
Gesang der Parzen fiir sechsstimmigen Chor [s. a. a.
T. B. B.]. No. 4 in M.194.5
Liebeslieder. Songs of love. Walzer fiir das Piano-
forte (und Gesang ad lib.). No. i in M.270.14
[Liebeslieder.] Neue Liebeslieder. New songs of love.
No. 2 in M.270.14
Nanie fiir Chor und Orchester. [Partitur.]
No. 5 in M.332.6
Schicksalslied. Song of Fate. Fiir Chor und Orches-
ter. Partitur. No. i in M.333.Q
Same. A song of destiny. [Accomp. for pianoforte.]
No. I in M.204.7
Triumphlied fiir achtstimmigen Chor [s. s. a. a. t. t.
B. B.]. No. 3 in M.270.14; etc.
Brambach. Das Eleusische Fest fiir Soli [s. und ear.] Chor
und [Clavier]. No. 2 in M.270.18
Brandeis. The sunken cloister. Ballade for a chorus of
mixed voices with piano accomp.
Brandl. [Preis, Anbetung und Dank.]
Singstimmen [s. s. t. b.] und Forte Piano
Brandts-Buys. Das Singenthal
Chor, Baritonsolo und Clavier
No. 3 in M.213.3
Hymnus fiir 4
No. 4 in M.221.34
The vale of song. Fiir
No. 3 in M.193.2
Braun, C. „Ritter Olaf" (Sir Olaf). Romance. For solo
voices [t. &b.], chorus & pianoforte. No. 2 in M.194.5
Bree. St. Cecilia's day. For solo [s. or t.] and chorus, with
piano-forte. M.290.7; etc.
Bridge, John F. Boadicea, queen of the Iceni. [s. a. t. b.
and chorus.] No. i in M.154.32
Callirhoe: a legend of Calydon. A dramatic cantata
[s. A. T. with chorus]. No. i in M. 154.30
The Inchcape rock, ballad. For chorus and piano-
forte. No. I in M.154.29
Rock of ages (Jesus, pro me perforatus). For bari-
tone solo, chorus and [pianoforte]. No. 4 in M.154.29
Bridge, Joseph C. Rudel, a dramatic cantata [s. t. b. and
chorus]. No. 3 in M. 154.30; etc.
Brion. Marathon, [s. t. b. and chorus.] No. i in M.154.33
Broutin. La fille de Jephte. Scene lyrique [s. x. b.].
No. I in M.154.34
Bruch. Achilleus. Fiir Solostimmen [s. a. t. bar. b.], Chor
und Orchester. M.341.10
The birches and the alders. For soprano solo and
chorus. No. 2 in M.154.36
Dithyrambe, fiir Tenor-Solo, sechsstimmigen Chor
und Clavier. No. 3 in M.154.35; etc.
Das Feuerkreuz, dramatische Cantate fiir Solostim-
men [s. bar. b.], Chor und Clavier. No. i in M.154.37
Die Flucht der heiligen Familie. Fiir gemischten
Chor und Clavier. No. 3 in M.270.21
Fritiof (Frithjofsage), legende scandinave fs. bar. et
chcEur] . No. s in M.154.37
Gustav Adolf. Fiir Chor, Solostimmen [a. t. b. und
Clavier]. M.381.5
Hymne, fiir Chor, Solostimmen [s. a. x. b.], und Cla-
vier. No. 3 in M.202.14
■ Jubilate, amen. Fiir Sopran-Solo, Chor und Klavier.
No. I in M.270.20
Das Lied vom Deutschen Kaiser. Fiir Chor und Cla-
vier. No. 6 in M.270.19
Das Lied von der Glocke. Fiir Chor, vier Solostim-
men [s. A. X. B.], Orchester und Orgel. M.341.12
Same. Clavier-Auszug. No. i in M.154.3S
Cantatas. Mixed voices. (Continued.)
Odysseus. Scenen fiir Chor, Solostimmen [s. m.-s.
A. X. BAR. B.] und Orchester. M.341.13
Same. Clavierauszug. No. i in M. 154.36
Romische Leichenfeier. Fur gemischten Chor und
Clavier. No. 4 in M.270.21
Rorate coeli. Fiir gemischten Chor. No. 2 in M.270.19
Schon Ellen. Ballade fiir Sopran-Solo, Bariton-Solo,
Chor und Clavier. No. 2 in M.270.20
Brunel. La vision de Dante. Poeme symphonique [pour
X. B. X. s. s. s.]. M.407.1
Buck, D. The centennial meditation of Columbia, [b. solo
and chorus.] M.154.41
Easter morning. For solo voices [s. s. x. b.] and cho-
rus. No. 5 in M.270.12
The 46th Psalm. "God is our refuge." For chorus,
solos [s. X. b.]. No. I in M.204.1
The legend of Don Munio. A dramatic cantata [s. a.
T. X. BAR. b. and chorus]. M.1S4.40
The light of Asia. [s. x. b. and chorus]
No. I in M. 154.38
Scenes from Longfellow's Golden legend. Symphonic
cantata for solos [s. x. bar.], chorus and [pianoforte].
M.154.39
The story of the Cross. For Lenten use, for chorus,
solos [s. A. X. B.] and organ. No. 3 in M. 154.38
The triumph of David. For church use, for solo
voices [s. A. X. b.] and chorus with organ. No. 4 in M.154.38
BuLMER. The dial of Ahaz. A sacred cantata [for solo, b.,
and chorus] . No. 2 in M.204.3
BuRGMEiN. Contes de Noel. Suites mignonnes. [s. ou x.
avec chceur.] No. 3 in M.204.29
BuRxoN. Hiawatha. Dramatic cantata, [s. a. t. b. soli und
chorus.] M.213.20
BussER. Antigone. Scene lyrique [s. x. b.]. No. 2 in M.380.11
BuxLER, S. Narcissus. A dramatic cantata, [s. x. a. or bar.
and chorus]. By Samuel Butler & Henr.y Festing Jones.
No. I in M.194.19
BuxxERFiELD. Bclshazzar. A dramatic cantata. For cho-
rus, solos and [pianoforte]. No. 2 in M.204.8
Cahen, a. Endymion. Poeme mythologique [s. m.-s. x. bar.
et choeur]. M.275.19
Caldicotx. Dedication ode. [s. bar. solos and chorus.] For
the opening of the Albert Palace, Battersea Park.
No. I in M.194.8
The widow of Nain, a sacred cantata, [s. A. T. b. and
chorus.] M.IS4.42
Callcoxx, J. G. The golden harvest, a pastoral cantata,
[s. A. X. bar. and chorus.] No. i in M.154.43
Cannabich. Mozart's Gedachtnis Feyer. [Fiir s. s. a. a. x. t.
B. B., mit Begleitung des Orchesters.] No. i in M.391.35
Capes, J. M. Flavian, a sacred cantata, [s. a. x. b. and cho-
rus.] M.270.23
Carraud. Cleopatre, scene lyrique [s. x. b.].
No. I in M.154.44
Carxer, G. Evangeline, [s. a. x. b. b. and chorus.] M.270.24
Carxer, W. Placida: the Christian martyr. Sacred cantata,
[s. A. X. X. BAR. b. and chorus.] M.154.45
Caspar. Sainte Cecile. Poeme lyrique. [s. s. x. bar. et
choeur.] No. 2 in M.154.27
Cellier. Gray's Elegy, [s. a. x. bar. b. and chorus.]
No. 2 in M.275.37
Chadwick, G. W. The lily nymph. Dramatic poem. For
solo voices [s. x. bar. bar. x.], chorus and [piano].
No. I in M.203.45
Lovely Rosabelle. Ballad for chorus and piano.
No. 7 in M.194.8
Ode for the opening of the World's Fair, Chicago,
1892. [Chorus and solos, s. x.] No. 2 in M.203.45
Phoeni.x; expirans. (The dying phoenix.) Hymn. Cho-
rus and solo voices [s. A. X. B.]. No. 6 in M.194.8
The Pilgrims. For chorus and piano. No. 2 in M.194.8
Chadwick, J. M. Joseph's bondage. A dramatic cantata
[for solos and chorus]. M.213.8
188
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices. (Continued.)
Chaminade. Les Amazones. Symphonie dramatique. [Soli,
s. A. T., et choeurs.] M.203.30
Chapuis. La chanson du charbonnier. Choeur a toutes voix
et orchestre. No. i in M.406.75
Charpentier. La vie du poete. Symphonie-drame [s. s. s.
A. T. BAR. et choeurs]. M.384.S4
Cherubim. Chant sur la mort de Joseph Hayd'n [sic. s. t.
T.]. No. 5 in M.221.5
Hymne du Pantheon [t. t. b.]. M.220.27; etc.
Ode sur le 18 fructidor [s. a. t. b.]. M.380.14
Cheshire. The buccaneers [for solos, s. a. t. b., and chorus].
No. 2 in M.ig4.2
Chesneau. Vasco de Gama. Poeme lyrique avec solos [s.
bar.] et choeurs [s. t. b.]. No. i in M.194.9
Clarus. Auf dem Felde der Ehre. Grosses Tongemalde
fur Chor, Soli [s. bar.] und Klavier. No. i in M.384.22
Clasing. Belsazar. Oratorium. [s. a. t. b. und Chor.]
M.23i.ia
Clay. Lalla Rookh. [s. a. t. b. and chorus.] M.154.46
Clifton, F. J. Ode to morning, [s. a. t. b.] No. 4 in M.27o.2g
CoENEN. Albrecht Beiling. (Dramatisch fragment.) Voor
koor en bariton-solo. No. 4 in 1*1.391.35
Cooke, B. CoUins's Ode on the passions. [Chorus accom-
panied by various instruments.] No. i in M.380.6
Coquard. Esther. Choeurs. M. 154.47
Une noce au village. [Pastorale, s. x. et choeur.]
No. 2 in M.39S.19
CoRDER, F. The bridal of Triermain. [s. a. t. b. and chorus.]
No. 2 in M.285.30
The sword of Argantyr. A dramatic cantata [s. t.
BAR. b. and chorus]. No. i in M.285.30
Costa, M. The dream, a serenata [s. a. t. b. and chorus].
No, 5 in M.391.35
CouRCELLES. Circe. Soli [s. bar.] et choeur.
No. 2 in M.154.34
Coward, J. M. The fishers, [s. a. t. bar. bar. and chorus.]
M.194.10
CowEN. Coronation ode for soprano solo [and] chorus . . .
in honor of the coronation of King Edward VIL
No. 2 in M.384.5S
The corsair: a dramatic cantata [s. a. t. b. and cho-
rus]. M.154.51
The rose maiden [s. a. t. bar. and chorus]. M.154.49
St. John's eve, an old English idyll for soli [s. a. t.
bar.], chorus and [pianoforte]. No. 2 in M. 154.48
Saint Ursula. Sacred cantata, [s. a. t. bar. and cho-
rus.] M.154.SO
Sleeping beauty [s. a. t. bar. and chorus].
No. I in M.154.48
A song of thanksgiving, for chorus and [pianoforte].
No. 2 in M.285.36
The water-lily. A romantic legend for soli [s. a. t.
bar. B.], chorus and [pianoforte]. No. i in M.204.11
Creser. Eudora. A dramatic idyll [s. a. t. and chorus].
No. 2 in M.285.38
CuMMiNGS. The fairy ring [s. a. t. b. and chorus].
No. 2 in M.154.43
Curtis, G. H. Eleutheria. A hymn to liberty [s. m.-s. t. and
chorus]. M.231.8
Cutter, E., Jr. Song of home, for t. solo, mixed chorus and
[piano]. No. 5 in M. 194.8
Damrosch, L. Ruth and Naomi: a Scripture idyll [s. a. t. b.
and chorus]. M.154.52
Sulamith, "The song of songs." For soli [s. t.], cho-
rus and piano. No. i in M.155.2
Danican. Q. Horatii Flacci Carmen saecvlare. [Quartett
con coro. Full score.] M.254.14
David, F. C. Christophe Colomb, ou la decouverte du Nou-
veau monde. Ode symphonie [s. t. bar. et choeur].
M.241.24
L'fiden. Mystere [s. t. bar. b. et choeur].
No. I in M.295.6
David, S.. Le triomphe de la paix. Poeme lyrique [s. m.-s.
bar. et choeur]. M.303.24
Cantatas. Mixed voices. (Continued.)
Desjoyeaux. La Fornarina. Scene lyrique. Soli [s. s. t. t.
bar.], choeurs et piano. No. 2 in M.194.9
DiEMER, P. H. Bethany, a sacred cantata [s. Si.-s. a. t. bar.
and chorus]. No. i in M.194.11
Doerstling. Die Schutzengel. Fiir Solo [.s. a. b.\r. b.],
Chor und Orchester. No. I in M. 391.38
Doorly. Lazarus, a sacred cantata [s. a. t. b. and chorus].
No. 2 in M.155.2
Draeseke. Adventlied. Fur Solostimmen [t. b.], Chor und
Clavier, No. i in M.391.39
Drysdale. "The kelpie." Dramatic cantata for soli [s. x.],
chorus & [pianoforte]. No. 2 in M.213.2
Dubois, F. C. T. Le bapteme de Clovis. Choeur a quatre
voix, baryton solo, tenor solo. No, i in M.384.25
L'enlevement de Proserpine, Scene lyrique pour soli
[s. B.], choeurs et piano. No. 3 in M.213.5
Duvernoy. Cleopatre, scene lyrique pour soprano, choeur
et piano. ^ No. 3 in M.154.44
La tempete, Poeme symphonique pour soli [s. a. t,
BAR. B.], choeurs et piano. M.305.31
Dvorak. The spectre's bride, a dramatic cantata. For soli
[s. t. BAR. B.], chorus and pianoforte. M.155.1
Dyer, A. E. Salvator mundi (Saviour of the world), a sa-
cred cantata [for solos and chorus]. No. 3 in M.155.2
Eckert. Zur Heimkehr. Festspiel [t. mit Chor].
No, 2 in M.2g5.28
Egerton. a pastoral cantata [s, a. t. and chorus]. M.270.27
Elgar. The banner of Saint George, a ballad for chorus
[with pianoforte accomp.]. No. i in M.384.26
The black knight (Der schwarze Ritter). Cantata for
chorus [with pianoforte accomp.]. No. 2 in M.384.26
Caractacus. A cantata for soprano, tenor, baritone,
and bass soli, chorus [with piano accomp.]. M.384.56
Ellicotx. The birth of song. A cantata for soli [s. a. x.],
chorus and [pianoforte]. No. 2 in M.204.11
Elysium. For s. solo, chorus and [pianoforte].
No. 3 in M.204.11
Ellis, W. C. Sacred cantata on the millennial glory. For
4 voices [s. A. t. b.]. No. 2 in M.391.39
Erdmannsdoerfer. Prinzessin Use. Eine Waldsage. Fiir
Soli [s. B.], Chor und Clavier. No, l in M. 270.28
EssER. Der Konig der Ehren-Worte des 47ten Psalmes fiir
Chor und Orchester. No. i in M.401.15
Fane, J. Der Raub der Proserpina [s, a, b. mit Chor].
M.1S1.36
Faure, G. U. La naissance de Venus. Scene mythologique
pour soli [s. A. X. B.], choeurs et piano. No. i in M.213.10
Fluegel, E. p. Mahomet's Gesang. Concertstiick fiir Chor.
No. I in M.3gi.4i
Fodale. Dodici scene drammatiche tratte dalla Divina
commedia. [s. x. b. con cori.] M.270.30
Foote. The skeleton in armour. Ballad for chorus and
[pianoforte]. No. i in M.204.14
The wreck of the Hesperus. [For s. x. b. soli, chorus
and pianoforte.] No. i in M.204.13
Fox. The babes in the wood, new comic cantata [for s. a.
X. b. and chorus]. No. 3 in M.155.3
"Gabriel Grub." Cantata seriabuffa [for chorus with
s. A. X. b. solos]. No. 2 in M.155.3
Hamilton Tighe [s. B. and chorus]. No. 4 in M.277.ig
The jackdaw of Rheims [s. a. t. b.] . No. 2 in M.285.19
Lord Lovel, a humorous cantata, for 4 solo voices &
chorus. No. 3 in M.277.19
The messenger dove. For four solo voices [s. a. x. b.],
chorus, and separate pianoforte accomp. No. 4 in M.154.16
Sally Brown; a nautical comic cantata [for s. a. t. b.
and chorus]. No. 2 in M.155.3
Winifred Pryce; the milkmaid's story. A melodra-
matic cantata [for s. a. t. b. and chorus]. No, i in M.155.3
Franck, C. a. Psaume CL. „Halleluiah. Louez le Dieu
cache dans ses saints tabernacles", pour choeur, orchestre
et orgue. No, 2 in M,40i.i5
189
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Mixed voices. (Continued.)
Frost, C. J. King John and the Abbott of Canterbury. An
old English ballad for t., bar. and b. solo with chorus.
No. I in M.204.16
Gabriel, M. A. V. "Dreamland;" or, light through dark-
ness, [s. T. and chorus.] M.270.31
Evangeline [s. a. t. b. and chorus]. No. 3 in M.272.15
Gade. Beim Sonnenuntergang. Concertstiick fiir gemisch-
ten Chor. No. i in M.270.39
Comala. Dramatisches Gedicht, fiir Solo [s. s. a. t.],
Chor und Orchester. Partitur. M.352.14
Same. Clavierauszug. M.270.37
Erlkonigs Tochter (Elverskud). Ballade fiir Solo,
Chor und Klavier. M.270.3S
Same. The Erl-king's daughter. Ballad for solo
voices [s. BAR.], chorus and [pianoforte]. No. 3 in M. 155.5
Friihlings-Botschaft. Concertstiick, fiir Chor und
Orchester. Partitur. M.270.33
■ Same. Klavierauszug. No. 2 in M.270.34
Friihlings-Phantasie. Concertstiick fur 4 Solostim-
men, Orchester und Pianoforte. Partitur. M.270.40
Same. Klavierauszug. No. 3 in M.270.39
Die heilige Nacht. Concertstuck fiir Alt-Solo, Chor
und Klavier. No. i in M.270.34; etc.
Kalanus. Dramatisches Gedicht, fiir Solo [s. t. b.],
Chor und Orchester. Partitur. M.352.11
Same. Klavierauszug. M.270.38; etc.
Die Kreuzfahrer. Dramatisches Gedicht fiir Solo,
Chor und Orchester. Partitur. M.352.13
Same. Klavierauszug. M.270.36
Same. The crusaders. For solo voices [m.-s. x. b.],
chorus and [pianoforte]. No. i in M.155.5
„Psyche." Concertstiick fiir Soli [s. a. t. bar.], Chor
und Orchester. M.352.12
Der Strom. Concertstiick fiir Soli [s. a. t. t. b.], Chor,
oblig. Pianoforte und Orchester. No. 3 in M.401.15
Zion. For baritone solo, chorus and [pianoforte].
No. 2 in M.155.5
Gadsby. The lord of the isles. A dramatic cantata [s. a. t.
T. BAR. B. and chorus]. No. i in M. 194.12
The 130th Psalm. (Out of the deep.) A sacred can-
tata [s. A. T. B. and chorus]. No. 3 in M.391.39
Galliard. The hymn of Adam and Eve. [s. t. b. and cho-
rus.] No. 2 in M.110.18
The morning hymn, . . . from . . . Paradise lost.
M.237.8; etc.
Gambini. Christoforo Colombo, ossia la scoperta del Nuovo
mondo. Ode-sinfonia. [m.-s. t. bar. b. con cori.] M.272.20
Garrett. The Shunammite. A sacred cantata for soli
voices [s. A. T. B.], chorus and [pianoforte].
No. 2 in M.ig4.i3
Gaul. The Holy City, a sacred cantata [for s. m.-s. a. t. b.
and chorus]. 2d edition. No. 2 in M.155.8
Israel in the wilderness, a sacred cantata for 3 solo
voices [s. T. bar.], chorus and [pianoforte]. No. i in M.155.7
Joan of Arc, "The maid of Orleans." An historical
cantata [s. x. bar. and chorus]. No. i in M.155.6
Ruth, a sacred cantata [s. s. a. b. and chorus].
No. I in M.155.8
A song of life (ode to music). For four-part chorus.
No. 2 in M.155.7
The ten virgins, a sacred cantata for 4 solo voices
[s. a. t. bar.] and chorus. No. 2 in M.155.6
Una, an allegorical romance. For 4 solo voices [s. a.
t. bar.], chorus and [pianoforte]. No. 3 in M.155.7
Geisler. Golgatha, fiir Solostimmen [s. bar.] und Chor.
No. I in M.391.42
• Sansara, fiir [Manner- und gemischten] Chor, Soli
[s. A. T.] und Clavier. No. 11 in M.212.5
Gernsheim. Nordische Sommernacht. Fiir Chor & Soli.
No. 5 in M.203.6
Der Zaubermantel. Ballade. Fiir Soli [s. x. bar.],
Chor und Pianoforte. No. 5 in M.39i.3g
Gevaert. Jacob van Artevelde. [s. s. t. x. b. b.] M.155.9
Cantatas. Mixed voices. (Continued.)
GiLBERX, A. Abdallah, the last Moorish king. A spectacular
cantata [s. a. x. x. bar. b. and chorus]. No. i in M.384.27
The Commemoration ode, written for the 300th anni-
versary of the birth of Shakespeare, [s. a. t. b.].
No. S in M.202.14
GiLCHRisx. "God is our refuge and strength." For s. solo,
chorus and [pianoforte]. No. 2 in M.194.12
Gill, F. A. The lord of Burleigh [s. a. x. bar. and chorus].
M.155.10
GiORZA. Cantata written expressly for the opening cere-
mony of the Sydney International E.xhibition [s. s. a. t. b.
and chorus]. M.236.36
Gladstone, F. E. Nicodemus. A sacred cantata [s. x. and
chorus] . No. 2 in M.204.IS
Philippi (or the Acts of Paul and Silas in Macedonia).
A sacred cantata [s. x. b. and chorus]. No. 3 in M.194.12
Glover, W. A cantata, entitled The corsair [s. m.-s. a. x.
bar. b. and chorus]. M.155.11
Glover, W. H. Tarn O'Shanter. A characteristic cantata
for a tenor voice, chorus, & full orchestra. Full score.
M. 226.4
Same. [Piano score.] No. 2 in M.391.42
Gluck. Prolog, fiir Sopran-Solo, Chor und Orchester.
M. 224.36
Godard, B. L. p. Le Tasse. Symphonic dramatique [s. s. x.
bar. B. et choeurs]. M.266.3
GoExz, H. Der i37ste Psalm, fiir Chor, Sopran Solo und
Orchester. Partitur. No. 2 in M.353.22
Same. Clavierauszug. No. 3 in M.270.16
Ncenia. For chorus and [pianoforte]. No. 4 in M.155.8
GoLDMARK. Friihlings-Hymne. (Maibetrachung.) Fur
Chor, Alt-Solo und Orchester. No. 2 in M.202.18
Same. Clavier-Auszug. No. 3 in M.203.6
GoLLMiCK, A. The blind beggar's daughter of Bethnal
Green. An operatic cantata [s. a. x. bar. b. and chorus].
No. 3 in M.204.16
Gordon. The maid of Gascony [s. s. s. a. x. b. and chorus].
M.155.12
GouvY. Elektra. Dramatische Konzertwerk fiir Solostim-
men [s. M.-s. T. B.], Chor und Klavier. M.394.15
Iphigenie in Tauris. Dramatische Scenen fiir vier
Solostimmen [s. t. bar. B.], Chor und Orchester. M. 202.19
Same. Clavierauszug. M.3g4.i4
Oedipus auf Kolonos. Dramatische Kantate fiir vier
Solostimmen [s. T. bar. B.], Chor und Orchester. Parti-
tur. M.351.17
Same. Klavierauszug. No. i in M.155.13
Polyxena. Polyxene. Dramatische Konzertwerk.
Fiir 3 Solostimmen [s. a. bar.], Chor und Orchester.
M.202.20
Grammann. Trauer-Cantate, fiir Baritonsolo, Chor und
Orchester. No. 3 in M.202.18
Grandval. La foret, poeme lyrique, pour soli [s. bar.],
chceurs et piano. No. i in M.155.14
La ronde des songes, scene fantastique. Pour solo
[s.], chceurs, et piano. No. 2 in M.155.14
Sainte Agnes. Drame sacre [s. bar. et chceurs].
No. I in M.155.15
Grast. Fete des vignerons en 1865. Chants [t. b. et choeurs]
et airs de ballet. No. 2 in M.266.38
Graun. The passion of our Lord [s. t. b. and chorus].
M.153.23
Der Tod Jesu. Neue Ausgabe. M.221.7
Gray, A. Arethusa. For bar. solo, chorus and [piano-
forte]. No. 2 in M.204.16
Greenwood. David; or, Israel delivered [s. a. t. bar. b. and
chorus] . No. 2 in M.270.43
Grieg. Scenen aus Olav Trygvason. Fiir Solostimmen
[m.-s. A. B. BAR.], Chor und Klavier. No. I in M. 155.16
Grimm, J. O. An die Musik. Fur Solostimmen [b.], Chor
und Klavier. No. 3 in M.270.54
GuiLMANT. Balthazar, scene lyrique, pour soli [s. t. bar.],
chceurs et piano. No. 2 in M.155.15
190
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices. (Continued.)
GuTTERSON. Christmas, [s. A. T. B. and chorus.] For a
Christmas evening service. No. i in M.384.2g
House of Rechab: or the penalty of intemperance.
[Solos and chorus.] No. 2 in M.384.29
Hackett. Zion, a sacred cantata, [s. s. t. b. and chorus.]
No. 2 in M.270.22
Hadley. The fairies. (Ballad for mixed voices, solo [s.],
and pianoforte.) No. 18 in M.203.27
In music's praise. For soli [s. t. b.], chorus and piano-
fQi-te. No. 6 in M.384.11
Hague. The ode, as performed at Cambridge, at the instal-
lation of H. R. H. William Frederick, Chancellor of the
University, [s. s. a. t. b. Full score.] M.235.2S
Hahn, T. Der Herr ist Konig [s. t. b. und Chor]. M.235.23
Haite. Abraham's sacrifice [x. t. t. b. b. and chorus].
No. 2 in M.384.16
Haking. Judgments & mercies, a sacred cantata for 5
voices [s. A. T. T. B.]. No. 4 in M.391.42
Halevy, J. F. F. £. Promethee enchaine. Scenes [t. t. b. et
choeur] . No. 2 in M.280.25
Hallen. Die Christnacht. Weihnachtslied, fiir Sopran-
Solo mit gemischten . . . Chor. No. i in M.391.44
Hamerik. Den rejsende. Fantastik Musikkomedie [m.-s.
T. or BAR. B. en koor]. No. 2 in M.391.41
Handel. [Cantaten.] Werke. Lieferungen i, 3, 4, S. 6, 7,
12. 18, 19, 20, 23, 24, 33,, 46a, 46b, 53- 54. M.3I3.I-I ; etc.
Cantate con stromenti. Werke. Lieferung 52.
M.3I3-I-52
Acis and Galatea [s. x. x. b. and chorus]. Arranged
by John Clarke. No. 2 in M.241.36
Same. With additional accompaniments by W. A.
Mozart. Edited by Berthold Tours. Full score. M.402a.i4
Alexander's feast, ode, in vocal score [s. i. b. and cho-
rus]. M.153.27
L'allegro, II pensieroso-, ed II moderate; with the ad-
ditional songs, [s. A. X. B. and chorus. Full score. Edited
with accomp. for piano, by Ignatz Moscheles.] M.242.1
Same. Mit ausgefiihrtem Accompagnement von
. Robert Franz. M.401.20
An ode, or serenata for the birth day of Queen Ann,
composed in the year 1713. fChorus with orchestral
accomp.] No. 3 in M.380.6
Die Wahl des Hercules nach Mozarts Bearbeitung.
[s. S. A. X. mit Chor. Partitur.] M.30.14
Harriss. "Daniel before the king." [s. x. b. and chorus.]
No. 2 in M.204.13
Harxmann, E. Winter und Lenz. Fiir Chor und Orches-
ter. No. I in M.202.22
Haslinger. Die Glocke. Fur Solo-Stimmen [s. a. x. b.],
Chor und Clavier. No. 2 in M.391.44
Hasse, J. A. P. [I Pellegrini al sepolcro di Nostro Signore.
Oratorio per soli, a. x. b., coro ed orchestra.] M. 120.20
Haxxon. Robin Hood [s. x. b. and chorus]. No. i in M. 270.46
Haydn, F. J. Denk' ich Gott an Deine Giite. Fiir 4 Sing-
stimmen mit Begleitung Orchesters. Partitur.
No. 2 in M.250.20
Same. Klavierauszug.
The tempest, ... for 4 voices [s.
Same. La tempesta. Coro coll
chestra.
Der Versohnungstod.
gleitung des Orchesters.
Healy. The Nativity play, or Christmas cantata
solos, and recitations.]
No. 2 in M.221.1
A. T. B.].
No. 5 in M.270.22
accomp. deir or-
No. 4 in M.250.20; etc.
Fur vier Singstimmen mit Bc-
M.202.23
[Carols,
M.10S.8
Heap. The maid of Astola fs. a. x. bar. b. and chorus].
M.155.18
The voice of Spring. For chorus. No. i in M. 204.19
Hechx, E. Eric the Dane [s. x. b. and chorus].
No. I in M. 194.14
Hechx, G. Schon Elsabeth. Marchen fiir Solostimmen [s.
A. X. B.] und Chor. No. 3 in M.IS5.25
Hedenblad. Necken. (Der Neck.) For sopran solo, kor
och klaver. No. 4 in M.391.44
Cantatas. Mixed voices. (Continued.)
Hegar. Manasse. Fiir Solostimmen [s. x. bar. b.], Chor
und Klavier. No. i in M.15S.19
Heinze, G. a. Der Feenschleier. Romantische Dichtung
fiir Solostimmen [s. M.-s. bar.], gemischten Chor und
Pianoforte. No. i in M.155.30
Henschel, G. Out of darkness, "Aus der Tiefe," for soli
[s. X. b.], chorus & [pianoforte]. No. i in M.194.15
Henxschel. Friihlingsnacht. Fiir Sopran-Solo, Bariton-
Solo, Chor und Clavier. No. 3 in M.194.15
Herold, L. J. F. Hymne a quatre voix sur la Transfigura-
tion. No. I in M.213.11
Hess, C. The Pilgrims of 1620, an historical oratorio [for
chorus with s. A. x. B. solos] . No. 6 in M. 158.20
Hiles, H. The crusaders, a sacred cantata [s. x. and cho-
rus]. No. 2 in M.1S4.33
Fayre Pastorel [s. x. bar. b. and chorus]. M.15S.21
Hille. Die Weiber von Weinsberg. Fiir Soli \s. b.], Chor
und Clavier. No. 2 in M.202.22
Hillemacher, p. J. W. Loreley. Legende symphonique,
de P. & L. Hillemacher. [s. x. bar. b. et choeur.]
No. 2 in M.296.16
HiLLER, F. Christnacht. Fur Solo-Stimmen [s.] und Chor.
No. 2 in M.270.53
Lorelei. Fur Solo-Stimmen [s. x. und] Chor.
No. 3 in M.270.S3
Die lustigen Musikanten. Fiir 4 Singstimmen.
No. I in M.391.4S
Die Nacht. Hymne fiir Solostimmen [s. x.], Chor
und Clavier. M.270.51
Nala and Damayanti. For solo voices [s. x. b.], cho-
rus and [pianoforte]. M.204.20
„0 weint um sie," fiir Sopransolo, Chor und Clavier.
No. I in M.270.53
2. Ausgabe.
Ballade fiir
Pfingsten. Fiir Chor,
Richard Lowenherz.
und Clavier.
— Schon Hedwig. Fur Solostimmen
mischten Chor.
— Ver sacrum, oder die Griindung Roms
stimmen, Chor und Orchester
No. 9 in M. 204. 18
Chor, Tenorsolo
No. 3 in M. 194.14
[s. BAR.] und ge-
No. I in M.380.7
Fiir Solo-
M.2 70.50
Walther von Birbach. Legende fiir Solostimmen
[s. A. X. X. B.] und gemischten Chor. No. 2 in M.391.45
Him MEL. Trauer-Cantate zur Begrabnissfeyer Friedrich
Wilhelm II. [s. s. x. b. mit Chor. Partitur.] M.14.2
Urania, [s. s. t. b.] No. i in M.280.32
Das Vertrauen auf Gott [s. a. x. b. mit Chor. Parti-
tur]. M-360-S
Same. [Klavierauszug.] M.221.8
Hine, J. Love's martyrs [s. x. x. b. and chorus].
No. I in M.391.46
HiRSCH, C. Fahrwohl! Farewell. Ballade fiir Sopran- und
Tenor-Solo, gemischten Chor und . . . vierhiindiger Cla-
vierbegleitung. No. 3 in M.391.45
HoDSON, H. E. The golden legend [solos and chorus].
No. I in M. 153.37
HoFMANN, H. C. J. Aschenbrodel. Ein Marchen. Fiir Chor,
Solostimmen [s. A. bar. b.] und [Clavier]. No. i in M.155.24
Editha. Fine Sage. Fiir Soli [s. m.-s. od. a. bar. b.],
Chor und [Klavier]. No. 2 in M.286.3
Festgesang. Fur Chor und Orchester. No. 7 ni M.391.45
Das Miirchen von der schonen Melusine. (The fable
of the fair Melusina.) Fur Solostimmen [s. bar. b.], Chor
und Clavier. No. 2 in M.270.28
Prometheus. Fiir Soli (Sopran, Bariton, Bass), Chor
und Klavier. M.I55-23
[Selio- sind die Todten.] Cantate. Fur Altsolo, Chor
und Orchester. No. 6 in M.391.4S
HoL Der blinde Konig. (Ballade.) Fiir Soli [x. bar. b.],
Chor und Klavier. No. 2 m M.15S.25
Der 23ste Psalm fiir Tenor-Solo, Chor und Clavier.
No. I in M.370.54
Holland, C. Miss Kilmansegg and her golden leg. Grand
old fashioned cantata for 4 voices, s. a. x. b., and chorus.
No. 2 in M.204.9
191
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Mixed voices. (Continued.)
Holmes, A. M. A. Les Argonautes. Symphonic drama-
tique [s. s. s. M.-s. T. et choeur]. M.286.6
Hymne a Apollo. Solo [bar.], choeur et piano.
No. 2 in M.213.11
Ludus pro patria. Ode-symphonie pour choeurs et
piano. No. 3 in M.384.17
Lutece. Symphonic dramatique \s. t. bar. bar. et
choeurs]. M.303.10
Ode triomphale en honneur du centenaire de 1789.
[Choeurs avec accomp. de piano.] M.270.S6
Holmes, H. "Praise ye the Lord," sacred cantata, for solo
[m.-s.], chorus & pianoforte. No. 2 in M.204.19
HoPFFER, L. B. Barbarossa [t. und Chor]. M. 155.26
Horn, C. E. The Christmas bells, [s. a. t. b. and chorus,
s. s. T. B.] No. 2 in M.270.57
Horner. Confucius, [t. t. b. and chorus.] No. 2 in M.393.5
HoRSLEY, C. E. Comus [s. a. t. b. and chorus].
No. 3 in M.204.15
Hue. Rubezahl. Legende symphonique [s. s. t. bar. bar. b.
et choeurs]. M.286.16
Hummel, F. Columbus, ballad for solos [a. t. bar. and]
mixed chorus. No. 2 in M.384.14
Same. Ballade fiir Alt-, Tenor-, Baryton-Solo, ge-
mischten Chor und Klavier. No. 8 in M.3gi.45
Jung Olaf. Ballade. Fiir Soli (Sopran, Tenor, Bari-
ton und Bass), gemischten Chor und Klavier.
No. 3 in M.380.8
Die Macht des Liedes. Romanzen Cyklus. Fiir ge-
mischten Chor mit Tenor- Bariton- und Basssolo.
No. I in M.380.8
HuMPERDiNCK. The pilgrimage to Kevlaar. Ballad for
mezzo-soprano and tenor solos, mixed chorus and [piano-
forte]. No. I in M. 193.6
Hutchison, W. M. "H. R. H." A humorous cantata [s. a.
T. B. and chorus]. No. 4 in M.204.19
The story of Elaine [s. a. t. b. and chorus].
No. 3 in M.204.ig
HuTTER. Lanzelot. Dramatisches Gedicht fiir Soli [s. t. t.
BAR. B.], Chor und [Klavier]. No. i in M.193.8
Hyde. The wreck of the Hesperus [s. b. and chorus].
No. 3 in M.384.14
Iliffe. The visions of S'. John the Divine [s. s. a. t. b. and
chorus] . No. i in M.194.17
Imbert, G. F. Bethleem. Pastorale [s. s. t. b. et choeur].
No. I in M.ig4.i8
Jackson, W., of Masham. [Praise the Lord, O my soul.]
The I03''d Psalm [s. a. t. b. and chorus]. No. 2 in M.290.21
The year, a cantata [s. m.-s. t. b. and chorus].
No. I in M.391.48
Jadassohn. Verheissung. Concertstiick fiir gemischten
Chor und Orchester. No. 4 in M.202.22
Jaques-Dalcroze. Poeme alpestre [s. M.-s. t. bar. b. et
choeurs]. M.3g4.66
Jensen, A. The feast of Adonis. For soli [s. s. a.] and cho-
rus. No. 4 in M.204.15
Jephtha's Tochter. Fiir Soli [s. a. t.], Chor und Cla-
vier. No. 6 in M.270.54
Joncieres. La mer. Ode-symphonie [m.-s. et choeur. Par-
tition]. No. 3 in M.403.76
Same. [Partition, chant et piano.] No. 2 in M.ig4.i8
Kappey. "Per mare, per terram." A martial dramatic can-
tata [s. T. B. and chorus]. No. 2 in M.ig4.i7
Kiel. Idylle von Goethe. Fiir Soli [t. bar.], Chor und
Klavier. No. i in M.194.20
Kleffel. Die Wichtelmanner. Weinachtsmarchen [fiir
Chor]. No. 2 in M.39I.38
Klein, B. J. Hiob. Cantate mit Choren. No. 2 in M.221.9
Klughardt. Die Grablegung Christi. (The burial of Christ.)
Fiir Soli [s. bar. B.], Chor und Clavier. No. 2 in M.286.37
Koessler. Sylvesterglocken. (The bells of New Year's
eve.) Ein weltliches Requiem fiir Soli [s. t. b.], Chor und
Klavier. No. 2 in M.ig3.6
Krause, E. Musik. Fur Solo [s. t. b.], Chor und Orches-
ter. No. I in M. 152.27
Cantatas. Mixed voices. (Continued.)
Kreusser. Der Tod Jesu [s. t. b. mit Chor]. M.350.7
Krug, a. An die Hoffnung. Fiir gemischten Chor.
No. 5 in M.380.7
Sigurd. Fiir Soli [s. a. t. bar.], Chor und Clavier.
M.302.1
Kuecken. Fest-Cantate fiir Soli [s. a. t. B.], Chor [s. a. t. t.
B.] u. grosses Orchester. No. 10 in M.352.21
Kufferath, J. H. Jubel-Cantate ter gelegenheid van het
tweede eeuwfeest der Utrechtsche hoogeschool [s. a. t. b.
en koor]. M.280.5
Lacheurie. David. Scenes lyriques [s. t. bar.].
No. I in M.213.13
Lacombe-Trouillon. Sapho. filegie antique. [Declama-
tion] avec [s. T. soli et] choeurs. No. i in M.225.10
Lahee. The building of the ship [s. a. t. bar. b. and chorus].
M.280.1
La Nux. Judith, scene lyrique [s. a. bar.]. No. 3 in M.154.34
Lara. The light of Asia (La luce dell' Asia). A sacred
legend [s. s. a. bar. b. and chorus]. M.3g5.67
Leavitt. Cambyses; or, the pearl of Persia. For solos [and]
chorus. No. 2 in M.204.6
Le Beau. Ruth. Biblische Scenen, fiir Soli [s. m.-s. a. bar.],
Chor und Clavier. M.155.27
Lefebvre, C. £. £loa. Poeme lyrique [s. s. bar. et choeur].
No. I in M.306.8
Melka. Legende fantastique pour soli [s. m.-s. b.\r.]
et choeurs. No. 3 in M.213.13
Lenepveu. Meditation sur des vers de P. Corneille, pour
soli [s. A.], choeurs & piano. No. 3 in M.213.11
Lenglet. Simple histoire. Poeme musicale [s. s. a. bar. et
chceur]. No. 2 in M.306.13
Leonardi. La peri. Poema lirico [s. m.-s. t. bar. con cori].
M-399-36
Leoni. Sardanapalus. Dramatic musical poem [s. a. t. bar.
and chorus]. No. 2 in M.245.12
Leroux. Venus et Adonis. Scene lyrique [s. a. et choeurs].
No. 3 in M.ig3.5
Leslie, H. D. The first Christmas morn. A Biblical pas-
toral [t. A. and chorus]. No. 3 in M.ig4.i7
"Holyrood." [s. a. t. b. and chorus.] No. i in M.39i.4g
Judith, a Biblical cantata [s. x. t. bar. and chorus,
S. S. T. B.]. M.242.27
Lesueur. Cantate religieuse. Soli [s.] et choeurs [s. s. t. t.
B. B. Partition]. M.201.30
Chant dithyrambique . . . [s. A. T. B.]. M.380.14
Chant du ler vendemiaire an IX pour soli [s. bar. b.],
4 chceurs et [piano]. M.380.14
Letorey, O. Clarisse Harlowe. Scene lyrique [s. t. b.].
No. 4 in M.213.13
Levey. The ride to Ware. A humorous cantata for s. a. t.
& B. soli & chorus. No. 2 in M.ig4.i9
Lindpaintner. ,,Herr Gott, Dich loben wir" [s. x. b. und
Chor. Partitur]. No. 2 in M.232.3g
Liszx. Die Glocken des Strassburger Miinsters. Fiir Bari-
ton-Solo, Chor und Orchester. No. 2 in M.35i.2i
[Prometheus.] Chore. Partitur. M.357.4
. Same. Vocal score with English and German te.xt.
M.r55.28
Zur Sacular-Feier Beethovens. Fiir Chor [s. a. t. b.\r.
B.], Soli und [Klavier]. No. i in M.ig4.2i
Lixolff. Ruth et Booz. Scene biblique [s. a. t. bar. et
choeurs] . No. 4 in M.368.3I
Scenen aus Goethe's Faust [s. x. bar. b., Chor mit
Declamation]. Scene 1,2. No. i, 2 in M.353.3
Lloyd, C. H. Andromeda. For solo voices [s. a. x. b.], cho-
rus and [pianoforte]. No. I in M.i55.2g
Hero and Leander. For soprano and barytone solos,
chorus and [pianoforte]. No. 2 in M.i55.2g
The song of Balder, for soprano solo, chorus and
[pianoforte]. No. 3 in M. 155.29
Lorenz, C. a. Hymne an die Kunst, fiir Solostimmen [s. a.
T. B.], Chor und [Clavier]. No. 4 in M.ig4.20
Krosus. Fiir Solostimmen [s. s. a. x. b.], Chor und
Clavier. No. I in M.igs.g
192
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices. (Continued.)
Otto der Grosse. Fiir Soli [t. bar. b.], Chor und
[Clavier] . No. 5 in M.194.20
Lund. Germanenzug. Fiir Mezzo-Sopran und Baryton-
Solo und Miinnerchor. No. 7 in M.212.10
LuTZ. Heme the hunter [s. a. t. bar. b. and chorus] . M.263.25
Mabellini. Lo spirito di Dante [s. s. t. bar. con cori. Par-
titura]. No. 3 in M.355.4
MacCunn. The Cameronian's dream. A ballad for bar.
solo, chorus, and [pianoforte]. No. 3 in M.213.2
The lay of the last minstrel. For soli [s. a. x. bar.],
chorus, and [pianoforte]. No. 2 in M.204.22
Lord Ullin's daughter. A ballad for chorus.
No. I in M.204.22
Macfarren, G. a. Christmas [s. a. or b. and chorus].
No. I in M.270.57
Freya's gift, an allegorical masque [s., chorus and
pianoforte]. No. I in M.280.4
The lady of the lake. For solo voices [s. a. t. bar. b.],
chorus and pianoforte. M. 155.30
Lenora. For solo voices [s. a. b.] and chorus. M.273.3
May-day. For soprano solo, chorus & [pianoforte].
No. 2 in M.391.49
Outward bound. For solo voices [s. a. t.], chorus and
[pianoforte]. M.IS4.33
MacHardy [M'Hardy], R. The moorland witch [s. a. x. b.
and chorus]. No. 3 in M.204.22
Mackenzie, A. C. The bride, [s. x. and chorus.]
No. 2 in M.247.8
The cotter's Saturday night. For chorus and [piano-
forte]. No. 2 in M.155.31
Jason, for solo voices [s. x. bar.], chorus, and [piano-
forte]. No. I in M.155.32
The new covenant, and ode for the opening of the
Glasgow exhibition, 1888 [s. t. and chorus].
No. 3 in M. 155.31
The story of Sayid. For solo voices, [s. x. x. or bar.
BAR. bar.], chorus, and pianoforte. No. 2 in M.155.32
"Veni, Creator Spiritus." For chorus, solo quartet
ad lib., and [pianoforte]. No. 4 in M.155.31
Mair. Die Auswanderer. Fiir Soli [s. a. x. b.], Chor u. [Cla-
vier] . No. 4 in M.391.41
Mancinelli. Isaias [s. a. x. bar. b. and chorus].
No. 2 in M.153.5
Mangold. Frithjof. Fiir Soli, Chor und Clavier.
No. I in M. 155.33
[Die Hermannsschlacht,
B. und Chore. Partitur].
Same. Klavierauszug.
Marcelles. Les Babylones.
recitant et 2 voix, s. ou x.].
Massenet. Biblis. Poeme.
baryton & choeurs
Narcissus
rus.
Maxhias.
Ein Paan, s. m.-s. x. x. bar.
M.226.10
No. 2 in M. 225.16
Prophetie lyrique [pour un
No. I in M. 203.39
Pour mezzo-soprano, tenor,
No. I in M.257.9
An antique idyl, for solo [s. & x.] & cho-
No. 2 in M.257.5
Promethee enchaine [s. x. bar. et choeurs].
M.257.11
Maxhieu, t.. L. V. Freyhir. Poeme lyrique et symphonique
[s. A. X. b. et chceur]. No. 2 in M.193.9
Maupeou. Ariane. Poeme lyrique [s. bar. et choeur].
No. 2 in M.194.22
Mehul. Chant lyrique pour I'inauguration de la statue
votee a Sa Majeste I'Empereur et Roi, par I'lnstitut na-
tional [s. s. s. s. T. et choeur]. M. 273.25
Chant national du 14 juillet, 1800 ... [a 4 voix].
M.380.14
Mendelssohn-Barxholdy, J. L. F. "As the hart pants."
The 42d Psalm [s. a. x. b.]. No. i in M.280.17
Die erste Walpurgisnacht. Ballade fiir Chor und Or-
chester. No. i in M.353.5
Same. The first Walpurgis night. M. 280.20
Lobgesang. Symphonie-Cantate. [s. a. x. und Chor.
Partitur.] M.3S7.6
Same. Hymn of praise (Lobgesang), symphonia can-
tata. No. I in M.243.2
Naumann, J.
Partitur.]
Naylor. In
trilogy. I.
Cantatas. Mixed voices. (Continued.)
Praise Jehovah [s. solo, quartett, and chorus].
No. I in M.243.1
Meyerbeer. "Aspiration," cantique, for 6 voices [s. s. s. x.
X. B.], with recitatives for a bass solo. No. 3 in M.280.24
Cantate composee pour la celebration du ioo« anni-
versaire de la naissance de Schiller [s. a. x. b. et choeur].
No. 3 in M. 367.19
Festhymne zur 25jahrigen Vermahlungsfeier Ihrer
Majestaten des Konigs und der Konigin von Preussen, fiir
Solostimmen [s. s. A. x. x. B.] mit Chor. No. 4 in M.280.24
. . Ode an Rauch, fur Solostimmen [s. s. x. b.], Chor und
Klavier. No. 4 in M.391.48
Opfer Hymnus an den Zeus. [s. s. x. B.]
No. I in M.280.24
Monk, E. G. The bard. For a baritone voice & chorus.
M.280.27
Morgan, J. W. Christian the pilgrim, or "The pilgrim's
progress [x. x. and chorus]. No. 2 in M.204.21
MozARX. Cantaten . . . Werke. Serie 4, 24. M.315.1.4, 24
. Davide penitente. Fiir Solo [s. s. x.], Chor und [Cla-
vier]. M.280.29
Mueller. C. Tasso in Sorrent. Lyrische Scenen fiir Soli
[s. X. B. und] Chor. M.3gs.45
Nauberx. Barbarossa's Erwachen. Fiir grossen Chor, Soli
[a. or BAR.] und Clavier. No. i in M.203.21
Naumann, E. Dank- und Jubel-Cantate zur Feier der Siege
Preussens im Jahre 1866 [fiir s. s. a. x. b. b.].
No. 3 in M.221.1
G. Lob des Weltschopfers. [s. b. und Chor.
No. 2 in M.236.17
the wilderness, or the soul's life. A sacred
The brazen serpent. 2. Meribah. 3. Manna.
[s. X. b. b. and chorus.] M.213.1S
Same. The brazen serpent [s. a. x. b. b. and chorus].
No. 3 in M.204.21 ; etc.
Jeremiah. Sacred cantata [s. a. x. b. and chorus].
No. I in M. 194.24
Nesvera. De profundis. Der 129. Psalm fiir Soli [s. a. x. b.],
gemischten Chor und Klavier. No. 5 in M.213.13
Neukomm, S. Hymne de la nuit (Hochgesang von der
Nacht). Partition. No. i in M.212.1
Same. Hymn of the night. [For solos, s. x. b., and
chorus, s. s. X. B.] No. 5 in M.221.1S
Der Ostermorgen. Fiir 3 Solo-Stimmen [s. x. b.] und
Chor. No. 2 in M.221.7
Nevin. The quest, [bar., m.-s., and choruses.]
No. I in M.384.59
NicoLAi, W. F. G. Das Lied von der Glocke. Fiir Soli [s. a.
X. BAR. b.], Chor und Klavier. No. 6 in M.221.34
NisLE. Die Musik. Mit Solo-Stimmen [s. a. x. b.] und
Choren. No. 3 in M.280.25
NoRRis, H. A. The flight of the eagle. For soprano, tenor
and baritone. No. 2 in M.384.59
Nain. A sacred cantata [s. s. a. x. and chorus].
No. 2 in M.ig4.24
Rosalba. For 6 voices [s. s. x. x. b. b.].
No. 3 in M.280.4
Cantata (108th Psalm). [Solos, s. x. b., and
X. X. B.] No. I in M.204.24
Oxxo, E. J. Christmas time. For children. No. 2 in M.194.23
Die Nacht. Tongemalde fiir gemischten Chor, Solo
[s. A. X. B.] und Klavier. No. 3 in M.194.23
Das Stiftungsfest. Fiir gemischten Chor.
No. 2 in M.152.27
Paer. Diana ed Endimione. A 2 voci [s. x. con coro].
No. 4 in M.152.28
filoise et Abelard aux Champs filysees. A 2 voix
[s. X.]. No. 2 in M.152.28: etc.
Paine, J. K. The Nativity. For chorus, solo voices [s. a.
X. B.] & [pianoforte]. No. 4 in M. 204.13
The realm of fancy. For chorus, solo voices [s. a. x.
B.] & [pianoforte]. No. 5 in M.204.13
Palicox. Neere. Scene lyrique, pour soprano et chceurs.
No. 2 in M.203.39
Novello, V.
Nunn, R. L.
chorus, s. A.
I 25
193
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Mixed voices. (Continued.)
Parker, H. W. The ballad of a knight and his daughter.
For chorus and [pianoforte]. No. 3 in M.155.35
Dream king and his love. (Traumkonig und sein
Lieb'.) Chorus, tenor solo and [pianoforte].
No. 4 in M.I5S.3S
The Holy Child [s.T.B. and chorus]. No. 6 in M.15S.35
Hora novissima. Rhythm for soli [s. a. t. b.], chorus
and orchestra. Full score. 11.4023.23
Same. [Accomp. for pianoforte.] No. i in M.15S.35
Idylle. For chorus with baritone and tenor solo.
No. 2 in M.I5S.3S
King Trojan. For chorus, soli [s. a. t. b.] and [piano-
forte]. No. I in M.194.25
The kobolds. For chorus and [pianoforte].
No. 5 in M.IS5.35
A wanderer's psalm (Cantus peregrinus). For soli
[s. a. T. b], chorus and [pianoforte]. No. 2 in M.384.32
Parker, J. C. D. S'. John. For solo voices [s. a. x.], cho-
rus and [pianoforte]. No. 2 in M.194.2S
Parkhurst. The fall of Jerusalem, a sacred cantata [s. t.
and chorus]. No. i in M.384.38
Parry, C. H. H. L'allegro ed II pensieroso. For soli [s. b.],
chorus and [pianoforte]. No. i in M.156.8
The choric song from The lotus-eaters, for soprano
solo, chorus and [pianoforte]. No. 4 in M.156.8
De profundis. (Psalm cxxx.) For soprano solo, cho-
rus and [pianoforte]. No. 3 in M.is6.8
Ode on St. Cecilia's day [s. bar. and chorus].
No. 2 in M.1S6.8
Scenes from Shelley's Prometheus unbound [s. a. t.
T. b. and choruses]. No. 4 in M.155.36
Pattison, T. M. The ancient mariner [s. a. t. b. and cho-
rus]. No. 3 in M.193.20
Penfield. The eighteenth Psalm: "I will love Thee. O
Lord." For chorus and solo voices [s. a. x. b.].
No. 3 in M.204.24
Percival. The lyre. For 4 solo voices [s. s. x. b.], chorus &
pianoforte. No. i in M.391.53
Perfall. Dornroeschen. Fiir Soli [s. a. x. b.], Chor und
Klavier. M.280.34
Undine. Fiir Soli [s. a. x. b.], Chor und Klavier.
M.280.33
Philips. Oster-Cantate, fiir gemischten Chor, Solo-Quar-
tett und Tenor Solo. No. 2 in M.391.52
PiERNE. La croisade des enfants. Legende musicale [soli
et choeurs]. M.384.60
Pandore. Scene lyrique. Pour voix de soprano, reci-
tant et chceur. No. 2 in M.213.4
PiERSON. "Salve Eternum," a Roman dirge for soli [s. x. b]
and chorus. No. 6 in M. 270.22
PiNsuxi. Phantoms (Fantasmi nell' ombra). Cantata for
solo voices [s. m.-s.] and chorus. No. 4 in M.204.24
PoNCHiELLi. A G. Donizetti, [s. M.-s. t. bar. b.]
No. 2 in M.297.6
Prevosx-Rousseau. La ferme (Journee d'ete). Symphonic
rustique [s. A. x. bar. et chceur]. No. 2 in M. 321. 5
Les poemes de la nature, en 8 chants [s. x. bar. b].
No. I in M.321.5
Les songes. Symphonie lyrique [s. M.-s. x. bar. et
choeurs] . No. 3 in M.203.39
Proux. Alfred [s. x. bar. and chorus]. No. i in M.297.16
Hereward [s. M.-s. X. bar. and chorus]. No. 2 in M.297.16
The Red Cross knight [s. a. x. bar. b. and chorus].
No. I in M.155.37
PuGEX. Ulysse & les Sirenes. Scene antique pour soli [s.
M.-s. X.] et choeur. No. 2 in M.297.18
PuRCELL, H. Ode, composed for the anniversary of S'. Ce-
cilia's day, A.D. 1692. [s. x. x. B. and chorus. Full score.]
No. 3 in M.234.23
Rabaud. Psaume IV, pour soli [s. a.], choeur & piano.
No. 3 in M.384.2S
Rabich. Die Martinswand. Fiir Soli [s. i. bar.], Chor und
Clavier. No. 2 in M.iss.19
orchestra.
Psyche.
Reber, N. H.
Partition.
Reichardx, J.
Cantatas. Mixed voices. (Continued.)
Radoux. Patria. Poeme lyrique pour soli [s. i.], choeurs et
piano. No. i in M.212.2
Raff. Finer Entschlafenen, fur Solosopran und gemischten
Chor mit Orchester. Partitur. No. 2 in M.280.35
Same. Klavierauszug. No. 4 in M.194.21
Morgenlied fiir gemischten Chor. No. i in M.280.35
Die Tageszeiten. Fur Chor, Pianoforte und Orches-
ter. M.331.27
Randegger. Fridolin, or the message to the forge [s. x. bar.
b. and chorus]. M.155.38
Raxez. Scenes heroiques [s. t. et choeur] . No. 2 in M.384.ig
Read, J. F. H. Caractacus. For solo voices [s. A. x. bar.],
chorus, and [pianoforte]. No. i in M.155.39
Harold. For solo voices [s. a. t. bar. b.], chorus and
M.240.3
For solo voices [s. a. x. b.] and chorus.
M.I 55.40
Roland. Scenes lyriques [s. x. et choeur]
M.402a.27
F. Cantus lugubris ad voces alternas [s. s. a.
X. B. cum coro] magnamque orchestram accomodatus.
No. 2 in M.3gi.26
Morgengesang [s. x. b. und Chor]. M.280.36
Die Wiirde der Musik. [s. a. x. b. Partitur.]
No. 3 in M.236.17
Reinecke, C. H. C. The enchanted swans. For soprano,
alto and baritone solo, chorus for female voices, and reci-
tation. No. 2 in M.384.38
Sommertagsbilder. Concert-Stiick fiir Chor und Cla-
vier. No. I in M.380.15
Rey, J. fi. Le martyr. Poeme symphonique [s. x. b. et
choeur]. No. i in M.193.12
Reyer. Le selam. Symphonie orientale [s. i. x. et choeurs].
No. 2 in M.307.12
Rheinberger, J. G. Christoforus. Legende. Fiir Soli [s. s.
A. X. bar.], Chor und Orchester. Partitur. M.202.26
Same. Klavierauszug. No. 2 in M.154.3
. Harald. Fiir 4 Singstimmen [s. a. x. b.] mit Beglei-
tung des Orchesters. No. 6 in M.280.37
Klarchen auf Eberstein. Ballade fiir Chor, Soli [s. t.]
und Clavier. No. 4 in M.3gi.52
Konig Erich. Ballade fiir gemischten Chor.
No. 5 in M.280.37
Montfort. Fine Rheinsage. Fiir Soli [s. a. x. b.],
Chor und Orchester. Partitur. M.400.44
• ■ Same. Klavierauszug. No. 5 in M. 194.23
Toggenburg. Ein Romanzen Cyclus. Fiir Soli [s. a.
B.] und Chor. No. 4 in M.280.35
Vom goldenen Horn. Tiirkisches Liederspiel. Fiir
Solostimmen [s. a. x. b.], gemischten Chor und Piano-
forte. No. 2 in M.380.15
Die Wasserfee. Fiir 4 Singstimmen oder kleinen ge-
mischten Chor. No. 3 in M.280.37
Zur Feier der Charwoche. Fiir vierstimmigen Chor.
No. 3 in M.280.35
Riedel, F. E. a. Winfried. Fiir gemischten Chor, drei
Solostimmen [s. x. bar.] und Klavier. No. 2 in M.193.12
RiES, F. The morning. In four vocal parts.
No. 4 in M.221.15
RiEXZ, J. „Das grosse deutsche Vaterland." Fiir eine Bass-
Solostimme, Chor und Orchester. Partitur.
No. 4 in M.352.24
Same. Klavierauszug. No. 4 in M.280.38
RiNCK. Resurrection. For quartet and chorus.
No. I in M.280.39
RiNGROSE. O how amiable, (the 84th Psalm). [For solo, s.,
and chorus, s. s. a. x. b.] M.155.42
Roberxs, J. V. Jonah. A sacred cantata [s. a. i. b. and cho-
rus]. No. I n M.204.25
Robinson, F. A. God is love [s. a. x. b.]. M.280.44
RoECKEL, J. L. Fair Rosamond [s. a. i. b. and chorus].
No. I in M.15S.43
No. 3 in M.326.41
Mary Stuart [s. A. x. bar. and chorus].
194
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices.
RoEDER, M. Apollo.
(Continued.)
Fiir Soli [s. a. t.], Chor und Clavier.
No. 2 in M.204.25
Pan. Fiir Bariton, Chor und Clavier. No. 3 in M.204.25
Rogers, E. Beauty and the beast. A humorous cantata for
solo voices [s. c. t. b.], chorus & [pianoforte].
No. 2 in M.ISS.4S
"The bridal lay." [s. a. t. b. and chorus.]
No. I in M.155.4S
The Crusaders. Chorus for s. a. t. b. No. 2 in M.307.3S
Jack and the beanstalk. A comic cantata, (for 4 solo
voices [s. a. T. B.] & chorus). No. 3 in M. 155.45; etc.
Rogers, R. Prayer & praise, a sacred cantata [s. t. b. and
chorus]. M.220.13
RoHDE. Schildhorn. Fiir Solo [s. b.] und Chorstimmen.
No. 4 in M.277.28
RoLLE, J. H. Passions Cantate. [s. a. t. b. und Chor. Par-
titur.l M.280.40
Romberg, A. J. [Di.xit Dominus.] Hundert und zehnte
Psalm [s. A. T. B. und Chor]. No. i in M.280.41
Der Erbarmer. Ode [s. s. b. und Chor].
No. 2 in M.221.10
Froh wall' ich zum Heiligthume. Fiir 4 Singstimmen.
No. 3 in M.221.10
The harmony of the spheres: a hymn [s. and chorus].
No. 3 in M. 221. 15
Die Kindesmorderin [s. und Chor]. No. 2 in M.221.10
Das Lied von der Glocke [b. mit Chor]. Partitur.
No. 2 in M.280.43
Die Macht des Gesanges. [s. b. und Chor. Partitur.]
M.221.11
Schiller's Lay of the bell, [b., and chorus] with ac-
comp. for the organ or pianoforte. No. 2 in M.280.42
Selmar and Selma. Elegie [s. t. ]. No. 6 in M.391.S2
The transient & the eternal, an ode [for four voices,
s. A. T. B., and chorus]. No. 3 in M.270.20; etc.
Was bleibet und was schwindet. Ode [s. a. x. b.].
Partitur. No. I in M.280.43
Rossi, F. I Rouraakal. Scene messicane [s. m.-s. t. t. bar.
B. concoro]. M.399.5S
Rossini. Cantata a 4 voci [s. a. t. b.]. No.i in M.221.12
II Conte Ugolino. For s. s. x. b. (and chorus) adapted
to Rossini's Stabat Mater. No. 2 in M.20i.4i
National hymn. Baritone solo and chorus.
No. 7 in M. 280.32
Rudorff. Der Aufzug der Romanze. Eine Friihlingsfeier,
fur Chor, Solostimmen [s. bar.] und Orchester.
No. 3 in M.202.29
RuTENBER. The Christ [a. T. b. and chorus]. No. 5 in M.204.25
Saint-Saens. Coeli enarrant. Pseaume XVIIL Soli, chocurs
et piano. No. 2 in M.321.20
! Le deluge. Poeme biblique. Partition piano and
chant. No. i in M.321.20
Same. The deluge. Biblical cantata, [s. a. x. bar.
and chorus.] No. 2 in M.384.42
Same. Die Siindfluth. [Partition.] M.341.30
Le feu celeste. Cantate pour soprano solo, choeurs,
orchestre, orgue et un recitant. No. 3 in M.406.75
Hymne a Victor Hugo. Partition d'orchestre [avec
choeur ad libitum]
La lyre et la
piano.
Les noces de Promethee.
chceurs et piano.
Scene d'Horace [s. bar.].
No. 3 in M.342.31
harpc. Soli [s. a. x. bar. b.], choeur &
No. I in M.155.49
Pour solos [S. X. BAR.],
No. 3 in M.15S.48
No. 2 in M.155.48; etc.
Sainxon-Dolby. The legend of St. Dorothea, [s. a. x. bar.
B. and chorus]. No. 3 in M.IS4.43
Salelles. Rebecca. Scene biblique pour soli [s. a. x. b.] et
choeurs. No. 3 in M.2134
Sawyer, F. J. Orpheus. For four [s. a. x. bar.] (or two
[s. X.]) soloists, chorus and [pianoforte]. M. 193.13
Scharwenka, L. p. Sakuntala. Fiir Soli [s. a. x. bar. b.],
Chor und Klavier. M.322.5
ScHEiBE. Ariadne auf Na.xos und Prokris und Cephalus.
Fiir eine oder zwei Singestimmen fs. s., und S. B.]. M.203.42
Cantatas. Mixed voices. (Continued.)
ScHiCHX. Preis der Dichtkunst [s. s. oder x. b. und Chor].
No. I in M.221.13
Schira. The lord of Burleigh, a pastoral cantata [s. a. x.
BAR. and chorus]. M.155.50
ScHjELDERUF. Sonntagsmorgen. Sondagsmorgen [s. a. x.].
No. I in M.193.11
ScHLEXXERER. Die Tochtcf Pharao's. Pharao's [sic] daugh-
ter. Dramatisirtes Marchen. Fiir Soli [s. s. a. x. i.] und
Chor. No. 3 in M.324.7
ScHLOxxMANN. Gute Nacht. Fur Tenor-Solo und Chor.
No. 10 in M.203.6
ScHMiDx-Lux. Hochzeit im Walde. The forester's wed-
ding. Fiir Soli [s. s. a. x. b.], Chor und Orgel. M.384.43
ScHMixxBAUER. Die Eltern im ersten Ehewitter. [s. s. b.
Full score.] No. i in M.236.17
ScHOLZ. Das Lied von der Glocke, fiir Soli [s. x. b. und]
Chor. No. I in M. 204.26
ScHUBERX, F. P. Chor-Gesangwerke. M.280.48
Same. Werke. Serie 17, 19. M.317.1.17, 19
Lazarus. Oster-Cantate [s. s. x. x. b.]. No. 2 in M.280.47
Miriam's song of triumph. For s. solo and chorus.
No. 2 in M.280.41
Same. The song of Miriam (Mirjams Siegesgesang).
Soprano solo & chorus. No. i in M.280.47
ScHUEXZ. A selection of choruses and recitatives [x. b.]
from The Passion of our Lord. No. i in M.204.27
Schumann, G. A. Amor und Psyche. Fiir Soli [s. s. oderx.
X. 3BAR.], Chor und Klavier. No. 2 in M.193.11
Schumann, R. A. Grossere Gesangwerke mit Orchester
oder mehrere Instrumente. Werke. Serie 9. M.316.1.9
Adventlied, fiir Sopran Solo und Chor. No. i in M.280.S7
Same. Advent hymn (In lowly guise thy King
appeareth). No. 11 in M.157.21
Same. Hymn for Advent, for solo voices [s. a. t. b.
and] chorus. No. i in M.203.6
Der Rose Pilgerfahrt. [s. a. a. x. b. und Chor. Parti-
tur.] M.280.S2
Same. Clavier-Auszug. M.280.53
Des Sangers Fluch. Ballade fiir Solostimmen [s. a. x.
BAR. b.], Chor u. Clavier. M.280.56
Der Konigssohn. Ballade fiir Solostimmen [x. bar.
B.], Chor und Clavier. No. 3 in M.280.57
Nachtlied fiir Chor. No. 4 in M.280.49
■ Neujahrslied fiir Chor mit Begleitung des Orchesters.
[Partitur.] No. i in M.342.35
Same. [Klavierauszug.] M.280.58
Das Paradics und die Peri. Fiir Solostimmen [s. s. x.
X. B.], Chor und Orchester. Partitur. M.341.15
Same. Klavierauszug. M.280.5S
Requiem fiir Mignon fiir Chor, Solostimmen [s. s. a.
A. B.] und Clavier. No. 2 in M.280.57
Same. Solo voices, chorus and [pianoforte].
No. 2 in M.203.6
Scenen aus Gothe's Faust. Fiir Solostimmen, Chor
u. Orchester. Partitur. M.280.51
Vom Pagen und der Konigstochter. Fur Solostim-
men [s. s. s. A. X. B. B.], Chor u. [Klavier]. M.280.54
ScHWALM. Die Hochzeit zu Cana. Biblische Scene. Fiir
Soli [s. A. X. B.], Chor und Clavier. M. 156.2
ScHWANBERG. Die Bethlehemitischen Gefilde. [s. s. x. x. b.
Partitur.] No. 4 in M.236.17
Severn. The spirit of the shell. Serenata [s. x., quartett
and chorus]. No. 2 in M.391.S3
Sewell, a. The Lord is my shepherd. Psalm XXIII. [s. x.
and chorus.] No. i in M.156.3
Seyffardx. Aus Deutschland's grosser Zeit. Fiir 4 Solo-
stimmen, gemischten Chor, Mannerchor und Clavier.
M.39S-49
Shelley, H. R. Vexilla regis (The royal banners forv/ard
go). For s. and b. soli, chorus, and [pianoforte].
No. 2 in M.204.28
Silver. L'interdit. Scene lyrique [s. x. b.]. No. i in M.204.29
SiNDiNG. Til Molde. For Baryton-Solo, Kor og Pianoforte.
No. 3 in M.391.58
195
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Mixed voices. (Continued.)
Singer, O. 1833-1894. The landing of the Pilgrim Fathers.
For alto solo, chorus and [pianoforte]. No. 4 in M. 384.16
Sloman. Constantia [s. a. t. b. and chorus]. No. i in M.384.44
Sloper. The birthday, an English scene [s. a. and chorus].
M.280.60
Smart. H. The bride of Dunkerron. [s. t. b. and chorus.]
M.204.30
Jacob, sacred cantata . . . [s. a. or x. x. b. and chorus.]
No. I in M.204.31
SouRiLAS. Cantate a Jeanne D'Arc, pour soli [s. m.-s. a. x.
B.] et choeurs. No. 2 in M.384.35
Spark. The birthday festival. For solo voices [s. x. b.],
chorus and [pianoforte]. M.290.1
"Immanuel." A sacred cantata [s. m.-s. a. t. b. and
chorus]. No. 2 in M.204.27
Speer. "The arsenal"; or, "War and peace." For solo [s. a.
X. bar. b.], chorus & [pianoforte]. No. 2 in M.204.33
Spohr, L. Das befreite Deutschland. [s. s. x. b. Partitur.]
M.243.29
The Christian's prayer, [s. x. x. b.] No. S in M.290.15
Hymn to S'. Cecilia, for s. and chorus.
No. I in M.2go.i5
Hymne [Gott, Du bist gross!] fiir 4 Chor- und 4 Solo-
Stimmen und grosses Orchester. No. 2 in M.212.2
Same. God, Thou art great. For 4 voices [s. a. x. b.].
No. 2 in M.290.15; etc.
Wechsel des Gliicks fiir Sopran-Solo und gemischten
Chor. No. 4 in M.391.58
Stainer. The crucifi.xion, a meditation on the passion of
the Holy Redeemer. For 2 solo voices (tenor and bass)
and chorus, and interspersed with hymns to be sung by
the congregation. No. i in M. 156.5
The daughter of Jairus [s. x. b. and chorus].
No. 2 in M.156.S
Harold Glynde. With original music [s. a. x. b. and
chorus] by John Stainer, C. S. Jekyll, George C. Martin
and other composers. No. 3 in M.204.27
St. Mary Magdalen, a sacred cantata [s. a. x. b. and
chorus] . No. 3 in M.156.5
SxANFORD. The battle of the Baltic, ballad for chorus and
[pianoforte]. No. 5 in M. 156.8
Carmen saeculare [s. and chorus]. No. 3 in M. 156.6
East to West, an ode. For chorus and pianoforte.
Elegiac ode [s. bar. and chorus]. No. i in M.156.6
God is our hope & strength. (Psalm 46.) For soli
[bar. quartett and] chorus. No. 3 in M.204.1
Phaudrig Crohoore, an Irish ballad for chorus.
No. 3 in M.384.42
The revenge, a ballad of the fleet. For chorus.
No. 2 in M. 156.10
The voyage of Maeldune. Ballad for soli [s. a. x. ],
chorus and [pianoforte]. No. i in M. 156.9
Sxeggall. [Rejoice in the Lord.] Festival anthem. Psalm
33. [s. s. X. B. and chorus.] No. i in M.290.21
SxoEPEL. Hiawatha. Indian symphony [m.-s. x. B. and cho-
rus]. M.290.2
SxOLZE. Der Tempel des Herrn [s. x. und Chor]. Partitur.
No. 2 in M.290.3
Der Wunderbare. [s. a. x. b.] No. i in M.290.3
SxRADELLA. Serenata [a 3 voci, s. s. b., con strumenti. Par-
titura]. No. 2. in M.415.20.1
SxRAUSs, R. Taillefer. Ballade fiir Chor, Soli [x. b.] und
Klavier. No. 2 in M.380.26
Wandrers Sturmlied fiir sechsstimmigen Chor (2 So-
prane, i Alt, i Tenor und 2 Basse) und Klavier.
No. I in M.380.26
SxuNxz. Lobgesang an die Gottheit. [s. a. x. b. Partitur.]
M.3S6.30
Such. God is our refuge. (The 46th Psalm.) For solo
voices [s. a. X. B. and] chorus. No. 2 in M.204.1
Narcissus & Echo [s. A. x. b. and chorus].
No. 2 in M.156.3
SucHER. Waldfraulein. Scene fiir Solo [s. x.], Chor und
Orchester. No. 4 in M.202.25
Cantatas. Mixed voices. (Continued.)
Sullivan, A. S. The golden legend, [s. A. x. bar. bar. and
chorus.] Full score. M.400.48
Same. Pianoforte arrangement. No. i in M.323.24
Kenilworth, a masque [s. A. x. bar. and chorus].
No. 2 in M.391.59
Ode written and composed expressly for the occasion
of laying the foundation stone of the Imperial Institute,
[s. a. t. b.] No. 3 in M.384.39
An ode written for the opening of the Colonial and
Indian E.xhibition, 1886, for solo [s.], chorus and [piano-
forte]. No. 4 in M.204.27
On shore and sea [s. x. and chorus]. No. 2 in M.323.24
SuNDELiN. Die Macht des Gesanges, fiir i Solo-Sopran, und
4 Chorstimmen, mit Begleitung des Orchesters. [Parti-
tur.] M.290.4
Taylor, S. C- The atonement. For soli [s. m.-s. a. x. bar.],
chorus and [piano]. No. i in M.384.61
The blind girl of Castel-Cuille. Cantata for soprano
and baritone soli, chorus and [pianoforte]. M.240.2
The death of Minnehaha. For soprano and baritone
soli, chorus and [pianoforte]. No. 2 in M.384.45
Hiawatha's departure. For soprano, tenor, and bari-
tone soli, chorus and [pianoforte]. No. 3 in M.384.4S
Hiawatha's wedding-feast. For tenor solo, chorus
and [pianoforte]. No. i in M.384.45
Meg Blane. A rhapsody of the sea for mezzo-soprano
solo, chorus and [piano]. No. 2 in M.384.61
Thayer, E. A festival cantata. For soli [s. x. b.], chorus
[and] organ. M. 156.11
Herbert and Elsa [s. a. x. b. and chorus].
No. 2 in M.384.44
Thielmans. Les pelerins de S'«. Anne d'Auray [x. bar. et
chceur] . No. 3 in M.213.18
Thierfelder. Frau Holde. Fiir Soli [s. m.-s. a. x. bar. B.],
Chor und Clavier. M.384.62
Thomas, A. G. The sun-worshippers (Les adorateurs du
soleil), a choral ode [s. x. and chorus]. No. 3 in M.156.3
The swan and the skylark [s. a. t. b. and chorus].
No. I in M.384.46
Thomas, John. The bride of Neath Valley, a Welsh scene
[s. A. X. b. and chorus]. M.280.61
Llewelyn [s. A. x. b. and chorus]. M.280.62
Thomas, W. E. The 71st Psalm, for soli [s. s. a. x. b.] and
chorus. No. 2 in M.384.46
Thomson, J. Ode to Hope. For s. and bar. soli, chorus &
pianoforte. No. 3 in M.204.33
Thoofx. Groote sinfonie voor soli [s. b.], koor en [klavier].
No. 2 in M.213.17
Tiexz, p. [Herr Gott, von deiner Wohnung schau.] Fest-
Cantate. Fiir Solo [s. x. B.], Chor und Clavier.
No. 7 in M.391.58
Tinel. Drei Ritter. Drie Ridders. Ballade fur Baryton-
Solo, gemischten Chor (ad lib.) und Orchester.
No. I in M.202.27
De klokke Roeland. Voor soli [s. x. b.], koren en kla-
vier. No. 3 in M.204.26
Totxmann. Dornroschen. Fiir Chor, Soli [s. s. a. x.] und
Klavier. No. i in M.391.60
Tournemire, C. Le sang de la sirene. Legende musicale.
No. 3 in M.389.14
TowNE. The message of Christmas [s. i. b. and chorus of
children]. No. 5 in M.393.13
Trimmer. Christmas service. For mixed voices.
No. 17 in M.igo.8
Trowbridge. The heroes of '76 [solos and chorus]. M.158.11
Urspruch. Der Friihlingsfeier. Fiir Tenor Solo, Chor und
[Klavier]. No. i in M.156.12
Varney, p. J. A. Chactas et Atala. fipisode lyrique [m.-s.
X. b. et chceur]. No. 3 in M.325.ia
Vaucorbeil. La raort de Diane. Scene lyrique [s.] avec
choeur. M. 213.25
Verdi. [Inno delle nazione.] Cantica, espressamento scritta
per I'apertura dell' Esibizione internazionale. [s. con
coro.] No. 4 in M.a8o.46
196
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Mixed voices. (Continued.)
- Same. (Hymne des nations.) No. 3 in M.iss.26
Words in French and Italian.
ViDAL, P. A. Le gladiateur. Scene lyrique [s. t. b.].
No. 2 in M.204.2g
ViERLiNG. Alarich. Fiir Chor, Soli [s. a. bar.] und Klavier.
M.1S6.13
Psalm 137. Der gefangenen Juden Klage und Rache-
ruf. Fiir Chor, [t.] Solo und Orchester. No. 4in M.401.15
■ Der Raub der Sabinerinnen, fiir Chor [s. x. b.], Solo-
stimmen und Clavier. No. 2 in 14.156.12
ViRET. Super flumina Babylonis. Psaume 136. Solos [s.
M.-s. ou T. B.] & choeurs. No. 2 in M.333.20
Wagner, P. E. Eine Maiennacht. Concertstiick fur Sopran-
Solo, Chor und Clavier. No. 3 in M.391.60
Wallnoefer. Weltseele, (Soul of the world). Fiir ge-
mischten Chor. No. 3 in M.380.4
Wass. The forester's roundelay [s. t. b. and chorus].
No. 2 in M.280.4
Watson, W. M. Aladdin. Cantata buffa for 4 solo voices
[s. A. T. B.], chorus & pianoforte. No. 2 in M.204.31
Weber, C. M. F. E. von. Erndte-Cantate. The festival of
peace, [s. t. b. und Chor.] No. 2 in M.221.1S
Hymne „In seiner Ordnung schafft der Herr." [Fiir
Chor und Orchester.] No. 2 in M.405.7
Kampf und Sieg [s. A. BAR. mit Chor]. No. 2 in M.155.26
The praise of Jehovah (Jubilee cantata), [s. s. t. b.
and chorus.] M.156.14
Weckerlin, J. B. T. L'Inde, ode-symphonie \s. x. bar. et
chceur]. No. 2 in M.156.15
Les poemes de la mer. Ode-symphonie [s. m.-s. t. b.
et chceur]. No. i in M.156.IS
Whixe, a. M. Ode to the north-east wind. For chorus and
[pianoforte]. No. 4 in M.204.32
The passions. For soli [s. x. bar.], chorus and [piano-
forte]. No. I in M.204.32
The red king. Choral ballad. No. 2 in M.204.32
Song of the Little Bathing. Choral ballad.
No. 3 in M.204.32
WiDOR. Chant seculaire. Solo [s.], choeur et piano.
No. 4 in M.213.17
Rioval. [Scene lyrique. M.-s. x. bar. et
No. 4 in M.213.18
Gethsemane, a church cantata [s. a. x. bar.
No. 4 in M.156.7
Timoteo o gli effetti della musica [s. x. b.
M.151.45
Pastorale antique, pour tenor et choeurs.
No. 4 in M.203.39
Clytemnestre. Scene lyrique. [s. x. bar.]
No. 2 in M.270.44
Wueerst. Der Wasserneck. Fiir Chor, Solo [s. x. b.] und
[Clavier]. No. 3 in M. 202.27
Wylde. The music to Milton's Paradise lost [s. x. x. b. b.
and chorus]. M.243.39
Zenger. Kain. Fur Solostimmen, Chor und Klavier.
No. 7 in M.391.60
ZopFF. Brauthymne fiir gemischten Chor, Tenor-Solo . . .
und obligates Pianoforte. No. 10 in M.391.60
Der Triumph der Liebe. Fiir Chor und Solostimmen
[s. T.]. No. 9 in M.391.60
ZuMSXEEG, J. R. Bringet dem Herrn Ruhm und Triumph.
Fiir 4 Singstimmen mit Begleitung des Orchesters.
No. 3 in M.221.19.1
Briider, Schwestern, die ihr stille. Fiir 4 Singstimmen
mit Begleitung des Orchesters. Partitur.
No. S in M.221.19.2
Colma. [s. T.] No. 12 in M.221.25
Dem wir mit kindlichem Vertrauen. Fiir 4 Singstim-
men mit Begleitung des Orchesters. No. i in M.221.19.2
Des Ewigen ist die Erde. Fiir 4 Singstimmen mit Be-
gleitung des Orchesters. No. 6 in M.221.19.1
Eh' ich dies vollendet habe. Fiir 4 Singstimmen [s. s.
a. b.] mit Begleitung des Orchesters. No. 4 in M.221.19.2
Gott! Urquell der Gnade! Fiir 4 Singstimmen mit
Wiernsberger.
choeurs.]
Williams, C. L.
and chorus].
WiNIER, P. VON.
con coro].
WoRMSER. Acis.
Cantatas. Mixed voices. (Continued.)
Begleitung des Orchesters.
Ein Hauch ist unser Leben.
Begleitung des Orchesters.
Heilig, heilig, heilig ist Er.
Begleitung des Orchesters.
No. 2 in M.221.19.1
Fiir 4 Singstimmen mit
No. 5 in M.22i.ig.i
Fiir 4 Singstimmen mit
No. 8 in M.221.19.2
Die Himmel entstanden durch des Ew'gen Wort. Fiir
4 Singstimmen mit Begleitung des Orchesters.
No. 7 in M.221.19.1
Kyrie, eleison, vaterlich sich vom Thron. Fiir 4 Sing-
stimmen mit Begleitung des Orchesters. No. 9 in M.22i.ig.2
Lernt Bescheidenheit! Fiir 4 Singstimmen mit Be-
gleitung des Orchesters. No. 3 in M.221.19.2
Leucht im dunkeln Erdenthale. Fiir 4 Singstimmen
mit Begleitung des Orchesters. No. 10 in M.221.19.2
Liebet eure Feinde! Fiir 4 Singstimmen mit Beglei-
tung des Orchesters. No. 2 in M.221.19.3
Mein Gott! mein Gott! warum verlassest. Fiir 4
Singstimmen mit Begleitung des Orchesters.
No. 4 in M.221.19.1
Preis sei dem Gotte Zebaoth! Fiir 4 Singstimmen mit
Begleitung des Orchesters. No. 6 in M.221.19.2
Unendlicher Gott unser Herr. Fiir 4 Singstimmen
mit Begleitung des Orchesters. No. 7 in M.221.19.2
Wer ist Dir gleich[ Fiir 4 Singstimmen mit Begleitung
des Orchesters. No. i in M.221.19.1
ZvoNAR. Der Ritt zum Elfenstein. Ballade fiir Soli [a. oder
M.-s. X.], Chor und Orchester. No. 11 in M.391.60
Cantatas. Female voices.
Abx, F. The hermit's harp. No. i in M. 154.12
Minster bells. No. 4 in M. 154.12
Riibezahl. For soprano and alto solos and chorus of
female voices. No. 2 in M.154.12
The silver cloud. No. 6 in M. 154.12
Springtime. A pastoral cantata. No. i in M.194.1
The water-fairies. No. 5 in M.154.12
The wishing stone. No. 3 in M.154.12
Aguilar. Summer night, for treble voices. No. i in M.204.2
Anderxon. The wise & foolish virgins, a sacred cantata, for
female voices with tenor & bass parts (ad: lib:).
No. 5 in M.154.1S
Barry. The dream queen. No. 3 in M.194.3
Bendall. The rosiere. No. i in M.393.5
Bentley, J. M. The golden butterfly. No. 3 in M.204.2
Boxxesini. Ali Baba. No. i in M.193.4
Bourgaulx-Ducoudr.\y. La conjuration des fleurs. [Soli,
s. A. X. B., et choeur de femmes.] No. i in M.305.20
Brewer, J. H. Hesperus. No. 13 in M.203.26
Bruch. Die Flucht nach Egypten. Fiir Sopran-Solo,
Frauenchor und Clavier. No. 3 in M. 270.19
Frithjof auf seines Vaters Grabhiigel. Concert-Scene
fiir Baritonsolo, Frauenchor und Clavier. No. i in M.270.19
Morgenstunde. Fiir Sopran-Solo, Frauenchor und
Clavier. No. 4 in M.270.ig
Caldicoxt. "Queen of the May." No. i in M.204.9
Carraud. Les nuits. Symphonic avec soli [x. s.] et choeurs
[de voix de femmes]. No. i in M.203.36
Chabrier. La Sulamite. Scene lyrique pour mezzo-so-
M.275.41
s. X. bar. b. et choeur
No. 3 in M. 194.7
Dramatic can-
No. I in M.285.IS
No. 3 in M.285.36
No. I in M.204.33
prano et choeur de femmes.
Chapuis. Les jardins d'Armide. [s. m
de voix de femmes.]
Christensen. The discontented maidens
tata for female voices.
Cowen. Summer on the river.
De Solla, "Sisera."
Debussy. La damoiselle elue. Poeme lyrique pour voix de
femmes, solo, choeur et orchestre. No. 2 in M.406.7
Diehl. Slumberetta. A musical charade, for treble or
mixed voices. No. 3 in M.204.3
Durand, J. Les esprits du Nil. Pour voix de femmes, s.
solo et chceur. No. 4in M.213.5
Edwards, J. De Montfort's daughter. No. 3 in M.193.4
Erdmannsdoerfer. Traumkonig und sein Lieb, fur Sopran-
Solo, Frauenchor und kleines Orchester. No. 2 in M.333.9
Ferrari, F. J. A cloud with a silver lining. No. 2 in M. 154.16
197
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Female voices. (Continued.)
FowLES. The legend of Lampetia. No. i in M.204.15
Fox. Golden treasures. No. 2 in M.277.19
Gade. Agnete und die Meermadchen. Fiir eine Solostimme,
Frauenchor und Orchester. No. i in M.333.12
Bilder des Jahres. Fiir Frauenchor, Solostimmen
[s. A. T.] und Pianoforte zu 4 Handen. No. i in M.270.32
GiBSONE. The elfin knight. No. 3 in M.155.8
Gilbert, E. T. B. All Hallow eve. No. 4 in M. 193.4
GoDAED, B. L. P. Symphonic legendaire, pour soli soprano,
contralto, baryton et choeurs de femmes. M.266.2
Grieg. Vor der Klosterpforte, fiir Solostimmen, Frauen-
chor und Orchester. No. 2 in M.331.24
Hameeik. Erntetanz (Harvest dance, Hastdans), fiir
Frauenchor und Orchester. No. i in M.380.27
HiLES, H. Watchfulness (the parable of the Ten Virgins).
No. 2 in M.276.41
Hillee, F. Palmsonntagmorgen. Fur eine Sopranstimme
und weiblichen Chor. No. 4 in M.270.52
Hofmann, H. C. J. Song of the Norns. For female voices,
solo and chorus and pianoforte. No. 5 in M.391.45
Holmes, A. M. A. La vision de la reine. Scene pour voi.x
de femmes (soli et choeurs). No. 3 in M. 193.3
HoRROCKS. The wild swans. No. 2 in M.285.15
Hummel, F. Die Meerkonigin, fiir Sopran- und Alt- (oder
Bariton-) Solo, weiblichen Chor, Pianoforte-Begleitung
und Deklamation (ad lib.). No. 2 in M.380.8
Jensen, A. Gesang der Nonnen, fiir Sopran-Solo und vier
stimmigen Frauenchor. No. 4 in M.380.7
Kahn. Zwei Gesange. Fiir Solostimmen, vierstimmigen
Frauenchor und Orchester. No. i, 2 in M.403.77
Klages. Goldener. Fiir dreistimmigen Frauen- (Knaben-)
Chor, Sopran- & Baritonsolo mit Klavierbegleitung und
verbindender Deklamation. No. 2in M.193.8
Krug, a. La regine Avrillouse. (Die Maikonigin.) Fiir
dreistimmigen Frauenchor mit Begleitung des Orchesters.
No. S in M.333.12
LiNDO. Thyra. Operetta-cantata. No. 4 in M.393.13
Lloyd, C. H. The gleaners' harvest. No. 2 in M. 193.20
Macfaeeen, G. A. Songs in a cornfield. No. 3 in M.1S3.9
Maeechal. L'etoile. Pour soli et choeurs de femmes.
No. 2 in M.247.14
Massenet. Poeme pastoral. Scenes [s. t. et choeur de
femmes]. No. 4 in M.213.11
Meetke. Die Blumengeister. Intermezzo fiir Sopran- und
Alt-Solo, vierstimmigen Frauen-Chor . . . mit Begleitung
von 2 Pianoforte. No. 12 in M.244.11
Obeetheur. The pilgrim queen. No. 3 in M.384.16
Parker, L. N. The wreck of the Hesperus, a ballad for 3
female voices. No. 2 in M.204.24
Parry, J. H. Gwen. The white lady of Middvai. For s. a.
T. B. and chorus of female voices. No. 3 in M.194.25
Pfeiffee, G. J. Wilda. Scene pour soprano avec choeurs,
ou chceurs de femmes seulement ad lib. No. 3 in M.194.22
Poise. Little Christmas. A village legend. No. 4 in M.204.22
Prout. Queen Aimee, or the maiden's crown.
No. 4 in M.ig4.25
Reinecke, C. H. C. "Little Rosebud," or "The sleeping
beauty" (Dornroschen). For s. and a. solo and chorus of
femade voices. No. 3 in M.204.14
Die wilden Schwane. Fiir Sopran- Alt- und Bariton-
Solo, weiblichen dreistimmigen Chor, Pianoforte und
Declamation. No. 3 in M.3gi.52
Robinson, Joseph. Sylvan hours. For 6 female voices.
No. 28 in M.157.1
No. I in M. 155.44
No. 3 in M.155.43
No. 2 in M.155.44
No. 2 in M.155.43
No. 3 in M.155.44
No. 4 in M.204.25
Fiir Frauenchor und Alt-Solo.
No. I in M.351.26
Saint-Saens. Chanson de grand-pere. No. i in M.406.64; etc.
Sylvan hours.
Roeckel, J. L. The gitana.
Heat!-..r-belles.
The minstrel prince.
The sea-maidens.
Westward ho!
RoMER. The mountain maidens.
Rubinstein. Die Nixe.
Cantatas. Female voices. (Continued.)
La fiancee du timbalier. Ballade [.\.].
No. 2 in M.406.64
La nuit. Sopran solo, chceur de femmes et piano.
No. 4 in M.384.40
Sainton-Dolby. Florimel. No. 2in M.155.33
ScHLETTEBER. Domroschen. The sleeping beauty in the
wood. Fiir Soli [s. a. t.] und [weiblichen] Chor.
No. 2 in M.324.7; etc.
ScHUBEET, F. p. [Chorgesangwerke.] Werke. Serie 18.
M.317.1.18
Lightly creeping. Serenade [for alto solo and chorus
of female voices]. No. 2 in M.391.58
Smaet, H. The fishermaidens. No. i in M.156.4
King Rene's daughter. No. 3 in M.156.4
Smith, W. S. The moon. Ode [s. s. a.]. No. 5 in M.204.32
Stratton, G. W. Edelweiss. For school-room practice.
M.396.61
Tausch. Der Blumen Klage auf den Tod des Sangers. Fiir
Sopran-Solo, Frauenchor und Orchester. Partitur.
No. 7 in M.333.12
Same. Klavier-Auszug. No. 2 in M.204.26
Thieeiot. Am Traunsee. Fur Bariton-Solo und Frauen-
chor mit Streichorchester. No. 6 in M.3gi.58
TozER. King Neptune's daughter. No. 3 in M.384.46
ViDAL, P. A. Noel, ou le mystere de la Nativite. [Melo-
drame, avec airs, s. A., et chceur de femmes.]
No. 2 in M.32S.35
Williams, J. The dream ship. No. i in M.384.39
Old King Cole and good Queen Cole. A comic can-
tata for children. No. 2 in M.287.4
Zoellnee, H. Die Seeni-xen. Fiir Frauenchor (mit Alt-
solo). No. 8 in M.3gi.6o
Cantatas. Male voices.
Abt, A. Herr, Du bist gross! Fiir Mannerchor, Baritonsolo.
No. I in M.2I2.3
Adam, Adolphe C. Victoire! Cantate [x. t. b. b.].
No. I in M.193.2
Aenold, Gustav. Der Riitlischwur. Fiir Mannerchor, Soli
und Klavier. No. i in M.203.9
Baetlett, H. N. The last chieftain. No. s in M.203.10
Beach. The minstrel and the king (Rudolf von Hapsburg).
Ballade for male chorus, with soli for tenor and barytone
voices. No. 3 in M.203.g
Becker, R. Vor der Schlacht. Fiir Baritonsolo. Manner-
chor und Klavier. No. 7 in M.212.3
Waldmorgen fiir Mannerchor und Clavier.
No. I in M.270.12
Benoit, p. L. L. Moise au Sinai. Choeur a 8 voix d'homme.
No. 4 in M.392.33
Beegee, W. Meine Gottin. Fiir Mannerchor und Orchester.
No. 2 in M.401.4
Berlioz, L. H. Chant des chemins de fer. [t. solo et choeur,
T. T. B. B.J
Bernard, £.
Boenicke. In der Schlacht.
und Orchester.
Brahms. Rhapsodie. Fiir
und Clavier.
Rinaldo.
No. 27 in M.391.32; etc.
Guillaume le Conquerant. fipisode lyrique
pour baryton et tenor soli, chceur d'hommes et piano.
No. I in M.2I3.2I
Fiir Bariton-SoIo, Mannerchor
No. 14 in M.212.3
erne Altstimme, Mannerchor
No. 2 in M.270.16
Fiir Tenor-Solo, Manner-Chor und Clavier.
No. I in M.270.16; etc.
Brambach. Alcestis. Fiir Mannerchor, Soli und Clavier.
No. 2 in M.270.17
Am Rhein. 2 Chore fiir Mannerstimmen.
No. I in M.270.I8
"Columbus!" For male chorus, soli and orchestra.
[Full score.] M.353.10
Same. [Vocal score. Accomp. for pianoforte.]
No. 5 in M.203.g
Lorelei. Fiir Mannerchor und Mezzo-Sopransoli.
No. 2 in M.280.11
Die Macht des Gesanges. Fiir Manner-Chor, Soli und
Clavier. No. 4 in M.3g2.4o
198
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Male voices. (Continued.)
Prometheus. Fiir Mannerchor, Soli und Clavier.
No. I in M.280.11
Velleda. Fiir Mannerchor, Soli und Clavier.
No. 5 in M.392.40; etc.
Waldmeisters Brautfahrt. (May's advent.) Fur Man-
nerchor mit Pianoforte. No. 3 in M.270.18
Brewer, J. H. The birth of love. [For male chorus, t. solo,
obligato piano and organ accomp.] No. 7 in M.203.10; etc.
Bruch. Frithjof. Scenen fiir Mannerchor, Solostimmen und
Orchester. Partitur. M.334.3
Same. Clavier-Auszug. No. i in M.270.21
Gesang der heiligen drei Konige. Fur drei Manner-
stimmen [t. b. b.] und Orchester. No. 3 in M.353.21
Leonidas. Fiir Bariton-Solo, Mannerchor und Or-
chester. Partitur. M.403.11
Same. Clavier-Auszug. No. i in M.203.12
Normannenzug. Fiir Bariton-Solo, einstimmigen
Mannerchor und Klavier. No. 2 in M.270.21
Salamis. Siegesgesang der Griechen. Fiir Solostim-
men, Mannerchor und Orchester. Partitur.
No. 4 in M.353.21
Same. Clavierauszug. No. 2 in M.270.12
Same. [Translated into English. Vocal score.]
No. 31 in M.392.S
Buck, D. "Chorus of spirits and hours." For male chorus
and tenor solo. No. 3 in M.270.12; etc.
King Olaf's Christmas. For male chorus and baritone
and tenor solos. No. 4 in M.270.12
The nun of Nidaros. For male chorus and tenor solo.
No. 3 in M.270.13
The voyage of Columbus. (Reise des Columbus.) For
male voices (solo and chorus). No. 3 in M.203.12
BuECHNER. Wittekind. Fiir Soli, Chor [t. t. b. b.] und Kla-
vier. No. 2 in M.203.12
Chadwick, G. W. The Viking's last voyage. For male cho-
rus, baritone solo and [piano]. No. 3 in M.203.45
Claassen. Fest-Hymne. Fiir Mannerstimmen (Soli u.
Chor). No. I in M.212.4
David. Le desert. Ode symphonic [t. solo et choeur
d'hommes]. Partition d'orchestre. M.401.6
Same. [Accomp. de pianoforte.] M.241.23
Debois. Eliland. Fiir Soli [t. bar. b.], Mannerchor und
[Clavier]. No. 3 in M.212.4
DoRN, A. J. P. Landliche Revolte. Humoristische Scene fiir
Bariton-Solo und Mannerchor. No. 10 in M.212.4
Draeseke. Columbus. Fiir Soli, Mannerchor und Clavier.
No. 4 in M.203.12
Eeden. Le reve. Double choeur pour voix d'hommes.
No. 4 in M.213.4
Eisenheimer. Valerian. For baritone solo, male chorus,
[with pianoforte]. No. 3 in M.384.11
Emmerich. Huldigung dem Genius der Tone. Fiir Solo-
stimmen [s. T.BAR.], Mannerchor und grosses Orchester.
No. 19 in M.212.4
Esser. Mahomets Gesang. Fiir Mannerchor &. Orchester.
Partitur. No. i in M.3S2.22
Same. Clavier-Auszug. No. 12 in M.392.41
Same. Mahomet's song. No. 3 in M.392.63
Foote. "The farewell of Hiawatha." For bar. solo, male
chorus and [pianoforte]. No. 13 in M.392.28
Francke, H. Hymne an den Gesang. Fiir Mannerchor,
Solo & Klavier. No. 4 in M.212.5
Fromm. Der Helden Auferstehung. Fiir Mannerchor mit
Begleitung von Blechinstrumenten. No. 6in M.212.S
Fest-Cantate zum 25jahrigen Jubilaum des „Arion" in
Brooklyn. No. 2 in M.203.14
Heinrich der Vogler. No. 7 in M.212.5
Itha von Toggenburg. (Edith of Toggenburg.) Fiir
Mannerchor, Sopran- & Baritonsolo & Clavier.
No. 3 in M.203.14
Gadsby, H. R. Columbus. [For t. solo and male chorus.]
No. lin M.392.45
Genee. Die Freiwilligen. Fiir vierstimmigen Mannerchor
mit Bass-Solo (oder Bariton). No. 9 in M.270.59
Cantatas. Male voices. (Continued.)
Der Patient und die Aerzte, oder: Allopath, Homeo-
path und Hydropath. Komische Scene fiir vier Solo-Stim-
men, T. T. B. b., mit Pianofortebegleitung. No. 12 in M.212.5
Gernsheim. Das Grab im Busento. The grave in the Bu-
sento. No. 5 in M.203.14
Odins Meeresritt. Fur Baritonsolo, Mannerchor und
Clavier. No. 3 in M.212.6
Phobos Apollon. Hymne fiir Mannerchor, Solostim-
men und Clavier. No. 4 in M.212.6
Romische Leichenfeier. Fiir Mannerchor & Clavier.
No. 2 in M.212.6
Gilchrist. The legend of the bended bow. For Mezzo-
soprano solo and chorus of men's voices. No. 17 in M.392.a8
Goepfart. Roms Fall. Fur Mannerchor, Soli, s. t. b. und
Clavier. No. 5 in M.212.6
GoETZ, H. „Es liegt so abendstill der See." Fiir Manner-
chor, Tenor- (oder Sopran-) Solo und Orchester. Parti-
tur. No. I in M.353.22
Same. Clavier-Auszug. No. 2 in M.155.41
Same. So still at evening lies the lake.
No. I in M.392.29
GouvY. Egill. Dramatische Cantate fiir Tenor- und Bari-
tonsolo. Mannerchor und Clavier. No. 8 in M.212.6
Friihlings Erwachen. (Le printemps.) Fiir Manner-
chor, Sopransolo und Orchester. Partitur.
No. 2 in M.352.22
Same. Clavierauszug. No. 2 in M.15S.13
Same. Awakening of Spring. For s. solo and male
chorus. No. 2 in M.392.29
Grieg. Landkennung. (Landkjending.) Fiir Mannerchor,
Baryton Solo, Orchester (und Orgel ad libitum). [Parti-
tur.] No. 3 in M.352.22
Same. Klavierauszug. No. 2 in M.392.43
GuiMET. Le feu du ciel. Orientale symphonique [t. t. bar.
B. et chceur d'hommes]. No. 3 in M.15S.15
Haan Der Konigssohn. Ballade fiir Soli [t. bar.], Man-
nerchor und Clavier. No. 5 in M.392.29
Hallen. Nordlandskampf. (Styrbjorn Starke.) Fur Man-
nerchor, Bariton Solo und Clavier. No. 10 in M.212.6
Hamma, B. Gebet deutscher Krieger. No. i in M.270.45
Hanssens. Hymne de la nuit. No. 48 in M.392.8
Heijblom. Banierzang. No. 4 m M.270.4S
Heinze, G. a. Euterpe. Allegorische Dichtung fur Man-
nerchor und Mezzo-Sopran Solo. No. 3 in M.270.45
Nog is het bloeijende heerlijke tijd. No. 2 in M.270.45
Herbeck, J. F. Waldscene fiir Mannerchor u. Orchester.
No. 13 in M.212.6
Herrmann, G. Rinaldo. Far Tenor, Bariton und Bass-
Solostimmen [und] Mannerchor. No. 2 in M.212.7
Heuberger. „Geht dir's wohl, so denk' du an mich ' . . .
Fiir Sopransolo, Tenorsolo, Mannerchor und Clavier.
No. 4 in M.203.16
Hiller, F. An das Vaterland. No. 4 in M.212.7
Aus der Edda. 2 Gedichte. No. 3 m M.270.52
Bundeslied fiir Minnerchor. No. 2 in M.392.40; etc.
Es muss doch Friihling werden." Fiir Mannerchor
mit Orchesterbegleitung. Partitur. No. 6 in M.392.46
Same. Clavierauszug. No. l in M.392.40
Ostermorgen. Fiir Sopran-Solo, Mannerchor u. Or-
chester. Partitur. No. 3 in M.333-I2
Same. Clavier-Auszug. No. 2 in M.270.52
Hinze Vor Sonnenaufgang. Fiir vierstimmigen Manner-
chor und Solo. _ . No. I in M.270.S5
HiRSCH C Friihlingsnahen, fur Mannerstimmen (boli una
Chor). Partitur. ^ ,. ^ No. S in M.212.7
Nornagest. Concertstiick fiir Soli [t. t. bar.], Man-
nerchor und Clavier. No^ 6 in M.212.7
Hoffbauer, C. Bergpsalm. Fiir Mannerchor, Bariton-Solo
und Klavier. No. 7 in M.212.7
Hofmann, H. C. J. Harald's Brautfahrt. Fiir Baritonsolo,
Mannerchor und Klavier. No. 8 in M.212.7
Johanna von Orleans. Fiir Soli (s. und bar.), Man-
nerchor und Klavier. No. 9 in M.212.7
Nordische Meerfahrt. On the Norse seas. Ein
Wikingersang. Fiir Baritonsolo, Mannerchor und Kla-
vier. No. 3 in M.380.7
199
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantatas
Cantatas. Male voices. (Continued.)
HoLZiNGER. Seemorgen auf dem atlantischen Meere. Fiir
vierstimmigen Mannerchor mit Pianoforte-Begleitung.
No. 13 in M.270.S9
HoPFFER, L. B. Friedrich Rothbart. Fur vierstimmigen
Mannerchor. No. 5 in M.270.45
HuBER, H. Aussohnung (Reconciliation). No. 6 in M.270.45
Hummel, F. Das Geisterheer. Fiir Mannerchor und Kla-
vier. No. I in M.212.8
Jensen, A. Donald Caird ist wieder da! Fiir Tenor- oder
Baryton-Solo [und] Mannerchor. No. 3 in M.212.8
Der Willekumm. Fiir Mannerchor und Orchester.
No. 7 in M.280.6
Jensen, G. Gesang der Junglinge. Fiir Mannerchor, Solo-
Tenor und Clavier. No. 7 in M.392.29
Josephson. Arion. Die Macht des Gesanges. Fiir Manner-
chor, Solostimmen und Orchester. No. 3 in M.392.47
Kauffmann, E. Die Nacht, fiir Manner-Chor und Soli.
No. 5 in M.212.8
King, H. J. Trafalgar.
Knappe. Bilder aus Schiller's „Glocke,"
Solostimmen [s. T. bar.] und Klavier.
Kipper. La morte del dolce Enrico . . .
Scene . . . fiir eine Tenor-
[t. t. b. b.] (ad libitum),
No. I in M. 204. 21
fiir Mannerchor,
No. I in M.392.30
Burleske Opern-
oder Baritonstimme und Chor
No. 6 in M.212.8
Koellner. Alexander. Fiir Bariton-Solo, Mannerchor [und
Klavier]. No. 2 in M.392.30
Pharao. Fur einstimmigen Mannerchor.
No. 5 in M.203.13
Koenen. Der heilige Bonifacius. Mannerchore und Soli.
No. 8 in M.203.16
KossMALY. Wanderer's Nachtlied. Fiir t. Solo, Manner-
chor und Orchester. No. 14 in M.212.8
Krebs. „Heil dir, Gottin des Gesanges." Fiir vierstimmi-
gen Mannerchor. No. 16 in M.212.8
Kretschmer. Die Pilgerfahrt nach dem gelobten Lande.
Fiir Mannerchor, Solostimmen [s. t. bar. b.] und Orches-
ter. No. 4 in M.193.2
Sieg im Gesang. Fur Miinnerchor, Solostimmen [s. t.
BAR.] und Clavier. No. 2 in M.286.40
Kron. Die nachtliche Ronde. Humoristische Scene fur
Mannerquartett. No. 20 in M.212.8
Krug, a. Fingal. Fiir Soli [s. bar.], Mannerchor und Kla-
vier. No. g in M.203.16
Nomadenzug. No. i in M.270.58
KuECKEN. Auf dem Rhein. Fiir Miinnerstimmen (Soli und
Chor). No. 19 in M.203.IS
— - Die sanften Tage. Fiir s. t. b. und Miinnerchor ad
libitum. No. 9 in M.212.9
Lachner, F. Festchor zu Mozart's Sacularfeier.
No. I in M.392.41
Lassen. Die Kiinstler. Fiir vierstimmigen Mannerchor.
No. 26 in M.392.15
Lesueur. Scene patriotique. Choeur a 3 voix d'hommes.
M.380.14
Leu. Barbarossa. Fiir Mannerchor und Solo mit grossem
Orchester. No. 17 in M.212.9
LiCHNER. Der Poesie! No. i in M.212.10
Limbert. [Johannes.] 2 Scenen fiir 3 Solostimmen (Bari-
ton. Tenor und Bass) mit Orchester. No. 2 in M.380.27
Liszt. An die Kiinstler. Fiir Mannergesang, Soli und Chor.
No. 4 in M.212.10
Cantico del sol di San Francesco d'Assisi, per voce di
barytono (solo), coro d'uomini, organo ed orchestra.
M.352.23
Lloyd, C. H. The Longbeards' saga. No. i in M.203.17
Lux, F. Coriolan. Fiir Mannerchor, Soli und [Klavier].
No. 2 in M.203.17
Mangold. Die Weisheit des Mirza-Schaffy. Fur Sopran-
und Baritonsolo, Mannerquartett, Mannerchor und Cla-
^'*''- No. 13 in M.212.10
Markull. Die Gunst des Augenblicks. Fiir vierstimmigen
Mannerchor, Soli und Harmoniemusik. Partitur.
No. I in M. 203.3
200
Cantatas. Male voices. (Continued.)
Der rasende Ajas des .Sophokles
Roland's Horn
Same.
Mayer, J. A,
[Klavier].
Mee. J. H. Delphi
Horatius.
Meister. The elf.
No. I in M.203.18
Fiir Mannerchor, Soli und Klavier.
No. 2 in M.203.18
No. 7 in M.392.30
Fiir Soli [t. b.], Mannerchor und
No. 3 in M.203.17
No. I in M.203.19
No. 2 in M.203.I9
Bar. solo and chorus. No. 8 in M.3g2.3o
[English version.]
Kyffhauser
Kaiser Friedrichs Kreuzfahrt. Fiir Mannerchor, Solo-
stimmen [s.] und Pianoforte. No. 3 in M.203.18
Der Nock. Fiir Mannerchor, Baritonsolo und Cla-
vier. No. 14 in M.212.10
Melamet. Columbus. For s. a. t. b. soli, chorus of men's
voices and [pianoforte]. No. 4 in M.203.19
Mendelssohn-Bartholdy, J. L. F. Festgesang an die
Kiinstler. Festgesang zur Sacularfeier der Buchdrucker-
kunst. Klavierauszug. No. 5 in M.155.41; etc.
Same. [O sons of art.] No. S in M.243.1
Mercadante. a Rossini. Inno per grande masse vocali
[t. T. B. B.]. No. 3 in M.250.32
Metzger, J. C. Ein politischer Speisezettel. Humoristi-
scher Scherz. Fiir Bass-Solo und Chor [t. t. b. b.].
No. IS in M.212.10
Meyerbeer. Festgesang fiir 4 Mannerstimmen mit Chor
[t. T. B. b.]. No. 18 in M.212.10
MoEHRiNG. Auf offner See. Fiir 4stimmigen Mannerchor
und Solis mit Begleitung des Orchesters. No. 2 in M.203.3
Deutscher Schwur und deutsch Gebet. Fiir Miinner-
chor, Solo [b.] und Orchester. No. 3 in M.203.3
Hymne an die Nacht. Fiir Mannerchor und Bariton-
Solo. No. 3 in M.270.S8; etc.
MoHR, H. Die Ansiedler. (The settlers.) Fiir Soli [s. t.
BAR.], Mannerchor u. Clavier. No. 5 in M.203.i8
Dem Genius der Tone. Fur Sopran-Solo, Miinner-
chor und Pianofortebegleitung. No. 4 in M.203.18
Same. To the genius of music. For s. solo, chorus of
men's voices. No. 10 in M.392.30
Fest-Hymne „Hingesunken unter Dank und Freude."
Fiir vierstimmigen Mannerchor, Solo [bar.] und Clavier.
No. I in M.212.11
Handwerkerleben. Fiir den vierstimmigen Manner-
chor, Soli [t. b.] und Orchester. M.280.28
Sklaven Jagd. Ein Tropenbild. The slave hunt. Fiir
Mannerchor mit Streich-Orchester und Clavierbegleitung,
oder kleinen Orchester. No. 4 in M.212.11
The thunder-storm. Das Gewitter. Fiir Miinnerchor,
Baritonsolo_mit Pianfortebegleitung. No. 4 in M.203.17
. . . Fiir vierstimmi-
Partitur.
No. 4 in M.203.3
Mueller-Reuter. Aus grosser Zeit. Tenor, Baritonsolo
und Miinnerchore. No. 13 in M.212.11
Munzinger, E. Der Schwur im Riitli. Fiir Mannerchor und
Soli. No. 2 in M.130.7
Nessler. Der Blumen Rache. Fiir Mannerchor, Tenor-
Solo und Klavier. No. 14 in M.212.11
Gesang zu Pfingsten. Fiir Mannerchor und Orches-
'S""- No. IS in M.212.11
Das Grab in Buzento. Fiir Miinnerchor mit Beglei-
tung des Orchesters. No. 4 in M.352.21
NicoDE. Das Meer. Symphonie-Ode fiir Mannerchor, Solo
[t. o. m.-s.], grosses Orchester und Orgel. M.412.9
NoLOPP. Bretagne. Ballade, fiir Mannerchor und Piano-
^°'''6- No. 2 in M.203.21
Oberhoffer. „Er kann den Schliissel hicht finden." Hu-
moristische Scene fiir Mannerchor und Basssolo.
No. 17 in M.212.11
OcHS, S. Die Maulbronner Fuge. Fiir eine Bariton-Stimme
und Mannerchor. No. 18 in M.212.11
OcHS, T Deutsches Aufgebot. Fur Mannerchor, Bariton-
Solo und Clavier. No. 3 in M.203.21
Otto. E. J. Am Meeresstrande. No. 2 in M.212.12
Im Walde. No. i in M.212.12
Mueller, C. F. W. Sonntag-Morgen
gen Mannerchor und Solostimmen.
Cantatas
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cantatas
Cantatas. Male voices. (Continued.)
Pache. Des Liedes Heimath. No. 2 in M.212.13
Same. The source of song. No. 5 in M.203.19
Paine, J. K. Phoebus, arise. For t. solo, male chorus &
[pianoforte]. No. 2 in M.204.14; etc.
Panny. Wikingerballv (des Seemanns Gesetze). Fiir Man-
ner Chor-Stimmen, Tenor Solo und Orchester.
No. 7 in M.212.13
Parker, J. C. D. The blind king. For bar. solo, chorus of
men and [pianoforte]. No. 2 in M.392.31
Parry, C. H. H. Eton, an ode [t. x. b. b.]. No. 2 in M.155.36
PoDBERTSKi. Schwerting der Sachsenherzog. Fiir Soli [x.
bar.], Miinnerchor und Klavier. No. 13 in M.2i2.i3
Prevost, E. P. Cantate [x. solo et chceur, x. bar. b. Parti-
tion]. No. 2 in M.391.34
Raff. Deutschlands Auferstehung. Fiir Mannerstimmen
und grosses Orchester. Partitur. No. 2 in M. 392.47
Same. Clavierauszug. No. i in M.212.14
Wachet auf! Fiir Mannerchor, Solo [bar.] & Chor
mit Orchester. Partitur. No. i in M.356.22
Same. Clavier-Auszug. No. 3 in M.392.40
Read, J. F. H. The death of young Romilly, or the found-
ing of Bolton priory, choral ballad for [male] chorus and
[pianoforte] . No. 2 in M.155.39
In the forest. For baritone solo, chorus of male voices
and [pianoforte]. No. 3 in M.15S.39
Reinecke, C. H. C. Hakon Jarl. Fiir Alt, Tenor und Bass-
Solo, Mannerchor und Clavier. No. 6 in M.392.45
Schlachtlied. Fiir 2 Mannerchore mit Orchester. Par-
titur. No. 2 in M.203.4
Same. Klavierauszug. No. 4 in M. 212. 14
Reissmann. Drusus' Tod. Fiir Soli [s. x. b.], Mannerchor
und Klavier. No. 8 in M.212.14
Loreley. Fiir Mezzo-Sopran-Solo, Mannerchor und
Clavier. No. i in M.155.41
Rheinberger, J. G. Die Rosen von Hildesheim. Fiir Man-
nerchor und Blechorchester. No. 4 in M.203.4
Das Thai des Espingo, Ballade fiir Mannerchor und
grosses Orchester. Partitur. No. i in M. 392.47
Same. Clavierauszug. No. 9 in M.212.14
Wittekind. Ballade fiir Mannerchor mit Begleitung
des Pianoforte. No. 6 in M.280.35
Riexz, J. Dithyrambe, . . . Fiir Mannerstimmen (Chor und
Solo) und Orchester. Partitur. No. 2 in M.352.24
Same. Klavierauszug. No. 2 in M.280.38
Lied vom Wein, fiir Mannerstimmen und Orchester.
Partitur.
Same. [Klavierauszug.]
RuBiNSXEiN. Der Morgen.
S.\int-Saens. Chanson d'ancetre.
Schachner. Der Heini von Steier.
ScHMiDX, Adolf. Die drei Liebchen.
No. 3 in M.352.24
No. 3 in M.280.38
No. 13 in M.212.14
No. I in M.406.64: etc.
No. 2 in M.212.IS
Ballade fiir 3 Solo-
stimmen [x. bar. b.], Mannerchor und Pianoforte.
No. 3 in M.212.15
ScHMiDX, Gustav. Tanzlied, fiir vierstimmigen Mannerchor.
No. 4 in M.270.59
ScHRECK, G. E. Begriissung des Meeres. No. 2 in M.280.8; etc.
Der Falken-Rainer vom Oberland. Fiir Mannerchor
u. Soli [s. bar.]. No. 5 in m. 203.21
Im Walde. Fiir Tenor-Solo, Miinner-Chor und Cla-
vier. No. 8 in M.270.13
Konig Fjalar. Fiir Soli [s. x. bar. b.], Mannerchor und
Klavier. No. i in M.280.8
Schreiber, G. Heinrich Pestalozzi. Fiir Mannerchor, Soli
[a. X. B.] und Clavier. No. 7 in M.212.15
Schroeder, A. Columbus. Fiir Solostimmen fs. oder x. x.
bar. b. und] Miinnerchor. No. 8 in M.212.15
ScHUBERX, F. P. [Chorgesangwerke.] Werke. Serie 16.
M.317.1.16
Die Allmacht. Fiir Jilannerchor und Orchester. Par-
titur. No. 2 in M.270.55
Same. Clavier-.\uszug. No. 5 in M.392.41
Gesang der Gcister iiber den Wassern, fur 4 Tenor-
und 4 Bass-Stimmen. Partitur. No. 3 in M.280.47; etc.
I 26
Cantatas. Male voices. (Continued.)
ScHULXz, E. Im Sturme. Fiir vierstimmigen Mannerchor
und Bariton-Solo. No. 2 in M.212.16
Ostermorgen. No. 3 in M.212.16
Sturm-Hymnus. Fiir vierstimmigen Mannerchor.
No. 6 in M.212.16
ScHULZ, A. Hehre heilige Musik. Fiir Mannerchor, mit
Tenor und Bariton Solo. No. 9 in M.270.13
Prinzessin Use. Fiir Mannerchor, Soli [x. bar.] und
Clavier. No. 10 in M.212.15
Eine Sommernacht. Fur Mannerchor, Solo [x. bar.]
und Clavier. No. 9 in M.212.15
Schumann, R. A. Das Gliick von Edenhall. Ballade fiir
Mannerstimmen, Soli [x. B.] u. Chor mit Begleitung des
Orchesters. [Partitur.] No. 2 in M.280.50
Same. The luck of Edenhall, a ballad. For male
voices, soli & chorus. No. 2 in M.250.48
ScHUPPERX. Das deutsche Schwert. Fiir Mannerchor mit
Begleitung von Blechinstrumenten. No. 8 in M.212.16
ScHWAiGER. Das Grab im Busento. No. 9 in M.212.16
ScHWALM. Abendstille am Meer. Evening by the sea.
No. 4 in M.202.29
Eingeregnet. Heitere Scene fiir Mannergesang, Soli
und Chor. No. 10 in M.212.16
Jung Sigurd. Fiir Mannerchor, Soli [m.-s. x. bar.]
und Klavier. No. 12 in M.212.16
Mila. Fiir Soli [s. x. b.], Mannerchor und Klavier.
No. 3 in M.392.43; etc.
Same. [x. x. b. b., with solos.] English version.
No. 24 in M.3g2.25
Sering. Der Konigssieg bei Koniggratz. No. 15 in M.212.16
Speidel. Wickinger Ausfahrt. Fiir Mannerchor, Tenor-
solo und Klavier. No. i in M.212.17
Spicker. Der Pilot. Fiir Miinnerchor, Bariton-Solo und
Clavier. No. 5 in M.202.29
Sxaeger. Traumkonig und sein Lieb. Fiir Mannerchor und
Solostimmen [x. x. b.[. No. 3 in m. 212.17
SxRixzKO. Das schonste Lied. Festgedicht mit Chor [x. x.
B. B.], Soli [x. BAR. B.] u. Orchesterbegleitung.
No. S in M.212.17
SxRONG. Die verlassene Miihle. Fiir Tenor- oder Sopran-
Solo und Mannerchor. No. 9 in M.212.17
Wie ein fahrender Hornist sich ein Land erblies. Fiir
Soli [x. B.] und Mannerchor mit Begleitung des Orches-
ters. No. 6 in M.202.2g
SxuRM, W. Columbus' letzte Nacht . . . Scene fiir Bariton-
Solo, Mannerchor & Clavier. No. 2 in M. 203.23
Hegelingenfahrt. The Hegelingen. Fiir Solis [s. x.
BAR. B.], Mannerchor und Clavier. No. 3 in M.203.23
Der letzte Skalde. Ballade, fiir Mannerchor und Or-
chester. No. 3 in M.203.5
• Der Rhein und die Reben. Fiir Mannerchor mit Or-
chesterbegleitung. No. ID in M.212.17
Roland's Horn. Fiir Baritonsolo und Mannerchor mit
Begleitung des Orchesters. No. 16 in M.3g2.3i
Tauberx, C. G. W. Der Landsknecht. Lieder-Cantate fiir
Mannerchor, Tenor- Bariton- und Basssoli. Sopran-solo
und Clavier. No. 5 in M.203.23
Tausch. Rheinfahrt. Fiir Baritonsolo, Mannerchor und
Klavier. No. 12 in M.212.17
Thayer, A. W. Hymn to Apollo. No. i in M. 203.24
Sea-greeting, [b. solo, chorus, x. x. B. B.]
No. 2 in M.203.24
Tiexz, p. Hymnus. No. 15 in M.270.S9
Tschirch, F. \V. Abschiedsgruss an's Vaterland. Fiir Man-
nerchor mit Solo [b.] und Orchester. No. i in M.280.10
Arion, der Tone Meister. Fiir Soli [x. b.], Miinner-
chor und Klavier. No. 3 in M.212.18
Der gesiihnte Hirsch. Fiir Tenor Solo und Manner-
chor. No. S in M.270.58
Die Harmonic. Hymne, fiir Miinnerchor init Beglei-
tung von Blasinstrumenten. No. i in M.212.18
Leben, Liebe, Lust und Leid. Fiir Mannerstimmen
(Solo und Chor) und Orchester. No. 2 in M.212.18
201
Cantatas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cantate
Cantatas. Male voices. (Continued.)
Eine Nacht auf dem Meere. Fiir Solo [t. b.], Chor
[t. t. b. b.] und Clavier. No. 4 in M.392.43
Das Turnier. Fiir Mannerchor, Sopransolo und Cla-
vier. No. 3 in M.280.10
Die Waffen des Geistes. Fiir Mannerchor und Quar-
tettsolo mit Begleitung von Blasinstrumenten.
No. 4 in M.203.5
Umlauft. Agandecca. Ftjr Soli, Mannerchor und Orches-
ter. No. I in M.343.32
Unbeh.wn. Waldfest. Fiir Mannerchor und Bariton-Solo.
No. 4 in M.212.18
Wagner, Rudolf. Steirische Hochlandsklange. Fiir Man-
nerchor und Solostimmen. No. 6 in M.212.18
Wallnoefer. Gersprenz. Fiir Bass- oder Baryton-Solo,
Mannerchor und Klavier. No. 7 in M.212.18
Weber, F. G. Festgesang fiir Manner-Stimmen und allge-
meinen Chor [t. t. bar. b.]. No. 2 in M. 220.26
Weinwurm. Deutsches Heerbannlied. Fiir Mannerchor
mit Orchester. No. 3 in M.280.9
Frau Musika. Fiir Mannerchor, Solo [t. b.] und [Cla-
vier]. No. 6 in M. 270.58; etc.
„Im Dorfe die Gasse entlang." Fiir Mannerchor mit
Orchester. No. 2 in M.280.9
Weinzierl, M. von. Griiss Gott, du lieber Friihlingswind.
Fiir Mannerchor mit Tenor-Solo. No. i in M.280.6
Nachtgruss. [Fiir Mannerchor mit kleiner Orchester-
begleitung.] No. 6 in M.203.5
Whiting. March of the Monks of Bangor. [Accomp. for
pianoforte.] No. 3 in M.392.32
Same. [Choruses only, without accomp.]
No. 16 in M.392.27
WiESENER. Kreuzfahrt. No. 10 in M.212.19
WoYRSCH. Deutscher Heerbann. Fiir Solostimmen [t. bar.],
Mannerchor und Clavier. No. 4 in M. 203.24
WuELLNER. Heinrich der Finkler. Fiir Mannerchor, Solo-
stimmen [bar., t.] und Clavier. No. 4 in M.392.32
Lied und Leben, ein Hymnus fiir Mannerchor und
Clavier. No. 3 in M. 156.12; etc.
Zech. Krieg und Frieden. Fiir Mannerchor und Orchester.
No. 12 in M.2i2.ig
Zeller. Die Thomasnacht. Fiir Tenor- und Bass-Solo,
Mannerchor und Pianoforte. No. 13 in M.212.19
Gott! Hymne, fiir vierstimmigen Mannerchor und
Clavier. No. 14 in M.270.59
Zoellner, H. Bonifacius, fiir Miinnerchor, Sopran- u. Bari-
ton-Solo und grosses Orchester. No. i in M.406.74
Columbus. Fiir Mannerchor, Soli [s. t. b.] und Kla-
vier. No. I in M.212.20
Das Fest der Rebenblute. Fiir Miinnerchor, Solo-
quartett und Klavier. No. 3 in M.280.7
Same. Feast of the vine in blossom. No. Si in M.3g2.24
Die Hunnenschlacht. Fiir Soli (Sopran u. Bariton),
Mannerchor und Klavier. No. i in M.280.7
Same. Battle of the Huns. Sop. and Barit. solo, and
male chorus. No. 6 in M.392.32
Die Meerfahrer. Ein Cyklus von Gesangen fiir Man-
nerchor, Sopransolo und Klavier. No. 6 in M.212.20
Nachtlied. Fiir Mezzosopransolo, Miinnerchor und
Clavier. No. 6 in M.203.24
Wanderers Sturmlied, fur Miinnerchor, Soloquartett
und Klavier. Nq 5 ;„ M.280.7
ZuscHNEiD. Lenzfahrt. Away to the forest. Fur Miinner-
chor mit Begleitung von Blechinstrumenten.
No. 8 in M.212.20
Cantatas. Criticism.
Glueck, a. Max Bruch, Frithjof. Erliiutert. Frankfurt a
M. [1898.] No. 6inM.2i7.i2.4
Hehemann, M. Johann Sebastian Bach, Der Streit zwischen
Phobus und Pan. Erliiutert. Leipzig. [1903.]
No. 19 in M.217.12.11
Heuberger, R. F. J. Johannes Brahms, Rhapsodie; Niinie
Erlautert. Frankfurt a. M. [1895.] No. 44 in M.217.12.2
Robert Schumann, Das Paradies und die Peri. Er-
liiutert. Frankfurt a. M. [1898.] No
10 m M.217.12.4
Cantatas. Criticism. (Continued.)
Robert Schumann, Scenen aus Goethe's „Faust." Er-
lautert. Frankfurt a. M. [i8g8.] No. 10 in M.217.12.3
Mauke, W. Richard Strauss, Wanderers Sturmlied. Er-
lautert. Frankfurt a. M. [1898.] No. 14 in M.217.12.3
Merkel, J. Robert Schumann, Der Rose Pilgerfahrt (mit
Text). Erliiutert. Frankfurt a. M. [1898.]
No. 13 in M.217.12.S
Mueller-Reuter, T. Ludwig van Beethoven, Phantasie fiir
Pianoforte, Chor und Orchester. Erlautert. Frankfurt a.
M. [1898.] No. i9inM.2i7.i2.4
PocHHAMMER, A. Camille Saint-Saens, Die Siindflut (Le
deluge). Erlautert. Frankfurt a. M. [1895.]
No. 49 in M.217.12.2
RiEMANN, H. Felix Mendelssohn-Bartholdy, Lobgesang.
Erlautert. Frankfurt a. M. [1898.] No. 14 in M.217.12.5
RiEMENSCHNEiDER, G. Jean Louis Nicode, Das Meer. Er-
lautert. Leipzig. [1899?] No. gin M.217.12.8
SiTTARD, J. Johannes Brahms, Schicksalslied; Gesang der
Parzen. Erlautert. Frankfurt a. M. [1895.]
No. 37 in M.217.12.2
Smolian, a. Richard Strauss, "Taillefer." Erlautert. Leip-
zig. [1903.] No. 15 in M.217.12.12
Volbach, F. Hector Berlioz, ,, Faust's Verdammnis." Er-
lautert. Frankfurt a. M. [1895.] No. 33 in M.217.12.2
WiDMANN, B. G. F. Handel, Cacilienode. Erliiutert. Frank-
furt a. M. [1895.] No. 33 in M.217.12.2
Georg Friedrich Handel, Frohsinn, Schwermut und
Massigung. Erlautert. Frankfurt a. M. [1895.]
No. 26, 27 in M.217.12.2
ZuscHNEiD, C. Max Bruch, Odysseus. Erlautert. Frank-
furt a. M. [1848.] No. 2in M.217.12.7
Cantate, The, Church music. Werner, A., compiler. M.iio.g
Cantate a Jeanne D'Arc. For the Music see Sourilas. For the
Libretto see Bru-Thiellay.
Cantate auf den Tod Kaiser Joseph des Zweiten.
Werke. Serie 25.
Cantate auf die Erhebung Leopold des Zweiten.
Werke. Serie 25.
Cantate Domino. Canon, 4 in i.
catches. Vol. l, pp. 9, 10.)
Cantate Domino. Anthem.
Angel, J. An evening service.
Ayrton, W.
Baylev, W.
Bridgewater.
Beethoven.
M.413.1.25
Beethoven.
M.413.1.25
(III Warren. Collection of
No. 8 in M.220.9.1
Clarke- Whitfeld, J. O. Services and anthems
CoRFE, J. Morning and evening service.
Croce.
Durante, S.
Hackett. An evening service.
Hayes, W. In A major.
No. 6 in M.igo.i
No. 33 in M. 290.22. 1
No. 19 in M.igo.i
No. 5 in M.290.18
Vol. I.
M.233.4.1
M.233.S
No. II in M. 158.33.4
No. 3 in M.233.26.1
No. 24 in M.igo.3
Catches, glees and canons. Vol. i.
No. I in M.220.5
— In E flat major.
Lassus. Sammtliche Werke. Band i, 7,
Marston.
NixoN, H. G.
Parker, J. C. D.
SCHNECKER.
SwEELiNCK. Werken. Deel 6.
Cantate Domino et benedicite. Motet. Lassus
Werke. Band i.
NOVELLO, V.
Cantate ei. Motet. Lassus. Sammtliche Werke.
Cantate funebre pour la fete du 20 prairial, an
GOSSEC.
Cantate zu Ehren Joseph Spendon's. Schubert, F
Serie 17.
Cantate zum Geburtstag des Siingers Michael Vogl. Schubert,
F. P. Werke. Serie 19. M.317.1.19
Cantate zur sojahrigen Jubelfeier Salieri's. Schubert, F, P.
Werke. Serie 19. M.3i7.i.ig
M.236.32 ; etc.
M.8o4oa.67.i, 7
No. IS in M.158.18
No. 31 in M.260.3
No. 59 in M.158.18
No. 8 in M. 203.29
M.413.2.6
Sammtliche
M.8o4oa.67.i
4 in M.270.3.2
Band 9.
M.8o4oa.67.g
VII. Song.
M.380.14
P. Werke.
M.31 7.1.17
No.
202
Cantate
THE ALLEN A. BROWN COLLECTION OF MUSIC
Captive
Cantate zur Feier der Genesung der Irene Kiesewetter. Part-
song. Schubert, F. P. Werke. Serie 17. M.317.1.17
Cantate 2ur Namensfeier des Vaters. Schubert, F. P. Werke.
Serie 19. M.317.1.19
Cantatrice, Une. Fiction. Gibrac. M.138.13
Cantatrice grammairienne, La. Song. Without music. Bar-
THELEMY, L. M.I26.33
Cantatrice villane, Le. Opera. For the Music see Fioravanti,
V.
Canteeneer, The. Song. Balfe. No. 2 in M.igz.g.i
Cantemire. Opera. For the Music see Fesca, F. E. For the
Libretto see Dusch.
Cantemus. Anthem. Rossini. No. 8 in M.280.32
Canterbury pilgrims, The. Opera. For the Music see Stan-
ford. For the Libretto see A Beckett, G. Arthur.
Cantiam brilliam. Catch. Cocchi. No. 56 in M.215.21
Cantiamo, compagni. Catch a 3 voci. (/h Warren. Collection
of catches. Vol. l, p. 106.) No. 106 in M.220.9.1
Cantica sacra. Church music. Benz, editor. M.237.1
Cornell. m. 108.2
Cantico del sol. Cantata. For the Music see Liszt. For the
Libretto see Francis of Assisi.
Canticum in honorem nuptiarum Joh. Stobaei. Cantata. For
the Music see Sweelinck. Werken. Deel 9.
Canticum nuptiale. Anthem. Sweelinck. Werken. Deel 9.
M.413.2.9
Cantilena potatoria. Part-song. Pembaur. No. 12 in 11.392.20
Cantilena potatoria. Song. Gruber, G. W. Gottfried August
Biirgers Gedichte. Vol. 2. No. 2oin M.130.9.2
Cantiniere, La. Opera. For the Music see Planquette. For
the Libretto see Roucoux.
Cantiones sacrae. Anthems. Byrd. No. 2, 3 in M.234.25
No. 2 in M.234.25
Cantique de Simeon. Anthem. Sweelinck. Werke. Deel 2.
M.413.2.2
Cantique du Trappiste. Song. Meyerbeer. 40 melodies.
No. I in M. 157.38
Cantor, The. Part-song. Mueller, C. G. No. 70 in M.i2ga.43.io
Cantores amant humores. Part-song. Marschner, H. A.
No. 263 in M.i29a.43.8
Cantus lugubris. Cantata. For the Music see Reichardt, J. F.
Cantus peregrinus. Cantata. For the Music see Parker, H. W.
A wanderer's psalm.
Canvassing squire, A. Catch. Atterbury. No. 202 in M.220.9.1
Canzon, la doglia e '1 pianto e ben. Part-song. Lassus. Sammt-
liche Werke. Band 6. M.8o4oa.67.6
Canzona francese. Pianoforte music. Pasquini. M.380.59
Canzone circassa. Song. Florimo. Ore musicali.
No. 2 in M. 244.19
Canzone del ricordi, La. Songs. Martucci. No. i in M.384.37
Canzonetta alia Madonna di Frascati. Hauptmann, M. Zwei
Marienlieder. No. 27 in M.201.33
Canzonnetta italiana. For violoncello and piano. Rousselot.
No. 3 in M. 210.6; etc.
Capdepon, Mariano.
Mitridate. Dramma lirico. Musica del Maestro Emilio Ser-
rano y Ruiz. M.39g.59
Capece, Sigismondo.
Telemaco; a serious opera. Music by Tomaso Trajetta.
London. Cadell. i777- No. 4 in M.147.5
Libretto only, in English and Italian.
Same. Melodramma serio. [Musica] del Sigr. Giovanni
Simone Mayr. M.41.20
Capelle, Pierre.
La journee aux aventures. Opera comique, paroles de MM.
Capelle et Mezieres, musique de Mehul. M.273.24
Capelle, Die. Part-song. Schumann, R. A. Romanzen fiir
Frauenstimmen. No. 6 in M. 158.24 ; etc.
Capelli, L Duct. Gordigiani. fichos de la Toscane. Vol. 2.
No. 38 in M.244.13.2
Capes. Bernard.
Bustle's bride. Operetta, Composed by J. Parry Cole.
No. I in M.277.ig
Capes, John Moore.
Flavian, a sacred cantata. \s. a. t. b. and chorus. Accomp.
for piano. 1 London. Ewer & Co. riS.i^-?! M.270.23
Capitaen Fracassa. Opera. For the Music see Dellinger. For
the Libretto see Genee.
Capitaine Albert, Le. Opera. For the Music see Feltre. For
the Libretto see C * * *.
Capitaine Fracasse, Le. Opera. For the Music see Pessard.
For the Libretto see Mendes.
Capitaine Henriot, Le. Opera. For the Music see Gevaert.
For the Libretto see Sardou.
Capitaine noir, Le. Opera. For the Music see Mertens. For
the Libretto see Faassen.
Capitaine Roland, Le. Opera. For the Music see Gregh. For
the Libretto see Lafrique.
Capitaine Therese, Le. Opera. For the Music see Planquette.
For the Libretto see Bisson.
Capitan, El. Opera. For the Music see Sousa. For the Li-
bretto see Klein, C.
Capitole, Le. Opera. For the Music see Serpette. For the
Libretto see Ferrier.
Capocci, Filippo.
Sonata, la, per organo. Espressamente composta ed ese-
guita per I'inaugurazione del grande organo nella Chiesa
nazionale di S. Luigi de' Francesi in Roma. Roma. Man-
ganelli. [187-?] No. i in M.414.34
Sonata, 2a, per organo. Con pedale obbligato. Lipsia. Kist-
ner. [188-?] No. 2 in M.414.34
Sonata, 3a, per organo. London. Augener & Co. [187-?]
No. I in M.30.23
Capoul, Joseph Amedee Victor.
Jocelyn. Opera par Amand Silvestre et Victor Capoul. Mu-
sique de Benjamin Godard. M.266.5
Capoul, Joseph Amedee Victor. Works about.
Grand, G. Victor Capoul. Paris. 1877. Portrait.
No. 3 in M.128.31
Capriccio. For orchestra. Radecke, A. M. R. No. i in M.33i.2i
Capriccio bohemien. For orchestra. Rakhmaninov.
No. I in M.410.78
Capriccio brillant. For pianoforte and orchestra. Mendelssohn-
Bartholdy. J. L. F. No. 3 in M.342.18; etc.
Capriccio brillante. For orchestra. Glinka. No. 3 in M.348.7
Capriccio di donna, Un. Opera. For the Music see Cagnoni.
For the Libretto see Ghislanzoni.
Capriccio espagnol. For orchestra. Rimski-Korsakof.
No. 2 in M.333.17
Capriccio italien. For orchestra. Tchaikovski, P. L
No. 2 in M.343.12
Capricciosa. Opera. For the Music see Raida. For the Li-
bretto see Treptow.
Capricciosa, La. Song. Blumenthal. No. 21 in M.244.1 ; etc.
Capricciosa corretta, La. Opera. For the Music see Martin y
Solar. For the Libretto see Ponte.
Capricciosa pentita. Opera. For the Music see Fioravanti, V.
Caprice. Part-song. Curti, F. M.ig3.23.2
Caprice de femme, Un. Opera. For the Music see Paer. For
the Libretto see Lesguillon.
Caprice russe. For pianoforte and orchestra. Rubinstein.
No. 2 in M.33S.23
Capstan chorus, A. Part-song. Smart, H.
No. 76 in M. 157.5.2; etc.
Captain Roleind. Part-song. Laurent de Rille. M.ig3.23.i
Captain Therese. Opera. For the Music see Planquettte. For
the Libretto see Bisson.
Captif, Le. Opera. For the Music see Lassen. For the Li-
bretto see Piestre.
Captif, Le. Song. David, F. C. Cinquante melodies. M.363.28
Captive, La. Opera. For the Music see David, F. C. For the
Libretto see Carre, M.
Captive, La. Song. Berlioz, L. H. No. 3 in M.341.24; etc.
Captive, La. Symphonic poem. Selmer. No. i in M.404.17
Captive, The. Opera. For the Music see Dibdin, C. 1745-1814.
For the Libretto see Bickerstaff.
Captive brook, The. Part-song. Schelmann.
No. 63 in M.3g2.2i ; etc.
Captive of Spilberg, The. Opera. For the Music see Dussek.
For the Libretto see Hoare.
203
Captives
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Carin
Captives of Babylon, The. Oratorio. For the Music see Shinn.
For the Libretto see Shepherd, J.
Captivite de Babylone, La. Cantata. For the Music see Ber-
nard, li. For the Libretto see Reed, L.
Captivity, The. Oratorio. For the Music see Vogrich. For
the Libretto see Goldsmith.
Capuletti, I. Duet. Louis, N. No. i8 in M.390.28
Capuletti e Montecchi, ossia Giulietta e Romeo. Opera. For
the Music see Bellini. For the Libretto see Romani, F.
Caput apri defero. Part-song. Pearsall. No. 5 in M. 195.1. 11
Caput ejus aurum optimum. Motet. Palestrina. Werke.
Band 4. M.8o4oa.66.4
Caquet du couvent, Le. Opera. For the Music see Potier. For
the Libretto see Planard.
Cara, che tanto amai. Part-song. ■ Elia. No. 6 in M.120.13
Cara deh! asciuga il pianto. Song. Vaccaj. No. 2 in M.364.10
Cara Italia, amica e bella. Duet. Campana. No. 17 in M.244.9
Cara Lisa. Song. Reissiger. No. 50 in M.235.18.1
Cara! non dubitar. Duet. Cimarosa. No. 45 in M.157.39
Cara sposa. Aria. Handel. 12 Sopran-Arien. No. i in M.270.48
Cara, vale. Elegy. Callcott, J. W. Collection of glees. Vol. 3.
No. 9 in M.234.1.3
Caraccioli, Luigi Maria.
Six Tuscan foll< songs for two voices. Words by Theo. Mar-
zials. Music by Luigi Caracciolo. New York. Schirmer.
fi8()-?] No. I in M.384.20
Contents. — A streamlet full of flowers. — From far away. — When I
am dead. — A flight of clouds. — Oh! happy are the blind. — Nearest
and dearest.
Caractacus. Ballet. Bishop, H. R. No. 3 in M.391.8
Caractacus. Cantata. For the Music see Elgar; also Read, J.
F. H. For the Libretto see Acwrorth; also Stoeks, E. J.
Caracteres, Les, de la folie. Opera. For the Music see Bury.
For the Libretto see Duclos.
Carafa, Michele Enrico Francesco Aloisio Vincenzo Paolo.
Ah! calmons nous. Duo [s. t. Accomp. de piano]. Paris.
Petit. [183-? La prison d'fidimbourg.] No. 1 1 in M.390.37
Ai nostri gemiti. [Duettino, s. t. Accomp. di piano.]
Braunschweig. Meyer. [185-?] No. 17 in M.221.20
Assis dans ma barque. Couplets [t. Accomp. de piano].
Paris. Petit. [183-? La prison d'fidimbourg.]
No. 3, 8 in M.390.37
C'toi, je ne puis rien comprendre! Duo bouffe [t. t.
Accomp. de piano]. Paris. Petit. [183-? La prison
d'Edimbourg.] No. 9 in M.390.37
Chant de la berceuse [s. Accomp. de piano]. Paris. Petit.
[183-? La prison d'fidimbourg.] No. 6 in M. 390.37
Dans notre chaumiere. Ronde [s. Accomp. de piano].
Paris. Petit. [183-? La prison d'fidimbourg.]
No. S in M.390.37
Gabriella di Vergi. Musica del Sig. Michele Caraffa. [Li-
bretto di Profamo. Partitura.] Manuscript. [1816?] 2 v.
M.31.S
Masaniello, ou le pecheur napolitain. Drame historique en
quatre actes de Moreau & Lafortelle. Musique de Michel
Carafa. [Partition d'Jorchestre. Paris. Grus. 1827.
M.402a.6
Oh! comme il lui ressemble. Duo [s. s. Accomp. de piano].
Paris. Petit. [183-? La prison d'fidimbourg.]
No. 7 in M.390.37
Ombre che a me d'intorno. Cavatina [s. o. t. Accomp. de
piano]. (In Fleurs d'ltalie. Pp. 52-54.) No. 2 in M.364.10
Pour oublier mes peines. Choeur [s. s. b. b. Accomp. de
piano]. Paris. Petit. [183-? La prison d'Edimbourg.]
No. 10 in M.390.37
La prison d'fidimbourg. Opera comique en 3 actes. Paroles
de MM. Scribe et E. de Planard. Musique de Mr. Carafa.
Partition. Paris. Petit. 1833. M.402a.5
Same. [Partition chant et piano.] Richault. [183-?] M.363.5
La revoke et la guerre. [Air, T. et choeur, s. s. T. t. b. Ac-
comp. de piano.] Paris. Petit. [183-? La prison d'Edim-
bourg.] No. 4 in M.390.37
Le solitaire. Opera en 3 actes [par F. A. E. de Planard],
compose par M. Carafa. [Partition chant et piano.] May-
ence. Schott. [1822.] M.230.37
Carafa, Michele Enrico F. A. V. P. (Continued.)
Le valet de chambre. Opera comique en i acte. Paroles de
Scribe et Melesville [pseud.]. Musique de M«' Carafa.
Partition piano et chant arrangee par Paul Bernard. Paris.
Lemoine. [184-?] No. 3 in M.275.16
La violette. [Opera en 3 actes.] Paroles de Planard. Mu-
sique de Carafa. [Partition chant et piano.] Paris. Leduc.
[183-?] 12 parts in i v. No. i in M.291.24
Same. Das Veilchen. Oper in 3 Aufzugen [von F. A. E. de
Planard]. Musik von M. Caraffa. Clavierauszug mit
franzosischem Text, und freyer deutscher Bearbeitung
von Th. von Haupt. Mainz. Schott. [183-?] M.281.27
Caraffa, Michele Enrico. See Carafa, Michele Enrico Fran-
cesco Aloisio Vincenzo Paolo.
Caravan, The. Part-song. Pinsuti. No. 29 in M.195.1.S; etc.
Caravan, The, or the driver & his dog. Opera. For the Music
see Reeve. For the Libretto see Reynolds, F.
Caravane, La, du Caire. Opera. For the Music see Gretry,
A. E. M. For the Libretto see Morel de Chedeville.
Caravita, Giuseppe.
II trionfo di Rosselane, ossia le tre sultane. A semi-serious
opera. Music by V. Pucitta. London. Brettell. 181 1.
No. 6 in M.io9a.i.i; No. 8 in M.147.7
Words only, in Italian and English.
Carcano, Raffaelle.
Vespro a 3 voci, T. T. B., con accomp. d'organo. Torino.
Blanchi. [185-?] No. 2 in M.222.25
Carcassonne, Adolphe.
Le jugement de Dieu. Opera. Musique de Auguste Morel.
M.367.2S
Cardiff, Wales.
Johnstone, W. H. S. History of the first Cardiff Festival,
1892. Revised by W. A. Morgan. London. [1892. Por-
traits. Facsimiles. M.370.18
Cardillac. Opera. For the Music see Dautresme. For the
Libretto see Truinet.
Care selve, aure grate. Song. Handel. Werke. Lieferung
50. M.313.1.SO
Care, thou canker. Part-song. Garth, J.
No. 23 in M.141.21.1; etc.
Careless of love. Part-song. Lawes, H. No. 36 in M.iii.4.3
Caressante, La. Orchestral music. Sokolov. No. 3 in M.412.11
Carey, Henry.
Curst be the wretch. Catch a 3 voci. (In Bland. The Ladies'
collection. Vol. i. p. 45.) No. 70 in M.235.17.1
Also to be found in dementi's Collection of catches; The Harmonist;
Social harmony.
[The dragon of Wantley.] Songs and duettos in the bur-
lesque opera, called The dragon of Wantley. Composed
by Mr. John Frederick Lampe. M.402.75
He comes, the hero comes. [Duet, t. b.] (In Social har-
mony. P. 219.) No. 182 in M.215.21
In these groves of content. Glee [t. t. b.]. (In Apollonian
harmony. Vol. 2, pp. 44, 45.) No. 36 in M.141.21.2
Also to be found in Social harmony.
Love's a gentle, gen'rous passion. Duett [t. b.]. (In Bland.
The Ladies' collection. Vol. i, pp. 90, 91.)
No. 141 in M.235.17.1
Sally in our alley. Ballad [t. Accomp. for pianoforte]. (In
Musical library. Vol. 2, pp. 14-16.) No. 5 in M.235.18.2
Caricatures.
Grand-Carteret, J. Richard Wagner en caricatures. Paris.
[1891.] Illus. Portraits. Plates. Facsimiles. M. 144.13
Warren, H. Notes upon notes, with cuts upon copper and
music. London. 1832. Colored plates. M.i29a.8
Carignani, Carlo, editor.
Catalani, Alfredo. La Wally. M.389.56
Carillon, Le. Opera. For the Music see Urich. For the Li-
bretto see Mery, J.
Carillon, Le. Pantomime. Massenet. No. 3 in M.384.3
Carillonneur, Le, de Bruges. Opera. For the Music see Grisar.
For the Libretto see Saint Georges.
Carin, Peter.
Rose-Mousse, piece de Andre Alexandre et Peter Carin.
Musique de Charles Lecocq. No. 2 in M.39g.3i
204
Carissan
THE ALLEN A. BROWN COLLECTION OF MUSIC
Carnaval
Carissan, Celanie.
Rebecca. Oratorio ou idylle sacree en huit scenes, pour or-
chestre, choeurs et soli. Poeme de E. de Nassirac [pseud.].
Musique de C. Carissan. Partition piano et chant. Paris.
Enoch & Costallat. 1893. Portrait. No. 2 in M.213.21
Carissan, E.
Rebecca. Oratorio ou idylle sacree. Musique de C. Caris-
san. No. 2 in M.213.21
Carissimi, Giacomo.
Ardens est cor meum. Motetto. [Mit Orgel-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 2, pp. 9-12.) No. 3 in M.202.6.2
Dite, O cieli. Duet[T. B.]. (/n Apollonian harmony. Vol. 2,
pp. 30, 31.) No. 23 in M.141.21.2
Also to be found in Social harmony.
Dulce Te. Solo [t.] e duetto [s. t. Accomp. for organ],
(/n Novello. The Fitzwilliam music. Vol. 4, pp. 8, 9.)
No. 2 in M.233.26.4
Gaudeamus omnes (a 4 voci e coro). (/n Novello. The Fitz-
william music. Vol. I, pp. 35-41.) No. 7 in M.233.26.1
I am well pleased. Trio [s. s. b. Accomp. for organ]. (In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 144-146.)
No. 54 in M. 290.22.2
[Jephta.] Aus dem Oratorio Jephta. [Chore, s. s. s. a. t. b.,
und Recitativ, t., s., mit Orgel-Begleitung.] (/» Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 2, pp. 15-
23.) No. 5 in M.202.6.2
Magnificat. Solo. [Accomp. de piano ou d'orgue.] (In
fichos du monde religieux. Pp. 161-164.) M. 156.52
My soul truly waiteth. [Anthem. Accomp. for organ.] (In
Pratt. Collection of anthems. Vol. i, pp. 74-90.)
No. 8 in M.233.18.1
O felix anima. A 4 voix. [Accomp. de piano ou d'orgue.]
(In £chos du monde religieux. Pp. 104, 105.) M.156.52
O felix anima. Trio [a. t. b. Accomp. for organ]. (In No-
vello. The Fitzwilliam music. Vol. S, p. 26.)
No. 5 in M.233.26.5
O Lord, in Thee. [Anthem. Accomp. for organ.] (In
Pratt. Collection of anthems. Vol. 2, pp. 33-41-)
No. 4 in M.233.18.2
O Sacrum Convivium. Motette [s. A. T.]. (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 2, pp. 13,
14.) No. 4 in M.202.6.2
The oratorios of Carissimi. Edited by F. Chrysander.
Vol. I. [Bergedorf? Weissenborn? 187-?]
No. I in M. 153. 10
Contents. — I. Jephte. — Judicium Salomonis. — Jonas. — Ealtazar.
Six cantatas. Edited, and accomps. [for pianoforte] written
by Ridley Prentice. London. Cock. [1877.]
No. 2 in M.391.35
Contents. — A morire [solo, M.-s.]. — Deh contentatevi [solo, s. or
T.]. — Filli, non t'amo piu [solo, s. or T.]. — No, no, mio core [solo,
s. or T.]. — Exulta, gaude [duet, s. s.]. — Anima mea [duet, m.-s. b.].
Surgamus, eamus. Trio, A. T. B. [Accomp. for organ.] (In
Novello. The Fitzwilliam music. Vol. i, pp. 12-17.)
No. 2 in M.233.26.1
Turbabantur impii. [Einleitendes freies Recitativ, t., und
Schlusssatz, a. t. b., der Cantate: Klagen der Verlorenen.
Mit Orgel-Begleitung.] (In Rochlitz. Sammlung vor-
ziiglicher Gesangstiicke. Band 2, pp. 5-8.) No. 2 in M.202.6.2
Carle, Richard.
The maid and the mummy. A musical farce. Music by
Robt. Hood Bowers. No. 2 in M.399.15
The Mayor of Tokio. A musical comedy. Music by Wm.
Frederick Peters. M.396.72
The storks. A musical fantasy. [Book by Richard Carle
and Guy F. Steely.] Music by Frederic Chapin. M.381.8
Carline. Opera. For the Music see Thomas, C. L. A. For the
Libretto see Ribbing.
Carlini, Oreste.
Di soUevarmi al soglio. Duetto [s. a.] . . . Con accomp. di
pianoforte. Napoli. Girard. [184-?] No. 13 in M.221.20
From Solimano Secondo.
Carlisle wall. Ballad. Porter, P. W. A collection of melo-
dies. No. 2 in M.236.21
Carlo Magno. Opera. For the Music see Torriani. For the
Libretto see Cressoni.
Carlo Rosa. Opera. For the Music see EUerton.
Carlotta-Grisi, La. Waltz. For piano. Four hands. Herz. H.
No. I in M.390.8
Same. For violin and piano. No. 8 in M.390.10
Carmagnole, La [a. ou bar. Accomp. de piano]. (In Pierre,
C. V. D. Musique des fetes et ceremonies de la Revolu-
tion frangaise ... P. 481.) M.380.14
Carmagnole, La. Opera. For the Music see Barbier, F. £;
also Fauchey. For the Libretto see Pericaud; also Le-
maire, J.
Carman, L N.
Camillus, the Roman conqueror. A dramatic cantata. Music
by B. F. Baker. M.384.13
Carman, Marius.
Les bicyclistes en voyage. Operette en 3 actes de H. Chivot
& H. Blondeau. Musique de Marius Carman. Partition
piano et chant. Paris. Choudens. 1894. M.303.20
Jean Raisin. Operette en 3 actes de Paul Burani [pseud.].
Musique de Marius Carman. [Partition chant et piano.]
Paris. Biardot. 1893. M.303.21
Le mariage au Yatagan. Opera comique en i acte. Paroles
de Marc Sonal [pseud.]. Musique de Marius Carman.
[Partition piano et chant.] Paris. Grus. [188-?]
No. I in M.399.12
La servante de Ramponneau. Opera-comique en 2 actes.
Paroles de Achille Rodembourg. Musique de Marius Car-
man. [Partition piano et chant.] Paris. Leduc. 1886.
No. I in M.275.29
Carmelite, La. Opera. For the Music see Hahn, R. For the
Libretto see Mendes.
Carmen. Opera. For the Music see Bizet. For the Libretto
see Meilhac.
Carmen saeculare. Cantata. For the Music see Danican; also
Stanford. For the Libretto see Horatius Flaccus; also
Tennyson.
Carmichael, Mary.
The frozen heart, or the snow queen, an operetta adapted
from Hans Andersen, by M. C. Gillington, music by Mary
Carmichael. Vocal score [with pianoforte accomp.].
London. Williams. [190-?
No. 2 in M. 397.62
Carmina sacra. Church music. Mason, L., compiler. M.100.2S
Carminati, Giovanni Paolo, translator.
Zajc. Nikola Subic Zrinjski. M.294.30
Carmosinella. Opera. For the Music see Hollaender, V. For
the Libretto see Hirschson.
Carmouche, Pierre Franqois Adolphe.
La chaste Suzanne. Opera de genre. Paroles de Carmouche
et de Courcy. Musique de Hipp. Monpou. M.267.9
La permission de dix heures. Opera comique. Paroles de
Melesville [pseud.] et Carmouche. Musique de J. Offen-
bach. No. I in M.302.I4
Same. Urlaub nach dem Zapfenstreich. Komische Operette
[von A. H. J. Duveyrier und Carmouche]. Musik von J.
Offenbach. No. 3 in M.267.34
[Le proscrit, ou le tribunal invisible. Drame lyrique de
Carmouche et X. Saintine. Musique d' Adolphe Adam.]
The title-page is lacking. M.2SI.9
Carnaby, William.
A grace. [Catch for 3 voices.] (In Hague. A Second col-
lection of glees. P. 73-) No. 5 in M.340.15
Sanctus. [s. a. t. b. b. Accomp. for organ.] (In Ayrton.
Sacred minstrelsy. Vol. i, pp. 116-119.) No. 42 in M.290.22.1
Carnall, Arthur.
Come live with me. A madrigal for a. t. b. b. (In The
Orpheus. New series. Vol. 6, pp. 15-20.) No. 4 in M.205.10.6
Hail! Thou that are highly favoured. Anthem for Christ-
mas. [Accomp. for organ.] (In Novello's Collection of
anthems. Vol. 16, pp. 65-75-) No. 8 in M.195.2.16
Carnaval de Venise, Le. Opera. For the Music see Thomas,
C. L. A. For the Libretto see Sauvage, T. M. F.
Carnaval de Venise, Le. For violin. Ernst, Heinrich W.
No. S in M.406.6
205
Carnaval
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Carre
Carnaval ouverture. Overture. Glazunov. No. 2 in M.341.21
Carnaval romain, Le. Overture. Berlioz, L. H.
No. 2 in M.341.21
Carnet d'un tenor, Le. Autobiography. Roger, G. H. M.118.4
Carnet du diable, Le. Opera. For the Music see Serpette.
For the Libretto see Blum, E.
Carneval. Overture. Dvorak. No. 2 in M.344.38
Carnaval in Paris. For orchestra. Svendsen. No. i in M.312.6
Carneval in Rom, Der. Opera. For the Music see Strauss, J.
182,^-1899. For the Libretto see Braun, J.
Carneval Scene, Fine. For orchestra. Bird, A. No. i in M.410.11
Carneval von Venedig, Der. Part-song. Genee.
No. 17 in M.392.33; etc.
Carnevale di Venezia, II. Opera. For the Music see Petrella.
For the Libretto see Arienzo.
Carnival at Naples, The. Opera. For the Music see Barnett,
John.
Caro, Paul.
Hero und Leander. Oper in 3 Aufziigen (und S Abtheilun-
Ren). Te,\t nach Grillparzer's Tragodie „Des Meeres und
der Liebe Wellen." Musik von Paul Caro. Clavier-Aus-
zug mit Text. Leipzig. Robitschek. [189-?] M.382.6
Caro e morto, II. Part-song. Palestrina. Werke. Band 30.
M.8o4oa.66.30
Caro amor mio. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. 8 in M.244.13.2
Caro autor di mia doglia. Duet. Handel. Werke. Lieferung
-^2. M.313.I.32
Caro beir idol mio. Canon. Mozart. Serie 7, Band 2.
No. 61 in M.315.1.7.2
Caro! bella! Duet. Handel. No. ii in M.235.18.3
Caro Enea dove son? Part-song. Andreozzi. No. 7 in M.120.13
Caro mea. Anthem. Baini, L. No. 2 in M.260.19
Martini, G. B. No. 21 in M.260.3
Palestrina. Werke. Band 3, 6. M.8o4oa.66.3, 6
Caro mio Druck und Schluck. Quartet. Mozart. Werke.
Serie 24, Band i. No. 4 in M.3is.i.24.i
Caro sposo. Song. Alberti, D. No. 6 in M.i20.i7; etc.
Caro vieni. Catch. Hayes, W. Catches, glees and canons.
Vol. I. No. I in M.220.S
Carol! Christians! Carol. Warren, G. W. No. 6 in M.190.9
Carol round the fireside, A. Part-song. Gabriel, M. A. V.
No. 20 in M.157.23
Carolme, William.
Althea. A romantic comic opera. Libretto by Wm. Caro-
line and John J. Flynn. Music by R. S. Poppen. M.381.33
Caroline, La. Rondo. Hoberecht. No ; in m 2^7 ?
Carolus, Edouard.
Antoinette au Coeur d'or. Operette. Musique de L Gob-
^^^'^'■t?- . No. 4 in M.256.12
t,arpani, Giuseppe.
Cammilla. A tragic-comic opera. London. Winchester.
U^^-1 , • T ,• , r- No. I in M.ioga.1.2
Words only, m Italian and English.
Same. La Cammilla, o sia il sotterraneo. [Opera.] Musica
del Sig. Ferdinando Per. M.S0.5
Same. Camilla. Opera di Ferdin. Par. M.IS2.16
Same. Mit deutsch und italienischem Te.xte. M.330.15
Le Haydine, ovvero lettere su la vita e le opere del maestro
Giuseppe Haydn. Milano. Buccinelli. 1812. Portrait,
c. P'^tes M.145.28
Same. Letters on Haydn. {In Beyle. Life of Haydn .
Pp. I-33I. London. 1817.) M.116.1
L'uniforme. Dramma eroi-comico. Musica di G. Weigh
M.294.19
Same. [Die Uniform. Grosse militairische Oper ] Musik
von Weigl. M.340.19
Carpenter, Benjamin.
Man in the moon's ball. [Glee, t, t. b. b. Accomp. for piano-
forte.] Boston. Russell. [1887.] No. 57 in 1^.392.3
Carpenter, John Alden.
The flying Dutchmen. '97 Hasty Pudding play. Music by
J. A. Carpenter. Words by M. E. Stone, Jr. Lyrics by
H. T. Nichols. [Accomp. for pianoforte.] Boston Ste-
vens Co. 1897. No. i in M.39I.36
Carpenter, MilHe W., editor.
Ritter, F. R. Lyre, pen and pencil. M.373 50
Carpet weaver. The. Song. Storage. No. 32 in M.237.7
206
No. 20 in M.391.S7
Carpintero, El. Song. Yradier.
Carr, Benjamin.
Gloria in excelsis. Chorus. [Accomp. for organ.] {In
Handel and Haydn Society Collection of sacred music.
Vol. 2, pp. 77-82.) No. 13 in M.221.22.2
Carr, Frank Osmond.
Blue eyed Susan. Comic opera, written by Geo. R. Sims &
Henry Pettitt, music by F. Osmond Carr. Vocal score.
London. Ascherberg & Co. 1892. M.245.1
Go bang, a musical farcical comedy in two acts. By Adrian
Ross [pseud.]. Music by F. Osmond Carr. Vocal score
[with piano accompaniment]. London. Williams. [1894.]
No. I in M.381.7
His Excellency. A comic opera in 2 acts. Written by W. S.
Gilbert. Composed by F. Osmond Carr. Vocal score.
London. J. Williams. [1894.] M.39S.11
If ye then be risen. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. [1892.] No. 29 in M. 158.14
In town: a musical farce. By Adrian Ross [pseud.] and
James Leader. Music by F. Osmond Carr. Vocal score.
London. Williams. [1892.] M.393.9
Joan of Arc, or the merry maid of Orleans. Opera bur-
lesque. Written by J. L. Shine & Adrian Ross [pseud.],
music by F. Osmond Carr. Vocal score. London. As-
cherberg & Co. [1891.] No. 2 in M.328.3
Lord Tom Noddy. A musical comedy in two acts. Written
by George Dance. Composed by F. Osmond Carr Vocal
score [with piano accomp.]. London. Ascherberg & Co.
1896. No. 2 in M.397.8
Morocco bound. A musical farcical comedy, in two acts.
Libretto by Arthur Branscombe. Lyrics by Adrian Ross
[pseud.]. Vocal score. London. Williams. [1893.]
M.393.10
Carr, Joseph William Comyns.
The beauty stone. An original musical drama. By Arthur
W. Pinero, J. Comyns Carr, and Arthur Sullivan. M.394.48
Carraud, Gaston.
Cleopatre, scene lyrique [s. T. B.], de Fernand Beissier.
Musique de G. Carraud. [Accomp. de piano.] Paris.
Hartmann & c'^. [1891?] Illus. No. i in M. 154.44
Les nuits. Symphonie avec soli [s. T.] et choeurs [de voix de
femmes] d'apres les "Nuits" d'Alfred de Musset. Musique
de Gaston Carraud. Partition, chant & piano.
No. I in M.203.36
Carre, Albert.
L'Amour en livree. Operette. Paroles de Albert Carre &
Paul Meyan. Musique de Georges Street. No. i in M.393.65
La basoche. Opera-comique. Musique de Andre Messager.
M.225.ig; etc.
Les beignets du roi. Opera-comique. Musique de Firmin
Bernicat. M.26S.12
Miss Robinson. Operette. Musique de fimile Jonas.
No. 2 in M.286.24
La montagne enchantee. Piece fantastique de A. Carre et
E. Moreau. Musique de A. Messager & X. Leroux. M.402.40
Les premieres armes de Louis XV. Opera-comique. Mu-
sique de Firmin Bernicat. M.265.13
La reine Mozab. Opera-comique. Musique de J. Duprato.
No. 4 in M.305.23
Carre, Auguste.
Lanterne magigue! I ! Operette. Musique de Louis Deffes.
No. 3 in M.302.16
La meuniere Sans-Souci. Operette. Musique de M. Ernest
Boulanger. No. 7 in M.301.2
Carre, Emile.
Un vovageur en chambre. Operette. Paroles de Leon
Quentin & fimile Carre. Musique de Victor Robillard.
No. 2 in M.383.31
Carre, Fabrice.
Les delegues. Vaudeville de fimile Blavet & Fabrire Carre.
Musique de A. Banes. No. 2 in M.25.';.33
L'enlevement de La Toledad. Operette. Musique de Ed-
mond Audran. No. 2 in M.303.17
La femme de Narcisse. Operette. Musique de Louis Varney.
No. 2 in M.325.4
Carre
THE ALLEN A. BROWN COLLECTION OF MUSIC
Carre
Carre, Fabrice. (Continued.)
Josephine vendue par ses sceurs. Opera-bouffe, de Paul
Ferrier & Fabrice Carre. Musique de Victor Roger.
M.307.34
Mam'zelle Carabin. Operette. Musique de M. Emile Pes-
sard. No. i in M. 287.14
Monsieur Loliengrin. Operette. Musique de Edmond Au-
dran. No. i in M.395.64
Le retour d'Ulysse. Opera bouffe. Musique de Raoul
Pugno. M.297.20
La vocation de Marius. Vaudeville-operette, de Fabrice
Carre & Albert Debelly. Musique de Raoul Pugno.
No. 2 in M.2g7.2i; etc.
Carre, Michel.
La belle au bois dormant. Feerie lyrique. Poeme de Michel
Carre et Paul Collin. Musique de Ch. Silver. M.381.41
Bouton d'or. Fantaisie lyrique. Musique de Gabriel Pierne.
No. I in M. 287. 18
Le cadi. Opera-comique. Paroles de Michel Carre & E.
Dubreuil. Musique de Leon Vercken. No. 2 in M.32S.31
La captive. Opera posthume. Musique de Felicien David.
M.295.5
Le chateau Trompette. Opera comique de Cormon fpseud.]
& M. Carre. Musique de F. A. Gevaert. M.256.35
Le chevalier Lubin. Opera-comique de Victor Perrot et
Michel Carre. Musique de A. Boieldieu. No. 2 in M.265.29
Le chevrier. Opera comique de MM. C. Narrey & M. Carre,
fils. Musique de Ch. Lecocq. M.383.62
Chez I'editeur. Saynete de moeurs musicales. Musique de
Edmond Missa. No. 2 in M.389.12
Le clos. Opera-comique. Musique de Ch. Silver. M. 389.18
Le colin-maillard. Opera-comique de Michel Carre et Jules
Verne. Mis en musique par Aristide Hignard. M.366.12
La colombe. Opera comique de J. Barbier et M. Carre, mu-
sique de Ch. Gounod. M.365.15
Le diable au moulin. Opera-comique de Cormon [pseud.]
& M. Carre. Musique de F. A. Gevaert. No. 2 in M.2S6.34
Dinah. Comedie lyrique par Michel Carre & Paul de Chou-
dens. Musique de Edmond Missa. No. 2 in M.257.16
Dinorah, ossia il pellegrinaggio di Ploermel. Opera semi
seria [di Barbier e Carre]. Musica di G. Meyerbeer. Pa-
roles italiennes et allemandes. M.367.23
Same. [Incomplete. With Italian and English words.]
No. 56 in M. 157.1
Same. Le pardon de Ploermel. Opera comique de Jules
Barbier et Michel Carre. Musique . . . par Giacomo
Meyerbeer. M.226.ii;etc.
Don Mucarade. Opera-bouffe de Michel Carre et Jules Bar-
bier. Musique de Ernest Boulanger. No. I in M.27S.2
L'eventail. Opera comique de Carre et Barbier. Musique
de E. Boulanger. No. 2 in 11.275.2
Faust, opera in five acts, by Barbier and Carre, the music by
Ch. Gounod. The English version imitated from the
French by H. F. Chorley. London. Chappell & Co. [1864.]
Words only. No. 6 in M.373.44
Same. Opera de Jules Barbier & Michel Carre, musique de
Ch. Gounod. 2e edition, avec les recitatifs. M. 365. 16
Same. Traduzione italiana. M.365.17
Fior d'Aliza. Opera par Carre & H. Lucas. Musique de
Victor Masse. M.367.4
Les fourberies de Marinette. Opera bouffe de Michel Carre
et Paul de Chazot. Musique de Jules Creste.
No. 4 in M.285.28
Francoise de Rimini. Opera de Jules Barbier et Michel
Carre. Musique de Ambroise Thomas. M.324.14
Galathee. Opera comique de Jules Barbier et Michel Carre,
musique de Victor Masse. No. i in M.247.28
Gil-Bias. Opera de Jules Barbier et Michel Carre. Musique
de Th. Semet. M.322.14
La guzla de I'emir. Opera-comique de Jules Barbier et
Michel Carre. Musique de Th. Dubois. M.305.16
Hamlet. Opera de Michel Carre et Jules Barbier. Musique
de Ambroise Thomas. M.327.1S
Lalla-Roukh. Opera comique de MM. Michel Carre et
Hipp. Lucas. Musique de Felicien David. M.401.7; etc.
Lara. Opera comique de MM. Cormon [pseud.] & Michel
Carre. Musique de Aime Maillart. 11.347,10
Carre, Michel. (Continued.)
Same. Adapted from the French of Cormon [pseud.] and
Michel Carre by John Oxenford. The music by .A. Mail-
lart. M.328.11
Le mariage au.x lanternes. Operette de Michel Carre et
Leon Battu. Musique de J. Offenbach. No. i in M.368.23
Le medecin malgre lui. Comedie arrangee en opera comique
par Jules Barbier & Michel Carre. Musique de Charles
Gounod. M.365.9
Same. The mock doctor (Le medecin malgre lui); adapted
by Jules Barbier and Michel Carre. English version.
Composed by Charles Gounod. M.282.13
Mignon. Opera. Musique de Ambroise Thomas. Paroles
de Michel Carre & Jules Barbier. M.327.14
Mireille. Opera. Musique de Ch. Gounod. M.365.12
Miss Fauvette. Opera-comique de J. Barbier et Michel
Carre. Musique de Victor Masse. No. i in M.247.35
Muguette. Opera-comique de Michel Carre et Georges
Hartmann. Musique de Edmond Missa. M.381.30
Les noces de Jeannette, opera comique de Michel Carre et
Jules Barbier. Musique de Victor Masse. M.22S.17
Same. Nouvelle edition. M.367.3
Les nuits d'Espagne. Opera comique. Musique de Th.
Semet. M.327.5
Les papillotes de Mr. Benoist. Opera comique de Jules Bar-
bier et Michel Carre. Musique de Henri Reber.
M.2S4.36;etc.
Le pardon de Ploermel. See his Dinorah.
Paul et Virginie. Opera de Jules Barbier et Michel Carre.
Musique de Victor Masse. M.247.29
Les pecheurs de Catane, drame lyrique de Cormon [pseud.]
et Michel Carre. Musique de Aime Maillart. M.225.14
Same. Die Fischer von Catania. Lyrische Oper von E. Cor-
mon [Pseud.] und Michel Carre. Musik von Aime Mail-
lart. M.273.7
Les pecheurs de perles. Opera de M. Carre & Cormon
[pseud.]. Musique de Georges Bizet. M. 265.20
Philemon et Baucis, opera de Jules Barbier et Michel Carre.
Musique de Ch. Gounod. M. 365.10
Polyeucte. Opera de Jules Barbier et Michel Carre. Mu-
sique de Ch. Gounod. M.266.26
Pris au piege. Opera bouffe. Musique de M. Andre Ge-
dalge. M.395.29
Psyche. Opera de Jules Barbier & Michel Carre. Musique
de Ambroise Thomas. M. 324.15
Quentin Durward. Opera comique de Cormon [pseud.] et
Michel Carre. Musique de F. A. Gevaert. M.227.3; etc.
La reine de Saba, grand opera de Jules Barbier et Michel
Carre, mis en musique par Ch. Gounod. M.266.25
Le roi Candaule. Opera. Musique de E. Diaz. M.363.30
Romeo et Juliette. Opera de J. Barbier et M. Carre. Mu-
sique de Ch. Gounod. M.382.26
Same. Romeo e Giulietta. Opera dei Sigrs. J. Barbier et
M. Carre. Versione italiana. Musica di C. Gounod. M.365.8
La rose de Saint-Flour, operette, musique de J. Offenbach.
No. I in M.368.27
Les sabots de la marquise. Opera comique de Michel Carre
et Jules Barbier, musique de Ernest Boulanger.
No. I in M.368.30
Les saisons. Opera-comique de Jules Barbier & Michel
Carre. Musique de Victor Masse. M.247.34
Le saphir. Opera-comique de MM. de Leuven [pseud.],
Michel Carre & Hadot. Musique de Felicien David.
M.29S.3
Schahabaham II. Opera bouffe de MM. de Leuven [pseud.]
et Michel Carre, mis en musique . . . par Eug. Gautier.
No. 2 in M.2S6.24
La statue. Opera de J. Barbier et M. Carre. Musique de
E. Reyer. M.307.11
Le timbre d'argent. Drame lyrique de J. Barbier et M.
Carre. Musique de Camille Saint-Saens. M.321.21
Les trovatelles. Opera comique de Michel Carre et Jules
Lorin, musique de J. Duprato. No. I in M.30S.26
Valentine d'Aubigny. Opera comique de Jules Barbier et
Michel Carre. Musique de F. Halevy. M.276.14
207
Carre
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Casciolini
Carre, Michel. (Continued.)
Victoire! Cantate. Musique de Ad. Adam. No. i in M. 193.2
L'enfant prodigue. Pantomime de Michel Carre fils. Mu-
sique de Andre Wormser. M.326.30
Carreno, Teresa.
Quartett (H moll), fiir zwei Violinen, Bratsche und Violon-
cell. Partitur. Leipzig. Fritzsch. 1896. No. 1 in M.338.17
Carriere, Moritz, editor.
Briefe von Beethoven und Frau Rath Goethe an Bettina
Brentano. No. 5 in M.372.44
Carrodus, Ada.
J. T. Carrodus, violinist. A life story: 1838-1895. With an
account of his student days by Clara Molique. London.
Bowden. 1897. Portrait. Plate. M.373.1
Carrodus, John Tiplady.
Carrodus, A. J. T. Carrodus, violinist. A life story: 1838-
1895. London. 1897. M.373.1
Carsten, Heinrich, pseud. See Reinecke, Carl Heinrich Car-
sten.
Cart, William.
Un maitre deux fois centenaire. fitude sur J. S. Bach. Paris.
Fischbacher. 1885. M.139.5
Carter, A. C. R., editor.
Year's music, The. 1896-98. M.370.36
Carter, D. P.
The Fates. A cantata. Music by W. T. Belcher. M.203.34
Carter, George.
Evangeline, a cantata, founded on Longfellow's poem. [s.
A. T. T. B. and chorus. Accomp. for organ.] London. Duff
& Stewart. [1873.] M.270.24
Carter, Thomas. 1735-1804.
[Canons, glees and catches for 2, 3 & 4 voices. London?
177-?] No. S in M.221.32
Contents. — Will you never from me part, glee [s. b.]. — Fra Martino
Campanajo, glee [3 voices]. — The Irish echo, catch [3 voices]. —
When the wine's balmy juice, song [t.]. — Che affanni, trio [s. t. b.].
— Tiranno Amor, duo [s. T.]. — Why all this whining, glee [s. a.].
— Vo' cantare, glee [s. a. b.]. — Non nobis, Domine, canon [t. t. b.].
— 'Twas on a pleasant morning, glee [t. t. b.]. — Cantabunt labia mea,
canon 3 in i. — Unto Thee, O my strength, canon 4 in i. — Bid the
festive glass, glee [t. t. b.].
Come, my boys, let's sing a catch. Catch [for 3 voices],
(In Apollonian harmony. Vol. 2, pp. 53-55.)
Also to be found in Social harmony. No. 42 in M.141.21.2
Just in time, a comic opera . . . Composed by Thomas Car-
ter. (The poetry by Thomas Hurlstone.) [Accomp. for
pianoforte.] London. Longman & Broderip. [1792.]
No. 4 in M.220.18
Mind not what the grave ones say. Glee [for 3 voices], (/w
Collection of glees and catches. Pp. 119, 120.)
No. 32 in M.I 10.8
Oh Nanny, wilt thou fly with me? Song [t. Accomp. for
pianoforte]. London. Lavenu. [179-?] No. 28 in M.237.7
Also to be found in Musical times [Music] ; [for A. t. t. b.] The Apollo.
O Nanny, wilt thou gang with me? Duett [t. t. or s. s.
With figured bass]. (In The Harmonist. Vol. 4, pp. 65-
68.) No. 22 in M.218.8.4
Also to be found in Musical library.
Say, what is love? Glee [a. t. b.]. (In Bland. The Ladies'
collection. Vol. 5, pp. 499-501.) No. 127 in M.235.17.5
Carter, Thomas, Jr.
The deliverance of Israel from Babylon, an oratorio. Music
by William Jackson. M.242.18
Carter, William.
Placida: the Christian martyr. Sacred cantata [s. a. x. t.
BAR. B. and chorus]. Words by J\L Deigh. Composed by
W. Carter.. London. Novello, Ewer & Co. [1871.]
M.I 54-45
Cartier, Henri.
L'homme entre deu.x ages. Operetta en i acte. Paroles de
Emile Abraham. Musique de Henri Cartier. Partition
piano et chant. Paris. Girod. [1862.] No. 3 in M.275.27
Le train des maris. Operette en i acte, par Emile Abraham.
Musiaue de Henri Cartier. [Partition chant et piano ]
Paris. Bathlot. [1867.I No. 3 in M.302.IS
Cartouche. Opera. For the Music see Hofmann, H. C. J. For
the Libretto see Fellechner.
Cart'ret was vyelcom'd. Catch. Hayes, W. Catches, glees and
canons. Vol. I. No. i in M.220.S
Carus, August.
Kaiser Carl [Mannerchor]. (In Fink. Die deut.sche Lieder-
tafel. Pp. 181, 182.) No. ii8inM.2i3.9
Caruso, Luigi.
Grand Kyrie and Gloria, for 3 voices, arranged with an ac-
comp. for the organ or piano forte, by R. Butler. London.
Butler. [184-?] No. 2 in M.260.3
Gary, Annie Louise.
Flint, M. H. Reminiscences of an American artist [Annie
Louise Gary]. Portraits. Fac-similes. (In The music of
the modern world . . . Vol. i, pp. 133-137. New York.
1895.) M.14.1.1
Caryll, Ivan, pseud. See Tilkins, Feli.x.
Cas pressant, Un. Opera. For the Music see Mueller, J. For
the Libretto see Baduel.
Casa nel bosco. La. Opera. For the Music see Niedermeyer.
Casali, Giovanni Battista.
Ave Maria. [Motet, s. a. t. b.] (/n Lueck. .Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 4, pp.
26-30.) No. 13 in M.158.33.4
Confitebor. [Motet, s. a. t. b.] (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 4, pp.
7-10.) No. S in M.158.33.4
Exaltabo. [Motet, s. a. t. b.] (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 4, pp.
pp. 15-18.) No. 9 in M.158.33.4
Gloria Patri. [Accomp. for organ.] (In Turle and Taylor.
The People's music book. Vol. 2, pp. 46-51.)
No. 16 in M.iii.4.2
Improperium expectavit. [Motet.] (In Lueck. Sammlung
ausgezeichneter Compositionen fiir die Kirche. Band 3,
PP- 54, 55) No. 13 in M.158.33.3
Mass, for a treble, tenor and bass. With alterations and
additions by V. Novello. [Accomp. for organ.] (In No-
vello. Twelve easy masses. Vol. 2, pp. 23-53.)
No. 3 in M.237.25.2
Domine, added by S. Webbe, Junr. ; Tantum ergo added by V. Novello.
Same. Novello. [184-?] No. 4 in M.260.8.1
Mass in F. [Accomp. for organ.] (In Novello. Collection
of sacred music. Vol. i, pp. 45-75.) No. 2 in M. 270.3.1
Missa [in G-dur, fiir s. a. t. b.]. (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band i, pp.
175-191.) No. 9 in M.158.33.1
Nunc dimittis. [Accomp. for organ.] (In Turle and Taylor.
The People's music book. Vol. 2, pp. 197-203.)
No. 44 in M.I 1 1.4.2
O quam suavis. Quartetto. [Accomp. for organ.] (In
Novello. Evening service. Vol. 2, pp. 259-261.) M.260.23.2
Casamorata, Luigi Fernando.
Messa n°. 5, per soprano, contralto, tenore e basso (soli e
coro) con orchestra. Milano. Ricordi. [1866?] M.is6.24
Full score.
Casanova, Giovanni Carlo.
II coscritto. Melodramma. Posto in musica del Maestro
A. Bielati. M.312.41
Casanova. Opera. For the Music see Lortzing.
Casati. Alessandro.
Alia caccia dei fiori. Operetta-idillio. Musica di Giovanni
Varisco. No. i in M.383.41
Cascade, Une, dans le desert. Opera. For the Music see Las-
simone. For the Libretto see Turpin de Sansay.
Casciolini. Claudio.
Libera me. [Motet.] (In Lueck. Sammlung ausgezeich-
neter Compositionen fiir die Kirche. Band 4, pp. 119-124.)
No. 33 in M.IS8.33.4
Missa a quatuor vocibus cum organo. Maguntiae. Schott.
[i8.-^-?l No. 5 in M. 260.8.7
Missa [in F-dur, fiir s. s. a.]. (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 2, pp.
40-62.) No. 3 in M. 158.33.2
Panis angelicus. [t. T. B. Accomp. d'orgue.] Bruxelles.
Schott. [185-?! No. 14 in M.260.19
208
Casciolini
THE ALLEN A. BROWN COLLECTION OF MUSIC
Catalan!
Casciolini, Claudio. (Continued.)
Sacris solemnis. [Motet.] (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band 3, p. 148.)
No. 38 in M.158.33.3
Caseley, James H.
Anthems. [Accomp. for organ.] London. Novello, Ewer
& Co. [186-?] M.233.12
Conlcnis. — Praise the Lord, O my soul. — Like as a father. — The
Lord is my shepherd. — Behold now, praise the Lord. — Turn Thy
face from my sins. — The Lord is my light.
Casilda. Opera. For the Music see Ernst August. For the
Libretto see Tenelli.
Casini, Giovanni Maria.
Missa [in C-dur, fiir s. a. t. b.]. (In Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band i, pp.
42-63.) No. 3 in M.1S8.33.1
Casino girl, The. Opera. For the Music see Englaender. For
the Libretto see Smith, H. B.
Casket, The, of literature, science, and entertainment. No. i-
48. [London. Berger.] 1837. Illus. Portraits. M.121.4
Caspar, Charles.
Sainte Cecile. Poeme lyrique. Paroles de M * * *. Musique
de Ch. Caspar, [s. a. t. bar. et choeur. Accomp. de piano-
forte.] Paris, Enoch. [186-?] No. 2 in M.154.27
Caspers, Louis Henri Jean.
Chapeau du roi. Opera comique en i acte. Paroles
d'fidouard Fournier. Musique de Henri Caspers. [Parti-
tion chant et piano.] Paris. Girod. [1856.] M.281.28
La charmeuse. Opera-coniique en i acte. Paroles de
fidouard Fournier. Musique de Henri Caspers. [Parti-
tion chant et piano.] Paris. Girod. [1858.]
No. I in M.27S.31
Dans la rue. Pochade musicale. Paroles de Leonce [pseud.]
et de Bar. musique de Henri Caspers. [Partition chant et
piano.] Paris. Brandus Sz; Dufour. [1859.] No. I in M.275.32
Ma tante dort. Opera comique en i acte. Paroles de Hec-
tor Cremieux. Musique de Henri Caspers. [Partition
chant et piano.] Paris. Girod. [i860.] No. 2 in M.27S.31
Casque, Le. Opera. For the Music see Schlesinger. For the
Libretto see Degrave.
Casscdi, See Casali, Giovanni Battista.
Cassani, Vincenzo.
Arianna. Intreccio scenico-musicale di Benedetto Marcello.
M.399.40
Casse-Cou. Opera. For the Music see Rose, G. For the Li-
bretto see Vazeille.
Casse-noisette. Ballet. Tchaikovski. P. L No. 4 in M.342.43; etc.
Cassel's choral music. Port-songs. Leslie, H. D., editor.
M.235.IO
Cassmann, Charles.
Farinelli. Operette von Fr. Willibald Wulff und Charles
Cassmann. Musik von Herman Zumpe. M.402.62
Casson, Thomas.
The modern organ. A consideration of the prevalent theo-
retical and practical defects in its construction, with plans
and suggestions for their removal. Denbigh. Gee. 1883.
Plans. . M.375.4
Cast me not away. Anthem. Vogt, J. No. i m M.190.7
Wesley, S. S. Anthems. Vol. i. M.233.22
Cast thy bread on the waters. Anthem. Roeckel, J, L.
No. 31 in M.158.17
Cast thy bread upon the waters. Anthem. Bennett, W. S.
No. 27 in M.234.6
Cast thy burden on the Lord. Anthem. Clarke, H.
No. 21 in M.203.26
Castanet song. The. Part-song. Shelley, H. R.
No. 15 in M.3g2.3i
Castegnier, Amand.
La bague magique. Opera comique en trois actcs. Paroles
et musique de A. Castegnier. [Partilion piano et chant.]
London. Lafleur. [1880.] No. 2 in M.399.2
Castel, Louis.
Memoires d'un claqueur. Par Robert [pseud.]. Edition
publiee . . . par un vieil amateur. Paris. Constant-Chant-
pie. 1829. Plate. . M.117.6
Several newspaper clippings about various claquers are added.
I 27
Castel, Louis. (Continued.)
Le prince de Catane. Opera. Musique de Nicolo de Malte
[pseud.]. M.283.37
Castelana, La. Song. Bortolini. Amori veneziani.
No. I in M.390.44
Castelli, Ignaz Vincenz Franz.
Aladin, oder das Nothwendige. Komische Oper in Musik
gesetzt von Adalbert Gyrowetz. M.232.11
Franzisca von Foix. Eine heroisch-komische Oper in Musik
gesetzt von J. Weigl. M.isi.33
Die Macht des Liedes, komische Oper, in Musik gesetzt von
P. Lindpaintner. M.232.41
Die Schweizerfamilie. Oper. In Musik gesetzt von J. Weigl.
No. I in M.110.11
Die Verschworenen, oder Der hausliche Krieg. Oper von
Franz Schubert. No. i in M.326.37
War in the household. (Der hausliche Krieg). An operetta:
German words [with] the English translation. The music
composed by Henry Hiles. No. i in M.276.41
Castello di Kenilworth, II. Opera. For the Music see Doni-
zetti. For the Libretto see Tottola.
Castello di Woodstock, II. Opera. For the Libretto see
Romani, F.
Castelnovo, Leo di, pseud. See PuUe, Leopoldo.
Castet,
Le biicheron, ou les trois souhaits. Comedie. La musique
par A. D. Philidor. Les paroles de Mrs. G[uichard et]
C[astet]. M.254.15
Casti, Giovanni Battista.
[La grotta diTrifonio. Opera. Musica di Salieri.] M.400.45
II Re Teodoro in Venezia. Dramma eroicomico. Misso in
musica dal Sig. Giovanni Paesiello . . . M.330.16
Same. Le Roi Theodore a Venise. Opera heroi-comique.
Paroles imitees de I'italien. Musique del S^ Paesiello.
M. 293.19
Castiglia, Benedetto.
Medea. Melodramma tragico. Posto in musica ... dal
Mo. G. Pacini. M.311.22
Castil-Blaze. See Blaze, Francois Henri Joseph.
Castillon de Saint- Victor, Alexis, Vicomte de.
Quatuor pour 2 violons, alto et violoncell. [Op. 3-] No. i,
en la mineur. En partition. Paris. Flaxland. [185-?]
No. 4 in M.355.11
Castle, William.
Morning and evening. A sacred song [s. or t.], with quar-
tet ad lib. [Accomp. for pianoforte.] Boston. Ditson &
Co. 1863. No. 13 in M.190.2
Castle Grim. Opera. For the Music see Allen, G. B. For the
Libretto see Reece.
Castle of Andalusia, The. Opera. For the Music see Arnold,
S. For the Libretto see O'Keeffe.
Castle of Sorrento, The. Opera. For the Music see Attwood.
For the Libretto see Duval, A. V. P.
Castle Square Theatre, Boston, Massachusetts.
French, C. E. A year of opera at the Castle Square The-
atre, 'from May 6, '95. to May 6, '96. [Anon.] Boston.
1896. Portraits. M.375.8
Castor et Pollux. Opera. For the Music see Pessard; also
Rameau. For the Libretto see Deschamps; also Ber-
nard, P. J. XT • o
Castor et Pollux. Suite. Rameau. No. 3 m M.343.48
Castore e Polluce. Opera. For the Libretto see Romanelli.
Catalane, La. Opera. For the Music see Le Borne. For the
Libretto see Ferrier.
Catalani, Alfredo.
Dejanice. Dramma lirico in 4 atti di A. Zanardini. Posto
in musica da Alfredo Catalani. Canto con accomp<o di
piano. [Milano.] Ricordi. [1883?] M.399.69
Edmea. Dramma lirico in tre atti di Antonio Ghislanzoni.
Musica di .Mfrcdo Catalani. Opera completa per canto e
pianoforte. Milano. Ricordi & c. [1886.I Portrait.
M.3q9.8
Elda. Dramma fantastico in 4 atti di Carlo d'Ormeville.
Musica di Alfredo Catalani. Canto e pianoforte. Milano.
Lucca. 1880. M.383.10
209
Catalan!
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Caterina
Catalan!, Alfredo. (Continued.)
La fake. Egloga orientale in un atto. Parole di Arrigo
Boito. Musica di Alfredo Catalani. Riduzione per canto
e pianoforte. Milano. Ricordi & c. [189-?]
No. 2 in M.399.12
Lorely. Azione romantica di C. d'Ormeville, ed A. Zanar-
dini. [Musica di A. Catalani.] Opera completa per canto
e pianoforte. [Milano.] Ricordi. [1891?] M.3g4.35
La Wally. Di W. de Hillern. Riduzione drammatica in
quattro atti di Luigi Illica. Musica di Alfredo Catalani.
Opera completa per canto e pianoforte. Riduzione di
Carlo Carignani. Milano. Ricordi & c. [1907] M.389.56
Catalani, Angelica. Works about.
Catalani. Ihre Lobredner und Tadler, oder Cahle und
Veit. N. p. [182-?] No. la in M.102.37
S. Signora Angelica Catalani. Beschreibung ihres Lebens
und Charakters, nebst einer Beleuchtung ihres Gesanges.
Hamburg. 1819. No. i in M.102.37
Simpson, A. Secret memoirs of Madame Catalani. Bath.
181 1. No. 7 in M.144.18
Catalogues. See Bibliography.
Catalonia. Suite. Albeniz. M.403.1
Catarina, La. Quadrille. For piano. Louis, N. No. 13 in M.390.17
Catastrophe, A. Part-song. Sprague, N. B. No. 48 in M.392.2S
Catch of the season, The. Opera. For the Music see Haines.
For the Libretto see Hicks, S.
Catch on tobacco. Part-song. Aldrich, H.
No. 31 in M.iio.i.i; etc.
Catch that is merry, A. Part-song. Hayes, W.
No. 2 in M.220.5; etc.
Catch the sunshine. Part-song. Root, G. F. No. 6 in M. 158.23
Catch upon nothing, A. Part-song. Aldrich, H.
No. 28 in M.157.6.3
Catches. See Part-songs.
Catel, Charles Simon.
Les artistes par occasion. Opera bouffon en i acte. Pa-
roles de Mr. A. Duval. Musique de Mr. Catel. [Parti-
tion.] Paris. Le Roy. [1807.] M.281.31
L'auberge de Bagneres. Comedie en 3 actes, melee de
chant. Paroles de Jalabert. Musique de Catel. [Parti-
tion.] Paris. Imp. du Conservatoire imp', de musique.
[1807.] M.281.33
Les aubergistes de qualite. Opera comique en 3 actes de
Mr. Jouy . . . Componirt von H. [sic] Catel. Klavier-
auszug von Fr. Schneider. Leipzig. Peters. [182-?]
The words are in French and German. M.230.39
Les Bayaderes. Opera en 3 actes. Paroles de Jouy. Mis
en musique . . . par Catel." [Partition.] Paris. Magasin
de musique du Conservatoire. [1819.] M.281.35
Same. Opera en 3 actes. Paroles de fitienne V. J. Jouy.
Reduit pour piano et chant par Vincent d'Indy. Intro-
duction par Arthur Pougin. Paris. Michaelis. [188-?
Chefs-d'oeuvre de I'opera frangais.] 11.275.33
Same. Die Baiaderen, grosse Oper in 3 Akten, von Jouy, in
Musik gesetzt von Catel. Klavier-Auszug mit franzosi-
schem und deutschem Texte von J. P. Schmidt. Leipzig.
Kunst- u. Industrie-Comptoir. [182-?] 3 parts in i v.
M.230.40
Bayard a Mezieres. Opera comique en i acte. Paroles de
MM. Emmanuel Dupaty et Chazet. Musique de Cheru-
bini, Boieldieu, Nicolo [Isouard] & Catel. [Partition.]
Paris. Boieldieu jeune. [1814.] M.291.9
Chant du banquet republicain. [a. solo et choeur. Accomp.
de piano.] (In Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise . . . Pp. 3ii-3i.'?-)
M.380.14
Chant pour I'anniversaire de la fondation de la Republique
francaise [s. ou T. Accomp. de piano]. {In Pierre, C. V.
D. Musique des fetes et ceremonies de la Revolution
francaise ... P. 147.) M.380.14
Hymne a I'egalite [s. ou T. Accomp. de piano]. (In Pierre,
C. V. D. Musique des fetes et ceremonies de la Revolu-
tion franqaise . . . Pp. 408, 409.) M.380.14
Hymne a I'fitre supreme fs. ou T. Accomp. de piano]. (In
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution francaise ... P. 242.) M.380.14
Catel, Charles Simon. (Continued.)
Hymne du 10 aoiit. [Choeur. Accomp. de piano.] (In
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise . . . Pp. 67-70.) M.380.14
Monsieur, jouons la comedie. Trio [s. bar. et b. Accomp.
de piano], (/n Bibliotheque musicale. Serie 2, tome i, pp.
182-195.) No. 23 in M. 193.21.1
Ode patriotique [a. T. B. Accomp. de piano]. (In Pierre,
C. V. D. Musique des fetes et ceremonies de la Revolu-
tion frangaise . . . Pp. 410-419.) M.380.14
Ode sur la situation de la Republique durant la tyrannie
decemvirale [bar. Accomp. de piano]. (In Pierre, C. V.
D. Musique des fetes et ceremonies de la Revolution
frangaise ... Pp. 468, 469.) M.380.14
Ode sur le vaisseau "Le Vengeur" 13 prairial an II [bar.
Accomp. de piano]. (In Pierre, C. V. D. Musique des
fetes et ceremonies de la Revolution frangaise . . . Pp.
466, 467.) M.380.14
L'officier enleve, opera comique en i acte, paroles de Mr.
Alexandre Duval, musique de Catel. [Partition.] Paris.
Benoist. [1819.] M.281.36
Ouverture. [En do mineur. Pour le piano.] (In Pierre,
C. V. D. Musique des fetes et ceremonies de la Revolu-
tion frangaise . . . Pp. 501-506.) M.380.14
Ouverture. [En fa majeur. Pour le piano.] (In Pierre,
C. V. D. Musique des fetes et ceremonies de la Revolu-
tion frangaise ... Pp. 528-531.) M.380.14
4 marches. [Pour le piano.] (In Pierre, C. V. D. Musique
des fetes et ceremonies de la Revolution frangaise . . .
Pp- 545, 547, 548, 550.) M.380.14
Semiramis, tragedie lyrique en 3 actes. [Paroles de Des-
riaux.] Remise au theatre le 16 brumaire, an 12 . . . par
Catel. [Partition.] Paris. Le Roy. [1804.] M.281.32
La souverainete du peuple. Hymne [a. t. b. Accomp. de
piano]. (In Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise . . . Pp. 222, 223.)
M.380.14
Stances chantees a la fete des eleves pour la fabrication des
canons, poudre et saltpetre [s. ou t. Accomp. de piano].
(In Pierre, C. V. D. Musique des fetes et ceremonies de
la Revolution frangaise ... P. 448.) M.380.14
Stances pour I'anniversaire du 9 thermidor [s. ou t. Ac-
comp. de piano]. (In Pierre, C. V. D. Musique des fetes
et ceremonies de la Revolution frangaise ... P. no.)
M.380.14
Symphonic [en ut majeur. Pour le piano]. (In Pierre, C.
V. D. Musique des fetes et ceremonies de la Revolution
frangaise ... Pp. 498-500.) M.380.14
Symphonic militaire. [Pour le piano.] (In Pierre, C. V. D.
Musique des fetes et ceremonies de la Revolution fran-
gaise ... Pp. 496, 497) M.380.14
Wallace, ou le menestrel ecossais, opera heroique en 3 actes
Paroles de M"". * * * [J. V. Fontanes de Saint-Marcel-
lin]. Musique de Catel. [Partition.] Paris. Benoist.
[1817.] M.281.34
Zirphile et fleur de myrte, ou cent ans en un jour, opera en
2 actes, paroles de Jouy et Lefebvre, musique de Catel.
[Partition.] Paris. Benoist. [1818.] M.281.37
Catel, H. See Catel, Charles Simon.
Catelin, Adolphe.
F. Halevy. Notice biographique. Paris. Levy. 1863.
No. 5 in M. 122.38; M.276.15
Catenhusen, E.
2 four part songs for male voices. [Op. 22.] New York.
Schirmer. 1883. 2 parts in I v. No. 10, 11 in M.392.6
Contents. — I. Old German love song. 2. Under the branches in
deepest night.
The words are in English and German.
Caterina Cornaro. Opera. For the Music see Donizetti. For
the Libretto see Sacchero.
Caterina di Cleves. Opera. For the Music see Chiaromonte.
Caterina di Guisa. Opera. For the Music see Coccia.
Caterina Howard. Opera. For the Music see Petrella; also
Salvi. For the Libretto see Cencetti; also Giachetti.
Werke. Band 10. M.8o4oa.67.io
210
Cathalina
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ce que
Cathalina, apra finestra. Part-song. Lassus. Sammtliche
Catharina Cornaro Konigin von Cypern. Opera. For the
Music see Lachner, F. For the Libretto see Saint
Georges.
Cathedral choir book. Anthems, etc. Novello, V., editor.
M.233.14
Cathedral music. Anthems, etc. Greene, M. M. 158.9
Cathedral of the Holy Cross, Boston, Massachusetts.
Music performed on the occasion of laying the corner stone
of the Cathedral of the Holy Cross, September 15th, 1867.
[Boston. 1867.] No. 2 in M. 158.32
Cathedrals.
King, R. J. The three choirs. A handbook of Gloucester,
Hereford and Worcester. London. Murray. 1866. Plates.
Plans. M.126.23
Catherine, or the Austrian captive. Opera. For the Music see
Fane, J.
Catherine Grey. Opera. For the Music see Balfe. For the
Libretto see Linley, G.
Catnippers, The. Opera. For the Music see Class.
Catolla, Roberto.
La campana di Groninga. Der Glockenguss zu Groningen.
Dramma lirico in tre atti di Eugenio de Lupi e Arturo
Bellotti. Deutsch von Willy von Wymetal. Musica di
Roberto Catolla. Riduzione per canto e pianoforte dell'
autore. Wien. Schmidt. [1904.] M.389.35
The text is in Italian and German.
Catrufo, Giuseppe.
Felicie, ou la jeune fille romanesque.
actes. Paroles de M''. E. Dupaty.
par J. Catrufo. [Partition.] Paris
Opera comique en 3
Mis en musique . . .
Pacini. [1815.]
M.291.2
Heim, I. No. 8 in M.130.7
Catschadur dellas Alps. Part-song.
Caulfield, John, compiler.
A collection of the vocal music in Shakespeare's plays. En-
graved from original MS. & early printed copies chiefly
from the collection of W. Kitchiner. Revised & arranged
witli an accompaniment for the piano forte, by Mr. .Addi-
son. [London.] Caulfield
Same. Boon. [1864?]
Caution, The. Song. Arne, T. A
[1804?]
Caution, La. Song.
V. M.112.11
M.125.24
Lyric harmony. Vol. 2.
M.380.1
Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
Cavaille-CoU, Aristide.
De la determination du ton normal ou du diapason. Paris.
De Soye & Bouchet. 1859. No. 5 in M.207.18
Le grand orgue de la Nouvelle salle de concert de Sheffield.
Construit par Aristide Cavaille-Coll. Paris. Plon & cie.
1874. Plate. No. 2 in M.372.8
Cavaille-Coll, Aristide. Works about.
Lefebvre, G. Le grand orgue de I'figlise Saint-Michel du
Havre, construit en 1887-88 par Aristide Cavaille-Coll . . .
Notice et discours. Le Havre. 1888. No. i in M.372.8
Philbert. C. M. G. L'orgue du Palais de I'industrie d'.'Vm-
sterdam; la facture d'orgues modernes, et la facture
d'orgues neerlandaise ancienne et contemporaine. .Am-
sterdam. 1876. Plate. M.372.Q
Cavalie, Jules.
Compere Guilleri. Opera-comique de Paul Burani [pseud.]
& Jules Cavalie. Musique de Henri Perry [Biagioli].
No. I in M.300.8
Cavalier's song. Part-song. Brackett. No. 14 in M.392.5
Cavaliere, Emilio del.
Fate festa al Signore. Coro. [From his oratorio Anima e
corpo.] {In Deldevez. Fondation de I'opera en France.
P. 7-) No. 2 in M.356.11
Cavalieri, I, di Valenza. Opera. For the Music see Pacini, G.
For the Libretto see Rossi.
Cavalleria rusticana. Opera. For the Music see Mascagni.
For the Libretto see Targioni-Tozzetti.
Cavalli, Francesco, pseud. See Caletti-Bruno, Pier Francesco.
Cavallo, Johann N.
,,Ach, Elslein, liebstes Elslein." Volksdichtung [t. t. b. b.].
Op. 22, No. 4. Leipzig. Forberg. [187-?] No. 15 in 11.392.6
Same. [s. a. t. b.] No. 16 in M.IS8.22
Auf! schenket ein — [t. t. b. b.]. Op. 22, No. 3. Leipzig.
Forberg. [187-?] No. 14 in M.392.6
Fahnenlied [t. T. b. B.]. Op. 22, No. 5. Leipzig. Forberg.
[187-?] No. 16 in M.392.6
Sieben Landsknechtslieder des 16. Jahrhunderts . . . fiir
vierstimmigen Mannerchor gesetzt. Op. 18. Leipzig.
Breitkopf & Hartel. [1872?] No. 12 in M.392.6
Contents. — Im Lager. — Tanzlied. — Im Anzug. — Bei der Belage-
rung. — Beim walschen Wein. — Des Landsknechts Kirmesslied. —
Schabab.
Tanzweis*. [Mannerchor.] Op. 22, No. i. Leipzig. For-
berg. [1876?] No. 2sinM.392.35
Die Waldfee . . . Fiir Mannerchor. Op. 26. Schleusingen.
Glaser. [1877?] No. 26 in M.392.35
Wohl ein Roslein stand [t. t. b. e.]. Op. 22, No. 2. Leip-
zig. Forberg. [187-?] No. 13 in M.392.6
Cavallo, Johann N., editor.
Cherubini. Balletmusik aus der Oper Anacreon.
No. 2 in M.336.6
Cavatine, La. For pianoforte. Louis. Trois fantaisies petites.
No. 1-3 in M.3go.6
Cave, E.
Le diable a Seville. Opera comique. Paroles de Mr. Cave
[et Mr. Hurtado], mis en musique . . . par J. M. Gomis.
M.224.31
Same. Fiir die deutsche Biihne bearbeitet. M.282.11
Caveau, Le.
Cu.\nson francaise. La. Moniteur du Caveau. Revue il-
lustree des societes chantantes et des chansonniers fran-
gais. No. 1-6. [Paris. 1874.] Illus. Portraits. M.121.14
CoLiGNY, C. La chanson fran?aise. Histoire de la chanson
et du Caveau. Paris. 1876. M. 214.6
Cavendish, Michael.
Come, gentle swains. Madrigal [s. s. a. t. b.]. {hi Taylor.
Madrigals. 2d set.) No. 39 in M.237.15
-\lso to be found in Turle and Taylor's The People's music book.
Ev'ry bush new springing. Madrigal [s. s. a. t. b.]. {In
Clementi. Collection of catches. Vol. 3, pp. i^, 39.;
No. 195 in M.110.1.3; JMo. 195 ni M.iio.2.3
-Mso to be found in Musical library; Turle and Taylor's The People's
music book ; [for A. A. T. T. B.] in Warren's Vocal harmony.
Caverne, La. Opera. For the Music see Lesueur. For the
Libretto see Dercy.
Cazalet, William W ahab.
The history of the Royal academy of music. London. Bos-
worth. 1854. Portrait. M.101.38
On the musical department of the late exhibition. [London.
1852.] No. 2 in M.i4g.8
The voice: or the art of singing. London. Addison, Hol-
lier & Lucas. 1861. M. 103.18
Cctzalis, Henri.
Serenade d'hiver, choeur. Musique de C. Saint-Saens.
No. 3 in M.155.41
Cazaneuve, fidouard.
Myrto. Poeme de Armand Silvestre. Musique de fidouard
Cazaneuve. [Partition chant et piano.] Paris. Girod.
[188-?] No. 2in M.194.7
Cazotte, Jacques.
Observations sur la lettre de J. J. Rousseau, au sujet de la
musique frangaise. [Anon. Geneve?] 1753.
No. 5 in M. 103.3
Ce bon roi Dagobert. Opera. For the Music see Douay. For
the Libretto see Marquet.
Ce faux amour. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o4oa.67.i2
Ce jour le voila. Song. Louis, N. No. 2 in M.390.11; etc.
Ce qu'il ne faut pas dire. Song. Lafont. No. 26 in M.221.30
Ce qu'on entend sur la montagne. Symphonic poem. Liszt.
No. I in M.344.4
Ce que dit la musique. Criticism. Quinet. M.128.15
Ce que je suis sans toi. Song. Gounod. Vingt melodies. 2e
recueil. No. 15 in M.157.36.2
211
Ce sera
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cesario
Ceseramoi! Song. Louis, N. No. ii in M.390.11; etc.
Cease, sorrows, now. Madrigal. Weelkes. First set of mad-
rigals. No. I in M.234.21
Cease to bljime my melancholy. Song. Rauzzini.
No. 30 in M.237.2
Cease your funning. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Cease your music. Glee. Spofforth. Collection of glees.
No. 36 in M.235.15
Cebrian, Adolf.
Sinfonie zur Erinnerung an den gliicklich beendeten Krieg
von 1870-71, fiir grosses Orchester (letzter Satz mit So-
pran-Solo und Chor). Partitur. Leipzig. Siegel. [1871?]
No. I in M.332.11
Cecil, Arthur.
Little Jack Sheppard. Burlesque drama. Selections of
words and music. Written by H. P. Stephens and W.
Yardley. Music by Meyer Lutz, Arthur Cecil, Hamilton
Clarke, and Florian Pascal [pseud. Accomp. for piano-
forte. London. 188-?] No. 2 in M.287.3
Cecil, Richard.
I will arise. [Anthem set for four and three voices.] Lon-
don. Novello. 1858. . No. 15 in M.154.19
Also to be found in Musical times [Music].
Cecilia, The, Boston.
[Annual reports of the president, circulars, etc., 1877-96.]
Scrap-book. [Boston. 1877-96.] No. 2 in M.371.1
Programmes and notices. [November, 1874-April, 1901.]
Compiled [with full indexes] by Allen A. Brown. [Bos-
ton. 1874-1901.] 5 V. M.304.4
Cecilia more than all. Ode. Webbe, S. Selection of glees.
Vol. I. No. 26 in M.235.13.1
Cedro gentil. Madrigal. Palestrina. No. 23 in M.202.6.1 ; etc.
Celadon and Amelia. Opera. For the Music see Billington,
T. For the Libretto see Thomson, J. 1700-1748.
Celebrate Jovam. Canon. Hayes, W. Catches, glees and
canons. Vol. 2. No. 2 in M.220.S
Celebrate this festival. Song. Purcell, H. Beauties of Pur-
cell. Vol. I. M.221.2
Celebrons sans cesse Dieu. Canon. Lassus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
Celestial hope. Part-song.
Beethoven. Quartets. No. 4 in M.290.12
Clarke- Whitfeld. No. 14, 17 in M.235.16
Celestine. Opera. For the Music see Bruni, A. B. For the
Libretto see Magnito.
Celia has a thousand. Song. Purcell, H. Beauties of Pur-
cell. Vol. 2. M.221.2
Celieres, Paul.
Le Bon homme Hiver. Musique de J. Duprato.
No. 2 in M.30S.27
Celinda. Opera. For the Music see Petrella. For the Li-
bretto see Bolognese.
Celler, Ludovic, pseud. See Leclerc, Ludovic.
Celli, Adeline Murio.
Solo un bacio . . . Grande valse brillante pour la voix [s.]
avec piano. Orchester-Partitur. Leipzig. Schuberth &
Co. 1868. No. 5 in M.336.1
Cellier, Alfred.
Doris. A comedy opera in 3 acts. Written by B. C. Ste-
phenson. Music by Alfred Cellier. Arranged [for piano
accomp.]. London. Chappell & Co. [1889.] M.275.35
Dorothy. A comedy opera. Written by B. C. Stephenson.
Music by Alfred Cellier. Vocal score complete. London.
Chappell & Co. [1886.] M.27S.36
Gray's Elegy: cantata [s. a. t. bar. b. and chorus]. Ar-
ranged [for piano accomp.] by Berthold Tours. London.
Chappell & Co. [1883.] No. 2 in M.275.37
The mountebanks. Comic opera in 2 acts. Written by W.
S. Gilbert. Composed by Alfred Cellier. Vocal score
complete. London. Chappell & Co. 1892. M.275.34
The spectre knight. Operetta. Written by James Albery.
Composed by Alfred Cellier. [Accomp. for piano.] Lon-
don. Metzler & Co. [1878.] No. i in M.276.6
Cellier, Alfred. (Continued.)
The sultan of Mocha. Comic opera in 3 acts. Arranged
for the pianoforte by Henry Watson. London. Enoch.
[1874.] No. I in M.275.37
Too soon. An operetta for young performers. Words by
Charles Barnard. Music by Alfred Cellier. [Accomp.
for piano.] Philadelphia. Stoddart. 1883.
No. I in M.2gi.i
Cellot, Henri.
L'amour charlatan. Operette en I acta. Paroles de F. de
Lange et L. Bourdereau. Musique de Henri Cellot. Par-
tition chant et piano. Paris. Choudens. [1864.]
No. 2 in M.275.32
Celui qui mettra sa vie. Chorus. Lacome d'Estalenx. Douze
psaumes. No. 2 in M.296.1
Cenac-Moncaut, Justin fidouard Mathieu.
Histoire des chanteurs et des artistes ambulants. Saint-
Germain en Laye. Toinon & cie. 1866. No. i in M.372.19
Cencetti, G.
Caterina Howard. Tragedia lirica. Posta in musica dal
Mo. E. Petrella. M.2S4.S
Cendrillon. Opera. For the Music see Cheri; also Isouard;
also Massenet. For the Libretto see Nicolaie, L. F.;
also Etienne; also Cain.
Cendrillonnette. Opera. For the Music see Serpette. For
the Libretto see Ferrier.
Cenerentola, La. Opera. For the Music see Rossini. For the
Libretto see Ferretti, G.
Cenni biografici sulla straordinaria carriera teatrale percosa.
LocATELLi. No. 4 in M.207.9
Cent ans apres. Minier. No. 8 in M.125.6
Cent vierges, Les. Opera. For the Music see Lecocq, A. C.
For the Libretto see Nicolaie, L. F.
Cent-Suisse, Le. Opera. For the Music see Ney. For the
Libretto see Duport, P.
Centemeri, P.
0 Salutaris [s. or x. Accomp. for pianoforte]. Boston.
Ditson & Co. [187-?] No. II in M.201.33
Centralblatt fur Instrumentalmusik, Solo- u. Chorgesang. AII-
gemeine Musikzeitung. Jahrgang 1-15. 1886-1901. [Chef-
redakteur A. W. Gotschalg.] Leipzig. Licht & Meyer
[u. s. w.]. i887-[i90o]. 15 V. Portrait. M.181.1
From 1886 to 1890 the title was Der Chorgesang. Each volume con-
tains much vocal music.
No more was published.
Cephale et Procris. Ballet. Gretry, A. E. M. No. 2 in M.410.32
Cephale & Procris. Opera. For the Music see Gretry, A. E.
M. For the Libretto see Marmontel, J. F.
Cephalus und Aurore. Cantata. For the Music see Benda, G.
For the Libretto see Weisse.
Cephalus und Prokris. Opera. For the Music see Reichardt,
J. F. For the Libretto see Ramler.
Ceramics. Musical.
Gouellain, G. La ceramique musicale au Trocadero &
ailleurs, en 1878. Paris. 1878. No. s in M.136.12
Ris-Paquot, O. E. La ceramique musicale et instrumentale.
Paris. 1889. Illus. 48 plates. M. 121.39
Cerfberr, Gaston.
Rubezahl. Legende symphonique. Poeme de G. Cerfberr
& C. de L'figlise. Musique de Georges Hiie. M.286.16
Cernere virtutes. Song. Lassus. Sammtliche Werke. Band 3.
M.8o4oa.67.3
Certa fortiter. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.i5
Certon, Pierre.
1 will alway give thanks. [Anthem.] (/« Rimbault. Col-
lection of ancient church music. Vol. 3, pp. 17-19)
No. s in M.233.25.3
Sancta Maria, succurre miseris. Motett [s. a. x.]. (/» Smith.
Musica antiqua. Pp. 120-121.) M.236.10
Cesare, II, in Egitto. Opera. For the Music see Tritto.
Cesario. Opera. For the Music see Taubert, C. G. W. For
the Libretto see Taubert, E.
212
Cesti
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chadwick
Cesd, Marc' Antonio.
La Deri ovvero Lo schiavo reggio. Poesia del Cav. Apol-
lonio Apolloni. (1663.) [Per canto e piano.] (In Oper,
Die, von ihren ersten Anfangen bis zur Mitte des 18. Jalir-
hunderts. Tlieil 2, pp. 86-206.) M.400.6.2
II porno d'oro. Biihnenfestspiel. [Dichtung von F. Sbarra.
Musik von M. A. Cesti. Mit Begleitung des Pianoforte.]
Wien. Artaria & Co. 1896, 97. 2 v. Plates. [Denk-
maler der Tonkunst in Osterreich. Band 3, Theil 2; 4,
Theil 2.] M.414.4
Contents. — I. Prolog und erster Akt. 2. Zweiter bis funfter Akt.
Cestus, The. Opera. For the Music see Dibdin, C. 1745-1S14.
Ceupens, Victor.
Ave Maria, pour s. t. b., avec accomp. d'orgue. Paris.
Schott. [186-?] No. 23 in M.260.10.7
Ch' io mai vi possa lasciar d'amore. Cansonet. Weber. C. M.
C. F. von. Sammtliche Lieder. Band i. No. 25 in M.244.7
Ch' io mi scordi. Rondo. Mozart. Werke. Serie 6, Band 2.
No. 34 in M.31S.1.6.2
Chabas, , Abbe.
Cantique pour une communion generale. A deux voix [s. a.
ou T. T. Accomp. d'orgue]. Paris. [Heugel. 186-? Pe-
tite maitrise.] No. 2.5 in M.201.34
Chabrier, Alexis Emmanuel.
Bourree fantasque pour le piano. Transcription pour or-
chestre par Felix Mottl. Partition. Paris. Enoch & cie.
[189-?] M.356.3
Briseis. Drame en trois actes [de] fiphraim Mikhael &
Catulle Mendes. Musique de Emmanuel Chabrier. Par-
tition piano et chant. Paris. Enoch & cie. 1897. Por-
traits. Plate. M.391.37
Danse slave [dans] Le roi malgre lui. [Partition d'or-
chestre.] Paris, finoch & Constallat. [1887?]
No. 2 in M.358.23
Une education manquee. Operette en i acte. Paroles de
MM. Eugene Leterrier & Albert Vanloo. Musique de
Emmanuel Chabrier. [Partition chant et piano.] Paris.
Enoch. [1879.] No. 2 in M.275.38
Espaiia. Rapsodie pour orchestre. Partition. Paris. Enoch
& Costallat. [188-?] No. I in M.356.5
L'etoile. Opera-bouffe en 3 actes. Paroles de MM. E. Le-
terrier & A. Vanloo. Musique de Emmanuel Chabrier.
Partition piano et chant. Paris. Enoch. [1877.]
No. I in M.27S.38
Same. The merry monarch. Vocal gems from [the] comic
operetta. Libretto by J. Cheever Goodwin. Music by E.
Chabrier and Woolson Morse. [Accomp. for piano.]
New York. Harms & Co. 1890.
No. 5 in M.402.74; No. 5 in M. 323.10
The music is from Chabrier's L'etoile, with additional numbers by
Woolson Morse.
Fete polonaise [dans] Le roi malgre lui. [Partition d'or-
chestre.] Paris. Enoch & Constallat. [1887?]
No. 3 in M.358.23
Gwendoline. Opera. [Ouverture et Prelude du deuxieme
acte. Partition.] Paris. Enoch & cie. [189-?] M.3564
Habanera. Transcrite et orchestree. [Partition.] Paris,
finoch & Costallat. [188-?] No. 4 in M.358.23
Joyeuse marche. Partition d'orchestre. Paris. Enoch &
cie. [1890?] No. 2 in M.356.5
Le roi malgre lui. Opera comique en 3 actes. Paroles de
fimile de Najac & Paul Burani [pseud.]. Musique de
Emmanuel Chabrier. Partition piano & chant, reduite par
Auguste Bazille. Paris. Enoch. [1887.] M.275.40
La Sulamite. Scene lyrique pour mezzo-soprano et chceur
de femmes. Poesie de Jean Richepin. Musique de Em-
manuel Chabrier. [Accomp. de piano.] Paris. Enoch
& Costallat. [187-?] M.275.41
Trois valses romantiques. [Transcription pour grand or-
chestre de I'edition originale pour deux pianos par Felix
Mottl.] Partition. Paris. Enoch & cie. [1900?] M.404.75
Chabrier, Alexis Emmanuel, editor.
Mendes, C, editor. Les plus jolies chansons du pays de
France. Chansons tendres. M.12241
Chabrillan, Celeste Venard, Comtesse de.
Nedel. Operette. Musique de Marius BouUard.
No. 4 in M.265.14
Chabrillat, Henri Louis.
La belle Bourbonnaise. Opera-comique de MM. Ernest
Dubreuil et H. Chabrillat. Musique de A. Coedes. M.285.22
La fiancee du roi de Garbe. Opera comique de Dennery
[pseud.] et Chabrillat. Musique de Henry Litolff. M.305.24
Le roi d'Yvetot. Opera bouffe de H. Chabrillat et E.
Hemery. Musique de Leon Vasseur. M.32S.2S
Les trois Margots. Operette de H. Bocage et H. Chabril-
lat. Musique de Ch. Grisart. M.276.1
Chacho moreno. El. Song. Gomis. No. 16 in M.391.57
Chactas et Atala. Cantata. For the Music see Varney, P. J.
A. For the Libretto see Dumas, A., the younger.
Chadoume, Andre.
Les cafes-concerts. 3e edition. Paris. Dentu. 1880. M.iag.?
Chadwrick, George Whitefield.
As the hart pants. Psalm. [Accomp. for organ.] Boston.
Schmidt. 1885. No. 33 in M.158.14
Blessed be the Lord. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. 1882. No. 31 in M.IS8.14
Four part songs for male voices. Boston. Schmidt. 1886.
4 parts in I v. No. 20-23 in M.392.6
Contents. — i. The boy and the owl. r. Serenade. 3. Drinking song.
4. When Love was young.
Jabberwocky [t. T. B. B.]. Boston. Schmidt. [1886.]
No. 19 in M.3g2.6
Judith. Lyric drama for soli, chorus and orchestra. Text
by William Chauncy Langdon. Music by George W.
Chadwick. [Vocal score with pianoforte accompani-
ment.] New York. Schirmer. [1901] M.384.21
The lily nymph. Dramatic poem by Arlo Bates. Composed
for solo voices [s. T. bar. bar. t.], chorus and orchestra by
G. W. Chadwick. [Accomp. for piano.] Boston. Schmidt.
1895. No. I in M.203.45
Lovely Rosabella. Ballad for chorus and orchestra. Piano
score. Boston. Schmidt. 1889. No. 7 in M.194.8
The words are taken from Scott's Lay of the last minstrel.
Margarita [t. t. b. B.]. Boston. Schmidt. [1881.]
The words are in English and German. No. 17 in M.392.6
Melpomene. Dramatische Ouverture fiir Orchester. Par-
titur. Boston. Schmidt. 1891. No. 3 in M.333.6
O Thou that hearest. Hymn. [Accomp. for organ.] Bos-
ton. Schmidt. 1882. No. 32 in M.IS8.14
Ode for the opening of the World's Fair, Chicago, 1892.
Poem by Harriet Monroe. Music by G. W. Chadwick.
[s.T. and chorus. Accomp. for piano.] Cincinnati. John
Church Co. 1892. No. 2 in M.203.4S
Phoenix expirans. (The dying phoenix.) Hymn (author
unknown). English version by John Lord Hayes. Cho-
rus, orchestra and solo voices. [Piano score.] Boston.
Schmidt. 1892. No. 6 in M.I94-8
The Pilgrims. Words by Mrs. Hemans. Composed for
chorus and orchestra by G. W. Chadwick. Piano score.
Boston. Schmidt. 1890. No. 2 in M.194.8
Praise the Lord. [Anthem. Accomp. for organ.] Boston.
Schmidt. 1882. No. 30 in M.158.14
Quintett fiir Pianoforte, 2 Violinen, Viola & Violoncell.
[Partitur und Stimmen.] Boston. Schmidt. [1890.]
5 parts in i v. M.403.20
Reiterlied [t. T. b. B.]. Boston. Schmidt. [1881.]
No. 18 in M.392.6
Song of the Viking [t. T. B. B.]. Boston. Schmidt & Co.
f 1882.] No. 3 in M.194.8; No. 3 in M.3g2.2o
Spring song. For 4 female voices, with pianoforte accomp.
Bos'ton. Schmidt. 1882. No. 35 in M.IS8.14
Symphony no. 2. (In B flat.) Op. 21. [Full score.] Bos-
ton. Schmidt. 1888. M.333.10
Symphony in F (no. 3). [Full score.] Boston. Schmidt.
1896. Portrait. M.337.3
"Tabasco." Burlesque opera in 2 acts. Libretto by R. A.
Barnet. Music by G. W. Chadwick. Vocal score [ac-
comp. for piano]. Boston. B. F. Wood Music Co. 1894.
M.285.1
213
Chadwick
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chamber music
Chadwick, George Whitefield. (Continued.)
The Viking's last voyage. For male chorus, baritone solo
and orchestra, by G. W. Chadwick. [Words by Sylvester
Baxter. Accomp. for piano.] Boston. Schmidt. 1881.
No. .3 in M.203.45
While Thee I seek. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. [1891.] No. 34in M.158.14
Chadwick, J. M.
Joseph's bondage. A dramatic cantata, in 3 acts. Drama-
tized by H. A. Staples. Music composed by J. M. Chad-
wick. [Solos and chorus. Accomp. for pianoforte.] Bos-
ton. Ditson & Co. 1877. M.213.8
Chafer, The, and the flower. Part-song. Veit.
With English and German words. No. 3 1 in M. 392. 24
Chafer's wedding, A. Part-song. Lewandowski.
No. IS in M.ig5.i.i7
Chagrins passes. Song. Schubert, F. P. Melodies. "Vol. 4.
M.327.4.4
Chaine, Eugene.
O Salutaris, pour s. ou t., avec orgrue. Paris. Richault.
[186-?] No. 19 in M.260.10.4
Chains of the heart, or the slave by choice. For the Music
see Mazzinghi. For the Libretto see Hoare.
Chair divine! Opera. For the Music see Poujade.
Chairs to mend. Part-song. Hayes, W. No. i in M.220.5; etc.
Chaises a porteurs, Les. Opera. For the Music see Masse.
For the Libretto see Dumanoir, P. F. P.
Chalet, Le. Opera. For the Music see Adam, Adolphe C. For
the Libretto see Scribe.
Challamel, Jean Baptiste Marie Augustin.
Marianne. Opera-comique, musique de Frangois Bazin.
No. 3 in M.2SS.35
Le rosier. Opera comique de MM. Aug'". Challamel & ***.
Musique de Henri Potier. M.300.12
Velleda. Opera de A. Challamel & J. Chantepie. Musique
de Ch. Lenepveu. M.306.14
Challoner, Robert.
History of the science and art of music. Cincinnati. New-
hall & Co. 1880. ' M.148.10
Chalumeau de Verneuil de Beaulieu, F. T. Alphonse.
An original and condensed grammar of harmony, counter-
point and musical composition par J. J. de Virues y
Spinola et F. T. A. Chalumeau de Verneuil de Beaulieu.
London. Longman. 1850. M.131.7
Cham, pseud. See Noe, Amedee Charles Henri, Comte de.
Chamber music.
See also Duets. Tzvo violins; Duets. Violin, violoncello, etc., and
pianoforte; Sonatas. Violin and pianoforte.
CoRELLi. Werke. Hrsg. von Joseph Joachim. Theil i.
M.3S4-7
Handel. Musette du VI^ concerto. Transcription pour
orchestre. No. II in M.343.48
Musette du Vile concerto. Transcription pour or-
chestre. No. 12 in M.343.48
Chamber music. Decets.
Molbe. Decett fitr drei Violinen, Viola, Violoncell, Contra-
bass, Clarinette, Englisch-Horn, Horn, Fagott. Op. 21.
M.405.77
Chamber music. Nonets.
Lange, F. G. Nonett fiir Flote, zwei Oboen, zwei Clarinet-
ten in B, zwei Waldhorner in F, und zwei Fagotts.
M.350.26
Rheinberger, J. G. Nonett fiir Flote, Oboe, Clarinette,
Fagott, Horn, Violine, Viola, Violoncell und Bass. Op.
139- No. I in M.342.26
Spohr, L. Nonett [F-dur] fiir Violine, Viola, Violoncell,
Kontrabass, Flote, Oboe, Klarinette, Horn und Fagott.
Op. 31. [Payne's Kleine Partitur-Ausgabe.]
No. 6 in M.35S.14
Nonetto pour deux violons, alto, violoncelle, contra-
basse, fltite, hautbois, clarinette, basson et cor. CEuvre 31.
Manuscript. M.312.28
Chamber music. Octets.
Bargiel. Octett fiir 4 Violinen, 2 Violen und 2 Violoncelle.
Op. ISA. No. 3 in M.335.7
Beethoven. Octett fiir 2 Oboen, 2 Klarinetten, 2 Fagotte
und 2 Horner. Op. 103. No. 8 in M.355.2
Gade. Octett fiir 4 Violinen, 2 Bratschen & 2 Violoncelle.
Op. 17. No. I in M.345.46
Gounod. Dodelinette. Berceuse pour double quatuor [d'in-
struments a cordes]. No. 6 in M.332.22
GouvY. Ottetto pour flvite. hautbois, 2 clarinettes, 2 cors et
2 bassons. Op. 71. No. 4 in M.335.7
Graedener. Octett fiir 4 Violinen, 2 Bratschen und 2 Vio-
loncelli. Op. 12. No. 2 in M.358.27
Hofmann, H. C. J. [Octet: flute, clarinet, bassoon, horn,
violin 1st, 2d, viola, violoncello. Op. 80.] No. 3 in M.342.7
Kaun. Octett fijr Clarinette, Horn, Fagott u. Streichinstru-
mente (2 Violinen, Viola, Violoncello, Contrabass). Op. 34.
No. 2 in M.412.2
Mendelssohn-Bartholdy, J. L. F. Ottetto pour 4 violons,
2 violes et 2 violoncelles. Op. 12. No. I in M.346.11
Ottetto pour 4 violons, 2 violes et 2 violoncelles. Op.
20. No. 2 in M.312.8
Same. Ottetto [4 violini, 2 viole, 2 violoncelli] in par-
titura. Op. 20. M.246.30
Molbe. Octett fiir Clarinette, Fagott, Horn, 2 Violinen,
Viola, Violoncell, Contrabass. Op. 20. No. i in M.405.78
Raff. Octett fiir 4 Violinen, 2 Bratschen & 2 Violoncelle.
Op. 176. No. 4 in M.347.30
Reicha. Octuor pour deux violons, alto, violoncelle, haut-
bois ou fliite, clarinette, cor et basson. No. i in M.312.27
Saint-Saisns. Feuillet d'album. Op. 81. Transcription pour
octuor d'instruments a vent. No. 6 in M.40S.S3
Schubert, F. P. Octette. Werke. Serie 3. M.317.1.3
Octett [fiir 2 Violinen, Viola, Clarinet, Horn, Fagott,
Violoncell und Bass. Op. 166]. No. 3 in M.353.13
Spohr, L. Doppel-Quartett [D-moll] fiir 4 Violinen, 2 Vio-
len und 2 Violoncelles. Op. 65. No. i in M.3S5.14
Same. Doppio quartetto in re min. [Violini, viole et
violoncelli.] Op. 65. M.246.31
Doppel-Quartett [E-moll] fiir 4 Violinen, 2 Violen
und 2 Violoncelles. Op. 87. No. 3 in M.35S.14
Doppel-Quartett [Es-dur] fiir 4 Violinen, 2 Violen
und 2 Violoncelles. Op. 77- No. 2 in M.3S5.14
Doppel-Quartett [G-moll] fiir 4 Violinen, 2 Violen
und 2 Violoncells. Op. 136. No. 4 in M.3S5.14
Octett [E-dur] fiir Violine, 2 Violen, Violoncell, Kla-
rinette, 2 Horner und Kontrabass. Op. 32. No. S in M.355.14
Same. Ottetto pour violon, 2 altos, violoncelle, clari-
nette, 2 cors et contrabasse. ffiuv. 32. No. i in M.356.26
Svendsen. Octett fiir 4 Violinen, 2 Bratschen und 2 Violon-
celle. Op. 3. No. 2 in M.347.21
Chamber music. Septets.
Beethoven. Grand septuor [clarinetto, fagotto, corno, vio-
lino, viola, violoncello, basso]. CEuvre 20. No. 2 in M.334.2
Same. Septett fiir Violine, Bratsche, Horn, Clari-
nette, Fagott, Violoncell u. Contra-Bass, Op. 20.
No. I in M.246.32; etc.
Same. Septett [fiir Clarinette, Fagot, Horn, Violine,
Viola, Violoncell und Contrabass]. Op. 20.
No. I in M.333.S
Hummel, J. N. Gran settimetto in re min. [Flauto, oboe,
corno. viola, violoncello, contrabbasso e piano.] M.246.28
Septett [fiir Pianoforte, Flote, Oboe, Horn, Viola,
Violoncell und Contrabass]. Op. 74. No. 2 in M.3S7.5
Indy, p. M. V. d'. Chanson et danses. Divertissement pour
instruments a vent: i fliite, i hautbois, 2 clarinettes, 1 cor
et 2 bassons. (Op. 50.) No. i in M.405.22
Pappalardo. Serenata per flauto, clarinetto, fagotto, chi-
tarra, violino, viola e violoncello. Op. 3. No. 2 in M.358.17
Saint-Saens. Septuor pour trompette, 2 violons, alto, vio-
loncelle, contra-basse et piano. Op. 65. No. 4 in M.342.31
Spohr, L. Septett fiir Pianoforte, Flote, Clarinette, Horn,
Fagott, Violine und Violoncell. Op. 147. No. i in M.347.17
214
Chamber music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chamber music
Chamber music. Sextets.
Beethoven. Sextett [Es dur] fiir 2 Violinen, Bratsche, Vio-
loncell u. 2 Horns obligat. Op. 81. No. i in M.246.32; etc.
Same. Sextuor pour 2 violons, viola, violoncelle et 2
cors obliges. Op. 81. No. i in M.334.2
Sextett [B dur] fiir 2 Violinen, 2 Violen und 2 Violon-
cell. Op. 18. No. I in M.346.12
Sextett [G dur] fiir 2 Violinen, 2 Violen und 2 Violon-
celli. Op. 36. No 2 in M.346.42
Davidof. Sextett fiir 2 Violinen, 2 Bratschen u. 2 Violoncell.
Op. 35. No. I in M.346.23
Dvorak. Sextett, A dur, fiir 2 Violinen, 2 Bratschen und 2
Violoncell. Op. 48. No. i in M.344.34
Erlanger, G. Sextett fiir Violine, Bratsche, Violoncell,
Clarinette, Horn und Fagott. Op. 41. No. i in M.331.S
Franck, E. Sextett fiir 2 Violinen, 2 Bratschen und 2 Vio-
loncelle. Op. 41. No. 2 in M.331.5
Gliere. Sextuor, 2'"« (si), pour deu.x violons, deux altos et
deux violoncellos. Op. 7. No. 2 in M.4i2a.7
Hofmann, H. C. J. Serenade fiir Streichorchester und Flote,
Oder Solo-Sextett. Op. 65. No. i in M.342.7
Krug, a. Preis-Sextett fiir zwei Violinen, Viola, Violotta,
Violoncell und Cellone, oder zwei Violinen, zwei Violen
und zwei Violoncells. Op. 68. No. 3 in M.405.25
Mendelssohn-Bartholdy, J. L. F. Sextett fiir Pianoforte,
Violine, 2 Bratschen, Violoncell und Contrabass. Op. no.
No. 2 in M.346.11
Molbe. Sextett fiir 2 Violinen, 2 Violen, Violoncell u. Con-
trabass. Op. 64. No. 2 in M.40S.79
Moscheles, I. Grandes variations pour le piano avec ac-
comp. de deux violons, alto, violoncelle et contrabasse ad
libitum, sur une melodic nationale autrichienne. QIuv. 42.
[Piano seul.] No. 13 in M.210.4
Same. [Parties de violon i, 2, viola, violoncelle et
basse.] No. 41-45 in M.2io.g
Mozart. [Divertissement, no. 1-6, pour 2 hautbois, 2 cors,
et 2 bassons.] No. i in M.343.14
Dorfmusikanten-Sextett, fiir 2 Horner, 2 Violinen,
Viola und Bass. No. 5 in M.4i2a.i
Zwei Serenaden fiir 2 Oboen, 2 Clarinetten, 2 Horner
und 2 Fagotte. No. 2, 3 in M.347.12
Raff. Sextett fiir 2 Violinen, 2 Bratschen und 2 Violon-
celle. Op. 178. No. 5 in M.347.42
Rheinberger, J. G. Sextett fur Pianoforte, Flote, Oboe,
Clarinette, Fagott und Horn (nach dem Clavier-Trio Nr.
4 in F dur). Op. 191B. M404.63
Rubinstein. [Sextuor, D dur, fiir 2 Violinen, 2 Bratschen
und 2 Violoncell. Op. 97.] No. 3 in M.331.5
Rudorff. Sextett fiir 3 Violinen, Viola und 2 Violoncellos.
No. 2 in M.346.23
Stainlein-Saaleinstein. Sextuor pour 2 violons, 2 altos
et 2 violoncelles. Op. 20. No. 3 in M.346.23
TcHAiKOVSKi, P. I. Souvenir de Florence. Sextuor pour
instruments a cordes [violin i, 2; viola i, 2; cello i, 2].
Op. 70. No. 2 in M.343.13
Thuille. Sextett, fiir Flote, Oboe, Klarinette, Horn, Fagott
und Klavier. Op. 6. M.404.29
WiLM. Sextett, H-moll, fiir 2 Violinen, 2 Violen und 2 Vio-
loncelli. Op. 27. No. 5 in M.4i2a.9
Cheimber music. Quintets. Strings.
Beaumont, A. S. Quintette for 2 violins, 2 violas & violon-
celle with ad lib. part for c. bass. No. i in M.335.2
Beethoven. Fuge fiir 2 Violinen, 2 Bratschen und Violon-
cell. Op. 137, in D. Werke. Serie 5. M.413.1.5
• Quintett, C-moll, fiir 2 Violinen, 2 Violen und Violon-
cello. Op. 104. No. 2 in M.4i2a.i; etc.
Quintett, Es-dur, fiir 2 Violinen, 2 Violen und Violon-
cello. Op. 4. No. I in M.4i2a.i; etc.
Quintetten fiir 2 Violinen, 2 Bratschen u. Violoncell.
Op. 4 u. 29 . . . No. I in M.246.32; etc.
Berger, W. Quintett (E moll) fur zwei Violinen, Bratsche
und zwei Violoncelle. Op. 75. No. i in M.358.14
BoccHERiNi, L, Collection des quintetti de Boccherini, pour
deux violons, alto et deux violoncelles. La partie de pre-
Chamber music. Quintets. Strings. (Continued.)
miere violoncelle peut etre remplacee par I'alto violon-
celle. [Parties separees.] M.200.1
Quintett [E-dur], fiir 2 Violinen, Viola und 2 Violon-
cells. No. 3 in M.377.12
Brahms. Quintett fiir Clarinette (oder Bratsche), 2 Vio-
line, Bratsche und Violoncell. Op. 115. No. 2 in M.346.41
Quintett fiir 2 Violinen, 2 Bratschen und Violoncell.
Op. 88. No. 4 in M.346.40
Quintett, Zweites (G dur), fiir 2 Violinen, 2 Bratschen
und Violoncell. Op. in. No. i in M.346.41
Brandts-Buys. Quintett (D dur) fiir Flote, zwei Violinen,
Viola und Violoncell. No. i in M.4i2a.5
Brisson, F. Ronde de nuit . . . arrangee en quintette a
cordes par E. Jacque. No. 4 in M.336.1
Deldevez. Quintette pour deux violons, alto, violoncelle et
contrebasse. Op. 22. No. 3 in M.337.60
Dvorak. Quintett (Es dur) fiir 2 Violinen, 2 Bratschen und
Violoncell. Op. 97. No. 4 in M.344.41
Quintett, G dur, fiir 2 Violinen, Viola, Violoncell und
Contrabass. Op. 77. No. 2 in M.344.34
Ellerton. [Quintets and quartets for strings.] M.312.25
Ewald, V. Quintuor pour deux violons, deux altos et vio-
loncelle. Op. 4. No. 3 in M.4i2a.5
Fesca, F. E. Collection des quatuors et quintetti pour le
violon. M.200.3
Fetis, F. J. Quintetto, i^r, pour deux violons, deux altos et
violoncelle. No. 2 in M.33S.2
Quintetto, 2"^^ pour deux violons, deu.x altos & vio-
loncelle. No. 3 in M.335.2
Quintetto, 3""=, pour deux violons. deux altos et vio-
loncelle. No. I in M.412.2
Franck, E. Quintett fiir 2 Violinen, 2 Bratschen und Vio-
loncello. Op. 51. No. X in M.410.107
Gade. Aquarellen. Kleine Tonbilder. Op. 19. Fiir Streich-
quintett oder Streichorchester, bearbeitet von Richard
Hofmann. No. 2 in M.345.44
Glazunov. Quintuor pour deux violons, alto et deux vio-
loncelles. Op. 39- No. 2 in M.355.16
GoLDMARK. Quintett fiir 2 Violinen, I Viola & 2 Violoncelli.
Op. 9. No. I in M.335.8
Klughardt. Quintett, G-moll, fiir 2 Violinen, Viola und
Violoncell. Op. 62. No. i in M.355.7
Mayseder. Grand quintetto pour deux violons, deu.x altos
et violoncelle (et contre-basse ad libitum). Oiuvre 50.
No. 33 in M.200.4
Quintette, 2me, pour deux violons, deux altos, violon-
celle et contrebasse (ad libitum). Op. 51. [Parties
separees.] No. 34 in M.200.4
Mendelssohn-Bartholdy, J. L. F. Quintett fiir 2 Violinen,
2 Bratschen u. Violoncell. Op. 87. No. 4 in M.346.12
Quintuor pour 2 violons, 2 altos et violoncello. Op. 18.
No. 3 in M.346.12
Molbe. Quintett fur 2 Violinen, Viola und 2 Cello [sic].
Op. 44. No. I in M.405.79
Mozart. Quintett fiir Clarinette, 2 Violinen, Viola und Vio-
loncell (Fragment). Werke. Serie 24, Band 2.
No. 3 in M.315.1.24.2
Quintett [B-moll] fiir 2 Violinen, 2 Violen und Vio-
loncell. Werke. Serie 24, Band 2. No. 3 in M.315.1.24.2
Quintett (Nachtmusik), G-dur, fiir 2 Violinen, Viola,
Violoncello und Bass. No. 4 in M.4i2a.i
Quintette fijr Streichinstrumente. Werke. Serie 13.
M.315.1.13
Quintetten fiir zwei Violinen, zwei Violas u. Violon-
cello. No. 1-5. Ewer & Co. No. 2 in M.246.32
Same. Quintuors. [K. 406, 515, 516, 593, 614.] M.334.11
Norman. Quintett (C moll) fiJr 2 Violinen, 2 Bratschen
und Violoncell. Op. 35- No. 2 in M.335.8
NovAKOVSKi. Grand quintuor pour piano, violon, alto, vio-
loncelle et contre-basse . . . CEuvre 17. M.334.12
Onslow. Quintetto, no. 1-25, pour 2 violons, 2 violes et
violoncelle. M.354.3
Quintetto no. 9, pour 2 violons, alto, violoncelle et
basse. Op. 25. No. 9 in M.312.9
215
Chamber music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chamber music
Chamber music. Quintets. Strings. (Continued.)
Onslow. Quintette no. ii, pour 2 violons, viola, violoncelle
& contrebasse. Op. 33- No. 9 in M.312.9
Pappalardo. Gran quintetto. Per due violini, due viole c
violoncello. Op. 23. No. i in M.358.17
Pechatschek. Polonaise, Deuxieme, pour le violon avec
accomp. . . . de quatuor. CEuv. 11. [Parties de violon
principal, violon i, 2 et viola.] No. 3-6 in M.210.10
Same. [Partie de violoncelle et basse.]
No. 2 in M..210.12
Rheinbekger, J. G. Quintett fiir 2 Violinen, 2 Violen und
Violoncell. Op. 82. No. 3 in M.346.5
RiGEL, H. J. Grand quintetto pour deux violons, alto, vio-
loncelle et contre basse ou 2me violoncelle. Op. 49.
No. 3 in M.335.8
Rubinstein. Quintetto (F dur), pour deux violons, deux
altos et violoncelle. Op. 59. No. 2 in M.404.4
Schubert, F. P. Grand quintuor pour violon, alto, violon-
celle et basse. Op. 114. No. 2 in M.353.10
Quintett [fiir 2 Violinen, Viola und 2 Violoncelle].
Op. 163. No. 2 in M.353.13
Spohr, L. Grand quintetto pour deux violons, deux altos
et violoncelle. No. i[-S]. CEuvre 33, 34, 69. [Parties
separees.] No. 27-31 in M.200.4
Quintuor, 2e, pour 2 violons, 2 altos et un violoncelle.
CEuv. 68. No. 2 in M.356.26
Smyth. Quintett in E dur fiir 2 Violinen, Bratsche und 2
Violoncelli. Op. i. No. 4 in M.405.74
SvENDSEN. Quintett, C dur, fiir 2 Violinen, 2 Bratschen und
Violoncell. Op. 5- No. 3 in M.347.21
Valensin. Menuet extrait de la lere symphonic (orchestre)
pour deux violons, alto, violoncelle et contrebasse.
No. 2 in M.405.63
Weingartner. Quintett fiir 2 Violinen, 2 Bratschen und
Violoncell. Op. 40. No. 4 in M.4i2a.6
Wichmann. Quintett fiir 2 Violinen, 2 Bratschen und Cello.
Op. 35. No. 4 in M.346.9
Chamber music. Quintets. Wind instruments.
Bernard, £. Divertissement pour instruments a vent: 2
fliites, 2 hautbois, 2 clarinettes, 2 bassons et 2 cors. Op. 36.
No. I in M.405.4
Mozart. Adagio fiir 2 Clarinetten und 3 Bassethorner.
No. 4 in M.347.12
NoRMAND. Quintette (mi majeur), pour flute, hautbois,
clarinette, cor et basson. Op. 45. No. 4 in M.338.16
Reicha. Quintetto, 2e, pour flute, hautbois, clarinette, cor
et basson. No. 2 in M.312.27
Quintetto, 3e, pour flute, hautbois, clarinette, cor et
basson. No. 3 in M.312.27
Quintetto, 4e, pour fliite, hautbois, clarinette, cor et
basson. No. 4 in M.312.27
[24] quintettes. [Woodwind.] M.312.40
Chamber music. Quintets. With pianoforte.
Arenski. Quintuor pour piano, 2 violons, alto et violon-
celle. Op. 51. M.410.96
Beethoven. Quintett, Es-dur, fiir Pianoforte, Oboe, Clari-
nette, Horn und Fagott. Op. 16. No. 2 in M. 355.3; etc.
Brahms. Quintett fiir Pianoforte, zwei Violinen, Viola und
Violoncell. Op. 34. No. i in M.211.5.1 ; etc.
Chadwick, G. W. Quintett fiir Pianoforte, 2 Violinen. Viola
& Violoncell. M.403.20
Draeseke. Quintett fiir Pianoforte, Violine, Viola, Violon-
cell und Horn. Op. 48. M.403.28
Dvorak. Quintett fiir Pianoforte, zwei Violinen, Bratsche
und Violoncell. Op. 81. No. i in M.356.15
FooTE. Quintett, in A moll, fur Klavier, 2 Violinen,
Bratsche und Violoncell. Op. 38. M.403.36
Franck, C. a. Quintette en fa mineur pour piano, 2 violons,
alto et violoncelle. M.410.28
Goetz, H. Quintett fur Pianoforte, Violine, Viola, Violon-
cell und Contrabass. Op. 16. No. 2 in M.211.5.1; etc.
GoLDMARK. Quintett fiir zwei Violinen, Bratsche, Violon-
cell und Pianoforte. Op. 30. No. 3 in M.211.5.1; etc.
Chamber music. Quintets. With pianoforte. (Continued.)
Graedener. Clavier Quintet. [In Cis moll. Fiir Clavier,
2 Violinen, Bratsche und Violoncell.] Op. 57.
No. 4 in M.211.5.1 ; etc.
Hummel, J. N. Quintett fiir Pianoforte, Violine, Viola, Vio-
loncell und Bass. Op. 87. No. i in M.357.S
Jentsch. Quintett fiir Pianoforte, 2 Violinen, Viola und
Violoncell. Op. 50. M.404.53
Krill. Quintett, nach der Prometheussage, fiir Pianoforte,
Violine I. u. II., Viola u. Violoncell. Op. 13. M.404.55
Lacroix, E. Quintette en 4 parties. Pour piano, 2 violons.
alto, et violoncelle. M.4io.g8
Lewandowsky. Quintett (H moll) fiir Pianoforte, 2 Vio-
linen, Viola und Violoncell. Op. 2. M.404.88
Martucci. Quintett (C dur) fur Pianoforte, zwei Violinen,
Viola und Violoncell. Op. 45. M.356.20
Mozart. Quintett fiir Pianoforte, Oboe, Clarinette, Horn
und Fagott. Werke. Serie 17, Band i. M.315.1.17.1
Nawratil. Quintett, fiir Pianoforte, zwei Violinen, Viola
und Violoncell. Op. 16. M.404.58
Quintett, Zweites, fiir Pianoforte, zwei Violinen, Viola
und Violoncell. Op. 17. M.403.103
Novak. Quintett fiir Pianoforte, 2 Violinen, Bratsche und
Violoncell. Op. 12. No. 3 in M.410.107
Reinecke, C. H. C. Quintett fiir Pianoforte, zwei Violinen,
Viola und Violoncello. Op. 83. No. i in M.211.5.2; etc.
Reissiger. [Quintette pour piano, 2 violons, alto et basse.
Op. 29. Piano seul.] No. 6 in M.312.34
Rubinstein. Quintette, pour piano, flute, clarinette, cor et
basson. Op. SS- M.404.8
Quintetto, en sol mineur, pour piano, deux violons,
alto et violoncelle. Op. 99. M.404.g
Saint-Sai^ns. Quintette pour piano, deux violons, alto et
violoncelle. Op. 14. No. 4 in M.211.5.2; etc.
ScHARF. Quintett fiir Violine, Viola, Cello, Bass und Cla-
vier. Op. 41. M.404.66
ScHOLZ. Quintett fur Pianoforte, zwei Violinen, Viola und
Violoncell. Op. 25. No. 2 in M.410.107
Schumann, R. A. Quintett fiir Pianoforte, 2 Violinen, Viola
und Violoncelle. Op. 44. No. 1 in M.351.31; etc.
Sgambati. Quintuor pour piano, deux violons, alto et vio-
loncelle. Op. 4. No. 2 in M.410.83
[Quintuor, 2e, pour piano, deux violons, alto et vio-
loncelle. Op. 6.] No. I in M.410.83
Sinding. Quintett (E moll) fiir Pianoforte, 2 Violinen,
Viola und Violoncell. 2. Auflage. No. 6 in M.211.5.2; etc.
Spohr, L. Grosses Quintett. Fiir Pianoforte, zwei Vio-
linen, Viola und Violoncell. Op. 130. No. 7 in M.211.S.2; etc.
Thieriot. Quintett (D-dur) fiir Pianoforte, 2 Violinen,
Bratsche und Violoncell. Op. 20. M.404.27
Verhey. Quintett fiir Pianoforte, Oboe, Clarinette, Horn
und Fagott. Op. 20. No. i in M.404.103
Wolfrum, p. Quintett fiir Klavier, 2 Violinen, Bratsche
und Violoncell. Op. 21. M.404.10S
Zeckwer. Quintett fur 2 Violinen, Viola, Violoncell und
Klavier. Op. S. No. 2 in M.404.103
Chamber music. Quartets. Strings.
Abbiate. Quatuor en fa majeur pour 2 violons, alto et vio-
loncelle. No. I in M.405.69
Afanasef. Le Wolga. Quatuor pour 2 violons, viola et
violoncelle. No. 2 in M.335.1
Albert, E. F. C. d'. Quartett (A-moll) fiir 2 Violinen, Viola
und Violoncell. Op. 7. , No. i in M.333.4
Quartett No. 2 (Es-dur) fiir 2 Violinen, Bratsche u.
Violoncell. Op. 11. No. 2 in M.333.4
Anichini. Quartetto in mi min. [2 violini, viola e violon-
cello.] No. I in M.4i2a.2
Arenski. Quatuor (la mineur) pour violon, alto et deux
violoncelles. Op. 35. No. 3 in M.358.19
Quatuor pour 2 violons, alto et violoncelle. [Op. 11.]
No. I in M.3S8.19
Artsybushev. [Variations sur un theme populaire russc.]
No. 2 in M.4i2a.i
Balthasar. Adagio romantico, fur 2 Violinen, Viola und
Violoncello. No. i in M.404.39
216
Chamber music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chamber music
Chamber music. Quartets. Strings. (Continued.)
Bargiel. Quartett [D moll] fiir 2 Violinen, Viola und Vio-
loncell. Op. 47. No. 2 in M.335.7
Quartett, N". 3, fiir 2 Violinen, Viola und Violoncell.
Op. ISB. No. I in M.335.7
Barth. Quartett fiir 2 Violinen, Viola und Violoncell.
Op. 15. No. I in M.405.70
Bazzini. Quartett, N"". 2, in D moll, fiir zwei Violinen, Viola
und Violoncello. Op. 75. Neue Ausgabe. [Stimmen.]
No. I in M.211. 2.1-4
Same. Quatuor (en D mineur) pour deux violons,
viola et violoncelle. Op. 75. Partition. No. i in M. 338.9
Quartette in do per due violini, viola e violoncello.
No. I in M.338.16
■ Quartetto, 4°, per due violini, viola e violoncello.
Op. 79- No. 3 in M.335.1
Quartetto, 5°, per due violini, viola e violoncello.
Op. 80. No. 4 in M.335.1
Beethoven. Quartette [No. 1-16] fiir 2 Violinen, Bratsche
und Violoncell. Werke. Serie 6. M.413.1.6
Quartetto in mi b [violino i, 2, viola e violoncello].
Op. 74. No. 2 in M.246.29
Quartetto 1-3. Op. 59. M.246.2S
Quartetto no. 1-6. Op. 18. Nuova edizione. M.246.24
[Streich-Quartette, fiir 2 Violinen, Alto und Violon-
cell. No. 1-17] M.345.32
Bendl. Quartett, F dur, fiir 2 Violinen, Bratsche und Vio-
loncell. [Op. 119.] No. I in M.338.10
Bernard, £. Quatuor pour deux violons, alto et violon-
celle. (Op. 52.) No. I in M.405.71
Blumenfeld. Quatuor en fa pour deux violons. alto et vio-
loncelle. Op. 26. No. I in M.4i2a.5
BoccHERiNi, ll. Menuett No. 2, in A dur, fiir 2 Violinen,
Viola und Violoncell (mit Contrabass ad libitum).
No. 3 in M.332.4
BoEiE. Quartett. Op. 29. [For two violins, viola and vio-
loncello.] No. 2 in M.405.70
BoissEAU. Quatuor pittoresque. Pour deux violons, alto et
violoncelle, d'apres une fantaisie de Champfleury.
No. 2 in M.338.16
Borodin. Quartett [A dur] fiir zwei Violinen, Bratsche und
Cello (angeregt durch ein Thema von Beethoven).
No. 3 in M.335.3
Quartett, No. 2, D-dur, fiir 2 Violinen, Viola und Vio-
loncell. No. 3 in M.355.3
Same. Quatuor, 2'^<^, pour deux violons, alto et violon-
celle. No. 9 in M. 211. 1
BoTTESiNi. Quartetto in re. [2 violini, viola e violoncello.]
No. 2 in M.4i2a.2
Brahms. Quartett (in B dur. No. 3) fiir 2 Violinen, Bratsche
und Violoncell. Op. 67. No. 3 in M.346.40
Zwei Quartette fiir 2 Violinen, Bratsche und Violon-
cell. Op. 51. No. I, 2 in M.346.40
Broustet. Berceuse, pour instruments a cordes. Op. 53.
No. sin M.338.11
BusoNi. Quartett (in C) fiir zwei Violinen, Viola und Vio-
loncell. Op. 19. No. 2 in M.335.3
Quartett, Zweites (D moll), fiir 2 Violinen, Viola und
Violoncell. Op. 26. No. i in M.211.1
Caetani, R. Quartetto (re mag:) per due violini, viola e
violoncello. Op. i. No. 5 in M.335.1
Carreno. Quartett (H moll) fiir zwei Violinen, Bratsche
und Violoncell. No. i in M.338.17
Castillon de Saint- Victor. Quatuor pour 2 violons, alto
et violoncell. [Op. 3.] No. i, en la mineur.
No. 4 in M.355.11
Chausson. Quatuor a cordes (inacheve). (Op. 35.)
No. 2 in M.405.69
Cherubini. Trois quatuors pour 2 violons, alto et violon-
celle [mib, ut, re mineur]. No. 1-3 in M.344.17
Chevillard. Quatuor (en reb majeur) pour 2 violons, alto
et violoncelle. (Op. 16.) No. i in M.405.72
Chvala. Quartett (C moll), fiir 2 Violinen, Bratsche und
Violoncell. No. 2 in M.338.17
Chamber music. Quartets. Strings. (Continued.)
Croff. Quartetto [2 violini, viola e violoncello].
No. 2 in M.246.34
Dancla. Quatuor, 12^, pour deux violons, alto et violon-
celle. Op. 142. No. 2 in M.338.10
Davidov. Quartett fiir zwei Violinen, Viola und Violon-
cell. Op. 38. No. I in M.335.4
Debussy. ler quatuor pour 2 violons, alto et violoncelle.
Op. 10. No. 3 in M.405.69
Deldevez. Deux quatuors pour deux violons, alto et violon-
celle. Op. 10, no. I, 2. No. I, 2 in M.337.60
Dessoff. Quartett fiir zwei Violinen, Viola und Violoncell.
Op. 7. No. 2 in M.335.4
Dimitresco. Quatuors pour 2 violons, alto et violoncell.
No. 1-4. Op. 21, 26, 33, 38. No. 2-5 in M.211.1
Ditters von Dittersdorf. Quartett [A-dur] fiir 2 Vio-
linen, Viola und Violoncell. No. 6 in M.355.6
Quartett [B-dur] fiir 2 Violinen, Viola und Violon-
cell. No. 2 in M.355.6
Quartett [C-dur] fiir 2 Violinen, Viola und Violoncell.
No. 5 in M.355.6
Quartett [D-dur] fiir 2 Violinen, Viola und Violoncell.
No. I in M.355.6
Quartett [Es-dur] fiir 2 Violinen, Viola und Violon-
cell. No. 4 in M.3S5.6
Quartett [G-dur] fiir 2 Violinen, Viola und Violoncell.
No. 3 in M.355.6
Dohnanvi. Quartett (A dur) fiir 2 Violinen, Viola und Vio-
loncell. Op. 7. No. 3 in M.4i2a.6
Draeseke. Quartett (C moll) fiir zwei Violinen, Viola und
Violoncell. Op. 27. No. 3 in M.335.4
Quartett, No. 2, E moll, fiir zwei Violinen, Viola und
Violoncell. Op. 35. No. 4 in M.335.4
Duvernoy. Quatuor en ut mineur pour 2 violons, alto et
violoncelle (Op. 46). No. 2 in M.40S.72
Dvorak. Quartett (As dur) fiir 2 Violinen, Bratsche und
Violoncell. Op. 105. No. i in M.344.36
Quartett (A moll) fiir 2 Violinen, Viola und Violon-
cell. Op. 16. No. I in M.403.31
Quartett (C dur), Drittes, fiir 2 Violinen, Bratsche
und Violoncell. Op. 61. No. 3 in M.344.35
Quartett (D moll) fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 34. No. I in M.344.35
Quartett (E dur). No. 4, fiir 2 Violinen, Viola und
Violoncell. Op. 80. No. 4 irf M.344.35
- — — Quartett [Es dur] fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 51. No. 2 in M.344.35
Quartett (F dur) fiir 2 Violinen, Bratsche und Violon-
cell. Op. 96. No. 3 in M.344.41
Quartett (G dur) fiir 2 Violinen, Bratsche und Violon-
cell. Op. 106. No. 2 in M.344.36
EiCHHORN. Adagio fiir Streichquartett (oder Streichorches-
ter). No. 3 in M.338.10
Ellerton. [Quintets and quartets for strings.] M.312.25
Quatuor, lo^e (en fa), pour deux violons, alto, et vio-
loncelle. Op. 62. No. I in M.33S.5
Quatuor. 39'"« (en fa), pour deux violons, alto et vio-
loncelle. [Op. loi.] No. 2 in M.335.5
Quatuor, 42""^ (en fa), pour deux violons, alto et vio-
loncelle. Op. 102. No. 3 in M.335.5
Trois quatuors (en la, mib et sol) pour 2 violons, alto
et violoncelle. Op. 61. No. I in M.354.4
Trois quatuors (en re, ut-min. et la) pour 2 violons,
alto et violoncelle. Op. 124. No. 3 in M.354.4
• Trois quatuors (en sib, re et sol) pour 2 violons, alto
et violoncelle. Op. 122. No. 2 in M.354.4
Trois quatuors (no. 44, 45, 46) [en mi mineur, sol
mineur et la mineur], pour deux violons, alto et violon-
celle. Op. 70. No. 4 in M.335.S
Trois quatuors (no. 47, 48, 49) [en ut mineur, sib, et
ut], pour deux violons, alto et violoncelle. Op. 71.
No. 5 in M.335.S
I 28
217
Chamber music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chamber music
Chamber music. Quartets. Strings. (Continued.)
EwALD. Quatuor en ut majeur, pour deux violons, alto at
violoncelle. Op. I. No. 2 in M.4i2a.5
Famintzin. ..Serenade." 2tes Quartett fiir 2 Violinen, Alto
und Violoncello. Op. 7- No. i in M.335.6
Fesca. F. E. Collection des quatuors et quintetti pour le
violon. [2 violons. 2 violas et violoncello.] M.200.3
FiBiCH. Quartett pro 2 housle, violu a violoncello. [2 Vio-
linen, Viola u. Violoncello.] Op. 8. No. 2 in M.3S8.14
FiORi. Quartetto [2 violini, viola e violoncello].
No. I in M.246.34
FoERSTER, J. B. Quartett, E-dur, fiir 2 Violinen. Viola und
Violoncell. Op. 15. No. 4 in M.4i2a.s
FooTE. [Quartet, no. 2, for two violins, viola und violon-
cello. Op. 32.] No. 2 in M.338.9
Quartett in G moll, fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 4- No. 3 in M.338.9
Franck, C. E. Quatuor (en re majeur) pour 2 violons, alto
et violoncelle. No. 3 in M.358.14
Franck. E. Streichquartett fiir 2 Violinen, Viola und Vio-
loncello. Op. 40. No. 2 in M.335.6
FucHS, R. Quartett (E-dur) fiir 2 Violinen, Viola und Cello.
Op. 58. No. 3 in M.405.70
Gade. Quartett (No. I, D dur) fiir 2 Violinen. Viola und
Violoncell. Op. 63. No. 6 in M.211.1
Gernsheim. Quartett fiir 2 Violinen, Viola & Violoncell.
Op. 25. No. 4 in M.338.10
Quartett (No. 2. A moll) fiir 2 Violinen, Viola und
Violoncello. Op. 31. No. 3 in M.335.6
Quartett (No. 3, in F dur) fiir zwei Violinen, Viola
und Violoncell. Op. 51. No. 7 in M.211.1
Glazunov. Cinq novellettes pour quatuor d'archets. Op. IS-
No. II in M.211.1
Hmhhhhh. TpH KBapxeTHHX^ HadpoCKa. [.Tour
de fete. Quatuor pour 2 violons, alto et violoncelle, par
Glazounow, Lindow et Rimsky-Korsakow.]
No. Sin M.211.1
Quatuor pour deu.x violons, alto et violoncelle. Op. i.
No. 4 in M.335.6
Quatuor, 2me (en fa majeur), pour deux violons, alto
et violoncelle. Op. 10. No. 10 in M.211.1
Quatuor, 4™^, en la, pour deux violons, alto et violon-
celle. Op. 64. No. 3 in M.4i2a.i
Quatuor, 5™e. en re, pour deux violons, alto et violon-
celle. Op. 70. No. 4 in M.4i2a.i
Quatuor slave pour deu.x violons, alto et violoncelle.
Oo. 26. No. 12 in M.211.1
Suite pour quatuor d'archets. Op. 35. Nouvelle edi-
tion. No. I in M.355.16
Gliere. Quatuor (la) pour deux violons, alto et violoncelle.
Op. 2. No. I in M.4i2a.7
Godard. B. L. p. Quatuor (en sol mineur). Pour deux vio-
lons. alto & violoncelle. Op. 33. No. i in M.338.12
Goldmark. Quartett fiir zwei Violinen. Viola und Violon-
cell. Op. 8. No. 13 in M.211.1
Gretchaninov. Quatuor (sol majeur) pour deux violons.
alto et violoncelle. Op. 2. No. s in M.4i2a.5
Grieg. Quartett (G moll) fiir 2 Violinen. Viola und Violon-
cell. Op. 27. No. I in M.347.42
Grill. Quartett (Es dur) fiir zwei Violinen. Viola und Vio-
loncell. Op. 9. No. 5 in M.335.6
GuRLiTT. Intermezzo fiir . . . zwei Violinen, Viola und
Violoncell. Op. 152. No. 14 in M.211.1
Halberstadt. Quartetto. [Per due violini. viola e violon-
cello.] M.312.39
Handel. Air varie du XII^ concerto. Transcription pour
orchestre [violon i, 2; alto; violoncelle]. No. 13 in M.343.48
Hauptmann, M. Quartett, no. i [in E flat, for 2 violins,
viola and violoncello]. Op. 7, no. i. No. 2 in M.338.12
Quartett, no. 2 [in C, for 2 violins, viola und violon-
cello]. Op. 7, no. 2. No. 3 in M.338.12
Haydn. F. J. [Quatuors pour 2 violons. alto et violoncelle,
en partition. No. 1-83.] M. 344.31
Arranged according to Trautwein & Co.'s catalogue, prefi.xed to
volume I.
Chamber music. Quartets. Strings. (Continued.)
Haydn. F. J. Variationen fiber „Gotte erhalte Franz den
Kaiser," und Andantino grazioso. No. 2 in M.404.39
Henschel, G. Quartett in Es dur, fiir zwei Violinen, Viola
& Violoncell. Op. 55. No. 3 in M.338.16
Hermann, H. Quartett fiir 2 Violinen, Viola und Violon-
cell. Op. 47. No. I in M.405.73
Herzogenburg. Drei Quartette fiir 2 Violinen. Bratsche
und Violoncell. Op. 42 [G moll. D moll, G dur].
No. 2-4 in M.348.14
Quartett (D moll) fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 18. No. I in M.348.14
Quartett, in F moll, fiir zwei Violinen, Bratsche und
Violoncell. Op. 63. No. 2 in M.403.3i
Hiller, F. Capriccio fugato fiir vier Violinen. Op. 203.
No. 15 in M.211.1
HoLTER. Quartett fiir zwei Violinen, Viola & Violoncell.
Op. I. No. I in M.336.IS
Indy, p. M. V. d'. Quatuor pour deux violons, alto et vio-
loncelle. Op. 35. No. 3 in M.405.23
Quatuor. 2e, pour 2 violons, alto et violoncelle.
(Op. 45.) No. I in M.3S8.29
Ippolitov-Ivanov. Quatuor, ir (,A-moll), pour 2 violons,
viola et violoncelle. Op. 13. No. 5 in M.4i2a.i
Jaoues-Dalcroze. Serenade pour quatuor a cordes. Op. 61.
No. 2 in M.4i2a.6
Jongen. Quartett, C-moll, fiir 2 Violinen, Viola und Violon-
cell. No. I in M.4i2a.i
Kahn. Streichquartett, A-dur. Op. 8. No. i in M.405.74
Kauffmann. Variationen uber ein eigenes Thema fiir
Streichquartett. Op. 8. No. 2 in M.347.4a
Kaun. Quartett (F dur) fiir 2 Violinen, Viola und Violon-
cello. Op. 40. No. 3 in M.403.31
Quartett (No. 2 in D) fiir 2 Violinen. Viola und Vio-
loncell. Op. 41. No. I in M.404.54
Kelz. Drei Fugen fiir 2 Violinen. Bratsche und Violoncello.
Op. 146. M.334.6
Kiel. Walzer fiir Streichquartett. Op. 73. No. 3 in M.333.4
Walzer fiir Streichquartett. Neue Folge. Op. 78.
No. 4 in M.333.4
KiENZL. Quartett fiir 2 Violinen, Bratsche und Violoncell
(B-moll). Op. 22. No. i6inM.2ii.i
KiRCHNER, T. Quartett fur 2 Violinen, Viola und Violon-
cell. Op. 20. No. 2 in M.336.IS
Klughardt. Quartett. D-dur, fiir 2 Violinen, Viola und Vio-
loncell. Op. 61. No. iinM.4i2a.9
Quartett, F-dur, fiir 2 Violinen, Viola und Violoncell.
[Op. 42.] ' No. 3 in M.347.42
KoESSLER. Streichquartett No. 2 (G moll). No. 2 in M.40S.71
KoPYLOV. Andantino sur le theme B-la-f, pour quatuor
d'archets. Op. 7- No. 17 in M.211.1
Prelude et fugue sur la theme B-la-f, pour quatuor
d'archets. Op. 11. No. 11 in M.211.1
Quatuor pour deux violons, alto et violoncelle. Op.
J. No. 19 in M.211.1
Quatuor, 2me, pour deux violons, alto et violoncelle.
Op. 23. No. 3 in M.355.16
Kreiil. Quartett (A dur) fiir zwei Violinen, Bratsche und
Violoncell. Op. 17. No. i in M.40S.7S
Kreutzer, C. L. F. Quatuor, 21":, en la mineur, pour deux
violons, alto et violoncelle. No. 20 in M.211.1
Quatuor, 4">^, pour deux violons, alto et violoncelle.
CEuv. 15. No. 3 in M.336.15
Kui. Quatuor pour 2 violons, alto et violoncelle. Op. 45.
No. I in M.335.3
Lachner, F. Quatuor [no. i, en si mineur, pour deux vio-
lons, viola et violoncelle. Op. 75]. No. i in M.405.76
Quatuor no. 2, pour 2 violons, alto et violoncelle.
Op. 76. No. 3 in M.312.9
Quatuor no. 3, pour 2 violons, alto et violoncelle.
Op. 77. No. 4 in M.312.9; etc.
Quatuor en re mineur, pour deux violons, alto et vio-
loncelle. Op. 120. No. 2 in M.40S.76
218
Chamber music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chamber music
Chamber music. Quartets. Strings. (Continued.)
Lachner, F. Quatuor, sol majeur (G-dur), pour deux vio-
lons, alto et violoncelle. Op. 169. No. 3 in M.405.76
Quartett No. VI.. E-moll, fiir zwei Violinen, Viola
und Violoncell. Op. 173. No. 2 in M.405.73
Lachner, V. Variationen sammt Vor- und Nachspiel iiber
die C-dur Tonleiter fiir 2 Violinen, Viola & Violoncell.
Op. 47. No. 3 in M.405.73
Lange, S. de. Quartett, No. 2, in C dur, fiir 2 Violinen, Viola
und Violoncello. Op. 18. No. 2 in M.346.33
Quartett, No. 3. in G, fiir zwei Violinen, Bratsche und
Violoncell. Op. 67. No. 31 in M.338.17
Langhans. Quartette. [2 violini, viola, e violoncello.]
No. 3 in M.4i2a.2
Le Borne. Quatuor (en ut mineur) pour 2 violons, alto et
violoncelle. Op. 23. No. 2 in M.404.S4
Lefebvre, C. fi. Suite pour instruments a cordes (2 vio-
lons, alto et violoncelle). Op. 59. No. 2 in M.337.8
Levy, M. Quartett, F-dur, fiir 2 Violinen, Viola und Violon-
cell. No. 4 in M.347.42
LiADOF. BejiHHaHie. [KBapxeTt ^jih 2xb ckphhokt.,
ajiBTa H BioJiOHHCJiH.] No. 8mM.2ii.i
LiMEERT. Quartett fur 2 Violinen, Bratsche und Violon-
cell (F moll). Op. 15- No. 4 in M.40S.73
Mazas. Douze petits duos pour deux violons. Op. 38.
Cah. 2. Arrangements von Max Schultze, 2 Violinen, Alto
und Veil. No. 3 in M.357.10
Mendelssohn-Bartholdy, J. L. F. Quartette fiir 2 Vio-
linen, Viola und Violoncell. M.346.13
Andante, Scherzo, Capriccion u. Fuge fiir 2 Violinen.
Bratsche und Violoncell. Op. 81. No. 3 in M.312.8
Metzdorff. Quartett (F moll) fiir 2 Violinen, Viola und
Violoncello. Op. 40. No. i in M.335.9
Mozart. Quartett [A-dur] fiir 2 Violinen, Viola und Vio-
loncell (Fragment). Werke. Serie 24, Band 2.
No. 3 in M.315.1.24.2
Quartette fiir Streichinstrumente. No. 1-30. Werke.
Serie 14. M.315.1.14
Quartetten fiir zwei Violinen, Viola und Violoncello
[No. i-io und Fuga.] M.246.33
NAPR.«iVNiK. Quatuor no. 2 (la-majeur), pour 2 violons, alto
et violoncelle. Op. 28. No. i in M.4i2a.io
Quatuor no. 3 (C-dur), pour 2 violons, alto et violon-
celle. Op. 65. No. 2 in M.4i2a.io
Nawratil. Quartett (D moll) fiir 2 Violinen, Viola und
Violoncello. Op. 18. No. 3 in M.346.33
Quartett No. 2, D-moll, fiir 2 Violinen, Viola und Vio-
loncell. Op. 21. No. 2 in M.4i2a.9
Neuhoff. Quartett fiir 2 Violinen, Bratsche und Violoncell.
Op. 10. M.404.59
Novacek. Quartett (E moll) fiir 2 Violinen, Viola und Vio-
loncell. No. 4 in M.346.33
Ollone. Quatuor pour deux violons, alto & violoncelle.
No. 3 in M.405.41
Onslow. Quartetto, no. 1-15, 19-28, pour 2 violons, viola
et violoncelle. M. 354.2
Quatuor, no. 22, pour 2 violons, alto et basse. Op. 47.
No. 6 in M.312.9
Quatuor. no. 23, pour 2 violons, alto et violoncelle.
Op. 48. No. 7 in M.312.9
Quatuor. no. 30, pour 2 violons, alto et violoncelle.
Op. 56. No. 5 in M.312.9
Ouseley. Quartett in C. For two violins, viola und violon-
cello. No. 4inM.336.1s
Quartett in D minor for two violins, viola und violon-
cello. No. 5 in M.336.1S
Pachulski. Quartett, E moll, fiir 2 Violinen, Viola und Vio-
loncell. No. 2 in M.405.74
Quartett (G dur) fiir 2 Violinen, Viola und Violoncell.
No. 3 in M.405.74
Pacini, G. Quartetto, 4to [2 violini, viola e violoncello].
No. 3 in M.246.34; etc.
Paganini. Grand quatuor en E majeur fpour deux violons,
alto et basse]. No. i in M.338.13; etc.
Chamber music. Quartets. Strings. (Continued.)
Perkins. Quatuor pour 2 violons, alto et violoncelle. Op. 8.
[Parties separees.] No. 8 in M.211.2.1-4
Puchat. Quartett (F-dur) fiir zwei Violinen, Viola und
Violoncell. Op. 25. No. i in M.404.4
Raff. [Quatuors fiir 2 Violinen, Bratsche u. Violoncell. No.
1-8.] M.347.29
Ravel. Quatuor a cordes [2 violons, alto et violoncelle, en
fa majeur]. No. 3 in M.4i2a.io
Reber, N. H. Berceuse. Arrangee pour 2 violons, alto et
violoncelle. Op. 15. No. 3 in M.334.13
Reger, M. Quartett in D moll, fiir zwei Violinen, Viola und
Violoncello. Op. 74. M.410.100
Reinecke, C. H. C. Quartett fiir 2 Violinen, Viola und Vio-
loncello. Op. 132. No. I in M.334.14
Quartett (Nr. 4, D dur) fiir zwei Violinen, Viola und
Violoncell. Op. 211. No. 3 in M.404.39
Reinken. Hortus musicus. [Arranged for two violins, viola
and basso continuo.] No. i in M.415.5
Reuss, Heinrich XXIV. Quartett, F-dur, fiir 2 Violinen,
Viola und Violoncell. No. 2 in M.355.7
Rheinberger, J. G. Quartett [C moll] fiir 2 Violinen, Viola
und Violoncell. Op. 89. No. I in M.346.5
Quartett in F dur, fiir 2 Violinen, Viola und Violon-
cell. Op. 147. No. 2 in M.346.5
RicoRDi. Quartetto i. [2 violini, viola e violoncello.]
No. 2 in M.4i2a.ii
RiES, F. Quartett, Zweites (B dur), fiir zwei Violinen, Viola
und Violoncell. Op. 22. No. 4 in M.405.76
Rimski-Korsakov. XopOBO;];'i>. [KBapiCT'L fl.iii 2X1.
CKpHHOKT., a-iibxa H BioJiOHHejiii.] No. 8in M.211.1
Quatuor, ler (en fa-maj.), pour deux violons, alto et
violoncelle. Op. 12. No. 2 in M.40S.7S
RiTTER, A. Quartett fiir 2 Violinen, Viola und Violoncell.
Op. I. No. 4 in M.346.S
RosENHAiN. Am Abend. Stimmungsbilder fiir Solo-Streich-
quartett (oder Streichorchester mit Contrabass). Op. 99.
No. 3 in M.355.11
Quartett [fiir 2 Violinen, Viola und Violoncell. Op.
55]. No. I in M.355.11
Quartett fiir 2 Violinen, Viola und Violoncell. Op. 65.
No. 2 in M.3SS.11
Rousseau, S. Deux pieces pour quatuor a cordes.
No. 3 in M.405.7I
Rubinstein. 2 quatuors pour deu.x violons, alto et violon-
celle. Op. 90. No. 7, 8 in M.35i.2g
Quatuor [en fa mineur] pour deux violons, alto et
violoncelle. Op. 106, no. 2. No. 21 in M.211.1
Trois quatuors pour 2 violons, alto et violoncelle.
Op. 17. Nouvelle edition. No. 1-3 in M.351.29
• Trois quatuors pour 2 violons, alto et violoncelle.
Op. 47. No. 4-6inM.3s1.29
Ruefer. Quartett, Zweites (Es-dur), fiir 2 Violinen, Viola
und Violoncell. Op. 31. No. S in M.338.16
Saint-Saens. Quatuor pour 2 violons, alto et violoncello
(Op. 112). No. iinM.405.54
ScHABLER. Preis-Quartett fiir zwei Violinen, Viola und
Violoncello. No. i in M.4C5.80
ScHAPER. Musikalische Gedenkblatter fiir Streich-Quartett
in einfacher Besetzung. Op. 12. No. 4 in M.357.19
ScnARF. Quartett (G dur) fiir zwei Violinen, Viola und
Violoncell. Op. 60. No. 4 in M.404.39
Schimon. Quatuor, 2e, pour 2 violons, alto et violoncelle.
Op. 25. No. 5 in M.333.4
ScHOLZ. Quartett, Zweites, fiir Saiten-Instrumente (2 Vio-
linen, Viola und Violoncell). Op. 48. No. 3 in M.334.14
ScHKOEDER, H. Sechs kleine leichte und instructive Quar-
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Heft 2. [No. 4-6.] No. 3 in M.412.2
Schubert, F. P. Quartette fiir Streichinstrumente. No.
1-15. Werke. Serie 5. M.317.1.S
[Quartette fiir 2 Violinen, Viola und Violoncello. No.
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Schumann, C. J. Quartett (G-dur) fiir 2 Violinen, Viola
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219
Chamber music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chamber music
Chamber music. Quartets. Strings. (Continued.)
Schumann, R. A. Drei Quartette fiir zwei Violinen,
Bratsche und Violoncell. Op. 4i- Werke. Serie 4.
M.316.1.4; etc.
ScoNTRiNO. Quartett, G-molI, fiir 2 Violinen, Viola und
Violoncell. No. i in M.4i2a.i2
Sgambati. Quartett, Cis-moll, fiir 2 Violinen, Viola und
Violoncell. Op. 17. No. 2 in M.4i2a.2
Same. Quartetto per 2 violini, viola e violoncello.
Op. 17. No. 2 in M.334.14
SiNDiNG. Quartett (A moll) fiir 2 Violinen, Viola, Violon-
cell. Op. 70. No. 4 in M.4i2a.ii
SiNiGAGLiA. Konzert-Etude fiir 2 Violinen. Viola und Vio-
loncello. Op. 5. No. 3in M.4i2a.ii
Smetana. Quartett, Zweites, fiir 2 Violinen, Bratsche und
Violoncell. No. 4 in M.338.1 7
Z meho zivota. Aus meinem Leben. Quatuor pro
smyccove nastroje (I. II. housle, violu a cello).
No. 22 in M.211.1
SoKOLOF. Quatuor pour deux violons, alto et violoncelle.
Op. 7. No. 23 in M.211.1
Same. Nouvelle edition. No. 4 in M.355.16
Quatuor, Deuxieme (en la majeur), pour deux vio-
lons, alto et violoncelle. Op. 14. Nouvelle edition.
No. 5 in M.3S5.16
Quatuor, Troisieme (en re mineur), pour deux vio-
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Spindler. Quartett (C moll) fiir 2 Violinen, Viola und Vio-
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Spohr, L. String quartetts. (2 violins, viola & violoncello.)
No. 1-34. Scores. M.337.15
Quatuor [s] pour deux violons, alto et violoncelle.
No. 1-26. [Parties.] No. 1-26 in M.200.4
Trois quatuors pour deux violons, alto et violoncelle.
CEuvre 29. Nouvelle edition. [Parties.]
No. 12 in M.211.2.1-4
Trois quatuors pour 2 violons, viola et violoncelle.
Op. 74. No. 2 in M.3i2.g
Grand quatuor pour deux violons, alto et violoncelle.
CEuvre 27. Nouvelle edition. [Parties.]
No. II in M.211.2.1-4
Quartett, Xtes, fiir 2 Violinen, Viola und Violoncelle.
30tes Werk. [Stimmen.] No. 15 in M.211.2.1-4
Quatuor brillant, no. 11. [Pour deux violons, alto et
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Stanford. Quartett (No. l), G dur, fiir 2 Violinen, Viola
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Quartett (No. 2), A moll, fiir 2 Violinen, Viola und
Violoncell. Op. 45- No. 5 in M.355.3
Stenhammar. Quatuor pour deux violons, alto et violon-
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Stephens, C. E. Quatuor, 2eme, pour deux violons, alto et
violoncelle. Op. 22. No. 2 in M.405.80
Straesser. Zwei Quartette fiir 2 Violinen, Bratsche und
Violoncell. Op. 12, No. i, E moll; No. 2, G dur.
No. 3, 4 in M.405.80
Strauss, R. Quartett (A dur) fiir 2 Violinen, Viola und
Violoncell. Op. 2. No. 3 in M.405.75
Street, J. Quatuor pour 2 violons, viole et violoncelle, en
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SvENDSEN. Quartett (A moll) fiir 2 Violinen, Bratsche und
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Tanieev, S. I. Quatuor en sib-min. pour deux violons, alto
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Quatuor. 4"^^ (en la mineur), pour deux violons, alto
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Taubert, C. G. W. Quatuor en mi mineur pour 2 violons,
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Taubert, E. E. Zwei Quartette fiir 2 Violinen, Viola und
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TcHAiKOVSKi, P. I. Quartett fur 2 Violinen, Viola und Vio-
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■ Quartett fiir 2 Violinen, Viola und Violoncell. [Op.
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Chamber music. Quartets. Strings. (Continued.)
Tchaikovski, P. I. Quartett fur 2 Violinen, Viola und Vio-
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Verdi. Quatuor pour 2 violons, alto et violoncelle.
No. I in M.346.9
ViERLiNG. Quartett fiir 2 Violinen, Viola und Violoncell.
Op. 56. No. 5 in M.335.9
ViTOL. Quatuor (sol majeur) pour deux violons, alto et
violoncelle. Op. 27. No. 3 in M.4i2a.i2
VoLKMANN. [Streich-Quartette, No. 1-6.] M.346.8
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Quartett, No. 2, G-moll, fiir 2 Violinen, Viola und
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Quartett, No. 3, G-dur, fiir 2 Violinen, Viola und Vio-
loncell. Op. 34. No. 4 in M.355.7; etc.
Quartett, No. 4, E-moll, fiir 2 Violinen, Viola und
Violoncell. Op. 35. No. 5 in M.355.7
Quartett, No. 5, F-moll, fiir 2 Violinen, Viola und
Violoncell. Op. 37. No. 6 in M.355.7; etc.
Quartett, No. 6, Es-dur, fiir 2 Violinen, Viola und
Violoncell. Op. 43. No. 7 in M.35S.7; etc.
Wagner-Loeberschuetz. Quartett in B dur fiir 2 Violinen,
Viola und Violoncell. Op. 15. No. 4 in M.405.75
Weber, J. M. Quartett, No. 2 [in H-moll, fiir 2 Violinen,
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Weingartner. Quartett, in D moll, fiir 2 Violinen, Bratsche
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Quartett, in F moll, fur 2 Violinen, Bratsche und Vio-
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Wichmann. Quartett (C moll) fiir 2 Violinen, Viola und
Violoncell. Op. 40. No. 3 in M.346.9
Quartett, Sechstes (F dur), fiir 2 Violinen, Viola &
Violoncell. Op. 3. No. 2 in M.346.9
Winkler, A. Quatuor pour deux violons, alto et violon-
celle. Op. 7. No. 4 in M.4i2a.i2
. Quatuor, 2e, pour deux violons, alto et violoncelle.
Op. 9. No. 5 in M.4i2a.i2
Winkler, M. Drei Jugend-Quartette fiir 2 Violinen, Viola
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WiTKOWSKi. Quatuor pour 2 violons, alto et violoncelle.
No. 4 in M.4i2a.io
Wolf, F. A. Streich Quartett in G moll. M.404.104
Zelenski. Quartett (F dur) fiir zwei Violinen, Viola und
Violoncell. Op. 28. No. 3 in M.338.1
Variationen iiber ein Original-Thema, fiir zwei Vio-
linen, Viola und Violoncell. Op. 21. No. 2 in M.338.1
Zellner, J. Quartett (G moll) fiir 2 Violinen, Bratsche und
Violoncell. Op. 14. No. 4 in M.338.1
- — — Variationen iiber ein Thema J. S. Bach's. Fiir zwei
Violinen, Viola und Violoncell. Op. 33. No. 5 in M.338.1
Zemlinsky. Quartett (A dur), fiir 2 Violinen, Bratsche und
Violoncell. Op. 4. No. 5 in M.338.17
Zolotarev. Quatuor, le"", pour deux violons, alto et violon-
celle. Op. S. No. 6 in M.4i2a.i2
Chamber music. Quartets. Wind instruments.
Montagney. 12 quatuors pour cors chromatiques en fa, ou
cornets a pistons en la . . . Par J. D. Artot [pseud.].
No. I in M.335.1
Chamber music. Quartets. With pianoforte.
Becicer, a. E. a. Quartett fiir Pianoforte, Violine, Viola,
Violoncell. Op. 19. No. 3 in M.357.ig
Beethoven. Quartett fiir Pianoforte, Violine, Bratsche und
Violoncell. [No. 1-3, und nach dem Quintett, Op. 16.]
Werke. Serie 10. M.413.1.10
Quartett fiir Klavier, Violine, Viola und Violoncell.
Op. 16. No. I in M.355.3
Berger, W. Quartett fiir Pianoforte, Violine, Viola und
Violoncell (A dur). Op. 21. No. i in M.404.40
Bonis. Quatuor en sib pour piano, violon, alto, violoncelle.
M.410.103
Brahms. Quartett, C moll, fiir Pianoforte, Violine, Bratsche
und Violoncell. Op. 60. No. 2 in M.356.2
Quatuor (en la maj.) pour piano, violon, alto et vio-
loncelle. Op. 26. M.331.3
220
Chamber music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chamber music
Chamber music. Quartets. With pianoforte. (Continued.)
Brahms. Quatuor (sol min.) pour piano, violon, alto et vio-
loncelle. Op. 25. M.351.2
Chausson. Quatuor en la majeur pour piano, violon, alto
et violoncelle. Op. 30. M.410.16
Cobb, G. F. Quartett in E dur fiir Pianoforte, Violine, Viola
und Violoncell. Op. 34. M.403.24
CuLwiCK. Quartett fiir Pianoforte, Violine, Viola und Vio-
loncell. Op. 7. No. 2 in M.404.40
Dvorak. Quartett fiir Pianoforte, Violine, Viola und Vio-
loncello. Op. 23. M.404.45
Quartett (Es-dur) fiir Pianoforte, Violine, Bratsche
und Violoncell. Op. 87. No. 2 in M.3S6.1S
FooTE. Quartett, in C dur, fiir Klavier, Violine, Bratsche
und Violoncell. Op. 23. M.403.35
Gernsheim. Quartett (No. 3, F dur) fur Pianoforte, Vio-
line, Viola und Violoncell. Op. 47. M.403.40
GoETZ, H. Quartett, E dur [fiir Pianoforte, Violine, Viola
und Violoncell]. Op. 6. M.404.48
Grund. Quartett fiir das Pianoforte, Violine, Bratsche und
Violoncelle. 5. Werke. [Pianoforte allein.]
No. 1 in M.312.34
Quartett fiir Pianoforte, Violine, Viola und Violon-
celle. 8. Werk. [Pianoforte allein.] No. 2 in M.312.34
HiLLER, F. Quartett, Drittes, fiir Piano, Violine, Viola und
Violoncell. Op. 133. No. S in M. 211.5.1; etc.
Indy, p. M. V. d'. Quatuor pour piano, violon, alto et vio-
loncelle. Op. 7. No. I in M.410.38
Kiel, F. Quartett, Zweites (E dur), fiir Pianoforte, Vio-
line, Viola und Violoncell. Op. 44. No. 6 in M.21 1.5.1 ; etc.
Krommer. Quartett fiir Pianoforte, Violin, Viola, und Vio-
lonzello. 95. Werk. [Pianoforte allein.] No. 3 in M.312.34
KuFFERATH, H. F. Quatuor pour piano, violon, alto et vio-
loncello. No. 7 in M.211.S.1 ; etc.
KuHLAU. Grand quatuor pour le forte-piano, violon, alto &
violoncelle. Op. 50. No. 4 in M.312.34
La Tombelle. Quatuor en mi mineur pour piano, violon,
alto et violoncelle. Op. 24. M.404.87
Lekeu. Quatuor (inacheve) pour piano, violon, alto et vio-
loncelle. No. 2 in M.410.44
Mendelssohn-Bartholdy, J. L. F. Quartetto in fa min.
[Violino, viola, violoncello e pianoforte.] Op. 2.
No. I in M.246.2g
' Quatuor, 3me, pour le pianoforte, violon, viola & vio-
loncelle. Op. 3. No. 4 in M.312.8
Quatuors [no. 1-3] pour piano, violon, alto et violon-
celle. M.353.9
Mozart. Quartette fiir Pianoforte, Violine, Viola und Vio-
loncell, G moll, Es dur. Werke. Serie 17.
No. 2, 3 in M.315.1.17
Pleyel, I. J. Quatuor del Signor Plej'el arrange pour le
clavecin ou forte piano avec accomp. de violon, alto et
basse; . . . No. 2 in M.360.11
Rheinberger, J. G. Quartett (Es-dur) fiir Pianoforte, Vio-
line, Bratsche und Violoncell. Op. 38.
No. 2 in M.21 1.5.2; etc.
Rubinstein. Quatuor pour piano, violon, alto et violoncelle.
Op. 66. No. 3 in M.211.5.2
Saint-Saens. Quatuor en si bemol pour piano, violon, alto
et violoncelle. Op. 41. No. S in M.211.5.2
Schneider, J. C. F. Grand quatuor pour le piano forte, vio-
lon, alto et violoncelle. CEuv. 34. No. s in M.312.34
Schubert, F. P. Adagio et Rondo pour piano, violon, viola
et violoncelle. CEuv. posth. No. i in M.353.10
Schumann, R. A. Quartett fiir Pianoforte, Violine, Viola
und Violoncell, Op. 47 in Es dur. Werke. Serie 5,
Band i. M.316.1.5.1
Same. Quatuor pour piano, violon, alto & violoncelle.
Op. 47. No. 2 in M.351.31
Strauss, R. Quartett, in C moll, fiir Pianoforte, Violine,
Viola und Violoncell. Op. 13. M.404.6g
WiDOR. Quatuor pour piano, violon, alto et violoncelle.
Op. 66. M.4I1.I2
Chamber music. Trios. Strings.
Akimenko. Trio en ut mineur pour violon, alto et violon-
celle. Op. 7. No. I in M.4i2a.i
Beethoven. Trios fiir Violine, Bratsche und Violoncell.
Werke. Serie 7. M.4I3.I.7
Serenade fiir Flote, Violine und Viola. [Op. 25.]
No. 6 in M.355.2
Serenata. Trio [violino, viola e violoncello] in re.
No. 4 in M.246.26
Trio fiir 2 Oboen und engl. Horn. [Op. 29.]
No. 7 in M.355.3
Trio [per violino, viola e violoncello] 1-3. Op. 4.
No. 1-3 in M.246.26
[Trios fiir Violine, Viola und Violoncell. Op. 3, 8, 9.]
No. 1-5 in M.355.2
Dvorak. Terzetto fiir 2 Violinen und Viola. Op. 74.
No. 3 in M.344.34
Gibbons, O. Fantasies in 3 parts, composed for viols . . .
Scored . . . No. i in M.234.26
Handel. Sonate da camera. Werke. Lieferung 27.
M.313.1.27
Leclair. Zwolf Sonaten fiir Violine und Generalbass nebst
einem Trio fiir Violine, Violoncell und Generalbass.
M.400.16
Mozart. Trio fiir 2 Violinen und Bass. Werke. Serie 24,
Band 2. No. 3 in M.315.1.24.2
Divertimento fiir Violine, Viola und Violoncell, Es
dur. Werke. Serie 15. M.315.1.15
Reger, M. Serenade fiir Flote, Violine vnd Viola. Op. 77A.
No. I in M.4i2a.ii
Trio fiir Violine, Viola und Violoncello. Op. 77B.
No. 2 in M.4i2a.ii
Chamber music. Trios. With pianoforte.
Arenski. Trio (D-moll) pour le piano, violon et violoncelle.
Op. 32. M.404.38
Bach, J. S. Concert fiir 2 Violinen [und Pianoforte], D
moll. No. I in M.357.1
Bargiel. Trio, Drittes, fiir Pianoforte, Violine und Violon-
cell. Op. 37. No. I in M.211.3.1
Beethoven. Trios fiir Pianoforte, Violine und Violoncell.
Werke. Serie 11. M.413.1.11
• Trios pour piano, violon et violoncelle. M.353.1
Trio fiir Pianoforte, Violine und Violoncell [in Es
dur]. No. 2 in M.357.3
Trio in sib [violino, viola e piano]. Op. 97. M.246.27
Belone. Six etudes pour le trombone de basso, composees
et arrangees pour le violoncelle, avec accomp. de piano.
No. 4 in M.120.18
Bendel. Trio in G moll, fiir Pianoforte, Violine und Vio-
loncell. Op. posth. No. 2. No. 2 in M.211.3.1
Bennett, W. S. Chamber trio for piano forte, violin and
violoncello. Op. 26. No. 3 in M.211.3.1
Bernard, E. Trio pour piano, violon et violoncelle. Op. 30.
No. 4 in M.211.3.1
BoccHERiNi, L. Quintetto en re mineur, arrange en trio
pour piano, violon & violoncelle . . . par le Marquis de
Louvois. [Piano seul.] No. 21 in M.210.3
Same.- [Partie de violon.] No. 23 in M.210.9
Same. [Partie de violoncelle.] No. 38 in M.210.11
BoEDECKER. Trio-Phautasie fiir Pianoforte, Violine und
Violoncell. Op. 18. No. 6in M.211.3.1
BoNAWiTZ. Trio en ut mineur, pour piano, violon et violon-
celle. OEuvre ^y. No. 5 in M.211.3.1
Bossi, E. M. Trio (en re mineur) pour piano, violon et vio-
loncelle. Op. 107. M.411.1
Trio sinfonico in re maggiore per pianoforte, violino
e violoncello. Op. 123. M.410.104
Brahms. Trio (A-moll) fiir Pianoforte, Clarinette (oder
Bratsche) und Violoncell. Op. 114. No. i in M.351.10
Trio [C dur] fiir Pianoforte, Violine und Violoncell.
Op. 87. No. I in M.351.9
Trio (C moll) fiir Pianoforte, Violine und Violoncell.
Op. loi. No. 2 in M.351.9
221
Chamber music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chamber music
Chamber music. Trios. With pianoforte. (Continued.)
Brahms. Trio pour piano, violon et cor (ou violoncelle).
Op. 40. No. 8inM.2ii.3.i
■ Trio pour piano, violon et violoncelle. Op. 8.
No. 7 in M.211.3.1
Same. Trio (H dur) fiir Pianoforte, Violine und Vio-
loncell. Op. 8. Neue Ausgabe. No. i in M.356.2
Bronsart von Schellendorff. Trio, G moll, fiir Piano-
forte, Violine und Violoncell. No. g in M.211.3.1
Bruch. Trio fiir Pianoforte, Violine und Violoncell. Op. 5.
No. 10 in M.211.3.1
Chopin. Trio fiir Pianoforte, Violine und Violoncell.
Werke. Band n. M.316.2.11
CouPERiN. Concerts royaux [1-4]. Trios pour violon, vio-
loncelle et piano. M.410.105
Cramer, J. B. Nocturne pour le piano forte avec accomp.
de violon et violoncelle (ad libitum). [Op. 32. Pianoforte
et violon.] No. 13 in M.210.1
Same. [Partie de violoncelle.] No. 15 in M.210.11
Dallier. Trio, ler, pour piano, violon et violoncelle. M.411.3
Dancla. Don Juan. Sur la cavatine: Toi qui m'es si chere.
Duo pour violon et violoncelle avec accompagnement de
piano. Op. 156. No. I in M.406.6
Dietrich, A. H. Trio fiir Pianoforte, Violine und Violon-
cell. Op. 9. No. I in M.404,42
Trio, Zweites (A dur), fiir Pianoforte, Violine und
Violoncello. Op. 14. No. 2 in M.404.42
DuPONT, J. F. Trio pour piano, violon et violoncelle. Op.
13. M.404.44
Dvorak. Dumky. Trio fiir Pianoforte, Violine und Violon-
cell. Op. 90. No. 2 in M.356.16
Trio (G moll) fiir Pianoforte, Violine und Violoncell.
Op. 26. No. II in M.211.3.1
Trio fiir das Pianoforte, Violine und Violoncello.
Op. 21. M.404.46
Trio, Zweites (F moll), fiir Pianoforte, Violine und
Violoncell. Op. 65. No. i in M.356.16
Erdsmannsdoerfer. Trio (A moll) fur Pianoforte, Violine
und Violoncell. Op. 27. No. i in M.211.3.2
FooTE. Trio fiir Pianoforte, Violine und Violoncell, in C
moll. Op. S. No. 2in M.211.3.2
Franck, C. a. Prelude, aria et finale pour piano, violon et
violoncelle. Transcription. No. 3 in M.410.27
Same. Trio pour piano, violon et violoncelle.
No. I in M.410.29
3 trios concertans pour piano, violon et violoncelle:
Op. I, No. I, Fis moll. No. 2 in M.410.29
Op. I, No. 2, B. No. 3 in M.410.29
Op. I, No. 3. No. 3 in M.211.3.2; etc.
Trio concertant, Quatrieme, pour piano, violon et
violoncelle. Op. 2. No. 4 in M.410.29
FucHS, R. Trio fiir Pianoforte, Violine und Violoncell.
Op. 22. No. 4 in M.211.3.2
Gade. Novelletten fiir das Pianoforte, Violine und Violon-
cell. Op. 29. No. s in M.211.3.2
Trio fiir Pianoforte, Violine und Violoncell. Op. 42.
No. 6 in M.211.3.2
Gernsheim. Trio fiir Pianoforte, Violine und Violoncell.
Op. 28r No. 7 in M.211.3.2
Godard, B. L. p. Trio pour piano, violon et violoncelle.
Op. 32. No. 8 in M.211.3.2
Goepfart. Trio fiir Clarinette, Fagott und Klavier. Op. 75.
No. 5 in M.410.33
Trio fiir Flote, Oboe und Klavier. Op. 74.
No. 4 in M.410.33
GoETz, H. Trio in G-moll fiir Pianoforte, Violine und Vio-
loncell. Op. I. No. I in M.211.3.3
Gounod. Trio (A moll) fiir Pianoforte, Violine & Violon-
cello. Op. 6. No. I in M.404.49
Gouvy. Trio, i", pour piano, violon et violoncelle. Op. 8.
No. 2 in M.211.3.3
2 trios pour piano, violon et violoncelle. GEuv. i8, 19.
2^ et 3^ trios. No. 3, 4 in M.211.3.3
Chamber music. Trios. With pianoforte. (Continued.)
Haydn, F. J. Tre sonate per il cembalo o forte piano con
un violino e violoncello. No. 8 in M.120.19
These trios are numbered 13, 12, 11 [9, 8, 7] in Pohl's list and corre-
spond to No. II, 10, 8 in Breitkopf & Hartel's edition.
[Trio pour piano, violon et violoncelle. No. 26, ut
majeur.] No. 3 in M.357.3
Trois sonates pour le clavecin ou piano forte accom-
pagnees d'un violon et violoncelle. No. 7 in M.120.19
These trios are numbered 6, 7, 8 [2, 3, 4] in Pohl's list and corre-
spond to No. 2Z, 21, 22 in Breitkopf & Hartel's edition.
Herzogenberg. Trio fiir Pianoforte, Hoboe und Horn.
Op. 61. No. 2 in M.404.49
HiLLER, F. Serenade, fur Pianoforte, Violine & Violoncell.
4tes Trio. Op. 64. M.404.51
Serenade, Zweite, fiir Pianoforte, Violine und Violon-
cell. (6tes Trio.) Op. 186. No. 6 in M.211.3.3
Trio, Fiinftes, fiir Pianoforte, Violine u. Violoncell.
Op. 74. No. 5 in M.211.3.3
Hofmann, H. C. J. Trio fiir Pianoforte, Violine und Violon-
cell. Op. 18. No. 7 in M.211.3.3
Hofmann, R. Trio fur Violine, Violoncell und Pianoforte.
Op. 115, no. I. No. I in M.357.19
Indy, p. M. V. d'. Trio pour piano, clarinette (ou violon)
et violoncelle. Op. 29. M.410.97
Indy, S. W. d'. Trio pour piano, violon et violoncelle ou
alto. CEuv. 15. No. 2 in M.410.38
Jadassohn. Grand trio, Second, pour piano, violon et vio-
loncelle. Op. 20. No. I in M.211.3.4
Janson, J. B. A. J. Trois quatuor composes par M. Janson,
I'aine, . . . arranges pour le clavecin ou piano-forte, avec
accomp. de violon et basse par M. Sejan, I'aine. [Parties
separees.] No. 6 in M.360.11
Kiel. Trio fiir Pianoforte, Violine und Violoncelle. 24.
Werk. No. 2 in M.211.3.4
Lazzari. Trio (en sol mineur) pour piano, violon et violon-
celle. Op. 13. M.410.106
Lee, L. Erstes Trio fiir Piano, Violine u. Violoncello.
Op. 10. No. 3 in M.211.3.4
Louis, N. L'amitie. Fantaisie brillante pour deux violons
avec accomp. de piano. Op. 140. [Parties separees.]
No. 8 in M.390.14
Fantaisie concertante, 4e, pour piano et violon, avec
accomp. de basse ad libitum, sur le Couvre-feu. Op. 13.
No. S in M.390.1
Fantaisie concertante, Se, composee pour piano et
violon avec accomp. de basse (ad libitum), sur des motifs
de La prison d'fidimbourg de Carafa. Op. 15.
No. 6 in M.sQo.i
Fantaisie concertante, 6e, pour piano et violon avec
accomp. de basse (ad libitum) sur la valse favorite du Due
de Reichstadt. Op. 17. No. 7 in M.390.1
Fantaisie concertante, 7e, pour piano et violon, avec
accomp. de basse (ad libitum), sur la romance favorite La
folle, de Grisar. Op. 18. No. 8 in M.390.1
Fantaisie concertante, 8e, composee pour piano et vio-
lon avec accomp. de basse (ad libit.) sur la romance favo-
rite de Panseron, .\u revoir, Louise. Op. 19.
No. 19 in M.390.1
Fantaisie concertante, pe, pour piano et violon, avec
acct. de basse (ad libitum), sur Le bouquet de bal, valse
de Mi^e Duchambge. Op. 23. No. 10 in M.390.1
Fantaisie concertante, loe, pour piano et violon, avec
accomp. de basse ad libitum, sur des motifs d'Anna Bolena
de Donizetti. Op. 31. No. 11 in M.390.1
Fantaisie concertante, lie, pour piano et violon, avec
acct. de basse, ad libitum, sur des motifs du Pirate de Bel-
lini. Op. 33. No. 12 in M.390.1
Fantaisie concertante, I2e, pour piano et violon, avec
accomp. de basse ad libitum, sur une melodic Suisse. Op.
38. No. 13 in M.390.1
Serenade pour piano, hautbois et basson. Op. 127.
[Parties separees.] No. 4 in M.390.14
Same. Pour piano, hautbois et alto. No. 5 in M.3go.i4
Same. Pour piano, violon et violoncelle.
No. 6 in M.3go.i4
222
Chamber music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chamber music
Chamber music. Trios. With pianoforte. (Continued.)
Louis, N. Trio, Premier, pour piano, violon et violoncelle.
Op. 69. No. I in M.390.14
Trio, Deuxieme, pour piano, violon & violoncelle.
Op. 89. No. 2 in M.390.14
Trio, Troisieme, pour piano, violon et violoncelle.
Op. 99. No. 3 in M.390.14
LuzzATTO. Trio, zme, pour piano, violon et violoncelle.
Op. 45. M.411.5
Trio, 3me, pour piano, violon et violoncelle. (Op. 54.)
M.411.7
Mendelssohn-Bartholdy, J. L. F. Grand trio for piano,
violon et violoncelle. Op. 49- No. S in M.312.8
Trios pour piano, violon et violoncelle. Op. 49, Op. 66.
Revus par H. Bohme. M.3S3.8
MoscHELES, I. Introduction et variations concertantes pour
le piano, violon et violoncelle. CEuv. 17. [Piano seul.]
No. II in M.210.4
Same. [Partie de violon.] No. 39 in M.210.9
Same. [Partie de violoncelle.] No. 45 in M.210.11
Mozart. Trio fiir Pianoforte, Clarinette und Viola. Werke.
Serie 17. M.31S.1.17
Trio pour piano, violon et [viola]. No. 14 in M.210.4
Trios [7] fiJr Pianoforte, Violine und Violoncell.
Wefke. Serie 17. M.315.1.17
NoRBLiN. Reminiscences classiques (2e serie). Six tran-
scriptions d'ceuvres celebres en [trio] pour piano et vio-
lon [et violoncelle]. Suite i, 2. No. 17, 18 in M.210.4
Perkins. Trio pour piano, violon et violoncelle. Op. 10.
No. 4 in M.211.3.4
Pleyel, I. J. 6 duos faciles et progressifs pour deux violons.
Op. 48. Original-Ausgabe revidirt von A. Blumenstengel.
Arrangements von Max Schultze, Piano, Violine und Vio-
loncell. No. 4 in M.357.10
Three sonatas for the pianoforte or harpsichord, with
an accomp. for a flute or violin & violoncello. [Op. 15.
Piano and flute.] No. 2 in M.210.5
Same. [Violin or flute.] No. 8 in M.210.10
Same. [Violoncello.] No. 4 in M. 210.12
• Three sonatas for the piano-forte or harpsichord;
with accomp. for a violin and violoncello. Op. 21. [Piano
only.] No. 3 in M. 210.5
Same. [Violin part.] No. 9 in M.210.10
Same. [Violoncello part.] No. 3 in M.210.12
Trois sonates pour clavecin ou forte piano, avec vio-
lon ou violoncelle. Oiuvre 26. [Partition piano et vio-
lon.] No. 4 in M.210.5
Same. [Partie de violoncelle.] No. 5 in M.210.12
Trois sonates pour clavecin ou piano forte, avec ac-
comp. d'une flute ou violon et basset [Op. 15. Parties
separees de piano et de flute.] No. 3 in M.360.11
Trois sonates pour le pianoforte, violon et violoncelle
tirees des Nouveau.x quintetti de Boccherini. QEuvre i.
[Piano seul.] No I in M.210.5
Raff. Grand trio, 3e [en la mineur], pour piano, violon et
violoncelle. Op. 155. No. i in M.351.25
Grosses Trio, Erstes (C moll), fur Pianoforte, Violine
und Violoncell. Op. 102. No. i in M.351.24
Grosses Trio, Zweites [G dur], fiir Pianoforte, Vio-
line und Violoncell. Op. 112. No. 2 in M.351.24
Grosses Trio, Viertes [D dur], fur Pianoforte, Violine
und Violoncell. Op. 158. No. 2 in M.351.25
Rakhmaninov. Trio elegiaque pour piano, violon et violon-
celle (seconde partie avec accompagnement d'harmo-
nium). Op. 9. M.410.99
Reissiger. Trios fiir Piano, Violine und Violoncell [Op. 85,
97, 181, 186], revidirt von Fr. Hermann. M.3S7.23
Rheinberger, J. G. Trio (No. 2) fiir Pianoforte, Violine
und Violoncell. Op. 112. No. i in M.404.90
Trio (N°. 3 in B) fiir Pianoforte, Violine und Violon-
cell. Op. 121. No. 5 in M.211.3.4
Trio, Nr. 4 in F, fiir Pianoforte, Violine und Violon-
cell. Op. 191. No. 2 in M.404.90
Chamber music. Trios. With pianoforte. (Continued.)
Ricel, H. J. Grand trio concertant pour piano, violon et
violoncelle. Op. 46. [Piano seul.] No. 10 in M.210.5
Same. [Partie de violon.] No. 13 in M.210.10
Same. [Partie de violoncelle.] No. 8 in M.210.12
Roentgen. Trio fiir Klavier, Violine und Violoncell. Op. 23.
No. I in M.404.64
Rubinstein. Deux trios pour piano, violon et violoncelle.
Op. 15, No. I, 2. M.351.27
Trio, 3e (B dur), pour piano, violon et violoncelle.
Op. 52. No. 6 in M.211.3.4
Trio (C moll) pour piano, violon et violoncelle. Op.
108. No. 7 in M.211.3.4
Ruefer. Trio (B dur) fiir Pianoforte, Violine u. Violon-
cello. Op. 34. No. 2 in M.404.64
Saint-Saens. Trio, piano, violon et violoncelle, d'apres le
septuor, Op. 65. No. 2 in M.21 1.3.5
Trio pour piano, violon et violoncelle. Op. 18.
No. I in M.211.3.S
Trio, 2eme (en mi mineur), pour piano, violon et vio-
loncelle. Op. 92. M.404.65
Salvayre. Trio en sol mineur pour piano, violon et violon-
celle. No. 3 in M.211.3.5
ScHROETER, J. S. Six sonatas for the pianoforte or harpsi-
chord, with accomp. for a violin and bass. No. 6 in M.210.6
Nocturne pour piano, violon et violoncelle. Op. 148.
No. 2 in M.353.12
Trios fiir Pianoforte, Violine und Violoncell [Op. 99,
100], revidirt von Ferd. David. No. i in M.353.ia
Schumann, R. A. Trios. Werke. Series S, Band 2. M.316.1.5.2
Trio [Premier] pour piano, violon et violoncelle. Op.
63. No. I in M.353.15; etc.
Trio, Zweites, fiir Pianoforte, Violine u. Violoncell.
Op. 80. 2. Auflage. No. 2 in M.351.30
Trio, Drittes (G-moll), fiir Pianoforte, Violine und
Violoncell. Op. no. No. 4 in M.2II.3.5; etc.
Trio pour piano, violon et violoncelle. Op. 88. Phan-
tasie-Stucke. No. 3 in M.353.12; etc.
SiNDiNG. Trio, fiir Pianoforte, Violine und Violoncell. Op.
23. M.404.68
SiTT. Trio fiir Pianoforte, Violine, Violoncell. Op. 63, No. 2.
No. 2 in M.357.19
Smetana. Trio fiir Pianoforte, Violine und Violoncell. Op.
15. M.404.92
Spohr, L. Trio concertant pour pianoforte, violon et vio-
loncelle [l«"--5me]. Op. 119, 123, 124, 133. 142. M.353.18
Stiehl. Grand trio pour piano, violon et violoncelle. Op. 36.
No. 5 in M.21 1.3.5
TcHAiKOVSKi, P. I. Trio fiir Pianoforte, Violine und Vio-
loncell. Op. 50. M.356.31
Turner, J. B. Trio in C minor for pianoforte, violin & vio-
loncello. No. 4 in M.357-3
VoLKMANN. Trio in B-moll fiir Clavier, Violine und Violon-
cell. Op. S. 2. Auflage. No. 7 in M.211.3.S
Trio in F-dur fiir Piano, Violine u. Violoncell. Op. 3.
No. 6 in M.21 1.3.5
Woelfl. Trois grands trios pour le forte piano, violon et
basse. (Euvre 23. [Piano seul.] No. 13-15 in M.210.8
Same. [Partie de violon.] No. 38-40 in M.210.10
Same. [Partie de basse.] No. 30-42 in M.210.12
Trois sonates pour le piano, avec accomp. de violon et
basse. Op. 25. [Piano seul.] No. 11 in M.210.8
Same. [Partie de violon.] No. 41 in M.210.10
Same. [Partie de basse.] No. 29 in M.210.12
Zanella. Trio (mi minore) per violino, violoncello et piano-
forte. Op. 23- M.411.22
Chamber music. Bibliography.
Vidal, L. A. Les instruments a archet. Les feseurs, les
joueurs d'instruments, leur histoire sur le continent
europeen, suivi d'un catalogue general de la musique de
chambre. Paris. 1876-78. Portraits. Plates. M.ig6.4
Chamber music. Criticism.
Bargheer, C. L. L. van Beethoven's fiinf letzte Quartette
fur die Kammermusik-Abende der Philharmonischen Ge-
sellschaft in Hamburg analysirt. Hamburg. 1883.
No. 2 in M.215.4
223
Chamber music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chanson
Chamber music. Criticism. (Continued.)
Heuberger, R. F. J. Johannes Brahms. Trio, Op. 114;
Quintett, Op. 115. Erlautert. Frankfurt a. M. [1895.]
No. 45 in M.217.12.2
Kneisel Quartet, Boston. Programmes and notices, com-
piled [with indexes] by Allen A. Brown. Seasons, 1885-
1902. [Boston. 1885-1902.] M.304.6
Knorr, L. Johannes Brahms, Sextett. Op. 18. Erlautert.
Frankfurt a. M. [1895.] No. 23 in M.217.12.1
Johannes Brahms, Sextett. Op. 36. Erlautert. Frank-
furt a. M. [1897.] No. 5 in M.217.12.3
Medak, H. Franz Schubert, Octett. Op. 166. Erlautert.
Leipzig. [1901?] No. I in M.217.12.10
Ludwig van Beethoven, grosses Septett. Op. 20.
Erlautert. Leipzig. [1901?] No. 21 in M.217.12.9
Niemann, W. Robert Schumann, Pianoforte-Quintett. Op.
44. Erlautert. Leipzig. [1901?] No. 23 in 11.217.12.10
Pleyel, Wolff et compagnie. La musique de chambre. An-
nee 1893, 94. Seances musicales donnees dans les salons
de la maison Pleyel, Wolff et cie. Reproduction des pro-
grammes avec preface par Oscar Comettant. Paris.
[1894, 95.] M.197.4
RiEMANN, H. Ludwig van Beethoven, Quartett (Op. 130)
und Quartett-Fuge (Op. 133)- Erlautert. Leipzig. [1900?]
No. 9 in M.2i7.i2.g
Ludwig van Beethoven, Streich-Quartett, Op. 132.
Erlautert. Leipzig. [1901.] No. 13 in M.217.12.10
Ludwig van Beethoven, Streich-Quartett, Op. 131.
Erlautert. Leipzig. [1901?] No. 3 in M.217.12.10
Ludwig van Beethoven, Streich-Quartett, Op. 127.
Erlautert. Leipzig. [1899?] No. 9 in M.217.12.7
RiEMANNSCHNEiDER, G. Ludwig van Beethoven, Oktett
(Op. 103). Erlautert. Berlin. [1903?] No. 10 in M.217.12.10
Chamber trios. Part-songs. Leader and Cock, publishers.
M.244.10.1-5
Chamberlain, Houston Stewart.
Le drame Wagnerien. Paris. Fischbacher. [1897.] M.370.3
1876-1896. Die ersten zwanzig Jahre der Bayreuther Buh-
nenfestspiele. Bayreuth. EUwanger. 1896. No. i in M.372.28
Chambre a coucher, La. Opera. For the Music see Guenee, L.
For the Libretto see Scribe.
Chambre bleue, La. Opera. For the Music see Bouval. For
the Libretto see Noel.
Chambrun, Joseph Dominique Adelbert Pineton, Comte de.
Le philosophe et la muse: dialogues sur la musique. Paris.
Levy. 1884. M. 105.5
Chambrun, Joseph Dominique Adelbert Pineton, Comte de,
translator.
Wagner, W. R. Wagner. M.371.14
Translations of much of Wagner's aesthetic writings and of the
librettos of his operas.
Chameau, Le, a trois bosses. Opera. For the Music see
Girard-Malteau. For the Libretto see Neha.
Chaminade, Cecile Louise Stephanie.
Les Amazones. Symphonic dramatique. Poesie de Charles
Grandmougin. Traduction allemande de F. Gumbert.
Musique de C. Chaminade. Op. 26. Partition piano &
chant. Paris. Enoch & Costallat. [189-?] M.203.30
Callirhoe. Suite d'orchestre. Partition. Paris. Enoch &
Costallat. [1890?] _ M.356.6
Concertstiick pour piano et orchestre. Op. 40. Partition.
Paris. Enoch & cie. [189-?] M.403.21
Chamisso, Adelbert von.
Frauenliebe und Leben. Lieder-Cyclus, componirt von R.
Schumann. No. 2 in M.244.15.2
Chamois, The. Part-song. Moscheles, F. Tyrolese melodies.
Vol.1. No. 5 in M.244.24.1
Champagne, La, de ma tante. Opera. For the Music see Bar-
bier, F. £. For the Libretto see Bedeau.
Champagne song [t. T. B. B.]. (/n Willard. Arion. Pp. 59, 60.)
No. 36 in M.109.1
Champagne song. Part-song. Schroeter, L. No. 14 in 1^1.392.48.1
Champagner. Part-song.
Genee. Heitere Lieder. No. 27 in 1*1.392.9
HoFMANN, H. C. J. No. 2 in M.392.4S
HuNDT. No. 6 in M.203.2
224
Champagnerlied. Part-song.
Champ-de-Mars, Paris.
DuvAU, A. Les origines curieuses du Champ de Mars et du
Trocadero. Paris. 1878. No. 5 in M.137.10
Champein, Stanislas.
Le baiser, ou la bonne fee. Comedie en 3 actes et en vers
[de Florian. Mise en musique] par S. Champein. [Par-
tition.] Paris. Lawalle. [1782?] No. i in M.291.3
Les dettes. Comedie lyrique en 2 actes [de Forgeot. Mise
en musique] par S. Champein. [Partition.] Paris. Des
Lauriers. [1787.] M.291.4
La Melomanie. Opera comique en i acte en vers mele d'a-
riettes [de Grenier]. Mis en musique par S. Champein.
[Partition.] Paris. Des Lauriers. [1781.] M.2gi.5
Menzikoff et Foedor, ou le fou de Berezoff, opera en 3 actes
. . . Paroles de Mr. Lamarteliere. Musique de Stanislas
Champein. [Partition.] Paris. Cherubini, Mehul & cie.
[1808.] M.224.5
Le nouveau Don Quichotte. Opera en 2 actes . . . Mis en
musique par S. Champein. Paroles du C^". Boissel. [Par-
tition.] Paris. L'auteur. [1789.] M.2gi.6
Champenoises, Les. Dances. Louis, N. No. 5 in M.390.17
Champfleury, pseud. See Fleury, Jules Frangois Felix Husson.
Champion, Alfred.
Magnificat & Nunc dimittis, ... in A minor. [Accomp. for
organ.] London. Novello & Co. [1863?] No. 14 in M.igo.a
Champneys, Francis Henry.
Rustic coquette. Ballet. (In Novello's Part-song book. 2d
series. Vol. 17, pp. 81-87.) No. 13 in M.195.1.17
Champs, Les. Song. Berlioz, L. H. No. 26 in M.391.32; etc.
Gounod. Vingt melodies. ler recueil. No. i in M.157.36.1
Champs, Le, du repos. Song. Schubert, F. P. Melodies.
Vol. 8. M.327.4.8
Chanat, Edmond.
Paroissien musical, a I'usage des orpheons et des ecoles, ou
chant romain harmonise. L'accomp. d'orgue . . . Paris.
Ikelmer & cie. [187-?] M.156.S3
Chandler, William E.
Anthems. Choir selections. Vol. i. Boston. Russell. [1885.]
No. 37 in M.IS8.14
Conteuts. — Praise the Lord, O my soul. — Sun of my soul. — They
that put their trust. — Teach me, O Lord. — Guide me, O Thou great
Jehovah. — Christ, our Passover. — It is a good thing. — Te Deum.
— Response, i-io.
Guide me, O Thou great Jehovah. [Anthem. Accomp. for
organ.] Boston. Russell. [1885.] No. 35 in 1*1.158.14
Chandon de Briailles, Raoul, editor.
Le Borne. Temps de guerre. Tableaux symphoniques.
M.404.1
Change me, O heavens. Madrigal. Wilbye. Works. Vol. 2.
No. II in M.234.19.2
Changement de garnison. Opera. For the Music see Marietti,
For the Libretto see Meusy.
Changes of time, The. Song. Himmel. No. 19 in M.212.21.1
Chanson, La. Revue mensuelle. Archives de la chanson, echo
des societes lyriques. Redacteur en chef: L. Henry Le-
comte. Annee 1-3. 1878-80. Paris. Patay. [1878-80.]
3 V. in I. Portraits. M.i77.3a
Chanson a boire. Song. Berlioz, L. H. No. 5 in M.391.32; etc.
Chanson chinoise. Song. Gouzien. No. 22 in M.391.28.1
Chanson circassienne. Song. Kui. No. 2 in M.333.7
Chanson d'amour. Song. L'£pine. Scenes et chansons.
M.I 58.42; etc.
Chanson d'ancetre. Cantata. Saint- Saens. Deux chceurs.
No. 3 in M.321.25; etc.
Chanson d'avril. Song.
Bizet. Vingt melodies. No. 2 in M.265.24
Gounod. Vingt melodies. 5e recueil. No. 5 in M.157.36.5
Chanson de Berthe. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Chanson de Claire. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Chanson de Fanfan. Song. Cressonnois. Harmonies.
No. 2 in M.295.9
Chanson de Fortunio, La. Opera. For the Music see Offen-
bach. For the Libretto see Cremieu.x.
i
Chanson
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chant
Chanson de grand-pere. Cantata. Saint-Saens. Deux choeurs.
No. 3 in M.321.25; etc.
Chanson de I'atelier. Song. Schubert, F. P. Melodies. Vol. 8.
M.32 7.4.8
Chanson de mai. Duet. Schumann, R. A. No. 19 in M.391.28.2
Chanson de mai. Part-song. Lefebvre, C. fi. No. 2 in M.213.13
Chanson de Maitre Floh, La. Song. Meyerbeer. 40 melodies.
No. I in M.1S7.38
Chanson de Malbrough, La. Chorus. Weckerlin. Soirees
parisiennes. No. 2 in M.158.44
Chanson de nuit du voyageur. Song. Schubert, F. P. Melo-
dies. Vol. 4. M.327.4.4
Chanson de patre. Song. Gounod. Vingt melodies. 3e re-
cueil. No. 13 in M.157.36.3
Chanson de printemps. Song. Gounod. Vingt melodies. ler
recueil. No. 13 in M.157.36.1
Chanson de Roland. Song. Rouget de Lisle. 48 chants fran-
gais. M.202.44
Chanson des cols bleus, La. Sailors' songs. Robin. m. 102.35
Chanson des ecus. La. Opera. For the Music see Roger, V.
For the Libretto see Jallais.
Chanson des rouges gorges, La. Chorus. Weckerlin. Chceurs.
M.157.12
Chanson du bon vieux temps. For orchestra. Bachmann.
No. 6 in M.343.46
Chanson du charbonnier. La. Cantata. For the Music see
Chapuis. For the Libretto see Theuriet.
Chanson du fou, La. Song. Bizet. Vingt melodies.
No. 2 in M.265.24
Chanson du muletier, La. For pianoforte. Louis, N.
No. 14 in M.390.26
Chanson du pecheur. La. Song. D.wid, F. C. Cinquante
melodies. M.363.28
Chanson du printemps, La. Opera. For the Music see Sainte-
Croix, Mme C. de. For the Libretto see Bouquet.
Chanson du rossignol, La. Chorus. Ronge. 12 chceurs rhyth-
miques. No. 55 in M.392.21
Chanson espagnole. Part-song. Jouret. Spanisches Lied.
No. 30 in M.3g2.i2
Chanson espagnole. Song. Patti. 1^.395.71
Chanson frangaise, La. Moniteur du Caveau. Revue illustree
des societes chantantes et des chansonniers francjais. No.
1-6. [Paris. 1874.] Illus. Portraits. M. 121. 14
Chanson indienne. Song. Trubetskaya. No. 4 in M.404.17
Chanson lointaine. Song. Penavaire. Vingt melodies.
No. 3 in M.287.6
Chanson pour Nina. Song. Penavaire. Vingt melodies.
No. 3 in M.287.6
Chanson spirituelle. Song. Rouget de Lisle. 48 chants fran-
gais. M.202.44
Chansonnette, Die. Opera. For the Music see Dellinger. For
the Libretto see Hirschfeld, V. M.399.73
Chansons d'hier et d'aujourd'hui. Songs. Meusy. M.208.9
Chansons de salon. Songs. IVithotit music. Nadaud.
No. 2 in M.208.23
Chansons polonaises. For orchestra. Broustet. No. i in M.343.15
Chansons romandes. Songs. Jaques-Dalcroze.
No. I in M.203.37
Chant chevaleresque. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Chant d'amour. Song. Bizet. Vingt melodies. No. 2 in M. 265. 24
Chant d'automne. Song. Gounod. Vingt melodies. ler re-
cueil. No. 7 in M.157.36.1
Chant d'Euryclee, Le. Song. Gounod. Vingt melodies. ler
recueil. No. 19 in M.157.36.1
Chant d'Helene. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Chant d'outre tombe. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Chant de bonheur. Far/-.so«c;. Berlioz, L. H. No. 21 in M.391.32
Chant de chasseur. Song. Schubert, F. P. Melodies. Vol. i.
M.32 7.4. 1
Chant de douleur. Song. Schubert, F. P. Melodies. Vol S-
M.32 7.4.5
Chant de guerre. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Chant de guerre scandinave. Chorus. Millet. Duos, trios
M.I57.II
Chant de I'orphelin. Song. Glinka. Romances.
No. 17 in M.244.8
Chant de la berceuse. Song. Car.\fa. No. 6 in M.390.37
Chant de la caille, Le. Song. Schubert, F. P. Melodies. Vol. 3.
M. 327, 4. 3
Chant de la cloche, Le. Opera. Indy. P. M. V. d'. M.202.33
Chant de la vieille garde, Le. Chorus. Ronge. 12 chceurs
rythmiques. No. 52 in M.392.21
Chant de mai. Part-song. Hartog. No. ii in M.352.21
Chant de mai. Song. Meyerbeer. 40 melodies.
No. i in M.157.38
Chant de Marguerite. Song. Glinka. Romances.
No. 13 in M.244.8
Chant de Mignon. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Chant de Noel. Carol. Neukomm, S. von. No. 4 in M.213.10
Chant de sommeil. Song. Louis, N. No. 25 in M.3go.n ; etc.
Chant des amis, Le. Part-song. Thomas, C. L. A.
No. 31 in M.392.26; etc.
Chant des Beiges. Overture. Litolff. No. 2 in M.348.19
Chant des Bretons, Le. Part-song. Berlioz, L. H.
No. 18 in M.3gi.32; etc.
Chant des chemins de fer. Song. Berlioz, L. H.
No. 27 in M.3gi.32; etc.
Chant des ecoles communales, Le. Chorus. Bazin.
No. 13 in M.157.8
Chant des industriels. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Chant des moussonniers vendeens. Song. Meyerbeer. 40
melodies. No. i in M.157.38
Chant du banquet republicain. Part-song. Catel. M.380.14
Chant du caidji, Le. Song. Boieldieu, F. A. No. 5 in M.391.28.1
Chant du captif. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Chant du doitre. Quartet. Penavaire. Vingt melodies.
No. 3 in M.287.6
Chant du combat, Le. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Chant du cordier, Le. Song. Vaucorbeil. Melodies. M.213.2S
Chant du cygne. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Chant du depart, Le. Part-song. Mehul. M. 380.14
Chant du dimanche, Le. Song. Meyerbeer. 40 melodies.
No. I in M.157.38
Chant du fossoyeur. Song. Schubert. F. P. Melodies. Vol. 6.
M.327.4.6
Chant du 14 juillet, Le. Part-song. Gossec. M.380.14
Chant du matin. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Chant du menestrel. For violoncello. Glazunov.
No. 2 in M.405.16
Chant du neuf Thermidor. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Chant du patre, Le. Song. Deffes. No. ii in M.391.28.1
Chant du i"' vendemiaire an IX. Cantata. For the Music see
Lesueur. For the Libretto see Esmenard.
Chant du retour, Le. Part-song. Mehul. M.380.14
Chant du rouet, Le. Chorus. Georges. Melodies. M.24S.16
Chant du soir. For orchestra. Schumann, R. A. No. 3 in M.342.36
Chant du soir. Part-song. David, F. C. No. 2 in M.212.4; etc.
Chant du soir. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Chant dithyrambique . . . Cantata. For the Music see Le-
sueur. For the Libretto see Lebrun, P. D. fi.
Chant funebre. For orchestra. Magnard. M.410.73
Chant funebre a la memoire [de] . . . Feraud. Song. Mehul.
M.380.14
Chant funebre de Nathos. Song. Schubert, F. P. Melodies.
Vol. 6. M.327.4.6
Chant funebre sur la morte de Feraud. Part-song. Gossec.
M.380.14
I29
225
Chant
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chants
Chant guerrier. Part-song. Berlioz, L. H. No. 3 in M.391.32; etc.
Chant martial pour la fete de la victoire. Part-song. Gossec.
M.380.14
Chant tnaternel. Song. Choudens, A. 20 melodies.
No. 2 in M.285.14
Chant national. Part-song. Lesueur. M.380.14
Chant national allemand. . Haydn, F. J. No. 2 in M.403.67
Chant national du 14 juillet, 1800. Cantata. For the Music
see Mehul. For the Libretto see Fontanes.
Chant patriotique pour I'inauguration des busies de Marat et
le Pelletier. Song. Gossec. M.380.14
Chant pour I'anniversaire de la fondation de la Republique
frangaise. Song. Catel. M.380.14
Chant pour la fete de I'agriculture. Part-song. Jadin, H.
M.380.14
Chant pour la fete de la vieillesse. Song. Gossec. M.380.14
Chant republicain du 10 aout. Part-song. Cherubini. M.380.14
Chant republicain sur la mort d'Agricole Viala . . . Song. De-
vienne. M.380.14
Chant sacre. Part-song. Berlioz, L. H. No. 11 in M.341.24; etc.
Chant seculaire. Cantata. For the Music see Widor. For the
Libretto see Grimault.
Chant triomphale pour la fete du ler vendemiaire an VIL
Part-song. Martini, J. P. £. M.380.14
Chant we the requiem. Glee. Beale, W. A collection of thir-
teen glees. No. S in M.158.30
Chanteclair, H.
Le moulin d'amour, opera-comique en un acte de Ch. Pariot,
H. Chanteclair et G. Cuvelard. Partition chant et piano.
Paris. Joubert. [1901.] No. i in M.396.73
Chantepie, Jules.
Don Cesar de Bazan. Opera comique de A. d'Ennery
[pseud.] & J. Chantepie. Musique de Massenet. M.257.8
Velleda. Opera. Paroles de A. Challamel & J. Chantepie.
Musique de Ch. Lenepveu. M.306.14
Chanter et souffrir. Song. Gounod. Vingt melodies. 3e re-
cueil. No. 16 in M.157.36.3
Chanter je veux la gente demoiselle. Part-song. Lassus.
Sammtliche Werke. Band 14. M.8o4oa.67.i4
Chanteuse, La. Novel. Josephi. M.108.46
Chanteuse par amour. Opera. For the Music see Henrion.
For the Libretto see Vibert.
Chanteuse voilee. La. Opera. For the Music see Masse. For
the Libretto see Scribe.
Chantez a Dieu chanson nouvelle. Anthem. Sweelinck.
Pseaulme 96. Werken. Deel 4. M.413.2.5
- Pseaulme 149. Werken. Deel 5. M.413.2.5
Chantez a Dieu nouveau cantique. Anthem. Sweelinck.
Werken. Deel 3. M.413.2.3
Chantez de Dieu le renom. Anthem. Sweelinck. Werken.
Deel 3. M.413.2.3
Chantez gayement a Dieu. Anthem. Sweelinck. Werken.
Deel s. M.413.2.S
Chantez Noel. Duet. Gounod. Quinze duos.
No. 10 in M. 157.36.6
Chantons avec les anges. Trio. Panseron. Collection de
quarante morceaux. No. 16 in M.260.13
Chantons la vapeur. Part-song. Charlot. No. 23 in M.1S7.8
Chants.
Attwood. Attwood's cathedral music . . . M.233.2
Battishill. Double chant [in B minor]. No. 76 in M.iii.4.2
Double chant [in D]. No. 46 in M.iii.4.2
Single chant [in E flat]. No. 72 in M.iii.4.2
Bird, G., editor. Bird's Collection of one hundred single &
double chants . . . For four voices. No. 4 in M.370.17
Chanat. Paroissien musical, a I'usage des orpheons et des
ecoles, ou chant romain harmonise. L'accomp. d'orgue.
M.156.53
Cooke, B. Double chant, [s. a. t. b. In Bb.]
No. 3ga in M.2go.22.2
Magnificat. Double chant. No. 2 in M. 157.28.2
Dupuis, T. S. Double chant [in A]. No. 47 in M.iii.4.2
• Double chant, [s. a. t. b. In Eb.] No. 31a in M.290.22.1
Chants. (Continued.)
Gauntlett. The Prayer-book chants: or, the Venite, Te
Deum . . . arranged for 4 voices with organ accompani-
ments . . . No. 33 in M.157.30
Gevaert, F. a. Les origines du chant liturgique de I'eglise
latine. No. 2 in M.123.36
Goss, J., editor. Chants, ancient and modern, in score, with
an accomp. for the organ or pianoforte. No. i in M.236.g
Haycraft, H. J., editor. Sacred harmony, consisting of
morning and evening service, psalms, chants, responses,
anthems . . . [Accomp. for organ.] M.234.6
Herland. Lois du chant d'eglise et de la musique moderne.
Nomothesie musicale. No. i in M.123.36
HoYTE. A book of litanies, metrical and prose, with an
Evening service and accompanying music. M.372.6
HuMFREY. Exaltabo Te, Domine. [Accomp. for organ.]
No. II in M.1S7.28.2
Grand chant, [s. a. t. b. In C] No 23a in M.2go.22.i
Jackson, W., of Masham. Church music, in vocal score, with
an accomp. for the organ. [8 chants.] M.234.9
Joule, editor. A collection of chants for the daily and
proper Psalms: with an appendix of chants for the hymns
and canticles and arrangements for the Miserere and
Gloria Tibi Domine. M.120.15
Lemon. Double chant, [s. a. t. b. In A.]
No. 34a in M.290.22.2
No. 65 in M.III.4.2
No. 61 in M.III.4.2
Canon [in the 3d and 8th below].
No. 122 in M.220.9.2
NovELLO, V. Chant for the "Domine." [In G. Accomp.
for organ.] No. 42 in M.260.17.2
Chant for the Litany [in D minor]. Chant for the
"Domine" [in D. Accomp. for organ.] No. 34 in M.260.17.2
Chant for the Litany of Loretto. No. 18 in M.260.17.2
Chant for the Stabat Mater. [Accomp. for organ.]
M.260.23.2
Twelve chants for the Domine. [Accomp. for organ.]
No. 68 in M.260.24.1
OusELEY, F. A. G., editor. The canticles and hymns of the
church, pointed for chanting and set to appropriate chants.
Edited by Ouseley and Monk. The treble part.
No. 3 in M.370.17
PuRCELL, T. Funeral chant, [s. a. x. b. In Bb.]
No. 23b in M.2go.22.i
Rees, L. S. D. The churchman's help to chanting. 2d edi-
tion. No. 2 in M.148.34
Smith, J. S. Double chant [in G]. No. 60 in M.iii.4.2
T. B. In A.]
No. 14a in M.290.22.1
Spohr, L.
[s. A. t. b.
Nares. Single chant [in A].
NoRRis, T. Double chant [in A].
NOS AUTEM GLORIARI.
SoAPER. Double chant. [For s. a.
Double chant [in F].
Tallis. O all ye nations. Grand
Venite, exultemus
Travers. Single chant.
Adapted bj' James Turle
No. 75 in M.III.4.2
;hant. [Full score.]
No. 26 in M.221.22.1
Domino. No. i6in M.157.28.1
[For s. A. T. b. In D.]
No. sa in M.2go.22.i
Tuckerman, S. p. Turn Thy face from my sins. Full an-
them, and 8 double cathedral chants. [Accomp. for organ.]
No. 3 in M.2go.i4
Tuckerman, S. P., editor. A collection of cathedral chants:
including the Gregorian tones . . . M.221.23
Turle. Double chant [in G]. No. 59 in M.iii.4.2
Warren, John C. Benedicite, and Benedictus. [.\ccomp.
for organ.] No. 23 in M.IS8.20
Wesley, S. Chant for the Domine. [Accomp. for organ.]
No. 67 in M.260.24.1
Three double chants. No. 51 in M.260.24.2
Winter, P. von. Chant for the Stabat Mater, 4 voices.
[Accomp. for organ.] M.260.23.2
Chants chretiens. 6e edition. Paris. Ducloux & cie. 1851.
M.107.24
Chants, Les, de guerre de la France en 1870-71. Songs. With-
out music. Frey, J., editor. M.i3ga.2
226
Chants
THE ALLEN A. BROWN COLLECTION OF MUSIC
Charlemagne
Chants, Les, de I'armee frangaise. Part-songs. Kastner.
M.121.31
Chants, Les, de la vie. Part-songs. Kastner. M.121.34
Chants des Alpes. Tyrolienncs. Weckerlin. No. i in M. 158.44
Chants et chansons railitaires de la France. Songs. Sarre-
PONT, editor. 14.1393.3
With music only of the principal songs.
Chants et chansons populaires de la France. Nouvelle edi-
tion illustree. Paris. Garnier. 1848. 3 v. Plates. M.122.10
With notices by Paul Lacroix, Lamartine, Leroux de Lincy and
others.
Chants lyriques de Saiil. Part-song. Gevaert. No. 9 in M. 130.7
[Chants nationaux. Paris? 180-?] No. 4 in M.384.20
Contents. — ■ Air chinois. — Tsin fa. — Air hindou. — Chanson arabe.
— Autre chanson arabe. — Chant religieux de I'Abyssinie. — Chant
armenien. — Chant des eglises grecques de I'Orient. — Priere du
Fatihah. — Himne de Denis a Apollon. — Ancienne melodic russe. —
Ancien air welche ou gallois. — Dadl dau. Ancienne melodic welche.
— Chant du roi David. — • Air irlandais. — Comeul Irbhin.
There is no title-page.
Chapeau du roi. Opera. For the Music see Caspars. For the
Libretto see Foumier, £.
Chapel, The. Part-song. Kreutzer, C. No. 40 in M.246.36; etc.
Chapelle, Paul Aime. See Fromage-Chapelle, Paul Aime.
Chapelle, La. Journal de musique vocale religieuse. Public
sous la direction de E. Juvin. Annee i. Paris. Juvin.
i860. No. 10 in M. 201.33
Contents. — Mendelssohn-Bartholdy : O Salutaris. — Juvin: Pater
noster. — Arcadelt : Ave Maria. — Winter : Tantum ergo. — Pros-
per-Pascal; Sub tuum. — De la Page: Ecce panis. — Baini: Salve
regina. — Azioli : O Salutaris. — Roze : O Salutaris. — De la Fage;
Ave verum. — Himmel : Ecce panis. — Adeste fideles. — Villemin :
Alma. — Pie Jesu. — Mozart : O Salutaris. — Novello : Tantum ergo.
— Lemoine: Quem vidistis pastores. — Lemoine : Panis angelicus. —
Serrier: O Salutaris. — Sergent: Ave regina. — Lasceux : Panis an*
gelicus. — Sergent : Tantum ergo. — Juvin : Stabat mater. — Dugue :
O Salutaris. • — Villemin: O filii et filioe. — Juvin; Regina coeli. ■ —
Vogler : Veni sancte spiritus. — Marcello : Cor mundum. — Remy :
O Salutaris.
Chapelle, La, au convent.
Saint-Saens. Ave Verum. No. 32 in M.201.35
O Salutaris. No. 31 in M.201.35
Chapelle-musique des rois de France. Blaze, F. H. J. M.104.5
Chapelle St. Julien-des-menestriers. See Paris. Churches.
Chapelle St. Julien des menestriers.
Chaperons, The. Opera. For the Music see Witmark. For
the Libretto see Ranken.
Chaperons blancs, Les. Opera. For the Music see Auber. For
the Libretto see Scribe.
Chapin, Frederic.
The forbidden land. A Tibetan comic opera. Book & lyrics
by Guy F. Steely. Music by Frederic Chapin. Vocal
score [with piano accomp.]. New York. Witmark. iqo4.
M.397.16
The storks. A musical fantasy in two acts. [Book by Rich-
ard Carle and Guy F. Steely.] Lyrics by Guy F. Steely.
Music by Frederic Chapin. Vocal score [with pianoforte
accomp.]. New York. Witmark. 1902. M.381.8
Chaplet, The. Opera. For the Music see Boyce. For the
Libretto see Mendez.
Chapman, James.
The music, or melody and rhythmus of language. Edin-
burgh. Anderson. 1818. M.106.16
Chapman, Richard.
The Bastile and Naval review. The overture and favorite
airs. [Piano score.] London. Andrews. [179-?]
No. 6 in M.391.30
Chappell, William.
A collection of national English airs, consisting of ancient
song, ballad & dance tunes. The airs harmonized by W.
Crotch, G. A. Macfarren, and J. Augustine Wade. [Lon-
don.] Chappell. 1839, 40. 2 v. M. 121. 16
The history of music. (Art and science.) Vol. i. To the
fall of the Roman empire. London. Chappell & Co.
[1874.] Illus. Plates.
Chappell, William, editor.
Dowland, J. The first set of songs.
Chappell's Vocal library of part-songs, &c.
17-27. 33- 36, 37, 40-42. [London. 185-?]
No. 30-45, 54, 55 i" M.157.1
M.106.2T
No. 2 in M.234.21
No. 7, 10, II, 13,
Chappie, Samuel.
Christ our Passover. Easter anthem. [Accomp. for organ.]
New York. Firth & Co. [185-?] No. 15 in M.igo.2
Chappuzeau, Samuel.
Le theatre frangois. Accompagne d'un preface et de notes
par Georges Monval. Paris. Bonnassies. 1875. M. 218.3
Chapter, The, of kings. Song. Collins, J. No. 4 in M.384.48
Chapuis, Auguste Paul Jean Baptiste.
La chanson du charbonnier. ChcEur a toutes voix et or-
chestre. Poesie de Andre Theuriet. Musique de Auguste
Chapuis. Partition. Paris. Durand. 1903.
No. I in M.406.75
Enguerrande. Drame lyrique en 4 actes et 5 tableaux, tire
du poeme d'fimile Bergerat par Victor Wilder. Musique
de Auguste Chapuis. [Partition chant et piano.] Paris.
Choudens. 1892. M.285.2
Les jardins d'Armide. Poeme de fimile Moreau. Musique
de Auguste Chapuis. [Partition chant et piano.] Paris.
Girod. 1887. No. 3 in M.194.7
Chapuis, Auguste Paul Jean Baptiste, editor.
Rameau. Castor et Pollux. M.402a.25.8
Chapuzeau, Samuel. See Chappuzeau, Samuel.
Char, Le. Opera. For the Music see Pessard. For the Li-
bretto see Arene.
Charbonnier est maitre chez lui. Opera. For the Music see
Nicolaie, £. For the Libretto see Nicolaie, L. F.
Charbonniers, Les. Opera. For the Music see Coste, J. E.
For the Libretto see Gille.
Charcutier, Un, dans les fers. Opera. For the Music see Hen-
rion. For the Libretto see Chardin.
Chard, George William.
Domum. An English version. [Song, s. or t. Accomp. for
pianoforte.] Winchester. Robbins. [18 — ?]
No. 20 in M.235.14
Si.x favorite songs, [s. With accomp. for flute and piano.]
London. Smart. [183-?] No. 2 in M.221.32
Contents. • — Sweet virgin. — The lamenting shepherdess. — Selkirk.
— Maria. — The lamentation. — ■ In vain I court.
To celebrate Thy praise, O Lord. Full anthem. Organ
accomp. London. Novello. [1845.] No. 26 in M.190.5
Also to be found in Metcalfe's Fifty metrical anthems.
Yes, yes, be merciless. Song [s.] in Pizarro. [Accomp. for
pianoforte.] London. Goulding, Potter & D'Alm.aine.
[ 179-?] -^o- 27 in M.237.2
Chard, George William, editor.
Paisiello. [Have mercy, Lord, on me.] The 51st Psalm.
No. 3 in M.236.16
Chardin,
Un charcutier dans les fers. Saynete. Musique de Paul
Henrion. No i in M.393.56
Charding, Louis Armand.
La ruse d'amour, ou I'epreuve. Comedie en un acte et en
vers melee d'ariettes. CEuvre i. [Partition.] Paris. La-
walle I'Ecuyer. 1785. M.402a.7
Chardon, Eugene.
Stratonice. Opera comique. Musique de E. Diet.
No. 2 in M.305.1
Charfreitags-Zauber. For orchestra. Wagner, W. R.
No. S in M.352.3
Charge, Une, de dragons. Opera. For the Music see Orgeval.
For the Libretto see Matabon.
Charge, The, of the Light Brigade. Part-song. Hecht, E.
No. 12 in M.195.1.15
Charge them that are rich. Anthem. Croce.
No. 22 in M.233.25.1
Charite, La. Part-song. Rossini. Trois choeurs religieux.
No. 3 in M.280.46
Charity. Part-song. Heathcote. No. 45 in M.235.14
Rossini. No. 16 in M.244.10.6; etc.
Charlatan, The. Opera. For the Music see Sousa. For the
Libretto see Klein, C.
Charlemagne, Jean Armand.
L'amour romanesque. Opera. Mis en musique . . . par J.
Woelfl. M.294.a6
227
Charlemagne
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chassaigne
Charlemagne, Jean Armand. (Continued.)
Same [Die romanhafte Liebe.] Musik von Joseph Wolfl.
M.152.7
Charles VI. Opera. For the Music see Halevy, J. F. F. £.
For the Libretto see Delavigne, G.
Charles VII. Song. Rouget de Lisle. 48 chants franijais.
M.202.44
Charles, Alexandre Armand.
L'arracheuse de dents. Operetta. Paroles de A<1. Chaulieu
[pseud.] et £d. Doyen. Musique de J. Marc Chautagne.
No. I in M.395.16
Deux muses. Operette. Paroles de Armand Chaulieu
[pseud.] & ]6douard Doyen. Musique de J. Marc Chau-
tagne. No. 2 in M.395.16
Myope et presbyte. Operette. Paroles de Armand Chau-
lieu [pseud.] et fidouard Doyen. Musique de Marc Joly.
No. 6inM.393.56
La p'tite bete vit encore. Operette. Musique de Henri Linas.
No. I in M.301.13
El Senor Piffardino. Operette. Paroles de Chaulieu [pseud.]
et £. Doyen. Musique de Pierre Delaruelle.
No. 2 in M.295.8
Charles, M., pseud. See Chop, Max.
Charles Auchester. Novel. Sheppard. M.i09a.33
Charles de France, ou amour et gloire. Opera. For the Music
see Boieldieu, F. A. For the Libretto see Theaulon de
Lambert.
Charlie is my darling. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Chariot, Joseph Auguste.
Chantons la vapeur. Choeur a 4 voix d'hommes. (/» Soirees
orpheoniques. Pp. 157-164.) No. 23 in M.157.8
La creation. Choeur a 6 voix [s. s. t. t. b. b.]. {In Soirees
orpheoniques. Pp. loc^-iip.) No. 16 in M.157.8
Charlotte Corday. Opera. For the Music see Georges. For
the Libretto see Silvestre.
Charlotte Corday. Overture. Benoit, P. L. L. No. 3 in M.33S.16
Charly, Leon, pseud. See Choux, Leon.
Charm me asleep. Part-song. Leslie, H. D. No. 24 in M.19S.1.2
Charmante Gabrielle. Air [t. Accomp. for pianoforte], (/n
Musical library. Vol. i, p. 121.) No. 55 in M.235.18.1
Aslo to be found in Pierre's Musique des fetes et ceremonies de la
Revolution frani;aise.
The edition in Musical library has more verses.
Charme de la douleur. Song. Schubert, F. P. Melodies.
Vol. S. M.32 7.4.5
Charmer, The. Song. Mendelssohn-Bartholdv, J. L. F.
Songs. No. 37 in M.244.21
Charmes, Les, de Leipsick. For violoncello. Romberg, B.
No. 2 in M.210.6
Charmeurs, Les. Opera. For the Music see Poise. For the
Libretto see Ribbing.
Charmeuse, La. Opera. For the Music see Caspers. For the
Libretto see Fournier, E.
Charming little valley. Part-song. Roberti. No. 3 in M.204.36.4
Charming oysters. Catch. Hayes, W. Catches, glees and
canons. Vol. i. No. i in M.220.5
Charms, The, of Isabel. Song. Arne, T. A. Lyric harmony.
Vol. I. M.380.1
Charnace, Guy de.
Les compositeurs franijais et les theatres lyriques subven-
tionnes. Paris. Dentu. 1870. No. 3 in M.207.20
Les etoiles du chant. Livraison 1-3. Paris. Plon. 1869.
3 parts in i v. Portraits. M.ige.i
Contents. — i. Patti. 2. Nilsson. 3. Gabrielle Krauss.
These livraisons have been greatly enlarged, by portraits, fac-similes,
newspaper clippings, etc.
Musique et musiciens. Paris. Lethielleux. 1874. 2 v. in i.
Vol. 2 is devoted to Wagner. M. 139. 23
A star of song! The life of Christina Nilsson. From the
French. Translated by J. C. M. & E. C. New York. Wyn-
koop & Hallenbeck. 1870. Portrait. No. 7 in M.207.26
Charnace, Guy de, translator.
Gluck, C. W. Lettres de Gluck et de Weber. M.127.32
Charpentier, Gustave.
Didon. Scene dramatique. Poeme de M. Auge de Lassus.
Musique de Gustave Charpentier. [Partition chant et
piano.] Paris. Hartmann & cie. [1887.] M.158.45
Impressions d'ltalie. Suite pour orchestre. Partition d'or-
chestre. Paris. Heugel & cie. [1892.] M.403.22
Contents. • — 1. Serenade. 2. A la fontaine. 3. A mules. 4. Sur les
cimes. 5. Napoli.
Louise. Roman musical en quatre actes et cinq tableaux.
Partition piano et chant. Paris. Heugel & cie. 1900.
M.402.10
La vie du poete. Symphonie-drame en trois actes et quatre
tableaux . . . Partition chant [s. s. s. a. t. bar. et choeurs]
et piano. Paris. Choudens. 1892. M.384.54
Charran, El. Song. Yradier. No. 26 in M.391.57
Charrington, Charles Edward Nicholas.
Phoebe's dream. A new and original operetta in two acts.
Written by Mrs. Henry de La Pasture. Music by C. E. N.
Charrington, [Vocal score with pianoforte accomp.]
London. Chappell & Co. [1894?] No. i in M.381.9
Chartier, F. L.
L'ancien chapitre de Notre-Dame de Paris et sa maitrise.
D'apres les documents capitulaires (1326-1790). Avec un
appendice musical. Paris. Perrin & cie. 1897. M.2o8.9a
Charvay, Robert.
Le fiance de Thylda, operette-bouffe de V. de Cottens et R.
Charvay. Musique de Louis Varney. M.381.58
Chase, Charles Augustus.
Five songs by Henshaw Dana. With a memoir, by Charles
A. Chase. Boston. 1884. M.141.33
Chase, The. Part-song. Gounod. No. ii in M.203.7; etc.
Chase away, dear one. Part-song. Loeenz, O.
No. 36 in M.IS7.5.1
Chassaigne, Francis.
Acteon et le centaure Chiton. Fantaisie mythologique,
d'apres la piece de Duvert, Theaulon et de Leuven
[pseud.]. Arrangee par A. de Leuven. Musique de Fran-
cis Chassaigne. [Partition chant et piano.] Paris. Feu-
chot. [1878.] No. I in M.285.5
Un conciergicide. Folie-operette en i acte. Paroles de Her-
mil et Numes [pseud.]. Musique de Francis Chassaigne.
[Partition piano et chant.] Paris. Feuchot. [1880.]
No. 2 in M.285.7
Un coq en jupons. Operette en i acte. Paroles de Delormel
et Villemer. Musique de Francis Chassaigne. [Partition
chant et piano.] Paris. Bathlot. [1872.] No. i in M.285.7
Deux mauvaises bonnes. Operette en i acte. Paroles de
Pericaud & Delormel. Musique de F. Chassaigne. [Par-
tition chant et piano.] Paris. Feuchot. [1876.]
No. 3 in M.285.7
Le droit d'ainesse. Opera-bouffe en 3 actes. Paroles de
MM. E. Leterrier et A. Vanloo. Musique de Francis Chas-
saigne. Partition chant & piano. Paris. Gerard. [1883.]
M.285.3
Same. Falka. Comic opera (,by MM. Leterrier & Vanloo).
English version by H. B. Farnie. Music by F. Chassaigne.
Vocal score [accomp. for piano]. London. Hays. [1883.]
M.285.4
Les enfants de la balle. Operette-bouffe en i acte. Paroles
de Pericaud & Delormel. Musique de Francis Chassaigne.
[Partition chant et piano.] Paris. Feuchot. [187-?]
No. 4 in M.285.7
Falka. See his Le droit d'ainesse.
Une femme qui jure. Operette en I acte. Paroles de Blon-
delet & Bauniaine. Musique de Francis Chassaigne. [Par-
tition chant et piano.] Paris. Feuchot. [187-?] Portrait.
No. 3 in M.285.5
Matou I", ou, a qui la faute. Operette en un acte. Paroles
de Louis de Romain. Musique de L. de Romain & F.
Chassaigne. [Partition chant et piano.] Paris. Alliance
des auteurs et compositeurs. [1868.] No. 3 in M.402.63
JNIonsieur Auguste. Operette. Paroles de J. de Rieux
[pseud.]. Musique de Chassaigne. [Partition chant et
piano.] Paris. Bathlot. [1873.] No. 2 in M.285.S
228
Chassaigne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chazet
Chassaigne, Francis. (Continued.)
Nadgy. Romantic comic opera in 3 acts. From the French
of MM. Liorat [pseud.] & Fonteny. English version by
Alfred Murray. The music by F. Chassaigne. [Accomp.
for piano.] London. Hays. [1888?] M.285.6
Une table de cafe. Saynete a travestissements. Paroles de
J. de Rieux [pseud.] & A. Guyon. Musique de Francis
Chassaigne. [Partition chant et piano.] Paris. Bathlot.
[186-?] No. 4 in M.28S.5; No. 4 in M.302.15
La tache de sang. Bouffonnerie en i acte. Paroles de Gas-
ton Marot. Musique de Francis Chassaigne. [Partition
chant et piano.] Paris. Feuchot. [1878.] No. 5 in M.285.5
Tog. Operette en I acte. Paroles de Hermil et Nunes.
Musique de F. Chassaigne. [Partition chant et piano.]
Paris. Bathlot. [188-?] No. 5 in M.302.15
Chassant, Alphonse Antoine Louis, editor.
Puy de musique, erige a fivreux, en I'honneur de Madame
Sainte Cecile public d'apres un manuscrit du XVIe siecle
par Bonnin et Chassant. :£vreux. Ancelle. 1837.
No. 2 in M.116.8
Chasse, La. For violin. Sarasate y Navascues.
No. 4 in M.405.S5
Chasse, La, aux rivaux. Opera. For the Music see Aoust. For
the Libretto see Tourte.
Chasseur, Le. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Chasseur danois, Le. Song. Berlioz, L. H.
No. 28 in M.391.32; etc.
Chasseur de chamois, Le. Song. Huber, F. No. 37 in M.235.18.4
Chasseur des Alpes, Le. Song. Schubert, F. P. Melodies.
Vol. I. M.327.4.1
Chasseur egare, Le. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Chasseur maudit, Le. Symphonic poem. Franck, C. A. M.403.37
Chaste Diana. Part-song. Martin y Solar. No. 7 in M.235.16
Chaste Suzanne, La, Opera. For the Music see Monpou. For
the Libretto see Carmouche.
Chastellux, Frangois Jean, Marquis de, translator.
Algarotti, F. Essai sur I'opera. M.373.37
Chatau, Henri.
Sarbacane. Operette en i acte. Paroles de Queyroul. Mu-
sique de Henri Chatau. [Partition piano et chant.] Paris.
Chatot. [1878.] No. S in M.275.27
Chateau a Toto, Le. Opera. For the Music see Offenbach.
For the Libretto see Meilhac.
Chateau de la Barbe-Bleue, Le. Opera. For the Music see
Limnander de Nieuwenhove. For the Libretto see Saint-
Georges.
Chateau de Montenero, Le. Opera. For the Music see Da-
layrac. For the Libretto see Hoffman, F. B.
Chateau de Tire-Larigot, Le. Opera. For the Music see Ser-
pette. For the Libretto see Blum, E.
Chateau-Renaud, de.
Manfred. Symphonic dramatique. Paroles de Jules Bar-
bier, de Chateau-Renaud et Adolphe Queyroy. Musique
de Louis Lacombe. M. 225.11
Chateau Trompette, Le. Opera. For the Music see Gevaert.
For the Libretto see Piestre.
Chateauneuf, Francois de.
Dialogue sur la musique des anciens. [Anon.] Nouvelle
edition. Paris. Pissot. 1735. Plates. M.i09b.33
Chater, Thomas.
Scientific voice, artistic singing, & effective speaking. Lon-
don. Bell. 1890. Illus. M.i09b.30
Chatrian, Alexandre.
Myrtilie. Opera comique. Paroles de MM. Erckmann-
Chatrian & Maurice Drack [pseud.]. Musique de P. La-
come. M.296.3
Chats with music students. Esthetics. Tapper. M.ioga.so
Chatte merveilleuse. La. Opera. For the Music see Grisar.
For the Libretto see Dumanoir, P. F. P.
Chatte metamorphosee en femme, La. Opera. For the Music
see Offenbach. For the Libretto see Scribe.
Chatterton. Opera. For the Music see Gammieri; also Leon-
cavallo. For the Libretto see Pinto.
Chaubet, Charles.
Christophe Colomb, ou la decouverte du Nouveau monde.
Ode symphonic. Paroles de MM. Mery, Ch. Chaubet et
Sylvain St. fitienne. Musique de Felicien David. M.241.24
Chaulier, C.
Le bouquet. Opera-comique en 2 actes. Paroles de Victor
Dubron. Musique de C. Chaulier. Partition chant et
piano. Paris. Choudens. [188-?] No. 3 in M.275.32
Chaulieu, Armand, pseud. See Charles, Alexandre Armand.
Chaumet, William.
Le baron Frick. Operette en i acte de MM. Ernest Depre
& Charles Clairville. Musique de Will. Chaumet, Albert
Ferrand, Alph. Duvernoy . . . [Partition chant et piano.
Paris. Fouquet. 1885.] No. 6 in M.302.15
Bathyle. Opera-comique en i acte de Mr. fidouard Blau.
Musique de William Chaumet. Partition chant et piano.
Paris. Choudens. [1877.] M.285.8
Herode. Poeme de Georges Boyer. Musique de William
Chaumet. Partition [chant et piano]. Paris. Heugel.
1886. No. I in M.285.9
Mam'zelle Pioupiou. Piece militaire en 5 actes et 8 ta-
bleaux, de Alex. Bisson. Musique de W. Chaumet. Par-
tition chant et piano. Paris. Choudens. [1889.]
No. 2 in M.285.g
Patria. Poeme dramatique de Louis Gallet. Musique de
Will. Chaumet. Poeme et chant [et piano]. Paris. Du-
pont. [189-?] No. 3 in M.396.3
La petite maison, opera comique en 3 actes de Alexandre
Bisson et Georges Dokois. Musique de William Chaumet.
Partition piano et chant. Paris. Choudens. 1903. M.381,10
Chausson, Ernest.
Quatuor a cordes (inacheve. Op. 35). [Partition.] Paris.
Durand. [189-?] No. 2 in M.405.69
Quatuor en la majeur pour piano, violon, alto et violoncelle.
Op. 30. [Partition. Paris. Baudoux & cie. 1897.] M.410.16
Le roi Arthus. Drame lyrique en trois actes et six tableaux.
Partition chant et piano. Paris. Choudens. 1900. M.402.11
Symphonic en si bemol majeur. Op. 20. Partition d'or-
chestre. Paris. Baudoux & c'«. [1891.] M.406.4
Viviane. Poeme symphonique pour orchestre. Op. 5. Par-
tition d'orchestre. Paris. Le Bailly. [1883.]
No. I in M.406.45
Chautagne, J. Marc.
L'arracheuse de dents. Operette en un acte. Paroles de A^.
Chaulieu [pseud.] et fid. Doyen. Musique de J. Marc
Chautagne. [Partition chant et piano.] Paris. Bathlot.
[1873.] No. I in M.395.16
Deux muses. Operette en un acte. Paroles de Armand
Chaulieu [pseud.] & fidouard Doyen. Musique de J. Marc
Chautagne. [Partition chant et piano.] Paris. Bathlot.
[1873.] No. 2 in M.395.16
La veuve Marlbrough. Operette en i acte. Paroles de B!on-
deau et Monreal. Musique de J. Marc Chautagne. [Par-
tition piano et chant.] Paris. O'Kelly. [1872.]
No. 4 in M.275.27
Chauvin, Georges.
Clercs et modistes. Operette bouffe. Paroles de Chauvin
et Buguet. Musique de Gilles Raspail. No. i in M.383.3I
Les deux alcades. Operette. Musique de Georges Douay.
No. I in M.305.13
Lola. Opera bouffe. Musique de Willent-Bordogni.
No. I in M.277.21
Le Sabbat pour rire. Opera-comique. Musique de G. Ras-
pail. No. 4 in M.277.20
Chawner, Claude Fox Fov-.
Devout men carried Stephen. Anthem. [Accomp. for or-
gan.] (/)i Ouseley. Special anthems. Vol. 2, pp. 77-^^-)
No. 6 in M.233.24.2
Chazet, Rene Alissan de.
Baj'ftrd a Mezieres. Opera comique. Paroles de MM. Em-
manuel Dupaty et Chazet. Musique de Cherubini, Boiel-
dieu, Nicolo [Isouard] & Catel. M.2gi.g
229
Chazol
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chenier
Chazol, G.
L'ermite des Batignolles. Operette-bouffe. Paroles de G.
Chazol et Paul Roc. Musique de Paul Bertrie.
No. I in M.26S.15
Chazot, Paul de.
Les fourberies de Marinette. Opera bouffe. Paroles de
Michel Carre et Paul de Chazot. Musique de Jules Creste.
No. 4 in M.285.28
Che! Song. Gordigiani. £chos de la Toscane. Vol. i.
No. 34 in M.244.13.1
Che ad altra fiamma. Song. Marescalchi. No. 3 in M.360.8
Che affanni. Trio. Carter, T. [Canons, glees and catches.]
No. S in M.221.32
Che bel contento. Catch [for 3 voices], (/n Bland. The
Ladies' collection. Vol. 3, p. 252.) No. 11 in M.235.17.3
Also to be found in Vocal harmonist's magazine.
Che bel contento. Part-song. Seyfried, I. X. von.
No. 34 in M.i2ga.43.i
Che bel piacere. Duet. Cimarosa. No. 3 in M.120.13
Che debbo far. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Che dolce liquore. Coro [t. t. b.]. (In Bland. The Ladies'
collection. Vol. 2, pp. 200, 201.) No. 233 in M.23S.17.2
Che fai, alma? Part-song. Lassus. Sammtliche Werke. Band
10. M.8o4oa.67.io
Che fai? che pensi? Part-song. Lassus. Sammtliche Werke.
Band 4. 1^.80403.67.4
Che giova. Duet. Sweelinck. Werken. Deel 8. M.413.2.8
Che giova. Part-song. Lassus. Sammtliche Werke. Band 6.
M.8o4oa.67.6
Che gran prodigio. Glee. Cocchi. No. 87 in M.220.g.i
Che gusto. Song. Auber. No. 12 in M.193.21.2
Che mai d'iniqua Stella. Catch [for 3 voices], (/n Bland. The
Ladies' collection. Vol. i, p. 28.) No. 42 in M.23s.i7.i
Also to be found in Vocal harmonist's magazine.
Che mi manca. Song. Panofka. Soirees de Londres.
No. 6 in M.244.18
Che non fia. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Che originali. Opera. For the Music see Mayer, J. S.
Che pena che affanno. Part-song. Giardini.
No. 165 in M.235.17.5; etc.
Che sa dirmi o mia speranza. Song. Rossini. No. 2 in M.354.10
Che se tanto a voi piace. Part-song. Palestrina. Werke.
Band 30. M.8o40a.66.30
Che smania, oh Dio! Raimondi. No. 35 in M.221.33
Che vai pensando. Duet. Handel. Werke. Lieferung 32.
M.313.1.32
Che viva viva. Part-song. Lidarti. No. 84 in M.220.g.i
Che vuoi di piu. Duet. Donizetti. Ispirazioni viennesi.
No. I in M.364.10
Checcherini, Giuseppe.
L'eremitaggio di Liverpool. Melodramma semi-serio,
musica di G. Donizetti. No. 2 in M.364.15
The original title was Emilia.
Checchet^li, Giuseppe.
II saltimbanco. Dramma lirico. Posto in musica . . . dal
Mo. G. Pacini. M.311.8
Checchi, Eugenio.
A basso porto. (Am untern Hafen.) Lyrisches Drama.
Musik von Niccola Spinelli. M.394.71
Cheer up, companions. Part-song. Becker, V. E.
No. 30 in M.3g2.4
Cheer up, my soul. Aria. Latrobe, C. L Original anthems.
No. 9 in M.236.15
Cheerful drum. The. Part-song. Abt, F. No. 50 in M.157.6.1
Cheerful glee. The. Part-song. Cooke, R. No. 5 in M.220.8
Cheerful wanderer. The. Part-song. Mendelssohn-Bar-
tholdy, J. L. F. No. 28 in M.109.1
Cheerfulness. Part-song. Pinsuti, C. E. No 2 in M.203.7; etc.
Cheerfulness. Song. Bianchi, F. Four songs.
No. II in M.237.7
Cheerfulness, of ruddy mien. Song. Barnett, J. Lays of the
passions. M.244.20
Chefs-d'oeuvre de I'opera frangais.
Baltazarini. Le ballet-comique de la reine. No. 3 in M.275.22
Cambert. Les peines & les plaisirs de I'amour. ler acte.
No. I in M.27S.22
Pomone. i^'' acte. No. 2 in M.275.22
Campra. L'Europe galante. M.275.25
Les festes venitiennes. M.275.24
Tancrede. M.275.26
Catel. Les Bayaderes. M.27S.33
Collasse. Thetis et Pelee. M.285.25
Danican. Ernelinde, princesse de Norvege. M.287.16
Destouches. Isse. M.2g5.36
Omphale. M.2g5.37
Gretry, A. E. M. M.303.S
Cephale & Procris. M.266.34
Laland. Les elements. M.2g6,i7
Lesueur. Ossian, ou les bardes. M.3g4.i6
Lully. Alceste. M.306.34
■ Armide. M.306.38
Atys. M.306.37
Bellerophon. M.306.35
Cadmus et Hermione. M.306.36
Isis. M.247.1
Persee. M. 306.32
Phaeton. M.306.33
Proserpine. M.247.2
Psyche. M.3o6.3i
Les saisons. M. 306.39
Thesee. M.306.30
PicciNNi, N. Didon. M.3g4.2i
Roland. M. 287. 17
Rameau. Les festins d'Hebe. M.2g7.3i
Hippolyte et Aricie. 111.297.28
Les Indes galantes. M.297.33
Platee (ou Junon jalouse). M.297.34
Zoroastre. M.297.30
Renaud. M.394.25
Salieri. Les Danaides. M.321.26
Tarare. M.321.27
Sacchini. Chimene ou le Cid. 1^1.394.24
Chelard, Hippolyte Andre Jean Baptiste.
Macbeth. Heroische Oper in 3 Aufzugen. Dichtung frey
nach Shakspear. Clavier-.A.uszug. Miinchen. Falter.
[183-?] 2 V. M.230.41
Chelius, Herman P.
Our Father. [Anthem. Accomp. for organ.] Boston.
Schmidt. [1886. Cecilia.] No. i in 11.158.15
Chelius, Oscar von.
Haschisch. Oper in einem Aufzuge. Dichtung von Axel
Delmar [Pseud.]. Musik von Oscar von Chelius. Voll-
standiger Klavier-Auszug mit deutschem Text. Berlin.
Bote & Bock. [1897.] M.382.8
Die vernarrte Prinzess. Fabelspiel in 3 Aufz. von O. J.
Bierbaum. -\Iusik von Oscar von Chelius. Vollstandi.^er
Klavierauszug mit Text. Mainz. Schott. [1906.] M.38g.s4
Chelonomie, La. Sibire. M.208.29
Chene, Le, et le roseau. Symphonic poem. Chevillard.
No. I in M.404.76
Chenery, Cornelius.
Brightly the stars are shining. [Christmas carol.] Boston.
Goullaud. [1878.] No 2 in M.158.15
Chenevier, P.
L'incendie de I'Opera-comique de Paris et le theatre de
siirete. Paris. Baudry & cie. 1888. No. i in M.122.1
Chenier, Andre Marie.
Arethuse. Idylle antique. Poeme et musique de Madame
G. de Montgomery. Avec des intercalations d'Andre
Chenier. M.267.13
Chenier, Andre Marie. Works about.
Curwen, H. Sorrow and song. Studies of literary struggle.
London. 1875. M.126.30.2
Chenier, Marie Joseph Blaise de.
L'hymne du Pantheon. Musique de Cherubini. M.38o.i4;etc.
[Timoleon. Tragedie. Musique de Mehul.] M.328.12
230
Chercheur
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cherubini
Chercheur d'esprit, Le. Opera. For the Music see Besanzoni.
For the Libretto see Foussier.
Chercheur de tresor. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.I
Chercheuse d'esprit, La. Opera. For the Music see Audran.
For the Libretto see Favart, C. S.
Chere enfant. Song. Louis, N. No. i8 in M.390.30
Cheri, Rose Marie.
Jacquot, C. J. B. Rose Cheri (Madame Montigny). Par
Eugene de Mirecourt [pseud.]. Paris. 1867. Portrait.
No. S in M.i2ga.36
Same. (Histoire contemporaine. 2e edition. Vol. 2.)
M.124.12.2
Cheri, Victor.
Cendrillon. Grand feerie et [sic] 5 acte [sic] et 30 tableaux
de Clairville [pseud.], Alb: Monnie[r] et Ernest Blum.
Musique de Victor Cheri et Moran. [Partition.] Manu-
script. [Paris. 1888.] M.312.44
Cheri. Quadrille. Louis, N. No. 29 in M.390.17
Cherokee, The. Opera. For the Music see Storace. For the
Libretto see Cobb, J.
Cherouvrier, Edmond Marie.
Le roi des mines. Opera en 3 actes, de Ernest Dubreuil.
Musique de E. Cherouvrier. Partition chant et piano.
Paris. Choudens. [1865.] M.363.7
Cherry, Andrew.
The travellers, or music's fascination, a dramatic opera. The
music by D. Corry. No. i in M.251.3
Cherry girl. The. Opera. For the Music see Tilkins. For the
Libretto see Hicks, S.
Cherry time. The. Part-song. Leslie, F. No. 50 in M. 121. 3
Cherubin. Opera. For the Music see Massenet. For the Li-
bretto see Wiener.
Cherubina. Opera. For the Music see Blech. For the Li-
bretto see Kunhardt.
Cherubini, Maria Luigi Carlo Zenobi Salvatore.
Die Abenceragen, oder das Feldpanier von Granada. Grosse
Oper in 3 Akten [Dichtung von Jouy] von L. Cherubini,
im Klavierauszuge mit Text . . . bearbeitet von F. Briss-
ler. Leipzig. Peters. [186-?] M.28S.11
Same. Variationen und Bolero aus „Die Abenceragen."
Manuscript. [187-?] M.403.23
Ad Te levavi. Trio [a. t. b. Accomp. for organ]. (In No-
vello. Motetts. Vol. I, book i, pp. 27-29.)
No. 10 in M. 260.24.1
Adjutor et susceptor mens, a 4 parties. Partition pour le
piano forte. Bonn. Simrock. [182-? Musique sacree.]
No. 10 in M.222.24
Adoremus in aeternum, a 3 parties [s. s. s.]. Partition pour
le piano forte. Bonn. Simrock. [182-? Musique sacree.]
No. 7 in M.222.24
Ali-Baba, ou les quarante voleurs. Opera en 4 actes. Pa-
roles de Scribe et Melesville [pseud.]. Musique de L.
Cherubini . . . Nach dem Franzosischen von J. C. Griin-
baum . . . Vollstandiger Klavierauszug mit deutschem u.
franzosischem Texte. Leipzig. Breitkopf & Hartel.
[183-?] Portrait. M.291.7
Same. Zwischenact- und Ballet-Musik aus der Oper Ali
Baba fiir grosses Orchester. Herausgegeben von Carl
Reinecke. Partitur. Leipzig. Breitkopf & Hartel. [1877.]
No. I in M.336.6
Anacreon, ou I'Amour fugitif. Opera ballet en 2 actes, par
le C. R. Mendouze. Mis en musique par Cherubini. [Par-
tition.] Paris. Cherubini [etc. 1803]. M.224.7
Same. [Oper in 2 Akten. Dichtung von Mendouze. Musik
von Cherubini.] Klavier-Auszug. Leipzig. Peters. [186-?]
The words are in German only. No. I in M, 285. 12
Same. Balletmusik fiir grosses Orchester aus der Oper Ana-
creon. Revidirte Ausgabe. Von Joh. N. Cavallo. Parti-
tur. Leipzig. Breitkopf & Hartel. [1880?] No. 2 in M.336.6
Ave Maria. (Solo.) [Accomp. for organ.] (In Lutz.
Motets for the year. No. 56. Pp. 272-275.)
No. 56 in M.156.50
Cherubini, Maria Luigi Carlo Zenobi Salvatore. (Continued.)
Ave Maria, [s.] The English translation by J. S. Dwight.
[Accomp. for piano.] Boston. Reed. [1847.]
No. 10 in M.260.IO.2
Ave verum. Trio [s. s. s. Accomp. for organ], (/n Novello.
Convent music. Vol. 2, pp. 58-69.) No. 21 in M.260.17.2
Bayard a Mezieres. Opera comique en i acte. Paroles de
MM. Emmanuel Dupaty et Chazet. Musique de Cheru-
bini, Boieldieu, Nicolo [Isouard] & Catel. [Partition.]
Paris. Boieldieu jeune. [1814.] M.291.9
Benedicta Tu. Trio, s. t. b. [Accomp. for organ.] (In
Novello. Motetts. Vol. 2, book 9, pp. 9-13.)
No. 21 in M.260.24.2
Benedictus. Solo-quartett. [Accomp. for organ.] (In Buck.
Motette collection. Vol. 2, pp. 86-88.) No. 19 in M. 100.4.2
Blanche of Provence. Trio [s. s. a. Accomp. for piano].
London. Novello, Ewer & Co. [188-?] No. 4 in M. 158.15
Also to be found in Novello's Collection of trios, etc.
Borne on the night breeze. Round. For 3 voices. (In Hul-
lah. The Singer's library. Secular. No. 29. Pp. 1-6.)
No. 29 in M.157.2
Chant republicain du 10 aoiit [s. a. t. b. Accomp. de piano].
(In Pierre, C. V. D. Musique des fetes et ceremonies de
la Revolution frangaise ... Pp. 71-76.) M.380.14
Chant sur la mort de Joseph Hayd'n. Arrange pour le piano
[et chant, s. t. t.]. Berlin. Schlesinger. [181-?]
No. 5 in M.221.5
Concert-Ouverture . . . Bisher unveroffentlichtes nachge-
lassenes Werk. Herausgegeben von Friedrich Griitz-
macher. Partitur. Leipzig. Kahnt. [189-?]
No. 2 in M.332.7
Confirma hoc, Deus, a 3 parties [s. t. b.]. Partition pour le
piano forte. Bonn. Simrock. [182-? Musique sacree.]
No. 6 in M.222.24
A course of counterpoint and fugue. Translated by J. A.
Hamilton. 2d edition. London. Cocks & Co. 1841. 2 v.
in I. Portrait. M.116.12
[Credo fiir 8stimmigen Chor a capella,] von L. Cherubini
im Klavierauszuge mit Text . . . von Hugo Ulrich. Leip-
zig. Peters. [186-?] No. I in M.193.17
Demophoon. Tragedie lyrique en 3 actes . . . Les paroles
sont de M. Marmontel. Mise en musique par Cherubini.
[Partition.] Paris. [1789] M.291.10
Same. Demophon. Oper in 3 Akten von L. Cherubini.
[Dichtung von Marmontel. Clavierauszug mit franzosi-
schem und deutschem Texte.] Leipzig. Peters. [186-?]
M.363.9
Les deux journees. Opera comique en 3 actes, paroles de
J. N. Bouilly, musique de Cherubini. Partition de piano
et chant. Paris. Schlesinger. [185-?] M.363.8
Same. Der Wassertrager. Oper in 3 Akten von L. Cheru-
bini. [Dichtung von J. N. Bouilly.] In Partitur heraus-
gegeben von Gustav F. Kogel. Leipzig. Peters. 1883.
The words are in both French and German. M.224.IO
Ecce panis. [Solo s. or t. Accomp. for piano.] Mayence.
Schott. [183-? Hymnes sacres.] No. 5 in M.222.24
Also to be found in Novella's Motetts.
Eliza, ou le voyage aux glaciers du Mont S'. Bernard. Opera
en 2 actes, par Saint Cyr. Mis en musique par Cherubini.
[Partition.] Paris. Imprimerie du Conservatoire. [i795?]
M.224.11
Same. Elise, oder die Reise auf den S. Bernardsberg. Ein
Singspiel in 3 Akten [von J. A. Reveroni-Saint-Cyr], in
Musik gesetzt von Cherubini. Im Klavierauszuge von
G. B. Bierey. Leipzig. Breitkopf & Hartel. [18—?]
M.230.43
Faniska. Opera en 3 actes. Paroles italiennes, musique de
Cherubini. [Partition.] Paris. Troupenas. [184-?]
M.224.9
Same. (Italienisch und deutsch.) Eine Oper in 3 Akten.
Im Klavierauszug von Bierey. Leipzig. Breitkopf &
Hirtel. [180-?] No. i in M.230.42
Father of our feeble race. Motet [Accomp. for organ]. (In
Turle and Taylor. The People's music book. Vol. 2, pp.
176-183.) No. 4oinM.iii.4.2
231
Cherubini
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cherubini
Cherubini, Maria Luigi Carlo Zenobi Salvatore. (Continued.)
Hark, the village maids are singing. Chorus, (/n Hullah.
Part music. Secular. Vol. i, pp. 71. 72.)
No. 20 in M.IS7.28.1
Hymne a la fraternite. [t. solo et chceur, s. a. t. b. Accomp.
de piano.] {In Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution fran?aise . . . Pp. 293-296.)
M.380.14
Hymne du Pantheon [x. x. b. Cantate] par J. Chenier. Mu-
sique de Cherubini. [Partition. Manuscript. 182-?]
M.220.27
Same. Paroles de M. J. Chenier, musique de Cherubini.
[Chceur, a. x. b. Accomp. de piano.] {In Pierre, C. V. D.
Musique des fetes et ceremonies de la Revolution fran-
gaise ... Pp. 367-386.) M.380.14
Hymne funebre sur la mort du General Hoche. [Solos, s. x.
A., et chceur a. t. b. Accomp. de piano.] {In Pierre, C. V.
D. Musique des fetes et ceremonies de la Revolution fran-
Qaise ... Pp. 332-345) M.380.14
Hymne pour la fete de la jeunesse [x. avec choeur. Accomp.
de piano], (/re Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise . . . Pp. 251-255.)
M.380.14
Hymne pour la fete de la reconnaissance [s. ou x. Accomp.
de piano]. {In Pierre, C. V. D. Musique des fetes et
ceremonies de la Revolution frangaise . . . Pp. 262-264.)
M.380.14
Et incarnatus est. Trio [s. t. b. Accomp. for organ]. {In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 70-72.)
No. 29 in M.2go.22.2
Hymnes sacres, avec accomp. de piano-forte. No. 2-6.
Mayence. Schott. [183-?] 5 parts in i v. No. i-S in M.222.24
Each number is separately catalogued.
Inclina, Domine, aurem Tuam, a 4 parties. Partition pour
le piano forte. Bonn. Simrock. [182-? Musique sacree.]
No. 9 in M.222.24
Lauda Sion. [s. s. Accomp. for piano.] London. Novello.
[184-?] No. 22 in M.201.38
Same. [s. A. Accomp. de piano.] Mayence. Schott. [183-?
Hymnes sacres.] No. i in M.222.24
Also to be found in Novello's Convent music.
Die Liebe. [Mannerchor.] {In Orpheus. Band 4, pp. 37,
38.) No. 136 in M. 1293.43.4
Lodoiska. Comedie heroique en 3 actes par le C^". Fillette-
Loraux . . . Mise en musique par le C^". Cherubini. [Par-
tition.] Paris. Naderman. [1791.] M.224.12
Same. Partition de piano et chant. Schlesinger. [184-?]
M.363.10
Mass, Third, in A (Coronation mass). [Accomp. for piano-
forte.] Boston. White-Smith Co. [188-?] No. i in M.156.25
Medee. Opera en 3 actes. Paroles d'Hoffmann, musique de
Cherubini. [Partition.] Paris. Janet & Cotelle. [i797?]
2 V. Engraved title-page. M.224.8
Same. Medea. Oper in 3 Akten. [Dichtung von Hoffman.]
Musik von L. Cherubini. Vollstiindiger Klavierauszug.
Leipzig. Breitkopf & Hartel. [183-?] M.291.8
Messa solenne in sol maggiore e a 4 parti. Edizione corre-
data della riduzione per pianoforte od organo ad lib.
Milano. Ricordi & c. [188-?] No. 2 in M.285.12
Messe [en fa] a trois voix et chosurs avec accomp. [d'or-
chestre et d'orgue. Partition]. Paris. Imprimerie du
Conservatoire imperiale de musique. [180-?] M.201.4
Messe, Erste lateinische, fiir 3 Singstimmen (Solo und
Chor). Klavierauszug. 2. Auflage. Leipzig. Hofmeister.
[185-?] No. I in M.2S0.8
Messe, Petite, de la Sainte Trinite ... a 3 voix [s. s. B. ou
I. T. B.], avec accomp. d'orgue. Bonn. Simrock. [183-?]
No. 3 in M.222.23
Messe solennelle, Deuxieme [en re mineur], a 4 parties, avec
accomp. a grand orchestre. [Partition.] Paris. L'auteur.
[182-?] M.250.9
Same. Partition pour le piano. Bonn. Simrock. [183-?]
No. I in M.222.23
Messe solennelle, Troisieme, a trois parties en chceur. Avec
accomp. a grand orchestre. [Partition.] Paris. [L'auteur.
[182-?] M. 250.10
Cherubini, Maria Luigi Carlo Zenobi Salvatore. (Continued.)
Same. Mass, Third solemn, for 3 voices [s. x. b.], adapted
for the organ or piano forte, and an (ad lib.) fourth voice
part added (alto), by Haydn Corri. London. Novello.
[185-?] No. 2 in M.2S0.8
Messe solennelle, Quatrieme [en ut], a 4 & a S parties . . .
Partition pour le piano. Bonn. Simrock. [183-?]
No. 2 in M.222.23
Musique religieuse. Vol. I. Accomp. pour piano ou orgue.
Paris. Richault. [1867.] M.158.43
Contents. — Messe solennelle breve [en Bbl. — Tantum ergo. — In
paradisum. — O Salutaris [b.]. — Litanies de la Sainte Vierge. —
O Salutaris a 4 voix egales. — Messe solennelle [en G majeur]. —
Fantaisie pour orgue.
Musique sacree. No. 1-6. Partition pour le piano forte par
Ch. Zulehner. Bonn. Simrock. [182-?] 6 parts in i v.
Each number is separately catalogued. No. 6—1 1 in M.222.24
Notice des manuscrits autographes de la musique composee
par feu M. L. C. Z. S. Cherubini. [Publiee par Auguste
Bottee de Toulmon.] Paris. 1843. No. 2 in M.372.19
O Eons amoris, a 4 parties. Partition pour le piano forte.
Bonn. Simrock. [182-? Musique sacree.] No. 8 in M.222.24
O Salutaris. [s.] With accomp. for the organ or piano
forte, arranged by Vincent Novello. [184-?]
No. 4 in M.260.2; No. 21 in M.260.10.2
Ode sur le 18 fructidor [s. a. x. b. Accomp. de piano]. {In
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise . . . Pp. 201-221.) M.380.14
Ouverturen fiir Orchester. Partitur. Leipzig. Breitkopf &
Hartel. [185-?] 2 v. M.345.27
Contents. — I. AH Baba. — Die Abenceragen. — Medea. — Der Was-
sertrager. — Elise. 2. Faniska. — Lodoiska. — Der portugiesische
Gastnof.
Pater Noster. [Motet. Accomp. for piano.] Mayence.
Schott.- [183-? Hymnes sacres.] No. 4 in M.222.24
Perfida Clori. Canon or round for 3 voices. {In Musical
times. [Music] Vol. 7, pp. 55-58.) No. 15 in M.I75.I.7
Also to be found in Warren's Cocks's Hand-book of glees.
Pie Jesu, Domine! Chorus from [his] Requiem. [Accomp.
for organ.] {In Ayrton. Sacred minstrelsy. Vol. i, pp.
73-75) No. 27 in M.2go.22.i
Der portugiesische Gasthof. (L'hotellerie portugaise.) Ko-
mische Oper in l Act. Text frei nach dem Franzosischen
des Aignan von G. F. Treitschke. Musik von Luigi Cheru-
bini. Clavierauszug mit Text . . . bearbeitet von Richard
Kleinmichel. Leipzig. Senff. [188-?] M.285.10
Same. Ouverture und Gesange aus der Oper: Der portu-
giesische Gasthof. Klavierauszug. Leipzig. Breitkopf &
Hartel. [180-?] No. 2 in M.230.42
La prisonniere. Opera en i acte. [Paroles de Jouy, de
Longchamps et Saint-Just.] Musique de Cherubini et
Boieldieu. Partition. Manuscript. [182-?] M. 285.13
Regina coeli, a 4 parties. Partition pour le piano forte.
Bonn. Simrock. [182-? Musique sacree.] No. 11 in M.222.24
Requiem (C-moIl). Klavier-Auszug mit Text. Leipzig.
Peters. [185-?] No. S in M.IS6.47
R«quiem aeternam. [Accomp. for organ.] {In Buck. Mo-
tette collection. Vol. i, pp. 50-53.) No. 13 in M.100.4.1
Requiem fiir Miinnerstimmen. Klavier-Auszug mit Te.xt.
Leipzig. Peters. [185-?] No. 4 in M.156.47
Requiem fiir 4 Singstimmen. Partitur. Manuscript. [183-?]
M.250.7
Le salpetre republicain [s. ou x. Accomp. de piano]. {In
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise . . . Pp. 449, 450.) M.380.14
Sanctus, O Salutaris. [s. or x. solo. Accomp. for piano.]
Mayence. Schott. [183-? Hymnes sacres.]
Also to be found in Novello's Convent music. No. 3 in M.222.24
Sweet are the banks. Air [s. or x.] from Les deux journees.
[Accomp, for pianoforte.] {In Musical library. Vol. i,
pp. 96, 97.) No. 43 in M.235.18.1
Tantum ergo, a 5 parties [s. s. a. x. b.], en partition [d'or-
chestre] avec p"° ou orgue. Paris. Colombier. [18 — ?]
No. I in M.202.I5
Same. [Accomp. for piano.] Mayence. Schott. [183-?
Hymnes sacres.] No. 2 in M.222.24.
Also to be found in Novello's Evening service.
232
Cherubini
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cheve
Cherubini, Maria Luigi Carlo Zenobi Salvatore. (Continued.)
Trois quatuors pour 2 violons, alto et violoncelle. Partition.
Leipzig. Kistner. [183-?] 3 parts in I v.
No. 1-3 in M.344.17
Contents. — 1. In E flat major. 2. In C major. 3. In D minor.
"Turn Thee, O Lord." An anthem, arranged from Cheru-
bini's Mass in F ... by J. E. Richardson. [Accomp. for
organ.] London. Novello. 1861. No. 10 in M.190.7
Der Wassertrager. See his Les deux journees.
Wine brightly flowing. Round [ for 3 voices]. {In The
Apollo. Vol. 7, p. 560.) No. 18 in M.isga.iS.y
Withhold not Thou. Trio [s. x. b. Accomp. for organ]. {In
Turk and Taylor. The People's music book. Vol. 2, pp.
27-31.) No. 10 in M.iii.4.2
Cherubini, Maria Luigi Carlo Zenobi Salvatore, editor.
Durante, F. Duetti. M.380.23
Cherubini, Maria Luigi Carlo Zenobi Salvatore. Works about.
Bellasis, E. Cherubini: memorials illustrative of his life.
London. 1874. Portrait. M.126.10
Crowest, F. J. Cherubini. London. i8go. M. 104.19
Denne-Baron, R. D. Memoires historiques d'un musicien.
Cherubini. Paris. 1862. No. 8 in M.144.18
MiEL, E. S. F. A. M. Notice sur la vie et les ouvrages de
Cherubini. [Paris. 1842?] No. i in M.197.3
Neumann. W. Luigi Cherubini. Eine Biographic. Cassel.
1854. Portrait. No. i in M.20S.17
RocHETTE, D. R. Notice historique sur la vie et les ouvrages
de M. Cherubini. [Paris. 1843.] No. 2 in M.122.28
Cheshire, John.
The buccaneers, a cantata, the words by Wellington Guern-
sey, the music composed by John Cheshire, [s. a. t. b. and
chorus. Accomp. for pianoforte.] London. Boosey & Co.
[1875.] No. 2 in M.194.2
Chesneau, Carl.
Vasco de Gama. Poeme lyrique avec solos [s. bar.] et
choeurs [s. t. b.]. Paroles du Comte Henry de Cremont.
Musique de Carl Chesneau. Partition chant et piano.
Paris. Michaelis. [186-?] No. i in M.194.9
Chesneraye, F. de la.
Opere lui-meme. Operette. Paroles de P. de Neha et F. de
la Chesneraye. Musique de Tac-Coen. No. 3 in M.324.6
Chesney, F. R.
Operatic tales. [The plots of 23 operas.] London. Ward
& Downey. 1889. M.i39a.i2
Chester Triennial Musical Festival, J900.
Bridge, Joseph C. Requiem. No. i in M.384.18
Cheval, Le, de bronze. Opera. For the Music see Auber. For
the Libretto see Scribe.
Chevalet, £mile.
Le violoneux. Operette. Paroles de Metespes [sic] et
Chevalet. Musique de J. Offenbach. No. i in M.267.32
Chevalier d'Harmental, Le. Opera. For the Music see Mes-
sager. For the Libretto see Ferrier.
Chevalier de Montreal, Julie.
David. Scenes lyriques. Paroles de Chevalier Gaston d'Al-
bano [pseud.]. Musique de Eugene Lacheurie.
No. I in M.213.13
Chevalier de Piquenef, Le. Opera. For the Music see Lassi-
monne. For the Libretto see Bouvier.
Chevalier, Le, et la chatelaine. Song. Schubert, F. P. Melo-
dies. Vol. 7- M.327.4.7
Chevalier Gaston, Le. Opera. For the Music see Planquette.
For the Libretto see Veron, P.
Chevalier Jean. Opera. For the Music see Joncieres. For the
Libretto see Gallet.
Chevalier Lubin, Le. Opera. For the Music see Boieldieu,
A. L. V. For the Libretto see Perrot.
Chevalier Mignon, Le. Opera. For the Music see Wentzel.
For the Libretto see Clairville, C.
Chevalier Sarti, Le. Novel. Scudo. M.i2g.44
Chevalier timide, Le. Opera. For the Music see Missa. For
the Libretto see Busnach.
Chevaliers de la Table ronde, Les. Opera. For the Music see
Ronger, F. For the Libretto see Chivot.
Chevaliers de Tolede, Les. Opera. For the Music see Michel,
J. For the Libretto see Kirsch.
Chevau-legers, Les. Opera. For the Music see Planquette.
For the Libretto see Pericaud.
Cheve, fimile Joseph Maurice.
Appel au pouvoir. Reponse a I'effort supreme de la routine
musicale. Paris. L'auteur. 1856. No. 6 in M.207.16
Le dernier mot de la science officielle. Examen des leQons
de lecture musicale de M. F. Halevy. Paris. L'auteur.
1857. No. 7 in M.207.17
Une lettre de M. Adam. Refutation par fimile Cheve. Paris.
1855. No. 2 in M.115.14
Les onze dernieres lettres d']£mile Cheve, complement de La
routine et le bons sens. Paris. 1866. No. 4in M.iis.14
La routine et le bon sens, ou les conservatoires et la methode
Galin-Paris-Cheve; lettres sur la musique. Partie i. Paris.
1852. No. I in M.115.14
Simple reponse a Messieurs Auber, Carafa, Clapisson . . .
Paris. L'auteur. i860. No. i in M.207.16
The theory of music. Translated and appendices added by
George W. Bullen. London. Moffatt & Paige. [187-?]
M.104.16
Cheve, Nanine.
Science et art de I'intonation. Theorie et pratique. Systeme
des points d'appui. Paris. L'auteur. 1868. No. i in M.206.3
Cheve method.
See also Cheve, E. J. M.; Meloplaste.
Bos, P. Cours de musique theorique et pratique. Principes
elementaires. Paris. [1870.] M.208.5
CiiEVE, N. Science et art de I'intonation. Theorie et pra-
tique. Systeme des points d'appui. Paris. 1868.
No. I in M.206.3
Gross, P. Le passe, le present et I'avenir du chiffre applique
a la notation musicale en Allemagne. Par William Cron-
thal [pseud.]. Paris. 1863. No. 3 in M.207.16; etc.
LouDiER, S. La musique au village. Histoire anecdotique
de la methode Galin-Paris-Cheve. Paris. [1873.]
No. 2 in M.208.12; etc.
MoNTANDON, A. L. ficolc Galin-Paris-Cheve. Probleme
musical, historique, pedagogique, prophetique. Paris.
1861. No. 3 in M.115.14; etc.
Pages, A. La methode musicale Galin-Paris-Cheve. Expose
historique. Paris, i860. No. 4 in M.207.16
Paris, A. Avant-goit des severites de I'avenir, ou 16 ans
d'une lutte qui n'est pas terminee, et qui amenera infailli-
blement le triomphe d'une grande idee. Paris. 1846.
In support of the Cheve method. No. 5 in M.206.4
• De la necessite d'une reforme dans I'enseignement de
la musique vocale. Bruxelles. 1844. No. 5 in M.207.16
Lettre a M. Fetis, . . . sur le compte que sont en droit
de lui demander: le gouvernement qui I'emploie, — les
chambres qui lui accordent des subsides, — le peuple qui
les paie . . . Bruxelles. 1841. No. 12 in M.372.20
In support of the Cheve method.
Reflexions critiques sur la brochure intitulee Opinion de
quelques musiciens et de quelques amateurs sur le systeme
d'enseignement musical de M. le D"". Em. Cheve. Havre.
i860. No. 2 in M.207.17
Saugeon, J. M. M. Lettres sur I'enseignement populaire de
la musique. Par J.-M.-M. Saugeon et Anatole * * * [Lu-
quin]. Bordeaux. 1861. No. i in M.207.34
Supports the Cheve method.
Societe chorale de I'ficole Galin-Paris-Cheve, Paris. Regle-
ment de la societe. Paris. [1850.] No. 3 in M.207.17
Societe de patronage pour la propagation de la Methode
Galin-Paris-Cheve. Bulletin, No. i. Paris. [1862.]
No. 5 in M.207.17
SoLLOGUB, V. A. Lettre du Comte Sollohub au redacteur de
rindependance beige sur la methode Galin-Paris-Cheve.
Paris. 1859. No. 2 in M.207.16
Les musiciens contre la musique. Paris, i860.
No. I in M.372.20
Vaudin, J. F. Les plaisantins de la musique. Paris. 1861.
No. 5 in M.206.19
I 30
22,Z
Chevillard
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Child
Chevillard, Camille.
Le chene et la roseau. Paysage-dialogue-drame. Poeme
symphonique d'apres la fable de La Fontaine. Op. 7-
Partition. Paris. Enoch & Co. [189-?] No. i in M.404.76
Fantaisie symphonique pour grand orchestre. Op. 10. Par-
tition. Leipzig. Breitkopf & Hartel. 1901.
No. 2 in M.404.76
Quatuor (en reb majeur) pour 2 violons, alto et violoncelle.
(Op. 16.) Partition. Paris. Durand. [1898?]
No. I in M.405.72
Chevres, Les, d'Argos. Song. Vaucorbeil. Melodies. M.213.2S
Chevrier, Le. Opera. For the Music see Lecocq, A. C. For
the Libretto see Narrey.
Chez I'editeur. Opera. For the Music see Missa. For the
Libretto see Carre, M.
Chez Niniche. Opera. For the Music see Villebichot. For
the Libretto see Pericaud.
Chez nous. Songs. Jaques-Dalcroze. No. 3 in M.203.37
Chez Ramponeau. Opera. For the Music see Fontenelle, E.
For the Libretto see Delesalle.
Chezy, Wilhelmine Christine von.
Euryanthe. Grosse romantische Oper. In Musik gesetzt
von Carl Maria von Weber. M.341.33; etc.
Chi ami? Song. Gordigiani. fichos de la Toscane. Vol. 2.
No. 27 in M.244.13.2
Chi ben ama non paventa. Cantata. For the Music see Han-
del. Werke. Lieferung 52B.
Chi, chilichi? Part-song. Lassus. Sammtliche Werke. Band
jQ M.8o4oa.67.io
Chi dunque fia. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Chi dura vince. Opera. For the Music see Ricci.
Chi e fermato. Part-song. Lassus. Sammtliche Werke. Band 6.
M.8o4oa.67.6
Chi estinguera. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Chi m'insegna la maniera. Song. Ghinassi. No. 4 in M.120.19
Chi mai d'iniqua Stella. Part-song. Bononcini.
No. 19 in M.234.3.2; etc.
Chi no 1 sa di ch' io vivo. Part-song. Lassus. Sammtliche
Werke. Band 8. 1*1.80403.67.8
Chi non sa. Part-song. Lassus. Sammtliche Werke. Band 6.
M.8o4oa.67.6
Chi per pieta. Song. Cimarosa. No. i in M.IS7.39
Chi rapi la pace al core? Song. Handel. Werke. Lieferung
50. M.313.1.50
Chi sa, chi sa, qual sia. Aria. Mozart. Werke. Serie 6,
Band 2. No. 43 in M.315.1.6.2
Chi vuol veder quantunque pud natura. Part-song. Sweelinck.
Werken. Deel 9. M.413.2.9
Chiara di Rosembergh. Opera. For the Music see General! ;
also Ricci, L. For the Libretto see Rossi, G.
Chiare, fresche e dolci acque. Part-song. Palestrina. Werke.
Band 30. M.8o4oa.66.30
Chiara, si chiaro. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Chiaromonte, Francesco.
Armando il gondoliero. Dramma lirico in tre atti con pro-
logo di G. Micci, posto in musica dal Maestro Francesco
Chiaromonte . . . fRiduzione per canto e pianoforte.]
Milano. Lucca. [1851?] Engraved title-oaee. M.140.3
Caterina di Cleves. Melodramma in 2 atti, posto in masica.
Riduzione per canto e piano. Milano. Ricordi. [185-?]
M.2.'?0.44
Clara Tempete, operette en i acte. Paroles de Madame
Adam Boisgontier [pseud.], musique de Chiaromonte.
[Partition chant et piano.] Paris. Journal des demoiselles.
fi86-?] No. I in M.277.25
Chicago Orchestra, The. Theodore Thomas, conductor.
[Descriptive programs.] Eigth-fifteenth seasons. 1808-
1906. Program notes by Hubbard William Harris. Chi-
cago. Orchestral Association. 1899-1906. 8 v. M.371.39
Brown, A. A., compiler. [Concert programmes, including
many of the Chicago orchestra, 1892-94, the New England
Conservatory of Music, 1891-93, and others, 1891-95.]
Boston [etc.]. 1891-95. M.371.9
Chicard et Bebe. Opera. For the Music and Libretto see
Rosenquest.
Chickering and Sons.
Chickering & Sons' piano fortes at the Centennial e.xhibi-
tion, Philadelphia, 1876. [New York. 1876.] lUus.
No. 4 in M.115.4
Chickering Club, Boston.
Brown, A. A., compiler. Programmes and comments. The
Parker, Chickering and Foster Clubs. [Boston. 1862-77.]
M.371.10
Chickering Collection, The, of four part songs for male voices.
Words by Charles J. Sprague. Vol. i, 2. Score and sepa-
rate parts. Boston. Koppitz, Priifer & Co. 1869, 73. 10
V. in S. M.392.48
Contents. — I. Mendelssohn: Turkish cupbearer song. — Fischer:
Spring night. — Gade: Trooper's song. — Abt: On the water. —
Mohring: Slumber soft. — ZoUner: He's the man. — Mendelssohn:
Rhine wine song. — Gade: The roe. — Fischer: The woodland rose.
— Kiicken: Round are all things. — Schubert: The night. — Schu-
mann: Forester's chorus. — Kinkel : Soldier's farewell. — • Schroter :
Champagne song. — Petschke: Come in the silent night. — ■ Roden-
burg: I love all that fine is. — Abt: Ave Maria. — Haeser: The
forest. — Storch: Serenade. — Kunz: Hymn to Odin. — Seifert :
Always more. — Kucken : Loyal song. — Otto: A true and trusty
heart. — Durrner : The spring again rejoices. — Otto: Wine song. —
Abt : Sleep thou wild rose. — Braun : All sole alone. — Durrner : Bird
of the forest. — Abt : A summer night. — Hoffmann : Evening. —
Hartel: I long for thee. — Storch: March. — Hauptmann : I with
her my darling. — Abt: Spring evening. — Billeter: In May-timt. —
Santner : Morning prayer. 2. Abt : The mountain shadows are falling.
— Kiicken: Pilgrim's evening song. — Seifert: Wishes. — Storch:
Prayer before battle. — Gade : The wanderer. — Becker : Love's call.
— Schumann : The dreamy lake. — Lachner : Warrior's prayer. —
Zollner: Were the Atlantic main. — Seifert: Spring eyes. — Storch:
Hussar song. — Astholz : Hunter's joy. — Naater: Evening song. —
Mai-schner: Freedom of song. — Donizetti: Prayer. — Abt: A May
night. — Fischer: The three glasses. — Hauptmann: Summer morn-
ing. — Kunze: Serenade. — Abt: On the mountains. — Schuppert:
Twilight. — Weber: Spring's return. — Gade: Winter song. — Lor-
ing: Across there at the window. — Stuntz: Drinking song. — Zabel:
To the sun. — Billeter: The brook. — Veit : Fair Rohtraut. —
Hamma: Evening rest. — Abt: At early morning. — Zollner: In
peaceful slumber. — Abt: Bright little maid. — Wilhelm : The dawn
of love. — Gade: The warning. — Abt: Vineta. — Jansen: The
flowret.
Chieftain, The. Opera. For the Music see Sullivan, A. S. For
the Libretto see Burnand.
Chieftain, A, to the Highlands bound. Part-song. Pearsall.
No. 6 in M.igs.i.ii
Chien, Le, du jardinier. Opera. For the Music see Grisar.
For the Libretto see Simon, J. P.
Chien, Le, du Louvre. Song. Louis, N. No. i in M.390.4
Chien, Le, du regiment. Opera. For the Music see Varney, L.
For the Libretto see Decourcelle.
Chien et chat. Opera. For the Music see Bordese, L. For
the Libretto see Choux.
Child, Richard Washburn.
The catnippers. A comic opera. Music by F. M. Class.
No. I in M.397.18
Child, William.
If any so wise is. Catch a 3 voci. (/n dementi. Collection
of catches. Vol. 2, p. 43-)
No. 122 in M.110.1.2; No. 122 in M.iio.2.2
O Lord, grant the king a long life. Anthem. [Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. i, pp. 106,
JQ7 ) No. 38 in M.290.22.I
Also to be found in Boyce's Cathedral music, Ed. Warren; Hullah'3
Part music, Sacred.
O praise the Lord. Anthem [s. s. a. a. t. b.]. (In Smith.
Musica antiqua. Pp. 136-141.) M.236.10
Praise the Lord, O my soul. Anthem. [Accomp. for organ.]
(In Boyce. Cathedral music. Ed. Warren. Vol. 2, pp.
228-231.) No. 14 in M.233.23.2
Also to be found in HuUah's Part music, Sacred.
Responses to the Commandments. (In Hullah. Part music.
Sacred. Vol. 2, p. 6.) No. 3 in M.IS7.28.2
Sing we merrily unto God. Anthem for 7 voices. [Accomp.
for organ.] (In Boyce. Cathedral music. Ed. Warren.
Vol. 3,°pp. I-IS) No. I in M.233.23.3
The Te Deum, Jubilate, Kyrie, Nicene Creed, Magnificat &
Nunc dimittis, in C major. [Accomp. for organ.] (In
Goss and Turle. Cathedral services. Vol. 2, pp. 47-77.]
No. 3 in M.233.10
234
Child
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chivot
Child, William. (Continued.)
The Te Deum, Jubilate, Kyrie, Nicene Creed, Magnificat
and Nunc dimittis in D [with the Sanctus. Accomp. for
organ]. {In Boyce. Cathedral music. Ed. Warren. Vol.
1, pp. 188-224.) No. 7 in M.233.23.1
Te Deum, Jubilate, Kyrie, Nicene Creed, Sanctus, Magnifi-
cat, and Nunc dimittis in E with the lesser third, (/n
Boyce. Cathedral music. Ed. Warren. Vol. i, pp. 225-
250.) No. 8 in M.233.23.1
The Te Deum, Jubilate, Sanctus, Kyrie, Nicene Creed. Can-
tate Domino, and Deus misereatur, in F major. [Accomp.
for organ.] {In Goss and Turle. Cathedral services. Vol.
2, pp. 153-184) No. 6 in M.233.10
The Te Deum, Jubilate, Sanctus, Miserere, Nicene Creed,
Magnificat & Nunc dimittis in A, with the lesser third.
[Accomp. for organ.] {In Ouseley. Cathedral services.
Pp. 306-331.) No. 27 in M.233.g
Childe Harold. Song. Franz, R. Sechs Lieder von H. Heine.
Op. 38. No. 39 in M.244.S.3
Childhood's melody. Part-song. Berger, F. No. 9 in M.19S.1.3
Children of your Father's mercy. Anthem. Schneider, J. C. F.
No. 55 in M.iii.4.2
Children's cantatas.
Otto, E. J. Christmas time. No. 2 in 111.194.23
Children's king, The. Hymn. Gounod. Ten popular songs.
No. I in M.157.10
Children's kingdom, The. Song. Blumenth.^^l. No. 4 in M.244.1
Children's operas.
Clarke, James H. S. The missing duke. No. i in M.402.67
. Pepin, the Pippin, or, "The King of No Man's Land."
No. I in M.393.13
CoE. A merry company; or, the cadets' picnic.
No. 2 in M.393.13
De Solla. Lilliputian opera: Red-Riding Hood. M.128.40
HiLLER, J. A. Die kleine Aehrenleserinn. No. 2 in M. 330.3
Hodges, D. F. Callie's Christmas. M. 366.14
• Gyp junior. No. 7 in M. 130.8
HuMPERDiNCK. Die sieben Geislein. No. i in M. 193.7
JuDE. Little Parlez-vous. No. 3 in M.39S.35
Lewis, L. R. Hunt the thimble, or, Little Nell's surprise
party. No. 3 in M.393.13
Marshall, F. A. Prince Sprite. No. i in M.382.48
Miry. L'orpheline. (Het arme kind.) No. 3 in M.30i.i6
Rheinberger, J. G. Der arme Heinrich. No. 3 in M.202.25
Same. Poor Henry. No. 2 in M.307.13
White, C. A. Grandpa's birthday. No. i in M.208.33
Children's orchestra.
Grenzebach. Walzer fiir Pianoforte und 8 Kinderinstru-
mente [Kukuk, Nachtigall, Wachtel, Trompete, Trommel,
Triangel, Cimbel und Knarre). No. 3 in M.346.22
Children's St. Paul, The. [Scripture readings with sacred
songs, for Sunday schools. London. 187-?]
No. 10 in M.370.31
Children's songs.
Brahms. Volks-Kinderlieder, mit hinzugeftigter Clavierbe-
gleitung. Leipzig. [188-?] No. 8 in M.380.40.3
Crane. The baby's opera. M.101.24
F.t.son, editor. Little songs by great composers. M.373.3
Fox. The fancies of Fidgety Fee and other nursery rliymes
set to music. No. 3 in M. 154.16
ToTTY. La muse a bebe. [Without music] M.377.6
Kuehne. T. W. H. Singvogel im Jugendgarten. 28 ein und
mehrstimmige Lieder fiir Volksschulen. No. 16 in M. 373.61
MuRBY. Merry songs for little voices. M.i48.i6
Randegger. Sacred songs for little singers. M. 158.10
Ritter. F. L. Zehn Kinder-Lieder (Ten songs for chil-
dren). No. 6, 7 in M.192.4
Schubert, F. Der kleine Sanger. Eine Sammlung von
zweistimmigen Liedern mit Bassbegleitung. Heft 1-3.
No. 8 in M.373.6I
Schumann, R. A. Lieder fiir die Jugend. Abtheihing 1-3.
No. 2-4 in M.244.15.3
Sunlight, The, of song. A collection of sacred and moral
poems. M.123.34
Children's songs. (Continued.)
Taubert, C. G. W. Klange aus der Kinderwelt.
No. 3 in M.192.6
Weckerlin. Choeurs a 2, 3, et 4 parties pour des voix de
jeunes filles. No. 1-18. M.157.12
Children's symphonies.
Holten. Kindersymphonie, Op. 6, fiir Pianoforte, Violine,
Violoncell, Nachtigall, Wachtel, Kukuk, Trommel, Mir-
liton (oder Violine con sordino), Trompete und Triangel.
M-357-20
Ryan, D. L. Toy symphony in C. No. 2 in M.342.30
Childs, Nathaniel, translator.
Darr, a. Robinsonade. No. i in M.326.41
Chilesotti, Oscar.
Sulla lettera-critica di Benedetto Marcello contro Antonio
Lotti. Bassano. Stabil. tipografico Sante Pozzato. 1885.
No. 4 in M.139.22
Chilperic. Opera. For the Music and Libretto see Ronger, F.
Chime, The. Church music. Taylor, V. C. M. 100.33
Chimene, ou le Cid. Opera. For the Music see Sacchini. For
the Libretto see Guillard, N. F.
Chimney-sweepers' glee, The. Part-song. Beckwith.
No. 96 in M.i 11.4.3; etc.
China. Music.
Van Aalst, J. A. Chinese music. Shanghai. 1884. Illus.
Plates. M.372.10
China doll, A. Opera. For the Music see Aarons. For the
Libretto see Smith, H. B.
Chinese honeymoon, A. Opera. For the Music see Talbot.
For the Libretto see Dance.
Chinois, Le. Opera. For the Music see Duni. For the Li-
bretto see Favart, C. S.
Chipp, Edmund Thomas.
As I live, saith the Lord. Anthem for soli [s. a. t. b.] and
chorus. [Accomp. for organ.] {hi Novello's Collection of
anthems. Vol. IS, pp. 123-130.) No. 14 in M.195.2.15
Job. An oratorio. Pianoforte score arranged by the author.
London. Ewer & Co. [186-?] M.iS3.ii
The Lord hath been mindful of us. Anthem. [Accomp. for
organ.] {In Novello's Collection of anthems. Vol. 15,
pp. 131-138.) No. isin M.195.2.IS
Lord of power and might. Anthem. [Accomp. for organ.]
{In Fowle. Parochial anthems. Pp. 39-43.)
No. I in M.233.29
Naomi. A sacred idyll. Accomp. arranged for the piano-
forte by the composer. 2d edition. London. Novello,
Ewer & Co. [187-?] No. i in M.285.38
Te Deum laudamus. In D. [Accomp. for organ.] {In No-
vello's Parish choir book. Pp. 152-156.) No. 30 in M. 157.30
Chisholm, James.
The adventures of a travelling musician in Australia, China,
& Japan. By Marquis Chisholm. [London.] 1865. M.370.4
Chivalry, The, of labour. Part-song. Calkin.
No. 16 in M.195.1.3; etc.
Chivot, Henri Charles.
Le beau Dunois. Opera-bouffe. Paroles de H. Chivot et
A. Duru. Musique de Charles Lecocq. No. i in M.2g6.26
Les bicyclistes en voyage. Operette de H. Chivot & H.
Blondeau. Musique de Marius Carman. M.303.20
La blanchisseuse. Operette de Chivot et Duru. Musique de
Leon Vasseur. M.325.18
Le bonhomme de neige. Operette fantastique. Paroles de
Henri Chivot & Albert Vanloo. Musique de Antoine
Banes. M.383.3
Les braconniers. Opera-bouffe. De Chivot et Duru. Mu-
sique de J. Offenbach. M.267.42
Les cent vierges. Opera-bouffe. Paroles de Clairville
[pseud.], Chivot & Duru. Musique de Charles Lecocq.
M.366.24
Les chevaliers de la Table ronde. Opera bouffe. Paroles
de Chivot et Duru. Musique de Herve [pseud.]. M.276.36
La cigale & la fourmi. Opera-comique [de] Chivot & Duru.
Musique de E. Audran. M.2S5.23
235
Chivot
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Chopin
Chivot, Henri Charles. (Continued.)
Le Docteur Purgandi. Operette bouffe. Paroles de H.
Chivot et A. Duru. Musique de Victor Robillard.
No. I in M.307.24
La dormeuse eveillee. Opera comique de Chivot et Duru.
Musique de Ed. Audran. M.255.11
La fille a Cacolet. Vaudeville-operette de H. Chivot & A.
Duru. Musique de E. Audran. No. 2 in M.2S5.27
La fille du tambour major. Opera-comique de A. Duru et
H. Chivot. Musique de J. Offenbach. M.267.36
Fleur-de-the. Opera-bouffe. Paroles de MM. Alfred Duru
et Henri Chivot. Musique de Charles Lecocq.
No. I in M.366.27
Gandolfo. Operette. Paroles de Chivot et Duru. Musique
de Charles Lecocq. No. 3 in M.366.22
Gillette de Narbonne. Opera comique de Chivot et Duru.
Musique de Ed. Audran. M.2S5.19
Le Grand Mogol. Opera-bouffe de Chivot et Duru. Mu-
sique de Ed. Audran. M.2S5.20
L'ile de Tulipatan. Opera bouffe. Paroles de Henri Chivot
& Alfred Duru. Musique de J. Offenbach.
No. 2 in M. 267.34; etc.
Madame Favart. Opera-comique de A. Duru & H. Chivot.
Musique de J. Offenbach. M.277.10
Le Marechal Chaudron. Opera-comique de H. Chivot, J.
Gascogne & G. Rolle. Musique de P. Lacome. M.402.32
La Mascotte. Opera-comique de Chivot et Duru. Musique
de Ed. Audran. M.255.16
La mere des compagnons. Opera-bouffe de Chivot et Duru.
Musique d'Herve [pseud.]. No. 2 in M.276.33
Les noces d'Olivette. Opera-comique de A. Duru et H.
Chivot. Musique de E. Audran. No. 2 in M.255.13; etc.
L'oiseau bleu. Opera comique de Duru & Chivot. Musique
de Ch. Lecocq. M.296.2S
Paul Jones. See his Surcouf.
Le pays de I'or. Piece a grand spectacle de Henri Chivot &
Albert Vanloo. Musique de Leon Vasseur. M.325.27
Pepita. See his La princesse des Canaries.
La petite fronde. Opera comique de A. Duru et H. Chivot.
Musique de E. Audran. M.255.24
Les pommes d'or. Operette feerie de Chivot, Duru & Blon-
deau-Monreal. Musique de E. Audran. M.25S.12
Le pompon. Opera-comique. Paroles de H. Chivot & A.
Duru. Musique de Charles Lecocq. M.295.30
La princesse des Canaries. Opera bouffe de Chivot et Duru.
Musique de Ch. Lecocq. M.306.7
Same. Pepita. Comic opera . . . Adapted from the French
of Chivot & Duru by Mostyn Tedde. Music by Ch. Lecocq.
M.306.1
Le Rajah de Mysore. Operette bouffe. Paroles de A. Duru
et H. Chivot. Musique de Charles Lecocq.
No. I in M.296.24
La souris blanche. Operette de Chivot et Duru. Musique
de Leon Vasseur & de Thuisy. M.395.74
Surcouf. Opera-comique. Paroles de H. Chivot & A. Duru.
Musique de Robert Planquette. M.287.28
Same. Paul Jones. Opera comique. Written [after H.
Chivot and A. Duru] by H. B. Farnie. Composed by
Robert Planquette. M.287.34
Le voyage de Suzette. Operette a grand spectacle. De A.
Duru & H. Chivot. Musique de Leon Vasseur. M.325.22
Zilda (conte des Mille et une nuits). Opera comique. Pa-
roles de MM. de S'. Georges & Chivot. Musique de F. de
Flotow. M.364.30
Chloe. Part-song. Cowen. Six part-songs. No. i in M. 157. 25
Chloe. Song. Vaucorbeil. Melodies. M.213.25
Chloe found Amyntas. Part-song. Pring, J. C.
No. 12 in M.220.g.5
Chloe new mary'd. Canon [3 in i]. {In Warren. Collection
of catches. Vol. 2, p. 337.) No. loi in M.220.g.2
Chloe, the wonder of her sex. Part-song. Smith, J. S.
No. loi in M.220.I0
Chloe yielded. Catch a 3 voci. (Jn Warren. Collection of
catches. Vol. i, p. 109.) No. 109 in M.220.9.1
Chocas, J.
Un futur sur le gril. Operette. . Paroles de J. Chocas & Ed.
Legentil. Musique de Germain Laurens. No. i in M.393.34
Choeur a la liberte. Part-song. Gossec. M.380.14
Choeur d'enfants. Duet. Berlioz, H. L. 33 melodies.
No. 30 in M.26S.8
Choeur de chasseurs. Part-song. Laurent de Rille.
No. 14 in M.391.28.2
Choeur de Marie, Le. Trio. Panseron. Mois de Marie.
No. 23 in M. 260.12
Choeur des etoiles. Chorus. Weckerlin. Choeurs. M.157.12
Choeur des pasteurs. Chorus. Georges. Melodies. M.245.16
Choeur des soldats. Part-song. Gounod. No. 9 in M.130.7
Choice ayres, songs, & dialogues. Playford, J., editor. M.380.43
Choice of Hercules, The. (Die Wahl des Herakles.) Cantata.
For the Music see Handel. Werke. Lieferung 18.
Choicest work of this creation. Glee. Wellesley. G. C. Glees
and madrigals. No. 3 in M.236.23
Choir, The, a [weekly] journal of music, literature and art.
Vol. 1-18. [London. i86.-^-74.] 18 v. in 15. M.174.1
Volumes i-8 have the title The Choir and Musical Record. This period-
ical was in 1879 incorporated with The Saturday Musical Review.
Choir invisible. The. Carol. Warren, John C. No. 24 in M. 158.20
Choirmaster, The. See Musician, The, Organist, and Choir-
master.
Choirs.
Baker, R. H., compiler. The organist & choirmaster's diary,
1897. London. [1896.] M.375.7
Contains blank forms for various records.
Bridge, F. A. A brief history of Mr. Henry Leslie's choir.
London. [1880.] No. 3 in M.128.36
Hastings, T. The history of forty choirs. New York. 1854.
M.109.34
Choir-singing.
Fetis, F. J. A treatise on choir and chorus singing. Trans-
lated into English by the Rev. Thomas Helmore, M.A.
London. 1854. No. 2 in M.112.20
Van der Stucken, F. V. Male chorus singing. Illus. Por-
trait. Plate. {In The music of the modern world . . .
Vol. I, pp. 125-127. New York. [1895.]) M.14.1.1
Choix, Le, d'une amie. Opera. For the Music and Libretto
see Bourges.
Choi de Clercy, .
Le loup et I'agneau. Opera-comique. Paroles de MM. Choi
de Clercy et Hippolyte Messant. Musique de Frederic
Barbier. 11.255.36
Choler, Adolphe.
Les fiances de Rosa. Opera comique de M. A. Choler. Mu-
sique de Mnie Clemence Valgrand [pseud.].
No. I in M.324.33
Six demoiselles a marier, opera bouffe, paroles de MM. E.
Jaime fils et Choler. Musique de Leo Delibes.
No. 2 in M.368.3I
Chomet, Antoine Joseph.
The influence of music on health and life. Translated by
Laura A. Flint. New York. Putnam. 1875. M.iogb.g
Chomet, Hector. See Chomet, Antoine Joseph.
Chonchette. Opera. For the Music see Terrasse. For the
Libretto see Caillavet.
Chop, Max.
Vademecum fiir Wagnerfreunde. Fiihrer durch Richard
Wagner's Tondramen (mit iiber 400 Notenbeispielen).
Leipzig. Rossberg. 1893. M.148.23
Zeitgenossische Tondichter. Studien und Skizzen von M.
Charles [Pseud.]. Neue Folge. Leipzig. Rossberg. 1890.
M.207.8
Contents. — Bruch. — Bargiel. — R. Franz. — F. Lachner. — Ness-
ler. — Rheinberger. — F. X. Witt. — Verdi. — Saint-Saens. —
Gounod. — Tschaikowsky. — Wilhelmj. — G. Laska.
Chopin, Frederic Frangois.
Friedrich Chopin's Werke. Herausgegeben von Woldemar
Bargiel, Johannes Brahms, August Franchomme, Franz
Liszt, Carl Reinecke, Ernst Rudorff. Leipzig. Breitkopf
& Hartel. [1878.] 14 v. in 6. Portrait. M.316.2
Contents. — Fiir das Pianoforte. Band 1. Balladen. No. i. Op. 2^. —
No. 2. Op. 38. — No. 3. Op. 47. — No. 4. Op. 52. Band 2. Etuden i-:2.
236
Chopin
THE ALLEN A. BROWN COLLECTION OF MUSIC
Chor
Chopin, Frederic Frangois. (Continued.)
Op. 10. — 13-24. Op. 2S. — 25. F moll. — 26. As dur. — 27. Des dur.
Band 3. Mazurkas. No. 1-4. Op. 6. — No. 5-9. Op. 7. — No. 10-13.
Op. 17. — No. 14-17. Op. 24. — No. 18-21. Op- 30. — No. 22-25. Op.
33. — No. 26-29. Op. 41. — No. 30-32. Op. so- — No. 33-35. Op. 56.
— No. 36-38. Op. 59. — No. 39-41. Op. 63. — No. 42. (Notre temps
No. 2.) A moll. Band 4. Notturnos. 1-3. Op. 9. — 4-6- Op. 15. —
7, 8. Op. 27. — 9, 10. Op. 32. — II, 12. Op. 37- — 13. 14. Op. 48. — 15,
16. Op. 55. — 17, 18. Op. 62. Band 5- Polonaisen. 1-2. Op. 26. —
3, 4. Op. 40. — 5. Op. 44. — 6. Op. 53- — 7- Polonaise-Phantasie.
Op. 61. Band 6. Praeludien. 1-24. Op. 28. — 25. Op. 45. Band 7,
Abth. I. Rondos, i. Op. i. — 2. Rondo a la Mazur. Op. 5. — 3-
Op. 16; Abth. 2. Scherzos. No. i. Op. 20. — No. 2. Op. 31. — No. 3.
Op. 39. — No. 4. Op. 54. Band 8. Sonaten. No. i. [Zweites Sonata.]
Op. 35. — 2. [Drittes.] Op. 58. Band 9. VValzer. i. Grosser brillanter
Walzer. Op. 18. — 2-4. Brillante Walzer. Op. 34. — 5- Op. 42. —
6-8. Op. 64. Band 10. Verschiedene Werke. i. Brillante Variationen.
Op. 12. — 2. Bolero. Op. 10. — 3, 4. Impromptus. No. I. Op. 29; No. 2.
Op. 36. — 5. Tarantelle. Op. 43- — 6- Concert-Allegro. Op. 46. —
7. Phantasie. Op. 49. — 8. Allegro vivace. Drittes Impromptu. Op. 51.
— 9. Berceuse. Op. 57. — 10. Barcarole. Op. 60. — 11. Variationen
iiber den Marsch aus ,J. Puritani" von Bellini [componirt fiir das
Hexameron]. Band li. Fiir Pianoforte und Saiteninstrumente. i. Trio
fiir Pianoforte, Violine und Violoncell. Op. 8. — 2-4. Fiir Pianoforte
und Violoncell : Introduction und brillante Polonaise. Op. 3 ; Sonate,
Op. 65; Grosses Duo concertant fmit Franchomme). Band 12. Con-
certe iind Concertstiicke fiir Pianoforte mit Orchester. Partitur. i. La
ci darem la mano. Op. 2. — 2. Grosses Concert. Op. 11, E moll. —
3. Grosse Phantasie. Op. 13, A dur. — 4. Krakowiak. Grosses Concert-
Rondo. Op. 14. — 5. Zweites Concert. Op. 21, F moll. — 6. Grosse
brillante Polonaise. Op. 22. Band 13- Nachgelassene Werke fiir das
Pianoforte, Abth. i. No. 1-14. Mazurkas: i. G. dur. — 2. B dur. —
3-5. Op. 68. — 6. D dur. — 7. Dieselbe umgearbeitet. — 8. C dur. —
9-12. Op. 67. — 13. A moll a Gaillard. — 14- Op. 68. No. 4. — No.
15-19. Polonaisen: 15. Gis moll. — 16. B moll. — 17-19. Op. 71. —
20-26. Walzer: 20. Op. 69, No. 2. — 21. Op. 70, No. 3. — 22.
E dur. — 23. Op. 70, No. I. — 24. Op. 69, No. I. — 25. Op. 70, No. 2.
— 26. E moll ; Abth. 2. 27-29. Ecossaisen. Op. 72, No. 3, 4, 5. —
30. Phantasie-Impromptu. Op. 66. — 31. Notturno. Op. 72, No. i. —
32. Sonate. Op. 4. — 33- Trauermarsch. Op 72, No. 2. — 34. Varia-
tionen (Schweizer bub). — 35. Rondo. Op. 73. Fiir zwei Pianoforte.
Band 14. Lieder fur eine Singstimme mit Begleitung des Pianoforte.
(Nachgelassene Werke.) No. i. Madchens Wunsch, Zyczenie. —
No. 2. Der Fruhling, Wiosna. — No. 3. Triibe Wellen, Smutna Rzeka.
— No. 4. Bacchanal, Hulanka. — No. 5. Was ein junges Madchen
liebt, Gdzie lubi. — No. 6. Mir aus den Blicken, Precz z moich oczu.
— No. 7. Der Bote, Posel. — No, 8. Mein Geliebter, Sliczny chlopiec.
— No. 9. Eine Melodic, Melodya. — No. 10. Der Reitersmann vor der
Schlacht, Wojak. — No. 11. Zwei Leichen, Dwojaki koniec. — No. 12.
Meine Freuden, Moya Piesczotka. — No. 13. Melancholic, Niema czego
trzeba. — No. 14. Das Ringlein, Pierscien. — No. 15. Die Heimkehr,
Narzeczony. — No. 16. Lithauisches Lied, Piosnka litewska. — No. 17.
Polen's Grabgesang, Spiew grobowy.
CEuvres completes [pour piano]. Paris. Schonenberger.
[185-?] 4 V. [Bibliotheque classique des pianistes.]
M.354.6
Contents. — Vol. I. Op. i. Rondo en ut mineur. — Op. 2. La ci darem
la mano. — Op. 3. Premiere polonaise. — Op. 5. Rondo. — Op. 6.
Cinq mazurkas. — Op. 7. Quatre mazurkas. — . Op. 9. Trois nocturnes.
— Op. IX. ler concerto en mi mineur. — Op. 13. Fantaisie. — Op.
14. Krakowiak. Vol. 2. Op. 15. Trois nocturnes. — Op. 16. Rondo
en mi be-mol. — Op. 17. Quatre mazurkas. — Op. 18. Grande valse.
— Op. 19. Bolero. — Op. 20. Premier scherzo. — Op. 21. 2er con-
certo en fa. — Op. 22. Grande polonaise. — Op. 23. Ballade. — Op.
24. Quatre mazurkas. — Op. 26. Deux polonaises. — Op. 27. Deux
nocturnes. — Op. 29. Premier impromptu. — Op. 30. Quatre mazurkas.
Vol. 3. Op. 31. 2e scherzo. — Op. 32. Deux nocturnes. — Op. 33.
Quatre mazurkas. — Op. 34. Trois valses. — Op. 35. Sonate en si
bemol. — Op. 36. 2e impromptu. — Op, 37. Deux nocturnes. — Op.
38. 2e ballade. — Op. 39. 3e scherzo. — Op. 40. Deux polonaises. —
Op. 41. Quatre mazurkas. — Op. 42. Grande valse. — Op. 43. Taren-
telle. — Op. 44. Polonaise. — (Dp. 46. Allegro de concerto. — - Op. 47.
3e ballade. — Op. 48. Deux nocturnes. — Op. 49. Fantaisie. Vol. 4.
Op. 50. Trois mazurkas. — Op. 51. 36 impromptu. — Op. 52. Quatre
mazurkas. — Op. 53. 8e polonaise. — Op. 54. 4e scherzo. — Op. 55.
Deu-x nocturnes. — Op. 56. Trois mazurkas. — Op. 57. La berceuse.
— Op. 58. Gr. sonate en si min. — Op. 59. Trois mazurkas. — Op.
60. Barcarolle. — Op. 61. Polonaise. — Op. 62. Deux nocturnes. —
Op. 63. Trois mazurkas. — Op. 64. Trois valses.
Chopin-Suite fiir Orchester in 7 Satzen vorzutragen mit der
F-moIl-Stude am Klavier (d. h. zu jedem Satze der Suite
wird die fitude gespielt). Componirt von V. J. Hlavac.
Partitur. Berlin. Simon. [i88-?l No. 4 in M.312.1
Concert-Allegro. Op. 46. Fiir Pianoforte mit Orchester
bearbeitet von Jean Louis Nicode. Partitur. Leipzig.
Breitkopf & Hiirtel. [1880.] No. 3 in M.336.6
Concerto, Grand (mi-mineur), pour pianoforte avec accomp.
d'orchestre. Op. II. Partition. Leipzig. Kistner. [186-?]
No. I in M.346.46
Same. Concert, Grosses, in E moll, fiir Clavier und Orches-
ter. Op. II. Bearbeit von Carl Tausi.g. Partitur. Berlin.
Ries & Erler. [188-?] No. s in M.332.7
Chopin, Frederic Francois. (Continued.)
Concerto, Second, pour le pianoforte avec accomp. de I'or-
chestre. Op. 21. Partition. Leipzig. Breitkopf & Har-
tel. [18s-?] M.34647
Same. Concert, Second, op. 21, avec un nouvel accom-
pagnement d'orchestre d'apres la partition originate par
Karl Klindworth. Partition. Moscou. Jiirgenson. [1878.]
M.40S.8
I3tes Praeludium aus Op. 28. Transcription fiir Sopran-
Solo und Frauenchor, mit Violine, Violoncell, Orgel oder
Harmonium und Pianoforte, von Carl Mikuli. Partitur
und Stimmen. Leipzig. Kistner. [187-?] No. 3 in M.391.3S
Grande fantaisie sur des airs polonais pour piano. Op. 13.
Instrumentee par B. Safonoff. Partition d'orchestre.
Hamburg. Rahter. [187-?] No. S in M.334.1
Nocturne. Es dur. Op. 9, No. 2. Fiir Orchester bearbeitet
von Karl Miiller-Berghaus. [Partitur.] Berlin. Ries &
Erler. [187-?] No. 3 in M.332.7
Ring out, wild bells. Transcription [for t. t. b. b., with
accomp. for pianoforte] by Max Vogrich. New York.
Schirmer. [1887.] No. 4 in M.sga.aS
17 polnische Lieder . . . fiir eine Singstimme, mit Beglei-
tung des Pianoforte. Ausg. f. Sopran od. Tenor. Berlin.
Schlesinger. [186-?] No. 2 in M.157.37
Contents. — Madchens Wunsch. — Fruhling. — Triibe Wellen. —
Bacchanal. — Was ein junges Madchen liebt. — Mir aus den Augen.
— Der Bote. — Mein Geliebter. — Eine Melodic. — Der Reitersmann
vor der Schlacht. — Zwei Leichen. — Meine Freuden. — Melancholic.
— Das Ringlein. — Die Heimkehr. — Lithauisches Lied. — Polen's
Grabgesang.
Trauermarsch aus der Sonate, Op. 35. Arrangement fiir
Orchester. Neue Ausgabe. Partitur. Leipzig. Breitkopf
& Hartel. [1885?] No. 4 in M.332.7
Chopin, Frederic Francois. Works about.
AuDLEY, A. Frederic Chopin: sa vie et ses oeuvres. Paris.
1880. M.118.21
Barbedette, H. Chopin. Essai de critique musicale. Paris.
1861. No. 3 in M.372.19
fiN.\ULT, L. Frederic Chopin. 3e edition. Paris. 1861.
No. 5 in M.128.31
Essay, An, on the works of Frederic Chopin. London.
Wessel & Stapleton. [1S43?] No. 2 in M.127.1
FiNCK, H. T. (Zhopin and other musical essays. London.
1889. M.I 26.35
Karasowski, M. Frederic Chopin: his life, lettei-s, and
works. Translated by Emily Hill. London. 1879. Por-
trait. M.i49a.23
Kleczynski, J. The works of Frederic Chopin, and their
proper interpretation. Translated by Alfred Whitting-
ham. London. [188-?] M.108.26
Liszt, F. F. Chopin. Paris. 1852. M.143.8
Same. The life of Chopin. Translated from the
French by Martha Walker Cook. 2d edition. Philadel-
phia. 1863. M.i09b.4i
Merkel, J. Fred. Chopin. Klavierkonzert in E-moll. Op.
II. Erlautert. Frankfurt a. M. [1898.] No. 12 in M.217.12.S
Neumann, W. Friedrich Franz Chopin. Eine Biographie.
Cassel. 1855. No. 2 in M.20S.17
Niecks, F. Frederick Chopin as a man and musician. Lon-
don. 1888. 2 V. Portrait. Facsimile. M.114.5
Reuss, E. Friedrich Chopin. Klavierkonzert in F moll
(Op. 21). Erlautert. Berlin. [1904.] No. 18 in M. 217. 12.10
WiLLEBY, C. Frederic Frangois Chopin. London. 1892.
Portrait. M.i49a.u
WoDziNSKi, A. Les trois romans de Frederic Chopin. Paris.
1886. Facsimile. M.127.2S
Chopin. Opera. For the Music see Orefice. For the Libretto
see Orvieto.
Choquart, Adolphe.
Cantate. Musique de Mr. Eugene Prtivost. No. 2 in M.391.34
Le talisman. Opera comique de Varin [pseud.] et Choquart.
Musique de J. M. Josse. M.391.16
Chor der Engel. Part-song. Schubert, F. P. Werke. Serie
17. M.317.1.17
Chor der Nymphen im Rheine. Part-song. Goebel. Drei
Lieder. No. 4 in M.I57.IS
Chor der Phaaken. Part-song. Kaessmayer. No. 3 in M.270.59
2i7
Chor
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Choron
Chor der Rache, Der. Part-song. Genee. No. 28 in M.392.9
Choral et variations. For harp and orchestra. Widor. M.404.100
Choral fantasia, The. Cantata. For the Music see Beethoven.
For the Libretto see Kuffner.
Choral Harmonists, London.
[Programmes. 6th-i2th season. London. 1837-44.] 14.104.12
Choral societies.
KiLBURN, N. How to manage a choral society. 2d edition,
enlarged. London. [189-?] No. 2 in M.208.13
Krehbiel, H. E. Notes on the cultivation of choral music,
and the Oratorio Society of New York. New York. 1884.
M.101.3
PoiRSON, C. Guide-manuel de I'orpheoniste. Paris. 1868.
No. I in M.208.12
Thys, a. Les societes chorales en Belgique. 2e edition.
Gand. 1861. M.122.17
Choral Society, The: a collection of part-songs, glees, cho-
ruses, &c. Edited by Michael Watson. No. 1-4,';. Lon-
don. Jefferys. [187-?] 45 parts in i v. No. 1-45 in M.121.3
Choral songs for school and home. Part-songs. Jackson, R.
M.ioS.ig
Chor^, Der, von Leuthen. Part-song. Liebe, E. L.
No. 6 in M.392.16
Choral varie. For saxophone. Indy, P. M. V. d'. No. i in M.406.51
Choralis Constantinus. Anthems. Isaac. M.4i4.g
Choralist, The: a collection of original and popular part songs.
London. Boosey & Co. [186-?] 2 v. M.157.5
Same. Qth series. No. 10^21 in M.157.10
Many numbers were arranged and edited by W. H. Birch.
Contents. — 1. Mercadante: Sweet, sweet is the hour of rest. — Weber:
Prayer from Der Freischutz. — Comin' through the rye. — Himmel :
The battle prayer. — Donizetti : O April night. — Auld lang syne. —
Linley : The brave old land. — Oberthur: The nun's prayer. — Ye
banks and braes. — Home, sweet home. — Balfc: The power of love.
— Verdi : Fair shines the moon to-night. — Native land, my native
land. — Shield: Old Towler. — Stirling: The smile. — Whitmore:
Isle of beauty, fare-thee-well ! — Miiller: May. — Curschman : Ad-
vent of spring. — Mozart : Moon, thou art gently rising. — Rossini :
To Thee our God we call. — Rossini : We are singers, singing blithely.
— Moore: The last rose of summer. — Rule Britannia. — God save
the queen. — Marschner: German serenade. — Fischer: The wan-
derer. — Mauver: Praise of song. — Girschner : Good night I —
Kreutzer: What beams so bright? — Otto: Must I then part from
thee? — ZoUner: The miller's song. — Schaffer: The maiden's lament.
— Chwatal: Lovely night! — Kreutzer: The Sabbath day. — Eisen-
hofer : Serenade. — Lorenz : Chase away, dear one! — Round the
hearth. — Sweeter than the breath of summer. — Forth to the battle.
— Hark! the lads and lasses merry. — Sleep, my darling! ^ From his
cave in Snowdon's mountains. — The harp of the minstrel is silent to-
night. — Over hill and plain. — Sheath the sword. — Lo! the gladsome
day is breaking. — The sun smiles in beauty. — Far down in yonder
Vale. 2. Stirling : A wet sheet and a flowing sea. — Watson : Flow,
softly flow, thou murm'ring stream. — Beautiful star, in heav'n so
bright. — Softly falls the moonlight. — Silver moonlight winds are
blowing. — Congreve : Never give up! — Congreve : Away to the
woods. — Bellini: Chorus of Druids. — Donizetti: Ne'er of sadness
nor sorrow be dreaming. — Purcell: Come if you dare! — Moore: A
Canadian boat song. — Bellini : When daylight's going.
For the remaining contents see Boosey's Part-song miscellany.
Chorals.
Bach, J. S. O Lord! Chorale. [4 voices with accomp. for
organ.] M.384.28
Bennett, W. S., editor. The chorale book for England: a
hymn-book for public and private worship, in accordance
with the services and festivals of the Church of England.
Edited by W. S. Bennett and Otto Goldschmidt. M.148.2
Haupt. Choralbuch zum hauslichen Gebrauch. Enthaltend
109 Choral-Melodieen, mit Text, einfach 4stimmig und
leicht ausfiihrbar fiir Clavier, Orgel . . . und Gesang bear-
beitet. M.157.9
Old Hundredth. (Psalm.) [With one consent, let all the
earth ... 4 voices with accomp. for organ.] M.384.28
Thomas, G. A. Sechs Chorale mit Vor- und Zwischenspielen
zum kirchlichen Gebrauche fi.ir die Orgel.
No. 14 in M.312.48
Chord, The. A quarterly devoted to music. No. 1-5. London.
Sign of the Unicorn. 1899-1900. 5 v. Plates. M.185.2
Choreligio, Chevalier, pseud.
Bibliography of Wagner's Leit-Motives and prekides, with
commentaries on Lohengrin and Parsifal. London.
Waterlow & Layton. [188-?] No. 5 in M.370.71
238
Chorgesang. See Centralblatt fUr Instrumentalmusik, Solo-
u. Chorgesang.
Chorister life. Reminiscences. Tudor. No. 2 in M.128.33
Chorister's album. No. 1-22. London. Hutchings & Romer.
[185-?] 21 parts in I v. No. 1-21 in M.I57.23
Contents. ■ — Wallace; The winds that waft. — Balfe: Pealing chimes.
— ■ Wallace: Merrily over the sea. — Gounod: There is a tinkling
stream. — Wass: 'Tis pleasant to lead a sylvan life. — Walstein:
Pull away merrily. — Bishop; Sleep, gentle lady. — Bishop: Hark!
'tis the Indian drum. — Romer; Hail to Thee, Jfesus of Nazareth. —
Guernsey : 'Twas in the May month. — Hay ; Were I the nightingale.
— Lawrence; Music when soft voices die. — Prentice; A blithe old
carle is Christmas. — Prentice: Ye little birds. — Pinsuti : In this
hour of softened splendour. — Allen: I love my love in the morning.
— Hatton: Around the may-pole tripping. — Wass: Gentle as a
zephyr. — Wass ; To all, good night. — Gabriel : A carol round the
fireside. — Randegger: Silvery Christmas bells.
Choristers.
Millard, J. E. Historical notices of the office of choristers.
London. 1848. M.i2ga.iS
Chorley, Henry Fothergill.
The amber witch, romantic opera. Composed by W. V.
Wallace. M.294.11
Autobiography, memoir, letters. Compiled by H. G. Hew-
lett. London. Bentley. 1873. 2 v. Portrait. M.108.7
The birthday, an English scene, the music by Lindsay
Sloper. M.280.60
The bride of Neath Valley, a Welsh scene, the music by
John Thomas. M.280.61
Holyrood: a cantata. The words by Henry F. Chorley. The
music by Henry Leslie. London. Addison, Hollier &
Lucas. [186-?] No. 2 in M.37S.r
Words only.
Same. A cantata, set to music by Henry Leslie.
No. I in M.3gi.49
Kenilworth, a masque of the days of Queen Elizabeth.
Music by Arthur S. Sullivan. No. 2 in M.391.59
The legend of St. Cecilia, a cantata, the music by Jules Bene-
dict. M.154.25
The may-queen; a pastoral cantata, composed by William
Sterndale Bennett. M.154.28
Modern German music. Recollections and criticisms. Lon-
don. Smith, Elder & Co. 1854. 2 v. in i. M.107.9
Music and manners in France and Germany. London.
Longmans. 1844. 3 v. M. 107.10
The national music of the world. Edited by Henry G. Hew-
lett. London. Low. 1880. M. 128.5
A prodigy. A tale of music. By the author of "Modern
German music," &c. London. Chapman & Hall. 1866.
3 V. M.107.11
Thirty years' musical recollections. London. Hurst &
Blackett. 1862. 2 v. 2 portraits. M.107.8
Chorley, Henry Fothergill, translator.
Barbier, p. J. Faust. No. 6 in M.373.44
Berlioz, L. H. The Holy family (L'enfance du Christ).
M.265.9
Gluck, C. W. Armida. M.272.41
Orpheus. M. 272.40
Mendelssohn-Bartholdy, J. L. F. Son and stranger.
M.273.36; etc.
Meyerbeer. L'etoile du nord. M.367.24
Chorley, Henry Fothergill. Works about.
Linley, G. Musical cynics of London, a satire (sketch the
first) [on H. F. Chorley]. London. 1862. No. i in M.148.7
Choron, Alexandre fitienne.
Dictionnaire historique des musiciens. Par Al. Choron et F.
FayoUe. Paris. Valade. 1810. 2 v. M. 145.23
Lucis Creator. Hymn. [Accomp. for organ.] (In Novello.
Convent music. Vol. 2, p. 87.) No. 27 in M.260.17.2
Principes de composition des ecoles italiennes. Paris. Le
Due & cie. [1808.] 3 V. M.237.16
Choron, Alexandre fitienne. Works about.
Elwart, a. a. £. Duprez. Sa vie artistique. Avec une
biographic de son maitre, Alexandre Choron. Paris. 1838.
2 portraits. No. i in M.i39a.33
Choron
THE ALLEN A. BROWN COLLECTION OF MUSIC
Christ!
Choron, Alexandre fitienne. Works about. (Continued.)
Gautier, L. E. filoge d' Alexandre Choron. [Caen. 1867.]
No. 3 in M.207.9
Laurentie, p. S. Notice sur Choron et son ecole. Paris.
1858. No. 2 in M.207.9
Chorus of druids. Part-song. Bellini. No. 56 in M. 157. 5.2
Chorus of pilgrims. Part-song. Wagner, W. R.
No. 8 in M.109.1
Chorus of priests. Part-song. Mozart. No. iq in M.109.1
Chorus of spirits and hours. Cantata. For the Music see Buck,
D. For the Libretto see Shelley, P. B.
Chorus-singing. See Choir singing.
Choruses. See Part-songs.
Choudard, Pierre Jean Baptiste.
L'epreuve villageoise, opera comique, paroles de Desforges
[pseud.], musique de Gretry. M.365.18
Les promesses de mariage, ou la suite de I'fipreuve vil-
lageoise. Opera bouffon. Paroles de Desforges [pseud.],
musique de Berton. M.271.7
Choudens, Anthony.
Graziella. Drame lyrique en 2 actes. Tire du roman de A.
de Lamartine par Jules Barbier. Musique de Antony
Choudens. Partition chant et piano. Paris. Choudens.
[1877.] No. I inM.28s.14
20 melodies, chant et piano, [fidition pour s. ou t.] Paris.
[Choudens. 188-?] No. 2 in M.28S.14
Contents. — Bonsoir, Mignonne. — L'aube tombe. — Les papillons. — •
La derniere feuille. — Le reveil. — Un dernier baiser. — Bonjour,
Suzon. — Soupirl — Aimer, c'est vivrel — Quand Mignon passait. —
A une etoile. — Le berceau. — Les colombes. — - C'est moi. — • Aurore.
— La violette. — Viens a moi. — Aux champs. — La bergeronnette.
— Chant matemel.
Choudens, Paul de.
Amica. Poeme dramatique de Paul Berel [pseud.]. Mu-
sique de Pierre Mascagni. M.383.27
Dinah. Comedie lyrique par Michel Carre & Paul de Chou-
dens. Musique de Edmond Missa. No. 2 in M.2S7.16
Don Procopio. Opera bouffe de Paul Collin et Paul Berel
[pseud.]. Musique de Georges Bizet. M.38g.i
Faut-il ceder? Saynete. Musique de A. Decq. [Paroles de]
Louis de Peyre et Paul Choudens. No. 4 in M.396.3
Les Girondins. Tragedie lyrique de Delormeil [sic] et Paul
Berel [pseud.]. Musique de Fernand Le Borne. M.383.23
Laura. Roman musical de Paul Berel [pseud.]. Musique de
Ch. Pons. M.240.8
Lovelace. Opera de Jules Barbier & P. de Choudens. Mu-
sique de Henri Hirschmann. M.394.S5
Le mariage de Marcelle. Opera-comique. Musique de Ro-
dolphe Lavello. No. 2 in M.393.35
Le passe. Drame, avec musique de scene par Rodolphe
Lavello. No. i in M.393.3S
Rolande. Piece musicale de Paul Berel [pseud.]. Musique
de Henri Hirschmann. M.383.22
Sanga. Drame lyrique en trois actes de Eugene Morand et
Paul de Choudens. Musique de Isidore de Lara. Parti-
tion chant et piano transcrite par Louis Narici. M.383.61
Chough, The, and crow. Part-song. Bishop, H. R.
No. 2 in M.157.19; etc.
Choulet, Charles.
Agnus Dei, pour t. seul avec accomp. d'orgue. Paris.
Richault. [185-?] No. 24 in M.260.10.4
Chouquet, Adolphe Gustave.
Histoire de la musique dramatique en France. Paris. Fir-
min Didot. 1873. M.124.13
Choux, Leon.
Chien et chat. Duo comique. Paroles de Leon Charly
[pseud.]. Musique de Luigi Bordese. No. 3 in M.301.2
Chris and the vsronderful lamp. Opera. For the Music see
Sousa. For the Libretto see MacDonough.
Christ, The. Cantata. For the Music see Rutenber.
Christ, Le. Oratorio. For the Music see Destenay; also Lip-
pacher; also Poisot.
Christ, Der, am Rande des Grabes. Cantata. For the Music
see Benda, G.
Christ and His soldiers. Oratorio. For the Music see Farmer,
J., Organist of Balliol College.
Christ became obedient unto death. Anthem. Bridge, John F.
No. 40 in M.158.13
Christ being raised. Anthem. Callcott, J. W.
No. 25 in M.220.9.5
Christ being raised from the dead. Anthem.
Gill, W. H. No 2 in M. 157.29
Webbe, S. No. 2 in M.234.7; etc.
Christ is risen. Anthem. Bergt. No. i in M. 201.37
HoRSLEY, W. No. 38a in M.157.3
Ouseley. No. 15 in M.233.24.1
Thorne, E. H. No. 59 in M.158.18
Christ is risen! Carol. Danks. Easter carols.
No. 24 in M.158.1S
Christ is worthy. Anthem. Schulz, J. A. P. No. 25 in M.201.37
Christ ist erstanden. Chorus. Schubert, F. P. Chor-Gesang-
werke. Band i. No. 16 in M.280.48.1
Christ lag in Todesbanden. Anthem. Bach, J. S. Werke.
Jahrgang I. M.8040.21.1
Christ, of the holy angels' light. Anthem. Palestrina.
No. 23 in M.IS7.3
Christ our Passover. Anthem.
Buck, D. In B flat. No. 13 in M.290.11
— [In C] No. 2 in M.290.11
Bunnett. No. 15 in M.203.26
Chandler. Anthems. Vol. I. No. 37 in M.158.14
Chapple. No. 15 in M.190.2
D.WENPORT, A. No. 10 in M.290.12
FoOTE. No. 4 in M.203.27
Gerrish. No. 29in M.i58.i6;etc.
Goss. No. 14 in M. 175.1.8
Hadley. No. 17 in M.203.27
Hall, E. V. No. 10 in M.19S.2.15
Millard, H. Easter anthem. No. 3 in M.190.6
Christ the Lord is risen. Anthem. Buck, D. No. 9 in M.290.11
Button. No. 17 in M.203.26
Havens. No. 27 in M.158.17
Lloyd, T. S. No. 13 in M.igo.5
Soehmer. No. 22 in M.190.7
Warren, G. W. No. 4 in M.190.9
Christ unser Herr zum Jordan kam. Anthem. Bach, J. S.
Werke. Jahrgang i. M.8040.21.1
Christabel. Part-song. Stratton, S. S. No. 5 in M.158.20
Christbaum, Der. Opera. For the Music see Rebikov. For
the Libretto see Plaxin.
Christbaum. Song. Cornelius. Werke. Band i. M.414.20.1
Christe, audi nos. Anthem. Perti. M.260.23.2
Christe! cum sitiam exire. Anthem. Astorga.
No. 43 in M.290.29.1
Christe, du Lamm Gottes. Anthem. Hauptmann, M. Drei
Motetten. No. 7 in M.270.49
Praetorius, M. No. 5 in M.147.4
SCHICHT. Motetten. Heft 4- No. 4 in M.236.19
Christe, eleison. Anthem. Benevoli. No. 7 in M.202.6.2
Borri. No. 13 in M.290.29.6
Naumann, J. G. No. 26 in M.290.29.6
Christe Patris verbum. Motet. Lassus. Sammtliche Werke.
Band 5. M.8o4oa.67.5
Christe qui lux es et dies. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.e6.8
Christe redemptor omnium. Hymn. Palestrina. Werke.
Band 8. M.8o4oa.66.8
Christen, iitzet diesen Tag. Anthem. Bach, J. S. Werke.
Jahrgang 16. M.8040.21.16
Christensen, Alfred F.
The discontented maidens. Dramatic cantata for female
voices. The libretto by William Tirebuck. The music by
Alfred F. Christensen. Vocal score with pianoforte ac-
comp. Halifax. Pohlmann. [188-?] No. i in M.28S.IS
Christern, Johann Wilhelm.
Franz Liszt. Hamburg. Schuberth & Comp. [1841.] Por-
trait. No. 2 in M.157.9
Christi Auferstehung. Oratorio. For the Music see Neukomm,
S. von. For the Libretto see Klopstock.
Christi Dei soboles. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o40a.67.3
239
Christi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON Christnachtstraum
Christi Erscheinung in Emaus. Part-song. Weissheimer.
Fiinf geistliche Sonnette. No. i in M.404.3S
Christi Himmelfahrt. Oratorio. For the Music see Neukomm,
S. von. For the Libretto see Klopstock.
Christi Himmelfahrt. Song. Weissheimer. Fiinf geistliche
Sonnette. No. i in M.404.35
Christian the pilgrim, or "The pilgrim's progress." Cantata.
For the Music see Morgan, J. W. For the Libretto see
Matthison.
Christian's armour. The. Oratorio. For the Music see Roeckel,
J. L. For the Libretto see Roberts, Mrs. M. A.
Christian's prayer. The. Cantata. For the Music see Spohr, L.
For the Libretto see Mahlmann.
Christiana. Sunday school service. Da vies, W. H.
No. 14 in M.370.31 ; etc.
Christiani, Adolf Friedrich.
The principles of expression in pianoforte plaj^ing. New
York. Harper. 1885. M.105.11
Programme for first recital, with comments, biographies,
etc. Edinburgh. [187-?] No. 6 in M.116.10
Christiansen, Arne Einar.
Cleopatra. Oper von August Enna. M.400.33;etc.
„Sch6n Karin." Oper. Musik von Tekla Griebel.
No. 2 in M.39g.22
Skon Karen. Schon Karen. Danische Oper. Musik von
Jakob Fabricius. No. i in 11.399.81
Christie, William, Dean of Moray, editor.
Traditional ballad airs. Arranged for the pianoforte and
harmonium, from copies in Aberdeen, Banff and Moray,
by W. Christie, M.A., and the late Wm. Christie, Monqu-
hitter. Edinburgh. Edmonston & Douglas. 1876, 81. 2 v.
M.121.12
Christkind. Song. Cornelius. Werke. Band i. M.414.20.1
Christkind. Song. Taubert, C. G. W. Klange aus der Kinder-
welt. Heft 10. No. 20 in M.192.8
Christkindlein. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 4. No. 14 in M.192.6
Christkindleins Bergfahrt. Carol. Riedel. No. 5 in M. 158.21
Christliche Trilogie. Oratorio. For the Music see Hamerik.
Christmas.
Sandys. Christmastide: its history, festivities, and carols.
London, [i860.] Illus. Plates. M. 149.15
Christmas. Cantata. For the Music see Gutterson; also Mac-
farren, G. A. For the Libretto see Clinton; also Oxen-
ford, J.
Christmas. Part-song.
Macfarren, G. a. No. pin M.175.1.6; etc.
Prentice. No. 13 in M. 157.23
Christmas anthem. Anthem. Davenport, A. No. 9 in M.290.12
Christmas bells. The. Cantata. For the Music see Horn, C. E.
For the Libretto see Brown, John W.
Christmas bells. Carol. Wilson, H. No. 22 in M.190.9
Christmas carols. Boston. Paine. [188-?] No. 5 in M.158.15
Contents. — The night before Christmas. — What Santa Claus heard.
— Christmas morning. — 'Twas in the winter cold. — Holiday chimes. —
New Year's song.
Christmas carols; or sacred songs, suited to the festival of
Our Lord's nativity; with appropriate music. London.
Parker. 1833. M.149.30
Christmas carols.
Ayers, D. J. No. 8 in M. 158.13
Bailey, E. H. All glory to God. No. 9 in M. 158.13
Boars'-Head carol. The. No. 13 in 111.175.1.5
Bramley, H. R., editor. Christmas carols, new and old.
M. 122. 32
Burbank. Four Christmas carols. No. 11 in M.158.26
Chenery. Brightly the stars are shining. No. 2 in M.1S8.15
Cobb, A. T. Hark! the angels singing. No. 8 in M.158.15
Davenport, A. In splendor bright. No. 27 in M.190.2
Fay, C. K. The city's hum was hushed and still.
No. 13 in M.154.19
Gerrish. Five Christmas carols. No, 19 in M.158.26; etc.
Gilbert, D., editor. Some ancient Christmas carols, with
the tunes. M.ios.io
Christmas carols. (Continued.)
Gounod. Bethlehem.
— The Virgin Mary's carol.
H., C. As Joseph was awaking.
Howard, A. P. Carols for Christmas,
tivals.
No. 2 in M.290.13
No. I in M.isS.ig
No. 25 in M.158.17
Easter and other fes-
No. I in M.154.19
Husk, W. H., editor. Songs of the nativity; Christmas carols,
ancient and modern. M.101.37
In DIE nativitatis. Carol [s. a. t.]. M.236.10
Hymn. M.236.10
Probably of the early part of the fifteenth century.
Ions. Hark, the herald angels sing. No. 18 in M.175.1.8
Leslie, H. D. Be present, ye faithful. No. 9 in M.154.19
Monk, E. G. See, the morning star. No. 17 in M.17S.1.8
Neukomm, S. von. Chant de Noel (Weihnachtslied) pour
trois voix egales. [Accomp. d'orgue.] No. 4 in M.213.10
Nowelle, Nowell. [s. a. b.]
Osgood. Listen, Lordings.
An
Pearsall. In dulci jubilo.
Arranged for 4 voices.
Perring. Christmas carol.
Accomp. for organ.]
Praetorius, M. Lo, how a
with accomp. for pianoforte.]
Reinecke, C. H. C. A Christmas carol.
M.236.10
[t. t. b. b., s. a. t. b.]
No. 34 in M.392.ig
ancient Christmas carol.
No. 15 in M.195.1.10
[Solo, A. or b. and chorus.
No. 4 in M.igo.7
rose e'er blooming. [4 voices
No. s in M.384.11
A duet [s. s.].
No. 17 in M.204.36.6
RiEDEL, C. Christkindleins Bergfahrt. No. 5 in M.1S8.21
Maria im Walde. No. 3 in M.158.21
Weihnachtswunder. No. 4 in M.158.21
Rimbault, editor. A little book of Christmas carols, with
the ancient melodies to which they were sung. M. 148.6
RoMER. Hail to Jesus of Nazareth. No. 9 in M.157.23
RoQUES, J. L., editor. 40 Noels anciens. No. i in M.213.18
Sandys. Christmas carols, ancient and modern. M.14S.24
■ Christmastide: its history, festivities, and carols.
M.149.15
Schmidt, C. G. Christmas hymn. No. 4 in M. 203.29
Stockmann. Hushed is the night. No. 6 in M. 158.20
Sullivan, A. S. "Hark! what mean those holy voices?"
No. 10 in M.158.20
Warren, G. W. Carol! Christians! No. 6 in M.190.9
A Christmas carol. No. 5 in M.190.9
Warren, John C. 'Twas in the winter cold.
No. 25 in M.158.20
White, D. L. Sweetly now the merry bells.
No. 39 in M.158.20
Whitney. Peal forth, O Christmas bells.
Willis, R. S. Christmas carol no. i.
watched their flocks by night."
Wilson, H. Christmas bells.
On the first bright Christmas day.
Christmas eve. Part-song.
Christmas fairies, The. Part-song.
No. 41 in M.158.20
"While shepherds
No. 15 in M.igo.g
No. 22 in M.190.9
No. 21 in M.190.9
Marschner, H. a.
No. 2 in M.204.36.6
Goodban, C.
No. 5 inM.i7S.i.5
Christmas hymn. Anthem. Albert, Prince Consort. Collected
compositions. M.2go.23
Christmas hymn. Anthem. Miller, E. No. 4 in M.igo.6
Christmas madrigal, A. Part-song. Ions.
No. 35 in M.i58.i7;etc.
Christmas morn. Song. Gounod. No. 2 in M.192.10
Christmas offertorium. For organ. Lemmens.
No. 14 in M.312.49
Christmas plays. Healy. The Nativity play, or Christmas
cantata. M.io5.8
Christmas service. Cantata. For the Music see Trimmer.
Christmas themes. For organ. Gigout. Rhapsodic.
No. 9 in M.414.36
Christmas time. Cantata. For the Music see Otto, E. J. For
the Libretto see Hofmann, F.
Christnacht. Cantata. For the Music see Hallen; also Killer.
For the Libretto see Platen-Hallermund.
Christnachtstraum. Symphonic poem. Bonvin. No. 5 in M.358.20
240
Christoforus
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Christoforus. Cantata. For the Music see Rheinberger, J. G.
For the Libretto see Rheinberger, F.
Christoph Columbus. Ol'era. For the Music see Franchetti.
Christophe Colomb. Cantata. For the Music see David, F. C.
For the Libretto see Mery, J. P. A.
Christum wir sollen loben schon. Anthem. Bach, J. S. Werke.
Jahrgang 26. M.8040.21.26
Christus. Oratorio. For the Music see Kiel; also Liszt; also
Mendelssohn-Bartholdy, J. L. F.
Christus am Oelberge. Oratorio. For the Music see Bee-
thoven. Werke.
Christus das Kind. Oratorio. For the Music see Schneider,
J. C. F. For the Libretto see Mayer, P.
Christus, der ist mein Leben. Anthem. Bach, J. S. Werke.
Jahrgang 22.
Christus der Kinderfreund.
Christus durch Leiden verherrlicht
see Bergt.
Christus factus est. Motet. Anerio, F.
Basili.
Leo.
Christus ist hier. Anthem. Schuetz.
Christus resurgens. Motet. Lassus.
Band i.
Christus resurgens ex mortuis. Motet.
Werke. Band 5.
Christy, Edwin Pearce.
Beautiful star, in heaven so bright,
for 4 voices. {In The Choralist. Vol.
M.8040.21.22
Song. Cornelius. Werke. Band i.
M.404.20.1
Oratorio. For the Music
No. I in M. 260.19; etc.
No. 5 in M.260.19
M.I 56. 52; etc.
No. 31 in M. 202.6.2
Sammtliche Werke.
M.8o4oa.67.i
Lassus. Sammtliche
M.8o4oa.67.s
[Song.
, ser.
No.
Silver moonlight winds are blowing. [Song.]
for 4 voices. {In The Choralist. Vol. 2, ser.
No.
Softly falls the moonlight. [Song.]
voices. {In The Choralist. Vol. 2, ser
Harmonized
S, pp. 10-13.)
51 in M. 157.5.2
Harmonized
S, pp. 16-19.)
53 in M.157.5.2
Harmonized for 4
S, pp. 14, 15)
No. 52 in M.157.5.2
Christy, George.
Pastor, A. George Christy:
New York. [1885.]
or the fortunes of a minstrel.
No. 2 in M. 129.32
Chronique musicale. La. Revue bi-mensuelle de I'art ancien
& moderne. Directeur: Arthur Heulhard. T. i-io. Paris.
1873-76. 10 V. Illus. Portraits. Plates. M.123.1
Chrysander, Friedrich.
G. F. Handel. Band l, 2; 3, ite Halfte. Leipzig. Breitkopf
& Hiirtel. 1858-67. 3 v. M.149.7
Handel's Instrumentalkompositionen fur grosses Orchester.
[Leipzig. Breitkopf & Hartel. 1887.] M.371.28
Separatdruck aus der Vierteljahrsschrift fiir Musikwissenschaft.
Chrysander, Friedrich, editor.
Carissimi. The oratorios. No. I in M.153.10
Handel. Supplemente enthaltend Quellen zu Handel's
Werken . . . No. i, 3-5. M.415.20
Werke. Ausgabe der Deutschen Handelgesellschaft.
Lieferung 1-48, 50-94. M.313.1
. Jephtha. M.312.31
. Messias. M.312.32
Urio. Te Deum. No. 2 in M. 153.10
Chubb, Morley, editor.
Spohr, L. "God, thou art great." No. 3 in M.154.19
Chuppin de Germigny, Emma.
De I'etat de la musique en Normandie, depuis le IXe siecle.
Caen. Pagny. 1837. No. 4 in M.373.22
Church, John, Musician.
Poor Owen. [Catch] a 3 voci. {In dementi. Collection of
catches. Vol. i, pp. 82, 83.)
No. 72 in M.iio.i.i; No. 72 in M.110.2.1
Te Deum, Jubilate, Kyrie, Nicene Creed, Magnificat & Nunc
dimittis, in F. [Accomp. for organ.] {In Ouseley. Ca-
thedral services. Pp. 392-428.) No. 33 in M.233.9
Church, The, and home. Church music. Leach, editor. M.ioo.is
Church Choirmaster, The, and Organist. See Musician, The,
Organist, and Choirmaster.
Church holidays.
Haverfield, T. T., editor. Feriae sacrae; or, short notes on
the great festivals of the church, and the services . . .
with appropriate chants and hymns. London. 1847.
M.121.5
Church music. See also Choristers; Liturgical music; Old
Hundredth; Te Deums.
Church music. Anthems. &c.
Those compositions which profess upon their title-pages to be settings
of recognized Liturgical Services are classified under the heading
Liturgical music ; while settings of single anthems, or of fragments of
services, or collections of such settings, are here grouped under the
above caption.
Abt, F. Father of mercies. Quartet and solo [s. Accomp.
for organ. Arranged by M. F. H. Smith]. No. 21 in M.igo.7
Adam, Adolphe C. Mois de Marie de Saint-Philippe. 8 mo-
tets a I et 2 voi.x avec accomp. d'orgue. No. 1-8 in M. 260.10.8
Adams, T. Come, Holy Ghost. Anthem for Whitsuntide.
[Accomp. for organ.] No. 2 in M. 158.13
Adler, editor. Sechs Trienter Codices. Geistliche und welt-
liche Compositionen des XV. Jahrhunderts. .\uswahl i.
M.414.2
Agostini. Agnus Dei. Canon [8 in i]. No. 6 in M.220.9.4
Aiblinger. Deus, noster Deus. Offertoire [s. s. a. a. t. t.
B. B. Accomp. de piano]. No. 4 in M.280.39
Jubilate Deo. Offertoire pour s. a. t. t. b. [On a
ajoute la partition de piano.] No. I in M.201.32
Aiken. Hosanna in the highest. [Accomp. for organ.]
No. 3 in M.158.13
.\lbert. Prince Consort. The collected compositions of His
Royal Highness, the Prince Consort. M.290.23
Alcock, J. How long wilt Thou forget me? Canon, 4 in i.
No. 102 in M.220.10
Like as the hart. Canon [3 in 2 with bass free].
No. 44 in M.220.9.2
O give thanks unto the Lord. Canon, 4 in i per arsin
et thesin. No. 11 in M.220.9.3
Why art thou so heavy? Canon, 3 in i.
No. 72 in M.220.10
Aldrich, H. Not unto us, Lord. Full anthem.
No. 6 in M.in.4.2; etc.
Aldrich, P. D. Softly now the light of day. [a. solo and
chorus. ."Accomp. for organ.] No. 3 in M.203.26
Alexander, J. W. Near the Cross was Mary weeping.
[Hymn.] No. 43 in M.i58.ig
Allegri. Miserere [s. s. a. t. b.]. No. 24 in M.220.10; etc.
.\llen, G. B. Fifteen anthems. [Accomp. for organ.]
M.233.1
In the beginning was the Word. Anthem for Christ-
mas. [.\ccomp. for organ.] No. i in M.190.1
The Lord is my Shepherd, verse anthem for 4 voices.
[Accomp. for organ.] No. 3 in M.190.1
Now is Christ risen, anthem for Easter. [Accomp.
for organ.] No. 2 in M.191.1
Alles. O Salutaris Hostia, for 4 voices. [Accomp. for
organ.] No. 4 in M.260.10.1
Alzate, O porte. Canon [4 in 2]. No. 6 in M.220.g.2
Ambrose. One sweetly soleinn thought. [Accomp. for
organ.] No. 2 in M.203.26
Anderson, E. N. I will extol Thee. [Accomp. for organ.]
No. 4 in M. 158.13
Andrews, A. Blessed be the Lord God. [Accomp. for
organ.] No. 5 in M.190.1
It is a good thing. [Accoiup. for organ.]
No. 4 in M.190.1
Andrews, J. W. Te Deum [in C. Accomp. for organ].
No. 5 in M.I58.I3
.'\xDREWP, M. H. How beautiful upon the mountains. [Ac-
coinp. for organ.] No. i in M.203.26
Anerio, F. Christus factus est. [Motet. Accomp. d'orgue.]
No. I in M.260.19; etc.
Angel, Ji An evening service, consisting of the Cantate
Domino & Deus misereatur in B flat. [.A.ccomp. for
organ.]
No. 6 in M.tgo.!
I 31
241
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Contimied.)
Angioli. Tantum ergo, for a bass voice and chorus. . . .
The organ accomp. from the full score by A. Le Jeune.
No. 6 in M.260.10.1
Anichini. Ave Maria. Coro a quattro voci sole.
No. I in M.201.33
Anschuetz, J. A. 2 Tantum ergo und i Ecce panis, vier-
stimmig mit Orchester-Begleitung. Partitur und Clavier
Auszug. No. 2 in M.201.32
Anzoletti. Salve Regina, motet pour s. s. t. b., avec accomp.
d'orgue. No. 8 in M.260.10.3
Arcadelt. Ave Maria! [s. a. t. b.] No. 21 in M.260.10.5
Same. "Give ear unto my prayer." No. 19a in M.235.10
Archambeau. Ecce panis. [Motet, t. t. b.] Accomp. d'orgue.
No. 2 in M.201.33
Tota pulchra es. [Motet, x. t. b.] Accomp. d'orgue.
No. 3 in M.201.33
Arnaud, J. Mois de Marie. Trente-trois chceurs religieux,
hymnes et cantiques a trois voix egales, avec accomp.
d'orgue ou de piano et de contre-basse non obligee. [Aussi
de violon i, 2, alto, harpe, etc.] M.201.26
Arnold, G. B. Te Deum and Jubilate [in D. With organ
accomp.]. No. I in M. 236.22
Arnold, S. As pants the hart. Canon in the 4th and 8th
below. No. 116 in M. 220.9.2
Attwood. Attwood's cathedral music . . . Organ accomp.
arranged by T. A. Walmisley. M.233.2
Come, Holy Ghost. Hymn for Whitsuntide. [Ac-
comp. for organ.] No. 8 in M.190.1; etc.
Sanctus and responses [in G. Accomp. for organ].
No. I in M.236.16
Turn Thee again, O Lord. [Accomp. for organ.]
No. 10 in M.igo.i; etc.
Turn Thy face from my sins. Anthem for a treble
voice with chorus. [Accomp. for organ.]
No. 1 1 in M.igo.i ; etc.
Auber. O Salutaris Hostia, for 4 voices. [Accomp. for
piano, ad. lib.] No. 9 in M.260.10.7
Ayrton, E. We will rejoice. Canon, 5 to 12 in i.
No. 4 in M.220.10
Ayrton, W., editor. Sacred minstrelsy: a collection of sacred
music . . . consisting of anthems, solos, duets, trios, &c.;
with accomp. for piano-forte or organ. M.2go.22
Bach, J. S. Kirchencantaten [etc.]. Werke. Jahrgang i,
2, S (Theil i), 7, 10, 11 (Theil i), 12 (Theil 2), 16, 18, 20
(Theil i), 22-24, 26, 28, 30, 32, 33, 35, 37, 39, 41.
M.8040.21.1, 2, etc.
Alleluja. Canon [4 in i]. No. 75 in M.220.9.4
Blessing, glory, wisdom and thanks, (Lob und Ehre
und Weisheit). An anthem for 8 voices . . . with an
accomp. for the organ or piano forte. No. 3 in M. 270.6
Dominica Palmarum: „Himmelsk6nig sei willkom-
men!" Partitur mit unterlegter Pianoforte-Begleitung.
No. 4 in M.192.20
Sechs Motetten. Partitur. [Ohne Begleitung.]
No. I in M.204.4
All these motets are for eight voices except the first, which is for
s. s. A. T. B.
Tantum ergo, motet pour s. s. t. & b., avec accomp.
d'orgue. No. 11 in M.260.10.3; etc.
Bader. Veni Creator Spiritus. Hymnus fiir 4 Singstimmen
. . . Orgel- oder Clavierauszug. No. 12 in M.222.24
Bailey, E. H. God shall crown thy work. Quartette. [Ac-
comp. for pianoforte.] No. 10, 11 in M. 158.13
' Veni, Creator Spiritus. Quartet. [Accomp. for or-
gan.] No. 3 in M. 158.32
Baini, G. Beati mortui. [Motet, t. t. b. Accomp. d'orgue.]
No. 3 in M. 260.19
Baini, L. Caro mea. [Motet, t. t. b, Accomp. d'orgue]
No. 2 in M.260.19
Baker, E. L. Shout the glad tidings. Christmas hymn.
[Accomp. for organ.] No. 12 in M.igo.i
Baldwin, R. L. Sweet is the light of Sabbath eve. [Ac-
comp. for organ.] No. 4 in M.203.26
Balfe. Guide me, O Thou great Jehovah. [Accomp. for
pianoforte.] No. 33 in M.190.2
Church music. Anthems, &c. (Continued.)
Banister, C. W. Vocal music. With an accomp. for the
piano forte. M.235.20
Barbieri, G. Alma Redemptoris, per tenore con istrumenti.
[Partitura.] No. i in M.260.22
Ave Regina coelorum, a 3 voci [t. t. b.] con istrumenti.
[Partitura.] No. 2 in M.260.22
Tantum ergo, per tenore con coro . . . ridotto per
canto e accomp. d'organo. No. 8 in M.221.16
Bardin. Hymne a la Vierge. [s. A. x. b. Accomp. de piano.]
No. 6 in M.380.3
Oraison dominicale. [s. x. b. Accomp. de piano.]
No. 4 in M.380.3
Salutation angelique. [s. x. b., avec accomp. de piano.]
No. 5 in M.380.3
Bargiel. „Der Herr ist mein Hirt" (Psalm 23), fiir 3 stim-
migen weiblichen Chor und kleines Orchester. Clavier-
auszug. No. 2 in M.270.54
Psalm XCVI. fur Doppel-Chor ohne Begleitung.
Pages 13, 14 are missing. No. I in M.22I.I
Barnard, W. V. O Lord, we beseech Thee. [Accomp. for
organ.] No. 17 in M. 157.29
Barnby. As we have borne the image. Full anthem. [Ac-
comp. for organ.] No. 12 in M.234.10; etc.
Drop down, ye heavens. [Accomp. for organ.]
No. 21 in M.234.10
Grant to us. Lord, we beseech Thee. Full anthem.
[Accomp. for organ.] No. 5 in M.157.32
Have mercy upon me. Full anthem. [Accomp. for
organ.] No. 13 in M.234.10
I bow my knee. Full anthem. [Accomp. for organ.]
No. 18 in M.234.10
I will lift up mine eyes. Full anthem. [Accomp. for
organ.] No. 11 in M.234.10
It is high time to awake. [Accomp. for organ.]
No. 23 in M.234.10; etc.
King all glorious. Motett for soli [x. &b.] and cho-
rus [s. s. A. X. b. b. Accomp. for organ].
No. 25 in M.234.10; etc.
Let the words of my mouth. Full anthem. [Accomp.
for organ.] No. 15 in M.234.10
"Let Thy merciful kindness, O Lord." [Accomp. for
organ.] No. 9 in M.157.10
Let your light so shine. Full anthem. [Accomp. for
organ.] No. 17 in M.234.10
The Lord is King (Dominusregnavit). Psalm XCVIL
[For s. A. B. solos and chorus, s. s. A. A. t. x. b. b. Accomp.
for organ.] No. 2 in M.204.S
Make me a clean heart. Full anthem. [Accomp. for
organ.] No. 14 in M.234.10; etc.
Not unto us, O Lord. [Accomp. for organ.]
No. 20 in M.234.10
O Lord God, to whom vengeance belongeth. Anthem
for a double choir. [Accomp. for organ.]
No. 19 in M.234.10; etc.
O Lord, how manifold. [Accomp. for organ.]
No. 13 in M.igo.i
O' paradise. Sacred quartett with solo for s. or x.
[Accomp. for organ.] No. 14 in M.igo.i; etc.
O praise the Lord, ye angels. Full anthem. [Accomp.
for organ.] No. 16 in M.234.10; etc.
O risen Lord. [Accomp. for organ.]
No. 22 in M.234.10
Sing and rejoice. Anthem for Christmas. [Accomp.
for organ,] No. 13 in M.158.13
Sweet is Thy mercy. [Accomp. for organ.]
No. 24 in M.234.10
"Thy mercy, O Lord, reacheth unto the heavens."
[Accomp. for organ.] No. 8 in M. 157,10
Barnexx, J. Ave Maria, a song [m.-s.] with choral accomp.
No. 4 in M.158.32
Barnexx, John F. "Come, Thou Holy Spirit." Anthem for
Whitsuntide. For s. solo and chorus. [Accomp. for or-
gan.] No. 20 in M. 158.13
242
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Barnett, Joseph A. Exaudi, Deus. [Motet a. or bar. In G.
Accomp. for organ.] No. 6 in M.250.6
Exaudi Deus. Solo, s. or t. [In B flat. Accomp. for
organ.] No. i8a in M. 260.10.2
Barrett, F. J. Deus misereatur. [Accomp. for organ.]
No. 21 in M.158.13
Bartholomew, R. Oh that men would praise the Lord.
[Accomp. for organ.] No. 15 in M.190.1
Basili. Ave Rex noster. [Motette. s. s. t. b. Accomp.
d'orgue.] No. 4 in M.26o.ig
Christus factus est. [Motette. t. t. b. Accomp.
d'orgue.] No. S in M.260.19
Miserere for s. c. t. b. . . . [Accomp. for organ ad
lib.] No. I in M.221.34
Bassford. God be merciful. Quartet. [Accomp. for organ.]
No. 6 in M.203.26
The Lord's Prayer. [Chorus. Accomp. for organ.]
No. 7 in M.203.26
O taste and see. [Accomp. for organ.]
No. 8 in M.203.26
Rejoice in the Lord. [Accomp. for organ.]
No. 9 in M.203.26
Response to the Beatitudes [and Commandments.
Accomp. for organ]. No. 10 in M.203.26
Turn Thy face from my sins. [Accomp. for organ.]
No. II in M.203.26
Bassini. Ave Maria (m.-s.). [Accomp. for pianoforte.]
No. 9 in M.260.10.4
Bates, W. Alleluja. Canon, 4 in 2. No. 68 in M.220.9.2
Be Thou exalted. Canon, 3 in i. No. 129 in M.220.10
I will praise Thee, O Lord. Canon, 4 in i.
No. 85 in M.220.10
Batta, C. Priere a la Vierge. [a. ou bar. Accomp. de
piano.] No. 10 in M.26o.io.4
Bauer, T. Hear Father, hear our prayer, a. solo and quar-
tet. [Accomp. for organ.] No. 18 in N.190.1
Baumbach, a. Sacred quartetts. M.100.8
Search me, O Lord. [Accomp. for pianoforte.]
No. 8 in M.290.9.1
Bayley, W. Cantate Domino and Deus misereatur. [Ac-
contp. for organ.] No. 19 in M.190.1
Bayly, A., editor. A collection of anthems used in His
Majesty's chapel royal . . . M.104.27
Words only.
Beach, A. M. C. Bethlehem. [A Christmas hymn. Ac-
comp. for organ.] No. 12 in M.203.26
Festival Jubilate. Composed for dedication of the
Woman's building, at the World's Columbian exposition,
Chicago, 1892. [Accomp. for pianoforte.] No. 4 in M. 194.3
Praise the Lord all ye nations. [Accomp. for organ.]
No. 22 in M. 158.13
Beethoven. Great God of all. Holy Creator. Arranged
from the pianoforte sonata, op. 97 . . . [Accomp. for
organ.] No. i in M.290.14; etc.
Great God, to Thee. Beethoven's hymn introduced
into Liszt's Ode to genius . . . [Accomp. for pianoforte.]
No. 22 in M.290.9.1
O Sacrum Convivium. Solo & quartette. [Accomp.
for organ.] No. 20 in M.260.10.6; etc.
O Salutaris. [Motet. Accomp. for organ.]
No. 22 in M.260.3
O Salutaris, pensee religieuse . . . transcrite pour 3
ou 4 voix en chceur. [Accomp. d'orgue.]
No. 10 in M.260.10.3
Quartets, arranged with accomp. for organ.
No. 1-4 in M.2go.i2
Sechs geistliche Lieder ftir eine Singstimme mit
Begleitung des Pianoforte . . . Fiir gemischten Chor a
capella gesetzt. No. 10 in M.IS7.24
Spirit of meekness. Elegy, for 4 voices, with accomp.
for piano-forte or quartett of stringed instruments. [Full
score.] No. 8 in M.290.14
Behr, C. von. Hymnus fiir vierstimmigen gemischten Chor.
[In caritate perpetua.] No. 13 in M.i58.2a
Church music. Anthems, &c. (Continued.)
Belcher, T. Venite exultemus Domino, in Bb, for quartette
or chorus. [Accomp. for organ.] No. 26 in M.158.13
Belhoste. O Salutaris. Solo [s. ou bar.] et choeur ad libi-
tum. [Accomp. d'orgue.] No. 24 in M.201.34
Bellermann. Gesegnet ist der Mann, der sich auf den
Herrn verlasst. Motette fiir vierstimmigen Chor . . .
Clavierauszug. No. 3 in M.391.31
Bellini. 4 Tantum ergo con accomp. d'orchestra o d'or-
gano. No. 3, 4. [Partitura.] No. 5, 6 in M.201.33
Beltjens. Trois cantiques a la Ste. Vierge Marie. Pour
une voix seule [s. ou T.] avec accomp. d'orgue.
No. 13 in M.260.10.2
Benedict. The Lord be a lamp. [Accomp. for organ.]
No. 27 in M.158.13
— Praise the Lord, O my soul
Accomp. for organ.]
— Try me, O God! Full anthem
[s.
solo and chorus.
No. 21 in M.190.1
[.\ccomp. for organ.]
No. 20 in M.igo.i ; etc.
Bennet. Ave Maria, a 2 voix. [t. bar. ou s. m.-s. Accomp.
d'orgue.] No. 23 in M.201.35
Bennett, A. W. Cathedral music . . . [Accomp. for organ.]
No. 22-24 in M.190.1
Bennett, G. J. Behold now, praise the Lord. Full anthem.
[Accomp. for organ.] No. 29 in M. 158.13
Benoist. O Salutaris. [s. ou t. Accomp. d'orgue.]
No. 36 in M.201.34
Benson. Hear me when I call. Full anthem. [Accomp. for
organ.] No. 18 in M. 157.29
Benz, J. B., editor. Cantica sacra, or Gregorian music, con-
sisting of masses, graduals, offertories . . . With organ
accomp. M.237.1
Berg, G. Hosanna in excelsis. Canon, 4 in i.
No. 136 in M.220.9.1; etc.
Hosanna in excelsis. Canon, 4 in i. No. 2 in M.220.10
A different setting from the former one.
I laid me down. Canon, 3 in i. No. 40 in M.220.10
Berge. Tantum ergo, a 3 voix [s. t. b.] avec accomp. de
piano. No. 21 in M.260.10.7; etc.
Berlioz, L. H. Te Deum, a 3 chceurs avec orchestre et
orgue concertants. [Partition.] M.341.25
Berner. Der Ein Hundert und fiinfzigste Psalm fiir vier
Singstimmen [t. t. b. b.] und Orchester. Partitur.
No. 12 in M.2I2.3
Bertini, H. J. O Salutaris, pour t. ou s. Avec accomp.
d'orgue. No. 20 in M.260.10.4
Regina coeli. [t. t. b. b.] Accomp. d'orgue.
No. 7 in M.201.33
Besozzi. Veni Creator [t. t. b. b.]. No. 4 in M.130.7; etc.
Best. "Praise the Lord, call upon His name," for s. and t.,
with chorus and organ. No. 2 in M.270.29
While shepherds watch'd their flocks by night, an-
them for Christmas Day, for a b. voice, with chorus and
organ. No. 29 in M.igo.i
Bexfield. Church anthems. [Accomp. for organ.] M.234.1S
Te Deum and Jubilate, for 4 voices with organ or
piano-forte accomp. No. 31 in M.igo.i
Te Deum laudamus and Jubilate Deo. [Accomp. for
organ.] No. 30 in M.igo.i
Birch, W. H. Evening chant service in (G).
No. 16 in M. 154.19
Bissell. O Salutaris Hostia. [Solo, b. Accomp. for organ.]
No. 17 in M.260.10.2
Te Deum. [For 4 voices, with organ.]
No. 32 in M.190.1
Blahetka. Ave Maria, pour s. ou t., avec ace', de piano.
No. 5 in M.260.10.4.
Blin. Tantum ergo, pour t. ou s. Accomp. d'orgue.
No. 8 in M.201.33
Bliss, M. Unto Thee, O Lord, will I lift up my soul. [Ac-
comp. for organ.] No. 44 in M.1S7.3
Blodgett. Anthems, responses and hymns for men's voices.
No. 4 in M.203.9
O come, let us sing. [t. t. b. b. Accomp. for organ.]
No. 33 in M.158.13; etc.
O love the Lord. [x. T. b. b. Accomp. for organ.]
No. .34 in M.158.13; etc.
243
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Blumenschein. Come unto Me. Communion anthem. [Ac-
comp. for organ.] No. 35 in M.158.13
Hosanna to the Prince of light. [Easter anthem.
Accomp. for organ.] No. 36 in M.158.13
Blumner. Konigspsahn. (Psalm 21, Vers. 2-8.) Fiir Soh,
Chor und Orchester. Partitur. No. 2 in M.391.33
Te Deum laudamus, fiir achtstimmigen Chor mit Solo-
stimmen. No. i in M.391.33
BoLCK. The Lord is my shepherd. Anthem for 4 voices.
[Accomp. for organ.] No. 36 in M.190.1
O Lord, how long wilt Thou forget me? Anthem for
4 voices. [Accomp. for organ.] No. 35 in M.190.1
BooTT. O Domine Deus. (O Lord my God.) Prayer of
Mary, Queen of Scots. [For s. or t. Accomp. for piano.]
No. 9 in M.201.33
With Latin and English words.
BoRTNYANSKi. Holy Fath»r, we adore Thee. Russian hymn
for 2 trebles, tenor & bass. [Accomp. for pianoforte.]
No. 37 in M.190.1
Boscoop. 50 psalmen Davids miet vier partijen. Naar de
uitgave van 1568 in partitur gebracht . . . M.415.1
BossAERTS. [Tantum ergo.] Benedictio. [Motet, s. t. b.
Accomp. d'orgue.] No. 6 in M.260.19
Bouteiller. Stabat Mater. [For s. t. b. with orchestra.]
No. 5 in M.120.18
This work is incomplete, having the first movement only.
Boyce, W. Lord, Thou hast been our refuge. With an ac-
comp. for the organ or piano forte. No. 2 in M. 236.16; etc.
Braeuer. [Der 15. Psalm, fiir 4 Stimmen mit Orchester-
Begleitung. Partitur.] No. 2 in M.221.13
Brahms. Ave Marie fiir weiblichen Chor. Clavierauszug.
No. 7 in M.260.10.7
Lord, how long shall I be out of Thy remembrance?
[s. s. A. Accomp. for organ.] No. 4 in M.157.16; etc.
Zwei Motetten. Op. 74. Translated into English.
No. 6, 7 in M.204.7
Brambach. Salve, Regina. Fiir Chor, Sopransolo und Or-
chester. Op. 73. Klavierauszug. No. i in M. 194.6
Braune. Agnus Dei, for a contr'-alto or baritone voice, with
piano-forte. No. 23 in M.260.10.4
Breitenbach. [Lobet den Herrn.] Der 150. Psalm. [Man-
nerchor.] No. 2 in M. 130.7
Brewer. Blessed is the nation. [Accomp. for organ.]
No. 38 in M.158.13
Bridaine. Cantique [au Kyrie. A une voix, a. ou b.'^r.
Accomp. d'orgue]. No. 13 in M.201.34
Cantique en I'honneur de la S'^ Vierge. A une voi.\
[a. ou bar. Accomp. d'orgue]. No. 17 in M.201.34
Cantique pour la communion. A une voix [a. ou bar.
Accomp. d'orgue]. No. 15 in M.201.34
Cantique pour le jour de la communion. A une voix
[a. ou bar. Accomp. d'orgue]. No. 33 in M.201.34
Cantique sur la penitence. A une voi.x [.\. ou bar.
Accomp. d'orgue]. No. 27 in M.201.34
Cantique sur le dernier jugement. A une voix [.\. ou
B. Accomp. d'orgue]. No. 35 in M.201.34
Cantique sur les differents mysteres de la Passion de
Jesus-Christ. A une voix [a. ou bar. Accomp. d'orgue].
No. 21 in M.201.34
Bridge, J. F. Christ became obedient unto death. Short
full anthem. [Accomp. for organ.] No. 40 in M.158.13
Hymn to the Creator. (The song of St. Francis of
Assisi.) Motett for solo soprano, chorus & orchestra.
[Accomp. for pianoforte.] No. 2 in M.154.30
The Lord's prayer, Dante's purgatorio, canto XL
Pianoforte accomp. No. 2 in M. 154.29
"Oh, Most Merciful!" Short full anthem. [Accomp.
for organ.] No. 41 in M.158.13
"Seek ye the Lord." Short full anthem. [Accomp.
for organ.] No. 42 in M.158.13
Briggs. My faith looks up to Thee. [Accomp. for organ.]
No. I in M.158.14
Nearer, my God, to Thee. [Accomp. for organ.]
No. 2 in M.158.14
244
Church music. Anthems, &c. (Continued.)
Briggs. There were shepherds. [Christmas anthem. Ac-
comp. for organ.] No. 3 in M.158.14
Brown, O. B. Adoration. Motet. [Accomp. for organ.]
No. 14 in M.203.26
How beautiful on the mountains. [Quartet. .A.ccomp.
for piano.] No. 12 in M.158.14
Keep me, Saviour, near Thy side. [Quartet. Accomp.
for organ.] No. 13 in M.158.14
Like as a father. [Sacred quartet, t. t. b. b. Op. 14,
no. I.] No. 5 in M.203.11
Now very early in the morning. [.Anthem for Easter.
Accomp. for organ.] No. 9 in M.158.14
Peace, be still. [Accomp. for organ.] No. 7 in M.158.14
Seek ye the Lord. [Motet, x. t. b. b. Op. 14, no. 2.]
No. 6 in M.203.11
Thy sun shall no more go down. [Quartet. Accomp.
for organ.] No. 14 in M.158.14
Thy will be done. [Accomp. for organ.]
No. 5 in M.158.14
Unto Thee, O Lord. [Accomp. for organ.]
No. II in M.158.14
The way is long and dreary. [Accomp. for organ.]
No. 6 in M.158.14
When, as returns this sacred day. [Motet, t. t. b. b.
Op. 14, no. 3. Accomp. for organ.] No. 7 in M.203.11
Whoso dwelleth in the secret place. [.Accomp. for
organ.] No. 10 in M.158.14
Browne, J. L. Blessed Christ. Easter anthem. [Accomp.
for organ.] No. 15 in M.158.14
Bruckner. „Te Deum" fur Chor, Soli und Orchester, Orgel
ad libitum. Partitur. No. i in M.405.7; etc.
Bruguera. Beatus vir. Canon, 9 in i. No. 134 in M.220.9.1
Jubilate Deo. Canon, 4 in i. No. 68 in M.220.10
Buck, D. Bread of the world. [Accomp. for organ.]
No. II in M. 290.1 1
[Christ our Passover.] Easter anthem in B flat.
Op. 46. [Accomp. for organ.] No. 13 in M.2go.ii
Christ our Passover. Easter anthem [in C. Op. 29.
Accomp. for organ] . No. 2 in M.290.II
Christ the Lord is risen. [Accomp. for organ.]
No. 9 in M.290.11
Come, my soul, thou must be waking. [Accomp. for
organ.] No. 19 in M.290.11
Come, ye disconsolate. [Accomp. for organ.]
No. 12 in M.290.11
Darkly rose the guilty morning. Lenten anthem.
[Accomp. for organ.] No. 4 in M.290.11
Day of wrath! [Accomp. for organ.] No. 8 in M.290.11
Hail to the Lord's Anointed. [Accomp. for organ.]
No. 7 in M.290.11
Hark! a thrilling voice is sounding. [Accomp. for
organ.] No. 6 in M.290.11
Lead, kindly light, [s. a. x. b. Accomp. for organ.]
No. 17 in M.290.11
Same. [i. x. b. b.] No. s in M.203.7
O God, the protector. Quartette in canon form. [Ac-
comp. for organ.] No. 15 in M.290.11
• O holy, holy, holy Lord. [Accomp. for organ.]
No. 10 in M.2go.ii
• O Zion, that tellest good tidings. Christmas anthem.
[.\ccomp. for organ.] No. 14 in M.290.11
Offertory sentences . . . with accomp. for organ.
No. I in M.290.11
Rock of Ages. [Accomp. for organ.] No. 18 in M.zgo.ii
Sing alleluia forth. [Accomp. for organ.]
No. 16 in M.290.11
The strain upraise, alleluia! [Accomp. for organ.]
No. 5 in M.290.11
There were shepherds. Christmas anthem [also Hark,
what mean, hymn. Accomp. for organ]. No. 3 in M.290.11
Buck, D., editor. Motette collection, [ist,] 2d. M.100.4
BuDDE. Te Deum. [For 4 voices. Accomp. for organ.]
No. 6 in M.igo.2
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
BuEHLER. Sancta Maria. Solo [s.] and chorus.
No. 17 in M.260.10.5
BUFFINTON. Four hymns in anthem form. [Accomp. for
organ.] No. 7-10 in M. 190.2
BuNNETT. Christ our Passover. Easter anthem. [Accomp.
for organ.] No. 15 in M.203.26
BuoNAMici. Pater Noster, fiir Sopran-Solo und gemischten
Chor. Ave Maria, fiir gemischten Chor. Mit oder ohne
Begleitung von Harmonium oder Orgcl. Op. 3.
No. 7 in M.203.6
Burden. Sacred pieces, composed & arranged for the ser-
vice of the Protestant Episcopal Church. [.Accomp for
organ.] No. 11 in M.190.2
BusscHOP. Ave Maria. [A 4 voix. Accomp. d'orgue.]
No. 13 in M.26o.jg
Da pacem, Domine. A 3 voix en choeur. [s. t. b. Ac-
comp. d'orgue, violoncelle et contre basse.]
No. 9 in M.26o.ig
Laudate Dominum. A 3 voix en chojur. [s. t. b. Ac-
comp. d'orgue, violoncelle et contre basse.]
No. 10 in M.260.19
O Salutaris. Duo [s. b. Accomp. d'orgue, violoncelle
et contre basse]. ^ No. 8 in M.260.19
Pange, lingua. A 3 voix en choeur. [s. T. B. Accomp.
d'orgue, violoncelle et contre basse.] No. 11 in M.260.19
Tu dux ad astra. Solo [s. Accomp. d'orgue, violon-
celle et contre basse, ad lib.]. No. 7 in M.260.19
Verbum supernum. A 4 voix en choeur. [Accomp.
d'orgue, violoncelle et contre basse.] No. 12 in M.260.19
Button. Almighty God, who has promised. [Accomp. for
organ.] No. 19 in M.158.14
Behold I have given you every herb. Anthem for
harvest-tide. [Accomp. for organ.] No. 16 in M.203.26
Christ the Lord is risen to-day. Anthem for Easter.
[Accomp. for organ.] No. 17 in M.203.26
Grant to us. Lord. [Accomp. for organ.]
No. 20 in M. 158.14
Two benediction hymns. No. 18 in M.203.26
We humbly beseech Thee, O Father. [Accomp. for
organ.] No. 21 in M. 158.14
Byrd. Book I, of Cantines sacrae for 5 voices . . .
No. 2 in M.234.25
The organ score is on shelf-number No. 3 in m. 234.28.
Calkin. Behold now, praise the Lord. Anthem for s. s. a.
T. B. B. [Accomp. for organ.] No. i in M.234.10; etc.
Hear my prayer, terzetto [s. a. t. Accomp. for piano-
forte]. No. 16 in M. 290.14
I will alway give thanks. Full anthem. [Accomp. for
organ.] No. 10 in M.234.10
I will magnify Thee, O God. Full anthem. [Accomp.
for organ.] No. 3 in M.234.10; etc.
O God, have mercy. Anthem for t. and chorus. [Ac-
comp. for organ.] No. 6 in M.234.10; etc.
Out of the deep. Full anthem, [b. solo and chorus.
Accomp. for organ.] No. 5 in M.234.10; etc.
The righteous shall flourish. Full anthem. [Accomp.
for organ.] No. 2 in M.234.10; etc.
Thou wilt keep hirn in perfect peace. Full anthem.
[Accomp. for organ.] No. 7 in M.234.10
Two introits or short anthems, "Rend your hearts and
not your garments," and 'To the Lord our God belong
mercies." [Accomp. for organ.] No. Sin M.234.10; etc.
Two introits or short anthems, The sacrifices of God,
If we say that we have no sin. [Accomp. for organ.]
No. 9 in M.234.10
Unto Thee will I cry. [Accomp. for organ.]
No. 4 in M.234.10
Callcott, J. W. Call to remembrance. Canon [4 in 2].
No. 86 in M.220.9.4; etc.
Christ being raised. Canon [4 in 2].
No. 25 in M.220.9.5; etc.
The Lord hear thee. Canon, 4 in 2. No. 94 in M.220.9.4
O Israel, return. Canon [4 in 2]. No. 3 in M.220.9.5
O that Thou wouldst hide me. Canon [4 in 2].
No. 7i in M.220.g.4
Church music. Anthems, &c. (Continued.)
Callcott, J. W. Praise the Lord, O my soul. Canon [4 in
2]. No. 17 in M.220.9.5; etc.
Thou, Lord, hast been. Canon, 4 in 2.
No. 29 in M.220.g4
Thou shalt shew me. Canon [4 in 2].
No. 41 in M.220.9.4; etc.
Callcott, W. H. Hymn of peace. Anthem for s. solo and
chorus. [Accomp. for organ.] No. 28 in M. 158.14
Camp. Softly now the light of day. Hymn-anthem with s.
or T. solo. [Accomp. for organ.] No. 19 in M.203.26
Campbell, H. A. J. O Lord, I will praise Thee. [Anthem.
Accomp. for organ.] No. 20 in M.203.26
Campra. Motets a I, II et III voix avec la basse-continue.
M.236.35
Cantate Domino. Canon, 4 in i. No. 8 in M.220.g.i
Carcano. Vespro a 3 voci, t. t. b., con accomp. d'organo.
No. 2 in M.222.25
Carr, F. O. If ye then be risen. [Accomp. for organ.]
No. 29 in M. 158.14
Casciolini. Panis angelicas, [t. t. b. Accomp. d'orgue.]
No. 14 in U.26o.ig
Caseley. Anthems. [Accomp. for organ.] M.233.12
Cecil, R. I will arise. [Anthem set for four and three
voices.] No. 15 in M.154.19; etc.
Centemeri. O Salutaris [s. or t. Accomp. for pianoforte].
No. II in M.COI.33
Ceupens. Ave Maria, pour s. t. b., avec accomp. d'orgue.
No. 23 in M.260.10.7
Chabas. Cantique pour une communion generale. A deux
voix [s. A. ou T. t. Accomp. d'orgue]. No. 25 in M.201.34
Chadvvick, G. W. As the hart pants. Psalm. [Accomp. for
organ.] No. 33 in M.158.14
Blessed be the Lord. [Accomp. for organ.]
No. ji in M.158.14
O Thou that hearest. Hymn. [Accomp. for organ.]
No. 32 in M. 158.14
Praise the Lord. [Accomp. for organ.]
No. 30 in M.158.14
While Thee I seek. [Accomp. for organ.]
No. 34 in M.158.14
CiiAiNE. O Salutaris, pour s. ou t., avec orgue.
No. 19 in M.260.10.4
Champion. Magnificat & Nunc dimittis, ... in A minor.
[Accomp. for organ.] No. 14 in M.190.2
Chandler. Anthems. Choir selections. Vol. i.
No. 37 in M.158.14
Guide me, O Thou great Jehovah. [.Accomp. for
organ.] No. 36 in M.158.14; etc.
Chapelle, La. Journal de musique vocale religieuse. Publie
sous la direction de E. Juvin. Annee i. No. 10 in M.201.33
Chapple. Christ our Passover. Easter anthem. [Accomp.
for organ.] No. 15 in M.igo.2
Chard. To celebrate Thy praise, O Lord. Full anthem.
Organ accomp. No. 36 in M.igo.5; etc.
Chelius, H. p. Our Father. [Accomp. for organ.]
No. I in M.158.15
Cherubini. Adjutor et susceptor meus, a 4 parties. Parti-
tion pour le piano forte. No. ioinM.222.24
Adoremus in aeternum, a 3 parties [s. s. s.]. Partition
pour le piano forte. No. 7 in M.222.24
Ave Maria, [s.] The English translation by J. S.
Dwight. [Accomp. for piano.] No. 10 in M.26o.io.2
Confirma hoc, Deus, a 3 parties [s. t. b.]. Partition
pour le piano forte. No. 6 in M.222.24
Ecce panis. [Solo, s. or t. Accomp. for piano.]
No. 5 in M.222.24; etc.
Inclina, Domine, aurem Tuam, a 4 parties. Partition
pour le piano forte. No. 9 in M.222.24
Lauda Sion. [s. a. Accomp. de piano.]
No. I in M.222.24; etc.
Musique religieuse. Vol. I. Accomp. pour piano ou
orgue. M.158.43
O Fons amoris, a 4 parties. Partition pour le piano
forte. No. 8 in M.222.24
245
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Cherubini. O Salutaris. [s.] With accomp. for the organ
or piano forte. No. 4 in M.260.2: etc.
Pater Noster. [Motet. Accomp. for piano.]
No. 4 in M.222.24
Regina coeli, a 4 parties. Partition pour le piano
forte. No. 11 in M.222.24
Sanctus, O Salutaris. [s. or t. solo. Accomp. for
piano.] No. 3 in M.222.24; etc.
Tantum ergo. [s. s. a. t. b. Accomp. for piano.]
No. 2 in M.222.24; etc.
Tantum ergo, a 5 parties [s. s. a. t. b.], en partition
avec p"° ou orgue. No. I in M.202.15
"Turn Thee, O Lord." An anthem, arranged from
Cherubini's Mass in F. [Accomp. for organ.]
No. 10 in M.190.7
Chopin. i3'^5. Praeludium aus Op. 28. Transcription fiir
Sopran-Solo und Frauenchor, mit Violine, Violoncell,
Orgel oder Harmonium und Pianoforte, von Carl Mikuli.
Partitur und Stimmen. No. 3 in M.agi.ss
Cirri. Domine, non mea. Canon [for 3 voices].
No. 69 in M.220.g.2; etc.
Clappe. Te Deum. Trio for male voices [t. t. b. Accomp.
for organ]. No. 6 in M.158.15
Clarke, H. Cast thy burden on the Lord. [Anthem. Ac-
comp. for organ.] No. 21 in M.203.26
Cry aloud and shout for joy. [Accomp. for organ.]
No. 22 in M.203.26
How beautiful are Thy dwellings. [Accomp. for
organ.] No. 23 in M.203.26
The Lord is my Light. [Anthem. Accomp. for or-
gan.] No. 25 in M.203.26
Show me Thy ways. [Accomp. for organ.]
No. 24 in M.203.26
Clarke, James H. S. There were shepherds abiding in the
field. Christmas anthem, for 4 voices. [Accomp. for
organ.] No. 16 in M.igo.2
Clarke-Whitfeld, J. Behold, how good and joyful. [Ac-
comp. for organ.] No. 8 in M.i54.ig; etc.
Te Deum and Jubilate in F. [Accomp. for organ.]
No. II in M.29o.ig; etc.
Te Deum in E. [Accomp. for organ.]
No. 10 in M.2go.ig; etc.
Te Deum, Jubilate, Magnificat, Nunc dimittis, in F.
[Accomp. for organ.] No. 12 in M.2go.ig; etc.
Clement, F. Chants de la Sainte-Chapelle, tires de manu-
scrits du XIII siecle . . . Avec accompagnement d'orgue.
M.121.8
Choix des principales sequences du Moyen age. Tirees
des manuscrits, traduites en musique et mises en parties
avec accomp. d'orgue. No. 2 in M.213.16
Clifton, J. C. Ecce Deus, Salvator meus. Solo motett for
a bass voice. [Accomp. for organ.] No. 7 in M.26o.io.i
CocciA. Ave Maria. Per voce di soprano con accomp.
d'organo. No. 6 in M.221.16
Coerne. Be merciful. [Anthem for t. or s. solo and chorus.
Accomp. for organ.] No. 26 in M.203.26
Incline Thine ear, O Lord. [Anthem for t. or s. solo
and chorus. Accomp. for organ.] No. 27 in M.203.26
Comer, T. O God, my king. [Accomp. for organ.]
No. 10 in M.158.15
Comer, T., editor. Music of King's Chapel. M.236.ii;etc.
Concone. Ave Maria, [m.-s. ou bar. Accomp. d'orgue.]
No. II in M.260.10.2
O Salutaris. [m.-s. ou bar. Accomp. d'orgue.]
No. 12 in M.260.10.2
CoNGREVE, B. Te Deum laudamus, in Eb. [Accomp. for
organ.] No. 17 in M.igo.2
Cooke, T. S. Ave Maria, [s. t. b. Vocal score only.]
No. 2 in M.250.6
Cooper, J. T. Te Deum laudamus. [Accomp. for organ.]
No. 18 in M.igo.2; etc.
Cope, W. H., editor. A collection of anthems, by English
composers. [With accomp. for organ.] M.290.34
246
Church music. Anthems, &c. (Continued.)
CoRFE, J. Te Deum and Jubilate; ... in B flat. The organ
part added. No. 19 in M.igo.2; etc.
Cornell. Ascribe unto the Lord. [Quartette. Accomp.
for organ.] No. 12 in M.IS8.15
Cantica sacra: or, hymns ... of the Catholic Church.
M.I08.2
Costa, M. Date sonitum, an offertorium for a bass voice
and chorus . . . Organ accomp. No. 8 in M.26o.io.i
Let the people praise Thee. Quartette. [Accomp.
for organ.] No. 10 in M.2go.g.i
"Suffer little children to come unto Me," a baptismal
anthem for s. and a., with chorus. [Accomp. for organ.]
No. 20 in M.igo.2
Thou shalt love the Lord. Trio [s. s. s. Accomp. for
organ]. No. 15 in M.2go.i4
Cotton, J. H., editor. Bangor cathedral collection: . . . con-
sisting of solos, duets, trios, quartets and choruses, with
an organ accomp. M. 290.33
Cramsie. Agnus Dei, s. solo with organ or piano forte
accomp. No. 22 in M.260.10.1
Crevghton. Behold, now praise the I^ord. Full anthem.
[Accomp. for organ.] No. 16 in M.158.15; etc.
I will arise. [Accomp. for organ.]
No. 19 in M.158.15; etc.
Praise the Lord, O my soul. [s. s. a. t. b. Accomp.
for organ.] No. 17 in M. 158.15; etc.
Croft. Cry aloud and shout. Chorus [s. s. a. t. b.].
No. 18 in M.158.15; etc.
Crotch. Methinks I hear. Motett [s. a. t. b. b.], with in-
strumental accomp. [Full score.] No. 3 in M.235.7.2; etc.
Crueger. Der Choral: „Nun danket Alle Gott," fiir die
Orgel gesetzt von Franz Liszt. (Chor und Begleitung
der Trompeten, Posaunen und Pauken ad lib.) Partitur
und Stimmen. No. 4 in M.403.77
Cruickshank, W. a. C. How beautiful are the feet. [Christ-
mas anthem. Accomp. for organ.] No. 29 in M.203.26
Sing, O ye heavens. [Accomp. for organ.]
No. 30 in M.203.26
CuMMiNGS. O Lord give ear unto my prayer. Full anthem
for 4 voices. [Accomp. for organ.] No. 21 in M.igo.2
CuRCi. Ave Maria. Preghiera pour a. [Accomp. de piano-
forte.] No. 7 in M.260.10.4
CuRTo. Bone Pastor. Motet, t. t. b. ou s. s. b. [Accomp.
d'orgue.] No. 5 in M.158.32
O Salutaris. Trio pour m.-s. t. ou bar. et b. [Ac-
comp, d'orgue.] No. I2in M.201.33
Cutler. O God, Thou art my God. Verse anthem. [Ac-
comp. for organ.] No. 23 in M.190.2
Dachauer. Ave verum, pour s. ou x., avec accomp. d'orgue.
No. I in M.260.10.2
Dana. As when the weary traveller. [Accomp. for piano.]
No. 22 in M.158.15
Danby, J. Lift up your heads. Canon, 4 in 2.
No. 95 in M.220.9.3; etc.
Damcke, B. [Salve regina, a quatre voix avec accomp.
d'orgue.] No. 17 in M.414.30
Danks. Fast falls the eventide. Solo [s. out.], trio [s. a. t.]
and quartet. [Accomp. for pianoforte.] No. 24 in M.igo.2
Daum. Rock of Ages. Quartette for mixed voices. [Ac-
comp. for organ.] No. 25 in M.igo.2
Davenport, A. Benedictus, in E flat. [Accomp. for organ.]
No. 8 in M.2go.i2
[Christ our Passover.] Easter anthem. [Accomp.
for organ.] No. 10 in M.290.12
Christmas anthem for [t.] solo and quartet. [Ac-
comp. for organ.] No. 9 in M.2go.i2
Gloria Patri and Gloria Tibi. [Accomp. for organ.]
No. II in M.290.12
[Glory to God in the highest.] Christmas anthem.
[Accomp. for organ.] No. 14 in M.2go.i2; etc.
Jubilate Deo (in Bb). [Accomp. for organ.]
No. 30 in M.igo.2; etc.
. Laudate Dominum, in C. [Accomp. for organ.]
No. 7 in H.2go.i3
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Davenport, A. Shout the glad tidings. Christmas anthem.
[Accomp. for organ.] No. 28 in M.igo.2; etc.
Te Deum, in B flat. [Accomp. for organ.]
No. 26 in M.igo.z; etc.
Day, H. B. I will praise God. [Accomp. for organ.]
No. 28 in M. 158.15
Dearle. A Te Deum, Jubilate, Cantate, Deus misereatur,
four anthems and thirty-si.x chants. [With accomp. for
organ.] M.233.17
Deldevez. O Salutaris, pour s. ou t. Avec accomp. de
piano ou orgue. No. 18 in M. 260.10.4
Dewit. Tota pulchra, a 4 voi.x, avec accomp. d'orgue.
No. 13 in M.260.10.3
Dietsch, p. L. p., editor. Repertoire de musique religieuse
de rfiglise de la Madeleine. M.260.20
Cantiques nouveau.x. A Jesvs Evcharistiqve! A Marie
Immacvlee! . . . No. i in M.158.25
O Salutaris, pour s. ou t. [Accomp. d'orgue.]
No. 21 in M.260.10.4
Te Deum a cinq voix [s. s. t. t. b.], soli et choeurs,
avec accomp. de grand orchestre. Partition [et reduction
pour orgue]. No. I in M.201.40
Veni, Sancte Spiritus. [s. s. t. b. Accomp. for organ.]
No. 20 in M.260.10.5
Dobbs. Just as I am. [Hymn-anthem, s. solo and chorus.]
No. I in M.203.27
DoLAN. Sancta Maria, a motett. [Accomp. for organ.]
No. 13 in M.260.10.5
DoLMETSCH. Piques. Hymne de fete pour chant [s. ou t.]
avec accomp. de piano, violon et orgue ad lib. [Partition
et parties separees d'orgue et de violon.] No. 3 in M.201.32
Donizetti. Come, weary souls. [Solo, t., duo, t. a., and
chorus. Accomp. for organ.] No. 16 in M.190.1
O Salutaris Hostia. [Motet, s. x. t. b. Accomp. for
organ.] No. 20 in M. 260.3
DoRNHECKTER. Zwei leicht ausfiihrbare Motetten fiir s. a.
T. B. No. 17 in M.158.22
Dow, H. M. Guide me, O Thou Great Jehovah, b. solo and
quartett, [Accomp. for organ.] No. 32 in M.190.2
Lo! the day of rest declineth. [s. solo and chorus.
Accomp. for organ.] No. 31 in M.igo.2
Te Deum laudamus [t. t. b. b. Accomp. for organ].
No. 34 in M.igo.2
Dregert. Sanctus fiir Mannerchor. Op. 57.
No. 70 in M.392.3
Drese. Who is there like Thee. [Hymn.] No. 5 in M. 158.23
Dressler. XVII Motetten zu vier und fiinf Stimmen in
Partitur gesetzt und mit einer Klavierpartitur versehen.
M.400.13
Dubois, C. V. Ave Maria, pour une voix [a.] avec accomp.
d'orgue. No. 13 in M.201.33
Tantum ergo, pour 4 voix avec accomp. d'orgue.
No. 19 in M.260.10.7
Dufresne. Ave Maria [s. Accomp. d'orgue].
No. 6 in M.260.10.4
Du Mouchel. Ecce panis. Motett for four voices. [Ac-
comp. for pianoforte or organ.] No. 12 in M.201.35
Grand Magnificat in C, for four voices, [.\ccomp. for
organ.] No. 13 in M.201.35
Dunham. The Lord's Prayer [t. t. b, b.]. No. 29 in M.203.15
DupREz, G. L. Ave Verum. Pour s. ou t. [Accomp. de
piano.] No. 6 in M.158.32
Durante, F. Magnificat fiir 4 Singstimmen ... in er-
weiterter Instrumentation mit Clavierauszug versehen.
Partitur mit Clavierauszug. No. 2 in M.352.20
Duval, E. Ave Maria, [t. t. b. b. Accomp. d'orgue.]
No. 27 in M.260.10.6; etc.
Ave Maria a une voix [s. ou t.] avec accomp. d'orgue.
No. 18 in M.26o.ig
Ecce panis. [Duet, s. b. Accomp. d'orgue.]
No. 4 in M. 201.33; etc.
Iste confessor, [s. s. b. Accomp. d'orgue.]
No. 20 in M.26o.ig
Church music. Anthems, &c. (Continued.)
Duval, E. O Sacrum convivium. [t. t. b. Accomp. d'orgue.]
No. 19 in M.260.19
■ Pie Jesu Domine. [t. t. b. Accomp. d'orgue.]
No. 23 in M.260.19
Regina coeli. [s. s. t. t. b. Accomp. d'orgue.]
No. 22 in M.260.19
Dvorak. Praise Jehovah. 149th Psalm. Mixed chorus, with
piano-forte accomp. No. 3 in M.154.54
' Te Deum fiir Sopran- und Bass-Solo, gemischten
Chor und Orchester. Op. 103. Partitur. No. i in M.202.16
Dyke. Original sacred music, consisting of hymns, an-
thems, communion services and chants. M.290.24
Ebdon. Nunc dimittis, in C. Full anthem. [Accomp. for
organ.] No. 33 in M. 158.15; etc.
Sacred music in score. Vol. 2. With an accomp. for
the organ or piano forte. M. 233.15
Eberlin. Jerusalem, quae aedificatur, in usum quatuor
vocum . . . comitante clavicimbalo. No. 4 in M,22i.43
Qui confidunt in Domino . . . tribus vocibus [s. a. b.]
solis cantandum . . . comitante clavicimbalo.
No. 4 in M.221.43
Sicut mater consolatur . . . tribus vocibus [s. a. b.]
solis cantandum . . . comitante clavicimbalo.
No. 4 in M.221.43
ficHOS du monde religieux. [Parts of masses, motets, etc.]
M.IS6.S2
Edes, H. W. Father, I know that all my life. t. solo and
quartette. [Accomp. for organ.] No. i in M.190.3
Ellerton. Amplius lava me. Offertory from a Mass in
B flat. Solo [a. or bar. Accomp. for organ].
No. 32 in M.260.3
Et incarnatus est. Trio [s. a. b. or x. x. b. Accomp.
for piano]. No. 6 in M.260.21
Salve Regina. Motet [m.-s. or bar. solo. Accomp.
for organ]. No. 3 in M.260.21
Tantum ergo, pour s. t. b., avec accomp. d'orgue.
No. 22 in M.260.10.7; etc.
Tota pulchra es. Motet a 2 voix. [Accomp. d'orgue.]
No. 5 in M.260.21
Elsaesser. The Lord is merciful. Anthem for solo [s. or
T.] & chorus, with organ or pianoforte accomp.
No. 9 in M.290.9.2
Elvey, G. J. Arise, shine, for thy light is come. Full an-
them for Christmas. [Accomp. for organ,] No. 2 in M.190.3
Emerson, I. Gracious Spirit, Love divine, [s. s. x. Accomp.
for organ.] No. 34 in M.158.IS
The Lord is risen. [Accomp. for organ.]
No. 36 in M.158.15
Love divine. [Accomp. for organ.] No. 37 in M.158.1S
O God of my salvation. [Accomp. for organ.]
No. 35 in M.158.19
Emerson, L. O. Beyond the smiling and the weeping. Song
[s.] and quartet. [Accomp. for pianoforte.] No. 3 in M.190.3
Come, ye blessed children. Quartet [s. s. a. a.] unac-
companied. No. 4 in M.190.3
Rock of Ages. A centennial hymn for 4 voices. [Ac-
comp. for pianoforte.] No. 5 in M.igo.3
Emery. Love divine, all love excelling, [s. solo and chorus.
Accomp. for organ.] No. 6 in M.igo.3
Emmerig. Magnificat, for 4 voices, with an accomp. for the
organ or piano forte. No. S in M.260.10.1
Erba, Magnificat. [A 8 voci, con accomp. di violino i, 2,
viola, oboe i, 2, e organo.] No. i in M.415.20.1
Eslava. Miserere, para piano forte. M.250.11
Este, T., editor. The whole Book of Psalms, with their
wonted tunes, harmonized in 4 parts by the principal musi-
cians of the reign of Elizabeth . . . No. 3 in M.234.25
Etx. Ave Maria. A 4 voix. Avec accomp. d'orgue (ad lib.).
No. 16 in M.260.10.3
Haec dies, quam fecit Dominus, lobsinget ihm, in
usum quatuor vocum . . . comitante clavicimbalo.
No. 4 in M.221.43
Exeter Hall. A monthly magazine of sacred music. Vol.
1-4. [1868, 6g.] M.i6s.a
247
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Eykens. Ave Maria, [s. t. b. Accomp. d'orgue.]
No. 15 in M.201.33; etc.
Tantum ergo. [s. t. b. Accomp. d'orgue.]
No. 2$ in M.260.19
Fabiani, D. L'ultimo sacrificio. Preghiera per canto [a. o.
B.] con accomp. di pianoforte. Op. 84. No. 16 in M.201.33
Fairlamb. Jubilate Deo, in C. [Accomp. for organ.]
No. 8 in M.igo.3
Te Deum in Bb, for soli, double chorus and organ.
No. 9 in M. 190.3
Te Deum in F. [Accomp. for organ.] No. 7 in M. 190.3
Falkenstein. Ave Maria, s. solo with chorus. [Accomp.
for organ.] No. 14 in M.260.10.7
Ave Maria, for t. with piano or organ accomp.
No. 6 in M.260.I0.2
Ave Verum. Chorus with solo for t. or s. With ac-
comp. for the organ. No. 16 in M.260.10.7
Benedictus. Semi-chorus, with s. t. & b. solos. Eng-
lish and Latin words. [Accomp. for organ.]
No. 18 in M.201.33; etc.
Blessed be Thou, O God. [Accomp. for organ]
No. 10 in M. 190.3
Two sacred pieces: O Salutaris Hostia, quartette;
Tantum ergo, solo [s.] & chorus. [Without accomp.]
No. 19 in M.201.33; etc.
Falkenstein, editor. Sacred music for church and home.
Book I.
Faerant. Lord, for Thy tender mercies'
for organ.] No,
Fasch. Sammtliche Werke . . . Partitur.
No. 17 in M.201.33
sake. [Accomp.
II in M.190.3; etc.
Lieferung 1-7.
M.260.16
Fauconier. Salut solennel. Specialement compose pour
les fetes du Sacre-cceur de Jesus. Op. 126. Avec accomp.
d'orgue. No. 4 in M.201.32
Faure, J. B. O come to Him. [Trio, s s. a. Accomp. for
pianoforte.] No. 13 in M.157.1S
O Saving Victim, (O Salutaris,) motett for s. or t.
solo and chorus. [Accomp. for organ.] No. 20 in M.201.33
Save, Lord, and hear us (Ave Maria), motett for s. or
T. solo, with chorus. [Accomp. for organ.]
No. 21 in M.201.33
Fay, C. K. Call to remembrance, O Lord. A short anthem.
[Accomp. for organ.] No. 44 in M. 158.15
Te Deum, in A. [Accomp. for organ.]
No. 42 in M.1S8.15
Te Deum laudamus [in E flat. Accomp. for organ].
No. 12 in M.igo.3
Fernandez de Monge. Stabat Mater a 4 voi.x, choeurs, solos,
trio, quatuor et orgue. No. I in M. 158.38
Fesca, F. E. Der 1051= Psalm. Hymne fiir 4 Singstimmen
mit Begleitung des Orchesters . . . Vollstandiger Clavier-
auszug. No. 2 in M.221.5
I will praise Thee, O Lord, the 9th Psalm, adapted to
English words . . . [Accomp. for pianoforte.]
No. I in M, 270.29
Ein Satz aus der 13"" Psalm fiir s. a. t. b. mit Beglei-
tung des Piano Forte. No. i in M.221.5
Fessy. O Salutaris. [s. t. b. Accomp. d'orgue.]
No. 3 in M.221.21
F6tis, F. J. Domine, salvum fac regem nostrum, pour un
choeur a 4 voi.\, orchestre et orgue, compose pour I'inau-
guration du Roi des Beiges Leopold IL Partition.
No. 2 in M.213.10
Te Deum en plain-chant mesure. [Avec accomp.
d'orgue et d'orchestre. Partition.] No. 3 in M.407.12
Finck, Heinrich. Eine Sammlung ausgewahlter Komposi-
tionen zu vier und fiinf Stimmen . . . mit einem Klavier-
auszuge versehen. M.400.2
Finck, Hermann. Sechs Tonsatze [zu 4 und 5 Stimmen, mit
Klavierbegleitung]. M.400.4
Fioravanti, V. O vos omnes. [t. t. t. t. Sans accomp.]
No. 26 in M.260.19
Fish. Glory to God in the highest. Christmas anthem.
[Accomp. for organ.] No. 19 in M. 157.29
Church music. Anthems, &c. (Continued.)
Fitzwilliam. Te Deum. Composed for solo voices & cho-
rus, and the accompaniment compressed from the score,
for the pianoforte or organ. No. i in M.202.17
Fluegel, G. Sanctus, O Salutaris, a trois voix egales, avec
accomp. de piano ou orgue. Op. 49. [Partition et parties
separees.] No. 3 in M.213.10
FooTE. And there were shepherds. [Christmas anthem.
Accomp. for organ.] No. 3 in M.203.27
Benedicite, omnia opera [in E major. Accomp. for
organ]. No. i in M.158.16
Benedictus, in Eb. [Accomp. for organ.]
No. 4 in M.1S8.16
Christ our Passover. [Anthem for Easter. Accomp.
for organ.] No. 4 in M.203.27
• Magnificat and Nunc dimittis [in B flat major. Ac-
comp. for organ]. No. 2 in M.158.16
Still,' still with Thee. [Accomp. for organ.]
No. 5 in M.203.27
Te Deum, in B flat minor. [Accomp. for organ.]
No. S in M.158.16
Te Deum in D minor. [Accomp. for organ.]
No. 6 in M.203.27
Venite, in C. [Accomp. for organ.] No. 3 in M.158.16
Ford, T. Almighty God! who hast brought me. Psalm.
[Accomp. for organ.] l*Jo. 30 in M.157.28.1
Foster, J., of York. Sacred music, consisting of anthems,
psalms & hymns. [With accomp. for orchestra and organ.
Full score. Vol. i, 2.] M.290.32
Foster, M. B. O Holy Dove, return. [Accomp. for organ.]
No. 31 in M.158.19
Fowle, T L. [Fifteen short anthems. Accomp. for organ.]
M.290.26
Now is Christ risen. [Anthem for Easter. Accomp.
for organ.] No. 11 in M.290.14
• Thou visitest the earth. [Anthem for Thanksgiving.
Accomp. for organ.] No. 13 in M.290.14
When the Comforter is come. [Anthem for Whit-
sunday. Accomp. for organ.] No. 12 in M.2go.i4
Will God indeed dwell upon the earth? [Accomp. for
organ.] No. 14 in M.290.14
Wilt not Thou, O God, go forth? [Accomp. for
organ.] No. 10 in M.290.14
Fowle, T. L., editor. Parochial anthems by the cathedral
composers of 1863, in vocal score with organ accomp.
No. I in M.233.2g
Franz. R. Sechs Chorale fiir gemischten Chor. [Mit Be-
gleitung des Pianoforte.] Partitur. No. 10 in M.204.7
Frober, editor. Jvbilvs rythmicvs de nomine Jesv. Stances
de Saint Bernard mises en musique a 3 & a 4 voix. [Ac-
comp. de piano ad libitum.] No. 2 in M.201.1
Frost, C. J. Magnificat & Nunc dimittis. [Accomp. for
organ.] No. 9 in M.158.16
Fux. Motetten. Abtheilung i. M.414.7
Gabriel, M. A. V. See from Zion's sacred mountain. Solo
[s. or T.] & quartett. [Accomp. for organ.]
No. 30 in M.190.8
Gabrieli, G. Benedictus. (For 3 choruses in 12 voices.)
No. 9 in M. 260.21 ; etc.
Gadsbv. Blessed be the name of the Lord. Harvest anthem.
[Accomp. for organ.] No. 12 in M.is8.i6
The Lord is King. Festival anthem. [Accomp. for
organ.] No. 13 in M.157.29; etc.
Galuppi. Gloria. [A 4 voci, orchestra e organo. Parti-
tura.] M.201.7
Magnificat. [Fiir 4 Singstimmen mit Orchester-Be-
gleitung. Partitur.] No. I in M.222.47
Gardiner, W., editor. Sacred melodies, from Haydn, Mozart
and Beethoven. [Accomp. for organ.] M.236.30
Garrett. In humble faith and holy love. Anthem for
Trinity Sunday. [Accomp. for organ.] No. 15 in M.190.3
Praise ye the Lord for his goodness. Anthem for har-
vest. [Accomp. for organ.] No. 14 in M.158.16
They that put their trust in the Lord. [Accomp. for
organ.] No. 14 in M.190.3
248
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Gaspari, G. II Salmo Davidico Miserere mei Deus. Messo
in musica a cinque voci, con accomp. di organo o piano-
forte ad libitum. No. s in M.192.19
Gaude, Les, pour Noel, ou les allegresses de la S" Vierge.
[A une voix, a. ou b. Accomp. d'orgue.] No. 28 in M.201.34
Gaul. It shall be light, [s. s. a. Accomp. for organ.]
No. 17 in M. 158.16
"Let Thy merciful ears." [Accomp. for organ.]
No. 22 in M. 158.16
List! the cherufeic host. [s. s. s. a. a.] No. 16 in M. 158.16
"O God who hast prepared." [Accomp. for organ.]
No. 21 in M.158.16
"This is the day." [Accomp^ for organ.]
No. 18 in M.158.16
Gauntlett. Thou wilt keep him in perfect peace. [Ac-
comp. for organ.] No. 6 in M.157.29; etc.
Gaylord. Let me with light. Hymn anthem. [Accomp.
for organ.] No. 23 in M.158.16
Lift your glad voices. Easter anthem. [Accomp. for
organ.] No. 7 in M.203.27
Venite, in G. Anthem for quartette or chorus choir.
[Accomp. for organ.] No. 8 in M.203.27
Gehring, R. E. H. Te Deum. With accomp. for organ.
No. 16 in M.190.3
Gelbke. Jubilate, amen. Hymne fiir Sopran-Solo, Manner-
chor, Pianoforte, und Harmonium (ad libitum). Op. 8.
Partitur. No. 15 in M.3g2.28
Gernsheim. Salve, Regina, fiir Sopran-Solo, Frauenchor,
Orchester und Orgel (ad libitum). Clavierauszug.
No. 4 in M.391.39
Gerrish. Benedic anima mea, in G. [Accomp. for organ.]
No. 27 in M.158.16; etc.
Benedictus, in C. [Accomp. for organ.]
No. 34 in M.158.16; etc.
Christ our Passover. [Anthem for Easter. Accomp.
for organ.] No. 29 in M.158.16; etc.
The earth is the Lord's, [t. t. b. b. Accomp. for
organ.] No. 16 in M. 203.25
The Gerrish collection of church music. No. 1-18.
[Accomp. for organ.] No. i in M.158.26
Glory to God. Christmas anthem. [Accomp. for
organ.] No. 30 in M.158.16; etc.
God the Omnipotent; Behold how pleasant [arranged
from Sullivan]; Father! in thy mysterious presence. [3
male quartets. Accomp. for organ.] No. 6 in M.203.25
How shall we raise our dead? [Quartet for male
voices. Accomp. for organ.] No. 10 in M.203.25
I will wash my hands in innocency. [Quartet, t. t.
B. B. Accomp. for organ.] No. 3 in M.203.25
Immanuel. In hoc signo vinces. [2 male quartets.
Accomp. for organ, ad lib.] No. 15 in M.203.25
Jubilate Deo, in A flat. [Accomp. for organ.]
No. 26 in M.158.16; etc.
Jubilate Deo, in D. [Accomp. for organ.]
No. 32 in M.158.16; etc.
The Lord is my shepherd. [Accomp. for organ.]
No. 35 in M.158.16; etc.
The Lord's Prayer. O Thou true God alone. [2 male
quartets. Accomp. for organ, ad lib.] No. 14 in M.203.25
Remember now thy Creator. [Quartet, t. t. b. b.
Accomp. for organ.] No. 4 in M.203.25
—— Ring evermore, ye blessed bells, (t. or s. solo with
quartet accomp. [t. x. b. b.].) God is our Refuge (short
sentence [t. t. t. b. b. b.]). Miserere nobis (unison chorus,
organ accomp.). No. 19 in M.203.25
Spirit of truth (b. solo and quartet, x. t. b. b.). Our
Father in heaven [x. x. b. b.], by C. L. Kenyon. Hark! the
song of jubilee [x. x. b. b.], by W. H. Gerrish. [Accomp.
for organ.] No. 18 in M.203.25
Te Deum, in A flat. [Accomp. for organ.]
No. 25 in M.158.16; etc.
Te Deum, in Bb. Accomp. for organ. No. 17 in M.igo.3
Te Deum in C. [Accomp. for organ.]
No. 3Z in M.158.16; etc.
Church music. Anthems, &c. (Continued.)
Gerrish. Te Deum in C [for x. x. b. b. Accomp. for organ].
No. 13 in M.203.25
Te Deum, in D. [Accomp. for organ.]
No. 31 in M.158.16; etc.
When the weary, seeking rest; Through the night air
(Miserere). [2 male quartets. Accomp. for organ.]
No. 5 in M.203.25
Gevaerx. O Salutaris. Motet a une voix [s. ou x. Accomp.
d'orgue]. No. 22 in M.201.33
Gibbons. A collection of [his] sacred compositions . . .
with a transposed organ-part to some of his published
works. M.398.6
GiLBERX, J. L. In the Cross of Christ I glory, [s. solo and
chorus. Accomp. for organ.] No. 18 in M.190.3
O Lord, most holy. Quartett with bass solo. [.A.c-
comp. for organ.] No. 36 in M.158.16
Te Deum, in C. [Accomp. for organ.]
No. Z7 in M.158.16
Veni, Creator. Come Holy Spirit. [Hymn anthem
with solos for bar. and x. Accomp. for organ.] Latin and
English. No. 38 in M.158.16
Gill, W. H. Christ being raised from the dead. Anthem
for Easter. No. 2 in M. 157.29; etc.
Girac. Alma Redemptoris. bar. solo. [Accomp. for or-
gan.] No. 25 in M.260.10.2
Salve Regina. b. solo. [Accomp. for organ.]
No. 26 in M.260.10.2
Gladsxanes. Averte faciem Tuam, an offertorium for m.-s.
or bar., with accomp. for the organ or piano forte.
No. 3 in M.260.10.5
Gleason. Thy will, O God, be done. Solo [s.] & quartette.
[Accomp. for organ.] No. 39 in M.158.16
Gloria in excelsis. Canon, 3 in i. No. yy in M. 220.10
[Glory to Thee, my God, this night.] Evening hymn. [4
voices, with accomp. for organ.] M.384.28
Glover, J. W. Second mass and sacred collection. [Ac-
comp. for organ.] No. 2 in M.191.9
Gluck. De profundis. Ouvrage posthume. [Partition.]
No. 2 in M.222.4g; etc.
Mater divinae gratiae. s. solo and quartette. Arranged
by V. Novello. [Accomp. for organ.]
No. 16 in M.260.10.5; etc.
GooDELL. Depths of mercy. Solo [s. or t.] & quartet.
[Accomp. for pianoforte.] No. 20 in M.190.3
GoRDiGiANi. Credo, pour voix de basse, avec choeur. [Ac-
comp. de piano.] No. 3 in M.260.10.3
Melodies sacrees. M.270.42
Pater Noster, solo pour x. ou s., avec choeur. [Ac-
comp. de piano.] No. 4 in M.260.10.3
Gordon. Ave Verum, for an alto (or bass) voice. [Accomp.
for organ.] No. 18 in M.260.10.1
Goss. Behold, I bring you good tidings. Full anthem for
Christmas. [Accomp. for organ.] No. 21 in M.190.3; etc.
Blessed is the man. [Accomp. for organ.]
No. 22 in M.233.24.1; etc.
Come, and let us return. [Accomp. for organ.]
No. 13 in M.157.32; etc.
Fear not, O land. Anthem for harvest. [Accomp. for
organ.] No. 21 in M.157.32; etc.
I will magnify Thee. Harvest anthem. [Accomp.
for organ.] No. 12 in M.157.32; etc.
If we believe that Jesus died. Full anthem. [Accomp.
for organ.] No. 16 in M.157.32; etc.
In Christ dwelleth. Full anthem. [Accomp. for or-
gan.] No. 6 in M.233.24.1 ; etc.
■ Lord, let me know mine end. Anthem for b. solo and
chorus. [Accomp. for organ.] No. 15 in M.157.32; etc.
O give thanks unto the Lord. Full anthem for Easter.
[Accomp. for organ.] No. 14 in M.157.32; etc.
O Saviour of the world. Full anthem. [Accomp. for
organ.] No. 40, 41 in M.158.16
O taste, and see, how gracious the Lord is. [Accomp.
for organ.] No. 11 in M.157.32; etc.
I 32
249
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
[Motett, in E flat.
— By Babylon's wave. (.Psalm
organ.]
— Same. Presso il fiume stranier.
Super flumina Babylonis.
Church music. Anthems, &c. (Continued.)
Goss. Praise the Lord, O my soul. [Accomp. for organ.]
No. i8in M. 157.32; etc.
The wilderness. [Accomp. for organ.]
No. 19 in M. 157.32; etc.
Goss, editor. The sacred minstrel. Vol. i, 2. M.158.8
The whole of the music, as performed at the public
funeral of Field Marshall, the Duke of Wellington, in St.
Paul's Cathedral. No. 2 in M.202.17
GossEC. Domine salvum. Chante au Champ de Mars, le
14 juillet, 1790 [a. T. B. Accomp. de piano]. M. 380.14
Te Deum pour la federation du 14 juillet, 1790, au
Champ de Mars [a. T. B. Accomp. de piano]. M.380.14
Gounod. All ye who weep. Full anthem [s. a. t. t. b. b.
Accomp. for organ, ad lib.]. No. 10 in M.290.13; etc.
As the hart pants. Motett [t. t. b. b. Accomp. for
organ ad lib.]. No. 12 in M.290.13; etc.
Ave Verum. [Motett, in E flat. Accomp. for organ.]
No. 5 in M.290.13
I37-) [.\ccomp. for
No. I in M.290.13; etc.
Parafrasi del Salmo
Coro con orchestra. Partitura.
No. 2 in M.333.12
. Come unto Him. Full anthem [s. a. t. t. b. b. Ac-
comp. for organ]. No. 11 in M.290.13; etc.
Come unto Me. Sacred quartette. [Accomp. for
organ.] No. 12 in M.igo.8
De profundis (From the deep have I called), 130.
Psalm. [Accomp. for piano.] No. 2 in M.365.7; etc.
Forever with the Lord. [Duet. Mezzo & bar. Ac-
comp. for piano.] No. 43 in M.158.16
Gallia, motett, for s. solo, chorus, orchestra and organ.
[Vocal score with pianoforte accomp.]
No. 4 in M.290.13; etc.
I will extol Thee. Quartett from "Ave Maria" [of
Bach-Gounod]. No. 22 in M.190.3
Inviolata. Avec accomp. [d'orgue] ad libitum. Pour
deux voix egales. No. 14 in M.201.34
Jesu, blessed Word of God. Ave Verum. [In C.
Accomp. for organ.] No. 7 in M.258.32
Love divine, all love excelling. [Accomp. for organ.
ad lib.] No. 45 in M.is8.i6
O come near to the Cross. Motett. [Accomp. for
the organ.] No. 3 in M.290.13; etc.
O day of penitence. Anthem for Lent [s. a. t. t. b. b.
Accomp. for organ] . No. 8 in M.157.31 ; etc.
O God, our help in ages past. [Accomp. for organ.]
No. 36 in M. 158.19
A. Accomp. for
No. 8 in M.290.13
solo and chorus.
No. 13 in M.290.13
B. B. Accomp. for
No. 14 in M.2go.i3
[In
. [T.
[t. t.
O Salutaris Hostia, motett.
organ.]
O Salutaris Hostia (No. i),
Accomp. for organ.]
O Salutaris Hostia (No. 2).
organ.]
O Saving Victim. Anthem for quartet and chorus.
The accomp. arranged by Berthold Tours.
No. 3 in M. 157.29; etc.
O sing to God. (Noel.) For female voices (soli and
chorus). [Accomp. for organ.] No. 9 in M.290.13; etc.
Pater Noster (Our Father). [Motet. Accomp. for
organ.] No. 10 in M.157.31
Send out Thy light. [Accomp. for organ.]
No. 7 in M.290.13
Sing praises unto the Lord. [Accomp. for organ.]
No. 5 in M.157.31 ; etc.
Te Deum. [In C. Accomp. for organ.]
No. II in M.157.31
Word of God incarnate (Ave Verum), motett for 5
voices [s. s. A. T. B. Accomp. for organ]. No. 2 in M.157.31
Word of God incarnate. Motett. [Accomp. for organ.]
No. 6 in M.290.13; etc.
Gounod, editor. The Royal Albert Hall choral music.
[Vocal score with accomp. for pianoforte.] M.384.28
Granier. O Salutaris. A quatre voix. [Accomp. d'orgue.]
No. 30 in M.201.34
Church music. Anthems, &c. (Continued.)
Graun. Am Sontage Rogate. [Fiir Solostimmen, Chor und
Graz. Qui timetis Dominum. Motetto in usum quatuor
vocum . . . comitante clavicimbalo. No. 4 in M.221.43
Gregoir, J. M. J. Ave Maria pour voix solo [s.] & chceur.
Avec accomp. de piano (ou harpe) et harmonium ou orgue.
No. 24 in M. 201.33; etc.
Grifoni, G. B. Laudi a Maria Santissima, poste in musica
a 2 e 3 voci [d'uomini], con accomp. d'organo. M.221.6
Guernsey. Ave Regina, for m.-s [Accomp. for organ.]
No. 25 in M.201.33
GuiLMANT. Ave Verum. [Motet. Accomp. for organ.]
No. 16 in M.203.27
Gunter. Te Deum laudaraus. [Accomp. for organ.]
No. 23 in M.190.3
GuYNEMER. O Salutaris Hostia, solo for A. [Accomp. for
organ.] No. 12 in M.260.10.4
Hadley. Christ our Passover. Easter anthem. [Accomp.
for organ.] No. 17 in M.203.17
Hagarty. Tantum ergo. Solo [s. or t.] & chorus. [Ac-
comp. for pianoforte.] No. 18 in M.260.10.7
Hahn. T. „Der Herr ist mein Hirt." Der XXIII. Psalm,
fiir 4 Mannerstimmen mit Begleitung des Pianoforte.
No. 6 in M.2 70.59
..Herr unser Herrscher." Der VIII. Psalm, fiir 4
Mannerstimmen. Klavierauszug. No. 7 in M.270.59
Haine. Ave Maria, fiir eine Singstimme [s. oder t.] mit
Pianoforte-Begleitung. Op, 34- No. 26 in M.201.33
Halevy, J. F. F. £. O Salutaris. [Motet, s. ou t. Accomp.
d'orgue.] No. 23 in M.201.33
Hall, C. Far down the ages. [Accomp. for organ.]
, No. 19 in M.203.27
Hamer. Come unto Me. [s. solo and quartet. Accomp. for
organ.]
It came upon the midnight clear.
Accomp. for organ,]
Solftly now the light of day. a,
[Accomp. for organ.]
Watch ye and pray.
No. 20 in M.203.27
[s. solo and chorus.
No. 21 in M.203.27
solo and quartette.
No. 22 in M.203.27
[Accomp. for organ.]
No. 23 in M.203.27
While shepherds watched, [a. solo and quartette or
chorus. Accomp. for organ.] No. 24 in M.203.27
Hamilton, E. The Lord is my Shepherd. Quartette, with
accomp. for organ or pianoforte. No. 9 in M.290.9.1
Hamma, B. Alma Redemptoris. [Motet. Accomp. for or-
gan.] No. 8 in M.158.32
Ave Regina. [Motet. Accomp. for organ.]
No. 9 in M.158.32
Regina coeli. [Motet. Accomp. for organ.]
No. 10 in M.158.32
. Salve Regina. [Motet. Accomp. for organ.]
No. II in M.158.32
Tantum ergo, in A. [Motet. Accomp. for organ.]
No. 12 in M.158.32
Tantum ergo, in Bb. [Motet. Accomp. for organ.]
No. 13 in M.158.32
Handel. But who may abide. Recitative and air [a. or
BAR.]. Arranged from the score, with an accomp. for the
pianoforte. No. 5 in M. 236.16
Le ioo">e Psaume. Terre, benis le Seigneur! (Jubi-
late Deo, omnis terra, servite Domino). M.403.52
Father of mercy. [Arranged from his Lascia ch'io
pianga. Accomp. for piano.] No. 29 in M.158.15
■ He shall feed His flock. Air [s.] from the Messiah.
[Accomp. for organ.] No. 36 in M.290.22.1
How long wilt Thou forget. [For a. t. b., from his
Acis and Galatea. Accomp. for organ.] No. 14 in M.158.15
How long wilt Thou forget me, O Lord? Full an-
them. Organ accomp. No. 27 in M.190.5; etc.
Hymne a la Ste. Vierge. [s. s. a. Accomp. d'orgue.]
No. 18 in M.201.34
I know that my Redeemer liveth. Air [s. or t. Ac-
comp. for organ]. No. 66 in M.290.22.1
Jubilate [Utrecht] . . . Partitur und Clavierauszug.
No. 3 in M.352.20
Z50
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Handel. Oh! had I Jubal's lyre. Air [s. or t.] from Joshua.
[Accomp. for organ.] No. 66 in M. 290.22.2
Soil ich auf Mamre's Fruchtgefild? Arie [b., mit
Pianofortebegleitung] . No. 4 in M.204.37
Te Deum zur Feier des Sieges bei Dettingen, instru-
mentirt. Partitur. M.ig2.i7
Das Volk, das im Dunkeln. Bass-Arie [mit Piano-
fortebegleitung] . No. 4 in M.204.37
Wer mag den Tag seiner Zukunft erleiden. Bass-
Arie [mit Pianofortebegleitung]. No. 4 in M.204.37
Handel and Haydn Society, Boston. The Boston Handel
and Haydn Society collection of sacred music consisting
of songs, duetts, trios, chorusses, anthems, &c. ... ar-
ranged for the organ or piano. M. 221. 22
Hanscom. Abide with me. Semi-chant. No. 25 in M. 203.27
The better land. [t. t. b. b.] No. i in M.203.16
Hail to the Lord's Anointed. [Accomp. for organ.]
No. 26 in M.203.27
Jubilate Deo in F. [Accomp. for organ.]
No. 27 in M.203.27
Nearer, my God, to Thee. For men's voices with s.
obligate. No. 3 in M.203.16
O for the pearly gates, [s. solo and quartet. Accomp.
for organ.] No. 28 in M.203.27
Sun of my soul. [x. t. b. b.] No. 2 in M.203.16
Hargitt. Ave Maria, for a s. voice. [Accomp. for organ.]
No. 8 in M.260.10.4
Hargreaves, G. Venite. [Accomp. for organ.]
No. 2 in M.2go.i4; etc.
Harper. Magnificat and Nunc dimittis, for 4 voices, with
accomp. for organ or piano forte. No. 25 in M.190.3
Harwood, E. The dying Christian to his soul. Ode [s. s. b.
Accomp. for piano]. No. 4 in M.2go.22.2; etc.
Hasse, C. F., editor. Sacred music: partly original and partly
selected from the works of . . . German composers. The
instrumental parts arranged for the piano forte. M.201.37
Hasse, J. A. P. Magnificat. [For 4 voices, with accomp. for
horns, strings and organ.] No. 6 in M.222.47
[My tears have been my meat. [Accomp. for piano-
forte.]
Puer natus est. Coro pastorale
— Salve Redemptor. [In B flat,
accomp. for violins, viola and bass.]
— Salve Redemptor. [In G. Solo,
violins, viola and bass.]
Sub Tuum praesidium.
accomp. Full score.]
No. 4 in M.140.1
[Partitura.]
No. 4 in M.250.ig
Solo, s. or T., with
No. 4 in M.222.47
s., with accomp. for
No. 5 in M.222.47
[For 4 voices with orchestral
No. 3 in M.222.47
[Te Deum in D, fiir 4 Singstimmen mit Orgel-Beglei-
tung.] No. 3 in M.221.35
Hast, M. Psalm 137. S^aniinj bv By the rivers of Babvlon,
An den Wassern zu Babel. For a single voice, with piano-
forte accompaniment . . . No. 5 in M.384.30
Hast, M., editor. .niiBnm HJIH "IVIN Otsar horina vehatfila.
A collection of sacred Jewish hymns, and prayers, with
solos & choruses and an accompaniment for piano or har-
monium. Parts 1-4. No. i in M.384.30
Hatton. Blessed be the Lord God of Israel. Christmas
anthem. [Accomp. for organ.] No. 3 in M. 270.46
Blessed be the Lord my strength. Full anthem.
[Accomp. for organ.] No. 2 in M.270.46
How sweet the light. [Quartet. Accomp. for organ.]
No. 47 in M. 158.18
"Like as a father pitieth his own children." [Accomp.
for organ.] No. 7 in M. 157. 10
"The Lord preserveth the souls of His saints." [Ac-
comp for organ.] No. 6 in M. 157. 10
Hauptmann, L. Te Deum fiir 4 Mannerstimmen mit will-
kiihrl. Begleitung der Orgel. Op. 3. No. 2 in M.202.16
Hauptmann, M. Drei geistliche Chorgesange fiir s. a. t. b.
No. 5 in M.157.22
Church music. Anthems, &c. (Continued.)
H.\uptmann, M. Drei Kirchenstucke fiir Chor und Orches-
ter. Op. 43. Partitur. No. 1-3 in M.204.18
Drei Motetten . . . fiir Chor und Solostimmen [ohne
Begleitung]. No. 7-9 in M.270.4g
Ehre sei Gott in der Hohe! [Mannerchor.]
No. 2 in M.147.4
Herr, hore mein Gebet. [Motette fiir Chor, ohne Be-
gleitung.] No. 3 in M.27o.4g
„Herr, wer wird wohnen in Deinem Haus?" Motette
fiir Chor und Solostimmen [ohne Begleitung].
No. 10 in M.27o.4g
Komm, heil'ger Geist. Motette. [Ohne Begleitung.]
No. 2 in M.27o.4g
Lauda, anima. Offertoire pour 4 voix, avec acct.
d'orgue ou de piano, ad-lib. No. 5 in M.260.10.3
Lauda, anima. Offertorio. [Accomp. for organ, ad
lib.] No. 26 in M.igo.3
Macht hoch die Thiir'. [Motette fiir Chor, ohne Be-
gleitung.] No. 5 in M.270.49
Nimm von uns, Herr Gott. Motette fiir Chor und
Solostimmen. [Ohne Begleitung.] No. i in M.27o.4g
Salve Regina, a 4 voci pieno con organo o piano forte
ad lib. No. 3 in M.260.10.1
Sechs geistliche Gesange fiir s. a. t. b.
No. 3 in M.157.22
Sechs geistliche Gesange fiir vierstimmigen Chor.
No. 4 in M.157.22
„Sei mir gnadig, Gott." Psalm fiir 2 vierstimmige
Chore und 4 Solostimmen. No. 11 in M.27o.4g
Six motets, for s. a. t. b., to be sung without accomp.
[Accomp. for organ ad lib.] No. 1-6 in M.2go.g.2
Walte, wake nah und fern. [Motette fiir Chor, ohne
Begleitung.] No. 6 in M.27o.4g
Zwei Marienlieder fiir eine Mezzosopran-Stimme mit
Begleitung des Pianoforte. Op. 58. No. 27 in M.201.33
Havens. Beautiful Zion. [s. a. t. b.] No. 28 in M.190.3
Christ the Lord is risen. Easter anthem. [Accomp.
for violin, harp and organ.] No. 27 in M.158.17
He giveth His beloved sleep. [Solo, s. or a., and cho-
rus. Accomp. for organ.] No. 29 in M.190.3
How sweetly flowed the Gospel sound. [Quartet and
solo, A. or b. Accomp. for organ.] No. 32 in M.190.3
Jesus, I my cross have taken. [Quartet and solo, s.
or r. Accomp. for organ.] No. 31 in M.igo.3
Magnificat (Easter anthem). [Accomp. for organ.]
No. 30 in M.igo.3
Softly fades the twilight ray. [Quartet and solo, a.
or s. Accomp. for organ.] No. 33 in M.igo.3
Sun of my soul. [Quartet and solo, a. or s. Accomp.
for organ.] No. 37 in M.igo.3
Three sacred quartets. [Accomp. for organ.]
No. 34-36 in M.190.3
H.wcraft, H. J., editor. Sacred harmony, consisting of
morning and evening service, psalms, chants, responses,
anthems . . . [Accomp. for organ.] M. 234.6
Haydn, F. J. Blessed is the man that serveth God. Abridged
[for 4 voices] . No. ga in M.236.30.4
[Domine Deus, Rex coelestis, b. solo, and Qui tollis,
s. A. T. B. With organ accomp. From his Kyrie and
Gloria, no. 14.] No. 5 in M.201.38
Ens Aeternum. Hymn, 4 voices. The organ part by
V. Novello. No. 7 in M.260.2; etc.
Gloria. [From his i6th Mass. For four voices and
organ.] No. 28, 29 in M.201.33
Insanae et vanae curae. Motette fiir 4 Singstimmen
mit Begleitung des Orchesters. Partitur.
No. 3 in M.250.20; etc.
Libera me de sanguinibus. Tr«3, s. t. b. [Accomp.
for organ.] No. 22 in M.260.10.6; etc.
Lo, my Shepherd's hand divine, [s. s. a. t. b. Accomp.
for organ.] No. 29 in M.158.17; etc.
Non nobis, Domine. Offertorio a 4 voci con organo.
No. 2 in M.220.48
251
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Haydn, F. J. Salve Regina, fiir Chor und Solostimmen mit
Begleitung von Streichorchester und Orgel oder Hoboen
und Fagotten. Clavierauszug. No. i in M.270.47
Te Deum laudamus, for four voices, with a separate
accomp. for the organ or pianoforte. No. 38 in M. 190.3
Te ergo quaesumus. Quartette. [Accomp. for organ.]
No. 19 in M.260.10.6; etc.
With verdure clad. [Aria s.] from Creation. [Ac-
comp. for pianoforte.] No. 32 in M.235.18.1
Haydn, J. M. Adjutor in opportunitatibus, Graduale am
Sonntag in der siebzigtagigen Fasten, fiir s. a. t. b., 2 Vio-
linen, Contrabass u. Orgel. [Partitur.] No. 9 in M.202.9
Angelis suis Deus mandavit. Graduale am ersten
Soiitag in der vierzigtagigen Fasten . . . fiir s. a. t. b., 2
Violinen, Contrabass und Orgel. [Partitur.]
No. 12 in M.202.g
Benedicta et venerabilis es, Virgo Maria. Graduale
am Festtage der unbefleckten Empfangniss der seligsten
Jungfrau Maria. Fur s. a. t. b., 2 Violinen, 2 Oboen, 2
Horner und Orgel. Partitur. No. 3 in M.202.g
Benedictus Dominus Deus Israel. Graduale am Sonn-
tage unter der Octave der Erscheinung des Herrn, fiir
s. A. T. B., 2 Violinen, 2 Horner & Orgel. Partitur.
No. 7 in M.202.g
Caligaverunt oculi mei. ("Now are mine eyes grown
dim.") [Motet for 4 voices with organ accomp.]
No. 4 in M.384.11
Darkness was o'er the land. [Accomp. for organ.]
No. 44 in M.158.19
Effuderunt sanguinem. Graduale am Feste der heil.
unschuldigen Kinder, fiir zwei s., a., 2 Violinen und Orgel.
Partitur. No. 5 in M.202.9
Laudate Dominum. Psalmus. Pour soprani et tenori.
[Accomp. d'orgue.] No. igin M.201.34
Laudate pueri Dominum. Graduale am Feste der
heil. unschuldigen Kinder. Fiir zwei s., a., 2 Violinen, 2
Horner und Orgel. Partitur. No. 6 in M.202.9
Litaniae de venerabili sacramento 4 vocibus comitante
orchestra. [Full score.] M.250.24
Ne timeas, Maria. Graduale zur dritten Rorate Messe,
fiir s. A. T. B., 2 Violinen, 2 Trompeten und Orgel. Partitur,
No. 2 in M.202.9
Nunc dimittis. Graduale am Maria-Reinigungsfeste,
fiir s. A. T. B., 2 Violinen, 2 Horner, Contrabass u. Orgel.
[Partitur.] No. 8 in M.202.9
Offertorium de omni tempore, in usum quatuor vocum
in canone . . . comitante clavicimbalo. No. 4 in M.221.43
Prope est Dominus. Graduale am vierten Advent-
sonntage fiir s. a. t. b., 2 Violinen & Orgel. Partitur.
No. I in M.202.9
Sciant gentes. Graduale am Sonntag in der sechzig-
tagigen Fasten, fiir s. A. t. b., 2 Violinen, 2 Horner, Contra-
bass und Orgel. [Partitur.] No. 10 in M.202.9
Sederunt principes. Graduale am Feste des heil. Ste-
phan, Erzmartyr's, fiir s. A. t. b., 2 Violinen, 2 Horner u.
Orgel. Partitur. No. 4 in M.202.9
Tu es Deus. Graduale am Sonntag in der fiinfzig-
tagigen Fasten, fiir s. a. t. b., 2 Violinen, 2 Trompeten,
Contrabass u. Orgel. [Partitur.] No. 11 in M.202.9
Hayes, P. The Lord descended from above. Full anthem.
[With] organ accomp. No. 20 in M. 190.5; etc.
Hayes, W. Arise, ye people, clap the hand. Full anthem.
[With] organ accomp. No. 22 in M.190.5
Catches, glees and canons for 3, 4, 5, 6 and 8 voices.
Book I, 2 and Appendix. No. 1-3 in M.220.S
Cathedral music in score. [Edited with figured bass
for organ.] M.236.32
Hayne. Magnificat & Nunc dimittis, in F. [With organ
accomp.] No. 39inM.i90.3; etc.
Heap. If ye love Me. [Accomp. for organ.]
No. 17 in M.158.19
Hell4. Les echos sacres. Repertoire de 12 morceaux de
musique religieuse a deux, trois, quatre et cinq voix avec
accomp. d'orgue. Op. 10. No. 5 in M.201.32
Church music. Anthems, &c. (Continued.)
Hellendaal. Glory be to the Father. Canon [5 in i].
No. 207 in M.220.9.1
HiLES, H. Blessed are the merciful. Full anthem for four
voices. [Accomp. for organ.] No. 43 in M.190.3
I will lay me down in peace. Anthem for evensong.
[t. solo and chorus. Accomp. for organ.]
No. 42 in M.190.3; etc,
The Lord will comfort Zion. For four voices. [Ac-
comp. for organ.] No. 41 in M.190.3; etc.
"Sing unto the Lord." A festival anthem for six
voices [s. s. a. t. t. b. Accomp. for organ]. No. 40 in M.190.3
Wherewithal shall a young man? [For t. solo and
chorus. Accomp. for organ.] No. i in M.157.29; etc.
HiLLER, F. All they that trust in Thee, Lord: the l2Sth
Psalm, for a tenor solo, chorus & orchestra. [Accomp.
for piano.] No. 4 in M.270.22 ; etc.
Der 93ste Psalm fiir Mannerchor u. Orchester. Cla-
vierauszug. No. I in M.270.S2
Pater Noster [s. s. a, a. t. t. b. b.] und Benedictus [s. a.
T. B.] mit willkiirlicher Orgel- oder Pianoforte-Begleitung.
Op. 61. No. 7 in M.204.18
HiMMEL. Consolator optime. Treble solo, quartett & cho-
rus. [Accomp. for organ.] No. 27 in M. 260.3; etc.
Hark! Death throws its portals open. Chorus for four
voices . . . The accomp. for the organ or piano forte
arranged from the full score. No. 44 in M.190.3
In Te confide. Solo and quartett. [Accomp. for
organ.] No. 28 in M.260.3; etc.
Incline Thine ear unto me.
[Accomp. for organ.]
O Salutaris. s. (or t.) solo.
HiRD. Agnus Dei, for 4 voices.
B. solo and quartett.
M.2go.9.i ; etc.
[Accomp. for organ.]
No. 23 in M.260.10.2; etc.
[Accomp. for organ.]
No. 12 in M.260.10.5
HocHBERG. Agnus Dei. Quintette a canone per 2 s. a. t. e b.,
con accomp. di piano ossia organo. No. 8 in M.260.21
Ave Maria! Quintetto a canone per s. a. contr'alto,
T. e B,, con accomp. di piano ossia organo.
No. 7 in M.260.21
Hodges, F. H. I heard a voice from heaven. Funeral an-
them. [Accomp. for organ.] No. 2 in M.190.4
HoL. Der 23ste Psalm fiir Tenor-Solo, Chor und Orchester.
Clavierauszug. No. i in M.270.54
HoLDEN. Church music, consisting of original anthems, ser-
vices, psalms . . . with a selection of the standard compo-
sitions . . . Arranged, with an accomp. for the organ or
pianoforte. M.236.34
HoNORE. Cantique pour le sermon. A une voix [a. ou bar.
Accomp. d'orgue.] No. 23 in M.20I.34
Hopkins, E. J. Deus misereatur. From "Evening service
in F." [Accomp. for organ.] No. 7 in M.190.4
God is gone up! Anthem in five parts [s. s. a. t. b.
Accomp. for organ]. No. 4 in M.190.4
God who commanded the light. Thanksgiving an-
them. [Accomp. for organ.] No. 9 in M.190.4
I will wash my hands in innocency. Anthem for a
tenor voice with chorus. [Accomp. for organ.]
No. 3 in M. 290.16; etc.
In my distress I cried unto the Lord. Full anthem
for four voices. [Accomp. for organ.]
No. 10 in M.190.4; etc.
The king shall rejoice in Thy strength. Anthem com-
posed in celebration of the marriage of H. R. H. the Prince
of Wales. [For a. t. t. b., with organ.] No. 8 in M.190.4
"Let us now go even unto Bethlehem," anthem for
Christmas for 4 voices, with accomp. for organ.
No. 5 in M.290.16; etc.
Out of the deep. Anthem for five voices [s. s. a. t. b.
Accomp. for organ]. No. 3 in M.190.4
Why seek ye the living among the dead? Anthem for
Easter, for 4 voices, with accomp. for the organ.
No. 4 in M.290.16; etc.
Hopkins, J. L. A collection of anthems. [Accomp. for
organ.] No. 2 in M.233.2g
252
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &■€. (Continued.)
HoRSLEY, C. E. I was glad when they said unto me. [s.
solo and chorus. Accomp. for organ.]
No. II in M. 157.29; etc.
Lord, Thou hast become gracious. Anthem . . . for
Thanksgiving Day. [Accomp. for organ.]
No. 13 in M.190.4
When in youth's early days. [x. solo and quartet.
Accomp. for organ.] No. 12 in M.190.4
Howe, E., Jr. A new Te Deum laudamus and Jubilate Deo.
For four voices. [Accomp. for organ.]
No. 14, IS in M.igo.4
HuLLAH, J. P., editor. Part music for s. a. t. b. Sacred pieces,
vol. I, 2. Secular pieces, vol. I, 2. M.157.28
The singer's library of concerted music. Sacred.
No. 1-8, 12-19, 21-23, 25-43. M.1S7.3
Hummel, J. N. Alma Virgo. An offertorium [s. solo and
chorus]. Arranged with an accomp. for the organ or
piano forte. No. 6in M.236.16; etc.
Alma Virgo. Offertorium [s. Solo und Chor mit
Orchester-Begleitung.] 89. Werk. Partitur.
No. 6 in M.201.32
Quod in orbe, a graduale for 4 voices. Arranged with
an accomp. for the organ. No. join M.260.11; etc.
I., J. C. Resting-place. [Hymn-anthem. Accomp. for
organ.] No. 32 in M.158.19
Isaac, H. Choralis Constantinus. Theil i. M.414.9
Jackman. The Te Deum laudamus. Jubilate Deo, Introit,
Kyrie eleison, Credo, Sanctus, & Gloria in excelsis. Mag-
nificat, and Nunc dimittis, in the key of D. [Accomp. for
organ.] No. 16 in M.igo.4
Jackson, S. Benedictus in E flat, in four parts with an
accomp. for the organ or piano-forte. No. 17, 18 in M.190.4
Deus misereatur in Eb. [Accomp. for organ.]
No. 20 in M.190.4
Jubilate Deo in E flat, in four parts with an accomp.
for the organ or piano-forte. No. 19 in M.190.4
Te Deum in E flat, in four parts, with an accomp. for
organ or pianoforte. No. 8 in M.290.19
Jackson-, W., of Exeter. The Te Deum, Jubilate, Sanctus,
Kyrie, Doxology, Nicene creed. Hallelujah, Magnificat
and Nunc dimittis in C with the greater third. [Accomp.
for organ.] No. 3 in M.2go.i8
The Te Deum, Jubilate, Sanctus, Kyrie, Doxology,
Nicene creed, Cantate Domino, Deus misereatur and Hal-
lelujah, in E with the greater third. [Accomp. for organ.]
No. I in M.290.18
The Te Deum, Jubilate, Sanctus, Kyrie, Nicene creed,
Hallelujah, Magnificat & Nunc dimittis, in E flat with the
greater third. [Accomp. for orgaji.] No. 4 in M.290.18
The Te Deum, Jubilate, Sanctus, Kyrie, Nicene creed,
Cantate Domino and Deus misereatur, in F with the
greater third. [Accomp. for organ.] No. 2 in M.290.18; etc.
Jackson, W., of Masham. Church music, in vocal score, with
an accomp. for the organ. M. 234.9
Jadassohn. ,,Herr Gott, Dich preisen wir." Motette fiir
Mannerstimmen [Solo-Quartett, x. x. b. b. und Chor, x. x.
B. B.]. No. 33 in M.392.11
Der looste Psalm, fiir achtstimmigen (Doppel) Chor,
Altsolo und Orchester. Op. 60. Partitur. No. $ in M.202.22
Hymnus „Gott ist gross und allmachtig," fiir Manner-
chor mit Begleitung von 2 Hornern und 3 Posaunen (ad
lib.). Partitur. No. 7 in M.203.2
Was betriibst du dich, meine Seele. Motette fur ge-
mischten Chor. Op. 44. Partitur. No. 8 in M.ig4.i6
Janssen, N. A. Adoro Te. [s. x. b. Accomp. d'orgue.]
No. 38 in M.260.19
Same. [x. x. b. Accomp. d'orgue.] No. 34 in M.260.19
Alma Redemptoris. [s. x. b. Accomp. d'orgue.]
No. 37 in M.260.19
Ave Maria, [s. x. b. Accomp. d'orgue.]
No. 39 in M.260.19
Ave Regina. [s. x. b. Accomp. d'orgue.]
No. 28 in M.260.19
Church music. Anthems, &c. (Continued.)
Janssen, N. A. Ave Verum. [s. x. b. Accomp. d'orgue.]
No. 29 in M.26o.ig
O Jesu amor mi. [s. x. b. Accomp. d'orgue.]
No. 32 in M.260.19
Regina coeli. i [s. x. b.], 2 [x. x. b. Accomp. d'orgue].
No. 30 in M.26o.ig
Salve Regina. [s. x. b. Accomp. d'orgue.]
No. 33 in M.26o.ig
Sub Tuum praesidium. [x. x. b. Accomp. d'orgue.]
No. 31 in M.260.19
[Tantum ergo.] Benedictio. [s. x. b. Accomp. d'orgue.]
No. 27 in M.26o.ig
Same. Benedictio. [x. x. b. Accomp. d'orgue.]
No. 35 in M.26o.ig
Tota pulchra. [s. x. b. Accomp. d'orgue.]
No. 36 in M.260.19
Jaspar. Salve Regina. Antiphona pro tenore solo cum
choro et orchestra comitante. Partition. No. 7 in M.201.33
Jekyll. "The Lord hear thee." Short full anthem. [Ac-
comp. for organ.] No. 37 in M.158.17
Jephson. Te Deum in C. [Accomp. for organ.]
No. 21 in M.190.4
Johnson, H. O. Twenty-third Psalm. [For male voices.
Accomp. for organ.] No. 13 in M.203.15
Johnson, J. A. Christmas anthem. [There were shepherds.
Accomp. for organ.] No. 22 in M.190.4
Johnsxon. Far o'er the western hills. Evening hymn. Solo
[s. A. X. bar.] and quartet. [Accomp. for organ.]
No. 24 in M.190.4
When I survey the wondrous Cross. [Quartet. Ac-
comp. for organ.] No. 23 in M.190.4
JoMMELLi. [Dixit a 8 voix, s. s. a. a. x. x. b. b., avec deux vio-
lons, viola et orgue. Partition.] M.360.21
Graduale con la sequenza nella festa del Corpus Dni.
[A 4 voci con organo.] No. 3 in M.120.22
Graduale e sequenza per la festa delle Pentecoste. A
40 conc'o. con pieni [e basso continuo]. No. 2 in M.120.22
Laudate, pueri. A 4 canti obbligati con ripieni, a otto
[e basso continuo]. No. 2 in M.120.21
Legon premiere pour le Mercredi saint [pour voix
d'alto et orchestre. Partition]. No. 3 in M.120.24
Le?on troisieme pour le Jeudi saint [pour voix d'alto
et orchestre. Partition]. No. 2 in M.120.24
Magnificat. A quattro concertata con eco [e basso
continuo. Partitura]. No. i in M.120.21
Miserere mei, Deus. Tradotto in versi italiani. [Per
due voci, x. x., e stromenti al arco.] No. i in M.120.25
Salmo, Pieta, pieta, Signore. [A 2 voci con accomp.
di violini, viola e basso.] M.201.27
Sequentia Paschalis a sei voci [s. s. a. a. b., con basso
continue]. No. i in M.120.22
Jordan, J. Come, Holy Ghost. [Accomp. for organ.}
No. 38 in M. 158.17
Josephson. Quando corpus. Fiir eine Solostimme [s.],
Chor und Orchester. Op. 20. Partitur mit bcigefiigtem
Klavierauszuge. No. 8 in M.201.33
JosQUiN Depres. Ave Vera Virginitas. [s. s. x. b. Accomp.
d'orgue.] No. 41 in M.26o.ig
Miserere, [s. x. b. Accomp. d'orgue.]
No. 40 in M.26o.ig
Eine Sammlung ausgewahlter Kompositionen zu 4,
S und 6 Stimmen, bestehend in I Messe, Motetten, Psalmen
und Chansons in partitur gesetzt, und mit einem Kla-
vierauszug versehen. M.400.a
Kalliwoda, W. Fiinf geistliche Lieder fiir gemischten Chor.
No. I in M.157.24
Sechs Marienlieder fiir drei- und vierstimmigen
BVauenchor. No. i in M.157.15
Kempxon, a. When the day of Pentecost. [Anthem for
Whitsuntide. Accomp. for organ.] No. 3 in M.203.28
Kenx, J. Anthems, with symphonies and accomp. for the
organ or piano forte. M.233.21
Te Deum in C. With a separate accomp. for the
organ or pianoforte. No. i in M.190.5
253
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Kent, J. Te Deum, Jubilate, Magnificat and Nunc dimittis
in D. [Accomp. for organ.] No. 2 in M.igo.5
Thine, O Lord, is the greatness. No. 39 in M.158.17; etc.
Kiel. 6 Motetten fiir gemischten Chor. Op. 82. Heft i,
No. 1-4. No. 2 in M. 194.20
King, C. Rejoice in the Lord, O ye righteous. Full anthem.
[With] organ accomp. No. 18 in M. 190.5
King, W. A. [Jehovah] Our Deliverer. [Chorus in unison.
Accomp. for pianoforte.] No. 3 in M.190.5
Klein, B. J. Herr, hor' mein Gebet. [Motett, t. t. b. b.]
No. ID in M.392.38
Der Herr ist mein Hirt. [Motett, x. t. b. b.]
No. 3 in M.147.4
[II est mon berger.] Psaume 23. [x. t. b. b.]
No. 7 in M.130.7
Wer unter dem Schirm des Hochsten wandelt. Mo-
tette [t. t. b. b.]. No. i in M.130.7
Klein, B. O. Aleph. Ego vir videns. [Motet, s. a. x. b.]
No. 15 in M. 158.32
Pie Jesu. [Motet. Accomp. for organ.]
No. 14 in M.1S8.32
Tantum ergo. [Motet. Accomp. for organ.]
No. 16 in M. 158.32
Knox. Be merciful after Thy power. [Accomp. for organ.]
No. 2 in M. 158.17
Benedictus, in C. [Accomp. for organ.]
No. I in M.1S8.17
KoENiG, F. Huit motets, a 3 ou a 4 voix, avec solos at
accomp. d'orgue ou de piano. No. 2 in M. 158.25
KoLLROS. Asperges me. [For 4 voices and pianoforte.]
No. 30 in M.201.33
KoscHAT. Oft at evening. [Hymn anthem.]
No. 3 in M.158.17
KoTHE. Gebet: Verlass mich nicht, O Du, zu Dem ich flehe
. . . Fiir vierstimmigen Manner-Chor. Op. 6.
No. 20 in M.392.33
KoxzscHMAR. Benedictus. Quartett for mixed voices.
[Accomp. for organ.] No. 5 in M. 190.5
Te Deum in F. [Accomp. for organ.]
No. 4 in M. 190.5
Kreissmann, a. [Jubilate Deo in D, with organ accomp.]
No. 7 in M.190.5
[Te Deum in B flat, with organ accomp.]
No. 6 in M.190.5
Krug, a. Ich harre des Herrn. Aus dem I30sten Psalm fiir
fiinfstimmigen Chor a capella [s. s. a. x. b.].
No. 13 in M.194.16
KuFFERATH, H. F. Ecce panis. Pour s. ou x. [Accomp.
d'orgue.] No. 18 in M. 260.10.2
Kyrie eleison. Nine Kyries, ancient and modern. [Adapted
to the Church of England.] No. 43 in M. 157.1
Labat. 26 grands motets solennels pour toutes les fetes de
I'annee, a 3 ou 4 voix solos et choeurs, avec ou sans accomp.
d'orgue ou d'harmonium ad libitum. M. 213.23
Labro. O Salutaris pour s. ou x. Avec accomp. de piano
ou d'orgue. No. 15 in M.260.10.4
Lachner, F. Ave Maria, fiir eine Sopranstimme & kleinen
Chor [s. A. a. x.] mit Begleitung von 2 Violinen, Viola,
Violoncell & Bass, oder Orgel. Op. 132. [Partitur.]
No. 6 in M.333.9
[Diffusa est gratia.] Motette fiir s. Solo und Chor.
[Partitur.] No. 20 in M.194.16
Der 63te Psalm, in Musik gesetzt fiir 4 Frauenstimmen
[s. s. A. A.] mit Piano-Forte oder Harfe Begleitung.
No. 10 in M.244.11
Lachner, V. Der loote Psalm, fiir Chor. Tenor- oder So-
pran-Solo und Orchester. Op. 43. Partitur.
No. 7 in M.333.9; etc.
Lacome D'estalenx, p. J. J. Douze Psaumes. Des lyriques
franQais a une ou plusieurs voix avec accomp. d'orgue ou
de piano. No. 2 in M.296.1
La Face. Alma Redemptoris. [x. x. b. Accomp. d'orgue.]
No. 16 in M.260.19
Ave Regina. [x. x. b. Accomp. d'orgue.]
No. 15 in M.26o.ig
254
Church music. Anthems, &c. (Continued.)
Lair de Beauvais. Regina coeli. Motet pour s. ou x. [Ac-
comp. d'orgue.] No. 25 in M.260.10.4
Lambillotxe. Adoro Te devote. Quartet. [Accomp. for
piano or organ.] No. 24 in M.260.10.6
Memorare, in F. [Solo obligato, with chorus ad lib.
Accomp. for organ.] No. 18 in M.158.32
Musique religieuse. Seconde collection de douze
Saluts pour toutes les fetes de I'annee. Avec acct. d'orgue.
M.260.18
O Cor amoris Victima. Duet [s. s. orx. x.] and cho-
rus [s. s. A. A. or X. X. B. B. Accomp. for organ].
No. 4 in M.203.28
O glorious Domina. [For 4 voices. Accomp. for
organ or piano.] No. 25 in M.260.10.6
Regina coeli, Eb. Duet [s. A.] & chorus. [Accomp.
for organ.] No. 5 in M.203.28
Salut pour le Jour de I'Ascension, avec accomp. . . .
de piano. No. i in M.201.34
Salut pour une fete patronale. Avec accomp. d'[orgue].
No. 3 in M.201.34
Saluts pour le Mois de Marie, et les fetes de la Vierge.
Avec accomp. d'orgue. No. 2 in M.201.34
Tantum ergo. [For 4 voices. Accomp. for organ.]
No. 26 in M.260.10.6
Lamoxxe. Ave Verum. Motet, pour bar. ou x. [Accomp.
d'orgue.] No. 6 in M.201.34
O Salutaris, ler, 2e, en fa, pour barytone. [Accomp.
d'orgue.] Qiuvre 6, 7. No. 4, 5 in M.201.34
Lange, H. G. Eine ausgewahlte Sammlung Motetten zu 4,
5, 6 und 8 Stimmen. In Partitur gesetzt und mit einer
Klavierpartitur versehen. M.400.14
Lassen. An evening blessing. [Accomp. for organ.]
No. 2 in M.158.19
Lassus. Magnum opus musicum. Lateinische Gesange fur
2-10, 12 Stimmen. In Partitur gebracht. Theil 1-8.
M.8o4oa.67.i; etc.
Laxrobe, C. I. Original anthems for i, 2, or more voices
. . . Accomps. for the piano forte or organ. M.236.1S
Laxrobe, C. I., editor. Selection of church music from the
works of composers of Germany & Italy. The vocal parts
in score, the instrumental adapted to the pianoforte.
M.290.29
Lavallee. Tu es Petrus, an offertorium for s. solo, chorus,
orchestra and organ. [Vocal score with organ accomp.]
No. 17 in M.158.32
Leclerc, L. La semaine sainte au Vatican, fitude musicale
et pittoresque. Texte et musique. M.217.4
Lee, T. Harvest hymn. [Accomp. for organ.]
No. 6 in M.158.17
Lefebvre, C. £. Hymne. Prono volutus impetu, pour con-
tralto solo, choeur & orchestre. Partition chant et piano.
No. I in M.384.35
Psaume XXIII. pour chceur, solo et orchestre. Par-
tition chant et piano. No. 6 in M.155.48
Lefebure-Wely. O Salutaris. Solo de b. [Accomp.
d'orgue.] No. 16 in M.260.10.2
Pie Jesu, a 4 voix. [Accomp. d'orgue.]
No. 6 in M. 260.10.3
Lejal. Ave Maria. Duo [s. a. Accomp. for organ].
No. 30 in M.260.10.2
Lejeune, A. Sacred music for the offertory and benediction.
[Accomp. for organ.] No. 1-6. No. 9-14 in M.260.10.8
Lenz. L. Sacris solemniis. Solo a. or b. and quartett. Ac-
comp. for organ. No. 5 in M.260.10.6
Leo. Dixit a 5 [s. s. a. x. b., con accomp. d'orchestra. Par-
titura]. No. 2 in M. 120.26
Leslie, H. D. Fear not, we bring you good tidings. A full
anthem for Christmas. [Accomp. for organ.]
No. 10 in M.igo.5; etc.
"Let God arise," a festival anthem. [Accomp. for
organ.] No. I in M.280.2
O have mercy upon me. Full anthem. [Accomp. for
organ.] No. 7 in M.158.17; etc.
Te Deum and Jubilate. [Accomp. for organ.]
No. 9 in M.190.5
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Lesueur. Cantate religieuse suivie du motet Veni, sponsa,
coronaberis. Soli et choeurs. [Avec accomp. d'instru-
ments a cordes et d'orgue. Partition.] M.201.30
Ensemble. Primo: Messe basse et Domine salvum,
soli et choeurs. Secundo: Motet, Joannes baptizat et
Domine salvum, soli et choeurs. Avec accomp. [d'instru-
ments a cordes et] d'orgue. M.201.15
Recueil de morceaux sacres . . . avec accomp. d'orgue.
M. 201.29
Trois Te Deum a grand orchestre. [Partition.]
M.igi.is
Leybach. O Salutaris. Pour t. ou s., avec accomp. d'orgue.
No. 8 in M.201.34
Pie Jesu. Pour t. ou s., avec accomp. d'orgue.
No. 7 in M.201.34
LiCKL, C. G. Ave Maria, Salve Regina fiir s.-SoIo, und Ave
Maria fur a.-SoIo, mit Begleitung der Orgel.
No. 3 in M.260.10.4
LiEBAU. Der LXXXIV Psalm nach M. Luthers Ueber-
setzung fur vier Solostimmen und Chor mit Orgelbeglei-
tung. Op. 15. No. 5 in M.221.43
LiGHTOLLER. Holy, holy, holy. [Accomp. for organ.]
No. II in M.190.5
LiNDAU, R. Ave Maria, [a. t. Acomp. d'orgue.]
No. 34 in M.201.34
Lindpaintner. 24 Psalmen nach verschiedenen Dichtungen,
in Solo- und Chor-Gesangen mit Orchester- oder Piano-
forte-Begleitung. No. 1-8. Partitur und Clavierauszug.
M.290.30
Lindsay. Unto Thee, O Lord, will I lift up my soul. [Ac-
comp. for organ.] No. 44 in M.157.3
Liscombe. O Salutaris. O Saving Victim. (With Latin
and English words.) Trio for s. t. b. [Accomp. for organ.]
No. p in M.201.34
Liszt. Der i8te Psalm („Die Himmel erziihlen die Ehre
Gottes,") fiir Miinnerchor und Orchester. Clavierauszug.
No. 5 in M.392.45
Der 13. Psalm. „Herr, wie lange willst Du meiner so
gar vergessen?" Fiir t. Solo, Chor und Orchester. Par-
titur. No. I in M.351.21
Neun Kirchen-Chor-Gesange mit Orgel-Begleitung.
Partitur. No. 2 in M.194.21
Pater Noster fiir 4 stimmigen Manner-Chor.
No. 23 in M.260.10.S
Psalm 116 [Laudate Dominum] fiir Chor mit Piano-
Forte.
Litanies de la S'<:
d'orgue.]
LiTOLFF. Ave Maria
piano. J
Lloyd, C. H.
Vierge. [A une voi.\,
[Pour s., T. ou
Tantum.
No. 3 in M.194.21
s. ou T. Accomp.
No. 29 in M.201.34
BAR. Accomp. de
No. 10 in M.201.34
[For 4 voices and organ.]
No. II in M.201.34
Lloyd, T. S. Christ the Lord is risen today, [s. solo and
chorus. Accomp. for organ.] No. 13 in M.190.5
Come, said Jesus' sacred voice. Solo [s. or t.] & quar-
tette, with accomp. for the organ or pianoforte.
No. 14 in M.190.S
Te Deum laudamus, in E flat. [Accomp. for organ.]
No. 12 in M.190.S
Lob. Praise to the Great Creator. Trio [s. m.-s. a. or t.
Accomp. for organ]. No. 15 in M.190.5
LocHON. Motets en musique . . . Sqavois, neuf a voix seule.
un a deux voix, deux a trois voix, avec la B-C. Et un ora-
torio a six parties. No. 3 in M.236.26
LoEHR, F. N. Ave Maria, for solo & chorus. [Accomp. for
pianoforte.] No. 2 in M.15S.22
LOEVVE, J. C. G. Salvum fac regem. [Motet. Accomp. for
organ.]
LoNGHURST. Great is the Lord. Full
for organ.]
Help us, O Lord. Full anthem.
I will give thanks unto Thee.
and chorus. Accomp. for organ].
No. 9 in M.260.2
anthem. [Accomp.
No. 21 in M.190.5
[Acomp. for organ.]
No. 28 in M.190.5
Verse anthem [s. s.
No. 16 in M.190.5
Church music. Anthems, &c. (Continued.)
LoTTiN. "Et incarnatus," for b. solo, with accomp. for the
organ or pianoforte. No. 4 in M.260.10.5
Loud, A. F. Glory to God Most High. [Accomp. for
organ.] No. 8 in M.1S8.17; etc.
Loxhay. Manuel complet des Congreganistes. Nouveau
recueil de 50 cantiques spirituels a i, 2 et 3 parties, avec
accomp. de piano. M.236.20
Lucas, C. My soul doth magnify the Lord. [Accomp. for
organ.] No. 7 in M.236.16
LuDWiG, N. O Thou to whose all-searching sight. [Ac-
comp. for organ.] No. 39 in M.158.19
LuECK, S., editor. Sammlung ausgezeichneter Compositionen
fiir die Kirche. M.1S8.33
LUTGEN. Ave Verum. Motet a 4 voix. D'apres une pensee
de Gliick. [Accomp. d'orgue.] No. 9 in M. 260.10.3
Litanies solennelles de la S'e. Vierge. Pour 4 voix,
avec accomp. d'orgue. No. i in M.260.10.3
O Salutaris. [b. solo. Accomp. de piano.]
No. 5 in M.260.10.5
O Salutaris, pour t. solo et choeur a 4 voix. Avec
accomp. d'orgue. No. 7 in M.260.10.3
Lutgen, editor. Repertoire de Notre Dame de Bonne-Nou-
velle. CEuvres choisies de musique religieuse. No. 4, 7,
8, 12. 14, 16, 17. 19, 20. No. 7-1 1 in M.260.10.3; etc.
Lutz, W. M. Jesu dulcis memoria. [Motet. Accomp. for
organ.] No. 18 in M.260.3
Lutz, W. M., compiler. Motets for the year. A collection of
offertories. [Accomp. for organ.] M. 156.50
Luzzi. Ave Maria, [s. o. t.] Con accomp. di pianoforte.
Op. 80. No. 12 in M.201.34; etc.
Lynes. I was glad .when they said unto me. [Accomp. for
organ.] No. 12 in M.1S8.17
On the first day of the week. [Easter anthem. Ac-
comp. for organ.] No. 6 in M.203.28
There were shepherds. [Christmas anthem. Accomp.
for organ.] No. 13 in M.IS8.17
Turn Thy face from my sins. [Accomp. for organ.]
No. II in M. 158.17
Lyon. Salve Regina, for 3 voices [s. a. b. Accomp. for
organ] . No. 6 in M.260.10.7
Macfarren, G. a. God said, behold I have given you. Full
anthem for harvest. [Accomp. for organ.]
No. 8inM.i57.29;etc.
O Lord, how manifold are Thy works. Full anthem
for harvest. [Accomp. for organ.] No. 18 in M.1S8.17
St. George's Te Deum . . . [With accomp. for piano.]
No. I in M.193.20
O Lord. Full anthem for
for organ.]
No. 9 in M.157.29; etc.
[Accomp. for organ.]
No. 30 in M.igo.5
Maker. Awake up my Glory. [Full anthem for Easter.
Accomp. for organ.] No. 7 in M.203.28
Fear not, O land. Harvest anthem. [Accomp. for
organ.] No. 23, 24in M.158.17
I will extol Thee. [Accomp. for pianoforte.]
No. 8 in M.203.28
One soweth, another reapeth. [Accomp. for organ.]
No. 9 in M.203.28
Malmene. In that day shall this song be sung, anthem;
and The Lord of heaven confess, chorale. [Accomp. for
organ.] No. 21 in M.1S7.29
Mandanici. Ave Maria, per tre voci (.s. o. t., m.-.s. o. bar. e
b.), con coro a piacere ed accomp. di organo.
No. I in M.201.3S
Salve Regina, a tre voci [s. t. b.], con accomp. d'
organo.] No. 2 in M.201.35
Manna. De profundis. [A 4 voci con istrumenti. Parti-
tura.] No. 3 in M.260.22
Mannsfeldt. Ave Maria. Offertorium [s. o. x.]. Partitur.
No. 19 in M.158.32
Marchesi. Ave Maria. With Latin and English text. [For
s. or T. with pianoforte.] No. 3 in M.201.35
255
— We give Thee thanks.
Trinity Sunday. [Accomp.
Maclagan. Te Deum in G.
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Mariani, a. Salve Regina. Per tenore e coro [t. t. b. b.].
con accomp. di organo. No. 4 in M.270.17
Marinus. Veni, Sancte Spiritus, a quatre voix d'hommes
avec accomp. d'orgue. Op. 2. No. 11 in M.203.13
Marschner, H. a. Sweet peace. [Trio, s. t. b. Accomp.
for organ.] No. 33 in M.190.5
Marsh, John. Six anthems, in four parts, with a verse Sanc-
tus & Kyrie Eleeson. No. 3 in M.202.17
Marsh, John B. Benedic anima mea, in Eb. [Accomp. for
organ.] No. 31 in M.190.5
Te Deum in C. [Accomp. for organ.] No. 32 in M. 190.5
Marston. As pants the hart. Hymn anthem. [Acpomp.
for organ.] No. 16 in M.is8.i8
Ave Maria, for s. or t. [Accomp. for pianoforte.]
No. 4 in M.201.35
Be still and know that I am God. [Accomp. for
organ.] No. 19 in M.158.18
Bonum est, in B flat major. [Accomp. for organ.]
No. 13, 14 in M.158.18
Brightest and best. [Anthem for Christmas. Accomp.
for organ.] No. 12 in M.203.28
By the waters of Babylon. [Accomp. for organ.]
No. 13 in M.203.28
Cantate Domino, in D major. [Accomp. for organ.]
No. IS in M.158.18
A day in Thy courts. Anthem for solo [s.] and quar-
tette. [Accomp. for organ.] No. 11 in M.203.28
Hear, O Lord. [Accomp. for organ.] No. 10 in M.158.18
Jubilate Deo. [Accomp. for organ.] No. 2 in M.158.18
Like as a father. [Accomp. for organ.]
No. II in M.158.18
My soul longeth. [Accomp. for organ.]
No. 3 in M.1S8.18
The night is far spent. [Accomp. for organ.]
No. 14 in M.203.28
O come, let us sing. [Accomp. for organ.]
No. 9 in M.158.18
O Jesu, Thou art standing. [Hymn anthem. Accomp.
for organ.] No. 5, 6in M.is8.i8
O ye that love the Lord. Anthem with t. solo. [.A.c-
comp. for organ.] No. 15 in M.203.28
One thing have I desired. [Accomp. for organ.]
No. 17 in M.158.18
Out of the depths. [Accomp. for organ.]
No. I in M.r58.i8
Round Jerusalem stand, [t. solo and quartet. Ac-
comp. for organ.] No. 16 in M.203.28
Shout the glad tidings. Anthem for Christmas. [Ac-
comp. for organ.] No. 18 in M.158.18
Te Deum in Bb. [Accomp. for organ.]
No. 12 in M.158.18
While shepherds watched their flocks. A pastoral
Christmas anthem. [Accomp. for organ.] No. 20 in M.158.18
Martineau. Ave Verum, pour basses et choeur. [Accomp.
d'orgue.] No. 18 in M.260.10.3
Martini, G. B. Caro mea. Duet for s. or t. and bass. [.Ac-
comp. for organ.] No. 2i in M.260.3
Martini, J. P. fi. Six pseaumes, a deux voix avec accomp.
du forte-piano ou de I'orgue. M.202.35
Matthews, T. R. Jubilate Deo. [Accomp. for organ.]
No. 6 in M.158.13
Mayo. Asperges me. Quar., solo [s. or t.] & cho. [Ac-
comp. for organ.] No. 5 in M.201.35
Meacham. The Lord is my Shepherd, s. (or t.) & b. solo
& chorus. [Accomp. for organ.] No. 17 in M.203.28
Mee, T. Part in peace. For four voices with piano or organ
accomp. No. 35 in M.190.5
M6hul. Praise thou the Lord. [Trio, m.-s. t. b. Accomp.
for organ.] No. 36 in M.190.5
Meinecke. Te Deum laudamus. in four vocal parts, with
accomp. for the organ or piano. No. 37 in M.190.5
Mendelssohn-Bartholdy, J. L. F. Aus tiefer Noth. [Chor
und t. Solo.] No. 4 in M.157.24; etc.
Ave Maria, [s. s. a. a. t. t. b. b. Mit Orgelbegleitung.]
No. 5 in M.157.24; etc.
Church music. Anthems, &c. (Continued.)
Mendelssohn-Bartholdy, J. L. F. Benedictus, adapted to
a quartett, from Elijah. [Accomp. for pianoforte.]
No. 14 in M.260.10.5
Bow down Thine ear. Hymn for a contralto and
chorus, with accomp. of organ or piano forte.
No. 3 in M.243.1
But the Lord is mindful of His own. Full anthem,
arranged from [his] St. Paul. [Accomp. for organ.]
No. 9 in M. 290.14; etc.
Come let us sing. 95th Psalm. Set to music. Piano
forte score. No. 2 in M.280.18
Come, O Jesu. [Quartet adapted from Lauda Sion.
Accomp. for organ.] No. 13 in M.158.15
Da pacem, Domine. Grant us Thy peace. Motett for
4 voices. [Accomp. for organ or piano.]
No. 4 in M.280.13; etc.
Drei Motetten fiir weibliche Stimmen mit Begleitung
der Orgel. No. 1-3 in M.280.13
Fest Gesang. Hymns of praise for s. a. t. b. With an
accomp. for the piano-forte or organ. No. 2 in M.243.2
For His is the sea, tenor solo & chorus. [Accomp.
for organ.] No. 7 in M.391.49; etc.
Geistliche Gesangwerke . . . [Mit und ohne Beglei-
tung.] Werke. Serie 14. M.413.3.14.1-S
Hear my prayer, O God. Hymn for a soprano and
chorus, with an accomp. for the organ, or pianoforte.
No. 4 in M.243.1; etc.
In deep distress, a paraphrase from the 130th Psalm,
. . . for solo [t.] & chorus. [Accomp. for organ.]
No. I in M.280.18
In Judah is God known. Chorale adapted from "St.
Paul." No. 21 in M.158.18; etc.
Jubilate Deo. For soli and chorus, with organ accomp.
No. 5 in M.243.2
Magnificat & Nunc dimittis, with organ accomp.
No. 6 in M.243.2
Mitten wir im Leben sind. Choral [s. s. a. a. t. t. b. B.].
No. 6 in M.157.24; etc.
O praise the Lord. Arranged from the double quar-
tette in Elijah. [Accomp. for organ.] No. 19 in M.190.3
[O praise the Lord. Anthem, s. s. a. Accomp. for
organ.] No. 26 in M.190.8; etc.
"O quam suavis." t. (or s.) solo for the offertory
. . . with an organ accomp. No. 11 in M.260.10.4
The 115th Psalm, "Not unto us, O Lord."
No. 2 in M.110.17
The Sabbath morn. [Accomp. for organ.]
No. 4 in M.158.14
Sabbath morn. [Duet. s. s. Accomp. for piano-
forte.] No. 7 in M.280.22
"Saw ye not the pallid angel?" Motett for 4 voices.
[Accomp. for organ.] No. 7 in M.157.24
Six cathedral anthems. (Originally written for an
8 part chorus.) Arranged in 4 parts, with accomp. of
organ or pianoforte. No. 3 in M.243,2
Te Deum, for soli and chorus, with organ accomp.
No. 4 in M.243.2
The XIII Psalm. "Why, O Lord, delay for ever."
[Accomp. for organ.] No. 2 in M.280.16
Three motetts for treble voices. [Accomp. for organ.]
No. 3-5 in M.391.49
Three Psalms for an eight-part chorus. Without
accomp. Composed for the cathedral at Berlin. M.280.15
Tu es Petrus. Chorus for 5 voices [s. s. a. t. b. Ac-
comp. for pianoforte or organ]. No. 3 in M.280.13
Two sacred choruses for male voices. Op. 115. No.
44 of the posthumous works. (Second series.)
The words are in English and Latin. No. 8, Q in M.157.24
When Israel out of Egypt came, the 114th Psalm, for
chorus (8 parts) and orchestra. The accomp. arranged for
the organ or pianoforte. No. 2 in M.280.17
Mercadante. Ave Verum [s. t. b. Accomp. for organ].
No. 24 in M.260.10.7
Salve Maria, per canto in chiave di sol con accomp. di
pianoforte. No. 3 in M.26o.io.2
256
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Mercadante. Der 42. Psalm. [Wie der Hirth schreit nach
frischem VVasser. Partitur.] No. 10 in M. 312.8
Mercier, C. Ecce panis. Motet pour 2 voix egales, ou t. et
B., avec accomp. d'orgue. No. 16 in M.260.10.1
Messemaeckers. Ave Maria. Pour s. t. b. [Accomp.
d'orgue.] No. 8 in M.201.35
Ecce panis. Pour s. t. b. Accomp. d'orgue.
No. 6 in M.20I.3S
O Salutaris. Pour s. x. b. Accomp. d'orgue.
No. 7 in M.201.35
Metcalfe, J. P., editor. Fifty metrical anthems, for the use
of small choirs . . . With an accomp. for the organ.
M.157.34
Metcalfe, W. O Lord, who hast taught us. [Accomp. for
organ.] No. 22 in M.158.18
Mettner. Thou art my hiding place, [t. t. b. b.] M.193.23.2
Meyerbeer. The Lord's prayer. (Pater Noster.) For 4
voices with organ accomp. (ad lib.). No. 8 in M.290.g.2; etc.
Le 9ime Psaume. Motet pour 2 chceurs (a 8 voix),
sans accomp. No. i in M.ig4.23; etc.
Sieben geistliche Gesange von Klopstock, fiir s. a. t. b.
(Soli). In Partitur mit Piano ad lib. No. S in M. 280.24
With German and French words.
Michaelis, J. Come unto me. [Motet, s. a. t. b. and t. t.
b. b.] No. 23 in m. 158.18
Millard, H. Abide with me. Quartet. [Accomp. for
organ.] No. 24 in M. 158.18
Again as evening. Opening piece. [For 4 voices.
Accomp. for organ.] No. 10 in M. 280.26; etc.
As pants the hart. Quartet. [Accomp. for organ.]
No. 25 in M.158.18; etc.
Ave Maria. (Send down Thy blessing.) [t or s. solo.
Accomp. for pianoforte.] No. 14 in M.260.10.2; etc.
Benedic, anima mea. [For 4 voices. Accomp. for
organ.]
Benedictus. [For 4 voices
— Calm on the list'ning ear,
organ.]
— Deus misereatur.
No. 6 in M.280.26; etc.
Accomp. for organ.]
No. 4 in M.280.26
Quartet. [Accomp. for
No. 26 in M.158.18
[For 4 voices. Accomp. for organ.]
No. 5 in M.280.26
— Easter anthem. Christ our Passover. [Accomp. for
organ.] No. 3 in M.igo.6
— Fading, still fading. Opening piece. [Arranged from
Bellini. For 4 voices. Accomp. for organ.]
No. II in M.280.26
— Glorious things of thee are spoken. Quartet. [Ac-
comp. for organ.] No. 27 in M.158.18
— Guide me, O Thou Great Jehovah. Quartet. [Ac-
comp. for organ.] No. 28 in M.158.18
— How dear is the thought. Opening piece. [For 4
voices. Accomp. for organ.] No. 9 in M.280.26
— I heard a voice from heaven. Funeral anthem. [Ac-
comp. for organ.] No. 7 in M.280.26; etc.
— I heard the voice of Jesus. Quartet. [Accomp. for
organ.] No. 29 in M.158.18
— It came upon the midnight clear. Quartet. [Accomp.
for organ.] No. 30 in M.158.18
Jesus, lover of my soul. Quartet. [Accomp. for
organ.] No. 31 in M.i58.i8
— Jubilate Deo. [For 4 voices. Accomp. for organ.]
No. 3 in M.280.26
— Just as I am. Quartet. [Accomp. for organ.]
No. 32 in M.158.18; etc.
— Lead, kindly light. Quartet. [Accomp. for organ.]
No. 3i in M.158.18
Like Noah's weary dove. Quartet. [Accomp. for
organ.] No. 34 in M.158.18
— My faith looks up to Thee. Quartet. [Accomp. for
organ.] No. 35 in M.158.18
— Nearer, my God, to Thee. Quartet. [Accomp. for
organ.] No. 36 in M.158.18; etc.
— New church music. Being a collection of solos, duetts,
trios, and quartettes. [Accomp. for organ.]
No. 38 in M.igo.5
Church music. Anthems, &c. (Continued.)
Millard, H. O rest in the Lord. Opening piece. [Solo or
quartet. Accomp. for organ.] No. 8 in M.280.26
O Salutaris Hostia. Solo [t.]. With an accomp. for
the organ. No. 15 in M.26o.io.2; etc.
O worship the King. Duo, s. A., or T. B. [Accomp.
for organ.] No. 37 in M.158.18
Saviour, again. Quartet. [Accomp. for organ.]
No. 38 in M.158.18
Softly now the light. Quartet. [Accomp. for organ.]
No. 39 in M.158.18
Sun of my soul. Quartet. [Accomp. for organ.]
No. 40 in M.158.18
Te Deum [in C. For 4 voices. Accomp. for organ].
No. I in M.280.26
Te Deum [in F. For 4 voices. Accomp. for organ].
No. 2 in M.280.26
Through the day. Quartet. [Accomp. for organ.]
No. 41 in M.158.18
Thy will be done. Quartet. [Accomp. for organ.]
No. 42 in M.158.18
Watchman! tell us. Quartet. [Accomp. for organ.]
No. 43 in M.158.18
iNIiLLAULT. O Salutaris, pour b. (ou a.) solo, avec accomp.
d'orgue. No. 22 in M.260.10.4
Miller, E. Christmas hymn. t. solo, s. solo, t. & a. duett
& quartette. [Accomp. for organ.] No. 4in M.190.6
Millet. Duos, trios et quatuors pour chant et piano.
M.157.11
Mine. Ave Verum, solo [x.] et chceur [s. x. b. Accomp.
d'orgue]. No. g in M.201.35
God of evening, [s. solo and trio or quartet. Accomp.
No. 2 in M. 290.9.1
[s. solo and chorus. Accomp. for
No. I in M.2go.g.i
[s. solo and chorus. Accomp. for
No. 5 in M.2go.g.i
[s. solo and chorus. Accomp. for
No. 3 in M. 290.9.1
Magnificat solemnel. No. i. A quatre voix, solo, qua-
tuor et chceur. Partition avec orgue. No. 2 in M.i92.ig
Magnificat solemnel. No. 3. A3 voix et chceur, avec
accomp. d'orgue oblige. ^ No. 3 in M.ig2.i9
Magnificat solemnel, No. 4. A 3 voix et chceur, avec
accomp. d'orgue. No. 4 in M.ig2.i9
O Salutaris. Trio [s. T. B. Accomp. d'orgue].
No. 20 in M.IS8.32
[Premiere collection de 40 morceaux religieux, paroles
latines. solos, duos, trios, chceurs et chorales . . . Avec
accomp. d'orgue.] M.156.35
MoMiGNY. Te Deum imperial, a cinq voix [s. s. T. x. B.] en
chceur, solos, duos et quatuor, pour musique militaire et
musique de cavalerie. Op. 137. [Partition et reduction
pour orgue.] No. 2 in M.201.40
MoNcouxEAU. O Salutaris. Pour s. ou x. avec accomp.
d'orgue. No. 20 in M.260.10.2
Monk, W. H. Blessed are they that alway keep judgement.
Full anthem. [Accomp. for organ.] No. loin M.157.29; etc.
If ye love me. Full anthem. [Accomp. for organ.]
No. 7 in M.2go.i4; etc.
MoNXELL. Ave Maria, [s. or x. Accomp. for organ.]
No. II in M.20I.3S
Morales. Lamentabatur Jacob. Mottette [s. s. a. x. b.].
No. 3 in M.120.26
Moreau, C. Ave Maria pour s. ou x. et choeur, avec accomp.
d'orgue. No. 10 in M.20i.3S
Moreira, O pray for the peace. [.A.ccomp. for organ.]
No. 23 in M. 290.9.1
Ostende faciem. Trio, s. a. b. Organ accomp.
No. 16 in M. 260.10.6; etc.
Morgan, G. W. Te Deum, and Jubilate. [Accomp. for
organ.] No. 5 in M.igo.6
MoRiN, J. B. Motets a une et deux voix, melez de sym-
phonies. No. I, 2 in M.236.26
Morris, J. W. Vocal quartets adapted to the poetry of the
Prayer Book. No. 34 in M.igo.s
for organ.]
— God of Israel,
organ.]
— God of mercy,
organ.]
— Gracious spirit,
organ.]
I 33
257
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, Src. (Continued.)
Morrison. I will sing praise. [Accomp. for organ.]
No. 46inM.1s8.18
Plead Thou mj' cause. [Accomp. for organ.]
No. 48 in M.158.18
MosEL. Der 120*^ Psalm, metrisch vibersetzt. Fiir . . .
Chor zu 2 Sopran- und 2 Alto-Stimen ohne Begleitung.
No. 3 in M.280.39
MosENTHAL, J. Bonum est, in D. [Accomp. for organ.]
No. IS in M.190.6
Bonum est, in Eb. [Accomp. for organ.]
No. 12 in M.190.6
Deus misereatur, in E. [Accomp. for organ.]
No. 13 in M.190.6
The earth is the Lord's. Psalm XXIV. for mixed
voices. [Accomp. for organ.] No. 18 in M.203.28
Glorias, in Bb and D. [Accomp. for organ.]
No. II in M.190.6
Jubilate, in Bb. [Accomp. for organ.] No. 10 in M.190.6
Jubilate Deo, in C. [Accomp. for organ.]
No. 14 in M.190.6
Peace, troubled soul. t. and b. solo and quartet. [Ac-
comp. for organ.] No. 16 in M.igo.6
Quiet, Lord, my froward heart, s. and a. solo and
quartet. [Accomp. for organ.] No. 17 in M.190.6
Te Deum, in C. For solo-quartette & chorus. [Ac-
comp. for organ.] No. 7 in M.190.6
Te Deum, in F. [Accomp. for organ.] No. 9 in M.190.6
Venite, in C. [Accomp. for organ.] No. 8 in M.190.6
Mozart. Alma Dei Creatoris, an offertorium . . . For 4
voices, 2 violins, bass and organ, in full score, with a
separate accomp. for the organ or pianoforte.
No. 9 in M.260.11
Amavit eum Dominus, an offertorium (fugue in F),
for 4 voices, 2 violins, bass & organ in full score, with a
separate organ accomp. No. 8 in M.260.11
Ave Verum. Adoration en re majeur a voix, or-
chestre, orgue ou piano. En partition. Arrange egale-
ment a une ou deux voix (ad lib.). No. 2 in M.236.28; etc.
Ave Verum. Chant seul, ou motet [s. ou t.] . . . avec
orchestre ou orgue. [Partition, et partition chant et
orgue.] No. i in M.236.28; etc.
Beatus vir, a psalm, for 4 voices, 2 violins, violoncello
& double bass, with a separate accomp. for the organ or
pianoforte. No. 7 in M.260.11
Benedictus. From the Requiem.
No. 2 in M.i39a.i8.7; etc.
Glory, honor, praise and power (Deus, Tibi laus et
honor). For 4 voices. The organ part added.
No. 3 in M.260.11; etc.
Grant, O Lord. Full anthem. [Accomp. for organ.]
No. 6 in M.290.14; etc.
Have mercy, O Lord. Anthem, b. solo, and chorus.
From the motett in D minor, "Ne pulvis et cinis." [Ac-
comp. for organ.] No. 6 in M. 236. 34; etc.
Misericordias Domini. Offertoire a 4 voix en parti-
tion [d'orchestre et d'orgue]. No. 6 in M.236.28
Ne pulvis et cinis. Motet a 4 voix et solo . . . Avec
orchestre ou orgue en partition. No. 5 in M.236.28; etc.
O God, when Thou appearest (Splendente Te Deus).
Motett, for 4 voices, the organ part added.
No. I in M.260.11 ; etc.
O Jesu, O Fili. Quartett and t. solo. [Accomp. for
organ.] No. 12 in M.260.10.6
O magnum mysterium. Trio, a. t. b. [Accomp. for
organ.] No. 23 in M.260.10.6; etc.
Oh Lord, Thy mercy is everlasting. Trio for s. A. bar.
or B. [Accomp. for organ.] No. 8 in M. 158.19
"Out of the deep." [Accomp. for organ.]
No. 18 in M.190.6; etc.
Plead Thou my cause. From the 12th Mass. Adapted
to English words, with a separate accomp. for the or.gan
or pianoforte. No. 7 in M.157.32; etc.
Quis Te comprehendat? A chorus for 4 voices, violin
solo. 2 ripieni violins, viola, 2 horns, organ solo, & d. bass,
in full score, with a separate accomp. for the or.gan or
pianoforte. No. 6 in M.260.11
Church music. Anthems, &c. (Continued.)
Mozart. Redemptor mundi Deus, a solo motett for a B.
voice, from "Qui sdegno." [With organ accomp.]
No. 10 in M.201.38
Sancta Maria, for 4 voices, 2 violins, tenor and bass,
in full score, with a separate accomp. for the organ or
pianoforte. No. S in M.260.11
Sancti et justi, an offertorium. Fugue in D minor for
4 voices, 2 violins, bass & organ, in full score.
No. 4 in M.260.11
Splendente Te, Deus. Himne a 4 voix et solo. Avec
orchestre ... en partition. No. 4 in M.236.28
[Tutte le mie speranze.] Chant religieux a trois voix
[s. s. T.] en partition d'orchestre . . . ou avec orgue ou
piano. No. 3 in M.236.28
MuDiE. Sacred songs, for a treble or tenor voice, with
accomp. for the piano forte, the words from the Holy
Scriptures. No. i, 4, 5, 9, 12, 14-16, 20-22. M.280.30
Mueller, J. E. Ave Maria, for 2 voices [s. a.], with accomp.
for piano or organ. No. 29 in M.260.10.2
Music performed on the occasion of laying the corner stone
of the Cathedral of the Holy Cross, Boston, September
15th, 1867. No. 2 in M. 158.3a
Musical Times and Singing-class Circular. [Music] Vol.
1-8. M.175.1
Naegeli. Mache dich auf, werde Licht. Motette [t. t. b. b.].
No. 2 in M.130.7
Nana. Tantum ergo, per t. b. e coro ad libitum, con accomp.
d'organo. No. 7 in M.221.16
Nares. Behold! now praise the Lord. Full anthem with
duett [s. s. and] organ accomp. • No. 19 in M.190.S
By the waters of Babylon. Canon, 3 in i.
No. II in M.220.10
Te Deum & Jubilate [in D. Accomp. for organ].
No. 19 in M.190.6
Twenty anthems. In score for i, 2, 3, 4 and S voices
[with figured bass]. M.236.33
Nash. Te Deum laudamus, in F. [Accomp. for organ.]
No. 20 in M.190.6
Naumann, J. G. Agnus Dei. [For 4 voices. Accomp. for
organ.] No. 13 in M.260.10.6
Nava. Salve Maria. Preghiera per voce di contralto con
accomp. di pianoforte. No. 14 in M.201.3S
Navo. Ave Maria, [s. a. t. b. Accomp. for organ.]
No. IS in M.201.3S
Neithardt. Misericordias Domini. [Motet, s. s. a. a. t. t.
B. b. Accomp. for organ.] No. 8 in M.26o.a
Neukomm, S. Ave Maria [s. s. B.], with an accomp. for the
organ or pianoforte, and flute ad lib. No. 8 in M.260.10.5
• Ave Maria, fiir s. a. t. b., mit oder ohne Orgel- oder
Clavier-Begleitung. No. 2 in M.260.10.1
Confirma hoc Deus, an offertorium for a b. voice.
[Accomp. for piano.] No. i in M.260.10.5
Ego Mater pulchrae dilectionis. [A 4 parties, avec
accomp. d'orgue.] No. i in M.260.10.6
Quae est ista. [A 4 parties, avec accomp. d'orgue.]
No. 3 in M.260.10.6
Quam pulchri sunt. [A 4 parties, avec accomp.
d'orgue.] No. 2 in M.260.10.6
Recueil de 40 motets a 4 voix egales, solos et chceurs,
avec accomp. d'orgue . . . No. i in M.1S8.37
Te Deum [en re], a grand orchestre. [Partition.]
"Ro. I in M.221.4
Te Deum laudamus. Compose pour la fete d'inaugu-
ration du monument de Jean Gutenberg a Mayence. [Fiir
einstimmigen Chor mit Begleitung der Orgel.]
The words are in Latin, German and English. No. 2 iu M.212.I
Veni, Sancte Spiritus, a solo for b., with accomp. for
the organ or pianoforte and flute (ad lib.).
No. 2 in M.260.10.S
Neuner. Ecce quam bonum, O wie ist's herrlich, in usum
quatuor vocum [t. b. b. b.] . . . comitante clavicimbalo.
No. 4 in M.221.43
Newcomb. Jubilate Deo. [Accomp. for organ.]
No. 52 in M.1S8.18
258
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
NiCHOL. Unto us a Child is born. Anthem for Christmas.
[Accomp. for organ.] No. 19 in M.203.28
NicoLAi, C. O. E. Kirchenliche Fest-Ouverture iiber den
Choral „Ein feste Burg ist unser Gott" fiir grosses Or-
chester, ChorundOrgel. Op. 31. Partitur. No. 3 in M.343.14
Pater Noster, fiir 8 Stimmen [s. s. a. a. t. t. b. b.] in
zwei Choren. Op. 33. [Partitur und Stimmen.]
No. 5 in M.213.10
Saviour, breathe. [Trio, s. t. b. Accomp. for organ.]
No. 21 in M. 190.6
NiEDERMEYER. O Sakitaris. Motet a 4 voix. [In F minor.
Accomp. d'orgue.] No. 12 in M.260.10.7
O Salutaris, a 4 voix. [In E. Accomp. d'orgue.]
No. II in M.260.10.7
NiEDRiST. Angelus Domini. [Mannerchor.] No. 5 in M. 392.34
NiKEL. Der 95. Psalm. (Singet dem Herrn ein neues Lied.)
Fiir Mannerchor mit Orchester- oder Pianoforte-Beglei-
tung. Op. 19. Klavier-Partitur. No. 16 in M.212.11
NiMMUC. God above. [Duo and quartet. Accomp. for
organ.] No. 4 in M.290.9.1
NiNi. O Salutaris Hostia [s. t. b.]. Arranged from [his]
Dixit Dominus. [Accomp. for organ.] No. 16 in M.201.35
Nixon, H. G. Alma Redemptoris. Solo [s.] and chorus.
Accomp. for organ. No. 6 in M.260.10.6; etc.
Cantate Domino, an offertorium for a treble voice &
chorus. [Accomp. for organ.] No. 31 in M. 260.3
Ecce nunc tempus. [Solo, t., & quartet. Accomp. for
organ.] No. 9 in M.260.10.1; etc.
Selections from [his] sacred compositions (hitherto
unpublished). M.27C.1
Tradetur enim. [Motet, s. t. b. Accomp. for organ.]
No. 10 in M.260.10.1 ; etc.
Victims Paschali, offertorium, with an accomp. for
the organ or pianoforte. No. 30 in M.260.3
NoRRis. T. Lord, let me know my end. Canon, 4 in 2.
No. 34 in M.220.10
NovELLO, V. Asperges. [Accomp. for organ.]
No. 21 in M.260.10.6
Hear me, O Lord. Motett for a treble voice and cho-
rus. [Accomp. for organ.] No. 12 in M.2go.9.2
The hymn of praise in the Communion service, for 4
voices, with accomp. for organ or pianoforte.
No. 13 in M.2go.g.2; etc.
The Lord is great. [Accomp. for organ.]
No. 10 in M.290.9.2
The Lord is my strength; a short anthem for Easter
. . . for 4 voices with accomp. for organ.
No. 14 in M.2go.9.2; etc.
The Lord loveth. Full anthem. [Accomp. for organ.]
No. 16 in M.2go.g.2; etc.
O praise the Lord. Full anthem for 4 voices. Ar-
ranged from [his] motett Haec dies. No. 11 in M.2go.g.2
Rejoice in the Lord. [Accomp. for organ.]
No. 24 in M.2go.g.i
Sancta Maria. Motett [s. s. s. Accomp. for organ].
No. 23 in M.260.3; etc.
Sing unto the Lord. A short anthem for Christmas.
[Accomp. for organ.] No. S3 in M.is8.i8; etc.
NovELLO, v., editor. A collection of motetts for the offer-
tory, and other pieces adapted to the morning service . . .
With a separate accomp. for the organ or pianoforte.
Book 1-12. M.260.24
A collection of sacred music, as performed at the
Royal Portuguese Chapel, London. With a separate
accomp. for the organ or pianoforte. 2d edition. M.270.3
The Fitzwilliam music. A collection of sacred pieces
selected from manuscripts of Italian composers in the
Fitzwilliam Museum. M.333.26
NovELLo's Collection of anthems by modern composers.
Vol. 1-16. M.ig5.2
NovELLo's Collection of thirty-one anthems. M.233.13
NovELLo's Parish choir book. No. 1-32. No. i in M. 157.30
O be joyful. Canon. 3 in i. No. 147 in M. 220.9.2
O Lord, let us live. Canon, 3 in i. No. 12 in M.220.10
Church music. Anthems, &c. (Continued.)
O Lord, teach us. Canon, 4 in 2. No. 31 in M.220.9.3; etc.
O SANCTissiMA. [Mannerchor.] No. 37 in M.i29a.43.i; etc.
Oakeley. Magnificat & Nunc dimittis, in E flat . . . with
organ accomp. Op. 8. No. 31 in M.igo.6
Te Deum and Jubilate, Sanctus, Kyrie & Credo, in
E flat, . . . with organ accomp. Op. 9. No. 30 in M.igo.6
Orsini. Gloria et honore, offertory [t. t. b. b. Accomp. for
organ]. No. i in M.260.10.1
Osgood. Sanctus. [t. t. b. b. Accomp. for organ.]
No. 57 in M.392.16; etc.
Otto, E. J. Jauchzeit dem Herrn. Der 100. Psalm [t. t. b. b.].
No. 6 in M.3g2.20
OusELEY. Lord, I call upon Thee. Full anthem for four
voices. No. 14 in M.i54.ig
O praise the Lord with me. [Accomp. for organ.]
No. S in M.i57.2g;etc.
OusELEY, editor. Special anthems for certain seasons and
festivals of the United Church of England and Ireland.
[With accomp. for organ.] M. 233.24
OvEREND. Glory be to the Father. Canon, 8 in 2.
No. 123 in M.220.9.1
Page, A. J. How bright those glorious spirits. [Accomp.
for organ.] No. 20 in M.203.28
Rejoice ye with Jerusalem. Festival anthem. [Ac-
comp. for organ.] No. 21 in M.203.28
Paine, D. Christmas anthem. [Let us now go. Accomp.
for organ.] No. 33 in M.igo.6
Te Deum, in C. With accomp. for the organ.
No. 32 in M.190.6
Paisiello. [Have mercy. Lord, on me.] The sist Psalm.
[Accomp. for organ.] No. 3 in M.236.16
Palestrina. Werke. Band 1-32. M.8o4oa.66
Exaltabo Te Domine. Motett [s. a. x. x. b.].
No. 116 in M.220.10
• I will praise Thy name. [s. s. a. x. b. Parts.]
No. 24 in M.237.1S; etc.
Jehovah reigns, from the "Madrigali Spirituali" [s. a.
t. X. B.] . No. 2 in M.237.28
Jesu Rex. [s. s. x. Accomp. d'orgue.]
No. 43 in M.260.19; etc.
O bone Jesu. [s. a. x. b. Accomp. d'orgue.]
No. 44 in M.260.19; etc.
Rex virtutis. [s. s. x. Accomp. d'orgue.]
No. 42 in M.260.19
A selection of Palestrina's sacred music. No. 1-3.
No. 2-4 in M.201.38
Stabat Mater, [s. s. a. a. x. x. b. b.] No. 23 in M. 158.32
Palmer, A. H. Again the day returns. [Accomp. for
organ.] No. 38 in M. 158.19
Panofka. Agnus Dei. Pour m.-s. ou x. [Accomp. de piano.]
No. 18 in M.201.35
Ave Maria, pour x. ou m.-s. avec accomp. de piano ou
d'orgue. No. i in M.260.10.4
O Salutaris, pour x. ou m.-s. avec accomp. de piano ou
d'orgue. No. 2 in M.260.10.4; etc.
Ti prego, O Madre pia. Priere pour mezzo-soprano
ou tenor, avec accomp. de piano ou d'orgue.
No. 17 in M.260.10.1
Panseron. Collection de 40 morceaux religieux, a I'usage
des convents ... a i, 2, 3, 4, 5 et 6 voix. [Accomp.
■d'orgue.] M.260.13
Mois de Marie. 25 motets ou cantiques en solos, duos
et trios pour toutes especes de voix. [Accomp. d'orgue.]
M.260.12; etc.
O Salutaris Hostia [b. Accomp. de piano].
No. 13 in M.ig3.2i.2
Pappalardo. Lacrymosa. Fuga a quattro voci, s. c. x. b.,
alia Palestrina. Op. i9- No. 3 in M.358.17
Parisot. Inviolata. Pour 4 voix ou choeur [s. s. x. b.], avec
accomp. de piano ou d'orgue. No. 24 in M.260.10.S
Parker. J. C. D., editor. Sacred choruses. M.ioo.io
Parsons, C. Cathedral music, consisting of services & an-
thems, in score, with an accomp. for the organ. M.233.11
259
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Pasini. De profundis. Per solo voce di baritono con con,
a grande orchestra od organo. [Partitura.]
No. 4 in M.260.22
Patten. Six anthems, adapted for large or small choirs.
With an accomp. for the organ or piano forte.
No. 4 in M.280.32
P.\TTisoN, J. N. As pants the hart. Adapted to a Russian
melody and arranged for 4 voices with solo for s. or x.
[Accomp. for organ.] No. 36 in M.190.6
Saviour, source of every blessing. Hymn, from a
melody by Robert Schumann, s. solo and quartette.
[Accomp. for pianoforte.] No. ^^ in M.190.6
Te Deum, in Bb. [Accomp. for organ.]
No. 35 in M.igo.6
Paxton, W. O Israel, trust in the Lord. Canon, 4 in 2.
No. 57 in M.220.9.3
Ganon, 4 in 2.
O Lord in Thee.
Peahsall. Ave Verum. [s. a. t. b.
Sacred compositions.
Tantum ergo. [s. a. t.
No. 30 in M.220.9.3; etc.
Accomp. d'orgue.]
No. 45 in M.260.19; etc.
M. 234.16
Accomp. d'orgue.]
No. 46 in M.260.19
Pecket. Salve Regina, for 4 voices, with an accomp. for the
organ. No. 5 in M. 260.10.7
Peel. "Behold I bring you good tidings." Anthem for
Christmas. [Accomp. for organ.] No. 4, 5 in M.158.19
Penfield. Benedictus. [Accomp. for organ.]
No. 2 in M.190.7
Percival. "Teach me, O Lord," with solo for b. [Accomp.
for organ.] Op. 9. No. 3 in M.190.7
Perez, D. Mattutino de' morti. [Partitura.] M.2S0.14
Perez, S. Sacred vocal works, as sung at the Spanish Chapel,
London. No. 1-6. [Accomp. for pianoforte or organ.]
No. 15-20 in M.260.10.8
Pergolesi. Miserere, a 4 voi.x avec instruments. [Parti-
tion.] M.202.4
[O Clemens, o pia, o dulcis Virgo . . . Accomp. for
pianoforte.] No. S in M.140.1
O Lord, have mercy upon me; for a b. or bar. voice
. . . with the last movement adapted as a quartett, and an
accomp. for the organ. No. 5 in M.290.14
Salve Regina a contr' alto con stromenti [violini, viola,
basso ed organo. Partitura]. No. 8 in M.222.48
Salve Regina, a 2 voci [s. s. o. t. t. Con accomp. di
violini ed organo]. No. 7 in M.222.48
Sanctum et terribile. Accomp. for pianoforte.]
No. 3 in M.140.1
Perosi. Confitebor tibi Domine. Salmo a quattro voci con
accomp. d'organo. No. 6 in M.202.37
Perretti. Salve Regina, solo [m.-s. or bar. Accomp. for
pianoforte]. No. 20 in M.260.10.1
Perking. Te Deum laudamus. [Accomp. for organ. ]
No. 5 in M.190.7
Accomp. d'orgue.]
No. 22 in M.201.34
sacred music, consisting of
[Accomp. for organ.]
M. 235.27
Have mercy upon me. [Accomp. for organ.]
No. 7 in M. 158.19
Ave Maria. Offertorium [s. o. x.]. Partitur.
No. 19 in M. 158.32
PiNsuxi. Te Deum. [s. a. t. b. Accomp. for organ.]
No. I in M.201.41
Porter, J. S. Rend your hearts. [Quartet.] With accomp.
for the piano or organ. No. 6 in M.190.7
Porter, S. Cathedral music in score [with figured bass].
M.237.17
Porter, W. T. Bread of the world. [Communion hymn.
Accomp. for organ.] No. 23 in M.203.28
PoRTOGALLO. Te ergo quxsumus. Duett [s. s. Accomp.
for organ]. No. 26 in M.260.3; etc.
Praetorius. Christe, du Lamm Gottes [for T. T. b. B.].
No. 5 in M.147.4
Petrossi. Parce, Domine. [s. s. x.
Petxex, a., editor. Original
psalms, hymns and anthems
Pflueger.
PlERSON.
Church music. Anthems, &c. (Continued.)
Praxx, J., editor. A collection of anthems in score. Selected
from the works of Handel, Haydn, Mozart, . . . With a
separate accomp. for the organ or piano forte. M.233.18
Price, C. E. B. Hark my soul, it is the Lord. [Accomp.
for organ.] No. 12 in M. 158.19
Hark! the herald-angels sing. [Christmas anthem.
Accomp. for organ.] No. 14 in M. 158.19
In that day shall the Lord. [Anthem for quartet and
chorus. Accomp. for organ.] No. 25 in M.203.28
Now when Jesus was risen. [Easter anthem. Ac-
comp. for organ.] No. 13 in M.1S8.19
While shepherds watched. [Accomp. for organ.]
No. 26 in M.203.28
Pring, J. C. God is our hope. Canon [4 in 2].
No. 13 in M.23S.17.3
Unto Thee, O Lord. Canon [3 in 2].
No. 14 in M.235.17.2; etc.
Proch. Ave maris Stella. Offertory [s. or x. Accomp. for
organ] . No. 20 in M.201.35
Procxor. Father, breathe an evening blessing. [Quartet.
Accomp. for organ.] No. 7 in M.190.7
Prumier. Ave Verum, solo de bar., avec accomp. d'orgue.
No. 6 in M.260.10.5
PuRCELL, H. Remember not. Lord, our offences. Full an-
them for 5 voices [s. s. a. x. b. Accomp. for organ].
No. 16 in M.158.19
QuiNX. Ave Maria for s. or x. [Accomp. for organ.]
No. 21 in M.201.35
Raff. Come, weary souls. [Accomp. for organ.]
No. 5 in M.203.26
• De profundis. 130. Psalm in Musik gesetzt fiir acht-
stimmigen Chor mit Begleitung des grossen Orchesters.
Op. 141. Partitur. No. 3 in M.347.2S
Rameau. In convertendo. Motet pour soli, chceur, orgue,
et orchestre . . . Partition chant et piano. No. i in M.384.40
• — — Quam dilecta. Motet pour soli, choeur, orgue et or-
chestre . . . Partition chant et piano. No. 2 in M.384.40
Ravalli. Stabat Mater. Concertato a 3 voci, s. t. b. ed
accomp. di organo. No. 6 in M.222.45
Reber, N. H. Agnus Dei. [A quatre voix.]
No. 25 in M.260.10.5
Ave Maria a 4 voix. [Accomp. de piano.]
No. 22 in M.260.10.5
Reed, W. Deus misereatur, in F. [Accomp. for organ.]
No. 19 in M.i58.ig
Jerusalem the Golden. [Anthem. Accomp. for organ.]
No. 18 in M.isS.ig
Reinecke, C. H. C. Hymne nach dem 97sten Psalm (,,Ein
Konig ist der Herr"). Fur voUen Mannerchor ohne Be-
gleitung. Op. 174- No. 7 in M.212.14
O Lamb of God. [Accomp. for organ.]
No. 40 in M.i58.ig
Salve Regina, a 4 voci coll' orchestra. Partitura.
No. 3 in M.222.40
Te Deum laudamus . . . fiir vierstimmigen Miinner-
chor mit Begleitung von Blech-Instrumenten (6 Trompe-
ten, 4 Hornern, 6 Posaunen und Tuba) und Contrabass.
Op. 78. Partitur mit untergelegtem Klavierauszuge.
No. 3 in M.203.4
Repertoire de musique d'eglise, pour plusieurs voix et
orgue en partition. No. 1-50. M.26o.ig
Rexxer. Festival Te Deum, in C, for soli, chorus, organ,
harp, and orchestra. Vocal score. No. i in M.213.17
Reyer. Ave Maria. [Pour s. ou x. Accomp. d'orgue.]
Op. II, no. 2. No. 22 in M.201.3S
Reynaud. Stabat Mater pour choeur a 4 voix. (s. c. x. b.)
[Accomp. d'orgue ad lib.] No. 2 in M.156.33
Reynolds, J. My God, my God, look upon me. [Accomp.
for organ. [ No. 15 in M.234.4.1 ; etc.
Rheinberger, J. G. De profundis. Fiinfstimmiger ge-
mischter Chor [s. A. x. T. B.]. No. 20 in M.isS.ig
Fiinf Motetten fiir gemischten Chor. Heft i, 2.
No. 8, 9 in M. 158. 27
260
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Rheinberger, J. G. Hymne nach dem 83sten Psalm, fiir 4
Frauenstimmen [s. s. a. a.] und Harfe oder Pianoforte.
No. II in M.244.11
Sechs Hymnen mit lateinischem und deutschem Texte,
fiir vier Singstimmen. Heft i, 2. No. 11, 12 in M.158.27
Richards, H. B. Sun of my soul. [Hymn-anthem. Ac-
comp. for organ.] No. 44 in M.isy.i
Richardson, J. E. Enter not into judgement. Short an-
them. [Accomp. for organ.] No. pin M.190.7; etc.
Richardson, V. O how amiable are Thy dwellings. Full
anthem. Organ accomp. No. 23 in M.190.5; etc.
RiCHTER, E. F. E. Fiinf geistige Lieder fur Advent, Weih-
nachten, Pfingsten und Jahresschluss, fiir gemischten
Chor. No. I in M.1S8.21
Der 68ste Psalm: „Singet Gott, lobsinget seinem
Namen," fiir 2 Chore a capella. No. 2 in M.158.21
Der I26s*e Psalm: Wenn der Herr die Gefangenen
Sions erlosen wird, fiir Chor und Orchester. Partitur.
No. 3 in M.270.9
RiES, F. Thanksgiving anthem. [Accomp. for organ.]
No. II in M. 190.7
RiETZ. Laudate Dominum. Offertorium fur Bariton-Solo,
Chor und Orchester. Clavier-Auszug. No. 5 in M.270.54
Riga. Te Deum, pour choeurs, orchestre et orgue. Parti-
tion. No. 3 in M.391.33
RiGHiNi. Confiteantur Tibi. Solo, B.,*e coro. [Con accomp.
d'organo.] No. 18 in M.260.10.S; etc.
O praise the Lord, (117th Psalm), b. solo and cho-
rus. [Accomp. for organ.] No. 18 in M.290.9.1
Rimbault, E. F., editor. Collection of ancient church music.
Printed for the Motett Society. M.233.25
A collection of anthems for voices and instruments,
by composers of the madrigalian era. Scored from a set
of ancient Ms. part books. No. 3 in M.234.26; etc.
The pianoforte score is on shelf-number No. 6 in M.234.2S.
RiNCK. Sancta Maria. Motet [s. s. t. b.]. Avec accomp.
d'orgue. No. 17 in M.260.10.3
Veni, Sancte Spiritus. [s. a. t. b. Accomp. d'orgue.]
No. 47 in M.260.19
RiTTER, F. L. O Salutaris. "Bow down Thine ear." For
BAR., with accomp. of pianoforte or organ. - No. 9 in 11.192.4
RiTTER, G. P. Epiphany, [s. s. a. a.] No. i in M. 203.29
RiTTER, T. Ave Maria, a 2 voix [x. bar. ou s. m.-s. Accomp.
d'orgue] . No. 23 in M.201.35
Roberts, D. Holy, Holy, Holy. [Introit. Accomp, for
organ.] No. 29 in M.1S8.19
I will give thanks. [Accomp. for organ.]
No. 30 in M. 158.19
Robinson, J. Not unto us, O Lord, . . . set to music for
four solo voices and chorus, with organ accomp.
No. 12 in M.190.7
Rochlitz. Salve Regina [t. t. b.]. No. 102 in M.213.9
Sammlung vorziiglicher Gesangstiicke vom Ursprnng
gesetzmassiger Harmonic bis auf die Neuzeit. M. 202.6
Roeckel, J. L. Cast thy bread on the waters. Quartette.
No. 31 in M. 158.17
Roeder, G. V. Psaumes des vepres, a quatre voi.x avec
orchestre. Grande partition. M.202.7
Rogers, B. Teach me, O Lord. [Accomp. for organ.]
No. IS in M.290.9.2; etc.
Romberg, A. J. Ave Maria. Motet a 4 voix. Avec accomp.
d'orgue. No. 15 in M.260.10.3
Pater Noster [s. t. b.]. With accomp. for the organ
or piano forte. No. 11 in M.260.10.S; etc.
Te Deum. Separate accomp. for the organ or piano
forte. No. 4 in M.391.33 ; etc.
Rooke. Rest, spirit, rest. Hymn used on funeral occasions.
From the opera of Amilie. [Accomp. for pianoforte.]
No. 13 in M.190.7
RosENMUELLER. Jube. Domine, a 2 cori [con organo].
No. I in M.222.48
Ross' Sacred library for male voices. No. i.
No. 29 in M.203.IS
Rossi, G. G. Ave Maria, per s., con accomp. di pianoforte.
No. 9 in M.260.10.2
Church music. Anthems, &c. (Continued.)
Rossi, L. F. Tantum ergo feriale, a 2 voci d'uomini in coro
[t. B.] con accomp. d'organo ad lib. No. 27 in M.260.10.2
Tantum ergo, in F. Quartette. [Accomp. for organ.]
No. 21 in M.158.32
Rossini. Ave Maria. Chorus. [Accomp. for organ.]
No. s in M.280.32
Ave Verum (Ab), s. s. t. b. [Accomp. for organ.]
No. 24 in M.201.35
Cantemus. Double chorus. [Accomp. for organ or
pianoforte.] No. 8 in M.280.32
From the world stealing. Quartet for male voices.
No. 12 in M.203.25
Hear! oh kind and gracious Saviour. Prayer. Quar-
tette. [Accomp. for pianoforte.] No. 13 in M.290.9.X
O Lord, dismiss us. [Trio, s. x. b. Accomp. for
organ.] No. 15 in M.190.7
O Salutaris (inedit), a 4 voix seules. No. 13 in M.260.10.7
Sancta Mater, istud agas. Quatuor [s. s. t. b. From
his Stabat Mater. Accomp. for pianoforte].
No. 26 in M.244.2
Sanctus, from the "Messe solennelle." [English
words.] No. 45 in M.157.1
Trois choeurs religieux [s. s. a.] avec ace. de piano.
No. 1-3 in M.280.46
RuDOLPHSEN. Folded in Thy circling arms. [Accomp. for
organ.] No. 16 in M. 190.7
RuPES. Ave Maria, [x. ou s. Accomp. de piano.]
No. 26 in M.201.35
Rusx. Qui tollis. Terzett fur s. A. b. [mit obligater Orgel].
No. 14 in M.260.10.3
S., S. B. Ho! every one that thirsteth. Opening service for
four voices. No. 20 in M.190.9
Saemen. Tantum ergo, a 4 voix . . . avec accomp. d'orgue.
Op. 18. No. 27 in M.201.3S
Saint Clair. Ave Maria, s. x. [Accomp. for pianoforte or
organ.] No. 33 in M.201.35
Sainx-Saens. Ave Verum, pour 2 soprani et 2 contralti avec
cor oblige. [Accomp. d'orgue.] No. 32 in M.201.35
The full score and separate horn part.
Same. [Duet for soprano and alto.] No. S in M.155.48
Musique d'eglise. [Accomp. d'orgue.]
No. 28-30 in M.201.35
O Salutaris [en la bemol] pour s. a. b.\r. [Accomp.
d'orgue.] No. 31 in M.201.35
Salome. Ave Maria, pour s. ou x. [Accomp. d'orgue.]
No. S in M.260.10.2
Salxer. Heavenly Father, grant Thy blessing. Invocation
[s. s. A. A.]. No. 41 in M.158.19
Salvayre. Stabat Mater, pour soli, chcEurs et orchestre.
Partition chant et piano. No. 3 in M.156.33
Sancxus. a une voix [a. ou b. Accomp. d'orgue].
No. 31 in M.201.34
Sarti. Miserere mei, a quatro voci con accomp. di tre viola,
violoncello e basso. [Partitura.] M.202.8
Sawyer, F. E. Benedictus, in C. [Accomp. for organ.]
No. 3 in M.203.29
Schicht. Meine Lebenszeit verstreicht. Mottetto. [Vier-
stimmig.] No. i in M.391.58; etc.
[Motetten. Heft i-ii. Partitur.] M.236.19
ScHLOSSER. O Salutaris. Duo pour s. et e. Avec accomp.
d'orgue. No. 7 in M.260.10.5
ScHMiD, F. X. Cantabo Domino. [Motet. Accomp. for
organ.] No. 25 in M.260.3
Deus noster refugium. [Motet. Accomp. for organ.]
No. 16 in M.260.3
Gloria et honore. [Motet. Accomp. for organ.]
No. 17 in M.260.3
Jubilate Deo. [Motet. Accomp. for organ.]
No. 24 in M.260.3
Miserere mei, Domine. [Motet. Accomp. for organ.]
No. 14 in M.260.3
Quam dilecta tabernacula Tua. [Motet. Accomp. for
organ.} No. 15 in M.260.3
261
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, SfC. (Continued.)
ScHNECKER. Cantate Domino. [In A major. Accomp. for
organ.] No. 8 in M.203.29
° Come ye lofty, come ye lowly. [Christmas anthem.
Accomp. for organ.] No. S in M.203.29
Sleepers, wake. Hymn for quartett & chorus. [Ac-
comp. for organ.] No. 9 in M.203.29
Te Deum laudamus. In Bb. [Accomp. for organ.]
No. 7 in M.203.29
Welcome, happy morning. Easter anthem. [Ac-
comp. for organ.] No. 6 in M.203.29
Schneider, J. C. F. „Der Herr ist mein Hirte." Der
XXIII. Psalm, fiir 4 Miinnerstimmen. No. 8 in M.270.59
Der 67s" Psalm. ,,Gott sei yns gnadig, und segne
uns." Zweichorig fiir Mannerstimmen mit Begleitung
von Blase-Instrumenten, Paucken. Violoncelle und Con-
trebass. [Partitur.] No. 4 in M.221.1
Schubert, J. P. Chor-Gesangwerke. M.280.48
"Glory to the Lord Almighty." Chorus [s. s. a. Ac-
comp. for pianoforte]. No. 17 in M.204.36.1
[Herr, unser Gott.] Hymne fur vierstimmigen Man-
nerchor und Quartett-Solo [t. t. b. b.] mit Klavier-Beglei-
tung (ad libitum). Op. IS4- No. 11 in M.392.31; etc.
Kleinere Kirchenmusikwerke. M.317.1.14
The Lord is my Shepherd, [s. s. a. a. Accomp. for
pianoforte.] No. 15 in M.195.2.3; etc.
O Lord our God! Hymn [t. t. b. b. soli, t. t. b. b.
chorus. Accomp. for pianoforte]. No. 6 in M.392.31
Salve Regina . . . Fiir s. a. t. b. mit Klavierbeglei-
tung. [Partitur und Stimmen.] No. 34 in M.201.3S
ScHULTHES. Ave Maria, for m.-s. or bar., with pianoforte or
organ accomp. No. 4 in M.26o.io.4
A collection of six sacred vocal pieces for three &
four equal voices, with organ accomp. (& harp ad lib.).
Op. 87. No. I, 2 in M.201.36
Invocations au Sacre Coeur. Choeur a voix egales
[s. s. A. A.], avec accomp. d'orgue. No. 7 in M.260.14
O quam bonum, motett for 4 equal voices [s. s. A. A.]
(solo & chorus). With organ accomp. (& harp ad lib.).
No. 5 in M.260.14
O Salutaris, for solo [s.] and chorus with organ or
pianoforte. No. 3 in M.260.14
Regina coeli, motett for 4 equal voices [s. s. a. a.]
(solo & chorus), with organ & harp accomp. (ad lib.).
No. 4 in M.260.14
Six invocations for four equal voices [s. s. a. a.] to be
sung after benediction, with organ accomp. (& harp ad
lib.). Op. 88. No. 3 in M.201.36
Veni, Domine, motett, for 4 equal voices [s. s. a. a.]
(soli & chorus), with organ & harp accomp. (ad lib.), and
Elevation for organ & harp. No. 6 in M.260.14
Schumann, R. A. Verzweifle nicht im Schmerzenthal. Mo-
tette fiir doppelten Mannerchor mit Begleitung der Orgel
(ad lib.). No. 5 in M.280.49
Schuster, J. Magnificat. [For 4 voices, with orchestra and
organ.] No. 3 in M.222.48
ScHWiNG. Ave Maria, s. or t. solo. [Accomp. for organ.]
No. 4 in M.201.36
[s. s. T. b. Accomp. d'orgue.]
No. 26 in M.201.34
Sessa. Ave Maria, per s. o. t. [Accomp. di organo.]
No. 6 in M.201.36
Sewell, J. Break forth into joy. Full anthem for Christ-
mas. [Accomp. for organ.] No. 17 in M. 190.7
Shaw, O. Sacred songs, duetts, anthems, &c. With an
accompaniment for the pianoforte or organ. M.380.17
Shore, W., editor. Holiest, breathe an evening blessing.
Italian chorale. [Accomp. for organ.]
No. 47 in M.IS8.19; etc.
Short. Salve Regina, for four voices. [Accomp. for organ.]
No. 7 in M.201.36
Siebeck. Geistliche Lieder und Motetten fur den gemisch-
ten Chor und Orgel oder Pianoforte ad lib. . . . Heft I.
No. 3 in M.152.29
Serrier. Tantum ergo.
Church music. Anthems, &c. (Continued.)
Sieber, F. Ave Maria, gratia plena, fiir vierstimmigen
Frauenchor. No. 7 in M.157.15
SiEBOTH. A short Te Deum, in D major. [Accomp. for
organ.] No. 18 in M.190.7
Slatter. Three anthems [Remember, O Lord; I will mag-
nify Thee; Rejoice in the Lord]; a Te Deum, Benedictus,
Jubilate, Magnificat, & Nunc dimittis, in F major, a Te
Deum, Jubilate, Cantate Domino, and Nunc dimittis in
C major, three psalm tunes and eight chants. [Accomp.
for organ.] M.236.2g
Smallwood. Praise the Lord, O Jerusalem. [Accomp. for
organ.] No. 10 in M.203.29
Smart, G. T. A collection of sacred music. Vol. i. M.233.19
Smart, H. Ave Maria, gratia plena. [Motet for 4 voices.
Accomp. ad lib.] No. 26 in M.1S7.1
"Grant, we beseech Thee, merciful Lord." [Accomp.
for organ.] No. 4 in M. 157. 10
Magnificat & Nunc dimittis in G [for s. s. a. t. b. With
organ accomp.]. No. 9 in M.236.22; etc.
"O be joyful in God, all ye lands." [Accomp. for
organ.] No. 5 in M.157.10
Smith, A. M. The night is far spent. Short anthem for
Advent. [Accomp. for organ.] No. 20 in M. 190.7
Smith, J. Cathedral music. With an accomp. for the organ.
J M.233.8; etc.
The Lord's Prayer. Trio [s. t. b. Accomp. for or-
gan]. No. 18 in M.290.14
Smith, J. S. Remember not. Lord. Motett [s. s. a. a. t. b.].
No. 151 in M.220.10
Smith, J. S., compiler. Musica antiqua. A selection of music
of this and other countries, from the commencement of
the twelfth to the beginning of the eighteenth century;
comprizing . . . motetts, madrigals, hymns, anthems
letc.]. . . . M.236.10
Smith, R. A. How beautiful upon the mountains. Full an-
them, by R. A. Smith; and The Lord loveth, anthem by
Vincent Novello. [Accomp. for organ.]
No. 16 in M.290.9.2; etc.
Smith, W. Praise the Lord, O my soul. Full anthem. [Ac-
comp. for organ.] No. 22 in M.1S7.29
Smith, W. S. "Break forth into joy." Anthem for Christ-
mas. [Accomp. for organ.] No. 51 in M. 158.19
Soehmer. Christ the Lord is risen today, an Easter hymn.
[Accomp. for organ.] No. 22 in M. 190.7
SoFGE. Veni Creator, [s. t. b. Accomp. for organ.]
No. 8 in M.260.10.7
Southard. As the hart pants. [Motet. Accomp. for organ.]
No. 25 in M. 190.7
Ave Maria for m.-s or bar. [Accomp. for organ.]
No. 4 in M.260.10.2
Morning and evening. A collection of [15] pieces
[s. A. t. b.] for use as voluntaries. [Accomp. for organ.]
M.2go.25 ; etc.
My heart doth find. [Motet. Accomp. for organ.]
No. 27 in M.190.7
Praise waiteth for Thee. [Motet. Accomp. for organ.]
No. 26 in M.190.7
Te Deum and Jubilate Deo, in F. [Accomp. for
organ.] No. 23, 24 in M.190.7
SowiNSKi. O quam suavis est, motett [s. or t. Accomp.
for organ]. No. 21 in M.260.10.1
Perfice gressus meos. [t. b. b. Accomp. d'orgue.]
No. 50 in M.260.19
Veni Creator, [t. bar. b. ou s. s. a. Accomp. d'orgue.]
No. 48 in M.260.19
Speranza. a hymn of thanksgiving. [Chorus and a. or bar.
solo. Accomp. for organ.] No. i in M.190.8
Spinnev. It is high time to awake. [Short full anthem.
Accomp. for organ.] No. 53 in M.i58.ig
Spohr, L. As pants the hart. Anthem for 6 voices [s. s. a.
A. t. B.]. Arranged [with accomp. for the pianoforte or
organ] from the "Crucifixion." No. 12 in M.290.9.1; etc.
262
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anlhems, &c. (Continued.)
Spohr, L. Drei Psalmen nach Mendelssohn'scher Ueberset-
zung fur 2 vierstimmige Chore mit eingemischten Solis.
Partitur mit untergelegtem Clavierauszuge.
No. 2-4 in M.221.16
"How lovely are Thy dwellings fair." Festival
anthem . . . The vocal parts in score, the instrumental
adapted for the organ or pianoforte. No. 2 in M.280.32 ; etc.
Der I28ste Psalm, metrisch bearbeitet, fiir 4 Chor-
und 4 Solo-Stimmen mit Begleitung der Orgel oder des
Pianoforte. No. 4 in M.280.12
Jehovah, Lord God of hosts! The 8th Psalm. Com-
posed for 4 solo voices and a double chorus, without ac-
comp. [Accomp. for pianoforte or organ ad lib.]
No. 4 in M.290.1S
"O bless'd for ever," version ... of the CXXVIII
Psalm. [Accomp. for organ.] No. 3 in M.280.32
Tantum ergo. Quartette. Latin and English. [.Ac-
comp. for organ.] No. 20 in M.260.10.7
Thee, Lord, our King. Hymn. s. a. or s. t. b. [Organ
accomp.] No. apa in M.290.22.1
The 24th Psalm. The earth is the Lord's . . . adapted
to the English version. [ Accomp. for pianoforte.]
No. 3 in M.iS5.22;etc.
Sprague, N. B. Asleep in Jesus. [Part-song, t. t. b. b.]
No. 22 in M.203.20
Spring. Benedic anima mea. [Accomp. for pianoforte]
No. 2 in M.zgo.8
Stainer. I am Alpha and Omega. [Accomp. for organ.]
No. 54, SSinM.is8.i9;etc.
Lead, kindly light. [Accomp. for organ.]
No. 2 in M.1S7.29; etc.
O clap your hands. [Accomp. for organ.]
No. 12 in M. 157.29; etc.
Staunton. Te Deum laudamus in D. [Accomp. for organ.]
No. 3 in M.190.8
Stearns. Brightest and best. Christmas anthem. [Accomp.
for organ.] No. 11 in M.203.29
Harvest anthem. [Accomp. for organ.]
No. 12 in M.203.29
The Lord is my light. [Accomp. for organ.]
No. 14 in M.203.29
Secret prayer. [Hymn-anthem. Accomp. for organ.]
No. I in M.1S8.20
Te Deum laudamus, in Bb. [Accomp. for organ.]
No. 4 in M.190.8
That glorious song of old. Christmas anthem. [.A.c-
comp. for organ.] No. 56 in M.i58.ig
When all Thy mercies. [Accomp. for organ.]
No. 5 in M.190.8
Steele. Come, ye thankful people, come. Anthem for
Thanksgiving. ] Accomp. for organ.] No. 16 in M.203.29
Steggall. Hear ye, and give ear, a full anthem for four
voices. [Accomp. for organ,] No. 6 in M.190.8; etc.
I will cry unto God. Full anthem. [.A.ccomp. for
organ.] No. 7 in M.157.29 ; etc.
Steinkuehler. Ave Verum, Pour 4 voix, avec accomp.
d'orgue. No. 12 in M.260.10.3
Stephens, W. Te Deum laudamus, fiir Chor und Soli mit
Orgel- oder Pianofortebegleitung. Englisch-Deutsch.
Partitur. No. 3 in M.193.18
Stevens, R. J. S., editor. Sacred music for i, 2, 3 & 4 voices,
from the works of the most esteemed composers, Italian
and English. Vol. i, 2. M.234.4
Stevenson. Hark! the vesper hymn. [Quartet. Accomp.
for organ.] No. 8 in M.igo.8
Stewart, R. P. If ye love Me, keep My commandments.
[Accomp. for organ.] No. 33 in M.isS.ig; etc.
In the Lord put I my trust. Anthem for four voices.
[s. solo and chorus. Accomp. for organ.]
No. 9 in M.190.8; etc.
Stockiiausen. Domine, probasti me. Solo, m.-s. [Accomp.
for organ.] No. 8 in M.260.10.6
Church music. Anthems, &c. (Continued.)
Stockhausen. O Salutaris, for 4 voices. [Accomp. for or-
gan.] No. 7 in M.260.10.6
Te decet hymnus. Duo, s. s. [Accomp. for organ.]
No. 9 in M.260.10.6
Vidimus stellam. [Solo s. and chorus, with accomp.
for the harp & organ.] No. 10 in M.260.10.6
Stokes, C. An address to the Deity ... set to music for
4 voices . . . [Accomp. for pianoforte.] No. 16 in M.2go.9.l
I will lay me down in peace. Set to music for 4 voices.
[Accomp. for pianoforte.] No. 15 in M.2go.9.i
Stradella. Pieta, Signore. Air d'eglise [s. ou t. Accomp.
de piano] . No. 24 in M.260.10.2 ; etc.
Stuntz. Ex Sion. [t. t. b. b. Accomp. d'orgue.]
No. 49 in M.260.19
Sturm, W. Gott, Du bist mein Zuversicht! [Motet, x. t.
B. B.] No. II in M.203.16
Hymnus [Hold wie der Tauben Fliigel]. Fiir ge-
mischten Chor mit Begleitung der Orgpl oder des Har-
monium. Op. 12. No. 6a in M.194.21
Sullivan, A. S. How sweet the evening shadows. [Ac-
comp. for organ.] No. 42 in M.isS.ig
In heavenly love abiding. [Sextette and chorus. Ac-
comp. for organ.] No. 35 in M.158.15
O God, Thou art worthy. Anthem for the marriage
service. [Accomp. for organ.] No. 26 in M.234.10; etc.
O taste and see how gracious the Lord is. Full an-
them. [Accomp. for organ.] No. 3 in M.157.32
Rejoice in the Lord. [Accomp. for organ.]
No. 28 in M.234.10
Sing, O heavens. [Accomp. for organ.]
No. 29 in M.234.10
Six sacred part-songs for mixed voices. [Accomp. for
piano or organ.] No. 6 in M.154.19
Te Deum laudamus and "Domine salvam fac regi-
nam," for soprano solo, chorus, orchestra, organ . . .
No. I in M.1S7.32
We have heard with our ears. [s. s. a. t. b. Accomp.
for organ.] No. 27 is M.234.10; etc.
Suppi. Thou art the way. [Accomp. for organ.]
No. 34 in M.i58.ig
Sweelinck. Acht zes-stemmige psalmen. No. 2 in M.415.2
Cantio sacra. „Hodie Christus natus est" (vijfstem
mig [s. s. A. T. B.]). Partituur.
Psalm 150 (achtstemmig). Partituur
Psalmen. Cantiones sacrae.
Regina coeli. (1619.) Partituur
Orgel].
No. 4 in M.415.2
No. 4 in M.415.S
M.413.2.2-6
met Klavier [of
No. I in M.415.6
Zes vier-stemmige psalmen. [Klavieruittreksel.]
No. 2 in M.415.6
Tadolini. Ave maris Stella, [s. s. A. A. Accomp. d'orgue.]
No. II in M.260.10.6; etc.
Ave Regina. Pour voix de soprano avec chceur. [Ac-
comp. d'orgue.] No. 2 in M.260.10.3
O Salutaris, pour t. [Accomp. de piano.]
No. 13 in M.260.10.4
Tallis. The full cathedral service as used on the festivals
. . . [Accomp. for organ.] No. i in M.234.18
Sanctus [in C. Accomp. for organ].
No. 21 in M.237.15; etc.
Tamaro. Ave Maria, for voice [s. or t.] with piano.
No. 8 in M.260.10.2
No. 21 in M.237.1S; etc.
Ave Verum, for s. or t. [Accomp. for pianoforte.]
No. 8 in M.201.36
Tariot. O Salutaris pour t. Avec accomp. de piano ou
d'orgue. No. 14 in M.260.10.4
Tattam. a plain Te Deum. With solos for s. and t. [Ac-
comp. for organ.] No. 10 in M.190.8
Taylor, E., editor. The vocal school of Italy in the six-
teenth century. Madrigals, full anthems, motets & villa-
nellas, composed by eminent masters . . . M.237.28
Taylor, J. B. Thanksgiving hymn. [Trio, a. t. b. and cho-
rus. Accomp. for organ.] No. 11 in M.190.8
Te Deum. Canon [4 in l]. No. 216 in M.235.17.2; etc.
Tebbs. Bonum est. [Accomp. for organ.] No. 17 in M.203.29
2fi.3
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. Anthems, &c. (Continued.)
Tebbs. Love divine. Hymn anthem. [Accomp. for organ.]
No. i8 in M.203.29
The Resurrection. Easter anthem. [Accomp. for
organ.] No. 19 in M.203.29
Terziani. Tantum ergo. Soprano solo and quartett. [Ac-
comp. for organ.] No. 19 in M.260.3
Thomas, C. L. A. Sub Tuum praesidium [s. s. a.]. Avec
accomp. d'orgue. No. 9 in M.260.10.S
Thomas, J. R. As pants the hart. [Accomp. for organ.]
No. I in M.290.6
Blessed be the Lord God. j;Accomp. for organ.]
No. 9 in M.290.6
Come Thou fount. [Accomp. for organ.]
No. 2 in M.2go.6
God be merciful. [Accomp. for organ.] No. 7 in M.290.6
It is a good thing. [Accomp. for organ.]
No. 6 in M.290.6
O be joyful in the Lord. [Accomp. for organ.]
No. S in M.290.6
Praise the Lord. [Accomp. for organ.]
No. 8 in M.290.6
Te Deum from service in G. [Accomp. for organ.]
No. 10 in M.290.6
Te Deum in B flat. [Accomp. for organ.]
No. 4 in M.290.6; etc.
Thou art with me. Sacred song (with quartette ad
lib.). [Accomp. for piano.] No. 11 in M.290.6
Venite [No. i, 2], and [3] Glorias. [Accomp. for
organ.] No. 13 in M. 190.8
When I can read my title clear. [Accomp. for organ.]
No. 3 in M.290.6
Thompson, L. S. Te Deum laudamus, in C. [Accomp. for
organ.] No. 21 in M.203.29
Thorne. I was glad when they said unto me. The I22<^
Psalm set to music, [s. solo and chorus. Accomp. for
organ.] No. I4in M.190.8
Psalm XLVIL "O clap your hands together" [s. s. a.
Accomp. for harmonium and piano] . No. 8 in M.157.32 ; etc.
ToEPLER, M., editor. Gesange zum Gebrauche fiir die Mit-
glieder des Sieg-Rheinischen Lehrer-Gesangvereines bei
dem im Jahre i860 zu Briihl Statt findenden Lehrer-
Gesangfeste besonders abgedruckt. No. 3 in M.372.61
ToMACEK. Te Deum. [Coro comitante piano.] Op. 79.
No. 9 in M.201.32; etc.
Tours. God be merciful unto us, for eight voices [s. s. a. a.
T. T. B. B. Accomp. for organ]. No. 15 in M.igo.S
God hath appointed a day. Anthem for Easter. [.Ac-
comp. for organ.] No. 14 in M.158.20
O Salutaris Hostia, motett for s. solo, & chorus with
organ. No. 9 in M.201.36
There were shepherds abiding in the field. Anthem
for Christmas. [Accomp. for organ.] No. 15 in M.IS8.20
Trench. Te Deum ... in Eb. [Accomp. for organ.]
No. 16 in M.igo.S
TRtTETTE. Awake, awake, 'tis Easter morn. [Accomp. for
organ.] No. 19 in M.1S8.20
In heavenly love abiding. [Hymn-anthem. Accomp.
for organ.] No. 17 in M.158.20
The Lord's Prayer. [Accomp. for organ.]
No. 18 in M.158.20
Sing and rejoice. [Anthem for Christmas. Accomp.
for organ.] No. 22 in M.203.29
TucKERMAN, J. F. Te Deum laudamus, in Bb. [Accomp.
for organ.] No. 18 in M.igo.S
TucKERMAN, S. P. A funeral anthem, to commemorate the
death of James A. Garfield. [Accomp. for organ.]
No. 20 in M.igo.S
Six short anthems, for cathedral or parish choirs.
[Accomp. for organ.] No. 2 in M.i54.ig
Their sun shall no more go down. Quartett for fe-
naale voices. No. 19 in M.igo.S
Turn Thy face from my sins, full anthem, and 8 double
cathedral chants. [Accomp. for organ.] No. 3 in M.290.14
TuMA. Stabat Mater. [For 4 voices, with organ accomp.]
No. 2 in M.222.47
Church music. Anthems, &c. (Continued.)
TuRLE. The Lord that made heaven and earth. Full an-
them. [Accomp. for organ.] No. 14 in M.157.29; etc.
TuRLE, editor. The people's music book. Part i, 2. M.111.4
Tye. Laudate nomen Domini. Motet [a. t. t. b.].
No. 6 in M.23S.4; etc.
Motetts for four voices . . . composed for his metri-
cal version of the Acts of the Apostles, scored from the
original edition and adapted to modern paraphrases of
Scripture (with a pianoforte accomp.). No. 8 in M.236.16
To such as fear the Lord. Motet^ No. 23 in M.237.15.1
Valancour. Sub Tuum praesidium. A une voix [s. ou t.
Accomp. d'orgue]. No. 16 in M.201.34
Vaucorbeil. Cantique des Trois enfants. [t. t. b. Ac-
comp. d'orgue.] No. 32 in M.201.34
Gloire a Dieu. Cantique. A une voix [a. ou bar.
Accomp. d'orgue]. No. 20 in M.201.34
Vaughan. Magnificat for 3 voices [s. s. t.], with an accomp.
for the organ. No. 11 in M.260.10.1
Verdi. Ave Maria. Volgarizzata da Dante. Musicata per
una voce (soprano) con accomp. di strumenti d'arco. Ri-
duzione per canto e pianoforte. No. 11 in M.201.36
Great is the Lord. [Chorus, s. solo and quartet. Ac-
comp. for organ.] No. 6in M.2go.g.i
Pater Noster, volgarizzato da Dante. Musicato per
coro [s. s. A. T. B.]. No. 10 in M.201.36
Quattro pezzi sacri, per canto e pianoforte. M.202.42A
Verhulst. Hymnus Veni Creator Spiritus, fiir Manner-
chor mit Begleitung der Orgel. Op. 47. No. 10 in M.201.32
Vervoitte. Salut solennel. Solos et chceurs, avec accomp.
d'orgue. M.202.4S
Vierling. Der loo^te Psalm. ,,Jauchzet dem Herrn alle
Welt," fiir gemischten Chor a capella, mit willkiirlicher
Begleitung des Pianoforte. Partitur und Stimmen.
No. 2 in M.391.60
ViLB.vc. Ave Regina, trio ou choeur [s.«. a.] avec accomp.
d'orgue ou de piano. No. 10 in M.260.10.5
ViTTORiA. Opera omnia ex antiquissimis . . . editionibus
in unum coUecta. M.313.2
Behold, I bring you good tidings. [Anthem for
Christmas.] s. A. T. T. B. With organ accomp.
No. 24 in M.igo.S; etc.
VoGLER, G. J. [In alien meinen Thaten.] Choral und
Hymne. [Mannerchor.] Mit Orchesterbegleitung.
No. 3 in M. 130.7
Laudate, fiir Sopran, mit Begleitung des Chors, obli-
gater Orgel und Orchester. Partitur. No. 2 in M.222.44
Veni, Sancte Spiritus. Graduale [fiir 4 Singstimmen
mit Orchester und Orgel]. Partitur. No. 3 in M.222.44; etc.
VoGT. Cast me not away. Sacred quartet. [Accomp. for
organ.] No. i in M.igo.7
VuLPius. Commit thy way, O weeper. [Hymn. s. a. t. b.
Accomp. for organ.]
Wagner, W. R. Bow down Thine ear.
corap. for organ.]
O Thou, to whose all searching sight. [Solo, a., duet,
A. T., solo, s., and chorus from Tannhauser. Accomp. for
organ.] No. 17 in M.190.1
Waley. "The Lord is my shepherd," sacred song, . . .
[bar. Accomp. for pianoforte.] No. 12 in M.3S0.18
Walmisley, T. a. Te Deum, Jubilate & Sanctus, in C.
[Accomp. for organ.] No. 27 in M.igo.S; etc.
Walmisley, T. A., editor. Cathedral music . . . M.233.16
Walmisley, T. F. Te Deum & Jubilate. [Accomp. for
organ.] No. 28 in M.igo.S
Walter, W. H. "O how amiable." Quartett-anthem. [Ac-
comp. for organ.] No. 29 in M.igo.S
Walther, J. Wittembergisch geistlich Gesangbuch von
1524, zu drei, vier und fiinf Stimmen. Neue Partitur-Aus-
gabe nebst Klavierauszug. M.400.3.7
Wanning. Bloemlezing uit de 52 sententiae. Zangstemmen.
No. I in M.415.8
Warren, G. W. As pants the hart. Psalm for four voices
(with s. solo). [Accomp. for organ.] No. 3 in M.igo.g
Christ the Lord is risen today. Easter hymn. [Ac-
comp. for organ.] No. 4 in M.igo.g
No. S in M.158.23
[Trio, a. t. b. Ac-
No. 25 in M.igo.S
264
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Church music
Church music. Anthems, &c. (Continued.)
Warren, G. W. O praise ye the Lord. Psalm. [Accomp.
for piano.] No. 2 in M.igo.g
Rock of ages. Hymn. [Accomp. for piano.]
No. II in M.290.9.1
Save, Lord, or we perish. Hymn. [Accomp. for
organ.] No. 7 in M.igo.g
Te Deum laudamus. [Accomp. for organ.]
No. I in M.igo.g
Warren, John C. Jerusalem the Golden. Hymn anthem
with T. solo. [Accomp. for organ.] No. i in M.203.25
Jubilate Deo, in B flat. [Accomp. for organ.]
No. 22 in M.158.20
Te Deum, in B flat. [Accomp. for organ.]
No. 21 in M.158.20
Warren, Joseph. Agnus Dei, soprano solo [and chorus]
from [his] Third mass, in A . . . With an accomp. for
the organ or pianoforte.
No. 14 in M.260.10.1
Benedic, Domine, offertorium for s. t. b. [Accomp.
No. 12 in M.260.10.1
Solo [b.] and chorus.
No. 13 in M.260.10.1
for organ,]
O Maria sine macula concepta!
[Accomp. for organ.]
Watson, W. M. "Come near, ye nations." Anthem for
Christmas. [Accomp. for organ.] No. 27 in M.158.20
"Hear, O Lord." [Accomp. for organ.]
No. 26 in M.158.20
O worship the Lord. [Accomp. for organ.]
No. 29 in M.158.20
"Praise the Lord, O my soul." Harvest anthem.
[Accomp. for organ.] No. 28 in M.158.20
Webbe, S. Eight anthems, in vocal score. With a separate
accomp. for the organ. No. i in M.234.7
From everlasting. Canon [3 in i]. No. 197 in M.220.9.1
Glory be to the Father. Canon [4 in 2].
No. 144 in M.220.g.2; etc.
Haec dies. [Motet, s. t. b. Accomp. for organ.]
No. 13 in M.260.3; etc.
I will magnify Thee. Canon [3 in i].
No. 211 in M.220.9.1
The Lord's Prayer, an anthem for 3 voices [s. s. b.],
also adapted for one voice, with an accomp. for the organ
or piano forte. No. 9 in M.236.16
Regina coeli. [Motet. Accomp. for organ.]
No. II in M.260.3; etc.
Tantum ergo. [Motet, s. t. b. Accomp. for organ.]
No. 10 in M.260.3; etc.
Twelve anthems, in vocal score . . . With a separate
accomp. for the organ. No. 2 in M.234.7
Vidi aquam. [Motet, s. t. b. Accomp. for organ.]
No. 12 in M.260.3
Webbe, S., editor. A collection of motetts or antiphons. for
one, two, three, or four voices, or chorus, with a separate
accompaniment for the organ or pianoforte.
No. I in M.110.16
Weckerlin. Ave Maria, a i voix [s. ou t. Accomp. d'orgue].
No. 12 in M.201.36
Weiss, W. H. O Salutaris Hostia. b. Solo. [Accomp. for
organ.] No. 19 in M.260.10.2
Weldon, J. O praise God in His holiness. Full anthem.
Organ accomp. No. 24 in M.190.5; etc.
O praise the Lord. Full anthem. Organ accomp.
No. 25 in M.igo.5; etc.
Wels. Commit thy way unto the Lord. Quartet. [Ac-
comp. for organ.] No. 8 in M.igo.g
Wermann. Selig sind die Todten. Kleine Motette fiir s. a.
BAR. No. 33 in M.158.20
Werner, A. O Spouse mi. Morning star. Duet, s. t. [Ac-
comp. for organ.] No. 13 in M.201.36
Werner, A., compiler. The Cantate: a collection of masses,
Te Deums [etc.], and a selection of pieces for Advent,
Christmas, etc., comprising the services of the Catholic
Church. Vol. I. M.110.9
Wesch£. "Lord, remember David." [Accomp. for organ.]
No. 34 in M.158.20
Church music. Antlicms, S-c. (Continued.)
Wesley, S. Exultate Deo. Motett for five voices [s. s. a.
T. B.]. The voice parts in score, organ or piano forte
accomp. No. i in M. 192.20
In exitu Israel. Motett for double choir. The voice
parts in score, organ or piano forte accomp.
No. 2 in M.ig2.2o; etc.
Wesley, S. S. Anthems. Vol. i. M.233.22
. Blessed be the Lord God of Israel. Anthem for
Christmas. [Accomp. for organ.] No. 35 in M.158.20
Glory be to God on high. [Accomp. for organ.]
No. II in M.igo.g; etc.
O Lord my God. Full anthem for four voices. [Ac-
comp. for organ.] No. 12 in M.igo.g; etc.
Sacred songs. The collects for the first three Sun-
daj-s in Advent. [Accomp. for pianoforte.]
No. 19 in M.290.14
Te Deum. Jubilate, Magnificat, Nunc dimittis. A
chant service [in F. With organ accomp.].
No. 12 in M.236.22
The wilderness, and the solitary place. [Accomp. for
organ and pianoforte.] No. 10 in M.igo.g; etc.
Westbrook. "Let them give thanks." [Accomp. for organ.]
No. 36 in M.158.20
White, C. A. Father, in mercy. [Prayer, t. t. b. b. Ac-
comp. for pianoforte, ad lib.] No. 10 in M.203.22
Rejoice in the Lamb. [Sacred quartet. Accomp, for
organ.] No. 38 in M.158.20
Suffer little children. [Sacred quartet. Accomp. for
organ.] No. 37 in M.158.20
Whiting. Antiphonal music. Psalm XXIV. Vocal and
piano score. [Anon.] No. S in M.154.19
Hymn for Easter. [Accomp. for organ.]
No. 40 in M.158.20
Whitney, .\gnus Dei [in F. Accomp. for organ].
No. 43 in M.158.20
Deus misereatur in Eb. [Accomp. for organ.]
No. 13 in M.igo.g
Magnificat, in E flat. [Accomp. for organ.]
No. 42 in M.158.20
Whittington, .\nd the city had no need of the sun. [.A.c-
comp. for organ.] No. 45 in M.158.20
Wiedemann. Te Deum, fiir 4 Solostimmen und gemischten
Chor mit Klavierbegleitung. No. 5 in M.221.1
Wiegand. Bow down and hear me. Quartet for mixed
voices. [Accomp. for organ.]
WiLLCox. Salve Regina. Solo for t.
organ,]
Tantum ergo. Duo for t. and b.
for organ.]
Wilson, H. Jesus, Saviour of my
organ.]
Shout the glad tidings. Christmas anthem. [Accomp.
for organ.] No. 23 in M.igo.g
Te Deum laudamus, in A. [Accomp. for organ.]
No. 17 in M.igo.g
Same. A new Te Deum laudamus, with an accomp.
for organ. No. 18 in M.190.9
Te Deum in Bb. Antiphonal in form of chant. [Ac-
comp. for organ.] No. 16 in M.igo.g
Winter, P. von. Domus Israel speravit in Domino: Offer-
torium fiir s. A. T. B., 2 Violinen, Viola, 2 Oboen. 2 Trom-
peten, Pauken, Contrabass und Orgel. [Partitur.]
No. II in M.201.32
Hear my prayer, O Lord, adapted . . . for voices
only, with accomp. ad lib. No. 19 in M.2go.g.i; etc.
O Jesu dulcis. Quartetto. [Accomp. for organ.]
No. 22 in M.260.10.2; etc.
Winterbottom. Thou wilt keep him in perfect peace. Quar-
tett. [Accomp. for organ.] No. 21 in M.2go.g.i
Witt. Salve Regina [t. t. b. b.]. No. 3 in M.222.41
Woeltge. Easter anthem for quartet choir with [t.] solo.
[Accomp. for organ.] No. 25 in M.igo.9
Second Christmas anthem. [When Jesus was born.]
For solo [s. A. T. B.] & quartett (or chorus) choir. [.A.c-
comp. for organ.] No. 26 in M.igo.9
No. 14 in M.igo.g
or s. [Accomp. for
No. 2 in M.260.10.2
or s. & A. [.Accomp.
No. 28 in M.260.10.2
soul, [Accomp. for
No. 7 in M.2go.g.i ; etc.
I 34
265
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
— Ave Regina.
Op. S3-
— Ave Varum,
ad libitum.] Op.
libitum.] Op. 39, no. 2.^
— Pater Noster. [A
d'orgue.] Op. 60.
Church music. Anthems, &c. (Continued.)
Wolf, J. F. O Salutaris. [s. a. t. b.] Accomp. for the organ.
No. 4 in M.260.10.6
Wood, A. H. Jubilate Deo, in Bb. [Accomp. for organ.]
No. 27 in M.igo.g
Praise the Lord (Benedic anima). Anthem with bar.
solo. [Accomp. for organ.] No. 28 in M.igo.g
Woodward, H. H. The radiant morn hath passed away.
Anthem for evensong. [Accomp. for organ.]
No. 49 in M. 158.20
WouTERS. Ave maris stella. Solo de bar. (ou t.) et choeur
a trois voix egales avec accomp. d'orgue. Op. 9.
No. 14 in M.201.36
[A 3 ou a 4 voix, avec accomp. d'orgue.]
No. 24 in M.201.36
[Choral a 4 voix, avec accomp. d'orgue
39, no. I. No. 21 in M.201.36
- Domine, Dominus noster. [Graduale, s. s. t. e., avec
accomp. d'orgue ad libitum.] Op. 27 [no. i].
No. 17 in M.201.36
Hymne a St« Cecile. [A quatre voix avec accomp.
d'orgue.] Op. 26. No. 16 in M.201.36
Juravit Dominus. [Offertorium, s. s. t. b., cum or-
gano.] Op. 27 [no. 2]. No. 18 in M.201.36
O Salutaris. [A 4 voix avec accomp. d'orgue, ad
No. 22 in M.201.36
3 voix egales, avec accomp.
No. 25 in M.201.36
Pie Jesu. [Solo de m.-s. et choeur, s. s. x. x. b., avec
accomp. de 2 cors, 2 trompettes, 3 trombones, timballes,
grosse caisse et cymballes, violoncelles, contre-basses et
orgue, ad lib. Partition.] Op. 36. No. 20 in M.201.36
Sancta Maria. [A 4 voix, avec accomp. d'orgue ad
libitum.] Op. 41. No. 23 in M.201.36
[Tantum ergo.] Benediction chorale. [Orgue ad
libitum.] Op. 10. No. 15 in M.201.36
Veni, Sponsa Christi. [Graduale. s. solo, x. x. b. b.]
Op. 32. No. 19 in M.201.36
WuELLNER. Deus, tu couvertens. Offertorium [s. a. x. b.].
No. 12 in M.ig4.2i
Diffusa est gratia. Offertorium [s. a. t. b.].
No. 13 in M.ig4.2i
Drei Motetten fiir vierstimmigen Chor.
No. 25 in M. 158.21
Der erste Psalm fiir vierstimmigen Chor a capella.
No. 23 in M.IS8.21
Qui sedes, Domine. Offertorium [s. s. a. a. i. x. b. b.].
No. 14 in M.ig4.2i
Yaxes. Jesu mi, a solo [s or t.], with an accomp. for the
organ or pianoforte. No. 19 in M.260.10.1
Zeuner, M. 82 geistliche Kirchenlieder zu fiinf Stimmen.
Niirnberg 1616. M.400.17
Zingarelli. Laudate, solo for a x. voice with chorus, . . .
arranged with an accomp. for the organ or pianoforte . . .
No. 5 in M.260.2; etc.
Zucchini. Ave Maria e Angeli Dei. Preghiere a 2 s. e con-
tralto con accomp. di violini, viola, violoncello e basso, e
riduzione per pianoforte. [Partitura.] No. 5 in M.260.22
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Main, H. P. Notes on early American hymn-tune com-
posers. Illus. Fac-similes. (In The music of the modern
world . . . Vol. I, pp. 21S-221. New York. [1895.])
', M.14.1.1
Church music. History and criticism. (Continued.)
Malim, a. W. English hymn tunes, from the l6th century
to the present time. London. [189-?] No. 6 in M.116.5
Mason, W. Essays, historical and critical on English church
music. York. 1795. M.i29a.24
Maydorn, F. R. O. Die Psalmtone der heiligen Kirche.
[Breslau. 1864.] No. 5 in 111.373.27
Meissner, C. F. Winke und Rothschlage fiir Cantoren,
Organisten, Kirchschullehrer und alle die, welche Inte-
resse am Gesange und Orgelspiele nehmen, iiber Choral-
begleitung, Zwischenspiele, Vorspiele . . . Orgelpriifung,
Orgelstimmung und Gesang. Leipzig. 1869.
No. I in M.373.25
MoNNiER, E. La musique religieuse et le plain-chant devant
les prescriptions du Concile de Trente. Paris. 1880.
No. 3 in M.2o6.g
Musique sacree, La, au diocese de Rouen du IVe au Vllle
siecle. Rouen. 1866. No. 3 in M.372.21
Ortigue, J. L. d'. La musique a I'eglise. Paris. 1861.
M.I 29.8
Pittman, J. The people in church: their rights and duties
in connection with the poetry and music of the Book of
Common Prayer. London. 1858. M.141.14
Practical remarks on the reformation of cathedral music.
London. 1849. No. 2 in M.373.35
Rety, H. fitudes historiques sur le chant religieux et
moyens pratiques d'en ameliorer I'execution dans les
grandes et les petites paroisses. Paris. 1870. M.207.31
Roeder, C. Die Einwirkung Dr. Martin Luther's auf die
evangelische Kirchenmusik. Berlin. 1888. No. 5 in M.373.28
Roquet, A. E. Les origines de la chapelle-musique des
souverains de France. Paris. 1864. M. 1293.22
Sakolowski, R. p. Franz Liszt, Der XIIL Psalm fiir
Tenor-solo, Chor und Orchester. Erlautert. Leipzig.
[1900?] No. 3 in M.2i7.i2.g
ScnELLE, C. E. Die papstliche Sangerschule in Rom ge-
nannt die Sixtinische Capelle. Wien. 1872. No. i in M.144.3
Smith, F. M. The development of church music. Illus. Por-
trait. Plates. (/»! The music of the modern world . . .
Vol. I, pp. 141-153- New York. [1895.]) M.14.1.1
Smith, W. A lecture on church music. London. 1859.
No. I in M.373.3S
Super, A. Decadence et restauration du chant liturgique.
Paris. 1883. No. 4 in M.206.9
T.\te, N. An essay for promoting of psalmody. London.
1710. No. I in M.104.49
Thibaut, a. F. J. On purity in musical art. Translated by
W. H. Gladstone. London. 1877. M.128.H
To THE Provost of Glasgow, the two following letters are
respectfully addressed, on the subject of the organ ... in
St. Andrew's Church. Glasgow. 1808. No. 3 in M.125.13
Vervoitte, C. J. Considerations sur le chant ecclesiastique,
a propos du retour a la liturgie romaine. Rouen. 1857.
No. 3 in M.373.38
Vincent, W. Considerations on parochial music. London.
1787. No. 3 in M.104.49
Volbach, F. Giuseppe Verdi, Quattro pezzi sacri. Er-
lautert. Berlin. [1904?] No. 15 in M.217.12.8
Wackerbarth, F. D. Music and the Anglo-Saxons . . .
With remarks on the church music of the 19th century.
London. 1837. M.io5.i4
Wagner, P. Einfiihrung in die gregorianischen Melodien.
Ein Handbuch der Choralkunde. Freiburg (Schweiz).
1895. M.20S.14
Wharton, R. An essay on psalmody, considered as a part
of the public worship. 2d edition. London. 1791.
No. 4 in M.i04.4g
Willis, R. S. Our church music. New York. 1856.
M.137.19
WiLMOT, J. J. T. The place of music in the services of the
Church. A sermon. Bedford. 1879. No. 13 in M.216.18
Worcester, S. An address on sacred musick. Boston. 181 1.
No. 2 in H.I 15.4
Young, E. The harp of God. Twelve letters on liturgical
music. London. 1861. H.zo7.30
267
Church music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Church music
Church music. History and criticism. (Continued.)
Yusupov, N. B. Histoire de la musique en Russie. Partie i.
Musique sacree. Paris. 1872. M.206.20
Church music. Jewish.
Low. Chants religieux. Composes pour des prieres he-
braiques. [Accomp. d'orgue.] M.201.31
The words are in Hebrew transliterated into Roman letters.
Church music. Periodicals.
Church Musician, The, and library of Church music. No. i-
12. London. 1850, 51. M_.123.31
Maitrise, La. Journal des grandes et des petites maitrises.
Annee 1-4. 1857/58-60. Paris. 1858-60. M.171.1
Parish Choir, The, or Church music book. Vol. 1-3. [1846-
51.] London. [1846-51.] M.184.1
Church music. Programmes.
Boston. Central Congregational Church. Sabbath services.
May, 1898-June, 1902. [Programmes.] M.375.13
Old South Church. [Programmes of Sunday services
from February, 1899, to June, 1902.] M.375.12
Trinity Church. Order of music, October. 1895-June,
1898. M.373.34
Protestant Episcopal Church in the United States. Dio-
cese of Massachusetts. Choir Guild. Annual festival of
parish choirs, 7th. 1881. Order of music. No. 59 in M.158.18
Church music. Psalmody. See also Sunday schools. Singing
books.
Church music. Psalmody.
Adams, J. S., compiler. The psalms of life: a compilation of
psalms, hymns, chants . . . 4th edition. M. 108.23
[Awake, my soul, and with the sun.] Morning hymn. [4
voices with accomp. for organ.] M.384.28
Bach, C. P. E. Herrn Professor Gellerts geistliche Oden
und Lieder mit Melodien von C. P. E. Bach. 3. Auflage.
No. I in M.220.24
Zwolf geistliche Oden und Lieder als ein Anhang zu
Gellerts geistlichen Oden und Liedern mit Melodien von
C. P. E. Bach. No. 2 in M.220.24
Baker. B. F., editor. The Haydn collection of church music.
Selected . . . by B. F. Baker and L. H. Southard. M.100.19
Barney. Four hymns, from "Original tunes to popular
hymns" . . . No. 18 in M.158.13
Original tunes to popular hymns. M.i54.2i; etc.
Bennett, W. S., editor. The chorale book for England; a
hymn-book for public and private worship, in accordance
with the services and festivals of the Church of England.
M.148.2
Biava, S., editor and translator. Melodic sacre, o inni, cantici,
saturi popolari della chiesa. 7a edizione, accompagnata
dai concenti all' unisono e a piu voci . . . M. 143.9
Bible. Old Testament. Psalms. In metre. The Psalms
of David. [With several tunes in manuscript, to sing by
syllable.] M. 104.44
Bird, J. The sacred lyrist. . . . Original and selected.
M. 100.34
Boston Academy of Music. Collection of church music.
M.iogB.5
Bradbury. The key-note, a collection of church and singing
school music. M. 100.28
The shawm: a library of church music . . . M. 100.26
Bristol tune-book. A manual of tunes and chants. M. 104.6
Brown, Robert. The supplemental hymn and tune book.
M.157.27
Chanat. Paroissien musical, a I'usage des orpheons et des
ecoles, ou chant romain harmonise. L'accomp. d'orgue.
M.1S6.53
Chants Chretiens. 6e edition. M.107.24
CoLONNA. Psalmi vespertini. Ad ritum ecclesiastics mu-
sicas [sic] duobus choris et organo concinendi. M. 130.5
Crown of Jesus music. [For congregations, convents,
schools and families. For 3 and 4 voices without accomp.]
M.215.6
Davidson, G. H. Choral cyclopaedia, a collection of hymns
and moral songs with music. M.103.11
Dorr. Music for the church service. [Anon.] M.101.14
Dunham. Hymn music for the use of quartette or chorus
Church music. Psalmody. (Continued.)
choirs. No. 18 in M. 154.19
Fay, C. K. Four hymn tunes. No. 43 in M.158.15
Gerrish. Still, still with Thee, Lo! the seal of death, Bread
of the world. [3 hymns, the last arranged from Mendels-
sohn.] No. 4in M.158.26; etc.
Goss. Sabbath evening sacred vocal music. With an ac-
comp. for the piano forte. No. 2 in M.236.g
Hamilton, E. The sanctus: a collection of church music.
M. 100.29
Hayter. Church music. M. 100.7
Hodges, E., compiler. Trinity collection of church music . . .
M.IOO.l
Hopkins, E. J., editor. The Temple Church choral service.
M.iog.2
Hopkins, J. H., editor. Harmonies to the Ten Selections and
the Proper Psalms noted. No. 3 in M. 156.49
HoY'TE. A book of Litanies, metrical and prose, with an
Evening Service and accompanying music. M.372.6
Hullah, J. P., editor. The Psalter, or Psalms of David in
metre; from the authorized version of Brady and Tate:
with appropriate tunes, set in 4 parts, with accomp. for the
organ or piano-forte. M.290.28
Ions. Jesus Christ is risen to-day. (Hymn for Easter-day.)
No. II in M. 154.19
IvES, E. The Beethoven collection of sacred music. With
accompaniment for the organ. M.100.2
JowETT. Musae solitarise. A collection of original melodies,
adapted to various measures of psalms and hymns — and
a full accomp. for the pianoforte or organ. M.236.3
King, W. A., editor. New York Grace Church collection of
sacred music . . . Psalms & hymns with a separate organ
accomp. M.220.2
Kreissmann, a. Anthems and hymns set to music. M.100.20
Latrobe, C. I., editor. Selection of sacred music from the
works of . . . composers of Germany & Italy . . . The
vocal parts in score, the instrumental adapted to the piano-
forte. 4 V. M.290.29
Le.\ch, G., editor. The church and home: a collection of
sacred music. M.ioo.is
' Laus Domino: a new collection of anthems, motetts.
M.100.13
Leavens, compiler. The service of song, a new collection of
church music . . . With a separate accomp. for the organ
or piano forte. M.2go.35
Leslie, H. T. Pilgrim songs, for home or public use.
No. 3 in M.370.31
Marshall, L. The harpsichord, or union collection of
sacred music . . . M. 100.23
Mason, L., compiler. Carmina sacra: or Boston collection of
church music. . . . M.100.25
The psaltery. A new collection of church music . . .
M.100.32
Mercer, W., compiler. The church psalter and hymn book.
M.117.13
Neukomm, S. Recueil de 50 cantiques et chants sacres pour
4 voix d'hommes. No. 2 in M. 158.37
A selection of psalms and hymns arranged for one or
two treble voices and an additional bass voice.
No. 2 in M.167.3
Oliver, H. K. Collection of hymn & psalm tunes . . .
M.100.30
Ravenscroft, T., compiler. The whole book of psalm-tunes,
in four parts, . . . The whole being drawn out in schore.
M. 102.39
Sacred Vocalist, The, or pocket collection of select and
original tunes. M.109B.3
Sankey, I. D., compiler. Sacred songs and solos.
No. I in M.37o.3r
Schulthes. Guirlandes de mai. Hymns to the B. V. M.
[Accomp. d'orgue.] Vol. 1-3. No. 3-5 in M.1S6.28
. Twelve Latin hymns, for vespers and complin, etc.
With organ accomp. No. 22 in M.1S8.32
Shore, W., editor. Sacred music. Selected and arranged
. . . with a separate accomp. for the organ or piano forte.
M.237.18
268
Church music
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ciel
Church music. Psalmody. (Continued.)
Stadlmayr. Hymnen. No. 3 in M.414.3
Tans'ur. The melody of the heart; or the psalmist's pocket-
companion ... No. 2 in M.100.39
The royal melody compleat: or the new harmony of
Sion ... No. I in M.100.39
Taylor, V. C. The chime. M.100.33
Truette. Two vesper hymns: This night, O Lord, we bless
Thee; I love to steal awhile away. No. 16 in M.158.20
Tuckerman, S. p., editor. The national lyre: a collection of
sacred music. M.100.18
Walter, W. H., compiler. A manual of church music: con-
taining chants and metrical tunes. M.107.6
Webbe, S., editor. A collection of sacred music as used in
the chapel of the King of Sardinia; with a separate accom-
paniment for the organ or pianoforte. No. 2 in M.110.16
Werner, A., compilef. The memorare: a collection of
Catholic music: masses, vespers . . . M. 100.3
Westlake, F., editor. Hymns, sacred part-songs and other
pieces, for 2, 3 and 4 voices. With accomp. for pianoforte
or organ. M.157.26
Westrop, E. J., editor. Musical services of the Church of
England, for four voices, with accompaniment. M.110.4
Weyman, D., editor. Melodia sacra; or the Psalms of David,
the music composed by the most celebrated authors . . .
with hymns, anthems & choruses . . . With a figured bass
for the organ or pianoforte. M.2go.20
Whitaker. The seraph, a collection of sacred music . . .
With accompaniment for the piano forte or organ, and
violoncello. M.123.20
White, E. L., compiler. The harmonia sacra: a new collec-
tion of anthems, choruses [etc.]. Added, the Episcopal
Church service. M.110.7
The modern harp: or, Boston sacred melodist.
M. 100.16
WiLLCOX, J. H., editor. Lyra catholica: masses, hymns,
motetts . . . [Accomp. for organ.] M. 100.5
Wilson, H. Quartets, or Christ Church collection of sacred
music. M.100.6
Woodbury, I. B., compiler. The cythara: a collection of
sacred music. M. 100.21
■ The dulcimer: or, the New York collection of sacred
music. M.100.36
Worcester, S., D.D. Select harmony: the fourth part of
Christian psalmody, consisting of a variety of tunes . . .
suited to the various subjects and metres of the psalms
and hymns. No. 2 in M.373.31
Ye gates, lift up your heads. The 24th Psalm.
No. 13 in M. 157. 28.1
Zu Bethlehem geboren [and 14 other hymns, etc., some
with German words, some with Latin]. No. 6 in M.156.39
Church music. Use of instruments.
Begg, J. A treatise on the use of organs and other instru-
ments, in the worship of God. Glasgow. 1808.
No. 5 in M. 104.49
The use of organs and other instruments in Christian
worship indefensible. Glasgow. 1866. M.109B.23
DoDWELL, H. A treatise concerning the lawfulness of in-
strumental musick in holy offices. London. 1700. M.i47.«
Glasgow, J., D.D. Heart and voice: instrumental music in
Christian worship not divinely authorized. Edinburgh.
1883. M.104.41
J., D. Instrumental music in the Church of Scotland. By
the minister of the united parishes of Harray and Birsay.
[Edinburgh. 1872.] No. 3 in M.ii9a.i2
Jefferson, J. Lyra evangelica; or, an essay on the use of
instrumental music in Christian worship. London. 1805.
No. 2 in M.125.13
Church Musician, The, and library of Church music. No. 1-12.
London. Edwards & Hughes. 1850, 51. M.123.31
Churchill, George Spencer, 4th Duke of Marlborough.
Sei arie con accompagnamento. Composte da'l [sic] Mar-
chese di Blaiidford. Londra. 1791. M.220.37
Contents. — I. Se ti basta ch'io t'ammiri. 2. Va della danza. 3. Du
rivage de Vaucluse. 4. Nice, nice infedele. 5. Leggjadra rosa le cui
pure fogiie. 6. Ah ritorna.
Churchill, George Spencer, 4th Duke of Marlborough. (Con-
tinued.)
Viva la padrona. Glee [t. t. b.]. (/n Warren. Collection of
catches. Vol. S> PP- m. ii2.) No. 30 in M.220.9.5
Churchman's help, The, to chanting. Rees, L. S. D.
No. 2 in M. 148.34
Churchyard wall, The. Song. Balfe. No. 25 in M.192.9.1
Chute, La, du jour. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Chvala, Em.
Quartett (C moll), fiir 2 Violinen, Bratsche und Violoncell.
Partitur. Berlin. Simrock. 1898. No. 2 in M.338.17
Chwatal, Franz Xaver.
Des Sangers Rosenzeit. [Mannerchor.] (In Abt. Leichte
Miinnerchore. Heft 23, pp. 20-22.) No. 153 in M.246.22
Ich kenn' ein Auge. [Mannerchor.] (/n Abt. Leichte Man-
nerchore. Heft 23, pp. 12-16.) No. 151 in M.246.22
Lovely night. [Part-song, t. t. b. b.] (In The Choralist.
Vol. I, series 3.) No. 33 in M.157.5.1
Also to be found in The Orpheus glee book; The Orpheus, New series;
Willard's Arion.
Nachtgesang [t. t. b. b.]. (In Orpheus. Band 4, p. 10.)
No. 121 in M. 1293.43.4
Also to be found in Regensburger Liederkranz; Das Rutli.
'S ist schlimm genug. [Mannerchor.] (In Abt. Leichte
Mannerchore. Heft 23, pp. 17-19.) No. 152 in M.246.22
Silbernes Biichlein. [Mannerchor.] (In Abt. Leichte Man-
nerchore. Heft 23, pp. 22-24.) No. 154 in M.246.22
Ciaconna. For violin and orchestra. B.^ch, J. S. No. 4 in M.346.45
Ciampi, Francesco.
Amplius lava me. [Solo, a. Accomp. for pianoforte.] (In
Latrobe. Selections of sacred music. Vol. i, pp. 15, 16.)
No. 2 in M.290.29.1
Cor mundum crea in me. Duetto [s. t. Accomp. for piano-
forte]. (In Latrobe. Selections of sacred music. Vol. i,
pp. 168-171.) No. 38 in M.290.29.1
Ecce enim in iniquitatibus. Duetto [s. s. Accomp, for piano-
forte]. (In Latrobe. Selections of sacred music. Vol. i,
pp. i5t;_i57.) No. 34 in M.2go.29.i
Also to be found in Rochlitz's Sammlung vorzuglicher Gesangstucke.
Hear me, O God. Aria [s. Accomp. for organ]. (In Gar-
diner. Sacred melodies. Vol. 3, p. 392.)
No. 23 in M.236.30.3
Cibavit eos. Antiphon. Mozart. Werke. Serie 24.
No. 4 in M.315.1.24
Cibber, Colley.
Damon and Phillida. A comic opera. [The text adapted
from Colley Gibber's play.] Composed by Mr. Dibdin.
No. 6 in M.220.16.2
Cibo, II, dei giusti. Aria. Gordigiani. Melodies sacrees.
No. 4 in M.270.42
Cicco e Cola. Opera. For the Music see Buonomo. For the
Libretto see Spadetta.
Cicconetti, Filippo.
Vita di Gaetano Donizetti. Roma. Tib. Tiberina. 1864.
Portrait. Facsimile. No. i in M.126.6
Cicile, Emile.
La Nativite. Poeme sacre. Musique de Henri Marechal.
M.247.21
Cicognini, Giacinto Andrea.
II Giasone. Musica del S«. Francesco Cavalli [pseud.]. (In
Oper, Die, von ihren ersten Anfangen bis zur Mitte des
18. Jahrhunderts. Theil 2, pp. 3-85.) M.400.6.2
Cid, Der. Opera. For the Music and Libretto see Cornelius.
Cid', Der, im Leben, Lieben und Sterben. Song. Rungen-
'hagen. No. 21 in M.221.30
Cid, Le. Ballet music. Massenet. M.403.100
Cid, Le. Opera. For the Music see Massenet. For the Li-
bretto see Philippe, A.
Ciel, Le, a visite la terre. Song. Gounod. Vingt melodies.
3e recueil. No. 17 in M.1S7.36.3
Ciel etoile. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
Ciel pietoso. Song. Bellini. No. 2 in M.364.10
Verdi. Verdi album. No. 12 in M.236.5
Ciel! sur qui sa fureur. Duet. Destouches. No. 2 in M.296.6
269
Cielo
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cimarosa
Cielo, di stelle orbato. Song. Verdi. Verdi album.
No. i6 in M.236.5
Cieutat, Henri. j t- o -
Le collier. Opera-comique en un acte. Paroles de h. Kemy
et A. Semiane [pseud.]. Musique de Henry Cieutat. Par-
tition chant et piano. Paris. Choudens. 1892.
No. I in M.39S.17
Pierrot puni. Opera comique en i acte. Paroles de MM. A.
Semiane [pseud] & Albert Geres. Musique de Henri Cieu-
tat. Partition piano et chant. Paris. Grus. [1888.]
No. I in M. 285.16
Proces-verbal. Operette en I acte. Paroles de F. Beissier
& A. Semiane [pseud.]. Musique de Henry Cieutat. Par-
tition piano & chant. Paris. Meuriot. [189-?]
No. 2 in M.395.17
Le reve. Operette en I acte. Paroles de MM. Albert Semi-
ane [pseud.] & Albert Geres. Musique de Henri Cieutat.
Partition chant & piano. Paris. Maquet & cie. [1888.]
No. 2 in M.285.16
Cieux, Les, en chacun lieu. Anthem. Sweelinck. Werken.
Deel 4. M.4I3-2-4
Cieux, Les, instruisent. Quartet. Lacome d'Estalenx. Douze
psaumes. No. 2 in M.296.1
Cifra, Antonio.
Ave Rex noster. [Motet.] (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band 4. pp. 18-
21) No. 10 in M.158.33.4
Cifra, La. Opera. For the Music see Salieri. Das Kaestchen
mit der Chiffer.
Cigale, La, et la fourmi. Opera. For the Music see Audran;
also Barbier, F. fi. For the Libretto see Chivot; also
Eyraud.
Cigale madrilene. La. Opera. For the Music see Perronnet, J.
For the Libretto see Perronnet, A.
Cigisbe, Le. Opera. For the Music see Piccinni, L. For the
Libretto see Marmontel, J. F.
Cilea, Francesco.
Adriana Lecouvreur, commedia-dramma di E. Scribe ed E.
Legouve, ridotta in quattro atti per la scena lirica da A.
Colautti, musica di Francesco Cilea. Riduzione per canto
e pianoforte. Milano. Sonzogno. 1903. M.396.45
L'Arlesiana (da A. Daudet), melodramma in tre atti di
Leopoldo Marenco, musica di Francesco Cilea. Riduzione
per canto e pianoforte. Milano. Sonzogno. 1899. M.399.9
La Tilda. Melodramma in tre atti di Anneldo Graziani.
Musica di Francesco Cilea. Riduzione per canto e piano-
forte. Milano. Sonzogno. [1892.] M.397.17
Ciliege nere. Song. Gordigiani. fichos de la Toscane. Vol. i.
No. 31 in M.244.13.1
Cimarosa, Domenico.
Ah che la morte io veggo, aria seria. [Accomp. d'orchestra.]
Manuscript. N. d. No. 2 in M.120.12
Le astuzie femminili. Melodramma giocoso in 4 parti di
D. Cimarosa. [Parole di Metastasio.] Riduzione per
canto e pianoforte. Paris. Escudier. [1872?] M.395.18
La ballerina amante. Dramma giocoso in tre atti. [Parti-
tura.] Manuscript. [Napoli. 1872.] 2 v. M.31.8
Cara! non dubitar. Duetto [s. t. Accomp. di piano]. {In
Lira d'ltalia. Pp. 168-177.) No. 45 in M.157.39
From II matrimonio segreto.
Che bel piacere. Duettino. Manuscript. N. d.
Full score. No. 3 in M.I20.I3
Chi per pieta. Scena [s. o. t. Accomp. di piano]. (In Lira
d'ltalia. Pp. i-io.) No. i in M.157.39
From II sacrifizio d'Abramo.
II credulo; farsa. [Opera. Partitura.] Manuscript. [Na-
poli. 1785.] M.31.6
Deh ti conforta. Duettino [s. t. Accomp. di piano]. (In
Lira d'ltalia. Pp. 190-193.) No. 48 in M.157.39
From II matrimonio segreto. Also to be found in Musical library.
I due baroni di Rocca Azzurra. [Opera in due atti. Parti-
tura.] Manuscript. [Roma. 1777.] 2 v. M.31.7
This is the same as his I due baroni.
[I due supposti conti. Opera in due atti. Partitura.] Manu-
script. [1784.] 2 V. M.31.9
Cimarosa, Domenico. (Continued.)
II fanatico burlato. [Opera buffa in 2 atti. Partitura.]
Manuscript. [Napoli? 1787?] 2 v. M.402b.2
Giannina e Bernardone. Dramma giocoso in 2 atti. Ridu-
zione [per canto e pianoforte] del Marchese F. d'Arcais.
Milano. Ricordi. [1870?] M.285.17
L'impegno superato. Dramma giocoso. Musica del Sig.
Domenico Cimarosa. [Partitura.] Manuscript. Napoli.
[1795.] 2 V. M.31.10
L'impresario in angustie. Intermezzo di un atto. [Parole
di Dubuisson.] Musica del Sigr. Domenico Cimarosa.
[Partitura.] Manuscript. [1786.] M.31.11
Same. L'impresario in angustie, ou le directeur dans I'em-
barras. Opera bouffon en 2 actes. [Paroles de Dubuis-
son. Partition.] Paris. Sieber. [1802?] M.291.11
Same. Theatralische Abentheuer. Eine komische Oper in
2 Akten. In Musik gesetzt von Cimarosa und Mozart.
[Partitur.] Manuscript. [179-?] M.320.9
This opera was composed with the collaboration of Goethe, in 1791,
under the title Theatralische Abentheuer, some of the music (the over-
ture, the terzette : Ich bin die erste Sangerin, and the finale) being
taken from Mozart's Schauspieidirector.
L'imprudente fortunato. Opera [in due atti] a sette voci.
Musica del Maestro Cimarosa. [Partitura.] Manuscript.
[Roma? 1798?] 2 V. M.31.12
L'ltalienne a Londres. Opera bouffon en 3 actes. Musique
de Cimarosa. Paroles de M^. * * * [Neuville. Parti-
tion]. Paris. Sieber. [1802?] M.291.28
II marito disperato. [Opera in due atti di Lorenzi. Musica
di Cimarosa. Partitura.] Manuscript. [Napoli. 1785.]
2 V. M.31.13
II matrimonio per raggiro. [Opera in due atti. Partitura.]
Manuscript. [Roma. 1779.] 2 v. M.31.14
II matrimonio secreto. Opera buffa [di G. Bertati]. Posta
in musica e ridotta per il pianoforte da Cimarosa. [Paris.]
Marquerie. 1839. M.363.12
Same. II matrimonio segreto, dramma giocoso in 2 atti [de
G. Bertati] . . . Musique de Cimarosa. Paroles fran-
Qaises de Moline. [Partition.] Paris. Imbault. [1802?]
M.291.12
Same. II matrimonio segreto (The secret marriage). Comic
opera. With Italian and English words. [The former by
G. Bertati.] The latter by William Grist. The music by
Domenico Cimarosa. [Accomp. for piano.] London.
Jeffreys. [188-?] M.382.9
II mercato di Malmantile. [Opera in due atti. Partitura.]
Manuscript. [Roma. 1780.] 2 v. M.31.15
Morte crudele e ingiusta, scena ed aria. [Accomp. d'or-
chestra.] Manuscript. N. d. No. 3 in M.120.12
[Nel lasciarti, O prence amato.] Aria [bar., con accomp.
d'orchestra. Partitura]. Manuscript. [1784?]
No. 8 in M. 120.6
I nemici generosi. [Opera in due atti. Partitura.] Manu-
script. [Roma. 1796.] 2 v. M.31.16
L'Olimpiade. [Opera. Partitura. Parole di Metastasio.
Musica di Cimarosa.] Manuscript. Vicenza. [1781.] 2 v.
M.31.17
Gli Orazi e j Curiazi. Opera seria del Signor Sografi.
Musica da Domenico Cimarosa. Paroles frangaises de
Moline. [Partition.] Paris. Imbault. [1800?] M.400.27
Same. Gli Orazzi ed i Curiazi, musique de Cimarosa. Opera
complet. Partition de piano et chant, paroles italiennes
[de Sografi]. [Paris.] Launer. [184-?] M.363.11
La Penelope. [Dramma serio in due atti. Partitura.]
Manuscript. [Napoli? 179S?] M.402b.3
II pittor parigino. Intermezzo a cinque voci. [Partitura.]
Manuscript. Roma. 1786. 2 v. M.31.18
Pria che sponti. Aria [s. o. t. Accomp. di piano], (/n Lira
d'ltalia. Pp. 16-24.) No. 3 in M.157.39
From II matrimonio segreto.
Quelle pupille tenere. Aria [s., con accomp. d'orchestra.
Partitura]. Manuscript. [180-?] No. 6 in M.i20.i8
Se torni vincitor. Scena con duetto [t. t., con accomp.
d'orchestra. Partitura]. Manuscript. [180-?]
No. g in H.i20.i8
270
Cimarosa
THE ALLEN A. BROWN COLLECTION OF MUSIC
Clairville
Cimarosa, Domenico. (Continued.)
Theatralische Abentheuer. See his Impresario in angustie.
I traci amanti. [Opera in due atti. Partitura.] Manu-
script. [Napoli. 1793.] 2 V. M.31.19
Le trame deluse. [Opera. Partitura.] Manuscript. [Na-
poli. 1786.] 2 V. M.31.20
[A trio and a quintet from Gli inimici generosi, with orches-
tral accomp.] Manuscript. [180-?] No. 4, S in M.152.17
Udite tutte udite! Aria [b. Accomp. de piano]. (/» Biblio-
theque musicale. Serie 2, t. 2, pp. 143-154.)
No. 22 in M.193.21.2
While time is swiftly winging. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cocks. [185-? Cham-
ber trios. 57.] No. II inM.244.10.3
Cimarosa, Domenico. Works about.
Neumann, W. Domenico Cimarosa. Giovanni Paesiello.
Friedrich Heinrich Himmel. Biographien. Cassel. 1856.
Portrait. No. 3 in M.20S.17
Cimarosa. Opera. For the Music see Isouard. For the Li-
bretto see Bouilly.
Cimino, Giorgio Tommaso.
Bianca Orsini. Melodramma. Musica del Mo. Errico Pe-
trella. M.2S4-2
Esmeralda. Dramma lirico. Musica di Fabio Campana.
M.27S.23
Manfredo. Dramma lirico. Musica del Mo. Errico Petrella.
M.254.7
II mercante di Venezia. Melodramma da Shakespeare.
Parole del Cav. G. T. Cimino. Musica del Mo. Giro Pin-
suti.
Selvaggia.
Dramma lirico. Musica del Maestro
M.287.21
F. Schira.
M.322.7
[Cincin-
M.374-5
For the
Cincinnati Symphony Orchestra.
Programmes. Season 1897/98; 1901/02-1905/06.
nati.] 1897-1906. 6 V. Portraits.
Cinderella. Opera. For the Music see Farmer, J
Libretto see Leigh, H. S.
Cinderella. Opera. For the Music see Rossini. La Ceneren-
tola.
Cinderella, or the little glass slipper, . . . Pantomime. For the
Music see Kelly. For the Libretto see James, .
Cinder-Ellen up too late. Opera. For the Music see Lutz.
For the Libretto see Hobson.
Cinese rimpatriato. Arie e duetto del Cinese. [Paris. 175-?]
No. 6 in M.340.3
An opera with the above title is attributed by Castil-Blaze to Salletti,
but it is not included among Salletti's works by Fetis.
Cingalee, The. Opera. For the Music see Monckton. For the
Libretto see Tanner.
Cin-Ko-Ka. Opera. For the Music see Sommer.
Cinq mai, Le. Cantata. For the Music see Berlioz, L. H. For
the Libretto see Beranger.
Cinq mai, Le. Song. Niedermeyer. 10 melodies.
No. 4 in M. 157.37
Cinq-Mars. Opera. For the Music see Gounod. For the Li-
bretto see Poirson, P.
Cinquantaine, La. Opera. For the Music see Gennaro-Chre-
tien. For the Libretto see Aylicson.
Ciocchi fate. Part-song. Callcott, J. W.
Cipollini, Antonio.
Commedia lirica.
No. 93 in M.22o.g.4
Musica di
Gaetano
M.245.2
II piccolo Haydn.
Cipollini.
Cipollini, Gaetano.
II piccolo Haydn. Commedia lirica in un atto di Antonio
Cipollini. Musica di Gaetano Cipollini. Riduzione per
canto e pianoforte. Milano. Sonzogno. 1893. M.245.5
Circassian bride. The. Opera. For the Music see Bishop, H. R.
Circassienne, La. Opera. For the Music see Auber. For the
Libretto see Scribe.
Circe. Cantata. For the Music see Courcelles. For the Li-
bretto see Rousseau, J. B.
Circe. Opera. For the Music see Brunei; also Hillemacher.
For the Libretto see Richet; also Haraucourt.
Circuire. Motet. Palestrina. Werke. Band 2. M.8o4oa.66.2
Circumdederunt me dolores mortis. Motet. Lassus. Sammt-
liche Werke. Band 15. M.8o4oa.67.i5
Circus girl, The. Opera. For the Music see Tilkins. For the
Libretto see Tanner.
Cirillo, Francesco.
Dove son, dove vado. Madrigal [s. a. t. t. b.]. (In Bland.
The Ladies' collection. Vol. 2, pp. 228-231.)
No. 247 in M.235.17.2
Ciro in Babilonia. Opera. For the Music see Rossini. For
the Libretto see Metastasio.
Cirque Napoleon, Paris.
Elwart, a. a. £. Histoire des concerts populaires de mu-
sique classique; contenant les programmes annotes de tous
les concerts donnes au Cirque Napoleon . . . Paris. 1864.
M.118.3
Cirri, Giovanni Battista.
Domine, non mea. Canon [for 3 voices]. (/» The Apollo.
Vol. I, p. 80.) No. 31 in M.i3ga.i8.i
Also to be found in Warren's Collection of catches. '
Molto spesso. Catch [for 3 voices]. (/« Warren. Collec-
tion of catches. Vol. 2, p. 23.) No. 9 in M.220.g.a
Cithern. History.
Kennedy, H. Die Zither in der Vergangenheit, Gegenwart
und Zukunft. Fine historisch-kritische Studie iiber das
Instrument und seine musikalischen Verhaltnisse. Tolz.
1896. M.376.IS
Citta di Dio. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.2g
City's hum. The, was hushed and still. Carol. Fay, C. K.
No. 13 in M.i54.ig
Civilization.
Rousseau, J. J. Discours qui a remporte le prix a I'Acade-
mie de Dijon, en I'annee 1730. Sur cette question: Si le
retablissement des sciences & des arts a contribue a epurer
les mceurs. Par un citoyen de Geneve [J. J. Rousseau].
Nouvelle edition, accompagnee de la Refutation de ce dis-
cours, par les apostilles critiques de I'un des academiciens
examinateurs [C. L. Le Cat]. London. 1751.
No. I in M.103.3
Claassen, Arthur.
Fest-Hymne, gedichtet von Max Oberbreyer. Ftir Manner-
stimmen (Soli u. Chor) und Orchester componirt von
Arthur Claassen. Op. 13. Klavier-Auszug. Leipzig.
Kahnt. [189-?] No. I in M.212.4
"Sanssouci." Menuett mit Benutzung eines Thema von
Quanz. Ausgabe fur [Streich-Orchester]. Berlin. Luck-
hardt. [1890.] No. 3 in M.334.1
Claassen, Arthur, editor.
Ludwig Liebe-Album. Ehrengabe zum 70. Geburtstage
Ludwig Liebe's gewidmet von seinen Freunden und
Verehrern. Berlin. Luckhardt. [1889.] Portrait.
No. II in M.203.16
Contents. — Attenhofer : Pater Franzesco. — Bartmuss: Mein Taub-
chen. — Bauer: Minnelied. — Becker: Freude, holde Freude. —
Claassen : O Welt, du bist so wunderschon. — Dregert : Sokrates. —
Ellmenreich: Roslein, wann bluhst du auf? — Fromm: An Sie im
Alter. — Gaugler; Morgenwanderung im Mondenschein. — Gernsheim:
Auf Waldespfaden. — Hahn : Wasserfahrt. — Herman: Sonnen-
wende. — Hermes: Nur zu Zweien. — Hirsch: Horch auf, du trau-
mender Tannenforst. — Jork: Herzenthranen. — Jiingst : Im Mai! —
KoUner: Das Volkslied. — Krauss : Ueber's Jahr. — Mohr: Glaube
an die Freundschaft. — Prase: Des alten Kriegers Tod. — Reise:
Mein Schatzelein. — Rosenhain: Trinklied. — Saro: Blau Aeugelein.
— Schilling: Sommernacht. — Schletterer : Ob kein Lied der Welt
verblieben. — Schultz: Abend am Meere. — Speidel: Die Soldaten-
braut. — Spicker ; Die gebrochene Blume. — Van der Stucken : Waldes-
lied. — Sturm: Gott, Du bist mein Zuversicht. — Weidt : Postilion
Friihling. — Witting: Tragische Geschichte.
Claerchens Lied. Song. Rubinstein. Sechs Lieder.
No. 13 in M.ig2.5
Claeys, Henri.
Drei Ritter. Drie Ridders. Ballade von Edgar Tinel.
No. I in M.202.27
Clair de lune. Suite. Lacome d'Estalenx. No. 2 in M.405.2g
Clair de lune. Song. Schubert, F. P. Melodies. Vol. 3.
M.327.4.3
Clairville, pseud. See Nicolaie, Louis Francois.
Clairville, fils, pseud. See Nicolaie, fidouard.
271
Clairville
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Clari
Clairville, Charles. , „ ,-, ,
Le baron Frick. Operette de MM. Ernest Depre & Charles
Clairville. Musique de Will. Chaumet, Albert Ferrand,
Alph. Duvernoy . . . No. 6 in M.303.15
Le brillant Achille. Vaudeville-operette de Charles Clair-
ville & Fernand Beissier. Musique de L. Varney.
No. I in M.32S.4
Le Capitole. Opera-comique de Paul Ferrier et Charles
Clairville. Musique de Gaston Serpette. M.246.14
Le chevalier Mignon. Opera-comique de Ch. Clairville et
Depre. Musique de L. de Wentzel. M.326.22
La dame de trefle. Operette de Ch. Clairville & M. Froyez.
Musique de fimile Pessard. M.393.48
La famille Venus. Operette-vaudeville. Paroles de Charles
Clairville & Benedite. Musique de Leon Vasseur.
No. 2 in M.324.33
Le fetiche. Operette de MM. Paul Ferrier et Charles Clair-
ville. Musique de Victor Roger. M.307.33
Madame Boniface. Opera-comique. Paroles de MM. Ernest
Dupre et Charles Clairville. Musique de P. Lacome.
M.2g6.io
Mademoiselle Asmodee. Opera-comique de P. Ferrier &
Ch. Clairville. Musique de P. Lacome & V. Roger.
No. I in N.300.14
Miss Dollar. Operette de Charles Clairville & A. Vallin.
Musique de A. Messager. No. i in M.257.19
Mon prince! Opera-comique de A. Sylvane [pseud.] & Ch.
Clairville. Musique de E. Audran. No. i in M.255.29
Ninette. Opera-comique de Charles Clairville. Musique de
Ch. Lecocq. M.302.6
Patart, Patart & cie. Vaudeville-operette de Andre Syl-
vane et Ch. Clairville. Musique de Louis Gregh.
No. 2 in M.266.32
Riquet a la houppe. Feerie nouvelle de Paul Ferrier &
Charles Clairville. Musique de Louis Varney. M.325.3
Clamavi in toto corde. Canon. Hayes, W. Catches, glees and
canons. Vol. i. No. i in M.220.5
Claments, Ernest.
Une etoile . . . d'antichambre. Operette en i acte. Paroles
de H. Lemonier. Musique de E. Claments. [Partition
chant et piano.] Paris. Royol. [1869.] No. 3 in M.28S.23
La Saint Yvon. Operette en i acte. Paroles de H. Le-
monier. Musique de E, Claments. [Partition chant et
piano.] Paris. Royol. [1866.] No. 4 in M.285.18
Les souhaits ridicules. Operette en i acte. Paroles de H.
Lemonier. Musique de E. Claments. [Partition chant et
piano.] Paris. Royol. [1866.] No. 3 in M.285.18
Clapisson, Antoine Louis.
Le code noir. Opera comique en 3 actes. Paroles de E.
Scribe. Musique de L. Clapisson. Grande partition. Paris.
La France musicale. 1842. M.402a.8
Same. Partition piano et chant. M.291.16
Le coffret de S'. Domingue. Opera en i acte, paroles de Mf.
fimile Deschamps, musique de Louis Clapisson. [Parti-
tion chant et piano.] Paris. [1854. Magasin des demoi-
selles.] No. I in M.285.23
Le Fanchonnette, opera comique en 3 actes, . . . poeme de
MM. de S'. Georges et de Leuven [pseud.]. Musique de
L. Clapisson. Partition [et] parties separees. Paris.
Lemoine. [1856.] Score, 3 v. M.400.2S
Same. Partition piano et chant. [187-?] M.363.19
La figurante, ou I'amour et la danse, opera comique en s
actes. Paroles de MM. E. Scribe et Dupin. Musique de
L. Clapisson. Partition. Paris. Lemoine. [1838.] 2 v.
M.291.13
Same. Partition piano et chant. Paris. Launer. [184-?]
M.291.14
Frere et mari. Opera comique en i acte. Paroles de T.
Polak et A. Humbert. Musique de Louis Clapisson. Par-
tition. Paris. Heu. [1841.] M. 291. 17
[Gibby la cornemuse. Opera comique en 3 actes. Paroles
d'Adolphe de Ribbing et L. L. Lherie. Musique de Clapis-
son. Partition. Paris? 1846?] M.224.13
The title-page is missing.
Clapisson, Antoine Louis. (Continued.)
Same. [Chant et piano.] Bureau central de musique. [1846.]
M.363.14
Margot. Opera comique en 3 actes. Paroles de MM. de
Saint-Georges et A. de Leuven [pseud.]. Musique de L.
Clapisson. Partition piano & chant. Paris. Meissonnier.
[1857-] M.363.18
Les mysteres d'Udolphe, opera comique en 3 actes, poeme
de Scribe & G. Delavigne, musique . . . par L. Clapisson.
Partition chant et piano. Paris. Meissonnier. [1852.]
M.363.16
La perruche. Opera comique en i acte. Paroles de Duma-
noir et Dupin. Mis en musique . . . par Louis Clapisson.
Partition. Paris. Meissonnier. [1840.] M.291.15
La poularde de Caux, operette en I acte, de MM. A. de
Leuven [pseud.] et V. Prilleu.x; musique de L. Clapisson,
Gevaert, E. Gautier, F. Poise, A. Bazille et S. Mangeant.
Partition chant et piano. Paris. Choudens. [1861.]
No. 1 in M.293.10
La promise, opera comique en 3 actes, poeme de MM. de
Leuven [pseud.] et Brunswick [pseud.], musique de Louis
Clapisson. Partition piano et chant. Paris. Benoit.
[1854.] ^ M.363.17
Le sylphe. Opera comique en 2 actes. Paroles de Mr. de
Saint Georges. Musique de L. Clapisson. [Partition d'or-
chestre.] Paris. Challiot. [1856.] M.402a.9
Same. [Partition chant et piano.] M.363.1S
La symphonie. Opera comique en un acte. Paroles de M.
de Saint Georges. Mis en musique par Louis Clapisson.
Partition. Paris. Meissonnier. [1839.] M.401.S
Les irois Nicolas. Opera comique en 3 actes, de Scribe,
Lopez et * * [Lurien]. Musique de L. Clapisson. Parti-
tion piano et chant. Bruxelles. Katto. [1859.] M.363.13
Clappe, Arthur A.
Morning service in Eb, for mixed voices. Consisting of Te
Deum, Jubilate Deo, Kyrie and Gloria. [Accomp. for
organ.] New York. Gordon. 1892. No. 7 in 1*1.158.15
Te Deum. Trio for male voices [t. t. b. Accomp. for organ].
New York. Gordon. [1892.] No. 6 in M. 158.15
Claque, Le.
Castel, L. Memoires d'un claqueur. Par Robert [pseud.].
fidition publiee . . . par un vieil amateur. Paris. 1829.
Newspaper clippings about various claquers are added. M.II7.6
Lan, J. Memoires d'chef de claque. Souvenirs des theatres.
Paris. 1883. M. 127.36
Clara. Fiction. Guezenec. M.iogb.sg
Clara. Ballad. Linley, G. [Songs.] Vol. 2. No. 12 in M.235.19.2
Clara, Herzogin von Britannien. Opera. For the Music see
Bierey. For the Libretto see Bretzner.
Clara Tempete. Opera. For the Music see Chiaromonte. For
the Libretto see Rocheblave, £.
Clare Dettin. Opera. For the Music see Meyer-Olbersleben.
Clare Dettin. Overture. Meyer-Olbersleben. No. 2 in M.410.48
Clare sanctorum senatus apostolorum. Motet. Lassus. Sammt-
liche Werke. Band S. M.8o4oa.67.s
Claretie, Arsene Arnaud.
La Navarraise. Episode lyrique. Poeme de Jules Claretie
& Henri Cain. Musique de J. Massenet. M. 245.15
Therese. Drame musical. Musique de J. Massenet. M.378.3
Clari, Giovanni Carlo Maria.
Awake, the morn is breaking. Terzetto [s. a. b. Accomp.
for pianoforte]. (/» Turle and Taylor. The People's
music book. Pp. 34.3-348.) No. in in M.iii.4.3
Be merciful. [Anthem.] {In Pratt. Collection of anthems.
Vol. I, pp. 47-60.) No. 5 in M.233.18.1
Consists of a tenor solo by Clari and a chorus and fugue by Leonardo
Leo. With accompaniment for organ.
Cum Sancto Spiritu. Coro a S voci [s. s. a. t. b. Accomp.
for organ, violins, viola and bass]. (In Novello. The
Fitzwilliam music. Vol. 2, pp. 58-61.) No. 8 in M.233.26.2
De profundis. Quartetto. [Accomp. for organ, violins,
viola, and bass.] (/» Novello. The Fitzwilliam music.
Vol. 3, pp. I&-I9.) No. 3 in M.233.26.3
Domine Deus. Quintette [s. s. a. t. p. Accomp. for organ,
violins, viola and bass]. {In Novello. The Fitzwilliam
music. Vol. 2, pp. SS-S7-) No. 7 in M.233.26.2
272
Clari
THE ALLEN A. BROWN COLLECTION OF MUSIC
Clarke
Clari, Giovanni Carlo Maria. (Continued.)
Funf italienische Duette. fMit Pianofortebegleitung.l Leip-
zig. Druck der Gesellschaft. i8g2. fSupplemente, ent-
haltend Quellen zu Handel's Werken. 4.I
No. 3 in M.4IS.20.I
Gloria Patri. Alto solo e coro. fAccomp. for organ. 1 (In
Novello. The Fitzwilliam music. Vol. i. pp. 56-61.)
No. 12 in M.233.26.1
Gloria Patri. Coro e fuga. fAccomp. for organ, violins,
viola, and bass.l (In Novellp. The Fitzwilliam music.
Vol. 4, pp. 46-52.) No. 9 in M.233.26.4
Gratias agimus e Cum Sancto Spiritu a 5 voci [s. s. a. t. b.
Accomp. for organ, violins, viola, and bass]. (In Novello.
The Fitzwilliam music. Vol. 5, pp. 20-25.)
No. 4 in M.233.26.5
Kyrie. A 5 voci \s. s. a. t. b. Accomp. for organ, violins,
viola, and bass]. (In Novello. The Fitzwilliam music.
Vol. ^, pp. 11-15.) No. 2 in M.233.26.3
Kyrie. Qui tollis peccata. Cum Sancto Spiritu. [Accomp.
for organ, violins, viola, and bass.] (In Novello. The
Fitzwilliam music. Vol. 4, pp. 10-23.) No. 3 in M.233.26.4
From his Mass in D.
Laetatus sum. A 8 voci. fAccomp. for organ.] (In Novello.
The Fitzwilliam music. Vol. 3, pp. 24-32.)
No. S in M.233.26.3
O quam tristis. Solo, s. (or t.). [Accomp. for organ.] (In
Novello. Convent music. Vol. 2, pp. 40, 41.)
No. 14 in M. 260.17.2
Out of the deep. [Anthem. Accomp. for organ.] (/;! Pratt.
Collection of anthems. Vol. i, pp. 39-46.)
No. 4 in M.233.18.1
Quando corpus morietur. [Quartet and chorus. Accomp.
for organ, violins, viola, and bass.] (In Novello. The
Fitzwilliam music. Vol. 5, pp. 30-33.) No. 7 in M.233.26.5
Sancta Mater. Trio [s. a. b. Accomp. for piano, violins,
viola, and bass]. (In Novello. The Fitzwilliam music.
Vol. 5, pp. 2-7.) No. I in M.233.26.5
Sicut erat. Fuga a 5 voci [s. s. a. t. b. Accomp. for organ,
trumpets, violins, viola, and bass]. (In Novello. The
Fitzwilliam music. Vol. 5, pp. 37-41.) No. 9 in M.233.26.S
Stabat Mater. A 4 voci. [Accomp. for organ, violins, viola,
and bass.] (In Novello. The Fitzwilliam music. Vol. 2,
pp. 28-40.) No. 3 in M.233.26.2
Sub Tuum prsesidium. Solo. [Accomp. de piano ou
d'orgue.] (In fichos du nionde religieu.x. Pp. 153-155.)
M.I56.52
Tecum principium virtutis. Soprano solo. fAccomp. for
organ, violins, viola, and bass.] (In Novello. The Fitz-
william music. Vol. 3, pp. 42, 43.) No. 7 in M.233.26.3
Clari. Opera. For the Music see Halevy, J. F. F. fi.
Clari, or the maid of Milan. Opera. For the Music see Bishop,
H. R. For the Libretto see Payne.
Clarice, cara mia sposa. Aria. Mozart. Werke. Serie 6,
Band I. No. 15 in M.315.1.6.1
Clarinda is jocose. Part-song. Webbe, S. No. 14 in M.220.g.4
Clarinet music. Clarinet and piano.
Brahms. Zwei Sonaten fiir Clarinette (oder Bratsche) und
Pianoforte. [Partitur und Clarinette-Stimme.]
No. 2, 3 in M.351.10
GoEPFART. Drei Stucke fiir Clarinette (in B) und Klavier.
[Partitur.] Op. 29. No. 2 in M.410.33
Schumann, R. A. Fantasiestiick fiir Pianoforte u. Clarinette
(oder Violine, oder Violoncell). [Partitur.] Op. 7^.
No. 5 in M.353.15
Clarinet music. Clarinet and orchestra.
Hanssens. Concertino for clarionet. [With accompaniment
for orchestra. Full score.] Manuscript. M.312.36
Mozart. Concert fiir die Clarinette [und Orchester]. Werke.
Serie 12, Abth. 2. M.315.1.12.2
Saint-Saens. Tarentelle pour flvite et clarinette, avec ac-
comp. d'orchestre. Op. 6. En partition. No. 2 in M.344.14
Clarinette, La. Opera. For the Music see Hubans. For the
Libretto see Pericaud.
Clarissa Harlowe. Opera. For the Music see Perelli. For
the Libretto see Sacchero.
Clarisse. Opera. For the Music see Uber.
Clarisse Harlowe. Cantata. For the Music see Letorey, O.
For the Libretto see Noel.
Clark, Frederick Scotson.
Marche aux flambeau.x. [Full score for military band.]
London. Augener & Co. [188-?] No. 2 in M.332.11
Clark, H. F.
Ruy Bias and the blase roue. Written by A. C. Torr
[pseud.], and H. F. Clark. Music by Meyer Lutz.
No. I in M.245.12
Clark, Jeremiah. See Clarke, Jeremiah.
Clark, Kate Elizabeth.
The dominant seventh. A musical story. New York. Apple-
ton & Co. 1890. M.101.27
Clark, Richard.
An account of the national anthem entitled God save the
King. London. Wright. 1822. Portraits. M.132.4
An examination into the derivation, etymology, and defini-
tion of the word "madrigale." London. Mason. 1852.
M.128.3
The first volume of poetry; revised and enlarged, contain-
ing the favorite pieces, as performed at the Catch Club,
Glee Club . . . London. 1824. M.iiga.3; M.147.10
Reminiscences of Handel, His Grace the Duke of Chandos,
Powells the harpers, the Harmonious blacksmith, and
others. With a list of the anthems composed at Cannons,
by Handel . . . London. The editor. 1836. Illus. M.201.42
Wellington's health. Glee. (In The Apollo. Vol. 2, pp. 109-
112.) No. 10 in M.i3ga.i8.2
Clarke, Hamilton. See Clarke, James Hamilton Smee.
Clarke, Henry Savile.
An Adamless Eden. Comic opera. The words by H. Savile
Clarke. The music by W. A. Slaughter. No. i in M.322.32
Clarke, Horatio.
Cast thy burden on the Lord. [Anthem. Accomp. for
organ.] Boston. Truette & Co. [1894.] No. 21 in M.203.26
Cry aloud and shout for joy. [Anthem. Accomp. for
organ.] Boston. Truette & Co. [1894.] No. 22 in M.203.26
How beautiful are Thy dwellings. [Anthem. Accomp. for
organ.] Boston. Truette & Co. [1894.] No. 23 in M.203.26
The Lord is my Light. [Anthem. Accomp. for organ.]
Boston. Truette & Co. [1894.] No. 25 in M.203.26
Show me Thy ways. [Anthem. Accomp. for organ.] Bos-
ton. Truette & Co. [1894.] No. 24 in M.203.26
Clarke, James Hamilton Smee.
Little Jack Sheppard. Burlesque drama. Selections. Writ-
ten by H. P. Stephens and W. Yardley. Music by Meyer
Lutz, Arthur Cecil, Hamilton Clarke, and Florian Pascal
[pseud.] . No. 2 in M.287.3
Lord, how are they increased. Full anthem fs. s. a. a. t. t.
B. B. Accomp. for organ]. (In Novello's Collection of
anthems. Vol. 8, pp. 128-141.) No. 14 in M.ig5.2.S
The missing duke. An operetta for children. Written and
composed by Hamilton Clarke. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. 1894. No. i in M.402.67
Music to the Merchant of Venice as performed at the Ly-
ceum Theatre, ist Nov., 1879. [Arranged for pianoforte.]
London. Cramer & Co. [1879.] No. 4 in M.277.23
Pepin, the Pippin, or, "The King of No Man's Land." A
children's operetta. The words written by Joseph Des-
picht, the music composed by Hamilton Clarke. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. 1894.
No. I in M.3g3.i3
It contains also the voice parts in tonic sol-fa notation.
Te Deum laudamus. In F. [Accomp. for organ.] (In
Novello's Parish choir book. Pp. 59-62.)
No. 12 in M. 157.30
There were shepherds abiding in the field. Christmas an-
them, for 4 voices. [Accomp. for organ.] London. No-
vello & Co. [1865?] No. 16 in M.igo.2
Two chorus girls, and other stories. London. Swan Son-
nenschein. 1888. M.126.27
Contents. — Two chorus girls. — The band-boy. — Three clergymen.
. — A child-musician. — A living likeness. — An old drummer. — The
abbey chorister. — Band-sergeant Brown.
I 35
273
Clarke
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Clasing
Clarke, Jeremiah.
Awake, my soul. Hymn. [Accomp. for organ.] (In Hul-
lah. Part music. Sacred. Vol. 2, pp. 36, 37.)
No. 14 in M. 157.28.2
How long wilt Thou forget me? Solo anthem [s. Accomp.
for organ]. (In Ayrton. Sacred minstrelsy. Vol. 2, pp.
188-190.) No. 68 in M.2()0.22.2
Also to be found in Boyce's Cathedral music, Ed. Novello ; Same, Ed.
Warren ; Stevens's Sacred music.
I will love Thee, O Lord. Anthem [x. b. and chorus. Ac-
comp. for organ]. (In Boyce. Cathedral music. Ed.
Warren. Vol. 3. op. 208-218.') No. 23 in M.233.23.3
Also to be found in Novello's Collection of anthems.
In drinking full bumpers. Catch a 3 voci. (In Bland. The
Ladies' collection. Vol. I. p. 84.) No. 130 in M.235.17.1
Also to be found in dementi's Collection of catches ; Social harmony.
O bless'd estate! [Anthem. Accomp. for organ.] (In Met-
calfe. Fifty metrical anthems. Pp. 6, 7.) No. 5 in M.157.34
O Israel's Shepherd, Joseph's Guide. [Anthem. Accomp.
for organ.] (In Metcalfe. Fifty metrical anthems. P. 4.)
No. 3 in M.157.34
Praise the Lord, for He is love. [Anthem. Accomp. for
organ.] (In Metcalfe. Fifty metrical anthems. Pp. 13,
14.) No. 10 in M.157.34
Praise the Lord, O Jerusalem. Anthem. [Accomp. for
organ.] (In Boyce. Cathedral music. Ed. Warren.
Vol. 2, pp. 253-257.) No. 21 in M.233.23.2
Also to be found in Hullah's Part music, Sacred; Novello's Collection
of anthems.
Since my Phillis is fall'n. Catch [for 3 voices]. (In Vocal
harmonist's magazine. Vol. i, p. 2.) No. 4 in M.220.5
Sleep, downy sleep. Hymn. [Accomp. for organ.] (In
HuUah. Part music. Sacred. Vol. 2, pp. 38, 39.)
No. 15 in M.157.28.2
To laud the heav'nly King. The 148th Psalm. [Accomp.
for organ.] (In Hullah. Part music. Sacred. Vol. i,
pp. 134, 13s) No. 43 in M.157.28.1
Clarke, Mary Cowden.
The life and labours of Vincent Novello. By his daughter.
London. Novello & Co. [1863.] Portrait. M.148.24
Clarke, Mary Cowden, translator.
Berlioz, L. H. A treatise upon modern instrumentation
and orchestration. M.131.17
Clarke- Whitfeld, John.
Behold, how good and joyful. Anthem. [Accomp. for
organ.] London. Novello. [1858. The Musical times.]
Also to be found in Musical times [Music], No. 8 in M.154.19
Blessed is the man. Anthem for verse and chorus. Ac-
comp. for organ. (In Novello's Collection of anthems.
Vol. 10, pp. 158-163.) No. 19 in M.195.2.10
Celestial hope. [Glee.] London. Phipps. [183-?]
No. 14, 17 in M.235.16
Come Ossian. Glee [s. a. t. x. b. b.]. London. Phipps.
[182-?] No. 8. 23 in M.235.16
The Crucifixion and the Resurrection. A sacred oratorio
in 2 parts. With accomp. for the organ or pianoforte.
London. Lonsdale. [1826?] M.241.20
Enter not into judgment. Full anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 14,
PP- 5-7) No. 2 in M.195.2.14
Hear, O Thou shepherd of Israel. Full anthem [s. a. t. b. b.].
The organ part by Vincent Novello. (In Novello's Collec-
tion of anthems. Vol. 10, pp. 133-144.) No. 16 in M.195.2.10
I will alway give thanks. Anthem for verse and chorus.
Accomp. for organ. (In Novello's Collection of anthems.
Vol. 10, pp. 151-157.) No. 18 in M. 195.2. 10
I will lift up mine eyes. Full anthem. [Accomp. for organ.]
(In Musical times. [Music] Vol. 8, pp. 179-1S2.)
No. 25 in M. 175.1.8
In Jewry is God known. Full anthem. [Accomp. for organ.]
(In Musical times. [Music] Vol. S, pp. 51-55.)
No. 21 in M.175.1.5
The minstrel's harp, a cantata [r.] from The lay of the last
minstrel: with an accompaniment for the harp or piano-
forte. London. Clementi & Co. [180-?] No. 42 in M.384.48
Clarke-Whitfeld, John. (Continued.)
A morning service consisting of Te Deum and Jubilate in
F major . . . With an accomp. for the organ or piano
forte by S. Parkman Tuckerman. Boston. Ditson. [184-?]
No. 22 in M.190.8
These two canticles with organ accompaniment by Vincent Novello
are on shelf-numbers No. 12 in m. 290. 19 and m, 234.4.2.
My sweet little Anne. [Song, x. Accomp, for flutes, vio-
lins, and pianoforte.] Oxford. Hardy. [18 — ?]
No. I in M.235.14
Namouna's song [s.], in Lalla Rookh. [Accomp. for piano-
forte.] London. Power. [185-?] No. 19 in M.236.2
O Lord God of my salvation. Anthem for verse and chorus.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 10. pp. 145-150.) No. 17 in M. 195.2. 10
O praise God in His holiness. Anthem. The organ part by
Vincent Novello. (In Novello's Collection of anthems.
Vol. 6, pp. 134-149.) No. II in M. 195.2.6
The Peri pardoned. [Song, s.] From Lalla Rookh. [Ac-
comp. for pianoforte.] London. Power. [185-?]
No. 7 in M.236.2
St. Michael's chair. Glee for 3 voices [a. t. b.]. (In Warren.
Cocks's Hand-book of glees. Vol. 2, pp. 101-104.)
No. 76 in M.157.6.2
The services and anthems in vocal score, composed by Dr.
John Clarke Whitfeld, with a separate accomp. for organ
or piano forte, by Vincent Novello. London. Novello.
[1849?] 4 V. in 2. M.233.4
Contents. — i, 2. Te Deum and Jubilate in F. — Magnificat and Nunc
dimittis in F. — Behold God is my salvation, anthem. — O praisft
God in His holiness, anthem. — The Lord's prayer. — Wherewithal
shall a young man, anthem. — I am the resurrection and the life,
burial service. — Sing unto the Lord, anthem. — Magnificat & Nunc
dimittis in A, also in A minor, and E flat. — Cantate Domino & Deus
misereatur in E. — • The Sanctus, Kyrie & Nicene creed in D. — Can-
tate Domino & Deus misereatur in D. — Te Deum, Jubilate, Magnifi-
cat & Nunc dimittis in F. — 24 chants. 3. 4. Anthems : The heavens
declare; In Jewry is God known; O give thanks unto the Lord; Bow
down Thine ear ; Hear, O Thou shepherd of Israel ; Behold now,
praise the Lord ; Blessed are all they ; I will arise ; Out of the deep ;
Praise the Lord, ye servants ; O sing unto the Lord a new song. —
Te Deum, Jubilate, Kyrie, Gloria, Nicene creed, Sanctus, Magnificat
and Nunc dimittis in E. — O Lord God of my salvation, anthem. —
Behold how good and joyful, anthem. — I will lift up mine eyes,
anthem. — I will alway give thanks, anthem. — Blessed is the man,
anthem. — 24 chants.
The spirit's song [s.], in Lalla Rookh. [Accomp. for piano-
forte.] London. Power. [185-?] . No. 20 in M.236.2
Te Deum and Jubilate in F. [Accomp. for organ.] London.
Novello. [1849?] No. II in M.290.19
Te Deum in E. [Accomp. for organ.] London. Novello.
[1849?] No. 10 in M.29o.ig
Te Deum, Jubilate, Magnificat, Nunc dimittis, in F. [Ac-
comp. for organ.] London. Novello. [1849?]
No. 12 in M.290.19
Twelve glees. London. Phipps & Co. [181-?] 12 parts
in I v. No. 16-27 in M.235.16
Contents. — ■ Wide o'er the brim. — Celestial hope. — - Hymn for the
dead. — When I am doom'd to death. — Oh I Liberty. — The Red
Cross knighte (continuation). — Same (conclusion). — Come, Ossian.
— When shall joy dwell in Selma? — Hymn to the morning star. —
Ye gentle muses. — Malvina's lamentations.
When I am doom'd to death by thee. Glee for 4 voices.
(In Warren, Cocks's Hand-book of glees. Vol. 3, pp. 51,
52.) No. 19 in M.IS7.6.3
Clarke-Whitfeld, John, editor.
Arne, T. a. Artaxer.N:es. M.2S1.18
Handel. Acis and Galatea. No. 2 in M.241.36
Athalia. M.241.40
The Messiah. No. I in M.241.36
Claras, Max.
Auf dem Felde der Ehre. Dichtung von Albert Niess.
Grosses Tongemalde fiir Chor, Soli [s. bar.] und Orches-
ter componirt von Max Clarus. Op. 30. Klavier-Auszug.
Berlin. Bote & Bock. [1902.] No. i in M.384.22
Clasing, Johann Heinrich.
Belsazar. Oratorium gedichtet vom Dr. B. Wolff, in Musik
gesetzt . . . [s. a, X. b. und Chor] von J. H. Clasing. Voll-
standiger Clavier-Auszug. Hamburg. Cranz. [183-?]
M.231.1A
274
Clasing
THE ALLEN A. BROWN COLLECTION OF MUSIC
Clementi
Clasing, Johann Heinrich. (Continued.)
Mischelli und sein Sohn. Als Fortsetzung des Wassertra-
gers. Eine Oper in 3 Aufziigen von A. Kirchner. In
Musik gesetzt und fiir's Forte-Piano eingericlitet von I. H.
Clasing. Hamburg. Bohme. [1825?] M.231.1
Class, Franklin Morris.
The catnippers. A comic opera in three acts. Music by
F. M. Class. Lyrics by R. W. Child. [Accomp. for piano-
forte. Cambridge.] 1903. [Hasty Pudding Club. Spring
theatricals.] No. i in M.397.18
Claude Duval, or love and larceny. Opera. For the Music see
Solomon. For the Libretto see Stephens, H. P.
Claudia. Opera. For the Music see Cagnoni; also Coronaro,
G. B. For the Libretto see Marcello, M.; also Bartocci-
Fontana.
Claudian. Play. Wills. A few notes .. . No. 7 in M.116.7
Claudin, Gustave.
Le mariage de la diva. [5e edition.] Paris. Librairie
illustree. [1886.] M.127.33
Claudine. Opera. For the Music see Bruni, A. B. For the
Libretto see Deschamps, Jacques M.
Claudine von Villa Bella. Opera. For the Music see Hoch-
berg. For the Libretto see Goethe, J. W. von.
Claudius, Otto.
Longing for home. [Part-song, t. t. b. b.] (In Willard.
Arion. P. 53.) No. 29 in M.109.1
Clay, Frederic.
Ages ago. Opera in i act. The words by W. S. Gilbert, the
music by Frederic Clay. [Accomp. for piano.] London.
Boosey & Co. [1869.] M.291.19
Constance, an opera in i act. Written by T. W. Robertson,
the music by Frederic Clay. [Accomp. for piano.] Lon-
don. Metzler & Co. [1865.] M.zgi.iS
Don Quixote. Grand comic and spectacular opera in 3 acts.
Libretto by A. Maltby and H. Paulton. Music by Fred-
eric Clay. [Accomp. for pianoforte.] London. Duff &
Stewart. [1875.] No. i in M.285.19
Lalla Rookh, cantata (founded on Moore's legend). The
words by W. G. Wills, the music by F. Clay. [s. .\. t. b.
and chorus. Accomp. for pianoforte.] London. Chap-
pell & Co. [1877?] M.154.46
Out of sight, opera in I act, words by B. C. Stephenson,
music by Frederic Clay. [Accomp. for pianoforte. Lon-
don.] Pr. for private circulation. [186-?] M.291.20
Princess Toto. Comic opera in 3 acts. The words by W. S.
Gilbert, the music by Frederic Clay. [Accomp. for piano.]
London. Metzler & Co. [1879.] 11.285.20
Clayton, Ellen Creathorne.
Queens of song: being memoirs of the most celebrated
female vocalists. Added a chronological list of all the
operas that have been performed in Europe. London.
Smith, Elder & Co. 1863. 2 v. Portraits. M.106.13
Cle des champs, La. Opera. For the Music see Deffes. For
the Libretto see Boisseaux.
Cle d'or. La. Opera. For the Music see Gautier, J. F. E. For
the Libretto see Feuillet.
Clear and cool. Song. Blumenthal. No. 2 in M.244.1
Clear the course. Catch. Arne, T. A. No. 64 in M. 220.10
Clear wells spring not. Madrigal. Weelkes. First set of
madrigals. No. i in M.234.21
Clef.
Maleden, M. Les 7 clefs rendues faciles, methode sure et
prompte pour lire a toutes les clefs. Paris. [1843.]
No. 8 in M.207.18
Clef d'argent, La. Opera. For the Music see Legouix. For
the Libretto see Beaume.
Clemence. Song. Rousseau, A. No. 2 in M. 158.34
Clemence Oge. Fiction. Serret. M.109.12
Clemens, Jacobus.
Ye nightingales in greenwoods chant, [s. a. t. b.] (/n Smith.
Musica antiqna. Pp. 104-109.) M.236.10
Clemens non Papa. See Clemens, Jacobus.
Clement, Albert.
Les canotiers d'Argenteuil. Operette en un acte. Paroles
de E. Huet. Musique de Albert Clement. [Partition
piano et chant.] Paris. Clement. [186-?] No. 3 in M.3g9.i2
Clement, Charles Francois.
La Bohemienne. Comedie en 2 actes en vers. Traduite de
La Zingara. intermede italien, par Mr. Favart. [Musique
de C. F. Clement. Partition.] Paris. De la Chevardiere.
[1756.] M.262.32
Clement, Felix.
Chants de la Sainte-Chapelle. tires de manuscrits du Xllfe
siecle . . . Avec accompagnement d'orgue. Paris. Didron.
[1849.] M.I2I.8
Choeurs d'Athalie, tragedie de Racine. Partition chant et
piano. Paris. Delalain. [187-?] No. i in M. 158.40
Choix des principales sequences du Moyen age. Tirees des
manuscrits, traduites en musique et mises en parties avec
accomp. d'orgue. Paris. Le Clere & cie. 1861.
No. 2 in M.213.16
Histoire generale de la musique religieuse. Paris. Le Clere
& cie. i860. M.132.9
With bibliographies.
Methode complete de plain-chant, d'apres les regies du chant
gregorien. Paris. Hachette fc cie. 1854. M.208.5
Les musiciens celebres depuis le seizieme siecle jusqu'a nos
jours. Paris. Hachette & cie. 1868. Portraits. M.124.S
Bibliographic, pp. 670-676.
Clement, Jean Pierre.
A bon chat, bon rat. [Roman.] {In Foyer de I'Opera.
Tome I, pp. 77-I5S-) M.i29a.5.i
Clementi, Filippo.
La peliegrina. Opera in quattro atti. Parole e musica di
Filippo Clementi. Riduzione per canto e pianoforte.
Roma. Cristiano. [1891.] M.396.46
Clementi, Muzio.
CEuvres completes [pour le pianoforte]. Cahier 1-13. Leip-
sic. Breitkopf & Hartel. [180-?] 13 v. in 6. Portrait.
Vignettes. M.360.12
Coiili-nts. — I. 12 sonates. 2. 9 senates. 3. 9 senates. 4. 6 sonates a
4 mains ct i senate pour deux pianofortes. 5. 17 sonates. 6. 7 sonates,
I toccata et 2 caprices. 7. 8 sonates. 8. 7 sonates. 9. 6 sonates. 10.
8 sonates. 11. 6 sonates progressives et doigtees, 24 walses, i senate
et La chasse. 12. 4 senates, un caprice, des preludes et cadences pour
le piano-forte seul et une senate a 4 mains. 13. 11 sonates.
Think, O ye who fondly languish. Duet [s. a. Accomp. for
organ]. (In Handel and Haydn Society collection of
sacred music. Vol. 2, p. 38.) No. 8 in M.221.22.2
Trois sonates pour clavecin ou piano forte, avec accomp. de
violon et violoncelle. CEuvre 28. [Piano seul.] Paris.
Imbault. [180-?] No.i2inM.2io.i
Same. [Partie de violon.] Paris. Bailleux. [180-?]
No. 7 in M.210.9
[The violin and violoncello parts of several of his sonatas.]
N. t. p. [London. 179-?] 8 parts in i v. M.352.2S
Clementi, Muzio, compiler.
A collection of catches, canons, glees, duets, &c. London.
Clementi & Co. [l79-?] 4 v. in 2. M.iio.i
Contents. — Vol. i. Byrd: Non nobis Demine. — Warren: To our
musical clubs. — Hayes: Winde gentle evergreen. — Boyce: A
blooming youth. — Lidarti: Su cantiamo. — Arne: You ask me,
dear Jack. — Baildon: Mr. Speaker. — Purcell; The Macedon youth.
Purcell : Were I te cheese the greatest bliss. — Harington : Give
me the sweet delights of love. — Drink te me only with thine eyes. —
Purcell: Would you knew how we meet. — King: O Absalom my
son. — The cries of Durham. — Old Chiron. — Testing: Since my
Phyllis is fall'n. — Purcell: Let's live good honest lives. — Atterbury :
Fair enslaver. — Perche vezzesi. — Nelham : Have you any work for
the tinker. — Bates: Sir you, sir you. — Nares : Wilt thou lend me
thy mare. — Ireland: How sleep the brave. — Byrd: Hey hoe to the
greenwood new. — Hilton : Come fellow. — He that drinks is im-
mortal. — Sum up all the delights. — Webbe: Now we are met. —
Aldrich : Good, good indeed. — Harington : Hew sweet in the wood-
lands. — Smith: Since Phyllis has bubbled. — Baildon: Adieu to the
village. — Fill, fill, fill. — Prior: To thee 'tis giv'n. — Ives: Ceme,
honest friends. — Giardini : Che pena che affanno. — E pur dolce. —
,\rne: Hark you, my dear. — Hail, hail, green fields. — Mornington:
'Twas you, sir. — Purcell: Jack, thou'rt a toper. — Caesar: Come
here's the good health. — Hayes: Gently touch. — Should I dye. —
Aldrich : Hark the bonny. — Giardini : Beviame tutti. — Viva tutte.
Nelham: Come fellow me merrily. — Purcell: Drink on. — Pur-
cell : Call for the reck'ning.— Purcell : Fye nay prithee John. — White
sand and grey sand. — Purcell : Now we are met. — Hilton : Now that
the spring. — To a young lady on the first of May (The fairest month).
Smith: Flora spread her sweets. — Purcell: Soldier, take of thy
wine. — No ambition without its anxiety. — Hayes: Here lyeth Sir
John Guise. — Hayes : Here lyes eld Bridges. — Sweet content is suf-
ficient. — Arne : Hush to peace. — Hayes : Chairs to mend. — Let's
275
Clementi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Clementi
Clementi, Muzio, compiler. (Continued.)
drink and let's sing. — Jaimois mieux de n'aimer. — Blow: How shall
we speak. — What care had I. — Church: Poor Owen. — Where they
drank. — Purcell: I gave her cakes. — Harington : How great is the
pleasure. — Melting airs. — Haydon: As I saw fair Clora. — Gregory:
Here's a bowl. — Arne: Which is the properest day. — Hayes: Come
follow me to the greenwood. — Harington: Look, neighbors, look.
— Purcell: If all be true. — Ireland: All in the downs. — Ives: Boy,
go down. — Cooke: Beneath in the dust. — Go, go banish thy sor-
row. — Lord, how are they increased. — Smith : By shady woods. —
Ford: Haste thee, O Lord. — Morgan: Quoth Jack on a time. — All
into servive [service]. — Sacchini : How should we mortals.
Vol. 2. Valton: Hated by fools. — Atterbury: Who like Bacchus. —
Atterbury: With horns and hounds. — Berg: Dolce miei sospiri. —
Jerusalem. — Cranford: Boy come back. — Dyne: Fill the bowl. —
Hayes: Who e'er has travell'd. — Nelham: Cuckow good neighbor.
— Hayes : Would you sing a catch. — Nelham : Follow me my jovial
boys. — Flackton: What ails you ye smoakers. — Webbe: Come
live with me. — Jenner : Ancient Phyllis. — Ravenscroft : The sailors
(We be three poor mariners). — Vento : Gia la notte. — Lawes:
Gather your rosebuds. — Aylward: A cruel fate. — Ireland: Ah ch'il
destino. — Hilton: Come let us all a maying go. — Smith: Hark the
nightingale. — Mornington: Here in cool grott. — Lawes: The wise
men. — Wise: Strange news from the Rose. — Lawes: Great Tom is
cast. — Hilton: Bless them that curse you. — Three bulls and a bear.
— Linley: A bumper of good liquor. — White: Hark how the woods
do ring. — Child: If any so wise. — Este: How merrily we live. —
Willis : Frank, what shall we do. — Purcell : Here's that will chal-
lenge. — Ireland: To love and wine. — Purcell: Pale faces stand by.
— Nelham: The wily fox. — Clarke: In drinking full bumpers. —
Cranford: This ale my bonny lad. — Arne: Elegy on the death of
Mr. Shenstone. — Nelham: How merrily looks the man. — Byrd :
Come drink to me. — I'll live to morrow. — Come jump at thy cousin.
— When V and I together meet. — Row the boat, Whitington. —
Hilton: Let Symon's beard. — Hilton: Come my hearts. — Joy in
the gates. — Let's have a peal. — Harington: Sweet doth blush. — Oh
my love. — My wife's dead. — Giardini : Vadi pure buona. — Lampe:
Jack I hear. — Hilton: Turn, Amarillis. — Brewer: Go Damon, go
Amarillis. — Holmes: Prepare your hearts. — Turner: Say what you
please. — Lawes: Drink to night. — Hilton: I poor and well. —
Harington: Hark! hark! ding, ding, ding. — Arne: Lay that sullen
garland. — Nelham: Slaves to the world. — Hilton: Call George
again. — When Bibo thought fit. — Hilton: There was an invisible.
— Banbury ale. — Cooke: How sleep the brave. — Brown: Of hon-
est malt liquor. — Hilton: Come away to the tavern. — We be sol-
diers three. — Coleman: The glories of our birth. — Hilton: O ale
ab alendo. — Hark, hark, the lark. — Oh that the salvation. — Free-
man: Of all the brave birds. — Harington: Beneath the silent rural
cell. — Paxton: How sweet! how fresh! — Hilton: Down in a dun-
geon deep. — Nelham : O Dick and Strephon. — Carey : Curst be
the wretch.
Vol. 3. — Hayes: Hail, flow*ry mead. — ■ Hayes: Poor Johnny's
dead. — Weelkes : The nightingale. — Brewer : Turn, Amarillis. —
Wilbye: Ye restless thoughts. — Cranford: Come hither, Tom. —
Scotland: Lightly tread. — O hold your hands. — Webbe: A gen'rous
friendship. — Smith: Hark the hollow woods. — Gibbons: The silver
swan. — Wilbye: Flora gave me. — Ireland: Return, my lovely
maid. — Hayes: Life is a jest. — Ives: Now we are met. — Hilton:
Come follow me. — I drink this cup. — Gillier : Crown the glass. —
Battishill: Consign'd to dust. — Lawes: I saw fair Cloris. — Caven-
dish: Every bush new springing. — Travers : I like a bee. — Wilson:
From the fair Lavinian shore. — Day: Come drink a bout. — Wilbye:
Fly love to heav'n. — Goodgrome: Will Cloris cast. — Wilbye: Adieu,
sweet Amarillis. — Morley : Fair Phillis I saw sitting. — Cobb :
Smiths are good fellows. — Battishill: Amidst the myrtles. — Webbe:
You gave me your heart. — Arnold : Here lyes poor Teague. — Brown :
Peter White. — Bennett: When as I look'd, — Norris: For Agathon.
— Harington: Alas, what boast. — Jenner: Hail, lovely shade. —
Hudson: On the gravestone of Dr. W. Child (Go, happy soul). —
Baildon: My sledge and hammer. — Nelham: A fig for care. — The
musical chase (Let us run). — Care, thou canker. — Long: Hush,
hush, the god of love. — Alcock : Hail ever pleasing. — Conversi :
When all alone. — Harington: O thou whose notes. — Uxor mea
uxor poUa. — Hilton : What shall he have. — Nelham : Yonder he
goes. — Weelkes: Ah! me, my wonted joys. — Ford: Fair, sweet,
cruel. — Dyne: Tell me thou dear departed. — Hilton: O Lord
Almighty. — Purcell: Fairest isle. — AUegri: Miserere. — Bennett:
Flow O my tears.
Vol. 4. Baildon: When gay Bacchus. — Gently hear me. — Rogers:
Come, come, all noble souls. — Jenner: Thou'rt gone away. — Webbe:
Pretty warbler, cease. — Webbe: Who can express. — Smith: Return
blest days. — Paxton: Round the hapless. — Morley: Now is the
month of maying. — Webbe: Now I'm prepared. — Weelkes: Wel-
come, sweet pleasure. — Atterbury: Adieu, ye streams. — Purcell:
Fear no danger. — Smith: What shall he have that killed the deer?
— Valton: Catch on a scolding wife (Mills, thunders, hammers). —
Ravenscroft: Canst thou love and lie alone? — ■ Rise, rise, daylight
do not burn out. — Paxton: Go, Damon, go. — Paxton: Breathe soft
ye winds. — Hilton : I charge ye. — Danby : When Sappho tun'd. —
Webbe: When winds breathe soft. — Webbe: To thee all angels.
Danby: Awake, Aeolian lyre. — Arne: Sweet muse inspire. — Call-
cott: When Arthur first. — Stevens: Ye spotted snakes. — Blewitt:
Give the toast. — Purcell: Sweet tyranness. — Atterbury: Go thou
gentle whisp'ring wind. — Scotland: Through groves sequestered. —
Webbe: When nature form'd. — Webbe: The mighty conqueror. —
Smith: Take, oh take.
Clementi, Muzio, compiler. (Continued.)
Same. [Vol. 2-4 published by Longman & Broderip.] 4 v.
M.I 10.2
Clementi, Muzio, editor.
Apollo's Gift, or the musical souvenir for 1831. Edited by
Muzio Clementi and J. B. Cramer. M.158.5
Haydn, F. J. The seasons . . . M.242.7
Vocal harmony. Being a collection of glees, madrigals . . .
London. Clementi. [181-?] 7 v. in 4. M.235.9
Vols. 5, 6 are of the 2d edition by Horsley.
Contents. — i. Byrd: Non nobis. — Berg: On softest beds. — Call-
cott: Oh share my cottage. — Hayes: Melting airs. — Webbe: Se-
rene and mild. — Callcott: Peace to the souls. — Lona: Where e'er
you tread. — King: It was the nightingale. — Arne: Which is the
properest day. — Horsley: If those who live in shepherd's bow'r. —
Wilbye: Flora gave me. — Baildon: When gay Bacchus. — Attwood:
To all that breathe. — Dyne: Fill the bowl with rosy wine. — Call-
cott: Thou pride of the forest. — Webbe: A gen'rous friendship. —
Webbe: Glorious Apollo. — Wainwright: Life's a bumper. — Ayl-
ward: A cruel fate. — Arne: Come shepherds. — Nares: Fear no
more. 2. Arne: Make haste to meet. — Horsley: Sweet poet of the
woods. — Nares : To all lovers of harmony. — Alcock : Hail, ever
pleasing solitude. — King: Who rides on that meteor. — Callcott:
Soft and safe. — Battishill: Come bind my hair. — Cooke: How
sleep the brave. — Webbe: Come away death. — Webbe: Discord,
dire sister. — Horsley : Awake my lyre. — Webbe : Let us cheer-
ful souls. — Ireland: Jolly Bacchus. — Cooke: In the merry month
of May. — Ireland: Where weeping yews. 3. Smith: Let happy
lovers. — Webbe : Nought but the present, — Horsley : Come, gentle
zephyr. — Webbe: When winds breathe soft. — Alcock: We'll drink.
— Webbe: Now I'm prepar'd. — Horsley: Thrice happy they. —
Smith: Blest pair of syrens. — Webbe: You gave me your heart. —
Smith: While fools their time. — Callcott: Once upon my cheek. ^
Smith; Return blest days. — King: O whiter than the swan. — King:
The nightly wolf. — Webbe: Rise my joy. — Atterbury: Adieu ye
streams. — Webbe: Thy voice, O harmony. — Webbe: The mighty
conqueror. — 4. Horsley: Arise, my fair. — Webbe: Hail, music. —
Mornington: Here in cool grot. — Cooke: Hark the lark. — • Paxton:
How sweet, how fresh. — Callcott: Oh snatch me swift. — Atterbury:
Begone dull care. — Horsley: Sweet nymph. — Atterbury: Oh thou
sweet bird. — Smith : When to the muses. — Danby : When Sappho
tun'd. — Paxton: Round the hapless Andre's urn. — Horsley: Balmy
gale. — Cooke: As now the shades. — Callcott: Who comes so dark.
— Stevens: See what horrid tempests. — Callcott: As I was going
to Derby. — Horsley: Lo! on yon long resounding shore. 7. Call-
cott: Thyrsis. — Callcott: Are the white hours. — Linley: Let me
careless. — Cooke: Deh! dovel — Smith: As on a summer's day. —
Stevens : Prithee, foolish boy. — Callcott : With sighs sweet rose. —
Horsley: By Celia's arbours. — Webbe: O come o bella. — ■ Webbe:
Bacchus, Jove's delightful boy. — Gibbons: Oh! that the learned
poets. — Horsley: Elegy to the memory of Samuel Webbe (Why
droops the muse). - — Horsley: Cold is Cadwallo's tongue. — Horsley:
Hail! golden lyre. — Webbe: Wanton gales.
Same. 2d edition. By William Horsley. London.
Monro & May. [1832.] 6 v. in 3. M.234.2
Contents. — i. Byrd: Non nobis. — Ame: Which is the properest
day. — Horsley: Shepherd's joys. — Wilbye: Flora gave me. —
Baildon: When gay Bacchus. — Attwood: To all that breathe. —
Callcott: Are the white hours. — Webbe: A gen'rous friendship. —
Arne: Come shepherds. — Nares: Fear no more. — Cooke: Deh!
dove! — Webbe: Wanton gales. — Callcott: Peace to the souls. —
Linley: Let me careless. — Smith: As on a summer's day. 2. Arne:
Jolly Bacchus. — Cooke: In the merry month of May. — Callcott:
Soft and safe. — Battishill: Come bind my hair. — Callcott: Thyrsis.
— Horsley: Awake, my lyre. — Webbe: Discord, dire sister. —
Cooke : How sleep the brave. — Stevens : Prithee, foolish boy. —
Horsley: By Celia's arbour. — Webbe: O come o bella. — Webbe:
Bacchus, Jove's delightful boy. — Gibbons: Ol that the learned poets.
— Horsley: Why droops the muse? (Elegy to the memory of Samuel
Webbe). 3. Horsley: Come, gentle zephyr. — Webbe: When winds
breathe soft. — Alcock: We'll drink. — Webbe: Now I'm prepared.
• — Horsley: See the chariot at hand. — Smith: Blest pair of sirens.
— Webbe: You gave me your heart. — Smith: While fools their
time. — Callcott: Once upon my cheek. — Smith: Return blest days.
Make haste to meet. — Horsley: Sweet poet of the woods. — Ireland:
— Webbe: Rise, my joy. — Horsley: Cold is Cadwallo's tongue. —
Smith: Hark! the hollow woods resounding. — Stevens: Ye spotted
snakes. — Webbe: Thy voice, O! harmony. — Bennett: Come, shep-
herds, follow me. 4. Horsley: Arise! my fair. — Mornington: Here
in cool grot. — Stevens: Sigh no more, ladies. — Horsley: Mine be a
cot. — ■ Cooke: Hark! the lark. — Callcott: Who comes so dark. —
Cooke: Hand in hand. — Paxton: How sweet! how fresh! — Horsley:
Lo! on yon long resounding shore. — Cooke: As now the shades. —
Horsley: Winds whisper gently. — Callcott: O snatch me swift. — ■
Horsley: Balmy gale. — Mornington: Hail! hallow'd fane. 5. Webbe:
Hence all vain delights. — Smith: What shall he have that kill'd the
deer. — Webbe: Come live with me. — Webbe: If love and all the
world. — Mornington: O bird of eve. — Horsley: Glide slow. —
Horsley: Hail! sweet patroness of song. — Callcott: Farewell to
Lochaber. — Spofforth: L'ape e la serpe. — Spofforth: Hail, smiling
morn. — Danby: The fairest flow'rs. — Webbe: Swiftly from th4
mountain's brow. — Horsley: The breathing organ (Elegy to . ,
276
Clementi
THE ALLEN A. BROWN COLLECTION OF MUSIC
Clock
Clementi, Muzio, editor. (Continued.)
Sam'l Harrison). — Stevens: It was a lover and his lass. — Callcott:
You gentlemen of England. — Horsley : Thou who didst put to flight.
— Horsley; Hail! golden lyre. — Evans: Beauties have you seen. —
Hindle: Queen of the silver bow. 6. Battishill: Amidst the myrtles.
— Callcott: Go. idle boy. — Callcott: O! voi, che sospirate. —
Cooke: No riches from his scanty store. — Cooke: Hail, bounteous
Nature! — Webbe: Thou cypress tree. — Spofforth: Come bounteous
May. — Horsley: O nightingale! — Webbe: Non fidi al mar. — Call-
cott : Father of heroes. — Horsley : Come, gentle loves. — Horsley :
When in the silent. — Cooke : O Venus regina. — Ring : How bright
were the blushes. — Rock: Beneath a churchyard yew. — Stevens:
To be gazing.
Clementi, Muzio. Works about.
DoERiNG, J. M. H. Muzio dementi's Biographie und Cha-
rakteristik. [Wolfenbiittel. 183-?] No. 2 in M.380.58
Verzeichniss von Clementi's Compositionen, pp. 3-5.
Clementine. Opera. For the Music see Fay, £. For the Li-
bretto see Vial.
Clemenza, La, di Scipione. Opera. For the Libretto see Bach,
J. C.
Clemenza, La, di Tito. Opera. For the Music see Mozart.
For the Libretto see Metastasio.
Clemenza, La, di Tito. Ouverture. Mozart.
No. 7 in M.347.11 ; etc.
Clemenza di Valois. Opera. For the Music see Gabussi. For
the Libretto see Rossi, G.
Cleopatra. Opera. For the Music see Enna. For the Li-
bretto see Christiansen.
Cleopatre. Cantata. For the Music see Carraud; also Duver-
noy. For the Libretto see Beissier; also Gallet.
Cleopatre. Incidental music. For the Music see Leroux. For
the De.\ma see Sardou.
Clerambault, Louis Nicolas.
Prelude. [From "Un livre d'orgue contenant deux suites
du premier et du second ton." 1710. Edited by Philip
Hale.l Boston. Schmidt. [1889.] No. 8 in M.414.30
Clerc, fidouard.
Un mariage en Chine. Operette-bouffe. Paroles de fimile
et ]5douard Clerc. Musique de Leopold Dauphin.
No. I in M.393.16
Clercpret, psend. See Pray, Isaac Clark.
Clercq, de.
Gweleo. Drame lyrique en trois actes.
Warez. Musique de M. de Clercq.
piano. Paris. Costallat & c'e. [190-?]
Clercq, Rene de.
Um die Weberin. (De Vlas gaard.) Lyrisches Drama.
Vlamisch von Rene de Clercq und Alphonse Stevens.
Musik von Josef Vandermeulen. M. 378.22
Clercs et modistes. Opera. For the Music see Raspail. For
the Libretto see Chauvin.
Clerice, Justin.
Le beguin de Messaline. Operette en trois actes et cinq
tableaux de MM. Maurice de Feraudy, Jean Kolb et Mar-
cel Yver. Musique de Justin Clerice. Partition chant et
piano. Paris. Choudens. 1904. No. i in M.399.14
Figarella. Opera-comique en un acte de Ch. Grandmougin
& Jules Mery. Musique de Justin Clerice. Partition piano
& chant. Paris. Societe anonyme d'edition mutuelle de
musique. [1889.] No. 2 in M.394.12
Les filles Jackson et Cie. Operette en trois actes a grand
spectacle de Maurice Ordonneau. Musique de Justin
Clerice. Partition chant et piano. Paris. Choudens.
1905. M.399.89
Hardi! les bleus! fipisode des guerres vendeennes. Opera-
comiqus en 3 actes. Paroles de L. Garnier et A. Lhoste.
Musique de Justin Clerice. Partition [chant et piano].
Paris. Joubert. [189-?] M.394.64
Ordre de I'empereur. Opera comique en 3 actes et 4 ta-
bleaux de Paul Ferrier. Musique de Justin Clerice. Par-
tition chant et piano. Paris. Choudens. 1902. M.382.10
Pavie. Opera-comique en 3 actes. . . . Paroles de Leon
Garnier. Musique de Justin Clerice. [Partition chant et
piano.] Paris. Joubert. [1897.] No. i in M.394.12
Les petites vestales. Opera-bouffe. Paroles de E. Depre
et A. Bernede. Musique de Frederic Le Rey et Justin
Clerice. M.402.36
Poeme de Henri
Partition chant et
M.396.47
Clerice, Justin. (Continued.)
The royal star. Comic opera by Maurice Ordonneau and
Francis Richardson, with additional lyrics by Clifton
Bingham. The music composed by Justin Clerice. [Ac-
comp. for pianoforte.] London. Boosey & Co. 1898.
M.393.14
Le 3«"e hussards. Opera-comique en 3 actes et 6 tableaux
de Antony Mars & Maurice Hennequin. Musique de Jus-
tin Clerice. Partition chant et piano. Paris. Choudens.
1894. M.303.22
Le voyage de la mariee. Operette en 3 actes a grand spec-
tacle de Paul Ferrier et Maurice Ordonneau. Musique
de Edmond Diet. Ballets de Justin Clerice.
No. 2 in M.389.3
Cleve, Halfdan.
Konzert fiir Pianoforte mit Begleitung des Orchesters,
A dur. Op. 3. Partitur. Leipzig. Breitkopf & Hartel.
[1902.] M.406.S
Clieveden woods. Part song. Corder, F. No. 15 in M.204.36.5
Cliffe, Frederic.
Symphony in C minor (No. l). [Full score.] London.
Novello & Co. [1906.] M.411.2
Clifton, Frederick Joseph.
Ode to morning, words from H. K. White, set to music . . .
by F. J. Clifton, [s. a. t. b. Accomp. for pianoforte.]
London. Novello & Co. [186-?] No. 4 in M. 270.29
Clifton, John Charles.
As pants the hart. Canon. (Four in two.) (/n Hullah.
The Singers' library. Sacred. P. 92.)
No. S3 in M. 157.1; No. i8a in M.1S7.3
Ecce Deus, Salvator meus. Solo motett for a bass voice.
[Accomp. for organ.] London. Novello. [184-?]
No. 7 in M.260.10.1
Hope. [Song, s. or t. Accomp. for piano.] {In Lunn. J.
The Passions. Pp. 63-72.) No. 5 in M.391.51
Oh, let me only breathe the air. [Song, s.] From Lalla .
Rookh. [Accomp. for pianoforte.] London. Power.
[185-?] No. 5 in M.236.2
Clifton, Lewis.
jNlarjorie. Comic opera. Written by Lewis Clifton and
Joseph J. Dilley. Music by Walter Slaughter. M.328.1S
Clinton, C. W.
Christmas. A cantata. Music by A. C. Gutterson.
No. I in M.384.29
Clippingdale, Josiah.
Rend your heart. Anthem for Lent. [Accomp. for organ.]
(In Novello's Collection of anthems. Vol. 16, pp. 159-165.)
No. 18 in M.195.2.16
'Tis twilight's holy hour. A four part song. {In Novello's
Part-song book. 2d series. Vol. 17, pp. 46-51.)
No. Sin M.195.I.I7
Cliquette. Opera. For the Music see Varney, L. For the
Libretto see Busnach.
Cloche, La. Quartet. Donizetti. No. 12 in M.270.59
Cloche, La, d'argent. Opera. For the Music see Boissiere.
For the Libretto see Neha.
Cloche, La, des agonisants. Song. Schubert, F. P. Melodies.
Vol. 3- M.327.4.3
Cloche, La, du Rhin. Opera. For the Music see Rousseau, S.
For the Libretto see Montorgueil.
Cloche, La, du soir. Part-song. Abt, F. No. 14 in M.3g2.39
Cloche, La, filee. Song. Loeffler. Quatre poemes . . .
M.410.86
Cloches, Les, de Corneville. Opera. For the Music see Plan-
quette. For the Libretto see Nicolaie.
Cloches, Les, du soir. For violoncello (or violin) and pianoforte.
Servier. The evening bells. No. 11 in M.210.6; etc.
Cloches, Les, du soir. Duet. Rousseau, A. No. 2 in M. 158.34
Cloches, Les, du soir. Song. Louis, N. No. 14 in M.390.11; etc.
Vaucorbeil. Melodies. M.213.25
Clochette, La. Opera. For the Music see Duni; also Herold,
L. J. F. For the Libretto see Anseaume; also Theaulon
de Lambert.
Clock, The. Part-song. Wilm. No. 25 in M.203.29
277
Clodomir
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Code
Clodomir, P.
Traite theorique et pratique de rorganisation des societes
musicales. Paris. Leduc. 1873. Illus. M. 106.18
Cloe, generous as fair. Song. Arne, T. A. Lyric harmony.
Vol. I. M.380.1
Cloet, N.
De la restauration du chant liturgique, ou ce qui est a faire
pour arriver a posseder le meilleur chant remain possible.
Plancy. Societe de Saint- Victor. 1852. M.207.10
Clori, degli occhi miei. Soug. Handel. Werke. Lieferung 50.
M.313.1.50
Clori, mia bella Clori. Cantata. For the Music see Handel.
Werke. Lieferung S2A.
Clori, ove sei? Song. Handel. Werke. Lieferung 50.
M.313.1.50
Clos, Le. Ot>era. For the Music see Silver. For the Libretto
see Carre, M.
Clos ta paupiere. Song. Gounod. Vingt melodies. 5e recueil.
No. I in M.157.36.5
Cloud, The. Duet. Rubinstein. Eighteen two-part songs.
No. I in M. 155.47
Cloud, The. Scena for mezzo-soprano. Barnett, J. Lyrical
illustrations. No. 15 in M.157.41
Cloud cap't towers. Part-song. Stevens, R. J. S.
No. 3 in M.158.20; etc.
Cloud, A, with a silver lining. Cantata. For the Music see
Ferrari, F. J. For the Libretto see C, K. L.
Clouds, The. Part-song. Rheinberger, J. G. No. 21 in M. 158.19
Clouzot, Henri.
Apres la valse. Operette. Musique de A. Tolbecque.
No. I in M.3g3.67
Clover. Opera. For the Music see Suppe. For the Libretto
see Wcilzel.
Clyde. Poem. Wilson, J., Scotch poet. No. 2 in M. 104.42
Clytemnestre. Cantata. For the Music see Wormser. For
the Libretto see Roger-Ballu.
Co' flebili lamenti. Song. Marescalchi. No. 4 in M.360.8
Coates, Benjamin P., translator.
ZoRN. Grammar of the art of dancing, theoretical and prac-
tical. M.375.25
Cobb, A. T.
Hark! the angels singing. Christmas carol. [Boston.]
Miles & Thompson. 1890. No. 8 in M.158.15
Cobb, Charles E.
The heroes of 'y6. A dramatic cantata. The music by J. E.
Trowbridge. M.158.11
Cobb, Gerard Francis.
If doughty deeds. Glee for t. t. b. b. {In The Orpheus.
New series. Vol. 7, pp. 109-115.) No. 22 in M.205.10.7
Quartett in E dur fiir Pianoforte, Violine, Viola und Violon-
cell. Op. 34. [Partitur und Stimmen.] Leipzig. 1898,
4 parts in I v. [Breitkopf & Hartel's Kammermusik
Bibliothek.] M.403.24
Cobb, James.
The Cherokee. An opera. The music principally composed
by Stephen Storace. No. 4 in M. 130.14
The haunted tower, a comic opera, the music selected,
adapted & composed by Stephen Storace.
No. 3 in M.340.11; etc.
Love in the East, or, adventures of twelve hours. A comic
opera. The music composed by Mr. Linley.
No. 2 in M.130.4
Paul and Virginia. A musical drama. Composed by Maz-
zinghi & Reeve. No. i in M.237.2; etc.
The pirates, Ian opera, the music composed by Stephen Sto-
race. No. 2 in M.340.14; etc.
The siege of Belgrade, an opera, the music by Stephen
Storace. No. i in M.340.16
The wife of two husbands. A musical drama. Music by
Mazzinghi. No. 4 in M.251.5
Cobb, John.
Smiths are good fellows. Glee [s. t. b.]. (/n Clementi. Col-
lection of catches. Vol. 3, pp. 57-60.)
No. 203 in M.110.1.3; No. 203 in M.i 10.2.3
Also to be found in Wafren's Collection of catches.
Cobweb breeches. Part-song. Hayes, W.
No. I in M.141.21.2; etc.
"Cobwebs." Part-song. Caldicott. No. 24 in M. 158.14
Cocarde tricolore. La. Opera. For the Music see Planquette.
For the Libretto see Ordonneau.
Cocchi, Gioacchino.
Air amore. Catch [for 6 voices]. {In Social harmony.
P. 65.) No. 54 in M.21S.21
[Berenice che fai. Recitativo ed aria, s., con accomp. d'or-
chestra. Canto e basso, e parti separate d'istromenti.]
Manuscript. [179-?] No. 4 in M.200.9
Beviam godiam. Catch a 3 voci. {In Warren. Collection
of catches. Vol. i, p. 98.) No. 100 in M.22o.g.i
Cantiam, brilliam. Catch [for 4 voices]. {In Social har-
mony. P. 65.) No. S6in M.215.21
Che gran prodigio. [Glee, t. t. b.] (7» Warren. Collection
of catches. Vol. i, pp. 84-86.) No. 87 in M.220.9.1
Colla bottiglia in mano. Glee [t. t. b.]. {In Bland. The
Ladies' collection. Vol. i, pp. 28, 29.) No. 43 in M.235.17.1
Also to be found in Social harmony ; Warren's Collection of catches.
Quando la serpe. Catch [for 3 and 4 voices]. {In Warren.
Collection of catches. Vol. i, pp. 322, 323.)
No. 198 in M.220.9.1
[Va crescendo qual face agitata. Aria, s., con accomp. d'or-
chestra. Partitura.] Manuscript. [178-?]
No. 10 in M.120.18
Viva Londra! Canon [4 in 2]. {In Social harmony. Pp. 202,
203.) No. 174 in M.215.21
Coccia, Carlo.
Ave Maria. Per voce di soprano con accomp. d'organo.
Milano. Lucca. [186-?] No. 6 in M.221.16
Caterina di Guisa. Melodramma in 2 atti. [Riduzione per
canto e pianoforte.] Milano. Ricordi. [183-?] M.231.3
Edoardo in Iscozia. Dramma in due atti. Riduzione [per
canto e pianoforte] dell' autore. Milano. Ricordi. [1852?]
M.231.4
Ero, an Italian cantata for one voice, with an accomp. for
the piano-forte. London. Cramer, Addison & Beale.
[183-?] No. 2in M.221.12
Messa, per soprani e contralti con accomp. d'organo. Mi-
lano. Ricordi. [185-?] No. I in M.222.26; No. 4 in M.222.27
La Metilde, ossia una fatale supposizione. Melo-dramma
in I atto. [Full score.] Manuscript. [1811?] M.231.2
La solitaria delle Asturie. Melodramma di Felice Romani
posto in musica da Carlo Coccia. Riduzione per canto con
accomp. di piano forte. Milano. Ricordi. [184-?]
M.231.5
Tu cui al ciel. Duettino, m.-s. b. [Accomp. di piano.]
Napoli. Girard & c. [184-?]
From Maria Stuarda. No. 10 in M.22I.20; No. 5 in M.22I.2I
Coccinelle, La. Song.
Bizet. Vingt melodies. No. 2 in M.265.24
Saint- Saens. No. 18 in M.391.28.2
Cochin, Charles Nicolas.
Lettres sur I'Opera. Par M. C. * * * . Paris. Cellot. 1781.
No. 3 in M.208.21
Cock, A. :M. de.
Banierzang. Voor Mannenkoor en orkest, door Alex. W. A.
Heijblom. No. 4 in M.2 70.45
Cockaigne (In London town). Overture. Elgar. M.410.23
Cock-match, A. Catch. Arne, T. A. No. 26 in M. 220.10
Cooke, B. No. 209 in M.220.9.1 ; etc.
Coco Bel-oeil. Opera. For the Music see Collin, L. For the
Libretto see Pericaud.
Code, H. B.
The patriot, or hermit of Saxellen, a melo drama . . . the
music composed by Sir John A. Stevenson. M.391.68
The Russian sacrifice, or the burning of Moscow, a grand
melo drama, . . . The music by J. Stevenson.
No. I in M.391.69
Spanish patriots, a thousand years ago, a dramatic romance
. . . The music composed by Sir John A. Stevenson.
No. 2 in M.3gi.69
Cockburn, WilHam, D.D., Dean of York.
The tempest. Composed by Haydn. No. 5 in M.270.22
Code noir, Le. Opera. For the Music see Clapisson. For the
Libretto see Scribe.
278
Codebo
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cohn
Codebo, Andrea.
II fornaretto, dramma posto in musica dal maestro G.
Sanelli. M.iso.44
La tradita, melodramma posto in musica dal maestro G.
Sanelli. M.150.43
Coe, Collin.
A merry company; or, the cadets' picnic. A comic operetta,
for boys and girls. By Collin Coe. [Accomp. for piano-
forte.] Boston. Ditson & Co. 1886. No. 2 in M.393.13
Coedes, Auguste.
La belle Bourbonnaise. Opera-comique en 3 actes. Poeme
de MM. Ernest Dubreuil et H. Chabrillat. Musique de
A. Coedes. Partition chant et piano. Paris. Leduc.
[1874.] M.28S.22
Fleur d'oranger. Vaudeville en 3 actes de MM. A. Henne-
quin & V. Bernard. Musique de A. Coedes. [Partition
chant & piano.] Paris. Hielard. [1879.] No. 3 in M.285.16
La girouette. Opera comique en 3 actes, de MM. E. He-
mery et H. Bocage. Musique de A. Coedes. Partition
chant et piano. Paris. Choudens. [1880.] M. 285.21
Coelho, M. J.
Voce vio! [Lundum. Acomp. de piano.] Lisboa. Sassetti
& ca. [185-? Romances em portuguez.] No. 7 in M.391.57
Coeli Deus sanctissime. Anthem. Palestrin.\. Werke. Band
31. M.8o4oa.66.3i
Coeli enarrant. Cantata. For the Music see Saint-Saens.
Coelia's wound and mine. Fa la. Hilton. Ayres or fa las.
No. 3 in M.234.21
Coenantibus discipulis. Motet. Neukomm, S. Recueil de 40
motets. No. I in M.158.37
Coenantibus illis accepit Jesus. Motet. Palestrina. Werke.
Band 2. M.8o4oa.65.2
Coenen, Frans.
Albrecht Belling. (Dramatisch fragment.) Gedicht van
J. P. Heije . . . voor koor, bariton-solo en orkest gecom-
poneerd . . . door Frans Coenen. Klavieruittreksel.
Rotterdam. Vletter. [187-?] No. 4 in M.391.35
Maria Magdalena. Dramatisches Gedicht von Henriette
Heinze-Berg, in Musik gesetzt fiir Soli, Chor und Or-
chester von F. Coenen. Clav.-Auszug. Amsterdam.
Roothaan. 1874. No. 7 in M. 155.22
Coenen, Johannes Meinardus.
Symphonie a grand orchestre. Partition. Mayence. Schott.
[1867?] M.336.7
Coerne, Louis Adolphe.
Be merciful. [Anthem for t. or s. solo and chorus. Ac-
comp. for organ.] Boston. Miles & Thompson. [1894.]
No. 26 in M.203.26
Incline Thine ear, O Lord. [Anthem for t. or s. solo and
chorus. Accomp. for organ.] Boston. Miles & Thomp-
son. [1894.] No. 27 in M.203.26
Invitation, [t. solo and chorus, t. t. b. b. Piano ad. lib.]
Op. 22, No. 3. Boston. Schmidt. [1894,]
No. 9 in M.203.10; No. 9 in M.203.11
Zenobia. Oper in drei Akten. Dichtung von Oskar Stein.
Musik von Louis Adolphe Coerne. Op. 66. Vollstandiger
Klavierauszug mit Text. Leipzig. Hermann Seemann
Nachfolger. 1903. M.397.19
CoEur brise. Pantomime. For the Music see Hiie. For the Li-
bretto see Arbel.
Coeur, Le, et la main. Opera. For the Music see Lecocq. For
the Libretto see Truinet.
Coeur solitaire. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
"Coffee cantata," The. Cantata. For the Music see Bach, J. S.
Coffey, Charles.
Der lustige Schuster, oder der Teufel ist los, 2. Theil. Eine
comische Oper, herausgegeben von J. A. Killer. M.320.22
Die verwandelten Weiber, oder der Teufel ist los, l. Theil.
Eine comische Oper, herausgegeben von J. A. Hiller.
No. 3 in M.330.3
Coffin, Charles Wolston.
The Freshman. A musical comedy in two acts and an inter-
lude. The eighth annual Tech show. Book by George
Henry Bryant. Lyrics by George Henry Bryant, Edwin
Coffin, Charles Wolston. (Continued.)
Warley James. Music by Emerson Hurd Packard . . .
Charles Wolston Coffin [and others]. Vocal score [with
accomp. for piano.] No. 2 in M.389.17
The chemical maid. A musical comedy in two acts. Book
and lyrics by George Henry Bryant. Music by Ralph
Barton Sanders . . . Charles Wolston Coffin. [Vocal
score with accomp. for piano.] No. i in M.389.17
Cofino, E.
La campana dell' eremitaggio. Commedia lirica. [Musica
di] Errico Sarria. M.383.36
Coffret Le, de S'. Domingue. Opera. For the Music see Cla-
pisson. For the Libretto see Deschamps de Saint
Amand.
Cognet, Charles.
Saint Antoine vaincu par I'amour. Operette en i acte. Pa-
roles de Eugene Raynaud. Musique de Charles Cognet.
[Partition chant et piano. Paris. Chaimbaud & cie.]
1884. No. 4 in M.285.16
Cogniard, Charles Theodore.
La fee Carabosse. Opera comique. Paroles de Lockroy
[pseud.] et Cogniard. Musique de Victor Masse. M.247.32
Le naufrage de la Meduse. Opera. Paroles de MM. Cog-
niard freres, musique de A. Pilati [pseud.] et de Flotow.
M.272.6
La fille de I'air. Operette fantastique. Paroles de Cogniard
freres et Raymond [pseud.], couplets nouveaux de M.
Armand Liorat. Musique de Paul Lacome. No. i in M.296.1
Cogniard, Jean Hippolyte.
La fille de I'air. Operette fantastique. Paroles de Cogniard
freres et Raymond [pseud.]. Musique de Paul Lacome.
No. I in M.296.1
Le naufrage de la Meduse. Opera. Paroles de MM. Cog-
niard freres, musique de A. Pilati [pseud.] et de Flotow.
M.272.6
Le souper du mari. Opera. Paroles de Cli. Desnoyer &
Hpte Cogniard. Mis en musique . . . par G. R. Des-
preaux. M.252.30
Cognoscimus Domine. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o4oa.67.7
Cognovi Domine. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Cohen, Hermann.
Messa a 3 voci [t. t. b.], con accomp. di organo composta
da . . . Hermann (Pere Augustin Marie du tres Saint
Sacrement). London. Lambert & Co. [1856?]
No. 3 in M.igi.ii
Cohen, Jacob Da Silva Soils.
The throat and voice. Philadelphia. Blakiston & Co. 1882.
Illus. [American health primers.] M.205.26
Cohen, Jules.
Les bleuets. Opera en 4 actes. Poeme de Cormon [pseud.]
et Trianon. Musique de Jules Cohen. Partition chant et
piano. Paris. Escudier. [1867?] M.285.24
Jose-Maria. Opera comique en 3 actes. Paroles de MM.
E. Cormon [pseud.] et H. Meilhac. Musique de Jules
Cohen. Partition chant et piano. Paris. Gambogi.
[1866.] M.363.21
Maitre Claude. Opera comique en i acte, paroles de MM.
de S'. Georges et de Leuven [pseud.], musique de Jules
Cohen. Partition chant et piano. Paris. Gambogi. [1861.]
M.363.20
Une pensee. Meditation pour le piano. [Inedite.] Portrait.
{In Album du Galois. Vol. i.) No. 6 in M.391.28.1
Cohen, Leonce.
Mam'zelle Jeanne. Operette en i acte. Poeme de E. de
Najac. Musique de Leonce Cohen. Partition piano et
chant. Paris. Ikelmer & cie. [1858.] No. 5 in M.28S.16
Cohl, Em.
Auteur par amour. [Operette.] Paroles de Ed. Nores, A.
Cahen, & Em. Cohl. Musique de Thony Guerineau.
No. 4 in M.393.19
Cohn, Oscar Justinus.
Der Brautmarkt zu Hira. Romantisch-komische Oper.
Musik von Bogumil Zepler. M.246.2I
279
Coiffeur
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Collection
Coiffeur, Le, de Madame. Opera. For the Music see Colbert
Chabannais. For the Libretto see Duprez, fi.
Coin, Le, du feu. Opera. For the Music see Poisot. For the
Libretto see Trefeu.
Coin, Le, du feu. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Coin, Le, du feu. Quartet. Weckerlin. 6 quatuors.
No. 2 in M.328.35
Col mio ben si vada a morte. Song. Sacchini. No. 3 in M. 120.29
Col sorriso d'innocenza. Song. Bellini.
No. 2 in M.235.18.3; etc.
Colasa, La. Song. Yradier. No. 23 in M.391.S7
Colautti, Arturo.
Adriana Lecouvreur, commedia-dramma, musica di Fran-
cesco Cilea. M.396.45
Doiia Flor. Atto unico. Musica di Niccolo Van Wester-
hout. M.399.66
Fedora. Lirysche [sic] Oper. Musik von Umberto Gior-
dano. M.382.2S
Colbert Chabannais, Napoleon Joseph, Marquis de.
Le coiffeur de Madame. Opera bouffe en un acte. Paroles
d'fidouard Duprez. Musique de N. Colbert . . . Parti-
tion, piano & chant. Paris. Lemoine. [1879.]
No. I in M.389.2
Djihan-Ara. Opera en 4 actes. Paroles de Mr. fidouard
Duprez. Musique de N. Colbert. Partition avec accomp.
de piano. Paris. Lemoine. [1868.] M.291.21
Les racoleurs. Opera bouffe en un acte. Paroles de M^.
fidouard Duprez. Musique de N. Colbert. Arrange pour
piano [et chant] par Nicou-Choron. Paris. Escudier.
[1870.] No. 4in M.395.17
Colborne, Langdon.
O Lord, our governor. Anthem. [Accomp. for organ.] {In
Ouseley. Special anthems. Vol. 2, pp. 105-129.)
No. g in M.233.24.2
Out of the deep. Full anthem. [Accomp. for organ.] {In
Novello's Collection of anthems. Pp. 29-31.)
No. 6 in M.233.13
Rend your hearts. Full anthem. [Accomp. for organ.] {In
Ouseley. Special anthems. Vol. 2, pp. 100-104.)
No. 8 in M.233.24.2
Colborne, Langdon, editor.
Ouseley. Hagar, an oratorio. M.243.8
Cold autumn wind. Part-song. Smart, H. No. 36 in M.157.1
Cold blows the wind. Part-song. Martin, G. C.
No. 2 in M.20S.10.7
Cold is Cadwallo's tongue. Glee. Horsley, W.
No. 13 in 11.235.9.7; etc.
Cold wave. The, my love lies under. Song. Attwood.
No. 10 in M.236.2
Cold winter's ice is fled and gone. Madrigal. Weelkes.
No. 50 in M.157.20.2
Cole, James Parry.
Bustle's bride. Operetta in i act. Written by B. Capes.
Composed by J. Parry Cole. [Accomp. for pianoforte.]
London. Cramer & Co. [188-?] No. i in M.277.19
A romance of the harem, opera. Libretto by Arthur
Sketchley [pseud.], composed by J. Parry Cole. [Ac-
comp. for piano forte.] London. Cramer & Co. [1887?]
M.28S.26
Cole, John.
To leve alone comfort ys none. Song [s. or T.]. {In Smith.
Musica antique. P. 30.) M.236.io
Composed about 1470. A new bass part is added.
Coleman, Charles.
To Bacchus. Glee [s. t. B.]. {In Bland. The Ladies' col-
lection. Vol. 2, pp. 210, 211.) No. 238 in M.23S.J7.2
Coleman, Edward.
The glories of our birth. Glee. {In Bland. The Ladies'
collection. Vol. i, pp. 116-118.) No. 178 in M.235.17.1
Also to be found in Clementi's Collection of catches ; Hayes's Catches,
glees, and canons'. Social harmony.
Coleman, John.
Curly: an actor's story. And My poor wife, by the author
of "Addie's husband." New York. Munro. [1885.] Illus.
No. 3 in M. 129.32
Colere, La, du barde. Song. Schubert, F. P. Melodies.
Vol. 6. M.327.4.6
Coleridge, Arthur Duke, translator.
Ditters von Dittersdorf. Autobiography. M.370.8
Goethe, J. W. Egmont. M.126.29
Hauptmann, M. Letters of a Leipzig cantor. M.106.10
Kreissle von Hellborn. The life of Franz Schubert.
M.146.10
Moscheles, I. Recent music and musicians, as described
in [his] diaries and correspondence. M.ioi.i
Coleridge, Samuel Taylor.
The ancient mariner. Cantata. Composed ... by J. F.
Barnett. 14.154.23
Same. (Der alte Matrose.) Composed by John Francis
Barnett. M.227.1
Same. Cantata. The music composed by T. Mee Pattison.
No. 3 in M. 193.20
Colette. Opera. For the Music see Cadaux. For the Libretto
see Planard.
Coligny, Charles.
La chanson frangaise. Histoire de la chanson et du Caveau,
contenant I'historique des principales societes chantantes
et des biographies de chansonniers. Paris. Levy. 1876.
Portraits. M.214.6
This book is simply No. 1-7 of La chanson frangaise, moniteur du
Caveau, with a new title-page and introduction. No. 1-6 of the
periodical are on shelf-number M. 121. 14.
Colin, Auguste.
Le desert. Ode symphonie. Musique de Felicien David.
M.401.6; etc.
Colin and Phaebe. Duet. Arne, T. A. Lyric harmony. Vol. i.
M.380.1
Colin's invitation. Song. Aene, T. A. Lyric harmony. Vol. i.
M.380.1
Colin-maillard, Le. Opera. For the Music see Hignard. For
the Libretto see Carre, M.
Colinette a la cour. Opera. For the Music see Gretry, A. E. M.
For the Libretto see Lourdet de Santette.
Colla, Carlo Ercole.
Preziosa. Dramma lirico. Musica del Mo. Ruggero Manna.
M.310.6
Colla bottiglia in mano. Part-song. Cocchi.
No. 85 in M.22o.g.i; etc.
Collasse, Pascal,
Achille et Polixene, tragedie [de J. G. de Campistron] dont
le prologue & les quatre derniers actes ont este mis en
musique par P. Collasse, . . . et le premier acte par J. B.
de Lully . . . [Partition.] Paris. Ballard. 1787. M.281.38
Enee et Lavinie. Tragedie mise en musique par M^ Colasse.
[Partition avec basse continue.] Paris. Ballard. 1690.
M.398.3
Thetis et Pelee. Tragedie en musique en 5 actes & un pro-
logue. Paroles de Fontenelle . . . Reconstituee et reduite
pour piano et chant par Louis Soumis. Paris. Michaelis.
[188-?] Engraved title-pages. [Chefs-d'oeuvre de I'opera
frangais.] M.285.25
Les saisons. Opera ballet. Paroles de I'Abbe Pic . . .
[Musique de Lully et Collasse.] M.306.39
[Collection, A, of glees and catches.] N. t. p. N. p. M.110.8
Contents. — Cooke : In the merry month of May. — Breathe soft ye
winds. — Mr. Speaker. — Green: When love and friendship. — Arne:
Thou soft flowing Avon. — Tell me, ye pow'rs. — It was a lover &
his lass. — Baildon: When gay Bacchus. — Gently hear me charming
fair. — Webbe: The mighty conqueror. — Gibbons: The silver swan.
— Alcock: Hail, ever pleasing solitude. — Webbe: To me the wanton
girls. — Stevens : Sigh no more, ladies. — Byrd : How oft* the heathen
poets, — Callcott : When Arthur first. — Morley : See my own sweet
jewel. — Arne : In friendship, wine and am'rous play. — Webbe : As
o'er the varied meads. — Smith: Let us, my Lesbia. — Baildon:
Prithee friend, fill t'other pipe. — Morley: Now is the month of
maying. — Harington: On a musician's tomb. — Aldrich : Hark the
bonny Christ Church bells. — Callcott : Peace to the souls of the
heroes. — Smith : Take, oh take. — Harington : Beneath the silent
rural cell. — We be soldiers three. — Danby : Sweet thrush that
makes the vernal year. — Dyne: Fill the bowl with rosy wine. —
Smith : Return, blest days. — Paxton : Upon the poplar bough. —
Webbe : Come live with me. — Webbe : If love and all the world. —
Ecclies: Wine does wonders. — Wainwright: Life's a bumper. —
Webbe : Let's be merry. — Danby : The fairest flow'rs. — Webbe :
Me Bacchus fires. — Linley ; From blushing morn. — Atterbury :
280
Collection
THE ALLEN A. BROWN COLLECTION OF MUSIC
Colomb
Collection, A, of glees and catches. (Continued.)
Sweet enslaver. — Mornington : Mark, mortals, mark. — Webbe :
Music's the language of the blest. — Battishill : I lov'd thee beauiful.
— Hayes: Winde gentle evergreens. — Atterbury : Who like Bac-
chus. — Webbe : There behold the mighty bowl. — Cooke : How sleep
the brave.
Collier, Joel, pseud. See Veal, George.
Collier, Le. Opera. For the Music see Cieutat. For the Li-
bretto see Remy, F.
Collier de saphirs, Le. Suite. Pierne. No. 4 in M.407.20; etc.
Collin, A.
Panis angelicus. Pour s. ou x. [Accomp. d'orgue.] {In
Lambillotte. Musique religieuse. 9= Salut, pp. 16-20.)
No. 36 in M.260.18
Collin, Charles.
Un soir d'ete. Reverie pour orchestre. Partition. Paris.
Schott. [188-?] No. 4 in M.336.6
Collin, Heinrich Joseph von.
Die Befreyung von Jerusalem. Grosses Oratorium. Ge-
dichtet von Heinrich und Matthasus Collin. Musik von
Maximilian Stadler. M.243.32
Collin, Laure.
Histoire abregee de la musique et des musiciens. Paris.
Delagrave. 1882. M.139.18
Collin, Leopold.
Coco Bel-osil. Operette en un acte. Paroles de L. Pericaud
et L. Delormel. Musique de Lucien Collin. Partition
piano et chant. Paris. Bathlot. [1881.] No. i in M.3g5.i9
Le garde-chasse. Operette en un acte, de Ma.xime Guy &
Maurice Millot. Musique de Lucien Collin. [Partition
chant et piano.] Paris. Ondet. 1888. No. 2 in M.393.8
La journee aux soufflets. Operette en I acte. Paroles de
Pericaud, Villemer & Savard. Musique de Lucien Collin.
Partition piano & chant. Paris. Bathlot. [188-?]
No. 3 in M.3g3.8
Une mariee sans mari. Operette en I acte. Paroles de
Savard & Villemer. Musique de Lucien Collin. [Parti-
tion chant et piano.] Paris. Bathlot. [1878.]
No. 4 in M.285.23
Les noces d'or. Operette en i acte. Paroles de B. Lebreton
et H. Moreau. Musique de Lucien Collin. Partition piano
et chant. Paris. Bathlot-Joubert. [188-?]
No. 2 in M.3g9.i4
Le retour de Musette. Operette en un acte. Paroles de
Jules de Rieux [pseud.] et Villemer. Musique de Lucien
Collin. [Partition chant et piano.] Paris. Bathlot.
[187-?] No. 4 in M.393.8
Collin, Lucien. See Collin, Leopold.
Collin, Matthaeus von.
Die Befreyung von Jerusalem. Grosses Oratorium. Ge-
dichtet von Heinrich und Matthaus Collin. Musik . . .
von Maximilian Stadler. M.243.32
Collin, Paul.
Atala. Opera. [Musique de J. Folville.] M.3gs.28
La belle au bois dormant. Feerie lyrique. Poeme de Michel
Carre et Paul Collin. Musique de Ch. Silver. M. 381.41
Don Procopio. Opera bouffe de Paul Collin et Paul Berel
[pseud.]. Musique de Georges Bizet. M.389.1
£loa. Poeme lyrique. Musique de Ch. Lefebvre.
No. I in M.306.8
L'enlevement de Proserpine. Scene lyrique. Musique de
Th. Dubois. No. 3 in M.213.5
L'etoile. Idylle antique. Musique de Henri Marechal.
No. 2 in M.247.14
La fille de Jaire. Musique de C. de Grandval.
No. 2 in M.266.31
La fille du Calife. Opera comique de Paul Collin et Ch.
Jacomet. Musique de Eugene Lacheurie. M.397.3g
Hedda, leggenda scandinava dei Signori Paolo Ferrier e
Paolo Collin, musica di Fernando Le Borne. M.399.35
Judith, drame lyrique. Musique de Ch. Lefebvre. M. 153.40
Latone. Scene lyrique. Musique de Rene de Boisdeffre.
No. I in M.203.35
Melka. Legende fantastique. Musique de Ch. Lefebvre.
No. 3 in M.213.13
Collin, Paul. (Continued.)
Mes petits concerts. [Poemes.]
Paris. Lemerre.
1892.
M.I 98.5
etc., most of
This collection consists of libretti of cantatas, choruses,
which have been set to music by Parisian composers.
Le miracle de Nairn. Drame sacre. Musique de H. Mare-
chal. No. 2 in M.247.22
La naissance de Venus. Scene mythologique. Musique de
Gabriel Faure. No. i in M.213.10
Narcissus. An antique idyl, [music] by J. Massenet.
No. 2 in M.257.5
Une noce au village. [Pastorale.] Musique de Arthur
Coquard. No. 2 in M.3gs.ig
Pandore. Scene lyrique. Musique de G. Pierne.
No. 2 in M. 213.4
La ronde des songes, scene fantastique. Musique par C. de
Grandval. No. 2 in M.iss.14
Tobie. Mystere en quatre episodes. Musique de Ch. Silver.
No. 2 in M.240.10
Ulysse & les Sirenes. Scene antique. Musique de Paul
Puget. No. 2 in M.297.18
Zaire. Opera. Musique de Charles Lefebvre. M.306.9
Collin, Paul, editor.
Mascagni. Amica. M.383.27
Collin, Paul, translator.
Lefebvre, C. £. Hymne. Prono volutus impetu.
No. I in M.384.3S
Collina, Giuseppe.
Delia musica. Ragionamento . . . Bologna . . . 1817. Parma.
Stamperia ducale. 1817. No. 4 in M.370.10
CoUinet, Clara.
Le fauteuil de mon oncle. Operette en i acte. Paroles de
Rene de Rovigo. Musique de Clara Collinet. Partition
chant et piano. Paris. Bertin. [1859.] No. s in M.28S.23
Collins, John.
[The brush.] Fourteen comic, convivial, and sentimental
songs. Music by W. Reeve. No. 7 in M.391.54
The chapter of kings. A celebrated historical song. [t.
vrith accomp. for piano and violin, or flute or guitar.
London.] Longman & Broderip. [179-?] No. 4 in M.384.48
The golden days of good Queen Bess. A favorite song [s..
with pianoforte accomp.]. London. Thompson. [178-?]
No. 13 in M.384.48
Collins, William.
Collins's Ode on the passions, set to music [by Benjamin
Cooke]. No. I in M.380.6
The passions. Set to music by Alice Mary Smith (Mrs.
Meadows White). No. i in M.204.32
Colman, George, the Younger. 1762-1836.
[The gnome-king!] The whole of the music in The gnome-
king! A dramatic legend. No. 2 in M.396.8
Inkle and Yarico. A comic opera . . . The musick com-
posed by D"". Arnold. No. 3 in M.130.1
The iron chest. Opera, composed by Stephen Storace.
No. 2 in M. 225. 38; etc.
[The law of Java.] The music ... to The law of Java.
Composed by Henry R. Bishop. No. i in M.391.7
The mountaineers . . . the music selected and composed by
Dr. Arnold. No. 3 in M.320.1
The surrender of Calais, . . . written by George Colman,
Esq. Jun^ the music by Dr. Arnold. No. 3 in M.30.24
Turk, and no Turk. A comic opera . . . Composed by Dr.
Arnold. No. i in M.220.17
Two to one; a comic opera . . . Composed by Dr. Arnold.
No. 3 in M.220.17
Colman, Henry S.
Mass for 4 voices. With an accomp. for the organ. New
York. Pond & Co. 1856. No. 3 in M.191.3
Colomb, Josephine Blanche.
The Beatitudes. An oratorio. Music by Cesar Franck.
M.393.75
Same. Les Beatitudes (Die Seligkeiten). Musique de Cesar
Franck. M.2S6.13
Colomb, L. Casimir.
La musique. Paris. Hachette & cie. 1878. lUus. [Biblio-
theque des merveilles.] M.198.6
I 36
281
Colomba
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Colville
Colomba. Opera. For the Music see Mackenzie, A. For the
Libretto see Hueffer.
Colombat, Marc.
Traite de tous les vices de la parole at en particulier du
begaiement. 3e edition, augmentee. Paris. Labe. 1843.
2 V. in I. Plates. M.207.11
A treatise upon the diseases and hygiene of the organs of
the voice. Translated by J. F. W. Lane. 2d edition. Bos-
ton. Redding & Co. 1857. M.iogb.zz
Colombe, La. Opera. For the Music see Gounod. For the
Libretto see Barbier.
Colombe, La. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Colombe retrouvee. La. Air. Esch. No. 9 in M.237.7
Colombeau, fidouard Adenis de.
La vision de Dante. Poeme symphonique. Poesie de MM.
Eugene et fidouard Adenis [pseuds.], d'apres La divine
comedie. Musique de Raoul Brunei. M.407.1
Colombeau, Eugene Felix Adenis de.
Acis. Pastorale antique. [Musique de Andre Wormser.]
No. 4 in M.203.39
La belle Sophie. Opera-bouffe. Paroles de P. Burani
[pseud.] & E. Adenis [pseud.]. Musique de Edmond
Missa. M.267.3
La contessina. Opera dei Sigg. de St. Georges, Adenis
[pseud.] e de Lauzieres. Musica del Principe G. Ponia-
towski. M.297.10
La devineresse. Opera-comique. Musique de Th. de La-
jarte. No. i in M. 296.15
La fiancee d'Abydos. Opera. Musique de A. Barthe.
M.2S5.40
La Flamenca. Drame musical de Henri Cain et Eug.-Ed.
Adenis [pseud.]. Musique de Lucien Lambert. M.397.41
La gageure d'Adrienne. Opera-comique. Musique de J.
Duprato. No. 2 in M.305.23
La grand'tante. Opera-comique. Paroles de Jules Adenis
[pseud.] & Ch. Granvallet. Musique de J. Massenet.
No. I in M.389.12
La jolie fille de Perth. Opera de MM. de Saint-Georges &
J. Adenis [pseud.]. Musique de G. Bizet. M. 265.22
Juge et partie. Opera-comique. Musique de Ed. Missa.
No. 2 in M.267.4
La legon de chant. Opera-comique. Musique de Laurent
de Rille. No. 2 in M.307.20
Le legataire universel. Opera bouffe. Poeme de Jules
Adenis [pseud.] et Lionel Bonnemere. Musique de
Georges Pfeiffer. M.393.49
Loreley. Legende-symphonique. Musique de P. & L. Hille-
macher. No. 2 in M.296.16
Le portrait. Opera comique par MM. Laurencin [pseud.]
& Jules Adenis [pseud.]. Musique de Theodore de La-
jarte. No. 2 in M.287.23
Saint-Megrin. Opera-comique. Poeme d'Ernest Dubreuil
et Eugene Adenis [pseud. Musique de] P. [et] L. Hille-
macher. M.276.42
Semiramis. Scene lyrique. Musique de Florent Schmitt.
No. 2 in M.383.35
Sylvie. Opera comique. Paroles de J. Adenis [pseud.] et
J. Rostaing. Musique de E. Guiraud. No. i in M.270.44
Les Templiers. Opera. Poeme de Jules Adenis [pseud.],
Armand Silvestre, & Lionel Bonnemere. Musique de
Henry Litolff. M.306.23
Les trois bossus; farce lyrique de Eugene et fidouard
Adenis [pseud.]. Musique de Edmond Missa.
No. I in M.402.73
Les trois souhaits. Opera-comique. Musique de Ferd.
Poise. No. I in M. 287.37
La vision de Dante. Poeme symphonique. Poesie de MM.
Eugene et fidouard Adenis [pseuds.], d'apres La divine
comedie. Musique de Raoul Brunei. M.407.1
La zingarella. Opera-comique. Paroles de J. Adenis
[pseud.] & J. Montini. Musique de Joseph O'Kelly.
No. 3 in M. 277. 15
Colombes, Les. Song. Choudens, A. Vingt melodies.
No. 2 in M.285.14
Colombine. For orchestra. Delahaye, L. L. No. 2 in M.312.26
Colombine. Opera. For the Music see Michiels; also Zois.
For the Libretto see Sarlin; also Buchbinder.
Colombo bianco. Song. Gordigiani. fichos de la Toscane.
Vol.1. No. 29 in M.244.13.1
Colonello, II. Opera. For the Music see Ricci. For the Li-
bretto see Ferretti.
Colonia libera. La. Opera. For the Music see Floridia.
Colonial and Indian Exhibition, London, 1886.
Sullivan A. S. An ode written for the opening of the
Exhibition. Set to music by Arthur Sullivan.
No. 4 in M.204.27
Colonic, La. Opera. For the Music see Sacchini. For the
Libretto see Framery.
Colonna, Giovanni Paolo.
Domine ad adjuvandum, a 5 voci [s. s. a. t. b.], Gloria Patri,
duetto [s. a.], Sicut erat, coro [s. s. a. t. b. Accomp. for
organ, violins, viola, and bass]. (In Novello. The Fitz-
william music. Vol. S, pp. 8-16.) No. 2 in M.233.26.5
Magnificat & Nunc dimittis [in C. Accomp. for organ].
(In Rimbault. Collection of ancient church music. Vol. 2,
pp. 24-42.) No. 2 in M.233.25.2
Paratum cor ejus. [Motet. Accomp. for organ, violins,
violas, and bass.] (In Novello. The Fitzwilliam music.
Vol. 5, pp. 27-29.) No. 6 in M.233.26.5
Psalmi vespertini. Ad ritum ecclesiasticse musicas [sic]
duobus choris et organo concinendi. [Paris. 183-? Col-
lection de chefs-d'oeuvre de musique classique des diverses
ecoles, aux XVIe, XVIIe et XVIIIe siecles.] M.130.5
The title-page is missing.
Coiite<tts. — Dixit Dominus. — Confitebor tibi. — Beatus vir. —
Laudate pueri. — Laudate Dominum. ~ In exitu Israel. — Nisi
Dominus. — Lxtatus sum. — Lauda Jerusalem. — Credidi. — In
convertendo. — Beati omnes.
Tantum ergo. [Motet, s. a. t. b.] (In Lueck. Sammlung
ausgezeichneter Compositionen fiir die Kirche. Band 3,
pp. 149-151.) No. 39 in M.1S8.33.3
Color in music.
Campbell, J. S., Lady. Rainbow-music; or the philosophy
of harmony in colour-grouping. London. 1886. M.208.17
Hughes, F. J. Harmonies of tones and colours, developed
by evolution. [With supplement and additional matter.]
London. 1883-86. M.236.24
Colosse, Le, de Rhodes. Opera. For the Music and Libretto
see Pericaud.
Colosseum, Neiv York-
Description of the Colosseum, Broadway, 35th and 36th
Streets, New York. The largest iron structure in the
world . . . New York. 1874. No. i in M.132.3
Colpa, La, del cuore. O^era. For the Music see Cortesi. For
the Libretto see Berninzone.
Colporteur, Le. Opera. For the Music see Onslow. For the
Libretto see Planard.
Coltellini, Carlo.
Armida, dramma, con musica di V. Righini. M.150.14
Columba. Ballet vmsk. Mackenzie, A. C. M.331.26
Columba. Overture. Mackenzie, A. C. No. i in M.342.16
Columbus. Cantata. For the Music see Becker, C. J.; also
Boenicke; also Draeseke; also Zoellner, H.
Columbus! Cantata. For the Music see Brambach; also
Gadsby; also Hummel, F; also Melamet; also Schroeder,
A. For the Libretto see Zuccalmaglio; also Grist; also
Brachmann; also Keilmann; also Hallervorden.
Columbus. Symphonic poem. Abert. M.345.20
Columbus' letzte Nacht. Cantata. For the Music and Li-
bretto see Sturm, W.
Columbus march and hymn. Part-song. Paine, J. K.
No. 3 in M.204.13
Columbus march and hymn. For pianoforte. Paine, J. K.
No. I in M.391.S2
Columna es immobilis. Motet. Palestrina. Werke. Band 3,
M.8o4oa.66.3
Colville, David.
Summer's call. Part song. London. Colville. [187-?]
No. gin M.158.15
282
Colvin
THE ALLEN A. BROWN COLLECTION OF MUSIC
Come
Colvin, Stephen Sheldon.
Priscilla, or a maid of Brown. Comic opera. Words by S.
S. Colvin, A. E, Thomas, E. W. Blake, Jr. Music by F. L.
C. Keating and Edward W. Corliss. No. 3 in M.397.9
Com' e bello. Song. Donizetti. No. 6 in M.157.39
Com' in piu negre tenebre e piiJ folte. Madrigal. P.alestrina,
Werke. Band 28. M.8o4oa.66.28
Com' io ti son fedele. Romansa. Donizetti. ^Matinees musi-
cales. No. 4inM.236.14
Comala. Cantata. For the Music see Gade. For the Libretto
see Ossian.
Comala. Ofera. For the Music see Stewart, H.
Combarieu, Jules.
Les rapports de la musique at de la poesie considerees au
point de vue de I'expression. Paris. Alcan. 1894. M.207.12
Combat, Le, d'Anacreon centre I'Amour. Cantata. For the
Music see Bourgeois, T. L.
Combes, George.
Here Tyler, Day and Pottle. [Catch for 3 voices.] {In
Warren. Vocal harmony. P. 158.) No. 92 in M.220.10
Combi, Pietro.
Ginevra di Monreale. Dramma in quattro parti di F. de
Boni . . . Musica del Mo. Pietro Combi . . . fRiduzione
per canto e pianoforte.] Milano. Lucca. [1839. Opere
teatrali complete per canto e per piano-forte.] M.140.4
Combien j'ai douce souvenance. Song. Lindp-MNTner.
No. 7 in M.380.22
Come again, sweet love. Madrigal. Dowland, J.
No. 5 in M.23S.7.1; etc.
Come al corso il sole e lento. Cavatina. Paisiello.
No. 8 in M.120.28
Come all. Duet. Purcell, H. No. 16 in M.141.21.1; etc.
Come, all noble souls. Part-song.
Greene, M. No. 52 in M.141.21.1; etc.
Rogers, B. No. i in M. 220.3.2; etc.
Come, Anacreon. Glee. Spofforth. Collection of glees.
No. 30 in M.23S.15
Come, and let us return. Anthem. Goss. No. 13 in M.157.32; etc.
Jackson, W., of Masham. No. i in M.233.29; etc.
Come ashore, come merry mates. Duet. Coperario. M.236.10
Come away, come away. Part-song. Schaeffer, A.
No. 4 in M.205.10.1
Come away, come away. Death. Part-song. Macfarren, G. A.
No. 3$ in M.157.4; etc.
Come away, come away, hecket, hecket. Song. Johnson, R.
M.236.10
Come away, come sweet love. Part-song. Dowland, J. First
set of songs. No. 2 in M.234.2I
Come away, Death. Trio. Brahms. Four trios.
No. 2 in M.2C4.7
Come away. Death. Glee. Webbe, S. No. 9 in M.23S.9.2
Come away! the sunny hours. Trio. Lahee.
No. 16 in M. 244.10.3
Come away to the sands. Song. Balfe. No. 3 in M. 192. 9.1
Come away to the tavern. Catch. Cooke, B. A collection of
glees. No. i in M.220.8
Hilton. No. 163 in M.110.1.2; etc.
Come, bind my brows. Glee. Baildon. A collection of glees.
No. 4 in M.220.7
Come, bind my hair. Glee. Battishill. No. 26 in M.a20.9.2
Come, bounteous May. Glee. Spofforth.
No. 38 in M.157.7; etc.
Come boys, drink and merry be. Part-song. M.'^rschner, H.
No. 4 in M.20S.10.3
Come boys, let's be merry. Catch. Hutchinson, F.
No. 56 in M.220.10
Come, boys, take your parts. Catch. Gregory. The cries of
Durham. No. 16 in M.iio.i.i; etc.
Come, bring with a noise, my merry, merry boys. Glee.
Warren, Joseph. No. 36 in M.IS7.6.3
Come, brother, gaily drink. Part-song. Raff.
No. 7 in M.205.I0.7
Come, buy my cherrys. Catch. Stevenson.
No. IS in M.i3ga.i8.3; etc.
Come, buy my fine wares. Catch. Haves, W.
No. 34 in M.1S7.18.1 ; etc.
Come, celebrate the May. Part-song. Hatton.
No. 22 in M.igs.i.i
Come, Cloris, come. Glee. Taylor, J. B. A set of seven glees.
No. 3 in M.236.21
Come, come, my jolly lads. Glee. Linley, T.
No. 210 in M. 215. 21 ; etc.
Come, Damon, leave thy sadness. [Glee, s. s. B.] {In Bland.
The Ladies' collection. Vol. 4, p. 385.) No. 68 in M.235.17.4
Come, Darby dear, easy, — be easy! Song. Beethoven. Werke.
Serie 24. M.413.1.24
Come, dear Maria. Song. Neukomm, S. No. 49 in M.235.18.3
Come, draw we round a cheerful ring. Song. Beethoven.
Werke. Serie 24. M.413.1.24
Come, drink a bout. Catch. Day, G. No. 198 in M.110.1.3; etc.
Come, drink to me. Catch. Byrd. No. 133 in M.110.1.2; etc.
Come, ever smiling liberty. Part-song. Handel.
No. 22 in M.221.22.2; etc.
Come, fairest nymph. Glee. Wellesley, G. C.
No. 12 in M.23S.11; etc.
Come, fairies, trip it on the grass. Glee. Parry, J.
No. 60 in M.157.20.3
Come, fill, fill, my good fellow. Song. Beethoven. Werke.
Serie 24. M.413.1.24
Come, fill, my boys. Part-song. Calkin.
No. 17 in M.195.1.3; etc.
Come, fill the board. Glee. Atterbury. No. 239 in M. 235. 17.2
Come, fill the goblet. Glee. Jolly. Glees for three and four
voices. No. 3 in M.220.29
Come, fill ye right merrily. Part-song. Stephens, C. E.
No. 31 in M.20S.10.7
Come, follow, follow. Catch. Hilton. No. 27 in M.iio.i.i; etc.
Come follow, follow me. Trio. Hatton. No. 9 in M.244.10.2
Come, follow me. Part-song. Driffield. No. 8 in M.205.10.6
Hayes, W. No. 20 in M.220.3.2; etc.
Hilton. No. 190 in M.110.1.3; etc.
Horsley, W. No. 36 in M. 158.17; etc.
Come, follow me by the smell. Catch. Hayes, W. Catches,
glees and canons. Vol. i. No. i in M.220.5
Come, follow me, fair nymphs. Madrigal. Bateson. First set
of madrigals. No. 2 in M.234.22
Come, follow me merrily. Catch. Nelham.
No. 251 in M.235.17.1 ; etc.
Come, follow me, my lads. Catch. Warren, E. T.
No. 6 in M.220.10
Come, follow me with merry glee. Canon. Bates, W.
No. i2oin M.215.21; etc.
Come forth, O youth. Part-song. Frank, E. No. 4 in M.392.9
Come forth, sweet spirit! Glee. Bishop, H. R. Complete col-
lection of glees. Vol. 2. M.235.1.2
Come, friends and companions. Catch. Berg, G.
No. 18 in M.157.18.1 ; etc.
Come fugace lampo. Duet. Blangini. No. 18 in M.221.20
Come, gentle Harmony. Trio. Rossini. No. 15 in M.244.10.2
Come, gentle loves. Glee. Horsley, W.
No. II in M.234.2.6; etc.
Come, gentle sleep. Trio. Mendelssohn-Bartholdy, J. L. F.
No. IS in M.244.10.1
Come, gentle swains. Madrigal. Cavendish.
No. 39 in M.237.1S; etc.
Come, gentle zephyr. Glee. Horsley, W.
No. 3inM.235.9.3;etc.
Come, hear me. Catch. Blow. No. 4 in M.220.S
Come, heavy sleep. Part-song. Dowland, J.
No. 13a in M.157.4; etc.
Come, here's the good health. Catch. Caesar.
No. 45 in M.iio.i.i ; etc.
Come hither all who wish to buy. Part-song. Auber.
No. 27 in M.235.7.1 ; etc.
Come hither, boy. Catch. Hilton. No. 32 in M.235.17.1; etc.
Come hither, my merry boys. Catch. Worgan, J.
No. 34 in M.220.g.2
Come hither, my pretty maid. Catch. Worgan, J.
No. 30 in M.220.g.2
Come hither, Tom. Catch. Cranford.
No. 64 in M.23S.17.1; etc.
283
Come
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Come
Come, Holy Ghost. Anthem. Adams, T. No. 2 in M.IS8.13
Attwood. No. 8 in M.190.1 ; etc.
Elvey G J No. 8 in M.I95.2.I4
Hatto'n. No. 14 in M.i95.2-io
Jordan, J. No. 38 in M.158.17
Come, Holy Ghost; Creator, come. Anthem. Dowland, J.
No. i7inM.i75.i;6
Come, Holy Spirit. Motet. Warren, G. W.
No. 26 in M.100.4.1
Come, honest friends. Catch. Ives, S.
No. 10 in M.i39a.i8.6; etc.
Come, if you dare. Chorus. Purcell, H.
No. 158 in M.157.5.2; etc.
Come in the silent night. Part-song.
Kaeslin. No. 42 in M.392.11
Petschke. No. 15 in M.392.48.1
Come into the garden, Maud. Serenade. Balfe.
No. 4 in M.192.9.1
Come, jolly god. Canon. Berg, G. No. 59 in M.220.10
Come, jump at thy cousin. Catch. Hilton.
No. 135 in M.110.1.2; etc.
Come kiss me, dear Dolly. Catch. Hook, J. No. 62 in M.220.9.3
Come la cera al fuoco. Part-song. Lassus. Sammtliche Werke.
Band 6. M.8o4oa.67.6
Come, let us all a maying go. Glee.
Atterbury. No. 32 m M.157.25 ; etc.
Hilton. No. ioi in M.235.17.1; etc.
Come, let us be merry. Part-song. Pearsall.
No. Sin M. 195. 1. II
Come, let us drink. Round. Hook, J. No. 150 in M.220.9.2
Come, let us join the roundelay. Madrigal. Beale, W.
No. 7 in M.23S.7.1; etc.
Come, let us laugh. Round. Greene, M. No. 7 in M.158.13; etc.
Come, let us remember. Song. Hodson, W. Fourteen songs.
No. 3 in M.221.32
Come, let us sing. Anthem. Mendelssdhn-Bartholdy, J. L.
p' No. 2 in M.280.18; etc.
Come let us strive. Canon 3 in i. (In Warren. Collection of
catches. Vol. i. p. 5) No. 4 in M.220.9.1
Come, let us to the Lord. Motet. Tye. Motets for four voices.
No. 8 in M.236.16
Come, let us worship. Anthem. Palestrina. No. 19 in M.235.10
Rit'ter, C. No. 25 in M.236.30.4
Come, let's crown this famous night. Fa la. Hilton. Ayres
or fa las. No. 3 in M.234.21
Come live with me. Part-song.
Carnall. No. 4 in M.20S.10.6
Hatton. No. 27 m M.195.1.12
Webbe, S. No. 24 in M.220.3.1 ; etc.
Come, Lord Jesus. Motet. Schulthes. Six invocations.
No. 3 in M.201.36
Come, Love. Glee. Spofforth. Collection of glees.
No. 8inM.235.15
Come, lovers, follow me. Madrigal. Morley.
No. 24 in M.iii.4.3
Come, Lucy, my love. Glee. Jolly. Glees for three and four
.^,oices No. 3 in M.220.29; etc.
Come, my boys, let's sing a catch. Catch. Carter, T.
No. 42 in M.141.21.2; etc.
Come, my fair one, let us stray. Song. Hook, J. The hours
of love. No. 34 in M.237.7
Come, my friends, let us work. Glee. Horsley, W.
No. 10 in M.157.28.2; etc.
Come, my hearts. Round. Hilton. No. 139 in M.110.1.2; etc.
Come, my heroes. Glee. Stevenson. No. 18 in M.235.17.1
Come, my lads, that love. Bates, W. No. 93 in M.220.10
Come, my people. Anthem. Wintle, O. R. No. 21 in M.233.24.1
Come, my soul. Anthem. Martin, G. C. No. 18 in M.195.2.14
Come, my soul, thou must be waking. Anthem. Buck, D.
No. 19 in M.290.11
Come near, ye nations. Anthem. Watson, W. M.
No. 27 in M.158.20
Come, neighbours, assemble. Catch [for 3 voices]. {In War-
ren. Vocal harmony. P. 195.) No. 112 in M.220.10
Come, now, and let us reason together. Anthem. Wareing.
No. 17 in M.195.2.15
Come, now let's be joyous. Duet. Hooic, J. No. 221 in M.215.21
Come, O come, with sacred lays. Choral. Himmel.
No. 13 in M.290.22.1
Come, O haste thee. Glee. Pring, J. C. No. 8 in M.220.9.5
Come, O haste thee, beauteous spring. Glee. Coward, J. Ten
glees. No. i in M.236.18
Come, O Jesu. Anthem. Mendelssohn-Bartholdy, J. L. F.
No. 13 in M.1S8.15
Come o'er the brook. Glee. Bishop, H. R. No. 6 in M.157.19
Come o'er the mountain. Part-song. Young, W. J. Six four-
part songs. No. 9 in M.158.23
Come, oh come. Ode. Paxton, S. No. 74 in M.220.9.4
Come on, here's John. Catch. Hawkins, J. No. 72 in M.220.9.1
Come on the light wing'd gale. Glee. Callcott, J. W.
No. 18 in M.234.1.2
Come on, ye jolly hearts. Canon. Hayes, W. No. 4 in M.220.S
Come opprima. Duet. Righini. No. 4 in M.235.18.1
Come Ossian. Glee. Clarke- Whitfeld. No. 8, 23 in M.235.16
Come out to me. Ballad. Linley, G. [Songs.] Vol. 2.
No. 6 in M.235.19.2
Come pianta, ch' a poco a poco manca. Part-song. Lassus.
Sammtliche Werke. Band 6. M.8o4oa.67.6
Come, praise the Lord. Anthem. Crotch. No. 44 in M. 157.34
Come, pull away, boys. Catch a 3 voci. (/n The Apollo. Vol.
6. p. 473.) No. 18 in M.i39a.i8.6
-Vlso to be found in Bland's The Ladies' collection ; The Harmonist.
Come, push round with spirit. Glee. Webbe, S. Selection of
glees. Vol. 3. No. 32 in M.235.13.3
Come Roger and Nell. Catch. Webbe, S. No. 45 in M.220.9.3
Come, rosy health. Glee. Webbe, S. No. 60 in M.220.9.2; etc.
Come, said Jesus' sacred voice. Anthem. Lloyd, T. S.
No. 14 in M. 190.5
Come see what pleasure. Glee. Elliott, J. No. 71 in M.157.20.3
Come, shepherd swains. Part-song. Johns. No. i in M.203.28
WiLBYE. No. 6 in M.235.12 ; etc.
Come, shepherds. Part-song. Grast. No. 13 in M.157.28.2
Come shepherds & aid me to mourn. Glee. Fergus.
No. 45 in M.23S.17.3
Come, shepherds, come away. Madrgial. Wellesley, G. C.
No. 10 in M.220.3.4; etc.
Come, shepherds, follow me. Madrigal. Bennet, J.
No. 6 in M.235.7.1; etc.
Come shepherds, we'll follow. Part-song. Arne, T. A.
No. 5 in M.220.3.1 ; etc.
Come si m'accendete. Madrigal. Zarlino. M. 236.10
Come, sisters, come. Trio. Mackenzie, A. C.
No. 20 in M.204.36.4
Come, soft, relenting charity. Duet. Graun. No. 2 in M. 236.30.3
Come, sprightly mirth. Fa la. Hilton. Ayres or fa las.
No. 3 in M.234.21
Come, sweet spring. Part-song. Haydn, F. J.
No. 13 in M.22I.22.I; etc.
Come tell us thy name. Volkslied [s. s. a.], (/ji Hills. Vocal
trios. Vol. 2, pp. 89-93.) No. i9inM.i57.i7.2
Come Thou fount. Anthem. Thomas, J. R. No. 2 in M.290.6
Come, Thou Holy Spirit. Anthem. Barnett, John F.
No. 20 in M.158.13
Come, Thou long expected Jesus. Duet. Mozart.
No. 33 in M.201.37
Come, thou monarch of the vine. Glee. Bishop, H. R.
No. 18 in M.157.19; etc.
Come, thou rosy, dimpled boy. Glee. Cooke, B. A collec-
tion of glees. No. i in M.220.8
HoDSON, W. Fourteen songs. No. 3 in M.221.32
Come to my heart. Song. Keller, M. No. 9in M.192.13.1
Come to the greenwood. Glee. Worgan, J. No. 43 in M.220.10
Come to thy lattice. Serenade. Blumenthal. No. 8 in M.244.1
Come unto Him. Anthem. Gounod. No. ii in M.290.13; etc.
Tuckerman, S. p. Six short anthems. No. 2 in M.154.19
Come unto me. Anthem. Bach, J. S. No. 5 in M.19S.2.5
Barnett, James G. No. 31 in M.100.4.1
Blumenschein. No. 33 in M.158.13
Blodgett. Anthems, responses and hymns. No. 4 in M. 203.9
Couldrey. No. i in M.195.2.13
Gounod. No. 12 in M. 190.8
Hamer. No. 20 in M.203.27
284
Come
THE ALLEN A. BROWN COLLECTION OF MUSIC
Compensation
Come unto me. Anthem.
MiCHAELIS, J.
Smith, J. S. Canon 3 in i.
— Anthem, [s. A. T. B. ]
VlTTORIA.
Wagner, W. R.
Webbe, S.
Come unto these yellow sands
purcell, h.
Stevenson.
(Continued.)
No. 23 in M. 158.18
No. 117 in M.220.g.3
No. 56 in M.I 1 1.4.2
No. 13 in M.233.25.1
No. 32 in M.ioo.4.2
No. 19 in M.220.3.3; etc.
Part-song.
No. 2 in M.17S.1.6; etc.
No. 24 in M.23S.14
Come va 'I mondo! Part-song. Lassus. Sammtliche Werke.
Band 4. 111.80403.67.4
Come, weary souls. Anthem. Donizetti. No. 16 in M.igo.i
Raff. No. S in M.203.26
Come where my love lies dreaming. Duet. Foster, S. C.
No. 9 in M.380.41.1
Come, where shall we walk? Catch. Harington.
No. 61 in M.220.g.2
Come with the gipsy bride. Song. Balfe. No. 26 in M. 235.7.1
Come with thy sweet voice again. Song. Foster, S. C.
No. 10 in M.380.41.1
Come, ye blessed children. Anthem. Emerson, L. O.
No. 4 in M.igc.3
Come, ye children. Duet. Steffani. No. 13 in M.234.4.1
Come, ye disconsolate. [Solo, s., and also harmonized for 4
voices. Accomp. for organ.] (/« Handel and Haydn
Society Collection of sacred music. Vol. 3, pp. 26-28.)
No. 2 in M.221.22.3
Come, ye disconsolate. Anthem. Buck, D. No. 12 in M.2go.ii
Come, ye faithful. Anthem. Hall, E. V. No. 16 in M.195.2.16
Come, ye fays. Trio. Donizetti. No. ii in 11.157.17.2
Come, ye jolly fellows. Canon. Berg, G. No. 9 in M.220.10
Come ye lofty, come ye lowly. Anthem. Schnecker.
No. s in M.203.2g
Come, ye maidens. Glee. Hopkins, J. L. A collection of five
glees. No. i in M.236.21
Come, ye party. Glee. Danby. No. 244 in M.235.17.2; etc.
Come, ye thankful people, come. Anthem. Steele.
No. 16 in M.203.29
Comedians.
Lyden, fi. F. M. de. Le theatre d'autrefois et d'aujourd'hui.
Cantatrices et comediens. 1532-1882. Paris. 1S82. M.i27.2g
Comedie, La, a la ville. Opera. For the Music see Gevaert.
For the Libretto see Prilleux.
Comedie-frangaise, Paris.
Bonnassies, J. La musique a la Comedie-franQaise. Paris.
1874. No. 5 in M.122.1
Laugier, D. J. C. Documents historiques sur la Comedie
frangaise pendant le regne de Napoleon l=r. Paris. 1853.
M.206.10
Lerebours, p. v., editor. Documents pour servir a I'his-
toire du Theatre-Francais sous la Restauration. Paris.
1834. No. 2 in M.141.3
Comedy of errors. For the Music see Bishop, H. R. For the
Libretto see Shakespeare. Comedy of errors.
Comely swain. Glee. Morley. No. 13 in M. 218.8.5
Pl.wford. No. 8 in M.157.17.1
Comer, Thomas.
O God. my king. Anthem. [Accomp. for organ. Boston.]
White, Smith & Co. [1883.] No. 10 in M.158.1S
Comer, Thomas, editor.
Music of King's Chapel. Boston. Bewick. 1835.
M.236.11; No. 3 in M. 234.7
Most of the music is of Comer's composition.
Comettant, Jean Pierre Oscar.
Francis Plante. Portrait musical a la plume. Paris. Heu-
gel & cie. 1874. Portrait. No. 5 in M.ig7.3
Histoire de cent mille pianos et d'une salle de concert.
Paris. Fischbacher. 1890. Portraits. Plate. M.37S.21
History of the house of Pleyel, Wolff & cie.
Histoire d'un inventeur au i9e siecle. Adolphe Sax, ses
ouvrages et ses lettres. Paris. Pagnerre. i860. Portrait.
M.132.11
La Hollande musicale a Paris. Histoire d'un concert . . .
[pour] le benefice de la Societe de bienfaisance hollan-
daise de Paris. Paris. Sauvaitre. 1891. M.376.5
Comettant, Jean Pierre Oscar. (Continued.)
Les musiciens, les philosophes et les gaietes de la musique
en chiffres. Reponse a M. Francisque Sarcey. Paris.
Dentu. 1870. No. 2 in M.141.17
Musique et musiciens. Paris. Pagnerre. 1862. M.118.8
La musique, les musiciens et les instruments de musique
chez les differents peuples du monde. Archives de tous
les documents qui se rattachent a I'Exposition Interna-
tionale de 1867. Paris. Levy. 1869. Illus. M.122.8
La norvege musicale a Paris. Mme. Agathe Groerndahl.
Un diner d'adieu. Paris. Comettant. [187-?]
No. 4 in M.206.5
Comettant, Jean Pierre Oscar, editor.
Un nid d'autographes. Lettres inedites de Haydn, Cheru-
bini, Mehul, Boieldieu . . . 2e edition. Paris. Dentu.
1886. Facsimiles. No. 6 in M. 147.16
Pleyel, Wolff et compagnie. La musique de chambre.
Annee 1893, 94. M.197.4
Comfort. Song. Mendelssohn-Bartholdy, J. L. -F. Songs.
No. 48 in M.244.21
Comfort the soul of Thy servant. Anthem. Dupuis.
No. 78 in M.2go.22.2
Comfort ye. Anthem. Handel. No. 28 in M.2go.22.i
Comic in music.
Briard, E. Le comique en musique. Nancy. 1884.
No. 4inM.ii6.8
Comical musical sale. The. Satire. Merry, J., pseud.
M.117.17
Comin' thro' the rye. [Part song.] (In The Choralist. Vol. i,
pp. 6, 7.) No. 3 in M.157.5
Comincio solo. Catch [for 3 voices]. (/« Bland. The Ladies'
collection. Vol. i, p. 28.') No. 41 inM.235.17.1
Also to be found in Vocal harmonist's magazine.
Coming, The, of the May. Trio. Macfarren, W. C.
No. 4 in M.244.10.3
Comire, F. L.
Sainte Germaine, bergere de Pibrac. Oratorio-legende,
solos, chceurs. orgue et orchestre. Poeme . . . [de] F. L.
Comire et J. Tustes, musique du P. F.-L. Comire. Parti-
tion, chant et piano. Toulouse. Martin. [1896.]
M.384.65
Comitaet. Part-song. Mendelssohn-Bartholdy, J. L. F. Vier
Lieder fiir Mannerchor. No. 25 in M.392.17; etc.
Comme la tourterelle languit. Part-song. Lassus. Sammtliche
Werke. Band 14. M.8o4oa.67.i4
Comme un qui prend une coupe. Part-song. Lassus. Sammt-
liche Werke. Band 16. M.8o4oa.67.i6
Commedietta. Overture. Gurlitt. No. 2 in M.342.3
Commemoration, The, of Handel. Poem. Ring, John.
M. 141.28
Comment disaient-ils? Song. Liszt. Gesammelte Lieder.
No. 22 in M.244.14
Comment! il est arrete. Duet. Gretry, A. E. M.
No. 31 in M.3go.37
Comment I'esprit vient aux gargons. Opera. For the Music
see Deroo. For the Libretto see Geroldan.
Comment on se debarrasse d'une maitresse. Fiction. Gozlan.
M.i2ga.5.i
Commit thy way, O weeper. Hymn. Vulpius.
No. 5 in M.158.23
Commit thy way unto the Lord. Anthem. Wels.
No. 8 in M.igo.g
Commodore, The. Nautical opera. For the Music see Offen-
bach. For the Libretto see Farnie.
Common Prayer, Book of. Works about.
Pittman, J. The people in church: their rights and duties
in connection with the poetry and music of the Book of
Common Prayer. London. 1858. M.141.14
Compagni amor. Catch [for 4 voices]. (In Warren. Vocal
harmony. P. 13.) No. 8 in M.220.10
Compagni amor. Glee. Berg, G. No. 127 in M.220.g.i
Compensation. Fiction. Brewster. M.io8.2g
285
Compere
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Concertos
Compere et compagnon. Opera. For the Music see Jouffroy.
For the Libretto see Baumaine.
Compere Guilleri. Opera. For the Music see Perry Biagioli.
For the Libretto see Roucoux.
Complaint, The. Song.
Arne, T. Lyric harmony. Vol. I. M.380.1
Reichardt, J. F. No. 9 in M.212.21.2
Complainte d'Heloise. Song. Hortense, Quee>i of Holland.
Romances. M.221.27
Composer's instructions. Catch. See Keep good time. Catch.
Compositeur et prima donna. Opera. For the Music see
Pilate. For the Libretto see Julian.
Compositeur toque, Le. Opera. For the Music and Libretto
see Ronger, F.
Composition.
Albrechtsberger, J. G. Methods of harmony, figured base
and composition. Translated from the German edition as
augmented and arranged by von Seyfried, with the re-
marks of M. Choron. Translated from the Paris edition
by Arnold Merrick. London. [1834.] 2 v. M. 135.1
Beethoven, L. van. Studies in thorough-bass, counterpoint
and the art of scientific composition. Collected ... by
Ignatius von Seyfried; translated by Henry Hugh Pier-
son. Leipzig. 1853. Portraits. Plates. M. 105.18
Choron, a. E. Principes de composition des ecoles ita-
liennes. Paris. [1808.] 3 v. M.237.16
Crotch, W. Elements of musical composition; compre-
hending the rules of thorough bass, and the theory of
tuning. London. 1812. Plates. M.121.7
Graham, G. F. An essay on the theory and practice of
musical composition. Edinburgh. 1838. M. 122.25
A reprint of the artxle Music in the seventh and eighth editions of the
Encyclopedia Britannica.
Jones, W. A treatise on the art of music; in which the ele-
ments of harmony and air are practically considered . . .
Preparatory to the practice of thorough-bass and compo-
sition. Colchester. 1784. M.121.26
Melographicon, The: a new musical work by which an
interminable number of melodies may be produced . . .
without a scientific knowledge of the art. London.
[17CH?] M.115.1
Musard, p. Traite de composition musicale. Paris. [1832?]
Portrait. Facsimile. M.206.11
OusELEY, F. A. G. A treatise on musical form and general
composition. Oxford. 1875. M.149.35
PuRCELL, H. An introduction to the art of descant: or,
composing of musick in parts. (In Playford. An intro-
duction to the skill of musick. London. 1724.) M.i2ga.28
Simpson, C. A compendium; or, introduction to practical
music. Sth edition, enlarged. London. 1714. M.ii9a.4
Stainer, J. Composition. London. [1877?]
No. 3 in M.216.13
Virues y SpInola, J. J. de. An original and condensed
grammar of harmony, counterpoint and musical composi-
tion ... by J. J. de Virues y Spinola and F. T. A. Chaluz
de Verneuil. London. 1850. M.131.7
Woodbury, L B. The elements of musical composition and
thorough-base: together with rules for arranging music
for the full orchestra and military bands. Boston. 1845.
M.370.35
Compton, Louisa Gray.
The rosiere. Cantata for ladies voices, the music by Wil-
fred Bendall. No. i in M.393.5
Comrades, come. Glee. Cooke, B. No. 9 in M.i39a.i8.7
Comrades, fill no glass for me. Song. Foster, S. C.
No. II in M.380.41.1
Comrades in arms. Chorus. Adam, Adolphe C.
No. 79 in M.1S7.5.2
Comrades' song of hope. The. Part-song. Adam, Adolphe C.
No. 5 in M. 158.23
Comte d'Albert, Le. Opera. For the Music see Gr^try, A. E.
M. For the Libretto see Sedaine.
Comte, Le, de Carmagnola. Opera. For the Music see
Thomas, C. L. A. For the Libretto see Scribe.
Comte Ory, Le. Opera. For the Music see Rossini. For the
Libretto see Scribe.
Comtesse et bachelette. Duet. Concone. No. 9 in M. 244.2
Comus. Cantata. For the Music see Horsley, C. E. For the
Libretto see Milton.
Comus. Opera. For the Music see Arne, T. A. For the Li-
bretto see Milton.
Con dolce altiero ed amoroso cenno. Part-song. Palestrina.
Werke. Band 30. M.8o4oa.66.3o
Con ossequio, con rispetto. Aria. Mozart. Werke. Serie 6,
Band i. No. 12 in M.315.1.6.1
Con lei foss' io. Madrigal. Lassus. Sammtliche Werke.
Band 2. M.8o4oa.67.2
Con rauco mormorio. Aria. Handel. 12 Alt-Arien.
No. 2 in M.270.48
Concert a la cour, ou la debutante. Opera. For the Music see
Auber. For the Libretto see Scribe.
Concert, Das, am Hof. Opera. For the Music see Auber. For
the Libretto see Scribe.
Concert, Un, chez les demoiselles de Saint-Cyr. Opera. For
the Music see Bordese, L. For the Libretto see Lau-
zieres de Themines.
Concert de famille, Le. Opera. For the Music see Miry. For
the Libretto see Destanberg.
Concert interrompu, Le. Opera. For the Music see Berton.
For the Libretto see MarsoUier de Vivetieres.
Concert, Un, sous le ciel. Duet. Concone. No. 13 in M. 244.2
Concert waltz. Part-song. Buck, D. 5 four-part songs for
male voices. No. i in M.203.7
Concerto russe. Lalo. No. i in M.404.56
Concertos. Bassoon and orchestra.
Mozart. Concert fiir Fagott [und Orchester]. Werke. Serie
12, Abtheilung 2. M.315.1.12.2
Concertos. Clarinet and orchestra.
Hanssens. Concertino for clarionet. [Full score.] M. 312.36
Mozart. Concert fiir die Clarinette [und Orchester]. Werke.
Serie 12, Abtheilung 2. M.315.1.12.2
Concertos, Flute and orchestra.
Frederick IL, the Great, of Prussia. Concerte fiir Flote,
Streichorchester und Generalbass. Musikalische Werke.
Band 3. M.317.2.3
Langer. Concert fiir Flote & Orchester. [Partitur.]
No. 2 in M.407.16
Mozart. Concert fiir Flote und Harfe [mit Orchester-
begleitung]. Werke. Serie 12, Band 2. M.315.1.12.2
[Concerte fiir Flote und Orchester.] Werke. Serie
12, Abtheilung 2. M.315.1.12.2
Concertos. Harp and orchestra.
Pierne. Concertstiick pour harpe (ou piano) et orchestre.
Op. 39. Partition. No. 2 in M.405.44
Reinecke, C. H. C. Concert fiir die Harfe mit Begleitung
des Orchesters. Op. 182. Partitur. No. i in M.405.49
Concertos. Horn and orchestra.
Kuhlau. Concertine pour deux cors. [Avec accomp. d'or-
chestre.] Partitur. M.411.18
Mozart. Concert-Rondo fiir Horn, Es dur. Werke. Serie
24, Abtheilung 2. No. 2 in M. 315.1.24.2
[Concerte fiir Horn und Orchester.] Werke. Serie
12, Abtheilung 2. M.315.1.12.2
Strauss, R. Concert (Es dur) fiir das Waldhorn mit Or-
chester- oder Klavierbegleitung. Op. 11. Partitur (in
Abschrift). No. i in M.404.g6
Schumann, R. A. Concertstiick fiir 4 Horner und grosses
Orchester. Op. 86. Partitur. No. 4 in M.342.36
Concertos. Oboe and orchestra.
Mozart. Concert fiir Oboe, F dur.
theilung 2.
Concertos. Orchestra.
Bach, J. S. Konzert in F dur, fiir den Konzertgebrauch ein-
gerichtet von Felix Mottl. Partitur. No. i in M.410.8
-^ — Konzerten. Werke. Jahrgang 19. M.8o40.2i.ig
CouPERiN. Apotheose de Lulli. Concert instrumental [a
instruments a cordes. Partition]. No. 16 in M.356.11
Werke. Serie 24, Ab-
No. 2 in M.315.1.24.2
286
Concertos
THE ALLEN A. BROWN COLLECTION OF MUSIC
Concertos
Concertos. Orchestra. (Continued.)
Handel. Andante et menuet du IVe concerto. Transcrip-
tion pour orchestra. [Partition.] No. g in M.343.48
Fragment du i^'' concerto. Transcription pour or-
chestre. [Partition.] No. 8 in M.343.48
■ Fragment du V^ concerto. Transcription pour or-
chestre. [Partition.] No. 10 in M.343.48
■ Instrumental-Concerte. Werke. Lieferung 21.
M. 313. 1. 21
Schumann, R. A. Concerte und Concertstucke fiir Orches-
ter. Partitur. Werke. Serie 3. M.316.1.3
Triest. Orchester-Concert in E moll fiir grosses Orches-
ter. Op. 31. Partitur. No. i in M.333.25
Veit. Concertino. Ein musikalischer Scherz fiir die Vio-
line mit Begleitung von 2 Violinen, Viola, Cello & Contra-
bass, nebst s Kinderinstrumenten. [Partitur.]
No. 4 in M.312.2
Concertos. Organ.
Bach, W. F. Concert fiir die Orgel mit zwei Manualen und
dem Pedale. No. 4 in M.3i2.4g
Handel. First organ concerto with orchestral accompani-
ment. Organ score. No. 3 in M.30.23
Handel's six organ concertos. M.312.46
Merkel, G. a. Concertsatz (in Es moll) fiir die Orgel.
Op. 141. No. 16 in M.414.38
Thomas, G. A. Concert-Fantasie fiir die Orgel. Op. 6.
Auch als Fest-Praludium zu dem Choral "Ein feste Burg"
zu gebrauchen. No. 12 in M.414.37
Concertos. Organ and orchestra.
Handel, 12 Orgel-Concerte [mit Orchester-Begleitung].
Werke. Lieferung 28. M.313.1.28
Prout. Concerto in E minor for organ and orchestra. Op. S.
Full score. No. 2 in M.334.13
Rheinberger, J. G. Concert fiir Orgel, Streichorchester
und 3 Horner. Op. 137. Partitur. No. 3 in M.406.71
Concert fiir Orgel (No. 2 in G-moll) mit Beglei-
tung des Streichorchesters, 2 Hornern, Trompeten und
Pauken. Op. 177. Partitur. No. i in M.404.7
Schmidt, H., of Baireuth. Konzert fiir Orgel und Streich-
Orchester fiir die Unterrichts- und Auffiihrungswerke der
Mittelschulen . . . Partitur. No. 2 in M.410.54
Concertos. Pianoforte.
Bennett, W. S. Concerto, Fourth, for the piano forte.
Op. 19. No. I in M.200.S
Brassin. Concerto pour le piano avec accomp. d'orchestre.
Op. 22. Partition pour piano seul. No. 4 in M.332.6
CusiNS. Concerto pour piano avec accomp. d'orchestre.
Op. 6. Pour piano seul. No. 2 in M.200.5
Henselt. Concerto pour le piano avec accomp. de grand
orchestre, ou de quintuor, ou d'un second piano. Op. 16.
Pour piano seul. No. 4 in M.200.5
HuBER, H. Concert, fiir das Pianoforte mit Begleitung des
Orchesters. Op. 36. Fiir Pianoforte allein.
No. 31 in M.403.71
Hummel, J. N. Grand concerto pour le piano avec ace'.
d'orchestre. Op. 89. Piano seul. No. S in M.200.5
Huss. Concerto in B for pianoforte and orchestra. [Score
for two pianofortes.] M.410.37
KuLLAK, T. Concert fiir das Pianoforte mit Begleitun.g des
Orchesters. Op. 55. Fiir Pianof. allein. No. 6 in M.200.5
The full score in manuscript may be found on shelf-number 11.3 12.4.
LiszT. Concerto pathetique fiir zwei Pianoforte. Neue Aus-
gabe mit Zusatzen von Hans von Biilow. [Partitur.]
No. I in M.200.6
MacDowell. Concert, Erstes (in A-moll), fiir das Piano-
forte mit Begleitung des Orchesters. Op. 15. [Ausgabe
fiir 2 Pianoforte.] No. i in M.403.97
Concert, Zweites (in D moll), fiir das Pianoforte mit
Begleitung des Orchesters. Op. 23. Pianoforte-Solo-
stimme mit Begleitung eines zweiten Pianoforte an Stelle
des Orchesters. No. 2 in M.403.97
Mathias. Concerto, ler, pour piano principal avec piano
d'acc*. Op. 21. No. 2 in M.403.70
Concertos. Pianoforte. (Continued.)
Rubinstein. Concerto, ler, pour le piano avec accomp.
d'orchestre ou d'un second piano. Op. 25. [Partition 2
pianoforte.] No. 3 in M.403.70
Sauer, E. Concerto pour piano et orchestre (mi-mineur).
Partition de piano [deux pianos]. No. 2 in M.410.S2
Spohr, L. [Concertino XIII. Op. 92. For pianoforte
alone.] No. 3 in M.404.95
[Concerto I. Op. i. For pianoforte alone.]
No. I in M.404.g3
Sonst und Jetzt. Drittes Concertino fiir die Violine
mit Begleitung des Orchesters. notes Werk. No. 14 der
Concerte. [Arrangement von Carl Czerny fiir Pianoforte
allein.] No. 4 in M.404.95
ViOTTi. Grand concerto in G. Adapted for the pianoforte.
No. I in M.237.7
Vivaldi. Concert No. 2 [fiir Clavier]. M.8040.21.42
VoGRiCH. Grosses Concert, in E moll, fiir Pianoforte mit
Begleitung des Orchesters oder eines 2ten Piano. Prin-
cipal-Stimme mit 2tem Piano in Partitur. No. 4 in M.200.6
Waley. Concerto, in Eb, for the pianoforte, with accomp.
for full orchestra. Op. 16. Pianoforte part.
No. 6 in M.200.6
Concertos. Pianoforte and orchestra.
Albert, E. F. C. d'. Concert (H-moll) in einem Satz fiir
Pianoforte mit Orchester. Op. 2. Partitur.
No. I in M.332.1
Concert, Zweites (E-dur), fiir Pianoforte mit Or-
chester. Op. 12. Orchester-Partitur. M.403.2
Bach, J. S. Concert en ut majeur pour 3 clavecins avec 2
violons, viola et basse. Partition. No. i in M.353.17
Concerte, Sieben, fiir Clavier mit Orchesterbegleitung.
Werke. Band 17. M.8040.21.17
Konzert-D-moll, fiir Klavier & Streichorchester. Par-
titur. No. 2 in M.403.3
Tripel-Concert fiir Clavier, Flote und Violine, mit Or-
chesterbegleitung. A moll. Werke. Band 17. M.8040.21.17
Zwei Concerte fiir drei Claviere mit Orchesterbeglei-
tung. Werke. Band 31, Abth. 3. M.8040.21.31.3
Beethoven. Concerts de piano [avec accomp. d'orchestre].
Grande partition. No. 1-5. M.345.33; etc.
Concert fiir Pianoforte, Violine und Violoncell. Op.
56, in C. Partitur. Werke. Serie 9, Band 2. M.4i3.i.g.2
Brahms. Concert fiir das Pianoforte [No. i, D moll] mit
Begleitung des Orchesters. Op. 15. Partitur. M.346.36
. Concert (No. 2, B dur) fiir Pianoforte mit Begleitung
des Orchesters. Op. 83. Partitur. M.35i.8;etc.
Conzert (No. 2 in D moll) fiir Pianoforte mit Beglei-
tung des Orchesters . . . [Partitur.] M.410.13
Bronsart von Schellendorff. Concert [in Fis moll] fiir
Pianoforte mit Begleitung des Orchesters. Partitur.
No. 3 in M.312.1
Bruell. Concert, Erstes, fiir das Pianoforte mit Begleitung
des Orchesters. Op. 10. Partitur. No. i in M.343.30
. Concert, Zweites, fiir das Pianoforte mit Begleitung
des Orchesters. Op. 24. Partitur. No. 2 in M.343.30
Chaminade. Concertstiick pour piano et orchestre. Op. 40.
Partition d'orchestre. M.403.21
Chopin. Concert — Allegro. Op. 46. Fiir Pianoforte mit
Orchester. Partitur. No. 3 in M. 336.6
Concert, Second, Op. 21, avec un nouvel accompagne-
ment d'orchestre d'apres la partition originale. Partition.
M.405.8
Same. Concerto, Second, pour le pianoforte avec ac-
accomp. de I'orchestre. Op. 21. Partition. M. 346.47
. Concerte und Concertstiicke fiir Pianoforte mit Or-
chester. Werke. Band 12. M.316.2.12
Grand concerto (mi-mineur) pour pianoforte avec
accomp. d'orchestre. Op. 11. Partition. No. i in M.346.46
Same. Grosses Concert, in E moll, fiir Clavier und Or-
chester. Op. II. Partitur. No. 5 in M.332.7
Cleve. Konzert fiir Pianoforte mit Begleitung des Orches-
ters, A dur. Op. 3. Partitur. M.406.5
287
Concertos
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Concertos
Concertos. Pianoforte and orchestra. (Continued.)
Draeseke. Concert (Es dur) fiir Pianoforte mit Begleitung
des Orchesters. Op. 36. Orchesterpartitur. M.404.43
Dubois. F. C. T. Concerto, 2me, pour piano et orchestre.
Partition d'orchestre. M.406.62
DUPONT, A. Concerto (en fa-min.) pour piano et orchestre.
Op. 49. Partition. M.348.27
Concertstiick (Ballade et Minuetto - Scherzo) pour
piano, avec accomp. d'orchestre. Op. 42. Partition.
No. 2 in M.403.29
Dvorak. Concert fur Pianoforte und Orchester. Op. 33-
Partitur. No. I in M.332.15
Gedalge. Concerto (op. 16) pour piano avec accompag'.
d'orchestre. Partition. M.40S.13
GoETZ. H. Concert (B dur) fiir Pianoforte mit Begleitung
des Orchesters. Op. 18. Partitur. M.346.2i;etc.
Grieg. Concert fiir Pianoforte mit Begleitung des Orches-
ters. Op. 16. Partitur. No. i in M.331.24; etc.
Handel. Concerto grosso, Zweites, in F dur. Partitur.
No. 2 in M.403.53
Concerto, 4"^, pour le pianoforte ou orgue. avec ac-
comp. de 2 violins, alto, basse et 2 hautbois. Partition.
[Op. 4.] No. 6inM.312.10
Hiller, F. Pianoforte concerto. Op. 69. [Score for piano-
forte and orchestra.] M.357.18
HuBER, H. Concert, Vorspiel, Adagio, Scherzo, Finale fur
das Pianoforte mit Begleitung des Orchesters. Op. 36.
Partitur. No. 2 in M.358.28 ; etc.
Kaun. Concert fiir Pianoforte und Orchester. Op. 50.
Partitur. M.406.18
KuLLAK, T. [Concert fiir das Pianoforte mit Begleitung
des Orchesters. Op. 55- [Partitur.] M.312.4
Lalo. Concerto pour piano [et orchestre]. Partition.
No. 4 in M.343.22
LiMBERT. Concertstiick (C moll) fur Pianoforte mit Be-
gleitung des Orchesters. Op. 3- Partitur. No. i in M.403.95
Liszt, F. Concert, Erstes, fiir Pianoforte und Orchester.
Partitur. No. i in M.342.48
. Concert, 2tes. Pianoforte und Orchester. Partitur.
No. 2 in M.342.48
Major, J. J. Concert symphonique pour le piano avec ac-
compagnement de grand orchestre. Op. 12. Partition
d'orchestre. M.406.55
Martucci. Concerto (in si b minore) per pianoforte ed
orchestra. Op. 66. Partitura. No. 2 in M.342.16
Massenet. Concerto pour piano avec accompagnement
d'orchestre. Partition. M.406.21
Mendelssohn-Bartholdy, J. L. F. Concerte fiir das Piano-
forte mit Begleitung des Orchesters. No. i, 2. Partitur.
M.346.17
Mo6r. Concert (D dur) fiir Pianoforte mit Begleitung des
Orchesters. Partitur. M.410.49
Moszkowski. Concerto pour le piano. Op. 59- Partition
d'orchestre. M.403.102
NApRAVNfK. Concerto symphonique (la mineur) pour piano
et orchestre. Op. 27. Partition. M.412.8
NovACEK, O. Concerto eroico (in einem Satz) fur Clavier
und Orchester. Op. 8. Partitur. No. i in M.40S.43
Paderewski. Concerto en la-mineur pour piano et or-
chestre. Op. 17. Partition. No. i in M.342.22
Paisiello. Concerto per cembalo o pianoforte, con violini,
viole, oboe, corni da caccia e basso. M.312.24
Pfeiffer. G. J. Concerto, Troisieme, pour piano. Avec
accompag'. d'orchestre. Op. 86. Partition. M.407.7
Pierne. Concerto en ut mineur pour piano. Avec accomp.
d'orchestre. CEuv. 12. Partition. No. i in M.358.8
Raff. Concert [C moll] fiir das Pianoforte mit Begleitung
des Orchesters. Op. 185. Partitur. M.347.23
Raif. Concert fiir Klavier und Orchester. Op. I. Partitur.
No. I in M.347.6
Reinecke, C. H. C. Concert fiir das Pianoforte mit Beglei-
tung des Orchesters. Op. 72. Partitur. No. i in M.342.24
Rheinberger, J. G. Concert, As dur, fiir Pianoforte mit
Orchesterbegleitung. Op. 94- Partitur. M.346.3
Concertos. Pianoforte and orchestra. (Continued.)
Rietz. Concertstiick (Idyllische Scene) fiir Flote, Oboe,
Clarinette, Fagott u. Horn mit Begleitung des Orchesters
Oder des Pianoforte. Op. 41. Clavierauszug (mit Solo-
stimmen). No. 3 in M.404.7
Rimski-Korsakof. Concerto (ut# mineur) pour le piano
avec accomp. d'orchestre. Partition. No. i in M.336.23
Rubinstein. [Concert No. 2, fiir Pianoforte und Orchester.
Op. 35. Partitur.] M.342.27
Concerto, 3e, pour le piano, avec accomp. d'orchestre.
Op. 45- Partition. No. i in M.345.2; etc.
Concerto, 4e (D moll), pour piano avec accomp. d'or-
chestre. Op. 70. Partition. No. I in M.345.3
. Concerto. Je (Es dur), pour le piano avec accomp.
d'orchestre. Op. 94. Partition. No. 2 in M.345.3
Concertstiick pour le piano avec accomp. d'orchestre.
Op. 113. Partition. No. 3 in M.33S.23
Saint-Saens. Concerto, Premier, pour piano, avec accomp.
d'orchestre. Op. 17. Partition. No. i in M.343.34; etc.
Concerto, Deuxieme, pour piano, avec accomp. d'or-
chestre. Partition. Op. 22. No. 2 in M.343.34
Concerto, Troisieme, pour piano, avec accomp. d'or-
chestre. Op. 29. Partition. No. i in M.343.35
Concerto, 4e, pour piano, avec accomp. d'orchestre.
Op. 44. Partition. No. 2 in M.343.3S
Concerto, 5e, pour piano et orchestre. Op. 103. Par-
tition. M.405.S2
Scharwenka, F. X. Concert (B moll) fiir das Pianoforte
mit Begleitung des Orchesters. Op. 32. Orchester parti-
tur. M.331.29
Koncert, Zweites, fur Pianoforte und Orchester. Op.
56. Partitur. No. 2 in M.342.33
Konzert (Nr. 3, in Cis moll) fiir Klavier und Orches-
ter. Op. 80. Partitur. M.404.13
ScHOLZ. Clavierconcert mit Begleitung des Orchesters.
Op. 75. Partitur. No. 2 in M.342.34
Schumann, R. A. Concert fiir das Pianoforte, mit Beglei-
tung des Orchesters. Op. 54- Partitur. No. i in M.344.19
Introduction und Allegro appassionato. Concertstiick
fiir das Pianoforte mit Begleitung des Orchesters. Op. 92.
Partitur. No. 2 in M.344.19
ScHYTTE. Concert pour piano, avec accomp. d'orchestre.
CEuvre 28. Partition d'orchestre. M.403.109
Sgambati. Concerto pour piano et orchestre. Op. 15. Par-
tition. No. 2 in M.342.37
Shitt. Concert (F moll) fur Pianoforte mit Begleitung des
Orchesters. Op. 47. Partitur. M.404.16
SiNDiNG. Concert (Des-dur) fiir Pianoforte und grosses
Orchester. Partitur. No. I in M.333.18
Skriabin. Concerto en fa-diese mineur pour piano, avec
accomp. d'orchestre. Op. 20. Partition d'orchestre.
No. 4 in M.404.15
Stojowski. Concerto en fit pour piano et orchestre. Op. 3.
Partition d'orchestre. No. i in M.342.41
Street, J. Concerto, Deuxieme, en fa mineur, pour le
piano, avec accomp. de I'orchestre. Op. 24. Partition.
No. I in M.348.17
TcHAiKOVsKi, P. I. Concerto pour le piano, avec accomp.
d'orchestre. Op. 23. Partition, M.343.2
Concerto, 2e, pour le piano avec orchestre. Op. 44.
Partition. M.343.3
Urspruch. Konzert fiir das Pianoforte mit Begleitung des
Orchesters. Op. 9. Partitur. No. 2 in M.342.44
Weber, C. M. F. E. von. [Concert-Stiick] fiir das Klavier
mit Begleitung des Orchesters. Partitur.
No. 6 in M.344.16
Grand concerto pour le piano forte avec accomp. d'or-
chestre. Op. 32. Partition. No. 7 in M.312.10
WiDOR. Concerto pour piano avec accomp. d'orchestre.
Op. 39. [Partition.] M.343.31
Zarzycki. Concerto pour piano et orchestre. Op. 17. Par-
tition. No. I in M.352-6
Zellner, J. Concert fiir Pianoforte mit Begleitung des
Orchesters. Op. la. Partitur. No. i in M.338.7
288
Concertos
THE ALLEN A. BROWN COLLECTION OF MUSIC
Concertos
Concertos. String orchestra.
Handel. Concert, D dur, fiir Streichorchester, 2 obligate
Violinen und obligates Violoncell. [Partitur.]
No. I in M.403.53
Concert, D moll, fiir Streichorchester, 2 obligate Vio-
linen und obligates Violoncell. [Partitur.] No. 4 in M.342.3
• • Concerto (G moll) . . . fiir Streichorchester, 2 obli-
gate Violinen und obligates Violoncell. Partitur.
No. 3 in M.342.3
12 grosse Concerte [fiir Streichinstrumente mit Con-
tinuo. Partitur]. Werke. Lieferung 30. M.313.1.30
Concertos. Violin and orchestra.
Bach, J. S. Concerto, Premier, pour violino piccolo, 3 haut-
bois et deux cors de chasse, avec accomp. de 2 violons,
alto, violoncelle et basse. [Partition.] No. i in M.403.3
Concerte fur Violine mit Orchesterbegleitung. [Par-
titur.] Werke. Jahrgang 21. M.8040.21.21
Beethoven. Concert fiir Violine und Orchester. Op. 61,
in D. Partitur. Werke. Serie 4. M.413.1.4
Violin-Concert. [Mit Orchester-Begleitung. Parti-
tur.] Op. 61. No. 2 in M.333.5
Bernard, £. Concerto pour le violon avec accomp. d'or-
chestre. Op. 29. Partition. No. 2 in M.332.4
Brahms. Concert fur Violine mit Begleitung des Orches-
ters. Op. 77. Partitur. M.346.38; etc.
Bruch. Concert [No. i, G moll] fiir die Violine [mit Be-
gleitung des Orchesters]. Op. 26. Partitur.
No. I in M.345.26
Concert, Zweites [D moll], fiir die Violine mit Be-
gleitung des Orchesters. Op. 44. Partitur. No. 2 in M.345.26
Concert, Drittes, fiir die Violine mit Begleitung des
Orchesters. Op. 58. Partitur. No. 2 in M.332.9
BusoNi. Konzert fiir die Violine mit Orchester. Op. 32A.
Partitur. No. i in M.403.18
Damrosch, L. Concert fiir die Violine mit Begleitung des
Orchesters. Partitur. No. i in M.343.SO
DiEMER, L. Concert-Stiick pour violon et orchestre. Op.
33. Parto" d'orchestre. No. i in M.403.27
Dubois, F. C. T. Concerto pour violon, avec accompagne-
ment d'orchestre. Partition d'orchestre. M.4o6.6i
Dvorak. Concert fiir Violine mit Begleitung des Orches-
ters. Op. S3- Partitur. M.344.33
EcKHOLD. Concertstiick fiir Violine mit Begleitung des
Orchesters (Harfe ad libitum). Op. 5. Partitur.
No. I in M.336.9
Erlanger, F. d'. Concerto pour violon avec accompagne-
ment d'orchestre. Op. i7- Partition. M.410.65
Gade. Koncert fiir die Violine mit Begleitung des Orches-
ters. Op. 56. Partitur. No. i in M.34S.44
Gernsheim. Concert fiir Violine mit Begleitung des Or-
chesters. Op. 42. Orchester-Partitur. No. 2 in M.356.17
Godard, B. L. p. Concerto romantique pour violon. Op. 35-
Partition d'orchestre. No. i in M.405.17
Goldmark. Concert fiir Violine mit Orchesterbegleitung.
Op. 28. Partitur. No. S in M.343.45
Hartmann. Concerte pour le violon avec accomp. d'or-
chestre. CEuv. 19. Partition. No. 2 in M.336.11
Hegar. Concert fiir die Violine mit Begleitung des Orches-
ters. Op. 3. [Partitur.] No. 6 in M.336.11
Hollander. Concert fiir die Violine mit Begleitung des
Orchesters. Op. IS- Partitur. No. i in M.403.71
Hubay. Concerto, 2eme, pour violon avec accompagne-
ment d'orchestre. Op. 90. Partition. M.410.70
Jaques-Dalcroze. Concerto pour violon avec accompagne-
ment d'orchestre. CEuvre 50. Partition. M.410.40
Joachim. Concert, in ungarischer Weise, fiir die Violine
mit Orchesterbegleitung. Op. 11. Partitur. No. i in M.3S2.1
Violin-Concert (G-dur). [Mit Orchester-Begleitung.]
Partitur. No. i in M.334.5
Klughardt. Concert fiir Violine und Orchester. Op. 68.
Partitur. No. 2 in M.403.86
Lalo. Concerto pour violon [et orchestre]. Op. 20. Par-
tition. No. I in M.343.23
Manen. Concerto espagnol pour violon avec accompagne-
ment d'orchestre. Op. 18. Partition d'orchestre.
No. I in M.405.37
Concertos. Violin and orchestra.
Mendelssohn-Bartholdy, J.
[mit Orchester-Begleitung].
(Continued.)
L. F. Concert fiir Violine
Op. 64. [Partitur.]
No. 3 in M.333.S
Mlynarski. Concerto pour violon avec accompagnement
d'orchestre. Op. 11. Partition d'orchestre. No. 4 in M.40S.35
MoszKowsKi. Concerto pour le violon avec accomp. d'or-
chestre. Op. 30. Partitur. M.345.31
Mozart. Concert fiir die Violine, Es dur [mit Orchester-
Begleitung. Partitur]. Werke. Serie 24.
No. 2 in M.315. 1.24.2
Concerte fiir Violine und Orchester. Partitur. Werke.
Serie 12. Abtheilung i. M.31S.1.12.1
Mueller-Berghaus. Ungarisches Concert (Concert hon-
grois) fiir Violine mit Orchester. Op. 60. Partitur.
No. I in M.405.41
Raff. Concert No. 2 fur die Violine mit Begleitung des
Orchesters. Op. 206. Partitur. No. 2 in M.347.24
Reinecke, C. H. C. Concert fiir die Violine mit Begleitung
des Orchesters. Op. 141. Partitur. No. 2 in M.347.6
Rubinstein. Concert pour le violon, avec accomp. d'or-
chestre. Op. 46. [Partition.] No. i in M.342.29
Ruebner. Concert (G moll) fiir die Violine mit Begleitung
des Orchesters oder des Pianoforte. Op. ,30. Orchester-
partitur. M.404.11
Ruefer. Violin-Concert mit Begleitung des Orchesters.
Op. 33. Partitur. No. 2 in M.331.22
Saint-Saijns. Concerto, 3e (en si mineur), pour violon,
avec accomp. d'orchestre. Op. 61. Partition.
No. 3 in M.343.37
Concertstiick fiir Violine mit Begleitung des Orches-
ters. Op. 20. Partitur. No. i in M. 343.33
Sauret. Concert fiir die Violine mit Begleitung des Or-
chesters. Op. 26. Partitur. No. i in M.342.34
Sibelius. Konzert fiir Violine mit Orchester, D moll. Op.
47. Partitur. No. i in M.411.13
SiNDiNG. Concert No. 2 (D dur) fiir Violine mit Begleitung
des Orchesters. Opus 60. Partitur. No. 2 in M.405.58
Koncert (A-dur) fiir Violine und Orchester. Op. 45.
Partitur. No. i in M.404.ig
Singer, O.. Jr. Concertstiick fiir Violine mit Orchester.
Op. 6. Partitur. No. 2 in M.404.19
SiTT. Concert, No. 2, in A-moll, fiir Violine mit Begleitung
des Orchesters oder Pianoforte. Op. 21. Orchester Par-
titur. No. 2 in M.404.20
Spohr, L. Violin Concert, 4tes, H moll. Op. 10. [Mit Or-
chesterbegleitung. Partitur.] No. i in M.312.37
Violin-Concert, No. 8, in A moll (Gesangs-Scene).
[Op. 47. Mit Orchesterbegleitung. Partitur.]
No. 3 in M.4i2a.8
Violin Concert, I ites, G dur. Op. 70. [Mit Orchester-
begleitung. Partitur.] M.312.38
Strauss, R. Violinconzert, D moll, mit Orchesterbeglei-
tung. Op. 8. Partitur. Manuscript. M.356.34
Svendsen. Concert (A-dur) fiir Violine und Orchester.
Op. 6. Partitur. M.347.i9;etc.
Tchaikovski, P. I. Concert fiir Violine mit Begleitung des
Orchesters. Op. 35- Partitur. No. i in M.343.1
Vieuxtemps. Concertstuck . . . Fantasia appassionata pour
le violon principal avec orchestre . . . Op. 35. Gr. parti-
tion. No. I in M.348.6
Zenger. Concert fiir die Violine mit Begleitung des Or-
chesters. [Partitur.] M.404.102
Concertos. Violin and pianoforte.
Bach. J. S. Concert fiir 2 Violinen [und Pianoforte], D
moll. [Partitur.] No. i in M.3S7.I
Beriot. Concerto, i", pour violon avec accompt. . . . de
piano. Op. 16. [Partition.] No. 3 in M.410.7
Concerto, 6n>e, pour le violon avec accompagnement
de piano. Op. 70. [Partition.] No. 4 in M.410.7
Bernard, £. Concerto pour le violon avec accompagne-
ment de piano. Op. 29. [Partition.] No. 5 in M.410.7
Ernst, H. W. Concert, Fis moll. Op. 23. Ausgabe fur
Violine mit Begleitung des Pianoforte. [Partitur.]
No. 2 in M. 210.13; etc.
I 37
289
Concertos
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Concertos
Concertos. Violin and pianoforte. (Continued)
Lalo. Concerto russe. pour le violon avec accomp. . . . de
piano. Op. 29. [Partition.] No. i in M.404.56
Leclair. Concerto I [Op. 7. No. i, re mineur] pour violon.
Accompagnement de piano d'apres la basse chiffree par
Albert Diot. [Partition.] No. i in M.357.21
MoLiQUE. Concert No. 5 fiir Violine mit Begleitung des
Pianoforte. Opus 21. [A moll. Partitur.] No. 2 in M.357.21
Paganini. Concert, Erstes, fiir Violine. [Mit Pianoforte-
Begleitung. Partitur.] No. i in M.357.9
Rode. [Concerto No. 4 pour violon et piano. Partition et
partie de violon.] No. 2 in M.357.9
[Concerto No. 8, mi mineur, pour violon et piano.
Partition et partie de violon.] No. 3 in M.3S7.9
Spohr, L. Concertino ou I2e concerto pour le violon avec
accompagnement de I'orchestre ou de pianoforte. Oiuvre
79. Avec piano. [Partition.] No. 2 in M.404.95
[Concerto, Troisieme, pour le violon, avec accom-
pagnement de piano. Partition.] No. 5 in M.404.93
Concerto, Cinquieme, pour le violon arrange avec
accompagnement de piano. Op. 17. [Partition.]
No. 4 in M.404.93
Concerto, Sixieme, pour le violon arrange avec ac-
compagnement de piano. Op. 28. [Sol mineur. Parti-
tion.] No. I in M.404.94
Concerto, Neuvieme, pour le violon avec accompagne-
ment . . . de piano. Op. 55- [Re mineur. Partition.]
No. 4 in M.404.94
[Concerto, Dixieme, pour le violon, avec accom-
pagnement de piano. Partition.] No. i in M.404.95
— — [Concerto, Quinzieme, pour le violon, avec accom-
pagnement de piano. Op. 128. Partition.] No. 5 in M.404.g5
Violin Concert, No. 2. [Op. 2. D moll. Mit Piano-
forte-Begleitung. Partitur und Violin-Stimme.]
No. I in M. 357.11; etc.
Violin-Concert, No. 7. [In E moll. Op. 38. Mit
Pianoforte-Begleitung. Partitur.] No. 3 in M.357.1; etc.
Violin-Concert, No. 8. (Gesangscene.) A moll. Op.
47. [Klavier-Auszug und Violin-Stimme.]
No. 2 in M.357.11; etc.
Strauss, R. Concert (D moll) fiir Violine mit Begleitung
des Orchesters. Op. 8. [Partitur fiir Piano und Stimme.]
No. 2 in M.404.56
TiRiNDELLi. Concert (sol mineur) pour violon . . . avec
piano. [Partition.] No. 3 in M.357.21
ViEUXTEMPS. Concerto, Cinquieme (la mineur), pour le
violon avec accompagnement de piano. Op. 37. [Parti-
tion.] No. 2 in M.410.4
Grand concerto, 4"^^, re mineur, pour le violon avec
accomp. . . . de piano. Op. 31. [Partition.]
No. 10 in M.210.13
ViOTTi. Concert, No. 22 [fiir Violine und Pianoforte, in
A moll. Partitur] . No. 5 in M.357.1 ; etc.
Concertos. Violin, violoncello and orchestra.
Brahms. Concert fiir Violine und Violoncell mit Orchester.
Op. 102. Partitur. M.404.71
Concertos. Violins.
Vivaldi. Concert fiir vier Violinen. [Op. 3, no. 10. Par-
titur.] M.8040.21.43, I
Concertos. Violoncello and orchestra.
DoTZAUER. [Concerto, no. 8, for violoncello, with accomp.
for orchestra. Full score.] M.312.21
Dvorak. Concert fiir Violoncell mit Begleitung des Or-
chesters. Op. 104. Partitur. No. i in M.403.30
GoENS. Concerto, Deuxieme, en re, pour violoncelle avec
orchestre. Op. 30. Partition. No. 5 in M.405.18
Hamerik. Concert-Romanze, fiir Violoncell und Orchester
od. Pianoforte. Op. 27. Orchester Partitur.
No. I in M.338.20
Hartmann, E. Concerto pour violoncelle avec accomp.
d'orchestre. Op. 26. Partition. No. i in M.336.11
Haydn, F. J. Concert in D dur fiir Violoncell und Orches-
ter. Partitur. No. 6 in M.342.3
Klengel. Concert, Zweites (D moll), fiir Violoncell und
Orchester. Op. 20. Partitur. No. 2 in M.336.ao
Concertos. Violoncello and orchestra. (Continued.)
Koncert (A moll) fiir Violoncell und Orchester.
Op. 4. Partitur. No. i in M.336.20
L.\LO. Concerto en re pour violoncelle avec accompagne-
ment d'orchestre. Partition d'orchestre. M.405.30
Raff. Concert fiir das Violoncell mit Begleitung des Or-
chesters. Op. 193. Partitur. No. i in M.347.24
Rensburg. Concert fur Violoncell mit Orchesterbegleitung.
Op. 3. Partitur. No. 3 in M.406.23
Rubinstein. Concerto pour violoncelle avec accomp. d'or-
chestre. Op. 65. Partition. No. i in M.337.62
Concerto. 2e (D moll), pour violoncelle avec accomp.
d'orchestre. Op. 96. Partition. No. 2 in M.337.62
Saint-Saens. Concerto pour violoncelle [et orchestre].
Op. 33. Partition. No. i in M.343.37
Concerto, 2e, pour violoncelle et orchestre. (Op. 119.)
Partition. No. 4 in M.406.64
Svendsen. Concert (D-dur) fiir Violoncell und Orchester.
Op. 7. Partitur. No. 2 in M. 347.20
WiDOR. Concerto pour violoncelle et orchestre. Op. 41.
Parton. d'orch. M.358.12
WiTTE. Concert fiir Violoncello mit Begleitung des Orches-
ters Oder des Pianoforte. Op. 12. Orchester Partitur.
No. I in M.404.36
Concertos. Violoncello and pianoforte.
Albert, E. F. C. d'. Concert, C dur, fiir Violoncello mit
Begleitung des Orchesters oder des Pianoforte. Op. 20.
[Pianoforte Partitur.] No. i in M.410.4
Davidov. Concerto, 3me, pour violoncelle avec accomp. [de
piano]. Op. 18. [Partition.] No. 3 in M.210.13; etc.
VoLKMANN. Concert fiir Violoncell mit Begleitung des
Orchesters oder des Pianoforte. Op. 33. Pianoforte-Par-
titur. No. S in M.200.6
Concertos. Criticism.
Beyer, C. Johannes Brahms, Klavierkonzert in D-moll.
Op. 15. Erlautert. Frankfurt a. M. [1895.]
No. 18 in M.217.12.1
L. van Beethoven, Violonkonzert. Op. 61. Erlautert.
Frankfurt a. M. [1898.] No. 21 in M.217.12.4
Botstiber, H. Robert Volkmann, Violoncell-Konzert, A
moll. Op. 33. Erlautert. Leipzig. [1901?]
No. 24 in M.217.12.10
Heuberger, R. F. J. Johannes Brahms, Konzert fiir Violine
mit Begleitung des Orchesters. Op. 77. Erlautert.
Frankfurt a. M. [1895.] No. 36 in M.2i7.i2.a
Kwast, J. Edvard Grieg, Klavierkonzert in A-moll (Op.
16). Erlautert. Frankfurt a. M. [1898.I
No. 17 in M.217.12.3
Felix Mendelssohn-Bartholdy, Klavier-Konzert in
D-moll. Op. 40. Erlautert. Frankfurt a. M. [1898.]
No. 12 in M.21 7.12.4
Felix Mendelssohn-Bratholdy, Klavier-Konzert in
G-moll. Op. 25. Erlautert. Frankfurt a. M. [1898.]
No. II in M.217.12.4
Merkel, J. Fred. Chopin, Klavierkonzert in E-moll. Op.
II. Erlautert. Frankfurt a. M. [1898.I No. 12 in M.217.12.5
Niemann, W. J. S. Bach, Violinkonzerte in A moll und E
dur. Erlautert. Leipzig, [igoi?] No. 12 in M.217.12.10
Nodnagel, E. O. Felix Mendelssohn-Bartholdy, Violin-
konzert in E-moll (Op. 64). Erlautert. Leipzig. [1899?]
No. 18 in M.217.12.7
Erstes Klaiverkonzert in Es dur. Er-
[1899?] No. 16 in M.217.12.7
Zweites Klavierkonzert in A dur. Er-
[1899?] No. 17 in M.217.12.7
L. van Beethoven. IV. Konzert fiir Kla-
Franz Liszt,
lautert. Leipzig,
Franz Liszt,
lautert. Leipzig.
POCHHAMMER, A.
vier und Orchester in G-dur (Op. 58). Erlautert. Leip-
zig. [1899?] No. 8 in M.217.12.7
Peter Jljitsch Tschaikoffsky, Konzert fiir Violine mit
Begleitung des Orchesters oder des Pianoforte (D dur).
Op. 35. Erlautert. Leipzig. [1899?] No. 10 in M.217.12.7
Reuss, E. Friedrich Chopin, Klavierkonzert in F moll
(Op. 21). Erlautert. Berlin. [1904.] No. 18 in M.217.12.10
Riemenschneider, G. Eugen D'Albert, Konzert (C dur)
fiir Violoncello mit Begleitung des Orchesters. Op. 20.
Erlautert. Leipzig. [1901?] No. 14 in M.217.12.11
290
Concertos
THE ALLEN A. BROWN COLLECTION OF MUSIC
Concerts
Concertos. Criticism. (Continued.)
ScHULTZE, A. Robert Schumann, Klavierkonzert in A moll.
Op. 54. Eriautert. Leipzig. [1902.] No. 21 in M.217.12.11
SoEHLE, C. Johannes Brahms, Klavierkonzert (No. 2) in
B-dur. Op. 83. Eriautert. Frankfurt a. M. [1898.]
No. 13 in M.217.12.6
WiTTE, G. H. Johannes Brahms, Konzert fiir Violine und
Violoncell mit Orchester. Op. 102. Eriautert. Frank-
furt a. M. [1898.] No. loin M.217.12.6
Witting. C. Emil Mlynarski, Violinkonzert. Op. 11. Er-
iautert. Leipzig. [1901?] No. 6inM.217.12.10
Ludwig van Beethoven, Klavierkonzert in Es-dur
(Op. 73). Eriautert. Leipzig. [1900.] No. 14 in M.217.12.8
Max Bruch, Violin-Konzert in G moll. Op. 26. Er-
iautert. Leipzig. [1900?] No. 17 inM.317.12.9
Concerts.
BoBiLLiER, M. Les concerts en France, sous I'ancien re-
gime. Par Michel Brenet [pseud.]. Paris, igoo. M. 102. 20
Ch.^ddurne, a. Les cafes-concerts. 3e edition. Paris.
1880. M.129.7
Lucas, E. Les concerts classiques en France. Paris. 1876.
M.127.2
Concerts. Popular.
Elwart, a. a. £. Histoire des concerts populaires de mu-
sique classique; contenant les programmes annotes de
tous les concerts donnes au Cirque Napoleon . . . Paris.
1864. M.I 18.3
Concerts. Programmes.
Apollo Club, Boston. Programmes. Vol. 1-6. No. 1-151.
Dec, 1878-May, 1901. [Boston. 1878-1901.] 6 v. M.304.1
Compiled, with indexes and many newspaper cuttings, by Allen A.
Brown.
Boston Academy of Music. [Programmes of concerts.
May 15, 1833-Feb. 27. 1847. Boston. 1833-1847.] M.184.9
Boston Music Hall bulletin. Promenade concerts. [Pro-
grammes.] Summer seasons, 1887, 88. Vol. 2, 3. M.165.3
Boston Musical Fund Society. [Programmes of concerts.
Series 1-7. Nov. 27, 1847-April 21, 1855. Boston. 1847-
1855.] No. I in M. 184. 10
Boston Philharmonic Society. [Programmes of concerts.
Dec. 21, 1844-April II, 1863. Boston. 1844-1863.] M. 184. 11
On many of the programmes the name is printed Phil-Harmonic.
There seems to have been no connection between this society and
that organized in 1879 under the same name.
Boston Singers' Society. [Programmes. December 27,
1889 to May 9, 1891. Boston. 1889-91.] M.304.2
This volume is indexed and enriched by many critical newspaper cut-
tings by Allen A. Brown.
Boston Symphony Orchestra.
ments, season 188 1/82- 1905/06.
by Allen A. Brown. [Boston,
traits.
Boylston Club, Boston. Programs and comments. [De-
cember 22, 1873-May 8, 1889,] Compiled [with full in-
dexes] by Allen A. Brown. [Boston. 1873-89.] 3 v.
M.304.3
Brown, A. A., compiler. [A collection of concert pro-
grammes, principally in Boston. Boston, etc. 1867-70.]
M.216.12
[Concert programmes, including many of the Chi-
cago orchestra, 1892-94, the New England Conservatory
of Music, 1891-93, and others, 1891-95.] Boston [etc.
1891-95] M.371.9
[Musical and dramatic circulars, prospectuses, and
programmes. 1880-94. Boston. i8g6.] 2 v. M. 214.12
[Musical pamphlets, programmes, prospectuses, etc.
1886-94. Boston. 1894.] M.215.13
• Programmes and comments. The Parker, Chickering
and Foster Clubs. [Boston. 1862-77.] M.371.10
[Programmes, musical and dramatic. Boston, etc.
1887-94.] 2 v. M.37I.I3
[Programmes of concerts, prospectuses, advertise-
ments, etc. Boston. 1890-94.] M. 208.15
[Programmes of various musical festivals, American
and foreign, 1875-87]. 3 v. M.143.1
[Prospectuses, advertisements and programmes. Bos-
ton. 1890-94.] M.208.28
Programmes and corn-
Compiled [with indexes]
1882-1906.] 26 v. Por-
M.125.S
Concerts. Programmes. (Continued.)
Buffalo Philharmonic Society. Book of the programmes
... for the season of 1884-85. Buffalo. 1885. M.205.6
Cecilia, The, Boston. Programmes and notices. [Novem-
ber, 1874-April, 1901.] Compiled [with full indexes] by
Allen A. Brown. [Boston. 1874-1901.] 5 v. M. 304.4
C^ciLiAN Choir, New York. Book of words, Easter con-
cert, April 1st, 1891. [Also a list of officers and members.
New York. 1891.] No. i in M.373.30
Chicago Orchestra, The. Theodore Thomas, conductor.
[Descriptive programs.] Eighth-fourteenth seasons. i8g8-
1905. Program notes by Hubbard William Harris. Chi-
cago. 1899-1905. 8 v. M.374.3
Christiani, a. F. Programme for first recital, with com-
ments, biographies, etc. Edinburgh. [187-?]
No. 6 in M.116.10
Choral Harmonists, London. [Programmes. 6th-i2th sea-
son. London. 1837-44.] M.104.13
Cincinnati Symphony Orchestra. Programmes. Season
1897/98, 1901/02-1905/06. [Cincinnati.] 1897-1906. 6 v.
M.374-S
Crystal Palace. Saturday concerts. Programmes, season
1880/81-1883/84. [With indexes.] London. 1881-84.
Four programmes are missing in the season 1882/83. M.304.5!etC,
Deldevez, fi. M. E. La Societe des concerts, i860 a 1885
(Conservatoire national de musique). Paris. 1887. M.132.7
A continuation of Elvart's Histoire [m. 129.30].
Detroit Philharmonic Club. 6th season. [Programme.]
ist-5th, 7th-i2th concert. Detroit. [189-?]
No. 8-18 in M. 217.3
Dramatic and musical prospectuses and programmes, etc.
[1876-86.] M.139.17
Dubuque May Musical Festival, 4th. [Plan of the Festi-
val, programmes, etc. Dubuque.] 1889. No. 4 in M.373.30
Edinburgh Choral Union. [Analytical programmes of
choral and orchestral concerts, 1877-78, 80-85. Compiled
and indexed by Allen A. Brown.] Edinburgh. 1877-85.
4 V. M.371.3
EiSEN, F. C. Der Kolner Manner-Gesang-Verein unter Lei-
tung Herrn Franz Weber. Andeutungen . . . 1842-1852.
Koln. 1852. _ No. I in M.136.8
Elwart, A. A. £. Histoire de la Societe des concerts du
Conservatoire imperial de musique . . . 2e edition, augm.
des programmes, 1860-63. Paris. 1864. M.129.30
A continuation by Deldevez is on shelf-number M.132.7.
Euterpe, Boston. Programmes and comments, 1879-1889.
Compiled [with an index] by Allen A. Brown. Boston.
1890. M.371.4
Glasgow Choral Union. [Programmes of the concerts of
the season. 1874/75, 76/77-79/8o. ] Glasgow. 1874-80.
5 V. in 3. M.218.7
Handel and Haydn Society, Boston. Grand musical festi-
val ... in commemoration of their fiftieth anniversary,
May 23d to 28th, 1865. [Book of the words.] Boston.
1865. No. I in M.372.2; etc.
Mendelssohn's Elijah, as performed at the Taber-
nacle, June 5, 1877. Boston. 1877. No. 7 in M.125.9
Programmes. No. 1-748. Dec. 25. 1815-April 23,
1905. Boston. 1815-1905. 8 v. M.372.1
There are many gaps, particularly in the early years, but these are
gradually being filled.
Seventieth season. In memoriam George Frederic
Handel. Biographical sketch. Programmes with words
and notes . . . Boston. [1884.] Portrait. No. 9 in M.372.2
Seventy-fifth anniversary festival. April, i8go. [Bos-
ton. 1890.] No. 10 in M.372.2
Triennial festival, ist-6th. May, 1868-83. Pro-
grammes, words of the oratorios . . . Boston. 1S68-83.
No. 3-8 in M.372.2
Harvard Musical Association, Boston. Programmes, 1865-
82. [Compiled by Allen A. Brown.] 2 v. M. 125.2
.Arranged chonologicaily, with an index. Many newspaper cuttings
are inserted.
Indianapolis May Music Festival Association. Annual
Festival, 6th. [Programmes, etc. [Indianapolis. 1894.]
No. 8 in M.373.30
291
Concerts
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Concone
Concerts. Programmes. (Continued.)
KiNGSTON-UPON-HuLL grand musical festival, 1834. [Pro-
grammes of all concerts. Hull. 1834. No. 2 in M.143.20.3
Kneisel Quartet, Boston. Programmes and notices, com-
piled [with indexes] by Allen A. Brown. Seasons, 1885-
1902. [Boston. 1885-1902.] 2 V. M.304.6
Kdenigliche musikalische Kapelle, Dresden. Programme-
Buch der Sinfonie-Concerte. Winter 1897/98-1904/05.
Dresden. 1897-1905. 8 v. M.374.2
Leslie, H. D. Third and fifth concert of the sixth season
given by Mr. Henry Leslie's Choir. [London. 1861.]
No. 4 in M.375.1
Liverpool Philharmonic Society. Synopsis of the per-
formances of the Society. 1851-67. Liverpool. 1854-67.
8 v. M.144.1
Mendelssohn Quintette Club, Boston. [Programmes of
concerts. Boston. 1849-70.] M.372.3
Metropolitan Musical Society, New York. Second season.
First private concert, January 9th, 1890. [Programme,
lists of officers and members.] New York. 1890.
No. 9 in M.373.30
[Miscellaneous programmes, 1870-82. arranged alphabetic-
ally.] 5 V. M.119.1
[Miscellaneous programmes and circulars. 1877-90.]
M.136.11
Monday popular concerts, St. James's Hall, London. Pro-
gramme and analytical remarks, 1859-69, 97. London.
1859-97. 2 V. M.106.1
Musical Education Society. [Programmes of concerts in
Boston. Mar. 26, 1846-Jan. 12, 1856. Boston. 1846-1856.]
No. 2 in M.184.10
Muisical festivals. [Programmes of various concerts and
musical festivals at Norwich, Edinburgh, London, etc.]
1801-24. M.197,14
National Choral Society. First concert of unaccompan-
ied part music. 600 voices. Book of words. . . . London.
1861. No. 4 in M.376.25
New Bedford Choral Association. Programme of the 2d
annual musical festival, to be held in . . . New Bedford,
1893. No. I in M.372.55
New England Conservatory of Music. Annual souvenir.
Containing all programs of the public performances, and
other items of interest during the school year, i8go, 91.
Boston. [1891.] No. 4inM.2i7.3
[Programmes, Sept. 29, 1897-June 19, 1899. Boston.
1897-99] M.373.49
New Philharmonic Concerts, London. loth season. Con-
certs 1-3. Programmes. [London. 1861.] No. 6 in M.375.1
Niederrheinisches Musik-Fest, Diisseldorf. [Programm]
Mai, 1856, 1890. Diisseldorf. 1856, 90. No. 2 in M.373.60
CEuvre national, L', des orphelins de la guerre. Grand
tournee de concerts en France. Introduction . . . pro-
gramme general et biographie des artistes. Paris. 1871.
No. 4 in M. 112. 16
Orchestral concerts, Edinburgh. [Programmes with ana-
lytical remarks. 2d, 3d season. Edinburgh. 1888-90.] 2 v.
M.106.6
Orchestral Union, Boston. [Programmes of afternoon
concerts, ist-isth season. Nov. 22, 1854-Oct. 30, 1872.
Boston. 1854-1872.] M.184.12
Pauer, E. Ernst Pauer's three historical performances of
pianoforte music, in chronological order. London. [187-?]
No. 2 in M.12S.9
Perabo, E. Souvenir program. Recital given by Ernst
Perabo assisted by Franz Kneisel at "Thornhedge," Bar
Harbor, Sept. 4, 1900. [Boston.] 1900. M.373.42
Philharmonic Society, Boston. Programmes and com-
ments, 1879-83. Compiled [with an index] by Allen A.
Brown. M.371.11
Philiiarmonische Concerte, Berlin. Dirigent, Arthur Ni-
kisch, Saison XI-XVIII, 1897/98-1904/05. Programm
Buch. Berlin. 1897-1905. 8 v. M.374.1
Philharmonische Concerte, 1-Vien. Saison 1894/93. Pro-
gramme-Buch. [VIIL Abonnement-Concert, 17 Marz,
1895.] Wien. [1895.] No. 6 in M.373.60
Concerts. Programmes. (Continued.)
Philharmonische Gesellschaft, Laibach. Jahres-Bericht,
1-5, 29. 1862-67, 91/92. Laibach. 1863-93.
No. 5 in M.373.60; etc.
Pittsburgh Orchestra, The. Programs of the afternoon
and evening concerts. ist-iith season. [Pittsburgh.
1896-1906.] II V. in 9. M.374.4
Pleyel, Wolff et compagnie. La musique de chambre.
Annee 1893, 94. Seances musicales donnees dans les sa-
lons de la maison Pleyel, Wolff et cie. Reproduction des
programmes . . . Paris. [1894,95.] 2 v. M.197.4
Programmes, musical and dramatic, 1882-89. M.141.20
[Programmes, musical and dramatic, prospectuses, adver-
tisements, catalogues, etc. 1883-89.] M. 121. 17
[Programmes of various concerts, 1860-68.] M.143.26
[Programmes of various concerts, principally those of the
Vocal Society of New York, 1870-75.] M.143.28
[Programmes of various concerts, etc., 1873-74.] M.143.27
[Programmes of various musical performances, 1858-73.]
M.105.2S
Retter, C. Carl Retter's four performances of pianoforte
music. 2d series. Programme of the series. Pittsburgh.
1876. No. 5 in M. 125.9
Carl Retter's six performances of pianoforte music>
in chronological order. [Analytical programmes.] Pitts-
burgh. 1876. No. 4 in M.125.9
Rhode Island Choral Association. Annual musical fes-
tival, ist, 1889. [Programmes, etc.] Providence. 1889.
No. 14 in M.373.30
St. James's Hall, London. Book of words of Madnie Viard
Louis' last concert, 26. June, 1878. London. [1878.]
No. 10 in M.116.10
Madame Trebelli's grand concert, June 27, 1878.
[Programme.] London. [1878.] No. 11 in M.116.10
St. Paul Symphony Orchestra. Descriptive programmes.
1906-07. Programme notes arranged by A. P. Lothrop.
[St. Paul. 1907.] M.371.45
ScHWEiZER Sanger Gesellschaft. Book of words and pro-
gramme. London. 1861. No. 8 in M.37S.1
Theatre and concert programmes, 1875-88. M.121.2
Thomas Orchestra. [Programmes of concerts in Boston,
Oct. 29, 1869-March 26, 1898. Boston. 1869-98.] M.184.13
Tretbar, C. F. Analytical reviews. New York. [1878.]
No. 3 in M. 125.9
Vocal Association, London. Programme of the first sub-
scription concert of the [fifth] season, March 12th, 1861.
[London. 1861.] No. 9 in M.37s.i
Wilson, G. H. The musical year-book of the United States.
Vol. 1-8. 1883-91. Boston. 1884-91. 8 v. in 2. M.119.7
World's Columbian Exposition. Bureau of Music. [Offi-
cial programmes. Chicago. 1893.] M.113.15
Concerts royaux. Pianoforte trios. Couperin. M.410.105
Conciergicide, Un. Opera. For the Music see Chassaigne.
For the Libretto see Hermil.
Concone, Giuseppe.
Ave Maria, [m.-s ou bar.] Transcrit par G. Lamothe.
[Accomp. d'orgue.] Paris. Grus. [186-?]
No. II in M.260.10.2
Beatrix. Scene et air [s. ou t. Accomp. de piano]. May-
ence. Schott. [185-?] No. 4 in M.244.2
Les brises du printemps. Nocturne a 2 voix [s. s. Accomp.
de piano]. Mayence. Schott. [185-?] No. 12 in M.244.2
Comtesse et bachelette. Duettino [pour 2 voix de mezzo-
soprano. Accomp. de piano]. Mayence. Schott. [185-?]
No. 9 in M.244.2
Un concert sous le ciel. Duo [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 13 in M.244.2
Les Croises devant Jerusalem. Oratorio pour 3 voix
d'hommes avec choeurs et accomp. de piano. Paroles de
Mr. E. Plouvier, musique de J. Concone. Paris. Richault.
[184-?] Plate. No. I in M.270.25
Les demoiselles d'honneur. Nocturne [s. a. Accomp. de
piano]. Mayence. Schott. [184-?] No. 22 in M.244.2
Derniers vceux de Rachel. Melodic biblique pour mezzo-
soprano. [Accomp. de piano.] Mas'ence. Schott. [185-?]
No. s in M.244.2
292
Concone
THE ALLEN A. BROWN COLLECTION OF MUSIC
Congratulamini
Concone, Giuseppe. (Continued.)
La femme de I'exile. Scene et air pour soprano. [Accomp.
de piano.] Mayence. Schott. [185-?] No. 2 in M.244.2
La fiancee du marin. Scene et air pour soprano. [Accomp.
de piano.] Mayence. Schott. [185-?] No. 6 in M.244.2
Les filles du braconnier. Duo [s. a. Accomp. de piano].
Mayence. Schott. [185-?] No. 15 in M.244.2
Les filles du proscrit. Duo [s. A. Accomp. de piano]. Paris.
Richault. [184-?] No. 14 in M.244.2
Les fleurs qui chantent. Tyrolienne pour soprano. [Ac-
comp. de piano.] Paris. Richault. [184-?]
No. 8 in M.244.2
Les Grenadines. Bolero [s. s. Accomp. de piano]. May-
ence. Schott. [18s-?] No. 20 in M.244.2
Jeanne Hachette. Scene et air [s. ou t. Accomp. de piano].
Mayence. Schott. [185-?] No. 3 in M.244.2
La jeune fille et le page. Duettino a 2 voix egales. [Ac-
comp. de piano.] Mayence. Schott. [185-?]
No. 10 in M.244.2
Judith. Scene and air [s. Accomp. for piano]. Boston.
Ditson. [185-?] No. I in M.244.2
Les larmes du Christ sur la croix. Mystere en 3 parties, a
4 voix, avec choeur et ace', de piano. Paroles de Mr. le
yte Vilain XIIIL Musique de J. Concone. Paris. Ri-
chault. [184-?] No. 3 in M.270.2S
Les luttes de la voix. Duettino-etude [s. s. Accomp. de
piano]. Mayence. Schott. [185-?] No. 25 in M.244.2
Melanie. Scene dramatique [s. Accomp. de piano]. May-
ence. Schott. [185-?] No. 7 in M.244.2
Les meres d'adoption. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 21 in M.244.2
Messe solennelle pour t. t. b., ou s. a. b., avec accomp.
d'orgue. Paris. Richault. [184-?] No. i in M.191.4
Les neophytes. Duo pour 2 soprani. [Accomp. de piano.]
Mayence. Schott. [185-?] No. 11 in M.244.2
La nuit des voeux. Duo pour 2 soprani. [Accomp. de
piano.] Mayence. Schott. [185-?] No. 18 in M.244.2
O Salutaris. [m.-s. ou bar.] Transcrit par G. Lamothe.
[Accomp. d'orgue.] Paris. Grus. [186-?]
No. 12 in M.260.10.2
Les pelerines. Duo [s. s. Accomp. de piano]. Mayence.
Schott. [i8s-?] No. 19 in M.244.2
Premiere petite messe solennelle et complete pour 2 voix,
ou choeur a 2 parties et solos, avec accomp'. d'orgue ou
d'harmonium. Paris. Richault. [184-?] No. i in M.156.1
S'. Domingue en 1804. Duo [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 17 in M.244.2
Les saintes femmes au tombeau du Christ. Oratorio pour
4 voix de femmes, avec accomp. de piano. Paroles de Mr.
le V'e Hipp. Vilain XIIIL Musique de J. Concone. Paris.
Richault. [184-?] Plate. No. 2 in M.270.25
Les soeurs de lait. Duettino [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 16 in M.244.2
Sous les palmiers. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 24 in M.244.2
Les vierges de Verdun. [Trio, s. s. a. Accomp. de piano.]
Boston. Ditson. [1855] No. 17 in M.244.10.6
Les voix qui consolent. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 23 in M.244.2
Walter Scott lyrique. [Serie 1-6. Collection de 72 mor-
ceaux de chants, airs, duos, trios, etc. Accomp. de piano.]
Paris. Richault. [184-?] 6 v. in 3. Plates. M. 244.3
Contents. — I. Kenilworth. — Ivanho^. 2. La jolie fille de Perth. —
Les Puritains d'£cosse. 3. Le pirate. — Le connetable de Chester.
Concord is conquered. Part-song. Cooke, R. No. 52 in M. 220.9.4
Concordia. A journal of music and the sister arts. Vol. i,
no. 1-26. May i-Oct. 23, 1875. [ Weekly. London. No-
vello. Ewer & Co.] 1875. M.180.3
Concordia zu jeder Zeit. Part-song. Schein. Werke. Band 2.
M.414.1.2
Concours international de musique religieuse.
Kretschmer. Laudate Dominum in hymnis.
No. 2 in M.igi.13
LoEBMANN. Omnia ad majorem Dei gloriam.
No. 3 in M.igi.13
Nicou-Choron. Simplicitas justorum diriget eos.
No. 2 in H.igi.3
Concussum est mare. Motet. Labat. 26 grands motets.
M.213.23
Condell, Henry.
Who wins? or the widow's choice. A musical farce [by
John T. Allingham]. The music by H. Condell. [Accomp.
for piano. London.] Clementi & Co. [1808.]
No. I in M.3gi.i4
Conditor alme siderum. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Conducting. In music.
Berlioz, L. H. Le chef d'orchestre; theorie de son art, ex-
trait du Grand traite d'instrumentation et d'orchestration
modernes. Paris. 1856. Diagrams. No. i in M.372.44
Blitz, E. E. Quelques considerations sur I'art du chef d'or-
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Deldevez, E. M. E. L'art du chef d'orchestre. Paris. 1878.
M.132.16
• De I'execution d'ensemble. Paris. i888. M.ig6.2
Seidl, a. About conducting. Illus. Portraits. Plate. (In
The music of the modern world . . . Vol. i, pp. 201-214.
New York. [1895.]) M.14.1.1
- — — On conducting. Illus. Portraits. (In The music of
the modern world . . . Vol. i, pp. 100-106. New York.
[1895.]) M.14.1.1
Conestabile, Giancarlo, Conte.
Vita di Niccolo Paganini. Perugia. Barlelli. 1851. Por-
trait. No. I in M.135.11
Confession de jeune fille. For pianoforte. Strakosch, M.
No. 25 in M.3gi.28.2
Confessions d'une cantatrice. Autobiography. Reney-le bas.
M.I2g.22
For violin and piano. Mendelssohn-Bartholdy,
No. 13 in M.3S7.I2
Part-song. Belcke. No. 49 in M.246.36
R. A. No. 18 in M.igs.i.is
For the Music see Isouard. For
Confidence.
J. L. F.
Confidence.
Schumann,
Confidences, Les. Opera.
the Libretto see Jars.
Confidences musicales d'un touriste
Anthem.
Offertory.
For pianoforte. Louis, N.
No. 15 in M.3go.25
Cherubini. No. 6 in M.222.24
No. 28 in M.158.33.3
No. I in M.233.26.3; etc.
Confirma hoc, Deus.
Handl.
Jommelli.
Confirma hoc Deus.
Neukomm, S. No. i in M.260.10.3
Palestrina. Werke. Band 9. M.8o4oa.66.9
Confisus Domino. Motet. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
Confiteantur Tibi. Motet. Righini. No.
Confitebor Tibi. Motet. Casali.
Lassus. Sammtliche Werke. Band 3.
Palestrina. Werke. Band 2.
Perosi.
Roeder, G. V. Psaumes des vepres.
Selle, L. Vespers.
Confitebor Tibi Domine. Offertory.
18 in M.260.10.5; etc.
No. 5 in M.158.33.4
M.8o4oa.67.3
M.8o40a.66.2
No. 6 in M. 202.37
No. 3 in M.202.7
No. 5 in M.201.36
Palestrina. Werke.
M.8o4oa.66.g
Werke. Band 22.
M.8o4oa.66.22
Confitemini Domino. Motet. Lassus. Sammtliche Werke.
Band 9.
Confitebor Tibi Domine. Mass. Palestrina.
No.
Lassus.
M.8o4oa.67.7
2 in M.380.10
Sammtliche
M.8o40a.67.3
For the Li-
Band 7.
Confluentia. For pianoforte. Kelley.
Confortamini et jam nolite. Motet.
Werke. Band 3.
Confucius. Cantata. For the Music see Homer.
BRETTO see Horspool.
Confundantur superbi. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.g
Confusa si miri I'infida consorte. Aria. Handel. 12 Alt-
Arien. No. 2 in M.270.48
Confusa smarrita. Aria. Jommelli. No. 7 in M. 120.23
Congratulamini mihi. Motet.
Lassus. Sammtliche Werke. Band 13. M.8o4oa.67.i3
Palestrina. Werke. Band 5, 7. M.8o4oa.66.5, 7
ViTTORiA. Opera. Tomus i. M.3I3.2.I
Congratulamini nunc omnes. Madrigal. Zanchius.
No. 6 in M.204.40
293
Congrega
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Consiglio
Congrega, Domine. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Congregamini et properate. Motet. Lassus. Sammtliche
Werke. Band 5. M.8o4oa.67.5
Congregati sunt. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Congregational singing.
CuRWEN, J. S. Studies in worship music, chiefly as regards
congregational singing. London. [1880.] M.i44.g
Congreve, Benjamin.
Away to the woods! Glee. (In The Choralist. Vol. 2. ser.
5, pp. 24-27.) No. 55 in M.157.S.2
Never give up! Part-song, (/n The Choralist. Vol. 2, ser.
5, pp. 20-23.) No. 54 in M.IS7.S.2
Te Deum laudamus, in Eb. [Accomp. for organ.] London.
Novello & Co. [1862?] No. 17 in M.190.2
Congreve, William.
Semele, an oratorio. [Music by Handel.] M.1S3.31
Conjuration, La, des fleurs. Cantata. For the Music see Bour-
gault-Ducoudray.
Conolan.
Bunting, E., compiler. A general collection of the ancient
Irish music, containing a variety of admired airs . . . also
the compositions of Conolan and Carolan . . . and adapted
for the piano-forte. Dublin. [1796.] No. 5 in M.380.42
Conosco che mi piaci. Cantata. For the Music see Handel.
Werke. Lieferung S2B.
Conrad, Harriet Adams.
The honored brave. [Quartette for Decoration Day. Ac-
comp. for pianoforte.] Boston. White-Smith Music Pub-
lishing Co. [1894.] No. 28 in M.203.26
Conrad, Michael Georg.
Die Musik im heutigen Italien. Breslau. Schottlaender.
1879. No. 3 in M.145.20
Conrad, Michael Georg, editor and translator.
Rossini und Wagner. Aus dem Italienischen iibersetzt, ein-
geleitet und glossirt. Wien. Rosner. 1879. No. 2 in M. 198.9
Conradi, August.
An der Mosel. Patriotisches Gemalde mit Gesang in einem
Aufzug, von Siegmund Haber. Musik von A. Conradi.
VoUstandiger Klavier-Auszug. Leipzig. Reclam. [1889.]
No. 10 in M.203.IO
Riibezahl. Komische Operette in I Akt, nach einem schle-
sischen Volksmarchen frei bearbeitet von O. Jansen.
Musik von A. Conradi. VoUstandiger Klavier-Auszug.
Berlin. Bote & Bock. [186-?] No. 2 in M.285.27
Das schonste Madchen im Stadtchen. Komische Oper in 2
Acten, von A. von Winterfeld. Musik von A. Conradi.
VoUstandiger Klavierauszug. Berlin. Bote & Bock.
[186-?] No. I in M.285.27
Conran, Michael.
The national music of Ireland, containing the history of the
Irish bards, the national melodies. ... 2d edition. Lon-
don. Johnson. 1850. Plate. M.104.9
Conran, ^lichael, editor.
Haydn. F. J. Te Deum laudamus, for four voices.
No. 38 in M.190.3
Conscience, Hendrik.
De dichter en zijn droombeeld. Groot zangspel. Muziek
van Karel Miry. Met de fransche vertaling onder den
vlaamschen tekst. M.267.2
Conserva me. Motet. Neukomm, S. Recueil de 40 motets.
No. I in M. 158.37
Conservate, raddopiate. Duet. Handel. Werke. Lieferung
32. M.313.1.32
Conservati fedele. Aria. Mozart. Werke. Serie 6, Band i.
No. 2 in M.315.1.5.1
Conservatoire imperial de musique de Paris. See Conserva-
toire national de musique et de declamation, Paris.
Conservatoire national de musique et de declamation, Paris.
Bibliotheque du Conservatoire. Catalogue bibliographique.
Par J. B. Weckerlin. Paris. Firmin-Didot & cie. 1885.
Plates. M.124.6
Extraits des arretes des 11 septembre. 1878, et 6 aoiit, 1894
et de la decision ministerielle du 25 Janvier 1890, portant
Conservatoire national de musique . . . (Continued.)
reglement du Conservatoire national de musique et de
declamation. Paris. [1895.] No. 2 in M.102.21
Le Conservatoire national de musique et de declamation
Documents historiques et administratifs, recueillis ou re-
constitues par C. Pierre. Paris. 1900. M. 142.3
Le Musee du Conservatoire national de musique. ler sup-
plement au catalogue de 1884, par Leon Pillaut. Paris.
1894. No. I in M.102.21
Sujets de fugue et themes d'improvisation donnes aux con-
cours d'essai pour le grand prix de Rome, aux concours
de fugue, aux concours et examens d'orgue (annees 1804 a
1900). Recueillis par C. Pierre. Paris. 1900.
No. 3 in M.372.60
Conservatoire national de musique et de declamation, Paris.
Works about.
Baillot, p. M. F. de Sales. Observations relatives aux con-
cours de violon du Conservatoire de musique. OEuvre
posthume. Paris. 1872. Table. No. 2 in M.205.11
Bertrand, J. £. G. De la reforme des etudes du chant au
Conservatoire. Paris. 1871. No. 2 in M.206.4
Lassabathie, . Histoire du Conservatoire imperial de
musique et de declamation. Paris, i860. M. 128.35
Martinet, A. Histoire anecdotique du Conservatoire de
musique et de declamation. Paris. [1893.] M.129.29
Monteil, E. Lettre sur le Conservatoire, Section de decla-
mation. Paris. 1868. No. i in M.373.23
Pierre, C. V. D. B. Sarrette et les origines du Conserva-
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Portraits. M.215.15
Rahn, B. L'enseignement musical en France et le Conser-
vatoire imperial de musique de Paris. Paris. 1864.
No. 3 in M.102.21
Urso, C. Violin-playing and the Paris Conservatoire. Illus.
Portraits. Autograph fac-simile. (/n The music of the
modern world . . . Vol. i, pp. 154-156. New York. [1895.])
M.14.1.1
Conservatoire national de musique et de declamation, Paris.
Societe des concerts.
Dandelot, a. La Societe des concerts du Conservatoire de
1828 a 1897. Les grands concerts symphoniques de Paris.
Paris. 1898. Portraits. Plates. Fac-similes. M.370.68
Deldevez, £. M. E. La Societe des concerts, i860 a 1885
(Conservatoire national de musique). Paris. 1887.
A continuation of Elwart's Histoire [m. 129. 30]. M.I32.7
Elwart, a. a. £. Histoire de la Societe des concerts du
Conservatoire imperial de musique . . . 2e edition, aug-
mentee des programmes, 1860-63. Paris. 1864. Portrait.
Plans. M.129.30
Conservatoire royal de musique de Bruxelles.
Annuaire. Annee 1-19. Gand. Hoste [etc. 1877^1895.
18 v. in 6. Illus. Portraits. Facsimiles. M.186.S
There are two copies of Annee 3.
Catalogue de la bibliotheque. Par M. Van Lampuen.
Bruxelles. Poot & cie. 1870. M.123.5
Conservatoire royal de musique de Bruxelles. Works about.
Mailly, N. £. Les origines du Conservatoire royal de mu-
sique de Bruxelles. [Bruxelles. 1878.] No. 5 in M.116.8
Conservatories of music.
See also Academie de musique, Quebec; Boston Conserva-
tory of Music; Boston Music School; Conservatoire na-
tional de musique et de declamation, Paris; Conservatoire
royale de musique de Bruxelles; Hampstead Conservatoire
of Music, London; New England Conservatory of Music;
Oberlin College, Conservatory of Music; Petersilea, Car-
lyle; Tremont School of Music, Boston.
RouxEL, . Histoire des ecoles de musique. Reponse au
■ discours prononce par M. Gevaert, a 1' Academie des
beaux-arts a Bruxelles, septembre 1876. Par un Trouvere.
2e edition. Paris. 1877. No. 2 in M.370.64
Weldon, G. On the advantages to be derived from a self-
supporting academy of music. London. 1872.
No. 3 in M. 128.33
Consiglio, II. Song. Florimo. Ore musicali. No. 2 in M.244.I9
294
Consign'd
THE ALLEN A. BROWN COLLECTION OF MUSIC
Convito
Consign'd to dust. Glee. Battishill. No. 193 in M.110.1.3; etc.
Consolation. Part-song. Dow, H. M. No. ^7 in M.igo.2
Smart, H. No. 7 in M. 195.1.1
Consolation. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Consolation. Symplwnic poem. Floersheim. No. 2 in M.410.26
Consolator optime. Anthem. Himmel. No. 27 in M.260.3; etc.
Console, Federigo.
Aux bords du Nil. Mohadet (Racconto) pour petit orchestre.
En partition. Florence. Guidi. 1882. No. i in M.355.4
Fantasia orientale a grande orchestra. [Partitura.l Firenze.
Guidi. 1882. [Biblioteca del sinfonista.] No. 2 in M.355.4
Consols! consols! Catch. Stevens, R. J. S. No. 32 in M.220.94
Consonanzen und Dissonanzen. Criticism. Lobe. M. 136.3
Constance. Opera. For the Music see Clay. For the Libretto
see Robertson, T. W.
Constance. Song. Linley, G. Songs. Vol. i.
No. 29 in M.235.ig.i
Constancy. Part-song. Ritter, G. P. No. 42 in M.392.21
Constancy. Song. Beethoven. Werke. Serie 24. M.413.1.24
Constantia. Cantata. For the Music see Sloman. For the Li-
bretto see Righton.
Constantin, Carl, pseud. See Muench-Bellinghausen, Carl Con-
stantin.
Constantin, Charles. See Constantin, Titus Charles.
Constantin, Marc.
Les bijoux de Jeannette. Opera comique. Musique de
Amedee Godard. No. i in M.266.1
Le buisson d'ecrevisses. Saynete-monologue. Paroles de
Marc Constantin & Henri Vachot. Musique de Felix
Pardon. No. i in M.301.17
Le docteur Frontin. Opera comique. Musique de J. Nar-
geot. No. I in M.267.21
Histoire des cafes-concerts et des cafes de Paris. Nouvelle
edition, augmentee. Paris. Renauld. 1872. Illus.
No. 3 in M.128.18
Jeanne, Jeannette & Jeanneton. Operette. Paroles de Marc
Constantin & fimile Abraham. Musique de J. Nargeot.
No. I in M.393.47
Pattes blanches. Operette. Paroles de Marc Constantin et
Coron. Musique de Laurent de Rille. No. 4 in M.307.20
Constantin, Titus Charles.
Dans la foret. Opera comique en i acte. Paroles de Jules
Ruelle. Musique de Charles Constantin. Partition pour
piano et chant. Paris. Girod. [1872.] No. i in 11.285.28
Constantin. Oratorio. For the Music see Vierling. For the
Libretto see Bulthaupt.
Constitutional, Le. Newspaper.
Annuaire des lettres, des arts et des theatres, du journal Le
Constitutionnel. 1845-46. Paris. Lacrampe & Co. 1846,
47. Plates. M.373.32
Constitutionslied. Part-song. Becker, V. E. No. 28 in M.204.3g
Schubert, F. P. Chor-Gesangwerke. Band i.
No. 13 in M.280.48.1
Vogl, F. a. No. 29 in M.204.39
Contadina, La, in corte. Opera. For the Libretto see Sacchini.
Contant D'Orville, Andre Guillaume.
Histoire de I'opera bouffon. Pour servir a I'histoire des
theatres de Paris. [Anon.] Amsterdam. 1768. 2 parts
in I T. M.i2ga.i4
Conte, II, dAlmaviva. [Opera.] Atto secondo. [Partitura.]
N. p. Manuscript. [180-?] M.31.21
Conte d'autrefois. Symphonic poem. Hartog. Ein Marchen.
No. 4 in M.348.13
Conte d'avril. Incidental music. Widor. M.410.81
Conte, II, di Lavagna. Opera. For the Music see Mabellini.
For the Libretto see Guidi.
Conte, II, di Marsico. Opera. For the Music see Balducci.
Conte, II, di S. Romano. Opera. For the Music see Giosa.
For the Libretto see Golisciani.
Conte, II, di Saldagna. Opera. For the Music see Zingarelli.
Conte Ugolino, II. Cantata. For the Music see Rossini.
Contemplation. For violin and pianoforte. Mendelssohn-Bar-
tholdy, J. L. F. No. 14 in M.357.12
Contemporaines, Les. Quadrilles. Louis, N.
No. 15-18 in Ii.3g0.17
Content. Duett [s. s.]. {In Bland. The Ladies' collection.
Vol. 4, p. 391.) No. 71 in M.235.17.4
Content and rosy dimpled mirth. Glee. Atterbury. A collec-
tion of catches. No. 3 in M.220.7
Contented hunter. The. Part-song. Moscheles, I. Tyrolese
melodies. Vol. 2. No. 19 in M.244.24.a
Contented labourer, The. Part-song. Simpson, H. P.
No. 6 in M.235.14
Contention of Ajax and Ulysses. Cantata. For the Music see
Parry, C. H. H. For the Libretto see Shirley.
Contes, Les, d'Hoffmann. Opera. For the Music see Offen-
bach. For the Libretto see Barbier, P. J.
Contes de Noel. Cantata. For the Music see Burgmein. For
the Libretto see Silvestre.
Contes, Les, de Perrault. Songs. Lacome d'Estalenx.
No. 2 in M.202.28
Contessa, La, dAmalfi. Opera. For the Music see Petrella.
For the Libretto see Peruzzini.
Contessa, La, di Mons. Opera. For the Music see Rossi, L.
For the Libretto see Arienzo.
Contessina, La. Opera. For the Music see Poniatowski. For
the Libretto see Saint Georges.
Contest, The, between love and glory. Song. Arne, T. A.
Lyric harmony. Vol. i. M.380.1
Contestabile, II, di Chester, ovvero I fidanzati. Opera. For
the Music see Pacini, G. For the Libretto see Gilardoni.
Conti, Giuseppe.
Amen. Coro in canone. A 5 voci [s. s. a. t. b. Accomp. for
organ], (/n Novello. The Fitzwilliam music. Vol. 4,
pp. 42-45.) No. 8 in M.233.26.4
Continentals, The, or the militiaman's bride. Opera. For the
Music see Hayes, G. H. For the Libretto see Schwab, E.
Contrabandista, The. Opera. For the Music see Sullivan, A.
S. For the Libretto see Bumand.
Contrabandiste, Der. Duet. Schumann, R. A. Werke. Serie
10, Band 2. M.316.1.10.2
Contrabandiste, Der. Song. Schumann, R. A. Spanisches
Liederspiel. Anhang. No. 20 in M.244.15.2
Contraddizione, La. Song. Piozzi. No. 24 in M.235.18.4
Contrary, The, to strait. Catch [for 4 voices]. (In Warren.
Collection of catches. Vol. I, p. 230.) No. 161 in M.220.9.1
Contrastes, Les. f or /-iaiio/or^e. Louis, N. No. 15-17 in M.3go.8
Contrastes, Les. Gavotte. Frewin. No. 8 in M.336.1
Contrat, Le. Opera. For the Music see Penavaire. For the
Libretto see Ruelle.
Contre la musique. Criticism. Laprade. M.isg.y
Contristatus sum. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Conveniens homini est. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.iS
Convent music. Psalmody. Novello, V., editor. M.260.17
Converse, Frederick Shepherd.
Festival of Pan. (Romance for orchestra.) Op. 9. Score.
Boston. Schirmer. [1903-] M.410.17
Night and Day. Two poems for pianoforte and orchestra.
Op. II. Orchestral score. Boston. Schirmer. 1906.
Il.410.g5
Conversi, Girolamo.
When all alone my pretty love. Madrigal [s. s. a. t. b.].
London. Hawes. [181-?] No. 19 in M.235.7.1
Also to be found in Amusement for the ladies ; Arnold's Convivial har-
mony; Bland's The Ladies' collection; dementi's Collection •£
catches; Hawes's Collection of madrigals; Leslie's Cassell's Choral
music ; Novello's Glee-hive ; Oliphant's Madrigals in parts ; Turle and
Taylor's The People's music book; Warren's Cocks's Hand-book of
glees ; Warren's Collection of catches ; Webbe, Jr.'s Convito armonico.
Conversione, La, di Sant Agostino. Oratorio. For the Music
see Hasse, J. A. P.
Convert, The. Part-song. Durwollt. No. 10 in M.235.16
Convertentur sedentes. Offertory. Mozart. Werke. Serie 3.
M.31S.1.3
Convertere Domine. Motet. Lassus. Sammtliche Werke.
Band i, 3. M.8o4oa.67.i, 3
Convertere, Domine. Gradual. Reissiger. 15 Graduales.
No. I in M.158.27
Convito, II. Opera. For the Libretto see Bertoni.
295
Convivial
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cooke
Convivial harmony. Part-songs. Arnold, S., editor.
No. 7 in M.158.13
Convivial song. Part-song. Molique. No. 6 in M.205.10.5
Cook, Cecil.
The girl from Kay's. A new and original musical play m
three acts. By Owen Hall [pseud.]. Lyrics by Adrian
Ross fpseud.] and Claude Aveling. Music by Ivan Caryll
[pseud.], Cecil Cook and others. London. Chappell &
Co. 1903. No. 2 in M.381.7
Cook, Charles Emerson.
"Red Feather." A comic opera. The lyrics by Chas. Emer-
son Cook. The music by Reginald de Koven. M.383.13
The rose of the Alhambra. Romantic comic opera. Book
and lyrics by Charles Emerson Cook. Music by Lucius
Hosmer. M.383.60
[The walking delegate.] Vocal gems from The walking
delegate. Music by Lucius Hosmer. No. 2 in M.394.29
Cook, Douglas Purinton.
Will o' the wisp. A comic opera. Book and lyrics by
Douglas P. Cook. Music by Archibald T. Davison, Jr.,
Frank H. Grey, Harry R. Pratt. No. 2 in M.383.12
Cook, Martha Walker, translator.
Liszt. The life of Chopin. M.i09b.4i
Cook, Will Marion.
In Dahomey. A Negro musical comedy. Book by Jesse A.
Shipp. Lyrics by Paul Lawrence [sic] Dunbar and others.
Music by Will Marion Cook. Vocal score. [Accomp. for
pianoforte.] London. Keith, Prowse & Co. 1903.
No. I in M.399.15
Cooke, Benjamin.
Albion, thy sea-encircled isle. Glee, (/n Hullah. Part
music. Secular. Vol. 2, pp. 73-75) No. 17 in M.157.28.2
Also to be found in Warren's Collection of catches.
Amen. Canon by twofold augmentation. {In The Har-
monist. Vol. 6, p. 77.) No. 26 in M.218.8.6
Also to be found in Warren's Collection of catches.
Amen. Chorus. {In Hullah. Part music. Sacred. Vol. i,
pp. 1 18-120.) No. 39 in M.I57-28.I
As now the shades. Glee. {In Amusement for the ladies.
Vol. 4. pp. 57-62.) No. 14 in M.220.3.4
Also to be found in Boosey's Standard English glees; dementi's Vocal
harmony ; Same, 2d edition ; Novello's Glee-hive ; Warren's Collection
of catches ; Webbe, Jr.'s Convito armonico.
Beneath a weight. Glee [s. s. a. t. b.]. (/n Warren. Vocal
harmony. Pp. 265-267.) No. 147 in M.220.10
Beneath in the dust. [Catch for 3 voices.] {In Bland. The
Ladies' collection. Vol. 5, p. 562.) No. 157 in M.235.17.5
Also to be found in dementi's Collection of catches ; Warren s Collec-
^ tion of catches.
By mason's art. Glee [a. t. b.]. {In Warren. Collection of
catches. Vol. 4, pp. 165-167.) No. 50 in M.220.9.4
Call forth such numbers. Glee [s. x. t. b.]. {In Webbe, Jr.
Convito armonico. Vol. 2, pp. 188-191.) No. 28 in M.234.3.2
Chant for the "Domine salvum fac," and "Amen chorus," 4
voices. [Accomp. for organ.] {In Novello. Evening ser-
vice. Vol. 2, pp. 325, 326.) M.260.23.2
The cock-match. Catch a 4 voci. {In Warren. Collection
of catches. Vol. i, pp. 348, 349-) No. 209 in M.220.g.i
A collection of glees, catches and canons, for 3, 4, S and 6
voices. London. The Author. [i775-] No. i in M.220.8
Conlents. — Hail, all hail, Britannia. — Up the hill. — O gentle sleep.
Gaily I liv'd. — How sleep the brave. — While ven'son we eat. —
In the merry month of May. — In paper case. — Come, thou rosy,
dimpled boy. — No stormy winter. — In vino Veritas. — More with
the love. — Come away to the tavern. — The cock-match. — The
dumb peal. — Of his right eye. — Dehl dove! — Not unto us. — To
Father, Son, and Holy Ghost.
Collins's Ode on the passions, set to music. [Chorus accom-
panied by various instruments.] London. Birchall. [1784?]
No. I in M.380.6
Comrades, come. Glee [for 3 voices]. {In The Apollo.
Vol. 7, pp. 517-S19) No. 9 in 114.1393.18.7
Curst as the evil one. Round [for 4 voices]. {In Warren.
Collection of catches. Vol. 2, pp. 308, 309.)
No. 128 in M.220.g.2
Deh! dove! Glee. {In Clementi. Vocal harmony. Vol. 7,
pp. 692-701.) No. 4 in M.235.9.7
Also to be found in dementi's Vocal harmony, 2d edition ; Webbe,
Jr.'s Convito armonico.
Cooke, Benjamin. (Continued.)
Double chant, [s. a. t. b. In Bb.] {In Ayrton. Sacred
minstrelsy. Vol. 2, p. 125.) No. 39a in M.290.22.2
The dumb peal. Round [for 4 voices], (/n Musical library.
Vol. 4, p. .13.) No. 6 in M.23S.18.4
Gaily I lived. Glee [a. x. x. b.]. {In Webbe, Jr. Convito
armonico. Vol. 4, PP- 450, 45 1) No. 32 in M.234.3.4
Halcyon days. Glee [a. x. x. b.]. (/h Warren. Collection of
catches. Vol. 4. pp. 278-284.) No. 85 in M.220.9.4
Hand in hand. Glee [s. s. a. x. b.]. (7m Amusement for the
ladies. Vol. 4, PP- 42-50.) No. 12 in M 220.3.4
Also to be found in dementi's Vocal harmony ; Novello s Glee-hive ;
Page's Festive harmony ; Warren's Collection of catches.
Hark, the lark. Glee. London. Novello. [185-? The Mu-
sical times.] No. II in M.158.15
Same. Longman, Clementi & Co. [181-?] No. 46 in M.235.14
Also to be found in Amusement for the ladies ; The Apollo ; Booseys
Standard English glees; dementi's Collection of catches; dementi's
Vocal harmony; Same, 2d edition; Ditson's The Orphean lyre; The
Harmonist; Hullah's Part music. Secular; Leslie's Cassell's Choral
music ; Musical library ; Musical times [Music] ; Novello's Collection
of trios, etc. ; Turle and Taylor's The People's music book ; Warren's
Cocks's Hand-book of glees; Warren's Collection of catches; Webbe,
Jr.'s Convito armonico.
Have you seen the virgin snow? Glee. {In Warren. Col-
lection of catches. Vol. 3, pp. 289-293.)
No. no in M. 220.9.3
Also to be found in Webbe, Jr.'s Convito armonico.
Her partial taste. Round [for 3 voices]. {In Amusement
for the ladies. Vol. 4, p. 103.) No. 30 in M.220.3.4
Also to be found in The Apollo ; Warren's Collection of catches.
How many skains. Catch [for 3 voices]. {In Warren. Col-
lection of catches. Vol. 3, p. 106.) No. 37 in M.220.9.3
How sleep the brave. Glee. {In Amusement for the ladies.
Vol. I, pp. 30-33.) No. 12 in M.220.3.1
Also to be found in Boosey's Standard English glees; dementi's Col-
lection of catches; dementi's Vocal harmony; Same, 2d edition; Col-
lection of glees ; Hullah's Part music, Secular ; Musical times [Music] ;
Turle and Taylor's The People's music book ; Warren's Cocks's Hand-
book of glees; Warren's Collection of catches; Webbe, Jr.'s Convito
armonico.
How sweet these airs. Glee [a. x. i.]. (/« Warren. Col-
lection of catches. Vol. 3, pp. 249, 250.) No. 97 in M.220.9.3
I prithee, sweet. Glee [x. T. B.]. (/n Warren. Collection of
catches. Vol. 4, pp. 300-302.) No. 92 in M.220.9.4
If a man who turnips cries. Catch [for 3 voices]. {In War-
ren. Collection of catches. Vol. 5, pp. 67, 68.)
No. 18 in M.220.9.5
If the prize. Glee [a. x. b.]. {In Amusement for the ladies.
Vol. 3, pp. 37-39.) No. 8 in M.220.3.3
Also to be found in Warren's Collection of catches.
If 'tis jov to wound. Glee [a. x. B.]. {In Warren. Vocal
harmony. Pp. 212, 213.) No. 121 in M.220.10
In paper case. Glee. {In The Apollo. Vol. 4. PP- 318-320.)
No. 18 in M.i39a.i8.4
Also to be found in Bland's The Ladies' collection ; Hullah's Part mu-
sic. Secular; Warren's Cocks's Hand-book of glees; Webbe, Jr.'s Con-
vito armonico.
In the merry month of May. Glee. {In Amusement for the
ladies. Vol. 2, pp. 47-53-) No. 14 in M.220.3.2
Also to be found in dementi's Vocal harmony ; Same, 2d edition ; Col-
lection of glees and catches; The Harmonist; Musical library; War-
ren's Collection of catches; Webbe, Jr.'s Convito armonico.
In vino Veritas. Glee [a. x. B.]. (/m Warren. Collection of
catches. Vol. 2, pp. 52-55-) No. 23 in M.220.9.2
Interred here doth lye. [Glee.] {In Warren. Collection of
catches. Vol. i, pp. 297-307.) No. 190 in M.220.9.1
Kyrie, in G; Sanctus, in B flat. {In Novello. Cathedral
choir book. Vol. 2. pp. 30-32.) M.233.14.2
Let Rubinelli. Duett [x.B.]. (/» The Apollo. Vol. 6, pp.
454-458.) No. 13 in M. 1393.18.6
The longitude. Glee [a. x. b.]. {In Warren. Collection of
catches. Vol. i, pp. 239-246.) No. 168 in M.220.g.z
Lover, thou must be. Glee [a. x. b.]. {In Warren. Collec-
tion of catches. Vol. i, pp. 281-285.) No. 185 in M.220.9.1
Magnificat. Double chant. {In Hullah. Part music. Sacred.
Vol. 2, pp. 4, 5) No. 2 in M.157.28.2
More with love. Glee [a. x. x. b.]. (7n Warren. Collection
of catches. Vol. 2, pp. 206-211.) No. 85 in M.220.9.2
My neighbour ha's lost. Round [for 4 voices], (/n Warren.
Collection of catches. Vol. 3, p. 215.) No. 81 in M.220.9.3
296
Cooke
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cooper
Cooke, Benjamin. (Continued.)
Nature for defence. Catch [for 4 voices]. (In Warren.
Collection of catches. Vol. 5, pp. 109, no.)
No. 29 in M. 220.9.5
Nine glees and two duets (never before printed). Pub-
lished by Robert Cooke. London. Birchall. [1795.]
No. 2 in M. 220.8
Contents. — Sweet nymph, for thee. — Sophrosyne. — Lawn as white.
— Hail music, hail! — To you fair ladies. — Oh! hear a pensive pris'-
ner's pray'r. — Fruitful earth drinks up. — Daughter of Jove. — O
Venus regina. — Thyrsis, when he left me, duet. — Let Rubinelli
charm, duet.
Now the bright morning star. Glee [a. t. t. b]. (In Amuse-
ment for the ladies. Vol. 3, pp. 25-30.) No. 5 in M.220.3.3
Also to be found in Warren's Collection of catches.
Nymph, over thee. Glee. (In Warren. Collection of catches.
Vol. 3, pp. 1 18-122.) No. 47 in M.22o.g.3
O come, ye fair. Ode [a. t. x. b.]. (In Warren. Collection
of catches. Vol. 2, pp. 331-335) No. 138 in M.220.9.2
O sacred friendship. Glee. (In Warren. Vocal harmony.
Pp. 245-249.) No. 140 in M.220.10
O Venus regina. [Glee. a. a. t. t. b. b.] (In Clementi.
Vocal harmony. 2d edition. Vol. 6, pp. 98-104.)
No. 14 in M.234.2.6; No. 14 in M.235.9.6
An ode on Handel [for 8 voices]. Performed at the Com-
memoration dinner, May 26th, 1785. [London. 1785.]
No. 3 in M.220.8; No. 2 in M.320.12
Plurimus in coelis. Round [for 4 voices]. (In Warren.
Vocal harmony. P. 239.) No. 136 in M.220.10
Prithee fill me the glass. Glee. (In Warren. Collection of
catches. Vol. 3, pp. 107-109.) No. 38 in M.220.9.3
Quid pejus cura est? [Catch for 4 voices.] (In Warren.
Vocal harmony. P. 177.) No. 103 in M.220.10
Resound His praise. Chorus. (In Hullah. The Singer's
library. Sacred. No. 16. Pp. 83, 84.) No. i6a in M.157.3
She soft and meek. Round [for 3 voices]. (In Warren.
Collection of catches. Vol. 2, p. 312.) No. 132 in M.220.g.2
A Spartan song or glee . . . for 3 voices [a. t. b.] and cho-
rus [s. a. T. T. B. London. The author. 178SI.
No. 1 10 in M.220.g.4
Stay, lovely Laura. Glee [x. t. b.]. (/n Warren. Collection
of catches. Vol. 5, pp. 42-45.) No. 9 in M.220.9.5
Susanna and the two elders. Glee. (In Amusement for the
ladies. Vol. 3, pp. 58-62.) No. 21 in M.220.33
Also to be found in Warren's Collection of catches.
Te Deum, Ji^ilate, Magnificat, and Nunc dimittis, in G.
[Accomp. for organ.] (In Novello. Cathedral choir book.
Vol. I.) M.233.14.1
To Elliot's health. Glee [a. x. b.]. (/n Warren. Collection
of catches. Vol. 4, pp. 187-189.) No. 58 in M.220.9.4
Where e'er thy navy. Glee [a. x. b.]. (In Warren. Collec-
tion of catches. Vol. 4, pp. 184-186.) No. 56 in M.220.9.4
Cooke, Benjamin, editor.
Galliard. The morning hymn, . . . M.237.8;etc.
Cooke, Grattan.
Statement of facts and correspondence between the di-
rectors of the Philharmonic Society and Grattan Cooke.
[London. Johnson]. 1850. No. 8 in M.149.8
Cooke, Henry.
Some remarks on the Greek theory of tuning instruments.
[London. 1805?] Engraved throughout. M.123.26
Cooke, Robert.
The cheerful glee [a. X. X. b.]. London. Birchall. [1811.]
No. 5 in M.220.8
Concord is conquered. Glee [s. a. x. x. b.]. (In Warren.
Collection of catches. Vol. 4, pp. 170-174.)
No. 52 in M.220.g.4
Eight glees. London. Birchall. 1805. No. 4 in M.220.8
Contents. — This bubbling stream. — Round thy pillow. — ■ Love and
folly. — Sweet warbling bird. — Hope tells a flattering tale. — Gales
of ev'ning. — Adieu, ye jovial youths. — Now the winds whistle.
The farewell. [Song, s. or x. Accomp. for pianoforte.]
Oxford. Hardy. [18—?] No. 8 in M.23S.14
In the rose's fragrant shade. Glee [a. x. i. b.]. (In Knyvett.
A Collection of glees. Pp. 29-36.) No. II in M.220.6
Magnificat and Nunc dimittis in C. [Accomp. for organ.]
(7k Novello. Cathedral choir book. Vol. i.)
No. 29 in M.190.6; M.233.14.1
Cooke, Robert. (Continued.)
No riches from his scanty store. [Glee. A. x. x. b.] (In Cle-
menti. Vocal harmony. 2d edition. Vol. 6, pp. 21-26.)
No. 4 in M.235.9.6; No. 4 in M.234.2.6
Also to be found in Turle and Taylor's The People's music book.
To a friend so sincere. Glee [a. a. x. b. b.]. (In Warren.
Collection of catches. Vol. 5. pp. 89-94.) No. 24 in M.220.9.5
When to England's proud boast. Glee for 4 voices [a. x.
T. b.]. (In Warren. Cocks's Hand-book of glees. Vol. 3,
PP- 52-56.) No. 20 in M.1S7.6.3
While I listen. Glee [a. x. b.]. (Zn Warren. Collection of
catches. Vol. 4, pp. 219-223.) No. 69 in M.220.9.4
Who has peerless Kitty seen? Glee. (In Warren. Collec-
tion of catches. Vol. 4, pp. 107-114.) No. 38 in M.220.9.4
Cooke, Robert, editor.
Cooke, B. Nine glees and two duets (never before printed).
No. 2 in M.220.8
Cooke, Samuel Charles.
This is the day. Full anthem for Easter. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 8, pp.
91-96.) No. 10 in M. 195.2.8
Cooke, Thomas Simpson.
Ave Maria [s. X. b. Vocal score only]. Manuscript. [184-?]
No. 2 in M.250.6
Frederick the Great, or the heart of a soldier. An operatic
anecdote . . . Written by S. J. Arnold. Composed by T.
Cooke. [Accomp. for pianoforte.] London. Power.
[181-?] No. 3inM.391.14
Hail! bounteous nature. [Glee, a. x. x. b.] (In Clementi.
Vocal harmony. 2d edition. Vol. 6, pp. 27-43.)
No. 5 in M.234.2.6; No. 5 in M.23S.g.6
Hate. [Song, s. or x. Accomp. for pianoforte.] (In Lunn,
J. The passions. Pp. 21-28.) No. 2 in M.391.51
Let Fortune smile or frown. Glee for 3 voices. (In Warren.
Cocks's Hand-book of glees. Vol. 2, pp. 173-176.)
No. 94 in M.IS7.6.2
[Malvina.] Overture, songs, duets, glees, marches & ballet
in the national ballad opera of Malvina. The poetry by
Geo. Macfarren. Composed, selected & arranged by T.
Cooke. [Accomp. for pianoforte.] London. Goulding
& D'Almaine. [1826.] No. 2 in M.391.47
Mass for 3 voices [in A minor]. Vocal score with the cuts,
as sung at St. Joseph's, Dorking. Manuscript. [184-?]
No. I in M. 250.6
The merchant of Bruges, or the beggar's bush. . . . Ar-
ranged with an accomp. for the piano forte by T. Cooke.
[Words by W. J. D. Kinnaird.] London. Fentum. [1818?]
No. 2 in M.391.63
Shall I waste my youth in sighing? Madrigal [s. s. A. x. B.].
London. Cramer, Addison & Beale. [183-?]
No. 75 in M.237.IS
The soldier. Glee for 4 voices [a. x. x. b.]. (In Warren.
Cocks's Hand-book of glees. Vol. 2, pp. 153-156.)
No. 89 in M.157.6.2
Strike the lyre. Glee for a. x. x. b. (In Novello's Glee-hive.
Vol. 2, pp. 81-90.) No. 39 in M. 157.20.2
Cooke, Thomas Simpson, editor.
AuBER. Come hither all who wish to buy. No. 27 in M.235.7.r
Cookery.
Varenne de Beosx. La cuisine des pauvres. No. 7 in M.131.14.
Cookoo, good neighbors. Catch [for 3 voices]. (In Bland.
The Ladies' collection. Vol. 2, p. 181.) No. 219 in M.235.17.2
Coolidge, Henry Dingley.
Priscilla, or, the Pilgrim's proxy. Comic opera. Composed
by Thomas W. Surette. ■ M.327.8
Coonley, Prentiss Loomis.
Prince Punjab. A comic opera. Music by Arthur W. Deni-
son. No. 2 in M.397.18
Queen Philippine. Comic opera. Book and lyrics by Rich-
ard E. Edwards and Prentiss L. Coonley. Music by A. W.
Denison. No. 2 in M.38i.9
Cooper, George.
Diamond cut diamond. A parlor opera. Music by J. R.
Thomas. M.328.16
I 38
297
Cooper
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Corder
Cooper, George. (Continued.)
Pauline; or, the belle of Saratoga. An operetta. Music by
H. P. Banks. No. 2 in M.391.23
Uncle Tom's cabin. An opera. Music by Harrison Millard.
M.402.41
Cooper, Henry Christopher.
[Schon Annie.] Ouverture zur komischen Oper ,,Sch6n
Annie" (Sweet Annie). Op. 23. Partitur. Berlin. Erler.
[187-?] No. 3 in M.332.11
Cooper, J. Bolingbroke.
Louise; or, the trials of love. Operetta in i act, written by
Walter Boult. Composed by J. Bolingbroke Cooper.
[Accomp. for piano.] London. Hutchings & Romer.
[ 188-?] No. 2 in M.291.1
Cooper, John. See Coperario, Giovanni.
Cooper, Joseph Thomas.
Te Deum laudamus. [Accomp. for organ.] London. No-
vello. [185-?] No. 18 in M.190.2
Also to be found for voices only in Musical times [Music].
Cope, Sir William Henry. Baronet, editor.
A collection of anthems, by English composers. [With
accomp. for organ.] London. Ollivier. 1849. M.290.34
Contents. — Goldwin : O love the Lord. — Okeland : Praise the Lord,
O my soul. — Haselton : For unto us a child is born. — Weldon : O
praise God in His holiness. — Rogers : Behold now, praise the Lord. —
Batten : Deliver us, O Lord our God. — Rogers : Teach me, O Lord.—
Weldon: O praise the Lord. — Tallis: Veni, Creator Spiritus. — Al-
drich : Out of the deep. — Batten : O praise the Lord all ye heathen.
Glareanus: Plead Thou my cause. — Scott: Praise the Lord, O
Jerusalem. — Batten : My soul truly waiteth. — Whitbroke : Let your
light so shine. — Tallis: If ye love me. — Greene: Thou visitest the
earth. — Richardson: O how amiable. — Aldrich: Not unto us. —
Batten: Hear my prayer. — Rogers: Lord, who shall dwell. — Gibbs:
Have mercy upon me, O God. — Alcock: Wherewithal shall a young
man.
Coperario, Giovanni.
Come ashore, come merry mates. [Duet, t. t.] (In Smith.
Musica antiqua. P. 61.) M.236.10
Copin-Albancelli, Anne.
La Jacquerie. Opera de fidouard Blau et Simone Arnaud
[pseud.]. Musique de fidouard Lalo et Arthur Coquard.
M. 302.2
Jahel. Tragedie lyrique de Simone Arnaud [pseud.], avec
la collaboration de Louis Gallet. Musique de Arthur Co-
quard. M.393.15
Coppee, Francois fidouard Joachim.
Le luthier de Cremone. Opera. [Musique de] J. Hubay.
Poeme de Frangois Coppee et Henri Beauclair. Traduc-
tion allemande de Max Kalbeck. M.225.7
Maitre Ambros. Drame lyrique de Frangois Coppee &
Auguste Dorchain. Musique de Ch. M. Widor. M.326.26
Le passant. Opera en vers. Musique de E. Paladilhe.
No. I in M.277.38
Le tresor. Opera comique. Musique de Ch. Lefebvre.
No. 2 in M.306.8
Copper complication, A. Opera. For the Music see Daniels.
For the Libretto see Hooper, R. L.
Coppola, Pietro Antonio.
L'orfana guelfa. Dramma lirico in 3 atti di Gaetano Solito,
posto in musica ... da Pietro Antonio Coppola. Ridu-
zione per canto con accomp. di pianoforte. Milano. Ri-
cordi. [1851.] M.231.6
La pazza per amore. Dramma [di G. Ferretti]. Musica del
M°. P. A. Coppola. [Per canto e piano.] Paris. Pacini.
[183-?] M. 291.22
T'amo solea ripetere. Romanza [s. ou x. Accomp. de
piano], (/n Fleurs d'ltalie. Pp. 149-151.) No. 2 in M.364.10
Copponay de Grimaldi. See Moene de Grimaldi, Denis.
Coprario, Giovannie. See Coperario, Giovanni.
Copyright. Musical.
Whitaker, John. Musical copyright. Proceedings of a
trial . . . Whitaker versus Hime. Subjoined observations
on the defence made by Sergeant Joy. By Leigh Hunt.
London. 1816. No. s in M.114.8
Coq, Le. Opera. For the Music see Roger, V. For the Li-
bretto see Ferrier.
Coq, Le, de Viroflay. Opera. For the Music see Poujade. For
the Libretto see Sede.
Coq, Un, en jupons. Opera. For the Music see Chassaigne.
For the Libretto see Delormel, L.
Coquard, Arthur.
De la musique en France depuis Rameau. Paris. Levy.
1891. M.129.34
Esther de Racine. Choeurs mis en musique par Arthur Co-
quard. [Accomp. de piano.] Paris. Durdilly & cie. [188-?]
M.I54-47
La Jacquerie. Opera en 4 actes de fidouard Blau et Simone
Arnaud [pseud.]. Musique de fidouard Lalo et Arthur
Coquard. M.302.2
Jahel. Tragedie lyrique en quatre actes et cinq tableaux de
Simone Arnaud [pseud.], avec la collaboration de Louis
Gallet. Musique de Arthur Coquard. Partition chant et
piano. Paris. Choudens. 1899. M.393.15
Le mari d'un jour. Opera comique en 3 actes. Paroles de
MM. A. d'Ennery [pseud.] & Armand Silvestre. Musique
de Arthur Coquard. Partition piano et chant. Paris.
Grus. [1886.] M.285.29
Une noce au village. [Pastorale.] Poeme de Paul Collin.
Musique de Arthur Coquard. [Partition chant et piano.]
Paris. Heugel. [189-?] No. 2 in M.39S.19
La troupe Jolicoeur. Comedie musicale en 3 actes et un pro-
logue d'apres une nouvelle de Henri Cain. Paroles et mu-
sique de Arthur Coquard. [Partition piano et chant.]
Paris. Grus. 1901. Illus. M.381.11
Coqueau, Claude Philibert.
Entretiens sur I'etat actuel de I'opera de Paris. [Anon.]
Amsterdam, et se trouve a Paris. Esprit. 1779. M.373.39
On the Gluck-Piccinni rivalry.
Suite des Entretiens sur I'etat actuel de I'opera de Paris, ou
lettres a M. S . . . [Suard], auteur de I'extrait de cet ou-
vrage dans le Mercure. [Anon.] Manuscript. [Paris?
180-?] No. I in M.372.21
Coquelicot, Le. Opera. For the Music see Hack; also Var-
ney. For the Libretto see Rohault; also Silvestre.
Coquette. Opera. For the Music see Sopwith. For the Li-
bretto see Pattinson.
Coquette, La, de village. Song. Schubert, F. P. Melodies.
Vol. 4. M.327.4.4
Cor, Jacques.
Les maitres chanteurs de Richard Wagner. Etude musicale
et litteraire. Paris. Fischbacher. 1898. No. i in M. 102.22
Cor, Le, des Alpes. For violin. Louis, N. 3 melodies.
No. 8 in M.390.7
Cor dulce. Motet. Labat. 26 grands motets. M.213.23
Cor fleuri, Le. Opera. For the Music see Halphen. For the
Libretto see Mikhael.
Cor Jesu sacratissimum. Motet. Schultiies. A collection of
six sacred vocal pieces. No. i in M.201.36
Cor mio. Madrigal. Scarlatti. No. 70 in M.220.9.4
Cor mundum. Duet. Ciampi. No. 38 in M.290.29.1
Cor mundum. Motet. Marcello, B. No. 10 in M.201.33
Cora. Opera. For the Music see Naumann, J. G.
Cora an die Sonne. Song. Schubert, F. P. Werke. Serie 20,
Band 3. M.317.1.20.3
Cora Dean. Song. Foster, S. C. No. 12 in M.380.41.1
Coradino, II. Opera. For the Music see Pavesi.
Corall'd caves, The, of ocean. Trio. Smart, H.
No. I in M.244.10.6; etc.
Coram illo. Motet. Lassus. Sammtliche Werke. Band.S-
M.8o4oa.67.s
Corbeau, Le. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Corbeau, Le, et le renard. Chorus. Weckerlin. Chceurs.
M.157.12
Cordelia, pseud. See Treves, Virginia.
Cordelle, P.
Un mari pour 3 femmes. Operette en un acte. Paroles de
E. Serard. Musique de P. Cordelle. [Partition chant et
piano. Paris. 1888.] No. 4 in M.402.63
Corder, Frederick.
Autumn is come again. A vintage song [s. s. a. t. b.]. (In
Novello's Part-song book. 2d series. Vol. 16, pp. 135-
142.) No. 23 in M.19S.1.16
Also to be found [for a. t. t. b. b.] in The Orpheus, New series.
298
Corder
THE ALLEN A. BKUWN COLLECTION OF MUSIC
Cornelius
Corder, Frederick. (Continued.)
The bridal of Triermain. A cantata. The words adapted
from Sir Walter Scott. The music by Frederick Corder.
[s. A. T. B. Accomp. for piano.] London. Novello, Ewer
& Co. [1886.] No. 2 in M.285.30
Clieveden woods. A trio [s. s. a. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. s, pp. 71-76.)
No. IS in M.204.36.5
The golden web. Comedy opera, by F. Corder and B. C.
Stephenson. Music by Arthur Goring Thomas. M.402.57
Hurley mill. A trio [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 5. pp. 84-91.)
No. 17 in M.204.36.5
Nordisa: a romantic opera in 3 acts. Vocal score. [Ac-
comp. for piano.] London. Forsyth. [1887.] M.285.31
Pangbourne. A trio [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 5, pp. 65-70.)
No. 14 in M.204.36.5
Prospero. Concert overture for full orchestra. Full score.
London. Novello, Ewer & Co. [1884?] No. 4 in M.332.11
Recitation with music. Music. (In Voice, speech and ges-
ture . . . Pp. 191-217. London. 1895.) M. 218.2
Sonning lock. A trio [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. S> PP- 77-83-)
No. 16 in M.204.36.5
The sword of Argantyr. A dramatic cantata in 4 scenes.
[s. A. T. bar. B. and chorus. Accomp. for piano.] London.
Forsyth. [1889.] No. I in M.28S.30
Corder, Frederick, translator.
HuMPEEDiNCK. The pilgrimage to Kevlaar. No. i in M. 193.6
Orczy. II rinnegato (The renegade). M.277.30
Cordon bleu, Le. Opera. For the Music see Boissiere. For
the Libretto see Gaboriau.
Core muorto, Lu. Song. Roxas. No. 4 in M.390.44
Corelli, Arcangelo.
Werke. Hrsg. von Joseph Joachim. Theil i. Leipzig.
Rieter-Biedermann. 1869. [Denkma:ler der Tonkunst.
3.] M.354.7
Contents. — Senate da chiesa a tre, 3 violini, e violone, o arcileuto,
col basso per I'organo. Op. i. — Sonate da camera a tre, 2 violini, e
violone, o cembalo. Op. 2. — Sonate da chiesa. Op. 3- — Sonate da
camera. Op. 4.
Coremans, Victor Amedee Jacques Marie.
Louis van Beethoven. Bruxelles. Beethoven. 1872. M. 147.23
Corfe, Arthur Thomas, editor.
Mozart. "Out of the deep." No. 18 in M.igo.6; etc.
Corfe, Charles William.
The angler's trysting-tree. [Part-song.] (In Monk. No-
vello's Part-song book. Pp. 1 15-120.) No. 29inM.iS7.4
Corfe, Joseph.
Fill me a bowl. Two-part song [t. B.]. (In Bland. The
The Ladies' collection. Vol. 2, p. 235.) No. 249 in M.23S.17.2
Also to be found in Flowers of harmony ; The Harmonist.
A morning and evening service in B flat, with eleven an-
thems, in vocal score. With accomp. for the organ or
piano forte arranged by Josiah Pittman. London. No-
vello. [185-?] M.233.5
Contents. — Te Deum, Jubilate, Cantate Domino, Deus misereatur,
and Sanctus in B flat. — Anthems : Almighty and everlasting God ;
Be Thou my judge; Hosanna to the Son of David; I will magnify
Thee, O Lord ; O God, the protector ; O God, who hast prepared ;
Ponder my words; The king shall rejoice; The Lord is king; This is
the day ; Thou, O God, art praised.
Te Deum and Jubilate; ... in B flat. The organ part
added by Josiah Pittman. London. Novello. [185-?]
No. ig in M.igo.2
'Tis love and harmony. [Glee, s. a. b.] (In Bland. The
Ladies' collection. Vol. 4> PP- 386, 387.) No. 60 in M. 235. 17.4
What beauties does Flora disclose. Harmonised as a glee,
by J. Corfe. (In Musical library. Vol. i. pp. 138-140.)
No. 62 in M.235.18.1
Corfe, Joseph, editor.
Handel. The beauties of Handel. M.221.24
Kent. [Cathedral music. Vol. i, 2.] M. 234.8
PuRCELL, H. The beauties of Purcell. M.221.2
Corin's fate. Part-song. Turner, R. No. 2 in M.121.3
Corini, Giovanni.
Vespro a 2 T. e B. Con accomp. d'organo. Torino. Magrini.
[185-?] No. 3 in M.222.2S
Corinne. Song.
LiNLEY, G. Songs. Vol. 2. No. 19 in M.235.19.2
Schubert, F. P. Melodies. Vol. 8. M.327.4.8
Coriolan. Cantata. For the Music see Lux, F. For the Li-
bretto see Laufs.
Coriolan. Overture. Beethoven. No. 2 in M.345.35
Coriolano. Opera. For the Music see Graun. For the Li-
bretto see Villati.
Coriolanus. Suite. Mackenzie, A. C. M.406.19
Corisandre, ou les foux par enchantement. Opera. For the
Music see Langle. For the Libretto see Liniere.
Corlieu, Prosper.
L'amoureux depit. Operette en i acte, de Alphonse Bou-
vret. Musique de Prosper Corlieu. [Partition chant et
piano.] Paris.. Durdilly & cie. [1884.] No. 3 in M.28S.28
Corliss, Edward Warren.
Priscilla, or a maid of Brown. Comic opera in three acts.
Words by S. S. Colvin [and others]. Music by F. L. C.
Keating and Edward W. Corliss. No. 3 in M.397.9
Queen of the ballet. A musical comedy by R. A. Barnet.
Music by Edward W. Corliss. With additional numbers
by Alfred Norman. George Lowell Tracy . . . [Accomp.
for pianoforte.] Boston. White-Smith Publishing Co.
1898. M.394.1
The show girl. A musical play. Book by R. A. Barnet.
Lyrical collaborator. D. K. Stevens. Music by H. L.
Heartz, E. W. Corliss. M.382.30
Cormon, Eugene, pseud. See Piastre, Pierre fitienne.
Corneau, Andre.
Titania. Drame musical de Louis Gallet et Andre Corneau.
Musique de Georges Hiie. M.381.2S
Comeille, Pierre.
Scene d'Horace. Mise en musique par C. Saint-Saens.
M.389.57;etc.
Corneille, Pierre. Works about.
Blaze, F. H. J. Moliere musician. Notes sur [ses] ceuvres
et sur les drames de Corneille, Racine ... oil se melent
des considerations sur I'harmonie de la langue frangaise.
Paris. 1852. 2 V. M.116.9
Corneille, Thomas.
Bellerophon. Tragedie lyrique. [Musique de] Lully.
M.306.35
Psyche. Tragedie lyrique. [Musique de] Lully. M.306.31
Cornelius, Carl August Peter.
Musikalische Werke. Erste Gesamtausgabe . . . herausge-
geben von Max Hasse. Band 1-4. Leipzig. Breitkopf &
Hiirtel. [1905- ] 4 v. Portrait. Facsimiles. M.414.20
Contents. — i. Einstimmige Lieder und Gesange mit Pianofortebeglei-
tung. 2. Mehrstimmige Lieder und Gesange: Duette; Mannerchore;
Gemischte Chore. 3. Der Barbier von Bagdad, komische Oper in zwei
Aufziigen. Ouvertiire in H moll. Partitur. 4. Der Cid. Partitur.
Der Barbier von Bagdad. Komische Oper in 2 Acten. Par-
titur. Leipzig. Kahnt. [187-?] M.341.8
Same. Clavierauszug. Neue Ausgabe. [188-?] M.363.22
Der Cid. Lyrisches Drama in 3 .\ufziigen. Dichtung und
Musik von Peter Cornelius. [Klavierauszug.] Miinchen.
Aibl. [188-?] M.291.23
Drei Mannerchore. Op. 12. Leipzig. Fritzsch. 1873. 3
parts in i v. No. 26-28 in M.392.6
Contents. — i. Der alte Soldat. 2. Reiterlied. 3. Der deutsche Schwur.
Gentle slumbers hold him fast. [Chorus, t. t. b. b., & t. solo
frotn The barber of Bagdad. Accomp. for pianoforte.]
Boston. Schmidt & Co. [1891.] No. II in M.203.10
Gunlod. Oper in drei Aufziigen . . . Drei Stiicke daraus
zum Konzertvortrag eingerichtet und instrumentirt von
Felix Mottl. Partitur. Leipzig. Breitkopf & Hartel.
1901. 3 V. in I. M.414.21
Contents. — I. Erste Scene des ersten Aufzuges (Gunlod). 2. Dritte
Scene des ersten Aufzuges (Gunlod, Odin). 3. Suitings Lied aus dem
dritten Aufzuge.
Same. Oper in drei Aufziigen. Klavierauszug. Nach den
Originalmanuscripten des Dichtercomponisten herausge-
geben von Max Hasse. Leipzig. Breitkopf & Hartel.
1894. Facsimile. M.394.SI
299
Cornelius
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Cortesi
Cornelius, Carl August Peter. (Continued.)
Trauerchore fiir Mannerstimmen event, fiir Alt- und Man-
nerstimmen. Op. 9, Heft i, 2. Leipzig. Fritzsch. 1871.
2 parts in i v. No. 24, 25 in M.392.6
Contents. — I. Ach, wie nichtig [t. T. B. B. B.]. 2. Nicht die Thrane
kann es sagen [x. T. B. B.]. — Mitten wir im Leben sind [t. t. b. b.].
— Grablied [t. t. b. b.].
Cornelius, Carl August Peter, translator.
Berlioz, L. H. L'enfance du Christ. M.341.17; etc.
Leiio, ou le retour a la vie. M. 341. 18; etc.
Die Sommernachte. (Les nuits d'ete.)
No. 4 in M.270.55
Gluck, C. W. Iphigenie en Tauride. M.224.35
Rubinstein. Die sibirischen Jager. No. i in M.321.13
Cornelius, Carl August Peter. Works about.
Kretzschmar, a. F. H. Peter Cornelius
Sandberger, a. Peter Cornelius' Cid
[Leipzig. 1881.]
No. 4 in M.215.4
Mflnchen. 1893.
No. 3 in M.372.37
Cornelius Schut. Opera. For the Music see Smareglia. For
the Libretto see Illica.
Cornell, John Henry.
Ascribe unto the Lord. [Quartet. Accomp. for organ.]
Boston. Schmidt. 1886. No. 12 in M.158.1S
Cantica sacra: or, hymns ... of the Catholic Church. Bos-
ton. Donahoe. 1865. M. 108.2
A manual of the Roman chant. By a priest of the Congre-
gation of the most Holy Redeemer. Baltimore. Kelly,
Hedian & Piet. i860. M.10S.9
The Vesper-psalter or Psalmody made easy: comprising all
the vesper-psalms with the . . . Magnificat set in modern
notation to the Roman psalm-tones, with easy organ ac-
companiments. By a priest of the Congregation of the
most Holy Redeemer. Baltimore. Kelly, Hedian & Piet.
1861. M.100.14
Cornell, John Henry, editor.
Handel. How long wilt Thou forget. No. 14 in M.158.1S
Mendelssohn-Bartholdy, J. L. F. Come, O Jesu.
No. 13 in M.1S8.15
Cornell, John Henry, translator.
Benoit, C. The typical motives of The Master-singers of
Nuremberg. M.375.3
Cornet, Julius.
Die Oper in Deutschland und das. Theater der Neuzeit.
Hamburg. Meissner & Schirges. 1849. M. 148.17
Cornet, Der. Opera. For the Music see Kueffner. For the
Libretto see Fuchs, H.
Cornette, La. Opera. For the Music see Bernicat. For the
Libretto see Pericaud.
Cornfield, The. Part-song. Lemmens. No. 3 in M.158.23; etc.
Cornish, Mrs. •
Alcestis. [Anon.] New York. Holt & Co. 1874. M.ioga.S
Cornus proclaims aloud. Catch. Berg, G. No. 148 in M. 220.9.1
Cornut, Romain, the younger.
Les noces de Promethee. Cantate. Musique de C. Saint-
Saijns. No. 3 in M.1S5.48
Cornwall, N. E.
Music as it was, and as it is. New York. Appleton & Co.
1851. M.101.17
Coron, Leon.
Au septieme etage. Bouffonnerie musicale. Musique de
Alph. Herman. No. 3 in M.256.ig
Pattes blanches. Operette. Paroles de Marc Constantin et
Coron. Musique de Laurent de Rille. No. 4 in M.307.20
Corona. Songs from. Vagedes. No. 3 in M.2gi.24
Corona aurea. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Corona Lauretana. Litany. Schulthes. No. 2 in M.260.14
Corona messaggera. La. Song. Gordigiani. !6chos de la
Toscane. Vol. 2. No. 20 in M.244.13.2
Coronach. Part-song. Schubert, F. P. No. 13 in M.204.36.1; etc.
Coronaro, Gaetano.
La creola. Melodramma in 3 atti, di Eo. e M*. Torelli-Viol-
lier. Musica di Gaetano Coronaro. Per canto e piano-
forte. Milano. Ricordi. [1878.] M.285.32
Coronaro, Gaetano. (Continued.)
Un tramonto, egloga. [Parole di Arrigo Boito.] Musica di
Gaetano Coronaro. Riduzione per canto e pianoforte.
Milano. Ricordi. [1873.] No. 2 in M.277.2S
Coronaro, Gellio Benvenuto.
Claudia, dramma lirico in due atti di D. G. Bartocci Fontana,
musica di Gellio Benvenuto Coronaro. Riduzione per
canto e pianoforte. Milano. Sonzogno. 1895. M.399.10
Festa a marina, bozzetto lirico. Riduzione per canto e
pianoforte. Milano. Sonzogno. 1893. M.sgg.ii
Coronation anthems. Handel. Kronungshymnen fiir Konig
Georg IL Werke. Lieferung 14. M.313.1.14
Coronation-march. For orchestra. Mackenzie, A. C.
No. I in M.40S.3S
Coronation ode ... in honor of the coronation of King Ed-
ward VIL Cantata. For the Music see Cowen. For the
Libretto see Morris, L.
Coronations.
Bridge, J. F., editor. The form and order of the service . . .
and ceremonies ... in the coronation of Their Majesties
King Edward VIL and Queen Alexandra . . . With the
music to be sung. London. 1902. No. I in M.384.5S
Corrado d'Altamura. Opera. For the Music see Ricci, F. For
the Libretto see Sacchero.
Corregidor, Der. Opera. For the Music see Wolf, H. For
the Libretto see Mayreder-Obermayer.
Corrente. For pianoforte. Frescobaldi. M.380.59
Corri, Clarence C.
The dandy Fifth. An English military comic opera in three
acts. Written by George R. Sims. Composed by Clarence
C. Corri. Vocal score. [Accomp. for piano.] London.
Hopwood & Crew. 1898. M.389.36
Corri, Domenico.
Lilliput. A dramatic romance, written by the late David
Garrick, with additional songs and a masque, written by
F. G. Fisher. The music composed by D. Corri. [Ac-
comp. for pianoforte.] London. Goulding, D'Almaine,
Potter & Co. [181-?] No. 3 in M.391.63
The travellers, or music's fascination, a dramatic opera in S
acts. The music by D. Corry. Written by Mr. Cherry.
[Accomp. for pianoforte. London. 181-?] No. i in M.251.3
Corri, Domenico, editor.
A select collection of the most admired songs, duetts, &c.,
from operas . . . and other works in Italian, English
French . . . [Accomp. for pianoforte.] Edinburgh. Corri.
[179-?] 3 V. in I. M.244.26
Corri, Haydn, editor.
Cherubini. Mass, Third solemn. No. 2 in M. 250.8
Corsair, The. Cantata. For the Music see Cowen; also Glover,
W. For the Libretto see Francillon; also Byron, G. G. N.
Corsair, The. Opera. For the Music and Libretto see Cory.
Corsaire, Le. Opera. For the Music see Dalayrac. For the
Libretto see La Chabeaussiere.
Corsaire, Le. Overture. Berlioz, L. H. No. i in M.345.28
Corsar, Der. Part-song. Debois. No. 34 in M.3g2.6
Corsaro, II. Opera. For the Music see Verdi; also Pacini, G.
For the Libretto see Piave.
Corsaro, II, di Venezia. Song. Gordigiani, L. fichos de la
Toscane. Vol. i. No. 35 in M.244.13.1
Corsica. Folk songs.
Fee, a. L. A. Voceri, chants populaires de la Corse, pre-
cedes d'une excursion faite dans cette ile en 1845. Paris.
1850. M.197.7
Contains the music of four songs.
Corsini, Guido.
Lo spirito di Dante. Cantata del Maestro Teodulo Mabel-
lini. No. 3 in M.3SS.4
Cortege. For piano and orchestra. Mesquita, C. de.
No. 2 in M.410.47
Cortege solennel. For orchestra. Glazunov. No. i in M.406.58
Cortesi, Francesco.
La colpa del cuore. Dramma lirico in 4 parti. Parole di R.
Berninzone. Musica del Mo. F. Cortesi. Riduzione per
canto e pianoforte. Torino. Giudici & Strada. [1870.]
M.291.25
300
Cortesia
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cottin
Cortesia, La, voi, donne, predicate. Part-song. Lassus.
Sammtliche Werke. Band lo. 14.80403.67.10
Cortez; or, tlie conquest of Mexico. Opera. For the Music see
Bishop, H. R. For the Libretto see Planche, J. R.
Corvin de Krjrukovskoi, Petr.
Le petit moujik. Operette, de Pierre Newsky [pseud.] &
Jean Lery. Musique de Georges Haakman.
No. I in M.393.22
Cory, Charles Barney.
The corsair. [Operetta. Words by C. B. Cory. Music by
C. B. Cory and Leon Keach. Accomp. for pianoforte.
Boston?] 1887. No. 3 in M.291.1
Cosa rara, Una, o sia bellezza ed onesta Lilla. Opera. For the
Music see Martin y Solar. For the Libretto see Ponte.
Cosaque, La. Opera. For the Music see Ronger, F. For the
Libretto see Meilhac.
Coscritto, II. Opera. For the Music see Bielati. For the Li-
bretto see Casanova.
Coscritto, II. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. 35 in M.244.13.2
Cosi cor mio vogliate. Part-song. Lassus. Sammtliche Werke.
Band 6. M.8o4oa.67.6
Cosi dunque tradisci. Aria. Mozart. Werke. Serie 6, Band 2.
No. 29 in M.315.1.6.2
Cosi fan tutte. Opera. For the Music see Mozart. For the
Libretto see Ponte.
Cosi fan tutte. Overture. Mozart. No. 5 in M.347.11
Cosi la fama scriva. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Cosi lechiome mie. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Cosimo. Opera. For the Music see Prevost, E. P. For the
Libretto see Saint Hilaire.
Cossack's drinking song. Part-song. Raff. No. 10 in M.20S.10.7
Cosseret, Paul.
Lyderic. Opera. Paroles de E. Lagrilliere-Beauclerc & P.
Cosseret. [Musique de] fimile Ratez. M.300.13
Cossmann, Paul Nikolaus.
Hans Pfitzner. Miinchen. Miiller. 1904. [Muenchner
Broschiiren. Heft i.] No. 2 in M.102.37
Costa, Andrea.
Analytical considerations on the art of singing. London.
Sherwood, Gilbert & Piper. 1838. M.io9a.23
Considerations on the art of singing in general, and particu-
larly on several errors into which singers are liable to
fall ... London. Schulze. 1824. No. l in M.373.38
In English and Italian on opposite pages.
Costa, Enrico.
David Rizio. Dramma lirico. Musica del Maestro Luigi
Canepa. M.399.7
Costa, Sir Michael.
Date sonitum, an offertorium for a bass voice and chorus
. . . Organ accomp. arranged by V. Novello. London.
Novello. [183-?] No. 8 in M.260.10.1
The dream, a serenata, written by William Bartholomew
. . . The music . . . [s. A. T . B. and chorus] by Michael
Costa. Accomp. for piano forte. London. Addison, Hol-
lier & Lucas. [1858.] No. 5 in M.391.35
Eli, an oratorio . . . The words selected and written by
William Bartholomew. The music by Michael Costa.
Accomp. for the pianoforte by Charles Lucas. London.
Longmans. [1856.] M.153.12
Same. Full score. London. Addison, Hollier & Lucas.
[1856.] M.241.19
Flow, softly flow. [Trio, s. s. a. Accomp. for pianoforte.]
London. Hutchings & Romer. [187-?] No. 16 in M.244.10.5
Hymne componirt und gewidmet S^. Majestat dam Konig
Wilhelm von Preussen . . . von Sir Michael Costa. [Fiir
Chor und Orchester. Partitur.] Berlin. Bote & Bock.
[1869?] No. 3 in M.270.55
Let the people praise Thee. Quartette. [Accomp. for or-
gan.] Boston. Ditson. [186-?] No. loin M.290.9.1
The Lord hear thee. Introit. For s. A. t. b. From the ora-
torio "Eli." (In Hullah. The Singer's library. Sacred.
Pp. 30, 31) No. 33a in M.1S7.3
Costa, Sir Michael. (Continued.)
The Lord is good. Chorus. {In Parker. Sacred choruses.
Pp. 50-57.) No. 8 in M.ioo.io
Make the car of a golden king-cup. Chorus of fairies [s. s.
A.] from "The dream." [Accomp. for pianoforte.] {In
Novello's Collection of trios, etc. Vol. 3, pp. 131-140.)
No. 18 in M.204.36.3
Naaman, an oratorio . . . The words selected & written by
William Bartholomew. Full score. London. Addison &
Lucas. [1864.] M. 241. 17
Same. [Accomp. for pianoforte.] Special edition for the
Sacred Harmonic Society. 1865. M.241.18
Same. Boston. Ditson & Co. [1869?] M. 204.10
Thou shalt love the Lord. Trio [s. s. s. Accomp. for or-
gan]. Boston. Ditson. [185-?] No. 15 in M.290.14
"Suffer little children to come unto Me," a baptismal an-
them for s. and A., with chorus. [Accomp. for organ.]
London. Novello. [185-?] No. 20 in M. 190.2
Te Deum. [Accomp. for organ.] (/n Buck. Motette col-
lection. Vol. 2, pp. 95-103.) No. 23 in M. 100.4.2
Costa, P. Mario.
Histoire d'un Pierrot. Pantomime en 3 actes de Fernand
Beissier. Musique de P. Mario Costa. Partition transcrite
pour piano. Paris. Choudens. 1893. M.39S.20
Coste, Jules Edme.
Les charbonniers. Operette en i acte. Paroles de Ph. Gille.
Musique de J. Coste. Partition piano et chant. Paris.
Heugel. [1877.] Plates. No. 3 in M.277.2S
Les horreurs de la guerre. Opera-bouffe en 2 actes. Pa-
roles de Philippe Gille. Musique de Jules Coste. Parti-
tion chant et piano. Paris. Brandus & Dufour. [1868.]
M.285.37
Le nid. [Chanson inedite, s. Accomp. de piano.] Portrait.
Facsimile. (In Album du Gaulois. Vol. i.)
No. 7 in M.3gi.28.i
Costenoble, Carl Ludwig.
Der Unsichtbare. Komische Oper. Musik von Eule.
M.231.34
Coster, C. H.
Suite: prelude, scherzo, intermezzo, marcia pour orchestre.
Op. 14. Partition. Paris. Maho. [185-?] No. i in M.358.24
Cottage maid. The. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Cottage rose. The. Ballad. Keller, M. No. 10 in M.192.13.1
Cottagers, The. Ballad. Haydn, F. J. Twelve ballads.
No. I in M.221.33
Cottens, Victor de.
Les demoiselles des Saint-Cyriens. Operette de P. Gavault
& V. de Cottens. Musique de Louis Varney. M.402.S8
Le fiance de Thylda, operette-bouffe de V. de Cottens et R.
Charvay. Musique de Louis Varney. M.381.S9
Mademoiselle George. Operette de Victor de Cottens &
Pierre Veber. Musique de Louis Varney. M. 381.60
Le pompier de service. Vaudeville-operette de Victor de
Cottens & Paul Gavault. Musique de Louis Varney.
M.395-73
Cotter, Joseph Rogerson.
Instructions for learning the basso-Hibernicon, or Hiber-
nian bass-horn, and the Hibernian tenor-horn. London.
Key. 1824. No. 4 in M.114.8
Cotter's Saturday night, The. Chorus. For the Music see
Mackenzie, A. C. For the Libretto see Bums.
Cottier, R.
Simone. Opera comique en 3 actes. Poeme de Pierre Bar-
bier. Musique de R. Cottier. Partition piano et chant.
Paris. Vve Girod. [189-?] M.397.20
Cottin, Edmond.
Messe a quatre voix, avec accomp. d'orgue. Paris. L'auteur.
[185-?]' No. 3 in M.201.3
Pierre et Paul. Operette en I acte. Paroles de V. L. de
Loud'hard. Musique de Edmond Cottin. [Partition piano
et chant.] Paris. Labadie. [185-?] No. i in M.277.27
Cottin, Paul, editor.
Auger, H. N. J. Memoires. M.370.S
301
Cotton
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Coward
Cotton, John Henry, editor.
Bangor cathedral collection: being a selection of anthems
and sacred music from the works of Astorga, C. P. E.
Bach, Caldara . . . consisting of solos, duets, trios, quar-
tets and choruses, with an organ accomp. Chester.
Thomas. 1848. M.290.33
t Contents. — Handel: Father, to Thy throne. — Gossec: Holy Spirit
from on high. — Bach : O come let us worship. — Righini : Great is
the Lord. — Haydn: Try me O God. — Haydn: Unto Thee will I
cry. — Graun ; O praise the Lord. — Graun : O sing praises. — Nau-
mann: Lamb of God. — Haydn: Glory be to God. — Pergolesi: O
my God I will magnify Thee. — Pergolesi : We praise Thee O God. —
Graun : He was despised. — Haydn : A service for Good Friday. —
Mozart: Bow down Thine ear. — Astorga: Hear my crying. — Haydn:
In Thee O Lord. — Mozart : O God Thou art my God. — Caldara :
Serve the Lord with gladness. — Mozart : Blessed be the name. —
Winter: O my God behold me. • — Graun: We will rejoice. — Pergo-
lesi : Glory to God in the highest. — Curschmann : O Lord give ear.
— Himmel : O Lord give ear. — Hymn from the "Laudi spirituali."
A. D. 1545. — Haydn: Sanctus. (From a Mass.) — ■ Haydn: Kyrie
eleeson. — Pergolesi: Sanctus. — Kyrie eleeson. — Mozart, adapted
by Corfe : Sanctus.
Cottrau, Teodoro, editor.
23a raccolta di canzoni napolitane. [Per canto e piano.]
Napoli. Cottrau. [186-?] No. 4 in M.390.44
Contents. — Cottrau : Santa Lucia. La Sorrentina. La fata di Amalfi.
L'aria de lo mare. Lo Zoccolaro. — Meglio : Lu passariello. — La-
briola: Lo passariello. — PeruUo : Na mmasciata. — [Anon.] : Tere.
— Perullo: Lu suonno de lo marenare. — Roxas : Lu core muorto.
Lu dispietto. — Giaquinto : Masaniello. — Ricci: Piedigrotta.
Coucher du soleil, Le. Song.
Berlioz, L. H. No. i in M.391.32; etc.
Schubert, F. P. Melodies. Vol. 7. M.327.4.7
Coucou, Le. Chorus. Weckerlin. Choeurs. M.1S7.12
Coucy, Raoul de. See Coucy, Regnault.
Coucy, Regnault, Chatelain de.
Le nouveau tems, et mais et violette. [Chanson, s. or t.,
with bass part added.] {In Smith. Musica antiqua. Pp.
16, 17.) M.236.10
Cou'd a man be secure. Duet. Goodwin, S.
No. 7 in M.i39a.i8.i ; etc.
Could gold prolong. Glee. Hutchinson, F.
No. 5 in M.220.3.2; etc.
Could I be near my boy. Song. Keller, M.
No. II in M.192.13.1
Could this ild [sic] world have been contriv'd. Song. Bee-
thoven. Werke. Serie 24. M.413.1.24
Could'st thou but know. Song. Balfe. No. 23 in M.192.9.1
Couldrey, Henry Robert.
Come unto Me. Anthem for solo [s.] and chorus. [Accomp.
for organ.] {In Novello's Collection of anthems. Vol. 13.
pp. i_5.) No. I in M.195.2.13
Coulisses, Les, de I'Opera. Roqueplan. No. 2 in M.i29a.33
Counterfeiter, The. Opera. For the Music see Davison. For
the Libretto see Whorf.
Counterparts. Fiction. Sheppard. M.141.23
Counterpoint.
AzoPARDi, F. Le musicien pratique, ou legons qui condui-
sent les eleves dans I'art du contrepoint . . . Paris. 1786.
2 V. in I. M.107.2S
Beethoven, L. van. Studies in thorough-bass, counterpoint
and the art of scientific composition. Leipzig. 1853.
Plates. Facsimiles. M.105.18
Cherubini, M. L. C. Z. S. A course of counterpoint and
fugue. 2d edition. London. 1841. 2 v. in i. M.116.12
Haupt, C. a. Theory of counterpoint, fugue, and double
counterpoint. New York. [1876.] M.371.41
HiLES, H. Harmony or counterpoint? Manchester. 1889.
No. 2 in M.372.44
Macfarren, G. a. Counterpoint. Sth edition. Cambridge.
1884. M. 122.23
ViRUES Y Spinola, J. J. DE. An original and condensed
grammar of harmony, counterpoint and musical composi-
tion by J. J. de Virues y Spinola and F. T. A. Chaluz de
Vernevil. London. 1850. M.131.7
Country girl, A. Opera. For the Music see Monckton. For
the Libretto see Tanner.
Country man's song, The. Part-song. Rimbault.
No. 8 in M. 157.4
Country pair, A. Madrigal. Weelkes. First set of madrigals.
No. I in M.234.21
Country wedding, The. Arietta. Winter, P. von.
No. so in M.235.18.5
County Guy. Part-song. Glover, A. G. No. 21 in M.392.10
Macfarren, G. A. No. 13 in M.121.3
Coupe, La, du roi de Thule. Opera. For the Music see Diaz.
For the Libretto see Gallet.
Coupe, La, et les levres. Opera. For the Music see Canoby.
For the Libretto see Musset, L. C. A. de.
Coupe, La, et les levres. Song. L'£pine. Scenes et chansons.
M.158.42; etc.
Coupe enchantee, La. Opera. For the Music see Pierne. For
the Libretto see Matrat.
Couperin, Frangois. 1668-1733.
Apotheose de Lulli. Concert instrumental [a instruments a
cordes. Partition]. {In Deldevez. Fondation de I'opera
en France. Pp. S6-S9-) No. 16 in M.356.11
Concerts royaux [1-4]. Trios pour violon, violoncelle et
piano. Transcription par Georges Marty. [Partition et
parties.] Paris. Durand. [1904.] 3 parts in i v. [Bi-
bliotheque des classiques frangais.] M.410.10S
Cour, La, d'amour. Ballet. Wentzel. No. i in M.326.2S
Cour, Lai d'amour. Opera. For the Music see Hubans. For
the Libretto see Marot, G.
Cour, La, de Celimene. Opera. For the Music see Thomas, C.
L. A. For the Libretto see Rosier, J. B.
Cour, La, du roi Petaud. Opera. For the Music see Delibes.
For the Libretto see Gille.
Cour, La, et I'opera sous Louis XVL Criticism. Jullien.
M.127.39
Courcelles, Charles de.
Circe, cantate avec soli [s. bar.] et chceur. Paroles de J. B.
Rousseau. Musique de Ch. de Courcelles. Partition piano
et chant. Paris. Lemoine. [187-?] No. 2 in M.154.34
La promise d'un autre. Opera comique en 2 actes. Paroles
de N. Fournier & J. Defrene. Musique de Ch. de Cour-
celles. Partition piano et chant. Paris. Lemoine. [187-?]
M.285.33
Tancrede de Rohan. Drame lyrique en 3 actes et S tableaux.
Poeme de Lc de Florans. Musique de Chs de Courcelles.
Partition piano et chant. Paris. Lemoine. [1882.]
11.285.34
Courcy, Frederic de.
La chaste Suzanne. Opera de genre. Paroles de Carmouche
et de Courcy. Musique de Hipp. Monpou. M.267.9
Coureur, Le, de veuves. Opera. For the Music see Blangini.
For the Libretto see Brisset.
Cournier, Jean Marie Jules.
£gill-le-Demon. Drame fantastique et lyrique par J. A. de
Rostan et J. M. Cournier. Musique de Jules Gerard.
No. 3 in M. 256.12
Coursen, Charlotte H., translator.
Goetz, H. So still at evening lies the lake. No. i in M.392.29
Court, The, of hearts. Opera. For the Music see Daniels. For
the Libretto see Hooper, R. L.
Courte echelle, Le. Opera. For the Music see Membree. For
the Libretto see La Rounat.
Courtenay, Francis Foljambe.
Mass in D for 4 voices & chorus, with an accomp. for piano-
forte or organ. London. Novello, Ewer & Co. [186-?]
No. 2 in M.jgi.4
Courtin, H.
Messe solennelle a trois voix, avec accomp. d'orgue ou piano
et contrebasse ad libitum. Paris. L'auteur. [184-?]
No. 4 in M. 201.3
Cowraiji, James.
Ten glees and a madrigal, for 4 & 5 voices. London. Cock.
[1871] No. I in M.236.18
Contents. — Fair & young thou bloomest now [s. a. T. b.]. — Softly
strike each golden lyre [a. t. t. b.]. — It is the hour [s. a. t. b.]. —
Love's bed of state [a. t. t. b.]. — Come, O haste thee, beauteous
spring [a. T. T. B.]. — The bouquet [a. T. T. b.]. — Kate of ,\berdeen
[a. t. t. b.]. — Queen of the night [a. t. t. b.]. — The winter flower
of hope [a. t. t. b.] . — Sweet dove [a. t. t. b.]. — Ah, fading joy
[Madrigal, s. s. a. t. b.].
302
Coward
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cowen
Coward, James. (Continued.)
Wake the lay. [Trio, s. s. a. Accomp. for pianoforte.]
London. Cock, Hutchings & Co. [185-?]
No. 8 in M.244.10.4
Coward, James Munro.
The fishers. A cantata. Written by Henry Rose. Com-
posed by J. M. Coward, [s. a. t. bar. bar. and chorus.
Accomp. for piano.] London. Metzler & Co. [188-?]
M.ig4.io
Courtly bard, The. Glee. Goss. No. 22 in M. 205.10.1
Cousin Benoit, Le. Opera. For the Music see Mansour. For
the Libretto see Gaspari, P.
Cousin Kate. Opera. For the Music see Lutz. For the Li-
bretto see Wooler.
Cousin-cousine. Opera. For the Music see Serpette. For the
Libretto see Ordonneau.
Coussemaker, Charles Edmond Henri de.
Catalogue de [sa] bibliotheque et [de ses] instruments de
musique. Bruxelles. Olivier. 1877.
No. 6 in M.123.29; No. 4 in M.141.29
Traites inedits sur la musique du moyen age. [Lille. Le-
febvre-Ducrocq.] 1869. No. 8 in M.372.61
Coutagne, Jean Paul Henry.
Les drames musicaux de Richard Wagner, et le theatre a
Bayreuth. fitude critique. Paris. Fischbacher. 1893.
M.i39a.s
Couteau, Le, de Castille. Opera. For the Music see Berre.
For the Libretto see Gillard.
Coutts, Francis Burdett Thomas Money-.
Pepita Jimenez. A lyric comedy. Deutsche Bearbeitung.
Music by L Albeniz. M.401.1; etc.
Coutume est bien quand Ton tient en prison. Song. Thibault
IV., King of Navarre. M.236.10
Couturier,
Decadence et restauration de la musique religieuse. Paris.
Repos. 1862. No. 3 in M.116.14; No. 3 in M. 207.2
Coveliers, Felix.
George Dandin. Opera-comique. Musique de fimile Ma-
thieu. No. 2 in 11.257.12
Cowen, Frederic Hymen.
Alone. [Song, a. or bar. Accomp. for pianoforte.] Bos-
ton. Perry & Co. [187-?] No. I in M.192.11
As years go past. [Ballad, a. or bar. Accomp. for piano-
forte. New York. Ditson & Co. [187-?] No. 2 in M.102.11
Aubade. Serenade [t. Accomp. for pianoforte]. New York.
Ditson & Co. [187-?] No. 3 in M.192.11
Better far. [Song, a. or bar. Accomp. for pianoforte.]
New York. Ditson & Co. [187-?] No. 5 in M.192.11
The better land. [Song,] s. [Accomp. for pianoforte.]
Boston. Ditson & Co. [187-?] No. 6 in M.192.11
Coronation ode for soprano solo, chorus, and orchestra . . .
in honor of the coronation of King Edward VIL The
words by Sir Lewis Morris. The music by F. H. Cowen.
[Vocal score with piano accomp.] London. Novello &
Co. 1902. No. 2 in M.384.5S
The corsair: a dramatic cantata. Adapted from Byron's
poem. By R. E. Francillon. The music by F. H. Cowen.
[s. A. T. B. and chorus. Accomp. for pianoforte.] London,
Boosey & Co. [1876.] M.IS4.51
Evening star. [Song,] s. [Accomp. for pianoforte.] Bos-
ton. Ditson & Co. [189-? Album of twelve songs.]
No. 7 in M.ig2.ii
Fantasia: Kiss mine eyelids, lovely morn. [s. or t. Ac-
comp. for pianoforte.] New York. Ditson & Co. [187-?]
No. 8 in M. 192. II
Far away. [Song, s. Accomp. for pianoforte.] Boston.
Ditson Co. [189-? Album of twelve songs.]
No. 9 in M.192.11
The first farewell. [Song, t. Accomp. for pianoforte.]
Boston. Ditson Co. [189-? Album of twelve songs.]
No. 29 in M.I92.II
Forever and forever. Song [s. or x. Accomp. for piano-
forte]. New York. Ditson & Co. [187-?]
No. 10 in M.192.11
Cowen, Frederic Hymen. (Continued.)
Garibaldi, or the rival patriots, a drawing room operetta, in
2 acts. The libretto by Rosalind. The music by H. Fred-
erick Cowen. [Accomp. for pianoforte.] London. Boosey.
[i860.] Portrait. M.270.26
Good night! [Song, m.-s. or bar. Accomp. for pianoforte.]
Boston. Ditson & Co. [187-?] No. 11 in M.192.11
Harold: or, the Norman conquest. An opera in four acts.
The libretto by Sir Edward Malet. German adaptation
by L. A. Caumont. The music by Frederic H. Cowen.
[Accomp. for pianoforte.] London. Williams. [1895.]
M. 246.4
He and she. [Song, m.-s. or t. Accomp. for pianoforte.]
Boston. Ditson Co. [187-? Album of twelve songs].
No. 12 in M.192.11
How excellent is Thy loving-kindness. Anthem for t. solo
and chorus. [Accomp. for organ.] {In Novello's Collec-
tion of anthems. Vol. 16, pp. 24-32.) No. 3 in M.195.2.16
I dreamed of thee. [Song, a. or bar. Accomp. for piano-
forte.] New York. Ditson & Co. [187-?]
No. 13 in M.192.11
I wonder why. [Song, a. or bar. Accomp. for pianoforte.]
New York. Ditson & Co. [188-?] No. 14 in M.192.11
Idyllische Symphonie, No. 6, in E dur, fiir grosses Orchester.
Partitur. Leipzig. Breitkopf & Hartel. 1898. M.403.2S
If every lute on earth were mute. Song [a. or bar. Ac-
comp. for pianoforte]. Boston. Ditson & Co. [187-?]
No. 15 in M.192.11
In the chimney corner. [Song, s. Accomp. for pianoforte.]
New York. Ditson & Co. [188-?] No. 16 in M.192.11
Is my lover on the sea? [Song, s. Accomp. for pianoforte.]
Boston. 'Ditson Co. [189-? Album of twelve songs.]
No. 17 in M.192.11
It was a dream. Song [s. or t. Accomp. for pianoforte].
New York. Ditson & Co. [187-?] No. 18 in M.ig2.ii
Jessie. [Song, t. Accomp. for pianoforte.] Boston. Rus-
sell. 1882. No. 19 in M.192.11
The keepsake. [Song, a. or bar. Accomp. for pianoforte.]
Boston. Ditson & Co. [188-?] No. 27 in M.192.11
Lady bird. [Part-song.] Arranged for male voices by O.
B.Brown. [Boston.] Russell. 1885. No. 50 in M.392.3
The language of flowers. Suite de ballet. Full score. Lon-
don. Metzler & Co. [1880.] M.331.14
The last dream. [Song, a. or bar. Accomp. for pianoforte.]
New York. Ditson & Co. [187-?] No. 28 in M.192.11
Light in darkness. [Song, a. or b. Accomp. for pianoforte,
and organ, ad lib.] New York. Ditson & Co. [188-?]
No. 20 in M.192.11
Love me if I live. [Song, s. Accomp. for pianoforte.]
Boston. Ditson Co. [189-? Album of twelve songs.]
No. 21 in M.192.11
A lover's counsel. A four-part song. [Accomp. for piano-
forte.] London. Novello, Ewer & Co. 1893.
No. 15 in M.1S8.15
Marie. Song [t. Accomp. for pianoforte]. Boston. Dit-
son & Co. [187-?] No. 22 in M.192.11
My love is late. [Song, s. Accomp. for pianoforte.] New
York. Ditson & Co. [188-?] No. 23 in M.192.11
Nightfall. [Song, s. or t. Accomp. for pianoforte.] Bos-
ton. Ditson Co. [189-? Album of twelve songs.]
No. 24 in M.192.11
Pauline: opera in 4 acts. Founded upon Bulwer's "The
lady of Lyons." The libretto by Henry Hersee. The
music by F. H. Cowen. [Accomp. for pianoforte.] Lon-
don. Boosey & Co. [1876.] M.285.35
The rose maiden: a cantata. Adapted from the German by
R. E. Francillon, composed by F. H. Cowen. [s. a. t. bar.
and chorus. Accomp. for pianoforte.] London. Boosey
& Co. [187-?] M.154.49
Ruth, a dramatic oratorio. The words selected from Scrip-
ture by Joseph Bennett. The music by F. H. Cowen.
[Pianoforte accomp.] Octavo edition. London. Novello,
Ewer & Co. [1887?] M. 153. 13
St. John's Eve, an old English idyll for soli [s. a. t. bar.],
chorus and orchestra. The poem by Joseph Bennett. The
303
Cowen
THE PUBLIC LIBRARif OF THE CITY OF BOSTON
Crane
Cowen, Frederick Hymen. (Continued.)
music by F. H. Cowen. [Accomp. for pianoforte.] Oc-
tavo edition. London. Novello, Ewer & Co. [1889.]
No. 2 in M. 154.48
Saint Ursula. Sacred cantata. The poem by R. E. Francil-
lon. Music by F. H. Cowen. [s. a. t. bar. and chorus.
Accomp. for pianoforte.] London. Metzler & Co. [1881.]
M.154.50
Signa. Opera in two acts. The libretto by Gilbert A.
Beckett, H. Rudall and F. E. Weatherly. Italian version
by G. Mazzucato. The music by Frederic H. Cowen.
Vocal score. [Accomp. for piano.] London. Ascherberg
& Co. 1894. M.246.S
Six part-songs for mixed voices. London. Boosey & Co.
[1871?] No. I in M.1S7.25
Contents. — Good morrow. — The bee and the dove. — Home. —
Chloe. — The moss rose. — Lady bird.
Sleeping beauty, a cantata, in a prologue and four scenes.
Poem by Francis Hueffer. Music by F. H. Cowen. fs. a.
T.BAR, and chorus. Accomp. for pianoforte.] London.
Novello, Ewer & Co. [1885?] No. i in M.1S4.48
Snow flakes. [Song, s. or t. Accomp. for pianoforte.]
Boston. Ditson Co. [189-? Album of twelve songs.]
No. 25 in M.192.11
A song of morning, s. or t. [Accomp. for pianoforte.] Bos-
ton. Ditson Co. [189-? Album of twelve songs.]
No. 4 in M.192.11
A song of thanksgiving, for chorus and orchestra. The
words selected from the Psalms. [Accomp. for piano-
forte.] London. Novello, Ewer & Co. [1888.]
No. 2 in M.285.36
Summer on the river. Cantata for female voices. The words
by Shapcott Wensley. The music by Frederic H. Cowen.
[Accomp. for pianoforte.] London. Novello, Ewer &
Co. 1893. No. 3 in M.285.36
Sweet evefiings come and go. [Song, s. or t. Accomp. for
pianoforte.] Boston. Ditson Co. [189-? Album of twelve
songs.] No. 26 in M.192.11
Symphonic [No. 3], C-moll (Scandinavische), fiir Orches-
ter. Partitur. Wien. Gutmann. 1882. No. I in M.332.12
Symphony No. 4 (the Welsh), in B flat minor, for orches-
tra. Full score. London. Novello, Ewer & Co. [1884?]
No. 2 in M.332.12
Thorgrim. An opera in 4 acts. The libretto by Joseph Ben-
nett. The music by Frederic H. Cowen. [Accomp. for
pianoforte.] London. Novello, Ewer & Co. [1890.]
No. I in M.285.35
Thoughts at sunrise. [Song, s. Accomp. for pianoforte.]
Boston. Ditson Co. [189-? Album of twelve songs.]
No. 30 in M.192.11
Thy remembrance. [Song, s. or t. Accomp. for piano-
forte.] Boston. Ditson Co. [189-? Album of twelve
songs.] No. 31 in M.192.11
"The transfiguration." Cantata, for soli, chorus & orches-
tra. The words written and compiled by Joseph Bennett,
the music by Frederic H. Cowen. Vocal score. [Accomp.
for pianoforte.] New York. Boosey & Co. 1895.
No. 2 in M.193.4
The unfinished song. [Song, a. or b. Accomp. for piano-
forte.] New York. Ditson & Co. [187-?]
No. 32 in M.192.11
The water-lily. A romantic legend for soli [s. a. t. bar. b.],
chorus and orchestra. The words by Joseph Bennett. The
music by Frederic H. Cowen. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. 1893. No. i in M.204.11
Who knows? Song [s. or t. Accomp. for pianoforte].
Boston. Ditson & Co. [187-?] No. 33 in M.192.11
World of dreams. [Song, s. or t. Accomp. for pianoforte.]
New York. Ditson & Co. [188-?] No. 34 in M.192.11
Cowley, Hannah.
The belle's stratagem, a comedy. With remarks . . . bj' W.
Oxberry. London. Simpkin & Marshall. 1819. Por-
trait. No. I in M*I4S.25
Cowper, William.
John Gilpin, cantata, words by Cowper, music by T. Ander-
ton. No. I in M. 154.14; etc.
Cox, Clifford.
The great melodists of Italian opera. IIIus. Portraits.
Plate. (In The music of the modern world . . . Vol. I,
PP- 32-36. New York. [1895.]) M.14.1.1
The melodists considered are V«rdi and Rossini.
The music of Donizetti and Bellini. Illus. Portraits. (In
The music of the modern world . . . Vol. i, pp. 42-44.
New York. [1895.]) M.14.1.1
Cox, George Howland.
The wanderer. An Arabic musical comedy. Hasty Pud-
ding play 1906. Libretto and music by George Howland
Cox. [Vocal score with pianoforte accomp.] Boston.
Thompson & Co. 1906. No. 2 in M.389.22
Cox, John Edward.
Musical Recollections of the last half-century. [Anon,]
London. Tinsley. 1872. 2 v. M.371.2
Cox and Box, or the long-lost brothers. Opera. For the Music
see Sullivan, A. S. For the Libretto see Burnand.
Coxe, William. 1747-1828.
Anecdotes of George Frederick Handel, and John Christo-
pher Smith. With select pieces of music, composed by
J.C.Smith. . . . [Anon.] London. Cadell & Davies. 1799.
Portraits. No. i in M. 111.5
Coyon, fimile.
Annuaire musical et orpheonique de France. 1875, 76. Paris.
[187s, 76.] 2 V. M.127.18
Volume I was edited by Coyon and Bettinger.
Crabbed age and youth. Part-song. Bishop, H. R. Complete
collection of glees. Vol. 3. M.235.1.3
Stevens, R. J. S. No. 11 in M.157.28.1; etc.
Cradle song. Part-song. Lynes. No. 25 in M.3g2.i6; etc.
MacDowell. No. 30 in M.392.16
Macfarren, W. C. No. 8 in M.195.1.9
Smart, H. No. 28 in M.157.23; etc.
Cradle song, from the Christmas oratorio. Song. Bach, J. S.
8 airs for an alto voice. M.244.16
Crament, John Maude.
Behold, I bring you good tidings. Anthem for Christmas.
[.Accomp. for organ.] (In Parish choirs in the Diocese
of Massachusetts. Annual festival. Order of music, 7th
festival. Pp. 21-28.) No. 59 in M. 158.18
Crament, John Maude, editor and translator.
Kiel. Christus, an oratorio. No. i in M. 153.35
Cramer, Carl Friedrich, editor.
ScHULZ, J. A. P. Maria und Johannes. No. 2 in M.152.2S
KuNZEN. [Hermann und die Fiirsten.] No. 2 in M. 152.23
Cramer, Carl Friedrich, translator.
RocHLiTZ. Anecdotes sur W. G. Mozart. M.145.10
Cramer, Johann Baptist.
How can I leave thee? [t. t. b. b. Accomp. for piano.] (In
Willard. Arion. P. 84.) No. 49 in M.109.1.5
Merry May. (In Hills. Vocal trios. Vol. i, pp. 97-99.)
No. 21 in M.157.17.1
Nocturne pour le piano forte avec accomp. de violon et vio-
loncelle (ad libitum). [Op. 32. Pianoforte et violon.]
Paris. Erard. [182-?] No. 13 in M.210.1
Same. [Partie de violoncelle.] No. 15 in M.210.11
Trois sonates pour clavecin ou forte piano. Avec violon ad
libitum. Op. 4. [Clavecin seul.] Paris. Sieber. [180-?]
No. 14 in M.210.1
Same. [Partie de violon.] No. 8 in M.210.9
Cramer, Johann Baptist, editor.
Apollo's gift. Edited by Muzio Clementi and J. B. Cramer.
M.1S8.5
Cramer, Johann Baptist. Works about.
Pembaur, J. Die 84 Etuden von J. B, Cramer. Anleitung
zu griindlichem Studieren und Analysieren dersclben.
Leipzig. [1901?] No. 2in M.217.12.11
Cramsie, John.
Agnus Dei, s. solo with organ or piano forte accomp. Lon-
don. Novello. [185-?] No. 22 in M.260.10.1
Crane, Walter.
The baby's opera. A book of old rhymes with new dresses
by Walter Crane. The music by the earlier masters.
London. Routledge. [189-?] Colored illus. M.101.24
304
Cranford
THE ALLEN A. BROWN COLLECTION OF MUSIC
Crevel
Cranford, William.
Boy, come back. Catch a 3 voci. (In dementi. Collection
of catches. Vol. 2, p. 9.)
No. 97 in M.110.1.2; No. 97 in M.iio.2.2
Come hither, Tom. Catch a 3 voci. (In Bland. The Ladies'
collection. Vol. I, p. 39.) No. 64 in M.235.17.1
Also to be found in dementi's Collection of catches; The Harmonist;
HuUah's The Singer's library. Secular; Social harmony.
This ale, my bonny lad. Catch a 3 voci. (In Clementi. Col-
lection of catches. Vol. 2, p. 57.)
No. 130 in M.110.1.2; No. 130 in M.iio.2.2
Crapelet, Georges Adrien.
Notice sur la vie et les ouvrages de Quinault, suivie de
pieces relatives a I'etablissement de I'Opera. Paris.
Crapelet. 1824. No. 3 in M. 136.12
Craven, Lady Helen Emily.
Notes of a music-lover. London. Bentley. 1897. M.370.6
Contents. — Prologue. — Summer holidays. — And the organ rolled
on. — Her first opera. — Queen of hearts. — So near, and yet so far.
— Through the ordeal of fire. — The spirit of the 'cello. — A bubble
reputation.
Crawford, Rebekah.
Musicians in rhyme for childhood's time. By Rebekah
Crawford and Louise Morgan Sill. New York. Schirmer.
[1890.] Portraits. Plates. M.121.9
Creation, The. Oratorio. For the Music see Haydn, F. J.
Creation, La. Part-song. Charlot. No. 16 in M.1S7.8
Creation, The. Service. Wilkins, J., compiler. No. 4 in M.370.31
Creation d'un theatre d'essai. Criticism. Nouville.
No. 3 in M.122.38
Creator alme siderum. Anthem. Lenz, L. No. 28 in M. 260.17.2
Palestrina. Werke. Band 31. M.8o4oa.66.3i
Creator omnium Deus. Motet. Lassus. Sammtliche Werke.
Band 13. M.8o4oa.67.i3
Credidi propter quod. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Credo. See Masses.
Credo, A. Part-song. Thayer, A. W. No. 28 in M.3g2.26
Credo, quod Redemptor. Anthem. Canniciari.
No. 32 in M.158.33.4
Credulo, II. Opera. For the Music see Cimarosa.
Cremieux, Hector Jonathan.
Bagatelle. Opera comique de H. Cremieu.x et E. Blum.
Musique de J. Offenbach. M.267.43
La belle poule. Opera-bouffe. Paroles de Hector Cre-
mieux & St. Albin. Musique de Herve fpseud.]. M.276.35
Les bergers. Opera-comique. Paroles de Hector Cremieux
& Philippe Gille. Musique de J. Offenbach. M.368.15
La chanson de Fortunio. Opera comique, paroles de Hector
Cremieux et Ludovic Halevy, musique de J. Offenbach.
No. 3 in M.368.13
Une demoiselle en loterie, operetta, paroles de Jaime fils et
H. Cremieux. Musique de J. Offenbach. No. 2 in M.368.14
Les eaux d'Ems. Operette. Paroles de H. Cremieux & L.
Halevy. Musique de Leo Delibes. No. i in M.2g5.22
La famille Trouillat, ou la rosiere d'Honfleur. Operette de
H. Cremieux et E. Blum. Musique de L. Vasseur. M.32S.13
Une fin de bail. Operette, paroles de Hector Cremieux et
Ludovic Halevy, musique de A. Varney. No. i in M.325.11
Le financier et le savetier. Operette, musique de J. Offen-
bach. No. 3 in M.368.14
La foire de St. Laurent. Opera-bouffe de H. Cremieux et
A. de St. Albin. Musique de J. Offenbach. M.277.4
Genevieve de Brabant. Opera bouffe. Paroles de H. Cre-
mieux & E. Trefeu. Musique de J. Offenbach.
No. 2 in M.302.i4;etc.
La jolie parfumeuse. Opera comique de H. Cremieux et E.
Blum. Musique de J. Offenbach. M.368.7
Ma tante dort. Opera comique. Paroles de Hector Cre-
mieux. Musique de Henri Caspers. No. 2 in M.275.31
Orphee aux enfers, opera bouffon, musique de J. Offenbach.
M.368.21
Le petit Faust. Opera-bouffe. Paroles de Hector Cremieux
et Jaime fils. Musique d'Herve [pseud.]. M.366.11
Le pont des soupirs. Opera bouffe. Paroles de Hector Cre-
mieux et Ludovic Halevy. Musique de J. Offenbach.
M.368.16
N0.17 in M.157.36.2
No. 3 in M.287.6
M.327.4.6
Cremieux, Hector Jonathan. (Continued.)
Robinson Crusoe. Opera comique. Paroles de MM. E. Cor-
mon [pseud.] et Hector Cremieux. Musique de J Offen-
j ^^''^- ,,^ M.368.10
Le trone d Ecosse. Opera bouffe. Paroles de Hector Cre-
mieux et Aphe. Jaime. Musique de Herve [pseud.]. M.366.9
Les Turcs. Opera-bouffe de MM. Hector Cremieux et
Jaime fils. Musique de Herve [pseud.]. M.328.8
La veuve du Malabar. Opera-bouffe. Paroles de Hector
Cremieux et A. Delacour [pseud.]. Musique de Herve
[pseud.]. M.276.29
Creighton, Robert, D.D. See Creyghton, Robert.
Cremona violins. See Violins.
Cremont, Henry de, Comte.
Vasco de Gama. Poeme lyrique. Musique de Carl Ches-
"^^"- No. I in M.194.9
Creola, La. Opera. For the Music see Coronaro. For the
Libretto see Torelli-VioUier.
Crepes, Les. de la Marquise. Opera. For the Music see Douay.
For the Libretto see Turpin de Sansay.
Crepuscule. Song.
Gounod. Vingt melodies. 2e recueil.
Penavaire. Vingt melodies.
Schubert, F. P. Melodies. Vol. 6.
Crescini, Jacopo.
I briganti, melodramma serio. Musica del maestro Merca-
dante. Venezia. Molinari. [183-?] No. 13 in M.148.8.2
Libretto only, in Italian.
Same. Melodramma serio. Musica del Mo. Saverio Merca-
dante. M.310.31
Creser, William.
Eudora. A dramatic idyll. Words adapted from Mrs. He-
mans's "Bride of the Greek isle" by George Frederick
Armstron.q-. Music by William Creser. [s. A. T. and cho-
rus. Accomp. for piano.] London. Novello, Ewer & Co.
(1882.] No. 2 in M.28S.38
Creso. Opera. For the Libretto see Sacchini.
Crespy-le-Prince, Octave. Baron de.
La journee de la princesse. Opera de salon. Musique de
J. B. Weckerlin. No. 2 in M.326.21
Cressoni, Annibale.
Carlo Magno, melodramma, posto in musica . . . dal maes-
tro E. Torriani. M.isi.17
Cressonnois, Jules Alfred.
Harmonies. Poesie de MM. de Lamartine, Quiertant, Bar-
thet, Victor Hugo. Musique de J. Cressonnois. [Accomp.
de piano.] Paris. Petit & c'«. [1862.] No. 2 in M.295.9
Contents. — Adieux de I'hotesse arabe. — La branche d'amandier. — •
Souvenirs. — Riche et pauvre. — Chanson de Fanfan. — Regrets.
Signed L'abbe Arnaud.
Creste, Jules.
Les fourberies de Marinette. Opera bouffe. en i acte. Pa-
roles de Michel Carre et Paul de Chazot. Musique de
Jules Creste. Partition chant et piano. Paris. Challiot.
[1858.] No. 4 in M.285.28
Le marquis des Flageolets. Opera comique en deux actes.
paroles de Biron et Sylvain St. fitienne. Musique de Jules
Creste. Partition piano et chant. [Paris. 1861?] M.381.12
Cretin, Guillaume.
Deploration sur le trepas de Jean Okeghem . . . precedee
d'une introduction et annotee par Er. Thoinan [pseud.].
Paris. Claudin. 1864. No. 3 in M.141.5
Creuze de Lesser, ./Kuguste Franqois. Baron.
Le billet de loterie, opera comique [de J. F. Roger et Creuze
de Lesser], musique de Nicolo [Isouard]. No. 2 in M. 368.29
Le dejeuner de gargons. Comedie. Musique de Nicolo
[Isouard]. 11.401.22
Monsieur des Chalumeaux. Opera bouffon. [Musique de]
P. Gaveaux. M.224.2S
Die nati'irliche Zauberey. Ein komisches Singspiel fvon
J. F. Roger und A. F. Creuze de Lesser. In Musik ge-
setzt] von Nicolo Isouard. No. 2 in M.330.14
Le nouveau seigneur. Musique de Boieldieu. Opera com-
plet dialogue. No. 2 in M.362.33
Crevel de Charlemagne, Napoleon.
Nina, ou la folle par amour. Musique de Paisiello. M.368.3(J
1.39
303
Crevel
THE PUBLIC LIBRAR!>r OF THE CITY OF BOSTON
Criticism
Crevel de Charlemagne, Napoleon, translator.
Kreutzer, C. Une nuit a Grenade. M.366.18
Creyghton, Robert.
Behold, now praise the Lord. Full anthem. fAccomp. for
organ.] London. Novello. fiSsp?] No. 16 in M.158.IS
Also to be found in Musical times [Music].
I will arise. Anthem. [Accomp. for organ.] London. No-
vello. [185-?] No. 19 in M.158.15
Also to be found in Ayrton's Sacred minstrelsy ; Boyce's Cathedral
music, ed. Warren ; Hullah's Part music, Sacred ; Musical times
[Music] ; Taylor's Madrigals [ist set].
Praise the Lord, O my soul. Anthem [s. s. a. t. b. Accomp.
for organ by V. Novello]. London. Novello. [185-?]
No .17 in M.158.1S
Also to be found in Musical times [Music].
Sanctus. {In Hullah. Part music. Sacred. Vol. i, p. 72.)
No. 22 in M.1S7.28.1
Te Deum, Jubilate, Kyrie, Nicene creed, Sanctus, Magnifi-
cat, Nunc dimittis, in E flat, (/n Boyce. Cathedral music.
Ed. Warren. Vol. 2, pp. 319-357-) No. 29 in M.233.23.2
Te Deum, Jubilate, Magnificat & Nunc dimittis, in B flat,
with the greater third, (/n Ouseley. Cathedral services.
Pp. 268-285.) No. 25 in M.233.9
Te Deum, Jubilate, Sanctus, Kyrie, Nicene creed, Magnifi-
cat and Nunc dimittis, in E flat. [Accomp. for organ.]
(In Novello. Cathedral choir book. Vol. 2.) M.233.14.2
Cri de charite. Song. David, F. C. Cinquante melodies.
M.363.28
Cricketer's song. Part-song. Macfarren, G. A. No. 2 in M. 157.4
Cried Ned to his neighbours. Glee. Langdon, R.
No. S3 in M,220.io
Cries, The, of Durham. Catch. Gregory.
No. 16 in M.I lo.i.i ; etc.
Crimson scarf. The. Ol>era. For the Music see Legouix. For
the Libretto see Farnie.
Cris, Las, de Paris. Chorus. Weckerlin. Choeurs. M.1S7.12
Cris, Les, de Paris. Symphony. Kastner. M. 121.33
Crispino e la Comare. Opera. For the Music see Ricci, L.
For the Libretto see Piave.
Crist, W., translator.
Otto, E. J. Christmas time. No. 2 in M. 194.23
Cristal, Maurice, pseud. See Germa, Maurice.
Cristina di Svezia. Opera. For the Music see Nini. For the
Libretto see Cammarano, S.
Cristoforo Colombo. Cantata. For the Music see Gambini.
For the Libretto see Torre.
Chronology.
BoissoN, F. Dix annees d'ephemerides musicales. Recueil
unique de dix faits musicaux importants pour chaque jour
de I'annce. Paris. 1896. M.208.4
Criticism.
Adam, Adolphe C. Derniers souvenirs d'un musicien. Paris.
1859. ^ M.139.14
Souvenirs d'un musicien. Nouvelle edition. Paris.
1868. M.127.8
Abler, G. Umfang, Methode und Ziel der Musikwissen-
schaft. Leipzig. 1885. No. i in M.373.27
Arnaud, F. Lettre sur la musique a Monsieur le Comte de
Caylus. [Paris?] 1754. No. 6 in M. 103.3
Articles on music [Thirteen biographical and critical
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Aubryet, X. Les jugements nouveaux. Philosophic de
quelques ceuvres. Paris, i860. M.i3g.io
Criticisms on various composers and French authors.
AzEVEDO, A. Les double-croches malades. Melanges de
critique musicale. Paris. 1874. 2 v. in i. M.246.23
Bagge, S. Gedanken und Ansichten iiber Musik und Musik-
zustande in einer Reihe gesammelter Aufsiitze. Wien.
i860. No. I in M. 135.13
Bardonnaut, J. N. M. Observations sur la musique. Paris.
1841. No. 3 in M.218.9
Beauquier, C. La musique et le drame. £tude d'esthetique.
Paris. 1877. M.127.19
Bellaigue, C. L'annee musicale, 1886/87-92. Paris. 1888-
93- 6 V. M.138.7
Impressions musicales et litteraires. Paris. [1901.]
M.102.18
Criticism. (Continued.)
Bennett, J. The musical year, 1883. A record of note-
worthy musical events in the United Kingdom, with a re-
print of criticisms of many of them. London. [1884.]
M.148.36
Berlioz, L. H. A travers chants: etudes musicales. adora-
tions, boutades et critiques. 2e edition. Paris. 1872.
M.129.15
Les grotesques de la musique. Nouvelle edition.
Paris. 1871. M.129.10
Hector Berlioz. Selections from his letters, and aes-
thetic, humorous and satirical writings. New York. 1879.
M.i49a.32
Les soirees de I'orchestre. Paris. 1852. M. 137.15
Berton, H. M. De la musique mecanique et de la musique
philosophique. Paris. 1826. M.ioi.32;etc.
Bertrand, J. £. G. La crise musicale. A propos des
Troyens de M. Hector Berlioz. [Paris. 1863.]
No. 5 in M.372.20
Bitter, C. H. Gesammelte Schriften. Leipzig. 1885. M. 113.9
Blaze, A. H. Musiciens du passe, du present et de I'avenir.
Paris. 1880. M.138.11
Blainville, C. H. L'esprit de I'art musical, ou reflexions
sur la musique et ses differentes parties. Geneve. 1754.
No. 4 in M. 370.64
Bobillier, M. Les concerts en France, sous I'ancien re-
gime. Paris. 1900. M.102.20
Boott, W. a fagot from the Coliseum. Boston. 1869.
On music in America. No. 6 in M.I37.13
Brendel, C. F. Die Musik der Gegenwart und die Ge-
sam.mtkunst der Zukunft. Leipzig. 1854. No. 3 in M.135.13
Largely devoted to Wagner.
Brown, A. A., compiler. [Magazine articles, relating to
music and musicians, theoretical, historical, critical and
biographical.] 24 v. Illus. Portraits. Plates. M.142.2
Each volume is indexed.
Same. New series. Vol. 1-7. M. 373.21
Bruneau, a. Musiques d'hier et de demain. Paris. 1900.
M.376.4
Chambrun, J. D. A. P. Le philosophe et la muse: dialogues
sur la musique. Paris. 1884. M.10S.5
Charnace, G. de. Musique et musiciens. Paris. 1874.
2 V. in I. M.139-23
Volume 2 is devoted to Wagner.
Chop, M. Zeitgenossische Tondichter. Studien und Skiz-
zen. Neue Folge. Leipzig. 1890. _ M.207.8
Chorley, H. F. Thirty years' musical recollections. Lon-
don. 1862. 2 V. M.107.8
CoMETTANT, J. P. O. Lcs musicicns, les philosophes et les
gaietes de la musique en chiffres. Reponse a M. Fran-
cisque Sarcey. Paris. 1870. No. 2 in M.141.17
Musique et musiciens. Paris. 1862. M.118.8
Conrad, M. G. Die Musik im heutigen Italien. Breslau.
1879. No. 3 in M.145.20
Cox. J. E. Musical recollections of the last half-century.
[Anon.] London. 1872. 2 v. M.37i.a
Crowest, F. J. Phases of musical England. London. 1881.
M.146.13
CuRZON, H. de. Musiciens du temps passe. Paris. 1893.
M.138.1
Dancla, J. B. C. Notes et souvenirs. Paris. 1893.
No. 2 in M.207.7
Deldevez, fi. M. E. Curiosites musicales, notes, analyses,
interpretation . . . Paris. 1873. M.123.24
Le passe a propos du present, faisant suite a Mes
memoires. Paris. 1892. M.371.32
Domergue, C. M. Les jeudis de Monte-Carlo. Impressions
musicales. Nice. 1875. No. 2 in M. 119.15
Dorn, H. L. E. Aus meinem Leben. [Sammlung 1-3.]
Berlin. 1870-72. No. 1-3 in M.217.5
Ergebnisse aus Erlebnissen. Fuenfte Folge der Erin-
nerungen von Heinrich Dorn. Berlin. 1877. No. i in M.217.6
Quodlibet. Siebente Sammlung vermischter Auf-
satze. Berlin. 1886. No. 2 in M.217.6
Du Bos, J. B. Critical reflections on poetry, painting and
music. London. 1748. 3 v. M.X16.13
306
Criticism
THE ALLEN A. BROWN COLLECTION OF MUSIC
Criticism
cursioni. Milano. 1876.
FiNCK, H. T. Chopin and other musical essays.
1889.
Fisher, H. The musical profession. London. [i5
Criticism. (Continued.)
DuMANOiR, G. Le mariage de la musique avec la danse
(1664). Paris. 1870. M.119.5
Eastlake, E. R. Music and the art of dress. [Anon.]
London. 1852. No. i in M.ii9a.i2
Eaton, T. D. Musical criticism and biography. London.
1872. M. 1493.12
Ebers, J. J. H. Spohr und Halevy und die neueste Kirchen-
und Opern-Musik. Breslau. 1837. No. 2 in M.147.3.1
Ehlert, L. Letters on music, to a lady. Boston. [1870.]
M.i09a.i7
[Eleven articles cut from magazines on music and musi-
cians.] 1829-71. M.149.11
Ella, J. Musical sketches, abroad, and at home . . . Vol. i.
London. 1869. 1^.1493.33
No more was published.
Ellet, E. F. Nouvellettes of the musicians. New York.
[1851.] 11.1493.4
Ernouf, a. a. L'art musical au XIX« siecle. Compositeurs
celebres: Beethoven, Rossini, Meyerbeer, Mendelssohn,
Schumann. Paris. 1888. M.118.15
EscuDiER, L. Mes souvenirs. 2e edition. Paris. 1863.
M. 139.16
EsTiENNE, C. Lettres sur la musique. Paris. 1854. M.128.28
Feyjoo y Montenegro, F. B. G. Three essays or discourses
on the following subjects: A defence or vindication of the
women, Church music, A comparison between antient and
modern music. London. 1778. M. 143.7
FiLiPPi, F. Musica e musicisti, critiche, biografiche ed ex-
M. 128.25
London.
M.126.3S
88.]
M. 108.36
Freson, J. G. Essais de philosophie de l'art. L'esthetique
de Richard Wagner. Paris. 1893. 2 v. M.118.18
Gautier, E. Un musicien en vacances, !6tudes et souvenirs.
Paris. [1873.] M.106.17
Gerard, H. P. Considerations sur la musique en general,
et particulierement sur tout ce qui a rapport a la vocale.
Paris. 1819. No. 2 in M. 218.9
Glover, W. The memoirs of a Cambridge chorister. Lon-
don. 1885. 2 V. M.126.32
Goodwin, T. Sketches and impressions, musical, theatrical,
and social (1799-1885). Including a sketch of the Phil-
harmonic Society of New York. From the after-dinner
talk of Thomas Goodwin, by R. Osgood Mason. New
York. 1887. M.iogb.42
Gretry, a. E. M. Memoires ou essais sur la musique.
Bruxelles. 1829. 2 v. M.iogb.is
Gruneisen, C. L. The opera and the press. London. i86g.
No. 3 in M.125.8
Hadow, W. H. Studies in modern music, [ist series.]
New York. 1893. M.107.21
Halevy, J. F. F. £. Derniers souvenirs et portraits. Paris.
1863. M.127.7
Souvenirs et portraits. £tudes sur les beaux-arts.
Paris. 1861. M.127.6
Hanchett, H. G. Teaching as a science . . . and. other
[musical] essays. New York. 1882. No. 2 in M. 135. 2
Hanslick, E. Aus neuer und neuester Zeit. (Der mo-
dernen Oper IX. Teil.) Musikalische Kritiken und Schil-
derungen. 2. Auflage. Berlin. 1900. M.373.S5
Concerte. Componisten und Virtuosen der letzten
fiinfzehn Jahre. 1870-1885. Kritiken. 2. Auflage. Ber-
lin. 1886. M. 370.10
Musikalische Stationen. Neue Folge der „Modernen
Oper." Berlin. 1880. M.370.11
Harrison, C. The lute of Apollo. An essay on music.
London. 1896. M.370.12
Hauptmann, M. Briefe ... an Franz Hauser. Band i.
Leipzig. 1871. M.137.14
Briefe ... an Ludwig Spohr und Andere. Neue
Folge der Hauptmann'schen Briefe. Leipzig. iS/b.
No. I in M. 217.9
Criticism. (Continued.)
Letters of a Leipzig cantor. London
1802.
2 V.
M.I06.I0
Haweis, H. R. My musical life. London. 1884. 2 v. M. 146.9
Henderson, W. J. Preludes and studies. Musical themes
of the day. New York. 1891. M.1493.28
Hiller, F. Briefe an eine Ungenannte. Koln. 1877. M.144.6
Musikalisches und Persdnliches. Leipzig. 1876. M.217.8
Holmes, W. H. Notes upon notes. London. [1880?]
M.370.16
Hueffer, F. Italian and other studies. London. 1883.
M.136.13
Musical studies. Edinburgh. 1880. M.126.34
Hugounet, p. La musique et la pantomime. Paris. [1892.]
M.207.21
Imbert, H. Symphonic. Melanges de critique litteraire &
musicale. Paris. 1891. No. i in M.134.7
Jackson, W. Observations on the present state of music in
London. London. 1791. M.148.37
Jacox, F. Bible music: being variations, in many keys, on
musical themes from Scripture. Boston. 1862. M.103.17
Jullien, J. L. A. Goethe et la musique: ses jugements, son
influence, les oeuvres qu'il a inspirees. Paris. 1880. M.128.7
Musiciens d'aujourd'hui. [le,] 2e serie. Paris. 1892,
94- 2 V. m:.I37.3
Junker, C. L. Zwanzig Componisten, eine Skizze. Bern.
1776. M.1093.2
Kilburn. N. Notes and notions on music. A series of
short essays and critiques. London. [1887.I M.102.12
Kingston, W. B. IMusic and manners: personal reminis-
cences and sketches of character. London. 1887. 2 v.
M.135.6
Klein, H. Musical notes; an annual critical record of im-
portant musical events. 1st issue. Jan.-Dec, 1886. Lon-
don. 1887. No. iinM.116.5
Same. 3d year, 1888. London. 1889. M. 148.33
Krehbiel, H. E. Review of the New York musical season.
1885/86-89/90. New York. 1886-90. M.131.11
Kretzschmar, a. F. H. Fiihrer durch den Concertsaal.
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L.\cepede, B. G. £. DE. La poetique de la musique. Paris.
1785. 2 V. M. 146.5
Lacombe-Trouillon, L. Philosophie et musique. CEuvre
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I.,\ Face, J. A. L. de. Miscellanees musicales. Paris. 1844.
M.144.5
Laprade, P. M. V. R. DE. Contre la musique. Paris. [1880.]
M.139.7
Laugel, a. a. La voix, I'oreille et la musique. Paris. 1867.
M. 139.2
Lewinsky, J., editor. Vor den Coulissen. Original-Blatter
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Lobe, J. C. Consonanzen und Dissonanzen. Gesammelte
Schriften aus iilterer und neuerer Zeit. Leipzig. 1869.
M.136.3
— — • Musikalische Briefe. Wahrheit iiber Tonkunst und
Tonkiinstler. Leipzig. 1852. 2 v. in I. M.i09b.29
Lucas, E. Les concerts classiques en France. Paris. 1876.
M.127.3
LuNN, H. C. Musings of a musician. London. 1846.
M.108.18
Macfarren, G. a. Addresses and lectures. London. 18S8.
M.I493.I5
Mallarm6, S. Oxford, Cambridge: La musique et les
lettres. Paris. 1895. No. i in M.370.66
Marx, A. B. Erinnerungen. Aus meinem Leben. Berlin.
1865. 2 V. in I. M. 128.24
Mason, L. Musical letters from abroad: including accounts
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MfiMOiRES pour servir a I'histoire de la revolution operee
dans la musique par le Chevalier Gluck. Paris. 1781.
M.146.19
307
Criticism
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Croce
No. S, 6 in M.132.5
No. I in M.373.51.1
No. 4 in M. 141. 15
Criticism. (Continued.)
Mereaux, J. N. A. Le F. de. Varietes litteraires et musi-
cales. Precedees d'une notice biographique par Marmon-
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Mesnard. L. Essais de critique musicale. [t.1 3. Schu-
mann. Wagner. Berlioz. Brahms. Affinites musicales
chez Beethoven, etc. Paris. 1892. M.137.S
MiCHiELS VAN Kessenich, J. A. H. De la musique. Suite.
Ruremonde. 1859- M.iaga.i
MoNNMS, D. G. £. Esquisses de la vie d'artiste. Pans.
' 1844. 2v. M.143.14
MoscHELES, I. Recent music and musicians, as described in
[his! diaries and correspondence. New York. 1873.
M.IOI.I
[Music and drama. Cuttings from Every Saturday. Bos-
ton. 1869-73-] , **-"3-6
Music Teachers' National Association. Annual meetmg,
4th, 7th. Albany [etc.]. 1880, 83.
Same. 8th. Chicago. [1884.]
Same. 9th. [New York. 1885.]
Same. ioth-i3th. [Boston? 1886-89.] M.373-SI
Musikfuehrer, Der. Gemeinverstandliche Erlauterungen
hervorragender Werke aus dem Gebiete der Instrumen-
tal- und Vokalmusik. No. 1-256, 259-273. 277, 278, 283, 284,
286-290351.352. Frankurt a. M. [1894-1903?] M.217.12
N\egeli 'h G Vorlesungen aber Musik mit Beriicksich-
tigung der Dilettanten. Stuttgart. 1826. ^:?J°f^
NoHL, C. F. L. Beethoven. Liszt, Wagner. Em Bild der
Kunstbewegung unseres Jahrhunderts. Wien. 1874.
M.371.18
NoHL C F L editor. Letters of distinguished musicians.
London. 1867. ^ ^.,^ ^ . . '«-^°J;5
Mosaik. Fiir Musikalisch-Gebildete. Leipzig. 1882.
M.149.1
Ordinaire, R. Marius et les Teutons. Fantaisie musicale.
[Paris.] 1866. , N0.3inM.137.10
Ortigue T L. d'. Le balcon de I'opera. Pans. 1833.
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Paget V Musical expression and the composers of the
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Studies of the i8th century in Italy. New edition.
London. 1887. M.148.12
Pean de la Roche-Jagu, E. Memoires artistiques . . .
Paris. 1861. ^ . „ ^'•^^a;^
Planche, J. B. G. fitudes sur les arts. Pans. 1855. M.iigb-S
Pleyel Wolff et compagnie. La salle Pleyel. Paris. 1893.
' No. 3 in M.372.23
PoHL G R Das Karlsruher Musikfest im October 1853.
Leipzig. 1853. No. 3 in M.373.27
Pontecoulant, L. a. Le D. de. Les phenomenes de la mu-
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PooRTEN, A. Testament d'un musicien. Paris. 1890.
No. I in M. 198.21
Potter, J. Observations on the present state of music and
musicians . . . Added a scheme for erecting and support-
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M.373.12
Proudman, J. Musical jottings, useful and humourous.
London. 1872. M.iogb.S
PuDOR, H. Die alten und die neuen Wege in der Musik,
nebst einem Vorwort. Dresden. 1892. No. i in M.372.41
Quarterly Musical Magazine and Review. [A collection
of critical and analytical articles, cut from this periodical.
London. 1820-26.] 2 v. M.207.28
QuiNET, Madame E. Ce que dit la musique. Paris. 1893.
M.128.1S
Remo. F. La musique au Pays des Brouillards, suivi de
queiques biographies inedites d'artistes contemporains.
£tude de I'etat actuel de la musique en Angleterre. Paris.
1855. M.i38.3;etc.
Reyer, L. £. E. Notes de musique. Paris. 1875. M. 127.23
RiTTER, F. R. Lyre, pen and pencil: essays, studies,
sketches. New York. 1891. M.373.50
Criticism. (Continued.)
Robert, G. La musique a Paris, 1894-1900. fitudes critiques
sur les concerts . . . Annee [i]-6. Paris. i89S-[i90i].
6 V. in 5. M.370.29
Rochlitz, F. J. Fiir Freunde der Tonkunst. Leipzig. 1830,
32. 4 V. M.109.5
RoMAiN, L. DE. Essais de critique musicale. Paris. 1800.
M.127.16
Ropartz, J. G. Notations artistiques. Paris. 1891. M.iiS.ig
Rubinstein, A. G. Music and its masters. Chicago. [1892.]
M.104.10
Saint-Auban, fi. DE. Un pelerinage a Bayreuth. Paris. 1892.
M.138.14
Saint-Saens, C. C. Harmonic et melodic. Paris. 1885.
M.127.14
Saison MUSICALE, La. Par une reunion d'ecrivains speciaux.
1866. 2e edition. Paris. 1867. M.108.37
ScHAEFFER, J. Zwei Bcurtheiler Robert Franz's. Ein Bei-
trag zur Beleuchtung des Unwesens musikalischer Kritik
in Zeitungen und Broschiiren. Breslau. 1863.
No. 5 in M.207.3
Schumann, R. A. Music and musicians. Essays and criti-
cisms. London. 1877. M. 107.13
ScuDO, P. L'annee musicale. Annee 1-3. Paris. 1860-62.
M.I 38.8
Critique et litterature musicales. Serie [l], 2. Paris.
1852, 59. 2 V. M.i2g.45
Sittard, J. Studien und Charakteristiken. [Band] 1-3.
Hamburg. 1889. 3 v. M.373.16
Straften, E. van DER. Turin musical. Pages detachees.
Audenarde. 1880. No. 6 in M.206.5
Thibault, a. F. J. On purity in musical art. London. 1877.
M.128.11
Tretbar, C. F. Analytical reviews. New York. [1878.]
No. 3 in M.125.9
[Twelve articles on music and musicians cut from various
periodicals. 1828-77.] 12 pphs. in i v. M.148.18
Udine, J. d'. Lettres paradoxales sur la musique. Paris.
1900. M.376.11
Valori-Rustichelli, H. F. de. La musique et le document
humain. Suivie d'une etude sur Rossini et Verdi. [2e edi-
tion.] Paris. 1887. No. l in M.370.42
Wagner, W. R. Gesammelte Schriften und Dichtungen.
Leipzig. 1871-83. 10 V. M.148.1
Art life and theories. Selected from his writings.
New York. 1875. M.101.16
"The music of the future." London. 1873.
No. 9 in M. 144.18
Musiciens, poetes et philosophes. Apergus et juge-
ments. Paris. 1887. M.127.45
Nachgelassene Schriften und Dichtungen. Leipzig.
1895. M.373.20
Wagner. Paris. 1895. 2 v. M.371.14
Translation of much of Wagner's aesthetic writings and of the li-
brettos of his operas.
Waldersee, p. VON, editor. Sammlung musikalischer Vor-
triige. Reihe 1-5. Leipzig. 1879-84. 5 v. H.105.3
Weber, C. M. F. E. von. Hinterlassene Schriften. Dres-
den. 1827, 28. 3 V. M.ioga.20
Weber, J. Les illusions musicales. Paris. 18S3, M.i28.2g
Wolzogen, C. a. a. von. Ueber Theater und Musik. Bres-
lau. i860. M.108.1
Worgan, T. D. The musical reformer, comprising the fol-
lowing essays: An apology for intellectual music; The
musical Utopia; The penultimate; Some account of a mu-
sical composition in forty-five parts. London. 1829.
No. 2 in M.373.36
Wylde, H. Occult principles of music. 4 lectures. Lon-
don. [1881.] M.l49.3a
Croce, Giovanni dalla.
And they went forth. [Anthem. Accomp. for organ.] (In
Rimbault. Collection of ancient church music. Vol. i,
pp. 103, 104.) No. 21 in M.233.25.1
308
Croce
THE ALLEN A. BROWN COLLECTION OF MUSIC
Croisade
Croce, Giovanni dalla. (Continued.)
Behold, I bring you glad tidings. [Anthem. Accomp. for
organ.] (In Musical times. [Music] Vol. 6, pp. 167-
169.) No. 23 in M.175.1.6
Also to be found in Rimbault's Collection of ancient church music.
By the Cross, in woe and weeping. Hymn. For s. a. t. b.
The words part of a translation of Stabat Mater. (In Hul-
lah. The Singer's library. Sacred. Pp. 77-80.)
No. IS in M.1S7.3
Behold now, praise the Lord. [Anthem. Accomp. for or-
gan.] (In Rimbault. Collection of ancient church music.
Vol. 3, pp. 150-154.) No. 33 in M.233.25.3
Cantate Domino. [Motet. Accomp. for organ.] (In Lueck.
Sammlung ausgezeichneter Compositionen fiir die Kirche.
Band 4, pp. 21-24.) No. 11 in M.158.33.4
Charge them that are rich. [Anthem. Accomp. for organ.]
(In Rimbault. Collection of ancient church music. Vol. i.
pp. 105-107.) No. 22 in M.233.2S.1
Cynthia, thy song. Madrigal [s. s. a. t. b.]. (In Hawes.
Collection of madrigals. Pp. 91-96.) No. 18 in M.235.12
Also to be found in Musical library ; Novello's Glee-hive ; Taylor's
Madrigals [ist set] ; Webb's Collection of madrigals.
Exaudi, Deus. [Motet, a. t. t. b. Accomp. for organ.] (In
Lueck. Sammlung ausgezeichneter Compositionen fiir
die Kirche. Band 4, pp. 5, 6.) No. 4 in M.158.33.4
Same. [t. t. b. b.] (/n Same. Pp. 14, 15.) No. 8 in M.158.33.4
Give ear, Lord, unto my prayer. [Anthem. Accomp. for
organ.] (In Rimbault. Collection of ancient church
music. Vol. 3, pp. 168-170.) No. 37 in M.233.25.3
I will remember Thy name. Motet. [Accomp. for organ.]
(In Hullah. Fart music. Sacred. Vol. 2, pp. 80-83.)
No. 28 in M.157.28.2
Now unto Him. [Anthem. Accomp. for organ.] (In Rim-
bault. Collection of ancient church music. Vol. i, pp.
1 17-120.) No. 25 in M.233.25.1
O give thanks unto the Lord. [Anthem. Accomp. for or-
gan.] (In Rimbault. Collection of ancient church music.
Vol. 3, pp. 160-164.) No. 35 in M.233.25.3
O praise the Lord of heaven. [Anthem. Accomp. for or-
gan.] (In Rimbault. Collection of ancient church music.
Vol. 3, pp. 155-159) No. 34 in M.233.25.3
O Sacrum Convivium. [Motet. Accomp. for organ.] (In
Lueck. Sammlung ausgezeichneter Compositionen fiir
die Kirche. Band 3, pp. 140-142.) No. 35 in M. 158.33.3
Plead Thou my cause, O God. Motet. [Accomp. for organ.]
(In Hullah. Part music. Sacred. Vol. 2, pp. 28-31.)
No. 12 in M.1S7.28.2
Teach me Thy way, O Lord. [Anthem. Accomp. for or-
gan.] (In Musical times. [Music] Vol. 6, pp. 158, 159.)
No. 19 in M.175.1.6
Also to be found in Rimbault's Collection of ancient church music.
Thou art beautiful beyond the sons of men. Motet. [Ac-
comp. for organ.] (In Hullah. Part music. Sacred.
Vol. I, pp. 54-57) No. 17 in M.157.28.1
Ye pearls of snowy whiteness. [Madrigal, s. s. a. t. b.] (In
Taylor. Vocal school of Italy. Pp. 70-85.)
No. 17 in M.237.28
Crochets and quavers. History. Maretzek. M. 104.32
Croci, P.
Mose. Poema sinfonico-vocale in un prologo e tre parti.
Testo di A. Cameroni e P. Croci. Musica di D. Lorenzo
Perosi. M.415.19
Crociato, II, in Egitto. Opera. For the Music see Meyerbeer.
For the Libretto see Rossi, G.
Crocius, P., pseud. (?).
Progres de la musique dramatique. Un mot a I'occasion des
articles de M. le President Troplong et de M. le Prince
Poniatowski. Paris. Gaittet. 1859. No. 5 in M.373.22
Crocuses and snowdrops. Part-song. Smart, H.
No. 14 in M.I9S.I.8
Croff, Giovanni Battista.
Quartetto {2 violini. viola e violoncello. Partitura]. Fi-
renze. Guidi. [1863.] No. 2 in M.246.34
Croft, William.
Behold, God is my salvation. Anthem, [b. solo. Accomp.
for organ.] (In Turle and Taylor. The People's music
book. Vol. 2, pp. 263-266.) No. 62 in M.ii 1.4.2
Croft, William. (Continued.)
Cry aloud and shout. Chorus [s. s. a. x. b.]. London. No-
vello. [185-?] No. 18 in M.158.IS
Also to be found in Musical times [Music].
For Thee, O God, our constant praise. [Accomp. for or-
gan.] (In Metcalfe. Fifty metrical anthems. Pp. 42-44.)
No. 29 in M.157.34
Give the king Thy judgments. Anthem. [Accomp. for or-
gan.] (In Boyce. Cathedral music. Ed. Warren. Vol. 3,
pp. 450-467.) No. 48 in M.233.23!3
God is gone up. Anthem, [s. s. a. t. t. b. Accomp. for or-
gan.] (In Boyce. Cathedral music. Ed. Warren. Vol. 3,
pp. 70-80.) No. 9 in M.233.23.3
Also to be found in Gardiner's Sacred melodies ; HuUah's Part music.
Sacred; Novello's Collection of anthems.
Hail Britannia. National trio or chorus [a. t. b.]. (In Turle
and Taylor. The People's music book. Vol. 3, pp. 100-
106) No. 41 in M.iii.4.3
I will give thanks. Anthem [a. t. b. Accomp. for organ].
(In Stevens. Sacred music. Vol. 2, pp. 72-83.)
No. 12 in M.234.4.2
Lord, what love have I. Anthem [s. s. Accomp. for organ].
(In Ayrton. Sacred minstrelsy. Vol. 2, pp. 151-155.)
No. 56 in M.2go.22.2
My time, O ye muses. Glee [s. a. b.], harmonized from a
song. (In Bland. The Ladies' collection of glees. Vol. 4,
pp. 449, 450.) No. loi in M.235.17.4
O be joyful in God. Anthem. [Accomp. for organ.] (In
Gardiner. Sacred melodies. Vol. 4, pp. 565-571.)
No. 26 in M.236.30.4
O Lord, Thou hast searched me out. Anthem [s. a. t. b. Ac-
comp. for organ], (/n Ayrton. Sacred minstrelsy. Vol. i,
PP- 53-59) . No. 20 in M.2go.22.i
Also to be found in Gardiner's Sacred melodies ; [for a. t. b.] Stevens's
Sacred music.
Sing praises to the Lord. Full anthem. [Accomp. for or-
gan.] Edited by J. Stainer. (In Novello's Collection of
anthems. Vol. 8, pp. 193-203.) No. 18 in M.195.2.8
Sing praises unto God. Canon, 4 in i. (In Turle and Tay-
lor. The People's music book. Vol. 3, pp. 280, 281.)
No. 66 in M.iii.4.2
Sing unto God. Anthem. [Accomp. for organ.] (In .'Ayr-
ton. Sacred minstrelsy. Vol. 2, pp. 37-40.)
No. 14 in M.290.22.2
Also to be found in Gardiner's Sacred melodies ; Turle and Taylor's
The People's music book.
Tantum ergo. Quartett and chorus. [Accomp. for organ.]
(In Novello. Evening service. Vol. 2, p. 353.) M.26o.23.2
Te Deum, Jubilate, Sanctus, Kyrie, and Nicene creed, in A.
[Accomp. for organ.] (In Novello. Cathedral choir book.
Vol. 2.) M.233.14.2
Thirty select anthems and the burial service ... in vocal
score, with accomp. for the organ or piano forte, by Vin-
cent Novello. London. Novello. [185-?] 2 v. M.233.6
Contents. — I. Hear my prayer, O Lord. — I will sing unto the Lord.
— The Lord is my strength. — Lord, what love have I. — O be joy-
ful in God. — O Lord God of my salvation [for 3 voices]. — ■ O Lord,
rebuke me not. — O Lord, Thou hast searched me out. — Out of the
deep. — Praise the Lord, O my soul. — Rejoice in the Lord. — Sing
unto God, O ye kingdoms. — Sing unto the Lord. — We wait for Thy
loving-kindness. — We will rejoice. — Burial service. 2. Blessed are
all they that fear the Lord. — Cry aloud and shout. — Hear my
prayer. — I cried imto the Lord. — I will alway give thanks. — O
give thanks unto the Lord. — O Lord God of my salvation [full, 4 &
6 voices]. — O Lord, grant the king a long life. — O Lord, I will
praise Thee. — O praise the Lord, ye that fear Him. — Sing praises
to the Lord, O ye saints. — The earth is the Lord's. — The heavens
declare. — This is the day. — The Lord is king. — ■ Thou, O God, art
praised. — Laudate Dominura.
This is the day. Anthem. [Accomp. for organ.] (In Gar-
diner. Sacred melodies. Vol. 3, pp. 330-334)
No. II in M.236.30.3
We will rejoice in Thy salvation. [Anthem. Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. i, pp. 160-
168.) No. 57 in M. 290.22.1
Also to be found in Gardiner's Sacred melodies ; Hullah's Part music.
Sacred ; Novello's Collection of anthems.
Croisade, La. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Croisade, La, des enfants. Cantata. For the Music see Pieme,
For the Libretto see Schwab, M.
309
Croises
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Crueger
Croises, Les, devant Jerusalem. Oratorio. For the Music see
Concone. For the Libretto see Plouvier.
Croisset, Francis de, pseud. See Wiener, Franz.
Croix, La, de I'alcalde. Opera. For the Music see Perry Bia-
gioli. For the Libretto see Vast.
Croix, La, de Marie, Opera. For the Music see MaiUart. For
the Libretto see Simon, J. P.
Croly, George. . ..^
[Pride shall have a fall.] The overture, songs, ... in the
musical comedy. Composed by J. Watson.
No. 4 m M.390.40
Cromwell et Charles IL Opera. For the Music see Olivier.
For the Libretto see LoUiot.
Cronnan. Song. Schubert, F. P. Werke. Serie 20, Band 4.
M.317. 1.20.4
Cronthal, William, pseud. See Gross, Pierre.
Crook, John. ...
The new barmaid. Musical play. Written by Frederick
Bowyer and W. E. Sprange. Music by John Crook.
rVocal score with piano accomp.] London. Hopwood &
Crew. [1895.] ^'•SS?-"
Crookall, John.
Oravi Deum. (Soli and chorus.) [Accomp. for organ.] (.In
Lutz. Motets for the year. No. 47- PP- 222-227.)
No. 47 in M.156.50
Crookall, John, editor.
ScHMiD F. X. Schmid's Mass, in D. No. i in M.201.20
Croquefer, ou le dernier des Paladins. Opera.^ For the Music
see Offenbach. For the Libretto see Trefeu.
Croqueuses, Les, de pommes. Opera. For the Music see
Deffes. For the Libretto see Grange.
Croquignole XXXVL Opera. For the Music see L'Epine.
For the Libretto see Pittaud.
Crosland, Camilla.
Summer night, a cantata. Music by Emanuel Aguilar.
No. I in M.204.2
Cross, Charles Robert.
On the present condition of musical pitch in Boston and
vicinity. By Charles R. Cross and Wm. T. Miller. (.Cut
from American journal of otology. Vol. 2, pp. 249-263.
New York. 1889.) No. 6 in M.207.26
Cross, Michael Hurley, editor.
Mendelssohn-Bartholdy, J. L. F. A grand mass in G.
No. 2 in M.380.2
Mercadante. Ave Verum [s. t. b.]. No. 24 in M.260.10.7
Cross, John C.
The purse, or benevolent tar, a musical entertainment . . .
the music by William Reeve. No. 5 in M.220.18
Crosse, John. , . r.
An account of the Grand musical festival, held in Sept., 1823,
in the Cathedral Church of York. York. Waltenholme.
1825. Plates. Plans. M.121.22
Crotch, William.
Come, praise the Lord. [Accomp. for organ.] (In Metcalfe.
Fifty metrical anthems. Pp. 73, 74-) No. 44 in M.157.34
Elements of musical composition; comprehending the rules
of thorough bass, and the theory of tuning. London.
Longman. 1812. Plates. M.121.7
Go, tuneful bird. Glee. London. Birchall. [181-?]
No. 39 in M.235.14
Also to be found in Warren's Cocks's Hand-book of glees.
Holy, holy, holy Lord God. Hymn. For s. a. b. [Accomp.
for organ.] {In Hullah. The Singer's library. Sacred.
No. 29. Pp. 1-5.) No. 29 in M.IS7.3
Also to be found [for s. a. t. b.] in Novello's Collection of anthems.
Methinks I hear. Motett [s. a. x. b. b.], with instrumental
accomp. [Full score.] London. Cramer, Addison &
Beale. [183-?] No. 3 in M.235.7.2
Also to be found [with accomp. for organ] in Musical times [Music].
O God, Thou art my God alone. [Accomp. for organ.] (In
Metcalfe. Fifty metrical anthems. Pp. 45, 46.)
No. 30 in M.157.34
O Saviour, is Thy promise fled? Hymn for Advent. [Ac-
comp. for organ.] (/n Holden. Church music. Pp. 87-
gi.) No. 9 in M.236.34
Crotch, William. (Continued.)
Palestine, a sacred oratorio. The voice parts in score, the
instrumental adapted for the piano forte. The words by
Reginald Heber, the music by W. Crotch. London.
Cramer, Addison & Beale. [183-?] _ M.241.21
Substance of several courses of lectures on music. London.
Longmans. 1831. Plate. M.105.17
Crotch, William, editor.
G.^lliard. The hymn of Adam and Eve. No. 2 in M.110.18
Specimens of various styles of music referred to in a course
of lectures, read at Oxford & London, and adapted to
keyed instruments. [London.] Mitchell. [183-?] 3 v.
The lectures may be found on shelf-number M.105.17. M.237.3
Crotch, William. Works about.
Barrington, D. Account of a very remarkable young musi-
cian [Mozart] ; Account of Charles Wesley; Some account
of little Crotch. Portrait. (In his Miscellanies. Pp. 279-
325.) No. S in M.132.3
Crowest, Frederick James.
Advice to singers. Sth edition. London. Warne & Co.
1892. M.208.18
A book of musical anecdote, from every available source.
London. Bentley. 1878. 2 v. M.126.17
Cherubini. London. Low. 1890. [The great musicians.]
M.104.19
The great tone-poets: short memoirs of the great compo-
sers. London. Bentley. 1874. M.129.19
Contents. — Bach. — Handel. — Gluck. — • Haydn. — Mozart. —
Beethoven. — Spohr. — Weber. — Rossini. — Schubert. — Mendels-
sohn. — Schumann.
Phases of musical England. London. Remington & Co.
1881. M.146.13
Crown diamonds. Opera. For the Music see Auber. For the
Libretto see Scribe.
Crown jewels. Opera. See Auber. Crown diamonds.
Crown of Jesus music. [For congregations, convents, schools
and families. For 3 and 4 voices without accomp.] Lon-
don. Richardson. [187-?] M.215.6
Crown! oh, crown each brow with flowers. Glee. Taylor,
J. B. A set of seven glees. No. 3 in M.236.21
Crown the glass. Catch. Gillier. No. 192 in M.110.1.3; etc.
Crown'd with roses. Glee. Danby. No. 28 in M.220.9.4
Croze, J. B. de.
Frisette et Polydore. Saynete. Paroles de A. Blanc. Mu-
sique de J. B. de Croze. [Partition chant et piano.] Paris.
Collet. [188-?] No. 3 in M.301.3
Crozet, Felix.
Revue de la musique dramatique en France. Grenoble.
Prudhomme. 1866. M.115.13
Crucem sanctam subiit. Motet. Palestrina. M.384.28;etc.
Cruche cassee. La. Opera. For the Music see Pessard; also
Vasseur. For the Libretto see Lucas; also Cairon.
Crucifixion, The. Oratorio. For the Music see Rippon; also
Stainer. For the Libretto see Simpson, W. J. S.
Crucifixion, The, and the Resurrection. Oratorio. For the
Music see Clarke-Whitfeld.
Crucifixus. Anthem. Bach, J. S. No. 37 in M.2go.22.2
LoTTi. No. 24, 26 in M.202.6.2
Suidell. No. 12 in M.290.29.5
Crucius, Levinus. Works about.
Straeten, E. van der. Notice sur Lievin van der Cruyce
dit Crucius. Lille. 1862. No. 3 in M.149.22
Cruda Amarilli. Madrigal. Petti. No. 152 in M.220.io
Cruda, La, mia nemica. Madrigal. Palestrina. Werke. Band
28. M.8o4oa.66.28
Crudel tiranno Amor. Aria. Handel. Werke. Lieferung 52A.
M.3I3-I-52A
Crudele, acerba, inesorabil Morte. Madrigal. Lassus. Sammt-
liche Werke. Band 2. M.8o4oa.67.a
Crueger, Johannes.
Der Choral: ,,Nun danket Alle Gott," fiir die Orgel gesetzt
von Franz Liszt. (Chor und Begleitung der Trompeten,
Posaunen und Pauken ad lib.) Partitur und Stimmen.
Leipzig. Breitkopf & Hartel. [188-?] No. 4 in M.403.77
310
Cruel
THE ALLEN A. BROWN COLLECTION OF MUSIC
Cura
Cruel, behold my heavy ending. Madrigal. Wilbye. Works.
Vol. I. No. 28 in M.234.19.1
Cruel cuckoo. Part-song. Koschat. No. 30 in M.392.13
Cruel fate, A. Glee. Aylvvard. No. 208 in M.220.9.1; etc.
Hayes, P. No. 4 in M.220.5
Cruel, pourquoi m'as-tu trahie? Aria. Sacchini. Le Sacchini
des concerts. M.274.9
Cruel unkind. Madrigal. Bennet, J. Madrigals.
No. I in M.234.22
Cruel, veux-tu que ton amante. Aria. Sacchini. Le Sacchini
des concerts. M.274.9
Cruel, you pull away too soon. Canzonet. Morley.
No. 4 in M.220.S
Cruelle esperance. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Cruickshank, William Alexander Campbell.
Evening. A four-part song. [London. Novello, Ewer &
Co. 1882.] No. 21 in M.158.15
How beautiful are the feet. [Christmas anthem. Accomp.
for organ.] Boston. Schmidt. [1894.] No. 29 in M.203.26
O summer wind. A four-part song. London. Novello,
Ewer & Co. 1882, No. 20 in M.158.15
Sing, O ye heavens. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. 1894. No. 30 in M.203.26
Stars of the summer night. A four-part song [t. t. b. b.].
(/n The Orpheus. New series. Vol. 7, pp. 59-63.)
No. IS in M.205.10.7
Cruikshank, George, illustrator.
Ferdinand Franck; the auto-biographical sketch. M.i29a.38
Cruiskeen lawn, The. Part-song. Stewart, R. P.
No. 18 in M.ig5.i.i5
Crusade, The. Opera. For the Music see Shield. For the
Libretto see Reynolds, F.
Crusaders, The. Cantata. For the Music see Gade; also Hiles,
H.; also Rogers, E. For the Libretto see Andersen, C.
C. T.; also Millar.
Crusaders, The. Opera. For the Libretto see Bunn.
Crusaders, The. Part-song. Pinsuti. No. 28 in M.195.1.5; etc.
Crux fidelis. Anthem.
John IV.. of Portugal. No. 17 in M.1S8.33.3
Palestrina. Werke. Band 31. M.8o4oa.66.3i
Cruyce, Lievin van der. See Crucius, L.
Cry aloud and shout. Chorus. Croft. No. 18 in M.158.15; etc.
Cry aloud and shout for joy. Anthem. Clarke, H.
No. 22 in M.203.26
Cry unto the Lord. Anthem. Ebdon. Sacred music. M.233.15
Cry'd Strephon. Catch. Baildon. No. 102 in M.220.9.1; etc.
Crystal Palace, London. Saturday concerts.
Programmes, season 1880/81-1883/84. [With indexes.]
London. 1881-84. 4 v. M.304.5
Four programmes are missing in the season 18S2/83.
Same. 20th concert, 1878. No. 9 in M.116.10
Csiky, Gergely.
Toldi szerelme, . . . Toldi's Liebe. Musik Drama von Gre-
gor Csiky u. Emil Abranyi. Musik von Edmund von Mi-
halovich. M.395.44
Cubrid me di flores. Duet. Schumann, R. A. Werke. Serie
10, Band 2. M.316.1.10.2
Cuckoo, The. Part-song. Spohr, L. No. 10 in M.20S.10.4
Cuckow, The. Song. Hook, J. A sixth book of songs.
No. 2 in M.202.32
Cuckow, good neighbour. Catch. Nelham.
No. 219 in M.235.17.2; etc.
Cudmore, Richard.
The martyr of Antioch, an oratorio. The words from the
poem by H. H. Milman. [Accomp. for the piano.] Lon-
don. Balls. [183-?] M.241.22
Cudworth, William.
Musical reminiscences of Bradford. Bradford. Byles. 1885.
Portraits. No. 2 in M.ii9a.i7
Cueppers, Adam Josef.
Arminius. Oratorium [Musik] von Max Bruch. M.34i.n;etc.
Cui, Cesar. See Kui, T. A.
Cuisine, La, des pauvres. Cook-book. Varenne de Beost, C.
M. A. No. /in M.131.14
Cujus animam. Anthem. Klein, B. J. No. 12 in M.260.17.1
CuUey, Arnold D.
Let the words of my mouth. Anthem for s. solo and chorus.
[Accomp. for organ.] (/n Novello's Collection of an-
thems. Vol. 16, pp. 86-90.) No. 10 in M.19S.2.16
Culwick, James Cooksey.
Quartett fiir Pianoforte, Violine, Viola und Violoncell.
Op. 7. [Partitur.] Leipzig. Breitkopf & Hartel. [189-.]
No. 2 in M.404.40
Cum autem esset Stephanus. Motet. Palestrina. Werke.
Band 6. M.8o4oa.66.6
Cum beatus Ignatius. Anthem. Vittoria. Opera. Tomus i.
M.313.2.1
Cum dederit dilectis. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Cum descendisset. Anthem. Palestrina. Werke. Band 31.
M.8o4oa.66.3i
Cum essem parvulus. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Cum hominibus. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Cum inducerent puerum Jesum. Motel. Palestrina. Werke.
Band 6. M.8o4oa.66.6
Cum jucunditate. Motet. Bai. No. 18 in M. 158.33.4
Perez, D. No. 44 in M. 260.24.1
Cum natus esset Jesus. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Cum ortus fuerit. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Cum pervenisset beatus Andreas. Motet. Palestrina. Werke.
Band i. M.8o4oa.66.i
Cum Sancto Spiritu. Chorus. Bonno. No. 10 in M. 233.26.3
Clari. No. 8 in M. 233.26.2
Leo, L. No. 9 in M.233.26.2
Moriari. No. 26 in M.29o.2g.3
Pergolesi. No. ii in M.290.29.6
Gumming,
A sketch of the properties of the machine organ made for
the Earl of Bute. London. Hodson. 1812. No. i in M.373.36
Cummings, William Hayman.
The fairy ring, a cantata, the words by Miss R. S. Hobbs,
the music by W. H. Cummings. [s. a. t. b. and chorus.
Accomp. for piano.] London. Novello, Ewer & Co.
[1873?] No. 2 in M.154.43
O Lord give ear unto my prayer. Full anthem for 4 voices.
[Accomp. for organ.] London. Novello & Co. [1870?]
No. 21 in M. 190.2
Purcell. New York. Scribner & Welford. 1881. [The
great musicians.] M. 104.23
The rudiments of music. London. Novello, Ewer & Co.
[1877. Music primers.] No. 4 in M.117.5; No. I in M.197.5
Cummins, Charles, editor.
Kunzen. [Hallelujah of the creation.] M.222.8
Cunning-man, The. Opera. For the Music see Rousseau, J. J.
Cuopre tal volta il cielo. Aria. Handel, G. F. Werke. Lie-
ferung 52A. M.313.1.52A
Cuor, II, delle fanciulle. Opera. For the Music see Buon-
giorno. For the Libretto see Illica.
Cup, A, of wine. Glee. Bishop, H. R. No. 29 in M. 157.19; etc.
Cupid and Psyche. Ballet. Noverre, J. G. No. 11 in M.147.5
A resume only, no music.
Cupid mistaken. Glee. Baildon. "As afternoon."
No. 80 in M.220.10
Cupid, my pleasure. Glee. Webbe, S. Selection of glees.
Vol. 3. No. 18 in M.23S.13.3; etc.
Cupid no more. Glee. Dyne. No. 218 in M.235.17.2; etc.
Cupid's kindness. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Cupid's Httle game. Play. W., H. G. No. i in M. 143.18
Cupid's lottery. Part-song. Platte. No. 22 in M.203.28
Cupido klein, das Gottlein blind. Part-song. Schein. Werke.
Band 2. M.414.1.2
Cupido, loser, eigensinniger Knabe. Song. Franz, R. Sechs
Lieder. Op. 33. No. 10 in M.244.5.3
Cups and saucers. Opera. For the Music and Libretto see
Grossmith.
Cura d'Amore. Part-song. Schein. Werke. Band 2. M.414.1.2
311
Curci
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Curzon
Curci, Giuseppe.
Ave Maria. Preghiera pour a. [Accomp. de pianoforte.]
Vienne. Mechetti. [185-?] No. 7 in M.260.T0.4
Cure, Edward Capel-.
The light of life (Lux Christi). A short oratorio. The music
composed by Edward Elgar. No. 3 in M.384.26
Curfew, The. Opera. For the Music see Attwood. For the
Libretto see Tobin.
Curfew, The. Part-song. Anderton. No. 41 in M.235.10
King, O. No. 3 in M.195.1.17
Smart. H. No. 2 in M.1S6.4; etc.
Curfew. Song. Waley. No. 7 in M.380.18
Curfew bell. The. Part-song. Macfarren, W. C.
No. 3 in M.195.1.9
Curfew, The, tolls the knell. [Glee.] (/n Bland. The Ladies'
collection. Vol. i. pp. 130, 131) No. 188 in M.23S.17.1
Also to be found in Warren's Cocks's Hand-book of glees.
Curiose Geschichte. Part-song. Konradin. No. 21 in M.392.13
Curiose Geschichte. Song. Kuecken. No. 4 in M.221.25 ; etc.
Curiosites musicales. Criticism. Deldevez. M. 123.24
Curiosities of music. History. Elson. M.io9b.44
Curioso indiscrete, II. Opera. For the Music see Anfossi.
Curious collection. A, of Scots tunes. With variations, for the
violin, with a bass for the violincello [sic] or harpsichord.
Edinburgh. Bremner. [178-?] No. 8 in M.220.18
This collection is incomplete, lacking pp. 9-16, 18 — ?
Curly. Fiction. Coleman, J. No. 3 in M.129.32
Currat, Henry.
Deux permissions de dix heures. Operette. Paroles de Pol
Mercier & Henry Currat. Musique de Frederic Barbier.
No. I in M.2S5.38
Curschmann, Carl Friedrich.
Abdul und Erinieh. Singspiel in I. Aufzuge von S. tor
Hardt. Musik von Fr. Curschmann. Clavierausziig. Ber-
lin. Schlesinger. [183-?] M.231.7
Advent of spring. Trio [s. a. t.]. (/« The Choralist. Vol. i,
ser. 2, pp. 21-24.) No. 18 in M.157.5.1
Aus Liebeszauber. [Gesang, s. o. t. Mit Pianoforte-Be-
gleitung.] Berlin. Schlesinger. [183-?] No. 7 in M.221.30
Curschmann-Album. Sammtliche Lieder und Gesiinge fiir
eine Singstimme mit Begleitung des Pianoforte. Ausgabe
fiir Sopran oder Tenor. Berlin. Schlesinger. [185-?]
No. I in M.IS7.37
Contents. — Wiegenlied : Schutzling der Liebe. — Friihlingslied. —
Wer hatte sie geseh'n. — Lauf der Welt. — Vorabend. — Des Knaben
Tod. — Wiegenlied: O schlumm're, mein Liebchen. — Mailied: Wie
herrlich leuchtet. — Feldeinwarts flog ein Vogelein. — Es lachelt der
See. — Die Elfenkonigin. — Willkommen, du Gottes Sonne. — Liebes-
zauber. — Jagerlied : Kcin' bess're Lust. — Mein Bachlein lass dein
Rauschen sein. — Waldesgruss. — Ungeduld: Ich schnitt'es gern in
alle Rinden ein. — Die Abgeschiednen. — Heimkehr. — Der Fischer.
— Das Gelieimniss. — Morgenlied. — Aus der schonen Magelone :
Geliebter, wo zaudert. — Dankgesang an den Bach. — Altes Volks-
lied: Schatzelein, es kranket mich. — Fruhlingsglaube. — Wiegen-
lied: Schlaf, Kindchen, balde. — Die stillen Wanderer. — Trova un
sol mia bella Clori. — Or che il cicl. — Per pieta bell' idol. — lo lo
so. — Morgengruss. — Liebchen iiberall. — Wiegenlied: So schlaf
in Ruh'. — Lass tiet in dir mich lesen. — Jagerlied im Mai. — Wald-
lied. — Der Gott und die Bajadere. — Der Abend. — Komm lieber
Schatz. — Mein' Ruh' ist hin. — Der kleine Hans. — Du siehst mich
an und kennst mich nicht. — Fruhlingsfeier. — O konntet ihr horen
und sehen sie. — Mailied: Was ist das nur fiir Lust und Schall. —
Sie. — Liebesklage. — Gegenwartiges Gltick. — Zu Bacharach am
Rheine. — Ihr lichten Sterne. — Trost in der Feme. — Der lustige
Wanderer. — Abendlied. — An Rose. — Lenzverjiingung. — Der
Schiffer fahrt zu Land. — Aus der Schonen Magelone: Ruhe, Siiss-
liebchen. — Apri gli occhi. — An Sie. — Ruhe der Liebe. — Wiegen-
lied: Schlaf, mein Kind, schlaf ein. — Wie mir geschah. — Bild der
Nacht. — Standchen. — Huldigung: Hier bring' ich dir. — Der
Waldvoglein Sang. — Friahlingsnacht. — Erfiillung. — Le Napoli-
tain. — Adventlied. — Am Neujahrstage. — An die heilige Jungfrau.
— Nachtlied. — Einladung. — Erscheine noch einmal. — Die schone
Maria. — Kinderlied von den grunen Sommervogeln. — Morgengebct.
— Der kleine Wanderer. — Gia la notte s'awicina. — Weihnachtslied.
The flower-greeting. Trio [s. s. s. Accomp. for pianoforte].
(/); Musical times. [Music] Vol. S, pp. 26-29.)
No. 9 in M. 175.1.5
O Lord, give ear unto my prayer. [Trio, s. a. t. .Accomp.
for organ.] (/n Cotton. Bangor cathedral collection.
Pp. 160-166.) No. 25 in M.290.33
O time! thy hours of pleasure. Trio for 3 voices [s. s. \.].
{In Warren. Cocks's Hand-book of glees. Vol. i, pp.
125-130.) No. 32 in M.157.6.1
Curschmann, Carl Friedrich. (Continued.)
Ungeduld. [Lied, s. o. x. Mit Pianoforte-Begleitung.]
Berlin. Schlesinger. [184-?] No. 9 in M.221.30
Waldesgruss. [Gesang, s. o. bar. Mit Pianoforte-Beglei-
tung.] Berlin. Schlesinger. [183-?] No. 8 in M.221.30
Curst as the evil one. Round. Cooke, B. No. i28in M.220.9.2
Curst be the wretch. Catch. Carey. No. 70 in M.235.17.1; etc.
Curti, Franz.
Caprice. [Part-song, T. T. B. B.] {In The Osgood collection
of part-songs. Vol. 2, pp. 74-79-) M.193.23.2
Erlost. Drama in i Aufzuge von M. Vollhardt-Wittich.
Musik von Franz Curti. Clavierauszug. Dresden. Bock.
[189-?] No. 2 in M.265.33
Hertha. Grosse Oper in 4 Aufziigen von M. Vollhardt-
Wittich. Musik von Franz Curti. Clavier-Auszug vom
Componisten. Dresden. Bock. [189-?] M.383.11
Lili-Tsee. Japanisches Marchen in einem Aufzuge von
Wolfgang Kirchbach. Musik von Franz Curti. Partitur.
Leipzig. Breitkopf & Hartel. 1896. M. 281.39
Same. Klavierauszug. M.39S.21
The waterlily. [Part-song, t. t. b. b.] {In The Osgood col-
lection of part-songs. Vol. i, pp. 20, 21.) M.193.23.1
Curtis, Frazier.
Boscabello. '98 Hasty Pudding play. Music by Waldron H.
Rand, Jr. Libretto by Henry M. Woodruff, and Frazier
Curtis. No. I in M.402.46
Curtis, George Henry.
Eleutheria. A hymn to liberty. Words by Horatio Stone.
Music by George Henry Curtis. In vocal score [s. m-.s. t.
and chorus] with accomp. for piano. New York. Hall.
i8si. M.231.8
Curto, Gregorio.
Bone Pastor. Motet, t. t. b. ou s. s. b. [Accomp. d'orgue.]
Paris. Richault. [184-?] No. 5 in M.158.32
O Salutaris. Trio pour m.-s. t. ou bar. et b. [Accomp.
d'orgue.] Paris. Richault. [186-?] No. 12 in M.201.33
La Sainte Trinite. 2ine messe a 3 voix, s. t. b. [Accomp.
d'orgue.] New Orleans. Grunewald. [187-?]
No. 3 in M.191.4
Curwen, Henry.
Sorrow and song. Studies of literary struggle. London.
King & Co. 1875. 2 V. M.126.30
Contents. — I. Murger. — Novalis [t. c, F. von Hardenberg]. — Petofi.
2. Balzac. — Pol. — A. Chenier.
Curwen, John.
Musical theory. [Tonic sol-fa system.] London. Tonic Sol-
Fa Agency. [1879.] M.108.41
A tract on musical statics: an attempt to show the bearing
of the most j-ecent discoveries in acoustics on chords, dis-
cords, transitions, modulations, and tuning, as used by
modern musicians. London. Tonic Sol-Fa Agency. [1S74.]
Plates. No. i in M.215.7
Curwen, John. Works about.
Curwen, J. S. Memorials of John Curwen. London. 1882.
Portrait. M.108.40
Curwen, John Spencer.
Memorials of John Curwen. London. Curwen. 1882. Por-
trait. M.108.40
The story of Tonic sol-fa. London. [1879?] No. 3 in M.116.5
Studies in worship music, chiefly as regards congregational
singing. London. Curwen. [1880.] M.144.9
Curwen, Thomas.
Singing for schools and congregations: a course of instruc-
tion in vocal music. [Anon.] London. Ward & Co.
1843. Illus. No. 3 in M.376.25
Curzon, Frank.
The birthday festival. Ode. The music by William Spark.
M.290.1
Curzon, Henri de.
Croquis d'artistes. Paris. Fischbacher. 1898. 16 portraits.
M.373.2
Contents. — Faure. — Lassalle. — Maurel. — Vergnet. — Renaud. \^-
Saleza. — Fugere. — Taskin. — Mme. Viardot. — Carvalho. — Nils-
son. ■ — Krauss. — Rose Caron. — Galli-Marie. — Isaac. — Van Zandt.
Les dernieres annees de Piccinni a Paris. Paris. Fisch-
bacher. 1890. No. 5 in M.123.29
312
Curzon
THE ALLEN A. BROWN COLLECTION OF MUSIC
D'ou
Curzon, Henri de. (Continued.)
La legende de Sigurd dans I'Edda. L'opera d'E. Reyer.
Paris. Fischbacher. 1890. M.127.11
Musiciens du temps passe. Paris. Fischbacher. 1893.
M.138.1
Contents. — Les demieres annees de Weber. — Mozart et le Mo-
zarteum de Salzbourg. — Mehul, sa vie et ses oeuvres. — Hoffmann
musicien.
Cusins, Sir William George.
Concerto pour piano avec accomp. d'orchestre. Op. 6.
Pour piano seul. Hambourg. Cranz. [186-?]
No. 2 in M.200.5
Gideon, an oratorio. The words selected from the Bible.
The music by W. G. Cusins. [Accomp. for pianoforte.]
London. Cock & Co. [1871.] M.204.12
Two concert overtures. I. "Les travailleurs de la mer"
(after Victor Hugo). 2. "Love's labour's lost" (after
Shakespeare). [Full score.] London. Lucas. Weber &
Co. [188-?] 2v.ini. No. 2, 3 in M.333-8
Custodi me Domine. Motet. Lassus. Siimmtliche Werke.
Band 3. M.8o4oa.67.3
Cutler, Henry Stephen.
Morning service. Te Deum and Benedictus. [Accomp. for
organ.] Boston. Ditson & Co. [185-?] No. 22 in M.190.2
O God, Thou art my God. Verse anthem. [Accomp. for
organ.] Boston. Russell & Richardson. 1856.
No. 23 in M.190.2
Cutter, Benjamin.
The bailiff's daughter. [Ballad for solo alto and male cho-
rus. Op. 29, no. 2.] Boston. Schmidt. [1894.]
No. 10 in M.203.11
My heart's in the Highlands. [Part-song, t. t. b. b. Op. 29,
no. I.] Boston. Schmidt. 1894. No. 12 in M.203.11
Cutter, Ephraim, editor.
Whiting, G. E. Antiphonal music. Psalm XXIV.
No. 5 in M.154.19
Cutter, Ephraim, Jr.
The dream of the exile. [Part-song, t. t. b. b. Op. 4, no. 3.I
Boston. Boston Music Co. [1894.] No. 1 1 in M.203.11
Farewell. (Celia Thaxter.) Part song for male voices. Op.
4. No. I. Boston. Cutter. [1892.] No. 58 in M.392.3
Jack Horner. [Part-song, t. t. b. b. Op. 4. "O- 2.I Boston.
Boston Music Co. [1893.]
No. 4 in M.194.8; No. I in M.203.13
Reverie. [Chorus for men's voices. Op. 4, no. 4.I Boston.
Boston Music Co. [1894.] No. 13 in M.203.11
Song of home (Longfellow), for T. solo, mixed chorus and
orchestra. [Piano score.] Boston. Cutter. [1891.]
No. S in M.194.8
Cuvelard, G.
Le moulin d'amour. opera-comique de Ch. Pariot, H. Chan-
teclair et G. Cuvelard. No. i in M.396.73
Cuzens, Benjamin.
Happy are we met. Glee [t. t. b.]. (In Social harmony.
Pp. 250, 251.) No. 208 in M.215.21
Also to be found in Warren's Collection of catches.
His Grace in a rage. Catch [for 3 voices], (/h Social har-
mony. Pp. 292, 293.) No. 234 in M.21S.21
Sweet are the banks. Glee [a. t. t. b.]. (In Social harmony.
Pp. 198-202.) No. 173 in M.2JS.2I
Cuzens, Benjamin. (Continued.)
Two lawyers. Catch [for 3 voices]. (In Social harmony.
Pp. 242, 243.) No. 199 in M. 215.21
Cydalises, Les. Part-song. Penavaire. Vin.ert melodies.
No. 3 in M.287.6
Cymbia. Opera. For the Music see Williams, J. For the
Libretto see Paulton.
Cymon. Opera. For the Music see Ame, M. For the Libretto
see Garrick.
Cymon and Iphigenia. Cantata. For the Music see Arne, T. A.
Cygne, Le. For orchestra. Saint-Saens. No. 8 in M.405.53
Cygne, Le, de Tuonela. Symphonic poem. Sibelius. Der
Schwan von Tuonela. No. 2 in M.410.58
Cynthia, thy song. Madrigal. Croce. No. 18 in M.235.12; etc.
Cyrano de Bergerac. Opera. For the Music see Herbert, V.
For the Libretto see Smith, H. B.
Cyrus and Kassandane. Opera. For the Music see Hensel,
J. D. For the Libretto see Ramler.
Cythara, The. Church music. Woodbury. M. 100.21
Cythere assiegee. Opera. For the Music see Gluck. For the
Libretto see Favart, C. S.
Czaar und Zimmermann. Opera. For the Music and Libretto
see Lortzing.
Czapek, Josef.
Geistliches Vorspiel fiir grosses Orchester. Op. 50. Parti-
tur. Leipzig. Breitkopf & Hiirtel. [i88-?l
No. S in M.332.11
Czarine, La. Opera. For the Music see Villate. For the Li-
bretto see Silvestre.
Czeika, pseud.
An operetta in profile.
Ticknor & Co. 1887.
Czemy, Carl.
The art of preluding, as applied to the piano forte, consist-
ing of 120 examples of modulations, cadences. . . . Edited
by John Bishop. London. Cocks & Co. [184-?] M.237.12
Grande symphonie, Seconde, en re majeur pour [orchestre].
CEuvre 781. Partition. Vienne. Spina. [184-?] M.357.1S
Letters to a young lady on the art of playing the pianoforte.
London. Whitehead & Co. [1851.] M.148.31
Rondeau concertant pour piano et violoncelle ou violon.
No. 3. CEuvre 136. [Piano seul.] Paris. Richault. [183-?]
No. IS in M.210.1
Same. [Partie de violon.] No. 9 in M.210.9
Same. [Partie de violoncelle.] No. 16 in M.210.11
The school of fugue playing, consisting of 24 grand studies
for the piano forte. Edited by John Bishop. London.
Cocks & Co. [1S4-?] M.237.13
Supplement to his Royal piano forte school. 64 exercises,
selected from the works of Albrechtsberger, Bach, Bee-
thoven . . . Correctly fingered. London. Cocks & Co.
[184-?] M.237.14
Czibulka, Alfons.
„Der Gluckritter." Operette in 3 Acten. frei nach dem
Franzosischen von Richard Genee, W. Manstadt und
Bruno Zappert. Musik von Alfons Czibulka. Vollstiindi-
ger Clavier-.Auszug. Wien. Lewy. [1888?] M.285.40
Pfingsten in Florenz. Operette in 3 Acten, von Richard
Genee und J. Riegen. Musik von Alfons Czibulka. Cla-
vierauszug. Hamburg. [1884.] M.285.4r
By Czeika [pseud.].
Boston.
M. 1093.28
D
D., H.
Biography of Louis Moreau Gottschalk, the American pian-
ist and composer. Philadelphia. Deacon & Peterson.
1853. No. I in M.373.63
From Graham's Magazine, for January, 1853.
Contains a number of newspaper clippings on the subject.
D. Z. See Dezede, .
D'amours me va tout au rebours. Part-song. Lassus. Sammt-
liche Werke. Band 16. M.8o4oa.67.i6
D'aspri legato indegni. Aria. Hasse, J. A. P.
No. II in M.290.2g.3
D'ogni cor, d'ogni pensiero. Duo. Millet. Duos, trios . . .
M.IS7.H
D'oii vient cela. Anthem. Sweelinck. Werken. Deel 5. 9.
M.413.2.S, 9
D'ou vient, Seigneur. Anthem. Sweelinck. Werken. Deel 4.
M.413.2.4
I 40
313
D'ou
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dalayrac
D'oii vient que je rougis? Song. Kalkbrenner. F. W. M.
No. 26 in M.221.30
D'un bal vif et bruyant. Song. Feltre. No. 22 in M.390.37
D'un barbaro affanno. Duet. Tritto. No. 4 in M. 120.13
D'un beir uso di Turchia. Duet. Rossini. No. 23 in M.193.21.2
D'un infelice amante. Song. Jommelli. No. 6 in M. 120.23
D'un juste combat qui m'honore. Aria. Sacchini. Le Sac-
chini des concerts. M.274.9
D'un pensiero e d'un accento. Part-song. Bellini.
No. 17 in M.1S7.14
D'un si brillant succes. Aria. Sacchini. Le Sacchini des
concerts. 14.274.9
Da cosi dotta man sei stato fatto. Madrigal. Palestrina.
Werke. Band 28. 11.80403.66.28
Da deine Schwiire all'. Part-song. Brambach. Acht schottische
und irische Volksmelodien. No. 43 in M. 392.3
Da die Stunde kam. Part-song. Pache. No. 8 in M.392.21
Da die Stunde kam. Song. Franz, R. Sechs Gesange. Op. 7.
No. 52 in M.244.5.1
Da drausen auf der Aue. Song. Kuecken. Fiinf Lieder.
No. 2d in M.244.6.2
Da driiben. Part-song. Jansen, F. G. No. 20 in M.392.42.3
Nessler. Drei Lieder. Op. 82. No. 18 in M. 392.37
Da driiben. Song. Kuecken. Lied in der Fremde.
No. I in M.244.6.1
Da fuoco cosi bel nasce. Part-song. Palestrina. Werke.
Band .30. M.8o4ao.66.30
Da gaudiorum praemia. Part-song. Lassus. Sammtliche
Werke. Band x M.8o4oa.67.3
Da Israel aus Aegypten zog. Anthem. Mendelssohn-Bar-
THOLDY, J. L. F. Werke. Serie 14, Abtheilung a, Vol. 2.
M.413.3.14A.2
Da I'empia gelosia. Part-song. Palestrina. Werke. Band 30.
M.8o4oa.66.30
Da lieg' ich unter den Baumen. Song. Mendelssohn-Bar-
THOLDY, J. L. F. Werke. Serie 19. M.413.3.19
Da liegt er starr. Part-song. Schubert, F. P. Chor-Gesang-
werke. Band I. No. 8 in M.280.48.1; etc.
Da mihi intellectum. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Da nur Leid und Leidenschaft. Song. Wolf, H. Spanisches
Liederbuch. No. 42 in M.380.30
Da pacem, Domine. Anthem. Busschop. No. 9 in M.260.19
Lassus. Sammtliche Werke. Band 13. M.8o4oa.67.i3
Mendelssohn-Bartholdy, J. L. F. No. 4 in M. 280.13; etc.
Da pater antiquae. Motet. Lassus. Sammtliche Werke. Band 5.
11.80403.67.5
Da quel di ch'io ti mirai. Trio. Tramezz.^ni. Tre pezzi vo-
cali. No. 6 in M.221.21
Da quel sembiante. Duet. Blangini. No. 16 in M.221.20
Da quel sembiante apresi. Song. Schubert, F. P. Werke.
Serie 20, Band 10. 11.317.1.20.10
Da sete ardente afflitto. Aria. Handel. Werke. Lieferung
.SO. M.313.1.50
Da Sie, ihr Name wird im Himmel nur genennet. Motet.
ScHicHT. Motetten. Heft 10. No. 10 in M.236.19
Da sind die bleichen Geister wieder. Song. Franz, R. Dich-
tungen von Max Waldau. Op. 13. No. 12 in M.244.5.2
D3 unten im Thale. Song. Brahms. Deutsche Volkslieder.
Heft I. No. 9 in M.380.40.3
D3 wir zusammen waren. Part-song. Nessler. No. 4 in M.392.19
D3chauer, Louis.
Ave Verum, pour s. ou t., avec accomp. d'orgue. Paris.
Richault. [184-?] No. i in M.260.10.2
Messe solennelle, i^re^ a quatre voix et choeurs, avec ac-
comp. d'orgue. Bruxelles. Schott. [187-?] No. s in M.201.3
Daclin, Karl.
Bataille d'amour. Opera comique de Victorien Sardou et
Karl Daclin. Musique de Vaucorbeil. M.32S.2Q
Daddi, J. G.
Nao dormi! [Solo. s. Acomp. de piano.] Lisboa. Sas-
setti & ca. [185-?] No. 5 in 11.391.57
Daemmerempfindung. Song. Cornelius. Werke. Band i.
M.414.20.1
Daemmerung. Part-song. Abt, F. 3 Lieder fiir eine s und
Manner-Quartett. No. 21 in M.392.2
VOGEL, W. M. Vier Gesinge. No. 45 in M.392.26; etc.
314
Daemmrung senkte sich von oben. Song. Brahms. Lieder
und Gesange. Op. 59. Heft i. No. 3 in M.380.40.2
Daemon, Der. Opera. For the Music see Rubinstein. For
the Libretto see Viskovstof.
Dafne. Opera. For the Music see Gaglisno. For the Libretto
see Rinuccini.
Dagobert et son velocipede. Opera. For the Music see De-
marquette. For the Libretto see Blondeau, H.
Daheim das Herz. Part-song. Billeter. Vier Lieder im
Volkston. No. 16 in M.392.3S
Dahlwitz, G.
Galilei. Grosse Oper in S Acten, von Ernst Pasque. Musik
von G. Dahlwitz. Clavier-Auszug. Berlin. Bote & Bock.
[1878.] M.285.43
Dahn, Ludwig Julius Felix.
Armin, Heroische Oper. Musik von Heinrich Hofmann.
H.286.2
Der Fremdling. Operndichtung in drei Aufziigen . . . Mu-
sik von H. Yogi. Leipzig. Breitkopf & Hartel. [1899.]
Words only. No. 2 in M.372.37
Same. „Der Fremdling." Oper. Komponirt von Heinrich
Yogi. M.393.71
Harald und Theano. Oper. Musik von C. Ad. Lorenz.
M.393-40
Jung Sigurd. [Cantata.] Komponiert von Robert Schwalm.
No. 12 in M.212.16
Kreuzfahrt. Gedicht, componirt von Richard Wiesener.
No. 10 in M.2i2.ig
Mila. [Cantata.] Music by Robert Schwalm.
No. 24 in M.392.2S; etc.
Ratbold. Oper. Musik von Reinhold Becker. M.397.3
Der Zaubermantel. Ballade. Componirt von Friedrich
Gernsheim. No. 5 in M.391.39
With German and English words.
Dai primi di del viver mio. Romanza. Donizetti. Matinees
musicales. No. s in M.236.14
Daillens, de.
Les exploits de Dragonnette. Opera comique de M. de
Daillens et A. Mellerio. Musique de E. V. Pierraccini.
No. 2 in M.301.18
Daily music and drama. See Freund's daily.
Dainty, fine bird. Madrigal. Gibbons, O.
No. 36 in H.157.20.2; etc.
Dainty, fine, sweet nymph. Madrigal. Morley.
No. 4 in M.235.12; etc.
Dainty love. Part-song. Macfarren, W. C. No. 12 in 11.195.1.5
Dainty white pearl. Madrigal. Bicci. No. 15 in M.235.12
Dairy house, The. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Daisy mine! Song. Keller, M. No. 12 in M.192.13.1
Dal nuvoloso monte. Aria. Leo. No. 39 in 11.290.29.2
Dal tuo soglio. Duet. Leo. No. 5 in 11.290.29.2
Dal tuo stellato soglio. Part-song. Rossini.
No. IS in M.154.14; etc.
Dalamazzo, D. E. M.
The life of Adelina Patti. [Anon. London. 1877.] Por-
trait. No. I in M.139.19
Dalayrac, Nicolas.
Adele et Dorsan. Comedie en 3 actes en prose. Paroles de
B. Marsollier . . . Mise en musique par N. Dalayrac.
[Partition.] Paris. Pleyel. [1795.] M.291.32
Adolphe et Clara, ou les deux prisonniers, comedie en i acte
et en prose. Paroles de B. J. Marsollier . . . Musique de
N. Dalayrac. [Partition.] Paris. Pleyel. [1799.] 11.252.15
Same. Partition piano et chant. [1895.] No. i in M.245.3
Alexis. Eine Operette in i Act [von B. J. Marsollier des
Yivetieres], componirt von N. Dalayrac. [Partition.]
Manuscript . [i8o-?l M.231.10
L'amant statue. Comedie en i acte et en prose [par Desfon-
taines de La Yallee]. Mise en musique par M. Dal***.
[Partition.] Paris. Le Due. [178-?] M.252.3
Ambroise, ou voila ma journee. Comedie en i acte en prose.
Paroles du C^". Monvel . . . Mise en musique par N. Da-
layrac. [Partition.] Paris. Pleyel. [1793.] M.252.6
Same. Manuscript. [Paris? 18 — ?] M.252.7
Azemia, ou les sauvages, comedie en 3 actes [par La Cha-
beaussiere] . . . Mise en musique par M. Dal***. [Par-
tition.] Paris. Le Due. [1787?] M.252.18
Dalayrac
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dal Monte
Dalayrac, Nicolas. (Continued.)
Same. Ouverture und Gesaenge aus der Oper die Wilden
von Schmieder [nach La Chabeaussiere], Musik von
D'Alayrac. Clavierauszug. Mainz. Schott. [179-?]
No. I in M.320.11
[La boucle de cheveux.] Ausgewahlte Stiicke aus der Oper:
Die Haarlocke. Im Clavierauszuge. Wien. Kunst- u.
Industrie-Comptoir. [181-?] No. 3 in M.231.9
The words are in German from F. B. Hoffman.
Same. Opera en i acte. Paroles d'Hoffman. Musique de
Dalayrac. [Partition.] Paris. 6rard. [1802.]
No. I in M.291.31
Camille, ou le souterrain. Comedie en 3 actes en prose, par
M. MarsoUier. Mise en musique par M. Dalayrac. [Parti-
tion.] Paris. Pleyel. 1791. M.252.5
Les canons, ou la reponse au Salpetre [t. Accomp. de
piano]. (/« Pierre, C. V. D. Musique des fetes et cere-
monies de la Revolution frangaise ... P. 45i-) M.380.14
Le chateau de Montenero, comedie en 3 actes et en prose
Paroles du C«". Hoffmann . . . Musique de N. Dalayrac.
[Partition.] Paris. L'auteur. [1798-] M.2S2.12
Le corsaire. Comedie en vers et en 3 actes [par La Cha-
beaussiere]. Mise en musique par M. Dal***. [Parti-
tion.] Paris. Le Due. [178-?] M.2S2.14
Les deux petits Savoyards. Comedie en i acte par M.
Mars [oilier] des V[ivetieres] ... Par M. Dal * * * . [Par-
tition.] Paris. Le Due. [1789-] M.252.20
Same. Die beiden Savoyarden. (Les deux petits Savo-
yards.) Komische Oper in I Act. Text nach dem Franzo-
sischen [Marsollier's]. Musik von Nicolaus Dalayrac. Cla-
vierauszug mit Text. Nach der Partitur berichtigt unci
neu bearbeitet von Richard Kleinmichel. Leipzig. Senff.
[188-?] M.363.24
Les deux tuteurs. Comedie en 2 actes en prose. [Par N.
Pallet] . . . Mise en musique par M. Da*** . [Parti-
tion.] Paris. Le Due. [1784-] M.252.21
La dot. Comedie en 3 actes et en prose, par M. Desf.r,
taines . . . Mise en musique par M. Dal * * * . [Partition.]
Paris. Imbault. [1785] M.291.33
Gulistan, ou le HuUa de Samarcande. Opera. Arrange pour
le pianoforte par Mr. Wolff. Leipzig. Meysel. [183-?]
No. I in M.231.Q
The words by La Chabeaussiere are in French and German.
Same. Opera en 3 actes de M * * * [A. E. X. P. de La Cha-
beaussiere]. Mise en musique par Dalayrac. [Partition.]
Paris, firard. [1805.] M.291.26
Gulnare, ou I'esclave persanne. Comedie en i acte et en
prose. Paroles de B. MarsoUier . . . Mise en musique
par N. Dalayrac. [Partition.] Paris. L'auteur. [1798.)
M.2 52.22
Die Haarlocke. See his La boucle de cheveux.
Une heure de mariage. Comedie en i acte et en prose. Pa-
roles de C. G. fitienne . . . Musique de N. Dalayrac.
[Partition.] Paris. Pleyel. [1804.] M.291.29
Hymne a la liberte. Veillons au salut de I'Empire [a. a. b.
Accomp. de piano]. (In Pierre, C. V. D. Musique des
fetes et ceremonies de la Revolution frangaise . . . Pp.
479, 480.) M.380.14
La jeune prude, ou les femmes entre elles. Comedie en i
acte et en prose. Paroles de Emmanuel Dupaty. Mise en
musique . . . par N. Dalayrac. [Partition.] Paris. Pleyel.
[1804.] M.252.16
Koulouf, ou les Chinois. Opera comique en 3 actes et en
prose. Paroles de R. C. Guilbert de Pixerecourt. Mise en
musique par N. Dalayrac. [Partition.] Paris. Pleyel.
[1806?] M.2S2.9
Leheman, ou la tour de Neustadt. Opera en 3 actes. Pa-
roles de B. J. MarsoUier. Musique de Dalayrac. [Parti-
tion.] Paris, firard. [1801.] M.291.27
Same. Der Thurm von Gothenburg. Eine grbsse komische
Oper in 3 Akten. Partitur. Manuscript, [r"— ?] 2 v.
M.237.4
Lina, ou le mystere. Opera en 3 actes de M^ * * * TReveroni
de Saint Cyr]. Mise en musique par N. Dalayrac. [Par-
tition.] Paris. Naderman. [1807?] M.252.11
Maison a vendre. Comedie en i acte et en prose. Paroles
Dalayrac, Nicholas. (Continued.)
du C'n. Alexandre Duval. Mise en musique par N. Dalay-
rac. [Partition.] Paris. Imbault. [1800.]
No. 2 in M.291.31
Marianne. Comedie en I acte et en prose. Paroles, B. Mar-
soUier . . . Mise en musique par N. Dalayrac. [Parti-
tion.] Paris. Pleyel. [1796.] M.2S2.I0
Une matinee de Catinat, ou le tableau. Comedie en i acte et
en prose. Paroles de B. J. MarsoUier . . . Mise en mu-
sique par N. Dalayrac. [Partition.] Paris. Pleyel. [i8co?]
M.252.19
Nina, oder Wahnsinn aus Liebe. Musik von d'Alairac.
[Text nach MarsoUier.] Clavier-Auszug. Mainz. Schott.
[179-?] M.320.10; No. 2 in M.320.11
Ode a r£tre supreme [s. ou t. Accomp. de piano]. (/»
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise ... P. 241.) M.380.14
Le pavilion des fleurs, ou les pecheurs de Grenade. Come-
die lyrique en I acte par R. C. Guilbert de Pixerecourt.
Musique posthume de N. Dalayrac. [Partition.] Paris.
Pleyel. [1804.] M.252.2
Philippe et Georgette. Comedie en i acte en prose, par le
Citoyen Monvel . . . Mise en musique par le Citoyen Da-
layrac. [Partition.] Paris. L'auteur. [i79i?l M.252.13
Picaros et Diego, ou la folle soiree. Opera bouffon en i
acte et en prose. Paroles de Mr. **** [Dupaty]. Mu-
sique de N. Dalayrac. [Partition.] Paris. Pleyel. [1803?]
M.2S2.I
Le poete et le musicien, ou je cherche un sujet. Comedie en
3 actes et en vers melee de chant, precedee d'un prologue
par Emmanuel Dupaty. Musique posthume de Dalayrac.
[Partition.] Paris. Duhan & cie. [1811?] M.252.8
Raoul Sire de Crequi. Comedie en 3 actes en prose, par M.
Monvel . . . Mis en musique par N. Dalayrac. [Parti-
tion.] Paris. Le Due. [1789?] M.252.17
Renaud d'Ast, comedie en 2 actes et en prose, par Radet et
Barre . . . Mise en musique par M. Dal * * * . [Partition.]
Paris. Le Due. [1787.] M.2gi.30
Sargines. ou I'eleve de I'amour. Comedie en 4 actes en prose,
par M. Monvel . . . Mise en musique par M. Dal***.
[Partition.] Paris. Le Due. [1788?] M.252.4
La soiree orageuse. Comedie en i acte et en prose, par M.
Radet . . . Mise en musique par N. Dalayrac. [Partition.]
Paris. Imbault. [1790.] M.291.34
Same. Der stiirmische Abend. Operette in I Aufzuge [von
J. B. Radet]. In Musik gesetzt von Herrn D'Alayrac.
Im Clavier Auszuge. Braunschweig. [18 — ?]
No. 2 in M.231.9
Der Thurm von Gothenburg. See his Leheman, ou la tour
de Neustadt.
Dalayrac, Nicholas. Works about.
Guilbert de Pixerecourt, R. C. Vie de Dalayrac . . .
contenant la liste complete des ouvrages de ce composi-
teur. Paris. 1810. Portrait. M. 103.27
D' Albert, Eugene. See Albert, Eugene Francis Charles d'.
Dalibor. Opera. For the Music see Smetana. For the Li-
bretto see Wenzig.
Dalila. Symphonic poem. Lefebvre, C. £. No. 3 in M.403.91
Dair Argine, Costantino.
I due orsi. Opera buffa in 3 atti di A. Ghislanzoni, posta in
musica ... da C. Dall' Argine. Canto con accomp. di
pianoforte. Milano. Lucca. [1867.] M. 295.1
Dair Argine, Rinaldo. See Argine, Rinaldo dall'.
Dair Orefice, Giuseppe.
Romilda de Bardi. Dramma lirico in 3 atti di Nunzio F.
Faraglia. Musica di Giuseppe Dall' Orefice. [Per canto
e piano.] Milano. Lucca. 1874. M.295.32
Dalla guerra amorosa. Song. Handel. Werke. Lieferung 50.
M.313.1.SO
Dallas, J. J. See Dilley, Joseph J.
Dallier, Henri Edouard.
Trio, ler, pour piano, violon et violoncelle. [Partition et
parties.] Paris. Fromont. [189-?] 3 parts in i v. M.411.3
Dal Monte, Giovanni.
L'oasi. Scene lirische. Musica di Giacomo Orefice.
M.399.SI
315
Dalton
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Danby
Dalton, Susan B.
The tomboy. Words by Constance Tippett. Music by Con-
stance Tippett and Susan B. Howe [Dalton],
No. 2 in M.38g.i4
Dalvimare, Martin Pierre.
Le mariage par imprudence. Opera en i acte de V. Jouy
[pseud.]. Mis en musique . . . par P. Dalvimare. [Par-
tition.] Paris, firard. [1809.] M.224.14
Dalyell, Sir John Graham, Baronet.
Musical memoirs of Scotland. Edinburgh. Stevenson. 1849.
Plates. M.122.39
Dam, Harry J. W.
The shop girl. Musical farce. Music by Ivan Caryll [pseud.] .
M. 246.3
Dama soldato. La. Opera. For the Music see N.\umann, J. G.
Damade, Louis, editor.
Histoire chantee de la Premiere Republique. 1789 a 1799.
Chants patriotiques, revolutionnaires et populaires. Paris.
Schmidt. 1892. M.373.40
No music is given.
Damayanti. Opera. For the Music see Fontayne. For the
LiP-RETTO see Gheusi.
Damcke, Berthold.
[Salve regina, a quatre voix avec accomp. d'orgue. Paris.
Leclerc. 187-?] No. 17 in M.414.30
Sonate pour piano et violoncelle ou violon. OSuv. 43. [Par-
tition et parties.] Paris. Richault. [185-.] 3 parts in i v.
No. 2 in M.404.41
Damcke. Berthold. Works about.
BiEESco, A. Berthold Damcke. fitude biographique et mu-
sicale. Paris. 1894. Portrait. M.372.62
Dame blanche. La. Opera. For the Music see Boieldieu, F. A.
For the Libretto see Scribe.
Dame blanche, La. Overture. Boieldieu, F. A.
No. 4 in M.33S.16
Dame. Die, an dem Fenster. Song. Lindpaintner.
No. 3 in M.380.22
Dame cookoo. Part-song. Hiller, F. No. 17 in M. 157.15
Dame de Monsoreau, La. Opera. For the Music see Salvayre.
For the Libretto see Maquet.
Dame de pique. La. Opera. For the Music see Halevy, J. F. F.
£. For the Libretto see Scribe.
Dame de trefle. La. Opera. For the Music see Pessard. For
the Libretto see Clairville, C.
Dame Durden. Glee [a. t. b.]. (/n The Apollo. Vol. i, pp.
70-72.) No. 26 in M. 1393.18.1
Also to be found in The Harmonist; [for s. a. t. b.] in Warren's
Cocks's Hand-book of glees.
Dame du lac. La. For violin. Baudiot. No. 10 in M.390.10
Dame du lac. La. Opera. For the Music see Rossini. For the
Libretto see VioUet d'Epagny.
Dame invisible. La. Song. Meyerbeer. 40 melodies.
No. I in M. 157.38
Dame Kobold. Opera. For the Music see Raff. For the Li-
bretto see Reber, P.
Dame Kobold. Overture. Reinecke, C. H. C. No. 3 in M.347.3
Dame Ton dit que Ton meurt bien de joie. Song. Thibault
IV., King of Navarre. M.23t5.io
Dame Venus hence to Paphos. Madrigal. Bateson. T. First
set of madrigals. No. 2 in M. 234.22
Dame Wiggins of Lee. Part-song. Davis, G. No. 26 in M.158.15
Damen-Kaffee, Ein. Opera. For the Music see Dorn, A. J. P.
Dames, Les, de coeur volant. Opera. For the Music see Er-
langer, J. For the Libretto see Bourdois.
Dames-caoitaines, Les. Opera. For the Music see Reber,
N. H. For the Libretto see Duveyrier, A. H. J.
Damien, Eugene.
Le baiser d'Yvonne. Vaudeville-operette. Musique de
Eueene Domergue. No. 4 in M.2g5.i2
Damme, Jean van.
Vie de G. Rossini . . . Par un Dilettante. Anvers. Lib.
nat. & etrangere. 1839. 1*1.1293.34
Dammi scala del ciel. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
Dammi vermiglia rosa. Marfn'fl'a/. Palestrina. Werke. Band 29.
M.8o4oa.66.29
Damnation de Faust, La. Cantata. For the Music see Berlioz,
L. H.
316
Damoiselle elue. La. Cantata. For the Music see Debussy.
For the Libretto see Rossetti.
Damon and Cloe. Duet. Arne, T. A. Lyric harmony. Vol. 2.
M.380.1
Damon and Clora. Duet. Harington.
No. IS in M.i39a.T8.5; etc.
Damon and Phillida. Opera. For the Music see Dibdin, C.
i74.')~iSi4. For th Libretto see Gibber.
Damon und Chloe. Song. Weber, C. M. F. E. von. Siimmt-
liche Lieder. Band i. No. i in M.244.7
Damon's bow'r. Duet. Giordani, T. No. 122 in 11.235.17.5
Dampfwagen, Der. Part-song. Dorn, H. L. E.
No. 49 in M.2i3.g
Damrosch, Leopold.
Concert fiir die Violine mit Begleitung des Orchesters. Par-
titur. Berlin. Bote & Bock. [187-?] No. i in M.343.50
Ruth and Naomi: a Scripture idyll, (words taken from the
Bible,) in vocal score [s. a. t. b. and chorus], with an ac-
comp. for organ or piano-forte. Boston. Russell & Co.
^187.=)]. M. 154.52
Siegfrieds Sword. (Siegfrieds Schwert.) Ballade. German
words by Uhland. English words by M. Byer. For tenor
voice with accomp. of orchestra or piano. Orchestra
score. New York. Schirmer. 1875. No. i in M.403.26
Sulamith, „The song of songs," for soli [s. t.], chorus .ind
orchestra. Piano score. New York. Schirmer. (1882.]
No. I in M.1SS.2
Damrosch, Walter.
The scarlet letter. Opera in 3 acts by Walter Damrosch.
Op. I. Words by George Parsons Lathrop. Vocal score.
Leipzig. Breitkopf & Hartel. 1896. M.39S.22
Damsels, The, of Cardigan. Song. Beethoven, Werke, Serie 24,
M.413.1.24
Dana, Charles Henshaw,
As when the weary traveller, [Anthem. Accomp. for piano.]
Boston. Schmidt. 1892. No. 22 in M.158.15
Five songs. [Accomp. for pianoforte.] With a memoir by
Charles A. Chase. Boston. Heintzemann. 1884. Por-
trait. M T^T 00
Contents. — Like a strain of wondrous music. — The one white rose.
— Among the lilies. — Salve Regina. — Edenland. Duet for soprano
and tenor.
List of vocal compositions, pp. 27, 28.
Danae et sa bonne. Opera. For the Music see Mangeant. For
the Libretto see Lefebvre, H.
Danaides, Les. Opera. For the Music see Salieri. For the
Libretto see DuroUet.
Danby, John.
Again the balmy zephyr. Glee [a. t. x. b.]. {In Warren.
Collection of catches. Vol. 3, pp. 365-369.)
No. 131 in M.220.9.3
And why my soul. Canon [4 in 2], (/n Warren, Collection
of catches. Vol. 3, pp, 383, 384,) No, 135 in M.220,9.3
Awake, vEolian lyre. Glee, London. Novello, [186-?]
. , , No, 23 in M.158.1S
Also to be found m The Apollo; Bland's The Ladies' collection;
Boosey's Standard English glees; dementi's Collection of catches;
The Harmonist; Hullah's Part music, Secular; Musical times [Music];'
Warren's Collection of catches; Webbe, Jr,'s Convito armonico.
Awake, my muse. Glee [a. A. t. T, b,]. (/« Warren. Collec-
tion of c.-itches. Vol. 4, pp. 174-177.) No. 53 in M.220.9.4
Beneath this silent stone. Round [for 3 voices). {In Bland.
The Ladies' collection. Vol. 3, p. 316.) No. 40 in M.235.17.3
Call the waiter. Catch [for 4 voices]. (In The Apollo.
Vol. 7, p. 5.S9.) No. 17 in M.i39a.i8.7
Come, ye party. Glee. {In Bland. The Ladies' collection.
Vol. 2, pp. 222-224.) No. 244in M.235.17.2
Also to be found in The Harmonist.
Crown'd with roses. Glee [a. A. T. B.]. (/n Warren. Collec- k
tion of catches. Vol. 4, pp. 81-88.) No. 28 in 1*1.220.9.4 1
Distant hie thee. Glee [a. t. b.]. {In Bland. The Ladies'
collection. Vol. 3, PP- 355-357) No. 56 in 1*1.235.17.3
Fair Flora. Glee [a. t. b.]. {In The Apollo. Vol. 2, pp. 94-
96.) No. 6 in M.i39a.i8.2
Also to be found in Bland's The Ladies' collection ; Boosey's Standard
English glees: The Harmonist; Musical times [Music]; Parker's The
Orphean lyre.
Fairest daughter of the year. [Glee.] {In Ditson. The
Orphean lyre. Vol. 1, pp. 38-41) No. 17 in M.23S.22
Gay Bacchus alone. [Glee, a. t. b.] {In Bland. The Ladies'
collection. Vol. 3, PP- 336, 337.) No, 48 in M.23S.17.3
Danby
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dance music
Danby, Sir John. (Continued.)
The fairest flowers. Glee f a. t. b.1. (In Amusement for the
ladies. Vol. 4. PP- I.=;i-I53) No. 4.3 i" M.220.3.4
Also to be found in The Apollo ; Bland's The Ladies' collection ; de-
menti's Vocal harmony; Collection of glees and catches; The Harmo-
nist ; Warren's Collection of catches ; Webbe, Jr.'s Convito armonico.
Go to my Anna's breast. Glee, (/n Bland. The Ladies'
collection. Vol. S, pp. 520, 521.) No. 135 in M.235.17.5
I'm a toper. Catch [for 4 voices]. (In Warren. Collection
of catches. Vol. 4, pp. 192, 193.) No. 60 in M.220.9.4
In this fair vill. Round [for 4 voices]. (In Warren. Col-
lection of catches. Vol. 3, p. 227.) No. 91 in M.220.9.3
The lark that shuns. Glee [a. t. b.]. (/n Warren. Collec-
tion of catches. Vol. 4. PP. 3S4-3S7-) No. 107 in M.220.9.4
Lift up your heads. Canon, 4 in 2. (In Amusement for the
ladies. Vol. 4. pp. 62. 63.) No. 15 in M.220.3.4
Also to be found in Warren's Collection of catches.
May. Glee [t. t. b.]. (In Bland. The Ladies' collection.
Vol. S. PP- 547-550.) No. 149 '" M.23S.17.5
The mulberry shade. Catch [for 3 voices]. C/n Bland. The
Ladies' collection. Vol. 2, pp. 144, I4S)
No. 196 in M.235.17.2
Also to be found in Flowers of harmony ; The Harmonist.
Music has power. Glee [s. s. a. x. b.]. (/« Warren. Collec-
tion of catches. Vol. 3, pp. 304-306.) No. 115 in M.220.9.3
The nightingale. Glee [s. A. T. T. B.]. (/n Page. Festive har-
mony. Pp. i,vi7-) No. 3inM.23s.11
Also to be found in Warren's Collection of catches.
O let the merry peal go on. Catch [for 3 voices]. (In
Flowers of harmony. Vol. 3. pp. 22, 23.) No. 7 in M.157.18.3
Also to be found in Musical library ; Webbe, Jr.'s Convito armonico.
O Salutaris. Glee. (In Warren. Collection of catches.
Vol. 4, pp. 323-326.) No. 100 in M.220.9.4
Rosy finger'd goddess. Glee [s. s. A. T. B.]. (/h Warren. Col-
lection of catches. Vol. 3, pp. 273-277.) No. 103 in M.220.9.3
Shepherds, I have lost my love. Song harmonized for 3
voices [t. T. B.]. (/« Bland. The Ladies' collection. Vol.
5, PP- 589-591.) No. 169 in M.235.17.5
Short Magnificat, in F. 4 voices. [Accomp. for organ.]
(In Novello. Evening service. Vol. 2, pp. 244-248.)
M. 262.23.2
Sweet thrush. Glee. (In The Apollo. Vol. 7, pp. 504-510.)
No. 6 in M. 1393.18.7
Also to be found in Collection of glees and catches; Page's Festive
harmony ; Warren's Collection of catches.
This is the season. Glee [a. t. b.]. (In Bland. The Lades'
collection. Vol. 3, pp. 346, 347-) No. 53 in M.235.17.3
Tread soft. Round [for 3 voices]. (In Bland. The Ladies'
collection. Vol. 3, p. 316) No. 39 in M.235.17.3
When beauty's soul-attracting charms. Ode [a. a. t. b.]. (In
Warren. Collection of catches. Vol. 4, PP 142-151)
No. 43 in M.220.9.4
When Delia strikes. Glee [a. T. T. B.]. (/n Warren. Collec-
tion of catches. Vol. 4, pp. 161-165.) No. 49 in M.220.9.4
When gen'rous wine. Glee [a. t. b.]. (In Bland. The
Ladies' collection. Vol. 2, pp. 236-238.)
No. 250 in M.235.17.2
Also to be found in Warren's Collection of catches.
When I with rapture view. Round [for 3 voices]. (In
Warren. Collection of catches. Vol. 3, p. 329.)
No. 121 in M.220.9.3
When Sappho tun'd. Glee [a. t. b.]. (In Amusement for the
ladies. Vol. 4. PP- 72-75-) No. t8 in M.220.3.4
Also to be found in The Apollo; Bland's The Ladies' collection;
Boosey's Standard English glees; dementi's Collection of catches;
Clementi's Vocal harmony ; The Harmonist ; Turle and Taylor's The
People's music book; Warren's Collection of catches; Webbe, Jr.'s
Convito armonico.
While beams the bright morn. Duett fs. A.]. (In The Apollo.
Vol. I, pp. 23, 24.) No. II in M.isga.iS.i
Ye vales and woods. Glee [s. A. T. T. B.]. {/« Warren. Col-
lection of catches. Vol. 4- PP- 55-50.) No. 19 in M.220.g.4
Zcno. Plato, Aristotle. [Glee, A. T. T. B.] (In Bland. The
Ladies' collection. Vol. 3, pp. 306, 307.)
No. 35 in M.235.17.3
Dance, George.
A Chinese honeymoon, musical comedy in two acts, ('om-
posed by Howard Talbot. M.381.47
The gay Parisienne. A musical coinedy. Composed by Ivan
Caryil [pseud.]. M.39S.14
Dance, George. (Continued.)
Lord Tom Noddy. A musical comedy. Composed by F.
Osmond Carr. No. 2 in M.397.8
The Nautch girl, or the Rajah of Chutneypore. A new
Indian comic opera. Music by Edward Solomon. Lyrics
by G. Dance & Frank Desprez. No. i in M.323.1
Dance, The. Part-song. Otto, E. J. No. 36 in M.205.10.5
Dance, The, invites us. Part-song. Gounod. No. 91 in M. 157.5.2
Dance music.
See also Ballet music; Cotillions; Gavottes; Mazurkas;
Minuets; Waltzes.
Dance-tune, a, of the reign of Edward the 2d, or earlier
[with bass added]. M.236.10
Debussy. Danses pour harpe chromatique avec acct. d'or-
chestre d'instruments a cordes. Partition. M. 406.76
Frescobaldi. Corrente, in A minor. (In Esposito, M. Early
Italian piano music . . . ) M.380.59
Gagliarda, in G minor. (In Esposito, M. Early Ital-
ian piano music . . . ) M.380.59
GoDARD, B. L. P. Suite de danses anciennes et modernes.
Op. 103. Partition. M.405.19
Gow. A second collection of Strathspey reels &c. [For the
piano forte.] With a bass for the violoncello or harpsi-
chord. . . . No. 28 in M.380.42
A fourth collection of Strathspey reels &c. for the
piano forte, violin and violoncello. No. 4 in M.380.42
Hals Brodrene, publishers. The Hals Album. A collection
of Norse national music, containing the most popular
folk-songs, dances, &c., and also compositions by various
Norse composers. (With Norse and English words.)
No. 2 in M.384.66
Henriette, Lady. Galop des fous. Arrange pour piano par
N.Louis. No. .36inM.390.17
Louis. N. Les bonnes petites amies. Quadrille de contre-
danses, une valse et un galop, pour le piano. Op. 27.
No. 2 in M.390.17
Les Bordelaises. Deux quadrilles brillants. [Pour le
piano.] No. 21.22inM.3go.17
Les Bourbonnaises. Deux quadrilles brillants. [Pour
le piano.] No. 19, 20 in M.390.17
La Catarina. Quadrille. [Pour piano.]
No. 13 in M.390.17
Les Champenoises. Contredanses nouvelles et une
grande valse. Pour le piano. Op. 47. No. 5 in M.390.17
Cheri. Quadrille facile et brillant. Pour le piano.
No. 29 in M.3go.i7
Les contemporaines. 4 quadrilles. Pour le piano.
No. 15-18 in M.3go.i7
Le debutant. Quad[rille]. Piano. No. 24 in M.390.17
. 2 quadrilles brillants sur I'opera Linda di Chamounix
de Donizetti. Pour piano. No. 25, 26 in M.390.17
L'enfant gate. Quadrille de contredanses, valse et
galop. Pour le piano. Op. 58. No. 6 in M.390.17
Les etoiles. Quadrille [pour le piano].
No. 30 in M.390.17
• Les filles de I'air. Quadrille brillant suivi d'une valse.
[Pour piano.] Op. 46. No. 4 in M.390.17
Les intimes. Contredanses nouvelles et une valse
pour le piano, avec ace'. . . . de cornet a pistons ad libit.
Op. 16. [Partie de piano et de cornet a pistons.]
No. I in M.390.17
Ma belle Touraine. Quadrille, valse et galop pour le
piano. No. 7 in M.3go.i7
Le meunier de Sauternes. Quadrille. Sur les motifs
de ses romances. [Pour le piano.] No. 27 in M.390.17
Mimi. Quadrille tres facile. Pour le piano.
No. 28 in M.390.17
Les neothermiennes. Quadrille pour piano.
No. 34 in M.sgo.iy
Les paquerettes. Contredanses nouvelles et une valse,
pour le piano. No. 10 in M.390.17
Polka des chasseurs, pour piano. Op. 187.
No. 17 in M. 390.25
Quadrille de La belle fermiere pour le piano.
No. 35 in M.390.17
Quadrille sur I'opera Don Pasquale de G. Donizetti.
[Pour le piano.] No. 31 in M.390.17
317
Dance music
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Danican
Dance music. (Continued.)
Quadrille sur des motifs de Richard Coeur de Lion
fd'Adolphe Adam. Pour le piano]. No. 23 in M.390.17
Le reve. Quadrille caracteristique pour piano.
No. 14 in M.390.17
Les rivales. Contredanses nouvelles et una valse pour
le piano. Op. 34. No. 3 in M.390.17
La ronde des bergers. Quadrille pastoral, pour le
piano. No. 32 in M.390.17
Rouge et noir. Deux quadrilles brillants pour le piano.
[Op. 75.] No. II, 12 in M.390.17
Souvenirs du Loiret. Deux quadrilles, une valse et
un galop. Pour piano et violon. Op. 68. [Partition.]
No. 8, gin M.390.17
Sur terre et Sur mer. 2 polkas caracteristiques pour
piano. Op. 195. No. 23 in M.390.2S
Trois airs de danse. Composes pour le piano. Op.
204. No. 31-33 in M.390.26
Contents. — Leonie, redowa. — Rosalba, schottisch. — ■ Clara, polka.
3 polkas favorites pour piano, avec ace', de violon ad
libitum. Op. 179. [Parties separees.] No. 14 in M.390.25
Les trois soeurs. Mazurka, redowa, et polka [pour
piano] . No. 9 in M.390.25
Une visite a Heidelberg. Quadrille pour piano.
No. 10 in M.390.2S
Le voyageur. Quadrille brillant. Pour le piano.
No. 33 in M.390.17
McDonald, P., compiler. A collection of Highland vocal airs,
never hitherto published. Added, a few of the most livcb'
country dances or reels, of the North Highlands & West-
ern Isles: and some specimens of bagpipe music.
No. I in M.380.42
Moz.\RT. Tanze fiir Orchester. [Partitur.] Werke. Serie
II. No. 2 in M.315.1.11
MuFFAT, G. Florilegium, l, 2, fiir Streichinstrumente. In
Partitur mit unterlegtem Clavierauszug. 2 v. M.414.10
NApRAVNfK. „HapOflHHe Tani^H," /i;.3h opKecxpa. C01.
2oe. napTixypa. No. 1-6. [Danses nationales. Pour
orchestre. Partition.] M.405.42
Paisible. a chaconne, danced by Queen -Anne [with bass
added]. M.236.10
RiEMSDijK, J. C. M. VAN, editor. Oud-nederlandsche dans-
wijzen bewerkt voor vierhandig klavier. No. 3 in M.415.8
Roentgen, J., editor. Oud hollandsche boerenliedies en con-
tradansen bewerkt voor viool met begeleiding van klavier.
No. 2 in M.415.5; etc.
Saint-Saens. Sarabande et Rigaudon. Op. 93. Rigaudon.
Partition d'orchestre. No. 3 in M.405.54
ZoRN. Grammar of the art of dancing, theoretical and prac-
tical. Lessons in the arts of dancing and dance writing
. . . [With music] M.375.25
Dance of death.
Kastner, J. G. Les danses des morts: dissertations et re-
cherches. Paris. 1852. M. 121. 30
Langlois, E. H. Essai historique, philosophique et pitto-
resque sur les danses des morts. Ouvrage complete et
public par Andre Pettier et Alfred Baudry. M.124.11
Dance of gnomes. Part-song. MacDowell. No. 31 in M.392.16
Dance we so gaily. Part-song. Schubert, F. P.
No. 25 in M. 157.28.2
Dance-tune, A, of the reign of Edward the 2d or earlier [with
bass added], (/h Smith. Musica antiqua. P. 10.) M.236.10
Danchet, Antoine.
Les festes venitiennes. Opera-ballet. [Musique de] Cam-
pra. M.275.24
Idomenee, tragedie [lyrique. Musique de Campra]. M. 3743.2
Tancrede, tragedie [lyrique. Musique de Campra].
M.374a.3; etc.
Dancing.
Blasis, C. Nouveau manuel complet de la danse . . . Nou-
velle edition, . . . augmentee des danses de sotiete . . .
par M. Lemaitre. Paris. 1884. M.377.14
Blaze, F. H. J. La danse et les ballets, depuis Bacchus
jusqu'a Taglioni. Paris. 1832. H.129.26
Dancing. (Continued.)
Dumanoir, G. Le mariage de la musique avec la danse
(1664). Paris. 1870. M.119.5
Giraudet, E. Traite de la danse. Seul guide complet. 7e
edition. [Paris.] 1891. Illus. No. i in M.373.24
Lussan-Borel, Traite de danse avec musique, con-
tenant toutes les danses de salon avec une theorie nou-
velle de valse et boston. Chaque danse est accompagnee
de sa musique. Paris. 1900. M.372.36
Zorn, F. a. Grammatik der Tanzkunst. Theoretischer und
praktischer Unterricht in der Tanzkunst und Tanzschreib-
kunst der Choregraphie . . . Leipzig. [1887.] M.372.49
Grammar of the art of dancing, theoretical and practi-
cal. Lessons in the arts of dancing and dance writing
. . . [With music] Boston. 1905. 2 v. Illus. M.37S.2S
Dancing. Folk-lore.
Veckenstidt, E. La musique et la danse dans les traditions
des Lithuaniens. des Allemands et des Grecs. Paris. 1889.
No. 4 in M.208.21
Dancing. History.
Elson, L. C. The evolution of the dance. Illus. (In The
music of the modern world . . . New York. [1895.])
M.14.1.1
Fertiault, F. Histoire anecdotique et pittoresque de la
danse. Paris. 1854. M.i09b.26
La Face, J. A, L. de. Histoire generale de la musique et de
la danse. Paris. 1844. 2 v. M. 143.21
Dancing. Periodicals.
Galop, The. Devoted to dancing, music, etiquette and dress.
Vol. 9, no. 6, 7. Boston. 1892. No. S, 6 in M.373.30
Dancla, Jean Baptiste Charles.
Air de danse et bolero pour orchestre, extraits de la scene
dramatique . . . de Christophe Colomb. Partition. Paris.
Chatot. [186-?] No. 6 in M.336.1
Don Juan. Sur la cavatine: Toi qui m'es si chere. Duo pour
violon et violoncelle avec accompagnement de piano. Op.
156. [Partition et parties separees.] Boston. Schmidt.
[188-?] 3 parts in i v. No. i in M.406.6
Notes et souvenirs. Paris. Delamotte. 1893. Portrait.
No. 2 in M.207.7
Ouverture dramatique a grand orchestre. Partition. Paris.
Chatot. [187-?] No. I in M.358.5
Quatuor, 12^. pour deux violons, alto et violoncelle. Op. 142.
Partition. Paris. Richault. [1876?] No. 2 in M.338.10
Symphonic concertante, 2<=, pour deux violons avec ace*.
d'orchestre ou piano. Op. lo. [Partition piano seul.]
Paris. Colombier. [1842?] No. I in M.210.2
Same. [Parties, i". 2^ violon.] No. 10, 11 in M.210.9
Dancourt, Florent Carton.
La rencontre imprevue, ou les pelerins de La Mecque.
Opera-comique. Musique du Chevalier Gluck.
No. I in M.256.41
Same. [Die Pilgrime von Mekka. Singspiel. Text, tjber-
setzung von Dancourt's Rencontre imprevue. Musik von
Gluck.] M.320.18
Dandelot, A.
La Societe des concerts du Conservatoire de 1828 a 1897.
Les grands concerts symphoniques de Paris. Paris.
Havard. 1898. Portraits. Plates. Fac-similes. M.370.68
Dandy Dan (The lifeguardsman). Opera. For the Music see
Slaughter. For the Libretto see Hood, B.
Dandy Dick Whittington. Opera. For the Music see Tilkins.
For the Libretto see Sims.
Dandy Fifth, The. Opera. For the Music see Corri, C. C. For
the Libretto see Sims.
Dangecort, Perrin.
Haute esperance garnie d'amour et de loyaute. [Chanson,
a. or B., with bass part added.] (In Smith. Musica anti-
qua. P. 17.) 1^.236.10
Danglas, Louis, translator.
LoRTziNG. Pierre le Grand a Saardam. M.366.31
Danican, Frangois Andre, called Philidor.
Blaise le savetier. Opera bouffon . . . Mis en musique par
A. D. Philidor. Les paroles de M"". S * * * [Sedaine. Par-
tition]. Paris. De La Chevardiere. [1759.] M.340.2
318
Danican
THE ALLEN A. BROWN COLLECTION OF MUSIC
Danse
Danican, Francois Andre, called Philidor. (Continued.)
Le bucheron, ou les trois souhaits. Comedie en I acte melee
d'ariettes ... La musique par A. D. Philidor. Les pa-
roles de MI'S. G[uichard et] C[astet. Partitionl. Paris.
Le Due. [1763.] M.254.1S
Le Diable a quatre. Opera comique [en I acte. Paroles de
M. Sedaine. Mis en musique par Philidor. Partition].
Paris. De La Chevardiere. [i7S-?] No. i in M.254.13
Ernelinde, princesse de Norvege. Tragedie lyrique. Paroles
de Poinsinet (& Sedaine) . . . Reduite pour piano et chant
par Cesar Franck. Introduction par Arthur Pougin. Paris.
Michaelis. [188-? Chefs-d'oeuvre de Topera frangais.]
M.287.16
Les femmes vengees. Opera comique en i acte et en vers,
par M. Sedaine. Mis en musique par A. D. Philidor. [Par-
tition.] Paris. L'auteur. [i77S] M.254.11
Le jardinier de Sidon. Comedie en 2 actes. tiree des oeuvres
de Mi-, de Fontenelle [par R. T. Regnard de Pleinchesne].
Mise en musique par A. D. Philidor. [Partition.] Paris.
De La Chevardiere. [1768.] M.225.30
Le jardinier et son seigneur. Opera bouffon en i acte [par
Sedaine]. Mis en musique par A. D. Philidor. [Parti-
tion.] Paris. De La Chevardiere. [1761?] No. 2 in M.254.9
Le marechal ferrant. Opera comique, en 2 actes . . . Mis
en musique par A. D. Philidor. Les paroles sont de Mr.
Quetant. [Partition.] Paris. De La Chevardiere. [1761.]
No. 3 in M.254.9; M.254.12
Melide, ou le navigateur. Comedie en deux actes et en vers
melee d'ariettes [de M. de Relly]. Mise en musique par
A. D. Philidor. [Partition.] Paris. De La Chevardiere.
[179-?] M.226.3
Q. Horatii. Flacci. Carmen, saecvlare. lyricis. concentibvs.
restitvtvm. [Ab] A. D. Philidor. [Quartett and chorus.
Full score. Paris. 1788.] M.254.14
Sancho Pan?a, gouverneur dans I'isle de Barataria. Opera
bouffon [par A. A. H. Poinsinet]. Mis en musique par
A. D. Philidor. [Partition.] Paris. De La Chevardiere.
[1764?] No. 2 in M.254.13
Serment, tire d'Ernelinde [s. a. t. b. Accomp. de piano], (/n
Pierre, C. V. D. Musique des fetes et ceremonies de la
Revolution frangaise ... Pp. 23-26.) M.380.14
Le soldat magicien. Opera comique en i acte [par .^n-
seaume]. Mis en musique par A. D. Philidor. [Partition.]
Paris. Le Clerc. [1760.] No. 4 in M.271.20; No. 4 in M.254.9
Le sorcier. Comedie lyrique en 2 actes. Par Mr. Poinsinet.
Musique par A. D. Philidor. [Partition.] Paris. De La
Chevardiere. [1764?] No. I in M.254.9; M.254.10
Tom Jones. Comedie lyrique en 3 actes . . . Mise en mu-
sique par A. D. Philidor. Les paroles de Mr. Poinsinet.
[Partition.] Paris. L'auteur. [1765] M.254.16
Danican, Frangois Andre, called Philidor. Works about.
Allen, G. The life of Philidor, musician and chess-player.
With an essay on Philidor, by Tassilo von Heydebrand
und der Lasa. Philadelphia. 1863. M.10S.4
Daniel, Augustin.
£ros. Opera-comique. Poeme de Julien Goujon et Augus-
tin Daniel. Musique de Frederic Le Rey. No. 4 in M.306.13
Daniel, Francisco Salvador.
La musique arabe. Ses rapports avec la musique grecque et
le chant gregorien. Alger. Jourdan. 1879. M. 197.6
Daniel, William Henry.
How to sing; or, the voice, and how to use it. New York.
Fowler & Wells Co. 1887. No. i in M.376.26
Daniel. Oratorio. For the Music see Bridge, Joseph' C; also
Goupil; also Lake.
Daniel, a Bible story. Longbottom. No. 8 in M.370.31
Daniel before the king. Cantata. For the Mwsic see Harriss.
Daniel's prediction. Oratorio. For the Music see Horn, C. E.
For the Libketto see Purday.
Daniel Vlady. Novel. Krinitz. M.198.23
Daniels, Mabel Wheeler.
[A copper complication.] Musical selections from A cop-
per complication. Music & lyrics by Mabel W. Daniels.
Libretto by Rebecca L. Hooper. [Vocal score. Accomp.
for piano.] Boston. White-Smith Music Publishing Co.
igoo. No. I in M.382.11
Daniels, Mabel Wheeler. (Continued.)
The court of hearts. Comic opera. The book by Rebecca
L. Hooper. The music by Mabel W. Daniels. [Vocal
score with pianoforte accomp. Boston.] White-Smith
Publishing Co. 1901. No. i in M.382.12
The show girl. A musical play. Book by R. A. Barnet.
Lyrical collaborator, D. K. Stevens. Music by H. L.
Heartz, E. W. Corliss. Additional numbers by M. W.
Daniels and L. S. Thompson. M.382.30
Danjou, Jean Louis Felix, editor.
Revue de la musique religieuse. M.373.14
Danina. Ballet music. Lindpaintner. M.232.37
Danklied. Song. Gruber, G. W. Gottfried August Burgers
Gedichte. Vol. i. No. 12 in M.130.9.1
Danklied zu Gott. Part-song. Haydn, F. J. Neun Quartetten.
No. 5 in M. 203.8; etc.
Dank-und-Jubel-Cantate. For the Music see Naumann, E.
Danks, Hart Pease.
Easter carols. No. I. Christ is risen! Lift the song. No. 2.
Arise up, my love. New York. Gordon. 1892.
No. 24 in M. 158.15
Fast falls the eventide. Solo [s. or t.], trio [s. a. t.] and
quartet. [Accomp. for pianoforte.] New York. Ditson
& Co. 1877. No. 24 in M.190.2
Pauline; or, the belle of Saratoga. An operetta in 2 acts.
Written by George Cooper. Music by H. P. Danks. [Ac-
comp. for piano.] Boston. Ditson & Co. 1873.
No. 2 in M.391.23
Danksagung an den Bach. Song. Schubert, F. P. Sammt-
liche Compositionen. M.244.12; etc.
WusTROW. Neun Gesaenge. No. 11 in M.221.33
Dannreuther, Edward.
Richard Wagner: his tendencies and theories. London.
Augener & Co. 1873- M.148.19
Dannreuther, Edward, translator.
Wagner, W. R. "The music of the future." No. 9 in M.144.18
Dannstrom, Isidor.
Vier Lieder aus dem Schwedischen. [Mit Piano.] Berlin.
Bote & Bock. [186-?] No. 6 in M.236.8
Contents. — Fischerlied [t.]. — Lebewohl an Hilma [t.]. — Liebes
Schwarnicrei [bar.]. — Alte Liebe [bae.].
Dans la bataille sanglante. Aria. Schubert, F. P. Melodies.
Vol. 8. M.327.4.8
Dans la foret. Ol>era. For the Music see Constantin, T. C.
For the Libretto see Ruelle.
Dans la rue. Opera. For the Music see Caspers. For the Li-
bretto see Laurencot.
Dans le petrin. Ofera. For the Music see Nargeot. For the
Libretto see Sorant.
Dans les beaux vallons de Clarence. Part-song. Boieldieu,
p A. No. 6 in M.130.7
Dans les bois. Symplwnic poem. Godard, B. L. P. Scenes
poetiques. No. I in M.343.41
Dans les champs. Symphonic poem. Godard, B. L. P. Scenes
poetiques. No. i in M.343.41
Dans les defiles des montagnes. Song. Auber.
No. 2 in M.157.38
Dans les neiges. Song. L'fipiNE. Scenes et chansons.
M.i58.42;etc.
Dans mes forets sauvages. Song. Masini. Album.
No. 12 in M. 237.5
Dans mon bateau. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Dans notre chaumiere. Song. Carafa. No. 5 in M.390.37
Dans ton hamac! Song. Masini. Album. No. i in M.237.5
Dans un bois. Song. Mozart. XXX Gesange. M. 221.28; etc.
Dans ses penchants inconstant. Song. Feltre.
No. 20 in M.390.37
Dans votre lit. Song. Shield. No. 37 in M.237.7
Danse, La. Poem. Berchoux. M.i09b.24
Danse cosaque. For orchestra. Tchaikovski, P. I.
No. 4 in M.343.13
Danse des Bohemians. For orchestra. Godard, B. L. P. Le
tasse. No. 6 in M. 332.21
Danse des fees. La. For pianoforte. Louis, N.
No. 18 in M.390.26
319
Danse
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dartois
Danse des fleurs, La. Chorus. Weckerlin. Chceurs. M. 157. 12
Danse des pretresses de Dagon. For orchestra. Saint-Saens.
No. I in M.404.12
Danse espagnole. For violin. Sarasate y Navascues.
No. 7 in M.410.45
Danse macabre.
See also Dance of death.
Danse macabre. Symphonic poem. Saint-Saens.
No. 3 in M.343.39
Danse, La, n'est pas ce que j'aime. Song. Gretry, A. E. M.
No. 47 in M.23S.18.2
Danse persane. Ballet. Guiraud. No. 2 in M.358.15
Danses allemandes. For orchestra. Bargiel. No. 2 in M.346.44
Dansons la gigue! Song. Loeffler. Quatre poemes. M.410.86
Dante. Opera. For the Music see Godard, B. L. P. For the
Libretto see Blau, E.
Dante Alighieri. vt c- .
The Lord's prayer, Dante's Purgatono, canto XL Set to
music by J. F. Bridge. No. 2 in M.I54.29
Dante-Symphony. Liszt. M.344.8
Pacini, G. No. 3 m M.SSS-I
Danza, La. Duet. Roberti. Inspirations italiennes.
No. I in M.364.10
Danza, La. Tarentelle. Rossini. Soirees musicales.
No. 8 in M.280.45
Danzi, Franz.
Agnus Dei. Coro. [Accomp. for pianoforte.! (/n Latrobe.
Selection of sacred music. Vol. 6, pp. 169-173.)
No. 30 in M.290.29.6
Jesu, Bone Pastor. Quartette. [Accomp. for organ.] (/»
Novello. Motetts. Vol. 2, book 7, pp. 20-22.)
No. 6 in M.260.24.2
Kyrie. [s. a. t. b. Accomp. d'orgue.] (In Dietsch. Reper-
toire de musique religieuse. Pp. 14-19) No. 4 in M.260.20
Missa fiir 4 Singstimmen mit Begleitung von 2 Violinen,
Bratsche, Flote, 2 Hoboen, 2 Horner, 2 Trompeten, Pauc-
ken, Bass und Orgel. No. 2. Partitur und Stimmen.
Offenbach. Andre. [180-?] No. i in M.221.35
Die Mitternachtstunde, eine komische Oper in 3 Aufziigen
. . . im Klavierauszuge. [Text nach dem Franzosischen
L. E. Jadin's.] Bonn. Simrock. [1783?] M.23i.ii
Salve, Redemptor. [Chorus. Accomp. for pianoforte.] (/«
Latrobe. Selection of sacred music. Vol. 4, pp. 15&-T60.)
No. 30 in M. 290.29.4
Salve Regina. 4 voices. The organ part by V. Novello. (In
fichos du monde religieux. Pp. 140-145.) M.156.S2
Also to be found in Novello's Evening service.
Daphne. Novel. Booth, E. M. J. von. M.109.20
Daphne am Bach. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
Daphne, deine Rosenwangen. Song. Mozart. Werke. Serie
7, Band i. No. i in M.315.1.7.1
Daphnis et Alcimadure. Opera. For the Music see Mondon-
ville.
Daphnis et Chloe. Opera. For the Music see Busser; also
Marechal; also Offenbach. For the Libretto see Raffalli;
also Barbier, P. J.; also Nicolaie, L. F.
Dare, Jeanne. Works about.
Huet, £. Jeanne d'Arc et la musique. Essai de bibliographic
musicale. Orleans. 1894. No. i in M.112.16
Lemoine, a. Chants populaires en I'honneur de Jeanne
d'.^rc. Poesie d'Edmond Sautereau, mise en musique par
Alexandre Lemoine. Paris. [186-?] No. 2 in M.112.16
Darcier, Joseph.
Aimez-vous. [Chanson inedite, s. ou t. Accomp. de piano.]
Portrait, (/n Album du Galois. Vol. i.) No. 8 in M.391.28.1
[Les doublons de ma ccinture. Operette en I acte. Paroles
d'Alfred Albert [pseud.]. Musique de Joseph Darcier.
Partition chant et piano. Paris. Magnier. 1858.]
The title-page is missing. No. I in M. 363. 23
Darcours, Charles.
Fingal. Scene lyrique. [Musique de] Lucien Hillemacher.
No. 2 in M.286.1
Dardanus. Opera. For the Music see Rameau; also Sacchini.
For the Libretto see Leclerc de la Briere.
Dargomyzhsld, Alexandr Sergieevitch.
KaMeHHHH rocTB. Onepa bt> 3 ,a,ifiCTBiiix'fa. [MysiiKa]
A. ^aproMHjKCKaro, tckctt. A. IlyinKHHa. OopTe-
ntHHHoe nepejiOKenie c-b ninieMi.. [The marble
guest. Opera in 3 acts. . . . Text by A. Pushkin. Vocal
score with pianoforte accomp.] C. IleTepSypn,. Bec-
cejit & K°. [1872.] M.378.28
HyxoHCKaa (|)aHTa3ia: p,jisi opKecxpa. Fantaisie des airs
finlandais pour I'orchestre. Partition. St. Petersbourg.
Bessel & cie. [187-?] No. 2 in M.332.13
TopjKecTBo BaKxa. JiHpHiecKaa onepa-dajieTi, b'b
o/i;HOM'b flificTBiH flByxt KapxHEax-B. TeKcxt A.
IlymKHHa, MysiiKa A. C. ,ZI^aproMti2ccKaro. Ilojinoe
nepejio^Kenie j\ji.si ^opxentaHO et niHicM-t. [The
triumph of Bacchus. A lyrical opera-ballet in one act . . .
Text by A. Pushkin. Vocal score with pianoforte ac-
comp.] C. nexepdyprt. EeccejiL & k°. [188-?]
M.378.29
Daria. Opera. For the Music see Marty. For the Libretto
see Aderer.
Darkly rose the guilty morning. Anthem. Buck, D.
No. 4 in M.2go.ii
Darkness. Scena. Barnett, J. Lyrical illustrations.
No. 8 in M.157.41
Darkness was o'er the land. Anthem. Haydn, J. M.
No. 44 in M.158.19
Darley, Francis T. S.
Fortunio and his seven gifted servants. An operatic extrava-
ganza. In 4 scenes. Music by F. T. S. Darley. Words
adapted from Planche. [Vocal score. Accomp. for piano.]
Philadelphia. Stoddart. 1883. M.252.23
Darling Lillie. Song. Keller, M. No. 13 in M.192.13.1
Damault, B.
Messe a 4 voix, 2 sopranos, tenor et basse, avec accomp'.
d'orgue ad libitum. Paris. Richault. [183-?]
No. 4 in M. 156.23
Darr, A.
Robinsonade. Komische Scene in 2 Akten fiir Mannerchor,
Soli u. Orchester. mit verbindender Declamation. Dich-
tung von C. Wolfrum. Musik von A. Darr. Klavier-Aus-
zug. Frier. Hoenes. [1S7-?] No. 4 in M.277.2S
Same. Robinsonade. Music by A. Darr. Descriptive poem
written, and English setting [of C. Wolfrum's German
libretto] to the music by Nathl. Childs. [Vocal score.
Accomp. for piano.] Boston. Ditson & Co. 1880.
No. I in M.326.41
Darr, Lizzie S., translator.
Alarcon. Brunhilde, or the last act of Norma. M.102.3
Darr, Mrs. Francis J. A. See Darr, Lizzie S.
Darsay, Henri.
La Carmagnole. Opera-comique. Paroles de J. Lemaire,
L. d'Hurcourt et Henri Darsay. Musique de Paul Fau-
chey. M.393.12
Darthula's Grabgesang. Song. Taubert, C. G. W. Sechs Ge-
sange. No. 8 in M.192.8
Dartois de Bournonville, Achille.
L'officier et le paysan. Opera comique. Musique de Fre-
deric Kreube. M.253.1S
Dartois de Bournonville, Frangois Victor Armand.
[Charles de France, ou amour et gloire. Opera-comique.
Paroles de Theaulon et Dartois. Ouverture et no. 1-6 par
Boieldieu; no. 7, 8 par Herold.] M.281.1
Le roi et la ligue ou la ville assiegee. Opera. Paroles de
Mm. Theaulon et Dartois. Musique de N. Ch'^s. Bochsa
fils. M.380.61
Les troqueurs. Opera-comique. Paroles de M^. Dartois
mis en musique . . . par Ferdinand Herold. M.389.26
320
Dartol
THE ALLEN A. BROWN COLLECTION OF MUSIC
Davenport
Musique de Paul
M.26S.39
Dartol, F.
La fiancee d'Abydos. Drame lyrique
Bordier.
Darvey, Abel.
Pierre d'Aragon. Grand opera historique en 4 actes et 6
tableaux. Poeme et musique de Abel Darvey. Partition
piano et chant. Paris. Choudens. [1903. 1 M.397.22
Das ist die Noth der schweren Zeit. Part-song. Reinecke, C.
H. C. Sechs Lieder und Gesange. No. 27 in M.392.21
Das ist die sclioenste Zeit. Part-song.
HiLLER, F. No. s in M.203.22
Jansen, F. G. Drei Lieder. No. 16 in M. 392.36
Das ist ein Brausen und Heulen. Song. Franz, R. Sechs
Gesange. Op. 8. No. 59 in M.244.S.1
Das ist ein Floten und Geigen. Song. Schumann, R. A. Dich-
terliebe. Heft 2. No. 5 in M.244.15.2
Das ist ein theures Wort. Choral. Franz, R. Sechs Chorale.
No. 10 in M.204.7
Das ist gewiss der grosste Thor. Part-song. Grieg. Album
fiir Mannergesang. No. 6in M.203.14
Das ist je gewisslich wahr. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 30.
Das macht das dunkelgriine Laub. Part-song.
Eyrich. No. 22 in M.392.42.4
Jansen, F. G. No. S in M.392.42.3
LuDOLFS. No. 19 in M.392.16
Das macht das dunkelgriine Laub. Song. Franz. R. Sechs
Gesange. Op. 20. No. 41 in M.244.S.2
Das ruft so laut. Song. Stern, J. Deutsche Gesange.
No. 17 in M.236.8
Das war ich. Opera. For the Music see Blech. For the Li-
bretto see Batka.
Das war ich. Song. Schubert, F. P. Werke. Serie 20. Band 2.
M.317.1.20.2
Das war zu Assmannshausen. Part-song. Appel.
No. 32 in M.392.2
Das war zu Bacharach am Rhein. Part-song. Kern.
No. 48 in M.3g2.ii
Dass doch gemalt. Song. Wolf, H. Italienisches Liedei-
buch. Band i. M.380.29.1
Dass ich war' der Mondenschein. Part-song. Stuckenschmidt.
No. IS in 111.392.42.3
Dass sie hier gewesen. Song. Schubert, F. P. Werke. Serie
20, Band 8. M.317.1.20.8
Dassier, E.
Marcel le marin. [Chanson, s. Accomp. de piano.] {Ir.
Album de chant. Pp. 8, 9.) No. i in M.202.28
Date siceram. Motet. Lassus. SammtHche Werke. Band 7.
M.8o4oa.67.7
Date sonitum. Anthem. Costa, M. No. 8 in M.260.10.1
Date un pane al poverello. Song. Mariani, A. XXII melodie.
No. I in M.IS8.28
Daudet, Alphonse.
Les absents. Opera-comique. Musique de F. Poise.
No. I in M.287.38
L'Arlesienne. Drame. Musique de Georges Bizet.
No. I in M. 265.21
Le char. Opera-comique. Poeme de Paul Arena et .Al-
phonse Daudet. [Musique de] fimile Pessard.
No. 2 in M.287.15
Daughter of error. Chorus. Bishop, H. R.
No. 20 in M.is7.ig; etc.
Daughter of heaven. Glee. (In Amusement for the ladies.
Vol. 4. pp. 51-57) No. 13 in M.220.3.4
Also to be found in Warren's Collection of catches.
Daughter of Jairus, The. Cantata. For the Music see Stainer.
Daughter of Jove. Glee. Cooke, B. Nine glees.
No. 2 in M.220.8
Daughter of Megan, The. Song. Thomas, J. R. Six Welsh
melodies. No. 31 in M.192.14
Daughter of St. Mark, The. Opera. For the Libretto see
Bunn.
Daughter of the regiment. The. Fiction. Temple, R. E. M.126.1
Daughter sweet. Glee. Webbe, S. No. 7 in M.235.11; etc.
Daughters of Albion. Glee. Walmisley, T. F. Collection of
glees . . . M.235.S
I41
Daum, Hermann.
Rock of Ages. Quartette for mi.xed voices. [Accomp. for
organ.] Boston. Ditson & Co. 1859. No. 25 in M.190.2
Daumer, Georg Friedrich.
Liebeslieder. Songs of love. Walzer fur das Pianoforte
(und Gesang ad lib.) von Johannes Brahms. [Words from
Daumer's Polydora.] No. i in M.270.14
Neue Liebeslieder. New songs of love. Walzer fiir Sing-
stimmen und Pianoforte von Johannes Brahms.
_, ,w„- No. 2 in M.270.14
Dauney, William.
Ancient Scotish melodies, from a Ms. of the reign of King
James VI. With an introductory enquiry illustrative of
the history of the music of Scotland. Edinburgh 1838
Engraved title-page. M.122.37
Daunis, pseud. See Pericaud, Jean Louis.
Dauphin, Leopold.
Les deux loups-garous. Operette en i acte. Paroles de Paul
Arene. Musique de Leopold Dauphin. [Partition chant
et piano.] Paris. Girod. [1873.] No. i in M.295.8
Education musicale de mon cousin Jean Garregou. Paris
Delagrave. [1883.] Illus. M.ioi.46
Le huron. [Opera comique en un acte. Partition piano et
chant.] Paris Maquet & cie. [188-?] No. i in M.378.4S
Ihe title-page is lacking. "'
Un mariage en Chine. Operette-bouffe en un acte. Paroles
de Emile et Edouard Clerc. Musique de Leopold Dauphin.
[Partition chant et piano.] Paris. Bathlot. [1874.]
._ No. I in M.3g3.i6
bainte Genevieve de Pans. Mystere en 4 parties et 12 ta-
bleaux. Musique de CI. Blanc & L. Dauphin. Partition
chant et piano. Paris. Heugel & cie. 1893.
No. 2 in M.213.5
Dauprat, Louis Frangois.
Partition des trios, quatuors & sextuors pour cors en dif-
ferens tons. Precedee de tableaux et instructions. Paris
L'auteur, [182-?] M.355.S
Contains s.x tnos, six quatuors and six sextuors.
Daurio, C. P.
Recherches sur les causes physiques de nos sept sensations,
et erreurs des physiciens sur le son et la lumiere. Paris.
Desessart. 1838. No. 2 in M.207.24
Daussoigne, J. See Daussoigne-Mehul, Louis Joseph.
Daussoigne-Mehul, Louis Joseph.
Valentine de Milan. Opera en 3 actes, paroles de J. N.
Bouilly. Musique de Mehul. CEuvre posthume; partition
terminee ... par J. Daussoigne. [Partition.] Paris.
Schlesinger, [1822.] M.273.23
Dautresme, Lucien.
Cardillac. Drame-lyre en 3 actes et 4 tableaux. Paroles
de Nuitter [pseud.] et Beaumont [pseud.]. Musique de
Lucien Dautresme. Partition chant et piano. Paris.
Richault. [1867.] M.363.25
Espoir en Dieu. Melodie [inedite, s. ou t. Accomp. de
piano. Portrait. Facsimile]. (/« Album du Galois. Vol. i.)
No. 9 in M.3gi.28.i
Dauvergne, Antoine. See Auvergne, Antoine d'.
Davenport, Ambrose.
Benedictus, in E flat. [Accomp. for organ.) Boston. Tol-
man & Co. 1866. No. 8 in M.290.12
Brightly beaming golden star. [Song, t. Accomp. for
pianoforte.] Boston. Tolman & Co. 1866.
No. 19 in M.290.12
[Christ our Passover.] Easter anthem. [Accomp. for or-
gan.] Boston. Tolman & Co. 1866. No. 10 in M.290.12
Christmas anthem for [t.] solo and quartet. [Accomp. for
organ.] Boston. Tolman & Co. 1867. No. 9 in M.290.12
Decoration hymn [s. A. T. B. Accomp. for pianoforte. Bos-
ton. 1878]. No. 25 in M.isS.is
Erin Machree, or the handful of earth. [Song, s. Accomp.
for pianoforte.] Boston. White & Goullaud. 1873.
No. 24 in M.290.12
Evening song. [Part-song. Accomp. for pianoforte. Bos-
ton. 1872.] No. 38 in M.157.23
Faithless. [Song, bar. Accomp. for pianoforte.] Boston.
Tolman & Co. 1866. No. 18 in M.290.ia
321
Davenport
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
David
Davenport, Ambrose. (Continued.)
The flower of Marblehead. [Song, s. Accomp. for piano-
forte.] Boston. White & Goullaud. 1873. No. 27 in M.290.12
Gen'l Custer's funeral march. [By Louis Frederic, pseud.]
Violin and piano. [Full score and separate part for vio-
lin.] Boston. Davenport. 1877. No. 23 in M.357.12
Gloria Patri and Gloria Tibi. [Accomp. for organ.] Bos-
ton. Davenport. 1864. No. 11 in M.290.12
[Glory to God in the highest.] Christmas anthem. [Ac-
comp. for organ.] Boston. White & Goullaud. [1870.
Church repertoire.] No. 14 in M.2go.i2
Same. [New Episcopal music] No. 29 in M. 190.2
The golden land. Sacred song, duett [s. .\.] and chorus. By
Chas. Homer [pseud. Accomp. for pianoforte]. Boston.
White & Goullaud. 1871. No. 28 in M.290.12
The heavenly hill. Sacred song and chorus. By Charles
Homer [pseud. Accomp. for pianoforte]. Boston. White
& Goullaud. 1871. No. 29 in M.290.12
I will be true to thee. Song [s. Accomp. for pianoforte].
Boston. Davenport. 1875. No. 30 in M.290.12
In splendor bright. Christmas carol. Old English melody
arranged for 4 voices. [Boston. Davenport. 187-?]
No. 27 in M.190.2
Jubilate Deo (in Bb). [Accomp. for organ.] Boston. White
& Goullaud. 1870. No. 30 in M.190.2
Same. [1871.] No. 6 in M.290.12
Laudate Dominum, in C. [Accomp. for organ.] Boston.
Tolman & Co. 1866. No. 7 in M.290.12
Little Dottie's vision. [Song and chorus. Accomp. for
pianoforte.] By Louis Frederic [pseud.]. Boston. White
& Goullaud. 1870. No. 31 in M.290.12
The mountain echo. [Song, a. or bar. Accomp. for piano-
forte.] Boston. Tolman & Co. 1866. No. 21 in M.290.12
The name I learned to love. [Song, a. or bar. Accomp. for
pianoforte.] Boston. White & Goullaud. 1873.
No. 26 in M.2go.i2
Nannie's confession. [Song, s. Accomp. for pianoforte.]
Boston. White & Goullaud. 1873. No. 25 in M.290.12
The night watch. [Song, a. or b. Accomp. for pianoforte.]
Boston. Tolman & Co. [1866.] No. 17 in M.290.12
One smile, one tear. [Song. bar. Accomp. for pianoforte.]
Boston. Tolman & Co. 1868. No. 16 in M.290.12
The shipwreck. [Song, b. or a. Accomp. for pianoforte.]
Boston. White & Goullaud. [1872.] No. 22 in M.290.12
Shout the glad tidings. Christmas anthem. [Accomp. for
organ.] Boston. White & Goullaud. [1871.]
No. 28 in M.190.2; No. 13 in M.290.12
Some one's coming. Song and chorus. By Louis Frederic
[pseud. Accomp. for pianoforte]. Boston. White &
Goullaud. 1871. No. ^,2 in M.290.12
Te Deum, in B flat. [Accomp. for organ.] Boston. Tol-
man & Co. 1866. No. 26 in M.190.2; No. S in M.290.12
Thou art like a lovely flow'ret. [Song, bar. Accomp. for
pianoforte.] Boston. Tolman & Co. 1866.
No. 20 in M.290.12
Davenport, Ambrose, editor.
Barnby. O paradise. Sacred quartett with solo for s. or t.
Arranged [by Ambrose Davenport]. No. 14 in M. 190.1; etc.
Beethoven. Quartets. No. 1-4 in M.290.12
Schubert, F. P. Valse noble. No. 8 in M.4io.45
Davenport, Warren.
In patient love. Serenade [t.]. Words by Thomas Hood.
[Accomp. for pianoforte.] Boston. Ditson & Co. 1865.
No. IS in M.290.12
Davenport, Warren, editor.
Caldicott. Jack and Jill. No. 8 in M.3g2.6
David, Adolphe.
L'orage. Monomime en i acte, par Bertrand Millanvoye et
Paul Eudel. Musique d' Adolphe David. Livret et parti-
tion [de piano]. Paris. Tellier. 1894. Illus.
No. I in M.301.3
Pierrot surpris. Ballet-pantomime, en un acte. Scenario
de Thomas Maisonneuve. Musique de Adolphe David.
Partition pour piano. Paris. Heugel & ci=. [1894.]
No. 3 in M.384.1
David, Ernest.
fitudes historiques sur la poesie et la musique dans la Cam-
brie. Paris. Imprimerie nationale. 1884. M.21S.22
G. F. Handel: sa vie, ses travaux et son temps. Paris. Levy.
1884. M.128.21
Les Mendelssohn-Bartholdy et Robert Schumann. Paris.
Levy. 1886. M.127.37
Catalogue des ceuvres de Schumann, pp. 353-359.
La musique chez les Juifs. Essai de critique et d'histoire
Paris. Pottier de Lalaine. 1873. No. 4 in M.372.51
La vie et les ceuvres de Jean-Sebastien Bach. Paris. Levy.
1882. M.137.12
David, Ernest, translator.
Marcello, B. Le theatre a la mode au XVIIIe siecle.
No. 3 in M.I39.23
David, Felicien Cesar.
La captive. Opera posthume en 3 actes. Poeme de Michel
Carre. Musique de Felicien David. [Partition chant et
piano.] Paris. Ikelmer. [1883.] M.29S.S
Chant du soir (Abendlied). Quatuor ou choeur pour voix
d'hommes, avec vocalise pour Tenor. (Accompt. de piano
ad libitum.) Mayence. Schott. [1842?] No. 2 in M.212.4
Same. Choeur. Paroles de Sylvain St. fitienne. Musique
de Fel. David. Partition d'orchestre. [Paris. 184-?]
No. I in M.202.2g
Christophe Colomb, ou la decouverte du Nouveau monde.
Ode symphonic en 4 parties. Paroles de MM. Mery, Ch.
Chaubet et Sylvain St. fitienne. Partition piano et chant
[s. T. BAR. et choeur]. Paris. Meissonnier. [1847.] Plates.
M.241.24
Cinquante melodies, scenes, romances, pour chant & piano.
Paris. Gerard. [186-?] M.363.28
Contents. — Le vieillard et les roses. — Le Bedouin. — Le nuage. —
Dormez, Marie. — Adieux a Charence. — Reviens, reviens! Reverie.
— Le pecheur a sa nacelle. — Le tchibouk. — J'ai peur de I'aimer. —
L'£gyptienne. — En chemin! — L'amitie. — L'ocean. — Oubli. —
Fleur de bonheur. — Tristesse de I'odalisque. — Saltarelle. — For-
mosa. — La chanson du pecheur. — Cri de charite. — Le ramier. —
£oline. — Le Rhin allemand. — Le jour des morts. ■ — ■ Les hirondelles.
— Le quart. — £veillez-vous. — Le pirate. — Le mourant. — Sultan
Mahmoud. — Amour perdu. — L'oublier . . . jamais! — Qui t'aime
plus que moi? — Le captif. — Magdeleine. — Le sommeil de I'enfant.
— Le ver luisant. — La pluie. — La Bayadere. — L'ange rebelle. —
La vengeance des fleurs. — La fleur et roiseau-mouche. — Une plainte.
— L'Amour createur. — Amour pour amour. — Au convent. —
Plainte amoureuse. — Dors, petit. — Partons.
Le desert. Ode symphonic en trois parties. Poesie de M. A.
Colin. Musique de Felicien David, [t. solo et choeur
d'hommes.] Partition d'orchestre. Mayence. Schott.
[184-?] M.401.6
Same. [Accomp. de pianoforte.] London. Cramer, Beale
& Co. 3 parts in i v. M.241.23
L'fiden. Mystere en 2 parties. Paroles de Mery. Musique
de Felicien David, [s. t. bar. b. et choeur.] Partition re-
duite, avec acct. de piano. Paris. Boieldieu. [1848.]
No. I in M.295.6
Herculanum. Grand opera en 4 actes, de Mery & Hadot.
Musique de Felicien David. Partition piano et chant.
Paris. Cendrier. [1859.] M.363.27
Lalla-Roukh. Opera comique en 2 actes. Paroles de MM.
Michel Carre et Hipp. Lucas. Grande partition orche.
Paris. Girod. [1862?] M.401.7
Same. Partition piano et chant. Portrait. M.363.26
Moise au Sinai, oratorio, paroles de Sylvain S'. fitienne, mu-
sique de Felicien David. Partition reduite avec accomp.
de piano par E. de Fonscolombe. Paris. Meissonnier.
[1846.] M.1S3.14
La perle du Bresil. Opera comique en 3 actes, pour piano et
chant. Paroles de J. Gabriel [pseud.] et Sylvain St. £-
tienne. Musique de Felicien David. Paris. Launier.
[1851.] M.29S.4
Le ramier. [Chanson, s. Accomp. de piano.] (In Album
de chant. Pp. 6, 7.) No. i in M.202.28
Le saphir. Opera-comique en 3 actes. Paroles de MM. de
Leuven [pseud.], Michel Carre & Hadot. Musique de
Felicien David. Partition piano et chant. Paris. Girod.
[1865.] M.29S.3
322
David
THE ALLEN A. BROWN COLLECTION OF MUSIC
Davis
David, Felicien Cesar. (Continued.)
Tristesse. [Piece inedite pour le piano. Portrait. Facsim-
ile.] (/n Album du Gaulois. Vol. i.) No. lo in M.391.28.1
David, Felicien Cesar. Works about.
AzEVEDO, A. F. David: coup d'oeil sur sa vie et son oeuvre.
Paris. 1863. Portrait. Facsimiles. No. 2 in M.122.13
Neumann, W. Felicien David. Eine Biographic. Cassel.
1854. Portrait. No. 4 in M. 205.17
David, Ferdinand.
Andante et scherzo capriccioso pour le violon avec accom-
pagnement de piano. Op. 16. Leipzig. Breitkopf & Har-
tel. [187-?] No. 2 in M.406.6
Festmarsch fiir grosses Orchester fiir das Concert im Ge-
wandhause zur Feier der goldenen Hochzeit Ihrer Majes-
tiiten des Konig Johann und der Konigin Amalie von
Sachsen. Op. 42. Partitur. Leipzig. Kistner. [1872.I
No. I in M.332.13
David, Ferdinand, editor.
Bach, J. S. Suite in D-dur. No. 6 in M.332.3
Handel. Concerto (G moll) . . . No. 3 in M.342.3
Schubert, F. P. Duos fiir Pianoforte und Violine. M. 353.11
Trios fiir Pianoforte, Violine und Violoncell.
No. I in M.3S3.I2
David, Gustav.
Jabuka. (Das Apfelfest.) Operette von Gustav Davis
[Pseud.] und Max Kalbeck. Musik von Johann Strauss.
M.402.S3
Waldmeister. Operette. Musik von Johann Strauss.
M.402.S4
David, Samuel.
Le bien d'autrui. Opera-comique en i acte. Paroles de A.
Lemonnier et F. Oswald. Musique de Samuel David. Par-
tition piano et chant. Paris. Royol. [1869.]
No. 2 in M.2g5.6
Mademoiselle Sylvia. Opera-comique en i acte. Paroles de
N. Fournier. Musique de Samuel David. [Partition chant
et piano. Paris. Moncelot. 1868.] M.295.7
Quatre duos, extraits de Sobieski. Paris. i8g2.
No. 2 in M.301.3
Contents. — Un noir presentiment [m.-s. T.]. — II dort [m.-s. bar.].
— Que dirai-je [s. T.]. — Je te retrouve [s. T.].
Le triomphe de la paix. Poeme lyrique en 3 parties, de Dq"^
A. Parodi. Musique de Samuel David. [Partition chant,
s. M.-s. BAR. et choeur, et piano.] Paris. Girod. [1878.]
M.303.24
Tu I'as voulu. Operette en I acte. Paroles de MM. £mile
Abraham et Jules Prevel. Musique de Samuel David. Par-
tition piano et chant. Paris. Royol. [1869.]
No. 3 in M.295.6
David. Cantata. For the Music see Lacheurie; also Green-
wood. For the Libretto see Chevalier de Montreal.
David. Oratorio. For the Music see Bordier; also Essex; also
Hoi; also Horsley, C. E.; also Klein, B. J.; also Neu-
komm, S. For the Libretto see Milliet; also Hofdijk;
also Koemer; also Webb, J.
David. Sunday-school service. Longbottom. No. 6 in M.370.31
David and Saul. Oratorio. For the Music see Jenkins. For
the Libretto see Brown, John.
David Rizio. Opera. For the Music see Canepa. For the Li-
bretto see Costa, E.
David Rizzio. Opera. For the Music and Libretto see Rod-
rigues-H enriques.
David's first victory. Oratorio. For the Music and Libretto
see Linwood.
David's lamentation. Anthem. Weelkes. No. 3 in M.234.26; etc.
David's Sieg im Eichthale. Oratorio. For the Music see Rolle,
J. H. For the Libretto see Patzke.
Davide, Giacomo.
Messa per 2 tenori e basso, con accomp. d'organo. Torino.
Giudici & Strada. [185-?] No. 4 in M.222.43
Davide, Padre. See Davide, Giacomo.
Davide penitente. Cantata. For the Music see Mozart.
Davidov, Carl Yu.
Concerto, 3me, pour violoncelle avec accomp. [de piano].
Op. 18. [Partition.] Leipzig. Kistner. [1866?]
No. 3 in M.210.13
Davidov, Carl Yu. (Continued.)
Same. [Partie de violoncelle.] No. 4 in M.210.14
,4apu TepeKa. Die Gaben des Terek. Sinfonisches Bild
fiir Orchester, nach einer Dichtung von Lermontoff.
Op. 21. Partitur. St. Petersburg. Buttner. [186-?]
No. 2 in M.403.18
Quartett fiir zwei Violinen, Viola und Violoncell. Op. 38.
Partitur. Hamburg. Rahter. [188-?] No. i in M.33S.4
Sextett fiir 2 Violinen, 2 Bratschen u. 2 Violoncell. Op. 35.
[Partitur.] Hamburg. Rahter. [188-?] No. i in M.346.23
Suite . . . pour I'orchestre. Op. 37. Partition. S'. Peters-
bourg, Bessel & cie. [187-?] No. I in M.343.53
Davidson, George Henry.
Davidson's Choral cyclopaedia, a collection of hymns and
moral songs with music. London. Pitman. [187-?]
M.103.11
Davidson, Peter.
The violin: a concise exposition of the general principles
of construction . . . Glasgow. Porteous. 1871. lUus.
M. 1093.5
Davidson's Universal melodist, consisting of the music and
words of popular . . . songs. London. Davidson. 1853.
2 V. M.I 12.6
Davies, Coombes.
Prizes and blanks. An operette. The music by Otto Booth.
No. I in M.402.65
Davies, Richard.
Blodwen: (White-flower.) A Welsh opera. The music by
Joseph Parry. M.326.40
Davies, W. H.
[Christiana. Readings from Pilgrim's progress, with sacred
songs, for Sunday schools. London. Sunday School
Union. 187-?] No. 14 in M.370.31
The title-page is missing.
The Sunday scholars' service of sacred song (Book "B"),
illustrative of the sayings of Jesus. (No. I. To the close
of the first year's ministry) . . . Compiled and arranged
with connective readings, from the authorized version of
the Holy Scriptures. London. Sunday School Union.
[187-?] No. 3 in M.373.44
The Sunday scholars' service of sacred song, (Book "D")
illustrative of Christiana, part II. of Bunyan's Pilgrim's
progress, compiled and arranged with connective readings.
London. Sunday School Union. [187-?] No. 4 in M.373.44
The Sunday scholars' service of sacred song, illustrative
of The pilgrim's progress, compiled and arranged with
adapted connective readings. London. Sunday School
Union. [187-?] No. i in M.373.44
Davis, Gabriel.
Dame Wiggins of Lee. Humourous part song. London.
Novello, Ewer & Co. [188-?] No. 26 in M. 158.15
Davis, Henry W.
Five Gloria Patris. [In A, B flat, F, C, F.] Boston. Ger-
rish. [1889.] No. 14 in M. 158.26
Davis, James.
"All abroad." Musical farce written by Owen Hall [pseud.]
& James T. Tanner. The music by Frederick Rosse.
No. I in M.389.16
An artist's model. Music by Sidney Jones. M.246.10
Florodora. A musical comedy. Music by Leslie Stuart
[pseud.]. M.393.74
The Geisha. A Japanese musical play. Music by Sidney
Jones. M.395.36
The girl from Kay's. A musical play. Music by Ivan Caryll
[pseud.], Cecil Cook and others. No. 2 in M.381.7
A Greek slave. Musical comedy. Music by Sidney Jones.
M.394.56
The medal and the maid. A musical comedy. Music by
Sidney Jones. M.397.34
Sergeant Brue. A musical farce. Music by Liza Lehmann.
M.38g.io
The silver slipper: a modern extravaganza. Music by Les-
lie Stuart [pseud.]. M.381.45
Z2Z
Davis
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dear
Davis, Richard Harding.
A Yankee tourist. New musical comedy. Music by Alfred
G. Robyn. M.378.7
Davison, Archibald Thompson, Jr.
The girl and the chauffeur. A musical comedy in two acts.
Book and lyrics by James Dignowity. Music by Archi-
bald T. Davison. Presented by the Pi Eta Society of Har-
vard University. [Vocal score with pianoforte accomp.
Cambridge?] Pi Eta Society. 1906. No. I in M.389.22
The counterfeiter. Comic opera in two acts. Book and
lyrics by Clarence P. Whorf, additional lyrics by James V.
Dignowity. Music by Archibald T. Davison, Jr., and
Frank H. Grey. [Vocal score. Accomp. for piano.] Pre-
sented by the Pi Eta Society, 1905. [Cambridge.] Ben-
nett. 1905. No. I in M.383.12
Will o' the wisp. A comic opera in two acts. Book and
lyrics by Douglas P. Cook. Music by Archibald T. Davi-
son, Jr., Frank H. Grey, Harry R. Pratt. [Vocal score.
Accomp. for piano. Cambridge. Pi Eta Society.] 1904.
No. 2 in M.383.12
Davy, John.
The cabinet. A comic opera . . . The words by T. Dibdin.
The music by Reeve, Davy, Moor [e] head & Braham.
No. 2 in M.251.3
He that is thy friend. Glee. {In Turle and Taylor. The
People's music book. Vol. 3, pp. 69-71.) No. 30 in M.iii.4.3
Just like love. Glee. London. Novello. [185-?]
No. 27 in M.158.15; No. 17 in M.iys.i.i
Thirty thousand, or who's the richest? A comic opera . . .
The words by T. Dibdin. The music by Reeve, Davy &
Braham . . . No. 3 in M.251.3
Davy Jones. Opera. For the Music see Miller, F.
Davyl, Louis, pseud. See Poupart, Ludovic Joseph Gonzalve
Amedee.
Dawn, The, of day. Part-song. Reay. No. 19 in M. 157.2; etc.
Dawn, The, of day. Song. (Torriad y dydd.) No. 9 in M.235.6.1
Davim, The, of love. Part-song. Wilhelm, C.
No. 33 in M.3g2.48.2
Dawn, The, of spring. Part-song. Mendelssohn-Bartholdy,
J. L. F. No. 9 in M.244.10.3
Day, George.
Come, drink a bout. Catch a 3 voci. {In Clementi. Collec-
tion of catches. Vol. 3, p. 43.)
No. 198 in M.110.1.3; No. 198 in M.iio.2.3
Day, Harry Brooks.
I will praise God. [Anthem. Accomp. for organ.] Boston.
Gerrish. [1890.] No. 18 in M.1S8.15
Day. Symphonic poem. Converse. Night and Day. M.410.95
Day, A, in Thy courts. Anthem. Marston. No. ii in M.203.28
Day is at last departing. Trio. Raff. No. 6 in M.204.36.4
Day, The, is done. Part-song. Gaul. No. 8 in M. 157.25
Day, The, is done. Song. Balfe. No. 5 in M. 192.9.1
Day, The, is past. Anthem. Hullah, J. P. No. 14 in M.IS7.28.1
Day, The, is Thine. Anthem. Webbe, S. Twelve anthems.
No. 2 in M.234.7
Day, The, must come. Choral. Decius. No. 37 in M. 157.28.2
Day of anger. Anthem. Mozart. No. 4 in M.195.2.11
Day of judgment. Chorus. Mozart. No. 17 in M.221.22.2
Day, The, of love. Part-song. Mackenzie, A. C.
No. 22 in M.I95.I.I2
Day of wrath! Anthem. Buck, D. No. 8 in M.290.H
Day, slowly declining. Part-song. Weber, C. M. F. E. von.
No. 4 in M.109.1
Daybreak. Part-song. Gaul. No. 19 in M.158.16
Moscheles, L No. 28 in M.157.28.1
Parker, J. C. D. 7 part-songs. M. 157.13
ScHiRA. No. 24 in M.121.3
Trowbridge. No. 33 in M.392.26
Day dreams. Ballad. Foster, G. W. No. 13 in M.380.41.1
Daylight is fading. Part-song. Leslie, H. D.
No. 17 in M.195.1.4
Days of gladness. Anthem. Bergt. No. 18 in M.201.37
Days of youth. Part-song. S'picker. Tage der Jugend.
No. 16 in M.392.24
Days, The, that are no more. Blumenthal. No. 9 in M.244.I
Dazu ist erschienen der Sohn Gottes. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 7.
De, Le (II ditale). Opera. For the Music see Hackensoellner.
For the Libretto see Talleyrand-Perigord.
De angelis. Mass. Gregorian mass "De angelis" aranged with
an accompaniment for the organ by V. Novello. {In No-
vello. Twelve easy masses. Vol. i, pp. i-ii.)
No. I in M.237.25
De Beata Virgine. Mass. Palestrina. Werke. Band 11.
M.8o4oa.66.ii
De Beata Virgine vel Dominicalis. Mass. Palestrina. Werke.
Band 12. M.8o4oa.66.i2
De dentro tengo ni mat. Song. Schumann, R. A. Werke.
Serie 10, Band 2. M.316.1.10.2
De feria. Mass. Palestrina. Werke. Band 12. M.8o4oa.66.i2
De Teteme tue sante alme faville. Part-song. Lassus. Sammt-
liche Werke. Band 6. M.8o4oa.67.6
De la compassion de Marie. Song. Schubert, F. P. Melodies.
Vol. 6. M.327.4.6
De lamentatione Jeremiae Prophetae. Anthem. Palestrina.
Werke. Band 31. M.8o4oa.66.3i
De ma premiere amie. Song. Meyerbeer. 40 melodies.
No. I in M. 157.38
De me solus amor. Motet. Lassus. Sammtliche Werke. Band
II. M.8o4oa.67.ii
De ore prudentis. Motet. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
De plusieurs choses Dieu. Part-song. Lassus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
De profundis. Anthem. Clari. No. 3 in M.233.26.3
Gluck. No. 2 in M.222.49; etc.
Gounod. No. 2 in M.365.7; etc.
Labat. 26 grands motets. M.213.23
Manna. No. 3 in M.260.22
Mozart. Werke. Serie 3. M.315.1.3
Nesvera. No. 5 in M.213.13
Neukomm, S. Recueil de 40 motets. No. i in M. 158.37
Panseron. Collection de 40 morceaux. No. 33 in M. 260.13
Parry, C. H. H. No. 3 in M.156.8
Pasini. No. 4 in M.260.22
Raff. No. 3 in M.347.2S
Rheinberger, J. G. No. 20 in M. 158.19
Sweelinck. Werken. Deel 6. M.413.2.6
De retoumer mon ami. Willaert. M.236.10
De sancta Maria. Anthem [s. a. t.]. (/n Smith. Musica anti-
qua. P. 21.) M.236.10
De Therese en ce jour. Song. Piccinni, L. No. 2 in M.225.32
De tout mon coeur. Part-song. Lassus. Sammtliche Werke.
Band 14. M.8o4oa.67.i4
De tout mon coeur t'exalteray. Anthem. Sweelinck. Werken.
Deel 2. M.413.2.2
De vous servir. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o40a.67.i2
Deadde, lidouard.
Le marin de la garde. Opera comique, paroles de M''. S'.
Yves [pseud.], musique de Eugene Gautier.
No. 3 in M.368.28
Pianella. Operette bouffe, paroles de MM. Saint-Yves
[pseud.] et Octave Fere [pseud.], musique de F. de Flo-
tow. No. 2 in M.368.28
Zerbine. Opera bouffe. Poeme de MM. Octave Fere
[pseud.] et S'. Yves [pseud.]. Musique de Jules Bovery
[pseud.]. No. S in M.275.1
Deak, Farkas.
II rinnegato (The renegade). Opera by Baron Bodog Orczy.
M.277.30
Dear angel! sleep thee well. Serenade. Abt, F.
No. 24 in M.192.2
Dear Cloe, ease me. Catch. Tremain. No. 31 in M.157.18.1
Dear father, the girl. Catch. Webbe, S. No. 5 in M.220.6
Dear friend, this brown jug. Glee [t. t. b.]. {In Apollonian
harmony. Vol. 2, pp. 14, 15.) No. 11 in M.141.21.2
Also to be found in Social harmony.
Dear Georgette, we come to you. Part-song. Hatton.
No. 94 in M.1S7.5.2
324
Dear
THE ALLEN A. BROWN COLLECTION OF MUSIC
Debois
Dear home of my childhood. Song. Abt, F. No. 25 in M. 192.2
Dear, if you change. Part-song. Dowland, J. First set of
songs. No. 2 in M.234.21
Dear, if you wish. Madrigal. Bateson. First set of madrigals.
No. 2 in M.234.22
Dear Jenny, I love you. Catch. Arne, T. A.
No. 186 in M.220.9.1
Dear Kitty. Catch. Hook, J. No. 88 in M.220.9.3
Dear land of my fathers. Old Swedish national melody [t. t.
B. B.]. (In The Orpheus. New series. Vol. I, pp. 36-38.)
No. 8 in M. 205.10.1
Dear maid. Part-song. Call. No. 21 in M.246.36; etc.
Dear, may some other. Fa la. Hilton. Ayres or fa las.
No. 3 in M.234.21
Dear pity, how. Ah! how. 'Madrigal. Wilbye. Works. Vol. i.
No. S in M.234.19.1
Dear, pretty youth. Song. Purcell, H. Beauties of Purcell.
Vol. 2. M.221.2
Dear Sally, come hither. Catch. Wright, J. No. 41 in M.220.9.3
Dear source of all my joys. Anthem. Winter, P. von. M.237.18
Dear Tom, this brown jug. Song. Hodson, W. Fourteen
songs. No. 3 in M.221.32
Deare doe not your faire bewty wronge. Song. Johnson, R.
M.236.10
Dearest, awake! Part-song. Storch. No. 12 in M.392.38
Dearie, Edward.
Israel in the wilderness. An oratorio. [Pianoforte accomp.]
London. Weekes & Co. [1879] M.153.1S
A Te Deum, Jubilate, Cantate, Deus misereatur, four an-
thems and thirty-six chants. [With accomp. for organ.]
London. Novello. [1838.] M.233.17
Death and life. Anthem. Parratt. No. 21 in m. 195.2. 12
Death, The, of Abel. Oratorio. For the Music see Perry, G.
Death, The, of fair Adonis. Glee. Webbe, S. Selection of glees.
Vol.2. No. 9inM.235.i3.2
Death, The. of Llewelyn. Song. Thomas, J. R. Six Welsh
melodies. No. 31 in M.192.J4
Death, The, of Moses. Oratorio. For the Music see Hast.
Death, The, of Minnehaha. Cantata. For the Music see Tay-
lor, S. C. For the Libretto see Longfellow.
Death, The, of Trenar. Trio. Brahms. Four trios.
No. 2 in M.204.7
Death, The, of young Romilly. Cantata. For the Music see
Read, J. F. H. For the Libretto see Wordsworth.
Death song. The. Hodges, G. L. Collection of Peninsular
melodies. Vol. i. No. 13 in M.244.2S.1
Death song. The, of the Cherokee Indian. Soyig. Hunter.
No. 18 in M.235.18.2
Deba centre mes debatteurs. Anthem. Sweelinck. Werken.
Deel 4. M.413.2.4
Debate, The. Catch. Baildon. Mr. Speaker.
No. 21 in M.220.3.2
Debay, Auguste.
Hygiene de la voix, et gymnastique des organes vocaux . . .
Histoire de la musique. Paris. Moquet. 1852. Illus.
m. 128.13
Debbora. Oratorio. For the Music see Lesueur.
Debbora e Sisara. Oratorio. For the Music see Guglielmi, P.
Debelly, Albert.
La vocation de Marius. Vaudeville-operette de Fabrice
Carre & Albert Debelly. Musique de Raoul Pugno.
No. 2 in M.297.21; No. 2 in M.297.21A
Debillemont, Jean Jacques.
Astaroth. Opera comique en i acte. Paroles de H. Bois-
seaux. Musique de J. J. Debillemont. [Partition chant et
piano.] Paris. Girod. [1861.] No. i in M.29S.9
Un eclat de trompette. Opera comique en i acte. Paroles
de H. Lefebvre et J. B. Gerard. Musique de J. J. Debille-
mont. [Partition piano et chant.] Paris. Girod. [1861.]
No. 2 in M.277.27
Le Grand due de Matapa. Opera bouffe en 3 actes et 5 ta-
bleaux. Paroles de Mrs. Clairville [pseud.] et O. Gasti-
neau. Musique de J. J. Debillemont. Partition piano et
chant. Paris. Martin. [1868.] M.295.11
Debillemont, Jean Jacques. (Continued.)
Le pantalon de Casimir. Operette en i acte. Paroles de
Charles Gabet. Musique de J. J. de Billemont. [Partition
chant et piano.] Paris. Bathlot. [1873.] No. i in M.302.16
La revanche de Candaule. Opera bouffe en i acte. Paroles
de Henry Thiery et Paul Avenel. Musique de J. J. De-
billemont. [Partition chant et piano.] Paris. Martin.
[1869.] No. I in M.295.10
La viperine. Operette en i acte. Paroles de Busnach et
Prevel. Musique de J. J. Debillemont. Partition piano et
chant. Paris. Chatot. [1866.] No. 2 in M.302.16
De Blois, , pseud. See Gronnenrade, Charles Gui Xavier
van.
Debois, Ferdinand.
Abendbild [t. T. b. b.]. Wien. Buchholz & Diebel. [1883?]
No. 32 in M.392.6
Abendlied [t. T. b. B.]. Wien. Buchholz & Diebel. [1883?
Zwei Gesange fiir vier Mannerstimmen.] No. 36 in M.392.6
Same. Lovely maid, sleep on [t. t. b. B.]. English version
by Charles J. Sprague. [Boston. Apollo Club.] 1884.
No. :i7 in M.392.6
„Alle Blumen mocht' ich binden." Aus: Der wilde Jiiger
von Jul. Wolff fur Mannerchor u. Baritonsolo mit Clavier-
begleitung. Wien. Rorich. [188-?] No. 4 in M.212.4
Alpennacht [t. t. b. b.]. Wien.
Beloved, I wait for thee here.
Der Corsar [x. t. b. b.]. Wien.
Buchholz &Diebel. [1883?]
No. 33 in M.3g2.6
See his Standchen.
Buchholz & Diebel. [188-?]
No. 34 in M.392.6
Eliland. Dichtung von Karl Stieler, fiir Soli [t. bar. b.],
Mannerchor und Orchesterbegleitung. [Clavierauszug.]
Wien. Rorich. [188-?] No. 3 in M.212.4
Die Erwahlte [t. T. B. b.]. Wien. Rorich. [188-?]
No. 38 in M.392.6
„Es wachst ein Kraut im Kiihlen." Mannerchor im Volks-
ton. Wien. Rorich. [188-?] No. 63 in M.392.3
Es wird zum Lied! Mannerchor. Wien. Rorich. [188-?]
No. 64 in M.392.J
Gondelfahrt. (Upon the tide.) [t. solo, x. t. b. b.] Berlin.
Luckhardt. [1889.] No. 59 in M.392.3
With German and English words.
Im Griinen. Gedicht von Em. Geibel fiir Mannerchor u. Soli
mit Clavierbegleitung. Wien. Weinberger & Hofbauer.
[188-?] No. 8 in M.212.4
Jung Werner [t.t. B. b.]. Wien. Buchholtz & Diebel. [1883?
Zwei Gesange fiir vier Mannerstimmen.] No. 36 in M.392.6
„Liebesaufruf" . . . Fiir Mannerchor. Wien. Weinberger
" & Hoffbauer. [18S-?] No. 39 in M.392.6
Liebesfragen. (Love's reminder.) [t. solo, t. x. b. b.] Ber-
lin. Luckhardt. [1889.] No. 62 in M.392.3
With German and English words.
Liebesnacht. Soloquartett [t. x. b. b.]. Wien. Rorich. [188-?]
No. 65 in M.392.3
Lovely maid, sleep on. See his Abendlied.
Nachtgruss. Gedicht ... fiir Mannerchor m. Clavier- oder
Horn-Quartett-Begleitung. Wien. Rorich. [188-?]
No. 6 in M.212.4
Phillis, mein Kind. [Mannerchor.] Wien. Rorich. [189-?]
No. 67 in M.392.3
. . fiir Mannerchor. Wien. Rorich. [189-?]
No. 66 in M.392.3
[x. Solo, t. T. B. B.]. Wien. Buchholz & Diebel.
No. 29 in M.392.6
Same. Beloved, I wait for thee here. (Serenade.) t. solo
and male chorus. [English words by Charles J. Sprague.
Boston. Apollo Club.] 1884. No. 30 in M.392.6
Tief im Herzen. (In inmost heart.) [t. solo, T. x. B. B.]
Berlin. Luckhardt. [1889.] No. 60 in M.392.3
With German and English words.
Vom blitzenden Sternelein. Chor [x. x. b. b.] mit Clavier-
begleitung. Wien. Rorich. [188-?] No. 5 in M.212.4
Wach' auf! (Awake!] [x. solo, x. x. b. b.] Berlin. Luck-
hardt. [1889.] No. 61 in M.392.3
With German and English words.
325
Sehnsucht
Standchen
[1883?!
Debois
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Deforge
Debois, Ferdinand. (Continued.)
Waldnachtzauber. Aus Jung Friedel v. Aug. Becker f.
Miinnerchor mit Violin-Solo und Clavierbegleitung. Wien.
Rorich. [i88-?] No.7>nM.2i2.4
Weisst du noch?" [bar. solo, t. t. b. b.] Wien. Buchholz
& Diebel. [i88-?] No. .^S in M.392.6
Wilde Ros' und erste Liebe [x. t. b. b.]. Wien. Buchholz
& Diebel. [1883?] No. 31 in M.392.6
Zur Nacht [t. T. b. B.]. Wien. Rorich. [188-?]
No. 40 in M.392.6
Deborah. Oratorio. For the Music see Handel. Werke.
Debussy, Achille Claude.
La damoiselle elue. Poeme lyrique d'apres D. G. Rossetti
pour voix de femmes, solo, choeur et orchestre. Traduc-
tion frangaise de Gabriel Sarrazin. Musique de Claude
Debussy. Partition d'orchestre. Paris. Durand. [1902.]
No. 2 in M.406.7
Danses pour harpe chromatique avec acct. d'orchestre d'in-
struments a cordes. Partition. Paris. Durand. 1904-
M.406.76
Contents. — I. Danse sacree. 2. Danse profane.
L'enfant prodigue. Scene lyrique de E. Guinand. Musique
de A. Debussy. [Partition chant et piano.] Paris. Du-
rand, Schoenewerk & cie. [1884.] No. i in M.29S.12
La mer. L De I'aube a midi sur la mer. IL Jeux de vagues.
in. Dialogue du vent et de la mer. Trois esquisses sym-
phoniques. Partition. Paris. Durand. 1905. M.406.77
Nocturnes. I. Nuages. IL Fetes. III. Sirenes (16 voix de
femmes). Partition d'orchestre. Paris. Fromont. [1900?]
M.4oe.8
Pelleas et Melisande. Drame lyrique en S actes et 12
tableaux de Maurice Maeterlinck. Musique de Claude
Debussy. Partition d'orchestre. Paris. Fromont. 1904.
M.402a.io
Same. Partition pour chant et piano. 1902. M.382.13
Prelude a "L'apres-midi d'un faune" (eglogue de S. Mal-
larme) [par] Claude Debussy. Partition d'orchestre.
Paris. Fromont. [1894?] No. i in M.406.7
Quatuor, ler, pour 2 violons, alto et violoncelle. Op. 10.
Partition. Paris. Durand. [189-?] No. 3 in M.405.69
Printemps. Suite symphonique pour orchestre, piano et
choeurs. Transcription pour piano a 4 mains. Paris.
Durand. 1904. No. i in M.406.69
Debut, Un, a I'Opera. Fiction. Feydau, E. A. M. 137.8
Debutant, Le. For piano. Louis, N. No. 24in M.390.17
De Call, L. See Call, Leonhard von.
Decius, Nicolas.
The day must come. Chorale. Harmonized by Neukomm.
(/n Hullah. Part music. Sacred. Vol. 2, pp. 114, nS-)
No. 37 in M. 157.28.2
Decker, Carl von.
Rose, die Miillerin. Landliches Singspiel von Adalbert vom
Thale [Pseud.]. In Musik gesetzt von A. Bar. von Lauer.
M.3SO.9
Decker Brothers, New York.
Illustrated catalogue of [their] piano-fortes. New York.
[1873.] No. 2 in M.132.3
Declaration. Song. Schumann, C. J. No. 2oin M.391.28.2
Declina a malo. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.i5
Declinate. Motet. Lassus. Sammtliche Werke. Band 3.
M.8o4oa.67.3
Decomberousse, Alexis Barbe Benoit.
L'aspirant de marine. Opera comique. Paroles de Roche-
fort et Decomberousse. Musique de Th. Labarre. M.253.26
Decoration Day.
Springer, W. A. Our nation's struggle. A patriotic alle-
gory. Tableaux and camp scenes. No. 6 in M. 130.8
Decoration hymn. Part-song. Davenport, A.
No. 25 in M.158.15
Decourage. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Decourcelle, Pierre.
La belle epiciere. Operette de Pierre Decourcelle et Keroul.
Musique de Louis Varney. M.325.10
Decourcelle, Pierre. (Continued.)
Le chien du regiment. Opera comique. Musique de Louis
Varney. M.381.5&
Le dragon de la reine. Opera-comique de Pierre Decour-
celle et Beauvallet. Musique de Leopold Wentzel. M.326.24
Ines Mendo. Opera par P. Decourcelle & A. Liorat [pseud.].
Musique de Frederic Regnal [pseud.]. M.3g4.&
Madame Cartouche. Opera comique. Paroles de William
Busnach & Pierre Decourcelle. Musique de Leon Vas-
seur. No. 3 in M.325.21
Princesse Bebe. Operette de P. Decourcelle & G. Berr.
Musique de Louis Varney. M.381.61
Decouverte, La, d'une etoile. Opera. For the Music see Las-
simonne. For the Libretto see Bouvier.
Decq, A.
Faut-il ceder? Saynete de salon a quatre personnages. Mu-
sique de A. Decq. [Paroles de] Louis de Peyre et Paul
Choudens. [Partition chant et piano.] Paris. Choudens.
[189-?] No. 4 in M.396.3
Decus morum, dux minorum. Hymn. Palestrina. Werke.
Band 8. M.8o4oa.66.8
De Cuvry, R.
On the water. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 16, pp. 55-60.) No. 9 in M.195.1.16
Dedication ode. Cantata. For the Music see Caldicott. For
the Libretto see Barrett, W. A.
Dedler, Rochus.
Benedictus. Solo de b. (choeur ad lib.). [Accomp. d'orgue.}
(In Dietsch. Repertoire de musique religieuse. Pp. 137-
140.) No. 29 in M.260.20
Kyrie. [A 4 voix. Accomp. d'orgue.] (In Dietsch. Reper-
toire de musique religieuse. Pp. 223-229.)
No. 45 in M.260.20
Deep repose. The, of night is ending. Quartet. Mendelssohn-
Bartholdy, J. L. F. Quartetts. No. 7 in M.244.22
Deesse, La, et le berger. Opera. For the Music see Duprato.
For the Libretto see Du Commun Du Locle.
Deesse ou femme. Song. Gounod. Vingt melodies. 2e re-
cueil. No. 20 in M. 157.36.2
Defende populum Tuum. Anthem. Hasse, J. A. P.
No. 12 in M.2go.29.3
Defies, P. L.
Les Bourguignonnes. Opera comique en I acte. Paroles de
Henri Meilhac, musique de Louis Defies. Partition chant
et piano. Paris. Saint Hilaire. [1863.] M.29S.15
Broskovano. Opera comique en 2 actes, paroles de MM. E.
Scribe et H. Boisseaux, musique de Louis Deffes. [Par-
tition chant et piano.] Paris. Schonenberger. [1857.]
M.295.13
Le cafe du roi. Opera comique en i acte. Paroles de Henri
Meilhac. Musique de Louis Deffes. [Partition chant et
piano.] Paris. Cellerin. [1861.] No. i in M.29S.16
Le chant du patre [t. Inedit. Accomp. de piano. Portrait.
Facsimile]. (/)i Album du Gaulois. Vol. i.)
No. II in M.391.28.1
La cle des champs, opera comique en i acte, paroles de
Henry Boisseaux, musique de Louis Deffes. Partition
piano et chant. Paris. Colombier. [1857.]
No. 2 in M.295.16
Les croqueuses de pommes. Operette en cinq actes. Pa-
roles de E. Grange & E. Abraham. Musique de L. Deffes.
Partition piano et chant. Paris. Feuchot. 1868. M.395.23
Lanterne magique ! ! ! Operette en i acte. Paroles de M.
Auguste Carre. Musique de Louis Deffes. [Partition
chant et piano.] Paris. 1862. [Magazin des demoiselles.]
No. 3 in M.302.16
Les noces de Fernande. Opera comique en 3 actes. Paroles
de Sardou et de Najac. Musique de Louis Deffes. Par-
tition piano & chant. Paris. Bathlot. [1878.] M.295.14
Defi, Le. Concertino. Louis, N. No. 13 in M.390.3; etc.
Deficiant peccatores. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Deforge, Hippolyte Sazerac.
Premiere fantaisie pour piano & violoncelle. [Partition.]
Paris. Richault. [184-?] No. 2 in M.210.2
Same. [Partie de violoncelle.] No. 17 in M.210.11
326
Deforges
THE ALLEN A. BROWN COLLECTION OF MUSIC
Deine
Deforges, pseud. See Pittaud, Philippe Auguste.
Defranceschi, Carlo Prospero.
II morto vivo. Operetta. La musica e del Sig"". Ferd: Paer.
M.so.ii
Defrene, J.
La promise d'un autre. Opera comique. Paroles de N.
Fournier & J. Defrene. Musique de Ch. de Courcelles.
M.285.33
Defuncto Herode. Motet. Perez, D. No. 28 in M.260.24.1
Degas, Georges.
Am Hochzeitstag (Seit Mittag verheirathet). Mariee depuis
midi. Solo Operette. Paroles de William Busnach & A.
Liorat [pseud.]. Musik von G. Jacobi. No. 2 in M.277.24
L'Amour mouille. Opera-comique de J. Prevel & A. Liorat
[pseud.]. Musique de L. Varney. M.324.37
La belle Indienne. Operette-bouffe. Musique de Frederic
Wachs. No. 3 in M.326.11
Le bossu. Opera comique, par Henri Bocage & Armand
Liorat [pseud.]. Musique de Charles Grisart. M.276.3
Une entrevue. Operette. Musique de Le Corbeiller.
No. 3inM.39s.1g
La falote. Operette de A. Liorat [pseud.] 8c M. Ordonneau.
Musique de Louis Varney. No. i in M.325.5
La fille de Fanchon la vielleuse. Opera-comique de Liorat
[pseud.], Busnach & Fonteny. Musique de L. Varney.
M.325.2
La fille de Paillasse. Opera-comique de A. Liorat [pseud.]
& L. Leloir. Musique de Louis Varney. M.32S.6
Ines Mendo. Opera par P. Decourcelle & A. Liorat [pseud.].
Musique de Frederic Regnal [pseud.]. M.394.8
The infanta's dolls. (Les poupees de I'infanta.) Comic
opera. ] Words by Henri Bocage and Armand Liorat,
pseud.] Music by Charles Grisart. M.266.40
Kosiki. Opera-comique. Paroles de W. Busnach et A. Lio-
rat [pseud.]. Musique de Charles Lecocq. M.296.36
La le?on d'amour. Operette. Musique de Frederic Wachs.
No. 3 in M.300.6
Ma mie Rosette. Opera comique. Paroles de Jules Prevel
& Armand Liorat [pseud.], musique de P. Lacome. M. 296.7
Un mariage au gros sel. Operette. Musique de Fr. Barbier.
No. 4 in M.2S5.34
Nadgy. Romantic comic opera. From the French of MM.
Liorat [pseud.] & Fonteny. The music by F. Chassaigne.
M.285.6
Le petit abbe. Piece de Henri Bocage et Armand Liorat
[pseud.]. Musique de Ch. Grisart.
No. I in M.266.38; No. 2 in M.276.3
Le petit bois. Eglogue naturaliste. Musique de Ch. Grisart.
No. 2 in M.303.4
Les petites brebis. Operette. ^lusique de Louis Varney.
No. 2 in M.325.S
Une pleine eau a Chatou. Operette. Musique de Frederic
Wachs. No. S in M.300.6
Le pont d' Avignon. Opera-bouffe. Musique de Ch. Grisart.
M.266.39
Une poursuite en dommages-interets. Saynete. Musique
de Victor Robillard. No. 2 in M.307.23
La rosiere d'ici. Operette. Musique de Leon Roques.
M.307.36
Un souper chez M«"': Contat. Operette. Musique de Fre-
deric Barbier. No. 2 in M.2SS.37
Le valet de chambre de madame. Operette. Musique de
Olivier Metra. No. 3 in M.257.29
La Venus d' Aries. Opera-comique de P. Ferrier & A. Lio-
rat [pseud.]. Musique de Louis Varney. No. 2in M.32S.7
Degrave, Andre.
Le casque. Operette. Musique de Leon Schlesinger.
No. I in M.322.9
Un modele. Opera-comique. Paroles de Andre Degrave &
Manuel Lerouge. Musique de Leon Schlesinger.
No. 2 in M.322.9
Degrees. Musical.
Williams, C. F. A. A short historical account of the de-
grees in music at Oxford and Cambridge. With a chrono-
logical list of graduates in that faculty from the year 1463.
London. [1893.] M.2i6.ig
Deh! calma o ciel. Song. Rossini. No. 34in M.1S7.39; etc.
Deh con me non vi sdegnate. Part-song. Seyfried, L X. von.
No. 122 in M. 1293.43.4
Deh! concedimi. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Deh contentatevi. Cantata. For the Music see Carissimi. Six
cantatas.
Deh! dove! Glee. Cooke, B. No. 4 in M.235.9.7; etc.
Deh! fuss' or qui madonna. Madrigal. Palestrina. Werke.
Band 28. M.8o4oa.66.28
Deh lascia. Part-song. Lassus. Sammtliche Werke. Band 6.
M.8o4oa.67.6
Deh! lasciate e vita e volo. Song. Handel. Werke. Liefe-
rung so. M.313.1.SO
Deh non voler. Song. Donizetti. No. 40 in M. 157.39
Deh! non volerli vittime. Aria. Bellini. No. 2 in M.364.10
Deh, or foss' io col vago. Part-song. Lassus. Sammtliche
Werke. Band 8. M.8o4oa.67.8
Palestrina. Werke. Band 28. M.8o4oa.66.28
Deh, sol che sei si chiaro agl' occhi. Part-song. L.\ssus.
Sammtliche Werke. Band 8.
Deh ti conforta. Duet. Cimarosa.
Dehn, Siegfried Wilhelm.
Hilarity. Part-song for t. t. b. b.
series. Vol. 4, pp. 100-102.)
M.8o4oa.67.8
No. 48 in M.IS7-39; etc.
(/» The Orpheus. New-
No. 22 in M.205.10.4
No. I in M.403.3
Werke. Liefe-
Scherzlied [t. t. b. b.]. (In Orpheus. Band S. PP- 29, 30.)
No. 164 in M.i29a.43.5
Dehn, Siegfried Wilhelm, editor.
Bach, J. S. Concerto, Premier.
Deidamia. Ofera. For the Music see Heindel.
rung 94.
Deidamie. Opera. For the Music see Marechal. For the Li-
bretto see Noel.
Deigendesch, K.
Ihr lieben Voglein singt nur fort [s. solo, t. t. b. b.]. Op.
29, No. I. Partitur. Regensburg. Coppenrath. [189-?]
No. 41 in M.392.6
Im wunderschonen Monat Mai [s. solo, t. t. b. b.]. Op. 29,
No. 2. Partitur. Regensburg. Coppenrath. [189-?]
No. 42 in M.392.6
Deigh, M.
Placida:
by W
the Christian martyr.
Carter.
Sacred cantata.
De
De:
Dei
Dei
De
De
De
Dei
De
Dei
De
De
De
n Angesicht. Soitg. Schumann,
Composed
M.IS4-45
R. A. Lieder und Ge-
sange. No. 8 in M.244.IS.4; etc.
n Angesicht so lieb und schoen. Song. Tiehsen. Fiinf
Gesange. No. 9 in M.221.2S
n Auge. Song. Hiller, F. Lieder fiir eine Altstimme.
No. 22 in M. 192.3
n Bild. Part-song. George V., of Hanover. Sechs Gedichte.
No. 8 in M.15S.17
n Bild. Song. Abt, F. Drei Lieder. No. 7 in M.192.2
n Bildnis. Song. Cornelius. Werke. Band i. M.414.20.1
n Bildniss. Part-song. Moehring. Fiinf Gesange.
No. 13 in M.392.18
n blaues Auge. Song. Brahms. Lieder und Gesange.
Op. 59. Heft 2.
n gedenk' ich, Margaretha. Part-song
n Herziein mild. Part-song. Brahms.
,n Leben schied, dein Ruhm begann.
n Rath ist wohl gut. Song. Grieg,
n Wunsch ist That geworden
Kind.
Deine Mutter, siisses
Liederbuch.
Deine Stimme lass ertonen.
„Bilder des Orients."
Deine sussen rothen Lippen.
Gedichte.
Deine weissen Lilienfinger.
Op. 34-
No. 3 in M.380.40.2
Meyer-Helmund.
No. 19 in M.212.10
7 Lieder.
No. 5 in M.204.7
Part-song. Tausch.
No. II in M.212.17
Grieg-Album.
No. 2 in M. 155.16
Song. Tauwitz.
No. la in M.204.3g
Song. Wolf, H. Spanisches
No. 41 in M.380.30
Song. Gade. 5 Gedichte aus
No. I in M. 192.3
Part-song. Henschel, G. Drei
No. II in M.392.36
Song. Franz, R. Sechs Gesange.
No. 14 in M.244.5.3
327
Deines
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Delattre
Deines Kind's Gebet erhore. Song. Mendelssohn-Bar-
THOLDV, J. L. F. Werke. Serie 14. Abtheilung b.
M.4I3-3-I4B
Deiters, Hermann. ^ . , c e tj-,. ^ ,ss,
Johannes Brahms. [Leipzig. Breitkopf & Hartel. 1881.
Sammlung rausikalischer Vortrage.] No. S m M-2I5-4
Johannes Brahms: a biographical sketch. Translated by
Rosa Newmarch. Edited by J. A. Fuller Maitland. Lon-
don. Unwin. 1888. Portrait. M.ioi.2g
Deia I'aube matinale. Duet. Gounod. Qumze duos.
■" No. 7 in M.157.36.6
Deia la trompette guemere. Aria. Sacchini. Le Sacchini
des concerts M.274.9
Dejanice. Cantata. For the Music see Catalani, Alfredo. For
the Libretto see Zanardini.
Dejanire. Incidental music. Saint-Saens. No. i in M.193.10
Dejaure, Jean £lie Bedene. „ . ,,■
La dot de Suzette. Opera. Musique de Boieldieu.
No. 2 m M.274.4
L'epoux genereux, ou le pouvoir des procedes, comedie^
[Musique] par Solie [pseud.]. M.274-26
L'incertitude maternelle ou le choix impossible. Comedie.
Mise en musique par M. Solie [pseud.]. M.274.27A
Lodoiska. Comedie en prose. Paroles de M--. de J aura.
Mise en musique par M. Kreutzer. M.253^7;etc.
Montano et Stephanie. Opera. Mis en musique par H. Ber-
ton M.271.4; etc.
Le nouveau d'Assas. Trait civique en prose. Paroles de
Mr * * * [Dejaure]. Mis en musique par Mr. Berton.
M.271.5
Dejazet, Eugene. ^ , ^
Fanchette. Opera comique en i acte. Paroles et musique
de Eug Dejazet. Partition chant et piano. Pans. Bran-
dus & Dufour. [i860.] No. I in M.303.25
Deiazet, Pauline Virgine. Works about.
Faure a Dejazet. Paris. 1859- Portrait. No. i in 11.147.16
Dejeuner, Le, de gar?ons. Opera. For the Music see Isouard.
For the Libretto see Creuze de Lesser.
De Koven, Henry Louis Reginald. n^, , , ■
The Algerian. A comedy opera in 3 acts. The book by
Glen MacDonough. The music by Reginald De Koven.
Vocal score. [Accomp. for piano.] New York. Schirmer.
1893. M.295.19
Don Quixote. A comic opera in 3 acts. Libretto by Harry
B Smith. Music by Reginald De Koven. [Vocal score.
Accomp. for piano.] Leipzig. Hofmeister. 1890. M.295.18
The fencing master. A comic opera in 3 acts, by Harry B.
Smith. Music by Reginald De Koven. Vocal score. [Ac-
comp. for piano.] New York. Schirmer. 1892. M.295.20
"Foxy Quiller." Comic opera in three acts. Libretto
by Harry B. Smith. Music by Reginald De Koven.
Vocal score. [Accomp. for pianoforte.] New York.
Schuberth & Co. 1900. M.402.12
Happyland, or the King of Elysia. A comic opera in two
acts. Book by Frederic Ranken. Music by Reginald De
Koven. Vocal score. [Accomp. for pianoforte.] New
York. Stern. 1905. . M.383.48
The highwayman. Romantic comic opera in 3 acts. Book
by Harry B. Smith. Music by Reginald De Koven. Vocal
score [Accomp. for piano.] New York. Harms & Co.
1898. M.394-3
The Knickerbockers. A comic opera in 3 acts. The words
by Harry B. Smith. The music by Reginald De Koven.
Vocal score. [Accomp. for piano.] New York. Schirmer.
1892. . M.295.21
"Maid Marian." Comic opera in three acts. Libretto by
Harry B. Smith. Music by Reginald De Koven. Vocal
score [with pianoforte accomp.]. New York. Schuberth.
IQOI. M.382.I4
Nationality in music and the American composer. IIlus.
Plate, (/n The music of the modern world . . . Vol. i,
pp. 189-193. New York. [1895.]) M.14.1.1
"Red Feather." A comic opera in two acts. The books by
Chas. Klein. The lyrics by Chas. Emerson Cook. The
music by Reginald De Koven. Vocal score. [Accomp.
for piano.] New York. Stern & Co. 1903. M.383.13
De Koven, Henry Louis Reginald. (Continued.)
Rob Roy. Romantic comic opera. Libretto by Harry B.
Smith. Music by Reginald De Koven. Vocal score. [Ac-
comp. for piano.] New York. Schirmer. 1894. M.303.15
Robin Hood. A comic opera in 3 acts. Libretto by Harry
B. Smith. Music by Reginald De Koven. [Vocal score.
Accomp. for piano.] New York. Schirmer. 1891. 11.394.10
The student king. A romantic light opera in three acts.
Book and lyrics by Frederic Ranken and Stanislaus
Stange. Music by Reginald De Koven. Vocal score. [Ac-
comp. for piano.] New York. Stern & Co. 1906. M.389.23
The three dragoons. Comic opera in three acts. Book by ^
Harry B. Smith. Music by Reginald De Koven. Vocal
score. [Accomp. for piano.] Cincinnati. John Church
Co. 1899. M.393-1I
Del beir idolo mio. Song. Handel. Werke. Lieferung 50.
M.313.1.50
Del freddo Rheno alia sinistra riva. Part-song. Lassus.
Sammtliche Werke. Band 8. M.8o40a.67.8
Del gran regno delle amazoni. Part-song. Mozart. Werke.
Serie 24, Band i. No. 4in M.315.1.24.1
Del Mel, Rinaldo. See Mel, Rinaldo del.
Del mio destin crudele. Aria. Mosca. No. 7 in M.120.26
Delaborde, £lie Miriam.
Morceau romantique pour piano et orchestre d'instruments
a cordes. Op. 3. Partition et parties. Paris. Durdilly.
[188-?] 5 parts in I v. No. i in M.410.64
Delacour, pseud. See Lartigue, Alfred Charlemagne.
Delage, Anne. See Copin-Albancelli, Anne.
De La Fond, John Francis.
A new system of music, both theoretical and practical, and
yet not mathematical . . . London. The author. 1725.
M.370.7
Delahaye, Jules.
Les dragees de Suzette. Opera comique. Paroles de J'<^s
Barbier & Ji^s Delahaye. Musique de Hector Salomon.
No. 2 in M.321.29
Le loup-garou. Opera comique. Paroles de Jules Delahaye
et Baric. Musique de Adolphe Nibelle. No. 2 in M.267.27
Delahaye, Leon L.
Arlequin. Scherzo. [A grand orchestre. Partition.] Paris.
Heugel. [188-?] , No. I in M.312.26
Colombine. 2e menuet. [A grand orchestre. Partition.]
Paris. Heugel. [188-?] No. 2 in M.312.25
Delair, Paul.
Helene. Drame. Musique de Andre Messager.
No. 3 in M.301.14
Delano, Aline, translator.
KoROLENKO. The blind musician. M.104.40
Rubinstein. Autobiography, 1829-1889. M.ioga.is
De La Pasture, Elizabeth.
Phoebe's dream. A new and original operetta. Music by
C. E. N. Charrington. No. i in M.381.9
Delaporte, Michel.
Monsieur & Madame Denis. Opera comique. Paroles de
MM. Laurencin [pseud.] & Michel Delaporte. Musique
de J. Offenbach. No. 2 in M.368.24
Toinette et son carabinier. Opera bouffe. Musique d'Herve
[pseud.]. No. 2 in M.276.37
Delaruelle, Pierre.
El Senor Piffardino. Operette en i acte. Paroles de Chau-
lieu [pseud.] et E. Doyen. Musique de Pierre Delaruelle.
[Partition chant et piano.] Paris. Bathlot. [186-?]
No. 2 in M.295.S
De la Tour, Maud Des Champs.
Gluck, and the white rose of Vienna. A romance. London.
Simpkin & Marshall. [1879.] M.102.11
Delatre, Claude.
La jeune dame. Chanson [a. t. t. b.]. (/m Smith. Musica
antiqua. Pp. 114-116.) M.236.10
Delatre, Louis Michel James Lacour.
Vasco de Gama. Ode-symphonie. Musique de Georges
Bizet. No. I in M.26S.24
Delattre, Roland. See Lassus, Roland de.
328
Delaumosne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Delehelle
Delaumosne, , Abbe.
Pratique de I'art oratoire de Delsarte. Paris. Albanel. 1874.
Illus. M.ig8.7
The art of oratory, system of Delsarte, from the French of
M. I'Abbe Delaumosne and Mme Angelique Arnaud [by
Frances A. Shaw]. With an essay on the attributes of
reason, by F. Delsarte ... 2d edition. Albany. Werner.
1884. M. 1493.10
Delavigne, Arthur.
L'elixir de Cornelius. Opera-comique. Paroles de Henri
Meilhac et Arthur Delavigne. Musique de £mile Durand.
No. 6 in M.305.9
Delavigne, Germain.
Charles VI. Opera. Paroles de Germain et Casimir Dela-
vigne. Musique de F. Halevy. M.365.32
Le magon. Opera frangais. [Paroles de Scribe et G. Dela-
vigne.] Musique de D. F. E. Auber. M.362.S
[Masaniello.] La muette de Portici. Opera. Paroles dc
MM. Scribe et Germain Delavigne. Musique de D. F. E
Auber. M.402a.4
Same. La muta di Portici. Melodramma dei SiR^i. E, Scribe
e G. Delavigne. Posto in musica del Mo. D. F. E. Auber.
M.361.21
Same. (The dumb girl of Portici.) An opera (by Scribe
and Delavigne). Composed by Auber. M.255.8
Les mysteres d'Udolphe, opera comique, poeme de Scribe &
G. Delavigne, musique . . . par L. Clapisson. M.363.16
La neige. ou le Nouvel figinard. Opera comique. Paroles
de MM. Scribe et Germain Delavigne. Musique de D. F.
E. Auber. M.251.25; etc.
La nonne sanglante. Opera. Paroles de MM. E. Scribe et
G. Delavigne. Musique de Ch. Gounod. M.328.5
Une rencontre dans le Danube. Opera comique, paroles dc
J. de Wailly et Germain Delavigne, musique de Paul Hen-
rion. No. i in M. 276.19
Robert le Diable. Opera. Paroles de Scribe & Casimir
[Germain] Delavigne. M.367.17
Same. Robert the Devil, a grand opera seria, in four acts
[by Scribe and Delavigne]. . . . The music by Meyerbeer.
London. Chappell. [184-?] No. 6 in M.145.25
English libretto only.
Same. Roberto il Diavolo. Opera. Musica di G. Meyer-
beer. [Parole di Scribe et G. Delavigne.] M.355.9
Same. Opera by Meyerbeer. With Italian words [after
Scribe and G. Delavigne] and a new English adaptation.
M.397.45
Same. Opera [de Scribe et G. Delavigne]. Musique de G
Meyerbeer. Paroles italiennes. M.367.16
Same. Opera in cinque atti con balli analoghi [di Scribe c
Delavigne], musica di Giacomo Meyerbeer . . . Venezia
Molinari. [184-?] No. 14 in M.147.8.2
Libretto only, in Italian.
La vieille. Opera comique en prose, paroles de MM. Scribe
& Germain Delavigne. Musique de F. J. Fetis.
H.224.22; etc.
Delavigne, Jean Franqois Casimir.
Charles VI. Opera. Paroles de Germain et Casimir Dela-
vigne. Musique de F. Halevy. M.365.32
La mort de Jeanne d'Arc. Scene historique. Poesie de
Casimir Delavigne. Musique de H. Bemberg,
No. I in M.213.4
The sun-worshippers (Les adorateurs du soleil), a choral
ode. The English words adapted from Casimir Delavigne.
The music by A. G. Thomas. No. 3 in M.156.3
Delbes, Jean Armand Rene.
Ce bon roi Dagobert. Legende musicale. Paroles de Mar-
quet et Delbes. Musique de Georges Douay.
No. 4 in M.301.5
L'ecaillere africaine. Bouffonnerie musicale. Paroles de
Marquet et Delbes. Musique de Georges Douay.
No. 3 in M.305.14
Un merlan frit. Operette bouffe. Paroles de Marquet &
Delbes. Musique de Georges Douay. No. i in M.305.11
Delcamp, Maurice.
Notation musicale, pouvant remplacer les signes usuels sur
le plain-chant. . . . Paris. Chaillot. 1853. M.372.4
Deldevez, fidouard Marie Ernest.
L'art du chef d'orchestre. Paris. Firmin-Didot & cie. 1878.
M.132.16
Curiosites musicales, notes, analyses, interpretation . . .
Paris. Firmin Didot. 1873. M.123.24
De I'execution d'ensemble. Paris. Firmin-Didot. 1888.
M.ig6.2
Deux quatuors pour deux violons, alto et violoncelle. Op.
10, no. I, 2. [Partition.] Paris. Richault. [184-?] 2
parts in I v. No. i, 2 in M.337.60
Messe de requiem. Partition d'orchestre. Op. 7. Paris.
Richault. [1877?] M.356.8
Same. [Accomp. d'orgue.] 1853. No. 3 in M.1S8.3S
O Salutaris, pour s. ou t. Avec accomp. de piano ou orgue.
Paris. Bolle, Lassalle & Thuillier. [186-?]
No. 18 in M.260.10.4
Le passe a propos du present, faisant suite a Mes memoires.
Paris. Imprimerie Chaix. 1892. M.371.32
The date on the cover is 1893.
Ouverture de concert. Op. i. Partition. Paris. Richault
& cie. [184-?] No. 2inM.343.53; No. 2in M.337.61
Quintette pour deux violons, alto, violoncelle et contrebasse.
Op. 22. [Partition.] Paris. Richault. [185-?]
No. 3 in M.337.60
Robert Bruce. Grande ouverture. Op. 3. Partition. Paris.
Richault. [1840?] No. i in M.356.7
La Societe des concerts, i860 a 1885 (Conservatoire national
de musique). Paris. Firmin-Didot. 18S7. M. 132.7
A continuation of Elwart's Histoire [m. 129.30].
Suite de ballets pour orchestre. Op. 27. Partition. Paris.
Richault. [186-?] M.356.13
Contents. — La lei;on de danse (Scene de Vert-Vert). — Galop des
fous, tire du ballet : Lady Henriette. — Andante et intermezzo, tire
du ballet Eucharis. — Bacchanale aux flambeaux, tiree d'Eucharis. —
Entr'acte Ccontre-danses frani;aises), extrait du ballet: Paquita. — Pas
des manteau.x, tire de Paquita.
Suite de pieces caracteristiques (Reveries dinannaises) pour
orchestre. Op. 26bis. Partition. Paris. Richault. fi86-?]
M.356.12
Contents. — L'.\ngelus. — La Ranee, — La mer. — Melancholic. —
Ave Maria. — Couvre-feu. — Danse bretonne. — Les vepres d'Aucaleuc.
The title-page is missing.
Symphonie, i^re. Op. 2. Partition. Paris. Richault. [184-?]
No. I in M.337.61
Symphonie, 2«, in stilo maestoso. Op. 8. Grande partition.
Paris. Richault. [1854?] M.356.9
Symphonie heroi-comique, d'apres le poeme Vertvert de
Cresset. Op. i.l. Grande partition. Paris. Richault.
[18.S8?] M.356.10
Velleda. Scene lyrique pour s., choeur et orchestre, paroles
de Charles Dovalle, musique de E. M. E. Deldevez. Op. 17.
Partition. Paris. Richault. [1851?] No. I in M.356.14
La vendetta. Scene lyrique a deux voix [s. T.]. Paroles de
Mr. le Comte de Pastoret. Musique de E. M. E. Delde-
vez. Partition. Paris. Richault. [185-?] No. 2 in M.356.14
Pp- 37, 38 are misplaced.
Same. Partition de chant et piano. No. i in M.389.3
[Le violon enchante.] Ouverture de I'opera Le violon en-
chante. Op. 20. Partition. Paris. Richault. [1850.]
No. 2 in M.356.7
Fondation de I'opera en France. Pieces diverses choisies
dans les ouvrages des celebres compositeurs des XVI^,
XVIIe et XVIIIe siecles, avec parties concertantes ajou-
tees au te.xte original des auteurs et realisees pour chant
et orchestre. Op. 19. Paris. Richault. [1S59?] M.356.11
Deldevez, Edouard Marie Ernest. Works about.
Malherbe, C. T. Notice sur Deldevez, (Extrait de la Revue
Internationale de musique) precedee du catalogue de ses
oeuvres. Paris. 1899. No. i in M.112.17
Delectat variatio. Part-song. Hirsch, C. Vier Lieder.
No. II in M.392.I3
Delegues, Les. Opera. For the Music see Banes. For the
Libretto see Blavet.
Delehelle, Jean Charles .Mfred.
Monsieur Polichinelle. Opera comique en 2 actes. Paroles
de L. Morand & G. Vattier. Musique de Alfred Delehelle.
Partition pour piano et chant. Paris. Girod. [1873.]
No. 2 in M.2g5.io
I42
329
Delesalle
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dellinger
Delesalle, Georges. , ^ ., „ „
Chez Ramponeau. Operetta. Musique de Emile Fontenelle.
No. 2 in M.301.7
Delestre-Poirson, pseud. See Poirson, Charles Gaspard.
De Leva, Enrico. See Leva, Enrico de.
Delezenne, Charles fidouard Joseph.
Sur les principes fondamentaux de la musique. [Lille. Danel.
1848.] Table. No. 3 in M.207.25
Delibes, Clement Philibert Leo.
La cour du roi Petaud. Opera-bouffe en 3 actes. Paroles
de Philippe Gille & Jaime fils. Musique de Leo Delibes.
Partition piano & chant. Paris. Martin. [1869.] M.295.23
Deux vieilles gardes. Operette bouffe en i acte. Paroles
de MM. de Villeneuve et Lemonnier. Musique de Leo
Delibes [Partition piano et chant.] Paris. Brandus,
Dufour&cie. [1856.] No. 2 in M 295.25
Les eaux d'Ems. Operette en i acte. Paroles de H. Cre-
mieux & L. Halevy. Musique de Leo Delibes. Partition
oiano & chant. Paris. Saint Hilaire. [1861.I
No. I in M.295.22
L'ficossais de Chatou. Operette-bouffe en i acte. Paroles
de M" Ad Jaime et Ph. Gille. Musique de Leo Delibes.
Partition chant et piano. Paris. Brandus & Dufour.
[1869.] ^ , "^f^r^
La fiUe du golfe. Opera-comique en i acte. Paroles de Ch.
Nuitter [pseud.], musique de Leo Delibes. [Partition
chant et piano.] Paris. i8s9- [Magazin des demoiselles.]
No. 4 in M.302.16
Fleur-de-lys. An opera bouffe. Written by H. B. Farnie.
Music by Leo Delibes. [Accomp. for pianoforte.] Lon-
don. Metzler&Co. [1873.I . ^.252.^.^
Grande nouvelle. Operette en i acte. Musique de Mme
Adam BoisRontier [pseud.]. Musique de Leo Delibes.
[Partition chant et piano.] Paris. Journal des demoi-
selles. [i86-?l No. 2 m M.295.22
Le jardinier et son seigneur. Opera comique en i acte.
Paroles de Th. Barriere. Musique de Leo Delibes. Par-
tition piano & chant. Paris. Colombier. [1863.]
No. 5 in M.302.16
Jean de Nivelle. Opera en 3 actes. Paroles de MM Ed-
mond Gondinet et Philippe Gille. Musique de Leo Delibes_
Partition chant et piano. Paris. Heugel. [1880.] M.29S.26
Kassya. Opera en 4 actes et 5 tableaux. Poeme de Henri
Meilhac et Phihppe Gille. Musique de Leo Delibes. Par-
tition pour chant et piano. Paris. Heugel & cie. 1893.
M.303.26
Lakme. Opera en 3 actes. Poeme de MM. Edmond Gon-
dinet & Philippe Gille. Musiques de Leo Delibes. Parti-
tion chant et piano. Paris. Heugel. [1883.] M.295.27
Marche des soldats. Choeur a 4 voix d'hommes. (In Soirees
orpheoniques. Pp. 128-137.) No. 19 in M.1S7.8
Monsieur de Bonne £toile. Opera comique en i acte. Pa-
roles de Philippe Gille. Musique de Leo Delibes. Parti-
tion piano et chant. Paris. Saint Hilaire. [i860.]
No. 3 in M.295.22
Monsieur Griffard. Opera comique en i acte. Paroles de
M. Mestepes. Musique de Leo Delibes. [Partition piano
et chant.] Paris. Cendrier. [1857] No. 4 in M.29S.22
Myrto. [Chanson, m.-s., inedite. Accomp. de piano. Por-
trait. Facsimile.] (/n Album du Gaulois. Vol. i.)
No. 12 in M.391.28.1
L'omelette a la Follembuche. Opera bouffe en i acte.
Paroles de Marc Michel et Labiche. Musique de Leo
Delibes. Partition piano et chant. Paris. Meissonnier.
f 1859.1 No. 3 in M.295.25
Le roi I'a dit. Opera-comique en 3 actes et en vers. Poeme
de Edmond Gondinet. Musique de Leo Delibes. Parti-
tion piano et chant. Paris. Escudier. [1873.] M.295.24
Same. (Ouverture. Partition. Paris. Escudier. 1873.]
The title-page is missing. No. I in M.4IO.l8
Le roi s'amuse, de Victor Hugo. Scene du bal. Airs de
danse dans le style ancien. Partition d'orchestre. Paris.
Heugel. [i88-?l No. i in M.343.51
Le serpent a plumes. Operette bouffe en i acte. Paroles
de MM. Cham [pseud.] & Ph. Gille. Musique de Leo
Delibes. Partition piano & chant. Paris. Colombier.
[1864.] No. I in M.2g5.25
Delibes, Clement Philibert Leo. (Continued.)
Six demoiselles a marier. operette bouffe en i acte, paroles
de MM. E. Jaime fils et Choler. Musique de Leo Delibes.
Partition piano et chant. Paris. Heugel & cie. [1856.]
No. 2 in M.368.31
Sylvia. Ballet. Suite d'orchestre. Partition. Paris. Heu-
gel. [1876.] M.343.sa
Same. Sylvia, ou la nymphe de Diane, ballet en trois actes
et cinq tableaux de Jules Barbier & Merante . . . Parti-
tition piano. Paris. Heugel. 1876. M.384.2
Delices, Les, de Hombourg. Walt2. Louis, N.
No. 6 in M.390.25
Delightful scene. Glee. Wellesley, G. C.
No. I in M.220.3.4; etc.
Delines, Michel, translator.
Tanieev. OpecTCH. [Orestes.] M.396.40
The title-page and words are in Russian, French and German.
Delire, Le. Opera. For the Music see Berton, H. M. For the
Libretto see Reveroni St. Cyr.
Delire. Song. Meyerbeer. 40 melodies. No. i in M.1S7.38
Schubert, F. P. Melodies. Vol. 7. M.327.4.7
Delire, Le. lValt2. Strauss, J. 1804-1849. Les derniers mo-
ments de Strauss. No. 7 in M.360.11
Delirio amoroso. Aria. Handel. Werke. Lieferung 52A.
M.313.1.52A
Delitiae Phoebi. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o40a.67.ii
Delitto amoroso. Glee. Lidarti. No. hi in M.220.9.1
Deliver me from mine enemies. Anthem. Ebdon. Sacred
music. M.233.1S
Deliver me, O Lord. Motet. Haydn, F. J. No. 36 in M.iii.4.3
Stainer. No. I in M.233.29
Deliver us, O Lord. Anthem. Bateson.
No. 34 in M.290.22.2; etc.
Deliverance, The, of Israel from Babylon. Oratorio. For the
Music see Jackson, W., of Masham. For the Libretto see
Carter, T., Jr.
Deir auro crin della Tassinia bella. Part-song. Lassus. Sammt-
liche Werke. Band 8. M.8o4oa.67.8
Della Campa, R.
I granatieri. Opera comica di G. Mery e R. della Campa.
Musica di Vincenzo Valente. M.39g.64
Della Maria, Pietro Antonio Domenico.
O Salutaris. [s. s. t. b. Accomp. d'orgue.] {In Dietsch.
Repertoire de musique religieuse. Pp. 79-8i.)
No. 16 in M.260.20
L'oncle valet. Opera en un acte. Paroles du C^n Duval.
Musique du Cen Della Maria. [Partition.] Paris. To-
meoni. [1798.] M.402a.ii
Same. Der Oheim, oder die Entdeckung. Oper . . . Im
Klavierauszug mit franzosischem u. deutschem Text [von
A. V. P. Duval]. Leipzig. Hoffmeister & Kiihnel. [170-?]
M. 231.13
L'opera comique. Opera comique en i acte et en prose . . .
Paroles des citoyens J. Segur jeune et Em. Dupaty. Mu-
sique del Sig'' Domenico della Maria. Partition. Paris.
Lemoine. [1798.] M.2S2.26
Le prisonnier. Opera en i acte [par A. V. P. Duval]. Mu-
sique de Domenico Delia Maria . . . Im Klavierauszug
von C. F. G. Schwenke. Leiozig. Breitkopf & Hartel.
[18—?] M.231.13
The words are in French and German.
Le vieux chateau, ou la rencontre. Opera en i acte. Pa-
roles du C«" Duval. Musique du C«n Domenico della
Maria. [Partition.] Paris. L'auteur. [1798.] M.252.27
Delle Melle, Rinaldo. See Mel, Rinaldo del.
Delle Valle, Cesare, Duca di Ventignano.
II Maometto. Opera. [Musica] del Sig" M. Giovacch'
Rossini. M.60.9
Dellinger, Rudolf.
Capitiin Fracassa. Operette in 3 Acten von Richard Genee
und F. Zell [Pseud.]. Musik von Rudolf Dellinger. Voll-
standiger Clavierauszug. Hamburg. Cranz. [188-?]
M.295.30
330
Dellinger
THE ALLEN A. BROWN COLLECTION OF MUSIC
Delusse
Dellinger, Rudolf. (Continued.)
Die Chansonnette. Operette in drei Aufziigen von Victor
Leon [Pseud.] und H. v. Waldberg. Musik von Rud. Del-
linger. Klavier-Auszug mit Text. Leipzig. Zimmer-
mann. 1894. M.399.73
Don Cesar. Komische Operette in 3 Acten von Oscar Wal-
ther. Musik von Rudolf Dellinger. Clavier - Auszug.
Hamburg. Cranz. [1885.] M.29S.31
Jadwiga. Operette in 3 Aufziigen von P. Hirschberger und
Rob. Pohl. Musik von Rudolf Dellinger. Clavier-Auszug
mit Text. Leipzig. Zimmermann. [1902.! M.383.55
Lorraine. Komische Operette in 3 Acten von Oscar Wal-
ther. Musik von Rudolf Dellinger. Klavierauszug. Ham-
burg. Cranz. [1886.] M.295.29
Saint Cyr. Operette in 3 Aufziigen, von Oscar Walther.
Musik von Rudolf Dellinger. Clavierauszug. Hamburg.
Cranz. [189-?] No. i in M.295.28
Delmar, Axel, pseud. See Demandowski, Axel von.
Delmet, Paul.
Chansons tendres. Preface, couverture, aquarelles et des-
sins hors texte par Leonce Burret. Paris. Enocli & cie.
1900. Illus. Portrait. Plates. M. 102.23
The music consists of the airs only.
Delmotte, Henri Florent.
Notice biographique sur Roland Delattre connu sur le nom
d'Orlando de Lassus. [Valenciennes.] Prignet. [1836.]
Portrait. Plate. No. I in M.132.14
Delormeil, , misprint. See Delormel, Lucien.
Delormel, A.
Les jumeaux de Paimpol. Operette. Paroles de Pericaud
& Delormel. Musique de Charles Malo. No. 3 in M.247.9
Souviens toi de Clementine. Operette. Paroles de Villemer
et Delormel. Musique de Charles Malo. No. 4 in M.247.9
Delormel, Lucien.
L'ascension du Mont Blanc. Operette. Paroles de Peri-
caud & Delormel. Musique de Frank Geraldy.
, No. I in M.393.ig
Avant la retraite. Scene-duo. Paroles de Pericaud. Ville-
mer & Delormel. Musique de Leon Roques.
No. I in M.307.37
Un beau-pere dans le plafond. Operette. Paroles et mu-
sique de Pericaud, Villemer & Delormel. No. 2 in M.301.17
Les chevau-legers. Operette. Paroles de Pericaud & De-
lormel. Musique de Robert Planquette. No. 5 in M.287.19
Chez Niniche. Operette. Paroles de Pericaud & Delormel.
Musique de A. de Villebichot. No. j in M.389.7
La clarinette. Operette. Paroles de Pericaud & Delormel.
Musique de Charles Hubans. No. i in M.285.13
Coco Bel-oeil. Operette. Paroles de L. Pericaud et L. De-
lormel. Musique de Lucien Collin. No. i in M.3gs.i9
Le Colosse de Rhodes. Pochade. Paroles et musique de
Pericaud, Villemer et Delormel. No. 3 in M.301.17
Un coq en jupons. Operette. Paroles de Delormel et Vil-
lemer. Musique de Francis Chassaigne. No. I in M.285.7
La cornette. Operette. Paroles de Pericaud, Villemer &
Delormel. Musique de Firmin Bernicat. No. 2 in M.301.1
Deux mauvaises bonnes. Operette. Paroles de Pericaud &
Delormel. Musique de F. Chassaigne. No. 3 in M.285.7
Les enfants de la balle. Operette-bouffe. Paroles de Peri-
caud & Delormel. Musique de Francis Chassaigne.
No. 4 in M.28S.7
La fille du charpentier. Operette. Paroles de L. Pericaud
et Delormel. Musique de Paul Bertrie. No. 2 in M.381.4
Les Girondins. Tragedie lyrique de Delormeil [sic] et Paul
Berel [pseud.]. Musique de Fernand Le Borne. M. 383.23
Les grenadiers de Montcornette. Opera-bouffe de Daunis
[pseud.], Delormel et E. Philippe. Musique de Charles
Lecocq. M.382.40
Un Hercule qui ne veut pas se rouiller. Operette-pochade.
Paroles et musique de Pericaud, Delormel & Villemer.
No. 2 in M.324.6
Jefque et Trinne. Bouffonnerie beige. Paroles de Pericaud
& Delormel. Musique de Gustave Michiels.
No. s in M.393.58
Mademoiselle Louloutte. Operette. Paroles de L. Pericaud
& Delormel. Musique de Victor Roger. No. 4 in M.393.61
Delormel, Lucien. (Continued.)
Un mari en grande vitesse. Operette. Paroles de Villemer
& Delormel. Musique de Pericaud. No. 4 in M.301.17
La nourrice de Montfermeil. Operette. Paroles de L. Peri-
caud & Delormel. Musique de Victor Roger.
No. 2 in M.300.14
On demande un Arlequin. Operette. Poeme de Pericaud &
Delormel. Musique de Firmin Bernicat. No. 3 in M. 265.4
Orange et macaroni. Saynete. Paroles de Villemer et De-
lormel. Musique de F. Boissiere. No. 2 in M.301.2
La poupee automate. Duo tyrolien. Paroles de Villemer-
Delormel. Musique de Frederic Barbier. No. 3 in M.393.4
Les premieres armes de Parny. Operette. Paroles de Peri-
caud et Delormel. Musique de Frederic Barbier.
No. 4 in M.393.4
Roland furieux. Operette. Paroles de Louis Pericaud &
Delormel. Musique de L. C. Desormes. No. S in M.301.3
Le serment de Madame Gregoire. Operette. Paroles de
Pericaud & Delormel. Musique de Robert Planquette.
No. I in M.287.25
Le valet de coeur. Saynette bouffe. Paroles de Pericaud,
Villemer & Delormel. Musique de Robert Planquette.
No. 4 in M.287.ig
Delphi. Cantata. For the Music see Mee, J. H. For the Li-
bretto see Freeman, E. A.
Delphin, G.
Complainte arabe sur la rupture du barrage de Saint-Denis-
du-Sig. Notes sur la poesie et la musique arabes dans le
Maghreb algerien par G. Delphin et L. Guin. Paris. Le-
roux. 1886. M.376.6
Delphine. Song. Schubert, F. P. Melodies. Vol. 5.
M.32 7.4.5; etc.
Delprat, Charles.
L'art du chant et I'ecole actuelle. 2e edition augmentee.
Paris. Librairie internationale. 1870. M. 207.13
Les theatres lyriques, les chanteurs, les ecoles de chant et
le public. Paris. Morris. 1874. No. 7 in M.206.19
Del Preite, E.
Un geloso e la sua vedova. Opera comica, posta in musica
. . . da N. de Giosa. M.232.7
Delrieu, fitienne Joseph Bernard.
L'impromptu du campagne. Mis en opera comique. Mu-
sique de Nicolo Isouard. M.283.35
Michel Ange. Opera. [Mis en musique] par Nicolo [Isou-
ard]. M.293.3
Del Rosso, Lorenzo Ottavio.
Prolog, fiir Sopran-Solo, Chor und Orchester, componirt
von Christoph W. Gluck. M.224.36
Delsarte, Frangois Alexandre Nicolas Cheri.
Homme cheri de I'aveugle fortune. [Chant, b. Accomp. de
piano.] (/« Bibliotheque musicale. Serie 2. tome 2, pp.
1 18-120.) No. 19 in M.193.21.2
Delsarte, Frangois Alexandre Nicolas Cheri. Works about.
Delaumosne, , Abbe. Pratique de l'art oratoire de Del-
sarte. Paris. 1874. M. 198.7
The art of oratory, system of Delsarte, from the
French of M. I'Abbe Delaumosne and Mme Angelique
Arnaud. With an essay on the attributes of reason, by
F. Delsarte ... 2d edition. Albany. 1884. M.i4ga.io
GiR.\UDET, A. A. Mimique, physionomie et gestes. Methode
pratique d'apres le systeme de F. Del Sarte, pour servir a
['expression des sentiments. Avec 34 planches hors texte,
composees de 250 figures gravees en taille-douce d'apres
les dessins originaux de Gaston Le Doux. Paris. 1S95.
M.380.62
Deluding joys of gaudy art. Duet. Jackson, W., of E.teter.
No. 6 in M. 157.2
Deluge, Le. Cantata. For the Music see Saint-Saens. For
the Libretto see Gallet.
Delusive, sightless god. Glee. Webbe, S. No. 22 in M.220.9.3
Delusse, Charles.
Lettre sur une nouvelle denomination des sept degres suc-
cessifs de la gamme, oia Ton propose de nouveaux carac-
teres propres a les noter. Paris. 1766. Folded plate.
No. 3 in M.377.13
331
Delvau
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Denkmaeler
Delvau, Alfred. ,
Les heures parisiennes. 25 eaux-fortes d Emile Benassit
Paris. Marpon & Flammarion. 1882. M.128.38
No. S9 of an edition of one hundred copies, with double set of plates,
in black and in bistre.
Dem deutschen Lied! Part-song. Hart, A. Drei Sanger-
sprache. No. 49 in M.392.8
Dem deutschen Mannersang. Part-song. Sch.\rfe.
No. I in M.370.30
Dem deutschen Reich! Part-song. Hart, A. Drei Sanger-
spriiche. No. 49 in M.392.8
Dem einigen Deutschland! Part-song. Hey, J.
No. 62 in M.392.8
Dem Fernen. Song. Albert, Prince Consort. Collected com-
positions. ,^ J'-t^°t^
Dem Genius der Tone. Cantata. For the Music see Mohr. H.
For the Libretto see Widmann, J. V.
Dem gerechten muss das Licht. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 13, Theil i.
Dem Helden. Song. Schumann, R. A. Werke. Sane 13,
Band 3. „ M.316.1.13.3
Dem Himmel will ich klagen. Song. Brahms. Deutsche
Volkslieder. Heft 7- No. 15 in M.380.40.3
Dem Holden. Song. Schumann, R. A. Die Tochter Jephta s.
No. 9 in M.244.IS.3
Dem Kaiser. Cantata. For the Music see Bruch. For the
Libretto see Lueders.
Dem Kaiser. March. Kretschmer. No. 3 m M.336.23
Dem Konig Heil! Song. Schmidt, J. P. S. No. 31 m M.221.33
Dem Liede Heil! Part-song. Mueller-Hartung. Drei Man-
nerchore. ^ No. 7 in M 392.19
Dem Lenz soil mein Lied erklingen. Grieg. Grieg-Album.
No. 2 in M.155.16
"Dem rothen Roslein gleicht mein Lieb'." Song. Schumann,
R A. Lieder u. Gesange. Heft I. No. 6 in M.244.15.1; etc.
Dem Schutzengel. Song. Brahms. Volks-Kinderlieder.
No. 8 in M.380.40.3
Dem Unendlichen. Song. Schubert, F. P. Werke. Serie 20,
Band 3- M.3i7-i.20.3
Dem Vaterland. Part-song. Jung. Drei Gesange.
No. 37inM.392.11
Dem wir mit kindlichem Vertrauen. Cantata. For the Music
see Zumsteeg, J. R.
Demande et reponse. Tyrolienne. Weckerlin. Chants des
Alpes. No. I in M.1S8.44
Demandowski, Axel von. . , „ , -^ j n at -i
Angla Open Dichtung von Axel Delmar fPseud.]. Musik
von Ferdinand Hummel. No. i in M.382.35
Die Beichte Opernmysterium. Musik von Ferdinand
Hummel. ^ ^, N°- " '" ^''^l^-*
Haschisch. Oper. Musik von Oscar von Chelius. M.382.8
Konig Drosselbart. Eine Miirchenoper. Musik von Gustav
Kulenkampff. ^^ No. 2 in M.397-7
Mara " Oper. Musik von Ferdinand Hummel.
" No. 2 in M.246.8
Bin treuer Schelm. Lyrisch-komische Oper. Musik von
Ferdinand Hummel. No. 2 in M.245.3
Sjula. Oper. Musik von Karl von Kaskel. M.402.30
Demarquette, Frederic. _ . ,,
Dat'obert et son velocipede. Operette bouffe en un acte.
Paroles de Henri Blondeau. Musique de Frederic De-
marquette Partition chant et piano. Paris. Grou.
rig681 No, 2 in M.393.2
Demetrio e Polibio. Opera. For the Music see Rossini. For
the Libretto see Mombelli.
Demetrius. Overture. Hiller, F. No. i in M.348.12
Lachner, V. No. 3 in M.346.29
Rheinberger, J. G. No. 2 in M.346.4
Demharter, Joseph.
Missa decantanda a quatuor vocibus ordinariis . . . Au-
gustae Vindelicorum. Gombart. [182-?! No. 2 in M.260.8.7
Organ score only.
Democritus, Joseph, pseud.
The remarkable trial of the Queen of quavers, and her
associates for sorcery, witchcraft, and enchantment . . .
Taken in shorthand by Joseph Democritus and William
Diogenes, [London.] Bew. [1770.I M.117.9
Democritus, dear droll. Catch. Hayes, W. Catches, glees
and canons. Vol. i. No. 1 in M.220.5
Demofoonte. Opera. For the Music see Bertoni.
Demoiselle, La, d'honneur. Opera. For the Music see Semet.
For the Libretto see Mestepes.
Demoiselle, La, du telephone. Opera. For the Music see
Serpette. For the Libretto see Mars.
Demoiselle, Une, en loterie. Opera. For the Music see Offen-
bach, J. For the Libretto see Jaime.
Demoiselles, Les, d'honneur. Duet. Concone. No. 22 in M.244.3
Demoiselles, Les, des Saint-Cyriens. Opera. For the Music
see Varney, L. For the Libretto see Gavault.
Demoliere, Hippolyte Jules.
L'amour et la musique. Par Moleri [pseud.]. Paris. Col-
lignon. 1866. Plates. M.128.26
Demon, Le, de la nuit. Opera. For the Music see Rosenhain.
For the Libretto see Bayard.
De Montfort's daughter. Cantata. For the Music see Ed-
vyards, J. For the Libretto see Roberts, Mrs. M. A.
Demophon. Opera. For the Music see Vogel, J. C. For the
Libretto see Desriaux.
Demophoon. Opera. For the Music see Cherubini. For the
Libretto see Marmontel, J. F.
Demoustier, Charles Albert.
L'amour filial. Opera. Musique de P. Gaveaux. M.272.21
Den Abv?esenden. Part-song. Schulz, J. P. C.
No. 60 in M.213.9
Den deutschen Frauen. Part-song. Tauwitz.
No. no in M.204.39
Den deutschen Invaliden. Song. Taubert, C. G. W.
No. 32 in M.ig2.8
Den Entschlafenen. Part-song. Fink. No. 42 in M.213.9
Den fernen Lieben. Song. Abt, F. Funf Lieder.
No. 34 in M.192.1
Den Gefallenen. Part-song. Abt, F. Kriegs- und Sieges-
Lieder. No. 12 in M.392.39
Hey. Dem einigen Deutschland! No. 62 in M.392.8
Den Noah mag ich leiden. Part-song.
Harmonius. No. 266 in M.i29a.43.8
Otto, E. J. Sechs Chor Lieder. Heft 2.
No. 58 in M.392.16; etc.
Den rejsende. Cantata. For the Music see Hamerik.
Deneuville, fidouard.
Une nuit de Noel. Petit drama lyrique. Musique de Victor
Lyg No. I in M.366.36
La reine des bois. Operette. Musique de Victor Luc.
No. 2 in M.366.36
Denison, Arthur Wirt.
Prince Punjab. A comic opera in two acts. Book and
lyrics by Prentiss L. Coonley. Music by Arthur W. Deni-
son. Presented by the Pi Eta Society of Harvard Uni-
versity [Vocal score. Accomp. for piano.] 1903. [Cam-
bridge.] 1903. No. 2 in M.397.18
Queen Philippine. Comic opera in two acts. Book and
lyrics by Richard E. Edwards and Prentiss L. Coonley.
Music by A. W. Denison. Presented by the Pi Eta
Society. 1902. [Vocal score with pianoforte accomp.
Boston. 1902.] No. 2 in M.381.9
Denk' ich Dein. Song. Franz, R. Sechs Gesange. Op. 21.
No. 44 in M.244.S.2
Denk* ich Gott an Deine Giite. Cantata. For the Music see
Haydn, F. J.
Denkmaeler der Tonktmst.
Urio. Te Deum. No. 2 in M.153.10
Denkmaeler der Tonkunst in Oesterreich.
Adler, editor. Sechs Trienter Codices. Bearbeitet von
Guid'o Adler und Oswald Roller. M.414.3
Biber. Acht Violinsonaten, mit ausgefiihrter Clavierbeglei-
tung. No. I in M.414.3
Cesti. II pomo d'oro. Buhnenfestspiel. M.414.4
Froberger. Orgel- und Clavierwerke, I, 2. M.414.5
Fux. Messen. M.414.6
Motetten. Abtheilung i. M.414.7
Handl. Opus musicum. Motettenwerk fiir das ganze Kir-
chenjahr. M.414.8
Isaac. Choralis Constantinus. Theil i. M.414.9
332
Denkmaeler
THE ALLEN A. BROWN COLLECTION OF MUSIC
Der Helden
Denkmaeler der Tonkunst in Oesterreich. (Continued.)
MuFFAT, G. Componimenti musicali per il cembalo. Sechs
Suiten und eine Ciaccona fiir Clavier. No. 2 in M.414.3
Florilegium, i, 2, fiir Streichinstrumente. M.414.10
Stadlmayr. Hymnen. No. 3 in M.414.3
Denkmal des beriihmten musikalischen Kiinstlern Mozart,
Beethoven, Hummel, Kalkbrenner, Field, Weber, Ries,
Moscheles, Czerny. Leipzig. Schuberth & Niemeyer.
[1840?] No. 2 in M. 149.21
Denkmale des Volksgesanges. Part-song. Bruch.
No. IS in M.J58.22
Denkst du an mich? Song. Cornelius. Werke. Band i.
M.414.20.1
Denman, Henry.
Go, lovely rose. Glee. (Jn Page. Festive harmony. Pp.
130-133.) No. 21 in M.23S.II
The Lord's prayer. [Anthem. Accomp. for organ.] (/«
Handel and Haydn Society collection of sacred music.
Vol. I, pp. S-8.) No. I in M.221.22.1
Denn Du wirst meine Seele nicht in der Holle lassen. Cantata.
For the Music see Bach, J. S. Werke. Jahrgang 2.
Denn es gehet. Song. Brahms. Vier ernste Gesange.
No. 6 in M.380.40.3
Denne-Baron, Rene Dieudonne.
Memoires historiques d'un musicien. Cherubini. Paris.
Heugel & cie. 1862. No. 8 in M.144.18
Dennery, Adolphe, pseud. See Philippe, Adolphe.
Dennis, John.
An essay on the operas. London. Nutt. 1706. M.101.43
Denslow. William Wallace.
The pearl and the pumpkin. A musical extravaganza. Book
by Paul West and W. W. Denslow. Music by John W.
Bratton. M.3g9.72
Densmore, John Hopkins.
Boodle and Co. A musical play in a prologue, two acts, and
epilogue. Music by John H. Densmore. Book and lyrics
by Harold Otis. Vocal score [with pianoforte accom-
paniment]. Boston. Thompson & Co. [1904.]
No. I in M.399.74
Same. Book by,R. A. Barnet and Harold Otis. [With addi-
tional music] White-Smith Publishing Co. 1905.
No. 2 in M.399.74
Dente, Joseph.
Symfoni, D moll, for stor orkester. Partitur. Stockholm.
Musikaliska konstforeningen. fi88-?l No. 2 in M. 343.51
Dentu, Melanie.
CEuvres musicales. 1831-1861. Paris. 1879., . M.1S7.3S
Contents. — Parlie i. Melodies avec accomp. 2. Melodies sans accomp.
Deodata. Opera. For the Music see Weber, B. A. For the
Libretto see Kotzebue.
Depart. Song.
Gounod. Vingt melodies. 2e recueil. No. i8 in M. 157.36.2
Schubert, F. P. Melodies. Vol. 5. M.327.4.S
Vaucorbeil. Melodies. M.213.2S
Depart des Alpes. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M. 158.44
Depart. Le, des Apotres. Part-song. Bazin. No. 5 in M.157.?
Depart, Le, du mousse. Song. Gounod. Vingt melodies. 4e
recueil. No. 20 in M. 157. 36.4
Depart. Le, du vaisseau. For pianoforte. Blumenthal.
No. 17 in M.190.10
Departir, Le, est sans departement. Part-song. Lassus.
Sammtliche Werke. Band 14. M.8o4oa.67.i4
Departure. Part-song. Abt, F. No. 26 in M.205.10.7
Mendelssohn-Bartholdy, J. L. F. Quartetts.
No. II in M.244.22
Samson, L. No. 14 in M.204.36.4
Depauw University. School of music.
Annual circular, 6th, 8th. 1889/00, 91/92. Terre Haute.
Moore & Langen. 1889, 91. 2 parts in i v.
No. 2, 3 in M.373.30
Depit amoureux, Le. Song. Richer. Cantates frangoises.
No. 2 in M.281.18
Depre, Ernest.
Le baron Frick. Operette de MM. Ernest Depre & Charles
Clairville. Musique de Will. Chaumet, Albert Ferrand,
Alph. Duvernoy . . . No. 6 in M.302.15
Depre Ernest. (Continued.)
Le chevalier Mignon. Opera-comique de Ch. Clairville et
Depre. Musique de L. de Wentzel. M.326.23
Le coq. Operette de Paul Ferrier & Depre. Musique de
Victor Roger. M.307.3a
Fleur de vertu. Vaudeville-operette. Musique de Edmond
Diet. No. I in M.30S.1
Madame Putiphar. Operette de Ernest Depre & Leon Xan-
rof. Musique de Edmond Diet. M.394.13
Les petites vestales. Opera-bouffe. Paroles de E. Depre
et A. Bernede. Musique de Frederic Le Rey et Justin
Clerice. M.402.36
De Pres, Josquin. See Josquin Depres.
Depret, Joseph.
La Divine Enfance. Jesu Kindheit. Oratorio en trois par-
ties precedees d'un prologue. Pour soli, choeurs et or-
chestre. Texte fran^ais et allemand d'apres le Prophete
Isaie et les fivangelistes St. Mathieu et St. Luc de N. D.
Musique de J. Depret. Partition piano et chant. Paris.
Michel. [1899.] M.384.23
Deprosse, Anton.
Die Salbung David's. Oratorium in 3 Theilen, von Gustav
Kienast, fiir Chor, Soli und Orchester. componirt von A.
Deprosse. Klavierauszug. Leipzig. Breitkopf & Hartel.
[187-?] M.241.25
Depths of mercy. Anthem. Goodell. No. 20 in M.190.3
Depuis le jour que je vous vei. Part-song. Sweelinck. Werken.
Deel 7. M.413.2.7
Der Alten Heim. Part-song. Foster, S. C. No. 21 in M.392.24
Der Bleicherin Nachtlied. Part-song. Schumann, R. A. Ro-
manzen fiir Frauenstimmen. No. 7 in M.158.24; etc.
Der Blume Tod. Part-song.
Buechler, F. Sechs Gesange. No. 34 in M.392.5
Nessler. No. 9 in M. 130.7
Der Blumen Klage auf den Tod des Sangers. Cantata. For
the Music see Tausch. For the Libretto see Hosaeus.
Der Blumen Rache. Cantata. For the Music see Nessler.
For the Libretto see Freiligrath.
Der Blumen Schmerz. Song. Schubert, F. P. Werke. Serie
20, Band 6. M.317.1.20.6
Der Blumen Schwester und der Sterne. Part-song. Schoen,
E. von. No. 5 in M.392.44
Der Blumen Tod. Part-song. Nessler. Drei Lieder fiir vier
Mannerstimmen. No. 12 in M.392.19
Der deutschen Frau! Part-song. Hart, A. Drei Sanger-
spriiche. No. 49 in M.392.8
Der deutschen Linken. Part-song.
Sattler. No. 32 in M.204.3g
Seifriz. No. 31 in M.204.3g
Der drei Burschen Lied. Song. Abt, F. Fiinf Lieder.
No. 35 in M. 192.1
Der du die Blume mit Perlen trankest. Part-song. Goebel.
Drei Lieder. No. 4 in M.157.1S
Der du die Menschen . . . Song. Mendelssohn-Bartholdy,
J. L. F. Werke. Serie 14, Abtheilung b. M.413.3.14B
Der du von dem Himmel bist. Song. Liszt. Gesammelte
Lieder. No. 4 in M.244.14
Schubert, F. P. 12 Gesange. No. 10 in M.i58.2i
Der Eidgenossen Nachtwache. Part-song. Schumann, R. A.
Werke. Serie 11. M.316.1.11; etc.
Der Entfernten. Part-song. Schubert, F. P. Chorgesang-
werke. Band 2. No. 30 in M. 280.48.2; etc.
Der Entfernten. Song.
Cornelius. Werke. Band i. M.414.20.1
Schubert, F. P. Werke. Serie 20, Band 4. M.317.1.20.4
Der Freiheit Schlachtruf. Part-song. Methfessel, A. G.
No. 84 in M.147.4
Der gefangenen Juden Klage und Racheruf. Cantata. For the
Music see Vierling. Psalm 137.
Der Geliebten. Part-song. Silcher. No. 169 in M.147.4
Der Heimath Bild. Part-song. Abt, F. Fiinf Lieder fiir vier-
stimmigen Mannergesang. No. 28 in M.3g2.i
Der Helden Auferstehung. Cantata. For the Music see
Fromm. For the Libretto see Mueller, W.
.33.?
Der Jaeger
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Des Baches
Der Jaeger Abschied. Part-song.
]. L. F. Werke. Serie 17.
Der Jaeger Heimkehr. Part-song.
Der Kinder Christabend.
Mendelssohn-Bartholdy,
M.413.3.17; etc.
Reinecke, C. H. C.
No. 5 in M.212.14
For orchestra. G.^de.
No. I in M.346.28
Der Krieger Heimkehr. Part-song. Zopff. No. 25 in M.392.38
Der Krieger Nachtwache. Part-song. Ecker. No. 15 in 1*1.392.6
Der Liebe himmlisches Gefiihl. Aria. Mozart. Werke. Se-
rie 24, Band i. No. 4 in M.31S.1.24.1
Der Liedertafel Dauer. Part-song. Born, H. L. E. Fiinf
Liedertafel-Gesange. No. 50 in 1*1.392.6
Der Liedertafler Willkommen. Part-song. Schneider, J. C. F.
No. 84 in M.213.9
Der Meulen, Josef van. See Meulen, Joseph van der.
Der Nachtigall Antwort. Part-song. Keller, C.
No. 8 in M. 130.7
Der Polenmutter Wiegenlied. Song. Abt, F. No. 9 in M.192.1
Der Rose. Song. Lindpaintner. No. 6 in M. 380.22
Der Rose Pilgerfahrt. Cantata. For the Music see Schumann,
R. A. For the Libretto see Horn, H. M.
Der Sanger Fahnenlied. Part-song. Abt, F. No. 84 in M.204.39
Randhartinger. No. 85 in M.204.39
Der Sanger Wanderlied. Part-song. Greger.
No. 150 in M.246.22
Der Schwalben Abschied. Part-song. Arndts. No. 9 in M.392.3
Der Sennerin Morgenlied. Song. Abt, F. Fiinf Schweizer-
lieder. No. ig in M.ig2.i
Der Sennerin Morgenlied. Quartet. Abt, F. Vier Manner-
quartette. No. 2 in M.3g2.i
Der Spatzen Friihlingskonzert. Part-song. Rheinberger, J. G.
Auf der Wanderung. No. 36 in M.392.21
Der Spinnerin Lied. Song. Taubert, C. G. W. Sachs Lieder.
No. 17 in M.ig2.7
Der Turner Fahnenlied. Part-song.
Dessauer. No. 41 in M.204.39
Sattler. No. 42 in M.204.39
Tauwitz. No. 40 in M.204.39
Der vielschoenen Fraue. Song. Franz, R. Sechs Gesange.
Op. 10. No. 71 in M.244.5.1
Der Voglein Abschied. Song. Taubert, C. G. W. Kliinge aus
der Kinderwelt. Heft 2. No. 8 in M.192.6
Der Voglein Abschied. Duet. Abt, F. Zehn Duettinen.
No. 32 in M.192.1
Der Waldvoglein Sang. Song. Curschmann. Curschmann-
Album. No. I in M.157.37
Der Widerspanstigen Zahmung. Opera. For the Music see
Goetz, H. For the Libretto see Widmann, J. V.
Der Widerspanstigen Zahmung. Overture. Goetz, H.
No. I in M.332.22
Der Wirthin. Part-song. Rochlitz. No. 119 in M.213.9
Der Wirthin Tochterlein. Part-song. Silcher. Silcher-Al-
bum. No. 4 in M.370.30
Der Wirtin Tochterlein. Part-song. Brinkmann.
No. 2 in M.370.30
Der Zigeunerin Warnung. Opera. For the Music see Bene-
dict, J. For the Libretto see Linley, G.
Der zurnenden Diana. Song. Schubert, F. P. Werke. Serie
20, Band 6. M.317. 1.20.6
Deransart, Edouard.
Le dindon de la farce. Operette en i acte. Paroles de Blon-
delet & Baumaine. Musique de fid. Deransart. [Parti-
tion chant et piano.] Paris. Feuchot. [1876.]
No. 4 in M.295.33
Racoleur & racole. Saynete. Paroles de Blondelet & Bau-
maine. Musique de £d. Deransart. f Partition chant et
piano.l Paris. Feuchot. [187-?] No. 3 in M.2gs.33
Vapeur et Tyrolienne. Operette en i acte. Paroles de Ch.
Blondelet & Versreron. Musique de fid. Deransart. [Par-
tition chant et piano.] Paris. Feuchot. [188-?]
-^ , , . No. 2 in M.2g;.^^
Derbyshire, England. Folk-songs.
Jewitt, L,, editor. The ballads & songs of Derbyshire. With
London. 1867. M.103.1S
Callcott, J. W.
No. 22 in M.i3ga.i8.i; etc
illustrative notes
'Derbyshire ram. The.
Glee.
See Dercy, Alphonse Frangois,
|. (ZnAbt
Abt.
Deutsche S.Hnger-
No. 33 in M.392.42.3
Deutsche S.Hngerhalle.
No. 27 in M.3g2.42.3
Dercis, Alphonse Frangois
Derckum, Franz.
Fischers Abendlied [t. t. b. b.
halle. Vol. 3, pp. 107, 108.)
Wanderlied [t. t. b. b.]. (/n
Vol. 3, pp. 86-89.)
Dercy, Alphonse FranQois.
La caverne. Drame lyrique. Musique de Lesueur. M.263.5
Ossian, ou les bardes. Opera. Paroles de Dercis & Des-
champs. Musique de Lesueur. M.263.6; etc.
Scene patriotique. Chceur a 3 voix d'hommes. Musique de
Lesueur. M.380.14
Telemaque dans I'isle de Calypso, ou le triomphe de la sa-
gesse. Tragedie lyrique. Musique de Lesueur. M.263.4
Dercy, P. See Dercy, Alphonse Francois.
Dereinst, dereinst Gedanke. Wolf, H. Spanisches Lieder-
buch.
Dereinst Gedanke mein
Ausgewahlte Lieder,
Derelinquat impius viam.
No. 32 in M.380.30
wirst ruhig sein. Song. Jensen, A.
No. 3 in M.157.37
Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
vie, son
1897.
Derepas, Gustave.
Cesar Franck. fitude sur sa
oeuvre. Paris. Fischbacher.
Deriaux, . See Desriaux, -
Derieux, Jules, pseud. See Sonnois, Jules.
Dermot and Shelah. Song. Beethoven.
Band I.
Dernier baiser, Un. Song. Choudens, A.
d'Ossian. Cantata.
enseignement, son
No. I in M.370.65
Werke. Serie 24,
M.413.1.24.1
20 melodies.
No. 2 in M.285.14
For the Music see
Dernier hymne, Le
Gouvy.
Dernier jour, Le, de Pompei. Opera. For the Music see Jon-
cieres. For the Libretto see Truinet.
Dernier Roi, Le, de Juda. Overture. Kastner. M.403.78
Dernier Remain, Le. Opera. For the Music and Libretto see
Moniot.
Dernier verre, Le. Opera. For the Music see Lefevre, L. For
the Libretto see Germain.
Derniere annee. La, de Marie Dorval.
Dumas. A.
No. 3 in M.i29a.33
Derniere feuille. La. Song.
Choudens, A. 20 melodies.
Schubert, F. P. Melodies. Vol. 4.
Derniere pensee. Song. Schubert, F.
No.
Derniere pensee. La, de Gilbert. Song.
Demiers moments, Les, de Strauss.
Derniers souvenirs d'un musicien
Demiers souvenirs et portraits
2 in M.28S.14
M.327.4.4
. Melodies. Vol. 8.
M.327.4.8
Ricci, F.
No. 13 in M.39i.28.a
Waltz. Strauss, J.
No. 7 in M.360.11
Criticism. Adam, Adolphe C.
M.139.14
Criticism. Halevy, J. F. F". fi.
M. 127.7
Song. Concone. No. s in M. 244.2
Derniers vceux de Rachel.
Deroo, Ferdinand.
Comment I'esprit vient aux garqons. Operette en i acte.
Paroles [d'A. F. Geroldanl. Musique de Ferdinand De-
roo. [Partition piano et chant. Bruxelles. Van Weryn.
i86-?l No. I in M.295.33
Derthick, W. M.
A manual of music: its history, biography and literature.
With specimens. Revised edition. Chicago. "The
Manual" Publishing Co. [1890.I Portraits. M.121.40
Des Abends kann ich nicht schlafen geh'n. Song. Brahms.
Deutsche Volkslieder. Heft 6. No. 14 in M.380.40.3
Des Adlers Horst. Opera. For the Music see Glaeser. For
the Libretto see Holtei.
Des alten Kriegers Tod. Part-song. Prase. No. ii in M.203.ie
Des alten Wandrers Rath. Part-song. Gartz. No. 26 in M.203.7
Des Armen Suschens Traum. Song. Gruber. G. W. Gott-
fried August Burgers Gedichte. Vol. i. No. 16 in M.iso.g.i
Des Artilleristen Schwur. Part-song. Adam, C. F.
No. 54 in M.i2ga.43.io
Des Baches Lied. Song. Berger, L. Gesange aus . . . Die
schone Miillerin. No. 18 in M.221.3C.
3^4
Des Baches
THE ALLEN A. BROWN COLLECTION OF MUSIC
Desastre
Des Baches Wiegenlied. Song. Schubert, F. P. Siimmtliche
Compositionen. M.244.12; etc.
Des Buben Schiitzenlied. Song. Schumann, R. A. Lieder fiir
die Jugend. Abtheilung 2. No. 3 in M.244.15.3; etc.
Des Burschen Abschied. Song. Abt, F. Sechs Lieder.
No. 14 in M.192.1
Des Dichters Abendgang. Song. Strauss, R. Fiinf Lieder.
No. 2 in M.380.24.4
Des Dichters Herz. Song. Grieg, E. H. Grieg-Album.
No. 3 in M.1S5.16
Des Dichters letztes Lied. Song. Grieg, E. H. Grieg-Album.
No. 2 in M. 155.16
Des Ewigen ist die Erde. Cantata. For the Music see Zum-
steeg, J. R.
Des Falkners Braut. Opera. For the Music see Marschner,
H. A. For the Libretto see Wohlbrueck.
Des Fischerknaben Heimfahrt. Part-song. Mueller, A., Ir.
No. 56 in M.204.39
Des Fischers Liebesgluck. Song. Schubert, F. P. Werke.
Serie 20, Band 9. M.3i7.i.20.9
Des flots le bruit sonore. Barcarole. Glinka. Romances.
No. 12 in M.244.8
Des Forsters Tochterlein. Part-song. Lorenz, O.
No. 5 in M.392.20
Des Forsters Tochterlein. Song. Kuecken. Lieder & Ge-
sange. No. 5 in M.244.6.1
Des Fremdlings Abendlied. Song. Methfessel, A. G. Sechs
Lieder. No. 7 in M.221.33
Des Friihlings Wiederkehr. Part-song. Kammerlander.
No. S in M. 203.22
Des Glockenthiirmers Tochterlein. Part-song. Loewe, J. C. G.
VI vierstimmige Gesange. No. 2 in M.3Q2.17
Des gloires de I'Opera et la musique a Paris. Gregoir. E. G.
J. M.134.5
Des Hauptmanns Wunsch. Part-song. Lortzing.
No. 3 in M.392.17
Des Heilands letzte Stunden. Oratorio. For the Music see
Spohr, L. Calvary.
Des Jagers Sehnsucht. Part-song. Mair. No. 12 in M.212.10
Des Kindes Scheiden. Song. Weingartner. Vier Gesange.
No. 5 in M.380.38
Des kleinen Friedrichs Geburtstag. Song. Mozart. Werke.
Serie 7, Band l. No. 32 in M.315.1.7.1
Des Knaben Berglied. Part-song. George V., of Hanover.
Sechs Lieder. No. 7 in M.15S.17
Des Knaben Berglied. Song. Schumann. R. A. Lieder fiir
die Jugend. Abth. i. No. i in M.244.15.2; etc.
Taubert, C. G. W. No. 28 in M. 192.7
Des Knaben Tod. Song. Curschmann, C. F. Curschniann-
Album. No. i in M.157.37
Des Konigs Auszug. Song. Taubert, C. G. W.
No. 34 in M.ig2.8
Des Konigs Cadetten. Opera. For the Music see Raida. For
the Libretto see Fellechner.
Des Krieger's Abschied. Song. Beethoven. Werke. Serie
23. M.413.1.23
Des Kriegers Nachtwache. Part-song. Reichardt, J F.
No. 9 in M.130.7; etc.
Des KUnstlers Abschied. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band 2. No. 82 in M.244.7
Des Landsknechts Kirmesslied. Part-song. Cavallo. Sieben
Landsknechtslieder. No. 12 in M.3g2.5
Des Lebens Fiirsten. Anthem. Wolf, E. W. No. 27 in M.202.6.3
Des Lebens Tag ist schvifer und schwiil. Schubert, F. P.
Werke. Serie 20, Band 7. M.317.1.20.7
Des Lenzes Sieg. Part-song. Nessler. Vier Friihlingslieder.
No. 17 in M.392.19
Des Liebsten Schwur. Song. Brahms. Fiinf Gesange. Op. 69.
Heft I. No. 4 in M.380.40.2
Des Liedes Heimath. Cantata. For the Music see Pache. For
the Libretto see Hausman.
Des Liedes Verklarung. Part-song. Abt, F. No. 3 in M.3S2.21
Des ma jeuness' ils m' ont faict mill' assauts. Anthem. Swee-
LiNCK. Werken. Deel 2. M.413.2.2
Des Madchens Klage. Song. Mendelssohn-Bartholdv, J.
L. F. Werke. Serie 19. M.413.3.19
Des Madchens Klage. Song. (Continued.)
Schubert, F. P. Werke. Serie 20, Band I, 2, 4.
M.317.1.20.1, 2, 4
Des Matrosen Heimkehr. Opera. For the Music see Suppe.
For the Libretto see Langer, A.
Des Muden Abendlied. Song. Franz, R. Sechs Gesange.
Op. 26. No. 70 in M.244.5.2
Des Mullers Blumen. Song. Schubert, F. P. Werke. Serie
20, Band 7. 11.317.1.20.7
Taubert, C. G. W. Sechs Lieder. No. 6 in M.221.26
Des Miillers Lust und Lied. Cantata. For the Music see
Becker, A. E. A. For the Libretto see Linge.
Des Miillers Wanderlied. Song. Berger, L. Gesange aus
. . . die schone Miillerin. No. 18 in M.221.30
Des Nachtwachters Tochter. Fiction. Elster. M. 129.46
Des Pres, Josquin. See Josquin Depres.
Des qu'adversite nous offense. Anthem. Sweelinck. Werken.
Deel 5. M.413.2.5
Des Sangers Abendlied. Part-song. Zaeh. Sechs vierstim-
mige Mannerchore. No. 23 in M.392.38
Des Sangers Fluch. Cantata. For the Music see Schumann,
R. a. For the Libretto see Uhland,
Des Sangers Fluch. Opera. For the Music see Langert. For
the Libretto see Uhland.
Des Sangers Fluch, Symphonic poem. Buelow. No. i in M.335.18
Des Sangers Habe. Song. Schubert, F. P. Werke. Serie
20, Band 8. M.317.1.20.8
Des Sangers Harfe. Part-song. Abt, F. Drei vierstimmige
Mannergesange. No. 33, 36 in M.392.1
— Vier Gesange fiir 3 Frauenstimmen. No. 3 in M. 158.22
Des Sangers Rosenzeit. Part-song. Chwatal.
No. 153 in M.246.22
Des Sangers Welt. Part-song. Horn, A. No. 10 in M.212.7
Des Sangers Wiederkehr. Part-song. Truhn. Fiinf Gesange.
No. 34 in M.392.26
Des Schafers Liebeswerbung. Song. Gruber. G. W. Gott-
fried August Biirgers Gedichte. Vol. 2. No. 19 in M. 130.9.2
Des Schafers Wunsch. Song. Taubert, C. G. W. Khinge aus
der Kinderwelt. Heft 3. No. 12 in M.192.6
Der Schiffers Traum. Part-song. Abt, F. No. 30 in M.392.1
Des Sennen Abschied. Song. Schumann, R. .A. Lieder fiir
die Jugend. Abth. 2. No. 3 in M.244.15.3; etc.
Des Sonntags am Rhein. Part-song. Veit. No. 30 in M. 147.4
Des Tages Weihe. Chorus. Schubert, F. P. Chor-Gesang-
werke. Band i. No. 11 in M.280.48.1
Des Tages will ich denken. Song. Brune, H. Singuf.
No. 3 in M.204.37
Des Thales Abendlauten. Part-song. Koerbs. No. 2 in M.370.30
Des Trinken Zweck! Part-song. Abt, F. No. 79 in M.246.22
Des Wanderburschen Abschied. Part-song. Rheinberger,
J. G. No. 32 in M.392.21
Des Wanderers Ziel. Overture. Suppe. No. 3 in M.345.18
Des Weines Hofstaat. Part-song.
Limburcer. No. ii4inM.2i3.9
LoRENZ. O. No. 181 in M.i29a.43.6
RiETZ. No. 27 in M.392.23
Des Winters Eden. Part-song. Strubel. No. 2 in M.370.30
Des Wirthen Tochterlein. Part-song. Dorn, H. L. F.
No. 68 in M.392.3
Desaides. See Dezede,
Desarbres, Neree.
Deux siecles a I'Opera (1668-1868). Paris. Dentu. 1868.
M.118.1
Le nid d'amour, opera comique, paroles de Neree Desarbres
et Nuitter [pseud.], musique de J. B. E. Montaubry.
No. 2 in M.267.12
Les oreilles de Midas. Opera comique. Paroles de Neree
Desarbres et Ch. Nuitter [pseud.]. Musique de Fred.
Barbier, No. i in M.362.16
Sept ans a I'Opera. Souvenirs anecdotiques. Paris. Dentu.
1864. Illus. M.118.2
Desastre, Le, de la Pointe-a-Pitre. Song. Louis, N.
No. 23 in M.390.11; etc.
335
Desaugiers
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Desnoiresterres
Desaugiers, Marc Antoine Madeleine.
Avis au public, ou le physionomiste en defaut. Opera co-
mique . . . Mis en musique par Alexandre Piccinni.
M.225.31
Le Diable en vacances, ou la suite du Diable couleur de rose,
opera feerie et comique. Paroles de Desaugiers et Bos-
quier Gavaudan. Musique de P. Gaveaux. M.272.27
Virginie ou les Decemvirs. Tragedie lyrique. Musique de
H. M. Berton. M.271.1
Des Boulniers, A. J., pseud. See JuUien, Jean Auguste.
Desbrosses, Robert.
[Les deux soeurs rivales. Comedie en I acte en prose. Pa-
roles de Ribardiere. Musique de Desbrosses. Partition.
Paris. 1763?] M.2S2.28
The title-page is missing.
Descend, ye nine. Glee. Porter, P. W. A collection of melo-
dies. No. 2 in M.236.21
Descendi in hortum meum. Motet. Palestrina. Werke.
Band 4. M.8o4oa.66.4
Descendit angelus Domini. Anthem. Vittoria. Opera. To-
mus I. M.3I3-2.I
Descendit angelus Domini. Mass. Palestrina. Werke. Band 20.
M.8o4oa.66.20
Descendit sicut pluvia. Motet. Lassus. Sammtliche Werke.
Band 5. 14.80403.67.5
Deschamps, Alfred.
Castor et Pollux. Fantaisie-bouffonne. Musique de Emile
Pessard. No. 3 in M.275.29
Le jour et la nuit. Saynette comique. Musique d'A. Lagard.
No. I in M.2g6.i2
Deschamps, Frederic.
La Vendeenne. Grand opera. Musique de Malliot. M.247.12
Deschamps, Jacques Marie.
Claudine, ou le petit commissionnaire. Opera. Mis en mu-
sique par Mr. Bruni. M.281.16
Deschamps de Saint-Amand, fimile.
Le coffret de S'. Domingue. Opera, musique de Louis Cla-
pisson. No. I in M.28S.23
Loyse de Montfort. Scenes lyriques . . . Paroles de MM.
fimile Deschamps & fimilien Pacini. Musique de Fran-
cois Bazin. No. i in M.261.20
La redemption. Mystere. Poeme de MM. Emile Deschamps
et Emilien Pacini. Musique de Giulio Alary. M.241.2
Romeo et Juliette. Symphonie dramatique par Hector Ber-
lioz. M.34i.23;etc.
Stradella. Opera. Paroles de M". fimile Deschamps et
Emilien Pacini. Musique de L. Niedermeyer. 11.293.7
Deschamps, Jean Marie.
Ossian, ou les bardes. Opera. Paroles de Dercis & Des-
champs. Musique de Lesueur. M.263.6;etc.
Description of the Colosseum, Broadway, 35th and 36th
Streets, New York. The largest iron structure in the
world. A history of the world renowned cycloramas, . . .
London of 1828, . . . Paris by moonlight, and London of
1873, by night . . . [New York, 1874.] No. i in M.132.3
Desert, Le. Cantata. For the Music see David, F. C. For the
Libretto see Colin.
Desert flower. The. Opera. For the Music see Wallace, W.
V. For the Libretto see Harris, A. H. G.
Desert fountain. The. Part-song. Gade. No. 16 in M.384.12
Deserted village. The. Opera. For the Music see Glover, J.
W. For the Libretto see Falconer.
Deserter, The. Opera. For the Music see Dibdin, C. i^-iS-
1814.
Deserter, The. Song. Beethoven. Werke. Serie 24. M.413.1.24
Deserter's meditations. Glee. If sadly thinking.
No. 4 in M. 1393.18.6; etc.
Deserteur, Der. Opera. For the Music see Hiller, F; also
Monsigny. For the Libretto see Pasque; also Sedaine.
Deserteur, Der. Song. Hackel. No. 9 in M. 236.6
Desfontaines de la Vallee, pseud. See Des Hayes, Guillaume
Francois Fouques.
Desforges, pseud. See Choudard, Pierre Jean Baptiste.
Desgranges, Antoine Joseph.
Rapport presente a la Societe d'education de Lyon par . . .
Dr. Desgranges, ... les Drs. Forteret et Passot, sur la
Desgranges, Antoine Joseph. (Continued.)
methode employee pour la cure du begayement et de tous
les autres vices de prononciation par Mr. Chervin aine.
Lyon. Nigon. 1864. No. 2 in M.373.23
Desgranges, Feli.x Pierre fimile Adolphe.
Le vieux sorcier ou les femmes salees. Fabliau du XV^ Ste-
ele d'apres Delurica. Opera-comique en un acte. Paroles
de Bertol Graivil [pseud.]. Musique de F. Desgranges.
Partition piano et chant. Paris. Joubert. [189-?]
No. 2 in M.378.45
Des Hayes, Guillaume Francois Fouques.
L'amant statue. Comedie [par Desfontaines de La Vallee,
pseud.]. Mise en musique par M. Dal*** [Dalayrac].
M.252.3
L'aveugle de Palmyre, comedie-pastorale, en 2 actes, en
vers, melee d'ariettes. Par M. Desfontaines [pseud.]. La
musique de M. Rodolphe. Paris. Duchesne. 1767.
Contains the music of two airs. No. 4 'n M.IO4.14
Same. Comedie-pastorale, mise en musique par M>". Ro-
dolphe . . . M.264.14
La dot. Comedie. Mise en musique par M. Dal * * * [Da-
layrac]. M.291.33
Le droit du seigneur. Comedie. Mise en musique par Mar-
tini. M.273.1S
Deshayes, Prosper Didier.
Zelia. Drame en 3 actes mele de musique. Paroles de Du-
buisson. Musique de Deshaye[s]. [Partition.] Paris.
Sieber. [1791] M.2S2.29
Deshays, Emile.
La megere apprivoisee. Comedie-lyrique. Musique de
Frederic Le Rey. M.39S.39
Desinganno, II. Romance. Ricci, F. Soirees de Vienne.
No. 10 in M.244.1S
Desir. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M.158.44
Desir, Le. du printemps. Song. Schubert, F. P. Melodies.
Vol. S. M.327.4.S
Desiree. Opera. For the Music see Sousa. For the Libretto
see Tsber.
Desjoyesux, Noel.
La Fornarina. Scene lyrique. Soli, choeurs et orchestre.
Poesie de Maurice Boniface. Musique de Noel Desjoy-
eaux. Partition chant [s. s. T. t. bar.] et piano. Paris.
Durand, Schoenewerk & cie. 1888. No. 2 in M.194.9
Deslandes, Paulin.
Les travestissemens. Opera comique, musique de Albert
Grisar. No. 3 in M.391.27
Deslandes, Raymond.
Das Pathenkind des Konigs. (La filleule du roi.) Komische
Oper von L. Cormon [Pseud.] und R. Deslandes. Musik
von A. Vogel. M.326.9
Deslsndres, Adolphe Edouard Marie.
Dimanche et lundi. Opera comique en i acte. Paroles de
Henri Gillet. Musique de Adolphe Deslandres. Partition
piano et chant. Paris. Gauvin. [1872.] No. 2 in M. 295. 12
Fridolin. Opera comique en i acte. Paroles de Mariani. de
S'. Prest & Rene Gry. Musique de Adolphe Deslandres.
[Partition chant et piano.] Paris. Feuchot. [1876.]
No. 3 in M.295.8
Deslandres, Adolphe Edouard Marie, editor.
Mendelssohn-Bartholdy, J. L. F. Rondo capricioso.
Orchestre. No. 3 in M.332.13
Deslys, Charles.
Flore et Zephire. Opera comique. Poeme de Leuven
[pseud.] et Ch. Deslys. Mis en musique . . . par Eugene
Gautier. No. 2 in M.256.21
Desmsrets, Henri.
Iphigenie en Tauride, tragedie. Paris. Ballard. 1711.
With prologue and other additions by Andre Campra. M.120.5
Renaud, ou La suite d'Armide; tragedie . . . par Monsieur
Desmaretz. Oiuvre VIII. Partition avec basse continue.
Paris. Ballard. 1722. M.402b.i3
Desnoiresterres, Gustave Le Brisoys.
La musique frangaise au XVIII' siecle. Gluck et Piccinni.
1774-1800. 2e edition. Paris. Didier & cie. 1875. M.i2g.3i
336
Desnoyer
THE ALLEN A. BROWN COLLECTION OF MUSIC
Destanberg
Desnoyer, Louis Francois Charles.
Le malheur d'etre jolie. Opera comique. Musiqiie de F.
Bazin. M.261.19
Le souper du mari. Opera. Paroles de Ch. Desnoyer &
Hp'e Cogniard. Mis en musique . . . par G. R. Despreaux.
M.2S2.30
Desnoyers, Louis Claude Joseph Florence.
De I'opera en 1847, a propos de Robert Bruce; des directions
passees, de la direction presente et de quelques-unes des
cinq cents directions futures. Paris. Delanchy. 1847.
No. I in M.218.4; No. 2 in M.373.24
Desolata, La. Romance. Campana. I miei pensieri.
No. 3 in M.244.23
Desolate is the dwelling of Morna. Glee. Cali.cott, J. W.
No. 49 in M. 157.7 ; etc.
De Solla, Isidore.
Lilliputian opera: Red-Riding Hood. The music by Isidore
de Solla. The words & pictures by R. Andre. [Accomp.
for pianoforte.] London. [1885.] Illus. M.128.40
"Sisera." A cantata for treble voices. Written by Marma-
duke Browne. Music by Isidore de Solla. [Accomp. for
pianoforte.] London. Weekes & Co. [1884.]
No. I in M.204.33
Desormes, L. C.
L'amour & I'appetit. Saynete. Paroles de E. Durafour &
Adolphe Joly. Musique de L. C. Desormes. [Partition
chant et piano.] Paris. Bathlot. [188-?] No. i in M.393.17
Antoine et Cleopatre. Operette en i acte. Paroles de A.
Guenee. Musique de L. Desormes. [Partition chant et
piano.] Paris. Bathlot. [1876.]
No. 4 in M.301.3; No. 2 in M.393.17
Deux beautes d'autrefois. Saynete-bouffe. Paroles de MM.
E. Durafour et J. Arnaud. Musique de L. C. Desormes.
[Partition piano et chant.] Paris. Feuchot. [1869.I
No. I in M.295.34
La legon de musique. Operette. Paroles de Jules Perrin et
Horace Lamy. Musique de L. C. Desormes. [Partition
piano et chant.] Paris. Bathlot. [1869.] No. i in M.295.35
La lune de miel normande. Operette en un acte. Paroles
de L. Pericaud et Villemer. Musique de L. C. Desormes.
[Partition chant et piano.] Paris. Bathlot. [1876.]
No. 3 in M. 393.17
Maitre Luc. Operette en i acte. Paroles de Leon Quentin.
Musique de Desormes. [Partition piano et chant.] Paris.
Feuchot. [187-?] No. 2 in M.29S.35
Mars et Venus. Divertissement en i acte de MM^s O. Lin-
court et Hendrey. Musique de L. C. Desormes. Parti-
tion pour piano. Paris. Egrot. [1881.] No. 3 in M. 295.12
A pantomime.
Une mauvaise connaissance. Operette en un acte. Paroles
de P. Mangin. Musique de L. C. Desormes. [Partition
chant et piano.] Paris. Bathlot. [1878.I No. 4 in M.393.17
Le menu de Georgette. Operette en I acte. Paroles de
Victor Bernard et Gabriel Ferry [pseud.]. Musique de
L. C. Desormes. [Partition piano et chant.] Paris. Bath-
lot. [1874.] No. 3 in M.295.35
Le moulin des roses. [Opera bouffe en .^ actes. Paroles dc
Fernand Beissier. Musique de] L. C. Desormes. [Parti-
tion piano et chant. Paris.] Joubert. 1899. M.382.I5
Le negre de la porte St. Denis. Operette en i acte. Paroles
de Hermil & Numes [pseud.]. Musique de L. C. De-
sormes. Partition piano & chant. Paris. Bathlot. [1883.]
No. 5 in M.393.17
Un oncle de Carcassone. Operette en i acte. Paroles de
L. Boullon, et A. Philibert [pseud.]. Musique de L. C.
Desormes. [Partition piano et chant.] Paris. Philibert.
[i86-?l No. 2 in M.295.34
Pas si bete! Operette en un acte. Paroles de M^. Lauren-
cin [pseud.]. Musique de L. C. Desormes. [Partition
piano et chant.] Paris. [186-?] No. 3 in M.295.34
Quand les chats sont partis. Operette. Paroles de E. Dura-
four. Musique de L. C. Desormes. [Partition piano et
chant.] Paris. Soc. anonyme. [186-?] No. 4 in M.295.34
Reve d'or. Ballet-pantomime en i acte et 2 tableaux. Sce-
nario de Jacques Lemaire. Musique de L. C. Desormes.
[Partition de piano.] Paris. Roger & c'*. [1892.]
No. I in M.384.3
Desormes, L. C. (Continued.)
Roland furieux. Operette en i acte. Paroles de Louis Peri-
caud & Delormel. Musique de L. C. Desormes. [Parti-
tion chant et piano.] Paris. Bathlot. [187-?]
No. 5 in M.301.3
Les virtuoses de Gonesse. Meli-melo musical en i acte.
Paroles de M. fimile Durafour; musique. L. C. Desormes.
[Partition piano et chant.] Paris. Vieillot. 1874.
No. 5 in M.295.34
Despair. Song. Haydn, F. J. No. 46 in M.235.18.1; etc.
Taylor, E. No. 6 in M.391.S1
Despairing shepherd, The. Song. Arne, T. A. Lyric har-
mony. Vol. 2. M.380.1
Despicht, Joseph.
Pepin, the Pippin, or, "The King of No Man's Land." A
children's operetta. The music composed by Hamilton
Clarke. No. i in M.393.13
Despiteful thus unto myself. Madrigal. Wii.bye, J. Works.
Vol. 2. No. 29 in M.234.I9.2
Despreaux, Guillaume Ross.
Le souper du mari. Opera en i acte. Paroles de Ch. Des-
noyer & Hpte Cogniard. Mis en musique . . . par G. R.
Despreaux. Partition. Paris. Leduc. [1833.] M.252.30
Desprez, Frank.
Quite an adventure. An operetta, composed by E. Solomon.
No. 3 in M.391.23
Desriaux,
Demophon. Opera lyrique. Musique de Vogel. M.284.29
Semiramis, tragedie lyrique . . . par Catel. M.281.32
La toison d'or. Tragedie . . . Mise en musique par Vogel.
M.284.30
Des Roches, Gilbert.
Joel. Opera en 2 actes et 3 tableaux. Poeme de Louis
Gallet. Paroles italiennes de L. de Themines [pseud.].
Musique de Gilbert Des Roches. [Partition chant et
piano. Paris. Durdilly & cie. 188-?]
M.307.25; No. I in M.307.26
Renaud. Drame en i acte. Paroles de L. de Themines
[pseud.]. Musique de Gilbert Des Roches. [Partition
chant et piano.] Paris. Durdilly & cie. [18S7.]
No. 2 in M.307.26
Desrosiers, Andre Jules Alfred.
L'habit de Mylord. Opera comique de T. Sauvage et de
Leris [pseud.]. Musique de Paul Lagarde.
No. 2 in M.296.12
Simone. Operette, musique de Ch. Laforesterie.
No. 2 in M.277.29
Dessau, Germany. Hoftheater.
Klughardt, a. F. M. Fest - Ouvertiire zur Feier des
loojahrigen Bestehens des herzoglichen Hoftheaters zu
Dessau. Op. 78. Partitur. Bayreuth. 1899. M.406.81
Dessauer, Joseph.
Ein Besuch in St. Cyr. Komische Oper in 3 Aufziigen von
E. Bauernfeld. Musik von J. Dessauer. Klavier-.A.uszug.
Leipzig. Hofmeister. [1838?] M.231.14
Der Turner Fahnenlied [t.t. B. B.]. (/n Tauwitz. Deutsches
Liederbuch. Pp. 91, 92.) No. 41 in M.204.39
Soldatenstand [t. T. B. B.]. (/;i Tauwitz. Deutsches Lieder-
buch. Pp. 98-100.) No. 46 in M.204.39
Dessen Fahne Donnerstiirme wallte. Part-song. Schubert,
F. P. Werke. Serie 19. M.317.1.19
Dessoff, Felix Otto.
Quartett fijr zwei Violinen. Viola und Violoncell. Op. 7.
Partitur. Leipzig. Kistner. [1879.] No. 2 in M.33S.4
Dessus le marche d' Arras. Part-song. Lassus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
Destanberg, Napoleon.
Le concert de famille. (Muziek in 't huisgezin.) Petit
opera. Musique de Chs. Miry. No. i in M.301.16
Jacob van Artevelde, cantate. Muzijk van F. A. Gevaert.
M.155.9
La rose d'or. De gouden roos. Petit opera comique. Mu-
sique de Ch. Miry. No. 4 in M.301.16
Destanberg, Napoleon, translator.
Miry. Les deux sceurs. No. 2 in M.301.16
L'orpheline. No. 3 in M.301.16
I 43
337
Destenay
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Deutsche
Destenay, E. . r, 4 j
Le Christ. Trilogie lyrique d'apres un mystere flamand du
XVIe siecle. Partition piano et chant. Paris. Hamelle.
[1902.] ^^•ss^'-^e
Destouches, Andre Cardinal.
Ciel! sur qui sa fureur. Duo [s. b.]. (/n Lacome d Estalenx.
Les fondateurs de Topera fran?ais. Pp. 90-94)
No. 2 in M.296.D
Dieu puissant, sois nous favorable. Quatuor ou choe'Jir. (In
I acome d'Estalenx. Les fondateurs de I'opera frangais.
Pp 69-75.) No. 2 in M.296.6
Dieux immortels. Duo [s. b.]. (/h Lacome d'Estalenx.
Les fondateurs de I'opera frangais. Pp. 63-68.)
No. 2 in M.29D.6
Les doux plaisirs. Choeur de bergers en duo. (In Lacome
d'Estalenx. Les fondateurs de I'opera frangais. Pp. 83-
g- \ No. 2 in M.296.6
Les elements. Ballet du roi en 4 entrees et i prologue. Pa-
roles de Roy . . . [Musique par M. R. Laland et Des-
touches.] ^,^ , M.296.17
Heures favorables. Air. (In Lacome d Estalenx. Les fon-
dateurs de I'opera frangais. Pp. 79-82.) No. 2 m M.296.6
Hymne a la nuit [s.]. (In Lacome d'Estalenx. Les fonda-
teurs de I'opera frangais. Pp. S4-S8.) No. 2 in M.296.6
Invocation a la mort [s.]. (In Lacome d'Estalenx. Les
fondateurs de I'opera frangais. Pp. 98-101.)
No. 2 in M.296.0
Isse Pastorale heroique en 5 actes et un prologue. Paroles
de La Motte . . . Reconstituee et reduite pour piano et
chant par Hector Salomon. Paris. Micha&lis. [188-?
Chefs-d'oEUvre de I'opera frangais.] M.29S.36
Obiet infortune. Air [s.]. (In Lacome d'Estalenx. Les
fondateurs de I'opera frangais. Pp. 59-62.) No. 2 in M.296.6
Omphale Tragedie en musique en 5 actes et un prologue.
Paroles de La Motte . . . Reconstituee et reduite pour
piano et chant par Hector Salomon. Introduction par H.
Lavoix fils Paris. Michaelis, [188-? Chefs-d'oeuvre de
I'opera franQais.1 ..tt*";^?"^
Que sert ma liberte. Air [b.]. (In Lacome d Estalenx.
Les fondateurs de I'opera frangais. Pp. 95-97)
No. 2 in M.296.6
Destouches, Andre Cardinal. Works about.
Grimm, F. M. Lettre de M. Grimm sur Omphale, tragedie
lyrique [par A. C. Destouches. Paris!. I7S2.
No. 2 in M. 146.7
Destranges, Louis Augustin Etienne Rouille.
L'evolution musicale chez Verdi. Aida, Othello, Falstaff.
Paris. Fischbacher. 1895. No. 3 in M.370.64
Kerim, Le requiem, La belle au bois dormant, Penthesilee,
Les'lieds de France, Les chansons a danser d'Alfred
Bruneau. Paris. Fischbacher. 1902. No. 4 in M.102.38
Tannhsuser de Richard Wagner, fitude analytique. Paris.
Fischbacher. 1894. No. 3 in M.370.71
Desvallieres, Maurice.
La demoiselle du telephone. Comedie-operette. Paroles de
Antony Mars & Maurice Desvallieres. Musique de Gas-
ton Serpette. No. 2 in M.322.18
Les douze femmes de Japhet. Vaudeville-operette de MM.
Antony Mars & Maurice Desvallieres. Musique de Victor
Roger. No. i in M.307.31
Mam'zelle Quat' sous. Opera comique de Antony Mars &
Maurice Desvallieres. Musique de Robert Planquette.
M.39S.70
Desvignes, Victor Frangois.
Tu es Petrus. Choeur. [Accomp. dorgue.) (In Lambil-
lotte. Musique religieuse. S« Salut, pp. 4-8.)
No. 18 in M.260.18
De Swert, Jules. See Svyert, Jules de.
Det ar Hon. Song. Kjerulf. Sanger och Visor. Band i.
M.1S8.47
Det var da. Song. Kjerulf. Sanger och Visor. Band i.
M.1S8.47
Det var saa tyst. Song. Kjerulf. Sanger och visor. Band 2.
M.IS8.47
Detroit Philharmonic Club.
6th season, f Programme.] ist-5th, 7th-i2th concert. De-
troit. fiSp-?] II pphs. in I v. No. 8-i8in M.217.3
Detroyat, Pierre Leonce.
Aben-Hamet. Opera de Leonce Detroyat et A. de Lau-
zieres. Musique de Theodore Dubois. M.30S.19
Henry VIII. Opera. Poeme de Leonce Detroyat & Ar-
mand Silvestre. Musique de Camille Saint-Saens. M.321.18
Pedro de Zalamea. Opera. Poeme de Leonce Detroyat et
Armand Silvestre. Musique de Benjamin Godard. M.256.42
Dettes, Les. Opera. For the Music see Champein. For the
Libretto see Forgeot.
Dettingen Te Deum. Handel. Werke. Lieferung 25.
M.313.1.25
Deus canticum novum. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
Deus Deus meus ad te de luce vigilo. Offertory. Palestrina.
Werke. Band 9. M.8o4oa.66.9
Deus enim firmavit orbem terrae. Offertory. Palestrina.
Werke. Band 9. M.8o40a.66.9
Deus in loco sancto. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Deus in nomine Tuo. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Deus judex Justus. Motet Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.g
Deus misereatur. Anthem.
Barrett, F. J. No. 21 in M.158.13
Bayley, W. Cantate Domino. No. 19 in M.190.1
Hayes, W. The Cantate Domino. No. i in M.233.10; etc.
Hopkins, E. J. No. 7 in M.190.4
Jackson, S. No. 20 in M.190.4
Mammatt. No. 28inM.i7S.i.8;etc.
Millard, H. No. 5 in M.280.26
Mosenthal, J. No. 13 in M.190.6
Reed, W. No. 19 in M.158.19
Webbe, S. No. 24 in M.156.50
Whitney. No. 13 in M.190.9
Deus noster, audi nos. Anthem. Schneider, J. C. F.
No. 7 in M.26o.i7.a
Deus, noster Deus. Offertory. Aiblinger. No. 4 in M.280.39
Deus noster Jesu. Anthem. Haydn, F. J. M.260.23.2
Deus noster, Redemptor. Anthem. Naumann, J. G.
No. 3 in M.260.24.2
Deus noster refugium. Motet. Schmid, F. X. No. 16 in M.260.3
Lassus. Sammtliche Werke. Band 9. M.8o4oa.67.9
Deus pacis. Anthem. Naumann, J. G. M.260.23.2
Spohr, L. No. 41 in M.260.24.2
Deus propitius esto. Anthem. Senfl. No. 16 in M.202.6.1
Deus qui animae famuli tui Gregorii. Motet. Palestrina.
Werke. Band 7- M.8o4oa.66.7
Deus qui dedisti legem. Motet. Palestrina. Werke. Band i.
M.8o4oa.66.i
Deus qui ecclesiam tuam. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Deus qui non vis mortem. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Deus qui sedes. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Deus Tu conversus. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
MoREiRA. No. 19 in M. 260.24.1
Deus Tu conversus. Offertory. Palestrina. Werke. Band 9.
M.8o4oa.66.g
Deus Tu convertens. Motet. Smart, H. No. 2 in M. 156.50
Wuellner. No. 12 in M. 194.21
Deus Tu scis. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Deus Tuorum militum. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Deutsch. Part-song. Matzka. No. 22 in M.392.17
Deutsche Art. Part-song. Tauwitz. No. 28 in M.203.7
Deutsche Baum, Der. Part-song. Kalliwoda, J. W. 4 deutsche
Chore. No. 44 in M.392.11
Deutsche Einheit. Song. Keller, M. Two songs.
No. 36 in M.ig2.i3.2
Deutsche Festouverture. Overture. Zopff. No. 5 in M.348.1
338
Deutsche
THE ALLEN A. BROWN COLLECTION OF MUSIC
Deux
Deutsche Gesange, mit Begleitung des Pianoforte. Berlin.
Kunst- & Industrie-Comptoir. [182-?] No. 13 in M.221.33
Contents. — Wollank : An Elisa; Freude, Friede, Hoffnung; Der
Stern der Liebe. — Hellwig: Freundschaft und Liebe ; Erster Ver-
lust.— Rungenhagen : An die Stunden des Gesanges ; Gestem liebt' ich.
Deutsche Handelgesellschaft.
Handel. Werke. M.313.1
Supplemente enthaltend Quellen zu Handel's Werken.
M.41S.20
Deutsche Helmzier. Part-song. Horn, C. No. 13 in M.392.12
Deutsche, Der, in Bohmen. Part-song. Sattler.
No. 9 in M.204.39
Deutsche Jagd. Part-song. Muck. 3 Mannerchore.
No. 2 in M.392.ig
Deutsche Kaiserkrone, Die. Part-song. Becker, V. E. 3 Vater-
landslieder. No. 8 in 111.392.4
Deutsche Kaiserlied, Das. Part-song. Schaeffer, A.
No. 10 in M.392.23
Deutsche Kleeblatt, Das. Part-song. Becker, V. E.
No. 9 in M.246.22
Deutsche Knabe, Der. Song. Abt, F. No. 5 in M.192.1
Deutsche Kunst- & Musik Zeitung. Central-Organ fiir Musik,
Theater, bildende Kiinste & Literatur. 4. Jahrgang, N^.
2-45. Wien. 1877. Portraits. M.180.7
A weekly journal.
Part-song.
Deutsche Land, Das.
Part-song.
Song.
Sechs Lieder.
Schmoelzer. Vier Lieder.
No. 37 in M.392.23
Becker, V. E. 3 Vaterlands-
No. 8 in M.3g2.4
No. 140 in M.147.4
No. 3 in M. 130.8; etc.
Part-songs.
No. 7 in M.221.33
No. I in M.203.4
No. 82 in M.147.4
No. 5 in M.203.23
Genee. Vier
No. 34 in M. 392.9
No. 43 in M.392.42.4
Fink. M.213.9
Deutsche Lied, Das.
lieder.
Heim, M. C.
Kalliwoda, J. W.
Deutsche Lied, Das.
Methfessel, a. G.
Palme.
Speidel.
Tauwitz.
Deutsche Lied, Das, die Waffe! Part-song.
Lieder.
Lachner, V.
Deutsche Liedertafel Die
Deutsche Marchen.
Perfall. Dornroeschen. M. 280.34
Undine. M. 280.33
Deutsche Messe. Chorus. Schubert, F. P. Chor-Gesangwerke
Band 2. No. 29 in M. 280.48.2; etc.
Deutsche Michel, Der. Opera. For the Music see Mohr, A.
Deutsche Minnelieder. Part-songs. Weinwurm.
No. 22 in M.392.38
Deutsche Nationalhymne. Part-song. Ham ma, F. X.
No. 36 in M.392.42.1
Deutsche Rhein, Der. Part-song. Schumann, R. A. Werke.
Serie 10, Band 2. M.3i6.i.io.2
Deutsche Rhein, Der. Song. Stern, J. No. 13 in M. 221.30
Deutsche Sangerbund, Der. Part-song. Methfessel, A. G.
No. 2 in M.392.20
Deutsche Schwert, Das. Cantata. For the Music see Schup-
pert. For the Libretto see Vogl. J. N.
Deutsche Schwur, Der. Part-song. Cornelius. Drei Manner-
chore. No. 28 in M. 392.6; etc.
Deutsche Tanze. For orchestra. Urspruch. No. 3, 4 in M.404.93
Deutsche Treue. Part-song. Leonhard. No. 68 in M. 1293.43. 10
Deutsche, Der, und sein Vaterland. Part-song. Haeser, C.
No. 44 in M.392.8
Deutsche Vaterland, Das. Part-song. Liszt. No. 3 in M. 212.10
Deutsche Volkslieder. Songs. Brahms. No. 9-15 in M.380.40.3
Deutsche ZoUverein, Der. Part-song. Tschirch, F. W.
No. 23 in M.3g2.42.i
Deutsche Zuversicht. Part-song. Abt, F. Acht patriotische
Lieder. No. 12 in M. 392. 2
Deutschen, Die, in Bohmen. Part-song. Schmoelzer.
No. 77 in M.204.39
Deutschen, Die, vor Belgrad. Part-song. Silcher. Silcher-
Album. No. 4 in M.370.30
Deutscher Festgesang. Part-song. Moehring. 6 Gesange . . .
fiir Mannerchor. No. 8 in M.3g2.i8
Deutscher Heerbann. Cantata. For the Music see Woyrsch.
For the Libretto see Geibel, E.
Deutscher Hymnus. Bestaendig. No. 6 in M.391.31
Deutscher Kaufherr, Ein. Part-song. Pierson.
No. 26 in M.204.3g
Deutscher Kaufherr, Ein. Song. Tschirch, F. W.
No. 25 in M.204.39
Deutscher Mann, Ein. Part-song. Schmoelzer.
No. 69 in M.246.22
Deutscher Marsch. Song. Kuecken. No. 20 in M.244.6.3
Deutscher Musiker-Kalender. Almanac. Hesse, M. M.205.27
Deutscher Sangergruss. Part-song. Kugler. Vier Gesange.
No. 6 in M.392.1S
Deutscher Sanger-Kalendar. Herausgegeben von Heinrich
Pfeil. Jahrgang i. 1875. Leipzig. Theile. 1874. Por-
'T^''-. ,. , . , No. 4 in M.377.16
Contains a list of musical societies in Germany.
Deutscher Schwur und deutsch Gebet. Cantata. For the
Music see Moehring. For the Libretto see Schulz, R.
Deutscher Triumph-Marsch. For orchestra. Reinecke. C. H. C.
No. I in M.404.6
Deutscher Trost. Part-song. Jaehns. No. 28, 29 in M.3g2.i2
Otto, E. J. Sechs Chor Lieder. Heft 2.
No. s8 in M.3g2.i6; etc.
Deutsches Aufgebot. Cantata. For the Music see Ochs, T.
For the Libretto see Geibel, E.
Deutsches Bergmannslied. Part-song.
Becker, V. E. No. 62 in M.204.39
Mangold. No. 91 in M.204.39
Deutsches Bierlied. Part-song. Kuntze. Vier heitere Gesange.
No. 37 in M.392.14
Deutsches Bundeslied. Part-song. Wilhelm, C.
No. 89 in M.246.22
Deutsches Heerbannlied. Cantata. For the Music see Wein-
wurm. For the Libretto see Lingg.
Deutsches Kriegslied. Part-song.
Heim, M. C. Drei Lieder. No. 52 in M.392.8
Metzger, J. C. No. 16 in M. 212. 10
Deutsches Land, Gott segne dich. Part-song. Blumner. Drei
Lieder. No. 2 in M.392.5
Deutsches Lied. Part-song.
Abt, F. Fiinf Gesange. No. 5 in M.392.39
Hentschel. Vier Gedichte. No. 43 in M.392.10
Janssen, J. No. 36 in M.3g2.ii
Krebs. No. 3 in M.392.14
Deutsches Liederbuch fur Mannergesang. Part-songs. Tau-
witz, editor. M.204.39
Deutsches Liederspiel. Part-songs. Herzogenberc.
No. 3 in M.384.37
Deutsches Reiterlied. Part-song. Beer, M. J. No. 9 in M.212.3
Deutsches Requiem, Ein. Cantata. For the Music see Brahms.
Deutsches Soldatenlied. Part-song. Faisst. Vier Kriegs- und
Siegeslieder fiir Mannerchor . . . No. 7 in M.3S2.21
Jansen, F. XII Lieder fiir vier Mannerstimmen.
No. 34 in M. 392. 1 1
Reichert. No. 2$ in M.392.20
Deutsches Trinklied. Part-song. Banck. No. 35 in M.392.2
Deutsches Vatererbe. Part-song. Abt, F. Vier vierstimmige
Mannergesange. No. 38 in M.3g2.i
Deutsches Wehrlied. Part-song. Nolopp. No. 42 in M.292.16
Deutsches Wort und deutsche Lieder. Abt, F. Vier Gesange
fiir vier Mannerstimmen. No. 18 in M.392.1
Deutschland. Part-song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 16. M.413.3.16
Deutschland hoch! Part-song. Abt, F. No. 20 in M.246.22
Deutschland, meine Braut. Part-song. Abt, F. Vier vierstim-
mige Mannergesange. No. 35 in M.302.1
Deutschlands Stern. Song. Taubert, C. G. W.
No. 35 in M.192.8
Deutschlands Tonkiinstlerinnen. Biography. Morsch, A.
M.371.37
Deutschland iiber AUes. Part-song. Abt, F. Kriegs- und
Sieges-Lieder. No. 12 in M. 392.39
Deutschlands Auferstehung. Cantata. For the Music see Raff.
For the Libretto see Mueller von der Werra.
Deux alcades, Les. Opera. For the Music see Douay. For
the Libretto see Chauvin.
339
Deux
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Devrient
Deux anges, Les. For pianoforte. Blumenthal.
No. 5 in M.igo.io
Deux Arlequins, Les. Opera. For the Music see Jonas, £. For
the Libretto see Mestepes.
Deux avares, Les. Opera. For the Music see Gretry, A. E.
M.; also Matz. For the Libretto see Fenouillot de Fal-
baire; also Richard.
Deux aveugles, Les. Opera. For the Music see Offenbach.
For the Libretto see Moinaux.
Deux balcons, Les. Opera. For the Music see Louis, N. For
the Libretto see Beaume.
Deux beautes d'autrefois. Opera. For the Music see De-
sormes. For the Libretto see Durafour.
Deux billets, Les. Opera. For the Music see Blanc; also
Poise. For the Libretto see Guerin de Litteau; also
Florian, C.
Deux cadis, Les. Opera. For the Music see Imbert, T. For
the Libretto see Gille.
Deux chasseurs, Les, et la laitiere. Opera. For the Music see
Duni. For the Libretto see Anseaume.
Deux clarinettes, Les. Opera. For the Music see Simiot. For
the Libretto see Favre, A.
Deux comtesses, Les. Opera. For the Music see Bordese, L.;
also PaisieUo. For the Libretto see Flan.
Deux coqs vivaient en paix. Opera. For the Music see Hu-
bans. For the Libretto see Fromage-Chapelle.
Deux coups de marteau. Opera. For the Music see Bernicat.
For the Libretto see Gedhe.
Deux couronnes, Les. Song. Louis, N. No. 24 in M.390.11; etc.
Deux cousines, Les. Opera. For the Music see Sauvage-
Trudin. For the Libretto see Rajrmond, C.
Deux droles de cors. Opera. For the Music see Robillard.
For the Libretto see La Souche.
Deux epagneuls, Les. Opera. For the Music see Manry. For
the Libretto see Fournier, £.
Deux families, Les. Opera. For the Music see Labarre. For
the Libretto see Planard.
Deux gentilhommes, Les. Opera. For the Music see Cadaux.
For the Libretto see Planard.
Deux grenadiers, Les. Song. Wagner, W. R. M.205.29
Deux grisettes, Les. Opera. For the Music see Jouffroy. For
the Libretto see Doyen.
Deux Jaket, Les. Opera. For the Music see Cadaux. For the
Libretto see Planard.
Deux jaloux, Les. Opera. For the Music see Gail, E. S. For
the Libretto see Vial.
Deux journees, Les. Opera. For the Music see Cherubini.
For the Libretto see Bouilly.
Deux loups-garous, Les. Opera. For the Music see Dauphin.
For the Libretto see Arene.
Deux lunatiques a St. -Cloud. Opera. For the Music see Roche-
blave, A. For the Libretto see Rocheblave, £. F.
Deux maris, Les. Opera. For the Music see Isouard. For the
Libretto see Etienne, C. G.
Deux maris gargons, Les. Opera. For the Music see Ville-
bichot. For the Libretto see Richemont.
Deux mauvaises bonnes. Opera. For the Music see Chas-
saigne. For the Libretto see Pericaud.
Deux modeles, Les. Opera. For the Music see Michiels. For
the Libretto see SiegeL
Deux mousquetaires, Les. Opera. For the Music see Berton,
H. M. For the Libretto see Gensoul.
Deux muses. Opera. For the Music see Chautagne. For the
Libretto see Charles.
Deux nuits. For violoncello. Seligman. No. 9 in M.210.6; etc.
Deux nuits, Les. Opera. For the Music see Boieldieu, F. A.
For the Libretto see Scribe.
Deux parfaits notaires, Les. Opera. For the Music see Bar-
bier, F. £. For the Libretto see Villemer.
Deux pecheurs, Les. Opera. For the Music see Offenbach.
For the Libretto see Dupeuty.
Deux permissions de dix heures. Opera. For the Music see
Barbier, F. £. For the Libretto see Mercier, P.
Deux petits Savoyards, Les. Opera. For the Music see Da-
layrac. For the Libretto see MarsoUier des Vivetieres.
Deux philtres, Les. Opera. For the Music see Hugh-Cas. For
the Libretto see Entremont.
Deux pigeons, Les. Ballet. Messager. M.394.19
Deux portieres pour un cordon. Opera. For the Music see
Ronger, F. For the Libretto see Lefebvre, H.
Deux postilions, Les. Opera. For the Music see Villebichot.
For the Libretto see Blondelet.
Deux princesses, Les. Opera. For the Music see Indy, S. W.
d'. For the Libretto see Pacini, fi.
Deux professeurs. Opera. For the Music see Robillard. For
the Libretto see Richemont.
Deux reines, Les. Opera. For the Music see Gounod; also
Monpou. For the Libretto see Legouve; also Soulie,
M. F.
Deux ruses, Les. Opera. For the Music see Mueller, J. For
the Libretto see Laroche.
Deux sergents, Les. Opera. For the Music see Louis, N. For
the Libretto see Piestre.
Deux soeurs, Les. Opera. For the Music see Miry. For the
Libretto see Geiregat.
Deux soeurs rivales, Les. Opera. For the Music see Des-
brosses. For the Libretto see Ribardiere.
Deux tuteurs, Les. Opera. For the Music see Dalayrac. For
the Libretto see Pallet.
Deux vieilles gardes. Opera. For the Music see Delibes. For
the Libretto see Villeneuve, T. F. V. de.
Deux voleurs, Les. Opera. For the Music see Girard, N. For
the Libretto see Ribbing.
Devienne, Francois.
The boarding school of Nevers, or Pensionnat de Nevers.
Dublin. Carrick. 1824. No. 3 in M. 1093.1.1
Words only in French and English.
Chant republicain sur la mort d'Agricole Viala . . . [s. ou x.
Accomp. de piano]. {In Pierre, C. V. D. Musique des
fetes et ceremonies de la Revolution frangaise . . . Pp.
392, 393) M.380.14
Hymne a I'fiternel [s. ou t. Accomp. de piano], (/n Pierre.
C .V. D. Musique des fetes et ceremonies de la Revolu-
tion frangaise . . . Pp. 243-245.) M.380.14
Ouverture. [Pour le piano.] {In Pierre, C. V. D. Musique
des fetes et ceremonies de la Revolution frangaise . . .
Pp. S 19-524) M.380.14
Romance patriotique sur la mort du jeune Bara fs. ou t.
Accomp. de piano]. {In Pierre, C. V. D. Musique des
fetes et ceremonies de la Revolution fran?aise . . . Pp.
390, 391.) M.380.14
Rose et Aurele. Comedie en un acte, paroles de Picard,
musique de F. Devienne. [Partition.] Paris. Cousineau.
[1794] M.383.S0
Le valet de deux maitres. Opera comique en i acte. Pa-
roles de F. Roger. Musique de Fr. Devienne. Partition.
Paris. Porro. [i799?] M.252.31
Les visitandines. Comedie en 2 actes et en prose. Par Mr.
Picard. Mise en musique . . . par F. Devienne. [Parti-
tion.] Paris. Cousineau. [1792?] M. 224.15
Same. Partition piano et chant. Schlesinger. [184-?]
No. 3 in M.277.27
Devil's bridge. The. Opera. For the Music see Horn, C. E.
For the Libretto see Arnold, S. J.
Devil's elixir. The. Opera. For the Music see Rodwell. For
the Libretto see Ball, E.
Devil's opera. The. Opera. For the Music see Macfarren,
G. A. For the Libretto see Macfarren, G.
Devin, Le, du village. Opera. For the Music and Libretto
see Rousseau, J. J.
Devineresse, La. Opera. For the Music see Lajarte. For the
LiBRETTO_see Colombeau, J. A. de.
Devinette, Une. Opera. For the Music see Pilate. For the
Libretto see Julian.
Devout men carried Stephen. Anthem. Chawner.
No. 6 in M.233.24.2
Devrient, Philipp Eduard.
Hans HeilinR. Romantische Oper, componirt . . . von
Heinrich Marschner. M.352.IS; etc.
Die Kirmes. Komische Oper in Musik gesetzt . . . von
Wilhelm Taubert. No. 2 in M.350.10
340
Devrient
THE ALLEN A. BROWN COLLECTION OF MUSIC
Diaz
Devrient, Philipp Eduard. (Continued.)
My recollections of Felix Mendelssohn-Bartholdy, and his
letters to me. Translated by Natalia Macfarren. London.
Bentley. 1869. Portrait. M. 149.14
Dew-drops, The, fall. Part-song. Spicker. Im Grase thaut's.
No. 4S in M.392.2S
De Winter, J. F.
The laughing coon. Quartette. Male voices. Boston.
White-Smith Music Publishing Co. [1894.I
No. 31 in M.203.20
Dewit, H.
Tota pulchra, a 4 voix, avec accomp. d'orgue. Bruxelles.
Schott. 1855. No. 13 in M.260.10.3
Dextera Domini. Motet.
Lassus. Sammtliche Werke. Band i. M.8o4oa.67.i
Schumann, R. A. No. 12 in M.156.50
Dextera Domini fecit virtutem. Offertory. Palestrina. Werke.
Band 9. M.8o4oa.66.9
Dexteram meam. Anthem. Palestrina. Werke. Band .31.
M.8o4oa.66.3i
Dezaides. See Dezede,
Dezede,
Alexis et Justine, comedie lyrique, en 2 actes. [Paroles de
Monvel. Musique] Par M. Dezede. [Partition.] Paris.
Verdun. [1785.] M.252.33
Blaise et Babet, ou la suitte des Trois fermiers. Comedie
en 2 actes par M. Monvel . . . Mise en musique par M.
D. Z. [Partition.] Paris. Basset. [1783.] M.252.34
L'erreur d'un moment, ou la suite de Julie. Comedie en i
acte par M. Monvel. Mise en musique par M. D. Z. [Par-
tition.] Paris. Houbaut. [i773?] M.2S2.32
La fete de la cinquantaine. Opera en 2 actes. Paroles du
Cen Faur. Mise en musique par Dezede. [Partition.]
Paris. Gaveaux. [1796.] M.224.16
Julie. Comedie en 3 actes par M. Monvel . . . Mise en mu-
sique par M. D. Z. [Partition.] Paris. Houbaut. [1772-]
M.2S2.35
Les trois fermiers. Comedie en 2 actes, en prose . . . Mise
en musique par M^. D. Z. Les paroles de M^. Monvel.
[Partition.] Paris. Des Lauriers. [i777-] M.252.36
Dezede, Florine.
Lucas & Lucette. Comedie en i acte en prose par Mr. For-
geot. Mise en musique par Mile D. Z. Paris. Des Lau-
riers. [1781?] M.224.17
Dharmenon, Frederic.
Petrarque. Opera. Paroles de Hipp"= Duprat et F. Dhar-
menon. Musique de Hippolyte Duprat. M.305.22
Dhavernas, Octave.
Ordre du roi. Opera comique en i acte. Paroles de B.
Gadobert & £d. Duprez. Musique de O. Dhavernas. Par-
tition chant & piano. Paris. Conrard. [1880.]
No. 2 in M.303.25
Di due beir anime. Song. Tramezzani. Tre pezzi vocali.
No. 6 in M.221.21
Di moy, malheureux, qui te fies en ton autorite. Anthem.
SwEELiNCK. Werken. Deel 2. M.413.2.2
Di pensier in pensier. Part-song. Lassus. Sammtliche Werke.
Band 10. 81.80403.67.10
Di persona era tanto ben formata. Part-song. Lassus. Sammt-
liche Werke. Band 8. M.8o4oa.67.8
Di pescatore ignobili. Song. Donizetti. No. 12 in M.157.39
Di quanto pena e frutto. Chorus. Leo. No. 33 in M.202.6.3
Di scrivermi ogni giorno. Part-song. Mozart.
No. 19 in M.157.14
Di sollevarmi al soglio. Duet. Carlini. No. 13 in M.221.20
Di tale amor che dirsi. Verdi. Verdi album. No. 24 in M.236.5
Di vero amor. Arietta. Donizetti. Matinees musicales.
No. 8 in M.236.14
Diabelli, Antonio.
Die Betende. Gedicht von Matthisson in Musik gesetzt
fiir 4 Mannerstimmen mit Be^leitung des Pianoforte.
Braunschweig. Spehr. [183-?] No. 7 in M.221.S
Grand sonate pour le piano forte, avec accomp. de violon-
celle oblige (ou violon). Op. 92. [Piano seul.] Paris.
Pleyel. [182-?] No. 3 in M.210.2
Same. [Partie de violon.] No. 12 in M. 210.9
Diabelli, Antonio. (Continued.)
Same. [Partie de violoncelle.] No. 18 in M.3io.ii
Salve Regina. Canon [s. a. t. b. Accomp. d'orgue]. {In
Lambillotte. Musique religieuse. 6^ Salut, pp. 6-12.)
No. 23 in M.260.18
Diable, Le, a I'ecole. Opera. For the Music see Boulanger.
For the Libretto see Scribe.
Diable, Le, a I'ecole. Overture. Boulanger. No. 4 in M.3S3.17
Diable, Le, a quatre. Opera. For the Music see Danican. For
the Libretto see Sedaine.
Diable, Le, a Seville. Opera. For the Music see Gomis. For
the Libretto see Cave.
Diable, Le, a Yvetot. Opera. For the Music see Gassier. For
the Libretto see Stark.
Diable, Le, au corps, Berta. Opera. For the Music see Ma-
renco, R. For the Libretto see Blum, E.
Diable, Le, au moulin. Opera. For the Music see Gevaert.
For the Libretto see Piestre.
Diable, Le, couleur de rose. Opera. For the Music see Ga-
veaux. For the Libretto see Levrier Champ-Rion.
Diable, Le, en vacances. Opera. For the Music see Gaveaux.
For the Libretto see Desaugiers.
Diable rouge, Le. Opera. For the Music see Roques. For
the Libretto see Blondelet.
Diadeste, Le. Opera. For the Music see Godefroid, J. J. For
the Libretto see Saint Hilaire.
Dial, The, of Ahaz. Cantata. For the Music see Bulmer.
Dialogue sur la musique des anciens. History. Chateauneuf.
M.iogb.as
Dialogues des morts. Outrepont. M.207.14
Diamantkreuz, Das. Opera. For the Music see Saloman, S.
For the Libretto see Overskou.
Diamants, Les, de la couronne. Opera. For the Music see
Auber. For the Libretto see Scribe.
Diamond cut diamond. Opera. For the Music see Thomas,
J. R. For the Libretto see Cooper, G.; also Le Sage. II
furbo contra il furbo.
Diana. Opera. For the Music see Paladilhe. For the Li-
bretto see Normand, J.
Diana. Overture. Rapp. No. 3 in M.347.41
Diana, o la fata di Pozzuoli. Opera. For the Music see Pe-
trella. For the Libretto see Ambra.
Diana di Chaverny. Opera. For the Music see Sangiorgi. For
the Libretto see Ormeville.
Diana ed Endimione. Cantata. For the Music see Paer.
Diandle tief drunt' im Thai. Part-song. Andre:, L.
No. 28 in M.392.2
Diane. Cantata. For the Music see Bernier. Cantates fran-
goises.
Diane. Opera. For the Music see Godard, B. L. P. For the
Libretto see Guinand.
Diane de Solange. Opera. For the Music see Ernst, Herzog
von Sachsen-Coburg-Gotha. For the Libretto see Prechtler.
Diane et Endimion. Opera. For the Music see Piccinni, N.
For the Libretto see Lirou.
Diane impitoyable. Song. Gluck. No. 15 in M.193.21.1
Diarmid. Opera. For the Music see MacCunn. For the Li-
bretto see Campbell, J. G. E. H. D. S.
Diavolo, II, a quattro. Opera. For the Music see Ricci. L.
For the Libretto see Rossi, G.
Diavolo, II, della notte. Opera. For the Music see Bottesini.
For the Libretto see Scalchi, L.
Diaz, Eugene.
Benvenuto. Opera en 4 actes, 6 tableaux. Paroles de Gas-
ton Hirsch. Musique de Eugene Diaz. [Partition chant
et piano.] Paris. Grus. [1890.] M.29S.38
La coupe du roi de Thule. Opera en 3 actes de Louis Gallet
& fidouard Blau. Musique de Eugene Diaz. Partition
piano et chant. Paris. Grus. [1873.] M.29S.39
Le roi Candaule. Opera en 2 actes. [Paroles de Michel
Carre.] Musique de E. Diaz. [Partition chant et piano.]
Paris. Girod. [1864.] M.363.30
Diaz de Soria, Jules. Works about.
AzEVEDO, A. J. Impressions d'un vieux dilettante. Jules
Diaz de Soria. Paris. [1874?] M.373.53
341
Dibbern
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dibdin
Dibbern, Carl.
Der Bulgare. Romantische Operette in 3 Akten. Text und
Musik von Karl Dibbern. Vollstandiger Klavier-Auszug
mit Text. Offenbach a. Main. Andre. [190-?]
No. I in M.381.13
Dibdin, Charles. 1745-1814.
Bachelor's Hall: ... for his entertainment. The oddities.
[t. with pianoforte accomp.] London. The Author.
[179-?] No. 3 in M.384.48
A later arrangement may be found in his Songs [M.133.1].
The blind sailor ... for his entertainment, The Quizes, or
a trip to Elysium. [Song, s. or t. Accomp. for piano-
forte.] London. The Author. [1792?] No. 11 in M.384.48
Buxom Nan, ... for his entertainment, The wags, or the
camp of pleasure. [Song, s. or t. with pianoforte aceomp.]
London. The Author. [1790?]. No. 17 in M.384.48
A later arrangement may be found in his Songs [M.133.1].
[The captive.] The songs in the comic opera of The captive
. . . The words by the author of Love in a village [Isaac
Bickerstaff] and the music by the most eminent compos-
ers. London. Johnston. [1769] M.220.28
The cestus. A serenata. [Accomp. for pianoforte.] Lon-
don. Thompson. [1783.] No. 3 in M.220.16.2
Damon and Phillida. A comic opera. [The text adapted
from Colley Cibber's play.] Composed by Mr. Dibdin for
the voice, harpsichord or violin. London. Thompson.
[1768.] No. 6 in M.220.16.2
[The deserter.] The songs, &c. in The deserter. A musical
drama . . . Composed by Monsigny, Philidor [Danican],
& C. Dibdin. [Accomp. for pianoforte.] London. John-
ston. [1773.] No. 5 in M.220.16.2
An adaptation of parts of Monsigny's Le deserteur [M.283.20] with a
few airs of Philidor and more of his own.
The Ephesian matron, or the widow's tears. A comic sere-
nata by the author of Love in a village [Isaac Bicker-
staff]. The music by Charles Dibdin. [Accomp. for piano-
forte.] London. Johnston. [1769] No. 2 in M.220.16.1
Far from the world. Catch [for 3 voices], (/n Apollonian
harmony. Vol. i, p. 53-) No. 45 in M.141.21.1
Also to be found in Social harmony.
Father and mother and Suke ... in his entertainment,
called Castles in the air. [Song, t., with pianoforte ac-
comp.] London. The Author. [i793?] No. 30 in M.384.48
A later arrangement may be found in his Songs [M.133.1].
The flowing can ... for his entertainment, The oddities.
[t., with pianoforte accomp.] London. The Author.
[178-?] No. 2 in M.324.48
A later arrangement may be found in his Songs [M.133.1].
The free mason's glee. [a. t. b.] {In Social harmony. Pp.
262-264.) No. 216 in M.215.21
Give round the word. Song [t. t. ]. (/n Social harmony.
p 234.) No. igi in M.215.21
Harvest home. A comic opera . . . [Written and] composed
by Mr. Dibdin. [Accomp. for pianoforte.] London.
Preston. [1787.I No. 7 in M.220.16.2
[The institution of the Garter.] The overture, songs, duets
... in The institution of the Garter, or Arthur's Round
table restored . . . Compos'd & adapted for the harpsi-
chord, German-flute, & violin, by C. Dibdin. [Score.]
London. Longman, Lukey & Co. [1771?]
No. I in M.220.16.2; No. 4 in M.220.19
The libretto is an adaptation by Garrick of Gilbert West's poem The
institution of the Order of the Garter.
Jack at the windlass, . . . for his entertainment called The
Quizes, or a trip to Elysium. [Song, t. with pianoforte
accomp.] London. The Author. [1792.]
No. 19 in M.384.48
A later arrangement may be found in his Songs [M.133.1].
Jack Ratlin, a favorite song ... in Liberty Hall, [t., with
pianoforte accomp.] London. Preston. [1785?]
No. 12 in M.384.48
A later arrangement may be found in his Songs. [M.133.1].
The jolly ringers ... in his entertainment, Castles in the
air. (Song, s. or t. with pianoforte accomp.] London.
The Author. [i703?] No. 23 in M.384.48
The lamplighter . . . for his entertainment. The oddities.
[Song, T. with pianoforte accomp.] London. The Author.
[I7Q0?1 No. 18 in M.384.48
A later arrangement may be found in his Songs [u. 133.1].
Dibdin, Charles. 1745-1814. (Continued.)
Lawyer Brief. Catch [for 3 voices], (/n Social harmony.
Pp. 74, 75.) No. 64 in M.2X5.2I
Liberty-Hall, or the test of good-fellowship; a comic opera
. . . An entirely original composition by Mr. Dibdin.
[Accomp. for pianoforte.] London. Preston. [1785.]
No. 5 in M.220.16.1
Lionel & Clarissa; or, a school for fathers, a comic opera
. . . By the author of Love in a village [Isaac Bickerstaff].
The music composed by eminent masters. [Accomp. for
piano.] London. Longman & Broderip. [1768?]
No. 2 in M.I30.2
Lovely Nan. [Song, t. Accomp. for pianoforte.] London.
The Author. [1793?] No. 40 in M.384.48
Same. [180-?] No. 36 in M.237.7
Also to be found in Turle and Taylor's The People's music book.
The lucky escape . . . for his entertainment. Private theat-
ricals or nature in nubibus. [Song, s. or t. with piano-
forte accomp.] London. The Author. [1791?]
No. ID in M.384.48
A later arrangement may be found in his Songs [M.133.1].
The lyrist, or family concert, containing the overtures,
favourite songs, &c., in the operas of The islanders, Ply-
mouth in an uproar, Chelsea-pensioner, & Harlequin-free-
mason . . . [Accomp. for pianoforte.] London. Thomp-
son. [178-?] No. 2 in M.220.16.2
Music epitomized: a school book: in which the whole sci-
ence of music is completely explained, . . . 8th edition,
revised and corrected by J. Jousse. London. Goulding,
D'Almaine, Potter & Co. [182-?] No. S in M.376.2S
The musical tour of Mr. Dibdin. Sheffield. Gales. 1788.
M.I3I.I
Contains the music of seven songs, «. e., Pomposo, The Cape of Good
Hope, The musician's lamentation for the loss of his mistress, The siege
of Troy, The return of Ulysses to Ithaca, Bonny Kitty, Hope.
The neighboring convent's bell. Duet [s. x.]. {In Musical
library. Vol. 3, pp. 1 18-120.) No. 38in M.23S.18.3
None so pretty . . . for his entertainment. The Quizes, or a
trip to Elysium. [Song, s. or T. with pianoforte accomp.]
London. The Author. [1792?] No. 8 in M.384.48
The padlock, a comic opera. . . . The words by the author
of the Maid of the mill, &c. [Isaac Bickerstaff]. The mu-
sic by Mr. Dibdin. [Accomp. for pianoforte.] London.
Johnston. [1768.] No. 2 in M.1S2.12; No. i in M.220.16.1
Poor Jack, a favorite song in the Whim of the moment, [t.,
with accomp. for pianoforte.] London. Preston. [1789.]
No. 5 in M.384.48
Poor Tom, or the sailor's epitaph . . . for his The oddities.
[Song, s. or x., with pianoforte accomp.] London. The
Author. [1790?] No. IS in M.384.48
A later arrangement may be found in his Songs [M.133.1].
[Poor Vulcan!] The overture, songs, &c., in Poor Vulcan!
A comic opera . . . [Written and] composed by Charles
Dibdin. [Accomp. for pianoforte.] London. Longman
& Broderip. [1778.] No. 4 in M.220.16.1
The professional life of Mr. Dibdin. With six hundred
songs. 2d edition. London. Cundee. 1804. 4 v. Por-
trait. Plates. M.II7.I
[The Quaker.] The overture, songs, &c., in The Quaker, a
comic opera. [Accomp. for pianoforte.] London. Johns-
ton. [1777.] No. 4 in M.220.16.2
The race horse. A celebrated song ... in Liberty Hall,
[x. with pianoforte accomp.] London. Preston. [1785?]
No. 16 in M.384.48
A later arrangement may be found in his Songs [M.133.1].
Saturday night at sea . . . for his entertainment, The oddi-
ties. [Song, s. or x. with piano accomp.] London. The
Author. [1790?] _ _ No. 9 in M.384.48
A different arrangement may be found in his Songs [m. 133.1].
[The seraglio.] The overture, songs, &c., in The seraglio
. . . [Written and] the music chiefly composed by C. Dib-
din. [Accomp. for pianoforte.] London. Johnston. [1776.]
No. 6 in M.220.16.1
Skaiting duet [s. a. or x. b.]. {In Social harmony. Pp. 294,
295.) No. 237 in M.215.21
The soldier's adieu. [Song, x. .\ccomp. for pianoforte.]
London. [18 — ?] No. 38 in M.237.7
342
Dibdin
THE ALLEN A. BROWN COLLECTION OF MUSIC
Didier
Dibdin, Charles. 1745-1814. (Continued.)
Songs, . . . chronologically arranged, with notes . . . and
the music of the best of the melodies, with new piano-
forte accompaniment. Prefixed a memoir on the author
by George Hogarth. London. How & Parsons. 1842.
12 parts in i v. Portrait. M.J33.1
Sound, drums. Round [for 3 voices]. (In Social harmony,
p. 249.) No. 207 in M.215.21
Sweetly, sweetly let's enjoy. Glee [a. t. b.]. (In Social har-
mony. Pp. 334. 335.) No. 283 in M.215.21
The true hearted tar, being a sequel to The disconsolate
sailor. [Song. s. or t., with pianoforte accomp.] London.
Preston. [179-?] No. 7 in M.384.48
The waterman, a comic opera of 2 acts . . . Composed [and
written] by C. Dibdin. [Accomp. for pianoforte.] Lon-
don. Johnston. [i774-] No. 3 in M.220.16.1
While the lads in the village. Rondo [t. Accomp. for
pianoforte]. (/« Musical library. Vol. 4 PP- 92-94,)
No. 30 in M.23S.18.4
Dibdin. Charles, Jr. 1768-1833-
The farmer's wife, a comic opera. Composed by H. R.
Bishop. No. 2inM.271.18
Dibdin, Charles, Jr.. translator. 1768-1833.
Whitaker. The celebrated Odes of Anacreon.
No. I in M.380.19
Dibdin, Thomas John.
II bondocani, a musical drama . . . composed by T. Att-
wood and J. Moorehead. No. 2 in M.391.22
The cabinet. A comic opera . . . The music by Reeve, Davy,
Moor[e]head & Braham. . No. 2 in M.251.3
The English fleet in 1342. Comic opera . . . Composed by
Mr. Braham. No. 3 in M.2S1.4
The last lays of the last of the three Dibdins. London.
Harding & King. 1833. M.I4S-30
The magic oak, or Harlequin woodcutter. (Comic opera.]
Composed by Thos. Attwood. No. 4 in M.396.2
The mouth of the Nile. A favorite musical entertainment
. . . Composed by T. Attwood. No. i in M.3gi.63
St. David's Day, a favorite comic opera. Composed by T.
Attwood. No. 6 in M.396.2
Thirty thousand, or who's the richest? A comic opera . . .
The music by Reeve, Davy & Braham. No. 3 in M.251.3
Valentine and Orson. A grand melodrama. Composed by
J. Jouve. No. I in M.2S1.4
Zuma, or the tree of health. Comic opera. The music com-
posed by H. R. Bishop. Book i, 2. M.396.14
Die quaeso. Aria. Hasse, J. A. P. No. 22 in M.290.29.S
Dicesi, che la morte. Part-song. Lassus. Sammtliche Werke.
Band 4. M.8o4oa.67.4
Dich halt ich treu im Herzen. Part-song. Abt, F. Acht pa-
triotische Lieder. No. 12 in M.392.2
Dich, Herr des Himmels preiset. Hymn. Fluegel, G.
No. 26 in M.203.7
Dich preist, Allmachtiger. Hymn. Breitenbach.
No. n in M.147.4
Dich segn' ich alle Tage. Song. Abt, F. Vier Gesange.
No. 3 in M. 192.2
Dich vergessen? Part-song. Terschak. Zwei Gedichte.
No. 26 in M.392.26
Dichiarazione, La. Song. Florimo. Ore musicali.
No. 2 in M.244.ig
Dichter, De, en zijn droombeeld. Ofyera. For the Music see
Miry. For the Libretto see Conscience.
Dichter und Bauer. Overture. Suppe. No. 3 in M.342.41
Dichterliebe. Songs. Schumann, R. A.
No. 4, 5 in M.244.15.2; etc.
Dichters Genesung. Song. Schumann, R. A. Sechs Gedichte
von Reinick. No. 10 in M.244.15.1; etc.
Dicite, quidnam vidistis? Anthem. Vittoria. Opera. Tomus i.
M.313.2.1
Dickmann, Hermann.
Thusnelda. Grosse Oper. Musik von Carl Grammann.
M.266.29
Dicks, Ernest A.
Momo. A Japanese operetta (for use in ladies' schools. &c.).
Words by Henry Branch. Music by Ernest A. Dicks.
London. Beal & Co. [igo-?] No. 3 in M.3g7.e2
Dicks' Edition of standard operas.
Auber. The crown diamonds. M.237.20
Dickschaedel, Die. Opera. For the Music see Dvorak. For
the Libretto see Stolba.
Dickschaedel, Der. Quartet. Kremser. Neue Chor-Compo-
sitionen. Band i. Heft 3. No. 15 in M.392.14
Dickson, William Edward.
A letter to the Lord Bishop of Salisbury, on congregational
singing in parish churches. Oxford. Henry & Parker.
1857. No. 6 in M.104.49
Practical organ-building. London. Lockwood & Co. 1882.
Illus. Plate. M.109.33
Dictionaries.
Bernsdorf, E. Neues Universal-Lexikon der Tonkunst.
[Erster Nachtrag.] Dresden. [1856-65.] 4 v. Portraits.
M. 124.7
Blaze, F. H. J. Dictionnaire de musique moderne. Paris.
1821. 2 V. in I. M.146.1
Bremer, F. Handlexikon der Musik. Eine Encyklopadie
der ganzen Tonkunst. Leipzig. [1882.] M.20S.25
Brossard, S. de. Dictionnaire de musique. 3e edition.
Amsterdam. [1707?] . M.I47-I
Derthick, W. M. a manual of music: its history, biogra-
phy and literature. With specimens. Revised edition.
Chicago. [1890.1 Portraits. M.121.40
Dictionary, A, of musicians, from the earliest ages to the
present time; . . . and a summary of the history of music.
2d edition. London. 1827. 2 v. M.117.11
Franke, H. Handbuch der Musik. Glogau. 1867. M.208.S
Grassineau, J. A musical dictionary. London. 1740.
M. 145. 1 3
HiLES, J. A complete and comprehensive dictionary of
12,500 . . . musical terms, phrases and abbreviations. 3d
edition. London, 1874. M.i09b.i2
HoYLE, J. A complete dictionary of music. London. 1791.
No. I in M.148.34
Lasalle, a. DE. Dictionnaire de la musique appliquee a
I'amour. Avec un appendice bibliographique. Paris. 1868.
Plate. M.118.9
Lichtenthal, p. Dizionario e bibliografia della musica.
Milano. 1826. 4 v. M.141.16
M.^thews, W. S. B. How to understand music. Vol. i.
New York. 1884. M.106.25
Melcior, C. J. Diccionario enciclopedico de la musica.
Lerida. 1859. Plates. M.216.9
Mendel, H. Musikalisches Conversations-Lexikon. B. l-
II & Erganzungsband. Berlin. 1870-83. 12 v. M.ig6.3
Meude Monpas, J. J. O. DE. Dictionnaire de musique, dans
lequel on simplifie les expressions et les definitions
mathematiques et physiques qui ont rapport a cet art . . .
Paris. 1787. M.373-63
Moore, J. W. Complete encyclopaedia of music. Boston.
[1852.] Portraits. M.131.4
NiECKS, F. A concise dictionary of musical terms. 2d edi-
tion, enlarged. London. 1884. M.101.30
Paul, O. Handlexikon der Tonkunst. Leipzig. 1873. 2 v.
M.370.27
Pilkington, H. W. a musical dictionary, comprising the
etymology and different meanings of all the terms . . .
in modern compositions. Boston. 1812. No. i in M. 128.33
Rousseau. J. J. A complete dictionary of music. Trans-
lated by William Waring. 2d edition. London. 1779.
M.131.12
SouLLiER DE RoBLAiN, C. S. P. Nouveau dictionnaire de
musique illustre. Paris. 1855. M.112.10
Stainer, J. A dictionary of musical terms by Sir John
Stainer and W. A. Barrett. Compressed from the imperial
8vo edition by K. M. Ross. London. [188-?] M.373.18
Dictionary, A, of musicians, from the earliest ages to the
present time; . . . and a summary of the history of music.
2d edition. London. Sainsbury & Co. 1827. 2 v. M.117.11
Dictionnaire lyrique portatif. Songs. Dubreuil, J. M. 208.1
Did Celia's person. Catch. Pring, J. No. 215 in M.23S.17.2
Didier, Edouard.
Le mariage au cliche. Opera-comique. Paroles de MM. E.
Didier et E. Roger. Musique de Alfred Mutel.
No. 3 in M.267.15
343
Dido
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dietsch
Dido and ^neas. Opera. For the Music see Purcell, H. For
the Libretto see Tate.
Dido, chi giace entro quest' urna? Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Didon. Opera. For the Music see Charpentier; also Piccinni,
N. For the Libretto see Auge de Lassus; also Marmon-
tel, J. F.
Didone. Opera. For the Music see Paisiello. For the Li-
bretto see Metastasio.
Didone abbandonata, La. Opera. For the Music see Andre-
ozzi. Caro Enea; also Paer. For the Libretto see Metas-
tasio.
Didron, Adolphe Napoleon.
Iconographie de I'Opera. Paris. Didron. 1864.
No. 4 in M.218.4
Die Du Gott gebarst. Song. Wolf, H. Spanisches Lieder-
buch. No. 2 in M.380.20
Die Du mein AUes bist. Part-song. Gruber, J.
No. I in M.370.30
Die, hapless man! Madrigal. Wilbye, J.
No. 28 in M.iii.4.3; etc.
Die hier im Herrn entschlafen. Part-song. Weigl.
No. 106 in M. 1293.43.3
Die ihr des unermesslichen Weltalls. Song. Mozart. XXX
Gesange. M.221.28; etc.
Die ihr schwebet. Song. Wolf, H. Spanisches Liederbuch.
No. 4 in M.380.30
Die mit Thranen saen. Motet. Schicht. Motetten. Heft 6.
No. 6 in M.236.19
Die not. fond man. Madrigal. Ward, J. No. 9 in M.23S.7.1; etc.
Diebstahl. Song.
Rheinberger, J. G. Zwei Gesange. No. 5 in M.194.21
Taubert, C. G. W. Sechs Lieder von Reinick.
No. 9 in M.221.26
Dieck, Albert.
Heute ist heut Ft. T. B. B.]. Hamburg. [188-?!
No. 29 in M.392.8
Diehl, Louis.
A dress rehearsal. Musical sketch. The words by G. R.
Sims. The music by Louis Diehl. f Accomp. for piano-
forte.l London. Boosey & Co. [i88-?l No. 5 in M.277.23
Our bazaar. An operetta. The hbretto by Wilfrid Mills.
The music by Louis Diehl. [Score for voice and piano,
with libretto. 1 London. Ashdown. [188-?!
No. I in m[382.i7
Slumberetta. A musical charade, for treble or mixed voices.
Written by Harold Wynn, music by Louis Diehl. [Ac-
comp. for pianoforte.] London. Hutchings & Romer.
[188.^?] No. 3 in M.204.3
Diemer, Louis.
Concert-Stiick pour violon et orchestre. Op. 3.3- Part""
d'orchestre. Paris. Hamelle. [i8c>-?l No. i in M.403.27
Diemer, Philip Henry.
Bethany, a sacred cantata. The words arranged by R. B.
Poole. The music by P. H. Diemer. fs. m.-s. a. t. bar.
and chorus. Accomp. for pianoforte. 1 London. Novello,
Ewer & Co. [i88-?l No. i in M.194.11
Autumn, a four-part song. London. Novello, Ewer & Co.
[187-?! No. 48in M.121.3
Dies irae. Oratorio. For the Music see Caillebotte.
Dies ist der wohlvertraute Flieder. Part-song. Hering, G.
No. 61 in M.392.8
Dies sanctificatus. Mass. Palestrina. Werke. Band 15.
M.8o40a.66.i5
Dies sanctificatus. Motet. Palestrina. Werke. Band s, 7.
M.8o4oa.66.5, 7 ; etc.
Dies sanctificatus illuxit nobis. Gradual. Eybler. Graduale
No. 4 in M. 191.6
Dies und das. Song. Franz, R. Sechs Gesange. Op. 30.
No. 89 in M.244.5.2
Diet, Edmond.
Fleur de vertu. Vaudeville-opdrette en 3 actes. Paroles de
Ernest Depre. Musique de Edmond Diet. [Partition chant
et piano. 1 Paris. Dupont. [189-?! No. i in M.30S.1
Madame Putiphar. Operette en trois actes de Ernest Depre
& Leon Xanrof. Musique de Edmond Diet. [Partition
chant et piano. 1 Paris. Biardot. 1897. M.394.13
Diet, Edmond. (Continued.)
Stratonice. Opera comique en i acte. Paroles d'Eug. Char-
don. Musique de E. Diet. [Partition chant et piano.]
Paris. Grus. [1888.] No. 2 in M.305.1
Le voyage de la mariee. Operette en 3 actes a grand spec-
tacle de Paul Ferrier et Maurice Ordonneau. Musique de
Edmond Diet. Ballets de Justin Clerice. Partition chant
et piano. Paris. Choudens. 1904. No. 2 in M.sSg.j
Dietrich, Adolphe.
Le Tintoret. Opera en 3 actes et 4 tableaux. Paroles de E.
Guinand. Musique de Ad. Dietrich. Partition piano &
chant. Paris. Grus. [1887.] M.303.27
Dietrich, Albert Hermann.
Einleitung u. Romanze. Concertstiick fiir Horn (od. Vio-
loncell) mit Begleitung des Orchesters (od. Pianoforte).
Op. 27. Partitur. Hamburg. Pohle. [187-?]
No. 2 in M.358.5
Normannenfahrt. Ouverture fiir grosses Orchester. Op. 26.
Partitur. Leipzig. Rieter-Biedermann. 1872.
No. I in M.336.8
Robin Hood. Oper in 3 Akten. Dichtung von Reinhard
Mosen. Musik von Albert Dietrich. Clavierauszug. Leip-
zig. Kistner. [1879.] M.305.2
Sechs Lieder fiir vierstimmigen Mannerchor. Op. 18. Bre-
men. Cranz. [1872?] 6 parts in i v. No. 43-48 in M. 392. 6
Contents. — I. Neuer Fruhling. 2. So winterlich. 3. Nachtlied. 4.
Trinklied. 5. Lied der Freundschaft. 6. Ein geistliches Abendlied.
Sinfonie (in D-moU) fur grosses Orchester. Op. 20. Parti-
tur. Leipzig. Rieter-Biedermann. [1873?] M. 348.26
Sonate fiir Pianofoi;te und Violoncello. Op. 15. [Partitur.
Hamburg. Cranz. [1869.] 2 parts in i v.
No. I in M.404.52
Trio fiir Pianoforte, Violine und Violoncell. Op. 9. [Parti-
tur und Stimmen.] Leipzig. Breitkopf & Hartel. [186-.]
3 parts in i v. No. i in M.404.42
Trio, Zweites (A dur). fiir Pianoforte, Violine und Violon-
cello. Op. 14. [Partitur und Stimmen.] Hamburg. Cranz.
[186-.] 3 parts in i v. No. 2 in M.404.42
Dietrich, Albert Hermann, editor.
Brahms. Erinnerungen an Johannes Brahms in Briefen
besonders aus seiner Jugendzeit. Leipzig. 1898. Portrait.
No. I in M. 102.24
Holstein. Frau Aventiure. No. 4 in M.342.S
Dietsch, Heinrich Rudolf.
Nekrolog Johann Christian Jahn's. [Leipzig. Teubner.
1847.] No. 9 in M.372.40
Dietsch, Joseph.
Une page d'histoire locale. L'Institut de musique, premier
conservatoire de Dijon, I793-I796. Dijon. Lamarche.
1884. No. I in M.372.39
Dietsch, Pierre Louis Philippe.
Cantiques nouveaux. A Jesvs Evcharistiqve! A Marie Im-
macvlee! . . . Entremeles d'aspirations et de notices his-
toriques. Paroles de I'auteur de la Vie du Capitaine Mar-
ceau. Musique de L. Dietsch. Paris. Lecoffre. [186-?]
No. I in M. 158.25
Messe de requiem a 3 voix, s. t. b. Avec accomp. d'orgue.
Paris. Canaux. [184-?] No. 4 in M.260.8.4
Messe de requiem, 2^^, a 4 voix avec accomp. d'orgue.
Paris. Regnier-Canaux. [184-?] No. 2 in M.260.1
Messe, io«, a 4 voix d'hommes, avec ace', d'orgue, ad lib.
Paris. Richault. [185-?] No. 2 in M.260.8.4
Messe, 12^, a 4 voix [s. s. T. B. Accomp. d'orgue]. Paris.
Richault. [185-?] No. 3 in M.260.8.4
Mesee solennelle, 2^. a cinq voix soli et choeurs, avec accom-
pagnem* de grand orchestre. [Partition.] Paris. Canaux.
[184-?] No. 2 in M.380.S5
Messe solennelle, 5^, a 3 voix d'hommes (ou 2 soprani e
contralto), et orchestre. [Partition.] Paris. Brandus.
[184-?] No. I in M.260.8.4
O Salutaris. Pour s. ou T. [Accomp. d'orgue. Paris. Lang-
let. 184-?] No. 21 in M.260.10.4
Te Deum a cinq voix [s. s. T. T. B.], soli et choeurs, avec ac-
comp, de grand orchestre. Partition [et reduction pour
orgue]. Paris. Richault. [184-?] No. i in M.201.40
Dietsch
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dimond
Dietsch, Pierre Louis Philippe. (Continued.)
Veni, Sancte Spiritus. [s. s. t. b. Accomp. for organ.] No
title-page. [London? 183-?] No. 20 in M.260.10.S
Dietsch, Pierre Louis Philippe, editor.
Hummel, J. N. Messe solennelle, 3me. No. 4 in M.191.4
Repertoire de musique religieuse de I'figlise de la Made-
leine. Paris. Richault. [1854.] M.260.20
Contents. — Palestrina : Adoramus. — Hiramel : Mater divinae gra-
tiae. — Dietsch: O Salutaris [t. t. b. b.]. — Danzi: Kyrie. — C. P.
E. Each: Tantum ergo. — Mozart: Ave Verum. — Dietsch: Ave
Maria. — Schneidei : Agnus Dei. — J. Haydn : Tantum ergo. —
Righini: Ave Verum. — Haser: Gloria in excelsis. — Haydn: O
Salutaris. — Dietsch : Attende. — Dietsch : Ecce panis. — Seyfried :
Sanctus et Benedictus. — Delia Maria: O Salutaris. — Schiedermayer :
Kyrie. — ■ Vittoria : Jesus dulcis. — Naumann : Sancla Maria. —
Mozart: Agnus. — J. Haydn: O Salutaris. — Spohr: Tantum ergo.
— Mozart: Gloria. — Dietsch: Ave Verum. — Schneider: Ave Maria.
— Buhler: Magnus Dominus. — Novello: Tantum ergo. — J. Haydn:
Ave Maria. — Dedler: Benedictus. — Dietsch: O Salutaris [s. a.
T. B.]. — Dietsch: Adoro Te. — Evans: Tantum ergo. — Biihler:
Kyrie. — Schiedermayer : Benedictus. — Seyfried : Gloria. — Mozart :
Kyrie. — Schicht : Ave Maria. — Biihler : Credo. — Martini : O
Salutaris. — Biihler; Agnus Dei. — Zimmers : Gloria in excelsis. —
Naumann: Ora pro nobis. — J. Haydn: Ave Verum. — RoUe: Sancta
Maria. — Dedler; Kyrie. — Haydn: Benedictus. — Dietsch: O
Salutaris [s. t. b.]. — J. Haydn: Tantum ergo. — Biihler; Sanctus.
— Neukomm : Agnus Dei. — Hasslinger: O Salutaris.
Dietz, Max, editor.
Leopold L, Emperor of Germany. Missa. No. 4 in M.193.16
Requiem. No. 5 in M. 193.16
Stabat mater. No. 6 in M. 193.16
Dieu. Song. Schubert, F. P. Melodies. Vol. 6. M.327.4.6
Dieu conserve le Roi. Song. Rouget de Lisle. 48 chants
fran?ais. M.202.44
Dieu, Le, des moissonneurs. Tyrolienne. Weckerlin. Chants
des Alpes. No. i in M.1S8.44
Dieu d'Israel. Part-song. Mehul. No. 6 in M.130.7
Dieu est assis. Anthem. Sweelinck. Werken. Deel 4.
M.413.2.4
Dieu est regnant. Anthem. Sweelinck. Werken. Deel 5.
M.413.2.5
Dieu, Le, et la bayadere. Opera. For the Music see Auber.
For the Libretto see Scribe.
Dieu, Le, et la bayadere. Overture. Auber. No. 2 in M.332.3
Dieu le fort, Le. Psalm. Sweelinck. Werken. Deel 2.
M.413.2.2
Dieu nous soit doux. Anthem. Sweelinck. Werken. Deel 3.
M.413.2.3
Dieu pour fonder. Anthem. Sweelinck. Werken. Deel 5.
M.413.2.S
Dieu puissant. Part-song. Destouches. No. 2 in M.296.6
Dieulafoy, Jane Rachel.
Parysatis. Drame. Musique de C. Saint Saens. M.381.38
Dieulafoy, Joseph Marie Armand Michel.
Milton. Opera de Joui et Dieulafoi, mis en musique . .
par Gaspard Spontini. M.274.32
Olimpia, grosse Oper fvon Brifaut und Dieulafoy], in Musik
gesetzt . . . vom Ritter Spontini. Mit deutschem und
franzosischem Texte. M.284.4
Dieux, ce n'est pas pour moi. Aria. Sacciiini. Le Sacchini
des concerts. M.274.g
Dieux immortels. Duet. Destouches. No. 2 in M.296.6
Difficile lectu. Canon. Mozart. Werke. Serie 7, Band 2.
No. 58 in M.31S.1.7.2
No. 20 in M. 194.16
No. 63 in M.IS6.59
No. 30 in M.1S8.33.4
No. II in M. 158.27
No. 13 in M. 194.21
rWelsh air.] Ar-
Diffusa est gratia. Anthem. Lachner, F.
LUTZ.
Nanino.
Rheinberger, H. G. Sechs Hymnen.
Wuellner.
Difyrrwch y brenin. The king's delight.
ranged [for i voice, also] harmonized for 4 voices. {In
Thomas. Welsh melodies. Vol. i, pp. 44-52.)
No. 6 in M.235.6.1
Digli ch' io son fedele. Aria. Piccinni, N.
No. 4 in M.120.27; etc.
Digli ch' e un infcdelc. Song. Barth^lemon, M. Six English
and Italian songs. No. 4 in M.221.32
Dignam, Joseph.
Mass in G. With accomp. for organ or pianoforte. Bos-
ton. White-Smith Music Publishing Co. 1891.
No. 2 in M.193.16
I 44
No. 27 in M.290.29.4
M.260.23.1
Dignare, Domine. Anthem. Graun.
Schicht.
Dignowity, James, Jr.
The girl and the chauffeur. A musical comedy in two acts.
Book and lyrics by James Dignowity. Music by Archi-
bald T. Davison. No. i in M.389.22
Dignowity, James Victor.
The counterfeiter. Comic opera. Book and lyrics by Clar-
ence P. Whorf, additional lyrics by James V. Dignowity.
Music by Archibald T. Davison, Jr., and Frank H. Grey.
No. I in M.383.13
Dignum, Charles.
Vocal music . . . Consisting of songs, duetts & glees. Lon-
don. Preston. [1810?] No. 2 in M.236.18
Dignum, Charles, editor.
The neglected tar, a celebrated song, adapted ... by Mr.
Dignum. [t. with pianoforte accomp.] London. Thomp-
son. [178-?] No. 21 in M.384.48
Dihau, Desire.
On demande un anarchiste. Saynete en un acte. Paroles de
MM. Melandri & V. Meusy. Musique de Desire Dihau.
[Partition chant et piano.] Paris. Fouquet. [1892?]
No. I in M.395.24
Dilectus meus descendit in hortum suum. Motet. Palestrina.
Werke. Band 4. M.8o4oa.66.4
Dilectus meus mihi et ego illi. Motet. Palestrina. Werke.
Band 4. M.8o4oa.66.4
Dilettante, Un. See Damme, Jean van.
Dilettante, Le, d' Avignon. Opera. For the Music see Halevy,
J. F. F. £. For the Libretto see Hoffman, F. B.
Dilettanten-Oper.
DoRN, A. J. P. Ein Damen-Kaffee, oder, der junge Doctor.
No. 3 in M.402.64
Das Testament. No. 2 in M.402.64
Dilexi quoniam. Mass. Palestrina. Werke. Band 15.
M.8o4oa.66.i5
Diligam Te. Motet. Lassus. Siimmtliche Werke. Band i.
M.8o4oa.67.i
Sweelinck. Werken. Deel 6. M.413.2.6
Dilige solitudinem. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o4oa.67.7
Diliges Dominum. Canon. Woodward, R. No. 46 in M.220.9.2
Diliges proximum. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Dilley, Joseph J.
"His only coat." Operetta. Words by J. J. Dallas [Dilley].
Music by Walter A. Slaughter. No. 2 in M.322.32
Marjorie. A new English comic opera. Written by Lewis
Clifton and Joseph J. Dilley. Music by Walter Slaughter.
M.328.1S
Diluvio universale. Opera. For the Music see Donizetti. For
the Libretto see Gilardoni.
Dim and grey appear the mountains. Part-song. .A.bt, F.
No. 21 in M.20S.10.6
Dim, dim is my eye. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Dimanche et lundi. Opera. For the Music see Deslandres.
For the Libretto see Gillet, H.
Dimanche matin, Le. Chorus. Weckerlin. Choeurs. M. 157.12
Diminished seventh. See Seventh, Diminished.
Dimitresco, Constantin.
Quatuors pour 2 violons, alto et violoncell. No. 1-4. [Par-
titur.] Leipzig. Schuberth. [188-?] 4 parts in I v.
No. 2-5 in M.211.1
Contents. — I. Op. 21. En sol majeur. 2. Op. 26. En re mineur.
3. Op. 33. En si bemoll majeur. 4. Op. 38. En sol mineur.
Dimitri. Opera. For the Music see Joncieres. For the Li-
bretto see Hornier.
Dimitri Donskoi. Overture. Rubinstein. No. 3 in M.334.15
Dimmi che m' ami. Dtiet. Campana. No. 19 in M.244.9
Dimmi, o mio cor. Aria. Handel. Werke. Lieferung 50.
M.313.1.SO
Dimond, William.
[The ^thiop; or, the child of the desert.] The overture,
songs, &c. Composed by Henry R. Bishop.
No. I in M.agi.i^
345
Dimond
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ditters
Dimond, William. (Continued.)
[Brother & sister.] The overture, songs, duetts, trios and
choruses. Composed by W™ Reeve and Henry R. Bishop.
No. I in M. 396.6
Native land, or the return from slavery. Opera. Composed
by Henry R. Bishop. M.391.4
The peasant boy. An opera . . . written by Wm Dimond,
Esq. The music composed by Mich' Kelly. [Accomp.
for pianoforte. London. 181 1.] M.380.47
The young hussar, or love & mercy. Composed by Mich'
Kelly. No. 3 in M.391.6S
Youth, love & folly, a comic opera . . . The music com-
posed and selected by M' Kelly. No. i in M.251.S
Dinah. Opera. For the Music see Missa. For the Libretto
see Carre, M.
Dinah Doe. Part-song. Molloy, J. L. No. 17 in M.392.7
Dindon, Le, de la farce. Opera. For the Music see Deransart.
For the Libretto see Blondelet.
Dine, John. See Dyne, John.
Diner, Le, de Pierrot. Opera. For the Music see Hess, C.L.
For the Libretto see Millanvoye.
Ding, dong. Catch. Taylor, R. No. 67 in M.215.21
Ding dong bell. Part-song. Stonard. No. 4 in M.220.5; etc.
Dingelstadt, Franz Ferdinand Friedrich.
Lichtenstein. Grosse Oper. Musik von P. von Lindpaint-
ner. M.263.10
Dino, Due de. See Talleyrand-Perigord, A. E., Due de Dino.
Dinorah, ossia il pellegrinaggio di Ploermel. Opera. For the
Music see Meyerbeer. For the Libretto see Barbier, P. J.
Dio che col cenno moderi. Romanza. Donizetti. Matinees
musicales. No. 2 in M.236.14
Dio, Vittoria di, pseud. (?).
Enoch Arden. Oper. [Musik] von Robert Erben.
No. I in M.394.33
Diogenes. Opera. For the Music see Zepler. For the Li-
bretto see Freund, J.
Dione. Song. Arne, T. A. Lyric harmony. Vol. 2. M.380.1
Dionysische Phantasie. Symphonic poem. Hausegcer. M.406.16
Dippe, Gustav.
Serenade fiir Streichorchester. Op. 10. Partitur. Berlin.
Schultz. [187-?] No. 4 in M.332.13
Dippold, George Theodore.
Richard Wagner's poem. The ring of the Nibelung, ex-
plained and in part translated. 2d edition. New York.
Holt & Co. 1888. Plate. M.149C.27
Dir, mein Land, bin ich ergeben. Part-song. Kern.
No. 51 in M.392.12
Dir, Seele des Weltalls. Cantata. For the Music see Mozart.
Werke. Serie 24.
Dirge for the faithful lover. Part-song. Benedict.
No. 4 in M.igs.i.i
Dis-le-moi. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Dis-moi, mon coeur. Part-song. Lassus. Sammtliche Werke.
Band 14. 11.80403.67.14
Disciplinam et sapientiam docuit eos Dominus. Motet. Pales-
TRiNA. Werke. Band 6. M.8o4oa.66.6
Discord, dire sister. Part-song. Webbe, S.
No. 10 in M.220.3.2; etc.
Discours qui a remporte le prix a I'Academie de Dijon . . .
[Anon.] Rousseau, J. J. No. i in M. 103.3
Disdain returned. Part-song. Bridge, E. S. No. 22 in M. 205.10.2
Discovery. Part-song. Grieg. No. 8 in M.203.14
Disertore svizzero, 11. Opera. For the Music see Pugni.
Dispetti amorosi L Opera. For the Music see Luporini. For
the Libretto see lUica.
Dispietto, Lu. Song. Roxas. No. 4 in M.390.44
Disprezzato affetto, Un. Aria. Handel. 12 Alt-Arien.
No. 2 in M.270.48
Disputation. Part-song. Rheinberger, J. G. Fahrende Schiiler.
No. 18 in M. 392.22
Dissi a I'amata. Canconel. Marenzio. No. 241 in M. 235. 17. 2; etc.
Dissipata sunt. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Distant bells. Part-song. Mackenzie, A. C. No. 19 in M.204.36.4
Distant hie thee. Glee. Danby. No. 56 in M.235.17.3
Distin, Theodore.
My love is fair as summer morning. Madrigalian part-song.
London. Jefferys. N. d. [The Choral Society. 18.]
No. 18 in M.121.3
Oh, the gallant fisher's life. The angler's part-song [for
male voices]. London. Jefferys. N. d. [The Choral
Society. 39.] No. 39 in M.121.3
Distracted with care. Motet. Haydn, F. J. No. 12 in M. 195.2.4
Dite almeno in che mancai. Quartett. Mozart. Werke. Serie
6, Band 2. No. 32 in M.315.1.6.2
Dite Carlo. Catch. Arne, T. A. No. 167 in M.220.9.1
Dite, mie piante. Aria. Handel. Werke. Lieferung 50.
M.313.1.50
Dite, O cieli. Duet. Carissimi, G. No. 23 in M.141.21.2; etc.
Ditemi, vita mia. Part-song. Lassus. Sammtliche Werke.
Band 10. M.8o4oa.67.io
Dites-lui le chemin. Song. Louis, N. No. 17 in M.390.4
Dithvrambe. Cantata. For the Music see Bruch; also Rietz.
For the Libretto see Schiller.
Dithyrambe. Duet. Taubert, C. G. W. No. ioinM.244.17
Dithyrambe. Part-song. Zoellner, C. F. No. hi in M. 1293.43.3
Dithyrambe. Song. Schubert, F. P. Melodies. Vol. 3.
M.327.4.3;etc.
Diti mio si, o no senza timo. Madrigal. Morales. M.236.10
Ditson, Oliver, publisher.
The Orphean lyre, a collection of glees and catches . . .
Arranged with piano-forte accomp. Vol. l. Boston.
Ditson. [185-?] M.23S.22
Contents. — Kny vett : Lady of beauty. — Harington: How great is
the pleasure. • — Webbe: Let us cheerful souls. — Fill the wine cup.
— Hayes : Wind gentle evergreen. — Callcott : Farewell to Lochaber.
— The foresters. — Webbe: Glorious Apollo. — Wilson: The pedlar.
— Horsley: Mine be a cot beside a hill. — Shield: Shakspeare's load-
stars [O happy fair]. — King: Peace and contentment. — Webbe:
Now we are met. — King : Soft falls the tear. — King : We hail thee,
mirth. — Callcott : Go, idle boy. — Danby : Fairest daughter of the
year. — Webbe : While fools their time. — Horsley : See the chariot
at hand. — Knyvett : There is a bloom. — Bishop : Slow and sadly
toiling. — Callcott : Once upon my cheek. — Knyvett : The rose of
the valley. — Kindle: Queen of the silver bow. — Arne: Thou soft
flowing Avon. — Hawes : Bring me flowers. — Giardini : Beviamo
tutti tre. — Bishop: When wearied wretches. — Cooke: Hark I the
lark. — Purcell : Soldier, take off thy wine. — Bishop : What phrase
sad and soft. — Callcott : Who comes so dark. — Bishop : Though he
be now a grey, grey friar. — Bishop: Sleep, gentle lady. — Atterbury:
O thou sweet bird. — Nares : Wilt thou lend me thy mare. — Bishop :
Breathe my harp. — Scotland: Lightly tread.
Ditters von Dittersdorf, Carl.
Der Apotheker und der Doctor. Komische Oper in 2 Acten
[von G. Stephanie der Jungere], in Musik gesetzt von Carl
Ditters von Dittersdorf. Clavier Auszug . . . von Eduard
Marxsen. Hamburg. Schuberth & Co. [184-?] M.30S.3
Ausgewahlte Orchesterwerke. Zur Centenarfeier des Todes-
tages Dittersdorfs, 31 October, 1799-1899, herausgegcben
von Josef Liebeskind. [Partitur.] Leipzig. Reinecke.
[1899.] 10 parts in I v. M.404.77
Contents. — • Abtheilung i. Die Sechs vorhandenen Sinfonien nach
Ovids Metamorphosen : I. Die vier Weltalter. 2. Der Sturz Phaetons.
3. Verwandlung Acteons in einen Hirsch. 4. Die Rettung der An-
dromeda durch Perseus. 5. Verwandlung der lyrischen Bauern in
Frosche. 6. Die Versteinerung des Phineus und seiner Freunde. Ab-
theilung 2. Verschiedene Orchesterwerke : 7. Sinfonie F dur. 8. Sin-
fonie Es dur. 9. Overture zu dem Oratorium ..Esther," und Musique
pour un petit ballet en forme d'une centre danse. 10. DivertimentB.
.,11 combattimento dell' umane Passione."
The autobiography of Karl von Dittersdorf, dictated to his
son. Translated by A. D. Coleridge. London. Bentley.
1896. M.370.8
Hieronymus Knicker, komische Oper in 2 Aufziigen. Kla-
vierauszug von Siegfried Schmiedt. Leipzig. Breitkopf
& Hiirtel. [184-?] 22 nos. in i v. M.231.15
Karl von Dittersdorf. Seine kurze Biographie und asthe-
tische Darstellung seiner Werke. Erfurt. Miiller. 1810.
No. I in M.i3g.g
Die Liebe im Narrenhaus. Eine komische Oper in 2 Auf-
ziigen [von H. G. Schmieder. In Musik gesetzt] vom
Herrn Ditters, Edlen von Dittersdorf, fiir das Clavier ein-
gerichtet von Ignaz Walter. Mainz. Schott. [1787?]
M.360.14
O wie herrlich. [Mannerchor.] (In Orpheus. Band 2, pp.
12, 13.) No. 51 in M.i2ga.43.2
346
Ditters
THE ALLEN A. BROWN COLLECTION OF MUSIC
Doctor
Di'tters von Dittersdorf, Carl. (Continued.)
Quartett [A-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 137.]
Quartett [B-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 107.]
Quartett [C-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 138.]
Quartett [D-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 106.]
Quartett [Es-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 105.]
Quartett [G-dur] fiir
[Partitur.] Leipzig.
Ausgabe. No. 136.]
2 Violinen, Viola und Violoncell.
[188s? Payne's Kleine Partitur-
No. 6 in M.355.6
2 Violinen, Viola und Violoncell.
[1884? Payne's Kleine Partitur-
No. 2 in M.35S.6
2 Violinen, Viola und Violoncell.
[1885? Payne's Kleine Partitur-
No. 5 in M.355.6
2 Violinen, Viola und Violoncell.
[1884? Payne's Kleine Partitur-
No. I in M.35S.6
2 Violinen, Viola und Violoncell.
[1884? Payne's Kleine Partitur-
No.4in M.35S.6
2 Violinen, Viola und Violoncell.
[1885? Payne's Kleine Partitur-
No. 3 in M.355.6
Der Schiffspatron, oder der neue Guthsherr, eine komische
Oper in 2 Aufziigen. Im Klavierauszuge von Siegfried
Schmiedt. Leipzig. Breitkopf & Hartel. [184-?]
M.231.16
Sinfonie in C dur . . . eingerichtet von Hermann Kretzsch-
mar. Partitur. Leipzig. Breitkopf & Hartel. 1896.
No. I in M.4io.ig
Two maidens sat complaining. A duet [s. A.], in The doctor
and the apothecary. [Accomp. for pianoforte. London.]
Longman & Broderip. [179-?] No. 12 in M.237.2
Diva, Une. Autobiography. Ambre. M. 118.6
Diva, Die. Opera. For the Music see Weinberger. For the
Libretto see Buchbinder.
Diva, La. Opera. For the Music see Offenbach. For the
Libretto see Meilhac.
Diva Lucrezia, La. Opera. For the Music see Villebichot.
For the Libretto see Houssot.
Diva par amour, Une. Opera. For the Music see Rieffler.
For the Libretto see Lafrique.
Divertissement. For orchestra. Lalo. No. i in M.338.23
Divertissement a la Hongroise. For orchestra. Schubert. F. P.
No. I in M.335.13
Divin poeme, Le. Symphony. Skriabin. M.406.86
Divine Cecilia. Part-song. Valton. No. 134 in M.235.17.1; etc.
Webbe, S. Selection of glees. Vol. 3. No. 15 in M. 235. 13.3
Divine Enfance, La. Oratorio. Depret. M.384.23
Divites eguerunt. Motet. Lassus. Sammtliche Werke. Band 5.
M.8o4oa.67.5
Divorce, Le, de Pierrot. Opera. For the Music see Ravera.
For the Libretto see Leneka.
Dix, Les. Opera. For the Music see Girard, N. For the Li-
bretto see Ribbing.
Dix ennemis, tous desarmez. Part-song. Lassus. Sammtliche
Werke. Band 14. M.8o4oa.67.i4
Dix jours aux Pyrenees. Opera. For the Music see Varney,
L. For the Libretto see Ferrier.
Dixi ergo in corde meo. Motet. Lassus. Sammtliche Werke.
Band 7.
Dixit. Anthem. Jommelli.
Leo.
Mozart. Werke. Serie 2.
Dixit autem. Motel. Lassus.
Motet. Lassus.
Dixit autem Maria
Band 7.
Dixit Dominus. Anthem. Azioli.
Handel. Werke. Lieferung 38.
Leo.
Roeder, G. V. Psaumes des vepres.
Two settings.
Selle. L. Vespers.
Dixit Dcminus. Cantata. Romberg, A. J.
Dixit Joseph undecim fratribus suis. Motet.
liche Werke. Band 15.
Dixit Maria. Anthem. Hasler.
M.8o4oa.67.7
M.360.21
No. 2 in M.120.26
M.315.1.2
Sammtliche Werke. Band 7.
M.8o4oa.67.7
Sammtliche Werke.
M.8o4oa.67.7
No. II in M. 260.18
M.313.1.38
No. 10 in M. 233. 26.4
No. 1, 2 in M. 202.7
Dixit mater ejus. Motet.
No. 5 in M.201.36
No. I in M.280.41
Lassus. Sammt-
M.8o4oa.67.i5
No. 15 in M.158.33.4
Lassus. Sammtliche Werke. Band 15
M.8o4oa.67.i5 I
Dixon, George.
O give thanks unto the Lord. Anthem. [Accomp. for
organ.] (/n Fowle. Parochial anthems. Pp. 76-80.)
No. I in M.233.2g
Dixon, William.
Sleep! thou fearful lover's friend. Glee, a. t. b. {In Hague.
A second collection of glees. Pp. 64. 71.) No. 5 in M.340.1S
Djamileh. Opera. For the Music see Bizet. For the Libretto
see Gallet.
Djamileh. Overture. Bizet. No. i in M.405.5
Djelma. Ballet. Lefebvre, C. fi. No. 4 in M.406.51
Djelma. Opera. For the Music see Lefebvre, C. £. For the
Libretto see Lemon.
Djihan-Ara. Opera. For the Music see Colbert Chabannais.
For the Libretto see Duprez, £.
Djinns, Les. Symphonic poem. Franck, C. A. No. 2 in M.338.18
Do D. D. Song. Moniuszko. Trzy spiewy. No. 31 in M.221.30
Do, do. Quartet. Weckerlin. 6 quatuors. No. 2 in M.328.3S
Do malade, Un. Opera. For the Music see Banes. For the
Libretto see Pittaud.
Do, re, mi, fa. Round [for 4 voices], (/h Bland. The Ladies'
collection. Vol. i. p. 33.) No. 51 in M.235.17.1
Also to be found in Social harmony.
Do, re, mi, fa. Catch. Arne, T. A. No. 104 in M.220.g.i
Do well, O Lord. Anthem. Smith, G. T. No. 26 in M.233.13
Dobbs, Beatrice Harvey.
Just as I am. [Hymn-anthem, s. solo and chorus.] Bos-
ton. Schmidt. [1894.] No. i in M.203.27
Dobbs' farm. Opera. For the Music see Stratton, G. W.
Doch der Herr . . . Song. Mendelssohn-Bartholdy, J. L. F.
Werke. Serie 14, Abtheilung B. M.413.3.14B
Doche, Alexandre Pierre Joseph.
Le veuf du Malabar. Opera comique en i acte de P. Sirau-
din [pseud.] et Adrien Robert [pseud.]. Musique de A.
Doche. [Partition chant et piano.] Paris. Latte. [1846.]
M.2S2.37
Docker, Frederick Arthur William.
O ye that love the Lord. Anthem for s. solo and chorus.
[Accomp. for organ.] {In Novello's Collection of an-
thems. Vol. 12, pp. 9-18.) No. 3in M.195.2.12
Docteur Blanc, Le. Opera. For the Music see Pierne. For
Directions for pantomime see Mendes.
Docteur Frcntin, Le. Opera. For the Music see Nargeot. For
the Libretto see Constantin, M.
Docteur Miracle, Le. Opera. For the Music see Lecocq, A. C.
For the Libretto see Battu.
Docteur Mirobolan, Le. Opera. For the Music see Gautier,
J. F. E. For the Libretto see Piestre.
Docteur Ox, Le. Opera. For the Music see Offenbach. For
the Libretto see Mortier.
Docteur Purgandi, Le. Opera. For the Music see Robillard.
For the Libretto see Chivot.
Docteur Rose, Le. Opera. For the Music see Ricci, F. For
the Libretto see Najac.
Docteur Tam-Tam, Le. Opera. For the Music see Barbier,
F. £. For the Libretto see Tourte.
Docteur Vieuxtemps, Le. Opera. For the Music and Libretto
see Nadaud.
Doctor bonus. Motet. Palestrina. Werke. Band 5.
M.8o4oa.66.5
Doctor bonus amicus Dei .'Andreas. Anthem. Vittoria. Opera.
Tomus I. M.313.2.1
Doctor egregie. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Doctor Faust's Hauskappchen oder Die Rauberherberge im
Walde. Opera. For the Music see Hebenstreit. For the
Libretto see Hopp, F.
Doctor, A, in spite of himself. Play. W., H. G. Cupid's little
game. No. 1 in M. 143. 18
Doctor! man of copper! Quartet. Bishop, H. R. Complete
collection of glees. Vol. 3. M.235.1.3
Doctor of Alcantara, The. Opera. For the Music see Eich-
berg, J. For the Libretto see Woolf.
Doctor St. Paul. Part-song. Zelter. No. i in M.205.10.4.
Doctor, The, slept. Catch. Smith, J. S. No. 65 in M.220.9.3
347
Doczi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dom
Doczi, Ludwig.
Ritter Pasman. Komische Oper. Musik von Johann Strauss.
M.323.20
Dodecachordon. History. Glareanus. M.400.8
Dodelinette. For strings. Gounod. No. 6 in M.332.22
Dodici scene drammatiche tratte dalla Divina commedia.
Cantata. For the Music see Fodale.
Dodson, Richard Ball.
San Martino. [Fart-song, t. t. b. b.] Philadelphia. Boner
& Co. 1882. No. 49 in M.3g2.6
Dodwell, Henry.
A treatise concerning the lawfulness of instrumental musick
in holy offices. 2d edition with additions. London. Haws.
1700. M.147.2
Doebber, Johannes.
Die Grille. Oper in 3 Aufziigen, unter Benutzang einer
Grundidee von George Sand von Erich Speth. Musik von
Johannes Doebber. Clavierauszug. Berlin. Ries & Erler.
[1897.] M.394.4
Doerfchen, Das. Part-song. Schubert, F. P.
No. 7 in M.392.31 ; etc.
Doerffel, Alfred, editor.
Gluck. Orpheus und Eurydice. M.282.3
Schubert, F. P. Chor-Gesangwerke. M.280.48
Schumann, R. A. Sammtliche Lieder fur eine Singstimme.
M.8055.221
Doering, Carl Heinrich.
In a year, my love. [Part-song, x. t. b. b.] (In The Osgood
collection of part-songs. Vol. 2, pp. 32-34-) M.193.23.2
Suite (A-moll) fiir Streichinstrumente. Op. 16. [Partitur.]
Dresden. Hoffarth. [1864.] No. 7 in M.336.1
Doering, Georg Christian Wilhelm Asmus.
Der Berggeist, romantische Oper, in Musik gesetzt von L.
Spohr. M.1S1.12
Fortunat mit dem Sackel und Wunschhutlein. Mahrchen-
Oper. In Musik gesetzt von X. Schnyder von Wartensee.
M.151.25
W. A. Mozart. Traduction par C. Viel. Paris. Bohne.
i860. No. 4 in M.iiga.io
Doering, Johann Michael Heinrich.
Carl Maria von Weber's Biographic und Characteristik.
[Wolfenbuttel. Holle. 183-?] No. 4 in M.380.S8
Verzeichniss, pp. 23, 24.
Joseph Haydn's Biographic und Characteristik. [Wolfen-
biittel. Holle. 183-?] No. S in M.380.58
Verzeichniss Haydn's Werke, p. (i).
Muzio dementi's Biographic und Charakteristik. [Wolfen-
biittel. Holle. 183-?] No. 2 in M.380.58
Verzeichniss von Clementi's Compositionen, pp. 3-5.
W. A. Mozart's Biographic und Charakteristik. [Wolfen-
biittel. Holle. 183-?] No. 3 in M.380.58
Verzeichniss von Mozart's Werken, pp. 14, 15.
Doering, Moritz.
Bergmann's Gruss. Gedicht in Musik gesetzt von ... A. F.
Anacker. No. i in M. 221.9; No. 4 in M.221.5
Doerpertanzweise. Part-song. Zenger. No. 34 in M.392.27
Doerrjen, Heinrich.
An die Freude. [Mannerchor.] (In Fink. Die deutsche
Liedertafel. P. 2.) No. 2 in M.213.9
Bergmannslied [t. t. b. b.]. (/n Fink. Die deutsche Lieder-
tafel. Pp. 154, I5S) No, loi in M.213.9
Gesang [t. T. B. B.]. (In Fink. Die deutsche Liedertafel.
Pp. 60, 61.) No. 46 in M.213.9
Hoffnung. [Mannerchor.] (In Fink. Die deutsche Lieder-
tafel. Pp. 108, 109.) No. 76 in M.213.9
Lied beim Wein [t. x. b. b.]. (In Fink. Die deutsche Lieder-
tafel. Pp. 40, 41.) No. 35 in M.213.9
Lied des Trostes [x. x. b. b.]. (In Fink. Die deutsche Lie-
dertafel. Pp. 40, 41.) No. 40 in M.213.9
Nachtlied [x. x. b. b.]. (In Fink. Die deutsche Liedertafel.
P. 20.) No. 20 in M.213.9
Tischlied [x. x. B. b.]. (In Fink. Die deutsche Liedertafel.
Pp. 141, 142.) No. 92 in M.213.9
Weg! ihr eitlen Traume. Trinklied [x. x. b. b.]. (In Fink.
Die deutsche Liedertafel. Pp. 26, 27.) No. 25 in M.213.9
Doerstling, Gustav Robert.
Der Liebesring, romantische Oper in 2 Acten. Text von
H. T. Schmid. Musik von G. R. Doerstling. Vollstandi-
ger Clavierauszug. Gotha. Ziert. [1858.] No. i in M.30S.S
Die Schutzengel. Gedicht von Th. H. Friedrich. fiir Solo
[s. A. bar. b.], Chor und Orchester von R. Doerstling.
[Partitur.] N. t. p. [Gotha? 186-?] No.i in M.391.38
Dohn, A. W., translator.
Berlioz, L. H. „Les Troyens." No. 3 in M.26S.5
Dohnanyi, Ernst von.
Quartett (A dur) fiir 2 Violinen. "Viola und Violoncell. Op.
7. Partitur. Wien. Doblinger. [1902?] No. 3 in M.4i2a.6
Symphonic in D-moll fiir grosses Orchester. Partitur.
Mainz. Schott. [1903.] M.4o6.g
Dokois, Georges.
La petite maison, opera comique de Alexandre Bisson et
Georges Dokois. Musique de William Chaumet. M.381.10
Dolan, W.
Sancta Maria, a motett. [Accomp. for organ.] London.
Novello. [185-?] No. 13 in M.260.10.S
Dolce deir anima. Duet. Paer. No. 26 in M.23S.18.3
Dolce far niente. For strings. Zopff. Zwei Idyllen.
No. 5, 6 in M.405.63
Dolce figlia al tuo padre perdona. Cavatina. Rossini.
No. 2 in M.364.10
Dolce mio ben. Aria. Handel. Werke. Lieferung 50.
M.3I3-I-50
Dolce pur d'amor I'affano. Aria. Handel. Werke. Liefe-
rung so.
Two settings.
M.3i3-i'SO
Dolce sonno, II. Madrigal. Palesxrina
Dolce speranza in seno. Part-song.
Werke. Band 28.
M.8o4oa.66.28
Guglielmi, p.
No. 17 in M.235.14
Dolch, Der. Song. Rubinsxein. Zwolf Lieder. No. 10 in M.192.5
Dolci labri amorosi portieri. Part-song. Sweelinck. Werken.
Deel 8. M.413.2.8
Dolci miei sospiri. Glee. Berg, G. No. 95 in M.110.1.2; etc.
Dolcissimo ben mio. Part-song. Sweelinck. Werken. Deel 8.
M.413.2.8
Dolcy Jones. Song. Fosxer, S. C. No. 14 in M.380.41.1
Dole, Nathan Haskell.
A score of famous composers. New York. Crowell & Co.
[1891.] Portraits. M. 194.15
Contents. — Palestrina. — Purcell. — Bach. — Handel. — Gluck. —
Haydn. — Mozart. — Beethoven. — Rossini. — Weber. — Schubert.
— Spohr. — Meyerbeer. — Mendelssohn. — Schumann. — Chopin. —
Glinka. — Berlioz. — Liszt. — Wagner.
Dole, Nathan Haskell, translator.
Mascvgni. L'amico Fritz. M.247.27
Hummel, F. Columbus. No. 2 in M.384.14
DvoiJAK. Praise Jehovah. 149th Psalm. No. 3 in M.154.54
Dolente istoria. Arietta. Ricci, F. Soirees de Vienne.
No. 1 1 in M.244.18
Dolf, S., f>seud. See Schmidt. Adolf.
Dolly Day. Song. Fosxer, S. C. No. 15 in M.38o.4i.i
Dolly Varden. Opera. For the Music see Edwards, J. For
the Librexxo see Stange, S.
Dolmetsch, Arnold.
Paques. Hymne de fete pour chant [s. ou x.] avec accomp.
de piano, violon et orgue ad lib. [Partition et parties
separees d'orgue et de violon.] Paris. Schott. [188-?]
With French and English words. No. 3 in M.20I.3a
Dolor non fu. Madrigal. Palesxrina. Werke. Band 28.
M.8o4oa.66.28
Dolore, Dr., pseud. See Paine, John Knowles.
Dolore e speranza. Song. Mariani, A. XXII melodic.
No. I in M.158.28
Dolores. Opera. For the Music see Auteri Manzocchi. For
the Librexxo see Auteri Pomav.
Dolores. Opera. For the Music see Pollonnais. For the Li-
brexxo see Boyer.
Dolores, La. Opera. For the Music and Librexxo see Breton
y Hernandez.
Dom Sebastian. Opera. For the Music see Donizetti. For
the Librexxo see Scribe.
348
Domenica
THE ALLEN A. BROWN COLLECTION OF MUSIC
Domus
Domenica.
Southard. As the hart pants. [Motet] No. 25 in M.190.7
My heart doth find. [Motet.] No. 27 in M.190.7
Praise waiteth for Thee. [Motet.] No. 26 in M.igo.7
Domerc, Jules.
L'ecole buissonniere. Saynete a 3 personnages. Par Jules
Domerc. [Partition chant et piano.] Paris. Bathlot.
[187-?] No. 2 in M.393.16
Domergue, Charles.
Une paire d'Anglais. Saynette bouffe. Paroles d' Alexis
Bouvier et fidouard Prevel. Musique de Charles Do-
mergue. [Partition chant et piano.] Paris. Feuchot.
[1863.] No. 2 in M.3g5.24
Domergue, Charles Mathieu.
Les jeudis de Monte-Carlo. Impressions musicales. Nice.
1875. Plate. No. 2 in M.119.15
Domergue, Eugene.
Le baiser d'Yvonne. Vaudeville-operette en 3 actes. Pa-
roles de Medina [pseud.]. Musique de Eugene Domergue.
Partition piano et chant. Paris. Le Boulch & Regnier.
[189-?] No. 4 in M.29S.I2
Domestic music for the wealthy. Banister, H. J.
No. 3 in M.116.10
Domestique, Un, pour rire. Opera. For the Music see Wachs.
For the Libretto see Laroche.
Domicent, Eugene fidouard.
Aveugle par amour. Operette. Paroles de Bertol-Graivil
[pseud.]. Musique de Ch. de Sivry. No. 3 in M.322.9
Le sabre enchante. Opera-comique. Musique de fimile
Boussagol. No. 2 in M.302.15
Le vieux sorcier ou les femmes salees. Musique de F. Des-
granges. No. 2 in M.378.45
Dominant seventh, The. Fiction. Clark, K. E. M. 101.27
Dominator Domine. Motet. Lassus. Sammtliche Werke.
Band 5. M.8o4oa.67.s
Domine ad adjuvandum. Anthem. Colonna. No. 2 in M.233.26.5
Domine ad adjuvandum me. Motet. Lassus. Sammtliche
Werke. Band 3. M.8o4oa.67.3
Selle, L. Vespers. No. S in M.201.36
Domine clamavi. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Domine convertere. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
LuTZ. No. 35 in M.1S6.50
Domine convertere et eripe ariimam meam. Offertory. Pales-
TRiNA. Werke. Band 9. M.8o40a.66.g
Domine Deus. Anthem. Clari. No. 7 in M.233.25.2
Domine Deus fortissime. Motet. Lassus. Sammtliche Werke.
Band 7. 11.80403.67.7
Domine, Deus mens. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Sweelinck. Werken. Deel 6. M.413.2.6
Domine Deus, qui conteris. Motet. Palestrina. Werke.
Band 3. M.8o4oa.66.3
Domine Deus, Rex coelestis. Anthem.
BoRRi. No. 18 in M.2go.2g.2
Haydn, F. J. No. 5 in M.201.38
Pergolesi. No. 24 in M.290.29.1 ; etc.
Domine Deus salutis meae. Motet. Lassus. Sammtliche
Werke. Band 3. 1111.80403.67.3
Domine, Dominus noster. Anthem. Wouters.
No. 17 in M.201.36
Domine, exaudi orationem. Gradual. Reissiger. 15 Graduales.
No. 2 in M.158.27
Domine exaudi orationem meam. Motet. Lassus. Sammtliche
Werke. Band 3. M.8o4oa.67.3
Domine fac mecum. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Domine, Fili Dei. Canon, 6 in i. {In Warren. Collection of
catches. Vol. i, p. 11.) No. 15 in M.22o.g.i
Domine fili unigenite. Air. Bach, J. S. 8 airs for an alto
voice. M.244.16
Domine in auxilium. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
LuTz. No. 46 in 1*1.156.50
Domine in virtute Tua. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Domine Jesu Christe. Anthem. Durante, F. No. 23 in M. 202.6.2
Fux. No. 36 in M.202.6.a
L.\ssus. Sammtliche Werke. Band 5. 11.80403.67.5
Two settings.
Winter, P. von. No. 38 in M.260.24.3
Domine, l3bi3 mea aperies. Motet. Lassus. Sammtliche
Werke. Band 3. 11.80403.67.3
Pergolesi. No. 21 in M.2go.29.6
Domine, miserere mei. Gradual. Reissiger. 15 Graduales.
No. 3 in M.158.27
Domine, non est exaltatum. Motet. Lassus. Sammtliche
Werke. Band i, 7. M.8o4oa.67.i,7
Two settings.
Domine, non mea. Canon. Cirri. No. 31 in M.i3ga.i8.i; etc.
Domine non sum dignus. Anthem. Vittoria. Opera. Tomus i.
M.313.2.1
Domine pater. Motet. Palestrina. Werke. Band 2.
M.80403.66.2
Domine praevenisti eum. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Domine probasti me. Motet. Lassus. Sammtliche Werke.
Band 9. M.80403.67.9
Stockhausen. No. 8 in M.260.10.6
Domine, qusndo veneris. Motet. Lassus. Sammtliche Werke.
Band 3. M.80403.67.3
Domine, quid multiplicati sunt. Anthem. Gaudimel.
No. II in M.202.6.1
Domine S3lvum. Motet. Koenig, F. Huit motets.
No. 2 in M.I 58.25
Domine salvum fac. Anthem. Cooke, B. M.260.23.2
Fetis, F. J. No. 2 in M.213.10
Lesueur. Ensemble. M.201.15
— Recueil de morceaux sacres. M.20i.2g
Martini, G. B. No. 66 in M.156.50
Mozart. No. 69 in M.260.24.1
Wesley, S. No. 2 in M.270.3.2
"Domine salvum fac reginam." Anthem. Sullivan, A. S.
No. I in M. 157.32
Domine, secundum actum. Motet. Lassus. Sammtliche Werke.
Band 3. M.80403.67.3
Domine, secundum actum meum. Motet. Palestrina. Werke.
Band 7. M.80403.66.7
Domine, si observsveris. Offertory. Eybler. Offertorium.
No. 1-7. No. I in M.igi.7
Domine, vivifica me. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Dominicans. Liturgy, ritual, etc.
Processionarium sacri ordinis Praedicatorum auctoritate
apostolica approbatum. Lugduni. Pelagaud. 1861.
M.147.12
Dominiceti, Cesare.
II lago delle Fate. Dramma fantastico in un prologo e tre
atti. Parole di A. Zanardini. Musica di Cesare Domini-
ceti. Riduz. per canto con accomp. di pianoforte. Milano.
Lucca. [1878.] ' M.383.14
Domino nero, II. For the Music see Rossi, L. For the Li-
bretto see Rubino.
Domino noir, Le. Opera. For the Music see Auber. For the
Libretto see Scribe.
Dominus a dextris Tuis. Anthem.
Pergolesi. No. i in M.233.26.2
Sabadini. No. 21 in M.2go.29.4
Dominus Jesus in qua nocte. Motet. Palestrina. Werke.
Band 2. M.8o4oa.66.2
Dominus regnabit. Anthem. Naumann, J. G. M.260.23.2
Hayes, W. Catches, glees and canons. Vol. 2.
No. 2 in M.220.5
Nixon, H. G. Selections from sacred compositions. Vol. 2.
M.270.1.2
Dominus scit cogitationes. Motet. Lassus. S.Hmmtliche
Werke. Band 9. M.80403.67.9
Domum. Song. Chard. No. 20 in M.235.14
Domus Isrsel speravit in Domino. Offertory. Winter, P. von.
No. II in M.201.32
349
Don
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Donizetti
Don Bucefalo. Opera. Cagnoni. M.363.5
Don Cacagno. See Don Tacagno.
Don Carlo. Opera. For the Music see Verdi. For the Li-
bretto see Mery, J. P. A.
Don Cesar de Bazan. Opera. For the Music see Massenet.
For the Libretto see Philippe, A.
Don Cesare di Bazan. Opera. For the Music see Traversari.
For the Libretto see Peruzzini.
Don Checco. Opera. For the Music see Giosa. For the Li-
bretto see Spadetta.
Don Cocagno. See Don Tacagno.
Don Crescendo. Opera. For the Music see Picchi. For the
Libretto see Pozzesi.
Don Desiderio. Opera. For the Music see Poniatowski. For
the Libretto see Giraud, G.
Don Ferocio. Opera. For the Music see Barbier, F. fi. For
the Libretto see Blondelet.
Don Gayseros. Song. Schubert, F. P. Werke. Serie 20,
Band i. M.317.1.20.1
Don Giovanni, II. Opera. For the Music see Mozart. For
the Libretto see Ponte.
Don Giovanni. Overture. Mozart. No. 4 in M.347.11; etc.
Don Giovanni d'Austria. Opera. For the Music see Mar-
chetti. For the Libretto see Ormeville.
Don Gregorio. Opera. For the Music see Gabrielli. For the
Libretto see Sauvage, T. M. F.
Don John. Opera. For the Music see Bishop, H. R.
Don Juan. Ballet. Gluck. No. 3 in M.350.4
Don Juan. Chamber music. Dancla. No. i in M.406.6
Don Juan. Opera. For the Music see Lutz; also Mozart. For
the Libretto see Ropes; also Ponte.
Don Juan. Suite. NApRAVNiK. No. i in M.407.6
Don Juan. Symphonic poem. Strauss, R. No. 2 in M.342.40
Don Juan d'Austria. Overture. Sitt. No. i in M.404.20
Don Mucarade. Opera. For the Music see Boulanger. For
the Libretto see Carre, M.
Don Pablo. Opera. For the Music and Libretto see Reh-
baum.
Don Pablo. Overture. Rehbaum. No. i in M.406.23
Don Paez. Opera. For the Music see Caillebotte. For the
Libretto see Musset, L. C. A. de.
Don Pasquale. Opera. For the Music see Donizetti.
Don Pedre. Opera. For the Music see Poise. For the Li-
bretto see Piestre.
Don Pedro dei Medina. Opera. For the Music see Lanzini.
For the Libretto see Redi.
Don Procopio. Opera. For the Music see Bizet; also Fiora-
vanti. For the Libretto see Collin, P.; also Cambiaggio.
Don Quichotte. Opera. For the Music see Pessard. For the
Libretto see Deschamps, A.
Don Quixote. Opera. For the Music see Clay; also De Koven;
also Kienzl; also Macfarren, G. A. An adventure of Don
Quixote. For the Libretto see Maltby; also Smith, H.
B.; also Macfarren, G.
Don Quixote. For orchestra. Strauss, R. No. 2 in M.404.g6
Don Quixote. , 5'ym/>/io)u'c /io«H. Rubinstein. No. 3 in M.345.1
Don Sebastiano. Opera. For the Music see Donizetti. For
the Libretto see Scribe.
Don Tacagno. Opera. For the Music see Drieberg. For the
Libretto see Koreff.
Don Tocagno. See Don Tacagno.
Don Trabuco de Trabucillos. Opera. For the Music and Li-
bretto see Genee.
Dona Branca (Donna Bianca). Opera. For the Music see
Keil. For the Libretto see Fereal.
Dofia Flor. Opera. For the Music see Westerhout. For the
Libretto see Colautti.
Donald Caird ist wieder da! Cantata. For the Music see Jen-
sen, A. For the Libretto see Scott, W.
Donato, Baldassare.
All ye who music love. Madrigal. (In Hullah. Part music.
Secular. Vol. i, pp. 5-8.) No. 2 in M.IS7.28.1
.■\lso to be found in Oliphant's Madrigals in parts, 2d series.
VilhuicUa alia Napolitana. [Madrigal, t. t. b. b.] (/» Wid-
mann. Sechs Madrigale. Heft 3, pp. 2-4.)
No. 19 in M.3g2.27
350
Donauschiffer-Lied. Part-song. Erk, editor. Volksklange.
No. I in M.130.8
Donauweibchen, Das. Opera. For the Music see Kauer. For
the Libretto see Hensler.
Donebauer, Fritz.
Batka, R. Aus der Musik- und Theater-Welt. Beschrei-
bendes Verzeichnis der Autographen-Sammlung Fritz
Donebauer. [Anon.] Frag. 1894. M.371.33
Donizetti, Gaetano.
A miei prieghi arrise il cielo. Rondo [s. o t. Accomp. de
piano], (/m Fleurs d'ltalie. Pp. 156-160.) No. 2 in M.364.10
Adelasia. See his Adelia.
Adelia. Opera seria in 2 atti [di F. Romani e G. M. Marini].
Musica di G. Donizetti. [Per canto e piano.] Paris.
Schlesinger. [1843?] M.262.S
Ah! tu sai. Quartetto [s. T. b. B.]. (/n fichos d'ltalie. Vol.
4, pp. 69-76.) No. II in M.157.14
From Parisina.
L'ajo neir imbarazzo. Opera buffa in 2 atti [di Ferretti],
musica di G. Donizetti. [Per canto e piano.] Paris.
Schonenberger. [184-?] M.364.12
Alfin son tua. Preghiera. [Accomp. di piano.] (/n Lira
d'ltalia. Pp. 36, 37.) No. 7 in M.157.39
From Lucia.
All hail to the greenwood! [Trio, s. s. a. Accomp. for
pianoforte.] London. Cock & Co. [185-?]
No. 4 in M.244.I0.2
[Anna Bolena. Full score without the words.] Manuscript.
[Paris? 184-?] M.221.18
Same. Tragedia lirica di F. Romani. Posta in musica dal
Mo Donizetti. [Per canto e piano.] Paris. Richault.
[182-?] M.262.1
Same. Launer. [184-?] M.363.33
L'assedio di Calais. Melodramma lirico in 3 atti. Poesia di
Salvatore Cammarano. Musica del Mo G. Donizetti.
Riduzione [per canto e pianoforte] del Mo L. Gervasi.
Milano. Ricordi. [184-?] M.231.24
Beautiful streamlet. [Trio, s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [185-? Chamber trios. 20.]
No. 20 in M.244.10.1
Belisar. Heroische Oper in 3 Acten. Music von Donizetti.
[Partitur.] Manuscript. [183-?] M.227.14
Same. Belisario. Opera seria del Sig'' Cammarano. Posta
in musica dal Mo Donizetti. [Per canto e piano.] Paris.
Pacini. [1836?] M.364.11
Same. Milano. Ricordi. [1852.] M.23i.2r
The bells. [Trio, s. s. a. Accomp. for pianoforte.] (/»
Hills. Vocal trios. Vol. 2, pp. 97, 98.) No. 21 in M.157.17.3
Berceuse, [s. Inedite. Accomp. de piano. Portrait. Fac-
simile.] (In Album du Gaulois. Vol. i.)
No. 13 in M. 391.28.1
Betly. Opera in 2 atti. [Parole e] Musica del Mo Doni-
zetti. [Per canto e piano.] Paris. Launer. [1836?]
No. 2 in M.262.3
Same. Milano. Ricordi. [1852?] M.231.17
II borgomastro di Saardam, opera buffa in 2 atti [di D.
Gilardoni], musica di G. Donizetti. [Per canto e piano.]
Paris. Schonenberger. [184-?] M.364.4
II campanello. Melodramma giocoso in i atto. Riduzione
per canto e piano. Edizione riveduta. Milano. Ricordi.
[1851.] M.231.20
II castello di Kenilworth, opera in 3 atti [di Tottola],
musica di G. Donizetti. [Per canto e piano.] Paris.
Schonenberger. [184-?] M.364.14
Caterina Cornaro. [Opera di Sacchero.] Musique del Mo.
Gaetano Donizetti. Partition reduite avec accomp. de
piano. Paris. Richault. [1845.] M.363.34
La cloche. Petit quatuor [t. t. b. b. Accomp. de piano].
Paris. Meissonnier. [185-?] No. 12 in M.270.59
Com' e bello. Romanza [a. o. bar. Accomp. di piano]. (In
Lira d'ltalia. Pp. 32-3S) No. 6 in M.157.39
From Lucrezia Borgia.
Come, weary souls. [Solo, t., duo, x. a., and chorus. Ac-
comp. for organ.] Arranged by W. K. Bassford. New
York. Hall. 1866. [Sabbath melodies.] No. 16 in M.190.1
^
Donizetti
THE ALLEN A. BROWN COLLECTION OF MUSIC
Donizetti
Donizetti, Gaetano. (Continued.)
Come, ye fays. [Trio. s. s. a. Accomp. for pianoforte.] (/n
Hills. Vocal trios. Vol. 2, pp. 57-^3) No. 11 in M.IS7.17.2
Le convenienze ed inconvenienze teatrali, opera in i atto,
musica de G. Donizetti. [Per canto e piano.] Paris.
Schonenberger. [184-?] No. i in M.364.19
Deh non voler. Romanza [s. o. t. Accomp. di piano], (/n
Lira d'ltalia. Pp. 146, 147.) No. 40 in M.1S7.39
From Anna Bolena.
Di pescatore ignobili. Romanza [a. o. bar. Accomp. di
piano]. (/)! Lira d'ltalia. Pp. 56-59) No. 12 in M.157.39
From Lucrezia Borgia.
Diluvio universale, opera in 3 atti [di Gilardoni], musica di
G. Donizetti. [Per canto e piano.] Paris. Schonen-
berger. [184-?] M.364.17
Dom Sebastien. Opera en cinq actes. Musique de G. Doni-
zetti. [Paroles de Scribe.] Partition d'orchestre. Paris.
Bureau central de musique. [184-?] M.401.8
Same. Dom Sebastian von Portugal. Grosse Oper in 5
Acten. Nach dem Franzosischen des M. E. Scribe von
Leo Herz. Musik von G. Donizetti. Vollstandiger Cla-
vierauszug. Wien. Mechetti. [184-?] M.262.7
Same. Don Sebastiano. Opera in 5 atti di E. Scribe. Tra-
dotta in italiano da Gio. Ruffini. Musica di G. Donizetti.
[Per canto e piano.] Paris. Escudier. [184-?] M.305.5
Don Pasquale. [Opera. Parole e musica] di Donizetti.
Partitura. Manuscript. N. d. 3 v. M.401.9
Same. Opera bouffe en 3 actes. [Paroles et] musique de
Donizetti. Avec accomp. de piano par Th. Labarre. Paris.
La France musicale. [184-?] M.252.38
Same. [Poesia e musica] del Mo. G. Donizetti. [Per canto
e piano.] Paris. Chabal. [184-?] M.364.2
Potpourri fiir vierstimmigen Mannergesang aus der Oper
Die Regiments-Tochter von Donizetti. Mainz. Schott.
[184-?] No. 8 in M.392.20
II Duca d'Alba. Opera postuma di G. Donizetti. Parole
di E. Scribe. Versione ritmica dal francese di A. Zanar-
dini. Riduzione per canto e pianoforte. Milano. Lucca.
[1881.] M.30S.4
Egli ancora non giunge. Romanza [bar. Accomp. di piano].
(/n Lira d'ltalia. Pp. 114-118.) No. 31 in M.157.39
From Maria di Rudenz.
Eleonora di Guienna. Opera seria [di Felice Romani.
Musica] del Mo. G. Donizetti. [Per canto e piano.] Paris.
Latte. [183-?] Unpaged. M.262.8
The original title was Rosamonda d'Inghilterra.
j£lisabeth, ou la fille du proscrit. Drama lyrique en 3 actes.
Poeme de MM. de Leuven [pseud.] et Brunswick [pseud.].
Musique de G. Donizetti. Partition piano et chant. Paris.
Escudier. [i853.1 M.364.6
L'elisire d'amore. Opera complet pour piano et chant. Pa-
roles italiennes [de Felice Romani]. Musique de Doni-
zetti. Paris. Launer. [184-?] M.364.3
Same. Der Liebestrank. [(L'elisire d'amore.) Oper in
drei Akten von Donizetti. Text von Felice Romani. Par-
titur.l Manuscript. N. d. 3 v. M.401.12
Emilia. See his L'eremitaggio di Liverpool.
L'eremitaggio di Liverpool. Melodramma semi-serio [di
Checcherini], musica di G. Donizetti. [Per canto e piano.]
Paris. Schonenberger. [184-?] No. 2 in M.364.15
The original title' was Emilia.
L'esule di Roma. Melodramma eroico di Domenico Gilar-
doni. Posto in musica da G. Donizetti. [Per canto e
piano.] Milano. Lucca. [184-?] M.231.26
[Fausta. Melodramma in 2 atti, di Domenico Gilardoni.
Musica di Donizetti. Partitura.] Manuscript. [Milano.
18.S2?] 2 V. M.30.2
Same. Melodramma in 2 atti [di D. Gilardoni]. Posto in
musica dal Mo G. Donizetti. Ridotta con accomp. di
piano. Paris. Richault. [183-?] M.262.6
La favorita. [Opera in 4 atti. Musica di Donizetti. Parole
di A. Royer e J. N. G. Van N. Vaez.] Partitura. Manu-
script. N. d. 3 V. M.401.10
Same. Opera seria in 4 atti dei Sig^e Scribe, A. Royer & G.
Vaez. posta in musica del Mo. Donizetti. Partizione per
canto con accomp. di piano. Paris. Grus. [1840.]
A part of the third act only was written by Scribe. M.363.35
Donizetti, Gaetano. (Continued.)
La figlia del reggimento. Opera italien, musique de Doni-
zetti. [Paroles de Bayard et de Saint-Georges, traduites
par C. Bassi. Partition chant et piano.] Paris. Schonen-
berger. [1840.] M.364-I8
Same. La fille du regiment. Opera comique en 2 actes.
Paroles de MM. Bayard et St. Georges. Musique de G.
Donizetti. Partition d'orchestre. Paris. Schonenberger.
[184-?] M.401.11
Same. Ouverture a grand orchestra de I'opera La fille du
regiment. [Partition.] Paris. Schonenberger. [1840?]
No. I in M.331.15
II furioso, opera in 2 atti, musique de Donizetti. Opera com-
plet. Partition piano et chant. Paroles italiennes [de
Ferretti]. Paris. Launer. [184-?]
M.364.7
Una furtiva lagrima. Romanza [s.] from L'elisire d'amore.
[Accomp. di piano.] (/» Lira d'ltalia. Pp. 143-145-)
Also to be found in Musical library. No. 39 in M. 157.39
Gemmi di Vergy. Opera in 2 atti [di Bidera]. Musica del
Mo. Donizetti. Partizione di canto con accomp. di piano.
Paris. Pacini. [1839.] M.364.16
Gianni di Parigi. Melodramma comico di Felice Romani.
Posto in musica da G. Donizetti. Riduzione per canto
con accomp. di piano. Paris. Richault. [185-?] M.364.22
II Giovedi grasso, opera buffa in i atto [di Gilardoni],
musica di G. Donizetti. [Per canto e piano.] Paris.
Schonenberger. [184-?] No. i in M.364.1S
Give me the comfort of Thy help. Trio. For s. s. a. [Ac-
comp. for organ.] (/» HuUah. The Singer's library.
Sacred. Pp. 85-88.) No. 17 in M.IS7.3
Hark! the solemn music pealing. [Trio, s. s. a. Accomp.
for pianoforte.] London. Leader & Cock. [184-? Cham-
ber trios. 9.] No. 9 in M.244.io.i
Un hiver a Paris, 1838-1839. Nouvel album lyrique. Naples.
Girard & c'e. [184-?] No. 16 in M.244.4
Conlenls. — Ballate: II pescatore; La ninna nonna; II trovatore in
caricatura; La sultana. — L'addio, duettino. — L'ultima notte di un
novizio, cantata. — La pazza di S. Elena, cantata.
Ispirazioni viennesi. [Ballate ec] Paris. Schonenberger.
[185-?] No. I in M.364.10
Contenis. — La zingara. — Non m'ami piu. — L'ora del ritorno. — 11
sospiro. — £ morta. — Predestinazione. — Che vuoi di piii.
La lettera anonyma, opera buffa in i atto [di Giulio Ge-
noino], musica di G. Donizetti. [Per canto e piano.]
Paris. Schonenberger. [184-?] No. i in M.364.21
Der Liebestrank. See his L'elisire d'amore.
Linda [di Chamounix. Opera] di Gaetano Donizetti. [Pa-
role di G. Rossi.] Partitura. Manuscript. N. d. 3 v.
M.401.13
Same. Opera italien [de G. Rossi], musique de Donizetti.
[Partition chant et piano.] Paris. Schonenberger. [1842.]
M.363.17
Lucia di Lammermoor. Composed by Donizetti. [Text by
S Cammarano.] With Italian and English words. [Vocal
score.] Boston. Ditson & Co. [1855?] M.328.4
The English version is by John Wrey Mould.
Same [Full score without the words.] Manuscript. [Paris?
i84-?l M.224.19
Lucrezia Borgia. [Opera. Musica] di Gaetano Donizetti.
[Parole di F. Romani.] Partitura. Manuscript. [187-?]
3 V. M.401.14
Same. Opera seria in 3 atti [di Felice Romani], musica del
Mo G. Donizetti. Partition piano et chant. Paris.
Mavaud & cie. [184-?] M.363.32
Maria de Rudenz. Tragische Oper m 3 Acten . . . ge-
dichtet von S. Cammarano. In Musik gesetzt von G.
Donizetti. Klavierauszug mit italienischem u. deutschem
Texte. Leipzig. Hofmeister. [184-?] M.231.2S
Maria di Rohan. Opera en 3 actes [de S. Cammarano].
Musique de G. Donizetti, avec accomp. de piano. Paris.
Legouix. [184-?] M.364.S
Maria Padilla. Opera italien [de G. Rossi], musique de
Donizetti. [Partition chant et piano.] Paris. Schonen-
berger. [1841.] M.364.8
Maria Stuarda. Dramma in 3 atti. Poesia di Giuseppe Bar-
dari. Musica di G. Donizetti. Riduzione per canto e
pianoforte. Paris. Gerard & cie. [185-?] M.364.23
351
Donizetti
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Donizetti
Donizetti, Gaetano. (Continued.)
Marino Faliero. Dramma in 3 atti del S^ G. E. Bidera.
Posto in musica dal Cav. Donizetti. Ridotta con accomp.
di pianoforte dal Mo Tadolini. Paris. Pacini. [183-?]
M.262.4
Same. Oper in 3 Akten [von G. E. Bidera. Componirt]
von Gaetano Donizetti. [Partitur.] Manuscript. [18.3-?]
2 y M.231.22
I martiri. Opera italien [de S. CammaranoL musique de
Donizetti. [Partition chant et piano.] Paris. Schonen-
berger. [184-?] ^ . . ^^^'^.'^
Same [Ouverture a grand orchestre. Partition. Fans.
Schonenberger. 184-?] No. 2 in M.331.1S
Same. Les martyrs. Opera en quatre actes, paroles d Eu-
gene Scribe, mis en musique . . . par G. Donizetti. Par-
tition [et] parties d'orciie. Paris. Schonenberger. [1840.]
32 V. M.400.23
Matinee musicale. Recueil d'ariettes et de duettinos italiens,
avec accomp. de pianoforte. Leipzig. Hofmeister. [184-?]
8 oarts in i v No. 1-8 in M.244.4
The music of these pieces is the same as that of the first eight numbers
of the Matinees musicales [m.zsS.mI- The words differ in some of
them, and some have Italian, French and German words.
Matinees musicales, ossia raccolta di ariette. romanze, etc.
composte ... da Donizetti. London. Mori, Lavenu &
Co [184-'! M.236.14
Contents. — Vieni, la barca e pronta. — Dio che col cenno moderi. --
II ritorno al deserto. — Com' io ti son fedele. — Dai primi di del
viver mio. — Non giova il sospirar. — Io resto fra le lagrime. — Di
vero amor. — La campana. — Rataplan.
Messa di requiem (postuma). Scritta pei funerali del
maestro V. Bellini. Ridotta con accompto. d'organo dal
maestro F. Almasio. Milano. Lucca. [1870?] M.IS6.26
Mira o bella il trovatore. Canzone [t. Accomp. de piano],
(In Fleurs d'ltalie. Pp. I3S-I37.) No. 2 in M.364.10
Ne'er of sadness nor sorrow. From Lucrezia Borgia. Part-
song. (/" The Choralist. Vol. 2, ser. 5, pp. 32-3S)
No. 57 in M. 157. 5.2
Ninna nonna. Ballata [s. Accomp. di piano]. (/« Lira
d'ltalia. Pp. 65-71.) N0.15inM.157.39
Nuits d'ete a Pausilippe. Recueil de 6 ariettes et 6 duos.
Mayence. Schott. [184-?] No. 15 in M.244.4
With German and Italian words.
Contents. — Ariettes: Der Schiffmann; Der Kreuzntter; Um Mitter-
nachf ber Thurm von Biasone; Der Spinnrocken; Die Morgendam-
merun'g — Duos: Der Schwur; Die Morgenrothe; Der Bothe der
Geliebten; Liebe ist ein Himmelswort; Ein Blick und ein Wort; Die
Trinker.
O, April night (Com' e gentil, Don Pasquale). Four-part
song, (/n The Choralist. Vol. i, pp. 10-16.)
No. 5 in M.157.5.1
0 Salutaris Hostia. [Motet, s. t. t. b. Accomp. for organ.]
Adapted and arranged by T. Frost. London. Butler.
rjg^_?-| No. 20 in M.260.3
Olivo e Pasquale. Opera buffa in 2 atti [di Ferretti], musica
di G Donizetti. [Per canto e piano.] Paris. Schonen-
berger. [184-?] . . .M-364.20
II paria. Opera seria in 2 atti [di Gilardoni], musica di G.
Donizetti. [Per canto e piano.] Paris. Schonenberger.
[184-?] M.364.13
La Parisina. Opera complet pour piano et chant. Paroles
italiens [de Felice Romani]. Musique de Donizetti. Paris.
Launer. [184-?] M.364.9
Same. Parisina. [Opera seria di F. Romani, posta in mu-
sica da] Gaetano Donizetti. [Partitura.] Manuscript.
[183-?] 2 V. M.231.23
1 pazzi per progetto. Opera in i atto [di Gilardoni], musica
di G. Donizetti. [Per canto e piano.] Paris. Schonen-
berger. [ 184-?] No. 2 in M.364.19
Perche dell' aure in sen. Romanza [s. o. t.]. (/« Fleurs
d'ltalie. Pp. i.-?8-i40.) No. 2 in M.364.10
Perche non ho. Cavatina [s. Accomp. di piano]. (In Lira
d'ltalia. Pp. 1 50-1 57-) No. 42 in M.1S7.39
From Lucia.
Pour tant d'amour ne soyez pas ingrate. Cavatine [s.] da
La favorite. [Accomp. de piano.] (In Album lyrique du
chant fran<;ais. Pp. 5I-S4.) No. 2 in M.157.38
Prayer [t. t. b. b.]. (In Chickering collection. Vol. 2, p. 34.)
No. 15 in M.3g2.48.2
Donizetti, Gaetano. (Continued.)
Quanto e bella. Cavatina [t. Accomp. di piano]. (In Lira
d'ltalia. Pp. 148, 149.) No. 41 in M.157.39
From L'elisire d'amore.
Raggio d'amor. Romanza [b. Accomp. di piano]. (In Lira
d'ltalia. Pp. 104, 105.) No. 28 in M.1S7.39
From II furioso.
Rataplan. Quartettino [t. t. b. b. Accomp. di piano]. Mi-
lano. Lucca. [184-?] No. 9inM.2i2.4
La regina di Golconda. Opera buffa in 2 atti [di Felice
Romani], posta in musica ... da Gaetano Donizetti.
[Ridotta per canto con accomp. di pianoforte.] Milano.
Ricordi. [184-?] M.231.19
Rest, weary pilgrim. [Trio, s. s. a. Accomp. for pianoforte.]
London. Cock, Addison & Co. [185-? Chamber trios.
50.] No. 2 in M.244.10.3
Rita, ou le mari battu, opera comique en i acte, poeme de
Gustave Vaez, musique posthume de G. Donizetti. Par-
tition chant et piano. Paris. Lemoine. [i860.] M.363.36
Roberto d'Evreux, conte d'Essex. Tragedia lirica in 3 atti
di S. Cammarano, musica del Cav. G. Donizetti. [Per
canto e piano.] Paris. Pacini. [1838?] No. i in M.262.3
Same. [Dramma serio di S. Cammarano. Posto in musica
da G. Donizetti. Partitura.] Manuscript. [183-?]
M.231.27
La romanziera. Opera buffa in i atto [di D. Gilardoni],
musica di G. Donizetti. [Per canto e piano.] Paris.
Schonenberger. [184-?] No. 2 in M.364.21
Sah' ich ihr Auge. Romanze [a. o. b.] aus der Oper: Der
Wahnsinnige auf Set. Domingo. [Mit Begleitung des
Pianoforte.] Manuscript. N. d. No. 13 in M.236.6
Sancia di Castiglia. Tragedia lirica [di Salatino] posta in
musica da Gaetano Donizetti. [Per canto con accomp. di
piano.] Milano. Ricordi. [185-?] M.231.18
Say where is Lucy. [Recitative, quartet and chorus from
Lucia.] London. Addison & Hollier. [184-?]
No. 37 in M.235.7.1
II segreto. Brindisi. [Per s. o. t. Accomp. di piano.] (In
Lira d'ltalia. Pp. 28-31.) No. 5 in M.157.39
From Lucrezia Borgia.
Sei pur tu che ancor rivedo. Duetto per m.-s. e b. [Accomp.
di piano.] Napoli. Girard & ci. [184-?] No. 7 in M.221.20
From Alina regina de Golconda,
Signor sergente. Quartetto [s. s. t. b.]. (In fichos d'ltalie.
Vol. 4, po. .SO-68.) No. 10 in M.1S7.14
From L'elisire d'amore.
Signora? Che? Tacete! Duetto [s. b. Accomp. di piano].
Napoli. Girard & ci. [184-?] No. 6 in M.221.20
From Gianni di Calais.
Soirees de Paris. Album d'ariettes et de nocturnes italiens,
avec accomp. de pianoforte. Vienne. Mechetti. [184-?]
6 parts in i v. No. 9-14 in M.244.4
With Italian and German words.
Contents. — La lontananza. — L'amante spagnuolo. — Amore e morte.
— Me voglio fa' na casa. — Qui dove merce negasti. — L'inconstanza
d'lrene.
Tombe degl' avi. [Cavatina, t. Accomp. di piano.] (In
Lira d'ltalia. Pp. 158-165.) No. 43 in M.157.39
Torquato Tasso. Opera del Mo Donizetti. [Parole di G.
Ferretti. Per canto e piano.] Paris. Pacini. [183-?]
M.262.2
Ugo conte di Parigi. Tragedia lirica [di Felice Romani].
Posta in musica ... da G. Donizetti. [Per canto e piano.]
Milano. Ricordi. [184-?] M.231.28
Vieni o tu, che ognor io chiamo. Romanza [s. o. t. Ac-
comp. de piano]. (In Fleurs d'ltalie. Pp. 152-155.)
No. 2 in M. 364.10
Why should we frown? [Trio, s. s. a. Accomp. for piano-
forte.] (In Hills. Vocal trios. Vol. 2, pp. 65-70.)
No. 13 in M.157.17.2
La zingara. Opera semi-seria in 2 atti [di Tottola]. Musica
di G. Donizetti. [Per canto e piano.] Paris. Schonen-
berger. [184-?] M.363.31
Donizetti, Gaetano. Works about.
Alborghetti, F. Gaetano Donizetti e G. Simone Mayr.
[Di] F. Alborghetti e M. Galli. Notizie e documenti.
Bergamo. 1875. Portraits. Plates. Facsimiles. M.372.46
Elenco delle opere, cantate, ecc, pp. I43-'S7.
352
Donizetti
THE ALLEN A. BROWN COLLECTION OF MUSIC
Doris
Donizetti, Gaetano. Works about. (Continued.)
CiccoNETTi, F. Vita di Gaetano Donizetti. Roma. 1864.
Portrait. Facsimile. No. i in M. 126.6
Cox, C. The music of Donizetti and Bellini. lUus. Por-
pp. 42-44. New York. [1895?]) M.14.1.1
Neumann, W. Gaetano Donizetti. Eine Biographic. Cas-
sel. 1854. Portrait. No. 5 in M.20S.17; etc.
PoNCHiELLi, A. A G. Donizetti. Cantata . . . Versi di A.
Ghislanzoni. Musica di A. Ponchielli. Riduzione per
canto e pianoforte. Milano. [1875.] No. 2 in M.297.6
Maliierbe, C. T. Centenaire de Gaetano Donizetti. Cata-
logue bibliographique de la section fran^aise a I'Exposi-
tion de Bergame. Paris. 1897. Portraits. Facsimiles.
M. 102.32
Donna bell' e gentil. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Donna Caritea. Opera. For the Music see Mercadante. For
the Libretto see Pola.
Donna che un falso. Catch. Lidarti. No. iio in M.220.9.1
Donna, La, del lago. Opera. For the Music see Rossini. For
the Libretto see Tottola.
Donna, La, di genio volubile. Opera. For the Music see
Portogallo.
Donna Diana. Entr'acte. Seznicek. No. 5 in M.404.6
Donna Diana. Opera. For the Music see Hofmann, H. C. J.;
also Reznicek. For the Libretto see Wittkowsky; also
Moreto y Cavatia.
Donna Diana. Overture. Reznicek. No. 4 in M.404.6
RiEMENSCHNEIDER. No. 4 in M.336.22
Donna, La, e mobile. Song. Verdi. Verdi album.
No. 14 in M.236.5
Donna gentil quando talor degnata. Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Donna Juanita. Opera. For the Music see Suppe. For the
Libretto see Walzel.
Donna Maria Infantin von Spanien. Opera. For the Music
see Reiset.
Donna, presso al cui viso. Part-song. Palestrina. Werke.
Band 30. M.8o4oa.66.30
Donna, vostra mercede. Madrigal. Palestrina. Werke.
Band 28. M.8o4oa.66.28
Donnay, Anthime.
Messe (en la majeur) a 4 voix. Partition piano et chant.
Paris. Durand, Schoenewerk & cie. [i86-?l
No. I in M. 158.36
Donnay, Maurice.
Lysistrata. Comedie. Musique de Amedee Dutacq.
No. I in M.305.30
Donne curiose, Le. Opera. For the Music see Usiglio. For
the Libretto see Zanardini.
Donne-la moi dans nos adieux. Duet. Gretry, A. E. M.
No. q in M.120.16
Donne moi cette fleur. Song. Gounod. No. 21 in M.391.28.1
— Vingt melodies. 2e recueil. No. 11 in M.IS7.36.2
Donne secours. Seigneur. Anthem. Sweelinck. Werken.
Deel 3- M.413.2.3
Donner, Johann Jakob Christian, translator.
Markull. Der rasende Ajas des Sophokles. No. 1 in M.203.18
Donnez au Seigneur gloire. Anthem. Sweelinck. Werken.
Deel S. M.413.2.5
Dono, II. Trio. Alary. Ricreazioni musicali. No. i in M.244.19
Donovan, John.
From lyre to muse. A history of the aboriginal union of
music and poetry. London. Kegan Paul. 1890. M.103.24
Music and action; or, the elective affinity between rhythm
and pitch. A psychological essay on a new principle of
explanation for the genesis and development of music.
London. Kegan Paul, Trench & Co. 1889. M.376.13
Don't bet your money on de Shanghai. Sonq. Foster. S. C.
No. 16 in M.380.41.1
Don't push. Catch. Mulso. No. 160 in M.220.9.1
Don't you know? Catch. Atterbury. No. 149 in M.220.9.1
Donville, F. de.
Frederick-Lemaitre: souvenirs . . . Paris. Baur. 1876.
No. 2 in M. 125.7
Donzel, James, translator.
Saint-Saens. La lyre et la harpe. No. i in M.15S.49
Doorly, Martin Edward.
Lazarus, a sacred cantata. The words from the Bible. The
music by M. E. Doorly. [s. a. t. b. and chorus. Accomp.
for pianoforte or organ.] London. Novello, Ewer & Co.
[188-?] No. 2 in M.I5S.2
Dope cento affanni. Duet. Winter, P. von.
No. 26 in M.235.18.4
Dope due lustri. Part-song. Mercadante. No. 3 in M.157.14
Doppelgaenger, Der. Opera. For the Music see Zamara. For
the Libretto see Hirschfeld, V.
Doppelgaenger, Der. Song. Schubert, F. P. Werke. Serie
20. Band 9. M.31 7.1.20.9
Doppeltes Vaterland. Part-song.
Fesca, F. E. No. 54 in M. 1293.43.2
Weitzmann. No 99 in M.i29a.44
Doppelwandlung. Song. Franz, R. Sechs GesSnge. Op. 44.
No. 75 in M.244.S.3
Doppler, Albert Franz.
Judith. Oper in 4 Aufztigen. von S. H. Mosenthal. Musik
von Franz Doppler. Vollstandiger Clavierauszug. Wien.
Lewy. [1870.] M.30S.6
Neue ungarische Tanze fiir das Pianoforte zu vier Hdnden
von Heinrich Hofmann und Franz Doppler. Neue .^us-
gabe. No. i. 2. Fur Orchester. Partitur. Berlin. fi88-?]
No. I in M.410.68
Doppler, Franz. See Doppler, Albert Franz.
Dorchain, Auguste.
Conte d'avril. Musique composee . . . par Ch. M. Widor.
M.410.81
Maitre Ambros. Drame lyrique de Franqois Coppee &
Auguste Dorchain. Musique de Ch. M. Widor. M.326.26
Doret, Gustave.
Les armaillis. Legende dramatique en deux actes. Poeme
de Henri Cain et D. Baud-Bovy. Musique de Gustave
Doret. Partition chant et piano. Paris. Choudens. iqo6.
M.389.37
Dorf, Das, im Gebirge. Opera. For the Music see Weigl.
For the Libretto see Kotzebue.
Dorfbarbier, Der. Opera. For the Music see Killer, J. A.; also
Schenk. For the Libretto see Weidemann.
Dorfdeputirten, Die. Opera. For the Music see Schuhbauer;
also Wolf, E. W. For the Libretto see Goldoni; also
Heermann, G. E.
Dorfeuil, Georges.
Les cadets de Gascogne. Operette. Paroles de Dorfeuil &
Mey. Musique de Firmin Bernicat. No. 4 in M.265.4
Les Tziganes de Longjumeau. Operette. Paroles de
Georges Dorfeuil. Musique de Firmin Bernicat.
No. 4 in M.301.1
Dorfgala, Die. Opera. For the Music see Schweizer. For
the Libretto see Gotter.
Dorfglocke, Die. Part-song. Kalliwoda, J. W.
No. 8 in M. 130.7; etc.
Dorfglocke, Die. Song. Pierson. No. 75 in M.204.39
Dorfjahrmarkt, Der. Opera. For the Music see Benda, G.
For the Libretto see Gotter.
Dorfkirchglocke, Die. Part-song. Fesca, A.E. No. 23 in M.147.4
Dorfmusikanten, Die. Part-song. Genee. Heitere Lieder.
No. 26 in M.392.9
Dorfmusikanten-Sextett. For horns and strings. Mozart.
No. 5 in M.4i2a.i
Dorfsaengerinnen, Die. Opera. For the Music see Fiora-
vanti, V.
Dorgeval, Bryon. See Orgeval, fidouard Barthelemy Bryon d'.
Dori, La. Opera. For the Music see Cesti. For the Libretto
see Apolloni.
Doria, I. Opera. For the Music see Machado. For the Li-
bretto see Ghislanzoni.
Doris. Opera. For the Music see Cellier. For the Libretto
see Stephenson.
1 4.';
353
Dorisi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dorval
Dorisi, Lisa.
A Japanese lamp. Musical comedietta in one act. Words
and music by Lisa Dorisi. [Accomp. for pianoforte.]
London. Doremi & Co. 1896. No. 2 in M.382.17
Dormeuse. Song. Penavaire. Vingt melodies. No. 3 in M.287.6
Dormeuse eveillee, La. Opera. For the Music see Audran.
For the Libretto see Chivot.
Dormez, Marie. Song. David, F. C. Cinquante melodies.
M.363.28
Dormite. Song. Gordigiani. fichos de la Toscane. Vol. 2.
No. 17 in M.244.13.2
Dormouse, The. Glee. Cooke, B. In paper case.
No. 18 in M.i39a.i8.4; etc.
Dorn, Alexander Julius Paul.
Ein Damen-Kaffee, oder, der junge Doctor. Humoristisch-
musikalische Hausbliiette. Opus 10. [Klavier-.A.uszug.]
Erfurt. Bartholomiius. [1869. Dilettanten-Oper.]
No. 3 in M.402.64
Das Testament. Komische Operette, gedichtet und com-
ponirt von Alexander Dorn. Opus 18. fClavierauszug.]
Erfurt. Bartholomaus. [1869. Dilettanten-Oper.l
No. 2 in M.402.64
Dorn, Heinrich Ludwig Egmont.
Abu Kara, romantische Oper in 3 Aufziigen von L. Bech-
stein, in Musik gesetzt . . . von Heinrich Dorn. Klavier-
auszug. Leipzig. Hofmeister. [183-?] 11.231.29
Aum meinem Leben. [Sammlung 1-3.] Berlin. Haus-
freund-Expedition. 1870-72. 3 parts in i v.
No. 1-3 in M.217.S
Contents. — i. Erinnerungen : Acht Hauser und keine Schlafstelle ; Sel-
tenes Zusammentreffen besonderer Umstande ; Ludwig Berger und
Friedrich Wieck ; Eine funfzigjahrige Jungfrau; Karl Jost. 2. Mu-
sikalische Skizzen : Erinnerungen an einen Jugendfreund ; Eine
musikalische Reise und 2 neue Opern ; Ritter G. Spontini. 3. Erinne-
rungen, 3te Sammlung: D. D. D. ; Angelica Catalan!; F. Mendels-
sohn-Bartholdy ; Eine Historie von den vier verwandellen Handwerks-
purschen, item was drum und dran hangt; Pauline Viardot-Garcia ;
Michel Francois Hoguet.
Der Botenlaufer von Pirna. Komische Oper in 3 Akten,
nach dem Franzosischen des Melesville [Pseud.] von
Moritz Heydrich. Musik von Heinrich Dorn. VoUstandi-
ger Klavierauszug. Berlin. Bote & Bock. [1865.] M.262.9
Der Dampfwagen. [Mannerchor.] {In Fink. Die deutsche
Liedertafel. Pp. 66-68.) No. 49 in M.213.9
Des Wirthen Tochterlein. Offentlicher Unterricht. War-
nung vor dem Rhein. Drei vierstimmige Mannergesange.
Op. 40. Hamburg. Schuberth & Co. [184-?]
No. 68 in M.392.3
Ergebnisse aus Erlebnissen. Fuenfte Folge der Erinnerun-
gen von Heinrich Dorn. Berlin. Liebel. 1877.
No. I in M.217.6
Contents. — Susanna und ihre Gartenarie. — Sie haben einen guten
Mann begraben. — Zur Apostelgeschichte. — Aus langst vergangener
Zeit. — Von Coin nach Berlin, iiber Berlin. — Missa solemnis. — Das
deutsche G. — Jaques Offenbach. — Post festum! aber immer noch
nicht zu spat, um die Wahrheit zu sagen. — Ein Provisorium, Tragi-
komoedie von Schoene und Falk. — Aus dem Hundertsten in's Tau-
sendste. — Letzter Riickblick, Erinnerung an Richard Wagner. —
Epilog eines Verstorbenen.
Fiinf Liedertafel-Gesange . . . fiir vier Mannerstimmen.
Op. 55. Mainz. Schott. [1846?] No. 50 in M.392.6
Contents. — Zur Eroffnung einer Liedertafel. — Der Liedertafel Dauer.
— Die Fliigel. • — Wasser? — Rheinische Zecher.
Fiinf Quartette fiir Frauenstimmen [s. s. a. a.]. Berlin.
Bote & Bock. [185-?] No. 4 in M.244.11
Contents. — Heimath. — Vergeblich Fragen. — Die Freude. Ver-
heissung.
Gesetzgebung und Operntext. (Eine Schrift fiir Manner.)
Zeitgemasse Betrachtungen. Berlin. Schlesinger. 1879.
_ ... No. 7 in M.372.41
Contams a criticism of the plots of Wagner's opera.
Herr Durst. [Mannerchor.] (/« Abt. Deutsche San.cer-
halle. Vol. 2, pp. 13-16.) No. 5 in M.392.42.2
Liindliche Revoke. Humoristische Scene fur Bariton-Solo
und Mannerchor mit Begleitung des Pianoforte. Op. 84.
Clavier-Partitur. Berlin. Ries & Erler. [187-?]
No. 10 in M.212.4
Meine Wiinsche. [Mannerchor.] (/« Fink. Die deutsche
Liedertafel. Pp. 30, 31.) No. 28 in M.213.9
Dorn, Heinrich Ludwig Egmont. (Continued.)
Die Nibelungen. Grosse Oper in 5 Acten von E. Gerber.
Musik von H. Dorn. Klavierauszug mit Text. Berlin.
Bote & Bock. [1854.] M.262.10
Quodlibet. Siebente Sammlung vermischter Aufsatze. Ber-
lin. Behr. 1886. No. 2 in M.217.6
Contents. — Gesetzgebung und Operntext. — Ein begrabener Leichen-
redner. — Alte Komodianten. — Carl Krebs. — Im Elfenreiche. —
Richard Wiierst. — Zur Ehrenrettung einer Dame. — Wisby. — Ver-
gangen, aber nicht vergessen. — Ceciderunt in profundum. — Silvana.
— Eine Zimmerreise.
Weinprobe. [Mannerchor.] {In Abt. Deutsche Sanger-
halle. Vol. I, pp. 72-74.) No. 26 in M.392.42.1
Winter song. A four-part song. {In Novello's Part-song
book. 2d series. Vol. 16, pp. 93-97-) No. 15 in M.19S.1.16
Zwei Gesange fiir vier Mannerstimmen. Op. 64. Mainz.
Schott. [1850?] No. SI in M.392.6
Contents. — Kreislauf. — Heuler und Wiihler.
Dorn, Heinrich Ludwig Egmont. Works about.
Neumann, W. Friedrich Wilhelm Kiicken. Heinrich Dorn.
Biographien. Cassel. 1856. Portrait. No. 4 in M.20S.19
Dorn, Otto.
Narodal. Nordische Oper in einem Aufzuge. Dichtung
und Musik von Otto Dorn. Klavierauszug mit Text.
Leipzig. Seemann. [189-?] M.380.63
Lithograph script.
,.R5slein, wann bliihst du auf?" Manner-Chor. Leipzig.
Licht. [188-? Der Chorgesang. 15.] No. 69 in M.3g2.3
Dornheckter, Robert.
Zwei leicht ausfiihrbare Motetten fiir s. a. t. b. Leipzig.
Rieter-Biedermann. 1879. No. 17 in M. 158.22
Contents. — Sei getreu bis in den Tod. — Gnadig und barmherzig ist
der Herr.
Dornroeschen. Cantata. For the Music see Perfall; also
Schletterer; also Tottmann. For the Libretto see Bonn;
also Schmidt, M.; also Fuerst.
Dornroeschen. Opera. For the Music see Humperdinck;
also Langer, F.; also Langert; also Weweler. For the
Libretto see Eberling-Filhes; also Reinhardt, P. J.; also
Levy, A.; also Eschelbach.
Dornroeschen. Song. Brahms. Volks-Kinderlieder.
No. 8 in M.380.40.3
Dornroeschen-Cyclus. For orchestra. Kienzl. No. 7 in M.342.9
Dornroeschen, schlaf. Part-song. Abt F. Vier vierstimmige
Mannergesange. No. 6 in M.392.3S
Dorothy. Opera. For the Music see Cellier. For the Li-
bretto see Stephenson.
Dorr, Clarence A.
Music for the church service. [Anon.] Boston. Dutton &
Co. 1869. M.101.14
Dorrell, William.
Kyrie eleeson [in A, E flat and F]. {In Haycraft. Sacred
harmony. Pp. 69-71.) No. 20-22 in M.234.6
Dorrington, C. F.
Mass in G, for four voices. With organ or piano accomp.
Boston. White-Smith Music Publishing Co. 1892.
No. 3 in M.193.16
Dors, petit. Song. David, F. C. Cinquante melodies. M.363.28
Dort in den Weiden. Song. Brahms. Sechs Lieder. Op. 97.
No. 2 in M.380.40.3
Dort in den Weiden steht ein Haus. Brahms. Deutsche Volks-
lieder. Heft 5. No. 13 in M.380.40.3
Dort senket die Sonne. Part-song. Muehling, A.
No. 17 in M.i2ga.43.i
Dort sind vyir her. Song. Abt, F. Drei Lieder.
No. 7 in M.i92.a
Dort sind vyir her. Part-song. Abt, F. Drei Lieder fiir Sopran
und Miinner-Quartett. No. 5 in M.392.35; etc.
Dort unten im Thai. Part-song. Schwalm. Drei Lieder.
No. 8 in M.3g2.24
Dort unter'm Lindenbaume. Song. Franz, R. Sechs Gesange.
Op. .'^i. No. I in M.244.S.3
Dort vergiss leises Fleh'n. Song. Mozart. No. 4 in M.204.37
Dorval, Marie Amelie Thomase Delaunay.
Dumas, A. La derniere annee de Marie Dorval. Paris. 1855.
No. 3 in H.i29a.33
354
Dorval
THE ALLEN A. BROWN COLLECTION OF MUSIC
Doubt
Dorval, P.
L'art de la prononciation appliquee au chant et maniere
facile d'augmenter les resources de la voix. Versailles.
L'auteur. 1850. No. 7 in M.206.3
Dorvaldo e Dorliska. See Rossini. Torvaldo e Dorliska.
Doss, Adolphe de.
Ave Maria. Solo, s. ou t., avec accomp. d'orgue. (In Lam-
billotte. Musique religieuse. 7« Salut, pp. 5, 6.)
No. 26 in M.260.18
Dost thou hear the trees? Part-song. Hensel, F. C.
No. 13 in M.195.1.12
Dost thou idly ask? Part-song. Smart, H. No. 20 in M. 195.1.5
Dot, La. Opera. For the Music see Dalayrac. For the Li-
bretto see Desfontaines de La Vallee.
Dot, La, de Brigitte. Opera. For the Music see Serpette. For
the Libretto see Ferrier.
Dot, La, de Suzette. Opera. For the Music see Boieldieu,
F. A. For the Libretto see Dejaure.
Dot, La, mal placee. Opera. For the Music see Lacome
d'Estalenx. For the Libretto see Mancel.
Doth not my lady come. Part-song. Smart, H.
No. 2 in M.156.4; etc.
Dotzauer, Justus Johann Friedrich.
Andante et polacca pour violoncelle et piano, tires du sep-
tieme concerto, ffiuvre 93. [Piano seul.] Paris. Far-
renc. [183-?] No. 4 in M.2I0.2
Same. [Partie de violoncelle.] No. 20 in M.210.11
[Concerto, no. 8, for violoncello, with accomp. for orchestra.
Full score.] Manuscript. [184-?] M.312.21
[Variations sur une Walse favorite pour le violoncelle, avec
accomp. de deux violons, alto et basse, ou de piano.
CEuvre 109. Piano seul. Paris. Richault. 184-?]
No. 5 in M.210.2
Same. [Partie de violoncelle.] No. ig in M.210.11
Douane, Alfred.
La fiancee en loterie. Operette de C. de Roddaz. et Alfred
Douane. Musique de Andre Messager. No. i in M.395.69
Douay, Georges.
Les amoureux de Fanchon. Operette en i acte. Paroles de
Turpin de Sansay et Ad. Huard. Musique de Georges
Douay. [Partition chant et piano.] Paris. Cartereau.
[1864.] No. I in M.301.5
Un baiser pour lot. Operette en i acte. Paroles de Francis
Tourte. Musique de Georges Douay. [Partition chant et
piano.] Paris. Union musicale. [1877.] No. 2 in M.301.5
La barbe de Betasson. Pochade musicale. Paroles de
Turpin de Sansay et Adolphe Huard. Musique de Georges
Douay. [Partition chant et piano.] Paris. Cartereau.
[1864.] No. I in M.305.9
Ce bon roi Dagobert. Legende musicale en i acte. Paroles
de Marquet et Delbes. Musique de Georges Douay. [Par-
tition chant et piano. Paris. 1869.] No. 4 in M.30I.S
Un bureau de nourrices. Folic musicale en i acte. Paroles
de Francis Tourte. Musique de Georges Douay. [Par-
tition chant et piano.] Paris. Chatot. [1867.]
No. I in M.305.14
Les crepes de la Marquise. [Opera-comique en i acte.]
Paroles de Turpin de Sansay, Musique de Georges Douay.
[Partition piano et chant.] Paris. Cartereau. [1865.]
No. 2 in M.305.14
Les deux alcades. Operette en i acte. Paroles de M"' Chau-
vin. Musique de Georges Douay. [Partition chant et
piano.] Paris. Chatot. [1879.] No. i in M.30S.13
L'ecaillere africaine. Bouffonnerie musicale en i acte. Pa-
roles de Marquet et Delbes. Musique de Georges Douay.
[Partition chant et piano.] Paris. Cartereau. [1867 ]
No. 3 in M.305.14
Une explosion. Operette en i acte. Paroles de Auguste
Jouhaud. Musique de Georges Douay. [Partition chant
et piano.] Paris. Chatot. [1877.] No. 4 in M.305.14
Farfadette. Operette en i acte. Paroles de Francis Tourte.
Musique de Georges Douay. [Partition chant et piano.]
Paris. [1884. Journal des demoiselles.] No. i in M.301.4
La fleur du Val Suzon. Opera-comique en I acte. Paroles
de Turpin de Sansay. Musique de Georges Douay. Par-
tition orchestre. Paris. Ledentu. [1862.] M.234.20
Douay, Georges. (Continued.)
Same. [Chant et piano.] No. I in M.30S.10
Les gammes d'Oscar. Folic musicale en i acte. Paroles de
William Busnach, musique de Georges Douay. Partition
chant et piano. Paris. Prilipp. [1865.] No. 2 in M.301.4
Le garnisaire. Operette en i acte. Paroles de Francis
Tourte. Musique de Georges Douay. [Partition chant et
piano.] Paris. Chatot. [1872.] No. 3 in M.301.5
Le hanneton de la chatelaine. Excentricite musicale en un
acte. Paroles de Lassouche [pseud.]. Musique de Georges
Douay. [Partition, chant et piano.] Paris. Chatot. [1884.]
No. 3 in M.393.2
Jerome Pointu. Operette en i acte. Paroles de Turpin de
Sansay. Musique de Georges Douay. [Partition piano et
chant.] Paris. Cartereau. [1864.] No. 2 in M.305.13
Madame Lecomte. Operette en i acte. Paroles de Francis
Tourte. Musique de Georges Douay. [Partition chant et
piano.] Paris. Chatot. [187-?] No. 4 in M.305.9
Un mariage d'autrefois. Opera comique de salon en i acte.
Paroles de Francis Tourte. Musique de Georges Douay.
Partition chant & piano. Paris. Leduc. [188-?]
No. 2 in M.305.10
Un merlan frit. Operette bouffe en i acte. Paroles de Mar-
quet & Delbes. Musique de Georges Douay. Partition
piano et chant. Paris. Mackar. [1868.] No. i in M.30S.11
Les mules de Suzette. Operette en i acte. Paroles de
Francis Tourte. Musique de Georges Douay. [Partition
chant et piano.] Paris. Chatot. [1875.] No. i in M.305.12
La nouvelle £ve. Operette en i acte. Paroles de Francis
Tourte. Musique de Georges Douay. Partition chant et
chant. Paris. Lemoine. [188-?] No. 3 in M.301.4
Oh! c' Paladin. Bouffonnerie musicale en I acte. Paroles
de E. Seurat et J. Valdy. Musique de Georges Douay.
[Partition chant et piano.] Paris. Chatot. [1875.]
No. 4 in M.301.4
Le phoque a ventre blanc. Parade musicale en i acte. Pa-
roles de William Busnach. Musique de Georges Douay.
[Partition chant et piano.] Paris. Martin. [1871.]
No. 5 in M.301.4
Picador. Operette en i acte. Paroles de Francis Tourte.
Musique de Georges Douay. [Partition chant et piano.]
Paris. Chatot. [1877.] No. 3 in M.305.13
Le pommier des Amours. Operette en i acte. Paroles de
Francis Tourte. Musique de George Douay. [Partition
chant et piano.] Paris. Chatot. [1872.]
No. 3 in M.305.9; No. 2 in M. 305. 11
Le reve du parrain. Operette en I acte. Paroles de Francis
Tourte. Musique de Georges Douay. [Partition chant
et piano.] Paris. Chatot. [187-?]
No. 2 in M.30S.9; No. 2 in M.30S.12
Les souliers de noce. Operette en i acte. Paroles de Fran-
cis Tourte. Musique de Georges Douay. [Partition chant
et piano.] Paris. Chatot. [187-?] No. 3 in M.305.11
Le tonneau de Mignonne. Operette en i acte. Paroles de
Jules de la Guette et Charles Supernant. Musique de
Georges Douay. [Partition chant'et piano.] Paris. Cha-
tot. [1872.] No. 4 in M.305.11
Le tresor de la Tante Bechut. Operette en i acte. Paroles
de A. Philibert [pseud.]. Musique de Georges Douay.
[Partition chant et piano.] Paris. Philibert. [1872.]
No. 5 in M.305.11
Les valets modeles. Operette en i acte. Paroles de Francis
Tourte. Musique de Georges Douay. Partition chant &
piano. Paris. Colombier. [1875.] No. 3 in M.305.12
Double disguise. The. Opera. For the Music see Hook, J.
For the Libretto see Hook, Mrs. J.
Double echelle. La. Opera. For the Music see Thomas, C. L.
A. For the Libretto see Planard.
Double epreuve, La. Opera. For the Music see Labit; also
Vercken de Vreuschmen. For the Libretto see Toulon;
also Dubreuil, E.
Double-croches malades, Les. Criticism. Azevedo. M.246.23
Doublons, Les, de ma ceinture. Opera. For the Darcier. For
the Libretto see Thiry.
Doubt thou the stars. Glee. Maddison. No. 9 in M.i39a.i8.8
355
Doubt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Down
'Doubt thou the stars are fire. Glee. Stevens, R. J. S.
No. S2a in M.157.6.2
Doubtless the pleasure. Catch. Travers.
No. 45 in M.141.21.2; etc.
Douce mer. Song. Bizet. Vingt melodies. No. 2 in M.265.24
Douces flammes. Part-song. C.'^.mpra. No. 2 in M.296.6
Douen, Emmanuel Orentin.
Clement Marot et le Psautier huguenot, etude historique,
litteraire, musicale et bibliographique. Paris. Imprimerie
nationale. 1878, 79. 2 v. M.122.40
Douen, O. See Douen, Emmanuel Orentin.
Douland, Robert. See Dowland, Robert.
Douglas, Hugh A.
[Romeo and Juliet up to larks.] The original songs, dances
&c. in Romeo and Juliet up to larks. Burlesque in two
acts by Claude Cane. The lyrics chiefly by M. B. Lucas.
The music by Hugh A. Douglas. Vocal score complete
[with pianoforte accomp.]. London. Marriott & Wil-
liams. [189-?] No. I in M.39g.75
Doulx nenny, Ung. Part-song. Lassus. Sammtliche Wcrke.
Band 12. M.8o4oa.67.i2
Doumka. For orchestra. Rubinstein. No. 2 in M.40S.51
Dourlen, Victor Charles.
Le frere Philippe. Opera comique en i acte et en prose,
paroles de Auguste Duport, musique de Mr Dourlen.
[Partition.] Paris. Petit. [182-?] M.262.11
Doute, Le. Song. Glinka. Romances. No. 11 in M.244.8
Doux echos des bois. Duet. Gretry, A. E. M.
No. 28 in M.3go.37
Doux est ton regard. Song. Vaucorbeil. Melodies. M.213.25
Doux mal, Le. Song. Mehul. No. 16 in M.235.18.3
Doux nom de ma Mere. Duet. Panseron. Collection de 40
morceaux. No. 10 in M.260.13
Doux plaisirs, Les. Duet. Destouches. No. 2 in M.296.6
Douze femmes, Les, de Japhet. Ot>era. For the Music see
Roger, V. For the Libretto see Mars.
Douze innocentes, Les. Opera. For the Music see Grisar.
For the Libretto see Najac.
Dovalle, Charles.
Velleda. Scene lyrique, musique de E. M. E. Deldevez.
No. I in M.356.14
Dove Battista. Anthem. Stradella. No. S in M.233.26.4
Dove mi guidi. Song. Traetta. No. 2 in M. 120.30
Dove sei. Song. Handel. No. 56 in M. 157.39; etc.
Dove sei amato bene. Song. Handel. No. 3 in M.400.36
Dove son, dove vado. Madrigal. Cirillo. No. 247 in M.235.17.2
Dove vado sventurato. Song. Piccinni. No. i in M.360.8
Dow, Howard Malcolm.
Consolation. [Quartet, t. T. B. B.] Boston. Ditson & Co.
1876. [Sacred and secular quartets. 3.] No. 37 in M.190.2
"Fill, fill your glasses." Drinking song [t. t. b. b.]. Boston.
Ditson & Co. 1876. [Sacred and secular quartets. 6.]
No. 39 in M.190.2
Guide me, O Thou Great Jehovah, b. solo and quartett.
[Accomp. for organ.] Boston. Ditson & Co. 1867.
No. 32 in M.190.2
I cannot always trace the way. [Quartet, t. t. b. b.] Bos-
ton. Ditson & Co. 1876. [Sacred and secular quartets.
2.] No. 35, 36 in M.190.2
Two copies.
Lo! the day of rest declineth. [s. solo and chorus. Accomp.
for organ.] Boston. Tolman & Co. [1867. Sabbath
praise.] No. 31 in M.190.2
Te Deum laudamus [t. t. b. b. Accomp. for organ]. Bos-
ton. Ditson & Co. 1876. [Sacred and secular quartets.
I.] No. 34 in M.190.2
"The trumpet calls away." Vocal march, [t. t. b. b.] Bos-
ton. Ditson & Co. 1876. [Sacred and secular quartets.
5.] No. 38 in M.190.2
Dow, Howard Malcolm, editor.
Balfe. Guide me, O Thou Great Jehovah. Anthem.
No. 33 in M.190.2
The Masonic Orpheus. A collection of songs, hymns,
chants . . . Arranged for male voices. [Accomp. for
organ or piano.] Boston. Ditson & Co. [1870.] M.221.3
356
Dow, Sabrina H.
Artistic singing. Boston. Lee & Shepard. 1883. M.iog.24
Dowie dens. The, o' Yarrow. Overture. MacCunn.
No. 2 in M.357.17
Dowland, John.
Awake, sweet love. Madrigal. (In Hullah. Part music.
Secular. Vol 2, pp. 1 16-120.) No. 27 in M.IS7.28.2
Also to be found in Musical library ; Musical Times [Music] ; Turle
and Taylor's The People's music book ; Webb's Collection of madrigals.
Come again, sweet love. Madrigal. London. Addison &
Hollier. [182-?] No. 5 in M. 235. 7.1
Also to be found in Hullah's Part music, Secular ; Leslie's Cassell's
Choral music : Musical times [Music] ; Warren's Cocks's Hand-book
• of glees ; Webbe, Jr.'s Convito armonico.
Come, heavy sleep. Part-song, (/n Monk. Novello's Part-
song book. Pp. 52-55.) No. 13a in M. 157.4
Come, Holy Ghost; Creator, come. Hymn for Whitsuntide
(In Musical times. [Music] Vol. 6, pp. 154, 155.)
No. 17 in M.175.1.G
Fine knacks for ladies. Madrigal for 4 voices. (In Warren.
Cocks's Hand-book of glees. Vol. 2, no. 72, pp. 85-87.)
No. 72 in M.157.6.2
The first set of songs, in 4 parts . . . Scored ... by W.
Chappell. London. Chappell. [1843. Musical Antiqua-
rian Society. Publications. Vol. 3.] No. 2 in M.234.21
The pianoforte score is on shelf-number No. 5 in m. 234.28.
Contents. — Unquiet thoughts. — Whoever thinks, or hopes, of love.
. — My thoughts are wing'd. — If my complaints. — Can she excuse?
— Now, O now, I needs must part. — Dear, if you change. — Burst
forth, my tears. — Go, crystal tears. — Think'st thou then? — Come
away, come sweet love. — Rest awhile, you cruel cares. — Sleep, way-
ward thoughts. — All ye whom love. — Wilt thou, unkind? — Would
my conceit. — Come again, sweet love. — His golden locks. — ■ Awake,
sweet love. — Come, heavy sleep. — Away with these self-loving lads.
— My Lord chamberlain his galliard
The first set of songs . . . Arranged with a pianoforte ac-
comp. by G. Alex. Macfarren. London. Chappell. [184-?
Musical Antiquarian Society. Publications.]
The score is on shelf-number No. 2 in u. 234.21. No. 5 in M. 234*^8
In all thy need. Part-song. (In Monk. Novello's Part-
song book. Pp. 59, 60.) No. 15 in M.157.4
Now, O now I needs must part. [Part-song.] (In Hawes.
A Collection of madrigals. Pp. 1-4) No. I in M.235.12
.\lso to be found in Hullah's Part music. Secular; Musical library;
Warren's Cocks's Hand-book of glees.
O God, of power omnipotent. Prayer. [Accomp. for organ.]
(In Turle and Taylor. The People's music book. Vol. 2,
p. 99.) No. 26 in M.iii.4.2
The pedlar's song. [Part-song.] (In Monk. Novello's
Part-song book. Pp. 82-84.) No. 21 in M.157.4
Rest awhile you cruell cares. (In Smith. Musica antiqua.
P. 54.) M.236.10
Song from manuscript in James the First's time [with figured bass].
Sleep, wayward thought. [Part-song.] (In Hawes. Col-
lection of madrigals. Pp. 162-165.) No. 29 in M.235.12
..Siisses Lieb! O komm zuriick." Madrigal [t. T. B. B.]. (In
Weinwurm. Drei englische Madrigale. Pp. 2, 3.)
An adaptation of his Come again, sweet love. No. 6 in M. 392. 27
Whoever thinks, or hopes, of love for love. Part-song. (In
Warren. Cocks's Hand-book of glees. Vol. 2, no. 79, pp.
113-120.) No. 79 in M.1S7.6.2
Dowland, Robert.
Douland's Musical banquet. [Selections. London.] Chis-
wick Press. 1817. M.146.16
One of an edition of twenty-five copies.
Down among the cane brakes. Song. Foster, S. C.
No. 17 in M.380.41.1
Dovyn among the dead men. For piano and orchestra. Stanford.
M.406.37
Down by the gate. Song. Thomas, J. R. No. 5 in M.192.14
Down by the mill. Buck, D. Three songs for mezzo-soprano.
No. 19-21 in M.200.2
Down by the river. Song. Storage. No. 20 in M.235.18.2
Down by the river side. Ballad. Thomas, J. R.
No. 6 in M.ig2.i4
Down by the silv'ry stream. Part-song. Ferrari, G. B.
No. 10 in M. 244.10.4
Down, down a thousand fathom deep. Song. Keller, C.
No. 33 in M.235.18.3
I
Down
THE ALLEN A. BROWN COLLECTION OF MUSIC
Drama
Down from above falls Jove. Madrigal. Bateson. First set
of madrigals. No. 2 in M.234.22
Down in a dungeon deep. Catch. Hilton.
No. 172 in M.110.1.2; etc.
Down in a flow'ry vale. Madrigal. Festa, C.
No. 8inM.235.7.i;etc.
Down in a pretty valley. Part-song. Leslie H. D.
No. 18 in M.195.1.4
Down in a valley. Madrigal. Wilbye. No. i in M.235.17.1; etc.
Down in the country. French duet. (/» Flowers of harmony.
Vol. I, pp. 10, II.) No. II inM.iS7.i8.i
Down in my garden fair. Madrigal. Pearsall.
No. 2 in M.195.1.11
Down in the valley. Song. Hook, J. No. 27 in M.igs.i.ii
Doyen, fidouard.
L'arracheuse de dents. Operette. Paroles de Ad. ChauHeu
[pseud.] et fid. Doyen. Musique de J. Marc Chautagne.
No. I in M.395.16
Les deux grisettes. Saynete. Musique de Felix Jouffroy.
No. 6 in M.30I.II
Deux muses. Operette. Paroles de Armand Chaulieu
[pseud.] & fidouard Doyen. Musique de J. Marc Chau-
tagne. No. 2 in M.3g5.i6
Une femme modele, saynette. Musique de A. de Villebichot.
No. 3 in M.326.3
Finette et Philidor. Saynette. Musique d'Octave Batifort.
No. 2 in M.255.3S
Les marionnettes amoureuses. Saynette. Musique de Jules
Javelot. No. 2 in M.393.30
Myope et presbyte. Operette. Paroles de Armand Chau-
lieu [pseud.] et fidouard Doyen. Musique de Marc Joly.
No. 6 in M.393.56
El Senor Piffardino. Operette. Paroles de Chaulieu [pseud.]
et £. Doyen. Musique de Pierre Delaruelle.
No. 2 in M.29S.8
Doyle, Sir Arthur Conan.
Jane Annie; or, the good conduct prize. Written by J. M.
Barrie & A. Conan Doyle. Music by Ernest Ford.
No. I in M.246.6
Doze-Semiane,
II etait une fois. Operette. Paroles de Adolphe Jaime et
Doze-Semiane. [Musique de] O. de Lagoanere. M.296.13
Drac, Le. Opera. For the Music see Hillemacher, P. J. W.
For the Libretto see Gallet.
Drack, Maurice, pseud. See Poitevin, Auguste.
Dracy, H.
Folies d'amour. Opera-comique. Musique de la Bne Du-
rand de Fontmagne. No. i in M.402.20
Draeseke, Felix August Bernhard.
Adventlied. Dichtung von Fr. Riickert, fur Solostimmen
[t. B.], Chor und Orchester componirt von Felix Drae-
seke. Clavierauszug. Leipzig. Kistner. [187-?]
No. I in M. 391.39
Columbus. (English version by E. Buek.) Cantate fiir Soli,
Mannerchor und Orchester von Felix Draeseke. Op. 52.
Clavierauszug. Leipzig. Kistner. [1890.]
No. 4 in M.203.12
Concert (Es dur) fiir Pianoforte mit Begleitung des Orches-
ters. Op. 36. Orchesterpartitur. Leipzig. Kistner. [189-?]
M.404.43
Gudrun. Grosse Oper in 3 Acten. Text und Musik von
Felix Draeseke. Clavierauszug. Leipzig. Kistner. [1884.]
M.305.15
Herrat. Grosse Oper in drei Acten. Text und Musik von
Felix Draeseke. Clavierauszug. Leipzig. Forberg. [1892.]
M.395.62
Jubel-Ouverture, fiir grosses Orchester im Auftrage der
konigl. Haupt- und Residenzstadt Dresden, zur Feier des
siebzigsten Geburtstages und des fiinfundzwanzigjahrigen
Regierungsjubilaums Seiner Majestat des Konigs Albert
von Sachsen. Op. 65. Partitur. Leipzig. Breitkopf &
Hartel. 1898. No. 2 in M.403.27
Quartett (C moll) fiir zwei Violinen, Viola und Violoncell.
Op. 27. Partitur. Leipzig. Kistner. [1884?]
No. 3 in M.33S.4
Draeseke, Felix August Bernhard. (Continued.)
Quartett, No. 2, E moll, fiir zwei Violinen, Viola und Vio-
loncell. Op. 35. Partitur. Leipzig. Kistner. [189-?]
No. 4 in M.335.4
Quintett fiir Pianoforte, Violine, Viola, Violoncell und
Horn. Op. 48. [Partitur und Stimmen.] Leipzig. Kist-
ner. [188-?] 5 parts in i v. M.403.28
Requiem (H moll) fiir vier Solostimmen, Chor und grosses
Orchester auf den lateinischen Text componirt. Op. 22.
Chorstimmen [mit Clavierbegleitung]. Leipzig. Kistner.
[188-?] No. I in M.384.24
Scherzo (IL Satz einer Symphonie in G dur) fiir Orchester.
Op. 12. Partitur. Leipzig. Kahnt. [187-?]
No. I in M.335.20
The Symphony from which this Scherzo is taken is on shelf-number
"•335.19.
Serenade (D dur) fiir Orchester. Op. 49. Partitur. Leip-
zig. Kistner. [1889?] No. 3 in M.332.14
Symphonie in G dur fiir Orchester. Op. 12. Partitur. Leip-
zig. Kahnt. [187-?] M.335.19
Symphonia tragica fiir grosses Orchester. Op. 40. Parti-
tur. Leipzig. Kistner. [1885?] M.331.3
Symphonie (N". 2, F dur) fiir grosses Orchester. Op. 25.
Partitur. Leipzig. Kistner. [187-?] No. i in M.332.14
Symphonisches Vorspiel zu Calderon's „Das Leben ein
Traum," fiir grosses Orchester. Op. 45. Partitur. Leip-
zig. Kistner. [188-?] No. 2 in M.332.14
Symphonisches Vorspiel zu Heinrich von Kleist's „Penthe-
silea" fiir grosses Orchester. Op. SO. Partitur. Leipzig.
Kistner. [1890?] No. 4 in M.332.14
Draeseke, Felix August Bernhard. Works about.
Beyer, C. Felix Draeseke, Symphonia tragica (Op. 40).
Erlautert. Frankfurt a. M. [1895.] No. 32 in M.217.12.2
Felix Driiseke, Requiem (H-moll. Op. 22). Erlautert.
Frankfurt a. M. [1898.] No. 3 in M.217.12.4
Draexler, Manfred Carl Ferdinand, translator.
Reyer. firostrate. M.307.9
Dragedukken. Opera. For the Music see Kunzen. For the
Libretto see Falsen.
Dragees, Les, de Suzette. Opera. For the Music see Salomon,
H. For the Libretto see Barbier, P. J.
Dragon, Le, de la reine. Opera. For the Music see Wentzel.
For the Libretto see Decourcelle.
Dragon, The, of Wantley. Opera. For the Music see Lampe,
J. F. For the Libretto see Carey.
Dragonette. Opera. For the Music see Offenbach. For the
Libretto see Mestepes.
Dragons, Les, de I'imperatrice. Opera. For the Music see
Messager. For the Libretto see Duval, G.
Dragons, Les, de Villars. Opera. For the Music see Maillart.
For the Libretto see Simon, J. P.
Drain the flask. Trio. Bishop H. R. Complete collection o£
glees. Vol. 3- M.23S.1.3
Drama.
See also Munich. Theatres; Opera; Passion plays.
Drama. Anecdotes.
Robertson, J. C. The Percy anecdotes. By Sholto and
Reuben Percy [pseud.]. Vol. 17: The stage; music. Lon-
don. 1826. 2 V. 2 portraits. M.i29a.39
Drama. Bibliography.
Arnold, J. H. V. [Catalogue of his] Library. New York.
1870. M.113.3
Particularly rich in dramatic literature.
Macready, W. C. Catalogue of [his] library. Sold, July,
1873. [London. 1873.] No. 3 in M.141.29
Drama. Criticism.
Beauquier. C. La musique et le drame. fitude d'esthetique.
Paris. 1877. M.127.19
Cornet, J. Die Oper in Deutschland und das Theater der
Neuzeit. Hamburg. 1849. M. 148.17
Dumersan, T. M. Comparaison du theatre romain avec le
theatre grec. Paris. 1808. No. 4 in M.12S.6
Ernst, A. Richard Wagner et le drame contemporain.
Paris. 1887. M.127.46
357
Drama
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Drechsler
Drama. Criticism. (Continued.)
Goodwin, T. Sketches and impressions, musical, theatrical,
and social (1799-1885). Including a sketch of the Phil-
harmonic Society of New York. From the after-dmner
talk of Thomas Goodwin, by R. Osgood Mason. New
York. 1887. M.i09b.42
Greville, R. K. The drama brought to the test of Scrip-
ture and found wanting. [Anon.] Edinburgh. 1830.
No. I in M. 1293.20
Lewinsky, J., editor. Vor den Coulissen. Original-Blatter
von Celebritaten des Theaters und der Musik. 2. Band.
Berlin. 1882. Portraits. Facsimiles. M.370.24
Lyden, £. F. M. DE. Le theatre d'autrefois et d'aujourd'hui,
Cantatrices et comediens. 1532-1882. Paris. 1882.
M.i27.2g
[Music and drama. Cuttings from Every Saturday, 1869-
y-^-^ M.123.6
WoLZOGEN, C. A. A. Ueber Theater und Musik. Breslau.
i860. M.108.1
Drama. History.
Baudrais, J. Essais historiques sur I'origine et les progres
de I'art dramatique en France. [Anon.] Paris. 1791.
M.iogb.s
BouLENGER DE RiVERY, C. F. F. Recherches historiques et
critiques sur quelques anciens spectacles, et particuliere-
ment sur les mimes et sur les pantomimes. [Anon.] Paris.
j_ci M.iogb.i6
FuERSTENAU, M. Zur Geschichte der Musik und des Thea-
ters am Hofe zu Dresden. Dresden. 1861,62. 2 v. Folded
plate. M.136.10
GouRNAY, F. A. DE. Jeux sceniques, a Rome. Chceurs de
danse avec gestes, dialogues, vers fescennins . . . Caen.
1857. No. S in M.125.6
Hermann, J. Le drame lyrique en France depuis Gluck
jusqu'a nos jours. Paris. 1878. No. i in M.143.3; etc.
JuLLiEN, J. L. A. Histoire du theatre de Madame Pompa-
dour dit Theatre des petits cabinets. Paris. 1824.
No. 3 in M.122.1
Le theatre des Di'^s Verrieres. La comedie de societe
dans le monde galant du siecle dernier. Paris. 1875.
No. 4 in M.122.1
Drama. Periodicals.
CoNSTiTUTiONNEL, Le, newspaper. Annuaire des lettres, des
arts et des theatres, du journal Le Constitutionnel. 1845-
46. Paris. 1846, 47- M.373.32
Dramatic and Musical Review. Vol. 1-4. 1842-45. [Week-
ly.] London. 1842-45. Portrait of Jullien. M.167.7
Freund's Daily. Vol. i. Nov. 25, 1882-May 17, 1883.
[John C. Freund, editor.] New York. 1882, 83. M.15.2
Independance musicals et dramatique. Directeur: Ernest
Thomas. Annee i ; 2, no. I. Paris. 1887,88. M.135.14
No more was published.
Lyre, The; a musical and theatrical register. [Edited by
J. W. Hudson.] Vol. I, 2. [London.] 1841. Portraits.
M.122.21
M^nestrel, Le. Journal du monde musical. Musique et
theatres. Annee 29-73. Paris. 1861-1907. M.172.1
Opinion. L', du parterre, ou revue de tous les the.itres de
Paris. Annee 10. Paris. 1813. M.iogb.e
Drama, The, brought to the test of Scripture and found want-
ing. (Anon.) Greville, R. K. No. i in M.i2ga.2o
[Drama, fine arts and music in Boston. Cuttings from the
Memorial history of Boston and various newspapers.]
M.122.5
Dramatic and musical prospectuses and programmes, etc.
[1876-86.] M.i3g.i7
Dramatic and Musical Review. Vol. 1-4- [Weekly.] London.
Onwhyn. 1842-45. Portrait of Jullien. M.187.7
Dramatic expression.
Frobisher, J. E. A new and practical system of the culture
of the voice and action . . . Improved edition. New York.
1881. M.IO8.30
KiRBY, E. N. Vocal and action-language. Culture and ex-
pression. Boston. 1885. M.iog.3
Dramatic singing. See Singing. Operatic.
Dramatic sjrmphonies. See Symphonies, Dramatic.
Dramatische Fantasie. Symphonic poem. Hiller, F.
No. 3 in M.348.13
Dramatische Guverture. Overture.
Kauffmann, F. No. I in M.403.79
Mielck. M.410.77
Dramatische Phantasie. For orchestra. Scharwenka, L. P.
M.404.67
Dramatisches Tongedicht. Symphonic poem. Kretschmer.
No. 4 in M.336.23
Drame, Un, en 1779! Opera. For the Music and Libretto
see Ronger, F.
Drames sacres, Les. Poem. Silvestre. M.373.15
Drang in die Feme. Song. Schubert, F. P. Werke. Serie 20.
Band 7. M.317.1.20.7
Drapier, Un, dans de mauvais draps. Opera. For the Music
see Vandenesse. For the Libretto see Sonnois.
Drath, Theodor.
Jauchz' auf, mein Volk! Sieges-Hymne. Partitur fiir vier
Mannerstimmen. Op. 43- Bunzlau. Appun. [187-?]
No. 27 in 14.392.35
Die Jiinger von Emmaus. Oratorium in 2 Abteilungen. nach
dem 24. Kap. des Evang. Lukas bearbeitet von K. A.
Menzel . . . componiert fiir Chor- u. Solo-Gesang mit
Begleitung des Pianoforte von Theodor Drath. Leipzig.
Merseburger. [188-?] No. 5 in M.221.34
Drau-Walzer. Part-song. Koschat. No. ii in M.212.8
Draw on, sweet night. Madrigal. Wilbye. Works. Vol. 2.
No. 31 in M.234.ig.3
Dream, The. Cantata. For the Music see Costa, M. For the
Libretto see Bartholomew, W.
Dream, The. Part-song. Bridge, E. S. No. 18 in M.17S.1.7
Schumann, R. A. No. 19 in M.195.1.13
Stewart, R. P. No. 30 in M.157.4
White, A. M. No. 24 in M.1S7.1
Dream, The. Song. Beethoven. Werke. Serie 24. M.413.1.24
Mendelssohn-Bartholdy, J. L. F. Songs.
No. 59 in M.244.21
Dream, A, of my mother. Song. Foster, S. C.
No. 18 in M.380.41.1
Dream, A, within a dream. Song. Loeffler. Four poems.
M.410.88
Dream, baby, dream. Part-song. Smart, H. No. 9 in M.igs.i.S
Dream king and his love. Cantata. For the Music see Parker,
H. W. For the Libretto see Geibel, E.
Dream, The, of Gerontius. Oratorio. For the Music see Elgar.
For the Libretto see Newman.
Dream, ThtJ, of home. Ballad. Waley. No. 8 in M.380.18
Dream, The, of Jubal. Oratorio. For the Music see Mackenzie,
A. C. For the Libretto see Bennett, J.
Dream, A, of Merrie England. Part-song. Evans, E.
No. 24 in M.IS7.23
Dream, The. of the exile. Part-song. Cutter, E., Jr.
No. II in M.203.11
Dream ship. The. Cantata. For the Music see Williams, J.
For the Libretto see Enoch.
Dreaming lake. The. Part-song. Reinecke, C. H. C.
No. 27 in M.204.36.6
Dreaming rose, The. Part-song. Reinhold. No. 25 in M.392.22
Dreamland. Cantata. For the Music see Gabriel, M. A. V. J
For the Libretto see Matthison. 1
Dreamland. Part-song. Bremer J. H. No. 39 in M.158.13
Dreamy lake. The. Part-song. Schumann, R. A.
No. 7 in M.3g2.48.2
Drear, and e'en when blooming. Trio. Bishop, H. R. Com-
plete collection of glees. Vol. 3. M.23S.1.3 J
Drechsler, Josef. •
[Das Madchen aus der Feenwelt.] Favorit Gesange mit
Begleitung des Piano-forte aus dem Original-Zauberspiel:
Das Madchen aus der Feenwelt, oder der Bauer als Mil- |
lionar von Ferdinand Raimund. Musik von Jos. Drechs- "
ler. Wien. Diabelli & Co. [1825?] No. 2 in M.330.9
Sylphide, das See-Fraulein. Romantisch-komische Zauber-
posse in 2 Aufziigen von Therese Krones. In Musik ge-
setzt von" Joseph Drechsler. Vollstandiger . . . Klavier-
Auszug. Wien. Haslinger. [1815.] No. 2 in M.220.20
358
Dregert
THE ALLEN A. BROWN COLLECTION OF MUSIC
Drexel
Dregert, Alfred.
Abendlied. Sopran-Solo und Mannerchor. Op. 74, No. I.
Leipzig. Leuckart. [1886?] No. 4 in M.392.7
Same. Evening song. [s. solo, T. T. B. B. English version
by Chas. J. Sprague.] Boston. Schmidt & Co. [1S87.]
No. 5 in M.392.7
Am voUen Fasse. Mannerchor. Op. 60, No. i. Bremen.
Praeger & Meier. [188-?] No. 74 in M.392.3
Bestrafte Neugier [x. t. b. b.]. Op. 92. Leipzig. Siegel.
[1889?] No. 80 in M.392.3
Drei Lieder fiir Mannerchor. Op. 91. Leipzig. Forberg.
[187-?] 3 parts in i v. No. 77-79 in M.392.3
Contents. — I. O guter Engel, bleib bei mir. 2. Kirmess im Dorf.
3. Der Friihling kommt.
Floweret blue. [Part-song, t. t. b. b.] New York. Luck-
hardt & Belder. 1894. No. 15 in M.203.11
Geburtstagschoral [t. t. b. b.]. {In Gruber. Sangeshort.
Heft 2, p. IS.) No. 2 in M.370.30
How lovely! How fair! [Part-song, s. t. t. b. b.] (/n The
Osgood collection of part-songs. Vol. i, pp. 89-94.)
M.193.23.1
Madchenaug'. Mannerchor. Op. 64. Wien. Rebay &
Robitschek. [188-?] No. i in M.392.7
Minnegliick. Love's bliss ... fiir Mannerchor. Op. 106.
Berlin. Luckhardt. [1890.] No. 71 in M.392.3
Parted. (Zieh' hinaus.) [Part-song, r. t. b. b. Op. 98, no. 2.]
New York. Luckhardt & Belder. [1895.]
With English and German words. No. I4 in M.203.II
Sanctus fiir Mannerchor. Op. 57- Leipzig. Forberg. [1883?]
No. 70 in M.392.3
Die schone Nachbarin. Mannerchor. Op. 80, No. 2. Bre-
men. Praeger & Meier. [188-?] No. 75 in M.392.3
Serenade. [Part-song. x. x. b. b.] (/» The Osgood collec-
tion of part-songs. Vol. 2, pp. 65-67.) M.193.23.2
Sokrates. [Mannerchor.] Op. 107. (In Claasen. Ludwig
Liebe-Album. P. 10.) No. 11 in M.203.16
Spanish serenade [x. x. b. b. English version by Mrs. L. T.
Craigin]. Boston. Prufer. [1884.] No. 8 in M.392.7
Same. [English words by Charlotte H. Coursen.] New
York. Schirmer. No. 9 in M.392.7
Waldestraum. Gedicht ... fiir Mannerchor. Op. 5°- Dres-
den. Naumann. [188-?] No. 11 in M.212.4
„Wenn sich zwei Herzen scheiden" . . . Tenor- oder So-
pran-SoIo und Mannerchor. Op. 67. Leipzig. Leuckart.
[188-?] No. 2 in M.392.7
Same. Parting, [s. or x. solo, x. x. b. b.] English version
by Chas. J. Sprague. Op. 67. [Boston.] Schmidt & Co.
1887. No. 3 in M.392.7
When springtime comes [x. x. B. B.]. Op. 80, no. 3- New
York. Schirmer. [1886.] No. 10 in M.392.7
„Wie ist doch die Erde so schon." Sopran-solo und Man-
nerchor. Op. 74, No. 2. Leipzig. Leuckart. [1886?]
No. 6 in M.392.7
Same. Oh earth, thou art wondrously fair. [s. solo, x. x.
B. B.] English version by Chas. J. Sprague. Boston.
Schmidt. [1887.] No. 7 in M.392.7
Wie's im Fruhling geht. Mannerchor. Op. 80, No. 3. Bre-
men. Praeger & Meier. [188-?] No. 76 in M.392.3
The wild rose [i. X. B. B.]. New York. Schirmer. [1887.]
No. II in M.392.7
Zwei Gesange fiir Mannerchor. Op. 76. Leipzig. Leuckart.
[188-?] 2 parts in I v. No. 72, 73 in M.392.3
Contents. — i. Schwabisches Liebesliedchen. 2. Warnung.
Drei BlUmchen, Die. Song. Rixxer, F. L. Zehn Kinder-
Lieder. Heft 2. No. 7 in M.192.4
Drei Blumen. Part-song. Beschnixi. No. i in M.392.42.3
Drei Ersten, Die. Part-song. Janson, F. XII Lieder fiir vier
Miinnerstimmen. No. 34 in M.392.11
Drei Friihlingstage, Die. Part-song. Cornelius. Werke.
Band 2. M.414.20.2
Drei Gesellen, Die. Part-song. Podberxski. Zwei Miinner-
chore. No. 14 in M.212.13
Drei Glaser. Part-song.
Abt, F. Sieben leichte Mannerchore. No. 7 in M.3g2.3S
Hanschmann. No. 46 in M.392.8
Drei Kameraden, Die. Part-song. Hirsch, C. Drei Manner-
chore. No. 7 in M.392.12
Drei Laub auf einer Linden. Part-song. Boehme, F. M. Sechs
Volkslieder. No. 7 in M.392.S
Drei Liebchen, Die. Cantata. For the Music see Schmidt,
Adolf.
Drei Lilien. Part-song. Sxurm, W. Vier Lieder.
No. 30 in M.392.24
Drei Miihlenlieder. Grunewald. No. 42 in M.392.8
Drei Pintos, Die. Opera. For the Music see Weber, C. M. F.
E. von. For the Librexxo see Winkler, C. G. T.
Drei Ritter. Cantata. For the Music see Tinel. For the Li-
brexxo see Claeys.
Drei Roselein, Die. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Drei Sanger, Die. Song. Schuberx, F. P. Werke. Serie 20,
Band 10. M.317.1.20.10
Drei Sangerspriiche. Part-songs. Harx, A. No. 49 in M.3g2.S
Drei Veilchen. Song. Hiller, F. Acht Ritornelle.
No. 21 in M.192.3
Drei Wochen nach Weinachten. Song. Tauberx, C. G. W.
Kliinge aus der Kinderwelt. Heft 10. No. 20 in M.192.8
Drei Worte. Song. Kuecken. No. 9 in M.244.6.a
Drei Wiinsche, Die. Ofera. For the Music see Loewe, J. C.
G. For the Librexxo see Raupach.
Drei Zecherwiinsche. Part-song. Kunxze. Vier heitere Ge-
sange. No. 37 in M.392.14
Drei Zigeuner, Die. Song. Liszx. Gesammelte Lieder.
No. 50 in M.244.14
Dreifach ist der Schritt der Zeit. Part-song. Schuberx, F. P.
Werke. Serie 19. M.317.1.19
Dreizehn, Die. Opera. For the Music see Genee. For the
Librexxo see Weilzel.
Dresden. Music.
Fuersxenau. M. Zur Geschichte der Musik und des Thea-
ters am Hofe zu Dresden. Dresden. 1861, 62. 2 v.
M. 136.10
GuiMEX, fi. Cinq jours a Dresde. Relation de la grande
fete des chanteurs, 1865. Lyon. 1865.
No. I in M.198.13; etc.
KoENiGLiCHE MUSiKALiscHE Kapelle, Dresden. Programme-
Buch der Sinfonie-Concerte. Winter 1897/98-1904/5.
Hrsg. . . . von Friedrich Brandes. Dresden. 1897-1905.
8 V. Portraits. M.374.2
Dresden. History.
Ellis, W. A. Wagner sketches. 1849. A vindication. Lon-
don. 1892. M.37S-9
An account of Wagner's connection with the Dresden Revolt.
Drese, Adam.
Who is there like Thee. [Hymn.] (In Plaistow part-songs.
Part I, p. IS.) No. 5 in M.158.23
Dreslerus, Gallus. See Dressier, Gallus.
Dress.
Easxlake, E. R. Music and the art of dress. [Anon.] Lon-
don. i8s2. No. I in M.ii9a.ia
Dresseler, Gallus. See Dressier, Gallus.
Dressier, Gallus.
XVII Motetten zu vier und fiinf Stimmen in Partitur ge-
setzt und mit einer Klavierpartitur versehen von A. Halm
und Rob. Eitner. Leipzig. Breitkopf & Hartel. 1900.
[Publikation a:lterer praktischer und theoretischer Musik-
Werke vorzugsweise des XV. und XVI. Jahrhunderts.
Band 24. Jahrgang 28.] M.400.13
Dressier, William, editor.
FosxER, S. C. Come where my love lies dreaming. Arranged
as a duet. No. 9 in M.380.41.1
Dreszer, Anastasius W.
Symphonic, Erste. Op. 3- Partitur. Leipzig. Matthes.
rig7_?] No. 2 in M.336.8
Symphonie. Zweite. Op. 4- Partitur. Leipzig. Matthes.
[187-?] No. 3 in M.336.8
Drexel, Joseph William.
Catalogue of [his] musical library. Part i: Musical writ-
ings. Philadelphia. King & Baird. 1869. No. 2 in M.141.29
359
Drexler
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Du deutsches
Drexler, Joseph.
Waldeszauber. Gedicht von Rollet. Fiir Tenorsolo, Man-
nerchor u. Pianoforte. Op. 82. Wien. Wetzler. fi88-?]
No. 12 in M.212.4
Dreyfus, Abraham.
Battez Philidor! Opera-comique. Musique de Amedee
Dutacq. No. 2 in M.301.6
Drieberg, Friedrich von.
Don Tacagno. Komisches Singspiel in 2 Aufziigen [von J.
F. Koreff], in Musik gesetzt . . . von Friedrich von Drie-
berg. [Klavierauszug.] Eltvill. Zulehner. [181-?]
M.231.30
Driffield, Edward Townshend.
Come, follow me. A glee [a. t. b. B.]. (In The Orpheus.
New series. Vol. 6, pp. 40-47) No. 8 in M.205.10.6
O mistress mine. Glee [a. T. B. B.]. (/n The Orpheus. New
series. Vol. 6, pp. 72-76.) No. 12 in M.205.10.6
Tom he was a piper's son [t. t. b. b.]. Brooklyn. Molineux.
[1881.] No. 13 in M.3g2.7
Also to be found in The Orpheus, New series.
Drink and rejoice. Calch. Webbe, S. No. 105 in M.220.10
Drink! drink! the red, red wine. Trio. Bishop, H. R. Com-
plete collection of glees. Vol. 3. M.235.1.3
Drink on. Part-song. Purcell, H. No. 53 in M.iio.i.i; etc.
Drink to me only with thine eyes. Glee [a. t. b.]. (In The
Apollo. Vol. 3, p. 232.) No. 20 in 14.1393.18.3
Also to be found in Apollonian harmony; Bland's The Ladies' collec-
tion; dementi's Collection of catches; The Harmonist; Social har-
mony; Webbe's Convito armonico ; [for s. A. T. B.] in Warren's
Cocks's Hand-book of glees.
Drink tonight. Part-song.
Callcott, J. W. No. I in M.i39a.i8.7;etc.
Lawes. W. No. 152 in M.110.1.2; etc.
Drinking song, A. Part-song. Benedict. No. 5 in M.195.1.1
Chadwick, G. W. Four part-songs. No. 22 in M.392.6
Klein, B. O. No. 6 in M.203.16
Stuntz. No. 25 in M.392.48.2
Weinzierl. Drei Mannerchore. No. 10 in M.392.27
Drinking songs.
LivRE d'airs a boire. Manuscript. [18 — ?] 2 v. M.125.14
Drobegg, Wilhelm.
Der Pietist. The ring of fate. Tragische Oper. Musik von
Hugo Kaun. English version. M.395.37
Droben und drunten. Part-song. Wendt, E. A.
No. 29 in M.3g2.42.2
Drobisch, Carl Ludwig.
The hermitage. [Song, A. or B. Accomp. for pianoforte.]
(In Musical library. Vol. i, p. S3-) No. 24 in M.235.18.1
Droegemeyer, Hermann August.
Die Geige. Mit eingehender Belehrung iiber den interna-
tionalen Geigenschwindel. 2. vermehrte Auflage. Bre-
men. Meinhardt. 1892. Portrait. M.376.14
Litteratur, pp. 197-199-
Droescher, Georg, translator.
Leoncavallo. II Rolando. 11.396.52
Droit, Le, d'ainesse. Opera. For the Music see Chassaigne.
For the Libretto see Leterrier.
Droit, Le. du seigneur. Opera. For the Music see Martini, J.
P. £.; also Vasseur, F. A. J. L. For the Libretto see Des
Hayes, F. F.; also Roucoux.
Drole, Une, de marquise. Opera. For the Music see Ploosen.
For the Libretto see Poujol.
Drop down, ye heavens. Anthem. Barnby. No. 21 in M.234.10
Stainer. No. 7 in M.233.24.2
Drops of rain. Part-song. Lemmens. No. 3 in m. 158.23; etc.
Drot og Marsk. Opera. For the Music see Raise. For the
Libretto see Richardt.
Drouaux, Henri Blaise.
Methode nouvelle pour apprendre le plain-chant. 4e edition.
Paris. Langronne. 1705. M.20S.31
Droz, Edouard.
Paula. Tra.gedie lyrique. Poeme de Jane Grail et F.douard
Droz. Musique de fimile Ratez. No. 2 in M.395.73
Drucker, Henry.
Une diva par amour. Opera-comique. Paroles de Armand
Lafrique & Henry Drucker. Musique de Tony Rieffler.
No. 4 in M.389.12
Druid. Glee. Callcott, J. W. No. 3 in M.220.4
Druitt, Robert.
A popular tract on church music, with remarks on its moral
and political importance. London. Rivington. 1845.
No. 6 in M.116.7; >fo. 4 in M.12S.13
Drumm, Rudolf.
Drei Lieder im Volkston fiir vier Mannerstimmen. Op. 3.
Partitur. Berlin. Simon. [i88-?l No. 12 in M.392.7
Contents. — Lieb am Rhein. — Gruss in die Feme. — Abschied.
Drummer's day march, The. Part-song. Pressel.
No. 58 in M.157.6.3
Drummond, William, of Haivthornden.
Phoebus, arise. Composed by John K. Paine.
No. 2 in M.204.14; No. 4 in M.203.21
Drunken old sot, A. Catch. Berg, G. No. 3 in M.220.g.2
Drury Lane Theatre, London.
Houlton, R. a review of the musical drama of the Theatre
Royal, Drury Lane, for 1797-1800. London. 1801.
No. 4 in M.134.10
Drusilla. Cantata. For the Music and Libretto see Beazley,
J. C.
Drusus' Tod. Cantata. For the Music see Reissmann.
Dryden, John.
Alexander's feast, ode. [Music by Handel.] M.153.27
Same. Alexanders Fest oder die Gewalt der Musik. Eine
grosse Cantate. In Musik gesetzt von G. F. Handel.
M.400.30
King Arthur. An opera, composed by Henry Purcell, and
now first printed. M.234.24
Timoteo o gli effetti della musica, cantata, composta da P.
Winter. M.isi.45
The words are adaptations of Dryden*s Alexander's feast, in Italian
and German.
"Veni, Creator Spiritus." Paraphrased by John Dryden.
Set to music by A. C. Mackenzie. No. 4 in M.155.31
Drysdale, F. Learmont.
"The kelpie." Dramatic cantata for soli [s. t.], chorus &
orchestra. The words adapted from Charles Mackay's
poem "The kelpie of Corrievreckan," and set to music by
Learmont Drysdale. Op. 4. [Accomp. for pianoforte.]
London. Paterson. [1894.] No. 2 in M.213.2
Du. Part-song. George V., of Hanover. Sechs Gedichte.
No. 8 in M. 157.17
Du. Song. Posa. Vier Lieder. No. 12 in M.38o.22
Du bist der Weg, die Wahrheit und das Leben. Anthem. Lind-
paintner. 24 Psalmen. No. 2 in M.290.30
Du bist die Ruh'. Part-song. Schubert, F. P. Neun Gesange.
No. 12 in M. 158.21; etc.
Du bist ja doch der Herr. Part-song. Hauptmann, M. Sechs
geistliche Gesange. No. 4 in M.IS7.22
Du bist mein einzig Gliick. Song. Abt F. Sechs Lieder.
No. 16 in M.192.2
Du bist mein Traum. Song. Abt, F. Zwei Lieder.
No. 18 in M.192.1
Du bist mein, und ich bin dein. Part-song. Haan. Aus dem
Mittelalter. No. 53 in M.392.10
Du bist not d'Erste. Part-song. Storch. No. 5 in M.270.13
Du bist so schon und rein. Song. Franz, R. Sechs Gesange.
Op. 37- No. 31 in M.244.5.3
Du bist so still. Quartet. Hauer. Mannerquartette.
No. 7 in M.392.36
Du bist wie eine Blume. Song. Kuecken. No. 12 in M.244.6.1
Liszt. Gesammelte Lieder. No. 16, 17 in M. 244. 14
MiHALOVicH. Acht Gedichte. No. 5 in M.380.21
Reimann, H. Vier Lieder. No. 27 in M.194.16
Rubinstein. Sechs Lieder. No. 5 in M. 192.5
Schumann, R. A. Myrthen. Heft 4. No. S in M.244.15.1; etc.
Du bist's allein! Part-song. Weber, G. No. i in M. 130.7
Du ciel la voute magnifique. Quartet. Panseron. Collection
de 40 morceaux. No. 26 in M.260.13
Du corps absent le coeur. Part-song. Lassus. S;immtliche
Werke. Band 12. 11.83403.67.12
Du denkst mit einem Fiidchen. Song. Wolf, H. Italienisches
Liederbuch. Band 1. M.38o.2g.l
Du deutsches Volk. Part-song. Abt, F. No. 98 in M.246.22
360
Du, du
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dubois
Du, du liegst mir im Herzen. Part-song. Pax.
No. 114 in M.i2ga.43.3
Du festes, treues Egerland. Part-song. Tschirch. F. W.
No. 78 in M. 204.39
Du fond de ma pensee. Part-song. Lassus. Sammtliche
Werke. Band 16. 11.80403.67.16
Du fonds de ma pensee. Anthem. Sweelinck. Werken.
Deel 2. M.413.2.2
Du fragar mig, min hjertans kar. Song. Kjerulf. Sanger
och Visor. Band i. M.158.47
Du Friedefiirst, Herr Jesu Christ. Anthem. Bach, J. S. Werke.
Jahrgang 24. M.8040.21.24
Du frischer, froher Morgenwind. Part-song. Tschirch, F. W.
No. 158 in M. 246.22
Du griine Rast im Haine. Song. Franz, R. Sechs Gesange.
Op. 41. No. 60 in M.244.5.3
Du hast mich aber lange warten lassen. Song. Posa. Fiinf
Lieder. No. 13 in M.380.22
Du hast mich verlassen, Jamie. Song. Franz, R. Zwolf Ge-
sange. Op. 4. No. 25 in M.244.S.1
Du, Herr, zeigst mir den rechten Weg. Motet. Hauptmann,
M. Drei Kirchenstiicke. No. 3 in M.204.18
Du herziges Liebchen. Part-song. Kowal. No. 3 in M.370.30
Du Hirte Lsrael, hore. Anthem. Bach, J. S. Werke. Jahr-
gang 23. M.8040.21.23
Du kleine Biene, verfolg mich nicht. Song. Cornelius.
Werke. Band i. M.414.20.1
Du liebe, du trauliche Stelle. Part-song. Kugler. Vier Ge-
sange. No. 6 in 11.392.15
Du liebes Auge. Song. Franz, R. Sechs Gesange. Op. 16.
No. 19 in M.244.5.2
Du liebst mich nicht. Song. Schubert, F. P. Werke. Seric
20, Band 7. M.317.1.20.7
Du malheur auguste victime. Aria. Sacchini. Le Sacchini
des concerts. M.274.9
Du malin le meschant vouloir. Anthem. Sweelinck. Werken.
Deel 3. M.413.2.3
Du mein einzig Licht. Song. Brahms. Deutsche Volkslieder.
Heft 6. No. 14 in M. 380.40.3
Du meines Herzens Kronzlein. Song. Strauss, R. „Schlichte
Weisen." No. x8 in M.380.24.1
Du mit den schwarzen Augen. Song. Kuecken. Neapoli-
tanisch. No. 15 in M.244.6.2
Du moins alors je la voyais. Romance. Weber, C. M. F. E.
VON. Sammtliche Lieder. Band 2. No. 96 in M.244.7
Du Miihle, tief im prachtigen Wald. Grunevv,\ld. Drei
Miihlenlieder. No. 42 in M.392.8
Du nennst mich armes Madchen. Song. Schumann, R. A.
.Sieben Lieder von E. Kulmann. No. I in M. 244.15.4; etc.
Du pauvre seul ami fidele. Song. Auber. No. 2 in M.157.38
Du Quell. Part-song. Fischer, C. L. Waldeslieder. 2. Hefl.
No. 61 in M.392.7
Du Quell hast einen siiszen Mund. Song. Waley. Thou
streamlet. No. 19 in M. 380.18
Du Ring an meinem Finger. Song. Schumann, R. A. Frauen-
liebe und Leben. No. 2 in M. 244.15. 2
Du ringst, O Mensch, vergebens. Song. Becvarovsky. Ge-
sange beim Klavier. Heft i. No. 20 in M.221.33
Du sagst mir dass ich keine Fiirstin sei. Song. Wolf, H.
Italienisches Liederbuch. Band 2. M. 380.29
Du schone, du liebe, du wonnige Maid. Part-song. Weinzierl,
No. 4 in M.280.6
Du schone Maid. Song. Kuecken. No. 18 in M.244.6.2
Du schone Welt! Song. Taubert, C. G. W. Sechs Lieder.
No. 24 in M. 192.8
Du schwabisches Madchen. Part-song. Blum, C. L.
No. 154 in M. 1293.43.5
Du Schweizervolk. Part-song. Billeter. No. i in M.130.7
Du Schwert an meiner Linken. Part-song. Weber, C. M. F.
E- VON. No. 15 in M.1293.43.1 ; etc.
Du Seigneur Dieu en tons endroits. Anthem. Sweelinck.
Werken. Deel 5. M.413.2.S
Du Seigneur les bontes. Anthem. Sweelinck. Werken. Deel 4.
M.413.2.4
Du siehst mich an. Song. Curschmann. Curschmann-Album.
No. I in M.1S7.37
I46
Du soUst Gott, deinen Herren, lieben. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang 18.
Du sollst vvillkommen sein. Part-song. Hecht, E.
No. 22 in 11.392.42.1
Du sprichst, dass ich mich tauschte. Song. Brahms. Lieder
und Gesange. Op. 32. Heft 2. No. 6 in M.380.40.1
Du Tropfen Thau. Part-song. Fischer, 'C. L. Waldeslieder.
2- Heft. No. 61 in 11.392.7
Du und Du. For orchestra. Strauss, J. Drei Walzer. M.404.22
Du wahrer Gott und Davids Sohn. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 5, Theil i.
Du weisst wohl. Song. Mihalovich. Sieben Gedichte.
No. I in M.380.21
Du wunderholde Maid. Song. Kuecken. Fiinf Lieder.
No. 2 in M.244.6.2
Dubbio verno, Un, un instabil sereno. Part-song. Lassus.
Sammtliche Werke. Band 6. M.8o4oa.67.6
Duboc, fimile.
Considerations sur I'art musical. Havre. Costey. 1861.
No. 3 in M.373.24
Dubois, Charles Victor.
Ave Maria, pour une voix [a.] avec accomp. d'orgue. Paris.
Schott. [186-?] No. 13 in M.201.33
Tantum ergo, pour 4 voix avec accomp. d'orgue. Paris.
Schott. [186-?] No. ig in M.260.10.7
Du Bois, Floy Reading.
The dynamiters. Music by N. H. Pride. Lyrics by F. R.
DuBois, J. G. Forbes and others. No. 2 in M.382.11
Dubois, Francois Clement Theodore.
Aben-Hamet. Opera en 4 actes et un prologue de Leonce
Detroyat et A. de Lauzieres. Musique de Theodore
Dubois. Partition italienne [et frangaise] pour chant et
piano. Paris. Heugel. 1884. M. 305.19
Le bapteme de Clovis. Ode de Leon XIII a la France . . .
Musique de Theodore Dubois. Choeur a quatre voix, bary-
ton solo, tenor solo. [Partition piano et chant. 1 Paris.
Au Menestrel. 1899. No. i in M.384.25
Concerto pour violon, avec accompagnement d'orchestre.
Partition d'orchestre. Paris. Heugel. 1898. M.4o6.6t
Concerto, 2me, pour piano et orchestre. Partition d'or-
chestre. Paris. Heugel. 1897. M.406.62
L'enlevement de Proserpine. Scene lyrique pour soli [s. b.].
choeurs et orchestre. Paroles de Paul Collin. Musique
de Th. Dubois. Partition piano et chant. Paris. Girod.
[187-?] No. 3 in M.213.5
La farandole. Ballet en 2 actes et 3 tableaux, de Ph. Gille,
Arnold Mortier et L. Merante. Musique de Theodore
Dubois. [Partition pour piano.] Paris. Heugel. [1883.]
No. 2 in M.305.17
Same. Ballet de I'opera, suite d'orchestre. Partition d'or-
chestre. Paris. Heugel. [1883?] No. i in M.405.9
La guzia de I'emir. Opera-comique en i acte, de Jules Bar-
bier et Michel Carre. Musique de Th. Dubois. [Parti-
tion chant et piano.] Paris. Hartmann. [1873.] M.305.16
In Paradisum. [For the organ.] Boston. O. Ditson Co.
[1898.] No. 4 in M.4I4.3I
Notre-Dame de la Mer. Poeme legendaire de Louis Gallet,
pour soli, choeurs & orchestre. Musique de Theodore
Dubois. Partition piano & chant. Paris. Heugel & cie.
1897. No. 2 in M.ig3.3
Same. Intermede symphonique de Notre Dame de la Mer.
Poeme legendaire. Partition. Paris. Heugel & cie. 1901.
No. I in M.404.78
Ouverture de Frithiof. Partition d'orchestre. Paris. Heu-
gel & c>e. 1894. No. 2 in M.406.10
Ouverture symphonique. Partition d'orchestre. Paris. Heu-
gel & c'e. 1894. No. 3 in M.406.10
Le pain bis. Opera comique en i acte. Paroles de Bruns-
wick [pseud.] et de Beauplan [pseud.]. Musique de Th.
Dubois. Partition piano et chant. Paris. Egrot. [1879.]
No. I in M.305.17
Le paradis perdu. Drame oratorio en 4 parties pour soli,
choeurs et orchestre, d'apres le poeme do Milton. Paroles
de Edouard Blau. Musique de Theodore Dubois. Parti-
tion piano et chant. Paris. Girod. [1878.] M.305.18
361
Dubois
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Due
Dubois, FranQois Clement Theodore. (Continued.)
Suite villageoise. Partition d'orchestre. Paris. Heugel &
cie. 1894. No. I in M.406.10
Du Bos, Jean Baptiste.
Critical reflections on poetry, painting and music. Trans-
lated by Thomas Nugent. London. Nourse. 1748- 3 v.
M.116.13
Du Bosch, Georges Alexandre Jean Gustave.
Frasquita. Opera comique. Paroles de Lucien Solvay et
Georges Du Bosch. Musique de Laurent de Rille.
No. 3 in M.300.1
Dubost, Antoine.
L'amour et les allumettes. Operette. Paroles de Aug.
Jouhaud. Musinue de Ant. Dubost. [Partition chant et
piano.] Paris. Feuchot. [1875?] No. 5 in M.30S.9
Dubourg, George.
The violin; some account of that instrument and its most
eminent professors. 4th edition, enlarged. London.
Cocks & Co. [1872.] M.149.16
Dubourg, Paul.
Gare aux choux. Opera-comique. Musique de L. Roques.
No. 3 in M.307.37
Une loi somptuaire. Operette. Musique de Victor Masse.
No. 3 in M.247.28
La petite sceur d'Achille. Operette. Musique de Victor
Masse. No. 3 in M.247.3S
Le poltron. Operette. Musique de Th. Semet.
No. 3 in M.322.16
Dubreuil, Alphonse Du Conge.
Iphigenie en Tauride. Tragedie lyrique. Mise en musique
par M. Piccinni. m:.2S4.24
Paul et Virginie, ou le triomphe de vertu. Drame lyrique.
Musique de M. Le Sueur. M.263.3
Dubreuil, Ernest.
La belle Bourbonnaise. Opera-comique. Poeme de MM.
Ernest Dubreuil et H. Chabrillat. Musique de A. Coedes.
M.285.22
Le bourgeois de Calais. Opera comique. Paroles de Ernest
Dubreuil et Paul Burani [pseud.]. Musique de Andre
Messager. M.257.25
Le cadi. Opera-comique. Paroles de Michel Carre & E.
Dubreuil. Musique de Leon Vercken. No. 2 in M.32S.31
La double epreuve. Opera-comique. Musique de Leon
Vercken. No. 3 in M.32S.39
Frangois les Bas Bleus. Opera comique. Paroles de MM^s.
Ernest Dubreuil, Eugene Humbert et Paul Burani
[pseud.]. Musique de Firmin Bernicat terminee par
Andre Messager. M.265.11
La harpe d'or. Opera-legende de M. Ernest Dubreuil et
Jaime fils, musique de Felix Godefroid. No. i in M.266.6
Little Christmas. A village legend, with music for ladies'
voices, composed by Ferdinand Poise. No. 4 in M.204.22
Pierrot fantome. Opera-comique. Paroles de MM. E. Du-
breuil et L. Stapleaux. Musique de L. Vercken.
No. I in M.325.31
Le roi des mines. Opera. Musique de E. Cherouvrier.
M.363.7
Saint-Megrin. Opera-comique. Poeme d'Ernest Dubreuil
et Eugene Adenis [pseud. Musique de] P. [et] L. Hille-
macher. M.276.42
Le signal. Opera comique. Poeme de Ernest Dubreuil et
William Busnach. Musique de Paul Puget.
No. I in M.2g7.i8
Dubreuil, Jean.
Dictionnaire lyrique portatif, ou choix des plus jolies
ariettes de tons les genres, disposees pour la voix & les
instrumens, avec les paroles frangoises. [Avec un supple-
ment.] Paris. Lacombe [etc.]. 1769, 71. 4 v. M.208.1
Contents. — I. A — L. 2. M — V. 3. [Supplement i]. A — L. 4. Supple-
ment 2]. M — V.
Dubron, Victor.
Le bouquet. Opera-comique. Musique de C. Chaulier.
No. 3 in M.27S.32
Dubuisson, Paul Ulric.
L'impresario in angustie, ou le directeur dans I'embarras.
Opera bouffon. Musique del Ss'"' Cimarosa. M.29i.ii
Dubuisson, Paul Ulric. (Continued.)
Same. Intermezzo. Musica del Sig''. Domenico Cimarosa.
M.31.11
Laurette. Opera-comique. Musique del Sig. J. Haydn.
M.292.24
Zelia. Drame. Musique de Deshaye[s]. M.252.2g
Dubuisson, Paul Ulric, translator.
Paisiello. Le Roi Theodore a Venise. M.293.19
Dubuque May Musical Festival, 4th.
[Plan of the Festival, programmes, etc. Dubuque.] 1889.
No. 4 in M.373.30
Dubut de Laforest, Jean Louis.
Rabelais. Piece operette de Oscar Metenier & Dubut de
Laforest. Musique de Louis Ganne. No. 2 in M.2S6.33
Due de Ferrare, Le. Opera. For the Music see Marty. For
the Libretto see Milliet.
Due d'Olonne, Le. Opera. For the Music see Auber. For the
Libretto see Scribe.
Due d'Olonne, Le. Overture. Auber. No. 2 in M.332.3
Due et pere. Opera. For the Music and Iibretto see Duvey-
rier, H. M. J.
Duca d'Alba, II. Opera. For the Music see Donizetti; also
Pacini, G. For the Libretto see Scribe; also Peruzzini.
Duca di Scilla, II. Opera. For the Music see Petrella. For
the Libretto see Peruzzini.
Duca di Tapigliano, II. Opera. For the Music see Cagnoni.
For the Libretto see Ghislanzoni.
Ducancel, Charles Pierre.
Memoire pour J. F. Lesueur. Paris. Goujon. An xr. (1802.)
M.144.11
Duchess, The, of Dantzic. Opera. For the Music see Tilkins.
For the Libretto see Hamilton, H.
Duchessa di S. Giuliano, La. Opera. For the Music see Graf-
figna. For the Libretto see Peruzzini.
Duchessa di Guisa, La. Opera. For the Music see Serrao. For
the Libretto see Piave.
Duchesse de Ferrare, La. Opera. For the Music see Audran.
For the Libretto see Boucheron.
Duclos, Charles Pineau.
Les caracteres de la folic. Ballet, mis en musique par M.
de Bury. No. i in M.281.18
Du Commun Du Locle, Camille.
La deesse et le berger. Opera comique. Musique de J.
Duprato. M.305.2S
Don Carlo. Opera. Poesia di Mery & C. du Locle. Musica
di G. Verdi. M.328.26
La fiancee de Corinthe. Opera. Musique de J. Duprato.
No. I in M.30S.27
Helle. Opera. Paroles de Camille Du Locle & Charles
Nuitter [pseud.]. Musique de Alphonse Duvernoy.
M.303.28
M'sieu Landry. Operette. Musique de J. Duprato.
No. 2 in M.30S.26
Promethee enchaine. Musique de Georges Mathias. M.2S7.11
Salammbo. Opera. Musique de E. Reyer. M.307.8
Sigurd. Opera de Camille Du Locle & Alfred Blau. Mu-
sique de E. Reyer. M.307.10
Ducros, Emmanuel.
Rioval. [Scene lyrique.] Musique de J. A. Wiernsberger.
No. 4 in M.213.18
Dudevant, Amantine Lucile Aurore Dupin.
Die Grille von Berry. (La petite Fadette.) Komische Oper
von George Sand [Pseud.]. Musik von Th. Semet. M.327.6
Dudley, Bate. See Bate-Dudley, Sir Henry.
Dudley, Edward Lawrence.
Wytche Hazelle. Music by Harold Tappin, 00. Libretto
and lyrics by J. H. Holliday, '00, and E. L. Dudley, '00.
No. 2 in M.382.48
Due baroni, I . . . Opera. For the Music see Cimarosa.
Due begl's occhi lucente. Madrigal. Pizzoni.
No. 83 in M.IS7.20.3; etc.
Due ciabattini. Opera. For the Music see Ruggi. For the
Libretto see Spadetta.
Due contesse, Le. For the Libretto see Paisiello.
Due fanciuUe, Le. Duet. Campana. No. 2 in 11.244.9
362
Due
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duets
Due fidanzate, Le. Opera. For the Music see Baur, A. For
the Libretto see Ghislanzoni.
Due Figaro, I. For the Music see Speranza, A. G. For the
Libretto see Romani, F.
Due Foscari, L Opera. For the Music see Verdi. For the
Libretto see Piave.
Due gemelle, I. Opera. For the Music see Guglielmi, P.
Due giornate, Le. Opera. For the Music see Mayer, J. S. For
the Libretto see Foppa.
Due illustri rivali, Le. Opera. For the Music see Mercadante.
For the Libretto see Rossi, G.
Due orsi, I. Opera. For the Music see Dall' Argine. For the
Libretto see Ghislanzoni.
Due sergenti, L Opera. For the Music see Mazzucato. For
the Libretto see Romani, F.
Due supposti conti, L Opera. For the Music see Cimarosa.
Duel, Un. a Valence. Opera. For the Music see Louis, N. For
the Libretto see Brard.
Duel, Le. de Benjamin. Opera. For the Music see Jonas, E.
For the Libretto see Mestepes.
Duello, II. Opera. For the Music see Paisiello. For the Li-
bretto see Lorenzi.
Duenna, The, or double elopement. For the Music see Lin-
ley, T. For the Libretto see Sheridan.
Duerenberg, F. L. S. von.
Die Symphonien Beethovens und anderer beriihmter Meis-
ter . . . Analysirt und zum Verstandnisse eriautert. Leip-
zig. Matthes. 1863. No. 3 in M. 139.3
Duerer in Venedig. Opera. For the Music see Baussnern.
For the Libretto see Bartels.
Dueringer, Philipp Jakob.
Albert Lortzing, sein Leben und Wirken. Leipzig. Wigand.
iS.i^i. Portrait. M.ioga.29
Duerrner, Ruprecht Johannes Julius.
Hard times. A four-part song [t. t. b. b.]. (In The Orpheus.
New series. Vol. 5, pp. 99-109.) No. 21 in M. 205. 10.5
Heimliche Liebe. fMannerchor.] (In Regensburger Lieder-
kranz. Pp. 53, .=!4.) No. 24 in M.i2ga.44
Sechs Gesange fiir 4 Mannerstimmen. Op. 7. Leipzig.
Breitkopf & Hiirtel. [184-?] No. 14 in M.392.7
Contents. — Der rechte Mann. — juchheil Friihling. — Treue Liebe.
— Schneeglockchen. — Soldatenart. — Das Lied vom Wcin.
The spring again rejoices. [Part-song, t. t. b. b.] (In
Chickering collection. Vol. i, pp. 55, 56.)
No. 24 in M.392.48.1
Sturmbeschworung. [Mannerchor.j (In Regensburger
Liederkranz. Pp. 74-76.) No. 33 in M. 1293.44
Also to be found in Das RiitU.
Same. The storm at sea. fPart-song, t. t. b. b.] (In Mo-
senthal. Songs of the Mendelssohn Glee Club. Pp. 136,
137.) No. 36 in M.204.38
Treue Liebe. fMannerchor.] (In Regensburger Lieder-
kranz. Pp. 20, 21.) No. 9 in M.i29a.44
Das V5glein im Walde. [Mannerchor.l (In Regensburger
Liederkranz. Pp. 265-268.) No. 97 in M.i29a.44
Also to be found in Das Riitli.
Same. Bird of the forest. [Part-song, t. t. b. b.J (In
Chickering collection. Vol. i, pp. 63, 64.)
No. 28 in M.392.48.1
Duets.
Many of the instrumental duets in this section allow for a choice of
instruments, but the work is entered only under the name of the in-
strument first mentioned. If a duet is written for the pianoforte and
some other instrument it is alphabetized under the name of that other
instrument. See also the subdivision under Sonatas.
Duets. Bassoon and pianoforte.
Goepfart. 2 Charakterstiicke fiir Fagott und Klavier. Op.
31. No. 3 in M.410.33
Duets. Clarinet and pianoforte.
Goepfart. Drei Stiicke fiir Clarinette (in B) und Klavier.
Op. 29. No. 2 in M.410.33
Schumann, R. A. Fantasiestiicke fiir Pianoforte u. Clari-
nette (oder Violine, oder Violoncell). Op. 73.
No. 5 in M.3S3.is;etc.
Duets. Flute and pianoforte.
Lemoine, H. Divertissement pour piano et violon ou fliite,
. . . sur des motifs de La sentinelle perdue [de Rifaut].
Par H. Lemoine, Op. 31, et N. Louis, Op. 24.
No. 10 in M.3go.i2
Duets. Flute and pianoforte. (Continued.)
Fantaisie pour piano et flfite ou violon . . . sur le bal-
let de L'orgie de Carafa. Par Henri Lemoine et N. Louis.
Op. 24 et 9. No. 8 in M.390.12
Fantaisie pour piano et fliite sur une cavatine du
Grand prix d'Adolphe Adam par Henri Lemoine et N.
Louis. Op. 21 et 8. No. 7 in M.390.12
Louis, N. Ave Maria. Nocturne concertant pour piano et
flute, sur une priere de Mad"^ L. Puget. Op. 42.
No. 11 in M.390.12
6 petits morceaux de salon sur des motifs de Mile L.
Puget pour piano et flute [ou violon]. Op. 144.
No. 1--6 in M.390.12; etc
Son nom! Nocturne concertant pour piano et fliite,
sur la romance de M"« L. Puget. Op. 64.
No. 12 in M.390.12
Fantaisie concertante sur une melodie Suisse pour
piano et flute par N. Louis et Forestier. No. 13 in M.3go.i2
Souvenirs de Nice. Deux quadrilles de contredanses
dialoguees pour piano et violon ou fliite par N. Louis et
Henri Lemoine. No. 16, 17 in M.390.12
Duets. Horn and pianoforte.
Schumann, R. A. Adagio und Allegro fiir Pianoforte und
Horn (ad libit. Violoncell oder Violine). Op. 70. Werke.
Serie 5, Band 3. M.316.1.S.3
SiEBER, J. G. Nocturne, Quatrieme, pour forte piano, avec
cor. ou violon, ou violoncelle, sur la cavatine du Pirate de
Bellini. [Piano seul.] No. 12 in M.210.6
Same. [Partie de cor.] No. 21 in M.210.12
Same. [Partie de violon.] No. 19 in M.210.10
Same. [Partie de violoncelle.] No. 20 in M.210.12
Duets. Oboe and pianoforte.
Goepfart. 2 Characterstiicke fiir Oboe und Clavier. Op. 27.
No. I in M.410.33
Louis, N. Fantaisie brillante sur Le roi d'Yvetot, opera
d'Ad. Adam, pour piano et hautbois par N. Louis et A.
Veny. No. 14 in M.390.12
Souvenirs de Richard Coeur de Lion, de Gretry, pour
piano & hautbois par N. Louis et A. Veny.
No. 15 in M.390.12
Schumann, R. A. Drei Romanzen fiir Oboe (ad libit. Vio-
line) und Pianoforte. Op. 94- Werke. Serie 5. Band 3.
M.316.1.S.3
Duets. Pianofortes. See Pianoforte. Music. Four hands.
Duets. Viola and pianoforte.
Schumann. R. A. Marchen-Bilder. Vier Stiicke fiir Piano-
forte und Viola (Violine ad libit.). Op. 1x3.
No. 9inM.353.is;etc.
Duets. Violin and flute.
I oui^. N. Duo-fantaisie pour flute et violon. Op. 12S.
No. 19 in M.390.12
Grand duo concertant pour violon et fliite. Op. 3.
No. 18 in M.390.12; etc.
Duets. Violin and harp.
Labarre. Fantaisies et variations concertantes . . . Ar-
rangees pour harpe et violon par Th. Labarre et N. Louis.
No. 17-19 in M.390.13
Duets. Violin and pianoforte.
Amelot. Fantaisie pour violon avec accomp. de piano.
Qp .^ No. I in M.210.1; etc.
Barbedette. Fantaisie concertante pour piano et violon sur
les motifs de Moise, opera de G. Rossini par Barbedette
et Pellegrin. No. 2 in M.210.1; etc.
Batta. a. Fantaisie et adagio de la cavatine chantee par
Rubini dans I'opera La somnambule, composee pour le
violoncelle par A. Batta et arrangee pour le violon avec
accomp. de piano par N. Louis. [Parties separees.]
No. 10 in M.390.10
Baudiot. La dame du lac. Duo concertant pour piano et
violon, arrange d'apres le duo pour harpe et violoncelle
de Baudiot par N. Louis. No. 10 in M.390.10
Duo pour piano et violon sur la romance. Le depart
de la Montagnarde, de F. Berat. Arrange d'apres le duo
de piano et violoncelle de Baudiot, par N. Louis.
No. 9 in M.390.10
.363
Duets
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duets
Duets. Violin and pianoforte. (Continued.)
Beethoven. Andante & March. Violin and piano. [Ar-
ranged by Henri Ernst.] No. 4 in M.357.12
Ouvertures choisies df L. van Beethoven. Arrangees
pour piano et violon par W. Meves. No. i in M.357.8
Rondo (in G). Violin and piano.
No. 7 in M.3S7.12; etc.
Zwolf Variationen uber die Arie: „Se vuol ballare,
Signor contino" aus der Oper Figaro's Hochzeit von
Mozart, fiir Pianoforte und Violine. Werke. Serie 12.
M.413.1.12
Bellini. Ouvertures choisies de V. Bellini. Arrangees
pour piano et violon par W. Meves. No. 2 in M.357.8
Bertini, H. J. 3 duos pour piano et violon arranges par N.
Louis d'apres les trios Op. 20, 21 et 22 composes par Henri
Bertini jeune. No. 1-3 in M.390.10
BoCHSA. [Nocturne, 2™"^, en si bemol, pour piano et violon-
celle, ou violon par Bochsa et Duport. 2e edition. CEuvre
70.] No. 10, II in M.210.2; etc.
BoHRER, M. Duo concertant compose par Max: Bohrer,
Op. 14, pour piano et violoncelle, arrange pour piano et
violon par N. Louis. No. 7 in M.390.2
Davenport, A. Gen'l Custer's funeral march. Violin and
piano. No. 23 in M.357.12
Ernst, H. Gipsey dance. Violin and piano.
No. 22 in M.357.12
La priere. Violin and piano. No. 26 in M.3S7.12
Franck, C. a. Panis angelicus. Le pain des anges. (Ex-
trait de la messe solennelle.) Arrange [pour] violon [ou
violoncelle] et piano [ou orgue]. No. I in M.410.27
Gounod. Menuetto. Violin and piano. No. 29 in M.357.12
Halevy, J. F. F. £. Romance. (L'ficlair.) Violin and
piano. [Arr. by Henri Ernst.] No. 20 in M.3S7.12
Haydn, F. J. Serenade. Violin and piano. [Arr. by Henri
Ernst.] No. 25 in M.357.12
Trois symphonies. Arrangees pour le clavecin ou
piano-forte, avec accomp.de violon. Par A. J. Gros.
CEuvre 8. [Piano seul.] No. 2 in M.210.3
Same. [Partie de violon.] No. 21 in M.210.9
Herz, H. La Carlotta-Grisi. Grande valse . . . , arrangee
pour piano et violon par N. Louis. No. 8 in M.390.10
Trois sceurs. Trois fantaisies pour piano, Op. 118,
arrangees pour piano et violon par N. Louis.
No. 4-6 in M.390.10
Jadin, L. E. Serenade concertante, Troisieme, pour piano
et violon ou fliite obligee. No. 5 in M.210.3
Jungmann. Harp-sounds. Violin and piano. [Arr. by
Henri Ernst ] No. 21 in M.3S7.12
Krause, a. Romanze. Violin and piano. [Arr. by Henri
Ernst.] _ No. 27 in M.357.12
KuHLAU. Deux airs varies . . . arranges pour piano et vio-
lon concertans par N. Louis. Op. 65 bis, loi bis.
No. 18, 19 in M.390.19
2 grands duos brillans . . . arranges pour piano et
violon. Op. 33, 69 bis. No. 16, 17 in M.390.19
3 airs varies . . . arranges pour piano et violon par
N.Louis. Op. 112. No. 10-12 in M.390.19
Trois airs varies et rondo, sur I'opera de G. Onslow:
Le colporteur. Op. 94 bis, 98 bis, 99 bis . . . Arranges
pour piano et violon concertans par N. Louis.
No. 4-6 in M.39o.ig
3 duos brillans . . . arranges pour piano et violon
concertans par N. Louis. Op. 83 bis. No. 1-3 in M.390.19
3 grands duos concertans . . . Op. 64 bis, 71 bis, 85
bis. Arranges pour piano et violon par N. I^ouis.
No. 7-9, 13-15 in M.390.19
Lemoine, H. Fantaisie concertante [2el pour piano et vio-
lon, avec accomp. de basse, ad-libitum, sur des motifs de
Mathilde de Sabran par A. H. Lemoine fils et N. Louis.
Op. 3 et 8. No. 2 in M.390.1
Souvenir du Pre aux clercs. Fantaisie pour piano et
violon avec accomp. de basse (ad libitum) par A. H. Le-
moine fils et N. Louis. Op. 4 [et] 10. No. 4 in M.390.1
Liszt. Melodies hongroises de F. Liszt, arrangees pour
piano et violon par N. Louis. No. 17 in M.3go.i8
364
Duets. Violin and pianoforte. (Continued.)
Lovis XIU. of France. Amaryllis. Violin and piano. [Arr.
by Henri Ernst.] No. 24 in M.3S7.ia
Louis, N. Andante et rondo sur I'opera Don Pasquale de
G. Donizetti pour piano et violon. Op. 131.
No. II in M.390.18
Les bijoux. 2 fantaisies gracieuses pour piano et vio-
lon sur des melodies de Pilati, Bergmiiller, Bellini, Labit-
ski. Op. 177. No. 2, 3 in M.3go.28
Brises d'ltalie. Vingt duos concertants, progressifs et
melodiques pour piano et violon. Op. 185.
No. 1-20 in M.390.24
Caprice sur La dame blanche de Boieldieu, pour piano
et violon concertans. Op. 203. No. 9 in M.390.28
Caprice sur Les deux nuits de Boieldieu, pour piano
et violon concertans. Op. 207. No. 12 in M.390.28
I Capuletti. Fantaisie brillante sur une cavatine de
I'opera de Bellini pour le violon avec accomp. de piano.
No. 18 in M.390.18
Deux fantaisies brillantes sur les melodies favorites
de L'elisire d'amore de Donizetti. Pour piano & violon.
Op- loi. No. I, 2. in M.390.7
2 fantaisies gracieuses sur La fee aux roses de F.
Halevy, pour piano et violon. Op. 189.
No. 21, 22 in M.390.24
2 mosaiques faciles sur I'opera Nina de A. Thomas,
pour piano et violon. Op. 143. No. 10, 11 in M.sgo.is
Divertissement brillante sur Manon Lescaut, opera de
Auber, pour piano et violon. Op. 264. No. 6 in M.390.36
Divertissement concertant, ler, pour piano et violon,
sur des motifs de I'opera La mantille de L. Bordese. Op.
77- No. 3 in M.390.7
Divertissement concertant, 2e, pour piano et violon,
sur les motifs de I'opera Le planteur, de H. Monpou. Op.
77- No. 4 in M.390.7
Divertissement pour piano et violon sur des airs du
ballet La filleule des fees de A. Adam et A. de S* Julien.
Op. 191. No. 5 in M.390.20
Divertissement pour piano et violon, sur les motifs de
La fille du regiment de Donizetti. Op. 93. No. 5 in M.390.7
Divertissement sur des motifs d'un ballet de A. Adam,
pour piano et violon. Op. 208. No. 13 in M.390.18
Divertissement sur Le farfadet, opera d'A. Adam, pour
piano et violon. Op. 226. No. 14 in M.390.29
Divertissement sur Stella, ballet de S'. Leon et Pugni,
pour piano et violon. Op. 234. No. 9 in M.390.35
12 caprices-etudes pour piano et violon. Op. 80.
No. 2 in M.390.27
12 melodies-etudes pour piano et violon. Op. 120.
No. I in M.3go.27
Duettino brillant, pour piano et violon. Op. 67.
No. 16 in M.390.13
Duo brillant pour piano et violon, sur des motifs de
I'opera Les treize de F. Halevy. Op. 76. No. 5 in M.3go.i8
Fantaisie brillante pour piano et violon sur L'etoile du
nord de G. Meyerbeer. Op. 249. No. 16 in M.3go.3S
Fantaisie brillante sur I'opera La chanteuse voilee. de
Victor Massee, pour piano et violon. Op. 206.
No. II in M.3go.28
Fantaisie brillante sur I'opera Le roi d'Yvetot d'Ad.
Adam, pour piano et violon. Op. 129. No. 10 in M.3go.i8
Fantaisie brillante sur La Fanchonnette, de Clapisson.
pour piano et violon. Op. 265. No. 7 in M.3go.36
Fantaisie brillante sur La favorite de G. Donizetti,
pour piano et violon. Op. 103. No. 11 in M.390.7
Fantaisie brillante sur La reine de Chypre de F.
Halevy, pour piano et violon. Op. 118. No. 8 in M.390.18
Fantaisie brillante sur Le caid d'Ambr. Thomas, pour
piano et violon. Op. 192. No. 6 in M.390.28
Fantaisie brillante sur Le nabab de F. Halevy, pour
piano et violon. Op. 244. No. 15 in M.3go.3S
Fantaisie brillante sur Le Pere Gaillard, opera de
Reber, pour piano et violon. Op. 231. No. 7 in M.390.3S
Fantaisie brillante sur Le 3 nozze, opera d'Alary, pour
piano et violon. Op. 236. No. 10 in li.3go.3s
Duets
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duets
Duets, Violin and pianoforte. (Continued.)
Fantaisie brillante sur Mosquita la sorciere, de X.
Boisselot, pour piano et violon concertans. Op. 218.
No. 10 in M.390.29; etc.
Fantaisie concertante [i^'^], pour piano et violon, sur
I'air Vierge timide du Bocage. Op. 4. No. i in M. 390.1
Fantaisie concertante, 3e, pour piano et violon, sur la
romance: Emmene moi. Op. 7. No. 3 in M.390.1
Fantaisie dramatique pour piano et violon, sur des
melodies de F. Schubert. Op. 73- No. 15 in M.390.7
Fantaisie elegiaque pour piano et violon sur des motifs
des Martyrs de G. Donizetti. Op. 92. No. 14 in M.390.7
Fantaisie gracieuse sur Marco Spada, de Auber, pour
piano et violon. Op. 239. No. 11 in M.390.35
Fantaisie gracieuse sur une melodie de Bellini, pour
piano et violon. No. 7 in M.390.10
Fantaisie gracieuse sur Zerline, ou la corbeille
d'oranges de Auber, pour piano et violon. Op. 214.
No. 7 in M.390.29
Fantaisie heroique sur I'opera Charles VI de F.
Halevy, pour piano et violon. Op. 137. No. 13 in M.390.18
Fantaisie italienne, sur des motifs de Mercadante,
pour piano et violon. Op. 116. No. 7 in M.390.18
Fantaisie-melodique pour piano et violon sur des
motifs de L'enfant prodigue, opera de Auber. Op. 210.
No. 16 in M.390.18
Fantaisie mignonne, 3e, sur I'opera: II furioso de
Donizetti, pour piano et violon. Op. 170.
No. 23 in M.390.24
Fantaisie montagnarde pour piano et violon. Op. 85.
No. 13 in M.390.7
Fantaisie sur La perle du Bresil de Felicien David,
pour piano et violon. Op. 223. No. 11 in M.390.29
Fantaisie sur La poupee de Nuremberg, d'Ad. Adam,
pour piano et violon. Op. 225. No. 13 in M.390.29
Fantaisie sur Le carillonneur de Bruges, opera de
Grisar, pour piaoo et violon. Op. 224. No. 12 in M.3go.29
Fantaisie sur Le juif errant, de F. Halevy, pour piano
et violon. Op. 228. No. 5 in M.390.3S
Fantaisie tyrolienne. Pour piano et violon. Op. 261.
No. S in M.390.36
Les fiances, drame lyrique en 6 parties, compose pour
piano et violon . . . d'apres la legende de Mery. [Op.
230.] No. 6 in M.390.35 ; etc.
Les fleurs du bal. 3 valses brillantes, pour piano et
violon. Op. 217. No. 1-3 in M.390.3S
Frere et soeur, 2 fantaisies elegantes pour piano et vio-
lon. Op. 242. No. 12, 13 in M.390.35
Galathee. Fantaisie melodique pour piano et violon.
Op. 227. No. 15 in M.39o.2g
Grand caprice concertant pour piano et violon sur des
motifs des Huguenots de Meyerbeer. Op. 24.
No. 6 in M.390.2
Grand duo brillant [pour piano et violon] sur Le gui-
tarrero de F. Halevy. Op. 104. No. 10 in M.390.7
Grand duo concertant pour piano et violon, sur des
motifs de L'eclair de F. Halevy. No. 5 in M.390.2
Grand duo concertant pour piano et violon sur I'opera:
Les deu.x sergents. Op. 205. No. 10 in M.390.28; etc.
Grande fantaisie pour piano et violon sur . . . I'opera
Guido et Ginevra de F. Halevy. Op. 65. No. 12 in M.390.7
Grande fantaisie pour violon et piano sur Maria di
Rohan de Donizetti. Op. 145- No. 3 in M.390.13
Hommage a Rossini. Fantaisie pour piano et violon
concertans. Op. 172. No. I in M.390.28
8 fantaisies-etudes composees pour piano et violon.
Op. 130. No. 3 in M.390.27
Introduction et rondo-valse pour piano et violon, sur
les melodies Nizza de Rossini et Nella de Meyerbeer.
Op. 86. No. 6 in M.390.18
Nocturne concertante sur La dame de pique de F.
Halevy, pour piano et violon. Op. 211. No. 17 in M.390.28
Les plaisirs de la valse. Trois fantaisies concertantes
et progressives pour piano et violon, sur les plus jolies
valses de Strauss. Op. 55. No. 1-3 in M.3go.28
Duets. Violin and pianoforte. (Continued.)
La polka nationale, nouvelle danse allemande dia-
loguee pour piano et violon, avec introduction et finale.
Op. 148. No. 15 in M.390.18
Le premier pas. 3 duettinos pour piano & violon.
Op. 275. No. 11-13 in M.390.36
La premiere soiree. 3 petites fantaisies pour piano et
violon. Op. 255. No. 2-4 in M.390.36
La retraite. Petite fantaisie militaire pour piano et
violon. Op. 273. No. 9 in M.390.36
Reveries musicales: 3 fantaisies pour piano et violon.
No. I, 2. Op. 215. No. 8, 9 in M.390.2g
Les reveries orientales: 2 fantaisies pour piano et vio-
lon. Op. 213. No. 5, 6 in M.390.29
Rondo elegant, pour piano et violon. Op. 274.
No. 10 in M.390.36
Rondo hongrois, compose pour le violon, avec ace', de
piano. Op. 243. No. 14 in M.390.35
Rondoletto pour piano, avec accomp. de violon, ad.
libit. Op. 6. No. 8 in M.390.2; etc.
Serenade, ire, pour piano et violon, sur Les laveuses
du convent de Grisar. Op. 43. No. i in M.390.5
Serenade, 2e, pour piano [et] violon. Op. 48.
No. 2 in M.390.5
Serenade, 3e, pour piano et violon, sur des motifs du
Postilion de Loujumeau, d'Adolphe Adam. Op. 49.
No. 3 in M.390.S
Serenade, 4e, pour piano et violon. Sur des motifs
tires des Soirees de Rossini. Op. 51. No. 4 in M.390.5
Serenade, Se, pour piano & violon, sur les motifs de
La sonnambula de Bellini. Op. 57.
Serenade, 6e, pour piano et violon,
I'opera La double echelle, de Thomas.
No. 5 in M.390.S
sur les motifs de
Op. 59-
No. 6 in M.390.5
•sur des motifs du
No. 7 in M.390.5
Serenade, 7e, pour piano et violon,
Fidele berger d'Ad. Adam. Op. 62.
Serenade, 8e, pour piano et violon, sur des motifs du
ballet: La chatte metamorphosee en femme de Montfort.
Op. 63. No. 8 in M.390.5
Serenade, Qe, pour piano et violon, sur des motifs de
I'opera Le brasseur de Preston, d'Adolphe Adam. Op. 72.
No. 9 in M.390.S
Serenade, loe, pour piano et violon, sur des motifs de
I'opera Lucie de Lammermoor, de Donizetti. Op. 79.
No. 10 in M.3go.s
Serenade, lie, pour piano et violon sur des motifs de
I'opera Le sherif, de F. Halevy. Op. 85. No. 11 in M.390.5
Serenade, I2e, pour piano et violon, sur I'opera Lu-
crezia Borgia de Donizetti. Op. 95. No. 12 in M.390.S
Serenade, I3e, sur I'opera Le puits d'amour de Balfe,
pour piano et violon. Op. 141. No. I in M.390.22
Serenade, I4e, sur des motifs favoris de Mi'e L. Puget,
pour piano et violon. Op. 147. No. 14 in M.390.18; etc.
Serenade, I5e, pour piano et violon sur les motifs de
La part du Diable de D. F. E. Auber. Op. 135.
No. 3 in M.390.22
Serenade, i6e, pour piano et violon. Sur des motifs
de La sirene d' Auber. Op. 150. No. 19 in M.210.3; etc.
Serenade, I7e, pour piano et violon sur des motifs de
Cagliostro, opera d'A. Adam. Op. i.=;i. No. 5 in M.390.22
Serenade, i8e, pour piano et violon sur des motifs de
Guillaume Tell de Rossini. Op. i.S9. No. 6 in M.390.22
Serenade, I9e, sur I'opera d'Halevy: Les mousque-
taires de la reine, pour piano et violon. Op. 165.
No. 7 in 390.22
Serenade, 20e, sur des motifs de son opera: Marie-
Therese pour piano et violon. Op. 168. No. 8 in M.390.22
Serenade, 2ie, sur I'opera: Ne touchez pas a la reine,
de X. Boisselot, pour piano et violon. Op. 173.
No. 9 in M.390.22
Serenade, 22e, sur I'opera: Gille ravisseur d'Albert
Grisar, pour piano et violon. Op. 176. No. 10 in M.390.22
Serenade, 23e, pour piano et violon, sur des motifs du
Val d'Andorre, opera comique de F. Halevy. Op. 178.
No. II in M.390.22
365
Duets
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duets
Duets. Violin and pianoforte. (Continued.)
Serenade, 24e, sur La Cenerentola de Rossini, pour
piano at violon. Op. i8o. No. 12 in M.390.22
Serenade sur des motifs de Si j'etais roi, d'Ad. Adam,
pour piano et violon. Op. 232. No. 8 in M.390.35
Serenade sur Giralda d'Ad. Adam, pour piano et vio-
lon. Op. 201. No. 8 in M.3go.28
Serenade sur Jenny Bell, opera de Auber, pour piano
et violon. Op. 254. No. i in M.390.36
6 petits morceaux de salon sur des motifs de Mile L.
Puget pour piano et fliite [ou violon]. Op. 144.
No. 1-6 in M.3go.i2; etc.
Souvenir des Pyrenees, divertissement pour piano et
violon. Op. 267. No. 8 in M.390.36
Souvenir du Prophete, opera de Meyerbeer. Grande
fantaisie dramatique pour piano et violon. Op. 184.
No. 4 in M.390.28
Souvenirs de Boieldieu. Melodies de salon pour piano
et violon. Op. 209. No. 14, 15 in M.390.28
Souvenirs de Dom Sebastien [de Donizetti]. 2 diver-
tissements pour piano et violon. Op. 146.
No. 1, 2 in M.390.13
Souvenirs de I'opera Le code noir, de L. Clapisson,
pour piano et violon. Op. 124. No. 9 in M.390.18
Souvenirs de La figurante [de Clapisson]. 3 noc-
turnes concertans pour piano et violon. Op. 71.
No. 12-14 in M.390.13
Souvenirs de Richard Coeur de Lion, de Gretry, pour
piano et violon. Op. 117. No. 15 in M.390.13
Souvenirs de Weber. 3 fantaisies concertantes pour
piano et violon sur des motifs de Freischiitz, Euriante et
Oberon. Op. 212. No. 4-6 in M.390.27
Souvenirs des Porcherons d' Albert Grisar. Fantaisie
concertante pour piano et violon. Op. 198.
No. 7 in M.390.28
3 melodies de salon pour piano et violon. Op. 97.
No. 7-9 in M.390.7
Mayseder. Grand duo concertant pour piano et violon,
d'apres le 5e quatuor de J. Mayseder, CEuv. 9 . . . par
Chretien Urban. [Piano seul.] No. i in M.210.4
Same. [Partie de violon.] No. 34in M.210.9
Trois grands duos concertans pour piano et violon.
No. I. CEuv. 30. [Piano seul.]
Same. [Partie de violon.]
Trois grands duos concertans
No. 2. CEuv. 31. fPiano seul.]
Same. [Partie de violon.]
Mendelssohn-Bartholdy, J. L. F.
without words.) Violin and piano.
No. 2 in M.210.4
No. 35 in M.210.9
pour piano et violon.
No. 36 in M.210.4
No. 36 in M.210.9
Confidence. (Song
[Arr. by Henri Ernst.]
No. 13 in M.3S7.I2
Contemplation. Violin and piano. [Arr. by Henri
Ernst.] No. 14inM.357.12
Notturno & Intermezzo. Violin and piano. [Arr. by
Henri Ernst.] No. 11 in M.357.12
Meves, W., editor. Ouvertures choisies. Arrangees pour
piano et violon. No. 3 in M.357.8
Meyerbeer. Cavatine. (Robert le Diable.) Violin and
piano. [Arr. by Henri Ernst.] No. 16 in M.357.12
Mozart. Menuetto. [From 6th Grand symphony.] Violin
and piano. [Arr. by Henri Ernst.] No. 12 in M.357,12
Rondo. (From Sonata XI V.] Violin and piano.
No. 9 in M.3S7.I2
Sechs Variationen iiber: „Helas, j'ai perdu mon
amant," fiir Pianoforte und Violine. Werke. Serie 18.
M.315.1.18
Zwolf Variationen iiber: „La bergere Silimene," fiir
Pianoforte und Violine. Werke. Serie 18. M.315.1.18
Norblin. Souvenir de Conantre. Les roses the. Andante
du XVIIe quatuor d'Haydn, transcrit pour piano et vio-
lon, ou violoncelle. Op. II. No. 16 in M.210.4; etc.
Pillet-Will. Fantaisie pour le violon avec accomp. de
pianb. No. 10 in M.210.8; etc.
Pleyel, C. Serenade pour piano-forte & violon oblige.
Op. i.s. No. 19 in M.210.4; etc.
PoisoT. Sonatine d'apres Tessarini [par] Poisot et de
Kontski. Pour piano et violon. No. 8 in M.2io.3.3; etc.
Duets. Violin and pianoforte. (Continued.)
Raff. Raff-album. 6 morceaux. Op. 85. Pour violon et
piano. No. i in M.3S7.10
Schubert, F. P. Duos fur Pianoforte und Violine, hrsg.
von Ferd. David. M. 353.11
Schubert-Album. Lieder und beriihmte Stiicke von
Franz Schubert fiir Violine und Piano, iibertragen von
Ad. Griinwald. No. 2 in M.357.10
Schumann, R. A. Romances. Op. 94. Violon et piano.
No. 7 in M.353.1S
Traumerei. Violin and piano. [Arr. by Henri Ernst.]
No. 10 in M.357.12
Strauss, J. Autograph waltzes. Violin and piano.
No. 6 in M.357.12
looi nights waltzes. Violin and piano.
No. 28 in M.357.12
Pizzicato polka. Violin and piano. No. 5 in M.357.12
Thys, a. Duo brillant & concertant pour piano & violon
. . . Arrange d'apres le duo pour piano et violoncelle de
A. Thys & C. Baudiot par N. Louis. No. 9 in M.390.2; etc.
Tit'l. Serenade. Violin and piano. [Arr. by Henri Ernst.]
No. 15 in M.357.12
Vogt, J. Night-song. Violin and piano. [Arr. by Henri
Ernst.] No. 19 in M.357.12
Wagner, W. R. Helmsman's song. (Flying Dutchman.)
Violin and piano. [Arr. by Henri Ernst.]
No. 18 in M.357.12
March. (Tannhauser.) Violin and piano. [Arr. by
Henri Ernst.] No. 3oin M.357.ia
Star of evening. Violin and piano. [Arr. by Henri
Ernst.] No. 17 in M.3S7.12
Was it magic? (Tannhauser.) Violin and piano.
[Arr. by Henri Ernst.] No. 31 in M.357.12
Weber, C. M. F. E. von. Ouvertures choisies de C. M. von
Weber. Arrangees pour piano et violon par W. Meves.
No. 4 in M.357.8
Wiedeekehr. Trois duos pour piano et violon ou hautbois.
Livre i, 2. No. 8, 9 in M.210.8; etc.
Duets. Violin and viola.
Mozart. Duo fiir Violine und Viola. G dur. Werke.
Serie 15. M.315.1.15
Duo fiir Violine und Viola. B dur. Werke. Serie 15.
M.315.1.IS
Spohr, L. Grand duo pour violon et viola. Op. 13.
No. 8 in M.200.8
Duets. Violins.
Louis, N. Le defi. Concertino fantastique pour deux vio-
lons. CEuvre 12. No. 13 in M.390.3
Same. Avec accomp. de piano. No. 7 in M.390.14
No. 7i n M.390.14
Trois duos concertants et progressifs pour deux vio-
lons. Op. 22. No. 8 in M.390.3
Mozart. Duo fur zwei Violinen. Werke. Serie 15.
M.315.1.5
Sarasate y Navascues. Navarra. Duo pour deux violons,
avec accomp. d'orchestre. CEuvre 33. No. 2 in M.404.12
Spohr, L. Deux duos concertants pour deux violons.
CEuv. 9. No. 2 in M.200.S
3 grosse Duette fiir zwei Violinen. Op. 148, 150, 153.
No. 5-7 in M.200.8
Sammtliche Duette fiir zwei Violinen. revidirt von
Ferd. David. Op. .^9. No. 3 in M.357.11
Trois duos concertans pour deux violons. Op. 67.
No. 4 in M.200.8
Trois duos concertants pour deux violons. Op. 3.
No. I in M.200.8
Trois grands duos pour deux violons. CEuv. 39.
No. 3 in M.200.8
ViOTTi. Six duos concertans pour deux violons. 2e livre
de duo. No. 2 in M.200.7
Six duos concertants pour deu.x violons. Premier livre
de duo. No. i in M.200.7
Six duo faciles pour deux violons. 3e livre.
No. 3 in M.200.7
366
Duets
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duets
Duets. Violins. (Continued.)
Trois duos concertans pour deux violons. Dedies a
M. Cary. No. 13 in M.200.7
Trois duo concertans pour deux violons. 4e livre de
duo. No. 4 in M.200.7
Trois duo concertans pour deux violons. se livre,
partie i. No. S in M.200.7
Trois duo concertans pour deux violons. 5e livre,
partie 2. No. 6 in M.200.7
r Trois duos concertants pour deux violons. Qiuvre 7-
No. 8 in M.200.7
Trois duos pour deux violons. Op. 18. No. 9 in M.200.7
Trois duos pour deux violons. Op. 19. No. 10 in M.200.7
Trois duos concertants pour deux violons. Op. 20.
No. II in M.200.7
Trois grands duos concertants pour deux violons.
Op. 21. No. 12 in M.200.7
Trois nouveaux duos concertants pour deux violons.
6e livre. No. 7 in M.200.7
Duets. Violoncello and pianoforte.
B.\TTA, A. La romanesca, fameux air de danse de la fin du
XVI« siecle, arrange pour violoncelle, avec acct. de piano.
No. ^ in M.210.1
Baxjdiot. Trois fantaisies pour le violoncelle avec acconip.
de piano oblige. Op. 12, no. 2. No. 4 in M.210.1; etc.
Beethoven. Sieben Variationen iiber das Duett „Bei Miin-
nern welche Liebe fiihlen" aus der Oper: Die Zauberflote
von Mozart, fiir Pianoforte und Violoncell. Werke.
Serie 13. M.413.1.13
Zw51f Variatioen iiber das Thema „Ein Madchen oder
Weibchen" aus der Oper: die Zauberflote von Mozart,
fur Pianoforte und Violoncell. Op. 66. Werke. Serie 13.
M.413.1.13
Zwolf Variationen iiber ein Thema aus dem Orato-
rium „Judas Maccabaus" von Handel, fiir Pianoforte und
Violoncell. Werke. Serie 13. M.413.1.13
Chopin. Grosses Concert-Duo iiber Themen aus ..Robert
der Teufel," fiir Pianoforte und Violoncell. E dur.
Werke. Band 11. M.316.2.11
Introduction und brillante Polonaise fiir Pianoforte
und Violoncell. Op. 3. C dur. Werke. Band 11.
M.316.2.H
CzERNY. Rondeau concertant pour piano et violoncelle ou
violon. No. 3. CEuvre 136. [Piano seul.] No. 15 in M.210.1
Same. [Partie de violoncelle.] No. 16 in M.210.11
Same. [Partie de violon.] No. 9 in M. 210.9
Deforce. Premiere fantaisie pour piano & violoncelle.
No. 2 in M.210.2; etc.
Dotzauer. Andante et polacca pour violoncelle et piano,
tires du septieme concerto. CEuvre 93. [Piano seul.]
No. 4 in M. 210.2
Same. [Partie de violoncelle.] No. 20 in M.210.11
[Variations sur une Walse favorite pour le violoncelle,
avec accomp. de deux violons, alto et basse, ou de piano.
CEuvre 109. Piano seul.] No. 5 in M.2I0.2
Same. [Partie de violoncelle.] No. 19 in M.210.1 1
DuPORT, J. L. [Nocturne, i':'', en sol miiieur, pour violon-
celle avec piano.] No. 8 in M.210.3; etc.
[Nocturne, i*'', en si bemol, pour piano & violoncelle,
ou violon par L. Duport et N. Ch. Bochsa. Op. 68. no. i.
No. 9 in M.210.2; etc.
[Nocturne, 3™=, pour piano et violoncelle (ou violon)
par L. Duport et N. Ch. Bochsa. Op. 68, no. 3.]
No. 14 in M.210.2; etc.
Nouveau nocturne [3"^, en mi majeur] pour le violon-
celle, avec accomp. de piano. No. 13 in M.210.2; etc.
Nouveau nocturne [en ut mineur] pour le violoncelle,
avec accomp. de piano. No. 12 in M.210.2; etc.
FoOTE, A. W. Drei Stiicke fiir Pianoforte und Violoncello.
No. 5 in M.210.13; etc.
Hummel, J. N. Variations alia Monferina pour le piano-
forte, avec violoncelle oblige. CEuv. 54. [Piano seul.]
No. 4 in M.210.3
Same. [Partie de violoncelle.] No. 30 in M.210.11
Duets. Violoncello and pianoforte. (Continued.)
Kalkbrenner, F. W. M. Nocturne pour piano et cor, ou
violoncelle. Op. 93. No. 7 in M.210.3
Lebouc. Duo facile pour piano et violoncelle, ou violon,
sur des melodies de Gouffe. Op. 3. No. 14 in M.210.3; etc.
Lee, S. Ah cara immagine (Flauto magico) de Mozart.
Transcrit pour violoncelle et piano. No. 16 in M.210.3; etc.
Air d'eglise de Stradella transcrit pour violoncelle et
piano. No. IS in M.210.3; etc.
Nocturne de Chopin transcrit pour violoncelle et
piano. No. 17 in M.210.3; etc.
Mendelssohn-Bartholdy, J. L. F. Duos pour piano et vio-
loncelle. Revue et doigtees par Leopold Griitzmacher.
No. 2 in M.3S3.7
Premier recueil de 6 romances sans paroles, pour
piano et violoncelle. Op. 19. [Piano seul.] No. 6 in M. 210.4
Same. [Partie de violoncelle.] No. 40 in M.210.11
Merk. Adagio et rondeau pour le violoncelle, avec accomp.
. . . de piano. CEuv. 10. [Piano seul.] No. 9 in M.210.4
Same. [Partie de violoncelle.] No. 43 in M.210.11
Capriccio pour violoncelle, avec accomp. de piano.
Op. 23. [Piano seul.] No. 10 in M.210.4
Same. [Partie de violoncelle.] No. 44 in M.210.11
Fantaisie pour le violoncelle avec accomp. de piano
forte. CEuv. 5. [Piano seul.] No. 8 in M.210.4
Same. [Partie de violoncelle.] No. 42 in M.210.H
MoscHELES, L Grand caprice, suivi d'un potpourri pour le
piano-forte et violoncelle, ou violon concertants. CEuvre
37. [Piano seul.] No. 12 in M.210.4
Same. [Partie de violoncelle.] No. 46 in M.210.11
Same. [Partie de violon.] No. 40 in M.210.9
Muentz-Berger. Nocturne, ler, en duo pour piano et vio-
loncelle ou violon. No. 8in M.2io.i;etc.
Nocturne [2e] en duo pour piano et violoncelle ou
fl{ite. No. 9 in M.210.1 ; etc.
Nocturne [3"^] en duo pour piano et violoncelle ou
violon [ou flute]. No. 10 in M.210.1; etc.
Romberg, B. Les charmes de Leipsick. Introduction, varia-
tions et rondo pour le violoncelle avec accomp. de . . .
piano. CEuv. 61. No. 2 in M.210.6; etc.
filegie sur la mort d'un objet cheri. Pour le violon-
celle avec ace'. . . . de piano. Op. 35- [Piano seul.]
No. I in M.210.6
Same. [Partie de violoncelle.] No. 9 in M.210.12
Sayve, a. de la C. C. de. Duo pour piano et violoncelle [ou
alto]. CEuvre 10. [Piano seul.] No. 4 in M.210.6
Same. [Partie de violoncelle.] No. 12 in M.210.12
Same. [Partie d'alto.] No. 14 in M.210.10
ScHMiTT, A. Rondo concertant pour piano et violoncelle.
CEuvre 49. [Piano seul.] No. 5 in M.210.6
Same. [Partie de violoncelle.] No. 13 in M.210.12
Schumann, R. A. Fiinf Stiicke im Volkston fur Pianoforte
u. Violoncell. Op. 102. No. 8 in M.353.1S; etc.
Schwencke, C. Premiere fantaisie concertante pour piano
et violoncelle, ou violin, sur des airs russes. CEuv. 33.
[Piano seul.] No. 7 in M.210.6
Same. [Partie de violoncelle.] No. 15 in M.210.12
Same. [Partie de violon.] No. 16 in M.210.10
Seligmann. Ballade de minuit. Reverie. Op. 73. Pour
piano et violoncelle. No. 8 in M.210.6; etc.
Deux nuits. No. 2. Nuit de decembre. Pour piano
et violoncelle. Op. 74- No. 9 in M.210.6; etc.
Servier. The evening bells. (Les cloches du soir.) Air
anglais . . . varie, avec introduction et finale, pour piano
et violoncelle [ou violon]. Op. 2. No. 11 in M.210.6; etc.
Weiskopff. Duo pour forte-piano et violoncelle ou violon.
CEuvre 16. [Piano seul.] No. 6 in M.210.8
Same. [Partie de violoncelle.] No. 25 in M.2io.i2
Same. [Partie de violon.] No. 33 in M.210.10
Duo, Quatrieme, pour piano et violoncelle ou violon.
CEuvre 22. [Piano seul.] No. 7 in M.210.8
Same. [Partie de violoncelle.] No. 26 in M.210.12
Same. [Partie de violon.] No. 34 in M.210.10
367
Duets
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duets
Duets. Violoncello and pianoforte. (Continued.)
WoELFL. Grand duo pour piano et violoncelle fou violon].
CEuvre 31. [Piano seul.] No. 12 in M.210.8
Same. [Partie de violoncello.] No. 33 in M.210.12
Same. [Partie de violon.] No. 42 in M.210.10
WoRziscHEK. Rondeau concertant pour piano et violoncelle,
ou violon. CEuv. 8. [Piano seul.] No. 16 in M.210.8
Same. [Partie de violoncelle.] No. 34 in M.210.12
Same. [Partie de violon.] No. 43 in M.210.10
Duets. Violoncellos.
Servais, a. F. Caprice sur des motifs de I'opera Le Comte
Ory pour le violoncelle, avec accomp. d'un second violon-
celle oblige ou de piano. Op. 3. [Piano et violoncelle
principal.] No. 10 in M.210.6
Same. [Partie de violoncelle principal et second.]
No. 18, 19 in M.210.12
Duets. Vocal.
Abrams. And must vce part? Duet [a. t. Accomp. for
pianoforte]. No. 3 in M.218.8.2; etc.
Abt, F. Vier Duette fiir s. und a. mit Pianoforte Beglei-
tung. Op. 95. No. 36 in M.192.1
Zehn Duettinen fiir zwei Singstimmen [s. a. oder
T. B.], mit Pianofrtebegleitung. Op. 91. No. 32in M.192.1
Alary. Ricreazioni musicali. Colezione di 6 ariette, 3
duetti e 2 terzetti. Con accomp. di piano forte.
No. I in M.244.19
Ally Croaker. Harmonized for 2 voices [s. a.].
No. 160 in M.23S.17.5
And does a fond emotion. [Duet, s. x.
forte.]
And they're a' nodding. Ballad [s. a.].
Anfossi. [Sposo, Timante. Duet, ST.
strings. Score.]
Accomp. for piano-
No. 23 in M.218.8.4
No. 139 in M.235.17.5
With accomp. for
No. I in M.I20.I7
s. A., e basso con-
No. 10 in M.120.29
No. 10 in M.234.3.2
Aprile. [Notturni, no. 1-6. Per 2 voci,
tinuo.]
Arne, T. a. Fair Aurora. Duet [s. a.].
From tyrant laws. Duet [x. t.].
No. 138 in M.23S.17.1; etc.
When all the Attic fire was fled. [Duet, a. b.]
No. 181 in M.21S.21
When Phoebus the tops. Duett [t. t. Accomp. for
pianoforte]. No. 210 in M.23S.17.2; etc.
Arnim, C. von. Indifference and affection. [Duet, s. t.
Accomp. for pianoforte.] No. 15 in M.2i2.2i.i
Arnold, J. Toby Swill. Song [x. b.]. No. 169 in M.215.21
Arnold, S. Adieu, my fears and sorrows. A duett [s. x.],
in The maid of the mill. [Accomp. for pianoforte.]
No. 10 in M.237.2
Brisk wine. Two part song [x. n.]. No. 235 in M.235.17.2
Faint and wearily the way-worn traveller. [Duet,
s. T.] in The mountaineers. [Accomp. for pianoforte.]
No. 21 in M.237.7
Idalian queen. Duet [s. s. orT. t.] from The castle of
Andalusia. [Accomp. for pianoforte.] No. 18 in M.235.18.3
As STEALS the morn. [Duet, s. t.] No. 67 in M.235.17.4
Axtwood. The waves retreating from the shore. Duet
[s. s.] in The smugglers. [Accomp. for pianoforte.]
No. 3 in M.237.2
Auber. Le voila, c'est heureux. Duo [s. x. From Le ser-
ment]. No. 10 in M. 157.40
Bacchus prens pitie. [Duet, t. b.] No. 3 in M.340.3
Bach, J. C. lo lo so. Duet [s. s.]. No. 56 in M.23S.18.4
Balfe. Forget thee. Song or duet [a. bar. Accomp. for
pianoforte]. No. 7 in M. 192.9.1
Sweet blossom of parental joy. Duet [s. t.] in the
opera The siege of Rochelle. [Accomp. for pianoforte.]
No. II in M. 192.9.2
Barni. Huit nocturnes, a deux voix. (Divises en deux li-
vraisons.) Paroles de Metastase. Mis en musique avec
accomp. de piano ou harpe. Liv. i. No. 2 in M.202.43
Beethoven. Oh more, far more than mortal pleasure. Duet
[s. X.] from Fidelio. [Accomp. for pianoforte.]
No. 45 in M. 235.18.2
Begone, dull care. Duett, [x. b. Accomp. for pianoforte.]
No. 85 in M.235.17.4; etc.
Duets. Vocal. (Continued.)
Bellini. II rival salvar. Duetto [b. b. Mit Begleitung des
Pianoforte]. No. 12 in M.236.6
Berlioz, L. H. Helene. Ballade a 2 voix fx. b. ou s. a. Ac-
comp. de piano]. No. 2 in M.391.32; etc.
Le trebuchet. Scherzo, s. s. ou x. x. [Accomp. de
piano.] No. 16 in M.391.32; etc.
Berthold. Katzenduett [s. a. Mit Begleitung des Piano-
forte]. No 17 in M.236.6
BiBLioTHEQUE MUSICALE, ancienne et moderne. 2e serie.
Duos pour X. et s. [Accomp. de piano.] M.IS7.40
Biggar. Fly, ye moments. Duett [s. s. or x. x.].
No. 26 in M.23S.17.3
Blangini. Come fugace lampo. [Notturno, s. x. Accomp.
di piano.] No. 18 in M. 221.20
Da quel sembiante. [Notturno, s. x. Accomp. di
piano.] No. 16 in M. 221.20
Blow. Go, perjur'd man. Song [x. b.].
No. 22 in M.141.21.2; etc.
BoiELDiEU, F. A. When the moonlight streaming. Duet
[s. A. Accomp. for pianoforte]. No. 63 in M.235.18.1
BoRXOLiNi. Amori veneziani. Canzonette popolari in dia-
letto. [Accomp. di piano.] No. i in M.390.44
BoYCE. Together let us range. Duet [s. x. Accomp. for
pianoforte]. No. 5 in M.237.2; etc.
Braham. All's well. Duett [x. x.]. No. i in M.i39a.i8.6
Bruch. Sieben kleine zwei- und dreistimmige Gesange fiir
weibliche Stimmen, mit Begleitung des Pianoforte.
No. 8, 9 in M.204.7
Bruederschaft. [Volkslied, t. b.] No. 15 in M.213.9
Cammarano, L. Ah no che il mio contento. Duettino
[s. A. Accomp. di piano]. No. 14 in M.221.20
Campana. Addio. Duettino [t. s. Accomp. di pianoforte].
No. 20 in M.244.9
Alia campanna andiamo. Duetto [s. a. Accomp. di
pianoforte]. No. 4 in M.244.9; etc.
Allor che a notte splendere. Notturnino [s. a. o. t. b.
Accomp. di pianoforte]. No. 14 in M.244.9
Gli amanti tirolesi. Duettino [a. t. Accomp. di piano-
forte].
Cara Italia, amica e bella. Canto
pianoforte].
Dimmi che m'ami. [Duet, s. a. o
pianoforte.]
Le due fanciulle. Duettino per s.
pianoforte.]
Giura, amor mio. [Duet
forte.]
II maggio. Duettino [s. a.
s. a.
Maria e Rizzio. Duettino [s. s.
forte].
La notte e Serena. Duettino [s. a,
forte].
Per I'aure tacite. Duetto [s. a.
forte].
II pescatore. Notturnino. [s. a.
forte.]
- La potenza d'amore, duetto [s. a.
forte].
- La preghiera della sera,
pianoforte].
No. II in M.244.9
s. s. Accomp. di
No. 17 in M.244.g
. X. a. Accomp. di
No. 19 in M.244.9
e a. [Accomp. di
No. 2 in M.244.9
Accomp. di piano-
No. 18 in M.244.9
Accomp. di pianoforte].
No. 5 in M.244.9
Accomp. di piano-
No. 10 in M.244.9
Accomp. di piano-
No. 7 in M.244.9
Accomp. di piano-
No. I in M. 244.9; etc.
Accomp. di piano-
No. 13 in M.244.9
Accomp. di piano-
No. 6 in M.244.9
Duettino [s. a. Accomp. di
No. 16 in M.244.9
Roma! Duetto [s. s. o. x. x. Accomp. di pianoforte]
No. 8 in M.244.9
Una sera d'amore. Notturno [s. a. Accomp. di piano-
forte]. No. 12 in M.244.9
Stornello trasteverino. Duetto [s. s, Accomp. di
pianoforte]. No. 15 in M.244.9
Te '1 rammenti? Notturnino [x. A. Accomp. di piano-
forte]. No. 3 in M.244.9
Vieni o bella, amor t'invita. Serenata [s. A. Accomp.
di pianoforte]. No. 9 in M.244.9
Campra. Belle pour qui je pleure. Duo [s. b. Accomp. de
piano]. No. 2 in M.296.6
368
Duets
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duets
Duets. Vocal. (Continued.)
Caraccioli. Six Tuscan folk songs for two voices.
No. I in M.384.20
Ah! calmons nous. Duo [s. t.
Carafa.
Ai nostri gemiti. [Duettino, s. x.
C'toi, je ne puis rien comprendre!
Accomp. de piano].
Oh! comme il lui ressemble. Duo
piano].
Carey. He comes, the hero comes.
Accomp. de piano]
No. II in M.3go.37
Accomp. di piano.]
No. 17 in M.221.20
Duo bouffe [t. t.
No. 9 in M.3go.37
[s. s. Accomp. de
No. 7 in M.390.37
[Duet, T. b]
No. 182 in M.215.21
Love's a gentle, gen'rous passion. Duett [x. b.].
No. 141 in M.235.17.1
Carissimi. Dite, O cieli. Duet [x. b.].
No. 23 in M.141.21.2; etc.
Carlini. Di sollevarmi al soglio. Duetto \s. a.] . . . Con
accomp. di piano forte. No. 13 in M.221.20
CiMAROSA. Cara! non dubitar. Duetto [s. x. Accomp. di
piano] . No. 45 in M.157.39
Che bel piacere. Duettino. [Partitura.]
No. 3 in M.120.13
Deh ti conforta. Duettino [s. x. Accomp. di piano].
No. 48 in M.157.39; etc.
Clari. Fiinf italienische Duette. [Accomp. per pianoforte.]
No. 3 in M.415.20.1
Coccia. Tu cui al ciel. Duettino, m.-s. b. [Accomp. di
piano.] No. 10 in M.221.20; etc.
CoNCONE. Les brises du printemps. Nocturne a 2 voix [s. s.
Accomp. de piano]. No. 12 in M.244.2
Comtesse et bachelette. Duettino [pour 2 voix de
mezzo-soprano. Accomp. de piano]. No. 9 in M.244.2
Un concert sous le ciel. Duo [s. s. Accomp. de piano].
No. 13 in M.244.2
Les demoiselles d'honneur. Nocturne [s. a. Accomp.
de piano] . No. 22 in M.244.2
Les filles du braconnier. Duo [s. s. Accomp. de
piano]. No. 15 in M.244.2
Les filles du proscrit. Duo [s. a. Accomp. de piano].
No. 14 in M.244.2
Les Grenadines. Bolero [s. s. Accomp. de piano].
No. 20 in M.244.2
La jeune fille et le page. Duettino a 2 voix egales.
[Accomp. de piano.] No. 10 in M.244.2
Les luttes de la voix. Duettino-etude [s. s. Accomp.
de piano] . No. 25 in M.244.2
Les meres d'adoption. Nocturne [s. s. Accomp. de
piano]. No. 21 in M.244.2
Les neophytes. Duo pour 2 soprani. [Accomp. de
piano.] No. II in M.244.2
La nuit des vceux. Duo pour 2 soprani. [Accomp. de
piano.] No. 18 in M.244.2
Les pelerines. Duo [s. s. Accomp. de piano].
No. 10 in M.244.2
S'. Domingue en 1804. Duo [s. s. Accomp. de piano].
No. 17 in M.244.2
Accomp. de piano].
No. 16 in M.244.2
Accomp. de piano].
No. 24 in M.244.2
[s. s. Accomp. de
No. 23 in M.244.2
Collection de 72
etc. Accomp. de
M.244.3
No. 71 in M.23S.17.4
[Glee.]
No. 190 in M.220.9.1
Le Rubinelli. Duett [x. b.]. No. 13 in M.isga.iS.G
CoPERARio. Come ashore, come merry mates. [Duet, x. x.].
M.236.10
CoRFE. J. Fill me a bowl. Two-part song [x. b.].
No. 249 in M.235.17.2; etc.
Cornelius. Gunlod: Dritte Scene des ersten Aufzuges
(Gunlod, Odin). Partitur. M.4i4.2i
Les saurs de lait. Duettino [s. s.
Sous les palmiers. Nocturne [s. s.
Les voix qui consolent. Nocturne
piano].
Walter Scott lyrique. [Serie 1-6.
morceaux de chants, airs, duos, trios,
piano.]
CoNXENX. Duett [s.s.].
Cooke, B. Interred here doth lye
Duets. P'ocal. (Continued.)
CoRFi, D.. editor. A select collection of the most admired
songs, duetts, &c., from operas . . . and other works in
Italian, English, French. [Accomp. for pianoforte.]
M.244.26
CoxxRAU. La fata di Amalfi. Serenata [x. bar. Accomp.
di piano]. No. 4 in M.390.44
Danby. While beams the bright morn. Duett [s. a.].
No. II in M.i3ga.i8.i
David, S. Quatre duos, extraits de Sobieski.
No. 2 in M.301.3
Desxouches. Ciel! sur qui sa fureur. Duo [s. b.].
No. 2 in M.296.6
Dieux immortels. Duo [s. b.]. No. 2 in M.296.6
Les doux plaisirs. Chceur de bergers en duo.
No. 2 in M.296.6
DiEDiN, C. 1745-1814. Give round the word. Song [x. x.].
No. 191 in M.215.21
The neighboring convent's bell. Duet [s. x.].
No. 38 in M.235.18.3
Skaiting duet [s. A. or x. B.]. No. 237 in M.215.21
Dixxers von Dixxersdorf. Two maidens sat complaining.
A duet [s. A.], in The doctor and the apothecary. [Ac-
comp. for pianoforte.] . No. 12 in M.237.2
DoNiZEXXi. Nuits d'ete a Pausilippe. Recueil de 6 ariettes
et 6 duos. No. 15 in M. 244.4
With German and Italian words.
Sei pur tu che ancor rivedo. Duetto per m.-s. e b.
Accomp. di piano.] No. 7 in M.221.20
Signora? Che? Tacete! Duetto [s. b. Accomp. di
piano]. No. 6 in M.221.20
[DuEXXi cantabili, s. s., col basso continuo.]
No. 7 in M.120.30
DuPRAXO. La nuit descend. Duetto,
piano.]
DuRANXE, F. Duetti [s. a. e s. s.] .
piano forte di F. Mirecki. Riveduti
CaV. Cherubini.
XII duetti da camera per imparar a cantare
s. A. [Accomp. de
No. 14 in M.391.28.1
. . con accomp. di
e corretti dal Sig''.
M.380.23
Col ac-
comp. di pianoforte. (Mit italienischem und deutschem
Text.) M.130.6
EccLES. Ah! how lovely. Canzonett [x. b.].
No. 126 in M.215.21
— — Fill, fill all your glasses. Duett [x.b.].
No. 2 in M.2 18.8.3; etc.
Farinelli. Te lo chiedo per I'amore. Duetto [s. x.] nell'
opera La Ginevra degli Almieri. [Accomp. di violini,
viole, basso e piano.] M. 152. 18
Fickle Cupid. Duett [x. x.]. No. 18 in M.141.21.1; etc.
FiORAVANXi, V. Versa il mio sangue. Duetto, s. b., coll' or-
chestra. Partitura. No. 4 in M.120.16
Flax'rer, why dost thou deceive me? Duet [s. a.].
No. 140 in M.215.21
Florio, C. H. All I wish in her obtaining. [Duet, s. x. Ac-
comp. for pianoforte.] No. 11 in M.2i8.8.3
FosxER, M. B. Homeward down the stream. [Duet, s. a.
Accomp. for pianoforte.] No. 7 in M. 158.16
FosxER, S. C. Bury me in the morning. Mother. [Song or
duet, with chorus. Accomp. for pianoforte.]
No. 7 in M.380.41.1
Come where my love lies dreaming. Arranged as a
duet with pianoforte accompaniment by William Dressier.
No. 9 in M.380.41.1
Golden dreams and fairy castles! Arranged [as solo
or duet] by Mrs. Parkhurst. No. 30 in M.380.41.1
The hour for thee and me. Duet. [Accomp. for piano-
forte.] No. 32 in M.380.41.1
Mine is the mourning heart. A duett for soprano and
tenor. [Accomp. for pianoforte.] No. 28 in M.380.41.2
Turn not away. A serenade arranged as a duett [s. x.
Accomp. for pianoforte]. No. 23 in M.380.41.3
Wilt thou begone love. Duet [s. x. Accomp. for
pianoforte]. No. 42 in M.380.41.3
FovvELES in the frith. Duet [x. b.]. M.236.10
From night till morn. Canzonett [x. x.]. No. 116 in M.215.21
I 47
369
Duets
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duets
Duets. Focal. (Continued.)
Gabussi. Una Candida colomba. Duettino [s. t. Accomp.
di piano]. No. S3 in M.1S7.39
Geary. O come, ye fragrant gales. [Duet, s. s.]
No. 60 in M. 235.17.4
Soft is the zephyr's breezy wing. Duet [s. a.].
No. 6 in M.i3ga.i8.4; etc.
Gero. Phillida mia piu chei. [Duet, t. b.] M.236.10
GiORDANi, T. Adieu, my love. Canzonet [s. s.].
No. 17s in M.235.i7.i;etc.
Damon's bow'r. Duet[s. s.]. No. 122 in M.23S.17.S
The soldier's farewell. Duet [s. t. Accomp. for piano-
forte]. ■ No. 236 in M.215.21
GoDARD, B. L. P. Ballet d'autrefois. (Old world ballet.)
Petite scene a deux personnages. No. 2 in M.384.20
Goodwin, S. Cou'd a man be secure. Duett [t. b.].
No. 7 in M.i39a.i8.i; etc.
Gounod. Quinze duos. [Edition mezzo-soprano et bary-
ton.] M.1S7.36.6
Graun. Duetti, terzetti, . . . M.398.7
Greene, M. Busy, curious, thirsty fly. Duett [t. b.].
No. 38 in M.141.21.1 ; etc.
Why all this whining. [Duet, x. b.]
No. 5 in M.157.18.3; etc.
Grietry, A. E. M. Comment! il est arrete. Duo [t. bar.
Accomp. de piano]. No. 31 in M.390.37
Donne-la moi dans nos adieux. Duo [s. b.] dans Ce-
phale et Procris. [Partitura.] No. 9 in M.120.16
Doux echos des bois. Duo [s. t. Accomp. de piano].
No. 28 in M.390.37
Jure le moi. Duo [s. x. Accomp. de piano].
No. 29 in M.390.37
GuGLiELMi, P. Al mio contento. Duetto [s. a. Accomp. di
piano] . No. 44 in M.IS7.39
Duetto del cantato il carnevale del I79i. Nelle Due
gemelle. [Partitura.] No. 2 in M.120.13
Handel. Amor gioie mi porge. Duet [s. s. Accomp. for
pianoforte] . No. 52 in M.235.18.4 ;etc.
The beauties of Handel, consisting of upwards of 150
of his songs, duets & trios, . . . arranged with a separate
accomp. for the piano forte . . . M. 221.24
Carol bella! Duetto, [s. x. Accomp. for organ.]
No. II in M.235.18.3
Italienische Duette. Werke. Lieferung 32. M.313.1.32
Let's imitate her notes. Duett [s. s.].
No. 63 in M.23S.17.4
Sechs Duette aus verschiedenen Opern zum Concert-
gebrauche mit Begleitung des Orchesters. M.igs.ig
Songs, duets, and trios, selected from the oratorios,
etc. . . . With an accomp. for the pianoforte. M.234.5
Unito a un puro affetto. Duetto fs. a. Accomp. di
pianoforte]. No. 11 in M.235.18.4
When Phoebus the tops. Duett fs. a.].
No. ^,7 in M.141.21.1; etc.
Haringxon. Damon and Clora. Duett [s.x.].
No. 15 in M.i39a.i8.5; etc.
How sweet in the woodlands. Duetto fx. x.J.
No. 14 in M. 1398.18.5; etc.
Sweet doth blush the rosy morning. Duetto fx. b.].
No. 21 in M.i39a.i8.i; etc.
Why must I die for thee? Duet [s. s.].
No. 6 in M.157.18.3
Hasse, J. A. P. When first I saw thee. Duet [x. x.].
No. 233 in M.21S.21
Hayden. As I saw fair Clora. Duetto fx. b.].
No. 18 in M.i39a.i8.5; etc.
Haydn, F. J. Guarda qui, che lo vedrai. Duet [s.x. Ac-
comp. for pianoforte]. No. 43 in M.235.18.4
O what various charms. Duet [s.x.] from The sea-
sons. No. I in M.23S.18.4
Hayes, W. Let the French hop and sing. Canzonett [x. b.].
No. 17 in M.141.21.1; etc.
Hennig. 20 ein- und zweistimmige Lieder mit Begleitung
des Pianoforte. No. 17 in M.203.8
Henschel, G. „Beweinet, so geweint in Babel's Land."
No. 5 in M.346.10
370
Duets. Vocal. (Continued.)
HiMMEL. Exchange of hearts. [Duet, s. x. Accomp. for
pianoforte.] No. ain M.212.21.1
Hook, J. Come, now, let's be joyous. [Duet, t. b.]
No. 221 in M.215.21
Horn, C. E. Kind fortune smiles. Duet [s. x. Accomp. for
pianoforte]. No. i in M.235.7.a
The tyger. Duett [x. x.]. No. 6 in M.i39a.i8.6
The watch word. Duett [x. x.]. No. 8 in M. 1393.18.6
How faint the joy. [Duet, x. b.] No. 5 in M.1S7.18.1
How imperfect is expression. Duet [s. a.].
No. 239 in M.215.21
In AIRY dreams. Duet [s. a. or x. x.]. No. 238 in M.215.21
Isouard. Ah! monsieur, je suis tremblante. Duo [s. s. Ac-
comp. de piano]. No. 8 in M. 157.4c
Tous mes plaisirs. Duo [s. x. Accomp. de piano].
No. 14 in M.1S7.40
J'aimrois mieux de n'aimer. Duetto [x. b.].
No. 69 in M. 110.1. 1 ; etc.
Jackson, W., of Exeter. Deluding joys of gaudy art. Can-
zonet. For s. s. No. 6 in M.1S7.2
n I love. Canzonet [s. a.]. No. 152 in M.235.17.5
Love in thine eyes. Canzonet [x. x.].
No. 6 in M.237.2; etc.
Sad is my day. Canzonet [s. a.].
No. 5 in M.i39a.i8.s; etc.
Time has not thin'd my flowing hair. A canzonet
[s. a.]. No. 14 in M.237.2; etc.
Jess Macpharlane. Duett [x.b.]. No. 121 in M.235.17.5
Jones, R. My love bound with a kisse. Song [x. b.].
M.236.10
Kelly. Ah no! from the bower, in answer to Will you
come to the bower [duet, s. x.], written by T. Moore.
No. 16 in M.237.7
Knighx, J. P. Sabbath evenings. 12 sacred songs, duetts
& trios. M.234.14
Labarre. J'ignore, helas, I'art de seduire. Duo [s. x. Ac-
comp. de piano]. No. 26 in M.390.37
Lachner, F. Deutsche Gesaenge fiir 2 Singstimmen [s. x.]
mit Begleitung des Pianoforte. No. ioinM.221.25
Lafonx. Idole de ma vie. [Duet, s. x. Accomp. de piano.]
No. 15 in M.221.20
Lecocq, a. C. Scene de Phedre de Racine. [Duet, s. a.
Accomp. de] piano. No. 3 in M. 194.18
Leveridge. Whilst health & blooming youth. [Duet, s. b.]
No. 3 in M.157.18.3
LiLLO. Al chiaror d'amica luna. Duetto [s. a. Accomp. di
piano]. No. 3 in M.221.20
Lindpainxner. Bajaderen-Gesang. [Fiir s. a. mit Klavier-
begleitung.] No. 9 in M.38o.2a
Louis, N. 4 nocturnes [s. s. ou x. x.], avec accomp. de piano.
No. 20-23 in M.390.4; etc.
Manfroce. Ah perchi serbai fin' ora. Scena e duetto [s. x.,
con accomp. d' orchestra. Partitura]. No. 6 in M.120.26
Marcello, B. Qual anelante. Duet [x. x. Accomp. for
violins, viola and bass]. No. 42 in M.235.14; etc.
Mariin y Solar. In thee each joy. [Duet, s. x.]
No. 190 in M.23S.i7.a
O thou wert born to please me. [Duet, s. x. Accomp.
for pianoforte.] No. 189 in M.235.17.2; etc.
Masini. Arri, arri. Duettino [s. a. Accomp. di piano].
No. so in M.157.39
Masolini. Io son tradito. Duo [x. x. Accomp. di piano].
No. 46 in M.157.39
Massenex. Poeme d'amour. [Duet. s. x. Accomp. de
piano.] No. 3 in M.257.9
Mayer, J. S. Parto! ti lascio. Scena e duetto [s.x. Ac-
comp. di piano]. No. 4 in M.235.18.2
Mendelssohn-Barxholdy, J. L. F. Autumn song. [Duet,
s. s. Accomp. for piano.] No. 11 in M.280.22
Evening song. [Duet, s. s. Accomp. for pianoforte.]
No. 5 in M.280.23
Greeting. [Duet. s. s. Accomp. for piano.]
No. 2 in M.280.22
The harvest field. [Duet. s. s. Accomp. for piano.]
No. 8 in M.28o.3a
Duets
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duets
Duets. Vocal. (Continued.)
I would that my love. [Duet, s. s. Accomp. for piano-
forte.] No. I in M.280.22
Lieder und Gesange fiir zwei Singstimmen mit Beglei-
tung des Pianoforte. Werke. Serie 18. M.413.3.18
The May bells and the flowers. [Duet. s. s. Accomp.
for pianoforte.] No. 12 in M.280.22
O wert thou in the cold blast. [Duet, s. t. Accomp.
for pianoforte.] No. 3 in M.280.22
Over the hills and far away. [Duet. s. s. Accomp.
for pianoforte.] No. 4 in M.280.22
The passage-bird's farewell. [Duet. s. s. Accomp.
for pianoforte.] No. 10 in M.280.22
Song from Ruy Bias. [Duet. s. s. Accomp. for piano-
forte.] No. 9 in M.280.22
The voyage. [Duet. s. s. Accomp. for pianoforte]
No. 6 in M.280.22
Zuleika and Hassan. [Duet. s. t. Accomp. for piano-
forte.] No. 13 in M.280.22
Mercadante. Soirees italiennes. [Chansons, duets, etc. avec
accomp. de piano.] M.367.10
Tu lo volesti. Duetto [s. a. Accomp. di piano].
No. II in M.221.20
Meyerbeer. Ah! I'honnete homme. [Duet, t. b. Accomp.
de piano.] No. 2 in M.390.37; etc.
O ciel! oil courez-vous. Duo [s. t. Accomp. de piano].
No. I in M. 157.40
Si j'aurai ce courage. [Duet, s. t. Accomp. de piano.]
No. I in M.390.37
Sur son bras m'appuyant. Couplets a 2 voix fs. x. Ac-
comp. de piano]. No. 7in M.157.40
Millet. Duos, trios et quatuors pour chant et piano.
M.157.11
MoLiNER. Cancion militar a duo, con toda orquestra . . .
En obsequio dela Reyna Na S^. No. 5 in M.120.26
Moore, T. Love and the sun dial. A duet [s. s. or t. t. With
piano accomp.]. No. 15 in M.237.7
Morlacchi. Questo mortal beato. Duetto [s. t.], nell'
opera Gianni di Parigi . . . con accomp. di pianoforte.
No. 4 in M.221.21
Morley. Flora, thou wilt torment me. Canzonett [t. b.].
No. 122 in M.235.17.1
Go ye, my canzonets. [Duet, t. t.] No. 81 in M.235.17.1
Leave now, mine eyes. Canzonett [j. b.].
No. 121 in M.235.17.1
Sweet nymph, come to thy lover. Canzonet [t. t.].
No. 41 in M. 141.21.2; etc.
Moulds, J. Fair Maria of the dale. Duett [s. a.].
No. ii9inM.235.i7.5
Mozart. Adieu, thou soft flowing stream. [Duet, s. a. Ac-
comp. for pianoforte.] No. 24 in M.218.8.4
Ah! perdona al primo affetto. Duett [s. t.] in the
opera of La clemenza di Tito. [Accomp. for pianoforte.]
No. 40 in M.235.14
Away with melancholy. An air for i or 2 voices.
No. 7 in M.237.2
La ci darem la mano. Duetto [a. b. Accomp. de
piano]. No. 52 in M.157.39
La dove prende amor ricetto. Duetto (s. et b.). [Ac-
comp. de piano.] No. 22 in M.193.21.1
The lake minstrels. Duett [s. a.].
No. 12 in M.i39a.i8.5
Ma qual mai s'offre. Duetto [s. t. Accomp. de piano].
No. II in M. 157.40
The manly heart. Duet [s. t.] with accomp. for harp
or pianoforte. No. 8 in M.237.2
Su I'aria. Duetto [s. a. Accomp. de piano].
No. 54 in M.157.39
Nares. Why should mortals sigh for gold? Duet [s. a. Ac-
comp. for pianoforte]. No. 39 in M.23S.18.2
No AMBITION without its anxiety. Duetto [t. b.].
No. 167 in M.235.17.5; etc.
[Duet. s. A,]
No. 79 in M.23S.17.4
[s. A.] No. pin M.235.17.2
Duets. Vocal. (Continued.)
Oh my love, lov'st thou me? Duett [s. a.].
No. 123 in M.235.17.5; etc.
Pacini, G. Ah! dunque non fii notturno inganno. Scena e
duetto [s. T. Accomp. di piano]. No. 9 in M.221.20
Ah si! Scena e duetto [s. s. Accomp. di piano].
No. 5 in M.221.20
Innocente al fiume. Scena e duetto [s. b. Accomp. di
piano]. No. 4 in M.221.20
Isabella! mio tesoro. Duetto [s. t. Accomp. di piano].
No. I in M.221.20; etc.
Se taccione i miei labbri. Duettino [s. a. Accomp. di
piano]. No. 12 in M.221.20
Paer. L'addio d'Ettore. Duetto [s. t.], ridotto per il piano-
forte. No. 3 in M.152.28
Dolce deir anima. Duet [s. t. Accomp. for piano-
forte]. No. 26 in M. 235.18.3
Paisiello. Ne giorni tuoi. Duo [s. t. Accomp. di piano].
No. 55 in M.IS7.39
Ne giorni tuoi felici. Duetto con recitativo [s. t., con
stromenti al arco. Partitura]. No. 7 in M.120.28
Pandolfetto graziosetto. Duetto [s. b. Accomp. di
piano] . No. 47 in M.157.39
Pasquali. When first I saw thee graceful move. Duettino
[s. s.]. No. soin M.235.18.4
Pepusch. Hark! hark! methinks I hear. Song [t. b.].
No. 192 in M.2IS.2I
Plenty, mirth. [Duet, t. b.] No. 78 in M.235.17.1
Price, R. Winter. Duet[T. t.]. No. 117 in M.235.17.1
PuRCELL, H. Come all. Duet [t. b.].
No. 16 in M.141.21.1 ; etc.
For love ev'ry creature. Duet [t. b.].
No. 143 in M. 215.21
Hark, my Daridcar. Duet
forte].
How sweet is the air! Duet
Let Cxsar and Urania live.
01 dear, what can the matter be.
O sanctissima. Sicilian hymn.
Man is for the woman made.
My dearest, my fairest.
Sing, all ye muses.
Sirens' duet [s. s.].
s. b. Accomp. for piano-
No. 9 in M. 218.8.3; etc.
T. b.]. No. 113 in M.215.21
Duet [s. s. or t. t.].
No. 93 in M.235.17.1 ; etc.
Song [t. b.].
No. 159 in M.215.21
[Duet, s. T.]
No. 4 in M. 157.18.3; etc.
Duet [a. B.].
No. 219 in M.21S.21 ; etc.
From King Arthur.
No. 8 in M.235.18.1
Take not a woman's anger ill. [Duet, t. b.]
No. 220 in M.215.21
What can we poor females do? Song[s.B.].
No. 163 in M.215.21
While bolts and bars. Song [t. b.].
No. 7 in M.141.21.2; etc.
Rameau. Where is pity's melting eye? Duet [s. a.].
No. 158 in M.215.21
Rauzzini. In vain does dew'y morn disclose. Duettino
[s. s. or T. t.], with a harp or pianoforte accomp.
No. 9 in M.237.2
Reichardt. J. F. Calm at sea. [Duet, s. a. Accomp. for
pianoforte.] No. 5 in M.212.21.2
The minstrel. [Duet, s. a. Accomp. for pianoforte.]
No. I in M.212.21.2
Eat the fruit. A duet [s. s. Accomp.
No. 13 in M.204.36.6
Reinecke, C. H. C.
for pianoforte].
Good-night. A duet [s. s. Accomp. for pianoforte].
No. 12 in M.204.36.6
— Happiness ever is fugitive. A duet [s. s. Accomp. for
pianoforte] . No. 16 in M.204.36.6
In life if love we know not. A duet [s. a. Accomp. for
pianoforte]. No. 9 in M.204.36.6
— Invitation to the dance. A duet [s. s. Accomp. for
pianoforte] . No. 20 in M.204.36.6
— Look upward. A duet [s. S. Accomp. for pianoforte].
No. 15 in H.204.36.6
371
Duets
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duets
Duets. Vocal. (Continued.)
O beautiful violet. A duet [s. s. Accomp. for piano-
forte]. No. i8 in M.204.36.6
Prayer on the waters. A duet [s. s. Accomp for piano
A duet [s. A.
No. 19 in M.204.36.6
Accomp. for piano-
No. 10 in M.204.36.6
A duet [s. A. Accomp. for
No. II in M.204.36.6
Accomp. for pianoforte].
No. 14 in M.204.36.6
Reissiger. Willkommen schoner Jungling. Duettino [s. s.
Accomp. for pianoforte]. No. 8 in M.244.17
Ricci, L. Partir vuoi tu, crudele. Scena e duettino per
M.-s e B. [Accomp. di piano.] No. 8 in M.221.20
RiFAUT. Aliens, allons, venez le prendre. Duo fs. t. Ac-
forte]
— The rose is queen,
forte].
— Waken not the sleeper,
pianoforte].
— - Woe to him. A duet [s. s.
comp. de piano].
Qu' une valse legere. [Duo, a. t.
Come opprima. Duet [s. t.
No. 15 in M.390.37
Accomp. de piano.]
No. 12 in M.3go.37
Accomp. for piano-
No. 4 in M.23S.18.1
RiGHINI.
forte].
Placido zeffiretto. [Duettino, s. t. Accomp. di piano.]
No. 2 in M.221.21
Zwey Duetten fiir Gesang mit Begleitung des Forte-
piano. No. 22 in M.221.33
RiNCK. The evening song [s. a. Accomp. for pianoforte].
No. 3 in M.167.3
RoBERTi. Inspirations italiennes. [Duets, etc.]
No. I in M.364.10
RoNGER, F. Les metamorphoses de Tartempion. Duo
bouffe. [Accomp. de piano.] No. 5 in M.301.10; etc.
Rossini. Amor! possente nome! Duetto [s. t. Accomp.
de piano]. No. is in M.157.40
D'un beir uso di Turchia. Duo (2 b.). [Accomp. de
piano.] No. 23 in M.193.21.2
Je vais revoir la beaute. Duo [s. t. Accomp. de
piano]. No. 9 in M.157.40
Ma presence pour vous. [Duet, s. t. Accomp. de
piano.] No. 3 in M.157.40
Les soirees musicales. Collection of 8 Italian airs and
duets, with a piano forte accomp. No. 1-12 in M.280.45
Rousseau, A. Les cloches du soir. Nocturne [s. t. Ac-
comp. de piano]. No. 2 in M.158.34
Rousseau, J. J. Tendre fruit des pleurs d'Aurore. Duettino
[s. A. Accomp. de piano]. No. 25 in M.235.18.3
Rubinstein. Eighteen two-part songs with pianoforte ac-
comp. No. I in M.155.47
Sacchini. All my past life. Duett [s.s.].
No. los in M.235.17.4
[Perche se re tu sei. Duetto, s. s., con accomp. d'or-
chestra. Partitura.] No. 7 in M.120.29; etc.
Why so pale and wan. Duett [s.s.].
No. 16 in M.235.17.4
Sale. The butterfly. Duett [x. b. Accomp. for pianoforte].
No. 23 in M.235.14
Santi. [Notturni, a 2 voci, s. a., e basso continuo.]
No. II in M.120.29
ScHNYDER VON Wartensee. If in that breast. Romance and
duet [s. T. Accomp. for pianoforte]. No. 42 in M.235.18.3
Schumann, R. A. Chanson de mai. Duo [s. s. Accomp. de
piano]. No. 19 in M.3gi.28.2
ScoLA. Venetian ballads. M. 220.30
Should I die by the force of good wine. Duetto [t. b.].
No. 48 in M.iio.i.i; etc.
Smith, J. S. Hark, the hollow woods. Duet [s. a.].
No. 74 in M.235.17.4; etc.
Smith, T. Sweet is the breath. Duet [a. t.].
No. 232 in M.215.21
Spofforth. Hark! the goddess Diana. Hunting duet [s. s.J.
No. 120 in M.23S.17.5
Spohr, L. Drei Duetten fiir s. u. t., mit Begleitung des
Pianoforte. No. 19 in M.221.20
Still confiding. Duet [s. B.], from Faust. [Accomp.
for pianoforte.] No. 19 in M.235.18.2
Staggins. How unhappy a lover am I. Duet [s. t.].
M.236.10
Duet [s. B. Accomp. for
No. 138 in M.215.21
[Duet, T. t. Accomp. for
No. 20 in M.218.8.5
[s. T. Accomp. for piano-
No. 8 in M.218.8.3
[Duet, s. t. Accomp. for
No. I in M.1S7.18.3; etc.
Dal
Duets. Vocal. (Continued.)
Steffani. Prithee, leave r
organ].
Stevenson. Alas, poor Lubin.
pianoforte.]
I'll think on thee. Duett
forte].
Storage, Sweet little Barbara.
pianoforte.]
Stradella. Nel seren de' miei content!. Duo [s. b.
oratorio San Giovanni Battista con stromenti].
No. 9 in M.356.11
Swan, T. The songster's assistant. No. Sin M.127.1
Sweelinck. Chanson [Bouche de Coral], s.s.
No. 3 in M.415.3
Sweet is the breath of morn. Duett [s. s. or t. t.].
No. 4 in M.237.2; etc.
Sylvia, sweet as the morning air. Duet [s. t. Accomp. for
pianoforte]. No. 10 in M.218.8.3
Taubert, C. G. W. Dithyrambe. Fiir Tenor und Bariton.
[Mit Pianofortebegleitung.] No. 10 in M.244.17
Travers. Haste, my Nannette. Duet [t. b.].
No. 21 in M.235.14; etc.
I like a bee. Canzonet [a. t.]. No. 38 in M.235.17.1; etc.
I, my dear, was born today. Duett [t. b.].
No. 203 in M.235.17.2; etc.
Says Pontius in rage. Duet [t. b.].
No. 118 in M.235.17.1; etc.
Thus to the muses. [Canzonet, a. t.]
No. 224 in M.23S.17.2; etc.
When Bibo thought fit. Canzonet a 2 voci [x. b.].
No. 5 in M. 1393.18. 1 ;etc,
Tritto. D'un barbaro affanno. No. 4 in M.120.13
Troupenas. Les prestiges de I'amour. Nocturne [s. x.].
No. 2 in M.158.34
Truhn. Fruhlingsorakel fur . . . Sopran und Tenor, mit
Begleitung des Piano-Forte. No. 14 in M.221.30
Vaccaj. a se tu dormi. Duetto [s. x. from Giulietta e
Romeo] . No. 51 in M.157.39
Vernon, J. How imperfect is expression. Duett [s. a.].
No. 209 in M.23S.17.2
Where is pity's melting eye. Duet [s. a.].
No. 163 in M.235.17.1
Waley. The banner, vocal duet [s. s. or x. x.], with piano-
forte accompaniment. No. 21 in M.380.18
Song of wood nymphs, . . . [s. a. Accomp. for piano-
forte.] No. 22 in M.380.18
"Thou springtide art so true and good." . . . [s. a.
Accomp. for pianoforte.] No. 23 in M.380.18
Webbe, S. Hail peaceful shades. Duett [s. a.].
No. 107 in M.235.17.4
Love and folly. Duett [s. a.]. No. 109 in M.235.17.4
Since I'm born. Duet [x. b.]. No. 244 in M.392.49.4; etc.
Surely that's the tender youth. Canzonett [s. b.].
No. 13 in M.141.21.1; etc.
There behold the mighty bowl. Canzonet [x. b.].
No. 49 in M.110.8; etc.
Together we range. Duett [s. s.]. No. 112 in M.235.17.4
Were I like a monarch. Duett [s. a.].
No. no in M.23S.17.4
Webbe, S., Jr. In Celia's face. Duet [x. b.].
No. 35 in M.234.3.4
VON. Master! Say! our toil is o'er.
Accomp. for pianoforte].
No. 9 in M.234.7.2
No. 24 in M.23S.18.2
No. I in M.244.17
No. 46 in M.235.17.3
Duet [s. X.] from
No. 26 in M.23S.18.4
[Glee for 2 voices.]
No. 17 in M.IIO.I.I ; etc.
How stands the glass around. Duet fx. b.].
No. II in M.234.3.4
Ye banks and braes. Duett [s. a. Accomp. for pianoforte].
No. 14 in M.i39a.i8.3; etc.
Weber,
Recit.
C. M. F. E.
& duet fs. X.
May-song [s. s.]
So wie Blumen.
Wine cannot cure
Winxer, p. von.
Calypso.
Wise, M. Old Chiron.
Wolfe.
Duettino. s. x.
[Duet. X. t.]
Dopo cento affanni.
372
Duets
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dumanoir
Duets. Vocal. (Continued.)
Yradier. La rina del calesero. Escena de dos ciegos [s. t.].
Con acomp. de piano. No. 19inM.391.57
ZiNGARELLi. Dunque mio bene. Duettino \s. x. From
Romeo e Giulietta]. No. 49 in M.isy.sg
Dufay, Guillaume.
Kyrie [en ut, a 4 voix]. (In Rochlitz. Sammlung vorziig-
licher Gesangstucke. Band i, Abth. i, p. i.)
No. I in M.202.6.1
Kyrie [en fa, a 4 voix]. (In Rochlitz.' Sammlung vorziig-
licher Gesangstiicke. Band i, Abth. i, p. 2.)
No. 2 in M.202.6.1
Dufayel, Sophie.
Memoire pour la Di'e Dufayel I'ainee, actrice de la Comedie
italienne. [Paris? 1779?] No. I in M.137.10
Du Fayl, Ezvar.
Academie nationale de musique, 1671-1877. Repertoire
general, description du monument. Paris. Tresse. 1878.
Plates. Plans. [Theatres lyriques de Paris.] M.i29a.ii
Dufils, Leon.
La paille et la poutre. Operette en un acte. Paroles de M.
Jouhaud. Musique de Leon Dufils. [Partition chant et
piano.] Paris. Bathlot. [186-?] No. 3 in M.395.24
Duflot, Joachim.
Les ouvrieres de qualite. Vaudeville. Airs nouveaux de J.
Nargeot. No. 2 in M.393.47; etc.
Dufort, Charles de.
Le mari de la fauvette. Opera comique en i acte. Paroles
de MM. de Villeneuve et Angel [pseud.], musique de Ch.
de Dufort. Partition piano et chant. Paris. Petit. [1840.]
No. I in M.277.29
Messe semi solemnelle pour solos et choeurs avec accomp.
d'orgue ou piano. Paris. Canaux. [184-?]
No. I in M.380.S5
Dufrenois, Jules.
La Savoisienne. Opera-comique. Musique de Charles Du
Grosriez. No. 3 in M.266.38
Dufresne, Alfred.
Ave Maria [s. Accomp. d'orgue]. Paris. Mayaud & cie.
[185-?] No. 6 in M.260.10.4
Maitre Baton. Operette en un acte. Paroles de Eusrene
Bercioux. Musique de Alfred Dufresne. Partition piano
et chant. Paris, Heu. [1858.] No. 3 in M.393.16
Les valets de Gascogne. Opera comique en i acte, paroles
de Philippe Gille. Musique de A. Dufresne. Partition
piano et chant. Paris. Brandus & Dufour. [1860.]
No. 2 in M.30S.8
Dugazon, Louise Rosalie Lefevre.
Paroisse-Pougin. Figures d'Opera-Comique. Madame
Dugazon, EUeviou, les Gavaudan. Paris. 1875. 3 por-
traits. M.137.2
Dugnani, D., editor.
Platania. Matilde Bentivoglio. M.150.1
ToRRiANi. Carlo Magno. M.i5i.i7
Du Grosriez, Charles.
La Savoisienne. Opera-comique en I acte de Jules Dufre-
nois. Musique de Charles Du Grosriez. [Partition piano
et chant.] Paris. Le Bailly. [1883.] No. 3 in M.266.38
Dugue,
O Salutaris. Motet . . . reduit a 2 voix egales. [Accomp.
d'orgue.] (In Chapelle, La. "Vol. i, p. 72.)
No. 10 in M.201.33
Du Guesclin^ Song. Rouget de Lisle. 48 chants frangais.
M.202.44
Duhot, Charles.
Ouverture artistique pour grand orchestre. Partition. Paris.
Meuriot. [189-?] No. 2 in M.404.78
Duiffoprugcar, Caspar.
Was Caspar Duiffoprugcar really the first violin-maker?
[Translated from the German by C. N. V. New York?
189-?] Portrait. No. I in M.372.51
This is a translation with some slight alterations, of an article which
appeared in the Leipzig Zeitschrift fiir Instrumentenbau of the 21st of
May, 1S91.
Dujardin, Edouard, editor.
Revue wagnerienne. Annee 1-3. 1885-88. M.372.22
Dukas, Paul Abraham.
L'apprenti sorcier. Scherzo d'apres une ballade de Goethe.
Partition d'orchestre. Paris. Durand. [1897.] M.410.20
Dukatenprinz, Der. Opera. For the Music see Triebel. For
the Libretto see Jacoby.
Du Lac, Melchior.
La liturgie romaine et les liturgies franqaises. Details his-
toriques et statistiques. Le Mans. Julien, Lanier & ce.
1849. M.207.15
Dulce domum. Part-song. Reading. No. i4in M.1S7.28.2; etc.
Dulce lignum, dulces clavos. Motet. Lassus. Sammtliche
Werke. Band 11. M.8o4oa.67.ii
Dulce Te. Anthem. Carissimi. No. 2 in M.233.26.4
Dulces exuviae. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
Duici sub umbra. Motet. Lassus. Sammtliche Werke. IBand 11.
M.8o4oa.67.ii
Dulcibella. Duet. Purcell, H. Beauties of Purcell. Vol. i.
M.221.2.1
Dulcimer, The. Psalmody. Woodbury. M. 100.36
Dulcken, Ferdinand Quentin.
Messe solennelle, a quatre voix, soli et choeurs, avec accomp.
d'orgue. Op. 145. Leipsic. Koehler. [1883.]
No. I in M.193.18
Dulgt kjaerlighed. Song. Kjerulf. Sanger och Visor. Band i.
M.15847
Dull repining sons. Glee. Callcott, J. W.
No. 2 in M.220.9.4; etc.
Dullea, Owen John, editor.
Bell, N. Elementary history of music. M.217.1
Dullo, Gustav.
Harald, der letzte Sachsenkonig. Grosse Oper in 5 Acten.
Text von Erwin Schlieben. Musik von G. Dullo. Parti-
tur. Konigsberg i. Pr. Jacubowski. [1873.] 5 parts in
I V. M.262.12
Thiirmlied von E. Geibel, fiir vierstimmigen Mannerchor
mit Begleitung des . . . Pianoforte. Konigsberg i. Pr.
Jakubowski. [187-?] No. 13 in M.212.4
Du Locle, Camille. See Du Commun du Locle, Camille.
Dum aurora finem daret. Motet. Palestrina. Werke. Band 5.
M.8o4oa.66.5
Dum complerentur. Anthem. Palestrina. Werke. Band 31.
M.8o4oa.66.3i
Dum complerentur. Mass. Palestrina. Werke. Band 17.
M.8o4oa.66.i7
Dum complerentur dies Pentecostes. Anthem. Vittoria.
Opera. Tomus I. M.3I3.2.I
Dum complerentur dies Pentecostes. Motet. Palestrina.
Werke. Band i. M.8o4oa.66.i
Dum ergo essent in unum. Anthem. Vittoria. Opera.
Tomus I. M.313.2.1
Dum ergo essent in unum discipuli. Motet. Palestrina.
Werke. Band i. M.8o4oa.66.i
Dum esset Summus Pontifex. Mass. Palestrina. Werke.
Band 17. M.8o4oa.66.i7
Dum nos erebi monstra. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Dumaniant, Antoine Jean Bourlin.
Guerre ouverte, ou ruse contre ruse. Comedie. [Musique
par L. E. Jadin.] M.383.51
Dumanoir, Guillaume.
Le mariage de la musique avec la danse (1664). [Anon.]
Precede d'une introduction . . . Public par J. Gallay.
Paris. Librairie des bibliophiles. 1870. M.iig.5
Les chaises a porteurs. Opera comique. Paroles de Duma-
noir & Clairville [pseud.]. Musique de Victor Masse.
No. 2 in M.247.28
La chatte merveilleuse. Opera comique de Dumanoir &
d'Ennery [pseud.]. Musique . . . par Albert Grisar.
M.36S.21
La mule de Pedro. Opera. Musique de Victor Masse.
M.247.36
La perruche. Opera comique. Paroles de Dumanoir et
[Jean Henri] Dupin. Mis en musique . . . par Louis
Clapisson. M.291.15
Z7Z
Dumas
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dupaty
Dumas, Alexandre. 1802-1870.
Caligula. Musique de scene de Gabriel Faure. M.403.33; etc.
La derniere annee de Marie Dorval. Paris. Librairie nou-
velle. i8ss. No. 3 in M.izga.ss
Piquillo. Opera comique. Mis en musique ... par Hipp.
Monpou. M.283.11
Le roman d'Elvire. Opera comique, paroles de MM. Alex-
andre Dumas et de Leuven [pseud.], musique de Am-
broise Thomas. M.327.11
Dumas, Alexandre, the Younger.
Chactas et Atala. fipisode lyrique. Musique de Alphonse
Varney. No. 3 in M.325.12
Dumas, Frangois Guillaume, illustrator.
HuRET. Le Theatre national de I'Opera comique. M.375.26
Dumb door porter, The. Sala. The two prima donnas.
M.108.13
Dumb peal. The. Round. Cooke, B. No. 6 in M.23S.18.4; etc.
Dumersan, Theophile Marion.
Comparaison du theatre romain avec le theatre grec. Paris,
Sajou. 1808. No. 4inM.i2S.6
Le voyage impromptu. Opera comique. Paroles de Dumer-
san et Aubertin. Mis en musique . . . par Pacini. M.225.29
Dumky. Pianoforte trio. Dvorak. No. 2 in M.356.16
Dumont, Henri.
Gregorian mass, in D minor. Arranged with an accompani-
ment for the organ, by V. Novello. (hi Novello. Twelve
easy masses. Vol. 3, PP- i-io-) No. i in M.237.25.3
Said to have been composed by Dumont.
Mass in D minor. [Unison. Accomp. for organ.] (In
Benedict. Short masses for small choirs. Vol. i.)
No. 9 in M. 156.48
O res mirabilis. Motett [s. s. t. b. Accomp. for organ]. (In
Novello. Convent music. Vol. 2, pp. 144, I4S-)
No. .54 in M.260.17.2
Panis angelicus. Motett [s. s. t. b. Accomp. for organ].
(In Novello. Convent music. Vol. 2, pp. 142, 143.)
No. S3 in M.260.17.2
Pie Jesu [s. s. B. Accomp. for organ], (/n Novello. Con-
vent music. Vol. I, pp. 126, 127.) No. 16 in M.260.17.1
Sweet day, so cool, so calm, so bright. Hymn. (In Hullah.
Part music. Sacred. Vol. i, pp. 121-123.)
No. 40 in M.1S7.28.1 ; etc.
Du Mouchel, L. A.
Ecce panis. Motett for four voices. [Accomp. for piano-
forte or organ.] New York. Ditson & Co. [187-?]
No. 12 in M.201.35
Grand Magnificat in C, for four voices. [Accomp. for or-
gan.] New York. Ditson & Co. [187-?]
No. 13 in M.201.35
Dumps, The. Song. Arne, T. A. Lyric harmony. Vol. i.
M.380.1
Dun, Finlay.
"June." Part-song. [For s. s. A.]
Part-song book. Pp. 97-100.)
Dunbar, Paul Laurence, and others.
In Dahomey. A Negro musical comedy. Book by Jesse A.
Shipp. Lyrics by Paul Lawrence [sic] Dunbar and others.
Music by Will Marion Cook. No. i in M.3g9.i5
Duncan Gray. Song. Beethoven. Werke. Serie 14.
M.413.1.24
Duncker, Dora.
Assarpai. Oper. Musik von Ferdinand Hummel. M.407.3
Dunham, Henry Morton.
Hymn music for the use of quartette or chorus choirs. Bos-
ton. Schmidt. 1877- No. 18inM.154.19
Contains six hymn tunes.
The Lord's prayer [t. t. b. b.]. (In Ross' Sacred library.
No. I, pp. 8, 9.) No. 29 in M.203.15
Duni, Egidio Romoaldo.
Le Chinois. Comedie en i acte, traduite de I'italien. [Paro-
die du "Cinese" de Metastase par C. S. Favart et J. A.
Naigeon. Mise en musique par Duni. Partition.] Paris.
De La Chevardiere. [i7S9] No. 4 in M.283.1S
La clochette. Comedie en i acte en vers. Par M^. An-
seaume. Mis en musique par Mr. Duny. [Partition.]
(In Monk. Novello's
No. 23 in M.157.4
Paris. L'auteur. [1766.]
M.262.I5
Duni, Egidio Romoaldo. (Continued.)
Les deux chasseurs et la laitiere, comedie, en i acte, par Mr.
Anseaume. Mis en musique par Mr. Duny. [Partition.]
Paris. L'auteur. [1763.] M.262.17
La fee Urgele, ou ce qui plait aux dames. Comedie en 4
actes en vers. Les paroles de M^ * * * fC. S. Favart et
C. H. de Voisenon]. Mis en musique par Mr. Duny. [Par-
tition.] Paris. L'auteur. [1765.] M.262.14
L'isle des fous. Parodie de L'arcifanfano de Goldoni. [Pa-
roles d' Anseaume, Marcouville et Berlin d'Antilly.] Mis
en musique par Mr. Duny. [Partition.] Paris. L'auteur.
[1760.] No. 3 in M.283.IS
Mazet. Comedie en 2 actes. Par Mr Anseaume. Mis en
musique par Mr Duny. [Partition.] Paris. Sieber. [1761.]
M.262.18
Les moissonneurs. Comedie en 3 actes. Les paroles
de Mr Favart. La musique de Mr Duny. [Partition.]
Paris. L'auteur. [1768.] M.262.20
Ninette a la cour. Parodie de Bertholde a la ville. Comedie
en 2 actes, meles d'ariettes par Mr Favart. [Musique de
Duni. Partition.] Paris. La Chevardiere. [1755.] M.262.13
Two copies.
Le peintre amoureux de son modele. Opera comique de Mr
Anseaume. Mis en musique par Mr Duny. [Partition.]
Paris. L'auteur. [i7S7?] M.262.19
Les sabots. Piece en i acte. Par M. Sedaine. Mise en
musique par M. Duny. [Partition.] Paris. L'auteur.
[1763.] M.262.16
Dunkel ist es jetzt. Part-song. Behling. Vier Sesange.
No. 10 in M.212.3
Dimkle Auge, Das. Part-song. Loewe, J. C. G. VI vierstim-
mige Gesange. No. 2 in M.392.17
Dunklen Linden, Die. Part-song. Abt, F. Sechs vierstimraige
Mannergesange. No. 9 in M.3g2.2; etc.
Speidel. No. ii in M.3g2.24
Dunkler Lichtglanz, blinder Blick. Quartet. Schumann, R. A.
Spanische Liebes-Lieder. No. 10 in M.244.15.4
Dunois the Brave. Glee. Hortense, Queen of Holland.
No. 5 in M.175.1.7; etc.
Dunque divin Spiracolo. Madrigal. Palestrina. Werke.
Band 29. M.8o4oa.66.29
Dunque mio bene. Duet. Zingarelli. No. 49 in M. 157.39
Dunque perfido Amante. Part-song. Palestrina. Werke.
Band 30. M.8o4oa.66.30
Dunque piu non si tardi. Song. Majo. No. 4 in M.120.26
Dunque se ognor non sei spietato. Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Dunstan, H. Main waring, translator.
Bernard, D. Life and letters of Berlioz. M.128.20
Duo seraphim clamabant. Anthem. Vittoria. Opera. To-
mus I. M.313.3.1
Duo ubera tua. Motet. Palestrina. Werke. Band 4.
M.8o4oa.66.4
Duparc, Henri Fouque.
Lenore. Symphonische Dichtung nach Biirger's Ballade fiir
Orchester. Partitur. Leipzig. Leuckart. fiSg-?]
No. I in M.403.29
Dupaty, Louis Emmanuel Felicite Charles Mercier.
Bayard a Mezieres. Opera comique. Paroles de MM. Em-
manuel Dupaty et Chazet. Musique de Cherubini, Boiel-
dieu, Nicolo [Isouard] & Catel. M.291.9
Felicie, ou la jeune fille romanesque. Opera comique. Mis
en musique . . . par J. Catrufo. M.2gi.2
Frangoise de Foix. Opera. Paroles de Bouilly & Dupaty.
Mis en musique ... par H. Berton. M.271.10
L'intrigue aux fenetres. Opera. Paroles de Bouilly & Du-
paty. Compose .. . par Nicolo de Malthe [pseud.].
M.293.6
La jeune prude, ou les femmes entre elles. Comedie. Mise
en musique ... par N. Dalayrac. M.2S2.16
Mademoiselle de Guise. Opera comique. Mis en musique
par Solie [pseud.]. M.a74.27
Ninon chez Mn^e de Sevigne. Opera. Mis en musique . . .
par H. Berton. M.227.9
374
I
Dupaty
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duprato
Dupaty, Louis Emmanuel Felicite Charles M. (Continued.)
L'opera comique. Opera comique . . . Paroles des citoyens
J. Segtir jeune et Em. Dupaty. Musique del Sig'' Do-
menico delta Maria. M.252.26
Picaros et Diego, ou la folle soiree. Opera bouffon. Mu-
sique de N. Dalayrac. M.252.1
Le poete et le musicien, ou je cherche un sujet. Comedie.
Musique posthume de Dalayrac. M.252.8
Les voitures versees. Opera comique. Musique de Boiel-
dieu. M.265.30
Das zweyte Kapitel. [Komische Open Musik von Soulier.]
M.340.12
Dupeuty, Charles Desire.
Les deux pecheurs. Bouffonnerie musicale. Paroles de
Dupeuty et Bourget. Musique de J. Offenbach.
No. 2 in M.368.26
La polka des sabots. Operette, paroles de Dupeuty et E.
Bourget, musique de A. Varney. No. i in 11.325.12
La treille du roi. Opera-comique. Musique de Paul Hen-
rion. No. 2 in M.256.19
Tromb-al-ca-zar, ou les criminels dramatiques. Bouffon-
nerie musicale. Paroles de Ch. Dupeuty, et E. Bourget.
Musique de Jacques Offenbach. No. i in M.368.24
Dupin, Jean Henri.
La figurante, ou I'amour et la danse, opera comique. Paroles
de MM. E. Scribe et Dupin. Musique de L. Clapisson.
M.291.13; etc.
La fille invisible. Opera comique. Poeme de MM. de S'
Georges et Dupin. Musique de A. Boieldieu. M.265.27
La perruche. Opera comique. Paroles de Dumanoir et
Dupin. Mis en musique . . . par Louis Clapisson. M.291.15
La Serafina, ou I'occasion fait le larron, opera. Paroles de
MM. de S' Georges et Dupin. Musique d'Alfred de S«
Julien. No. I in M.323.43
Dupont, Auguste.
Concerto (en fa-min.) pour piano et orchestre. Op. 49.
Partition. Mayence. Schott. [1883.] M.348.27
Concertstiick (Ballade et Minuetto-Scherzo) pour piano,
avec accomp. d'orchestre. Op. 42. Partition. Mayence.
Schott. [1879?] No. 2 in M.403.29
Dupont, Gabriel.
La Cabrera (Die Ziegenhirtin). Musikdrama in einem Akt
(zwei Bilder) von Henri Cain. Deutsch von F. M. La
Violette. Musik von Gabriel Dupont. Klavierauszug mit
Text. Mailand. Sonzogno. 1904. M.399.77
Dupont, Jean Francois.
Trio pour piano, violon et violoncelle. Op. 13. [Partition
et parties.] Rotterdam. Vletter. [185-?] 3 parts in i v.
M.404.44
Duport, Auguste.
Le frere Philippe. Opera comique, musique de M^ Dourlen.
M.262.11
Fantaisie avec variations pour piano et violoncelle, on vio-
lon. Op. I de Mn^e Martainville et posthume de Duport.
No. 6 in M.210.2; etc.
Fantaisie avec variations sur la Romance des petits oiseaux
[par Rigel et Duport], pour violoncelle et piano.
No. 7 in M.210.2; etc.
[Nocturne, 2^', en si bemol, pour piano et violoncelle, ou
violon [par Bochsa et Duport]. No. 10, 11 in M.210.2; etc.
[Nocturne, l^'', en sol mineur, pour violoncelle avec piano.
Partition.] Paris. Richault. [183-?] No. 8 in M.210.2
Same. [Partie de violoncelle.] No. 23 in M.210.11
[Nocturne, I", en si bemol, pour piano & violoncelle, ou
violon par L. Duport et N. Ch. Bochsa. Op. 68, no. i.
Partition, violon et piano.] Paris. Pacini. [181-?]
No. 9 in M.210.2
Same. [Partie de violoncelle.] No. 24 in M.210.11
Same. [Partie de violon.] No. 14 in M.210.9
[Nocturne, 3™=, pour piano et violoncelle (ou violon). Par
L. Duport et N. Ch. Bochsa. Partition violon et piano.
Op. 68, no. 3.] Paris. Pacini. [181-?] No. 14 in M.210.2
Same. [Partie de violoncelle.] No. 25 in M.210.11
Same. [Partie de violon.] No. 15 in M.210.9
Duport, Auguste. (Continued.)
Nouveau nocturne [en ut mineur] pour le violoncelle, avec
accomp. de piano. [Partition.] Paris. Hanry. [181-?]
No. 12 in M.2io.a
Same. [Partie de violoncelle.] No. 26 in M.210.11
Nouveau nocturne [3""=, en mi majeur] pour le violoncelle,
avec accomp. de piano. [Partition.] Paris. Duport.
[181-?] No. 13 in M.210.2
Same. [Partie de violoncelle.] No. 27 in M.210.11
Duport, Paul.
Le Cent-Suisse, opera comique. Paroles de Paul Duport et
£d. Monnais. Musique de M. le Prince de la Moskowa.
M.391.19
Cosimo. Opera bouffon. Paroles de MM. S* Hilaire et
Paul Duport. Musique de Eug. Prevost. M.254.32
Le perruquier de la Regence. Opera comique de MM. de
Planard et Paul Duport. Mis en musique par . . . Am-
broise Thomas. M.400.50; etc.
Les Treize. Opera comique. Paroles de MM. E. Scribe et
Paul Duport. Musique de F. Halevy. M.292.14
Duprat, Hippolyte.
Petrarque. Opera en 5 actes. Paroles de Hipp'e Duprat et
F. Dharmenon. Musique de Hippolyte Duprat. Partition
piano et chant. Paris. Brandus & cie. [1873.] M.30S.22
Duprato, J. M. See Duprato, Jules Laurent Anacharsis.
Duprato, Jules Laurent Anacharsis.
Le baron de Groschaminet. Operette en i acte de Ch. Nuit-
ter [pseud.]. Musique de J. Duprato. Partition piano et
chant. Paris. Choudens. [189-?] No. i in M.305.23
Le Bon homme Hiver. Opera-comique en I acte. Paroles
de Paul Celieres. Musique de J. Duprato. [Partition chant
et piano.] Paris. Hennuyer. 1882. No. 2 in M.305.27
La deesse et le berger. Opera comique en 2 actes en vers.
Poeme de Camille Du Locle. Musique de J. Duprato.
Partition chant et piano. Paris. Richault & cie. [1863.]
M.30S.2S
La fiancee de Corinthe. Opera en i acte. Paroles de Ca-
mille Du Locle. Musique de J. Duprato. Partition piano
et chant. Paris. Heugel & cie. [1867.] No. i in M.305.27
La gageure d'Adrienne. Opera-comique en I acte. Paroles
de Eugene Adenis [pseud.]. Musique de J. Duprato.
[Partition chant et piano.] Paris. Hennuyer. [189-?]
Plate. No. 2 in M.30S.23
Marie Stuart au chateau de Lochleven, operette de salon,
en I acte. Paroles de P. Bogaerts. Musique de J. M.
Dnprato. [Partition chant et piano.] Bruxelles. Schott.
[186-?] No. 3 in M.305.23
M'sieu Landry. Operette en i acte. Paroles de Camille Du
Locle. Musique de J. Duprato. Partition piano et chant.
Paris. Heu. [1856.] No. 2 in M.305.26
La nuit descend. Duetto, s. a. [Accomp. de piano. Por-
trait. Facsimile.] (In Album du Gaulois. Vol. i.)
No. 14 in M.391.28.1
Une promenade de Marie Therese. Operette de salon. Pa-
roles de P. Bogaerts. Musique de J. Duprato. [Partition
chant et piano.] Paris. Schott. 1865. No. i in M.301.6
La reine Mozab. Opera-comique en i acte. Paroles de M.
A. Carre. Musique de J. Duprato. [Partition chant et
piano.] Paris, i860. [Magazin des demoiselles.]
No. 4 in M.305.23
Salvator Rosa. Opera comique en 3 actes, paroles de MM.
E. Grange et H. Trianon, musique de J. Duprato. Parti-
tion chant et piano. Paris. Gerard & cie. [1861.] M.305.24
Symphonic en si bemol majeur. [Partition.] Paris. Dur-
dilly & cie. [1886.] M.405.10
The title is on the cover.
Les trovatelles. Opera comique en i acte, paroles de Michel
Carre et Jules Lorin, musique de J. Duprato. Partition
piano et chant. Paris. Colombier. [1854.]
No. I in M.305.26
Same. Ouverture des Trovatelles, opera comique . . . [Par-
tition d'orchestre.] Paris. Colombier. [1854?]
No. 2 in M.4XO.18
375
Dupre
THE PUBLIC LIBRARY OF THE CITY OF.BOSTON
Durante
Dupre, Ernest.
Madame Boniface. Opera-comique. Paroles de MM. Ernest
Dupre et Charles Clairville. Musique de P. Lacome.
M.296.10
Dupre, Jasquin. See Josquin Depres.
Duprez, fidouard.
Les coiffeur de Madame. Opera bouffe. Musique de N.
Colbert. No. i in M.389.2
Djihan-Ara. Opera. Musique de N. Colbert. M.291.21
Jeanne Dare. CDpera. Paroles de Mery et fidouard Duprez.
Musique de G. Duprez. M.305.2S
Joanita. Grand opera. Musique de G. Duprez. M.305.29
Marinette et Gros-Rene. Operette bouffe. Musique de
Gust. Hequet. No. i in M.276.23
Ordre du roi. Opera comique. Paroles de B. Gadobert &
£d. Duprez. Musique de O. Dhavernas. No. 2 in M.303.2S
Les racoleurs. Opera bouffe. Musique de N. Colbert.
No. 4 in M.39S.17
Duprez, fidouard, translator.
Verdi. Inno delle nazioni (Hymne des nations), cantica.
No. 3 in M.155.26
Duprez, Gilbert Louis.
Ave Verum. Pour s. ou t. [Accomp. de piano.] Paris.
Richault. [185-?] No. 6 in M.158.32
Jeanne Dare. Opera en 5 actes avec prologue . . . Paroles
de Mery et £douard Duprez. Musique de G. Duprez.
[Partition chant et piano. Paris.] L'auteur. [1865.]
M.30S.28
Joanita. Grand opera en 3 actes. Paroles de M. Ed. Du-
prez. Musique de G. Duprez. Partition piano et chant.
Paris. Heugel & cie. [1852.] M.305.2P
Joyeusetes d'un chanteur dramatique. [Vers. Paris.] Tresse.
[1882.] Lithograph script. No. 2 in M.143.3
Le jugement dernier, oratorio. Paroles et musique de G.
Duprez. Partition arrangee avec accomp. de i et 2 pianos,
par l'auteur. Paris. Heugel & cie. [1868.] M. 153.16
Regina. Legende. [s. Accomp. de piano.] {In Album de
chant. Pp. 10, II.) No. I in M.202.28
Souvenirs d'un chanteur. Paris. Levy. 1880. M. 118.5
La vue, I'ouie et I'odorat. Petit rien poetico-musical pour
tenor. [Accomp. de piano. Portrait. Facsimile.] (In
Album du Gaulois. Vol. i.) No. 15 in M.391.28.1
Duprez, Gilbert Louis. Works about.
Elwart, a. a. fi. Duprez. Sa vie artistique. Avec une
biographic de son maitre, Alexandre Choron. Paris. 1838.
2 portraits. No. i in M.i29a.33
Dupuich, Robert.
Traite de lutherie ancienne. Les maitres luthiers. Nouvelle
cote des violons par Robert Fissore [pseud.]. 2e edition.
Paris. Dupuich. [1899.] M.371.34
Dupuis, Albert.
Jean-Michel. Nouvelle musicale en 4 actes. Poeme de
George Garnir & Henry Vallier. Musique de Albert Du-
puis. Partition pour chant et piano. Paris. "Edition
mutuelle." 1904. M.399.76
Dupuis, Thomas Saunders.
Comfort the soul of Thy servant. Trio [a. t. b. Accomp.
for organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp.
210, 211.) No. 78 in M.2go.22.2
Double chant [in A]. {In Turle and Taylor. The People's
music book. Vol. 2, p. 209.) No. 47 in M.iii.4.2
Double chant, [s. a. t. b. In Eb.] {In Ayrton. Sacred min-
strelsy.) Vol. I, p. 91.) No. 31a in M.290.22.1
Hear my prayer, O Lord. Solo [a. or b. Accomp. for piano-
forte]. {In Ayrton. Sacred minstrelsy. Vol. I, pp. 19,
20.) No. 7 in M.290.22.1
Not unto us, O Lord. Full anthem. [Accomp. for organ.]
{In Hullah. The Singer's library. Sacred. No. 5. Pp.
2I-24-) No. 5 in M.157.3
Oh, how sweet are Thy words. Solo [s. or t. Accomp. for
organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp. 156-
158.) No. 57 in M.290.22.2
Sing unto God, O ye kingdoms. Anthem [s. a. Accomp.
for organ]. {In Ayrton. Sacred minstrelsy. Vol. i, pp.
202-205.) No. 71 in M.290.22.1
Dupuis, Thomas Saunders. (Continued.)
Teach me, O Lord. Solo [s. or bar. Accomp. for organ].
{In Ayrton. Sacred minstrelsy. Vol. 2, pp. 50, 51.)
No. 18 in M.290.22.2
Durafour, Emile.
L'amour & I'appetit. Saynete. Paroles de E. Durafour &
Adolphe Joly. Musique de L. C. Desormes.
No. I in M.393.17
Deux beautes d'autrefois. Saynete-bouffe. Paroles de MM.
E. Durafour et J. Arnaud. Musique de L. C. Desormes.
No. I in M.295.34
Quand les chats sont partis. Operette. Musique de L. C.
Desormes. No. 4 in M.295.34
Ragivore et CoUodium. Saynete-bouffe. Paroles de J. Ar-
naud et E. Durafour. Musique de Charles Hubans.
No. 3 in M.286.13
Le talisman du Pere Frangois. Musique de J. Vandenesse.
No. 3 in M.324.34
Les virtuoses de Gonesse. Meli-melo musical. Musique, L.
C. Desormes. No. 5 in M.295.34
Durand, fimile.
L'astronome de Pont-Neuf. Pochade musicale en i acte.
Paroles de Jules Moinaux. Musique de Emile Durand.
Partition piano et chant. Paris. Gerard & cie. [1869.]
M.364.25
L'elixir de Cornelius. Opera-comique en i acte. Paroles
de Henri Meilhac et Arthur Delavigne. Musique de fimile
Durand. [Partition chant et piano.] Paris. Gerard &
cie. [1868.1 No. 6 in M.305.9
Same. Fine Seelenwanderung (L'elixir de Cornelius). fOu-
verture. Partitur.] Berlin. Bote & Bock. [1869?]
No. 5 in M.332.13
Durand, Georges.
Le voyage de noce ou I'auberge de Windsor. Musique de
Gaston Serpette. No. 2 in M.322.17
Durand, Jacques.
Les esprits du Nil. Legende. Pour voix de femmes, s. solo
et choeur. Paroles de Stephan Bordese. Musique de
Jacques Durand. [Partition chant et piano.] Paris.
Durand & Schoenewerk. 1888. No. 4 in M.213.5
Durand, Leopold Hubert.
Decouverte et demonstration de la similitude des gammes,
ou les physiciens mis d'accord avec les musiciens au sujet
de la theorie de la musique. Paris. L'auteur. 1864.
No. 2 in M.372.21
Durand, Marie Auguste.
Deuxieme messe solennelle a 4 voix (soli & choeurs), avec
accompt d'orgue. Paris. Flaxland. [187-?] No. 2 in M.is6.i6
Durand de Fontmagne, , Baronne.
Folies d'amour. Opera-comique en un acte (d'apres Reg-
nard). Paroles de H. Dracy. Musique de la Bn« Durand
de Fontmagne. [Partition chant et piano.] Paris. Grus.
1894. No. I in M.402.20
Le Ser.gent Larose. Idylle. Opera-comique en i acte. Pa-
roles de Charles Labor. Musique de la baronne Durand
de Fontmagne. [Partition piano et chant.] Paris. Grus.
fiQO-?] No. I in M.399.82
Duranda, Charles.
Une drole de marquise. Operette bouffe. Par Adolphe
Poujol et Ch. Duranda. Musique de H. C. de Ploosen.
No. 3 in M.287.S
Durant, Ghislani.
Hygiene of the voice. Its physiology and anatomy. New
York. Cassell. 1879. Illus. M.149.13
Durante, Francesco.
Agnus Dei. [Chorus. Accomp. for pianoforte.] {In La-
trobe. Selection of sacred music. Vol. 6, pp. 14-16.)
No. 3 in M.290.29.6
XII duetti da camera per imparar a cantare. Col accomp.
di pianoforte. (Mit italienischem und deutschem Text.)
Lipsia. Breitkopf & Hartel. [184-?] 3 parts in i v.
M.I 30.6
Contents. — Parte i. Andate, miei suspiri. — Son io, son io, barbara
donna. — Qualor tento scoprire il mio martire. — Alme. alme! voi che
provaste. Parte 2. Metilde, alma mia! — • Oh quante volte. — Metilde,
mio tesoro! — Fiero, acerbo destin dell* alma mia. Parte 3. La vezzosa
Celinda. — Amor, Metilde. — Dormono I'aure estive. — Alfin, m'uc-
ciderete.
376
Durante
THE ALLEN A. BROWN COLLECTION OF MUSIC
Duru
Durante, Francesco. (Continued.)
Domine Jesu Christe [s. a. t. b., violini, basso ed organo].
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 2, pp. 94-99.) No. 2.^ in M. 202.6.2
Duetti [s. A. and s. s.] . . . con accomp. di piano forte di F.
Mirecki. Riveduti e corretti dal Sig^ CaV. Cherubini.
Parigi. Carli. [182-?] M.380.23
Fugue, in F minor (Studio). (In Esposito, M. Early Italian
piano music . . . Pp. 122-126.) M.380.59
Help us, O God. Motet. (In Hullah. Part music. Sacred.
Vol. 2, pp. 106-113.) No. 36 in M.1S7.28.2
Kyrie [s. A. T. B., mit Pianoforte-Begleitungl. (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band 2, pp. 78-
82.) No. 20 in M.202.6.2
Letanie della Beata Vergine a quattro voci con violini, viole
[ed organo]. Manuscript. [Paris? i86-?l
No. 3 in M.360.20
Litanie a 4 voix avec deux violons et violette [et basse].
Manuscript. [Paris? 180-?] No. 2 in M.360.20
Magnificat fiir 4 Singstimmen ... in erweiterter Instru-
mentation mit Clavierauszug versehen von Robert Franz.
Partitur mit Clavierauszug. Halle. Karmrodt. [1866.]
No. 2 in M.352.20
Messa a 4 voci alia Palestrina. Manuscript. [Paris. 180-?]
No. I in M.360.20
Same. [1832.] No. 2 in M.312.30
[Messe a 5 voix, en re majeur, avec accomp. d'orchestre.
Partition.] Manuscript. [Paris? 180-?] M.360.4
Messe [en la mineur] a cinque voix [s. s. A. T. B.] avec des
violons [et basse]. Manuscript. [178-?] M. 360.2
Quaerens me sedisti. [s. solo. Accomp. for piano.] (In
Latrobe. Selection of sacred music. Vol. 5, p. 64.)
No. 9 in M.290.2g.5
O remember not the sins. Coro. [Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. 2, pp. 136-
144.) No. 30 in M. 290.29.2
Omnis populus ejus. [Trio, s. s. b. Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. 4, pp. 149-
15-5.) No. 28 in M.2go.29.4
Regina angelorum [s. a. x. b., mit Pianoforte-Begleitung].
(/;i Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 2, pp. 83-86.) No. 21 in M.202.6.2
Requiem aeternam [s. A. T. B., con accomp. di violini, basso
ed organo]. (In Rochlitz. Sammlung vorziiglicher Ge-
sangstiicke. Band 2, pp. 87-93.) No. 22 in M.202.6.2
[Undici solfeggi a due voci col basso continuo.] Manu-
script. [Paris? 180-?] II parts in IV. M.360.3
Durante, Silvestro.
Cantate Domine. Terzetto [s. s. B. Accomp. for organ].
(In Novello. The Fitzwilliam music. Vol. i, pp. 18-21.)
No. 3 in M.233.26.1
Lovely and gracious. [Madrigal, s. s. a. t. b.] (/« Taylor.
Vocal school of Italy. Pp. 74-76.) No. 15 in M.237.28
Prote-xisti me, Deus. A 5 voci [s. s. a. t. b. Accomp. for
organ], (/n Novello. The Fitzwilliam music. Vol. 4, pp.
24-29.) No. 4 in M.233.26.4
Dutch den Wald im Mondenscheine. Song. Fr,\nz, R. Sechs
Gesange. Op. 8. No. 58 in M.244.5.1
MiHALOVicH. Sieben Lieder. No. 2 in M.380.21
Durch der Abenddamrung Stille. Part-song. Mueller, A. E.
No. 14 in M. 1298.43.1
Durch die Nacht. Song. Kuecken. Zwei kleine Lieder.
No. 5 in M. 244.6.3
Durch die Nacht zum Licht. Part-song. Abt, F. Fiinf Ge-
sange. No. 17 in M.392.2
Durch Dunkel zum Licht. Symphony. Huber, J.
No. I in M.342.8
Durch Erd' und Himmel leise. Part-song. Rubinstein. Gon-
delfahrt. No. 8 in M.1S8.21
Durch Feld und Buchenhallen. Part-song. Reubke. Vier
Lieder. No. 34 in M.392.20
Durch sauselnde Baume. Song. Franz, R. Zwolf Gesange.
Op. 4. No. 28 in M.244.S.1
Durch Wald und Flur. Part-song. Beer, M. J. Thro' virood
and mead. No. 6 in M.203.10
Durchlaucht kommen. Opera. Hoepfner. No. 6 in M.sgi.is
Durchlaucht'ster Leopold. Serenata. Bach, J. S. Werke. Jahr-
gang 34. M.8040.21.34
Durey de Noinville, Jacques Bernard.
Histoire du theatre et de I'opera en France. [Anon. Par L.
Travenol et J. B. Durey de Noinville.] M.146.23
Durner, R. See Duerrner, Ruprecht Johannes Julius.
DuroUet, Marie Frangois Louis Gand-Leblanc, Bailli.
Alceste. Opera. Musique de Gluck. M.365.i;etc.
Les Danaides. Tragedie lyrique. Paroles de Du Bailly du
RoUet & du Baron de Tschudy . . . [Musique de] Salieri.
M.321.26
Iphigenie en Aulide. Tragedie opera. [Musique] par le
Chevalier Gluck. M.282.i;etc.
Durosoy, B. See Rosoy, Barnabe Parmian de.
Durstige Lieder. Part-songs. Reinecke, C. H. C.
No. 20 in M.392.21
Duru, Henri Alfred.
Le beau Dunois. Opera-bouffe en I acte. Paroles de H.
Chivot et A. Duru. Musique de Charles Lecocq.
No. I in M.296.26
La blanchisseuse. Operette en 3 actes de Chivot et Duru.
Musique de Leon Vasseur. M.325.18
Les braconniers. Opera-bouffe. De Chivot et Duru. Mu-
sique de J. Offenbach. M.267.42
Les cent vierges. Opera-bouffe. Paroles de Clairville
[pseud.], Chivot & Duru. Musique de Charles Lecocq.
M.366.24
Les chevaliers de la Table Ronde. Opera bouffe. Paroles
de Chivot et Duru. Musique de Herve [pseud.]. M.276.36
La cigale & la fourmi. Opera-comique [de] Chivot & Duru.
Musique de E. Audran. M.255.23
Le Docteur Purgandi. Operette bouffe. Paroles de H.
Chivot et A. Duru. Musique de Victor Robillard.
No. I in M.307.24
La dormeuse eveillee. Opera comique de Chivot et Duru.
Musique de Ed. Audran. M.2SS.11
La fille a Cacolet. Vaudeville-operette de H. Chivot & A.
Duru. Musique de E. Audran. No. 2 in M. 255.27
La fille du tambour major. Opera-comique de A. Duru et
H. Chivot. Musique de J. Offenbach. M.267.36
Fleur-de-the. Opera-bouffe. Paroles de MM. Alfred Duru
et Henri Chivot. Musique de Charles Lecocq.
No. I in M. 366.27
Gandolfo. Operette. Paroles de Chivot et Duru. Musique
de Charles Lecocq. No. 3 in M.365.22
Gillette de Narbonne. Opera comique de Chivot et Duru.
Musique de Ed. Audran. M.255.19
Le Grand Mogol. Opera-bouffe de Chivot et Duru. Mu-
sique de Ed. Audran. M. 255.20
L'ile de Tulipatan. Opera bouffe. Paroles de Henri Chivot
& Alfred Duru. Musique de J. Offenbach.
No. 2 in M.267.34; No. 4 in M.277.12
Madame Favart. Opera-comique de A. Duru & H. Chivot.
Musique de J. Offenbach. M.277.10
La Mascotte. Opera-comique de Chivot et Duru. Musique
de Ed. Audran. M.255.16
La mere des compagnons. Opera-bouffe de Chivot et Duru.
Musique d'Herve [pseud.]. No. 2 in M.276.33
Les noces d'Olivette. Opera-comique de A. Duru et H.
Chivot. Musique de E. Audran. No. 2 in M.255.13; M.2S5.21
L'oiseau bleu. Opera comique de Duru & Chivot. Musique
de Ch. Lecocq. M.296.25
Paul Jones. Opera comique. Written [after H. Chivot and
A. Duru] by H. B. Farnie. Composed by Robert Plan-
quette. M.287.34
The original edition entitled Surcouf is on shelf-number M.2S7.2S.
Pepita. Comic opera . . . Adapted from the French of
Chivot & Duru by Mostyn Tedde. Music by Ch. Lecocq.
An adaptation of La princesse des Canaries [m. 306.7]. M.305.I
La petite fronde. Opera comique de A. Duru et H. Chivot.
Musique de E. Audran. M.25S.24
Les pommes d'or. Operette feerie de Chivot. Duru & Blon-
deau-Monreal. Musique de Ed. Audran. M.25S.12
Le pompon. Opera-comique. Paroles de H. Chivot & A.
Duru. Musique de Charles Lecocq. M.296.30
1 48
Z77
Duru
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Duvernoy
Duru, Henri Alfred. (Continued.)
La princesse des Canaries. Opera bouffe de Chivot et Duru.
Musique de Ch. Lecocq. M.306.7
See also his Pepita.
Le Rajah de Mysore. Operette bouffe. Paroles de A. Duru
et H. Chivot. Musique de Charles Lecocq.
No. I in M.2g6.24
La souris blanche. Operette de Chivot et Duru. Musique
de Leon Vasseur & de Thuisy. M.395.74
Le voyage de Suzette. Operette. De A. Duru & H. Chivot.
Musique de Leon Vasseur. M.325.22
Durutte, Frangois Camille Antoine, Comte.
Esthetique musicale. Technie, ou lois generales du systeme
harmonique. Paris. Mallet-Bachelier. 1855. M.372.S
DurvyoUt, J. von.
The convert. A celebrated air arranged for 3 voices [s. a. b.
Accomp. for pianoforte]. London. Goulding, D'Almaine
& Co. [182-?] No. 10 in M.235.16
Dusch, Alexander von.
Cantemire. Eine grosse Oper, in Musik gesetzt von F. E.
Fesca. M.231.37
Du Seigneur, Maurice.
Le theatre de Monte-Carlo. Paris. Rouveyre. 1880. Plate.
No. I in M. 119.15
Dusle, Der, und das Babeli. Opera. For the Music see Kaskel.
For the Libretto see Schriefer.
Dusle und Babele. Song. Taubert, C. G. W. VII Lieder.
Op. 26. No. I in M. 192.6
Dussek, Jan Ladislav.
[The captive of Spilberg.] The favorite romance of the
Captive of Spilberg . . . the words by Prince Hoare, the
music entirely new by I. L. Dussek. [Vocal score with
accomp. for piano.] London. Printed for M. Kelley.
[179-?] No. 2 in M.30.24
Trois sonates et trois preludes pour le piano-forte, avec ac-
comp. de flfite ou violon et violoncelle. Qiuvre 31. [Piano
seul.] Paris. Leduc. [182-?] No. 15 in M.210.2
Same. [Partie de violon.] No. 16 in M.210.9
Dussek, Jan Ladislav, editor.
ViOTTi. Grand concerto in G. Adapted for the pianoforte.
No. I in M.237.7
Dutacq, Amedee.
Battez Philidor! Opera-comique en i acta de M. Abraham
Dreyfus. Musique de Amedee Dutacq. Partition chant et
piano, precedee du texte complet. Paris. Hamelle. [1882.]
No. 2 in M.301.6
Lysistrata. Comedie en 4 actes en prose, precedee d'un pro-
logue en vers, de Maurice Donnay. Musique de Amedee
Dutacq. Partition piano et chant. Paris. Choudens. 1893.
No. I in M.305.30
Du Terreaux, L. H. F.
Fashion, operetta, composed by W. C. Levey.
No. 2 in M. 153.9
The ungovernable governess! Operetta, composed by W.
C. Levey. No. 5 in M.322.32
Dutertre,
Marie-Therese. Opera. Paroles de Cormon [pseud.] et
Dutertre. Musique de N. Louis. M.390.2i;etc.
Duthie, William, translator.
Schubert, F. P. The song of Miriam (Mirjams Siegesge-
sang). No. i in M.280.47
Duval, Alexandre Vincent Pineu.
Les artistes par occasion. Opera bouffon. Musique de Mr.
Catel. M.280.31
Beniowsky. Opera. Mis en musique par A. Boieldieu.
M.271.33
The Castle of Sorrento. A comic opera. The words
[adapted from the French of Duval] by Henry Heartwell.
Composed by T. Attwood. No. 2 in M.396.2
Joseph. Opera. Musique de Mehul. M.273.44; etc.
Same. Joseph. Oper. [Musik] von E. N. Mehul. M.273.32
Maison a vendre. Comedie. Mise en musique par N. Da-
layrac. No. 2 in M.291.31
L'officier enleve, opera comique, musique de Catel. M.281.36
L'oncle valet. Opera. Musique du C^" Delia Maria.
H.402a.ii
Duval, Alexandre Vincent Pineu. (Continued.)
Same. Der Oheim, oder die Entdeckung. Oper von Dom.
Delia Maria. M.231.12
Le prisonnier. Opera. Musique de Domenico Delia Maria.
The words are in French and German. M.231.13
Le vieux chateau, ou la rencontre. Opera. Musique du C«n
Domenico della Maria. M.252.27
Duval, Edmond.
Ave Maria, [t. t. b. b. Accomp. d'orgue.] Bruxelles. Schott.
[185-? Repertoire de musique d'eglise. 21.]
No. 27 in M.260.10.6; No. 21 in M.26o.ig
Ave Maria a une voix [s. ou T.] avec accomp. d'orgue.
Bruxelles. Schott. [185-? Repertoire de musique d'eglise.
18.] No. 18 in M.260.19
Ecce panis. [Duet, s. b. Accomp. d'orgue.] Bruxelles.
Schott. [185-? Repertoire de musique d'eglise. 17.]
No. 4 in M.201.33; No. 17 in M.26o.ig
fitudes sur les livres choraux qui ont servi de base dans la
publication des livres de chant gregorien . . . par P. C. C.
Bogaerts et Edmond Duval. No. 2 in M.146.25
Iste confessor. [s. s. b. Accomp. d'orgue.] Bruxelles.
Schott. [185-? Repertoire de musique d'eglise. 20.]
No. 20 in M.260.19
O Sacrum convivium. [t. t. b. Accomp. d'orgue.] Bruxelles.
Schott. [185-? Repertoire de musique d'eglise. 19.]
No. 19 in M.26o.ig
Pie Jesu Domine. [t. t. b. Accomp. d'orgue.] Bruxelles.
Schott. [185-? Repertoire de musique d'eglise. 23.]
No. 23 in M.260.19
Regina coeli. [s. s. x. x. b. Accomp. d'orgue.] Bru.xelles.
Schott. [185-? Repertoire de musique d'eglise. 22.]
No. 22 in M.260.19
Duval, Edmond, editor.
Vesperale Romanum cum Psalterio. M. 136.1
Duval, Georges.
La belle au bois dormant. Opera-comique de A. Vanloo &
G. Duval. Musique de Charles Lecocq. M.402.35
Les dragons de I'imperatrice. Opera-comique. Paroles de
Georges Duval et Albert Vanloo. Musique de Andre
Messager. M.396.69
Mam'selle Crenom. Operette. Paroles de A. Jaime et G.
Duval. Musique de Leon Vasseur. M.32S.17
Le mariage avant la lettre. Opera-comique de Jaime et
Duval. Musique de Olivier Metra. No. i in M. 257.29
Mignonnette. Vaudeville-operette. Musique de Georges
Street. No. 2 in M.393.65
Les p'tites Michu. Operette de A. Vanloo & Georges Duval.
Musique de Andre Messager. M. 395.68
Same. The little Michus. A musical play by A. Vanloo and
G. Duval. Lyrics by Percy Greenbank. Music by Andre
Messager. M.396.70
"Veronique." Opera comique de A. Vanloo & G. Duval.
Musique de Andre Messager. M.402.39
Les voltigeurs de la 32eme. Opera comique. Paroles de
Gondinet & G. Duval. Musique de Robert Planquette.
M.287.24
Duval, Paul.
Promethee. Tragedie lyrique de Jean Lorrain [pseud.] &
F. A. Herold. Musique de Gabriel Faure. M.382.20
Yanthis. Musique de scene de Gabriel Pierne.
No. 3 in M.193.7
Duvau, A.
Les origines curieuses du Champ de Mars et du Trocadero.
Paris. Champon. 1878. Illus. No. 5 in M.137.10
Duverger, J.
Notice biographique sur Franz Liszt. 2e edition. Paris.
Amyot. 1843. No. 5 in M.134.9
Portraits and newspaper cuttings.
Duvernoy, Victor Alphonse.
Bacchus, ballet en trois actes et cinq tableaux de Georges
Hartmann & J. Hansen (d'apres un poeme de Mermet).
Musique de Alphonse Duvernoy. [Partition piano.] Paris.
Au Menestrel. IQ02. M.384.4
Cleopatre, scene lyrique pour soprano, choeur et orchestre.
Poeme de Louis Gallet. Musique de Alph. Duvernoy.
Partition pour chant et piano. Paris. Hartmann. [189-?]
No. 3 in M. 154.44
378
Duvernoy
THE ALLEN A. BROWN COLLECTION OF MUSIC
Dvorak
Duvernoy, Victor Alphonse. (Continued.)
Helle. Opera en 4 actes. Paroles de Camilla Du Lode &
Charles Nuitter [pseud.]. Musique de Alphonse Duver-
noy. Partition piano et chant. Paris. Enoch & cie. 1896.
M.303.28
Quatuor en ut mineur pour 2 violons, alto et violoncelle
(Op. 46). Partition. Paris. Durand. [1897?!
No. 2 in M.405.72
Sardanapale. Opera en 3 actes de Pierre Berton (d'apres
Byron). Musique de Alph. Duvernoy. Partition chant &
piano. Paris. Choudens. [1882.] M.305.32
La tempete. Poeme symphonique en 3 parties pour soli
[s. A. T. BAR. B.], chcEurs et orchestra. Paroles de .Armand
Silvestre et Pierre Berton, d'apres Shakespeare. Musique
de Alphonse Duvernoy. Partition piano et chant. Paris.
Girod. [188-?] M.30S.31
Duvert, Felix Auguste.
Madeluchette. Operette. Musique de fid. Lonati.
No. 3 in M.306.19
Voyage autour de ma chambre. Opera comique. Paroles
de Xavier [pseud.], Duvert et Lauzanne. Musique de
Albert Grisar. No. 2 in M.266.36
Duveyrier, Anne Honore Joseph.
Ali-Baba, ou les quarante voleurs. Opera. Paroles de
Scribe et Melesville [pseud.]. Musique de L. Cherubini.
M.291.7
L'an mil. [Opera comique. Paroles de Melesville [pseud. j
et Foucher. Musique de A. Grisar.] M.224.34A
,, Der Botenlaufer von Pirna. Komische Oper. Musik von
Heinrich Dorn. M.262.9
Le chalet. Opera comique. Paroles de Scribe et Melesville
[pseud.]. Mis en musique . . . par Adolphe Adam.
M.226.I: etc.
La chatte metamorphosee en femme. Operette, paroles dc
MM. E. Scribe et Melesville [pseud.], musique de J. Of-
fenbach. No. 2 in M.368.13
Concert a la cour, ou la debutante. Opera comique. Pa-
roles de MM. Scribe et Melesville [pseud.]. Musique de
D. F. E. Auber. M.2S1.27
Les dames-capitaines. Opera comique, musique de Henri
Reber. M.297.35
Lambert Simnel. Opera comique, paroles de MM. E. Scribe
et Melesville [pseud], musique posthume de Hipp. Mon-
pou, terminee par Ad. Adam. M. 267. 10
Leicester, ou le chateau de Kenilworth. Opera comique.
Paroles de Scribe et Melesville [pseud.]. Musique de D.
F. E. Auber. M.223.IS; etc.
Leocadie. Drame lyrique. Paroles de MM. Scribe et Meles-
ville [pseud.]. Musique de D. F. E. Auber. M.251.22; etc.
Le mal du pays. Opera vaudeville. Paroles de Scribe et
Melesville [pseud.]. Musique d'Adolphe Adam.
No. 2 in M.391.27
La permission de dix heures. Opera comique. Paroles de
Melesville [pseud.] et Carmouche. Musique de J. Offen-
bach. No. I in M.3Q2.14
Same. Urlaub nach dem Zapfenstreich. Komische Operette
[von A. H. J. Duveyrier und Carmouche]. Musik von J.
Offenbach. No. 3 in M.267.34
Perugina. Opera comique. Musique de H. Monpou.
No. I in M.225.23
La St. Sylvestre. Opera comique. Paroles de MM. Meles-
ville [pseud.] et Michel Masson. Musique de F. Bazin.
No. 2 in M.25S.43
Sarah. Opera comique. Musique . . . par Albert Grisar.
M.226.6; etc.
Les soufflets. Opera-comique. Musique de Melesville fils
[pseud.]. M.367.7
La trompette de Monsieur le Prince. Opera comique. Mis
en musique . . . par F. Bazin. M.224.i;etc.
Le valet de chambre. Opera comique. Paroles de Scribe et
Melesville [pseud.]. Musique de M^' Carafa.
No. 3 in M.275.16
La voix humaine. Opera. Musique de Giulio Alary. M.251.15
Zampa, ou la fiancee de marbre. Opera comique. Mis en
musique par F. Herold. M.341.27
Duveyrier, Anne Honore Joseph. (Continued.)
Same. Zampa, ossia la spoza di marmo, melodramma tragi-
comico. Musica del maestro Herold. Venezia. Molinari.
1843. No. 6 in M.147.8.3
Libretto only, in Italian.
Die zwei Prinzen. Oper. Nach dem Franzosischen des
Scribe und Melesville [Pseud.] von M. G. Friedrich. Mu-
sik von Heinrich Esser. M.262.29
Duveyrier, Charles.
I vespri siciliani. Opera di E. Scribe et Ch. Duveyrier. Pa-
role italiane di E. C. e di S. G. Musica di Giuseppe Verdi.
M.327.21
Duveyrier, Honore Marie Joseph, Baron.
Due & pere. Opera-comique en i acte. Paroles et musique
de H. D. Melesville fils [pseud.]. Partition texte, piano
et chant. Paris. Girod. [1859.] No. i in M.257.15
La Mauresque. Tableau lyrique. Paroles et musique de H.
D. Melesville fils [pseud.]. Partition texte, piano & chant.
Paris. Girod. [1857.] No. 2 in M.257.1S
Les soufflets. Opera-comique en i acte. Paroles de Meles-
ville [pseud.]. Musique de Melesville fils [pseud.]. Texte,
piano et chant. Paris. Girod. [1867.] M.367.7
Duvivier, A. D.
Mr. A. D. Duvivier, Hon. R. .A. M. and the Royal Academy
of Music. A simple statement of facts. [London.] Du-
vivier. [1888.1 No. loin M.216.18
Dvorak, Antonin.
Aus der neuen Welt. „Z noveho sveta." Symphonic (No. 5,
E moll) fiir grosses Orchester. Op. g.S. Partitur. Berlin.
Simrock. 1894. M.33I.4
Blessed Jesu. Full anthem. The music from the "Stabat
Mater." [Accomp. for organ.] (In Novello's Collection
of anthems. Vol. 14, pp. 99-107.) No. 11 in M. 195.2.14
Carneval. Ouvertiire fiir grosses Orchester. Op. 92. Par-
titur. Berlin. Simrock. 1894. No. 2 in M.344.38
Concert fiir Pianoforte und Orchester. Op. 33. Partitur.
Breslau. Hainauer. [188-?] No. i in M.332.IS
Concert fiir Violine mit Begleitung des Orchesters. Op. 53.
Partitur. Berlin. Simrock. 1883. M.344.33
Concert fiir Violoncell mit Begleitung des Orchesters.
Op. 104. Partitur. Berlin. Simrock. 1896.
No. I in M.403.30
Die Dickschadel. Tvrde palice. Komische Oper in i Akt.
Text von Dr. Stolba. Deutsche Uebersetzung von Em.
Ziingel. Musik von Anton Dvorak. Clavier-Auszug.
Berlin. Simrock. 1882. M.305.33
Drei slovakische Volkslieder (Deutsch von Ch. Cursch-
Biihren) fiir Mannerchor mit vierhandiger Clavierbeglei-
tung. Op. 4.3. No. I, 3. Leipzig. Kistner. [1890?] 2
parts in i v. No. 14, 15 in M.212.4
Conteids. — ■ i. Gram. 3. Magdlein im Walde.
Dumky. Trio fiir Pianoforte, Violine und Violoncell. Op. 90.
[Partitur und Stimmen.] Berlin. Simrock. 1894. 3 parts
in I V. [Neuere Werke fiir Kammermusik.]
No. 2 in M.356.16
Das goldene Spinnrad. (Zlaty Kolovrat.) Symphonische
Dichtung nach der Volkssage von K. Jaromir Erben fur
grosses Orchester. Op. 109. Partitur. Berlin. Simrock.
l8q6. No. I in M.410.21
Heldenlied. Pisen bohatyrska. Symphonische Dichtung
fiir grosses Orchester. Op. III. Partitur. Berlin. Sim-
rock. 1899. No. 2 in M.403.30
Holy Ghost, to earth descending. Anthem for soli [s. b.]
and chorus. [Accomp. for piano.] (In Novello's Collec-
tion of anthems. Vol. 16, pp. 96-104.) No. 12 in M.19S.2.16
From liis Saint Ludmilla.
Husitska. Dramatische Ouvertiire fiir Orchester. Op. 67.
Partitur. Berlin. Simrock. 1884. No. 3 in M.344.37
In der Natur. „V pfirode." Ouvertiire fiir grosses Orches-
ter. Op. 91. Partitur. Berlin. Simrock. 1894.
No. I in M.344.38
Legenden fiir Orchester. Op. 59. Sammlung i, 2. Partitur.
Berlin. Simrock. 1882. 2 v. in i. M. 344.40
Mass in D. For solo voices (or small chorus), chorus and
orchestra. The pianoforte accomp. arranged by Berthold
Tours. Octavo edition. London. Novello, Ewer & Co.
[1893.1 No. 2 in M.IS4.S3
379
Dvorak
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Dwight
Dvorak, Antonin. (Continued.)
Mazurek fiir Violine mit Begleitung des Orchesters. Op. 40.
Partitur. Berlin. Simrock. 1879. No. 2 in M.344.41
Mein Heim. Ouvertiire fiir grosses Orchester. Op. 62. Par-
titur. Berlin. Simrock. 1882. No. 2 in M.344.37
Die Mittagshexe. (Polednice.) Symphonische Dichtung
nach der Volkssage von K. Jaromir Erben fiir grosses
Orcliester. Op. 108. Partitur. Berlin. Simrock. i8g6.
No. 2 in M.410.21
Notturno fiir Streichorchester. Op. 40. Partitur. Berlin.
Bote & Bock. [187-?] No. 2 in M.344.36
Otello. Ouvertiire fiir grosses Orchester. Op. 93. Parti-
tur. Berlin. Simrock. 1894. No. 3 in M.344.36
A patriotic hymn from the Bohemian poem "The heirs of
the White mountain," written by Viteslav Halek. The
music by Antonin Dvorak. The pianoforte accomp. ar-
ranged by Heinrich von Kaan. The English version by
Dr. Troutbeck. Octavo edition. London. Novello, Ewer
& Co. 1886. No. 2 in M.154.54
Praise Jehovah. 149th Psalm. Mixed chorus with piano-
forte accomp. Adapted from the Hungarian (?) version
by Nathan Haskell Dole. Boston. Ditson & Co. 1890.
No. 3 in M.154.54
Quartett fiir Pianoforte, Violine, Viola und Violoncello.
Op. 23. [Partitur und Stimmen.] Berlin. Schlesinger.
[188-.] 4 parts in I v. M.404.45
Quartett (A moll) fiir 2 Violinen, Viola und Violoncell.
Op. 16. Partitur. Berlin. Bote & Bock. [1894.!
No. I in M.403.31
Quartett (As dur) fiir 2 Violinen, Bratsche und Violoncell.
Op. 105. Partitur. Berlin. Simrock. 1896.
No. I in M.344.36
Quartett (D moll) fur 2 Violinen, Bratsche und Violoncell.
Op. 34. Partitur. Berlin. Schlesinger. [187-?!
No. I in M.344.35
Quartett (E dur), No. 4, fiir 2 Violinen, Viola und Violon-
cell. Op. 80. Partitur. Berlin. Simrock. 1888.
No. 4 in M.344.35
Quartett (Es-dur) fiir Pianoforte, Violine, Bratsche und
Violoncell. Op. 87. [Partitur und Stimmen. 1 Berlin.
Simrock. 1890. 4 parts in i v. [Neuere Werke fiir Kam-
mermusik.] No. 2 in M.3S6.15
Quartett [Es dur] fiir 2 Violinen, Bratsche und Violoncell.
Op. 51. Partitur. Berlin. Simrock. 1879. No. 2 in M.344.35
Quartett (F dur) fiir 2 Violinen, Bratsche und Violoncell.
Op. 96. Partitur. Berlin. Simrock. 1894. No. 3 in M.344.41
Quartett (G dur) fiir 2 Violinen, Bratsche und Violoncell.
Op. 106. Partitur. Berlin. Simrock. 1896. No. 2 in M.344.36
Quartett, Drittes (C dur), fiir 2 Violinen, Bratsche und Vio-
loncell. Op. 61. Partitur. Berlin. Simrock. 1882.
No. 3 in M.344.35
Quintett (Es dur) fiir 2 Violinen, 2 Bratschen und Violon-
cell. Op. 97. Partitur. Berlin. Simrock. 1894.
No. 4 in M.344.41
Quintett, G dur, fiir 2 Violinen, Viola, Violoncell und Con-
trabass. Op. 77. Partitur. Berlin, Simrock. 1888.
No. 2 in M.344.34
Quintett fiir Pianoforte, zwei Violinen, Bratsche und Vio-
loncell. Op. 81. [Partitur und Stimmen.] Berlin. Sim-
rock. 1888. 5 parts in i v. [Neuere Werke fiir Kammer-
musik.] No. i in M.3S6.15
Requiem mass, for soli, chorus and orchestra. [Accomp.
for pianoforte.] Octavo edition. London. Novello, Ewer
& Co. [1891.] No. I in M.154.53
Romanze fiir Violine mit Begleitung des Orchesters. Op. 11.
Partitur. Berlin. Simrock. 1879. No. i in M.344.41
Rusalka. Lyricka pohadka. Lyrisches Marchen in 3 Acten
von Jar. Kvapil. Musik von Ant. Dvorak. Deutsche
Uebersetzung von Josa Will. [Klavierauszug.] Prag.
Urbanek. 1905. M.240.12
Saint Ludmila. An oratorio, written by Jaroslav Vrchlicky
[Pseud.]. The music omposed by Antonin Dvorak. The
pianoforte accompaniment arranged by Karel Weis. The
English version by Dr. Troutbeck. Octavo edition. Lon-
don. Novello, Ewer & Co. [1886.] M.1S3.17
Dvorak, Antonin. (Continued.)
Scherzo capriccioso fiir grosses Orchester. Op. 66. Parti-
tur. Berlin. Bote & Bock. [188-?] No. 3 in M.344.42
Serenade (E-dur) fiir Streichorchester. Op. 22. Partitur.
Berlin. Bote & Bock. [1882?] No. 3 in M.332.16
Serenade fiir Blasinstrumente (2 Hoboen, 2 Clarinetten. 2
Fagotte, Contrafagott ad libitum, 3 Horner), Violoncell
und Contrabass (D moll). Op. 44- Partitur. Berlin.
Simrock. 1879. No. 4 in M.332.16 J
Sextett, A dur, fiir 2 Violinen, 2 Bratschen und 2 Violoncell. |
Op. 48. Partitur. Berlin. Simrock. 1879. No. i in M.344.34 1
Slavische Rhapsodien fiir grosses Orchester. Op. 45. Par- j
titur. Berlin. Simrock. 1879. 3 v. in I. No. 2-4 in M.332.15
Slavische Tanze fiir Orchester. Sammlung i, 2. [Op. 46.]
Partitur. Berlin. Simrock. 1878. 2 v. in I. M.344.3Q
Contents. — i. No. 1-4. 2. No. 5-8.
The spectre's bride, a dramatic cantata. Written by K. J.
Erben. The music for soli [s. t. bar. b.], chorus and or-
chestra by A. Dvorak. The pianoforte accomp. arranged
by Heinrich von Kaan. The English version by Dr.
Troutbeck. Octavo edition. London, Novello, Ewer &
Co. 1885. M.155.1
Stabat Mater, for soli, chorus, and orchestra. Octavo edi-
tion. [Accomp. for piano.] London. Novello, Ewer &
Co. [1883.] No. I in M.1S4.54
Suite fiir das Orchester. Op. 39. Partitur. Berlin. Schle-
singer. [187-?] No. I in M.344.42
Symphonic [Erste] (D dur) fiir grosses Orchester. Op. 60.
Partitur. Berlin. Simrock. 1882. M.351.15
Symphonic (No. 2, D moll) fiir grosses Orchester. Op. 70.
Partitur. Berlin. Simrock. 1885. M.351.16
Symphonic (No. 3, F dur) fur grosses Orchester. Op. 76.
Partitur. Berlin. Simrock. 1888. No. i in M.332.16
Symphonische Variationen uber ein Originalthema fiir
grosses Orchester. Op. 78. Partitur. Berlin. Simrock.
1888. No. 2 in M.332.16
Symphony No. 4 in G major, for full orchestra. Op. 88.
Full score. London. Novello, Ewer & Co. 1892. M.403.32
Te Deum fiir Sopran- und Bass-Solo, gemischten Chor und
Orchester. Op. 103. Partitur. Berlin. Simrock. i8g6.
No. I in M.202.16
Terzetto fiir 2 Violinen und Viola. Op. 74. Partitur. Ber-
lin. Simrock. 1887. No. 3 in M.344.34
Trio fiir das Pianoforte, Violine und Violoncello. Op. 21.
[Partitur und Stimmen.] Berlin. Schlesinger. [188-.]
3 parts in I v. M.404.46
Trio (G moll) fiir Pianoforte, Violine und Violoncell. Op.
26. [Partitur.] Berlin. Bote & Bock. [1879?]
No. II inM.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. II in M.21 1.4.1,2
Trio, Zweites (F moll), fiir Pianoforte, Violine und Violon-
cell. Op. 65. [Partitur und Stimmen.] Berlin. Simrock.
1883. 3 parts in i v. [Neuere Werke fiir Kammermusik.]
No. I in M.356.16
Die Waldtaube. Holoubek. The wild dove. Symphonisches
Gedicht nach der gleichnamigen Ballade von K. Jaromir
Erben fiir grosses Orchester. Op. no. Partitur. Berlin.
Simrock. 1899. No. i in M.410.22
Der Wassermann (Vodnik). Symphonische Dichtung nach
der Volkssage von K. Jaromir Erben fiir grosses Orches-
ter. Op. 107. Partitur. Berlin. Simrock. 1896.
No. 2 in M.410.22
Dvorak, Antonin, editor.
Br.\hms. Ungarische Tanze fiir grosses Orchester. Heft 4.
(No. 17-21.) No. 4 in M.346.3S
Dvorak, Antonin. Works about.
BoTSTiBER, H. Anton Dvoi^ak, Zweite Symphonic (D moll).
Op. 70. Erlautert. Leipzig. [1903] No. 20 in M.217.12.11
Kl.^tte, W. Anton Dvorak, Fiinfte Symphonic, E-moll,
„Aus der neuen Welt." Erlautert. Leipzig. [1899?]
No. 7 in M.217.12.8
Dvyight, John Sullivan.
History of the Handel and Haydn Society. Vol. i, no. i.
Boston. 1883. No. I in M.141.15
380
Dwight
THE ALLEN A. BROWN COLLECTION OF MUSIC
Easter
Dwight, John Sullivan, editor.
Bach, J. S. Passion music (according to the Gospel of St.
Matthew). M.153.1
Dwight, John Sullivan, translator.
Plaidy. The piano teacher. No. 3 in M.376.26
Dwight's Journal of Music. Vol. 1-40. Edited by John S.
Dwight. Boston. Balch [etc.]. 1853-62, 40 v. in 20.
M.173.1
No more was published. Nos. 1-6 of volume 41 are lacking.
Dyer, Arthur Edwin.
The Norman cider. A four-part song [t. t. b. b.]. (In The
Orpheus. New series. Vol. 7, pp. 64-69.)
No. 16 in M.20S.10.7
Salvator mundi (Saviour of the world), a sacred cantata.
The words written and arranged from Holy Scripture by
Frederick E. Weatherly. The music by A. E. Dyer. [s.
s. M.-s. A. BAR. BAR. and chorus. Accomp. for pianoforte.]
London. Novello, Ewer & Co. [1881.] No. 3 in M.155.2
Dyer, Samuel O.
This is the hour [t. t. b. b.]. (In Orpheus glee book. Pp.
9, 10.) No. 6 in M.246.36
Dying camel, The. Song. Linley, G. [Songs.] Vol. 2.
No. 29 in M.235.19.2
Djring child. The. Part-song. Viotta, J. J. No. 26 in M.205.10.4
Dying Christian, The, to his soul. [Part-song.] (In Bland.
The Ladies' collection. Vol. 2, p. 129.) No. 187 in M.235.17.2
Dying Christian, The, to his soul. Anthem. Harwood.
No. 26 in M.IS8.17
Dying nun, The. Song. Mendelssohn-Bartholdy, J. L. F.
Songs. No. 23 in M.244.21
Dying wife's farewell, The. Ballad. Keller, M.
No. 14 in M.192.13.1
Dyke, William.
Original sacred music, consisting of hymns, anthems . . .
London. Cocks & Co. [183-?] M.290.24
Dykes, John Bacchus.
Te Deum laudamus. In F. (In Novello's Parish choir book.
Pp. 132-138.) No. 26 in M.157.30
These are they which came out. Anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 4, pp.
168-194) No. 15 in M. 195.2.4
Also to be found in Ouscley's Special anthems.
Dynamiters, The. Opera. For the Music see Pride. For the
Libretto see Forbes.
Dsme, John.
Cupid no more. Glee [a. x. b.]. (In Bland. The Ladies'
collection. Vol. 2, pp. 180, 181.) No. 218 in M.235.17.3
Also to be found in Warren's Collection of catches.
Fill the bowl. Glee [a. T. B.]. (In The Apollo. Vol. i, pp.
53-56.) No. 20 in M.isga.iS.i
Also to be found in dementi's Collection of catches ; dementi's Vocal
harmony; Collection of glees and catches; Flowers of harmony; The
Harmonist; Warren's Collection of catches; Webbe, Jr.'s Convito ar-
monico.
Tell me, thou dear. Glee [a. t. b.]. (/« Bland. The Ladies'
collection. Vol. 2, pp. 146-148.) No. 197 in M.235.17.2
Also to be found in dementi's Collection of catches; The Harmonist;
Warren's Vocal harmony.
E con i raggi tuoi. Madrigal. Palestrina. Werke. Band 29.
M.8o40a.66.29
E dal letto di mille e mille colpe. Madrigal. Palestrina.
Werke. Band 29. M.8o4oa.66.29
E di voi non mi doglio. Part-song. Palestrina. Werke.
Band 30. M.8o4oa.66.3o
fe dunque ver? Scena and aria. Rubinstein.
No. 2 in M.345.6; etc.
E. H. S. See Ernst August Carl Johannes Leopold Alexander
Eduard, Herzog von Sachsen-Coburg-Colha.
E il sol deir anima. Song. Verdi. Verdi Album.
No. i3inM.236.5
E lo mio damo me lo renderai. Song. Gordigiani. :^.chos de
la Toscane. Vol. 2. No. 9 in M.244-I3-2
E m'e venuto un abbagliore. Song. Gordigiani. Echos de
la Toscane. Vol. i. No. 23 in M.244.13.1
E morta. Song. Donizetti. Ispirazioni viennesi.
No. I in M.364.10
E partirai, mia vita? Song. Handel. Werke. Lieferung 50.
M.313.1.50
E pur dolce. Catch. Giardini. No. 166 in M.235.17.5; etc.
E quella certa speme. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
E questa valle mi par rabbuiata. Song. Gordigiani. f.chos
de la Toscane. Vol. i. No. 12 in M.244-i3-i
E questo spirto. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
E, se fur gia. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
E, se il pensier de la futura morte. Madrigal. Palestrina.
Werke. Band 29. M.8o4oa.66.29
E se mai voci di quaggiu. Madrigal. Palestrina. Werke.
Band 29. M.8o4oa.66.29
E, se nel foco di lascivie ardendo. Madrigal. Palestrina.
Werke. Band 29. M.8o4oa.66.29
E se non avro. Song. Gordigiani. Echos de la Toscane.
Vol I. No. 18 in M.244.13.1
E tu, anima mia. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
E tu Signor. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.29
E tua merce. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa. 66.29
E'en as the sun. Glee. Bishop, H. R. Complete collection of
glees. Vol. 2. M.235.1.2
Each doubt and fear. Part-song. Mozart. No. 6 in m.235.i6
Eagle, The. Part-song. Tours. No. 15 in M. 157.25
Eagle's force. The. Madrigal. Byrd. No. 153 in M.21S.21
Eagleman, Ernest J., pseud. (?)
The legend of Lampetia, cantata, the music composed by
Ernest Fowles. No. I in M.204.15
Ear-ring, The. Opera. For the Music see Schira.
Earl, The, and the girl. Opera. For the Music see Tilkins.
For the Libretto see Hicks, S.
Earsden, John.
The ayres that were sung and played at Brougham Castle in
Westmerland: in the King's entertainment. Composed
by George Mason and John Earsden. (In Smith. Musica
antiqua. Pp. 150-165.)
Earth, The, is the Lord's. Anthem.
thems. Vol. 2.
Gerrish.
Mosenthal, J.
Spohr, L. The 24th Psalm.
Trimnell, T. T.
M.236.10
Croft. Thirty select an-
M.233.6.2
No. 16 in M.203.2S
No. 18 in M.203.28
No. 3 in M. 155.25; etc.
No. 8 in M.195.2.12
Earth, The, it loves rain. Part-song. Abt, F.
No. 21 in M.157.6.1; etc.
East to West. Cantata. For the Music see Stanford. For the
Libretto see Swinburne.
Eastcott, Richard.
Sketches of the origin, progress and effects of music . . .
Bath. Hazard. 1793. M.113.12
Easter carols.
BuFFiNTON. The world itself keeps Easter day.
No. 18 in M.158.14
381
Easter
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ecce
Easter carols. (Continued.)
Danks. Easter carols. No. 24 in M.158.15
Eayrs. Easter sunlight breaks. No. 30 in M.158.15
Fay, H. He is risen. No. 4'; in M.158.15; etc.
Gerrish. Five Easter carols. No. 20 in M.158.26
Hazard, M. C, compiler. Easter voices. No. 31 in M.158.15
Hubbard, G. H., compiler. An Easter service.
No. 32 in M.158.15
Ions. Jesus Christ is risen to-day. No. 11 in M.154.19; etc.
MacGregor. Awake, O earth. No. 20 in M.158.17
Monk. E. G. Sing the battle sharp and glorious.
No. 10 in M. 154.19; etc.
Warren, John C. The choir invisible. No. 24 in M.158.20
Easter egg. An. Opera. For the Music and Libretto see
Beale, T. W.
Easter hymn, The. Anthem. Novello, V. No. 17 m M.175.1.2
Easter morning. Cantata. For the Music see Buck, D. For
the Libretto see Geibel, E.
Easter morning. Part-song. Brambach. M.193.23.1
Easter sunlight breaks. Carol. Eayrs. No. 30 in M.158.15
Eastlake, Elizabeth Rigby, Lady.
Music and the art of dress. [Anon.] London. Murray.
j8c2 No. i in M.iiga.ia
Eat the fruit. Duet. Reinecke, C. H. C. No. 13 in M.204.36.6
Eaton, Thomas Damant. . ,. . j
Musical criticism and biography: from [his] published and
unpublished writings. Edited by his sons. London.
Longmans, Green & Co. 1872. M.i49a.i2
Eau dormante, L'. For pianoforte. Blumenthal.
No. 7 in M.190.10
Eau merveilleuse, L'. Opera. For the Music see Grisar. For
the Libretto see Sauvage, T. M. F.
Eaux d'Ems, Les. Opera. For the Music see Delibes. For
the Libretto see Cremieux.
Eayrs, William N.
Easter sunlight breaks. [Carol.] Boston. Russell. [1882.]
No. 30 in M.158.15
Ebbing and flowing. Part-song. Halley. No. 35 in M.121.3
Ebdon, Thomas.
Mimosa Glee [a. t. b.]. (.In Bland. The Ladies collec-
tion. Vol. S, pp. 526-529.) ^°-/,3^i." ^f 3S-I7-5
Nay, nay, nay, you must. Glee [a. t. b.]. (/n Bland. Ihe
Ladies' collection. Vol. 5, pp. 510, 5ii-)
No. 132 in M.235.17.5
Nunc dimittis, in C. Full anthem. [Accomp. for organ.]
London. Novello. [186-?] No. 33 in M.158.15
Also to be found in Musical times [Music].
Sacred music in score. Vol. 2. With an accomp. for the
organ or piano forte. London. D'Almaine. [1780.]
M.233.15
Contents — Anthems: I will magnify Thee; O sing unto the Lord;
Blessed is he ; O give thanks; The souls of the righteous; O Lord my
God I will exalt Thee ; I will give thanks ; O Lord my God, I cried ;
TheLord is my shepherd; I will remember Thy name; Behold, God is
my salvation; Deliver me from mine enemies; Praised be the Lord
daily ; I did call upon the Lord ; Cry unto the Lord ; Hear when I call.
Kyrie in C minor and C major. — 6 double chants.
Ebell, Heinrich Carl. ....
Der Braeutigamspiegel. Ein komisches Singspiel in emem
Aufzuge. [Partitur. Manuscript. 1801?] M.30.3
Eberlin, Johann Ernst.
Jerusalem, quae aedificatur, in usum quatuor vocum . . .
comitante clavicimbalo. Moguntiae. Schott. [182-?]
No. 4 in M.221.43
Qui confidunt in Domino . . . tribus vocibus [s. a, b.] solis
cantandum . . . comitante clavicimbalo. Moguntiae. Schott.
[182-?] No. 4 in M.221.43
Sicut mater consolatur . . . tribus vocibus [s. a. b.] solis
cantandum . . . comitante clavicimbalo. Moguntiae. S-'.ott.
[182-?] No. 4 in M.221.43
Eberling-Filhes, E. B. Dornroschen. Marchen. Musik von
Engelbert Humperdinck. M.378.24
Ebers, Carl Friedrich.
[Die Blumeninsel, oder: die bestrafte Sprode. Ouverture
und Gesange aus der Oper. Clavierauszug.] Manuscript.
[Berlin? i8o-?l No. i in M.225.26
Ebers, Carl Friedrich, editor.
Paer. Sofonisbe. 11.311.27
Ebers, John.
Seven years of the King's theatre. London. Ainsworth.
1828. Portraits. M.113.13
Deals almost wholly with the opera.
Ebers, Johann Jakob Heinrich.
Spohr und Halevy und die neueste Kirchen- und Opern-
Musik. Breslau. Max & Comp. 1837. No. 2 in M.147.3.1
Ebert, Carl Egon, Ritter von.
Schwerting der Sachsenherzog. Komponiert von Th. Pod-
bertsky. No. 13 in M.212.13
Eberwein, Carl.
An die deutsche Jugend. Kriegslied . . . fiir vierstimmigen
Mannerchor mit beliebiger Begleitung von Blasinstru-
menten. Partitur. Weimar. Kiihn. [1871?]
No. 4 in M.392.46
Die Heerschau. Liederspiel in Clavier-Auszuge. Hamburg.
Bohme. [183-?] No. I in M.350.4
I would I were a careless child. Song [s. or t.]. (/n Musi-
cal library. Vol. 2, p. 8g.) No. 36inM.235.i8.3
An adaptation of his "Ich liebte dich."
Lenore. Liederspiel in 3 Abtheilungen von Carl von Holtei.
In Musik gesetzt von K. Eberwein. Vollstandiger Kla-
vierauszug. Berlin. Trautwein. [1835?] No. 3 in M.220.20
Der Zecher als Naturphilosoph. [Mannerchor.] (In Or-
pheus. Band 10, pp. 13-15) No. 43 in M.i29a.43.io
Ebhardt, Gustav.
Jager-Chor [t. t. b. b.]. (In Orpheus. Band 4, pp. 6, 7.)
No. 119 in M.i2ga.43.4
Ebrea, L'. Opera. For the Music see Halevy, J. F. F. £. For
the Libretto see Scribe.
Ebrei, Gli, nel deserto. Oratorio. For the Music see Bach,
C. P. E.
Ebreo, L'. Opera. For the Music see Apolloni, G. For the
Libretto see Boni.
Ebro caudolose. Sotig. Schumann, R. A. Werke. Serie 10,
Band 2. M.316.1.10.2
EcailUre africaine, L'. Opera. For the Music see Douay. For
the Libretto see Marquet.
Ecc' oscurati. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Ecc' ove giunse. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Eccard, Johannes.
Hans und Grete. [Madrigal, t. t. B. b.] (/m Widmann. Sechs
Madrigale. Heft i, pp. 3-5.) No. 17 in M.392.27
Hochzeitlied. [Madrigal, t. T. B. B. B.] (/n Widmann. Sechs
Madrigale. Heft 3, PP- 5-7) No. 19 in M.392.27
Neue geistliche und wktliche Lieder zu fiinf und vier Stim-
men, Konigsberg 1589. In Partitur gesetzt von Rob. Eit-
ner. Leipzig. Breitkopf & Hartel. 1897. [Publikation
xlterer praktischer und theoretischer Musik-Werke, vor-
zugsweise des XV. und XVI. Jahrhunderts. Band 21.
Jahrgang 25.] M.400.10
Ecce agnus Dei. Motet. Lassus. Sammtliche Werke. Band 5.
M.8o4oa.67.S
Ecce apparebit Dominus. Anthem Vittoria. Opera. Tomus i.
M.313.3.1
Ecce concipies. Anthem. Handl. No. i in M.158.33.3
Ecce Deus, Salvator mens. Anthem. Clifton, J. C.
No. 7 in M.260.10.1
Ecce Domine. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Ecce Dominus veniet. Anthem.
Praetorius, M. No. 44 in M.202.6.1
Vittoria. Opera. Tomus I. M.313.2.1
Ecce ego Joannes. Mass. Palestrina. Werke. Band 24.
M.8o4oa.66.24
Ecce ego mitto vos. Motet. Neukomm, S. von. Recueil de 40
motets. No. i in M.158.37
Ecce enim. Anthem. Haydn, F. J. No. 62 in M.260.24.1
Ecce enim Deus adjuvat me. Motet. Lassus. Sammtliche
Werke. Band 3- M.8o4oa.67.3
Ecce enim in iniquitatibus. Ciampi. No. 34 in M.290.29.1; etc.
Ecce nunc, benedicite. Anthem.
Naumann, J. G. No. 22 in M.260.24.2; etc.
Palestrina. Werke. Band 31. M.8o4oa.66.3i
382
Ecce
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ecker
Ecce, nunc benedicite Dominum. Motet. Palestrina. Werke.
Band 7. M.8o4oa.66.7
SwEELiNCK. Werkeu. Deel 6. M.413.2.6
Ecce nunc tempus. Anthem.
Nixon, H. G. No. 9 in M.260.10.1; etc.
Webbe, S. No. 16 in M. 156.50
Ecce panis. Anthem.
Anschuetz, J. A. 2 Tantum ergo. No. 2 in M.201.32
Archambeau. No. 2 in M.201.33
Cherubini. No. 5 in M.222.24; etc.
DiETSCH, P. L. P. No. 14 in M. 260.20
Du MoucHEL. No. 12 in M. 201.35
Duval, E. No. 4 in M. 201.33; etc.
Fauconier. Salut solennel. No. 4 in M.201.32
HiMMEL. No. 10 in M.201.33; etc.
KuFFERATH, H. F. No. i8 in M.260.10.2
La Face. No. io in M.201.33
Lambillotte. Musique religieuse. No. 5 in M.260.18
— Salut pour le jour de I'Ascension. No. i in M.201.34
Mercier, C. No. 16 in M.260.10.1
Messemaeckers. No. 6 in M.201.3S
Panseron. Mois de Marie. No. 9 in M.260.12
Wesley, S. M. 260.23.2
Ecce panis angelorum. Motet.
Lab.\t. 26 grands motets. M. 213.23
NovELLO, V. No. 20 in M.260.17.1
Ecce prandium meum paravi. Anthem. Sweelinck. Werken,
Deel 6. M.413.2.6
Ecce quam bonum. Anthem. Neuner. No. 4 in M.221.43
Ecce quomodo moritur Justus. Anthem.
Handl. No. 19 in M. 158.33.3; etc.
Palestrina. Werke. Band 32. M.8o4oa.66.32
Ecce Sacerdos magnus. Anthem.
Palestrina. Werke. Band 31. M.8o4oa.66.3i
ViTTORiA. Opera. Tomus i. M.313.2.1
Webbe, S. No. 59 in M. 156.50
Ecce Sacerdos magnus. Mass. Palestrina. Werke. Band 10.
M.8o4oa.66.io
Ecce sic benedicetur. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Ecce sic benedicetur homo. Motet. Lassus. Sammtliche
Werke. Band 7. M.8o4oa.67.7
Ecce Tu pulcher es, dilecte mi. Motet. Palestrina. Werke.
Band 4. M.8o4oa.66.4
Ecce veniet dies ilia. Motet. Palestrina. Werke. Band 7.
M.8o4oa.66.7
Ecce vidimus eum. Anthem. Palestrina. Werke. Band ,32.
M.8o4oa.66.32
Ecce virgo concipiet et pariet filium. Anthem. Sweelinck.
Werken. Deel 6. M.413.2.6
Eccles, John.
Ah! how lovely. Canzonett [t. b.]. {In Social harmony.
P. 147.) No. 126 in M.215.21
Fill, fill all your glasses. Duett [t.b.1. (/n The Harmonist.
Vol. T,, pp. 6-8.) No. 2 in M.218.8.3
Same. With a middle part added. (.In Bland. The Ladies'
collection. Vol. 2, pp. 177-179.) No. 217 in M.235.17.2
Hark, Harry. Catch ffor 3 voices]. (In dementi. Collec-
tion of catches. Vol. i, p. 51.)
No. 44 in M.iio.i.i; No. 44 in M.110.2.1
In seventeen hundred. Catch [for 3 voices]. (In Vocal har-
monist's magazine. Vol. i, p. 57.) No. 4 in M.220.5
Inspire us, genms of the day. Glee [a. t. t. b.]. (In Bland.
The Ladies' collection. Vol. i, pp. 90, 91.)
No. 140 in M.23S.17.1
Wine does wonders, [a. t. b.] (/« The Apollo. Vol. 7, pp.
511-513.) No. 7 in M.i3ga.i8.7
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion; Collection of glees and catches; Social harmony; Webbe, Jr.'s
Convito armonico ; [for A. t.] in Bland's The Ladies" collection ; The
Harmonist.
Ecclesiasticon.
HoRZALKA. MesSe a 4 voix. M.2S0.26
Winter, P. von. Domus Israel speravit in Domino.
No. II in M.201.32
Ecco, che pur vi lasso. Part-song. Lassus. Sammtliche
Werke. Band 6. M.8o4oa.67.6
Part-song. Lassus. Sammt-
M.8o4oa.67.io
Ecco la nimf ebraica chiamata.
liche Werke. Band 10.
Ecco quel fiero. Song.
Blum, C. L. Lyra fiir Damen. No. 3 in M.221.30
Prati, a. Sei romanzi. No. 13 in M. 221.25
Ecco, quel fiero. Trio. Mozart. Werke. Serie 6^ Band 2.
No. 30 in M.315.16.2
Eccossi tratta il padre. Aria. Anfossi. No. 4 in M.120.17
Echelle, L', de soie. Opera. For the Music see Gaveaux. For
the Libretto see Planard.
Echo. Part-song. Weber, C. M. F. E. von. No. 10 in M.157.17.1
Echo. Song. Taubert, C. G. W. No. 9 in M. 192.6
Echo, L.' Song. Schubert, F. P. Melodies. Vol. 5. M.327.4.S
Echo, Das. Song. Schubert, F. P. Werke. Serie 20, Band 8.
M.317.1.20.8
Echo, breathe no sound. Part-song. Rodwell.
No. 5 in M.235.16
Echo et Narcisse. Opera. For the Music see Gluck. For the
Libretto see Tschudi.
Echo quartett, The. Part-song. Bishop, H. R.
No. 28 in M.235.7.1
Echo's last word. Part-song. Hatton. No. 28 in M.195.1.12
Echoes. Part-song. Calkin. No. 18 in M.igs.i.s; etc.
Sullivan, A. S. No. 4 in M.323.24; etc.
Echos d'ltalie. Vol. 2, 4. Paris. Flaxland. [184-?] 2 v.
M.157.14
Contents. — 2. Airs, romances, ariettes et duettinos. 4. Trios, quatuors
et quintettes.
Echos de la Toscane. Songs. Gordigiani. M.244.13
Echos de Rosine, Les. Opera. For the Music see Thys, A.
For the Libretto see Trefeu.
Echos du monde religieux. Paris. Flaxland. [185-?]
M.I56.52
Parts of masses, motets, etc., with accomp. for piano or organ.
Contents. — Rinck: Kyrie. — Palestrina: Gloria. — S. Bach: Credo.
— Caldara : Et incarnatus est. — Beethoven : Sanctus et Benedictus.
— Mozart: Agnus Dei. — S. Bach: Agnus Dei. — Lotti : Agnus
Dei. — Weber: Agnus Dei. — Mozart: O Salutaris. — Himmel: O
Salutaris. — Handel: O Salutaris. — Martini: O Salutaris. — Mozart:
Ave verum, solo. — Haydn : Ave verum. — Mozart : Ave verum, 4
voix. — Guedron: Ave verum. — Himmel: Ecce panis. — Martini:
O sacrum convivium. — Beethoven: O sacrum convivium. — Handel:
Tantum ergo. — S. Bach: Tantum ergo. — Winter: Tantum ergo. —
Mozart: O Jesu, O Fill. — Palestrina; Adoramus Te. — Carissimi:
O felix anima. — Leo : Christus factus est. — Righini ; Ave Maria. —
Mozart; Ave Maria. — Arcadelt: Ave Maria. — Proch: Ave maris
Stella. — Marcello : Ave Regina. — Pergolese: Ave Regina. — Danzi:
Salve Regina. — Mozart : Sancta Maria. — Himmel : Inviolata. —
Clari : Sub Tuum praesidium. — Mozart : Mater amabilis. — ■ Caris-
simi : Magnificat. — Leo : Tecum Principium. — Purcell : Gloria
Patri.
Echos sacres, Les. Part-songs. Helle. No. 5 in M.201.33
Ecker, Carl.
An die Liitzow'schen Jager. [Mannerchor.] (In Stuttgarter
Liederkranz. Mannerchor-Album. Pp. 17-20.)
No. 5 in M.203.23
Barbarossa's Erwachen. Dichtung von Emanuel Geibel, fur
Mannerchor comp. und mit einer Orchesterbegleitung (ad
libitum) versehen von Carl Ecker. Op. 116. Partitur.
Mainz. Schott. [186-?] Lithograph script.
No. 16 in M.212.4
Also to be found in Eidgenossischer Sangerverein. Wettgesange bei
dem 12. . . . Sangerfeste.
Der Krieger Nachtwache, Waldeinsamkeit, Zechspruch. 3
Gedichte ... in Musik gesetzt fiir vierstimmigen Man-
nerchor. Op. 2. Partitur. Offenbach a. M. Andre.
[185-?] No. IS in M.3g2.6
Friihlingslied [t. t. b. B.]. (/« Das Riitli. Pp. 298, 299.)
No. 123 in M.147.4
Gambrinus. [Mannerchor.] (In Das Rutli. Pp. 444-447.)
No. 189 in M.147.4
Maiwanderung. [Mannerchor.] (In Eidgenossischer San-
gerverein. Mannerchore fiir das 11. . . . Sangerfest. Pp.
14-18.) No. 2 in M.130.7
Rheinsage . . . fur vierstimmigen Mannerchor. Op. 3. Mainz.
Schott. [1857?] No. 16 in M.392.7
Sangerfahrt. [Mannerchor.] (In Das Riitli. Pp. 354-358.)
No. 149 in M.147.4
Sclilaf wohl! [Mannerchor.] (In Das Riitli. Pp. 95-97.)
No. 37 in M.147.4
383-
Ecker
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Eduard
Ecker, Carl. (Continued.)
Sehnsucht nach der Schweiz. [Mannerchor.l (In Das Riitli.
Pp. 242-244.) No. 103 in M.147.4
Standchen [t. t. b. b.]. (/n Das Riitli. Pp. 33I-333-)
No. 138 in M.147.4
Trost. [Mannerchor.] (/« Abt. Deutsche Sangerhalle.
Vol. 2, pp. 2-6.) No. 2 in M.392.42.2
Das walte Gott. [Mannerchor.] (In Das Riitli. Pp. 41-44)
No. 14 in M.147.4
Eckers, Th.
Salve Regina. [Lied, x. t. b. b.] Op. 6, No. i. Moskau.
Seywang. [188-?] No. i in M.392.8
Eckert, Carl Anton Florian.
Sailor's song [t. t. b. b.]. (In Mosenthal. Songs of the
Mendelssohn Glee Club. Pp. 37-39-) No. g in M.204.38
Schiffergesang. [Mannerchor. Leipzig. Leuckart. 186-?]
No. 43 in M.392.24; No. 9 in M. 392.43.1
Also to be found in Eidgenossischer Sangerverein. Wettgesange bei
dem 10. . . . Sangerfeste; Regensburger Liederkranz.
Schifferlied. See his Schiffergesang.
Zur Heimkehr. Festspiel in 3 Bildern, von Julius Roden-
berg. Musik von Carl Eckert. Vollstandiger Klavier-
Auszug. Berlin. Bote & Bock. [187-?] No. 2 in M.29S.28
Eckhold, Richard.
Concertstiick fiir Violine mit Begleitung des Orchesters
(Harfe ad libitum). Op. 5. Partitur. Leipzig. Breit-
kopf & Hiirtel. [1884.] No. i in M.336.9
Eckley, John.
A bacchanalian song [b. Accomp. for pianofortel. Oxford.
Hardy. [18— ?1 No. 7 in M.235.14
ficlair, V. Opera. For the Music see Halevy, J. F. F. F.. For
the Libretto see Planard.
Eclair, L'. Overture. Halevy, J. F. F. fi. No. 5 in M.312.10
Eclat, Un, de trompette. Opera. For the Music see Debille-
mont. For the Libretto see Lefebvre, H.
ficole buissonniere, L'. Opera. For the Music see Domerc.
ficole, L', de la jeunesse. Opera. For the Music see Prati, A.
For the Libretto see Anseaume.
ficole, L', des jaloux. Ofera. For the Music see Bouval. For
the Libretto see Roger-Miles.
ficole, L', des vierges. Pantomime. Michel, E. No. 3 in M.384.8
ficorcheville, Jules, editor.
Vingt suites d'orchestre du XVII^ siecle frangais. Publiees
pour la premiere fois d'apres un manuscrit de la Biblio-
theque de Cassel et precedees d'une etude historique. Ber-
lin. Liepmannssohn. 1906. 2 v. Illus. Facsimiles. Plates.
M.405.66
Contents. — i. Avant propos. — Le manuscrit. — Les auteurs. — Les
oeuvres et leur milieu. — Les danses et leurs rythmes. — Morphologie.
— Les instruments. — Les fac-similes du manuscrit de Cassel. 2.
Suites, partition d'orchestre et reduction pour le piano.
ficossais, L', de Chatou. Opera. For the Music see Delibes.
For the Libretto see Jaime,
ficosseuses, Les. Opera. For the Music see Rieffler. For the
Libretto see Blondelet.
Ed arda ognor sopra il lapideo altare. Madrigal. Palestkina.
Werke. Band 29. M.8o4oa.66.29
Eddy, H. Clarence, translator.
Haupt, C. a. Haupt's Theory of counterpoint, fugue, and
double counterpoint. M.37i.4i
Eddy, Herbert L.
Lord, hear our prayer. [Response, t. x. b. b.] (In Ross'
Sacred library. No. i, p. 10.) No. 29 in M.203.15
Eddystone. Opera. For the Music see Wallnoefer.
Edelknecht, Der. Opera. For the Music see Kreutzer, C. For
the Libretto see Birch, C.
Edelmann, Johann Friedrich.
Ariane dans I'isle de Naxos. Drame lirique, en i acte. Par
M. Edelmann. Les paroles sont de M. Moline. [Parti-
tion.! Paris. L'auteur. [1782.] M.262.21
Sinfonie pour le clavecin avec accomp. de deux violons, deux
cors et une basse ad libitum. CEuvre 4. [Clavecin seul.]
Paris. L'auteur. [178-?] No. 16 in M.210.2
Same. [Partie de violon i, 2.] No. 17, 18 in M.210.9
Same. [Partie de basse.] No. 29 in M.210.11
Edelstein, Ein. Part-song. Mayer, W. No. 6 in M.204.39
No. 5 in M.204.39
No. 3 in M.204.39
Newikluf.
Tauwitz.
Edelstein, Ein. Song. Tschirch, F. W. No. 4 in M.204.39
Edelweiss. Cantata. For the Music see Stratton, G. W.
Edelweiss. Opera. For the Music see Muench-Bellinghausen.
Eden, Guy.
The 'prentice pillar. A romantic opera. The music com-
posed by Reginald Somerville. No. 2 in M.402.71
Eden, L'. Cantata. For the Music see David, F. C. For the
Libretto see Mery, J.
Eden. Oratorio. For the Music see Stanford. For the Li-
bretto see Bridges.
Eden from its flow'ry bed. Aria. Latrobe, C. L Original
anthems. No. 28 in M.236.15
Edes, Frederick L.
The wicked nephew [t. t. b. b.]. Boston. Russell. [1885.
Polyhymnia.] No. 18 in M.392.7
Edes, Frederick L., editor.
MoLLOY. Dinah Doe. No. 17 in M.392.7
Edes, Henry W.
Father, I know that all my life. t. solo and quartette. [Ac-
comp. for organ.] Boston. Ditson & Co. 1883.
No. I in M. 190.3
Edgar. Opera. For the Music see Puccini. For the Libretto
see Fontana, F.
Edgar. Song. Schubert, F. P. Melodies. Vol. 2. M.327.4.2
Edgell, Alfred Wyatt-.
A collection of soldiers' songs. London. Bell & Daldy.
[1871.] Illus. M.107.S
Edgcumbe, Richard, 3d Earl of Mount Edgcumhe.
Musical reminiscences of an old amateur, chiefly respecting
the Italian opera in England, 1773 to 1823. [Anon.] 2d
edition. London. Clarke. 1827. M.i09b.28
Edinburgh. Music.
Marr, R. .a.. Music and musicians at the Edinburgh Inter-
national Exhibition, 1886. Edinburgh. 1887. M.i39a.i4
Orchestral concerts, Edinburgh. [Programmes with ana-
lytical remarks. 2d, 3d season. Edinburgh. 1888-90.]
2 V. M.106.6
Edinburgh Choral Union.
[Analytical programmes of choral and orchestral concerts,
1877-78, 80-85. Compiled and indexed by Allen A. Brown.]
Edinburgh. 1877-85. 4 v. M.371.3
Edinburgh Musical Festival, 1815, 1824.
Musical festivals. [Programmes of various concerts and
musical festivals at Norwich, Edinburgh, London, etc.]
London [etc.]. 1801-24. 22 pphs. in l v. M.197.14
Edinburgh Musical Miscellany, The; a collection of Scotch,
English, and Irish songs, set to music. 2d edition. Edin-
burgh. Mundell, Doig & Stevenson. 1808. 2 v. Plates.
M. 147.9
Edit Nonna, edit Clerus. Part-song. Schubert, F. P. Chor-
Gesangwerke. Band 2. No. 26 in M.280.48.2
Edith. Opera. For the Music see Marty. For the Libretto
see Guinand.
Edith au col de cygne. Song. Hue. No. 2 in M.384.37
Edith of Toggenburg. Opera. For the Music see Fromm. For
the Libretto see Musiol.
Editha. Cantata. For the Music see Hofmann, H. C. J. For
the Libretto see Seitz.
Edle Menschen seid nicht traurig. Song. Becvarovsky. Ge-
sange beim Klavier. Heft I. No. 20 in M.221.33
Edle Schafer Corydon, Der. Part-song. Schein. Werke.
Band 2. M.414.1.2
Edmea. Opera. For the Music see Catalani. For the Libretto
see Ghislanzoni.
Edmond et Caroline. Opera. For the Music see Kreube. For
the Libretto see Marsollier des Vivetieres.
Edmonds, Fred.
Tlie pay of the Pied Piper. A comic opera. Music by C. T.
West. No. 3 in M.402.67
Edoardo in Iscozia. Opera. For the Music see Coccia.
Edone. Song. Schubert, F. P. Werke. Serie 20, Band 4.
M.317.1.20.4
Edouard, , pseud. See Monnais, Desire Guillaume' fidouard.
Eduard und Kunigunde. Opera. For the Music see Fiber.
384
Eduardo
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ego
Eduardo e Cristina. Opera. For the Music see Rossini. For
the Libretto see Schmidt,
Educande, Le, di Sorrento. Opera. For the Music see Usiglio.
For the Libretto see Berninzone.
l^ducation manquee, Uiie. Opera. For the Music see Cha-
brier. For the Libretto see Leterrier.
Education musicale de mon cousin Jean Garregou. Fiction.
Dauphin. M. 101.46
Edward VII., of England.
Bridge, F., editor. The form and order of the service in the
coronation of Their Majesties King Edward VIL and
Queen Alexandra . . . No. i in M.384.55
Edwards, Henry John.
The Ascension. A short oratorio. The words selected from
the Holy Scriptures and from other sources by E. E.
Sampson. The music by Henry J. Edwards. [Accomp.
for pianoforte.] London. Novello, Ewer & Co. [189-?]
No. 2 in M.ig4.ii
Edwards, Henry Sutherland.
History of the opera. 2d edition. London. Allen & Co.
1862. 2 V. in I. M. 103. 21
The life and artistic career of Sims Reeves. London. Tins-
ley. 1881. Portrait. No. 2 in M.139.19
The life of Rossini. London. Hurst & Blackett. 1869.
Portrait. M.148.11
The lyrical drama. Essays on subjects, composers, & ex-
ecutants of modern opera. London. Allen & Co. 1881.
2 V. M. 126.22
[Rose, or love's ransom. An opera. Music by J. L. Hatton.]
M. 292. 21
Rossini and his school. London. S. Low. 1881. [The great
musicians.] M.104.20
Edwards, Julian.
Brian Boru. Romantic opera in 3 acts. Words by Stanis-
laus Stange. Music by Julian Edwards. [Accomp. for
pianoforte.] Cincinnati. J. Church Co. [1896.] M.395.25
De Montfort's daughter. Cantata, for treble voices. Writ-
ten by Mrs. Alexander Roberts, music by Julian Edwards.
[Accomp. for pianoforte.] London. Hutchings & Co.
[189-.] No. 3 in M. 193.4
Dolly Varden. Comic opera in two acts. Book and lyrics
by Stanislaus Stange. Music by Julian Edwards. Vocal
score [with piano accomp.]. New York. Witmark. igoi.
M.382.18
The jolly musketeer. Comic opera in two acts. Libretto
by Stanislaus Stange, music by Julian Edwards. Vocal
score. [Accomp. for pianoforte.] New York. Witmark.
1898. M.394.65
[King Rene's daughter.] Prelude to King Rene's daughter.
Lyric drama. Partitur d'orchestre [sic]. Cincinnati.
The John Church Co. [1895.] No. 3 in M.410.19
Love's lottery. Comic opera in two acts. Book by Stanis-
laus Stange. Music by Julian Edwards. Vocal score
[with pianoforte accomp.]. New York. Witmark. 1904.
M.397.23
The Princess Chic. Opera comique in three acts. Book by
Kirke La Shelle. Music by Julian Edwards. Vocal score.
[Accomp. for pianoforte.] New York. Witmark. 1900.
M.402.13
Victorian (The Spanish student). An opera in 4 acts. Freely
adapted from Longfellow by J. F. Reynolds-Anderson.
Music by Julian Edwards. [Accomp. for piano.] Lon-
don. Williams. [1883.] M.30S.35
When Johnny comes marching home. Three act military
spectacular comic opera. Book and lyrics by Stanislaus
Stange. Music by Julian Edwards. Vocal score [with
pianoforte accomp.]. New York. Witmark. 1902. M.381.14
His Honor the Mayor. Book & lyrics by Chas. J. Campbell
and Ralph M. Skinner. Music by Julian Edwards and
Alfred E. Aarons. Vocal score. [Accomp. for piano.]
New York. Witmark. 1906. No. i in M.38g.3i
Edwards, Richard.
In going to my lonely bed. Madrigal. {In Hullah. Part
music. Secular. Vol. i, pp. 36-38.) No, 12 in M.157.28.1
Also to be found in Leslie's Cassell's Choral music; Novello's Glee
hive.
Edwards, Richard. (Continued.)
Where griping grief. Antient glee [a. t. t. b.]. {In Apol-
lonian harmony. Vol. i, pp. 50, 51.) No. 43 in M.141.21.1
Also to be found in Social harmony.
Edwards, Richard Elbert.
Queen Philippine. Comic opera. Book and lyrics by Richard
E. Edwards and Prentiss L. Coonley. Music by A. W.
Denison. No. 2 in M.381.9
Eeden, Jean Baptiste van den.
Le reve. Double choeur pour voix d'hommes ... a I'occa-
sion des fetes du troisieme centenaire de Roland de
Lassus. Poeme de F. Bernard. Musique de J. van den
Eeden. Bruxelles. Schott. [1894.] No. 4 in M.213.4
The words are in French, Dutch and German.
Effet electrique, Un. Opera. For the Music see Hermann,
C. A.
Effuderunt sanguinem. Gradual. Haydn, J. M. No. 5 in M.202.Q
Egel, H. W.
Georg Friedrich Handel, Josua. Nach der Ausgabe der
deutschen Hiindelgesellschaft (Lieferung XVII). Erlau-
tert. Leipzig. Seemann. [1903. Der Musikfiihrer. No.
286.] No. II in M.217.12.12
Egerland. Part-song. Hopp, J. No. 109 in M.204.39
Egerton, Seymour John Grey.
Adieu to the woods. [Part-song.] {In Novello's Part-song
book. 2d series. Vol. 13, pp. 147-152.) No. 25 in M.igs.1.13
In the woods. [Part-song.] {In Novello's Part-song book.
2d series. Vol. 13, pp. 136-142.) No. 23 in M.igs.1.13
King Winter. A four-part song. {In Novello's Part-song
book. 2d series. Vol. 13, pp. 153-159.) No. 26 in M.19S.1.13
A pastoral, cantata, the poetry by Mrs. Freake, the music
by Seymour J. G. Egerton. [Accomp. for piano.] Lon-
don. Hutchings & Romer. [1871?] M.270.27
The rose and the soul. Four-part song. {In Novello's Part-
song book. 2d series. Vol. 13, pp. 143-146.)
No. 24 in M.19S.1.13
Spring's approach. [Part-song.] {In Novello's Part-song
book. 2d series. Vol. 13, pp. 123-128.) No. 21 in M. 195.1. 13
Wild rose. [Part-song.] {hi Novello's Part-song book.
2d series. Vol. 13, pp. 129-135.) No. 22 in M.ig5.i.i3
Egerton, Seymour John Grey, translator.
Rheinbergee, J. G. Christoforus. M.202.26;etc.
Eggers, Hartwig Carl Friedrich.
Macbeth. Oper. Musik von Wilhelm Taubert. M.284.11
Egidi, L., translator.
Arenski. Raffaelo. No. i in M.393.2
Egill. Cantata. For the Music see Gouvy.
Egill-le-Demon. Opera. For the Music see Gerard, J. For
the Libretto see Rostan.
Eginard et Emma. Song. Rouget de Lisle. 48 chants fran-
;ais. M.202.44
Eglantine, The. Part-song. Wueerst. No. 13 in M.204.36.7
Egli ancora non giunge. Song. Donizetti. No. 31 in M.157.39
Eglogue. Symphonic poem. Rabaud. No. i in M.406.71
Egmont. Incidental music. For the Music see Beethoven. For
the Text see Goethe, J. W. von.
Egmont. Opera. For the Music see Salvayre. For the Li-
bretto see Wolff, A.
Ego cognovi. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.i5
Egodixi, Domine. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Ego dormivi. Motet. Lassus. Sammtliche Werke. Band 13.
M.8o4oa.67.i3
Ego enim sum Dominus. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Ego Mater pulchrae dilectionis. Anthem. Neukomm, S. von.
No. i in M.260.10.5
Ego rogabo Patrem. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Ego sum Panis vivus. Motet. Lassus. Sammtliche Werke'.
Band 5. M.8o4oa.67.5
Palestrina. Werke. Band i. M.8o4oa.66.i
Ego sum Pastor bonus. Motet. Lambillotte. Musique re-
ligieuse. No. 7 in M.260.1S
I 49
.385
Ego
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Eidgenoessischer
Ego sum pauper. Motet. Lassus. Sammtliche Werke. Band
I, 9. M.8o4oa.67.i, g
Ego sum qui sum. Motet. Lassus. Sammtliche Werke. Band 13.
M.8o4oa.67.i3
Ego sum resurrectio. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Ego sum resurrectio et vita. For organ. La Tombelle.
No. 2 in M.414.37
Egressi, Beni.
Bank ban. Opera. Szoveget irta. Zenejet irta Erkel
Ferencz. M.397.25
„Sz6zat" und „Hy™nus", zwei vaterlandische Dichtungen
von Vorosmarty und Kolcsey componirt von Egressi Beni
und Franz Erkel, orchestrirt von Franz Liszt. [Partitur.]
Pest. Rozsavolgyi & Co. 1846. No. 3 in M.405.12
Egyptian desert march. Part-song. Hegar. M. 193.23.1
Egyptian festival, The. Opera. For the Music see Florio, C.
H. For the Libretto see Franklin.
Egyptienne, L'. Song. David, F. C. Cinquante melodies.
M.363.28
Eh bien, avec transport. Duet. Sacchini. Le Sacchini des
concerts. M.274.9
Eh bien! chante I'amour. Song. Schubert, F. P. Melodies.
Vol. 2. M.327.4.2
Eh, comment veu.x-tu que je vive? Aria. Sacchini. Le Sac-
chini des concerts. M.274.9
Eh' ich dies voUendet habe. Cantata. For the Music see Zum-
steeg, J. R.
Eherne Schlange, Die. Oratorio. For the Music see Loevire,
J. C. G. For the Libretto see Giesebrecht.
Ehestandsscenen. Part-song. Kuntze. No. 36 in M.3g2.i4
I^lert, Louis.
Hafis-Ouverture fiir Orchester. Op. 21. Partitur. Breslau.
Leuckart. [187-?] No. 2 in M.336.9
Letters on music, to a lady. Translated by Fanny Raymond
Ritter. Boston. Ditson & Co. [1870.] 11.1093.17
Ehre Gottes, Die, aus der Natur. Part-song. Beethoven.
No. 2 in M. 1293.43.9; etc.
Ehre Gottes, Die, aus der Natur. Song. Beethoven. Sechs
geistliche Lieder. No. 10 in M.is7.24;etc.
Ehre sei Gott. Part-song. Belcke. No. 51 in M.213.9; etc.
Ehre sei Gott in der H5he. Anthem. Bach, J. S. Werke. Jahr-
gang 41. M.8040.21.41
Hauptmann, M. No. 2 in M. 147.4
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 14, .A.b-
theilung c. M.413.3.14C
Ehrenfels, Christian, Freiherr von.
Siingerweihe. Chordrama, in Musik gesetzt von Otto Taub-
mann. M.397.67
Ehrenmaenner, Die. Part-song. Schneider, J. C. F.
No. 3 in M.213.9
Ehrlich, Christian Friedrich.
Konig Georg. Grosse romantische Oper. Te.xt nach einem
Gedichte von R. Kneisel. Musik von C. F. Ehrlich. Voll-
standiger Clavierauszug. Leipzig. Breitkopf & Hartel.
[187-?] M. 262.22
Ehrlich, Heinrich Alfred.
Wagner'sche Kunst und wahres Christenthum. Offener
Brief an . . . Emil Frommel. Berlin. Brachvogel &
Ranft. 1888. No. 8 in M.197.18
Ei! ei! wie scheint der Mond so hell! Song. Weber, C. M.
F. E. von. Sammtliche Lieder. Band 2. No. 69 in M.244.7
Ei mi ricorda i placidi. Song. Poniatowski. No. 2 in M. 364.10
Eia, ergo. Anthem. Pergolesi. No. 38 in M. 202.6.3
Eia Mater, fons amoris. Anthem. Klein, B. J.
No. 9 in M.260.17.2
Eichberg, Julius.
Complete method for the violin. Revised and enlarged edi-
tion. Boston. White, Smith & Co. 1876. M. 158.1
. The doctor of Alcantara. Opera bouffe. Libretto by Benj.
E. Woolf. Music by Julius Eichberg. [Accomp. for
piano.] Boston. Ditson & Co. 1862. M.262.23
Theme varie. [For violin and pianoforte.] Boston. White,
Smith & Co. [1880.] No. 3 in M.406.6
Eichberg, Julius. (Continued.)
The two Cadis. A comic opera in one act. [Vocal score
with pianoforte accomp.] Boston. Ditson & Co. 1868.
M.393.72
Eichberg, Oscar.
Richard Wagner's Sinfonie in C-dur analysirt. Berlin.
Wolff. 1887. No. s in M.197.18
Eichberg, Oscar, editor.
Allgemeiner deutscher Musiker-Kalender fur 1870. M.iogb.io
Eichborn, Hermann Ludwig.
Eine Maskerade in S'. Lorenzo. Singspiel in i Aufzuge von
Max Engelmann. Musik von Hermann Eichborn. Kla-
vierauszug. Breslau. Langmann. [1883.]
No. I in M.391.15
Zopf und Krummstab. Komische Oper in i Acte. [Text
und Musik] von Hermann Eichborn. Klavierauszug.
Leipzig. Siegel. [1884.] No. 2 in M.391.15
Eichendorff, Joseph Carl Benedict, Freiherr von.
Die Flucht der heiligen Familie. Componirt von Max
Bruch. Neue Ausgabe. No. 3 in M.270.21
Lieder-Kreis. Zwolf Gesange, componirt von R. Schumann.
No. 12 in M.244.15.1
Nachtgruss. Gedicht. [Componirt von Max von Wein-
zierl.] No. 6 in M.203.S
Nachtlied. Ged[icht]. Componirt von Heinrich Zollner.
No. 6 in M.203.24
Eichhoernchen. Song. Taubert, C. G. W. No. 20 in M.ig2.7
Eichhorn, Max.
Adagio fiir Streichquartett (oder Streichorchester). Berlin.
Raabe & Plothow. [189-?] No. 3 in M.338.10
Eichhoernchen. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. [Heft 8.] No. 20 in M.192.7
Eichwald, Der. Part-song. Billeter. No. 2 in M. 130.7; etc.
Eide, so die Liebe schwur. Wolf, H. Spanisches Liederbuch.
No. 20 in M.380.30
Eidgenoessischer Sangerverein.
Mannerchore fiir das 11.-14. eidgenossische Sangerfest.
Bern [etc.]. 1864-70. 4 v. in i. No. 1-4 in M.130.7
Contents. — 12. Sangerfest. Pratorius: Wachet aufi — Baumgart-
ner: Wer ist frei? — Attenhofer: Morgenlied. — Mendelssohn-Bar-
tholdy: Sommerlied. — Billeter: Du Schweizervolk. — C. M. v.
Weber: Wanderer's Nachtgebet. — Klein: Motette [Wer unter dem
Schirm]. . — G. Weber: Du bist's allein. — Nageli : Das Lied vom
Rhein. — Schletterer : Einzug der Sanger. — Tietz : Auf der Kirch-
weih zu Schyz. — Schubert: Nachtgesang im Walde. — Kreutzer:
Die Capelle. — Zwei deutsche Volkslieder; a) Es ist so still geworden.
b) Reiter's Morgensang. — Abt : An das Vaterland.
II. Sangerfest. Scheidemann: Wie herrlich strahlt der Morgen-
stern. — Nageli: Motette [Mache dich auf]. — Lachner : Friihlings-
gruss an das Vaterland. — Kreutzer: Nachts. — Ecker: Maiwan-
derung. — Baumgartner: Huttenlied. — Lindpaintner : Leiden und
Freuden. — Breitenbach : Der 150. Psalm [Hallelujah! Lobet den
Herrn]. — Perfall : Banner voran. — Billeter: Der Eichwald. —
Heim : Volksweisen, a) Nichts gleich der Heimat. b) Seliger Tod. —
Veit: Die ewige Burg. — Otto: Das treue Herz. — F. Lachner:
Sturmesmythe.
13. Sangerfest. Vogler: Choral und Hymne [In alien meinen Tha-
ten]. — Schubert: Lobgesang. — Munzinger: Im Vaterland. — Bil-
leter: Im Maien. — Kreutzer: Siegesbotschaft. — Kunz: Hymne
an Odin. — Baumgartner: Abendfeier. — Schumann: Waldlied. —
Zwei deutsche Volkslieder : a) Schon Rohtraut. 2) Der Konig in
Thule. — Abt : Chor aus der Hermannsschlacht. — Nageli : Die Ahnen.
— Gernsheim : Salamis, Siegesgesang der Griechen.
14. Sangerfest. Billeter: Hymne an die Kunst. — Baumgartner:
Mignon. — Munzinger: Die schweizerischen Schlachtfelder. — Nageli:
Nachtgesang. — Speidel: Hymne: O Geist der Tone. — Mozart: Ave
verum corpus. — Besozzi : Veni Creator spiritus.
Wettgesange bei dem 11., 12. eidgenossischen Sangerfeste,
1864, 1866. Zurich. Hansler & Strubi [etc.]. 1864, 66.
2 V. in I. No. 8, 9 in M.130.7
Contents. — 12. Sangerfest. Baumgartner: Mein ganzer Reichthum
ist. — Heim : Der Konig im Thule. — Maier : Das Schneeglockchen.
— Kreutzer : Das Felsenkreuz. — Heim : Gruss der Heimat. —
Schmidt: An die Heimat. — Tschirch: Die Heimat. — Kreutzer: An
das Vaterland. — Silcher: Der Barde. — Heim: Das Schweizerland.
— Kiicken : AUes dir mein Vaterland. — Abt : Die Abendglocken. —
Berner: Kriegslied. — Abt: Promenade au printemps. — Szadrowsky:
Sehnsucht. — Schubert: Die Nacht. — Mendelssohn-Bartholdy: Der
Jager Abschied. — Kalliwoda: Die Dorfglocke. — Beethoven: Hymne
an die Nacht. — Heim: Kriegers Tod. — Schumann: Die ewige Burg.
• — Keller: Der Nachtigall Antwort. — Schumann: Fruhlingsgruss. —
Zwyssig : Glaube, Liebe, Hoffnung. — Heim : Catschadur dellas Alps.
386
Eidgenoessischer
THE ALLEN A. BROWN COLLECTION OF MUSIC
Eitner
Eidgenoessischer Sangerverein. (Continued. )
— Heim : Heimweh. — Haser; Nel Eister. — Reichardt: Des Krieges
Nachtwache. — Mendelssohn-Bartholdy : Der frohe Wandersmann. —
Baader: Abschied. — Heim: Auf deinen Hohen. — Weber: Ver-
trauen. — Eckert : Schiffergesang. — Baumgartner : Huttenlied. —
Lachner: Hymne an die Musik. — Gevaert: L'exode. — Auber :
Choeur de la "Muette de Portici" [Saint bien heureux]. — Samuel:
Pale etoile du soir. — Petschke : Friihlingslied. — Greger : An die
Freude. — Ecker: Barbarossa's Erwachen. — Arnol,d: Hinaus in die
Welt!
II. Sangerpest. Baumgartner: An mein Vaterland. — Beethoven:
Hymne an die Nacht. — Heim : Mein Herz ist im Hochland. — Sil-
cher: Malmruf. — Mohring: Ade. — Schumann: Die ewige Burg. —
Feska: Wanderlied. — Jager: Der Ungenannten. — Heim: Der letzte
Krieg. — Nessler : Der Blume Tod. — Baur: Gott mit dir mein Vater-
land.— Haser : Nell' Ester. — Low : Wenn sich zwei Herzen scheiden.
— Silcher: Aennchen von Tharau. — Heim: Abendruhe. — Heim:
Wanderschaft. — Haser: Der Gesang. — Heim: Ligia grischa. —
Heim : Heimweh. — Reichardt : Kriegers Nachtwache. — Heim : Der
Mai ist da. — Abt: Friihlingsmorgen. — Volksweise. Schiffergesang.
— Heim: O du mein heiss Verlangen. — Kreutzer : An das Vater-
land. — Kreutzer: Forschen nach Gott. — Eehrens: Abschied vom
Walde. — Abt: Geleit. — Mangold: Waldlied. — Heim: Abschied
vom Vaterland. — Thomas: Suisse. — Menager: Reiterlied. — Kreut-
zer: Die Kapelle. — Gade: Die Quellen in der Wiiste. — Miiller:
Die Abendglocken. — Tauwitz : Heimatlied. — Veit : Schon Rohtraut.
— Kreutzer; Marznacht. — Gounod: Choeur des soldats. — Munzin-
ger: Das Ungewitter. — Gevaert: Chants lyriques de Saul. — Sant-
ner: Morgengebet. — Kreutzer: Nachtlied. — Thomas: Le chant
des amis. — Rebling: In die Feme. — Veit: Sommernacht. — Rille:
Hymne a Thannonie.
Eifersucht und Stolz. Song. Schubert. F. P. Sammtliche
Compositionen. M.244.12; etc.
1812. Overture. Tchaikovski, P. I. No. i in M.334.22
Eigne Herz, Das. Part-song. Abt, F. Vier vierstimtnige
Mannergesiinge. No. 6 in M.392.2
Eigne Herz, Das. Song. Rungenhagen. No. 22 in M.221.30
Ein Mann — ein Wort. Part-song. Marschner, H. A.
No. 66 in M.147.4; etc.
Eine, Das. Part-song. Muehldorfer. No. 6 in M.3g2.i9
Eine Wort, Das. Song. Taubert, C. G. W. GUick der Liebe.
No. 33 in M. 192.8
Einem scheidenden Freunde. Fart-song. Moehring. Sechs
Gesange. No. 9 in M.392.37
Einem Todten. Part-song. Rheinberger, J. G. Vier deutsche
Gesange. No. S in M.392.22
Einen Menschen heiss zu lieben. Song. Mihalovich. Sieben
Gedichte. No. i in M.380.21
Einer Entschlafenen. Cantata. For the Music see Raff. For
the Libretto see Boerner.
Eingeregnet. Cantata. For the Music see Schwalm. For the
Libretto see Harditz.
Einheit und deutsche Treu! Part-song. Naret-Koning.
No. 10 in M. 392.42.3
Einkehr. Part-song. Gade. Reiter-Leben. No. 8 in M. 392.9; etc.
Mueller, R. 3 Gesange. No. 12 in M.212.11
Rheinberger. J. G. Fahrende Schuler. No. 18 in M.392.22
Zoellner. C. F. Zollner- Album. No. 5 in M.370.30; etc.
Einkehr. Song. Strauss, R. Funf Lieder. No. 4 in M.380.24.4
Einladung. Song. Curschmann. Curschmann-Album.
No. I in M. 157.37
Einquartierung. Part-song. Gade. Reiter-Leben.
No. Sin M.392.9; etc.
Einquartirung. Song. Taubert, C. G. W. 4 Lieder fiir So-
pran. No. 10 in M.221.26
Einsam. Part-song. Linden. No. 2 in M.212.10
Einsam bin ich nicht. Song. Weber, C. M. F. E. von. Sammt-
liche Lieder. Band 2. No. 91 in M.244.7
Einsame, Der. Song. Grieg. No. 7 in M.203.14
Schubert, F. P. Werke. Serie 20, Band 8. M.31 7.1.20.8
Einsame Heimath. Part-song. Wuellner. Waldlieder.
No. 24 in M. 158.21
Einsame Roslein, Das, im Thai. Part-song. Hermes.
No. 50 in M. 392.10; etc.
Einsames Wandern. Part-song. Rietz. No. 31 in M.392.22
Einsamkeit. Part-song. Gelbke. No. 21 in M.392.9
Zenger. Stieleriana. No. 66 in M.392.24
Einsamkeit. Song. Albert, Prince Consort. Collected com-
positions. M.290.23
Klein, B. J. Lieder und Gesange. No. 19 in M. 221.30
Schubert. F. P. Gieb mir die Fiille der Einsamkeit. Werke.
Serie 20, Band 5. M.3i7.i.2o;5
Einsamkeit. (Continued.)
— Wie eine truebe Wolke. Werke. Serie 20, Band 9.
Two variants of one setting. M.317,1.20.9
Schu.mann, R. a. Sechs Gedichte von N. Lenau.
No. 8 in M.244.15.3; etc.
Einsiedelei, Die. Part-song.
Schubert, F. P. Werke. Serie 16. M.317.1.16
Weinzierl. Wanderlieder aus den Alpen. No. 49 in M.392.24
Einsiedelei, Die. Song. Schubert, F. P. Es rieselt klar und
wehend. Werke. Serie 20, Band 4, 5. M.317.1.20.4, 5
Einsiedler, Der. Part-song. Schoen, E. von. No. 7 in M.392.44
Einsiedler, Der. Song. Schumann, R. A. Resi.arnation.
No. 5 in M.244.15.3; etc.
Einsmals von einem Bienelein. Part-song. Schein. Werke.
Band 2. M.4i4.i.a
Einsmals wett Coridon. Part-song. Schein. Werke. Band 2.
M.414.1.3
Einsprueche, Die. Opera. For the Music see Neefe. For the
Libretto see Michaelis, J. B.
Einst und jetzt. Duet. Taubert, C. G. W. Gliick der Liebe.
No. 33 in M.192.8
Einstmals ich ein Jungfraulein. Part-song. Schein. Werke.
Band i. M.414.1.1
Eintritt. Part-song. Goldmark. Im Fuscherthale.
No. 20 in M. 158.22
Einz'ger Kuss, Ein. Song. Hiller, F. Acht Ritornelle.
No. 21 in M. 192.3
Einzug, Der. Part-song. Otto, E. J. Der Philister.
No. 4 in M.392.20
Einzug der Sanger. Part-song. Schletterer.
No. I in M.130.7; etc.
Eisen, Franz Carl.
Der Kolner Manner-Gesang-Verein unter Leitung Herrn
Franz Weber. Andeutungen . . . 1842-1852. Koln. Ba-
chem. 1852. No. I in M.136.8
Eisenbahn. Part-song. Schaeffer. No. 8 in M.392.23
Eisenhofer, Franz Xaver.
Freunde, stimmt in meine Lieder. [Miinnerchor, t. t. b.]
(In Orpheus. Band 2, pp. 26, 27.) No. 60 in M.i2ga.43.2
He who trusts in ladies fair. [Canon, t. t. b. b.] (In The
Orpheus. New series. Vol. 3, pp. 79-84)
No. 20 in M.205.10.3
Holde Liebe. fMannerchor.] (In Orpheus. Band i, pp.
2-5-2.S.) No. 20 in M.i2ga.43.i
Ich erblicke froh den Dammerschein. fMannerchor.] (In
Orpheus. Band 2, pp. 46-49) No. 72 in M.i29a.43.2
Lustig durchs Leben. [Mannerchor.l (In Orpheus. Band
I, pp. .=;4, 5.S-) No. 38 in M.i29a.43.i
Serenade. [Part-song, t. t. b. b.] (/» The Choralist. Vol.
I, series 3.) No. 35 in M.i57.5.i
Slumber sweetly, dearest. [Part-song, t. t. b b.]. (In The
Orpheus. New series. Vol. 4. PP- 74, 7.v)
No. 17 in M.205.10.4
Also to be found in Orpheus glee book ; Willard's Arion.
Standchen [t. T. B. b.]. (In Orpheus. Band 3, pp. 17, 18.)
No. 90 in M.i2ga.43.3
Standchen zum Namensfest [t. t. b. b]. (In Orpheus. Band
3. pp. 22-25.) No. 93 in M.i29a.43.3
Thro' yonder lattice window. A four-part song [a. t. t. b.].
(In The Orpheus. New series. Vol. 6, pp. 21-27.)
No. 5 in M.205.10.6
Wenn die helle Fiedel tonet. [Mannerchor.l C-^" Orpheus.
Band 3, pp. 14, i.S-) No. 88 in M.i29a.43.3
Eisler, Edmund. See Eysler, Edmund.
Eitner, Robert.
Einleitung, Biographieen, Melodieen und Gedichte zu Jo-
hann Ott's Liedersammlung von 1544. Betitelt: Hundert
und fiinfzehn guter neuer Liedlein mit vier, fiinf, sechs
Stimmen, etc. . . . von R. Eitner, L. Erk und O. Kade.
Berlin. Liepmannssohn. 1876. [Publikation alterer prak-
tischer und theoretischer Musikwerke vorzugsweise des
XV. und XVI. Jahrhunderts. Band 4. Jahrg. 4, Lief, i.]
M.18S.3
Eitner. Robert, compiler.
Katalog der musikalischen Handschriften. Stadtbibliothek
in Hamburg. M.37i.4a
.387
Eitner
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Elgar
Eitner, Robert, compiler. (Continued.)
Katalog der Stadtbibliothek (musikalische Abtheilung) in
Hamburg, b: Gedruckte Werke. [Hamburg.] 1870.
Manuscript. M.371.44
Pp. 17, 18, 31 and 32 are missing.
60 Chansons zu vier Stimmen, aus der ersten Halfte des 16.
Jahrhunderts von franzosischen und niederlandischen
Meistern in Partitur gesetzt und herausgegeben. Leipzig.
Breitkopf & Hartel. 1890. [Publikation xlterer prakti-
scher und theoretischer Musik-Werke, vorzugsweise des
XVI. Jahrhunderts. Band 23. Jahrg. 27.] M.400.12
Eitner, Robert, editor.
Dressler, G. XVII Motetten zu vier und fiinf Stimmen.
M.400.13
EccARD. Neue geistliche und weltliche Lieder zu fiinf und
vier Stimmen, Konigsberg 1589. M.400.10
FiNCK, Heinrich. Eine Sammlung ausgewahlter Komposi-
tionen zu vier und fiinf Stimmen. M.400.4
FoRSTER, G., editor. Der zweite Teil der kurtzweiligen guten
frischen teutschen Liedlein zu singen fast lustig im mehr-
stimmigen Tonsatze. M.400.18
Heije, J. P. Drie madrigalen van Cornelis Schuyt (1600).
Twee chansons van Jan Pieters Sweelinck (1598).
No. I in M.415.2
Leclair. Zwolf Sonaten fiir Violine und Generalbass nebst
einem Trio fiir Violine, Violoncell und Generalbass. 2.
Buch der Sonaten, Paris circa 1732. Mit einem ausgesetz-
ten Generalbass. M.400.16
MoLLER. Joachim von Burck [Pseud.] : Zwanzig deutsche
geistliche vierstimmige Lieder, Erfurt 1575. Die Passion
nach dem Evangelisten Johannes zu vier Stimmen. Wit-
tenberg 1568, und Die Passion nach dem 22. Psalmen
Davids (1574). M.400.11
Obrecht. Missa „Fortuna desperata." No. 2 in M.415.8
Oeglin. Liederbuch zu vier Stimmen. Augsburg 1512.
M.400.5.9
Oper, Die, von ihren ersten Anfangen bis zur Mitte des 18.
Jahrhunderts. Theil 1-3. M.400.6
Ott, J., compiler. Ein hundert fiinfzehn weltliche u. einige
geistliche Lieder, zu vier, fiinf und sechs Stimmen. M.400.1
Regnart. Deutsche dreistimmige Lieder nach Art der Nea-
politanen, nebst Leonhard Lechner's fiinfstimmiger Bear-
beitung. M.400.9
Sweelinck. Acht zes-stemmige psalmen. No. 2 in M.415.2
Zes vier-stemmige psalmen. No. 2 in M.415.6
Vecchi. L' Amfiparnaso, eine Komodie von 1597 im fiinf-
stimmigen Tonsatze durchcomponiert. M.400.1S
ViRDUNG. Musica getutscht und ausgezoge. M.185.5
Wanning. Bloemlezing uit de 52 sententiae. No. i in M.415.8
Zeuner, M. 82 geistliche Kirchenlieder zu fiinf Stimmen.
M.400.1 7
Eja ergo, advocata nostra. Motet. Palestrina. Werke. Band 7.
M.8o4oa.66.7
Ekkehard. Opera. For the Music see Abert. For the Li-
bretto see Scheffel.
Elaine. Opera. For the Music see Bemberg. For the Li-
bretto see Ferrier.
Elbondokani. Opera. For the Music see Zumsteeg, J. R. For
the Libretto see Haug.
Elda. Opera. For the Music see Catalani, Alfredo. For the
Libretto see Ormeville.
Eldorado. Opera. For the Music see Fitz-Gerald. For the
Libretto see Famie.
Electre. Opera. For the Music see Lemoyne. For the Li-
bretto see Guillard, N. F.
Electric spark, The. Opera. For the Music see Blake, C. D.
For the Libretto see Pidgin.
Elegerunt apostoli Stephanum levitam. Offertory. Palestrina.
Werke. Band 9. M.8o4oa.66.9
Elegi. Motet. Neukomm, S. von. Recueil de 40 motets.
No. I in M.158.37
Elegiac ode. For the Music see Stanford. For the Libretto
sec Whitman.
Elegie. For siring orchestra. BuscH. No. 3 in M.410.11
TcHAiKovsKi, P. I. No. 3 in M. 343. 13
Wagner-Loeberschutz. Zwei Stiicke. No. 4, 5 in M.404.30
Elegie. For violin and orchestra. Witte. No. 2 in M.333.23
Zoellner, H. No. 4 in M.352.6; etc.
Elegie. Song. Berlioz, L. H. No. 9 in M.391.32; etc.
Rubinstein. Zwolf Lieder. No. 18 in M.192.5
Elegie auf den Tod eines Pudels. Song. Beethoven. Werke.
, ^ Serie 25. M.413.1.2S
Elegie sur la mort d'un objet cheri. For violoncello and piano.
Romberg. No. i in M.210.6; etc.
Elegischer Gesang. Part-song. Beethoven. Werke. Serie 22.
M.413.1.22
Elegy to the memory of Jonathan Battishill. Part-song. Wes-
ley, C. No. 6in M.380.6; etc.
Elegy to the memory of Samuel Webbe. Part-song. Horsley,
W. No. 12 in M.235.9.7; etc.
Elektra. Cantata. For the Music see Gouvy.
Elemente, Die. Song. Gruber, G. W. Gottfried August
Burgers Gedichte. Vol. 2. No. 16 in M.130.9.2
Elements, Les. Opera. For the Music see Laland. For the
Libretto see Roy.
Elena da Feltro. Opera. For the Music see Mercadante. For
the Libretto see Cammarano, S.
Elena e Costantino. For the Music see Mayer, J. S. For the
Libretto see Tottola.
Elenden, Die, sollen essen. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 18.
Eleonora di Guienna. Opera. For the Music see Donizetti.
For the Libretto see Romani, F.
Eler, Andre.
L'habit du Chevalier de Grammont. Opera en i acte, par
Mr.*** [J. M. B. B. de Saint Victor]. Mis en musique
. . . par Eler. [Partition.] Paris. Magasin de musique.
[1804.] M.262.24
Eletta Mirra. Madrigal. Palestrina. Werke. Band 29.
M.8o4oa.66.2g
Eleusische Fest, Das. Cantata. For the Music see Brambach.
For the Libretto see Schiller.
Eleutheria. Cantata. For the Music see Curtis, G. H. For
the Libretto see Stone, H.
Elevation. For organ. Saint-Saens. No. 10 in M.414.31
Eleve, L', du Conservatoire. Opera. For the Music see Went-
zel. For the Libretto see Roucoux.
Elf, The. Cantata. For the Music see Meister.
Elf, The. Part-song. Samson, L. No. 15 in M.204.36.4
Elfenkonigin, Die. Song.
Curschmann. Curschmann-Album. No. i in M.157.37
RiGiiiNi. Zwolf deutsche Lieder. No. 27 in M.221.33
Elfenlied. Song.
Taubert, C. G. W. 12 Gesange. No. 7 in M.221.26
V/eber, C. M. F. E. von. Sammtliche Lieder. Band 2.
No. 85 in M.244.7
Elfenmaedchen, Die, und die Jager. For orchestra. Hartmann,
J. P. E. Nordische Volkstanze. No. 3. No. 3 in M.342.4
Elfenreigen. Part-song. Gelbke. No. 22 in M.3g2.9
Elfenreigen. Symphonic poem. Klose. No. 3 in M.331.19
Elfenschiffer. Song. Raff. Sanges-Friihling. Heft i.
No. I in M.192.4
Elfentanz. For violoncello and orchestra. Popper. No. 3 in M.407.21
Elfenwirthschaft. Part-song. Schultz, E. No. 6 in M.i94.zi
Elfes, Les. Opera. For the Music see Pieme. For the Li-
bretto see Guinand.
Elfin fairies. The. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Elfin knight. The. For the Music see Gibsone, I. For the
Libretto see Enoch.
Elfin of the lake, The. Opera. For the Music see Holmes,
W. H.
Elfrida. Opera. For the Music see Paisiello.
Elgar, Sir Edward William.
The Apostles. (Parts I & II.) An oratorio. (Op. 49.)
[Vocal score with piano accomp.] London. Novello &
Co. 1903. M.384.S7
The banner of Saint George, a ballad for chorus and orches-
tra. The words written by Shaprott Wensley. The music
composed by Edward Elgar. (Op. 33.) [With pianoforte
accomp.] London. Novello, Ewer & Co. 1897.
No. I in M.384.26
388
Elgar
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ellerton
Elgar, Sir Edward William. (Continued.)
The black knight (Der schwarze Ritter). Cantata for cho-
rus and orchestra. The poem by Uhland (translated by
Longfellow). The music composed by Edward Elprar.
(Op. 25.) [With pianoforte accomp.] London. Novello,
Ewer & Co. 1893. No. 2 in M.384.26
Caractacus. A cantata for soprano, tenor, baritone, and
bass soli, chorus and orchestra. The words written for
music by H. A. Acworth. The music by Edward El.ajar.
(Op. 35.) [Vocal score, with piano accomp.] London.
Novello & Co. 1898. M.384.S6
Cockaigne (In London town), concert overture for full or-
chestra. (Op. 40.) Orchestral score. London. Boosey
& Co. 1901. M.410.23
The dream of Gerontius by Cardinal Newman (Deutsche
Uebersetzung von Julius Buths) set to music for mezzo-
soprano, tenor and bass soli, chorus and orchestra by
Edward Elgar. (Op. 38.) Full score. London. Novello
& Co. 1902. M.402a.i2
Froissart. Concert overture for orchestra. Op. 19. Full
score. London. Novello & Co. 1901. M.410.24
In the South (Alassio). Concert-Overture for orchestra.
(Op. 50.) [Full score.] London. Novello & Co. 1904.
M.410.25A
The kingdom. An oratorio. (Op. 51.) [Vocal score. Ac-
comp. for piano.] London. Novello & Co., Ltd. 1906.
M.240.16
The light of life (Lux Christi). A short oratorio for soli,
chorus, and orchestra. The words written and arransred
by E. Capel-Cure. The music composed by Edward El-
gar. [With pianoforte accomp.] Octavo edition. Lon-
don. Novello, Ewer & Co. 1896. No. 3 in M.384.26
Pomp and circumstance. Military marches. No. i in D.
No. 2 in A minor. Full orchestral score. Op. 39. Lon-
don. Boosey. [1902.] 2 v. in i. No. 2 in M.406.63
Sea-pictures. Cycle of five songs for contralto. [With or-
chestra accompaniment.] Op. 37. Full orchestral score.
London. Boosey & Co. 1900. No. i in M.406.63
Contents. — Sea slumber song. — In haven (Capri). — Sabbath morn-
ing at sea. — Where corals lie. — The swimmer.
Variations on an original theme for orchestra. Op. 36. Full
score. London. Novello & Co. 1899. M.410.25
£lgar, Sir Edward William. Works about.
Hehemann, M. Edward El.gar, Der Traum des Gerontius.
Erlautert. Leipzig. [1903I No. 18 in M.217.12.11
Eli. Oratorio. For the Music see Costa, M. For the Libretto
see Bartholomew, W.
Elia, Giuseppe.
Cara, che tanto amai, quartetto. [Partitura.] Manuscript.
[182-?] No. 6 in M.120.13
Elias. Oratorio. For the Music see Mendelssohn-Bartholdy,
J. L. F.
Elihu. Cantata. For the Music see Biggs.
Elijah. Oratorio. For the Music see Mendelssohn-Bartholdy,
J. L. F.
Elijah. Sunday sdiool service. Longbottom. No. 7 in M.37a.3i
Elijah raising the widow's son. Oratorio. For the Music see
Winter, P. von. For the Libretto see Thomas. W. T.
Eliland. Cantata. For the Music see Debois. For the Li-
bretto see Stieler.
"Elinore"; or, the Border bride. Opera. For the Music see
Rogers, E. For the Libretto see Oxenford, E.
Eliotropo, L'. Song. Panofka. Soirees de Londres.
No. 3 in M.244.18
Elisa, L'. Opera. For the Music see Mayer, J. S. For the
Libretto see Rossi, G.
£lisa e Claudio. Opera. For the Music see Mercadante. For
the Libretto see Romanelli.
Elisa, eller Venskab og Kjaerlighed. Opera. For the Music
see Kuhlau.
Elisabeth, St., of Hungary.
Liszt, F. Die Legende von der heiligen Elisabeth. Orato-
rium. Leipzig. [1883.] M.153.42
Elisabeth, ou la fille du proscrit. Opera. For the Music see
Donizetti. For the Libretto see Ribbing.
£Iisabetta d'Ungheria. Opera. For the Music see Beer, J.
For the Libretto see Saint-Georges.
Elisabetta, regina d'Inghilterra. Opera. For the Music see
Rossini. For the Libretto see Schmidt,
EUsca, ou I'habitante de Madagascar. Opera. For the Music
, see Gretry, A. E. M. For the Libretto see Favieres.
Elise, Oder die Reise auf den S. Bernardsberg. Opera. For
the Music see Cherubini. Eliza, ou le voyage . . .
Elisene . . . Ballet. Riotte. No. 2 in M.350.H
Elisire, L', d'amore. Opera. For the Music see Donizetti.
For the Libretto see Romani, F.
Elisium. Opera. For the Music see Schweizer. For the Li-
bretto see Jacobi, J. G.
Elisium. Part-song. Schicht. Sechs Gesange. No. 2 in M.IS2.29
Elixir, L', de Cornelius. Opera. For the Music see Durand,
E. For the Libretto see Meilhac.
Elixir, L', de Cornelius. Overture. Durand, fi.
. No. 5 in M.332.13
Eliza. Opera. For the Music see Ame, T. .A.. For the Li-
bretto see Rolt.
Eliza, ou le voyage aux glaciers du Mont St. Bernard. Opera.
For the Music see Cherubini. For the Libretto see Reve-
roni Saint-Cyr.
Elizabethan lyrics. Songs. Brown, E. A. No. i in M.384.19
E.;iKa. Opera. For the Music see Rebikov. Der Christbaum.
For the Libretto see Plaxin.
Eir est a vous. Part-song. Sweelinck. Werken. Deel 7.
M.4i3.a.7
Ella, John.
Lectures on dramatic music, and musical education abroad
and at home. London. Ridgway. 1872. No. 6 in M. 132.3
Miscellaneous records of the Musical Union, 1845-51. Lon-
don. Cramer, Beale & Co. 1852. M.112.5
Musical sketches, abroad, and at home . . . Vol. i. London.
Ridgway. 1869. Portrait. M.i49a.33
No more was published.
Ella. Glee. Callcott, J. W. Collection of glees. Vol. 3.
No. II in M.234.1.3
Ella piangea. Song. Mercadante. No. 27 in M.157.39
Ella Rosenberg. Opera. For the Music see King, M. P. For
the Libretto see Kenney, J.
Elle. Song. Schubert, F. P. Melodies. Vol. 6. M.327.4.6
EUe debute ce soir. Opera. For the Music see Lhuillier.
Elle doit venir. Song. Schubert, F. P. Melodies. Vol. 5.
M.337.4.S
Elle est a moi. Song. Adam, Adolphe C. No. 23 in M.390.37
Schubert, F. P. Melodies. Vol. 2. M.327.4.2
Elle et moi. Song. Meyerbeer. 40 melodies. No. i in M.IS7.38
Elle m'a prodigue. Aria. S.\cchini. Le Sacchini des con-
certs. M.274.g;etc.
Elle ne m'a pas compris. Song. Schubert, F. P. Melodies.
Vol. 2. M.327.4.2
Elle s'en va de moi. Part-song. Lassus. Sammtliche Werke.
Band 14. M.8o4oa.67.i4
Ellen Bajme. Song. Foster, S. C. No. 19 in M.380.41.1
Ellens Gesang. Schubert, F. P. I. Raste, Krieger, Krieg ist
aus. Werke. Serie 20, Band 8. M.317.1.20.8
— II. Jaeger, ruhe von der Jagd. Werke. Serie 20, Band 8.
M.317.1.20.8
— III. Hymne an die Jungfrau. Werke. Serie 20. Band 8.
M.317.1.20.8
Ellerton, John Lodge.
Araplius lava me. Offertory from a Mass in B flat. Solo
[a. or BAR. Accomp. for organ]. London. Lonsdale.
[184-?] No. 32 in M.260.3
The bridal of Triermain. Opera in 5 acts. [Accomp. for
pianoforte.] Manuscript. Autograph. [183-?] M.231.33
Carlo Rosa. Opera semiseria in 3 atti. Composta e ridotta
per voce e cembalo da J. L. Ellerton. Manuscript. Auto-
graph. 1857. M.231.32
Et incarnatus est. Trio [s. a. b. or t. t. b. Accomp. for
piano]. London. Lonsdale. [186-?] No. 6 in M.260.21
II marito a vista. Opera semiseria. Le parole scritte dal
S"". Maggioni. La musica di J. Lodge Ellerton. [Parti-
tura.] Manuscript. Autograph. [183-?] M.23i.3i
Mass in D, . . . with an accomp. for the organ or piano
forte. London. Novello. [183-?] No. i in M.260.8.3
389
EUerton
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Elocution
Ellerton, John Lodge. (Continued.)
Messe. Op. 129. [A 2 voix, s. a. Accomp. d'orgue.l 2e
edition. Bruxelles. Schott. [185-?] No. i in M.260.21
Paradise lost, an oratorio, in 4 parts. The words selected
from Milton . . . With accomp. for the piano forte. Lon-
don. Lonsdale. [184-?] M.241.26
Quatuor, io™e (en fa), pour deux violons, alto, et violon-
celle. Op. 62. Score. London. Augener & Co. [185-?]
No. I in M.335.5
Quatuor, Z9^^ (en fa), pour deux violons, alto et violon-
celle. [Op. loi.] Score. London. Augener & Co. [185-?]
No. 2 in M.33S.5
Quatuor, 42'"' (en fa), pour deux violons, alto et violon-
celle. Op. 102. Score. London. Augener & Co. [186-?]
No. 3 in M.335.5
[Quintets and quartets for strings. Full score.] Manu-
script. Autograph. [183-?] 30 parts in 2 v. M. 312.25
Contents. — Vol. i. Quintet in G, No. i, Op. 99 [67]- — Quintet in E
minor, No. 2, Op. 100 [68]. — Quintet in G minor, Op. 69. — Quintet
allegro in G minor. — Quartets : In D minor ; In D ; In E|j ; In G minor,
No. 14, Op. 118; In C, No. I, Op. 58; In F, No. 2, Op. s8; In Bb,
No. 5, Op. 60; In G minor. No. 6, Op. 60; In G, No. 16, Op. 120; In
F minor, No. 18, Op. 120; In A minor. No. 19, Op. 121. Vol. 2. Quar-
tets: In D, No. 21, Op. 121; In D, No. 25, Op. 123; In C minor.
No. 27, Op. 123; In F, No. 26; In Eb, No. 31; In C, No. 32; In G,
No. 34; In A, No. 36, Op. 127; In G, No. 37 ; In G minor. No. 40;
In C, No. 41 ; In G, No. 43 ; In F minor. No. 46 ; In D, No. 48 ; In
E minor.
Salve Regina. Motet [m.-s. or bar. solo. Accomp. for or-
gan]. London. Lonsdale. [1872.] No. 3 in M.260.21
Stabat Mater, for 2 equal voices, with accomp. for the organ
or pianoforte. London. Lonsdale. [i86-?l
No. 2 in M.260.21
Tantum ergo, pour s. t. b., avec accomp. d'orgue. Mayence.
Schott. [185-?] No. 22 in M.260.10.7; No. 4 in M.260.21
Same. Paris. [186-?] No. I4in M.201.33
Tota pulchra es. Motet a 2 voix. [Accomp. d'orgue.]
Bruxelles. Schott. [186-?] No. 5 in M.260.21
Trois quatuors (no. 44, 45, 46) [en mi mineur, sol mineur et
la mineur], pour deux violons, alto et violoncelle. Op. 70.
[Partition.] Mayence. Schott. [1871?] No. 4 in M.33S.5
Trois quatuors (no. 47, 48, 49) [en ut mineur, sib, et ut],
pour deux violons, alto et violoncelle. Op. 71. [Parti-
tion.] Mayence. Schott. [1871?] No. S in M.335.5
Trois quatuors (en la, mib et sol) pour 2 violons, alto et
violoncelle. Op. 61. [Partition.] London. Schott & Co.
[185-?] No. I in M.354.4
Trois quatuors (en re, ut-min. et la) pour 2 violons, alto et
violoncelle. Op. 124. [Partition.] London. Schott &
Co. [1S5-?] No. 3 in M.354.4
Trois quatuors (en sib, re et sol) pour 2 violons, alto et vio-
loncelle. Op. 122. . [Partition.] London. Schott & Co.
[185-?] No. 2 in M.354.4
Wald-Symphonie in D moll, No, 3, fiir grosses Orchester.
Op. 120. Partitur. Leipzig. Breitkopf & Hartel. [i860?]
M.348.28
EUet, Elizabeth Fries.
Nouvellettes of the musicians. New York. Cornish, Lam-
port & Co. [1851.] M. 1433.4
EUeviou, Pierre Jean Baptiste Francois.
Paroisse-Pougin, F. A. A. Figures d'Opera-Comique:
Madame Dugazon, Elleviou, les Gavaudan. Paris. 1875.
3 portraits. M.137.2
Ellicott, Rosalind Frances.
The birth of song. A cantata for soli [s. a. t.], chorus and
orchestra. The poem by Lewis Morris. The music by
Rosalind Frances Ellicott. [Accomp. for pianoforte.)
London. Novello, Ewer & Co 1892. No. 2 in M.204.11
Elysium. For s. solo, chorus and orchestra. The poem by
Mrs. Hemans. The music by Rosalind Frances Ellicott.
[Accomp. for pianoforte.] London. Novello. Ewer &
Co. [1889,] No. 3 in M.204.11
EUinger, George, editor.
Kirchenlied und Volkslied. Geistliche und weltliche Lyrik
des 17. und 18. Jahrhunderts bis auf Klopstock. Stuttgart.
Goschen. 1892. M.370.9
390
Elliott, James.
Come see what pleasure. Glee for s. a. t. t. b. (In Novello's
Glee-hive. Vol. 3, pp. 121-126.) No. 71 in M. 157.20.3
Requiem V. (In Fane, John. A requiem to the memory of
the late Samuel Webbe . . . Pp. 41-48.) No. I in M.220.29
Elliott, James William.
Fair Katie. Part-song. London. Novello, Ewer & Co.
1870. No. 39 in M.158.15
Te Deum laudamus. In F. (In Novello's Parish choir book.
Pp. 157-162.) No. 31 in M.157.30
Ellis,
The rat-catcher, [Song, b. Accomp. for pianoforte.] (In
Arnim. A selection of German national melodies. Vol. I,
pp. 32, 33) No. 14 in M.212.21.1
Ellis, Alexander John.
The history of musical pitch. London. Trounce. 1880.
No. 3 in M.I 12.20
Reprinted with additions from The Journal of the Society of Arts.
On the basis of music. London. Hodgson. 1877.
No. 3 in M.117.5
Speech in song: being the singer's pronouncing primer.
London. Novello, Ewer & Co. [1878. Music primers.]
No. I in M.117.S
EUis, Harold.
The blue moon. A musical play. Book by Harold Ellis.
Revised by A. M. Thompson. Music by Howard Talbot
M.383.66
With English and
Lawrence. Ellis.
No. S in M. 155.22
London.
Kegan
M.37S-9
and Paul A. Rubens.
Ellis, S. A.
Gloria in excelsis Deo. From Mass in C.
Latin words. [Accomp. for organ.]
1874.
Ellis, William Ashton.
Wagner sketches, 1849. A vindication.
Paul. Trench, Triibner & Co. 1892.
An account of Wagner's connection with the Dresden Revolt.
Ellis, W. C.
Sacred cantata on the millenial glory. The words, from
various authors, selected by William John; the music for
4 voices, with accomp. for the pianoforte or organ, by
W. C. Ellis. London. Novello. 1S53. No. 2 in M.391.39
Ellissen,
Der Fahnentrager. [Mannerchor.] (In Orpheus. Band 8,
pp. .s6, 37.) No. 262 in M.i2ga.43.S
EUmenreich, Albert.
Der Burschen Wein-Examen. [Mannerchor.] (In Abt.
Leichte Mannerchore. Heft 10, pp. 10-13.)
No. 60 in M.246.22
Kling, kling! [Mannerchor.] (In Abt. Leichte Manner-
chore. Heft 10, pp. 6-10.) No. ,S9 in M.246.22
Roslein, wann bliihst du auf? [Mannerchor.] (In Claassen.
Ludwig Liebe-Album. P. 11.) No. 11 in M.203.16
Der Schaferhut. [Mannerchor.] Op. 11. No title-page.
[i8s-?] No. 9in M.392.33
Soldatenlied [t. t. b, b.]. (In Abt. Leichte Mannerchore.
Heft 10, pp. 16-20.) No. 62 in M.246.22
Weinrecht. [Mannerchor.] (In Abt. Leichte Mannerchore.
Heft 10, pp. 2-5.) No. 58 in M.246.22
Wenn Gott ein braves Lieb bescheert. [Mannerchor.] (In
Abt. Leichte Mannerchore. Heft 10, pp. 14-16.)
No. 61 in M.246.22
EUys. Otcra. For the Music see Litta, P. For the Libretto
see Mortier.
Eloa. Cantata. For the Music see Lefebvre, C. fi. For the
Libretto see Collin, P.
Elocution.
Ballande, H. La parole, ou I'art de dire et d'exprimer ap-
plique a la causerie, au professorat a la lecture a haute
voix . . . Paris. 1868. M.198.4
Becq de Fouquieres, L. A. V. Traite de diction et la lec-
ture a haute voix. Le rythme, I'intonation, I'expression.
Paris. 1881. M.198.10
Bloch, S. S. The science and art of readinsr. [St, Albans?
1881.] No. 6 in M.128.36
Brewer, R. F. Speech. (In Voice, speech and gesture . . .
Pp. 55-100. London. 1895,) M.218.3
Bronson, C. p. Abstract of elocution and music in accord-
ance with the principles of physiology and the laws of
life. Auburn. 1842. No. 4 in M.i39a.9
J
Elocution
THE ALLEN A. BROWN COLLECTION OF MUSIC
Elvey
Elocution. (Continued.)
Frobisher, J. E. A new and practical system of the culture
of voice and action . . . with an appendix of readings
and recitations. Improved edition. New York. i88t.
M.108.30
Harrison, C. Reciting and recitative, (/n Voice, speech
and gesture . . . Pp. 171-190. London. 1895.) M.218.2
KiRBY, E. N. Vocal and action-language. Culture and ex-
pression. Boston. 1885. M.IC9.3
Plumptre, C. J. The culture of voice and speech. An in-
troductory lecture on elocution . . . King's College, Lon-
don. London. 1874. No. S in M.ii5.s
Voice, speech and gesture: a practical hand book to the
elocutionary art . . . London. 1895. M.218.2
Contents. — The voice, by Hugh Campbell. — Speech, by R. F. Brewer.
— Gesture, by Henry Neville. — Reciting and recitative, by Clifford
Harrison. — Recitation with music, by Frederick Corder. — Selections
. . . edited ... by Robert D. Blackman.
Walker, J. Elements of elocution. Added a system of
the passions, exemplified by a selection of passages from
Shakespeare. 2d edition, with additions. London. 1799.
Plate. M.i48.2g
This copy belonged to John P. Kemble and contains his book-plate.
filoge des larmes. Song. Schubert, F. P. Melodies. Vol. i.
M.327-4-I
filoge du Tokay. Song. Schubert, F. P. Melodies. Vol. 5-
M.327.4.S
i;ioise et Abelard aux Champs filysees. Cantata. For the
Music see Paer.
Elsa, Paolo d'.
Stella. Dramma lirico, musica di Camillo de Nardis. M.399.48
Elsa's Brautzug zum Miinster. For organ. Wagner, W. R.
No. IS in M.414.37
Elsaesser, C. G.
Am Grabe eines Jiinglings. [Mannerchor.] {In Das Riitli.
Pp. 98, 99.) No. 38 in M.147.4
Elsaesser, C. G., editor.
Strauss, J. 1825-1899. "Joy waltz." Arranged [from The
beautiful blue Danube for t. t. b. b.]. No. 17 in M.212.4
Elsaesser, Carl.
The Lord is merciful. Anthem for solo [s. or x] & chorus,
with organ or pianoforte accomp. London. Ewer & Co.
[185-?] No. 9 in M.290.9.2
Elsass muss unser sein! Part-song. Fluegel, G.
No. 27 in M.203.7
Elsenheimer, Nicholas J.
Valerian. Words by Friedrich Philippi, English translation
by Alice C. Brown. Cantata for baritone solo, male
chorus, orchestra and organ obligato. By N. J. Elsen-
heimer. [Vocal score, with pianoforte accomp.] Cincin-
nati. Kanner. 1893. No. 3 in M.384.11
Elsi die seltsaine Magd. Opera. For the Music see Mendels-
sohn, A. For the Libretto see Wette, H.
Elslein. Part-song. Boehme, F. M. Sechs Volkslieder.
No. 7 in M.3g2.5
Eisner, Joseph Xaver.
Missam in E minore et majore Divo Stanislao Koslka sa-
cram . . . Paulo Strascynski D.D.D. Josephus Eisner.
Opus LXIL [Full score.] Vindobonae. Haslinger.
[184-?] M.250.13
Elson, Arthur.
Music club programs from all nations. Boston. Oliver
Ditson Co. 1907. M.371.46
Elson, Louis Charles.
Curiosities of music; a collection of facts not generally
known, regarding the music of ancient and savage nations.
Boston. Ditson & Co. [x88o.] M.io9b.44
The evolution of the dance. Illus. {In The music of the
modern world . . . Vol. i, pp. 74-8i. New York. [1S95.])
M.14.1.1
German songs and song-writers. Boston. Oliver Ditson Co.
1882. No. I in 11.372.52
The history of American music. New York. The Mac-
millan Co. 1904. Illus. Portraits. Plates. Facsimiles.
[History of American art.] M.125.25
Bibliography, pp. 367, 368.
Elson, Louis Charles. (Continued.)
Morning song [s. a. t. b. Boston. Ditson. 1875].
No. 18 in M.212.4
Elson, Louis Charles, editor.
Little songs by great composers. [Accomp. for pianoforte.]
Boston. Schmidt & Co. [1883.] Plates. M.373-3
Contents. — The daffodils, by L. C. Elson. — A Christmas carol, by
G. L. Osgood. — The mill, by G. W. Chadwick. — To a skylark, by
L. C. Elson. — A girl's romance, by C. Baermann. — A farewell, by
J. K. Paine. — Among the lilies, by Julius Eichberg. — The piper, by
L. C. Elson. — Lady Moon, by F. Archer. — To-day, by J. W. Tufts.
— How the gates came ajar, carol, by G. L. Osgood. — The child musi-
cian, by L. C. Elson. — Bird raptures, by Louis Maas. — Bees and
others, by J. C. D. Parker. — A myth, by L. C. Elson. — Christmas
eve, by Elizabeth P. Goodrich. — Beneath the starry arch, by J. K.
Paine. — Summer's going, by T. Crampton. — The dolls' tea party, by
J. W. Elliott. — Ladybird 1 by J. M. Bentley. — Pinkie Lincoln's song,
by H. N. — Wishing, by J. C. D. Parker. — When Christie comes again,
by Louis Maas. — The workers, by Lizzie B. Tourjee.
Musician, The, and artist, a monthly journal. Vol. i, no.
i-S. Boston. 1876. No. i in M.11S.4
Strauss, J. 1825-1899. The merry war. No. i in M.323.10
Elson, Louis Charles, translator.
Weber, C. M. F. E. von. Preciosa. No. 4 in M.389.S
Elster, Johann Daniel.
Des Nachtwachters Tochter. Fine musikalische Novelle.
Frauenfeld. Verlags-Comptoir. 1853. M.12946
Elster, Johann Daniel. Works about.
Beckstein, L. Fahrten eines Musikanten [J. D. Elster].
Schleusingen. 1837. 3 v. M.ioga.g
Elterlein, Ernst von, pseud. See Gottschald. Ernst.
Eltern, Die, im ersten Ehewitter. Cantata. For the Music see
Schmittbauer.
Elton,
Have you never seen? Catch a 3 voci. {In Warren. Col-
lection of catches. Vol. i, p. 377.) No. 221 in M.220.9.1
Elva. Opera. For the Music see Schweiger. For the Li-
bretto see Froeden.
Elveloebet. Song. Kjerulf. Sanger och Visor. Band 2.
M.158.47
Elverhoei. Opera. For the Music see Kuhlau. For the Li-
bretto see Heiberg.
Elvers Hoh. Part-song. Callcott, J. W. No. 12 in M.220.4
Elverskud. Cantata. For the Music see Gade.
Elves, The. Part-song. Reinecke, C. H. C.
No. 5 in M.204.36.7; etc.
Elvey, Sir George Job.
And it was the third hour. Anthem for Palm Sunday or
Good Friday, [t. and b. solos and chorus. Accomp. for
organ.] {In Novello's Collection of anthems. Vol. 11,
pp. 193-202.) No. 2oinM.i9S.2.ii
Arise, shine, for thy light is come. Full anthem for Christ-
mas. [Accomp. for organ.] London. Novello, Ewer &
Co. [1868?] No. 2 in M.190.3
Come, Holy Ghost. Anthem for quartet and chorus. [Ac-
comp for organ.] {In Novello's Collection of anthems.
Vol. 14, pp. 80-89.) No. 8 in M.195.2.14
I beheld, and, lo, a great multitude. Anthem for solo [s. t.
B.] and chorus [s. s. a. a. t. t. b. b. Accomp. for organ].
{In Novello's Collection of anthems. Vol. 14, pp. 40-54)
No. 5 in M.19S.2.14
I was glad when they said unto me. Full anthem. {In No-
vello's Collection of anthems. Vol. 2, pp. S4-6i.)
No. 6 in M.195.2.3
Also to be found in Novello's Collection of 31 anthems.
In that day. Anthem for solo [t.] and chorus. [Accomp.
for organ.] {In Novello's Collection of anthems. Vol. 14.
pp. 8-27.) No. 3 in M.19S.2.14
O give thanks unto the Lord. Anthem. [Accomp. for or-
gan.] (/h Novello's Collection of anthems. Vol. i, pp.
131-137) No. 16 in M.195.2.1
Also to be found in Novello's Collection of 31 anthems.
O praise the Lord of heaven. Anthem. [Accomp. for or-
gan.] {In Ouseley. Special anthems. Vol. i, pp. 220-
235.) No. 28 in M.233.24.1
391
Elvey
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Empio
Elvey, Sir George Job. (Continued.)
O ye that love the Lord. Anthem. [Accomp. for organ.]
(/n Novello's Collection of anthems. Vol. 8, pp. 6S-74-)
No. 7 in M. 195.2.8
Praise the Lord, and call upon His name. Anthem. f.Ac-
comp. for organ.] London. Novello, Ewer & Co. [187-?]
No. 4 in M.157.29
Also to be found in Novello's Collection of anthems.
Rejoice in the Lord. Anthem. [Accomp. for organ.] (In
Fowle. Parochial anthems. Pp. 19-22.) No. i in M.233.29
The Resurrection and Ascension, a sacred oratorio. [Ac-
comp. for piano.] London. Novello. [1838.] M.241.28
Unto Thee have I cried. Anthem. [Accomp. for organ.]
(/n Novello's Collection of anthems. Vol. 8, pp. 83-90.)
No. 9 in M. 195.2.8
Wherewithal shall a young man? Anthem. [Accomp. for
pianoforte.] (In Novello's Collection of anthems. Vol. 3,
pp. 141-152.) No. 17inM.19S.2-3
Elvey, Sir George Job. Works about.
Elvey, M. Life and reminiscences of George J. Elvey, Knt.
London. 1894. Portraits. Plates. M.218.5
Elvey, Mary, Lady.
Life and reminiscences of George J. Elvey, Knt. London.
Low, Marston & Co. 1894. Portraits. Plates. M.218.5
Elvey, Stephen..
The tempter to iny soul hath said. [Anthem. Accomp. for
organ.] (In Metcalfe. Fifty metrical anthems. Pp. 69-
71 ) No. 42 in M.1S7.34
Elvira, L'. Opera. For the Music see Paisiello.
Elwart, Antoine Amable filie.
Duprez. Sa vie artistique. Avec une biographie de son
maitre, Alexandre Choron. Paris. Magen. 1838. 2 por-
traits. No. I in M.i2ga.33
Histoire de la Societe des concerts du Conservatoire im-
perial de musique . . . 2e edition, augmentee des pro-
grammes, 1860-63. Paris. Castel. 1864. Portraits. Plans.
A continuation by Deldevez is on shelf-number M.132.7. M.129.30
Histoire des concerts populaires de musique classique;
contenant les programmes annotes de tons les concerts
donnes au Cirque Napoleon . . . Paris. Castel. 1864.
M.118.3
Messe a 4 voix d'hommes. Avec accomp. d'orgue, ad lib.
Paris. Canaux. [183-?] No. 2 in M.260.8.5
Messe semi-solennelle a 3 voix [s. s. a. ou t. t. b.], avec ac-
comp. d'orgue ou de piano . . . Paris. Nicou-Choron &
Canaux. [183S?] No. 3 in M.260.8.5
[Messe solennelle, a 4 voix (s. s. t. t.), avec accomp. d'orgue
oude piano. Paris. Catelin & cie. 1840?] No. I in M.202.30
Solfege poetique sur la clef lineaire. Paris. Lutrin de la
jeunesse. 1854. No. 2 in M.372.60
Solfege rhythmique sur la clef lineaire. Paris. Lutrin de la
jeunesse. 1854. No. i in M.372.60
Elysium. Cantata. For the Music see EUicott. For the Li-
bretto see Hemans.
Elysium. Song. Schubert, F. P. Werke. Serie 20, Band 5-
M.317.1.20.S
Elysium. Symphonic poem. Haan. Zwei symphonische Siitze.
No. 2 in M.403.49
Elzear, Pietro, pseud. See Bonnier, Elzear.
Emanuel, Louis Alexander.
Gentle winds around her hover. Part-song. London. No-
vello, Ewer & Co. 1870. No. 38 in M.158.IS
Emanuele Filiberto, ossia una notte di festa. Ofera. For the
Music see Villanis. For the Libretto see Solera.
Embarras, L', des richesses. Opera. For the Music see Gretry,
A. E. M. For the Libretto see Lourdet de Santerre.
Emblem, An. Song. Waley. No. 2 in M.380.18
Embrassons-nous, Folleville. Opera. For the Music see
Valenti. For the Libretto see Labiche.
Emendemus. Mass. Palestrina. Werke. Band 16.
M.8o4oa.66.i6
Emendemus in melius. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o4aa.67.7
Emerald Isle, The. Opera. For the Music see Sullivan, A. S.
For the Libretto see Hood, B.
No. 40 in M. 158.19
No. 35 in M.158.15
No. 34 in M. 158.19
Emerson, Irving.
Gracious Spirit, Love divine. [Anthem, s. s. t. Accomp.
for organ.] Boston. Russell. [1883.] No. 34 in M.158.1S
The Lord is risen. [Anthem. Accomp. for organ.] Boston.
Russell. [1882.] No. 36 in M.158.15
Love divine. [Anthem. Accomp. for organ.] Boston.
Russell. [1882.] No. 37 in M.1S8.15
O God of my salvation. [Anthem. Accomp. for organ.
Boston.] Russell. 1885. No. 35 in M.1S8.19
Emerson, Irving, editor.
Alexander, J. W. Near the Cross was Mary weeping.
No. 43 in M. 158.19
LuDWiG, N. O Thou to whose all-searching sight.
No. 39 in M. 158.19
Reissiger. O Lamb of God.
Sullivan, A. S. In heavenly love abiding.
Suppe. Thou art the way.
Emerson, Luther Orlando.
Beyond the smiling and the weeping. Song [s.] and quar-
tet. [Accomp. for pianoforte. Boston.] Ditson & Co.
[1883.] No. 3 in M.190.3
Come, ye blessed children. Quartet [s. s. a. a.] unaccom-
panied. [Boston.] Ditson & Co. [1883.] No. 4 in M.190.3
Rock of Ages. A centennial hymn for 4 voices. [Accomp.
for pianoforte.] Boston. Ditson & Co. 1876.
No. 5 in M.190.3
Emery, Stephen Albert.
Love divine, all love excelling, [s. solo and chorus. Ac-
comp. for organ.] Boston. Tolman & Co. 1866.
No. 6 in M.igo.3
Emigrant's song, An. Part-song. Macfarren, W. C.
No. 19 in M.1S7.4
Emigrants, The. Chorus. Gevaert. No. 16 in M.392.28
Emigre montagnard, L'. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Emilia. Opera. For the Music see Donizetti. L'eremitaggio
di Liverpool.
Emilia Galotti. Overture. Siegroth. No. 3 in M.348.10
Emitte. Anthem. Webbe, S. No. 29 in M. 156.50
Emma. Opera. For the Music see Mayer, J. S. Eraldo ed
Emma.
Emma. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
Emma, ou la promesse imprudente. Opera. For the Music
see Auber. For the Libretto see Planard.
Emma d'Antiochia. Opera. For the Libretto see Romani, F.
Emma di Fondi. Opera. For the Music see Mojana. For the
Libretto see Bassi.
Emma di Resburgo. See Emma von Roxburgh.
Emma von Roxburgh. Opera. For the Music see Meyerbeer.
Emmanuel. Oratorio. For the Music see Glover, W.; also
Parry, J.; also Trowbridge. For the Libretto see Rees, W.
Emmaus. Oratorio. For the Music see Meinardus.
Emmeline, ou la famille Suisse. Opera. For the Music see
Weigl. For the Libretto see Sewrin.
Emmerich, Robert.
Huldigung dem Genius der Tone. Cantate von J. V.
Widmann, fiir Solostimmen, Miinnerchor und grosses
Orchester componirt von Robert Emmerich. Op. 46.
Partitur. Offenbach a. M. Andre. [187-?] Lithograph
script. No. 19 in M.212.4
Der Schwedensee. Romantische Oper in 3 Acten. von
Ernst Pasque. Musik von Robert Emmerich. [Klavier-
Auszug.] Offenbach a. M. Andre. [1874.] M.262.2S
Van Dyck. Oper in 3 Akten, von Ernst Pasque. Musik von
Robert Emmerich. Vollstandiger Clavierauszug. Offen-
bach a. M. Andre. [i88-?l M.262.26
Same. Ouverture in Partitur. Offenbach a. M. .\ndre.
[1875?] No. 6 in M.332.13
Emmerig, Joseph.
Magnificat, for 4 voices, with an accomp. for the organ or
piano forte arranged by Vincent Novello. London. No-
vello. [183-?] No. 5 in M.260.10.1
Empia, Un, m'accusa. Aria. Traetta. No. 6 in M.120.30
Empio, diro tu sei. Aria. Handel. 12 Alt-Arien.
No. 2 in M.270.4S
392
Empoerte
THE ALLEN A. BROWN COLLECTION OF MUSIC
Engelhardt
Empoerte Suschen, Das. Song. Schaeffer, A.
No. I in M.236.8
Enchemin! Song. David, F. C. Cinquante melodies. M.363.28
En Colonne. Opera. For tlie Music see Meynard. For the
Libretto see Marsan.
En espoir vis et crainte. Part-song. Lassus. Sammtliche
Werke. Band 12. M.8o4oa.67.i2
En gratulemur hodie. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
En m'oyant chanter. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o4oa. 67.12
En ma faveur. Duet. Sacchini. Le Sacchini des concerts.
M.274.9
En manches de chemise. Opera. For the Music see Ville-
bichot. For the Libretto see Labiche.
En maraude. Opera. For the Music see Ettling. For the
Libretto see Mendel, £.
En mer. Song. Gevaert. No. 20 in M.391.28.1
En musique. Fiction. Guesviller. M.138.17
En plein air. For violin and orchestra. Godard, B. L. P.
No. 3-7 in M.338.8
En reve. For orchestra. Gabriel-Marie. No. 2 in M.405.34
En selle. Song. L'£pine. Scenes et chansons. 11.158.42; etc.
En un chasteau ma dame. Part-song. Lassus. Sammtliche
Werke. Band 12. M.8o4oa.67.i2
En un lieu ou Ton ne voit. Lassus. Sammtliche Werke^
Band 12. M.8o4oa.67.i2
Enault, Louis.
Frederic Chopin. 3e edition. Paris. Librairie nouvelle.
1861. No. s in M.128.31
Enchanted castle. The. Opera. For the Music see Shield.
For the Libretto see Andrews, M. P.
Enchanted island, The. Opera. For the Music see Walthew.
For the Libretto see Bloor.
Enchanted swans. The. Cantata. For the Music see Reinecke,
C. H. C. For the Libretto see Kuhn, C.
Enchanted wood, The. Opera. For the Music see Arnold, S.
For the Libretto see Francis.
Enchantress, The. Opera. For the Music see Balfe. For the
Libretto see Saint-Georges.
Enchantress, farewell. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Enclume, L'. Opera. For the Music see Pfeiffer, G. J. For
the Libretto see Barbier, P.
Encompass'd in an angel's frame. Song. Jackson, W., of
Exeter. No. 23 in M.237.2; etc
Encyclopedie populaire.
Fetis. F. J. Traite elementaire de la musique, contenant la
theorie de toutes les parties de cet art. M.ig8.8
Ende. Song. Posa. Vier Lieder. No. 12 in M.380.22
Ende, Das, des Festes. Part-song. Krebs. No. 9 in M.392.14
Ende, Das, des Gerechten. Oratorio. For the Music see
Schicht. For the Libretto see Rochlitz.
Endymion. Cantata. For the Music see Aspa, E.; also Cahen,
A. For the Libretto see Amcotts; also Gallet.
Endymion. Opera. For the Music see Leroux. For the Li-
bretto see Auge de Lassus.
Enea nel Lazio. Opera. For the Music see Righini.
finee et Dido, tragedie [lyrique en cinq actes. Partition d'or-
chestre]. Manuscript. [Paris? 172-?] M.374a.4
Enee et Lavinie. Opera. For the Music see CoUasse.
Enesco, Georges.
Poeme roumain pour orchestre. [Suite symphonique.] Op. i.
Partition. Paris. Enoch & Co. 1899. M.404.79
Enfance, V, de Roland. Opera. For the Music see Mathieu,
£. L. V.
Enfance, L', du Christ. Oratorio. For the Music and Libretto
see Berlioz, L. H.
Enfans, Les, de la France. Song. Rouget de Lisle. 48 chants
frangais. M.202.44
Enfans, qui le Seigneur servez. Anthem. Sweelinck. Werken.
Deel 4. M.413.2.4
Enfant, Une. Song. Louis, N. No. 13 in M.390.4
Enfant, Un, de la greve. Song. Brice. Album.
No. I in M.158.34
Enfant gate, L'. For pianoforte. Louis, N. No. 6 in M.390.17
Enfant prodigue, L'. Opera. For the Music see Auber; also
Debussy; also Gaveaux. For the Libretto see Scribe;
also Guinand; also Ribouttee.
Enfant prodigue, L'. For orchestra. Wormser. No. 2 in M.378.60
Enfant prodigue, L'. Pantomime. For the Music see Worm-
ser. For the Libretto see Carre, M., the younger.
Enfant roi, L'. Opera. For the Music see Bruneau. For the
Libretto see Zola.
Enfant, si j'etais roi. Song. Liszt. Gesammelte Lieder.
No. 25 in M.244.14
Enfants, Les, de la balle. i^or the Music see Chassaigne. For
the Libretto see Pericaud.
Enfants, Les, de Perrette. Opera. For the Music see Masse.
For the Libretto see Rocheblave.
Enfants, Les, de St. Denis. Part-song. Monestier.
No. 2 in M.203.20
Enfants, Les, du Midi. Part-song. Monestier. No. i in M.203.20
Enfants, Les, du proscrit. Opera. For the Music see Berleur.
For the Libretto see Huard.
Enfer, L'. Song. Schubert, F. P. Melodies. Vol. 2. M.327.4.2
Engagement waltzes. For pianoforte. Strauss, J. 1825-1899.
No. 2 in M.357.12
Engedi, or David in the wilderness. Oratorio. For the Music
see Beethoven. For the Libretto see Hudson, H.
Engel, Carl.
An introduction to the study of national music. London.
Longmans. 1866. Plates. M.106.23
The music of the most ancient nations, particularly of the
Assyrians, Egyptians and Hebrews. London. Murray.
1864. IIlus. Plates. M. 106.24
Musical instruments. With woodcuts. New York. Scrib-
ner. Welford & Armstrong. 1876. Illus. [South Ken-
sington Museum art handbooks.] M. 108.3
Musical myths and facts. London. Novello, Ewer & Co.
1876. 2 V. Portrait. M.106.11
The pianist's hand-book, a guide to the right comprehension
and performance of our best pianoforte music. London.
Hope & Co. 1853. M.149.34
Reflections on church music. London. Scheurmann & Co.
1856. No. I in M. 145.2
Researches into the early history of the violin family. [Re-
vised by A. J. Hipkins.] London. Novello, Ewer & Co.
1883. Illus. M.37S.3
Engel, David Hermann.
4 Weinlieder . . . fiir Mannerchor. Op. 42. Leipzig. Kist-
ner. [1865?] 4 parts in i v. No. 19-22 in M. 392. 7
Contents. — I. Ich trag* den Bacchusorden. 2. Herr Wirth, Gott soli
euch grussen. 3. Was ist's, das unsere Zeit erhellt. 4. O dass ich hab'
nur einen Mund.
Wenn sich zwei Herzen scheiden. [Lied, s. oder T. Mit
Pianoforte-Begleitung.] Berlin. Bote & Bock. [185-?]
No. 3 in M.236.8
Winfried und die heilige Eiche bei Geismar. Oratorium.
Text von Wilhelm Osterwald, in Musik gesetzt von D. H.
Engel. Klavier-Auszug. Leipzig. Kahnt. [185-?]
M.241.27
Engel, Johann Jakob.
Ueber die musikalische Malerey. An den Konigl. Kapell-
Meister Herrn Reichardt. Berlin. Voss. 1780.
No. 2 in M.377.17
Engel, Louis.
From Handel to Halle. Biographical sketches. With auto-
biographies of Huxley and Herkomer. New York. Scrib-
ner & Welford. 1890. Portraits. M.105.21
Contents. — Handel. — Gluck. — Beethoven. — Sullivan. — Barnby. —
Albani-Gye. — Huxley. — Herkomer. — Sir Charles and Lady Hall^.
— Three prodigies [Adelina Patti, Hofmaan, Hegner].
From Mozart to Mario. Reminiscences of half a century.
London. Bentley. 1886. 2 v. M. 103.8
Contents. — I. Auber. — Berlioz. — Chopin. — Gounod. — A word on
'Faust.' — Meyerbeer. — Schumann. — Mozart. 2. Wagner. — Ros-
sini. — Verdi. — Thalberg. — ■ Paganini. — Adelina Patti. — Nilsson.
— Mario.
Engel, Der. Song. Rubinstein. Zwolf Lieder. No. 17 in M. 192.5
Engelhardt, B., editor.
Glinka. Romances. M.244.8
I 50
393
Engelhardt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Enjoy
Engelhardt-Schnellenstein, Helene, Baronin von.
Sturm-Hymnus. Komponirt von Edwin Schiiltz.
No. 6 in M.212.16
Engelke, Leopold.
Neues System der Musikschrift, gegriindet auf ein ein-
faches, aber verniinftiges iind rechtmassiges Princip,
welches die Abschaffung der HilfsHnien, Versetzungs-
zeichen, Notenschliissel und enharmonischen Verwechs-
lungen bewirkt . . . Bremen. Schweers & Haake. [1894.]
No. 6 in M. 372.61
Engellied. Part-song. Westmeyer. No. 14 in M.392.27; etc.
Engelmann, Max.
Eine Maskerade in S'. Lorenzo. Singspiel. Musik von
Hermann Eichborn. No. i in M.391.15
Engelsberg, E. E., pseud. See Schoen, Eduard, Ritter von.
Engelwacht. Part-song. Schultz, E. No. 3 in M.392.24
Engelwacht. Song. Taubert, C. G. W. Kliinge aus der
Kinderwelt. No. 36 in M.192.8
Englaender, Ludwig.
The casino girl. Words by Harry B. Smith. Music by
Ludwig Englander [sic]. Interpolated numbers by Harry
T. MacConnell and Arthur Nevin. Vocal score [with ac-
comp. for pianoforte]. London. Ascherberg & Co. [1900.]
M.383.56
The jewel of Asia. A new musical comedy in two acts.
Book and lyrics by Frederic Ranken and Harry B. Smith.
Music by Ludwig Englander. Vocal score [with piano
accomp.]. New York. Stern & Co. 1903. M.397.24
The Little Corporal. A comic opera in three acts. Libretto
by Harry B. Smith. Music by Ludwig Englander. [Vocal
score. Accomp. for pianoforte.] New York. Breitkopf
& Hartel. 1898. M.394.26
A madcap princess. Comedy opera in three acts. Founded
upon Charles Major's new novel "When knighthood was
in flower." The libretto by Harry B. Smith. The music
by Ludwig Englander. Vocal score. [Accomp. for piano.]
New York. Stern & Co. 1904. M.399.78
Madelaine, oder die Rose der Champagne. Komische Ope-
rette en 3 Akten von Carl Hauser. Musik von Ludwig
Englander. Klavier-Auszug. Leipzig. Kahnt. 1888.
M.305.36
• The monk of Malabar. Comic opera in three acts. Libretto
by J. Cheever Goodwin. Music by Ludwig Englander.
Vocal score. [Accomp. for pianoforte.] New York.
Schuberth & Co. 1900. M.402.14
The office boy. A comedy opera in two acts. Book and
lyrics by Harry B. Smith. Music by Ludwig Englander.
Vocal score. [With pianoforte accomp.] New York.
Stern & Co. 1903. 11.399.79
The rounders. A vaudeville in three acts adapted from
the French [of Antony Mars and Maurice Hennequin].
Lyrics by Harry B. Smith. Music by Ludwig Englander.
Vocal score. [Accomp. for piano.] New York. Schu-
berth & Co. 1899. M.402.IS
"The strollers." A musical comedy (adapted from the Ger-
man of F. Krenn and C. Lindau). T,yrics by Harry B.
Smith. Music by Ludwig Englander. Vocal score. [Ac-
comp. for piano.] New York. Schuberth & Co. [1901.]
No. 2 in M.383.44
The two roses. Comedy opera in two acts. Founded upon
Dr. Goldsmith's famous comedy "She stoops to conquer."
The libretto by Stanislaus Stange. The music by Ludwig
Englander. Vocal score [with pianoforte accomp.]. New
York. Stern & Co. 1904. M.39g.8o
England, Paul, translator.
Bruch. Moses. M.341.14; etc.
KoESSLER. Sylvesterglocken. No. 2 in M. 193.6
Strauss, R. Taillefer. No. 2 in M.380.26
ZuscHNEiD. Lenzfahrt. No. 8 in M. 212.20
England. Music.
Baker, H. B. The Italian opera in England. [London.
1877.] No. 9 in M.125.8
From Belgravja.
Barrett, W. A. English church composers. London. 1882.
M.104.2I
England. Music. (Continued.)
English glee and madrigal writers. London. [1877.]
No. 6 in M.125.8
.English glees and part-songs: an inquiry into their
historical development. London. 1886. M.126.12
Bumpus. J. S. The organists and composers of S. Paul's
Cathedral. London. 1891. M.216.3
Cox, J. E. Musical recollections of the last half-century.
[Anon.] London. 1872. M.371.2
Crowest, F. J. Phases of musical England. London. 1881.
M.146.13
Hueffer, F. Half a century of music in England. 1837-
1887. Essays towards a history. [Edited by H. A. Ru-
dall.] London. 1889. M.13S.10
Mason, W. Essays, historical and critical, on English
church music. York. 1795. M.i29a.24
Miller, H. W. Notes on old English music, ... a lecture.
London. 1875. M.148.26
Parke, W. T. Musical memoirs; comprising an account
of the general state of music in England, 1784-1830 . . .
London. 1830. M.145.14
Potter, J. Observations on the present state of music and
musicians . . . Added a scheme for erecting and support-
ing a musical academy in this kingdom. London. 1762.
M.373.12
Remo, F. La rausique au Pays des Brouillards, suivi de
quelques biographies inedites d'artistes contemporains.
Etude de I'etat actuel de la musique en Angleterre. Paris.
1885. M.i38.3;etc.
Rimbault, E. F. Musical illustrations of Bishop Percy's
Reliques of ancient English poetry. A collection of old
ball tunes, &c. London. 1850. Portrait. M. 123.7
Rimbault, E. F., editor. The rounds, catches, and canons
of England; specimens of the sixteenth, seventeenth and
eighteenth centuries, adapted to modern use . . . London.
[187-?! M.380.4S
Ritter, F. L. Music in England. New York. 1883.
M. 1493.19
Wackerbarth, F. D. Music and the Anglo-Saxons . . .
With remarks on the church music of the 19th century.
London. 1837. M.ios.14
England, Church of. Clergy.
Lysons, D. History of the origin and progress of the meet-
ing of the three choirs of Gloucester, Worcester, and
Hereford, and of the charity connected with it. Prefixed,
a view of the condition of the parochial clergy of this
Kingdom. Gloucester. 1812. M.114.16
England, Church of. Liturgy and ritual.
See Church music. History and criticism; Liturgical music.
England. Part-song. Hatton. No. 21 in M. 195.1.1
England yet. Part-song. Benedict. No. 29 in M. 157.1
Englander, Ludwig. See Englaender, Ludwig.
Englische Gruss, Der. Part-song. Brahms. Marienlieder.
Heft I. No. 4 in M. 204.7
Englische Jager, Der. Part-song. Brahms. Deutsche Volks-
lieder. Heft 2. No. 3 in M.204.7
Englisches Matrosenlied. Song. Haydn, F. J. Gesange.
Heft I. No. I in M.312.35
English bulls; or, the Irishman in London. Song. Beethoven.
Werke. Serie 24. M.413.1.24
English fleet, The, in 1342. Opera. For the Music see Braham.
For the Libretto see Dibdin, T. J.
English requiem. For the Music see Anderton. For the Li-
bretto see Goddard, J.
Englishmen in India. Opera. For the Music see Bishop, H. R.
Engramelle, Marie Dominique Joseph.
[La tonotechnie, ou I'art de noter les cylindes d'orgues.
Paris. 1775] Illus. M.103.7
The title-page and illustrations are manuscript reproductions.
Enguerrand de Crecy. Song. Rouget de Lisle. 48 chants
fran<;ais. M.202.44
Enguerrande. Opera. For the Music see Chapuis. For the
Libretto see Wilder.
Enjoy thyself, howe'er thou art. Part-song. Weber, C. M. F.
E. VON. No. 30 in M.235.18.3
I
394
Enlevement
THE ALLEN A. BROWN COLLECTION OF MUSIC
Epagny
Enlevement, L', de La Toledad. Ol>era. For the Music see
Audran. For the Libretto see Carre, F.
Enlevement, V, de Proserpine. Cantata. For the Music see
Dubois, F. C. For the Libretto see Collin, P.
Enna, August.
Aucassin und Nicolete. Lyrisch-romantische Oper in vier
Aufzugen von August Enna. Text von Sophus Michaelis.
Deutsch von Eugen von Ensberg. Klaviersauszug mit
Text von Holger Dahl. Kopenhagen. Hansen. 1896.
M.382.19
Cleopatra. Oper in drei Aufziigen nebst einem Vorspiele,
von August Enna. Danischer Text von Einar Christian-
sen (nach Rider Haggard). Deutsche tjbersetzung von
Emma Klingenfeld. Partitur. Leipzig. Breitkopf &
Hartel. 1893. M.400.3,3
Same. Vollstandiger Klavierauszug. M.305.37
Die Erbsenprinzessin. Prinsessen paa .Erten. Komische
Oper in einem Akt von August Enna. Text nach H. C.
Andersen von P. A. Rosenberg. Deutsche Ubersetzung
von Wilhelm Henzen. Vollstandiger Klavierauszug mit
deutschem u. dJinischem Texte. Leipzig. Breitkopf &
Hartel. 1902. M.381.15
H. C. Andersen. Eine Festouverture fiir Orchester. Par-
titur. Leipzig. Breitkopf & Hartel. [190SI
No. I in M.406.6.5
Heisse Liebe. Oper in 2 Akten von August Enna. Text
nach Koloman Mikszath von P. A. Rosenberg. Deutsche
Ubersetzung von Dr. Wilhelm Henzen. Vollstandiger
Klavierauszug mit deutschem Texte. Leipzig. Breitkopf
& Hartel. 1903. M.383.15
Same. Ouverture zur Oper Heisse Liebe. Partitur. Leip-
zig. Breitkopf & Hartel. 1903. No. 2 in M.410.19
Die Hexe. Oper in 3 Akten. Von August Enna. Text nach
Arthur Fitger's Drama von Alfred Ipsen. Deutsche Ueber-
setzung von M. von Borch. Neue Ausgabe. Clavier-
Auszug. Leipzig. Hofmeislcr. 1892. M. 305.38
Marchen. Symphonische Bilder fur Orchester. Partitur.
Leipzig. Breitkopf & Hartel. [igoS-] No. 2 in M.406.6S
Das Streichholzmadel (The little match girl). Musikalisches
Marchen von August Enna. Text nach H. C. Andersen.
Deutsch von E. von Enzberg und Th. Rehbaum. English
version by Olga Louise Sturm. Vollstandiger Klavier-
auszug mit deutschem u. englischem Texte. Leipzig.
Breitkopf & Hartel. 1900. No. 2 in M.381.13
Ennery, Adolphe d', pseud. See Philippe, Adolphe.
Enoch, Frederick.
The bride of Dunkerron. A dramatic cantata, the music by
Henry Smart. M.204.30
The dream ship. Cantata. Composed by F. Pascal [pseud.].
No. I in M.384.39
The elfin knight, cantata. By L^nace Gibsone.
No. 3 in M. 155.8
Joan of Arc, "The maid of Orleans." An historical cantata.
Music by A. R. Gaul. No. i in M.155.6
King Rene's daughter. A cantata for female voices. Com-
posed by Henry Smart. Boston. [1886.] No. 3 in M.1S6.4
Words only.
Una, an allegorical romance. Cantata. Music by A. R.
Gaul. No. 3 in M.155.7
Enoch Arden. Incidental viusic. For the Music see Strauss, R.
For the Words see Tennyson.
Enoch Arden. Opera. For the Music see Erben; also Hans-
mann; also Raimann. For the Libretto see Dio; also
Marschner, C. W.; also Tennyson.
Enoch's prophecy. Oratorio. For the Music see Greatheed.
For the Libretto see Montgomery, J.
Enrico IV. Opera. For the Music see Balfe.
Ens Aeternum. Anthem. Haydn, F. J. No. 7 in M.260.2; etc.
Ensberg, Eugen von.
Das Streichholzmadel (The little match girl). Musikalisches
Marchen von August Enna. Text von E. von Enzberjr
und Th. Rehbaum. No. 2 in M.381.13
Walborgsmassa. Romantisk opera. Musik af Andreas Hal-
len. No. 2 in M.378.50
Ensberg, Eugen von, translator.
Enna. Aucassin und Nicolete. M.382.19
Enschede, J. W.. compiler.
Marschen in gebruik bij het nederlandsche leger gedurende
den spaanschen successie-vorlog. 1702-1713. Voor piano
tweehandig bewerkt door Ant. Averkamp. Amsterdam.
Algemeene muziehandel. 1898. Portrait. [Maatschappij
tot bevordering der toonkunst. 21.] No. 3 in M.415.5
Enten, enten. Anthem. Sweelinck. Werken. Deel 3. M.413.2.3
Enten pour quoy. Anthem. Sweelinck. Werken. Deel 3.
M.413.2.3
Entendez-vous? Duet. Auber. No. 13 in M. 157.40
Enter into His gates. Aria. Mozart. No. 27 in M.290.2g.5
Enter not into judgment. Anthem.
Attwood. No. 9 in M.190.1 ; etc.
Clarke- Whitfeld. No. 2 in M. 195.2. 14
Richardson, J. E. No. 9 in M.igo.7; etc.
Enterprising impresario. The. Beale, T. W. M. 146.26
Entflieh' mit mir. Part-song. Mendelssohn-Bartholdv, J.
L. F. Sechs vierstimmige Lieder. No. 6 in M.312.8; etc.
Entflieh mit mir. Song. Rubinstein. Sechs Lieder.
No. 13 in M. 192.5
Entflohene Sommer, Der. Duet. Hennig. 20 ein und zwei-
stimmige Lieder. No. 17 in M. 203.8
Enttuehrung. Song.
Brahms. Sechs Lieder. Op. 97. No. 2 in M.380.40.3
Gruber, G. W. Gottfried August Biirgers Gedichte. Vol 2.
No. 24 in M.130.9.2
Entfuehrung, Die, aus dem Serail. Opera. For the Music see
Mozart. For the Libretto see Bretzner.
Entfuehrung, Die, aus dem Serail. Overture. Mozart.
No. 2 in M.347.11 ; etc.
Entrata, L', di Cristo in Gerusalemme. Oratorio. For the
Music see Perosi.
Entre deux jardins. Opera. For the Music see Villebichot.
For the Libretto see Jouhaud.
Entre deux vins. Opera. For the Music see Ronger, F. For
the Libretto see Luguet, R.
Entre vous conseilliers. Anthem. Sweelinck. Werken. Deel 5-
M.413.2.S
Entreaty. Part-song. S.\wyer, F. E. No. i in M.203.22
Entremont, d'.
Les deux philtres. Legende lyrique. Musique de Hugh-
Qas No. 3 in M.286.12 •
Entretien, L', des musiciens. Criticism. Gantez. M.141.9
Entretiens sur I'etat actuel de I'opera de Paris. Criticism.
CoQUEAU. M.373.39
Entretiens sur I'etat de la musique grecque. Criticism. Bar-
tiielemv, J. J. M.i03.5;etc.
Entrevue, Une. Opera. For the Music see Le CorbeiUer. For
the Libretto see Degas.
Entsagung. Part-song. Vogel, W. M. Vier Gesange.
No. 45 in M.392.26; etc.
Entsagung. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413.3.19
Entschiffung. Part-song. Moehring. Drei Lieder.
No. 7 in M.392.18
Entschluss. Song. Franz, R. Sechs Gesange. Op. 43-
No. 69 in M.244.5.3
Entschuldigung. Part-song. Schulz, J. P. C. No. 70 in M.213.9
Entsuehnte Crest, Der. Song. Schubert, F. P. Werke. Se-
rie 20, Band 6. M.317.1.20.6
Entzueckung. Song. Schubert, F. P. Werke. Serie 20,
Band 4. ' M.317.1.20.4
Entzueckung an dich. Part-song. George V., of Hanover.
Sechs Gedichte. No. 8 in M.155.17
Entzueckung an Laura. Part-song. George V., of Hanover.
Vier Gedichte. No. 4 in M.155.17
Entzueckung, Die, an Laura. Song. Schubert, F. P. Werke.
Serie 20, Band 4, lO- M.317.1.20.4, 10
Envoi de fleurs. Song. Gounod. Vingt melodies. 2e recueil.
No. 4 in M. 157.36.2
Enzberg, E. von. See Ensberg, Eugen von.
Bolides, Les. Symphonic poem. Franck, C. A. No. i in M.338.18
Eoline. Song. David, F. C. Cinquante melodies. M.363.28
Epagny, J. B. R. B. de Viollet de. See Viollet d'Epagny, Jean
Baptiste Rose Bonaventure de.
395
Ephesian
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Erfuellung
Ephesian matron, The. Ol'cra. For the Music see Dibdin, C.
1^4^-1814. For the Libretto see Bickerstaff.
Epheu. Song. Strauss, R. Madchenblumen.
No. 22 in M.380.24.1
^phraim, Armand.
Daria. Drame lyrique de Adolphe Aderer et Armand
fiphraim. Musique de Georges Marty. No. 2 in M.389.2
Epicedium. Part-song. Bishop, H. R. No. i in M.320.12
Epikur. Part-song. Boedecker. Drei Lieder. No. 5 in M.392.5
Epiphany. Anthem. Ritter, G. P. No. i in M.203.29
Episcopal harp, The. Anthems. Tuckerman, S. P. M.236.12
Episode de la vie d'un artiste. Symphony. Berlioz, L. H.
M.341.16
Episodes chevaleresques. Suite. Sinding. M.404.18
Epitaph on a child. Glee. Smart, G. T. Collection of glees.
No. 6 in M.235.8
fipoux genereux, L', ou le pouvoir des procedes. Opera. For
the Music see Soulier. For the Libretto see Dejaure.
Epreuve, L'. Opera. For the Music see Pons. For the Li-
bretto see Jaubert.
fipreuve, L'. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M. 158.44
Epreuve Suisse, L'. Opera. For the Music see Girard, C. For
the Libretto see Meyer, R.
fipreuve villageoise, L'. Opera. For the Music see Gretry, A.
E. M. For the Libretto see Choudard.
Equinox, The. Part-song. Kreutzer, C.
No. 21 in M.205.10.4; etc.
Equivoco, L'. Opera. For the Music see Mayer, J. S. For the
Libretto see Poppa.
Equivoco stravagante, L'. Opera. For the Music see Rossini.
For the Libretto see Gaspari, G.
Er an Sie. Song. Weber, C. M. F. E. von. Sammtliche
Lieder. Band I. No. 11 in M.244.7
Er, der herrlichste von Allen. Song. Schumann, R. A. Frauen-
liebe und Leben. No. 2 in M.244.15.2
Er fiel ein Reif. Part-song. Mendelssohn-Bartholdy, J. L. F.
Sechs vierstimmige Lieder. No. 6 in M.312.8
Er hat mich gekiisst. Song. Blumenthal. 6 Lieder. 2.
Sammlung. No. 34 in M.244.1
Er ist gekommen. Song. Franz, R. No. 5 in M.236.6; etc.
Schumann. R. A. Zwolf Gedichte aus Riickerts Liebes-
friihling. No. 11 in M.244.IS.1
Er ist's! Song.
Franz, R. Sechs Lieder. Op. 27. No. 74 in M.244.S.2
Schumann, R. A. Lieder fiir die Jugend. Abtheilung 2.
No. 3 in M.244.15.3; etc.
Er kann den Schliissel nicht finden. Cantata. For the Music
see Oberhoffer. For the Libretto see Hoffmann von
Fallersleben.
Er lebe hoch! Part-song. Abt, F. No. 117 in M.246.22
Methfessel, a. G. No. 212 in M.i29a.43.6
Er liebt mich, er liebt mich nicht. Part-song. Moehring.
Sechs Gesange. No. 5 in 11.157.15
Er rufet seinen Schafen mit Namen. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 35-
Er sandte tiefe Finsternis. Anthem. Handel.
No. 2 in M.202.6.3
Er, sie, es halt sich nicht. Part-song. Fischer, C. L. 6 Ge-
sange. No. 59 in M.392.7
Er und Sie. Duet. Schumann, R. A. Werke. Serie 10, Band i.
M.316.1.10.1
Er v^eiss es besser. Song. Weingartner. Vier Gesange.
No. 3 in M.380.38
Eraldo ed Emma. Opera. For the Music see Mayer, J. S. For
the Libretto see Rossi, G.
Eram quasi agnus. Anthem. Palestrina. Werke. Band 32.
M.8o4oa.66.32
Eran le vostre lagrime nel viso. Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Erars, Jean.
Bon amour qui son repaire. [Chanson, s. or T., with bass
part added.] (In Smith. Musica antiqua. P. 20.) M.236.10
Erat Joannes in deserto. Motet. Palestrina. Werke. Band 3.
M.8o4oa.66.3
Op. 29. Partitur.
No. 3 in M.403.29
Erb, Maria Joseph.
Suite (D moll) fiir grosses Orchester.
Leipzig. Reinecke. [189-?]
Erba, Dionigi.
Magnificat. [A 8 voci, con accomp. di violino, i, 2 viola,
oboe I, 2, e organo.] Leipzig. Druck der Gesellschaft.
1888. Facsimile. [Suppleraente enthaltend Quellen zu
Handel's Werken.] No. i in M.415.20.1
Erbarmer, Der. Cantata. For the Music see Romberg, A. J.
For the Libretto see Klopstock,
Erbe, Der, von Morley. Opera. For the Music and Libretto
see Holstein.
Erben, Karel Jaromir.
The spectre's bride, a dramatic cantata. The music by A.
Dvorak. M.iss.i
Erben, Robert.
Enoch Arden. Oper in einem Akt, von Robert Erben. Text
von Vittorio di Dio [Pseud.?]. Vollstandiger Clavier-
Auszug. Charlottenburg. Kohler. [1896.]
No. I in M.394.33
Erbsenprinzessin, Die. Opera. For the Music see Enna. For
the Libretto see Rosenberg, P. A.
Erckel, J.
Reiter's Morgengesang [t. t. b. b.]. {In Orpheus. Band 10,
p. 35.) No. s6 in M.i29a.43.io
Erckmann, fimile, and Alexandre Chatrian.
Myrtille. Opera comique. Paroles de MM. Erckmann-
Chatrian & Maurice Drack [pseud.]. Musique de P. La-
come. M.296.3
La taverne des Trabans. Opera-comique de Erckmann-
Chatrian et J. Barbier. Musique de H. Marechal. M.247.23
Erde, Die, braucht Regen. Part-song. Andre, L. Drei
deutsche Volkslieder. No. 6 in M.392.3
IsENMANN. Fiinf Mannerchore. No. 27 in M.392.11
Erde, Die, ruht. Song. Rubinstein. Zwolf Lieder.
No. II in M.igz.s
Erdmannsdoerfer, Max.
Prinzessin Use. Fine Waldsage aus dem Harzgebirge, von
Karl Kuhn, fiir Soli [s. bar.], Chor und Orchester com-
ponirt von Max Erdmannsdorfer. Clavierauszug. Leip-
zig. Seitz. [188-?] No. I in M.270.28
Same. Ouverture zu Princessin Use fiir Orchester. Parti-
tur. Leipzig. Seitz. [188-?] No. i in M.40S.ir
Traumkonig und sein Lieb, von Em. Geibel fiir Sopran-Solo,
Frauenchor und kleines Orchester componirt von Max
Erdmannsdorfer. Op. 24. Partitur. Leipzig. Seitz.
[188-?] No. 2 in M.333.9
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 12 in M.211.4.1, 2
Trio (A moll) fiir Pianoforte, Violine und Violoncell. Op.
27. [Partitur.] Berlin. Furstner. [188-?]
No. I in M.211.3.2
Vorspiel zu Brachvogels Trauerspiel Narziss, fiir Orchester.
Op. 17. Partitur. Leipzig. Seitz. [187-?]
No. 3 in M.343.S3
Erdmannsdoerfer, Max, editor.
Rubinstein. Bal costume. No. i in M.342.28
Schubert, F. P. Divertissement a la Hongroise.
No. I in M.33S.13
Schumann, R. A. „Marchenbilder." No. 4 in M. 344.18
Ere around the huge oak. Ballad. Shield. No. 23 in M.235.18.4
Ere night assumes her glowing reign. Song. Hook, J. The
hours of love. No. 34 in M. 237.7
Eremitaggio, L', di Liverpool. Opera. For the Music see
Donizetti. For the Libretto see Checcherini.
Eremiten. Song. Kjerulf. Sanger och Visor. Band 2.
M.l 58.47
Erfreut euch, ihr Herzen. Cantata. For the Music see Bach.
J. S. Werke. Jahrgang 16.
Ertreute Zeit im neuen Bunde. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 20, Theil i.
Erforsche mich, Gott, und erfahre mein Herz. Cantata. For
the Music see Bach, J. S. Werke. Jahrgang 28.
Erfuellung. Song. Curschmann. Curschmann-Album.
No. I in M.157.37
396
Ergebnisse
THE ALLEN A. BROWN COLLECTION OF MUSIC
Erlanger
Ergebnisse aus Erlebnissen. Criticism. Dorn. H. L. E.
No. I in M.217.6
Ergmann, A.
Night. [Waltz, s. s. a. The arrangement & English words
by M. H. Sumerling.] London. Czerny. [187-?]
No. 9 in M. 157.15
Ergo aut adulta. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
Ergo bibamus! Volksweise. [Mannerchor.) (In Das Riitli.
Pp- 392. 393) No. 163 in M.147.4
Ergo bibamus. Part-song.
Kauffmann, E. F. No. 23s in 11.1293.43.7
SCHNYDER VON WaRTENSEE. No. 6 in M. 1293.43.9
ScHULZ, J. p. C. No. 12 in M.213.9
Werner, H. No. 66 in 11.1293.43.2
Ergo interest. Song. Mozart. Werke. Serie 3. M.31S.1.3
Erhalt' uns, Herr, bei Deinem Wort. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 26.
Erheb' uns zu Dir. Anthem. Meyerbeer. Sieben geistliche
Gesange. No. 5 in M.280.24
Erhoehtes Fleisch und Blut. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 35.
Eric the Dane. Cantata. For the Music see Hecht, E. For
the Libretto see McLean, R.
Erico di Svezia. Opera. For the Music and Libretto see
Tommssi.
Erik Eiegod. Opera. For the Music see Kunzen. For the
Libretto see B3ggesen.
Erin! the tear and the smile in thine eyes. (Irish melody.)
Harmonized for 4 voices. (In Warren. Cocks's Hand-
book of glees. Vol. 3, pp. I73-I7S.) No. 61 in M.157.6.3
Erin Machree. Song. Davenport, A. No. 24 in M. 290.12
Erinnerung. Part-song. Bungert. No. 55 in M.392.3
Klauss. Fiinf Lieder. No. 8 in M.3g2.i3
ScHULZ, J. P. C. No. 58 in M.213.9
Erinnerung. Song. Abt, F. Sechs Lieder. No. 14 in M.192.1
Franz, R. 12 Gesange. Op. 5- No. 41 in M.244.5.1
Erinnerung an Peterhoff. Quartet. Penschel. Komische
Miinnerquartette. Heft i. No. 15 in M.392.20
Erinnerungen. Song. Schubert, F. P. Werke. Serie 20.
Band i. M.317.1.20.1
Erinnerungen an Stuttgart. Overture. Kuecken.
No. 6 in M.342.11
Eripe me. Motet. Lassus. Sammtliche Werke. Band i.
M.80403.67.1
Eripe me de inimicis. Motet. Lassus. Sammtliche Werke.
Band 3. M.80403.67.3
Eritrea, L'. Opera. For the Music see Caletti-Bruno.
Erk, Ludwig Christian.
Einleitung. Biographieen, Melodieen und Gedichte zu Jo-
hann Ott's Liedersammlung von 1544. Betitelt: Hundert
und fiinfzehn guter neuer Liedlein mit vier, fiinf, sechs
Stimmen, etc. . . . von R. Eitner. L. Erk und O. Kade.
M.185.3
Erk, Ludwig Christian, editor.
Ott, T. Ein hundert fiinfzehn weltliche u. einige geistliche
Lieder. Ausgabe . . . von Robert Eitner, Ludwig Erk. u.
Otto Kade. M.400.1
VoLKSKL.'iNGE. Lieder fiir den mehrstimmigen Mannerchor.
3. Lieferung. Berlin. Kriiger. 1852. No. i in M.130.8
Erkel, Ferencz.
Bank Ban. Opera 3 felvonasban. Szoveget irta Egressi
Beni. Deutscher Text von Peter Somogyi. Zenejet irta
Erkel Ferencz. Completer Clavier-Auszug mit ung.-deut-
schem Text. Budapest. Rozsavolgyi es Tarsa. 1893.
M.397.2S
[Hunyady Laszlo.] Ouverture zur Oper Hunyady Laszlo
fiir Orchester. Partitur. Budapest. Rozsavolgyi & Co.
f i8q-?l No. 2 in ivi.405.12
„Sz6zat" und „Hymnus", zwei vaterlandische Dichtungen
von Vorosmarty und Kolcsey componirt von Egressi Beni
und Franz Erkel. No. 3 in M.40S.12
Erkennen, Das. Part-song. Attenhofer. No. 152 in M.147.4
Erklang dein traulich Wiegenlied. Part-song.
PiERsoN. No. 7 in M.204.39
Seifriz. No. 8 in M.204.39
Erl King, The. For pianoforte. Callcott, J. W.
No. 17 in M.237.3
Erl King, The. Part-song. Callcott, J. W.
No. 7 in M.157.7; etc.
Erl-King's daughter. The. Cantata. For the Music see Gade.
Erl King's d3ughter, The. Glee. Callcott, J. W.
No. g in M.220.4
Erlafsee. Song. Schubert, F. P. Sammtliche Compositionen.
M. 244. 12; etc.
Erlanger, Camille.
Aphrodite. Drame musical en 5 actes et 7 tableaux d'apres
le roman de Pierre Louys. Adaptation de Louis de Gra-
mont. Musique de Camille Erlanger. Partition chant et
piano, reduite par I'auteur. Paris. Societe nouvelle d'edi-
tions musicales. 1905. M.389.4
Le fils de I'fitoile. Drame musical en 5 actes et 6 tableaux.
Poeme de Catulle Mendes. Musique de Camille Erlanger.
Partition, chant et piano. Paris. Societe nouvelle d'edi-
tions musicales. 1903. M.396.19
Le juif polonais. Conte populaire d' Alsace en trois actes
et six tableaux, d'apres Erckmann-Chatrian. Poeme de
Henri Cain et P.-B. Gheusi. Musique de Camille Erlan-
ger. Partition chant et piano. Paris. Dupont. 1900.
M.402.16
Kermaria. Idylle d'Armorique en trois episodes, precedee
d'un prologue. Poeme de P. B. Gheusi. Musique de
Camille Erlanger. Partition, chant et piano. Paris. Du-
pont. 1897. Plate. M.395.26
Saint Julien I'Hospitalier. Legende dramatique en 3 actes
et sept tableau.x. [Poeme de Marcel Luguet. Musique
de Camille Erlanger. Partition chant et piano.] Paris.
Dupont. 1894. M.303.29
Velleda. Scene lyrique. Poeme de Fernand Beissier. Mu-
sique de Camille Erlanger. Partition piano et chant.
[Paris.] Heugel. [1888. Grand prix de Rome.]
No. 2 in M.213.14
Erlanger, Frederic d'.
Concerto pour violon avec accompagnement d'orchestre.
Op. 17. Partition. Hambourg. Rahter. [1903.] M.410.65
Ines Mendo. Opera en 3 actes et 4 tableaux, d'apres Pros-
per Merimee par P. Decourcelle & A. Liorat [pseud.].
Musique de Frederic Regnal [pseud.]. Partition chant et
piano. [Leipzig. 1897.] M.394.8
Jehan de Saintre. Opera-comique en 2 actes de Jules Bar-
bier et Pierre Barbier. Musique de Frederic d'Erlanger.
Partition chant et piano. Paris. Choudens. 1893. M.305.39
Erlanger, Gustav.
Drei Lieder fiir Mannerchor. Op. 35. Leipzig. Kistner.
[1878?] 3 parts in i v. No. 50-52 in M.392.7
Contents. — i. Voriiber ist die Rosenzeit. 2. Mein Herz ist wie die
dunkle Nacht. 3. Im Wald, im hellen Sonnenschein.
Felix Mendelssohn-Bartholdy, Vierte (italienische) S3'm-
phonie (A-dur). Op. 90. Erlautert. Frankfurt a. M.
Bechhold. [1898. Der Musikfiihrer.] No. i in M.217.12.6
Gebet auf den Wassern . . . Fiir vierstimmigen Manner-
chor mit Orchester. Op. 33. Partitur. Leipzig. Kistner.
[1877?] No. 5 in M.392.46; No. 5 in M. 203.1
Same. Clavier-Auszug. No. 9 in M.392.41
L. van Beethoven, Erste Symphonic in C-dur (Op. 21).
Erhaitert. Frankfurt a. M. Bechhold. [1895. Der Musik-
fiihrer.] No. 34 in M.217.12.2
L. van Beethoven, Zweite Symphonic in D-dur (Op. 36).
Eiliiutert. Frankfurt a. M. Bechhold. [1895. Der Musik-
fiihrer.] No. 24 in M.217.2.1
Ludwig van Beethoven, Achte Symphonic (in F-dur), Op.
93. Erlautert. Frankfurt a. M. Bechhold. [1898. Der
Musikfiihrer.] No. 13 in M.217.12.3
Sextett fiir Violine, Bratsche, Violoncell, Clarinette, Horn
und Fagott. Op. 41. Partitur. Leipzig. Kistner. [187-?]
No. I in M.331.S
Erlanger, Jules.
Les dames de coeur volant, opera bouffe en i acte. Paroles
de Bourdois et Lapointe, musique de J. Erlanger. Parti-
tion chant et piano. Paris. Bertin. [1859.]
No. 3 in M.368.31
397
Erlaube
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Erste
Erlaube mir, fein's Maedchen. Song. Brahms. Deutsche
Volkslieder. Heft i. No. 9 in M.380.40.3
Erier, Hermann.
Marienkind. Legende. Musik von Eduard Behm. M.397.5
Erier, Theodor.
Naturmenschen. Operette in drei Acten von Karl Weiss.
Musik von Tlieodor Erier. Clavier-Auszug mit Text.
Leipzig. Bosworth & Co. [1896.] No. i in M.389.5
Erlkoenig. Soug. Schubert, F. P. No. 2 in M.335.13; etc.
Erlkoenigs Tochter. Cantata. For the Music see Gade.
Erlost. Opera. For the Music see Curti. For the Libretto
see VoUhardt-Wittich.
Ermanne dich, Deutschland! Part-song. Storch.
No. 2 in M.203.5
Ermelinda. Opera. For the Music see Battista. Esmeralda.
Erminie. Opera. For the Music see Jakobowski. For the
Libretto see Bellamy, C.
Ermione. Opera. For the Music see Rossini.
Ermitage, L'. Song. Schubert, F. P. Melodies. Vol. 8.
M.327.4.8
Ermite, L', des Batignolles. Opera. For the Music see Ber-
trie. For the Libretto see Chazol.
Ermunterung. Song. Haydn, F. J. Gesange. Heft 2.
No. 2 in M.312.35
Ermuthigung. Part-song. Fink. No. 107 in M.213.9
ScHULZ, J. P. C. No. 59 in M.213.9
Ernani. Opera. For the Music see Verdi. For the Libretto
see Piave.
Ernani, involami. Song. Verdi. Verdi album.
No. I in M.236.5
Erndte-Cantate. For the Music see Weber, C. M. F. E. von.
For the Libretto see Wendt, P. D.
Ernelinda. Opera. For the Libretto see Heidegger.
Ernelinde, princesse de Norvege. Opera. For the Music see
Danican. For the Libretto see Poinsinet.
Ernemann, Moritz.
Mai-Lied [t. t. b. B.]. (/» Abt. Deutsche Sangerhalle. Vol.
3, p. 17.) No. 6 in M.392.42.3
Emeuerung des Riitlibundes. Part-song. Greith.
No. 64 in M.147.4
Ernouf, Alfred Auguste, Baron.
L'art musical au XIXe siecle. Compositeurs celebres: Bee-
thoven, Rossini, Meyerbeer, Mendelssohn, Schumann.
Paris. Perrin & c'^. 1888. Portrait. M.118.15
Zaire. Grosse Oper in 3 Acten ,von E. H. Z. S. C. G. Voll-
stiindiger Klavierauszug. Erfurt. Faust. [184-?] M.262.27
Ernst, Alfred.
L'oeuvre dramatique de H. Berlioz. Paris. Levy. 1884.
Portrait. Facsimile. [Bibliotheque contemporaine.]
M.129.35
Richard Wagner et le drame contemporaine. Paris. Li-
brairie'moderne. 1887. M.127.46
Ernst, Alfred, translator.
Wagner, W. R. Parsifal, ein Buhnenweihfestspiel.
M.4i2a.i3
Ernst, Heinrich Wilhelm.
Le carnaval de Venise. Variations burlesques sur la can-
zonetta: ,,Cara mamma mia" pour le violon principal avec
accompagnement de piano. CEuv. 18. Leipzig. Kistner.
[187-?] No. 5 in M.406.6
Concert, Fis moll. Op. 23. Ausgabe fiir Violine mit Beglei-
tung des Pianoforte. [Partitur.] Leipzig. Breitkopf &
Hartel. [1887?] No. 2in M.210.13
Same. [Violine-Stimme.] No. 2, 3 in M.210.14
Two copies.
Le pecheur. Ballade de Goethe [t. Accomp. de piano].
Portrait. Facsimile. (In Album du Gaulois. Vol. i.)
No. 16 in M.391.28.1
Ernst, Henri.
Gipsey dance. Violin and piano. [Full score and separate
part for violin]. Boston. Davenport. 1877.
No. 22 in M.3S7.I2
La priere. Violin and piano. [Full score and separate part
for violin.] Boston. Davenport. 1877. No. 26in M.357.12
Ernst August Carl Johannes Leopold Alexander Eduard,
Herzog von Saclisen-Coburg-Cotha.
Casilda. Grosse romantische Oper mit Ballet in 4 Aufziigen,
' von M. Tenelli. Musik von E. H. S. Vollstandiger Kla-
vierauszug. Wien. Gloggl. [1852?] M.262.28
Diane de Solange. Opera en 5 actes. Musique de son
Altesse Royale Ernest II. Paroles allemandes de M. Otto
Prechtler. Traduction frangaise de H. Lefebvre. Parti-
tion piano et chant. Paris. Brandus & Dufour. [186-?]
M.305.40
Lobpreiset laut und riihmt und ehrt. Hymne. (In Kan-
tonal-Sangerfest, Wyl. Mannerchore fiir das 6. . . . S.in-
gerfest. Pp. 1-3.) No. 5 in M.130.7
Santa-Chiara. Grosse Oper in 3 Aufziigen von Charlotte
Birch-Pfeiffer. Musik von E. H. z. S. Clavierauszug.
Neue Ausgabe. Braunschweig. Litolff. [187-?]
No. 2 in M.321.13
Same. Ouverture zu Santa-Chiara. Grosse romantische
Oper in drei Aufziigen, componirt von E. H. z. S. Parti-
tur. Braunschweig. Litolff. [185-?] No. i in M.405.12
Ernst von Elterlein, pseud. See Gottschald, Ernst.
Ernst und Scherz. Part-songs.
Abt, F. Die Kirmes. No. 4 in M.392.1
Otto, E. J., editor. No. 1-7 in M.392.20; etc.
Ernste und heitere Lieder. Songs. Kuecken.
No. IS in M.244.6.1
Erntekranz. Opera. For the Music see Killer, J. A. Der
Aerndtekranz.
Erntelied. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413.3.19
Schubert, F. P. Werke. Serie 20, Band 4. M.317.1.20.4
Emtetanz. Cantata. For the Music and Libretto see
Hamerik.
Ero. Cantata. Coccia. No. 2 in M. 221. 12
Ero e Leandro. Opera. For the Music see Bottesini; also
Mancinelli. For the Libretto see Boito.
Eroe, L', di Lancastro. Opera. For the Music see Fane, J.
Eroica. For orchestra. Rubinstein. No. 2 in M.342.29
Eros. Opera. For the Music see Le Rey; also Vidal, P. A.
For the Libretto see Goujon; also Cairon.
Eros und Psyche. Opera. For the Music see Zenger. For
the Libretto see Schriefer.
Erostrate. Opera. For the Music see Reyer. For the Li-
bretto see Mery, J.
Erreur, L', d'un moment. Opera. For the Music see Dezede.
For the Libretto see Monvel.
Ersatz fiir Unbestand. Part-song. Mendelssohn-Bartholdy,
J. L. F. No. 96in M.i29a.44; etc.
Erschallet, ihr Lieder. Anthem. Bach, J. S. Werke. Jahr-
gang 35. M.8040.21.3S
Erscheine noch einmal. Song. Curschmann. Curschmann-
Album. No. I in M.157.37
Erscheinung, Die. Part-song. George V., of Hanover. Sechs
Gedichte. No. 5 in M.IS5.17
Erscheinung, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 2. M.3i7.i.20.a
Erskine, Thomas Alexander, 6th Earl of Kellie.
Minuets, &c. Composed by the Earl of Kelly. [Edited by
G. K. Sharpe.] Edinburgh. 1836. Portrait. Plate.
M. 122.24
Erstarrung. Song. Schubert, F. P. Werke. Serie 20, Band 9.
M.317.1.20.9
Erste, Das. Lied. Grieg. Grieg-Album. No. 5 in M.155.16
Erste Begegnung. Duet. Schumann, R. A. Spanisches Lie-
derspiel. No. i. No. 11 in M.244.15.2
Erste Begegnung. Part-song. Schumann, R. A. Werke.
Serie 10, Band 2. M.316.1.10.2
Erste Falte, Die. Opera. For the Music see Leschetizky. For
the Libretto see Mosenthal, S. H. von.
Erste Falte, Die. Overture. Leschetizky. No. 4 in M.342.13
Erste Friihlingstag, Der. Part-song. Mendelssohn-Bartholdy,
J. L. F. Sechs vierstimmige Lieder. No. 7 in M.312.8
Erste Kuss, Der. Song. Haydn, F. J. Gesange. Heft 2.
No. 2 in M.312.3S
Erste Liebe. Part-song. Kistler. Drei Mannerchore.
No. 4 in M.3g2.i3
398
Erste
THE ALLEN A. BROWN COLLECTION OF MUSIC
Es rauschen
Erste Liebe. Song.
Gernlein. Diei Lieder. No. 3 in M.221.33
Schubert, F. P. Werke. Serie 20, Band 2. M.31 7.1.20.2
Erste Lied, Das. Part-song. Filke. No. 9 in M.392.8
Erste Nachtigal. Part-song. Staab. No. 2 in M.370.30
Erste Ton, Der. Opera. For the Music see Weber, C. M. F. E.
von. For the Libretto see Rochlitz.
Erste Veilchen, Das. Song. Mendelssohn-Bartholdy, J. L.
F. Werke. Serie 19. M.413.3.19
Rubinstein. Zehn Lieder. No. 19 in M.192.S
Erste Walpurgisnacht, Die. Cantata. For the Music see
Mendelssohn-Bartholdy, J. L. F. For the Libretto see
Goethe, J. W. von.
Ersten Veilchen, Die. Song. Taubert, C. G. W. Kliinge aus
der Kinderwelt. Heft S- No. 17 in M.192.6
Erster Verlust. Part-song. Schubert, F. P. No. 10 in M.392.38
Erster Verlust. Song.
Franz, R. Sechs Gesange. Op. 36. No. 26 in M.244.5.3
Hellwig. No. 13 in M.221.33
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M.413.3.19
RosENHAiN. Lieder. No. 2 in M.221.33
Schubert, F. P. Werke. Serie 20, Band 2. M.317.1.20.2
Erstes Begegnen. Lied. Grieg. Grieg-Album.
No. 3 in M.15S.16
Erstes Grun. Song. Schumann, R. A. Zwolf Gedichte von
Kerner. No. 9 in M.244.15.1 ; etc.
Ervanec-le-rimeur. Song. Vaucorbeil. Melodies. M. 213.25
Erwache aus deinem siissen Traume. Part-song. Skroup.
No. 130 in M.i29a.43.4
Erwaehlte, Die. Part-song. Debois. No. 38 in M.392.6
Erwartung, Die. Song.
Kuecken. Lieder fiir Sopran. No. 7 in M.244.6.1
Schubert, F. P. Werke. Serie 20. Band 2. M.317.1.20.2
Erwrin und Elmire. Opera. For the Music see Reichardt, J. F.
For the Libretto see Goethe, J. W. von.
Erwuenschtes Freudenlicht. Anthem. Bach, J. S. Werke.
Jahrgang 37. M.8040.21.37
Erynnyes, Les. Opera. For the Music see Massenet. For the
Libretto see Leconte de Lisle.
Es blinkt der Thau. Song. Rubinstein. Sechs Lieder.
No. IS in M.192.5
Es bluehen die Blume und Baume. Part-song. Abt, F. Fiinf
Gesange fiir s. a. t. b. No. 8 in M.1S8.22
Es bliiht ein schmucker Rosenstrauch. Song. Taubert, C.
G. W. Acht Lieder von R. Burns. Heft I.
No. 5 in M.192.6
Es erhub sich ein Streit. Anthem. Bach, J. S. Werke. Jahr-
gang 2. M. 8040.21. 2
Es fallt ein Stern herunter. Song. Franz, R. Sechs Gesange.
Op. 44. No. 76 in M.244.S.3
Es fiel ein Reif. Part-song. Koegler. No. 14 in M.392.13
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 16.
M.413.3.16
Es fliegt manch Voglein. Song. Blumenthal. 6 Lieder.
No. 31 in M.244.1
Es gehe alien wohl. Canon. Otto, E. J. No. i in M.392.20
Es geht ein altes Marlein. Part-song. Kosch.»lT.
No. 22 in M.392.13
Es geht ein Wehen. Part-song. Brahms. 7 Lieder.
No. 5 in M.204.7
Es geht mit ihrem Trutzen. Part-song. Plueddemann. Alt-
deutsche Liebeslieder. No. 5 in M.392.37
Es ging ein Maidlein zarte. Song. Brahms. Deutsche Volks-
lieder. Heft 3. No. 11 in M.380.40.3
Es ging sich uns're Fraue. Song. Brahms. Deutsche Volks-
lieder. Heft 7. No. 15 in M.380.40.3
Es glanzt die laue Mondennacht. Part-song. Rheinberger,
J. G. Fiinf Lieder. No. 6 in M.158.27
Es hat die Rose sich beklagt. Song.
Franz, R. Aus Osten. No. 65 in M.244.5.3
Rubinstein. Zwolf Lieder des Mirza-Schaffy.
No. 7 in M.192.5
Es hing der Reiff. Song. Brahms. Funf Lieder. Op. 106.
No. 4 in M.380.40.3
Es ist bestimmt in Gottes Rath. Part-song. Mendelssohn-
Bartholdy, J. L. F. No. 204 in M. 147.4
Schoen, E. von. No. 39 in M.392.7
Es ist das Heil uns kommen her. Anthem. Bach, J. S. Werke.
Jahrgang i. M.8040.21.1
Es ist das Lied mein Gotteshaus. Part-song. Abt, F. Vier
vierstimmige Mannergesange. No. 35 in M.392.1
Es ist dir gesagt, Mensch. Anthem. Bach, J. S. Werke. Jahr-
gang 10. M.8040.21.10
Es ist ein Schnee gefallen. Part-song. Franz, R. Sechs Lieder
fiir gemischten Chor. No. 18 in M.i58.2a
Es ist ein trotzig und verzagt Ding. Anthem. Bach, J. S.
Werke. Jahrgang 35. M.8040.21.35
Es ist euch gut. Anthem. Bach, J. S. Werke. Jahrgang 23.
M.8040.21.23
Es ist nichts Gesundes. Anthem. Bach, J. S. Werke. Jahr-
gang s, Theil i. M.8040.21.5.1
Es ist nun einmal so. Song. Abt, F. No. 21 in M.192.2
Es ist so angenehm. Song. Schubert, F. P. Werke. Serie
20, Band 3- M.317.1.20.3
Es ist so schoen zu traumen. Part-song. Lichner. Vier Quar-
tette. No. 32 in M.392.1S
Est ist so still geworden. [Mannerchor.] (In Eidgenossischer
Sangerverein. Mannerchore fiir das 12. . . . Sangerfest.
Pp. 28, 29.) No. I in M. 130.7
Es ist so still geworden. Song. Taubert, C. G. W. Sechs
Gesange. No. 8 in M.192.8
Es ist verratlien. Part-song. Schumann, R. A. Spanisches
Liederspiel No. 5. No. IS in M.244.1S.2; etc.
Es ist vollbracht. Part-song. Beethoven. Werke. Serie 20,
Band 2. M.413.1.20.2
Es ist zu spat! Part-song. Jahn, A. No. 3 in M.370.30
Es klingen heut'. Part-song. Gottwald. No. 64 in M.204.39
Moeldner. No. 63 in M.204.39
Es klingt in der Luft. Song. Franz, R. Dichtungen von Max
Waldau. No. 8 in M.244.S.2
Es lachelt der See. Song. Curschmann. Curschmann-Album.
No. I in M. 157.37
Es lauschte das Laub so dunkelgriin. Part-song. Schmidt,
Adolf. No. 4 in M.212.15
Es lauschte das Laub so dunkelgriin. Song. Mendelssohn-
Bartholdy, J. L. F. Werke. Serie 19. M.413.3.19
Es lebe hoch! Part-song. Schneider, J. C. F. No. 89 in M.213.9
Es leben die Weiber. Part-song. Greger. Drei heitere Lieder.
No. 28 in M.392.10
Es leuchtet meine Liebe. Song. Schumann, R. A. Lieder und
Gesiinge. No. 8 in M.244.15.4; etc.
Es liebt sich so lieblich. Song. Taubert. C. G. W. Sechs
Lieder. No. 13 in M.192.6
Es liebt sich so lieblich im Lenze! Song. Br-\hms. Funf Ge-
sange. Op. 71. No. 7 in M.380.40.2
Es liegt die heisse Sommer. Song. Kuecken. Zwei Lieder.
No. I in M.244.6.3
Es liegt so abendstill der See. Cantata. For the Music see
Goetz, H. For the Libretto see Mueller von Koenigs-
winter.
Es liegt so breit und hehre. Part-song. Van der Stucken.
Drei Gesange. No. 42 in M.392.26
Es muss doch Fruhling werden. Cantata. For the Music see
Hiller, F. For the Libretto see Geibel, E.
Es muss ein Wunderbares sein. Song. Liszt. Gesammelte
Lieder. No. 34 in M.244.14
Es muss geschieden sein. Part-song. Schmidt, Gustav.
No. 29 in M.392.23
Es muss vergessen sein! Part-song. Besele. No. 15 in M.392.35
Schultz, E. Zwrei Gesange. No. 9 in M.392.2S
Es offnet leise klingend. Part-song. Metzger, J. C.
No. 33 in M.392.17
Es ragt der alte Elborus. Song. Franz, R. Sechs Gesange.
Op. 43. No. 71 in M.244.5.3
Es ragt in's Meer der Runenstein. Song. Franz, R. Sechs
Lieder von H. Heine. No. 44 in M.244.5.3
Es rauschen die Winde. Song. Liszt. Gesammelte Lieder.
No. 26 in M.244.14
399
Es rauscht
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Esmenard
Es singt der Ros'. Song. Rubinstein.
Es rauscht das rothe Laub. Song. Franz, R. Sechs Gesdnge.
Q 20 ^°- ^° '" M.244.5.2
Es reiset euch ein schrecklich Ende. Anthem. Bach, J. S.
Werke. Jahrgang 20, Theil i. M 8040.21.20, i
Es reit' ein Herr. Song. Brahms. Deutsche Volkslieder.
jjgft ^ No. 12 in M.380.40.3
Es ritt ein Ritter. Song. Brahms. Deutsche Volkslieder.
j^gft 2. No 10 in M.380.40.3
Es ritten drei Reiter von Rothenthal. Part-song. Rheinberger.
J. G. Aus dam Sangerleben. N'o. 11 in M.392.22
Es sass ein schneeweiss Vogelein. Song. Brahms. Deut5--he
Volkslieder. Heft 7- No. 15 m M.38t-A0.3
Es schauen die Blumen. Song. Brahms. Vier Lieder. Oa. 90-
No. I in M.380.40.3
Es sei bekranzt das Denkmal. Part-song. Tschirch, F. W.
No. 6 in M.203.22
Neun Lieder.
No. 3 in M. 192.5
Es spricht der Thor in seinem Herzen. Motet. Rheinberger.
J G. FUnf Motetten. No. 9 m M.158.27
Es steht ein' Lind. Song. Brahms. Deutsche Volkslieder.
jjgff 6 No. 14 in M.380.40.3
Es steht ein Lind' in jenem Thai. Part-song. Becker, R. Fiinf
altdeutsche Lieder. No. 14, IS in M.392.3
Es steht cine Lind' im tiefen Thai. Part-song. Pache.
No. 4 in M.392.21
Es stromet und flutet. Song. Methfessel, A. G. Sechs Lieder.
Es sturmet am Abendhimmel. Song. Schumann, R. A. Sechs
Gesange von W. von der Neun. No. 7 in M.244.15.3; etc.
Es stiirmt auf der Flur. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band i. No. 27 in M.244.7
No. 7 in M.221.33
Es stunden drei Rosen. Song. Brahms. Deutsche Volks-
lieder. Heft 7- No. 15 in M.380.40.3
Es taget vor dem Walde. Part-song. Becker, R. Funf alt-
deutsche Lieder. No. 14 m M.392.3
Franz, R. Sechs Lieder fiir gemischten Chor.
No. 19 in M.15S.22
Es traumte niir. Song. Brahms. Lieder und Gesange. Op:
57. Heft I. No. I in M.380.40.2
Es treibt mich hin. Song. Franz, R. Sechs Gesange. Op. 34.
No. 16 in M.244.5.3
Schumann, R. A. Liederkreis von Heine. No. i in M.244.15.1
Es wachst ein Kraut im Kuhlen. Part-song. Debois.
No. 63 in M.392.3
Es war ein alter Konig. Part-song. Cornelius. Werke. Band 2.
M.414.20.2
Es war ein alter Konig. Song. Rubinstein. Sechs Lieder.
No. 5 in M. 192.5
Es war ein Konig im Thule. Volksweise. fMannerchor.l
(/»! Eidgenoessischer Siingerverein. Miinnerchore fiir das
13 . . . Sangerfest. Pp. 27-29.) No. 3 in M.130.7
Also to be found in Eidgenossischer Sangerverein. Wettgesange bei
dcm 12. . . . Sangerfeste ; Das Rutli.
Es war ein Konig in Thule. Song. Lenz, L. Gesange und
Lieder aus Faust. No. 28 in M.221.30
Liszt. Gesammelte Lieder. No. 3 m M.244.14
EswareinMarkgraf iiber'mRhein. Brahms. Deutsche Volks-
lieder. Heft 5- No. 13 in M.380.40.3
Es war eine schone Jiidin. Song. Brahms. Deutsche Volks-
lieder. Heft 2. No. 10 in M.380.40.3
Es war einraal ein Zimmergesell. Song. Brahms. Deutsche
Volkslieder. Heft 7. No. 15 in M.380.40.3
Es war zu Assmannshausen. Part-song. Foeckerer.
No. I in M.392.9
Es waren zwei Konigskinder. Symphonic poem. Volbach.
No. 2 in M.410.62
Es wartet Alles auf dich. Anthem. Bach, J. S. Werke. Jahr-
gang 37.
M.8040.21.37
Es weiss und rath es doch Keiner. Song. Mendelssohn-Bar-
THOLDY, J. L. F. Werke. Serie 19. M.413.3.19
Es wird zum Lied! Part-song. Debois. No. 64 in M.392.3
Es wohnt am Segerstade. Song. Lortzing. No. 1 1 in M.236.6
Es wohnet ein Fiedler. Song. Brahms. Deutsche Volkslieder.
Heft 6. No. 14 in M.380.40.3
Es wohnt ein Bau'r in jenem Dorffe. [Madrigal.] {In Ren-
ner. Auswahl deutscher Madrigale. Pp. 36, 37.)
No. 9 in M. 204.40
Es ziehn die brausenden Wellen. Song. Franz, R. Sechs
Gesange. Op. 40. No. 50 in M.244.5.3
Es zieht durch deutsche Lande. Part-song. Sturm, W. Fah-
render Scholar. No. 22 in M.392.24
Esbeer, Lina, translator.
Rakhmaninov. ,,OpaHHeCKa fla Phmhhh." Franceska
da Rimini. M.240.15
Rebikov. Der Christbaum. No. 3 in M.389.12
Escadron volant, L', de la reine. For the Music see Litolff.
For the Libretto see Philippe, A.
Escapes, The, or the water carrier. Opera. For the Music see
Attwood.
Escargot, L'. Opera. For the Music see Banes. For the
Libretto see Adely.
Esch, Louis von.
La colombe retrouvee, an air for the piano forte. London.
Broderip & Wilkinson. [179-?] No. 9 in M.237.7
Eschelbach, Hans.
Dornroschen. Marchenoper. Musik von August Weweler.
M.383.45
Eschenburg, Johann Joachim.
Robert und Kalliste, oder: der Triumph der Treue. Eine
Operette. Nach dem Innhalt und Komposition der Sposa
fedele von Guglielmi. No. 2 in M.350.4
Same. [Akt I. Musik von Pietro Guglielmi.] M.292.12
Esclarmonde. Opera. For the Music see Massenet. For the
Libretto see Blau, A.
Esclarmonde. Suite. Massenet. No. 2 in M. 343.19
Esclave, L'. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Esclave, L', du Camoens. Opera. For the Music see Flotow.
For the Libretto see Saint-Georges.
Esclave et reine. Song. Gounod. Vingt melodies. 4e recueil.
No. 15 in M.157.36.4
Escudier, Gaston.
La petite comtesse. Opera-comique. Musique de Luigi
Ricci. M.307.17
Escudier, Leon.
fitudes biographiques sur les chanteurs contemporains par
MM. Escudier freres [Leon et Marie]. Paris. Tessier.
1840. Portraits. M.iiga.20
Mes souvenirs. 2e edition. Paris. Dentu. 1863. M. 139.16
Les pirates de la litterature et de la musique. Questions de
propriete. Paris. Dentu. 1862. No. 8 in M.373.23
Rossini: sa vie et ses ceuvres. Par les freres Escudier. Avec
une introduction de M. Mery. Paris. Dentu. 1854.
M.isg.is
Vie et aventures des cantatrices celebres . . . Suivies de la
vie anecdotique de Paganini. [Par Leon et Marie Escu-
dier.] Paris. Dentu. 1856. M.108.38
Escudier, Marie.
Etudes biographiques sur les chanteurs contemporains par
MM. Escudier freres. Paris. 1840. M.iiga.20
Rossini: sa vie et ses oeuvres. Par les freres Escudier. Avec
une introduction de M. Mery. Paris. Dentu. 1854. M.139.15
Vie et aventures des cantatrices celebres . . . Suivies de la
vie anecdotique de Paganini. fPar Leon et Marie Escu-
dier.] Paris. Dentu. 1856. M.108.38
Esel Flbtenblaser, Der. Song. Taubert, C. G. W. Drei hei-
tere Gesange. No. 5 in M.192.7
Esel, Der, und die Nachtigall. Song. Rubinstein. Fiinf Fa-
beln. No. 14 in M.192.5
Eslava, Miguel Hilarion.
Miserere, para piano forte. Manuscript. ri86-?] M.250.11
Esmenard, Joseph Alphonse.
Chant du ler vendemiaire an IX, pour soli, 4 choeurs et or-
chestres. Musique de Lesueur. M.380.14
Fernand Cortez, ou la conquete du Mexique. Tragedie
lyrique de MM. Jouy et Esmenard; mise en musique . . .
par G. Spontini. M.274.33
Same. Ferdinand Cortez, oder die Eroberung von Mexico.
Oper. Te-xt von de Jouy [und Esmenard]. Musik vom
Ritter Spontini. M.284.S
400
Esmeralda
THE ALLEN A. BROWN COLLECTION OF MUSIC
Este
Esmeralda. Opera. For the Music see Battista; also Bertin,
L. A.; also Campana; also Mazzucato, A.; also Thomas,
A. G. For the Libretto see Bolognese; also Hugo, V. M.;
also Cimino; also Marzials.
Espag^ne, Franz.
Verzeichniss sammtlicher Werke Carl Loewe's. Berlin.
1870. M.117.7
Espagne, Franz, editor.
Palestrina. Werke. M.8o4oa.66
Espana. For orchestra. Chabrier. No. i in M. 356.5
Esperance, L'. Chorus. Rossini. Trois choeurs.
No. 2 in M.280.46
Esperance. Song. Schubert, F. P. Melodies. Vol. 3. M.327.4.3
Espere. Romance. Brice. Album. No. i in M.158.34
Espere en Dieu. Song. Blumenthal. No. 25 in M.244.1
Espinazione, L'. Opera. For the Music see Peri. A. For the
Libretto see Solera.
Espoir en Dieu. Song. Dautresme. No. 9 in M.391.28.1
Esprit, L'. de Loda. Song. Schubert, F. P. Melodies. Vol. 6.
M.327.4.6
Esprit, I,', et le cceur. Opera. For the Music see Bordese, L.
For the Libretto see Flan.
Esprit Saint, L'. Song. Bizet. Vingt melodies.
No. 2 in M.265.24
Esprits, Les, du Nil. Cantata. For the Music see Durand, J.
For the Libretto see Bordese, S.
Esquisses caucasiennes. For orchestra. Ippolitov-Ivanov.
Iveria. No. i in M.407.18
Esquisses de Crimee. For orchestra. Spendiarov. KpHMCKie
3CKH3H. No. 2 in M.407.25
Esquisses de la vie d'artiste. Criticism. Monnais. M.143.14
Esquisses venitiennes. For orchestra. Mar^chal.
No. 3-S in M.410.92
Essais historiques sur I'origine et les progres de I'art drama-
tique en France. Baudrais. M.io9b.5
Essay, my heart. Part-song. Berger, F. No. 8 in M.195.1.3
Essay, An, upon tune. Maxwell. M.146.27
Essen, Trinken, das erhalt. Canon. Mozart. Werke. Serie
7, Band 2. No. 47 in M.315.1.7.2
Esser, Heinrich.
Abschied. Lied . . . fiir vier Mannerstimmen. Mainz.
[1869?] No. S3 in M.392.7
Also to be found in Abt's Leichte Mannerchore; Regensburger Lieder-
kranz ; Das Rutli.
Abschied vom Walde. [Mannerchor.] (/n Das Riitli. Pp.
268, 269.) No. 113 in M.147.4
Same. Farewell, thou lovely forest glade. A four-part song
[t. T. B. b.]. The melody by Esser. Arranged by Franz
Abt. (/n The Orpheus. New series. Vol. S, PP- 140-14.^-)
No. 28 in M.205.10.5
Ade du lieber Tannenwald. See his Abschied.
Beim Feste. [Mannerchor mit Piano-Forte-Begleitung.]
Op. 43, No. 3. Mainz. Schott. [1851?] No. 3 in M.392.44
Friihlingslied [t. T. B. B.]. (/n Fink. Die deutsche Lieder-
tafel. Pp. 28, 29.) No. 27 in M.213.9
A gallant hero is the spring. [Part-song, t. t. b. b.1 Eng-
lish words by Chas. J. Sprague. [Boston? 1878.I
No. 6 in M.203.7
Der Konig der Ehren. Worte des 47ten Psalmes fiir Chor
und Orchester. Op. 20. Partitur. Mainz. Schott. [185-?]
No. I in M.401.15
Mahomets Gesang. Gedicht von Gothe. tiir Mannerchor &
Orchester. Op. 78. Partitur. Mainz. Schott. [1869?]
No. I in M.352.22
Same. Clavier-Auszug. No. 12 in M.392.41
Same. Mahomet's song. Text by Gothe. Music [t. t. b. b.]
by H. Esser. Op. 78. [Boston. Apollo Club.l 1880.
No. 3 in M.392.36
Morgenwanderung . . . Manner-Chor mit Piano-Forte. Op.
43, No. 2. Mainz. Schott. [1852?] No. 11 in M.392.41
Same. The morning walk. [Part-song, t. x. b. b.] (/« The
Osgood collection of part-songs. Vol. 2, pp. 88-99-)
M.193.23.2
Sinfonie (Hmoll). Op. 79- Partitur. Mainz. Schott. [1868?]
M.348.30
Esser, Heinrich. (Continued.)
Sinfonie in D moll fur grosses Orchester. 44'es Werk. Par-
titur. Mainz. Schott. [1851?] M.348.29
Standchen [t. T. b. b.]. {In Fink. Die deutsche Liedertafel.
Pp. 63-65.) No. 48 in M.213.9
Suite [No. i] in 5 Satzen fiir grosses Orchester. Op. 70.
Partitur. Mainz. Schott. [1862?] M.348.31
Suite No. 2 (A moll) in 4 Satzen fiir grosses Orchester. Op.
75. Partitur. Mainz. Schott. [1864?] M.348.32
Thomas Riquiqui, oder die politische Heirath. Komische
Oper in 3 Akten, nach dem Franzosischen der H. H. S'.
Georges u. de Leuven [Pseud.] von Carl Gollmick, in
Musik gesetzt . . . von Heinrich Esser. [Klavierauszug.]
Mainz. Schott. [1843?] M.262.30
Die zwei Prinzen. Oper in 3 Akten. Nach dem Franzo-
sischen des Scribe und Melesville [Pseud. 1 von M. G.
Friedrich. Musik von Heinrich Esser. [Klavierauszug.!
Mainz. Schott. [1845.] M.262.29
Esser, Heinrich, editor.
Bach, J. S. Passacaglia. No. 2 in M.346.4S
Toccata. No. 3 in M.346.45
Essex, Edward Charles.
David, an oratorio. Vocal score. [Accomp. for piano.]
London. Hodge & Essex. [1888.] M.303.30
Est, L. B.
Kurze und leichte lateinische Messe mit Segen ._. . No. 2
in G. No. 3 in C. Die ausgesetzte Orgelstime allein.
Augsburg. Bohm. [182-?] No. 3, 4 in M.260.8.7
Est-il possible a moi. Part-song. Lassus. Sammtliche Werke.
Band 14. M.8o4oa.67.i4
Estabrook, George P.
The joust or tournament. Opera in two acts. [Vocal score.
Accomp. for pianoforte.] Chicago. Chicago Music Co.
1885. M.402.17
Estabrook, Jones E.
Red Riding Hood's rescue, or the dangers of disobedience.
A juvenile operetta. Music by J. Astor Broad.
No. 2 in M.208.33
Estans assis aux rives aquatiques de Babylon. Anthem. Swee-
LiNCK. Werken. Deel 2. M.413.2.2
Estcourt, Mary Jane, compiler.
Music the voice of harmony in creation. London. Long-
mans. 1857. M.ioga.22
Este, Michael.
As they departed. [Anthem, s. s. a. t. b., organ and other
instruments.] {In Rimbault. Collection of anthems. Pp.
25-31.) No. 3 in M.234.26; No. I in M. 234.27
Awake and stand up. [Anthem, s. s. a. a. t. b., organ and
other instruments.] {In Rimbault. Collection of anthems.
Pp. 129-134.) No. 3 in M.234.26; No. I in M. 234.27
Blow out the trumpet. [Anthem, s. s. a. t. b., organ and
other instruments.] {In Rimbault. Collection of anthems.
Pp. 1-5.} No. 3 in M.234.26; No. I in M.234.27
Blow up the trumpet. [Anthem, s. s. A. T. B. B., organ and
other instruments.] {In Rimbault. Collection of anthems.
Pp. 92-103.) No. 3 in M.234.26; No. I in M.234.27
But what went you out to see? [Anthem, s. s. a. t. b., organ
and other instruments.] {In Rimbault. Collection of an-
thems. Pp. 32-35.) No. 3 in M.234.26; No. I in M.234.27
For this is he. [Anthem, s. s. a. t. b., organ and other instru-
ments.] {In Rimbault. Collection of anthems. Pp. 36-43-)
No. 3 in M.234.26; No. I in M.234.27
How merrily we live. Glee [t. t. b.]. London. Novello.
[ 185-?] No. 49 in M.158.18
Also to be found in Amusement for the ladies ; The Apollo ; Apollonian
harmony ; Bland's The Ladies' collection ; Boosey's Standard English
glees ; dementi's Collection of catches ; Flowers of harmony ; The
Harmonist ; Musical times [Music] ; Social harmony ; Warren's Cocks's
Hand-book of glees ; Warren's Collection of catches ; Webbe, Jr.'s Con-
vito armonico.
How shall a young man? [Anthem, s. s. a. t. b. b., organ and
other instruments.] {In Rimbault. Collection of anthems.
Pp. 120-124.) No. 3 in M.234.26; No. I in M.234.27
I am brought into so great trouble. [Anthem, s. s. a. t. b.,
organ and other instruments.] {In Rimbault. Collection
of anthems. Pp. 17-20.) No. 3 in M.a34.26; No. i in M.234.a7
I 51
401
Este
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Etienne
Este, Michael. (Continued.)
I have roared for the very disquietness. TAnthem. s. s. a.
T. B., organ and other instruments.] (In Rimbault. Col-
lection of anthems. Pp. 13-16.)
No. 3 in M.234.26; No. I in M.234.27
Let all the inhabitants of the earth, f Anthem, s. s. a. t. b.,
organ and other instruments.] (In Rimbault. Collection
of anthems. Pp. 6-12.) No. 3 in M.234.26; No. i in M.234.27
* My joints are filled. [Anthem, s. s. a. t. b., organ and other
instruments.] (In Rimbault. Collection of anthems. Pp.
21-24.) No- 3 in M.234.26; No. i in M.234.27
O come again, my love. [Glee, t. t. b.] (In Bland. The
Ladies' collection. Vol. 3, pp. 290, 291.) No. 27 in M.235.17.3
O give me the comfort. [Anthem, s. s. a. a. t. e., organ and
other instruments.] (In Rimbault. Collection of anthems.
Pp. 112-119.) No. 3 in M.234.26; No. I in M.234.27
Sing we merrily. [Anthem, s. s. a. t. b. b., organ and other
instruments.] (In Rimbault. Collection of anthems. Pp.
75-82.) No. 3 in M.234.26; No. I in M.234.27
Take the psalm. [Anthem, s. s. a. t. b. b., organ and other
instruments.] (In Rimbault. Collection of anthems. Pp.
83-91.) No. 3 in M.234.26; No. I in M.234.27
Thy words have I hid. [Anthem, s. s. a. a. t. t. b., organ and
other instruments.] (In Rimbault. Collection of anthems.
Pp. 125-128.) No. 3 in M.234.26; No. I in M.234.27
Turn Thy face. [Anthem, s. s. a. a. t. b., organ and other
instruments.] (In Rimbault. Collection of anthems. Pp.
104-111.) No. 3 in M.234.26; No. I in M.234.27
What aileth thee? [Anthem, s. s. a. t. b., organ and other
instruments.] (In Rimbault. Collection of anthems. Pp.
50-60.) No. 3 in M.234.26; No. I in M.234.27
When Israel came out of Egypt. [Anthem, s. s. a. t. b., or-
gan and other instruments. (In Rimbault. Collection of
anthems. Pp. 44-51.) No. 3 in M.234.26; No. i in M.234.27
Este, Thomas, editor.
The whole Book of Psalms, with their wonted tunes, har-
monized in 4 parts by the principal musicians of the reign
of Elizabeth . . . Edited by Edward F. Rimbault. Lon-
don. Chappell. [1844. Musical Antiquarian Society.
Publications. Vol. 7.] No. 3 in M.234.25
Same. Pianoforte part . . . Compressed from the score by
G. Alex. Macfarren. London. Chappell. [184-? Musical
Antiquarian Society. Publications.] No. 7 in M.234.28
Estella. Opera. For the Music see Ricci, F. For the Li-
bretto see Piave.
Estella di San Germano. Opera. For the Music see Braga.
For the Libretto see Lauzieres de Themines.
Estella et Nemorin. Opera. For the Music see Ronger, F.
For the Libretto see Jallais.
Esther. Cantata. For the Music see Coquard; also Moreau,
J. B. For the Libretto see Racine.
Esther. Oratorio. For the Music see Handel. For the Li-
bretto see Pope.
Esther. Overture. Handel. No. i in M.344.32
Estienne, C.
Lettres sur la musique. Paris. Fontaine. 1854. M.128.28
Estote fortes in bello. Aittltem.
Palestrina. Werke. Band 31. M.8o4oa.66.3i
ViTTORiA. Opera. Tomus i. M. 313. 2.1
Estrella. Opera. For the Music see Searelle. For the Li-
bretto see Parke, W.
Estrella de Soria. Opera. For the Music see Berwald. For
the Libretto see Prechtler.
Estudiantina. Part-song. Lacome d'Estalenx.
No. 4 in M.392.30
Esule, L'. Song. Alary. Ricreazioni musicali.
No. I in M.244.19
Esule, L', di Roma. Opera. For the Music see Donizetti. For
the Libretto see Gilardoni.
Et ambulabant gentes in lumine. Motet. Palestrina. Werke.
Band 6. M.8o4oa.66.6
Et apertis thesauris. Motet. Lassus. Sammtliche Werke.
Band 5. M.8o4oa.67.5
Et d'ou venez-vous. Part-song. Lassus. Sammtliche Werke.
Band 14. M.8o4oa.67.i4
Et dixit eis Jesus. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.i5
Et ecce stella. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
Et in eo paravit. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Et incarnatus est. Anthem. Caldara. No. sin M.290.29.2; etc.
Cherubini. No. 29 in M.290.22.2
Ellerton. No. 6 in M.260.21
Haydn, F. J. No. 38 in M.290.29.2; etc.
JosQUiN Depres. No. 5 in M.202.6.1
Leo. No. 34 in M.2b2.6.3
Naumann, J. G. No. IS in M.290.2g.6; etc.
Palestrina. No. 6 in M.233.26.1
Panseron. Collection de 40 morceaux. No. 18 in M.260.13
Et increpavit eos dicens. Motet. Palestrina. Werke. Band 6.
M.8o4oa.66.6
Et introeuntes in momentum. Motet. Palestrina. Werke.
Band 3. M.8o40a.66.3
Et Jesum. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.l
— Sammtliche Werke. Band 5. M.8o4oa.67.s
Et Jesum benedictum. Motet. Lassus. Sammtliche Werke.
Band 13. M.8o4oa.67.i3
Et misericordia ejus. Motet. Bach, C. P. E. No. 28 in M.202.6.3
Et nunc et semper. Song. L'£pine. Scenes et chansons.
M. 158.42; etc.
Et omnes angeli stabant. Motet. Palestrina. Werke. Band i.
M.8o4oa.66.i
Et omnia, et omnia. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o4oa.67.7
Et rege eos. Anthem. Graun. No. 26 in M.2go.29.i
ScHicHT. No. 8 in M.26o.24.2
Et repleti sunt. Anthem. Palestrina. Werke. Band 31.
M.8o4oa.66.3i
Etenim Pascha nostrum. Motet. Palestrina. Werke. Band 6.
M.8o4oa.66.6
Eterna fac cum Sanctis. Anthem. Bononcini.
No. 1 1 in M.233.26.1
Eternal God, Almighty Power. Anthem. Haydn, F. J.
No. 12 in M.22I.22.3
Eternal ruler of the skies. Anthem. Mozart.
No. 6 in M.2go.22.i
Eternel, L', est regnant. Anthem. Sweelinck. Werken.
Deel 2. M.413.2.3
Etienne, Charles Guillaume.
Aladin, ou la lampe merveilleuse. [Opera.] Musique de
Nicolo [Isouard]. M.293.S
Cendrillon. Opera feerie. Musique de Nicolo de Malte
[pseud.]. M.283.32; etc.
Les deux maris. Opera comique. Musique de Nicolo de
Malte [pseud.]. M.283.38
Le grand deuil. Opera [par J. B. C. Vial et C. G. fitienne].
Musique de H. Berton. No. i in M. 230.20
Une heure de mariage. Comedie. Musique de N. Dalayrac.
M.291.29
Jeannot et Colin. Opera comique. Mis en musique . . . par
Nicolo de Malte [pseud.]. M.22S.28; etc.
La jeune femme colere. Comedie. [Musique] par A. Boiel-
dieu. M.271.31
Joconde, ou, les coureurs d'aventures. Opera comique.
Musique de Nicolo [Isouard]. Dublin. Tyrrell. 1824.
3 parts in I ^ No. I in M.ioga.i.i
Words only, intrench and English.
Same. Musique de Nicolo [Isouard]. M.368.1
Un jour a Paris, ou la leQon singuliere. Opera comique.
[Mis en musique] par Nicolo [Isouard]. M.293.4
L'une pour I'autre, ou I'enlevement. Opera comique. Mu-
sique de Nicolo de Malte [pseud.]. M.402a.i5
Le rossignol. Opera comique. Musique de L. S. Le Brun.
M.253.34
Etienne, Victor Joseph.
Die Abenceragen, oder das Feldpanier von Granada. Grosse
Oper von L. Cherubini. M.28s.ii
L'amant et le mari. Opera comique par MM. * * ♦ [fitienne
et Roger]. Musique de Mr. Fetis. H.401.16
402
Etienne
THE ALLEN A. BROWN COLLECTION OF MUSIC
Euterpe
fitienne, Victor Joseph. (Continued.)
Les aubergistes de qualite. Opera comique. Componirt
von H. [sic] Catel. M.230.39
Les Bayaderes. Opera. Mis en musique . . . par Catel.
M.28i.35;etc.
Same. Die Baiaderen, grosse Oper, in Musik gesetzt von
Catel. M.230.40
Fernand Cortez, ou la conquete du Mexique. Tragedie
lyrique de MM. Jouy [pseud.] et Esmenard; mise en mu-
sique . . . par G. Spontini. M.274.33
Same. Ferdinand Cortez, oder die Eroberung von Mexico.
Musik von Spontini. N. p. N. d. No. i in M.io9a.i.4
Contains the words only.
Same. Oper. Te.xt von de Jouy [Pseud., und Esmenard],
Musik vom Ritter Spontini. M.284.5
Guillaume Tell. Opera. [Musique de M. Rossini. Poeme
d.: MM. Jouy [pseud.] et H. Bis.] No.S in M.370.37
Libretto only, in French.
Same. Solos, duets, trios ... [in English only]. By Al-
fred Bunn. M.147.29
Same. [In English, by Alfred Bunn.] M.147.28
Same. Guglielmo Tell. Grand' opera. [Parole di fitienne
e Bis. Musica di G. Rossini.] M.3SS.12; etc.
Le mariage par imprudence. Opera. Mis en musique . . .
par P. Dalvimare. M.224.14
Marie Stuart. Monologue lyrique de M. de Joui [pseud.].
Mis en musique par Auguste Blondeau. No. 2 in M.281.8
Milton. Opera de Joui [pseud.] et Dieulafoi, mis en mu-
sique . . . par Gaspard Spontini. M.274.32
Moise. Opera. Musique de M. Rossini. [Paroles de Baloc-
chi et fitienne.] No. 3 in M.370.37
Contains the libretto only.
Same. Opera . . . par G. Rossini. M.264.2i;etc.
La prisonniere. Opera. [Paroles de Jouy [pseud.], de
I.ongchamps et Saint-Just.] Musique de Cherubini et
Boieldieu. M.28S.13
La vestale, tragedie lyrique de M^. Jouy [pseud.]. Die Ves-
talinn . . . komponirt von Spontini. M. 151. 13
Same. [La vestale. Tragedia lirica di Jouy [pseud.].
Musica di Spontini.] 14.355.15; etc.
Same. Tragedie lyrique de Mr. de Jouy [pseud.], mise en
musique par Gaspard Spontini. M. 284.1
Zirphile et fleur de myrte, ou cent ans en un jour, opera,
parole de Jouy [pseud.] et Lefebvre, musique de Catel.
M.281.37
6tienne Marcel. Opera. For the Music see Saint-Saens. For
the Libretto see Gallet.
fitoile, L'. Cantata. For the Music see Marechal. For the
Libretto see Collin, P.
fitoile, L'. Opera. For the Music see Chabrier. For the Li-
bretto see Leterrier.
Etoile, Une, . . . d'antichambre. Opera. For the Music see
Claments. For the Libretto see Lemonier.
Etoile de la mer. Song. Schubert, F. P. Melodies. Vol. 3-
M.327.4.3
Etoile, L', de Seville. Opera. For the Music see Balfe. For
the Libretto see Lucas, H. J. J.
fitoile, L', du nord. Opera. For the Music see Meyerbeer. For
the Libretto see Scribe.
Etoile du soir. Song. Schubert, F. P. Melodies. Vol. 7.
M.32 7.4.7
fitoile luit, L'. Song. Louis, N. No. 3 in M.390.30
Etoile, L', oil Ton s'aime. Chorus. Ronge. 12 choeurs rhyth-
miques. No. 45 in M.392.21
Etoile tricolore, L'. Song. Louis, N. No. 23 in M.390.30
Etoiles, Les. For pianoforte. Louis, N. No. 30 in M.390.17
6toiles, Les. Song.
Blumenth.\l. Sais-tu pourquoi? No. 24 in M.244.1
Schubert, F. P. Melodies. Vol. 4. M.327.4.4
ifetoiles, Les, du chant. Biography. Charnace. M.196.1
Etoiles, Les, et les roses. Chorus. Ronge. 12 chceurs rhyth-
miques. No. 54 in M.392.21
Eton, an ode. Chorus. For the Music see Parry, C. H. H.
For the Libretto see Swinburne.
Stranger, L'. Opera. For the Music and Libretto see Indy,
P. M. V. d'.
Etranger, L'. Overture. Indy, P. M. V. d'. No. 2 in M.406.S1
Etranger, L'. Song. Schubert, F. P. Melodies. Vol. 2.
M.32 7.4.2
Etrennes lyriques. Songs. Romagnesi. M. 158.7
Ett, Caspar.
Ave Maria. A 4 voix. Avec accomp. d'orgue (ad lib). Paris.
Richault. [184-?] No. 16 in M.260.10.3
Haec dies, quam fecit Dominus, Lobsinget ihm, in usum
quatuor vocum . . . comitante clavicimbalo. Moguntiae.
Schott. [182-?] No. 4 in M. 221.43
[Two masses, in F, for 8 voices, without accomp'.] Manu-
script. [187-?] 22 parts in i v. M. 250.12
Vocal score of each mass, and the different parts separately copied.
Ettling, Emile.
En maraude. Operette en i acte. Paroles de Emile Mendel.
Musique de fimile Ettling. Partition piano et chant. Paris.
Gregh. [1877.] No. i in M.305.41
Le nain. Operette en i acte. Paroles de fitienne Trefeu.
Musique de £mile Ettling. [Partition chant et piano.]
Paris. Gregh. [1872.] No. 2 in M.305.41
Le tigre. Operette bouffe en I acte. Paroles de fitienne
Trefeu. Musique de fimile Ettling. [Partition chant et
piano.] Paris. Gregh. [1873.] No. 3 in M.305.41
Etudes symphoniques. For orchestra. Schum.vnn, R. A.
No. 2 in M.404.15
Etzels Klage. Song. Taubert, C. G. W. 12 Lieder.
No. 3 in M.221.26
Eudel, Paul.
L'orage. Monomime par Bertrand Millanvoye et Paul Eu-
del. Musique d'Adolphe David. No. i in M.301.3
Eudora. Cantata. For the Music see Creser. For the Li-
bretto see Armstrong, G. F.
Euge serve bone et fidelis. Anthem. Sweelinck. Werken.
Deel 6. M.413.2.6
Eugen Onegin. Opera. For the Music see Tchaikovski, P. I.
Eugen Onegin. Overture. Tchaikovski, P. I. No. i in M.404.26
Eugene, pseud. See Planard, Frangois Antoine Eugene de.
Eulalie. Song. Foster, S. C. No. 20 in M.380.41.1
Eule, Gottfried.
Der Unsichtbare. Komische Oper in i Acte, von Costeno-
ble. Musik von Eule. In Partitur geschrieben von Dr.
Ladner. Trier. 1849. Manuscript. M.231.34
Eulenspiegel. Opera. For the Music see Kistler.
Eulenstein, Carl.
A sketch of the life of Eulenstein, the performer on the
Jews' harps. London. Welsh. 1833. Portrait. M.101.8
Eumenides, The. Incidental music. For the Music see Stan-
ford. For the Text see Aeschylus.
Euphorion. Symphonic poem. Puchat. No. S in M.404.3
Euphrosine. Song. Schubert, F. P. Melodies. Vol. 8. M.327.4.8
Euphrosine, ou le tyran corrige. Opera. For the Music see
Mehul. For the Libretto see Hoffman, F. B.
Euridice. Opera. For the Music see Caccini, G. ; also Peri, J.
For the Libretto see Rinuccini.
Euripides.
Alcestis, (Euripides) with music by Henry Gadsby.
No. 6 in M.155.41
[Medea.] Chore zur Medea des Euripides, componirt . . .
von Wilhelm Taubert. No. 2 in M.2go.5
Euro gentil. Madrigal. Lassus. Sammtliche Werke. Band 2.
M.8o4oa.67.2
Europe galante, L'. Opera. For the Music see Campra. For
the Libretto see Houdart de La Motte.
European emigrant's song of salutation, The. Song. Keller,
M. No. 15 in M.192.13.1
Euryanthe. Opera. For the Music see Weber, C. M. F. E. von.
For the Libretto see Chezy.
Eustache, Ange Jean Robert.
Le mari de la fauvette. Opera comique. Paroles de MM.
de Villeneuve et Angel [pseud.], musique de Ch. de Du-
fort. No. I in M.277.29
Euterpe, Boston.
Programmes and comments, 1879-1889. Compiled [with an
index] by Allen A. Brown. Boston. 1890. M.371.4
Euterpe. Cantata. For the Music see Heinze, G. A. For the
Libretto see Heinze-Berg.
403
Eva
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ewald
For the Li-
Eva. Oratorio. For the Music see Massenet,
BRETTO see Gallet.
Eva. Song. Linley, G. [Songs.] Vol. 2. No. IS m M.235.19.2
Evangelimann, Der. Opera. For the Music and Libretto see
Kienzl.
Evangeline. Cantata. For the Music see Carter, G.; also
Gabriel, M. A. V. For the Libretto see Lonsdale, J. J.
Evangeline. Opera. For the Music see Leroux. For the Li-
bretto see Gramont.
Evangeline. Opera. For the Music see Rice. E. E. For the
LiBREffTO see Goodwin, J. C.
Evangeline. Song. Thomas, J. R. No. 7 in M.192.14
Evans, Charles Smart.
As a rosy wreath. [Madrigal, a. t. b.] (In Hawes. Collec-
tion of madrigals. Pp. 42-44-) No. 8 in M.235.12
Beauties, have you seen a toy? [Glee, a. a. t. t. b.1 (In de-
menti. Vocal harmony. 2d edition. Vol. 5. PP- 102-111.)
No. 18 in M.234.2.5; No. 18 in M.23S.9.S
Also to be found in Novello's Glee-hive.
Fiat misericordia Tua. Solo for a counter-tenor. [Accomp.
for organ.] (In Novello. Motetts. Vol. i, book 4. PP-
J4 jj) No. 35 in M.260.24-I
Requiem IIL (In Fane, John. A requiem to the memory
of the late Samuel Webbe . . . Pp. 23-30.) No. i in M.220.29
Tantum ergo. [b. solo et choeur. Accomp. d'orgue.] (/"
Dietsch. Repertoire de musique religieuse. Pp. 146-148.)
No. 32 in M.260.20
Also to be found [for a. solo and quartett] in Novello's Motetts.
Evans, Edwin.
A dream of Merrie England. Four part song. [London.]
Metzler & Co. 1867. No. 24 in M.157.23
Evans, John Young. T,;r • i_ t
Gwen. The white lady of Middvai. Cantata. Music by J.
Haydn Parry. No. 3 in M.194.25
Evans, Robert Harding.
An essay on the music of the Hebrews. London. Booth.
1816. No. 4inM.373.35
Evans's Hotel, London.
TowNSEND, G. H., compiler. Selections and words of glees.,
madrigals, choruses, songs, etc., sung every evening.
No. 3 in M. 132.3
Evanthia. Opera. For the Music and Libretto see Umlauft.
Eve. Oratorio. For the Music see Massenet. For the Li-
bretto see Gallet.
Eve's glittering star. Part-song. Kuecken. No. 42 in M.1S7.1
Evehor invidia pressus. Motet. Lassus. Sammtliche Werke.
Band II. M.8o4oa.67.ii
feveillez-vous. Song. David. F. C. Cinquante melodies.
M.363.28
Eveleen, the rose of the vale. Opera. For the Music see Birch,
W. H.
Evelina. Opera. For the Music see Sacchmi. For the Li-
bretto see Guillard, N. F.
Evenemens imprevus, Les. Opera. For the Music see Gretry,
A. E. M. For the Libretto see Hales.
Evenepoel, Edmond.
Le Wagnerisme hors d'AUemagne. (.Bruxelles et la Bel-
gique.) Paris. Fischbacher. 1891. M.217.7
Evening. Part-song. Abt, F. No. 29 in M.20S.10.S
Call. No. 7 in M.205.10.3
Cruickshank, W. a. C. No. 21 in M.158.15
Haite. No. 44 in M.157.6.3
Hiles, H. No. 3 in M.195.1.3
Hoffmann, C. No. 30 in M.392.48.1
Leslie, H. D. No. S in M.19S.1.14; etc.
Martin, G. C. No. 26 in M.19S.1.17
Smart, H. No. 9 in M.204.36.1
Smith, W. S. No. ^7 m M.121.3
Sullivan, A. S. No. 4 in M.323.24; etc.
Zerlett. No. 33 in M.203.20
Evening at sea. Part-song. Hofmann, F. H. No. 13 in M.392.11
Evening bell, The, on the mountain. Part-song. Belcke.
No. 7 in M.20S.10.5
Evening bells, The. For violoncello and piano. Seryier.
No. II in M.210.6; etc.
Evening blessing, An. Anthem. Lassen. No. 2 in M.1S8.19
Evening chimes. Part-song. Gabriel, C. H. No. 11 in M.158.16
Evening echoes. Part-song. Pache. No. 3 in M.203.20
Evening glow on the woods. Part-song. Abt, F.
No. 12 in M.195.1.12
Evening hymn. Part-song.
Blumenthal. 6 part-songs. No. 2 in M.1S8.23
Buck, D. No. 12 in M.ioo.4.2
HoDGES, G. L. Collection of Peninsular melodies. Vol. i.
No. 8 in M.244.2S.1
Evening, The, of the chase. Glee [t. t. b.]. (/« Bland. The
Ladies' collection. Vol. 4, pp. 418, 419.)
No. 87 in M.23S.17.4
Evening peace. Part-song. Mair. No. 32 in M.204.38
Evening prayer. Motet. Hauptmann, M. Six motets.
No. 2 in M.290.9.2
Evening rest. Part-song. Hamma, B. No. 29 in M.293.48.2
Hering, C. E. No. 23 in M.204.36.7
Wermann. No. 17 in M.204.36.3
Evening serenade. Part-song. Pache. No. 12 in M.392.21
Evening service, The. Church music. Novello, V., editor.
M.260.23
Evening song. Duet.
Mendelssohn-Bartholdy, J. L. F. No. 5 in M.280.22; etc.
RiNCK. No. 3 in M.167.3
Evening song. Part-song. Banck. No. 22 in M.109.1
Billeter. M.193.23.1
Davenport, A. No. 38 in M.1S7.23
Dregert. No. S in M.392.7
Head. No. 43 in M.121.3
Hill, E. M. No. loin M.19S.1.15
Klein, B. O. No. 46 in M.158.17
Naater. No. 13 in M.3g2.48.2
Evening song. An. Song. Blumenthal. No. 13 in M.244.1
Evening star, The. Part-song. Lachner, F.
No. 27 in M.204.36.5
Evening star. Song. Cowen. No. 7 in M.ig2.ii
Evening sun's declining. Trio. Hodges, G. L. Collection of
Peninsular melodies. Vol. 2. No. 14 in M.244.25.a
Evening thoughts. Ballad. Linley, G. Songs. Vol. i.
No. 31 in M.23|.ig.i
Evening wind, The. Part-song. Reinecke, C. H. C.
No. 3 in M.204.36.7; etc.
Eventail, L'. Opera. For the Music see Boulanger. For the
Libretto see Carre, M.
Eventide. Part-song. Abt, F. No. 8 in M. 195.1.1a
Ever true. Part-song. Hatton. No. 20 in M.1S7.10
Everaerts, Pierre Frangois.
L'avalanche, operette de salon en i acte, paroles de P. Bo-
gaerts, musique de F. Everaerts. Partition pour chant et
piano. Bruxelles. Schott. [185-?] No. i in M.305.42
Evers, Carl.
Ave Maria. [Miinnerchor.] Op. 54- Wien. Gloggl. [185-?]
No. 54 in M.392.7
Every day will I give thanks. Anthem. Handel.
No. 16 in M.290.22.1 ; etc.
Every rustling tree. Part-song. Kuhlau.
No. 6 in M.205.10.4; etc.
Every valley. Anthem. Handel. Comfort ye.
No. 28 in M.2go.22.i
Evison, T. B.
The love-spell. A four-part song [a. t. b. b.]. (In The
Orpheus. New series. Vol. 6, pp. 77-Si.)
No. 13 in M.205.10.6
Ev'ry bush new springing. Part-song. Cavendish.
No. 195 in M.110.1.3; etc.
Ewald, Johannes.
Maria und Johannes. Passions-Oratorium von J. A. P.
Schulz. [Text von J. Ewald.] Grosse Messe in D-moll
von L. Cherubini. Berlin. 1849. No. 10 in M.373.61
Words only.
Same. Ein Passions-Oratorium von J. .\. P. Schulz.
No. 2 in M.152.25
Ewald, Otto.
Der Brautgang. Oper. Musik von Bruno Oelsner.
No. I in M.394.4S
404
Ewald
THE ALLEN A. BROWN COLLECTION OF MUSIC
Exurge
Ewald, V.
Quatuor en ut majeur pour deux violons, alto et violoncelle.
Op. I. Partition. Leipzig. Belaieff. 1894. No. 2 in M.4i2a.5
Quintuor pour deux violons, deux altos et violoncelle. Op. 4.
Partition. Leipzig. Belaieff. 1895. No. 3 in M.4i2a.5
Ewer & Co.
Album leaves. [For pianoforte. London. i86-?l
No. I in M.37S.I
Half of the pages contain advertisements.
Contents. — Questions. Mendelssohn. — Frohlicher Landmann. Schu-
mann. — Troika, or the Russian courier's song. — Minna and Tom-
Polka. Giese. — Amelie-valse. Lumbye. — Andante. Schubert. —
Allegretto. Beethoven.
Catalogue of complete editions of Felix Mendelssohn Bar-
tholdy's compositions. London. [185-?] No. 2 in M.214.19
Catalogue of instrumental and vocal music. [London.
i85_?] No. 3 in M.214.19
Ew'ger, den im Staube verehret mein Glaube. Part-song.
Rossini. No. 258 in M. 1293.43.8
Ewig dahin! Part-song. Moehring. V Gesange.
No. 17 in M.392.18
Ewig dein. Canon. Beethoven. Werke. Serie 23. M.413.1.23
Ewige Burg, Die. Part-song.
Schumann, R. A. No. 9 in M.130.7; etc.
Veit. No. 2 in M.130.7
Ewige Heimath, Die. Oratorio. For the Music see Kuester.
Ewige Liebe. Part-song.
Mueller, C. F. W. No. 21 in M.392.42.4
Schubert, F. P. Werke. Serie 16. M.317.1.16: etc.
Ewige Lied, Das. Part-song. Koellner. No. 16 in M.203.15
Ex Sion. Anthem. Stuntz. No. 49 in M.260.19
Exaltabo. Anthem. Casali. No. 9 in M. 158. 33.4
Exaltabo Te. Motet. Lassus. Sammtliche Werke. Band 3-
M.8o4oa.67.3
Exaltabo Te, Domine. Motet. Palestrina. No. 116 in M.220.10
Exaltabo Te, Domine. Chant. Humfrey. No. ii in M. 157.28.2
Examination papers.
Incorporated Society of Musicians. A book of examina-
tion questions. [First annual report.] London. 1884.
M.372.32
Examination questions book. Part IV. Practical ex-
aminations. London. [189-?] No. 3 in M.112.18
Theoretical examination. Questions and exercises.
8th edition, revised. London. 1890. No. I in M.112.18
Exauc', 6 mon Dieu. Anthem. Sweelinck. Werken. Deel 5.
M.413.2.5
Exaudi, Deus. Anthem.
Barnett, Joseph A. No. i8a in M.260.10.2; etc.
Croce. No. 4inM.is8.33.4;etc.
Lassus. Sammtliche Werke. Band 3. M.8o4oa.67.3
Exaudi Deus orationem. Motet. Lassus. Sammtliche Werke.
Band I. M.8o4oa.67.i
Exaudi Domine. Motet. Palestrina. Werke. Band S.
M.8o4oa.66.5
Exaudi Domine preces. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.9
Exaudi Domine vocem. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o40a.67.7
Exaudi me. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Exaudi nos. Anthem. Mozart. No. 13 in M.260.17.2
Nanino. No. 26 in M.202.6.1
Excelsior. Opera. For the Music see Marenco, R. For the
Libretto see Manzotti.
Excelsior, Jr. Opera. For the Music see Tracy. For the
Libretto see Barnet.
Except the Lord build the house. Anthem. Smart. G. T. A
collection of sacred music. M.233.19
Exchange of hearts. Duet. Himmel. No. 3 in M.212.21.1
Excita Domine. Motet. Palestrina. Werke. Band 2, s.
M.8o4oa.66.2, 5
Exeter HaU. A monthly magazine of sacred music. Vol. 1-4.
London. Metzler & Co. [1868, 69.] 4 v. in i. Plates.
Facsimiles. M.16S.2
Exhilaration. Song. Blumenthal. No. 2 in M. 192.12
Exi cito in plateas. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Exile, The. Opera. For the Music see Mazzinghi. For the
Libretto see Reynolds, F.
Exile, L'. Song. Schubert, F. P. Melodies. Vol. 5. M.327.4.5
ViviER. No. I in M.202.28
Exode, L'. Part-song. Gevaert. No. 8 in M.130.7
Exodus of Israel. Sunday school service. Read, G. T.
No. 5 in M.373.44
Expectatio justorum. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Expectation. Song. Bianchi, F. Four songs. No. 11 in M.237.7
Mendelssohn-Bartholdv, J. L. F. No. 57 in M.235.18.3
Exploits, Les, de Dragonnette. Opera. For the Music see
Pierraccini. For the Libretto see Daillens.
Exploits, Les, de Sylvestre. Opera. For the Music see Nar-
geot. For the Libretto see Sorant.
Explosion, Une. Opera. For the Music see Douay. For the
Libretto see Jouhaud.
Exposition de quelques nouvelles vues mathematiques dans la
theorie de la musique. Amsterdam, et se trouve a Paris
chez Cailleau. 1760. No. 2 in M.370.70
Expostulation. Trio. Hodges, G. L. Collection of Peninsu-
lar melodies. Vol. i. No. 2 in M.244.25.1
Expression.
AvisoN, C. An essay on musical expression. With altera-
tions and additions. Added, a letter to the author con-
cerning the music of the ancients . . . [by Dr. Jortinl.
Likewise, Mr. Avison's Reply to the author of Remarks
on the Essay on musical expression [William Hayes].
3d edition. London. 1775. M.i29a.i2
Berthe, F. L. Beethoven, drame lyrique, precede de quel-
ques mots sur I'expression en musique et sur la veritable
poesie dans le drame lyrique. Paris. 1836. No. i in M. 141.7
Frobisher, J. E. A new and practical system of the culture
of voice and action . . . with an appendix of readings and
recitations. Improved edition. New York. i88t. M. 108.30
Giraudet, a. a. Mimique, physionomie et gestes. Methode
pratique d'apres le systeme de F. Del Sarte, pour servir a
I'expression des sentiments. Avec 34 planches hors texte,
composees de 250 figures gravees en taille-douce d'apres
les dessins originaux de Gaston Le Doux. Paris. 1S95.
M.380.62
LuNN, C. Vocal expression: empirical or scientific? Lon-
don. 1878. No. 4 in M.13S.2
LussY, M. Traite de I'expression musicale. 3e edition. Paris.
1877. M.122.16
Meugy, a. La poesie de la musique, son expression, ses
accents, rapproches des beautes naturelles . . . Paris. 1875.
M.127.34
Paget, V. Musical expression and the composers of the
i8th century. By H. Vernon Lee [pseud. London. 1877].
No. 8 in M. 125.8
Expurgate vetus fermentum. Motet. Palestrina. Werke.
Band 6. M.8o4oa.66.6
Exspectans exspectavi. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Exsultate jubilate. Motet. Mozart. Werke. Serie 3. M.315.1.3
Exsultate justi. Motet. Lassus. Sammtliche Werke. Band 3.
M.8o4oa.67.3
Sammtliche Werke. Band 3.
M.8o4oa.67.3
Sammtliche Werke. Band
M.8o4oa.67.3, g
Exsultet coelum. Motet. Lassus.
Motet. Lassus.
Melodies. Vol. 6. M.327.4.6
For the Music see Carissimi. Six
No. 22 in M.22 1.22.4; etc.
Exsurgat Deus.
3. 9-
Two settings.
Extase. Song. Schubert, F. P.
Exulta, gaude. Cantata.
cantatas.
Exulta Sion. Chorus. Pergolesi.
Exultabunt sancti. Anthem. Foggia. No. 26 in M.158.33.4
Exultate Deo. Motet. Palestrina. No. 31 in M. 158.33.3
Wesley, S. No. i in M.192.20
Exultate, justi. Anthem. Vulpius. No. 41 in M.202.6.1
Exultet coelum laudibus. Hymn. Palestrina. Werke. Band 8.
M.8o4oa.66.8
Exurgat Deus. Motet. Webbe, S. No. 42 in M.156.50
Exurge. Nixon, H. G. Selections from sacred compositions.
Vol. 2. M.270.1.2
405
Eybler
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fackelzug
Eybler, Joseph, Edler von.
Benedicam. (Chorus.) [Accomp. for organ.] {In Lutz.
Motets for the year. No. 44. Pp. 20.3-209.)
No. 44 in M. 156.50
Graduale. No. 1-6. Partitur fdes Orchestersl. Wien.
Haslinger. ri82-?-.38?l 6 v. in i. M.191.6
Contents. — i. Tua est potentia. 2. Sperate in Deo. 3. Omnes de Saba
venient. 4. Dies sanctificatus illuxit nobis. 5. Benedicam Dominum
omni tempore. 6. Non in multitudine est virtus tua.
Numbers 4-6 iiave tile separate parts as well as the full score.
Lord, how boundless is Thy love. Quartetto. [Accomp.
for pianoforte.! (In Gardiner. Sacred melodies. Vol. 4,
pp. 526-530.) No. 20 in M.236.30.4
Messe. f Erstel-Sechste. Partitur Tdes Orchestersl. Wien.
Haslinger. fi825?-.35?l 6 v. in r [Musica sacra.] M.191.5
Contents. — I. Messe zur Kronungs-jFeyer . . . Carolina als Koniginn
von Ungam. — De Sancto Mauritio. 2. De Sancto Leopoldo. — De
Sancto Ludovico. 3. De Sancto Rudolpho. — De Sancto Rainero.
Offertorium. No. 1-7. Partitur [des Orchesters]. Wien.
Haslinger. [182-?] 7 v. in i. M.191.7
Contents. — I. Domine, si observaveris. 2. Si consistant adversum me
castra. 3. Reges Tharsis et insulae 4. Tui sunt coeli. 5. Jubilate Deo.
6. Timebunt gentes. 7. Magna et mirabilia sunt opera Tua.
Numbers 4 and 7 have the separate parts in addition to the full score.
Requiem. [Fiir vier Singstimmen mit Orchester-Beglei-
tung.] Partitur. Wien. Steiner & Co. [183-?]
No. I in M.igi.8
fZauberschwert.] Ouverture [Duett, Lieder, u. s. w.] aus
der Oper das Zauberschwert. [Klavierauszug.] Wien.
No. 4 in M.320.12
Selection of glees.
No. 32 in M.23S.13.2
Mollo. [1803?] 8 parts in i v.
Eye, The, of night. Duet. Webbe, S.
Vol. 2.
Eyes, The, of all wait. Anthem.
Gardiner.
Gibbons, O.
Webbe, S. Twelve anthems.
Eyken, Jan Albert van.
[Lucifer.] Ouverture, Entre-Acte und Chore zum Trauer-
spiel Lucifer von J. von Vondel, fiir Solo, Chor und Or-
chester componirt von J. A. van Eyken. Klavierauszug.
Op. 40. Elberfeld. Arnold. [1858?] M.391.40
The text is in Dutch and German.
No. 24 in M.236.30.4
No. 14 in M. 195.2. 14
No. 2 in M.234.7
Eyken, Jan Albert van. (Continued.)
Sonate (No. 3) fiir die Orgel. Op. 25. Leipzig. Breitkopf
& Hiirtel. [187-?] No. 11 in M.414.32
Eyken, Jan Albert van, editor.
Bach, J. S. Fugen aus dem Wohltemperirten Clavier.
No. 1-3 in M.312.49
Eykens, Jean Simon.
Ave Maria, [s. t. b. Accomp. d'orgue.] Bruxelles. Schott.
[185-?] No. IS in M.201.33; No. 24 in M.260.19
Les bandits. Choeur de concours [x. t. b. b.]. Paris. Schott.
[i86-?l No. 10 in M.392.33
Messe a 3 voix [s. x. b.], avec accomp. d'orgue. Mayence.
Schott. [185-?] No. 5 in M.260.8.4
Messe, 2™^, a 3 voix [s. t. b.], avec accomp. d'orgue. Ma-
yence. Schott. [i8s-?l No. 6 in M.260.8.4
La nuit. Serenade pour 4 voix d'hommes. Paris. Schott.
[186-?] No. II in M.392.33
Tantum ergo. [s. x. b. Accomp. d'orgue.] Bruxelles. Schott.
[185-?] No. 25 in M.260.19
Eyle, W.
The mountain stream. Tyrolean song [x. x. b. b. Boston.].
Ditson & Co. 1882.
Eyraud, Honore Achille.
La cigale et la fourmi.
deric Barbier.
Francastor. Operette.
No. 55 in M.392.7
Operette bouffe. Musique de Fre-
No. 2 in M.255.34
Paroles de [H. A. Eyraud et] La-
bottiere. Musique de Frederic Barbier. No. 3 in M.2S5.34
Eyrich, F.
Das macht das dunkelgriine Laub. [Volkslied, x. x. b. b.]
(In Abt. Deutsche Sangerhalle. Vol. 4, pp. 60-63.)
No. 22 in M.392.42.4
Eysler, Edmund.
Der Hexenspiegel. Komische Oper in drei Akten von J.
Schnitzer. Musik von Edmund Eysler. Klavierauszug
mit Text. Leipzig. Cranz. [1906?] M.389.38
Ezekiel. Oratorio. For the Music see Garth, R. M.
Ezio. Ol>era. For the Music see Handel. Werke. Liefe-
rung 80.
Posto in musica
M.310.3
No. 46 in M. 158.19
No. 2 in M.203.28
Capitain.) Opera [de
Musique] de Jos. Mer-
M.394.42
F., L.
Ildegonda de Borgogna. Dramma tragico.
... da Francesco Malipiero.
Originally produced with the title Attila.
F., M.
Ingo. Grosse Oper. Musik von Philipp Rufer. M.393.52
Fa, che con I'acque. Madrigal. Palesirina. Werke. Band 29.
M.8o4oa.66.29
Fa la. Glee. Savile. The waits.
Fa, la, la. Part-song. Johns.
Faassen, Rosier.
Le capitaine noir. (Der schwarze
Rosier Faassen et Gustave Lagye.
tens.
Faber, Frederick William.
Guirlandes de mai. Hymns to the B. V. M. Musique de W.
Schulthes. No. 3-5 in M.1S6.28
Faber, Villiam.
Spanske Studenter. Opera. Musik af P. E. Lange-Mueller.
M.267.20
Fabiani, C.
Young hearts. [Trio, s. s. A. Accomp. for pianoforte.]
London. Czerny. [187-?] No. 11 in M.157.15
Fabiani, Dario.
L'ultimo sacrificio. Preghiera per canto [a. o. b.] con ac-
comp. di pianoforte. Op. 84. Milano. Lucca. [187-?]
No. 16 in M.201.33
Fabier, Die. Opera. For the Music see Langert. For the Li-
brexxo see Meyem-Hohenberg.
Fablieau. Song. HALfivY, J. F. F. fi. No. i in M.202.28
Fabre, Amant Joseph.
Jeanne d'Arc. Drame historique. Musique de Benjamin
Godard. No. 2 in M.256.43
Fabrice-Marsch. For orchestra. Krexschmer. No. 2 in M.331.19
Fabricius, Jakob Kristian.
Skon Karen. Schon Karen. Danische Oper in i Akt von
Einar Christiansen. Deutsch von Carl Mengewein. Musik
von Jakob Fabricius. Vollstandiger Klavierauszug mit
Text. Kopenhagen. Hansen. [190-?] No. i in M.399.81
Fabry, Jacques Joseph.
Li Ligeois egagi. Opera. Musique de Jean Noel Hamal.
No. 2 in M.402.20
Fac me penitentem flere. Duet. Asxorga.
No. 29 in M.290.29.1 ; etc.
Fac me plagis. Anthem. Neukomm, S. von. No. 19 in M.260.17.1
Fac ut portem. Aria. Boccherini. No. 29 in M.290.29.2
Facciam, cara mia File. Part-song. Sweelinck. Werken.
Deel 8. M.413.2.8
Faccio, Franco.
Amleto. Marcia funebre. Partitura. Manuscript. [186-?]
No. 2 in M.406.69
I profughi fiamminghi. Melodramma in 3 atti. Poesia di
Emilio Praga. Musica di F. Faccio. Riduzione per canto
e pianoforte. Milano. Ricordi. [1863.] M.262.31
Face, The, of the Lord is against them. Anthem. Wesley,
S. S. Anthems. Vol. i. M.233.22
Face donques qui voudra amour. Part-song. Sweelinck.
Werken. Deel 7. M.413.2.7
Fackeltanz. For orchestra. Bruell. No. 3 in M.332.10
Fackelzugstaendchen. Part-song. Gen^e, No. 36 in M.392.9
406
Facts
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fairlamb
Facts and documents relating to the reverses of the Surrey
Gardens Company. By a pensive shareholder. London.
Johnson. 1857. No. 7 in M.149.8
Factum est silentium. Anthem. Vento. No. 19 in M.1S8.33.4
Factus est Dominus. Motet. Lassus. Sammtliche Werke.
Band 3. 11.80403.67.3
Factus est repente. Motet. Aichinger. No. 27 in M. 158.33.3
Fading, still fading. Anthem. Millard, H. No. 11 in M. 280.26
Fagelns visa. Part-song. Soderberg. No. 7 in M.392.38
Fago, Nicola.
Stabat Mater. [4 voices. Accomp. for organ.] (/n Novello.
Evening service. Vol. i, pp. 129-139.) M.260.23.1
Fagot, A, from the Coliseum. Criticism. Boott.
No. 6 in M. 137.13
Fagottist, Der. Part-song. Genee. No. 43 in M.392.9
Fahne, Die, Brijder! Part-song. Sattler. No. 13 in M.204.39
Fahnenlied. Part-song.
Cavallo. No. 16 in 111.392.6
Feyhl. No. 3 in M.370.30
Fahnenschwur. Part-song. Adam, C. F. Sechs Turnlieder.
No. 26 in M.392.2
Fahnentraeger, Der. Part-song. Ellissen. No. 262 in M.i29a.43.8
Fahr wohl! Cantata. For the Music see Hirsch, C. For the
Libretto see Mosen.
Fahr wohl. Part-song. Schneider, P. F. Drei Lieder.
No. 43 in M.392.23
Fahr' wohl, du gold'ne Sonne. Part-song. Beethoven.
No. 167 in M.147.4
Fahrbach, Philipp, Jr.
Am Plattensee. Walzer . . . fiir Mannerchor mit Piano-
forte. Op. IDS. Budapest. Taborszky & Parsch. [188-?]
No. I in M.212.5
Fahrende Gesellen. Part-song. Lubrich. No. 12 in M.370.30
Fahrende Leute. Part-songs. Krug, A. No. 3-6 in M.212.9
Fahrende Musikant, Der. Part-song.
Heuberger. Zwei Mannerchore. No. I in M. 392. 11
Klefkel. Sechs Mannerchore. No. 10 in M. 392. 13
Fahrende Schiiler, Der. Opera. For the Music see Istel.
Fahrende Schiiler. Part-songs. Rheinberger, J. G.
No. 18. 19 in M.392.22
Fahrende Student, Der. Part-song. Speidel.
No. 82 in M.i29a.44
Fahrender Scholar. Part-songs. Sturm, W.
No. 22, 23 in M.392.24
Fahrt zum Hades. Song. Schubert, F. P. Werke. Serie 20,
Band 5. M.31 7.1.20.5
Fahrt zum Hades. Symphonic poem. Haan. Zwei symphonische
Satze. No. 2 in M.403.49
Fahrten eines Musikanten. Biography. Beckstein. M.ioga.g
Fahrwohl mein Vaterland! Part-song. Abt, F. Fiinf Ges.Hngc.
No. 6 in M.3g2.39
Faint and wearily the way-worn traveller. Duet. Ar.nold. S.
No. 21 in M.237.7
Faint not lovers. Fa la. Hilton. Ayres or fa las.
No. 3 in M.234.21
Fair and noble lady. Part-song. Rossini. No. 14 in m. 175. 1.7; etc.
Fair and ugly. Glee. Travers. No. 33 in M. 157. 18.2
Fair and young thou bloomest now. Glee. Coward, J. Ten
glees. No. i in M.236.18
Fair as the blushing grape. Catch. Webbe, S.
No. 89 in M. 220.10
Fair Aurora. Duet. Arne, T. A. No. 10 in M. 234.3.2
Fair Chloe my breast so alarms. Part-song. Purcell, H.
Beauties of Purcell. Vol. 2. M.221.2
Fair daffodil. Glee. Spofforth. Collection of glees.
No. 20 in M.23S.15
Fair daffodils. Part-song. Peel. No. 6 in M.i58.ig
Fair enslaver. Catch. Atterbury. Sweet enslaver.
No. 13 in M. 220.3.3; etc.
Fair Flora. Glee. Danby. No. 6 in M. 1393.18.2; etc.
Fair flower, The, of Northumberland. Part-song. Rimbault.
No. 25 in M.157.4
Fair Hebe when dame Flora meets. Madrigal. Bateson.
First set of madrigals. No. 2 in M.234.22
Fair Helen. Opera. For the Music see Offenbach. For the
Libretto see Meilhac.
Fair is my love. Glee. Spofforth. Collection of glees.
No. 29 in M.235.1S
Fair is the rose. Madrigal. Gibbons, O. Madrigals and mo-
tets. No. I in M.234.20
Fair is the silvery ocean. Part-song. Mozart.
No. 4 in M.157.17.1
Fair Katie. Part-song. Elliott, J. W. No. 39 in M. 158.15
Fair ladies that to love. Madrigal. Gibbons, O. Madrigals
and motets. No. I in M.234.20
Fair Liela. Song. Linley, W. No. 55 in M.235.18.4
Fciir maid. The, of the mill. Song. Schubert, F. P.
No. 3 in M.157.10
Fair maids, The, of Mona. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Fair Maria of the dale. Duet. Moulds, J. No. 119 in M. 235.17.5
Fair nymphs. Madrigal. Farmer, J. No. 62 in M. 157.20.3
Fair one. The, with the golden locks. Opera. For the Li-
bretto see Planche, J. R.
F3ir Orisn. Madrigal. Milton. No. 77 in M.157.20.3
Fair Phillis I saw sitting. Glee. Morley.
No. 16 in M.220.3.2; etc.
Fair pledges of a fruitful tree. Glee. Warren, Joseph.
No. 57 in M. 157.6.3
Fair Rohtraut. Part-song. Veit. No. 43 in M.392.26; etc.
Fair Rosamond. Cantata. For the Music see Roeckel, J. L.
For the Libretto see Weatherly.
Fair Rosamond. Opera. For the Music see Bamett, J. For
the Libretto see Harnett, Z. C.
Fair Rosine. Opera. For the Music see Watson, H. For the
Libretto see MacCormick.
Fair shepherd's queen. Madrigal. Marenzio. No. 35 in M.237.15
Fair shines the moon tonight. Part-song. Verdi.
No. 12 in M.157.5.1
Fair spring. Part-song. Mozart. No. 7 in 11.157.17.1
Fair, sweet, cruel. Madrigal. Ford, Thomas.
No. 6 in M.220.3.3; etc.
Fair the opening. Glee. Arne, T. A. The love rapture.
No. g in M.220.3.2; etc.
Fair Ursley. Catch. Berg, G. No. 150 in M.220.9.1
Fairbairn, James.
Elements of music. Part I, 2. Edinburgh. Paterson & Roy.
1S32. 2 parts in i v. _ M. 141.27
Contents. — I. Melody, an explanation of the simpler principles of the
science. 2. Harmony.
Fairest and rarest. Ballad. Keller, M. No. 16 in M.192.13.1
Fairest daughter of the day. Glee. Spofforth. Collection
of glees. No. 19 in M.235.IS
Fairest daughter of the year. Glee. Danby. No. 17 in M.235.22
Fairest flow'r. Glee [a. t. t. b.]. (/» Bland. The Ladies' col-
lection. Vol. I, p. 106.) No. 162 in M.23S.17.1
Fairest flow'r. Glee. Henley. No. 2 in M.218.8.6; etc
Fairest flowers. The. Glee. Danby. No. 4.1 in M.220.3.4; etc.
Fairest isle. Glee. Purcell, H. No. 16 in M.220.3.3; etc.
Fairest month, The, of the fair year. Glee. Smith, J. S.
No. i.=;6 in M.23S.17.5; etc.
Fairest of the virgin train. Glee. Hopkins, J. L. A collection
of .=; glees. No. i in M.236.21
Fairest time. The. Part-song. Franz, R. No. 3 in M.i95.i.i2
Fairies, The. Cantata. For the Music see Hadley. For the
Libretto see AUingham, W.
Fairies. The. Part-song.
Callcott, J. W. No. 15 in M.220.4; etc.
Macfarren, W. C. No. 7 in M.195.1.9
Fairies long their wings have folded. Part-song. Winter, P.
VON. No. 6 in M.1S7.4
Fairies' roundelay. The. Glee. Mozart. No. i,=i in M. 1393.18.7
Fairies' song. The. Part-song. Bishop, H. R. No. 22 in M.IS7.4
Fairlamb, James Remington.
Jubilate Deo, in C. [Accomp. for organ. 1 New York. Pond
& Co. 1865. No. 8 in M.igo.3
Te Deum in Bb, for soli, double chorus and organ. New
York. Pond & Co. 1865. No. g in M.190.3
Te Deum in F. f Accomp. for organ.] Philadelphia. Andre
& Co. 1862. No. 7 in M.igo.3
407
Fairlamb
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Familien
Fairlamb, James Remington. (Continued.)
Treasured tokens. Opera di camera in 2 acts. Words and
music by J. R. Fairlamb. [Vocal score with pianoforte
accompaniment.] New York. Pond & Co. 1869. M.396.20
Fairy-Belle. Song. Foster, S. C. No. 21 in M.380.41.1
Fairy echoes. Part-song. Millard, H. No. 20 in M.203.7
Fairy grotto, The. Opera. For the Music see Stratton, G. W.
Fairy isle. The. Part-song. Campana. No. 15 in M.244.10.5
Fairy prince, The. Opera. For the Music see Arne, T. A. For
the Libretto see Colman, G., the elder.
Fziiy revel, Tht. Part-song. Rossini. No. 21 in M.244.10.1; etc.
Fairy ring, The. Cantata. For the Music see Cummings. For
the Libretto see Hobbs.
Fairy ring. The. Part-song. Lemmens. No. 3 in M.158.23; etc.
Fairy song. Part-song. Zimmerman, Agnes. No. i in M.195.1.4
Fairy tales.
Shedlock, E. L. a trip to music-land. A fairy tale, form-
ing an . . . exposition of the elements of music. London.
1876. M.123.32
Fairy voices. Part-song. Halley. No. 5 in M.121.3
Fairy whispers. Part-song. Hatton. No. 82 in M.157.5.2
Faiseuses, Les, d'embarras. Opera. For the Music see Jave-
lot. For the Libretto see Burion.
Faisst, Immanuel Gottlob Friedrich.
■ Canonisches trio [fiir Orgel]. Leipzig. Rieter-Biedermann.
[1867.] No. I in M.414.35
Gesang im Griinen. Lied ... fiir Mannerstimmen. Schleu-
singen. Glaser. [1866?] No. 12 in M.392.33
Gesangeshuldigung. [Mannerchor.] {In Abt. Deutsche
Siingerhalle. Vol. 4, pp. i, 2.) No. i in M.392.42.4
Jagerlied [t. T. B. B.]. (7)i Abt. Deutsche Sangerhalle. Vol.
3, pp. Ill, 112.) No. 3S in M.392.42.3
Sangers Trost. [Mannerchor.] (/n Abt. Deutsche Siinger-
halle. Vol. 3, p. 113.) No. 36 in M.392.42.3
Siegespsalm. Gedicht v. C. Weitbrecht. Fiir Manner- oder
gemischten Chor [s. a. a. t. t. b. b.] mit Begleitung von
Blechinstrumenten oder mit Pianoforte- oder Orgelbeglei-
tung. Op. 29. Partitur. Mit unterlegtem Clavier-Auszug.
Leipzig. Forberg. [1868?] No. 9 in M.352.21
Trauungsgesang [t. t. b. b.]. (In Stuttgarter Liederkranz.
Mannerchor-Album. Pp. 24, 25.) No. S in M.203.22
Vier Kriegs- und Siegeslieder fiir Mannerchor, mit oder
ohne Begleitung von Blechinstrumenten oder des Piano-
forte. Op. 28. [Partitur mit unterlegtem Klavierauszug.]
Leipzig. Forberg. [186-?] 4 parts in i v.
No. 5-8 in M.352.21
Contents. — i. Trompeter, bias! An den Rhein. 2. Hurrah, Germania!
3. Deutsches Soldatenlied. 4. Victoria!
Falconer, E., pseud. See O'Rourke, Edmund.
Faith and adoration. Cantata. For the Music see Bierey.
Faith in spring. Duet. Rubinstein. Eighteen two-part songs.
No. I in M.155.47
Faithful comrade, The. Part-song. Storch. No. 5 in M.392.26
Faithful hearth, The. Part-song. Mendelssohn-Bartiioldy,
J. L. F. No. 56in M.157.6.3
Faithfu' Johnnie. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Faithful sentry, The. Opera. For the Music see Graener. For
the Libretto se Koerner, C. T.
Faithless. Song. Davenport, A. No. 18 in M.290.12
Falbaire de Quincey, Charles Georges Fenouillot de.
[Les deux avares. Comedie. Musique de Gretry.] M.282.22
Das Grab des Mufti, oder die beyden Geizigen, eine ko-
mische Oper. Der Tonsetzung des Herrn von Baumgar-
ten. No. I in M.320.4
Fake, La. Opera. For the Music see Catalani, Alfredo. For
the Libretto see Boito.
Falchi, Stanislao.
II trillo del diavolo. Melodramma in tre atti. Poesia di Ugo
Fleres, musica di Stanislao Falchi. Riduzione per canto e
pianoforte deir autore. [Milano.] Ricordi. 1899. M.402.18
Falka. Opera. For the Music see Chassaigne. For the Li-
bretto see Leterrier.
Falken-Rainer, Der, vom Oberland. Cantata. For the Music
see Schreck, G. E. For the Libretto se Schreck, E.
Falkenstein, Johann.
Ave Maria, s. solo with chorus. [Accomp. for organ.] Bos-
ton. Tolman & Co. 1865. No. 14 in M.260.10.7
Ave Maria, for t. with piano or organ accomp. Boston.
Tolman & Co. 1868. No. 6 in M.260.10.2
Ave Verum. Chorus with solo for t. or s. With accomp.
for the organ. Boston. Tolman & Co. 1863.
No. 16 in M.260.10.7
Benedictus. Semi-chorus, with s. t. & b. solos. English and
Latin words. [Accomp. for organ.] Boston. Tolman &
Co. 1862. No. 18 in M.201.33; No. 15 in M.260.10.7
Blessed be Thou, O God. [Anthem. Accomp. for organ.]
Boston. Tolman & Co. 1866. [Sabbath praise.]
No. 10 in M.190.3
Two sacred pieces: O Salutaris Hostia, quartette; Tantum
ergo, solo [s.] & chorus. [Without accomp.] Boston.
Tolman & Co. 1863. No. 19 in M.201.33; No. 17 in M.260.10.7
Falkenstein, Johann, editor.
Sacred music for church and home. Book i. Boston. The
author. 1869. No. 17 in M.201.33
Contents. — Aiblinger; Sovereign ruler, quartet; O gracious God, duet.
— J. S. Bacli: Behold the mountain, quartet. — Sieber: Ave verum, S.
solo.
Falkensteiner, Die. Opera. For the Music see Hochberg. For
the Libretto see Adami.
Fall, Leo.
Irrlicht. Oper in 3 Akten von Ludwig Fernand. Musik von
Leo Fall. Vollstandiger Klavierauszug mit Text bearbei-
tet vom Componisten. Berlin. Harmonie. 1904. M.389.39
Fall, Der, Jerusalems. Oratorio. For the Music see Blumner.
Fall, The, of Algiers. Opera. For the Music see Bishop, H. R.
For the Libretto see Walker, C. E.
Fall, The, of Babylon. Oratorio. For the Music see Spohr, L.
Fall, The, of Jerusalem. Cantata. For the Music see Park-
hurst.
Fall, The, of Jerusalem. Oratorio. For the Music see Perry,
G. For the Libretto see Milman.
Fall, The, of Troy. Opera. For the Music and I^ibretto see
Berlioz, L. H.
Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Anthem. Martini, G. B.
No. 2 in M.221.22.1; etc.
Song. Rubinstein. Zwolf Lieder.
No. 12 in M.192.5
Pallet, Nicolas.
Les deux tuteurs. Comedie. Musique par M. Da * * * [Da-
layrac]. M.252.21
Falote, La. Opera. For the Music see Varney, L. For the
Libretto see Degas.
Falsche Welt, dir trau ich nicht. Anthem. Bach, J. S. Werke.
Jahrgang 12, Theil 2. M.8040.21.12, 2
False alarms. Opera. For the Music see Braham. For the
Libretto see Kenney, J.
False heart, The. Song. Hodges, G. L. Collection of Penin-
sular melodies. Vol. i. No. 4 in M.244.25.1
Falsen, Enevold.
Dragedukken. Et Syngestykke. Sat i Musik af F. L. M.
Kunzen. No. i in M.152.23
Falsi monetari, I. Opera. For the Music see Rossi, L. For
the Libretto see Ferretti, G.
Falstaff. Opera. For the Music see Adam, Adolphe C; also
Balfe; also Verdi. For the Libretto see Saint Georges;
also Maggioni; also Boito.
Falzari, Felix.
Kukuska. Lyrisches Drama. Musik von Franz Lehar.
M.394.28
Tatjana. Oper. Text von Felix Falzari u. Max Kalbeck.
Musik von Franz Lehar. M.383.24
Falzari, Felix, translator.
Smareglia. Istrianische Hochzeit. (Nozze Istriane.)
M.394.32
Oceana. M.396.38
'Familien-Gemaelde. Duet. Schumann, R. A. Werke. Serie
10, Band I. M.316.1.10.1
Fallax gratia. Motet.
Fallen is thy throne.
Fallende Stern, Der.
408
Famille
THE ALLEN A. BROWN COLLECTION OF MUSIC
Faraglia
Famille indigente, La. Opera. For the Music see Gaveaux.
For the Libretto see Planterre-PouchoUe.
Famille Suisse, La. Ofera. For the Music see Weigl, J. Em-
meline, ou la famille Suisse.
Famille Trouillat, La, ou la rosiere d'Honfleur. Opera. For
the Music see Vasseur, F. A. J. L. For the Libretto see
Cremieux.
Famille Venus, La. Opera. For the Music see Vasseur, F. A.
J. L. For the Libretto see Clairville, C.
Family quarrel. Catch. Arne, T. A. Good neighbours, be
q„iet No. Il.l in M.220.9.1
Famintzin, Alexandr Sergievitch.
„Serenade." 2tes Quartette fur 2 Violinen, Alto und Violon-
cello. Op. 7. Partitur. Berlin. Fiirstner. [186-?]
No. I in M.335.6
Ypisjii. AKOcxa. Onepa b-b ^CTHpexi. AiftcTBiaxt.
MysHKa AjieKcaHApa <l)aMHHri;Lina. Uriel Acosta.
Oper in 4 Acten. Musik von Alexander Faminzin. Cla-
vierauszug. [Text nach Gutzkow's Drama.] Hamburg.
Rahter. [1884.] M.30S.43
Fammi la sepoltura. Song. Gordigiani. fichos de la Toscane.
Vol. I. No. 26 in M.244.13.1
Fanal, Le. Opera. For the Music see Adam, Adolphe C. For
the Libretto see Saint Georges.
Fanatico, II, in berlina. Opera. For the Music see Paisiello.
Fanatico burlato, II. Opera. For the Music see Cimarosa.
Fanatico, II, per la musica. Opera. For the Libretto see
Mayer, J. S.
Fanchette. Opera. For the Music see Dejazet, E.; also Levey.
For the Libretto see Morton, J. M.
Fanchon das Leyermiidchen. Opera. For the Music see Him-
mel. For the Libretto see Kotzebue; also Bouilly.
Fanchonnette, La. Opera. For the Music see Clapisson; also
Serpette. For the Libretto see Saint Georges; also
Hirsch, G.
Fancies, The, of Fidgety Fee. Nursery rhymes. Fox.
No. 3 in M. 154.16
Fanciulla, La, delle Asturie. Opera. For the Music see Secchi.
For the Libretto see Solera.
Fancy. Trio. Behrend. No. 7 in M.204.36.6
Fane, John, nth Earl of Westmorland.
Bajazet, opera . . . compose par le comte de Westmorland.
Arrange pour le pianoforte. Berlin. Westphal. [185-?]
M.1S1.38
Bendemeer's stream. [Song, s. or t. Accomp. for piano-
forte.] London. Power. [185-?] No. 2 in M.236.2
Catherine, or the Austrian captive, an opera in 3 acts . . .
Composed by Lord Burghersh [John Fane]. Arranged
for the piano forte by A. Devaux and T. M. Mudie. Lon-
don. Power. [1830.] M.294.24
L'eroe di Lancastro, opera seria, posta in musica . . . dal
conte di Westmorland. Con testo italiano trad, in tedesco
dal Sig. L. Rellstab. Ridotta pel cembalo. Berlin. West-
phal. [183-?] M.1S1.39
Fedra. Opera seria, posta in musica dal conte di Westmor-
land. Ridotta pel cembalo. Berlin. Westphal. [184-?]
M.151.37
Messa solenne a 4 voci concertate e coro con instrumenti
Ridotta del cembalo. Berlino. Westphal. 1846.
No. 3 in M.222.27
Der Raub der Proserpina. Cantate, mit deutschen Worten
vom Freiherrn von Lichtenstein; in Musik gesetzt [fiir
s. A. B. und Chor] . . . vom Grafen von Westmorland.
[Klavierauszug.l Berlin. Westphal. [184-?] M.151.36
A requiem to the memory of the late Samuel Webbe, the
words by Mr. Linley, and set to music severally by Lord
Burghersh, Messrs. Linley, Knyvett, Hawes, Elliott,
Beale and Evans. London. Welsh & Hawes. [i8i8?l
No. I in M.220.29
Lo scompiglio teatrale, melodramma giocoso, posto in mu-
sica dal conte di Westmorland. Ridotta pel cembalo.
Berlin. Westphal. [1846?] M.isi.35
Spirit of bliss. Trio [s. s. s.] and song. [Accomp. for piano-
forte.] London. Power. [185-?] No. 3 in M.236.2
IS2
Fane, John, nth Earl of Westmorland. (Continued.)
II torneo, opera seria, posta in musica da Lord Burghersh.
[Per canto e piano.] Londra. Boosey & Co. [1839.]
M.281.17
Fane, Julian Charles Henry.
Bulwer-Lytton, E. R. L. Julian Fane. A memoir. Lon-
don. 1871. Portrait. M.128.9
Fane, Shirley.
The king's pardon. Comedy opera. Composed by Henry
Parker. M.287.2
Fanfan la Tulipe. Opera. For the Music see Varney, L. For
the Libretto see Ferrier.
Fanfreluche. Opera. For the Music see Serpette. For the
Libretto see Hirsch, G.
Faniska. Opera. For the Music see Cherubini.
Fanny Morna. Opera. For the Music see Persuis. For the
Libretto see Favieres.
Fantana. Opera. For the Music see Hubbell. For the Li-
bretto see Smith, R. B.
Fantaisie. For orchestra. Luetgen. No. i in M.410.102
Fantaisie. For pianoforte and orchestra. Widor. M.40S.64
Fantaisie. Song. Meyerbeer. 40 melodies. No. i in M.157.38
Fantaisie-Caprice. For harp and orchestra. Sporck, G.
No. 3 in M.410.53
Fantaisie dramatique. Symphonic poem. Tcherepnin. M.406.67
Fantaisie pastorale. For organ. Lux, F. No. 11 in M.414.37
Fantaisie pastorale. For violin and piano. Hollander, B.
No. I in M.411.5
Fantaisie russe. For piano and orchestra. N.iPRAVNfK.
No. 3 in M.407.19
Fantaisie sur des themes serbes. For orchestra. Rimski-Kor-
SAKOV. No. 2 in M.407.23
Fantaisie symphonique. For orchestra. Chevillard.
No. 2 in M.404.76
Fantaisie tyrolienne. For violin and piano. Louis, N.
No. .S in M.390.36
Fantasia orientale. For orchestra. Consolo. No. 2 in M.3S5.4
Fantasias. For violin and orchestra.
Bruch. Fantasie fiir die Violine mit Orchester und Harfe.
Op. 46. Partitur. No. I in M.332.9
Hiller, F. Fantasiestiick fiir Violine mit Begleitung des
Orchesters. Op. i.=;2. Partitur. No. 3 in M.336.13
Fantasie. For orchestra. Scharf. No. i in M.407.2S
Fantasie-Ouverture. Overture. Kleinmiciiel. No. 2 in M.403.82
Fantasie iiber ungarische Volksmelodieen. For pianoforte and
orchestra. Liszt. No. 4 in M.342.1S
Fantasies in three parts. For strings. Gibbons. O.
No. I in M.234.26
Fantasie. Opera. For the Music see Offenbach; also Smyth.
For the Libretto see Musset, P. de.
Fantasmi nell' ombra. Cantata. For the Music see Pinsuti.
Phantoms.
Fantoches d'opera. Criticism. Laglaize. M. 127.35
Far away. Part-song. Schoen, E. von. No. 3 in M.392.36
Faraway. Song. Covven. No. 9 in M.192.11
Far down in the vale. Part-song. Schwalm. M.193.23.2
Far down in yonder vale. [Welsh melody.] Harmonized for
3 voices [s. a. b.]. {In The Choralist. Vol. i, series 4.)
No. 48 in M. 157.5.1
Far down the ages. Anthem. Hall, C. No. 19 in M.203.27
Far from hence. Glee. King, M. P. No. 7,3 in M.235.I7.4
Far from home. Quintet. Bishop, H. R. Complete collection
of glees. Vol. .3. M.235.1.3
Far from my thoughts. Quartet. Morris, J. W. Vocal quar-
tets. No. 34 in M.igo.5
Far from the world. Catch. Dibdin, C.
No. 4.S in M.141.21.1; etc.
Far from their home. Anthem. Woodward, H. H.
No. II in M.195.2.16
Far o'er the western hills. Anthem. Johnston.
No. 24 in M.J90.4
Far over land! Ballad. Linley, G. [Songs.] Vol. 2.
No. 24 in 14.235.19.2
Faraglia, Nunzio Federigo.
Romilda de Bardi. Dramma lirico. Musica di Giuseppe
Dall' Orefice. M.29S.32
409
Faramondo
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Farnie
Faramondo. Opera. For the Music see Handel. Werke.
LieferunpT gi.
Farandole, La. Opera. For the Music see Dubois, F. C. T.
For the Libretto see Gille.
Farandole, La. Suite. Dubois, F. C. T. No. i in M.40S.9
Farben, Die, Helgoland's. Song. Franz, R. Sechs Gesange.
Op. 3. No. 15 in M.244.5.1
Fardely, Thomas, translator.
Otto, J. A. Treatise on the construction, ... of the violin.
M.143.16
Fare thee well! Part-song. Roberti. No. 23 in M.204.36.3
Fare thee well! and if for ever. Part-song. Macirone, C. A,
No. 7 in M.205.10.6
Fare thee well, my own true love. Ballad. Linley, G. [Songs.]
Vol. 2. No. 22 in M.235.19.2
Farewell. (German Volkslied.) London. Novello, Ewer &
Co. 1877. No. 20 in M. 157.25
Farewell, The. [Part-song, t. t. t. b.] {In Orpheus glee-book.
Pp. 84, 85.) No. 4S in M.246.36
Farewell! Cantata. For the Music see Hirsch, C. For the
Libretto see Mosen.
Farewell. Part-song.
Cutter, E., Jr. No. 58 in M.392.3
Herbert, V. Aus Lieder eines fahrenden Gesellen.
No. 60 in M.392.8; etc.
Maehllig. No. 30 in M.205.IC.7
VoGRiCH. No. 46 in M.392.26
Farewell, The. Song.
Cooke, R. No. 8 in M.235.14
Mendelssohn-Barthgldy, J. L. F. Songs. No. 67 in M.244.21
Farewell all joys. Madrigal. Gibbons, O. Madrigals and
motets. No. i in M.234.20
Farewell bliss, and farewell Nancy. Song. Beethoven. Werke.
Serie 24. M.413.1.24
Farewell, dear home. Ballad. Balfe. No. 6 in M.192.9.1
Farewell, deare love . . . Part-song. Jones, R. M.236.10
Farewell forever now to all that's gay. Round. Atterbury.
No. 80 in M. 157.6.2; etc.
Farewell, mine own sweetheart. Round [for 4 voices]. {In
Social harmony. P. 73.) No. 63 in M.215.21
Farewell mirth and hilarity. Song. Beethoven. Werke.
Serie 24. M.413.1.24
Farewell, my home! Part-song. Mendelssohn-Bartholdy,
J. L. F. No. 38 in M.235.10
Farewell my Lilly dear. Song. Foster, S. C.
No. 22 in M.380.41.1
Farewell, The, of Hiawatha. Cantata. For the Music see
Foote. For the Libretto see Longfellow.
Farewell old cottage. Song. Foster, S. C. No. 23 in M.380.41.1
Farewell song. The. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Farewell sweet mother. Song. Foster, S. C.
No. 24 in M.380.41.1
Farewell symphony. Symphony. Haydn, F. J. Abschieds-
Sinfonie. No. 6 in M.344.29
Farewell, thou lovely forest glade. Part-song. Esser.
No. 28 in M.205.10.5
Farewell, thou noisy town. Song. Beethoven. Werke. Serie
24. M.413.1.24
Farewell to Lochaber. Glee. Callcott, J. W.
No. 29 in M.220.3.4; etc.
Farewell to love. Part-song. Moehring. M. 193.23.2
Farewell to the flowers. Part-song. Barnett, J.
No. 8 in M.244.10.3
Farewell to the forest. Part-song. Mendelssohn-Bartholdy,
J. L. F. No. 54 in M.109.1
Farewell, ye storms. Round. Bishop, H. R.
No. 18 in M.237.9; etc.
Farfadet, Le. Opera. For the Music see Adam, Adolphe C.
For the Libretto see Planard.
Farfadette. Opera. For the Music see Douay. For the Li-
bretto see Tourte.
Farinelli, Giuseppe.
L'amico del uomo. Farsa. Atto unico. [Partitura.] Manu-
script. Firenze. [i793?] M.40.1
410
Farinelli, Giuseppe. (Continued.)
La Pamela maritata. Farsa in musica. [Partitura.] Manu-
script. [Venezia? 1791?] M.40.2
This score is quite different from the one on shelf-number M.320.8.
[Pamela maritata. Opera. Partitura.] Manuscript. [179-?]
M.320.8
Te lo chiedo per I'amore. Duetto [s. t.] nell' opera La
Ginevra degli Almieri. [Accomp. di violini, viole, basso
e piano.] Milano. Ricordi. [1808?] M. 152. 18
Farinelli. Opera. For the Music see Zumpe. For the Li-
bretto see Wulff.
Farley, Charles.
[The forest of Bondy.] The overture, . . . and a selectior
of the favorite airs in The forest of Bondy; or the Dog of
Montargis, a melodrama . . . The music composed by
Henry R. Bishop . . . No. i in M.396.8
Farmer, Henry.
Hear my prayer, and let my cry. Chorus. [Accomp. for
organ.] {In Parker. Sacred choruses. Pp. 101-112.)
No. 14 in M.ioo.io
I will bless Thee. Chorus. [Accomp. for organ.] {In
Parker. Sacred choruses. Pp. 120-128.) No. 16 in M.ioo.io
I will praise Thee. Chorus. [Accomp. for organ.] {In
Parker. Sacred choruses. Pp. 17-22.) No. 3 in M.ioo.io
Mass (in B flat). [Accomp. for organ.] London. Novello.
[184-?] No. 4 in M.260.8.3
Music, love, and wine. [Part-song, t. t. b. b. Accomp. for
pianoforte.] No title-page. [London? 187-?]
No. II in M.392.28
Farmer, John, Organist of Balliol College.
Christ and His soldiers. A sacred oratorio. [Accomp. for
piano.] Harrow. Wilbee. [1878?] No. i in M.305.44
Cinderella. A fairy opera in 4 acts. Composed by John
Farmer. The words by Henry S. Leigh. [Accomp. for
piano.] Harrow. Wilbee. [1882.] No. 2 in M.305.44
For the sake of somebody. [Part-song.] London. Novello,
Ewer & Co. [187-?] No. 40 in M.1S7.23
Farmer, John. i6th century.
Fair nymphs. Madrigal for s. s. a. a. t. b. {hi Novello's
Glee-hive. Vol. 3, pp. 69-76.) No. 62 in M. 157.3
To take the air a bonny lass. Madrigal. London, No-
vello, Ewer & Co. 1883. No. 40 in M.158.15
Farmer's wife, The. Opera. For the Music see Bishop, H. R.
For the Libretto see Dibdin, C. 1768-1833.
Farnie, Henry Brougham.
The blind beggars; operetta. Composed by Offenbach.
An adaptation of Les deux aveugles. No. I in M.277.26
Breaking the spell. Comic opera. Composed by Offenbach.
An adaptation of Le conscrit. No. 4 in M.277.26
The bride of song. Operetta. Composed by Jules Benedict.
No. 2 in M.261.25
The commodore. Nautical opera. Libretto by H. B. Farnie
and R. Reece. Composed by Offenbach. No. i in M.267.37
An adaptation of La Creole.
The crimson scarf. Comic opera. Composed by I. E. Le-
gouix. No. 5 in M.277.26
Eldorado. Folic musicale. Music arranged by J. Fitzgerald.
No. 2 in M. 389.5
Fleur-de-lys. An opera bouffe. Music by Leo Delibes.
M.252.2S
Forty winks. Comic opera. Composed by Offenbach.
No. I in M.326 38
Frolique, a musical comedy, by Henry J. Byron & H. B.
Farnie. Arranged by J. Fitz-Gerald. No. 3 in M.322.32
Glamour. Comic opera. Written by H. B. Farnie & A.
Murray. Composed by William H. Hutchison.
No. I in M.286.17
Indiana. Opera comique. Composed by E. Audran. M.2S5.22
Irene (Reine de Saba). Grand opera, the music by Charles
Gounod. M.282.14
My new maid. Operetta. Composed by Charles Lecocq.
No. 4 in M.276.6
Nell Gwynne. Comic opera. Music by Robert Planquette.
M.287.30
J
Farnie
THE ALLEN A. BROWN COLLECTION OF MUSIC
Father's
Farnie, Henry Brougham. (Continued.)
The old guard. Opera comique. Composed by R. Planquette.
No. I in M.381.32
The pet dove, opera comique. Composed by Ch. Gounod.
M.266.20
The prima donna. Opera comique. Written by H. B. Farnie
& A. Murray. Composed by Tito Mattei. M.302.9
La princesse Colo^nbine. Opera-comique de Ordonneau,
Andre [pseud.], et Farnie. Musique de R. Planquette.
M.287.32
Punchinello, a comic opera, composed by William Charles
Levey. M.328.9
Retained on both sides: operetta, composed by Ch. Lecocq.
No. 2 in M.276.6
Rip. Opera comique de Meilhac, Gille et Farnie. Musique
de R. Planquette. M.300.10
Same. Rip Van Winkle. New comic opera. Written by
Meilhac, [Gille] and Farnie. Music by Planquette.
No. I in M.322.40
The rose of Savoy, drawing room operetta, composed by
Luigi Bordese. M.363.2
The sea nymphs: a romance of the tidal train. Composed
by Ch. Lecocq. No. 3 in M.276.6
The sleeping queen, comic opera. Composed by M. W.
Balfe. M.261.10
Ulysses, tragedy. The music by Ch. Gounod. M.266.21
Up the river. Opera. Composed by Herve [pseud.].
No. 5 in 11.277.19
Farnie, Henry Brougham, translator.
AuDRAN. Olivette. M.255.17
Chassaigne. Falka. 14.285.4
Offenbach. La vie. M.402.43
Planquette. Paul Jones. M.287.34
Farouche ennemi, Le. Opera. For the Music see Pillevestre.
For the Libretto see Rocheblave, £. F.
Farrant, Richard.
Call to remembrance, O Lord. Anthem. [Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. 2, pp. 160,
jfiy ) No. 59 in M.290.22.2
Also to be found in Boyce's Cathedral music, Ed. Warren ; Mullah's
The Singer's library; Musical times [Music].
Gloria Patri. [Accomp. for organ.] {In Ayrton. Sacred
minstrelsy. Vol. 2, p. 56.) No. 22 in M.2go.22.2
Hide not Thou Thy face. Anthem. [Accomp. for organ.]
(In Ayrton. Sacred minstrelsy. Vol. i, pp. 66, 67.)
No. 23 in M.290.22.1
Also to be found in Boyce's Cathedral music, Ed. Warren ; Hullah's
Part music. Sacred ; Turle and Taylor's The People's music b9ok.
Lord, for Thy tender mercies' sake. [Anthem. Accomp. for
organ.] London. Novello. [183-?] No. 11 in M. 190.3
Also to be found in Leslie's Cassell's Choral music; Musical times
[Music] ; Stevens's Sacred music; Taylor's Madrigals; Turle and Tay-
lor's The People's music book.
O God, my gracious God. [Anthem. Accomp. for organ.]
(/» Metcalfe. Fifty metrical anthems. Pp. 31, 32.)
No. 22 in M.157.34
The Te Deum, Benedictus, Kyrie, Nicene creed. Magnificat.
and Nunc dimittis, in G with the lesser third. [Accomp.
for organ.] (In Boyce. Cathedral music. Ed. Warren.
Vol. I, pp. 49-79) No. 2 in M.233.23.1
Te Deum, Jubilate, Magnificat & Nunc dimittis, in D, with
the lesser third. [Accomp. for organ.] (In Ouseley.
Cathedral services. Pp. 248-267.) No. 24 in M.233.9
Thou, gracious Lord, art my defence. [Anthem. Accomp.
for organ.] (In Metcalfe. Fifty metrical anthems. Pp.
65, 66.) No. 40 in M.157.34
Unto Thee, O Lord. [Anthem. Accomp. for organ.] (In
Rimbault. Collection of ancient church music. Vol. 3.
pp. 36-39.) No. 10 in M.233.25.3
Farrar, Joseph.
The human voice and connected parts. London. Japp & Co
1881. Illus. M.126.25
Farrell, Frank Sheridan.
Simon Pure Brass. Comic opera in two acts. Libretto by
John Arthur Fremmer. Music by Frank Sheridan Farrell,
John Arthur Fremmer, George Herbert Shaw, John
Arthur Amberg, Herbert Mygatt Willcox, Ralph Barton
Farrell, Frank Sheridan. (Continued.)
Sanders, Emerson Hurd Packard. [Boston.] The Tech
Show. 1904. No. 2 in M.397.9
A scientific king. An original comic opera in two acts.
Libretto by Gerald Francis Loughlin. Music by William
Johnston Bay, Frank Sheridan Farrell . . . No. I in M.397.9
Farren, George.
The mortalities of celebrated musicians: with an appendix,
containing anecdotes and brief sketches . . . London.
Dean & M. 1834. M.13S.1S
Fasch, Carl Friedrich Christian.
Missa a 16 voci in quattro cori. [N. p. 180-?] M.414.45
Sammtliche Werke . . . herausgegeben von der Singakade-
mie in Berlin. Partitur. Lief. 1-7. Berlin. Trautwein.
[1839] 7 parts in 2 v. Portrait. M.260.16
Contents. — i. 12 Chorale. — Mendelssohniana, Psalm XXX. — Inclina,
Domine. — Requiem. — Trauer-Motette. — Davidiana, aus den Psalmen
nach Luther's Uebersetzung. — Der 119. Psalm. — Der 51. Psalm,
Miserere fur 2 Chore. 2. Die l6-stimmige Messe.
Fasch, Carl Friedrich Christian. Works about.
Zelter, C. F. Karl Friedrich Christian Fasch. Berlin. 1801.
No. 2 in M.214.1
Faschingsbilder. For orchestra. Nicode. No. 3 in M.342.21
Fasciculus myrrhae. Motet. Palestrina. Werke. Band 4.
M.8o4oa.66.4
Fashion. Operetta. For the Music see Levey. For the Li-
bretto see Du Terreaux.
Fast falls the eventide. Anthem. Danks. No. 24 in M.190.2
Fata, La, del nord. Opera. For the Music see Zuelli. For the
Libretto see Campanini.
Fata, La, di Amalfi. Duct. Cottrau. No. 4 in M.390.44
Fata morgana. Drama. For the Music see Heise. For the
Libretto see Heiberg.
Fata morgana. Part-song. Umlauft. Drei Tongemalde.
No. 4 in M.343.32
Fatal presage. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Fatalite. Song. Schubert, F. P. Melodies. Vol. 5. M.327.4.5
Fate, Le. Opera. For the Music see Valenza. For the Li-
bretto see Micci.
Fates, The. Cantata. For the Music see Belcher, W. T. For
the Libretto see Carter, D. P.
Fath, Georges.
Gredin de Pigoche. Operette. Paroles de Michel Masson
et Georges Fath, Musique de Vogel. No. 2 in M.389.7
Father, ador'd in worlds above. Anthem. Naumann, J. G.
M.237.18
Father and mother and Suke. Sang. Dibdin, C. 17.^5-1814.
No. 30 in M.384.48
Father, breathe an evening blessing. Anthem. Proctor.
No. 7 in M.190.7
Father, I know that all my life. Anthem. Edes, H. W.
No. I in M.190.3
Father, in mercy. Anthon. White, C. A. No. 10 in M.203.22
Father! in Thy mysterious presence. Part-song. Gerrish.
God the Omnipotent. No. 6 in M.203.25
Father of heaven. Anthem.
Handel. No ii in M.290.22.2
Mehul. No. 2 in M.157.3
Walmisley, T. a. No. 20 in M.195.2.2; etc.
Winter, P. von. No. 43 in M.290.22.2
Father of heroes. Glee. Callcott, J. W.
No. I in M.218.8.7; etc.
Father of mercies. Anthem.
Abt, F. No. 21 in M.190.7
Wranitzky. No. 16 in M. 221.22.2
Father of mercy. Anthem. Handel. No. 29 in M.IS8.15
Father of our feeble race. Motet. Cherubini.
No. 40 in M.iii.4.2
Father Rhine. Part-song. Mohr, H. No. 4 in M.3g2.i8
Father, to Thy throne we bend. Anthem. Handel.
No. I in M.2go.33
Father, we adore Thee. Anthem. Haydn, F. J.
No. 23 in M.221.22.2
Father's watchful eye, The. Part-song. .\bt, F.
No. 27 in M.205.10.7
411
Fatinitza
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Favart
Fatinitza. Opera. For the Music see Suppe. For the Li-
bretto see Walzel.
Fatma. Opera. For the Music see Flegier. For the Libretto
see Voisin.
Fatum. Symphonic poem. Tchaikovski, P. L No. i in M.3S6.33
Faublas. Opera. For the Music see Wueerst. For the Li-
bretto see Wichert.
Faublas. Overture. Wueerst. No. 5 in 11.352.5
Fauche, Mary.
"The shepherd Icing," or "The conquest of Sidon." A pas-
toral and English opera by Mary Fauche. Op. i. The
words by Mrs. B. Wyatt. Manuscript. Autograph. (?)
[London.] 1823. Portrait of Liverati. M.214.22
Fauchey, Paul.
La Carmagnole. Opera-comique en trois actes. Paroles de
J. Lemaire, L. d'Hurcourt et Henri Darsay. Musique de
Paul Fauchey. [Partition chant et piano.] Paris. Grus.
1897. M.393.12
Faucon, Le. Opera. For the Music see Monsigny. For the
Libretto see Sedeiine.
Fauconier, Benoit Constant.
La pagode, opera comique en 2 actes. Paroles de M. S'.
Georges. Musique de B. C. Fauconier. [Accomp. de piano.]
Paris. Schott. [1859.] M.2S6.1
Salut solennel. Specialement compose pour les fetes du
Sacre-cceur de Jesus. Op. 126. Avec accomp. d'orgue.
Bruxelles. Schott. [1890?] No. 4 in M.201.32
Contents. — Ecce panis [s.], solo et choeur. — O Sanctissima, solo, s.
ou T. — Auctor beate saeculi, solo [s. t. b.] et chceur. — Tantum ergo
[s. solo], Genitori [chceur]. — Ave Maria, solo, B., et chceur.
Faugere-Dubourg,
Meiie de La Valliere. Scene lyrico-dramatique. Poesie de
O'Tanael [pseud.]. Musique de Steno Boudoin.
No. I in M.27S.1
Faule Hans, Der. Opera. For the Music see Ritter, A.
Faur,
La fete de la cinquantaine. Opera. Mise en musique par
Dezede. M.224.16
Faure, Alexis.
Dejazet. Paris. Vuillot de Carleville. 1859. Portrait.
No. I in M.147.16
Faure, Gabriel Urbain.
Berceuse pour violon solo (ou violoncelle solo) avec ac-
compagnement d'orchestre. Op. 16. [Partition.] Paris.
Hamelle. [187-?]
No. I in M.358.25
Caligula. Drame d' Alexandre Dumas. Musique de scene de
Gabriel Faure. Op. 52. Partition d'orchestre. Paris.
Hamelle. [189-?] M.403.33
Same. Partition, piano et chant. No. 2 in M.203.36
La naissance de Venus. Scene mythologique pour soli
[s. A. t. B.], choeurs et orchestre. Poeme de Paul Collin.
Musique de Gabriel Faure. Op. 29. Partition piano et
chant. Paris. Hamelle. [188-?] No. i in M.213.10
Pelleas et Melisande. Suite d'orchestre tiree de la musique
de scene de Gabriel Faure. Op. 80. Partition d'orchestre.
Paris. Hamelle. [1900?] No. 2 in M.405.9
Promethee. Tragedie lyrique en 3 actes de Jean Lorrain
[pseud.] & F. A. Herold. Musique de Gabriel Faure.
[Partition piano et chant.] Paris. Hamelle. [1900.] M.382.20
Romance sans paroles pour violoncelle (ou violon) solo avec
accompagnement de petit orchestre. Op. 17, no. 3. [Par-
tition.] Paris. Hamelle. [187-?] No. 2 in M.3S8.2S
Shylock. Comedie en 3 actes de Edmond Haraucourt
(d'apres Shakspeare). Musique de scene de Gabriel Faure.
Op. .S7. Partition d'orchestre. Paris. Hamelle. [189-?]
No. 3 in M.358.25
Sonate pour piano et violon. Op. 13. [Partition.] Leipzig.
Breitkopf & Hartel. [1876.] No. 4 in M.210.13
Same. [Partie de violon.] No. 5 in M.210.14
Faure, Jean Baptiste.
O come to Him. [Trio, s. s. a. Accomp. for pianoforte.]
London. Czerny. [187-?] No. 13 in M.IS7.15
O Saving Victim (O Salutaris), motett for s. or T. solo and
chorus. [Accomp. for organ.] London. Novello, Ewer
& Co. [187-.] No. 20 in M.201.33
With English and Latin words.
Faure, Jean Baptiste. (Continued.)
Palm branches. Arranged for male chorus vyith pianoforte
accomp. by Geo. L. Osgood. Boston. Ditson & Co.
[1882.] No. 19 in M.212.11
Save, Lord, and hear us (Ave Maria), motett for s. or t.
solo, with chorus. [Accomp. for organ.] London. No-
vello, Ewer & Co. [187-?] No. 21 in M.201.33
With English and Latin words.
Faus semblant. Song. (In Smith. Musica antiqua. P. 8.)
M.236.10
From a manuscript supposed to be of the 13th century.
Fausse Agnes, La. Opera. For the Music see Blaze, F. H. J.
Fausse amie, Une. Opera. For the Music see Vitoni. For
the Libretto see Trecourt.
Fausse gelatine, Une. Opera. For the Music see Hubans. For
the Libretto see Jallais.
Fausse magie, La. Opera. For the Music see Gretry, A. E. M.
For the Libretto see Marmontel, J. F.
Faust, Carl.
Theresen Walzer. Op. 126 . . . Fiir vierstimmigen Manner-
chor. Text und Arrangement von Moritz Peuschel. Bres-
lau. Hainauer. [189-?] No. 14 in M.392.20
Faust. Cantata. For the Music see Schumann, R. A. Scenen
aus Goethe's Faust.
Faust. Opera. For the Music see Gounod; also Klingemann;
also Zoellner. For the Libretto see Barbier, P. J.; also
Seyfried, L X. von.
Faust. 2d part. Opera. For the Music see Pierson. For the
Libretto see Goethe, J. W. von.
Faust. Overture.
Mayer, E. No. 3 in M.405.3g
Spohr, L. No. i in M.347.14
Wagner, W. R. No. i in M.338.5
Faust. Symphonic poem. Rubinstein. No. 2 in M.345.1
Faust in seinem Studirzimmer. Incidental music. Litolff.
Scenen aus Goethe's Faust. No. I in M.353.3
Faust-Phantasie, Eine. Symphonic poem. Mihalovich.
No. 2 in M.342.19
Faust-Sjmiphonie, Eine. Symphony. Liszt. M.344.g
Faust und Gretchen. Opera. For the Music see Lang, A. For
the Libretto see Jacobson.
Faust up to date. Opera. For the Music see Lutz. For the
Libretto see Sims.
Fausta. Opera. For the Music see Donizetti. For the Li-
bretto see Gilardoni.
Fausto. Opera. For the Music see Bertin, L. A.
Faustus. Opera. For the Music see Bishop, H. R. For the
Libretto see Soane.
Faut-il ceder? Opera. For the Music see Decq. For the Li-
bretto see Peyre.
Faute, La, de I'abbe Mouret. Opera. For the Music see Bru-
neau.
Fauteuil, Le, de mon oncle. Opera. For the Music see Col-
linet. For the Libretto see Rovigo.
Fauvette, La. Song. Gounod. Vingt melodies. 5e recueil.
No. 2 in M. 157.36.5
Fauvette captive, La. Chorus. Ronge. 12 choeurs rhyth-
miques. No. 47 in M.392.21
Fauvette du Temple, La. Opera. For the Music see Messager.
For the Libretto see Roucoux.
Faux lord, Le. Opera. For the Music see Piccinni, N. For
the Libretto see Piccinni, L.
Favart, Charles Simon.
L'amitie a I'epreuve. Comedie. [Musique de] Gretry.
M.282.28
Arsene. Singspiel. In Musik gesetzt von Franz Seydel-
mann. M.151.6
La belle Arsene. Comedie feerie. [Musique de Monsigny.]
M.262.34
La Bohemienne. Comedie en vers. [Musique de C. F. Cle-
ment.] M.262.32
La chercheuse d'esprit. Opera. Musique de Ed. Audran.
No. I in M.255.I3
412
Favart
THE ALLEN A. BROWN COLLECTION OF MUSIC
Federlein
Favart, Charles Simon. (Continued.)
Le Chinois. Comedie. [Parodie du "Cinese" de Metastase
par C. S. Favart et J. A. Naigeon. Mise en musique par
Duni.] No. 4 in M.283.15
Cythere assiegee. Opera ballet. Mis en musique par Gluck.
M.282.4
La fee Urgele, ou ce qui plait aux dames. Comedie en vers.
Les paroles de Mr. * * * [C. S. Favart et C. H. de Voise-
non]. Mis [el en musique par Duny. M.252.14
Isabelle et Gertrude. Opera comique. Remis en musique
par Pacini. M.401.27
Isabelle et Gertrude, ou les sylphes supposes, comedie en i
acte, meslee d'ariettes; par M. Favart. La musique est de
M.Blaise. Paris. Duchesne. 1765. No. 2 in M.104.14
The words with the music of two airs.
Same. Mise en musique par M. Blaise. M.27i.2i;etc.
Les moissonneurs. Comedie. La musique de Mr. Duny.
M.262.20
Ninette a la cour. Parodie de Bertholde a la ville. Comedie.
[Musique de Duni.] M.262.13
Pavart, Charles Simon. Works about.
Font. A. Favart. I'opera comique et la comedie-vaudeville
aux 176 et i8e siecles. Paris. 1894. M.205.7
JuLLiEN, J. L. A. La cour et I'opera sous Louis XVL, Marie
Antoinette et Sacchini, Salieri, Favart et Gluck. Paris.
1878. M.127.39
Favart, Marie Justine Benoite Du Ronceray.
Annette et Lubin. Comedie en vers, par M^ Favart. Melee
d'ariettes . . . de M. Blaise. M.262.33; etc.
Same. Opera comique, remis en musique . . . par Martini.
M.273.12
Favieres, fitienne Guillaume Frangois de.
Aline, reine de Golconde. Opera. Paroles de Vial et Fa-
vieres. [Musique] par H. Berton. M.271.9
Le concert interrompu. Opera comique de Marsollier et
Favieres. Mis en musique . . . par H. Berton. M.271.3
[Fanny Morna. Opera. Musique de Persuis.] M.328.14
[I,e] Grand-pere, ou les deux ages. Opera comique. Mis
en musique . . . par L. Jadin. M.253.5
Jean et Genevieve, comedie. Mise en musique par Solie
[pseud.]. M.226.19
Lisbeth. Drame lyrique. Mis en musique par Gretry.
M.2g2.5
Paul et Virginie. Ein Singspiel. Die Musik ist vom Hn.
Kreutzer. M.330.6
Favin, fimile.
La croix de I'alcalde. Opera-bouffe, de Vast, Ricouard et
Favin. Musique de Henri Perry [Biagioli]. M.287.9
La resurrection de Lazare. Scene religieuse, de E. Favin
& Ch. Grandmougin. Musique de Raoul Pusno.
No. I in M.297.2IA
Favorita, La. Opera. For the Music see Donizetti. For the
Libretto see Royer.
Favorite hunting song. The. Song. Hook, J. A sixth book
of songs. No. 2 in M.202.32
Favorite spot, The. Song. Mendelssohn-B.'vrthoi.dy, J. L. F.
Songs. No. 65 in M.244.21
Favourite collection, A, of songs sung by Miss Brent, Miss
Wright, &c. at Vaux-Hall Gardens &c. [Accompaniment
for flute, violin and figured bass. London.] Walsh.
[■ 175-?] No. 6 in M.237.26
Contents. — The lover's recantation. A cantata. — The woodlark
whistles through the grove. — Yes, yes, I know you. — Genteel is my
Damon. — Thro' the wood, laddie.
Favre, Adolphe.
Les deux clarinettes. Opera-comique. Paroles de Mrs
Adolphe Favre et Adolphe Stel. Musique de Andre
Simiot. N0.5inM.322.16
Favre, Louis.
La musique des couleurs et les musiques de I'avenir. Paris.
Schleicher. 1900. M.I02.2S
Fawcett, John.
Obi; or, three finger'd Jack. The overture, ... & appro-
priate music in the pantomimical drama. Composed &
adapted by Sam' Arnold. M.391.29
Fawcett, John. (Continued.)
Paradise, an oratorio. The words selected and composed
by Joseph Fletcher. The music by John Fawcett. [Ac-
comp. for piano.] London. Pitman. [186-?]
No. 2 in M.153.34
Fay, Amy.
Music-study in Germany. Edited by the author of Co-
operative housekeeping. Chicago. Jansen, McClurg &
Co. 1881. M.109.16
Fay, Clement Kelsey.
Call to remembrance, O Lord. A short anthem. [Accomp.
for organ. Boston. 188-?] No. 44 in M.is8.is
The city's hum was hushed and still. (Quartette and cho-
rus.) [For Christmas. Accomp. for organ. Boston.]
Ditson & Co. 1877. No. 13 in M.154.19
Four hymn tunes. Boston. Ditson. [1886.]
No. 43 in M.158.15
Contents. — Saviour, source of every blessing. — O that my load of sin
were gone. — O for a closer walk with God. — A charge to keep I have.
Te Deum in A. [Accomp. for organ. Boston.] 1884.
No. 42 in M.158.15
Te Deum laudamus [in E flat. Accomp. for organ.] Bos-
ton. Ditson & Co. [1882.] No. 12 in M.190.3
Fay, fitienne.
Amour et rose. Romance [s. ou t. Accomp. de piano].
Diisseldorf. Mottu & cie. [183-?] No. 14 in M.221.33
Clementine, ou la belle mere. Comedie en i acte en prose.
Paroles de J. B. C. Vial. Le C^" Fay, auteur de la mu-
sique. [Partition.] Paris. L'auteur. [i797-] M.262.35
Fay, Harry F.
Ornaments in music described and illustrated. Boston.
Miles & Thompson. 1893. M.376.16
Fay, Helen.
He is risen. Easter carol. [Accomp. for organ.] Boston.
Miles & Thompson. [1894.]
No. 45 in M.isS.is; No. 2 in M.203.27
Fay's song The. Part-song. Smart. No. 8 in M.204.36.1
Fayerman, Edmund R.
Description of the music time-keeper. [London. Clay.
1853?] M.131.10
FayoUe, Fran(;ois Joseph Marie.
Dictionnaire historique des musiciens. Par Al. Choron et
F. FayoUe. M.145.23
Notices sur Corelli, Tartini, Gavinies, Pugnani et Viotti.
Paris. Imprimerie litteraire et musicale. 1810. M.218.6
Fayre Pastorel. Cantata. For the Music see Hiles. H. For
the Libretto see Leigh, L.
Fazy, Edraond.
Louis IL et Richard Wagner. Paris. Perrin & c'^. 1893.
M.II8.I7
Fear no danger. Part-song. Purcell. No. 33 in M.220.3.4; etc.
Fear no more. Part-song. Nares. No. 57 in M.235.17.3; etc.
Fear no more the heat o' the sun. Part-song. Macfarren, G.
^ No. 18 in M. 195. 1. 1
Fear not, daughter of Sion. Anthem. Neukomm, S.
No. 28 in M. 157.3
Fearnot, O land. Anthem. Goss. No. 21 in M.I57-32; etc.
Maker. , No. 23 24 in M.158.17
Fear not, we bring you good tidings. Anthem. Leslie.
No. 10 in M. 190.5; etc.
Fearful mystery, A. Opera. For the Music and Libretto see
Hutchison, W. M.
Feast, The, of Adonis. Cantata. For the Music see Jensen, A.
Feast', The! of roses. Song. Bishop, H. R. No. 18 in M.236.2
Feast' of the vine in blossom. Cantata. For the Music see
Zoellner, H.
Febbre ond' or per le vene il ghiaccio corre. Madrigal.
Palestrina. Werke. Band 28. M.8o4oa.66.28
Fechter, Der, von Ravenna. Opera. For the Music see Boeie.
Feci iudicium. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Federlein, G. , „ c- 1. -j.
Winter serenade [t. solo, t. t. b. b.]. Boston. Schmidt.
[1890.]
No. 8 in M.392.8
413
Fedora
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fensterscheibe
Fedora. Opera. For the Music see Giordano. For the Li-
bretto see Colautti.
Fedra. Opera. For the Music see Fane, J.
Fee, Antoine Laurent Apollinaire.
Voceri, chants populaires de la Corse precedes d'une excur-
sion faite dans cette ile en 1845. Paris. Lecou. 1850.
Contains the music of four songs. M.197.7
Fee, La, aux chevres. Opera. For the Music see Varney, L.
For the Libretto see Ferrier.
Fee, La, aux roses. Opera. For the Music see Halevy, J. F.
F. £. For the Libretto see Scribe.
Fee Carabosse, La. Opera. For the Music see Masse. For
the Libretto see Simon, J. P.
Fee, La, des enfants. Chorus. Weckerlin. Chceurs. M.157.12
Fee, Une, un bon ange. .Song. Auber. No. 2 in M.157.38
Fee Urgele, La. Opera. For the Music see Duni. For the
Libretto see Favart, C. S.
Feen, Die. Opera. For the Music and Libretto see Wagner,
W. R.
Feenland, Das. Song. Righini. Zwolf deutsche Lieder.
No. 27 in M.221.33
Feierabend. Part-song. Otto, E. J. Gesellenfahrten.
No. 46 in M.392.19
Feierliches Tafellied. Part-song. Bruch. Fiinf Lieder fiir
gemischten Chor. No. 14 in M.158.22
Feindlichen Brueder, Die. Song. Schumann, R. A. Roman-
zen und Balladen. Heft 2. No. 6in M.244.15.2; etc.
Feins Lieb du hast mich gfangen. Madrigal. Hasler.
No. II in M. 204.40
Feinsliebchen. Part-song. Kuntze. No. 94 in M.246.22
Feinsliebchen, du sollst. Song. Brahms. Deutsche Volks-
lieder. Heft 2. No. 10 in M.380.40.3
Feith, Ottokar.
Der Savoyarde. Burleskes Singspiel in 3 Akten von Franz
Joseph Brakl und Victor Leon fPseud.]. Musik von Otto-
kar Feith. Clavierauszug mit Text. Hamburg. Cranz.
[j8p_?] No. 2 in M.399.81
Feldeinsamkeit. Song. Brahms. Sechs Lieder. Op. 86.
No. 1 1 in M.380.40.2
Feldeinwaerts flog ein Vogelein. Part-song. Bieber.
No. 27 in M.392.3
Feldenwaerts flog ein Vogelein. Song. Curschmann. Cursch-
mann-Album. No. l in M.157.37
Feldherr, Der. Part-song. Westmeyer. No. 14 m M.392.27
Feldjaegerlied. Part-song. Sattler. No. 47 in M.204.39
Feldlied. Part-song. Weidt. No. 135 in M.246.22
Feldmarschall Friihling. Duet. Abt, F. Zehn Duettinen.
No. 32 in M.192.1
Feldprediger, Der. Opera. For the Music see Milloecker.
For the Libretto see Wittmann, H.
Feleky, Charles, editor.
Kelley. [Ben-Hur.] M.384.33
Felices, felices. Motet. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
Felici, Bartolommeo.
Or che nate sulla terra. Duetto [t. b. Accomp. for piano-
forte]. {In Latrobe. Selection of sacred music. Vol. 6,
pp. 59-64.) No. 10 in M.290.29.6
Felicie. Opera. For the Music see Catrufo. For the Libretto
see Dupaty.
Felix, Elisabeth Rachel.
Tampier, L. C. Dernieres heures de Rachel. Paris. 1858.
No. 4 in M.147.16
Felix, G.
Palestrina et la musique sacree, 1594-1894. [Bruges.] Des-
clee, de Brouwer & cie. 1895. M.373.4
Felix, Hugo.
Madame Scherry. Operette en trois actes de Maurice Or-
donneau [tiree de "Mon oncle" de MM. Burani et Ordon-
neau]. Musique de Hugo Felix. Partition chant et piano.
- Paris. Choudens. 1902. M.389.40
Same. Madame Sherry. A musical play in three acts [by
Maurice Ordonneau]. English libretto by C. E. Hands.
English lyrics by Adrian Ross [pseud.]. Music by H«go
Felix, Hugo. (Continued.)
Felix. Vocal score [with piano accomp.]. London,
Chappell & Co. 1904. M.397.26
The merveilleuses. A new comedy opera by Victorien
Sardou. Adapted for the English stage by Basil Hood.
Lyrics by Adrian Ross [pseud.]. Music by Hugo Felix.
Vocal score. [Accomp. for piano.] London. Chappell
& Co. Ltd. 1906. M.378.46
Felix, ou I'enfant trouve. Opera. For the Music see Mon-
signy. For the Libretto see Sedaine.
Felkin, F. W.
The maid of Colonsay. Cantata. The music composed by
Erskine Allon. No. i in M.213.1
Fellechner, Wilhelm.
Cartouche. Komische Oper. Musik von H. Hofmann.
No. I in M.286.3
Des Konigs Cadetten. Komische Oper. Musik von C. A.
Raida. No. 2 in M.297.24
Der Herr von Papillon. Operette. Musik von Rudolf Bial.
No. I in M.265.18
Fels, Roderich, pseud. See Rosenfeld, Julius.
Fels auf Felsen hingewalzet. Song. Schubert, F. P. Werke.
Serie 20, Band 7. M.317.1.20.7
Felsenkreuz, Das. Part-song. Kreutzer, C. No. 8 in M.130.7
Felsenmuehle, Die, zu fitalieres. Opera. For the Music see
Reissiger. For the Libretto see Miltitz.
Feltre, Alphonse Clarke, Comte de.
Le capitaine Albert. Opera comique en 3 actes, paroles de
I\Ir A. de C * * *. Musique de Alph. de Feltre. [Accomp.
de piano.] Paris. Colombier. [185-?] M.262.37
D'un bal vif et bruyant. Couplets [s. Accomp. de piano].
Paris. Meissonnier. [183-? Le fils du prince.]
No. 22 in M.390.37
Dans ses penchants inconstant. Air [t. Accomp. de piano].
Paris. Meissonnier. [183-? Le fils du prince.]
No. 20 in M.390.37
Le fils du prince. Opera comique en 2 actes. Paroles de
Mr E. Scribe. Mis en musique par Alph. de Feltre. Par-
tition. Paris. Meissonnier. [1834?] M. 262.38
L'incendio di Babilonia, opera seria in 2 atti, paroles de A.
A * * *. Musique de A. de Feltre. [Accomp. de piano.]
Paris. Colombier. [1852.] M.262.39
Palais pompeux, riches demeures. Romance [t. Accomp.
de piano]. Paris. Meissonier. [183-? Le fils du prince.]
No. 21 in M.390.37
Femme, La, a papa. Opera. For the Music see Ronger, F.
For the Libretto see Hennequin, A. N.
Femme, La, de Claude. Opera. For the Music see Cahen, A.
For the Libretto see Gallet.
Femme, La, de I'exile. Song. Concone. No. 2 in M.244.a
Femme de Narcisse. Opera. For the Music see Varney, L.
For the Libretto see Carre, F.
Femme, Une, du quart de monde. Opera. For the Music and
Libretto see Jouhaud.
Femme modele, Une. Opera. For the Music see Villebichot.
For the Libretto see Doyen.
Femme, Une, qui begaie. Opera. For the Music see Ville-
bichot. For the Libretto see Renard, J.
Femme, Une, qui jure. Opera. For the Music see Chassaigne.
For the Libretto see Blondelet.
Femme, Une, tombee du ciel. Opera. For the Music see
Roques. For the Libretto see Blondelet.
Femmes vengees, Les. Opera. For the Music see Danican.
For the Libretto see Sedaine.
Fencing master. The. Opera. For the Music see De Koven.
For the Libretto see Smith, H. B.
Fenetres et jalousies. Opera. For the Music see Ghilain. For
the Libretto see Jallais.
Fenner, Thomas P., compiler.
Cabin and plantation songs, as sung by the Hampton stu-
dents. (In Armstrong and Ludlow. Hampton and its
students. Pp. 171-255-) M.146.3
Fensterscheibe, Die. Song. Schumann, R. A. Sechs Gesange.
Op. 107. No. .1 in M.244.1S.4; etc.
414
Feodore
THE ALLEN A. BROWN COLLECTION OF MUSIC
Ferretti
Feodore. Opera. For the Music see Schmidt, J. P. S. For
the Libretto see Kotzebue.
Fera stella. Madrigal. Lassus. Sammtliche Werke. Band 2.
M.8o4oa.67.2
Feramors. Ofera. For the Music see Rubinstein. For the
Libretto see Rodenberg, J.
Feraudy, Maurice de.
Le beguin de Messaline. Operette de MM. Maurice de
Feraudy, Jean Kolb et Marcel Yver. Musique de Justin
Clerice. No. i in 114.399.14
Ferdinand Cortez. Opera. For the Music see Spontini. For
the Libretto see Etienne, V. J.
Ferdinand Franck; the auto-biographical sketch of the youth-
ful days of a musical student. 2d edition, with illustra-
tions by Geo. Cruikshank. London. Ackermann. 1831.
M.i29a.38
Fere, Octave, pseud. See Mogeta, Charles Octave.
Fereal, Cesar.
Dona Branca (Donna Bianca). Drame lyrique. Musique
de Alfred Keil. M.382.38
Fereol, pseud. See Second, Louis.
Feretti, Giovanni. See Ferretti, Giovanni.
Fergus, John.
Come shepherds & aid me to mourn. Glee [a. t. b. b,]. (In
Bland. The Ladies' collection. Vol. 3, pp. 329-331-)
No. 4S in M.235.17.3
To fair Fidele's grassy tomb. Glee [a. t. B.t (In Bland.
The Ladies' collection. Vol. 3, pp. 317-319)
No. 41 in M.235.17.3
Ferguson, John Clark.
The pleasures of music and other poems. 2d edition, en-
larged. London. Groombridge. 1850. M.iiga.ig
Feriae sacrs. Church music. Haverfield. M.121.5
Ferme, La (Journee d'ete). Cantata. For the Music see Pre-
vost-Rousseau. For the Libretto see Nadaud.
Ferme ta paupiere. Song. Auber. No. 2 in M.1S7.38
Fermiere, La, et son gargon. Opera. For the Music see Bar-
bier, F. li. For the Libretto see Jouhaud.
Fern im Osten wird es helle. Part-song. Kiel.
No. 4 in M.333.12
Fern vom Rhein. Part-song. Kern. Acht Lieder fiir Man-
nerchor. No. 46 in M.392.12
Fernand, Ludwig.
Irrlicht. Oper. Musik von Leo Fall. M.389.39
Fernand Cortez. Opera. For the Music see Spontini. For
the Libretto see Etienne, V. J.
Fernanda. Opera. For the Music see Ferrari, F. For the
Libretto see Golisciani.
Fernandez de Monge, F.
Stabat Mater a 4 voi.x, choeurs, solos, trio, quatuor et orgue.
Paris. Genevee. [1879?] No. i in M.158.38
Fernando and Clare. Song. Zumsteeg. No. 7 in M.212.21.2
Fernbach, Emanuel.
Handwerkerleben. Cantata, componirt von Hermann Mohr.
M.280.28
Feme. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413.3.19
Feme von der grossen Stadt. Song. Schubert, F. P. Werke.
Serie 20, Band 4. 1*1.317.1.20.4
Feme Wolken seh' ich ziehen. Part-song. Werner, F. W.
No. 97 in M.i29a.43.3
Femsicht. Song. Jensen, A. Ausgewahlte Lieder.
No. 3 in M.157.37
Feroci, Francesco.
Adoramus Te. Terzetto [t. t. b. With accomp. for organ].
[In Novello. The Fitzwilliam music. Vol. i, p. 52.)
No. 10 in M.233.26.1
Ferrari, F. G. di.
La Lodoiska. [Opera.] Musica del Sig. Simon Mayer.
M.41.12
Ferrari, Ferruccio.
Fernanda. Dramma lirico in tre atti di Enrico Golisciani,
Musica del Maestro Ferruccio Ferrari. Milano. Lucca.
fiSSs?! M.399.16
Ferrari, Francesca Jessie.
A cloud with a silver lining. Cantata for female voices,
with pianoforte accomp. Words by K. L. C. Music by
Francesca Jessie Ferrari. London. Davison & Co. [186-?]
No. 2 in M. 154.16
Ferrari, Giacomo Gotifredo.
The heroine of Raab. A serious opera. London. Win-
chester. 1815. No. 8 in M.ioga.LZ
Words only, in Italian and English.
Non vi fidate agli uomini. Cavatina [s. Accomp. di piano].
Philadelphia. Willig. [182-?] No. 5 in M.390.44
Quatre senates progressives pour le forte-piano, avec ac-
comp. de violon, ad-libitum. Op. 27. [Piano seul.] Paris,
firard. [179-?] No. 17 in M.210.2
Same. [Partie de violon,] No. 19 in M.210.9
Rinaldo d'Asti. An opera in 2 acts. [Full score.] Manu-
script. [London. 1802.] 2 v. M.320.13
Si.x favorite Italian ariettes, one duett and one hymn for 4
voices. [Accomp. for piano.] London. Birchall. [181-?]
No. 7 in M.22I.2I
Contents. — II bacio. — Al venticello. — All' orologio. — Lo svenimento.
— La semplice. — L'innamorato. — Nice e Tirsi, duetto, s. T. — Inno
?. Venere pudica, s. .\. T. b.
Trois sonates pour clavecin, ou forte piano, avec accomp.
de violon oblige. [Piano seul.] Paris. Sieber. [179-?]
No. 18 in M.210.2
La villanella rapita, ou la villageoise enlevee. Opera bouf-
fon en 3 actes . . . Musique de differens compositeurs.
Paroles italiennes [de G. G. Ferrari] traduites en fran-
gois, par M. D. [Partition.] Paris. Sieber. [1789?]
M.224.21
A pasticcio, containing music by Ferrari, Bianchi, Mozart and others.
Ferrari, Giovanni Battista.
Down by the silv'ry stream. [Trio, s. s. a. Accomp. for
pianoforte.] London. Cock, Addison & Co. [185-?]
No. 10 in M.244.I0.4
How inviting! Round for 3 voices. (In Turle and Taylor.
The People's music book. Vol. 3, pp. 189-192.)
No. 65 in M.iii.4.3
Let us all to the fields repair. Trio [s. s. s. Accomp. for
pianoforte]. (In Musical times. [Music] Vol. 7, pp. 19-
23.) No. 4 in M. 175. 1. 7
Now speed my gallant vessel. Round, for 3 voices. (In
Turle and Taylor. The People's music book. Vol. 3, pp.
213-215.) No. 71 in M.iii.4.3
Gli ultimi giorni di Suli. Azione lirica di Giovanni Peruz-
zini. Musica del Mo G. B. Ferrari. Riduzione per canto
con accomp. di pianoforte. Milano. Ricordi. [184-?]
M.231.35
Ferrari, Serafino Amadeo de.
II cadetto di Guascogna. Commedia lirica in 3 atti di R.
Berninzone. Posta in musica dal M" S. A. De-Ferrari.
Riduzione per canto e pianoforte. Torino. Giudici &
Strada. [1864.I M.295.17
II menestrello. Melodramma giocoso in 3 atti, di Raffaele
Berninzone. Musica di S. A. De-Ferrari. Riduzione per
canto e pianoforte. Torino. Giudici & Strada. [1861.]
M.262.40
Pipele, ossia il portinajo di Parigi. Melodramma giocoso
in 3 atti di R. Berninzone. Musica di S. A. De-Ferrari
. Con accomp. di pianoforte. Milano. Lucca. [1855?]
M.256.2
Ferretti, Giacopo.
L'ajo neir imbarazzo. Opera buffa, musica di G. Donizetti.
M.364.12
La Cenerentola. Opera. Musique de Rossini. M.369.21; etc.
II colonello. Opera buffa. [Musica dei fratelli I.uigi e
Federico Ricci.l M.264.8
I falsi monetari. Melodramma giocoso. Musica del M"
Lauro Rossi. M. 152.22
La figlia di Figaro, melodramma giocoso . . . Posto in
musica dal maestro Lauro Rossi. M. 150.25
II furioso air isola di San Domingo, melodramma. Musica
del maestro G. Donizetti. Venezia. Molinari. 1840.
Libretto only, in Italian. No. 17 in M.I47.8.I
415
Ferretti
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Ferris
Ferretti, Giacopo. (Continued.)
Same. II furioso, opera. Musique de Donizetti. M.364.7
Matilde de Shabran, ossia bellezza e cuor di ferro. [Musica
del maestro Rossini.] Venezia. Molinari. [182-.]
Libretto only, in Italian. No. 5 in M.147.8.I
Same. Matilde di Sliabran, ossia il corradino. Opera semi-
seria. Musica di G. Rossini. M.264.33
II nuovo Figaro. Melodramma giocoso. Musica del M"
Luigi Ricci. M.340.4
Olivo e Pasquale, melodramma giocoso. Musica del maes-
tro G. Donizetti. Padova. Tipografia Peuada. [1839.]
Libretto only. No. 21 in M.147.8.I
Same. Opera buffa, musica di G. Donizetti. M.364.20
La pazza per amore. Dramma. Musica del M" P. A. Cop-
pola. M.291.22
Torquato Tasso, melodramma. Musica del maestro G.
Donizetti. Venezia. Molinari. 1841. No. 10 in M.147.8.1
Libretto only, in Italian.
Same. Opera del Mo Donizetti. M. 262.2
Ferretti, Giovanni.
Ladies, I fain would warn ye. [Villanella, s. s. a. t. b.] (In
Taylor. Vocal school of Italy. Pp. 90-9.S.)
No. 19 in M.237.28
Lady unkind. [Villanella, s. s. a. t. b.] (In Taylor. Vocal
school of Italy. Pp. 96-99) No. 20 in M.237.28
Laura, thy beauty's brightness. Madrigal [s. a. t. t. b. b.].
(In Turle and Taylor. The People's music book. Vol. 3,
pp. 290-293.) No. 95 in M.iii.4.3
Siat' avertiti. Madrigal [s. s. a. t. b.]. (In Novello's Glee-
hive. Vol. 3, pp. 179-184.) No. 82 in M.157.20.3
Also to be found in Webb's Collection of madrigals.
Same. Ye swains, take counsel. Madrigal [s. a. t. b. b.]. (In
Turle and Taylor. The People's music book. Vol. 3, pp.
84-87.) No. 34 in M.iii.4.3
Sigh not, fond shepherd. [Madrigal, s. s. a. t. b.1 (In Oli-
phant. Madrigals in parts. 2d series.) No. 67 in M.237.15
So gracious is thy sweet self. Madrigal [s. a. t. t. b.]. (In
Page. Festive harmony. Pp. 9-12.) No. 2 in M.235.11
Also to be found in Warren's Cocks's Hand-book of glees.
Tell me, O lady fair. [Villanella, s. s. a. t. b.] (In Taylor.
Vocal school of Italy. Pp. 86-89.) No. 18 in M.237.28
Ferrier, Paul.
Babolin. Opera comique de Paul Ferrier et Jules Prevel.
Musique de Louis Varney. M.324.36
Le Capitole. Opera-comique de Paul Ferrier et Charles
Clairville. Musique de Gaston Serpette. M. 246.14
Le carnet du Diable. Piece fantastique de Ernest Blum &
Paul Ferrier. Musique de Gaston Serpette. M.246.IS
La Catalane. Drame lyrique. Poeme de Paul Ferrier et
Louis Tiercelin. Musique de Fernand Le Borne. M.378.25
Cendrillonnette. Operette. Musique de Gaston Serpette
& Victor Roger. No. i in M.322.18
Le Chevalier d'Harmental. Opera-comique. Musique de
Andre Messager. M.302.11
Le coq. Operette de Paul Ferrier & Depre. Musique de
Victor Roger. M.307.32
Dix jours aux Pyrenees. Grande operette. Musique de L.
Varney. No. i in M.325.7
La dot de Brigitte. Operette de Paul Ferrier et Antony
Mars. Musique de Gaston Serpette et Victor Roger.
M.246.16
£laine. Opera-legende. Musique de H. Bemberg. M.303.18
Same. Elaine. Opera. The music by H. Bemberg. M.246.2
Fanfan la Tulipe. Opera comique de P. Ferrier et J. Prevel.
Musique de L. Varney. M.324.35
La fee aux chevres. Opera comique. • Paroles de Paul Fer-
rier et Albert Vanloo. Musique de Louis Varney. M.325.1
Le fetiche. Operette de MM. Paul Ferrier et Charles Clair-
ville. Musique de Victor Roger. M.307.33
La fille de Roland. Tragedie musicale. Musique de ?Ienri
Rabaud. M.397.51
La fille de Tabarin. Comedie lyrique de MM. Victorien
Sardou & Paul Ferrier. Musique de Gabriel Pierne.
M.382.63
Ferrier, Paul. (Continued.)
Hedda, leggenda scandinava dei Signori Paolo Ferrier e
Paolo Collin, musica di Fernando Le Borne. M.399.35
The title-page and text are in Italian and French.
Josephine vendue par ses soeurs. Opera-bouffe de Paul
Ferrier & Fabrice Carre. Musique de Victor Roger.
M.307.34
Mademoiselle Asmodee. Opera-comique de P. Ferrier &
Ch. Clairville. Musique de P. Lacome & V. Roger.
No. I in M.300.14
Mariage princier. Opera-bouffe. Musique de Ernest Gillet.
M.402.22
La Marocaine. Opera-bouffe. Musique de J. Offenbach.
M.277.13
Me-na-ka. Legende japonaise. Musique de Gaston .Ser-
pette. No. 2 in M.322.20
Miss Robinson. Piece. Musique de Louis Varney. M.395.56
Les mousquetaires au couvent. Opera-comique de Paul
Ferrier et Jules Prevel. Musique de Louis Varney.
M.324.38
La nuit aux soufflets. Opera comique de A. D'Ennery
[pseud.] et P. Ferrier. Musique de Herve [pseud.].
M.276.38
Ordre de I'empereur. Opera comique. Musique de Justin
Clerice. M.382.10
La petite Boheme. Operette. Musique de Henri Hirch-
mann [sic]. M.383.21
La petite muette. Opera comique. Musique de Gaston
Serpette. M.322.23
Les petits mousquetaires. Opera-comique [de P. Ferrier
et J. Prevel. Musique de Varney]. M.400.5i;etc.
Riquet a la houppe. Feerie nouvelle de Paul Ferrier &
Charles Clairville. Musique de Louis Varney. M.325.3
Le royaume des femmes. Operette a grand spectacle de
MM. Ernest Blum et Paul Ferrier. Musique de Gaston
Serpette. M.39S.60
Samsonnet. Operette. Musique de Victor Roger.
No. 2 in M.307.31
Tabarin. Opera. [Musique de] fimile Pessard. M.287.11
Theodora. Drame musical de Victorien Sardou et Paul
Ferrier. Musique de Xavier Leroux. M.378.IS
La Venus d'Arles. Opera-comique de P. Ferrier & A.
Liorat [pseud.]. Musique de Louis Varney. No. 2 in M.32S.7
La vie mondaine. Opera bouffe. Paroles de Paul Ferrier
et fimile de Najac. Musique de Charles Lecocq. M.296.38
Le voyage de la mariee. Operette a grand spectacle de Paul
Ferrier et Maurice Ordonneau. Musique de Edmond
Diet. No. 2 in M.389.3
Ferrieres,
Les souliers mor-dorees. Opera buffon. Mis en musique
par Alexander Frier di Frizeri. M.227.8
Ferris, George Titus.
Great German composers. New York. Appleton & Co.
1882. M.iogb.iS
Contents. — Bach. — Handel. — Gluck. — Haydn. • — Mozart. — Bee-
thoven. — Schubert, Schumann, and Franz. — Chopin. — Weber. —
Mendelssohn. — Wagner.
Great Italian and French composers. New York. Apple-
ton & Co. 1882. M.io9b.i9
Contents. — Palestrina. — Piccini, Paisiello and Cimarosa. — Rossini.
— Donizetti and Bellini. — Verdi. — Cherubini and his predecessors.
— Mehul, Spontini and Halevy. — Boieldieu and Auber. — Meyerbeer,
— Gounod and Thomas. — Berlioz.
Great singers, ist, 2d series. New York. Appleton & Co.
1882. 2 V. M.io9b.20
Contents. — I. Faustina Bordoni to Henrietta Sontag. [Bordoni, Gabri-
elli, Arnould, Billington and her contemporaries, Catalani, Pasta, Son-
tag.] 2. Malibran to Titiens. [Malibran, Schroder-Devrient, Grisi,
Viardot, Persian!, Alboni, Lind, Guvelli, 'Titiens.]
Sketches of great pianists and great violinists. London.
Reeves. [188-?] M.109.37
Contents. — The violin and early violinists. — Viotti. — Spohr. —
Paganini. — De Beriot. — Ole Bull. — Clemcnti. — Moscheles. —
Schumann (Robert and Clara). — Chopin. — Malberg. — Thalberg.
— Gottschalk. — Liszt.
416
Ferro
THE ALLEN A. BROWN COLLECTION OF MUSIC
Festival
Ferro, L. von.
La Pompadour. Oper von L. v. Ferro und A. L. Moor.
Musik von Emanuel Moor. M.382.56
Ferron, Adolf.
Das Krokodil. Operette in 3 Aufziigen von Oscar Walther.
Musik von Adolph Ferron. Klavier-Auszug mit Text.
Leipzig. Zimmermann. 1898. M.389.41
Der Rathsschreiber. Komische Oper in 3 Akten von Th.
A. Herrmann. Musik von A. Ferron. Clavier-Auszug.
Hamburg. Cranz. [188-?] M.2.S6.4
Sataniel. Operette in 3 Acten von Carl Gorlitz. Musik von
A. Ferron. Clavierauszug. Hamburg. Cranz. [188-?]
M. 256.3
Ferroni, Vincenzo Emilio Carmine.
Fieramosca. Dramma lirico in 3 atti. Parole e musica di
Vincenzo Ferroni. Opera completa per canto e piano-
forte. Milano. Pigna. 1896. Portrait. M.399.17
Rapsodie espagnole. Op. 8. Partition. Hannover. Oertel.
[189-?] No. I in M.403.34
Fertiault, Francois.
Histoire anecdotique et pittoresque de la danse. Paris.
Aubry. 1854. M.iogb.aG
Fertur in conviviis. Motet. Lassus. Sammtliche Werke.
Band 3. M.8o4oa.67.3
Fervaal,
Barberina. Commedia lirica. Musica di Gino Marinuzzi.
M.399.42
Fervaal. Opera. For tlie Music and Libretto see Indy, P. M.
V. d'.
Fervaal. Overture. Indy, P. M. V. d'. No. 3 in M.406.S1
Fesca, Alexander Ernst.
Die Dorfkirchglocke. [Mannerchor.] {hi Das Riitli. P.
64.) No. 23 in M.147.4
Standchen [t. T. B. B.]. Berlin. Bote & Bock. [1882.]
No. 56 in M.392.7
Wanderlied. [Mannerchor.] (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste. P.
II.) No. 9 in M. 130.7
Fesca, Friedrich Ernst.
Cantemire. Eine grosse Oper in 2 Acten, bearbeitet von
A. V. Dusch, in Musik gesetzt von F. E. Fesca. Clavier-
auszug. Bonn. Simrock. [182-?] M. 231.37
Collection des quatuors et quintetti pour le violon. [Parties
separees.] Paris. Richault. [182-?] s v. Portrait. M.200.3
The collection consists of twenty quatuors and five quintets, of which a
thematic list is given in each volume.
Doppeltes Vaterland. [Mannerchor.] (In Orpheus. Band
2, pp. 17, 18.) No. 54 in M.i2ga.43.2
Der ios'« Psalm. Hymne fiir 4 Singstimmen mit Beglei-
tung des Orchesters . . . Vollstiindiger Clavierauszug.
Bonn. Simrock. [182-?] No. 2 in M.221.5
I will praise Thee, O Lord, the 9th Psalm, set to music by
F. E. Fesca, adapted to English words ... by Joseph
Lidel. [Accomp. for pianoforte.] London. Novello.
[185-?] No. I in M.270.29
Omar und Leila. Eine romantische Oper in 3 Acten von
L. Robert, in Musik gesetzt von F. E. Fesca. Clavieraus-
zug. Bonn. Simrock. [182-?] M. 231.36
Ein Satz aus der 13'^" Psalm fiir s. a. t. b. mit Begleitung
des Piano Forte. Bonn. Simrock. [182-?] No. i in M.221.S
Scena italiana, con sottoposte parole tedesche, per voce di
soprano coU' accomp. di pianoforte. Bonna. Simrock.
[182-?] No. 3 in M.221.5
Fesca. Friedrich Ernst. Works about.
Neumann, W. Peter von Winter. Abt Vogler. Friedrich
Ernst Feska. Biographien. Cassel. i8.';6. No. 4 in M.205.24
Fessy, Alexandre Charles.
Messe, 4me, a 3 voix, soprano, tenor et basse avec acc<
d'orgue a volonte. Paris. Richault. [183-?]
No. 5 in M.156.23
Messe, Sme, a 3 voix, soprano, tenor et basse avec ace'
d'orgue a volonte. Paris. [183-?] No. 6 in M.156.23
Messe, 6me, a 3 voix, soprano, tenor et basse, avec acct
d'orgue a volonte. Paris. Richault. [183-?]
No. 7 in M.156.23
Fessy, Alexandre Charles. (Continued.)
O Salutaris. [s. T. B. Accomp. d'orgue. Paris. 184-?]
No. 3 in M.221.21
Fest bei Herodes. For orchestra. Kramm. No. i in M.406.73
Fest, Das, auf Solhaug. Incidental music. For the Music see
Wolf. For the Text see Ibsen.
Fest, Das, der Lazaronen. Opera. For the Music see Wranit-
zky.
Fest, Das, der Rebenblute. Cantata. For the Music see Zoell-
ner, H. For the Libretto see Krone.
Fest, Das, der Winzer. Opera. For the Music see Kunzen.
Festa, Costanzo.
Down in a flow'ry vale. Madrigal? Arranged by T. Oli-
phant. [Score.] London. Calkin & Budd. [1840.]
No. 8 in M.235.7.1
Same. [Separate parts.] (/n Taylor. Madrigals, [ist set.
183-?]) No. 16 in M.237.15
Soon as I careless stray'd. [Part-song.] (In Musical times.
[Music] Vol. I, pp. 4, 5.) No. 2in M.I7S.I.I
'Twas a May-day morning. Madrigal. (In Leslie. Cassell's
Choral music. Pp. 197-200.) No. 47 in M. 235.10
Festa a marina. Opera. For the Music see Coronaro, G. B.
Festa della rosa. La. Opera. For the Music see Pavesi. For
the Libretto see Rossi, G.
Festal greeting, A. Part-song. Mendelssohn-Bartholdy, J.
L. F. No. 19 in M. 203.7
Fest-Cantate. Cantata. For the Music see Fromm; also
Kuecken. For the Libretto see Meyer, J. H.; also
Fischer, Johann G.
Festchor zu Mozart's Sacularfeier. Cantata. For the Music
see Lachner, F. For the Libretto see Beck.
Fest-Comitat. Part-song. Abt, F. Vier vierstimmige Man-
nerchore. No. 7 in M.392.39
Feste Burg, Ein', ist unser Gott. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang i8.
Feste Burg, Ein', ist unser Gott. Overture. Nicolai, C. O. E.
Kirchenliche Fest-Ouverture. No. 3 in M.343.14
Raff. No. 3 in M.347.26
Feste Burg, Ein', ist unser Gott. Sonata. Lange, S. de. So-
nate iiber Luther's Choral. No. 6 in M.414.34
Feste, Le, d'Iside. Opera. For the Libretto see Nasolini.
Festes venitiennes, Les. Opera. For the Music see Campra.
For the Libretto see Danchet.
Festgesang. Cantata. For the Music see Hofmann, H. C. J.;
also Meyerbeer. For the Libretto see Wildenbruch;
also Rosenberg.
Festgesang. Part-song.
Adam, C. F. Sechs Turnlieder. No. 26 in M.392.2
Otto. No. 249 in M.i29a.43.8
ScHWALM. No. II in M.212.16
Stuntz. No. 3 in M.130.8
Festgesang an die Kiinstler. Part-song. Mendelssohn-Bar-
tholdy, J. L. F. No. s in M.155.41; etc.
Fest-Gesang dem Dritten August. Song. Schmidt, J. P. S.
No. 29 in M.221.33
Festgesang zur Sacularfeier der Buchdruckerkunst. Men-
delssohn-Bartholdy, J. L. F. No. s in M. 155.41
Fest-Hymne. Cantata. For the Music see Claassen; also
Meyerbeer. For the Libretto see Oberbreyer; also
Winkler, C. G. T.
Fest-Hymne. Part-song. Weinzierl. No. 5 in M.212.19
Festing, Michael Christian.
Our God is great. Canon, 4 in 2. (In Bland. The Ladies'
collection. Vol. I, p. 119.) No. 179 in M.235.17.1
Also to be found in Vocal harmonist's magazine.
Since my Phyllis is fall'n to my share. Catch a 3 voci. (In
Clementi. Collection of catches. Vol. i, p. 22.)
No. 18 in M.iio.i.i; No. 18 in M.iio.2.1
Festins, Les, d'Hebe. Opera. For the Music see Rameau.
For the Libretto see Gautier de Montdorge.
Festival, The. Part-song. Hering, C. E. No. 26 in M.204.36.7
Festival cantata, A. For the Music see Thayer, E.
Festival march. Part-song. Kern. No. 47 in M.392.11
I S3
417
Festival
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fe'tis
Festival march and hymn to liberty. Symphonic poem. Kaun.
No. 2 in M.410.68
Festival, The, of love. Part-song. Rubinstein.
No. 35 in M.204.38
Festival of Pan. For orchestra. Converse. m. 410.17
Festival, The, of peace. Cantata. For the Music see Weber,
C. M. F. E. von. For the Libretto see Wendt, P. D.
Festive harmony. Part-songs. Page, J., editor. M.235.11
Fest-Klange. Symphonic poem. Liszt. No. 2 in M.344.6
Festlicher Lobgesang. Part-song. Billeter. No. 52 in M.392.4
Festlicher Marsch. Tanieev. TopJKec.TBeHiiLiH Mapinx.
No. I in M.405.60
Festlied. Part-song. Liszt.
Thieme.
Festlied. Song. Weber, C. M. F. E. von.
Band 2.
Festmarsch. For orchestra. David.
Grammann.
Kistler.
Kleinmichel.
Lassen.
Liszt. Fest Marsch nach Motiven von E. H. Z. S.
No. 3 in M.344.11; etc.
— Fest-Marsch zur Goethe Jubilaum-Feier. No. i in M.344.11
Naumann, E. No. I in M.34i.35;etc.
Proksch.
Radecke, a. M. R.
Raff.
Spohr.
Strauss, R.
No. 36 in M.392.1S
No. 34 in M.392.42.2
Sammtliche Lieder.
No. 92 in M.244.7
No. I in M.332.13
No. 5 in M.403.45; etc.
No. 2 in M.342.10
No. I in M.331.19
No. 3 in M.337.6
Cantata.
For orchestra.
No. 5 in M.331.9
No. 2 in M.342.25
No. 2 in M.347.27
No. 4 in M.347.14
No. I in M.342.40
For the Music see Bach,
No. 4inM.345.35;etc.
in M. 332. 17
in M.403.34
in M.3s8.i6
in M.3ii6.29
in M.343.27
in M.347.41
in M.347.3
in M.342.32
in M.344.24
in M.348.1
in M.352.2
in M.342.11
n M,342.26
n M.344.11
Festo ascensionis Christi.
J. S.
Fest-Ouverture
Beethoven.
FiSCHEL. No. I
Frank, L. No. 3
Hegar. No. i
Lachner. No. 2
Lassen. No. 2
Raff. No. i
Reinecke, C. H. C. No.
Scharwenka, L. p. No. 2
Schumann, R. A. No. 3
Ulrich. No.
Volkmann. No.
Fest-Polonaise. For orchestra. Kuecken. No. i
Fest-Praeludium. For orchestra. Riemenschneider
No. 3
Fest-Vorspiel. For orchestra. Liszt. No. 2
Festzeiten, Die. Oratorio. For the Music see Loewe, J. C. G
Festzug. For orchestra. Bonvin. No. 4 in M.403.6
Van der Stucken. No. 2 in M.342.41
Festzug. Part-song. Abt, F. Die Kirmes. No. 4 in M.392.1
Fetards, Les. Opera. For the Music see Roger, V. For the
Libretto see Mars.
Fete, Une, a Venise. Opera. For the Music see Ricci, F. For
the Libretto see Truinet.
Fete au chateau. Symphonic poem. Pirani. No. 2 in M.405.43
Fete, La, au hameau. For pianoforte. Louis, N.
No. 7 in M.390.26
Fete cosaque. For pianoforte. Blumenthal. No. i in M. 190.10
Fete, La, de Flore. Opera. For the Music see Trial. For the
Libretto see Saint-Marc.
Fete, La, de la cinquantaine. Opera. For the Music see De-
zede. For the Libretto see Faur.
Fete, La, des arts. Opera. For the Music see Adam, Adolphe
C. For the Libretto see Mery, J. P. A.
Fete, La, des fleurs. Opera. For the Music see Bordese, L.
For the Libretto see Joly, A.
Fete, La, des morts. Song. Schubert, F. P. Melodies. Vol. 7.
T,- M.327.4.7
Fete des vignerons en 1865. Cantata. For the Music see Grast.
Fete, La, du cure. Song. Masini. Album. No. 2 in M.237.S
Fete, La. du village voisin. Opera. For the Music see Boiel-
dieu, F. A. For the Libretto see Sewrin.
Fete maudite. Song. Halevy, J. F. F. £. No. 11 in M. 193.21. a
Fete slave, Une. Symphonic poem. Glazunov. No. 3 in M.412.3
Fetes. For orchestra. Debussy. Nocturnes. M.406.8
Fetes, Les, d'Hebe. Opera. For the Music see Rameau. For
the Libretto see Gautier de Montdorge.
Fetes, Les, d'Hebe. Overture. Rameau. No. 18 in M.356.11
Fetes, Les, grecques et romai[nes]. Opera. For the Music
see Blamont. For the Libretto see Fuzelier.
Fetiche, Le. Opera. For the Music see Roger, V. For the
Libretto see Ferrier.
Fetis, Adolphe Louis Eugene.
Le Major Schlagman. Operette en i acte, paroles de Mr
Vernier, musique de Adolphe Fetis. Partition chant et
piano. Paris. Brandus & Dufour. [1859.] No. 2 in M.256.5
Fetis, fidouard Francois Louis.
Les musiciens beiges. Bruxelles. Ajamar. [1848.] 2 v.
in I- M.iiga.?
Fetis, Frangois Joseph.
L'amant et le mari. Opera comique en deux actes par MM.
***[£tienne et Roger]. Musique de Mr. Fetis. Opera
9. [Partition.] Paris. Mme. Benoist. [1820.] M.401.16
Biographical notice of Nicolo Paganini, followed by an
analysis of his compositions, preceded by a sketch of the
history of the violin. London. Schott & Co. [187-?]
No. I in M.134.10
Biographic universelle des musiciens et bibliographic gene-
rale de la musique. 2e edition, augmentee. [Avec supple-
ment et complement publics sous la direction de M. A.
Pougin. Tome i, 2.] Paris. Firmin-Didot. 1867-81.
10 V. M.124.3
Catalogue de [sa] bibliotheque, acquise par I'etat beige.
Paris. Firmin-Didot & cie. 1877. [Bibliotheque royale
de Belgique.] M.i24.a
Curiosites historiques de la musique. Paris. Janet & Co-
telle. 1830. M.145.S
Domine, salvum fac regem nostrum, pour un chosur a 4
voix, orchestre et orgue, compose pour I'inauguration du
Roi des Beiges Leopold IL Partition. Bruxelles. Schott.
[1866.] No. 2 in M.213.10
Histoire generale de la musique. Paris. Firmin-Didot.
1869-76. 5 V. M.124.4
Manuel des principes de musique. Paris. Schlesinger.
[1837.] No. I in M.206.4
Memoire sur cette question: "Quels ont ete les merites des
Neerlandais dans la musique, principalement aux I4e, ise
et i6e siecles; et quelle influence les artistes de ce pays
qui ont sejourne en Italic, ont-ils exercee sur les ecoles J
de musique, qui se sont formees peu apres cette epoque en *
Italic?" . . . (/« Kiesewetter, R. G. Verhandelingen over
de vraag . . . ) M.123.15
Messe de requiem pour quatre voix, solos, choeur, orgue
oblige, bugle ou saxhorn, 6 cors, 4 trompettes, 3 trom-
bones, basse-tuba ou saxhorn basse, bombardon ou sax-
horn contrebasse, violoncelles, contrebasse et timbales.
Paris. Meissonnier. [1850?] M.201.5
Music explained to the world; or, how to understand music
and enjoy its performance. London. Clarke & Co. 1844.
M.io9a.32
Notice of Anthony Stradivari, the violin-maker. Preceded
by researches on . . . bow instruments. Translated by
John Bishop. London. Cocks & Co. 1864. Illus. Fac-
simile. M.105.24
Ouverture de concert a grand orchestre. Partition. Bruns-
wick. Litolff. [185-?] No. I in M.348.3S
Quintetto, i^f, pour deux violons, deux altos et violoncelle.
Partition. Mayence. Schott. [186-?] No. 2 in M.335.2
Quintetto, 2me, pour deux violons, deux altos & violoncelle.
[Partition.] Bruxelles. Schott. [186-?] No. 3 in M.33S.2
Quintetto, 3me, pour deux violons, deux altos et violoncelle.
Partition. Mayence. Schott. [186-?] No. i in M.412.2
Symphonic, i^e [in Eb], a grand orchestre. Partition.
Bruxelles. Schott. [186-?] M.348.33
Symphonic, 2^ [sol mineur], a grand orchestre. Partition.
Bruxelles. Schott. [186-.''] M.348.34
418
Fe'tis
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fiat
Fetis, Franqois Joseph. (Continued.)
Te Deum en plain-chant mesure. fAvec accomp. d'orgue et
d'orchestre. Partition. Paris. Bauve. i86-?]
The title-page is lacking. No. 3 in M.407.12
Traite elementaire de la musique, contenant la theorie de
toutes les parties de cet art. Bruxelles. Jamar. [1851,
52.] Portraits. [Enyclopedie populaire.] M. 198.8
A treatise on choir and chorus singing. Translated into
English by the Rev. Thomas Helmore, M.A. London.
Novello, Ewer & Co. 1854. [Novello's Library for the
diffusion of musical knowledge.! No. 2 in M.112.20
La vieille. Opera comique en i acte en prose, paroles de
MM. Scribe & Germain Delavigne. Musique de F. J.
Fetis. [Partition.] Paris. Frere. [1826.] M.224.22
Same. [Accomp. de piano.] Ikelmer & cie. [183-?]
No. I in M.256.5
Fetis, Francois Joseph, editor.
Revue musicale, publiee par F. J. Fetis. Annee 1-3. Paris.
1827-29. S V. Plates. M.170.1
Steibelt. CEuvres choisies, pour piano seul. Vol. 2. M.358.9
Weber, C. M. F. E. von. CEuvres choisies [pour piano].
M.3S8.II
Fetis, Frangois Joseph. Works about.
Paris, A. Lettre a M. Fetis, . . . sur le compte que sont
en droit de lui demander: le gouvernement qui I'emploie,
— les chambres qui lui accordent des subsides, — le peu-
ple qui les paie . . . Bruxelles. 1841. No. 12 in M.372.20
In support of the Cheve method.
Fetre,
Les points jaunes! Saynette. Paroles de J. Pacra et Fetre,
M^usique de Frederic Barbier. No. 6 in M.395.1
Feu celeste, Le. Cantata. For the Music see Saint-Saens.
For the Libretto see Silvestre.
Feu, Le, du ciel. For the Music see Guimet. For the Li-
bretto see Hugo, V. M.
Feu follet, Le. Song. Schubert, F. P. Melodies. Vol. 4.
M.327.4.4
Feu Pierrot. For pianoforte. Schvartz. No. 2 in M.389.13
Feuer, Das. Part-song. Mueller, C. F. W. Wackernagel's
Weinbiichlein. Heft 3. No. 8 in M.392.19
Feuer her. Part-song. Marschner, H. A.
No. 264 in M.i29a.43.8
Feuerfarb'. Song. Beethoven. Werke. Serie 23. M.413.1.23
Feuerkreuz, Das. Cantata. For the Music see Bruch. For
the Libretto see Bulthaupt.
Feuersnot. Ofera. For the Music see Strauss, R. For the
Libretto see Wolzogen, E. L. von.
Feuille, La. Song. Bazin. No. 3 in M.391.28.1
Feuilles, Les, de roses. Song. Meyerbeer. 40 melodies.
No. i in M.157.38
Feuilles mortes, Les. Ofera. For the Music see Wachs. For
the Libretto see Quentin.
Feuillet, Octave.
La cle d'or. Comedie lyrique. [Paroles de] Octave Feuil-
let & Louis Gallet. [Musique de] Eugene Gautier.
M.256.23
Feuillet d'album. For wind instruments. Saint-Saens.
No. 6 in M.40S.53
Feuillets d'album. Songs. Berlioz, L. H. No. 25-27 in M.227.26
Feurige Liebe. Part-song. Rheinberger, J. G.
No. S in M.203.22
Feustking, Friedrich Christian.
Almira. Singspiel von G. F. Handel. No. i in M.393.25
Fevrier, Henry.
Le roi aveugle. Opera en 2 actes de Hugues Le Roux.
[Musique de Henry Fevrier.] Traduction allemande de
M.-D. Calvocoressi. [Partition piano et chant.] Paris.
Enoch & cie. 1906. M.389.6
Few are the days. Motet. Tye. Motetts for 4 voices.
No. Sin M.236.16
Few strictures, A, on the engagement of Mad. Catalani at
Covent-Garden theatre, and on the Italian opera. By a
true Briton. London. Cox & Baylis. 1809.
No. 6 in M.144.18
Feydeau, Ernest Aime.
Un debut a I'Opera. fitude. 2e edition. Paris. Levy. 1863.
M.137.8
Feydeau, Georges.
Le billet de Josephine. Opera comique de G. Feydeau & J.
Mery. Musique de Alfred Kaiser. M.382.37
La Lyceenne. Vaudeville-operette. Musique de G. Ser-
pette. No. 2 in M. 322.25
Feyer, Die, der Christen auf Golgotha. Oratorio. For the
Music see Schicht. For the Libretto see Rest.
Feyerer, Carl, editor.
Wiener Maenner-Gesang-Verein. Jahresbericht.
No. 1-3 in M. 144.21
Feyerlicher Marsch. Cantata. For the Music see Beethoven.
For the Libretto see Kotzebue.
Feyhl, Johann.
Fahnenlied [t. t. b. b.]. (In Gruber. Sangeshort. Heft 4,
pp. 2-4.) No. 3 in M.370.30
Sangergruss. [Mannerchor.] (In Gruber. Sangeshort.
Heft 2, pp. 2-6.) No. 2 in M.370.30
•Sommerreise zum Rhein. [Mannerchor.] (In Gruber.
Sangeshort. Heft 2, pp. 34-37.) No. 2 in M.370.30
Feyjoo y Montenegro, Francisco Benito Geronimo.
Three essays or discourses on the following subjects: A
defence or vindication of the women, Church music, A
comparison between antient and modern music. Trans-
lated by a gentleman. London. Becket. 1778. M.143.7
Fiance, Le. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Fiance, Le, de la mer. Ofera. For the Music see Bordier, J.
For the Libretto see Le Mouel.
Fiance, Le, de Margot. Opera. For the Music see Planquette.
For the Libretto see Bisson.
Fiance, Le, de Thylda. Opera. For the Music see Varney, L.
For the Libretto see Cottens.
Fiancee, La. Opera. For the Music see Auber. For the Li-
bretto see Scribe.
Fiancee, La, dAbydos. Opera. For the Music see Barthe;
also Bordier, P. For the Libretto see Colombeau, J. A.
de; also Dartol.
Fiancee, La, de Corinthe. Opera. For the Music see Duprato.
For the Libretto see Du Commun Du Locle.
Fiancee, La, des Verts Poteaux. For the Music see Audran.
For the Libretto see Ordonneau.
Fiancee, La, du Diable. Opera. For the Music see Masse.
For the Libretto see Scribe.
Fiancee, La, du marin. Song. Concone. No. 6 in M.244.2
Fiancee, La, du roi de Garbe. Opera. For the Music see
Auber; also Litolff. For the Libretto see Scribe; also
Philippe, A.
Fiancee, La, du timbalier. Cantata. For the Music see Saint-
Saens. For the Libretto see Hugo, V. M.
Fiancee, La, du Tsar. Overture. Rimski-Korsakov.
No. 2 in M.406.25
Fiancee, La, en loterie. Opera. For the Music see Messager.
For the Libretto see Roddaz.
Fiancee, La, en loterie. Overture. Messager. No. 3 in M.410.47
Fiances, Les. Duet. Gounod. Quinze duos.
No. II in M.157.36.6
Fiances, Les. For violin and piano. Louis, N.
No. 6 in M.390.35; etc.
Fiances Berrichons, Les. Opera. For the Music see Javelot.
For the Libretto see Jouhaud.
Fiances, Les, de Rosa. Opera. For the Music see Grandval.
For the Libretto see Choler.
Fiances, Les, du bonnet de coton. Opera. For the Music see
Soulie, H. For the Libretto see Pericaud.
Fiat cor meum. Motet. Lassus. Siimmtliche Werke. Band 9.
M.8o4oa.67.9
Fiat Domine. Motet. Lassus. Sammtliche Werke. Band S.
M.8o4oa.67.s
Fiat misericordia Tua. Anthem. Evans. No. 35 in M. 260.24.1
Perez, D. No. 31 in M.260.24.1
419
Fibich
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fiction
Fibich, Zdenko.
Boufe. Zpevohra o 3 jednanich. Basen die sujetu stejnoj-
menne dram, podhadky Shakespeareovy napsal Jaroslav
Vrchlicky. Hudbu slozil Zdenko Fibich. Der Sturm.
Oper in 3 Acten . . . von Jaroslav Vrchlicky [Pseud.].
Musik von Zdenko Fibich. Op. 40. Klavirni vytah. Praha.
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Othello. Symfonicka basen pro velky orchestr. Op. 6.
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Fibich, Zdenko. Works about.
RiCHTER, C. L. Zdenko Fibich. Eine musikalische Sil-
houette. Prag. 1900. Portraits. Facsimiles. M.373.43
Fiby, Heinrich.
Bundeslied. (A. A. Naaff.) Mannerchor mit Begleitung
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Fichtenbaum, Der. Part-song. Loewe, J. C. G. 6 Gesange.
19. Werk. No. I in M.392.17
Fichtenbaum, Der. Song. Franz, R. Sechs Gesange. Op. 16.
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Fichtenbaum, Ein, steht seinsam. Part-song. Nessler. Drei
Lieder. No. 18 in M.392.37
Fichtenbaum, Ein, steht einsam. Song. Liszt. Gesammelte
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Fickle Cupid. Duett [t. x.]. {In Apollonian harmony. Vol.
I, p. 28.) No. iSin M.141.21.1
Also to be found in Social harmony.
Fiction.
Ai,arc6n, P. A. DE. Brunhilde, or the last act of Norma.
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Le finale de Norma. Paris. 1866. M.198.1
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music. Boston.
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Speyer. 1836.
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or, always a future.
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delphia. 1880.
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Bruckbraeu, F. W. Mittheilungen aus den geheimen Me-
inoiren einer deutschen Sangerin. Neue Auflage. Leip-
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Clarke, James H. S. Two chorus girls, and other stories.
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Fiction. (Continued.)
Democritus, J., pseud. The remarkable trial of the Queen
of quavers, and her associates for sorcery, witchcraft, and
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183 1
Feydeau, E. a
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FOTHERGILL, J.
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26 edition.
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The first violin. New York. 1878. M. 102.2
I'Opera. Moeurs fashionables. Bruxelles.
in I. M.i2ga.5
Janson, K. N
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JosEPHi, fi. La
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Kennedy, W.
translations.
Kirschner, L.
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Gollmick, C. Musikalische Novellen und Silhouetten.
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Gordon, H. Alva Vine; or, art versus duty. New York.
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he spell-bound fiddler: a Norse romance.
M. 108.9
chanteuse, roman bucarestois. Bucarest.
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The prima donna, and other stories and
London. 1876. M.107.27
Asbein, fromi the life of a virtuoso. New
M.370.38
Boris Lensky. New York. 1891. M.37o.3g
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Krinitz, E. de. Daniel Vlady. Histoire d'un musicien.
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Lacroix, L. p. B. p. Le medecin de I'Opera. Roman hu-
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I-aurent de Rille, F. A. Oliver I'orpheoniste. Paris.
1861. No. I in M.118.13
Lavergne, a. M. a. de L. de. L'ut de poitrine. Paris.
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Lucius, pseud. American and Italian cantatrici; or, a year
at the singing schools of Milan. London. 1867. M.i4ga.i7
Macchetta, B. R. Stage-struck; or, she would be an opera-
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Maillard, G. L'organiste. 2e edition. Paris. [1884.]
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Marmier, X. Histoire d'un pauvre musicien (1770-1793).
Paris. 1866. M.iig.6
Mazinghien, G. Les rois du jour. Le tenor. Paris. 1886.
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420
Fiction
THE ALLEN A. BROWN COLLECTION OF MUSIC
Filibuster
Fiction. (Continued.)
Mazon, a. Le vieux rausicien. Paris. 1863. M.129.25
MoNNAis, G. fi. Portefeuille de deux cantatrices. Paris.
[1847.] M.113.11
NicoLAi, G. Die Geweihten, oder der Kantor aus Fichten-
hagen. Humoreske. Theil i. 2. Auflage. Berlin. 1836.
M.I08.3S
Ordinaire, R. Marius et las Teutons. Fantaisie musicale.
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Pardon, G. P., editor. Tales from the operas. London.
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Pasque, E. H. a. Aus der Welt der Tone. Erlebnisse eines
Madchen-Quartetts in Haidehause. Onkel Reinhold's
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Musikanten-Geschichten. Dresden. 1888. M. 102.34
Peterson, J. Das Musikfest, ein romantisches Epos.
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PoLKO, E. Klingende Geschichten. Stuttgart. 1894.
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Musical tales, phantasms and sketches, fist,] 2d se-
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Rau, H. Beethoven. Historischer Roman. Frankfurt a. M.
1859. 3 V. in I. M. 1x93.9
Mozart. A biographical romance. New York. 1868.
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Sala, G. a. H. The two prima donnas, and The dumb door
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ScuDO, P. Le chevalier Sarti. Paris. 1857. M. 129.44
Sermet, J. Une cabotine. Paris. 1886. N.137.18
Serret, E. Clemence Oge: histoire d'une maitresse de
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Siieppard, E. S. Charles Auchester. 4th edition. London.
1875. M.i09a.33
Counterparts; or, the cross of love. Boston. 1869.
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Rumor. Boston. 1864. M. 101.44
Sparafucile, pseud. Gens de choeurs. (Roman de choriste.)
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Thayer, A. W. Signor Masoni and other papers. Berlin.
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Thellusson, R. R. de. Lucile, ou la cantatrice. Paris. 1833.
2 V. in I. M.137.6
Thomas, B. The violin-player. London. 1880. 3 v. M.109.36
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gen Todtenfeier. Wien. 1893. No. 4 in M.217.11
Williams, S. The prima donna. London. 1884. 2 v. in i.
M.i49a.30
Fidanzata Corsa, La. Opera. For the Music see Pacini, G.
For the Libretto see Cammarano, S.
Fidanzati, L Opera. For the Music see Peri, A. For the Li-
bretto see Piave.
Fidele berger, Le. Opera. For the Music see Adam, Adolphe
C. For the Libretto see Scribe.
Fidele Haus, Das. Parl-song. Becker, V. E. Vier Gesange
fiir vierstimmigen Miinnerchor. No. 5 in M.392.4
Fidelio. Opera. For the Music see Beethoven. For the Li-
bretto see Camus.
Fidelio. Overture. Beethoven. M.413.1.3
Fidelity. Song. Haydn, F. J. No. 56 in M. 235.18.1; etc.
Fides. Pantomime. Street, G. No. 3 in M.384.S
Fides est anima. [Canon, S in i-] (/» Warren. Collection
of catches. Vol. i, p. 52.) No. 62 in M.220.9.1
Same. [4 in i.l (/»i Same. P. 54.) No. 67 in M.220.9.1
Fie, nay prithee, John. Catch. Hutchinson. No. 118 in M.220.10
Field, Richard Montgomery, translator.
Messager. Fauvette. 11.257.21
Field, The, of honor. Opera. For the Music see Herold, L. J.
F. For the Libretto see Planard.
Fields, The, of light. Quartet. Morris, J. W. Vocal quartets.
No. 34 in M.190.5
Fielitz, Alexander von.
Vendetta. Tragische Oper in einem Act von M. v. Fielitz.
Musik von Alexander von Fielitz. Klavierauszug. Magde-
burg. Heinrichshofen. [188-?] No. 2 in M. 256.6
Fielitz, M. von.
Vendetta. Tragische Oper. Musik von Alexander von Fie-
litz. No. 2 in M.256.6
Fiera, La. Opera. For the Music see Guglielmi, P. C.
Fiera, La, di Venezia. Opera. For the Music see Salieri. For
the Libretto see Boccherini.
Fieramosca. Opera. For the Music and Libretto see Ferroni.
Fierrabras. Overture. Schubert, F. P. No. 2 in M.334.18
Fiesco. Overture. Graedener, C. G. P. No. i in M.346.22
Fiesko. Overture. Urban, H. No. 6 in M.404.17
Fiesque. Opera. For the Music see Lalo. For the Libretto
see Beauquier.
Fiesque. Overture. Lalo. No. 2 in M.343.24
Fievee, Joseph.
Les rigueurs du cloitre. Drame lyrique, mis en musique
par M. Berton. M.271.8
Fievet, Claude.
Le magicien. Opera-comique en un acte. Paroles de Henri
Piquet. Musique de Claude Fivet. Partition chant et
piano. Paris. Joubert. [1896.] No. 2 in M.3g9.82
Fievre phylloxerique. La. Opera. For the Music see Liou-
ville. For the Libretto see Hermil.
Fifre enchante, Le. Opera. For the Music see Offenbach.
For the Libretto see Truinet.
Figarella. Opera. For the Music see Clerice. For the Li-
bretto see Grandmougin.
Figaro's Hochzeit. Opera. For the Music see Mozart. Le
nozze di Figaro.
Figli del mesto cor. Aria. Handel. Werke. Lieferung 50.
M.3I3-I-SO
Figli si cari al cor. Song. Rossini. No. 2 in M.364.10
Figlia, La, del reggimento. Opera. For the Music see Doni-
zetti. For the Libretto see Bayard.
Figlia, La, di Figaro. Opera. For the Music see Rossi, L.
For the Libretto see Ferretti, G.
Figlio d'altc speranza. Aria. Handel. Werke. Lieferung
52A. M.313.1.S2A
Figlio immortal d'immortal padre. Madrigal. Palestrina.
Werke. Band 29. M.8o4oa.66.29
Figlio mi sento, oh Dio. Aria. Perez, D. No. 12 in M. 120.28
Figliuol prodigo, II. Opera. For the Music see Ponchielli.
For the Libretto see Zanardini.
Figurante, La. Opera. For the Music see Clapisson. For the
Libretto see Scribe.
Figures d'Opera-Comique. Biography. Paroisse-Pougin.
M.137.2
Filby, William Charles.
To an infant, sleeping. [Trio, s. s. a. Accomp. for piano-
forte.] London. Czerny. [187-?] No. 10 in M.157.15
File, Una, de nuvile d'argento. Song. Gordigiani. £chos de
la Toscane. Vol. i. No. 19 in M.244.13.1
Fileuse, La. Song. Schubert, F. P. Melodies. Vol. 5.
M.327.4.5
Fill, non te frangant labores. Motet. Palestrina. Werke.
Band 7. M.8o4oa.66.7
Fili, quid fecisti nobis sic. Motet. Lassus. Sammtliche Werke.
Band 7. 1^.80403.67.7
Fili recordare. Motet. Lassus. Sammtliche Werke. Band 7.
M.8o4oa.67.7
Filiae Jerusalem. Passion music. Gounod. The seven words.
No. 12 in M.157.31
Filiasi. Lorenzo.
Manuel Menendez. Dramma lirico in un atto di Vittorio
Bianchi e Antonino Anile. [Musica di] Lorenzo Filiasi.
Riduzione per canto e pianoforte. Milano. Sonzogno.
1904. M.383.16
Filibuster, The. Opera. For the Music see Loraine. For the
Libretto see Wilson, J. P.
421
Filippi
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Finck
Filippi, Filippo.
Musica e musicisti, critiche, biografiche ed excursion!.
Milano. Brigola. 1876. M. 128.25
Contents. — Haydn. — Beethoven. — Weber. — Meyerbeer. — Rossini.
— Schumann. — - Wagner. — Verdi.
Filistri, —
Brenno. Opera seria, composta da Giovanni Federico
Reichardt. M.264.1
Medea. [Oper. Musik] von Joli. Gottlieb Naumann. M.311.2
Filke, Ma.x.
Abendlied [t. t. b. b.]. Op. 15, No. 2. Leipzig. Siegel.
[188-?] No. 17 in M.392.8
Altes Reiterlied [t. t. b. b.]. Op. 14, No. 3. Leipzig. Siegel.
[188-?] No. 15 in M.392.8
Das erste Lied [t. t. b. b.]. Op. 6. Leipzig. Siegel. [1888?]
No. 9 in M.392.8
Leb' du schoner Wald [t. t. b. b.]. Op. 15, No. 3. Leipzig.
Siegel. [188-?] No. 18 in M.392.8
Liebesaufruf [t. T. B. b.]. Liepzig. Siegel. [188-?]
No. 12 in M.392.8
Lustige Buab'n [t. t. b. b.]. Op. 8, No. 2. Leipzig. Siegel
No. II in M.392.8
Leipzig. Siegel.
No. 16 in M.392.8
Leipzig. Siegel.
No. 13 in M.392.8
Leipzig. Siegel.
No. 10 in M.392.8
Leipzig. Siegel.
No. 14 in M.392.8
fi888?]
Madrigal [t. t. b. b.]. Op. 15, No. i.
[188-?]
Sommernacht [t. t. b. b.]. Op. 14, No. i.
[188-?]
Die Spinnerin [x. t. b. b.]. Op. 8, No. i.
[1888?]
Verlassen [t. x. b. b.]. Op. 14, No. 2.
[188-?]
Fill, boys, and drink a bout. Part-song. Bishop, H. R.
No. 25 in M.157.19; etc.
Fill, fill all your glasses. Duet. Eccles. No. 2 in M.218.8.3; etc.
Fill, fill, fill a brimming glass. Catch. Gregory.
No. 34 in M.23S.17.1 ; etc.
Fill, fill your glasses. Part-song. Dow, H. M. No. 39 in M. 190.2
Hayes, W. No. 131 in M.215.21; etc.
Fill me a bowl. Duet. Corfe, J. No. 249 in M. 235.17.2; etc.
Fill me a bumper. Catch. Webbe, S. No. 124 in M.220.9.2
Fill the bowl. Part-song. Dyne. No. 20 in M. 1393.18.1. etc.
PuRCELL, H. Beauties of Purcell. Vol. 2. M.221.2.2
Fill the horn of glossy blue. Glee. Callcoxx, J. W. Collec-
tion of glees. Vol. i. ^ No. 20 in M.234.1.1
Fill the sparkling glass. Chorus. A Beckexx, M. A. Agnes
Sorel. No. II in M. 251. 1
Fill the wine cup. [Glee, s. x. x. b.] (/« Ditson. The Orphean
lyre. Vol. i, pp. 10-12.) No. 4 in M.235.22
Fill your glasses. Glee. Paxxon, S. No. 14 in M.234.3.4
Fille, La, a Cacolet. Opera. For the Music see Audran. For
the Librexxo see Chivot.
Fille, Une, a trues. Opera. For the Music see Villebichot.
For the Librexxo see Pericaud.
Fille, La, d'^gypte. Opera. For the Music see Beer, J. For
the Librexxo see Barbier, P. J.
Fille, La, de Dominique. Song. Adam, Adolphe C.
No. 33 in M.390.37
Fille, La, de Fanchon la vielleuse. Opera. For the Music see
Varney, L. For the Librexxo see Degas.
Fille, La, de Jephte. Opera. For the Music see Broutin. For
the Librexxo see Guinand.
Fille, La, de I'air. Song. Meyerbeer. 40 melodies.
No. I in M. 157.38
Fille, La, de la mere Michel. Opera. For the Music see Gillet,
E. For the Librexxo see Riche.
Fille, La, de Madame Angot. Opera. For the Music see Le-
cocq, A. C. For the Librexxo see Nicolaie, L. F.
Fille, La, de Paillasse. Opera. For the Music see Varney, L.
For the Librexxo see Degas.
Fille, La, de Roland. Opera. For the Music see Rabaud. For
the Librexxo see Farrier.
Fille, La, de Saul. Opera. For the Music see Godefroid, D
J. G. F.
Fille, La, de Tabarin. Opera. For the Music see Pierne. For
the Librexxo see Sardou.
Fille, La, du Calife. Opera. For the Music see Lacheurie. For
the Librexxo see Collin, P.
Fille, La, du charpentier. Opera. For the Music see Bertrie.
For the Librexxo see Pericaud.
Fille, La, du golfe. Opera. For the Music see Delibes. For
the Librexxo see Truinet.
Fille, La, du pecheur. Song. Schuberx, F. P. Melodies.
Vol. 5. M.327.4.S
Fille, La, du proscrit. Song. Schuberx, F. P. Melodies.
Vol. 4. M.327.4.4
Fille, La, du regiment. Opera. For the Music see Donizetti.
For the Librexxo see Bayard.
Fille, La, du regiment. Overture. Donizexxi. No. i in M.331.15
Fille, La, du tambour major. Opera. For the Music see Offen-
bach. For the Librexxo see Duru.
Fille, Une, en loterie. Opera. For the Music see Liouville.
For the Librexxo see Pericaud.
Fille invisible. La. Opera. For the Music see Boieldieu, A. L.
V. For the Librexxo see Saint Georges.
Fillebrown, Thomas.
[Physiology of vocalism. Philadelphia. Presser. 1903.]
Illus. No. I in M.375.17
Clippings arranged by the author from The £tude, May -July, 1903.
The original title was The art of vocalism.
Voice exercises. [Boston? 1903?] No. 2 in M.37S.17
Filles, Les, de I'air. For piano. Louis, N. No. 4 in M.390.17
Filles, Les, du braconnier. Duet. Concone. No. 15 in M. 244.2
Filles, Les, du proscrit. Duet. Concone. No. 14 in M.244.2
Filles du Styx. Aria. Sacchini. Le Sacchini des concerts.
M.274.g
Filles Jackson, Les, et cie. Opera. For the Music see Clerice.
For the Librexxo see Ordonneau.
Fillette-Loraux, Claude Franqois.
Lodoiska. Comedie heroique. Mise en musique par le C«n
Cherubini. M. 224.12; etc.
Filli adorata e cara. Song. Handel. Werke. Lieferung 50.
M.313.1.50
Filli, deine lieb Auglein klar. Part-song. Schein. Werke.
Band 2. M.414.1.2
Filli, die schone Schaferin. Part-song. Schein. Werke.
Band 2. M.414.1.2
Filli, non t'amo piu. Cantata. Carissimi. Six cantatas.
No. 2 in M.227.3
Fillmore, John Comfort.
Pianoforte music: its history, with biographical sketches
and critical estimates of its greatest masters. Chicago.
Mac Coun. 1883. M.i49a.i6
A portrait is inserted.
Fillonneau, Ernest.
Les concerts de Paris. Revue de la saison musicale de i860.
Paris. Tardieu. i860. No. 8 in M.134.9
Filosofo, II, in campagna. Opera. For the Music see Galuppi.
Fils, Le, de I'fitoile. Opera. For the Music see Erlanger, C.
For the Librexxo see Mendes.
Fils, Le, des Azra. Song. Rubinsxein. No. 16 in M.39I.28.3
Fils, Le, des dieux. Aria. Sacchini. Le Sacchini des con-
certs. M.274.9
Fils, Le, du brigadier. Opera. For the Music see Masse.
For the Librexxo see Labiche.
Fils, Le, du prince. Opera. For the Music see Feltre. For
the Librexxo see Scribe.
Fin, Une, de bail. Opera. For the Music see Varney, P. J. A.
For the Librexxo see Cremieux.
Finale, Le, de Norma. Fiction. Alarc6n. M.iqS.i
Financier, Le, et le savetier. Opera. For the Music see Offen-
bach. For the Librexxo see Cremieux.
Finche solvo il mare infido. Anthem. Hasse, J. A. P.
No. 41 in M.29o.2g.i
Finck, Christian Wilhelm.
Aufruf. [Mannerchor.] (In Otto, E. J. Ernst und Scherz.
Heft 7, pp. I, 2.) No. I in M.392.20
Wach' auf, du alter Minnesang! [Mannerchor.] (In Stutt-
garter Liderkranz. Mannerchor-AIbum. Pp. 26, 27.)
No. 5 in M.203.22
422
Finck
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fior
Finck, Heinrich.
Eine Sammlun,e: ausgewahlter Kompositionen zu vier nnd
fiinf Stimmen . . . Nebst sechs Tonsatzen von seinem
Grossneffen Hermann Finck in Partitur gesetzt und mit
einem Klavierauszuge versehen von Robert Eitner. Ber-
lin. Trautwein. 1879. [Publikation a;lterer praktischer
und theoretischer Musik-Werke, vorzugsweise des XV.
und XVI. Jahrhunderts. Band 8. Jahrgang 7.] M.400.4
Finck, Henry Theophilus.
Chopin and other musical essays. London. Unwin. 1889.
M.126.35
Contents. — Chopin. — How composers work. — Schumann as mirrored
in his letters. — Music and morals. — Italian and German vocal styles.
— German opera in New York.
Evolution of the orchestra. Illus. (In The music of the
modern world . . . Vol. i, pp. 39-42. New York. [1895.])
M.14.1.1
The evolution of the orchestra from the first individualiza-
tion of instrumental parts to the present time. Illus. Por-
traits. (In The music of the modern world . . . Vol. i,
PP- 54-58. New York. [1895.]) M.14.1.1
Modern orchestras. Portraits. (In The music of the
modern world . . . Vol. i, pp. 82-84. New York. [1805.])
M.14.1.1
Paderewski and his art. Illustrated by Thomas J. Fogarty.
New York. Whittingham & Atherton. 1895. Illus. Por-
traits. Facsimile. M.372.45
Rubinstein's fate and future. Illus. Portrait. (In The
music of the modern world . . . Vol. i, pp. 68-70. New
York. [1895.]) M.14.1.1
AVagner handbook for the festival concerts given in 1884,
under the direction of Theodore Thomas. Analytic pro-
grammes with English texts, biographic and critical es-
says. Cambridge. Wilson. 1884. Illus. Portraits.
M.123.23; No. 2 in M.205.8
Finck, Hermann.
Sechs Tonsatze [zu 4 und 5 Stimmen, mit Klavierbe.glei-
tung]. (In Finck, Heinrich. Eine Sammlung ausgewahl-
ter Kompositionen. Pp. 6-10, 84-106.) M.400.4
Contents. — Christ ist erstanden. — Pectus ut in sponso, Theil 1-3. —
Semper honorabile, Theil i, 2.
Findeisen, Otto.
Der alte Dessauer. Operette in 3 Acten von Max Henschel.
Musik von Otto Findeisen. Clavier-Auszug mit Text.
Magdeburg. Rathke. [1890.] M.402.19
Findelkind, Das. Ofcra. For the Music see Benda, G. For
the Libretto see Gotter.
Finden, Das. Song. Schubert, F. P. Werke. Serie 20.
Band 2. M.317.1.20.2
Finette et Philidor. Opera. For the Music see Batifort. For
the Libretto see Doyen.
Fingal. Cantata. For the Music see Krug, A. For the Li-
bretto see Souchay.
Fingal. Opera. For the Music see Hillemacher, L. For the
Libretto see Darcours.
Fingal und Ossian. Part-song. Reinecke, C. H. C. Durstige
Lieder. No. 20 in M.392.21
Fingals-Hohle, Die. Overture. Mendelssohn-Bartholdv, J.
L. F. No. 2 in M.345.14; etc.
Fingering.
Oldershaw, C. Pianoforte fingering, English and foreign.
London. fi88-?l No. 14 in M.2i6.i8
Fink, Gottfried Wilhelm.
Erste Wanderung der iiltesten Tonkunst als Vorgeschichte
der Musik oder als erste Periode derselben dargestellt.
Essen. Badeker. 1831. Plates. M. 102.14
Der Mondenschein. fMannerchor.l (In Orpheus. Band 3,
pp. 42, 43.) No. 105 in M.i2ga.43.3
Musikalische Grammatik, oder theoretisch-praktischer Un-
terricht in der Tonkunst. Leipzig. Wigand. [1836.!
M.208.32
System der musikalischen Harmonielehre. Leipzig. Meyer
& Wigand. 1842. 2 plates. No. 2 in M.373.26
Wesen und Geschichte der Oper. Leipzig. Wigand. 1838.
M.i4i.ig
Fink, Gottfried Wilhelm. (Continued.)
Die Zwolf. [Mannerchor.] (In Orpheus. Band 3, pp. 16,
I?-) No. 89 in M.i29a.43.3
Same. The twelve. [Part-song, t. t. b. b.] (In The Orpheus.
New series. Vol. 4, pp. 10-14.) No. 3 in M.20S.10.4
Also to be found in Orpheus glee book.
Fink, Gottfried Wilhelm, editor.
Die deutsche Liedertafel. Eine Sammlung von 122 vier-
stimmigen Mannergesangen in Partitur. Neue Stereotyp-
.'Kusgabe. Altona. Mayer. 1863. M.213.9
Contents. — Rochlitz : Hoch lebe deut'scher Gesang. — Dorrjen: An
die Freude. — Schneider; Die Ehrcnmanner. — Kunze : Vertrauen.
— Fink: Im Walde. — Schneider: Freundschaft. — Fink: Frauen-
lob. — Schneider: Zum Lobe der Wirthin. — Schulz : Lehren der
Weisheit. — Schneider: Auf's Woh! der Frauen. — Schulz: Ergo
bibamus. — Wendt: Treulieb. — Fink: Minnesold. — Briiderschaft.
— Rochlitz: Susse Sorgen. — Kunze: Im Freien. — Schulz: Rund-
gesang im Walde. — Schulz: Zuversicht im Wechsel. — Dorrjen:
Nachtlied. — Fink: Fruhlingslied. — Schneider: Fur uns. — Schulz:
Im Griinen. t- Schneider; Geselligkeit. — Dorrjen: Trinklied. —
Schneider; Liebe, Wein und Gesang. — Esser : Friihiingslied. —
Dorn ; Meine Wunsche. — Rochlitz : Beim Auseinandergehn. —
Fink : Die Arche Noah. — Wanderlied. — Seyfferth : Der Trinker. —
Call: Alles der Licbe. — Seyfried; Das Gluck der Ruhe. — Dorrjen;
Lied beim Wein. — Seyfferth ; Zechers gute Nacht. — Spohr ; Rast-
lose Liebe. — Kunze ; Lied und Wein. — Fink ; Weinlied. — Dorr-
jen : Lied des Trostes. — Schulz: Am Grabe. — Fink: Den Ent-
schlafenen. — Steinacker ; Lebensgliick. — Call : Was frag' ich viel
nach Geld und Gut. — Richter; Bundeslied. — Dorrjen: Gesang
[Singen macht das Bitt're suss]. — Blum: Schneiderlied. — Esser;
Standchen. — Dorn: Der Dampfwagen. — Wendt; Das teutsche Lied.
— Belcke; Hymne [Ehre sei Gott]. — Rochlitz; Frau Musika. —
Wendt: Das Licht. — Wendt : Die Jager. — Schulz ; Der Abend. —
Wendt: An den Mond. — Flemming: Grablied. — Schulz; Erinne-
rung. — I Schulz; Ermuthigung. — Schulz; Den Abwesenden. —
Wendt; Soldatenlied. — Schneider; Wanderlied. — Schulz; Wan-
derers' Nachtlied. — Limburger: Freundschaft. — Schulz: Zum Ab-
schiede. — Wendt: Wein und Liebe. — Schulz: Liebe. — Schneider:
Hoffnung. — Wendt ; Waldnacht. — Schulz ; Entschuldigung. —
Schneider: Polterabend. — Wendt; Skolie. — Schulz: Tres faciunt
collegium. — Schulz; Weg mit den Grillen und Sorgen. — Schulz:
Die Ju^end. — Dorrjen; Hoffnung. — Rochlitz; Vater unser. ' —
Schneider: Wald. — Reissiger ; Der Kuckuck. — Schneider: Die
Freude. — Schulz: Friihlingslust. — Schneider; Die Sterne. — Fink:
Landliches Gut. — Schneider: Der Liedertafler Willkommen. —
Anacker : Freude in Ehren. — Fink; Mailiebe. — Fink: Der Schein-
tcd. — Anacker; Selber ist der Mann. — Schneider: Es lebe hoch I
— Schneider: Was wir woUen. — Kunze; Trinklied. — Dorrjen:
Tischlied. — Rochlitz: Gliickliche Lage. — Schneider: An den Gesang.
— Schneider: Noah's Mahnung. — Anacker; An Sachsens Konig. —
Schneider; Das Lied vom Wein. — Kunze; Jagerlied. — Anacker:
.^stronom^e. — Lindpaintner : Frauenlob. — Dorrjen; Bergmannslied.
— Rochlitz; Salve Regina. — Anacker; Morgengruss. — Schneider;
Konig Salomo's Weisheit. — Fink; Mannertreue. — Schneider; War-
liung vor dem Wasser. — Fink : Ermuthigung. — Zimmermann : Gruss.
Schneider: Bundeslied. — Hahn : Lied der Freundschaft. — Lind-
paintner: Huldigimg. — Schneider: Die rechte Liebe. — Schneider:
Die Veilchen im Thale. — Limburger; Des Weines Hofstaat. —
Schneider: Wein, Gesang und Kuss. — Schleinitz; Ach, wenn du
warst mein eigen! — Schneider; Schlusslied einer Provinzial-Lieder-
tafel. — Carus: Kaiser Carl. — Rochlitz; Der Wirthin. — Schulz:
Die Taper. — Schneider: Gute Nacht! — Schneider; Zum Gedacht-
nisstrunke.
Finland love song, A. Part-song. Hiles, H. No. 2 in M. 195.1.3
ScHOEN, E. voN. No. 6 in M.392.8
Finlandia. Symphonic poem. Sibelius. No. i in M.406.33
Finnische Suite. For orchestra. Mielck. M.410.8S
Finsterbusch, Reinhold.
Das Fraulein an der Himmelsthiir. Eine Humoreske fiir
Mannerchor. Op. 19. Leipzig. Licht & Meyer. [188-?]
No. 57 in M.392.7
Finta filosofa. La. Opera. For the Music see Spontini.
Finta Galatea, La. Opera. For the Music see Bernardini, M.
Finta giardiniera. La. Opera. For the Music see Mozart.
Werke. Serie 5.
Finta semplice. La. Opera. For the Music see Mozart.
Werke. Serie 5.
Finti rivali, Le. Opera. For the Music see Mayer, J. S. For
the Libretto see Romanelli.
Finto cieco, II. Opera. For the Music see Gazzaniga.
Finto Stanislao, II. Opera. For the Music see Verdi. For the
Libretto se Romani, F.
Fior d'Aliza. Opera. For the Music see Masse. For the Li-
bretto see Carre, M.
Fior d'Alpe. Opera. For the Music see Franchetti. For the
Libretto see Pulle.
423
Fior
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fischer
Fior di finocchio. Sotig. Gordigiani. fichos de la Toscane.
Vol. 2. No. 3 in M.244.13.2
Fior di gaggio. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. 2 in M.244.13.2
Fioraie, Le, dell' Arno. Part-song. Pinsuti. No. 8 in M.244.10.S
Fioraja, La. Arietta.
Ricci, F. Soirees de Vienne. No. 13 in M.244.18
■Thisen. No. 2 in m. 364.10
Fioraja, La. Opera. For the Music see Cagnoni. For the
Libretto see Giachetti.
Fioravanti, Valentino.
Almen per breve istante. Scena ed aria, s., coll' orchestra.
Partitura. Manuscript. [182-?] No. 3 in M.120.16
From Adelaide e Cominghio.
Amor de miei sospiri. Cavatina, s., coll' orchestra. Parti-
tura. Manuscript. [182-?] No. 2 in M. 120.16
From Adelaide e Cominghio.
L'amor immaginario. Pezzi scelti. [Partitura.] Manu-
script. [1793?] M.40.3
I/astuta in amore. [Opera in 2 atti.] Atto i. Musica del
Sigr. Fioravanti. [Partitura.] Manuscript. [Paris. 182-?]
M.402b.4
La bella carbonara. [Opera in due atti. Partitura.] Manu-
script. [1804?] 2 V. M.40.4
Le cantatrice villane. Opera complet pour piano et chant.
Paroles italiennes. Musique de Fioravanti. [Partition
chant et piano.] Paris. Launer. [1842.] M.364.25
Same. Die Dorfsangerinnen. (Le cantatrice villane.] Ko-
mische Oper in zwei Acten. Text nach dem Italienischen.
Musik von Valentino Fioravanti. Clavierauszug mit Text
und vollstandigem Dialog. Nach der Partitur berichtigt
und neu bearbeitet von Richard Kleinmichel. Leipzig.
Senff. [188-?] M.382.21
La capricciosa pentita; or caprice corrected. A comic
opera. London. Zotti. 1809. No. 2 in M. 147.7
Libretto only, in English and Italian.
Same. La capricciosa pentita. Opera [in due atti. Parti-
tura]. Manuscript. [Napoli? 1802?] 2 v. M.40.5
Don Procopio. Melodramma buffo in 2 atti di Carlo Cam-
biaggio. Musica del M° Vincenzo Fioravanti e d'altri
autori. Riduzione per canto con acconip. di pianoforte.
Milano. Ricordi. [184-?] M. 231.38
II matrimonio per susurro; the marriage by noise: a comic
opera. London. Brettell & Co. 1810. No. 7 in M. 147. 7
Libretto only, in English and Italian.
0 vos omnes. [t. t. t. t. Sans accomp.] Bruxelles. Schott.
f 185-?] No. 26 in M.260.19
1 puntigli per equivoco. [Opera in 2 atti.] Musica del' Sig^
Fioravanti. [Partitura.] Manuscript. [Paris. 180-?]
2 V. M.402b.s
II ritorno di Columella dagli studj di Padova. Melodramma
giocoso in 2 atti del S^ A. Passaro, ridotto da Carlo Cam-
biaggio. Musica del M. Vincenzo Fioravanti. [Ridu-
zione per canto e pianoforte.] Milano. Lucca. [182-?]
M.231.39
I virtuosi ambulanti. Opera buffa in 2 atti imitata dal Fran-
cese dal Sigr Balocchi. Posta in musica dal Maestro Fio-
ravanti. [Partitura.] Parigi. Tipografia della Sirena.
fi8o7.] M.227.2
Same. Accomodata per pianoforte. Carli & Ca. [1807?]
M.272.1
Versa il mio sangue. Duetto, s. b., coll' orchestra. Parti-
tura. Manuscript. [182-?] No. 4 in M.120.16
From Adelaide e Cominghio.
Fiore, II, di Harlem. Opera. For the Music see Flotow, F.
F. A. von. For the Libretto see Saint-Georges.
Fiorella. Opera. For the Music see Auber; also Ben-Tayoux.
For the Libretto see Scribe; also Bausset.
Florentine, Le. Part-song. Pinsuti. No. i in M.244.10.';
Fiori, Ettore.
Don Crescendo. Melodramma giocoso in 3 atti di G Poz-
zesi. Musica dei Mi. Ermanno Picchi ed Ettore Fiori.
Quartetto [2 violini, viola e violoncello. Partitura]' Fi-
renze. Guidi. [1863. Societa del quartetto di Firenze.]
No. I in M.246.34
424
Fiorillo, Ignazio.
Begin, my soul, rejoicing. [Solo, s. Accomp. for violin and
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. i, p. 143.) No. 25 in M.221.22.1
Florin di canna. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. I in M.244.i3.a
Fiorin di lino. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. S in M.244.13.2
Fiorin di pero. Song. Gordigiani. fichos de la Toscane.
yol- 2- No. 4 in M.244.13.2
Fiorin fiorello. Song. Gordigiani. fichos de la Toscane.
Vol. 2. No. 6 in M.244.13.2
Fiorina, o la fanciulla di Claris. Opera. For the Music see
Pedrotti. For the Libretto see Serenelli Honorati.
Fire, fire, my heart. Madrigal. Morley.
No. 10 in M.235.7.1 ; etc.
Fire-king, The. Cantata. For the Music see Austin, W. For
the Libretto see Hargreaves, M.
Fire-worshippers, The. Cantata. For the Music see Bantock.
For the Libretto see Moore, T.
First Christmas morn. The. Cantata. For the Music see
Leslie, H. D. For the Libretto see Stone, S. J.
First day. The, of spring. Part-song. Mendelssohn-Bar-
tiioldy, J. L. F. No. S9in M.246.36;etc.
First farewell. The. Song. Cowen. No. 29 in M. 192. 11
First kiss. The. Song. Balfe. No. 26 in M.192.9.1
First miracle, The. Oratorio. For the Music see Brown.
Arthur H.
First of May, The. Song. Harder. No. 3 in M.212.21.2
First sorrow. Song. Mendelssohn-Bartholdy, J. L. F.
Songs. No. 63 in M.244.21
First steps to thorough base. Instruction-book. P., M.
No. 4 in M.205.34
First violet, The. Song. Mendelssohn-Bartholdy, J. L. F.
Songs. No. 25 in M.244.21
First violin, The. Fiction. Fothergill. M.102.2
First Walpurgis night. The. Cantata. For the Music see
Mendelssohn-Bartholdy, J. L. F. For the Libretto see
Goethe, J. W. von.
Fisch und Krebs. Song. Taubert, C. G. W. [Zwei Guten-
berglieder.] No. 2 in M.iq2.6
Fischbach, Gustave.
De Strasbourg a Bayreuth. Notes de voyage & notes de
musique. Strasbourg. Fischbach. 1882. No. i in M. 144.17
Fischel, Adolf.
Fest-Ouverture fiir grosses Orchester. Partitur. Berlin.
Bote & Bock. [187-.] No. i in M.332.17
Fischer, Anton.
Das Singspiel auf dem Dache. Ein Komisches Singspiel in
einem Aufzuge von Treitschke nach Dumerhans Idee.
[Partitur.] Manuscript. [180-?] M.30.4
Fischer, Carl August.
Kiinstler-Carneval. (Ouverture, Ball, Marsch und Finale.)
Suite fiir grosses Orchester. Op. 31. Partitur. Leipzig.
Robolsky. [188-?] M.337.19
3 Gesange fiir Mannerstimmen. Op. 37. Mainz. Schott.
[1864?] No. 62 in M.392.7
Contents. — Gruss an die Sanger. — Cute Nachtl — Was ist der Wein?
Drei Quartetten fiir Mannerstimmen. Op. 9. Mainz. Schott.
[1850?] No. 60 in M.392.7
Contents. — Beschwichtigung. — Standchen. — Jagerlied.
Heimath. [Alannerchor.] {In Stuttgarter Liederkranz.
Mannerchor-Album. Pp. 28, 29.) No. 5 in M.203.22
Krieger-Scene . . . fiir vierstimmigen Mannerchor, mit Or-
chester Oder Piano-forte Begleitung. Clavier-Auszug.
Op. 15. Mainz. Schott. [1848?] No. 12 in M.392.28
Meeres-Stille und gliickliche Fahrt. Gedicht von Goethe
fiir vierstimmigen Mannerchor mit Orchester-Begleitung.
Op. 12. Partitur. Mainz. Schott. 11844?]
No. 3 in M.212.5
O armes, armes Vaterland. Gedicht von M. Philippson in
Musik gesetzt fiir eine Sopran- oder Tenor-Stimme, mit
Piano-Forte oder Guitare Begleitung. Mainz. Schott.
[i8s-?] No. 7 in M.236.6
Fischer
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fitz-Gerald
Fischer, Carl August. (Continued.)
Sangergruss. f Mannerchor.] (In Abt. Deutsche Sanger-
halle. Vol. i, pp. 97-99-) No. 34 in M.392.42.1
6 Gesange fiir 4 Mannerstimmen. Op. 3. Heft 2. Mainz.
Schott. [1848?] No. 59 in M.392.7
Contents. — Hoffnung. — Ihr eigen mogt* ich seini — Er, sie, es halt
sich nicht.
Spring night. [Part-song, T. T. B. B.] (/;; Chickering col-
lection. Vol. I, p. 7-) No. 2 in M.392.48.1
Sweets. [Part-song, t. t. b. b.] (In Orpheus glee-book.
P. 85.) No. 46 in M.246.36
The three glasses. [Part-song, t. t. b. b.] (In Chickering
collection. Vol. 2, pp. 36, 37.) No. 17 in M.392.48.2
Waldeslieder fiir vier Mannerstimmen. Op. 11. I. Heft.
]\Iainz. Schott. [1850?] No. 13 in M.392.33
Contents. — ,,Wie bist du Friihling." — „Waldv6geleinI'* — „Ihr lieben
Baumchen."
Same. 2. Heft. No. 61 in M.392.7
Contents. — Du Quell. — Du Tropfen Thau. — Ihr lieben Voglein.
Wanderlied. [Mannerchor.] (In Regensburger I.ieder-
kranz. Pp. 268-270.) No. 98 in 11.1293.44
Same. The wanderer. [Part-song, x. t. b. b.] (In The
Choralist. Vol. i, series 3). No. 26 in M.757.5.1
Also to be found in Willard's Arion.
Die Welt ist so schon. [Mannerchor.] (In Regensburger
Liederkranz. Pp. 204-208.) No. 80 in M. 1293.44
Wenn ich die Bliimlein schau. [Mannerchor.] (In Orpheus.
Band I, p. 16.) No. 13 in M.1293.43.1
The woodland rose [t. T. B. B.]. Brooklyn. Molineux. [l88-?l
Also to be found in Chickering collection. No. S8 in M.392.7
Fischer, Christian Wilhelm.
Aus den Schilfliedern. [Mannerchor.] (In Orpheus. Band
10, pp. 7-9.) No. 39 in M. 1293.43. 10
Soldatenlied [t. t. b. b.]. (In Orpheus. Band 10, p. 23.)
No. 49 in M. 1293.43. 10
Wanderlied [t. T. B. b.]. (In Otto, E. J. Ernst und Scherz.
Heft 7, p. lo.) No. I in M.3g2.2o
Fischer, Friedrich.
Die Braut von Kynast. Grosse romantische Oper, in Musik
gesetzt von Henri Litolff. M.263.12
Fischer, J. M.
Die Grundbegriffe der Tonkunst in ihrem natiirlichen Zu-
sammenhange. Hof. Grau. 1836. No. i in M.373.26
Fischer, Johann Georg.
Fest-Cantate fiir Soli, Chor u. grosses Orchester. Com-
ponirt von Fr. Kiicken. No. 10 in M.3S2.21
Fischer, Josef.
Wolfgang Amadeus Mozart (Sohn). Eine biografische
Skizze, sowie zwei bisher unbekannte Briefe Mozart's
(Vater). Karlsbad. Selbstverlag des Verfassers. [1889.]
Facsimile. No. 7 in M.372.43
Fischer, Die. Duet. Kuecken. Leichte Lieder.
No. 3 in M.244.6.2
Fischer, Der. Part-song. Schoen, E. von. No. 46 in M.392.7
Fischer, Der. Song.
CuRSCHMANN. Curschmanu-Album. No. i in M.IS7.37
Schubert, F. P. Sammtliche Compositionen. M.244.12; etc.
Fischer, Die, von Catania. Opera. For the Music see M3ill3rt.
For the Libretto see Piestre.
Fischer's Liebeslied. Song. Banck. Sechs Gesange.
No. 17 in M.221.30
Fischerinnen, Die, von Procida. For orchestra. Raff.
No. 2 in M.331.28
Fischerknabe, Der. Part-song. MacDowell. Drei Lieder.
No. 34 in M.392.16
Fischerknabe, Der. Song.
Liszt. Gesammelte Lieder. No. 9 in M.244.14
Taubert, C. G. W. Dichtungen von F. v. Schiller.
No. 3 in M.192.8
Fischerknaben Lied. Song. Gade. Lieder und Gesange.
Heft 2. No. 3 in M.192.3
Fischerlied. Part-song. Gruber. No. 3 in M.370.30
Mair. No. 55 in M.204.39
Raff. Zehn Gesange. No. 27 in M.392.37
Fischerlied. Song. Dannstrom. Vier Lieder. No. 6 in M.236.8
Schubert, F. P. Werke. Serie 20, Band 4, 5. M.317.1.20.4, 5
Fischermaedchen, Das. Opera. For the Music see Schmidt,
J. P. S. For the Libretto see Koerner. C. T.
Fischermaedchen, Das. Song. Blumenthal. 6 Lieder. 2.
Sammlung. No. 36 in M.244.1
Schubert, F. P. Werke. Serie 20, Band 9. M.317. 1.20.9
Fischers Abendlied. Part-song. Derckum. No. 33 in M. 392.42.3
Roloff. No. 2 in M.370.30
Fischerweise. Song. Schubert, F. P. Werke. Serie 20.
Band 8. M.317.1.20.8
Fish, James Leonard.
Glory to God in the highest. Christmas anthem. [Ac-
comp. for organ.] London. Novello & Co. [186-?]
N. 19 in M.157.29
Fisher, Henry.
The musical profession. London. Curwen. [1888.] M.108.36
Fisher boy. The. Part-song. MacDowell. Drei Lieder.
No. 34 in M.392.16
Fisher wife's song. The. Part-song. Hatton.
No. IS in M.204.36.a
Fishermaidens, The. Opera. For the Music see Smart, H. For
the Libretto see Weatherly.
Fisherman, The. [A fa-la for 3 equal voices.] (In Musical
times. [Music] Vol. 4, p. 125.) No. 5 in M. 175. 1.4
Fisherman, The. Part-song. Haite. No. 47 in M. 157.6.3
Fisherman's glee. The. Part-song. Stevenson.
No. 2 in M.237.9; etc.
Fisherm3n's song. Part-song. Raff. No. 4 in M.205.10.7
Rimbault. No. 14 in M. 157.4
Fishers, The. Cantata. For the Music see Covyard, J. M. For
the Libretto see Rose, H.
Fishes in the sea. Song. Keller. No. 17 in M.192.13.1
Fishing boat. The. Part-song. Hatton. No. 3 in M. 195. 1.13
Fishy C3se, A. Opera. For the Music see C3ldicott. For the
Libretto see We3therly.
Fisin, James.
To heal the wound. Glee. For s. a. b. (In Hullah. The
Singer's library. Secular. P. 64.) No. 39a in M. 157.2
Fisk University, Nashville, Tenn.
The slave songs of the Fisk jubilee singers, with biographi-
cal and critical notes. London. Guest. 1874.
No. 2 in M.370.31
Fisk University, Nashville, Tenn. Works about.
Pike, G. D. The jubilee singers, and their campaign for
twenty thousand dollars. Boston. 1873. Portraits. Plates.
M. 1493.25
Fiske, William O.
Missa pro s. a. t. e b., cum obligato organorum comitato.
Mainz. Schott. [1874.] No. i in M.201.6
Fit, A, of the blues! Opera. For the Music see Robillard.
Fitelberg, G.
.Symphonic en mi mineur pour grand orchestre. Op. 16.
Partition d'orchestre. Leipzig. Breitkopf & Hartel. 1905.
M.406.46
Fitger, Arthur.
Alarich. [Cantate.] Componirt von G. Vierling. M. 156.13
Der Raub der Sabinerinnen. [Cantate.] Componirt von G.
Vierling. No. 2 in M. 156.13
Fitz, Asa.
Tlie America school song book, improved. Boston. Fowle
& Capen. 1844. No. i in M.205.32
The scholar's first lessons in music. By a teacher of music.
Boston. Kidder & Wright. 1839. No. 2 in M.205.34.
Fitzball, Edward, pseud. See Ball, Edward.
Fitz-Gerald, James.
A cathedral evening service, consisting of the Magnificat &
Nunc dimittis, in B flat. [Accomp. for organ.] London.
Novello & Co. [1864?] No. 13 in M.190.3
Eldorado. Folic musicale. Written by H. B. Farnie. Music
arranged by J. Fitzgerald. [Vocal score with pianoforte
accomp.] London. Cramer & Co. [188-?]
No. 2 in M.389.5
I 54
425
Fitz-Gerald
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fleurs
Fitz-Gerald, James. (Continued.)
Frolique, a musical comedy, from the French by Henry J.
Byron & H. B. Farnie. Arranged by J. Fitz-Gerald. [Ac-
comp. for pianoforte.] London. Chappell & Co. [1S7-?]
No. 3 in M.322.32
Fitzherbert, Thomas.
In holiday gown. Glee fs. s. b.]. (/« Musical library. Vol.
3, pp. 74-77-) No. 23 in M.235.18.3
Fitzwilliam, Edward Francis.
[The queen of a day. Opera. Full score.] Manuscript.
Autograph. [London. 1851.] M.350.5
Te Deum. Composed for solo voices & chorus, and the
accompaniment compressed from the score, for the piano-
forte or organ. London. D'Almaine & Co. [1852.]
No. I in M.202.17
Fitzwilliam music. The. Church music. Novello, V., editor.
M.233.26
Five times by the taper's light. Glee. Storage.
No. 12 in M. 157.7; etc.
Fix my heart. Anthem. Schulz, J. A. P. No. 2 in M. 201.37
Fix'd in His everlasting seat. Chorus. Handel.
No. 6 in M.221.22.4
Fjol, I, gjstt'e Gjeitinn. For orchestra. Svendsen.
No. 3 in M.335.15
Flacton, William.
Here rests his head. Catch a 3 voci. (In Wajren. Collec-
tion of catches. Vol. i, p. 251.) No. 171 inM 220.9.1
What ails you, ye smoakers? Catch [for 3 voices]. (In
Clementi. Collection of catches. Vol. 2, &. 17.)
No. 103 in M.110.1.2; No. 103 in M.i 10.2.2
Also to be found in Warren's Cocks's hand-book of glees ; Warren's
\'ocal harmony.
Flame, The, of love. Ballad. Haydn, F. J. Twelve ballads.
No. I in M. 221. 32
Flamenca, La. Opera. For the Music see Lambert, L. For
the Libretto see Cain.
Flamm, Theodor.
Die Forsterstochter. Singspiel. Musik von Max von Wein-
zeirl. No. 2 in M.381.6S
Flammes chantantes. See Pyrophone.
Flammis orci. Aria. Haydn, F. J. No. 27 in M.290.29.6
Flan, Marie Alexandre.
Assaut de soubrettes. Opera comique. Musique de Luigi
Bordese. No. i in M.265.38
Les deux comtesses. Opera-comique. Musique de Luigi
Bordese. No. 4 in M.301.2
L'esprit et le coeur. Operette. Musique de Luigi Bordese.
No. 5 in M.301.2
Fort comme un Turc. Proverbe operette. Musique de
Luigi Bordese. No. 2 in M.265.35
Royal Dindon, petit opera comique historique. Musique de
Luigi Bordese. No. 3 in M.265.3S
Flanders. Music.
Mfnil, F. de. Les grands musiciens du Nord. L'ecole fla-
mande du XVe siecle. Paris. 1895. No. 5 in M.206.S
Flat'rer, why dost thou deceive me? Duet [s. a.]. (In Social
harmony. P. 164.) No. 140 in M.215.21
Flatter^nn. Song. Hiller, F. Sechs leichte Gesange.
No. 27 in M.192.3
Flauto magico. Opera. For the Music see Mozart. For the
Libretto see Schikaneder.
Flauto magico, II. Overture. Mozart. No. i in M.315.1.5.13; etc.
Flauto solo. Opera. For the Music see Albert, E. F. C. d'.
For the Libretto see Wolzogen, H. P. von.
Flavian. Cantata. For the Music see Capes, J. M.
Flavio. Opera. For the Music see Handel. Werke. Liefe-
rung 67.
Flaxen-haired maiden. Part-song. Koschat. No. 32 in M.392.13
Fledermaus, Die. Opera. For the Music see Strauss, J. 1825-
iSgg. For the Libretto see Genee.
Flegier, Ange.
Fatma. Opera comique en i acte. Paroles de R. de Voisin.
Musique de A. Flegier. [Partition chant et piano.] Mar-
seille. Carbonel. [1875.] No. i in M.301.7
Fleischer, Friedrich Gottlob.
Das Orackel, eine Operette vom Herrn Prof. Gellert. in
Musik gesetzt . . . von F. G. Fleischer. [Klavierauszug.]
Braunschweig. Fiirstl. Waisenhaus-Buchhandlung. 1771.
M.320.14
Fleming, James M.
Old violins and their makers. New edition. London. Gill.
1890. Plate. M.ioS.ii
Flemmich, Heinrich, translator.
Benoit, P. L. L. De oorlog. M.227.20
Flemming, Friedrich Ferdinand.
Integer vitae. [Mannerchor.] (In Monk. Novello's Part-
song book. P. 41.) No. II in M. 157.4
Also to be found in Orpheus ; The Orpheus, New series ; Willard's
Arion.
Same. Grablied. {In Fink. Die deutsche Liedertafel. P.
83.) No. S7inM.2i3.9
Same. Zur Cacilienfeier. (In Das Riitli. P. 540.)
No. 229 in M. 147.4
Fleres, Ugo.
II trillo del diavolo. Melodramma, musica di Stanislao Fal-
chi. M.402.18
Flers, Marie Joseph Louis Camille Robert de la Motte Ango,
Comte de.
Chonchette, opera-bouffe de G. A. de Caillavet et Robert de
Flers. Musique de Claude Terrasse. No. 2 in M.381.50
Fortunio. Comedie lyrique, par G. A. de Caillavet et Robert
de Flers. Musique de Andre Messager. M.378.9
Paris, ou "Le bon juge." Operette de Robert de Flers et
G. A. de Caillavet. Musique de Claude Terrasse. M.389.19
Le Sire de Vergy, opera bouffe de G. A. de Caillavet et
Robert de Flers. Musique de Claude Terrasse. M.381.52
Les travaux d'Hercule. Opera bouffe. Paroles de G.-A. de"
Caillavet et Robert de Flers. Musique de Claude Ter-
rasse. M.381.53
Flers, P. L., pseud. See Puyol, P. L.
Fletcher, Joseph.
Paradise, an oratorio. The music by John Fawcett.
No. 2 in M. 153.34
Fleur d'oranger. Opera. For the Music see Coedes. For the
Libretto see Hennequin, A. N.
Fleur de bonheur. Song. David, F. C. Cinquante melodies.
M.363.28
Fleur-de-lys. Opera. For the Music see Delibes. For the
Libretto see Farnie.
Fleur de neige. Opera. For the Music see Henry, L. C. A.
For the Libretto see Gavardie.
Fleur de quinze ans. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o4oa.67.i2
Fleur-de-the. Opera. For the Music see Lecocq, A. C. For
the Libretto see Duru.
Fleur de vertu. Opera. For the Music see Diet. For the
Libretto see Depre.
Fleur des Alpes. Tyrolienne. Weckerlin. Chants des Alpes.
No. I in M. 158.44
Fleur des bois. Duet. Gounod. Vingt melodies. Se recueil.
No. 19 in M. 157.36.5
Fleur, La, du foyer. Song. Gounod. Vingt melodies. 5e
recueil. No. 12 in M.IS7.36.S
Fleur, La, du prisonnier. Song. Louis, N.
No. 17 in M.390.11 ; etc.
Fleur, La, du Val Suzon. Opera. For the Music see Douay.
For the Libretto see Turpin de Sansay.
Fleur, La, et I'oiseau mouche. Song. David, F. C. Cinquante
melodies. M.363.28
Fleur fanee, La. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Fleurette. Opera. For the Music see Offenbach. For the
Libretto see Pittaud; also Hopp, J.
Fleuriste et typographe. Opera. For the Music see Villebi-
chot. For the Libretto see Pericaud.
Fleurs, Les, d'ete. For piano. Louis, N. No. 2 in M.390.26
Fleurs, Les, d'hiver. For piano. Louis, N. No. l in M.390.26
426
Fleurs
THE ALLEN A. BROWN COLLECTION OF MUSIC
Florimel
Fleurs d'ltalie. Recueil de 55 morceaux pour le chant avec
accomp. de piano . . . choisis parmi les oeuvres des plus
celebres compositeurs italiens. Paris. Bononi. [184-.]
No. 2 in M.364.10
Contents. — Guglielmi : La serenata. — Brambilla : La tenerezza. —
Rossini : Gentil giovinetto. — Ricci ; Nella valle mai finora. — Bel-
lini: Ciel pietoso. — Pacini: Se di Cipro attien I'impero. • — Vaccaj :
Non giova il sospirar. — Rossini: O solitaria spiagrgia. — Guglielmi:
Amore e speme. — Bellini: Qual cor tradisti. — Deh! non volcrli vit-
time. — Arditi : L'orfanello. — Mercadante : Bella adorata incognita.
— Rossini: Figli si cari al cor. — Vaccaj: Cara deh! asciuga il pianto.
— Donizetti: Cielo a miei lunghi spasimi. — Carafa: Ombra che a me
d'intorno. — Rossini: Chi sa dirmi o mia speranza. — Pacini: lo son
la rea. — Handel : Dove sei amato bene. — Guglielmi : T'amo siccome
gli angeli. — Mozart: Qui sdegno non s'accende. — Meyerbeer: Ah!
tu non sai. — Rossini: Dolce figlia al tuo padre perdona. ■ — Perugini :
II sol che mi rischiara. — Guglielmi: II labbro. — Aspa : Sul sentier
della soria. — Kicci: Ah! no in quel alma ingenua. — Mozart: Quando
miro quel bel ciglio. — Ricci : Alfin brillar nell' iride. — Martini : Fia-
cer d'amore. — Rolla : Non t'accostare all' urna. — Mercadante : Sem-
pre pensoso e torbido. — Brambilla: L'allegro. — Mercadante:
Ipermestia io ti perdei. — Bona: Passa tra i fiori o zeffiro. — Aspa:
Quando Cicotto. — Bellini: Giovin rosa. — Mercadante: Abbia da te
quel misero. — Aspa: Ah! nell* alma ancor mi suona. — Donizetti:
Mira o bella il trovatore ; Perche dell' aure in sen. — Thisen : La fio-
raja. — Poniatowski: Ei mi ricorda i placidi. — Coppola: T'amo
solea ripetere. — Donizetti: Vieni o tu che ognor io chiamo; A miei
prieghi arrise il cielo. — Nini : Languente afflitto un esule. — Pergo-
lesi: Ogni pena piOi spietata. — Bellini: Col sorriso d'innoccnza. -
Ricci: II mio babbo mi dicea. — Lu scieccu e I'orecchini. — La sara-
cinesca. — Tarentella napolitana. — Canzone basca.
Fleurs des champs. Opera. For the Music see Bordese. L.
For the Libretto see Nac.
Fleurs des Landes. Scnigs. Berlioz, L. H. No. 14-18 in M.391.32
Fleurs, Les, du bal. For piano. Louis, N. No. 1-3 in M.390.35
Fleurs, Les, et les arbres. Part-song. Saint-S.-^ens.
No. 2 in M.321.2S
Fleurs, Les, que j'aime. Song. Brice. Album. No. l in M.158.34
Fleurs, Les, qui chantent. Song. Concone. No. 8 in M.244.2
Fleury, Jules Franqois Felix Husson.
Richard WaRner. Par Champfleury Fpseud.l. Paris. Li-
brairie nouvelle. i860. No. 5 in M.144.18
Flibustier, Le. Opera. For the Music see Kui. For the Li-
bretto see Richepin.
Flibustii, L Opera. For the Music see Lobe. For the Li-
bretto see Gehe.
Flieg' Voglein durch den Bohmerwald. Song. Kuecken.
Ernste und heitere Lieder. No. i.S in M.244.6.1
Fliege! Part-song. Lachner, F. Vier Gesang-e.
No. 21 in M. 194.16
Fliege Taubchen. Song. Hiller, F. Acht Ritornelle.
No. 21 in M.ig2.3
Fliegende Hollander, Der. Opera. For the Music and Li-
bretto see Wagner, W. R.
Fliegende Hollander, Der. Overture. Wagner, W. R.
No. 3 in M.352.3
Fliegende Hollander, Der. Part-song. Moehring.
No. S in M.203.22
Flight, The, of the eagle. Cantata. For the Music see Norris,
H. For the Libretto see Whitman.
Fling forth the proud banner. Song. Hodges, G. L. Collec-
tion of Peninsular melodies. Vol. i. No. 10 in M. 244.25.1
Flint, , Lady.
Five songs [s. or t.] and a duett [s. t.]. The words selected
from Lalla Rookh. [Accomp. for pianoforte.l London.
Power. [185-?] . No. 25 in M.236.2
Contents. — Bendemeer's stream. — Oh, fair as the sea-flower, duett
[s. T.]. — Namouna's song. — The spirit's song. — There's a bliss
beyond all that. — Fly to the desert.
Flint. Laura A., translator.
Chomet. The influence of music on health and life.
M.iogb.g
Flint, Mary H.
Reminiscences of an American artist [Annie Louise Gary].
Portraits. Facsimiles. {In The music of the modern
world . . . Vol. I, pp. I33-I.37- New York. [1895.])
M.14.1.1
Flitch, The, of bacon. Opera. For the Music see Shield. For
the Libretto see Bate-Dudley.
Floating on the breath of evening. Part-song. McPherson.
No. 2S in M.158.19
Flocks, The, shall leave. Part-song. Handel.
No. 26 in M.235.18.2; etc.
Floersheim, Otto.
Consolation. Symphonischer Satz fur Streichorchester,
Holzblazer und Horner. Partitur. Leipzig. Breitkopf
& Hartel. 1901. No. 2 in M.410.26
Suite Miniature. Liebesnovelle fiir grosses Orchester. Par-
titur. Leipzig. Breitkopf & Hartel. [1898.I
No. 2 in M.403.34
Contents. — i. Serenade. 2. Idylle. 3. Auf dem Ball. 4. Gestandnis.
5. Gliacksrausch. 6. Brautzug.
Flood, Edwin.
The gipsy's life is a joyous life. Harmonized as a glee for
4 voices, by Joseph Warren. (/» Warren. Cocks's Hand-
book of glees. Vol. 2, pp. 61-68.) No. 66, 67 in M. 157.6.2
Floquet, fitienne Joseph.
L'union de I'amour et des arts. Ballet heroique en 3 actes,
savoir: Bathile et Chloe, Theodore, et La cour d'amour.
[Paroles de P. R. Lemonnier. Musique de] Floquet.
[Partition.] Paris. L'auteur. [1774.] M.272.2
Flor, La, de la Canela. Song. Yradier. No. 21 in M.391.57
Flora. Part-song. Hauptmann, M. No. 21 in M.204.36.5
Flora gave me fairest flowers. Madrigal. Wilbye.
No. 12 in M.235.7.1; etc.
Flora mirabilis. Opera. For the Music see Samara. For the
Libretto see Fontana, F.
Flora now calleth. Madrigal. Smith, J. S.
No. II in M.235.7.1; etc.
Flora, thou wilt torment me. Duet. Morley.
No. 122 in M.235.17.1
Florans, Ludovic, Marquis de.
Tancrede de Rohan. Drame lyrique. Musique de Chs de
Courcelles. M.285.34
Flore et Zephire. Opera. For the Music see Gautier, J. F. E.
For the Libretto see Ribbing.
Florent, Eugene.
Voila I'plaisir, mesdames. Operette bouffe. Musique de G.
Jacobi. No. 5 in M.393.S6
Florentin, Le. Opera. For the Music see Lenepveu. For the
Libretto see Saint-Georges.
Florette (or the goose girl). Opera. For the Music see Bart-
lett, A. For the Libretto see Allen, A. M.
Florian, Carlo.
Les deux billets. Opera comique. Musique de Ferdinand
Poise. No. 2 in M. 287.37
Florian, Jean Pierre Claris de.
Le baiser, ou la bonne fee. Comedie [mise en musique]
par S. Champein. No. I in M.291.3
Blanche et Vermeille. Comedie pastorale. Mise en musique
par H. J. Rigel. M.394.70
Les jumeaux de Bergame. Opera comique. Musique de
Charles Lecocq. M.405.32; etc.
Poeme pastoral. Scenes de Florian et d'Armand Silvestre.
[Musique de] J. Massenet. No. 4 in M.213.11
Floribella. Opera. For the Music see Weyse. For the Li-
bretto see Boye.
Florid song.
Tosi, P. F. Observations on the florid song; or, sentiments
on the ancient and modern singers . . . Translated by Mr.
Galliard. 2d edition. London. 1743. M.i29a.9
Floridant. Opera. For the Music see Handel. For the Li-
bretto see Rolli.
Floridia, Pietro.
La colonia libera. Opera lirica in quattro atti . . . Ridu-
zione per canto e pianoforte di Gaetano Luporini. [Mi-
lano.] Ricordi & c. 1900. Portrait. M.396.48
Maruzza. Scene liriche popolane in tre atti. Parole e musica
di Pietro Floridia. Per canto e pianoforte. Milano.
Ricordi. [1897.] M.395.27
With Italian and German words.
Floridia, Pietro, translator.
Gluck. £cho et Narcisse. M.402a.i3
Florilegium. For strings. Muffatt, G. M.414.10
Florimel. Opera. For the Music see Sainton-Dolby. For the
Libretto see Blaikie.
427
Florimo
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Flow
Florimo, Francesco.
Ave Maria. Quartette, (/n fichos d'ltalie. Vol. 4, PP- I54-
i66 ) No. 22 in M. 157.14
Bellini. Memorie e lettere. Firenze. Barbara. 1882. Por-
trait. M.127.3
Cenno storico sulla scuola musicale di Napoli. Napoh.
Rocco. 1869. 2 V. M.II3.I4
Ore musicali, o sia raccolta di 12 pezzi per camera. Napoli.
Gerard & ci. [185-?] No. 2 in M.244.19
Coiitenls. — Canzone circassa [a. o. bar.]. — II consiglio [s. o. T.]. —
La vergine del castello [t.]. — La rosa e la croce [s. o. T.]. — La
dichiarazione [t.]. — Kilorna ch' io t' amo [t.]. — La gondola, ballata
[s. o. T.]. — II Zampognaro, ballala [bar.]. — La tarantella [s. o. t.].
— Mergellina, ballata [s. o. T.]. — II rimpovero, duettino [s. s.]. —
L'Ave Maria [s. a. t. b.].
When the vesper bell comes stealing. Quartetto adapted
by W. H. Birch. [London. Boosey. i86-?l
No. 95 in M.157.5.2
Florinda. Ofcra. For the Music see Thalberg. For the Li-
bretto see Scribe.
Florio, C. H.
All I wish in her obtaining. [Duet, s. t. Accomp. for piano-
forte.] {In The Harmonist. Vol. 3, PP- 43-47-)
No. II inM.218.8.3
The Egyptian festival, a favorite opera [by Andrew Frank-
lin]. Composed by C. H. Florio. [Accomp. for piano-
forte.] London. Monzani & Cimador. fiSoo.]
No. 3 in M.391.50
Florio, Caryl.
Adrift. Part-song for t. t. b. b. New York. Martens. 1877.
No. 7 in M. 203.7
Florio. Song. Schubert, F. P. Werke. Serie 20. Band 8.
M.317. 1.20.8
Florodora. Opera. For the Music see Barrett. T. For the
Libretto see Davis, J.
Flotheovo, Federico. See Flotow.
Flotovy, Friedrich Ferdinand Adolf, Graf von.
Alessandro Stradella. Romantische Oper in 3 Acten, von
W. Friedrich [pseud.]. Musik von Friedrich von Flotow.
Vollstandiger Clavierauszug. Hamburg. Bohme. [1844.]
Plate. M.272.7
Same. [187-?] No. 3 in M.295.28
Same. Ouverture fiir grosses Orchester zur Oper: Ales-
sandro Stradella. Partitur. Hamburg. Bohme. [184-?]
No. 2 in M.332.17
Same. Overture. Transcribed for the organ by Dudley
Buck. Op. 39. New York. Schirmer. 1868.
No. 17 in M. 200.2
Alma I'incantatrice. Opera in 4 atti. Poesia de H. de S'
Georges. Musica di F. de Flotow. Adattata alia scena
italiana da A. de Lauzieres. [Canto e pianoforte.] Paris.
Escudier. [1878.] M.2S6.7
Am Runenstein. Grosse romantische Oper in zwei Abthei-
lungen von Friedrich von Flotow und Richard Genee.
Vollstandiger Clavierjiuszug. Leipzig. Senff. [1869.]
M.2.S6.8
L'ame en peine. Opera en 2 actes. Paroles de Mr de St
Georges. Musique de F. de Flotow. [Partition chant et
piano.] Paris. Bonoldi. [1846.] M.364.27
L'esclave du Camoens. Opera-comique en un acte. Paroles
de Mr de St. Georges. Musique de Mr F. de Flotow. [Par-
tition piano et chant.] Paris. Latte. [1843.] M.378.47
II fiore di Harlem. Melodramma in 3 atti del Sig. di Saint
Georges. Musica di F. de Flotow. Traduzione italiana
di Mario Leoni. Riduzione per canto e pianoforte. To-
rino. Giudici & Strada. [187-?] M.272.4
Friends, good night. [Trio, s. s. A. Accomp. for pianoforte.]
London. Cock & Co. [185-?] No. 19 in M. 244.10.3
Good night. [Part-song. Accomp. for piano. London.
186-?] No. 78 in M.1S7.5.2
A different setting of the preceding.
Die Grossfiirstin [Sophia Catharina]. Romantisch-komische
Oper, in 4 Akten mit Ballet, von Charlotte Birch Pfeiffer.
Musik von F. von Flotow. [Vollstandiger Klavieraus-
zug]. Berlin. Bote & Bock. [1850.] M.272.9
Flotow, Friedrich Ferdinand Adolf, Graf von. (Continued.)
Same. Ouvertiire fiir grosses Orchester. Berlin. Bote &
Bock. [18s-?] No. 5 in M.312.1
Indra. Romantische Oper in 3 Akten von Gustav zu Put-
litz. Musik von F. von Flotow. Vollstandiger Klavier-
auszug. Berlin. Bote & Bock. [185-.] M.272.S
Jubel-Ouverture fiir grosses Orchester. Partitur. Ham-
burg. Cranz. [186-?] No. 2 in M.348.35
Marta. Opera in quatro atti. Musica di Federico Flothe-
ovo. [Parole di F. W. Riese. Partitura.] Manuscript.
[187-?] 5 V. M.401.17
Same. Opera semi-seria en 4 actes de F. de Flotow. Par-
tition pour piano et chant, avec paroles italiennes et alle-
mandes [de F. W. Riese]. Paris. Brandus & Dufour.
[186-?] M.364.28
Same. Piano seul. M.333.a
Die Matrosen, romantisch-komische Oper in 4 Acten, von
W. Friedrich [Pseud.]. Musik von Friedrich von Flotow.
Vollstandiger Clavierauszug. Hamburg. Bohme. [1846?]
M.272.3
May-morning. [Trio, s. s. a. Accomp. for pianoforte.]
London. Cock, Addison & Co. [185-?] N. 2 in M.244.10.4
Die Musikanten. Komische Oper in 3 Akten. Klavier-Aus-
zug. Leipzig. Hesse. [1890?] 11.256.9
Naida. Opera semiseria in 3 parti di Saint-Georges. Musica
di F. De-Flotow. Traduzione italiana. Canto con ac-
comp. di pianoforte. Milano. Lucca. [1873.] M.364.31
Le naufrage de la Meduse. Opera en 4 actes, paroles de
MM. Cogniard freres, musique de A. Pilati [pseud.] et de
Flotow. M.272.6
L'ombre. Opera-comique en 3 actes. Paroles de M. de
Saint-Georges. Musique de F. de Flotow. Partition piano
et chant. Paris. Brandus & Dufour. [186-?] M. 364.29
Pianella. Operette bouffe en i acte, paroles de MM. Saint-
Yves [pseud.] et Octave Fere [pseud.], musique de F. de
Flotow. Partition chant et piano. Paris. Brandus &
Dufour. [i860.] No. 2 in M.368.28
Riibezahl, romantische Oper in 3 Akten von Gustav zu Put-
litz. Musik von F. von Flotow. Klavier-Auszug. Offen-
bach a. M. Andre. [185-?] Plate. M.272.8
Same. [Ouverture.] Partitur-Ausgabe. Offenbach a. M.
Andre. [186-?] No. i in M.336.10
See the star of queenly beauty. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [185-.]
No. 15 in M.244.10.3
Les trois chevaliers. Ballade de Lenau [b. Accomp. de
piano. Portrait. Facsimile]. (/n Album du Galois.
Vol. I.) No. 17 in M.391.28.1
La veuve Grapin. Operette en i acte. paroles de Mr de
Forges [pseud.], musique de F. de Flotow. Partition
chant et piano. Paris. Brandus & Dufour. [1859.]
No. I in M.368.28
Zilda (conte des Mille et une nuits). Opera comique en 2
actes. Paroles de MM. de S* Georges & Chivot. Musique
de F. de Flotow. Partition piano & chant. Paris. Bran-
dus & Dufour. [1866.] M.364.30
Flotow, Friedrich Ferdinand Adolf. Graf von. JVorh about.
Flotow. R. von. Friedrich von Flotow's Leben. Von seine
Wittwe. Leipzig. 1802. Portrait. No. I in M.207.36
Neumann, W. Friedrich von Flotow. Fine Biographic.
Cassell. i8.S.=;. Portrait. No. i in M.205.18
Flotow. Rosa, Grafin von.
Friedrich von Flotow's Leben. Von seine Wittwe. Leipzig.
Breitkopf & Hartel. 1892. Portrait. No. l in M.207.36
Flotte Bursche. Opera. For the Music see Suppe.
Flottenlieder. Songs. Schneider, F. H., compiler. M.372.S9
Flourish, ye hillocks. Madrigal. Wilbye. Works. Vol. 2.
No. 2 in M.234.19.2
Flow, O my tears. Madrigal. Bennet, J.
No. 230 in M.I 10. 1.3; etc.
Flow, Rio Verde. Song. Hodges, G. L. Collection of Penin-
sular melodies. Vol. 2. No. 3 in M.244.2S.a
Flow, softly flow. Part-song. Costa, M. No. 16 in M.244.10.S
Flow, softly flow, thou murm'ring stream. Serenade. Wat-
son, H. W. No. so in M.1S7.S.2
428
Flower
THE ALLEN A. BROWN COLLECTION OF MUSIC
Flute
Flower, Eliza.
Now pray we for our country. [Part-song.l London.
Novello. [184-?! _ N0.42inM.158.1S
Also to be found in Musical times [Music].
Flower, The. Part-song. Jansen, F. G. No. 28 in M.204.38
Flower-greeting, The. Part-song. Curschmann.
No. gin M. 175. 1.5
Flower, The, of Marblehead. Song. Davenport, A.
No. 27 in M.290.12
Flower song. Gounod. Ten popular songs.
Flower's last sigh, The. Song. Gounod.
Floweret blue. Part-song. Dregert.
Flowers, George French.
First mass, with organ obligato. London.
No. I in M. 157. 10
No. 23 in M. 192.10
No. IS in M.203.11
Burns, Oates
No. I in M.igi.g
No. II in M.157.17.1
No. 4 in M. 195. 1.4
No. 2 in M.IS7.17.2
& Co. [1867?]
Flowers, The. Part-song. Rinck.
ZiMMERMANN, AgneS.
Flowers and fancies. Part-song. Mozart
Flowers, The, of harmony. Being a collection of the most
celebrated catches, glees & duets. London. Walker.
[I7_?] 3 V. in I. M.I57.I8
Contents. — I. God save the king. — King: O! Absalom, my son. —
Hayes: Let's drink and let's sing. — Greene: I've lost my mistress,
horse, and wife. — How faint the joy. — Berg: Not a day more than
thirty. — Marella : Half an hour past twelve o'clock. — Lampe : Jack
I hear. — To all you ladies now at hand. — O ale ab alendo. — Down
in the country. — Purcell : Soldier, take of thy wine. — Martin said to
his man. — Battishill: But thirty years Tom liv'd. — Warren : To our
musical club. — Look, neighbours, look. — Purcell : Under this stone.
Berg: Come, friends and companions. — Battishill: See, Fhillis,
yonder bower. — Give me the sweet delights of love. — Hayes : Come,
follow me. — Thomas: The parting catch. — [Kelly] : Megan oh! —
Fill me a bowl. — It was a lover and his lass. — The shrill ton'd lark.
Smart: With my jug in one hand. — Tremain : Give me care's anli-
dote.— Hilton : Call George again, boy.— Hayes : If neither brass or
marble. — Tremain : Dear Cloe, ease me. — Hayden : Fair Clora. —
Hayes : O.xford cries. — Hayes : Come buy my fine wares. — "Twas
you, sir. — Nares: Wilt thou lend me thy mare. — Boyce: Epitaph
[A blooming youth lies buried here]. — Nares : Fear no more the heat
of the sun. — Arne : Which is the properest day. — On thy sweet lips.
— Atterbury : Hot Cross buns. — Harington : Laughing catch. —
Harington: Yawning catch. — Amo amas, I love a lass. — Old cries
of London [Four bunches a penny primroses]. — Arne: My beloved is
mine. — Webbe : If Eve in her innocence. — Webbe : A batchelor
would have a wife. — Ford : Since first I saw your face. — Sing old
Rose and burn the bellows. — Webbe : If love and all the world were
young.
2. Callcott : Youth of the gloomy brow. — Here lies a woman. —
Hayes : Melting airs. — Morgan : Quoth Jack on a time. — Travers :
Soft Cupid, wanton, am'rous boy. — Hayes : Winde. gentle evergreen.
— Travers: I like a bee. — Go. gentle breezes. — Atterbury: Sweet
enslaver. — Baildon : Ye heav'ns, if innocence. — Travers : Thus to
the muses. — Mornington [Fane] : Says Rose to Maud. — Webbe :
Gently hear me, charming fair. — Warren: I want to dress. — Pring:
By shallow rivers. — Green: Hail, green fields. — Hayes: Phillis, my
fairest. — Morley: Sweet nymph come to thy lover. — Arne: Buz
quoth the blue fly. — Storace : Five times by the taper's light. — Har-
ington : Sweet doth blush the rosy morning. — Blow : How shall we
speak thy praise. — Garth: Care, thou canker. — Atterbury: Joan said
to John. — Baildon: Mister Speaker. — Este : How merrily we live.
— banby: The mulberry shade. — Pepusch : The turtle thus with
plaintive crying. — Smith : Since Phillis has bubbled. — Webbe : Think
when to pleasure. — Webbe : To me the wanton girls. — Still is the
night breeze. — Travers: Fair and. ugly. — Pepusch: I, like the fo.t
shall grieve. — Bates ; Sir, you are a comical fellow. — Within this
tomb. — Hilton: Come let us all a maying go. — Battishill: I lov'd
thee beautiful and kind. — Ives : Come, honest friends.
3. Storace: Sweet little Barbara. — Kemp: Life let us cherish. —
Leveridge: Whilst health and blooming youth. — Purcell: My dear-
est, my fairest. — Green: Why all this whining. — Harington: Why
must I die for thee. — O let the merry peal go on. — Hayes : This
tomb be thine, Anacreon. — Dyne: Fill the bowl. — Haydn: The first
commandment. — Valton : Mills, thunder, hammers. — Percy: Say not
so, friar. — Purcell : Were I to chuse. — Wise : Old Chiron. — Pur-
cell: Let's live. — Nelham: Have you any work for the tinker.
Arietta. Gambold.
No. 16 in M.201.37
Flower-seekers, The. For pianoforte. Kelley, No. i in M.380.10
Flowing can, The. Song. Dibdin, C. 1745-1814.
No. 2 in M.324.48; etc.
Jansen, F. G,
horsley, w.
Flowers, The, of spring may wither.
Flow'ret, The. Part-song.
Flow'rs are fresh. Glee.
No. 36 in M.392.48.2
No. 69 in M. 157.6.2
Flucht. Part-song. Schubert, F. P. Chor-Gesangwerke.
Band 2. No. 15 in M.280.48.2; etc.
Flucht, Die, der heiligen Familie. Cantata. For the Music
see Bruch. For the Libretto see Eichendorff.
Flucht, Die, der heiligen Familie. Part-song. Reinecke, C.
H. C. No. 5 in M.270.59
Flucht, Die, der Liebe. Part-song. Schoen, E. von.
No. 8 in M.392.44
Flucht, Die, nach der Schweiz. Ofera. For the Music see
Kuecken. For the Libretto see Blum, C. L.
Flucht, Die, nach Egypten. Cantata. For the Music see Ber-
lioz, L. H.; also Bruch. For the Libretto see Reinick.
Fluechtling, Der. Song. Schubert, F. P. Werke. Serie 20,
Band 4. M.3I7-I-20.4
Fluechtlinge, Die. Incidental music. For the Music see Schu-
mann, R. A. For the Text see Shelley.
Fluechtlinge, Die. Song. Schumann, R. A. Werke. Serie 13,
Band 4. M.316.1.13.4
Fluegel, Ernst Paul.
Mahomet's Gesang (Goethe). Concertstiick fiir Chor und
Orchester, von Ernst Fliigel. Klavierauszug. Breslau.
Hainauer. [1871.] No. i in M.391.41
Fluegel, Gustav.
Conzert-Ouverture, No. I, C moll, fiir Orchester. Op. 26.
Partitur. [Berlin.] Trautwein. 1849. No. 3 in M.336.9
Dich, Herr des Himmels preiset. Hymnus [t. T. B. B.]. (In
Gartz. Thesaurus. Heft I, pp. 2-4.) No. 26 in M.203.7
F.lsass muss unser sein! [Mannerchor.] (In Gartz. The-
saurus. Heft 2, p. 12.) No. 27 in M.203.7
Frisch auf, mein freies Vaterland. [Miinnerchor.l (In Gartz.
Thesaurus. Heft 3, P- 6.) No. 28 in M.203.7
Heil dir, O Preussenland. [Mannerchor.] (In Gartz. The-
saurus. Heft 3, pp. 9. 10.) • No. 28 in M.203.7
Hurrah, Germania! [Mannerchor.] (In Gartz. Thesaurus.
Heft 3. p. 3.) No. 28 in M.203.7
Der Krieg. [Mannerchor.] (/n Gartz. Thesaurus. Heft 3,
p 5 ) No. 28 in M.203.7
Nachtgesang [t. t. b. b.]. (In Gartz. Thesaurus. Heft i.
pp. 5-7.) No. 26 in M.203.7
Recrutenlied [t. t. b. b.]. (In Gartz. Thesaurus. Heft 2,
p 11) No. 27 in M.203.7
Sabelkampf. Husarenlied [t. t. b. b.]. (/n Gartz. Thesaurus.
Heft 3, p. 7.) No. 28 in M.203.7
Sanctus, O Salutaris, a trois voix egales, avec accomp. de
" piano ou orgue. Op. 49- [Partition et parties separees.]
Mayence. Schott. [1857?] No. 3 in M.213.10
So wird es geschehen. [Mannerchor.] (In Gartz. Thesau-
rus. Heft 3, P- 4.') No. 28 in M.203.7
Spatzenlenz. [Mannerchor.] (In Gartz. Thesaurus. Heft I.
pp 7. 8.) No. 26 in M.203.7
Vaterlindisches Volkslied [t. t. B. B.]. (/« Gartz. Thesau-
rus. Heft 3. PP- 0. 10.) No. 28 in M.203.7
Vom Geldsack. [Mannerchor.] (In Gartz. Thesaurus.
Heft I, pp. 8-10.) No. 26 in M.203.7
Fluegel Die Part-song. Dorn, H. L. E. Fiinf Liedertafel-
Ges'ange. No. 50 in M.392.6
Fluegel! Fluegel! Song. Schumann, R. A. Zwolf Gedichte
aus Riickerts Liebesfriihling. No. 11 in M.244.15.1
Flug der Liebe. Part-song. Isenmann. No. 25 in M.392.12
Flug der Liebe. Song. Taubert, C. G. W. Zwolf Lieder.
Sang der Liebe. No. 4 in M.221.26
Flug, Der, der Zeit. Song. Schubert, F. P. Siimmtliche
Compositionen. M.244.i2;etc.
Fluss, Der. Song. Schubert, F. P. Werke. Serie 20. Band 6.
M.317.1.20.6
Flute.
Brown, W. A. Forerunners of the modern wmd orchestra.
Evolution of the flute. Illus. Plate. (In The music of
the modern world . . . Vol. I, pp. 4S-47- New York,
f 1805.1 ) M.14.1.I
James, W. N. A word or two on the flute. Edinburgh.
Smith & Co. 1826. M.146.18
ViRDUNG, S. Musica getutscht und ausgezoge durch Se-
bastianvi virdung Priesters von Amburg vnd alles gesang
ausz den note in die tabulature diser benante dryer Instru-
mete der Orgeln: der Laute: vnd S Floten transferieren
zu lerne . . . [Herausgegeben von Robert Eitner. Ber-
lin. 1882.1 M.18S.S
A reproduction of the edition printed at Basel in 1511.
429
Flute
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Foerster
Concerte fiir Flote,
Musikalische Werke.
M.317.2.3
No. 1-25. Musikali-
M.317.2.1, 2
Flute. (Continued.)
Welch, C. History of the Boehm flute. London. i88.-?.
M.I 14.9
Flute. Music.
Bach, J. S. Drei Sonaten fiir Clavier und Flote. H moll,
Es dur, A dur. Werke. Band 9. No. i in M.8040.21.9
Drei Sonaten fiir Flote und bezifferten Bass. C dur.
E moll, E dur. Werke. Band 43. No. i in M.8040.21.43
Sonate fiir Flote, Violine und bezifferten Bass. G dur.
Werke. Band 9. No. 5 in M.8040.21.9
Beethoven. Sechs variirte Themen fiir Pianoforte allein,
Oder mit Flote oder Violine. Op. 105. Werke. Serie 14.
No. 2 in M.413.1.14
Zehn variirte Themen fiir Pianoforte allein, oder mit
Flote oder Violine. Op. 107. Werke. Serie 14.
No. 3 in M.413.1.14
Frederick II., the Great, of Prussia.
Streichorchester und Generalbass.
Band 3-
Sonaten fiir Flote und Clavier.
sche Werke. Band i, 2.
Hill, H. Der Vetter Michel. Aria tedesca, with variations,
arranged for flute & piano forte. No. 2 in M.237.7
HoBERECHT, L. Air, with variations, for the piano forte,
with a German flute accomp. No. 3 in M.237.7
L.'VNGER, F. Concert fiir Flote & Orchester. No. 2 in M.407.16
I.ATOUR. Sul margine d'un rio. Chanson sicilienne. variee
pour le piano avec accomp. de flute ad libitum. FPiano
seul.] No. 13 in M.210.3
Same. [Partie de flute.] No. 29 in M.2io.g
Lemoine, H. Divertissement pour piano et violon ou fliite,
sur des motifs de La sentinelle perdue [de Rifautl
par Henri Lemoine et N. Louis. Op. 31 [et] 24.
No. 10 in M.390.12
Fantaisie pour piano, et fliite ou violon . . . sur le bal-
let de L'orgie de Carafa par Henri Lemoine et N. Louis.
Op. 24 et 9. No. 8 in M.390.12
Fantaisie pour piano et fliite sur une cavatine du
Grand pri-x d'Adolphe Adam par Henri Lemoine et N.
Louis. Op. 21 et 8. No. 7 in M.390.12
Louis, N. Duo-fantaisie pour flute et violon. Op. 128.
[Parties separees.l No. 19 in M.390.12
Fantaisie concertante sur une melodic Suisse pour
piano et fliite par N. Louis et Forestier. No. 13 in M.390.12
Grand duo concertant pour violon et flute. Op. 3.
[Parties separees.l No. 18 in M.390.12; etc.
Nocturne concertant pour piano et fliite. sur une
priere de Madl'e L. Puget. Op. 42. [Parties separees.l
No. II in M.3go.i2
6 petits morceaux de salon sur des motifs de Mile. L.
Puget pour piano et fliite. Op. 144. [Parties separees.l
No. 1-6 in M.390.12; etc.
Son nom! Nocturne concertant pour piano et fliite,
sur la romance favorite de M«"e l. Puget. Op. 64. [Par-
ties separees.l No. 12 in M.390.12
Souvenirs de Nice. Deux quadrilles de contredanses
dialoguees pour piano et violon ou fliite par N. Louis et
Lemoine. [Parties separees.l No. 16, 17 in M.390.12
Variations brillantes pour la fliite avec accomp. . . .
de piano. CEuvre 14. [Parties separees.l
No. 19 in M.390.12
Mozart. Andante fiir Flote [und Orchester]. C dur.
Werke. Serie 12, Abtheilung 2. M.312. 1.12.2
Concert fiir Flote [und Orchester]. D dur. Werke.
Serie 12, Abtheilung 2, M.312. 1.12.2
Concert fiir Flote [und Orchester]. G dur. Werke.
Serie 12, Abtheilung 2. M.312.1.12.2
Concert fiir Flote und Harfe [mit Orchester]. C dur.
Werke. Serie 12, Abtheilung 2. M.312. 1. 12.2
Muentz-Bercer. Nocturne [2e], en duo pour piano et vio-
loncelle ou flute. [Partition piano et violoncellc.]
No. 9 in M.210.1
Same. [Partie de flute.] No. 4 in M.210.9
Flute. Music. (Continued.)
Nocturne l3'^<^] en duo pour piano et violoncelle ou
violon [ou flute. Partition piano et violoncelle].
No. 10 in M.210.1
Same. [Partie de flute.] No. 6 in M.210.9
Pleyel, I. J. Three sonatas for the pianoforte or harpsi-
chord, with an accomp. for a flute or violin & violoncello.
[Op. 15.] No. 2in M.2io.s;etc.
Same. Trois sonates pour clavecin ou piano forte,
avec accomp. d'une fliite ou violon et basse. [Op. 15.
Parties separees de piano et fliite.] No. 3 in M.360.11
Saint-Saijns. Romance pour fliite (ou violon) avec accom-
pagnement d'orchestre. Op. 37. No. 3 in M.40S.S3
Tarentelle pour fliite et clarinette, avec accomp. d'oi-
chestre. Op. 6. No. 2 in M.344.14
Fliite enchantee, La. Part-song. Mozart. No. 18 in M. 157.8
Fluthenreicher Ebro. Song. Schumann, R. A. Spanische
Liebes-Lieder. No. 10 in M.244.IS.4
Fluthgeist, Der. Opera. For the Music see Hillemacher. P.
J. W. For the Libretto see Gottet.
Fly away, time. Glee. Kelly.
Fly forth, my song. Part-song. Aet, F.
Fly, love, to heav'n. Madrigal. Wilbye.
No. 199 in M.110.1.3; etc.
Fly me not. Glee. Webbe, S., Jr.
Fly not so swift. Madrigal. Wilbye.
No. 41 in M.237.7
No. 13 in M.204.36.3
No 23 in M.220.g.4
Works. Vol. 2.
No. 13 in M.234.19.2
(Irish melody.) Harmonized
Cocks's Hand-book of glees.
No. 63 in M.1S7.6.3
Ayres or fa las.
No. 3 in M.234.21
No. 3 in M. 205.10.7
No. 22 in M. 236.3
No. 26 in M.235.17.3
Fly not yet, 'tis just the hour.
for 4 voices. (In Warren.
Vol. 3, pp. 177-180.)
Fly, Philomel. Fa la. Hilton.
Fly to my mistress. Glee. Lloyd, C. H
Fly to the desert. Song. Kiallmark.
Fly, ye moments. Duet. Biggar.
Flying Dutchman, The. For the Music and Libretto see
Wagner, W. R.
Flying Dutchmen, The. Opera. For the Music see Carpenter,
J. A. For the Libretto see Stone, M. E.
Flynn, John J.
Althea. A romantic comic opera. Libretto by Wm. Caro-
line and John J. Flynn. Music by R. S. Poppen. M.381.33
Focht, C. Th.
Der Brand des Ringtheaters in Wien, am 8. Dec. 1881. 4.
Auflage. Wien. Hartleben. 1881. Illus. No. i in M.145.20
Fork, .Mfred.
Madame Nicolet. Operette en 4 actes de Eugene Hugot.
Musique de Alfred Fock. Partition chant et piano. Paris.
Choudens. 1892. M.256.10
Fodale, Paolo.
Dodici scene drammatiche tratte dalla Divina commedia.
[Accomp. di piano.] Firenze. Guidi. [184-?] 12 parts
in I V. M.270.30
Foeckerer, Eduard.
Es war zu Assmannshausen. Weisst du doch! Vagabun-
denlied . . . fiir vier Mannerstimmen. [Op. 7.] Mainz.
Schott. [188-?] No. I in M.392.9
Foerster, Adolf Martin.
The Bedouin's prayer. Male chorus. Op. 22. Pittsburgh.
Kleber. 1888. No. 2 in M.392.9
The words are in English and German.
Thusnelda. Characterstiick, nach Karl Schafer's gleich-
namigem Gedicht, fiir grosses Orchester. Op. 10. Parti-
tur. Leipzig. Rieter-Biedermann. [1881?] No. i in M.331.7
Foerster, Alban.
Lorle. Oper in 4 Aufziigen. Dichtung von Hans Heinrich
Schefsky. Musik von Alban Forster. Clavierauszug mit
Text bearbeitet von Johannes Doebber. Berlin. Ries &
Erler. [1893.] M.393.18
Die Madchen von Schilda. Komische Oper in 3 Acten von
Rudolf Bunge. Musik von Alban Forster. Clavieraus-
zug. Berlin. Ries & Erler. [1887.] M.256.11
Symphonic, Erste, E-dur, fiir grosses Orchester. Partitur.
Halle. Richter & Hopf. [188-?] M.331.6
4.30
Foerster
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fontana
Foerster, Bernhard.
Parsifal-Nachklange. AUerhand Gedanken iiber deutsche
Cultur, Wissenschaft, Kunst, Gesellschaft. Leipzig.
Fritsch. 1883. No. i in M.198.9
Foerster, F.
Jugend und Alter [t.t. B. B.]. Hamburg. Thiemer. [i88-?l
No. 30 in M.392.8
Foerster, Josef B.
Quartett, E-dur, fiir 2 Violinen, Viola und Violoncell. Op.
15. Leipzig. Eulenburg. [1898. Payne's Kleine Parti-
tur-Ausgabe. 226.I No. 4 in M.4i2a.5
Foersterstoechter, Die. Opera. For the Music see Weinzierl.
For the Libretto see Flamtn.
Foggia, Francesco.
Exultabunt sancti. [Motet, s. a. t. b.] (/h Lueck. Samm-
lung ausgezeichneter Compositionen fiir die Kirche. Band
4, pp. 90-95.) No. 26 in M.158.33.4
Laetamini in Domino. [Motet, s. a. t. B.I (In Lueck. Samm-
lung ausgezeichneter Compositionen fiir die Kirche. Band
4, pp. 84-90.) No. 25 in M.158.33.4
Veritas mea. [Motet, s. a. t. b.] (In Lueck. Sammlung
ausgezeichneter Compositionen fur die Kirche. Band 4,
pp. 95-102.) No. 27 in M.158.33.4
Foglia, Una. Song. Mariani, A. XXII melodic.
No. I in M. 158.28
Foi, La. Chorus. Rossini. Trois choeurs. No. i in M.280.46
Foire, La, de St. Laurent. Opera. For the Music see Offen-
bach. For the Libretto see Cremieux.
Fol malin, Le. Anthem. Sweelinck. Pseaume 14, 53- Werken.
Deel 2, 5. M.412.2.2, 5
Folco d'Arles. Opera. For the Music see Giosa. For the
Libretto see Cammarano, S.
Folded in Thy circling arms. Anthem. Rudolphsen.
No. 16 in M.190.7
Foleij, Charles.
Vendee! Drame lyrique. Poeme . . . de Charles F'oleii et
Adolphe Brisson. Musique de Gabriel Pierne. M.246.12
Folic, Une. Opera. For the Music see Mehul. For the Li-
bretto see Bouilly.
Folic, Une, a Rome. Opera. For the Music see Ricci, F. For
the Libretto see Wilder.
Folies amoureuses, Les. Opera. For the Music see Pessard;
also Rossini. For the Libretto see Leneka; also Blaze,
F. H. J.
Folies d'amour. Opera. For the Music see Durand de Font-
magne. For the Libretto see Dracy.
Folk-lore.
Veckenstidt, E. La musique et la danse dans les traditions
des Lithuaniens, des Allemands et des Grecs. Paris. 1889.
No. 4 in M.208.21
Folk-songs.
Arbaud, D., editor. Chants populaires de la Provence. Aix.
1864. M.218.1
Brahms, J. Deutsche Volkslieder. Mit Clavier-Begleitung.
Ausgabe fur hohe Stimme. Berlin. 1894.
No. 9-1S in M.380.40.3
Volks-Kinderlieder, mit hinzugefiigter Clavierbeglei-
tung. Leipzig. [188-?] No. 8 in M.380.40.3
Chants et chansons populaires de la France. Nouvelle edi-
tion illustree. Paris. 1848. 3 v. M.122.10
Chappell, W. a collection of national English airs, con-
sisting of ancient song, ballad & dance tunes. The airs
harmonized by W. Crotch, G. A. Macfarren, and J. Au-
gustine Wade. [London.] 1839, 4°- 2 v. M.121.6
German Volkslieder Album. Forty songs with the orig-
inal words and an English version by John O.xenford.
London. [188-?] No. 2 in M.384.64
Hals Brodrene, publishers. The Hals Album. A collection
of Norse national music, containing the most popular
folk-songs, dances, &c., and also compositions by various
Norse composers. (With Norse and English words.)
Kristiania. [189-?] No. 2 in M.384.66
Heim, J. Sammlung von Volksgesangen fiir den M.anner-
chor. Zurich. 1868. M.118.22
Folk-songs. (Continued.)
La Villemarque, T. C. H. H. de. Ballads and songs of
Brittany. By Tom Taylor. M.106.4
M.\THEWs, C. T., compiler. [Manuscript music and songs,
principally national or folk-songs, of Italv-l 3 v. M.117.2
Middlemore, M. T H., editor. Songs of the Pyrenees with
Spanish, French & English words. London. 1887.
No. I in M. 384.63
Mittler, F. L., editor. Deutsche Volkslieder. Frankfurt
am Main. 1865. M.371.36
MouLLE, £., editor. Cinquant chants populaires recueillis
dans la haute Normandie et harmonises. Paris. 1890.
No. I in M.384.66
Folks-songs. Works about.
Enger, C. An introduction to the study of national music.
London. 1866. M.106.23
Martinengo-Cesaresco, E. Essays in the study of folk-
songs. London. 1886. M. 1493.7
ScHURE, £. Histoire du Lied, ou la chanson populaire en
Allemagne . . . Paris. 1868. M.i 18.20
TiERSOT, J. B. £. J. Histoire de la chanson populaire en
France. Paris. 1889. M.i4l.3l
Weckerlin, J. B. T. La chanson populaire. Paris. 1886.
The music of many of the songs is given. M.2I5.20
Folkunger, Die. Opera. For the Music see Kretschmer. For
the Libretto see Mosenthal, S. H. von.
Folic, La, de S'. Joseph. Song. Meyerbeer. 40 melodies.
No. I in M. 157.38
FoUet, Le. Opera. For the Music see Lefevre. E. For the
Libretto see Barbier, P.
FoUetto, II, de Gresy. Opera. For the Music see Petrella.
For the Libretto see Bolognese.
Follies, The, of a night. Opera. For the Music see Gabriel.
M. A. V. For the Libretto see Planche, J. R.
Follow a shadow. Round. Horn, C. E. No. 28 in M.237.9
Follow me, my jovial boys. Catch. Nelham.
No. 43 in M.141.21.2; etc.
Follow my path. Canon. Arne, T. A. No. 119 in M.220.9.1
Follow the drum. Ballad. Keller, M. No. 18 in M.192.13.1
Follow the flag. Song. Thomas, J. R. No. 8 in M.192.14
Folville, Juliette.
Atala. Opera en deux actes, d'apres Chateaubriand.
Poeme de Paul Collin. [Musique de J. Folville. Partition
chant et piano. Paris? 1893?] M.395.28
Fond appeal. The. Song. Arne, T. A. Lyric harmony. Vol. I.
M.380.1
Fond father's bliss. Song. Hodson, W. Fourteen songs.
No. 3 in M.221.32
Fond hearts at home. Ballad. Thomas, J. R. No. 9 in M.192.14
Fondateurs, Les, de I'opera fran<;ais. Songs. Lacome d'Esta-
LENX, P. J. J., editor. No. 2 in M.296.6
Fondly I think of thee. Part-song. Keller, M.
No. 19 in M.192.13.1
Fondo theatre, Naples.
Almanacco de' reali teatri S. Carlo e Fondo del annata tea-
trale 1834. Napoli. 1835. M.i09b.45
Fonscolombe, Emmanuel de. editor.
David, F. C. Moise au Sinai, oratorio. M.1S3.14
Font, Auguste.
Favart, I'opera comique et la comedie-vaudeville aux 17^ et
l8e siecles. Paris. Fischbacher. 1894. M.205.7
Fontaine, La, de Berny. Opera. For the Music see Nibclle.
For the Libretto see Second, A.
Fontana, D. G. Bartocchi. See Bartocci-Fontana. D. G.
Fontana, Ferdinando.
Asrael. Legende. Musik von Albert Franchetti. M.364.32
Edgar. Dramma lirico, musica di Giacomo Puccini. M.396.56
Flora mirabilis. Leggenda. Musica di Spiro Samara. M.322.a
II Signor di Pourceaugnac, opera comica. Musica di Al-
berto Franchetti. M.399.18
La Simona. Poemetto lirico, posto in musica da Benedetto
lunck. No. I in M.286.30
Die Willi's. Oper mit Ballet. Musik von Giacomo Puccini.
M.402.45
431
Fontana
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
For
Fontana, Ferdinando, translator.
Samara. Medge. M.3gg.56
Fontana, Uranio.
I baccanti. Dramma lirico in 3 atti di G. Sacchero, posto in
musica . . . dal Mo Uranio Fontana. Riduzione per canto
e piano. Milano. Ricordi. [184-.] M.231.40
Fontanes de Saint-Marcellin, Jean Victor.
Leonore et Felix, ou c'est la meme. Opera comique. Mu-
sique de Benoist. M. 261.28
Wallace, ou le menestrel ecossais, opera heroique . . . Mu-
sique de Catel. M.281.34
Fontayne, Lucien.
Damayanti. Legende lyrique en un acte. Poeme de P. B.
Gheusi, Musique de Lucien Fontayne. Partition chant
et piano. Paris. Dupont. [1895.] No. I in M.378.48
Fontebasso, Giovanni.
Mastino I. dalla Scala, trapfedia lirica. fMusica del Sip.
Antonio Buzzola.] Venezia. Molinari. [1841.]
Libretto only, in Italian. No. 5 in M.I47.8.3
Fontenelle, Bernard Le Bruyer de.
Thetis et Pelee. Tragedie en musique. [Musique de Col-
lasse.] M. 285.2.5
Fontenelle, fimile.
Chez Ramponeau. Operette en I acte. Paroles de Georges
Delesalle. Musique de £mile Fontenelle. [Partition chant
et piano. 1 Paris. Dupont. [188-?! No. 2 in M.301.7
Fontenelle, Granges de.
Hecube, tragedie-Iyrique en 3 actes. Par Milcent. Mise en
musique par Granges Fontenelle. [Partition.] Paris.
L'auteur. [1800.] M.272.10
Fonteny, Albert.
La fille de Fanchon la vielleuse. Opera-comique de Liorat
[pseud.], Busnach & Fonteny. Musique de L. Varney.
M.325.2
Nadgy. Romantic comic opera. From the French of MM.
Liorat [pseud.] & Fonteny. The music by F. Chassaigne.
M.28.';.6
Les quatres filles Aymon. Operette, d'Armand Liorat
[pseud.] et Albert Fonteny. Musique de Paul Lacome.
M.394.67
Fontmagne, Baronne Durand de. See Durand de Fontmagne,
, Baronne.
Fool, The, hath said in his heart. Anthem. Bennett, W. S.
No. 5 in M. 195.2. 11; etc.
Fool, The, that is wealthy. Glee. Alcock, J. No. 8 in M. 220.9.3
Fool, The, within his heart. Motet. Rheinbercer, J. G.
No. 16 in M.19S.2.13
Fools' gold. Opera. For the Music see Loud, J. A. For the
Libretto see Burnett.
Foot-ball song. Part-song. Monk, E. G. No. 33 in M. 157.4
Foote, Arthur William.
And there were shepherds. [Christmas anthem. Accomp.
for organ.] Boston. Schmidt. [1893.] No. 3 in M. 203.27
Bedouin song [t. t. b. b. Accomp. for pianoforte]. Boston.
Schmidt. [1892.] No. I in M.203.14
Benedicite, omnia opera [in E major. Accomp. for organ].
Boston. Schmidt. [1892.] No. i in M. 158.16
Benedictus in Eb. [Accomp. for organ.] Boston. Schmidt.
[1892.] No. 4inM.158.16
Christ our Passover. [Anthem for Easter. Accomp. for
organ.] Boston. Schmidt. [1894.] No. 4 in M.203.27
Drei Stiicke fiir Pianoforte und Violoncello. [Partitur. 1
Boston. Schmidt & Co. 1882. No. 5 in M. 210.13
Same. [Violoncello-Stimme.] No. 6 in M.210.14
Francesca da Rimini. Symphonischer Prolog. Fiir grosses
Orchester. Op. 24. [Partitur.] Boston. Schmidt. 1892.
No. I in M.333.11
God is our refuge and strength. Anthem for solo fs. or t.]
and chorus. [Accomp. for organ.] (In Novello's Collec-
tion of anthems. Vol. 16, pp. 1 14-124.) No. 14 in M.19S.2.16
If doughty deeds [t.t. B.B.]. Boston. Schmidt & Co. i88.v
No. 3 in M.392.9
Magnificat and Nunc dimittis [in B flat major. Accomp.
for organ]. Boston. Schmidt. [1892.] No. 2 in M.158.16
Foote, Arthur William. (Continued.)
[Quartet, no. 2, for two violins, viola and violoncello. Op.
3,2. Full score.] Manuscript. 1894. No. 2 in M.338.9
This copy was made by A. A. Brown.
Quartett, in C dur, fiir Klavier, Violine, Bratsche und Vio-
loncell. Op. 23. [Partitur.] Boston. Schmidt. 1892. 4
parts in i v. M.403.3S
Quartett m G moll, fiir 2 Violinen, Bratsche und Violoncell.
Op. 4. Partitur. Manuscript. [1890.] No. 3 in M.338.9
This copy was made by A. A. Brown.
Quintett, in A moll, fiir Klavier, 2 Violinen, Bratsche und
Violoncell. Op. 38. [Partitur.] Boston. Schmidt. 1898.
Z parts in i v. M.403.36
Serenade. In E dur, fiir Streich-Orchester. Op, 25. [Par-
titur.] Boston. Schmidt. 1892. No. 2 in M.333.11
The skeleton in armour. Ballad for chorus and orchestra.
The poem by H. W.. Longfellow. By Arthur Foote. Op.
28. [Accomp. for pianoforte.] Boston. Schmidt. 1892.
No. I in M.204.14
Still, still with Thee. [Anthem, .\ccomp. for organ.] Bos-
ton. Schmidt. [1893.] No. 5 in M.203.27
Te Deum, in B flat minor. [Accomp. for organ.] Boston.
Schmidt. 1890. No. ^ in M.158.16
Te Deum in D minor. [Accomp. for organ.] Boston.
Schmidt. 1894. No. 6 in M.20.3.27
Trio fiir Pianoforte, Violine und Violoncell, in C moll. Op.
5. [Partitur.] Mainz. Schott. 1884. No. 2 in M.211.3.2
Same. [Stimmen, Violin und Violoncell.] 2 v.
No. 13 in M.211.4.1, a
Venite, in C. [Accomp. for organ.] Boston. Schmidt.
[ 1892.] No. 3 in M.1S8.16
The wreck of the Hesperus. [For s. t. b. soli, chorus and
pianoforte.] Boston. Schmidt, [1888.] No. I in M.204.13
Footsteps of angels. Part-song. Gaul. No. ii in M. 157.25
Macirone, C. A. No. ii in M.19S.1.2
Foppa, Giuseppe.
Le due giornate, o sia il portator d'acqua. [Musica di] Si-
mone Maijer. M.41.5
L'equivoco. [Musica di] Simone Majer. M.41.7
Ginevra degli Almieri. Opera grande. Musica del Sig''^
Ferdinando Paer. M.50.7
Giulietta e Romeo. Dramma eroico pantomimo. Musica
del Sigr Maestro Zingarelli. M.60.20
L'inganno felice, farsa in i atto, musica di Rossini. M.369.19
L'occasione fa il ladro. Farsa [musica] del Sig'^ Gioac-
chino Rossini. M.60.10; etc.
La scala di seta. Farsa [musica] del Sig" Gioacchino Ros-
sini. M.6o.i2;etc.
II segreto. Farza. Musica del Sig"' Simone Majer. M.41.19
[Un pazzo ne fa cento. Opera. Musica di J. S. Mayer.]
M.41.21
For Agathon. Part-song. Norris, T. No. 209 in M.110.1.3; etc.
For all our men. Glee. Pearsall. No. ii in M.235.16
For England, ho! Opera. For the Music see Bishop, H. R.
For the Libretto see Pocock.
For ever blessed are they which die in the Lord. Anthem.
Mendelssohn-Bartiioldy, J. L. F. No. 8 in M.157.24
For folded flocks. Glee. Purcell, H. M.22i.2;etc.
For God is in the midst. Anthem. Greene, M. No. 2 in M.234.4.2
For He shall give. Response. Blodgett. Anthems, responses
and hymns. No. 4 in M.203.9
For he was a good man. Anthem. Lassus. No. 17 in M.233.25.1
For His is the sea. Anthem. Mendelssohn-Bartiioldy, J.
I^. F. No. 7 in M.39i.49;etc.
For love ev'ry creature. Duet. Purcell, H. No. 143 in M.215.21
For love of thee. Ballad. Linley, G. [Songs.] Vol. i.
No. 26 in M.235.19.1
For our offences Jesus took upon Him. Anthem. Mendels-
sohn-Bartholdy, J. L. F. Six cathedral anthems.
No. 3 in M. 243.2
For sword or song. Opera. For the Music see Roze. R. For
the Libretto see Legge.
For tenderness form'd in life's early day. Song. Paesiello.
A favourite song. No. 35 in M.384.4S
432
For the
THE ALLEN A. BROWN COLLECTION OF MUSIC
Form
For the Catch Club. Catch. Long. No. 114 in M.22o.g.i
For the mountains shall depart. Anthem. Samson, L.
No. II in M.195.2.10
For the New Year. Quartet. Mendelssohn-Bartholdy, J. L.
F. Quartetts. No. 15 in M.244.22
For the sake of somebody. Part-song. Farmer, J.
No. 40 in M. 157.23
For thee, love, for thee. Sonq. Foster. S. C.
No. 25 in M.380.41.1
For Thee, O God, our constant praise. Anthem.
Croft. No. 29 in M. 157.34
H.^NDEL. No. 7 in M.is^.34
For this is he. Anthem. Este, M. No. 3 in M.234.26; etc.
For unto us a child is born. Anthem. Haselton.
No. 3 in M.290.34
For with strength. Chorus. Haydn, F. J. No. 12 in M.221.22.4
Foraarsdigt. Song. Kjerulf. Sanger och Visor. Band i.
M.158.47
Forains, Les. Opera. For the Music see Varney, L. For the
Libretto see Boucheron.
Forbes, James Grant.
The dynamiters. Hasty Pudding play, 1901. Music by N.
H. Pride. No. 2 in M.382.11
Forbidden land, The. Oticra. For the Music see Chapin. For
the Libretto see Steely.
Ford, Charles R., editor.
Caldicott. Jack and Jill. No. 23 in M.158.14
Ford, Ernest A. C.
Jane Annie; or, the good conduct prize. A new and original
English comic opera. Written by J. M. Barrie & A. Conan
Doyle. Music by Ernest Ford. Arranged [for pianofortel
by King Hall. Vocal score. London. Chappell & Co.
[1893.1 No. I in M. 246.6
0 Lord God of my salvation. Motett [t. t. b. b. Accomp.
for organl. {In Novello's Collection of anthems. Vol. 12,
pp. 186-196.) No. 20inM.i9S.2.i2
Ford, T. Murray.
The punch bowl; or, the royal brew. Comic opera. Music
by John Storer. No. 31 n M.300.S
Ford, Thomas.
Almighty God! who hast brought me. Psalm. [Accomp.
for organ.] {In Hullah. Part music. Sacred. Vol. i.
pp. 92, 93) ^°- ■^° '" M.1S7.28.1
Fair, sweet, cruel. Madrigal. {In Amusement for the ladies.
Vol 3. pp. 30-^3.) No. 6 in M.220.3.3
Also to be found in Arnold's Convivial harmony ; Bland's The Ladies'
collection; dementi's Collection of catches; Musical library; Warren's
Collection of catches ; Webbe, Jr.'s Convito armonioo.
Haste Thee, O Lord. Round [ for 3 voicesl. {In Clementi.
Collection of catches. Vol. i, p. 103.)
No. 88 in M.iio.i.i; No. 88 in M.110.2.1
Also to be found in Warren's Vocal harmony; Webbe, Jr.'s Convito
armonico.
1 am so weary. Canon, 3 in i. (/" Warren. Vocal har-
ninnv. P. 268.) No. 148inM.220.10
Also to be found in Webbe, Jr.'s Convito armonico.
Let God arise. [Anthem, s. a. a. t. b. Accomp. for organ.l
{In Rimbault. Collection of anthems. Pp. 61-69.)
No. 3 in M.234.26; No. I in M. 234.27
Since first I saw your face. Madrigal. London. Addison
&Hollier. [183-?] No. i8inM.23.5.7.i
Same Novello [i86-?l No. 6 in M.158.16
Also to be found in The Apollo; Bland's The Ladies' collection; Boo-
sey's Standard English glees; Flowers of harmony; The Harmonist;
Hullah's Part music, Secular; Leslie's Cassell's Choral music; Musical
library; Musical times [Music]; Warren's Cocks's Hand-book of
glees ; Warren's Collection of catches ; Webbe, Jr.'s Convito armonico.
There is a lady. Glee. {In The Apollo. Vol. 5, pp. 350-352.)
No. 8 in M.i39a.i8.5
Also to be found in The Harmonist ; Monk's Novello's Part-song book.
Forde, William.
An essay on the key in music. London. Cocks & Co.
[183-?] Plate. M.148.S
Forelle, Die. Song. Schubert, F. P. Sammtliche Composi-
tionen. M.244.12; etc.
Forellen, Die. Song. Taubert, C. G. W. 3 Balladen aws der
Kinderwelt. No. 23 in M.195.8
Forest, The. Opera. For the Music see Smjrth. Der Wald.
Forest, The. Part-song. Haeser, C. No. 18 in M.392.48.1
Forest, The, of Bondy. Opera. For the Music see Bishop,
H. R. For the Libretto see Farley.
Forest enchantment. Part-song. Reiter, E. No. 32 in M.392.20
Forest greeting. Part-song. Wilm. No. 26 in M.203.29
Forest harps. Part-song. Schultz, E. No. 12 in M.392.31
Forest horn. The. Part-song. Maase. No. 22 in M.203.15
Forest mill, The. Part-song. Nessler. No. 23 in M.392.19
Forest ramble, A. Part-song. Abt, F. No. 3 in M.157.17.2
Forest song. Part-song. Reinecke, C. H. C. No. 14 in M.204.38
Forester's chorus. Part-song. Schumann, R. A.
No. 12 in M.392.48.1
Forester's roundelay, The. Cantata. For the Music and Li-
bretto see Wass.
Forester's wedding. The. Cantata. For the Music and Li-
bretto see Schmidt-Lux.
Foresters, The. fGlee, s. t. t. B.l {In Ditson. The Orphean
Ivre. Vol. I, DO. 14-19) No. 7 in M.23S.22
Foresters, The. Incidental music. For the Music see Sullivan,
A. S.
Foresters, sound the cheerful horn. Glee. Bishop, H. R.
No. II in M.157.19; etc.
Forestier, Auber, pseud. See Moore, Annie Aubertine.
Forestier, Joseph.
Fantaisie concertante sur une melodic Suisse pour piano et
flute fde N. Louis et J. ForestierL No. 13 in M.390.12
Foret, La. Cantata. For the Music and Libretto see Grand-
val.
Foret. La. For orchestra. Glazunov. No. i in M,4i2,3
Foret. La, de Senart. Opera. For the Music see Rossini. For
the Libretto see Blaze, F. H. J.
Foret enchantee. La. Symphonic poem. Indy, P. M. V. d'.
No. 2 in M.405.22
Forever and forever. Song. Cowen. No. 10 in m. 192. ii
Forever blessed. Anthem. Handel. No. 22 in M. 221. 22. 3
Mendelssohn-Bartholdy, J. L. F. No. 23 in M. 195.2. 12
Forever with the Lord. Anthem. Gounod. No. 4'; in M.158.16
Forge scene. The . . . from "Fridolin." Part-song. Randeg-
ger. No. 24 in M.392.20
Forgeot, Nicolas Tulien.
Les dettes. Comedie lyrique fmise en musiquel par S.
Champein. M.291.4
Lucas & Lucette. Comedie. Mise en musique par Mile.
D. Z. M.224.17
Les pommiers et le mouliii. Comedie lyrique. Mise en mu-
sique par M"' Le Moyne. M.2S3.36
T^e rival confident. Comedie. . . . Mise en musique par
Gretry. M.282.16
Forges. A. de, pseud. See Pittaud, Philippe Auguste.
Forges, Les, de Lemnos. Cantata. Bernier. Cantates fran-
coises. M.236.2S
Forget me not. Song. Moz.\rt. No. 28 in M.237.2
Forget that I have lov'd you. Ballad. Linley, G. [ Songs. 1
Vol. I. No. 18 in M.235.19.1
Forget thee. Song. Balfe. No. 7 in M.192.9.1
Forgive, blest shade. Glee. Callcott, T. W.
No. 22 in M.1S7.7; etc.
Forgive me. Song. Haydn, F. J. No. 2 in M.235.18.1
Forkel, Tohann Nikolaus.
Life of John Sebastian Bach; with a critical view of his
compositions. Translated from the German. London.
Boosey & Co. 1820. M.144.23
Vie, talents et travaux de Jean Sebastien Bach. Ouvrage
traduit . . . par Felix Grenier. Paris. Baur. 1876. Por-
trait. Plate. Facsimiles. M.119.10
Form. Musical.
Goddard, J. ]\Iusical development; or. remarks on t!ic spirit
of the principal musical forms. London. [1867.! M. 149.28
Jadassohn, S. Les formes musicales dans les chefs-d'oeiu re
de I'art. Leipzig. IQOO. M.372.64
Ouseley, F, a. G. a treatise on musical form and .general
composition. Oxford. 187.=;. M. 149.35
Pauer, E. Musical forms. London. [1878.! No. 3 in M. 197.5
Prout, E. Applied forms: a sequel to 'Musical form'.
London. fiSq.'^.l M.37.<!.i3
I 55
4.33
Forman
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Foster
Forman, Alfred, trmislator.
Wagner, W. R. The Nibelung's ring. M.104.8
Formosa. Song. David, F. C. Cinnuante melodies. M.363.28
Fornaretto, II. Ot>era. For the Music see Sanelli. For the
Libretto see Codebo.
Fornarina, La. Cantata. For the Music see Desjoyeaux. For
the LiBKETTO see Boniface.
Forsaken, The. Part-song. Hatton. No. 9 in M.121.3
KoscHAT. No. 33 in M.392.13
MosciiELES, L Tyrolese melodies. Vol. 2.
No. 15 in M.244.24.2
Forsaken, The. Song. Keller, M. No. 20 in 11.192.13.1
Mendelssohn-Bartholdy, J. L. F. Songs.
Two different songs. No. 21, 6o in M.244.2I
Forsaken lady, The. Ballad. Haydn, F. J. Twelve ballads.
No. I in M.221.32
Forschen nach Gott. Part-song. Kreutzer, C. No. 9 in M. 130.7
Forst, J. von.
Die Nacht zu Paluzzi. Romantische Oper. In Musik ge-
setzt . . . von X. Pentenrieder. No. 3 in M.391.18
Forstallningen. Song. Kjerulf. Sanger och Visor. Band 2.
M.158.47
Forster, Georg, editor.
Der zweite Teil der kurtzweiligen guten frischen teutschen
Liedlein zu singen fast lustig im mehrstimmigen Ton-
satze, in Partitur gebracht von Robert Eitner. Leipzig.
Breitkopf & Hartel. 1905. [Pvblikation aelterer prak-
tischer vnd theoretischer Musik-Werke vorzvgsweise des
XV. und XVI. Jahrhvnderts. Band 29, Jahrgang 33.]
Six of the songs only are by Forster. M.400.18
Forster, Josef.
Die Rose von Pontevedra. Oper in einem Akt. Vollstiin-
diger Klavier Auszug mit Text. Wien. Berte & cie.
[1893.1 M.397-27
Der Spielmann. Phantastisches Ballet. Orchester-Parti-
turen: Mazurka, Violin-Solo, Scene und Walzer, Finale.
Wien. Ratlig. [1882.] 4 parts in I v. No. 2 in M.331.7
Forster, Simon Andrew.
The history of the violin and other instruments played on
with the bow. [By W. Sandys and S. A. Forster.]
No. I in M.144.2
Forsterus, Georg. See Forster, Georg.
Fort comme un Turc. Opera. For the Music see Bordese, L.
For the Libretto see Flan.
Forte soporifera. Motet. Lassus. Sammtliche Werke. Band
II. M.8o40a.67.ii
Fortem virili pectore. Anthem. Lenz, L. No. 31 in M.260.17.2
Forteret,
Rapport presente a la Societe d'education de Lyon par . . .
Dr. Desgranges, . . . les Drs. Forteret et Passot, sur la
methode employee pour la cure du begayement et de tous
les autres vices de prononciation par Mr. Chervin aine.
No. 2 in M.3 73.23
Forth from the dark and stormy sky. Hymn. Rousseau, J. J.
No. 29 in M.1S7.28.1
Forth to the battle. [Welsh melody.] Harmonized for 4
voices, (/n The Choralist. Vol. i, ser. 4.)
No. 39 in M.157.S.1
Fortis, Leone.
II Duca di Scilla. Dramma lirico di G. Peruzzini e L. Fortis.
Posto in musica . . . dal Mo Errico Petrella. M.311.39
L'uscocco. Dramma lirico. Posto in musica dal Mo. Fran-
cesco Petrocini. M.311.40
Fortuna desperata. Mass. Obrecht. Missa . . . No. 2 in M.41S.8
Fortunat mit dem Sackel und Wiinschhiitlein. Ot>era. For
the Music see Schnyder von Wartensee. For the Li-
bretto see Doering, G. C. W. A.
Fortunate land. The. Canzonet. Beethoven.
No. 31 in M.235.18.3
Fortunatus. Ol>era. For the Music see Franckenstein. For
the Libretto see Wassermann.
Fortunatus and his sons. . Ot>era. For the Music see Bishop,
H. R.
Fortune, La, du poete. Song. Schubert, F. P. Melodies.
Vol. 6. M.3Z7.4.6
Fortune teller, The. Opera. For the Music se Herbert, V.
For the Libretto see Smith, H. B.
Fortunio. Opera. For the Music see Messager; also Wester-
hcut. For the Libretto see Caillavet; also Scalinger.
Fortunio and his seven gifted servants. Opera. For the Music
see Darley. For the Libretto see Planche, J. R.
Forty winks. Opera. For the Music see Offenbach. For the
Libretto see Farnie.
Forza, La, del destino. Opera. For the Music see Verdi. For
the Libretto see Piave.
Forza, La, delle donne. Opera. For the Music see Anfossi.
Fosca. Opera. For the Music see Gomes. For the Libretto
see Ghislanzoni.
Foskett, Edward.
Harold Glynde, a cantata. With original music by John
Stainer, C. S. Jekyll, George C. Martin and other com-
posers. No. 3 in M.204.27
Fossey, Leon.
Un fusilier dans I'enibarras. Operette-bouffe en i acte.
Paroles de Henri Avocat et fimile Lorrain. Musique de
Leon Fossey. [Accomp. de piano.] Paris. Colombier.
[186-?] No. I in M.256.12
Foster, George G.
Biography of Anna Bishop, the celebrated cantatrice, giv-
ing accounts of her professional tour in England, Den-
mark, Sweden . . . and California . . . [New York. 1853. ]
No. 2 in M.373.63
Memoir of Jenny Lind. 4th edition. New York. Dewitt
& Davenport. 1850. No. 2 in M.372.18
Foster, George West.
Day dreamy, or true love never dies. Ballad [s. or t. Ac-
comp. for pianoforte]. Boston. Ditson & Co. 1858.
No. 13 in M.380.41.1
Foster, John, of York.
Sacred music, consisting of anthems, psalms & hymns.
[With accomp, for orchestra and organ. Full score. Vol.
1,2.] York. Knapton. [18 — .] 2 v. in i. M.290.32
Foster, John, Organist.
Gloria in excelsis, in F. [Accomp. for organ.] (In Ouseley.
Cathedral services. Pp. 346-350.) No. 30 in M.233.9
Foster, Myles Birket.
Happy hours. [Part-song, s. a. Accomp. for piano. Bos-
ton.] Russell. 1887. No. 8 in M. 158.16
Homeward down the stream. [Duet, s. a. Accomp. for
pianoforte.] Boston. Russell. [1887.] No. 7 in M.158.16
O Holy Dove, return. Anthem. [Accomp. for organ. Bos-
ton.] Russell. 1885. No. 31 in M. 158. 19
The souls of the righteous. Elegy for s. solo, chorus and
orchestra, the organ part arranged from the full score.
(In Novello's Collection of anthems. Vol. 12, pp. 155-162.)
No. 18 in M.195.2.12
Foster, Stephen Collins.
Ah! may the red rose live alway. Song [t. Accomp. for
pianoforte]. Baltimore. Benteen. [1850.]
No. I in M.380.41.1
Angelina Baker. A plantation melody. [Song, t. Accomp.
for pianoforte.] Boston. Ditson & Co. [1850.]
No. 2 in M.380.41.1
Annie my own love. Song [x. Accomp. for pianoforte].
New York. Firth, Pond & Co. 1853. No. 3 in M.380.41.1
Beautiful child of song. [Song, x. Accomp. for pianoforte.]
Cleveland. Brainard. i860. N. 4 in M.380.41.1
Beautiful dreamer. [Song, x. Accomp. for pianoforte.]
New York. Pond & Co. 1864. No. s in M.380.41.1
Better times are coming. [New version. Song, s. Accomp.
for pianoforte.] New York. Waters. 1862.
No. 6 in M.380.41.1
Bury me in the morning. Mother. [Song or duet, with clio-
rus. Accomp. for pianoforte.] New York. Tremaine.
1862. No. 7 in M.380.41.1
Camptown races. A favorite Ethiopian song. [x. Accomp.
for pianoforte.] Boston. Oliver Ditson Co. [1850.]
No. 8 in M.38o.4i.r
I
434
Foster
THE ALLEN A. BROWN COLLECTION OF MUSIC
Foster
Foster, Stephen Collins. (Continued.)
Come where my love lies dreaming. Arranged as a duet
with pianoforte accompaniment by William Dressier.
New York. Pond & Co. 1862. No. 9 in M.380.41.1
Come with thy sweet voice again. Song [t. Accomp. for
pianoforte]. Boston. Ditson & Co. [1882.]
No. 10 in M.380.41.1
Comrades, fill no glass for me. [Song, t. Accomp. for
pianoforte.] Boston. Ditson & Co. 1855.
No. II in M.380.41.1
Cora Dean. Song [t. Accomp. for pianoforte]. Boston.
Ditson & Co. i860. No. 12 in M.380.41.1
Der Alten Heim. (Old folks at home.) [Fiir Mannerchor,
mit Bariton-Solo gesetzt von Frank van der Stucken.]
Berlin. Luckhardt. [1892. Drei amerikanische Volks-
lieder.] No. 21 in M.392.24
Dolcy Jones. [Song, t. Accomp. for pianoforte.] Boston.
Ditson & Co. 1857. No. i4inM.38o.4i.i
Dolly Day. A plantation melody. [Song, t. Accomp. for
pianoforte.] Boston. Ditson. [1850.] No. 15 in M.380.41.1
Don't bet your money on de Shanghai. Plantation song
[t. Accomp. for pianoforte]. New York. Firth. Pond
& Co. 1861. No. 16 in M.380.41.1
Down among the cane brakes. Song [t. Accomp. for piano-
forte]. New York. Firth, Pond & Co. i860.
No. 17 in M.380.41.1
A dream of my mother. [Song, t. Accomp. for pianoforte.]
New York. Waters. 1862. No. 18 in M.380.41.1
Ellen Bayne. [Song, t. Accomp. for pianoforte.] Boston.
Oliver Ditson Co. [1854.] No. 19 in M.380.41.1
Eulalie. Song [s. or t. Accomp. for pianoforte]. New
York. Gordon. [1853.] No. 20 in M.380.41.1
Fairy-Belle. Song [x. Accomp. for pianoforte]. Boston.
Oliver Ditson Co. 1887. No. 21 in M.380.41.1
Farewell, my Lilly dear. Plantation melody [x. Accomp.
for pianoforte]. Boston. Ditson & Co. 1851.
No. 22 in M.380.41.1
Farewell, old cottage. [Song, s. or x. Accomp. for piano-
forte.] New York. Gordon. 1863. No. 23 in M.380.41.1
Farewell, sweet mother. [Song, s. or t. Accomp. for piano-
forte.] New York. Pond & Co. [1861.] Portrait.
No. 24 in M.380.41.1
For thee, love, for thee. Song [s. or x. Accomp. for piano
forte]. New York. Firth, Pond & Co. 1859.
No. 25 in M.380.41.1
Gentle Annie. [Song, s. or x. Accomp. for pianoforte.]
Boston. Oliver Ditson Co. [186-?] No. 26 in M.380.41.1
Gentle Lena Clare. [Song, s. or x. Accomp. for pianoforte.]
New York. Gordon. 1862. No. 27 in M.380.41.1
Give the stranger happy cheer. Ballad, [s. or x. Accomp.
for pianoforte.] Baltimore. Benteen. [1850.]
No. 28 in M.380.41.1
The Glendy Burk. A plantation melody. [Song, x. Ac-
comp. for pianoforte.] New York. Pond. i860.
No. 29 in M.380.41.1
Golden dreams and fairy castles! Melody by Stephen C.
Foster. Arranged [as solo or duet] by Mrs. Parkhurst.
New York. Tremaine. 1864. No. 30 in M.38o.4i.i
Hard times come again no more. [Song, x. Accomp. for
pianoforte.] New York. Pond & Co. 1892.
No. 31 in M.380.41.1
The hour for thee and me. Duet. [Accomp. for piano-
forte.] New York. Firth, Pond & Co. 1852.
No. 32 in M.380.41.1
I cannot sing tonight. [Song, s. or x. Accomp. for piano-
forte.] New York. Pond & Co. 1852. No. 33 in M.380.41.1
I see her still in my dreams. [Song, x. Accomp. for piano-
forte.] New York. Pond & Co. [1857.]
No. 2 in M.380.41.2
I will be true to thee. [Song, s. or x. Accomp. for piano-
forte.] New York. Gordon. [1880.] No. 3 in M.380.41.2
I would not die in summer time. Song [s. or x. Accomp.
for pianoforte]. Baltimore. Benteen. [1851.]
No. 4 in M.380.41.2
Foster, Stephen Collins. (Continued.)
I'd be a fairy. Song [s. Accomp. for pianoforte]. New
York. Gordon. 1863. No. 34 in M.380.41.1
ril be home to-morrow. Ballad [x., with chorus. Accomp.
for pianoforte]. New York. Pond & Co. 1862.
No. I in M.380.41.2
If you've only got a moustache. [Comic song, s. or x. Ac-
comp. for pianoforte.] New York. Harris. [1864].
No. 5 in M.380.41.2
Jeanie with the light brown hair. [Song, s. or x. Accomp.
for piano forte.] New York. Pond & Co. 1S92.
No. 6 in M.380.41.2
Jenny June. [Song, s. or x. Accomp. for pianoforte.] Bos-
ton. Ditson & Co. 1857. No. 7 in M.380.41.2
Jenny's coming o'er the green. Ballad [x. Accomp. for
pianoforte]. Philadelphia. Lee & Walker, [i860.]
No. 8 in M.380.41.3
Katy Bell. Song [s. or x., with chorus. Accomp. for piano-
forte]. New York. Gordon. 1863. No. 9 in M.380.41.2
Kiss me, dear mother. Ballad [s. or x. Accomp. for piano-
forte]. New York. Pond & Co. 1869. No. 10 in M.380.41.2
Larry's good bye. [Song, s. or x. Accomp. for pianoforte.]
New York. Gordon. 1863. No. 11 in M.380.41.2
Laura Lee. [Song, s. or x. Accomp. for pianoforte.] Bos-
ton. Ditson & Co. 1866. No. 12 in M.380.41.2
Leave me with my mother. [Song, s. or x., with chorus.
Accomp. for pianoforte.] New York. Waters. [186-I.]
No. 13 in M.380.41.2
Linda has departed. Song [s. or x. Accomp. for piano-
forte]. New York. Pond & Co. 1859. No. 14 in M.380.41.2
Linger in blissful repose. Serenade [s. or x. Accomp. for
pianoforte]. New York. Pond & Co. [1886.I
No. 15 in M.380.41.2
The little ballad girl. [Song, s. or x. Accomp. for piano-
forte.] New York. Waters, i860. No. 16 in M.380.41.2
Little Ella. Song [s. or x. Accomp. for pianoforte]. New
York. Firth, Pond & Co. 1853. No. 17 in M.380.41.2
Little Jennj' Dow. Ballad [x. Accomp. for pianoforte].
New York. Harris. 1852. No. iS in M.380.41.2
Lizzie dies tonight. [Song, s. or x. Accomp. for piano-
forte.] New York. Gordon. [186-?] No. ig in M.380.41.2
The love I bear to thee. [Song, s. or x. Accomp. for piano-
forte.] New York. Waters. 1862. No. 21 in M.380.41.2
Lula is gone. Song [s. or x. Accomp. for pianoforte]. New
York. Pond & Co. 1886. No. 22 in M.380.41.2
Maggie by mv side. [Song, x. Accomp. for pianoforte.]
New York. Pond & Co. 1892. No. 20 in M.380.41.2
Marv loves the flowers. Song [s. or x. Accomp. for piano-
forte]. New York. Firth, Pond & Co. [18.30.]
No. 23 in M.380.41.2
Massa's in the cold, cold ground. [Song. x. .'\ccorap. for
pianoforte.] Boston. Ditson. [186-?] No. 24 in M.380.41.2
Melinda May. [Song, s. or x. Accomp. for pianoforte.]
Baltimore. Miller & Beacham. [18.S2.] No. 25 in M.380.41.2
Merry little birds are we. [Song, s. or x. Accomp. for
pianoforte.] New York. Gordon. [1862.I
No. 26 in M.380.41.2
The merry, merrv month of May. Song [s. or x.] and cho-
rus. [Accomp. for pianoforte.] Boston. Ditson. [1862.]
No. 27 in M.380.41.2
Mine is the mourning heart. A duett for soprano and tenor.
[Accomp. for pianoforte.] Chicago. Root & Cady. [1861.]
No. 28 in M.380.41.2
Mollv dear, good night. Ballad [x. Accomp. for piano-
forte]. Boston. Ditson & Co. [1861.I No. 2Q in M.380.41.2
Mollv! do you love me? Son.g [x. Accomp.] for pianoforte.
Baltimore. Benteen. [1850.] No. 30 in M.380.41.2
Mother, thou'rt faithful to me. Ballad [s. or x. Accomp.
for pianoforte]. Baltimore. Benteen. [1851.]
No. 31 in M.380.41.2
Mv angel boy. [Song, s. or x. Accomp. for pianoforte.]
New York. Pond & Co. 1865. No. 32 in M.380.41.2
Mv bov is coming from the war. [Song. s. or x. Accomp.
for pianoforte.] New York. Gordon. 1863.
No. 33 in M.380.41.2
435
Foster
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fourberies
Foster, Stephen Collins. (Continued.)
My brudder Gum. [Song, t. Accomp. for pianoforte.]
Boston. Ditson & Co. 1857. No. .34 in M.380.41.2
My loved one and my own, or Eva. Ballad [t. Accomp.
for pianoforte]. New York. Firth, Pond & Co. 1858.
No. :^S in M.380.41.2
My old Kentucky home. [Song, s. or t. Accomp. for piano-
forte.] New York. Century Music Publishing- Co. fi?8-?]
No. .36 in M.380.41.2
My wife is a most knowing woman. [Comic song, t. Ac-
comp. for pianoforte.] New York. Waters. 1862.
No. 37 in M.380.41.2
Nelly Bly. [Song, s. or t. Accomp. for pianoforte.] Bos-
ton. Ditson. [1880.] No. 38 in M.380.41.2
Nelly was a lady. An Ethiopian melody. [Song, s. or t.
Accomp. for pianoforte.] New York. Pond & Co. [1888.]
No. 39 in M.380.41.2
None shall weep a tear for me. Song [s. or t. .A.ccomp. for
pianoforte]. New York. Firth, Pond & Co. 186S.
No. 40 in M.380.41.2
Oh, boys, carry me long. A plantation melody [t., and
chorus. Accomp. for pianoforte]. New York. Pond &
Co. 1879. No. 41 in M.380.41.2
Oh! Lemuel! Go down to the cotton field. Ethiopian song
[s. or T. Accomp. for pianoforte]. Baltimore. Benteen.
1850. No. I in M.380.41.3
Oh, why am I so happy? [Song, s. or t. Accomp. for piano-
forte.] New York. Waters. 1862. No. 2 in M.380.41.3
Old Black Joe. [Song, s. or t. Accomp. for pianoforte.]
New York. Pond & Co. 1894. No. 3 in M.380.41.3
Old Dog Tray. [Song, s. or t. Accomp. for pianoforte.]
New York. Pond & Co. 1892. Portrait.
No. 4 in M.380.41.3
Old folks at home (Swanee River). Song [s. or t. Ac-
comp. for pianoforte]. Boston. Oliver Ditson Co. [1S79.]
No. S in M.380.41.3
Old memories. Song [s. or t. Accomp. for pianoforte].
New York. Gordon. 1853. No. 6 in M.380.41.3
Once I loved thee, Mary dear. Song [s. or t. Accomp. for
pianoforte]. New York. Firth, Pond & Co. 1851.
No. 7 in M.380.41.3
Our Willie dear is dying. Ballad [s. or t, Accomp. for
pianoforte]. New York. Firth & Co. 1861.
No. 8 in M.380.41.3
Parthenia to Ingomar. Song [s. Accomp. for pianoforte].
New York. Firth & Co. 1859. No. 9 in M.380.41.3
A penny for your thoughts. [Song, s. or t. Accomp. for
pianoforte.] New York. Harris. 1861. No. 10 in M.380.41.3
Poor drooping maiden. Song [s. or t. Accomp. for piano-
forte]. New York. Firth, Pond & Co. i860.
No. II in M.380.41.3
Ring de banjo. New Ethiopian melodv [t. Accomp. for
pianoforte]. New York. Firth, Pond & Co. 1879.
No. 12 in M.380.41.3
Sadlv to mine heart appealing. Song [s. or t. .Accomp. for
pianoforte]. New York. Firth, Pond & Co. 1858.
No. 13 in M.380.41.3
Slumber my darling. Song [s. or t. Accomp. for piano-
forte]. New York. Waters. 1862. No. 14 in M.380.41.3
The soldier's home. [Song, t. Accomp. for pianoforte.]
New York. Gordon. 1863. No. 15 in M.380.41.3
Some folks. [Song, t. Accomp. for pianoforte.] New
York. Pond & Co. 1892. No. 16 in M.380.41.3
Somebody's coming to see me to-night. Ballad [s. Accomp.
for pianoforte]. Brooklyn. Holmes. 1S64.
No. 17 in M.380.41.3
The spirit of my song. [.Song, s. or t. Accomp. for piano-
forte.] Baltimore. Benteen. [iSso.l No. iS in M.380.41.3
That's what's the matter. Song [t. Accomp. for piano-
forte]. New York. Firth & Co. 1862. No. 19 in M.38Q.41.3
There are plenty of fish in the sea. [Song, s. or t. Accomp.
for pianoforte.] New York. Tremaine. 1862.
No. 20 in M.380.41.3
There's no such girl as mine. [Song. T. Accomp. for piano-
forte.] New York. Harris. 1862. No. 21 in M.380.41.3
Foster, Stephen Collins. (Continued.)
'Tis my father's song. Ballad [s. or x. Accomp. for piano-
forte]. Cincinnati. Church. [1865.] No. 22 in M.380.41.3
Turn not away. A serenade arranged as a duett [s. t. Ac-
comp. for pianoforte]. Boston. Ditson & Co. [18150.]
No. 23 in M.380.41.3
Under the willow she's sleeping. Song [s. or t. Accomp.
for pianoforte]. Boston. Oliver Ditson Co. 1863.
No. 24 in M.380.41.3
The village maiden. [Song, s. or t. Accomp. for piano-
forte.] New York. Firth & Co. 1855. No. 25 in M.380.41.3
The voice of bygone days. Ballad [s. or t. Accomp. for
pianoforte]. New York. Firth, Pond & Co. 1850.
No. 26 in M.380.41.3
The voices that are gone. [Song, s. s. t. b.] The sympho-
nies and accompaniments by John P. Cooke. New York.
Pond & Co. 1865. No. 27 in M.380.41.3
Was my brother in the battle? [Song, s. or x. Accomp. for
pianoforte.] New York. Waters. 1862.
No. 28 in M.380.41.3
We've a million in the field. [Song, s. or x. Accomp. for
pianoforte.] New York. Gordon. 1862. No. 29 in M.380.41.3
When old friends were here. [Song, s. or x. Accomp. for
pianoforte.] New York. Waters. 1864. No. 35 in M.380.41.3
Where has Lula gone. Ballad [s. or x. Accomp. for piano-
forte]. New York. Firth, Pond & Co. i8.s8.
No. 31 in M.380.41.3
Why have my loved ones gone. [Song, s. or x. Accomp.
for pianoforte.] New York. Harris. 1862.
No. 37 in M.380.41.3
Why, no one to love? [Song, s. or x. Accomp. for piano-
forte.] New York. Gordon. 1862. No. 38 in M.380.41.3
The wife; or he'll come home. Song [s. Accomp. for
pianoforte]. New York. Firth, Pond & Co. i860.
No. 39 in M.380.41.3
Willie has gone to the war. Song and chorus [s. s. x. b.
Accomp. for pianoforte]. New York. Pond. 1891.
No. 40 in M.380.41.3
Willie my brave. Ballad [s. Accomp. for pianoforte]. New
York. Firth, Pond & Co. [1851.] No. 41 in M.380.41.3
Wilt thou begone, love. Duet [s. x. Accomp. for piano-
forte]. New York. Pond & Co. 1892. No. 42 in M.380.41.3
Fester Club, Boston.
Brown, A. A., compiler. Programmes and comments. The
Parker, Chickering and Foster Clubs. [Boston. 1862-77.]
M.371.10
Fothergill, Jessie.
The first violin. A novel. New York. Holt & Co. 1878.
M.102.2
Foucher, Paul Henri.
L'an mil. [Opera comique. Paroles de Melesville [pseud.]
et Foucher. Musique de A. Grisar. M.224.34A
L'opera au camp. Opera comique. Musique de Varney.
No. 2 in M. 325. II
Richard en Palestine. Grand opera. Musique de A. .\dam.
M.361.2
Fountain, The, in the desert. Part-song. Gade. Die Quelle in
der Wuste. No. 11 in M.392.9
Fouque, Pierre Octave.
Michel Ivanovitch Glinka. D'apres ses memoires et sa cor-
respondance. Paris. Heugel & cie. 1880. Portrait.
No. 2 in M. 122. IS
Les revolutionnaires de la musique: Lesueur, Berlioz, Bee-
thoven, Wagner, la musique russe. Paris. I^evy. 18S2.
M. 127.42
Variations symphoniques sur un air bearnais . . . Compo-
sees pour orchestre. [Partition.] Paris. Heugel. [18—"-']
No. 4 in M.3S8.2S
Four seasons. The. Symphony. Hadley. Die vier Jahres-
zeiten. M.412.6
Fourberies, Les, de Marinette. Opera. For the Music see
Creste. For the Librexxo see Carre, M.
436
Fourcheux
THE ALLEN A. BROWN COLLECTION OF MUSIC
Foyer
Fourcheux de Montrond, Clement Melchior Justin Maxime.
Les musiciens les plus celebres. Lille. Lefort. 1853. Plate.
M.145.26
Contents. — S. Gregoire le Grand. — S. Odon de Cluni. — Gui d'Arezzo.
— Josquin Depret. — Palestrina. — Allegri. — Carissimi. — Lulli. —
Scarlatti. — Marchand. — Rameau. — Haendel. — Sebastien Bach. —
Porpora. — Marcello. — Tartini, — Durante. — Leo. — Daquin. — ■
Graun. — Pergolese. — Hasse. — Farinelli. — Le pere Martini. —
Jomelli. — Gluck. — Ficcini. — • Haydn. — Gossec. — Sacchini. — ■
Boccherini. — Gretry. — Naumann. — Cimarosa. — Viotti. — Mozart. —
Clierubini. — Mehul. — Lesueur. — Beethoven. — Weber. — Choron.
Fourgeaud, Alexandre.
Les premieres amies de Rossini. Paris. Librairie univer-
selle. 1887. No. 4in M.198.13
Fourneaux, Napoleon.
Instrumentologie. Traite theorique et pratique de Taccord
des instruments a sons fixes, I'harmonium, I'orgue a
tuyaux et le piano. Paris. Repos. [186-?] Tables.
M.216.S
Fournier, Alix.
Stratonice. Opera en i acte. Paroles de Louis Gallet.
Musique de Fournier-Alix. [Partition chant et piano.]
Paris. Dupont. [1892.] No. 2 in M.30S.30
Fournier, !6douard.
Chapeau du roi. Opera comique. Musique de Henri Gas-
pers. M.281.28
La charmeuse. Opera-comique. Musique de Henri Caspers.
No. I in M. 275.31
Les deux epagneuls. Opera bouffe. Musique de Charles
Manry. No. 2 in M.301.15
La musique chez le peuple, ou I'opera national. Par le
vicomte de Pontecoulant et fid Fournier.
No. 4 in M. 147.3. 1
Titus et Berenice. Operette bouffe. Musique de L. Gas-
tinel. No. 2 in M.30S.42
Fournier, Narcisse.
Mademoiselle Sylvia. Opera-comique. Musique de Samuel
David. M.295.7
La promise d'un autre. Opera comique. Paroles de N.
Fournier & J. Defrene. Musique de Ch. de Courcelles.
M.28S.33
Fournier, Paul.
Toccata. £tude symphonique. (Op. 20.) Partition d'or-
chestre. Paris. Durand. [i8qo?1 No. 2 in M.406.4S
Fourteen cows and a bull. Catch. Weedon.
No. 21.^ in M.235.17.2; etc.
1492. Ofiera. For the Music see Pflueger. For the Libretto
see Barnet.
Fourteen years with Adelina Patti. Biography. Lauw.
M.146.12
Foussier, Edouard.
Le chercheur d'esorit. Opera-comique. Musique de F.
Besanzoni. M.271.H
Foweles in the frith. Duet It. B.l. (In Smith. Musica anti-
qua. P. II.) , M.236.10
A song of the thirteenth century.
Fowle, Thomas Llovd.
[Fifteen short anthems. Accomp. for organ. Crawley?
iSSQ.I M.2go.26
Contents. — O love the Lord. — Suffer little children. — Solomon's
prayer. — God, who as at this time. — O Lord, save Thy people. —
I will wash my hands in innocency. — I will lay me down in peace. —
O God, the strength of all. — • Lord, we beseech Thee. — O pray for
the peace of Jerusalem, — O give thanks unto the Lord. — Now is
Christ risen. — Thou visitest the earth. — Call to remembrance, O Lord.
— Arise, shine, for thy light is come.
Life of Handel. London. Pitman. 11877.! Portraits.
No. I in M. 125.9
My musical and unmusical career, from 6 years of age to
fifty . . . By a musical bird of fowl(e) species. London.
Castle & Lamb. [1878.1 M.149.26
Now is Christ risen. [Anthem for Easter. Accomp. for
organ. 1 London. Novello. [185-?! No. 11 in M^90.i4
Thou visitest the earth. [Anthem for Thanksgiving. Ac-
comp. for organ.! London. Novello. [185-.I
No. 1.3 in M.2go.i4
When the Comforter is come. [Anthem for Whitsunday.
Accomp. for organ.! London. Novello. [185-?]
No. 12 in M.290.14
Fowle, Thomas Lloyd. (Continued.)
Will God indeed dwell upon the earth? [Anthem. Accomp.
for organ.! London. Novello. [185-?] No. 14 in M.290.14
Wilt not Thou, O God, go forth? [Anthem. Accomp. for
organ.] London. Novello. [185-?] No. 10 in M.290.14
Fowle, Thomas Lloyd, editor.
Parochial anthems by the cathedral composers of 1863, in
vocal score with organ accomp. Winchester. Fowle.
[1863.! No. I in M.233.29
Contents. — Ouseley ; O praise the Lord with me. — Greatheed: Hail I
gladdening light. — Macfarren : The Lord is my shepherd. — Elvey:
Rejoice in the Lord. — Gauntlett: This is the day the Lord hath made.
— Leslie: Fear not, I bring you good tidings. — Stewart: If ye love
Me. — Holloway : How dear are Thy counsels. — Chipp : Lord of all
power and might. — Steggall : O clap your hands. — Spark : All we
like sheep. — Hopkins: O clap your hands. — Jackson (Masham) :
Come, let us return unto the Lord. — Baumer: Lord, how are they
increased. — Gilbert : I will lay me down in peace. — Dixon : O give
thanks. — Smith : If ye then be risen with Christ. — Stewart : Thou,
O God, art praised in Zion. — Stephens : O praise the Lord, all ye na-
tions. — Stainer : Deliver me, O Lord. — Barnby : Make me a clean
heart, O God. — Gauntlett : I will go unto the altar. — Steggall : Hear
ye, and give ear. — Fowle : Thou wilt keep him in perfect peace. —
Fowle: All nations whom Thou hast made.
Fowles, Ernest.
The legend of Lampetia, cantata for treble voices, written
by Ernest J. Eagleman [pseud.?], the music composed by
Ernest Fowles. [Accomp. for pianoforte.] London.
Reid. [188-?] No. I in M.204.15
Fox, George.
The babes in the wood, new comic cantata. Words by
Thomas Ingoldsby [pseud.]. Music by George Fox.
[Accomp. for pianoforte.] London. Metzler & Co. [188-?]
No. 3 in M.IS5.3
The fancies of Fidgety Fee and other nursery rhymes set
to music. London. Patey & Willis. [187-?]
No. 3 in M. 154.16
"Gabriel Grub." The story of the goblins who stole a sex-
ton. Adapted from Dickens' story in "Pickwick," by
Frederic Wood. The music by George Fox. Cantata
seriabuffa. [Accomp. for pianoforte.] London. Williams.
[1882.] No. 2 in M.155.3
Golden treasures. A cantata for female voices. Poetry by
Charles Bradberry, music by George Fox. [Accomp. for
piano.] London. Morley & Co. [1881.I No. 2 in M.277.19
Hamilton Tighe. Cantata. The poetry from the Ingoldsby
legends, the music by George Fox. [Accomp. for piano.]
London. Boosey & Co. [188-?] No. 4 in M.277.19
The jackdaw of Rheims: cantata. Written by the late
Thomas Ingoldsby [pseud.]. Music by George Fox. [Ac-
comp. for piano.] London. Chappell & Co. [187-?]
No. 2 in M.28S.19
Lord Lovel, a humourous cantata, for 4 solo voices & cho-
rus. [Accomp. for piano.] London. Patey & Willis.
[ 187-?] No. 3 in M.277.19
The messenger dove. Cantata, for four solo voices, chorus,
and orchestra, with separate pianoforte accomp. Words
by Robert Bell. Music by George Fox. London. Wil-
liams. [187-?] No. 4 in M. 154.16
Nydia, the blind girl of Pompeii. Grand opera in 5 acts.
Adapted from Bulwer's novel ... by George Fox. [Vo-
cal score with piano accomp.] London. Hutchings &
Romer. 1892.
M.303.1
Sallv Brown; a nautical comic cantata. Poetry by Thomas
Hood. Music by George Fox. [Accomp. for pianoforte.]
London. Williams. [18S-?] No. 2 in M.155.3
Winifred Pryce; the milkmaid's story. A melodramatic
cantata. Poetry by Thomas Ingoldsby [pseud.]. Music
by G. Fox. [Accomp. for pianoforte.] London. Morley
& Co. [188-?] No. I in M.15S.3
Fox, The, jump'd over the parson's gate. Part-song. Bisirop,
H. R. No. Sin M. 157.19; etc.
Foxy Quiller. Opera. For the Music see De Koven. For the
Libretto see Smith, H. B.
Foyer, Le, de I'opera. Moeurs fashionables. Par Leon Goz-
lan. Pierre Clement . . . Bruxelles. Meline, Cans & cie.
M. 1292.5
-10. 41.
in I.
Short stories by various authors.
437
Fra cento
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
France
Fra cento affannj. Aria. Mozart. Werke. Serie 6, Band i.
No. 9inM.3i5-i-6.i
Fra Diavolo. Of>cra. For the Music see Auber. For the Li-
bretto see Scribe.
Fra Martino Campanajo. Glee. Carter, T. [Canons, glees
and catches.l No. 5 in M.221.32
Fra pensieri quel pensiero. Sontj. Handel. Werke. Liefe-
runff so. M.3I3.1.50
Fra tante pene. Song. Handel. Werke. Lieferung 50.
M.313.1.50
Fra un dolce deliro. Song. Barth£lemon, M. Six F.nKlish
and Italian songs. No. 4 in M.221.32
Fraeulein, Das, an der Himmelsthiir. Part-song. Finster-
BUSCH. No. 57 in M.392.7
Frag' und Antwort. Part-song. Zenger. Fiinf Lieder fnr
Mannerchor. No. 73 in M.392-24
Frage. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413-3.I9
Schumann, R. A. Zwolf Gedichte von Kerner.
No. ga in M.244.1.S.1 ; etc
Frage nicht. Song. Franz, R. Sechs Gesiinge. Op. 14-
No. 18 in M.244.5-2
Fragerolle, Georges.
Le reve de Joel. Legende. Poeme et musique [pour voix
de baryton avec accomp. de pianol de Georges Fragerolle.
Paris. Enoch Sz; Costallat. [189-?] Plates. M.120.33
Saint-Pierrot. Pantomime en un acte de Fernand Beissier.
Musique de G. Fragerolle. Partition complete. Paris.
Choudens. [189-?! No. 2 in M.384.3
Fragment aus dem Aeschylus. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.3i7-i-20.4
Fragrant chaplets. Song. Salieri. No. 36 m M.384.48
Fragrant painting, The. Part-song. Webbe, S.
No. 130 in M.220.9.3; etc.
Frahm, Wilhelm.
Marsch [t. x. b. b.]. Hamburg. Thiemer. [188-?]
No. 27 in M.392.8
Framery, Nicolas fitienne.
Avis aux poetes lyriques, ou, de la necessite du rhythme et
de la cesure dans les hymnes ou odes destines a la mu-
sique. Paris. 1796. M.148.39
La colonic. Opera comique. Parodie sur la musique del
Sig"- Sacchini. M.274.7
Les deux comtesses. Opera bouffon sous la musique du
Sig"- Paisiello. M.293.20
Discours qui a remporte le prix de musique et declamation
sur cette question: Analyser les rapports qui existent
entre la musique et la declamation; determiner les moyens
d'appliquer la declamation a la musique, sans nuire a la
melodie. Paris. Pougens. An X. (1802.) No. i in M.197.8
L'infante de Zamora. Opera comique. Parodie sous la mu-
sique de La Frascatana du Ssr Paisiello. M.293.18
Notice sur Joseph Haydn. Paris. Barba. 1810.
No. I in M.136.12
La sorciere par hazard, opera comique en vers mele de
musique . . . Les paroles et la musique par M. Framery.
[Partition.] Paris. Houbaut. [1783.] M.223.25
Framery, Nicolas fitienne, translator.
Sacchini. L'Olympiade, ou le triomphe de I'amitie. M.274.8
Framnas. Song. Kjerulf. Sanger och Visor. Band i.
M.158.47
Frangais, Le, a Venise. Of'cra. For the Music see Isouard.
For the Libretto see Gensoul.
Francastor. Ot^era. For the Music see Barbier, F. £. For
the Libretto see Eyraud.
France. Minis fere d'etat.
Rapport et arretes pour I'etablissement en France d'un dia-
pason musical uniforme. Paris. Imprimerie imperiale.
1859. No. 4 in M.372.21
France. Drama.
Chappuze.\u, S. Le theatre frani;ois. Paris. 1875. M.218.3
Lacroix, L. p. B. p. Le theatre . . . et la musique . . .
jusqu'en 1789. [Anon.1 Paris. 1887. Illus. M. 123.33
France. Drama. (Continued.)
Laugier, D. J. C. Documents historiques sur la Comedie
frangaise pendant le regne de Napoleon i^r. Paris. 1853.
M.206.10
Lerebours, p. v., editor. Documents pour servir a I'histoire
du Theatre-frangais sous la Restauration. Paris. 1834.
No. 2 in M.141.3
NouviLLE, A. Creation d'un theatre d'essai. Memoire.
[Paris. 1848.] No. 3 in M.122.38
Vallier J. P. Recherches sur les causes de la decadence
des theatres et de I'art dramatique en France. Paris. 1841.
No. I in M.I2S.6
France. Folk-songs.
Chants et chansons populaires de la France. Nouvelle edi-
tion illustree. Paris. 1848. 3 v. M.122.10
Sandr^, G., editor. Chants populaires et nationaux de
France. Harmonises [pour piano seul]. Paris. [1894.]
No. 8 in M.390.44
Tiersot, J. B. fi. J. Histoire de la chanson populaire en
France. Paris. 1889. M.141.31
France. Music.
See also Burgundy. Music.
Annuaire general de la musique et des societes chorales et
instrumentales de France. Paris. 1888. M.112.9
Annuaire special des artistes musiciens. Annee i. Paris.
[1863.1 _ M.198.3
Bellaigue, C. Un siecle de musique frangaise. Paris. 18S7.
M. 138.5
Beyle, M. H., editor and translator. The life of Haydn, . . .
with observations on the present state of music in France
and Italy. London. 1817. M.116.1
Blaze, F. H. J. Chapelle-musique des rois de France.
Paris. 1832. M.104..';
De I'opera en France. 2e edition. Paris. 1826. 2 v.
M.I4S-I7
Bobillier, M. Les concerts en France, sous I'ancien re-
gime. Paris. 1900. M.102.20
Burney, C. The present state of music in France and Italy.
London. i77i- M.137.22
Campardon, fi. L'Academie royale de musique au XVIII^
siecle. Documents inedits decouverts aux Archives na-
tionales. Paris. 1884. M.372.15
Cazotte, J. Observations sur la lettre de J. J. Rousseau, au
sujet de la musique frangaise. [Geneve?] 1753.
No. 5 in M.103.3
Chanson francaise. La. Moniteur du Caveau. Revue illus-
tree des societes chantantes et des chansonniers frangais.
No. 1-6. [Paris. 1874.I M. 121. 14
Charnace, G. de. Les compositeurs frangais et les theatres
lyriques subventionnes. Paris. 1870. No. 3 in M.207.20
Chorley, H. F. Music and manners in France and Ger-
many. London. 1844. 3 v. M.107.10
Chouquet, a. G. Histoire de la musique dramatique en
France. Paris. 1873. M.124.13
CoLiGNY, C. La chanson frangaise. Histoire de la chanson
et du Caveau, contenant I'historique des principales so-
cietes chantantes et des bio.graphies de chansonniers.
Paris. 1876. Portraits. M.214.6
CoQUARD, A. De la musique en France depuis Rameau.
Paris. 1891. M.129.34
CoYON, £. Annuaire musical et orpheonique de France.
Paris. [187.S, 76.] 2 V. M.127.18
Crozet, F. Revue de la musique dramatique en France.
Grenoble. 1866. M.115.13
Damade, L., editor. Histoire chantee de la Premiere Re-
publique. 17S9 a 1799. Chants patriotiques revolution-
naires et populaires. Paris. 1892. M.373.40
Ferris, G. T. Great Italian and French composers. New-
York. 1882. M.iogb.19
Gail, J. F. Reflexions sur le godt musical en France. Paris.
jg32. No. I in M.116.14; etc.
Gallet, L. Notes d'un librettiste. Musique contempo-
raine. Paris. 1891. M.102.27
438
France
THE ALLEN A. BROWN COLLECTION OF MUSIC
Franck
France. Music. (Continued.)
Hervey, a. Masters of French music. New York. i8g4.
M.i49a.i
JuLLiEN, J. L. A. La cour et I'opera sous Louis XVL, Marie
Antoinette et Sacchini, Salieri, Favart et Gluck. Paris.
1878. M.127.39
L.\CROix, L. P. B. P. Le theatre . . . et la musique . . .
jusqu'en 1789. Paris. 1887. Illus. Plate. M.123.33
Leclerc, J. B. Essai sur la propagation de la musique en
France, sa conservation et ses rapports avec le gouverne-
ment. Paris. An IV [17961. No. i in M.218.9
Lucas, E. Les concerts classiques en France. Paris. 1876.
M. 127.2
Maretzek, M. The opera in France. Illus. Portraits. (Fn
The music of the modern world . . . Vol. i, pp. 159-166.
New York. [1895.]) M.i4.i'.i
M.\rmontel, J. F. Essai sur les revolutions de la musique
en France. [Paris. 177-?] No. 4 in M.207.20
Martin, J. De I'avenir de I'Orpheon et de toutes les ecoles
populaires de musique en France. Paris. 1846.
No. 2 in M.206.3
Martine, . De la musique dramatique en France.
Paris. 1813. M.14.S.27
Martinet, L. De la situation des compositeurs de musique
et de I'avenir de I'art musical en France. Paris. [1867.I
No. 2 in M.206.19
Mendes, C, editor. Les plus jolies chansons du pays de
France. Chansons tendres. Notees par Emmanuel Cha-
brier et Armand Gouzien. Paris. [1888.I M.122.41
Morand, p. de. Justification de la musique francoise.
Contre la querelle qui lui a ete faite par un Allemand &
un Allobroge [Rousseau! ... La Haye. 1754.
No. 3 in M.102.22
NicoT, F. Du gout musical en France. Nimes. 1855.
No. 10 in M.373.23
Pellet, A. Essai sur I'opera en France, depuis Lully
jusqu'a nos jours. Nimes. 1874. No. 2 in M. 198.13
Pierre, C. V. D., editor. Musique des fetes et ceremonies
de la Revolution frauQaise. CEuvres de Gossec, Cherubini,
Lesueur, Mehul, Catel, etc. recueillies et transcrites. Paris.
1899. M.380.14
PoisoT, C. fi. Essais sur les musiciens bourguignons. Dijon.
1854. No. 2inM.ii6.6
Histoire de la musique en France. Paris, i860.
M.i29a.i3
Pontecoulant, L. a. Le D., Comte de. La musique chez le
peuple, ou rOpera-national, son passe et son avenir sur
le Boulevard du Temple. Par le vicomte de Pontecoulant
et fid. Fournier. Paris. 1847. No. 4 in M.147.3.1
Porte, J. F. Des moyens de propager le gout de la mu-
sique en France, et particulierement dans les departe-
ments de I'ancienne Normandie. Caen. 1835.
No. 2 in M.218.4
Rahn, B. L'enseignement musical en France et le Conserva-
toire imperial de musique de Paris. Paris. 1864.
No. 3 in M. 102. 21
Robin, J. La chanson des cols bleus: chants populaires de
la flotte frangaise. Paris. [1901.] Illus. M. 102.35
Roquet, A. E. Les origines de la chapelle-musique des sou-
verains de France. Paris. 1864. M.i29a.22
Rousse.\u, J. J. Lettre sur la musique francoise. 2e edition.
[Geneve. 1 1753. No. 2 in M.103.3
Servieres, G. La musique frani;aise moderne. 2e edition.
Paris. 1897. M.370.40
Soleniere, E. de. La fenime compositeur. Paris. 1895.
No. 3 in M.372.43
Vallat, G. Etudes d'histoire, de mceurs et d'art musical.
Paris. 1890. M. 137.4
Valori-Rustichelli, H. F. de. La musique, le bon sens et
les deu.x operas. Introduction par Armand de Pontraar-
tin. Paris. 1890. M.370.43
Veron, L. D. Memoires d'un bourgeois de Paris. Compre-
nant
pire.
la fin de I'Empire jusqu'au retablissement de I'Ei
Paris. i8?;6, s?. 5 v.
M. 1293.25
France. Music. (Continued.)
Weber, J. Die musikalische Sage und der Volksunterricht
in Frankreich. Deutsch von L. Ramann. Leipzig. 1S84.
No. 9 in M.215.4
Yso, . Lettres sur la musique frangoise en reponse a
celle de J. J. Rousseau. Geneve. 1754. No. 4 in M.103.3
France and England. Part-song. Hortense, Queen nf Holland.
No. 22 in M.157.17.2
[Francesca da Rimini.] OpanieCKa fla Phmhhh. Opera.
For the Music see Rakhmaninov. For the Libretto see
Tchaikovski, M. I.
Francesca da Rimini. Oratorio. For the Music see Gilson, P.
For the Libretto see Guilliaume.
Francesca da Rimini. Overture. Foote. No. i in M.333.11
Francesca da Rimini. Symphonic poem. Bazzini. M.403.5
Tchaikovski, P. I. No. i in M.343.12
Francesca da Rimini. Symphony. Morlacchi. No. 6 in M.3S5.13
Francesca Donate. Opera. For the Music see Raimondi. For
the Libretto see Romani, F.
Francesca von Rimini. Opera. For the Music and Libretto
see Goetz, H.
Franchetti, Alberto, Barone.
Asrael, Legende in 4 Aufziigen von Ferdinand Fontana, fiir
die deutsche Biihne bearbeitet von H. Wittmann. Musik
von Albert Franchetti. Clavierauszug. Mailand. Ricordi
& c. [1889.1 M.364.32
Christoph Columbus. Lyrisches Drama in 4 Akten und
einem Epilog. Musik von Alberto Franchetti. Vollstan-
diger Klavierauszug. Deutsche tJbersetzung von Ludwig
Hartmann. Mailand. Ricordi & c. [1892.I M.382.22
Fior d'Alpe. Opera in tre atti. Parole di Leo di Castel-
novo [pseud.]. Musica di Alberto Franchetti. Riduzione
per canto e pianoforte, di Vittorio Norsa. Milano. Son-
zogno. 1894. M.246.7
Germania. Dramma lirico in un prologo, due quadri e un
epilogo di Luigi Illica. Musica di Alberto Franchetti.
Canto e pianoforte. [Milano. 1 Ricordi & c. 1902. Por-
trait. M.381.16
II Signor di Pourceaugnac di G. B. Poquelin de Moliere,
ridotto ad opera comica in tre atti da Ferdinando Fontana.
Musica di Alberto Franchetti. Opera completa per canto
e pianoforte. Riduzione di Vittorio Norsa. Milano. Ri-
cordi & c. 1S98. M.399.18
Franchomme, Auguste.
Grosses Concert-Duo iiber Themen aus „Robert der Teu-
fel" fiir Pianoforte und Violoncell von F. F. Chopin und
Franchomme. E dur. (!n Chopin. Werke. Band 11.)
M.316.2.11
Franchomme, Auguste. editor.
Chopin. Werke. M.316.2
Franci, Arturo.
L'ombra di Werther. Werther's Schatten. Oper. [I\rusik
vonl Alberto J. Randegger. No. i in M.397.52
Franciilon, Robert Edward.
The corsair: a dramatic cantata. The music by F. H.
Cowen. M.154.51
The rose maiden: a cantata, composed by F. H. Cowen.
M.IS4.49
Saint Ursula. Sacred cantata. Music by F. H. Cowen.
M.154.50
Francis,
The enchanted wood. [Opera. 1 Composed by Dr. Arnold.
No. 3 in M.220.36
Francis of Assisi, St.
Cantico del sol, composto di F. Liszt. M.3S2.23
Hymn to the Creator. Motett, by J. F. Bridge.
No. 2 in M. 154.30
Franciscus. Oratorio. For the Music see Tinel. For the Li-
bretto see Koninck.
Franck, Cesar Auguste.
Les Beatitudes (Die Seligkeiten). Poeme de Madame Co-
lomb. Traduction allemande de G. Fr. Reiss. Musique
de Cesar Franck. Partition chant et piano. Paris. Bran-
dus & cie. [i88-?l 11.256.13
439
Franck
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Frank
Franck, Cesar Auguste. (Continued.)
Same. The Beatitudes. An oratorio. Words (after the
Gospel) by Lady Colomb. Translated by Catherine M.
Bradley. Music by Cesar Franck. [Accomp. for piano.]
New York. Schirmer. 1899. M.393.75
Le chasseur maudit. Poeme symphonique. [Partition.]
Paris. Grus. [1883.] M.403.37
Les Djinns. Poeme symphonique fpour piano et orchestre].
Paris. Enoch & Costallat. [189-?] No. 2 in M.338.18
Les fiolides. Poeme symphonique. Partition d'orchestre.
Paris. Enoch & Costallat. [189-?] No. i in M.338.18
Ghiselle. Drame lyrique en quatre actes de Gilbert Augus-
tin-Thierry. Musique de Cesar Franck. Partition chant
et piano. Paris. Choudens. 1896. Facsimile. 11.397.28
Hulda. Opera en 4 actes et un epilogue. Poeme de Ch.
Grandmougin d'apres Bjcernstjerne Bjoernson. Musique
de Cesar Franck. Partition chant et piano. Paris.
Choudens. 1894. M. 256.15
Panis angelicus. Le pain des anges. (E.xtrait de la messe
solennelle.) Pour violon fou violoncelle] et orgue fou
piano. Partition]. Paris. Le Bailly. [187-?]
No. I in M.410.27
Prelude, aria et finale pour piano, violon et violoncelle.
Transcription par H. Woollet. [Partition.] Paris. Ha-
melle. [189-?] No. 3 in M.410.27
This is the same as the Trio [No. i in m.4io.29].
Psaume CL. „Halleluiah. Louez le Dieu cache dans ses
saints tabernacles", pour choeur, orchestre et orgue.
CEuvre posthume (1888). Texte fran^ais et allemand.
Partition. Leipzig. Breitkopf & Hartel. 1896.
No. 2 in M.401.15
Psyche. Poeme symphonique pour orchestre et chceurs.
Partition d'orchestre [sans choeui-s]. Paris. Bornemann.
1900. 4 parts in i v. No. i in M.404.80
Same. Reduction pour piano a 4 mains et choeur, par I'au-
teur. Bruneau & cie. [i88-?l No. i in M.256.14
Quatuor (en re majeur) pour 2 violons, alto et violoncelle.
Partition. Paris. Hamelle. [1890.] No. 3 in M.358.14
Quintette en fa mineur pour piano, 2 violons, alto et violon-
celle. Partition [et parties separees]. Paris. Maho.
[188-?] 5 parts in i v. M.410.28
Redemption. Poeme-symphonie de fidouard Blau. Musique
de C. Franck. Partition piano et chant. Paris. Hart-
mann. [1873?] No. 2 in M.256.14
Ruth, eglogue biblique. [Accomp. de piano. Paris. Hart-
mann. 187-?] M.1S5.4
Die Seligkeiten. See his Les Beatitudes.
Sonate pour piano et violon. [Partition et partie de violon.]
Paris. Hamelle. [1886.] 2 parts in i v. No. 2 in M.410.27
Symphonic (en re mineur), pour orchestre. Partition d'or-
chestre. Paris. Hamelle. [1889.] M.403.38
3 trios concertans pour piano, violon et violoncelle. Op. i.
[Partition.]
Namely: — 'No. i, Fis [moll]. Leipzig. Schuberth & Co.
[1846.] No. 3 in M.410.29
No. 2, B. Leipzig. Schuberth & Co. [1846.]
No. 2 in M.4io.2g
No. 3. Paris. Schlesinger. [184-?] No. 3 in M.211.3.2
Same. [Parties, violon et violoncelle.] 2 v.
No. 14 in M.211.4.1, 2
Trio, concertant, Quatrieme, pour piano, violon et violon-
celle. Op. 2. [Partition.] Hambourg. Schuberth &
Comp. 1846. No. 4 in M.410.29
Trio pour piano, violon et violoncelle. [Partition.] Paris.
Hamelle. [189-?] No. i in M.410.29
This is the same as the transcription of the Prelude, aria and finale
[No. 3 in M.410.27].
Variations symphoniques. Pour piano et orchestre. [Par-
tition.] Paris. Enoch & Costallat. [189-?]
No. 3 in M.338.18
Franck, Cesar Auguste, editor.
D.\Nic.\N. Ernelinde, princesse de Norvege. M.287.16
Suite fiir Orchester.
4. Finale. Op. 30.
Franck, Cesar Auguste. Works about.
Baldensperger, F. Cesar Franck. L'artiste et son oeuvre.
Paris. [1901.] Portrait. No. 2 in M.102.38
Catalogue complet de ses ceuvres publiees, pp. 20-24.
Derepas, G. Cesar Franck. fitude sur sa vie, son enseigne-
ment, son oeuvre. Paris. 1897. No. i in M.370.65
Indy, p. M. V. d'. Cesar Franck. 2e edition. Paris. 1907.
Catalogrues des ceuvres etc., pp. 239-235. M. 375.20
Kretzschmar, a. F. H. Cesar Franck, The Beatitudes (Les
Beatitudes) . . . English translation by Francis Weber.
Leipzig. [1900?] No. i in M.102.38
ScHOLZ, B. E. Caesar Franck, Die Seligkeiten (Les Beati-
tudes). Erlautert. Frankfurt a. M. [1894.I
No. II, 12 in M.217.12.1
Franck, Eduard.
Fantasie fiir Orchester. Op. 16. Partitur. Berlin. Schle-
singer. [186-?] No. 3 in M.332.17
Quintett fiir 2 Violinen, 2 Bratschen und Violoncello. Op.
51. Partitur. Berlin. Schlesinger. [187-?]
No. I in M.410.107
Der romische Carneval. Ouverture fiir grosses Orchester.
Op. 21. Partitur. Coin. Schloss. [186-?]
No. 4 in M.332.17
Sextett fiir 2 Violinen, 2 Bratschen und 2 Violoncelle. Op.
41. Partitur. Berlin. Trautwein. [187-] No. 2 in M.331.5
Sinfonie, A dur, fiir grosses Orchester. Op. 47. Partitur.
Berlin. Trautwein. [187-?] No. 2 in M.336.10
Streichquartett fiir 2 Violinen, Viola und Violoncello. Op.
40. Partitur. Berlin. Schlesinger. [188-?] No. 2 in M.335.6
Franck, Richard.
I. Praeludium. 2. Marsch. 3. Reigen.
Partitur. Berlin. Schlesinger. [180-?]
No. I in M.406.11
Francke, Herrmann.
Rubezahl, a cantata. Music by Franz Abt. No. 2 in M.154.12
Franckenstein, Clemens.
Fortunatus. Oper in drei Aufziigen. Dichtung von Jakob
Wassermann. Musik von Clemens Franckenstein. [Kla-
vierauszug.] Berlin. Deneke. [190-?] M.382.23
Franc-Nohain, l^setid. See Le Grand, Maurice.
Franco arciero, II. O/^cra. For the Music see Weber, C. M.
F. E. von. For the Libretto see Kind.
Francceur, Francois.
Ismene. Pastorale heroique . . . Mis en musique par M's
Rebel et Francceur. Les paroles sont de Mr de Moncrif.
No. 4 in M.340.3
Le trophee. Divertissement a I'occasion de la victoire de
Fontenoi. Mis en musique par M>"s Rebel et Francceur
. . . Les paroles sont de Mr de Moncrif. No. i in M.340.3
Zelindor roi des sylphes. Divertissement . . . Mis en mu-
sique par Mi-s Rebel et Francceur. Les paroles sont de
IMr de Moncrif. No. 2 in M.340.3
Francceur, Louis Joseph, editor.
Rameau. Castor et Pollux. Trio et choeur (acte 3).
M.403.106
Frangois, F.
Le bel Adonis. Operette. Paroles de F. Francois et I,eon
Quentin. Musique de Frederic Wachs. No. 2 in M.326.11
Francois les Bas Bleus. Ofcra. For the Music see Bernicat.
For the Libretto see Dubreuil. E.
Frangois the Radical. Opera. For the Music see Bernicat.
Frangois Villon. Opera. For the Music see Membree. For
the Libretto see Got.
Frangoise de Foix. Opera. For the Music see Berton, H. M.
For the Libretto see Bouilly.
Frangoise de Rimini. Ballet. Thomas, C. L. A. M.404.28
Frangoise de Rimini. Opera. For the Music see Thomas, C.
L. A. For the Libretto see Barbier, P. J.
Frangonnette. Opera. For the Music see Lavello. For the
Libretto see Goninp.
Francs juges, Les. Overture. Berlioz, L. H. No. 3 in M.341.21
Frank, Ernst.
Come forth, O youth [t. t. b. b.]. Boston. Priifer. [1883.]
No. 4 in M.392.9
440
Frank
THE ALLEN A. BROWN COLLECTION OF MUSIC
Franz
Frank, Ernst. (Continued.)
Hero. Oper in 3 Acten und einem Zwischenspiel nach Grill-
parzer's „Des Meeres und der Liebe Wellen" bearbeitet
von Ferdinand Vetter. Musik von Ernst Frank. Voll-
standiger [Klavier-] Auszug vom Componisten. Hanno-
ver. Nagel. [1884.] M.2s6.i6
Frank, Ernst, translator.
Stanford. Der verschleierte Prophet. M.323.S
Frank, L.
Fest-Ouverture, componirt zur Doppel-Feier der grossher-
zoglich badischen Familie II. KK. HH. dem Grossherzog
und Grossherzogin Friedrich und Luise . . . Partitur.
Dresden. Seeling. [1881.! No. 3 in M.403.34
Frank, Paul.
Geschichte der Tonkunst. Ein Handbiiclilein fur Musiker
und Musikfreunde. 2. vermehrte Auflage. Leipzig. ]Merse-
burger. 1870. M.370.72
Kleines Tonkiinstlerlexikon. Enthaltend kurze Biographieen
der Tonkiinstler friiherer und neuerer Zeit. 8. Auflage.
Leipzig. Merseburger. 1886. M.377.3
Frank, Valentin, editor.
MoszKowsKi. Spanische Tanze. No. 4 in M.342.ig
Frank, what shall we do? Catch. Willis, .
No. 124 in M.110J.2; etc.
Franke, Hermann.
Handbuch der Musik. Glogau. Flemming. 1867. M.208.8
Hymne an den Gesang. Dichtung von Fr. Bopp, fiir Man-
nerchor. Solo & Orchester componirt von Hermann
Franke. Klavierauszug. Schleusingen. Glaser. [1869?!
No. 4 in M.212.S
Maien-Botschaft. Konzertstiick fur Miinnerchor. mit Be-
gleitung von I Flote, 2 Klarienetten, 2 Hornern und
Pianoforte, oder Pianoforte allein. Op. 78. Partitur mit
unterlegtem Klavierauszu.g. Leipzig. Sie.gel. [l88-?l
No. 5 in M. 212.5
Franke, Julius, translator.
Ad.am, Adolphe C. Der Konig von Yvetot. M.223.21
Frankenberger, Heinrich.
Anleitung zur Instrumentirung. Langensalza. Thtiringer
Lehrer-Verein. 1854. Folded sheets. No. 2 in M.373.27
Frankenstein. Ofcra. For the Music see Lutz. For the Li-
bretto see Henry, R.
Franklin, Andrew.
The Egyptian festival, a favorite opera. Composed by C. H.
Florio. No. 3 in M-sgi-So
Franklyn's dogge, A, leped over a style. Part-song. M.'vcken-
ziE. ' No. 35 in M.392.I6; etc.
Franz, G.
Der Abt von St. Gallen. Oper. [In Musik gesetztl von F.
Herther [Pseud.l. M.292.30
Franz, Johann Heinrich, fscud. See Hochberg, Johann Hein-
rich XIV. Boiko, Graf von.
Franz, Robert.
Already snow has fallen. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 12, pp. 1-3.)
No. I in M. 195. 1. 12
At parting. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 12, pp. 4-7) No. 2 in M.195.1.12
Aus Osten. Sechs Gesange. Op. 42. Leipzig. Siegel.
fi87-?l M.244.5-3
Contents. — Wozu mir sein sollte das Aug', Volkslied. — Die helle
Sonne leuchtet. — Selige Nacht. — Weisst du noch? — Es hat die
Rose sich beklagt. — Wenn der FriihKhg auf die Berge steigt.
Dichtungen von Max Waldau. Op. 13. Leipzig. Whist-
ling. 'fT8.=-?l M.244-S.2
Contents. — Zwei welke Rosen. — Es klingt in der Luft. — Em Fried-
jjof Rosmarin. — Wenn driiben die Glocken klingen. — Da sind
die bleichen Geister wieder.
Er ist gekommen. fLied, s. oder t. Mit Begleitung des
Pianoforte.! Leipzig. Kistner. [185-?!
No. S in M.236.6; No. 4 in M.244.S.1
The fairest time. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 8-11.) No. 3 in M.195.1.12
Fiir Musik. fMannerchor.l (In Steinhausen. Conferenz-
Gesiinge. Band 2, Heft i, p. 16.) No. 10 in M.392.38
Franz, Robert. (Continued.)
Kyrie a capella fiir 4 Chor- und Solostimmen. Clavieraus-
zug. Leipzig. Whistling. 1858. No. s in M.221.16
Liturgie zura Gebrauch beim evangelischen Gottesdienste.
Op. 29. FMit Begleitung des Pianoforte.! Leipzig. Leuc-
kart. [187-?! No. II inM.204.7
May song fs. a. t. b.!. (In Novello's Part-song book. 2d
series. Vol. 12, pp. 16-19.) No. S in M.195.1.12
A morning walk. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 20-26.)
No. 6 in M.19S.I.I2
Night song [t. t. b. b. Boston!. Russell & Co. 1874.
No. 15 in M.384.12
Rhine wine song [t. t. b. b. Boston!. Russell & Co. 1872.
No. 4 in M.384.12
Sechs Chorale fiir gemischten Chor. [Mit Begleitung des
Pianoforte.! Partitur. Leipzig. Leuckart. [187-?!
No. 10 in M.204.7
Contents. — Joseph, lieber Joseph mein. — Puer natus in Bethlehem. —
Lasset uns den Herren preisen. — Nun ruht doch alle Welt._ — Das ist
ein theures Wort. — Reiselied.
Schilflieder von Nic. Lenau. No. 1-5. Op. 2. Leipzig.
Whistling. [183-?! M.244.S-I
Sechs Gesange. Op. 3. Leipzig. Breitkopf & Hartel. [183-?!
M.244.S.1
Contents. — Der Schalk. — Die Farben Helgolands. — Fruhling und
Liebe. — Fruhlingsliebe. — Der Sommer ist so schon. — Ach, wenn
ich doch ein Immchen war.
Sechs Gesange. Op. 6. Leipzig. Whistling. [185-!
M.244.5.1
Contents. — Wasserfahrt. — Wie des Mondes Abbild. — Auf dem
Meere. — Die Liebe hat gelogen. — Der Schnee ist zergangen. —
Thranen.
Sechs Gesange. Op. 7. Leipzig. Whistling. 1857. M.244.S.1
Contents. — Der junge Tag erwacht. — Huttelein. — Da die Stunde
kam. — In meinen Armen wieg' ich dich. — Fruhlingsgedrange. — Ja,
du bist elend.
Sechs Gesange. Op. 8. Leipzig. Breitkopf & Hartel. [185-?]
M.244.5.1
Contents. — Der Bote. — Meeresstille. — Durch den Wald im Monden-
scheine. — Das ist ein Brausen und Heulen. — Treibt der Sommer
seinen Rosen. — Gewitternacht.
Sechs Gesange. Op. 9- Wien. Haslinger. [185-?! M.244.5.1
Contents. — Was pocht mein Herz so sehr ? — Wassehfahrt. — Bitte.
— Allnachtlich im Traume. — Vom Berge. — Auf dem Meere.
Sechs Gesange. Op. 10. Leipzig. Whistling. 1857. M.244.5.1
Contents. — Fur Musik. — Stille Sicherheit. — Mutter, O sing' mich
zur Ruh'. — Der vielschonen Fraue. — Und die Rosen, die prangen.
— L^msonst.
Sechs Gesange. Op. 11. Berlin. Friedlaender. [185-?!
M.244.5.1
Contents. — Abschied. — Am leuchtenden Sommermorgen. — Im Mai.
— Im Sommer. — Auf dem Meere. — Abends.
Sechs Gesange. Op. 12. Offenbach a. M. Andre. [iSs-?!
M.244.S.2
Contents. — Und welche Rose Bliithen treibt. — Zu Strassburg auf der
Schanz. — Im Walde. — Aus meiner Erinnerung. — Gute Nacht, mein
Herz. — Und wiissten's die Blume.
Sechs Gesange. Op. 14. Leipzig. Kistner. 1792. M.244.S.2
Contents. — Widmung. — Lenz. — Waldfahrt. — Hatte Liebchen zwei
dort im Dorf der Haide. — Liebesfriihling. — Frage nicht.
Sechs Gesange. Op. 16. Leipzig. Whistling. 1858. M.244.S.2
Contents. — Du liebes Auge. — Im Sommer. — Der Fichtenbaum. —
Abends. — Weisst du noch. — Um Mitternacht.
Sechs Gesange. Op. 17. Leipzig. Whistling. 1856. M.244.5.2
Contents. — Ave Maria. — Der Mond ist schlafen gangen. — Lieb'
Liebchen. — Die Trauernde. — Im Fruhling. — Im Herbst.
Sechs Gesange. Op. 18. Leipzig. Whistling. [1S5-?! M.244.5.2
Contents. — Marie am Fenster. — Im Rhein, im heiligen Strome. —
Nun hat das Lied ein Ende. — Meerfahrt. — Mocht' wissen was sie
schlagen. — Mit schwarzen Segeln.
Sechs Gesange. Op. 20. Leipzig. Vv'histling. 1856. M.244.5.2
Contents. — Die blauen Friihlingsaugen. — Die letzte Rose. — Verfehlte
Liebe, verfehltes Leben. — Abends. — Das macht das dunkelgrune
Laub. — Im Herbst.
Sechs Gesange. Op. 2I. Leipzig. Whistling. 1856. M.244.5.2
Contents. — Willkommen mein Wald. — Denk* ich Dein. — O ]\Iond,
O losch' dein goldnes Licht. — Liebesfeier. — Winternacht. — Verlass
mich nicht.
Sechs Gesange. Op. 22. Leipzig. Senff. [185;-?! M.244.S.2
Contents, — Gleich und gleich. — Voruber der Mai. — Im Fruhling. —
Friihe Klage. — Im Mai. — So weit von hier.
I 56
441
Franz
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fratelli
Franz, Robert. (Continued)
Sechs Gesan^e. Op. 23. Leipzig. Whistling. 1858. M.244.5.2
Coiileiifs. — Wird er wohl noch Meiner gedenken. — Fruhlingswonne.
— Ach, war' es geschehen. — Das traurige Madchen. — Friihlings An-
kunft. — Rote Aeugelein.
Sachs Gesange. Op. 25. Leipzig. Whistling. ri8s-l M.244.S.2
Contents. — Die Lotosblume angstigt sich. — O luge nicht. — Ein
schoner Stern. — Ich hab' in Traume gevveinet. — Kommt feins Lieb-
chen heut'. — Im wunderschonen Monat Mai. — Auf dem Meere.
Sechs Gesange. Op. 26. Leipzig. Whistling. 1857. M.244.S.2
Contents. — Wenn ich's nur wijsste. — Lieber Schatz, sei wiedcr gut
mir. — Vergiss Mein nicht. — Des Muden Abendlied. — Vom Auge
zum Herzen. — An den Wind.
Sechs Gesange. Op. 28. Leipzig. Whistling. 1858. M.244.5.2
Contents. — Ich lieV eine Blume. — Ein Stiindlein wohl vor Tag. — ■
Nachtlied. — Nebel. — Verborgenheit. — Um Mitternacht.
Sechs Gesange. Op. .30. Leipzig. Kistner. [185-.! M.244.S.2
Contents. — Sterne mit den goldnen Fusschen. — Blatter lasst die
Blume fallen. — Am Strom. — Schoner Mai, bist uber Nacht. — Dies
und das. — An die Wolke.
Sechs Gesange. Op. 31. Leipzig. Senff. flSs-?! M.244.5.3
Contents. — Dort unter'm Lindenbaume. — Ade denn, du stolze. —
Mein Lieb ist eine rothe Ros'. — Sie liebten sich beide. — Abschied. —
Mein Herz 1st im Hochland.
[Sechs Gesange."! Op. 34. Breslau. Leuckart. [186-?]
M.244..';.3
Contents. — Was will die einsame Thrane! — Deine weissen Lilienfin-
ger. — Traumbild. — Es treibt mich hin. — Die Rose, die Lilie. —
Gekommen ist der Male.
Sechs Gesange. Op. 35. Breslau. Leuckart. [186-?]
M.2d4..S.3
Contents. — Die Harrende. — Ich wandre durch die stille Nacht. — Die
Sonn' ist hin. — Und wo noch kein Wandrer 'gangen. — Wenn sich
zwei Herzen scheiden. — Aufbnich.
Sechs Gesange. Op. 36. Breslau. Leuckart. [i86-?l
Contents. — Auf dem Meere. — Erster VerUist. — Habt ihr schon ' g'e-
seh'n? — Bei der Linde. — Gute Nacht. — Nun hat m^m ';t»/-i.-on m,f.
Rast.
• Bei der Linde. — Gute Nacht. — Nun hat mein Stecken gute
Sechs Gesange. Op. 37- Leipzig. Kistner. [186-?] M.244.5.3
Contents. — Du bist so schon und rein. — Zu spat. — Am fejnen ITori-
zonte. — Der schwere Abend. — Sonnenwende. — Wenn ich auf dem
Lager liege.
Sechs Gesange. Op. 40. Leipzig. Kistner. [187-?! M.244.5.3
Contents. — Mein Schatz ist auf der Wanderschaft. — Es ziehn die
brausenden Wellen. — Unter'm weissen Baume sitzend. — Als triig'
man die Liebe zu Grab'. — Die Verlassene. — Sie floh vor mir.
Sechs Gesange. Op. 41. Leipzig. Breitkopf & Hartel.
[187-?! M.244.S.3
Contents. — Leise zieht durch mein Gemuth. — Ach, wie komm ich da
hiniiber. — Wohl waren es Tage der Sonne. — Stille Liebe. — Lehre.
— Du griine Rast im Ilaine.
Sechs Gesan.ge. Op. 43. Leipzig. Kistner. [187-?! M.244.5.3
Con^cii^j. — Traume. — Gleich wie der Mend so keusch und rein. —
Entschluss. — Ich will meine Seele tauchen. — Es ragt der alte Elbo-
rus. — In Bliithen.
Sechs Gesange. Op. 44. Leipzig. Kistner. [187-?! M.244.5.3
Contents. — O nimm dich in Acht. — Aprillaunen. — Doppelwandlung.
— Es fiillt ein Stern herunter. — Wenn ich in deine Augen seh' Am
Rheinfall.
Sechs Lieder. Op. 27. Leipzig. Senff. [185-?] M.244.5.2
Contents. — Volker spielt auf. — Er isfsl — Herz, ich habe schwer
an dir zu tragen. — In Leid versunken. — Rosenzeit. — Ein Tann-
lein griinet wo.
Sechs Lieder. Op. 33. Leipzig. Whistling. i8=;9. M.244.S.3
Contents.— Wonne der Wehmuth. — Gegenwart. — Mailied. — Cupido
loser, eigensinniger Knabe. — Schweizerlied. — Rastlose Liebe.
Sechs Lieder fiir gemischten Chor. Op. 24. Leipzig
Whistlin.g 1856. No. 18 in M.IS8.22
Contents. — Es 1st em Schnee gefallen. — Beim Scheiden. — Die"beste
Zeit. — Fruhlingsglaube. — Mailied. — Morgenwanderung.
Same. Si.x songs for mixed voices. Boston. Ditson & Co.
[1857.1 6 parts in i v. No. 8-13 in M.270.4
Contents. — i. May song. 2. The snow has fallen around me 3 At
parting. 4. Spring faith. 5. The best time in the year. 6. Morning walk.
Sechs Lieder fiir gemischten Chor. Op. 49. Leipzig. Leuc-
kart. [187- ?1 No. 19 in M.158.22
Contents. — Norwegische Friihlingsnacht. — Es taget vor dem Walde
~7?r'-?"^^- ~ Herzliebstes Elselein. — Gute Nacht. — Scheiden
und Meiden.
Sechs Lieder fur vierstimmigen Mannerchor. Op. 32. Leip-
zig, nniistling. 18.SO. No. 16inM.203.11
Contents. — Rhemweinlied. — In der Feme. — Der weisse Hirsch —
Nachtlied. — Das Lieben bringt gross Freud.' — Ueberall bin icli zu
Hause.
Franz, Robert. (Continued)
Sechs Lieder von H. Heine. Op. 38. Leipzig. Breitkopf
& Hartel. [i86-?l M.244.5.3
Contents. • — FrGhling. . — Der Schmetterling ist in die Rose verliebt. —
Childe Harold. — Sag' mir! — Giildne Sternlein schauen nieder. —
In der Fremde.
Sechs Lieder von H. Heine. Op. 39. Leipzig. Breitkopf &
Hartel. [186-?] M.244.S.3
Contents. — Fruhlingsfeier. — - Es ragt in's Meer der Runenstein. —
Das Meer erstrahit im Sonnenschein. — Wandl' ich in dem Wald des
Abends. — Mir fehlt das Beste. — Altes Lied.
Spring's faith. A four-part song. {In Novello's Part-song
book. 2d series. Vol. 12, pp. 12-15.) No. 4 in M.195.1.12
Ueberall bin ich zu Hause [x. t. b. b. Leipzi.g. Whistling.
185-?]. No. 5 in M.392.g
Zwolf Gesange. Op. i. Leipzig. Whistling. 1861. M.244.S.1
Contents. — Ihr Auge. — Nachtlied. — Die Lotosblume. — Nun holt
mir. — O sah' ich auf der Haide dort. — Tanzlied im Mai. — Sonn-
tag. — Fiir Einen. — Jagdlied. — Schlummerlied. — Voglein, wohin
so schnell. — In meinen Garten.
Zwolf Gesange. Op. 4. Leipzig. Kistner. [183-?] M.244.S.1
Contents. — Mein Hochland-Kind. — Die siisse Dirn* von Iverness. —
Liebliche Maid. — Ihr Hiigel dort am schonen Doon. — Montgomery-
Gretchen. — Du hast mich verlassen, Jamie. — Er ist gekommen. —
Kurzes Wiedersehen. — Durch sauselnde Baume. — Herbstsorge. —
Wanderlied. — Ach dass du kamst.
12 Gesan.ge. Op. 5. Leipzig. Whistling [etc.l. i8.=;8.
M.244.5.1
Contents. — Aus meinen grossen Schmerzen. — Liebchen ist da! — Auf
dem Meere. — Will uber Nacht wohl durch das Thai. — Madchen mit
dem rolhen Mundchen. — Ich hab' in deinera Auge. — Gute Nacht. ■ — •
Ich lobe mir die Vogelein. — Stiller Abend. — Erinnerung. — Hor*
ich das Liedchen klingen. — Genesung.
Franz, Robert, editor.
AsTORG-^. Stabat Mater. No. i in M.352.20
Bach, J. S. Festo ascensionis Christi. No. 2 in M.384.11
Hirtenmusik aus dem „Weihnachts-Oratorium" . . .
No. 3 in M.410.8
8 airs for an alto voice. From various cantatas and
masses. M.244.16
Suite in H moll. No. 5 in M.332.3
Durante, F. Magnificat fiir 4 Singstimmen . . .
No. 2 in M.352.20
Handel. L'allegro, II pensieroso ed II moderate. M.401.20
Jubilate [Utrecht] . . . No. 3 in M.352.20
12 Alt-Arien, aus verschiedenen Opern.
No. 2 in M.270.48
• 12 Sopran-Arien, aus verschiedenen Opern.
No. I in M.270.48
Franz, Robert. Works about.
Kelterborn, L. Robert Franz, ein Meister der deutschen
Musikwelt. [Leipzig. 1S90.I No. 6 in M.215.4
Liszt, F. Robert Franz. Leipzig. 1872. No. 2 in M.208.16
ScHAEFFER, J. Zwci Beurtheiler Robert Franz's. Ein Bei-
trag zur Beleuchtung des Unwesens musikalischer Kritik
in Zeitungen und Broschiiren. Breslau. 1863.
No. 5 in M.207.3
Franz, Robert, pscitd. See Janina, Ol.ga de. Countess.
Franz Schubert. Overture. Suppe. No. 3 in M.345.19
Franzisca von Foix. Opera. For the Music see Weigl. For
the Libretto see Castelli.
Franziskus. Oratorio. For the Music see Tinel. For the Li-
bretto see Koninck.
Franzoesisch-deutsches Tanzlied. Part-song. Steidel. Drei
deutsche Lieder. No. 39 in M.392.2S
Frascattana, La. Opera. For the Music see Paisiello. For
the Libretto see Livigni.
Fraser, Captain Simon, editor.
The airs and melodies peculiar to the Highlands of Scot-
land and the Isles. . . . Having the lively airs introduced
as medleys, to form a sequence to each slower movement.
With an admired plain harmony for the pianoforte, harp,
organ or violincello. Acquired during . . . 1715 to 1745.
Edinburgh. Gow. [1816.] M. 192. 15
Frasquita. Opera. For the Music see Laurent de Rille. For
the Libretto see Solvay.
Fratelli, pregate. Chorus. Gordigiani. Melodies sacrees.
No. I in M.270.42
442
Fratelli
THE ALLEN A. BROWN COLLECTION OF MUSIC
Freemen
Fratelli rivali, I. Ofera. For the Music see Winter, P. von.
Die Briider als Nebenbuhler.
Frater Kellermeister, Der. Part-song. Isenmann. Zwei hu-
moristische Mannerchore. No. 19 in M.392.12
Fratres ego enim accepi. Mass. Palestrina. Werke. Band 22.
M.8o4oa.66.22
Fratres ego enim accepi. Motet. Palestrina. Werke. Band 6.
M.8o4oa.66.6; etc.
Fratres gaudete in Domino. Motet. Lassus. Sammtliche
Werke. Band 15. M.8o4oa.67.i5
Fratres nescitis. Motet. Lassus. Sammtliche Werke. Band 15.
M.8o4oa.67.is
Fratres, qui gloriatur. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Fratres sobrii. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Frau Aventiure. Overture. Holstein. No. 4 in M.342.S
Frau Elster. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 5. No. 17 in M.192.6
Frau Gans. Song. Taubert, C. G. W. Klange aus der Kinder-
welt. Heft 6. No. 7in M.192.7
Frau Holde. Cantata. For the Music see Thierfelder.
Frau Holde. Part-song. Hirsch, C. Vier Lieder.
No. 8 in M.392.12
Frau Kratzefuss. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. [Heft Q.l No. 5 in M.192.8
Frau Musika. Cantata. For the Music see Weinwurm. For
the Libretto see Oser.
Frau Musika. Part-song. Rochlitz. No. 52 in M.213.9
Frau Meisterin, Die. Overture. Suppi. No. 2 in M.345.19
Frau Minne. Part-song. Pache. Drei Lieder. No. 9 in M.392.21
Frau Nachtigall! Song. Taubert, C. G. W. Sechs Lieder.
No. II in M. 192.6
Frau Nachtigall mit siissem Schall. Part-song. Schein.
Werke. Band 2. M.414.1.2
Frau, O meines Lebens Fraue. Part-song. H.«.an. Aus dem
Mittelalter. No. 53 in M.392.10
Frau Schwalbe. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 7. No. 11 in M.ig2.7
Frau Sonne. Part-song. Zenger. Stieleriana. No. 67 in M.392.24
Frau Venus in ihr Gartelein. Part-song. Schein. Werke.
Band 2. M.414.1.2
Frau Venus und ihr blinder Sohn. Part-song. Schein. Werke.
Band 3. M.414.1.2
Frauen, Die, sind oft fromm und still. Song. Strauss, R.
Schlichte Weisen. No. 21 in M.380.24.1
Frauengebet. Song. Rubinstein. Zehn Lieder.
No. 19 in M.192.5
Frauenliebe und Leben. Songs. Schumann, R. A.
No. 2 in M.244.1S.2; etc.
Frauen-Lob. fMannerchor.l {In Das Riitli. Pp. 522, 523.)
No. 220 in M.147.4
Frauenlob. Ofera. For the Music see Becker; also Schwalm.
For the Libretto see Koppel-EUfeld; also Jacoby.
Frauenlob. Part-song. Fink. No. 7 in M.213.9
HiLLER F. Zehn Lieder aus Waldraeisters Brautfahrt.
No. S in M.392.11
Lindpaintner. No. 100 in M.213.9
Freake, Mrs.
A pastoral, cantata, the music by Seymour J. G. Egerton.
M.270.27
Frebault, filie.
Apothicaire et perruquier. Opera bouffe. Musique de J.
Offenbach. No. 3 in M.368.26; etc.
La mariee en ballon. Saynette. JNIusique de L. de Wentzel.
No. 2 in M.326.2S
Le quai malaquais. Operette. Paroles de William Busnach
et filie Frebault. Musique de Amedee de Roubin.
No. 2 in M.307.40
Fredegonde. Opera. For the Music see Guiraud; also Ollone.
For the Libretto see Gallet; also Morel, C.
Frederic, Louis, pseud. See Davenport, Ambrose.
Frederick, the Great, of Prussia.
Friedrichs des Grossen Musikalische Werke. Erste kritisch
Frederick, the Great, of Prussia. (Continued.)
durchgesehene Ausgabe [von Philipp Spitta]. Band i, 2;
3, Abtheilung i. Leipzig. Breitkopf & Hartel. [1889.]
3 V. in 2. M.317.2
The first two volumes have the separate parts for flute.
Contents. — i, 2. Sonaten fur Flote und Clavier. No. 1-25. 3. Concerte
fiir Flote, Streichorchester und Generalbass.
Frederick, the Great, of Prussia. Works about.
Kothe, W. Friedrich der Grosse als Musiker, sowie als
Freund und Forderer der musikalischen Kunst. Brauns-
berg. 1869. No. 6 in M.207.3
Frederick the Great, or the heart of a soldier. Opera. For
the Music see Cooke, T. S. For the Libretto see Arnold,
S.J.
Frederick William II., of Prussia.
HiMMEL, F. H. Trauer-Cantate zur Gebrrebnissfeyer Seiner
Koeniglichen Majestat von Preussen Friedrich Wilhelm
n. von Herklots. [Hamburg. 1798.I M.14.2
Fredricx, Constant.
Godefroid de Bouillon. Grand opera. Musique de Paul
d'Acosta. M.402.1
Fredro, Aleksandr, Hrabia.
Rymond. Oper. Musik von Raoul Koczalski.
No. 2 in M.399.30
Fredro, Jan Aleksandr, Hrabia.
Nocle.g w Apeninach. Una notte negli Apennini. Opera
buffa. Muszyka F. Mireckiego. M.310.38
Free knights, The, or the edict of Charlemagne. Opera. For
the Music see Mazzinghi. For the Libretto see Rey-
nolds, F.
Free lance. The. Opera. For the Music see Sousa. For the
Libretto see Smith, H. B.
Free mason's glee. The. Part-song. Dibdin, C.
No. 216 in M.21S.21
Freebooters, The. Opera. For the Music see Paer. For the
Libretto see Napier.
Freedom. Part-song. Attenhofer. Volkerfreiheit.
No. 2 in M.203.10
Freedom. Volkslied [s. s. a. Accomp. for pianoforte!. (In
Hills. Vocal trios. Vol. 2, pp. 1-8.) No. i in M.157.17.2
Freedom of song. Part-song. Marschner, H. A.
No. 14 in M.3g2.48.2; etc.
Freeman, Edward Augustus.
Delphi. A legend of Hellas. Ballad. The music by John
H. Mee. No. i in M.203.19
Freeman, G. S., translator.
Williams, C. F. A. A short account of the music of the
Greek drama, together with the choruses of Sophocles'
"Antigone". No. 3 in M.380.11
Freeman, H. C.
The Sunday scholars' service of sacred song (Book "AA"),
companion to "The pilgrim's progress," illustrative of
Bunyan's Holy war, compiled and arranged with adapted
connective readings. London. Sunday School Union.
[i8--?l No. 2 in M.373.44
The Sunday scholars' service of sacred song (Book "C"),
illustrative of the Prodigal Son, with adapted connective
readings . . . from Holy Writ. London. Sunday .School
Union. [187-?] No. 12 in M.370.31
Freeman, Nicholas.
Of all the brave birds. Glee [t. t. b.1. (In Amusement for
the ladies. Vol. 4, PP. 40, 41.) No. 11 in M. 220.3.4
Also to be found in The Apollo : Eland's The Ladies' collection ;
dementi's Collection of catches; The Harmonist; Social harmony;
Warren's Collection of catches.
Freemantle, William Thomas, editor.
Spohr, L. The 24th Psalm. No. 3 in M.IS5.22; etc.
Freemasonry.
Boeiieim, J. M., editor. Auswahl von Maurer Gesangen, mit
Melodien der vorzuglichsten Componisten. Neue Aus-
gabe. [Mit Pianofortebegleitung.] Berlin. 1S17, 10. 2 v.
M.120.32
Dow, H. M., editor. The Masonic Orpheus. A collection of
songs, hymns, chants . . . Arranged for male voices.
[Accomp. for organ or piano.] Boston. [1870.] M.221.3
Freemen, rejoice! Part-song. Purcell, H. No. 9 in M.IS7.28.1
443
Freer
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Freund
Freer,
Ave Maria. [Trio, s. s. a. Accomp. for pianoforte.l (In
Hills. Vocal trios. Vol. 2, pp. 94-96.) No. 20 in M.1S7.17.2
Frehsee, Martin.
Das siisse Gift. Musikalisches Lustspiel. Musik von Al-
bert Gorter. No. 2 in M.378.48
Frei und deutsch in Wort und Sang. Part-song. Becker, V. E.
No. 25 in M.392.4
Freibeuter. Soitg. Taubert, C. G. W. Sechs deutsche Lieder.
No. 2 in M.221.26
Freie Kunst. Part-song- Veit. No. i in M.392.42.1
Freie Mann, Der. Song. Beethoven. Werke. Serie 2.^.
M.413.1.23
Freien Sanger, Die. Song. Weber, C. M. F. E. von. Siimmt-
liche Lieder. Band 2. No. Si in M.244.7
Freiheit. Part-song. Weber, C. M. F. E. von.
No. 17s in M.i29a.43.s; etc.
Freiheitslied. Part-song. Schumann, R. A. Der Eidgenossen
Nachtwache. No. 2 in M.157.21 ; etc.
Weber, C. M. F. E. von. Sechs Gesiin.tre. No. 4 in M.392.27
Werner, H. No. 146 in 1^.1293.43.4
Freiligrath, Ferdinand.
Der Blumen Rache. [Cantatel componirt von V. E. Ness-
lui-. No. 14 in M.212.11
Freiligrath, Ferdinand, translator.
Barnett, J. F. The ancient mariner. (Der alte Matrose.)
M.227.1
Bruch. Jubilate, amen. No. i in M.220.20
Jensen, A. Donald Caird ist wieder da! No. 3 in M.212.8
Freimaurer-Cantate. Mozart. Werke. Serie 4. M.31S.1.4
Freimuth. Part-song. Hiller, F. Zehn Lieder aus Wald-
meisters Brautfahrt. No. 4 in M.392.11
Freischuetz, Der. Of era. For the Music see Weber, C. M.
F. E. von. For the Libretto see Kind.
Freisinn. Song. Rubinstein. Sechs Lieder. No. 13 in M.192.5
Schumann, R. A. Myrthen. Heft i. No. 2 in M.244.15.1; etc.
Freiwillige her! Part-song. Brahms. Fiinf Lieder.
No. 19 in M. 392.5
Freiwilligen, Die. Cantata. For the Music see Genee.
Freiwilliges Versinken. Song. Schubert, F. P. Werke. Se-
rie 20, Band 6. M.317.1.20.6
Freluchette. Opera. For the Music see Montaubry. For the
Libretto see Mercier, P.
Fremdenlegion, Die. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Fremdling, Der. Opera. For the Music see Vogl, H. For the
Libretto see Dahn.
Fremery, Friedrich, translator.
Matiiieu, £. L. V. L'enfance de Roland. M.393.46
Freyhir. No. 2 in M. 193.9
Richilde. M.2S7.13
Fremmer, John Arthur.
Simon Pure Brass. Comic opera. Music by Frank Sheridan
Farrell, John Arthur Fremmer [and othersl.
No. 2 in M.397.9
Fremuit Spiritu Jesus. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
French, Charles Elwell.
A year of opera at the Castle Square Theatre, May 6, '95-
May 6, '96. Containing portraits and sketches of the prin-
cipal singers and a record of the casts of characters of the
various operas produced, . . . with a short story of each.
[Anon.l Boston. French. 1896. Portraits. M.375.8
French horn. See Horn. Music.
French maid, The. Opera. For the Music see Slaughter. For
the Libretto see Hood, B.
Frere et mari. Opera. For the Music see Clapisson. For the
Libretto see Polak.
Frere et soeur. For violin and piano. Louis, N.
No. 12, 13 in M.390.^
Frere et sceur. Opera. For the Music see Bordese, L. For
the Libretto see Plouvier.
Frere Philippe, Le. Opera. For the Music see Dourlen. For
the Libretto see Duport, A.
Frescobalda, La. For organ. Frescobaldi. No. 9 in M.414.30
Frescobaldi, Girolamo.
Aria detta la Frescobalda pour orgue par G. Frescobaldi.
Paris. Heugel. [188-?! No. 9 in M.414.30
Fuga und Canzona fiir die Orgel. Herausgegeben von S.
de Lange. Leipzig. Rieter-Biedermann. 1872.
No. 10 in M.414.30
Passacaglio. Fiir die Orgel gesetzt, genau bezeichnet und
als Repertoirstiick des Riedel'schen Vereins zu Leipzig
herausgegeben von Joh. Georg Zahn. Leipzig. Kahnt.
[187-?] No. 2 in M.30.23
Fresh as a rose. Ballad. Balfe. No. 8 in M.192.9.1
Fresh song. A, in the forest. Part-song. Aet, F.
No. 2 in M.392.2
Freshman, The. Opera. For the Music see Packard. For the
Libretto see Bryant.
Freson, Jules G.
Essais de philosophie de I'art. L'esthetique de Richard
Wagner. Paris. Fischbacher. 189.^. 2 v. M.118.18
Fretillitte et Tourangeau. Opera. For the Music see Robil-
lard. For the Libretto see Richemont.
Freu' dich des Lebens. Canon. Beethoven. Werke. Serie 25.
M.413.1.25
Freud und Leid. Part-song.
Otto, E. J. Funf Quartetten. No. 59 in M.392.16
RiETZ. No. 148 in M. 147.4
Freude, Die. [Mannerchor.l (In Orpheus. Band 4, pp. 47-40.)
No. 142 in M. 1293.43.4
Freude, Die. Part-song.
DoRN, H. L. E. Fiinf Quartette. No. 4 in M.244.11
Schneider, J. C. F. No. 80 in M.213.9
Freude der Kinderjahre. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317. 1.20.4
Freude, Friede, Hoffnung. Song. Wollank. No. 13 in M.221.33
Freude, holde Freude! Part-song. Becker, V. E.
No. II in M.203.16
Freude in Ehren. Part-song. An.vcker. No. 8s in M.213.9
Freude in Ehren. Song. Taubert, C. G. W. VII Lieder.
No. I in M. 192.6
Freude, Die, reget sich. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 34.
Freudenberg. Otto.
Ariadne. Ooer. !Musik von C. Jos. Brambach. M.275.7
Freudenberg, Wilhelm.
[Die Nebenbiihler.l Ouverture fiir Orchester. Partitur.
Leipzig. Breitkopf & Hartel. [1881.I No. 3 in M.348.35
Die Pfahlbauer. Komische Oper in 3 Aufziigen von Josef
Laufs. Musik von Wilhelm Freudenberg. Vollstandiger
Klavierauszug vom Komponisten. Leipzig. Hug & Co.
1906. M.378.18
Tarentelle fiir Orchester aus „Die Nebenbiihler." Partitur.
Leipzig. Breitkopf & Hartel. [1881.I No. 4 in M.348.3S
Freudenthal, Julius.
Die Barden. Opern-Travestie in 2 Akten. Vollstandiger
Clavierauszug. Coin. Schloss. [i86-?l M.272.13
FreudvoU und leidvoll. Part-song. Erk, editor. Volksklange.
No. I in M.130.8
Freudvoll und leidvoll. Song. Liszt. Gesammelte Lieder.
No. s, 6 in M.244.14
Freue dich, erloste Schaar. Anthem. Bach, J. S. Werke.
Jahrgang S, Theil I. M.8040.21.S.T
Freue dich, mein liebes Herz! Part-song. Billeter. Vier
Lieder im Volkston. No. 16 in M. 392.35
Freuet euch alle. Anthem. Graun. M.2C2.6.3
Freund, John C, editor.
Freund's Dailv. Vol. I. No. 25, 1882-May 17, 1883. M.15.2
Freund, Julius.
Diogenes. Burlesk-Operette. Musik von Bogumil Zepler.
No. 2 in M.397.49
Margitta. Ivomische Oper, von Rudolf Bunge und Julius
Freund. Musik von Erik Meyer-Helmund. M.276.18
444
Freund's
THE ALLEx'^J A. BROWN COLLECTION OF MUSIC
Frischen
Freund's Daily. Vol. i. Nov. 25, 1882-May 17, 1883. [John
C. Freund, editor.! New York. 1882, 8.^. M.15.2
Previous to February 12, 1883, this was entitled Daily Music & Drama ;
from February 12-March 24, 1883, Freund's Daily Music & Drama;
Jfarch 26, 18S3 et seq., Freund's Daily.
No. 98, March 23, 1883, is wanting.
Freund, Der. Song. Taubert, C. G. W. Sechs deutsche
Lieder. No. 5 in M.221.26
Freund Hein. Part-song. Cornelius. Werke. Band 2.
M.414.20.2
Freund, ich bitte. Part-song. H--\ydn, F. J. Gesange. Heft 2.
No. 2 in M.312.35
Freunde, sammelt euch im Kreise. Chorus. Schubert. F. P.
Chor-Gesan.srwerke. Band 2. No. .38 in M.280.48.2
Freunde, stimmt in meine Lieder. Part-song. Eisenhofer.
No. 60 in M.i29a.43.2
Freundig mocht' ich, du mein susses Leben. Song. Wiede-
BEiN. Lieder. No. 10 in M.221.33
Freundlich nimmt des heil'gen Saales Weite. Part-song.
SuTOR. No. 98 in M. 1293.43.3
Freundliche Vision. Song. Strauss, R. 5; Lieder.
No. 6 in M.380.24.4
Freundschaft. Canon. Beethoven. Werke. Serie 25.
M.413.1.2S
Freundschaft. Part-song. Limburger. No. 64 in M.213.9
Schneider, J. C. F. No. 6 in M.213.9
Freundschaft beim Wein. Part-song. Moehring, F.
No. 4.3 in M. 246.22
Freundschaft, Freude, Harmonic. Part-song. Osthoff.
No. 28 in M.i29a.43.i
Freundschaft und Gesan.g. Part-song. Naumann. C. E. Vier
Lieder. No. II in M.392.19
Freundschaft und Liebe. Part-song. Praeger, H. A.
No. 1 1.'; in M. 1293.43.3
Freundschaft und Liebe. Song. Hellwig. No. 13 in M.221.33
Freundschaftstiick, Ein. Song. Grieg. Grieg-Album.
No. 5 in M.155.16
Freut euch ihr Hirten mein. Part-song. Schein. Werke.
Band 2. M.414.1.2
Frewin, Tom Harrison.
Les contrastes, .gavotte. [For orchestra. Score.l London.
Woolhouse. fiSg-?! No. Sin M.336.1
Frey, Jules, editor.
Les chants de guerre de la France en 1870-71. Paris. La-
chaud. 1872. M. 1393.2
Frey, M.
How came love. (Wie kam die Liebe.) [t. t. b. b.1 New-
York. Schirmer. [1884.1 No. 6 in M.392.9
Same. Wie kam die Liebe? Preis-Chor fiir 2 Tenore und
2 Basse. Leipzig. Schuberth & Co. [1868.]
No. 14 in M.392.33
Freya's gift. Cantata. For the Music see Macfarren, G. A.
For the Libretto see Oxenford, J.
Freyhir. Cantata. For the Music and Libretto see Mathieu,
t. L. V.
Freytag, Gustav.
Ingo. Grosse Oper. ]\Iusik von Philipp Riifer. M.393.52
Friar Bacon, or Harlequin Rambler. Opera. For the Music
see Shield. For the Libretto see O'Keeffe.
Friar, The, of orders grey. Glee. Callcott, J. W. It \vas a
frtar. No. 11 in M. 1393.18.6
Fricke. Wilhelm.
Ludwig van Beethoven. Ein Lebensbild. Bielefeld. Thiele
& Co. 1870. Portrait. M.107.14
Frida, Emil Bohus.
Boufe. Der Sturm. Oper. !Musik von Zdenko Fibich.
M.24S.4
Saint Ludmila. An oratorio. The music composed by .A.n-
tonin Dvorak. M.153.17
Fridolin. Cantata. For the Music see Randegger. For the
Libretto see Rudersdorff.
Fridolin. Opera. For the Jilusic see Desl3ndres. For the
Libretto see Mariani.
Fridzeri, A. di. See Frixer, Alessandro Maria Antonio.
Friede den Schlummernden. Part-song. Bruch. Vier Miin-
nerchore. No. 32 in M.392.S
Friede, Der, ist gesichert! Part- jo)!^. Genee. No. 41 in M.392.g
Friede, Kampf und Sieg. Symphonic poem. Ruebner.
No. I in M.331.22
Friede, Der, sei mit dir. Anthem. Bach, J. S. Werke. Jahr-
gang 32. M.8040.21.32
Friede, Der, soil gedeih'n. Part-song. Krebs. No. 4 in M.392.14
Friedemsnn B3ch. Fiction. Brachvogel. M.1393.16
Frieden. Part-song. Kloss, C. J. C. No. 41 in M. 147.4
Sturm, W. Vier Lieder. No. 17 in M.392.26
Friedensbote, Der. Part-song. Billeter. Funf Gesange fiir
Mannerstimmen. No. 39 in M.392.4
Friedensfeier. Overture. Reinecke, C. H. C. No. 4 in M.342.24
Friedensfeier. Part-song. Speidel. Drei deutsche Lieder.
No. 38 in M.392.25
Friedenshymne. Part-song. Kuecken. No. 21 in M.392.33
Friedensmsrsch. For orchestra. Kistler. No. 2 in M.331.18
Friedheim, Arthur.
On the .growing appreciation of Liszt. Illus. Portraits.
Facsimiles. (In The music of the modern world . . .
Vol. I, pp. 12S-132. New York. [iSg.i.l') M.14.1.1
Die Tanzerin. Oper in 3 Aufziigen. Klavierauszug. Leip-
zig. Selbstverlag. [1906.! M.378.19
Friedhof, Der. Part-song. Neefe. No. 35 in M. 147.4
Friedhof, Ein. Song. Franz, R. Dichtungen von Max Wal-
dau. Op. 1,3. No. 9 in M.244.5.2
Friedlaender, Arthur M.
Hear, O God, hear my cry. [Anthem. Accomp. for organ.]
{In Novello's Collection of anthems. Vol. i.i, pp. 112-122.)
No. 13 in M.19S.2.15
Friedlaender, Max.
Opern-Statistik fiir das Jahr 1894. Verzeichnis der vom i.
Januar bis 31. Dezember 1894 in Deutschland und auf den
deutschen Biihnen Oesterreichs, der Schweiz und Russ-
lands aufgefuhrten Opern. Leipzig. Breitkopf & Hiirtel.
1895. No. I in M.102.26
Friedlaender, Max. editor.
Schumann, R. A. Sammtliche Lieder fiir eine Singstimme.
M.8055.22I
Friedrich, M. G.. translator.
EssER. Die zwei Prinzen. M.262.29
Grisar. Sarah. M.292.8
Friedrich, Theodor Heinrich.
Die Schutzengel. [IMusik] von R. Doerstling.
No. I in M.391.38
Friedrich der Heitzbare. Opera. For the Music see Moegele.
Friedrich Rothbart. Cantata. For the Music see Hopffer, L.
B. For the Libretto see Geibel, E.
Friedrich Rothbart. Part-song. Podeertski. No. 12 in M.212.13
Friends, good night. Part-song. Flotow, F. F. A. von.
No. 19 in M.244.10.3
Friendship, love and wine. Trio [s. s. a.1 adapted to 3 waltzes.
(In The Apollo. Vol. .=;, pp. 34,=i-347.) No. 6 in M.1393.18.S
Friendship, thou dearest. Glee. Alcock, J. No. 104 in M.220.9.2
Frimmel, Theodor von.
Beethovenbildnisse. (In Photographische Gesellschaft.
Ludwig van Beethoven. Pp. 64-68. Berlin. 1897.)
No. 7 in M.380.58
Neue Beethoveniana. Neue Ausgabe. Wien. Ceroid. 1890.
Portraits. M.148.21
Frisch auf, du edle Musikkunst. Part-song. Schein. Werke.
Band i. M.4i4.i.i
Frisch auf, mein freies Vaterland. Part-sonq. Fluegel, G.
No. 28 in M.203.7
Frisch gesungen! Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Frisch gesungen. Song. Taubert, C. G. W. 12 Gesange.
No. 7 in M.221.26
Frisch hinaus! Part-song. Haerinc. Sechs Lieder.
No. .=; in M.392.10
Frisch, Krieger, schenk den Becher ein. Part-song. Brambach.
Acht schottische und irische Volksmelodien.
No. 42 in M.3g2.3
Frischen, Tosef.
Ein rheiuisches Scherzo fiir .grosses Orchester. Op. 14.
Partitur. Leipzig. Seemann. [1902?! No. 3 in M.4o5.ii
445
Frischen
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
From the
Frischen, Josef. (Continued.)
Herbstnacht. Ein Stimmungsbild nach Hebbels gleich-
namiger Dichtung. Fiir grosses Orchester. Op. 12. Par-
titur. Leipzig. Seemann. [1902?! No. 2 in M.406.11
Frischen, Josef. Works about.
RiEMENSCHNEiDER, G. Josef Frischen, Zwei Orchester-
stucke: i. Herbstnacht. Op. 12; 2. Ein rheinisches
Scherzo. Op. 14. Erlautert. Leipzig, \1g03.]
No. 16 in M.217.12.11
Frisches Leben. Part-song. Schneider, J. C. F.
No. 4 in M.i29a.43.9
Frisches Lied, Ein, im Walde. Part-song. Abt, F. Vier vier-
stimmige Mannergesange. No. i in M.392.2
Frisette et Polydore. Opera. For the Music see Crose. For
the Libretto see Blanc, A.
Friske Sang, Den. Song. Kjerulf. Sanger och Visor. Band i.
M.158.47
Frith, Walter.
The verger New and original vaudeville, composed by
King Hall. „ No. 2 in M.399-75
Frithiof. Opera. For the Music see Hopffer, L. B. For the
Libretto see Hopffer, C. E. _
Frithiof. Overture. Dubois, F. C. T. No. 2 in M.406.10
Frithiof. Symphony. Hofmann, H. C. J. No. i in M.342.6
Frithjof. Cantata. For the Music see Bruch; also Mangold.
For the Libretto see Tegner. t- 1.
Frithjof auf seines Vaters Grabhuegel. Cantata.^ For the
Music see Bruch. For the Libretto see Tegner.
Fritze, Wilhelm. •, ,• . r-u
MusiOL, R. P. J. Wilhelm Fntze. Em musikalisches Cha-
racter'bild. Demmin. i88.-?. Portrait.
No. 3inM.377-iS;etc.
Fritzeri, A. di. See Frixer, Alessandro Maria Antonio.
Der Polengraf. Operette von Richard Genee und J. Fritz-
sche. Musik von Louis Roth. M.321.3
Frixer, Alessandro Maria Antonio. ^ , ^ ., , ,,.
Les souliers mor-dores. Opera buffon fde FerneresL Mis
en musique par Alexandre Frixer di Frizeri. [Partition.]
Paris. L'auteur. 1776. . M.227.8
Frizeri, A. di. See Frixer, Alessandro Maria Antonio.
Frober, E., editor. , o • ^ ts
Tvbilvs rythmicvs de nomine Jesv. Stances de Saint Ber-
nard mises en musique a 3 & a 4 voix par les plus excel-
lens maitres de la fin du seizieme siecle . fAccomp. de
piano ad libitura.l Paris. Legouix. fiSS-J
No. 2 in M.201.1
Coxteufs. — Anerio: Jesv Decvs angelicvm. O Jesv mi dylcissime.
Tvnc amplexvs tvnc oscvla. Rex virtvtvm. -- Palestnna : Jesv Rex
admirabilis Tva Jesv dUectio. — Giovanelh : Jesv sole serenior. Jesv
svmma Benignitas. Tv mentis delectatio. — Soto: Jesv dvlcedo cor-
divm — Palestrina: Jesv Hos matris virgmis. — Aneno: O beatvm
incen'divm — Nanini: Jesvs in pace imperat. Qvando cor nostrvm
visitas. Jesv spes poenitentibus. — Allegri : Jesv dvlcis memoria.
Froberger, Johann Jakob.
Orgel- und Clavierwerke. Wien. Artaria & Co. lb97, 99.
-> parts in I v. Facsimiles. fDenkmaler der Tonkunst in
bsterreich. Band 4, Theil I ; 6. Theil 2.] M.414.S
Contents — I. ZwoU Toccaten. — Sechs Fantasien. — Sechs Canzonen.
— Acht Capriccios. — Sechs Ricercare. 2. Suiten fiir Clavier.
Froberger, Johann Jakob. Works about.
ScHEBEK, E. Zwei Briefe iiber Johann Jacob Froberger.
Ein biographischer Beitrag. Prag. 1874. No. 11 in M.372.40
Frobisher, Joseph Edwin.
A new and practical system of the culture of voice and ac-
tion . . . with an appendix of readings and recitations.
Improved edition. New York. Ivison, Blakeman, Tay-
lor & Co. 1881. M.108.30
Frode. Opera. For the Music see Bechgaard.
Froeden. Adolf.
Elva. Komische Operette. Musik von Eduard Schweiger.
M.300.16
Froehlich zu sein ist mein Manir. Madrigal. Lassus.
No. 12 in M.204.40
Froehliche Armuth. Part-song. B.\ldamus. Beliebte und
empfehlenswerthe Miinnerchore. No. 2 in M.203.11
Kremser. No. 42 in M.392.13
Froehliche Gesellen. Part-song. Schmidt, Gustav. Fiinf
Lieder. No. 21 in M.392.23
Froehliche Mann, Der. Song. Taubert, C. G. W.
No. IS in M.192.8
Froehliche Trinker, Der. Song. Righini. Zwolf deutsche
Lieder. No. 27 in M.221.33
Froehlicher Sang, Ein. Part-song. Brambach.
No. 119b in M.147.4
Froehlichkeit, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 3. M.317.1.20.3
Froesch', Die, und die Unken. Part-song. Scholz.
No. 10 in 1*1.392.42.1 ; etc.
Frogs, The. Incidental music. For the Music see Parry, C. H.
H. For the Text see Aristophanes.
Froh vyair ich zum Heiligthume. Cantata. For the Music see
Romberg, A. J.
Frohberg, Paul, pseud. See Adami, Friedrich.
Frohe Saenger, Der. Part-songs. Otto, E. J. No. 44 in M.392.19
Frohe Wandersmann, Der. Part-song. Mendelssohn-Bar-
THOLDY, J. L. F. Werke. Serie 17. M.413.3.17; etc.
Frohe Wandersmann, Der. Song. Schumann, R. A. Lieder
und Gesange. Heft 3. No. i in M.244.1S.3; etc.
Froher Sinn. Part-song. Tschirch, F. W. Zwei Gesange.
No. 37 in M.392.26
Frohlocket ihr Gerechten. Motet. Rheineerger, J. G. S Mo-
tetten. No. 9 in M.1S8.27
Frohsinn. Duet. Abt, F. Zehn Duettinen. No. 32 in M.192.1
Frohsinn. Song. Himmel, F. H. No. 15 in M.221.33
Schubert, F. P. Ich bin von lockerem Schlage. Werke.
Serie 20, Band 5. M.317.1.20.S
Frohsinn und Freude. Part-song.
Becker, V. E. No. 23 in M.392.4
Hermes. Beliebte Lieder. No. i in M. 194.16
Froissart. Overture. Elgar. M.410.24
Frolick and free. Glee. Linley, W. Eight glees. M.235.3
Frolique. Opera. For the Music see Fitz-Gerald. For the
Libretto see Byron, H. J.
From all that dwell below the skies. Hymn. Bach, J. S.
No. 25a in M. 157.3
From blushing morn to ev'ning mild. Part-song. Linley, T.
No. 42 in M.110.8; etc.
From burning Afric. Chorus. Bishop, H. R. Complete col-
lection of glees. Vol. 7. M.23S.1.7
From death to life. Cantata. For the Music see Bartlett, J. C.
For the Libretto see Van Tassel.
From everlasting. Canon. Webbe, S. No. 197 in M.220.9.1
From flow'ry meads. Catch [for 3 voices]. {In Warren. Col-
lection of catches. Vol. 2, pp. 36, 57.) No. 13 in M.220.9.2
From Garyone, my happy home. Song. Beethoven. Werke.
Serie 24. M.413.1.24
From glaring show and giddy noise. Song. Webbe, S.
No. 40 in M.23S.18.4
From Handel to Halle. Biography. Engel, L. M. 105.21
From his cave in Snowdon's mountains, f Welsh melody.l
Harmonized for 4 voices, (/n The Choralist. Vol. i, se-
ries 4.) No. 42 in M.157.5.1
From lyre to muse. History. Donovan. M.103.24
From mighty kings. Anthem. Handel. No. 16 in M.290.22.2
From Mozart to Mario. Biography. Engel, L. M. 103.8
From night till morn. Canzonett [t. t.]. (In Social harmony.
p. 140.) No. 1x6 in M.215.21
From Oberon in fairy land. Glee. Stevens, R. J. S.
No. 15 in M.IS7.7; etc.
From peace and social joy. Glee. Webbe, S.
No. 1 16 in M.220.9.3
From rosy bow'rs. Song. Purcell, H. No. 5 in M.235.18.3; etc.
From shades of night. Part-song. Storage. No. 29a in M.IS7.2
From the chambers of the East. Glee. Callcott, J. W. Col-
lection of glees. Vol. i. No. 23 in M.234.1.1
From the deep I called. Anthem. Spohr, L.
No. 18 in M.19S.2.13
From the depth I called. Anthem. Tye. No. 27 in M.233.25.3
From the fair Lavinian shore. Glee. Wilson, J.
No. 25 in M.23S.14; etc.
446
From the
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fruehling
From the lake grey vapours rise. Glee. Callcott, J. W.
No. I in M.220.4
From the rising of the sun. Anthem. Ouseley.
No. 7 in M.233.24.1
Form the spell of memory. Ballad. Linley, G. [Songs.]
Vol. 2. No. 28 in M.235.ig.2
From the world stealing. Anthem. Rossini. No. 12 in M.203.25
From this roof my shepherd went. Part-song. Cm-LCott, J. W.
Collection of glees. Vol. i. No. 8 in M.234.1.1
From tyrant laws. Duet. Arne, T. A. No. 138 in M.235.17.1 ; etc.
From Venice. Part-song. Reinecke, C. H. C.
No. I in M.204.36.5
From youth's happy days. Part-song. Klein. B. O.
No. 7 in M.203.16
Fromage-Chapelle, Paul Aime.
L'amour quinze-vingt. Operette. Musique de Victor Roger.
No. 2 in M.393.61
La baronne de Haut-Castel. Operette. Musique de Frederic
Barbier. No. i in M.399.3
Brelan de begues. Operette. Musique de Charles Hubans.
No. 2 in M.393.56
Deux coqs vivaient en paix. Operette. Musique de Charles
Hubans. No. 3 in M.393.56
Un Do malade. Operette de MM. A. de Forges Tpseud.l et
Laurencin fpseud.l. Musique de A. Banes. Paris. Bath-
lot. ri88-?l No. 4 in M.39S.I
Words only.
Same. Alusique de Antoine Banes. No. s in M.sgs.i
Fleurette. Opera-comique de De Forges [pseud.] & Lau-
rencin [pseud.]. Musique de J. Offenbach.
No. 3 in M.277.12
Un gendre a poigne. Operette. Musique de Ch. Malo.
No. I in M.393.58
Monsieur & Madame Denis. Opera comique. Paroles de
MM. Laurencin [pseud.] & I\Iichel Delaporte. Musique
de J. Offenbach. No. 2 in M.368.24
Pas si bete! Operette. Musique de L. C. Desormes.
No. 3 in M. 295.34
Le portrait. Opera comique par MM. Laurencin [pseud.]
& Jules Adenis [pseud.]. Musique de Theodore de La-
jarte. No. 2 in M.287.23
Le 66. Operette. Paroles de MM. de Forges [pseud.] et
Laurencin [pseud.]. Musique de T. Offenbach.
No. 2 in M.368.23
Froment, Rustique, pseud.
Meyerbeer et son ceuvre, Haydn, Mozart, Beethoven, Ros-
sini, les concerts populaires, Theresa. Lettres d'un cam-
pagnard a propos de L'Afn'caine. Paris. Faure. [1866.]
M.103.2
Fromm, Emil.
An Sie im Alter. [Mannerchor.] (In Claassen. Ludwig
Liebe-AIbum. P. 12.) No. 11 in M.203.16
Der Helden Auferstehung. Gedicht von Wilhelm Miiller.
Fiir Mannerchor mit Begleitung von Blechinstrumenten
componirt von E. Fromm. Op. 2. Partitur mit unterleg-
tem Clavier-Begleitung. Schleusingen. Glaser. [187-?]
No. 6 in M.212.5
Fest-Cantate zum 25jahrigen Jubilaum des „Arion" in
Brooklyn. Gedicht von Julius Immer"Tun [Pseud.]. Fiir
Mannerchor und Orchester componirt von E. Fromm.
Op. 10. Clavierauszug. Berlin. Luckhardt. [1890.]
No. 2 in M.203.14
Heinrich der Vogler. Gedicht von J. Nep. Vogl. Fiir Man-
nerchor und Orchester componirt von E. Fromm. Op. 6.
Klavierauszug. Leipzig. Siegl. [187-?] No. 7 in M.212.S
Itha von To.ggenburg. (Edith of Toggenburg.) [Ein Ro-
manzenkranz frei nach Chr. von Schmid, G. Schwab u. A.
von M. Louis [Pseud.]. English version by E. Buek.]
Fiir Mannerchor, Sopran- & Baritonsolo & Orchester von
E. Fromm. Op. 9. Clavierauszug. Berlin. Luckhardt.
[1890.] No. 3 in M.203.14
Fromme Magd, Die. Song. Weber, C. M. F. E. von. Siimmt-
liche Lieder. Band 2. No. 56 in M. 244.7
Frommel, Emil.
Friedrich Kiel . . . Gedachtnisrede . . . 1885. 2. Auflage.
Berlin. Ackermann. 1886. No. 3 in M.217.11
Frommer Wunsch. Part-song. Gartz. Zwei heitere Lieder.
No. 4 in M.392.36
Fronde, La. Opera. For the Music see Niedermeyer. For
the Libretto see Maquet.
Frondoni, Angelo M.
A camponeza. [Solo, b. Acomp. de piano.] Lisboa. Sas-
setti & ca. [185-?] No. 4 in M.391.S7
Luiz de CamSes. [Solo, s. o. t. Acomp. de piano.] Lisboa.
Sassetti & ca. [185-?] No. 3 in M.391.57
A saloia. [Cangao. Acomp. de piano.] Lisboa. Sassetti
& ca. [185-?] No. 6 in M.391.57
Un terno al Lotto. Scherzo comico in i atto per un solo
personaggio. Poesia di Carlo Cambiaggio. Musica del
Mo Angelo Frondoni. [Riduzione per canto e piano.]
Milano. Ricordi. [1852?] M.232.2
Frosch, Der. Song. Taubert, C. G. W. Klange aus der
Kinderwelt. Heft 6. No. 7 in M.192.7
Frost, Charles Joseph.
King John and the Abbot of Canterbury, .^n old English
ballad set to music as a short cantata for t., bar. and b.
solo with chorus. [Accomp. for pianoforte.] London.
St. Cecilia Music Publishing Co. [188-?] No. I in M.204.16
Magnificat & Nunc dimittis. [Accomp. for organ.] Lon-
don. Patey & Willis. 1883. No. 9 in M.1S8.16
Frost, Henry Frederic.
Schubert. London. Low. 1881. [The great musicians.]
M.128.41
Froyez, Maurice.
La dame de trefle. Operette de Ch. Clairville & M. Froyez.
JNlusique de £mile Pessard. M.3g3.48
Frozen heart. The, or the snow queen. Ot>era. For the Music
see Carmichael. For the Libretto see Byron, AL C.
Fructus autem. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Fruehe. Part-song. Schumann, R. A. Fiinf Gesiinge.
No. 4 in M.157.21
Fruehe Klage. Song. Franz, R. Sechs Gesange. Op. 22.
No. 52 in M.244.S.2
Fruehe Liebe, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 4- M.317.1.20.4
Fruehen Graber, Die. Song. Schubert, F. P. Werke. Serie
20, Band 3. M.317.1.20.3
Fruehes Wandern. Part-song. Abt, F. No. i 19 in M.246.22
Fruehling. Part-song.
Isenmann. Fiinf Mannerchore. No. 28 in M.392.ii
Rheinberger, J. G. No. 24 in M.392.22
Stojowski. Le printemps. No. 2 in M. 380.28
Zoellner, C. H. No. 193 in M.i29a.43-6
Fruehling, Der. Song.
Br.\hms. Sechs Gesange. Op. 6. No. 2 in M.380.40.1
Chopin. 17 polnische Lieder. No. 2 in M.157.37; etc.
Fr.\nz, R. Sechs Lieder von H. Heine. No. 3,7 in M.244.S.3
Grieg. Grieg-Album. No. 5 in M. 155. 16
KuECKEN. Leichte Lieder. No. 3 in M.244.6.2
— Vier Gesange. No. 15 in M. 194.16
Posa. Fiinf Lieder. No. 15 in M.380.22
T.\ubert, C. G. W. Sechs Lieder. No. 6 in M.221.26
Fruehling. Symphony. Urban, H. No. i in M.343.40
Fruehling im Sommer. Song. Cornelius. Werke. Band i.
M.414.20.1
Fruehling im Walde. Part-song. Hermes. Beliebte Lieder.
No. I in M. 194. 16
Fruehling, Der, ist da. Song. Abt F. Vier Lieder.
No. II in M.192.2
Fruehling, Der, ist wach. Part-song. Kremser.
No. 10 in M.392.14
Fruehling, Der, kommt. Part-song.
Dregert. Drei Lieder fiir Mannerchor. No. 79 in M.392.3
Koellner. Vier Friihlingslieder. Heft i. No. 17 in M.39a.i3
Fruehling ohne Ende. Part-song.
Reinecke, C. H. C. No. 107 in M.147.4
Rheinberger, J. G. Im neuen Friihling. No. 10 in M. 158.27
447
Fruehling
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fruehlings
Fruehling und Liebe. Part-song. Horn, A. No. 6 in M.i94.i6
Fruehling und Liebe. Song. Franz, R. Sechs Gesange. Op. 3-
No. i6 in M.244.S.1
Fruehlingsabend, Der. Part-song.
BURKHARDT, S. No. 240 in M.i29a.43-7
Nessler. Vier Friihlingslieder. No. i8 in M.aga.ig
Fruehlings Ahnen. Part-song. Pache. Zwei Gesange.
No. 6 in M.212.13
Fruehlingsahnung. Part-song. Abt, F. No. 31 in M.392.1
Mendelssohn-Bartiioldy, J. L. F. Werke. Serie 16.
M.413.3.16
Otto, F. No. 236 in M.i29a.43.7
ScHULTZ, E. Zwei Gesange. No. 10 in M.392.2S
WUELLNER. Waldlieder. No. 24 in M.158.21
Fruehlingsandacht. Part-song. Kreutzkr, C.
No. 104 in M. 147.4
Fruehlings-Anfang. Part-song. Becker, V. E. No. 14 in M.392.4
Fruehlingsanfang. Song. Hennig. 20 ein und zweistimmige
Lieder. No. 17 in M.203.8
Fruehlings Ankunft. Part-song. Klauss. Fiinf Lieder.
No. 8 in M.392.I3
Fruehlings Ankunft. Song.
Franz, R. Sechs Gesange. Op. 23. No. 59 in M.244.5.2
Schumann, R. A. Lieder fiir die Jugend. Abtheilung 2.
No. 3 in M.244.15.3; etc.
Fruehlingsaugen. Part-song. Seifert, R. No. 12 in M.392.42.4
Fruehlingsaugen. Song. Hiller, F. Sechs leichte Gesange.
No. 25 in M.192.3
Fruehlingsblick. Song. Rubinstein. Sechs Lieder.
No. 16 in M. 192.5
Fruehlingsbote. Part-song. Muehling, A. No. 7 in M.i29a.43.9
Fruehlings-Botschaft. Cantata. For the Music see Gade. For
the Libretto see Geibel, E.
Fruehlingsbotschaft. Part-song. Vierling. No. 22 in M.392.42.2
Fruehlingsbotschaft. Song. Schumann, R. A. Lieder fiir
die Jugend. Abtheilung i. No. 2 in M.244.15.3; etc.
Fruehlings Brautfahrt. Part-song. Schulz, A.
No. II in M.212.IS
Fruehlingsbrausen. Part-song. Schoen, E. von.
No. 8 in M.392.28
Fruehlingsdammerung. Part-song. Umlauft. No. 2 in M.343.32
Fruehlings Einkehr. Part-song. Meister. No. 3 in M.203.19
Fruehlings Einzug. Part-song. Becker, V. E. Vier Ges.Hnge
fiir vierstimmigen Mannerchor. No. .s in M.392.4
Nessler. Drei Lieder. No. 18 in M.392.37
Pache. No. 4 in M.203.20
Fruehlings Erwachen. Cantata. For the Music see Gouvy.
Fruehlings-Erwachen. For orchestra. Bach, C. E.
No. I in M.312.1
• Fruehling's Erwachen. Overture. Saint-George.
No. I in M.407.24
Fruehlingsfahrt. Song. Schumann, R. A. Romanzen und
Balladen. Heft i. No. 3 in M.244.15.2; etc.
Fruehlings-Fantasie. For orchestra. Bronsart von Schellen-
DORFF. No. I in M.333.7
Fruehlingsfeier, Der. Cantata. For the Music see Urspruch.
For the Libretto see Klopstock.
Fruehlingsfeier. Part-song. Lachner, F. No. 5 in M.203.22
Mendelssohn-Bartholdy, J. L. F. Sechs vierstiramige
Lieder. No. 7 in M.312.8; etc.
ScHULTZ, F. No. 12 in M.392.25
Fruehlingsfeier. Song.
Curschmann. Curschmann-Album. No. i in M. 157.37
Fr.\nz, R. Sechs Lieder von H. Heine. No. 43 in M.244.S.3
Fruehlingsfreude. Part-song. Becker, V. E. No. 13 in M.392.4
Fruehlingsgedraenge. Song.
Fr.\nz, R. Sechs Gesange. Op. 7- No. 54 in M.244.S.1
Mihalovi»h. Acht Gedichte. No. s in M.380.21
Strauss, R. 2 Lieder. No. 23 in M.330.24.1
Fruehlingsgefuehl. Song. Rubinstein. Sechs Lieder.
No. I in M.192.S
Fruehlingsgelaevit. Part-song. Hiller, F. Acht Gesange.
No. 3 in M.202.22
Schubert, F. P.
Werke. Se-
M.317.1.16
Fruehlingsgesang. Part-song.
rie 16.
Fruehlingsglaube. Part-song.
Baumgartner, W. No. 112 in M.147.4
Franz, R. Sechs Lieder fiir gemischten Chor.
No. 18 in M. 158.22
Schubert, F. P. 12 Gesange. No. 10 in M.158.21
Schuppert. No. 35 in M.392.42.4
Fruehlingsglaube. Song.
Curschmann. Curschmann-Album. No. i in M.1S7.37
Kuecken. No. 10 in M.244.6.1
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M.4I3-3-I9
Schubert, F. P. Sammtliche Compositionen. M.244.12; etc.
Taubert, C. G. W. Zwolf Lieder. No. 3 in M.221.26
Fruehlingsglocken. Part-song. Schumann, R. A. Sechs
Lieder fiir vierstimmigen Mannergesang.
No. 9inM.392-34;etc.
Fruehlingsglocken. Song. Taubert, C. G. W. Sechs Lieder.
No. 7 in M. 192.6
Fruehlingsglueck. Part-song. Reinecke, C. H. C.
No. 19 in M.392.21
Fruehlings Gruss. Part-song.
Becker, V. E. No. 7 in M.392.4
— Drei Gesange gedichtet v. F. Oser. No. 10 in M.392.4
Kern. No. 48 in M.392.12
Klahre. Drei Lieder im Volkston. No. 61 in M.392.12
Fruehlingsgruss. Song. Schumann, R. A. Lieder fiir die
Jugend. Abtheilung I. No. 2 in M.244.15.3; etc.
Fruehlingsgruss an das Vaterland. Part-song. Lachner, V.
No. 2 in M. 130.7
Fruehlings-Hymne. (Maibetrachtung.) Cantata. For the
Music see Goldmark. For the Libretto see Geyer.
Fruehlingsjubel. Overture. Wagner, Rudolf. No. 2 in M.404.30
Fruehlingsjubel. Part-song. Zerlett. No. 32 in M.203.20
Fruehlings Jubel. Song.
Hiller, F. Zwolf Lieder. No. 18 in M.192.3; etc.
Taubert, C. G. W. Der frohliche Mann. No. 17 in M.192.8
Fruehlingsjubel. Symphonic poem. Lorenz, C. A. In der D.am-
merung. No. 7 in M.342.13
Fruehlingsklaenge. Symphony. Raff. M.347.38
Fruehlingsklingen. Part-song. Abt, F. No. 2 in M.392.35
Fruehlingslandschaft. Part-song. Otto, E. J. Fiinf Quartet-
ten. No. 59 in M.392.16
Fruehlingsleben. Duet. Hennig. 20 ein und zweistimmige
Lieder. No. 17 in M.203.8
Fruehlingslerche, Die. Part-song. Becker, R. Zwei Gesange.
No. 42 in M.392.2; etc.
Fruehlingsliebe. Song.
Franz, R. Sechs Gesange. Op. 3- No. 17 in M.244.5.1
Stern. J. Deutsche Gesange. No. 17 in M. 236.8
Fruehlingslied. Duet.
Abt, F. Vier Duette. No. .36 in M.192.1
Schumann, R. A. Lieder fiir die Jugend. Abtheilung 3-
No. 4 in M.244.1S.3; etc.
Fruehlingslied. Part-song.
Becker, V. E. No. 13 in M.392.42.2
BerGT. No. 176 in M.i29a.43.5
Billeter. Vier Lieder im Volkston. No. 16 in M.392.3S
Bohl. No. 3 in M.370.30
Braune. No. 6 in M.392.20
EcKER. No. 123 in M.147.4
Esser. No. 27 in M.213.9
Fink. No. 21 in M.213.9
George V., of Hanover. Sechs Gedichte. No. 2 in M. 155. 17
Gross, C. E. No. 30 in M.392.10
Haering. Sechs Lieder. No. i in M.392.10
Hauptmann, M. Sechs vierstimmige Lieder.
No. 2 in M.157.22
Jansen, F. G. No. 36 in M.392.42.4
Kuntze, C. No. 90 in M.246.22
Leder. Vier Lieder. No. 22 in M. 194. 16
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 16.
M.413.3.15
448
Fruehlings
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fruehmorgens
Fruehlingslied.
Otto, E. J.
Petschke.
Rheinberger, J. G.
Part-song. (Continued.)
No. 3 in M.130.8
No. 8 in M.130.7
Aus dem Sangerleben.
No. II in M.3g2.22
RiETZ, J. No. 28 in M.392.22
Schneider, J. C. F. Harzlieder. No. 42 in M.392.23
Schubert, F. P. Die Luft ist blau. Werke. Serie 19.
M.317.1.19
— Schmiicket die Locken. Chor-Gesangwerke. Band 2.
No. 4 in M.280.48.2
Wendler. No. 55 in M.i29a.43.io
Fruehlingslied. Song.
Brahms. Sechs Lieder. Op. 85. No. g in M.380.40.2
Curschmann. Curschmann-Album. No. i in M. 157.37
Mendelssohn-Bartholdy, J. L. F. Durch den Wald, den
dunklen geht. Werke. Serie 19. M.413.3.19
— Es brechen im schallenden Reigen. Werke. Serie 19.
M.4I3-3.I9
— Der Friihling naht mit Brausen. Werke. Serie 19.
M.413.3.19
— In dem Walde siisse Tone. Werke. Serie 19. M.413.3.19
— Jetzt kommt der Friihling. Werke. Serie 19. M.4i3.3.ig
Ritter, F. L. Zehn Kinder-Lieder. Heft i.
No. 6 in M.192.4
Schubert, F. P. Die Luft ist blau. Werke. Serie 20, Band 4.
M.317. 1.20.4
Schumann, R. A. Die Meersee. No. 7 in M.244.1S.4; etc.
— Schneeglockchen klingen wieder. Werke. Serie 1.3, Band
.3. M.316.1.13.3
Seidel, F. L. Lieder. Heft 3. No. 17 in M.221.33
Fruehlingslied. Symphonic poem. Sibelius. Varsang.
No. 3 in M.406.33
Fruehlingslust. Part-song.
Abt, F. Fiinf Gesange. No. .3 in M.392.39
Koellner. Vier Friihlingslieder. Heft 2. No. 18 in M.3g2.i3
Rietz. No. 30 in M.392.22
ScHULZ, J. P. C. No. 81 in M.213.9
Fruehlingslust. Song.
Schumann, R. A. Die Meersee. No. 7 in M.244.15.4; etc.
Taubert, C. G. W. Liebesglocken. No. 9 in M. 192.7
Fruehlingsmahnung. Part-song. Kretzschmar.
No. II in M.ig4.z6
Fruehlingsmette. Part-song. Behr, F. No. i in M.270.13
Fruehlingsmorgen, Der. Cantata. For the Music see Schu-
bert, F. P. Chor-Gesangwerke. Band i.
Fruehlingsmorgen. Part-song. Abt, F. Heil'ge Andacht.
Vier vierstimmige Mannergesange. Op. 268.
No. 39 in M.392.1
— Noch vom Schlummer. No. 9 in M.130.7; etc.
— Die Wachtel ruft. No. 3 in M.392.2
Brambach. Zwei Concertstucke. No. 2 in M. 202.14
Klauwell. 3 Friihlingslieder. No. 62 in M.392.12
Fruehlingsmorgen. Sotig. Abt, F. Lebensfruhling. Heft 2.
No. 26 in M.ig2.i
Fruehlingsmuth. Part-song. Bruch. Sieben kleine Gesange.
No. 8 in M.204.7
Fruehlingsnacht. Cantata. For the Music see Hentschel. For
the Libretto see Jaenicke.
Fruehlingsnacht. Part-song. Abt, F. No. 125 in M.246.22
Becker, V. E. Drei Gesange fur vierstimmigen Manner-
chor. No. 20 in M.3g2.4
HiLLER, F. No. 4 in M.333.9; etc.
Marschner, H. a. Sechs vierstimmige Gesange.
No. 20 in M.3g2.i7
Schmidt, Adolf. No. 11 in M.392.34
Fruehlingsnacht. Song.
Curschmann. Curschmann-Album. No. i in M.157.37
Jensen, A. Ausgewahlte Lieder. No. 3 in M.IS7.37
Schumann, R. A. Lieder-Kreis . . . von Eichendorff.
No. 12 in M.244.1S.1; etc.
Woehler, G. Sechs Lieder. No. 15 in M.236.8
Fruehlingsnahen. Cantata. For the Music see Hirsch, C. For
the Libretto see Stieler.
Fruehlingsnahen. Part-song.
Gade. Fiinf Gesange fiir Mannerchor. No. 8 in M.1S7.21; etc.
Kreutzer, C. No. 3 in M.130.8; etc.
Fruehlingsnetz. Part-song. Goldmark. No. 3 in M.392.41
Fruehlingsorakel. Duet. Truhn. No. 14 in M.221.30
Fruehlingsorakel. Part-song. Spohr, L. No. 152 in M.i2ga.43.5
Fruehlings-Ouverture. For orchestra. Goetz. No. 3 in M.346.ig
Fruehlings-Phantasie. Cantata. For the Music see Gade.
Fruehlings-Polka. Part-song. Zedtler. No. 6 in M.3gi.6o
Fruehlingspracht. Part-song. Speidel. No. 35 in M.3g2.2S
Fruehlingsregen. Part-song. Weinwurm. No. 5 in M.203.22
Fruehlingsreigen. Part-song.
Becker, V. E. No. 38 in M.3g2.42.2
Otto, F. No. 191 in M.i29a.43.6
Stade. No. so in M.392.25
Fruehlingsreigen. Song. Kuecken. Lieder fiir Sopran.
No. 7 in M.244.6.1
Fruehlingsruf. Part-song. Abt, F. Vier Lieder fiir Sopran
und vier Mannerstimmen. No. 9 in M.3g2.3g
Fruehlings Seele. Part-song. Lorenz, C. A. No. 16 in M.3g2.i6
Fruehlingssehnen. Part-song. Gruettner. Drei Lieder.
No. 43 in M.3g2.8
Fruehlingssehnen. Song. Krigar. Sechs Lieder.
No. 16 in M.236.8
Fruehlingssehnsucht. Part-song.
Billeter. No. 31 in M.3g2.3; etc.
Nessler. Vier Friihlingslieder. No. i6in M.392.ig
Fruehlingssehnsucht. Song. Schubert, F. P. Werke. Serie
20, Band 9. M.3i7.i.20.g
Fruehlings Sieg. Part-song. Hille. No. 31 in M.392.42.2
Fruehlings-Sinfonie. For orchestra. Abert. M.33i.i
Reichel. M.337.11
Fruehlings-Sonntag. Part-song. Abt, F. Sechs Gesange fur
gemischten Chor. No. i in M.158.22
Nessler. Vier Friihlingslieder. No. 19 in M.392.19
Fruehlingsstuerme. Part-song. Sturm, W. No. 25 in M.392.24
Fruehlingstag. Part-song. Boehme, A. von. Zwei Gesange.
No. 6 in M.392.S
Fruehlingstraum. Song. Schubert, F. P. Werke. Serie 20,
Band Q. M.3i7.i.20.g
Fruehlingstrost. Part-song. Hohlfeld. Vier Mannerchore.
No. 21 in M.3g2.ii
Fruehlingsverkuendigung. Part-song. Billeter. Drei Ge-
sange fiir vierstimmigen Mannerchor. No. 17 in M.3g2.3S
Fruehlingswanderschaft. Song. Kuecken. Vier Lieder.
No. 17 in M.244.6.1
Fruehlings Wanderung. Part-song. Santner. Spring song.
No. 3 in M.3g2.23
Fruehlings-Wanderung. Part-songs. Abt, F. No. 27 in M.3g2.i
Fruehlingsw^andrung. Part-song. Abt, F. Fiinf Gesange fiir
s. A. t. b. Op. 369. No. 8 in M.IS8.22
Fruehlings-Warnung. Part-song. Attenhofer.
No. I in M.203.11
Fruehlings Wiederkehr. Duct. Abt. F. Zehn Duettinen.
No. 32 in M.ig2.i
Fruehlingswogen. Symphonic poem. Scharwenka, L. P.
No. 3 in M.333.19
Fruehlingswonne. Duet. Hennig. 20 ein und zw^eistimmige
Lieder. No. 17 in M.203.8
Fruehlingsvironne. Part-song. Storch. No. s in M.203.22
Fruehlingswonne. Song. Franz, R. Sechs Gesiinge. Op. 23.
No. 56 in M.244.S.2
Fruehlings-Wuensche. Part-song. Lachner, V. 4 Miinner-
gesange. No. i in M.392.37
Fruehlingswunsch. Song. Taubert, C. G. W. Vier Lieder.
No. 8 in M.ig2.7
Fruehlingszeit. Part-song. Brambach. Vier Chorlieder fiir
Mannerstimmen. No. 45 in M.392.3
Gellert, L. No. 5 in M.203.22
Koellner. Vier Friihlingslieder. Heft 2. No. 18 in M.392.13
Silcher. Silcher-Album. No. 4 in M.370.30
Fruehmorgens. Part-song. Boenicke. No. 36 in M.392.42.2
Fruehmorgens. Song. Rubinstein. Sechs Lieder.
No. 13 in M.192.S
1 57
449
Fruehzeit
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Fugues
Fruehzeitiger Friihling. Part-song.
Hauptmann. Sechs Lieder von Goethe. No. i in M. 157.22
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 16.
M.413.3.16
Fruitful earth drinks up. Glee. Cooke, B. Nine glees.
No. 2 in M.220.8
Fry, Joseph Reese.
Leonora: a lyrical drama. The music by William H. Fry.
M.364.33
Fry, William Henry.
Leonora: a lyrical drama in .3 acts: the words by J. R. Fry,
the music by William H. Fry. Piano forte arrangement.
New York. Ferrett & Co. 1846. M.364.33
Programme of the first lecture of fhisl course of ten lec-
tures on music, including the words of all the choral
pieces, . . . with a syllabus of the entire course . . . New
York. Baker, Godwin & Co. [1825.] No. 2 in M.372.52
Report of the jury on musical instruments at the Crystal
Palace [exhibition], New York, 1853. New York. Baker.
Godwin & Co. iS.s.-^. No. 3 in M.372.S2
The reporter of the Jury was W. H. Fry.
Stabat Mater. An oratorio. Vocal & piano score with the
Latin words & an original English translation. Boston.
Ditson & Co. [iS.S.S.l M.2SO.I5
Fu I'ardor grave ch' ogni di cresceva. Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Fuchs, Carl Dorius Johann.
Thematikon zu Peter Gast's fPseud.l komischer Oper Die
heimliche Ehe. Nebst einer Einleitung . . . Leipzig.
Naumann. 1890. No. t, in M.102.26
Fuchs, H.
Der Cornet. Operette. In Musik gesetzt von J. Kiiffner.
M.2S3.24
Fuchs, Henriette.
L'opera et le drame musical d'apres I'ceuvre de Richard
Wagner. Paris. Fischbacher. 1887. M. 127.43
Fuchs, Johann Nepomuk, editor.
Gluck. Der betrogene Kadi. No. 2 in M.2S6.41
Schubert, F. P. Alfonso und Estrella. M.322.11
Fuchs, Otto.
Abendfrieden. Gemischter Chor. [Leipzig. Licht & Meyer.
1886. T No. 27 in M.392.19
Fuchs, Robert.
Andante grazioso vnd Capriccio fur Streichorchester. Op. 63.
Partitur. Leipzig. Robitschek. [189-?] No. 4 in M.405.70
Quartett (E-dur) fiir 2 Violinen, Viola und Cello. Op. 58.
Partitur. Leipzig. Hofbauer. 1897. No. 3 in M.405.70
Serenade (D dur) fiir Streichorchester. Op. 9. Partitur.
Leipzig. Kistner. [187-?] No. i in M.346.10
Serenade (No. 2, C dur) fiir Streichorchester. Op. 14. Par-
titur. Leipzig. Kistner. [187-?! No. 2 in M.346.10
Serenade, No. 3 (E moll), fiir Streichorchester. Op. 21.
Partitur. Leipzig. Kistner. fi?/-?! No. 3 in M.345.10
Serenade, No. 4, fiir Streichorchester und 2 Horner. Op. 51.
Partitur. Leipzig. Weinberger. 1S92. No. i in M.403.39
Symphonic (C dur) fiir grosses Orchester. Op. 37. Parti-
tur. Berlin. Simrock. 1885. No. i in M.332.18
Symphonic, Zweite (Es dur), fiir grosses Orchester. Op. 45,
Partitur. Berlin, Simrock. 1888. No. 3 in M.331.7
Trio fiir Pianoforte, Violine und Violoncell. Op. 22. [Par-
titur.] Leipzig. Kistner. [1880.] No. 4 in M.211.3.2
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 15 in M.211.4.1, 2
Walzer fiir Pianoforte zu vier Hiinden. Op. 25. Fur Or-
chester bearbeitet von Richard Heuberger. Heft i, 2.
Partitur. Leipzig. Kistner. [1884?] No. 2, 3 in M.33S.20
Fuchs, Robert. Works about.
Stransky, J. Robert Fuchs, Symphonic in C-dur, Op. 37.
Erlautert. Frankfurt a. M. [1897.] No. 8 in M. 217. 12.3
Fuechs, Ferdinand Carl.
Guttenbcrg. Romantische Oper in 4 Acten von Otto Precht-
ler. Musik von Ferd. C. Fiichs. Vollstandiger Clavier-
auszug. Wien. Diabelli & Co. [1846.] M.272.14
Fuehr mich. Kind, nach Bethlehem. Song. Wolf, H. Spani-
sches Liederbuch. No. 5 in M.380.30
Fuehrer, Robert.
Recordare. (Soli and chorus.) [Accomp. for organ.] (In
Lutz. Motets for the year. No. 5i- Pp- 246-253.)
No. 51 in M.IS6.S0
Fuehrer durch den Concertsaal. Criticism. Kretzschmar.
M.216.8; etc.
Fuehrich, Carl.
Reiterlied, fiir Mannerchor mit Baritonsolo u. Clavier-Be-
gleitung. Op. I. Wien. Rebay & Robitschek. [i88-?l
No. Sin M.212.5
Fuelle der Liebe. Song. Schubert, F. P. Werke. Serie 20,
Band 8. M.3i7.i.20.8
Fuenfhundert tausend Teufel! Part-song. Graben-Hoffmann.
No. 35 in M.392.26
Fuer die Jugend. For strings. Schwarwenka, L. P.
No. 3 in M. 404.12
Fuer Einen. Song. Franz, R. Zwolf Gesange. Op. i.
No. 8 in M.244.5.1
Fuer Freunde der Tonkunst. Criticism. Rochlitz. M. 109.5
Fuer fuenfzehn Pfennige. Song. Strauss. R. Vier Lieder.
No. 18 in M.380.24.2
Fuer Musik. Part-song. Franz, R. " No. 10 in M.392.38
Fuer uns. Part-song. Schneider, J. C. F. No. 22 in M.213.9
Fuerchte dich nicht, ich bin bei dir. Motet. Bach, J. S. Sechs
Motetten. No. i in M. 204.4; etc.
Fuerst, Livius.
Dornroschen. Melodramatische Marchendichtung, com-
ponirt von Albert Tottmann. No. I in M. 391.60
Fuerst und Sanger. Opera. For the Music see Mottl. For
the Libretto see Widmann, J. V.
Fuerstin Ninetta. Opera. For the Music see Strauss, J. 1825-
iSgg. For the Libretto see Bauer, J.
Fuerstin Patschouli, Die. Opera. For the iMusic and Libretto
see Stieber.
Fuerstin, Die, von Athen. Opera. For the Music see Lux, F.
For the Libretto see Jacoby.
Fuerstin, Die, von Grenada. Opera. For the Music see Lobe.
Fuerstenau, Moritz.
Beitrage zur Geschichte der Koniglich-sachsischen musi-
kalischen Kapelle. Dresden. Meser. 1849.
No. 2 in M.144.3
Zur Geschichte der Musik und des Theaters am Hofe zu
Dresden. Dresden. Kuntze. 1861,62. 2 v. Plate. M.136.10
Fuertes, Mariano Soriano. See Soriano Fuertes, Mariano.
Fuggir dovriasi. Part-song. Palestrina. Werke. Band 30.
M.8o40a.66.3o
Fugue.
Bach, J. S. Die Kunst der Fuge. Fiir die Orgel iibertragen
und zu Studienzwecken mit genauer Bezeichnung des
Vortrags, so wie der Manual- u. Pedal-Applicatur verse-
hen von G. Ad. Thomas. Heft i. Leipzig. [187-?]
No. 5 in M.414.30
Cherubini, M. L. C. Z. S. A course of counterpoint and
fugue. Translated by J. A. Plamilton. 2d edition. Lon-
don. 1841. M.116.12
Haupt, C. a. Haupt's Theory of counterpoint, fugue, and
double counterpoint. Translated ... by H. Clarence
Eddy. New York. [1876.] M. 371.41
HiGGS, J. Fugue. London. [1878.] No. -2 in M. 197.5
Pierre, C. V. D., editor. Sujets de fugue et themes d'impro-
visation donnes aux concours d'essai pour le grand prix
de Rome, aux concours de fugue, aux concours et examens
d'orgue (annees 1804 a 1900). Par Adolphe Adam, Auber
. . . etc. Paris. 1900. No. 3 in M.372.60
Fugues.
Altbrechtsberger. Fugues et 12 preludes pour les orgues
ou le piano forte. Oiuvre 6, 7, 9-12. No. I in M.312.30
Bach, J. S. Fugen aus dem Wohltemperirten Clavier in
progressiver Ordnung fiir die Orgel eingerichtet . . . von
J. A. van Eijken. No. 1-3 in M.312.49
4.S0
Fugues
THE ALLEN A. BROWN COLLECTION OF MUSIC
Fux
Fugues. (Continued.)
Bastiaans. Chromatische Fuga. [A S voci.l No. 2 in M.414.30
6 Orgelstukken. No. i in M.414.30
Bernard, £. Fantaisie et fugue (en fa majeur) pour orgue.
No. I in M.414.31
Brahms. Fuge. (As moll.) Fiir die Orgel. No. i in M.414.32
Frescobaldi. Fuga und Canzona fiir die Orgel.
No. 10 in M.414.30
Hesse, A. F. Praeludium und Fuga (D moll) fiir die voile
Orgel. No. 8 in M.414.35
Zwei Fugen nebst Einleitung fiir das voile Werk und
drei Vorspiele fiir sanfte Stimmen. No. 11 in M.312.49
Hummel, J. N. Preludes et deux fugues pour I'orgue.
No. 12 in M.414.35
Kelz. Drei Fugen fur 2 Violinen, Bratsche und Violon-
cello. M.334.6
Koch, F. E. Sinfonische Fuge (in C moll) fiir Orchester.
No. 2 in M.403.88
Krebs. Grosse Fantasie und Fuge fiir die Orgel zum Stu-
dium und Concertvortrage. No. 16 in M.414.35
Liszt. Fantasie und Fuge fiber den Choral „Ad nos, ad
salutarem undam" ffir Orgel oder Pedalfliigel.
No. 3 in M.414.32
LiTZAU. Einleitung und Doppelfuge (D moll) im freien
Styl zum Concertvortrag fur die Orgel. No. 7 in M.414.37
Lu.K, F. Concert-Fuge ffir die Orgel. No. 8 in M.414.37
Martini, J. P. fi. [Fugue pour orgue.] No. 11 in M.414.30
Mendelssohn-Bartholdy, J. L. F. Six sonatas and three
preludes and fugues composed for the organ. M.312.47
INIerkel, G. A. Fantasie und Fuge (No. III. C-moll) fur
die Orgel. Op. 109. No. 6 in M. 30.23
Fantasie und Fuge ffir die Orgel. Op. 104.
No. 8 in M.414.38
Mozart. Fuge ffir das Pianoforte .... ffir Orgel uber-
tragen mit Pedal-Applicatur bezeichnet. No. 12 in M.414.30
Niedermeyer. Fugue en re mineur pour orgue.
No. 14 in M.414.30
Fugue pour orgue [en la-mineur]. No. 13 in M.414.30
Raff. Introduction und Fuge [fur Orgel]. No. 6 in M.414.32
Rheinberger. Vierstimmige Fuge [fiir Orgel] .
No. 8 in M.414.32
Scarlatti. Fugue pour orgue. No. 15 in M.414.30
Schneider, J. G. Fantasie und Fuge fur die Orgel. 3.
Werk. No. 5 in M.312.48
Thomas, G. A. Concert-Fuge [fur Orgel]. No. 13 in M.414.37
Fuhrmann, J.
Maritta. Die Madonna mit dem Kruge. Oper. Musik von
Carolus Agghazy. M.393.1
Fuhrmann und Faehrmann. Song. Taubert, C. G. W. Klange
aus der Kindcrwelt. Heft 3. No. 12 in M.192.6
Fuis melancolie. So:ig. Blum, C. L. Lyra fur Damen.
No. 32 in M.221.30
Fuit homo missus a Deo. Motet. Lassus. Sammtliche Werke.
Band 15. M.8o4oa.67.i5
Palestrina. Werke. Band 3, 5. M.8Q4oa.66.3, 5
Fuite, La, du temps. Song. Schubert, F. P. Melodies. Vol. i.
M.327.4.1
Fuite, La, en ^gypte. Cantata. For thc_ Music see Berlioz,
L. H. Die Flucht nach Egypten.
Fulgebunt justi. Motet. Lassus. Sammtliche Werke. Band i.
M.8o4oa.67.i
Fulgonio, Fulvio.
Bianca da Cervia. Dramma lirico. Musica di Antonio
Smareglia. M.246.18
Gabriella. A lyric drama. Italian libretto by Alfred Byrne
& Fulvio Fulgonio. The music by Emilio Pizzi.
No. I in M.287.23
Nestorio. Dramma, lirico di F. Fulgonio e G. G. [G. Galli-
gnani]. Musica di G. Gallignani. M.399.21
I pezzenti. Melodramma. !\Iusica del Maestro Luigi
Canepa. M.383.9
Full fathom five. Part-song. Purcell, H. No. 3 in M.175.1.6; etc.
Full of doubt. Trio. Bishop, H. R. Complete collection of
glees. Vol. 3. M.23S.1.3
Full, true, and particular account, A. [Glee, t. t. t.] {In
Warren. Collection of catches. Vol. 2, pp. 196-200.)
No. 81 in M.220.9.2
Full well our Christian sires of old. Glee. Attwood.
No. 82 in M.157.6.2
Fuller, Fanny, translator.
PoLKO. Musical sketches. M.i09b.47
FuUer-Maitland, J. A. See Maitland, John Alexander Fuller-.
Fumagalli, Luca.
Luigi XL Dramma lirico in quattro atti di Carlo d'Orme-
ville. Musica di Luca Fumagalli. Riduzione [per canto
e pianoforte]. Milano. Vismara. [1875?] M.399.19
Fumagalli, Polibio.
Recentissima messa solenne in canto a 3 voci, t. t. b., con
accomp. d'organo. Milano. Martinenghi. [186-?]
No. 2 in M.222.43
Funeral anthem, A. Tuckerman, S. P. No. 20 in M.190.8
Funeste piaggio. Part-song. Caccini, G. No. i in M.202.6.2
Funkelnd im Becher so helle. Song. Schubert, F. P. Chor-
Gesangwerke. Band 2. No. 36 in M.280.48.2
Fuorusciti, I. Opera. For the Music see Paer.
Furbo, II, contra il furbo. Opera. For the Libretto see Le
Sage.
Furcht der Geliebten. Song. Schubert, F. P. Werke. Serie
20, Band 3. , M.317. 1.20.3
Furibondo spira il vento. Aria. Handel. 12 Alt-Arien.
No. 2 in M.270.48
Furioso. II. Opera. For the Music see Donizetti. For the
Libretto see Ferretti, G.
Furnivall, Frederick James, compiler.
A list of all the songs and passages in Shakspere which
have been set to music. Compiled by J. Greenhill, W. A.
Harrison and F. J. Furnivall. No. l in M.215.9
Furno, Flaminio.
I Roumakal. Scene messicane. Musica di Federico Rossi.
M.399-55
Furpille, Eugene.
Les deux cadis. Opera comique. Paroles de Ph. Gille et
Eug. Furpille. Musique de Th. Ymbert. No. 4 in M.326.10
Furst, William.
[The little trooper.] Vocal gems from The little trooper.
A comic opera from the French of H. Raymond and A.
Mars. Music by Victor Roger and William Furst.
No. 4 in M.402.74
Furtiva lagrima, Una. Song. Donizetti. No. 39 in M.157.39; etc.
Fusilier, Un, dans I'embarras. Opera. For the Music see
Fossey. For the Libretto see Avocat.
Fuss, Janos Evangelista.
Ruhe frei von aller Klage. [Mannerchor.] (In Orpheus.
Band 2, p. 50.) No. 73 in M.i39a.43.2
Tell me on what holy ground, [t. t. b. b.] (In The Orpheus.
New series. Vol. S, pp. 32-3.O No. 8 in M.205.10.5
Fut-il jamais douceur. Song. L'Epine. Scenes et chansons.
M.I 58.42; etc.
Futur, Un, sur le gril. Opera. For the Music see Laurens.
For the Libretto see Chocas.
Futurum est enim. Motet. Lassus. Sammtliche Werke.
Band 7. M.8o4oa.67.7
Fux, Johann Joseph.
Domine Jesu Christe [s. .\. x. b., mit Begleitung von Violen,
Bassen und Orgel]. (hi Rochlitz. Sammlung vorzfig-
licher Gesangstficke. Band 2, pp. 144-148.)
No. 36 in M.202.6.2
Messen. Herausgegeben von Johannes Evangelist Habert
und Gustav Adolf Glossner. Wien. Artaria & Co. 1S94.
[DenkmSIer der Tonkunst in Osterreich. Band I, Halfte
I.] . . M.414.6
Contents. — Missa SS. Trinitatis octo vocum cum instrumentis [et
orpanol. — Missa S. Caroli (Canonica) quatuor vocum a capella. —
Missa Quadragesimalis quatuor vocum a capella. — !Missa Purificationis
quatuor vocum cum [organo].
451
Fux
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gabussi
Fux, Johann Joseph. (Continued.)
Motetten. Abtheilung I. Herausgegeben von Johannes
Evangelist Habert. Wien. Artaria & Co. 1895. [Denk-
maler der Tonkunst in Osterreich. Band 2, Halfte i.]
M.4I4-7
Tremo la terra. Coro di peccatori [mit Pianoforte-Beglei-
tung]. (In Rochlitz. Sammlung vorziiglicher Gesang-
stiicke. Band 2, pp. 149-152.) No. .37 in M.202.6.2
Fuyons, 0 ma compagne. Duet. Gounod. Quinze duos.
No. 4 in M. 157.36.6
Fuyons tons d'amour. Part-song. Lassus. Sammtliche Werke.
Band 12. M.8o4oa.67.i2
Fuzelier, Louis.
Les fetes, grecques et romai[nes]. Ballet. [Musique de
Blamont.] M.374a.i
Les Indes galantes. Ballet heroique en 4 concerts et i nou-
velle entree. [Musique de] Rameau. M.2g7.33
Tibulle et Delie, ou les Saturnales. Opera . . . mis en mu-
sique par Mii« Beaumesnil. M.223.23
Fye, nay, prithee. Catch. Purcell, H. No. 15 in M.141.21.1; etc.
Fye! nay, prithee John. Catch. Blow. No. 2 in M.isga.iS.s; etc.
Fye, what mean you? Catch a 4 voci. (/» Warren. Collec-
tion of catches. Vol. i, pp. 102, 103.) No. 103 in M.220.g.i
G., A.
See also Wagner, Gottlob Heinrich Adolf.
Le philosophe. Opera comique in 3 actes. Paroles de M"'
A. M. Musique de A. G. [Accomp. de piano.] Paris.
Magasin de musique. [185-?] No. 2 in M.255.2
Gaa kun Glands at vinde. Song. Kjerulf. Sanger och Visor.
Band 2. M.158.47
Gaben, Die, des Terek. Symphonic poem. Davidof. ^apH
TepCKa. No- 2 in M.403.18
Gabet, Charles.
Le pantalon de Casimir. Operette. Musique de J. J. de
Billemont. No. i in M.302.16
Les cloches de Corneville. Opera-comique. Paroles de
Clairville [pseud.] & Ch. Gabet. Musique de Robert Plan-
quette. M. 287.31
Gabillaud, Louis.
Jument a marier. Saynete en i acte. Musique de Georges
Rose. Paris. Le Bailly. [187-?] No. 3 in M.300.2
Words only.
Same. Musique de Georges Rose. No. 2 in M.300.2
Gaboriau, H.
Le cordon bleu. Operette. Musique de Frederic Boissiere.
No. I in M.265.31
Gabriel, pseud. See Lurieu, Jules Joseph Gabriel de.
Gabriel, Charles H.
Evening chimes. Trio [s. s. a. Accomp. for piano]. Bos-
ton. White, Smith & Co. [1886.] No. 11 in M.158.16
When the birds awake, [s. s. a. a. Accomp. for piano.]
Boston. White, Smith & Co. [1886.] No. 10 in M.158.16
Gabriel, Mary Ann Virginia.
A carol round the fireside. Four-part song. London.
Hutchings & Roraer. [186-?] No. 20 in M.157.23
"Dreamland;" or, light through darkness. A cantata, writ-
ten by Arthur Matthison. The music by Virginia Gabriel,
[s. T. and chorus. Accomp. for piano. London. Metzler
& Co. 186-?] M.270.31
Evangeline. A cantata. Written by J. J. Lonsdale. Com-
posed by Virginia Gabriel. [Accomp. for pianoforte.]
London. Metzler & Co. [1873.] N0.3 in M.272.15
The follies of a night. Operetta in 2 acts. Words by J. R.
Planche. Music by Virginia Gabriel. [Accomp. for piano-
forte.] London. Cramer & Co. [187-?] No. i in M.256.17
"Grass widows." An original musical comedietta in I act,
by George March. Music by Virginia Gabriel. [Accomp.
for pianoforte.] London. Metzler & Co. 1875.
No. 2 in M.256.17
Lost and found. An operetta. Written by George March.
The music composed by Virginia Gabriel. [Accomp. for
pianoforte.] London. Duff & Stewart. [186-?] M.272.16
A rainy day. Operetta, in i act. The words by Miss (Hor-
ace) Smith. The music by Virginia Gabriel. [Accomp.
for pianoforte.] London. Davison & Co. [185-?]
No. 2 in M.272.15
452
Gabriel, Mary Ann Virginia. (Continued.)
See from Zion's sacred mountain. Solo [s. or t.] & quar-
tett. [Accomp. for organ. Arranged by S. A. Ward.]
Boston. Ditson & Co. [187-?] No. 30 in M. 190.8
Who's the heir? An operetta, written by George March.
The music by Virginia Gabriel. [Accomp. for piano-
forte.] London. Duff & Stewart. [186-?] No. i in M.272.15
Widows bewitched. An operetta, written by Hamilton
Aide. The music by Virginia Gabriel. [Accomp. for
pianoforte.] London. Metzler & Co. [186-?] M.272.17
Gabriel Archangelus. Mass. Palestrina. Werke. Band 10.
M.8o4oa.66.io
Gabriel et Marie. Song. Masini. Album. No. 5 in M. 237.5
Gabriel Grub. For the Music see Fox. For the Libretto see
Wood, F.
Gabriel-Marie,
En reve. Esquisse symphonique. Partition d'orchestre.
Paris. Richault. 1897. No. 2 in M.405.34
Gabrieli, Andrea.
Sacerdos et pontifex. [Motet, s. a. t. b.] (In Lueck. Samm-
lung ausgezeichneter Compositionen fur die Kirche. Band
4, pp. 102-105.) No. 28 in M. 158.33.4
Te Deum Patrem ingenitum. [Motet.] (In Lueck. Samm-
lung ausgezeichneter Compositionen fur die Kirche. Band
3, pp. 109-112.) No. 30 in M. 158.33.3
Gabrieli, Giovanni.
Benedictus. (For 3 choruses in 12 voices.) [Boston. Daven-
port. 187-?] No. 9 in M.260.21
Also to be found in Rochlitz*s Sammlung vorziiglicher Gesangstiicke.
In ecclesiis benedicite Domino [s. s. a. x. b.]. (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band i, Abthei-
lung 2, pp. 29-33.) No. 33 in M.202.6.1
Magnificat [in A minor. Accomp. for organ]. (In Rim-
bault. Collection of ancient church music. Vol. 2, pp.
43-54.) No. 3 in M.233.25.2
Gabriella. Opera. For the Music see Pizzi. For the Libretto
see Byrne.
Gabriella. Song. Roeerti. Inspirations italiennes.
No. I in M.364.10
Gabriella di Vergi. Ofera. For the Music see Carafa. For
the Libretto see Profamo.
Gabrielle d'Estrees, ou les amours d'Henri IV. Opera. For
the Music see Mehul. For the Libretto see Saint-Just.
Gabrielli. Niccolo, Conte.
Don Gregorio. Opera comique en 3 actes. Poeme de T.
Sauvage et de Leuven [pseud.]. Musique du Comte N.
Gabrielli. [Partition chant et piano.] Paris. Escudier.
[1859.1 M.364.34
Le printemps. [Chanson, s. ou t. Accomp. de piano.] Por-
trait. Facsimile. (In Album du Gaulois. Vol. i.)
No. 18 in M.391.28.1
Gabussi, Vincenzo.
Una Candida colomba. Duettino [s. t. Accomp. di piano].
(In Lira d'ltalia. Pp. 220-225.) No. 53 in M. 157.39
Gabussi
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gade
Gabussi, Vincenzo. (Continued.)
Clemenza di Valois. Melodramma in 3 atti. Parole del S^
Gaeto Rossi. Musica di V. Gabussi. [Riduzione per
canto e piano.] Milano. Ricordi. [184-?] M.232.3
La rivolta del serraglio. Quartetto [s. s. a. a. Accomp. di
piano]. London. Cramer & Co. [187-?] No. 6 in M.244.11
The shepherdesses' lament. A trio [s. s. s. Accomp. for
pianoforte]. (/» Novello's Collection of trios. Vol. 4,
PP- 35-40.) No. 5 in M.204.36.4
Gaces Brulez.
Quand nord et gele et froi dure. [Chanson, a. or b., with
bass part added.] (/n Smith. Musica antiqua. P. 16.)
M.236.10
Gackstaetter, Franz.
Das Herz gehort dam Vaterland. [Mannerchor.] (In Das
Riitli. Pp. 240-242.) No. 102 in M.147.4
Sonntagslied [t. t. b. B.]. (In Das Riitli. P. 45.)
No. IS in M.147.4
Gackstaetter, J. G. D.
Vaterlandslied [t. t. b. b.]. (In Das Riitli. Pp. 212, 21,1.)
No. 88 in M.147.4
Gade, Niels Wilhelm.
Agnete und die Meermadchen. Gedicht von H. C. Ander-
sen. Fiir eine Solostimme, Frauenchor und Orchester
componirt von Niels W. Gade. Partitur. Kopenhagen.
Hansen. [188-?] No. i in M.333.12
Aquarellen. Kleine Tonbilder. Op. 19. Elegie, Scherzo,
Canzouette, Humoreske, Novellette, fiir Streichquintett
Oder Streichorchester, bearbeitet von Richard Hofmann.
Partitur. Leipzig. Kistner. fi88-?] No. 2 in M.34S.44
Beim Sonnenuntergang. Gedicht von A. Munch fiibersetzt
von Edm. Lobedanz]. Concertstiick fiir gemischten Chor
und Orchester von Niels W. Gade. Clavier-Auszug.
Leipzig. Kistner. [187-?] No. I in M. 270.39
Bilder des Jahres. Gedicht von Carl Andersen (deutsche
Ubersetzung von Edmund Lobedanz). Componirt fiir
Frauenchor, Solostimmen [s. A. t.] und Pianoforte zu 4
Handen von Niels W. Gade. Leipzig. Kistner. [187-?]
No. I in M.270.32
Comala. Dramatisches Gedicht nach Ossian, fiir Solo \s. s,
A. t.], Chor und Orchester. In Musik gesetzt von Niels
W. Gade. Op. 12. Partitur. Leipzig. Breitkopf & Hartel.
[1883?] M.352.14
Same. Clavierauszug. M.270.37
The crusaders. See his Die Kreuzfahrer.
Der Kinder Christabend. Op. 36. Fiir Streichorchester
bearbeitet von Richard Hofmann. Partitur. Leipzig.
Kistner. [187-?] No. I in M.346.28
The desert fountain. See his Die Quelle in der Wiiste.
Drei Tonstucke fiir die Orgel. Op. 22. Leipzig. Breitkopf
& Hartel. [187-?] No. 2 in M.414.35
Erlkonigs Tochter (Elverskud). Ballade nach diinischen
Volkssagen fiir Solo, Chor und Orchester componirt von
Niels W. Gade. Klavier-Auszug. Leipzig. Kistner. [1870.]
M.270.35
Same. The Erl-king's daughter. Ballad founded on Danish
legends. The English version by Louisa Vance. The
music composed for solo voices, chorus and orchestra by
N. W. Gade. [Accomp. for pianoforte. Octavo edition.]
London. Novello, Ewer & Co. [187-?] No. 3 in M. 155.5
The fountain in the desert. See his Die Quelle in der Wiiste.
Friihlings-Botschaft. Concertstiick [von E. Geibel], fiir
Chor und Orchester von Niels W. Gade. Partitur. Leip-
zig. Breitkopf & Hartel. [186-?] M.270.33
Same. Klavierauszug. No. 2 in M.270.34
Friihlings-Phantasie. Concertstiick fiir 4 Solostimmen, Or-
chester und Pianoforte. Partitur. [Leipzig. Breitkopf
& Hartel. 186-?] M.270.40
Same. Klavierauszug. No 3 in M.270.39
5 Gedichte aus „Bilder des Orients" von Stieglitz. Fiir eine
Singstim'ne [t. oder s.] mit Pianoforte componirt von
Gade, Niels Wilhelm. (Continued.)
Niels W. Gade. Op. 24. Leipzig. Kistner. [1854?]
No. I in M.ig2.3
Contents. — Deine Stimme lass ertonen [t.] — Meinen Kranz hab' ich
gesendet [s.]. — Am Brunnen [s.]. — Standchen [T.]. — Wenn der
letzte Saum des Tages [s.].
Fiinf Gesange fiir Mannerchor. Op. 38. Leipzig. Breit-
kopf & Hartel. [185-?] No. 8in M.157.21; No. ioinM.392.9
Contents. — Die Quelle in der Wiiste. — Singers Gliick. — Minnelied.
— Lebensweisheit. — Fruhlingsnahen.
Fiinf Gesiinge fiir s. A. t. b. Op. 13. Leipzig. Kistner.
[1853?] No. 19 in M.203.11
Contents. — Ritter Friihling. — Die Wasserrose. — Morgenwanderung.
— Im Herbste. — Im Wald.
Fiinf Lieder fiir Mannerchor. Op. 33. Leipzig. Breitkopf
& Hartel. [1856?] No. 17 in M.203.11
Contents. — Warnung vor dem Rhein. — Thurmwachterslied. — Im
Wald. — Die Rose. — Noch ist die bluhende, goldene Zeit.
Gondola song [t. t. b. b.]. (/n Willard. Arion. P. 100.)
No. 58 in M.109.1
Hamlet. Concert-Ouverture fiir Orchester. Op. 37. Par-
titur. Leipzig. Breitkopf & Hartel. [187-?]
No. 3 in M.345.45
Die heilige Nacht. Concertstiick fiir Alt-Solo, Chor und
Orchester, nach dem Gedicht: Die Christnacht von Aug.
v. Platen. Musik von Niels W. Gade. Klavierauszug.
Leipzig. Breitkopf & Hartel. [187-?!
No. I in M.270.34; No. 2 in M.270.39; No. i in M.202.18
Im Hochland. Schottische Ouverture fiir Orchester. Op. 7.
Partitur. Leipzig. Kistner. [185-?] No. I in M.345.45
Kalanus. Dramatisches Gedicht von Carl Andersen. Fiir
Solo [s. T. B.], Chor und Orchester componirt von Niels
W. Gade. Op. 48. Partitur. Leipzig. Breitkopf & Har-
tel. [1873?] M.352.11
Same. Klavierauszug. M.270.38; No. 2 in M.270.32
Koncert fiir die Violine mit Begleitung des Orchesters.
Op. 56. Partitur, Leipzig. Breitkopf & Hartel. [i88r?]
No. I in M.34S.44
Die Kreuzfahrer. Dramatisches Gedicht von Carl Ander-
sen . . . Fiir Solo, Chor und Orchester componirt von
Niels W. Gade. Partitur. Leipzig. Breitkopf & Hartel.
[1865?] M.352.13
Same. Klavierauszug. M.270.36
Same. The crusaders, a cantata for solo voices [m.-s. t. b.],
chorus and orchestra. Composed by N. W. Gade. Op.
so. The English version adapted by J. Troutbeck, from
the German of Carl Andersen. [Accomp. for pianoforte.]
Octavo edition. London. Novello, Ewer & Co. [1882?]
No. I in M.155.5
Lieder fiir Mannerchor. Op. 26. Leipzig. Senff. [184-?]
No. 9 in M. 157.21; No. 19 in M.392.8; No. 9 in M.392.g
Contents. — Wanderlied. — Heinrich Frauenlob. — Die Studenten. —
Gondelfahrt. — Das Reh.
Lieder und Gesange mit Begleitung des Pianoforte. Heft
1-8. Leipzig. Kahnt. [186-?] 10 parts in i v.
No. 2-1 1 in M.192.3
Contents. — Serenade am Seeufer [a. oder b.]. — Die Rose [a. odor
B.]. — Eine Situation [s. oder T.]. — Fischerknaben Lied [a. oder B.].
— Agnetes Wiegenlied [a.]. — ■ Hemmings-Lied [bar.]. — Agnete und
der Meermann [a. oder bar.]. — Die Geliebte [bar.], — Der Birken-
baum [s. oder T.] . — Polnisches Vaterlandslied [s. oder t.]. — Der
Gondolier [a. oder B.]. — Leb' wohl, liebes Gretchen [bar.]. — Chor
der Meerweiber [s. s. A.]. — Die Nachtigall [s. s.]. — Auf die Schwalbe
[a. oder BAR.]. — Liebchens Schatze [9. oder T.]. — Stiller Vorwurf
[a. oder b.]. — Treue Liebe [s. oder t.]. — Das Madchen am Bach
[t] — . Die Loreley [a. oder b.]. — Der Spielmann [a. oder t.].
Michel Angelo. Concert-Ouverture fiir Orchester. Op. 39.
Partitur. Leipzig. Kistner. [187-?] No. 4 in M.345.4S
Nachklange von Ossian. Ouverture fiir Orchester. [Op.
I.] Partitur. Leipzig. Breitkopf & Hartel. [186-?]
No. 2 in M.34S.45
Novelletten. Vier Orchesterstiicke fur Streichinstrumente.
Op. S3- Partitur. Leipzig. Breitkopf & Hartel. [1877.]
No. 2 in M.332.18
453
Gade
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gaebler
Gade, Niels Wilhelm. (Continued.)
Novelletten (E dur, No. 2) fiir Streichorchester. Op. 58.
Partitur. Leipzig. Breitkopf & Hartel. [1893?]
No. 3 in M.332.18
Novelletten fiir das Pianoforte, Violine und Violoncell.
Op. 29. [Partitur.] Coin. Schloss. [1859?]
No. 5 in M.211.3.2
Same. [Stimmen, Violine und Violoncell. 1
No. 16 in M.211.4.1, 2
„0 du, der du die Liebe bist." Chor fiir s. a. t. b. Leipzig.
Siegel. [1858?] No. 18inM.203.11
Octett fiir 4 Violinen, 2 Bratschen & 2 Violoncelle. Op. 17.
Partitur. Leipzig. Breitkopf & Hartel. [186-?]
No. I in M.345.46
The poet's joy [t. t. b. b. Boston], Russell & Co. 1874.
No. II in M.384.12
„Psyche." Concertstiick fur Soli, Chor und Orchester, von
Niels W. Gade. Op. 60. Text nach C. Andersen. Deutsch
bearbeitet von Ed. Lobedanz. Partitur, mit deutschem
und englischem Texte. Leipzig. Breitkopf & Hartel.
[1882?] M.352.12
Quartett (No. I, D dur) fiir 2 Violinen, Viala und Violon-
cell. Op. 63. [Partitur.] Leipzig. Breitkopf & Hartel.
[1891?] No. 6inM.2ii.i
Same. [Stimmen.] 4 v. No. 2 in M.211.2.1-4
Die Quelle in der Wiiste. [Mannerchor.] (In Eidgenossi—
scher Sangerverein. Wettgesange bei dem 11. . . . San-
gerfeste. Pp. 44, 45.) No. 9 in M.130.7
Same. The desert fountain [t. t. b. b. Boston]. Russell &
Co. 1874. No. 16 in M.384.12
Same. The fountain in the desert [x. t. b. b.]. Philadelphia.
Boner & Co. [1886.] No. 11 in M.392.9
Reiter-Leben. Sechs Lieder fiir vier Miinnerstimmen. Op.
16. Leipzig. Kistner. [1850?]
No. 8 in M.392.9; No. 20 in M.203.11
Contents. —^ Reiters Morgenlied. — Einkehr. — Einquartierung. — Ab-
schied. — Angriff. — Reiters End'.
Return of spring [x. T. B. B. Boston]. Russell & Co. 1874.
No. 14 in M.384.12
The roe. [Part-song, x. x. b. b.] (In Chickering collection.
Vol. I, pp. 20-21.) No. 8 in M.392.48.1
6 Gesange fiir 4 Miinnerstimmen. Op. II. Leipzig. Breit-
kopf & Hartel. [184-?] No. 10 in M. 175.21; No. 7 in M.392.9
Contents. — Winterlied. — Waldlied. — Abendstandchen. — Hoffnung.
— Hor' ich ein Waldhorn klingen. — Trinklied am Rhein.
Sommertag auf dem Lande. Fiinf Orchesterstiicke. Op.
5. Partitur. Leipzig. Breitkopf & Hartel. [187-?]
No. 2 in M.345.46
Der Strom. Concertstiick fiir Soli [s. a. x. x. t. b.], Chor,
oblig. Pianoforte und Orchester. Text nach Goethe's un-
vollendeter Dichtung Mahomed. Musik von Niels W.
Gade. Op. 64. Englische Ubersetzung von E. D'Esterre-
Keeling. Partitur. Leipzig. Breitkopf & Hartel. 1893.
No. 3 in M.401.15
[Symphonies.] Namely:
Sinfonie [No. i, C moll] fiir grosses Orchester. Op. 5.
Partitur. Leipzig. Kistner. [184-?] M.345.36
Symphonie No. 2 [E dur], fiir Orchester. Op. 10. Parti-
tur. Leipzig. Breitkopf & Hartel. [186-?] M.345.37
Symphonie No. 3, A moll, fiir Orchester. Op. 15. Parti-
tur. Leipzig. Breitkopf & Hartel. [185-?] M.345.38
Sinfonie (No. 4, B dur) fiir Orchester. Op. 20. Partitur.
Leipzig. Kistner. [185-?] M.345.39
Symphonie No. 5, D moll, fiir Orchester [mit Pianoforte].
Op. 25. Partitur. Leipzig. Breitkopf & Hartel, [i86-?]
Sinfonie (No. 6, G moll) fur Orchester. Op. 32. Partitur.
Leipzig. Kistner. [186-?] M.345.41
Symphonie No. 7, F dur, fiir Orchester. Op .45. Partitur.
Leipzig. Breitkopf & Hartel. [187-?] M.345.42
Sinfonie (No. 8, H moll) fiir Orchester. Op. 47. Partitur.
Leipzig. Kistner. [1871.] M.345.43
454
Gade, Niels Wilhelm. (Continued.)
Trio fiir Pianoforte, Violine und Violoncell. Op. 42. [Par-
titur.] Leipzig. Breitkopf & Hartel. [1863.I
No. 6 in M.211.3.2
Same. [Stimmen, Violine und Violoncell.]
No. 17 in M.211.4.1,2
Trooper's song [x. x. b. b.]. (In Chickering collection.
Vol. I, p. 8.) No. 3 in M.392.48.1
A walk at dawn. A four-part song, (hi Novello's Part-song
book. 2d series. Vol. I.S, pp. 162-168.) No. 26 in M.195.1.15
The vifanderer. [Part-song, x. x. b. b.] (In Chickering col-
lection. Vol. 2, pp. 10-12.) No. 5 in M.392.48.5.2
Wanderlust. [Mannerchor.] (In Das Rutli. Pp. 317-319.)
No. 132 in M.147.4
The warning. [Part-song, x. x. b. b.]. (In Chickering col-
lection. Vol. 2, pp. 68-70.) No. 34 in M.392.48.2
The water-lily. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 16, pp. 61-64.) No. 10 in M.195.1.16
Winter song [x. x. b. b.]. (In Chickering collection. Vol. 2,
pp. 44, 45.) No. 23 in M.3g2.48.2
Zion. A cantata for baritone solo, chorus and orchestra.
[Accomp. for pianoforte.] Octavo edition. London. No-
vello, Ewer & Co. [1876?] No. 2 in M.155.5
Zwei Lustspiel-Ouverturen fiir Orchester. Partitur. Kopen-
hagen. Hansen. [189-?] 2 v. in i. No. 4, 5 in M.332.18
Contents. — i. Mariota. 2. Nordische Sennfahrt.
Gadobert, Benjamin.
Ordre du roi. Opera comique. Paroles de B. Gadobert &
fid. Duprez. Musique de O. Dhavernas. No. 2 in M.303.25
Gadsby, Henry Robert.
Alcestis, (Euripides) with music by Henry Gadsby. The
English version adapted from Dr. Potter's translation by
Frank Murray. [Accomp. for pianoforte.] London. No-
vello. Ewer & Co. [1S77.] No. 6 in M. 155.41
Blessed be the name of the Lord. Harvest anthem. [Ac-
comp. for organ.] London. Novello, Ewer & Co. 1878.
No. 12 in M. 158.16
Columbus. A dramatic cantata. The poetry written by W.
Grist. The music [for x. solo and male chorus] composed
by Henry Gadsby. [Accomp. for pianoforte.] London.
Novello, Ewer & Co. [1881.] No. i in M.392.45
I will lay me down in peace. Anthem. [Accomp. for or-
gan.] (In Novello's Collection of anthems. Vol. 10, pp.
50-53.) No. 8 in M. 195.2.10
The lord of the isles. A dramatic cantata (founded on Sir
Walter Scott's poem) by Frank Murray. The music by
Henry Gadsby. [Accomp. for pianoforte.] London.
Novello, Ewer & Co. [1879.] No. I in M.ig4.i2
The Lord is King. Festival anthem. [Accomp. for organ.]
London. Novello, Ewer & Co. [187-?] No. 13 in M. 157.29
Also to be found in Novello's Collection of anthems.
Not unto US, O Lord. Anthem. [Accomp. for organ.] (/;;
Novello's Collection of anthems. Vol. 11, pp. 1-20.)
No. I in M.195.2.11
"O Lord, our Governour." Full anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. i, pp.
197-204.) No. 25 in M.195.2.1
The 130th Psalm. (Out of the deep.) A sacred cantata.
[Accomp. for piano or organ.] London. Addison &
Laurent. [187-?] No. 3 in M.391.39
Ponder my words, O Lord. Full anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 3, pp.
14-18.) No. 3 in M.195.2.3
Rejoice greatly. An anthem for Palm Sunday. [Accomp.
for organ.] (In Novello's Collection of anthems. Vol. 3,
pp. 61-65.) No. 8 in M.19S.2.3
Gaebler, Ernst Friedrich.
Prinz Friedrich Carl u. seine Reiter, fiir eine Tenor-Solo-
Stimme und vierstimmigen Mannerchor mit Begleitung
des Orchesters. Op. 21. Partitur mit unterlegtem Cla-
vierauszug. Breslau. Leuckart. [1867?] No. 9 in M.212.5
Gaensbacher
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gallet
Gaensbacher, Johann Baptist.
O Thou! who hast at Thy command. Sacred song [a. or
BAR. Accomp. for organ!, (/n Ayrton. Sacred min-
strelsy. Vol. 2. pp. i68, 169.) No. 62 in M.290.22.2
Gaense, Die. Part-song. Oberlee. Chorlieder. No. 18 in M.158.21
Gaense. Song. Taueert. C. G. W. Der frohliche Mann.
No. 16 in M. 192.8
Gaertner, Carl.
Im Walde. fCantate.l Componirt von Julius Otto.
No. I in M.212.12
Gaertner, Der. Song. Schumann, R. A. Sechs Gesange.
No. 3 in M.244.15.4; etc.
Gaertnerin, Die, aus Liebe. Ol>era. For the Mltsic see Mozart.
For the Libretto see Calzabigi.
Gaertnermagdchen, Das. Opera. For the Music see Wolf,
E. W. For the Libretto see Musaeus.
Gaffiot, Paul Edmond.
Un suicide en partie double. Operette. Paroles de Ed. Bel-
val [pseud.]. Musique de Andre Simiot. No. 6 in M.322.16
Gage, William Leonard, editor.
Lam.\dius. The life of Felix Mendelssohn Bartholdy.
M.109.7; etc.
Gageure, La, d'Adrienne. Opera. For the Music see Duprato.
For the Libretto see Colombeau, E. F. A. de.
Gageure, La, d'Ali-Boron. Opera. For the Music see Simiot.
For the Libretto see Lefebvre, H.
Gagliano, Marco Zanobi da.
La Dafne di Marco da Gagliano. [Poesia di Ottavio Rinuc-
cini. Per canto e piano. 1 Firenze. C. Marescotti. 1608.
(In Oper, Die, von ihren ersten Anfangen bis zur Mitte
des 18. Jahrhunderts. Theil i, pp. 77-117.) M.400.6.1
Gagliarda. Madrigal. Hasler. No. 18 in M.392.27
Gail, Edmee Sophie.
Les deux jaloux. Opera-comique en i acte et en prose. Pa-
roles de Mr * * * fj. B. C. Vial]. Musique de Mmf: Sophie
Gfail. Partition]. Paris. Gaveaux. [1813.] M.272.19
Ni jamais, ni toujours. Nocturne \s. Accomp. for piano-
forte]. (In Musical librarj'. Vol. i, pp. 48, 49.)
No. 22 in M.235.18.1
La serenade. Opera comique en un acte, arrange par Mm<-'
Sophie Gay. Musique de M"ie Sophie Gail. [Partition.]
Paris. Petit. [1818.] M.272.i8
Gail, Jean Francois.
Reflexions sur le gout musical en France. Paris. Paulin.
1832. No. I in M. 116.14; No. 3 in M.197.8
Gailhard, Pierre.
Guernica. Drame lyrique. Poeme de P. Gailhard & P. B.
Gheusi. Musique de Paul Vidal. M.32S.37
Gaily, gaily. Part-song. Meyerbeer. No. 16 in M.IS7.17.2
Gaily I lived. Glee. Cooke, B. No. 32 in M. 234.3.4; etc.
Gaily o'er the ocean. Part-song. Abt, F. No. 91 in M. 157.6.2
Gaily thro' the greenwood. Part-song. Young, W. J. Six four-
part songs. No. 9 in M. 158. 23
Gaily we ride. Part-song. Havens. No. 27 in M.190.3
Gaisford, Frances.
Hymns and their associations. London. Stock. i88g.
M.377-4
Galabert, Edmond.
Georges Bizet. Souvenirs et correspondance. Paris. Levy.
1877. No. 3 in M. 134.9
Galante aventure. Opera. For the Music see Guiraud. For
the Libretto see Poupart.
Galatea. For orchestra. Jensen, A. No. i in M.403.76
Galathee. Chorus. Weckerlin. Soirees parisiennes.
No. 2 in M. 158.44
Galathee. For violin and piano. Louis, N. No. 15 in M.390.29
Galathee. Opera. For the Music see Masse. For the Li-
bretto see Barbier. P. J.
Galeotti, Cesare.
Anton. Prologo, due parti ed epilogo. Libretto di Luigi
Illica. Musica di Cesare Galeotti. Riduzione per canto
e pianoforte. [Milano.] Ricordi & c. 1901. M.3gg.20
Gales of ev'ning. Glee. Cooke, R. Eight glees.
No. 4 in M.220.8
Galilei. Opera. For the Music see Dahlwitz. For the Li-
bretto see Pasque.
Galin-Paris-Cheve method. See Cheve method.
Gall, Jan.
Maiden with the lips so rosy [t. t. b. b.]. New York.
Schirmer. [1886.] No. 12 in M.392.9
Gallani,
Le philosophe imaginaire del Signor Paesiello. M.401.28
Gallans qui par terre. Part-song. Lassus. Sammtliche Werke.
Band 16. M.8o4oa.67.i6
Gallant buccaneer, The. Part-song. Haite. No. 50 in m. 157.6.3
Gallant hero, A, is the spring. Part-song. Esser.
No. 6 in M.203.7
Gallay, Jules.
Les instruments a archet a I'Exposition universelle de 1867.
Paris. Jouast. 1867. No. 7 in M.376.2
Gallay, Jules, editor.
Bruni, a. B. Un inventaire sous la Terreur. M.121.6
Dumanoir, G. Le mariage de la musique avec la danse.
M.119.5
Sibire. Les luthiers italiens aux XVII« et XVHJe siecles.
M.128.10
Gallet, Louis.
A la memoire de Georges Bizet. Vers. Paris. Levy. 1890.
No. 2 in M.139.22
Ariane. Poeme lyrique. Musique de L. Maupeou.
No. 2 in M. 194.22
Ascanio. Opera. Musique de C. Saint-Saens. M.321.24
L'attaque du moulin. Drame lyrique. Musique de Alfred
Bruneau. M.27S.13
Le chevalier Jean. Drame lyrique. Paroles de Louis Gallet
et fidouard Blau. Musique de Victorin Joncieres. M.286.29
Le Cid. Opera de MM. Ad. D'Ennery fpseud.], L. Gallet
et fid. Blau. Musique de J. Massenet. M.2S7.4
Cinq-Mars. Opera. Poeme de Paul Poirson & Louis Gal-
let. Musique de Charles Gounod. M.266.23
La cle d'or. Comedie lyrique. [Paroles de] Octave Feuillet
& Louis Gallet. [Musique de] Eugene Gautier. M.2S6.23
Cleopatre, scene lyrique. Musique de Alph. Duvernoy.
No. 3 in M.154.44
La coupe du roi de Thule. Opera de Louis Gallet & Edou-
ard Blau. Musique de Eugene Diaz. M.295.3g
Dejanire. Musique [de C. Saint-Saens]. No. I in M. 193. 10
Le deluge. Poeme biblique. Musique de Camille Saint-
Saens. No. I in M.321.20
Same. Die Siindfluth. Poeme biblique. Musique de Camille
Saint-Saens. M.341.30
Same. The deluge. Biblical cantata. [Music by] C. Saint-
Saens. No. 2 in M.384.42
Djamileh. Opera comique. Musique de Georges Bizet.
No. 2 in M.26S.21
Same. The slave in love. "L'esclave amoureuse." Opera
comique. [IMusic by] Georges Bizet. M.3g4.63
Le Drac (Der Fluthgeist). Drame lyrique. Musique de P.
& L. Hillemacher. M.39S.34
Endymion. Poeme mythologique. Musique de Albert
Cahen. M.275.19
Etienne Marcel. Opera. Musique de C. Saint-Saens.
M.321.23
Eva. JNIysterium. Componirt von J. Massenet.
No. 3 in M.257.5
Same. Eve. A mystery. Music by J. Massenet.
No. I in M.257.10
La femrne de Claude. Drame lyrique. Musique de Albert
Cahen. M.394.34
Fredegonde. Opera. Musique de Ernest Guiraud et Ca-
mille Saint-Saens. M.303.8
Les Guelfes. Opera. Musique de Benjamin Godard. M.381.17
Jahel. Tra.gedie lyrique de Simone Arnaud [pseud.], avec
la collaboration de Louis Gallet. Musique de Arthur
Coquard. M.393.IS
45.S
Gallet
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Camera
Gallet, Louis. (Continued.)
Joel. Opera. Musique de Gilbert Des Roches.
No. I in M.307.26; etc.
Lancelot. Drame lyrique. fPoeme de Louis Gallet et
fidouard Blau. Musique de Victorin Joncieres.] M.402.28
Marie-Magdeleine. Drame sacre. Musique de J. Massenet.
No. I in M.2S7.S
Moina. Drame lyrique. Musique de Isidore de Lara. M.395.59
Notes d'un librettiste. Musique contemporaine. Preface de
Ludovic Halevy. Paris. Levy. 1891. M.102.27
Contents. — Preface. — Georges Bi«et. — Eugene Gautier. — Jean
Conte. — Louis Lacombe. — Alexis de Castillon. — Victor Masse. —
Musique contemporaine.
Notre-Dame de la mer. Poeme legendaire. Musique de
Theodore Dubois. No. 2 in M.193.3
Patria. Poeme dramatique. Musique de Will. Chaumet.
No. 3 in M.396.3
Patrie. Grand opera de Victorien Sardou & Louis Gallet.
Musique de E. Paladilhe. M.277.37
La princesse jaune. Opera-comique. Musique de Camille
Saint-Saens. No. 2 in M._32i.i9
Proserpine. Drame lyrique. Musique de C. Saint-Saens.
M.321.22
II re di Lahore. Opera. Musica di Giulio Massenet. M.257.3
Le reve. Drame lyrique. Musique de Alfred Bruneau.
M.27S.1I
Sainte Agnes. Drame sacre. Musique de C. de Grandval.
No. I inM.15s.15
Le spahi. Poeme lyrique par Louis Gallet & Andre Alex-
andre. Musique de Lucien Lambert. M.395.41
Stratonice. Opera. Musique de Fournier-Alix.
No. 2 in M.30S.30
Thais. Comedie lyrique. Musique de J. Massenet. M.394.18
Titania. Drame musical de Louis Gallet et Andre Corneau.
Musique de Georges Hue. M.381.25
Thamara. Opera. Musique de L. A. Bourgault-Ducoudray.
M.305.21
Le Venitien. Opera. Musique de Albert Cahen. M.275.20
Galli, Amintore, translator.
Le Borne. Hedda. M.399.35
Samara. Histoire d'amour. M.396.58
Galll, Andrea.
Varbek. Tragedia lirica. Venezia. Molinari. 1843.
Libretto only, in Italian. No. 17 in M.147.8.3
Gallia. Anthem. Gounod. No. 4in M.290.13; etc.
Galliard, Jean Ernest.
f Calypso and Telemachus.] Songs in the opera of Calypso
and Telemachus . . . Composed by Mr. Galliard. The
words by Mr. Hughes. [Vocal score with figured bass.]
London. Walsh. [1712.] M.400.37
The hymn of Adam and Eve, . . . With an accompaniment
for the pianoforte by William Crotch. London. Novello.
[1837?] No. 2 in M.110.18
Same. The morning hymn, . . . from . . . Milton's Para-
dise lost. Set to music by J. E. Galliard. The overture,
accompanyments & chorusses added by Benjamin Cooke.
London. Printed by Welcker. [177.3-1 M.237.8
Same. Printed and sold by Rt. Birchall. [i77-?l
No. 2 in M.380.6
Join voices, all ye living souls. Duetto [s. s. Accomp. for
pianoforte]. (In Ayrton. Sacred minstrelsy. Vol. 2, pp.
93-95-) No. 38 in M.290.22.2
Also to be found in Gardiner's Sacred melodies.
Speak ye, who best can tell. Air and chorus from "The
morning hymn of Adam and Eve." [Accomp. for piano-
forte.] (In Turle and Taylor. The People's music book.
Vol. 2, pp. 337-344.) No. 82 in M.iii.4.2
Galliard, Jean Ernest, translator.
Tosi. Observations on the florid song. M.i2ga.9
Gallignani, Giuseppe.
Nestorio. Dramma lirico in 4 atti di F. Fulgonio e G. G.
[G. Gallignani]. Musica di G. Gallignani. Riduzione per
canto e pianoforte. Milano. Lucca. [1888.I M.399.21
Gallimard, Jean Edme.
La theorie des sons applicables a la musique. Paris. Bal-
lard. 1754. No. 6 in M.207.18
Gallus, Jacobus. See Handl, Jakob.
Gallus, Johann, pseud. See Megdrzicky, Jan.
Gallyot, Theodore.
L'amour mannequin. Opera-comique en i acte. Paroles de
J. Ruelle. Musique de Th« Gallyot. [Accomp. de piano.]
Paris. Biloir. [1867.] No. 2 in M.256.12
Galop, The. Devoted to dancing, music, etiquette and dress.
Vol. 9, no. 6, 7. Boston. 1892. No. 5, 6 in M.373.30
Galop, II. Duet. Mercadante. Soirees italiennes. M.367.10
Galop des fous. For pianoforte. Henriette. No. 36 in M.390.17
Galop triomphal. For pianoforte. Louis, N. No. 30 in M.390.26
Galoppe d'Onquaire, Jean Hyacinthe Adonis.
Apres Fontenoy, ou manche a manche. Opera-comique.
Musique de J. B. Wekerlin. No. I in M.326.21
La bourse ou la vie! Scenette. Musique de Charles Manry.
No. I in M.301.15
La laitiere de Trianon. Operette. Musique de J. B. Weker-
lin. No. 3 in M.326.21
Galuppi, Baldassare.
II filosofo in campagna. Dramma giocoso per musica del
Sigr Baldassar Galuppi detto Buranello. [Partitura.]
Manuscript. [Venezia? 1754?] Unpaged. M.40.6
Gloria. [A 4 voci, orchestra ed organo. Partitura.] Manu-
script. [182-?] M.201.7
[Idol mio che fiero istante. Rondeau, t., with accomp. for
strings.] Manuscript. [180-?] No. 3 in M. 120.19
Magnificat. [Fiir 4 Singstimmen mit Orchester-Begleitung.
Partitur.] Manuscript. [179-?] No. i in M.222.47
Missa [in C, for s. a. t. b.]. (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band i, pp.
1-18.) No. I in M. 158.33.1
Quel chiaro rivo e placido. Aria, t., con accomp. di due vio-
lini e violoncello. [Partitura.] Manuscript. [182-?]
No. 5 in M.120.16
Sacro horrore. Duetto, s. a. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. S, pp. 181-186.)
No. 32 in M.290.29.5
Galzerani, Giovanni.
Gli Abencerraghi ed i Zegrindi, ovvero la conquista di Gra-
nata. Azione mimica. Napoli. Tipografia Flautina. 1845.
Words only. No. 17 in M.I4S.2S
Gambale, L., editor.
Bi-WA. Melodie sacre, o inni, cantici, satitri popolari della
chiesa. M.143.9
Gambini, Carlo Andrea.
Christoforo Colombo, ossia la scoperta del Nuovo Mondo.
Ode-sinfonia in 4 parti, tradotta liberamente dal francese
con variazioni ed aggiunte da G. Torre. Posta in musica
da C. A. Gambini. Riduzione per canto e piano. Milana
Ricordi. [1852.] M.272.20
Gambold, John.
The flowers of spring may wither. Arietta [s. or t. Ac-
comp. for pianoforte]. (In Hasse, C. F. Sacred music.
P. 87.) No. 16 in M.201.37
Great author of my being. Arietta [s. or t. Accomp. for
pianoforte]. (In Hasse, C. F. Sacred music. P. 120.)
No. 22 in M.201.37
O what is Christ! Arietta [s. or T. Accomp. for piano-
forte]. (In Hasse, C. F. Sacred music. P. 135.)
No. 26 in M.201.37
Thou God of my salvation. Arietta [s. or t. Accomp. for
pianoforte]. (In Hasse, C. F. Sacred music. P. no.)
No. 20 in M.201.37
Gambrinus. Part-song. Ecker. No. 189 in M.147.4
Game of tredrille. Catch. Hutchinson, F. I pass, I pass.
No. 45 in M.220.10
Gamera,
Achille. Dramma. [Musica] del Signer Ferdinando Per.
H.50.4; etc.
456
Gamine
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gardiner
Gamine, La, de Paris. Opera. For the Music see Serpette.
For the Libretto see Leterrier.
Gammes, Les, d'Oscar. Opera. For the Music see Douay.
For the Libretto see Busnach.
Gammieri, Erennio.
Chatterton. Dramma lirico in 3 atti dei Sig" Michelangelo
Pinto ed Emanuele Bardare. Musica di Erennio Gam-
mieri. Riduzione per canto con accomp. di pianoforte di
Enrico Bernardi. Milano. Canti. [1867.! M.2S6.18
Niccolo de' Lapi. Dramma lirico in cinque atti del Cave's
Michelangelo Pinto, posto in musica del Maestro Erennio
Gammieri. Riduz. con accompto di pianoforte. Milano.
Lucca. 1877. M.383.17
Gandolfo. Opera. For the Music see Lecocq, A. C. For the
Libretto see Chivot.
Gandrey, Aristide.
Le divorce de Pierrot. Opera-comique de MM. Andre
Leneka et A. Gandrey. Musique de N. T. Ravera.
No. 2 in M.393.60; etc.
Gang down the bourne. Scotch air, harmonized for 3 voices
[t. t. B.]. Oxford. Hardy. [18 — ?] No. 10 in M.235.14
Gang, Der, nach dem Eisenhammer. Symphonic poem. Weber,
B. A. M.221.18; etc.
Gang, Der, nach Emmahus. Symphonic poem. Jensen, A.
No. I in M.337.5
Gang, Der, zum Liebchen. Song. Brahms. Sieben Lieder.
Op. 48. No. II in M.380.40.1
Gang zur Liebsten. Song. Brahms. Lieder und Roraanzen.
No. 4 in M.380.40.1
Ganne, Gustave Louis.
L'heureuse rencontre. Divertissement-Watteau mele de
chant par L. Roger-Miles et Charles Akar. Musique de
Louis Ganne. Paris. Enoch & Costallat. fiSo-?!
No. 2inM.384.17
Merveilleuses & gigolettes. Ballet-pantomime en 2 actes et
3 tableaux, de Jules Jouy & Jacques Lemaire. Musique
de Louis Ganne. Paris. Enoch & c'e. 1893.
No. I in M. 384.5
Le paradis de Mahomet. Operette de Henri Blondeau.
Musique de Robert Planquette. Completee par Louis
Ganne. M.389.1S
Phryne. Ballet en 2 actes et 3 tableaux de Auguste Ger-
main. Musique de Louis Ganne. Partition pour piano
seul. Paris. Enoch & c'e. 1897. No. i in M.384.6
Rabelais. Piece operette en 4 actes et 5 tableaux de Oscar
Metenier & Dubut de Laforest. Musique de Louis Ganne.
Partition chant et piano. Paris. Choudens. 1892.
No. 2 in M.256.33
"Un raseur," ou, I'importun. Pantomime dansee en I acte.
Scenario de Georges Boyer et J. Hansen. Musique de
Louis Ganne. [Partition pour piano. 1 Paris. Enoch &
cie. 189s. No. 2 in M.384.6
Les saltimbanques. Opera comique en 3 actes et 4 tableaux
de Maurice Ordonneau. Musique de Louis Ganne. Par-
tition chant et piano. Paris. Choudens. 1900. M.402.21
Gantez, Annibal.
L'entretien des musiciens . . . Public d'apres I'edition d'Au-
xerre, 1643, avec preface, notes et eclaircissements par
Ern. Thoinan fpseud.]. Paris. Claudin. 1878. M.141.9
Principally on church music in France.
Ganymed. Song. Schubert, F. P. Sammtliche Composi-
tionen. M.244.i2;etc.
Ganz Herz, Das, dem Vaterland! Part-song. Sauer, F.
No. 70 in M. 147.4
Ganz Rom. Song. Hiller, F. Acht Ritornelle.
No. 21 in M.ig2.3
Gar lieblich hat sich gesellet. Song. Brahms. Deutsche
Volkslieder. Heft i. No. 9 in M.380.40.3
Garal, Pierre de, translator.
HiGNARD. Hamlet. M.366.13
Garat, L. de.
Jacques Clement. Opera. Musique de A. Grisy. Paroles
de L. de Garat, H. Sauvage et A. Larsonneur. M.303.6
Garat, Pierre Jean.
MiEL, E. F. A. M. Notice sur Pierre Jean Garat, celebre
chanteur. Cambrai. 1840. No. 2 in M. 197.3
Garcia, E.
Messa i^a a quatro voci, del Sigr Garcia. 1818. C. M.
Baetens scripsit, 1859. [Per canto ed organo. Manu-
script.! i8S9. M.384.49
Messa 2* a quatro voci, del Sigr Garcia. C. M. Baetens scrip-
sit, 1859. [Per canto ed organo. Manuscript.] 1859.
M.384.50
Messa 3^ a quatro voci, del Sig'' E. Garcia. C. M. Baetens
scripsit, i860. [Per canto ed organo. Manuscript.! i860.
M.384.51
Messa 4^ a quatro voci, del E. Garcia. C. M. Baetens scrip-
sit, i860. [Per canto ed organo. Manuscript.] i860.
M.384.52
Garcia, Manuel del Popolo Vicente.
El bagelito nuevo. Cancion andaluza, con acomp. de piano
y guitarra. [Madrid. 185-?] No. 17 in M.391.57
Ouverture [et airs] du Prince d'occasion. Arrange pour
piano. [Paroles de Lamartelliere.] Paris. De Momigny.
[1817.! 7 parts in i v. No. 2 in M.261.30
Se me prestasse i vanni. Canone a 3 voci. {In fichos d'lta-
lie. Vol. 4, pp. 148-1.S3.) No. 21 in M.1S7.14
Garcin, Jules Auguste Salomon.
Suite symphonique. Op. 25. Partition d'orchestre. Paris.
Durand & Schoenewerk. [1890.] No. i in M.358.1S
Gargon de cabinet. Opera. For the Music see Talexy. For
the Libretto see Najac.
Garde moi souvenir. Song. Schubert, F. P. Melodies. Vol. 2.
M.327.4.2
Garde-chasse, Le. Opera. For the Music see Collin, L. For
the Libretto see Guy, M.
Gardel-Herve, pseud. See Ronger, , fils.
Garden, The, of Olivet. Oratorio. For the Music see Bottesini.
For the Libretto see Bennett, J.
Gardener, The. Trio. Brahms. Four trios. No. 2 in M.204.7
Gardeton, Cesar.
Bibliographic musicale de la France et de I'etranger.
[Anon.] Paris. Niogret. 1822. M. 197.9
Gardeuse, La, d'oies. Opera. For the Music see Lacome d'Es-
talenx. For the Libretto see Leterrier.
Gardinenpredigt, Eine. Part-song. Kuntze. No. 12 in M.392.15
Gardiner, William.
Judah. A sacred oratorio, in score; written, composed, and
adapted to the works of Haydn, Mozart and Beethoven.
London. Clementi. [182-?] M.241.29
Music and friends. London. Longman, Orme, Brown &
Longman. 1838-51. 3 v. M.101.40
The music of nature; or, an attempt to prove that what is
passionate and pleasing in the art of singing, speaking and
performing upon musical instruments is derived from the
sounds of the animated world. 3d edition. Boston. San-
born, Carter & Bazin. 1856. Plate. M.112.7
Sights in Italy, with some account of the present state of
music and the sister arts in that country. London. Long-
mans. [1847.1 M.101.39
Gardiner, William, editor.
Beethoven. Great God, to Thee. No. 22 in M.290.g.i
Beyle. The life of Haydn [by G. Carpani], . . . M.116.1
Sacred melodies, from Haydn, Mozart and Beethoven.
Adapted to the best English poets, and appropriated to
the use of the British Church. [Accomp. for organ.]
London. Clementi & Co. [1812-1828?] 6 v. M.236.30
Contents. — I, 2. Hymn and psalm tunes. 3. Anthems : Purcell : O
give thanks. ■ — Graun : Come soft, relenting charity. — Greene : The
Lord will deliver the righteous ; God is our hope and strength. —
Croft: O Lord, Thou hast searched me out. — Blake: I have set
God always before me. — Gardiner: But Thou wilt not leave my soul
in hell. — Boyce : By the waters of Babylon. — Greene: Sing unto
the Lord a new song. — Mozart: O what mercy 1 — - Croft: This is
the day which the Lord hath made. — Marcello : As the hart panteth.
— Croft: We will rejoice in Thy salvation; Sing unto God, O ye
kingdoms. — Kent: Hear my prayer, O God. — Boyce: Be Thou
my judge. — Haydn: O God, who in Thy heavenly hand. — Croft:
I.s8
457
Gardiner
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gartz
Gardiner, William, editor. (Continued.)
Hearken, O Israel. — Greene : O God of my righteousness. — Gold-
win • I will sing unto the Lord. — Gardiner: As for sinners, they
shall be consumed. — Sarti : O taste and see. — Ciampi : Hear me,
O God — Broderip : Awake up, my glory. — Weldon : In Thee, O
Lord, have I put m.y trust. — Purcell : Te Deum. 4- Anthems : Mo-
zart : At morning, noon and evening. — Haydn : Great and glorious
is the God of Israel. — Beethoven: Deep stillness reigns on the
waters. — Mozart : O what beauty. Lord, appears. — Hummel : Great
eternal sovereign Ruler. — Mozart: Why do the heathen rage; Set
up Thyself, O God. — Gardiner: He that ruleth Israel. — Mozart:
O how good it is. — Haydn : Blessed is the man. — Mozart : O how
happy are all they that pity the poor ; As pants the hart ; Judah re-
joices. — Galliard: Join voices all ye living souls. — Gardiner: The
King shall rejoice. — Zingarelli: O what tongue can tell. — Mozart:
How excellent is Thy Majesty. — Pergolesi : Eow down Thine ear;
O Lord Thine anger is turned. — Mozart: Hail, bright star of Jacob.
— Eybler: Lord, how boundless is Thy love. — Mozart: Unto Thee
will I pray; Glory be to God the great Jehovah; Lord, how pleasant
'tis to see. — Gardiner: The eyes of all wait upon Thee. — Ritter :
Come, let us worship Him. — Croft: O be joyful, — Haydn: Behold
how good and lovely. — Greene: Thou, O God, art praised. — Saba-
tini: Zion arise in gladness. — Mozart: Tho' fearfully raging the
tempest arises; Now rejoicing. — Gardiner: O God, how wonderful.
Haydn: O stand fast, s, 6. Selections from Rossini's Moses,
Haydn's La Tempesta, etc.
Gardner, George.
The hills stand about Jerusalem. Anthem for t. solo and
chorus. fAccomp. for organ.] (In Novello's Collection
of anthems. Vol. IS, PP. 9-17-) No. 2 in M.195.2.15
Gare aux choux. Ofcra. For the Mu.sic see Roques. For the
Libretto see Dubourg.
Garguille, Gaultier, pseud. See Gueru, Hugues.
Garibaldi. Opera. For the Music see Cowen. For the Li-
bretto see Rosalind.
Gariboldi, Giuseppe.
Au clair de la lune. Opera comique en i acte. Paroles de
G. Longuet. Musique de G. Gariboldi. Partition chant
et piano. Paris. Schonenberger. [1872.] No. i in M.256.19
Garin, J. M.
Messe a 2 voix egales, avec accompt d'orgue ou d'harmo-
nium. Paris. Haton. [189-?] No. 3 in M.156.16
Oratorio-pastorale a trois voix, solos, duos et chaurs, avec
texte latin tire de la liturgie, et paroles francaises. Avec
accompt d'orgue et de piano, ad libitum. Paris. Haton.
[189-?] No. 4 in M.156.16
Garland, The. Song. Mendelssoiin-Bartholdy, J. L. F.
Songs. No. 73 in M.244.21 ; etc.
Garlands, The, fade. Glee. Spofforth, R. Collection of glees.
No. 9 in M.235.1S
Garnier, Jean Louis Charles.
Le Nouvel opera de Paris. Paris. Ducher & cie. 1878-81.
Text, 2 v.; Atlas, 2 v. in i. Portrait. 100 plates. M.17.1
Garnier, Leon.
Hardi! les bleus! Episode des guerres vendeennes. Opera-
comique. Paroles de L. Garnier et A. Lhoste. Musique
de Justin Clerice. M.394.64
Pavie. Opera-comique. Musique de Justin Clerice.
No. I in M.394.12
Garnir, George.
Jean-Michel. Nouvelle musicale. Poeme de George Garnir
& Henry Vallier. Musique de Albert Dupuis. M.399.76
Gamisaire, Le. Ofera. For the Music see Douay. For the
Libretto see Tourte.
Garrett, George Mursell.
Cathedral services, in score, with organ accomp. London.
Novello & Co. ri86--,?l rr ■ r- ., r^, ■ M.234.II
Contents. — Te Deum, Jubilate, Sanctus, Kyrie, Credo, Gloria, Magnifi-
cat, and Nunc dimittis in D. — Te Deum, Jubilate, Magnificat and
Nunc dimittis in F. — Te Deum, Benedictus, Sanctus and Kyrie in E.
Hope. Choruses in waltz form, for male voices, with piano-
forte accomp., the words from "London society," the
music by George Garrett. London. Novello, Ewer & Co.
[i877?l No. 4 in M.ISS.41
In humble faith and holy love. Anthem for Trinity Sunday.
[Accomp. for organ.] London. Novello, Ewer & Co.
ri868?l No. 15 in M. 190.3
It shall come to pass. Anthem for Advent or Whitsuntide.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. II, pp. 61-74.) No. 6 in M.195.2.11
Garrett, George Mursell. (Continued.)
The Lord is loving. Thanksgivng anthem. fAccomp. for
organ.] (In Novello's Collection of anthems. Vol. 2, pp.
114-120.) No .13 in M.I9S.2.2
May carol. [Part-song.] London. Novello, Ewer & Co.
1870. No. 33 in M.157.23
O, my luve's like a red, red rose. A four-part song. Lon-
don. Novello, Ewer & Co. 1869. No. 13 in M.158.16
Praise the Lord, O my soul. Anthem. [Accomp. for or-
gan.] (In Novello's Collection of anthems. Vol. 3. PP.
79-93.) No. II inM.195.2.3
Praise ye the Lord for His goodness. Anthem for harvest.
[Accomp. for organ.] London. Novello, Ewer & Co.
1880. No. I4in M.IS8.16
Prepare ye the way of the Lord. Full anthem for Advent.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 2, pp. 161-168.) No. 19 in M.I9S.2.2
The Shunammite. A sacred cantata for soli voices, chorus,
and orchestra. [Accomp. for pianoforte.] London. No-
vello, Ewer & Co. [1882.] No. 2 in M.194.13
Te Deum laudamus. In F. Accomp. for organ. (In No-
vello's Parish choir book. Pp. 32-37-) No. 6 in M.157.30
They that put their trust in the Lord. [Anthem. Accomp.
for organ.] London. Novello, Ewer & Co. [187-?]
No. 14 in M.190.3
Thus saith the Lord. Anthem for Lent. [t. solo and cho-
rus, s. s. A. A. T. T. B. B. Accomp. for organ.] (In Novello's
Collection of anthems. Vol. 11, pp. 75-91-)
No. 7 in M.195.2.TI
Garrick, David.
Cymon. A dramatic romance. Composed by Michael Arne.
M.350.1 ; etc.
Same. The original music composed by Michael Arne. New
music Gomposed by Henry R. Bishop. M.396.1
LilHput. A dramatic romance, with additional songs and
a masque, written by F. G. Fisher. The music composed
by D. Corri. No. 3 in M.391.63
Garrula rondinella. Duet. Sweelinck. Werken. Deel 8.
M.413.2.8
Garth, John.
Care, thou canker. Catch a 3 voci. (In Apollonian harmony.
Vol. I. p. 50.) No. 23 in M.I4I.2I.1
Also to be found in Bland's The Ladies' collection; dementi's Col-
lection of catches ; Flowers of harmony ; Social harmony ; Webbe,
Jr.'s Convito armonico.
When the rosy morn. Trio [s. s. t.] sung in the opera of
Rosina. (In Musical library. Vol. 4, pp. 8-10.)
An adaptation of the catch Care thou canker. No. 4 in M. 235.18.4
Garth, Richard Machill.
Ezekiel. A dramatic oratorio. The words selected and
arranged by C. R. Linton. The music by R. Machill
Garth. [Accomp. for pianoforte.] London. Novello,
Ewer & Co. [188-?] No. I in M.194.13
Gartheil und Krauseminz. Part-sonq. Baldamus. Beliebte
und empfehlenswerthe Mannerchore. No. 2 in M.203.11
Gartz, Friedrich.
Ich bin ein lust'ger Vogel [t. t. b. b.]. Op. 6g. Schleusin-
gen. Glaser. [188-?] No. IS in M.392.9
Mein Liedel. [Mannerchor.] (In Gruber. San^eshort.
Heft 2, p. 20.) No. 2 in M.370.30
Zwei Gesange fiir Mannerstimmen. Op. 9. Berlin. Traut-
wein. [186-?] 2 parts in I V. No. 13, 14 in M.392.9
Contents. — i. Wanderlied. 2. Trinklied vom Main.
Zwei heitere Lieder [t. t. b. b.]. Op. 70. Schleusingen.
Glaser. [188-?] No. 4 in M.392.36
Contents. — Frommer Wunsch. — Der Jagersmann.
Gartz, Friedrich, editor.
Thesaurus. Fine Sammlung neuer Lieder und Gesange fiir
Mannerchore. Lieferung 1-3. Berlin. Stubenrauch.
[187-?] 3 parts in i v. No. 26-28 in M.203.7
Contents. — i. Fliigel: Hymnus; Nachtgesang; Spatzenlenz; Vom
Geldsack. Schaab : Liebestraum ; Nun nehme ich den Wanderstab.
Gartz : Des alten Wandrers Rath ; Wie's kommt, so ist es gut. 2.
Tauwitz: Vaterland und Heimath. — Gartz: An die Walschen;
Kriegers Abschied ; Reiterlied. — FlSgel : Recrutenlied ; Elsass muss
458
Gartz
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gatty
I
Gartz, Friedricli. cdilor. (Continued.)
unser seini — Stein: Im Freien. — Pickert: An die Sterne. — Tau-
witz: Abendgruss. 3. Flugel : Hurrah, Germania! So wird es ge-
schehen : Der Krieg; Frisch auf, mein freics Vaterland! Sabelkampf;
Heil dir, O Preussenland ; Vaterlandisches Volkslied. — Tauwitz :
Deutsche Art. — Stein : Arcona ; Meinem Vaterlande. — Gartz : Das
Vaterland.
Garvan. Glee. Callcott, J. W. No. 2 in M.220.4; etc.
Gascogne, Jean.
Le Marechal Chaudron. Opera-comique de H. Chivot, J.
Gascogne & G. Rolle. Musique de P. Lacome. M.402.32
Gascogner, Der. Opera. For the Music see Suppe. For the
Libretto see Genee.
Gaskin, James J.
The early history, theory, and practice of vocal music, sight
and part singing "made interesting;" according to Wil-
helm's system. London. Emery, i860. M.112.14
Gaspari, Gaetano.
L'equivoco stravagante. Dramma giocoso, posto in musica
da G. Rossini. M.150.32; etc.
Messa, in sit", per tenori e bassi con accompagnamento d'or-
chestra fol d'organo. fPartitura.l Milano. Ricordi.
ri86-?l M.380.S3
II Salmo Davidico Miserere raei Deus. Messo in musica a
cinque voci, con accomp. di organo o pianoforte ad libi-
tum. Milano. Ricordi. fiSS-?] No. 5 in M.192.19
Gaspari, Gaetano. Works about.
Parisini, F. Elogio funebre del Cav. Prof. Gaetano Gaspari.
Bologna. 1882. No. 5 in M.372.43
Gaspari, Paul.
Le cousin Benoit. Opera-comique. Musique de A. Mansour.
No. 3 in M.393.S8
Gasparini, Francesco.
Quando corpus morietur. Duet fs. a. Accomp. for or^anl.
(/» Ayrton. Sacred minstrelsy. Vol. i, pp. 174-176.)
No. 60 in M.290.22.1
Gasparone. Opera. For the Music see Milloecker. For the
Libretto see Walzel.
Gasparri, Gaetano. See Gaspari, Gaetano.
Gasperini, Auguste de.
La nouvelle Allemagne musicale. Richard Wagner. Paris.
Heugel & cie. 1866. Portrait. Facsimiles.
No. 2 in M.123.13
Gassmann, Florian Leopold.
Agnus Dei und Dona nobis pacem fs. a. t. b., mit Piano-
forte-Begleitungl. (In Rochlitz. Sammlung vorziiglicher
Gesangstiicke. Band 7,, pp. 89-94.) No. 16 in M.202.6.3
L'amore artigiano; a comic opera. London. Cadell. 1778.
Libretto only, in English and Italian. No. 5 in M.147.5
Gast, Peter, pseud. See Koeselitz, Heinrich.
Gastaldon, Stanislao.
Mala Pasqua (da la Cavalleria rusticana di G. Verga).
Dramma lirico in due atti di G. D. Bartocci Fontana.
Musica di Stanislao Gastaldon . . , Opera completa per
canto e pianoforte. Milano. Ricordi & c. [189-?] M.396.49
Gastibelza. Opera. For the Music see Maillart. For the Li-
bretto see Philippe, A.
Gasttaeau, Benjamin.
Croquignole XXXVL Operette bouffe. Paroles de MM.
de Forges Tpseud.] et Gastineau. Musique de Ernest
L'fipine. No. 3 in M.363.23
Gastineau, Octave.
Babiole. Operette villageoise. Paroles de Clairville fpseud.]
& Gastineau. Musique de Laurent de Rille. M.307.21
Le grand due de Matapa. Opera bouffe. Paroles de M"
Clairville fpseud.l et O. Gastineau. Musique de J. J. De-
billemont. M.29S.11
Panurge. Opera comique de Clairville fpseud.l & Gasti-
neau. Musique d'Herve fpseud.l. M.276.27
Gastinel, Leon Gustave Cyprien.
Messe solennelle fpour trois voix de femmes. Accomp.
d'org""!- CEuvre 42. Paris. Mayens-Couvreur. [185-?]
No. 2 in M.201.6
Gastinel, Leon Gustave Cyprien. (Continued.)
Le miroir. Opera comique en i acte . . . Paroles de Bayard
et d'Avrigny. Musique de Leon Gastinel. Partition re-
duite avec ace' de piano. Paris. Richault. [1853.]
No. 2 in M.256.20
L'opera aux fenetres. Operette en i acte. Paroles de Lu-
dovic Halevy. Musique de L. Gastinel. Partition piano
et chant. Paris. Brandus, Dufour & cie. [1857.]
No. 3 in M.368.29
Le reve. Ballet en 2 actes et 3 tableaux de MM. fidouard
Blau et J. Hansen. Musique de Leon Gastinel. Partition
pour piano, reduite par F. Kcenig. Paris. Hartmann &
cie. r 1890.1 No. I in M.256.20
Titus et Berenice. Operette bouffe en i acte. Poeme de
Mr Ed. Fournier. Musique de L. Gastinel. [Partition
chant et piano.l Paris. Escudier. fi86o.l
No. 2 in M.30S.42
Gastinel, Leon Gustave Cyprien. Works about.
BoissoN, F. Leon Gastinel. Paris. 1893. No. 3 in M.102.24
Gastoldi, Giovanni Giacomo.
Amor im Nachen. [Madrigal, x. x. b. b.1 (In Widmann.
Sechs Madrigale. Heft 2, pp. 2-5.) No. 18 in M.392.27
„An hellen Tagen." [Madrigal, x. x. b. b.1 (In Widmann.
Sechs Madrigale. Heft i, pp. 6-9.) No. 17 in M.392.27
Hence, dull care and sadness. See his Viver lieto voglio.
Maidens fair of Mantua's city. Balletto [s. s. a. x. b. Scorel.
(In Taylor. Vocal school of Italy. Pp. 100, loi.)
No. 21 in M.237.28
Same. Maidens fair of Padua's city. Madrigal [s. s. .\. x. b.1.
London. Novello. fi84-?l No. 15 in M.158.16
Also to be found in Musical times [Music].
O happy he who liveth! Ballet [s. s. a. x. b.1. (In Monk.
Novello's Part-song book. Pp. 106-108.) No. 26 in M.1.S7.4
Out upon it! Madrigal [s. s. a. x. b.1. (In Musical library.
Vol. I, pp. 162. 163.) No. 71 in M.23S.18.1
Soldiers, brave and gallant be. Madrigal [s. s. a. x. b.1. (In
Musical times. [ Music. 1 Vol. i, pp. 30-32.)
No. 14 in M.I7S.I.I
Soon as the silver moonbeams. [Madrigal, s. s. a. t. b.1 (In
Taylor. Vocal school of Italy. Pp. 102-107.)
No. 22 in M.237.28
Viver lieto voglio. Ballet [s. s. a. t. b.1. (/« Taylor. Madri-
gals, [ist set.l) No. 13 in M.237.1S
Same. Hence, dull care and sadness. [Ballet, s. s. a. t. b.1
(In Oliphant. Madrigals in parts. 2d series.)
No. 71 in M.237.IS
Gaston de Foix. Romance. Linley, G. Songs. Vol. i.
No. 34 in M.235.19.1
Gate. The, of gold. Song. Blumenthal. No. 18 in M.244.1
Gateau, Le, des rois. Song. Vaucoreeil. Melodies. M. 213.25
Gather each flovyer. Chorus. Bishop, H. R.
No. 3 in M.23S.16; etc.
Gather ve rosebuds. Part-song.
Blumenthal. 6 part-songs. No. 2 in M.158.23
Haxxon. No. 12 in M.1.S7.10
Macfarren, G. A. No. 3 in M.1S7.1
Gather your rosebuds while you may. Glee. Lawes. W.
No. 30 in M.141.21.2; etc.
Gatty. Alfred.
The bell; its origin, history, and uses. London. Bell. 1848.
Illus. M.I08.I7
Gatty. Sir Alfred Scott-.
£. s. d. A musical charade for three persons. Words by
S. H. Gatty, music by A. S. Gatty. [Accomp. for piano-
forte.1 London. Boosey & Co. [i88-?l No. 5 in M.IS4.16
Rumpelstiltskin. A musical play for the young. (Adapted
from one of Grimm's Household stories.) The dialogue,
lyrics, and music written and composed by Alfred Scott
Gatty. lAccomp. for pianoforte.] London. Boosey & Co.
1894. No. 31 in M.402.65
"The three bears." A musical play in two acts; the dia-
logue. Ivrics and vocal music written and composed by
Alfred Scott-Gattv: the dances composed by Nicholas C.
Gatty. [Vocal score.] London. Boosey & Co. 1896.
No. 2 in M.396.71
459
Gatty
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gaul
Gatty, Nicholas Comyn.
"The three bears." A musical play; the dialogue, lyrics and
vocal music written and composed by Alfred Scott-Gatty;
the dances composed by Nicholas C. Gatty.
No. 2 in M.396.71
Gatty, S. H.
£. s. d. A musical charade for three persons. Music by
A. S. Gatty. No. .■; in M.i54-i6
Gauby, Josef.
„Geh, Diandl, mach's Fensterl auf !" fx. t. b. b.] Op. 38,
No. I. Partitur. Leipzig. Kistner. [1887?!
No. 24 in M.392.8
„I siach schon, i wass schon" fx. x. b. B.l. Op. .'^8, No. 2.
Partitur. LeipziR. Kistner. [1887?! No. 2S in M.392.8
Im Grase thaut's, die Blumen traumen . . . fiir Tenor Solo
und vierstimmigen Mannerchor. Op. 18. Partitur. Bres-
lau. Mainauer. [188-?! No. 16 in M.392.9
Ein Lied zu deinem Ruhme . . . Fiir vierstimmigen Man-
nerchor. Op. 21. Partitur. Breslau. Hainauer. [188-?!
No. 17 in M.392.g
Meeresabend. Fiir Mannerchor mit Tenor-Solo und Be-
gleitung des Pianoforte. Op. 9- Breslau. Hainauer.
fi88-?l No. loin M.212.S
Same. Night at sea [x. x. b. b. English version by Allen A.
Brown]. Boston. Schmidt. [1886.] No. 19 in M.392.9
Neue Lieder (Mannerchore) aus Steiermark. Op. 32. Bres-
lau. Hainauer. fi88-?] 3 parts in i v.
No. 20-22 in M.392.8
Contents. — i. Mei Schatz is fort. 2. Die Murzthaler Buam. 3. Die
Augerl voll Wasser.
Zwei Karntnerlieder fiir Mannerchor. Op. 33- Breslau.
Hainauer. [i88-?1 No. 23 in M.392.8
Contents. — Ja, wenn i's Stiindle nur wusst. — Kegelscheib n, das mag
i nett.
Zwei Steierlieder fx. x. b. b.]. Op. 25. Breslau. Hainauer.
f i88-?l No. 18 in M.392.9
Contents. — „Der Mond scheint in's Wasser." — „Steig auf'n Baam."
Gaude Barbara beata. Motet. Palesxrina. Werke. Band 2, 7.
M.8o4oa.66.2, 7
Gaude et laetare. Motet.
Lassus. Siimmtliche Werke. Band 3- M.8o4oa.67.3
SwEELiNCK. Werken. Deel 6. M.4I3-2.6
Gaude, Maria. Anthem. Loxxi. No. 16 in M, 158.33.4
VixxoRiA. Opera. Tomus i. M.313.2.1
Gaude, Les, pour Noel, ou les allegresses de la S" Vierge. [A
une voix, A. ou B. Accomp. d'orgue.1 Paris. fHeugel.
186-? Petite maitrise. Annee i.l No. 28 in M.201.34
Gaude praesul optime. Motet. Palesxrina. Werke. Band 3-
M.8o4oa.66.3
Gaude quia meruisti. Motet. Palesxrina. Werke. Band 2.
M.8o4oa.66.2
Gaudeamus. [Part-song, x. x. b. b.] (/« Willard. Arion. P. 53-)
No. 30 in M.109.1
Gaudeamus igitur. Part-song. Schmoelzer. Vier Lieder.
No. 70 in M.3g2.2i
Gaudeamus omnes. Motet. Labax. 26 grands motets. M.213.23
Gaudeat exultetque. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Gaudefroy, A.
Academic de musique de Lille, succursale du Conservatoire
de Paris. Lille. Quarre. 1891. M.21S.8
Gaudemus. Anthem. Carissimi. No. 7 in M.233.26.1
Gaudent in coelis. Motet.
Lassus. Sammtliche Werke. Band i. M.8o4oa.67.i
Palesxrina. Werke. Band 5- M.8o4oa.66.s
VixxoRiA. Opera. Tomus i. M.313.2.1
Walliser. No. 43 in M.202.6.1
Gaudet chorus coelestium. Anthem. Haydn, F. J. M.260.23.2
Gaudete omnes et laetamini. Anthem. Sweelinck. Werken.
Deel 6. M.413.2.6
Gaudichot-Masson, Auguste Michel Benoit.
Le grand prix ou le voyage a frais communs. Opera co-
mique . . . Paroles de MM. Gabriel [pseud.] et Masson.
Mis en musique . . . par Adolphe Adam. M.380.48
Gaudichot-Masson, Auguste Michel Benoit. (Continued.)
Gredin de Pigoche. Operette. Paroles de Michel Masson et
Georges Path. Musique de Vogel. No. 2 in M.389.7
Micheline ou I'heure de I'esprit. Opera comique de MM. St.
Hilaire & Masson. Mis en musique par Ad. Adam.
M.400.3S
La moissonneuse. Drame lyrique. Paroles de MM. Anicet
Bourgeois & Michel Masson. Musique de Ad. Vogel.
M.326.8
La St. Sylvestre. Opera comique. Paroles de MM. Meles-
ville [pseud. 1 et Michel Masson. Musique de F. Bazin.
No. 2 in M.2SS.43
Gaudichot-Masson. Michel.
Roman d'un jour. Opera comique. Poeme de Michel Mas-
son fils & Armand Lafrique. Musique de Eugene An-
thiome. M.2SS.7
Gaudimel, Claude.
Domine, quid multiplicati sunt. Motette Psalm. (In Roch-
litz. Sammlung vorziiglicher Gesangstiicke. Band i.
Abth. I, p. 24-26.) No. II in M.202.6.1
Gaudriole, La. Opera. For the Music see Vizentini. For the
LiBREXxo see Truinet.
Gaugiran-Nanteuil. Charles.
Lulli et Quinault. Opera comique. Musique de Nicolo de
Malte [pseud.l. M.283.34
Les maris gar(;ons. Opera comique. Mis en musique . . .
par H. Berton. M.271.6
Gaugler, Theodor.
Morgenwanderung im Mondenschein. [Mannerchor.] (In
Claassen. Ludwig Liebe-Album. P. 13.) No. 11 in M.203.16
Gauklerin, Die. Opera. For the Music see Ohnesorg, C. For
the LiBREXxo see Ohnesorg, H.
Gaul. Alfred Robert.
The better land. Part-song. London. Novello. Ewer &
Co. [i88-?l No. 10 in M.157.25
The day is done. Descriptive choral song for unaccom-
panied singing. London. Novello, Ewer & Co. [188-?]
No. 8 in M. 157-25
"Daybreak." Part-song. London. Patey & Willis. 1S83.
No. 19 in M. 158.16
"Footsteps of angels." Descriptive choral song for unac-
companied singing. London. Novello, Ewer & Co. [i88-?l
No. II in M.157.25
The holy city, a sacred cantata. [Accomp. for pianoforte.]
2d edition. London. Novello, Ewer & Co. [1882?]
No. 2 in M.I5S-8
Israel in the wilderness. A sacred cantata, for 3 solo voices
[s. X.BAR.], chorus and orchestra. Verse by Jetty Vo.gel.
Music by A. R. Gaul. [Accomp. for pianoforte.] Octavo
edition. London. Novello, Ewer & Co. 1802.
No. I in M.1SS.7
It shall be light. [Anthem, s. s. a. Accomp. for organ.]
Boston. Russell. [i88-?l No. 17 in M.1S8.16
Joan of Arc, "The maid of Orleans." An historical cantata.
Verse by Frederick Enoch. Music by A. R. Gaul. [Ac-
comp. for pianoforte.] London. Novello. Ewer & Co.
[1888?] No. I in M.I5S-6
"Let Thy merciful ears." Anthem. [Accomp. for organ.]
London. Patey & Willis. 1883. No. 22 in M.158.16
List' the cherubic host. [Anthem, s. s. s. a. A.l Boston.
Russell. [i8o-?l No. i6inM.i.58.i6
"Lord Ullin's daughter." Descriptive choral song for men's
voices. Words by Campbell. Music bv Alfred R. Gaul.
[Accomp. for pianoforte.] London. Patey & Willis.
fig8_?l No. 2 in M.203.13
"O God who hast prepared." Anthem. [Accomp. for or-
gan ] London. Patey & Willis. [iSS-;?]
No. 18 in M.IS8.16
Ruth. A sacred cantata. Words by Edward Oxenford.
Music bv A. R. Gaul. [Accomp. for pianoforte.] Octavo
edition. London. Novello, Ewer & Co. [1881.]
No. I in M.I5.S.8
460
Gaul
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gaveaux
Gaul, Alfred Robert. (Continued.)
The silent land. Part-song:. London. Novello. Ewer &
Co. [i88-?l No. 9inM.157.2s
"The sing-ers." Part-song. London. Patey & Willis. 188.^.
No. 20 in M.is8.i6
A song of life (ode to music). Verse by "Ravenswood"
rpseud.]. Set to music for four-part chorus by A. R. Gaul.
fAccomp. for pianoforte.] Octavo edition. London.
Novello, Ewer & Co. 1892. No. 2 in M. 155-7
The ten virgins. A sacred cantata for 4 solo voices and cho-
rus. [Accomp. for pianoforte.] Octavo edition. London.
Novello, Ewer & Co. fiSgo.] No. 2 in M.iss.6
"This is the day." Anthem. fAccomp. for organ.] Lon-
don. Patey & Willis. 1883. No. 21 in M.is8.i6
Una. An allegorical romance. Cantata for four solo voices,
chorus and orchestra . . . Verse by Frederick Enoch.
Music by A. R. Gaul. [Accomp. for pianoforte.] Octavo
edition. London. Novello, Ewer & Co. 1893.
No. .sin M.155-7
Gaultier Garguille, pseud. See Gueru, Hugues.
Gauntlett, Henry John.
I will go unto the altar. Anthem. fAccomp. for organ.]
(In Fowle. Parochial anthems. Pp. 113-116.)
No. I in M.233.29
Also to be found in Novello's Collection of anthems.
The Prayer-book chants; or, the Venite. Te Deum ... ar-
ranged for 4 voices witli organ accompaniments . . .
London. Haddon. fi86-?l No. .3.3 in M.157.30
This is the day the Lord hath made. Anthem. fAccomp.
for organ.] (hi Fowle. Parochial anthems. Pp. 2,3-2.!;.)
No. I in M.233.29
Thou wilt keep him in perfect peace. Anthem. fAccomp.
for or.gan.l London. Novello, Ewer & Co. fi86-?l
No. 6 in M. 157.29
Also to be found in Novello's Collection of anthems ; Novello's Col-
lection of 31 anthems.
Gauthier de Mont-d'Orge. See Gautier de Montdorge, An-
toine.
Gauthier- Villars, Henry.
Notes sans portees, par L'ouvreuse du Cirque d'Ete (Willy)
f pseud.]. Avec illustrations de Jose Engel. Paris. Flam-
marion. 1896. Portrait. Plates. M.37S-i8
La ronde des blanches. fPar] L'ouvreuse (Willy) f pseud.].
Paris. Moliere. 1901. . M.37S.19
Criticisms of musical affairs in Pans durmg 1900 and 1901.
The author sometimes uses the pseudonym of L'ouvreuse, sometimes
that of Waiy.
Gautier, Jean Francois Eugene.
La cle d'or. Comedie lyrique. fParoles de] Octave Feuillet
& Louis Gallet. fMusique de] Eugene Gautier. Parti-
tion chant & piano. Paris. Hartmann. fi873.] M.2S6.23
Le docteur Mirabolan. Opera comique en I acte. Paroles
de Cormon fpseud.] et Trianon. Musique de E. Gautier.
Partition chant et piano. Paris. Meissonnier. fi86o.]
No. I in M.256.24
Flore et Zephire. Opera comique en i acte. Poeme de
Leuven fpseud.] et Ch. Deslvs. Mis en musique . . . par
Eugene (Jautier. Partition piano et chant. Paris. Be-
nacci-Peschier. fi852.] No. 2 in M.2.56.2I
Jocrisse. Opera comique en i acte. Paroles de Cormon
fpseud.] et H. Trianon. Musique de E. Gautier. Parti-
tion chant et piano. Paris. Meissonnier. fi862.1
No. I in M.256.21
Le mariage extravagant. Opera comique en i acte, arrange
par Mr Cormon fpseud.] d'apres Desaugiers et M"" de
V * * *. Musique de Eugene Gautier. Partition piano et
chant. Paris. Meissonnier. fi8=;7.1 M.256.22
Le marin de la garde. Opera comique en i acte. Paroles de
M"' S' Yves fpseud.]. Musique de Eugene Gautier. f Par-
tition chant et piano.] Paris. Bureau central de musique.
f 1849.] No. 3 in M.368.28
Murdock le bandit. Opera comique en i acte. Poeme de
Mr. de Leuven fpseud.]. Musique de E. Gautier. f Parti-
tion chant et piano.] Paris. Bureau central de musique.
fi8';i.] M.364.3S
Gautier, Jean Frangois Eugene. (Continued.)
Un musicien en vacances. fitudes et souvenirs. Paris.
Leduc. r 1873.1 M.106.17
La poularde de Caux. Operette de MM. A. de Leuven
fpseud.] et V. Prilleux. Musique de L. Clapisson, Gevaert,
E. Gautier . . . No. i in M.293.10
Quand viendra la saison nouvelle. Villanelle fs. ou t. Ac-
comp. de piano]. Portrait. Facsimile. (In Album du
Gaulois. Vol. i.) No. 19 in M.391.28.1
Schahabaham L Opera bouffe en i acte. Paroles de MM.
de Leuven [pseud.] et Michel Carre. Mis en musique . . .
par Eug. Gautier. Partition piano et chant. Paris. Quel-
quejeu. [1854.] No. 2 in M.256.24
Gautier, Judith.
Richard Wagner and his poetical work, from "Rienzi" to
"Parsifal." Translated by L. S. Jfackson]. Boston. Wil-
liams & Co. 1883. Portrait. M.109.32
Richard Wagner et son ceuvre poetique depuis Rienzi
jusqu'a Parsifal. Paris. Charavay. 1882. Portrait. Fac-
simile. M.ii9a.2i
Gautier, L. E.
filoge d'Alexandre Choron. fCaen. 1867.] No. 3 in M.207.9
Gautier, Theophile.
Les nuits d'ete. 6 melodies. Musique de H. Berlioz.
No. I in M.391.32
Same. Die Sommernachte. 6 Gesange, componirt von
Hector Berlioz. No. 4 in M.270.5S
Same. Summer nights. 6 songs set to music by Hector
Berlioz. No. 2 in M.26S.S
Le selam. Symphonie orientale. Musique de E. Reyer.
No. 2 in M.307.12
Gautier de Montdorge, Antoine.
Les festins d'Hebe. Opera-ballet. fMusique de] Rameau.
M.297.31
Same. Les fetes d'Hebe, ou les talents lyriques. Ballet.
fMusique de Rameau.] M.402a-25.9
Gavardie, Armande de.
Fleur de neige. Opera comique. fMusique de Charles
Henry.] No. i in M.402.68
Gavaudan, Jean Sebastien Fulchran Bosquier.
Le diable en vacances, ou la suite du diable couleur de rose.
Opera feerie et comique. Paroles de Desaugiers et Bos-
quier Gavaudan. Musique de P. Gaveaux. M.272.27
Gavaudan family.
Paroisse-Poucin, F. A. A. Figures d'Opera-comique. Ma-
dame Dugazon, Elleviou, les Gavaudan. Paris. 1875. 3
portraits. M.l37.a
Gavault, Paul.
Les demoiselles des Saint-Cyriens. Operette de P. Gavault
& V. de Cottens. Musique de Louis Varney. M.402.58
Le jockey malgre lui. Vaudeville operette de M. Ordon-
neau et P. Gavault. Musique de Victor Roger. M.381.36
Les petites Barnett. Comedie-operette. Musique de Louis
Varney. M.402.5g
Le pompier de service. Vaudeville-operette de Victor de
Cottens & Paul Gavault. Musique de Louis Varney.
M-39S.73
Shakspeare! Operette-bouffe de Paul Gavault & P.-L. Flers
fpseud.]. Musique de Gaston Serpette. M.399.58
Gaveaux, Pierre.
L'amour filial. Opera en i acte. Paroles de Demoustier.
Musique de P. Gaveaux. fPartition.] Paris. Imbault.
[1792.] M.272.21
Avis aux femmes, ou le mari colere. Comedie en i acte en
prose. Paroles de R. G. Guilbert Pixerecourt . . . Musique
de P. Gaveaux. fPartition.] Paris. Gaveaux. fi8o4.]
M.272.24
Le bouffe et le tailleur. Opera comique en i acte. Paroles
de Armand Gouffe et fPierre] Villers fsic] . . . Musique
de Gaveaux. Partition piano et chant. Paris. Legouix.
[ 187-?! No. 3 in M.2S6.33
461
Gaveaux
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gebet
Gaveaux, Pierre. (Continued.)
Le diable couleur de rose, ou le bon homme misere. Opera
comique en i acte. Paroles de Levrier Champrion. Mu-
sique de P. Gaveaux. [Partition.! Paris. Gaveaux.
fi8o4.1 M.272.29
Le diable en vacances, ou la suite du diable couleur de rose.
Opera feerie et comique, en I acte. Paroles de Desaugiers
et Bosquier Gavaudan. Musique de P. Gaveaux. [Par-
tition.! Paris. Gaveaux. [1805.! M.272.27
L'echelle de sole. Opera comique, en un acte et en vers
libres; paroles de Mr Planard. Musique de P. Gaveaux.
CEuvre 26. [Partition.! Paris. A la Nouveaute. [1808.!
M.398.S
L'enfant prodigue. Opera en .3 actes et en vers. Paroles de
Mm" * * * [F. L. Ribouttee et J. M. Souriguieres de Saint-
Marc. Mis en musique! Par P. Gaveaux. [Partition.!
Paris. Gaveaux. [1811.I M.224.24
La famille indigente. Opera en i acte. Paroles de B. Plan-
terre. Mis en musique par P. Gaveaux. [Partition.!
Paris. Gaveaux. \I79^■^ M.272.30
Lise et Colin. Opera comique en 2 actes. Paroles d'Eugene
Hus. P. Gaveaux auteur de la musique. [Partition.! Paris.
Gaveaux. [1796.! M.272.23
Monsieur des Chalumeaux. Opera bouffon en 3 actes; pa-
roles de Mr Auguste [pseud. Musique del P. Gaveaux.
[Partition.! Paris. Gaveaux. [1806.! M.224.25
Le petit matelot. Opera en I acte. Paroles de Pigault le
Brun ... P. Gaveaux auteur de la musique. [Partition.!
Paris. Gaveaux. [i7g6.1 M.272.28
Un quart-d'heure de silence. Opera comique en i acte.
Paroles de P. Guillet . . . [Musique de! P. Gaveaux. [Par-
tition.! Paris. Gaveaux. [1804.! M.272.22
La rose blanche et la rose rouge. Drame lyrique en trois
actes. Paroles de R. C. Guilbert Pixerecourt. Musique
de Pierre Gaveaux. CEuv. XXVIL [Partition d'or-
chestre.! Paris. Gaveaux. [1809.! M.401.18
Sophie et Moncars, ou I'intrigue portugaise. Opera en 3
actes . . . Paroles de J. H. Guy, mises en musique par P.
Gaveaux. [Partition.] Paris. Gaveaux. [1797.! M.272.26
Le traite nul. Opera en i acte. Paroles de M. MarssoUier,
... P. Gaveaux auteur de la musique. [Partition.! Paris.
Gaveaux. [i797-l M.272.2S
Gavinies, Pierre.
Le pretendu. Intermede en 3 actes. [Paroles de Ricco-
boni.! Mis en musique par P. Gavinies. [Partition.!
Paris. L'auteur. [1760.! 11.272.31
Gavotte d'amour. For orchestra. Langer, C. No. 2 in M.403.91
Gavottes. See Orchestra. Music.
Gay, John.
The beggar's opera. [Full score.! Manuscript. [London.
176-?! M.320.1S
Same. 7th edition. Prefix'd the ouverture in score; and the
music to each song. London. Watts. I7.';4. M.107.2
Same. A new edition . . . for the piano forte, voice and
violin; the basses entirely new, with the additional altera-
tions by Dr. Arne. London. Dale. [i8o-?!
No. 6 in M.391.S4
Same. Arranged from a very scarce edition. [Gay's text!
altered and adapted, . . . with new symphonies and ac-
companiments for the pianoforte by John Barnett.
M.396.33
Gay. Marie Francoise Sophie Michault de Lavalette.
Le maitre de chapelle. ou le souper imprevu, arrangee en
opera comique. Mis en musique par Ferdinand Paer.
M.227.7; etc.
La serenade. Opera comique. Musique de M™e Sophie Gail.
M.272.18
Gay and sad. Part-sonn. Parker, J. C. D. 7 part-songs.
M.i.';7.i3
Gay Bacchus. Catch. Pring. No. .S in M.23S.17.3
Gay Bacchus alone. Glee. Danby. No. 48 in M.235.17.3
Gay Parisienne, The. Ofera. For the Music see Tilkins. For
the Libretto see Dance.
Gay sprites. Part-song. Jackson, R. No. 25 in M.157.23
Gaylord, C. Walter.
Let me with light. Hymn anthem. [Accomp. for organ.!
Boston. White, Smith & Co. [1892.! No. 23 in M.158.16
Lift your glad voices. Easter anthem. [Accomp. for or-
gan.! Boston. White-Smith Music Publishing Co. [1894.I
No. 7 in M.203.27
Venite, in G. Anthem for quartette or chorus choir. [Ac-
comp. for organ.! Boston. White-Smith Music Publish-
ing Co. [1894.! No. 8 in M.203.27
Gazaniga, Giuseppe. See Gazzaniga, Giuseppe.
Gazza ladra. La. Ol^era. For the Music see Rossini. For the
Libretto see Gherardinj.
Gazzaniga, Giuseppe.
II finto cieco. Opera in due atti. La musica del Sig. G.
Gazaniga. [Partitura.! Manuscript. Vienna. Sukowatij.
[1770?! 2 V. M.40.7
La locanda. Opera bernesca [in tre atti. Partitura]. Manu-
script. [1782?! 3 V. M.40.8
La moglie capricciosa. [Opera in 2 atti. Partitura.! Manu-
script. [179-?! 2 V. M.320.16
Gazzetta, La. Opera. For the Music see Rossini. For the
Libretto see Tottola.
Gazette musicale de Paris. See Revue et gazette musicale de
Paris.
Geant, Le. Song. Vaucorbeil. Melodies. M.213.25
Geary, Thomas Augustine. See Geary, Timothy.
Geary, Timothy.
O come, ye fragrant gales. [Duet, s. s.] (In Bland. The
Ladies' collection. Vol. 4, P. .^68.) No. 60 in M.235.17.4
Soft is the zephyr's breezy wing. Duet [s. A.l. {In The
Apollo. Vol. A. pp. 26-^-267. 1 No. 6 in M.i39a.i8.4
Also to be found in Bland's The Ladies' collection; Musical library.
Gebauer, Michel Joseph.
Marche. [Pour le pianoforte.! (/n Pierre, C. V. D. Mu-
sique des fetes et ceremonies de la Revolution franqaise
... Pp. .=;.=;4, .S5.S.) M.380.14
Gebesserte Eigensinnige, Die. Ofera. For the Music see
Martin y Solar. For the Libretto see Ponte.
Gebet. Part-song.
Abt, F. Die Kirmes. No. 4. No. 4 in M.392.1
Hauptmann, M. Drei geistliche Chorgesange.
No. 5 in M.i.';7-22
Kalliwoda, J. W. 2 Gesange. No. 45 in M.3g2.ii
Otto, F. No. 87 in M.i29a.44; etc.
ScHOTT. No. 30 in M.i29a.43.9
ScHRECK, G. E. No. 45 in M.392.23
Schubert, F. P. Chor-Gesangwerke. Band i.
No. 10 in M.28o.43-i; etc.
Gebet. Song.
Schumann, R. A. Werke. Serie 13, Band 4. M.316.1.13.4
Taubert, C. G. W. Klange aus der Kinderwelt. [Heft 9.!
No. 5 in M.192.8
Gebet auf den Wassern. Part-song. Erlanger, G.
No. s in M.203.1 ; etc.
Gebet aus dem Freischiitz. Part-song. Weber, C. M. F. E. von.
No. 123 in M.i29a.43.4
Gebet, Das. des Herrn. Anthem. Schuetz. No. ,33 in M.202.6.2
Gebet der See. Part-song. Zoellner, A. No. 38 in M.392.27
Gebet der Turner. Part-song. Gottwald. No. 34 in M.204.39
Sattler. No. 33 in M.204.39
Gebet deutscher Krieger. Cantata. For the Music see
Hamma, B.
Gebet fiir das Reich. Part-song. Sattler. No. 16 in M.204.39
Gebet fiir das Reich. Song. Pierson, H. H. No. 15 in M.204.39
Gebet fiir's Vaterland. Volksweise [t. t. b. b.!. (In Das Riitli.
Pp. 53-55-) No. 18 in M.I47-4
Gebet, Das, Jesu. Motet. Schicht. Motetten. Heft 7.
No. 7 in M.236.19
Gebet um die Geliebte. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band 2. No. 55 in M.244.7
462
Gebet
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gehn
Gebet vor der Schlacht. Part-song.
Spohr, L. No. 21 in M.203.20
Storch. No. 29 in M. 1293.44
Gebet vor der Schlacht. Son/j. Weber, C. M. F. E. von.
Sammtliche Lieder. Band i. No. 41 in M.244.7
Gebet wahrend der Schlacht Part-song. Himmel.
No. 73 in M. 147.4
Gebet wahrend der Schlacht. Song. Schubert, F. P. Werke.
Serie 20, Band 2. M.317.1.20.2
Weber, C. M. F. E. von. Sammtliche Lieder. Band i.
No. .-^S in M.244.7
Gebeth zu Gott. Song. Haydn, F. J. Gesangje. Heft 2.
No. 2 in M.312.35
Gebler, Tobias Philippe, Freiherr von.
Thamos, Konig in Egypten. [Oper] von W. A. Mozart.
No. 3 in M.305.42 ; etc.
Gebrochene Blume. Die. Part-song. Spicker. No. ii in M. 203. 16
Gebt Acht. Part-song. Brahms. Fiinf Lieder. No. 19 in M.392.5
Gebt mir meinen Jesum wieder. Song. Bach, J. S.
No. 4 in M.204.37
Gebt mir vom Becher nur den Schaum. Chorus. For the
Music see Bruell. For the Libretto see Geibel, E.
Gebt mir zu trinken! Part-song. Schumann, R. A. Ritornelle
von F. Riickert. No. 3 in M. 158.24
Gebuesche, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 6. M.317. 1.20.6
Geburt, Die, Jesu. Oratorio. For the Music see Stein, C.
Geburtstag. Song. Taubert, C. G. W. Klang-e aus der Kin-
derwelt. Heft 6. No. 7 in M. 192.7
Geburtstagschoral. Part-song. Dregert. No. 2 in M.370.30
Geburtstags-Marsch. For orchestra. Taubert, C. G. W.
No. I in M.343.13
Gedaechtniss, Das, der Entschlafenen. Oratorio. For the
Music see Markull. For the Libretto see Bresler.
Gedalge, Andre.
Concerto (op. 16) pour piano avec accompag* d'orchestre.
Partition. Paris. Enoch & cie. 1899. M.40S.13
Pris au piege. Opera bouffe en un acte. Imite du florentin
de Lafontaine et Champmesle par Michel Carre. Musique
de M. Andre Gedalge. [Partition chant et piano. 1 Paris.
Dupont. [1893?! M.395.29
"Yvette." Pantomime en 4 actes et 5 tableaux de Michel
Carre fils & Henri Remond. Musique de Andre Gedalge.
Partition Ppiano]. Paris. Choudens. [1891.!
No. 2 in M.301.8
Gedanken, Die, sind frei. Volkslied Tt. t. b. b.]. (In Das Riitli.
Pp. 406, 407.) No. 171 in M.147.4
Gedeihen. Song. Taubert, C. G. W. Klange aus der Kinder-
welt. Heft II. No. 36 in M. 192.8
Gedenke, Herr, wie es uns gehet. Anthem. Bach, J. S. Werke.
Jahrgang 41. M.8040.21.41
Gedenke mein! Song.
Beethoven. Werke. Serie 23. M.413.1.25
Rubinstein. Zehn Lieder. No. 19 in M.192.5
Gedenken. Song. Cornelius. Werke. Band i. M.414.20.1
Gedenket heute an Baden! Canon. Beethoven. Werke. Se-
rie 25. M.413.1.2S
Gedeonov,
M.ia/l,a. [Mlada. Opera-ballet feerique. Musique de Rim-
ski-Korsakov.1 M.39S.47
Gedhe, Cehem.
Ah! c' r Indien! Operette bouffe. Musique de Firmin Ber-
nicat. No. 3 in M.301.1
Ali-Pot-d'Rhum. Operette. Musique de Firmin Bernicat.
No. 2 in M.395.4
Deux coups de marteau. Saynete. Paroles de Gedhe et
Calixte [pseud.]. Musique de F. Bernicat. No. 3 in M.395.4
La queue du diable. Opera-comique. Paroles de Quentin
et Gedhe. Musique de F. Bernicat. No. 4 in M.399.3
Une tempete conjugale. Saynete. Paroles de Leon Quen-
tin et Gedhe. Musique de Victor Robillard.
No. 7 in M.307.23
Gedor. Oratorio. For the Music see Herrosee. For the
Libretto see Rolle, J. H.
Geduld. Song. Str.\uss, R. Acht Gedichte. No. 5 in M.380.24.1
Gefangen. Part-song. Hiller, F. Acht Gesange.
No. 3 in M.202.22
Gefangene, Der. Song. Rubinstein. Zwolf Lieder.
No. 17 in M.192.5
Gefangene Nachtigall. Part-song. Henschel. G. Serbisches
Liederspiel. No. 2 in M. 194.15
Gefangenen Sanger, Die. Song.
Schubert, F. P. Werke. Serie 20, Band 6. M.317. 1.20.6
Weber, C. M. F. E. von. Sammtliche Lieder Band 2.
No. so in M.244.7
Gefesselte Prometheus, Der. Overture. Goldmark.
No. 4 in M.332.22
Gefilde, Das, der Seligen. Symphonic poem. Weingartner.
No. I in M.404.32
Gefror'ne Thranen. Song. Schubert, F. P. Werke. Serie
20, Band 9- M.317.1.20.9
Gegen den Strom. Symphony. Huber, J. No. 2 in M.342.8
Gegenliebe. Song. Beethoven. Werke. Serie 23. M.413.1.23
Gruber, G. W. Gottfried August Burgers Gedichte. Vol. 2.
No. 2 in M. 130.9.2
Gegenwaertiges Gluck. Song. Curschmann. Curschmann-
Album. No. I in M.157.37
Gegenwart. Song. Franz, R. Sechs Lieder. Op. 33.
No. 8 in M.244.5.3
Gegruesset sei'st du in Liebe! Part-song. Appel.
No. 31 in M.392.2
Geh, Diandl, mach's Fensterl auf! Part-song. Gauby.
No. 24 in M.392.8
Geh, Geliebter, geh jetzt! Song. Wolf, H. Spanisches Lieder-
bvich. No. 44 in M.380.30
Geh' ich Abendes aus. Part-song. Grieg. Album fiir JLinner-
ffesang. No. 6 in M.203.14
Geh', vro Ruhm dir winket. Part-song. Terschak. Zwei Ge-
dichte. No. 27 in M.392.26
Geharnischte-Suite. For orchestra. Busoni. Zweite-Orchester-
suite. M.406.44
Gehe, Eduard Heinrich.
I flibustii. Opera. Musik von J. C. Lobe. M.232.45
Jessonda. Oper in drey Aufziigen von E. Gehe. Musik von
L. Spohr. [Leipzig. 1836?] No. 5 in M.i09a.i.4
Words only.
Same. Oper [in Musik gesetzt] von Louis Spohr.
M.352.18; etc.
Maja und Alpino, oder die bezauberte Rose. Oper, in Musik
gesetzt von Joseph Wolfram. M.I52.3
Prinz Lieschen. Komische Oper, in Musik gesetzt . . . von
Joseph Vk'olfram. M.152.4
Das Schloss Candra. Heroisch-romantische Oper, in Musik
gesetzt . . . von Joseph Wolfram. M. 152.5
Geheime Liebe. Song. Mozart. Werke. Serie 7, Band i.
No. 6 in M.315.1.7.1
Geheimes. Song. Schubert, F. P. Sammtliche Composi-
tionen. M.244.12 ; etc.
Geheimniss. Song.
Brahms. Fiinf Gesange. Op. 71. No. 7 in M.380.40.2
Schubert, F. P. Sag an, wer lehrt dich Lieder. Werke.
Serie 20, Band 4. M.317.1.20.4
— Sie konnte mir kein Wortchen. Werke. Serie 20, Band
3. 7- M.31 7.1.20.3, 7
Two settings.
Geheimniss, Das. Opera. For the Music see Smetana. For
the Libretto see Pech, J.
Geheimniss, Das. Song.
Beethoven. Werke. Serie 23. M.413.1.23
Curschmann. Curschmann-Album. No. i in M.157.37
Strauss, R. Sechs Lieder. No. 10 in M.380.24.1
GeheimnissvoUe Bliithe, Die. Part-song. Becker, V. E.
No. 23 in M.392.3; etc.
Gehn wir im Prater. Canon. Mozart. Werke. Serie 7, Band a.
No. S? in M.315.1.7.2
463
Gehring
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Geist
Gehring, Franz.
Mozart. New York. Scribner & Welford. i88.^. [The
great musicians.! M. 104.26
Der Schwan vom Aetna [des Bellini'sl. (Cut from In neuen
Reich. No. 47. PP. 826-830. Leipzig. 1876.)
No. I in M.215.4
Gehring, Robert E. H.
Te Deum. With accomp. for organ. Philadelphia. Lee &
Walker. [1867.] No. 16 in M.190.3
Gehrmann, Hermann, editor.
SwEELiNCK. Werken . . . Deel 10. M.413.2.10
Geht dir's wohl, so denk' du an mich. Cantata. For the Music
see Heuberger.
Geib. W.
Tuning the pianoforte. A new and easy method of harmo-
nizing the pianoforte by a circle of perfectly consonant
fifths . . . New edition. Boston. Oliver Ditson Co. [1869.1
No. 4 in M.376.26
Geibel, Adam.
Boating. Three-part song for female voices, with s. or t.
obi. [Accomp. for pianoforte.! Boston. White-Smith
Music Publishing Co. [189,^.! No. 9 in M.203.27
The jolly blacksmith's lay. Four-part song. Male voices.
Boston. White-Smith Music Publishing Co. [189.3.!
No. 21 in M.203.11
Same. Mixed voices. No. 10 in M.203.27
Lord Rowland. Part song. Male voices. Boston. White-
Smith Music Publishing Co. [1893.! No. 22 in M.203.11
March: "Onward." Four-part chorus or quartette. Male
voices. Boston. White-Smith Music Publishing Co. [1893.I
No. 23 in M.203.11
Same. Mixed voices. No. 11 in M.203.27
Old Farmer Slow, or moaning all the way. Humorous four-
part song. Male voices. Boston. White-Smith Music
Publishing Co. [1893.] No. 24 in M.203.11
Same. Mixed voices No. 12 in M.203.27
Row, little boat. Part song. Male voices. Boston. White-
Smith Music Publishing Co. [1893.] No. 25 in M.203.11
Same. Mixed voices. No. 13 in M.203.27
Sleep, my lady. Serenade, four-part song. Male voices.
Boston. White-Smith Music Publishing Co. [1893.I
No. 26 in M.203.11
Same. Mixed voices. No. 14 in M.203.27
The sun in merry mood. Four-part song. Male voices.
Boston. White-Smith Music Publishing Co. [1894.!
No. 27 in M.203.11
Same. Mixed voices. No. 15 in M.203.27
Whispering roses. Part song. Male voices. Boston. White-
Smith Music Publishing Co. [1893.! No. 28in M.203.11
The wonderful weaver. Part song. Male voices. Boston.
White-Smith Music Publishing Co. [1893.I
No. 29 in M.203.11
Geibel, Emanuel.
Deutscher Heerbann. Cantate, componirt von Felix von
Woyrsch. No. 4 in M.203.24
Deutsches Aufgebot. Cantate, componirt von Traugott
Ochs. No. 3 in M.203.21
„Es muss doch Friihling werden." Gedicht, componirt von
Ferdinand Hiller. No. 6 in M.392.46; etc.
Friedrich Rothbart. Gedicht, componirt von Bernhard
Hopffer. No. S in M.270.45
Friihlings-Botschaft. Concertstiick fur Chor und Orchester
von Niels W. Gade. M.270.33: etc.
„Gebt mir vom Becher nur den Schaum." Chor. Componirt
von Ignaz Brull. No. 2 in M.270.13
Gute Nacht. Gedicht. Componirt von L. Schlottman.
No. 10 in M.203.6
Der letzte Skalde. Ballade. Componirt von Wilhelm
Sturm. No. 3 in M.203..'i
Das Lied vom Deutschen Kaiser. Gedicht. Componirt von
Max Bruch. No. 6 in M.270.19
Lied vom Wein. [Cantate! componirt . . . von Jul. Rietz.
No. 3 in H.3i;3-34; etc.
Geibel, Emanuel. (Continued.)
Die Loreley. Grosse romantische Oper. Musik von Max
Bruch. M.281.10
Same. Loreley, an unfinished opera. Composed by Men-
delssohn Bartholdy. No. 2 in M.326.39; etc.
Ostermorgen. Gedicht. Componirt von Ferdinand Hiller.
No. 3 in M.333.12; etc.
Same. [Musik von! E. Schultz. No. 3 in M.212.16
Same. Easter morning. Cantata. Composed by Dudley
Buck. No. S in M.270.I2
Palmsonntagmorgen. Gedicht. Componirt . . . von Ferd.
Hiller. No. 4 in M.270.52
Roland's Horn. Ballade. [Musik! von Wilhelm Sturm.
No. 16 in M.392.31
Schon Ellen. Ballade. Componirt von Max Bruch.
No. 2 in M.270.20
Traumkonig und sein Lieb. Dichtung. Componirt von
Alexander Staeger. No. 3 in M.212.17
Same. Componirt von Max Erdmannsdorfer. No. 2 in M.333.9
Same. Dream king and his love. [Music by! H. W. Parker.
No. 4 in M.ISS.3S
Vom Pagen und der Konigstochter. 4 Balladen. Compo-
nirt von Rob. Schumann. M.280.S4
Wachet auf! Dichtung. [Musik! von J. Raff.
No. I in M.356.22; etc.
Geibel, Emanuel. Works about.
Ahrendt, C. The song of the Nibelungen Brunhild. An
analytical sketch [of Geibel's tragedy!. Boston. 1877.
No. Sin M.11S.4
Geiger, Der, aus Tyrol. Opera. For the Music see Genee.
Geiregat, Pieter.
Les deux soeurs. (De twee zusters.) Operette. Musique
de Ch. Miry. No. 2 in M.301.16
Geisha, The. Opera. For the Music see Jones, S. For the
Libretto see Hall, O.
Geisler, Paul.
Golgatha, fiir Orchester, Solostimmen [s. bar.] und Char.
Clavierauszug von Friedrich Spiro. Berlin. Raabe &
Plothow. [188-?! No. I in M.391.42
Hertha. Oper in drei Akten von Paul Geisler. Dichtung
von Paul Schettler. Klavierauszug von Friedrich Spiro.
Berlin. Selbstverlag des Verfassers. [189-?! Lithograph
script. M.381.18
Ingeborg. Oper in 3 Aufziigen, nach dem Drama „Frithjof"
von Peter Lohmann. In Musik gesetzt von Paul Geisler.
Vollstandi.ger Auszug fiir Gesang und Pianoforte. Berlin.
Bote & Bock. [188-?! No. 2 in M.286.1S
Missa in D, fiir der vierstimmigen Chor mit Begleitung des
Orchesters. [Partitur.! Manuscript. [184-?! M.222.28
[Orgelstiicke. N. p. 187-?] No. 7 in M.312.49
Der Rattenfanger von Hameln. Symphonische Dichtung.
Partitur. Berlin. Bote & Bock. [1881.I No. i in M.332.19
Die Ritter von Marienburg. Tragodie in drei Akten von
Paul Geisler. Dichtung von Gustav Kleinau. Clavieraus-
zug von Friedrich Spiro. Berlin. Selbstverlag des Ver-
fassers. [189-?! Lithograph script. M.38i.i9
Sansara, fiir [Manner- und gemischten! Chor, Soli und
Orchester. Clavierauszug von Friedrich Spiro. Berlin.
Raabe & Plothow. [189-?! No. 11 in M.212.S
Till Eulenspiegel. Symphonische Dichtung. Partitur.
Leipzig. Bote & Bock. [1881.! No. 2 in M.332.19
Der Tod des Herrn. Oratorium von G. Schwab. In Musik
gesetzt fiir den 4stimmigen Chor mit voller Instrumental-
Musik von C. Geissler. Manuscript. [18.3-?! M.222.5
Geist, Der, der Harmonic. Part-sonq. Sutor.
No. 180 in M.i29a.43.s
Geist der Liebe. Part-sonq. Schubert, F. P. Der Abend
schleiert. Werke. Serie 16. M.317.1.16; etc.
Geist der Liebe. Song. Schubert, F. P. Der Abend schleiert
Flur und Hain. Werke. Serie 20, Band 4. M.317.1.20.4
— Wer bist du. Werke. Serie 20. Band 2. M.317.1.20.2
Geist. Der, der Rose. Son.q. Berlioz. L. H. Die Sommer-
nachte. No. 4 in M.970.55
464
Geist
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gene'e
Geist, Der, des Falkenstein. Part-song. Schneider, J. C. F.
Harzlieder. No. 42 in M.392.23
Geist, Der, hilft unsrer Schwachheit auf. Motet. Bach, J. S.
Sechs Motetten. No. i in M.204.4; etc.
Geist und Seele wird verwirret. Anthem. Bach, J. S. Werke.
Jahrgang 7. M.8040.21.7
Geisterchor aus Rosamunde. Schubert, F. P. Chor-Gesang-
werke. Band 2. No. 10 in M.280.48.2
Geisterheer, Das. Cantata. For the Music see Hummel, F.
For the Libretto see Silberstein.
Geister-Insel, Die. Opera. For the Music see Zumsteeg, J. R.
For the Libretto see Getter.
Geisternaehe. Song.
Schubert, F. P. Werke. Serie 20, Band I. M.317.1.20.1
Schumann, R. A. Lieder und Gesange. Heft ^.
No. I in M.244.1S.3; etc.
Geisterschiff, Das. Symphonic poem. Mihalovich.
No. 3 in M.344.13
Geistertanz, Der. Part-song. Schubert, F. P. Werke. Serie
16. M.317.1.16; etc.
Geistertanz, Der. Song. Schubert, F. P. Werke. Serie 20,
Band i, 10. M.317.1.20.1, 10
Three settings.
Geistesgruss. Part-song. Hauptmann, M. Sechs Lieder von
Goethe. No. i in M.157.22
Geistesgruss. Song. Schubert, F. P. Werke. Serie 20, Band 3.
M.317.1.20.3
Geistlich Abendlied, Ein. Part-song.
Lachner, F. No. 6 in M.244.17
Schultz, E. Zwei vierstimmige Mannergesange.
No. 6 in M.392.2S
Geistliche Ouverture. For orchestra. Stern, J. No. 7 in M.342.38
Geistliches Abendlied, Ein. Part-song. Dietrich, A. H. Sechs
Lieder. No. 48 in M.392.6
Geistliches Wiegenlied. Song. Brahms. Zwei Gesange. Op. 91.
No. 10 in M.380.40.2
Gekaempft hat meine Barke. Song. Schumann, R. A. 7 Lieder
von E. Kulmann. No. i in M.244.1S.4; etc.
Gekommen ist der Maie. Song. Franz, R. Sechs Gesange.
Op. 34. No. 18 in M.244.5.3
Gekuesst. Song. Brune, H. Singuf. No. 3 in M.204.37
Gelaechter. Part-song. Genee. Heitere Lieder.
No. 26 in M.392.9
Gelage, Ein, wahrend der Pest. Opera. For the Music see
Kui. For the Libretto see Pushkin.
Gelahrtheit. Song. Weber, C. M. F. E. von. Sammtliche
Lieder. Band 2. No. 66 in M.244.7
Gelb roUt mir zu Fiisschen. Song. Rubinstein. Zwolf Lieder
des Mirza-Schaffy. No. 8 in M. 192.5
Gelbe Blume, Die, Eifersucht. Song. Posa. Funf Lieder.
No. is in M.380.22
Gelbke, Johannes.
Einsamkeit . . . fiir vier Mannerstimmen. Op. q. Partitur.
Leipzig. Kistner. fiSSo.l No. 21 in M.392.9
Elfenreigen . . fiir Mannerchor. Op. 13. Partitur. Leip-
zig. Kistner. fi88i?l No. 22 in M.S92.9
Gruss an die Nacht. Gedicht von H. Waldow. Componirt
fiir Mannerchor. Soli Ft. bar.1 und Pianoforte von Jo-
hannes Gelbke. Op. 7. Leipzig. Kistner. [1880.!
No. 14 in M..^92.28
Jubilate, amen. Hvmne fiir Sopran-Solo, Mannerchor,
Pianoforte, und Harmonium (ad libitum). Op. 8. Parti-
tur. Leipzig. Kistner. [1880.! No. is in M.392.28
Sternennacht . . . fiir Mannerchor. Op. is. Leipzig. Kist-
ner. [i88i?l No. 23 in M.3q2.q; No. 2 in M.203.15
Das stille Dorf. [Mannerchor. Op. 22, No. 2.I New York.
Luckhardt & Belder. [1804.1 No. I in M.203.1S
With German and English words.
Zwei Mannerchore. Op. 6. Leipzig. Kistner. [1880.]
Contents. — Auf hohem Berg. — Scheidelied. No. 20 in M.3Q2.q
Zwei Mannerchore. Op. 16. Leipzig. Kistner. [iSSi?]
2 parts m T v.
Contents. — Heimkehr.
I 59
Heldenfeier.
No. 24, 25 in M.392.9
Gelegenheits-Oratorium. Oratorio. For the Music see Handel.
Werke. Lieferung 43.
Geleit. Part-song. Abt, F. No. 9 in M. 130.7; etc.
Brahms. Fiinf Lieder. No. 19 in M.392.5
Geliebte, Die. Song. Gade. Lieder und Gesange. Heft 3.
No. 4 in M.192.3
Geliebter, wo zaudert. Song. Curschmann. Curschmann-
•^'b"™- No. I in M.157.37
Stern, J. Fiinf GesSnge. No. 11 in M.221.30
Gellert, Christian Fuerchtegott.
Geistliche Oden und Lieder mit Melodien von C. P. E. Bach.
_, _ , , No. I in M.220.24
Das Orackel. Fine Operette. In Musik gesetzt ... von
F.G.Fleischer. M.320.14
Gellert, Ludwig.
Die Friihlingszeit. [Mannerchor.] (In Stuttgarter Lieder-
kranz. Mannerchor-Album. Pp. .30, 31.) No. 5 in M.203.22
Pyramus und Thisbe. Oper mit Ballet in 2 Akten. Nach
einer Novelle von Riehl frei bearbeitet von Heinrich Os-
walt. Musik von Ludwig Gellert. Vollstandiger Klavier-
Auszug. Berlin. Bote & Bock. [1872?] No. i in M.256.25
Gelli, Ettore.
Cicco e Cola. Opera comica di Almerindo Spadetta. Mu-
sica di A. Buonomo. I recitativi sono musicati da Ettore
„ , ?^"'- . M.281.19
Uelobet sei der Herr, main Gott. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 26.
Gelobet seist du, Jesu Christ. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 22.
Gelosia, La, di Giorgio. Opera. For the Music see Generali.
Gelosie fortunate, Le. Opera. For the Music see Anfossi.
Geloso, Un, e la sua vedova. Opera. For the Music see Giosa.
For the Libretto see Del Preite.
Gelsomino, II. Song. Handel. Werke. Lieferung si.
Geluebde. Volksweise. [Mannerchor.] (In Steinhausen. Con-
ferenz-Gesange. Band 2, Heft i, p. 15.) No. 10 in M.392.38
Geluebde. Part-song. Billeter. No. 34 in M.392.3
Geminiani, Francesco.
Gently touch the warbling lyre. Glee [a. t. t. b.]. (In Musi-
cal times. [Music] Vol. 6, p. 109.) No. 4 in M.I7-; i 6
Also to be found in Social harmony. ^u. ^ 111 m.i/s-i.o
Gemmi di Vergy. Opera. For the Music see Donizetti. For
the Libretto see Bidera.
Genast, Eduard.
Aus dem Tagebuche eines alten Schauspielers. Leipzig.
Voigt & Giinther. 1862, 65. 4 v. in 2. M.isga.!
Volumes i and 2 are of the second edition.
Gendre a poigne, Un. Opera. For the Music see Malo. For
the Libretto see Fromage-Chapelle.
Gendt, W. Merkes van. See Merkes van Gendt, Willem.
Genee, Franz Friedrich Richard.
Die Afrikareise. Operette von M. West und Richard Genee.
Musik von Franz von Suppe. M.324.4
Am Runenstein. Grosse romantische Oper von Friedrich
von Flotow und Richard Genee. M.2s6.8
An die Schlafmiitze! Komische Hymne fiir vierstimmigen
Mannerchor. Op. 145. Leipzig. Forberg. [1865?]
No. 38 in M.392.9
Apaiune der Wassermann. Operette von F. Zell [ Pseud. 1
und Richard Genee. Musik von Carl Millocker.
No. I in M.257.40
Der Bettelstudent. Komische Operette von F. Zell [Pseud.]
und Richard Genee. Musik von C. Millocker. M.257.3C
Boccaccio. Komische Oper von F. Zell [Pseud.] und Rich-
ard Genee. Musik von Franz von Suppe. M.323.39
Caeliostro in Wien. Operette von Richard Genee & F. Zell
[Pseud.]. Musik von Johann Strauss. M.323.13
Capitan Fracassa. Operette von Richard Genee und F. Zell
[Pseud.]. Musik von Rudolf Dellinger. M.295.30
Der Carneval in Rom. Operette. Musik von Johann Strauss.
M.323.I9
465
Genee
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Genee
Genee. Franz Friedrich Richard. (Continued.)
Der Carneval von Venedig. Burleske [t. t. b. b.]. Op. 121.
LeipziR. SieRel. [ 186.3 ?1
No. 17 in M.392.33; No. 5 in M.392.36
Der Chor der Rache. Humoristisches Lied fur vierstimmi-
gen Mannerchor. [Op. 54-1 Offenbach a. M. Andre.
fi87-?l No. 28 in M.392.9
fClover.l Gems from "Clover." [Libretto by Zell [pseud.l,
Genee and Zappert. Music by Franz von Suppe.l
No. 2 in M.402.74
Don Trabuco de Trabucillos. Komische Operette in i Act.
[Text und Musik] von Richard Genee. Klavierauszug-,
Leipzig. Siegel. [187-?! No. .•? in M.391.15
Donna Juanita. Komische Oper von Camillo Walzel nnd
Richard Genee. Musik von Franz von Suppe. M.324.2
Drei Lieder fiir vierstimmigen Mannerchor. Op. III. Leip-
zig. Forberg. [i86.-3.1 No. .3.3 in M.392.9
Contents. — Trost. — Sennenlied. — Sangerpflicht.
Drei lustige Lieder fiir vierstimmigen Mannerchor. Op. 103.
Leipzig. Forberg. [186.3?! No. .32 in M.392.9
Contents. — Ruhig, Philister! — Pereat alles Halbe! — Alte und jungc
Zecher.
Die Dreizehn. Komische Oper in 3 Acten von F. Zell
[Pseud.l und Richard Genee. Musik von R. Genee. Voll-
standiger Clavier-Auszug. Wien. Lewy. [1887.I M.256.27
Fackelzugstandchen [x. t. b. b.]. Op. 140, No. 2. Leipzig.
Siegel. [1864?! No. .36 in M.392.9
Der Fagottist. Komische Ballade fiir vierstimmigen M.an-
nerchor und Bass-Solo. Op. 221. Wien. Spina. [1853?!
No. 43 in M.392.9
Fatinitza. Operette von F. Zell [Pseud.] und Richard Genee.
Musik von Franz von Suppe. M.323.38
Die Fledermaus. Operette. Musik von Johann Strauss.
M.323.13
Die Freivvilli.gen. Humoristische Scene fiir vierstimmigen
Mannerchor mit Bass-Solo Coder Bariton), mit Begleitung
des Pianoforte. Leipzig. Forberg. [l86-?l
No. 9 in M.270.59
Der Friede ist gesichert! . . . Fur vierstimmigen Manner-
chor. Op. 190. Wien. Spina. [1870?! No. 41 in M.392.9
Fiinf heitere Lieder fiir vierstimmigen Mannerchor. Op. 99.
Heft 2. Leipzig. Forberg. [1862.] No. 30 in M.392.9
Contents. — Schwabische Serenade. — Willkommen. — Nie allein.
Der Gascogner. Komische Oper von Richard Genee und F.
Zell [Pseud.l. Musik von Franz von Suppe. M.324.1
[Gasparone. Oper. Text von C. Walzel und F. F. R. Genee.
Musik von Milloecker.l M.402a.2i; etc.
Der Geiger aus Tyrol. Romantisch-komische Oper in 3
Acten. Partitur nach der Handschrift des Componisten
auf Stein gedruckt. Danzig. Bertling. [i86-?l M.232.4
„Der Gluckritter." Operette, frei nach dem Franzosischen
von Richard Genee, W. Manstadt nud Bruno Zappert.
Musik von Alfons Czibulka. M.285.40
Griifin Dubarry. Komische Oper von F. Zell [Pseud.l und
Richard Genee. Musik von Carl Millocker. M.2S7.37
Heitere Lieder fiir vier Mannerstimmen. Op. 14. Heft i, 2.
Offenbach a. M. .^ndre. [185-?] No. 26, 27 in M.392.9
Contents. — l. Die Sonntags-Jager. — Die Dorfmusikanten. — Gelachter.
2. Bibit ille, bibit ilia. — Champagner.
Italiiinischer Salat. Musikalischer Schwank in Form eines
italianischen Opernfinale fiir vierstimmigen Mannerchor
und Tenor-Solo. Op. 68. Leipzig. Kistner. [i8.S7?l
No. i.S in M.392.33
Die Jagd nach dem Gliick. Operette von Richard Genee und
Bruno Zappert. Musik von Franz von Suppe. M.323.41
Die Jungfrau von Belleville. Operette nach Paul de Kock
. . . von F. Zell [Pseud.l und Rich. Genee. Musik von C.
Millocker. No. 2 in M.257.40
Konigin Mariette. Komische Oper. Frei nach einem fran-
zosischen Stoffe von F. Zell [Pseud.l und Richard Genee.
Musik von Ignaz Brull. M.27S.8
Die letzten Mohikaner. Operette in 3 Akten von F. Zell
[Pseud.l. Musik von Richard Genee. Vollstandiger Kla-
vierauszug. Hamburg. Cranz. [189-?! M.2S6.29
Genee, Franz Friedrich Richard. (Continued.)
Der lustige Krieg. Komische Operette von F. Zell [Pseud.l
und Richard Genee. Musik von Johann Strauss. M.323.11
Same. The merry war. Opera. [Words by C. Walzel and
R. Genee. 1 Music by Johann Strauss. No. i in M.323.10
Das Maedchen von Mirano, oder la stupida. Operette von
Alexander Neumann. Text von Richard Genee und F.
Zell [Pseud.l. No. i in M.397.49
Der Musikfeind. Komische Operette in i Akt. Text und
Musik von Richard Genee. Vollstandiger Klavier-Auszug.
Berlin. Bote & Bock. [i88-?l No. 2 in M.2S6.28
Nachruf an den sel'gen Bund. Humoristischer Chor fiir vier
Mannerstimmen. Op. 168. Leipzig. Siegel. [i867?l
No. .39 in M.392.9
Eine Nacht in Venedig. Komische Oper von F. Zell
[Pseud.l und Richard Genee. Musik von Johann Strauss.
M.323.16
Nanon. (Die Wirthin vom goldnen Lamm.) Komische
Oper in 3 Acten von F. Zell [Pseud.l und Richard Genee.
Musik von Richard Genee. Vollstandiger Clavierauszug.
Hamburg. Cranz. [i883?l M.256.31
Nisida. Komische Oper in 3 Akten von M. West und F.
Zell [Pseud.l. Musik von Richard Genee. Clavierauszug.
Llamburg. Cranz. [i87-?l M.256.30
Der Patient und die Aerzte, oder: Allopath, Homoopath
und Hydropath. Komische Scene fiir vier Solo-Stimmen,
T. T. B. B., mit Pianofortebegleitung. Text und Musik von
Richard Genee. Op. 152. Leipzig. Siegel. [i87-?l
No. 12 in M.212.S
Pfingsten in Florenz. Operette von Richard Genee und J.
Riegen. Musik von Alfons Czibulka. M.28S.41
Die Piraten. Komische Oper in 3 Akten von F. Zell
[Pseud.l und Richard Genee. Musik von R. Genee. Cla-
vierauszug. Hamburg. Cranz. [i88-?l No. i in M.256.28
Der Polengraf. Operette, nach einem G. de Grahl'schen
Entwurfe von Richard Genee und J. Fritzsche. Musik
von Louis Roth. M.321.3
Der politische Sin.gsang. Komisches Quodlibet fiir vier-
stimmigen Mannerchor. Op. 186. Leipzig. Siegel.
[i867?l No. 40 in M.392.9
Die Presse. Humoristisches Lied fur vierstimmigen Man-
nerchor und Tenor Solo. Op. 159. Leipzig. Forberg.
[i864?l No. 3."; in M.392.9
Das Quartett [x, t. b. b.1. (In Abt. Deutsche Sangerhalle.
Vol. I, pp. 89-93.) No. 32 in M.3g2.42.i
Rosina. Operette in 3 Acten. Vollstandiger Klavierauszug.
Hamburg. Cran?. [i88i.l M.2S6.26
Der Seekadet. Komische Oper in 3 Acten von F. Zell
[Pseud.l. Musik von Richard Genee. Klavierauszug.
Wien. Spina. [i876?l M.256.32
Seid einig. [Mannerchor.] (In Abt. Deutsche Siinger-
halle. Vol. 2, pp. 30-32.) No. 10 in M.392.42.2
The spectre. [Part-song, x. x. e. b.1 (In The Osgood col-
lection of part-songs. Vol. 2, pp. 82-87.) M.193.23.2
Das Spitzentuch der Konigin. Komische Operette. Text
von Bohrmann-Riegen und R. Genee. Musik von Johann
Strauss. M.323.1S
Suchet im Wien! Fiir vier Mannerstimmen. Op. 100. Leip-
zig. Forberg. [1862.I No. 31 in M.392.9
Die Unermiidlichen. [Lied fiir Mannerchor.] Op. 141,
No. 2. Leipzig. Forberg. [i86.=;?l No. 37 in M.392.9
Verfluchte Kerl's. Polka fiir vierstimmigen Mannerchor.
Op. 208. Leipzi.g. Sie.gel. [1870?] No. 42 in M.392.g
Der Viceadmiral. Operette von F. Zell [Pseud.l und Rich-
ard Genee. Musik von C. Millocker. No. 2 in M.2S7.3S
Vier Lieder fiir vierstimmigen Mannerchor. Op. 117. Leip-
zig. Forbejg. _ [1863.1 _ . ... No. 34 in M.392.9
Contents. — Gut Sang! — Wie sohon ist doch das Wa'ndern.
bleiben treul — Das deutsche Lied, die Waffel
Wir
Wasser, Bier und Wein. Komisches Terzett fiir t. b.\t?. b.,
mit Pianofortebegleitung. Text und Musik von Richard
Genee. Op. i.S9- [Partitur und Stimmen.] Leipzig. Sie-
gel. [187-?] No. 13 in M.212.S
466
Genee
THE ALLEN A. BROWN COLLECTION OF MUSIC
George V.
Genee, Franz Friedrich Richard. (Continued.)
Wein- und Speisen-Karte. fMannerchor mit bar. Solo.l
Op. 122. Leipzig. Siegel. [186.3?! No. 16 in M.392.33
Winter fT.T. B.B.I. Op. 88, No. 4. Mainz. Schott. [186-?!
No. 2g in M.392.9
Genee, Franz Friedrich Richard, editor.
Westmeyer. ..Ensrellied." No. 44 in M.392.9
General observations upon music, and remarks on Mr. Lo-
.orier's system of musical education; with an appendix.
Edinburgh. Purdie. 1817. Sheets. No. i in M.14S.1
Gen'l Custer's funeral march. For violin and piano. D.wenport,
A. No. 2,3 in M.3S7.I2
Generalconsul, Der. Opera. For the Music see Reinhardt, H.
For the Libretto see Landesberg.
Generali, Pietro.
Adelina. [Opera.] Atto unico. [Partitura.l Manuscript.
fVenezia? i8io?l Unpaged. M.40.9
I baccanali di Roma. Melo-dramma serio per musica. fPar-
titura.l Manuscript. [Venezia? iSi.^;?! 2 v. M.40.10
Die Bacchanten. Grosse Oper in 2 Aufziigen. Clavieraus-
zug. Bonn. Simrock. [182-?! M.320.17
La calzobaia. Farsa fperl musica. fPartitura.l Manuscript.
Firenze. fiSo-?! M.40.11
rChiara di Rosembergh.l Chiara di Rosemberyk. [Opera
indueatti. Partitura.l Manuscript. [182-?! 2 v. M.40.12
La gelosia di Giorgio. Farsa seria giocosa con cori. fPar-
titura.l Manuscript. fiSo-Pl M.40.13
Messa a quattro voci con accomp. d'organo. Leipzig. Schu-
berth & Co. [1866.! No. .=; in M.191.9
Generous distress'd. The. Song. Arne, T. A. Lyric harmony.
Vol. I. M.380.1
Genesius. Opera. For the Music and Libretto see Wein-
gartner.
Genesung. Song. Franz, R. 12 Gesange. Op. Z.
No. 4.-? in M.244.5.I
Genevieve. Opera. For the Music see Bruneau; also Stratton,
G. W. For the Libretto see Guinand.
Genevieve de Brabant. Opera. For the Music see Offenbach.
For the Libretto see Cremieux.
Geng, Charles.
Menuet pour instruments a cordes en sourdine. Partition.
Paris. Richault & cie. fl87S.1 No. 4 in M.358.5
Genius of harmony. Glee. Boyce. No. 128 in M.220.10
Genius, The, of nonsense. Opera. For the Music see Arnold, S.
Gennaro-Chretien, H.
La cinquantaine. Opera-comique en un acte de A. Aylicson.
Musique de Gennaro-Chretien. fPartition chant et piano.
Paris. 1 Journal des demoiselles. [1891.I No. 4 in M.395.16
Le menuet de I'lmperatrice. Musique de M™e Gennaro-
Chretien. Paroles de Madame Aylicson. fPartition chant
et piano.l Paris. Journal des demoiselles. fi88o.l
No. 3 in M.39S.16
Genoino, Giulio.
La lettera anonyma. Opera buffa. Musica di G. Donizetti.
No. I in M.364.21
Genoveva. Opera. For the Music see Schumann, R. A.
Gen'rous friendship, A. Glee. Webbe, S. No. 17 in M.220.3.1
Gens de chceurs. Fiction. Sparafucile, pseud. M.370.41
Gens, Les, entrez. Anthem. Sweelinck. Werken. Deel S-
M.413.2.S
Gensoul. Marie Alexis Justin.
Les deux mousauetaires, ou la robe de chambre. Opera
comique. Paroles de MM. Justin-Gensoul et Vial. Mu-
sique du Chevalier H. M. Berton. M.224.2
Le Francais a Venise. Comedie. fMusique de] Nicolo de
Make f pseud. 1. M.283.3.';
Le mariage a I'anglaise. Opera comique. Paroles de T. C.
Vial et Justin Gensoul. Musique de Frederic Kreube.
M.2.'i3.i3
Nadir et Selim, ou les deux artistes. Opera comique. Mu-
sique de A. Romagnesi. M.402a.26
Gente. e qui I'uccelatore. Song. Mozart. No. 17 in M. 193.21. i
Gentil giovinetto. Sona. Rossini. No. 2 in M.364.10
Gentille paysanne. Song. Brice. Album. No. i in M. 158.34
Gentle air. Glee. Atterbury. No. 61 in M.220.9.4
Gentle Annie. Song. Foster, S. C. No. 26 in M.380.41.1
Gentle as a zephyr. Part-song. Wass. No. 18 in M. 157.23
Gentle Lena Clare. Song. Foster, S. C. No. 27 in M.380.41.1
Gentle manners. Glee. Webbe, S. Selection of glees. Vol. 3.
No. 29 in M.235.13.3
Gentle Nellie Gray. Song. Balfe. No. 9 in M.192.9.1
Gentle Pen, The. Catch. Langdon, R. No. 37 in M.220.10
Gentle pity soothe our anguish. Part-song. Martin y Solar.
No. 4 in M.244.io.i
Gentle river. Glee. Barry. No. 21 in M.237.9
Gentle shade. Song. Benedict. Twelve songs.
No. 2 in M. 157.10
Gentle shepherd. The. Opera. For the Music see Linley, T.
For the Libretto see Tickell.
Gentle sighs. Glee. Harington. No. 20 in M.218.8.4
Gentle slumbers hold him fast. Part-song. Cornelius.
No. ir in M.203.io
Gentle sounds are floating. Part-song. Mueller, J. G.
No. 24 in M.20S.10.5
Gentle winds around her hover. Part-song.
Emanuel. No. 38 in M.1S8.15
MusGRAVE. No. 2 in M.195.1.17
Gentle youth, ah ! tell me why. Song. Arne, T. A.
No. 21 in M.23S.18.3
Gentleman Joe. Opera. For the Music see Slaughter. For
the Libretto see Hood, B.
Gentlemen's glee book, The. Part-songs. Mason, L., compiler.
M.100.27
Gently falls the evening shade. Madrigal. Marenzio.
No. 46 in M.235.10; etc.
Gently, gently, wood and meadow. Part-song. Weber, C. M.
F. E. VON. No. 14 in M.244.10.4
Gently hear me. Glee. Webbe, S. No. 153 in M.235.17.1; etc.
Welleslev, G. C. No. 39in M.220.3.4;etc.
Gently let the web be wove. Glee. Webbe, S.
No. 159 in M.23S.17.S
Gently, Lord, O gently lead us. Anthem. Mozart.
No. .<? in M.22I.22.2
Gently o'er the rippling water. Song. Balfe.
No. 10 in M.ig2.9.i
Gently touch the warbling lyre. Glee.
Geminiani. No. 4 in M.17S.1.6; etc.
Hayes, W. No. 29 in M.23S.17.1; etc.
Genuegsamkeit. Song.
Haydn, F. J. Gesiin.ge. Heft 2. No. 2 in M.312.3S
Schubert, F. P. Werke. Serie 20, Band 3. M.317.1.20.3
Genueserin, Die. Opera. For the Music see Lindpaintner.
For the Libretto see Berger, C. P.
Genug! der Ew'.ge sei mit euch. Song. Handel.
No. 4 in M.204.37
Genuit puerpera regem. Motet. Lassus. Sammtliche Werke.
Band 11. M.8o4oa.67.ii
Geoffrey, Julien Louis.
Hoffman, F. B. Reponse a M. Geoffroy relativement a son
article sur I'opera Adrien fde Mehul. Paris. 1802I.
No. I in M.207.20
Geoffroy, Sounier.
Le savetier et le financier. Bouffonnerie musicale. en un
acte de Sounier Geoffroy. [Partition chant et piano.l 4e
edition. Paris. Cartereau. [187-.! No. 5 in M.402.63
Geoffroy-Saint-Hilaire, fitienne.
Philosophic anatomique. Des organes respiratoires sous le
rapport de la determination et de I'identite de leurs pieces
osseuses. Paris. Mequignon-Marvis. 1818. 10 plates.
M.103.35
George V., of Hanover.
Drei Lieder fiir 4 Miinnerstimmen, in Musik gesetzt von
dem Kronprinzen von Hannover. Leipzig. Breitkopf &
Hartel. fi84-?l No. 6 in M.I5S.I7
Contents. — Jagerlied (W. Blumenhagen). — Chor (Gedicht von Ernst
Schulze). — Die Betende (Mathisson).
467
George V.
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Germain
George V., of Hanover. (Continued.)
Hymne an die heiliRe Ciicilia, von Ernst Schulze, fitr Man-
nerstimmen. In Musik gesetzt . . . von dem Kronpnnzen
von Hannover. Hannover. Nagel. [184-?!
No. QinM.isS-17
Sechs Gedichte von Ernste Schulze, fur 4 Mannerstimmen.
In Musik gesetzt von dem Kronprinzen von Hannover.
Hannover. Nagel. [184-?! No. 8 in M.iSS-i?
Contents. — Keusche Liebe. — Du. — Entziickung an dich. — Lieb-
chens Ruheplatz. — Meine Liebe. — Dein Bild.
Sachs Gedichte von Ernst Schulze, fiir 4 Mannerstimmen.
In Musik gesetzt . . . von dem Kronprinzen von Han-
nover. Hannover. Nagel. [184-?] No. i, 2 in M.155.17
Contents. — Der Stern der Liebe. — Nachtgruss an Cacilie. — Abschied
an S. — Fruhlingslied. — Liebesklage. — Jagerlied.
Sechs Gedichte von Ernst Schulze, fur 4 Mannerstimmen.
In Musik gesetzt von dem Kronprinzen von Hannover.
Hannover. Nagel. [184-?! No.S in M.isS-i?
Contents. — Treue Liebe. — Sehnsuclit. — Blick der Geliebten. —
Gliick und Leid. — Liebeswahn. — Die Ersclieinung.
[Sechs Lieder fiir 4 Mannerstimmen. In Musik gesetzt von
dem Kronprinzen von Hannover. Leipzig? 184-?] 4
parts in i v. No. 7 in M.i.ss.i?
Contents. — Mein Gesang. — An sie. — Schicksal. — Die Nonne. —
Des Knaben Berglied. — Der Konig auf dem Tliurrae.
Vier Gedichte von F. Schiller, fur 4 Mannerstimmen. In
Musik gesetzt . . . von dem Kronprinzen von Hannover.
Hannover. Nagel. [184-?! No. 4 in M.isS-i?
Contents. — An Emma. — Der Jiinglinge am Bache. — Sehnsucht. —
Entziickung an Laura.
Vorwarts. Gedicht von Uhland, fiir 4 Mannerstimmen.
Componirt . . . von dem Kronprinzen von Hannover.
Hannover. Nagel. [184-?] ^. f-\^^-1J
George Dandin. Opera. For the Music see Mathieu, E. L. V.
For the Libretto see Coveliers.
Georges, Alexandre.
rAxel.l Prelude d'Axel. Partition d'orchestre. Paris.
Bardoux & cie. fi8go.l No. 2 in M.343-4S
Charlotte Corday. Drame lyrique en trois actes, un pro-
logue et cinq tableaux. Poeme de Armand Silvestre.
Musique de Alexandre Georges. Partition chant et piano.
Paris. Choudens. 1901. Portrait. M.382.24
Melodies. Par le C'e d'Osmoy & Adre Georges. fAccomp.
de piano.l Paris. Michaelis. [1880.] Etchings. M.245.16
Contents. — Partons tous deux [s. T.]. — Orgie galante [a. ou bar.].
— Legende bretonne [a. ou bar.]. — Madrigal [a. ou b.]. — La
pieuvre [bar.]. — Berceuse [s. solo et chceur, s. s. a.]. — Les roses
sont mortes [t.]. — La brise [t.]. — Le chant du rouet [chceur, s.
s. ji]. Le reve du paysan [bar.]. — Choeur des pasteurs [s. a. t. b.].
MiarLa. Comedie lyrique en 4 actes (dont un prologue) et
6 tableaux. Poeme de Jean Richepin. [Musique d'l
Alexandre Georges. Partition piano et chant reduite par
I'auteur. Paris. Enoch & cie. 1905. Portraits. M.383.S7
Le printemps. Opera-comique en i acte. Poeme de C. de
Roddaz & Montjoyeux [pseud.]. Musique de Alexandre
Georges. [Partition chant et piano.l Paris. Girod.
[1890.1 No. I in M.256.33
Georgette, ou le moulin de Fontenoy. Opera. For the Music
see Gevaert. For the Libretto see Vaez.
Georgiennes, Les. Opera. For the Music see Offenbach. For
the Libretto see Moinaux.
Georgine, Die. Song. Strauss, R. Acht Gedichte.
No. 4 in M.380.24.1
Gerald, Edmond.
Le train manque. Operette en un acte pour pensionnat de
demoiselles. Paroles de L. D. Morello. Musique de Edm.
Gerald. [Partition chant et piano.l Paris. Cartereau.
[ i88-?l No. 2 in M.402.72
Geraldy, Frank.
L'ascension du Mont Blanc. Operette. Paroles de Pericaud
& Delormel. Musique de Frank Geraldy. [Partition chant
et piano.l Paris. Bathlot. [i88-?l No. i in M.393.19
<Gerard.
The world and its vot'ries. Song harmonized [t. t. B.l. {In
Social harmony. Pp. 274, 275.) No. 223 in M.21S.21
Gerard, Henri Philippe.
Considerations sur la musique en general, et particuliere-
ment sur tout ce qui a rapport a la vocale. Paris. Kleffer.
1819. No. 2 in M.2i8.g
Gerard, J. B.
Un eclat de trompette. Opera comique. Paroles de H.
Lefebvre et J. B. Gerard. Musique de J. J. Debillemont.
No. 2 in M.277.27
Gerard, Jules.
£gill-le-Demon. Drame fantastique et lyrique en 3 actes.
Prologue et epilogue par J. A. de Rostan et J. M. Cour-
nier. Musique de Jules Gerard. Morceaux detaches pour
chant & piano. Paris. Lamotte. [185-?] No. 3 in M.2s6.i
Gerard, Paul.
Madame Suzette. Operette de Andre Sylvane [pseud. 1 &
Maurice Ordonneau. Musique de Edmond Audran.
No. 2 in M.39S.7
Mon prince! Opera-comique de A. Sylvane [pseud. 1 & Ch.
Clairville. Musique de E. Audran. No. i in M.25S.29
Patart, Patart & cie. Vaudeville-operette de Andre Sylvane
[pseud. 1 et Ch. Clairville. Musique de Louis Gregh.
No. 2 in M.266.32
Les petites femmes. Operette de Andre Sylvane [pseud.].
IMusique de Ed. Audran. No. 2 in M.395.64
Gerber, Ernst Ludwig.
Die Nibelungen. Grosse Oper. Musik von H. Dorn. M.262.10
Geres, Albert.
Pierrot puni. Opera comique. Paroles de MM. A. Semiane
[pseud.] & Albert Geres. Musique de Henri Cieutat.
No. r in M.28S.16
Le reve. Operette. Paroles de MM. Albert Semiane [pseud.]
& Albert Geres. Musique de Henri Cieutat.
No. 2 in M.28S.16
Gerhaeuser, Emil.
Moloch. Musikalische Tragodie. Vollstandiger Klavier-
Auszug von Rudolf Siegel. M.378.6
Gericke, Richard von.
Vier Lieder fiir vier Mannerstimmen. Op. 5. Hamburg.
Jowien. [186-?] . No. 16 in M.392.10
Contents. — Jagers gute Nacht. — AH' meine Herzgedanken. — Nacht-
gesang. — Mondnacht.
Gerlach, Leopold.
Judith. Oratorium. Componirt von August Klughardt.
M.240.5
Die Zerstorung Jerusalems. Oratorium. Musik von August
Klughardt. M.202.34
Gerlach, Theodor.
Eine Serenade. Sechs Satze fiir Streichorchester. Op. 3.
Partitur. Leipzig. Breitkopf & Hartel. [188-?]
No. 2 in M.403.39
Vaterlandslied. Fiir Mannerchor mit Begleitung von 2
kleinen Floten, 2 Trompeten, 2 Hornern, 3 Posaunen,
Basstuba, Pauken und Becken. Op. 7. Partitur mit un-
terlegtem Klavierauszu.g. Leipzig. Breitkopf & Hartel.
[1888?] No. 4 in M.203.14
Gerli, G., editor.
Rossini. L'equivoco stravagante. M. 150.32
Germa, Maurice.
L'art scandinave. La musique dans le Danemark, en
Islande, en Norvege et en Suede. Histoire et monogra-
phic. [Par] Maurice Cristal [pseud.]. Paris. Didier &
cie. 1874. No. 6 in M.372.21
Verdi et les traditions nationales de la musique en Italic.
[Par Maurice Cristal, pseud.] {Cut from Bibliotheque
universelle et revue Suisse. Serie 3, vol. 6, pp. 38,i;-409;
vol. 7, pp. 66-101. Lausanne. 1880, 81.) No. S in M.207.9
Germain, Marius.
Le dernier verre. Operette. Musique de Louis Lefevre.
No. 2 in M.393.34
Germain, P.
Simon de Montfort. Opera en cinq actes. Paroles de M.
Louis Metge. Musique de P. Germain. Partition piano
et chant. [Paris. 186-?] H.a40.l7
468
German
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gernsheim
German, James Edward.
The Emerald Isle; or, the caves of Carrig-Cleena. Comic
opera. Written by Basil Hood. Composed by Arthur
Sullivan and Edward German. M.381.46
A princess of Kensington. A new and original comic opera
in two acts. Written by Basil Hood. Composed by Ed-
ward German. Arranged from the full score by Wilfred
Bendall. [Vocal score with pianoforte accomp.] London.
Chappell & Co. igo.s. M.397.29
The tempter. Suite for orchestra. Score. London. Ash-
down. fiSg-?! No. I in M.357.16
German hymn. For pianoforte. Pleyel, I. J. No. 27 in M.384.48
German serenade. Part-song. Marschner, H. A.
No. 25 in M.157.S.1
German Vclkslieder Album. Forty sonars with the original
words and an English version by John Oxenford. fPiano-
forte accomp. 1 London. Novello, Ewer & Co. [188-?!
No. 2 in M.384.64
Contents. — Sir Ulrich. — The watchman. — The Switzer boy. —
bavarian song. — The three roses. — Present in thought. — The
pains of love. — Good night. — The faithless one. — All over. — A
bitter parting. — Absence. — The lover's flight. — Happy days. —
The mountain maiden. — A song to Spring. — Constancy. — Lover's
quarrel. — Complaint. — The coy maiden. — Oft at her cottage door.
— A song of the Styrian Alps. — The sentinel. — Cradle song. —
A short farewell. — Soldier's love. — My dearest, my darling. — A
light possession. — From the Dachstein's height. — On the Alma. —
The Tyrolese and his child. — Soft gale of the evening. — Wander-
er's song. — Lonely. — Thuringian Volkslied. — The Lurley. —
Annie of Tharau. — A lament. — May breezes. — Farewell.
Germanenzug. Cantata. For the Music see Lund. For the
Libretto see Silberstein.
Germania. Opera. For the Music see Franchetti. For the
Libretto see Illica.
Germania. Part-song. Ahrenssen. No. 8 in M.392.35
LoEWE, J. C. G. 6 Gesange. No. i in M.392.17
Germania, wie stehst du jetzt. Part-song. Beethoven. Werke.
Serie 20, Band 2. M.413.1.20.2
Germany. Music.
Allgemeiner deutscher Musiker-Kalender fiir 1879. Her-
ausgegeben von Oscar Eichberg. Berlin. [1878.!
H.i09b.io
Allgemeiner deutscher Musikverein. Almanach. Jahr-
gang I, 2. Leipzig. 1868, 69. M.198.2; etc.
BuRNEY, C. The present state of music in Germany, the
Netherlands and United Provinces. London. 1773. 2 v.
M.116.3
Chorley, H. F. Modern German music. Recollections and
criticisms. London. 1854. M.107.9
Music and manners in France and Germany. London.
1844. M.107.10
Cornet, J. Die Oper in Deutschland und das Theater der
Neuzeit. Hamburg. 1849. M. 148.17
Deutscher S.a.nger-Kalendar. Herausgegeben von Hein-
rich Pfeil. Jahrgang i. 187.S. Leipzig. 1874. Portrait.
Contains a list of musical societies in Germany. No 4 in M "^77 16
Ellinger, G., editor. Kirchenlied und Volkslied. Geistliche
und weltliche Lyrik des 17. und 18. Jahrhunderts bis auf
Klopstock. Stuttgart. 1892. M.370.9
Elson, L. C. German songs and song-writers. Boston.
1882. No. I in M.372.S2
Fay, a. Music study in Germany. Chicago. 1881. M.109.16
Ferris, G. T. Great German composers. New York. 1882.
M.i09b.i8
Foerster, B. Parsifal-Nachklange. Allerhand Gedanken
fiber deutsche Cultur, Wissenschaft, Kunst, Gesellschaft.
Leipzig. 1883. No. i in M.198.9
Fuerstenau, M. Zur Geschichte der Musik und des Thea-
ters am Hofe zu Dresden. Dresden. 1861, 62. M. 136.10
Hesse, M. Max Hesse's Deutscher Musiker-Kalender fur
das Jahr 1897, 98, 1901, 02, 04. Leipzig. [1896-1903.!
M.205.27
Holmes, E. A ramble among the musicians of Germany.
London. 1828. M. 137. 21
Germany. Music. (Continued.)
Krehbiel, H. E. The development of German opera. Illus.
Portraits. Plates. {In The music of the modern world
. . . Vol. I, pp. 85-94. New York. [iSg.'?.]) M.14.1.1
Marsop, p. Neudeutsche Kapellmeistermusik. Berlin. 1885.
No. 2 in M.377.15
Mettingh, J. P. F. VON. Lebens-Skizzen deutscher Ton-
setzer. Niirnberg. 1868. No. $ in M.207.36
MoRSCH, A. Deutschlands Tonkiinstlerinnen. Berlin. 1S93.
M.37I-37
PuDOR, H. Die alten und die neuen Wege in der Musik,
nebst einem Vorwort. Dresden. 1892. No. i in M. 372.41
Reimann, H., editor. Das deutsche Lied . . . von seinen
Anfangen bis zur heutigen Zeit. [Berlin. 189-?!
No. 2 in M.372.41
Schletterer, H. M. Das deutsche Singspiel von seinen
ersten Anfangen bis auf die neueste Zeit. Augsburg.
1863. M.371.21
SiEBER, F. Handbuch des deutschen Liederschatzes. Ein
Catalog von 10.000 . . . Liedern, nebst einer Auswahl von
Duetten und Terzetten. Berlin. 1875. No. 2 in M.141.1
SouBiES, A. Histoire de la musique allemande. Paris.
[1896.1 M.216.16
Wackeenagel, p. C. E. Bibliographic zur Geschichte des
deutschen Kirchenliedes im XVI. Jahrhundert. Frank-
furt a. M. i8s.'5. M.372.47
Germany. Folk-songs.
Brahms, J. Deutsche Volkslieder. Berlin. 1894.
No. 9-15; in M.380.40.3
Volks-Kinderlieder, mit hinzugefiigter Clavierbeglei-
tung. Leipzig. [188-?! No. 8 in M.380.40.3
Forster, G., editor. Der zweite Teil der kurtzweiligen guten
frischen teutschen Liedlein zu singen fast lusti.g im mehr-
stimmis:en Tonsatze. Leipzig. 1905. M.400.18
Six of the songs only are by Forster.
German Volkslieder Album. Forty songs with the origi-
nal words and an English version by John Oxenford.
London. [188-?] No. 2 in M.384.64
MiTTLER, F. L., editor. Deutsche Volkslieder. 2e . . . Aus-
gabe. Frankfurt am Main. 1865. M.37r.36
Sciiambach, O., editor. Liederhalle fiir Deutschlands Jugend.
Altenburg. [1883.! M.20S.28
Schure, fi. Histoire du Lied, ou la chanson populaire en
Allemagne . . . Paris. 1868. M.118.20
Gernerth, Franz.
In stiller Nacht! Mannerchor mit Baritonsolo und beliebi-
ger Begleitung der Harfe oder des Klavieres. Op. 41.
Wien. Wetzler. [i88-?l No. I in M. 212.6
Siinger-Standchen fiir vier Miinnerstimmen. Op. 42. Par-
titur. Wien. Wetzler. [l88-?l No. 17 in M.392.10
Gernlein, Rudolf.
Drev Lieder fiir Bar. oder Alt, mit Pianoforte oder Guitarre
Begleitung. Berlin. Simon. [1830.I No. 3 in M.22I.33
Contents. — Meeresstille. — Erste Liebe. — Der Regenbogen.
Gemot. Opera. For the Music see Albert, E. F. C. d'. For
the Libretto see Kastropp.
Gernsheim, Friedrich.
Abendandacht [t. T. B. B.]. Op. 40, No. 2. Leipzig. Rieter-
Biedermann. 1879. No. 19 in M.392.10
Alia Mazurka. No. i der Tanzstiicke, Op. 30, zu vier
Handen. Fiir Orchester bearbeitet von Karl Miiller-
Berghaus. Partitur. Mainz. Schott. fi88-?l
No. 3 in M.410.26
Auf Waldespfaden. [Mannerchor.! (In Claassen. Ludwig
Liebe- Album. Pp. 14-16.) No. 11 in M.203.16
Concert fiir Violine init Begleitung des Orchesters. Op. 42.
Orchester-Partitur. Leipzig. Rieter-Biedermann. 1880.
No. 2 in M.3.S6.17
Fantasiestiick fiir Violine mit Begleitung des Orchesters.
Op. 33. Partitur. Berlin. Simrock. 1876. No. 2 in M.338.8
G. Verdi, Messa da Reauiem. Erlautert. Frankfurt a. M.
Bechhold. [1897. Der Musikfuhrer. No. ,■;.■;. .5 6.1
No. 4 in M.2i7.i2..<{
469
Gernsheim
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gerrish
Gernsheim, Friedrich. (Continued.)
Der Kesithnte Hirsch. fMannerchor.l Op. 40, No. 3. Leip-
zisr. Rieter-Biedermann. 1879. No. 20 in M.392.10
Das Grab im Busento. The grave in the Busento. Ballade
von A. von Platen. English version by E. Buek. Fiir
Mannerchor und Orchester componirt von Friedrich
Gernsheim. Op. 52. Klavierauszug. Berlin. Luckhardt.
1887. No. S in M.203.14
Nordische Sommernacht. Gedicht v. Herm. Lingg, fiir Chor,
Soli & Orchester componirt von Friedrich Gernsheim.
Op. 21. Clavier-Auszug. Mainz. Schott. [1870?!
No. 5 in M.203.6
Odins Meeresritt. Gedicht von Schreiber, fiir Baritonsolo,
Mannerchor und Orchester. Componirt von Friedrich
Gernsheim. Op. 48. Clavierauszug. Berlin. Ries & Erler.
[1883?] No. 3 in M.212.6
Phobos Apollon. (Gedicht von Herm. Allmers.) Hymne
fiir Mannerchor, Solostimmen und Orchester von Friedr.
Gernsheim. Op. 60. Clavierauszug. Leipzig. Rieter-
Biedermann. 1893. No. 4 in M.212.6
Phrygiergesang [t. t. b. b.1. Op. 40, No. i. Leipzig. Rieter-
Biedermann. 1879. No. 18 in M.392.IO
Quartett fiir 2 Violinen, Viola & Violoncell. Op. 2S. Par-
titur. Berlin. Simrock. 1894. No. 4 in M.338.10
Quartett (No. 2, A moll) fiir 2 Violinen, Viola und Violon-
cello. Op. 31. Partitur. Cassel. Luckhardt. [187-?!
No. 3 in M.33S.6
Quartett (No. 3, F dur) fiir Pianoforte, Violine, Viola und
Violoncell. Op. 47. fPartitur und Stimmen.l Leipzig.
Rieter-Biedermann. 1883. 4 parts in i v. M.403.40
Quartett (No. 3, in F dur) fiir zwei Violinen, Viola und Vio-
loncell. Op. SI. Partitur. Leipzig. Rieter-Biedermann.
1866. No. 7 in M.211.1
Same. Stimmen. 4 v. No. 3 in M.211.2.1-4
Romische Leichenfeier. Gedicht von Hermann Lingg. Fiir
Miinnerchor & Orchester componirt von Friedr. Gerns-
heim. Op. 17. Clavierauszug. Leipzig. Seitz. [187-?!
No. 2 in M.212.6
Salamis. Siegesgesang der Griechen. [Mannerchor. 1 Leip-
zig. Rieter-Biedermann. [187-?! No. 4 in M.270.S8
AJeo to be found in Eidgenossischer Sangerverein. Mannerchore fiir
das 13. . . . Sangerfest.
Same. Salamis. [Triumph-song of the Greeks, t, t. e. b.]
Op. 10. [Boston. Apollo Club.] 1880. No. 6 in M.392.36
Salve, Regina, fiir Sopran-Solo, Frauenchor, Orchester und
Orgel (ad libitum). Clavierauszug. Bremen. Cranz.
[187-?! No. 4 in M.39I.39
Symphonie [No. I, G moll] fiir grosses Orchester. Op. 32.
Partitur. Berlin. Simrock. [1875.] No. i in M.348.21
Symphonie (No. 2, Es dur) fiir grosses Orchester. Op. 46.
Partitur. Leipzig. Rieter-Biedermann. 1882.
No. 2 in M.332.20
Symphonie (No. 3, C moll) fiir grosses Orchester. Op. 54.
Partitur. Leipzig. Rieter-Biedermann. 1888.
No. I in M.332.20
Symphonie (No. 4) fur grosses Orchester. Op. 62, Partitur.
Berlin. Simrock. 1896. No. i in M.356.17
Trio fiir Pianoforte, Violine und Violoncell. Op. 28. [Par-
titur.] Mainz. Schott. [1871?] No. 7 in M.211.3.2
Same. [Stimmen, Violine und Violoncell.] 2 v.
No. 18 in M.211.4.1, 2
Wiichterlied aus der Neujahrsnacht des Tahres 1200 . . . Fiir
Mannerchor und Orchester. Op. 7. Klavierauszug. Leip-
zig. Breitkoof & H*tel. [1864?! No. 10 in M.3g2.4i
Waldmeister's Brautfahrt. Ouverture fiir grosses Orchester.
Op. 13. Partitur. Bremen. Cranz. [186-?] No. 2 in M.348.21
Der Zaubermantel. Ballade von Felix Dahn. Fiir Soli,
Chor und Pianoforte componirt von Friedrich Gernsheim!
Berlin. Ries & Erler [i88q.] No. .s in M.391.39
With German and English words.
Gernsheim. Friedrich. Works about.
Heym. G. Friedrich Gernsheim. Erste Symphonic in G.-
moll (Op. 32). Erlautert. Leipzig. [looi?]
No. 7 in M.217.12.10
470
Gero, Giovanni.
Phillida mia piu chei. [Duet, t. b.] (In Smith. Musica
antiqua. P. 134.) M.236.10
Gerstenberg, Heinrich Wilhelm von.
Ariadne auf Naxos [von H. von Gerstenberg], und Johann
Elias Schlegels Prokris und Cephalus. In Musik gesetzt
von Johann Adolph Scheiben. H.203.42
Die Grazien. Eine Cantata. In Musik gesetzt . . . von
Friedrich Benda. No. I in M.220.26
Gerny,
La Sainte Catherine. Operette. Paroles de Lacombe et
Gerny. I\Iusique de Frederic Barbier. No. 5 in M.255.34
Geroldan, A. T.
Comment I'esprit vient aux gar<;ons. Operette. Musique
de Ferdinand Deroo. No. i in M.29S.33
Gerrish, William H.
Benedic anima mea, in G. [Accomp. for orgam.l Boston.
[1886.] No. 27 in M.158.16
Benedictus, in C. [Accomp. for organ.] Boston. [1889.]
No. 34 in M.158.16
Christ our Passover. [Anthem for Easter. Accomp. for
organ.] Boston. [1887.] No. 29 in M.158.16
The earth is the Lord's. Anthem [t. t. b. b. Accomp. for
organ]. Boston. [1895.] No. 16 in M.203.25
Five Christmas carols. Boston. Gerrish. 1892.
No. 24 in M.158.16
Contents. — Hail, Christmas day. — 'Twas in winter. — - Ring out the
happy carols. — Long ago above a manger. — Good tidings.
The Gerrish collection of church music. No. 1-20, 501-526.
[Accomp. for organ.] Boston. Gerrish. [1885-90.] 46
parts in I v. M.158.26
Contents. — i. Gerrish: Te Deum in Ab. 2. Jubilate in Ab. 3. Bene-
dic anima mea. 4. Still, still with Thee [s. a. t. b.]. — Lo! the seal
of death is breaking [s. A. T. B.]. — Bread of the world. 5. Christ our
Passover. 6. Warren: Te Deum in Bb. 7. Jubilate Deo. 8. Bene-
dicite omnia opera. — Benedictus Dominus Dcus. 9. Gerrish : Glory
to God in the highest. 10. Communion service in E flat. 11. Bur-
bank: Four Christmas carols. 12. Gerrish: Te Deum in D. 13.
Jubilate in D. 14. Davis: Five Gloria Patris. is. Gerrish: Te
Deum in C. 16. Benedictus in C. 17. The Lord is my shepherd. 18.
Day: I will praise God. 19. Gerrish: Five Christmas carols. 20.
Fire Easter carols. 501. Still, still with Thee [t. T. B. b.], — Lo,
the seal of death [t. t. b. b.]. 502. I will wash my hands in inno-
cency. 503. As the Orient. — The Lord is great. — Let Thy spirit.
— Gloria Tibi. 504. Remember now thy Creator. 505. When the
weary. — Through the night air stealing. 506. Russian air. — God
the omnipotent. — ■ Gerrish: Behold! how pleasant; Father! in Thy
mysterious presence. 507. Light, beautiful light. — Members of an
order. 508. Music for Order of the Red Cross. 509, Music for Order
of the Temple. 510. Hark! Hark! to the voices. 511. How shall we
raise our dead? — When spring unlocks. 512. Home, sweet home. —
In good old colony times. — Oft in the stilly night. 513. Let us meet
upon the level. — Rossini: From the world stealing. si4. Gerrish:
Te Deum in C. S'S- The Lord's prayer. — O Thou true God alone.
516. Immanuel. — In hoc signo vinces. 517. The eye that never
sleeps. — Everlasting, changing never. — Father, day by day. —
Gloria Tibi, Domine. 518. When the tribes were assembled. 319- The
shadows of the evening hours. — Eventide. — Russian vesper hymns.
520. Who enters here. — In memoriam. — So mote it be. 521. The
Lord is my Shepherd. — Father, whose hand. — Awake, my soul.
522. Jerusalem, the golden. — Hierusalem, my happie home. 523.
Now faintly glimmering. — Come and watch the daylight. — Now
from the Orient. 524. Before Thee, Lord. — Praise the Lord. 525.
Three hymns (Hark, hark, my soul; Lead, kindly light; Guide me,
O Thou great Jehovah). 526. Masonic chants.
Glory to God. Christmas anthem. [Accomp. for organ.]
Boston. [1887.] No. 30 in M.158.16
God the Omnipotent; Behold how pleasant [arranged from
Sullivan]; Father! in Thy mysterious presence. [3 male
quartets. Accomp. for organ.] Boston. [1888.]
No. 6 in M.203.25
How shall we raise our dead? [Quartet for male voices.
Accomp. for organ.] Boston. [1890.] No. to in M.203.25
I will wash my hands in innocency. [Quartet, t. t. b, b.
Accomp. for organ.] Boston. [1886.] No. 3 in M.203.2S
Immanuel. In hoc signo vinces. [2 male quartets. Ac-
comp for orsan. ad lib.] Boston.. [iPoi .1
No. IS in M.203.2.S
Tubilate Deo, in A flat. [Accomp. for organ.] Boston.
[1885.] No. 26inM.1s8.16
Gerrish
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gesetz
Gerrish, William H. (Continued.)
Jubilate Deo, in D. fAccomp. for organ.] Boston. fiSSg.!
No. .32 in M.158.16
Let us meet upon the level; From the world stealing, by
Rossini. \2 male o.uartets.l Boston. fiSoo.l
No. 12 in M.203.2S
Light, beautiful light; Members of an order. [2 male quar-
tets.! Boston. ri888.1 No. 7 in M.203.2S
The Lord is my Shepherd. [Anthem. Accomp. for organ. 1
Boston. [1890.1 No. ,35 in M.158.16
The Lord's Prayer. O Thou true God alone. \2 male quar-
tets. Accomp. for organ, ad lib.] Boston. [1800.!
No. 14 in M.203.25
Music for degree of Most Excellent Master. [.'^ male quar-
tets.] Boston. [180?.] No. 17 in M.203.25
Contents. — The Lord is my Shepherd, chant. — In clouds of radiant
light. — The temple all glorious.
Music for Order of Red Cross. \q short male quartets.]
Boston. [1889.] No. 8 in M.203.25
Music for Order of the Temple. fi.S short male quartets.]
Boston. [1889.] No. 9 in M.203.2S
Remember now thy Creator. [Quartet, t. t. b. b. Accomp.
for organ.] Boston. [1887.I No. 4 in M.203.2S
Ring evermore, ye blessed bells, (t. or s. solo with quartet
accomp. [t. T. B. B.].) God is our Refuge (short sentence
[t. T. T. B. B. B.]). Miserere nobis (unison chorus, organ
accomp.). Boston. [189.=;.] No. 19 in M.203.25
Spirit of truth (b. solo and quartet, T. T. B. B.). Our Father
in heaven [t. T. B. E.], by C. L. Kenyon. Hark! the song
of jubilee [t. T. B. B.], by W. H. Gerrish. [Accomp. for
organ.] Boston. [1895.] No. 18 in M.203.2S
Still, still with Thee [t. t. b. b.]. Boston. [1886.]
No. 2 in M.203.25
Still, still with Thee; Lo! the seal of death; Bread of the
world. [3 hymns for s. A. T. B., the last arranged from
Mendelssohn.] Boston. [1886.] No. 28 in M.158.16
Te Deum, in A flat. [Accomp. for organ.] Boston. [188=;.]
No. 25; in M.158.16
Te Deum, in Bb. Accomp. for organ. Boston. White &
Goullaud. 1870. No. 17 in M.igo.3
Te Deum, in C. [Accomp. for organ.] Boston. 1880.
No. 33 in M.158.16
Te Deum, in C [for t. t. b. b. Accomp. for organ]. Boston.
[1800.] No. .qi4 in M.158.16; No. 11 in M.203.25
A different composition from the preceding.
Te Deum, in D. [Accomp. for organ.] Boston. [1888.]
No. 31 in M.1S8.16
When the weary, seeking rest; Through the night air (Mise-
rere). [2 male quartets. Accomp. for organ.] Boston.
[1887.] No. 5 in M.203.25
Gerrish, William H., editor.
Three old songs, newly arranged [for T. T. b. B.]. Boston.
[1890.] No. II in M.203.25
Contents. — Home, sweet home. — In good old colony times. — Oft in
the stilly night.
Gersbach, Joseph.
Morgenlied [t. T. B. B.]. (/» Das Riitli. P. 308.)
No. 129 in M.147.4
Gersprenz. Cantata. For the Music see Wallnoefer. For the
Libretto see Scheffel.
Gerusalemme liberata. Opera. For the Music see Righini.
Gervaise. Ot>era. For the Music see Barbier, F. £. For the
Libretto see Lefebvre, H.
Gervinus, Georg Gottfried.
Handel und Shakespeare. Zur Asthetik der Tonkunst.
Leipzig. Engelmann. 1868. M.106.7
Gesaenge des Harfners. Schubert. F. P. Sammtliche Com-
positionen. M.244.i2;etc.
Gesang. Part-song. Doerrjen. No. 46 in M.213.9
Gesang, Der. Part-song. Haeser, C. No. 9 in M. 130.7; etc.
Gesang an die Deutschen. Part-song. Koch, C.
No. 13 in M.392.13
Gesang an die Harmonic. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317. 1.20.4
Gesang der Apollopriesterin. Song. Strauss, R. Vier Ge-
sange. No. 2 in M.380.2S
Gesang der Brautjungfern. Song. Kuecken. No. 6 in M.244.6.3
Gesang der Geister fiber den Wassern. Cantata. For the
Music see Berger, W.; also Schubert, F. P. For the
Libretto see Goethe, J. W. von.
Gesang der Geister iiber den Wassern. Part-song.
Brambach. No. 22 in M.392.5
Schubert, F. P. Werke. Serie 16. M.317.1.16
Gesang der Geister iiber den Wassern. Song. Schubert, F. P.
Werke. Serie 20, Band 10. M.317.1.20.10
Gesang der heiligen drei Koenige. Cantata. For the Music
see Bruch. For the Libretto see Schenkendorf.
Gesang der Junglinge. Cantata. For the Music see Jensen, G.
For the Libretto see Uhland.
Gesang der Meerweiber. Trio. Gade. Lieder und Gesiinge.
Heft 5. No. 7 in M.192.3
Gesang der Monchen. Part-song. Beethoven. Werke. Serie
23. M.4I3-I-23
Gesang, Der, der Nachtigall. Song. Beethoven. Werke.
Serie 25. M.4I3.I-2S
Gesang der Nonnen. Cantata. For the Music see Jensen, A.
For the Words see Uhland.
Gesang der Noma. Song. Schubert, F. P. Werke. Serie 20,
Band o. M.317. 1.20.9
Gesang der Parzen. Cantata. For the Music see Brahms. For
the Libretto see Goethe, J. W. von.
Gesang im Griinen. Part-song. Faisst. No. 12 in M.392.33
Gesang im Walde. Part-song. Schumacher, R. Drei Lieder.
No. 20 in M.392.25
Gesang muss sein! Part-song. Becker, V. E. 5 Gesange fiir
Mannerchor. No. 3 in M.392.4
Gesang zu Pfingsten. Cantata. For the Music see Nessler.
For the Libretto see Boettger.
Gesanges Friihlingstrost. Part-song. Abt, F. Vier Gesange
fiir vier Mannerstimmen. Op. 205. No. 26 in M.392.1
Gesangesgruss. Part-song. Moehring. Sechs Gesaniie.
No. 8 in M.392.37
Gesangeshuldigung. Part-song. Faisst. No. i in M.392.42.4
Geschieden. Lied. Grieg. Grieg-Album. No. 4 in M.IS5.16
Geschoepfe, Die, des Prometheus. Ballet. Beethoven.
No. I in M.345.35;etc.
Geschwind Marsch. For orchestra. Redern. No. 3 in M.341.35
Gesegnet. Song. Cornelius. Werke. Band i. M414.20.1
Gesegnet ist der Mann. Motet. Bellermann. No. 3 in M.391.31
Gesegnet sei das Griin. Song. Wolf, H. Italienisches Lieder-
buch. Band 2. M.380.29.2
Gesegnet sei durch den die Welt entstund. Song. Wolf, H.
Italienisches Liederbuch. Band i. M.380.29.1
Geselle, woU'n wir uns in Kutten hiillen. Song. Wolf, H.
Italienisches Liederbuch. Band I. M.380.29.1
Gesellenfahrten. Part-songs. Otto, E. J. No. 46 in M.392.19
Gesellenlied. Part-song. Greger. No. 149 in M.246.22
Naret-Koning. Vier Lieder fiir Mannerchor.
No. 10 in M.392.19
Gesellenreise. Song. Mozart. Werke. Serie 7, Band i.
No. 18 in M.315.1.7.1
Gesellschaft der Musikfreunde. Vienna.
Actenmassige Darstellung der Ausgrabung und Wiederbei-
setzung der irdischen Reste von Beethoven und Schubert.
Wien. Ceroid. 1863. M.371.27
Gesellschaft fiir Musikforschung. See Publikation alterer
praktischer und theoretischer Musikwerke.
Gesellschaft zur Herausgabe der Denkmaler der Tonkunst in
Osterreich. See Denkmaeler der Tonkunst in Osterreich.
Gesellschaftslied. Part-song. Zaeh. Sechs vierstimmige
MSnnerchore. No. 23 in M.392.38
Gesetz, Das, des alten Bundes. Oratorio. For the Music see
Neukomm, S. von.
471
Gessler
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gewitter
Gessler, Charles de.
Le Diable a Yvetot. Opera-comique en i acte. Paroles de
P. Stark. Musique de C. de Gessler. Partition chant et
piano. Paris. Naus. [1888.] No. i in M.301.8
Gestaendnis. For strings. Schulz-Schwerin. No. 5 in M.342.30
Gestaendniss. Part-song.
GoLDMARK. Im Fuscherthale. No. 20 in M.158.22
Schumann, R. A. Werke. Serie 10, Band 2. M.316.1.10.2
Gestaendniss. Song. Mendelssohn-Bartholdy, J. I.. F.
Werke. Serie 19. M.4I3.3.I9
Schumann, R. A. Spanisches Liederspiel. No. 7.
No. 17 in M.244.1S.2
Gestaendniss der Liebe. Song. Raff. Sanges-Friihling-. Heft ?,.
No. 3 in M.192.4
Gestem Abend. Part-song. Kuntze. No. 66 in M.246.22
Gestern liebt' ich. Song. Rungenhagen. No. 1?, in M.221.33
Gestern war ich Atlas. Song. Strauss, R. Fiinf Gedichte.
No. 15; in M.380.24.3
Gestillte Sehnsucht. Song. Brahms. Zwei Gesanere. Op. 91.
No. 10 in M.380.40.2
Gestime, Die. Part-song. Schoen, E. von. No. 26 in M.392.7
Gestime, Die. Song. Schubert, F. P. Werke. Serie 20,
Band 4. . M.3i7-i.20.4
Gestoerte Gliick, Das. Song. Schubert, F. P. Werke. Serie
20, Band 3. M.3i7-i-20.3
Gestrebt-Gewonnen-Gescheitert. Symphonic poem. Strong.
No. 2 in M.33S.IS
Gesture.
Giraudet, a. a. Mimique, physionomie et srestes. Methode
pratique d'apres le systeme de F. Del Sarte, pour servir
a I'expression des sentiments. Paris. 1895. M.3S0.62
Neville, H. G. Gesture. {In Voice, speech and Resture
. . . London. iSg.';.) M.218.2
Gesuehnte Hirsch, Der. Cantata. For the Music see Tschirch.
For the Libretto see Reinick. R.
Gesuehnte Hirsch, Der. Part-song.
Bergmann. No. I in M.370.30
Gernsheim. No. 20 in M.392.10
Gesungen! Song. Schumann, R. A. Lieder und Gesange.
Heft 4. No. loin M.244.1S.3; etc.
Gesungen muss sein. Part-song. Methfessel, A. G. Vier
Gesanpe. No. .30 in M.392.17
Get you hence. Glee. Boyce. No. .30 in M.23S.17.3
Gethsemane. Aria. L.\trobe, C. I. OriRinal anthems.
No. 22 in M.236.1S
Gethsemane. Cantata. For the Music see Williams. C. L. For
the Libretto see Bennett, T.
Gethsemane und Goleotha. Oratorio. For the Music see
Schneider. T. C. F. For the Libretto see Schubert, J.
W. B.
Getrennte Liebe. Part-song. Erk. Volksklangre.
No. I in M.1.30.8
Getrocknete Blumen. Part-song. Otto, F. No. 7'5 in M.i2qa.44
Getroffen. Part-song. Hirsch, C. Landsknechtlieder. Heft 2.
No. 4 in M.3g2.i2
Geucke. Kurt Ehrenfried.
Das Irrlicht. Oper. Musik von Carl Grammann.
No. 2 in M.382.27
Gevaert, Francois Auguste.
Le billet de Marguerite. Opera-comique en 3 actes. Pa-
roles de MM. de Leuven fpseud.l et Brunswick [pseudl.
Musicue de F. A. Gevaert. Partition piano et chant.
Paris. Lemoine. FiS^i.! M.2.S6.36
Le canitaine Henriot. Opera comique en 3 actes. Poeme
de Victorien Sardou & G. Vaez. Musique de F. A. Ge-
vaert. Accomp. de piano. Deutsch von Ernst Pasque.
Mavence. Schott. ri86-?l M.272.32
Chants Ivriques de Saiil. [t. t. b. b.1 (In Eidgenossischer
Sangerverein. Wettsesange bei dem 11. . . . Sangerfeste.
Pp. 61-6';.") No. Q in M. 130.7
Le chateau Trompette. Opera comique en 3 actes. Paroles
de Cormon Ipseud.l & M. Carre. Musique de F. A. Ge-
vaert. Partition piano et chant. Paris. Grus. ri86o.l
M.2.S6.3.';
Gevaert, Francois Auguste. (Continued.)
La comedie a la ville. Opera bouffon en un acte. Paroles
de Victor Prilleux. Musique de F. A. Gevaert. [Partition
piano et chant.l Gand. Gevaert. i8.i;3. M.396.21
Cours methodique d'orchestration. Paris. Lemoine. fiSgo.]
M.214.7
Le diable au moulin. Opera-comique en i acte de MM.
Cormon [pseud.] & M. Carre. Musique de F. A. Gevaert.
Partition piano et chant. Paris. Grus. ri86-?l
No. 2 in M.2S6.34
The emigrants. Chorus [t. t. b. b.]. New York. Schirmer.
l,',??~y No. 16 in M.392.28
With English and German words.
En mer. Strophes [t., extraites d'un opera inedit. Accomp.
de piano]. Portrait. Facsimile. (In Album du Gaulois.
Vol. I.) No. 20 in M.391.28.1
L'exode. [Choeur, t. t. b. b.] (/n Eidgenossischer Siinger-
verein. Wettgesange bei dem 12. . . . Sangerfeste. Pp.
46-48.) No. 8 in M. 130.7
Georgette, ou le mouHn de Fontenoy. Opera bouffe en i
acte. Poeme de Gustave Vaez. Musique de F. A. Ge-
vaert. Partition chant et piano. Paris. Lemoine. ri8.S3?l
No. I in M.256.34
Hugues de Zomerghem, ou une revolte sous Louis de Male.
Opera en 3 actes. Poeme de V. Prilleux. Musique de F.
A. Gevaert. Traduction allemande de A. Breuer. [Parti-
tion piano et chant.] Gand. Gevaert. [1848.] M.272.33
Jacob van Artevelde, cantate. Poezij van N. Destanberg.
Muzijk van F. A. Gevaert. Texte franqais par Victor
Wilder. Accompt de piano par L. Soumis. Gand. Ge-
vaert. 1864. M.1S5.9
Les lavandieres de Santarem. Opera comique en 3 actes.
Paroles de Dennery fpseud.] et Grange. Musique de F.
A. Gevaert. Partition piano et chant. Paris. Grus. [1855.]
. M.364.36
O Salutaris. Motet a une voix [s. ou t. Accomp. d'orgue].
Paris. Au Menestrel. [1837-1 No. 22 in M.201.33
Les ori.gines du chant liturgique de I'eglise latine. Gand.
Hoste. 1890. No. 2 in M.123.36
La poularde de Caux. Operette en i acte, de MM. A. de
Leuven [pseud.] et V. Prilleux. Musique de L. Clapis-
son, Gevaert . . . No. i in M.293.10
Quentin Durward. Opera comique en 3 actes, de Cormon
[pseud.] et Michel Carre. Musique de F. A. Gevaert.
Partition. Paris. Grus. [1858.] M.227.3
Same. Chant et piano. M.256.37
Transcriptions pour orchestre. [Partition.] Paris. Du-
rand, Schoenewerk & c'e. [187-?] 13 parts in i v.
Each part is separately catalogued. No. 4-16 in M.343.48
Gevaert, Frangois Auguste, editor.
Danses celebres des fondateurs de I'Opera frangais: Lulli,
Rameau, Gluck. Disposees en suites d'orchestre. No'
1-3. Paris. Durand, Schoenewerk & c'e. [187-?] 3 parts
'" ' ^- No. 1-3 in M.343.48
Contents. — i, 2. Gluck. Suite i, 2. 3. Rameau. Fragments de Castor
et Pollux.
Gr^try, a. E. M. La caravane du Caire. M.303.S
Cephale & Procris. M.266.34
Haydn, F. J. Concert in D dur fiir Violoncell und Orches-
ter. No. 6 in M.342.3
Gevaert, Francois Auguste. Works about.
RouxEL, . Histoire des ecoles de musique. Reponse au
discours prononce par M. Gevaert, a I'Academie des
beaux-arts a Bruxelles, septembre 1876. Par un Trouvere.
2e edition. Paris. 1877. No. 2 in M.370.64
Gewandhaus, Leipzig. History.
Kneschke, E. Die hundertundfunfzigjahrige Geschichte der
Leipziger Gewandhaus-Concerte. 174.3-1893. Leipzig.
r 1893.1 No. 2 in M.376.3
Geweihten, Die. Fiction. Nicolai, G. M. 108.35
Gewitter, Das. Cantata. For the Music see Mohr, H. For the
Libretto see Schultz, C.
Gewitter. Part-song. Sciiultz, E. No. 4 in M.212.16
472
Gewitternacht
THE ALLEN A. BROWN COLLECTION OF MUSIC
Giardini
Gewitternacht. Song. Franz, R. Sechs Gesange. Op. 8.
No. 6i in M.244.5.1
Gewuenschet hab' ich einmal sehr. Part-song. Kuntze.
No. 10 in M.392.1S
Geyer, Flodoard.
Friihlings-Hymne. (Maibetrachtung.) Gedicht. Compo-
nirt von Carl Goldmark. No. 2 in M.202.18; etc.
Ghasel. Part-song. Buechler. Sechs Gesange.
No. 36, 37 in M.392.S
Gherardini,
La gazza ladra. Opera. Musique de Rossini. 11.369.17
Gheusi, Pierre B.
Les barbares. Tragedie lyrique. Poeme de Victorien Sar-
dou et P. B. Gheusi. Musique de C. Saint-Saens. M.381.37
Le carillon. Opera, par Jules Mery et P. B. Gheusi. Mu-
sique de J. Urich. M-393-70
La cloche du Rhin. Drame lyrique de Georges Montor-
gueil & P. B. Gheusi. Musique de Samuel Rousseau.
M.394.23
Damayanti. Legende lyrique. Musique de Lucien Fon-
tayne. No. i in M.378.48
Guernica. Drame lyrique. Poeme de P. Gailhard & P. B.
Gheusi. Musique de Paul Vidal. M.32S-37
Le juif polonais. Conte populaire d'Alsace. Poeme de
Henri Cain et P.-B. Gheusi. Musique de Camille Erlan-
ger. M.402.16
Kermaria. Idylle d'Armorique. Musique de Camille Erlan-
ger. M.395.26
Orsola. Drame lyrique. Musique de P. L. Hillemacher.
M.382.32
Ghesm, Matthias van den.
fPreludium VIIL toni. Organo. Paris. Leclerc. 187-?!
No. 16 in M.4I4-30
Ghilain, Henri fidouard.
Fenetres et jalousies. Operette en un acte de A. de Jallais
& J. Manzoni. Musique de E. Ghilain. [Partition piano
et chant.] Paris. Le Bailly. figo-?! No. I in M.389.7
Ghinassi, Stefano.
fChi m'insegna la maniera. Cavatina, s., con accomp. d'or-
chestra. Partitura e parti.] Manuscript. 1:79-?]
No. 4 in M. 120.19
Ghinste, Pieter van der.
Adoro Te. Solo \s. ou t.] avec accomp. de cor fet d'orgue].
(In Lambillotte. Musique religieuse. ii« Salut, pp. 15-
25.) No. 46 in M.260.18
Ghiselle. Opera. For the Music see Franck, C. A. For the
Libretto see Thierry.
Ghislanzoni, Antonio.
A G. Donizetti. Cantata . . . Musica di A. Ponchielli.
No. 2 in M.2g7.6
Aida. Opera. Musica di G. Verdi. M.328.28
Gli artisti alia fiera. Melodramma buffo. Musica del Mo
Lauro Rossi. M.264.ig
Gli avventurieri. Melodramma. Musica del Mo. Gaetano
Braga. M. 275.6
Un capriccio di donna. Melodramma serio. Musica del
Mo. A. Cagnoni. M.281.23
I Doria. Dramma lirico. Musica di Augusto Machado.
M.399.38
II duca di Tapigliano. Libretto comico. Musica del Maes-
tro Cavre A. Cagnoni. M.383.8
Le due fidanzate. Melodramma serio. Musica di A. Baur.
M.230.9
I due orsi. Opera buffa. posta in musica ... da C. Dall'
.\rgine. M.2q.'i.l
Edmea. Dramma lirico. Musica di Alfredo Catalan!. M.39q.8
Fosca. Melodramma. Musica di A. Carlos Gomes. M. 266.17
Giovanna di Napoli. Dramma lirico. Musica del M° Errico
Petrella. M.2.S4.8
I Lituani. Dramma lirico. Musica di Amilcare Ponchielli.
M.2g7.4
II parlatore eterno. Scherzo comico. Musica di Amilcare
Ponchielli. No. i in M.297.6
I 60
Ghislanzoni, Antonio. (Continued.)
I promessi sposi. Melodramma. Musica di Amilcare Pon-
chielli. M.297.s;etc.
Reginella. Melodrama. Musicato da Gaetano Braga. M.395.8
Salvator Rosa. Dramma lirico. Musica di A. Carlos Gomes.
M.266.IS
Spartaco. Tragedia lirica. Musica di Pietro Platania.
M.383.29
Valeria. Tragedia lirica. Posta in musica dal Mo. E. Vera.
M.284.24
Ghismonda. Opera. For the Music see Albert, E. F.
Ghitana. Opera. For the Music see Oberleithner.
Libretto see Wildenradt. *
Gia fu chi m'ebbe cara. Madrigal. Palestrina.
Band 28. M.8o4oa.66.28
Gia {u chi m'hebbe cara. Mass. Palestrina. Werke. Band 19.
M.8o4oa.66.i9
Gia la notte. Catch. Vento. No. 107 in M.iio.1.2; etc.
Gia la notte sawicina. Song.
CuRSCHMANN. Curschmann-Album.
Prati, a. Sei romanzi.
Gia mi fu co'l desir. Madrigal. Lassus.
Band 2.
Gia riede prima. Glee. Arne, T. A.
Gia riede primavera. Canzonet. Bianchi,
Gia sol si cela. Aria. Paisiello.
Giacche morir non posso. Aria. Handel.
C. d'.
For the
Werke.
No. I in M.157.37
No. 13 in M.22I.2S
Sammtliche Werke.
M.8o40a.67.2
No. 155 in M.220.9.1
G. No. 13 in M.237.7
No. 4 in M. 157.39
12 Alt-Arien.
No. 2 in M.270.48
Giachetti, Giorgio.
Caterina Howard. Melodramma tragico, posto in musica da
M. Salvi. M.1S0.42
La fioraja. Melodramma giocoso, posto in musica da An-
tonio Cagnoni ... M.230.35
Giralda. Melodramma giocoso di G. Giachetti e R. Bernin-
zone. Posto in musica dal Mo Antonio Cagnoni. M.282.24
Giacomo, Salvatore di.
Rosaura rapita. Operetta feerie. Musica
Valente.
Giacosa. Giuseppe.
Die Boheme. Scenen von G. Giacosa und L.
von Giacomo Puccini.
Madame Butterfly. Tragedia giapponese di
Giacosa. Musica di Giacomo Puccini.
Tosca. Melodramma di
Musica di G. Puccini.
Giammai non resti. Madrigal
V. Sardou. L. Illica. G
Palestrina
di Vincenzo
M.399.65
Illica. Musik
M.394.47
L. Illica e G.
M.396.57
Giacosa.
M.393.59
Werke. Band 29.
M.8o4oa.66.2g
Gianni di Parigi. Ot>era. For the Music see Donizetti; also
Morlacchi. For the Libretto see Romani. F.
Giannina e Bernardone. Opera. For the Music see Cimarosa.
Giannini. Sesto.
Ascanio il gioielliere. [Opera. 1 Musica del Maestro Nic-
cola de Giosa.
Giannone.
Ildegonda. Dramma lirico.
Musica del Sig'' M. A.
M.312.42
Marliani.
M.310.S
Giannone.
Halevy.
Rossini.
Scribe.
No.
M.36S.31
M.369.31
7 in M. 372.61
M.327.g
, translator.
T. F. F. £. La tempesta.
Roberto Bruce.
La tempesta.
Thalberg. Florinda.
Giaquinto, Giuseppe.
Masaniello. Gran ballo storico in sei parti. Riduzione per
pianoforte. No. =;. Tarantella. (In Cottrau. 233 raccolta
di canzoni napolitane. Pp. 28-31.) No. 4 m M.3go.44
Giardini. Felice de.
Beneath this stone the Earl. [Catch for 3 voices.] (In
Warren. Collection of catches. Vol. 1. p. 61.)
No. 77 in M.22o.g.i
Beviamo tutti tre. Glee [t. t. b.1. (In The Apollo. Vol. 1,
pp. 7'?. 76.) No. 2Qin M.i3ga.i8.i
.Also to be found in Apollonian harmony ; Bland's The Ladies' col-
lection; Clementi's Collection of catches; Ditson's The Orphean lyre;
The Harmonist; Social harmony; Warren's Collection of catches;
Warren's Cocks's Hand-book of glees; Webbe, Jr.'s Convito armonico.
473
Giardini
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gibbons
Giardini, Felice de. (Continued.)
Che pena che affanno. Catch [for 3 voices!. (In Bland.
The Ladies' collection. Vol. S, P. .S82.")
No. 16=; in M.23.';.i7..';
Also to be found in dementi's Collection of catches ; Warren's Col-
lection of catches ; Webbe, Jr.'s Convito annonico.
E pur dolce. Catch a 3 voci. (In Bland. The Ladies' col-
lection. Vol. s, p. S82.) No. i66in M.23S.17.S
Also to be found in dementi's Collection of catches.
Here lies my wife. Glee [a. T. T.B.I. (In Warren. Collec-
tion of catches. Vol. .3, pp. 216-218.) No. 82 in M.220.9.3
Quaker's catch. See his 'Tis strange, sister Ruth.
Son finiti ben mio. Glee fs. T.B.I. (In Warren. Collection
of catches. -Vol. ^, pp. 170-182.) No. 6q in M.220.9.3
'Tis not wealth, it is not birth. Song [s. or t.L from Love
in a village. [Accomp. for pianoforte.! (In Musical li-
brary. Vol. .3, pp. 84, 85.) No. 27 in M.23S.18.3
'Tis strange, sister Ruth. [Quaker's catch. For 3 voices.]
(In Warren. Collection of catches. Vol. i, pp. 56, 57.)
No. 71 in M. 220.9. 1
Trust me, my Celia. fCatch for 3 voices.! (In Warren. Col-
lection of catches. Vol. i, p. 47-) No. ^^ in M.220.9.1
Voglio andare. Glee [a. t. B.l. (/n Clementi. Collection of
catches. Vol. 2, pp. 72-7.S.)
No. 146 in M.110.1.2; No. 146 in M.iio.2.2
Also to be found in Warren's Collection of catches.
Giasone, II. Opera. For the Music see Caletti-Bruno. For
the Libretto see Cicognini.
Gibaux, Louis.
Le puits d'amour. Vaudeville-operette en 3 actes de P.
Veber & L. Bannieres. Musigue de Louis Gibaux. Par-
tition chant et piano. Paris. Choudens. fiooi.!
No. I in M.399.22
Gibbons, Ellis.
Round about her chariot. [Madrigal, s. s. a. t. t. b.1 (In
Hawes. Collection of madrigals. Pp. 1K4-161.)
Also to be found in Novello's Glee-hive. No. 28 in M. 235-12
Cribbons, Orlando.
Almighty and everlasting God. Anthem. [Accomp. for
organ.! (In Ayrton. Sacred minstrelsy. Vol. 2, pp. 64-
66.) No. 26 in M.2qo.22.2
Also to be found in Boyce's Cathedral music, Ed. Warren ; Hullah's
Part music. Sacred ; Hullah's The Singer's library ; Musical times
[Music].
A collection of the sacred compositions of Orlando Gibbons
(of which the scores are not contained in Dr. Boyce's col-
lection), from the original Mss. and part books, together
with a transposed organ-part to some of his published
works. The whole edited and arranged by Sir Frederick
A. Gore Ouseley. London. Novello, Ewer & Co. 1873.
M.398.6
Contents. — First preces, in F. — Second preces, in G. — Venite ex-
ultemus, in F. — Te Deum laudamus, in D minor. — Jubilate Deo,
in D minor. — Magnificat, in D minor. — Nunc dimittis, in D minor.
— O Lord, in Thy wrath. Full anthem. — O Lord, in Thee. Full
anthem. — Why art thou so heavy? Full anthem. — Blessed be the
Lord. Full anthem. — O Lord, increase my faith. Full anthem. —
Deliver us, O Lord. Full anthem. — Behold, Thou hast made. Verse
anthem. — This is the record of John. Verse anthem.. — Behold, I
bring you. Verse anthem. — If ye be risen again. Verse anthem. —
We praise Thee, O Father. Verse anthem. — Lord, grant grace.
V^erse anthem. — Glorious and powerful God. Verse anthem. — See,
see, the Word is incarnate. Verse anthem. — Sing unto the Lord.
Verse anthem. — Blessed are all they. Verse anthem. — Great Lord
of Lords. V^erse anthem. — O Thou, the central orb. \^erse anthem.
— O Lord, how do my woes increase. Hymn. — O Lord, I lift my
heart to Thee. Hymn. — Four hymn tunes. — Organ transposition
of "Lift up your heads." — Organ transposition of "Hosanna." - —
Organ transposition of "Almighty and everlasting." — Organ trans-
position of "O clap your hands." — Organ transposition of "God is
gone up." — Organ transposition of Service in F.
Dainty, fine bird. Madrigal [s. s. a. t. b.!. (In Novello's
Glee-hive. Vol. 2. pp. 63-66.) No. 36 in M.157.20.2
Also to be found in Oliphant's Madrigals in parts ; Webb's Collection
of madrigals.
The eyes of all wait. Anthem for soli [s. s. a. a.! and chorus
[s. s. A. a. T. B. Accomp. for organ]. Edited by Philip
Armes. (In Novello's Collection of anthems. Vol. 14, pp.
1 19-130.) No. 14 in M. 195.2. 14
474
Gibbons, Orlando. (Continued.)
Fantasies in 3 parts, composed for viols . . . Scored . . .
by Edward F. Rimbault. London. Chappell. [1843.I Fac-
simile. [Musical Antiquarian Society. Publications. Vol.
8.] No. I in M.234.25
Same. Compressed from the score [for the piano!, by G.
Alex. Macfarren. London. Chappell. [184-?]
No. 2 in M.234.27
God is gone up. Anthem for 8 voices. [Accomp. for organ.!
(In Boyce. Cathedral music. Ed. Warren. Vol. 3, pp.
24-37) No. 3 in M.233.23.3
Holy, Lord God of hosts. Sanctus. [Accomp. for organ.]
(In Hullah. Part music. Sacred. Vol. 2, p. 120.)
No. 39 in M.1S7.28.2
Hosanna to the Son of David. Anthem [s. s. A. a. t. b. Ac-
comp. for organ]. (In Boyce. Cathedral music. Ed.
Warren. Vol. 2, pp. 202-300.) No. 26 in M.233.23.2
Also to be found in Novello's Collection of anthems ; Taylor's Mad-
rigals.
Lift up your heads. Anthem. [Accomp. for organ.] (In
Boyce. Cathedral music. Ed. Warren. Vol. 2, pp. 301-
309.) No. 27 in M.233.23.2
Madrigals and motets for 5 voices . . . Now first printed in
score. Edited by Sir George Smart. London. Chappell.
[1841. Musical Antiquarian Society. Publications. Vol.
2.1 No. I in M.234.20
Contents. — The silver swan. — O that the learned poets. — I weigh
not fortune's frown. — I tremble not at noise of war. — I see ambition
never pleas'd. — I feign not friendship. — How art thou thrall'd. —
Farewell all joys. — Dainty fine bird. — Fair ladies that to love. —
Mongst thousands good. — Now each flow'ry bank. — Lais now old. —
What is our life. — Ah! dear heart, why do you rise. — Fair is the rose.
— Nay, let me weep. — Ne'er let the sun. — Yet if that age had frosted
o'er. — Trust not too much.
Same. Piano forte part . . . Compressed from the score by
G. Alex. Macfarren. London. Chappell. [184-?!
No. 3 in M.234.27
Nunc dimittis. [Accomp. for organ.! (In Ayrton. Sacred
minstrelsy. Vol. i, pp. 48-50.) No. 17 in M.290.22.1
O clap your hands. Anthem for 8 voices. [Accomp. for
organ.! (I" Boyce. Cathedral music. Ed. Warren. Vol.
3, pp. 16-23.) No. 2 in M.233.23.3
O Lord, increase my faith. [Anthem. Accomp. for organ.]
(In Boyce. Cathedral music. Ed. Warren. Vol. 2, pp.
374-376.) . . No. 34 in M.233.23.2
Also' to be found in Rlmbault's Collection of ancient church music.
O that the learned poets. Madrigal [s. s. A. t. b.1. (In Cle-
menti. Vocal harmony. Vol. 7, pp. 731-740.)
No. IT in M.235.9.7
Also to be found in Hawes's Collection of madrigals; Same, 2d edi-
tion ; Novello's Glee-hive ; Oliphant's Madrigals in parts ; Webb's
Collection of madrigals.
Parthenia. or the first musick ever printed for the virginals,
composed by William Byrd, John Bull, and Orlando Gib-
bons. No. 2 in M.234.26
Sanctus. (In Ayrton. Sacred minstrelsy. Vol. i, p. 02.)
No. 32 in M.290.22.1
Sanctus and Kvrie. (In Musical times. [Music! Vol. 6,
pp. 162-163.) No. 21 in M.175.1.6
Sanctus. Kvrie and Nunc dimittis [in F. Accomp. for or-
gan!. (In Stevens. Sacred music. Vol. 2, pp. 16-21.)
No. 4 in M.234.4.2
The silver swan. Madrigal fs. a. t. b. b.1. (In Amusement
for the ladies. Vol. 3. pp. 72, 73.) No. 2^ in M.220.3.3
Also to be found m The Apollo ; Arnold's Convivial harmony ; Bland's
The Ladies' collection ; dementi's Collection of catches ; Collection
of glees and catches; The Harmonist; Hawes's Collection of madri-
gals; Leslie's Cassell's Choral music; Musical library; Musical times
[Music]; Warren's Cocks's Hand-book of glees; Warren's Collection
of catches ; Webbe, Jr.'s Convito armonico.
Te Deum, Benedictus. Kvrie. Nicene creed. Magnificat and
Nunc dimittis. in F. [Accomp. for organ.! (In Boyce.
Cathedral music. Ed. Warren. Vol. i. pp. 157-187.)
No. 6 in M.233.23.1
Why art thou so heavy. O my soul? [Anthem. Acconip.
for organ.! (In Boyce. Cathedral music. Ed. Warren.
Vol. 2, pp. 370-373.) No. 33 in M.233.23 2
Also to be found in Rimbault's Collection of ancient church music.
J
Gibbs
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gilbert
Gibbs, Richard.
Have mercy upon me. Anthem. [Accomp. for organ.] (In
Cope. A Collection of anthems. Pp. 100-103.)
No, 22 in M.290.34
Gibby la cornemuse. Opera. For the Music see Clapisson.
For the Libretto see Ribbing.
Gibrac, Camille.
Une cantatrice. Paris. Dentu. 1883. M.138.13
Gibsone, Burford George Henry.
Why so pale and wan, fond lover? Glee for 4 voices \a. t.
T. B.]. (/n Warren. Cocks's Hand-book of glees. Vol. 3,
pp. 42-44.) No. 16 in M.157.6.3
Gibsone, Ignace.
The elfin knight, cantata Ifor female voices. Words by
Frederick Enoch]. By Ignace Gibsone. [Accomp. for
pianoforte.] London. Hutchings & Romer. [185-?]
No. 3 in M.155.8
Gideon. Oratorio. For the Music see Cusins; also Horsley,
C. E.; also Meinardus; also Schneider, J. C. F.; also
Stainer. For the Libretto see Gurney, A. T.: also Brueg-
gemann.
Gieb mir ein Herz von Eisen. Song. Mihalovich. Sieben
Gedichte. No. i in M.380.21
Gieb, O heil'ger Geistermacht. Song. Rubinstein. Neun
Lieder. No. 2 in M.192.S
Giehne, H., editor.
Beethoven. Sechs geistliche Lieder. No. 10 in M. 157. 24
Giesebrecht, Heinrich Ludwig Theodor.
Die Apostel von Philippi. Vocal-Oratorium. Componirt
von C. Loewe. No. i in M.152.26
Die eherne Schlange. Vocal-Oratorium. Componirt von C.
Loewe. No. 2 in M.1S2.26
Gutenberg. Oratorium. Componirt von Carl Loewe.
M.242.33
Die sieben Schlaefer. Oratorium. Componirt . . . von C.
Loewe. M.242.31
Gifles & baisers. Opera. For the Music see Pessard. For the
Libretto see Barbier, P.
Gifts of feature and of mind. Fa la. Hilton.
Gounod.
Ayres or fa las.
No. 3 in M. 234.2 1
No. 4 in M. 157.25
Giganella. Part-song.
Gigout, Eugene.
Pieces pour orgue Suite i, 2. Paris. Richault & c'^.
[1886?] 6 parts in i v. No. 1-6 in M.414.36
Contents. ■ — le suite: i. Prelude et fugue. 2. Andante et alltto. con
moto. 3. Fantaisie. 2c suite: 4. Andantino en mi mineur. 5. Lar-
ghetto en re mineur. 6. Andante sostenuto.
Rhapsodic on Christmas themes [for organ]. Boston. O.
Ditson Co. [1898.] No. 9 in M.414.35
Six pieces d'orgue avec pedal obligee. Paris. Durand,
Schcenewerk & c'=. 1187-?] . No. 8 in M.414.36
Contents. — i. Introduction et theme fugu6. 2. Communion. 3.
Marche religieuse. 4. Marche funebre. 5. Andante symphonique.
6. Grand choeur dialogue.
Suite de trois morceaux (Marche rustique, Lied, Marche de
fete) pour grand-orgue. Paris. Schott & c><=. [188-?]
No. 7 in M.414.36
Gigout, Eugene, editor.
Sacciiini. Chimene ou le Cid. M.3g4.24
Renaud. M.394.25
Gij begeert, liefste Leven. Part-song. Schuyt. Drie madri-
galen. No. i in M.415.2
Gij parelheldre. Part-song. Schuyt. Drie madrigalen.
No. I in M.41S.2
Gilardoni, Domenico.
II borgomastro di Saardam. Opera buffa. Musica di G.
Donizetti. M.364.4
II contcstabile di Chester, ovvero I fidanzati. Melodramma
romantico. Musica del Mo G. Pacini. No. i in M.311.19
Diluvio universale. Opera. Musica di G. Donizetti. M.364.17
L'esule di Roma. Melodramma eroico. Posto in musica da
G. Donizetti. M.231.26
[Fausta. Melodramma. Musica di Donizetti.] M.3o.2;etc.
Gilardoni, Domenico. (Continued.)
II Giovedi grasso. Opera buffa. Musica di G. Donizetti.
No. I in M.364.1S
II paria. Opera seria. Musica di G. Donizetti. M.364.13
I pazzi per progetto. Opera. Musica di G. Donizetti.
No. 2 in M.364.19
La romanziera. Opera buffa. Musica di G. Donizetti.
No. 2 in M.364.21
Settimio, ossia l'esule di Roma. Tragedia lirica. [Musica
del maestro G. Donizetti.] Ragusa. Martecchini. [1838.]
Libretto only, in Italian. No. 16 n M.I47.8.I
Gilbert, Alfred.
Abdallah, the last Moorish king. A spectacular cantata for
voices and orchestra, written and composed expressly for
the Merchant Taylors' -School Choral Society. [Piano-
forte accomp.] London. Lucas, Weber & Co. [1886.]
, No. I in M.384.27
ihe Commemoration ode, written for the 300th anniversary
of the birth of Shakespeare. The poetry by Mrs. Edward
Thomas, the music by Alfred Gilbert. [Accomp. for piano-
forte.] London. Addison & Lucas. [1864.]
. No. S in M.202.14
Gilbert, Benjamin Franklin, editor.
Mendelssohn-Bartholdy, J. L. F. O praise the Lord.
No. 19 in M.190.3
Gilbert, Bennett. See Gilbert, Ernest Thomas Bennett.
Gilbert, Davies, editor.
Some ancient Christmas carols, with the tunes ... 2d edi-
tion. London. Nichols. 1823. Portrait. M.105.10
Gilbert, Ernest Thomas Bennett.
All Hallow eve. Cantata, for treble voices. Written by
Edward Oxenford, composed by Bennett Gilbert. [Ac-
comp. for pianoforte.] London. Hutchings & Romer.
fi88-?] No. 4 in M. 193.4
"Lullaby." [Part-song, for ladies' voices.] London. [185-?]
No. 38 in M.IS7.I
A night in fairy land, operetta. [Accomp. for piano.] Lon-
don. Jewell. [1861.] M.272.34
"Orpheus with his lute." [Part-song, for ladies' voices.]
London. [185-?] No. 37 in M.157.1
Gilbert, Gabriel.
Les peines & les plaisirs de I'amour. Pastorale. [Mise en
musique de M. Cambert.] i" acte. No. i in M.27S.22
Gilbert, Henry F.
Two episodes for orchestra. Orchestral score. Boston.
Gilbert. [1807.] 2 parts in I v. No. 5 in M.3S8.S
Contents. — i. Legend. 2. Negro episode.
Gilbert, James L.
In the Cross of Christ I glory, [s. solo and chorus. Ac-
comp. for organ.] Boston. Tolman & Co. 1866.
No. 18 in M.190.3
0 Lord, most holy. Quartett with bass solo. [Accomp. for
organ.] Boston. Ross. [1886.] No. 36 in M.is8.i5
Te Deum, in C. [Accomp. for organ.] Boston. Ross.
[1886.] No. 37 in M.i.';8.i6
Veni, Creator. Come Holy Spirit. [Hymn anthem with
solos for BAR. and t. Accomp. for organ.] Latin and
English. Boston. Ross. [1886.] No. 38in M.158.16
Gilbert. Walter Bond.
God is gone up. Full anthem. [Accomp. for organ.] (In
Ouselev. Special anthems. Vol. i. pp. IK4-IK7.)
No. 18 in M.233.24.r
1 will lav me down in peace. Anthem. [Accomp. for or-
gan.] (In Fowle. Parochial anthems. Pp. 71-7.=;.)
No. I in M.233.29
Our conversation is in heaven. Full anthem. [Accomp. for
organ.] (In Ouselev. Special anthems. Vol. i, pp. 6-8.)
No. 2 in M. 233. 24. 1
St. Tohn, an oratorio. [Accomp. for pianoforte.] Ne» edi-
tion. London. Cock. Addison & Co. [186-?] M.241.30
Gilbert. William Schwenck.
Ages ago. Opera in i act. The music bv Frederic Clay.
M.291.19
475
Gilbert
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gilson
Gilbert, William Schwenck. (Continued.)
The gondoliers; or, the King of Barataria. fMusic by]
Arthur Sullivan. M.323.36
The grand duke; or, the statutory duel. A comic opera.
Composed by Arthur Sullivan. M.323.33
H. M. S. Pinafore, or the lass that loved a sailor. An en-
tirely original nautical comic opera. Composed by Arthur
Sullivan. No. i in M.323.28
Haste to the wedding. A musical version of "Le chapeau
de paille d'ltalie." Music by George Grossmith.
No. 2 in M.246.6
His Excellency. A comic opera. Composed by F. Osmond
Carr. M.SQS-"
lolanthe, or the peer and the peri. Composed by Arthur
Sullivan. M.323.25
The Mikado; or, the town of Titipu. [Music byl Arthur
Sullivan. M.323.3I
The mountebanks. Comic opera. Composed by Alfred
Cellier. ' M.27S-34
Patience, or Bunthorne's bride. An aesthetic comic opera.
Composed by Arthur Sullivan. No. i in M.323.30
The pirates of Penzance; or, the slave of duty. An entirely
original comic opera. Composed by Arthur Sullivan.
M.323.34
Princess Ida, or Castle Adamant, fmusicl by Arthur Sulli-
van. M.323.22
Princess Toto. Comic opera. The music by Frederic Clay.
M.28S.20
Ruddygore; or, the witch's curse! fMusic by! Arthur Sul-
livan. M.323.3S
The sorcerer. An original modern comic opera. Composed
by Arthur Sullivan. No. 2 in M.323-28
Trial by jury. A novel and original dramatic cantata. By
Arthur Sullivan. No. 3 in M.323.24; etc.
Utopia limited; or, the flowers of progress. An original
comic opera. Composed by Arthur Sullivan. M.323.29
The yeomen of the guard; or, the merryman and his maid.
[Music by] Arthur Sullivan. M.323.23
Gilbert, William Schwenck, translator.
Offenbach. [The brigands.] No. i in M.402.74
Gil-Bias. Opera. For the Music see Semet. For the Libretto
see Barbier, P. J.
Gilchrist, William Wallace.
"God is our refuge and strength." The 46th Psalm for s.
solo, chorus and orchestra. [Accomp. for pianoforte.]
New York. Schirmer. 1882. No. 2 in M.194.12
The legend of the bended bow [by Mrs. Hemans]. Cantata
for mezzo-soprano solo and chorus of men's voices, with
accomp. of the piano, 4 hands. New York. Schirmer.
[1888.] No. 17inM.392.28
Giles Jolt. Catch. Hayes, W. Catches, glees and canons.
Vol. I. No. I in M.220.5
Gilhofer & Ranschburg, Vienna.
Katalog der bedeutenden und werthvollen Autographen-
Sammlung Angelini-Rossi (Rom), II. Theil . . . Collec-
tion Aloys Fuchs, Musik-Manuscripte und Briefe von
Musikern. Versteigerung zu Wien . . . Wien. 1901.
Facsimiles. No. 3 in M.375-6
Gill, Frances Anne.
The Lord of Burleigh, a cantata. Words by Tennyson.
Music by Frances A. Gill. [Accomp. for pianoforte.]
London. Novello, Ewer & Co. 1880. M.155.10
Gill, William Henry.
Christ being raised from the dead. Anthem for Easter.
London. Novello & Co. [186-?] No. 2 in M.157.29
Gillard, Alphonse.
Le couteau de Castille. Opera bouffe. Musique de Ferdi-
nand Berre. No. i in M.26S.14
Gille, Philippe.
Les bergers. Opera-comique de Hector Cremieux & Phi-
lippe Gille. Musique de J. Offenbach. M.368.15
Gille, Philippe. (Continued.)
Les charbonniers. Operette. Musique de J. Coste.
No. 3 in M.277.2S
La cour du roi Petaud. Opera-bouffe de Philippe Gille &
Jaime fils. Musique de Leo Delibes. M.29S.23
Les deux cadis. Opera comique de Ph. Gille et Eug. Fur-
pille. Musique de Th. Ymbert. No. 4 in M.326.10
Le Docteur Ox. Opera bouffe par A. Mortier et Ph. Gille.
Musique de J. Offenbach. M.277.7
L'Ecossais de Chatou. Operette-bouffe de M^s Ad. Jaime
et Ph. Gille. Musique de Leo Delibes. M.363.29
La farandole. Ballet de Ph. Gille, Arnold Mortier et L.
Merante. Musique de Theodore Dubois. No. 2 in M.305.17
Les horreurs de la guerre. Opera-bouffe. Musique de Jules
Coste. M.28S.37
Jean de Nivelle. Opera de MM. Edmond Gondinet et Phi-
lippe Gille. Musique de Leo Delibes. M.295.26
Kassya. Opera. Poeme de Henri Meilhac et Philippe Gille.
Musique de Leo Delibes. M.303.26
Lakme. Opera. Poeme de MM. Edmond Gondinet & Phi-
lippe Gille. Musique de Leo Delibes. M.295.27
Manon. Opera comique de Henri Meilhac & Philippe Gille.
Musique de J. Massenet. M.2S7.2
Monsieur de Bonne Etoile. Opera comique. Musique de
Leo Delibes. No. 3 in M.295.22
Les pres S' Gervais. Opera-comique de Victorien Sardou
et Ph. Gille. Musique de Charles Lecocq. M.366.23
Pierrette et Jacquot. Operette de Noriac [pseud.] et Ph.
Gille. Musique de J. Offenbach. No. I in M. 267.34
Rip. Opera comique, de Meilhac, Gille et Farnie. Musique
de R. Planquette. M.300.10
Same. Rip Van Winkle. New comic opera. Written by
Meilhac, [Gille] and Farnie. Music by Planquette.
No. I in M.322.40
Le serpent a plumes. Operette bouffe de MM. Cham
[pseud.] & Ph. Gille. Musique de Leo Delibes.
No. I in M. 295.25
Les valets de Gascogne. Opera comique. Musique de A.
Dufresne. No. 2 in M.305.8
Le vent du soir, ou I'horrible festin. Nouvelle operette
bouffe. Musique de J. Offenbach. No. 3 in M.368.25
Gille & Gilotin. Opera. For the Music see Thomas, C. L. A.
For the Libretto see Sauvage, T. M. F.
Gille ravisseur. Opera. For the Music see Grisar. For the
Libretto see Sauvage, T. M. F.
Gillebert de Beaulieu, Zelie Therese Caroline. See Trebelli,
Zelia.
Gilles de Bretagne. Opera. For the Music see Kowalski. For
the Libretto see Perronet.
Gillet, Ernest.
La fille de la mere Michel. Operette en 3 actes de Daniel
Riche. Musique de Ernest Gillet. Partition piano et
chant. Paris. Choudens. 1903. M.397.30
Mariage princier. Opera-bouffe en trois actes de Paul Fer-
rier. Musique de Ernest Gillet. [Partition chant et
piano.] Paris. Biardot. 1900. M.402.22
Gillet. Henri.
Dimanche et lundi. Opera comique. Musique de Adolphe
Deslandres. No. 2 in M.2g5.i2
Gillette de Narbonne. Opera. For the Music see Audran.
For the Libretto see Chivot.
Gillier. lean Claude.
Crown the glass. Catch a 3 voci. (In Clementi. Collection
of catches. Vol. 3. P. 33.)
No. 192 in M.110.1.3; No. 192 in M.iio.2.3
Gillington, M. C. See Byron, Mary C.
Gilman. Samuel, D.D.
Memoirs of a New England village choir. With occasional
reflections. By A member. [Reprinted from the 2d edi-
tion.] Boston. Crosby, Nichols & Co. [iS.s-?! M.iogb.s.s
Gilson, Franklin Howard.
The history of shaped or character notes, with specimens.
Boston. Gilson. i88q. No. 6 in M.372.S4
476
Gilson
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gipsy
Gilson, Paul.
Francesca da Rimini. [Oratorio. Paroles franqais et alle-
mandes par Jules Guilliaume. Musique par Paul Gilson.
Partition. Paris. 1900.] M.400.38
Melodies populaires transcrites pour orchestre d'instru-
ments a cordes. I. Melodies ecossaises. Partition. Leip-
zig. Breitkopf & Hartel. 1895. No. 4 in M.331.16
La mer. Equisses symphoniques d'apres un poeme de Eddy
Levis, pour grand orchestre. Partition. Leipzig. Breit-
kopf & Hartel. 1892. M.331.33
Prinses Zonneschijn. [La princesse Rayon de soleil.]
Spookjesspel in 4 bedrijven. Gedicht van Pol de Mont.
Muziek van Paul Gilson. [Traduction frangaise de M.
Lefevre et de D. M. G. Klavieruittreksel.l Brussel.
Oertel. [1905.] M.378.23
Gilson, Paul, editor.
Popper. Tarantelle fiir Violoncell mit Begleitung des . . .
[Orchestersl, No. 6 in M.407.21
Ginevra degli Almieri. Opera. For the Music see Paer. For
the Libretto see Fot)pa.
Ginevra di Monreale. Opera. For the Music see Combi. For
the Libretto see Boni.
Ginevra di Scozia. Opera. For the Music see Rota, G. For
the Libretto see Marcello, M.
Ginguene, Pierre Louis.
Notice sur la vie et les oeuvres de Nicolas Piccinni. Paris.
Panckoucke. An IX. [1801.] No. 4 in M.12S.7
Gioconda, La. Opera. For the Music see Ponchielli. For the
Libretto see Boito.
Giocondie felici. Catch. Arne, T. A. No. 78 in M.220.10
Gioia m'abond' al cor. Madrigal. Palestrina. Werke. Band
28. M.8o4oa.66.28
Giordani, Giuseppe.
Sento che in seno mi batte il core. Aria is., con accomp.
d'orchestra. Partitura]. Manuscript. [179-?!
No. 2 in M.i20.ig
Giordani, Tommaso.
Adieu, my love. Canzonet [s. s.l. (In Bland. The Ladies'
collection. Vol. i. p. 11 1.) No. 175 in M.23S.17.1
Also to be found in Social harmony.
Damon's bow'r. Duet [s. s.]. (In Bland. The Ladies' col-
lection. Vol. 5, p. 490.) No. 122 in M.235.17.5
[Non dubitare bell' idol mio.] The favorite rondeau . . .
in the opera La Frascatana. [t. Accomp. for orchestra.]
London. Longman & Broderip. [178-?] No. 2 in M.400.36
O, gentle maid. Song [t. Accomp. for pianoforte]. (In
Musical library. Vol. 2, pp. 28, 29.) No. II in M.23S.18.2
The soldier's farewell. Dtlfct [s. t. Accomp. for pianoforte],
(/n Social harmony. P. 293). No. 236 in M.215.21
Take, oh, take those lips away. Glee [a. x. t. b.]. London.
Birchall. [i8t-?] No. 28 in M.23S.14
Also to be found in Turle and Taylor's The People's music book.
Tibi omnes angeli. Duett, s. t. [Accomp. for organ.] (In
Novello. Motetts. Vol. i, book 5, pp. 4-6.)
No. 42 in M.260.24.1
Giordano, Umberto.
Andre Chenier. Drama historique en quatre tableaux de
Luigi lUica. Mis en musique par Umberto Giordano. Re-
duction pour chant & piano. Version franqaise de Paul
i\lilliet. Paris. Heugel & cie. 1896. 111.394.49
Fedora. Lirysche [sic] Oper in drei Acten nach Sardou's
Drama von Arturo Colautti. Musik von Umberto Gior-
dano. Deutsch von Ludwig Hartmann. Klavierauszug
mit deutschem Texte. Mailand. Sonzogno. 1898. M.382.25
Mala vita. Melodramma in tre atti. Riduzione per canto
e oianoforte. Milano. Sonzogno. [i8o2.1 M.383.18
Siberia. Dramma in tre atti di Luigi Illica. Musica di
Umberto Giordano. Riduzione per canto e pianoforte.
Milano. Sonzogno. 190,'?. M.3g6.22
Giorgi, Giovanni.
Gloria et honore. [Motet, s. a. t. B.l (In Lueck. Samm-
lung ausgezeichneter Compositionen fiir die Kirche. Band
4, PD. 7'?-70.) No. 23 in M.IS8.33.4
Giorno, Un, di fiera. Opera. For the Music see Varisco.
Giorno, Un, in quarantena. Opera. For the Music see Albini,
F. M. For the Libretto see Scalchi, L.
Giorza, Paolo.
Cantata written expressly for the opening ceremony of the
Sydney International Exhibition. Words by Henry Ken-
dall. Music by Paolo Giorza. Sydney. The author.
1879-80. M.236.36
Messe solennelle no. 3. [Accomp. for pianoforte.] Milano.
Lucca. [1870.] No. I in M.IS6.27
Giosa, Nicola de.
Ascanio il gioielliere. Poesia del Signor Sesto Giannini.
Musica del Maestro Niccola de Giosa. [Per canto e piano-
forte.] Milano. Lucca. [1856?] M.312.42
II conte di S. Romano. Dramma lirico in 4 atti di Enrico
Golisciani. Musica del Mo Niccola de Giosa. Canto . . .
con accomp. di pianoforte. Milano. Lucca. [1878.]
M.256.38
Don Checco. Opera buffa in 2 atti. Parole di A. Spadetta.
Musica di Niccola de Giosa. [Riduzione per canto e
piano.] Milano. Lucca. [185-?] M.232.6
Folco d'Arles. Melodramma tragico. Poesia di S. Camma-
rano. Musica di Niccola de Giosa. [Riduzione per canto
e piano.] Roma. De' Rossi & c'. [185-?] M.232.S
Un geloso e la sua vedova. Opera comica in 3 atti di E. Del
Preite. Posta in musica ... da N. de Giosa. [Riduzione
per canto e piano.] Napoli. Clausetti & co. [184-?] M.232.7
Napoli carnovale. Opera giocosa in 3 atti di Marco d'Ari-
enzo. Musica di Niccola de Giosa. [Riduzione per canto
e pianoforte.] Milano. Ricordi & c. 1876. M.396.23
Silvia. Tragedia lirica in 3 atti di Domenico Bolognese.
Posta in musica dal Cav. Nicola de Giosa. Riduzione per
canto e pianoforte. Milano. Ricordi. [186-?] M.272.3S
Giovanelli, Ruggiero.
Jesu, sole serenior. A 3 voix [s. s. b. Accomp. de piano].
(In Prober. Jvbilvs rythmicvs de nomine Jesv. P. 14.)
No. 2 in M.201.1
Jesu, summa Benignitas. A 3 voix [s. s. A.]. (In Prober.
Jvbilvs rythmicvs de nomine Jesv. P. 15.) No. 2 in M.201.1
Lose not your cliance, fair ladies. [Madrigals, s. s. a. t. b.
Parts.] (/n Taylor. Madrigals. 2d set.) No. 31 in M.237.IS
Same. [Score.] (In Taylor. Vocal school of Italy. Pp.
69-73.) No. 14 in M.237.28
Tu, mentis delectatio. A 3 voi.x [s. s. A. ou T.]. (In Prober.
Jvbilvs rythmicvs de nomine Jesv. P. 16.) No. 2 in M.201.1
Giovanna d'Arco. Opera. For the Music see Verdi. For the
Libretto see Solera,
Giovanna di Napoli. Opera. For the Music see Petrella. For
the Libretto see Ghislanzoni.
Giovanni, Nicola de.
Messa da requiem a 4 voci con accomp. d'orchestra. Parti-
tura. Milano. Ricordi. [186-?] M.191.10
Giovanottin tu fai come la foglia. Song. Gordigiani. fichos
de la Toscane. Vol. i. . No. 17 in M.244.13.1
Giovanottino che di qua passate. Song. Gordigiani. fichos
de la Toscane. Vol. i. No. 14 in M.244.13.1
Giovedi grasso, II. Opera. For the Music see Donizetti. For
the Libretto see Gilardoni.
Gioventii, La, di Enrico Quinto. Opera. For the Music see
Herold, L. J. F. For the Libretto see Landriani.
Giovin rosa. Song. Bellini. No. 2 in M.364.10
Giovinettino dalla bella voce. Song. Mariani, A. XXII
melodic. No. I in M.IS8.28
Giovinetto cavalier. Part-song. Meyerbeer. No. 4 in M. 157. 14.4
Gipsey dance. For violin and piano. Ernst, H. No. 22 in M.357.12
Gipsies, The. Cantata. For the Music see Aspa, E. For the
Libretto see Browne, M. E.
Gipsy chorus, The. Part-song. Balfe. No. 25 in M.235.7.2
Gipsy life. Part-song. Schumann, R. A. No. 36 in M. 157.23; etc.
Gipsy love. Part-song. Krug, A. No. 8 in M.203.13
Gipsy song. Part-song. Mendelssohn-Bartholdy, J. L. F.
No. 17 in M.203.7
477
Gipsy's
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Give
Gipsy's life, The, is a joyous life. Glee. Flood.
No. 66, 67 in M.1S7.6.2
Girac, Max.
Alma Redemptoris. bar. solo. [Accomp. for organ.] Chi-
cago. Lyon & Healy. 1866. No. 25 in M.260.10.2
Salve Regina. B. solo. [Accomp. for organ.] Chicago.
Lyon & Healy. 1866. No. 26 in M.260.10.2
Giralda. Opera. For the Music see Adam, Adolphe C. ; also
Cagnoni. For the Libretto see Scribe; also Giachetti.
Girard, Casimir.
L'epreuve Suisse. Opera-comique en un acte de Robert
Meyer. Musique de Casimir Girard. Partition chant et
piano. Paris. Choudens. 1895. No. 2 in M.393.19
Girard, Narcisse.
Les deux voleurs. Opera comique en i acte. Paroles de
MM. de Leuven fpseud.] et Brunswick fpseud.]. Musique
de N. Girard. [Partition piano et chant.l Paris. Aubert.
[1841.] M.272.36
Les dix. Opera comique en i acte. Paroles de MM. de
Leuven [pseud.] et Brunswick [pseud.]. Musique de N.
Girard. Partition. Paris. La France musicale. [1842.]
M.224.26
Girard-Malteau,
Le chameau a trois bosses. Operette en I acte. Paroles de
Paul de Neha & F. de La Chesneraye. Musique de Girard-
Malteau. [Partition chant et piano.] Paris. Malteau &
cie. [188-?] No. S in M.247.9
Giraud, Giovanni, Conte.
Don Desiderio. Opera buffa. Musica del Principe J. Ponia-
towski. M.369.7
La locanda gratis, ossia Don Entichio della Castagna.
Farsa. Messa in musica dal M° Giulio Alary.
No. 2 in M.255.4
Giraud, J. Frederic.
Le polycorde ou nouvelle methode theorique et pratique de
musique vocale et de musique instrumentale. Partie 2.
Paris. Le Clere. i86g. Illus. M. 102.28
Giraud, Pierre Frangois Felix Joseph.
Aristippe. Opera [mis en musique] par R. Kreutzer. M.2S3.16
Giraudet, Alfred Augusta.
Mimique, physionomie et gestes. Methode pratique d'apres
le systeme de F. Del Sarte, pour servir a Texpression des
sentiments. Avec 34 planches . . . gravees en taille-douce
d'apres les dessins originaux de Gaston Le Doux. Paris.
Quantin. 1895. Portrait. M.380.62
Giraudet, Eugene.
Traite de la danse. Seul guide complet. 7e edition. [Paris.]
1891. Illus. Portrait. No. i in M.373.24
Girl, The, and the chauffeur. Opera. For the Music see Davi-
son. For the Libretto see Dignowity.
Girl, The, from Kay's. Opera. For the Music see Tilkins.
For the Libretto see Davis, J.
Girl, The, that I love. Glee. Webbe, S. Selection of glees.
Vol. 2. No. 10 in M.235.13.2
Girls and boys come out to play. Madrigal. Macf.\rren, G. A.
No. 3 in M. 157.28.2
Girls, The, of dear New England. Ballad. Keller, M.
No. 21 in M.I92.I3.1
Girofle-Girofla. Opera. For the Music see Lecocq, A. C. For
the Libretto see Vanloo.
Girondins, Les. Opera. For the Music see Le Borne. For the
Libretto see Delormel.
Girondisten, Die. Overture. Litolff. No. i in M.348.19
Girouette, La. Opera. For the Music see Coedes. For the
Libretto see Hemery.
Girschner, Christian Friedrich Johann.
Beware! [Part-song, T. T. b. B.] (/n Willard. Arion. P. 34.)
No. 16 in M.109.1
Good night! [Part-song, t. t. b. b.] (In The Choralist.
Vol. I, series 3:) No. 28 in M.IS7.5.1
Also to be found in Willard's Arion. J/'O-'
478
Girschner, Christian Friedrich Johann. (Continued.)
Hiite dich. [Mannerchor,] (/n Regensburger Liederkranz.
Pp. 172, 173.) No. 69 in M.i29a.44
Ich griisse dich, O Morgen. [Mannerchor.] {In Regens-
burger Liederkranz. Pp. 50-52.) No. 23 in M.i29a.44
Messe solennelle a quatre voix d'hommes. CEuvre 44. Gand.
Gevaert. [1850?] No. 3 in M.201.6
Same. [Partie d'orgue ad libitum.] No. 4 in M.201.6
Treue Liebe. [Mannerchor.] {In Regensburger Lieder-
kranz. Pp. 218-220.) No. 84 in M.i29a.44
Gisbert, P.
Irmengarda. Opera, di L. Emile Bach. M.402.4.
Gisela. Part-song. Kuecken. No. 27 in M.3g2.i4
Gisella. Ballad. Linley, G. [Songs.] Vol. i.
No. 12 in M.235.19.1
Giselle. Ballet music. Adam, Adolphe C. M.404.37
Gita, La, in gondola. Barcarole. Rossini. Soirees musicales.
No. 7 in M.280.45
Gitana, The. Cantata. For the Music see Roeckel, J. L. For
the Libretto see Roberts, Mrs. M. A.
Gitene liete rime. Madrigal. Palestrina. Werke. Band 28.
M.8o4oa.66.28
Gits, A. G.
Invocation to Faith. Chorus [s. s. a. Accomp. for piano-
forte]. {In Novello's Collection of trios, etc. Vol. 4, pp.
96-103.) No. 12 in M.204.36.4
Giuditta. Opera. For the Music see Peri; also Silveri. For
the Libretto see Marcello; also Peruzzini.
Giuditta di Kent. Opera. For the Music see Villanis. For
the Libretto see Prati.
Giuglini, Antonio.
Inno a S. M. Vittorio Emanuele. Posto in musica . . . dal
Cave Antonio Giuglini. Parole di M. Marcello. In parti-
tura per grande orchestra e per canto con accompo di
pianoforte. Milano. Lucca. [187-?] No. 4 in M.202.14
Giugno, Carl.
Der Teufel auf Erden. Fantastisch-burleske Operette von
C. Juin [Pseud.] und J. Hopp. Musik von Franz von
Suppe. M.323.42
Giuliani, Camillo.
Saul. Tragedia lirica, posta in musica dal Maestro A. Buzzi.
M.230.33
Virginia. Tragedia lirica, posta in musica dal Maestro N.
Vaccaj. M. 151.20
Giuliani, Mauro.
Zwei deutsche Romanzen [t.], mit Begleitung des Piano-
forte, fiir die Guitarre arrangirt. Leipzig. Kunst- &
Industrie-Comptoir. [182-?] No. 18 in M.221.33
Contents. — Minna's Augen. — Das Madchen und der Vogel.
Giulietta e Romeo. Opera. For the Music see Vaccaj; also
Zingarelli. For the Libretto see Romani, F. ; also Foppa.
Giulio Cesare. Opera. For the Music see Handel. Werke.
Lieferung 68.
Giulio d'Este. Opera. For the Music see Campana. For the
Libretto see Monteverde.
Giulio Romano, pseud. See Caccini, Giulio.
Giulio Sabino. Opera. For the Music see Sarti. For the Li-
bretto see Metastasio.
Giuochi, I, d'Agrigento. Opera. For the Music see Paisiello.
Giura, amor mio. Duct. Campana. No. 18 in M.244.9
Giuramento, II. Opera. For the Music see Mercadante. For
the Libretto see Rossi, G.
Giuseppe Balsamo. Opera. For the Music see Sangiorgi.
For the Libretto see Ormeville.
Giusquino. See Josquin Depres.
Giusta Dea. Aria. Scolari. No. 5 in M.360.8
Giustino. Opera. For the Music see Handel. Werke. Liefe-
rung 88.
Giusto ciel in tal periglio. Song. Rossini. No. 40 in M.235.i8.r
Give ear. Lord, unto my prayer. Anthem. Croce.
' No. 37 in M.233.2S.3
Give
THE ALLEN A. BROWN COLLECTION OF MUSIC
Glazunov
No. 24 in M.234.6
No. 26 in M. 157.28.1
No. 18 in M.195.2.11
Give ear, O Lord. Anthem. Aspinwall.
HiMMEL.
Pattison, T. M.
Give ear, O ye heavens. Anthem. Armes
No. ID in M.ig5.2.4; etc.
Give ear unto me, O Lord. Anthem. Marcello, B.
No. 20 in M.2go.22.2
Give me a cup. Glee. Bishop, H. R. Complete collection of
glees. Vol. 2, 3. M.23S.I.2, 3
Two settings.
Give me but my bottle. Canon. Hayes, W.
No. 22 in M.141.21.1 ; etc.
Give me care's antidote. Catch. Tremain. No. 28 in M.157.18.1
Give me the comfort of Thy help. Anthem. Donizetti.
No. 17 in M.157.3
Give me the sweet delights. Catch. Harington.
No. 7 in M. 220.3.4; etc.
Give round the word. Duet. Dibdin, C. No. 191 in M.215.21
Give the king Thy judgements. Anthem.
BoYCE. Services and anthems. Vol. i. M.233.3.1
Croft. No. 48 in M.233.23.3
Give the Lord the honor. Anthem.
Kent. No. 11 in M.221.22.1; etc.
Lloyd, C. H. No. 12 in M.195.2.15
Give the stranger happy cheer. Ballad. Foster, S. C.
No. 28 in M.380.41.1
Give the toast. Catch. Blewitt. No. 257 in M.110.1.4; etc.
Hook, J. No. 20s in M.220.9.1
Give unto the Lord, O ye mighty. Anthem.
Boyce. Services and anthems. Vol. 4. M. 233.3.4
Buck, D. No. 3 in M.ioo.4.2
Gjertz, Marie Gabrielle.
La musique au point de vue moral et religieux. Paris.
Lecoffre & cie. 1859. No. 9 in M.373.23
Gladiateur, Le. Cantata. For the Music see Vidal, P. A. For
the Libretto see Moreau, fi.
Gladstanes, Frederick.
Averte faciem Tuam, an offertorium for m.-s or b.\r., with
accomp, for the organ or piano forte. London. Novello.
[185-?] No. 3 in M.260.10.S
Gladstone, Francis Edward.
Blessed is he that considereth. Anthem for solo [a.] and
chorus. [Accomp. for organ.] (In Novello's Collection
of anthems. Vol. 14, pp. 90-93.) No. 9 in M. 195.2. 14
Bring unto the Lord. Anthem for T. solo and chorus. [Ac-
comp. for organ.] (In Novello's Collection of anthems.
Vol. 16, pp. 193-200.) No. 22 in M.19S.2.16
Nicodemus. A sacred cantata. The words selected by
George Willoughby Barrett. The music by Francis Ed-
ward Gladstone. [Accomp. for pianoforte.] London.
Weeks & Co. [i88x.] No. 2 in M.204.15
Out of the deep. Anthem for solo [b.] and chorus. [Ac-
comp. for organ.] (In Novello's Collection of anthems.
Vol. 12, pp. 71-77.) No. gin M. 195.2. 12
Philippi (or the Acts of Paul and Silas in Macedonia). A
sacred cantata for church oratorio. The words from the
Scriptures. The music by Francis Edward Gladstone.
[.\ccomp. for pianoforte.] London. Novello, Ewer & Co.
[ 1883 ?] No. 3 in M.194.12
The sweet spring. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 17, pp. 75-80.)
No. 12 in M.19S.1.17
Gladstone, Robertson, Jr.
Night, lovely night. Quartett. London. Novello, Ewer
& Co. [187-?] No. 17 in M.157.25
Gladstone, William Ewart, translator.
Bridge, J. F. Rock of ages (Jesus, pro me perforatus).
No. 4 in M. 154.29
Thibault, a. F. J. On purity in musical art. M.128.11
Glaeser, Franz.
Des Adlers Horst. Romantisch-komische Oper in 3 Acten
Glaeser, Franz. (Continued.)
von Karl von Holtei. In Musik gesetzt . . . von Franz
Glaser. Clavierauszug. Berlin. Trautwein. [183-?]
M.232.8
Der Rattenfanger von Hameln. Romantisch-komische
Oper in 3 Acten. Gedicht von C. P. Berger. In Musik
gesetzt . . . von Franz Glaser. Vollstjindiger Klavier-
auszug. Berlin. Trautwein. [1837.] M.272.37
Glaeser, Franz. Works about.
Neumann, W. Konradin Kreutzer. Franz Glaser. Bio-
graphien. Cassel. 1856. No. 3 in M.205.19
Glamour. Ol>era. For the Music see Hutchison, W. M. For
the Libretto see Farnie.
Glan meddwdod mwyn. The joy of the mead-cup. [Welsh
air.] Arranged [for i voice, also harmonized for 4 voices].
(In Thomas. Welsh melodies. Vol. i, pp. 102-113.)
No. 12 in M.235.6.1
Glareanus, Henricus Loritus.
Glareani Dodecachordon Basilias 1647. tjbersetzt und iiber-
tragen von Peter Bohn. Leipzig. Breitkopf & Hartel.
1888. 3 parts in i v. Illus. [Publikation aelterer prakti-
scher und theoretischer Musik-Werke, vorzugsweise des
XV. und XVI. Jahrhunderts. Band 16. Jahrgang 16-18.]
A treatise on the ancient modes o( church music. M.400.8
Glas, Das, gefiillt. Part-song. Haydn, J. M.
No. 10 in M.i29a.43.i
Glasgow, James, D.D.
Heart and voice: instrumental music in Christian worship
not divinely authorized. Edinburgh. Gemmell. 1883.
M.104.41
Glasgow Choral Union.
[Programmes of the concerts of the season 1874/75, 76/77-
79/80.] Glasgow. 1874-80. 5 V. in 3. M.218.7
Glasgow International Exhibition, 1888.
Marr, R. a. Music for the people. A retrospect of the
Glasgow International Exhibition, 1888. With an account
of the rise of choral societies in Scotland. Edinburgh.
1889. M.3 70.26
Glatigny, Joseph Albert Alexandre.
Lc bois. Poeme. Musique de Albert Cahen.
No. I in M. 194.7; etc.
Glaube, Der. Cantata. For the Music see Bergt.
Glaube. Lied. Grieg. Grieg-Album. No. 5 in M.15S.16
Glaube an die Freundschaft. Part-song. Mohr, H.
No. II in M.203.1
Glaube, Hoffnung und Liebe. Part-song. Schubert, F. P.
Werke. Serie 17. M.317.1.17
Glaube, Hoffnung und Liebe. Song. Schubert, F. P. Werke.
Serie 20, Band 8. M.317.1.20.8
Glaube, Liebe, Hoffnung. Part-song. Zwyssig. No. 8 in M.130.7
Glaube und hoffe! Canon. Beethoven. Werke. Serie 25.
M.413.1.25
Glazunov, Aleksandr Konstantinovitch.
A la memoire d'un heros. Elegie pour grand orchestre.
Op. 8. Partition. Leipzig. Belaieff. 1886. No. i in M.412.4
Ballade, pour grand orchestre. Op. 78. Partition. Leip-
zig. Belaieff. 1903. No. i in M.406.12
Carnaval ouverture pour grand orchestre (avec orgue ad
libitum). Op. 45. Partition. Leipzig. Belaieff. 1894.
No. 2 in M.406.13
Chant du menestrel. Morceau pour violoncelle avec accom-
pagnement d'orchestre ou de piano. Op. 71. Partition
d'orchestre. Leipzig. Belaieff. 1901. No. 2 in M.405.16
Cinq novellettes pour quatuor d'archets. Op. 15. [Parti-
tion.] Leipzig. Belaieff. fi888?] No. 11 in M.2ir.i
Contents. — Alia Spapiola. — Orientale. — Interludium in raodo
^, antico. — Valse. — AI' Ungherese.
[Cortege solennel pour grand orchestre. Op. 50. Parti-
tion.] Leipzig. Belaieff. 1895. No. i in M.406.58
Deux morccaux pour orchestre. Op. 14. Partition. Leip-
zig. Belaieff. [1886.] No. 2 in M.412.4
Contents. — i. Idylle. 2. Reverie orientale.
479
Glazunov
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gleich
Glazunov, Aleksandr Konstantinovitch. (Continued.)
Une fete slave, tiree du Quatuor slave. Op. 26. Esquisse
symphonique pour grand orchestre. Partition. Leipzig.
Belaieff. 1890. No. 3 in M.412.3
La foret. Fantaisie pour grand orchestre. Op. 19. Parti-
tion. Leipzig. Belaieff. 1889. No. I in M.412.3
L'hiver. Premier tableau du ballet „Les saisons." Op. 67a.
Partition d'orchestre. Leipzig. Belaieff. 1901.
No. I in M.410.31
HMaHHHH. Tpa KBapieTHnxT. nadpocKa (aji^ AByxt
CKpHnOKt, aJIBTa H BlOJIOHHejIH). A. CjnaBHJItmHKH,
A. FjiasyHOBa. E. BejiHianie, A. Jla^OBa. B. Xopo-
BOflT., H. PHMCKaro-KopcaKOBa. [IZapxHTypa. Jour
de fete pour quatuor a cordes, par Glazunov, Liadov et
autres.] JIefI^^Hn,. BijiHeBt. [1889?] No.Sin M.211.1
Intermezzo romantico pour grand orchestre. Op. 69. Par-
tition d'orchestre. Leipzig. Belaieff. 1901.
No. 3 in M.410.31
KpCMJib. Le Kremlin. Tableau symphonique en 3 parties
pour grand orchestre. Op. 30. Partition. Leipzig. Be-
laieff. 1892. No. 2 in M.406.58
Marche de noces pour grand orchestre. Op. 21. Partition.
Leipzig. Belaieff. 1890. No. 2 in M.412.3
Mazurka pour orchestre. Op. 18. Partition. Leipzig.
Belaieff. [1888.] No. 3 in M.412.4
La mer. Fantaisie pour grand orchestre. Op. 28. Partition
d'orchestre. Leipzig. Belaieff. 1890. M.403.41
Moyen-age. Suite pour grand orchestre. Op. 79. Parti-
tion. Leipzig. Belaieff. 1903. No. 2 in M.406.12
Ouverture, ire, sur trois themes grecs, pour grand orchestre.
Op. 3. Partition. St. Petersbourg. Belaieff. [1884.]
No. I in M.348.23
Ouverture, 2"i«, sur des themes grecs, pour grand orchestre.
Op. 6. Partition. Leipzig. Belaieff. [1885.]
No. 2 in M.348.23
Ouverture solennelle pour grand orchestre. Op. 73. Leip-
zig. Belaieff. 1901. No. 3 in M.405.16
Pas de caractere (genre slave-hongrois) pour orchestre.
Op. 68. Partition d'orchestre. Leipzig. Belaieff. 1900.
No. 2 in M.410.31
Poeme lyrique. Andantino pour grand orchestre. Op. 12.
Partition. Leipzig. Belaieff. [189-?] No. 4 in M.343.45
Le printemps. Tableau musical pour orchestre. Op. 34.
Partition. Leipzig. Belaieff. 1892. No. 2 in M.406.70
Quatuor pour deux violons, alto et violoncelle. Op. i.
Partition. Leipzig. Belaieff. fi882.1 No. 4 in M.33S.6
Quatuor, 2me (en fa majeur), pour deux violons, alto et vio-
loncelle. Op. 10. Partition. Leipzig. Belaieff. [1884.]
No. ID in M.211.1
Quatuor, Quatrieme, en la, pour deux violons, alto et violon-
celle. Op. 64. Partition. Leipzig. Belaieff. 1899.
No. 3 in M.4i2a.i
Quatuor, Cinquieme, en re, pour deux violons, alto et vio-
loncelle. Op. 70. Partition. Leipzig. Belaieff. 1900.
No. 4 in M.4i2a.i
Quatuor slave pour deux violons, alto et violoncelle. Op.
26. Partition. Leipzig. Belaieff. 1890. No. 12 in M.211.1
Quintuor pour deux violons, alto et deux violoncelles. Op.
39. Partition. Leipzig. Belaieff. 1895. No. 2 in M.355.16
Raymonda. Ballet en trois actes. Sujet de Lydie Pachkoff
et de Marius Petipa. Musique par Alexandre Glazounow.
[Partition d'orchestre. Op. 57.] Leipzig. Belaieff. 1898.
M.402a.3S
Rhapsodie orientale pour grand orchestre. Op. 29. Parti-
tion d'orchestre. Leipzig. Belaieff. 1891. No. 2 in M.4o6.4g
Ruses d'amour. Pastorale Watteau. Ballet en un acte par
Marius Petipa. Musique de A. Glazounow. Op. 61. [Par-
tition d'orchestre.] Leipzig. Belaieff. 1899. M.406.47
Les saisons. Ballet en un acte et quatre tableaux, compose
Glazunov, Aleksandr Konstantinovitch. (Continued.)
par Marius Petipa. Musique de Alexandre Glazounow.
Op. 67. [Partition d'orchestre.] Leipzig. Belaieff. 1901.
M.406.48
Serenade pour I'orchestre. . . . Op. 7. Partition d'orchestre.
Leipzig. Belaieff. [1883.] No. i in M.407.13
Serenade, 2me, pour petit orchestre. Op. 11. Partition.
Leipzig. Belaieff. [189-?] No. 3 in M.343.45
Stenka Razine. Poeme symphonique pour grand orchestre.
Op. 13. Partition d'orchestre. Leipzig. Belaieff. [189-?]
No. I in M.405.16
Suite caracteristique pour grand orchestre. Op. 9. Parti-
tion. Leipzig. Belaieff. 1887. M.405.IS
Suite pour orchestre tiree du ballet „Raymonda." Op. 57A.
Partition d'orchestre. Leipzig. Belaieff. 1899. M.404.47
Suite pour quatuor d'archets. Op. 35. Nouvelle edition.
Partition. Leipzig. Belaieff. 1894. No. i in M.355.16
Symphonic, ire (mi majeur), pour grand orchestre. Op. 5.
Nouvelle edition. Partition. Leipzig. Belaieff. [1885.]
M.405.14
Symphonic, 2me, en fat mineur, pour grand orchestre. Op.
16. Partition. Leipzig. Belaieff. 1889. M.412.5
Symphonic, 3e, re majeur, pour orchestre. Op. 33. Parti-
tion. Leipzig. Belaieff. 1892. No. i in M.406.13
Symphonic, 4e, en mi bemol, pour grand orchestre. Op. 48.
Partition. Leipzig. Belaieff. 1894. M.410.30
Symphonic, 5e, pour grand orchestre. Op. SS. Partition.
Leipzig. Belaieff. 1896. M.356.18
Symphonic, 6e, en do mineur, pour grand orchestre. Op. 58.
Partition d'orchestre. Leipzig. Belaieff. 1898. M.403.42
Symphonic, ye, en fa, pour grand orchestre. Op. 77. Parti-
tion. Leipzig. Belaieff. 1902. M.406.14
Triumphal march on the occasion of the World's Columbian
Exposition in Chicago. For a grand orchestra with cho-
rus (ad libitum). Full score. Leipzig. Belaieff. 1893.
Contains a Russian title-page. j^j^ j ;^ M.406.49
Valse de concert pour grand orchestre. Op. 47. Partition.
Leipzig. Belaieff. 1894. No. i in M.406.70
Les vendredis. Polka pour orchestre d'archets par N. Soko-
low, A. Glazounow et A. Liadow. No. 4 in M.412.11
Glazunov, Aleksandr Konstantinovitch, editor.
Glinka. Le Prince Kholmsky. No. 3 in M.4i2a.7
TcHAiKOVSKi, P. L Souvenir d'un lieu cher.
No. 1-3 in M.334.24
Glazunov, Aleksandr Konstantinovitch.
Medak, H. Alexander Glazounow,
grosses Orchester, C moll. Op. 58,
[1903]
Gleaners' harvest, The. Cantata. For the Music see Lloyd,
C. H. For the Libretto see Vogel, J.
Gleason, Walter.
Thy will, O God, be done. Solo [s.] & quartette. [Acconip.
for organ.] Boston. White, Smith & Co. [1884.]
No. 39 in M.158.16
Glees. See Part-songs.
Glehn, M. E. von, translator.
HiLLER, F. Mendelssohn.
Mendelssohn-Bartholdy,
(1821-1831).
Gleich, Ferdinand.
Symphonic in D dur fiir Orchester. Op. 16. Partitur. Leip-
zig. Kahnt. [185-?] Lithograph script. No. i in M.407.14
Gleich und gleich. Franz, R. Sechs Gesange. Op. 22.
No. 49 in M.244.5.2
Gleich wie der Mond. Song.
Op. 43.
Gleich wie der Regen und Schnee
Jahrgang 2.
Gleich wie ein armes Hirschlein.
Band 2.
Works about.
VL Symphonic fiir
Erlautert. Leipzig.
No. 17 in tl.217.12.11
C. Goethe and
M.107.17
Mendelssohn
M.128.6
Franz, R. Sechs Gesange.
No. 68 in M.244.5.3
, Anttiem. Bach, J. S. Werke.
M.8040.21.2
Part-song. Schein. Werke.
M.414.1.2
480
Gleich
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gloria
Gleich wie kleines Vogelein. Part-song. Schein. Werke.
Band i. M.414.1.1
Gleichmuethige, Der. Song. Weber, C. M. F. E. von. Sammt-
liche Lieder. Band 2. No. 49 in M.244.7
Gleichsinn, Der. Song. Haydn, F. J. Gesange. Heft 2.
No. 2 in M.312.35
Gleitz, Carl.
Irrlichter. Fantasie fiir Pianoforte und Orchester. Op. 9.
Partitur. Berlin. Groscurth. [1894?] M.403.43
Joss Fritz. Sinfonische Dichtung fiir grosses Orchester.
Op. 13. Partitur. Berlin. Groscurth. [189-?]
No. I in M.403.44
Venus und Bellona. Sinfonische Dichtung fiir grosses Or-
chester. (Nach dem Gemiilde von P. Schobelt, Berliner
National-Galerie.) Op. 10. Partitur. Berlin. Groscurth.
[ 189-?] No. 2 in M.403.44
Glencoe. Song. Beethoven. Werke. Serie 24. M.413.1.24
Glencove. Duo. Millet. Duos, trios . . . M.157.11
Glendy Burk, The. 5o?i£r. Foster, S. C. No. 29 in M.380.41.1
Glide slow. Glee. Horsley, W. No. 6 in M.235.9.5; etc.
Gliere, Reinhold Moritzovitch.
Quatuor (la) pour deux violons, alto et violoncelle. Op. 2.
Partition. Leipzig. Belaieff. 1902. No. i in M.4i2a.7
Sextuor, 2e (si), pour deux violons, deux altos et deux vio-
loncellos. Op. 7. Partition. Leipzig. Belaieff. 1904.
No. 2 in M.4i2a.7
Symphonie (en niib) pour orchestre. Op. 8. Partition.
Leipzig. Belaieff. 1905. M.406.78
Glimes, Jean Baptiste Jules de.
Yon bark like a bird. Trio [s. s. a. Accomp. for pianoforte].
London. Cock & Co. [184-?] No. 3 in M.244.io.i
Glinka, Mikhail Ivanovitch.
Capriccio brillante [sic] en forme d'ouverture pour grand
orchestre sur le theme de la Jota aragonesa . . . Partitur.
Mayence. Schott. [1858?] No. 3 in M.348.7
Komarinskaja. Fantasie fiir Orchester iiber 2 russische
Volkslieder, Hochzeitslied und Tanzlied. [Partitur.]
Berlin. Schlesinger. [188-?] No. 2 in M.348.7
Le Prince Kholmsky. Tragedie de N. V. Koukolnik. Mu-
sique de M. Glinka. Version francaise de J. Sergennois.
Version allemande de Hans Schmidt. Nouvelle edition
revue et corrigee par N. Rimsky-Korsakow et A. Glazou-
now. Partition. Leipzig. Belaieff. 1902. No. 3 in M.4i2a.7
Romances. Traduites du russe par E. L . . . fiditees par B.
Engelhardt. Mayence. Schott. [185-?] 17 parts in i v.
M.244.8
Contents. — L'alouette. — Berceuse. — A peine un instant ta jeunesse.
— O fille aimee de mon coeur. — Ne presse pas le troubadour. — Tes
levres s'entr'ouvrent. — Tu dis I'amour doit tot passer. — Le vain-
queur. — Pour toi mon ame est embrasee. — Plus sur ta couche soli-
taire. — Le doute. — Des flots le bruit sonore. — Chant de Marguerite.
— Virtus antiqua. — Je suis si heureux pr^s de toi. — Quel son vient
frapper mon oreille. — Chant de I'orphelin.
PycjiaH-B H ^liOflMHJia. BojELmaa BOjnnednaa onepa
Bi 5 ,a;ificTBiHXT,. Croacexx saHMCTBOBani. hst. hosmh
A. C. UyniKHHa, ct coxpani;eHieMT> MnornxT. ero
CTHxoBT> MysuKa M. H. Fjihhkh. IlapTHTypa. [Rus-
lan and Ludmila. Grand fairy opera in 5 acts by Pushkin.
Music by Glinka. Full score.] neTep6ypn>. [Illedra-
KOBT.. 1878.] 2 v. M.224.27
Same. Clavier-Auszug mit deutsch-russichem Text. Berlin.
Furstner. [1S7-?] M.256.39
Same. Ouverture de I'opera feerique Rouslane et Ludmilla.
Partition. Leipzig. Siegel. [187-?! No. 4 in M.348.7
Souvenir d'une nuit d'ete a Madrid. Fantaisie sur des
themes espagnols. Partition. Mayence. Schott. [1858?]
No. I in M.348.7
^iiSHB 3a I^apa. EojiBinaa onepa bt> 4 /i,incTBiHx-L ct
anHJioroM-t. MysHKa M. H. Fjihhkh. Das Leben fiir
den Czar. Grosse Oper in 4 Akten. Musik von M. J.
Glinka. Vollstandiger Clavier-Auszug mit deutsch. u.
Glinka, Mikhail Ivanovitch. (Continued.)
russischem Text. Berlin. Fiirstner. [188-?] M.272.38
The libretto was written by Baron Rosen.
Same. [Arranged for the piano by C. Mayer and C. Ville-
bois.] Cnd. CxejiJiOBCKitt. [187-?] M.272.39
Same. Ouverture de I'opera Ivane Soussanine ou La vie
pour le Zaar . . . Partition. Mayence. Schott. [1858?]
No. .■; in M.348.7
Glinka, Mikhail Ivanovitch. Works about.
FouQUE, P. O. Michel Ivanovitch Glinka. D'apres ses me-
moires et sa correspondance. Paris. 1880. Portrait.
No. 2 in M.I22.IS
KoENiGLiCHES HoFTHEATER, Hanover. Zwei Opern-Auffiih-
rungen. i. Glinka's „Das Leben fiir den Czar." 2. Hector
Berlioz' „Benvenuto Cellini." Berlin. 1879.
No. 4 in M. 115.1a
Glocke, Die. Cantata. For the Music see Haslinger. For the
Libretto see Schiller.
Glocken, Die, des Strassburger Miinsters. Cantata. For the
Music see Liszt. For the Libretto see Longfellow.
Glcckenthiirmers Tochterlein. Part-song. Reinthaler.
No. 30 in M.392.20
Glockerlauten. Part-song. Nolopp. Zwei vierstimmige Miin-
nergesange. No. 46 in M.392.16
Gloecklein. Part-song. Schmidt, Gustav. Acht Lieder.
No. 24 in M.392.23
Gloecklein, Das, im Thai. Part-song. Orth. No. 53 in M.392.16
Gloesch, Carl Wilhelm.
L'oracle, ou la fete des Vertus et des Graces. Comedie
lyrique en I acte. [Partition chant et piano.] Berlin.
Winter. 1773. M.350.1S
Gloire a Dieu. Anthem. Vaucorbeil. No. 20 in M.201.34
Gloire a la France. Part-song. Bazin. No. 12 in M. 157.8
Gloire, La, et la vie. Song. Schubert, F. P. Melodies. Vol. 7.
M.327.4.7
Gloire immortelle de nos aieux. Part-song. Gounod.
No. 6 in M.130.7
Gloires, Lcs, de la musique. Biography. Laurent. M.207.22
Gloria. Anthem. Galuppi. M.201.7
Haydn, F. J. No. 28, 29 in M.201.33
Leo. No. 55 in M.260.24.2
Morales. No. 13 in M.202.6.1
Mosenthal, J. No. II in M. 190.6
Mozart. No. 23 in M.260.20
Palesteina. No. 19 in M.202.6.1
Seyfried, I. X. voN. No. 35 in M.260.20
Gloria! Symphony. Nicode. M.16.1
Gloria et honore. Anthem. Giorgi. No. 23 in M. 158.33.4
Lutz. No. 62 in M. 156.50
Orsini. No. I in M.260.10.1
Sen mid, F. X. No. 17 in M.260.3
Wesley, S. No. 17 in M.260.24.1
Gloria in excelsis. Canon, 3 in l. (In Warren. Vocal har-
mony. P. 134.) No. 77 in M.220.10
Gloria in excelsis. Anthem.
Aldrich, H. Sanctus. No. 29 in M.233.9
Andr^, p. F. J. No. 26 in M. 100.4.2
Bach, J. S. Werke. Jahrgang 41. M.8040.21.41
Blow. Sanctus. No. 7 in M.233.25.2
Carr, B. No. 13 in M.221.22.2
Ellis, S. A. No. 5 in M.155.22
Foster, J., Organist. No. 30 in M.233.9
Grimm, H. No. 35 in M.202.6.2
Haeser, a. F. No. i i in M.260.20
Haydn, F. J. No. 16 in M.290.9.5; etc.
Lotti. No. 16 in M.290.29.3
Mozart. No. 22 in M.290.29.3
OusELEY. No. 31 in M.233.9
Pergolesi. No. ii in M.290.29.1 ; etc.
Stoelzel. No. 13 in M.202.6.3
Zimmers. No. 41 in M.260.20
I 61
481
Gloria
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gluck
Gloria, laus et honor. Anthem. Palestrina. Werke. Band 31.
M.8o4oa.66.3i
Gloria Patri. Anthem. Casali. No. 16 in M.iii.4.2
Clari. No. 12 in M.233.26.1 ; etc.
CoLONNA. Domine ad adjuvandum . . . No. 2 in M.233.26.5
Davenport, A. No. 11 in M.290.12
Davis, H. W. No. 14 in M.158.26
Faerant. No. 22 in M.2go.22.2
Palestrina. Werke. Band 31. 11.80403.66.31
Pergolesi. No. 2 in M.233.26.2
Purcell, H. M.156.52; etc.
Scarlatti. No. it in M.202.6.2
Gloriamur in tribulationibus scientes. Motet. Lassus. Sammt-
liche Werke. Band i.S. 11.80403.67.15
Glories, The, of our birth. Glee. Coleman, E.
No. 178 in M.235.17.1 ; etc.
Glories, The, of our birth and state. Dirge. Wesley, S.
No. 28 in M. 157.4
Glorify the great Jehovah. Anthem. Haydn, F. J.
No. 30 in M.22I.22.3
Gloriosam mortem. Motet. Palestrina. Werke. Band 2.
M.8o4oa.66.2
Gloriosi principes. Motet. Neukomm, S. von. Recueil de 40
motets. No. I in M.158.37
Glorious Apollo. Glee. Webbe, S. No. 32 in M.235.14; etc.
Glorious May. Part-song. Hofmann, H. C. J.
No. II in M.205.10.6
Glorious stand the mountains. Part-song. Reinthaler, C. M.
No. 4 in M.204.36.3
Selection of glees.
No. 19 in M.235.13.3
Anthem.
No. 27 in M.1S8.18
No. II in M.iii.4.2
For the Music see
Glorious sun. The. Glee. Webbe, S
Vol. 3.
Glorious things of thee are spoken.
Millard, H.
Mozart.
Glorreiche Augenblick, Der. Cantata.
Beethoven. Werke. Serie 21.
Glory be to God. Anthem. Novello,
angels.
Glory be to God on high. Anthem.
Beafield. Church anthems.
BOYCE.
Haydn, F. J.
jommelli.
Mozart.
SCHULZ, C.
Wesley, S. S.
Glory be to God the great Jehovah.
V. Therefore with
No. 25 in M.190.6; etc.
Glory be to the Father. Canon. Blow.
Hellendaal.
Jackson, W., of Exeter.
Overend.
Purcell, H.
Walmisley, T. F. Collection of glees.
Webbe, S.
Glory, honor, praise and power. Motet
Anthem.
Glory, The, of the Lord
Glory to God. Anthem. Beethoven.
Gerrish.
Glory to God in the highest. Anthem.
Davenport, A.
Fish.
Pergolesi.
Glory to God Most High. Anthem.
M.234.1S
No. 58 in M.220.9.1
No. 10 in M.290.33; etc.
No. 21 in M.221.22.4
No. 24 in M.221.22.2; etc.
No. 72 in M.290.22.2
No. II in M.igo.g; etc.
Motet. Mozart.
No. 22 in M. 236.30.4
No. 287 in M. 215.21
No. 207 in M.220.9.1
No. 31 in M.221.22.3
No. 123 in M.220.9.1
No. 296 in M. 215. 21
M.235.5
No. 294 in M.215.21; etc.
Mozart.
No. 3 in M.260.11; etc.
Goss. No. 7 in M.195.2.9
No. 3 in M.221.22.4
No. 9 in M.158.26; etc.
No. 14 in M.290.12; etc.
No. 19 in M.157.29
No. 24 in M.290.33; etc.
Loud, A. F.
No. 8in M.is8.i7;etc.
Glory to the Lord Almighty. Anthem. Schubert, F. P.
No. 17 in M.204.36.1 ; etc.
Glory to Thee. Canon. Tallis. No. 19a in M.1S7.3
[Glory to Thee, mv God, this night.l Evening hymn. [4
voices, with accomp. for organ.] (In Gounod. The Royal
Albert Hall choral music. Vol. 3, PP. 21-25.) M.384.28
482
Glossner, Gustav Adolf, editor.
Fux. Messen. M.414.6
Gloucestershire, England.
King, R. J. The three choirs. A handbook of Gloucester,
Hereford and Worcester. London. 1866. M. 126.23
Glover, Albert G.
County Guy. [Serenade, t. t. b. b. Boston. 1887.]
No. 21 in M.392.10
Glover, Howard. See Glover, William Howard.
Glover, James M.
The little genius, f Opera.] Music by Eugen von Taund.
With additional numbers by Landon Ronald and James
M. Glover. M.402.56
Regina, B.A., or the king's sweetheart. An original comic
opera. Written by Arthur Sturgess. Music by James M.
Glover. rVocal score. Accomp. for pianoforte.] Lon-
don. Ascherberg & Co. 1897. M.381.20
The telephone girl. By F. C. Burnand, Arthur Sturgess,
and Sir Augustus Harris. Music by Gaston Serpette, and
J. M. Glover. No. 3 in M.389.43
Glover, John H. L.
Bonny May. Four-part song. London. Jefferys. [187-?]
No. 10 in M.121.3
Moonlight. Part-song. London. Jefferys. [187-?]
No. 6 in M.121.3
Glover, John William.
'The deserted village." Opera in 3 acts. Words by Gold-
smith. Music by J. W. Glover. Dramatic version by Ed-
mund Falconer [pseud. Accomp. for piano]. London.
Davison & Co. [1880.] M.256.40
St. Patrick at Tara. [Oratorio. Dublin. 1871?] Portrait.
Plate. M.153.18
Second mass and sacred collection. [Accomp. for organ.]
Dublin. Glover & Co. [187-?] No. 2 in M.191.9
Besides the mass there are Responses, Tantum ergo, O Salutaris, Salve
Sancta Parens, and Veni Sancte Spiritus.
Glover, John William, editor.
Moore, T. Irish melodies. M.122.42
Glover, Stephen.
Beauty and the beast. A chamber opera. Versified by W.
F. Vandervell. Melodized by Stephen Glover. [For one
r. Accomp. for piano.] London. Jefferys.
Trio for female voices.
No. I in M.391.43
London. Jefferys..
No. 29 in M.121.3
voice, s. or t.
[186-?]
We meet again.
[187-?]
Glover, William.
The corsair, a cantata; the words selected (from Byron's
works), the music by W. Glover. [Accomp. for piano-
forte.] London. Cocks & Co. [1856.] M. 155.11
Emmanuel, an oratorio. [Accomp. for pianoforte.] Lon-
don. Addison & Co. [1851.] M.241.32
Jerusalem, an oratorio. [Accomp. for pianoforte.] Lon-
don. Addison & Co. [1848.] M.241.31
The memoirs of a Cambridge chorister. London. Hurst &
Blackett. 1885. 2 v. M.126.32
Glover, William Howard.
Palomita; or, the veiled songstress. An operetta in i act.
Words and music by Howard Glover. [Accomp. for
piano.] Boston. Ditson & Co. 1875. No. 2 in M.326.41
Tam O'Shanter. A characteristic cantata for a tenor voice,
chorus & full orchestra. Full score. Poetry by Robert
Burns. Music by Howard Glover. London. Chappell
& Co. [1855.] M.226.4
Same. [Piano score.] No. 2 in M.391.42
We have wander'd through the gardens. Part-song. For 8
voices only [sopranos and contraltos. London. 186-?
Boosey's Part-song miscellany]. No. 80 in M.IS7.S.2
Glow-worm, The. Part-song. Smart, H. No. 24 in M.244.10.3
Gluck, Christoph Willibald, Ritter von.
Ah! no, son io. Scena ed aria [s.] con accomp. d'orchestra.
Partitura. Manuscript. [181-?] 2 v. in i.
Two copies by different hands. No. 6, 7 in M.12O.16
Gluck
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gluck
Gluck, Christoph Willibald, Ritter von. (Continued.)
Airs de ballet disposes en suite d'orchestre. Suite i, 2.
[Partition.] Paris. Durand, Schoenewerk & cie. [187-?]
2 parts in i v. [Gevaert. Danses celebres.]
No. I, 2 in M.343.48
Alceste. Tragedie opera en 3 actes [de Durollet. Musique
de] Gluck. [Partition.] Paris. Des Lauriers. [1776?]
M.282.2
Same. [Partition chant et piano.] Paris. Launer. 184-?]
M.36S.1
Same. [Ouverture.] Grande partition. Berlin. Schlesinger.
[184-?] No. 5 in M.346.28
Same. Ouverture zu Alceste. Mit Vortragsbezeichnungen
u. einem Schluss versehen von Felix Weingartner. Parti-
tur. Leipzig. Breitkopf & Hartel. 1898. No. 3 in M.403.39
Amid the din of the war-trumpet. Chorus. (In Hullah.
Part music. Secular. Vol. 2, pp. 86-88.) No. 2 in M.157.28.2
L'arbre enchante. Opera comique en i acte par Vade. Mis
en musique par Gluck. [Partition.] Manuscript. N. d.
Prefixed is a printed title-page of the original edition. M.282.5
Armide. Drame heroique [de Quinault]. Mis en musique
par M. le Chef Gluck. [Partition.] Paris. Des Lauriers.
[1777.] M.224.29
Same. Pour piano et chant. Launer. [184-?] M.36S.5
Same. [Ouverture.] Grande partition. Berlin. Schlesin-
ger. [184-?] No. 2 in M.346.28
Same. Armida. A grand opera in S actes by Gluck, with
the original French words [by Quinault], and an English
paraphrase by Henry F. Chorley, edited by Charles Halle.
[Accorap. for pianoforte.] London. Chappell & Co.
[184-?] M.272.41
Armide, vous m'allez quitter? Duo [s. t. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, pp. 69-78.)
No. 4 in M. 157.40
Ballet-Musik (Aria per gli atleti, Chaconne und Gavotte)
aus Paris und Helena. Herausgegeben von Carl Reinecke.
Partitur. Leipzig. Breitkopf & Hartel. [1877?]
No. 3 in M.332.19
Ballet-Suite. Balletstiicke aus Opern von Chr. W. Gluck
fiir Orchester frei bearbeitet von Felix Mottl. [Partitur.]
Leipzig. Peters. [188-?] No. 4 in M.403.39
Contents, — Don Juan : Introduction. — Iphigenie in Aulis : Air gai.
— Iphigenie in Aulis : Lento. — Orpheus : Reigen seliger Geister.
— Armide : Musette. — Iphigenie in Aulis : Air gai. — • Armide :
Sicilienne.
Ballet-Suite. Balletstiicke aus Opern von Chr. W. Gluck,
fiir Orchester frei bearbeitet von Felix Mottl. [Partitur.]
Leipzig. Peters. [189-?] No. I in M.410.32
Contents, — Alceste: Marsch. — Iphigenie in Aulis: Menuet. — Paris
und Helena : Grazioso. — Iphigenie in Aulis : Sclaventanz.
Der betrogene Kadi. Komische Oper in i Acte [von Le-
monnier]. Textlich bearbeitet von Fritz Krastl. Musi-
kalisch bearbeitet von L N. Fuchs. Vollstandiger Clavier-
auszug. Leipzig. Senff. [1881.] No. 2 in M. 256.41
Cythere assiegee. Opera ballet en 3 actes. Mis en musique
par Gluck. Poeme de M. Favart. [Partition.] Paris.
Bureau d'abonnement musical. [i775?] M.282.4
De profundis. Ouvrage posthume. [Partition.] Paris.
Conservatoire de musique. [180-?] No. 2 in M.222.49
Also to be found, with accomp. for organ, in Latrobe's Selection of
sacred music.
Diane impitoyable. Air [b. Accomp. de piano]. (In Biblio-
theque musica'e. Serie 2, tome i, pp. 111-116.)
No. 15 in M.193.21.1
Don Juan. Ballet. Vollstandiger Klavierauszug von Frie-
drich Wollank. Berlin. Trautwein. [18.3-?]
No. 3 in M. 350.4
ficho et Narcisse. Drame lyrique en 3 actes, avec un pro-
logue par M. le Baron de T[schudi]. Mis en musique par
M. le Chef Gluck. [Partition.] Paris. Des Lauriers.
[1779.] M.224.28
Same. Pour piano et chant. Launer. [184-?] M.365.2
Gluck, Christoph Willibald, Ritter von. (Continued,)
Same. Drame lyrique en trois actes avec un prologue. Mu-
sique de Gluck. Poeme du Baron de Tschudi. Texte alle-
mand de Theobald Rehbaum. Texte italien de Pietro
Floridia. Publie par F. Pelletan, C. Saint Saens et Julien
Tiersot avec le concours de M. fidouard Barre. [Parti-
tion.] Paris. Durand. [1902.] M.402a.i3
How glad with smiles the vernal morn. Chorus. (In Hul-
lah. Part music. Secular. Vol. I, pp. 88, 89.)
No. 24 in M.1S7.28.1
Thr, die das Land des wilden Volkes schiitzet. Arie [bar.,
mit Pianofortebegleitung]. (In Arien-Album. Band i,
pp. .=;i-'^.^) No. 4 in M.204.37
From Iphigenie auf Tauris.
Ihr, die ihr mich verfolgt. Arie [bar. mit Pianofortebeglei-
tung]. (In Arien-Album. Band i, pp. 47-50.)
From Iphigenie auf Tauris. No. 4 in M. 204. 37
Iphigenie en Aulide. Tragedie opera en 3 actes [de Durol-
let]. Dedies au roi par le Chevalier Gluck. [Partition.]
Paris. Bureau d'abonnement musical. [1774.I M.282.1
Same. Pour piano et chant. Launer. [184-?] M.365.4
Same. [Ouverture.] Fin de Mozart. Grande partition. Ber-
lin. Schlesinger. [184-?] No. 3 in M.346.28
Same. Ouverture. [Partition instrumentee par F. Halevy.]
(In Deldevez. Fondation de I'opera en France. Pp. 81-
117. Paris. [1859.I) No. 20inM.3s6.11
Same. (Que d'attraits.) Chceur [a 4 voix]. Arrange pour
rOrpheon de la ville de Paris, par Frangois Bazin. (In
Soirees orpheoniques. Pp. 138-140.) No. 2 in M. 157.8
Same. Ifigenia in Aulide. Overtura. [Partitura.] Firenze.
Guidi. 1878. [Biblioteca del sinfonista.l No. 6 in M.355.8
Same. Iphigenia in Aulis . . . Nach Richard Wagner's
Bearbeitung. Hieraus einzeln: Ouverture. Partitur.
Leipzig. Breitkopf & Hartel. [1889?] No. 4 in M.332.19
Iphigenie en Tauride. Tragedie en 4 actes. Musique de
Gluck. Poeme de Guillard. Texte allemand de P. Corne-
lius. Texte italien de G. Zaffira. [Partition.] Publiee
par F. Pelletan et B. Damcke. Paris. Richault. [1874.]
Facsimile. M.224.3S
Letters. (In Nohl. Letters of distinguished musicians.
Pp. 1-48. London. 1867.) M.101.5
Lettres de Gluck et de Weber. Publiees par M. L. Nohl.
Traduites par Guy de Charnace. Paris. Plon. 1870. 2
portraits. M.127.32
Lovely is nature's work. Song [s. Accomp. for pianoforte].
(In Turle and Taylor. The People's music book. Vol. 3[,
pp. 29, 30.) No. IS in M.iii.4.3
Maker of all! Air [a. or bar. Accomp. for piano]. (In
Ayrton. Sacred minstrelsy. Vol. i, pp. Q3-95.)
No. 34 in M.290.22.1
Mater divina; gratis, s. solo and quartette. Arranged by
V. Novello. [Accomp. for organ. London. Novello.
183-?] No. 16 in M.260.I0.5
Also to be found in Novello's Motetts.
Miserere mei. Motett for 4 voices & chorus. [Accomp. for
organ.] (In Novello. Evening service. Vol. 2, pp. 197-
200.) M.260.23.2
Non vi turbato, no. Aria [s. or t. Accomp. for pianoforte].
(In Musical library. Vol. i, pp. 160, 161.)
No. 70 in M.235.18.1
Orphee. Musique de Gluck. Opera complet. Partition de
piano et chant. Paroles franqaises [de Moline. Paris.]
Launer. [184-?] M.365.3
Same. Orfeo e Eurydice. [Ouverture.] Grande partition.
Berlin. Schlesinger. [184-?] No. 4 in M.346.28
Same. Orpheus. A grand opera in 4 acts, by Gluck, with
the original French words [by Moline], and an English
paraphrase by H. F. Chorley, edited by Charles Halle.
[Accomp. for piano.] London. Chappell & Co. [i8s-?]
M.272.40
Same. Orpheus und Eurydice. Oper in 3 Acten. i\Iusik
von Chr. W. von Gluck. Neue Ausgabe von Alfred Dorf-
483
Gluck
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gnaedig
Gluck, Christoph Willibald, Ritter von. (Continued.)
fel. [Partitur.] Leipzig. Heinze. 1866. Plate. Fac-
similes. . ^ ^ M.282.3
Contains the original words of Calzabigi with French and German
translations.
Paris und Helena. Oper von Chr. Gluck. fMit deutschem
und italienischem Texte von Calzabigi. Clavierauszug.]
Leipzig. Peters. [187-? Opern im Clavierauszuge mit
Text] M.365.6
Same. Ouverture aus der Oper: Paris und Helena . . .
bearbeitet und herausgegeben von Hans von Biilow. Or-
chesterpartitur. Leipzig. Peters. [186-?]
No. 6 in M.346.28
Die Pilgrime von Mekka. See his La rencontre imprevue.
Pour prix du sang. Glee. (In Bland. The Ladies' collec-
tion. Vol. I, p. 7.) No. 9 in M.235.17.1
Prolog, fur Sopran-Solo, Chor und Orchester, componirt
von Christoph W. Gluck. [Text von Lorenzo Ottavio
Del Rosso. Partitur.] Leipzig. Breitkopf & Hartel.
fiSgi.l M.224.36
La rencontre imprevue, ou les pelerins de La Mecque.
Opera-comique. Poeme de Dancourt (1764). Musique du
Chevalier Gluck. Partition piano et chant, reduite par J.
B. Wekelin. Paris. Legouix. [188-?] Portrait.
No. I in 11.256.41
Same. [Die Pilgrime von Mekka. Singspiel in 3 Akten.
Text, tJbersetzung von Dancourt's Rencontre imprevue.
Musik von Gluck. Partitur.] Manuscript. [179-?]
M.320.18
Se mai senti spirarti. Aria [s.] con accomp. d'orchestra.
Partitura. Manuscript. [181-?] No. 8 in M. 120.16
Sing loud a joyful strain. Chorus. (In Hullah. Part music.
Secular. Vol. i, pp. 138-141. London. [*842.])
No. 36 in M.157.28.1
Tantum ergo. Quartett & chorus. [Accomp. for organ.]
(In Novello. Motetts. Vol. 2, book 10, pp. 21-23.)
N. 33 in M.260.24; No. IS in M.260.10.6
Gluck, Christoph Willibald, Ritter von. Works about.
Balleyguier, D. L'Alceste de Gluck. Notice historique
(1776-1861). Paris. [1861.] No. 4 in M.197.3
Bareedette, H. Gluck: sa vie, son systeme et ses oeuvres.
Paris. 1882. Portrait. M.206.1
Coqueau, C. p. Entretiens sur I'etat actuel de I'opera de
Paris. [Anon.] Amsterdam. 1779. M.373.39
Suite des Entretiens sur I'etat actuel de I'opera de
Paris, ou lettres a M. S . . . [Suard], auteur de I'extrait
de cet ouvrage dans le Mercure. [Anon. Paris? 180-?]
No. I in M.372.21
Desnoiresterres, G. Le B. La musique frangaise au
XVIII^ siecle. Gluck et Piccinni. 1774-1800. 2e edition.
Paris. 1875. M.129.31
Jullien, J. L. A. La cour et I'opera sous Louis XVL Marie
Antoinette et Sacchini, Salieri, Favart et Gluck. Paris.
1878. M.127.39
Marx, A. B. Gluck und die Oper. Berlin. 1863. 2 v. Por-
trait. M.132.15
Memoires pour servir a I'histoire de la revolution operee
dans la musique par le Chevalier Gluck. [Rediges par
Lebland de Roullet, Laurent, Marmontel, Boyer, Suard,
Arnaud, Condorcet et autres.] Paris. 1781. Portrait.
M.146.19
Miel, E. F. a. M. Notice sur Christophe Gluck. Paris.
1840. No. 3 in M.197.3
Neumann, W. Christoph Willibald Gluck. Eine Biographic.
Cassel. 1855. Portrait. No. 2 in M.205.18
Reissmann, a. Christoph Willibald von Gluck. Sein Leben
und seine Werke. Berlin, 1882. Portrait. M. 149.10
ScHMiD, A. Christoph Willibald Ritter von Gluck. Dessen
Leben und tonkiinstlerisches Wirken. Leipzig. 1854.
Facsimile. M.136.5
ViLLARS, F. DE. Les Iphigenie de Gluck. Paris. 1868.
M.i4i.3a
Gluck, and the white rose of Vienna. Fiction. De La Tour.
M.102.11
Gluckritter, Der. Opera. For the Music see Czibulka. For
the Libretto see Genee.
Glueck, August.
Albert Becker, grosse Messe in B moll. Op. 16. Erlautert.
Leipzig. Seemann. [1902? Der Musikfiihrer.]
No. 6 in M.217.12.8
Felix Mendelssohn-Bartholdy, Symphonic No. 3, A-moll,
Op. s6. Erlautert. Frankfurt a. M. Bechhold. [1897.
Der Musikfiihrer.] No. 6 in M.217.12.3
Joh. Seb. Bach, Weihnachts-Oratorium. Erlautert. Leip-
zig. Seemann. [1899? Der Musikfiihrer.]
No. 5 in M.217.12.8
Max Bruch, Frithjof. Erlautert. Frankfurt a. M. Bech-
hold. [1898. Der Musikfiihrer.] No. 6 in M.217.12.4
W. A. Mozart, G-moll-Symphonie: Aus dem Jahre 1788.
Erlautert. Frankfurt a. M. Bechhold. [1894. Der Mu-
sikfiihrer.] No.8inM.2i7.i2.i
Glueck, Friedrich.
Das zerbrochene Ringlein. [Miinnerchor.] (In Gruber.
Sangeshort. Heft 4, p. 52.) No. 3 in M.370.30
Glueck, Das. Duet. Schumann, R. A. Lieder fiir die Jugend.
Abtheilung 3. No. 4 in M.244.15.3
Glueck, Das. Song. Schum.\nn, R. A. Werke. Serie 13,
Band 3. M.316.1.13.3
Glueck auf, mein Deutschland. Song. Abt, F. Vier Lieder.
No. 10 in M.192.2
Glueck, Das, der Freundschaft. Song. Beethoven. Werke.
Serie 23. M.413.1.23
Glueck, Das, der Liebe. Part-song. Seyfried, I. X.
No. 34 in M.213.9
Glueck der Liebe. Songs. Taubert, C. G. W. No. 33 in M.192.8
Glueck, Glueck zum neuen Jahr. Canon. Beethoven. Werke.
Serie 23. M.413.1.23
Glueck und Leid. Fart-song. George V., of Hanover. Sechs
Gedichte. No. 5 in M.iss.17
Glueck, Das, von Edenhall. Cantata. For the Music see
Schumann, R. A. For the Libretto see Hasenclever, R.
Glueck zum neuen Jahr. Canon. Beethoven. Werke. Serie
23. M.413.1.23
Glueckes genug. Song. Strauss, R. Sechs Lieder.
No. 21 in M.380.24.2
Glueckliche, Der. Fart-song. Mendelssohn-Bartholdy, J.
L. F. Werke. Serie 16. M.413.3.16
Schoen, E. von. No. 18 in M.392.42.4
Glueckliche Lage. Fart-song. Rochlitz. No. 93 in M.213.9
Glueckliche Lieb'. Fart-song. Kaselitz. No. 2 in M.370.30
Glueckseligkeitsinsel, Die. Fart-song. Loewe, J. C. G. 6 Ge-
sange. No. i in M.392.17
Gluecksritter, Der. Fart-song. Schoen, E. von.
No. 40 in M.392.7
Gluecksritter. Symphonic poem. Schultze-Biesantz. Sym-
phonische Tongedichte. M.410.55
Glueckwunsch. Trio. Bruch. Sieben kleine Gesange.
No. 8 in M.204.7
Gluemer, Claire von.
Erinnerungen an Wilhelmine Schroder-Devrient. Leipzig.
Barth. 1862. Portrait. Facsimile. M.109.28
Gluth, Viktor.
Horand und Hilde. Oper in drei Aufzugen und einem Vor-
spiel (nach Rudolf Baumbach's gleichnamiger Dichtung)
von Viktor Gluth. Clavierauszug mit Text. Miinchen.
Lischer. [189-?] M.399.23
Glychau Aberdyfi. The bells of Aberdovey. [Welsh air. Arr.
for I voice, also] Harmonized for 4 voices. (In Thomas.
Welsh melodies. Vol. i, pp. 99-101.) No. 11 in M.235.6.1
Glyn, Margaret H., translator.
Wagner, W. R. Parsifal. M.4i2a.l3
Gnaedig und barmherzig ist der Herr. Motet. Dornheckter.
Zwei Motetten. No. 17 in M.1S8.22
484
Gnecchi
THE ALLEN A. BROWN COLLECTION OF MUSIC
God
I
Gnecchi, Vittorio.
Virtii d'amore. Azione pastorale. Parole di M. R. Musica
di Vittorio Gnecchi. Riduzione per canto e pianoforte.
Milano. Ricordi & c. 1896. M.396.50
Gnecco, Francesco.
[La prova d'un opera seria. Opera in 2 atti. Parole e musica
del Mo. Gnecco. Partitura.l Manuscript. [Milano?
180-?] M.340.20
[Gnome-king, The!] Opera. For the Music see Bishop, H. R.
For the Libretto see Colman, G., the Younger.
Gnomen, Die. Song. Righini. Zwolf deutsche Lieder.
No. 27 in M. 221.33
Gnomentanz. For orchestra. Hartog. No. 3 n M.336.11
Henriques, R. Aquarellen. No. I in M.40S.20
Go bang. Opera. For the Music see Carr, F. O. For the
Libretto see Ropes.
Go, banish thy sorrow. Catch [for 3 voices]. (/;» Amusement
for the ladies. Vol. 4, p. 98.) No. 27 in M.220.3.4
Also to be found in dementi's Collection of catches ; Warren's Vocal
harmony.
Go, crystal tears. Part-song. Dowland, J. First set of songs.
No. 2 in M.234.21
Go, Damon, go. Part-song.
Brewer, T. No. 28 in M.141.21.2; etc.
Paxton, S. No. 22 in M.220.3.4; etc.
Go forth to the mount. Anthem. Stevenson, J. A.
No. 5 in M.221.22.3
Go, gentle breezes. Catch. 3 voices. {In Bland. The Ladies'
collection. Vol. I, p. 18.) No. 28 in M.235.17.1
Also to be found in Flowers of harmony; Social harmony.
Go, gentle gales. Glee. Howard, S. No. isoin M.235.17.S; etc.
Go, gentle gales. Song. Jackson, W., of E.vefer.
No. 46 in M.235.18.2
Go, happy heart. Part-song. Horsley, W. No. 50 in M.235.18.2
Go, happy shade. Glee. Wellesley, G. C. Glees and madri-
gals. No. 6 in M.236.23
Go, happy soul. Glee. Hudson, R. No. 19 in M.235.17.3; etc.
Go, idle boy. Glee. Callcott, J. W. No. 49 in M.220.3.4; etc.
Go, lovely rose. Glee. Denman. No. 21 in M.235.11
Go, lovely rose. Song. Attwood, T. No. 30 in M.235.18.2
Balfe. No. II in M.192.9.1
Go, musing traveller. Glee. Linley, W. Eight glees. M.23S.3
Go not far from me, O God. Motet. Zingarelli.
No. 41 in M.157.28.1
Go, perjur'd man. Song. Blow. No. 22 in M.141.21.2; etc.
Go, plaintive breeze. Glee. Callcott, J. W. Collection of
glees. Vol. 3. No. IS in M.234.1.3
Go, plaintive sounds. Glee. Webbe, S. No. 55 in M.23S.17.3
Go, pretty birds. Part-song. Macfarren, W. C.
No. 10 in M.195.1.9
Go, seek some virgin heart. Quartet. Bishop, H. R. Complete
collection of glees. Vol. 3. M.235.1.3
Go, speed thy flight. Part-song. Otto, F. No. 32 in M.205.10.4
Go then, fond heart. Glee. Spofforth. Collection of glees.
No. 35 in M.235.15
Go, thou gentle whisp'ring wind. Glee. Atterbury.
No. 259 in M.10.1.4; etc.
Go to Joan Glover. Catch [for 4 voices]. (In Social har-
mony. P. 206.) No. 240 in M.215.21
Go to my Anna's breast. Glee. Danby. No. 135 in M.235.17.5
Go to the ant, thou sluggard. Canon [3 in i]. (/« Vocal har-
monist's magazine. Vol. i, p. 21.) No. 4 in M.220.5
Go, tuneful bird. Glee [a. t. t. b.]. Oxford. Hardy. [18 — ?1
No. 15 in M.23S.I4
Go. tuneful bird. Glee. Crotch. No. 39 in m. 235. 14; etc.
Hook, J. No. 92 in M.220.9.3
Go, wander through the world. Song. Gounod. Ten popular
songs. No. I in M.157.10
Go, when the morning shineth. Part-song. Lahee.
No. 5 in M.1S8.23
Go where glory waits thee. (Irish melody.) Harmonized for
4 voices. (In Warren. Cocks's Hand-book of glees. Vol.
3, pp. 187, 188.) No. 66 in M.157.6.3
Go where glory waits thee. Part-song. Terschak. Zwei Ge-
dichte. No. 27 in M.392.26
Go, whispering wind. Romance. Linley, G. Songs. Vol. i.
No. 2 in M.235.19.1
Go ye my canzonets. Duet. Morley. No. 81 in M.235.17.1; etc.
Go, you may call it madness. Glee. Spofforth. Collection of
glees. No. 4 in M.23S.15
Goate, W. Bloomfield.
Meet me when the stars are bright [t. t. b. b.]. New York.
Molineux. [1883.] No. 22 in M.392.10
Gobati, Stefano.
I Goti. Tragedia lirica in 4 atti di S. Interdonato. Musica
del Mo. S. Gobati. Canto e pianoforte. Milano. Lucca.
[1874.] Portrait. M.282.6
Luce. Dramma lirico in 5 atti di Stefano Interdonato. Posto
in musica di Stefano Gobatti. Canto con accompto di
pianoforte. Milano. Ricordi & c. [1875.] M.383.19
Gobbaerts, Jean Louis.
Antoinette au Coeur d'or. Operette en i acte. Paroles de
Edouard Carolus. Musique de L. Gobbaerts. [Partition
piano et chant.] Bruxelles. Schott. [i88-?l
No. 4 in M. 256.12
Le secret d'Antonine. Operette en i acte. Pour les maisons
d'education. Paroles de Clement Michaels. Musique de
L. Streabbog [pseud. Partition chant et piano]. Bruxelles.
Schott. [187-?] No. 4 in M.322.9
God above. Anthem. Nimmuc. No. 4 in M.290.9.1
God and our country. Part-song. Maehllig.
No. 23 in M.20S.10.7
God be merciful. Anthem. Astorga. No. 34 in M.iii.4.2
Bassford. No. 6 in M.203.26
Mann, A. H. No. 23 in M.195.2.16
Perez, D. No. 3 in M.233.18.2
Rossini. No. 33 in M.ioo.4.2
Sabadini. No. 9 in M.290.29.2
Smart, G. T. A collection of sacred music. M.233.19
Thomas, J. R. No. 7 in M.290.6
Wesley, S. S. No. 23 in M.195.2.2
God be merciful unto us. Anthem.
Lloyd, C. F. No. 5 in M.195.2.12
Tours. No. 15 in M.190.8
God came from Teman. Anthem. Stegg.'Vll.
No. 7 in M.195.2.5; etc.
God hath appointed a day. Anthem. Tours. No. 14 in M. 158.20
God in nature. Part-song. Schubert, F. P.
No. IS in M.204.36.1; etc.
God is a spirit. Anthem. Bennett, W. S. No. 44 in M. 100.4.2
Blodgett. Anthems, responses and hymns. No. 4 in M.203.9
God is gone up. Anthem. Croft. No. 9 in M.233.23.3; etc.
Gibbons, O. . No. 3 in M.233.23.3
Gilbert, W. B. No. 18 in M.233.24.1
Hopkins, E. J. No. 4 in M.190.4
God is love. Anthem. Buffinton. Four hymns. No. 8 in M. 190.2
God is love. Cantata. For the Music see Robinson, F. A.
God is our hope. Anthem.
Greene, N. No. 4 in M.236.30.3; etc.
JoMMELLi. No. 10 in M.233.18.2
Nares. Twenty anthems. No. 13 in M.236.33
Pring, J. C. No. 13 in M.23S.17.3
God is our hope and strength. Anthem.
Blow. No. 16 in M.233.23.3
Stanford. No. 3 in M.204.1
God is our refuge. Anthem. Aspinwall. No. 7 in M.234.6
Hiles, H. No. 3 in M.19S.2.5
Mozart. Werke. Serie 3. M.315.1.3
Such. No. 2 in M.204.1
God is our refuge. Cantata. For the Music see Buck, D.
God is our refuge and strength. Anthem. Foote.
No. 14 in M.195.2.16
God is our refuge and strength. Cantata. For the Music see
Gilchrist.
485
God
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Godard
God morgon. Song. Kjerulf. Sanger och Visor. Band 2.
M.158.47
God, my King. Anthem. Bach, J. S. No. 22 in M.175.1.3
God my strength. Anthem. Graun. No. 27 in M.zgo.ag.z
Hauptmann, M. No. 18 in M.100.4.1; etc.
God natt. Song. Kjerulf. Sanger och Visor. Band 2. M.158.47
God, The, of Abraham praise. Motet. Buck, D.
No. I in M. 100.4.2
God of evening. Anthem. Mine. No. 2 in M.290.9.1
God of Israel. Anthem. Mine. No. i in M.2go.g.i
God of mercy. Anthem. MiNfi. No. 5 in M. 290.9.1
God rules alone. Part-song. Raff. No. 13 in M.20S.10.7
God said, behold I have given you. Anthem. Macfarren,
G. A. No. 8 in M.157.29; etc.
God save King William. National song. Linley, G.
No. I in M.235.16
[God save the Emperor.] Russian hymn. \s. a. t. b. Accomp.
for organ.] (In Gounod. The Royal Albert Hall choral
music. Vol. .•?, pp. 4I-4.S.) M.384.28
God save the King. [Arranged for 2 voices, s. b.] (/m Flowers
of harmony. Vol. i, p. I.) No. i in M.157.18.1
Same. [For 4 voices.] (In The Apollo. Vol. i, pp. 2, 3.)
No. 3 in M. 1393.18.1
Also to tbe found in The Harmonist; Hullah*s Part music. Sacred;
Musical times [Music] ; Turle and Taylor's The People's music book.
Same. [s. a. t. b. With accomp. for organ.] (In Gounod.
The Royal Albert Hall choral music. Vol. 3, pp. 56-59.)
M.384.28
Same. Arranged for 4 voices. By S. Nelson. (In Warren.
Cocks's Hand-book of glees. Vol. i, pp. 121-124.")
No. 31 in M.1S7.6.I
Same. Harmonized for 4 voices by Vincent Novello. Lon-
don. Novello. [184-?] No. .56 in M.158.18
Same. Round [for 6 voices]. (In Social harmony. P. 65.)
No. 55 in M.215.21
Same. Song [s. a. b.]. (In Apollonian harmony. Vol. I,
p. 60.) No. 55 in M.141.21.1
Also to be found in Social harmony.
Same. [Solo and chorus.] (hi The Choralist. Vol. i, series
2, pp. 5 1-S4) No. 24 in M.157.S.1
God save the King! Song. Beethoven. Werke. Serie 24.
M.413.1.24
God save the King. Works about.
Clark, R. An account of the national anthem. London.
1822. M.IS2.4
God save the Queen. See God save the King.
God shall crown thy work. Anthem. Bailey, E. H.
No. 10, II in M.1S8.13
God so loved the world. Anthem. Blodgett. Anthems, re-
sponses and hymns. No. 4 in M.203.9
Goss. No. .30 in M.234.6
TucKERMAN, S. P. Six short anthems. No. 2 in M. 154.19
God speed the plough. Part-song. Richter, E. H. L.
No. 32 in M.157.4
God that madest earth and heaven. Anthem. Attwood.
No. 21 in M.2go.22.2
God the Omnipotent. Anthem. Gerrish. No. 6 in M.203.2S
God, Thou art great. Cantata. For the Music see Spohr, L.
For the Libretto see Rohdmann.
God, vyho as at this time. Anthem. Fowle. [Fifteen short
anthems.l M.290.26
God who commanded the light. Anthem. Hopkins, E. J.
No. 9 in M. 190.4
God's glory in nature. Part-song. Beethoven.
No. 3 in M.203.11
God's time is the best. Cantata. Bach, J. S.
No. 4 in M.i54.ig; etc.
Godard, Amedee.
Les bijoux de Jeannette. Opera comique en i acte. Pa-
roles de Marc Constantin. Musique de Amedee Godard.
Partition piano et chant. Paris. Labbe. [1878.]
No. I in M.266.1
486
Godard, Amedee. (Continued.)
La legende du Magyar. Opera comique en 3 actes. Paroles
de Maxime Boucheron. Musique de Amedee Godard.
Partition chant et piano. Paris. Schott. [1888.] M.303.3
Godard, Benjamin Louis Paul.
Ballet d'autrefois. (Old world ballet.) Petite scene a deux
personnages: un jeune marquis, soprano travesti ou
tenor; une danseuse . . . (fipoque Louis XV.) Poeme de
Georges Boyer, translated by M. C. Gillington (Mrs. G. F.
Byron). Musique de Benjamin Godard. Op. 144. Lon-
don. Williams. [1898.] No. 2 in M.384.20
In French and English.
Bresilienne. [Danses pour orchestre. Op. 51. Partition.
Paris. Grus. 187-?] No. 8 in M.332.21
Concerto romantique pour violon. Op. 35. Partition d'or-
chestre. Paris. Heugel & cie. [188^?] No. i in M.405.17
Dante. Opera en 4 actes de fidouard Blau. Musique de
Benjamin Godard. Partition chant et piano. Paris. Chou-
dens. [1890.] M.266.4
Diane. Poeme antique. Paroles de E. Guinand. Musique
de Benjamin Godard. [Partition chant et piano.] Paris.
Grus. [189-?] No. I in M.256.43
En plein air. Suite de cinq morceaux pour violon avec ac-
comp. d'orchestre. Op. 145. [Partition.] Berlin. Sim-
rock. 1893. 5 parts in i v. No. 3-7 in M.338.8
Contents. — I. A I'ombre. 2. Sous la charmille. 3. En regardant le ciel.
4. Danse rustique. 5. La fee du hallier.
[Gavotte. Op. 16. Partition d'orchestre.] Paris. Durand,
Schoenewerk & cie. [187-?] No. 4 in M.405.18
There is no title-page.
Les Guelfes. Opera en cinq actes de Louis Gallet. Mu-
sique de Benjamin Godard. [Partition chant et piano.]
Paris. Grus. 1898. M.381.17
Jeanne d'Arc. Drame historique en 5 actes avec prologue
et epilogue. Paroles de Joseph Fabre. Musique de Ben-
jamin Godard. Op. 125. Partition piano et chant. Paris.
Dupont. [1891.] No. 2 in M.256.43
Jocelyn. Opera en 4 actes, tire du poeme de Lamartine par
Armand Silvestre et Victor Capoul. Musique de Benja-
min Godard. Partition chant et piano. Paris. Choudens.
[1888.] M.266.S
Kermesse. [Danses pour orchestre. Op. 51. Partition.
Paris. Grus. 187-?] No. 7 in M.332.2r
Legende & scherzo pour violon et piano. Op. 3. [Parti-
tion.] Paris. Durand, Schoenewerk & cie. [187-?]
No. 6 in M.406.6
Pedro de Zaiamea. Opera en 4 actes. Poeme de Leonce
Detroyat et Armand Silvestre. Musique de Benjamin
Godard. Partition chant et piano. Paris. Hamelle.
[1884.] M.256.42
Quatuor (en sol mineur). Pour deux violons, alto & violon-
celle. Op. 33. [Partition.] Manuscript. [1890.]
No. I in M.338.12
Score made by A. A. Brown.
Scenes ecossaises. Op. 138. [Partition d'orchestre.] Paris.
Hamelle. [189-?] 3 parts in I v. No. 3 in M.403.4S
Contents. — :. Legende pastorale. 2. S^rinade a Mabel. 3. Marche des
Highlanders.
Scenes italiennes. Op. 126. Partition d'orchestre. Paris.
Durand. [189-?] 3 v. in i. No. 1-3 in M.40S.18
Contents. — I. Serenade florentine. 2. Sicilienne. 3. Tarentelle.
Scenes poetiques. Op. 46. Partition d'orchestre. Berlin.
Bote & Bock. [188-?] No. i in M.343.4I
Contents. — Dans les bois. — Dans les champs. — Sur la montagne. —
Au village.
Solitude. Op. 27. [Pour orchestre. Partition.] Paris.
Schoenewerk & cie. [186-?] No. 2 in M.405.17
Suite de danses anciennes et modernes. Op. 103. Partition.
_ Paris. Maquet & c'e. [188-?] 6 parts in i v. M.405.19
Symphonic gothique pour orchestre. Op. 23. Partition.
Mayence. Schott. [1885?] No. 5 in M.332.21
Symphonie legendaire, en 3 parties, pour orchestre avec soli
soprano, contralto, baryton et choeurs de femmes. [Pa-
Godard
THE ALLEN A. BROWN COLLECTION OF MUSIC
Goerner
Godard, Benjamin Louis Paul. (Continued.)
roles de Grandmougin, Souvestre, Godard . . . Musique
de] Benjamin Godard. Partition chant et piano. Paris.
Choudens. [1886.] M.266.2
Symphonie-orientale pour orchestre. Partie 1-4. Op. 84.
Partition. Berlin. Fiirstner. [1884?] 4 parts in i v.
No. 1-4 in M.332.21
Contents. — i. Les elephants. 2. Chinoiserie. 3. Sara la baigneuse. 4.
Le reve de la Nikia.
Le Tasse. Symphonic dramatique. Poeme de Charles
Grandmougin. Musique de Benjamin Godard. [Partition
piano et chant.] Paris. Hartmann. [1878.] M.266.3
Same. Danse des Bohemiens. Partition d'orchestre. Paris.
Hartmann. [1878.] No. 6 in M.332.21
Trio pour piano, violon et violoncelle. Op. 32. [Partition.]
Paris. Hartmann. [1872?] No. 8 in M.211.3.2
Same. [Parties, violon et violoncelle.] 2 v.
No. 19 in M.211.4.1, 2
La vivandiere. Opera-comique en 3 actes de Henri Cain.
Musique de Benjamin Godard. Partition chant et piano.
Paris. Choudens. 1895. M.303.2
Same. The vivandiere. Opera comique in 3 acts. The
French words by Henri Cain, English translation by
George Whyte. Music by Benjamin Godard. Vocal score.
London. Ascherberg & Co. 1896. M.245.5
Godard, Benjamin Louis Paul, editor,
ViEUXTEMPS. Saltarelle. No. 3 in M.343.40
Godard, Benjamin Louis Paul. J'Vorks about.
RiEMENSCHNEiDER, G. Benjamin Godard, „Scenes poe-
tiques." Suite fiir Orchester, Op. 46. Erlautert. Leipzig.
[1902.] No. 16 in M.217.12.9
Goddard, Joseph.
Musical development; or, remarks on the spirit of the prin-
cipal musical forms. London. Murby. [1867.] M. 149.28
The philosophy of music. A series of essays. London.
Boosey. 1862. M.118.23
A study of Gounod's sacred trilogy, the Redemption. Lon-
don. Novello, Ewer & Co. [1883.] No. 8 in M.116.7
Goddard, Julia.
English requiem. Music by T. Anderton. No. i in M.154.15
The golden harvest. A pastoral cantata. The music by J. G.
Callcott. No. I in M.154.43
Yule-tide. A cantata. The music by T. Anderton.
No. 4 in 11.154.15
Godefroid, Dieudonne Joseph Guillaume Felix.
A deux pas du bonheur. Proverbe lyrique de salon en i
acte. Paroles de M"": Roger de Beauvoir [pseud]. Mu-
sique de Felix Godefroid. [Partition chant et piano.]
Paris. Heugel & cie. [186-?] No. i in M.368.31
La fille de Saul. Opera en 5 actes. Partition piano et chant.
Paris. L'auteur. [1883.] M.266.7
La harpe d'or. Opera-legende en 2 actes, de MM. Ernest
Dubreuil et Jaime fils. Musique de Felix Godefroid. Par-
tition piano et chant. Paris. Choudens. [1857.]
No. I in M.266.6
Messe de la Resurrection, a 4 voix et solos de tenor, bary-
ton et basse. Avec accomp. d'orgue, harpes, violoncelles,
contre-basses, pistons et trombonnes. Paris. Durdilly.
[1891.] M.202.31
Messe des rameaux, a 4 voix, soli & chceurs. Avec accomp.
d'orgue, harpes, violoncelles et contre-basses (ad lib).
Paris. Heugel. [188-?] No. 2 in M.266.6
Godefroid, Felix. See Godefroid, Dieudonne Joseph Guillaume
Felix.
Godefroid, Jules Joseph.
Le diadeste, ou la gageure arabe. Opera comique en 2 actes.
Paroles de MM. de S' Hilaire et Leon [pseud.]. Musique
de Tules Godefroid. [Partition chant et piano.] Paris.
Richault. [i8.^6?l 13 parts in l v. M.282.7
Godefroid de Bouillon. Opera. For the Music see Acosta.
For the Libretto see Fredricx.
Godeleva. Opera. For the Music see Tinel. Godelieve.
Godelieve. Opera. For the Music see Tinel. For the Libretto
see Ram.
Godet, Alfred.
Jean la Bourrasque. Operette. Musique de Pradaut-Boris.
No. 3 in M.393.37
Godet, Philippe Ernest.
Janie. Idylle musicale, [musique] par E. Jaques-Dalcroze.
M.394-38
Godete dunque il vostro amante primo. Madrigal. Palestrina.
Werke. Band 28. M.8o4oa.66.28
Godfrey, Arthur E.
Little Miss Nobody. A new musical comedy. Written by
Harry Graham. Music by Arthur E. Godfrey. Additional
numbers by Landon Ronald. [Accomp. for pianoforte.]
London. Hopwood & Crew. [1899.] M.393.20
Godio, Guglielmo.
Tarass Bulba. Dramma lirico. Musica di Arturo Berutti.
M.399-4
Godleski, , translator.
GoLiTZYN. Les amours d'un tenor. Roman. M. 138.16
Godley, Alfred Denis, translator.
P.\RRY, C. H. H. The music to The frogs of Aristophanes.
No. 3 in M.155.36
Gods, The, of wit and wine. Glee. Webbe, S. Selection of
glees. Vol. 3. No. 7 in M.235.13.3
Godwin, Edward William.
"Claudian." A few notes on the architecture and costume.
A letter to Wilson Barret. [London. 1883.] Plates.
No. 7inM.ii6.7
Goebel, Carl.
Drei Lieder von C. O. Sternau, fiir vierstimmigen Frauen-
chor Berlin. Schlesinger. [186-?] N0.4 in M.157.15
Contents. — i. Die Konigin der Naoht. 2. Chor der Nymphen im Rheme.
3. Der du die Blume mit Perlen trankest.
Goedel. Alfred, translator.
KlENZL. Urvasi. M.286.33
Goens, Daniel Francois van.
Concerto, Deuxieme, en re, pour violoncelle avec orchestre.
Op. .^o. Partition. Nice. Decourcelle. [189-?]
No. <t in M.40S.18
Goepfart, Carl Eduard.
Am Chiemsee. Fiir Mannerchor. Op. 24. Partitur. Weimar.
fi888.] No. 37 in M.392.8
Camilla. Komische Oper in 3 Akten von Robert Herold.
Musik von K. Goepfart. Clavier-Auszug. 2. Auflage.
Leiozig. Bureau der Genossenschaft dramatischer Au-
toren und Comoonisten. 1890. No. i in M.246.8
Drei Stiicke fur Clarinette (in B) und Klavier. Op. 29.
[Partitur.] Leipzig. Merseburger. [188-?]
No. 2 in M.410.33
Herzakind. Schatzakind." Mannerchor. [Weimar? 1888?]
No. 38 in M.392.8
Roms Fall. Dichtung von Fr. Reusch. Fiir Mannerchor,
Soli. s. T. B.. und Orchester. In Musik gesetzt von Karl
Goepfart. Op. .=;o. Clavierpartitur. Leipzig. Licht. 1892.
No. S in M.212.6
Sarastro. Musik-Drama in 3 Aufziigen von K. Goepfart.
Dichtung von Gottfr. Stommel. Clavier-Auszug. Leip-
zig. Bureau der Genossenschaft dramat. Autoren und
Componisten. 1801. M.270.41
Trio fiir Clarinette. Fagott und Klavier. Op. 7.S. [Parti-
tur.] Weimar. Sernau. [189-?] No. 5 in M.410.33
Trio fiir Flote. Oboe und Klavier. Op. 74. [Partitur.]
Weimar. Sernau. [1898?] No. 4 in M.410.33
2 Charakterstiicke fiir Fagott und Klavier. Op. 31. [Parti-
tur.] Leipzig. Merseburger. [i88-?l No. 3 in M.410.33
2 Characterstiicke fur Oboe und Clavier. Op. 27. [Parti-
tur.] Leipzig. Hofmeister. [188-?] No. I in M.410.33
Goerlitz, Carl.
Sataniel. Operette. Musik von A. Ferron. M.2S6.3
Goerner. Carl.
Grosse Simphonie (C moll) zu Shakespeare's ..Richard der
Dritte." Op. 13. [Partitur.] Manuscript. J 187-?]
M.312.20
487
Goethe
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Goetz
Goethe, Johann Wolfgang von.
Aussohnung (Reconciliation). Aus „Trilogie der Leiden-
schaft." Componirt von Hans Huber. No. 6 in M.270.45
The calm of the sea. [Chorus by Beethoven.!
No. 3 in M.236.30.4
Claudine von Villa Bella. Oper, in Musik gesetzt von Jo-
hann Hein. Franz fPseud.!. M.232.1
3 Gedichte, componirt von Ferdinand Hiller.
No. 6inM.392.11
Contents. — Meine Gottin. — Grenzen der Menschheit. — Menschenge-
fiihl.
Egmont. Translated (with entr' actes and songs by Bee-
thoven . . . and Schubert's song 'FreudvoU und leidvoll")
by Arthur Duke Coleridge. London. Chapman & Hall.
1868. Plate. M.126.29
Words only.
Same Ouverture, Gesange und Zwischenacte von Bee-
thoven. No. 3 in M.221.7
Die erste Walpurgisnacht. Ballade. [Musik von] F. Men-
delssohn-Bartholdy. No- i i" M.353-5
Same. The first Walpurgis night. A poem. The music by
F. Mendelssohn Bartholdy. M.280.20
Erwin und Elmire. Ein Singspiel. In Musik gesetzt von
J. F. Reichardt. No. i in M.391.26
Faust, I. und II. Theil. Musik von Eduard Lassen. M.384.58
Same' Compositionen von Fiirsten Anton Radziwill.
M.226.12; etc.
Same. Gesange und Lieder, in Musik gesetzt von Leopold
Lgn2 No. 28, 29 in M.221.30
Same Musik (zum zweiten Theil) von H. H. Pierson.
M.254.26
Same. Scenen aus Gothe's Faust, componirt von Rob.
Schumann. M.28o.5i;etc
Gesang der Geister iiber den Wassern. [Cantate. Musik]
von W. Berger. No. i in M.401.4
Same. [Musik] von Franz Schubert. No. 3 in M.280.47; etc.
Gesang der Parzen. [Musik] von J. Brahms. No. 4 in M.194.5
[Hermann und Dorothea.] Ouverture fiir Orchester von
Schumann. No. i in M.344-24
Idylle For chorus and orchestra, by H. W. Parker.
No. 2 in M.15S.35
Same. Componirt von Friedrich Kiel. No. i in M.I94-20
Jery und Bately. Oper. Musik von Ingeborg von Bronsart.
No. 3 in M.26S.18
Same. Musik von Heinrich Stiehl. No. 3 in M.391.21
Mahomet's Gesang. Concertstiick, von Ernst Fliigel.
No. I in M.391.41
Same. [Musik] von H. Esser. No. i in M.3S2-22; etc.
Same. Mahomet's song. Music by H. Esser.
No. 3 in M.392.36
Meine Gottin. Dichtung. Componirt von Wilhelm Berger.
No. 2 in M.401.4
Pandora. Musik von Ed. Lassen. No. 2 in M.39I-48
Rhapsodic. (Fragment aus Harzreise im Winter.) Com-
ponirt von Johannes Brahms. No. 2 in M.270.16
Rinaldo. Cantate. Componirt von Johannes Brahms.
' No. I in M.270.16
Same. (English version.) No. i in M.392-43
Same. Componirt . . . von Gottfried Herrmann.
No. 2 in M.212.7
[Scherz, List und Rache. Komjsche Oper. Musik von Max
Bruch.l M.281.11
Sechs Lieder, in Musik gesetzt von Moritz Hauptmann.
No. I in M. 157.22
Contents. — Im Sommer. — Wanderers Nachtlied. — Mailied. — Heiden-
roslein. — Fruhzeitiger Fruhling. — Geistesgruss.
Der Strom. Concertstiick. Musik von Niels W. Gade.
No. 3 in M.401.1.S
Theatralische Abentheuer. Eine komische Oper. In Musik
gesetzt von Cimarosa und Mozart. M.320.9
Wanderer's Nachtlied. [Cantate. Musik] von Carl Koss-
malv. No. 14 in M.212.8
Goethe, Johann Wolfgang von. (Continued.)
Wanderers Sturmlied, komponirt von Heinrich Zollner.
No. 5 in M.280.7
Same. [Musik] von R. Strauss. No. i in M.380.26
[Wilhelm Meister.] Die Gedichte und das Requiem fiir
Mignon, in Musik gesetzt von Anton Rubinstein.
No. 2 in M.3S1.26; etc.
Same. Requiem fur Mignon. [Musik] von Schumann.
No. 2 in M.280.S7
Same. Abtheilung i. No. 11 in M.244.15.3
Same. Translated by Natalie Macfarren. No. 2 in M.203.6
Goethe, Johann Wolfgang von. Works about.
JuLLiEN, J. L. A. Goethe et la musique: ses jugements, son
influence, les ceuvres qu'il a inspirees. Paris. 1880.
M.128.7
Mendelssohn-B.«lRTHoldy, C. Goethe and Mendelssohn
(1821-1831). Translated with additions, by M. E. von
Glehn. London. 1872. Portraits. M.128.6
Goethe, Katharina Elisabeth von.
Briefe von Beethoven und Frau Rath Goethe an Bettina
Brentano. [Herausgegeben von M. Carriere. Leipzig.
1880.] No. 5 in M.372.44
Goetschius, Percy.
Mrs. H. H. A. Beach. Boston. Schmidt. 1906. Portrait.
Music. M.377-I8
List of compositions by Mrs. Beach, pp. 126-134.
The material used in composition. A system of harmony.
Stuttgart. Zumsteeg. 1882. No. 2 in M.21S.7
Goetterdaemmerung. Opera. For the Music and Libretto
see Wagner, W. R.
Goettliche, Das. Canon. Beethoven. Werke. Serie 23.
M.413.1.23
Goetz, Angelina Levy.
"A puff of smoke." Musical duologue. Written by Charles
T. Roe. Music by Angelina [pseud. Accomp. for piano-
forte]. London. Chappell & Co. [188-?] No. i in M.277.22
Goetz, Hermann.
Concert (B dur) fiir Pianoforte mit Begleitung des Orches-
ters. Op. 18. Partitur. Leipzig. Kistner. [1880?]
M.346.21
Same. Pianofortestimme [und] zweite Pianofortestimme
als Ersatz des Orchesters. No. 3 in M.200.S
„Es liegt so abendstill der See." Gedicht von Wolfgang
Muller von Konigswinter, in Musik gesetzt fiir Manner-
chor, Tenor- (oder Sopran-) Solo und Orchester . . . von
Hermann Goetz. Op. 11. Partitur. Berlin. Simrock.
1876. No. I in M.3S3.22
Same. Clavier-Auszug. No. 2 in M.iss.4r
Same. So still at evening lies the lake. [Poem by W. Miil-
ler von Konigswinter. English words by Charlotte H.
Coursen. For t. or s. solo and male chorus by H. Goetz.
Accomp. for pianoforte.] New York. Schirmer. [1884.]
No. I in M.392.29
Der I37ste Psalm, fiir Chor, Sopran-Solo und Orchester.
Op. 14. Partitur. Leipzig. Kistner. [1878.]
No. 2 in M.3S3.22
Same. Clavierauszug. No. 3 in M.270.16
Francesca von Rimini. Oper in 3 Akten. Text und Musik
von Hermann Goetz. Vollstandiger Clavier-Auszug von
Ernst Frank. Leipzig. Kistner. [1878.] M.266.8
Same. Ouverture zur Oper Francesca von Rimini. Parti-
tur. Leipzig. Kistner. [187-?] No. i in M.406.SO
Friihlines-Ouverture fiir Orchester. Op. I.";. Partitur.
Leipzig. Kistner. [1878?] No. 3 in M.346.19
Noenia (poem bv Schiller). For chorus and orchestra.
Composed bv Hermann Goetz. The English version by
T. Troutbeck. [Accomp. for pianoforte.] Octavo edi-
tion. London. Novello, Ewer & Co. [i88o?l
No. 4 in M.ISS.8
Quartett, E dur [fiir Pianoforte, Violine. Viola und Violon-
cell]. Op. 6. [Partitur und Stimmen.l Leipzig. Breit-
kopf & Hiirtel. [189-?] 4 parts in I v. M.404.48
488
Goetz
THE ALLEN A. BROWN COLLECTION OF MUSIC
Goldmark
Goetz, Hermann. (Continued.)
Quintett fiir Pianoforte, Violine, Viola, Violoncell und Con-
trabass. Op. i6. Partitur. Leipzig. Kistner. [1879.]
No. 2 in M.211.5.1
Same. [Stimmen.] 4 v. in 3. No. 4 in M.211.6.1, 3, 4
Sinfonie (in F dur) fiir grosses Orchester. Op. 9. Partitur.
Leipzig. Kistner. [187-?] M.346.20
Trinklied [t. T. B. B.]. Op. 20. No. 4. Leipzig. Kistner.
[1887?] No. 24 in M.392.10
Trio in G-moll fiir Pianoforte, Violine und Violoncell. Op. i.
[Partitur.] Leipzig. Breitkopf & Hartel. [1867.]
No. I in M.211.3.3
Same. [Stimmen, Violine und Violoncell.] 2 v.
No, 20 in M.211.4.1, 2
Der Widerspanstigen Zahmung. Komische Oper in 4
Akten, nach Shakspeare's Lustspiel frei bearbeitet von
Joseph Viktor Widmann. Musik von Hermann Goetz.
Vollstandiger Clavier- Auszug. Leipzig. Kistner. [1876?]
M. 266.10
Same. The taming of the shrew. A comic opera in 4 acts,
freely arranged from Shakespeare's comedy by Joseph
Viktor Widmann. Music by Hermann Goetz, The Eng-
lish version by J. Troutbeck. Vocal score with English
and German words. [Accomp. for pianoforte.] London.
Augener & Co. [1880.I M.266.9
Same. Ouverture zur komischen Oper: Der Widerspan-
stigen Zahmung. Partitur. Leipzig. Kistner. [1874?]
No. I in M.332.22
Goetze, Heinrich.
Waldmorgen. Lied fur Mannerchor. Op. 14. Leipzig.
Hesse. [1881?] No. 2.^ in M.392.10
Goff, Rebecca J.
The queen of Alferino. A romantic operetta. Composed
by Charles Hess. M.292.31
Going a Maying. Part-song. Hatton. No. 32 in M.195.1.6
Going away. Part-song. Hatton. No. 13 in M.20S.10.1
Gold uberwiegt die Liebe. Song. Brahms. Sieben Lieder.
Op. 48. No. II in M.380.40.1
Goldatnmer. Song. Posa. Fiinf Lieder. No. 13 in M.380.22
Goldbeck, Robert.
Rest. Quartette for men's voices. [Chicago.] Root &
Sons Music Co. 1878. No. 10 in M.203.7
The sands o' Dee. Male chorus or quartette. [New York.
Schirmer. 1878.] No. 9 in M.203.7
"The soldier's return," or Clara and Valentine. Opera
comique, in one act . . . Words and music by Robert
Goldbeck. Translated from the German by Desmond
Ryan. [Vocal score with pianoforte accompaniment.]
London. Wessel & Co. [1856.] M.237.22
Same. "The surprise," or Clara and Valentine. Opera-
comique in i act. Words and music by Robert Goldbeck.
Translated by Desmond Ryan. Voice and piano. Lon-
don. Wessel & Co. [185-?] 7 parts in i v. M.282.8
The three fishers. [Part-soag, t. t. b. b. New York. Schir-
mer. 1878.] No. 8 in M.203.7
Goldchignon. Opera. For the Music see Jonas, fi. For the
Libretto see Grange.
Golden bridge, The. Part-song. Mendelssohn-Bartholdy,
J. L. F. No. S4 in M.IS7.6.3
Golden butterfly. The. Cantata. For the Music see Bentley,
J. M. For the Libretto see Oxenford, E.
Golden cross. The. Opera. For the Music see Bruell. For
the Libretto see Mosenthal, S. H. von.
Golden days, The, of good Queen Bess. Song. Collins, J.
No. 13 in M.384.48
Golden dreams and fairy castles! Song. Foster, S. C.
No. 30 in M.380.41.1
Golden fleece. The. Opera. For the Libretto see Planche,
J. R.
Golden harvest. The. Cantata. For the Music see Callcott,
J. G. For the Libretto see Goddard, J.
Golden land, The. Song. Davenport, A. No. 28 in M.290.12
Golden legend. Cantata. For the Music see Buck, D.; also
Hodson, H. E.; also Sullivan, A. S. For the Libretto see
Longfellow.
Golden ray, The, of morning. Part-song. Winter, P. von.
No. I in M.244.10.4
Golden robe, The. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Golden summer! Part-song. Romer. No. 19 in M.244.10.1
Golden sun, thy warmth display. Glee. Hook, J.
No. 179 in M.215.21
Golden treasures. Cantata. For the Music see Fox, G. For
the Libretto see Bradberry.
Golden web. The. Opera. For the Music see Thomas, A. G.
For the Libretto see Corder, F.
Goldene Kreuz, Das. Opera. For the Music see Bruell. For
the Libretto see Mosenthal, S. H. von.
Goldene Sonnenschein, Der. Part-song. Beschnitt. Sunshine.
No. 35 in M.392.4
Goldene Spinnrad, Das. Symphonic poem. Dvorak.
No. I in M.410.21
Goldene Zeit, Die. Part-song. Hiller, F. Zehn Lieder aus
Waldmeister's Brautfahrt. No. 5 in M.392.ir
Goldener. Cantata. For the Music and Libretto see Klages.
Goldmark, Carl.
Ein armer Mann, ein braver Mann. Gedicht von Rob.
Burns. Fiir Mannerchor componirt von Carl Goldmark.
Wien. Gotthard. 1876. No. 6 in M.212.6
Concert fiir Violine mit Orchesterbegleitung. Op. 28.
Partitur. Hamburg. Pohl. [187-?] No. S i" M.343.45
Friihlin.gs-Hymne. (Maibetrachtung.) Gedicht von Geyer,
fiir Chor, Alt-Solo und Orchester componirt von Carl
Goldmark. Op. 23. Partitur. Mainz. Schott. [1884?]
No. 2 in M.202.18
Same. Clavier-Auszug. ' No. 3 in M. 203.6
Friihlingsnetz. Gedicht . . . fiir vier Mannerstimmen mit
Begleitung von 4 Horner und Pianoforte. Op. I.S. Par-
titur. Leipzig. Kistner. [1866?] No. 3 in M.392.41
[Der gefesselte Prometheus.] Ouverture zum Gefesselten
Prometheus des Aeschylos fiir Orchester. Op. 38. Par-
titur. Leipzig. Senff. [1890?] No. 4 in M.332.2a
Das Heimchen am Herd. Oper in 3 Abtheilungen von Carl
Goldmark. Text von A. M. Willner (frei nach Dickens'
gleichnamiger Erzahlung). Vollstandiger Klavieraus-
zug. Leipzig. Berte & cie. [1896.] M.394.5
Im Friililing. Ouverture fiir Orchester. Op. 36. Partitur.
Mainz. Schott. [1888?] No. 3 in M.332.22
In Fuscherthale. Sechs Gesange fur s. a. t. b. Hamburg.
Pohle. [187-?! No. 20 in M.158.22
Contents. — Eintritt. — Gruss. — Neue Liebe. — Wasserfall und Ache.
— Gestandniss. — Abschied.
„In Italien." Ouverture fiir Orchester. Op. 49. Partitur.
Mainz. Schott. 1904. M.410.66
Die Konigin von Saba. Oper in 4 Acten (nach einem Text
von Mosenthal) von Carl Goldmark. Partitur. Ham-
burg. Pohle. [188-?] M.224.30
Same. Clavierauszug. M.266.12
Same. Festlicher Einzugs Marsch, fiir grosses Orchester
mit Chor (ad libitum). Partitur. Hamburg. Pohle.
[18S-?] No. 2 in M.332.23
Die Kriegsgefangene. Oper in zwei Akten von Carl Gold-
mark nach cinem Texte von Emil Schlicht. Klavieraus-
zug mit Text. Leipzig. Schuberth & Co. [1898.] M.396.24
Landliche Hochzeit. Symphonie in 5 Siitzen . . . fiir
grosses Orchester. Op. 26. Partitur. Mainz. Schott.
[187-?] No. I in M.346.18
Meeresstille und gliickliche Fahrt. . . Fiir Mannerchor mit
Hornerbegleitung. Op. 16. Partitur. Leipzig. Kistner.
[1866?] No. 4 in M.3g2.4i
Merlin. Oper in 3 Acten, von Carl Goldmark. Text von
Siegfried Lipiner. Klavier-Auszug. Leipzig. Schuberth
& Co. [1886.] M.266.H
I 62
489
Goldmark
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Goltermann
Goldmark, Carl. (Continued.)
[Penthesilea.l Ouverture zu Penthesilea fiir Orchester.
Op. 31. Partitur. Mainz. Schott. [1878?!
No. 2 in M.346.19
Quartett fiir zwei Violinen, Viola und Violoncell. Op. 8.
Partitur. Wien. Spina. [187-?] No. 13 in M.211.1
Quintett fiir zwei Violinen, Bratsche, Violoncell und Piano-
forte. Op. 30. [Partitur.] Hamburg. Pohle. [188-?]
No. 3 in M.211.5.1
Same. fStimmen.] 4 v. No. .^ in M.211.6.1-4
Quintett fiir 2 Violinen, I Viola & 2 Violoncelli. Op. 9.
Partitur. Wien. Gotthard. [187-?] No. i in M.335.8
[Sakuntala.l Ouverture zu Sakuntala fiir Orcliester. Op.
13. [Partitur.] Wien. Dunkl. [1870?] No. i in M.346.19
[Sappho.] Ouvertiire zu Sappho fiir Orchester. Partitur.
Berlin. Simrock. 1894. No. i in M.3S8.26
Scherzo fiir Orchester. Op. 19- Partitur. Wien. Gott-
hard. [187-?] No. 2 in M.346.18
Scherzo fiir Orchester. Opus 45. Partitur. Leipzig. Peters.
[1894.1 No. 2 in M.404.81
Suite fiir Pianoforte & Violine. Op. 11. [Partitur.] Mainz.
Schott. [1864?] No. 6inM.210.13
Same. [Violine-Stimme.] No. 7 in M.210.14
Symphonie, Zweite (Es-dur), fiir grosses Orchester. Op.
35. Partitur. Mainz. Schott. [1887?] No. i in M.404.81
Goldmark, Carl. Works about.
Hahn, a. Carl Goldmark, „Landliche Hochzeit." (Op. 26.)
Erlautert. Leipzig. [1900?] No. 19 in M.217.12.8
Goldne Sonnenschein, Der. Part-song. Beschnitt. 6 Lieder
fiir Miinnerchor. No. 12 in M.392.35
Gold'ne Wolk' im stiller Hoh'. Part-song. Schmidt, Adolf.
No. 12 in M.392.34
Goldner Schein. Part-song. Schubert, F. P. Werke. Serie
19. M.317.1.19
Goldoni, Carlo.
La buona figliuola; or, the good-natured girl: a comic
opera. Music by Piccini. London. Brettell & Co. 1810.
Libretto only, in English and Italian. No. 5 in M.147.7
La buona figliuola maritata. Opera comica. Composta dal
Sigr Nicolo Piccini. M.254.20
Die Dorfdeputirten, in Musik gesetzt von Lucas Schubaur.
M.I 30.3
Der Krieg. Eine comische Oper, in Musik gesetzt von J. A.
Hiller. M.320.24
Goldschmidt, Adalbert von.
Heliantus [Gedicht und Musik] von Adalbert von Gold-
schmidt. Vollstandiger Clavierauszug. Leipzig. Breit-
kopf & Hartel. [1884.] M.266.13
Die sieben Todsiinden [von R. Hamerling. Musik] von
Adalbert v. Goldschmidt. [Partitur. Mit deutschem und
englischem Texte.] Hannover. Simon. [1879.] M.18.1
Same. Vollstandiger Clavier Auszug. M. 153.20
Steyrische Tanze . . . orchestrirt von H. Brune. Partitur,
Hannover. Simon. 1880. No. 5 in M.332.22
Goldschmidt, Jenny Lind. See Lind, Jenny.
Goldschmidt, Otto.
Echoes of Hellas. Pianoforte arrangement of the music.
Composed bv Otto Goldschmidt, Malcolm Lawson, Wal-
ter Parratt and W. H. Monk. (In Echoes of Hellas.
Vol. 2. London. 1888.) M.414.50.2
The night her shade is bringing. Part song. The words
translated from Tieck by J. Oxenford. (In Hullah. The
Singer's library. Secular. Pp. 137-140.) No. 27 in M. 1.157.2
Ruth. Ein biblisches Idyll nach Worten der heiligen
Schrift. In Musik gesetzt fur Solostimmen, Chor und
Orchester von O. Goldschmidt. Clavier-Auszug. Ham-
burg. Schuberth. [1867?] M. 153.19
The words are in German and English.
Goldschmidt, Otto, editor.
The chorale book for England; a hymn-book for public and
private worship, in accordance with the services and fes-
tivals of the Church of England. Compiled and edited
bv William Sterndale Bennett and Otto Goldschmidt.
M. 148.2
Goldschmied, Der, von Paris. Opera. For the Music see
Moor. For the Libretto see Rehbaum.
Goldschmiedsgesell, Der. Part-song. Blum. No. 13 in M.212.3
Goldschmiedsgesell, Der. Song. Schubert, F. P. Werke.
Serie 20, Band 3. M.317.1.20.3
Goldsmith, Oliver.
The captivity. An oratorio. Music by Max Vogrich.
No. I in M.204.3S
Goldwin, John.
I have set God always before me. Anthem [s. s. A. A. T. b.
Accomp. for organ]. (In Boyce. Cathedral music. Ed.
Warren. Vol. .3, PP. .S&-62.) No. 7 in M.233.23.3
Also to be found in Novello's Collection of anthems.
I will sing unto the Lord. Anthem. [Accomp, for organ.]
(In Gardiner. Sacred melodies. Vol. 3, PP- 386, 387.)
No. 20 in M.236.30.3
O love the Lord. Anthem. [Accomp. for organ.] (In
Cope. A collection of anthems. Pp. 1-4.) No. i in M.290.34
Sanctus. (In Turle and Taylor. The People's music book.
Vol. 2, pp. 190, 191.) No. 42 in M.I 1 1.4.2
Golfieri, Luigi.
The battle of love. Operetta in i act. By T. B. Heathorn.
Music by Luigi Golfieri. [Accomp. for piano. London.]
Hawker. [188-?] M.266.14
Golgatha. Cantata. For the Music see Geisler.
Golias. Part-songs. Zenger. No. 36, 37 in M.392.27
Golisciani, Enrico.
A Santa Lucia. (Am Strande Santa Lucia.) Melodramma.
Musica di Pierantonio Tasca. M.324.9
II Birichino. Bozzetto melodrammatico. Musica di Leo-
poldo Mugnone. M.399.47
II conte di S. Ronano. Dramma lirico. Musica del Mo
Niccola de Giosa. M.2S6.38
Fernanda. Dramma lirico. Musica del Maestro Ferruccio
Ferrari. M.399.16
Maria Stuart. Dramma lirico. Musica del Mo. Costantino
Palumbo. M.287.1
Marion Delorme. Melodramma. Musica di Amilcare Pon-
chielli. M.393.50
Vita brettona. Scene, musicate da Leopoldo Mugnone.
M.399.97
Golisciani, Enrico, translator.
Breton y Hernandez, La Dolores, M.383.54
Golitzyn, Dmitri Avgustin, Prince.
Les amours d'un tenor, Roman traduit du russe par Serge
Nossoff [pseud,], Paris. Westhausser. [1887.] M.138.16
Gollmick, Adolf.
Balthasar. A comic opera (in two acts) by Carl Gollmick,
the English libretto by Frederic Penna. The music by
Adolph Gollmick. [Vocal score with pianoforte accomp.]
London. Weekes & Co. [187-?] M.397.31
The blind beggar's daughter of Bethnal Green. An ope-
ratic cantata. The words by Henry Warren. The music
by Adolph Gollmick. [Accomp. for pianoforte.] London.
Weekes & Co. [i874-l No. 3 in M.204.16
Gollmick, Carl.
Balthasar. A comic opera. Music by Adolph Gollmick.
M.397-3I
Musikalische Novellen und Silhouetten. Zeitz. Schiefer-
decker. 1838, No. 2 in M.i39a.i7
Ein Traum in der Christnacht. Oper. Musik von F. Hiller.
M.292.35;etc.
Gollmick, Carl, editor.
Mozart. Zaide. M.3io.4i;etc.
Gollmick, Carl, translator.
EssER. Thomas Riquiqui, odcr die politische Heirath.
M.262.30
Grisar. Les Porcherons. M. 292.6
Golo. Opera. For the Music see Scholz.
Goltermann, Georg Eduard.
Festspiel-Ouverture fiir grosses Orchester. Op. 94. Par-
titur. Mainz. Schott. [18S3.] No. i in M.335.21
490
Gomes
THE ALLEN A. BROWN COLLECTION OF MUSIC
Good
Gomes, Antonio Carlos.
Alpine hymn. Chorus [t. t. b. B. Accomp. for pianoforte].
New York. Schirmer. [1884.] No. .3 in 14.392.29
Fosca. Melodramma in 4 atti di Antonio Ghislanzoni.
Musica di A. Carlos Gomes. Nuova edizione. Canto e
pianoforte. Milano. Lucca. [1873.] Portrait. M.266.17
II Guarany. Opera-ballo in 4 atti [di A. Scalvini]. Musica
del M° A. Carlos Gomes. [Per canto e pianoforte.]
London. Hutchings & Romer. fiSB-?! M.266.18
Maria Tudor. Dramma lirico in 4 atti di Emilio Pra.^a.
Musica di A. Carlos Gomes. Per canto e pianoforte. Mi-
lano. Ricordi. fiSrgl M.266.16
Martial hymn. Chorus fr. t. b. b. Accomp. for pianoforte].
New York. Schirmer. [1884.] No. 2 in M.392.29
Salvator Rosa. Dramma lirico in 4 atti di Antonio Ghis-
lanzoni. Musica di A. Carlos Gomes. Riduzione per
canto e pianoforte. Milano. Ricordi. [1874.1 M.266.1S
Lo schiavo. Dramma lirico in quattro atti di Rodolfo Para-
vicini. Musica di A. Carlos Gomes. Opera completa per
canto e pianoforte. Riduzione di G. Loscar. Milano.
Ricordi & c. [1889.] Portrait. M.393.21
Gomis, Joseph Melchior.
El aire danino. Cancion espafiola. Con acomp. de piano y
guitarra. Madrid. [185-?! No. IS in M.391.S7
El chacho moreno. Cancion andaluza. Con acomp. de
piano y guitarra. Madrid. fiSs-?] No. i6in M.391.S7
Le diable a Seville. Opera comique en i acte. Paroles de
Mr. Cave [et Mr. Hurtado]. Mis en musique . . par J.
M. Gomis. Partition. Paris. Troupenas. [1831]
M.224.31
Same. Opera comique en i acte. Paroles de [MM. Cave
at] Hurtado. Mis en musique . . . par J. M. Gomis. Par-
tition reduite avec accomp. de piano . . . Fiir die deutsche
Buhne bearbeitet von dem Freiherrn von Lichtenstein.
Mainz. Schott. [18.3-?] M.282.11
Le portefaix. Opera comique en 3 actes. Paroles de Scribe.
Mis en musique . . . par J. M. Gomis. Partition. Paris.
Troupenas. fiS.^Sl M.282.10
Le revenant. Opera fantastique en S tableaux . . . Paroles
de M' Albert de Calvimont. Musique de J. M. Gomis.
Partition. Paris. Schlesinger. [1834?] M.282.9
Gondelfahrer, Der. Part-song. Schubert, F. P. Chor-Ge-
sangwerke. Band 2.
Gondelfahrer. Song. Schubert,
Band 8.
Gondelfahrtc
F.
Abt, F. 8
Part-song
gesange.
Debois.
Gade. Lieder fiir Mannerchor.
Rubinstein.
Gondoletta, La. Song. Beethoven.
Wermann.
No. II in M.280.48.2; etc.
P. Werke. Serie 20.
M.317.1.20.8
vierstimmige Manner-
No. 4 in M.392.2
No. S9 in M.392.3
No. gin M. 157. 21; etc.
No. Sin M. 158.21
Werke. Serie 24.
M.413.1.24
No. 13 in M.392.27
Gondellied. Part-song.
Gondinet, Edmond.
Jean de Nivelle. Opera. Paroles de MM. Edmond Gon-
dinet et Philippe Gille. Musique de Leo Delibes. M.295.26
Lakme. Opera. Poeme de MM. Edmond Gondinet &
Philippe Gille. Musique de Leo Delibes. M.29S.27
Mam'zelle Gavroche. Comedie-operette de MM. Edmond
Gondinet, Ernest Blum et Albert de Saint-Albin. Mu-
sique de Herve fpseud.]. No. i in M.276.37
Le roi I'a dit. Opera-comique. Musique de Leo Delibes.
M.29S.24
Les voltigeurs de la 32eme. Opera comique. Paroles de
Gondinet & G. Duval. Musique de Robert Planquette.
M.287.24
Gondola, La. Ballad. Florino. Ore musicali.
No. 2 in M.244.19
Gondola song. Part-song. Gade. No. 58 in M.109.1
Lynes. No. 10 in M.158.17
Gondolier, El. Song. Bortolini. Amori veneziani.
No. I in M.390.44
Gondolier, Der. Song.
Gade. Lieder und Gesange. Heft 4. No. 5 in M. 192.3
Zaeh. Sechs vierstimmige Mannerchore. No. 23 in M.392.38
Gondolier song. Mendelssohn-Bartholdy, J. L. F. Songs.
No. 46 in M.244.21
Gondolier's serenade. Part-song. ScntreERT, F. P.
No. 28 in M.20S.10.4
Gondoliera. Part-song. Preyer. No. 22 in M.392.20
Gondoliera. Song.
Blumenthal. 6 Lieder von E. Geibel. No. 32 in M.244.1
Woehler, G. Sechs Lieder. No. IS in M.236.8
Gondolierlied. Part-song. Wieninger. No. 9 in M.212.19
Gondoliers, The; or, the King of Barataria. Opera. For the
Music see Sullivan, A. S. For the Libretto see Gilbert,
W. S.
Gone forever. Part-song. Zimmermann, Agnes.
No. 3 in M.195.1.4
Gonet, Gabriel de.
Tableau de la litterature frivole en France depuis le Xle
siecle jusqu'a nos jours, illustre de 45 compositions origi-
nates gravees a I'eau forte, ou musee des chansons et des
poesies legeres, recueillies et annotees par Gabriel de
Gonet. Paris. Marpon & Flammarion. [1884.] Por-
traits. M.233.30
Contains the music of many of the songs.
Good advice. Part-song. Rheinberger. No. 22, 23 in M.158.19
Good bye. Part-song. Hatton. No. 7 in M.121.3
Good deeds avail not. Anthem. Mendelssohn-Bartholdy,
J. L. F. No. 17 in M.ioo.4.1
Good morrow. Part-song.
CowEN. Six part-songs. No. i in M.IS7.25
Hullah, J. P. No. 18 in M.157.28.2
Spofforth. Collection of glees. No. 18 in M.235.1S
Zimmermann, Agnes. No. 6 in M.195.1.4
Good-morrow. Song. Mozart. No. 10 in M.235.18.1
Good morrow, fair ladies. Glee. Morley. No. i in M.218.8.4; etc.
Good morrow, Love. Song. Blumenthal. No. is in M.244.1
Good neighbours, be quiet. Catch. Arne. No. 113 in M.220.9.1
Good-night. Duet. Reinecke, C. H. C. No. 12 in M. 204.36.6
Good night. Round ffor 4 voices], (/n Turle and Taylor.
The People's music book. Vol. 3, p. ISO.)
No. 54 in M.iii.4.3
Goodnight. Part-song. Abt, F. No. 30 in M.157.6.1; etc.
Buck, D. No. S3 in M.392.3; etc.
Flotow, F. F. a. von. No. 78 in M. 157.5.2
Hadley. No. S in M.203.1S
Hatton. No. 7 in M. 195. 1.6; etc.
Kuecken. No. 17 in M.205.10.S
Leslie, H. D. No. 2 in M. 204.36.3
Zimmermann, Agnes. No. 2 in M.195.1.4
Good night. Song. Beethoven. Werke. Serie 24. M.413.1.24
CowEN. No. II in M.192.11
Moore, T. No. 19 in M.237.7
Good night! beloved. Serenade. Balfe. No. 12 in M.192.9.1
Good-night from the Rhine. Part-song. Raff.
No. 2S in M. 195.1. 17
Good night, good night beloved. Part-song. Pinsuti.
No. 18 in M.392.20; etc.
Good night, good rest. Part-song.
Bishop, H. R. No. 33 in M.157.19
Macfarren, W. C. No. 6 in M.19S.1.9
Spofforth. Collection of glees. No. 24 in M.235.15
Good night, thou glorious sun. Part-song. Smart, H.
No. 8 in M.igs.i.i
Good-night to the day. Part-song. Halley. No. 16 in M.121.3
Good punch. Catch [for 3 voices]. (.In Vocal harmonist's
magazine. Vol. i, p. 18.) No. 4 in M.220.5
Good Shepherd, The. Cantata. For the Music see Barnett,
J. F.
Good Shepherd, The. Oratorio. For the Music see Rockstro.
Good statesmen. Glee. Arne. No. 82 in M.220.10
Good subjects. Glee [a. t. b.]. {In The Harmonist. Vol. 6,
pp. 8, 9.) No. 3 in M.218.8.6
491
Good
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Goss
Good wine the heart of man. Catch. Hayes, W. Catches,
glees and canons. Vol. 2. No. 2 in M.220.5
Good wishes. Part-song. Hatton. No. 22 in M.195.1.6
Goodban, Charles.
The Christmas fairies. Glee [s. s. t. b.]. (/n Musical times.
fMusic.l Vol. 5. pp. 16-19.) No. S inM.i75.i.S
Goodban, Henry William.
Fugue. (In Haycraft. Sacred music. Pp. 205-209.)
No. ,37 in M.234.6
Goodban, Thomas.
All who sing. Round [for 3 voices]. (In Musical times.
[Music] Vol. S, p. 22.) No. 7 in M.175.1.S
Goodell, I.
Depths of mercy. Solo [s. or x.] & quartett. FAccomp. for
pianoforte.] Boston. Koppitz, Priifer & Co. 1869.
No. 20 in M.190.3
Goodgroome, John.
Will Cloris cast her sun-bright eye? Glee a 3 voci \t. t. b.].
(In Bland. The Ladies' collection. Vol. i, p. 67.)
No. 103 in M.23S.17.1
Also to be found in dementi's Collection of catches.
Goodrich, Alfred John.
Music as a language, or the meaning of musical sounds.
New York. Schirmer. 1881. M.107.1
The mysteries of music. New York. Phall. 1872.
No. 5 in M.147.3.1
Goodwin, John Cheever.
Evangeline. Opera bouffe. Music by Edward E. Rice.
M.307.18
The merry monarch. Vocal gems from fthe] comic ope-
retta. Music by E. Chabrier and Woolson Morse.
No. 5 in M.323.10
The monks of Malabar. Comic opera. Music by Ludwig
Englander. M.402.14
Goodwin, Starling.
Cou'd a man be secure. Duett [t. b. London? 179-?].
No. II in M.287.2
Also to be found in The Apollo ; Bland's The Ladies' collection ; The
Harmonist; Musical library; Webbe, Jr.'s Convito armonico.
Goodwin, Thomas.
Sketches and impressions, musical, theatrical, and social
(1799-1885). Including a sketch of the Philharmonic
Society of New York. From the after-dinner talk of
Thomas Goodwin, by R. Os.good Mason. New York.
Putnam. 1887. M.i09b.42
Goovaerts, Alphonse Jean Marie Andre.
Histoire et bibliographie de la typographic musicale dans
les Pays-Bas. Anvers. Kockx. 1880. Facsimiles.
M. 197.10
Gordigiani, Luigi.
Alta e la notte. Serenata \s. s. a.]. Mayence. Schott.
f i8s-?] No. II in M.244.10.5
La bianchina. Canzone. [Accomp. de piano.] (In Lira
d'ltalia. Pp. 92, gx) No. 23 in M.157.39
Credo, pour voix de basse, avec choeur. FAccomp. de
piano.] Paris. Richault. [185-?] No. 3 in M.260.10.3
fichos de la Toscane. 80 chansons populaires. [Accomp.
de piano.] Paris. Choudens. [184-?] 2 v. in i. M.244.13
Contents. — I. Non mi chiamate piu. — Vi sta pur ben la gemma. —
La Bianchina. — Ognuno tira I'acqua. — II tempo passato. — II sol-
dato. — II vero amore. — La partenza. — La rondinella. — Vedo le
mura. — lo I'altra sera me ne andava. — E questa valle mi par rab-
buiata. — Non ti maravigliar. — Giovanottino che di qua passate. —
lo sono stata nel tuo vicinato. — O gentilina tanto. — Giovanottin tu
fai come la foglia. — E se non avro dami saro senza. — Una file de
nuvile d'argento. — Voglio morir. — L'innamorato. — Le sentirai can-
tar. — E m'e venuto un abbagliore. — Nemmeno al gatto. — O rosa
delie rose. — Fammi la sepoltura. — Maggiolata. — Ogni sabato avrete
il lume. — Colombo bianco. — Lascia stare il can. — Ciliege nere. —
Non c'e piu verso. — Voglio la Sandra. — Che! — II corsaro di Vene-
zia. — lUudersi. — II mezzo giorno. — II salice e la tomba. — Le
rivali. — Le tre nazione. 2. Fiorin di canna. — Fior di gaggio. — Fior
di finocchio. — Fiorin di pero. — Fiorin di lino. — Fiorin fiorello. —
Son sempre a tempo. — Caro amor mio. — E lo mio damo me lo rende-
rai. — Ah! mi sembra di vedere il paradise. — Se tu mi lasci. — La
palma. — Rosettina. — Morire d'amore. — Siete bello. — Tra la la. —
Dormite. — I saluti. — L'impiego d'un tesoro. — La corona messag-
Gordigiani, Luigi. (Continued.)
gera. — II volto della fanciulla. — II pensiero affannoso. — I tre
desideri. — II sogno di Cenerentola. — II ritorno. — Ohime. — Chi
ami? — II risentimento. — L'ultima preghiera. — II violino. — Mari-
naresca. — La viola. — La tortorella. — L'Araba. — II coscritto. —
La monaca. — La calamita. — L'uomo e traditore. — I capelli. — II
sole.
Melodies sacrees. Traduction libre de Samuel Biava.
Paris. Richault. [184-?! M.270.42
Contents. — i. Fratelli, pregate, preludio e coro. 2. Ave Maria [a.].
3. Angiol di Dio, terzetto, s. m.-s. t. 4. II cibo dei giusti, aria per b.
5. Salve Regina, quartetto con cori. 6. Credo, coro. 7. Padre Nostro,
aria, t., con cori. 8. Ave del mare O Stella, duetto, s. t. g. Nella
caduca polve, quartetto. 10. La sull' altar del Golgota.
La partenza. Canzone. [Accomp. de piano.] (In Lira
d'ltalia. Pp. 94-97-) No. 24 in M.1S7.39
Pater Noster. Solo pour x. ou s., avec choeur. [Accomp. de
piano.] Paris. Richault. [185-?] No. 4 in M.260.10.3
II tempo passato. Canzone. [Accomp. de piano.] (In
Lira d'ltalia. Pp. 98, 99.) No. 25 in M.157.39
La vedova romana. Canzone. (In Lira d'ltalia. Pp. 100,
loi.) No. 26 in M.157.39
Gordon, Henri.
Alva Vine; or, art versus duty. New York. American
News Company. [1880.] Portrait. Plates. M.129.12
Gordon, John Hart.
The maid of Gascony, cantata. The words from The blind
girl of Castel-Cuille & other poems by Longfellow. The
music by J. H. Gordon. [Accomp. for pianoforte.] Lon-
don. Hutchings & Romer. [187-?] M.15S.12
Gordon, Murdoch Lewie.
Ave Verum, for an alto (or bass) voice. [Accomp. for
organ.] London. Novello. [184-?] No. 18 in M.260.10.1
Yes, every flower that blows. Part-song. London. Jef-
ferys. [187-?] No. 23 in M.121.3
Gordon, Samuel, translator.
Graener. The faithful sentry. No. 2 in M.402.65
Gore, Blanche.
The invisible maiden. An operetta in i act. Words adapted
from the German by the composer. [Accomp. for piano.]
London. Lucas, Weber & Co. [188-?] No. 4 in M.322.32
Gorrio, Tobia, pseud. See Boito, Arrigo.
Gorsse, Henry Joseph Auguste de.
Job. Oratorio. Poeme de Charles Raffalli & Henry de
Gorsse. Musique de Henri Rabaud. No. 2 in M.384.25
Gorter, Albert.
Das siisse Gift. Musikalisches Lustspiel in einem Aufzuge.
Dichtung von Martin Frehsee. Musik von Albert Gorter.
[Klavierauszug mit Text.] Koln a. Rh. Ahn. 1906.
No. 2 in M.3 78.48
Goschler, Isidore, translator.
Mozarx. Vie d'un artiste chretien au XVIII^ siecle.
M. 109.10; etc.
Goss, Sir John.
Behold, I bring you good tidings. Full anthem for Christ-
mas. [Accomp. for organ.] London. Novello. 1857.
Also to be found in Musical times [Music]. No. 21 in M.190.3
Blessed is the man. Anthem. [Accomp. for organ.] Lon-
don. Novello, Ewer & Co. [187-?] No. 17 in M.I57.32
Also to be found in Novello's Collection of anthems ; Ouseley's Spe-
cial anthems.
Brother, thou art gone before us. Anthem. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 4,
pp. 224-232.) No. 20 in M.19S.2.4
Christ our Passover. Full anthem for Easter. [Accomp.
for organ.] (In Musical times. [Music] Vol. 8, pp, 145-
147.) No. 14 in M.175.1.8
Come, and let us return. Anthem. [Accomp. for organ.]
London. Novello, Ewer & Co. [187-?] No. 13 in M. 157.33
Also to be found in Novello's Collection of anthems.
The courtly bard. A glee [a. x. t. b.]. (In The Orpheus.
New series. Vol. I, pp. 129-138.) No. 22 in M.205.10.1
Fear not, O land. Anthem for harvest. [Accomp. for or-
gan.] London. Novello, Ewer & Co. [187-?]
No. 21 in M.1S7.32
Also to be found in Novello's Collection of anthems.
492
Goss
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gossec
Goss, Sir John. (Continued.)
The glory of the Lord. Festival anthem. fAccomp. for
organ. 1 (In Novello's Collection of anthems. Vol. 9,
PP- 93-104.) No. 7 in M.19S.2.9
God so loved the world. Full anthem. fAccomp. for or-
gan.] (In Haycraft. Sacred harmony. Pp. 114-116.)
No. ,30 in M.234.6
Hark! heard ye not? Glee [a. t. t. b. b.]. (In The Orpheus.
New series. Vol. i, pp. 117-128.) No. 21 in M.20S.10.1
Hear, O Lord. Full anthem. fAccomp. for organ.] (In
Novello's Collection of anthems. Vol. 4, PP- 19S-198.)
No. 16 in M. 195.2.4
Her eyes the glow-worm lend thee. Glee. (In Novello's
Part-song book. 2d series. Vol. 15, pp. 99-108.)
No. 16 in M. 195. 1. 15
I will magnify Thee. Harvest anthem. fAccomp. for or-
gan.] London. Novello, Ewer & Co. fi87-?l
No. 12 in M.1S7.32
Also to be found in Novello's Collection of anthems ; Novello's Col-
lection of 31 anthems.
If we believe that Jesus died. Full anthem. fAccomp. for
organ.] London. Novello, Ewer & Co. fi87-?]
No. 16inM.157.32
Also to be found in Novello's Collection of anthems.
In Christ dwelleth. Full anthem. fAccomp. for organ.]
London. Novello, Ewer & Co. [187-?] No. 20 in M. 157.32
Also to be found in Novello's Collection of anthems ; Ouseley's Spe-
cial anthems.
Let the wicked forsake his way. Full anthem. fAccomp.
for organ.] (In Haycraft. Sacred harmony. Pp. 109-
112.) No. 29 in M.234.6
Lift up thine eyes. Anthem fs. s. a. a. t. t. b. b. Accomp.
for organ]. (In Novello's Collection of anthems. Vol. 4,
pp. 204-216.) No. 18 in M. 195.2.4
Lo! where the rosy-bosom'd hours. Glee. (In Novello's
Part-song book. 2d series. Vol. 15, pp. 90-98.)
No. 15 in M.195.1.15
The Lord is my strength. Anthem. fAccomp. for organ.]
(In Novello's Collection of anthems. Vol. 12, pp. 94-105.)
No. 12 in M.195.2.12
Lord, let me know mine end. Anthem for b. solo and cho-
rus. fAccomp. for organ.] London. Novello, Ewer &
Co. fi87-?] No. 15 in M.1S7.32
Also to be found in Novello's Collection of anthems.
O give thanks unto the Lord. Full anthem for Easter.
fAccomp. for organ.] London. Novello, Ewer & Co.
f 187-?] No. 14 in M.157.32
Also to be found in Novello's Collection of anthems.
O Lord God, Thou strength of my health. fAnthem. A.c-
comp. for organ.] (In Buck. Motette collection. Vol. 2,
pp. 92, 93.) No. 21 in M.ioo.4.2
O mv sweet Marv. Madrigal fs. a. t. t. b.]. (In Novello's
Part-song book. 2d series. Vol. 1.=;, pp. 8.3-89.)
No. 14 in M.195.1.1S
O praise the Lord, laud ye the name. Full anthem. fAc-
comp. for organ.] (In Musical times, f Music] Vol. 8,
pp. I42-I44-) No. 13 in M.175.1.8
O praise the Lord of heaven. fAnthem. Accomp. for or-
gan.] (In Novello's Collection of anthems. Vol. 9, pp.
io.S-ii.'5.) No. 8 in M.i95.2.g
O Saviour of the world. Full anthem. fAccomp. for or-
gan.] London. Novello, Ewer & Co. 1877.
No. 41 in M.158.16
Same. Boston. Russell. fi88-?] No. 40 in M.158.16
O taste, and see, how gracious the Lord is. Anthem.
fAccomp. for organ.] London. Novello, Ewer & Co.
-?1
No. II inM.1s7.32; No. 42 in M. 158.16
Also to be found in Novello's Collection of anthems ; Novello's Col-
lection of 31 anthems.
O thou whose beams fOssian's Hymn to the sun]. A glee
fA. T. T. B. b.]. (/n The Orpheus. New series. Vol. i, pp.
94-106.) No. 19 in M.105.10.1
Praise the Lord, O my soul. Anthem. fAccomp. for or-
gan.] London. Novello, Ewer & Co. fi87-?]
No. 18 in M.IS7.32
Also to be found in Novello's Collection of anthems.
Goss, Sir John. (Continued.)
Stand up and bless the Lord. Anthem. fAccomp. for or-
gan.] (In Novello's Collection of anthems. Vol. 3, pp.
129-140.) No. 16 in M.195.2.3
T'other day as I sat fThe sycamore shade]. A glee f a. t.
T. B.]. (In The Orpheus. New series. Vol. i, pp. 107-
116.) No. 20 in M.20S.10.1
There is beauty on the mountains. Glee. (In Novello's
Part-song book. 2d series. Vol. IS, pp. 75-82.)
No. 13 in M.I95.I.IS
There is none like unto the God of Jeshurun. Anthem.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 12, pp. 1 16-126.) No. 14 in M.195.2.12
These are they. Anthem. fAccomp. for organ.] (In Ouse-
ley. Special anthems. Vol. i, pp. 204, 205.)
No. 25 in M.233.24.1
The wilderness. Anthem. fAccomp. for organ.] London.
Novello, Ewer & Co. fi87-?] No. 19 in M.1S7.32
Also to be found in Novello's Collection of anthems.
Goss, Sir John, compiler.
The church psalter and hymn book. By William Mercer
assisted by John Goss. M.117.13
Goss, Sir John, editor.
Cathedral services, ancient and modern, in score, with an
accomp. for the organ or piano forte. Edited by John
Goss and James Turle. Vol. 2. London. Cramer. Beale
& Co. [184-?] M.233.10
Contents. — Hayes: Cantate Domino and Deus misereatur. — Bar-
row: Te Deum, Jubilate, etc. — Child: Te Deum, Jubilate, etc.: in
G. — Batten : Te Deum, Benedictus, etc. — Arnold : Te Deum,
Jubilate, etc. — Child: Te Deum, Jubilate, etc., in F. — Rogers:
Te Deum, Jubilate, etc.
Chants, ancient and modern, in score, with an accomp. for
the organ or pianoforte. London. Cramer, Addison &
Beale. [1841.] No. i in M.236.9
The sacred minstrel. Vol. i, 2. London. Cramer, Addison
& Beale. fi833, M■^ 2 v. M.158.8
The whole of the music, as performed at the public funeral
of Field Marshall, the Duke of Wellington, in St. Paul's
Cathedral. Edited, and in part composed, by John Goss.
London. Addison & Hollier. [1852.] No. 2 in M.202.17
Goss, Joseph.
Sabbath evening sacred vocal music. With an accomp. for
the piano forte. London. Cramer, Addison & Beale.
f 184-?] No. 2 in M.236.9
Gosse, Edmund William.
The apotheosis of St. Dorothy. Cantata by N. H. Allen.
No. I in M.384.11
Gossec, FranQois Joseph.
[2 marches. Pour le piano.] (In Pierre, C. V. D. Musique
des fetes et ceremonies de la Revolution franqaise . . .
P. 553.) M.380.14
Holy Spirit, from on high. fAnthem. Accomp. for organ.]
(In Cotton. Bangor Cathedral collection. Pp. 5-9.)
No. 2 in M.290.33
Lacrymosa dies ilia. Duetto fs. s. Accomp. for piano].
(In Latrobe. Selection of sacred music. Vol. 3, PP. HS-
117 ) No. 21 in M.290.29.3
Marche funebre. fPour le piano.] (In Pierre, C. V. D.
Musique des fetes et ceremonies de la Revolution fran-
qaise ... Pp. 551. 552.) M.380.14
Messe des morts. fPartition chant et orchestre.] Paris.
LeDuc. [176-?] M.2S0.18
Same. Missa pro defunctis. [Full score.] Manuscript.
[Paris? 180-?] M.201.8
From the library of M. J. Adrien.
Les pecheurs. Comedie en I acte fdu Marquis de La
Salle]. Mis en musique par F. J. Gossec. CEuvre Xe.
Partition. Paris. De la Chevardiere. [1766.] M.282.12
Pie Jesu. Coro. [Accomp. for pianoforte.] (In Latrobe.
Selection of sacred music. Vol. 2, pp. 145-147.)
No. 31 in M.2go.2g.2
Praise the Lord of heaven. Hymn. (In Hullah. Part
music. Sacred. Vol. 2, pp. 56, 57-) No. 21 in M.1S7.28.2
493
Gossec
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gotthard
Gossec, Frangois Joseph. (Continued.)
Symphonie fen do majeurl. Partition d'orchestre. Manu-
script. fiS.S-?] M.403.46
Teach me Thy way. TAnthem, s. s. b. Accomp. for or-
gan.] (In Shore. Sacred music. Pp. 86-89.) M.237.18
Gossec, FranQois Joseph, editor.
RouGET DE Lisle. Air des Marseillais . . . harmonise
fA. T. B.]. M.380.I4
Got, FranQois Jules Edmond.
Frangois Villon. Opera. Musique de Edmond Membree.
No. I in M.257.16
Gotham's three wise men. Part-song. McCollin.
No. 23 in M.392.17
Gothard, John.
Thoughts on singing; with hints on the elements of effect
and the cultivation of taste. Chesterfield. Pike. 1848.
No. 3 in M.isga.g
Gothenzug. Part-song. Horn, C. No. 11 in M.212.7
ScHWALM. No. 13 in M.392.31
Gothi, Lucien.
Au bon lapin saute. Operette bouffe. Musique de A. de
Villebichot. No. 2 in M.326.3
Une grave affaire. Operette. Paroles de Lucien Gothi et
F. Bordier. Musique de Victor Robillard. No. 3 in M.307.24
L'hypnotiseur par amour. Operette-bouffe en un acte. Pa-
roles de Lucien Gothi et Jean Rougeron. Musique de
Lucien Gothi. [Partition chant et piano.l Paris. Ista-
Beausier. ri88-?l No. 3 in M.393.19
Gothov-Grueneke,
Der Ameril<aner. Operette in 3 Akten, von G. von Moser.
Musik von Gothov-Griineke. Clavierauszug. Hamburg.
Cranz. fi88-?] M.276.7
Goti, L Opera. For the Music see Gobati. For the Libretto
see Interdonato.
Gott! Cantata. For the Music see Zellner, L. A. For the
Libretto see Inkermann.
Gott, Amor und Bacchus. Part-song. Otto, F.
No. 16.'; in M.i29a.43.5
Gott behiitet alle Frommen. Anthem. Lindpaintner. 24
Psalmen. No. l in 11.290.30
Gott bhiite dich. Madrigal. Lechner. No. 14 in M.204.40
Gott, der Herr, ist Sonn' und Schild. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 18.
Gott der Hoffnung erfiille euch. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 41.
Gott der Weltschopfer. Part-song. Schubert, F. P. Chor-
Gesangwerke. No. s in M.280.48.X ; etc.
„Gott, Du bist gross!" Cantata. For the Music see Spohr, L.
For the Libretto see Rohdmann.
Gott du bist mein Zuversicht. Motet. Sturm.
No. II in M.203.16
Gott fahret auf mit Jauchzen. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 10.
Gott Febo mit den Strahlen sein. Part-song. Schein. Werke.
Band 2.
M.414.1.2
Gott gruess dich, schoener Maie. Part-song. Weinwurm.
Deutsche Minnelieder. No. 22 in M.392.38
Gott gruss euch, Schafr und Schaferin. Part-song. Schein.
Werke. Band 2. M.414.1.2
Gott griiss mir die im gruenen Rock. Madrigal. Lechner.
No. 16 in M.204.40
Gott grusse dich ! Part-song. Abt, F. No. 42 in M.246.22
Becker, R. No. 16 in M.392.3; etc.
Gott grijsse dich, du schoener Wald. Part-song. Koellner.
Zwei Lieder, No. 66, 67 in M.392.12
Gott hiess die Sonne gliihen. Song. Rubinstein. Zwolf
Lieder des Mirza-Schaffy. No. 8 in M.192.5
Gott im Friihlinge. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.317.1.20.4
Gott im Ungewitter. Part-song. Schubert, F. P. Chor-Ge-
sangwerke. Band i. No. 4 in M.280.48.1 ; etc.
Gott in der Natur. Part-song. Schubert, F. P. Chor-Ge-
sangwerke. Band .3. M.280.48.3; etc.
494
Gott ist gross und allmachtig. Hymn. Jadassohn. Hymnus.
No. 7 in M.203.2
Gott ist mein Hirt. Part-song. Schubert, F. P. Werke.
Serie 18. M.317.1.18
Spohr, L. Drei Psalmen. No. 3 in M.221.16
Gott ist mein Konig. Anthem. Bach, J. S. Werke. Jahr-
gang 18. M.8040.21.18
Gott ist uns're Zuversicht. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 13, Theil i.
Gott ist unsre Zuversicht. Motet. Schicht. Motetten. Heft 11.
No. II in M.236.19
Gott, man lobet Dich in der Stille. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 24.
Gott mein Heil. Part-song. Hauptmann, M. Sechs geist-
liche Gesange. No. 3 in M.1S7.22
Gott meine Zuversicht. Anthem. Schubert, F. P. Chor-Ge-
sangwerke. Band 2, 3. M.280.48.2, 3
Two settings.
Gott mit dir, mein Vaterland. Part-song. Baur, J.
No. 9 in M.130.7
Gott segne dich, mein Vaterland. Part-song. Abt, F. Acht
patriotische Lieder. No. 12 in M.392.2
Gott sei uns gnadig. Anthem. Hauptmann, M. Drei Mo-
tetten. No. 8 in M.270.49
Schneider, J. C. F. Der 67ste Psalm. No. 4 in M.221.1
Gott soil allein mein Herze haben. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 33.
Gott, Der, und die Bajadere. Song. Curschmann. Cursch-
mann-Album. No. i in M. 157.37
Schubert, F. P. Werke. Serie 20, Band 3. M.317.1.20.3
Gott und mein Lied. Part-song. Abt, F. Fiinf Gesange fiir
s. a. t. b. No. 17 in M.392.2
MoEHRiNG. No. 117 in M.147.4
Gott! Urquell der Gnade! Cantata. For the Music see Zum-
steeg, J. R.
Gott, Vaterland, Liebe. Part-song. Tschirch, F. W.
No. 2 in M.280.10
Gott, wie dein Name, so ist auch dein Ruhm. Cantata. For
the Music see Bach, J. S. Werke. Jahrgang 35.
Gotter, Friedrich Wilhelm.
Ariadne auf Naxos. Duodrama. In Musik gesetzt von G.
Benda. No. i in M.230.IS; etc.
Die Dorfgala, eine komische Operette. In Musik gesetzt
von Anton Schweizer. No. 3 in M.IS2.25
Der Dorfjahrmarkt, eine komische Open In Musik gesetzt
von George Benda. M.320.S
Same. Lukas und Barbchen, oder der Jahrmarkt, eine ko-
mische Operette von G. Benda. No. 2 in M.230.15
Das Findelkind, oder Unverhoft kommt oft, eine Operette.
In Musik gesetzt von G. Benda. No. 3 in M.230.15
Die Geister-Insel. Ein Singspiel. In Musik gesetzt von
loh. F. Reichardt. M.254.38
Die Geister-Insel. Ein Singspiel. In Musik gesetzt von
J. R. Zumsteeg. M.IS2.3
Medea. fOper.l In Musik gesetz von G. Benda. M.230.17
Romeo und Julie. Oper. fin Musik gesetzt von G. Benda.]
No. I in M.230.13
fDas tartarische Gesetz.] Arien und Duette. fMusik] von
Georg Benda. No. i in M.IS2.30
Walder, eine ernsthafte Operette. In Musik gesetzt von
G. Benda. M.230.18; etc.
Gotter, J. F. See Gotter, Friedrich Wilhelm.
Gottes ist der Orient. Part-song. Liszt. No. 12 in M.3g2.i6
Gottes Macht und Vorsehen. Song. Beethoven. Sechs geist-
liche Lieder. No. lo in M.IS7.24; etc.
Gottes Zeit ist der allerbeste Zeit. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 23.
Gotthard, Johann Peter.
Concert-Ouverture in D moll fiir Orchester. Partitnr.
Wien. Gotthard. 1872. No. 2 in M.335.21
Iduna. Komische Oper in 3 Akten von Bohrmann-Rie.gen.
Musik von J. P. Gotthard. Clavier-Auszug. Leipzig.
Garbrecht. fl889.1 M.266.19
Gotthard
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gounod
Gotthard, Johann Peter. (Continued.)
Intellige clamorem meum. Graduale fur Tenor-Solo mit
Begleitung von Flote, 2 Clarinetten, 2 Fagotten, 2 Hor-
nern und Contrabass. Op. 64. Partitur. Wien. Gott-
hard. 1870. No. 9 in M.203.6
Messe in F fiir Soli, Chor u. grosses Orchester. Partitur.
Wien. Gotthard. 1871. No. 3 in M.191.9
Suite fiir Streichorchester. Op. 152. Partitur. Berlin.
Simrock. 1892. No. .3 in M.405.17
Gottlob! nun geht das Jahr zu Ende. Anthem. Bach, J. S.
Werke. Jahrgang 5, Lieferung i. M.8040.21.S.1
Gottschald, Ernst.
Beethoven's pianoforte sonatas explained for the lovers of
the musical art, by Ernst von Elterlein Fpseud.l. Trans-
lated by Emily Hill. 2d edition. London. Reeves. 1879.
M. 103. 14
Beethoven's Symphonien nach ihrem idealen Gehalt, mit
besonderer Riicksicht auf Haydn, Mozart und die neue-
ren Symphoniker. Von Ernst von Elterlein [Pseud. 1.
2. vermehrte Auflage. Dresden. Brauer. 1858.
No. I in M.370.62
Gottschalg, Alexander Wilhelm, editor.
Centralblatt fiir Instrumentalmusik, Solo- u. Chor.gesang.
Leipzig. 1887. M. 181.1
Krebs. Grosse Fantasie und Fuge fur die Orgel.
No. 16 in M.414.3S
Gottschalk, Clara, editor.
GoTTSCHALK, L. M. Notes of a pianist. M. 107.23
Gottschalk, Louis Moreau.
Notes of a pianist. Edited by Clara Gottschalk. Trans-
lated by Robert E. Peterson. Philadelphia. Lippincott
& Co. 1881. Portrait. M.107.23
Gottschalk, Louis Moreau. Works about.
D., H. Biography of Louis Moreau Gottschalk, the Ameri-
can pianist and composer. Philadelphia. 1853.
No. I in M.373.63
Seymour, M. A. I. Life and letters of Louis Moreau Gott-
schalk. By Octavia Hensel Tpseud.l. Boston. 1870.
M.ioga.z6
Gottschall, Carl Rudolf von.
Weltseele (Soul of the world), fiir gemischten Chor fvon]
Wallnoefer. No. 3 in M.380.4
Gottvertrau'n. Part-song. Zoellner, C. F. No. 26 in M.246.22
Gottwald, Heinrich.
Der Sanger Fahnenlied [t. T. B. B.]. (/m Tauwitz. Deutsches
Liederbuch. Pp. 95, 96.) No. 44 in M.204.39
Es klingen heut'. f Mannerchor.l (In Tauwitz. Deutsches
Liederbuch. Pp. i3.Vi3.S.) No. 64 in M.204.39
Gebet der Turner, f Mannerchor.l (In Tauwitz. Deutsches
Liederbuch. Pp. 82, 83.) No. 34 in M.204.39
„Ihr deutschen Manner all'." fMannerchor.T (In Tauwitz.
Deutsches Liederbuch. Pp. 163, 164.) No. 76 in M.204.39
In's Freie! Gedicht von Perm. Linke, fiir Mannerchor mit
Begleitung von Blasinstrumenten oder des Pianoforte.
Op. II. Partitur mit unterlegtem Clavierauszug. Bres-
lau. Leuckart. 1x87-?! No. 7 in M.212.6
So echte deutsche Art. f Mannerchor.l (In Tauwitz.
Deutsches Liederbuch. Pp. 123, 124.) No. 60 in M.204.39
Turnerlied [t. t. b. b.]. (In Tauwitz. Deutsches Lieder-
buch. Pp. 87, 88.) No. 39 in M.204.39
Unitis viribus. fMannerchor.] (In Tauwitz. Deutsches
Liederbuch. Pp. .S3, S4.) No. 17 in M.204.39
Goubaux, Prosper Parfait.
La mantille. [Opera comique. Paroles de Planard et
Goubaux.] Musique de Luigi Bordese. M.281.5
Goudar, Ange.
Le brigandage de la musique italienne. [Paris?! I777.
The dedication is signed Jean Jacques Sonnette. M.I08.S
Gouden roos, De. Ol^era. For the Music see Miry. For the
Libretto see Destanberg.
Gouellain, Gustave.
La ceramique musicale au Trocadero & ailleurs, en 1878.
Paris. Simon. 1878. No. 5 in M. 136.12
Gouffe, Armand.
Le bouffe et le tailleur. Opera comique. Paroles de Ar-
mand Gouffe et [Pierrel 'Villers [sicl. Musique de Ga-
veaux. No. 3 in M.256.33
Le medecin turc. Opera bouffon. Paroles de Villiers et
Armand Gouffe. [Musique] par Nicolo [Isouardl.
M.283.30
Same. Der turkische Arzt, oder der 'Verriickte. Komische
Oper von Nicolo Isouard. No. i in M.330.14
Gouget, fimile.
L'argot musical. Curiosites anecdotiques et philologiques.
Paris. Fischbacher. 1892. M.129.42
Goujon, Julien.
firos. Opera-comique. Poeme de Julien Goujon et Augus-
tin Daniel. Musique de Frederic Le Rey. No. 4 in M.306.13
Fran?onnette. Opera-comique de J. Goujon & A. Bernede.
Musique de R. Lavello & L. de Vaux. M.393.36
Hermann et Dorothee. Opera. Musique de Frederic Le
Rey. M.39S-38
Marie Stuart. Drame lyrique. Musique de Rodolphe
Lavello. M.402.34
Gould, Benjamin Apthorp.
Obispah. The '91 Hasty Pudding play. The music by
R. W. Atkinson and L. S. Thompson. No. 4 in M.394.29
Gould, John Edgar.
The harmonia sacra: a new collection of anthems, cho-
ruses [etc.]. Added, the Episcopal Church service. By
Edward L. White and J. E. Gould. M.110.7
The modern harp; or, Boston sacred melodist. By Edward
L. White and John E. Gould. M.100.16
The opera chorus book. Selected by Edward L. White and
John E. Gould. M.ioo.ii
Gould, Nathaniel Duren.
History of church music in America. Boston. Gould &
Lincoln. i8.S3- M.i49a.24
The Sabbath school harmony; containing appropriate
hymns and music, for Sabbath schools . . . Boston.
Gould, Kendall, & Lincoln. 1841. No. i in M.205.33
Gound, Robert.
Suite (A dur) fiir Streichorchester. Op. 20. Partitur. Leip-
zig. Kistner. [187-?! No. I in M.358.27
Trio (A moll) fiir Pianoforte, Violine & Violoncello. Op. 6.
[Partitur und Stimmen.] Wien. Berte & cie. [i88-?l
3 parts in i v. No. i in M.404.49
Gounod. Charles Francois.
All ve who weep. Full anthem [s. a. t. t. b. b. Accomp. for
organ, ad lib.l. London. Novello, Ewer & Co. [187-?!
No. 10 in M.2QO.13; No. 4 in M. 1.157.31
Also to be found in Novello's Collection of anthems.
As the hart pants. Motett [t. t. b. b. Accomp. for organ
ad lib.L London. Novello, Ewer & Co. [187-?!
No. 12 in M.290.13
Same. [s. a. t. b. Octavo edition.]
No. 30 in M.i.57-2g; No. 7 in M.i.'i7.3i
Also to be found in Novello's Collection of anthems.
Autobiographie . . . et articles sur la routine en matiere
d'art. fidites et compiles par Georgina Weldon. Lon-
don. [187.S.I - No. 4inM.128.33
Ave Verum. [Motet, in E flat. Accomp. for organ.] Lon-
don. Cramer & Co. [186-?] No. K in M.290.13
Bethlehem. Christmas carol. Written by Henry Farnie.
Composed by Ch. Gounod. [Accomp. for piano.] Lon-
don. Cramer & Co. [186-?] No. 2 in M.290.13
Biondina. Poeme musical de Giuseppe Zaffira. Paroles
francaises de T«les Barbier. Par Ch. Gounod. [Accomp.
de piano.] Paris. Lemoine. [187-?] No. i in M.1.S6.28
Bright star of eve. (A part-song.) London. Goddard &
Co. [187-? Six new part-songs.] No. .=; in M.i.';7.2.';
Bv Babvlon's wave. (Psalm 137.) Paraphrased by Henry
Farnie. Composed bv Ch. Gounod. [Accomp. for organ.]
London. Cramer & Co. [186-?] No. i in M.2go.i3
Also to be found in Novello's Collection of anthems.
Same. Presso il fiume stranier. Parafrasi del Salmo Super
flumina Babvlonis. Coro con orchestra. Partitura.
Milano. Ricordi. [184-?] No. 2 in M.333.12
495
Gounod
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gounod
Gounod, Charles Frangois. (Continued.)
The chase. Four-part song for male voices. London.
Novello, Ewer & Co. fiS?-?! No. ii in M.203.7
Also to be found in The Orpheus, New series.
Choeur des soldats. (Faust.) (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste. Pp.
.S.S-S/) No. 9 in M. 130.7
Christmas morn. A sacred song. [s. or t. Accomp. for
pianoforte.] Philadelphia. Lee & Walker. [i86-?l
No. 2 in M.192.10
Cinq-Mars. Opera en 4 actes et S tableaux. Poeme de Paul
Poirson & Louis Gallet. Musique de Charles Gounod.
Partition pour piano et chant. Paris. Grus. [1877.!
M.266.23
Same. Opera in 4 atti. Parole di P. Poirson e L. Gallet.
Versione italiana di A. de Lauzieres. Musica di Carlo
Gounod. Riduzione per canto con accomp. di pianoforte.
Milano. Lucca. [1878.] M.266.24
La colombe. Opera comique en 2 actes, de J. Barbier et M.
Carre. Musique de Ch. Gounod. Partition chant et piano.
Paris. Choudens. [1866.! M.365.15
Same. The pet dove. Opera comique in 2 acts. Written by
H. B. Farnie. [Accomp. for piano. 1 London. Metzler
& Co. ri87-?l M.266.20
Come unto Him. Full anthem \s. a. t. t. b. b. Accomp. for
organ"!. London. Novello, Ewer & Co. [187-?]
No. II in M.290.13; No. I in M.IS7.31
Also to be found in Novello's Collection of anthems.
Come unto Me. Sacred quartette. Transcribed from
Gounod by W. Eugene Thayer. [Accomp. for organ. 1
New York. Pond & Co. 1865. No. 12 in M.190.8
The dance invites us. Part song for [3! female voices.
[London. 186-? Boosey's Part-song miscellany.]
No. 91 in M.157.5.2
De profundis (From the deep have I called), i.30«h Psalm.
Composed by Ch. Gounod. [Accomp. for piano. Latin
and English words.] London. Novello, Ewer & Co.
[187-?] No. 2 in M.36S.7; No. 2 in M.365.13
Les deux reines. Drame en 4 actes de Ernest Legouve.
Musique de Ch. Gounod. Partition chant et piano. Paris.
Choudens. [1872.] No. i in M.365.7
Dodelinette. Berceuse pour double quatuor [d'instruments
a cordes. Partition]. Paris. Lemoine. [187-?]
No. 6 in M.332.22
Le Don Juan de Mozart. 3e edition. Paris. Ollendorff.
i8go. M.138.2
Donne moi cette fleur. Melodic [t. Accomp. de piano.]
Portrait. Facsimile. (In Album du Gaulois. Vol. i.)
No. 21 in M.391.28.1
Faust. Opera en 5 actes, de Jules Barbier & Michel Carre.
Musique de Ch. Gounod. Partition piano & chant. 2e
edition, avec les recitatifs. Paris. Choudens. [186-?]
M.36S.16
Same. Dramma lirico in ^ atti, dei Sig" Barbier e Carre.
dj^Traduzione italiana de Sig^ A. De-Lauzieres. Musica del
Mo. C. Gounod. Canto con accomp. di pianoforte. Mi-
lano. Lucca. [186-?] M.36S.17
Same. [Act .1. Full score.] Manuscript. [186-?] M.341.36
The flower's last sigh. [Ballad, s. or t. Accomp. for piano-
forte.] New York. Pond & Co. 1868. No. 23 in M.192.10
Forever with the Lord. [Duet. m.-s. & bar. Accomp. for
piano.] Boston. White, Smith & Co. [188-?]
No. 43 in M.i<;8.i6
Gallia. Motett, for s. solo, chorus, orchestra and organ.
[Vocal score with pianoforte accomp.] London. No-
vello, Ewer & Co. [1871?]
No. 4 in M.2go.i3; No. 2 in M.204.17
Giganella. (A part-song.) London. Goddard & Co. [187-?
Six new part-songs.] No. 4 in M.i.';7.2S
Gloire immortelle de nos aieux. Choeur de I'opera "Faust."
(In Recueil des chceurs d'ensemble francais . . . I3e fete.
pp. 2-6.) No. 6 in M.130.7
Guardian angel. [Song, s. or t. Accomp. for pianoforte.]
Boston. Tolman & Co. [186-?] No. 3 in 11.192.9.2
Gounod, Charles Francois. (Continued.)
Holy Lord. [Response, t. t. b. b. Accomp. for organ.] (In
Ross' Sacred library. No. i, pp. 6, 7.) No. 29 in M.203.IS
I will extol Thee. Quartett from "Ave Maria" [of Bach-
Gounod, arranged by L. H. Southard]. Boston. Ditson
& Co. 1867. No. 22 in M.igo.3
Inviolata. Avec accomp. [d'orgue] ad libitum. Pour deux
voix egales. Paris. [Heugel. 186-? Petite maitrise.l
No. 14 in M.201.34
Irene. See his Reine de Saba.
Je serais, n'en dquter pas. Canon a 4 voix egales. Pour le
Figaro qui m'avait demande un autographe. [Paris.
1883.] Manuscript facsimile. No. 44 in M.158.16
Jeanne d'Arc. Drame en 5 actes et en vers, de Jules Bar-
bier. Musique de Ch. Gounod. Partition chant et piano.
Paris. Gerard & cie. [1873.] No. i in M.365.13
Jesu, blessed Word of God. Ave Verum. [In C. Accomp.
for organ.] London. Novello, Ewer & Co. 1868. [The
Musical times.] No. 7 in M.258.32
Little Celandine. (A part-song.) London. Goddard & Co.
[187-? Six new part-songs.] No. 3 in M.157.2S
Longing. [Song, a. or bar. Accomp. for pianoforte.] New
York. Pond & Co. 1868. No. ,=; in M.192.10
Love divine, all love excelling. [Anthem. Accomp. for
organ, ad lib.] Edited by O. B. Brown. Boston. Schmidt.
[1891.] No. 4,'i in M. 158.16
Maid of Athens. [Song, bar.] Newly set to music by
Gounod. [Accomp. for pianoforte.] Boston. Ditson &
Co. 1866. No. 4 in M.ig2.io
Marche festivale a grand orchestre. Partitur. Mayence.
Schott. [1877?] No. 7 in M.332.22
Marionetten-Trauermarsch. Orchester-Partitur. Berlin.
Bote & Bock. [1880?] No. 8 in M.332.22
Le medecin malgre lui. Comedie de Moliere arrangee en
opera comique par Jules Barbier & Michel Carre. Mu-
sique de Charles Gounod. Partition piano et chant. Paris.
Colombier. [1858.] M.365.9
Same. The mock doctor. A comic opera. Adapted from
Moliere by Jules Barbier and Michel Carre, the English
version by Charles Lamb Kenney. Composed by Charles
Gounod. Adapted to the English words, and pianoforte
accomp. revised by Edward F. Reinhault. London.
Chappell & Co. [186-?] M.282.13
Menuetto. Violin and piano. [Full score and separate
part for violin. J Boston. Davenport. 1877.
No. 29 in M.357.12
Messe a 2 voix egales, avec accomp. d'orgue. Paris.
Choudens. [187-?] No. 2 in M.158.36
Messe breve et Salut, pour 4 voix d'hommes sans accomp.
Op. ler. Paris. Richault. [184-?] No. 7 in M.260.8.7
Messe breve pour les morts, a requiem. [Accomp. for or-
gan.] London. Goddard & Co. [186-?] S parts in i v.
No. 13 in M.157.31
Same. No. i, Introit et Kyrie. No. 4, Agnus Dei. (In
Gounod. The Royal Albert Hall choral music. Vol. 3,
pp. 26-.36.) M.384.28
The Introit and Kyrie are arranged for double chorus; the Agrnus Dei
for one chorus.
Messe du Sacre Coeur de Jesus, pour choeur a 4 voix et
orchestre . . Accomp. d'orgue ou de piano reduit par
Alb. Lavignac. Paris. Lemoine. [1877.I No. 2 in M.IS6.28
Messe. i^''^ (en ut mineur) . . . pour 3 voix d'hommes [t.
T. B.l et 2 sopranos. Avec accomp. d'orgue non oblige
par H. L. d'Aubel. Paris. Lebeau. [1869?]
No. 4 in M.191.9
Messe, 2e, des Orpheonistes. For men's voices. [Accomp.
for organ.] London. Metzler & Co. [187-?]
No. 3 in M. 156.4.7
Messe solennelle [en sol] pour soli, choeurs, orchestre et
orgue oblige. Gde. partition orchestre et orgue. Paris.
Lebeau. [185-?] M.250.16
Same. (St. Cecilia.) Edited and the organ accomp. arranged
by Joseph Barnbv. London. Novello & Co. [1865;?]
M.250.17
496
Gounod
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gounod
Gounod, Charles Frangois. (Continued.)
Messe solennelle, 3e (de Paques). Partition piano et chant
arrangee par Berthold Tours. London. Novello, Ewer
& Co. [1885.] No. 3 in M.156.20
Mireille. Opera en 5 actes, tire du poeme de Frederic Mis-
tral par Michel Carre. Musique de Ch. Gounod. Parti-
tion chant et piano. Paris. Choudens. [1864.1 M.365.12
Mors et vita. A sacred trilogy, written and camposed by
Charles Gounod. The vocal score, with pianoforte ac-
comp., arranged by O. B. Brown. London. Novello,
Ewer & Co. fiBSs.] M.IS3.22
My true love hath my heart. (A part-song.) London.
Goddard & Co. \187-? Six new part-songs. 1
No. 6 in M.IS7.25
Nazareth. Sacred song for c. or bar. fAccomp. for piano-
forte.] Boston. Ditson & Co. [186-?] No. 7 in M.ig2.io
Night. A four-part song. (In Novello's Part-song book.
2d series. Vol. 13, pp. 60-67.) No. 13 in M.19S.1.13
La nonne sanglante. Opera en 5; actes. Paroles de MM.
E. Scribe et G. Delavigne. Musique de Ch. Gounod. Par-
tition chant & piano. Paris. Choudens. [1854.! M.328.5
O come near to the Cross. Motett. [Accomp. for the or-
gan.! London. Novello, Ewer & C. [187-?!
No. 3 in M.290.13; No. 31 in M.1S7.29; No. 6 in M.157.31
Also to be found in Novello's Collection of anthems.
"O day of penitence." Anthem for Lent [s. a. t. t. b. b.
Accomp. for organ]. London. Novello & Co. fi86-?]
No. 8 in M.IS7.31
Also to be found in Novello's Collection of anthems.
O God, our help in ages past. fAnthem. Accomp. for or-
gan.] Arranged by David Roberts. [Boston.] Russell.
1B85. No. .36 in M.158.19
O Salutaris Hostia, motett. [In A. Accomp. for organ.]
London. Novello, Ewer & Co. [187-?] No. 8 in M.290.13
Same. O Saving Victim. Anthem for quartet and chorus.
The accomp. arranged by B. Tours. London. Novello,
Ewer & Co. [187-?] No. 3 in M.157.29; No. 3 in M.157.31
Also to be found in Novello's Collection of anthems.
O Salutaris Hostia (No. i). [t. solo and chorus. Accomp.
for organ.] London. Cramer & C. [187-?]
No. 13 in M.290.13
O Salutaris Hostia (No. 2). [t. t. b. b. Accomp. for or-
gan.] London. Cramer & Co. [187-?] No. 14 in M.290.13
O sing to God. (Noel.) For female voices (soli and cho-
rus). [Accomp. for organ.] London. Novello, Ewer &
Co [187-?] No. gin M.2QO.13; No. gin M.IS7.3I
Also to be found in Novello's Collection oftrios, etc.
Offices de la Semaine-Sainte. [Partition a 4 ou 8 voix
d'hommes.] Paris. Richault. [184-?] No. 6 in M.260.8.7
Omnipotent Lord. (A sacred part-song.) London. God-
dard & Co. [1872? Six new part-songs.] No. 2 in M.157.25
Only last night. A dream song [a. or bar. Accomp. for
pianoforte]. New York. Ditson & Co. [186-?]
No. 8 in M.192.10
Oil voulez-vous aller? Barcarolle, [s.] Poesie de Theo-
phile Gautier. Musique de Charles Gounod. [Accomo.
de piano.] Paris. Choudens. [186-?] No. 9 in M.192.10
Same. Tell me, oh gentle maiden. (Oil voulez-vous aller?)
Barcarole [t. Accomp. for pianoforte]. New York. Beer
& Schirmer. 1866. No. 17 in M.192.10
Passed away. [Song, s. or t. Accomp. for pianoforte.]
Boston. Russell & Co. 1872. No. 10 in M.192.10
Pater Noster (Our Father). Motet. Accomp. for organ.]
London. Goddard & Co. [187-?] No. 10 in M.157.31
The pet dove. See his La colombe.
Peter the Hermit. A dramatic song [t. Accomp. for
pianoforte]. Boston. Ditson & Co. [187-?]
No. II in M.192.10
Philemon et Baucis. Opera en 3 actes, de Jules Barbier et
Michel Carre. Musique de Ch. Gounod. Partition chant
et piano. Paris. Choudens. [i860.] M.365.10
The pilgrim (Le Juif errant). [Song, bar. Accomp. for
pianoforte.] Philadelphia. Trumpler. [186-?]
No. 12 in M.ig2.i2
Gounod, Charles Frangois. (Continued.)
Polyeucte. Opera en s actes. Paroles de Jules Barbier et
Michel Carre. Musique de Ch. Gounod. Partition piano
et chant. Paris. Lemoine. [1878.] M.266.26
Presso il fiume stranier. See his By Babylon's wave.
Primavera. Song, c. or b. [Accomp. for pianoforte.] Paris.
Choudens. [186-?] No. 13 in M.192.TO
Quinze duos, [fidition mezzo-soprano et baryton.] Paris.
Choudens. [187-?] M.157.36.6
Contents. — Magali. — Par une belle nuit. — Les Sabeennes. — Fuyons,
O ma compagne. — Sous le feuillage. — Oh c' Vincent! — Deja I'aube
matinale. — O souriante image. — La reine de Cythere. — Chantez
Noel! — Les fiances. — Ange adorable. — Les magnanarelles. — Valsez
sous I'ombrage. — Nuit d'Hymenee.
La redemption. Trilogie sacree. Paroles et musique de
Charles Gounod. Partition piano et chant arrangee par
Berthold Tours. Londres. Novello, Ewer & Co. [1882.]
No. I in M.204.17
Same. The redemption. A sacred trilogy, written and com-
posed by Charles Gounod. The pianoforte accomp. ar-
ranged by Berthold Tours. English translation by J.
Troutbeck. Octavo edition. London. Novello. Ewer
& Co. [1882.] M.1S3.2I
La reine de Saba. Grand opera en 5 actes, de Jules Barbier
et Michel Carre, mis en musique par Ch. Gounod. Par-
tition chant et piano, arrangee par Georges Bizet. Paris.
Choudens. [1862.] M.266.2S
Same. Irene. Grand opera in 5 acts, the English libretto
by Henry Farnie, the music by Charles Gounod. [Voice
and pianoforte.] London. Cramer & Co. [1880.] M.282.14
Same. Grand processional march. "Queen of Sheba."
Boston. Ditson. 1888. No. 8 in M.312.49
Requiem. Posthumous work. Edition for chorus & soli,
s. c. T. b. Accomp't for the piano. Boston. Ditson Co.
i8g5. No. 2 in M.213.7
Ring on! sweet Angelus. Evening song [a. or b. Accomp.
for pianoforte]. Boston. Ditson & Co. [186-?]
No. 14 in M. 192.10
Romeo et Juliette. Opera en cinq actes de J. Barbier et M.
Carre. Musique de Ch. Gounod. Partition chant et piano.
Paris. Choudens. [1888?] M.382.26
Same. Romeo e Giulietta, Opera dei Sig^s J. Barbier e
M. Carre. Versione italiana di G. Zaffira. Musica di C.
Gounod. Spartito di canto e piano. Paris. Choudens.
[1867.] M.36S.8
Sapho. Opera en 3 actes d'fimile Augier. Musique de Ch.
Gounod. Partition chant et piano. Paris. Choudens.
[186-?] M.365.11
Sarabande de Cinq-Mars. Orchestree par Florian Pascal
[pseud. Partition. Paris. Grus. 187-?]. No. 6 in M.312.1
Die Seele eines Engels (L'ame d'un ange). Melodic, m.-s.
oder bar. [Mit Pianofortebegleitung.] Berlin. Bote &
Bock. [1867?] No. I in M.igs.io
Send out Thy light, an anthem. [Accomp. for organ.]
London. Metzler & Co. [187-?] No. 7 in M.290.13
The seven words of Our Saviour upon the Cross (Filias
Jerusalem), for voices without accomp. Edited by Joseph
Barnby. London. Novello & Co. [186-?]
No. 12 in M. 157.31
Sing praises unto the Lord. Anthem. [Accomp. for or-
gan.] London. Novello, Ewer & Co. [187-?]
No. 5 in M.157.31
Also to be found in Novello's Collection of anthems.
Le soir. Melodie [a. ou bar. Accomp. de piano]. Paris.
Choudens. [186-?] No. 6 in M.192.10
Solitude. Melodie . . . c. ou b. [Accomp. de piano.] Paris.
Choudens. [186-?] No. 15 in M.192.10
Stabat Mater. Paraphrase en frangais. Paroles de I'Abbe
Castaing. Musique de Ch. Gounod. Partition grand
orchestre. Paris. Choudens. [188-?] No. 3 in M.202.16
Stances. Si la mort est le but. M.-s. ou bar. [Accomp. de
piano.] Paris. Choudens. [186-?] No. 16 in M.192.10
Symphonic, i''^, en re majeur. Partition. Paris. Colom-
bier. [185-?] M.343-47
I 63
497
Gounod
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gouvy
Gounod, Charles Francois. (Continued.)
Take me, mother earth. (A part-song.) London. God-
dard & Co. [187-? Six new part-songs.] No. 7 in M.157.2S
Te Deum. [In C. Accomp. for organ.] London. Goddard
& Co. [187-?] No. iiinM.157.31
Tell me, oh gentle maiden. See his Ou voulez-vous aller?
Ten popular songs . . . Including several airs from 'Faust'
and 'The mock doctor.' With accomp. for the piano-
forte. London. Chappell & Co. F1868. Chappell's
musical magazine.] No. i in M.157.10
Contents. — The flower song (Faust). — The king of Thule (Faust). —
In youth's season (Mock doctor). — The children's king, hymn. —
When all was young (Faust). — Prisoned in a cage (Mock doctor). —
Go, wander through the world (Mock doctor). — The pilgrim. — The
valley. — All haill thou dwelling pure and lowly (Faust).
There is a green hill far away. fSong, s. or t. Accomp. for
pianoforte.] Boston. Russell & Co. i86g.
No. 18inM.192.10
There is a tinkling stream. Four-part song. London.
THutchings & Romer. 185-? Choristers' album.]
No. 4 in M.I57-23
To spring. Song . . . c. ou bar. [Accomp. de piano.]
Paris. Choudens. [186-?] No. 20 in M192.10
To the nightingale. Melody . . . c. ou b. [Accomp. de
piano.] Paris. Choudens. [186-?] No. 21 in M.192.10
Tobie. (Tobias.) Petit oratorio. Paroles de H. Lefevre.
Musique de Ch. Gounod. Partition chant et piano. Paris.
Choudens. [186-?] No. .3 in M.365.7
Tombez, mes ailes! Romance [a. Accomp. de piano].
Paris. Choudens. [186-?] No. 19 in M.192.10
Le tribut de Zamora. Grand opera en 4 actes de Adolphe
d'Ennery [pseud.] et Jules Bresil. Musique de Ch.
Gounod. Partition chant et piano. Paris. Choudens.
[1881.I M.266.22
Ulysse. Tragedie en 5 actes et en vers de F. Ponsard.
Musique de Ch. Gounod. Accomp. de piano. Paris.
Choudens. [i8S3.1 M.36S.14
Same. Ulysses. Tragedy in 4 acts, written by Henry Far-
nie. The music by Ch. Gounod. Edited by Alberto Ran-
degger. [Accomp. for piano.] London. Cramer & Co.
fi86-?] M.266.21
Venise. [Song, s. or t, Accomp. for pianoforte.] Boston.
Koppitz, Priifer & Co. [187-?] No. 24 in M.192.10
With French and English words.
The village curfew. [Song, a. or b. Accomp. for piano-
forte.] New York. Pond & Co. 1868. No. 22 in M.192.10
Vingt melodies pour chant et piano. Recueil i-S. Paris.
Choudens. [187-?] 5 v. in 3. M.157.36
Contents. I. (Soprano ou tenor.) Les champs. — Seul! — Ave Maria. —
Le premier jour de mai. — O ma belle rebelle. — - Aubade. — Chant
d'automne. — Le lever. — Venise. — Serenade. — Le vallon. — Le
Juif-errant. — Chanson de printemps. — Les naides. — Ni I'or ni la
grandeur. — L'ame d'un ange. — Jesus de Nazareth. — Mon habit. —
Le chant d'Euryclee. — Le soir. 2. (Soprano ou tenor.) A une jeune
fjlle, — Marguerite. — Medje. — Envoi de fleurs. — Le retour de
Xobie. — Si la mort est le but. — Solitude. — Tombez, mes ailes. —
Boire a I'ombre. — Noel. — "Donne-moi cette fleur." — Au printemps.
— A une bourse. — Hymne a la nuit. — Ce que je suis sans toi. —
Primavera. — Crepuscule. — Depart. — Au rossignol. — Deesse ou
femme. 3. (Mezzo-soprano ou baryton.) La paquerette. — Sur la raon-
tagne. — A toi mon cceur. — Mignon. — Ou voulez-vous aller? — Le
souvenir. — Blanche colombe. — Jerusalem. — Prends garde! — Bolero.
Le calme. — Aimons-nous! — Chanson de patre. — Je ne puis es-
p^rer. — Invocation. — Chanter et souffrir. — Le ciel a visite la terre.
. Absence. — Reverie. — La reine du matin. 4. (Soprano ou tenor.)
Le banc de pierre. — Oiseaux! taisez-vous! — Magali. — Notre-Dame
des petits enfants. — Nuit silencieuse. -r Qui vivra verral — O ma
lyre. — A la Madone. — Sylvie. — Sainte ivresse. — Temple, ouvre-toi.
Les bacchantes. — Pitie pour mes larmes. — La salutation angelique.
Esclave et reine. — ■ Le nom de Marie. — Aimons, mes sceurs. —
Parle-moi d'elle. — Priere du soir. — Le depart du mousse. 5. (Mezzo-
soprano ou baryton.) Clos ta paupiere. — La fauvette, — Le pays bien-
heureux. — Mon amour a mon cceur. — Chanson d'avril. — Heureux
sera le jour. — Viens, les gazons sont verts. — Si vous n'ouvrez voire
fenetre. — Loin du pays. — Quanti mai. — A la brise. — La fleur du
foyer. — Ma belle amie est morte. — L'ouvrier. — Que Ta volonte soit
faite. — Priere du soir. — Priere d' Abraham. — Les lilas blancs. —
Fleur des bois. — Barcarola.
The Virgin Mary's carol. [Accomp. for organ.] Arranged
by E. P. Parker. Boston. Russell. [188.1.]
No. I in M. 158. 19
Gounod, Charles Frangois. (Continued.)
Word of God incarnate. Motett. [Accomp. for organ.l
London. Novello, Ewer & Co. [187-?]
No. 2 in M. 157.31 ; No. 6 in M.290.13
Also to be found in Novello's Collection of anthems.
Gounod, Charles FranQois, editor.
The Royal Albert Hall choral music. Arranged by Charles
Gounod. [Vocal score with accomp, for pianoforte.]
London. Rudall, Carte & Co. [etc. 187-?] 3 v. in I.
M.384.28
Contents. — i. Te Deum. Ch. Gounod. — Adoro Te. Catholic hymn.
— Kyrie (From the Mass "O regem cceli." Palestrina). — O Jesus my
Lord. J. S. Bach. — Old Hundredth (Psalm). — "I loved a lass."
(French pavane, 16th century.) — "Ol the sweet contentment." (Pas-
torale, 1650.) — "Love me true, dear lassie." Jacques Lefevre. — Ave
verum. Mozart. — Sicilian mariner's hymn. — O filii et filiae. Leis-
ring. — Hallelujah chorus. (From the Messiah.) Handel. 2. Tantum
ergo. Hymn to the Holy Sacrament. — Paucitas dierum. Palestrina.
— Ave Maria. Attributed to Arcadelt (17th century). — March and
air. (From Mozart's "Flauto magico.") Arranged for chorus. — Parce
and Hosanna. (Choral et fugue.) J. S. Bach. — Morning hymn. — The
last rose of summer. (Irish air.) — Chorus. "He sent a thick dark-
ness." (From "Israel in Egypt.") Handel. — Chorus. "Oh, by rivers."
Sir H. E. Bishop.— The march of the Men of Harlech. 3. Veni Creator
Spiritus. Hymne de la Liturgie catholique fran^aise. — Crucem sanc-
tam subiit. Motett. Palestrina. — O Lord. (Choral.) J. S. Bach. — Jesu
dulcis memoria. Motett for four voices. Vittoria. — Adoramus Te,
Christe. Motett for four voices. Palestrina. — Evening hymn. — Messe
breve pour les morts. (Requiem.) — O Salutaris Hostia. Hymn to
the Holy Sacrament. — Russian hymn. — Portuguese hymn (Adeste
fideles). — God save the Queen.
Gounod, Charles FranQois. V/orks about.
BovET, M. A. DE. Charles Gounod; his life and his works.
London. 1891. M.iiS-ii
Goddard, J. A study of Gounod's sacred trilogy the Re-
demption. London. [1883.] No. 8in M.116.7
Imbert, H. Charles Gounod. Les Memoires d'un artiste et
I'Autobiographie. Paris. 1897. No. 2 in M.370.65
Pagnerre, L. Charles Gounod: sa vie et ses oeuvres. Paris.
1890. M.I4I-4
Weldon, G. Mon Orphelinat et Gounod en Angleterre.
[London. 1875.] M.136.16
Musical reform. London. [1875. 1 No. i in M.I2S.8
Largely devoted to her quarrel with Gounod, musical copyright, and her
orphanage for teaching singing by a new method.
Goupil, , Abbe.
Daniel. Oratorio en 3 actes. Avec accomp. d'harmonium
ou de piano. Paris. Cartereau. [187-?] No. 3 in M.I94.9
Gourdon de Genouillac, Nicolas Jules Henri.
Les maries de Nanterre. Operette. Musique de A. Simiot.
No. I in M.300.S
Gournay, Francois Amand.
Jeux sceniques, a Rome. Chceurs de danse avec gestes, dia-
logues, vers fescennins . . . Caen. Hardel. i8.S7.
No. 5 in M.I2S.6
Gouverneur, Der, von Tours. Opera. For the Music see
Reinecke, C. H. C. For the Libretto see Bormann.
Gouvy, Louis Theodore.
Awakening of Spring. See his Friihlings-Erwachen.
Le dernier hymne d'Ossian. Scene lyrique, pour voix de
basse, avec accomp. de piano. Paris. Richault. [i8s-?]
No. 3 in M.391.42
Egill. Dramatische Cantate fijr Tenor- und Baritonsolo
Mannerchor und Orchester. Op. 86. Clavierauszug.
Leipzig. Kistner. [1893.] No. 8 in M.212.6
Elektra. Dramatische Konzertwerk fiir Solostimmen [s.
M.-s. T. B.], Chor und Orchester. Op. 85. Mit deutschem
und franzosischem Text. Klavierauszug. Leipzig. Breit-
kopf & Hartel. 1892. M.394-1S
Friihlings Erwachen. (Le printemps.) Cantate fiir Man-
nerchor, Sopransolo und Orchester (deutscher und fran-
zosischer Text). Op. 75- Partitur. Leipzig. Kistner.
[ 187-?] No. 2 in M.352.22
Same. Clavierauszug. No. 2 in M.1S5.13
Same. Awakening of Spring. Cantate for s. solo and male
chorus. [Accomp. for pianoforte.] Boston. Priifer.
[1884.] No. 4 in M.392.29
498
Gouvy
THE ALLEN A. BROWN COLLECTION OF MUSIC
Grace
Gouvy, Louis Theodore. (Continued.)
Hymne et marche dans la forme d'une ouverture. CEuvre 35.
Partition. Paris. Richault. [1869.] No. 7 in M.346.28
Iphigenie in Tauris. Dramatische Scenen fur vier Solo-
stimmen [s. t. bar. b.], Chor und Orchester. Op. 76. Mit
deutschem und franzosischem Text. Partitur. Leipzip:.
Breitkopf & Hartel. [1883?] M.203.19
Same. Clavierauszug. M.394.14
Messe breve (Missa brevis) pour chceur, soli et orchestre.
Partition de piano et chant. Leipzipr. Breitkopf & Har-
tel. ri88-?l No. 5 in M.156.15
Oedipus auf Kolonos. Dramatische Kantate in 3 Theilen
fiir vier Solostimmen fs. t. bar. B.l, Chor und Orchester.
Op. 75. Partitur. Leipzig. Breitkopf & Hartel. [1881. 1
M.3SI.I7
Same. Mit deutschem nud franzosischem Text. (Deutsch
von W. Lanffhans.) Klavierauszug. Leipzig. Breitkopf
& Hartel. [186-?] No. i in M.155.13
Ottetto pour fliite, hautbois, 2 clarinettes, 2 cors e 2 bas-
sons. Op. 71. Partition. Leipzig. Kistner. [1885?!
No. 4inM.335.7
Polyxena. Polyxene. Dramatisches Konzertwerk. Scenes
dramatiques in 2 Theilen fiir 3 Solostimmen fs. a. bar.],
Chor und Orchester . . . Op. 88. Mit deutschem und
franzosischem Text. Partitur. Leipzig. Breitkopf &
Hartel. 1896. Lithograph script. M.202.20
Requiem fiir vier Solostimmen, gemischten Chor und Or-
chester (Orgel ad libitum). Op. 70. Partitur. Leipzig.
Breitkopf & Hartel. [188-?! M.202.21
Same. Klavierauszug. No. 2 in M.156.2S
Schwedischer Tanz (Danse suedoise) aus dem „Octett" fiir
Blasinstrumente. Op. 71. Bearbeitet von August Horn.
Fur Streich-Orchester. Partitur. Leipzig. Kistner.
[186-?] No. 5 in M,332.I9
Sinfonietta (D dur) fiir Orchester. Op. 80. Partitur. Leip-
zig. Kistner. [188-?] M.403.47
Stabat Mater, pour 3 voix principales (soprano, alto, tenor),
choeur et orchestre. Partition chant et piano. Leipzig.
Senff. [187-?! No. 3inM.155.13
Symphonie, 2^nie, en fa. Partition. CEuv. 12. Paris.
Richault. [1848.! M.333.13
Symphonische Paraphrasen (Paraphrases symphoniques)
fur grosses Orchester. Op. 89. Partitur. Leipzig. Breit-
kopf & Hartel. 1899. No. 4 in M.403.45
Trio, I", pour piano, violon et violoncelle. Op. 8. [Parti-
tion.! Leipzig. Breitkopf & Hartel. [1851?!
No. 2 in M.21 1.3.3
Same. [Parties, violon et violoncelle. 1 2 v.
No. 21 in M.211.4.1, 2
Trio, 2e, pour piano, violon et violoncelle. CEuv. 18. [Par-
tition.! Paris. Richault. [1850?! No. 3 in M.211.3.3
Same. [Parties, violon et violoncelle.! No. 22 in M.211.4.1, 2
Trio, 3e, pour piano, violon et violoncelle. CEuv. 19. [Par-
tition.] Paris. Richault. [1850?! No. 4 in M.211.3.3
Same. [Parties, violon et violoncelle.! 2 v.
No. 23 in M.211.4.1, 2
Gouzien, Armand.
Chanson chinoise. [s. ou t. Accomp. de piano.] Por-
trait. Facsimile. (In Album du Gaulois. Vol. i.)
No. 22 in 11.391.28.1
Glouzien, Armand, editor.
Album du Gaulois. M.391.28
Journal, Le, de musique. M.171.2
Mendes, editor. Les plus jolies chansons du pays de France.
M.122.41
Gow, Niel.
A second collection of Strathspey reels &c. With a bass
for the violoncello Or harpsichord . . . Edinburgh. Printed
for the author. [181-?! No. 2 in M.380.42
A fourth collection of Strathspey reels &c. for the piano
forte, violin and violoncello. Edin"". Gow & Shepherd.
[179-?! No. 4 in M.380.42
Gozlan, Leon.
Balzac intime: Balzac en pantoufles; Balzac chez lui. Nou-
velle edition. Paris. Librairie illustree. [1886.I M. 127.13
Comment on se debarrasse d'une maitresse. (In Foyer de
I'Opera. Tome i, pp. 9-75. Bruxelles. 1840.) M. 1293.5.1
Grab, Das. Song. Schubert, F. P. Werke. Serie 20, Band 3,
4. 5- M.317.1.20.3, 4, 5
Three settings.
Grab, Das. Symphonic poem. Lickl, F. C. M.312.11
Grab, Das, der weissen Rose. Part-song. Weidt, H.
No. 1.36 in M.246.23
Grab, Das, des Mufti. Opera. For the Music see Baumgarten,
G. von. For the Libretto see Falbaire de Quincey.
Grab, Das, im Busento. Cantata. For the Music see Gerns-
heim; also Schwaiger. For the Libretto see Platen-
Hallermund.
Grab, Das, in Buzento. Cantata. For the Music see Nessler.
For the Libretto see flaten-Hallermund.
Grab und Mond. Part-song. Schubert, F. P. Chor-Gesang-
werke. Band 2. No. 34 in M.280.48.2 ; etc.
Grabbe, Christian Dietrich.
Aschenbrodel. Ein Marchen. Componirt von H. Hofmann.
No. I in M.ISS.24
Graben-Hoffmann, Gustav.
500.000 Teufel! [Fiir Bass-Solo mit Mannerchor bearbeitet
von R. Tschirch.] Berlin. Schlesinger. [187-? Lieder
fijr Bass-Solo mit Mannerchor.] No. 35 in M. 392.26
Mein Kehl' ist wie der Ocean. [Lied fiir eine Bass-Stimme
in Verbindung mit vierstimmigen Mannerchor und Be-
gleitung des Pianoforte, ad lib.] Leipzig. Kistner. [i860?
Vier Trinklieder.! No. 9 in M.212.6
Das Nachtigallenwaldchen . . . fiir 4 Frauenstimmen oder
Chor. Berlin. Schlesinger. [186-?! No. 3 in M.157.15
Die Pflege der Singstimme und die Griinde von der Zer-
storung und dem friihzeitigen Verlust derselben . . .
Dresden. Wienecke. 1865. No. 5 in M.377.15
Singende Blumen. Wiegenreigen . . . fiir 4 Frauenstim-
men oder 3 Frauen- und i Mannerstimme. Mit Begl. des
Piano. Berlin. Schlesinger. [185-?! No. 5 in M.244.ii
Grabesblumen. Song. T.\ubert, C. G. W. Sieben Lieder.
No. 30 in M.192.8
Grabgesang. Part-song. Kuhlau. No. 36 in M. 147.4
Otto, E. J. Der Philister. No. 4 in M.392.20
Rheinberger, J. G. Fahrende Schiiler. No. 19 in M.392.22
ZoELLNER, C. F. No. 45 in M.392.27
Grablegung Christi, Die. Cantata. For the Music see Klug-
hardt. For the Libretto see Hosaeus.
Grablied. Part-song.
Cornelius. Trauerchore. Heft 2. No. 25 in M.392.6; etc.
Flemming. No. 57 in M.2i3.g
Schubert, F. P. 12 Gesange. No. 10 in M.158.21; etc.
Weber, C. M. F. E. von. Sammtliche Lieder. Band 2.
No. TOO in M.244.7
Grablied auf einen Soldaten. Song. Schubert, F. P. Werke.
Serie 20, Band 4. M.317.1.20.4
Grablied fiir die Mutter. Song. Schubert, F. P. Werke.
Serie 20, Band 5. M.317. 1.20.5
Grabmusik. Cantata. For the Music see Mozart. Werke.
Serie 4.
Grabschrift einer Nachtigall. Song. Righini. Zwolf deutsche
Lieder. No. 27 in M.221.33
Grace, A. Part-song. Beethoven. No. 19 in M. 290.22.2
Carnaby. No. 5 in M.340.IS
NovELLO, V. No. I in M.i7s.i.s
Grace after meat.
NovELLO, V. A conventual grace. No. 23 in M.260.17.2
Grace before and after meat. A collection by various authors.
(In Novello's Glee-hive. Vol. 2, pp. 49-58.)
No. 34 in M.157.20.3
Contents. — For these and all Thy mercies [a. t. t. b.] , by T. Young.
— For what we have received [a. t. t. b.], by V. Novello. — Te Deum
Patrem [a. t. t. b.], by B. Rogers. — Wykehamists' grace [s. a. t. b.],
by J. Reading. — Benedictus sit Deus [s. a. t. b.], by J. Reading. —
Non nobis Domine [a. t. b.}, by W. Byrd. — Amen [a. t. b.], by Dr.
Cooke. — Amen [s. a. t. b.], by Dr. Cooke.
499
Grace
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Grammann
Grace before meat. (In Turle and Taylor. The People's
music book. Vol. 2, p. 212.) No. 50 in M.iii.4.2
Grace notes. See Ornaments.
Grace pour moi. Song. Masini. Album. No. 10 in M.237.5
Gracious Lord. Duet. Latrobe, C. I. Original anthems.
No. 2 in M.236.IS
Gracious Spirit. Anthem.
BuFFiNTON. Four hymns. No. 7 in M.190.2
MiNf:. No. 3 in M.290.9.1
Gracious Spirit, Love divine. Anthem. Emerson, I.
No. ,34 in M.158.15
Graduale de tempore et de Sanctis juxta ritum sacrosanctae
Romanse ecclesias cum cantu Pauli V. pont. max. jussu
reformat©. Cui addita sunt officia postea approbata sub
auspiciis sanctissimi domini nostri Pii Pp. IX. curante
sacr. rituum congreRatione. Ratisbonae. Pustet. 1871.
M. 136.2
Graduals. See Liturgical music.
Graedener, Carl G. P.
Clavier Quintet. [In Cis moll. Fiir Clavier, 2 Violinen,
Bratsche und Violoncell.] Op. 57. [Partitur. Hamburg.
Pohle. 186-?] No. 4inM.2ii.5.i
Same. FStimmen.] 4 v. No. 6 in M.211.6.1-4
[Fiesco.] Ouverture fiir grosses Orchester zu Schiller's
„Fiesco." Op. 30. Partitur. Hamburg. Pohle. [187-?]
No. I in M.346.22
Sinfonie (C moll) fiir grosses Orchester. Op. 25. Partitur.
Hamburg. Pohle. TiS.S-?! M.348.22
Graedener, Hermann.
Capriccio fiir Orchester. Op. 4. Partitur. Hamburg. Pohle.
[1877?] No. I in M.335.22-
Fine Lustspiel-Ouverture fiir Orchester. Op. 28. Partitur.
Wien. Gutmann. [1886.] No. 2 in M.346.22
Octett fiir 4 Violinen, 2 Bratschen und 2 Violoncelli. Op. 12.
Partitur. Wiener-Neustadt. Wedl. 1881. No. 2 in M.358.27
Sinfonietta fiir Orchester. Op. 14. Partitur. Wiener-Neu-
stadt. Wedl. 1881. No. 2 in M.335.22
Graeff, Johann Julius.
I told my nymph. Canzonet \t. Accomp. for pianoforte].
(Ill Musical library. Vol. 2, pp. 162-164.)
No. =;g in M.235.18.2
Graefin Dubarry. Opera. For the Music see Milloecker. For
the Libretto see Walzel.
Graeme, Elliott.
Beethoven. A memoir. With an essay (quasi fantasia) "on
the hundredth anniversary of his birth" &c. By Ferdi-
nand Hiller. London. Griffin & Co. 1870. Portrait.
M.104.39
A compilation from the works of Marx, Thayer, Schindler, &c.
Graener, Paul.
The faithful sentry. Opera in one act. Libretto by Theo-
dor Korner. English version (with original lyricsj by
Samuel Gordon. Music by Paul Graener. Vocal score.
[Accomp. for pianoforte.! Washington. St. Cecilia Music
Publishing Co. 1899. No. 2 in M.402.6S
Graeser, Franz.
Waldeslust. fMannerchor.l (In Gruber. Sangeshort.
Heft 4, pp. 20, 21.) No. 3 in M.370.30
Graeser, Hermann.
Josepha. Romantische Spieloper von Julius Zahler und
Hermann Graeser. Musik von Alphonse Maurice.
No. I in M.396.68
rpa$T. rjieiixeHT.. [Graf Gleikhen.] For the Music see
Walner. For the Libretto see Musaeus.
Graf Hammerstein. Ot>era. For the Music see Swart. For
the Libretto see Jacoby.
Graf Rolf. Part-song. Orro, F. No. 26s in M.i29a.43-8
Graff, Wilhelm Paul.
Odysseus. Scenen aus der Odyssee, fiir Chor, Solostimmen
und Orchester von Max Bruch. M.341.13; etc.
Graffigna, Achille.
I Bonifazi ed i Salinguerra, dramma. Venezia. Molinari.
[1842.1 No. IS in M.147.8.3
Libretto only, in Italian.
Graffigna, Achille. (Continued.)
Duchessa di S. Giuliano. See his Veronica Cibo.
Stabat Mater, a quattro voci e coro, con accomp. di piano-
forte. Milano. Canti. [1887?! No. 4 in M.202.16
Veronica Cibo. [Opera. Parole di Peruzzini e Marcello.l
Partitura originale di Achille Graffigna. Manuscript.
[Paris? i86o?l 2 v. M.402a.34
Same. La duchessa di S. Giuliano. [Opera. Parole di
Peruzzini e Marcello.l Partitura originale di Achille
Graffigna. Manuscript. [Paris? 1865?] 2 v. M.402a.36
Graham, George Farquhar.
An essay on the theory and practice of musical composi-
tion. Edinburgh. Black. 1838. 6 sheets. M.122.2S
A reprint of the article Music in the seventh and eighth editions of the
Encyclopaedia Britannica.
Graham, Harry.
Little Miss Nobody. A new musical comedy. Music by
Arthur E. Godfrey. M.393-20
Graheim, Thomas, editor.
Kent. Kent's anthems, with symphonies and accomp. for
the organ or piano forte. M.233.21
Grail, Jane.
Paula. Tragedie lyrique. Poeme de Jane Grail et fidouard
Droz. Musique de fimile Ratez. No. 2 in M.396.73
Graivil, Bertot, pseud. See Domicent, Eugene fidouard.
Gram. Part-song. Dvorak. Drei slovakische Volkslieder.
No. 14 in M.212.4
Gramachree Molly. Irish melody. Arranged as a glee for 4
voices. (In Warren. Cocks's Hand-book of glees. Vol.
3, pp. 31, 32.) No. II in M.157.6.3
Gramm, Carl.
Abendstandchen. Fiir vierstimmigen Mannerchor. Op. 10.
Partitur. Hamburg. Thiemer. [188-?] No. 25 in M.392.10
Jagerlied [t. t. b. b.]. Hamburg. Thiemer. [188-? Ger-
mania.l No. 31 in M.392.8
Zwei Lieder. Fiir 4 stimmigen Mannerchor. Op. 13. Ham-
burg. Thiemer. [i88-?l No. 26 in M. 393. 10
Contents. — Der Strom. — Winterlied.
Grammann, Carl.
Das Andreasfest. Romantische Oper in 3 Aufziigen. Dich-
tung von Roderich Eels [Pseud.]. Musik von Carl Gram-
mann. Clavier-Auszug. Berlin. Erler. [1882.] M.266.27
Auf neutralem Boden. Oper in einem Acte. Dichtung von
Franz Koppel-Ellfeld. Musik von Carl Grammann. Op.
40. Clavier Auszug. Leipzig. Seemann. igoo. Portrait.
M.383.S8
Aventiure. Symphonic fur grosses Orchester. Op. 31.
Partitur. Berlin. Erler. [i88o?l No. i in M.342.2
Deutscher Heldenmarsch, 1870. See his Festmarsch.
Festmarsch, fur grosses Orchester, event, mit zweitem
Orchester (Orgel ad. lib.). Op. i. Partitur. Dresden.
Ries. [187-?] No. 5 in M.403.45
Same. Liibeck. Kaibel. No. 2 in M.342.2
Ingrid. Oper in zwei Akten von T. Kersten. Musik von
Carl Grammann. Op. 57- Klavierauszug mit Text. Leip-
zig. Schuberth & Co. [1894.I No. i in M.382.27
Das Irrlicht. Oper in einem Akt (mit Benutzung einer
franzosischen Idee) von Kurt Geucke. Musik von Carl
Grammann. Op. 58. Klavierauszug mit Text. Leipzig.
Schuberth & Co. [1894.] No. 2 n M.382.27
Melusine. Romantische Oper in 3 Aufziigen. [Text und]
Musik von Carl Grammann. Vollstandiger Klavieraus-
zug. Neue Ausgabe. Dresden. Ries. [1879?] M. 266.28
Same. Vorspiel. Partitur. Dresden. Ries. [1879.]
No. 3 in M.342.2
Romanze und Scherzo fiir Orchester. Op. 17. Partitur.
Lubeck. Kaibel. [1876?] No. i in M.348.20
Thusnelda. Grosse Oper in 3 Aufziigen. Dichtung von H.
Dickmann. Musik von Carl Grammann. Clavierauszug.
Leipzig. Klemm. [1881.] M.266.29
Trauer-Cantate (nach Worten der heiligen Schrift), fiir
Baritonsolo, Chor und Orchester componirt von Carl
Grammann. Op. 23. Partitur (mit unterlegtem Klavier-
Auszuge). Dresden. Hoffarth. [188-?] No. 3 in M.202.18
500
Gramont
THE ALLEN A. BROWN COLLECTION OF MUSIC
Grange
Gramont, Louis de.
Aphrodite. Drame musical. Musique de Camille Erlansrer.
M.389.4
Astarte. Opera. Musique de Xavier Leroux. M.382.42
Esclarmonde. Opera romanesque. Poeme de Alfred Blau
et Louis de Gramont. Musique de J. Massenet. M.247.38
Evangeline. Legende acadienne, tiree du poeme de Long-
fellow par Louis de Grammont, Georges Hartmann &
Andre Alexandre. Musique de Xavier Leroux. M.302.7
Venus et Adonis. Scene lyrique. Musique de Xavier Le-
roux. No. 3 in M.193.S
William Ratcliff. Tragedie musicale. Musique de Xavier
Leroux. M.399.90
Granada. Opera. For the Music see Hill, E. B. For the
Libretto see Oliver, J. R.
Granatieri, L Ofera. For the Music see Valente. For the
Libretto see Mery.
Grand, Georges.
Victor Capoul. Paris. Dentu. 1877. Portrait.
No. .3 in M.128.31
Grand alliance. The. Cantata. For the Music see Bishop,
H. R.
Grand-Carteret, John.
Richard Wagner en caricatures. Paris. Larousse. fiSgi.]
Illus. Portraits. Plates. Facsimiles. M.144.13
Grand Casimir, Le. Opera. For the Music see Lecocq, A. C.
For the Libretto see Prevel, J.
Grand deuil, Le. Ofera. For the Music see Barton, H. M.
For the Libretto see Vial.
Grand due, Le, de Matapa. Opera. For the Music see De-
billemont. For the Libretto see Nicolaie, L. F.
Grand duke, The; or, the statutory duel. Opera. For the
Music see Sullivan, A. S. For the Libretto see Gilbert,
W. S.
Grand Ferre, Le. Opera. For the Music see Planchet. For
the Libretto see Tiercelin.
Grand mauvais sujet, Un. Opera. For the Music see Uzes.
For the Libretto see Soupe.
Grand Mogol, Le. Opera. For the Music see Audran. For
the Libretto see Chivot.
Grand prix, Le, ou le voyage a frais communs. Opera. For
the Music see Adam, Adolphe C. For the Libretto see
Lurieu.
Grandauer, Franz.
Junker Heinz. Oper. Musik von Karl von Perfall. M.287.7
Grande duchesse. La, de Gerolstein. Opera. For the Music
see Offenbach. For the Libretto se Meilhac.
Grande nouvelle. Opera. For the Music see Delibes. For the
Libretto see Rocheblave, E. de.
Grande Paque russe. La. Overture. Rimski-Kors.\kov.
No. 2 in M.338.26
Grandi,
Le gelosie villane. [Opera. 1 Musica del Sig'' Giuseppe
Sarti. M.SI.21
Grandmougin, Charles Jean.
A Hector Berlioz. Poesie dite par M. Mounet-Sully . . . le
6 Janvier 1878, au Concert du Chatelet . . . Paris. San-
doz & Fischbacher. 1878. No. i in M.372.43
Les Amazones. Symphonic dramatique. Musique de C.
Chaminade. M.203.30
Le Christ. Drame sacre. Preludes symphoniques et mu-
sique de scene de Clement Lippacher. No. 3 in M.203.36
Figarella. Opera-comique de Ch. Grandmougin & Jules
Mery. Musique de Justin Clerice. No. 2 in M.394.12
Hulda. Opera. Musique de Cesar Franck. M.256.15
Mazeppa. Opera de Ch. Grandmougin & Georges Hart-
mann. Musique de C. de Grandval. M.266.30
Les Pharaons. Grand opera. [Musique del Charles Gre-
linger. M.383.20
La resurrection de Lazare. Scene religieuse de E. Favin &
Ch. Grandmougin. Musique de Raoul Pugno.
No. I in M.297.21A
Grandmougin, Charles Jean. (Continued.)
Le Tasse. Symphonie dramatique. Musique de Benjamin
Godard. M.256.3
La Vierge. Legende sacree. Musique de J. Massenet. M.257.6
Grandpa's birthday. Opera. For the Music see White, C. A.
For the Libretto see Smith, D.
Grandpapa, Le, de la chanson. Opera. For the Music and
Libretto see Lefort, G.
Grandpere, Le, ou les deux ages. Opera. For the Music see
Jadin, L. E. For the Libretto see Favieres.
Grand'tante, La. Opera. For the Music see Massenet. For
the Libretto see Colombeau.
Grandval, C. de. See Gremdval, Marie Felice Clemence de
Reiset, Vicomtesse de.
Grandval, Marie Felicie Clemence de Reiset, Vicomtesse de.
Avril. [Chanson, s. ou t. Accomp. de piano.l Facsimile.
(In Album du Gaulois. Vol. i.) No. 23 in M.391.28.1
Les fiances de Rosa. Opera comique en i acte de M. A. t
Choler. Musique de M^e Clemence Valgrand [pseud.].
Partition chant et piano. Paris. Choudens. [1863.I
No. I in M.324.33
La fille de Jaire. Poeme de Paul Collin. Musique de C. de
Grandval. Partition, chant et piano. Paris. Hartmann.
fi88i.l No. 2 in M.266.31
La foret. Poeme lyrique, pour soli [s. bar.], choeurs et or-
chestre, [paroles et musiquel par C. de Grandval. Parti-
tion pour chant et piano. Paris. Hartmjnn. [1875. 1
No. I in M. 155.14
Mazeppa. Opera en 5 actes & 6 tableaux de Ch. Grand-
mougin & Georges Hartmann. Musique de C. de Grand-
val. Partition pour chant & piano. Paris. Choudens.
1892. M.266.30
Same. Ballet de Mazeppa. Partition d'orchestre. Paris.
Choudens. [1892?] No. 3 in M.406.50
Messe . . . avec orchestre, soli & choeurs. Partition com-
plete avec reduction de I'orchestre pour piano et orgue.
Paris. Heugel & cie. [i88-?l No. 2 in M.156.17
La ronde des songes, scene fantastique [pari Paul Collin.
Pour solo [s.l, chceurs, et orchestre par C. de Grandval.
Partition chant et piano. Paris. Hartmann. [1883. 1
No. 2 in M. 155. 14
Sainte Agnes. Drame sacre de Louis Gallet. Musique de
C. de Grandval. Partition pour chant [s. b.'\r. et chreursl
et piano. Paris. Hartmann. [189-?! No. i in M. 155.15
Graner, Robert.
Spatz und Spatzin . . . Humoristischer Mannerchor mit
Tenor-Solo. Op. 112. Leipzig. Forberg. [i88o?l
No. 27 in M.392.10
Grange, Pierre Eugene Baste.
A Clichy. Opera comique. Paroles de Dennery [pseud.]
et E. Grange. Musique de Ad. Adam. No. 2 in M.361.11
La boite au lait. Opera-bouffe de Mrs E Grange et J.
Noriac [pseud.]. Musique de J. Offenbach. M.267.41
Le bouton perdu. Operette. Paroles de MM. E. Grange,
et V. Bernard. Musique de Adrien Talexy. No. 2 in M.324.8
Les croqueuses de pommes. Operette. Paroles de E.
Grange & E. Abraham. Musique de L. Defffes. M.39S.23
Don Pedre. Opera comique. Paroles de Cormon [pseud]
et E. Grange. Musique de Ferd. Poise. M.297.2
Goldchignon. Komische Operette von Grange. Bernard
und Trefeu. Musik von Emil Jonas. M. 286.22
Le grelot. Operette de Eugene Grange & Victor Bernard.
Musique de Leon Vasseur. No. i in M.327.17
Les lavandieres de Santarem. Opera comique. Paroles de
Dennery [pseud. 1 et Grange. Musique de F. A. Gevaert.
M.364.36
Le mariage d'une etoile. Operette. Paroles de MM. Eugene
Grange & Victor Bernard. Musique de L E. Legouix.
No. 2 in M.306.12
Le moulin du Vert-Galant. Opera comique de Mrs £.
Grange et V. Bernard. Musique de G. Serpette. M.322.29
Rose-polka. Operette. Paroles de E. Grange et V. Ber-
nard. Musique de E. Willent-Bordogni. No. 4 in M.277.2I
501
Grange
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Graun
Grange, Pierre Eugene Baste. (Continued.)
Salvator Rosa. Opera comique. Paroles de MM. E. Grange
et H. Trianon. Musique de J. Duprato. M.30S.24
Grant, John B.
Love's question. A four-part song. (In Novello's Part-
song book. 2d series. Vol. IS, pp. 37-40.)
No. 8 in M.195.1.15
The mystic isle; or, the laws of average. A comic opera in
two acts, written by Sydney Rosenfeld. Music by John
B. Grant. Philadelphia. Lee & Walker. 1886. M.402.23
Grant Monument Association.
Pratt, S. G., editor. "The War in song." [Programme and
words of the songs, with music. New York.l 1891. Por-
trait. No. I in M.372.61
In aid of the Grant Monument Fund.
Grant, O Lord. Anthem. Mozart. No. 2 in M.236.34; etc.
Grant to us, Lord. Anthem. Button. No. 20 in M.158.14
Grant to us. Lord, we beseech Thee. Anthem.
Baenby. No. S in M.157.32
Parsons, C. Cathedral music. M.233.11
Grant us Thy peace. Anthem. Mendelssohn-Bartholdy,
J. L. F. Da pacem.
Grant, we beseech Thee. Anthem.
Attwood. Cathedral music.
Callcott, J. W.
Mann, R.
Mozart.
Smart, H.
Granvallet, Charles.
La grand'tante. Opera-comique. Paroles de Jules Adenis
[pseud.] & Ch. Granvallet. Musique de J. Massenet.
No. I in M.389.12
Madame Turlupin. Opera-comique. Poeme de Cormon
[pseud.] et Grandvallet [sic]. Musique de E. Guiraud.
M.276.9
Grasmuecke, Die. Part-song. Zoellner, H. No. 36 in M.203.20
Grass widows. Ofiera. For the Music see Gabriel, M. A. V.
For the Libretto see March.
Grassineau, Jacques.
A musical dictionary. London. Wilcox. 1740. M.145.13
Grassini, Francesco Maria.
I tell thee, boy. Part-song for t. t. b. b
New series. Vol. 3, pp. 118-125.)
Grast, Franz.
Come, shepherds. Ranz des vaches.
music. Secular. Vol. 2, pp. 57-59.)
Fete des vignerons en 1865. (Celebration des saisons.)
Partition des chants [t. b. et chceurs] et airs de ballet
reduite pour le piano. Paris. Richault. [1865. 1
No. 2 in M.266.38
Gratia sola Dei. Motet. Lassus. Sammtliche Werke. Band 3.
M.8o4oa.67.3
Gratias agimus. 'Anthem. Clari. No. 4 in M. 233.26.5
No. 6 in M.391.49; etc.
M.233.2
No. 83 in M.lli.4.2
No. 18 in M.233.13
No. 46 in M.290.22.1
No. 4 in M.157.10
{In The Orpheus.
No. 29 in M.205.10.3
(In Hullah. Part
No. 13 in M.157.28.2
Pergolesi.
Grattann,
[Mass in A, for s. a. t.
Vocal score only.
Graun, Carl Heinrich.
Am Sontage Rogate.
Chester.] Partitur.
Astonish'd seraphim.
No. 31 in M.260.24.2
b.] Manuscript. [185-?]
No. 3 in M.250.6; No. 4 in M.250.38
[Fiir Solostimmen, Chor und Or-
Manuscript. [i8o-?l M.202.2
[b. solo and chorus.] From the
Oratorio Der Tod Jesu. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 3, pp. 161-175.)
No. 30 in M.290.29.3
Behold the Lamb of God. Coro. [Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. i, pp. 36-38.)
No. 9 in 11.290.29.1
Bless the Lord, O my soul. Aria [s. or t. Accomp. for
pianoforte]. (In Latrobe. Selection of sacred music.
Vol. 3, pp. 77-80.) No. 15 in M.2go.29.3
Bow down thine ear. Aria, t. [Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. 6, pp. 174-
176.) No. 31 in H.290.29.6
Graun, Carl Heinrich. (Continued.)
Come, soft, relenting charity. Duetto [s. s. Accomp. for
organ]. (In Gardiner. Sacred melodies. Vol. 3, pp. 271-
273.) No. 2 in M.236.30.3
[Coriolano. Opera seria. Parole di Villati. Musica di C.
H. Graun. Per canto.] Manuscript. [178-?] M.282.15
Dignare, Domine. [Solo, s. or t. Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. 4, pp. I45-
148.) No. 27 in M.290.29.4
Duetti, terzetti, quintetti, sestetti, ed alcuni chori. Berlino.
Decker. 1773. 74. 4 v. in 3. M.398.7
Contents. — I. Parto da te [s. c] di Rodelinda. — Ecco mio [s. s.] di
Cleopatre e Cesare. — Tu vuoi ch'io viva [s. s.] di Artaserse. — Vieni
si bell' idol [s. s.] di Catone in Utica. — Se mai turbo [s. s.] di
Alessandro nelle Indie. — In mezzo a questi amplessi [s. T.] di Lucio
Papirio. — Pass! da te [s. s.] di Adriano. — La destra ti chiedo [s. s.]
di Demofoonte. — Se vedrai dall' Occidente [s. s.] dei Feste galanti.
— Com' e I'aurora al prato [s. s.] della Pastorale. — Ora sarai con-
tenta [s. s.] di Cinna. — Dal labro tuo [s. s.] dell' Europa galante. —
Sia propizia a desir tuoi [s. s.] di Iphigenia. — Segui pur giovane
audace [s. s.] di Iphigenia. — Dirami una volta addio [s. s.] di An-
gelica e Medoro. — Ha gia promesso il Fato [s. s.] di Coriolano. —
Dona agli voti miei [s. s.] di Coriolano. 2. Ti sono ancor fedele
[s. s.] di Fetonte. — Tra lascia un vano amore [s. s.] di Fetonte. —
Non disperar [s. s.] di Fetonte. — Come mai temer [s. T.] di Armida.
— Dolce ben [s. s.] di Britannico. — Questo pianto [s. s.] di Britan-
nico. — Si, mio ben [s. s.] di Orfeo. — Grato core [s. s.] del Giu-
dizio di Paride. — Or tempra i martiri [s. s.] di Mitridate. — Quando
potrem giammai [s. s.] di Silla. — Barbaro traditore [s. a.] di Silla. —
Figlio ... oh Diol [s. s.] di Semiramide. — Ah, sol per te [s. s.] di
Montezuma. — Amor sol m'accende [s. s.] di Ezio. 3. Colmo di
gioja [s. s.] dei Fratelli nemici. — Cessa omai di quel tiranno [s. s.]
di Merope. — Lascia Augusto [s. s. b.] di Cinna. — Ah tu, Signor,
riserba [s. s. s.] di Ifigenia. — Trema pur [s. s. s.] di Angelica e
Medoro. — Vado a pugnar [s. s. b.] di Mitridate. — Barbaro, tu lo
sai [s. s. B.] di Armida. — Fuggi da questo lido [s. s. B.] di Orfeo. — -
Della bellezza ho il vanto [s. s. s.] del Giudizio di Paride. — Rendi
mi il caro oggetto [s. s. s.] di Silla. — La tua baldanza [s. s. s.] di
Semiramide. — All' armi [s. s. s. t. t. b.] di Cleopatra e Cesare. —
Come un' amico [s. s. s. s. s. s.] di Artaserse. 4. Qual un giorno.
Coro di Cleopatra. — De! suo gran Padre. Coro di Artaserse. —
Giuriamo, o dea terribile. Coro di Cinna. — Mora Ifigenia. Coro
di Ifigenia. — D'un cor Romano. Coro di Catone. — Notte, agli
amanti arnica. Coro dell' Europa galante. — Vanne, Neron spietato.
Coro di Britannico. — Viva di Silla il nome. Coro di Silla. — Roma
e salva. Coro di Coriolano.
There is also, in vol. 2, Vita del Signor' C. E. Graun, and in vol. 3,
Analisi dei drammi. Both these notices and the words of all the
songs are given in Italian, German and French.
Et rege eos. Coro. [Accomp. for pianoforte.] (In La-
trobe. Selection of sacred music. Vol. i, pp. 113-119.)
No. 26 in M.290.29.1
Freuet euch alle. Coro. [Mit Pianoforte-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 3, pp. 126-129.) No. 22 in M.202.6.3
From his Der Tod Jesu.
God my strength. Duetto [s. a. Accomp. for pianoforte].
(In Latrobe. Selection of sacred music. Vol. 2, pp. 123-
127.) No. 27 in M.290.29.2
He was despised. Coro. [Accomp. for pianoforte.] (In
Cotton. Bangor Cathedral collection. Pp. 93-95-)
No. 14 in M.290.33
Also to be found in Latrobe's Selection of sacred music.
Hier liegen wir. Coro. [Mit Pianoforte-Begleitung.] (In
Rochlitz. Sammlung vorziiglicher Gesangstiicke. Band
3. pp. 130-133.) No. 23 in M.202.6.3
From his Der Tod Jesu.
Let US run with patience. Coro. [Accomp. for pianoforte.]
(In Latrobe. Selection of sacred music. Vol. 6, pp. 17-
28.) No. 4 in M.290.29.6
Like as the hart. [Anthem. Accomp. for organ.] (In
Pratt. Collection of anthems. Vol. 2, pp. 70-81.)
No. 8 in M.233.18.2
Machet die Thore weit. Motetto [fiir Doppelchor]. (In
Rochlitz. Sammlung vorziiglicher Gesangstiicke. Band
3, pp. 112-121.) No. 21 in M.202.6.3
Missa [in E flat. Full score]. Manuscript. [l77-?]
No. I in M.250.19
O praise the Lord. [Anthem. Accomp. for organ.] (In
Cotton. Bangor Cathedral collection. Pp. 39-43)
No. 7 in M.290.33
502
Graun
THE ALLEN A. BROWN COLLECTION OF MUSIC
Great
Graun, Carl Heinrich. (Continued.)
O sing- praises to God. fAnthem. Accomp. for organ. 1
(In Cotton. Bangor Cathedral collection. Pp. 4.3-!;4.)
No. 8 in M.290.33
O Zion, mark. Chorale. From Der Tod Jesu. [Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. S, pp. 113-119.) No. 19 in M.2go.29.s
The passion of our Lord. See his Der Tod Jesu.
fPolidoro. Di opera Polidoro I'arie esquisite da composi-
tione di Sr. Graun. Accomp. di violino e piano. 1 Manu-
script. [175-?] M.391.24
Sing to Jehovah. Coro. From the Tod Jesu. [Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 2, pp. 33-39.) No. 7 in M.290.29.2
Te Deum. [Accomp. for pianoforte.] (In Latrobe. Selec-
tion of sacred music. Vol. I, pp. 1-14.) No. I in M.290.29.1
Te ergo quaesumus. Duetto [m.-s. t. Accomp. for piano-
forte]. (In Latrobe. Selection of sacred music. Vol. i,
pp. 75-80.) No. 18 in M.290.29.1
Te gloriosus Apostolorum chorus. [Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. i,
pp. 49-.=;2.) No. 12 in M.290.29.1
Thou hast brought me to the dust. Coro. [Accomp. for
pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 2, pp. 161-165.) No. 35 in M.2go.29.2
Der Tod Jesu. Kantate in Musik gesetzt von C. H. Graun.
Klavierauszug. Neue AuSgabe. Leipzig. Breitkopf &
Hartel. [181-?] No. i in M.221.7
The text is by Carl Wilhelm Ramler.
Same. The passion of our Lord. Set to music by C. H.
Graun. Translated and adapted [from Ramkr's poem]
by J. Troutbeck. [Pianoforte accomp.] London. No-
vello, Ewfer & Co. [188-?] M.153.23
Tu ad liberandum. Aria [s. and chorus. Accomp. for
pianoforte]. (In Latrobe. Selection of sacred music.
Vol. I, pp. 145-154.) No. 33 in M.290.29.1
Tu Rex gloriae. Coro. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. i, pp. 182-187. ^'
No. 42 in M.290.29.1
Also to be found in Rochlitz's Samralung vorziiglicher Gesangstiicke.
We will rejoice. [Motet. Accomp. for organ.] (In Cotton.
Bangor Cathedral collection. Pp. 136-153.)
No. 23 in M.290.33
Graupner, Gottlieb. See Graupner, Johann Christian Gott-
lieb.
Graupner, Johann Christian Gottlieb.
Stone, Catherine C. G., compiler. Gottlieb Graupner. "The
pioneer of classical music in America" . . . Berkeley.
1906. Portrait. M.380.65
Typewritten. Contains genealogical notes.
Grave, Theodore de.
Biographie d'Adelina Patti. Paris. Castel. 1865. M. 104.17
Grave, The. Song. Beneken. No. 5 in M.212.21.1
Grave affaire, Une. Opera. For the Music see Robillard. For
the Libretto see Gothi.
Grave, II, dell' eta. Part-song. Lassus. Sammtliche Werke.
Band 6. M.8o4oa.67.6
Grave, The, in the Busento. Cantata. For the Music see
Gernsheim. For the Libretto see Platen-Hallermund.
Grave, The, of a singer. Part-song. Abt, F. No. 23 in M.205.10.6
Gravollet, Paul.
Le petit Lulli. Opera-comique de Louis Leloir et Paul
Gravollet. Musique de Charles Hess. No. 2 in M.389.8
Gray, Alan.
Arethusa. Poem by Shelley. Set to music for bar. solo,
chorus and orchestra by Alan Gray. [Accomp. for piano-
forte.] London. Novello, Ewer & Co. 1892.
No. 2 in M.204.16
Gray, Jonathan.
An inquiry into historical facts relative to parochial psalm-
ody, in reference to the remarks of the Right Reverend
Herbert, Lord Bishop of Peterborough. York. Wolsten-
holme. 182 1. No. 3 in M.373.3S
Gray, Thomas.
The bard. A selection from Gray's Ode set to music by
E. G. Monk. M.280.27
Gray's Elegy: cantata. Composed ... by Alfred Cellier.
No. 2 in M.275.37
The lyre. A cantata, from Gray's ode "The progress of
poesy." The music by S. Percival. No. I in M.391.S3
Graz, Joseph.
Qui timetis Dominum. Motetto in usum quatuor vocum
. . . comitante clavicimbalo. Moguntiae. Schott. [182-?]
No. 4 in M.22I.43
Graziani, Anneldo.
La Tilda. Melodramma. Musica di Francesco Cilea. M.397.17
Grazie agl' inganni tuoi. Song. Mozart. Werke. Serie 7,
Band I. No. 35 in M.31S.1.7.1
Prati, a. Sei romanzi. No. 13 in M.221.2S
Graziella. Cantata. For the Music see Benedict, J. For the
Libretto see Hersee.
Graziella. For piano. Louis, N. No. 21 in M.390.2S
Graziella. Opera. For the Music see Choudens, A. For the
Libretto see Barbier, P. J.
Grazien, Die. Cantata. For the Music see Benda, F. W. H.
For the Libretto see Gerstenberg.
Great and glorious. Chorus. Haydn, F. J. No. 2 in M.236.304
Great and marvellous. Anthem. Boyce. No. 81 in M.iii.4.2
Great and marvellous are Thy works. Anthem.
Monk, E. G. No. 17 in M.19S.2.9; etc.
Parsons, C. Cathedral music. M.233.11
Tallis. No. 24 in M.233.25.3
Great Apollo. Glee. Webbe, S. No. 47 in M.235.14: etc.
Great author of my being. Anthem. Gambold.
No. 22 in M.20I.37
Great Bacchus, born in thunder. [Catch for 3 voices.] (In
Arnold. Convivial harmony. P. 415.) No. 7 in M.158.13
Great Bacchus, O aid us. Part-song. Webbe. S.
No. 7 in M.220.9.3; etc.
Great Britain. Music.
Bennett, J. The musical year, 1883. A record of note-
worthy musical events in the United Kingdom, with a
reprint of criticisms of many of them. London. [1884.]
M.148.36
Chappell, W. a collection of national English airs, con-
sisting of ancient song, ballad & dance tunes. The airs
harmonized by W. Crotch, G. A. Macfarren, and J. .A.u-
gustine Wade. [London.] 1839, 40. 2 v. M.121.16
Hooper, R. Music and musicians (especially English) to
the days of Henry Purcell. A brief historical sketch.
London. 1855. No. i in M.376.7
Kitchiner, W., editor. The loyal and national songs of
England, for one, two, and three voices, selected from
original manuscripts and early printed copies. London.
1823. No. I in M.237.24
The sea songs of England, selected from original
manuscripts and early printed copies in [hisl library.
London. 1823. No. 2 in M.237.24
Malim, a. W. English hymn tunes, from the i6th century
to the present time. London. [189-?] No. 6 in M.116.5
RoDWELL, G. H. B. a letter to the musicians of Great Bri-
tain; containing a prospectus of proposed plans for the
better encouragement of native musical talent . . . Lon-
don. 1833. No. 12 in M.149.8
Willeby, C. Masters of English music. London. 1893.
M.101.2
Year's music. The, 1896-98, being a concise record of all
matters relating to music and musical institutions. Lon-
don. 1896-98. 3 v. M.370.36
Great composers, The. Biography. Bourne, C. E. M.108.33
Butterworth. M.109.17
Great Diodes. Chorus. Purcell, H. Beauties of Purcell.
Vol. 2. M.221.2
Great, eternal, sovereign ruler. Anthem. Hummel, J. N.
No. 5 in M.236.30.4
Great father Bacchus. Glee. Paxton, S. No. i in M.2i8.8.8
503
Great
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Greenbank
Great folks. Catch. Hayes, W. Catches, glees and canons.
Vol. 2. No. 2 in M.220.5
Great God of all. Holy Creator. Anthem. Beethoven.
No. I in M.290.14; etc.
Great God of love. Madrigal. Pearsall. No. 14 in M.195.1.10
Great god of sleep. Glee.
Arnold, S. No. 252 in M.23S.17.2
Hutchinson, F. No. 84 in M.220.9.2
Great God, to Thee. Anthem.
Beethoven. No. 22 in M.290.9.1
RoLLE, J. H. No. 23 in M.290.29.S
Great God, unchangeably the same. Hymn. Jolly. Hymns,
canons . . . M.23S.2
Great God, what do I see! Hymn. Luther.
No. 27 in M.290.22.2; etc.
Great is Jehovah, the Lord. Anthem. Schubert, F. P.
No. 14 in M.195.2.11
Great is the Lord. Anthem. Haydn, F. J. No. i in M.ioo.io
Hayes, W. No. 5 in M.19S.2.7; etc.
Longhurst. No. 21 in M.190.5
OusELEY. No. 6 in M.195.2.12
RiGHiNi. No. 4 in M.290.33
Schneider, J. C. F. No. 8 in M.221.22.4
Verdi. No. 6 in M.290.9.1
Great is thy power. Round. Mozart. No. 12 in M.157.17.2
Great musicians. The.
Barrett, W. A. English church composers. London. 1882.
M.104.21
Benedict, J. Weber. London. 1881. M. 104.24
Crowest, F. J. Cherubini. London. 1890. M. 104,19
CuMMiNGS, W. H. Purcell. New York. 1881. M.104.23
Frost, H. F. Schubert. London. 1881. M.128.41
Gehring, F. Mozart. New York. 1883. M.104.26
Hueffer, F. Richard Wagner. London. 1881. M.126.14
Maitland, J. A. F. Schumann. New York. 1884. M. 104.25
Poole, R. L. Sebastian Bach. New York. 1882. M.104.22
Rockstro, W. S. Mendelssohn. London. 1884. M. 126.24
Great organ, The, in Boston Music Hall. A brief history of
the enterprise from its commmencement . . . Boston.
Ticknor & Fields. 1866. Plate. No. 5 in M.128.33
Great Orpheus was a fiddler. Part-song. Mackenzie, A. C.
No. 10 in M.205.10.6
Great Tom is cast. Catch. Lawes, H. No. sa in M.i39a.i8.4; etc.
Great tone-poets. The. Biography. Crowest. M.129.19
Greatheed, Samuel Stephenson.
Blessed is the man. Anthem. [Accomp. for organ.] {In
Ouseley. Special anthems. Vol. 2, p. 183-102.)
No. 15 in M.233.24.2
Enoch's prophecy; an oratorio. Vocal score, with accomp.
for the organ or pianoforte. The words from J. Mont-
gomery's The world before the flood. London. Novello.
[1852.1 M.241.33
"Hail, gladd'ning light." Anthem for evening service.
[Accomp. for organ.] {In Fowle. Parochial anthems.
Pp. 9-I3-) No. I in M.233.29
Ye that fear the Lord. Full anthem. [Accomp. for organ.]
{In Ouseley. Special anthems. Vol. i, pp. 9-12.)
No. 3 in M.233.24.1
Grec, Le, et son fils. Song. Weber, C. M. F. E. von.
No. 26 in M.221.30
Grechtelts enk. Canon. Mozart. Werke. Serie 7, Band 2.
No. 55 in M.31S.1.7.2
Gredin de Pigoche. Opera. For the Music see Vogel, C. L. A.
For the Libretto see Gaudichot-Masson.
Greece. Drama.
Maignien, C. a. N. Du theatre tragique des Grecs con-
sidere sous le rapport de la philosophic dramatique.
Grenoble. 1839. No. 6 in M. 125.6
Greece. Music.
BARTHiLEMY, J. J. EntreticHS sur I'etat de la musique
grecque vers le milieu du quatrieme siecle avant I'fire vul-
gaire. [Anon.] Amsterdam. 1777. No. 2 in M.207.32; etc.
Greece. Music. (Continued.)
Beaulieu, M. D. M. Memoire sur ce qui reste de la mu-
sique de I'ancienne Grece dans les premiers chants de
I'eglise. [Paris. 1856?] No. 2 in M.206.5
Bourgault-Ducoudray, L. a. fitudes sur la musique ec-
clesiastique grecque. Paris. 1877. No. 2 in M.122.4
CooKE, H. Some remarks on the Greek theory of tuning
instruments . . . [London. 1805?] M.123.26
Jones, E., editor. Lyric airs: consisting of specimens of
Greek, Albanian, Walachian, Turkish [etc.] . . . national
songs and melodies . . . Subjoined, a few explanatory
notes on the figures and movements of the modern Greek
dances; with a short dissertation on the origin of the an-
cient Greek music. London. 1804. No. 5 in M.380.9
Monro, D. B. The modes of ancient Greek music. Oxford.
1894. M.373.11
Plutarchus. De la musique. nepJ /touffi/c^s. Edition cri-
tique et explicative par Henri Weil et Th. Reinach. Paris,
igoo. M.112.19
Reinach, T. La musique grecque et I'Hymne a Apollon.
Paris. 1894. No. 3 in M.206.5
Requeno y Vives, V. Saggi sul ristabilimento dell' arte
armonica de' greci e romani cantori. Parma. 1798. M.208.2
Tiron, a. fitudes sur la musique grecque, le plain-chant,
et la tonalite moderne. Paris. i866. No. i in M.122.4
Greef, Arthur de.
Ballade in Form von Variationen iiber ein flamisches
Volkslied fiir Streichorchester. Partitur. Leipzig. Peters.
[i8S-?l No. 2 in M.332.23
Greek Church.
Karpov, G. F., editor. Kpyri. E;epKOBHaro flpesHHro
SHaMCHHaro ninia. [Cycle of old church songs.] Cn6.
1884, 85. 6 V. in 4. M.223.27
Neale, J. M., translator. Hymns of the Eastern Church,
translated, with notes and an introduction by J. M. Neale.
4th edition, with music trom Greek and other sources . , .
by S. G. Hatherly. London. 1882. M.216.10
Greek slave, A. Opera. For the Music see Jones, S. For the
Libretto see Hall, O.
Greek war song. Part-song. Bridge, Joseph C.
No. 12 in M.157.25
Green, James.
Altho' you're a cuckold. Catch [for 3 voices]. C/m Warren.
Collection of catches. Vol. 4, P. 3ii.) No. 98 in M.220.9.4
Here lies poor Toby. Catch [for 3 voices]. {In Warren.
Collection of catches. Vol. 4, P. 287.) No. 88 in M.220.9.4
The lord mav'r. Catch [for 4 voices]. {In Warren. Collec-
tion of catches. Vol. 4. PP. 286, 287.) No. 87 in M.220.9.4
When love and friendship. Glee [a. t. b.]. {In Collection
of glees and catches. Pp. 13-2.0.') No. 4 in M.iio.8
Also to be found in Warren's Collection of catches.
Green, Joseph.
The tritone: a method of harmony and modulation founded
on a system of inversion of numbers. London. Novello,
Ewer & Co. [1870.I M.122.26
Green grow the rushes O. A Scotch song [s. or t. Accomp.
for pianoforte]. London. Cabusac. [170-?]
No. 21 in M.237.2
Green isles of ocean. Song. Thomas, J. R. Six Welsh melo-
dies. No. 31 in M.192.14
Green leaves. Part-song. Taylor, J. B. No. 27 in M.157.4
Green thorn of the Hill of ghosts. Glee. Callcott, J. W.
Collection of glees. Vol. i. No. 22 in M.234.1.1
Green trees, The, whispered low and mild. Balfe.
No. 27 in M.192.9.1
Greenbank, Henrv.
An artist's model. A comedy with music. Music by Sidney
Tones. M.246.10
The circus girl. New musical play. Music by Ivan Caryll
[pseud.]. M.39.S.I2
The Geisha. A storv of a tea-house. A Japanese musical
play. Music bv Sidney Jones. M.3g5.36
A Greek slave. Musical comedy. Music by Sidney Jones.
*>■ M.394..S6
504
Greenbank
THE ALLEN A. BROWN COLLECTION OF MUSIC
Greene
Greenbank, Henry. (Continued.)
Incognita. A comic opera. Music by Charles Lecocq.
M.378.S3
San Toy, or the Emperor's own. A Chinese musical com-
edy. Music by Sidney Jones. M.402.2g
Greenbank, Percy.
The blue moon. A musical play. Music by Howard Tal-
bot and Paul A. Rubens. M.383.66
The Cingalee. A new and original musical play. Music by
Lionel Monckton. M.397.46
A country girl. A new and original musical play. Music
by Lionel Monckton. M.381.31
The earl and the girl. A musical comedy. Music by Ivan
Caryll fpseud.l. M.397.14
The little Michus. A new and original musical play. Music
by Andre Messager. 111.396.70
The love birds. A musical comedy. Music by Raymond
Roze. M.397.56
The messenger boy. A new and original musical play.
Music by Ivan Caryll Fpseud.l and Lionel Monckton.
M.402.9
My lady Molly. A comedy opera. Music by Sidney Jones.
M.397-3S
The orchid. A musical play. Music by Ivan Caryll [pseud.l
and Lionel Monckton. M.397.15
See-See. New Chinese comic opera. Music by Sidney
Jones. M.240.13
The spring chicken. A musical play. Music by Ivan Caryll
Tpseud.l and Lionel Monckton. M.399.13
Three little maids. A new and original musical play, com-
posed by Paul A. Rubens. M.397.S7
The toreador. An entirely new and original musical play.
Music by Ivan Caryll | pseud.] and Lionel Monckton.
M.382.7
Greene, Chester W., editor.
Sullivan, A. S. How sweet the evening shadows.
No. 42 in M. 158.19
Greene, Clay Meredith, editor.
Roger, V. The little trooper. No. 4 in M.402.74
Greene, Maurice.
Acquaint thyself with God. Solo fanthem, s. Accomp. for
organl. (In Ayrton. bacred minstrelsy. Vol. i, pp. 169-
171.) No. .^8 in M.290.22.1
Behold, I bring you good tidings. Anthem, f Accomp. for
piano.l (In Ayrton. Sacred minstrelsy. Vol. i, pp. q-i^.)
No. .3 in M.290.22.1
Blessed are those. Anthem fs. s.]. (In Stevens. Sacred
music. Vol. 2, pp. 42-49.) No. 7 in M.234.4.2
Blessed be God. Chorus. (In Hullah. Part music. Sacred.
Vol. 2, pp. 126-129.) No. 41 in M.157.28.2
Busy, curious, thirsty fly. Duett fx. B.l. (In Apollonian
harmony. Vol, I, p. 47-) No. .'iS in M.141.21.1
Also to be found in Social harmony.
Cathedral music; or, forty select anthems in score, consist-
ing of I, 2, ^, 4, .S, 6, 7 and 8 parts. London. Bennett.
[174.3.1 2 v. M.IS8.9
Contents. — I. Sing unto the Lord a new song. — Acquaint thyself
with God. — Praise the Lord, O my soul. — O sing unto the Lord. —
My God, my God, look upon me. — ■ Praise the Lord, ye servants. —
I will give thanks. — Arise, shine. — Let God arise, — Lord, how long.
— Put me not to rebuke. — O God, O God, Thou art my God. — O
clap your hands together. • — Lord, let me know mine end. — • Lord, how
are they increased. — I will sing of Thy power. — O praise our God.
• — ■ O sing unto the Lord with thanksgiving. — - Blessed are they that
dwell. — Let my complaint come before Thee [solo anthem], — Blessed
are those that are undefiled, — Thou, O God, art praised, 2. The king
shall rejoice. — Let my complaint, for 5 voices, — Behold, I bring you
glad tidings, — God is our hope, — Hear my prayer, O God, — O sing
unto God, ■ — Have mercy upon me, — Hear, O Lord, and consider, —
I will seek unto God, — O God of my righteousness, — O give thanks
unto the Lord, — The Lord is my Shepherd, ■ — O how amiable, ■ — My
soul truly waiteth, — The Lord, even the most mighty God, — How
long wilt ThoH forget. — O Lord give ear. — O Lord, grant the king.
Come, all noble souls. Round [for 3 voices]. (In Apollo-
nian harmony. Vol. I, p. "jS.) No. .^2 in M.141.21.1
Also to be found in Arnold's Convivial harmony; Bland's The Ladies'
collection; Social harmony.
Greene, Maurice. (Continued.)
Come, let us laugh. Round [for 3 voices!. (In Arnold.
Convivial harmony. P. 3,) No, 7 in M.158.13
Also to be found in Webbe, Jr.'s Convito armonico.
For God is in the midst. Duetto [s, s,], (/n Stevens. Sacred
music. Vol, 2, pp. 7-9.) No. 2 in M.234.4.2
Forty select anthems in vocal score . . . The separate ac-
comp. for the organ or piano forte, by Vincent Novello.
London. Novello. [184-?] 2 v. M.233.7
Contents. — I. Acquaint thyself with God. — Arise! shine, O Zion. —
Blessed are they that dwell in Thy house. — I will give thanks. — I
will sing of Thy power. — Let my complaint come before Thee [solo
and chorus]. — Let God arise. — Lord, how long wilt Thou be angry.
— Lord, let me know mme end, — Lord, how are they increased, —
My God, look upon me, — O God, Thou art my God, — O clap your
hands together. — O sing unto the Lord a new song. — O praise our
God, ye people. — O sing unto the Lord with thanksgiving. — Praise
the Lord, O my soul. — Praise the Lord, ye servants, — Put me not
to rebuke. — Sing unto the Lord a new song, 2. Blessed are those that
are undefiled. — Behold! I bring you glad tidings. — ■ God is our hope
and strength. — Hear my prayer, O God. — Have mercy upon me, O
God. — Hear, O Lord, and consider. — How long wilt Thou forget me.
— I will seek unto God, — Let my complaint come before Thee [5
voices], — My soul truly waiteth still upon God, — O sing unto God,
— O God of my righteousness, — O give thanks unto the Lord, — O
how amiable are Thy dwellings. — O Lord, give ear unto my prayer. —
O Lord, grant the king a long life. — Thou, O God, art praised in Zion.
— The king shall rejoice in Thy strength, — The Lord is my Shepherd.
— The Lord, even the most mighty God hath spoken.
God is our hope. Anthem. [Accomp. for organ. 1 (In
Gardiner. Sacred melodies. Vol. 3, pp. 27,'?-288.)
No. 4 in M.236.30.3
Also to be found in Novello's Collection of anthems.
Hail! British isle. Glee [a, t, b,], (In Social harmony. Pp.
227-231.) No. 189 in M.21S.21
Hail, hail, green fields. Catch a 3 voci. (In Apollonian har-
mony. Vol. I, p. 49.) No. 40 in M.141.21.1
Also to be found in Arnold's Convivial harmony; Bland's The Ladies'
collection: dementi's Collection of catches; Flowers of harmony;
Social harmony; Webbe, Jr.'s Convito armonico.
How soft the delights. Round [for 3 voices]. (In Arnold.
Convivial harmony. P. 3.) No. 7 in M.1S8.13
Also to be found in Bland's The Ladies' collection.
I will sing of Thy power. Full anthem [s. s. A. T. B.]. The
organ part by Vincent Novello. (In Novello's Collection
of anthems. Vol. 7, pp. 33-47.) No. 3 in M. 195.2.7
I've lost my mistress. Catch [for 3 voices]. (In Apollonian
harmony. Vol, 2, p, 26,) No. 21 in M.141.21.2
Also to be found in Arnold's Convivial harmony ; Flowers of har-
mony ; Social harmony.
Jolly mortals, fill your glasses. Round [for 3 voices], (In
Arnold, Convivial harmony. P. 8.) No. 7 in M.IS8.13
Also to be found in Webbe, Jr.'s Convito armonico.
Let all the lands, with shouts of joy. (In Metcalfe. Fifty
metrical anthems. Pp. ^q. 60,) No, 37 in M.1S7.34
Let God arise. Verse anthem [s. s. a. t. b.]. The organ part
by Vincent Novello. (In Novello's Collection of anthems.
Vol. 7, pp. 1-19) No, I in M. 195.2.7
Lord, from Thy unexhausted store, [Accomp, for organ,!
(In Metcalfe. Fifty metrical anthems. Pp. 77, 78,)
No, 46 in M.157.34.
The Lord is my Shepherd. Duetto [s. s. Accomp. for or-
gan]. (In Ayrton. Sacred minstrelsy. Vol, i, pp, 136-
139,) No, 48 in M.290.22.1
Also to be found in Stevens's Sacred music.
Lord, let me know mine end. Full anthem. [Accomp. for
organ.] (In Musical times. [Music] Vol. .3, pp, 87-gi,)
No. 23 in M.I 75.1.3
The Lord will deliver, [Anthem. Accomp. for organ.] (In
Gardiner. Sacred melodies. Vol. 3, p. 274.)
No. 3 in M.236.30.3
Also to be found in Turle and Taylor's The People's music book.
Mortals, learn. Round [for 3 voices], (In Arnold, Con-
vivial harmony, P. 6.) No. 7 in M. 158.13
Also to be found in Bland's The Ladies' collection,
O clap your hands. Full anthem [s, s. a. t. e.]. The organ
part by Vincent Novello. (In Novello's Collection of an-
thems. Vol. 7. pp. 20-.32.) No. 2 in M.195.2.7
I 64
SOS
Greene
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gregoir
Greene, Maurice. (Continued.)
O come, loud anthems let us sing. TAccomp. for organ. 1
(In Metcalfe. Fifty metrical anthems. Pp. 57, ."iS.)
No. 36 in M.1S7.34
O God of my righteousness. Anthem. TAccomp. for or-
gan.1 (In Ayrton. Sacred minstrelsy. Vol. 2, pp. 146-
150.) No. ?;s in M.2go.22.2
Also to be found in Gardiner's Sacred melodies.
O Lord, give ear. Anthem. fAccomp. for organ.] (/«
Stevens. Sacred music. Vol. I, pp. 86-93.)
No. 18 in M.234.4.1
O Lord God of hosts Anthem \s. or bar. Accomp. for or-
gan]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp. 32, 33.)
No. 12 in M.290.22.2
O praise the Lord, ye angels. Solo Fs. Accomp. for organ].
(In Ayrton. Sacred minstrelsy. Vol. 2, pp. 86, 87.)
No. 3S in M.290.22.2
O that my ways were made so direct. Solo fs. or bar. Ac-
comp. for organ]. (In Ayrton. Sacred minstrelsy. Vol.
2, pp. 208, 209.) No. 77 in M.290.22.2
On the poor confin'd debtors, f Catch for 3 voices.] (In
Arnold. Convivial harmony. Pp. 8, o.) No. 7 in M. 158.13
Also to be found in Bland's The Ladies' collection.
Praise the Lord, O my soul. Solo anthem fs. Accomp. for
organ]. (In Ayrton. Sacred minstrelsy. Vol. i, pp. 69-
71.) No. 25 in M.290.22.1
Also to be found in Stevens s sacred music.
Prithee, foolish boy. F Catch for 3 voices.] (In Arnold.
Convivial harmony. Pp. 10, 11.) No. 7 in M.158.13
Also to be found in Bland's The Ladies' collection.
Sing unto the Lord a new song. Anthem. FAccomp. for
organ.] (In Gardiner, ^acred melodies. Vol. 3. PP. 3i8-
327.) No. 9 in M.236.30.3
So peaceful rests. F Catch tor 3 voices.] (In Arnold. Con-
vivial harmony. P. 6.) No. 7 in M.158.13
Also to be found in Bland's The Ladies' collection ; Social harmony.
Te Deum, Jubilate, Magnificat, and Nunc dimittis in C.
FAccomp. for organ.] (In Novello. Cathedral choir book.
Vol. 2.) M.233.14.2
Thou in Sion art praised. Canon, 3 in i. (In Turle and
Taylor. The People's music book. Vol. 2, p. 10.)
No. s in M.iii.4.2
Thou, O God, art praised. Anthem. FAccomp. for organ.]
(In Gardiner. Sacred melodies. Vol. 4, pp. 576-581.)
No. 28 in M.236.30.4
Thou visitest the earth. Anthem. FAccomp. for organ.]
{In Cope. A Collection of anthems. Pp. 72-75.)
No. 17 in M.290.34
Also to be found in Musical times [Music] ; Turle and Taylor's The
People's Music book.
Thy mercies manifold. FAccomp. for organ.] {In Metcalfe.
Fifty metrical anthems. P. I7-) No. 13 in M.157.34
To my request, and earnest cry. FAccomp. for organ.] {In
Metcalfe. Fifty metrical anthems. Pp. 63, 64.)
No. 39 in M.IS7.34
When with good wine. Two part song Fa. b.]. {In Bland.
The Ladies' collection. Vol. 2, pp. 218, 219.)
No. 242 in M.235.17.2
Why all this whining? FDuet, x. b.] {In Flowers of har-
mony. Vol. 3, PP- 16-19) No. 5 in M.1S7.18.3
Also to be found in Social harmony.
Greene's Opera House, Cedar Rapids, Iowa.
FPlay-bills, season 1883-84. No. 1-69. Cedar Rapids. 1883,
84.] M.37I-5
Greenhill, James, and others, compilers.
A list of all the songs and passages in Shakspere which
have been set to music. Compiled by J. Greenhill, W. A.
Harrison and F. J. Furnivall. The words in old spelling
from the quartos and first folio, edited by F. J. Furnivall
and W. G. Stone. London. Tritbner & Co. 1884. FNew
Shakspere Society.] No. i in M.215.9
Greenough, James Bradstreet.
Hymn for Commencement. Music by John Knowles Paine.
No. 34 in M. 190.6
Greenough, Malcolm Scollay.
Boscabello. '98 Hasty Pudding play. Music by Waldron
H. Rand, Jr. No. i in M.402.46
Greenwood, Thomas.
David; or, Israel delivered: a dramatic cantata. FAccomp.
for pianoforte. London? 184-?] No. 2 in M.270.43
Greeting. Duet. Mendelssohn-Bartholdy, J. I>. F.
No. 2 in M.280.22
Greeting. Part-song. Juengst. Gruss! No. 35 in M.392.12
Greeting. Song. Mendelssohn-Bartholdy, J. L. F. Songs.
No. 26 in M.244.21
Greger, Carl.
An die Freude. Mannerchor. (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 12. . . . Sangerfeste. Pp.
56-58.) No. 8 in M.130.7
Same. To joy. FPart-song, t. t. t. b. b.] (In Mosenthal.
Songs of the Mendelssohn Glee Club. Pp. 5-ii.)
No. I in M.204,38
Aufruf zur Freude. F Mannerchor.] (In Otto, E. J. Ernst
und Scherz. Heft 60, pp. 18, 19.) No. 7 in M.392.20
Der Sanger Wanderlied [t. t. b. b.]. (In Abt. Leichte
Miinnerchore. Heft 23, pp. 9-12.) No. isoin M.246.22
Drei heitere Lieder fiir Mannerchor. Op. 7. Leipzig.
Kahnt. F186-?] No. 28 in M.392.10
Contents. — Der Luther pries die Weiber, Weinlied. — Es leben die
Weiber, Weinlied. — Abschied.
Gesellenlied Ft. t. b. b.]. (In Abt. Leichte Mannerchore.
Heft 23, pp. 5-8.) No. 149 in M.246.22
Sgengers Wonne. F Mannerchor.] {In Otto, E. J. Ernst
und Scherz. Heft 60, pp. n, 12.) No. 7 in M.392.20
To joy. See his An die Freude.
Wandern. FMannerchor.] {In Abt. Leichte Mannerchore.
Heft 23, pp. 2-4.) No. 148 in M.246.22
Gregh, Louis.
Arlette. Pantomime-ballet en 2 actes (2 tableaux) de Fer-
nand Beissier. Musique de Louis Gregh. Partition piano,
2 mains. Paris. Gregh. 1891. No. i in M.384.7
Le Capitain Roland. Opera-comique en 2 actes. Paroles
de Armand Lafrique. Musique de Louis Gregh. Parti-
tion piano et chant Paris. Gregh. F1895.] No. i in M.303.4
Un lycee de jeunes filles. Vaudeville-operette en 4 actes.
Paroles de Alexandre Bisson. Musique de Louis Gregh.
Partition piano & chant. Paris. Gregh & cie. F1890.]
No. I in M.266.32
Patart, Patart & cie. Vaudeville-operette en 4 actes et S
tableaux de Andre Sylvane et Ch. Clairville. Musique de
Louis Gregh. Partition cnant et piano. Paris. Gregh.
F189-?] No. 2 in M.266.32
Le presomtif. Opera-bouffe en 3 actes. Paroles de Alfred
Hennequin et Albin Valabregue. Musique de Louis
Gregh. Partition chant et piano. Paris. Gregh & cie.
F1884.] M.266.33
Suite de concert. Premiere, pour piano avec accompagne-
ment d'orchestre. Op. 82. Partition. Paris. Gregh.
F1895.] M.410.67
Gregoir, fidouard Georges Jacques.
L'art musical en Belgique sous les regnes de Leopold L &
Leopold n. 1830-1880. Bruxelles. Schott. 1879. M.13S.12
Des gloires de I'Opera et la musique a Paris. Documents
recueillis sur I'Opera et autres theatres a Paris, et sur tout
ce qui a rapport a l'art musical en cette ville jusqu'a I'an-
nee 1880. Bruxelles. Schott. 1878, 81. 3 v. Portraits..
Contents. — I. 1013-1750. 2. 1751-1768. 3. 17651-1774. M.I34.S
No more was published.
Hommage a F. Mendelssohn Bartholdy. 3™= ouverture de
concert. CEuvre 52. Partition. Bruxelles. [185-?]
No. I in M.331.16
Hommage a la nation hoUandaise. Ouverture et marche
triomphale a grand orchestre, sur le chant national. [Par-
ties d'orchestre.] CEuv. 55. Anvers. Possos. [186-?]
No. I in M.331.16
Pantheon musical populaire. Bruxelles. Schott. 1876, 77.
6 v. in 2. M.134.4
506
.k.
Gregoir
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gretchen
Gregoir, fedouard Georges Jacques. (Continued.)
Souvenirs artistiques. Documents pour servir a I'histoire
de la musique. Bruxelles. Schott. 1888. 2 v. in I. Por-
traits. M.134.1
Gregoir, Jacques Mathieu Joseph.
Ave Maria pour voix solo fs. I & choeur. Avec accomp. de
piano (ou harpe) et harmonium ou orerue. Paris. Schott.
ri86g?l No. 24 in M.201.33; No. 10 in M.260.10.7
Hymne guerrier. Choeur pour 4 voix d'homme. Op. 60.
Bruxelles. Schott. [186-?! No. 18 in M.sgz.ss
Gregoir, Joseph. See Gregoir, Jacques Mathieu Joseph.
Gregorian chant. See Plainsong.
Gregorian mass "De angelis" arranpred with an accompani-
ment for the organ by V. Novello. (In Novello. Twelve
easy masses . . . Vol. i, pp. i-ii.) No. i in M.237.2S.1
Gregorian mass, in D minor. Arranged with an accompani-
ment for the organ, by V. Novello. (In Novello. Twelve
easy masses. Vol. ,1. pp. i-io.) No. I in M.237.2S.3
Said to have been composed by Henri Dumont.
Gregorian mass for the dead, from S. Wesley's arrangement,
the organ accompaniment by V. Novello. (In Novello.
Twelve easy masses Vol. 2, pp. 2-22.) No. I in M.237.2S.2
Gregory, Edmund.
The cries of Durham. Catch [for S voices!. (In Clementi.
Collection of catches. Vol. i, pp. 18, 10.)
No. 16 in M.iio.i.i ; No. 16 in M.110.2.1
Also to be found in Parker's The Orphean lyre; Warren's Cocks's
Hand-book of glees.
Fill, fill, fill a brimming glass. Catch a ^ voci. (In Bland.
The Ladies' collection. Vol. i, p. 23.) No. 34 in M.23S.17.1
Also to be found in dementi's Collection of catches.
Here's a bowl. Catch a 3 voci. (In Bland. The Ladies' col-
lection. Vol. 2, p. 183.) No. 221 in M.235.17.1
Also to be found in dementi's Collection of catches ; The Harmonist ;
Vocal harmonist's magazine.
Let us be merry. Catch [for 4 voices!. (In Bland. The
Ladies' collection. Vol. i, p. 23.) No. 35 in M.23S.17.1
Also to be found in The Harmonist ; Social harmony ; Vocal har-
monist's magazine.
Grehon, Victor.
L'air de Paris. Operette vaudeville de Marc Sonal Fpseud.!
& Victor Grehon. Musique de Ch. Thony. M.3g3.66
Greiffenhagen, Heinrich.
Zwei Lieder fur vier Mannerstimmen. Hamburg. Rahter.
ri88-?! No. 30 in M.392.8
Contents. — Minnedienst. — O wurden Sterne meine Lieder.
Greifswald, J. Gebeschus-. See Gebeschus, Ida.
Greis, Der. Quartet. H.wdn, v. J. Gesange. Heft 2.
No. 2 in M.312.35 ; etc.
Greise Kopf, Der. Schubert, F. P. Werke. Serie 20, Band g.
M.317.1.20.9
Greisengesang. Song. Schubert, F. P. Werke. Serie 20^
Band 8. M.317.1.20.8
Greith, Joseph.
Erneuerung des Riitlibundes. fMannerchor.! (In Das
Riitli. Pp. 161-163.) No. 64 in M. 147.4
Das Rutli. fMannerchor.! (In Das Riitli. Pp. 4. =;.)
No. la in M.147.4
Grelinger, Charles.
Nicolas Nickleby. Opera comique en 4 actes. Paroles de
Paul Somnies fsic Sonnies | d'apres le reman de Charles
Dickens. Musique de Charles Grelinger. Partition pour
chant et piano. Bruxelles. Cranz. [190-?! M.389.8
Les Pharaons. Grand opera en quatre actes ftire du drame
en vers de Ferdinand Dugue. Poeme de Ch. Grandmou-
gin. Musique de! Charles Grelinger. [Partition piano et
chant. Paris. Grevel. 190-?! M.383.20
Grell, Eduard August.
Missa sollemnis senis denis vocibus decantanda. Berolini.
Bote & Bock. 1873. M.156.29
For four solo quartettes and four four-part choruses without accompani-
ment.
Grelot, Le. Opera. For the Music see Vasseur, F. A. J. L.
For the Libretto see Grange.
Gremont, H.
Herodiade. Opera de P. Milliet, H. Gremont, A. Zanardini.
Musique de J. Massenet. M.2S7.7
Grenadiers, Les, de Montcornette. Opera. For the Music see
Lecocq, A. C. For the Libretto see Pericaud.
Grenadines, Les. Duet. Concone. No. 20 in M.244.2
Grenet-Dancourt, Ernest.
Le mari de la reine. Operette de Grenet-Dancourt & O.
Pradels. Musique de Andre Messager. 11.257.28
Le moulin de Javelle. Opera-comique. Musique de Paul
Henrion. No. 2 in M.393.2a
Grenier,
La Melomanie. Opera comique. Mis en musique par S.
Champein. M.291.5
Grenier, Felix, translator.
Forkel. Vie, talents et travaux de Jean Sebastien Bach.
M.119.10
Grenzebach, Ernst.
Walzer fiir Pianoforte und 8 Kinderinstrumente (Kukuk,
Nachtigall, Wachtel, Trompete, Trommel, Triangel, Cim-
bel und Knarre). Op. 5. fPartitur.! Leipzig. Breitkopf
& Hartel. [188-?! No. 3 in M.346.22
Grenzen der Menschheit. Part-song. Hiller, F. 3 Gedichte
von Goethe. No. 6in M.392.11
Grenzen der Menschheit. Song. Schubert, F. P. Werke.
Serie 20. Band 6. M.317.1.20.6
Gresban, Arnoul.
Pastorale de Noel, mistere . . . Musique de Reynaldo
Hahn. No. .S in M.384.20
Gresham College, London.
Bridge, John F. "The past and the future." Inaugural lec-
ture, 1890. London. i8go. No. 6 in M.102.19
Taylor, E. Gresham College. Three inaugural lectures,
1838. London. 1838. No. 6 in M.12S.13; etc.
Wylde, H. Music as an educator. A series of four lec-
tures, 1882. London. [1882.! M.373.S8
Gresham prize compositions.
Haverg.al. An evening service, Magnifcat & Nunc dimit-
tis. No. 4 in M. 236.16
Hopkins, E. J. God is gone up! Anthem in five parts.
No. 4 in M.190.4
Out of the deep. Anthem for five voices.
No. 3 in M.190.4
Lucas, C. My soul doth magnify the Lord. Anthem.
No. 7 in M.236.16
Gresnick, Antoine Frederic.
L'heureux proces, ou Alpnonse et Leonore. Opera en i
acte. Paroles de Ch. Le Prevot d'Iray. Mises en mu-
sique . . . par Gresnick. j Partition.! Paris. Goulden.
[1798?! M.224.32
Gresset, Jean Baptiste Louis.
Discours sur I'harmonie. (In Marcou, P. Manuel du ieune
musicien . . . Pp. 59-118. Paris. 1804.) No. 2 in M.377.13
Gressus meos dirige. Motet. Lassus. Sammtliche Werke.
Band 3. 11.80403.67.3
Gresswell, Henry William, and George Gresswell.
How to play the fiddle; or, hints to beginners on the vio->
lin, by Henry William Gresswell and George Gresswell.
London. Field & Tuer. [1886.! No. 6 in M.376.3
Gretchaninov, Aleksandr.
Quatuor (sol majeur) pour deux violons, alto et violoncelle.
Op. 2. Partition. Leipzig. Belaieff. 1894.
No. .=; in M.4i2a.5
Gretchen. Song. Klein, B. J. No. 20 in M.221.30
Schubert, F. P. Werke. Serie 20, Band 10. M.317.1.20.10
Gretchen am Spinnrade. Song.
Lenz, L. Gesange und Lieder aus Faust. No. 28 in M.221.30
Schubert, F. P. Sammtliche Compositionen. M.244.12; etc.
Gretchen vor dem Bilde der Mater dolorosa. Song. Haupt-
mann. No. 5 in M.204.18
Gretchen vor dem Marienbilde. Song. Lenz, L. Gesange und
Lieder aus Faust. No. 28 in M.221.30
507
<!»*'
Gretchens
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gretry
Gretchens Klage. Song. Wiedebein. Lieder.
No. 10 in M.221.33
Gretelein. Part-song. Hirsch, C. No. i in M.392.12
KuECKEN. Zwei Lieder. No. 10 in M.203.16
Gretelein. Song. Kuecken. No. 12 in M.244.6.2
Gretels Wamung. Song. Beethoven. Werke. Serie 23.
M.4I3-I-23
Gretna-Green. Ballet. For the Music see Guiraud. For the
Plot see Truinet.
Gretry, Andre Ernest Modeste.
L'amant jaloux. Comedie en 3 actes. [Paroles de Th.
Hales. Musique de] Gretry. Partition. Paris. Houbaut.
[1778,1 M.282.26
L'ami de la maison. Comedie en 3 actes et en vers melee
d'ariettes. [Paroles de Marmontel. Musique de] Gretry.
[Partition.] Paris. Houbaut. [1772.] M.282.37
L'amitie a I'epreuve. Comedie en 2 actes melee d'ariettes.
[Paroles de Favart. Musique de] Gretry. [Partition.]
Paris. Montulay. [ 1771-1 M.282.28
Anacreon chez Polycrate. Opera en 3 actes. . . . Paroles
de J. H. Guy. Mis en musique, par Gretry. [Partition.]
Paris. L'auteur. [i797l M.282.21
Andromaque. Tragedie lyrique en 3 actes [de Pitra]. . . .
Mise en musique par Gretry. Partition. Paris. Houbaut.
[1780.] M.292.1
Aucassin et Nicolette, ou les moeurs du bon vieux tems.
Comedie en 3 actes [de Sedaine]. . . . Mise en musique
par Gretry. [Partition.] Paris. Houbaut. [1782.] M.282.19
Barbe Bleue. Comedie en prose et en 3 actes. Paroles de
M. Sedaine. . . . Mise en musique par Gretry. [Parti-
tion.] Paris. L'auteur. [178Q.] M.282.29
La caravane du Caire. Opera ballet en 3 actes. [Paroles
de Morel de Chedeville. Musique de] Gretry. [Parti-
tion.] Paris. Basset. [1784.] , M.282.30
"On a dit que Louis XVIII avail eu part a cet opera. — Querard.
Same. Opera en 3 actes. Paroles de Mr le C'e de Provence
(Louis XVIII) & Morel de Chedeville . . . Reconstitue
et reduit pour piano et chant par F. A. Gevaert . . . In-
troduction par Victor Wilder. Paris. Michaelis. [188-?]
Engraved title-page. [Chefs-d'oeuvre de I'opera frangais.]
M.303-5
Cephale & Procris. Ballet heroique en 3 actes. Paroles de
Marmontel. Reconstitue et reduit pour piano et chant
par F. A. Gevaert. Paris. Michaelis. [1882. Chefs-
d'ceuvre de I'opera fran(;ais.] M.266.34
Chor aus der Oper: „Die beiden Geizigen," fiir Manner-
stimmen mit Orchester-Begleitung und unterlegtem Kla-
vier-Auszug. Partitur. Leipzig. Peters. [184-?!
No. I in M.203.2
Colinette a la cour, ou la double epreuve. Comedie lyrique
en 3 actes [de Lourdet de Santerrel . . . Mise en mu-
sique par Gretry. [Partition.] Paris. Houbaut. [1782.]
M.282.18
Comment! il est arrete. Duo [t. bar. Accomp. de piano].
Paris. Petit. [1828. Guillaume Tell.] No. 31 in M.390.37
Le Comte d'Albert. Drame en 2 actes et la suite. Opera
comique en i acte, par M. Sedaine . . . Mis en musique
par Gretry. [Partition.] Paris. Houbaut. [1787.]
M.282.23
La danse n'est pas ce que j'aime. Air [b.^r.] from Richard
Cceur-de-Lion. [Accomp. for pianoforte.] {In Musical
library. Vol. 2, p. 124.) No. 47 in M.23S.18.2
[Les deux avares. Comedie en 2 actes. Paroles de Fenouil-
lot de Falbaire. Musique de Gretry. Partition. Paris.
1770?] M.282.22
The title-page is missing.
Donne-la moi dans nos adieux. Duo [s. b.] dans Cephale
et Procris. [Partition.] Manuscript. [18 — ?]
No. 9 in M.120.16
Double choeur de I'opera Colinette a la cour. Partition d'or-
chestre. Mayence. Schott. [1872?] No. 3 in M.333.9
Doux echos des bois. Duo [s. t. Accomp. de piano]. Paris.
Petit. [1828. Guillaume Tell.] No. 28 in M.390.37
Gretry, Andre Ernest Modeste. (Continued.)
Drei Tanzstiicke aus Gretry's heroischem Ballet „Cephale
et Procris" zum Konzertvortrag frei bearbeitet von Felix
Mottl. I. Tambourin. 2. Menuetto. 3. Gigue. [Parti-
tur.] Leipzig. Peters. [189-?] No. 2 in M.410.32
Elisca, ou I'habitante de Madagascar. Drame Ivrique en 3
actes. Paroles de Favieres et Gretry neveu. Musique de
Gretry. [Partition.] Paris. L'auteur. [i7QQ.] M.282.2S
One page of manuscript music is inserted.
L'embarras des richesses. Comedie lyrique en 3 actes [de
Lourdet de Santerre. Mise en musique] par M. Gretry.
[Partition.] Paris. Huguet. [1782.I M.292.2
L'epreuve villageoise. Opera comique en 2 actes. Paroles
de Desforges [pseud.]. Musique de Gretry. Partition
piano et chant. Paris. Colombier. [1853.] M.36S.18
Les evenemens imprevus. Comedie en 3 actes [de Th.
Hales] . . . Mise en musique par Gretry. Partition. Paris.
Houbaut. [1779] M.282.17
II fait jour sur le glacier. [Air, t. Accomp. de piano.]
Paris. Petit. [1828. Guillaume Tell.] No. 27 in M.390.37
La fausse magie. Musique de Gretry. Opera complet dia-
logue. Partition de piano et chant. Paroles franqaises
[de Marmontel. Paris]. Launer. [184-?]
No. 2 in M.365.19
Guillaume Tell. Drame lyrique en 3 actes. Remis a la scene
avec des changements au poeme [de Sedaine] par Mr
Pellissier, et a la musique [de Gretry] par H. Berton.
[Partition.] Paris. Petit. [1828.] M.261.33
Le Huron. Comedie en 2 actes, et en vers [de Marmontel]
. . . mise en musique par Andre Gretry. [Partition.]
Paris. Beraux. [1768.] M.282.3S
Le jugement de Midas. Comedie en 3 actes [de Thomas
Hales. Mise en musique] par Gretry. Partition. Paris.
Houbaut. [1778.] M.282.32
Jure le moi. Duo [s. t. Accomp. de piano]. Paris. Petit.
[1828. Guillaume Tell.] No. 29 in M.390.37
Lisbeth. Drame lyrique en 3 actes et en prose. Paroles de
Favieres . . . Mis en musique par Gretry. [Partition.]
Paris. L'auteur. [1797.] M.292.S
Lucile. Comedie en i acte et en vers [de Marmontel] . . .
Mise en musique par Andre Gretry. [Partition.] Paris.
[1769.] M.282.20
Le magnifique. Comedie en 3 actes melee d'ariettes. [Pa-
roles de Sedaine. Musique de] M. Gretry. [Partition.]
Paris. Houbaut. [i77.^.1 M.282.27
[Les mariages samnites. Opera comique en 3 actes de
Parmian de Rosoi. Mis en musique par Gretry. Parti-
tion. Paris. 1776.] M.292.3
The title-page is lacking.
Memoires, ou essais sur la musique. Nouvelle edition aug-
mentee par J. H. Mees. Bruxelles. Academie de mu-
sique. 1829. 2 V. Portrait. M.i09b.i5
Les meprises par ressemblance. Comedie en 3 actes, par
M. Patrat . . . Mise en musique par Gretry. /Partition.]
Paris. L'auteur. [1786.I M.292.4
Non, jamais. Air [t. Accomp. de piano]. Paris. Petit.
[1828. Guillaume Tell.] No. 32 in M.390.37
O ma chere patrie. Air [t. Accomp. de piano]. Paris.
Petit. [1828. Guillaume Tell.] No. 30 in M.390.37
Panurge dans I'isle des lanternes. Comedie lyrique en 3
actes [de Louis XVIII. et Morel de Chedeville]. Mise en
musique par Gretry. [Partition.] Paris. L'auteur. [1785.]
M.282.33
"On a pretendu que cet opera etait presque en entier i'ouvrage de Mon-
sieur (Louis XVIII.), et que Morel n'avait ete que le collaborateur,
I'arrangeur et le prete-nom de ce prince." — Quirard.
Pierre le Grand. Comedie en prose et en 3 actes. Paroles
de Bouilly . . . Mise en musique par Gretry. [Partition.]
Paris. L'auteur. [1790.I M.282.36
The revellers. [Part-song, T. T. B. B.] (/« Mosenthal. Songs
of the Mendelssohn Glee Club. Pp. 28, 29.)
No. 7 in H.204.38
508
Gretry
THE ALLEN A. BROWN COLLECTION OF MUSIC
Grieg
Gretry, Andre Ernest Modeste. (Continued.)
Richard Coeur-de-Lion. Opera-comique en 3 actes. [Pa-
roles de Sedaine. Musique de Gretry. Partition.! Leip-
zig. Breitkopf & Hiirtel. fiSS-?] Portrait, f Collection
complete des oeuvres de Gretry. Livraison i.l M.282.38
Same. (Richard Lowenherz.) Opera en 3 actes de A. E.
Gretry. [Paroles de Sedaine. 1 Partition piano et chant.
Braunschweig. Litolff. [187-?] M.36S.20
Same. The songs, duets, trios, & chorusses of the historical
romance . . . The music by Gretry, adapted to the Eng-
lish words [translated from the French of Sedaine] by
Mr. Linley. [Accomp. for pianoforte.! London. Thomp-
son. [178-?! No. ."! in M.152.12; No. 3 in M.320.12; M.320.19
Le rival confident. Comedie en 3 actes et en prose, par M.
Forgeot . . . Mise en musique par Gretry. Paris. Hou-
baut. [1788.! M.282.16
La rosiere de Salenci. Pastorale en 3 actes [de Masson de
Pezay . . . Musique] par Gretry. [Partition.! Paris.
Houbaut. [1774.1 M.282.24
Silvain. Comedie en I acte en vers. [Paroles de Marmon-
tel.] Mis en musique par Gretry. [Partition.! Paris.
[1770.] M.282.34
Le tableau parlant. Comedie parade en i acte et en vers.
[Paroles d'Anseaume.! Mis en musique par Gretry.
[Partition.] Paris. [1769.] M.282.3I
Voyages, etudes et travaux. Racontes par lui-meme. Paris.
Delagrave. 1889. M.iiga.6
Zemir et Azor. Musique de Gretry. Opera complet dia-
logue [de Marmontel!. Partition de piano et chant.
[Paris.! Launer. [i8s-?!
No. I in M.365.19
Same. Zcmire und Azor. Eine comische Operette in 4
Acten [von Marmontel!, mit einer deutschen Ueberset-
zung in einem Clavier-Auszuge herausgegeben von Jo-
hann Adam Hiller. Leipzig. Schwickert. [178.^.!
No. 4 in M.152.30
Gretry, Andre Ernest Modeste. Works about.
BoBiLLiER, M. Gretry; sa vie et ses oeuvres. Par Michel
Brenet [pseud.!. Paris. 1884. M.i44.ig
Bibliography, pp. 275-278.
Gretry, A. J. Gretry en famille. Paris. 1814. M.iiga.i8
HuLST, F. A. VAN. Gretry. Liege. 1842. No i in M.12S.7
Lardin, J. A propos d'opera comique! Gretry a ses ar-
rangeurs. Profanation! Richard Coeur-de-Lion et Le
deserteur. Avis [etc., vers!. Opera anti-national. [6
articles in verse and prose relating princiaplly to Gretry
and the opera in France. Paris. i844-i;3.!
No. 6-1 1 in M.372.20
Zemire et Azor, par Gretry. Quelques questions a
propos de la nouvelle falsification de cet opera. [Anon.!
Paris. 1846. No. 3 in M.iis.6
Neumann, W. Andre Ernest Modeste Gretry. [Eine Bio-
graphic.! (fn his Jacques Fromental Halevy. Pp. 137-
167. Cassel. 18=;=;.) No. 3 in M.205.18
Verzeichniss der Werke Gretry's, pp. 164—167.
Gretry, Andre Joseph.
filisca, ou I'habitante de Madagascar. Drame lyrique. Pa-
roles de Favieres et Gretry neveu. Musique de Gretry.
M.282.2S
Gretry en famille. Paris. Chaumerot. 1814. Portrait.
M.iiga.18
Gretry, Lucile.
Le mariage d'Antonio. Divertissement, en i acte et en
prose [d'A. L. B. Robineau] . . . Mis en musique par
Lucile Gretry. [Partition.] Paris. Gretry. [1786.!
M.224.33
Gretry a Fontainebleau. Opera. For the Music see Camauer.
For the Libretto see Michaels.
Creville, Robert.
Now the bright morning star. Glee [s. s. a. t. b.]. London.
Novello. [i8s-? The Musical times.! No. 46 in M.158.16
Also to be found in Musical times [Music] ; Warren's Collection of
catches ; Webbe, Jr.'s Convito armonico.
Greville, Robert Kaye.
The drama brought to the test of Scripture and found
wanting. [Anon.! Edinburgh. Oliphant. 1830.
No. I in M.i2ga.2o
Grey, Elizabeth Caroline.
The opera-singer's wife. London. Ward, Lock & Tyler.
ri88.'5.1 M.i29a.26
The young prima donna. A romance. London. Bentley.
1840. 3 V. M.149.18
Grey, Frank Herbert.
The counterfeiter. Comic opera. Music by Archibald T.
Davison, Jr., and Frank H. Grey. No. i in M.383.I2
Will o' the wisp. A comic opera. Book and lyrics by
Douglas P. Cook. Music by Archibald T. Davison, Jr.,
Frank H. Grey, Harry R. Pratt. No. 2 in M.383.12
Griebel, Tekla.
„Schon Karin." Oper in einem Aufzuge. Text von Einar
Christiansen. Deutsch von Frau M. von Borch. Musik
von Tekla Griebel. [Klavierauszug mit Text.! Kopen-
hagen. Kgl. Hofmusikhandlung. [190-?] No. 2 in M.39g.22
Grief. Song. Horncastle. No. 4 in 11.391.51
Grieg, Edvard Hagerup.
Album fijr Miinnergesang nach norwegischen Volksweisen.
Op. 30. Die deutsche Uebersetzung ist von Wilhelm
Henzen. Leipzig. Peters. [189-?] No. 6 in M.203.14
Contents. — i. Ich legte raich am Abend. 2. Kinderlied. 3. Schon Toro.
4. Hailing. 5. Das ist gewiss der grosste Thor. 6. Geh" ich Abends aus.
7. Jung Olc. 8. Hailing. 9. Marienlied. 10. Die grosse weisse Schaar.
II. Der Taugenichts. 12. Seht den Knut!
No. 1-8, II are for Baritone solo and chorus; No. 9, 10 for Tenor solo
and chorus; No. 12 for four-part chorus.
Aus Holberg's Zeit. Suite im alten Style fiir Streichorches-
ter. Op. 40. [Partitur.] Leipzig. Peters. [1885?!
No. 3 in M.332.23
Bergliot. Gedicht von Bjornstjerne Bjornson (Deutsch
von J. C. Poestion). Declamation mit Orchester. Musik
von Edvard Grieg. Op. 42. Partitur. Leipzig. Peters,
f 1889 ?! No. 4 in M.342.1
Concert fiir Pianoforte mit Begleitung des Orchesters. Op.
16. Partitur. Leipzig. Fritzsch. 1872. No. i in M.331.24
Same. [Revised edition.! Peters. [18S-?! M.320.30
Discovery. [Part-song, T. T. B. b. Accomp. for pianoforte.!
Op. 31- Boston. Russell. [1882.! No. 8 in M.203.14
Der Einsame (altnordische Volkspoesie) fiir Baritonsolo,
Streichorchester u. 2 Horner. Op. 32. Partitur. Leip-
zig. Peters. [189-?! No. 7 in M.203.14
Grieg-Album. Sammlung beliebter Lieder mit Klavierbe-
gleitung. Band 1-5. Leipzig. Peters. [188-?! 5 v. in i.
No. 2-6 in M. 155.16
A collection of sixty songs, of which nearly all have words in Nor-
wegian, many in German and a few in English.
Contents. — I. Margarethens Wiegenlied. — Sie ist so weiss. Die
Prinzessin. — Dem Lenz soil mein Lied erklingen. — Ausfahrt.
Beim Sonnenuntergang. — Wiegenlied. — Die Rosenknospe. Dea
Dichters letztes Lied. — ,,Guten Morgen." — Die Odaliske. Dein
Rath ist wohl gut. 2. Ich liebe dich. — Morgenthau. — • Jagerlied.
Liebe. — Das alte Lied. — Abschied. — Des Dichters Herz. Herbst.
Sturm. — Waldwanderung. — Die junge Birke. — Mutterschmerz. —
Erstes Begegnen. 3. Solweigs Lied. — Hoffnung. — Am schonsten
Sommerabend war's. — Mit einer Primulaveris. — Herbststimmung. —
— Ein Schwan. — ■ Stambuchsreim. — Mit einer Wasserlilie. — Ge.
schieden. — Spielmannslied. — Zwei braune Augen. — Mein Sinn ist
wie der macht'ge Pels. 4. Der Bursch. — Der Friihling. — Der Ver-
wundete. — Die Haidebeere. — An einem Bache. — Was ich sah. —
Die alte Mutter. — Das Erste. — Auf der Reise zur Heimath. — Ein
Freundschaftstiick. — Glaube. — Mein Ziel. 5. Vom Monte Pincio. —
Verbog'ne Liebe. — Hor' ich das Liedchen klingen. — Unter Rosen. —
Die Waise. — Wo sind sie hin? — An der Bahre einer jungen Frau. —
Die Hutte. — Die Harfe. — Volksmelodie aus Langeland. — Die Poesie. —
Solvejgs Wiegenlied.
Im Herbst. Concert-Ouverture fiir grosses Orchester.
Op. II. [Partitur.] Leipzig. Peters. [1888.!
No. 2 in M.342.1
Landkennung. (Landkjending.) Gedicht von Bjornstjerne
Bjornson fiir Mannerchor, Baryton Solo, Orchester (und
Orgel ad libitum) componirt von Edvard Grieg. Op. 31.
[Partitur.! Leipzig. Peters. [187-?] No. 3 in M.352.22
Same. Klavierauszug. No. 2 in M.3g2.43
509
Grieg
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Grimm
Grieg, Edvard Ha^rerup. (Continued.)
Menuett (aus der Senate fiir das Pianoforte). Op. i. . . .
Fur Orchester bearbeitet von Robert Henriques. Parti-
tur. Lcipzif?. Breitkopf & Hartel. fi88-?l No. i in M.342.1
NorwcKische Tiinze fiir Pianoforte zu 4 Handen. Opus .'^S-
Fiir Orchester arranRirt von Hans Sitt. fPartitur.] Leip-
zig- Peters. [i88g?l No. .3 in M.342.1
[Peer Gynt.l Orcliestersuite aus der Musik zu „Peer Gynt."
Op. 46. Partitur. Leipzig. Peters. [1887?!
No. 4 in M.332.23
Same. Zweitc Orchestersuite aus der Musik zu „Peer
Gynt." Op. 55. Partitur. Leipzig. Peters. [1889?!
No. 5 in M.332.23
Quartett (G moll) fiir 2 Violinen, Viola und Violoncell.
Op. 27. Partitur. Leipzig. Fritzsch. 1879. No. i in M.347.42
Scenen aus Olav Trygvason, unvollendetes Drama von
Bjornstjerne Bjornson, fiir Solostimmen, Chor und Or-
chester componirt von Edvard Grieg. Klavierauszug.
Leipzig. Peters. fiSgo?! No. I in M.i5S-i6
Words in Norwegian and German.
fSigurd Jorsalfar.l Drei Orchesterstiicke . . . aus Sigurd
Jorsalfar (Schauspicl von Bjilrnson). Componirt und fiir
Concertauffiihrung umgearbcitet und vervollstandigt von
Edvard Grieg. Opus 56. Partitur. Leipzig. Peters.
fiQO-?l No. 2 in M.406.50
Contents. — Vorspiel (In der Konigshallc). — Intermezzo (Borghilds
Traum). — Huldigungsmarsch.
Sonate fiir Pianoforte und Violine. Op. 8. f Partitur. 1
Leipzig. Peters. [188-?! No. i in M.3S7.2
Sonate fiir Pianoforte und Violine. Op. 13. [ Partitur.]
Neue Ausgabe. Leipzig. Breitkopf & Hartel. fi88-?l
No. 2 in M.357-2
Sonate (C moll) fiir Pianoforte und Violine. Op. 45- FPar-
titur.] Leipzig. Peters. frSS-?! No. 3 in M.357.2
Sonate fiir Pianoforte und Violoncell [A molll. Op. 36.
fPartitur.l Leipzig. Peters. [1883?! No. 4 in M.357.2
Symphonische Tanze (iiber norwegische Motive) fiir
grosses Orchester. Op. 64. Partitur. Leipzig. Peters.
[189-?! M.403.48
Vor der Klostcrpforte, aus Bjornson's „Arnljot Gelline" fiir
Solostimmen, Frauenchor und Orchester componirt von
Edvard Grieg. Op. 20. Partitur, mit untcrlegtem Cla-
vierauszug. Leipzig. Fritzsch. 1876. No. 2 in M.331.24
Zwci lyrische Stiicke (aus Opus 68) fiir kleines Orchester
eingcrichtct vom Componisten. i. Abend im Hochge-
birgc fiir Streichorchcster, Oboe und Horn. 2. An der
Wicsc fiir Streichorchcster. Partitur. Leipzig. Peters,
f 1894.1 No. 3 in M.410.32
Zwei Mclodien nach Gedichten v. A. O. Vinie . . . fiir
Streichorchcster. Op. 34- [Partitur.] Leipzig. Peters.
fi88-?l No. I in M.332.23
Contents. — Iljcrlesir. — VSrcn.
Zwei nordische Weisen, fiir Streichorchcster. Op. 63. Par-
titur. Leipzig. Peters. [1896.] No. i in M.403.49
Contents. — i. Im Volkston. (Mclodie von Fr. Dae.) 2. Kuhrcigen und
Bauerntanz. (Volksmelodien.)
Grieg, Edvard ITagerup, editor.
Neupert. Resignation. No. 4 in M.403.99
Grieg, Edvard Hagerup. Works about.
Haiin, a. Edvard Grieg, „Peer Gynt." Suiten (Op. 46 n.
55). Erl.Hutert. Leipzig. fiSgg?! No. i in M. 217. 12.8
KwAST, J. Edvard Grieg, Klavierkonzert in A-moll. Er-
liiutcrt. Frankfurt a. M. [1898.] No. 17 in M.217.12.3
Grieg-Album. Sonr/s. Grif.c. No. 2-6 in M.15S.16
Griepenkerl, Friedrich Conrad, editor.
Bach, T. S. Concert en ut majcur pour 3 clavecins avec 2
violons, viola et basse. No. i in M.353.17
Bach, W. F. Concert fitr die Orgel. No. 4 in M.312.49
Grier, William.
The first principles of music, (/n Wilson, James. Musical
cyclopedia.) M. 132.19
Griesbach, John Henry.
Analysis of musical sounds, vi^ith illustrative figures of the
ratios of vibrations of musical intervals and their com-
pounds . . . London. liSs-?] Plates. M.121.23
Griesinger, Albert.
Liebesgruss. [Mannerchor. j (In Gruber. Sangeshort.
Heft 4, pp. 42, 43.) No. 3 in M.370.30
Schon Else. f Mannerchor.] (In Gruber. Sangeshort.
Heft I, pp. 51-58.) No. I in M.370.30
Grieve not the Holy Spirit. Anthem. Stainer.
No. II inM.i9S.2.ii
Griffin, Edwin Ellis.
Via Crucis. (The way of the Cross.) Cantata. The music
composed by Edward Henry Birch. No. I in M.384.14
Vortigern and Rowena. A dramatic cantata. The music by
Edward Henry Birch. No. i in M.204.6
Griffiths, Edward.
Messe en sol majeur, composee pour la fete de Napoleon,
le 13 aout 1873. fAccomp. d'orgue.] London. Lucas,
Weber & Co. [1873?] No. 4 in M.156.37
Grifoni, Giovanni Battista.
Laudi a Maria Santissima, poste in musica a 2 e 3 voci
[d'uomini], con accomp. d'organo. Milano. Canti. fi863.1
M.221.6
Griggs, John Cornelius.
Studien iiber die Musik in America. Leipzig. Breitkopf &
Hartel. 1894. No. 2 in M.373.28
Grigor, A. L.
Hints and maxims to players on the pianoforte, harmonium,
etc. Glasgow. Porteus. 1883. Plate. M.i09a.34
Grill, Leo.
Ouverture (A moll) fiir grosses Orchester. Op. 8. Parti-
tur. Leipzig. Kistner. fiS?-?] No. 4 in M.346.22
Quartett (Es dur) fiir zwei Violinen, Viola und Violoncell.
Op. 9. Partitur. Leipzig. Kistner. [187-?] No. 5 in M.335.6
Serenade in 5 Satzen fiir Orchester. Op. 3- Partitur. Leip-
zig. Kistner. [187-?] No. 2 in M.348.20
Grille, Die. Of>era. For the Music see Doebber. For the
Libretto see Speth.
Grille, La, du pare. Opera. For the Music see Panseron. For
the Libretto see Pain.
Grille, Die, von Berry. Opera. For the Music see Semet. For
the Libretto see Dudevant.
Grillet, Laurent.
Papa Chrysantheme. Fantaisie japonaisc en 2 tableaux de
Raoul Donval. Musique de Laurent Grillet. Partition
Tpour piano]. Paris. Deplaix. [1892.] No. 2 in M.384.8
Grillparzer, Franz.
Hero und I-eander. Oper. Musik von Paul Caro. M.382.6
Miriam's song of triumph. A cantata. Music by Franz
Schubert. No. 2 in M.280.41
Same. The song of Miriam (Mirjams Siegesgesang). Trans-
lated & partly re-written by William Duthie. Composed
bv Franz Schubert. No. i in M.280.47
Der Traum ein Lebcn. Musik componirt von Karl Klee-
mann. M.403.84
Grimaldi, Denis Copponay de. See Moene de Grimaldi, Denis,
Sieur dc Copponay.
Grimaldi, Nicolino.
Hamlet. An opera . . . London. J. Tonson. 1712. M.370.52
Words only, in English and Italian.
[,'I(laspc fedele. Opera . . . London. J. Tonson. 1712.
Words only, in English and Italian. M.37O.4O
Same. [Hydaspes.] Songs in the opera call'd Hydaspes.
[Music by Mancini.] M.226.28
Grimault, Albert.
Chant seculaire. Musique de Ch. M. Widor. No. 4 in M.213.17
Medee. Scene lyrique. Musique de Georges Hiie. M.158.46
Grimm, Friedrich Melchior.
C. Destouches. Paris]. 1752. No. 2 in M. 146.7
Lettre de M. Grimm sur Omphale, tragedie lyrique [par A.
Le petit prophete de Boemischbroda. [Anon. Paris. 1753?]
No. I in M.146.7; No. 3 in M. 103.3
Grimm, Heinrich.
(jloria in cxcelsis [s. s. A. T. B.]. (In Rochlitz. Sammlung
vorziiglicher Gesangstiicke. Band 2, pp. I39-I43)
No. 35 in M.202.6.3
510
Grimm
THE ALLEN A. BROWN COLLECTION OF MUSIC
Grisier
Grimm, Julius Otto.
An die Musik. Gedicht von Levin-SchiickinR, fiir Solo-
stimmen, Chor und Orchester componirt von Julius O.
Grimm. Klavierauszug. Leipzig. Breitkopf & Hartel.
f i86-?l No. 3 in M.270.54
Sinfonie fiir grosses Orchester. Op. 19. Partitur. Leipzig.
Rieter-Biedermann. 1874. No. 2 in M.348.24
Suite in Canonform fiir 2 Violinen, Viola, Violoncell u. Con-
trabass (Orchester). Op. 10. Partitur. Leipzig. Rieter-
Biedermann. [1871?! No. I in M.348.24
Suite, Zweite, in Canonform fiir Orchester. Op. 16. Parti-
tur. Leipzig. Rieter-Biedermann. [187.^?!
No. I in M.348.2S
Suite (Nr. 3 in G moll) fiir Streichorchester. Op. 25. Par-
titur. Leipzig. Breitkopf & Hartel. 1895. No. 3 in 11.331.16
Zwei Marsche fiir grosses Orchester. Op. 17. Partitur.
Leipzig. Rieter-Biedermann. [1873?! No. 2 in M.348.25
Grimminger, Adolf, translator.
Heijelom. Banierzang. No. 4 in M.270.45
Gringoire. Otera. For the Music see Bruell; also Scontrino.
For the Libretto see Hirschfeld, V.; also Treves.
Grisar, Albert.
Les amours du Diable. Opera feerie en 4 actes et 9 ta-
bleaux. Paroles de Mr de S* Georges. Musique de Albert
Grisar. Partition pour piano et chant. Paris. Colom-
bier. [1853.! M.266.37
L'an mil. fOpera comique en un acte. Paroles de Mcles-
ville Fpseud.l et Foucher. Musique de A. Grisar. Parti-
tion. Paris. 1837.1 M.224.34A
Bonsoir, M^ Pantalon! Opera comique en i acte. Poijme
de Lockroy fpseud.] et de Morvan. Musique . . . par
Albert Grisar. Partition. Paris. Bureau central dc mu-
sique. riS.Si.l M.224.34
Same. Partition piano et chant. No. i in M.276.S
Same. Paroles de Lockroy [pseud. 1 et de Morvan. Mu-
sique de Albert Grisar. Partition reduite avec accomp.
de piano . . . Nach dem Franzosischen von J. C. Griin-
baum. Mainz. Schott. [185-?! M.2g2.io
Le carillonneur de Bruges. Opera comique en trois actes
. . . Paroles de M"" de S< Georges. Musique de Albert
Grisar. [Partition.] Paris. Colombier. [1852.] M.226.S
Same. Partition piano et chant. M.266.3S
La chatte merveilleuse. Opera comique en 3 actes et 9
tableaux de Dumanoir & d'Ennery [pseud. 1. Musique
. . . par Albert Grisar. Partition piano & chant. [Paris.]
Colombier. [1S62.] M.36S.21
Le chien du jardinier. Opera comique en i acte. Paroles
de Lockroy [pseud.] et Cormon fpseud.]. Musique . . .
par Albert Grisar. Partition piano & chant. Paris.
Colombier. [iS.";.:;.] No. 2 in M.276.S
Les douze innocentes. Opera bouffe en i acte. Paroles de
fimile de Najac. Musique de Albert Grisar. Partition
piano et chant. Paris. Cotelle & cie. [186';.]
No. 3 in M.276.4
L'eau merveilleuse. Opera bouffe en i acte. Paroles de T.
Sauvage. Musique de Albert Grisar. Partition piano et
chant. Paris. Mayaud. [1839.] No. I in M.276.4
Same. Das Wunderwasser. Komische Oper in 2 Akten
und Versen. Frei nach dem Franzosischen des T. Sau-
vage von Ferd. Marckwort. Musik von Albert Grisar.
Vollstandiger Clavier-Auszug. Mainz. Schott. [184-?]
M.2g2.g
[Gille ravisseur. Opera-bouffe en r acte. Paroles de T.
Sauvage. Musique de Grisar. Partition. Paris? 1848?]
The title-page is missing. M.22S.I
Same. [Piano et chant.] Paris. Mavaud. [1848?]
No. I in M.266.36
Gute Nacht, Herr Pantalon! See his Bonsoir, M"" Pantalon!
Le ioaillier de St. Tames. See his Ladv Melvil.
Lady Melvil, ou le ioaillier de St. Tames. [Opera comique.
Paroles de St. Georges et A. de Ribbing.] Musique d'Al-
bert Grisar. [Partition chant et piano] Paris. Meisson-
nier. [1838.I 13 parts in I v. M.2Q2.7
Grisar, Albert. (Continued.)
Same. Le joaillier de S' James. Opera comique en 3 actes.
Paroles de MAL de S' Georges et de Leuvcn [pseud.].
Musique . . . par Albert Grisar. Partition chant et piano.
Paris. Gerard & cie. [1862.] M.36s.2a
Les Porcherons. Opera comique en 3 actes. Paroles de T.
Sauvage. Musique de Albert Grisar . . . Nach dem Fran-
zosischen von Ivarl Gollmick. Vollstandiger Clavier-Aus-
zug. Mainz. Schott. [185-?] M.292.6
Le proces. Operctte en i acte. Paroles de Mn>e Adam-
Boisgontier [pseud.]. Musique de Albert Grisar. [Par-
tition chant et piano.] Paris. Dupuy. 1867. [Journal
des demoiselles.] No. 2 in M.276.4
Sarah. Opera comique en deux actes. Paroles de Meles-
ville [pseud.]. Musique . . . par Albert Grisar. Parti-
tion. Paris. Latte. [1836.] M.226.6
Same. Reduite avec accomp. de piano . . . Fiir die deutsche
Biihne bearbeitet von M. G. Fricdrich. Mainz. Schott.
[i8.3-?l M.292.8
Les travestissemens. Opera comique en i acte. . . . Paroles
de Mr Deslandes. Musique de Albert Grisar. Avec acct.
de piano. Paris. Meissonnier. [1839?] No. 3 in M.391.27
Voyage autour de ma chambre. Opera comique en i acte.
Paroles de Xavicr [pseud.], Duvert et Lauzanne. Mu-
sique de Albert Grisar. Partition piano et chant. Paris.
Colombier. [1859.] No. 2 in M.266.36
Das Wunderwasser. See his I^'eau merveilleuse.
Grisar, Albert. Works about.
Paroisse-Pouc.in, F. A. A. Albert Grisar, etude artistique.
Paris. 1870. Portrait. Facsimile. M.118.10
Grisart, Charles.
Le bossu. Opera comique en 4 actes et 9 tableaux. Tire du
roman de Paul Feval par Henri Bocage & Armand Liorat
[pseud.]. Musique de Charles Grisart. Partition chant
et piano. Paris. Hartmann & cie. [1888.] M. 276.2
The infanta's dolls. (Les poupees de I'infanta.) Comic
opera in 3 acts, and 4 tableaux. [Words by Henri Bocage
and Armand Liorat, pseud.]. Music by Charles Grisart.
Translated and adapted by Theodore T. Barker. [Ac-
comp. for pianoforte.] Boston. Ditson & Co. 1881. M.266.40
Memnon. Opcra-comique en I acte. Paroles de Cadol et
Bocage. Musique dc Ch. Grisart. [Partition chant et
piano.] Paris. Bathlot. [1872.] No. i in M.276.3
Le petit abbe. Piece en i acte de Henri Bocage et Armand
Liorat [pseud.]. Musique de Ch. Grisart. [Partition
piano et chant.] Paris. Egrot. [1871).]
No. I in M.266.38; No. 2 in M.276.3
Le petit bois. Eglogue naturaliste en i acte. Paroles de
A. Liorat [pseud.]. Musique de Ch. Grisart. [Partition
chant et piano.] Paris. Dupont. [1893.] No. 2 in M.303.4
Le pont d'Avignon. Opera-bouffe en 3 actes. Paroles de
Armand IJorat [pseud.]. Musique de Ch. Grisart. Par-
tition chant et piano. Paris. Egrot. [1878.] M.266.3g
La quenouille de vcrre. Opera-bouffe en 3 actes. Paroles
de MM. Albert Millaud et H. Moreno [pseud.]. Partition
piano et chant. Musique de Charles Grisart. Paris. Heu-
gel & cie. [1873.1 M.328.6
Les trois Margots. Operctte en 3 actes de IT. Bocage et H.
Chabrillat. Musique dc Ch. Grisart. Partition chant &
piano. Paris. Choudens. [1877.] M.276.X
Griselda. Opera. For the Music see Paer. For the Libretto
see Anelli; also Piave.
Griselidis. (Brunette.) [Choeur, s. A. t. b.] (In Recueil des
cho;urs d'ensemble franqais . . . I3e fete. P. 7.)
No. 6 in M. 130.7
Griselidis. Oficra. For the Music see Massenet. For the
Libretto see Sylvestre.
Grisier, Georges.
Le bouquet de violettes. Opera comique de Maxime Bou-
cheron & Georges Grisier. Musique de Andre Martinet.
No. 2 in M. 247.19
Alfred. A dramatic cantata. The music by Ebenezer Prout.
No. I in H.2g7.i6
.Sll
Grisier
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Grove
Grisier, Georges. (Continued.)
Columbus. A dramatic cantata. The music composed by
Henry Gadsby. No. i in M.392.45
Hereward. A dramatic cantata. The music ... by Ebene-
zer Prout. No. 2 in M.297.16
Jason. A dramatic cantata. The music by A. C. Mackenzie.
No. I in M.IS5-32
Grist, William.
The Red Cross knight. A dramatic cantata. The music . . .
by E. Prout. No. i in M.15S.37
Grist, William, translator.
Abt, F. Riibezahl. No. 2 in M.I54-I2
CiMAROSA. II matrimonio segreto. M.382.9
Grisy, Raphael Auguste.
Jacques Clement. Opera en 4 actcs et 5 tableaux. Musique
de A. Grisy. Paroles de L. de Garat^ H. Sauvage et A.
Larsonneur. fPartition chant et piano.] Paris. Durdilly
&cie. ri887.1 M.303.6
Gritton, John.
Essay. The use and abuse of music in public worship, and
the dangers of the use of painted windows in churches.
London. Seeley, Jackson & Halliday. 1870. M.148.15
Gritton, John W.
Teach me, O Lord. Anthem. fAccomp. for organ.l (In
Novello's Collection of anthems. Vol. 14. PP. 217-221.)
No. 22 in M.195.2.14
Grobe, Julius.
Seelendrang. TMannerchor.! (In Abt. Deutsche San.ger-
halle. Vol. i, pp. n.^, 114.) No. .19 in M.39242.1
Grobian, Der, im Damenkreise. Part-sonp. Lefebvre, C. E.
No. 27 in M.392.1.';
Groendahl, Agathe.
CoMETTANT, J. P. O. La norvcgc musicale a Paris. Mme
Agathe Grcendahl. Un diner d'adieu. Paris. [iS?-?!
No. 4 in M.zoS.a
Gronnenrade, Charles Gui Xavier van.
Les rubans, ou le rendez-vous. Opera comique en i acte, en
vers [de Parisau] . Mis en musique par M. De Blois [pseud.
Partition]. Paris. Haubaut. [1784-] No. 2 in M.291.3
Groote, Eberhard Rudolf von.
De Siindfkith. Oratorium. In Musik gesetzt . . . von Frie-
drich Schneider. M.222.1S
Gros, Antoine Jean, editor.
Haydn. F. J. Trois symphonies. Arrangees pour le clave-
cin ou piano-forte, avec accomp. de violon.
No. 2inM.2io.3;etc.
Groschoff, E.
Afrikanisches Stiindchen, fiir Bariton-Solo und Miinnerchor
(imitirte Guitarren-Begleitung). Op. 2'^. Magdeburg.
Heinrichshofen. [188-?] No. 2g in M.392.10
Grosheim, Georg Christoph.
[Das heilige Kleeblatt.] Ouverture und Gesange aus dem
Heiligen Kleeblatt. Oper. fKlavierauszug.] Bonn.
Simrock. [1708.] No. i in M.220.21
Grosheim, Georg Christoph, editor.
Haydn, F. J. [Der Ritter Roland.] Ouverture und Gesange.
M.232.1.S
Grosriez. Charles du. See Du Grosriez, Charles.
Gross, Carl, translator.
Raimann. Enoch Arden. No. i in M.38I.34
Gross. Carl Eugen.
Beim goldnen Adier im alten Rom. [Mannerchor.] (In
Gruber. Sangeshort. Heft i, pp. 10-12.) No. i in M.370.30
Friihlingslied [t. t. b. b.]. Op. 2, No. 2. Leipzig. Leuckart.
[18&-? Drei Mailieder.] No. 30 in M.3g2.io
O du frohliche Maienzeit [t. T. B. B.]. Op. 2, No. 3. Leip-
zig. Leuckart. [188-? Drei Mailieder.] No. 31 in M.392.10
„War hold und jung." [Mannerchor[] (In Gruber. Sanges-
hort. Heft 2, pp. 52, 53.) No. 2 in M.370.30
Gross, Pierre.
Le passe, le present et I'avenir du chiffre applique a la no-
tation musicale en Allemagne. Par William Cronthal
[pseud.]. Paris. Chaix & cie. 1863.
No. 3 in M.207.16; No. I in M.207.X7
Gross ist der Herr. Anthem. Handel. No. .S in M.202.6.3
ScHiCHT. Motetten. Heft 5. No. 5 in M.236.19
Gross ist die Welt und rund das Gliick. Part-sung. Moehring.
V Gesange. No. 17 in M.392.18
Grossbauer, L. F.
Love, thine eyelids close, fx., b. solo, t. t. b. b.] Boston.
Schmidt. [1888.] No. .32 in M.392-IO
Grosse, Heinrich.
[Requiem fiir Chor mit grosses Orchester. Partitur.]
Manuscript. [Oldenburg. 1858?] M.201.9
Grosse, Louis.
Zwei Mannerchore aus ..Deutsche Weisen." Op. 47. Dres-
den. Naumann. [188-?] 2 parts in i v.
Contents. — Pfingsten. — Tnitzlied. No. 33. 34 in M.392.IO
Grosse deutsche Vaterland, Das. Cantata. For the Music see
Rietz. For the Libretto see Pabst.
Grosse Halleluja, Das. Song. Schubert, F. P. Werke. Serie
20, Band 4. M.3i7-i-20.4
Grosse Hallelujah, Das. Part-song. Schubert, F. P. Chor-
Gesangwerke. Band 3- No. 5 in M.280.48.3
Grosse Mann, Der. Song. Gruber. G. W. Gottfried Augiist
Biirgers Gedichte. Vol. 2. No. 26 in M.130.9.2
Grosse. weisse Schaar, Die. Part-song. Grieg. Album fiir
Mannergesang. No. 6 in M.203.14
Grosser, Johann Emanuel.
Biographische Notizen uber Joseph Haydn. Hirschberg.
Glogner. [1826.] Portrait. No. i in M.198.11
Grosser Festmarsch. For orchestra. Wagner, W. R.
No. 2 in M.404.31
Grosset, J.
Contribution a I'etude de musique hindoue. Paris. Leroux.
1888. Table. No. i in M.206.S
Grossfuerstin Sophia Catharina, Die. For the Music see
Flotow, F. F. A. von. For the Libretto see Birch, C.
Grossheim, Georg Christoph. See Grosheim, Georg Chris-
toph.
Grossman, Lyudovik.
Trois airs de ballet. Partition. Dresden. Bellman &
Thiimer. [187-?! No. 2 in M.3.S8.26
Werke fiir Orchester. Partitur. Heilbronn. Schmidt.
1004. ?, parts in i v. No 2-4 in M.410.64
Contents. — i. Andante symphonique. 2. "Tenebroso." Ballade. 3.
Pas serpentine (Schlangentanz).
Grossmann, Ludwig. See Grossman, Lyudovik.
Grossmith, George, Jr.
Cups and saucers: a satirical musical sketch. Written and
composed by Geo. Grossmith, Jun. [Accomp. for piano.]
London. Metzler & Co. 1878. No. .^ in M.276.6
Haste to the wedding. A musical version of "Le chapeau
de paille d'ltalie." in three acts. Written by W. S. Gil-
bert. Music bv George Grossmith. Vocal score. [.Ac-
comp. for pianoforte.] London. Chappell & Co. [1802.]
No. 2 in M.246.6
The love birds. A musical comedy. Music by Raymond
Roze. M.3g7..';6
The spring chicken. A musical play. Music by Ivan Caryll
[pseud.] and Lionel Monckton. M.sgg.is
Grossmuth, Die, des Scipio. Ot>era. For the Music see Rom-
berg, A.
Grossmuetige Gelassenheit, Die. Song. Mozart. Werke.
Serie 7, Band I. No. 5; in M-si.";.!.?.!
Grote, August R.
Aus alten Marchen . . . fiir Mannerchor. [Op. 32.] Bre-
men. Meinhardt. [188-?] No. 41 in M.3g2.8
Vier Mannerquartette. Op. 2. Bremen. Fischer. [188-?]
No. 40 in M.392.8
Contents. — Liebesgesang. — Sommerlied. — Abschied. — Standchen.
Grotesques, Les. de la musique. Criticism. Berlioz, L. H.
M.i2g.io
Grotta, La, di Trifonio. Opera. For the Music see Salieri.
For the Libretto see Casti.
Grove, Sir George.
Beethoven's nine symphonies. Analytical essays. With an
introduction by the author and a preface by Georg Hen-
schel. Boston. Ellis. 1884. M.102.1
512
Grove
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gruss
Grove, Sir George, frefacer.
NovELLo, Ewer & Co. A short history of cheap music as
exemplified in the records of the House of Novello, Ewer
& Co. With especial reference to the first fifty years of
the reiffn of . . . Queen Victoria. No. i in M.iiga.iy
Grove, W. te.
Ein Abenteuer Handels, oder die Macht des Liedes. Sing-
spiel. Musik von Carl Reinecke. No. 2 in M.391.25
Gniber, Georg Wilhelm.
Gottfried August Biirgers Gedichte fiir das Klavier und die
Singstimme gesetzt. Niirnberg. 1780. 2 v. in i. M.i3o.g
Contents. — I. An ein Maienluftchen. — Lust am Liebchen. — . Stuzer-
tandelei. — Adeline. — Huldigungslied. — Das harte Madchen. — An
den Traumgott. — An die Hofnung. — Herr Bacchus. — ■ Der Minne-
singer. — - An Agathe. — Danklied. — Winterlied. — Lenore. — Bei
dem Grabe Jakob Philipp Bauers. — Des armen Suschens Traum. —
Das Lob Helenens, am Tage ihrer Vermalung. — Minnesold. — An
Themiren. — - Die beiden Liebenden. — Das vergniigtc Leben. — Der
Bauer, an seinen durchlauchtigen Tyrannen. — - Der Raubgraf. — Die
Weiber von Weinsberg. — Abendfantasie eines Liebenden. 2. Seufzer
eines Ungeliebten. — Gegenliebe, — An die Nymphe des Negenboms.
— Die Menagerie der Cotter. — Das neue Leben. — Der Ritter und
sein Liebchen. — Trautel. — Spinnerlied. — Robert. — Standchen. —
Schon Suschen. — Das Lied vom braven Manne. — Das Madel das ich
meine. — Schwanenlied. — Die Umarmung. — Die Elemente. — Sankt
Stephan. — Der Bruder Graurok und die Pilgrin. — Des Schafers
Liebeswerbung. — Cantilena potatoria. — Zechlied. — Liebeszauber. —
Mannerkeuschheit. — Die Entfiihrung. — Auch ein Lied an den lieben
Mond. — Der grosse Mann. — Untreue uber alles. — Muttertandelei.
Gruber, Jakob, editor.
Sangeshort. Sammlung auserlesener Originalmannerchore.
Heft I, 2, 4. Leipig. Dietrich. fi88-?l 3 parts in i v.
No. 1-3 in M.370.30
Contents. — Heft i. A. Schumann: Wahlspruch. — Scharfe : Dem
deutschen Mannersang. — Leiter - Morgengruss. — Gross: Beim
goldnen Adler im alten Rom. — Stein: Sonntags am Rhein. — • Gru-
ber: Die Du mein Alles bist. ■ — Riedel : Spiritisches Trinklied. —
Bergmann : Der gesiihnte Hirsch. — V. Lachner : Der Kliigste. —
Herrmann : Ave Maria. — Wermann : Hymne an die Nacht. ■ —
Gruber: An die Deutschen. — Reiser: Sanger-Friihlingsmarsch. —
Biichner: Wein her! — Schneider: Nun kommt der Friihling wie-
der. — Griesinger : Schon Else. — Lubrich : Gute Nacht. — V. E.
Becker: Sturmlied. - — Jahn: Die Heimat. — Witt: Siehst du das
Meer? Heft 2. Feyhl : Sangergruss. — Senger: Ich mochte sein.
— • Gruber : Waldesstimmen. — Lubrich : Fahrende Gesellen. —
Musiol : Sonntag. — Drcgert : Geburtstagchoral. — Korbs : Des
Thales Abendlauten. — Gartz : Mein Liedel. — Venzoni : Rheinwein-
Hed. — Brinkmann : Der Wirtin Tochterlein. — • Feyhl : Sommer-
reise zum Rhein. — Jahn: Abendglocken. — Kaselitz: I. Gliickliche
Lieb*. II. Herzelied. — Mayer: Schlafe wohl. — Witteborg: Der
Pilger. — Strubel: Des Winters Eden. — Gruber: Osterlied. —
Gross: War hold und iung. — Roloff: Fischers Abendlied. — Staab :
I. Erste Nachtigall. II. Waldeinsamkeit. III. Waldesrauschen. IV.
Waldbachlein. Heft 4. Feyhl : Fahnenlied. — Eohl : Abschiedsstand-
chen. — Lubrich: Trinklied. — Rothig: Griiss mir sie. — Gruber;
Warnung vor dem Rhein. — Seidel : O schau* mich an ein einzig Mai.
— Zingsem : Komm in die stille Nacht. — Graser : Waldeslust. —
Kowal : Du herziges Liebchen. — Musiol: Weinlied. — ■ Gruber:
Fischerlied. — Mayer : Vaterherz und Mutterauge. — Jahn : Es ist
zu spat! — Bohl: Friihlingslied. — Wolf: Abend am Meer. —
Rothig: Wohin? — ■ Kowal: In der Fremde. — Griesinger: Liebes-
gruss. — Wolff : Ein Stundlein wohl vor Tag. — Schubert : Der
Lindenbaum. — Himmel : Mignon. — Kiicken : Treue Liebe. —
Schubert: Haidenroslein. — Gliick : Das zerbrochene Ringlein. —
Mendelssohn-Bartholdy : Volkslied [O sah ich auf der Haide].
Gruen, Anastasius, pseud. See Auersperg, Anton Alexander
von.
Gruen sind die Auen. Song. Taubert, C. G. W. Acht Lieder
von R. Burns. Heft 2. No. 6 in M.ig2.6
Gruenbaum, Johann Christoph, translator.
Balfe. Der Mulatte. M.261.11
Cherubini. AH Baba. M.291.7
Grisar. Bonsoir, Mr Pantalon! M. 292. 10
Offenbach. Das Madchen von Elizondo. No. 3 in M.267.33
Gruenberger, Ludwig.
Nordische Suite fiir grosses Orchester. Op. 4^■ Partitur.
Frag. Fischer. [187-?! No. 6 in M.332.19
Gruene Ostern. Opera. For the Music see Kobler. For the
Libretto see Bohrmann-Riegen.
Gruene Thier, Das, und der Naturkenner. Part-song. Speidel.
No. 36 in M.392.2S
Grueneisen, Carl von.
The widow of Nain (Der Jiingling von Nain). Oratorio
composed by P. von Lindpaintner. M.242.29
Gruener Wald. Part-song. Becker, C. J. No. 26 in M.i2ga.43.9
Gruenwald, Ad., editor.
Schubert, F. P. Schubert-Album. No. 2 in M.3S7.to
Gruess dich Gott. Part-song. Schoen, E. von. No. 48 in M.392.7
Gruess Gott. Part-song. Abt, F. No. 100 in M.246.22
Heinemann. No. 39 in M.392.10
Gruess Gott, du lieber Friihlingswind. Cantata. For the Music
see Weinzierl. For the Libretto see Redwitz.
Gruess Gott, Friihling! Part-song. Muehldorfer.
No. 3 in M.392.ig
Gruess mir sie. Part-song. Roethig. No. 3 in M.370.30
Gruesse. Duet. Abt, F. Zehn Duettinen. No. 32 in M.192.1
Gruesse. Song. Abt, F. Sechs Lieder. No. 2 in M.204.37
Grueters, August.
Hector Berlioz, Requiem. Eriautert. Frankfurt a. M.
Bechhold. [1894. Der Musikfiihrer.l No. 9, 10 in M.2i7.i2.i
Gruettner, Paul.
Drei Lieder fiir vierstimmigen Mannerchor. Op. 6. Ber-
lin. Schlesinger. [1885?! No. 43 in M.sgo.S
Contents. — Morgens. — Abendlied. — Fruhlingssehnen.
Gruetzmacher, Friedrich Wilhelm Ludwig.
[Concert-Ouverture. Fiir Orchester. Op. 54. Partitur.
Leipzig. Kahnt. 187-?] No. 3 in M.335.21
There is no title-page.
Gruetzmacher, Friedrich Wilhelm Ludwig, editor.
Beethoven. Sonaten fiir Piano und Violoncell. M.3S3.20
Cherubini. Concert-Ouverture. No. 2 in M.332.7
Mendelssohn-Bartholdy, J. L. F. Duos pour piano et vio-
loncelle. No. 2 in M.3S3.7
Grun, James.
Die Rose vom Liebesgarten. Musik von Hans Pfitzner.
M.382.62
Grund, Friedrich Wilhelm.
Die Burg Falkenstein. Romantische Oper in 3 Aufziigen.
Clavierauszug. Hamburg. Cranz. ri8.=;-?l M.232.g
Quartett fiir das Pianoforte, Violine, Bratsche und Violon-
celle. S. Werk. [Pianoforte allein.l Leipzig. Peters.
1182-?! No. I in M.312.34
Quartett fiir Pianoforte, Violine, Viola und Violoncelle. 8.
Werk. [Pianoforte allein.l Leipzig. Peters. 1183-?]
No. 2 in M.312.34
Grundy, Sydney.
Haddon Hall. An original light English opera. Composed
by Arthur Sullivan. No. i in M.323.37
[The Vicar of Bray.] A collection of songs, duets, etc.,
from the comic opera. Composed by Edward Solomon.
No. 2 in M.3g3.6s
Grwneisen, Charles Lewis.
Memoir of Meverbeer, with notices of his operas. London.
Brettell. 1848. No. 3 in M.137.13; No. 3 in M.102.4.
The opera and the press. London. Hardwicke. i86q.
No. 3 in M.12.S.8
Grunewrald, Gottfried.
Astrella. Oper in i Akt von Carl Tannenhofer. Musik
von Gottfried Grunewald. Vollstandiger Klavierauszug.
Magdeburg. Rathke. ri8o5;.l M.3g4..S3
Drei Miihlenlieder . . . fiir Mannerchor. Magdeburg. Hein-
richshofen. [188-?! No. 42 in M.3g2.8
Contents. — Miihle du in Waldespracht [t. t. b. b. b.]. — Ein Miiller*
bursche zog durchs Land. — Die Miihle tief im prachtigen Wald.
Grunsky, Carl.
Anton Bruckner, neunte Sinfonie in D moll. Eriautert.
Leipzig. Seemann. [1903. Der Musikfiihrer.l
No. 8 in M.2I7.I2.I2
Gruppe aus dem Tartarus. Song. Schubert, F. P. Sammt-
liche Compositionen. M.244.12; etc.
Gruss. Duet. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 18. M.413.3.18
Gruss. Part-song.
Becker, V. E. Vier leichte Gesange. No. 11 in M.392.4
GoLDMARK. Im Fuscherthale. No. 20 in M.1.S8.22
HiLLER, F. Zehn Lieder aus Waldmeister's Brautfahrt.
No. 4 in M.3g2.ii
Juengst. No. 3.'; in M.392.12
ZiMMERMANN, S. A. No. loS in M.2i3.g
I6S
513
Gruss
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gugeline
Gruss. Song. Abt, F. No. 7 in M.192.1
Becker, V. E. No. 12 in M.158.22
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M.4I3-3-I9
Gruss an das Vaterland. Part-song. Reiter, E. No. 63 in M.147.4
Gruss an den Bruder. Song. Albert, Prince Consort. Collected
compositions. M.290.23
Gruss an der Wald. Part-song. Brambach. No. S in M.203.22
Gruss an Deutschland. Part-song. Abt, F. No. 13 in M.392.1
Gruss an die Nacht. Part-song. Gelbke. No. 14 in M.392.28
Moehring. No. 9 in M.392.18
Gruss an die Nacht. Song. Hiller, F. Zwolf Lieder.
No. 18 in M.192.3
Gruss an die Sanger. Part-song. Fischer, C. L. 3 Gesange.
No. 62 in M.392.7
Gruss an Schlesien. Songs. Taubert, C. G. W. No. 4 in M. 192.6
Gruss aus der Feme. Song. Albert, Prince Consort. Collected
compositions. M.290.23
Gruss der Heimath. Part-song.
Abt, F. Friihlings-Wanderung. No. 27 in M.392.1
Heim, I. No. 8 in M. 130.7
Gruss in die Feme. Part-song. Drumm. Drei Lieder.
No. 12 in M.392.7
Gry, Rene.
Fridolin. Opera comique. Paroles de Mariani, de S' Prest
& Rene Gry. Musique de Adolphe Deslandres.
No. 3 in M.295.8
La reponse du berger. Saynete bouffe. Paroles de Rene
Gry et Rene de S' Prest. Musique de A. de Villebichot.
No. e, in M.326.6
Guarany, II. Opera. For the Music see Gomes. For the Li-
bretto see Scalvini.
Guarda, che bianca luna. Song. Schubert, F. P. Werke.
Serie 20, Band 10. M.317.1.20.10
Guarda chi lascio. Song. Jommelli. No. 4 in M.120.23
Guarda '1 mio stato alle vaghezze nove. Madrigal. Lassus.
Sammtliche Werke. Band 2. M.8o4oa.67.2
Guarda qui, che lo vedrai. Duet. Haydn, F. J.
No. 43 in M.23S.18.4
Guardian angel. Song. Gounod. No. 3 in M. 192.9.2
Guckezer, Der. Part-song. Zenger, M. Stieleriana.
No. 68 in M.392.24
Guckt nicht in Wasserquellen. Part-song. Muehlinc, A.
No. IS7 in M. 1293.43.5
Gud vet det, hvar han vankar. Song. Kjerulf. Sanger och
Visor. Band i. M.158.47
Gudrun. Opera. For the Music see Draeseke, F. A. B.; also.
Klughardt; also Mangold; also Reissmann. For the Li-
bretto see Niemann, C.
Gudrun. Overture. Bolck. No. 2 in M.312.1
Guedeonoff. See Gedeonov,
Guedron, Pierre.
Ave Verum. A 4 voix. fAccomp. de piano ou d'orgue.]
(In fichos du monde religieux. Pp. 75-78.) M.1S6.52
Gueldne Sternlein schauen nieder. Song. Franz, R, Sechs
Lieder von H. Heine. Op. 38. No. 41 in M.244.5.3
Guelfes, Les. Opera. For the Music see Godard, B. L. P. For
the Libretto see Gallet.
Guenee, Adolphe.
Antoine et Cleopatre. Operette. Musique de L. Desormes.
No. 4 in M.301.3; No. 2 in M.393.17
Guenee, Luc.
La chambre a coucher, ou une demi-heure de Richelieu.
Opera comique en i acte . . . Paroles de M^ E***s***
[Scribe]. Mis en musique . . . par L. Guenee. [Parti-
tion.! Paris. Corbaux. [1813.I M.292.II
Guentelberg,
Lulu. Romantische Oper. In Musik gesetzt von Friedrich
Kuhlau. M.232.28
Guenther, Ernst Friedrich.
Kaiser Friedrichs Kreuzfahrt. [Cantate.] Componirt von
Robert Meister. No. 3 in M.203.18
514
Guenther, Hermann.
Der Abt von St. Gallen. Oper in 3 Acten [Dichtung von
G. Franz. In Musik gesetzt] von F. Herther [Pseud.].
Klaiverauszug. Leipzig. Kahnt. [1865?] M.292.30
Guenther, Paul.
Der virilde Jager. Eine Johannisnacht-Dichtung. Compo-
nirt von Max Josef Beer. M.352.8
Guerbel, Lucy Genevieve Teresa Ward, Countess.
WiKOFF, H. Memoir of Ginevra Guerrabella. [Anon.]
New York. 1863. No. 2 in M.148.7
Guerillero, Le. Opera. For the Music see Thomas, C. L. A.
For the Libretto see Anne, T.
Guerin, J. B.
Essai sur le beffroi. [Caen. Poisson. 1851.] M.208.7
Guerin de Litteau, Hippolyte Louis.
Les deux billets. Comedie. Musique de Adolphe Blanc.
No. 2 in M.265.14
Guerineau, Thony.
Auteur par amour. [Operette en un acte.] Paroles de Ed.
Nores, A. Cahen, & Em. Cohl. Musique de Thony Gueri-
neau. Partition piano et chant. Paris. Bathlot. [1883.]
No. 4 in M.393.19
Guerir ma douleur. Part-song. Lassus. Sammtliche Werke.
Band 16. M.8o4oa.67.i6
Guernica. Opera. For the Music see Vidal, P. A. For the
Libretto see Gailhard.
Guernsey, Wellington.
Ave Regina, for m.-s. [Accomp. for organ.] London. Dun-
can, Davison & Co. [186-? Twelve vocal pieces]
No. 2^, in M.201.33
The buccaneers. A cantata. The music composed by John
Cheshire. No. 2 in M. 194.2
Harvest home. A pastoral cantata, composed by George B.
Allen. M.270.S
'Twas in May month. Four part song. London. Hutch-
ings & Romer. [i8s-? Chorister's album.]
No. 10 in M. 157.23
Guerra aperta, La. Opera. For the Music see Guglielmi, P.
Guerra i quattro. Opera. For the Music see Pedrotti. For
the Libretto see Marcello, M.
Guerrabella, Ginevra. See Guerbel, Lucy Genevieve Teresa
Ward, Countess.
Guerre ouverte. Opera. For the Music see Jadin, L. E. For
the Libretto see Dumaniant.
Guerriers, Les. Part-song. Saint-Saens. No. 57 in M.392.21
Gueru, Hugues.
Chansons de Gautier Garguille [pseud.]. Nouvelle edition,
avec introduction et notes par fidouard Fournier. Paris.
Jannet. 1858. M.102.13
Guesviller, Gustave.
En musique. Roman contemporain. Paris. Levy. 1893.
M.138.17
Gueth, J. Ludwig.
Drei heitere Solo-Quartette fiir vier Mannerstimmen. Op.
30. Offenbach a. M. Andre. [188-?] No. 36in M.392.10
Contents. — So muss mein Liebchen sein. — Die schone Nachbarin. —
A Blum'l un a Herz.
Der Wein . . . Fiir vierstimmigen Mannerchor. Op. 37.
Offenbach a. M. Andre. [188-?] No. 35 in M.392.10
Guetteur de nuit, Le. Opera. For the Music see Blaquiere.
For the Libretto see Beauvallet.
Gueux, The.
Loman, a. D., editor. Twaalf Geuzeliedjes. Amsterdam.
1872. No. 2 in M.4I5.7
Guezenec, Alfred.
Le bal de I'opera; Clara; Suzanne Daunon. Par Alfred de
Brehat [pseud. Paris. 1870]. M.iogb.sg
Les revenants bretons. Opera de salon. Poeme d'Alfred
de Guezennec de Brehat. Musique de J. B. Wekerlin.
No. I in M.328.35
Guezennec de Brehat, Alfred de. See Guezenec, Alfred.
Gugeline. Opera. For the Music see Thuille. For the Li-
bretto see Bierbaum.
d
Guglielmi
THE ALLEN A. BROWN COLLECTION OF MUSIC
Guillemin
Guglielmi, Pietro.
Al mio contento. Duetto fs. a. Accomp. di pianol. (In
Lira d'ltalia. Pp. i66, 167.) No. 44 in M.IS7.39
Amor tra le vendemie. [Opera in 2 atti. Partitura.l Manu-
script. [Naples. 178-?! 2 V. M.320.20
Amore e speme. Romanzo [a. ovt b. Accomp. de piano].
(In Fleurs d'ltalie. Pp. 26-29.) No. 2 in M.364.10
La camelia. Romanzo \s. o. t. Accomp. di pianol. (In
Lira d'ltalia. Pp. 89-gi.) No. 22 in M.157.39
Debbora e Sisara. Oratorio. fPartitura.l Manuscript.
fModena? 18 — ?] 2 v. M.221.41
Dolce speranza in seno. Trio [s. a. T.l, in the opera of
Romeo e Giulietta. [Accomp. for pianoforte.! London.
Birchall. [i8i-?l No. 17 in M.235.14
Duetto del cantato II carnevale del 1791. Nelle Due gemelle.
[Partitura.l Manuscript. [i79-?l No. 2 in M.120.13
[La guerra aperta. Opera. Atto secondo. Partitura.l
Manuscript. [Firenze? 1787?! M.40.14
10 sono in selva amena. [Aria, s. o. t. con accomp. d'or-
chestra. Partitura.l Manuscript. [Paris? i8o-?l
No. 6 in M.360.8
11 labbro. Melodia [bar. Accomp. de pianol. (In Fleurs
d'ltalie. Pp. 80, 81.) No. 2 in M.364.10
[Laocoonte. Opera in due atti. Partitura.l Manuscript.
[Napoli?l 1787. 2 V. M.40.1S
Ove son chi sei che veggo, reC" e duetto, f Partitura.l
Manuscript. [i79-?l No. s in M.120.13
Padre, rammenta. Aria seria [s., con accomp. d'orchestra.
Partitural. Manuscript. \i78sU No. i in M. 120.19
Robert und Kalliste, oder: der Triumph der Treue. Eine
Operette in 3 Aufzugen. Nach dem Innhalt und Kompo-
sition der Sposa fedele von Guglielmi. [Deutscher Text
von J. J. Eschenburg. Klavierauszug.l Berlin. Birn-
stiel. 1777- No. 2 in M.3SO.4
Same. [Akt i. Deutscher Text von J. J. Eschenburg. Par-
titur.l Manuscript. [Wien? I78-?1 M.292.12
La serenata. Romanzo [a. ou bar. Accomp. de pianol. (/"
Fleurs d'ltalie. Pp. 2, .3.) No. 2 in M.364.10
So cedo ai detti tuoi. Scena con aria. [Partitura.] Manu-
script. [i79-?l No. 4 in M. 120.12
T' amo siccome gli angeli. Melodia [x. Accomp. de pianol.
(In Fleurs d'ltalie. Pp. 64, 65.) No. 2 in M.364.10
La virtuosa in Mergellina. Dramma giocoso in musica.
[Livorno. 1793. 1 No. 2 in M.ioga.1.3
Words only.
Guglielmi, Pietro Carlo.
La bella pescatrice. [Opera in 2 atti.l Musica del Sigr.
Guglielmi. [ Partitura.l Manuscript. [Paris. I78-?1
M.402b.6
La fiera. [Opera in 2 atti.l Musica del Sigf Guglielmi.
[Partitura.l Manuscript. [Paris. i8o-?l 2 v. M.402b.7
[II naufragio fortunato. Opera in due atti. Partitura.l
Manuscript. [Fiorentini? 1803 ?1 2 v. M.40.16
[La scommessa. Opera. Partitura.l Manuscript. [17 — ?1
M.40.17
La serva bizzarra. [Opera in 2 atti.l Musica del Sigr. Gu-
glielmi. [Partitura.l Manuscript. [Paris. i8o-?l 2 v.
M.402b.8
[La sposa del Tirolo. Opera. Partitura.l Manuscript.
[1806.1 2 v. M.40.18
Guglielmo Tell. O^era. For the Music see Rossini. For the
Libretto see Etienne, V. J.
Guichard, Jean Francois.
Le bucheron, ou les trois souhaits. Comedie. La musique
par A. D. Philidor. Les paroles de M" G[uichard etl
C[astetl. M.2.';4.i.';
Guide, Le. Sonff. Schubert, F. P. Melodies. Vol. 4. M.327.4.4
Guide au bord ta nacelle. Song. Meyerbeer. 40 melodies.
No. I in M.i.'i7.38
Guide me, O Thou great Jehovah. Anthem.
Balfe. No. 33 in M.igo.2
Chandler. No. .36 in M. 158.14; etc.
Dow. H. M. No. 32 in M.190.2
Millard, H. No. 28 in M.i.';8.i8
Guidi, Francesco.
II birrajo di Preston. Melodramma giocoso. Posto in
musica dal Mo Luigi Ricci. M.369.12
II conte di Lavagna. Tragedia lirica. Posta in musica . . .
da Teodulo Mabellini. M.310.1
Lina. Dramma lirico di F. Guidi e C. d'Ormeville. Musica
di Amilcare Ponchielli. M.297.8
Manfredo. Poema dramatico. Posto in musica da G. Ma-
glioni. M.310.2
La regina di Cipro. Dramma lirico. Posto in musica dal
Mo. Giovanni Pacini. M.311.7
Guide d'Arezzo.
Angeloni, L. Sopra la vita, le opere, ed il sapere di Guido
d'Arezzo. Si e aggiunta una novella edizione de' Versi
latini sopra i pesi e le misure de' Romani di Q. R. Fannio
Palemone. Parigi. 181 1. M.141.18
Guido et Ginevra. Opera. For the Music see Halevy, J. F. F.
fi. For the Libretto see Scribe.
Guignard, Augustin.
Messe pour s. a. t. b., avec accomp. d'orgue. Boston. Dit-
son & Co. [i85-?l No. 4 in M.260.8.6
Same. Mass. [4 voices with accomp. for organ. 1 Boston.
Ditson & Co. [i88-?l No. 2 in M.380.3
Guilbert de Pixerecourt, Rene Charles.
Avis aux femmes, ou le mari colere. Comedie. Musique de
P. Gaveaux. M.272.24
Koulouf, ou les Chinois. Opera comique. Mise en musique
par N. Dalayrac. M.252.g
Le pavilion des fleurs, ou les oecheurs de Grenade. Come-
die lyrique. Musique posthume de N. Dalayrac. M.252.2
La rose blanche et la rose rouge. Drame lyrique. Musique
de Pierre Gaveaux. M.401.18
Vie de Dalayrac . . . contenant la liste complete des ou-
vrages de ce compositeur. Par R. C. G. P. Paris. Barba.
1810. Portrait. M.103.27
Guilds.
Lambert, J. M. Two thousand years of gild life . . . To-
gether with a full account of the gilds and trading com-
panies of Kingston-upon-Hull, from the 14th to the 18th
century. Hull. iSgi. M.373.9
Guillard, Leon.
Poinsot, a. E. Leon Guillard, archiviste de la Comedie
franqaise. (1810-1878.) [Par] Georges d'Heylli [pseud.].
Paris. 1878. Portrait. No. 3 in M.i38.is
Guillard, Nicolas Francois.
Adam. Tragedie lyrique religieuse. Musique de Le Sueur.
M.263.7
Chimene, ou le Cid. Tragedie lyrique. Mise en musique
par Sacchini. M.274.S; etc.
filectre. Tragedie. Mise en musique par M' Le Moyne.
M.263.2
Evelina. Opera. Musique de Sacchini. M.274.6
Iphigenie en Tauride. Tragedie. Musique de Gluck. M.224.3S
Qidipe a Colone. Opera. Mis en musique par A. Sacchini.
M.274.11; etc.
Proserpine. Tragedie lyrique de Quinault, avec des chan,ge-
mens par M^ Guillard. Mise en musique par G. Paisiello.
M.293.24
Guillard, Nicolas Frangois. Works about.
Lesueur, J. F. Lettre en reponse a Guillard, sur I'opera de
La mort d'Adam . . . Paris. An x [1802]. No. i in M.126.8
Guillaume le Conquerant. Cantata. For the Music see Ber-
nard, £. For the Libretto see Briere.
Guillaume le Taciturne. Overture. Wieniawski, J.
No. 3 in M.348.I
Guillaume Tell. Opera. For the Music see Gretry, A._ E. M.;
also Rossini. For the Libretto see Sedaine; also Etienne,
V.J.
Guillemin, Amedee Victor.
Le son. Notions d'acoustique physique et musicale. Paris.
Hachette & cie. 1875. Illus. [Petite encyclopedie popu-
laire.l No. I in M.ig8.i3
515
Guillet
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gulnare
Guillet, P.
Un quart-d'heure de silence. Opera comique. Paroles de
P. Guillet . . . [Musique de] P. Gaveaux. M.272.22
Same. Die Wette. Singspiel in Musik gesetzt von B. A.
Weber. No. i in M.3SO.19
Guilliaume, Jules.
Francesca da Rimini. [Oratorio. Musique par Paul Gil-
son. 1 M.400.38
Guilmant, Felix Alexandre.
Ave Verum. [Motet. Accomp. for organ. 1 Boston.
Schmidt & Co. fi888? Gounod Club.] No. 16 in M.203.27
Balthazar. Scene lyrique, pour soli [s. t. bar.], chceurs et
orchestre. Poesie de fidouard Guinand. Musique de
Alex. Guilmant. Partition piano et chant. Paris. Schott.
1879. No. 2 in M. 155. IS
[Communion service in F. Op. 6. The English adaptation
by James Baden Powell, s. a. t. b. With organ accom-
paniment. London. 187-?] M.407.2
The title-page is lacking.
Marche fantaisie sur deux chants d'eglise pour orgue,
harpes et orchestre. Op. 44. Partition. Paris. Schott.
1886. No. I in M.407.1S
Messe solennelle. No. 3, a 4 voix solos et choeurs, orchestre
ou orgue. Partition chant et orgue. Paris. Le Beau.
[187-?] No. 5 in M.201.6
Symphonic, Premiere, pour orgue et orchestre. Op. 42.
[Partition.] Paris. Schott. 1879. No. 2 in M. 343.41
Guilmant, Felix Alexandre, editor.
Camera. Les festes venitiennes. Opera ballet. M.27S.24
Tancrede. Tragedie lyrique. M.275.26
Handel. Allegro, air & final [sic. Extrait du Xlle con-
certo pour instruments a cordes. Transcrit pour harmo-
nium.] No. 3 in M.414.35
Rameau. Les fetes d'Hebe, ou les talents lyriques. Ballet.
M.402a.25.g
Guilmette, Charles Alexander.
Dr. Guilmette's Vocal physiology; or, progressive system
for the scientific education of the human voice. Edited
by Edward Winthrop. New York. Randolph, i860.
Portrait. No. i in M. 143.5
Vocal physiolgy. A practical treatise. Concord. Pearson.
1877. No. 2 in M.143.5
Guimet, £mile.
Cinq jours a Dresde. Relation de la grande fete des chan-
teurs, 1865. Lyon. Mera. 186.S.
No. I in M. 198.13; No. I in M.370.64
Le feu du ciel. Orientale symphonique. Paroles de Victor
Hugo. Musique de Emile Guimet. [x. x. bar. b. et choeur
d'hommes.l Partition reduite p^ le piano par M. A.
Simiot. Paris. Grus. [1873?] No. 3 in M.iss.15
Les hymnes. Oratorio en 2 parties, pour soli, chceurs et
orchestre. Paroles de A. de Lamartine. Musique de
Emile Guimet. Partition reduite au piano. Lyon. Rey
& cie. [1888.] M.303.7
Tax Tsoung. Opera en 5 actes et 7 tableaux. Poeme de
Ernest d'Hervilly. Musique de fimile Guimet. Partition
chant et piano. Paris. Choudens. [1894.] M.276.8
Guin, Louis filie.
Complainte arabe sur la rupture du barrage de Saint-Denis-
du-Sig. Notes sur la poesie et la musique arabes dans le
Maghreb algerien par G. Delphin et L. Guin. M.376.6
Guinand, fidouard.
Balthazar. Scene lyrique. Musique de Alex. Guilmant.
No. 2inM.15s.1s
Diane. Poeme antique. Musique de Benjamin Godard.
No. I in M.2S6.43
Edith. Scene lyrique. Musique de Georges Marty.
No. I in M. 194.22
Les elfes. Legende-dramatique. Musique de G. Pierne.
No. 2 in M.287.I8
L'enfant prodigfue. Scene lyrique. Musique de A. Debussy.
No. I in M.29S.I2
Guinand, fidouard. (Continued.)
La fille de Jephte. Scene lyrique. Musique de Clement
Broutin. No. I in M.154.34
Genevieve. Scene lyrique. Musique de A. Bruneau.
No. 2 in M.275.12
La mar. Ode-symphonie. Musique de Victorin Joncieres.
No. 3 in M.403.76; etc.
Le Tintoret. Opera. Musique de Ad. Dietrich. M.303.27
Wilda. Scene. Musique de Georges Pfeiffer.
No. 3 in M.I94.22
Guinon, Albert.
Oscarine. Operette de Charles Nuitter [pseud.] et Albert
Guinon. Musique de Victor Roger. M.307.30
Guiou, A.
Lauriane. Opera. Poeme de MM. A. Guiou & Jean Jacques
Magne. Musique de Aug. Machado. M.302.8
Guiraud, Ernest.
Danse persane. Air de ballet. Partition d'orchestre. Paris.
Durand. [i88-?l No. 2 in M.358.1S
Fredegonde. Opera en 5 actes. Poeme de Louis Gallet.
Musique de Ernest Guiraud et Camille Saint-Saens. Par-
tition, chant et piano. Paris. Dupont. 1895. M.303.8
Galante aventure. Opera-comique en 3 actes de Louis
Davyl [pseud.] et Armand Silvestre. Musique de E. Gui-
raud. Partition chant et piano. Paris. Durand, Schoene-
werk & cie. [1882.] M.276.12
Gretna-Green. Ballet en I acte de Ch. Nuitter [pseud.] &
Merante. Musique de E. Guiraud. Partition reduite pour
piano. Paris. Plaxland. [1873.] No. i in M.276.10
Same. Ouverture de Gretna-Green. Ballet. Partition.
Paris. Durand, Schoenewerk & cie. [1873.]
No. 2 in M.343.50
Madame Turlupin. Opera-comique en 2 actes. Poeme de
Cormon [pseud.] et Grandvallet [sic]. Musique de E.
Guiraud. Partition piano et chant. Paris. Escudier.
[1872.] M.276.9
Piccolino. Opera-comique en 3 actes de Victorien Sardou
et Charles Nuitter [pseud.]. Musique de E. Guiraud.
Partition chant et piano. Paris. Durand, Schcenewerk
& cie. [1876.] M.276.11
Same. Ouverture de Piccolino. [Partition.] Paris. Du-
rand, Schcenewerk & cie. [1876.] No. 4 in M.342.2
Suite d'orchestre [i^] en quatre parties. [Partition.] Paris.
Durand & Schcenewerk. [1872?] No. 2 in M.337.4
Suite d'orchestre, 2^, en 4 parties. Partition d'orchestre.
Paris. Durand & Schoenewerk. [1886?] No. i in M.337.4
Sylvie. Opera comique en i acte. Paroles de J. Adenis
[pseud.] et J. Rostaing. Musique de E. Guiraud. Parti-
tion, piano et chant. Paris. Lemoine. [1864.]
No. I in M.270.44
Traite pratique d'instrumentation. Paris. Durand &
Schoenewerk. [188-?] M.207.19
Guirlande, La, de roses. Song. Schuberx, F. P. Melodies.
Vol. 7. M.327.4.7
Guirlanden-Arie. Song. Rossini. No. 9 in M.221.33
Guirlandes de mai. Hymns. For the Music see Schulthes.
For the Words see Faber, F. W.
Guise, oder die Stande von Blois. Opera. For the Music see
Onslow. For the Libretxo see Planard.
Guitare. Song. Vaucorbeil. Melodies. M.213.25
Guitarrero, Le. Opera. For the Music see Halevy, J. F. F. fi.
For the Librexto see Scribe.
Gulick, Frederic Carleton.
The campaigners. A comic operetta in two acts. Words
by Theodore Stensland. Music by Frederic Carleton
Gulick, and others. [Accomp. for pianoforte. Cam-
bridge.] Pi Eta Sociey. 1900. No. 2 in M.402.66
Gulistan. Opera. For the Music see Dalayrac. For the Li-
brexto see La Chabeaussiere.
Gulnare. Cantata. For the Music see Auria; also Dalayrac
For the Libretto see Jarvis; also MarsoUier des Vive-
ti^res.
516
Gumbert
THE ALLEN A. BROWN COLLECTION OF MUSIC
Gute
Gumbert, Ferdinand.
Bis der Rechte kommt. Liederspiel in i Aufzuffe. [Text
undl Musik von F. Gumbert. VoUstandiffer Clavieraus-
zug. Berlin. Schlesinger. [1856.] No. 5 in M.391.15
In den Aufjen liegt das Herz. [Lied, s. oder x. Mit Piano-
fortebegleitung.l Berlin. Schlesinger. fiS.^;-?!
No. 4 in M.236.8
Die Kunst Reliebt zu werden. Liederspiel in i Aufzuge,
Vollstandiger Klavierauszug. Berlin. Schlesinger. fl8s-?]
No. 4 in M.391.1S
Thou art my dream in stilly night. fPart-song, x. t. b. b.]
(In The Osgood collection of part-songs. Vol. 2, pp. 54-
.S6.) M.193.23.2
Gumbert, Ferdinand, translator.
Jacobi. Am Hochzeitstag (Seit Mittag verheirathet).
No. 2 in M.277.24
Massenex. Eva. No. 3 in M.2S7.5
Gumbert, Ferdinand. Works about.
Neumann, W. Ferdinand Gumbert. Cassel. 1856.
No. 3 in M.20S.20
Gumprecht, Otto.
Musikalische Charakterbilder. Leipzig. Gumprecht. 1869.
M.147.21
Contents. — Schubert. — Mendelssohn. — Weber. — Rossini. — Auber.
— Meyerbeer.
Gunda. Opera. For the Music see Ore. For the Librexxo
see Loringhoven.
Gundling, Julius.
Henrietta Sontag. Kiinstlerlebens Anfiinge in Federzeich-
nungen. Leipzig. Grunow^. 1861. 2 v. M.377.S
Gunhilde. Song. Brahms. Deutsche Volkslieder. Heft i.
No. Q in M.380.40.3
Gunloed. Opera. For the Music see Cornelius.
Gunn, John.
A historical enquiry respecting the performance on the harp
in the Highlands of Scotland. Edinburgh. Constable &
Co. 1807. 3 plates. No. 3 in M.iii.s
Gunst, Die, des Augenblicks. Cantata. For the Music see
MarkuU. For the Librexxo see Schiller.
Gunter, E. W.
Te Deum laudamus. fAccomp. for organ. 1 Louisville, Ky.
Faulds. [186-? Morning service.] No. 23 in M. 190.3
Gunton, R. T.
The Lancashire witches, or King Jamie's frolic. A light
opera. Music by F. Stanislaus. M.323.7
Guntram. Opera. For the Music and Librexxo see Strauss, R.
Gurickx, Camille, editor.
Benoix, p. L. L. Lucifer. Oratorio. M.153.4
Gurlitt, Cornelius.
"Commedietta." Ouverture. Partition. London. Auge-
ner & Co. [187-?! No. 2 in M.342.3
Intermezzo fiir . . . zwei Violinen, Viola und Violoncelle.
Op. 152. Partitur. Hamburg. Rahter. fiSS-?!
No. 14 in M.211.1
Same. [Stimmen.] 4 v. No. 4 in M.211.2.1-4
Ouverture des marionettes. Partition. London. Augener
& Co. ri87-?l No. I in M.342.3
Sinfonietta fiir Orchester. Op. 60. Partitur. Hamburg.
Cranz. [187-?! No. 3 in M.3S8.26
Victoria-Ouverture fiir grosses Orchester. Op. 22. Parti-
tur. Hamburg. Cranz. [186-?! No. 4 in M.33S.21
Gurney. Archer.
Gideon. A sacred oratorio. Music by C. E. Horsley.
No. 2 in M.1.S3.37
Gurney, Edmund.
The power of sound. London. Smith, Ewer & Co. 1880.
M.123.14
Gurski, Gustav.
Die Monkguter, oder die Probe-Ehe. Liederspiel. Musik
von Robert Radecke. No. i in M.297.24
Schildhorn. Dichtung, melodramatisch in Musik gesetzt
von Eduard Rohde. No. 4 in M.277.28
Gushing from this living fountain. Song. Balfe.
No. 13 in H.iga.g.x
Gustate et videte. Motet. Lassus. Sammtliche Werke. Band 5.
M.8o4oa.67.5
Gustav Adolf. Cantata. For the Music see Bruch. For the
Librexxo see Hackenberg.
Gustave. Opera. For the Music see Auber. For the Librexxo
see Scribe.
Gustavo Wasa. Opera. For the Music see ApoUoni, G.; also
Marchetti. For the Librexxo see Poggi; also Ormeville.
Gustavus the Third. Opera. For the Music see Auber. Gus-
tave. For the Librexxo see Scribe.
Gut eats all day. Catch. Hayes, W. Catches, glees and
canons. Vol. 2. No. 2 in M.220.S
Gut Heil! Part-song. Hopp, J. No. 82 in M.204.39
Gut ist frein, doch besser Wein noch. Part-song. Reinecke,
C. H. C. Sechs altfranzosische Volkslieder.
No. 18 in M.392.21
Gut' Nacht. Part-song. Tauwixz. No. 43 in M.392.42.1
Gut' Nacht! Song.
Rubinstein. Zehn Lieder. No. 19 in M.192.S
Tauberx, C. G. W. Sechs Lieder. No. 11 in M. 192.6
Gut' Nacht, fahr wohl. Part-song.
Kuecken. No. 28 in M.i29a.44
Vliegh. Drei Lieder. No. 44 in M.392.26
Gut' Nacht, fahr' wohl, mein treues Herz. Song. Kuecken.
No. 2 in M.244.6.3
Gut' Nacht, mein Schatz. Part-song. Schmidx, Gustav.
No. 31 in M.392.23
Gut Sang! Part-song. Genee. Vier Lieder. No. 34 in M.392.9
Gute, gute Nacht, Fine. Song. Brahms. Lieder und Ge-
sange. Op. SQ- Heft 2. No. 3 in M.380.40.2
Gute Hirte, Der. Song. Schuberx, F. P. Werke. Serie 20,
Band 4. M.317.1.20.4
Gute Kamerad, Der. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Gute Konig, Der. Abx, F. No. loi in M.246.23
Gute Nacht. Cantata. For the Music see Schlottmann. For
the Libretto see Geibel, E.
Gute Nacht. Duet. Abt, F. Vier Duette. No. 36 in M.192.1
Gute Nacht. Part-song.
Abt, F. Gesange fiir Mannerstimmen. No. i in M.3g2.i; etc.
— 5 Gesange fiir s. a. x. b. No. 8 in M.1S8.22
— Die Kirmes. No. 4 in M.392.I
— Sechs vierstimmige Mannergesange. No. 8 in M.392.3
— Vier vierstimmige Mannergesange. No. i in M.392.35
Behling. Vier Gesange. No. 10 in M.212.3
Fischer, C. L. 3 Gesange. No. 62 in M.3g2.7
Franz, R. Sechs Lieder fiir gemischten Chor.
No. ig in M. 158.22
Hamma, B. No. 20 in M.392.42.1
Henschel, G. Drei Mannerchore. No. 56 in M.392.8
Kremser. Neue Chor-Compositionen. Band 2, Heft i.
No. 16 in M.392.I4
Kuhn, E. 3 Gesange. No. 7 in M.392.15
Lachner, F. No. 64 in M.i29a.44
LuBRiCH. No. I in M.370.30
Marschner, a. E. No. 53 in M.i2ga,43.io
MOELLER, N. No. 26 in M.392.18
Reinecke, C. H. C. Sechs Lieder und Gesange.
No. 24 in M.392.21
Schneider, J. C. F. No. 121 in M.213.9
Schumann, R. A. Vier Gesange fur gemischten Chor.
No. 2 in M.158.24; etc.
Sxeinbrueck, C. No. si in M.3g2.2S
Weinzierl. No. 54 in M.392.24
Zenger. No. 75 in M.392.24
Gute Nacht. Song. Franz, R. Die Hoeh'n und Waelder
schon steigen. 12 Gesange. Op. 5 No. 38 in M.244.5.1
— Im tiefsten Innern ein suess' Erinnern. Sechs Gesange.
Op. 36. No. 2Q in M.244.i;.3
Hiller. F. Acht Ritornelle. No. 21 in M.iq2.3
Kuecken. No. 18 in M.244.6.3
Rixter, F. L. Zehn Kinder-Lieder. Heft 2. No. 7 in M.IQ2.4
Schuberx. F. P. Werke. Serie 20, Band 0. M.3i7.i.i!0.9
517
Gute
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Gyrowetz
Gute Nacht. Song. (Continued.)
TiEHSEN. Die Hoh'n und Walder steigen. Acht Gedichte.
No. i2inM.236.8;etc.
— Du bist schon miid'. 7 Gedichte. No. 9 in M.236.8
Gute Nacht, du mein herziges Kind. Song. Abt, F.
No. 2.3 in M.ig2.i
Gute Nacht, Herr Pantalon! Grisar. Bonsoir, M"" Pantalon!
M.224.34; etc.
Gute Nacht, mein Herz. Part-song. Bergmann, G. Drei Ge-
sange fiir vier Mannerstimmen. No. ^l in M.392.4
Gute Nacht, mein Herz. Song. Franz, R. Sechs Gesiinge.
Op. 12. No. 5 in M.244.S.2
Gute Stellvertreter. Part-song. Abt, F. No. 7 in M.392.2
Gute Wein, Der. Part-song. Kuntze. No. 32 in M.246.22
Guten Abend. Song.
Brahms. Deutsche Volkslieder. Heft i. No. 9 in M.380.40.3
Taubert, C. G. W. Klange aus der Kinderwelt. Heft 3.
No. 12 in M.192.6
TiEHSEN, O. 7 Gedichte. No. 9 in M.236.8
Guten Abend, lieber Mondenschein. Part-song. Zoellner,
C. F. Wanderlieder. No. 44 in 11.392.27
Guten Morgen! Duet. Abt, F. Zehn Duettinen.
No. 32 in M.ig2.i
Guten Morgen. Part-song.
Abt, F. Funf Lieder fiir s. a. t. b. No. 5 in M. 158.22
Leder. Vier Lieder. No. 22 in M.194.16
Guten Morgen. Song.
Abt, F. Sechs Lieder. No. 19 in M.192.2
Grieg. Grieg-Album. Band I. No. 2 in M.IS5.16
Taubert, C. G. W. Klange aus der Kinderwelt. Heft 4.
No. 14 in M.192.6
TiEHSEN, O. 7 Gedichte. No. 9 in M.236.8
Guten Morgen, schone Miillerin. Song. Taubert, C. G. W.
Sieben Lieder. No. 29 in M.192.8
Gutenberg. Oratorio. For the Music see Loewe, J. C. G. For
the Libretto see Giesebrecht.
Guter Hirte, Trost der Armen. Anthem. Lindpaintner. 24
Psalmen. No. 4 in M.290.30
Guter Rath fiir junge Eheleute. Part-song. Kuntze.
No. 28 in M.392.14
Guttenberg. Opera. For the Music see Fuechs. For the Li-
bretto see Prechtler.
Gutterson, A. C.
Christmas. A cantata, designed for a Christmas evening
service or entertainment, and for the use of choirs, classes
and musical associations. Words by C. W. Clinton.
Music by A. C. Gutterson. fVocal score with accomp.
for pianoforte.] Boston. Oliver Ditson Co. 1880.
No. I in M.384.29
House of Rechab; or, the penalty of intemperance. A can-
tata in two acts. Libretto by Robert Morris. Music by
A. C. Gutterson. fVocal score with accomp. for piano.l
Cincinnati. Church & Co. 1878. No. 2 in M.384.29
Guttmann, Oskar.
Gymnastics of the voice. A system of correct breathing in
singing and speaking, based upon physiological laws.
2d edition, enlarged. Albany. Werner. 1884. M.376.23
Guttur tuum. Motet.
Lassus. Sammtliche Werke. Band 13. M.8o4oa.67.i3
Palestrina. Werke. Band 4. M.8o4oa.66.4
Guy, Jean Henri.
Anacreon chez Polycrate. Opera. Mis en musique, par
Gretry. M.282.21
Ro,ger de Sicile, ou le roi troubadour. Opera. Musique de
H. M. Berton. M.261.33
Guy, Jean Henri. (Continued.)
Sophie et Moncars, ou I'intrigue portugaise. Opera. Mu-
sique par P. Gaveaux. M.272.26
Guy, Maxime.
Le garde-chasse. Operette de Maxime Guy & Maurice Mil-
lot. Musique de Lucien Collin. No. 2 in M.393.8
Guy Mannering. Opera. For the Music see Bishop, H. R.
For the Libretto see Terry.
Guynemer, C.
Ave Verum. s. chorus or solo and quartett. [Accomp. for
organ. 1 (In Novello. Convent music. Vol. 2, pp. 32-34.)
No. II inM.260.17.3
O Salutaris Hostia, solo for a. [Accomp. for organ.] Lon-
don. Novello. fiS.';-?! No. 12 in M.260.10.4
Guyon, Alexandre.
Une table de cafe. Saynete a travestissements. Paroles de
J. de Rieux fpseud.] & A. Guyon. Musique de Francis
Chassaigne. No. 4 in M.302.1S; etc.
Guzla, La, de I'emir. Opera. For the Music see Dubois. For
the Libretto see Barbier, P. J.
Gweleo. Opera. For the Music see Clercq. For the Libretto
see Warez.
Gwen. Cantata. For the Music see Parry, J. H. For the Li-
bretto see Evans, J. Y.
Gwendoline. Opera. For the Music see Chabrier. For the
Libretto see Mendes.
Gwent and Dyfed royal Eisteddfod and musical festival.
[Historical account.] From the Glamorgan, Monmouth
and Brecon Gazette. Merthyr Tydfil. 18.34. M.131.3
Gyasz hangok. Symphonic poem. Mihalovich.
No. 3 in M.338.2S
Gyp junior. Opera. For the Music see Hodges, D. F. For
the Libretto see Marble, E.
Gypsies.
Liszt. Des Bohemiens et de leur musique en Hongrie.
Paris. l8.S9. M.118.12
Smith, L. A. Through Romany songland. London. 1889.
M.208.22
Gypsies' glee. The. Part-song. Reeve.
No. 20 in H.i3ga.i8.2; etc.
Gypsy band. The. Glee. Taylor, J. B. A set of seven glees.
No. 3 in M.236.21
Gypsy chorus. Part-song. Weber, C. M. F. E. von.
No. 10 in M.17S.1.7
Gypsy Gabriel. Opera. For the Music see Williams, J. For
the Libretto see Parke, W.
Gyrowetz, Adalbert.
Agnes Sorel. Eine grosse Oper in 3 Akten. Klavierauszug.
Wien. Weigl. [181-?] 17 parts in i v. M.232.13
Aladin, oder das Nothwendige. Komische Oper in i Auf-
zuge, nach dem Franzosischen von Ignatz Castelli. In
Musik gesetzt von Adalbert Gyrowetz. f Klavierauszug.]
Wien. fi8i-?] M.232.11
Der Augenarzt. Singspiel in 2 Aufztigen. Klavierauszug.
Mayence. Schott. [182-?] No. i in M.232.10
Biographic des Adalbert Gyrowetz. Wien. Mechitharisten-
Buchdruckerei. 1848. Portrait. M.i4g.33
An autobiography.
Die Priifung. Ein Singspiel in 2 Aufziigen. In Musik gesetzt
und fiir das Piano-forte eingerichtet. Wien. K. k. Hof-
theater Musik Verlag. [1813.] No. 2 in M.220.31
Der Sammtrock. Eine Oper . . . Fur das Pianoforte ein-
gerichtet. Wien. Kunst & Industrie Comptoir. [1815?]
No. 4 in M.350.4
When I roved. Song [t. Accomp. for pianoforte]. (In
Musical library. Vol. 2, pp. 132, 1.33) No. 49 in M.235.i8.a
518
H
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hadley
H
H.. C.
As Joseph was awalking. Christmas carol. Boston. Rus-
sell. [1882.1 No. as inM.1s8.17
H., J. C.
The legend of St. Dorothea. A cantata. Set to music by
Charlotte H. Sainton-Dolby. No. 3 in M.154.43
H., W. H. See Husk, William Henry.
H. C. Andersen. Overture. Enna. No. i in M.406.65
H. R. H. Cantata. For the Music see Hutchison, W. M. For
the Libretto see Oxenford, E.
H. R. H. Opera. For the Music see Mount. For the Li-
bretto see Oxenford, E.
Ha' done, you little teazing wretch. Catch. Arne, T. A.
No. 4 in M.220.10
Ha! see yon pretty milliner. Catch. King, J.
No. 66 in M.22o.g.4
Haaf fishers, The. Glee. West, H. No. 8 in M.237.9
Haakman, Georges.
Le petit moujik. Operette en trois actes, de Pierre Newsky
fpseud.] & Jean Lery. Musique de Georges Haakman.
Partition piano et chant reduite par Marius Baggers.
Paris. Joubert. 1896. No. i in £1.393.22
Haan, Willem de.
Aus dem Mittelalter. Fiinf Gedichte . . . fiir Mannerchor.
Op. 7. Mainz. Schott. [1878?! No. 53 in M.392.10
Contents. — Bring', bring' mir her in Eile. — Nun kommt die Friih-
lingszeit. — In der Linde Blatterdach. — Frau, O meines Lebens Fraue.
— Du bist mein, und ich bin dein.
Die Inkasohne. Oper in drei Akten nach einer Erzahlung
von Multatuli. Dichtung und Musik von Willem de
Haan. Op. 19. Klavierauszug mit Text. Darmstadt.
Thies. fi89.S.l M.393.23
Die Kaiserstochter. Oper in 3 Aufziigen. Text von Wil-
helm Jacoby. Musik von Willem de Haan. Clavier-Aus-
zug. Berlin. Fiirstner. [1885.] M.276.13
Der Konigssohn. Ballade von Ludwig Uhland, fiir Soli
[t. BAR.l, Mannerchor und Orchester componirt von
Willem de Haan. Op. 8. Clavier-Auszug. Darmstadt.
Boelling. [1880?] No. .s in M.392.29
Zwei symphonische Satze fiir Orchester. Op. 14. Partitur.
Mainz. Schott. [188-?] No. 2 in M.403.49
Contents. — I. Fahrt zu Hades. 2. Elystum.
Haarlocke. Opera. For the Music see Dalayrac. La boucle
de cheveux.
Haas, Hermann.
Der Pfeiffer von Hardt. Romantische Volksoper. Musik
von Ferdinand Langer. M.302.5
Habanera. For orchestra. Chabrier. No. 4 in M.358.23
Habanera, La. Opera. For the Music and Libretto see
Laparra.
Habay, F.
Unite de la voix. Methode synthetique du chant et de la
parole. Paris. Librairies-imprimeries reunies. 1894.
M.198.14
Habeneck, Charles.
Precis historique de musique classique. Paris. Dentu. 1861.
No. 3 in M.370.6S
Haber, Siegmund.
An der Mosel. Patriotisches Gemalde. Musik von A. Con-
radi. No. 10 inM.203.10
Haberkamp, Ferdinand.
Krieg und Frieden. Cantate. Componirt von J. Zech.
No. 12 in M.212.19
Haberl, Franz Xaver, editor.
Lassus. Magnum opus musicum. M.8o4oa.67.i; etc.
Habert, Johannes Evangelist, editor.
Fux. Messen. M.414.6
Motetten. M.414.7
Stadlmayr. Hymnen. No. 3 in M.414.3
Habet Acht! Part-song. Schumann, R. A. Fiinf Gesange.
No. 4 in M.I57.2I
Habets, Alfred, editor.
Stasov. Alexandrine Borodine. No. i in M. 132.2
Habit, L', de Mylord. Opera. For the Music see Lagarde, P.
For the Libretto see Sauvage, T. M. F.
Habit, L', du Chevalier de Grammont. Opera. For the Music
see Eler. For the Libretto see Seiint Victor.
Habt Acht. Part-song. Billeter. No. 32 in M.392.3 ; etc.
Habt ihr sie schon geseh'n? Song. Franz, R. Sechs Gesange.
Op. 36. No. 27 in M.244.5.3
Hack, Alfred d'.
Le coquelicot. Operette en i acte. Paroles de Jules De-
menthe fpseud.]. Musique de Alfred d'Hack. [Partition
chant et piano.] Paris. Gerard & cie. [1874.]
No. I in M.30i.g
Hackel, Anton.
Der Deserteur. Ballade [bar.]. Mit Begleitung des Piano-
forte. Wien. Haslinger. [185-?] No. 9 in M.236.6
Hackenberg, A.
Gustav Adolf. [Cantate.] Von Max Bruch. M.381.5
Hackensoellner, Leopold de.
Le de (II ditale). Opera comique en un acte. Paroles de M.
le due de Dino. Musique du cheV L. De Hackensollner.
Partition pour chant en clef de Sol avec accompt de piano.
Milan. Lucca. [1876?] M.382.28
Hackett, Charles Danvers.
An evening service. [Cantate Domino and Nunc dimittis.
Accomp. for organ.] London. Ewer & Co. [185-?]
No. 24 in M.190.3
Zion, a sacred cantata. [Words from Holy Writ. Accomp.
for pianoforte.] London. Ewer & Co. [186-?]
No. 2 in M.270.22
Hacking, Richard. See Haking, Richard.
Had I a cave. Song. Whit.^ker. No. 25 in M.237.7
Hadden, James Cuthbert.
George Frederick Handel. London. Allen & Co. 1888.
[Biographies of great composers.] M.io9b.43
Haddon Hall. Opera. For the Music see Sullivan, A. S. For
the Libretto see Grundy.
Hadley, Henry Kimball.
Christ our Passover. Easter anthem. [Accomp. for organ.]
Boston. Boston Music Co. [1894-] No. 17 in M.203.27
The fairies. (Ballad for mixed voices, solo [s.], and orch.)
[Op. 3. Pianoforte score. Poem by William AUingham.l
Boston. Boston Music Co. [1894.] No. 18 in M.203.27
Good night. [Part-song, t. t. b. b. Op. i, no. 3.] Boston.
Boston Music Co. [1894.] No. 5 in M.203.15
In music's praise. A cantata for soli, chorus and orchestra.
Words by G. F. R. Anderson. Music by Henry K. Had-
ley. Op. 21. [Pianoforte accomp.] Boston. Oliver Dit-
son Co. [1900.] No. 6inM.384.11
Nancy Brown. A new musical comedy in two acts. Book
and lyrics by Frederic Ranken. Music by Henry K. Had-
ley. Vocal score [with pianoforte accomp.]. New York.
Stern & Co. 1903. M.381.21
The pixies. [Part-song, t. x. b. b. Op. l, no. i.] Boston.
Boston Music Co. [1894.! No. 4 in M.203.rs
519
Hadley
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hague
Hadley, Henry Kimball. (Continued.)
Salome. TondichturiK fiir grosses Orchester nach Oscar
Wilde's Trauerspiel. Op. 55. Partitur. Berlin. Ries &
Erler. [1906.] M.411.4
Symphony-Fantasia. Op. 46. [Partitur. New York.l
Schirmer. IQ07. M.411.3S
There is no title-page.
Die vier Jahreszeiten. (The four seasons.) Symphonie in
F moll. No. 2, fiir grosses Orchester. Op. .30. Partitur.
Leipzig. Schmidt. 1902. M.412.6
The water lily, f Part-song, t. t. b. b. Op. i, no. 2.1 Bos-
ton. Boston Music Co. [1894.] No. 3 in M.203.15
Hadot, T.
Herculanum. Grand opera de Mery & Hadot. Musique de
Felicien David. M.363.27
Le saphir. Opera-comique. Paroles de MM. de Leuven
[pseud. 1, Michel Carre & Hadot. Musique de Felicien
David. M.29S.3
Hadow, William Henry.
Studies in modern music, [ist series.] New York. Mac-
millan & Co. 1893. Portraits. M.107.21
Haec dicit Dominus. Anthem. Webbe, S. No. 54 in M. 156.50
Haec dies. Anthem. Ett. No. 4 in M.221.43
Nixon, H. G. Selections from sacred compositions. Vol.
I, 2. M.270.1.1, 2
Palestrina. No. 23 in M.1S8.33.3
Webbe, S. No. 13 in M.260.3; etc.
Haec dies quam fecit Dominus. Anthem.
Nanino. No. 27 in M.202.6.1
Novello, V. No. .34 in M.260.24.1
Palestrina. Werke. Band 3, 7- M.8o4oa.66.3, 7
Haec est dies praeclara. Motet. Palestrina. Werke. Band 7.
M.8o4oa.66.7
Haec est vera fraternitas. Motet. Lassus. Sammtliche Werke.
Band 13. M.8o4oa.67.l3
Haec est vita. Canon, 3 in I. (In Warren. Collection of
catches. Vol. i, p. 12.) No. 18 in M.220.9.1
Haec quae ter triplici. Motet. Lassus. Sammtliche Werke.
Band i. M.8o4oa.67.i
Haehnel, Jakob. See Handl, Jakob.
Haemmerle, Julius.
Sklaven Jagd. Ein Tropenbild. The Slave hunt. Dichtung,
komponirt von Hermann Mohr. No. 4 in M.212.11
Haendl, Jakob. See Handl, Jakob.
Haenflings Liebeswerbung. Song. Schubert, F. P. Sammt-
liche Compositionen. M.244.12; etc.
Haennchen vor Allen. Song. Vincent, H. T. No. 14 in M.236.6
Haensel und Gretel. Ofera. For the Music see Humperdinck.
For the Libretto see Wette, A.
Haenselein. Song. Taubert, C. G. W. Klange aus der Kin-
derwelt. Heft 3. No. 12 in M.192.6
Haenseler, A.
Der Hochstapler. Operette von A. Hanseler und M. Moller.
Musik von Gustav Meyer. M.394.3I
Haering, A.
Sechs Lieder ... fiir Mannerchor. Op. 4. Leipzig. For-
berg. [i88o?l 6 parts in i v. No. 1-6 in M.392.10
Contents. — I. Friihlingslied. 2. Stiller Segen. 3. Thauwind. 4. Die
Linde. 5. Frisch hinaus. 6. Treue Liebe.
Nos. I and 2 are misplaced in binding.
Haertel. Gustav Adolf.
Abendstandchen [t. T. b. B.l. Leipzig. Siegel. [1888? Aus-
gewahlte Mannerchore.l No. 7 in M.3g2.io
I long for thee [t. t. b. b. Philadelphia. 188-?]. Broadside.
[Molineux' quartetts. 7-1 No. 8 in M.392.10
Also to be found in Chickering collection.
The miller's daughter. [Part-song, t. t. b. B.l (In The
Orpheus. New series. Vol. 4. PP. 143-1.'; l.)
Also to be found in Willard's Arion. No. 3I in M.20S.IO.4
Waldlied [t. x. b. B.l. (In Abt. Leichte Mannerchore. Heft
12. pp. 6, 7.) No. 70 in M.246.22
Haeser, August Ferdinand.
Against Thee only. [s. solo and chorus. Accomp. for
pianoforte. 1 (In Latrobe. Selection of sacred music.
Vol. 4, pp. 26-28.') No. 5 in M.2go.29.4
Haeser, August Ferdinand. (Continued.)
Gloria in excelsis. A 4 voix. [Accomp. d'orgue.l (In
Dietsch. Repertoire de musique religieuse. Pp. 44-s.';.)
No. II in M.260.20
Miserere mei. Motett, 4 voices. [Accomp. for organ. 1 (In
Novello. Evening service. Vol. 2, pp. 184-188.) M.260.23.2
The triumph of faith; or, the first crusade. An oratorio . . .
The words translated from the German of Gustavus
Moltke, and adapted by William Ball. The accomp. for
piano forte, revised by W. H. Kearns. London. Hedg-
ley. [i837?l M.241.34
Haeser, C. G.
Die Rauberbraut. Oper. Musik von F. Ries. M.iso.17
Haeser, Carl.
Der Deutsche und sein Vaterland [t. t. b. B.l. Op. 96. Coin.
Tonger. [187-? Ausgewahlte Lieder fur vier Manner-
stimmen.l No. 44 in M.392.8
The forest. [Part-song, t. t. b. b.1 (In Chickering collec-
tion. Vol. I, pp. 42-44.) No. 18 in M.392.48.1
Der Gesang. Mannerchor. (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste.
P. 22.) No. 9 in M.130.7
Also to be found in Das Riitli.
Im Mai [t. t. b. b.]. Coin. Tonger. [188-? Ausgewahlte
Lieder. 1 No. 9 in M.392.10
Nell' Ester. [ Mannerchor. 1 (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste. P. 16.)
No. 8 in M.130.7
Also to be found in Eidgenossischer Sangerverein. 12. . . . Sanger-
feste.
Vier Gesange fiir vier Mannerstimmen. Op. 84. Berlin.
Luckhardt. [i88-?l 4 parts in i v. No. 10-13 in M.392.10
Contents. — i. Ich fahre in die Welt. 2. Die Liebe zog in's Herz mir
ein. 3. Wie die Welt so weit. 4. Was du mir bist.
Haeser, Joseph.
[Vier Lieder fiir Mannerchor. Op. 2. Offenbach a. M.
Andre. i87-?l No. 14 in M.392.10
The title-page is missing.
Contents. — An die Nacht. ■ — Tumergruss. — Sei ruhig. — Abcndgebct.
Haeusliche Krieg, Der. Opera. For the Music see Schubert,
F. P. For the Libretto see Castelli.
Haffner-Serenade. Mozart. Serenade No. 7. No. 2 in M.4i2a.i6
Hafis. Songs. Ritter, F. L. No. 4, 5 in M.192.4
Hafis-Ouverture. For orchestra. Ehlert. No. 2 in M.336.9
Hagar. Oratorio. For the Music see Ouseley.
Hagars Klage. Song. Schubert, F. P. Werke. Serie 20.
Band i. H.3i7.i.20.i
Hagarty, J. P.
Tantum ergo. Solo [s. or T.l & chorus. [Accomp. for
pianoforte.! Boston. Tolman & Co. 1864.
No. 18 in M.260.10.7
Hagbart und Signe. Opera. For the Music see Metzdorff.
For the Libretto see Bruns.
Hagen, Adolf, pseud. See Harpf, Joseph Adolf.
Hagen, Theodor von.
Musikalische Novellen. Leipzig. Jurany. 1848. M.108.37
Contents. — Karoline Reichmann. — Der Dorfmusikant. — Die Oper auf
dem Kirchhofe. — Aus der Pariser Gesellschaft. — Schreckliche Folgen.
Hagestolzen, Die. Part-song. Kuntze. No. 34 in M.392.14
Hague, Charles.
The ode, as performed at Cambridge, 29th of June, 181 1, at
the installation of H. R. H. William Frederick, Duke of
Gloucester . . . Chancellor of the University. [Full
score.l Cambridge. Preston. [1811.I M.23S.2S
Hague, Charles, editor.
A second collection of glees, rounds, & canons, for 2, 3, 4,
5 & 6 voices. Composed by members of the Harmonic
Society of Cambridge. Cambridge. Dixon. [i7QS?l
No. ■; in M.340.1S
Contents. — Hague: Epitaph [Here old John Randall lies]. Nymph of
the grot. On sleep. How long will ye round me. Queen of the sil-
ver bow, — Richmond : Ossian's address to the sun. Hail ! to pleas-
ure's frolic train. O God, hear my voice. Sing unto the Lord. Tell
me, where is Fancy bred. Address to a wounded soldier. — Hague;
Where is my God? — Wheeler: Noon. Happy the man. — Wright:
The kiss. — Dixon: Sleep 1 thou fearful lover's friend. — Hague:
On a bad fiddler. — Carnaby: A grace.
520
Hahn
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hail
Hahn, Arthur.
Carl Goldmark, "Landliche Hochzeit" (Op. 26). Eriautert.
Leipzig. Seemann. [igoo? Der Musikfithrer.l
No. IQ in M.217.12.8
Edvard Griegr, ..Peer Gynt." Suiten (Op. 46 u. s.";). Er-
iautert. Leipzig^. Seemann. fiSgg? Der Musikfiihrer.l
No. I in M.217.12.8
Franz Liszt, Ce qu'on entend sur la montaprne. (Bergsym-
phonie.) Eriautert. Frankfurt a. M. Bechhold. fiSgS.
Der Musikfiihrer.l No. 18 in M.217.12.3
Franz Liszt, Dante Symphonic. Eriautert. Frankfurt a. M.
Bechhold. fiSgS. Der Musikfiihrer.l No. I4.'i in M.217.12.6
Franz Liszt. Faust-Symphonie. Eriautert. Frankfurt a.
M. Bechhold. fi8g8. Der Musikfiihrer.l
No. 24 in M.217.12.6
Franz Liszt, Festklange. Symphonische Dichtung. Er-
iautert. Frankfurt a. M. Bechhold. fiSgS. Der Musik-
fiihrer.l No. 7inM.2i7.i2.6
Franz Liszt, Hamlet. (Symphonische Dichtung.) Eriau-
tert. Frankfurt a. M. Bechhold. fiSgS. Der Musik-
fiihrer.l No. 14 in M.217.12.6
Franz Liszt, Heroide funebre (Heldenklage). Sympho-
nische Dichtung. Eriautert. Frankfurt a. M. Bechhold.
fiSgS. Der Musikfiihrer.l No. 17 in M.217.12.S
Franz Liszt, Hungaria. Eriautert. Frankfurt a. M. Bech-
hold. ri8g8. Der Musikfiihrer.l No. 20 in M.21 7.12.4
Franz Liszt, Hunnenschlacht. Symphonische Dichtung.
Eriautert. Frankfurt a. M. Bechhold. fi8g8. Der
Musikfiihrer.l No. 6 in M.217.12.6
Franz Liszt, Die Ideale. Eriautert. Frankfurt a. M. Bech-
hold. fi8g8. Der Musikfiihrer.l No. 9 in M.217.12.S
Franz Liszt, Mazeppa. Eriautert. Frankfurt a. M. Bech-
hold. [i8g8. Der Musikfiihrer.l No. i in M.217.12.4
Franz Liszt, Orpheus. Eriautert. Frankfurt a. M. Bech-
hold. fiSgS. Der Musikfiihrer.l No. 11 in M.217.12.3
Franz Liszt, Les preludes. Erliiutert. Frankfurt a. M.
Bechhold. [1898. Der Musikfiihrer.l No. 12 in M.217.12.3
Franz Liszt: I. Prometheus, Symphonische Dichtung. 2.
Chore zu Herder's „Entfesseltem Prometheus." Eriau-
tert. Frankfurt a. M. Bechhold. ri8g8. Der Musik-
fiihrer.l No. 2oinM.2i7.i2.s
Franz Liszt: I. Tasso, Lamento e trionfo. 2. Le triomphe
du Tasse. Eriautert. Frankfurt a. M. Bechhold. ri8g8.
Der Musikfiihrer.l No. 5 in M.217.12.4
Hector Berlioz, Harold in Italien. Eriautert. Leipzig.
Seemann. ri8g9? Der Musikfiihrer.l No. 6 in M.217.12.7
Hector Berlioz, Sinfonie fantastique. Eriautert. Frank-
furt a. M. Bechhold. [1898. Der Musikfiihrer.l
No. ig in M.217.12.S
Richard Strauss, Also sprach Zarathustra (Op. .^o). Er-
iautert. Frankfurt a. M. Bechhold. ri8g8. Der Musik-
fiihrer.l No. 4 in M.217.12.6
Richard Strauss, Don Quixote. Op. .3.=;. Eriautert. Frank-
furt a. M. Bechhold. fi8g8. Der Musikfiihrer.l
No. 22 in M.217.12.6
Richard Wagner, Ouverture zu "Tannhjiuser." Eriautert.
Leipzig. Seemann. [iSgg? Der Musikfiihrer.l
No. 2 in M.217.12.8
Hahn, Bernhard.
Mass for s. a. t. b. fin C minor. 1 Arranged for the organ
or piano forte by Joseph Winter. London. Butler.
fi84-?l No. I in M.260.3
Hahn, Carl.
Wasserfahrt. f Mannerchor.l (In Claassen. Ludwig Liebe-
Album. Pp. 17, 18.) No. ilinM.203.16
Hahn, Johann Christian Werner.
Lied der Freundschaft [t. T. B. B.l. (/n Fink. Die deutsche
Liedertafel. Pp. 170, i7i-) No. no in M.213.9
Hahn, Reynaldo.
La Carmelite. Comedie musicale en quatre actes et cinq
tableaux. Poeme de CatuIIe Mendes. Musique de Rey-
naldo Hahn. Partition chant et piano. Paris. Heugel &
cie. 1902. Plate. M.381.22
Hahn, Reynaldo. (Continued.)
Pastorale de Noel, mistere . . . Maistre Arnoul Greban
. . . le composa . . . Et le diet mistere a este reduict et
adapte pour le temps present, en. . . 1901 . . . par Leonel
de la Tourasse et Gailly de Taurines, et fut adjoutee la
. . . musique de Reynaldo Hahn. Paris. Heugel & cie.
1901. No. 5 in M.384.20
Hahn, Theodor.
Der Herr ist Konig. Cantate nach dem XCVIL Psalme.
[Op. 12.] In Musik gesetzt . . . Klavier Auszug. Berlin.
Bote & Bock. [187-?! M.23S.23
„Der Herr ist mein Hirt." Der XXHL Psalm, fiir 4 Man-
nerstimmen mit Begleitung des Pianoforte. Berlin. Bote
& Bock. [185-?] No. 6 in M.270.S9
„Herr unser Herrscher." Der YHL Psalm, fiir 4 Manner-
stimmen. Klavierauszug. Berlin. Bote & Bock. [185-?]
No. 7 in M.270.S9
Hahn, Der. Song. Taubert, C. G. JW. Klange aus der Kin-
derwelt. Heft I. No. 3 in M.192.6
Hahnenruf. Song. Abt, F. Lebensfruhling. Heft i.
No. 25 in M. 192.1
Hai, Lucia. Part-song. Lassus. Sammtliche Werke. Band 10.
M.8o4oa.67.io
Haibel, Jakob.
[Der Tyroler Wastel. Overtura, Arien und Duetten aus
der Oper. Clavierauszug. Text von Schikaneder.l
Vienna. Artaria. ri7g6?l g parts in I v. No. i in M.350.6
Haidebeere, Die. Lied. Grieg. Grieg-Album. No. 5 in M. 155.16
Haidenroeslein. Part-song. Schubert, F. P. No. 3 in M.370.30
Werner, H. No. 58 in M.i29a.43.2; etc.
Haidenroeslein. Song. Brahms. Volks-Kinderlieder.
No. 8 in M.380.40.3
Haideschacht, Der. Opera. For the Music and Libretto see
Holstein.
Haidevoeglein. Song. Abt, F. No. 2 in M. 192.1
Hail, all hail. Glee. Otto, F. No. 14 in M. 246.36
Hail, all hail Britannia. Glee. Cooke, B. A collection of glees.
No. I in M. 220.8
Hail, all hail, thou merry month of May. Part-song. Weber,
C. M. F. E. VON. No. 3 in M. 175.1.1
Hail! beauteous stranger. Glee. W.\lmisley, T. F. Collec-
tion of glees. M.23S.S
Hail! bounteous nature. Glee. Cooke, T. S.
No. 5 in M.235.9.6; etc.
Hail, bright star of Jacob. Aria. Mozart. No. ig in M.236.30.4
Hail Britannia. Part-song. Croft. No. 41 in M.iii.4.3
Hail! British isle. Glee. Greene, M. No. 189 in M.215.21
Hail, Columbia! Overture. Hohnstock. No. 3 in M.336.14
Hail Columby! Part-song. White, G. M. No. 15 in M.392.27
Hail, ever pleasing solitude. Glee. Alcock, J.
No. 14 in M.220.3.1; etc.
Hail, flow'ry mead. Catch. Hayes, W. No. 31 in M. 141.21.2; etc.
Hail! gentle master. Part-song. Bishop, H. R.
No. 32 in M.235.7.1 ; etc.
Hail, gladd'ning light. Anthem. Gre.\theed. No. i in M.233.29
Hail! golden lyre. Glee. Horsley, W. No. 14 in M.235.9.7; etc.
Hail, hail, green fields. Catch. Greene, M.
No. 40 in M.141.21.1; etc.
Hail, hallowed fane. Glee. Wellesley, G. C.
No. 6 in M.i39a.i8.3; etc.
Hail, happy Albion. Glee. Callcott, J. W.
No. 84 in M.220.9.4; etc.
Hail, happy meeting. Glee. Webbe, S. Selection of glees.
Vol. 2. No. 7 in M.23S.13.2
Hail, happy woods. Round. Purcell, H. No. no in M.i 11.4.3
Hail, humble shades. Round. Taylor, E. No. 112 in M.in.4.3
Hail, lovely shade. Glee. Jenner. No. 8 in M.220.3.1; etc.
Hail, lovely sounds. Glee. Stevenson, J. A.
No. 103 in M.235.17.4
Hail! meek-ey'd maiden. Glee. Walmisley, T. F. Collec-
tion of glees . . . M.235.5
Hail, merry Christmas. Part-song. Bissell. No. 33 in M.igo.z
166
521
Hail
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Halevy
Hail, merry, merry Christmas. Part-song. Young, W. J. Six
four-part songs. No. 9 in M.158.23
Hail! music. Part-song. Webbe, S. No. 2 in M.23S.9.4; etc.
Hail, music, hail! Glee. Cooke, B. Nine glees.
No. 2 in M.220.8
Hail, peaceful shades. Duet. Webbe, S. No. 107 in M.235.17.4
Hail, sacred horrors. Glee. Bates, W. No. 54 in M.220.10
Hail, smiling morn. Glee. Spofforth. No. 9 in M.1S7.7; etc.
Hail, social pleasure. Glee [t. x. b.]. (/n Bland. The Ladies'
collection. Vol. I, pp. 62, 63.) No. 97 in M.235.17.1
Hail, Star of Brunswick. Glee. Webbe, S.
No. 14 in M.i3ga.i8.8; etc.
Hail! sweet patroness. Glee. Horsley, W.
No. 7 in M.234.2.5; etc.
Hail! Thou that art highly favour'd. Anthem.
Arcadelt. No. 16 in M.1S7.3
Carnall. No. 8 in M.195.2.16
Hail to Jesus of Nazareth. Carol. Romer. No. 9 in M. 157.23
Hail to our chief who in triumph retires. Part-song. Ward.
No. 4 in M.391.60
Hail! to our nation. Song. Keller. No. 22 in M.192.13.1
Hail to pleasure's frolic train! Glee.
Horsley, W. No. 92 in M. 157.6.2
Richmond. No. 5 in M.340.15
Hail to the chief. Part-song. Bishop, H. R. No. 27 in M. 157.19
Leslie, H. D. No. 7 in M.195.1.14
Prout. No. i'; in M. 158.19; etc.
Schubert, F. P. No. 25 in M.205.10.4
Hail to the Lord's Anointed. Anthem.
Buck, D. No. 7 in M.290.11
Hanscom. No. 26 in M.203.27
Hail to thee, child of the earth. Part-song. Smart, H.
No. 4 in M.204.36.2
Hail to thy living light. Part-song. Arne, T. A.
No. 25 in M.iii.4.3
Hailuli. Song. Taubert, C. G. W. Sang der Liebe. 12
Lieder. No. 4 in M.221.26
Haimbach, Philipp.
Ostrolenka. Grand opera. Composed bv Tohann Heinrich
Bonawitz. M.396.16
Haine, Carl.
Ave Maria, fiir eine Singstimme fs. oder T.l mit Pianoforte-
Begleitung. Lateinischer u. deutscher Text. Op. ?,i.
Offenbach a. M. Andre. [i868?l No. 26 in M.201.33
Haines, Herbert E.
The catch of the season. A musical comedy. Book by Sey-
mour Hicks and Cosmo Hamilton. Lyrics by Chas. H.
Taylor. Music by Herbert E. Haines and Evelyn Baker.
Vocal score. London. Francis, Day & Hunter. 1904.
M.399.92
Haines, John Thomas.
Amilie; or, the love test. Grand romantic opera. Music bv
W. M. Rooke. M.264.17
Haite, John James.
Abraham's sacrifice. A cantata. fPianoforte accomp.l
London. Pitman. [187-?! No. 2 in M.384.16
Evening. Part song for 4 voices fx. x. B. B.l. (In Warren.
Cocks's Hand-book of glees. Vol. .?, pp. 129-132.)
No. 44 in M.157.6.3
The fisherman. Part song for 4 voices [t. t. b. b.1. (In
Warren. Cocks's Hand-book of glees. Vol. 3, pp. 137,
l.'?8.) No. 47 in M.IS7.6.3
The gallant buccaneer. Part song for 3 voices [t. t. b.]. {In
Warren. Cocks's Hand-book of glees. Vol. 3, pp. 141-
144.) No. 50 in M.IS7.6.3
Wherefore all the sighing. Part song for 4 voices [t. t.
b. b.1. (In Warren. Cocks's Hand-book of glees. Vol. 3,
pp. l3.VI.3.'i.) No. 4.') in M.IS7.6.3
Haken, Max von.
August Klughardt. Oratorium Judith. Erlautert. Leipzig.
Seemann. [1901? Der Musikfiihrer.] No. 8 in M.217.12.11
Haking, Richard, Jr.
Judgments & mercies. A sacred cantata for 5 voices [s. a.
t. T.B.I, with accomp. for the organ. London. Surman.
[1855.] No. 4 in M.391.42
Haking, Richard, Jr. (Continued.)
Lord, let me know mine end. Anthem. [Accomp. for or-
gan.] (In Ouseley. Special anthems. Vol. i, pp. 90-100.)
No. 12 in M. 233.24.1
Te Deum laudamus. Chantwise, in C. f Accomp. for organ.]
(In Novello's Parish choir book. Pp. 52-54.)
No. 10 in M.157.30
Hakon Jarl. Cantata. For the Music and Libretto see
Reinecke, C. H. C.
Hakon Jarl. Symphonic poem. Hartmann, E. No. 3 in M.343.SO
Smetana. No. i in M.338.27
Halanzier, Hyacinthe Olivier Henri.
Kerst. L'Opera et M. Halanzier. Paris. 1877.
No. 5 in M.372.21
Halberstadt, Joseph.
Quartetto. [Per due violini, viola e violoncello. Partitura.]
Manuscript. [1875.] M.312.39
Halcyon days. Glee. Cooke, B. No. 85 in M.220.g.4
Halcyon days. Song. Purcell, H. Beauties of Purcell. Vol. I.
M.221.2
Hale, Philip, editor.
Bourgault-Ducoudray. Adagio. No. 3 in M.414.31
Cl£rambault. Prelude. No. 8 in M.414.30
Klein. Meditation. No. 13 in M.414.3S
Halek, Vitezslav.
A patriotic hymn. The music by Antonin Dvorak.
No. 2 in M.154.54
Hales, Thomas.
L'amant jaloux. Comedie fmise en musiquel par Gretry.
M.282.26
Les evenemens imprevus. Comedie. Mise en musique par
Gretry. M.282.17
Le jugement de Midas. Comedie fmise en musique] par
Gretrv. M.282.32
Halevy, Jacques Frangois Fromental filie.
Ah! mon seigneur. Duo [s. t. Accomp. de piano]. (In
Bibliotheque musicale. Serie 2, pp. 84-99.)
From La fee aux roses. No. 6 in M.157.4O
Ah, pour moi quelle ivresse. Air [b. Accomp. de piano].
(In Bibliotheque musicale. Serie 2, tome 1,'pp. 66-76.)
From Les mousquetaires de la reine. No. 9 in M.193.2I.I
Art divin qui faisais ma gloire. Air [b. Accomp. de piano].
(In Bibliotheque musicale. Serie 2, tome 2, pp. 52-61.)
From La fee aux roses. No. 9 in M.T93.21.2
L'artisan. Opera-comique en i acte. Paroles de M^ de S'
Georges. Musique de F. Halevy. Partition. Paris.
Schlesinger. [1827.] M.292.18
Blanche. Melodic fx. Accomp. de piano]. Portrait. Fac-
simile. (/»! Album du Gaulois. Vol. I.) No. 24 in M.391.28.1
Charles VI. Opera en 5 actes. Paroles de Germain et Casi-
mir Delavigne. Musique de F. Halevy. [Partition chant
et piano.] Paris. Brandus & cie. [185-?] M.365.32
Clari. Opera semi seria. Musica del M" F. Halevy. [Per
canto e piano.] Parigi. Richault. [183-?] M.292.1S
La dame de pique. Opera comique en 3 actes. Paroles de
Mr E. Scribe. Musique de F. Halevy. Partition piano et
chant. Paris. Brandus & cie. [186-?] M.365.26
Derniers souvenirs et portraits. Paris. Levy. 1863. M.127.7
Contents. — Notice de Halevy par Fiorentino. — Mozart. — Boucher-
Desnoyers. — Simart. — A. Nourrit. — Berton. — Lettres sur la mu-
sique. — Le baron de Stora. — Projet de loi tendant a accorder une
pension a Mme veuve Halevy.
Le dilettante d'Avignon. Opera en i acte de Hoffmann &
Leon Halevy. Musique de F. Halevy. Partition piano &
chant. Paris. Catelin. [1863.] M.276.15
L'eclair. Opera comique en 3 actes. Paroles de MM. de
Planard et de S' Georges. Musique de F. Halevy. Par-
tition. Paris. Schlesinger. [1836?] M.227.21
Same. Partition piano et chant. M.36S.34
Same. Ouverture a grand orchestre. Partition. Manu-
script. [184-?] No. 5 in M.3I2.IO
Fabliau. [Chanson, s. Accomp. de piano.] (In Album de
chant. Pp. 12, 13.) No. i in M.202.28
522
Halevy
THE ALLEN A. BROWN COLLECTION OF MUSIC
Halevy
Halevy, Jacques Frangois Fromental filie. (Continued.)
La fee aux roses. Opera comique en 3 actes. Paroles de
Scribe et de St. Georges. Musique de F. Halevy. Grande
partition. Paris. Brandus & cie. 1849. M.227.22
Same. Partition piano et chant. M.366.2
Fete maudite et qui fera repandre des pleurs. Cavatine [b.
Accomp. de piano]. (In Bibliotheque musicale. Serie 2,
tome 2, pp. 70-73.) No. 11 in M.193.21.2
From Charles VI.
Guido et Ginevra. Opera en s actes. Paroles de M. E.
Scribe. Musique de F. Halevy. Partition piano et chant.
Paris. Brandus, Dufour & cie. [185-?] M.365.33
Le guitarrero. Opera comique en 3 actes. Paroles de Mr
E. Scribe. Musique de F. Halevy. Partition. Paris.
Schlesinger. [1841.! M.292.17
Same. Partition piano et chant. Brandus, Dufour & cie.
[i8s-?] M.365.29
II va venir. Romance [s. Accomp. de piano]. (In Album
lyrique du chant frangais. Pp. 7-11.) No. 2 in M.IS7.38
Jaguarita I'lndienne. Opera comique en 3 actes. Paroles
de MM. de S' Georges et de Leuven fpseud.]. Musique
de F. Halevy. Grande partition. Paris. Heinz. [1885?]
^ V. M.354-5
Same. Partition chant et piano. M.36S.2.5
Je n'ai qu'un plaisir, qu'un voeu. Couplets du jeu [b. Ac-
comp. de piano]. (In Bibliotheque musicale. Serie 2,
tome 2, pp. 62-69.) No. 10 in M.193.21.2
From La dame de pique.
Le Juif errant. Opera en .■; actes. Paroles de Scribe et de
St. Georges. Musique de F. Halevy. Grande partition.
Paris. Brandus & cie. 1852. M.227.23
Same. [Partition chant et piano. 186-?] M.365.27
La Juive. Opera en 5 actes. Paroles de Scribe. Musique
de F. Halevy. Partition, piano et chant. Paris. Lemoine.
[187-?] Portrait. M.328.7
Same. L'Ebrea. Opera en 5 actes de F. Halevy. Partition
pour piano et chant avec paroles italiennes et allemandes
fd'apres Scribe]. Paris. Lemoine. [186-?] M.366.1
Same. Ouverture a grand orchestre. Partition. Manu-
script. [184-?] No. 4 in M.312.10
Le lazzarone. Opera en 2 actes. Paroles de M. de S'
Georges. Musique de F. Halevy. Avec acct. de piano.
Paris. Schlesinger. [184-?] M.292.13
Libre Helvetic. [Chceur, t. t. b. b.] (In Recueil des choeurs
d'ensemble franqais . . . I4e fete. Pp. 10-14.)
No. 7 in M.130.7
Ludovic. Opera-comique en 2 actes. Paroles de M^ de S'
Georges. Musique de F. Herold et F. Halevy. M.226.7
Same. Komische Oper in 2 Acten. Text von St. Georges,
iibersetzt fiir alle deutsche Biihnen vom Baron von Lich-
tenstein. Musik von Herold und Halevy. M.292.2S
La magicienne. Grand opera en S actes. Poeme de Mr de
S* Georges. Musique de F. Halevy. Partition piano et
chant. Paris. Escudier. [1858.] M.36S.28
Marguerite qui m'invite. Romance fx. Accomp. de piano].
(In Album lyrique du chant frangais. Pp. .=;.=;-.';9.)
No. 2 in M.1S7.38
Les mousquetaires de la reine. Opera comique en 3 actes.
Paroles de M^ de S' Georges. Musique de F. Halevv.
[Partition chant et piano.] Paris. Brandus & cie. [1846.]
M.366.3
Le nabab. Opera comique en 3 actes. Poeme de MM. E.
Scribe et de St Georges. Musique de F. Halevy. Parti-
tion piano et chant. Paris. Brandus & cie. [185-?]
M.se.s-So
Ne crois pas que ie te cede. Air fs. Accomp. de piano].
(In Bibliotheque musicale. Serie 2, tome I, pp. 103-110.)
From La fee aux roses. No. I4 in M.193.21.I
Noe. Grand opera en 3 actes et 4 tableaux, de H. de S'
Georges. Musique de Halevv et Georges Bizet. [Parti-
tion chant et piano.] Paris. Choudens. [187-?] M.26.';.23
La nouvelle Alliance. [Choeur, x. t. b. b.] (In Recueil des
choeurs d'ensemble franqais . . . I3e fete. Pp. 9-16.)
No. 6 in M.130.7
Halevy, Jacques Frangois Fromental filie. (Continued.)
O Salutaris. [Motet, s. ou x. Accomp. d'or.gue. Paris.
Escudier. 183-?] No. 23 in M.201.33
Pas de beaute pareille a I'objet de mes feux. [Chant, b.
Accomp. de piano.] (In Bibliotheque musicale. Serie 2,
tome 2, pp. 100-104.) No. 16 in M.i93.2i.a
From Les mousquetaires de la reine.
Pendant la fete une inconnue. Romance [x. Accomp. de
piano]. (/« Album lyrique du chant franqais. Pp. 38-45.)
No. 2 in M.IS7.38
Pour expier envers lui ses outrages. Legende du Juif er-
rant. [Accomp. de piano.] (In Album lyrique du chant
franqais. Pp. 21-25.) No. 2 in M.IS7.38
Promethee enchaine. Scenes d'apres Eschyle. Paroles de
Leon Halevy. Musique de F. Halevy. Partition pour
piano et chant. Paris. Brandus & cie. [1849.]
No. 2 in M.280.25
La reine de Chypre. Opera en cinq actes. Paroles de M.
de Saint-Georges. Musique de F. Halevy. Partition.
Paris. Schlesinger. [1841?] 3 v. M.40i.ig
Same. Partition piano et chant. Lemoine. M.365.23
Romance. (L'ficlair.) Violin and piano. [Arr. by Henri
Ernst. Full score and separate part for violin.] Boston.
Davenport. 1877. No. 20 in M.357.12
[Le sherif.] Ouverture [et morceaux detaches] de I'opera
Le sherif. [Paroles de M. Scribe. Musique de F. Ha-
levy.] Pour le piano [et chant]. Paris. Schlesinger.
[1839.] 17 parts in I v. M.396.2S
Si la rigueur et la vengeance. Cavatine [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, tome 2, pp.
pp. 22-25.) No. 4 in M.193.21.2
From La Juive.
Le soupqon, Therese, il frappe. Romance [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, tome 2, pp.
46-51.) No. 8 in M.193.21.2
From Le val d'Andorre.
Souvenirs et portraits, fitudes sur les beaux-arts. Paris.
Levy. 1861. M.127.6
Contents. — Origines de I'opera en France. — ■ Britton le Charbonnier.
— • G. Allegri et les Miserere de la chapelle Sixtine. — ■ Frohberger. —
Une lettre de Bourdelot. P. Fontane. — G. Onslow. — A. Blouet.
— D. d'Angers. — P. Delaroche. — A. Adam. — Les arts et Tindustrie.
— Le diapason.
Stehe auf mein holdes Leben. [Mannerchor.] (In Or-
pheus. Band 8, pp. 29, .30.) No. 259 in M.i29a.43.S
La tempesta. Opera en 3 actes, precede d'un prologue.
Paroles de E. Scribe, traduction italienne de Giannone.
Musique de F. Halevy. Partition pour chant avec acct.
de piano. Paris. Brandus & cie. [185-?] M.36.5.31
Das Thai von Andorra. See his Le val d'Andorre.
Les Treize. Opera comique en 3 actes. Paroles de MM. E.
Scribe et Paul Duport. Musique de F. Halevy. Parti-
tion de [chant et] piano. Paris. Schlesinger. [183Q?]
M.292.14
Le trois, le dix et la dame de pique. Romance [b. Accomp.
de piano]. (In Bibliotheque musicale. Serie 2, tome I,
pp. 77-82.) No. 10 in M. 193.21. 1
From La dame de pique.
Le val d'Andorre. Opera comique en 3 actes. Paroles de
M'' de S' Georges. Musique de F. Halevy. Partition
piano et chant. Paris. Lemoine. [185-?] M.36S.25
Same. Das Thai von Andorra. Romantisch-komische
Oper in 3 Akten, nach dem Franzosischen des St. Geor.ges
frei bearbeitet von L. Rellstab. Musik von F. Halevy.
Partitur. Berlin. Bote & Bock. [185-?] M.292.15
The last four pages are in manuscript.
Valentine d'Aubigny. Opera comique en 3 actes. Paroles
de Jules Barbier et Michel Carre. Musique de F. Halevy.
Partition piano et chant. Paris. Heinz. [1856.] M.276.14
Voila le sorcier. Chanson [b. Accomp. de piano]. (In
Bibliotheque musicale. Serie 2, tome I, pp. 60-65.)
From Le val d'Andorre. No. 8 in M.193.21.I
Vous qui du Dieu vivant. Malediction [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, tome i, pp.
37-39) No. 5 in H.igs.ai.i
From La Juive.
523
Halevy
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hall
Halevy, Jacques Frangois Fromental filie, editor.
Gluck. Iphigenie en Aulide. No. 20 in M.356.11
Halevy, Jacques Frangois Fromental filie. Works about.
Catelin, a. F. Halevy. Notice biographique. Paris. 1863.
No. 5 in M.122.38; etc.
Cheve, fi. J. M. Le dernier mot de la science officielle.
Examen des legons de lecture musicale de M. F. Halevy.
Paris. 1857. No. 7 in M.207.17
Ebers, J. J. H. Spohr und Halevy tind die neueste Kirchen-
und Opern-Musik. Breslau. 1837. No. 2 in M.147.3.1
Halevy, L. F. Halevy: sa vie et ses oeuvres. Paris. 1863.
No. I in M. 123.13
MoNNAis, G. £. F. Halevy. Souvenirs d'un ami pour
joindre a ceux d'un frere. Paris. 1863. No. i in M.141.5
Neumann, W. Jacques Fromental Halevy. Eine Biogra-
phie. Cassel. 1855. No. 3 in M.205.18
Halevy, Leon.
Le dilettante d'Avignon. Opera de Hoffmann & Leon
Halevy. Musique de F. Halevy. M.276.1S
F. Halevy: sa vie et ses oeuvres. 2e edition, augmentee.
Paris. Heugel & cie. 1863. Portrait. Facsimiles.
No. I in M. 123.13
Le mari sans le savoir. Opera comique. Paroles de Leon
et Ludovic Halevy. Musique de M^ de Saint-Remy
fpseud.l. No. 2 in M.363.23
Promethee enchaine. Scenes. Musique de F. Halevy.
No. 2 in M.280.2S
Tobie. Poeme lyrique. Musique de Eugene Ortolan.
No. I in M.277.31
Halevy, Ludovic.
Ba-ta-clan. Chinoiserie musicale. Musique de J. Offen-
bach. No. I in M.368.2S
La belle Helene. Opera bouffe. Paroles de Henri Meilhac
et Ludovic Halevy. Musique de J. Offenbach. M.302.13
Same. Fair Helen. A comic opera. Adapted from the
French by Charles Lamb Kenney. Composed by Jacques
Offenbach. M.202.9
Blaubart (Barbe-bleue). Oper. Text nach dem Franzosi-
schen des Meilhac u. Halevy. Musik von J. Offenbach.
M.368.17
La boulangere a des ecus. Opera-bouffe de H. Meilhac et
L. Halevy. Musique de J. Offenbach. M.277.6
Les brigands. Opera-bouffe. Paroles de Henri Meilhac et
Ludovic Halevy. Musique de J. Offenbach. M.277.11
Same. Gems of The brigands. Comic opera [by Meilhac
and Halevy. English] libretto by W. S. Gilbert. Music
by J. Offenbach. No. i in M.402.74
[Carmen. Opera-comique par Meilhac et Halevy. Mu-
sique de Georges Bizet.] M.227.15
Same. The English words by Henry Hersee. The music
by Bizet. M.265.19
La chanson de Fortunio. Opera comique. Paroles de Hec-
tor Cremieux et Ludovic Halevy. Musique de J. Offen-
bach. No. 3 in M.368.13
Le chateau a Toto. Opera bouffe en 3 actes. Paroles de
Henri Meilhac & Ludovic Halevy. Musique de J. Offen-
bach. M.368.19
La diva. Opera-bouffe. Paroles de Henri Meilhac et Lu-
dovic Halevy. Musique de J. Offenbach. M.277.3
Le Docteur Miracle. Opera-comique. Paroles de L. Battu
& L. Halevy. Musique de Charles Lecocq. No. i in M.296.34
Les eaux d'Ems. Operette. Paroles de H. Cremieux & L.
Halevy. Musique de Leo Delibes. No. i in M.295.22
Une fin de bail. Operette. Paroles de Hector Cremieux
et Ludovic Halevy. Musique de A. Varnev.
No. I in M.32S.11
La Grande duchesse de Gerolstein. Opera bouffe. Paroles
de Henri Meilhac et Ludovic Halevy. Musique de J.
Offenbach. M.368.18
L'impresario. Opera bouffe. Paroles de L. Battu et Lud.
Halevy. Musique de Mozart. No. 2 in M.362.19
A French libretto adapted to the music of Mozart's Schauspieldirector.
Halevy, Ludovic. (Continued.)
Janot. Opera. Paroles de H. Meilhac et Ludovic Halevy.
Musique de Ch. Lecocq. M.306.2
Le mari sans le savoir. Opera comique. Paroles de Leon
et Ludovic Halevy. Musique de M^ de Saint-Remy
fpseud.]. No. 2 in M.363.23
L'opera aux fenetres. Operette. Musique de L. Gastinel.
No. 3 in M.368.29
La Perichole. Opera-bouffe. Paroles de Henri Meilhac et
Ludovic Halevy. Musique de J. Offenbach. M.368.8
Le petit due. Opera-comique. Paroles de Henri Meilhac
& Ludovic Halevy. Musique de Charles Lecocq. M.296.31
Same. The little duke. Comic opera by Charles Lecocq.
English vi^ords by Fred Williams and T. R. Sullivan.
No. 2 in M.296.32
La petite mademoiselle. Opera-comique de H. Meilhac &
L. Halevy. Musique de Charles Lecocq. M.296.37
Pomme d'api. Operette de L. Halevy et W. Busnach.
Musique de J. Offenbach. No. 3 in M.368.S
Le pont des soupirs. Opera bouffe. Paroles de Hector
Cremieux et Ludovic Halevy. Musique de J. Offenbach.
M.368.16
La Roussotte. Piece. Paroles de H. Meilhac, L. Halevy et
A. Millaud. Musique de Herve fpseud.], Ch. Lecocq &
M. Boullard. No. i in M.276.26
La vie parisienne. Opera-bouffe. Paroles de Henri Meil-
hac et Ludovic Halevy. Musique de J. Offenbach. M.368.4
Same. La vie. (Meilhac and Halevy.) Opera-bouffe. The
English adaptation by H. B. Farnie. Music by Offen-
bach. M.402.43
Half an hour past twelve. Catch. Marella.
No. 7 in M.1S7.18.1 ; etc.
Half hour lessons in music. Pianoforte instruction. Kotzsch-
MAR. M.376.28
Hall, Alexander Wilford.
The "substantial" and 'wave' theories of sound. Two letters,
by A. Wilford Hall, and Sedley Taylor. London. Mac-
millan & Co. 1891. No. 7 in M.216.18
Hall, Charles King.
The verger. A original vaudeville, written by Walter Frith.
Composed by King Hall. Vocal score [with accomp. for
pianoforte]. London. Williams. [1895.] No. 2 in M.399.7S
The libretto is bound separately at the beginning.
Hall, Coldham.
Far down the ages. [Anthem. Accomp. for organ.] Bos-
ton. Schmidt. [1894. "The lute."] No. 19 in M.203.27
Hall, Edward Vine.
Behold, I bring you good tidings. Anthem for Christmas.
fAccomp. for organ.] (In Novello's Collection of an-
thems. Vol. 14, pp. 210-216.) No. 21 in M.195.2.14
Brightest and best. Anthem for Christmas, [t. solo ajjd
chorus. Accomp. for organ.] (In Novello's Collection
of anthems. Vol. 16, pp. 39-49.) No. s in M.195.2.16
Christ our Passover. Anthem for Easter. TAccomp. for
organ.] (In Novello's Collection of anthems. Vol. ig,
pp. 77-^2.) No. 10 in M. 195.2.15
Come, ye faithful. Anthem for Easter, [t. or s. and b. solo
and chorus. Accomp. for organ.] (In Novello's Collec-
tion of anthems. Vol. 16, pp. 13.V139) No. 16 in M.195.2.16
Praise the Lord, O Jerusalem. Anthem for harvest, fs. or
T. solo and chorus. Accomp. for organ.] (In Novello's
Collection of anthems. Vol. 15, pp. 174-185.)
No. 19 in M.I9S.2.IS
This is the day. Anthem for Easter. [Accomp. for organ.]
(In Novello's Collection of anthems. Vol. 16, pp. 76-85.)
No. 9 in M.195.2.16
When God of old came down. Anthem for Whit-Sunday.
fAccomp. for organ.] (In Novello's Collection of an-
thems. Vol. 16, pp. 166-173.) No. 19 in M.19S.2.16
Hall, G. van. See Wanhal, Johann Baptist.
524
Hall
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hamerik
Hall. Henry.
Te Deum in E flat. fAccomp. for organ.! (In Novello.
Cathedral choir book. Vol. i, pp. 6.!;-74.)
M.233.14.1; No. 27 in M.190.6
Hall, Kins:. See Hall, Charles King.
Hall, Leland Boylston.
Machiavelli. A comic opera in two acts. [Given by the
Hasty Pudding Club of Harvard University.] Book and
lyrics by Guilliaem Aertsen, Jr. Music by Leland B. Hall.
[Vocal score, with piano accomp. Boston. Schlimper.
1905.1 M.399.95
Hall, Maurits Cornells van.
Jubel-Cantate, in muzyk gebragt . . . door J. H. Kufferath.
M.280.5
Hall, Owen, pseud. See Davis, James.
Halle, Sir Charles, editor.
Gluck. Armida. M,272.4i
Orpheus. M.272.40
Halle, Sir Charles. Works about.
Sir Charles Halle. A sketch of his career as a musician.
Manchester. [1890.] No. I in M.208.13
Halleluiah. Louez le Dieu . . . Cantata. For the Music see
Franck, C. A. Psaume CL.
Hallelujah. Anthem. Bevin. No. .so in M.1S7.28.2
BoYCE. No. 46 in M.1S7.28.1 ; etc.
Handel. M.384.28; etc.
Jackson, W., of Exeter. No. 21 in M.221.22.2
Mozart. No. 12 in M.290.33
NoRRis, T. No, 2 in M.220.9.2
Hallelujah dem Herrn. Part-song. Abt, F. Vier vierstim-
mige Mannergesange. No. .^q in M.3g2.i
Hallelujah of the creation. Oratorio. For the Music see
Kunzen.
Hallelujah to the Father. Anthem. Beethoven.
No. I.-? in M.233.I8.2
Hallelujah to the God of Israel. Anthem. Haydn, F. J.
No. 15; in M.221.22.3
Hallen, Andreas.
Die Christnacht. Weihnachtslied. Componirt fiir Sopran-
Solo mit gemischten Chor, und Pianoforte oder Orgel.
Leipzig. Braun. [188-?! No. i in M.391.44
Nordlandskampf. (Styrbjorn Starke.) Von Hugo Tiger-
schiold. Componirt fiir Mannerchor, Bariton Solo und
Orchester oder Klavier von Andreas Hallen. Clavier-.'\us-
zug. Leipzig. Schuberth & Co. [1880?! No. 10 in M.212.6
The text is in German and Swedish.
Rhapsodie (No. i) fiir Orchester. Op. 17. Partitur. Leip-
zig. Kistner. [188-?! No. I in M.338.19
Rhapsodie No. 2 (Schwedische Rhapsodie) fur Orchester.
Op 23. Partitur. Berlin. Raabe & Plothow. [188-?]
No. 2 in M.338.19
Die Todteninsel. Sinfonische Dichtung fiir grosses Orches-
ter. Op. 4.5. Partitur. Berlin. Raabe & Plothow. [1898.!
No. 3 in M.403.49
Walborgsmassa. Romantisk opera i tre akter. Dikt af
Eugen von Enzberg, ofversattning af Axel Klinckow-
strom. Musik af Andreas Hallen. Forkortadt Klaverut-
drug med forbindande te.xt. Stockholm. Lundauist.
[1902.1 No. 2 in M.378.50
Hallervorden, Julie.
Columbus. Dramatische Cantate [Musikl von Albert
Schroder. No. 8 in M.212.1S
Halley, T. G. B.
Ebbing and flowing. [Part-song.l London. Jefferys.
[187-? The choral society.! No. .35 in M.121.3
Fairy voices. [Part-song.! London. Jefferys. [187-? The
choral society.! No. ?, in M.121.3
Good-night to the day. Part-song. London. Jefferys.
[187-? The choral society.! No. 16 in M.121.3
Sunshine. [Part-song.! London. Jefferys. [187-? The
choral society.] No. 26 in M.131.3
Hailing. Part-song. Grieg. Album fiir Mannergesang.
No. 6 in M.203.14; etc.
Hallstrom, Ivar.
Den bergtagna. Bergkonig's Braut. Romantisk opera i S
akter af Frans Hedberg. Musiken af Ivar Hallstrom.
Klaverutdrag med svensk och tysk text. Stockholm.
Lundquist. [1874.! M.22S.3
Halm, Anton, editor.
Dressler, G. XVII Motetten. M.400.13
MoLLER. Joachim von Burck [Pseud.!: Zwanzig deutsche
geistliche vierstimmige Lieder. M.400.11
Halm, Fr., pseud. See Muench-Bellinghausen, Eligius Franz
Joseph, Freiherr von.
Halphen, Fernand Gustave.
Le cor fleuri. Feerie lyrique en un acte. Poeme de
Ephraem Mikhael et A.-Ferdinand Herold. Musique de
Fernand Halphen. Partition, chant et piano. Paris.
Societe nouvelle d'editions musicales. 1904.
No. 3 in M.399.22
Hals Brodrene, publishers.
The Hals Album. A collection of Norse national music,
containing the most popular folk-songs, dances, &c., and
also compositions by various Norse composers. (With
Norse and English words.) Kristiania. Hals. [189-?!
No. 2 in M.384.66
Halt. Song. Schubert, F. P. Sammtliche Compositionen.
M.244.12; etc.
Halt' im Gedachtniss Jesum Christ. Anthem. Bach, J. S.
Werke. Jahrgang 16. M.8040.21.16
Halte, La, au moulin. Opera. For the Music see Ugalde. For
the Libretto see Jardry.
Haltet Wacht! Part-song. Zoellner, C. F.
No. 36 in M.i29a.43.io
Halven, Ernst, editor.
Wagner, W: R. Elsa's Brautzug zum Munster, aus Lohen-
grin. Fiir Orgel. No. 15 in M.414.37
Halvorsen, Johan.
Vasantasena. Suite fiir grosses Orchester aus der Musik
zu demaltindischen Schauspiel. Partitur. Leipzig. Peters.
[1897.1 M.403.SO
Hamal, Jean Noel.
Li Ligeois egagl. Opera en deux actes. (i7.=;7) Paroles
de M. de Fabry. Musique de Jean Noel Hamal. Reduc-
tion pour piano et chant par Jean Theodore Radoux.
Liege. Muraille. [189-?! No. 2 in M.432.20
Hamburg, Germany. Stadtbibliothek.
Katalog der musikalischen Handschriften. [Von! Robert
Eitner. [Hamburg.! 1870. Manuscript. M.371.42
Katalog der Stadtbibliothek (musikalische Abtheilung) in
Hamburg, b. Gedruckte Werke. [Von Robert Eitner.
Hamburg.! 1870. Manuscript. M.37I.44
Pp. 17, 18, 31 and 32 are missing.
Hamburg, Germany. Music.
Meinardus, L. S. Riickblicke auf die Anfange der deut-
schen Oper in Hamburg. Eine Festschrift. Hamburg.
1878. No. Q in M.372.41
Hamer, George Frederick.
Come unto Me. [s. solo and quartet. Accomp. for organ.]
Boston. Schmidt. [1894.! No. 20 in M.203.27
It came upon the midnight clear, [s. solo and chorus.
Accomp. for organ.! Boston. Schmidt. [1894.!
No. 21 in M.203.27
Softlv now the light of day. Anthem, a. solo and quar-
tette. [Accomp. for organ.! Boston. White-Smith
Music Publishing Co. [1894.I No. 22 in M.203.27
Watch ye and prav. [Anthem. Accomp. for organ.! Bos-
ton. Schmidt. [1894.I No. 23 in M.203.27
While shepherds watched, [a. solo and quartette or chorus.
Accomp. for organ.! Boston. Schmidt. [1894.I
No. 24 in M.203.27
Hamerik, Asger.
Christliche Trilogie. Fiir Bariton-Solo. Chor und Orches-
ter. Op. 31. Partitur. Leipzig. Breitkopf & Hartel.
ri883.] M.403.SI
525
Hamerik
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hamma
Hamerik, Asger. (Continued.)
Concert-Romanze, fiir Violoncell und Orchester od. Piano-
forte. Op. 27. Orchester Partitur. Offenbach a. M.
Andre. [188-?] No. i in M.338.20
Erntetanz (Harvest dance, Hostdans,) fiir Frauenchor und
Orchester. Musik und Text von As.^er Hamerik. Op.
.■?7. Partitur. Leipzig. Breitkopf & Hiirtel. iSgS-
The words are in German, English and Danish. No. I in M.380.27
Judische Trilogie. Fiir Orchester. Op. 19. Partitur.
Leipzig. Breitkopf & Hartel. fi87-?l No. I in M.345.13
May dance. A quartet, fs. s. a. a. Accomp. for pianoforte.]
(In Novello's Collection of trios, etc. Vol. 6, pp. 36-53.)
No. 4 in M.204.36.6
Nordische Suite, [ite-]4te, fiir Orchester. Op. 22-26. Par-
titur. Leipzig [etc.]. Breitkopf & Hartel [etc. 187-?].
.S V. in 3. M.345.12
Contents. — I. Suite i, 2. a. Suite 3, 5. 3. Suite 4.
Oper ohne Worte. Opera sans paroles, fiir das Pianoforte.
Op. 30. Ausg. fiir Orchester. Offenbach a. M. Andre.
[1883.] No. 2 in M.338.20
Prelude du 4^^ acte de I'opera Fovelille. Soir d'ete dans les
forets. Scene d'amour. Op. 12. Partition. Offenbach
a. M. Andre. [187-?] No. 2 in M.34S.15
Den rejsende. Fantastisk musikkomedie. fKlaveeruddrag.]
Wien. Levvfy. [187-?] No. 2 in M.391.41
Symphonic lyrique, no. 3, E dur, pour orchestre. Op. 33.
Partition. Offenbach a. M. Andre. [i88-?l
No. I in M.345.1S
Symphonie majestueuse, ut majeur, no. 4. Op. 35. Parti-
tion. Offenbach a. M. Andre. [188-?] M.345.16
Symphonie poetique, no. I, F dur, pour orchestre. Op. 2g.
Partition. Offenbach a. M. Andre. [187-?]
No. 2 in M.34S.I3
Symphonie serieuse, Nr. s, in G moll, fiir Orchester. Op.
.36. Partitur. Leipzig. Breitkopf & Hartel. 1893.
No. I in M.404.SO
Ss^mphonie spirituelle, G dur. No. 6, fiir Streichorchester.
Op, 38. Partitur. Leipzig. Breitkopf & Hartel. 1897.
No. 2 in M.404.SO
Symphonie tragique, no. 2, C moll, pour orchestre. Op. 32.
Partition. Offenbach a. M. Andre. [188-?] M.345.14
La Vendetta. Die Blutrache. Lyrisches Drama in 5;
Scenen. Text und Musik von Asger Hamerik. Clav.
Auszug. Offenbach a. M. Andre. [187-?] No. 2 in M.3gi.46
Hamerling, Robert.
The bride. A cantata. Composed by A. C. Mackenzie.
No. 2 in M.247.8
Die sieben Todstinden. [Musik] von Adalbert v. Gold-
schmidt. M.18.1; etc.
Same. The seven death-sins. A musical allegory, by Adal-
bert von Goldschmidt. Poem by Robert Hamerling. The
English version by John P. Jackson. London. Elzevir
Press. 1878. M.I03.I3
Words only.
Hamilton, Baillie. See Hamilton, James Baillie.
Hamilton, Cosmo.
The belle of Mayfair. A musical comedy. Book by Chas.
H. E. Brookfield and Cosmo Hamilton. Music by Leslie
Stuart fpseud.]. M.240.1
The catch of the season. A musical comedy. Book by Sey-
mour Hicks and Cosmo Hamilton. Music by Herbert E.
Haines and Evelyn Baker. M.399.92
Hamilton, Edward.
The Lord is my Shepherd. Quartette, with accomp. for
organ or pianoforte. Boston. Reed. 1847.
No. 9 in M.29o.g.i
The sanctus: a collection of church music. Boston. Phil-
lips. Sampson & Co. ri8.=;7.] M.100.29
Hamilton, Henry.
The Duchess of Dantzic (Sans-Gene). A romantic light
opera. Composed by Ivan Caryll fpseud.]. M.397.13
The school girl. A musical play. Book by Henry Hamil-
ton and Paul Potter. Music by Leslie Stuart fpseud.].
M.397.64
526
Hamilton, Henry, translator.
Messager. The little Michus. M.396.70
Hamilton, James Alexander.
Second edition of Hamilton's Catechism of the organ . . .
With an introduction, and list of the principal organs, by
Joseph Warren. London. Cocks & Co. 1842. M.iogb.ii
Hamilton, James Alexander, translator.
Cherubini. a course of counterpoint and fugue. M.116.12
Hamilton, James Baillie.
The vocalion. [Various circulars. New York? i884-l
No. I in M.I32.5
Hamilton Tighe. Cantata. For the Music see Fox. For the
Libretto see Barham, R. H.
Hamlet. Incidental music. Henschel, G. M.403.69
TcHAiKovsKi, P. L M.3S6.32
Hamlet. Opera. For the Music see Hignard; also Thomas,
C. L. A. For the Text see Shakespeare; also Carre, M.;
also Grimaldi.
Hamlet. Overture. Gade. No. 3 in M.345.45
Joachim. No. 2 in M.352.1
Tanieev. M.411.15
TcHAiKOVSKi, P. I. No. 2 in M.343.1
Hamlet. Symphonic poem. Liszt. No. 3 in M.344.7
MacDowell. No. i in M.334.10
NiCHOLL. No. 5 in M.342.21
Hamlet, or the sport, the spook, and the spinster. Opera. For
the Music see Atherton. For the Libretto see Batchelder.
Hamlin, Charles Eugene.
Nicolette. A romantic comic opera. Based upon the old
French romance of Aucassin and Nicolette. Book by
R. A. Barnet. Music and lyrics by Charles Eugene Ham-
lin. [Score for voice and pianoforte.] Boston. White-
Smith Music Publishing Co. 1902. No. 3 in M.382.12
Hamm, Ernest.
i^'' Hussards! Operetta monologue. Paroles de Ordonneau
& Hamm. Musique de Leon Vasseur. No. 2 in M.325.21
Hamm, Johann Valentin.
Das arme Herz. Lied fiir eine Baryton oder hohe Bass-
stimme, mit Begleitung des Pianoforte. Erfurt. Bar-
tholomaus. [185-?] No. 6 in M.236.6
Hamma, Benjamin.
Abendruhe. [Mannerchor. Leipzig. Leuckart. 186-?
Abt. Deutsche Sangerhalle.]
No. 41 in H.392.24; No. 7 in M.392.42.1
Alma Redemptoris. [Motet. Accomp. for organ.] New
York. Gordon. 1892. No. 8 in 11.158.32
Ave Regina. [Motet. Accomp. for organ.] New York.
Gordon. 1892. No 9 in 11.158.32
Evening rest. [Part song, T. T. B. B.] (In Chickering col-
lection. Vol. 2, pp. S 7-60.) No. 29 in M.293.48.2
Gebet deutscher Krieger. (Klopstock. Geibel.) Fiir Man-
nerchor und Instrumentalbegleitung, componirt . . . von
B. Hamma. Klavierauszug. Schleusingen. Glaser. [186-?]
No. I in M.270.45
Gute Nacht. [Mannerchor.] (In Abt. Deutsche Sanger-
halle. Vol. I, pp. SO. 60.) No. 20 in M.392.42.1
Regina coeli. [Motet. Accomp. for organ.] New York.
Gordon. 1892. No. 10 in M.IS8.32
Salve Regina. [Motet. Accomp. for organ.] New York.
Gordon. 1892. No. 11 in M.i.58.32
Schwiibisches Volkslied [t. t. b. b.]. (In Abt. Leichte
Miinnerchore. Heft 12, pp. 7-9-) No. 71 in M.246.22
Tantum ergo, in A. [Motet. Accomp. for organ.] New
York. Gordon. 1892. No. 12 in M.IS8.32
Tantum ergo, in Bb. [Motet. Accomp. for organ.] New
York. Gordon. 1892. No. 13 in M.IS8.32
Hamma, Benjamin, editor.
Was hab' ich denn meinem Feinsliebchen gethan? Infi-
delity. [Mannerchor.] Volksweise bearbeitet. Berlin.
Luckhardt. [1889. Sammlung leichter und beliebter
Mannerchore.] No. .39 in M.392.24
Hamma, Franz Xaver.
Deutsche Nationalhymne. [t. t. b. b.] (In Abt. Deutsche
.Sangerhalle. Vol. i, pp. 104-106.) No. .36 in M.3g2.42.i
Hammer
THE ALLEN A. BROWN COLLECTION OF MUSIC
Handel
I
Hammer, The, was up. Catch. Hayes, W.
No. 78 in M.220.g.i ; etc.
Hampden County Musical Association, Springfield, Mass.
Musical festival, 4th. Springfield. i8g2. Portraits.
No. 2 in M.373.51.3
Same. sth. i8g.3. No. 9 in M.37S.2
Hampton, Charles Edward, translator.
Beethoven. The calm of the sea & rising breeze.
No. 2 in M.270.10
Hampstead Conservatoire of Music, London.
New prospectus. fLondon. 1885.] No. 7 in M.373.30
Hanchett, Henry Granger.
Teaching as a science. An address before the Music Teach-
ers' National Association, Buffalo, July, 1880, and other
[musical] essays. New York. Schirmer. 1882.
No. 2 in M.13S.2
Hand, Ferdinand Gotthelf.
.5:sthetics of musical art. Translated by Walter E. Law-
son. Book I. 2d edition. London. Reeves. 1880.
M.101.35
Hand, Moreton.
The use of non-teaching musical institutions. London.
Simpkin, Marshall, Hamilton, Kent & Co. TiSgo.l
No. II in M.216.18
Hand in hand. Glee. Cooke, B. No. 12 in M.220.3.4;etc.
Handel, Georg Friedrich.
Werke. Ausgabe der Deutschen Handelgesellschaft. fPar-
titur. Herausgegeben von F. Chrysander.] Lieferung
1-48, .'50-94. Leipzig. Breitkopf & Hartel. ri85;8-i903.]
Qt, V. in 71. M.313.1
Contents. — I. Susanna. 2. Pieces pour le clavecin : Suites de pieces
pour le clavecin, ist, 2d, 3d collection; Si.x fugues, or voluntaries. 3.
Acis and Galatea. 4. Hercules. 5. Athalia. 6. L'allegro, II pensieroso
ed II moderate. 7. Semele. 8. Theodora. 9. Passion nach dem Evang-
Johannes. 10. Samson. 11. Trauerhymne auf den Tod der Konigin
Karoline. 12. Alexander's Fest, oder die Macht der Tonkunst. 13. Saul.
14 [bound with Lief. 11]. Kronungshymnen fur Konig Georg II. 15
[bound with Lief. 9]. Passion nach B. H. Brockes. 16. Israel in Aegyp-
ten. 17. Joshua. [Two copies, one of which has a German title-page and
preface.] 18 [bound with Lief. 3]. Die Wahl des Herakles. 19. Bel-
sazar. 20. Sieg der Zeit und Wahrheit. 21. Instrumental-Concerte.
Sammlung i : No. i. B dur, G moll, fur 2 Violinen, 2 Oboen, 2 Floten,
2 Violen, 2 Fagotte, Basso continuo; No. 2. B dur, fiir 4 Violinen, 2
Oboen, Viola, 2 Violoncelle, Basso continuo; No. 3. G dur, fiir 3 Vio-
linen, Flote Oder Oboe, Alto Viola und Basso continuo; No. 4. F dur,
fiir 2 Violinen, 2 Oboen, Viola, Fagott, Basso continuo ; No. 5. A moll,
fiir 2 Violinen, 2 Oboen, Viola, Violoncell, Basso continuo; No. 6. A
dur, A moll, fur 2 Violinen, 2 Oboen, Viola, Fagott, Violoncell, Organo.
— Concerto grosso, C dur, fiir 4 Violinen, 2 Oboen, Viola, Violoncell,
Basso continuo. — 4 Concerti : No. i. A dur, fiir 2 Violinen, Oboe solo,
Viola, Basso continuo ; No. 2. B dur, a. fiir 2 Violinen, Oboe solo.
Basso continuo; b. fiir 2 Horner, 2 Violinen, 2 Oboen, Viola ad libitum.
Basso continuo ; No. 3. G moll, fur Oboe solo, 2 Violinen, Viola, Bass
und Cembalo ; No. 4. B dur, fiir Violine solo, 2 Violinen, 2 Oboen,
Viola, Basso continuo. 22. Judas Maccabaus. 23. Cacilien-Ode. 24. II
trionfo del Tempo e della Verita. 25. Dettinger Te Deum. 26. Solomon.
27. Sonate da camera: 1. Fifteen solo sonatas; 2. Six sonatas for two
oboes and bass; 3. Nine sonatas for two violins, &c., and bass; 4. Six
sonatas for 2 violins, &c., and bass. 28. 12 Orgel-Concerte [mit Or-
chester-Begleitung]. 29. Debora. 30. 12 grosse Concerte [fiir Streich-
orchester]. 31 [bound with Lief. 25]. Utrechter Te Deum und Jubilate.
32. Italienische Duette und Trios [mit Begleitung von Pianoforte und
Bass] : i. Sono liete fortunate [s. A.] ; 2. Troppo cruda [s. A,] ; 3. Che
vai pensando foUe pensier [s. A.] ; 4. Amor gioie mi porge [s. A.] ; 5.
Va, va, speme infida pur [s. s.] ; 6. A mirarvi io son intento [s. A.] ;
7. Quando in calma ride il mare [s. B.] ; 8. Tacete, ohime [s. B.] ; 9.
Conservate raddoppiate [s. a.] ; 10. Tanti strali al sen mi scocchi
[s. A.] ; II. Langue, geme, sospira [s. a.] ; 12. Caro antor di mi dolce
pena [s. s.] ; 13. Se tu non lasci amore [s. a.] ; Se tu non lasci amore
ts. A. B.] ; Quel fior che all' alba ride [s. a. b.]. 33. Alexander Balus.
34-36. Anthems [mit Orchester Begleitung] ; Vol. i: i. O be joyful in
the Loid; 2. In the Lord put I my trust; 3. Have mercy upon me; 4.
O sing unto the Lord a new song; 5 a, b. I will magnify Thee ; 6 a, b, c.
As pants the hart for cooling streams. Vol. 2. Psalmen : 7. My song
shall be alway; 8. I [O] come let us sing unto the Lord; 9. O praise
the Lord with one consent. 10. The Lord is my light; 11 a, b. Let God
arise. Vol. 3. 12. O praise the Lord ye angels of his; 13. Wedding
anthem. This is the day which the Lord has made; 14. Wedding an-
them. Sing unto God, ye kingdoms of the earth. 15. Dettingen anthem.
The King shall rejoice in Thy strength, O Lord. 16. Anthem for the
Foundling Hospital. Blessed are they that consider the poor. Appen-
dix. Anthem. 4 a ; 6 d. 37. Three Te Deums [in D, Bb, A]. 38. Latei-
nische Kirchenmusik ; Laudate pueri [s., 2 Violinen und Bass] ; Laudate
pueri [s. s. a. t. b., 2 Violinen, 2 Oboen, 2 Viole und Basso con- |
Handel, Georg Friedrich. (Continued.)
tinuo] ; Dixit Dominus [s. s. A. T. B., 2 Violinen, 2 Viole und Basso
continuo] ; Nisi Dominus [s. s. a. t. b., 2 Violinen, 2 Viole und Basso
continuo] ; Salve Regina [s., Violinen und Bass] ; Silete, venti [s..
Oboe, 2 Violinen, Viola, Fagotte. Violoncell und Bass] ; AUeluja amen
[s. und Basso continue]. 39. La Resurrezione. 40. Esther, erste Bear-
beitung. 41. Esther, zweite Bearbeitung. 42. Joseph. 43. Gelegenheits-
Oratorium [Occasional oratorio]. 44. Jephtha. 45. Messias. 46a. Ode
fiir den Geburtstag der Konigin Anna [Birthday-ode for Queen Anne],
46b. Musikalische Scenen zu dem englischen Drama Alceste. 47. In-
strumental-Musik fur grosses Orchester. Wassermusik, Feuerwerks-
musik, Concerte und Doppelconcerte. 48. Verschiedener Instrumental-
Werke. i. Orgel-Concerte: I. (F dur) ; II. (A dur) ; III., IV., V., VI.
(Fremdes Arrangement) ; D moll (fur Organo i & 2) ; D moll; F dur.
2. Orchester- und Kammermusik : Ouverture dell' opera Oreste ; Ouver-
ture deir opera Alessandro Severe; Ouverture in B ; Sonata di viola da
gamba e cembalo concertato : Sonata VI. (mit Orgel) ; Drei Sonaten,
XVI., XVII., XVIII.; Sinfonie diverse; Hornpipe. 3. Klaviermusik
und Cembalo-Bearbeitungen: Klavierbuch aus der Jugendzeit; Partita,
A dur; Sechs klelne Fugen ; Lesson, D moll; Overture in Pastor Fido,
for harpsichord ; Aria, "Dolce bene," in Radamisto for harpsichord ;
Aria, "Vo* far guerrS," in Rinaldo, with Handel's harpsichord
accompaniments ; Wm. Babell's Rinaldo arrangements. 49. [Not
published.] 50. Cantate a voce sola e basso, libro I: Ah! che pur
troppo e vero [s.] ; Allor ch'io dissi addio [s.] ; Aure soave e liete
[s.] ; care selve, aure grate [s.] ; Chi rapi la pace al core? [s.] ; Clori,
degli occhi miei [a.] ; Clori, ove sei? [s.] ; Dalla guerra amorosa [b.] ;
Da sete ardente afflitto [s.] ; Deh! lasciate e vita e volo [a.] ; Del bell'
idolo mio [s.] ; Dimmi, o mio cor [s.] ; Dite, mie piante [s.] ; Dolce
mio ben, s'io taccio [s.] ; Dolce pur d'amor I'affanno [a., in Eb] ; Same
[s., in G] ; E partirai, mia vita? [s., 2 settings] ; Figli del mesto cor
[a.] ; Filli adorata e cara [s.] ; Fra pensieri quel pensiero [a.] ; Fra
tante pene [s.] ; Irene, idolo mio [a.] ; La solitudine [a.] ; Lungi dal
mio bel Nume [s., 2 settings] ; Lungi da me, pensier tiranno [a.] ;
Lungi da voi che siete poll [a.] ; Lungi n'ando Fileno [s.] ; Manca pur
quanto sai [s.] ; Mentre il tutto e in furore [s.] ; Menzognere speranze
[s.] ; Mi palpita il cor [a.] ; Same title [s., a different setting] ; Net
dolce tempo [a.] ; Nell' africane selve [b.] ; Nella stagion che, di viole
e rose [s.] ; Ne' tuoi lumi, o bella Clori [s.]. 51. Same, libro 2: Nice
che fa? che pensa? [s.] ; Ninfe e pastori [s., in G minor] ; Same [a., in
D minor] ; Non sospirar, non piangere [s.] ; Occhi miei, che faceste?
[s.] ; O lucenti, o sereni occhi [$.] ; O Numi eterni [s.] ; Parti, I'idolo
mio [s.] ; Poiche giuraro amore [s.] ; Qualor, crudele si ma vaga Dori
[a.] ; Qualor I'egre pupille [s.] ; Quando sperasti, o core [s.] ; Sarai
contenta un di [s.] ; Sarei troppo felice [s.] ; Sei pur bella pur vezzosa
[s., 2 settings] ; Sento la che ristretto [a., in G minor] ; Same [s., in
C minor] ; Se pari e la tua fe [s., two slightly different editions] ; Se,
per fatal destino [s.] ; Siete rose rugiadose [a.] ; Solitudini care, amata
liberta [s.] ; II gelsomino [s] ; Stance di piti soffrire [a.] ; Stelle, per-
fide stelle! [s.] ; Torna il core a! sue diletto [s.] ; Udite il mie con-
siglie [s.] ; Un sespir a chi si muore [s.] ; Vedende amor [a,] ; Venne
veglia ad Amore [a.] ; Zeffiretto, arresta il vole [s.] ; He fuggito
Amore anch'io [a.]. 52a. Cantate cen stromenti, Ne. 1-15: i. Ah I
crudel, nel piante mio [s.] ; 2. Alpestre mente [s.] ; 3. Aminta e Fillide
[s.] ; 4. Frammento d'una cantata probabilmente scritta in onore di
Carle VI., Imperadore di Germania [s. a. b.] ; 5 cantate in lode di
Santa Cecilia, frammento [a.] ; 6. Cantata in lode di Santa Cecilia
[s. T.] ; 7. Cantata in lode di Santa Cecilia, frammento [a.] ; 8. Can-
tata inglese in lode di Santa Cecilia [t.] ; 9. Clori, mia bella Clori [s.] ;
10. Crudel tiranno Amor [s.] ; 11. Cuopre tal volta il cielo [b.] ; 12.
Delirie amoroso [s.] ; 13. Armida abbandonata [s.] ; 14. Agrippina con-
dotta a morire [s.] ; 15. Figlio d'alte speranze [s.]. S2b. Cantate con
stromenti, No. 16-28: 16. Apollo e Dafne [s. B.] ; 17. Pensieri notturni
di Filli [s.] ; 18. Cantata spagnuola a voce sola [s.] e chitarra ; 19. O
come chiare e belle [s. s. A.] ; 20. Spande ancer a mio dispetto [b.] ;
21. Tra le fiamme tu scherzi per gieco [s.] ; 22. Tu fedel? tu costante?
[s.] ; 23. Un' alma innamorata [s.] ; 24. Clori, Tirsi, Fileno, cantata a
tre [s. s. A.] ; 25. Chi ben ama non paventa, frammento [s.] ; 26. Ah!
che troppo ineguali, frammento [s.] ; 27. Mi palpitar il cor, frammento
[s.] : 28. Languia di bocca lusinghiera, frammento [s.]. 53. Aci, Gala-
tea e Polifemo. 54. II Parnasse in festa, serenata. 55. Almira, opera.
56. Redrige, opera. 57. Agrippina, opera. 58. Rinaldo, opera. 59. II
pastor fide, opera. 60. Teseo, opera. 61. Silla, opera. 62. Amadigi,
opera. 63. Radamisto, opera. 64. Muzio Scevela, opera, atto terzo. 65.
Floridante, opera. 66. Ottone, opera. 67. Flavio, opera. 68. Giulio
Cesare, opera. 69. Tamerlano, opera. 70. Rodelinda, opera. 71. Scipi-
one, opera. 72. Alessandro, opera. 73. Admeto, opera. 74. Riccardo,
opera. 75. Siroe, opera. 76. Tolomeo, opera. 77. Letario, opera. 78.
Partenope, opera. 79. Pore, opera. 80. Ezio, opera. 81. Sosarme, opera.
82. Orlando, opera. 83. Arianna, opera. 84. Terpsichore, prologo, e la
secunda versione del opera II pastor fido. 85. Ariodante, opera. 86.
Alcina, opera. 87. Atalanta, opera. 88. Giustine, opera. 8g. Arminio,
opera. 90. Berenice, opera. 91. Faramonde, opera. 92. Serse, opera.
93, Imeneo, opera. 94. Deidamia, opera.
Acis and Galatea. A serenata composed by G. F. Handel,
with additional accompaniments by W. A. Mozart.
Edited by Berthold Tours. Full score. London. No-
vello. Ewer & Co. 1x881. 1 M.402a.i4
Same. Arranged for the piano-forte or organ by John
Clarke. London. Jones & Co. 1835. No. 2 in M.241.36
527
Handel
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Handel
Handel, Georp: Friedrich. (Continued.)
Air varie du Xlle concerto. Transcription pour orchestre
fviolon I, 2; alto; violoncelle. Paris. 187-? Gevaert.
Transcriptions pour orchestre]. No. 13 in M.343.48
Alexander. An opera. Compos'd by Mr. Handel. [Words
in Italian by Paolo Rolli. Full score.] London. Bluer.
[1726?] Engraved title-page. M.366.4
Alexanders Fest oder die Gewalt der Musik. Eine grosse
Cantate aus dem Englischen des Dryden iibersetzt von
C. W. Ramler. In Musik gesetzt von G. F. Handel, mit
neuer Bearbeitung von W. A. Mozart. Partitur und Kla-
vierauszug. Theil i, 2. Leipzig. Kiihnel. [182-?] 2 v.
in I. M.400.30
Same. Alexander's feast. Ode, in vocal score. Edited, and
the organ or pianoforte accomp. arranged by Vincent
Novello. Octavo edition. London. Novello, Ewer & Co.
ri87-?]
M.IS3-27
Allegro, air & final fsic] de Haendel. [Extrait du Xlle
concerto pour instruments a cordes. Transcrit pour har-
monium par Alex. Guilmant.] Paris. Schott. [187-?]
No. 3 in M.414..35
L'allegro, II pensieroso ed II moderato. Oratorische Com-
position von Georg Friedrich Handel. TGedicht nach
Milton und Charles Jennens.] Mit ausgefiihrtem Accom-
pagnement bearbeitet von Robert Franz. Partitur. Leip-
zig. Leuckart. [1872.] Portrait. M.401.20
Same. With the additional songs. fFull score. Edited with
accomp. for piano, by Ignatz Moscheles.] London.
Cramer, Beale & Co. 184,^, 44- [Handel Society. The
works of Handel.] M.242.1
Alma del gran Pompeo, recit., and Piangero, aria fs. or t.]
from Giulio Cesare. [Accomp. for pianoforte.] (In Musi-
cal library. Vol. 3, PP. 61-63.) No. iq in M.235.18.3
Almira. Singspiel in 3 Handlungen von G. F. Handel. Fiir
die historischen Opernabende des Hamburger Stadtthea-
ters bearbeitet von J. N. Fuchs. Clavier-Auszug. Leip-
zig. Kistner. [1878.] No. I in M.393.2S
The libretto is by Friedrich Christian Feustking.
Amor gioie mi porge. Duet [s. s. Accomp. for pianoforte].
(In Musical library. Vol. 4. PP- iSO-i.'i.'^.)
No. 52 in M.235.18.4
Andante et menuet du IVe concerto. Transcription pour
orchestre. [Partition. Paris. 187-? Gevaert. Tran-
scriptions pour orchestre.] No. 9 in M.343.48
Angel of charity. [Air, s., and chorus. Accomp. for organ.]
(In Handel and Haydn Society Collection of sacred
music. Vol. 3, pp. 97-100.) No. 16 in M.221.22.3
Angels ever bright and fair. Recitative and air [s.] from
Theodora. [Accomp. for organ.] (In Ayrton. Sacred
minstrelsy. Vol. 2, pp. 96, 97-) No. 30 in M.290.22.2
Arm, arm, ye brave. Air [b.] and chorus. [Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. i, pp. 90-97.) No. 22 in M.221.22.1
Atalanta. An opera. [Words in Italian only by Apostolo
Zeno.] Compos'd by Handel. [Full score.] London.
Walsh. [17.36?] M.292.19
Athalia. [Oratorio. Vocal score.] Arranged for the
organ or pianoforte, by John Clarke. London. Surman.
[1845.] M.241.40
Awake the trumpet's lofty sound. Chorus. [Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. 4, PP. 147-1.S2.) No. 14 in M.221.22.4
Awful, pleasing being. Air [.\. or b.\r.] from Joshua. [Ac-
comp. for organ.] (In Ayrton. Sacred minstrelsy. Vol.
2, pp. 114-116.) No. 4,T in M. 290.22. 2
The beauties of Handel, consisting of upwards of 150 of his
songs, duets & trios, . . . arranged with a separate ac-
comp. for the piano forte ... by Jos. Corfe. London.
Preston. [179-?] 3 v. Portrait. M.221.24
These selections are for solo voices unless otherwise stated.
Coiilenls. — I. Awful, pleasing being, say. — Ye sacred priests. — An-
gels ev<r bright and fair. — Joys in gentle, duet. — Where e'er you
walk. — O fairest, duet. — Come, ever smiling liberty. — -O Lord, whose
mercies. — Happy pair. — Disdainful of danger, trio. — Come thou
Handel, Georg Friedrich. (Continued.)
goddess. — Breathe soft, ye gales. — Watchful angels. — Ah! wretched
Israel. — Shall I in Mamre's fertile plain. — ■ Tears such as tender
fathers shed. — Come, divine Inspirer. — Fell rage. — My breast with
tender pity swells. — From this dread scene, duet. . — Pious orgies. —
Ev'ry day will I give thanks. — Convey me to some peaceful shore. —
Guardian angels. — In sweetest harmony. — Beneath the vine. — What
tho' I trace. — Thus saith the Lord. — The prince unable to conceal
his pain. — He was eyes unto the blind. — He chose a mournful muse.
— Softly sweet. — Thou shalt bring them in. — Hide me from day's
garish eye. — Gentle airs. — Oft on a plaf of rising ground. — Lord,
remember David. — O come, let us worship. — For ever blessed. —
Comfort ye my people. — Lord, to Thee. — • Nations who in future
story. — When the ear heard him, quartet. — But oh, what art can
teach. — Hark 'tis the linnet. — Our limpid streams, duet. — Happy
they. — Deeper and deeper still. — Oh, had I Jubal's lyre. — O liberty.
— Wise men, flatt'ring. — How willing my paternal love. — To my
chaste Susanna's praise, duet. — Kind heaven. 2. Chastity, thou cherub
bright. — Thou didst blow. — Pleasure, my former ways. — O sacred
oracles. — Father of heaven. — Heart, the seat of soft delight. — Love
in her eyes. — As steals the morn, duet. — Yet can I hear that dulcet
lay. — He shall feed His flock. — Praise the Lord with cheerful noise.
— He was despised. — Thy rebuke. — Behold and see. — But Thou
didst not leave his soul. — How beautiful are the feet. — I know that
my Redeemer liveth. — See, the conquering hero comes, chorus. ^
Jehovah is my shield. — Here amid the shady woods. — Let me wander,
not unseen. — Oh let the merry bells ring round. — ■ Holy, holy. —
What passion. — What's sweeter than the new blown rose, duet. —
He was brought as a lamb. — Celestial virgin, duet. — If guiltless blood.
— ■ Sing songs of praise. — ■ The smiling dawn. — • Tune your harps. —
Total eclipse. — The flocks shall leave the mountains, trio. — Sin not,
O king. — Blooming virgins. — I'll proclaim. — Let the bright sera-
phim. — There the brisk sparkling nectar. — O lovely peace, duet. —
Return, O God of hosts. — O sleep, why dost thou leave me. — Who
calls my parting soul, duet. — O beauteous queen. — Oh, never bow
we down, duet. — Turn Thee, O Lord, duet. — O magnify the Lord.
— Beneath the cypress. 3. Rejoice, O daughter of Sion. — He layeth
the beams. — Their sound has gone out, quartet. — For behold, dark-
ness shall cover the earth. — Thus saith the Lord. — But who may
abide. — Thus when the sun. — Thou sittest at the right hand of God,
trio. — Thou art the King of glory. — When Thou tookest upon Thee.
— Vouchsafe, O Lord. — O Lord in Thee have I trusted. — O what
pleasures past expressing, duet. — Powerful guardians. — O Mithra,
with thy brightest beams. — Hail, wedded love, duet. — Through the
land. — O godlike youth. — O sing unto the Lord, solo and chorus. —
Wash me throughly, duet. — O worship the Lord, duet. — Behold, I
tell you a mystery. — Sweet rose and lily. — Jehovah, to my words
give ear. — Then will I Jehovah's praise. — Ev'ry joy that wisdom
knows, duet. — I rage. — Love sounds the alarm. — Hush, ye pretty,
warbling quire. — Consider, fond shepherd. — Arm, arm ye brave. —
Sound an alarm. — ■ The Lord is a man of war, duet. — Constant lovers.
— Daughter of gods. — Bacchus ever fair and young. — Revenge,
Timotheus cries. — Thais led the way. — But Oh! sad virgin. — Sweet
bird. — Mirth, admit me to thy crew. — Come pensive nun. — Mount
Lebanon, duet.
Blessed art Thou. Anthem. [Accomp. for organ.] (In
Turle and Taylor. The People's music book. Vol. 2, pp.
169-174.) No. 39in M.iii.4.2
Blessed be the power. [Air, s. and chorus. Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. I. p. 76.) No. 18 in M.221.22.1
Also to be found in Turle and Taylor's The People's music book.
But Thou didst not leave his soul in hell. Air [t. or s.]
from the Messiah, [Accomp. for organ.] (In Ayrton.
Sacred minstrelsy. Vol. i, pp. 139-141.)
No. 49 in M.290.22.I
But who may abide. Recitative and air [a. or bar.]. Ar-
ranged fror« the score, with an accomp. for the piano
forte, by Wm. Horsley. London. Cramer, Addison &
Beale. [183-?] No. ■; in M.236.16
Care! bella! Duetto, [s. t. Accomp. for organ.] (In Mu-
sical library. Vol. 3> PP- .12-35.) No. 11 in M.23S.18.3
Le loonie Psaume. Terre, benis le Seigneur! (Jubilate Deo.
omnis terra, servite Domino). Traduction francaise de
M. Ch. Nuitter. Mis en musique par G. F. Haendel.
Manuscript. [18=;-?] M.403..S2
Come, ever smiling liberty. Song [t. t. b.] (In Social har-
mony. Pp. 26. 27.) No. 19 in M.2i.';.2i
Same. [Duet and chorus, s. a. t. b. Accomp. for organ.?
(In Handel and Haydn Society Collection of sacred
music. Vol. 2, pp. 120-124.) No. 22 in M.221.22.2
Comfort ye, recitative; and Every valley, air, from the Mes-
siah. [Accomp. for organ.] (In Ayrton. Sacred min-
strelsy. Vol. I. pp. 76-80.) No. 28 in M.29o.22.r
528
Handel
THE ALLEN A. BROWN COLLECTION OF MUSIC
Handel
Handel, Georg Friedrich. (Continued.)
Concert, D diir, fur Streichorchester, 2 obligate Violinen
und obligates Violoncell . . . Bearbeitet von Gustav F.
Kogel. rPartitur.l Leipzig. Peters. [1897.1
No. I in M.403.S3
Concert, D moll, fiir Streichorchester, 2 obligate Violinen
und obligates Violoncell . . . Bearbeitet und genau be-
zeichnet von Gustav F. Kogel. [Partitur.] Leipzig.
Peters. [188-?] No. 4 in M.342.3
Concert (G moll) ... fur Streichorchester, 2 obligate Vio-
linen und obligates Violoncell . . . Bezeichnet und mit
einer Schluss-Cadenz versehen von Ferdinand David.
Partitur. Leipzig. Senff. fi86-?] No. 3 in M.342.3
Concerto grosso, Zweites, in F dur, von G. F. Handel . . .
eingerichtet von Hermann Kretzschmar. Partitur. Leip-
zig. Breitkopf & Hartel. 1898. No. 2 in M.403.53
Concerto, 4™"=, pour le pianoforte ou orgue, avec accomp. de
2 violons, alto, basse et 2 hautbois. Partition. fOp. 4.]
Manuscript. [184-?! No. 6 in M.3I2.IO
[Deborah.] Handel's oratorio, Deborah, in vocal score,
with a separate accomp. for the organ or piano forte, by
Vincent Novello. London. Novello. [184-?] Engraved
title-page. M.241.43
[Dove sei amato bene.] The favourite song from the opera
of Rodelinda. [a. Accomp. for orchestra.] London.
Randall. [178-?] No. 3 in M.400.36
Same. [Accomp. de piano.] (In Fleurs d'ltalie. Pp. 62,
6.S.) No. 2 in M.364.10
Also to be found in Lira d'ltalia.
Er sandte tiefe Finsternis. See his He sent a thick darkness.
Esther, an oratorio. [Full score. Edited, with accomp. fcr
piano, by Charles Lucas.] London. Cramer. Beale &
Co. 1844, 4S. [Handel Society. The works of Handel. 1
The libretto is attributed to Pope. M.242.2
Every day will I give thanks. Solo [t. Accomp. for organ].
(In Ayrton. Sacred minstrelsy. Vol. I, pp. 4.15-47.)
Also to be found in Stevens's Sacred music. No. 16 in M. 290.22. 1
Father of heaven! Air [a. or B.] from Judas Maccabffius.
[Accomp. for pianoforte.] (In Ayrton. Sacred min-
strelsy. Vol. 2, pp. .•^o, .11.) No. ir in M.2go.22.2
Father of mercy. [Anthem. Arranged from Handel's Las-
cia ch'io pianga by F. L. E. Accomp. for piano.] Boston.
Russell. [188.1;.] No. 29 in M.158.15
Father, to Thy throne we bend. [Anthem. Accomp. for
organ.] (In Cotton. Bangor Cathedral Collection. Pp.
I-S.) No. I in M.290.33
First organ concerto with orchestral accompaniment.
Edited, arranged and supplemented with a cadenza by
W. T. Best. Organ score. London. Augener & Co.
[ 187-?] No. 3 in M.30.23
Fix'd in His everlasting seat. Chorus. [Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. 4, pp. 77-8.';.) No. 6 in M.221.22.4
The flocks shall leave. Trio [s. t. b.] in Acis and Galatea.
(In Musical library. Vol.' 2. p. 62-6.";.) No. 26 in M.235.18.2
Also to be found in Social harmony.
Floridant. An opera. [Words in Italian only by P. A.
RoUi.] Compos'd by Handel. [Full score.] London.
Walsh. [1721.] M.2g2.20
For Thee, O God. our constant praise. [Accomp. for or-
gan.] (In Metcalfe. Fifty metrical anthems. P. 9.)
No. 7 in M.157.34
Forever blessed. Air [s. or t. Accomp. for organ]. (In
Handel and Haydn Society Collection of sacred music.
Vol. .3, p. 124.) No. 22 in M.22I.22.3
Fragment du i" concerto. Transcription pour orchestre.
[Partition. Paris. 187-? Gevaert. Transcriptions pour
orchestre.] No. 8 in M.343.48
Fragment du V^ concerto. Transcription pour orchestre.
[Partition. Paris. 187-? Gevaert. Transcriptions pour
orchestre.] No. 10 in M.343.48
From mighty kings. Air [s. or x.l from Judas Maccabceus.
[Accomp. for pianoforte.] (In Ayrton. Sacred min-
strelsy. Vol. 2, pp. 42-4.';.) No. 16 in M.290.22.2
Handel, Georg Friedrich. (Continued.)
Genug! der Evv'ge sei mit euch! Arie [b., mit Pianoforte-
begleitung]. (In Arien-Album. Band i, p. 20-22.)
From Judas Maccabaeus. No. 4 in M.204.37
Gross ist der Herr. Hymne. [Mit Begleitung des Piaao-
forte.] (In Rochlitz. Sammlung vorziiglicher Gesang-
stiicke. Band 3, pp. 26-31.) No. .=; in M.202.6.3
Hallelujah. [Chorus. Accomp. for organ.] (In Gounod.
The Royal Albert Hall choral music. Vol. i, pp. 63-76.)
M.384.28
Also to be found in Handel and Haydn Society Collection of sacred
music.
Haste thee, nymph. Air [t.] and chorus. [Accomp. for
pianoforte.] (In Musical times. [Music] Vol. 4, pp.
1.35-1.39) No. 10 in M.175.1.4
He sent a thick darkness. (Chorus.) [s. a. t. b. With organ
accomp.] (/)[ Gounod. The Royal Albert Hall choral
music. Vol. 2, pp. 38-40.) M.384.28
Same. Er sandte tiefe Finsternis. [Chor aus dem Oratorio:
Israel in Aegypten. Klavierauszug.] (In Rochlitz. Samm-
lung vorziiglicher Gesangstticke. Band 3, pp. 7-12.)
No. 2 in M.202.6.3
He shall feed His flock. Air [s.] from the Messiah.
[Accomp. for organ.] (In Ayrtan. Sacred minstrelsy.
Vol. I, pp. 102-104.) No. .36 in M.2go.22.i
He was despised and rejected of men. Air [a.] from the
Messiah. [Accomp. for organ.] (In Ayrton. Sacred
minstrelsy. Vol. i, pp. 120, 121.) No. 43 in M.290.22.1
Heart the seat of soft delight. Air [s. or t. Accomp. for
pianoforte]. (In Musical library. Vol. 2, pp. 66-68.)
No. 27 in M.235.18.2
Hercules. An oratorio. Edited, and the pianoforte accomp.
revised by Ebenezer Prout. Octavo edition. London.
Novello, Ewer & Co. [1877?] M.i53.2g
The libretto was written by Thomas Broughton.
Hor', Jacobs Gott. [Chor, s. s. a. t. x. b.] Aus dem Orato-
rium: Simson. [Klavierauszug.] (In Rochlitz. Samm-
lung vorziiglicher Gesangstiicke. Band 3, pp. 24, 2.=;.)
No. 4 in M.202.6.3
The horse of Pharaoh. [Anthem. Accomp. for organ.]
(In Pratt. Collection of anthems. Vol. 2, pp. lo.s-iis.)
No. II in M. 233.18.2
How beautiful are the feet. Air [s. or x.] from the Mes-
siah. [Accomp. for pianoforte.] (In Ayrton. Sacred
minstrelsy. Vol. i, pp. i,s6, 157.) No. .=;,=; in M.2go.22.i
Same. Anthem for soli [a. a.] and chorus. From the .Ap-
pendix to "The Messiah." Edited by William Hod.ge.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 13, pp. 40-47.) No. .=; in M.igs.2.13
How excellent Thy name, O Lord. [Chorus. Accomp. for
or,gan.l (In Handel and Haydn Society Collection of
sacred music. Vol. 2, pp. 14.3-148.) No. 27 in M.221.22.2
How green our fertile pastures. [Air, s. Accomp. for
pianoforte.] (In Handel and Haydn Society Collection
of sacred music. Vol. i, pp. .S3-.s6.) No. 12 in M.221.22,1
How long wilt Thou forget me? Anthem [a. x. b.] from
Handel's Acis and Galatea [by] J. H. Cornell. [Accomp.
for organ.] Boston. Schmidt. 1886. No. 14 in M.158.15
How long wilt Thou forget me. Lord? Full anthem. Ar-
ranged from . . . Saul. Organ accomp. by W. H. Long-
hurst. London. Novello. [184.^.] No. 27 in M.igo.5
Also to be found in Metcalfe's Fifty metrical anthems.
How willing my paternal care. [Air, B. Accomp. for piano-
forte.] (In Handel and Haydn Society Collection of
sacred music. Vol. i, pp. 70-72.) No. 16 in M.22i.22.i
From Samson.
Hymne a la Ste. Vierge. [s. s. a. Accomp. d'orgue.] Paris.
[Heugel. 186-? Petite maitrise.] No. 18 in M.201.34
I know that my Redeemer liveth. Air [s. or x. Accomp.
for organ]. (In Ayrton. Sacred minstrelsy. Vol. i, pp.
186-189.) No. 66 in M.2go.22.i
I will magnify Thee. Full anthem. [Accomp. for organ.]
(In Turle and Taylor. The People's music book. Vol. 2,
pp. .Si-SQ.) No. I7in M.iii.4.3
I 67
S29
Handel
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Handel
Handel, Georg Friedrich. (Continued.)
If torn from thee. SonR fs. or t. Accomp for pianoforte].
(In Turle and Taylor. The People's music book. Vol. 3,
pp. 28s-28g.) No. 94in M.iii.4.3
From Amadigi.
In the days of Herod. [Anthem. Accorap. for orsan.l (In
Pratt. Collection of anthems. Vol. i, pp. 1-12.)
No. iinM.233.t8.i
In Thee I put my steadfast trust. [Accomp. for organ.]
(In Metcalfe. Fifty metrical anthems. P. 20.)
No. 11; in M.157.34
Is there a man? Chorus. [Accomp. for piano.] (In
Handel and Haydn Society Collection of sacred music.
Vol. I, pp. 38-40.) No. 10 in M.221.22.1
[Israel in Egypt.] Handel's oratorio, Israel in Egypt. In
vocal score, with a separate accomp. for the organ or
piano forte, by Vincent Novello. London. Novello.
[1851?] Engraved title-page. M.241.42
Same. [Octavo edition.] M. 153.25
Same. [Words only.] With an analysis of the oratorio,
written expressly for the Sacred Harmonic Society, by
G. A. Macfarren. London. Novello. [1857.I
No. 8 in M.372.S4
[Jephtha.] Das Autograph des Oratoriums „Jephtha" [in
photo-lithographischer Kopie herausgegeben von Fr.
Chrysander]. Fest-Ausgabe der deutschen Handel-Ge-
sellschaft. [Hamburg. 1885.] M.312.31
Same. In vocal score, with a separate accomp. for the
organ or pianoforte, by Vincent Novello. [Words by
Thomas Morell.] London. Novello. [184-?] M.241.39
[Joshua.] Handel's oratorio, Joshua, in vocal score, with a
separate accomp. for the organ or pianoforte, by Vincent
Novello. London. Novello. [184-?] Engraved title-
page. M.241.38
Jubilate [Utrecht] . . . bearbeitet von Robert Franz. Par-
titur und Clavierauszug. Halle. Karmrodt. [1868.I
No. 3 in M.3S2.20
Judas MaccabKus. An oratorio . . . Vocal parts complete
. . . accomp. newly arranged for the piano forte or organ,
by John Bishop. London. Cocks & Co. [184-?] M.241.44
Largo pour instruments a cordes et haut-bois solo. [Parti-
tur. Paris.] Durand, Schoenewerk & cie. [187-? Ge-
vaert. Transcriptions pour orchestre.] No. 14 in M.343.48
Lascia ch' io pianga. Aria [s. Accomp. di piano]. (In Lira
d'ltalia. Pp. 128, 129.) No. 35 in M. 157.39
Let the righteous be glad. Solo [s. Accomp. for organ].
(In Stevens. Sacred music. Vol. 2, pp. 10-15.)
No. 3 in M.234.4.2
Let their celestial concerts all unite. [Chorus. Accomp.
for organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. 2, pp. 186-192.) No. 34 in M. 221.22.2
Let us now make man. [Anthem. Accomp. for organ.]
(In Pratt. Collection of anthems. Vol. i, pp. 66-73.)
No. 7 in M.233.18.1
Let's imitate her notes. Duett [s. s.]. (In Bland. The
Ladies' collection. Vol. 4, pp. 370, 371.)
No. 63 in M.235.17.4
Like as the smoke. Solo [b. Accomp. for organ]. (In
Stevens. Sacred music. Vol. i, pp. 82-85.)
No. 17 in M.234.4.1
The Lord, the Universal King. [Anthem. Accomp. for
organ.] (In Metcalfe. Fifty metrical anthems. P. 5.)
No. 4 in M.157.34
Lord, to Thee, each night and day. Air \a. or bar.] from
Theodora. [Accomp. for piano.] (In Ayrton. Sacred
minstrelsy. Vol. i, pp. 206-208.) No. 72 in M.2go.22.i
Lord, to us our sires have told. [Anthem. Accomp. for
organ.] (In Metcalfe. Fifty metrical anthems. Pp. 27,
28.) No. 19 in M. 157.34
Lord, what is man. [Air, s. or t. Accomp. for organ.] (In
Handel and Haydn Society Collection of sacred music.
Vol. 2, pp. 142, 143) No. 26 in M.221.22.2
Handel, Georg Friedrich. (Continued.)
Lord, when the morning wakes. Song [s. or x. Accomp.
for pianoforte]. (In Turle and Taylor. The People's
music book. . Vol. 2, pp. 43-4.'i) N. 15 in M.iii.4.2
Love in her eyes. Song [s. or t. Accomp. for piano]. (In
Musical library. Vol. 2, pp. 60, 61.) No. 25 in M.235.18.2
From Acis and Galatea.
Also to be found in Turle and Taylor's The People's music book.
The Messiah. [Vocal score.] Arranged for the piano-forte
or organ, by John Clarke. London. Jones & Co. iS.'^S.
No. I in M.241.36
Same. Boosey. [185-?] Portrait. M.241.3S
Same. With an accomp. for the pianoforte or organ, ar-
ranged from Mozart's score, by John Bishop. London.
Cocks & Co. [185-?] M.153-24
Same. [Der Messias.] Das Autograph des Messias ... in
photolithographischer Kopie fur die deutsche Handel-
Gesellschaft herausgegeben von Friedrich Chrysander.
Hamburg. Strumper & Co. 1889, 92. 2 parts in i v.
M.312.32
Same. Oratorium in drei Abtheilungen. Berlin. 1839.
Words only. No. 12 in M.373.61
The miscellaneous pieces as set to music. With a life of
Handel. London. Heptinstall. 1799. Plate.
Words only. No. 2 in M.i2ga.2i
Musette du VI^ concerto. Transcription pour orchestre.
[Partition. Paris. 187-? Gevaert. Transcriptions pour
orchestre.] No. 11 in M.343.48
Musette du Vlle concerto. Transcription pour orchestre.
[Partition. Paris. 187-? Gevaert. Transcriptions pour
orchestre.] No. 12 in M.343.48
No change of times. [Anthem. Accomp. for pianoforte.]
(In Metcalfe. Fifty metrical anthems. Pp. 35, 36.)
No. 25 in M.157.34
Now there arose a new king. [Anthem. Accomp. for
organ.] (In Pratt. Collection of anthems. Vol. 2, pp.
1 16-135.) No. 12 in M.233.18.2
O come, let us worship. Air [s. or T. Accomp. for organ].
(In Ayrton. Sacred minstrelsy. Vol. i, pp. 1-3.)
No. I in M.290.22.I
O Father, whose almighty power. [Chorus. Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. 2, pp. 14-19.) No. 3 in M.221.22.2
O first created beam. Chorus. [Accomp. for organ.] (In
Handel and Haydn Society Collection of sacred music.
Vol. I, pp. 24-28.) No. 7 in M.221.22.1
O God, my heart is fix'd. [Anthem. Accome. for organ.]
(In Metcalfe. Fifty metrical anthems. Pp. 71, 72.)
No. 43 in M.157.34
O God, who in Thy heavenly hand, and O Lord, we trust
in Thee alone. Chorus from Joseph. [Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. 2, pp. 124,
125.) No. 49 in M.29o.22.a
O Jesu, bone Pastor, a. & s. solo and quartett. [Accomp.
for organ.] (In Novello. Convent music. Vol. 2, pp.
47-49.) No. 16 in M.260.17.2
O Lord, we trust in Thee alone. [Hymn. Accomp. for
organ.] (In Musical times. [Music] Vol. 4, p. 204.)
No. 27 in M.175.1.4
O Lord, whose mercies. [Solo, a. or bar. Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. i, pp. 66, 67.) No. 14 in M.22i.22.r
O lovely p.eace. Duet [s. a. Accomp. for organ]. (In
Handel and Haydn Society Collection of sacred music.
Vol. I, pp. 32-37.) No. 9 in M.221.22.1
O magnify the Lord. Solo [s. Accomp. for organ]. (In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 162-164.)
Also to be found in Stevens's Sacred music. No. 60 in M. 290.22.2
O praise the Lord in that blest place. [Anthem. Accomp.
for organ.] (In Metcalfe. Fifty metrical anthems. Pp.
23,24.) No. 17 in M.157.34
O Salutaris. Solo. [Accomp. de piano ou d'orgue.] (In
fichos dv monde religieux. Pp. 60-62.) M.156.53
530
Handel
THE ALLEN A. BROWN COLLECTION OF MUSIC
Handel
Handel, Georg Friedrich. (Continued.)
An ode, or serenata for the birth day of Queen Ann, com-
posed in the year 1713. [Chorus with orchestral accomp.
London? 1713I No. .3 in M.380.6
Oft on a plot of rising ground. Song [s. or T. Accomp. for
pianoforte!. (In Turle and Taylor. The People's music
book. Vol. .3, pp. 72-74.) No. ,31 in M.iii.4.3
Oh! had I Jubal's lyre. Air [s. or t.1 from Joshua.
fAccomp. for organ.] (In Ayrton. Sacred minstrelsy.
Vol. 2, pp. 182-184.) No. 66 in M.290.22.2
Oh, how great the glory. Hunting chorus, from "The tri-
umph of time and truth." The accomp. Jfor pianofortel
arranged from the score. (In HuUah. The Singer's li-
brary. Secular. No. 5. Pp. 17-24.) No. .s in M.157.2
[Otho. The arias with piano accompaniment, also trans-
position for the flute. London. 172-?] 11.145.22
There is no title-page.
Ouverturen. In Partitur. Mit einem Vorwort von C. F.
Becker. Lieferung i, 2. Leipzig. Hofmeister. ri84.S?]
2 parts in i v. No. i, 2 in M.344.32
Contents. — i. Estlier. — Aetius. — Porus. — Parthenope. 2. Lotharius.
— Siroe. — ■ Alexander. — Admet.
Pious orgies. Air fs. or t. Accomp. for organl from Judas
Maccabffius. (In Ayrton. Sacred minstrelsy. Vol. 2,
pp. II, 12.) No. ■; in M.290.22.2
Also to be found in Handel and Haydn Society Collection of sacred
music.
The plague of darkness. Chorus, from Israel in Egypt.
fAccomp. for organ. 1 (In Ayrton. Sacred minstrelsy.
Vol. I, pp. 148, I4g.) No. .S2 in M.290.22.1
Praise the Lord enthron'd on high. [Anthem. Accomp.
for organ. 1 (In Metcalfe. Fifty metrical anthems. Pp.
7. 8.) No. 6 in M.1S7.34
Prepare, then, ye immortal choir. Duet [s. a. Accomp. for
pianoforte!. (In Turle and Taylor. The People's music
book. Vol. 2, pp. 19-22.) No. 8 in M.I 1 1.4.2
Redemption. A sacred oratorio, in score: selected from the
works of Handel, and formed into a drama; by Samuel
Arnold. London^. Birchall. [1786.] M.241.3
Rejoice, O Judah. [Air, B., and chorus. Accomp. for
organ.! (In Handel and Haydn Society Collection of
sacred music. Vol. i, pp. 160-166.) No. 29 in M. 221.22. i
Rendi '1 sereno a ciglio. Aria fs. or x. Accomp. for piano-
forte]. (In Musical library. Vol. 2, p. e,2.)
No. 21 in M.235.18.2
Return, O God of hosts. Air [a. or b.] from Samson.
[Accomp. for organ.] (In Ayrton. Sacred minstrelsy.
Vol. 2, pp. 76, 77.) No. 31 in M.290.22.2
Risorgo il mondo. Aria [s. or x. Accomp. for pianoforte].
(In Ayrton. Sacred minstrelsy. Vol. ?. pp. 194, 195.)
No. 70 in M.2go.22.2
The sacred oratorios as set to music. London. Heptinstall.
1799. Portrait. No. 1 in M.i2ga.2i
Words only.
[Samson.! Handel's oratorio, Samson ... In vocal score,
with a separate accomp. for the organ or piano forte, by
Vincent Novello. London. Novello. [184-?! M.241.37
Same. [Octavo edition. 186-?! M. 153.32
[Saul.] Handel's oratorio, Saul. In vocal score, with a
separate accomp. for the organ or pianoforte, by Vincent
Novello. London. Novello. [184-?] Engraved title-
page. M.241.41
Sechs Duette aus verschiedenen Opern zum Concertge-
brauche mit Begleitung des Orchesters bearbeitet von
Robert Franz. Leipzig. Kistner. [187-.I 6 v. in i.
M. 193.19
Contents. — Se teco vive il cor. — lo t' abbraccio. — Per le porte del
tormento. — Vivo in te. — A teneri affetti il cor s'abbandoni. — Caro,
piu amabile belta.
See, the conqu'ring hero comes. Glee [s. a. x. b.]. (In
Musical times. [Music] Vol. 2, pp. 102-104.)
No. ^ in M.i75.i.a
Also to be found [for T. T. B.] in Social harmony.
Handel, Georg Friedrich. (Continued.)
Semele. An oratorio. [Libretto by William Congreve.]
Edited, and the pianoforte accompaniment revised . . .
by Ebenezer Prout. Octavo edition. London. Novello,
Ewer & C. [187-?] M.I53.3I
Shall I in Mamre's fertile plain? See his Soil ich auf
Mamre's Fruchtgefild?
Sie schallt, die Posaun'. Bass-Arie [mit Pianofortebeglei-
tung!. (In Arien-Album. Band i, pp. 18, 19.)
From The Messiah. No. 4.in M.204.37
Sieh, das ist Gottes Lamm. [Chore, Arie, und Recitativ aus
dem Oratorium: Der Messias. Klavierauszug.] (In
Rochlitz. Sammlung vorziiglicher Gesangstiicke. Band
3, pp. 13-23.) No. 3 in M.202.6.3
Sing unto God. [Chorus. Accomp. for organ.] (In Han-
del and Haydn Society Collection of sacred music. Vol.
3, pp. 165-170.) No. 27 in M.221.22.3
Sion now her head shall raise. [Duet, s. s., and chorus.
Accomp. for organ.] (In Handel and Haydn Society
Collection of sacred music. Vol. i, pp. 149-1519.)
No. 28 in M.22i.a2.i
Six organ concertos. Edited by W. T. Best. London.
Novello, Ewer & Co. [187-?] M.312.46
Soil ich auf Mamre's Fruchtgefild? Arie [b., mit Piano-
fortebegleitung!. (In Arien-Album. Band i, pp. 23, 24.)
From Joshua. No. 4 in M.204.37
Same. Shall I in Mamre's fertile plain? Air [b.! from
Joshua. fAccomp. for organ.] (In Ayrton. Sacred min-
strelsy. Vol. 2, pp. 142, 143.) No. 53 in M.290.22.2
[Solomon.] Handel's oratorio "Solomon." ... In vocal
score, with a separate accomp. for the organ or pianoforte
arrangedby Vincent Novello. London. Novello. [1854?]
M.153.26
Songs, duets, and trios, selected from the oratorios, etc.
. . . With an accomp. for the pianoforte by H. R. Bishop.
London. D'Almaine & Co. [1837.] 6 v. M.234.5
Contents. — I. Guardian angels, O protect me. — In sweetest harmony.
— Rejoice greatly. — How beautiful are the feet. ^ I know that my
Redeemer liveth. — If God be for us. — Let the bright seraphim. —
Pious orgies. — From mighty kings. — What though I trace. — Angels
ever bright and fair. — Farewell, ye limpid streams. — Holy, holy,
holy, Lord God almighty. — O Lord, whose mercies numberless. —
O thou that tellest good tidings. — He shall feed His flock. — He was
despised. — O death, where is thy sting. — Return, O God of hosts. —
Lord, to Thee each night. — Lord, remember David. — ■ Comfort ye my
people. — Thy rebuke hath broken his heart. — But Thou did'st not
leave. — Thou shalt break them. — Total eclipse. — Jehovah! to my
words give ear. — See the tall palm. — Deeper and deeper still. — Tears
such as tender fathers shed. — Thus saith the Lord of hosts. — For
behold, darkness shall cover. — Thou art gone up on high. — Why do
the nations. — The trumpet shall sound. — How willing my paternal
love. — It must be so. 2. O magnify the Lord. — O siog unto the Lord.
— He was eyes unto the blind. — Will God, whose mercies ever flow.
— Sin not, O king. — Thou didst blow. — 'Tis liberty, dear liberty. —
Wise men, flattering. — O, had I Jubal's lyre. — If guiltless blood be
your intent. — Fond, flattering world, adieu. — The smiling dawn of
happy days. — The Lord is my strength. — From this dread scene. —
O, never bow we down. — Wash me throughly. — Why so full of grief.
— When the ear heard her. — Lord, remember me. — Thou shalt bring
them in. — Come, divine Inspirer. — O, sacred oracles of truth. —
Awful, pleasing being. — As with rosy steps the morn. — Be ye sure
that the Lord. — Thou sittest at the right hand. — Every day will I
give thanks. — O come, let us worship. — Tune your harps. — O Lord,
how many are my foes. — O liberty! thou choicest treasure. — Ah!
canst thou but prove me. — He layeth the beams. — He was brought
as a lamb to the slaughter. — Vouchsafe, O Lord (Dettingen Te Deum).
— Arm, arm, ye brave. — The Lord worketh wonders. — Shall I on
Mamre's fertile plain. — The Lord is a man of war. 3. Hush, ye pretty,
warbling choir. — As when the dove. — Heart, the seat of soft delight.
— What passion cannot music raise. — But come thou goddess fair and
free. — Mirth, admit me of thy crew. — Sweet bird. — Let me wander not
unseen. — But, O sad virgin. — Ye men of Gaza. — O sleep, why dost
thou leave me. — Here amid the shady woods. — In these blest scenes.
— Hark! 'tis the linnet. — Our limpid streams with freedom flow. —
With thee th' unsheltered moor I'd tread. — Ask if yon damask rose.
— Beneath the cypress' gloomy shade. — There the brisk, sparkling nec-
tar. — Take the heart you fondly gave. — Kind health descends. —
What's sweeter than the new blown rose. — Come ever smiling liberty.
— O lovely peace. — As steals the morn. — The flocks shall leave. —
Can I see my infant gored. — Clouds o'ertake the brightest day. —
When first I saw my lovely maid. — Sweet rose and lily. — Yet can I
hear that dulcet lay. — Dull delay in piercing anguish. — Love in her
531
Handel
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Handel
Handel, Georg- Friedrich. (Continued.)
eyes sits. — Love sounds the alarm. — Gentle airs, melodious strams.
— Happy pair! — Softly sweet in Lydian measure. — Pleasure I my
former ways. — Oft on a plat of rising ground. — Where e'er you walk.
— O ruddier than the cherry. — Revenge, Timotheus cries. — Honour
and arms. 4. Faithful cares in vain. — Fell rage and black despair. —
To song and dance. — My breast with tender pity. — Daughter of gods.
— O take me from this hateful light. — Convey me to some peaceful
shore. — Beneath the vine or fig-tree. — Every joy that wisdom knows.
— Let's imitate her notes. — My faith and truth. — Hali, wedded love!
— These labours past. — Who calls my parting soul. — Happy we! —
See, the conquering hero comes. — Welcome, mighty king. — Cheer
her, O Baal. — O mirror of our fickle state. — Fair virtue shall charm
me. — O Mithra, with thy brightest beams. — O beauteous queen. —
Shepherd, what art thou pursuing. — Would you gain the tender crea-
ture. — Consider, fond shepherd. — The trumpet's loud clangour. —
Haste thee, nymph. — Torments, alas! are not confined. — Cease to
beauty to be suing. — Bacchus, ever fair and young. 5. Lord, for ever
at Thy side. — Sing songs of praise. — Blessed are all they. — Then
will I Jehovah's praise. — Faith displays her rosy wing. — The Lord
hath heard. — O sing praises unto God. — In God is my glory. —
Praise the Lord all ye heathen. — Joys, in gentle train. — Cease thy
anguish. — O worship the Lord. — Have mercy upon me. — Thou
rulest the raging. — So great is His mercy. — O Jordan, sacred tide. —
Bow Thine ear, O Lord. — Be firm, my soul. — Disdainful of danger. —
The Lord is my light. — The Lord who hears. — Watchful angels. —
Why doth the God of Israel. — Thus when the sun. — Lord, what is
man. — Sound an alarm. — Jehovah is my shield. — Golden columns
fair. — For ever blessed be Thy name. — O praise the Lord all ye His
host. — The Lord hath been mindful of us. 6. The Lord is righteous.
— Let the righteous be glad. — Tears are my daily food. — God's ten-
der mercy. — Tears assist me. — Softest sounds no more can ease. —
Vain, fluctuating state. — Regard, O son, my flowing tears. — When
warlike ensigns. — Bending to the throne. — Tune the soft melodious
lute. — The people will tell. — I'll proclaim the wond'rous story. —
Thrice blest be the king. — Impious mortal, cease to brave us. — When
the sun o'er yonder hills. — Deeds of kindness to display. — In gentle
murmurs. — Let other creatures die. — Sweet as sight to the blind. —
O sing unto God. — The heavens are Thine. — Against Thee only. —
The righteous Lord. — O Lord, whose providence. — O filial piety. —
— The enemy said. — His mighty arm. — That God is great. — How
art thou fallen. — When storms the proud. — Praise ye the Lord. —
Freedom, now once more.
Sound an alarm. [Solo, s., and chorus. Accomp. for
organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. i. pp. 16-21.) No. 5 in M.221.22.1
Supplemente enthaltend Quellen zu Handel's Werken . . .
Fiir Die deutsche Handelgesellschaft herausgegeben von
Friedrich Chrysander. No. I, 3-5- Leipzig. Druck der
Gesellschaft. i888-'g6. 2 v. I^-*'^^f°
Contetits. — I. Magnificat von D. Erba. — Serenata von Alessandro
Stradella. — Fiinf italienische Duette von Giovanni Carlo Maria Clan.
2. Componimenti musicali per il cembalo von Gottlieb Muffat.
Tantum ergo. Solo. fAccomp. de piano ou d'orgue.l (In
lichos dv monde religieux. Pp. 90-93.) M.156.S2
Same. Solo fx.], quartett & chorus. fAccomp. for organ.l
(In Novello. Motetts. "Vol. i, book 6. pp. 1-3.)
No. 54 in M.260.24.1
Te Deum [Utrechter. Klavierauszugl. (/h Rochlitz. Samm-
lung vorziiglicher Gesangstiicke. Band 3, PP- 2-6.)
Contains the first movement only. No. I in M.202.6.3
Te Deum zur Feier des Sieges bei Dettingen von Georg
Friedrich Handel, instrumentirt von Felix Mendelssohn-
Bartholdy. Partitur. Leipzig. Kistner. [184-?] M.192.17
Tears are my daily food. Solo fs.L (In Stevens. Sacred
music. Vol. I, pp. S8-61.) No. 12 in M.234.4.I
Then Tesus went up to Jerusalem. Recitative and chorus
from The Redemption. fAccomp. for organ.l (In Han-
del and Haydn Society Collection of sacred music. Vol.
3. pp. 66-70.) No. Q in M.221.22.3
Theodora. An oratorio. In vocal score, with a separate
accomp. for the organ or pianoforte. Octavo edition.
London. fNovello. Ewer & Co 187-?! M.1S3.28
The libretto has been ascribed to Dr. Thomas Morell.
Thus rolling surges. [Air, T., and chorus. Accomp. for
organ.l (In Handel and Haydn Society Collection of
sacred music. Vol. I. pp. 188-IQ2.) No. 33 in M.221.22.1
Thy justice like the hills remains. [Anthem. Accomp. for
organ.l (In Metcalfe. Fifty metrical anthems. Pp. 18,
iq.) No. 14 in M.IS7.34
Thy rebuke, recitative, and Behold and see, air fs.l from the
Messiah. fAccomp. for organ.l (In Ayrton. Sacred
minstrelsy. Vol. i, pp. 176, I77.) No. 61 in M.290.22.1
Handel, Georg Friedrich. (Continued.)
Total eclipse. [Air, t. Accomp. for organ.] (In Ayrton.
Sacred minstrelsy. Vol. 2, pp. 68, 69.) No. 28 in M.290.22.2
Also to be found in Handel and Haydn Society Collection of sacred
music.
Triumph, Hymen, in the pair. Chorus, from the opera
"Alcides." [Accomp. for pianoforte.] (In Hullah. The
Singer's library. Secular. Pp. 99-104.) No. 21a in M.157.2
The triumph of time and truth. An oratorio. Edited, and
the pianoforte accomp. revised by Ebenezer Prout. Oc-
tavo edition. London. Novello, Ewer & Co. [187-?]
M.IS3.30
The words are by Pietro Pamfili, translated by Thomas Morell.
Unito a un puro affetto. Duetto [s. a. Accomp. for piano-
forte.] (In Musical library. Vol. 4, pp. 25-28.)
No. II in M.235.18.4
Verdi prati. Aria [a. or b. Accomp. for pianoforte]. (In
Musical library. Vol. 2, pp. 94. 9.=i.) No. 38 in M.23S.18.2
Das Volk, das im Dunkeln. Bass-Arie [mit Pianoforte-
begleitung]. (In Arien-Album. Band i, pp. 14-17.)
From The Messiah. No. 4 in M.204.37
Vouchsafe, O Lord. Solo [a. or bar.]. From the Dettin-
gen Te Deum. [Accomp. for piano.] (In Ayrton. Sa-
cred minstrelsy. Vol. i, p. 72.) No. 26 in M.2go.22.l
Die Wahl des Hercules nach Mozarts Bearbeitung. [Parti-
tur.] Manuscript. [i70-?l . M.30.14
The words are from Joseph Spence's Polymetis.
Wash me throughly. Duetto [s. t. Accomp. for org^an].
(In Stevens. Sacred music. Vol. 2, pp. 68-71.)
No. II in M.234.4.2
Wer mag den Tag seiner Zukunft erleiden. Bass-Arie [mit
Pianofortebegleitung]. (In Arien-Album. Band i, pp.
7-13.) No. 4 in M.204.37
From The Messiah.
When God in His wrath. Recitative, air [b.] and chorus.
[Accomp. for organ.] (In Handel and Haydn Society
Collection of sacred music. Vol. 3. pp. i 18-123.)
No. 21 in M.221.22.3
When Phcebus the tops. Duett [s.a.]. C/n Apollonian har-
monv. Vol. i, pp. 46. 47.) No. 37 in M.141.21.1
Also to be found in Social harmony.
When the ear heard him. Quartet. [Accomp. for organ.l
(In Ayrton. Sacred minstrelsy. Vol. 2. pp. 196-190.)
No. 71 in M.2go.22.2
When the earth was without form. [Anthem. Accomp.
for organ.] (In Pratt. Collection of anthems. Vol. I.
pp. 60-65.) No. 6 in M.233.18.1
Where-e'er vou walk. Air [x. Accomp. for pianoforte].
(In Musical library. Vol. 2, pp. 30, 31.)
No. 12 in M.23.i;.i8.2
While my God his succour sendeth. [Anthem. Accomp.
for organ.] (In Metcalfe. Fifty metrical anthems. Pp.
41, 42.) No. 28 in M. 157.34
With cheerful notes let all the earth. Chorus. The accomp.
arranged by the editor. (In Hullah. The Singer's library.
Sacred. Pp. 57-64.) No. 12 in M. 1.57.3
With might endued. [Recitative, air and chorus. Accomp.
for organ.] (In Handel and Haydn Society Collection of
sacred music. Vol. i, pp. 77-82.) No. 19 in M.221.22.1
With thunder arm'd. [Chorus from Samson. Accomp. for
organ.l (In Handel and Haydn Society Collection of
sacred music. Vol. 2, pp. 114-117.) No. 19 in M.221.22.2
12 Alt-Arien, aus verschiedenen Opern mit Begleitung des
Pianoforte bearbeitet von Robert Franz. Leipzig. Kist-
ner. [1869.] 4 parts in i v. No. 2 in M.270.48
The words are in Italian and German.
Contents. — i. Con rauco mormorio, aus Rodelinda. 2. Si, si minaccia,
aus Sosarme. 3. Empio, diro, tu sei, aus Giulio Cesare. 4. Pupille
sdegnose, aus Muzio Scevola. 5. Un disprezzato affetto, aus Othone.
6. Son confusa pastorella, aus Poro. 7. Stille amare gia vi sento, aus
Tolomeo. 8. Furibondo spira il vento, aus Partenope. 9. Giacche morir
non posso, aus Radamisto. 10. Confusa si miri I'infida consorte, aus
Rodelinda. 11. Vi fida lo sposo, aus Ezio. 12. lo sperai trovar riposo.
12 Sopran-Arien, aus verschiedenen Opern mit Begleitung
des Pianoforte bearbeitet von Robert Franz. Leipzig.
Kistner. [1869. 1 4 parts in i v. No. i in M.270.48
The words are in Italian and German.
Contents. — i. Cara sposa, aus Radamisto. 2. Mio bel tesoro, aus Alcina.
532
Handel
THE ALLEN A. BROWN COLLECTION OF MUSIC
Handel
Handel, Georg Friedrich. (Continued.)
3. Mio caro bene, aus Rodelinda. 4. II vostro maggio, aus Rinaldo. 5.
Menti eterne, aus Lotario. 6. Ritorna, O caro, aus Rodelinda. 7.
Sommi dei, aus Radamisto. 8. Spera si, O caro bene, aus Admeto. 9.
Si t'amo, O cara, aus Muzio Scevola. 10. S'ei non me' vuole amar,
aus Tamerlano. 11. Vanne, sorella ingrata, aus Radamisto. 12. Ah,
non son io che parlo.
Handel, Georg Friedrich. Works about.
Ball, T. H. Sketch of Handel and Beethoven. London.
1864. M.101.13
BiLAY, A. E. Handel: his life, personal and professional.
London. 1857. M.iog.g
BuRNEY, C. An account of the musical performances in
Westminster-Abbey and the Pantheon, May^ June, 1784.
In commemoration of Handel. London. 1785. Portraits.
M. 122.35
Chrysander, F. G. F. Handel. Band I, 2; 3, ite Halfte.
Leipzig. 1858-67. 3 V. M.149.7
Handel's Instrumentalkompositionen fiir grosses Or-
chester. f Leipzig. 1887.! M.371.28
Separatabdruck aus der Vierteljahrsschrift fiir Musikwissenschaft.
Clark, R. Reminiscences of Handel, His Grace the Duke
of Chandos, Powells the harpers, The harmonious black-
smith, and others. With a list of the anthems composed
at Cannons, by Handel. London. 1836. lUus. M.201.42
Cooke, B. An ode on Handel [for 8 voices]. Performed at
the Commemoration dinner. May 26th, 1785. [London.
17851 No. 2 in M.320.15; etc.
CoxE, W. Anecdotes of George Frederick Handel, and
John Christopher Smith. With select pieces of music,
composed by J. C. Smith. . . . [Anon.] London. 1799.
Portraits. No. i in M.iii.s
David, E. G. F. Handel: sa vie, ses travaux et son temps.
Paris. 1884. M.128.21
Egel, H. W. Georg Friedrich Handel, Josua. Nach der
Ausgabe der deutschen Handelgesellschaft (Lieferung
XVII). Erlautert. Leipzig. [1903.] No. 11 in M.217.12.12
Fowle, T. L. Life of Handel. London. [1877.] Portraits.
No. I in M. 125.9
Gervinus, G. G. Handel und Shakespeare. Zur Asthetik
der Tonkunst. Leipzig. 1868. M.106.7
Hadden, J. C. George Frederick Handel. London. 1888.
M.i09b.43
Handel and Haydn Society, Boston. Seventieth season.
In memoriam George Frederic Handel. Biographical
sketch. Programmes with words and notes . . . Boston.
[1884.] No. 9 in M.372.2
Handel commemoration, 1S59. William Hutchins Call-
cott's pianoforte and vocal arrangements from Handel's
works. London. [1859.I No. 4 in 11.373.60
Macfarren, G. a. Addresses and lectures. London. 1888.
M.i49a.is
Mainwaring, J. Memoirs of the life of George Frederic
Handel. Added, a catalogue of his works and observa-
tions upon them. [Anon.] London. 1760. Portrait.
M.II7.4
Meyer, G. M. G. F. Handel. Eine biographische Charak-
teristik. Berlin. 1857. No. i in M.217.11
Neumann, W. Georg Friedrich Handel. Eine Biographic.
Cassel. 1855. Portrait. No. i in M.20S.19
Ramsay, E. B. Two lectures on the genius of Handel.
Edinburgh. 1862. M.108.20
Reinecke, C. H. C. Ein Abenteuer Handels, oder die
Macht des Liedes. Singspiel in i Akte von W. te Grove.
Musik von Carl Reinecke. No. 2 in M.391.25
Reissmann, a. Georg Friedrich Handel. Sein Leben und
seine Werke. Berlin. 1882. Portrait. No. i in M.207.23
Ring, J. The commemoration of Handel. A poem. [Anon.]
London. 1786. M.141.28
Rockstro, W. S. The life of George Frederick Handel.
With an introductory notice by George Grove. London.
1883. Portrait. M.126.S
SCHOELCHER, V. The life of Handel. London. 1857.
M.105.28
Handel, Georg Friedrich. Works about. (Continued.)
Sittard, J. G. F. Handel, Der Messias. Erlautert. Frank-
furt a. M. [1895.1 No. 42, 43 in M.217.12.2
TowNSEND, H. An account of the visit of Handel to Dub-
lin. Dublin. 1852. M.107.2S
Whittingham, a. The life and works of Handel. London.
1882. M.io9a.3S
Widmann, B. G. F. Handel, Cacilienode . . . Erlautert.
Frankfurt a. M. [1895.I No. 31 in M.217.12.2
Georg Friedrich Handel, Frohsinn, Schwermut und
Massigung. Erlautert. Frankfurt a. M. [1895.]
No. 26, 27 in M.217.12.2
Georg Friedrich Handel, Samson . . . Erlautert.
Frankfurt a. M. [1895.] No. 21, 22 in M.2I7.I2.I
ZuscHNEiD, C. Judas Maccabaus, Oratorium von G. F.
Handel. Erlautert. Leipzig. [1899?] No. i in M.217.12.7
Handel and Haydn Society, Boston.
Act of incorporation and bye-laws. Boston. 1828.
No. 10 in M.147.3.2
The Boston Handel and Haydn Society Collection of sa-
cred music, consisting of songs, duetts, trios, chorusses,
anthems, &c. . . . arranged for the organ or piano. Bos-
ton. The Society. 1821-32. 4 v. M.221.22
Contents. — I. Denman : The Lord's prayer. — Martini : Fallen is thy
throne. — Mozart: The saffron tints of morn. — Handel: Sound an
alarm. Total eclipse. O first created beam. — Haydn : Lovely is the
face of nature. — Handel: O lovely peace. Is there a man. — Kent:
Give the Lord the honor. How green our fertile pastures. — Haydn:
Come sweet spring. — Handel: O Lord whose mercies. — Bishop:
He sees and he believes. — Handel : How willing my parental love.
— Beethoven: The bird let loose. — Handel: Blessed be the power.
Blessing, honour, adoration. With might endued. — Marsh: O Lord,
who hast taught us. — Atterbury: Winter has a joy for me. — Han-
del: Arm, arm, ye brave. — Stevenson: They play'd. — King: The
intercession. — Fiorello : Begin, my soul rejoicing. — Tallis : O all
ye nations. — Webbe : While with ceaseless course. — Handel: Sion
now her head shall raise. Rejoice, O Judah. — Mornington : Behold
the morning sun. — Kent: The Lord is my Shepherd. — Mozart:
Holy Lord God of hosts. — Reynolds: My God look upon me. —
Handel : Thus rolling surges. 2. Kent : My song shall be. — Han-
del : Pious orgies. O Father whose almighty power. — Mozart :
Gently, Lord. — Smith: Blest pair of sirens. — Kent: Rejoice in the
Lord. — Clementi: Think, O ye who fondly languish. — Blake: I
have set God always before me. — Jackson : Blow ye the trumpet in
Zion, — Haydn : Now elevate the sign of Judah. — Beethoven ; Eter-
nal God. almighty power. — Carr: Gloria in excelsis. — Haydn: The
host of Midian prevailed. — Mozart: O Sovereign eternal. — Wranit-
zky: Father of mercies. — Mozart: Day of judgment. — Jackson:
Praise the Lord, O my soul. — Handel : With thunder arm'd. —
Jackson : Holy, Lord God of hosts. Hallelujah. — Handel : Come,
ever smiling liberty. — Haydn: Father we adore Thee. — Mozart:
Glory be to God on high. — Webbe : When lost in wonder. — Han-
del: Lord, what is man. How excellent is Thy name. Hallelujah. —
Mozart: Lamb of God. — Haydn: Pharaoh's chosen captains. —
Steibelt : We praise Thee, O God. — Mozart: Blessed is he. —
Haydn : Arise, O Judah. — Handel : Let their celestial concerts. ■ — ■
Byrd ; Non nobis Domine. 3. Stevenson: O Lord our Governor. —
German : Come ye disconsolate. — Lord, Thou hast been my refuge.
— Mozart: Praise Him in Judah. — Stevenson: Go forth to the
mount. — Haydn : Now Samuel. Lo, my Shepherd. Now the Philis-
tines. Lo, He Cometh. And Saul was very wroth. O, mighty King.
Handel : Then Jesus. Hosanna. — Mozart : To Thee, O God. —
Beethoven : O rejoice in God. How can I on Thee repose. — Haydn :
With rosy steps. Now the Philistines. He was like a morning star.
Hallelujah to the God of Israel. — Handel: Angel of charity. —
Pergolesi : Glory to God in the highest. — Haydn : He broke the
idols. — Naumann: Sons of Zion. — Rousseau: Hark! 'tis the breeze.
— Handel : When God is in His wrath. For ever blessed. - — Staun-
ton: Praise Himl sun and moon. — Mozart: Solyma, O happy So-
lyma. — Gardiner : The wolf and the lamb. — Haydn : O how beauti-
ful. — Jackson: The Lord shall comfort Zion. — Handel: Sing unto
God. — Jackson: We praise Thee, O God. — Mozart: O God! when
Thou appearest. — Haydn: Glorify the great Jehovah. — Jackson:
Glory be to the Father. 4. Haydn: Mass [in F]. — Boyce: Behold
the Heaven. — Beethoven : Glory to God. Credo. — Haydn : Be-
hold, He rideth upon the storm. — Handel : Fix'd in His everlasting
seat. — Haydn: Spare, O spare Thy servant. — Schneider: Great is
the Lord. Holy Lord God of hosts. - — Mozart: Mass, No. i, in C.
— ■ Buehler: Mass [in F]. Haydn: For with strength. — Mozart:
Hosanna to the God of Israel. — Hummel : Holy, holy, holy. —
Handel : Awake the trumpet's lofty sound. — Palestrina : We have
heard. • — Kent : Te Deum. — Haydn : Te Deum. ■ — Pierpont : Ode.
— Beethoven : March and chorus of Roman soldiers. — Mozart : Te
Deum. — Righini : Behold and see. — Jomelli : Glory be to God on
high. — Pergolesi : Exulta Sion. — Zeuner : O God, my heart is
fixed.
533
Handel
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hanscom
Handel and Haydn Society, Boston. (Continued.)
Grand musical festival ... in commemoration of their fif-
tieth anniversary. May 23d to 28th, 1865. [Book of the
words.] Boston. Balch. 1865. No. i in M.372-2
Same. With an appendix, containing the programmes of
the afternoon concerts, officers of the society . . .
No. 2 in M.372.2
Mendelssohn's Elijah, as performed at the Tabernacle,
June S, 1877. Boston. Mudge. 1877. No. 7 in M.i25.a
Programmes. No. 1-748. Dec. 25, i8iS-April 23, 1905.
Boston. 1815-1905. 8 V. M.372.1
There are many gaps, particularly in the early years, but these are
gradually being filled.
Seventieth season. In memoriam George Frederic Handel.
Biographical sketch. Programmes with words and notes
. . . Boston. Mudge. [1884.] Portrait. No. 9 in M.372.2
Seventy-fifth anniversary festival. April, 1890. [Boston.
1890.1 No. ID in M.372-2
Triennial festival, ist-6th. May, 1868-83. Programmes,
words of the oratorios . . . Boston. 1868-83.
No. .3-8 in M.372.2
Same. 4th. 1877. No. 6in M.125.9
Handel and Haydn Society, Boston. Works about.
Bacon, F. P. Commemorative record of the Handel and
Haydn Society of Boston, 1815-1903. Prepared by Fred
P. Bacon and Edward O. Skelton. [Boston. 1903.] Por-
traits. Plates. Facsimiles. M. 121.41
Browne, A. P. An address delivered at the annual meeting
of the Handel and Haydn Society, May 25, 1896. Boston.
i8g6. No. I in M.102.19
Henry, J. J. Is the Handel & Haydn Society a one-man
power? [Boston. 1874.! No. 3 in M.i44-i8
Perkins, C. C. History of the Handel and Haydn Society
of Boston. From the foundation of the Society through
its 7Sth season. 1815-1890. Chapters 1-3, by C. C. Per-
kins. Chapters 4-1S by John S. Dwight. Vol. i, no. i.
Boston. 1883. No. I in M.141.15
Handel Festival, London.
Grand Handel musical festival. Crystal Palace, i8S7- A
letter addressed to the members ... of the Sacred Har-
monic Society. [Prospectus.] London. 1856.
No. 6 in M. 149.8
Signed Robert Bowley, Treasurer of the Sacred Harmonic Society.
Handel commemoration, 1859. William Hutchins Callcott's
pianoforte and vocal arrangements from Handel's works.
London. Lonsdale. [1859.] No. 4 in M.373-6o
The triennial Handel festival, Sth. Programme of arrange-
ments. London. 1874. Plan. No. 10 in M.144.18
Handkuss, Der. Song. Posa. Fiinf Lieder. No. 13 in M.380.22
Handl, Jakob.
Adoramus. [Anthem, s. s. A. T. T. B.] (/» Rochlitz. Samm-
lung vorziiglicher Gesangstiicke. Band i, Abtheilung i,
pp. 52, .S3.) No. 39 in M.202.6.1
Ascendo ad Patrem meum. [Motet, s. s. a. t. b. b.] (In
Lueck. Sammlung ausgezeichneter Compositionen fiir
die Kirche. Band 3, PP. 87-91.) No. 24 in M.IS8.33.3
Beati estis. [Motet, s. a. t. b.] (/n Lueck. Sammlung aus-
gezeichneter Compositionen fiir die Kirche. Band 4, PP-
72-74.) No. 22 in M. 158.33.4
Confirma hoc, Deus. [Motet, t. t. b. b.] (/n Lueck. Samm-
lung ausgezeichneter Compositionen fiir die Kirche.
Band 3, pp. 105-107.) No. 28 in M.1S8.33.3
Ecce, concipies. [Motet.] (In Lueck. Sammlung ausge-
zeichneter Compositionen fiir die Kirche. Band 3, pp.
1-3.) No. I in M.158.33-3
Ecce quomodo moritur ju.stus. Passionsgesang. (In Lueck.
Sammlung ausgezeichneter Compositionen fiir die Kirche.
Band 3. PP. 62-64) No. 19 in M.158.33.3
Also to be found in Rochlitz's Sammlung vorziiglicher Gesangstiicke.
In nomine Jesu. [Motet, t. t. b. b.] (/n Lueck. Sammlung
ausgezeichneter Compositionen fiir die Kirche. Band 4,
pp. 10-12.) No. 6 in M.158.33.4
Handl, Jakob. (Continued.)
Media vita in morte sumus [fiir 2 Chore]. (In Rochlitz.
Sammlung vorziiglicher Gesangstiicke. Band i, Abthei-
lung 2, pp. 54-56.) No. 40 in M.202.6.1
Omnes de Salsa venient. [Motet, s. a. t. t. b.] (In Lueck.
Sammlung ausgezeichneter Compositionen fiir die Kirche.
Band 3, pp. 18-22.) No. 6 in M.158.33-3
Opus musicum. Motettenwerk fiir das ganze Kirchenjahr.
Theil i: Vom I. Adventsonntage bis zum Sonntag sep-
tuagesima. Herausgegeben von Emil Bezecny und Josef
Mantuani. Wien. Artaria & Co. 1899. [Denkmaler der
Tonkunst in Osterreich.] M.414.8
Vivi sancti. [Motet, s. A. A. T. B. B.] (/n Lueck. Sammlung
ausgezeichneter Compositionen fur die Kirche. Band 4.
pp. 80-84.) No. 24 in M.1S8.33.4
Hands, C. E., translator.
Felix, H. Madame Sherry. M.397.26
Handschuh, Der. Song. Schumann, R. A. Werke. Serie 1.3,
Band 3. M.316.1.13.3; etc.
Handsome Brown. Song. Keller, M. No. 23 in M. 192.13.1
Handwerg, Wilhelm.
Students' song [t. t. b. b.]. New York. Luckhardt &
Belder. [1894.] No. 8 in M.203.15
With English and German words.
Handwerk hat ein'n gulden Boden. Part-song. Otto, E. J.
Gesellenfahrten. No. 46 in M.392.19
Handwerkerleben. Cantata. For the Music see Mohr, H. For
the Libretto see Fembach.
Handwerksburschenlied. Part-song. Heuberger.
No. 6 in M.392.29
Hanemann, Moritz.
Aus der Musikerwelt. Leben und Schriften eines Koni.g-
lich preussischen Kammer-Musikers. Berlin. Gulker &
cie. 1875- M-197-II
Hanish, Joseph.
Vaterlandslied. [t. t. b. b.] (/« Regensburger Liederkranz.
Pp. 278-281.) No. loi in M.i29a.44
Hanneton, Le, de la chatelaine. Opera. For the Music see
Douay. For the Libretto see Bouquin de La Souche.
Hanover Square; a magazine of pianoforte and vocal music,
edited by Lindsay Sloper. Vol. i. London. Ashdown &
Parry. 1867. M.156.SI
Hans Carvel's ring. Catch. Hutchinson. No. 52 in M.220.9.2
Hans Gerstenkorn. Part-song. Truhn. Fiinf Gesange.
No. 34 in M.392.26
Hans Heiling. Ope''"- For the Music see Marschner, H. A.
For the Libretto see Devrient.
Hans im GlUck. For orchestra. Bendel. Marchenbilder.
No. I in M.332.5
Hans ohne Sorgen. Part-song. Marschner, H. A.
No. 20 in M.i29a.43.9
Hans Sachs. Opera. For the Music see Lortzing. For the
Libretto see Reger, P.
Hans und Crete. Madrigal. Eccard. No. 17 in M.392.27
Hans und Hanne. Opera. For the Music see Schubert, F. L.
Hans und Verene. Part-song. Kuecken. Volksmelodien.
Heft 2. No. 14 in M.194.16
Hans und Verene. Song. Kuecken. No. 4 in M.244.6.2
Hanschmann, Hermann.
Drei Gliiser ... fiir Mannerchor. Partitur. Bremen.
Meinhardt. [188-?] No. 46 in M.392.8
Morgenstandchen fiir Tenor-solo mit Mannerchor. Parti-
tur. Bremen. Meinhardt. [188-?] No. 45 in M.392.8
Paulinzelle. Fiir Mannerchor. Partitur. Bremen. Mein-
hardt. [188-?] No. 47 in M.392-8
Hanscom, E. W.
Abide with me. Semi-chant. Boston. Schmidt. [1894.I
No. 25 in M.203.27
The better land. [Anthem, r. t. b. b.] Boston. Schmidt.
[1894.1 No. I in M.203.16
Hail to the Lord's Anointed. [Anthem. Accomp. for
organ.] Boston. Schmidt. 1894. No. 26 in M.20.3.37
534
Hanscom
THE ALLEN A. BROWN COLLECTION OF MUSIC
Harder
Hanscom, E. W. (Continued.)
Jubilate Deo in F. fAccomp. for organ.l Boston. Schmidt,
f 1894.] No. 27 in M.203.27
Nearer, my God, to Thee. For men's voices with s. obli-
gate. Boston. Schmidt. [1894.! No. .•^ in M.203.16
O for the pearly gates, fs. solo and quartet. Accomp. for
organ.l Boston. Schmidt. [1894.] No. 28 in M.203.27
Sun of my soul. [Anthem, t. t. b. b.] Boston. Schmidt.
ri894-l No. 2 in M. 203.16
Hansen, H.
Unsre Bruderschaft. Bundeslied . . . Fiir vierstimmigen
Mannerchor. Leipzig. Breitkopf & Hartel. [187.1?!
No. i.S in M.392.10
Hansen, Joseph.
La tempete. Ballet fantastique. [Choregraphiel de J.
Hansen. Musique de Ambroise Thomas. M.324.13
Hansjakob, Heinrich.
Der Vogt auf Miihlstein. Oper. Musik von Cyrill Kistler.
M.389.49
Hanslick, Eduard.
Aus dem Opernleben der Gegenwart. (Der „Modernen
Oper" 3. Theil.) Neue Kritiken und Studien. Berlin.
Hofmann & Co. 1884. M.i49a.34
Aus neuer und neuester Zeit. (Der modernen Oper IX.
Teil.) Musikalische Kritiken und Schilderungen. 2. Auf-
lage. Berlin. Allgemeiner Verein fiir deutsche Littera-
tur. 1900.
Contents. — Opern. — Konzerte. ■
Biisten.
■ Kunst und Leben. ■
„., M.373.SS
Bildnisse und
Concerte, Componisten und Virtuosen der letzten fiinfzehn
Jahre. 1870-1885. Kritiken. 2. Auflage. Berlin. Allge-
meiner Verein fijr deutsche Literatur. 1886. M.370.10
Geschichte des Concertwesens in Wien. Wien., Braumiil-
ler. 1869. M. 105.29
Die moderne Oper. Kritiken und Studien. 2. Auflage. . . .
Berlin. Allgemeiner Verein fiir deutsche Litteratur. 1875.
M. 149.4
Musikalische Stationen. Neue Folge der „Modernen Oper."
Berlin. Hofmann & Co. 1880. M.370.H
Vom Musikalisch-Schonen. Ein Beitrag zur Revision der
Aesthetik der Tonkunst. 2. Auflage. Leipzig. VVeigel.
i8.=;8. No. 2 in M.370.57
Same. 3- Auflage. 1865. No. i in M.370.57
Hansmann, Victor.
Bilder aus der Marchenwelt. Bilder von E. Wiesemann.
Musik von Victor Hansmann. Op. ,32. Partitur. Leip-
zig. Oberdorffer. [1894?] No. 2 in M.393.24
Contents. — Es war einmal ein Konig. — Der Prinz der sass gefangen
und schmactete. — Das Zwergenvolk stob kreischend anseinander, . . .
— Im Walde schlief ein Madchen. — Das Voglein erzahlte vie! Wunder-
bares. — Und das Madchen freute sich darob gar sehr. — Da kam ein
Bar des Weg's daher. — Im Berge da war ein grosses Fest ... — Mit
teuflischem Grinsen blickte die Hexe in den Topf in dem es brodelte
und siedelte. — Sterbend erhob der Drache seine Stimme und spracli. —
Da kam auf stolzen Rossen ein prachtiger Zug dahcr. — Und wenn sie
nicht gestorben sind, so leben sie noch heut'.
Enoch Arden. Oper in einem Aufzug frei nach Tennyson
bearbeitet von C. W. Marschner. Componirt von Victor
Hansmann. VoUstandiger Clavierauszug mit Text. Leip-
zig. Oberdorffer. 1894. No. 1 in M.393.24
Hanssens, Charles Louis.
Concertino for clarionet. [With accompaniment for or-
chestra. Full score.] Manuscript. Vogel. 1854. M.312.36
Hymne de la nuit. Poesie par Alphonse de Lamartine.
Choeur pour voix d'hommes. [t. t. t. t. b. b. b. b.1 Mu-
sique de Ch. Hanssens. Partition. Amsterdam. Brix
von Wahlberg. [1864?! No. 48 in M.392.8
Hanswurst. Song. Taubert, C. G. W. Klange aus der Kin-
derwelt. Heft 4. No. 14 in M. 192.6
Happiest land, The. Part-song. Hatton. No. 7 in M.195.1.7
Happiness ever is fugitive Duet. Reinecke, C. H. C.
No. 16 in M.204.36.6
Happiness in wait. Part-song. Abt, F. No. 4S in M.392.1
Happy and blest are they. Anthem. Mendelssohn-Bar-
THOLDY, J. L. F. No. 3.'i in M.ioo.4.2
Happy are they. Glee. Paxton, S. No. 44 in M.220.3.4; etc.
Happy are we met. Glee. CtJZENS. No. 208 in M.215.21; etc.
Webbe, S. No. 32 in M.i57.28.a
Happy art thou. Anthem. Southard. Morning and evening.
No. 10 in M.290.25
Happy be thy dreams. Song. Thomas, J. R. No. 10 in M. 192. 14
Happy birds, The. Duet. Rubinstein. Eighteen two-part
songs. No. I in M.IS5.47
Happy bride. The. Song. Arne. T. A. Lyric harmony.
Vol. I. M.380.1
Happy fellow. The. Glee. Smart, G. T. With my jug in one
hand. No. 17 in M.i39a.i8.4; etc.
Happy flow'rets freshly wreathing. Part-song. Winter, P.
VON. No. II in M.244.10.4
Happy hours. Part-song. Foster, M. B. No. 8 in M. 158.16
Happy is the man. Anthem. Beethoven. No. 6 in M.290.22.2
Prout. No. 3 in M. 195.2.9
Happy island. Part-song. Arnold, S. No. 231 in M.21S.21
Happy lover, The. Part-song. Mendelssohn-Bartholdy, J. L.
F. Quartetts. No. 16 in M.244.22
Happy, oh! happy he. Madrigal. Wilbye. Works. Vol. 2.
No. 16 in M.234.19.2
Happy peasant. The. Part-song. Moscheles, L Tyrolese
melodies. Vol. 2. No. 21 in M.244.24.2
Happy shepherds. Chorus. Hasse, J. A. P. No 63 in M. 11 1.4.3
Happy streams. Madrigal. Wilbye. Works. Vol. 2.
No. 10 in M.234.19.3
Happy the man. Glee. Atterbury. No. i in M.220.10
Baildon. a collection of glees. No. 4 in M.220.7
Morris, J. W. Vocal quartets. No. 34 in M. 190.5
Wheeler, R. No. s in M.340.15
Happy the youth. Catch. Long. No. 2 in M.220.3.3; etc.
Happy wanderer. The. Part-song. Mendelssohn-Bartholdy,
J. L. F. No. 5.3 in M.157.6.3
Happyland; or, the King of Elysia. Opera. For the Music
see De Koven. For the Libretto see Ranken.
Harald. Cantata. For the Music see Rheinberger, J. G. For
the Libretto see Uhland.
Harald der letzte Sachsenkonig. Opera. For the Music see
DuUo. For the Libretto see Schlieben.
Harald und Theano. Opera. For the Music see Lorenz, C. A.
For the Libretto see Dahn.
Harald's Brautfahrt. Cantata. For the Music see Hofmann,
H. C. J. For the Libretto see Maercker.
Haraucourt, Edmond.
Alienor. Opera. Musique de Jeno Hubay. M.245.8
Circe. Poeme lyrique. Musique de P. L. Hillemacher.
M.378.17
Shylock. Comedie (d'apres Shakspeare). Musique de scene
de Gabriel Faure. No. 3 in M.353.25
Harcourt, Anne Marie Eugene, Comte d'.
Quelques remarques sur I'execution du Tannhaeuser de
Richard Wagner a I'Opera de Paris (mai 1895). Paris.
Fischbacher. 1895. No. 4 in M.370.71
Le Tasse. Opera en 4 actes et 8 tableaux de Jules et Pierre
Barbier. Musique de Eugene d'Harcourt. Partition
chant et piano. Paris. Choudens. 1903. M.381.24
Hard by a fountain. Madrigal. Waelrant. No. 3 in M.157.28.1
Hard destinies are love and beauty. Madrigal. Wilbye.
Works. Vol. 2. No. 22 in M.234.19.2
Hard times. Part-song. Duerrner. No. 21 in M.205.10.5
Hard times come again no more. Song. Foster, S. C.
No. 31 in M.380.4I.I
Harder, August.
Drei Gedichte von August Kuhn [s. o. bar.] mit Begleitung
des Pianoforte. In Musik gesetzt von A. Harder. Ber-
lin. Kunst- & Industrie-Comptoir. [i8i-?l
No. 21 in M.221.33
Contents. — Kriterien der Liebe. — Aura. — Mit Rosen war der Him-
mel iiberstreut.
The first of May. [Song, s. or x. Accomp. for pianoforte.]
(In Arnim. A selection of German national melodies.
Vol. 2, pp. 7-9.) No. 3 in M.2i2.2r.2
535
Hardi!
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Harington
Hardi! les bleus! Opera. For the Music see Clerice. For
the Libretto see Gamier, L.
Harditz, W.
Eingeregnet. Heitere Scene. Musik von Robert Schwalm.
No. ID in M.2I2.I6
Eine Maiennacht. Concertstuck von P. E. Wagner.
No. 3 in M.39I-60
Hardt, S. tor.
Abdul und Erinieh. Singspiel. Musik von Fr. Curschmann.
M.231.7
Hardy Norseman's house, The. Part-song. Pearsall.
No. 20 in M.235.7.2; etc.
Hardy sailor, The. Song. Arnold, S. No. 17 in M.235.18.3
Harfe, Die. Lied. Grieg. Grieg-Album. No. 6 in M.iss.16
Harfenspieler. Song. Schubert, F. P. Wer sich der Ein-
samkeit ergiebt. Werke. Serie 20, Band ^, 4.
Two settings. M.317.I.20.3, 4
— An die Thiiren will ich schleichen. Werke. Serie 20,
Band 4. M.3i7-i-20-4
— Wer nie sein Brot mit Thraenen ass. Werke. Serie 20,
Band 4- M.3i7-i-20.4
Two variants of the same setting.
Harfners Klagelied. Part-song. Koschat. No. 24 in M.392.36
Hargitt, Charles John.
Ave Maria, for a s. voice. [Accomp. for organ.] London.
Novello. [i8s-?] No. 8 in M.260.10.4
Hargitt, Charles John, editor.
Mendelssohn-Bartholdy, J. L. F. Benedictus.
No. 14 in M.260.10.S
Smart, H. Ave Maria, gratia plena. No. 26 in M.IS7.I
Hargreaves, George.
Mass in B flat for s. a. t. b., with accomp. for organ. Lon-
don. Novello. [184-?! No. I in M.191.11
Venite. [Accomp. for organ.] London. Novello. [184-?
Holden. Sacred music] No. 2 in M.290.14; No. 5 in M.236.34
Hargreaves, Maud.
The fire-king. Dramatic cantata. Music by Walter Austin.
No. I in M.194.2
Haring, Charles.
Mam'zelle Colombe. Opera-comique en i acte de J. Jac-
auin. Musique de Ch. Haring. [Partition chant at piano.]
Bordeaux. Marchand. [1891.] No. i in M.276.16
Harington, Henry, M.D.
Alas, what boast. [Glee, a. t. b.] (/n Clementi. Collection
of catches. Vol. ?,, pp. 70, 71.I
No. 210 in M.110.1.3; No. 210 in M.iio.2.3
Also to be found in The Harmonist; Warren's Collection of catches.
The alderman's thumb. Glee [a. t. b.]. (/n The Apollo.
Vol. I, pp. 45-48.) No. 18 in M.isga.iS.i
Also to be found in The Harmonist ; Warren's Cocks's Hand-book of
glees.
The assignation. See his Come, where shall we walk?
Beneath the silent rural cell. Glee [t. t. b.]. (In Clementi.
Collection of catches. Vol. 2, p. 107.)
No. 170 in M.110.1.2; No. 170 in M.iio.2.2
Also to be found in Collection of glees and catches ; The Harmonist ;
Turle and Taylor's The People's music book.
Benedictio ante CEenam [s. a. b.]. (In The Harmonist.
Vol. 6, pp. 7^, 74.) No. 20 in M.218.8.6
Come, where shall we walk? Catch [for .3 voices]. (In
Warren. Collection of catches. Vol. 2, p. I.S7.)
No. 6r in M.220.9.2
Damon and Clora. Duett fs. t.]. (In The Apollo. Vol. 5.
pp. 375, 376.) No. 15 in M.i39a.i8.5
Also to be found in Bland's The Ladies' collection; The Harmonist;
Social harmony; Webbc, Jr.'s Convito armonico.
Gentle sighs. Glee [t. t. b.]. (In The Harmonist. Vol. 4.
pp. 60, 61.) No. 20 in M.21S.8.4
Give me the sweet delights. Catch [for 3 voices]. (In
Amusement for the ladies. Vol. 4. P- IQ-) No. 7 in M.220.3.4
Also to be found in Apollo ; Bland's The Ladies' collection ; dementi's
Collection of catches ; Flowers of harmony ; The Harmonist ; Warren's
Cocks's Hand-book of glees ; Warren's Collection of catches ; Webbe,
Jr.'s Convito armonico.
Harington, Henry, M.D. (Continued.)
Hark, hark! ding, ding. Catch [for 3 voices]. (In Clementi.
Collection of catches. Vol. 2, p. 81.)
No. i,S4 in M.110.1.2; No. 154 in M.iio.2.2
Also to be found in The Harmonist ; Warren's Collection of catches.
How great is the pleasure. Catch a 3 voci. (In The Apollo.
Vol. I, p. 38.) No. IS in M.i39a.i8.i
Also to be found in Apollonian harmony; Bland's The Ladies' collec-
tion ; dementi's Collection of catches ; Ditson's The Orphean lyre ;
The Harmonist; Musical library; Social harmony; Webbe, Jr.'s Con-
vito armonico.
How sweet in the woodlands. Duetto [x. T.]. (In The
Apollo. Vol. 5, pp. 373, 374-) No. 14 in M.i39a.i8.S
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches; The Harmonist; Social harmony; Webbe, Jr.'s Con-
vito armonico.
I can not sing this catch. See his Laughing catch.
lanthe the lovely. Glee [t. t. b.]. (In The Harmonist.
Vol. 8, p. .5S-57-) No. 14 in M.218.8.8
In mare micat piscis. Catch [for 3 voices]. (In The Har-
monist. Vol. 4, p. 80.) No. 2Q in M.218.8.4
Isabel. Catch [for 3 voices]. (In The Harmonist. Vol. 3.
p. 80.) No. 2S in M.218.8.3
Laughing catch. [For 3 voices.] (In The Apollo. Vol. 4,
p. 310.) No. 16 in M.i39a.i8.4
Also to be found in Flowers of harmony ; The Harmonist ; Social har-
mony; Warren's Collection of catches; Webbe, Jr.'s Convito armonico.
Look, neighbours, look. Catch [for 3 voices]. (In The
Apollo. Vol. I, p. 22.) No. 10 in M.i39a.i8.i
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches ; Flowers of harmony ; The Harmonist ; Social har-
mony ; Warren's Cocks's Hand-book of glees ; Warren's Collection of
catches ; Webbe, Jr.'s Convito armonico.
Merry Peg. Canon 3 in i. (In The Harmonist. Vol. 8, pp.
70, 71.) No. ig in M.2i8.8.8
Now we've met like jovial fellows. Glee [t. t. b.]. (In
Apollonian harmony. Vol. i, pp. 56, 57.)
No. 40 in M.141.21.1
Also to be found in Bland's The Ladies' collection; The Harmonist;
Social harmony.
Oh that I had wings. Catch [for 3 voices]. (In The Har-
monist. Vol. 5, p. 80.) No. 25 in M.218.8.5
O thou, whose notes. Glee [a. t. b.]. (In Clementi., Col-
lection of catches. Vol. 3, pp. 92-95.)
No. 220 in M.i 10.1.3; No. 220 in M.iio.2.3
Also to be found in Collection of glees and catches; The Harmonist;
Warren's Collection of catches.
Poor Absalom is dead. Round for 3 voices. (Jn The Har-
monist. Vol. 8, p. 77.) No. 23 in M.218.8.8
Quaker's wedding. Catch [for 3 voices]. (In Amusement
for the ladies. Vol. i, p. 52.) No. 20 in M.220.3.1
Also to be found in The Harmonist; Warren's Collection of catches.
Rex, lex and pontifex. Glee [x. x. b.]. (In The Harmonist.
Vol. 4, pp. 58, 59.) No. 18 in M.218.8.4
The stammering glee [x. x. b.]. (In The Apollo. Vol. 3,
pp. 206-209.) No. 10 in M.i39a.i8.3
Also to be found in The Harmonist.
Sweet doth blush the rosy morning. Duetto [x. b.]. (In
The Apollo. Vol. i, p. 57.) No. 21 in M.i39a.i8.i
Also to be found in Bland's The Ladies' collection ; dementi's Col-
lection of catches ; Flowers of harmony ; The Harmonist ; Social har-
mony ; Turle and Taylor's The People's music book.
'Tis humdrum. See his Yawning catch.
Ut queant laxis resonate fibris. Canon (with a free bass).
(In Hullah. Part music. Sacred. Vol. 2, pp. 16-20.)
No. 8 in M.i57.28.a
Weep, gentle shepherds. Elegy [s. s. a. x. b.]. (/n Amuse-
ment for the ladies. Vol. 3, pp. 42-44.) No. 10 in M.220.3.3
Also to be found in Warren's Collection of catches.
Why must I die for thee? Duet [s. s.]. (hi Flowers of
harmony. Vol. 3, pp. 20, 21.) No. 6 in M.157.18.3
Yawning catch [for 3 voices]. (In Apollonian harmony.
Vol. I, p. 50.) No. 42 in M.141.21.1
Also to be found in Flowers of harmony; Social harmony; Warren's
Collection of catches.
536
Harisch
THE ALLEN A. BROWN COLLECTION OF MUSIC
Harmonist
Harisch, J. L.
Mannschaft an Bord. Komische Operette. Musik von G.
von Zaytz. No. 5 in M.391.20
Hark! a thrilling voice is sounding. Anthem. Buck, D.
No. 6 in M.ago.ii
Harkt above us on the mountain. Glee. Kreutzer, C.
No. 12 in M.20S.10.3J etc.
Hark, Apollo strikes the lyre. Glee. Bishop, H. R.
No. 34 in M.I57.I9; etc.
Hark! Death throws its portals open. Chorus. Himmel.
No. 44 in M.190.3
Hark, from afar. Catch. Webbe, S. No. 80 in M.220.9.3
Hark! from yon ruin'd abbey. Glee. Linley, W. Eight glees.
M.23S.3
Hark, hark, a merry note I hear. Part song. [German.] (In
HuUah. Part music. Secular. Vol. 2, p. 94-06.)
No. 22 in M.157.28.2
Hark, hark! ding, ding. Catch. Harington, H.
No. 154 in M.110.1.2; etc.
HarkI hark! each Spartan hound. Glee. Bishop, H. R.
No. 13 in M.237.9; etc.
Hark! hark! from spheres above. Glee. Shield.
No. 29 in M.23S.14
Hark! hark! it is the evening breeze. Part-song. Abt, F.
No. 25 in M.I5Z.6.1
Hark! hark! methinks I hear. Duet. Pepusch.
No. 192 in M.21S.21
Hark! hark! my soul. Motet. Buck, D. No. 2 in M.ioo.4.2
Hark! hark! the lark. Part-song.
KuECKEN. No. 25 in M.igs.i.is
Macf.\rren, G. a. No. 13 in m. 195.1.4
Hark! hark! to the voices. Part-song. Gerrish. The Gerrish
collection. No. 510 in M.158.26
Hark, Harry. Catch. Eccles. No. 44 in M.i 10.2.1; etc.
PuRCELL, H. No. 83 in M.iii.4.3
Hark! heard ye not? Glee. Goss, J. No. 21 in M.205.10.1
Hark, how the birds. Madrigal. Lahee. No. 21 in 11.195.1.2
Hark, how the woods do ring. Catch. White, R.
No. Ill in M.23S.17.1; etc.
Hark, Italy's music. Glee. Horn, C. E. No. 3 in M. 1393.18.6
Hark, my Daridcar. Duet. Purcell, H. No. 9 in M.2 18.8.3; etc.
Hark, my soul, it is the Lord. Anthem. Price, C. E. B.
No 12 in M.158.19
Hark! the angels singing. Carol. Cobb, A. T. No. 8 in M.158.IS
Hark, the birds. Madrigal. Linley, Thomas, Jr.
No. 24 in M.220.g.4
Hark, the bonny Christ church bells. Catch. Aldrich, H.
No. 27 in M.i39a.i8.i ; etc.
Hark! the cock crows. Glee. Callcott, J. W. Collection of
glees. Vol. 3. No. 12 in M.234.1.3
Hark, the convent bells. Part-song. Hatton.
No. .35 in M.195.1.6
Hark! the curfew's solemn sound. Glee. Attwood.
No. I in M.157.7
Hark! the goddess Diana. Duet. Spofforth.
No. 120 in M.235.17.5
Hark, the herald angels sing. Hymn. Ions. No. 18 in M. 175. 1.8
Price, C. E. B. No. 14 in M.158.19
Pye. No. 40 in M.IS7.3
Hark, the hollow woods. Duet. Smith, J. S.
No. 74 in M.23S.17.4; etc.
Hark, the hollow woods. Glee. Smith, J. S.
No. 5 in M. 1393.18.7; etc.
Hark! the lads and lasses merry. [Welsh melody.] Harmo-
nized for 4 voices. (In The Choralist. Vol. i. series a.)
No. 40 in M.157.5.1
Hark, the lark. Glee. Cooke, B. No. ii in M.158.15; etc.
Hark! the merry bells. Chorus. Bishop, H. R. Complete col-
lection of glees. Vol. 7. M.235.1.7
Hark! the merry drum. Part-song. Krug, F. No. 6 in M.205.10.1
Hark! the midwatch bell. Quartet. Bishop, H. R. Complete
collection of glees. Vol. 4. M.235.14
Hark, the nightingale. Catch. Smith, J. S.
No. 24 in M.i39a.i8.i ; etc.
Hark! the silver trumpets. Round. Rodwell. No. 9 in 114.235.16
Hark! the solemn distant bell. Quartet. Bishop, H. R. Com-
plete collection of glees. Vol. 4. M.235.1.4
Hark! the solemn music pealing. Part-song. Donizetti.
No. 9 in M.244.10.1
Hark! the swains are calling. Part-song. Monk.
No. 41 in M.121.3
Hark! the trumpet calleth. Part-song. Buck, D. S four part
songs for male voices. No. 3 in M.203.7
Hark! the vesper hymn. Anthem. Stevenson. No. 8 in M. 190.8
Hark! the village bells. Part-song. Shaw, J. No. 13 in 11.204.36.5
Hark, the village maids are singing. Chorus. Cherubini.
No. 20 in M.157.28.1
Hark! 'tis the breeze. Chorus. Rousseau, J. J.
No. 20 in M.221.22.3
Hark! 'tis the Indian drum. Part-song. Bishop, H. R.
No. Sin 11.157.23; etc.
Hark! 'tis the voice of the falling flood. Glee. Bishop, H. R.
Complete collection of glees. Vol. 4. M.235.1.4
Hark to the voices! Part-song. Bishop, H. R.
No. 16 in M.244.10.4
Hark! what mean those holy voices. Carol. Sullivan, A. S.
No. 10 in M.1S8.20
Hark! what sing the heav'nly choir. Anthem. Latrobe, C. I.
Original anthems. No. 30 in M.236.15
Hark you, my dear. Catch. Arne, T. A. No. 40 in M.iio.i.i ; etc.
Harlacher, August, translator.
Heise. Koenig und Marschalk. M.38g.42
Harland, John, editor.
The songs of the Wilsons: with a memoir of the family,
and several additional songs never before published. 2d
edition. Lonaon. Whittaker & Co. 1866. M.372.27
Harlequin Asmodeus. Pantomime. Ware. No. 3 in M.390.40
Harlequin Dr. Faustus. Opera. For the Music see Arnold, S.
Harmonia sacra. Church music. White, E. L. M.i 10.7
Harmonic Society of Cambridge.
A second collection of glees, rounds, & canons, for 2, 3, 4, 5
& 6 voices. Composed by members of the Harmonic So-
ciety of Cambridge, and publish'd by Charles Hague.
Cambridge. [ I79.S ?1 No. 5 in M.340.15
Harmonick Club, Boston.
White, Z. G. An address fon the history of music] deliv-
ered before the Harmonick Club, December 21, 1808.
No. 3 in M.373.63
Harmonicon, The. A [monthly] journal of music. Vol. i-ii.
London. Pinnock [etc.]. 1823-33. 11 v. in 21. Portrait.
M.174.2
Each volume except the last is divided into two parts, text and music.
Harmonics.
Cooke, H. Some remarks on the Greek theory of tuning
instruments . . . [London. 1805?] M.123.26
Harmonie, Der. Cantata. For the Music see Tschirch, F. W.
For the Libretto see Rueffer.
Harmonie. Part-song. Oelschlaeger. Hoho! du stolzes
Made! I No. 20 in M.3g2.37
Wassermann. No. 228 in M. 147.4
Harmonie et melodic. Criticism. Saint-Saens. M. 127.14
Harmonie, Die, in der Ehe. Quartet. Haydn, F. J. Neun
Quartetten. No. 3 in M.203.8; etc.
Harmonist, The. A select collection of ancient and modern
glees, catches, canons, &c. London. Wheatstone. [179-?]
8 V. M.218.8
Contents. — I. Dyne : Fill the bowl with rosy wine. — Harington : The
alderman's thumb. — Wainwright : Life's a bumper. — Callcott : Peace
to the souls. — Webbe : The mighty conqueror. — Callcott : When
Arthur first. — Danby : When Sappho tun'd. — Callcott; Who comes
so dark. — Paxton ; Breathe soft, ye winds. — Webbe : O come, o
bella. — Harington : How great is the pleasure. — Smith : What shall
he have. — Smith : Return blest days. — Shield : What is love. —
Paxton : How sweet, how fresh. — Scotland : Lightly tread. — The
nightingale. — Baildon : When gay Bacchus. — Callcott: Ye gentle-
men of England. — The silver swan. — Harington ; Look, neighbours.
168
537
Harmonist
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Harmony
Harmonist, The. (Continued.)
look! — Stevenson: Come buy my cherrys. — Byrd : Non nobis,
Domine. — Jenkins: A boat, a boat. — Aldrich : Hark! the bonny
Christ Church bells. — Uxor mea. — Paxton: Catch on a pinch of
snuff. 2. Callcott: To all you ladies. — Webbe: Glorious Apollo. —
Abrams : And must we part. — Ireland: How sleep the brave. —
Jackson: Time has not thin*d my flowing hair. — Harington: The
stammering glee. — Rogers: Come, come all noble souls. — Morn-
ington : Here in cool grot. — Webbe: To God who sits enthron'd, —
Danby: Awake Aeolian lyre. — Stevens: Ye spotted snakes. —
Shield: Origin of kissing. — Webbe: Is it night. — Callcott: Fairies'
glee. — Webbe : Let kings for empire. — Este : How merrily we
live. — Freeman : Of all the brave birds. — Lawes : Great Tom is
cast. — Callcott: Ah, how Sophia. — Harington: Give me the sweet
delights. — Harrison: Lullaby. — Ford: Since first I saw your face.
— Webbe: Come live with me. — Travers: Haste, my Nannette. —
Drink to me only with thine eyes. — Hayes: Old chairs to mend. —
Hayes : Winde gentle evergreen. — Harington : Laughing catch. — ■
Purcell : Fye, nay, prithee, John. — Giardini : Beviamo tutti tre. 3.
Callcott: The Derbyshire ram. — Eccles: Fill, fill all your glasses. —
Webbe: Wou'd you know my Celia's charms. — Mozart: The manly
heart. — Jackson : Love in thine eyes. — Oh my love, lov'st thou me.
— • Five times by the taper light. — Stevenson: I'll think on thee. —
Purcell : Hark, my Daridcar. — Sylvia, sweet as morning air. —
Florio : All I wish in her obtaining. — Boyce: Together let us range.
— Cou'd a man be secure. — As I saw fair Clora. — Begone, dull care.
• — Harington: How sweet in the woodlands. — Callcott: Lordly gal-
lants. — Shield: O happy fair. — Callcott: Forgive, blest shade. —
Travers: I, my dear, was born today. — Atterbury: Sweet enslaver.
— Battishill : I lov'd thee beautiful. — Purcell: Now we are met. —
Harington: The Quaker's wedding. — Harington: Isabel. 4. Mor-
ley: Good morrow, fair ladies. — Webbe: As o'er the varied meads.
— Callcott: Lochaber. — Stevens: Sigh no more, ladies. — Morley:
Now is the month of Maying. — Harington: On a musician's tomb.
— Smith: Let us, my Lesbia. — Danby: Fair Flora. — Danby: The
fairest flow'rs. — Morley: See, see mine own sweet jewel. — Cooke:
Hark, the lark! — Here's a health to all good lasses. — Harington:
Beneath the silent rural cell. — Callcott: Weave the crimson web of
war. — Ireland: Return, my lovely maid. — Carey: Curst be the
wretch. — Morley: Lady, those eyes of yours. — Harington: Rex,
lex and pontifex. — Hilton: Turn, Amarillis. — Harington: Gentle
sighs. — Kelly: Megan oh, — Carter: O Nanny, wilt thou gang with
me. — And does a fond emotion. — Mozart: Adieu, thou soft flowing
stream. — Storace: Sweet little Barbara. — Hilton: Come, let us all
a-maying go. — Smith: Hark, hark the nightingale. — Purcell: Mr.
Speaker. — Harington: In mare micat piscis. — Nelham: Cuckoo,
good neighbours. 5. Welcome the covert. — Take, O take. — Haring-
ton: Now we're met. — Webbe: Stay, Daphne, stay. — Jenner:
Ancient Phillis. — • Rauzzini: Yes, Henry, yes. — Webbe: Discord,
dire sister. — Reeve: The gypsies glee. — Callcott: Lone dweller on
the rock. — Boyce: Swiftly from the mountains brow. — Webbe: Thy
voice, O harmony. — Paxton: Go, Damon, go. — Morley: Comely
swain. — Ye banks and braes. — Harington: Damon and Clora. —
Ame: Thou soft flowing Avon. — Baildon: Adieu to the village. —
Harington : The Egyptian love song. — Purcell : Jack, thou'rt a toper.
— Stevenson: Alas, poor Lubin! — O thou wert born to please me.
Arne: If 'tis joy to wound a lover. — Arne: When Phoebus the tops.
— Arne: Which is the properest day to drink. — Harington: Oh,
that I had wings. — Atterbury: Take, oh take. — Stevens: O, mis-
tress mine. — Henley: Fairest flow'r. — The good subjects. —
Webbe: Hail star of Brunswick. — Dame Durden. — Ravenscroft:
The mariners. — Travers: When Bibo thought fit. — Stevens: Bra-
gela. — Morley: Fair Phillis. — Webbe: You gave me your heart.
— Smith: While fools their time. — Alcock: Hail, ever pleasing soli-
tude. — Wilbye : Flora gave me fairest flowers. — Gregory: Here's a
bowl. — Bates : Sir, you are a comical fellow. — Byrd : Come, drink
to me. — Valton : Catch on a scolding wife. — If sadly thinking. —
Arne: Come, shepherds, we'll follow. — Harington: Benedictio ante
caenam. — Hilton: Come, jump at thy cousin. — When V and I to-
gether meet. — Row the boat, Whittington. — Brewer: Go, Damon,
go. — Harington: Hark, hark, ding, ding. — Cooke: Amen. — God
save the king. — Nelham : A fig for care. — Nelham : Yonder he
goes. 7. Callcott: Father of heroes. — Arnold: The muleteer's glee.
— Danby: Come, ye party. — Webbe: If love and all the world were
young. — Jackson: In a vale clos'd with woodland. — Wilson: From
the fair Lavinian shore. — Go, gentle gales. — Travers: Life is a jest.
— Morley: Sweet nymph, — Arne: Buz, quoth the blue fly. — Arne:
Where the bee sucks. — Gibbons: The silver swan. — Travers: I like
a bee. — Brown: Peter White. — Callcott: Harold the valiant. —
Nares: Fear no more the heat of the sun. — Amo amas I love a lass.
— Come hither, Tom. — The new-fashion'd Echo. — Would you give
me leave. — Come follow, follow me. — Harington: Alas, what boast.
— Battishill: Amidst the myrtles. — Croft: The mighty bowl. —
Weedon: Fourteen cows and a bull. — Hayes: Poor Johnny's dead.
8. Paxton: Great Father Bacchus. — • Ford: There is a lady. — Come,
pull away, boys. — Callcott: Stormy Lannow. — Webbe: To me the
wanton girls. — Nelham: When women a-gossiping. — Cooke: In
the merry month of May. — Stevens: It was a lover and his lass. —
Eccles: Wine does wonders. — Danby: The mulberry shade. — Call-
cott: Youth of the gloomy brow. — Gregory: Let us be merry. —
Rogers: The jolly vicar. — Harington: lanthe the lovely. — Atter-
bury: Joan said to John. • — Purcell: Let's live good honest lives. —
Harmonist, The. (Continued.)
Nares: Wilt thou lend me thy mare. — Arne: The wooden walls of
England. — Harington: Merry Peg. , — Let's have a peal. — Dyne:
Tell me, thou dear departed shade. — Webbe: To the old long life. —
Harington: Poor Absalom is dead. — Purcell: My dearest, my fairest.
Harmonium. See Reed organs,
Harmonius.
Den Noah mag ich leiden. [Mannerchor.l (In Orpheus.
Band 8, pp. 46, 47-) No. 266 in M. 1293.43.8
Was wollt' ihr trinken? [Mannerchor.l (In Orpheus.
Band 8, pp. 34, 35.) No. 261 in M,i29a.43.8
Harmony,
See also Counterpoint; Instruction books; Scale, Musical;
Seventh, Diminished; Thorough bass.
Albrechtsberger, J. G. Methods of harmony, figured base
and composition. Translated from the German edition
as augmented and arranged by von Seyfried, with the
remarks of M. Choron. Translated from the Paris edi-
tion by Arnold Merrick. London. [1834.! M.13S.1
BiscHOFF, K. J. Harmonie-Lehre. Lieferung i. Mainz.
1890. No. 4 in M.372.56
DuRUTTE, F. C. A. Esthetique musicale. Technie, ou lois
generales du systeme harmonique, Paris. iSss. M.372.S
Fairbairn, J. Elements of music. Part i, 2. Edinburgh,
1832. M. 141.27
Fink, G. W. System der musikalischen Harmonielehre.
Leipzig. 1842. No. 2 in M.373.26
GoETSCHius, P. The material used in composition. A sys-
tem of harmony. Stuttgart. 1882. No. 2 in M.215.7
Green, J. The tritone: a method of harmony and modu-
lation founded on a system of inversion of numbers.
London. [ 1870.! M.122.26
Gresset, J. B. L. Discours sur I'harmonie. (In Marcou, P.
Manuel du jeune musicien . . . Pp. 59-118. Paris. 1804.)
No. 2 in M.377.13
Heck, J. C. A complete system of harmony; or, a regular
and easy method to attain a fundamental knowledge and
practice of thorough bass. [London. 178-?]
No. 2 in M.205.2
HiLES, H. Harmony: chordal & contrapuntal. Manches-
ter. [1894.1 M.376.17
Harmony or counterpoint? Manchester. 1889.
No. 2 in M.372.44
Macfarren, G. a. Six lectures on harmony. London.
1867. M. 105. IS
NoRRis, H. a. l^ractical harmony on a French basis. Part
I, 2. [And] Key. Boston. [1894.] M.371.31
OusELEY, F. A. G. A treatise on harmony, 2d edition.
Oxford. 1875. M.106.IS
P., M. First steps to thorough base, in twelve familiar les-
sons between a teacher and pupil. By a teacher of music.
Boston. 1833. No. 4 in M.205.34
Rameau, J. P. Traite de I'harmonie. Paris. 1722. M. 131, 15
RoussiER, P. J. Traite des accords, et de leur succession,
selon le systeme de la basse-fondamentale. Paris. 1764.
M. 103.6
Serre, J. A. Essais sur les principes de I'harmonie. Paris.
1753. No. 2 in M.147.19
Stainer, J. Harmony. With an appendix containing lOO
graduated exercises. London. [188-?! No. 2 in M. 216.13
Taylor, S. Sound and music: a non-mathematical treatise
on the physical constitution of musical sounds and har-
mony. London. 1873* M.107.23
ViRUES Y Spinola, J, J. DE. An original and condensed
grammar of harmony, counterpoint and musical composi-
tion; by J. J. de Virues y Spinola and F. T. A. Chaluz de
Vernevil. London. i8so. M.131.7
Wohlfahrt, H, Vorschule der Harmonielehre. Fine
leicht fassliche Anleitung zu schriftHcher Bearbeitung der
Tonstufen, Tonleitern, Intervalle, Accorde u. s. w. Leip-
zig. 1857. No. I in M.370-S8
Wytde, H, Harmony and the science of music. London.
ri88-?1 M.148.32
538
Harmony
THE ALLEN A. BROWN COLLECTION OF MUSIC
Harrison
Harmony, The, of the spheres. Cantata. For the Music see
Romberg, A. J. For the Libretto see Kosegarten.
Harold. Cantata. For the Music see Read, J. F. H. For the
Libretto see Vemham.
Harold. Opera. For the Music see Cowen; also Napravnik.
For the Libretto see Malet; also Weinberg.
Harold en Italie. Symphony. Berlioz, L. H. M.341.22
Harold Glynde. Cantata. For the Music see Stainer. For
the Libretto see Foskett.
Harold the Valiant. Glee. Callcott, J. W. No. 6 in M.a20.4; etc.
Harp.
Bunting, E. The ancient music of Ireland, arranged for
the piano forte. Prefixed a dissertation on the Irish harp
and harpers. Dublin. 1840. M.121.21
GuNN, J. A historical enquiry respecting the performance
on the harp in the Highlands of Scotland. Edinburgh.
1807. No. .3 in M.111.5
Harp. Music.
Hoberecht. Bohemian air fanfare, with variations.
No. 7 in M.237.7
Lieber Augustine, a German air with variations.
No. 6 in M.237.7
Jones, E. Minstrel serenade. No. 3 in M.380.9
Jones, E., editor. Lyric airs: consisting of specimens of
Greek, Albanian, Walachian, Turkish [etc.l . . . national
songs and melodies . . . Added, basses for the harp, or
piano-forte. No. 5 in M.380.9
The musical hive: or a selection of some of the
choicest and most characteristic national melodies . . .
Added, variations for the harp, or piano-forte.
No. 4 in M.380.9
Terpsichore's banquet; or select beauties of various
national melodies: . . . arranged with basses properly
adapted to harp, or piano-forte. No. I in M.380.9
Labarre, T. Fantaisies et variations concertantes . . .
Arrangees pour harpe et violon par Th. Labarre et N.
Louis. No. 17-19 in M.390.13
Meves, a. L'aimable, a rondo. No. Sin M.237.7
Harp. Music. Harp and orchestra.
JuNCMANN. Irrlicht. Capricietto. Op. 217, No. 3.
No. 4 in M.342.9
PiERNfi. Coiicertstuck pour harpe (ou piano) et orchestre.
Op. .^9. No. 2 in M.40S.44
Reinecke, C. H. C. Concert fiir die Harfe mit Begleitung
des Orchesters. Op. 182. No. i in M.405.49
Sporck, G. Fantaisie-Caprice pour harpe chromatique avec
acct. d'orchestre. No. .3 in M.410.53
WiDOR. Choral et variations pour harpe et orchestre.
Op. 74. M.404.100
Harp, The, of God. Criticism. Young, E. M.107.20
Harp, The, of the minstrel is silent to-night. [Welsh melody.l
Harmonized for 3 voices [s. t. b.]. (In The Choralist.
Vol. I, series 4-) No. 43 in M. 157.5.1
Harp of the north. Song. Porter, P. W. A collection of
melodies. No. 2 in M.236.21
Harp sounds. For violin and piano. Jungmann.
No. 21 in M.357.12
Harp, The, that once thro' Tara's halls. (Irish melody.) Har-
monized for 4 voices. (In Warren. Cocks's Hand-book
of glees. Vol. 3, no. 143, pp. 169-171.) No. 59 in M.157.6.3
Harpe d'or. La. Opera. For the Music see Godefroid, D. J.
G. F. For the Libretto see Dubreuil, E.
Harper, Edwin H.
Magnificat and Nunc dimittis, for 4 voices, with accomp.
for organ or piano forte. London. Novello. [1857?!
No. 2=; in M.190.3
Harpf, Joseph Adolf.
Steirische Hochlandsklange. Dichtung von Adolf Hagen
fPseud.l. Komponiert von Rudolf Wagner.
No. 6 in M.212.18
Harpsichord.
Bemetzrieder, a. Music made easy to every capacity in a
series of dialogues; being practical lessons for the harpsi-
chord . . . f London.! 178.S. No. i in M.205.3
Smith, J. C. Six suits of lessons for the harpsichord.
No. 2 in M.140.1
Harraden, R. Ethel.
All about a bonnet. Musical comedietta, in i act. The li-
bretto by Herbert Harraden. The music by Ethel Harra-
den. [Accomp. for piano.l London. Jefferys. [188-?!
No. 2 in M.255.41
Harrende, Die. Song. Franz, R. Sechs Gesange. Op. 35.
No. ig in M.244.5.3
Harrington, Henry, M.D. See Harington, Henry, M.D.
Harrington, J.
O tu qui dans oracula. Canon [3 in il. (In Social har-
mony. P. 177.) No. 152 in M.215.21
Harris, Sir Augustus Henry Glossop.
Amy Robsart. Opera de Sir Augustus Harris & Paul Mil-
liet. Musique de Isidore de Lara. M.302.4
The desert flower. Romantic opera. Written by Harris
and Williams. Composed by W. V. Wallace. M.294.13
The lady of Longford. Lyric drama. By Sir Augustus
Harris and F. E. Weatherly. Music by L. Emil Bach.
M.246.1
The little genius. Adapted from the German by Sir Augus-
tus Harris and Arthur Sturgess. Music by Eugen von
Taund. M.402.56
The rose of Castille. Opera. Written by A. Harris & E.
Falconer [pseud.]. The music by M. W. Balfe. M.261.8
Satanella, or the power of love. Romantic opera. Written
by E. Falconer [pseud. 1 & A. Harris. Composed by
M. W. Balfe. M.328.2
The telephone girl. By F. C. Burnand, Arthur Sturgess,
and Sir Augustus Harris. Music by Gaston Serpette and
J. M. Glover. No. 3 in M.389.43
Harris, Hubbard William.
Theodore Thomas Orchestra. Eighth-fifteenth season.
1898/99-1905/06. [Program notes.] Chicago. 1890-1906.
8 V. M.374-3
Harris, James.
Three treatises. The first. Concerning art; the second.
Concerning music, painting, and poetry; the third. Con-
cerning happiness. London. Nourse. 1744. M.370.S6
Harris, Joseph Macdonald.
We part, forever part, tonight. Recitative and song [s. or
T.l, from Lalla Rookh. New edition. [Accomp. for piano-
forte.] London. Power. [i8.S-?l No. 8 in M.236.2
Harris, Victor.
Music, when soft voices die. [Part song, t. t. b. b. Op. 14,
no. 4.] New York. Luckhardt & Belder. [1895.]
No. 6 in M.203.15
Sing heigh-ho! [Part song, t. t. b. b. Op. 14, no. 3-1 New
York. Luckhardt & Belder. [1895.] No. 7 in M.203.15
Harrison, A. Stewart.
The moon. Ode. Music by Seymour Smith.
No. =; in M.204.32
Harrison, Clifford.
The lute of Apollo. An essay on music. London. Innes
& Co. 1896. M.370.I*
Reciting and recitative. (In Voice, speech and gesture . . .
Pp. 171-190. London. 1895.) M.2i8.a
Harrison, Louis.
Venus. Vocal gems from [the] fantastic comic opera.
Libretto by C. A. Byrne & Louis Harrison. Music by
Gustave Kerker. No. 3 in M.323.10
Harrison, Samuel.
The deserter's meditations: "If sadly thinking and spirits
sinking." Glee. Harmonized by Harrison. (In Novello's
Glee-hive. Vol 2, pp. 145-148.) No. 49 in M.i 57.20.2
Lullaby. Glee. (In The Harmonist. Vol. 2, pp. 62. 63.)
No. 21 in M.218.8.2
539
Harrison
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hartog
Harrison, William Anthony.
A list of all the songs and passages in Shakspere which
have been set to music. Compiled by J. Greenhill, W. A.
Harrison and F. J. Furnivall. No. I in M.21S.9
Harriss, Charles Albert Edwin.
"Daniel before the king." A dramatic sacred cantata. fAc-
comp. for pianoforte.! New York. Schirmer. i8qo.
No. 2 in M.204.13
Harry Le Roy. Opera. For the Music see Bishop, H. R. For
the Libretto see Pocock.
Hart, A.
Drei Sangerspriiche. Fiir vierstimmigen Mannerchor. Op. 11.
Berlin. Schlesinger. [188.^?! ^ No. 4Q.in M.392.8
Contents. — Dem deutschen Reich! — Dem deutschen Lied! — Uer
deutschen Fraul
Hart, Charles.
Omnipotence. A sacred oratorio, arranged for voices, piano
forte or organ. London. Surman. [18.39.! M.242.3
Hart, George.
The violin: its fam.ous makers and their imitators. Popular
edition. London. Dulau & Co. 1880. Illus. M.128.34
Same. [Revised and enlarged edition.! 1884. M.123.27
The violin and its music. Boston. Ditson & Co. 1883.
Illus. Portraits. Facsimiles. M.373.S4
Hart & hind are in their lair. Quartet. Bishop, H. R.
No. .S4in M.235.7.1; etc.
Harte Madchen, Das. Sofig. Gruber, G. W. Gottfried Au-
gust Biirgers Gedichte. Vol. i. No. 6 in M.130.9.1
Hartley, Randolph.
The quest. [Cantata.! Music by Ethelbert Nevm.
No. I in M.384.S9
Hartmann, Bernhard. ^,
Ludwig Meinardus und sein Oratorium „Luther m Worms.
[Elberfeld. 1878.! No. 2 in M.I45-20
Hartmann, Emil.
Aus der Ritterzeit. Symphonie No. 2 (A moll), fur grosses
Orchester Op. .•^4. Partitur. Hamburg. Leichssenrmg.
[188-?! M.403.54
Concerto pour le violon avec accomp. d'orchestre. CEuv. IQ.
Partition. Berlin. Simrock. 1876. No. 2 in M.336.11
Concerto pour violoncelle avec accomp. d'orchestre. Op. 26.
Partition. Leipzig. Kistner. [1880.! No. i in M.336.11
Hakon Jarl. Sinfonische Dichtung. Op. 40. Orchester-
Partitur. Kopenhagen. Hansen. [188-?! No. .1 in M.343.50
Fine nordische Heerfahrt (Les vikings). Trauerspiel-Ou-
verture fiir grosses Orchester. Op. 25. Partitur. Berlm.
Simon. [187-?! _, ., N0.2inM.343.43
Runenzauber. Oper in i Akt (2 Abtheilungen) nach H.
Hertz' „Svend Dyrings Haus" von Emil Hartmann . . .
Text von Julius Lehmann. Klavierauszug. Leipzig.
Schuberth & Co. i8q6 M.39S.30
The text is in Danish and Oerman.
Same Ouverture fiir grosses Orchester. Partitur. Leip-
zig' Schuberth & Co. [i8q6.! No. .^ in M.403..S3
Symphonie (Es dur). Op. 2Q. Partitur. Berlm. Simon.
[187-?! ■'^° " '" M.343.43
Winter und Lenz. Dichtung von C. Hauch. Aus dem
Diinischen von Edm. Lobedanz. Concertstuck fur Chor
und Orchester von Emil Hartmann. Op. 13. Partitur.
Berlin. Simrock. [187-?! No. iin M.202.22
Hartmann, Georges.
Evangeline. Legende acadienne par Louis de Grammont,
Georges Hartmann & Andre Alexandre. Musique de
Xavier Leroux. ^ M.302 7
Madame Chrysantheme. Comedie Ivnque. Poeme de
Georges Hartmann & Andre Alexandre. Musique de
Andre Messager. M.2.';7.27
Mazeppa. Opera de Ch. Grandmougin & Georges Hart-
mann. Musique de C. de Grandval. M.266.30
Muguette. Opera-comique. Poeme de Michel Carre et
Georges Hartmann. Musique de Edmond Missa. M.381.30
Werther. Drame Ivrique. Poeme de fidouard Blau, Paul
Milliet et Georges Hartmann. Musique de J. Massenet.
M.2S7-I
Hartmann, Johan Peter Emilius.
Nordische Volkstanze. Fiir Orchester. No. i-S. [Parti-
tur.! Berlin. Simon. [186-?! ,S parts in i v.
No. 2-4 in M.342.4
Contents. — 2. Scherzo, Op. 18. 3. Alte Erinnerungen, Menuett, Op. 6a:
Die Elfenmadchen und die Jager, Scherzo, Op. 6b. 4. Hochzeitsmusik
(Hailing und Menuett), Op. 2; Springtanz, Op. 3.
Ravnen. Trylle-Opera i 3 Acter af H. C. Andersen. Mu-
siken af I. P. E. Hartmann. [Klaverutdrag.l Kjoben-
hafn. Musikforeningen. 18.39. M.232.13
Symphonie No. 3 (D-dur) fiir grosses Orchester. Op. 42.
Partitur. Kopenhagen. Hansen. [187-?! No. I in M.342.4
Hartmann, Ludwig.
Richard Wagner's Tannhauser. Festschrift zum Gedenk-
tage der ersten Auffiihrung am 19. October 1845 in Dres-
den. Dresden. Bertling. 1895. Facsimile.
No. 3 in M.377.16
Hartmann, Ludwig, translator.
BuoNGiORNO. „Das Madchenherz." M.396.18
Franchetti. Christoph Columbus. M.382.22
Giordano. Fedora. M.382.2S
Leoncavallo. Die Boheme. M.383.25
Puccini. Die Boheme. M.394.47
Manon Lescaut. M.297.17
Die Willi's. M.402.45
Samara. La Biondinetta. ' M.378.13
Smareglia. Cornelius Schut. M.322.34
Smetana. Der Kuss. M.322.37
Spinelli. a basso porto. M.394.71
Hartmann, Moritz.
[Die Katakomben. Ernste Oper. In Musik gesetzt von
F. Hiller.! M.292.33;etc.
Die Nacht. Hymne. Componirt von Ferd. Hiller. M. 270.51
Saul. Oratorium. In Musik gesetzt von Ferd. Hiller.
M.242.12; etc.
Die Weiber von Weinsberg. [Cantate.! In Musik gesetzt
von Eduard Hille. No. 2 in M.202.22
Hartog, fidouard de.
Amour et son hote. Opera-comique en i acte. Poesie de
Jules Barbier. Musique de £d. de Hartog. [Partition
chant et piano.! Paris. Heugel & cie. [1873.! M.276.16
Chant de mai. Mailied. Choeur bacchique, avec orchestre.
Op. 31. Partition. Paris. Brandus, Dufour & cie. [186-?!
The words are in French and German. No. II in M.352.21
Gnomentanz. Presto-Capricciose fur Orchester. Op. 72.
Partitur. Frankfurt a. M. Steyl & Thomas. [188-?!
No. 3 in M.336.H
Ein Marchen (Conte d'autrefois). . . . Fiir Orchester. Op. 62.
Partition. Bruxelles. Schott. [188-? Esquisses carac-
teristiques pour orchestre.! No. 4 in M.348.13
Marche scandinave. Op. .=;i, N^. I. Partition. Leipzig.
Leuckart. [187-? Esquisses caracteristiques pour or-
chestre.! No. I in M.348.13
Momento capriccioso. Humoreske fiir Orchester. Opus 67.
Orchesterpartitur. Berlin. Wernthal. [i88-?l
No. I in M.403.68
Pensee de minuit. Meditation, d'apres une poesie de La-
martine, pour orchestre. Op. 52. Partition. Leipzig.
Leuckart. [ 187-'' I No. 3 in M.348.13
Portia. Ouverture dramatique a grand orchestre (re mi-
neur). Partition, i'ans. Brandus, Dufour & cie. [187-?]
No. ■; in M.342.3
Rigaudon fiir kleines Orchester. Op. 73- Partitur. Frank-
furt a. M. Steyl & Thomas. [188-?! No. 4 in M.336.11
Scenes arabes pour orchestre. Op. 80. Partitur. Frankfurt
a. U. Steyl & Thomas. [189-?! 2 parts in i v.
No. 2 in M.407.1S
Contents. — I. Complainte. a. Aubade et danse mauresque.
Sevilliana. Air de ballet. Op. .=;i, Nr. 2. Partitur. Leipzig.
Leuckart. [187-? Esquisses caracteristiques pour or-
chestre.! No. 2 in M.348.13
Villanelle pour grand orchestre. Op. .=;9- Partition.
Bruxelles. Schott. [187-?! No. S in M.336.11
540
Harvard
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hasse
Harvard College. Operas. See Student theatricals.
Harvard Musical Association, Boston.
Catalogue of the library. Boston. Balch. l8.S7.
No. I in M.145.31
Constitution and by-laws. Boston. Mudge. 1892.
No. ?, in M.i29a.37
A list of the officers and members. [Boston. 1895.!
No. .3 in M.217.3
[Regulations, official notices, etc.] Scrap-book. [Boston.
1889-97.1 No. .3 in M.371.1
Programmes, 1865-82. [Compiled by Allen A. Brown. 1 2 v.
M.I 25.2
Arranged chronologically, with an index. Many newspaper cuttings are
inserted.
Harvest anthem. Anthem. Stearns. No. 12 in M.203.29
Harvest dance. Cantata. Hamerik. Erntetanz.
No. I in M.380.27
Harvest field, The. Duet. Mendelssohn-Bartholdy, J. L. F.
No. 8 in M.280.22
Harvest home. Cantata. For the Music see Allen, G. B. For
the Libretto see Guernsey.
Harvest home. Opera. For the Music see Dibdin, C. 1745-
1S14. No. 7 in M. 220.16.2
Harvest home. Part-song. Ions. No. 3 in M. 175. 1.7
Verdi. No. 9 in M.157.17.2
Harvest hymn. Anthem. Lee, T. No. 6 in M. 158.17
Harvest song. Part-song. Macfarren, W. C. No. 13 in M.157.4
Mendelssohn-Bartholdy, J. L. F. Songs. No. 4 in M.244.21
Harwood, Edward.
The dying Christian to his soul. Ode [s. s. b. Accomp. for
piano]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp. 8-10.)
No. 4 in M.290.22.2
Same. Vital spark of heavenly flame, [s. a. t. b.] London.
Novello. [184-?] _ No. 26 in M.I58.I7
\. Also to be found in Musical times [Music].
Harzlieder. Part-songs. Schneider, J. C. F. No. 42 in M.392.23
Haschisch. Opera. For the Music see Chelius, O. von. For
the Libretto see Demandowski.
Haselton, Robert.
For unto us a child is born. Anthem. [Accomp. for organ. 1
(In Cope. A Collection of anthems. Pp. 9-12.)
No. .s in M.2go.34
Hasenclever, Richard.
Das Gliick von Edenhall. Ballade componirt von Rob.
Schumann. No. 2 in M. 280.50
Hasenclever, Sophie.
Nala and Damayanti. A dramatic cantata. Composed by
Ferdinand Hiller. M.204.20
Hasenleithner, August.
O Welt, du bist so wunderschon. Fiir Chor [t. t. b. b.1 mit
Clavierbegleitung. Wien. Ascher. [i88-?l
No. II in M. 212.6
Hasler, Hans Leo von.
Dixit Maria. [Motet.] {In Lueck. Sammlung ausgezeich-
neter Compositionen fiir die Kirche. Band 4. PP. .•^8-ji.)
No. IS in M. 158.33-4
Feins Lieb du hast mich gfangen. [Madrigal.] {In Renner.
Auswahl deutscher Madrigale. Pp. 4i-4^.)
No. II in M.204.40
Gagliarda. [Madrigal, t. t. b. b.] {In Widmann. Sechs
Madrigale. Heft 2, pp. 6, 7') No. 18 in M.392.27
Das Herz thut mir aufspringen. [Madrigal.] {In Renner.
Auswahl deutscher Madrigale. Pp. 10-13.") No. 3 in M.204.40
Herzlieb zu dir allein. [Madrigal, s. s. a. t. b.] {In Renner.
Auswahl deutscher Madrigale. Pp. 76-79-)
No. ig in M.204.40
Ich scheid von dir mit Leyde. [Madrigal, s. s. a. t. t. b.] {In
Renner. Auswahl deutscher Madrigale. Pp. 90-96.)
» No. 23 in M.204.40
Jungfrau, dein schon Gestalt. [Madrigal.] {In Renner.
Auswahl deutscher Madrigale. Pp. 6-9.) No. 2 in M.204.40
Kein grosser Freud kann sein auf Erden. [Madrigal, s. a.
T. t. b.] {In Renner. Auswahl deutscher Madrigale. Pp.
71-76.) No. 18 in M.204.40
Hasler, Hans Leo von. (Continued.)
Lustgarten. Eine Sammlung deutsche Lieder zu vier, fiinf,
sechs und acht Stimmen, nebst elf Instrumentalsatzen,
komponirt 1601. Neue Ausgabe in kleiner Partitur aus
den Quellen hergestellt von Friedrich Zelle. Leipzig.
Breitkopf & Hartel. 1887. [Publikation jelterer prakti-
scher und theoretischer Musik-Werke, vorzugsweise des
XV. und XVL Jahrhunderts.] M.400.7
Missa octo vocum [s. s. a. a. x. x. b. b.]. (In Proske. Se-
lectus nevus missarum. Vol. 2, pp. 253-296.)
No. 8 in M.250.39.2
Nun fanget an ein guts Liedlein zu singen. [Madrigal.]
(In Renner. Auswahl deutscher Madrigale. Pp. 38-40.)
No. 10 in M.204.40
O Aufenthalt meines Lebens. [Madrigal, s. s. a. b.] {In
Renner. Auswahl deutscher Madrigale. Pp. 62-65.)
No. 15 in M.204.40
Pater Noster [s. s. a. a. t. t. b. b.]. (In Rochlitz. Sammlung
vorziiglicher Gesangstiicke. Band 2, pp. 1 16-120.)
No. 29 in M.202.6.2
Haslinger, Carl.
Die Glocke, von Friedr. v. Schiller. Cantate. In Musik
gesetzt fiir Solo-Stimmen, Chor und Orchester von Carl
Haslinger. Clavier-Auszug. Wien. Haslinger [184-?]
No. 2 in M.391.44
Jesu Deus. Quartett and chorus, t. x. b. b. [Accomp. for
organ.] (In Novello. Motetts. Vol. 2, book 11, pp. 25-
27.) No. 42 in M.260.24.2
Kyrie, eleison. [t. t. b. b] (In Orpheus. Band 2, pp. 19.
20.) No. 56 in M.i2Qa.43-2
Missa a 4 voci, t. t. b. b. . . . Con cembalo giunto. Bonna.
Simrock. [184-?] No. 4 in M.222.45
O Salutaris. [t. x. b. b. Accomp. d'orgue.] (In Dietsch.
Repertoire de musique religieuse. Pp. 259-262.)
No. 52 in M.260.20
Hasse, C. F., editor.
Sacred music: partly ori.ginal and partly selected from the
works of . . . German composers. The vocal parts . . .
adapted to English words. The instrumental parts ar-
ranged for the piano forte. Leeds. Muff. [1829.] M.201.37
Contents. — Bergt : Christ is risen. — Schulz : Fix my heart. —
Roessler : Waft, waft, ye winds. — Jaeschke : Less than the least. —
Righini: Sometimes a light. — Hiller: O give thanks. — Hummel:
Life nor death. — Zumsteeg: My song shall bless. — Hasse : Blessed
are they. — Bergt: Whence this fruitless mourning? — Romberg:
The Lord shall send.— Schulz : My Saviour, I am thine.— Neukomni:
Lord, let Thy mercy. — Righini: Praise ye the Lord. — Knecht: O
send out thy light. — Gambold : The flow'rs of spring. — Roessler:
Hosanna to the living Lord.— Bergt: Days of gladness.— Naumann :
Sing to the Lord. — Gambold : Thou God of my salvation. — Zum-
steeg • Hear what God the Lord. — Gambold: Great author of my
being — Bergt : Praise the Lord. — Hasse : The mountains shall de-
part — Schulz : Christ is worthy. — Gambold : O what is Christ to
met — Winter: Lord of mercy. — Schulz: Behold, to us a child is
born. — Jaeschke : Thou art my God. — Beethoven : In holy con-
templation. — Hasse : Amen, praise ye the Lord. — Wolf : O Lord
our God — Mozart : Come thou long expected Jesus. — Miltitz : O
Thou Lamb of God. — Turk: Shepherds, view the sight. — Haydn:
Jesus, infinite, supreme.
Hasse, Giov. Adol. See Hasse, Johann Adolf Peter.
Hasse, Johann Adolf Peter.
Ad Te clamamus. Aria [a. or bar. Accomp. for piano-
forte]. (In Latrobe. Selection of sacred music. Vol. I,
__ 8^-85 ) N°- 20 i" M.2qo.29.i
Also to be found in Rochlitz's Sammlung vorzuglicher Gesangstucke.
Agnus Dei. [s. solo and chorus. Accomp. for pianoforte.l
(In Latrobe. Selection of sacred music. Vol. 4. PP. I09-
jjj ■) No. 20 in M.290.2Q.4
Alcide al Bivio. Festa theatrale . . . Accomraodata al clavi-
cembalo. Lipsia. Breitkopf. 1763. M.232.14
Alfonso. Dramma per musica . . . Musica del Sigf Giov.
Adol. Hasse detto il Sassone. [Partitura.] Manuscript.
Paris. A la typographic de la Sirene. [i737?] M.40.19
Blow the sacred trumpet. Coro, from the oratorio La ca-
duta di Gerico. [Accomp. for pianoforte.] (In Latrobe.
Selection of sacred music. Vol. 3. OP. 105-114.)
No. 20 in M.290.29.3
541
Hasse
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Haste
Hasse, Johann Adolf Peter. (Continued.)
La conversione di Sant Agostino. fPartitura.l Manu-
script. Autograph. [Dresden. 17.S2.I M.242.4
D'aspri legato indegni. Aria fs.l from I Pellegrini. fAc-
comp. for pianoforte.l (In Latrobe. Selection of sacred
music. Vol. 2, pp. S2-SS.) No. 11 in M.290.2g.2
Defende populum Tuum. Core. From the oratorio Giu-
seppe riconosciuto. fAccomp. for pianoforte.l (In La-
trobe. Selection of sacred music. Vol. 1, pp. 6.=;-6q.)
No. 12 in M.290.29.3
Die quaeso. [Aria, s. With accomp. for pianoforte.l (In
Latrobe. Selection of sacred music. Vol. 5, PP- I29-I.3.3-)
No. 22 in M.2go.29.5
Finche solvo il mare infido. [Solo, b. Accomp. for piano-
forte 1 (In Latrobe. Selection of sacred music. Vol. I.
pp. 177-181.) No. 41 in M.290.29.1
Happy shepherds. Chorus. (In Turk and Taylor. The
People's music book. Vol. X pp. 178-184.)
No. 6.iinM.iii.4-3
Inspira, O Deus alme. [Chorus. Accomp. for pianoforte.l
(In Latrobe. Selection of sacred music. Vol. i, pp. 17-
21 ) No. .1 in M.290.29.1
Jesu mea pax. Duetto [s. A.l from the oratorio Magdalena
fAccomp. for pianoforte.l (In Latrobe. Selection of
sacred music. Vol. i, pp. S^-6i.) No. 14 in M.290.29.1
Lacrymosa dies ilia. Motetto a 4 voci. [Accomp. for or-
gan 1 (In Novello. Motetts. Vol. 2, book 12, pp. 12-14)
^ No. 49 in M.260.24.2
Lauda Quintetto con coro. From the oratorio I Pellegrini
[Accomp. for pianoforte.l (In Latrobe. Selection of
sacred music. Vol. i. pp. 161-167.) No. .37 in M 290.29.1
Laudate cceli. [Chorus.l From La conversione di S Agos-
tino fAccomp. for pianoforte.l (In Latrobe. Selection
of sacred music. Vol. 4. PP- 161-169.) No. M in M.290.29.4
Magnificat [For 4 voices, with accomp. for horns, strmgs
anS organ.! Manuscript. fi8o-?l No. 6 m M.222.47
Mea tormenta properate. Aria [s.l from the oratorio Mag-
dalena. [Accomp. for pianoforte.l (In Latrobe. Selec-
tion of sacred music. Vol. 2, pp. i.^e-ieo.)
No. M in M.290.29.2
Miserere. Coro. [Accomp. for pianoforte.l (In Latrobe.
Selection of sacred music. Vol. ■;, PP. Si-Si^.)
No. 1.3 in M.290.29-S
Missa [In G minor. For 4 voices with orchestral accomp.
F.ill srnrp 1 Manuscript fi8o-?l No. 7 m M.222.47
Also to be foind ii RochHtz's Sammlung vorzugUcher Gesangstucke.
Missa dedicationis templi. [In D minor. Full score.!
Manuscript. ri77-?l No.^ in M.250.19
[Missa in Eb, fiir 4 Singstimmen mit Orgel-Begleitung.l
Manuscript. fiS.l-?! No. 4 in M.221 35
[My tears have been my meat. Anthem. Accomp. tor
pianoforte.! Manuscript. [i7Q-?l No. 4 in M.140.1
There is no title-page.
O give thanks unto the Lord. Chorus. [Accomp. for piano-
forte 1 (In Latrobe. Selection of sacred music. Vol. i,
pp. 97-106.) No. 2^ in M.290.29.1
O Lord, save Thy people. Aria, s. [Accomp. for piano-
forte 1 (In Latrobe. Selection of sacred music. Vol. 4,
pp. 1 18-120.) No. 2^ in M.290.29.4
O portenta aeterni amoris. Aria [s. or t. Accomp. for
pianoforte!. (In Latrobe. Selection of sacred music.
Vol. 2, pp. 108-111.) No. 24 in M.290.29.2
Olimpiade. Dramma per musica. [Parole di Metastasio.
Musica di! Giov. Adolffo Hasse. [Accomp. di piano.l
Manuscript. [Dresden. I7.s6?l M.320.21
[I Pellegrini al sepolcro di Nostro Signore. Oratorio per
soli, coro ed orchestra. Partitura.l Manuscript. [i77-?l
M. 120.20
Pellegrino e I'uomo. Coro from I pellegrini. [Accomp. for
pianoforte.! (In Latrobe. Selection of sacred music.
Vol. 3, pp. 182-igi.) No. 3.T in M.290.29.3
fPerche la calma non ha quest' alma?l Aria [s., con ac-
comp. d'orchestra. Partitural. Manuscript. [178-?!
No. 6inM.120.19
Hasse, Johann Adolf Peter. (Continued.)
Plebes inepte. Coro. [Accomp. for pianoforte.l (In La-
trobe. Selection of sacred music. Vol. 6, pp. 3.3-38.)
No. 6 in M.290.29.6
Le porte a nos disserra. Coro. [Mit Pianoforte-Beglei-
tung.] (In Rochlitz. Sammlung vorziiglicher Gesang-
stiicke. Band 3, pp. 95-97) No. 17 in M.202.6.3
From I Pellegrini.
Puer natus est. Coro pastorale. [Partitura.l Manuscript.
[177-?! No. 4 in M.250.19
Rex tremendse majestatis. [Chorus and aria, a. Accomp.
for pianoforte.! (In Latrobe. Selection of sacred music.
Vol. 5, pp. 28-32.) No. 4 in M.290.29.S
Salve Redemptor. [In B flat. Solo, s. or t., with accomp.
for violins, viola and bass.l Manuscript. [l8o-?l
No. 4 in M.222.47
Salve Redemptor. [In G. Solo, s., with accomp. for vio-
lins, viola and bass.l Manuscript. [i8o-?l
No. 5 in M.222.47
[Se mai senti spirarti.l Aria [s., con accomp. d'orchestra.
Partitural. Manuscript. [178-?! No. S in M.120.19
Senti il mar. Aria [a. or B.l from I pellegrini. [Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 2, pp. 170-173.) No. 37 in M.290.29.2
Sub Tuum praesidium. [For 4- voices with orchestral ac-
comp. Full score.! Manuscript. [i8o-?l No. 3 in M.222.47
[Te Deum in D, fiir 4 Singstimmen mit Orgel-Begleitung.l
Manuscript. [ 183-?! No. 3 in M.221.3S
Also to be found in Rochlitz's Sammlung vorzugUcher Gesangstucke.
To Thee, all-bounteous Father. Hymn [s. s. s. Accomp.
for pianoforte]. (In Turle and Taylor. The People's
music book. Vol. 2, pp. 267-272.) No. 63 in M.iii.4.2
II trionfo di Clelia. [Opera di Metastasio. Musica di Joh.
Ad. Hasse.] Atto secondo e terzo. [Partitura.l Manu-
script. [Vienna? 1762?! 2 v. M.40.20
Uti furentibus ventis [b. solo], from the oratorio Agostino.
[Accomp. for pianoforte.] (In Latrobe. Selection of
sacred music. Vol. 5, PP. 12-16.) No. 2 in M290.29.S
Viva fonte sia la fronte. [Solo, s. from I pellegrini. Ac-
comp. for pianoforte.l (In Latrobe. Selection of sacred
music. Vol. 2, pp. 14-16.) No. 3 in M.290.29.a
When first I saw thee. Duet [t. T.]. (In Social harmony.
P. 291.) No. 233 in M.215.21
Hasse, Max, editor.
Cornelius. Gunlod. M.394.SI
Musikalische Werke. M.4i4.ao
Hassler, Hans Leo. See Hasler, Hans Leo von.
Hasslinger, Carl. See Haslinger, Carl.
Hast, Marcus.
The death of Moses. An oratorio in three parts. [Accomp.
for pianoforte.] London. [Berridge. 189-?] M.213.23
Psalm 137. By the rivers of Babylon, An den Wassern zu
Babel. Words in Hebrew, English and German for a
single voice, with pianoforte accompaniment . . . [Lon-
don. Croucher. iSg-?] No. .S in M.384.30
Hast, Marcus, editor.
Otsar horina vehatfila. A collection of sacred Jewish
hymns, and prayers, with solos & choruses and an ac-
companiment for piano or harmonium. Composed, com-
piled & edited by M. Hast, with the co-operation of
Michael Bergson. Parts 1-4. London. Davison & Co.
[189-?] 4 V. in I. Facsimile. No. I in M.384.30
Hast du erwacht bei stiller Nacht? Song. Taubert, C. G. W.
12 Lieder. Sang der Liebe. No. 4 in M.221.36
Hast du mich lieb? Sonq. Posa. Sechs Lieder.
No. 14 in M.38o.2a
Hast du nicht einen Gruss fiir mich. Song. Abt, F. Fijnf
Lieder. Op. 93- No. .34 in M.192.1
Hast thou left thy blue course. Glee. Callcott, J. W.
No. 9 in M. 220.29; etc.
Haste, gallant knight. Part-song. Weber, C. M. F. E. von.
No. 8 in M.a35.7.«
542
Haste
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hatton
Haste, gentle shepherd. Part-song. Rossini.
No. 24 in M.244.10.1
Haste, haste, and lightly tread. Part-song. Loder, E. J.
No. 22 in M.121.3
Haste, haste, to rural sports. Glee. Taylor, R.
No. 170 in M.215.21
Haste, let us leave. Quartet. Bishop, H. R. Complete col-
lection of glees. Vol. 4. M.235.1.4
Haste, my Nannette. Duet. Travers. No. 21 in M.23S.14; etc.
Haste thee, nymph. Part-song. Handel. No. 10 in M. 175.1.4
Haste Thee, O God. Anthem. Humfrey. No. 41 in M.233.23.3
Shepherd, J. No. 32 in M.233.25.3
Haste Thee, O Lord. Round. Ford, T.
No. 88 in M.iio.i.i; etc.
Haste to the wedding. Opera. For the Music see Grossmith.
For the Libretto see Gilbert, W. S.
Haste, ye sister powers. Glee. Holder. A collection of
catches. No. 4 in M.120.31
Haste, ye soft gales. Round. Hayes, W. No. 5 in M.141.21.2
Hastings, Thomas.
Dissertation on musical taste. New York. Mason. 18.=;.^.
M.iog.31
The history of forty choirs. New York. Mason. 1854.
M.io().34
Juvenile psalmody: prepared for the use of Sunday schools.
Utica. Western Sunday School Union. 1827.
No. I in M.205.34
The music reader: or, practical lessons for the voice . . .
Prefixed, the rudiments of music. Utica. Williams. 1819.
No. 3 in M.373.31
Hastings, Thomas, editor.
Musical magazine, The. Vol. i, 2. New York. Collier.
1836, 37. 2 V. in I. M.143.12
No more was published.
Hat gesagt — bleibt's nicht dabei. Song. Strauss, R. Vier
Lieder. No. IQ in M.380.24.2
Hat man nicht auch Gold beineben. Song. Beethoven.
No. 4 in M.204.37
Hate. Song. Cooke, T. S. No. 2 in M.391.51
Hated by fools. Part-song. Valton. No. 129 in M.235.17.1; etc.
Hatez vous de me faire. Part-song. Lassus. Sammtliche
Werke. Band 12. M.8o4oa.67.i2
Hatherly, Stephen Georgeson.
Baptism. An oratoriette. The words from the Holy Scrip-
tures. [Full score. 1 London. Grist. [1860.! M.242.S
A treatise on Byzantine music. Paisley. Gardner. 1892.
M. 122.30
Hatherly, Stephen Georgeson, editor.
Neale, J. M., translator. Hymns of the Eastern Church.
London. 1882. M.216.10
Hatte Liebchen zwei dort im Dorf. Volkslied. Franz, R.
Sechs Gesiinge. Op. 14. No. 16 in M.244.S.2
Hatton, John Liptrot.
Absence [s. a. t. b.]. (7n Novello's Part-song book, zd se-
ries. Vol. 6, pp. 3, 4.) No 2 in M.I9S.I.6
Same. [a. t. t. b.] {In Same. Vol. 7, pp. 8, 9.)
No. 3 in M. 195.1.7
Ah, could I with fancy stray. Part-song. (In Hullah. The
Singer's library. Secular. Pp. 33-36.) No. 34 in M.1S7.2
All things love thee. Four-part song for a. t. bar. b. (/n
The Orpheus, New series. Vol. i, pp. m-55;.")
No. II in M.20S.10.1
April showers [s. a. t. b.1. (In Novello's Part-song book.
2d series. Vol. 6, pp. 5-9.) No. 3 in M.ig5.i.6
Same. [a. t. t. b.] (/n Same. Vol. 7, pp. 10-14.)
No. 4 in M. 195. 1.7
Also to be found [for s. s. A.] in Novello's Collection of trios, etc.
Around the May-pole tripping. Four-part song. London.
Hutchings & Romer. [iSs-? Chorister's album. 1
No. 17 inM.1s7.23
At the coming of the spring. A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 12, pp. 129-134.)
No. 25 in M. 195.1.12
Hatton, John Liptrot. (Continued.)
Auburn. A four-part song. (In Novello's Part-song book.
2d series. Vol. 6, pp. 78-83.) No. 16 in M. 195.1.6
Bacchanalian song [a. t. t. b.]. (In Novello's Part-song
book. 2d series. Vol. 7, pp. 47-51.) No. 11 in M.19S.1.7
The bait. A four-part song. (In Novello's Part-song book.
2d series. Vol. 6, pp. 67-72.) No. 14 in M.19S.1.6
Ballad of the weaver. Four-part song. London. Boosey
& Co. [186-? The Choralist.l
No. 46 in M.121.3; No. 10 in 11.157.10
The belfry tower. A four-part song. (In Novello's Part-
song book. 2d series. Vol. i, pp. 106-116.)
No. 20 in M.195.1.1
Beware fs. a. t. b.]. (In Novello's Part-song book. 2d se-
ries. Vol. 6, pp. 17-21.) No. 5 in M.195.1.6
Same. [a. t. t. b.]. (In Same. Vol. 7, pp. 22-26.)
No. 6 in M.195.1.7
Bird of the wilderness. [Part-song.] (In Leslie. Cassell's
Choral music. Pp. 80-92.) No. 20 in M.235.10
Also to be found in Novello's Part-song book, 2d series.
Blessed be the Lord God of Israel. Christmas anthem.
fAccomp. for organ.] London. Novell© & Co. 11864?}
No. 3 in M.270.46
Blessed be the Lord my strength. Full anthem. fAccomp.
for organ.] London. Novello & Co. [1863?]
No. 2 in M.270.46
The blue-bird. Four-part song. (In The Choralist. Series
9, pp. 56-61.) No. 21 in M. 157.10
Blythe is the bird. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 6, pp. 31-33.) No. 8 in M.19S.1.6
Bugle song [t. t. b. b.]. Words by Tennyson. [Boston.
Ditson & Co. 1874? The Apollo.] No. 10 in M.384.12
Busy, curious, thirsty fly. [a. t. t. b.] (In Novello's Part-
song book. 2d series. Vol. 7, PP. .^g-42.) No. 9 in M.195.1.7
Calm night. A four-part song. (In Novello's Part-song
book. 2d series. Vol. I2, pp. 135-140.) No. 26 in M.195.1.12
Come, celebrate the May. A four-part song. (In Novello's
Part-song book. 2d series. Vol. i, pp. 123-126.)
No. 22 in M.195.1.1
Come follow, follow me. [Trio, s. s. a. Accomp. for piano-
forte.] London. Leader & Cock. [185-?]
No. 9 in M.244.10.2
Come, Holy Ghost. Full anthem for Whitsuntide. [Ac-
comp. for organ.] (In Novello's Collection of anthems.
Vol. 10, pp. 111-119.) No. 14 in M.I9S.2.I0
Come live with me. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 141-146.)
No. 27 in M.i9S.i.ia
Dear Georgette, we come to you. [Part-song. London.
186-? Boosey's Part-song miscellany.] No. 94 in M.I57.S-3
Echo's last word. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. i47-i.'io.)
No. 28 in M.I9S.I.I2
England. A four-part song. (In Novello's Part-song book.
2d series. Vol. i, pp. 117-122.) No. 21 in M.195.1.1
Ever true. Four-part song. (In The Choralist. Series 9.
pp. 52-55.) No. 20 in M.157.10
Fairy whispers. Part-song. [London. 186-? Boosey's
Part-song miscellany.] No. 82 in M.I57.S-2
The fisher wife's song fs. s. a. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. 2, pp. 106-111.)
No. 15 in M.204.36.3
The fishing boat. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 13, PP. 1.3-16.)
No. 3 in M.I9S-1.13
The forsaken. Four-part song. London. Jefferys. [187-?
The Choral Society.] No. 9 in M.121.3
Gather ye rosebuds while ye may. Four-part song. (In The
Choralist. Series 9, PP. 12-17.) No. 12 in M.iS7-io
Going a Maying. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 6, pp. 168-174.)
No. 32 in M.I95.I.6
543
Hatton
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hatton
Hatton, John Liptrot. (Continued.)
Going away. A four-part song [a. t. t. B.l. (In The Or-
pheus. New series. Vol. i, pp. 62-68.) No. 13 in M.20S.10.1
Good bye. Four-part sonR. London. Jefferys. [178-? The
Choral Society.! No. 7 in M.121.3
Good night fs. A. T.B.I. (In Novello's Part-song book. 2d
series. Vol. 6, pp. 27-30.) No. 7 in M.i9S.i-6
Same. [a. t. t. b.1 (In Same. Vol. 7. PP. 4.V46.)
No. 10 in M.19S.1.7
Also to be found [for T. T. b. b.] in Willard's Arion.
Good wishes. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 6, pp. iio-iiS.) No. 22 in M.19S.1.6
The happiest land [a. t. t. b.1. (In Novello's Part-song book.
2d series. Vol. 7, PP- 27-^3.) No. 7 in M.19S.1.7
Hark, the convent bells. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 6, pp. 187-102.)
No. 3.=i in M.I95-I-6
He that hath a pleasant face. A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 12, pp. i.Si-iSS)
No. 29 in M.195.1.12
The hemlock tree [s. a. t. b.]. (In Novello's Part-song book.
2d series. Vol. 6, pp. 41-40.) No. 10 in M.igs.i-S
Same. [a. t. t. b.] (In Same. Vol. 7, PP- 76-84.)
No. 15 in M.I9S-I-7
Hezekiah. A sacred drama. Written by Beatrice Aber-
crombie. Composed by J. L. Hatton. [With piano ac-
comp.l London. Hutchings & Romer. [1877?! M.I53-33
How sweet the light. [Quartet, arranged by C. P. Morri-
son. Accomp. for organ. 1 Boston. White, Smith & Co.
|-jggg1 No. 47 in M.1S8.18
I lov'd a lass, a fair one [a. T. t. B.l. (In Novello's Part-
song book. 2d series. Vol. 7, PP- 1.10-138.)
No. 2^ in M.19S.1.7
I loved her fs.A. t. B.l. (In Novello's Part-song book. 2d
series. Vol. 6, pp. .S.q-W.) No. 12 in M.195.1.6
Same \a t t. b.1 (In Same. Vol. 7. PP- O.-i-OO.)
No. 18 in M.I9S.I-7
I met her in the quiet lane. Four-part song. (In Leslie.
Cassell's Choral music. PP- i^S-iSS.)
Also to be found in Novello's Part-song book.
No. 44 in M.23S.IO
I will praise Thee with my whole heart. Full anthem.
lAccomp. for organ.l (In Novello's Collection of an-
thems. Pp. 62-74.) ,r'^y'?,'^-T\^
If thou art sleeping. A four-part song. (In Novello s Part-
song book. 2d series. Vol. 6, pp. 08-102.)
No. 20 in M.195.1.D
In summer time. fPart-song. London. 186-? Boosev's
Part-song miscellany.l No. 84 in M.i.';7.S.2
In vain you tell your parting lover. Four-part song. (Jn
The Choralist. Series 0. PP- 44-47.) No. 18 in M.i57.io
The Indian maid. A four-part song. (In Novello's Part-
song book. 2d series. Vol. i. PP. i.^.^-uo.)
No. 24 in M.195.1.1
Invocation to Oberon. Four-part song. (In The Choralist.
Series 0. PP. 48-.SI.) No. 10 in M.iS7.io
Jack Frost fs. a. t. b.1. (In Novello's Part-song book. 2d
series. Vol. 6. pp. ';o-S4.) No. 11 in M.19S.1.6
Same. [a. t. t. b.1 (In Same. Vol. 7. PP. 85-80)
No. 16 in M. 195. 1.7
Also to be found [for s. s. A.] in Novello's Collection of trios, etc.
Keep time. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 12, pp. I.s6-i6l.) No. 30 in M.i9.S.i-i2
King Witlaf's drinking horn [a. t. t. b.1. (In Novello's
Part-song book. 2d series. Vol. 7. PP. .SO-66.)
No. i.s in M.I9S.I-7
The lark. A four-part song. (In Novello's Part-song book.
2d series. Vol. i.^, pp. 17-21.) No. 4 in M.195.1.13
The letter, [a. t. t. b.1 (In Novello's Part-song book. 2d
series. Vol. 7, pp. 107-113.) No. 20 in M.i9S.i.7
The life boat \a. t. t. b1. (In Novello's Part-song book.
2d series. Vol. 7. PP. l^<i~li^.) No. 24 in M.i9S.i-7
"Like as a father pitieth his own children." Anthem. [Ac-
comp. for organ.l London. [186-? Boosey & Co.'s Origi-
nal anthems.l No. 7 in M.iS7.io
Hatton, John Liptrot. (Continued.)
Lo! the peaceful shades. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 12, pp. 162-16;;.)
No. 31 in M.I9S.I.I2
"The Lord preserveth the souls of His saints." Anthem.
[Accomp. for organ.l London. [186-? Boosey & Co.'s
Original anthems.l No. 6 in M. 157.10
Love me little, love me long. A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 6, pp. 161-167.)
No. 31 in M.I9S.I.6
The lye. [a. t. t. b.1 (In Novello's Part-song book. 2d
series. Vol. 7, pp. 00-04) No. 17 in M.19S.1.7
Mass [in CI for 4 voices. [Accomp. for organ.l London.
Augener & Co. [i8,s-?l No. 4 in M.270.46
The moon shone calmly. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 13. PP. 22-26.)
No. .■; in M.195.1.13
Not for me the lark. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 12, pp. 166-172.)
No. 32 in M.igs.i-i2
Of a' the airts the wind can blaw. Part song. London.
[188-? Boosey's Part-song miscellany.l No. 83 in M.157.5.2
Over hill, over dale. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 6, pp. i.';4-i6o.)
No. 30 in M.195.1.6
Parting and meeting. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 6, pp. 116-110.)
No. 23 in M. 195.1.6
Peace. Four-part song. (In The Choralist. Series Q, pp.
27-30.) No. l^ in M.IS7.I0
The pearl divers. A four-part song. (In Novello's Part-
song book. 2d series. Vol. i, pp. 141-152.)
No. 2.S in M.igs.i.i
The primrose. Four-part song. (In The Choralist. Series
0, pp. 38-43.) No. 17 in M.IS7.IQ
The red, red rose [s. a. t. b.1. (In Novello's Part-song book.
2d series. Vol. 6, pp. 10-16.) No. 4 in M.19S.1.6
Same. [a. t. t. b.] (In Same. Vol. 7. PP- i.'i-ai.)
No. 5 in M.195.1.7
The reproach. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 13, PP- 27-20.) No. 6 in M.19S.1.13
Ripe strawberries! A five-part song, s. s. t. t. b. [London.
186-? Boosey's Part-song miscellany.l
No. 67 in M.I57-5-2; No. 12 in M.I57-1
The rivals. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 6, pp. 132-136.) No. 26 in M.19S.1.6
Robin Hood. A cantata. Written by George Linley. Com-
posed ... by John L. Hatton. [Accomp. for piano.l
London. Cramer, Beale & Chappell. [1856.I
No. I in M.270.46
[Rose, or love's ransom. An opera. Libretto by H. Suther-
land Edwards. Music by J. L. Hatton. Accomp. for
piano. London. 1864.I M.2g2.2i
The title-page is lacking.
The roses. A four-part song. (In Novello's Part-song book.
2d series. Vol. 6, pp. 126-131.) No. 2.s in M.ig5.i.6
The sailor's song [s. a. t. b.1. (In Novello's Part-song book.
2d series. Vol. 6, pp. 22-26.) No. 6 in M.19S.1.6
Same. [a. t. t. b.1 (In Same. Vol. 7, PP. 4.3-.'!8.)
No. 8 in M.igs.1.7
The sailors' serenade. [Part-song. London. 186-? Boosey's
Part-song miscellany.l No. 81 in M.i57-S.a
The Savoyard's return. [Trio, s. s. a. Accomp. for piano-
forte.! London. Leader & Cock. [i85;-?l
No. 8 in M.244.10.2
See, the rooks. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 6, pp. 17S-181.) No. 3.3 in M.ig5.i.6
Shall I wasting in despair [a. t. t. B.l. (In Novello's Part-
song book. 2d series. Vol. 7, PP. 114-120.)
No. 21 in M.ig5.i.7
The shepherd's Sabbath day. Part-song. [London. 185-?
Chappell's Vocal library of part songs.l No. 30 in M.1S7.1
544
Hatton
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haupt
Hatton, John Liptrot. (Continued.)
Sleep, my sweet. A four-part soiir [a. t. t. b.1. (In The
Orpheus. New series. Vol. i, pp. 69-7,^.)
No. 14 in M.205.10.1
Softly fall the shades of ev'ning. Part-song. (In Hullah.
The Singer's library. Secular. [London. i86-?l)
No. 4 in M.I7S.2
Also to be found in Novello's Part-song book, 2d series.
Song of the gipsy maidens. A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 6, pp. 144-148.)
No. 28 in M.195.1.6
A song of winter. A four-part song for a. t. bar. b. (In The
Orpheus. New series. Vol. i, pp. .■;6-6i.)
No. 12 in M.20S.10.1
Song to Pan. A four-part song. (In Novello's Part-song
book. 2d series. Vol. i, pp. 127-1.32.) No. 2.^ in M.igs.i.i
South wind of summer. Four-part song. (In The Choralist.
Series Q, pp. ^I-^7■) No. 16 in M.iS7-io
Spring-song. Four-part song. London. Jefferys. [187-?
The Choral Societv.1 No. 21 in M.121.3
Also to be found in Novello's Part-song book, 2d series.
Spring, the sweet spring. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 13, pp. 1-7.)
No. I in M.I95-II3
Spring, ye flow'rets. Four-part song for a. t. bar. b. (In
The Orpheus. New series. Vol. i, pp. 74-77.)
No. 15 in M.20S.10.1
The stars in beauty beam. Four-part song. (In The Cho-
ralist. Series 9, pp. 8-1 1.) No. 11 in M.157.10
Stars of the summer night fs. a. t. b.]. (In Novello's Part-
song book. 2d series. Vol. 6, pp. .^4-40.) No. g in M.19S.1.6
Same. [a. t. t. b.] (/n Same. Vol. 7, pp. .'52-=i8.)
No. 12 in M.195.1.7
Summer eve. Vocal quartet [a. t. t. b.]. (In Novello's Col-
lection of trios, etc. Vol. 2, pp. 2^-30.) No. 3 in M.204.36.2
Also to be found in The Orpheus, New series.
The summer gale. Four-part song. (In Leslie. Cassell's
Choral music. Pp. I49-I'^2.) No. l"; in M.23S.10
Also to be found in Novello's Part-song book, 2d series.
Sweet convent bells. [Trio, s. s. a. Accomp. for piano-
forte.] London. Leader & Cock. fi8=;-?l
No. 17 in M.244.10.2
The sweet creature. Four-part song for a. t. t. b. (In The
Orpheus. New series. Vol. i, pp. 84-88.)
No. 17 in M.20S.10.1
Sweet lady bird, awake. Part-song. [London. 186-? Metz-
ler & Co.'s Part-song magazine.] No. 4 in M.i.s?.!
Sweet lady moon. A four-part song. (In Novello's Part-
song book. Vol 6, pp. 182-186.) No. 34 in M.195.1.6
The swing. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 13, PP- .30-3.S.) No. 7 in M. 195.1. 13
Take heart! A four-part song. (In Novello's Part-song
book. 2d series. Vol. 13, pp. 8-12.) No. 2 in M.19S.1.13
Tars' song [a. t. t. B.l. (In Novello's Part-song book. 2d
series. Vol. 7, PP. 67-75;.) No. 14 in M. 195. 1.7
To Julia. A four-part song for a. t. bar. b. (In The Or-
pheus. New series. Vol. i, pp. 89-9.3.) No. 18 in M.20S.10.1
Twilight. Sacred song [s. A. T. B.]. (In Novello's Part-song
book. 2d series. Vol. 13, PP. 41-44-) No. 9 in M.19S.1.13
Twilight now is round us. Bolero [s. a. t. b.1. (In No-
vello's Part-song book. 2d series. Vol. 13, PP. 4'5-50.)
No. 10 in M.195.1.13
Uncle Grayling, or Queen of the Thames, or The anglers.
Operetta. . . . The poetry by F. Fitz Ball [Edward Ball].
The music by J. S. Hatton. [Accomp. for piano.] Lon-
don. D'Almaine & Co. [184-?] M.292.22
The village blacksmith [s. a. t. b.]. (In Novello's Part-song
book. 2d series. Vol. 6. pp. 60-66.) No. 13 in M.195.1.6
Same. [a. t. b. b.] (In Same. Vol. 7. PP- 100-106.)
No. 19 in M.195.1.7
The village dance. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 6, pp. 137-143)
No. 27 in M.195.1.6
Hatton. John Liptrot. (Continued.)
Wandering minstrels. Four-part song. (In The Choralist
Series 9, pp. 18-23.) No. 13 in M.157.10
Warriors' song [a. t. t. b.]. (In Novello's Part-song book.
2d series. Vol. 7, pp. 3-7.) No. 2 in M.195.1.7
The waterfall. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 6, pp. 149-IS3.) No. 29 in M.195.1.6
The way to build a boat [a. t. t. b.]. (In Novello's Part-
song book. 2d series. Vol. 7, pp. 121-129.)
No. 22 in M.195.1.7
What is got by sighing? A four-part song. (In Novello's
Part-song book. 2d series. Vol. 13, pp. =;i-5';.)
No. II in M.195.1.13
What say the clouds? [Trio, s. s. a. Accomp. for piano-
forte.] London. Leader & Cock. [185-?]
No. 21 in M.244.10.2
When evening's twilight [s. A. t. b.]. (In Novello's Part-
song book. 2d series. Vol. 6, pp. 1, 2.) No. i in M.195.1.6
Same. [a. t. t. b.] (In Same. Vol. 7, pp. i, 2.)
No I in M.195.1.7
Also to be found [for s. s. A.] in Novello's Collection of trios.
Where are the angels, mother? [s. s. a. Accomp. for piano-
forte.] (In Novello's Collection of trios, etc. Vol. i, pp.
88-93.) No. II in M.204.36.1
Where shall the lover rest? A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 13, PP- .';6-59.)
No. 12 in M.195.1.13
"Whether kiss'd by sunbeams." A four-part song. (In No-
vello's Part-song book. 2d series. Vol. 6, pp. 120-124.)
No. 24 in M.195.1.6
Who hath bound the deep, deep river. See his Jack Frost.
Who will to the greenwood hie? [Trio, s. s. a. Accomp.
for pianoforte.] London. Leader & Cock. [i8s-?]
No. 16 in M.244.10.2
The wood thrush. [Trio, s. s. a. Accomp. for pianoforte.]
London. Leader & Cock. [185-?] No. 20 in M.244.10.2
The wrecked hope. A four-part song. (In Novello's Part-
song book. 2d series. Vol. 13, pp. 36-40.)
No. 8 in M.I95-I-I3
Youth, joy and hope [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. I, pp. 94-101.)
No. 12 in M.204,36.1
Zephyrs soft. Four-part song. (In The Choralist. Series
9, pp. 24-26.) No. 14 in M.1S7.10
Hauch, Johannes Carsten.
Winter und Lenz. Concertstuck von Emil Hartmann.
No. I in M.202.22
Hauch, Ein, ist unser Leben. Cantata. For the Music see
Zumsteeg, J. R.
Hauer, Carl.
Mannerquartette. Op. 41- Berlin. [186-?] No. 7 in M.392.36
Coirtents. — Wo find' ich mein Lieb? — Der Postilion. — Traume sind
Schaume. — Mauskatzchen. — Du bist so still.
Haug, Johann Christoph Friedrich.
Elbondokani. Ein Singspiel. Mit Musik von Zumsteeg.
M. 152.11
Catch. Callcott, J. W.
No. 91 in M.220.9.4
For the Music see Storace. For
J.
Haughty wife, The, of Jove.
Haunted tower. The. Opera.
the Libretto see Cobb,
Haupt, A. See Haupt, Carl August.
Haupt, Carl August.
Choralbuch zum hauslichen Gebrauch. Enthaltend 109
Choral-Melodieen, mit Text, einfach 4Stimmig und leicht
ausfuhrbar fiir Clavier, Orgel . . . und Gesang bearbeitet.
Berlin. Schlesinger. [186-?] M.l.57.9
Theory of counterpoint, fugue, and double counterpoint.
Prepared expressly for the Royal Institute for Church
Music, at Berlin, Prussia. Translated ... by H. Clar-
ence Eddy. New York. Schirmer. [1876.] M.37I.4I
Haupt, Carl August, editor.
Thiele, J. F. L. Adagio. No. 11 in M.312.48
Chrnmatische Fantasie und Fuge. No. 7 in M.312.48
I60
.S45
Haupt
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hauptmann
No. 10 in M.312.48
No. 8 in M.312.48
No. 12 in M.312.48
M.281.27
Haupt, Carl August, editor. (Continued.)
Concertsatz (C-moll).
Concert-Satz in C moll (No. i).
Theraa mit Variationen (As dur)
Haupt, Markus Theodor von, translator.
Carafa. La violette.
Haupt, Therese. See Lehmann-Haupt, Theresa.
Hauptmann, Gerhart Johann Robert.
Die versunkene Glocke. Musikdrama von Heinrich Zoell-
ner. M.402.61
Hauptmann, Lorenz.
Te Deum fiir 4 Mannerstimmen mit willkiihrl. Be.srleitung
der Orgel. Op. 3. Wien. Diabelli & Co. [184-?!
No. 2 in M.202.16
Hauptmann, Moritz.
Am Caecilientage. Hymne fiir 2 Chore und Solostimmen,
mit Pianoforte-Begleitung. Leipzig. Siegel. fiSs-?!
No. 4 in M.270.49
Auf dem See. Gedicht von Goethe fiir 4 Solostimmen und
vierstimmigen Chor componirt . . . von M. Hauptmann.
Op. 21. KlavierauszuR. Neue Ausgabe. Leipzig. Breit-
kopf & Hartel. ri86s?l No. 4 in M.204.18
Briefe ... an Franz Hauser. Herausgegeben von Alfred
Schone. Band i. Leipzig. Breitkopf & Hartel. 1871.
Portrait. M.I37.I4
Briefe ... an Ludwig Spohr und Andere. Herausgegeben
von Ferdinand Hiller. Neue Folge der Hauptmann'schen
Briefe. Leipzig. Breitkopf & Hartel. 1876.
No. I in M.217.9
Pages J2I-235 contain a list of Hauptmann's published works.
Drei geistliche Chorgesange fiir s. a. t. b. Leipzig. Siegel.
f i86-?l No. 5 in M.I57.22
Contents. — Zuversicht. — Gebet. — Bei der Trauung.
Drei Kirchenstiicke fiir Chor und Orchester. Op. 4.3- Par-
titur. Leipzig. Breitkopf & Hartel. [i86-?l ^ parts in
I V. No. 1-3 in M.204.18
Contents. — I. Nicht so ganz wirst meiner du vergessen. 2. Und Gottes
Weg ist dennoch gut. 3. Du, Herr, zeigst mir den rechten Weg.
Drei Motetten ... fiir Chor und Solostimmen fohne Be-
gleitungl. Leipzig. Siegel. [186-?! 3 v. in i.
No. 7-9 in M.270.49
Contents. — 1. Christe, du Lamm Gottes. 2. Gott sei uns gnadig. 3.
Lobe den Herrn, meine Seele.
Ehre sei Gott in der Hohe! fMannerchor.l (/n Das Riitli.
Pp. 6-1 1.) No. 2 in M.147.4
Flora. A trio fs. s. s. Accomp. for pianoforte! . (/« No-
vello's Collection of trios, etc. Vol. 5, PP- 107-109.)
No. 21 in M.204.36.S
God, my strength. Prayer. (In Buck. Motette collection.
Vol. I, pp. 6Q-71.) No. 18 in M.100.4.1
Also to be found in Parker's Sacred choruses.
Gretchen vor dem Bilde der Mater dolorosa aus Gothe's
Faust. Gesang mit Begleitung des Pianoforte. Op. 3-
Die Clavierbegleitung fiir Orchester eingerichtet von
Franz von Holstein. Partitur. Leipzig. Fritzsch. 1872.
No. .S in M.204.18
Herr, hore mein Gebet. [Motette fur Chor, ohne Beglei-
tung.l Leipzig. Siegel. [186-?] No. 3 in M.270.49
„Herr, wer wird wohnen in deinem Haus?" Motette fiir
Chor und Solostimmen [ohne Begleitungl. Leipzig. Sie-
gel. ri8.=;-?l No. 10 in M.270.49
HimmelsHcht. [Mannerchor.] (/n Das Riitli. Pp. 72, 73)
No. 27 in M.147.4
I, with her my darling. fPart-song, t. t. b. B.l (In Chick-
ering collection. Vol. i, p. 74-) No. .33 in M.392.48.1
Komm, heil'ger Geist. Motette. [Ohne Begleitung.] Leip-
zig. Siegel. ri8s-?l No. 2 in M.270.4g
The last two pages are supplied in manuscript.
Lauda, anima. Offertoire pour 4 voix, avec acct. d'orgue ou
de piano, ad-lib. CEuv. 15. Paris. Richault. [185-?]
No. .S in M.260.10.3
Same. [English version by Allen A. Brown.] Boston.
Koppitz, Priifer & Co. [187-? Caecilia.] No. 26 in M. 190.3
Hauptmann, Moritz. (Continued.)
Letters of a Leipzig cantor. Edited by Alfred Schone and
Ferdinand Hiller. Translated by A. D. Coleridge. Lon-
don. Novello, Ewer & Co. i8q2. 2 v. M.io5.ro
Catalogue of Hauptmann's compositions, vol. 2, pp. 288-296.
Live we singing. A trio [s. s. s. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. 5, pp. 110-112.)
No. 22 in M.204.36.S
Macht hoch die Thiir'. [Motette fiir Chor, ohne Beglei-
tung.] Siegel. i86-?1 No. =; in M.270.40
Messe fiir Solo- und Chorstimmen mit Begleitung des
Orchesters . . . Vollstandiger Clavierauszug. Op. 30.
Leipzig. Peters. [184-?] No. 4 in M.222.23
Nimm von uns, Herr Gott. Motette fiir Chor und Solo-
stimmen. [Ohne Begleitung.] Leipzig. Siegel. [186-?]
No. I in M.270.49
O come, let us worship. [Accomp. for organ.] (In Buck.
Motette collection. Vol. i, pp. .i;-!!.) No. i in M.100.4.1
O why, O why, if thou art mine. A trio [s. s. s. Accomp.
for pianoforte]. (In Novello's Collection of trios, etc.
Vol. S, pp. 104-106.) No. 20 in M.204.36.S
Plead Thou my cause. [Accomp. for organ.] (In Buck.
Motette collection. Vol. i, pp. 40-43.) No. 10 in M.100.4.1
Praise thou the Lord. [Accomp. for organ.] (In Buck.
Motette collection. Vol. i, op. 8'^-87.) No. 22 in M.100.4.1
Quartett, no. i [in E flat, for 2 violins, viola and violon-
cello]. Op. 7, no. I. [Full score.] Manuscript. [1895.]
This copy was made by A. A. Brown. No. 2 in M.338.12
Quartett, no 2 [in C, for 2 violins, viola und violoncelle].
Op. 7, no. 2. [Full score.] Manuscript. [189s. 1
This copy was made by A. A. Brown. No. 3 in M. 338. 12
Salve Regina, a 4 voci pieno con organo o piano forte ad lib.
Bonno. Simrock. [184-?] No. 3 in M.260.10.1
Sechs geistliche Gesange fiir vierstimmigen Chor. Leipzig.
Siegel. [186-?] No. 4 in M.IS7.22
Contents. — Nimm mir Alles, Gott, mein Gott I O theures Gotteswort.
. — Nun, Herr, wess soUt' ich mich getrosten? — Du bist ja doch der
Herr. — Wie ein wasserreicher Garten. — Sei still dem Herrn und wart*
auf ihn.
Sechs geistliche Gesange fiir s. a. t. b. Leipzig. Kistncr.
[i8.S-?l No. 3 in M.IS7.22
Contents. — Morgengesang. — Bittgesang. — Trauungslied. — Gott
mein Heil. — Leben in Gott. — Abendlied.
Sechs Lieder von Goethe, fiir s. a. t. b., in Musik gesetzt.
Leipzig. Peters. [i8.=;-?] No. i in M. 157.22
Contents. — Im Sommer. — Wanderers Nachtlied. — Mailied. — Hei-
denroslein. — Friihzeitiger Friihling. — Geistesgruss.
Sechs vierstimmige Lieder fiir s. a. t. b. Leipzig. Breitkopf
& Hartel. [185-?] No. 2 in M.1S7.22
Contents. — Siingerfahrt. — Zigeunerlied. — Frtihlingsliebe. — Abend-
lied. — Fruhlingslied. — Waldeinsamkeit.
Six motets, for s. a. t. b., to be sung without accomp. [Ac-
comp. for organ ad lib.] London. Ewer & Co. [186-?]
6 parts in i v. No. 1-6 in M.2go.9.2
Contents. — I. Source of all light. 2. Evening prayer. 3. O come, let
us worship. 4. Thou art my salvation. 5. Hymn: Lord, Thy tender
mercies. 6. Life in God.
Thou, O Lord, wilt ne'er forget. [Accomp. for organ. 1 (In
Buck. Motette collection. Vol. 2, pp. 165-160.)
No. 38 in M. 100.4.3
„Sei mir gnadig, Gott." Psalm fiir 2 vierstimmige Chore
und 4 Solostimmen. Leipzig. Siegel. [186-?]
No. II in M.270.49
Summer morning. [Part-song, t. t. b. b.] (In Chickering
collection. Vol. 2, p. 38.) No. 18 in M.392.48.9
Vocalmesse fiir Chor- und Solostimmen. Op. 18. Leipzig.
Siegel. [i8S2?l No. 6 in M.201.6
Walte, walte nah und fern. [Motette fiir Chor, ohne Be-
gleitung.] Leipzig. Siegel. [186-?] No. 6 in M.270.49
25 Album-Canons. Op. ^9- Herausgegeben von S. Jadas-
sohn. Leipzig. Kistner. [i868.] No. 3 in M.391.44
Zwei Marienlieder fiir eine Mezzosopran-Stimme mit Be-
gleitung des Pianoforte. Op. 58. Leipzig. Kistner.
[1866?] No. 27 in M.201.33
Contents. — Canzonetta alia Madonna di Frascati. — Ave Maria.
546
Hauptmann
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haweis
Hauptmann, Moritz. Works about.
Paul, O. Moritz Hauptmann. Eine Denkschrift zur Feier
seines siebenzigjahrigen Geburtstages. Leipzig. 1862.
No. 2 in M.2i7.g
Hauptmann's Weib. Song. Schumann, R. A. Myrthen.
Heft 4. No. 5 in M.244.15.1 ; etc.
Hausegger, Siegmund von.
Barbarossa. Symphonische Dichtung in drei Satzen fitr
grosses Orchester. Partitur. Berlin. Ries & Erler.
r 1901.1 M.406.1S
Dionysische Phantasie. Symphonische Dichtung fiir grosses
Orchester. Partitur. Berlin. Ries & Erler. riQ02.1
M.406.16
Wieland der Schmied. Symphonische Dichtung fiir grosses
Orchester. Partitur. Berlin. Ries & Erler. [1004.!
M.406.17
Zinnober. Humoristisch-fantastische Handlung in drei
Aufziigen nach E. T. A. Hoffmanns Erzahlung: "Klein
Zaches, genannt Zinnober." Dichtung und Musik von
Siegmund v. Hausegger. Vollstandiger Klavierauszug
mit Text. Koln. Ahn. i8q6. M.382.29
Hausegger, Siegmund von. Works about.
ScHULZE, A. Siegmund von Hausegger, Barbarossa. Er-
lautert. Leipzig, figoo?] No. 19 in M.217.12.9
Hauser, Carl.
Madelaine, oder die Rose der Champagne. Komische Ope-
rette. Musik von Ludwig Englander. M.305.36
Hauser, Michael.
Aus dem Wanderbuche eines osterreichischen Virtuosen.
Briefe aus Californien, Siidamerika und Australien. Her-
ausgegeben von S. Hauser. 2. Ausgabe. Leipzig. Grunow.
i860. 2 V. in I. M.128.17
Premiere rapsodie: La hongroise. Melodic originale pour
violon avec accompagnement de piano. Op. 43. Leipzig.
Schuberth & Co. fiSg-?! No. 7 in M.406.6
Hauser, Moritz Heinrich.
Sechs Lieder fiir vierstimmigen Mannerchor. Op. i.^. Leip-
zig. Breitkopf & Hartel. [1854?! No. .V in M.392.10
Contents. — Weinlied. — Heimwarts. — Wachet autl — Minnelied. —
Kriegslied. — Scheiden.
Hauser, Sigmund, editor.
Hauser, M. Aus dem Wanderbuche eines osterreichischen
Virtuosen. Leipzig, i860. M. 128.17
Hausirer, Der. Ofera. For the Music see Onslow. For the
Libretto see Planard.
Hausmann, Otto.
Des Liedes Heimath. Dichtung . . . komponirt von Jo-
hannes Pache. No. 2 in M.212.13
Same. The source of song. [Poem set to music by Jo-
hannes Pache.] No. 5 in M.203.19
Haute esperance garnie d'amour. Sonp. Dangecort. M.236.10
Hautfeuille, Jean de.
Probleme d'acoustique, curieux et interessant, dont la solu-
tion est proposee aux savans, d'apres les idees qu'en a lais-
sees M. I'Abbe de Hautfeuille [par M. * * *1. Paris.
Varin. 1787. Plate. . ^ M.370.13
A selection of Hautfeuille's essays, with introciuctton and notes, name-
ly: Explication de I'effet des trompettes parlantes; L'art de respirer
sous I'eau ; Extrait de I'ouvrage, Balance magnetique ; Lettre k M.
Bourdelot : Extrait d'une Dissertation sur la cause d'echo.
Havanaise. For violin and orchestra. Saint-Saens.
No. 7 in M.40S.53
Have a carel Part-sonq. Schumann, R. A. No. 18 in M.20S.10.7
Have I found her? Madrigal. Bateson. No. 40 in M.237.IS; etc
Have mercy. Lord, on me. Anthem. Blow. No. 8 in M. 157.34
Paisiello. No. 3 in M.236.16
Have mercy, O Lord. .4nthem. Mozart. No. 2 in M.260.11; etc.
Have mercy upon me. Anthem.
Allen, G. B. Fifteen anthems. No. 11 in M.233-I
Barnby. No. 13 in M.243.10
GiBBS. No. 22 in M.290.34
Handel. Werke. Lieferung 34. M.313.1.34
Lassus. No. 27 in M.233.2S.1
Nares. No. .36 in H.290.22.a
Pflueger. No. 7 in M. 158.19
Have mercy upon me, O God. Anthem. Greene, M. Forty
select anthems. Vol. 2. M.233.7.2
Humfrey. No. 24 in M.233.23.3
Steggall. No. 7 in M. 190.8; etc.
Have you any work for the tinker? Catch. Nelham.
No. 12 in M.i39a.i8.6; etc.
Have you never seen? Catch. Elton. No. 221 in M.220.9.1
Have you not in a chimney seen? Catch [for 4 voices], (/n
Warren. Collection of catches. Vol. 2, p. 178.)
No. 77 in M.220.g.2
Have you seen the virgin snow? Glee. Cooke, B.
No. no in M.220.9.3; etc.
Have you Sir John Hawkins' hist'ry? Catch. Callcott, J. W.
No. 52 in M.220.3.4
Havens, Charles Arthur.
Beautiful Zion. [s. a. t. b.] Boston. Ditson & Co. 1877.
[Four sacred songs.] No. 28 in M.igo.3
Christ the Lord is risen. Easter anthem. [Accomp. for
violin, harp and organ.] Chicago. Summy. [iSg.-?.]
No. 27 in M.158.17
Gaily we ride. Four-part song. Boston. Ditson & Co.
1877. No. 27 in M.190.3
He giveth His beloved sleep. [Solo, s. or a., and chorus.
Accomp. for organ.] Boston. Ditson & Co. 1877. [Four
sacred songs.] No. 20 in 1*1.190.3
How sweetly flowed the Gospel sound. [Quartet and solo,
A. or B. Accomp. for organ.] Boston. Ditson & Co.
1876. No. 32 in M.190.3
Jesus, I my cross have taken. [Quartet and solo, s. or t.
Accomp. for organ.] Boston. Ditson & Co. 1876.
No. 31 in M.190.3
Magnificat (Easter anthem). [Accomp. for organ.] Bos-
ton. Ditson & Co. 1876. No. 30 in M.igo.3
Softly fades the twilight ray. [Quartet and solo. a. or s.
Accomp. for organ.] Boston. Ditson & Co. 1876.
No. 3 in M.190.3
Sun of my soul. [Quartet and solo, a. or s. Accomp. for
organ.] Boston. Ditson & Co. 1876. No. 37 in M. 190.3
Three sacred quartets. [Accomp. for organ.] Boston. Dit-
son & Co. 1876. 3 parts in i v. No. 34-36 in M.190.3
Contents, — I. The Lord is in His holy temple. 2. Jesus, lover of my
soul. 3. Trisagion and Sanctus.
Haverfield, Thomas Tunstall, editor.
Ferine sacrte; or, short notes on the great festivals of the
church, and the services . . . with appropriate chants and
hymns. London. Ollivier. 1847. M.121.S
Havergal, Frances Ridley.
The mountain maidens. Cantata. Music by Frank Romer.
No. 4 in M.204.25
National hymn. [Music by Rossini.] No. 7 in M.28o.3a
Sacred songs for little singers. Music composed and ar-
ran.ged by A. Randegger. M.158.10
Havergal, Henry East.
Hosanna to the Son of David. Anthem. [Accomp. for
organ.] (In Ouseley. Special anthems. Vol. I. pp. loi-
103.) No. 13 in M.233.24.1
Havergal, William Henry.
An evening service. Magnificat & Nunc dimittis. [Accomp.
for organ.] London. Novello. [1838? Gresham prize
composition.] No. 4 in M.236.16
A history of the Old hundredth psalm tune. New York.
Mason. 1854. M.101.42
Let all the people say. Round [for 8 voices]. (In Turle and
Taylor. The People's music book. Vol. 3. p. i=;o.')
No. S2 in H.I 1 1.4.3
Havre. Churches. .Saint-Michel.
Lefebvre, G. Le grand orgue de I'figlise Saint-Michel du
Havre, construit en 1887-88 par .-Xristide Cavaille-Coll . . .
Notice et discours. Le Havre. 1888. No. i in M.372.8
Haweis, Hugh Reginald.
Jenny Lind. (Cut from Contemporary Review. Vol. 59,
pp. Qoo-gri. London. 1891.) No. ■; in M.372.18
S47
Haweis
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Haydn
Haweis, Hugh Reginald. (Continued.)
Music and morals. London. Strahan & Co. 1871. M.147.14
My musical life. London. Allen & Co. 1884. 2 v. Por-
traits. Plates. Facsimiles. M.145.9
Hawes, Charlotte White.
The song of the world. Double choirs, mixed voices, organ.
Boston. Hawes. [iSg-?.!
No. 28 in M.1S8.17; No. 29 in M.203.27
Hawes, William.
Bendemeer's stream. Ballad [s. or t.] from Lalla Rookh.
[Accomp. for pianoforte.! London. Power. [184-?!
No. I in M.236.2
Bring me flowers. Glee Fa. a. t. b.1. (/» The Apollo. Vol.
3. PP- 233-240.) No. 21 in M. 1393.18.3
Also to be found in Ditson's The Orphean lyre.
Paradise and the Peri. Recitative and song fs. or x.l from
Lalla Rookh. f Accomp. for pianoforte. 1 London. Power.
[ iB.S-?! No. 4 in M.236.2
Requiem VIL (In Fane, John. A requiem to the memory
of the late Samuel Webbe . . . Pp. 61-73. London.
[1818?]) No. I in M.220.29
The seasons \t. t. b. b.]. (In Orpheus glee book. Pp. 10, ii.)
No. 7 in M.246.36
Hawes, William, editor.
A collection of madrigals, for 3, 4, 5 & 6 voices. London.
Hawes. [182-?! M.235.12
Contents. • — Dowland ; Now, O now I needs must part. — Wilbye :
Sweet honey-sucking bees. — Beale : Phyllis. — Dainty, fine, sweet
nymph. — Eennet : All creatures now are merry. — Wilbye : Come,
shepherd swains. — Gibbons: O, that the learned poets. — Evans: As
a rosy wreath. — Weelkes : Now is my Chloris. — Weelkes : We
shepherds sing. — Weelkes: Like two proud armies. — Waelrant:
O'er desert plains. — Conversi: When all alone. — Gibbons: The
silver swan. — Bicci: Dainty white pearl. — Wilbye: Lady, your
words do spite me. — Morley: Fire, fire. — Croce : Cynthia the song.
— Ward: Die not, fond man. — Wilbye: Flora gave me fairest
flowers. — Lassus : The nightingale. — Marenzio : Dissi a I'amata. —
Hawes: Sweet Philomela. — A chi more per Dio. — Bennet: Come
shepherds, follow me. — Weelkes : When Thoralis delights. — Gib-
bons: Round about her chariot. — Dowland: Sleep, wayward thoughts.
— Morley : What saith my dainty darling.
Paer. The freebooters.
RiES, F. The robber's bride.
Under briar, rock or mountain.
Spofforth. a collection of glees.
Hawker, Robert Stephen.
The song of the Western men. Ballad.
Gilbert R. Betjemann.
Hawkins, James.
Come on, here's John. fCatch for 3 voices.] (In Warren.
Collection of catches. Vol. i, p. .';7.) No. 72 in 11.220.9.1
Here lies Jonson. f Catch for 3 voices.l (In Warren. Col-
lection of catches. Vol. I, p. 4g.) No. S6 in M.220.9.1
Let the woman be damn'd. T Catch for 3 voices.l (In War-
ren. Collection of catches. Vol. i, p. 63.)
No. 79 in M.220.9.1
To the King of Great Britain, f Catch for 3 voices.] (In
Warren. Collection of catches. Vol. I, p. 49.)
No. .S7 in M.220.9.1
Hawkins, Sir John.
An account of the institution and progress of the Academy
of Ancient Music. By a member. London. 1770.
No. I in M.114.8; No. 2 in M. 146.6
A general history of the science and practice of music.
London. Payne. 1776. 5 v. Illus. Portraits. M.111.2
Hawley, Charles B.
They kissed, I saw them do it [t. t. b. b.]. New York.
Schirmer. [1889.] No. 50 in M.392.8
Hay, Walter Cecil.
The arrow and the song. A four-part song. (In Novello's
Part-song book. 2d series. Vol. 16, pp. g8-ioi.)
No. 16 in M.igs.i.i6
Were I the nightingale. Choral song. London. Hutch-
ings & Romer. fiS.';-?] No. 11 in M.I57.23
M.293.15
M.264.11
No. 32 in M. 235.7.2
M.23S.IS
Composed ... by
No. 5 in M.194.3
Haycraft, Henry John, editor.
Sacred harmony, consisting of morning and evening ser-
vice, psalms, chants, responses, anthems . . . [Accomp.
for organ.! London. Addison & Co. fiB'^l.l M.234.6
Contents. — Macfarren: Te Deum. Jubilate. — Haycraft: Psalm IV,
IX, XXV. — Dorrell: Psalm XXV, LXIII. — Aspinwall: Psalm
XLVI. — Dorrell: Psalm LI. — Haycraft: Psalm LXII, LXXX-
VIII.— Aspinwall: Psalm CII. — Dorrell : Psalm CXXXIII, CXXX-
VII. — Aspinwall: Psalm CXLVI. — Haycraft: Hymn [Hark the
herald angels sing]. — Attwood : Hymn for the sacrament. — Single
and double chants. — Kyrie eleesons. — Loder: Bow down Thine ear.
— Aspinwall: Give ear, O Lord. — Richards: As o'er the past. —
— Phillips: Agnus Dei. — Bennett: Cast thy bread. — Loder: Praise
the Lord. — Gross: Let the wicked. — Goss: God so loved. —
Aspinwall : I will judge. — Lucas : Bow down Thine ear. — Hay-
craft: The sorrows of death. — Walmisley: Not unto us. — War-
burg: Blessed is every one. • — Phillips: Benedictus. — Goodban :
Fugue. — Barnett: Andante. — Macfarren: Fugue. — May: Volun-
tary. — Smart: Magnificat. — Smart: Nunc dimittis.
Haydee . . . Ol>era. For the Music see Auber. For the Li-
bretto see Scribe.
Hayden, George.
As I saw fair Clora. Duetto Ft. b.]. (In The Apollo. Vol.
e,. pp. 382, 38-?.) No. 18 in I39a.i8.s
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches ; Flowers of harmony ; The Harmonist ; Musical li-
brary; Social harmony; Webbe, Jr.'s Convito armonico.
Haydn, Franz Joseph.
Werke. 1. kritisch durchgesehene Gesamtausgabe. Leip-
zig. Breitkopf & Hartel. [1907. 1 Portrait. 3 v. M.80SO.106
Contents. — Serie i. Band 1-3. Symphonien.
A ma yoix naissez, animaux. Recit et air [b. Accomp. de
piano]. (In Bibliotheque musicale. Serie 2, t. 2, pp. i-io.)
No. I in M.193.21.2
Abendlied zu Gott [fiir s. a. t. b. Mit Pianoforte-Beglei-
tungl. Leipzig. Breitkopf & Hartel. Fi8=;-?1
No. 7 in M.157.22
Abschieds-Sinfonie. See his Symphonies.
Afflictus sum. x. solo. FAccomp. for organ.! (In Novello.
Motetts. Vol. I, book 4, p. 22.) No. 38 in M.260.24.1
Agnus Dei. b. solo. FAccomp. for pianoforte.! (In Latrobe.
Selection of sacred music. Vol. 2, p. 112.)
No. 2K in M.2go.29.2
Agnus Dei. Coro. From a mss. mass. FAccomp. for piano-
forte. (In Latrobe. Selection of sacred music. Vol. 2,
pp. 187-191.) No. 41 in M.2go.29.2
Almighty and everlasting God. Full anthem. [Accomp. for
organ.! (In Holden. Church music. Pp. 20-27.)
No. 3 in M.236.34
Amen dico tibi. Coro. FAccomp. for pianoforte.! (In
Latrobe. Selection of sacred music. Vol. i, pp. 137-144.)
No. 32 in M.290.29.1
And God made the firmament. [Anthem. Accomp. for or-
gan.! (In Pratt. Collection of anthems. Vol. i, pp. 94-
105.) No. 10 in M.233.18.1
And Saul was very wroth. Recitative, air and chorus from
Judah. FAccomp. for organ.! (In Handel and Haydn So-
ciety Collection of sacred music. Vol. 3, pp. 60-65.)
No. 8 in M.221.22.3
Der Apotheker. (Lo speziale.) Opera buffa von Joseph
Haydn. [Text von Vincenzo Rota.] .^.tis dem Original
iibersetzt und frei bearbeitet von Robert Hirschfeld. In
einem Akt. FClavierauszug.! Wien. Gutmann. 1895.
No. 2 in M.393.25
Arise, O Judah. [Chorus from Judah. Accomp. for organ.]
(In Handel and Haydn Society Collection of sacred music.
Vol. 2, pp. 180-186.) No. 3 in M.221.22.2
Aus dem Dankliede zu Gott [fiir s. a, t. b. Mit Pianoforte-
Begleitung]. Leipzig. Breitkopf & Hartel. [185-?]
No. 6 in M. 157.22
Ave Maria. Quartetto et choeur. FAccomp. d'orgue.l (In
Dietsch. Repertoire de musique religieuse. Pp. i32-i'^6.)
No. 28 in M.260.29
Ave Verum, pour b. ou a. [Accomp. d'orgue.l (In Dietsch.
Repertoire de musique religieuse. Pp. 218. 210.)
No. 43 in M.260.2&
548
Haydn
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haydn
Haydn, Franz Joseph. (Continued.)
Ave Verum. Solo. [Accomp. de piano ou d'orgue.] (In
fichos dv monde religieux. Pp. 68-70.) M.IS6.52
Averte faciem. Duett, t. b. fAccomp. for or^an.! (In No-
vello. Motetts. Vol. i, book 6, pp. 17-IQ.)
No. 63 in M.260.24.1
Behold He rideth upon the storm. Chorus. (In Handel
and Haydn Society Collection of sacred music. Vol. 4,
pp. 69-76.) No. 5 in M.221.22.4
Behold how good and lovely. Duetto Ts. s. Accomp. for
organl. Varied from Haydn. (In Gardiner. Sacred
melodies. Vol. 4, pp. .';72-';7';.) No. 27 in M.236.30.4
Benedictus. [A 4 voix. Accomp. d'orgue.] (In Dietsch.
Repertoire de musique religieuse. Pp. 2.^o-2.'?8.)
No. 46 in M. 260.20
Benigne fac, Domine. b. solo & quartett. [Accomp. for
organ. 1 (In Novello. Motetts. Vol. i, book 6, pp. 24-
26.) No. 66 in M.260.24.1
Blessed is the man that serveth God. Abridged ffor 4
voices]. (In Gardiner. Sacred melodies. Vol. 4. pp. 478-
47Q) No. oa in M.236.30.4
By Thee with bliss. Duet [x. b.] from The Creation. [Ac-
comp. for pianoforte.] (In Ayrton. Sacred minstrelsy.
Vol. I, pp. i,=;,3-i.S,=;.) No. ';4 in M.290.22.1
Call Jehovah thy salvation. [Accomp. for organ.] (In
Metcalfe. Fifty metrical anthems. Pp. 2=;, 26.)
No. 18 in M.1.S7.34
Cantique d'Haydn. Chceur a 4 voix. (In Soirees orpheo-
niques. Pp. 16^-168.) No. 24 in M.IS7.8
Chant national allemand. (Gott erhalte Franz den Kaiser!)
Avec paroles italiennes en I'honneur du souverain. [Par-
tition.] Manuscript. [184."?. 1 No. 2 in M.403.67
Come, sweet spring. [Chorus. Accomp. for pianoforte.]
(In Handel and Haydn Society Collection of sacred
music. Vol, I, pp. =;7-6;.) No. 1.3 in M.221.22.1
Also to be found in Musical library.
Concert in D dur fiir Violoncell und Orchester. Bearbeitet,
neu instrumentirt und mit Cadenzen versehen von F. A.
Gevaert. Partitur. Leipzig. Breitkopf & Hartel. [188-?]
No. 6 in M.342.3
The Creation. See his Die Schopfung.
Deliver me, O Lord. Motet. [Accomp. for organ.] (In
Turle and Taylor. The People's music book. Vol. 2, pp.
150-156.) No. .36in M.iii.4.2
Denk' ich, Gott, an Deine Giite. Kantate fiir 4 Singstimmen
mit Begleitung des Orchesters. Partitur. Leipzig. Breit-
kopf & Hartel. [178-?] No. 2 in M.250.20
Same. Klavierauszug. [184-?] No. 2 in M. 221. i
Despair. Canzonet [s. or t. Accomp. for pianoforte]. (In
Musical library. Vol. i, pp. 101-103.) No. 46 in M.235.18.1
Deus Noster. t. solo, quartett and chorus. [Accomp. for
organ.] (In Novello. Evening service. Vol. 2, pp. 301-
304.) M.260.23.2
Distracted with care. Motett. [Accomp. for organ.] (In
Novello's Collection of anthems. Vol. 4, pp. 125-139.)
No. 12 in M.19S.2.4
[Domine Deus, Rex ccelestis, b. solo, and Qui tollis, s. a. t.
B. With organ accomp. London. Novello? 184-?]
From his Kyrie and Gloria, no. 14. No. 5 in M.20I.38
Douze adagio ou andante menuets et trios tires des sym-
phonies d'Haydn, arranges pour piano avec accomp. de
violon . . . par Mesplet. Livraison 2. [No. 4-6. Parti-
tion.] Paris. Magasin du Conservatoire imperial. [181-?]
No. I in M.360.11
Ecce enim. s. solo. [Accomp. for organ.] (In Novello.
Motetts. Vol. I, book 6, pp. 15, 16.) No. 62 in M.260.24.1
Ens Aeternum. Hymn, 4 voices. The organ part by V.
Novello. [London. 182-?] No. 7 in M.260.2
Also to be found in Novello's Evening service.
Et incarnatus est. Quartet. [Accomp. for organ.] (In
Ayrton. Sacred minstrelsy. Vol. 2, pp. 185-187.)
No. 67 in M.290.22.2
Haydn, Franz Joseph. (Continued.)
Et incarnatus est. [s. solo and chorus. Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. 2,
pp. 174-176.) No. 38 in M.2go.29.3
Et incarnatus est. [t. solo, duet, a. b., and chorus. Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 3, pp. Q7-I04.) No. ig in M.2go.29.3
Et incarnatus est. [Trio, s. s. a., and chorus. Accomp. for
pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 2, pp. 4Q-5I.) No. ID in M.290.29.2
Eternal God, Almighty Power. [Solo, a., and chorus, from
Judah. Accomp. for organ.] (In Handel and Haydn
Society Collection of sacred music. Vol. 2, pp. 72-76.]
No. 12 in M.221.22.2
Father, we adore Thee. [Chorus from Judah. Accomp. for
organ.] (In Handel and Haydn Society Collection of sa-
cred music. Vol. 2, pp. 125-132.) No. 23 in M.22i.22.a
Fidelity. Canzonet [s. or x. Accomp. for pianoforte]. (In
Musical library. Vol. I, pp. 122-125.) No. 56 in M.23S.18.1
Flammis orci. Aria. [s. Accomp for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 6, pp. 155-160.)
No. 27 in M.29o.2g.6
For with strength. Chorus. (In Handel and Haydn Society
Collection of sacred music. Vol. 4, p. 133-137.)
No. 12 in M.221.22.4
Forgive me. Song [s. or x. Accomp. for pianoforte]. (In
Musical library. Vol. i, pp. 4, 5.) No. 2 in M.23.5.18.1
Gaudet chorus ccelestium. Choral fugue, 4 voices. [.Ac-
comp. for organ.] (In Novello. Evening service. Vol. 2,
pp. 360-365.) M.26o.23.2
Gesaenge mit Begleitung des Piano-Forte. [Heft i, 2.I
Leipzig. Breitkopf & Hartel. [182-?] 2 v. in I. [CEuvres.
Cahier 8, p.] No. I, 2 in M. 312.35
Contents. — I. Ein kleines Haus [s. o.T.]. — Blick' hieher, du. Duett
[s. T.]. — O lass mich. Duett [s. T.]. — An den Vetter [s. a. T.]. —
Die Beredsanikeit [s. a. x. b.]. — Alles hat seine Zeit [s. a. T. B.]. —
Die Harmonic in der Ehe [s. A. T. b.]. — Betrachtung des Todes [s. l.
B.]. — Aus dem Dankliede zu Gott [s. A. T. b.]. — Abendlied zu Gott
[s. A. T. B.]. — Englisches Matrosenlied [bar.]. — Der Umherirrende
[a. O.BAR.]. — Sympathie [a. o. bar.]. — Stets barg die Liebe sie [a.
o. BAR.]. — Heller Blick [s. o. t.]. — Ariadne auf Naxos [s.]. 2.
Antwort auf die Frage eines Madchens [s.]. — Lob der Faulheit
[bar.]. — Das Leben ist ein Traum [s. o. x.]. — ■ Auf meines Vaters
Grab [s.]. — Zufriedenheit [x.]. — Eine sehr gewohnliche Geschichte
[bar.]. — Der erste Kuss [x.]. — Daphnen's einziger Fehler [t. x. b.].
— An die Frauen [x. x. B.]. — Der Greis [s. A. x. b.]. — Der Augen-
blick [s. A. X. B.]. — Freund, ich bitte [s. a. x. b.]. — Wider den Ueber-
muth [s. A. X. b.]. — Genugsamkeit [s. o. i.]. — Gebeth zu Gott [s. o.
X.]. — Der Gleichsinn [x.]. — Jeder meynt, das holde Kind [x.]. —
Die Seejungfer [s. o. X.]. — Riickerinnerung [x.]. — Schaferlied
[bar.]. — Die Verzweiflung [a.]. — Ermunterung [s. o. x.]. — Die
Irene [t.]. — Minna [s.]. — Wijnsche der Liebe [a. o. bar.]. —
Liebeslied [x.]. — Die Landlust [bar.]. — Die Verlassene [s.]. — An
Iris [t.]. — Lachet nicht, Madchen [bar.]. . — An Thyrsis [a.]. —
An die Geliebte [x.]. — Die zu spate Ankunft der Mutter [s.].
Gloria. [From his i6th mass. For four voices and organ.
London. Novello? 18.3-?] No. 28, 29 in M.201.33
Two copies.
Gloria in excelsis. [Chorus. Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 5. pp. 02-96.)
No. 16 in M.2go.29.5
Gloria in excelsis. Coro. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 2. pp. 81-04.)
No. 20 in M.290.29.2
Glorify the great Jehovah. [Chorus. Accomp. for organ.]
(In Handel and Haydn Society Collection of sacred music.
Vol. 3, pp. 186-194.) No. 30 in M.221.22.3
Glory be to God on high. [Chorus. Accomp. for organ.]
(In Cotton. Bangor Cathedral Collection. Pp. 59-65.)
No. ID in M.290.33
Also to be found in Pratt's Collection of anthems.
Great and glorious. Chorus. [Accomp. for organ.] (In
Gardiner. Sacred melodies. Vol. 4. PP- 420-427)
No. 2 in M.236.30.4
Great is the Lord. Chorus. [Accomp. for organ.] (In
Parker. Sacred choruses. Pp. 5-1.3.) No. i in M.ioo.io
549
Haydn
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Haydn
Haydn, Franz Joseph. (Continued.)
Guarda qui, che lo vedrai. Duet [s. T. Accomp. for piano-
forte]. (In Musical library. Vol. 4. PP. 126-1.II.)
No. 4^ in M.23S.18.4
Hallelujah to the God of Israel. [Chorus. Accomp. for
organ. 1 (In Handel and Haydn Society Collection of
sacred music. Vol. ^. pp. Q.l-g7.) No. I5i in M.221.22.3
He broke the idols. Chorus. [Accomp. for organ.] (In
Handel and Haydn Society Collection of sacred music.
Vol. .•?. pp. 107-110.) No. 18 in H.22I.22.3
The heavens are telling. Trio [s. t. b.] from The Creation.
fAccomp. for organ. 1 (In Ayrton. Sacred minstrelsy.
Vol. 2, pp. q8-ioi.) No. 40 in M.2go.22.2
Hin ist alle meine Kraft. fMannerchor.l (In Orpheus.
Band 2, pp. i-^.) No. 42 in M.i29a.4.3.2
The host of Midian prevailed. Recitative and chorus [from
Judah. Accomp. for organ]. (In Handel and Haydn
Society Collection of sacred music. Vol. 2, pp. 8.^-06.)
No. 14 in M.221.22.2
The husbandman. Aria [a. or bar.], from The Seasons.
fAccomp. for pianoforte.! (In Musical library. Vol. i,
pp. 1.^2-135.) No. 60 in M.23S.18.1
I will extol Thee. Chorus. [Accomp. for organ.] (In
Parker. Sacred choruses. Pp. 58-63.) No. 9 in M.ioo.io
I will magnify Thee. [Anthem. Accomp. for organ.] (In
Shore. Sacred music. Pp. 1 16-123.) M.237.18
In Thee, O Lord. [Anthem. Accomp. for organ.] (In
Cotton. Bangor Cathedral Collection. Pp. 100-11.";.)
No. 18 in M.2go.33
Insanae et vanae curae. Motette fiir 4 Singstimmen mit
Begleitung des Orchesters. Partitur. Leipzig. Breit-
kopf & Hartel. [18 — ?] No. 3 in M.250.20
Same. [Organ part by V. Novello.] (In Novello. Motetts.
Vol. 2, book II, pp. 14-21.) No. 30 in M.260.24.2
[Jahreszeiten. Les saisons. Partitur. Leipzig? 180-?] 2 v.
M.227.4
The words are in German and French. There is no title-page.
Same. The Seasons . . . Adapted for voices and piano-
forte, by Muzio Clementi. London. Clementi. [187-?]
Plate. M.242.7
Same. Haydn's Seasons, with accompaniment for organ or
pianoforte, by Vincent Novello. London. [187-?] M.120.9
Same. Winter. No. 3 in M.110.18
Jesu, Deus pacis. Quartetto. [Accomp. for organ.] (In
Novello. Motetts. Vol. i, book 3, pp. 26-28.)
No. 30 in M.260.24.1
Jesu mi. Quartett. [Accomp. for organ.] (In Novello.
Motetts. Vol. 2, book 8, pp. Q-ii.) No. 11 in M.260.24.2
Jesus, Infinite, Supreme. Quartetto. [Accomp. for piano-
forte or organ.] (In Hasse, C. F. Sacred music. Pp.
175-180.) No. 36 in M.201.37
Jubilate Deo. [Accomp. for organ.] (In Buck. Motette
collection. Vol. 2, pp. 78-83.) No. 17 in M.ioo.4.2
Know then the Lord. Full anthem. [Accomp for organ.]
(In Turle and Taylor. The People's music book. Vol. 2,
pp. 288-295.) No. 70 in M.iii.4.2
Kyrie. Core. [Accomp. for pianoforte.] (In Latrobe.
Selection of sacred music. Vol. 5. PP. 33-43.)
No. 5 in M.2go.29.5
Kyrie [in A, with accomp. for orchestra]. Manuscript.
[18 — ?1 No. 2 in M.222.3S
Kyrie eleison. Coro. fAccomp. for pianoforte.] (In La-
trobe. Selection of sacred music. Vol. 6, pp. 1-8.)
No. I in M.2go.2g.6
Kyrie, Et incarnatus est, Sanctus and Benedictus. From a
Mss. Mass. [Accomp. for pianoforte.] (In Latrobe. Se-
lection of sacred music. Vol. 3, pp. 16-34.)
No. 4 in M.2go.2g.3
Laurette. Opera-comique en 3 actes, imite de I'italien par
Dubuisson. Musique del Sig. J. Haydn. [Partition.]
Paris. Sieber. [1791.] M.2g2.24
Haydn, Franz Joseph. (Continued.)
Letters. (In Nohl. Letters of distinguished musicians.
Pp. 74-104. London. 1867.) M.101.5
Libera me de sanguinibus. Quartetto. [Accomp. for organ.]
(In Novello. Motetts. Vol. 2, book 12, pp. 20-23.)
No. 53 in M.260.24.2
Libera me de sanguinibus. Trio, s. t. b. [Accomp. for or-
gan. London. Novello. 183-?] No. 22 in M.260.10.6
Also to be found in Novello's Motetts.
Das Lied der Deutschen [t. t. b. b.]. (In Steinhausen. Con-
ferenz-Gesange. Band 2, Heft i, p. i.) No. 10 in M.3g2.3S
Lo, He cometh. [Anthem, s. a. t. b. Accomp. for organ or
pianoforte.] (In Handel and Haydn Society Collection
of sacred music. Vol. 3, pp. 54-59-) No. 7a in M.221.22.3
Lo, my Shepherd is divine. [Anthem, s. A. T. b. Accomp.
for organ or pianoforte.] (In Handel and Haydn Society
Collection of sacred music. Vol. 3, pp. 47-52.)
No. 6a in M.221.22.3
Lo, my Shepherd's hand divine. [Anthem, s. s. a. t. b. Ac-
comp. for organ.] London. Novello. [i86-?l
Also to be found in Musical times [Music]. No. 20 in M.I.58.17
The Lord is king. From Mass no. 5. fAccomp. for organ.]
(In Pratt. Collection of anthems. Vol. 2, pp. 1-17.)
No. I in M.233.18.2
Lord of heaven and earth. Hymn. [Accomp. for organ.]
(In Ayrton. Sacred minstrelsy. Vol. i, p. 200)
No. 73 in M.2go.22.i
Lovely is the face of nature. [Chorus. Accomp. for organ.]
(In Handel and Haydn Society Collection of sacred music.
Vol. I, pp. 29-31.) No. 8 in M.221.22.1
Magnify Jehovah's name. [Accomp. for organ.] (In Buck.
Motette collection. Vol. i, pp. 30-3S-) No. 8 in M.ioo.4.1
[Masses.] The celebrated arrangement of Haydn's Masses
by Vincent Novello. London. Novello. [187-?] 3 v.
M.120.10
Same. Namely:
Messa. [No. i in Bb. Heiligmesse. Full score. Milano?
182-?] M.250.31
Also No. I in Breitkopf & Hartel's edition.
Messa. [No. 2 in C. Paukenmesse. Full score. Milano.
Lorenzi. 182-?] M.250.22
Also No. 2 in Breitkopf & Hartel's edition.
Messe No. 3 [in D moll. Nelson-Messe]. Avec accomp.
de 2 violons, viola et basse, flOite, 2 hautbois, 2 bassons,
2 cors, 3 trompettes, timbales et orgue. Partition.
Leipsic. Breitkopf & Hartel. [i799?] M.222.2J
Also known as the Imperial mass. No. 3 in Breitkopf & Hartel's
edition.
Messe No. 4 [in B dur. Schopfungsmesse]. Avec ac-
comp. de 2 violons, alto et basse, 2 hautbois, 2 clari-
nettes, 2 bassons, 2 cors, 2 trompettes, timbales et
orgue. Partition. Leipsic. Breitkopf & Hartel. [180-?]
Also No. 4 in Breitkopf & Hartel's edition. M.223,30
Messe No. 5 [in C dur. Cacilienmesse]. Avec accomp.
de 2 violons, viola et basse, 2 hautbois, 2 bassons, 2
cors, 2 trompettes, timbales et orgue. Partition. Leip-
sic. Breitkopf & Hartel. [180-?] M.322.31
Also No. 5 in Breitkopf & Hartel's edition.
Messe No. 6 [in B dur. Harmoniemesse]. Avec accomp.
de 2 violons, viola et basse, flute, 2 hautbois, 2 clari-
nettes, 2 bassons, 2 cors, 2 trompettes, timbales et
orgue. Partition. Leipsic. Breitkopf & Hartel. [180-?]
Also No. 6 in Breitkopf & Hartel's edition. M.233.32
Same. Mass [in Bb. Vocal score]. (In Handel and
Haydn Society Collection of sacred music. Vol. 4, pp.
1-40.) No. I in M.22i.a3.4
Messe [No. 7 in G dur. Sti. Nicolai. Avec accomp. de]
2 violons, 2 hautbois, 2 cors, viola, basse & orgue.
Bonn. Simrock. [181-?] No. i in M.250.33
Missa in C dur. No. 9. [Fiir Singstimmen, mit Orches-
ter-Begleitung. Partitur.] Manuscript. [180-?]
No. 3 in M.222.35
5S0
Haydn
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haydn
Haydn, Franz Joseph. (Continued.)
Messe [No. 15 in C dur. Maria-Zeller-Messel. Avec
accomp. de 2 violons, viola, basse, 2 hautbois, basson,
2 trompettes, timbales et orgue. Partition. Leipsic.
Breitkopf & Hartel. [180-?] M.222.33
Missa Sancta Theresia. [No. 16 in B dur.] Fur s. a. t. b.,
2 Violinen, Viola, 2 Trompeten, Tympani, Violoncello
& Basso, 2 Clarinetten, 2 Fagotti, 2 Horner und Orgel.
[Partitur.] Manuscript. [180-?] M.222.34
The mermaid's song. Canzonetta [s. Accomp. for piano-
forte!. (In Musical library. Vol. I, pp. 41-43.)
No. 18 in M.23S.18.1
Miserere mei. t. solo. [Accomp. for organ. 1 (In Novello.
Motetts. Vol. I, book 6, p. 11.) No. 60 in M.260.24.1
Miserere nobis. Quartetto. [Accomp. for organ.! (In
Novello. Motetts. Vol. 2, pp. 18-20.) No. ?2 in M.260.24.2
My soul shall cry. Motetto. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. s. PP. 6=;-70.)
No. 10 in M.290.2g.s
Neun Quartetten fiir s. a. t. b., mit Begleitung des Piano-
forte. Berlin. Bote & Bock. [i8,=;4?! 9 parts in i v.
No. i-o in M.203.8
Contents. — i. Beredsamkeit. z. AUes hat seine Zeit. 3. Die Harmonie.
4. Der Augenblick. 5. Die Warnung. 6. Danklied zu Gott. 7. Abend-
lied zu Gott. 8. Der Greis. 9. Wider die Uebermuth.
Non nobis, Domine. Offertorio a 4 voci con organo. Manu-
script. [i8og.! No. 2 in M.220.48
Copied by J. G. Schicht.
Non parmi esser fra gli uomini. Aria [s. or T.l from II ri-
torno di Tobia. [Accomp. for pianoforte.! (In Latrobe.
Selection of sacred music. Vol. 6, pp. .30-47.)
No. 7 in M.29o.2g.6
Not unto us, O Lord. [Accomp. for organ.! (In Buck.
Motette collection. Vol. i, pp. 117-119.) No. 32 in M.100.4.1
Now elevate the sign of Judah. [Chorus from Tudah. Ac-
comp. for organ.! (In Handel and Haydn Society Col-
lection of sacred music. Vol. 2. pp. 68-r72!.)
No. II in M.221.22.2
Now Samuel anointed Saul. Recitative and chorus. [Ac-
comp. for organ.! (/" Handel and Haydn Society Collec-
tion of .sacred music. Vol. 3, pp. 46-52.) No. 6 in M.221.22.3
Now the Philistines fought. Recitative and motetto from
Judah. [Accomp. for organ.! (In Handel and Haydn
Society Collection of sacred music. Vol. 3. pp. 87-Q2.)
No. 14 in M.221.22.3
Now the Philistines gather'd. Recitative and chorus [from
Judah. Accomp. for organ!. (In Handel and Haydn So-
ciety Collection of sacred music. Vol. .3, pp. t;3-co.)
No. 7 in M.221.22.3
Now to the Lord a joyful song. [Anthem. Accomp. for
organ.] (In Shore. Sacred music. Pp. 106-110.) M.237.18
Nun scheint in vollem Glanze. Arie [b., mit Pianofortebe-
gleitung!. (In Arien-Album. Band i, pp. -?o-3i;.)
From The Creation. No. 4 in M.204.37
O Crux benedicta. Quartett and chorus. [Accomp. for
organ.! (In Novello. Motetts. Vol. 2, book 0, pp. 2-q.)
No. 10 in M.250.24.2
O God, who in Thy heav'nly hand. Motetto. [Accomp. for
pianoforte.! (In Gardiner. Sacred melodies. Vol. 3. pp.
360-365.) No. 17 in M.236.30.3
O how beautiful. [Chorus. Accomp. for organ.] (In Han-
del and Haydn Society Collection of sacred music. Vol.
3, pp. 145-152.) No. 25 in M.221.22.3
O Jesu, Deus pacis. Solo, b. [Accomp. for organ. Lon-
don. Novello. 182-?! No. 6 in M.201.38
Also to be found in Novello's Motetts.
O Jesu, Te invocamus. Hymn for 4 voices. The organ part
by V. Novello. [London. 182-?! No. 6 in M.260.2
Also to be found in Novello's Evening service.
O Lord, the heavens shall praise. Anthem. [Accomp. for
organ.! (In Pratt. Collection of anthems. Vol. 2, pp.
82-Q5.) No. 9 in M.233.18.2
Haydn, Franz Joseph. (Continued.)
O Salutaris. [s. solo et choeur. Accomp. d'orgue.] (In
Dietsch. Repertoire de musique religieuse. Pp. 9Q-103.)
No. 21 in M.260.20
O Salutaris. Soli et choeur. [Accomp. d'orgue. 1 (In
Dietsch. Repertoire de musique religieuse. Pp. 56-58.)
No. 12 in M.260.20
O stand fast and call upon Him. Coro. [Accomp. for
pianoforte.] {In Gardiner. Sacred melodies. Vol. 4, pp.
599-605.) No. 3.3 in M.236.30.4
O stars the fairest. Duet [s. t. Accomp. for pianoforte].
(In Ayrton. Sacred minstrelsy. Vol. i, pp. 24-27.)
No. 9 in M.290.22.1
O tuneful voice. Canzonet [s. or t. Accomp. for piano-
forte]. (In Musical library. Vol. 2, pp. 145-149.)
No. 54 in M.23S.18.3
O what various charms. Duet [s. t.] from The Seasons. {In
Musical library. Vol. 4, pp. 1-3.) No. i in M.23S.18.4
Die Ochsenmenuett. Singspiel in einem Akt. Nach Haydn's
Compositionen arrangirt von Seyfried. Vollstaendiger
Klavierauszug. Berlin. Trautwein. [182-?!
No. 2 in M.350.6
Odi le nostre voci. Coro. From II ritorno di Tobia. [Ac-
comp. for pianoforte.! (In Latrobe. Selection of sacred
music. Vol. 6, pp. 177-186.) No. 32 in M.2go.29.6
Oesterreichisches Nationallied [t. t. b. b.!. (In Das Riitli.
Pp. 528-5.30.) No. 223 in M.147.4
L'onde mugit dans I'abime. Air [b. Accomp. de piano!.
(In Bibliotheque musicale. Serie 2, tome 2, pp. 11-17.)
No. 2 in M.193.21.2
One asked me where the roses grew. Canon for 3 voices.
(In Warren. Cocks's Hand-book of glees. Vol. 2, p. 204.)
No. 51b in M.157.6.2
Orfeo e Euridice. Dramma per musica composto di Giu-
seppe Haydn, in partitura. Lipsia. Breitkopf & Hartel.
[179-?! . M.292.23
This work was left unfinished.
Ouverture fiir Orchester. Revidirt von Franz Wullner. Par-
titur. Leipzig. Rieter-Biedermann. [1871.!
No. 3 in M.344.29
This overture is No. 9 in Pohl's chronological list. Other overtures,
usually classed as symphonies, will be found at the end of the lists of
symphonies.
Pater, dimitte illis. Coro. [Accomp. for pianoforte.! (In
Latrobe. Selection of sacred music. Vol. 6. pp. 07-i05.)
No. 17 in M.290.29.6
II pensier sta negli oggetti. Cavatina [s. or t.!. from Orfeo
e Euridice. Accomp. for pianoforte. (In Musical library.
Vol. 2, pp. 81-83-) No. 3 in M.2.3S.I8.2
Pharaoh's chosen captains. [Chorus from Judah. Accomp.
for organ.! (In Handel and Haydn Society Collection of
sacred music. Vol. 2, pp. 160-168.) No. 30 in M.221.22.2
Piercing eyes. Canzonet [x. Accomp. for pianoforte].
Boston. Parker & Ditson. [184-?! No. 7 in M.23S.18.2
Pieta d'un infelice. Coro. From II ritorno di Tobia. [Ac-
comp. for pianoforte.! (In Latrobe. Selection of sacred
music. Vol. 4. PP- 184-191.) No. 34 in M.290.29.4
Plead Thou my cause, O Lord. Full anthem. [Accomp for
organ.! (In Holden. Church music. Pp. 1-15.)
No. I in M.236.34
Pleasing pain. Canzonet [s. or x. Accomp. for pianoforte!.
(In Musical library. Vol. i, pp. 82-84.) No. 37 in M.235.18.1
Pro peccatis. Aria, b, from his Stabat Mater. [Accomp. for
pianoforte.! (In Latrobe. Selection of sacred music.
Vol. 3, pp. 156-159) No. 28 in M.290.29.3
Quando corpus morietur. [Chorus. Accomp. for piano-
forte.! (In Latrobe. Selection of sacred music. Vol. 4,
pp. 129-139.) No. 25 in M.290.2g.4
[Quatuors pour 2 violons, alto et violoncelle, en partition.
No. 1-83.! Berlin. Trautwein & Co. [1844.! 83 parts
in 6 V. „ ^, M.344.31
Contents. — i. No. 1-9. 2. No. 10-21. 3. No. 22-34- 4- ^o- 3S-46. 5-
No. 47-60. 6. No. 61-83.
Arranged according to Trautwein & Co.'s Catalogue, prefixed to vol. i.
551
Haydn
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Haydn
Haydn, Franz Joseph. (Continued.)
Qui tollis. [b. solo. Accomp. for pianoforte and violon-
cello.l (In Latrobe. Selection of sacred music. Vol. 2,
pp. i29-i.r^) No. 28 in M.290.29.2
Quis est homo. Coro. From his Stabat Mater, f Accomp.
for pianoforte.! (In Latrobe. Selection of sacred music.
Vol. 3, pp. 73-76.) No. 14 in M.290.39.3
Quoniam iniquitatem. Quartetto. fAccomp. for organ.!
(In Novello. Motetts. Vol. i, book 6, pp. 12-14.')
No. 61 in M.260.24.1
Quoniam si voluisses a. solo. fAccomp. for organ. 1 (In
Novello. Motetts. Vol. i, book 6, pp. 22, 2.'^.)
No. 6.S in M.260.24.1
Quoniam Tu solus. Aria, s. or t. [and chorus. Accomp. for
pianoforte]. (In Latrobe. Selection of sacred music.
Vol. 5;, pp. 97-iog.) No. 17 in M.290.29.5
Recollection. Canzonet fs. or t. Accomp. for pianofortel.
(In Musical library. Vol. I, pp. 25-27.) No. 12 in M.23S-i8.i
fll ritorno di Tobia. Oratorio. La poesia di Gio. Gastone
Boccherini. La musica di Giuseppe Haydn. Partitura.l
Manuscript. [Vienna? 18 — ?] 2 v. M.214.8
[Der Ritter Roland.] Ouverture und Gesange aus der ko-
mischen Oper Der Ritter Roland . . . Im Klavierauszug
von Grossheim. Bonn. Simrock. fiSl-?] M.232.15
Rollend in schaumenden Wellen. Arie Fbar., mit Piano-
fortebegleitung]. (/n Arien-Album. Band i, pp. 24-29.)
From The Creation. No. 4 in M.204.37
Salve Redemptor. Coro. [Accomp. for pianoforte.1 (In
Latrobe. Selection of sacred music. Vol. '^, pp. I4.S-IS5)
No 26 in M.290.29.5
Salve Regina. [Chorus and quartet. Accomp. for organ.].
(In Novello. Collection of sacred music. Vol. 2, pp. Q.V
QQ.) No. 1.=; in M.270.3.2
Salve Regina. [s. s. t. b. Accomp. for organ.] (In Novello.
Convent music. Vol. i, pp. 102-104.) No. 9 in M.260.17.1
Salve Regina, fiir Chor und Solostimmen mit Begleitung von
Streichorchester und Orgel oder Hoboen und Fagotten,
Clavierauszug. Leipzig. Rieter-Biedermann. [187-?]
No. I in M.270.47
Sanctus. Coro. From a mss. Mass. [Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. 4,
pp. 101-108.) No. 19 in M.2go.29.4
Sanctus. From Mass No. l. [Chorus. Accomp. for piano-
forte.] (In Cotton. Bangor Cathedral Collection. Pp.
174-177.) No. 28 in M.2go.33
Also to be found in Latrobe's Selection of sacred music.
Die Schopfung (The Creation). Oratorium. Partitur.
Leipzig. Peters. [186-?] M.242.6
Same. The Creation. An oratorio . . . An accomp. for the
piano forte, by John Bishop. London. Cocks & Co.
[184-?] M.242.8
Same. fiS-ie.l M.iS3.i8
Same. The words partly selected from the Holy Scriptures,
and partly written by Baron Van Swieten. The music
composed by Joseph Haydn. London. Burt. 1861.
Words only. No. 9 in M.372.S4
Schon eilet froh der Ackersmann. Arie [b., mit Pianoforte-
begleitungl. (In Arien-Album. Band i, pp. 3';-40.)
From The Seasons. No. 4 in M.204.37
The Seasons. See his Jahreszeiten.
Seht auf die breiten Wiesen hin! Arie [b., mit Pianoforte-
begleitung]. (In Arien-Album. Band i, pp. 41-46)
From The Seasons. No. 4 in M.204.37
Les 7 paroles. [Partition.] Manuscript. [Deldevez.] 1883.
No. 3 in M.403.67
This consists of seven adagio movements for instruments only. Haydn
afterward added solo parts and choruses.
Serenade. Violin and piano. [Arranged by Henri Ernst.
Full score and separate part for violin.] Boston. Daven-
port. 1877. No. 2.!; in M.3S7.I2
Haydn, Franz Joseph. (Continued.)
She never told her love. Canzonet fs. or t. Accomp. for
pianofortel. (In Musical library. Vol. 2, pp. 38, .39.)
No. 1=; in M.23S.i8.a
VI original canzonetts, for the voice [s. or t.] with an ac-
comp. for the piano forte. London. Goulding. Potter,
D'Almaine & Co. [1796.] No. 10 in M.237.7
Contents. — The mermaid's song. — Recollection. — Pastoral song. —
Despair. — Pleasing pain. — Fidelity.
Senates pour piano et violon. [Partition.] Braunschweig.
Lholff. [187-?] 8 parts in I v. No. I in M.3S7-3
Contents. — i. Sol majeur. 2. Re majeur. 3. Mib. 4- La majeur. 5. Sol
majeur. 6. Ut majeur. 7. Fa majeur. 8. Sol majeur.
Spare, O spare thy servant. [Chorus from his Stabat Ma-
ter.] (In Handel and Haydn Society Collection of sacred
music. Vol. 4, PP- 86, 87.) No. 7 in M.221.22.4
The spirit song [s. or r. Accomp. for pianoforte]. (In
Musical library. Vol. 4. PP- 77-8o.) No. 27 in M.23S.18.4
Splendor Patris. Chorus, trio [s. t. b.] and fugue. fAccomp.
for organ.] (In Novello. Evening service. Vol. 2, pp.
229-234.) M.260.23.3
From The Seasons.
Stabat Mater a 4 voci, coll' accomp. dell' orchestra. Parti-
tura. Leipzig. Breitkopf & Hartel. [l79-?l
No. I in M.2S0.20
Same. For 4 voices, with an accomp. for the organ or piano-
forte, arranged ... by Vincent Novello. London. No-
vello. f 18.30.] No. I in M.260.8.3
Same. For soli and chorus. With organ or piano accomp.
Arranged by Vincent Novello. English version adapted
by Mrs. G. Federlein. Edited by E. J. Biedermann. New
York. Fischer. [1899] No. 2 in M.193.18
Same. [t. solo and chorus from his Stabat Mater. Accomp.
for pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 4, pp. 1-6.) No. I in M.290.29.4
Der Sturm. Cantata. See his La tempesta.
Sympathy. Canzonet fs. or t. Accomp. for pianoforte].
(In Musical library. Vol. i, pp. 149-151.) No. 66 in M.23S.18.1.
[Symphonies.] Namely: —
Collection des symphonies d'Haydn mises en partition.
No. 1-26. Paris. Leduc et cie. [182-?] 26 parts in 5 v.
M.353-a
Contents. — Vol. i. No. i. In D ["Letter H," Pohl 27]. — No. 2.
In E minor ["Trauer, " "Letter I," Pohl 13]. — No. 3- In B|j ["La
poule," Pohl 53]. — No. 4. In Bb [Pohl 24]. — No. 5. In Bb
[Pohl 35]. Vol. 2. No. 6. In C ["Laudon," Pohl 39]. — No. 7. In
D ["L'imperiale," Pohl 26]. — No. 8. In Bb ["La reine," Pohl 55].
No. 9. In F8 minor ["Abschied," "Letter A," Pohl 11]. — No. to.
In C ["Letter R," Pohl 60]. Vol. 3. No. ii. In G ["Oxford,"
"Letter Q," Pohl 61]. — No. 12. In Eb [Pohl 63]. — No. 13- In
D [No. 2 in Phil. Soc. cat.]. — No. 14. In Bb [No. 11 of the
Overtures in Pohl's list]. — No. 15. In C [Pohl :8]. Vol. 4.
No. 16. In D [Pohl 36]. — No. 17. In C [Pohl 10]. — No. 18.
In C minor. — No. 19. In Bb- — No. 20. In D ["Le matin,"
Pohl i]. Vol. 5. No. 21. In A [Pohl 33]. — No. 22. In Bb [Pohl
41]. — No. 23. In C ["Roxelane," Pohl 31]. — No. 24. In F
[Pohl 38]. — No. 25. In D [Pohl 43]. — No. 26. In D [Pohl 30].
Symphonien. No. 1-12. Partitur. Leipzig. Breitkopf &
Hdrtel. [186-?] 2 v. M.344.28
Contents. — VoL I. No. i. Es dur ["Mit dem Paukenwirbel," No. 8
in London Philharmonic catalogue]. — No. 2. D dur [No. 7 in
London Phil. cat.]. — No. 3. Es dur [No. 10 in London Phil. cat.].
— No. 4. D dur ["Die Uhr," No. 11 in London Phil cat.]. — No. 5.
D dur [No. 2 in London Phil. cat.]. — No. 6. G dur ["Surprise,"
"Mit dem Paukenschlag," No. 3 in London Phil. cat.]. Vol. a.
No. 7. C dur [No. i in London Phil, cat.]. — No. 8. B dur [No. 4
in London Phil. cat.]. — No. 9. C moll [No. s in London Phil.
cat.]. — No. 10. D dur [Pohl 56]. — No. 11. G dur ["Militiir,"
No. 12 in London Phil, cat.]. — No. 12. B dur [No. 9 in London
Phil. cat.].
These are the so-called Salomon symphonies with the exception of
No. 10, which is No. 5 of the set of six written for the society in
Paris known as the Concert de la Loge Olympique. No. 6 of the
Salomon symphonies, which is lacking in this set, may be found on
shelf-number No. 2 in M. 344.29.
Sinfonia [Es dur]. Partitur. [Op. 66. No. i.] Offen-
bach a. M. Andre. [187-?] No. 4 in M.344.29
This symphony was published as a continuation of the Breitkopf
& Hartel edition of symphonies 1-12, and bears the secondary num-
ber 13, but does not correspond with number 13 of the Breitkopf &
Hartel Verzeichnis ; it is called Letter T in the Catalogue of the
Philharmonic Society and is No. 63 in Pohl's list.
552
Haydn
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haydn
Haydn, Franz Joseph. (Continued.)
Sinfonien. Revidirt von Franz Wiillner. No. i-6. Par-
titur. Leipzig. Rieter-Biedermann. [1868.] 6 v. in 2.
M.344.27
Contents. — Vol. i. No. i. In B [Pohl 14]. — No. 2. In G ["The
Oxford," "Letter Q," Pohl 61]. — No. 3. In C ["Letter R," Pohl
60]. Vol. 2. No. 4. In Eb [Pohl 54].— No. 5. In D ["La chasse,"
Pohl 40]. — No. 6. In C minor [Pohl 48].
Sechs Sinfonien von Joseph Haydn aus dessen unbekann-
ten von 1761-1776 componirten Sinfonien ausgewahlt,
revidirt und mit Vervollstandigung der Vertragsbe-
zeichnungen hrsg. von Carl Banck. Partitur. Leipzig.
Kistner. fiS/-?] 6 v. in 2. M.344.26
Contents. — Vol. i. No. i. In C ["Le Midi"]. — No. 2. In G [Pohl
21]. — No. 3- In Eb. Vol. 2. No. 4. In C [Pohl 22]. — No. 3.
In Bb [Pohl 24]. — No. 6. In C ["11 distrato." Pohl 29].
No. 3 is attributed to Van Swietcn in the Breitkopf & Hartel Ver-
zeichnis. The Greitkopf &- Hartel Verzeichnis, to which many ref-
erences are made, is that published in connection with the firm's
complete edition of Haydn's Works.
Sinfonies de Joseph Haydn en partitions. No. 1-6. Ber-
lin. Bote & Bock. [184-?] 6 v. in 3. M.344.2S
Contents. — Vol. I. No. i. In D dur [No. 7 in London Phil. cat.].
— No. 2. In B dur [No. 9 in London Phil. cat.]. Vol. 2. No. 3.
In G ["Surprise," "Mit dem Paukenschlag," No. 3 in London Phil.
cat.]. — No. 4. In Es dur ["Mit dem Paukenwirbel," No. 8 in
London Phil. cat.]. Vol. 3. No. 5. In G dur ["Militar," No. 12
in London. Phil, cat.]. — No. 6. G dur ["Die Uhr," No. 11 in
London Phil. cat.].
6 Sinfonie. CEuvre XIIL [Partition.] Manuscript.
[Deldevez.] 1887. 6 parts in i v. 5fo. 2 in M.403.64
Nos. 1-5 are among the doubtful in the Breitkopf & Hartel Ver-
zeichnis. No. 6 is No. 28 in Pohl's Verzeichnis.
fRecueil de six symphonies. Partition.] Manuscript.
[Deldevez.] 1888. 6 parts in I v. No. i in M.403.55
These six symphonies are given as overtures 3-8 in Pohl's list.
Six symphonies pour le forte-piano avec accomp. de vio-
lon et basse ad-libitum. [No. 1-3.] Paris. Pleyel.
[179-?] No. 22 in M.210.9
Contains the violin part only of three symphonies.
Symphonies periodiques: No. i, 7, 8, 10. Partitur. Offen-
bach a. M. Andre. [1S7-?] 4 v. in I. M.^44.30
Contents. — i. In D dur [Pohl 56]. 7. In D dur ["La chasse,'
Pohl 40]. 8. In Es dur [Pohl 54]. 10. In C moll [Pohl 48].
[Quatre symphonies concertantes. Nos. i, 4. Partition.]
Manuscript. [Deldevez.] 1887. 2 parts in i v.
No. I in M.403.64
Neither is included in Pohl's list. No. i is attributed to Vanhal in
the Dreitkcpf & Hartel V^erzeichnis. No. 4 is among the doubtful
ones in the Breitkopf & Hartel Verzeichnis.
Trois symphonies. Arrangees pour !e clavecin ou piano-
forte, avec accomp. de violon. Par A. J. Gros. CEuvre 8.
[Piano seu!.] Paris. L'auteur. [178-?] No. 2 in M.210.3
Same. [Partie de violin.] No. 21 in M.210.9
Sinfonia, Lettre B. [Partition.] Manuscript. [Delde-
vez.] 1887. No. I in M.403.60
This symphony is attributed to Michael Haydn in the Breitkopf &
Hartel Verzeichnis.
Sinfonia, Lettre C ["La passione." Partition]. Manu-
script. [Deldevez.] 1887. No. 2 in M.403.60
This symphony is No. 20 in Pohl's list.
Sinfonia, Lettre D ["Merkur." Partition]. Manuscript.
[Deldevez.] 1887. No. 3 in M.403.60
This symphony is No. 12 in Pohl's list.
Sinfonia, Lettre E. [Partition.] Manuscript. [Delde-
vez.] 1887. No. I in M.403.61
This symphony is No. 17 in Pohl's list.
Symphonic, Lettre F. [Partition.] Manuscript. [Del-
devez] 1887. No. 2 in M.403.61
This symphony is No. 16 in Pohl's list, and Letter L in the London
Philharmonic catalogue.
Sinfonia, Lettre H. [Partition.] Manuscript. [Delde-
vez.] 1887. No. 3 in M.403.61
This symphony is No. 9 in Pohl's list.
Sinfonia, Lettre K. [Partition.] Manuscript. [Delde-
vez.] 1887. No. I in M.403.62
This symphony is among the doubtful ones in the Breitkopf &
Hartel Verzeichnis.
Sinfonia, Lettre L. [Partition.] Manuscript. [Delde-
vez.] 1888. No. 2 in M.403.62
This symphony is No. 34 in Pohl's list.
Haydn, Franz Joseph. (Continued.)
Sinfonia, Lettre O. [Partition.] Manuscript. [Delde-
vez.] i888. No. 3 in M.403.6a
This symphony is among the doubtful ones in the Breitkopf &
Hartel Verzeichnis.
Sinfonia, Lettre P. [Partition.] Manuscript. [Delde-
vez.] 1888. No. I in M.403.63
This symphony is among the doubtful ones in the Breitkopf &
Hartel Verzeichnis.
Sinfonia, Lettre Q. [Partition.] Manuscript. [Delde-
vez.] 1888. No. 2 in M.403.63
Sinfonia, Lettre S. [Partition.] Manuscript. [Delde-
vez.] 18S8. Nn. 3 in M.403.63
This symphony is among the doubtful ones in Ihe Breitkopf &
Hartel Verzeichnis.
Sinfonia, Lettre T. [Partition.] Manuscript. [Delde-
vez] 18S8. No. 4 in M.403.63
This symphony is No. 5 in Pohl's list.
Symphonie, No. 13, G dur. Partitur. Leipzig. Breitkopf
& Hartel. [186-?] No. i in M.344.29
Thi.'; symphony is No. 58 in Pohl's list and Letter V in the London
Philharmonic catalogue.
Symphonie, No. 14, D dur. Partitur. Leipzig. Breitkopf
& Hartel. [t86-?] No. 2 in M.344.29
This symphony is called No. 6 in the Catalogue of the Philharmonic
Society of London. It is No. 6 of the so-called Salomon sym-
phonies.
Symphonie, i7e. [Partition.] Manuscript. [Deldevez.]
1887. No. 2 in M.403.5S
This symphony is No. 32 in PohVs list. It is given as an overture
in the Breitkopf & Hartel Verzeichnis.
Symphonic (concertante), ipe. [Partition.] Manuscript.
[Deldevez.] 1887. No. i in M.403.56
Sj'mphonie, 20e. [Partition.] Manuscript. [Deldevez.]
1887. No. 2 in M.403.56
This symphony is among the doubtful ones in the Breitkopf &
Hartel Verzeichnis.
Symphonic, 23e. [Partition.] Manuscript. [Deldevez.]
1887. No. 3 in M.403.56
This symphony is No. 57 in Pohl's list.
Symphonic, 28e. [Partition.] Manuscript. [Deldevez.]
1887. No. I in M.403.S7
This symphony is No. 59 in Pohl's list and Letter W in the I ondoa
Philharmonic catalogue.
Symphonie, 33e. [Partition.] Manuscript. [Deldevez.]
1887. No. 2 in M.403.57
This symphony is No. 37 in Pohl's list.
Symphonic, 35e. [Partition.] Manuscript. [Deldevez.]
1887. No. 3 in M.403.57
This symphony is No. 47 in Pohl's list.
Symphonic, 37e. [Partition.] Manuscript. [Deldevez.]
1887. No. I in M.403.S8
This symphony is No. .^6 in Pohl's list.
Symphonic, 38e. [Partition.] Manuscript. [Deldevez.]
1887. No. 2 in M.403.58
This symphony is No. 49 in Pohl's list.
Symphonic, 39e. [Partition.] Manuscript. [Deldevez.]
1887. _ _ No. I in M.403.59
This symphony is No. 50 in Pohl's list.
Symphonie, 40e. [Partition.] Manuscript. [Deldevez.]
1887. No. 2 in M.403.S9
This symphony is No. 51 in Pohl's list.
Symphonic, 47e (concertante). [Partition.] Manuscript.
[Deldevez. 187-?] M.403.66
This symplior.y docs not appear in the Breitkopf & Hiirtcl Ver-
zeichnis.
Abschieds-Sinfonie fiir Orchester. Partitur. Offenbach
a. M. Andre. [187-?] No. 6 in M.344.29
This symphony appears under the Letter A in the Philharmonic
Society's Catalocaie, and as No. 11 in Pohl's list. Called also the
"Candle" symphony.
Sinfonia genannt L'ours. Partitur. [Op. 66. No. 2.]
Offenbach a. M. Andre. [187-?] No. S in M.344.29
This symphony appears as No. 52 in Pohl's list.
Symphonic concertante a huit instruments obliges. [Par-
tition.] Manuscript. [Deldevez. 188-?] M.403.65
This symphony is among the doubtful ones in the Breitkopf &
Hartel Verzeichnis.
Trauer-Symphonie. E moll. Partitur. Offenbach a. M.
Andre. [189-?] No. I in M.407.16
This symphony is No. 13 in Pohl's list.
T70
553
Haydn
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Haydn
Haydn, Franz Joseph. (Continued.)
[Symphonies arranged according to the Breitkopf & Har-
tal Verzeichnis.]
B. & H. 6 = No. 20 in
«'
"
7
20
•i
u
31
.18
t«
"
41
'*
42
4*
11
4.1
M
II
44
«•
<■
45
«
<l
46
(«
"
47
('
44
48
«■
"
49
(•
**
SI
••
II
.S2
4t
"
sx
It
II
S4
*t
"
S6
(1
"
S7
"
II
5&
U
"
6o
<(
II
61
II
"
6.1
II
II
64
If
II
6s
<l
l«
66
11
"
67
l<
"
68
"
II
69
II
"
70
II
"
71
"
"
73
"
<•
75
II
"
76
fl
"
77
4
17
3
3
6
26
23
5
24
25
M. 353.2
M. 344. 26
M. 403. 63
M. 403.56
M. 403. 63
M.353.2
M.403.6X
M. 403. 60
M. 407. 16;
M.353.2
M.353.2;
M. 344.29
M. 344.27
M. 403.61
M.353.2
M. 403. 60
M.353.2;
M. 344. 26
M. 403. 61
M.3S3.2
M. 344. 26
M. 344. 26
M.353.2
M. 403. 64
M. 344. 26
M.353.2
M.353.2
M.353.2
M. 403. 62
M.353.2
M.353.2
M. 403.57
M.353.2
M.353.2
M.353.2
M. 344.27;
M. 344. 30
M.353.2
M.403.58
M. 403. 57
B. & H. 78 = No.
79 =
80 =
81 =
82 =
83 =
84 =
85 =
86 =
87 =
88 =
89 =
90 —
91 =
92 =
93 =
94 =
95 =
96 =
97 =
98 =
99 =
ICO =
101 =
102 =
103 =
104 =
10
6 in M. 344. 27;
4 " M. 344.30
1 " M. 403.59
2 " M.403.58
2 " M. 403.59
5 " M. 344.29
3 " M.353.2
4 " M. 344.27;
3 " M. 344. 30
8 " M.353.2
M. 344.28;
M. 344.30
M. 403. 56
M. 344.29
M. 403. 57
M.353.2;
M. 344.27
M.353.2;
M. 344.29
M.353.2;
M. 344.27
M.353.2;
M. 344.28
M. 344. 28;
M. 344.25
M.353.2;
M. 344.28
M. 344.29
M. 344.28
M.353.2;
M. 344. 28
J M. 344.28
11 " M. 344. 28;
5 " M. 344.25
4 " M. 344.28;
6 " M. 344. 25
12 " M. 344.28;
2 " M. 344.25
1 " M. 344.28;
4 " M.344.25
2 " M. 344.28:
I " M. 344.25
13
5
6
3
18
9
2
7
19
B. &H.
B. &H.
[Symphonies falsely assigned to Haydn according to the
Breitkopf & Hartel Verzeichnis.]
B. & H. 17 = No. 3 in M. 344.26
8= No.
36 = No.
I in M. 403. 64
I in M. 403. 60
[Symphonies of doubtful authenticity according to the
Breitkopf & Hartel Verzeichnis.]
B. & H. 7= No.
" " 10 =
** ** 12 = "
" " 13= "
" " 15 = "
■• " 19 =
2 in M. 403. 64
1 '* M. 403. 63
1 " M. 403. 62
2 *' M. 403. 64
2 ** M. 403.64
3 " M. 403.63
B. & H.
20 = No.
21 = "
27 = "
28 =
29 = "
31= "
I in M. 403. 65
1 *' M. 403. 64
3 '* M. 403. 62
2 " M. 403. 64
2 " M. 403. 64
2 " M. 403. 56
[Symphonies classified as overtures according to the
Breitkopf & Hartel Verzeichnis.]
B. & H. I :
No.
2 ^
6 =
7 =
in M. 403. 55
" M. 403. 55
" M. 403.55
" M.403.55
B. & H. 10 = No. I in M.403.55
" " 13 = " I " M.403.55
" " 14 = " 14 " M.353.2
" " 15 = " I " M.403.55
Tantum ergo, pour s. et b. [Accomp. d'orgue.] (In Dietsch.
Repertoire de musique religieuse. Pp. 242-24=;.)
No. 48 in M.260.20
Tantum ergo [s. s. t. b.]. Accomp. d'orgue ad lib. {In
Dietsch. Repertoire de musique religieuse. Pp. '^8-41.)
No. 0 in M.260.20
Te Deum. From The Creation. [Accomp. for organ.] (/»
Buck. Motette collection. Vol. 2, pp. ■;4-64.')
No. !•? in M.ioo.4.2
Te Deum fin C. Vocal score]. (In Handel and Haydn So-
ciety Collection of sacred music. Vol. 4. dp. i6=;-i7,^.)
No. 17 in M.221.22.4
Te Deum laudamus, for four voices, with a separate accomp.
for the organ or pianoforte (the English version adapted
under the Latin text), arranged from the full score by M.
Conran. London. Novello. [1850?] No. .38 in M.190.3
Haydn, Franz Joseph. (Continued.)
Te ergo quaesumus. Quartette. Arranged by V. Novello.
[Accomp. for organ. London. Novello. i8.3-?l
Also to be found in Novello's Motetts. No. IQ in M.260.I0.6
La tempesta. Coro coll' accomp. dell' orchestra. Der
Sturm. In Partitur mit beygefiigtem Klavierauszuge.
Leipzig. Breitkopf & Hartel. [179-?]
No. 4 in M.250.20; No. 2 in M.2S0.23
Same. The tempest, . . . for 4 voices, with English words
by Dr. Cockburn. Arranged . . . with accomp. for the
organ by John Robinson. London. Novello. (184-?]
No. 5 in M.27o.2a
Thou hast rebuked the heathen. Anthem. [Accomp. for
organ.] (In Holden. Church music. Pp. 71-82.)
No. 7 in M.336.34
Thou shalt have none other gods. Canon [for ?, voices]. (In
Flowers of harmony. Vol. x P. 2Q.) No. 10 in M.iS7-i8.3
Thou that from Thy throne of splendour. Hymn. (In
Hullah. Part music. Sacred. Vol. i, pp. 40-=;i.)
No. IS in M.I57.28.I
Tre sonate per il cembalo o forte piano con un violino e vio-
loncello. Manuscript. [178-?] No. 8in M.120.19
These trios are numbered 13, 12, 11 [9. 8, 7] in Pohl's list, and cor-
respond to No. II, 10, 8 in Breitkopf &. Hartel's edition.
[Trio pour piano, violon et violoncelle. No. 26, ut majeur.
Partition. Braunschweig. Litolff. [186-?] No, 3 in M.3S7.3
Trois sonates pour le clavecin ou piano forte accompagnees
d'un violon et violoncelle. Manuscript. [179-?]
No. 7 in M.120.19
These trios are numbered 6, 7, 8 [2, 3, 4] in Pohl's list and correspond
to No. 23, 21, 22 in Breitkopf & Hartel's edition.
Trois sonates pour le piano forte avec accomp. d'un violon.
CEuvreS4. [Piano seul.] Paris. Pleyel. [i79-?]
No. I in M.210.3
Same. [Partie de violon.] No. 20 in M.210.9
As sonatas for the piano alone, these are numbered respectively 4, 9,
10 by Breitkopf & Hartel; 24, 25, 26, by Pohl.
Try me, O God. [Anthem. Accomp. for organ.] (In Cot-
ton. Bangor Cathedral Collection. Pp. 18-23.)
No. S in M.290.33
Tu ad liberandum. Quartett. [Accomp. for organ.] (In
Novello. Motetts. Vol. i, book 2, pp. 16-18.)
No 16 in M.260.24.1
Tu devicto. Quartett. [Accomp. for organ.] (In Novello.
Motetts. Vol. 2, book 7, pp. 6-9.) No. 2 in M.a6o.24.s
Twelve ballads . . . [s. or t.] adapted to English words,
with an accomp. for the harpsichord or piano forte, by
Will. Shield. London. Longman & Broderip. [1798?]
No. I in M.221.33
Contents. — Iris. — Address to the unsuccessful lover. — The tear.—
Inconstancy. — The cottagers. — Invocation to Venus. — The knitting
girl. — The forsaken lady. — An old story. — The flame of love. —
Molly Carr. — Myra.
Unto Thee will 1 cry. [Chorus from a Stabat Mater. .A.c-
comp. for organ.] (In Cotton. Bangor Cathedral col-
lection. Pp. 23-38.) No. 6 in M.290.33
Variationen uber „Gott erhalte Franz den Kaiser," und
Andantino grazioso. Partitur und Stimmen. Leipzig.
Payne. [188-?] 5 parts in I v. No. 2 in M. 404.39
Der Versohnungstod. Cantate fiir vier Singstimmen mit
Begleitung des Orchesters aus Sechs Adagio's von Joseph
Haydn, arrangirt von L A. Schulze. Der deutsche Text
ist vom Professor Hopfensack. Partitur. Leipzig.
Breitkopf & Hartel. [179-?] M.202.23
Vidit suum dulcem natum. [t. solo. Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. 4,
pp. 45-47.) No. 9 in M.290.29.4
Volkshymne von Josef Haydn, und die National-Hymnen
fremder Staaten. Instrumentirt fur voUstandige Militar-
Musik. Vom k. u. k. Reichs-Kriegs-Ministerium. [Par-
tition.] Wien. Spina. 1891. No. i in M.403.C7
Contents. — Volkshymne. — Die belgische National.Hymne. — Die
danische National-Hymne. — Die deutsche National-Hymne. — Die
egyptische National-Hymne. — Die franrosische National-Hymne. —
Die griechische National-Hymne. — Die^hollandische National-Hymne.
I — Die italienische National-Hymne. - '^' ' u. tv -..
- Die montenegrinische National-
554
Haydn
THE ALLEN A. BROWN COLLECTION OF MUSIC
Haydn
Haydn, Franz Joseph. (Continued.)
Hymne. — Die niederlandische National-Hymne. — Die norwegische
Natiofial-Hymne. — Die persische National-Hymne. — Die portu-
giesische National-Hymne. — Die rumanische National-Hymne. — Die
russische National-Hymne. — Die schwedische National-Hymne. —
Die serbische National-Hymne. — Die turkische National-Hymne.
The wanderer. Canzonet [s. or t. Accomp. for piano-
forte]. (In Musical library. Vol. i, pp. 165-167.)
No. 73 in M.23S.18.1
Winter. Cavatina [s. or x.] from The Seasons. [Accomp.
for pianoforte.] (In Musical library. Vol. 2, p. i.)
No. I in M.235.1S.2
With glory clad, with strength arrayed. [Accomp. for or-
gan.] (In Metcalfe. Fifty metrical anthems. Pp. 11, 12.)
No. 9inM.157.34
With rosy steps young day appears. Recitative and cho-
rus from The Seasons. [Accomp. for organ.] (In Han-
del and Haydn Society Collection of sacred music. Vol.
3, pp. 77-S7.) No. 13 in M.221.22.3
With verdure clad. [Aria s.] from Creation. [Accomp. for
pianoforte.] (In Musical library. Vol. i, pp. 72-75.)
No. 32 in M.23S.18.1
Haydn, Franz Joseph. Works about.
Barbedette, H. Haydn: sa vie et ses oeuvres. Paris. 1874.
Portrait. Facsimiles. No. i in M.122.15
Carpani, G. Le Haydine, ovvero lettere su la vita e le
opere del maestro Giuseppe Haydn. Milano. 1812. Por-
trait. Plates. M.145.28
Letters on Haydn. (In Beyle. Life of Haydn . . .
Pp. I-331. London. 1817.) M.116.1
Cherubini, M. L. C. Z. S. Chant sur la mort de Joseph
Hayd'n. Arrange pour le piano [et chant]. Berlin.
[181-?] No. 5 in M.221.5
CiPOLLiNi, G. II piccolo Haydn. Commedia lirica in un
atto. Milano. 1893. M.245.2
DoERiNG, J. M. H. Joseph Haydn's Biographic und Cha-
ractcristik. fWolfenbiittel. 183-?] No. 5 in M.380.58
VerzL-ichniss Haydn's Werke, p. (i).
Framery, N. £. Notice sur Joseph Haydn. Paris. iSio.
No. I in M.136.12
Grosser, J. E. Biographische Notizen iiber Joseph Haydn.
Hirschberg. [1826.] Portrait. No. i in M.198.11
HuMPERDiNCK, E. Joseph Haydn, Symphonic in Es-diir.
Erlautert. Frankfurt a. M. [1894.] No. 6 in M.217.12.1
J., H. Haydn and Mozart as instrumental composers.
London. [189-?] No. 7 in M. 116.5
Karajan, T. G. von. J. Haydn in London, 1791 und 179:^.
Wien. 1861. M.103.19
LoRENZ, F. Haydn, Mozart und Beethoven's Kirchenmusik
und ihre katholischen und protestantischen Gegner. Bres-
lau. 1866. No. 5 in M.102.24
LuDwiG, C. A. Joseph Haydn. Ein Lebensbild. Nord-
hausen. 1867. No. i in M.isga.S; No. 2 in M.198.11
Neumann, W. Joseph Haydn. Eine Biographic. Casse!.
1854. Portrait. No. 2 in M.205.ig
NoHL, C. F. L. Life of Haydn. Translated by George P.
Upton. Cincinnati. 1883. Portrait. M. 108.43
PoHL, C. F. Joseph Haydn. Berlin [etc.]. 1875, 82. Por-
trait. M.372.17
Mozart und Haydn in London. Wien. 1867. Fac-
simile. M.117.12
Reissmann, a. Joseph Haydn. Sein Leben und seine
Werke. Berlin. 1879. Portrait. Facsimile. M. 197. 16
Sauzay, C. E. Haydn, Mozart, Beethoven, fitude sur le
quatuor. Paris. 1861. M.132.12
Teibler, H. Joseph Haydn, Symphonic in C-dur (Le
midi). Erlautert. Leipzig. [1900?] No. 12 in M.217.12.9
Joseph Haydn, Symphonic in C-dur (L'ours). Er-
lautert. Leipzig. [1901?] No. gin M.217.12.10
Joseph Haydn, Symphonic in G-dur (Militar-Sym-
phonie). Erlautert. Leipzig. [1899?] No. 8in M.217.12.8
Widmann, B. Jos. Haydn, Die Jahreszeiten (mit Text).
Erlautert. Frankfurt a. M. [1898.] No. 7 in M.2i7.t2.4
Joseph Haydn, Schopfung. Erlautert. Frankfurt a.
M. [1895.] No. 13, I4in M.217.12.1
Joseph Haydn, Symhonie in G-dur (gen. Oxford-
Haydn, Franz Joseph. Works about. (Continued.)
Symphonic). Erlautert. Frankfurt a. M. [1895.]
No. 50 in M.2i7.i3.a
Joseph Haydn, Symphonic in G-dur (Mit dem Pau-
kenschlag). Erlautert. Frankfurt a. M. [1897.]
No. 7 in M.ai7.i3.3
Haydn, Johann Michael.
Adjutor in opportunitatibus. Graduale am Sonntag in der
siebzigtagigen Fasten, fiir s. a. t. b., 2 Violinen, Contra-
bass u. Orgel. [Partitur.] Wien. Diabelli & Co. [183-?]
No. 9 in M.202.9
Angelis suis Deus mandavit. Graduale am ersten Sontag
in der vierzigtagigen Fasten . . . fiir s. a. t. b., 2 Violinen,
Contrabass und Orgel. [Partitur.] Wien. Diabelli &
Co. [183-?] No. 12 in M.202.9
Agnus Dei. Coro. From a mss. Requiem. [Accomp. for
pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 3, pp. 49-59.) No. 9 in M.2go.2g.3
Benedicta et venerabilis es, Virgo Maria. Graduale am
Festtage der unbefleckten Empfangniss der seligsten
Jungfrau Maria. Fiir s. a. t. b., 2 Violinen, 2 Oboen, 2
Horner und Orgel. Partitur. Wien. Diabelli & Co.
[ 183-?] No. 3 in M.202.9
Benedictus Dominus Deus Israel. Graduale am Sonntage
unter der Octave der Erscheinung des Herrn, fiir s. a. t.
B., 2 Violinen, 2 Horner & Orgel. Partitur. Wien. Dia-
belli & Co. [183-?] No. 7 in M.202.9
Blest Jesus, Gracious Saviour. Verse. [Accomp. for p-ano-
forte.] (In Latrobe. Selection of sacred music. Vol. i,
p. 160.) No. 36 in M.290.29.1
Caligaverunt oculi mei. ("Now are mine eyes grown dim.")
[Motet for 4 voices with organ accomp.] Edited by Otto
Schmid. English version by Th. Baker. New York.
Schirmer. 1899. [Twelve passion motets.]
No. 4 in M.384.11
Darkness was o'er the land. [Anthem. Accomp. for or-
gan. Boston.] Russell. 1885. No. 44 in M.158.19
Effuderunt sanguinem. Graduale am Feste der heil. un-
schuldigen Kinder, fiir zwei s.. A., 2 Violinen und Orgel.
Partitur. Wien. Diabelli & Co. [183-?] No. 5 in M.202.9
Das Glas gefiillt. [Mannerchor.] (In Orpheus. Band i,
pp. 12, 13.) No. 10 in M. 1293.43.1
Hear my prayer. Chorus. [Accomp. for organ.] (In Hul-
lah. Part music. Sacred. Vol. i, pp. 100-103.)
No. 33 in M. 157.28.1
Lauda Zion. Quartetto. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 6, pp. 1 13-120.)
No. 20 in M.290.29.6
Laudate Dominum. Psalmus. Pour soprani et tenori.
[Accomp. d'orgue.] Paris. [Heugel. 186-?]
No. 19 in M.20I.34
Laudate pueri Dominum. Graduale am Feste der heil. un-
schuldigen Kinder. Fiir zwei s., a., 2 Violinen, 2 Horner
und Orgel. Partitur. Wien. Diabelli & Co. [183-?]
No. 6 in M.202.9
Litaniae de venerabili sacramento 4 vocibus comitante
orchestra. [Full score.] Lipsiae. Breitkopf & Hartel.
[18—?] M.250.24
The mariner's song. Part song for t. t, b. b. (In The
Orpheus. New series. Vol. 3, pp. 137, 138.)
No. 32 in M.20S.10.3
Messe solennelle. [En mi bemol. Partition.] Copiee sur
la partition originale & manuscrite par J. Le Bras. Manu-
script. 1803. M.250.25
Miserere mei, Deus. [s. a. t. b., mit Pianoforte-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 3, pp. 183-193.) No. 32 in M.S02.6.3
Missa solemnis in C, sub titulo: Jubilaei, a Michaeli Haydn
composita et quatuor vocibus cantanda comitante, si pla-
cet, clavi-cimbalo. Moguntiae. Schott. [182-?]
No. I in M.222.36
Ne timeas, Maria. Graduale zur dritten Rorate Messe, fiir
s. a. t. b., 2 Violinen, 2 Trompeten und Orgel. Partitur.
Wien. Diabelli & Co. [183-?] No. 2 in M.202.9
555
Haydn
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hayes
Haydn, Johann Michael. (Continued.)
Nunc dimittis. Graduale am Maria-Reinigungsfeste, fur
s. A. T. B., 2 Violinen, 2 Horner, Contrabass u. Orgel.
[Partitur.] Wien. Diabelli & Co. [183-?] No. 8 in M.202.9
O full of all compassion. Verse. [Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. i,
p. 112.) No. 25in M.290.29.1
O Lord! another day is flown. Hymn. {In Hullah. Part
music. Sacred. Vol. i, pp. 58, 59.) No. 18 in M.157.28.1
O Lord, how glorious are Thy works. Motet. For s. s. a.
The P. F. arrangement by the editor. (In Hullah. The
Singer's library. Sacred. Pp. 25-36.) No. 6 in M.157.3
O love all love excelling. Verse. [Accomp. for piano-
forte.] (In Latrobe. Selection of sacred music. Vol. I,
p. 176.) No. 40 in M.290.29.1
O Thou who kindly dost provide. Quartet. [Accomp. for
organ.] (In Ayrton. Sacred minstrelsy. Vol. i, p. 108.)
No. 39 in M.290.22.1
Offertorium de omni tempore, in usum quatuor vocum in
canone . . . comitante clavicimbalo. Moguntiae. Schott.
[182-?] No. 4inM.221.43
Oro supplex. Coro. [Accomp. for pianoforte.] (In La-
trobe. Selection of sacred music. Vol. 5, pp. 122-128.)
No. 21 in M.290.29.5
Peace be to this habitation. Hymn. (In Hullah. Part
music. Sacred. Vol. 2, pp. 84-86.) No. 29 in M.157.28.2
Prope est Dominus. Graduale am vierten Adventsonntago
fiir s. A. T. B., 2 Violinen & Orgel. Partitur. Wien. Dia-
belli & Co. [183-?] No. I in M.202.9
Requiem. [Fiir 4 Singstimmen mit Orchester-Begleitung.]
Partitur. Leipzig. Peters. [182-?] No. 2 in M.222.36
Salvos fac nos. Graduale. [Mit Pianoforte-Begleitung.]
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke.
Band 3, pp. 177-180.) No. 30 in M.202.6.3
Sanctus. Coro. [Accomp. for pianoforte.] (In Latrobe.
Selection of sacred music. Vol. 2, pp. 152-155.)
No. 33 in M.290.29.2
Sciant gentes. Graduale am Sonntag in der sechzigtagigen
Fasten, fiir s. a. t. b., 2 Violinen, 2 Horner, Contrabass
und Orgel. [Partitur.] Wien. Diabelli & Co. [183-?]
No. 10 in M.202.9
Sederunt principes. Graduale am Feste des heil. Stephan,
Erzmartyr's, fiir s. a. t. b., 2 Violinen, 2 Horner u. Orgel.
Partitur. Wien. Diabelli & Co. [183-?] No. 4 in M.202.9
Sinfonia, Lettre B. Partition. Manuscript. [Deldevez.]
1887. No. I in M.403.60
Erroneously ascribed to F. J. Haydn.
Symphonie (in C dur) fiir Orchester. Op. i, Nr. 3. Parti-
tur. Leipzig. Breitkopf & Hiirtel. [1895.]
No. I in M.331.17
Tenebrae. Coro. [Accomp. for pianoforte.] (In Latrobe.
Selection of sacred music. Vol. 2, pp. 97-99.)
No. 22 in M.290.29.2
Also to be found in Rochlitz's Sammlung vorziiglicher Gesangstucke.
Same. When the sixth hour was come. A service for Good
Friday. [Accomp. for organ.] (In Cotton. Bangor
Cathedral music. Pp. 96-100.) No. 15 in M.290.33
To thee, O better country. Hymn. For s. a. t. b. (In Hul-
lah. The Singer's library. Sacred. Pp. 39, 40.)
No. 34a in M. 157.3
Tu es Deus. Graduale am Sonntag in der fiinfzigtiigigen
Fasten, fiir s. a. t .b., 2 Violinen, 2 Trompeten, Contra-
bass u. Orgel. [Partitur.] Wien. Diabelli & Co. [183-?]
No. II in M.202.9
Wer unter eines Madchens Hand. [Mannerchor.] (In
Orpheus. Band i, p. 21.) No. 18 in M. 1293.43.1
When the sixth hour was come. See his Tenebrae.
While conscious sinners tremble. Verse. [Accomp. for
pianoforte.] (In Latrobe. Selection of vocal music.
Vol. I, p. 128.) No. 28 in M.290.29.1
While with her fragrant flowers. Verse. [Accomp. for
pianoforte.] (In Latrobe. Selection of sacred music.
Vol. 5, p. 176.) No. 30 in M.290.29.5
Worship, honor, power and blessing. Chorale. (In La-
trobe. Selection of sacred music. Vol. 4, p. 48.)
No. I in M.290.29.4
Haydn, Johann Michael. Works about.
ScHiNN, J. G. Biographische Skizze von Michael Haydn.
[Anon. Von J. G. Schinn und J. Otter.] Salzburg. 1808.
Portrait. No. i in M.149.21
Haydn collection of church music. Baker, B. F., editor.
M.ioo.ig
Hayes, George H.
The Continentals, or the militiaman's bride. An American
comic opera, in 3 acts. Libretto by Emil Schwab and
Henry H. Putnam. The music by G. H. Hayes. [Ac-
comp for piano.] Boston. Ditson. 1891. No. i in M.276.17
Hayes, John Lord, translator.
Chadwick, G. W. Phoenix expirans. No. 6 in M. 194.8
Hayes, Maria Ximena, translator.
Massenet. Narcissus. No. 2 in M.257.S
Hayes, Philip.
Benedictus, in D. [Accomp. for organ.] (In Hayes, W.
Cathedral music. Pp. 12-20.) M.236.32
A cruel fate. Catch [for 3 voices]. (In Vocal harmonist's
magazine. Vol. i, p. 72.) No. 4 in M.220.5
Hosanna Filio David. Canon. (In Vocal harmonist's maga-
zine. Vol. I, p. 12.) No. 4 in M.220.S
How sweet, how graceful. Glee [a. t. t. B.]. (In Vocal
harmonist's magazine. Vol. i, pp. 78-80.) No. 4 in M.220.5
The Lord descended from above. Full anthem. The organ
accomp. by W. H. Longhurst. London. Novello. [1845.]
No. 20 in M.190.5
Same. The organ part by Vincent Novello. [184-? The
Musical times.] No. 55 in M.158.18
Also to be found in Metcalfe's Fifty metrical anthems; Musical times;
[for s. s. A. T. B.] in HuUah's The Singer's library.
Salvator mundi. Canon [3 in i]. (In Vocal harmonist's
magazine. Vol. i, p. 34.) No. 4in M.220.S
Unbend thy working mind. Catch [for 3 voices]. (In
Social harmony. P. 75.) No. 65 in M.215.21
Also to be found in Vocal harmonist's magazine.
Weep o'er his tomb. Catch [for 4 voices]. (In Vocal har-
monist's magazine. Vol. i, p. 59.) No. 4 in M.220.5
When trumpets sound. Canon [6 in i]. (In Vocal har-
monist's magazine. Vol. I, pp. 63-65.) No. 4 in M.220.5
Why Harry, what ails you? Catch [for 3 voices]. (In Vocal
harmonist's magazine. Vol. i, p. 45.) No. 4 in M.220.5
You always are making. Catch [for 3 voices]. (In Vocal
harmonist's magazine. Vol. i, p. 32.) No. 4 in M.220.S
Hayes, Philip, editor.
Haves, W. Cathedral music in score. M.236.32
Hayes, William.
Ah! lead me. Genius. Round [for 3 voices]. (In Social
harmony. P. 157.) No. 136 in M.215.21
Alike in temper. Catch [for 3 voices]. (In Social harmony.
P. 240.) No. 196 in M.215.21
Also to be found in Vocal harmonist's magazine.
Alleluja. [Canon, 8 in i.] (In Warren. Collection of
catches. Vol. i, p. 88.) No. 89 in M.220.9.1
Arise, ye people, clap the hand. Full anthem. The organ
accomp. by W. H. Longhurst. London. Novello. [1845.]
No. 22 in M.190.5
Ars longa, vita brevis. Round [for 3 voices]. (In Apol-
lonian harmony. Vol. 2, p. 31.) No. 24inM.i4i.2i.2
Also to be found in Social harmony.
Blessed are all they that fear the Lord. Solo [a. or bar.
Accomp. for organ]. (In Ayrton. Sacred minstrelsy.
Vol. I, pp. 90, 91.) No. 31 in M.290.22
Bloom of beauty. Catch [for 3 voices]. (In Apollonian
harmony. Vol. I, p. 3S-) No. 26 in M.141.21.1
Also to be found in Social harmony.
Bow down Thine ear. [Catch for 3 voices.] (In Bland.
The Ladies' collection. Vol. i, p. 6.) No. 7 in M.235.17.1
The Cantate Domino and Deus misereatur, in E flat major.
(In Goss and Turle. Cathedral services. Vol. 2, pp. 2-28.)
No. I in M.233.10
Also to be found in Novello's Cathedral choir book.
A catch that is merry. Catch [for 3 voices]. (In Apollonian
harmony. Vol. i, p. 52.) No. 44 in M.141.21.1
Also to be found in Social harmony.
556
Hayes
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hayes
Hayes, William. (Continued.)
Catches, glees and canons for 3, 4, 5, 6 and 8 voices. Book
I, 2 and Appendi.x. O.xford. The author. 1757, 65. 3 v.
'" '• No. i-3inM.220.5
Contents. — i. Let's drink and let's sing, canon. — Would you sing a
catch. — Come, buy my fine wares. — Ripe sparagrass. — Come, follow
me by the smell. — Charming oysters. — Come, buy my fine oranges.
— Be not sparing. — Cart'ret was welcom'd. — If neither brass nor
marble. — So bright is thy beauty. — No, no, for my virginity. If
the great benefaction. — Democritus, dear droll. — A baker, riding.
Quoth Robin. — To thee, my purse. — What, drink like a beast.
You best beat your pate. — Kind Kath'rine kist. — Here lyeth Sir
John G se. — Here lies old Bridges. — Poor ladies, tho' their busi-
ness. — Joan cudgels Ned. — Lesbia forever on mc rails. — Here lies
Judge Boat. — Ink, come buy. — What, Aaron drunk! — Chairs to
mend. — A plague on our folly. — Here, waiter. — Caro vieni dolci. —
I hear people talk. — Giles Jolt. — The body which within this earth,
— As Sir Toby reel'd home. — Shed, O ye combatants. — No longer,
Orpheus. — Still in our ears. — This tomb be thine. — Winde, gentle
evergreen. — The very bees. — Gently touch the warbling lyre. — Right
Shrewsbury cakes. — Bow down Thine ear. — Help us, O God. —
Alleluia. — Make haste, O God. — O Lord God of hosts. — Clamavi
in toto corde. — Not unto us, O Lord. — Unto Thee, O God. — Bene-
dicite Dominum. — Laudate nomen. — Cantate Domino. — Who is the
King? — Praise the Lord. 2. Cobweb breeches. — A catch that is
merry. — When England shall be out of debt. — Heroes and kings. —
Good wine the heart of man. — Hail, flow'ry mead. — Polly once so
prone. — Thy roses, summer. — Gut eats all day. — Poor Johnny's
dead. — Life is a jest. — Fill, fill your glasses. — When Chloe's kind.
— The thirsty vampires. — Now jolly we are met. — Wilt thou lend
me thy mare? — Great folks. — Why, neighbors, why. — Hum drum
sits my old daddy. — The hammer was up. — As they tramp up and
down. — Nymph of the grot. — Of charming Miss Penlock. — Haste,
ye soft gales. — My love was handsome. — Look at your watch. —
Melting airs. — I pluck'd this morn. — To soothe our care. — Kyrie.
— O Israel illustres. — Hear my prayer, O Lord. — Allelujah, canon,
8 in 1. — O Lord, how glorious. — O Lord our governour. — Smoothly
glide. — O Jova. — Dominus regnavit. — Magnus Dominus. — Cele-
brate Jovam. — Miserere nobis. — Benedicam Jovam. — Resonate
Jovam. — O give thanks unto the Lord. — Mon Dieu pourquoi m'as-tu
abandonne. — Un bel morire. 3. Supplement. O my Clarissa. — The
glories of our birth, by E. Coleman. — O the fickle state, by H. Lawes.
— Turn, Amarillis, by H. Brewer. — Fairest isle, by H. Purcell. —
My mistress will not be content, by Mr. White. — Come, follow me.
— Te Deum. — Memento, homo.
Cathedral music in score. [Edited, with figured bass for
organ, by Philip Hayes. Oxford. 1795.] Engraved title-
page. M.236.32
Contents. — Te Deum & Benedictus in D. — Sanctus, Kyrie, Nicene
creed, Cantate Domino and Deus misereatur, in E flat. — The Lord is
good, anthem [s. a. b.]. — The Lord preserveth, full anthem [s. s. A.
T. B.]. — Praise the Lord, O Jerusalem, anthem [s. s. A. t. t. b.]. —
O God, Thou art my God, solo anthem [a. and chorus]. — Save, Lord,
and hear us, full anthem [s. s. A. T. B.]. — Praise the Lord, O my
soul, solo anthem [s. and chorus, s. s. A. T. B.]. ■ — O worship the
Lord, anthem [s. A. T. B.]. — The Lord, even the most mighty God,
anthera [s. s. A. T. B.l. — Blessed are all they, solo anthem [s. and
chorus]. — Bring unto the Lord, anthem [s. a, t. b.]. — Whoso dwell-
eth, solo anthem [b. and chorus]. — O be joyful, full anthem [s. A.
T. B.]. — I have set God always before me, solo anthem [a. and cho-
rus, s. s. A. T. B.]. — Unto Thee, O God [a. b. and chorus]. — I will
give thanks, solo anthem [s. and chorus]. — Great is the Lord [s. s.
A. T. B.]. — Bow down Thine ear, full anthem [s. a. t. b.]. — Lord,
Thou hast been our refuge, full anthem [s. a. t. b.]. — Lord, how
long, full anthem [s. a. a. t. b.]. — O give thanks, verse anthem [s.
T. B.]. — The Hundredth Psalm [with full orchestral score].
Chairs to mend. A catch [for 3 voices]. {In Apollonian
harmony. Vol. i, p. 33.) No. 24 in M.141.21.1
Also to be found in Bland's The Ladies' collection ; dementi's Collec-
tion of catches: Flowers of harmony; The Harmonist; Social har-
mony.
Cobweb breeches. [Glee, x. x. b.] (/n Apollonian harmony.
Vol. 2, p. 2.) No. I in M.141.21.2
Come, buy my fine wares. Catch. 3 voices. {In Flowers
of harmony. Vol. i, p. 46.) No. 34 in M.157.18.1
Come on, ye jolly hearts. Canon [3 in i]. {In Vocal har-
monist's magazine. Vol. i, pp. 46, 47.) No. 4 in M.220.5
Fill, fill your glasses. Round [for 4 voices]. {In Socialj
harmony. P. 151.) No. 131 in M.215.21
Gently touch the warbling lyre. Glee [a. x. x. b.]. {In
Bland. The Ladies' collection. Vol. i, p. 19.)
No. 29 in M.235.17.1
Also to be found in dementi's Collection of catches; Webbe, Jr.'s
Convito armonico.
Give me but my bottle. Canon [3 in i]. {In Apollonian
harmony. Vol. r, pp. 32, 33.) No. 22 in M.141.21.1
Also to be found in Social harmony.
Hayes, William. (Continued.)
Great is the Lord. Full anthem [s. s. a. x. b. With] organ.
{In Novello's Collection of anthems. Vol. 7, pp. 64-74.)
No. S in M.195.2.7
Hail, flow'ry mead. Catch a 3 voci. {In Apollonian har-
mony. Vol. 2, p. 36.) No. 31 in M.141.21.2
Also to be found in Bland's The Ladies' collection; dementi's Collec-
tion of catches; Social harmony; Turle and Taylor's The People's
music book.
The hammer was up. [Catch for 4 voices.] {In Warren.
Collection of catches. Vol. i, pp. 62, 63.)
No. 78 in M.22o.g.i
Haste, ye soft gales. Round [for 3 voices]. {In Apollonian
harmony. Vol. 2, p. s.) No. 5 in M.141.21.2
Also to be found in Bland's The Ladies' collection ; Social harmony.
Help US, O God. [Round for 3 voices.] {In Bland. The
Ladies' collection. Vol. i, p. 6.) No. 5 in M.235.17.1
Also to be found in Webbe, Jr.'s Convito armonico.
Here lyes old Bridges. Catch a 4 voci. {In Bland. The
Toadies' collection. Vol. i, p. 55.) No. 92 in M.235.17.1
Also to be found in dementi's Collection of catches.
Here lyeth Sir John Guise. Catch a 4 voci. {In Bland. The
Ladies' collection. Vol. i, p. 55. ) No. 91 in M.235.17.1
Also to be found in dementi's Collection of catches.
Here rests my wife. See his On a scolding wife.
The Highland laddie. [Song, x. Accomp. for bassoons,
flutes, violins and basses.] Oxford. Hardy. [18 — ?]
No. 2 in M.235.14
Holy, holy. Introit. For s. a. x. b. {In Hullah. The
Singer's library. Sacred. P. 120.) No. 23a in M. 157.3
I will give thanks unto Thee. Solo [s. or x. Accomp. for
organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp. 202,
203.) No. 74 in M.2go.22.2
If neither brass nor marble. Catch [for 3 voices]. (/«'
Bland. The Ladies' collection. Vol. i, p. 108.)
No. 164 in M.235.17.1
Also to be found in Flowers of harmony: Social harmony.
In a domestic tete-a-tete. Catch [for 3 voices], (,/n Apol-
lonian harmony. Vol. i, p. 55.) No. 48 in M.141.21.1
.Mso to be found in Social harmony.
Let omnibus Wiccamicis. Glee [a. x. B.]. {In Page. Fes-
tive harmony. Pp. 60-66.) No. II in M.23S.II
Let's drink and let's sing. Canon 4 in one in unison. {In
Bland. The Ladies' collection. Vol. i, p. 86.)
No. 136 in M.23S.17.1
Also to be found in dementi's Collection of catches ; Flowers of har-
mony; Webbe, Jr.'s Convito armonico.
Let the French hop and sing. Canzonett [x. B.]. {In Apol-
lonian harmony. Vol. i. pp. 26-28.) No. 17 in M.141.21.1
Also to be found in Social harmony.
Life's a jest. Catch a 3 voci. {In Bland. The Ladies' col-
lection. Vol. I, p. 33.) No. 52 in M.235.17.1
Also to be found in dementi's Collection of catches.
The Lord preserveth. Anthem. For s. s. a. i. b. [Accomp.
for organ.] {In Hullah. The Singer's library. Sacred.
Pp. 65-71.) No. 13 in M.157.3
Make haste, O God. Canon [for 3 voices]. (/« Bland. The
Ladies' collection. Vol. i, p. 55.) No. 89 in M.235.17.1
May does every fragrance bring. Round [for 3 voices]. {In
Social harmony. P. 209.) No. 177 in M.215.21
May the king forever live. Canon, five in one. {In Apol-
lonian harmony. Vol. i. pp. 4I-43-) No. 32 in M.141.21.1
Also to be found in Social harmony.
Melting airs. Glee [a. i. x. B.]. {In Amusement for the
ladies. Vol. i, p. S3-) No. 21 in M.220.3
Also to be found in Apollonian harmony ; Bland's The Ladies' collec-
tion ; dementi's Collection of catches: dementi's Vocal harmony;
Flowers of harmony; Musical library; Orpheus glee book; Social har-
mony ; Warren's Cocks's Hand-book of glees ; Warren's Collection of
catches; Webbe, Jr.'s Convito armonico.
Miserere nobis. Canon [3 in i]. {In Warren. Collection
of catches. Vol. i, p. 89.) No. 90 in M.220.9.1
My God, my God, why leavs't Thou me? [Accomp. for
organ.] {In Metcalfe. Fifty metrical anthems. Pp. 21,
22.) No. 16 in M. 157.34
My soul, praise the Lord. [Accomp. for organ.] {In Met-
calfe. Fifty metrical anthems. Pp. 15, 16.)
No. 12 in M.157.34
SS7
Hayes
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
He
Hayes, William. (Continued.) ,, t,, . t^u
No longer, Orpheus. Round [for 4 voices]. (/» Bland. Ihe
Ladies' collection. Vol. T, p. no.) No. 173 m M.235.17.1
Also to be found in Social Ijarmony.
Not unto US. Canon [3 in I], (/n Webbe, Jr. Convito ar-
monico. Vol. 4. P- 488.) No. 46 in M.234-3-4
O come, fair Hebe. Canon [for 3 voices]. (In Social har-
mony. Pp. 44, 45-) No. 33 in M.215.21
O Mersey. Round [for 3 voices], (/n Social harmony.
p 280.) No. 227inM.21s.21
O praise the Lord, for He is good. [Accomp. for organ.]
(In Metcalfe. Fifty metrical anthems. Pp. 2, 3.)
No. 2 in M.IS7.34
O worship the Lord. Anthem. [With] organ. {In No-
vello's Collection of anthems. Vol 7, pp. 48-63.)
No. 4inM.i9S.2.7
Oh, ever against eating cares. Canon, three in one. (In
Apollonian harmony. Vol. i, p. 29.) No. 19 in M.141.21.1
Also to be found in Social harmony.
On a scolding wife. [Catch for 4 voices.] (/» Apollonian
harmony. Vol. 2, p. 24.^ No. 19 in M.141.21.2
Also to be found in Social harmony.
On thy sweet lips. Catch a 3 voci. (/» Amusement for
the ladies. Vol. i. p. i.) ^ No. i in M.220.3.1
Also to be found in Bland's The Ladies' collection; Flowers of har-
mony; HuUah's The Singer's library; Social harmony; Warren's Col-
lection of catches.
Phillis, my fairest. Catch [for 3 voices], (/n Bland. The
Ladies' collection. Vol. i, p. 31-) No. 45 in M.235-I7-1
Also to be found in Flowers of harmony; Vocal harmonist's magazine.
A pie, a pudding. Catch [for 3 voices], (/n Vocal har-
monist's magazine. Vol. I, p. 71.) No. 4 in M.220.5
Poor Johnny's dead. Catch a 3 voci. (/n Bland. The
Ladies' collection. Vol. i, p. 5) No. 4 in M.235.17.1
Also to be found in dementi's Collection of catches; The Harmonist;
Social harmony.
The power of time. Round for 3 voices, (/n Warren.
Cocks's Hand-book of glees. Vol. 3, p. 16.)
No. 6 in M.157.6.3
Praise the Lord, O Jerusalem. Anthem. For s. s. a. t. t. b.
[Accomp. for organ.] {In Hullah. The Singer's library.
Sacred. Pp. 77-88.) No. 41 in M.157.3
Also to be found in Novello's Collection of anthems.
Praise the Lord, O my soul. Solo [s. or bar. Accomp. for
organ]. {In Ayrton. Sacred minstrelsy. Vol. 2, pp. 57-
5p ) No. 23 in M.2go.22.2
Quoth Robin. Catch [for 3 voices]. {In Webbe, Jr. Con-
vito armonico. Vol. 4, P- 387-) No. 6 in M.234.3.4
Resonate Jovem. Canon [3 in i]. (/n Warren. Collection
of catches. Vol. i, pp. 128, 129.) No. 115 in M.220.9.1
The rose. Glee [t. t. b.]. {In Apollonian harmony. Vol. i,
pp. 12-15.) No. 7 in M.141.21.1
Also to be found in Social harmony.
Save, Lord, and hear us. Full anthem [s. s. a. t. b. Accomp.
for organ]. Edited by J. Stainer. {In Novello's Collec-
tion of anthems. Vol. 8, pp. 204-219.) No. 19 in M.195.2.8
Still in our ears. Round [for 3 voices]. {In Bland. The
Ladies' collection. Vol. i, p. 32.) No. 47 in M.235.17.1
Also to be found in Social harmony.
Sure women and wine. Catch [for 3 voices]. {In Social
harmony. P. 265.) No. 218 in M.21S.21
Tears are my daily food. Canon in unison. {In Social har-
mony. P. 337) No. 286inM.215.21
This tomb be thine. Glee [t. t. b.]. {In Apollonian har-
mony. Vol. 2, p. 45-) No. 37 in M.141.21.2
Also to be found in Bland's The Ladies' collection ; Social harmony ;
Webbe, Jr.'s Convito armonico.
Tipple away. Canon [3 in i]. (/» Social harmony. P. 226.)
No. 188 in M.215.21
Also to be found in Vocal harmonist's magazine.
"To soothe our care." Canon, 3 in i in the unison. {In
Warren. Cocks's Hand-book of glees. Vol. 3, no. 107,
p. 28.) No. 9inM.iS7.6.3
• Unbend thy working mind. Catch [for 3 voices]. {In So-
cial harmony. P. 237.) No. i94in M.21S.21
The verdant leaves. Catch [for 3 voices]. (In Vocal har-
monist's magazine. Vol. i, p. 30.) No. 4 in M.220.S
Hayes, William. (Continued.)
The very bees. Catch [for 3 voices]. {In Bland. The
Ladies' collection. Vol. i. p. 95.) No. 149 in M.235.17.1
Also to be found in Social harmony.
What's the mighty dispute? Canon [for 3 voices]. {In
Vocal harmonist's magazine. Vol. i, pp. 10, 11.)
No. 4 in M.220.5
When Chloe's kind. Round [for 3 voices]. {In Bland.
The Ladies' collection. Vol. i, p. 9.) No. 16 in M.235.17.1
Also to be found in Social harmony.
When Flora decks. Catch [for 3 voices]. {In Apollonian
harmony. Vol. I, p. 21.) No. 11 in M.141.21.1
Also to be found in Social harmony.
Who e'er has travell'd. Catch a 3 voci. {In dementi. Col-
lection of catches. Vol. 2, p. 15.)
No. 99 in M.110.1.2; No. 99 in M.iio.2.2
Also to be found in Turle and Taylor's The People's music book.
Winde, gentle evergreen. [Catch for 3 voices.] (/n Amuse-
ment for the ladies. Vol. 3, pp. 46, 47-) No. 14 in M.220.3.3
Also to be found in The Apollo; Apollonian harmony; Bland's The
Ladies' collection; dementi's Collection of catches; Collection of
glees and catches; Ditson's The Orphean lyre; Flowers of harmony;
The Harmonist ; Musical library ; Musical times [Music] ; Social har-
mony; Webbe, Jr.'s Convito armonico.
Would you sing a catch? Catch a 3 voci. {In Bland. The
Ladies' collection. Vol. i, p. 52.) No. 83 in M.235.17.1
Also to be found in dementi's Collection of catches ; Musical times
[Music] ; Social harmony ; Turle and Taylor's The People's music
book; Warren's Cocks's Hand-book of glees; Webbe, Jr.'s Convito
armonico.
You beat your pate. Catch [for 3 voices]. {In Bland. The
Ladies' collection. Vol. i, p. 7.) No. 11 in M.235.17.1
Also to be found in Social harmony.
Hayes, William. Works about.
AvisoN, C. An essay on musical expression. Likewise, Mr.
Avison's Reply to the author of Remarks on the Essay
on musical expression. London. 1775. M.i2ga.i2
Hayley, William.
The triumph of music; a poem. Chichester. Seagrave.
1804. M. 122.28
Haym, Niccolo Francesco.
Teseo. Dramma tragico . . . Theseus; an opera . . . The
musick composed by Mr. Hendel. London. S. Buckley.
1 713. M.370.50
Words only, in Italian and English.
Haymaker's song, The. Part-song. Stewart, R. P.
No. 34inM.i57.4
Hay-makers. Trio. Behrend. No. 8 in M.204.36.6
Hayne, Leighton George.
Magnificat & Nunc dimittis, in F. [With organ accomp.]
London. Novello. [i860?]
No. 39 in M. 190.3; No. 3 in M.236.22
Ponder my words, O Lord. Anthem. [Accomp. for organ.]
{In Ouseley. Special anthems. Vol. i, pp. 69-79.)
No. 10 in M.233.24.1
Hajmes, Battison, editor.
Mackenzie, A. C. The story of Sayid. No. 2 in M.155.32
Mee, J. H. Missa in B flat major. No. 2 in M.156.32
Hayter, Aaron Upjohn.
Church music. Boston. Ditson & Co. [1863.] M.100.7
Two copies.
Hayward, Tilly Brown, editor.
Musical Cabinet, The. M.235.26
Hazard, Marshall C, compiler.
Easter voices. A carol service. Boston. 1890.
No. 31 in M.158.15
Hazlewood, F.
Kevin's choice. An operetta. Music by T. A. Wallworth.
M.326.14
He and she. Song. Cowen. No. 12 in M. 192.11
He broke the idols. Chorus. Haydn, F. J. No. 18 in M.221.22.3
He comes ordained of yore. Part-song. Jackson, W., of Ma-
sham. No. 24 in M.175.1.4
He comes, the hero comes. Duet. Carey. No. 182 in M.215.21
He comes, the warrior boy. Song. Barnett, J. Lays of the
passions. M.244.20
He giveth His beloved sleep. Anthem. Havens.
No. 29 in M.190.3
558
He
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hear
He is all the world to me. Song. Bishop, H. R.
No. 44 in M.237.7
He is gone on the mountain. Coronach. Attwood.
No. 22 in M.23S.18.3
He is mine. Part-song. Moscheles. Tyrolese melodies. Vol. 2.
No. 13 in M.244.24.2
He is risen. Carol. Fay, H. No. 45 in M.158.15; etc.
He loves and rides away. Part-song. Watson, W. M.
No. 21 in M.121.3
He maketh wars to cease. Anthem. Callcott, W. H.
No. 29 in M.157.3
He promised me at parting. Song. Beethoven. Werke.
Serie 24. M.413.1.24
He's the man. Part-song. Zoellner, C. F.
No. 46 in M.392.27 ; etc.
He saith unto them. Anthem. Lassus. No. 19 in M.233.25.1
He sees and he believes. Chorus. Bishop, H. R.
No. 15 in M.221.22.1
He sent a thick darkness. Chorus. Handel. M.384.28
He shall come down like rain. Anthem. Buck, D. Motette
collection. Vol.2. No. 4 in M.ioo.4.2
He shall feed his flock. Anthem. Handel. No. 36 in M.290.22.1
He stoops to win. Opera. For the Music see Bendall. For
the Libretto see Bridgman.
He takes her hand. Trio. A Beckett, M. A. Agnes Sorel.
No. 10 in M.251.1
He that drinks is immortal. Catch.
Hilton. No. 28in M.110.2.1 ; etc.
PuRCELL, H. No. 23 in M.234.3.4
He that hath a pleasant face. Part-song. H.\tton.
No. 29 in M.195.1.12
He that is thy friend. Glee. Davy. No. 30 in M.iii.4.3
He that loves a rosy cheek. Glee. Jolly. Glees for three
and four voices . . . No. 3 in M.220.29
He that ruleth Israel. Aria. Gardiner, W. Sacred melodies.
Vol. 4. No. 8 in M.236.30.4
He was as the morning star. Anthem. Steggall.
No. 12 in M.233.24.2
He was despised. Anthem. Graun. No. 14 in m. 290.33; etc.
He was despised and rejected of men. Song. Handel.
No. 43 in M.290.22.1
He who trusts in ladies fair. Canon. Eisenhofer.
No. 20 in M.205.10.3; etc.
He will not always thus afflict. Song. Killer, F.
No. 31 in M.ig2.3
Head, Owen.
An evening song. [Part-song.] With triangle accompani-
ment. London. Jefferys. [187-? The Choral Society.]
No. 43 in M.121.3
Headless horseman. The. For pianoforte. Kelley.
No. 3 in M.380.10
Health to my dear. Glee. Spofforth. No. 18 in M.157.2; etc.
Health to our sov'reign. Glee. Shield.
No. i in M.i39a.i8.8; etc.
Health, A, to the brave. Song. Beethoven. Werke. Serie 24.
M.413.1.24
Healy, Gabriel A.
The Nativity play, or Christmas cantata. New York. Sad-
lier & Co. 1885. Plates. M. 105.8
"[This play] is called a cantata because when first given, almost all the
parts were sung. It is ... a dramatic representation, interspersed with
tableaux, carols, and recitations, all relating to the . . . Nativity."
Heap, Charles Swinnerton.
Blessed be the Lord. Anthem for Advent. [Accomp. for
organ.] (In Novello's Collection of anthems. Vol. 0, pp.
164-183.) No. 13 in M.195.2.9
I cried unto the Lord. Anthem [s. s. a. t. b. Accomp. for
organ]. (In Novello's Collection of anthems. Vol. 10,
pp. 164-175.) No. 20 in M. 195.2. 10
If ye love Me. Anthem. [Accomp. for organ.] London.
Novello, Ewer & Co. 1878. No. 17 in M. 158.19
The maid of Astolat. Cantata. Written by Desmond L.
Ryan. Composed by C. S. Heap. London. London
Music Publishing Co. [1886.] 11.155.18
Heap, Charles Swinnerton. (Continued.)
The voice of Spring. Words by Mrs. Remans. Composed
for chorus & full orchestra by C. Swinnerton Heap. [Ac-
comp. for pianoforte.] London. Lucas, Weber & Co.
[1882.] No. I in M.204.ig
While the earth remaineth. Harvest thanksgiving anthem.
[Accomp. for organ.] (In Novello's Collection of an-
thems. Vol. 9, pp. 69-80.) No. 5 in M.195'2-9
Hear Father, hear our prayer. Anthem. Bauer, T.
No. 18 in M.190.1
Hear, Holy power. Part-song. Auber. No. 33 in M.235.7.1 ; etc.
Hear me, O God. Aria. Ciampi. No. 23 in M.236.30.3
Hear me, O Lord. Anthem.
Mudie. Sacred songs. No. 9 in M.280.30
Novello, V. No. 12 in M.290.9.2
Hear me, on my advice relying. Duet. A Beckett, M. A.
.^gnes Sorel. No. 7 in M.251.1
Hear me when I call. Anthem.
Benson. No. 18 in M.157.29
HoRSLEY, W. No. 38 in M.157.28.2
Hear my crsring. Anthem. Astorga. No. 17 in M.290.33
BoYCE. Services and anthems. Vol. 3. M.233.3.3
Holder. A collection of catches. No. 4 in M.120.31
Weldon, J. No. 15 in M.233.23.3
Hear my prayer. Anthem.
Bexfield. Church anthems. M.234.15
Calkin. No. 16 in M.290.14
Croft. Thirty select anthems. Vol. 2. M.233.6.2
Haydn, J. M. No. 33 in M.157.28.1
Norris, C. No. 37 in M.157.3
Southard. Morning and evening. No. 31 in M.190.7; etc.
Hear my prayer, and let my cry. Chorus. Farmer.
No. 14 in M.ioo.io
Hear my prayer, O God. Anthem.
Batten. No. i 2 in M.233.23.3 ; etc.
Greene, M. Forty select anthems. Vol. 2. M.233.7.a
Kent. No. 44 in M.290.22.1 ; etc.
Mendelssohn-Bartholdy, J. L. F. No. 4 in M.243.1; etc.
Parsons, C. Cathedral music. M.233.11
Hear my prayer, O Lord. Anthem.
Croft. Thirty select anthems. Vol. i. M.233.6.I
Dupuis, T. S. No. 7 in M.290.22.1
Hayes, W. Catches, glees and canons. Vol. 2.
No. 2 in M.220.5
Holder. A collection of catches. No. 4in M.120.31
Lambillotte. No. 12 in M.ioo.io
Lassus. No. 25 in M.233.25.3
Mendelssohn-Bartholdy, J. L. F. No. 14 in M.204.36.3
Pergolesi. No. 6 in M.290.29.1
Stroud. No. 15 in M.195.2.7
Winter, P. voN. No. 19 in M.290.9.1 ; etc.
Hear, O God, hear my cry. Anthem. Friedlaender, A. M.
No. 13 in M.195.2.15
Hear, O heav'ns. Anthem. Humfrey. No. 26 in M.233.23.3; etc.
Hear, O Lord. Anthem. Goss, J. No. 16 in M.195.2.4
King, C. No. i in M.157.3; etc.
Marston. No. 10 in M.158.18
Watson, W. M. No. 26 in M.158.20
Hear, O Lord, and consider. Anthem. Greene, M. Forty
select anthems. Vol. 2. M.233.7.2
Hear, O Lord, and have mercy. Anthem. Ouseley.
No. II in M. 195.2.8
Hear, O Thou shepherd of Israel. Anthem.
Bortnyanski. No. 39 in M.157.3
Clarke-Whitfeld. No. 16 in M.195.2.10 ; etc.
Jackson, W., of Masham. Church music. M.234.g
Walmisley. Cathedral music. M.233.16
Hear! oh kind and gracious Saviour. Anthem. Rossini.
No. 13 in M.290.9.1
Hear, sweet spirit. Part-song. Smart, H. No. 2 in M.156.4; etc.
Hear the voice and prayer. Anthem. Tallis.
No. 7 in M.233.25.3
Hear, Thou shepherd of Israel. Anthem. Beckwith.
No. 18 in M.ii 1.4.2
559
Hear
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hedda
Hear us, O Lord. Canon. Smart, G. T. Collection of glees . . .
No. ID in M.235.8
Here what God the Lord. Hymn. Novello, V.
No. 19 in M.17S.1.1
Hear what God the Lord hath spoken. Anthem. Zumsteeg,
J. R. No. 21 in M.201.37
Hear when I call. Anthem. Ebdon. Sacred music. M.233.15
Hear ye, and give ear. Anthem. Steggall.
No. 6inM.i90.8;etc.
Hear, ye gods of Britain. Song. Purcell, H. Beaitties of
Purcell. Vol. i. M.221.2
Hearken to thy faithful swain. Madrigal. Morales.
No. 30 in M.237.15; etc.
Hearken unto my voice, O Lord. Anthem. Parsons, C. Ca-
thedral music. M.233.11
Hearken unto this, O man. Anthem. Kent. Anthems. Vol. 2.
M.233.2i.2;etc.
Heart and voice. Criticism. Glasgow. M.104.41
Heart, The, of Mid-Lothian. Opera. For the Music see
Bishop, H. R. For the Libretto see Terry.
Heart, The, of thy Norah. Ballad. Linley, G. [Songs.]
Vol. I. No. 10 in M.235.19.1
Heart, the seat of soft delight. Song. Handel.
No. 27 in M.23S.18.2
Hearts feel that love Thee. Anthem. Mendelssohn-Bar-
THOLDY, J. L. F. No. 9 in M.204.36.2
Heartwell, Henry, editor.
Attwood. The Castle of Sorrento. No. 2 in M.395.2
Heartz, Harry Lawson.
Cap of fortune. Opera. See his The show girl.
Miladi and the musketeer. A romantic extravaganza by
R. A. Barnet. Music by Harry Lawson Heartz, with
additional numbers by George Lowell Tracy, Edward W.
Corliss, D. K. Stevens, and R. G. Morse. [Accomp. for
pianoforte.] Boston. White-Smith Music Publishing Co.
I goo. M.402.24
Miss Simplicity. A musical comedy by R. A. Barnet. Music
by H. L. Heartz, with additional numbers by E. W. Cor-
liss and Clifton Crawford. Lyrical assistance by Edw. A.
Church and D. K. Stevens. [Pianoforte accomp.] Bos-
ton. White-Smith Music Publishing Co. 1901. M.381.23
The show girl. A musical play. Book by R. A. Barnet.
Lyrical collaborator, D. K. Stevens. Music by H. L.
Heartz, E. W. Corliss. Additional numbers by M. V,'.
Daniels and L. S. Thompson. [Vocal score with piano-
forte accomp.] Boston. White-Smith Publishing Co.
1902. M.382.30
The title on the cover is: Cap of fortune. The show girl.
Heath,
Hey down, down, down. Song [t., with a bass part added].
(In Smith. Musica antiqua. Pp. 33-35) M.236.10
From a copy of about the year 1550.
Heath, Charles.
Beauties of the opera and ballet. London. Bogue. [1845.]
Illus. 10 portraits. M.123.9
Heathcote, Gilbert.
Charity. Glee. Oxford. Hardy. [181-?] No. 45 in M.235.14
Heather-belles. Cantata. For the Music see Roeckel, J. L.
For the Libretto see Roberts, Mrs. M. A.
Heathorn, Thomas Bridges.
The battle of love. Operetta. Music by Luigi Golfieri.
M.2S6.14
Heavenly Branch. Aria. Tuerk. No. 18 in M.290.29.6
Heavenly children. Part-song. Weinzierl. No. 8 in M.203.22
Heavenly Father, grant Thy blessing. Anthem. Salter.
No. 41 in M.I 58.19
Heavenly hill. The. Song. Davenport, A. No. 29 in M.290.12
Heavenly peace on earth is resting. Part-song. Wilm.
No. 27 in M.203.29
Heavens, The, are telling. Anthem- Haydn, F. J.
No. 40 in M.290.22.2
Heavens, The, declare. Anthem.
Boyce. Services and anthems. Vol. 2. M.233.3.2
Croft. Thirty select anthems. Vol. 2. M.233.6.2
Heavens, The, declare. Anthem. (Continued.)
Marcello, B. No. 29 in M.iii.4.2
Webbe, S. Eight anthems. No. i in M.234.7
Heb' auf dein blondes Haupt. Song. Wolf, H. Italienisches
Liederbuch. Band I. M.380.29.1
Hebbel, Christian Friedrich.
Nachtlied. Componirt von Robert Schumann.
No. 4 in M.280.49
Schon Hedwig. Gedicht. Componirt von Ferdinand Killer.
No. I in M.380.7
Hebenstreit, M.
Doctor Faust's Hauskappchen oder Die Rauberherberge im
Walde. Posse in 3 Acten [von Friedrich Hopp. Musik
von M. Hebenstreit. Partitur. Manuscript. 1843?].
M.400.40
Heber, Reginald.
Palestine. A sacred oratorio. The music by W. Crotch.
H.241.21
Hebert, Marcel.
Evolution sentimentale de Richard Wagner. Paris. Cher-
noviz. 1896. No. 2 in M.373.29
Tetralogie, Tristan et Iseult, Parsifal. Trois moments de
la pensee de Richard Wagner. Paris. Fischbacher. 1894.
No. 2 in M.197.18
Hebraeische Lied. Song. Rubinstein. Zwolf Lieder. Op. 78.
No. 17 in M. 193.5
Hebrew music. See Jews. Music.
Hebriden, Die. Overture. Mendelssohn-Bartholdy, J. L. F.
Die Fingals-Hoehle. No. 2 in M.346.14
Hebrides. Music.
McDonald, P., compiler. A collection of Highland vocal
airs, never hitherto published. Added, a few of the most
lively country dances or reels, of the North Highlands &
Western Isles: and some specimens of bag-pipe music.
Edinr. [1784.] No. i in M.380.42
Hecht, Eduard.
Be strong to hope, oh heart. A trio [s. s. a. Accomp. for
pianoforte], (/n Novello's Collection of trios, etc. Vol. 4,
pp. 104-111.) No. I3in M.204.36.4
The charge of the Light brigade. Chorus, with . . . piano-
forte. (In Novello's Part-song book. 2d series. Vol. 15,
pp. 62-74.) No. i2inM.i95.i.i5
Du soUst willkommen sein. [Mannerchor.] (In Abt.
Deutsche Sangerhalle. Vol. i, pp. 94-96.)
No. 33 in M.392.42.1
Eric the Dane. A dramatic cantata. The libretto by Robert
McLean. The music by Edward Hecht. [Accomp. for
pianoforte.] London. Novello, Ewer & Co. [1882.]
No. I in M.194.14
Studenten-Standchen [t. T. B. B.]. (In Abt. Leichte M.Hn-
nerchore. Heft 14, pp. 19-21.) No. 88 in M.246.32
Two lovers. A four-part song. (In Novello's Part-song
book. 2d series. Vol. 17, pp. 38-45-) No. 7 in M.195.1.17
Hecht, Gustav.
Schon Elsabeth. Marchen fiir Solostimmen und Chor mit
Begleitung des Orchesters oder Pianoforte. Dichtung
nach Wilhelm Jensen von Franz Heese. Componirt von
G. Hecht. Clavierauszug. Bremen. Praeger & Meier.
[188-?] No. 3 in M.IS5.25
Hecht, Das, im Karpfenteich. Part-song. Kuntze.
No. 31 in M.392.14
Heck, Johann Caspar.
A complete system of harmony; or, a regular and easy
method to attain a fundamental knowledge and practice
of thorough bass. [London.] The author. [178-?]
No. 2 in M. 205.3
Hecuba. Song. Rubinstein. No. 4in M.351.26
Hecube. Opera. For the Music see Fontenelle, G. de. For
the Libretto see Milcent.
Hedberg, Franz Teodor.
Den bergtagna. Bergkonig's Braut. Romantisk opera.
Musiken af Ivar Hallstrom. M.325.3
Hedda. Opera. For the Music see Le Borne. For the Li-
bretto see Ferrier.
560
Hedenblad
THE ALLEN A. BROWN COLLECTION OF MUSIC
Heilige
Hedenblad, Ivar.
Necken. (Der Neck.) Dikt af J. E. Stagnelius. (Dentsch
von O. F. Hedstrom.) Komponerad for sopran solo,
kor och orkester af Ivar Hedenblad. Klaverutdrag.
Stockholm. Bagge. 1885. No. 4 in M.391.44
Hedouin, Pierre.
Mosaique: peintres, musiciens, litterateurs, artistes dra-
matiques. Paris. Heugel. 1856. Portrait. M.371.6
Hedstroem, O. F., translator.
Hedenblad. Necken. No. 4 in M.391.44
Heerbannlied. Part-song. Rheinberger, J. G. Vier deutsche
Gesange. No. 4 in 1*1.392.22
Heermann, Gottlob Ephraim.
Der Abend im Walde. Eine comische Oper. In die Musiki
gesetzt von Ernst Wilhelm Wolf. No. 2 in M.3S0.23
Die Dorfdeputirten. Eine komische Oper. In Musik ge-
setzt von Ernst Wilhelm Wolf. No. i in 11.350.21
Das Rosenfest. Eine Operette. In Musik gesetzt von
Ernst Wilhelm Wolf. M.3S0.24; No. 2 in M.350.21
Heermann, Hugo, editor.
Schumann, R. A. Traumerei. No. 3 in M.344.18
Heerschau, Die. Opera. For the Music see Eberv^ein.
Heese, Franz.
Schon Elsabeth. Marchen. Componirt von G. Hecht.
No. 3 in M.155.2S
Heftrich, Georg.
Zigeuner-Quartett, fiir vier Mannerstimmen mit Begleitung
des Pianoforte. Op. 93. Leipzig. Schuberth. [18S-?]
No. 12 in M.212.6
Hegar, Friedrich.
Concert fiir die Violine mit Begleitung des Orchesters.
Op. 3- [Partitur.] Offenbach a. M. Andre. [1864?]
No. 6 in M.336.11
Drei Gedichte . . . Fur Mannerchor. Op. 8. Offenbach a.
U. Andre. [1866?] No. 38 in M.392.10
Contents. — Nebeltag. — Reutti im Winkel. — Bundeslied.
Egyptian desert march. [Part song, t. t. b. b.] (/h The
Osgood collection of part-songs. Vol. i, pp. 22-34.)
M.193.23.1
Fest-Ouverture, fiir grosses Orchester. Op. 25. Orchester-
Partitur. Leipzig. Hug & Co. [189-?] No. i in M.358.16
In den Alpen. [Mannerchor.] Op. 11. S«hleusingcn.
Glaser. [1876? Preis-Compositionen des Badiscben
Sangerbundes.] No. 8 in M.392.36; No. 51 in M.392.8
Manasse. Dramatisches Gedicht von Joseph Victor Wid-
mann. Fiir Solostimmen, Chor und Orchester kompo-
niert von Friedrich Hegar. Klavierauszug. Leipzig.
Hug. [1893.] No. I inM.15s.i9
Hegelingenfahrt. Cantata. For the Music see Sturm, V.''.
No. 3 in M.203.23
Hehemann, Max.
Edward Elgar, Der Traum des Gerontius fiir Mezzosopran,
Tenor- und Basssolo, Chor und Orchester. Op. 38. Er-
lautert. Leipzig. Seemann. [1903. Der Musikfiihrer.]
No. 18 in M.217.12.11
Johann Sebastian Bach, Der Streit zwischen Phobus und
Fan. Dramma per musica. Erlautert. Leipzig. See-
mann. [1903. Der Musikfiihrer.] No. 19 in M.217.12.11
Theodor Miiller-Reuter, Hackelberends Begriibnis fiir Chor
und grosses Orchester komponirt und Richard .Strauss
gewidmet. Op. 24. Erlautert. Leipzig. Seemann. [1901?
Der Musikfiihrer.] No. 15 in M.217.12.11
Hehre heilige Musik. Cantata. For the Music see Schulz, A.
For the Libretto see Lueneburg.
Heiberg, Johan Ludvig.
Elverhoi. Skuespil. Sat i Musik . . . af Fr Kuhlau.
M.232.29
Fata Morgana. Romantisk Drama. Med Musik af P. Heise.
No. 2 in M.394.33
Heidegger, John James.
Antiochus. An opera . . . London. J. Tonson. 1712.
M.370.53
Words only, in English and Italian.
Ernelinda. An opera . . . London. J. Tonson. 1713.
Words only, in Italian and English. M.370.S5
Heidegger, John James, translator.
Rossi, G. Hercole. M.370.47
Heidenroslein. Part-song. Hauptmann, M. Sechs Lieder
von Goethe. No. i in M.157.22
Schubert, F. P. Drei Lieder eingerichtet von Robert Mii-
siol. No. IS in M.392.37; etc.
Schumann, R. A. Romanzen und Balladen fiir Chor.
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Heidenroeslein. Song. Schubert, F. P. Siimmtliche Com-
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Taubert, C. G. W. Sechs deutsche Lieder. 5. Werk.
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Heidingsfeld, Ludwig.
Konig Lear. Dramatische Sinfonie in 3 Satzen. Op. 8.
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Der Todtentanz. Charakteristisches Tongemalde fiir
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Zwei Zigeunertanze fiir kleines Orchester. Op. S- Parti-
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Heidrich, Maximilian.
Olympia. Concert-Ouverture fiir grosses Orchester. Op. 3.
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Symphonic in D moll fiir grosses Orchester. Op. 6. Par-
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Heigel, Caesar Max.
Der Vampyr. Romantische Oper. In Musik gesetzt . . .
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Heigel, Theodor.
Kain. Componirt von Max Zenger. No. 7 in M.391.60
Heigh ho! Catch. Webbe, S. No. 6 in M.141.21.1; etc.
Heighington, Musgrave.
Six select odes of Anacreon in Greek and three of Horace
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London. Simpson. [1760.] M.340.23
Heijblom, Alexander W. A.
Banierzang. Gedicht van A. M. de Cock. (Deutsche Ueber-
setzung von Ad. Grimminger.) Voor Mannenkoor en
orkest, door Alex. W. A. Heijblom. Klavieruittreksel.
Amsterdam. Roothaan. 1874. No. 4 in M.270.45
Heije, Jan Pieter.
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Drie madrigalen van Cornells Schuyt (1600). Twee chan-
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denis.] No. i in M.415.2
Bibliography, pp. 9-1 1.
Sweelinck. Acht zes-stemmige psalmen. No. 2 in M.415.2
„Heil dir, Gottin des Gesanges." Cantata. For the Music see
Krebs. For the Libretto see Boesigk.
Heil dir, mein Vaterland. Part-song. Kuhn, E. 3 Gesange.
No. 7 in M.392.15
Heil dir, O Preussenland. Part-song. Fluegel, G.
No. 28 in M.203.7
Heil dir, O Vaterland. Part-song. Abt, F. Acht patriotische
Lieder. No. 12 in M.392.2
Heil und Trost ist uns erschienen. Anthem. Lindpaintner,
P. J. 24 Psalmen. No. 6 in M.2go.30
Heil'ge Nacht. Part-song. Baldamus. Beliebte und empfeh-
lenswerthe Mannerchore. No. 2 in M.203.11
Heilig. Anthem. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 14, Abtheilung c. M.413.3.14C
Heilig, heilig, heilig ist Er. Cantata. For the Music see
Zumsteeg J. R.
Heilig ist Gott. Motet. Bach, C. P. E. No. 29 in M.202.6.3
Heilige Bonifacius, Der. Cantata. For the Music see Koenen.
For the Libretto see Schuermann.
Heilige Elisabeth, Die. Oratorio. For the Music see Mueller,
H. F.
Heilige Kleeblatt, Das. Opera. For the Music see Grosheim.
I 71
561
Heilige
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Heimweh
Heilige Nacht, Die. Cantata. For the Music see Gade. For
the Libretto see Platen-Hallermund.
Heiligen drei Konige, Die. Part-song. Kloberg. Vier Quar-
tette. No. II in M.392.13
Heilmar, der Narr. Opera. For the Music see Kienzl.
Heilmittel, Das. Opera. For the Music see Herold, L. J. F.
For the Libretto see Scribe.
Heim, Ignaz.
Abendruhe. [Miinnerchor.] (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste. Pp.
19, 20.) No. 9 in M.130.7
Abschied vom Vaterland. Mannerchor. (In Eidgenossi-
scher Sangerverein. Wettgesange bei dem 11. . . . San-
gerfeste. P. 36.) No. 9 in M.130.7
Auf deinen Hohen. [Mannerchor.] (/n Eidgenossischer
Sangerverein. Wettgesange bei dem 12. . . . Sangerfeste.
P. 38.) No. 8 in M.130.7
Catschadur dellas Alps. [Mannerchor.] (In Eidgenossi-
scher Sangerverein. Wettgesange bei dem 12. . . . San-
gerfeste. P. 30.) No. 8 in M.130.7
Gruss der Heimat. [Mannerchor.] (In Eidgenossischer
Sangerverein. Wettgesange bei dem 12. . . . Sangerfeste.
P. 8.) No. 8 in M.130.7
Heimweh. [Mannerchor.] (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfeste. P. 24.)
No. 9 in M.130.7
Also to be found in Same, 12. Sangerfeste; Das Rutli.
Heinrich von Ofterdingen. [Mannerchor.] (In Stuttgarter
Liederkranz. Mannerchor-AIbum. Pp. 32, 33.)
No. S in M.203.22
Krieges Tod. Mannerchor. (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 12. . . . Sangerfeste. Pp.
24, 25.) No. 8 in M.130.7
Lebewohl. [Mannerchor.] (In Kantonal-Siingerfest, Wyl.
Mannerchore fiir das 6. . . . Sangerfest. Pp. 7, 8.)
No. 5 in M.130.7
Ligia grischa. [Mannerchor.] (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. Sangerfeste. P. 23.)
No. 9 in M.130.7
Oybin. [Mannerchor.] (In Kantonal-Siingerfest, Wyl.
Mannerchore fiir das 6. . . . Sangerfest. P. 6.)
No. 5 in M.130.7
Sangerspruch. [Mannerchor.] (In Das Riitli. P. 114.)
No. 44 in M.147.4
Das Schweizerland. Mannerchor. (In Eidgenossischer
Sangerverein. Wettgesange bei dem 12. . . . Sanger-
feste. P. 13.) No. 8 in M.130.7
Vaterland, dich schiitzt Gottes Hand. [Mannerchor.] (In
Das Riitli. Pp. 116, 117.) No. 46 in M.147.4
Wanderschaft. Mannerchor. (In Eidgenossischer Sanger-
verein. Wettgesange bei dem 11. . . . Sangerfest. P. 21.)
No. 9 in M.130.7
Heim, J.
Sammlung von Volksgesangen fiir den Mannerchor. 2. Aus-
gabe. Zurich. Schwarz. 1868. M.118.22
Heim, M. C.
Das deutsche Lied. [Mannerchor.] (In Das Riitli. Pp. 336-
338.) No. 140 in M.147.4
Drei Lieder fiir 4 Mannerstimmen. Op. 5. Stuttgart.
Ebner. [187-?] No. 52 in M.392.8
Contents. ■ — Abendfeier. — Im Wirthshaus. — Deutsches Kriegeslied.
Heim, Das. Part-song. Storch. No. 4 in M.212.17
Heimat, Die. Englisches Volkslied. Arrangirt [fiir t. t. b. b.]
von Franz Abt. (In Abt. Leichte Mannerchore. Heft 0,
pp. 8, 9.) No. 52 in M.246.22
Heimat. Part-song. Hopp, J. No. 10 in M.204.39
Jahn, a. No. I in M.370.30
TscHiRCH, R. . No. 8 in M.130.7
Zoellner, a. No. 68 in M.147.4
Heimat, ade! Volksweise [t. t. b. b.]. (In Das Riitli. Pp. 230,
231.) No. 97 in M.147.4
The air is Robin Adair.
Heimatgedenken. Duet. Cornelius. Werke. Band 2.
M.414.20.2
Heimatgruss. Part-song. Kern. Acht. Lieder fiir Manner-
chor. No. 46 in M.392.12
Heimath, Die. Part-song. Abt, F. Fiinf Gesange fiir Manner-
chor. No. 8 in M.392.1
DoRN, H. L. E. Funf Quartette. No. 4 in M.244.11
Fischer, C. L. No. 5 in M.203.22
Spicker. No. 47 in M.392.2S
Storch. No. i in M.392.26
Heimath. Song. Abt, F. Fiinf Lieder. No. 35 in M. 192.1
Heimatland, Das. Part-song. Abt, F. No. 94 in M.147.4
Heimatlied. Part-song. Liebe, E. L. No. ioi in M.147.4
Tauwitz. No. 9 in M.130.7
Heimchen am Heerd. Opera. For the Music see Goldmark;
also Mackenzie, A. C. For the Libretto see Willner;
also Sturgis.
Heimische u. fremde Weisen. Part-songs. Boehme, F. M.
No. 8 in M.392.5
Heimkehr. Part-song.
Abt, F. Friihlings-Wanderung. No. 27 in M.392.1
Gelbke. Zwei Mannerchore. No. 24 in M.392.9
Jahn, A. [Vier Quartette.] No. 26 in M.392.12
Mangold. No. s in M.203.22
Schultz, E. Zwei vierstimmige Mannergesange.
No. 6 in M.392.25
Heimkehr. Song.
Brahms. Sechs Gesange. Op. 7- No. 3 in M.380.40.1
Chopin. 17 polnische Lieder. No. 2 in M. 157.37; etc.
Cornelius. Werke. Band i. M.414.20.1
CuRSCHMANN. Curschmann-Album. No. i in M.157.37
PosA. Vier Lieder. No. 12 in M.380.22
Strauss, R. Fiinf Lieder. No. 9 in M.380.24.1
Vesque von Puettlingen. M.1S8.3
Heimkehr aus der Fremde. -Opera. For the Music see Men-
delssohn-Bartholdy, J. L. F. For the Libretto see Klin-
gemann, C.
Heimkehr aus Frankreich. Part-song. Moehring. Vier Ge-
sange. No. 6 in M.392.18
Heimkehr der Soldaten. For orchestra. Kuecken.
No. 5 in M.331.19
Heimkehr, Die, des Verbannten. Opera. For the Music see
Nicolai, C. O. E.
Heimliche Aufforderung. Song. Strauss, R. 4 Lieder.
No. 3 in M.380.24.2
Heimliche Liebe. Part-song. Duerrner. No. 24 in M.i29a.44
PODBERTSKI. No. 10 in M.2I2.I3
Heimlicher Liebe Pein. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band 2. No. 65 in M.244.7
Heimliches Lieben. Song. Schubert, F. P. Werke. Serie
20, Band 9. M.3i7.i.20.9
Two settings.
HeimUches Verschvyinden. Song. Schumann, R. A. 6 Ge-
sange von W. von der Neun. No. 7 in M.244.15.3; etc.
Heimsoeth, Friedrich.
Ludwig van Beethoven's Missa solennis, Op. 123. Fine
kurze erklarende Beschreibung . . . von einem Mitgliede
des Bonner Sangerchors. Bonn. Henry & Cohen. 1845.
M.371.23
Heimwaerts. Part-song. Hauser, M. H. Sechs Lieder.
No. 37 in M.392.10
Heimweh. Part-song.
Abt, F. Sieben leichte Mannerchore. No. 7 m M.392.35; etc.
Heim, L No. 9 in M.130.7; etc.
Janso'n, F. XII Lieder fiir vier Mannerstimmen.
Fahrende Schiiler.
No. 34inM.392.11
No. 19 in M.392.22
No. 9 in M.392.44
No. 12 in M.212.18
Rheinberger, J. G
Schoen, E. von.
Weidt, C.
Heimweh. Song. -
Abt F. Fiinf Schweizerlieder. No. 20 m M.192.1
Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19.
M.413-3.I9
Posa. Vier Lieder. No. 12 in M.380.22
Schubert F. P. Ach, der Gebirgssohn. Werke. Serie 20,
Band 8. , ^ . M.317.1.20.8
— Oft in einsam stillen Stunden. Werke. Serie 20, Band 4
M.317.1.20.A
Taubert, C. G. W. Vier Lieder. No. 12 in M.192.7
562
Hein
THE ALLEN A. BROWN COLLECTION OF MUSIC
Held
Hein, Julius.
Barbarosa. Musik von Bernh. Hopffer. M.155.26
Heine, Heinrich.
Book of songs. Translated by Charles G. Leland. Phila-
delphia. Leypoldt. 1864. M.ioga.14
Dichterliebe. Liedercyklus. Componirt . . . von R. Schu-
mann. No. 4, 5 in M.244.15.2
Die Heimkehr. 88 Gedichte aus Reisebildern. In Musik
gesetzt von J. Hoven [Pseud.]. M.158.3
The pilgrimage to Kevlaar. Ballad. [Music] by Engelbert
Humperdinck. No. i in M. 193.6
j.Ritter Olaf" (Sir Olaf). Romance. The music by Charles
Braun. No. 2 in M.ig4.5
Sea-greeting. [Music by Arthur W. Thayer.]
No. 2 in M.203.24
Heinefetter, Wilhelm.
Concert-Ouverture fiir grosses Orchester. Partitur. Op. 10.
Berlin. Bote & Bock. [187-?] No. i in M.343.42
[Macbeth.] Ouverture zu Macbeth, Tragoedie von Shake-
speare, componirt fiir grosses Orchester. Op. 13. Par-
titur. Mainz. Schott. [189-?] No. 4in M.344.32
Heinemann, C.
Griiss Gott! [Mannerchor.] Bremen. Fischer. [188-?]
No. 39 in M.392.10
Heini von Steier, Der. Cantata. For the Music see Schach-
ner. For the Lib'retto see Scheffel.
Heini von Steier. Part-song. Schoen, E. von. No. 10 in M.392.44
Heinrich, E.
Johann Sebastian Bach. Ein kurzes Lebensbild. Berlin.
Baensch. 1885. No. 2 in M.372.40
Heinrich, Johann Georg.
Der accentuirend-rythmische Choral. Oder: wie lasst sich
der evangelische Choralgesang in seiner wahren Einfach-
heit allgemein durchfiihren? Glogau. Flemming. 1861.
No. 4 in M.373.27
Heinrich der Finkler. Cantata. For the Music see Wuellner.
For the Libretto see Lemcke.
Heinrich der Lowe. Opera. For the Music and Libretto see
Kretschmer.
Heinrich der Vogler. Cantata. For the Music see Fromm.
For the Libretto see Vogl, J. N.
Heinrich Frauenlob. Part-song. Gade. Lieder fiir Manner-
chor. No. 9 in M.157.21; etc.
Heinrich Pestalozzi. Cantata. For the Music see Schreiber,
G. For the Libretto see Knauth.
Heinrich und Lyda. Opera. For the Music see Neefe.
Heinrich von Ofterdingen. Part-song. Heim, L
No. 5 in M.203.22
Heinz von Stein. Part-song. Thayer, A. W. No. 30 in M.392.26
Heinze, Gustav Adolf.
Die Auferstehung. Oratorium [von Henriette Heinze-
Berg]. In Musik gesetzt von G. A. Heinze. Klavieraus-
zug. Amsterdam. Roothaan & Co. 1863. M.242.9
Euterpe. AUegorische Dichtung von H. Heinze-Berg.
Componirt fiir Mannerchor und Mezzo-Sopran Solo, mit
Begleitung des Orchesters und Pianoforte, von G. A.
Heinze. [Clavierauszug.] Amsterdam. Roothaan. 1873.
No. 3 in M.270.45
Der Feeenschleier. Romantische Dichtung von Henriette
Heinze-Berg. Componirt fiir Solostimmen, gemischten
Chor und Orchester, mit Pianoforte (principale), von
G. A. Heinze. Clavierauszug. Amsterdam. Roothaan.
ig77. No. I in M. 155.20
Missa no. 3, tribus vocibus virilibus [t. t. b.] cum organo.
Op. 39. Amstelodami. Zweers. [186-?] No. 2 in M.191.11
Nog is het bloeijende heerlijke tijd. Gedicht von Otto Ro-
quettc, met nederduitsche vertaling van Louise Heinze.
Gekomponeerd voor mannenkoor en orkest door G. A.
Heinze. Klavieruittreksel. Utrecht. Roothaan. 1872.
No. 2 in M.270.45
Sonntag auf dem Meere [t. t. b. B.]. Op. 32. Leipzig. Eu-
lenburg. [188-?] No. 53 in M.392.8
Vincentius de Paulo. Dramatisches Gedicht, von Hen-
riette Heinze-Berg. Hollandische Ubersetzung von J. J.
Aghina. In Musik gesetzt fiir Solo, Chor und grosses
Heinze, Gustav Adolf. (Continued.)
Orchester von G. A. Heinze. Clavierauszug. Amster-
dam. Roothaan. 1883. No. 2 in M.155.20
Heinze, Louise, translator.
Heinze, G. A. Nog is het bloeijende heerlijke tijd.
No. 2 in M.270.4S
Heinze-Berg, Henriette.
Die Auferstehung. Oratorium. In Musik gesetzt von G. A.
Heinze. M.242.9
Euterpe. AUegorische Dichtung. Componirt von G. A.
Heinze. No. 3 in M.270.45
Der Feeenschleier. Romantische Dichtung von G. A.
Heinze. No. i in M.155.20
Maria Magdalena. Dramatisches Gedicht. In Musik ge-
setzt von F. Coenen. No. 7 in M. 155.22
Vincentius de Paulo. Dramatisches Gedicht. In Musik
gesetzt von G. A. Heinze. No. 2 in M.155.20
Heinze-Berg, Henriette, translator.
HoL. David. No. i in M. 155.25
Heirat, Die, wider Willen. Opera. For the Music see
Humperdinck.
Heirathsanerbieten. Part-song. Moehring. No. i i i in M.246.22
Heise, Peder Arnold.
Drot og Marsk. Tragisk Sangdrama af Chr. Richardt. Sat
i Musik af P. Heise. Klaverudtog. Kj0benhavn. Han-
sen. [1870?] M.245.6
Same. Koenig und Marschalk. Tragische Oper von Chr.
Richardt. Musik von P. Heise. Deutsch von Aug. Har-
lacher. Klavierauszug mit Text. Kopenhagen. Hansen.
[1906.] M.389.43
Fata Morgana. Romantisk Drama af J. L. Heiberg. Med
Musik af P. Heise. Klaverudtog. Kj0benhavn. Hansen.
[188-?] No. 2 in M.3g4.33
Heisig, L.
Der weisse Hirsch. [Miinnerchor.] {In Das Riitli. Pp.
493-500.) No. 208 in M. 147.4
Heiss' mich nicht reden. Song. Schumann, R. A. Lieder,
. . . aus Wilhelm Meister. No. 11 in M.244.15.3; etc.
Heisse Liebe. Opera. For the Music see Enna. For the Li-
bretto see Rosenberg, P. A.
Heisse, stille Liebe schwebet. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band i. No. 16 in M.244.7
Heiter mein liebes Kind. Part-song. Zoellner, C. F.
No. 5 in M. 1293.44
Heitere Bilder aus der Opernwelt. Criticism. Waldstein.
M.376.20
Heitere Lieder. Part-songs. Genee. No. 26, 27 in M.392.9
Heiterer Lebenslauf. Part-song. M.^ngold. No. 157 in M.147.4
Heiterkeit und leichtes Blut. Canon. Mozart, J. C. W. A.
Werke. Serie 7, Band 2. No. 50 in M.315.1.7.2
Hektors Abschied. Song. Schubert, F. P. Werke. Serie
20, Band 3- M.317.1.20.3
Two settings.
Helas, d'une si pure flamme. Aria. Sacchini. Le Sacchini
des concerts. M.274.9
Helas, j'ai sans merci. Part-song. Lassus. Sammtliche
Werke. Band 16. M.8o4oa.67.i6
Helas, mon Dieu, tu me fais tant de bien. Part-song. Lassus.
Sammtliche Werke. Band 16. M.8o4oa.67.i6
Helas, quel jour seray-je. Part-song. Lassus. Siimmtliche
Werke. Band 12. M.8o4oa.67.i2
Helas, Seigneur, je te pri' sauve moy. Anthem. Sweelinck.
Werken. Deel 2. M.413.2.2
Helbig, F. W. , • , t-,u
Sangerfestspruch. [Mannerchor.] (In Saechsischer hlb-
gau-Sangerbund. Jubilaums Gesange. P. i.)
No. I in M.392.24
Held, Fr.
Vier Lieder fiir vierstimmigen Mannerchor. Berlin-Char-
lottenburg. Fritze. [185-?] No. 9 in M.392-36
Contents. — Wach auf. — O freue dich. — Mein Lieben. — Mondnacht
563
Held
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hemans
Held, Johann Theobald.
Weitenweber, W. R. Aus dem Leben und Wirken des
Herrn Joh. Theob. Held . . . Eine Festschrift. Prag.
1847. Portrait. M.371.29
Held, Ludwig.
"Das Modell." Operette. Text von Victor Leon [Pseud.]
u. Ludwig Held. Musik von Franz von Suppe. M.397.65
Der Obersteiger. Operette von M. West und L. Held.
Musik von Carl Zeller. M.381.71
Der Vagabund. Operette von M. West und L. Held
Musik von Carl Zeller. M.325.34
Der Vogelhandler. Operette von M. West und L. Held.
Musik von Carl Zeller. M.320.33
Heldenfeier. Part-song. Gelbke. Zwei Mannerchore.
No. 25 in M.392.99
Heldengesang in Walhalla. Part-song. Stuntz.
No. 68 in M. 1293.44
Heldenleben. Overture. Horneman. No. 3 in M. 343.42
Heldenleben, Ein. Symphonic poem. Strauss, R. M.403.111
Heldenlied. Symphonic poem. Dvorak. No. 2 in M.403.30
Heldentod. Part-song. Art, F. Kriegs- und Sieges-Lieder.
No. 12 in M.392.39
Heldt, Helge.
Die Tageszeiten. Dichtung. Concertante in 4 Satzen von
Joachim Raff. M.33I-27
Heldt, Johannes.
Drei Lieder fiir vierstimmigen Mannerchor. Leipzig. For-
bere. [i87g?] No. 40 in M.392.10
Contents. — O wie wunderschon ist die Fruhlingszeit ! — Abends. —
Maifest.
Helena. Opera. For the Music see Mehul.
Helendaal, Peter. See Hellendaal, Peter.
Helene. Duet. Berlioz, L. H. No. 2 in M.391.32; etc.
Helene. Opera. For the Music see Mehul. For the Libretto
see Reveroni de Saint-Cyr.
Helene. Opera. For the Music see Messager; also Saint-
Saens. For the Libretto see Delair.
Helft mich, ihr Schwestern. Song. Schumann, R. A. Frauen-
liebe und Leben. No. 2 in M.244.15.2
Helga. Opera. For the Music see Woikowsky-Biedau.
Heliantus. Opera. For the Music and Libretto see Gold-
schmidt, A. von.
Heliotrope. For pianoforte. Blumenthal. No. ii in M.190.10
Heliotrope, L'. Song. Schubert, F. P. Melodies. Vol. 3-
M.327.4-3
Hell, Theodor, pseud. See Winkler, Carl Gottfried Theodor.
Hell in's Fenster scheint die Sonne. Part-song. Kremser.
Neue Chor-Compositionen. Band i, Heft 3.
No. 15 in M.392.14
Hellas. Incidental music. For the Music see Selle. For the
Libretto see Shelley, P. B.
Helle, Antoine.
Les echos sacres. Repertoire de 12 morceaux de musique
religieuse a deux, trois, quatre et cinq voix avec accomp.
d'orgue. Op. 10. Mayence. Schott. [1881?]
No. 5 in M.201.32
Contents — i. O Salutaris [s. a. t. b.]. 2. O Salutaris [pour i, 2, 3 ou
4 voixL 3. lantum ergo, choeur pour masse chorale. 4- Tanturn ergo
[s A B 1 5. Pie Jesu [s. bar.]. 6. Ave verum [s. A. T. B.l 7-. Stabat
Mater, paraphrase du chant gregorien [s. A. T. B.]. 8. Ave Mana [s. A.
T. B.L 9-12. Messe solennelle : Kyrie ; Gloria in cxcclsis ; Saiictus ;
Agnus Dei. . , , ,> r ^
Messe de Sainte Cecile, pour deux voix egales d enfants ou
d'hommes, ou pour trois voix d'hommes [t. t. b.] avec
accomp. d'orgue obHge. Op. 21. Mayence. Schott.
Tjgg. n No. I in M.20I.I0
Helle. Opera. For the Music see Duvernoy. For the Li-
bretto see Du Commun Du Locle.
Helle Sonne, Die, leuchtet. Song. Franz, R. Aus Osten.
Op. 42. No. 62inM.244.s.3
Rubinstein. Zwolf Lieder des Mirza-Schaffy.
No. 8 in M.T92.5
Hellendaal, Peter.
Glory be to the Father. Canon [S in i]. (/n Warren. Col-
lection of catches. Vol. i, pp. 344, 34S-)
No. 207 in M.220.g.i
{In Warren. Vocal har-
No. 19 in M.220.10
Heller Blick. Song. Haydn,
Heller, Ein, und ein Batzen.
No. I in M.406.42
{In Orpheus. Band 6,
No. 183 in M. 1293.43.6
[Mannerchor.] {In
No. 189 in 11.1293.43.6
Hellendaal, Peter. (Continued.)
Love, inform thy faithfull. Glee,
mony. Pp. 25-31.)
Heller, Stephen.
Barbedette, H. Stephen Heller: his life and vyorks. From
the French. By Robert Brown-Borthwick. London.
1877. Facsimile. No. 3 in M.128.32
Twelve pages at the end contain a Catalogue of Heller's pianoforte
works.
F. J. Gesange. Heft i.
No. I in M.312.35
Part-song. Krause, T.
No. 28 in M.392.42.4
Hellmann, C, editor.
Liszt. Polonaise, Zweite. Fiir Militarmusik bearbeitet.
No. 2 in M.403.gs
Hellmesberger, Joseph, editor.
Wolf, H. Penthesilea.
Hellriegel, B.
Bundes-Festlied [t. x. b. b.]. {In Saechsischer Elbgau-San-
gerbund. Jubilaums Gesange. Pp. 6, 7.) No. i in M.392.24
Hellwig, Carl Friedrich Ludwig.
Bow down Thine ear. Air [s. or bar. Accomp. for organ].
{In Ayrton. Sacred minstrelsy. Vol. 2, pp. 77-79.)
No. 32 in M.290.22.2
Erster Verlust. [Gesang, s. o. t. Mit Begleitung des
Pianoforte.] {In Deutsche Gesange. P. 6.)
No. 13 in M.221.33
Freundschaft und Liebe. [Gesang, s. o. t. Mit Begleitung
des Pianoforte.] {In Deutsche Gesange. P. 5.)
No. 13 in M.221.33
Lob des Gesanges. [Mannerchor.]
pp. 7, 8.)
Vieler Trug bethort das Leben.
Orpheus. Band 6, pp. 18, 19.)
Helm, Theodor.
Ludwig van Beethoven, Siebente Symphonie (in A-dur, Op.
93). Erlautert. Frankfurt a. M. Bechhold. [1898. Der
Musikfiihrer.] No. 19 in M.217.12.3
Helmore, Frederick.
Memoir of the Rev. Thomas Helmore. London. Masters
& Co. 1891. Portrait. M.104.4
Speakers, singers and stammerers. London. Masters &
Co. 1874. Plates. M.108.44
Helmore, Thomas, translator.
Fetis, F. J. A treatise on choir and chorus singing.
No. 2 in M. 112.20
Helmore, Thomas. Works about.
Helmore, F. Memoir of the Rev. Thomas Helmore.
London. 1891. M.104.4
Helmsman's song. For violin and piano. Wagner, W. R.
No. 18 in M.357.13
Heloise. For pianoforte. Louis, N. No. 3 in M.390.26; etc.
Heloise et Abelard. Opera. For the Music see Hub3ns; also
Litolff. For the Libretto see Richemont; also Nicolaie,
L. F.
Help me, each harmonious grove. Glee. {In Bland. The
Ladies' collection. Vol 2, p. 191.) No. 227 in M.235.17.3
Help me, O Lord. Canon. Arne, T. A.
No. 116 in M.220.9.1 ; etc.
Anthem. Durante, F. No. 36 in m. 157.28.2
No. 5 in M.235.17.1 ; etc.
Anthem. Longhurst. No. 28 in M. 190.5
Song. Beethoven. Werke. Serie 24.
M.413.1.24
For the Music see Macfarren, G. A. For
see Oxenford, J.
Hemans, Felicia Dorothea.
Elysium. The music by Rosalind Frances Ellicott.
No. 3 in M.204.11
Eudora. A dramatic idyll. Music by William Creser.
No. 2 in M.28S.38
The landing of the Pilgrim Fathers. A cantata. Composed
by Otto Singer. No. 4 in M.384.16
Help us, O God.
Hayes, W.
Help us, O Lord.
Helpless woman.
Helvellyn. Opera.
the Libretto
564
Hemans
THE ALLEN A. BROWN COLLECTION OF MUSIC
Henrion
Hemans, Felicia Dorothea. (Continued.)
Same. The Pilgrims. Composed by G. W. Chadwick.
No. 2 in M. 194.8
The legend of the bended bow. Cantata [composed] by
W. W. Gilchrist. No. 17 in M.392.28
The voice of Spring. Composed by C. Swinnerton Heap.
No. I in M.204.19
Hemberger, Johann August.
Quatre senates, pour le clavecin, ou forte piano, avec ac-
comp. de violon. Op. 13. [Piano seul.] Lyon. Guera.
[1787-] No. 3 in M.210.3
Same. [Partie de violon.] No. 23 in M.210.9
Hemery, femile.
La girouette. Opera comique de MM. E. Hemery et H.
Bocage. Musique de A. Ccedes. M.285.21
Le roi d'Yvetot. Opera-bouffe de H. Chabrillat et E.
Hemery. Musique de Leon Vasseur. M.325.25
Hemlock tree, The. Part-song. Beale, T. W. No. 23 in M. 157.1
Hatton. No. loin M.195.1.6; etc.
Hemmings-Lied. Song. Gade. Lieder und Gesange. Heft 2.
No. 3 in M. 192.3
Hempel, Charles William.
Church services and anthems, in full score, with a separate
accomp. for the organ. London. Falkner. [181-?]
No. I in M.233.27
Contents. — Two chants, Te Deum, Jubilate, Sanctus, Kyrie, Nicene
creed, Hallelujah, in Bfe. — Two chants, Magnificat, Nunc dimittis in
Bb- — Anthems: I will arise; Ponder my words; Like as a hart.
A morning and an evening service, consisting of chants,
Te Deum, Jubilate, Kyrie, Magnificat & Nunc dimittis.
Also 20 melodies adapted to portions of the Psalms, and
two anthems. The whole in score with a separate ac-
comp. for the organ. London. Falkner. [1815.]
No. 2 in M.233.27
The Te Deum, Jubilate and Kyrie are in C; the Magnificat and Nunc
dimittis in E flat.
Hempel, Richard.
Die Welt ist dein! [Miinnerchor.] (In Abt. Deutsche
Sangerhalle. Vol. 3, p. 81.) No. 25 in M.392.42.3
Hence, all ye vain delights. Glee. Webbe, S.
No. I in M.234.2.5; etc.
Hence, avaunt! Glee. Pring, J. C. No. 102 in M.22o.g.4
Hence, begone each idle sport. Glee. Taylor, R.
No. IIS in M.215.21
Hence, dull care and sadness. Part-song. Gastoldi.
No. 71 in M.237.15
Hence, loathed Melancholy. Glee. Lahee. No. 9 in M. 195. i. 15
Hence with your trifling deity. Song. Purcell, H. Beauties
of Purcell. Vol. 2. M.221.2.2
Henderson, William James.
Preludes and studies. Musical themes of the day. New
York. Longmans, Green & Co. 1891. M.i49a.28
Contents. — A study of Der Ring des Nibelungen. — Wagneriana. —
The evolution of piano music. — Schumann and the Programme-sym-
phony.
The story of music. London. Longmans, Green & Co.
1889. M.108.14
Henkel, Heinrich.
Leben und Wirken von Aloys Schmitt. Frankfurt a. M.
Sauerlander. 1873. Portrait. No. 2 in M.137.9
Henle, Elise. See Levi, Elise Henle.
Henley, Phocion.
Fairest flow'r. Glee. (In The Harmonist. Vol. 6, p. 7.)
No. 2 in M.218.8.6
Also to be found in Vocal harmonist's magazine.
Henne, Die. Song. Brahms. Volks-Kinder Lieder.
No. 8 in M.380.40.3
Henneberg, Johann Baptist.
Se lontan ben mio tu sei. [Mannerchor.] (In Orpheus.
Band 4, pp. 51, 52.) No. 144 in M.i29a.43.4
Hennequin, Alfred Neocles.
Le brosseur. Comedie. Musique de Edmond Audran.
M.255.18
La femme a papa. Comedie-operette de Hennequin et Al-
bert Millaud. Musique deHerve [pseud.]. No. 2 in M.276.34
Hennequin, Alfred Neocles. (Continued.)
Les fetards. Operetta de Antony Mars & Maurice Henne-
quin. Musique de Victor Roger. M.402.47
Same. The rounders. A vaudeville adapted from the
French [of Antony Mars and Maurice Hennequin]. Music
by Ludwig Englander. M.402.15
Fleur d'oranger. Vaudeville de MM. A. Hennequin & V.
Bernard. Musique de A. Coedes. No. 3 in M. 285.16
Lili. Comedie-operette de MM. Alfred Hennequin & Al-
bert Millaud. Musique de Herve [pseud.]. No. 2 in M.276.25
Ninetta. Opera-comique de MM. Alfred Hennequin & A.
Bisson. Musique de Raoul Pugno. M.297.19
Niniche. Piece. Paroles de A. Hennequin & A. Millaud.
Musique de Marius BouUard. M.363.3
La petite Poucette. Vaudeville-operette de Maurice Or-
donneau & Maurice Hennequin. Musique de Raoul
Pugno. No. I in M.297.21
Le presomptif. Opera-bouffe. Paroles de Alfred Henne-
quin et Albin Valabregue. Musique de Louis Gregh.
M.266.33
The rounders. See his Les fetards.
Sa Majeste I'Amour. Operette de M. Hennequin et A.
Mars. Musique de Victor Roger. M.393.62
Les trois devins. Operette. Paroles de Hennequin et Vala-
bregue. Musique de fidouard Okolowicz. M.277.16
Le 3eme hussards. Opera-comique de Antony Mars & Mau-
rice Hennequin. Musique de Justin Clerice. M.303.22
Hennes, Aloys.
Therese Hennes and her musical education. Translated by
H. Mannheimer. London. Tinsley. 1877. Portrait.
M.109.26
Hennig, Carl.
Die Konigreiche [x. t. b. b.]. Op. 27. Berlin. Bote & Bock.
[188-?] No. 54 in M.392.8
Rund ist AUes auf der Welt. [Mannerquartett.] Op. 42,
No. I. Leipzig. Siegel. [1856? Drei heitere und ko-
mische Mannerquartette.] No. 10 in M. 392.36
20 ein- und zweistimmige Lieder mit Begleitung des Piano-
forte. Op. 2, Heft I. Berlin. Esslinger. [185-?]
No. 17 in M.203.8
Contents. — i. Schneeglocklein. 2. An den Abendstern. 3. Wiegenlied.
4. An ein kleines Kind, 5. Der Morgen. 6. Friihliugsleben. 7. Friih-
lingswonne. 8. Fruhlingsanfang. 9. Schlummerlied. 10. Der entflo-
hene Sommer. 11. Sonntag.
Nos. 3, 8, 9, and 1 1 only are for one voice.
Henniker, Henry Faulkner.
The martyrdom of St. Stephen. An oratorio. [Accomp. for
pianoforte.] London. Novello, Ewer & Co. [189-?]
No. 2 in M. 194.14
Henri Quatre. Opera. For the Music see Bishop, H. R. For
the Libretto see Morton, T.
Henri IV. Song. Rouget de Lisle. 48 chants frangais. M.202.44
Henriette, Lady.
Galop des fous. .A.rrange pour piano par N. Louis. Paris.
Bernard-Latte. [184-?] No. 36 in M.390.17
Henrion, Paul.
Chanteuse par amour. Operette en i acte. Paroles de
Georges Vibert et Raoul Toche. Musique de Paul Hen-
rion. [Partition chant et piano.] Paris. Bathlot. [1877.]
No. 4 in M.276.16
Un charcutier dans les fers. Saynete. Paroles de Chardin.
Musique de Paul Henrion. [Partition chant et piano.]
Paris. Bathlot. [1878.] No. i in M.393.S6
Le moulin de Javelle. Opera-comique en un acte. Paroles
de E. Grenet-Dancourt. Musique de Paul Henrion. Par-
tition piano et chant. Paris. Bathlot-Joubert. [1894.]
No. 2 in M.3g3.22
Paola et Pietro. Saynete. Paroles de Bedeau. Musique
de P. Henrion. [Partition piano et chant.] Paris. Feu-
chot. [1868.] No. 2 in M.276.19
Une rencontre dans le Danube. Opera comique en 2 actes.
Paroles de J. de Wailly et Germain Delavigne. Musique
de Paul Henrion. Partition piano et chant. Paris. Co-
lombier. [1854.] No. i in M.276.19
565
Henrion
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Henselt
Henrion, Paul. (Continued.)
La treille du roi. Opera-comique en i acte. Paroles de
Charles Dupeuty. Musique de Paul Henrion. [Accomp.
de piano.] Paris. Magasin des demoiselles. 1856.
No. 2 in M.256.19
Henrion, Poly, pseud. See Kohl von Kohlenegg, Leopold,
Freiherr von.
Henriques, Fini Valdemar.
Suite (fa majeur) pour hautbois, avec accomp. d'instru-
ments a cordes. Op. I3- Partition. Copenhague. Han-
sen. [188-?] No. 2 in M.403.58
Henriques, Robert.
Aquarellen (i. Bei Sonnenuntergang, 2. Gnomentanz,) fiir
Orchester. Op. 2. Partitur. Leipzig. Eulenberg. [189-?]
No. I in M.40S.20
Henriques, Robert, editor.
Grieg. Menuett (aus der Senate fur das Pianoforte).
No. I in M.342.1
Henry IV. Opera. For the Music see Martini, J. P. fi. For
the Libretto see Rosoy.
Henry VIII., of England, alleged author.
O Lord, the maker of all things. No. 7 in M.233.23.2.; etc.
This was composed by W. Mundy.
Henry VIII. Opera. For the Music see Saint-Saens. For
the Libretto see Detroyat.
Henry, A.
Whittington and his cat. Extravaganza. The incidental
music selected from Offenbach, with original numbers by
Mrs. Henry and W. C. Levey. No. 6 in M.277.19
Henry, Charles. See Henry, Louis Charles A.
Henry, Felix.
Insomnie. Monologue. Musique de Gaston Serpette.
No. I in M.322.30
Henry, John J.
Is the Handel & Haydn Society a one-man power? [Bos-
ton. 1874.] No. 3 in M.144.18
Henry, Louis Charles A.
Fleur de neige. Opera comique en un acte. [Poeme de
Armand de Gavardie. Musique de Charles Henry. Par-
tition chant et piano.] Paris. Manuel. [189-?]
No. I in M.402.68
Henry, Richard.
Frankenstein. Burlesque melodrama. The music by W.
Meyer Lutz. No. i in M.393.42
Henry cuU'd the flow'ret's bloom. Song. Sacchini.
No. 4S in M.23S.18.3
Henry's cottage maid. Song. Pleyel, I. J. No. 14 in M.384.48
Henschel, Georg.
„Beweinet, so geweint in Babel's Land." Dichtung von
Lord Byron (iibersetzt von F. Theremin). Fiir 2 Bass-
Stimmen und Orchester in Musik gesetzt von Georg
Henschel. Op. 30. Partitur. Berlin. Simrock. 1879.
No. 5 in M.346.10
Drei Gedichte . . . fiir vier Mannerstimmen. Op. 7. Leip-
zig. Siegel. [1874?] No. II in M.392.36
Contents. — Dein siissen rothen Lippen. — Abendlied. — Wundert's dich?
Drei Mannerchore. Op. 42. Berlin. Simrock. 1889. 3
parts in i v. No. 55-57 in M.392.8
Contents. — i. Treu. 2. Gute Nacht. 3. Natur die Trosterin.
In Thy name shall they rejoice. A quartet [s. s. a. a. Ac-
comp. for pianoforte]. {In Novello's Collection of trios,
etc. Vol. 5, pp. 100-103.) No. 19 in M.204.36.5
The king and the poet. Words from the German by James
T. Fields. Music [t. t. b. b.] by Georg Henschel. [Bos-
ton. Apollo Club.] 1882. No. 41 in 11.392.10
The music to Shakespeare's Hamlet. Op. 52. Deutsche
Ubersetzung von Schlegel. Full score. London. No-
vello. Ewer & Co. 1892. M.403.69
Nubia. Oper in drei Aufziigen (nach einer Novelle von
Richard Voss) von Max Kallbeck. Musik von Georg
Henschel. Op. 58. VoUstandiger Klavier-Auszug mit
Text. Berlin. Bote & Bock. [1899.] M.382.31
Henschel, Georg. (Continued.)
Out of darkness, "Aus der Tiefe" (Psalm CXXX). For
soli, chorus & orchestra. Op. 31- [Accomp. for piano-
forte.] London. Novello, Ewer & Co. [1879.]
No. I in M.194.15
Quartett in Es dur, fiir zwei Violinen, Viola & Violoncell.
Op. 55. Partitur. Berlin. Schlesinger. [1897.]
No. 3 in M.338.16
Requiem (Missa pro defunctis) fiir Chor, Solostimmen und
Orchester. Op. 59. Partitur. Leipzig. Breitkopf &
Hartel. 1902. M.402a.i6
Same. Klavier-Auszug mit Text. M.384.31
A sea-change; or, love's stowaway. A comic opera, in 2
acts and an epilogue. Written by W. D. Howells. Com-
posed by Georg Henschel. [Accomp. for pianoforte.]
London. Triibner & Co. [1884.] M.276.ao
Serbisches Liederspiel (Servian romances). Eine Reihe
altserbischer Volkslieder, nach der Talvj'schen Uberset-
zung fur eine und mehrere Singstimmen (s. a. t. b.) mit
Begleitung des Pianoforte. Translated into English by
Natalia Macfarren. Op. 32. Berlin. Simrock. 1878.
No. 2 in M.ig4.is
Contents. — Schlimm fiir die Manner [s. A. T. b.]. — Das hose Jahr
[b.]. — An die Nachtigall [s. a.]. — Der Knabe an die Mutter [t.].
— Unter dem Mandelbaum [s. a. T. b.]. — Todtliche Krankheit [s.].
— Ich vergonn' es ihm [s. a.]. — Die Braut [a.]. — Der bezauberte
Knabe [t. b.]. — Die gefangene Nachtigall [s. a. t. b.].
Serenade. Marcia, Andante, Scherzo und Finale fiir Streich-
Orchester, in Canonform. Op. 23. Partitur. Leipzig.
Breitkopf & Hartel. [1877?] No. 4 in M.346.10
Stabat Mater, for soli, chorus and orchestra. (Op. 53.)
[Vocal score, with accomp. for piano.] London. Novello,
Ewer & Co. 1894. No. i in M.384.32
To my turtle dove [t. x. b. b.]. Boston. Schmidt & Co.
[1883.] No. 42in M.392.10
Henschel, Max.
Der alte Dessauer. Operette. Musik von Otto Findeisen.
M.402.19
Hensel, Fanny Caecilia.
Dost thou hear the trees? A four-part song. {In Novello's
Part-song book. 2d series. Vol. 12, pp. 57-60.)
No. 13 in M.195.1.13
In autumn. A four-part song. {In Novello's Part-song
book. 2d series. Vol. 12, pp. 67-70.) No. 15 in M.195.1.12
Morning greeting. A four-part song. {In Novello's Part-
song book. 2d series. Vol. 12, pp. 71-76.)
No. 16 in M.195.1.12
The unknown land. A four-part song. {In Novello's Part-
song book. 2d series. Vol. 12, pp. 61-66.)
No. 14 in M.195.1.12
When woods are glowing. A four-part song. {In Novello's
Part-song book. 2d series. Vol. 12, pp. 80-95.)
No. 18 in M.195.1.12
The woodland valley. A four-part song. {In Novello's
Part-song book. 2d series. Vol. 12, pp. 77-79.)
No. 17 in M.195.1.X2
Hensel, Fanny Caecilia. Works about.
KoENiG, N. Fanny Mendelssohn. D'apres les memoires de
son fils. Par E. Sergy [pseud.]. Paris. 1888. M.118.16
Hensel, Johann Daniel.
Cyrus und Kassandane. Ein Singspiel von Professor Ram-
ler. In Musik gesetzt . . . von J. D. Hensel. [Klavier-
auszug.] Halle. Hendel. 1787. M.220.31
Hensel, Octavia, pseud. See Seymour, Mary Alice Ives.
Hensel, Sebastian.
The Mendelssohn family (1729-1847). From letters and
journals. Translated by Carl Klingemann and an Ameri-
can collaborator. 2d edition. London. Low. 1882. 2 v.
Portraits. M.13S.3
Henselt, Adolf von.
Concerto pour le piano avec accomp. de grand orchestre, ou
de quintuor, ou d'un second piano. Op. 16. Pour piano
seul. Leipzig. Breitkopf & Hartel. [1850?] No. 4 in M.200.S
Normanns Gesang. [Fur Pianoforte.] {In Weber-Album.
Pp. 8, 9.) No. 3 in M.244.17
566
Hensler
THE ALLEN A. BROWN COLLECTION OF MUSIC
Herbert
Hensler, Carl Friedrich.
Das Donauweibchen. Komisch-romantische Oper. i. ii. 2.
Theil componirt von F. Kauer; 3. Theil nachcomponirt
in Kauer'schen Manier von G. B. Bierey. M.330.5
Das Sonnenfest der Braminen. Oper. Musik v. W. Miiller.
M.330.IO
Die Teufelsmuhle, Seitenstiick zum Donauweibchen. Eine
romantisch-komische Oper, von Wenzel Miiller.
No. 2 in M.350.8
Henslowe, William Henry.
The phonarthron. Or, natural system of the sounds of
speech; a test of pronunciation for all languages: also
the phonarithmon, and the phonodion . . . London.
Rivington. 1840. M.372.57
Hentschel, Theodor.
Adagio (Melusine in ihrem Bereiche) fiir grosses Orchester
aus der Oper Die schone Melusine (Die Braut von Lusi-
gnan). Leipzig. Oberdorffer. [1875?] No. 2 in M.405.20
Friihlingsnacht. Dichtung von Heinrich Martin [Pseud.^.
Fur Sopran-Solo, Bariton-Solo, Chor und Orchester von
Theodor Hentschel. Clavierauszug. Bremen. Cranz.
[188-?] No. 3 in M.194.1S
Lancelot. Oper in 4 Aufziigen, von Franz Bittong. Musik
von Theodor Hentschel. Vollstandiger Clavier-Auszug.
Bremen. Cranz. [1878.] M.276.22
Die schone Melusine. (Die Braut von Lusignan.) Roman-
tische Oper in 3 Acten und einem Vorspiel, von F.lard
Hoffschlaeger. Musik von Theodor Hentschel. [Clavier-
auszug.] Bremen. Cranz. [1875.] M.276.21
Same. Raimunds Wanderung, fiir grosses Orchester bear-
beitet von Richard Hofmann. Partitur. Leipzig. Ober-
dorffer. [1875?] No. 3 in M.40S.20
Vier Gedichte . . . fiir Mannerchor. Op. i6. Bremen.
Praeger & Meier. [186-?] 4 parts in i v.
No. 43-46 in M.392.10
Contents. — I. Deutsches Lied. 2. Sommemacht auf dem Meere. 3.
Junges Herzl 4. Schlaf ein!
Henzen, Carl Georg Wilhelm, editor.
Olsen. Hans Unversagt (Svein Uraed).
Henzen, Carl Georg Wilhelm, translator.
Enna. Die Erbsenprinzessin.
Heisse Liebe.
Randegger. L'ombra di Werther.
Hepworth, William.
Suite in 4 Satzen . . . fiir Orchester.
Berlin. Simrock. 1900.
Hequet, Charles Joseph Gustave.
A. Boieldieu: sa vie et ses oeuvres. Paris. Heugel & cie.
1864. Portrait. Facsimiles. No. i in M. 122. 13
Marinette et Gros-Rene. Operette bouffe en i acte. Pa-
roles de M'' !6douard Duprez. Musique de Gust. Hequet.
Partition piano et chant. Paris. Heugel & cie. [i8.s6.]
No. I in M.276.23
Her eyes the glow-worm lend thee. Glee. Goss.
No. 16 in M.ig5.i.is
Her hands were clasp'd. Song. Attwood. No. 12 in M.236.2
Her image ever rose. Song. Baumgarten, C. F.
No. 36 in M.235.18.4
Her king. Song. Blumenthal. No. 3 in M. 192. 12
Her Majesty's Theatre, London.
Programme, Feb. 20-Aug^. 3, 1847. London. 1847. M.131.1
LuMLEY, B. Reminiscences of the opera. London. 1864.
M.149.6
Her name. Song. Blumenthal. No. 4 in M. 192.12
Her partial taste. Round. Cooke, B. No. 30 in M.220.3.4; etc.
Herald, The, comes, behold! Air. Bach, J. S. Eight airs for
an alto voice. M.244.16
Heraus. Part-song. Wermann. No. 12 in M.392.27
Herausforderung. Part-song. Rheinberger, J. G. Fahrende
Schiller. No. 19 in M.392.22
Herba lori fa. Part-song. Schletterer. No. s in M.203.22
Herbeck, Johann Franz.
Ach Madl! Volkslied [t. t. b. b.]. (/n Abt. Leichte Man-
nerchore. Heft 2, pp. 7-10.) No. 8 in M.246.22
No. 3 in M.379.29
M.381.15
M.383.15
No. I in M.397.S2
Op. 18. Partitur.
No. I in M.410.34
Herbeck, Johann Franz. (Continued.)
I bear it. [Part song, t. t. b. b.] (/m Mosenthal. Songs of
the Mendelssohn Glee Club. P. 29.) No. 33 in M.204.38
The maid in the valley. [Part-song, t. t. b. b.] (In Mosen-
thal. Songs of the Mendelssohn Glee Club. P. 130.)
No. 34 in M.204.38
Morning song [t. T. B. B.]. (In Mosenthal. Songs of the
Mendelssohn Glee Club. Pp. 62-67.) No. 16 in M.204.38
Sinfonische Variationen fiir Orchester. Partitur. Wien.
Schreiber. [186-?] No. i in M.342.5
Spring and love. [Part-song, t. t. b. b.] (In Mosenthal.
Songs of the Mendelssohn Glee Club. Pp. 20-27.)
No. 6 in M.204.38
Die Studenten. [Mannerchor.] (In Abt. Deutsche Sanger-
halle. Vol. 2, pp. 33-37.) No. 11 in M.392.42.2
Tanz-Momente. Fur Orchester. Op. 14. Partitur. Wien.
Gotthard. [186-?] No. i in M.336.13
Der traurige Jager. [Mannerchor.] (In Abt. Deutsche
Sangerhalle. Vol. i, p. 16.) No. 5 in M.392.42.1
Treue Liebe. [Mannerchor.] (In Stuttgarter Liederkranz.
Mannerchor-Album. Pp. 34-36.) No. 5 in M.203.22
Trinkspruch. [Mannerchor.] (In Abt. Deutsche Sanger-
halle. Vol. 2, pp. 73-77-) No. 23 in M.392-42-2
Turmwachters Lied [t. t. b. b.]. Op. 6, No. 3. Leipzig.
Siegel. [1890?] No. 58 in M.392.8
Waldscene fur Mannerchor u. Orchester. Text und Musik
von Johann Herbeck. Partitur. Wien. Spina. [186-?]
No. 13 in M.212.6
Wanderlied der Prager Studenten [t. t. b. b.]. (In Abt.
Deutsche Sangerhalle. Vol. i, pp. 81-83.)
No. 29 in M.392.42.1
Zum Walde. [Mannerchor mit Hornerbegleitung.] (In
Abt. Deutsche Sangerhalle. Vol. i, pp. 4-10.)
No. 2 in M.392.42.1
Herbeck, Johann Franz. Works about.
Herbeck, L. Johann Herbeck. Ein Lebensbild, von seinem
Sohne. Wien. 1885. M.141.30
Herbeck, Ludwig.
Johann Herbeck. Ein Lebensbild, von seinem Sohne.
Wien. Gutmann. 1885. Portrait. M.141.30
Herbei, wer lustig sein will hier. Part-song. Schein, J. H.
Werke. Band i. M.414.1.1
Herbert, David.
The moorland witch. A dramatic cantata. The music by
Robert M'Hardy. No. 3 in M.204.22
Herbert, Edward. ,, >,
Te Deum laudamus. In D. [Accomp. for organ.] (In No-
vello's Parish choir book. Pp. 113-116.) No. 22 m M.157.30
Herbert, Joseph W. a j j r • ui
"Mam'selle Napoleon" by Jean Richepm. Adapted [with]
Ivrics by Joseph Herbert. Music by Gustav Luders.
M.399-85
The social whirl. A musical comedy. Music by Gustave
Kerker. ^.389.24
Herbert, May, translator.
Schumann, R. A. Early letters. M.128.1
The life of Robert Schumann, told m his letters.
M.126.18
Deutsche Sangerhalle.
No. 30 in M.392.4a.2
Herbert, Th.
Jiigerlied [t. x. b. b.]. (In Abt.
Vol. 2, pp. 95-96.)
Herbert, Victor. , , t:- j •
"The Ameer." Comic opera in three acts. Book by Frederic
Ranken and Kirke La Shelle. Music by Victor Herbert.
Vocal score. New York. Witmark. 1899- M.393.26
Aus Lieder eines fahrenden Gesellen. (Farewell.) [t. t.
bb] Op. 20, No. 2. Berlin. Luckhardt. [1889.]
No. 60 in M.392.8; No. II in M.203.15
The words are in German and English.
[Babes in Toyland.] Songs and excerpts from Babes in
Toyland. A musical extravaganza. Book & lyrics by
Glen MacDonough. Music by Victor Herbert. Vocal
score. New York. Witmark. 1903. M.397-3a
567
Herbert
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Here
Herbert, Victor. (Continued.)
Cyrano de Bergerac. Comic opera in three acts. Lyrics
by Harry B. Smith. Music by Victor Herbert. Vocal
score. New York. Witmark. 1899. M.393.27
The fortune teller. Comic opera in three acts. Libretto
by Harry B. Smith. Music by Victor Herbert. Vocal
score. New York. Witmark. 1898. M.394.54
"The idol's eye." Comic opera in 3 acts. Libretto by
Harry B. Smith. Music by Victor Herbert. Vocal score.
New York. Schuberth & Co. 1897. M.394.6
[It happened in Nordland.] Songs and excerpts from It
happened in Nordland. A musical extravaganza. Book
& lyrics by Glen MacDonough. Music by Victor Herbert.
Vocal score. New York. Witmark. 1905. M.399.24
Miss Dolly Dollars. A musical comedy. Book & lyrics by
Harry B. Smith. Music by Victor Herbert. Vocal score.
New York. Witmark. 1905. M.383.59
Mile Modiste. A comic opera. Book & lyrics by Henry
Blossom. Music by Victor Herbert. Vocal score. New
York. Witmark. 1905. M.399.2S
Prince Ananias. Comic opera in 2 acts. Libretto by Fran-
cis Neilson. Music by Victor Herbert. Vocal score.
New York. Schuberth & Co. [1895.] M.395.31
The red mill. A musical comedy. Book & lyrics by Henry
Blossom. Music by Victor Herbert. Vocal score. New
York. Witmark. 1006. M.389.45
"The serenade." Comic opera in 3 acts. Libretto by Harry
B. Smith. Music by Victor Herbert. Vocal score. New
York. Schuberth & Co. 1897. M.395.32
The singing girl. Comic opera in three acts. Book by
Stanislaus Stange. Lyrics by Harry B. Smith. Music by
Victor Herbert. Vocal score. New York. Witmark.
1899- M.393.57
Suite romantique pour grand orchestre. Op. 31. Partition.
Berlin. Simrock. 1901. M.404.82
Die versunkene Stadt. (The vanished city.) [t. t. b. b.]
Op. 20, No. I. Berlin. Luckhardt. [1889.]
No. 59 in M.392.8; No. 10 in M.203.15
The words are in German and English.
The Viceroy. Comic opera in three acts. Book by Harry
B. Smith. Music by Victor Herbert. Vocal score. New
York. Witmark. 1900. M.402.2S
The wizard of the Nile. Comic opera in 3 acts. Libretto
by Harry B. Smith. Music by Victor Herbert. Vocal
score. New York. Schuberth & Co. 1895. M.3g5.33
Wonderland. A musical extravaganza. Book & lyrics by
Glen MacDonough. Music by Victor Herbert. Vocal
score. New York. Witmark. 1905. M.39943
Herbert and Elsa. Cantata. For the Music see Thayer, E.
Herblay, Henri, pseud. See Hirschmann, Henri.
Herbst, F.
Krosus. Dramatische Dichtung. Componirt von C. Ad.
Lorenz. No. I in M.193.9
Herbst. Part-song.
Heuberger. Zwei Mannerchore. No. i in M.392.ii
Kretzschmar. Drei ernste Gesange. No. 51 in M.392.13
Herbst. Song.
Schubert, F. P. Werke. Serie 20, Band 10. M.317.1.20.10
Taubert, C. G. W. Zwolf Lieder. No. 3 in M.221.26
Herbst, Der, am Rhein. Part-song. Panny. No. 8 in M.212.13
Herbstabend, Der. Song.
RiGHiNi. Zwolf deutsche Lieder. No. 27 in M.231.33
Schubert, F. P. Werke. Serie 20, Band 4. M.317.1.20.4
Herbstgedanken. Symphony. Neurohr. M.411.44
Herbstgefuehl. Sotig. Brahms. Sieben Lieder. Op. 48.
No. II in M.380.40.1
Herbstlied. Duet. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 18. M.413.3.18
Schumann, R. A. Werke. Serie 10, Band i. M.316.1.10.1
Herbstlied. Part-song.
Beveb, H. Zwei Lieder. No. 25 in M.392.3
Mendelssohn-Bartholdy, J. L. F. Sechs vierstimmige
Lieder. No. 7 in M.313.8; etc.
Herbstlied. Part-song. (Continued.)
Randhartiger. No. 119a in M.147.4
Thiele, E. 4 vierstimmige Gesange. No. 28 in M.203.20
Zenger. Fiinf Lieder fiir Mannerchor. No. 72 in M.392.24
Herbstlied. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413.3.19
Schubert, F. P. Werke. Serie 20, Band 4. M.317.1.20.4
Schumann, R. A. Sechs Gesange von W. von der Neun.
No. 7 in M.C44.15.3; etc.
Tiehsen. 7 Gedichte. No. 9 in M.236.8
Herbstnacht. Symphonic poem. Frischen. No. 2 in M.406.11
Herbstroeslein. Part-song. Abt, F. Sechs Gesange fiir ge-
mischten Chor. Op. 443- No. i in M. 158.22
Herbstsorge. Song. Franz, R. Zwolf Gesange. Op. 4.
No. 29 in M.244.5.1
Herbststimmung. Song. Grieg. Grieg-Album.
No. 4inM.155.16
Herbststurm. Part-song.
BiLLETER. No. 29 in M.392.3 ; etc.
Brambach. 3 Gesange. No. 24 in M.392.S
Muck. Im Wald. No. i in M.392.ig
Herbststurm. Song. Grieg. Grieg-Album. No. 3 in M.155.16
Herbsttage. Part-song. Hiller, F. Acht Gesange.
No. 3 in M.202.22
Herbst-Veilchen. Part-song. Lachner, V. 4 Mannergesange.
No. I in M.392.37
Hercole. Opera. For the Libretto see Rossi, G.
Herculanum. Opera. For the Music see David, F. C. For
the Libretto see Mery, J. P. A.
Hercule au Jardin des Hesperides. Symphonic poem. Busser.
M.410.15
Hercule chez Omphale. Opera. For the Music see Roques.
For the Libretto see Savard, F.
Hercule, Un, qui ne veut pas se rouiller. Opera. For the
Music see Pericaud.
Hercules. Oratorio. For the Music see Handel. For the
Libretto see Broughton, T.
Herder, Johann Gottfried von.
Alcestis. Componirt von C. Jos. Brambach. No. 2 in M.270.17
[Prometheus.] Chore zu Herder's Entfesselter Prome-
theus. Musik von Franz Liszt. Verbindende Dichtung
von R. Pohl. Leipzig. Kahnt. [186-?] No. 11 in M.375.3
Words only.
Same. Chore [von F. Liszt]. M.357.4
Same. [Music by Liszt.] M.155.28
Same. Componirt von C. Jos. Brambach. No. i in M.280.11
Herder, Johann Gottfried von, translator.
Reichardt, J. F. Morgengesang. M.280.36
Herdsman's mountain home, The. Song. Abt, F.
No. 29 in M. 192.2
Herdsman's song. Part-song. Raff. No. 5 in M.20S.10.7
Herdsman's song. Song. Mendelssohn-Bartholdy, J. L. F.
Songs. No. 43 in M.244.21
Here! Aladdin. Chorus. Bishop, H. R. Complete collection
of glees. Vol. 7. M.235.1.7
Here beneath this lofty shade. Glee. Alcock, J.
No. 18 in M.220.10
Here for repose I fly. Song. Scarlatti. No. 69 in M. 111.4.3
Here I, Thomas Wharton. Catch. Atterbury.
No. 35 in M.220.9.4
Here I am riding. Catch [for 3 voices]. {In Warren. Vocal
harmony. P. 24.) No. 18 in M.220.10
Here in cool grot. Glee. Wellesley, G. C.
No. 18 in M.244.10.3; etc.
Here in sweet sleep. Round. Horsley, W.
No. 4 in M.220.6; etc.
Here innocence and beauty. Catch. Travers.
No. 148 in M.235.17.1; etc.
Here let me lie. Glee. Wellesley, G. C. Glees and madri-
gals. No. 19 in M.236.23
Here lie as dead. Catch. Atterbury. No. 141 in M.220.g.i
Here lies a woman. Catch. 3 voices. (In Flowers of har-
mony. Vol. 2, p. 9.) No. 2 in M.1S7.18.3
Here lies honest Ned. Catch. Aylward. No. 125 in M.220.9.a
568
Here
THE ALLEN A. BROWN COLLECTION OF MUSIC
Hermann
Here lies John Trott. Catch [for 3 voices]. (In Warren.
Vocal harmony. P. 96.) No. 62 in M.220.10
Here lies Jonson. Catch. Hawkins, J. No. 56 in M.220.g.i
Here lies Judge Boat. Catch. H.'VYes, W. Catches, glees and
canons. Vol. i. No. i in M.220.5
Here lies my wife. Glee. Giardini. No. 82 in M.22o.g.3
Here lies poor Toby. Catch. Green, J. No. 88 in M.220.g.4
Here lies the body of Sir John Frye. Glee, (/n Warren.
Collection of catches. Vol. 2, p. 45.) No. 19 in M.220.g.2
Here lies, the Lord have mercy. Catch. Yates.
No. 55 in M.220.g.i
Here lies within this tomb. Round. Webbe, S.
No. 8 in M.235.17.3
Here lieth John Croker. Part-song. Bates, W.
No. 132 in M.220.10
Here lyes old Bridges. Catch. Hayes, W. No. 92 in M.235.17.1
Here lyes poor Teague. Catch. Arnold, S.
No. 206 in M.I 10.2.3; etc.
Here lyes the body of Anthony White. Round [for 4 voices].
(In Warren. Collection of catches. Vol. 3, p. 114.)
No. 43 in M.220.g.3
Here lyeth Sir John Guise. Catch. Hayes, W.
No. 91 in M.23S.17.1
Here old John Randall lies. Part-song. Hague. Second col-
lection of glees. No. 5 in M.340.15
Here on his back. Catch. Battishill. No. 76 in M.220.g.i
Here on our verdant mountains. Madrigal. Morley.
No. SI in M.iii.4.3
Here rests his head. Part-song.
Battishill. No. 5 in M.iii.4.3
Callcott, J. W. No. 54 in M.220.3.4
Flacton. No. 171 in M.22o.g.i
Here rests little Bridget. Catch. Smith, J. S.
No. 94 in M.220.9.2
Here shall soft charity repair. Anthem. Boyce.
No. 7 in M.17S.1.8; etc.
Here! slaves of the lamp. Glee. Bishop, H. R. Complete
collection of glees. Vol. 4. M.23S.1.4
Here sleeps what once had beauty. Part-song. Battishill.
No. 13 in M.235.11
Here stand I. Catch. Warren, E. T. Collection of catches.
Vol. I. No. 49 in M.220.g.i
Here Tyler, Day and Pottle. Catch. Combes.
No. 92 in M.220.10
Here, waiter, bring a bottle. Catch. Hayes, W. Catches,
glees and canons. Vol. i. No. i in M.220.S
Here's a bowl. Catch. Gregory. No. 221 in M.235.17.2; etc.
Here's a health to all good lasses. Glee. Savile.
No. 4 in M.i39a.i8.2; etc.
Here's a health to all honest men. Catch. Alcock, J.
No. 23s in M.215.21 ; etc.
Here's a health to all them that we love. Round [for 3
voices], (/n Social harmony. P. 143.) No. 121 in M.215.21
Here's a health to old Brown. Catch a 3 voci. (In Warren.
Collection of catches. Vol. i, pp. 364, 365.)
No. 218 in M.220.9.1
Here's a health to the forester. Part-song. Loder, E. J.
No. 35 in M.235.7.1
Here's a health unto His Majesty. Glee. Savile.
No. 48 in M.isS.ig; etc.
Here's a tale. Catch [for 3 voices], (/n Warren. Collection
of catches. Vol. 2, pp. 360, 361.) No. 149 in M.220.9.2
Here's love. Catch. Callcott, J. W. No. 17 in M.22o.g.4
Here's that will challenge. Catch. Purcell, H.
No. I2S in M.110.1.2; etc.
Here's the bower. Ballad. Moore, T. No. 20 in M.237.7
Heredia, Pedro.
Missa, Super cantu Romano, [s. a. t. b.] (In Lueck.
Sammlung ausgezeichneter Compositionen fur die Kirche.
Band i, pp. 113-134.) No. 6 in M.158.33.1
Herefordshire, England.
King, R. J. The three choirs. A handbook of Gloucester,
Hereford and Worcester. London. 1866. M.126.23
I 72
Herein. Song. Kuecken. Ernste und heitere Lieder.
No. IS in M.244.6.1
Herein is love. Response. Blodgett. Anthems, responses
and hymns. No. 4 in M.203.9
Heretiques, Les. Opera. For the Music see Levade. For the
Libretto see Herold, A.
Hereward. Cantata. For the Music see Prout. For the Li-
bretto see Grist.
Hering, Carl Eduard.
At the spinning-wheel. Trio [s. s. a. Accomp. for piano-
forte]. (In Novello's Collection of trios, etc. Vol. 7, pp.
124-126.) No. 24 in M.204.36.7
Evening rest. Trio [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 7, pp. 120-123.)
No. 23 in M.204.36.7
The festival. Trio [s. s. a. Accomp. for pianoforte]. (In
Novello's Collection of trios, etc. Vol. 7, pp. 132-135.)
No. 26 in M.204.36.7
The hussar's departure. Trio [s. s. a. Accomp. for piano-
forte]. (In Novello's Collection of trios, etc. Vol. 7, pp.
127-131.) No.2Sin M.204.36.7
Matrosenlied [t. t. b. b.]. (In Orpheus. Band 2, pp. 56, 57.)
No. 78 in M.i2ga.43.2
The moorland ride. Trio [s. s. a. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. 7, pp. 111-114.)
No. 21 in M.204.36.7
The shepherd boy. Trio [s. s. a. Accomp. for pianoforte].
(In Novello's Collection of trios, etc. Vol. 7, pp. 115-119.)
No. 22 in M.204.36.7
Trinklied [t. t. b. b.]. (/n Orpheus. Band 3, p. 41.)
No. 104 in M.i2ga.43.3
Hering, Carl Gottlieb, editor.
Bergt. Briefwechsel eines alten und jungen Schulmeisters.
M.221.39
Hering, Georg.
Dies ist der wohlvertraute Flieder. Lied fiir Mannerchor.
Leipzig. Dietrich. [187-?] No. 61 in M.3g2.8
Heritage, Le, de m'nonque. Opera. For the Music see Ville-
bichot. For the Libretto see Richemont.
Heritage, L', du postilion. Opera. For the Music see
L'Eveille. For the Libretto see Jallais.
Heritier, L', de Paimpol. Opera. For the Music see Bochsa.
For the Libretto see Sewrin.
Herklots, Carl Alexander.
Hero. Lyrisches Melodrama. In Musik gesetzt von B. A.
Weber. M.221.17
Nurmahal, oder das Rosenfest von Caschmir. Lyrisches
Drama. In Musik gesetzt vom Ritter Spontini. M.284.2
Trauer-Cantate zur Begrsebnissfeyer Seiner Koeniglichen
Majestat von Preussen Friedrich Wilhelm II. In Musik
gesetzt von F. H. Himmel. M.14.2-
Herland, A.
Lois du chant d'eglise et de la musique moderne. Nomo-
thesie musicale. Paris. Didron. 1854. Plate.
No. I in M.123.36
Herman, Alphonse.
Au septieme etage. Bouffonnerie musicale (en i acte).
Paroles de Leon Coron. Musique de Alph. Herman.
[Accomp. de piano.] Paris. Gheluve. [1874.]
No. 3 in M.256.19
Herman, Reinhold L.
Song of the four seasons [t. t. b. b.]. New York. Schirmer.
[1886.] No. 48 in M.392.ia
Song to May [t. t. B. b.]. New York. Schirmer. 1886.
No. 47 in M.392.10
Sonnenwende. [Mannerchor.] (In Claassen. Ludwig-Liebe-
Album. Pp. 19, 20.) No. II inM.203.16
Hermann,
Die treuen Kohler. Ein Singspiel. In Musik gesetzt . . .
von Lucas Schubaur. No. i in M.aso.iJ
Hermann, Albert.
Jung Werner's Minnegruss. Mannerchor mit Tenorsolo
und Clavierbegleitung. 3. Werk. Wien. Rebay & Robit-
schek. [188-?] No. i in M.213.7
.■569
Hermann
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Herold
Hermann, Charles Alexandre.
Un effet electrique. Opera bouffe en i acte. Paroles [at]
musique de C. Alex. Hermann. Reduction au piano. 2e
edition. Paris. Benoit. [1863.] No. 3 in M.276.16
Hermann, Friedrich, editor.
Reissiger, C. G. Trios fiir Piano, Violine und Violoncell.
M.357-23
Tartini. Trille du Diable et Senate en sol mineur.
No. 4 in M.357.1
Hermann, Hans.
Quartett fiir 2 Violinen, Viola und Violoncell. Op. 47- Par-
titur. Berlin. Simrock. 1900. No. i in M.405.73
Das Urteil des Midas. Ein heiteres Singspiel von C. M.
Wieland. Musik von Hans Hermann. [Klavierauszug.]
Berlin. Stahl. [1905.] No. i in M.389.43
Hermann, Jacques.
Le drame lyrique en France depuis Gluck jusqu'a nos jours.
Paris. Dentu. 1878. No. i in M.143.3; No. 2 in M.207.20
Hermann et Dorothee. Opera. For the Music see Le Rey.
For the Libretto see Goujon.
Hermann et Ketty. Opera. For the Music see Thomas, C. L. A.
Hermann et Thusnelda. Song. Schubert, F. P. Melodies.
Vol. 7. M.327.4.7
Hermann und die Fiirsten. Opera. For the Music see Kun-
zen. For the Libretto see Klopstock.
Hermann und Dorothea. Overture. Schumann, R. A.
No. I in M.344.24
Hermann und Thusnelda. Song. Schubert, F. P. Werke.
Serie 20, Band 3. M.317. 1.20.3
Hermannsschlacht, Die. Cantata. For the Music see Man-
gold; also Kiesewetter, G. For the Libretto see Logan;
also Immergruen.
Hermannsschlacht, Die. Overture. Vierling. No. 2 in M.348.4
Hermes, Eduard.
Beliebte Lieder fur gemischten Chor. Op. 44- Partitur.
Dresden. Ries. [187-?] No. i in M.194.16
Contents. — Sonnenaufgang. — Das Lied der sussen Liebe. — Frohsinn
und Freude. — Friihling im Walde.
Das einsame Roslein im Thai ... fiir vier Mannerstimmen.
Leipzig. Leuckart. [187-?] No. 50 in M.392.10
Also to be found in Abt's Deutsche Sangerhalle; Das Riitli.
Ich bin ein Sanger. [Mannerchor.] (In Abt. Deutsche
Sangerhalle. Vol. 3, pp. 58-64.) No. 19 in M.392.42.3
Ich kenn' ein Auge [t. t. b. b.], mit Baryton-Solo. Op. 57.
Dresden. Ries. [188-?] No. 52 in M.392.10
Nachtlied [t. t. b. b.]. Op. 97, No. 2. Berlin. Luckhardt.
1888. No. 49 in M.392.10
Nur zu Zweien. [Mannerchor.] Op. 106, No. i. (In Claas-
sen. Ludwig Liebe-Album. Pp. 21,22.) No. 11 in M.203.16
Traum der Liebe. Solo-Quartett [t. t. b. b.]. (In Abt.
Deutsche Sangerhalle. Vol. 3, pp. 24, 25.)
No. 8 in M.392.42.3
Unbefriedigte Sehnsucht [t. t. b. b.], mit Baryton-Solo.
Op. 43. Dresden. Ries. [188-?] No. 51 in M.392.10
Wohl du deutscher Sangerchor. [Mannerchor.] (In Stutt-
garter Liederkranz. Mannerchor-Album. Pp. 37, 38.)
No. S in M.203.22
Hermesdorff, Michael, editor.
LuECK, editor. Sammlung ausgezeichneter Compositionen
fiir die Kirche. M.158.33
Hermil, fidouard.
Bourn! Servez chaud! . . . Operette. Paroles de Hermil
et Numes [pseud.]. Musique de A. de Villebichot.
No. 2 in M.326.5
Un conciergicide. Folie-operette. Paroles de Hermil et
Numes [pseud.]. Musique de Francis Chassaigne.
No. 2 in M.285.7
La fievre phylloxerique. Operette. Paroles de E. Hermil,
A. Numes [pseud.] et Paul Meyan. Musique de Frantz
Liouville. No. 5 in M.393.38
Mon p'tit oncle. Operette. Paroles de Hermil & Numes
[pseud.]. Musique de Ch. Thony. No. 4 in M.379.24
Hermil, fidouard. (Continued.)
Le negre de la porte St. Denis. Operette. Paroles de
Hermil & Numes [pseud.]. Musique de L. C. Desormes.
No. s in M.393.17
Soupirs du cceur! Operette. Paroles de Hermil et Numes
[pseud.]. Musique de Paul Meyan. No. 4 in M.393.58
Tog. Operette. Paroles de Hermil et Nunes. Musique de
F. Chassaigne. No. 5 in M.302.15
Herminie chez les bergers. Cantata. For the Music see
Bourges.
Hermione. Opera. For the Music see Bruch. For the Li-
BRETTO see Hopffer, E.
Hermit's harp. The. Cantata. For the Music see Abt, F. For
the Libretto see Oxenford, E.
Hermitage, The. Glee. Hook, J. No. 21 in M.215.21
Hermitage, The. Song. Drobisch. No. 24 in M.235.18.1
Hernani. Opera. For the Music see Hirschmann. For the
Libretto see Rivet.
Heme. Opera. For the Music see Old. For the Libretto
see Oxenford, E.
Heme the hunter. Cantata. For the Music see Lutz. For the
Libretto see Summers.
Hero. Opera. For the Music see Frank, E.; also Weber, B. A.
For the Libretto see Vetter; also Herklots.
Hero and Leander. Opera. For the Music see Mancinelli.
For the Libretto see Boito.
Hero et Leandre. Cantata. For the Music see Bouteiller.
For the Libretto see Saint-Victor.
Hero, kiss me. Fa la. Hilton. Ayres or fa las. No. 3 in M.234.21
Hero, The, may perish. Song. Beethoven, L. van. Werke.
Serie 24. M.413.1.24
Hero und Leander. Opera. For the Music see Caro. For the
Libretto see Grillparzer.
Hero und Leander. Symphonic poem. Mihalovich.
No. 2 in M.338.25
Herode. Oratorio. For the Music see Chaumet. For the Li-
bretto see Boyer.
Herodiade. Opera. For the Music see Massenet. For the
Libretto see Milliet.
Heroes and kings. Catch. Hayes, W. Catches, glees and
canons. Vol. 2. No. 2 in M.220.5
Heroes, The, of '76. Cantata. For the Music see Trowbridge.
For the Libretto see Cobb, C. E.
Heroide funebre. Symphonic poem. Liszt. No. i in M.344.7
Heroine, L', de Bordeaux. Song. Piccinni, L. No. 3 in M.225.32
Heroine, The, of Raab. Opera. For the Libretto see Ferrari,
G. G.
Heroiques, Les. Opera. For the Music see Perry Biagioli, H.
For the Libretto see Perry Biagioli, A.
Herold, A. Ferdinand.
Le cor fleuri. Feerie lyrique. Poeme de Ephraim Mikhael
et A.-Ferdinand Herold. Musique de Fernand Halphen.
No. 3 in M.399.22
Les heretiques. Opera. [Musique de] Charles Levade.
M.399.33
Promethee. Tragedie lyrique de Jean Lorrain [pseud.] &
F. A. Herold. Musique de Gabriel Faure. M.382.20
Herold, F. A. See Herold, A. Ferdinand.
Herold, Ferdinand. See Herold, Louis Joseph Ferdinand.
Herold, Louis Joseph Ferdinand.
L'auteur mort et vivant. Opera comique en i acte. Paroles
de Planard. Mis en musique . . . par Ferd. Herold.
[Partition.] Paris. Boieldieu jeune. [1821.] M.292.26
C'en est fait le ciel meme. Trio du Pre aux clercs. [Ac-
comp. de piano.] (In Album lyrique du chant frangais.
Pp. 90-99.) No. 2 in M.1S7.38
[Charles de France, ou amour et gloire. Opera-comique en
2 actes. Paroles de Theaulon et Dartois. Ouverture et
no. 1-6 par Boieldieu; no. 7, 8 par Herold.] M.281.1
La clochette, ou le diable page. Opera-feerie en 3 actes.
Paroles de Theaulon. [Mis en musique] par Ferdinand
Herold. [Grande partition.] Paris. Lemoine. [1817?]
M.292.27
570
He'rold
THE ALLEN A. BROWN COLLECTION OF MUSIC
HeiT
Herold, Louis Joseph Ferdinand. (Continued.)
Same. Partition piano et chant. [184-?] M.276.2S
The field of honor. See his Le pre aux clercs.
La gioventu di Enrico Quinto (La jeunesse d'Henri V).
Opera-comique en 2 actes [de Landriani]. Musique de F.
Herold. Partition piano & chant reduite par Charles
Rene. Paris. O'Kelly. [188-?] M.276.24
Hymne a quatre voix sur la Transfiguration. [Accomp. de
piano.] Paris. Mackar & Noel. [189-?] No. i in M.213.11
Ludovic. Opera-comique en 2 actes. Paroles de M-- de S'
Georges. Musique de F. Herold et F. Halevy. Partition.
Paris. Schlesinger. [1833.] M.226.7
Same. Komische Oper in 2 Acten. Text von St. Georges,
iibersetzt fiir alle deutsche Biihnen vom Baron von Lich-
tenstein. Musik von Herold und Halevy. Vollstandiger
Clavierauszug mit deutschem u. franzosischem Text.
Berlin. Schlesinger. [183-?] M.292.25
Marie. Opera-comique en 3 actes. Paroles de M"" E. de
Planard. Mis en musique . . . par F. Herold. Partition.
Paris. Meissonnier. [1826?] M.292.28
Same. Partition piano et chant. [184-?] M.366.6
La medecine sans medecin. Opera comique en un acte.
Paroles de Scribe & Bayard. Musique de F. Herold. Par-
tition. Paris. Troupenas. 1832. M.402a.i7
Same. Partition reduite avec accomp. de piano. Das Heil-
mittel . . . Fiir die deutsche Biihne bearbeitet von J. D.
Anton. Mainz. Schott. [183-?] M.292.29
Le muletier. Couplets [a. Accomp. de piano]. Paris.
Lemoine. [183-?] No. 19 in M.390.37
[Le pre aux clercs. Opera comique en 3 actes. Partition
d'orchestre sans paroles.] Manuscript. [Paris? 185-?]
M.225.4
Same. Paroles de M"" E. de Planard. Musique de Herold.
Partition piano et chant. Paris. Brandus & cie. [185-?]
M.366.7
Same. The field of honor. ' Comic opera in three acts, by
F. Herold. [Words by E. de Planard.] Translated and
adapted by Theo. T. Barker. [Accomp. for pianoforte.]
Boston. Ditson & Co. 1880. M.402.26
Les rosieres. Opera-comique en trois actes. Paroles de M.
Theaulon. Mis en musique par Ferdinand Herold. [Par-
tition.] Paris. Boieldieu. [1817?] M.401.21
Same. Partition piano et chant. Gerard & cie. [i860.] M.366.S
Souvenirs du jeune age. Romance [s. Accomp. de piano].
Paris. Troupenas. [183-? Le pre aux clercs.]
No. 24 in M.3go.37
Also to be found in Album lyrique du chant frangais.
Die Tauschung (L'illusion). Oper in i Aufzuge [von J. H.
V. de Saint-Georges, u. C. Menissier]. Musik von F.
Herold. Klavierauszug mit deutschem und franzosischem
Texte. Leipzig. Breitkopf & Hartel. [184-?] M.232.17
Les troqueurs. Opera-comique en un acte. Paroles de M''
Dartois. Mis en musique . . . par Ferdinand Herold.
[Partition.] Paris. Lemoine. [1819.] Engraved title-
page. M.389.26
Zampa, ou la fiancee de marbre. Opera comique en 3 actes.
Paroles de Melesville [pseud.]. Mis en musique par F.
Herold. Partition. Paris. Meissonnier. [1831.] M.341.27
Same. Partition piano et chant. 2e edition. [184-?] M.366.8
Same. [Overtura. Partitura.] Firenze. Guidi. [1867.
Biblioteca del sinfonista.] No. 3 in M.355.13
Herold, Louis Joseph Ferdinand. Works about.
JouviN, B. Herold: sa vie et ses oeuvres. Paris. 1868.
M.123.18
Neumann, W. fitienne Henri [sic] Mehul. Ludw. Jos.
Ferd. Herold. Biographien. Cassel. 1855. No. 4 in M.20S.21
R . . . , £. Herold. Soiree commemorative au Grand-
theatre de Bordeaux, Janvier 1877. Bordeaux. 1877.
No. 2 in M.141.7
Herold, Robert.
Camilla. Komische Oper. Musik von K. Goepfart.
No. I in M.246.8
Heroum soboles. Mo<ri. Lassus. Sammtliche Werke. Band 11.
M.8o4oa.67.ii
Herr Bacchus. Song. Gruber, G. W. Gottfried August
Burgers Gedichte. Vol. i. No. 9 in M.130.9.1
Herr Christ, der ein'ge Gottessohn. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 22.
Herr, Deine Augen sehen nach dem Glauben. Cantata. For
the Music see Bach, J. S. Werke. Jahrgang 23.
Herr, Der, denket an uns. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 13, Theil i.
Herr, der Du rufst dem Morgenroth. Part-song. .'\bt, F. Vier
Lieder fur s. a. t. b. No. 10 in M.158.22
Herr, Du bist gross! Cantata. For the Mumc see Abt, A. For
the Libretto see Seidl.
Herr Durst. Part-song. Dorn, H. L. E. No. 5 in M.392.42.2
Herr, Der, erhore dich. Motet. Rheinberger, J. G. Fiinf
Motetten. No. 9 in M.158.27
Herr, gehe nicht in's Gericht. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 23.
Herr! gieb uns Frieden. Part-song. Belcke.
No. 169 in M.i29a.43.5
Herr Gott, Beherrscher aller Dinge. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 41.
Herr Gott, Dich loben alle wir. Cantata. For the Music see
Bach, J. S. Werke. Jahrgang 26.
Herr Gott, Dich loben wir. Cantata. For the Music see Bach,
J. S. Werke. Jahrgang 28; also Lindpaintner. For the
Libretto see Klopstock.
Herr Gott, Dich prcisen wir. Anthem. Jadassohn.
No. 33 in M.392.11
Herr Gott, von Deiner Wohnung schau. Cantata. For the
Music see Tietz, P. For the Libretto see Oser.
Herr, hore mein Gebet. Anthem.
Hauptmann, M. No. 3 in M.270.49
Klein, B. J. No. 10 in M.392.38
Herr in den Sternenhohen. Part-song. Rossini.
No. 247 in M.I 293.43.8
Herr, Der, ist Konig. Anthem. Hahn, T. M.235.23
RoLLE, J. H. No. 24 in M.202.6.3
Herr, Der, ist mein getreuer Hirt. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 24.
Herr, Der, ist mein Hirt. Anthem. Bargiel. No. 2 in M.270.54
Hahn, T. No. 6 in M.270.59
Klein, B. J. No. 3 in M.147.4
Schneider, J. C. F. No. 8 in M.270.59
Herr Jesu Christ, Du hochstes Gut. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 24.
Herr Jesu Christ, wahr'r Mensch und Gott. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang 26.
Herr Karlmann. Song. Taubert, C. G. W. Kliinge aus der
Kinderwelt. [Heft 9.] No. 5 in M.192.8
Herr Lenz. Song. Strauss, R. Sechs Lieder.
No. 25 in M.380.24.2
Herr, nun lassest Du Deinen Diener. Motet. Mendelssohn-
Bartholdy, J. L. F. Werke. Serie 14, Abtheilung c.
M.413.3.14C
Herr, sei Du mit mir! Part-song. Appel. No. 3 in M.392.33
Herr und Madame Schmetterling. Part-song. Otto, E. J.
No. s in M.392.20
Herr, unser Gott. Anthem. Schubert, F. P.
No. 1 1 in M.3g2.3i ; etc.
Herr, unser Herrscher. Anthem. Hahn, T. No. 7 in M.270.59
Herr Vetter, O Herr Vetter. Part-song. Kuecken.
No. 22 in M.3g2.i4
Herr, Der, von Juchheidi. Part-song. Reinecke, C. H. C.
Durstige Lieder. No. 20 in M.392.21
Herr, Der, von Papillon. Opera. For the Music see Bial. For
the Libretto see Fellechner.
Herr, was tragt der Boden hier. Song. Wolf, H. Spanisched
Liederbuch. No. 9 in M.380.30
Herr, wer wird wohnen in Deinem Haus? Anthem. Haupt-
mann, M. No. 10 in M.270.49
Herr, wie Du willt, so Schick's mit mir. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang 18.
Herr, wie lange . . . Anthem. Liszt. Der 13. Psalm.
No. I in M.351.21
571
Herr
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Herzogenberg
Herr, wir trau'n auf Deine Giite. Song. Mendelssohn-Bar-
THOLDY, J. L. F. Werke. Serie 14, Abtheilung b.
M.4I3-3-I4B
Herr Wirth, Gott soil euch griissen. Part-song. Engel, D. H.
4 Weinlieder. No. 20 in M.392.7
Herrat. Opera. For the Music and Libretto see Draeseke.
Herrlichkeit, Die, der Erde. Song. Taubert, C. G. W. 6
geistliche Lieder. No. 30 in M.192.7
Herrmann, E.
Ave Maria. [Mannerchor.] (In Gruber. Sangeshort.
Heft I, pp. 34. 35) No. i in M.370.30
Herrmann, Gottfried.
Rinaldo. Gedicht von W. v. Gothe. Fiir Tenor, Banton
und Bass-Solostimmen, Mannerchor und grosses Orches-
ter componirt . . . von Gottfried Herrmann. Op. S- Cla-
vierauszug. Leipzig. Breitkopf & Hartel. [1867?]
No. 2 in M.212.7
Herrmann, Theodor A.
Der Rathsschreiber. Komische Oper. Musik von A. Per-
ron. M.256.4
Herrmann von Unna. Opera. For the Music see Vogler,
G. J.
Herrmann's Tod. Opera. For the Music see Rolle, J. H.
Herrn Joseph Spaun. Song. Schubert, F. P. Werke. Serie
20, Band 10. M.317.1.20.10
Herrosee, Carl Friedrich Wilhelm.
Gedor, oder das Erwachen zum bessern Leben. [Musika-
lisches Drama.l In Musik gesetzt von J. H. Rolle.
No. I in M.I 50.19
Hersart de La Villemarque. See La Villeraarque, Theodore
Claude Henri Hersart, Vicomte de.
Hersch, Isaac Moses, pseud. See Weyl, L.
Hersee, Henry.
Graziella. Cantata. Music ... by Sir Julius Benedict.
M.I 54.26
Pauline. Opera. The music by F. H. Cowen. M.285.35
Hersee, Henry, editor.
Nessler, V. E. The piper of Hamelin. M.394.57
Hersee, Henry, translator.
Bizet. Carmen. M.265.19
Rubinstein. Paradise lost (Das verlorene Paradies).
M.I54-4
Hertha. Opera. For the Music see Curti; also Geisler. For
the Libretto see VoUhardt-Wittich; also Schettler.
Herther, F., pseud. See Guenther, Hermann.
Hertz, Michai. . . . , ..
Bogna des verbannten Tochter. Oper in vier Aufzugen
von Arno Spies und Max Radziszewski. Musik von M
Hertz. [Klavierauszug.] Warschau. Sennewald. [189-?]
The title-page and words are in German and Polisli. M.395.27
Hertz, Wilhelm. .
Lanzelot. Dramatisches Gedicht. [Componirt] von Her-
man Hutter. No. i in M.I93.8
Herve, pseud. See Ronger, Florimond.
Hervey, Arthur. , n -t. o
Masters of French music. New York. Scribner. 1894.
Portraits. Facsimiles. [Masters of contemporary music]
M.i49a.i
Contents. — A. Thomas. — Gounod. — Saint-Saens. — Massenet. —
Reyer. Brnneau. — Some other French composers. — Appendix.
Hervilly, Ernest Marie d'.
La coupe et les levres. Drame lyrique d'Alfred de Musset
et Ernest d'Hervilly. Musique de Gustave Canoby.
M.275.28
Tai Tsoung. Opera. Musique de £mile Guimet. M.276.8
Herwegh, Marcel, editor.
Leclair, J. M. Concerto I pour violon. No. i in M.357.21
Herz, Heinrich.
La Carlotta-Grisi. Grande valse. [Arrangee pour piano a
4 mains par N. Louis.] Paris. Meissonnier & Heugel.
[184-?] No. I in M.390.8
Same. Arrangee pour piano et violon par N. Louis. [Par-
tition et partie de violon.] Paris. Meissonnier & Heugel.
[184-?] 2 v. No. 8 in M.390.10
Herz, Heinrich. (Continued.)
Mes voyages en Amerique. Paris. Faure
1866.
Portrait.
M.I37-7
Trois scEurs. Trois fantaisies pour piano. Op. 118, arran-
gees pour piano et violon par N. Louis. [Partition et
partie de violon.] Paris. Meissonnier & Heugel. [183-?]
6 V. in 2. No. 4-6 in M.390.10
Contents. — i. La gracieuse. 2. La sentimentale. 3. L'enjouee.
Herz, Heinrich, editor.
Rossini, G. A. Stabat Mater, transcrit pour piano solo.
No. 18 in M.390.18
Herz, Leo, translator.
Donizetti. Dom Sebastian von Portugal. M.262.7
Herz, 's. Part-song. Silcher. Silcher-Album. No. 4 in M.370.30
Herz, Ein, das seinen Jesum lebend weiss. Cantata. For the
Music see Bach, J. S. Werke. Jahrgang 28.
Herz, Das, gehort dem Vaterland. Part-song. Gackstaetter.
No. 102 in M. 147.4
Herz, ich habe schwer an dir zu tragen. Song. Franz, R.
Sechs Lieder. Op. 27. No. 75 in M.244.5.2
Herz, Das, thut mir aufspringen. Madrigal. Hasler.
No. 3 in M.204.40
Herz und Mund und That und Leben. Cantata. For the Music
see Bach, J. S. Werke. Jahrgang 30.
Herz, verzage nicht geschvi^ind. Song. Wolf, H. Spanisches
Liederbuch. No. 21 in M.380.30
Herzakind, Schatzakind. Part-song. Goepfart.
No. 38 in M.392.8
Herzallerliebstes Schatzerl. Part-song. Kuecken. Zvsrei
Lieder. No. 10 in M.203.16
Herzallerliebstes Schatzerl du! Song. Kuecken.
No. 13 in M.244.6.2
Herzchen, mein Schatzchen. Song. Weber, C. M. F. E. von.
Sammtliche Lieder. Band 2. No. 70 in M.244.7
Herzelied. Part-song. Isenmann. No. 20 in M.392.12
Kazelitz. No. 2 in M.370.30
Kern. Acht Lieder fiir Mannerchor. No. 46 in M.392.12
Otto, E. J. Fiinf Quartetten. No. 59 in M.392.16
Herzelied. Song.
Abt, F. Deutsche Volkslieder. No. 31 in M.192.1
Schumann, R. A. Sechs Gesange. No. 3 in M.244.15.4; etc.
Herzen triib und traurig. Song. Mihalovich. Sieben Ge-
dichte. No. I in M.380.21
Herzenrose, Die. Song. Blumenthal. 6 Lieder.
No. 29 in M.244.1
Herzens Fruhling. Part-song. Lachner, F. Vier Gesange.
No. 21 in M. 194.16
Herzensweh. Part-song. Silcher. Silcher-Album.
No. 4 in M.370.30
Herzenswuensche. Volksweise. [Mannerchor.] (/n Das
Riitli. Pp. 347, 348.) No. 146 in M.147.4
Herzens Wunsche. Song. Kuecken. Drei Gesange fiir eine
Alt- Oder Bass-Stimme. No. 2 in M.221.25
Herzenthraenen. Part-song. Jork. No. ii in M.203.16
Herzlieb zu dir allein. Madrigal. Hasler. No. 19 in M.204.40
Herzliebstes Elselein. Part-song. Franz, R. Sechs Lieder
fur gemischten Chor. No. 19 in M.158.22
Herzog Wildfang. Opera. For the Music see Wagner, S. For
the Libretto see Reuss, E.
Herzogenberg, Heinrich von.
Deutsches Liederspiel. Text nach alteren und neueren
Volksliedern zusammengestellt und fiir Solostimmen und
gemischten Chor mit Begleitung des Pianoforte zu vier
Hiinden componirt. Op. 14- Leipzig. Fritzsch. 1872.
No. 3 in M.384.37
Contents. — Wir soUen hohen Muth empfahn. — Der Sommer und der
Sonnenschein. — Du bist mein, ich bin dein. — Zwei Herzen im Leben.
— Morgen muss ich weg von hier. — Sind wir geschieden. — O ihr
Wollten, gebet Wasser. — Wenn du zu meinem Schatzchen kommst. —
Der Knabe kehrt zuriicke. — In dem luftesussen Maien.
Drei Quartette fiir 2 Violinen, Bratsche und Violoncell.
Op. 42. Partitur. Leipzig. Rieter-Biedermann. 1884-
3 V. in I. No. 2-4 in M.348.14
Contents. — • i. G moll. 2. D moll. 3. G dur.
572
Herzogenberg
THE ALLEN A. BROWN COLLECTION OF MUSIC
Heulen
Herzogenberg, Heinrich von. (Continued.)
Quartett (D moll) fiir 2 Violinen, Bratsche und Violoncell.
Op. 18. Partition. Leipzig. Fritzsch. 1876.
No. I in M.348.14
Quartett, in F moll, fiir zwei Violinen, Bratsche und Violon-
cell. Op. 63. Partitur. Leipzig. Rieter-Biedermann.
1890. No. 2 in M.403.31
Trio fiir Pianoforte, Hoboe und Horn. Op. 61. [Partitur
und Stimmen.] Leipzig. Rieter-Biedermann. 1889. 3
parts in i v. No. 2 in M.404.49
Hesekiel, Johann Georg Ludwig.
Der Konigssieg bei Koniggratz, 3«e Juli 1866. Gedicht.
Componirt von Fried. Wilh. Serig. No. 15 in M.212.16
Hesione. Opera. For the Music see Campra.
Hesperus. Cantata. For the Music see Brewer, J. H. For
the Libretto see Mace.
Hess, Adolph.
Symphonic (D moll) fiir Orchester. Partitur. Leipzig.
Kahnt. [185-?] M.348.15
Hess, Charles.
The Pilgrims of 1620. An historical oratorio. Words by
U. Tracy Howe. The music by Charles Hess. [Accomp.
for pianoforte.] Detroit. Morse. 1851. No. 6 in M.158.30
The queen of Alferino. A romantic operetta in 3 acts.
Adapted for the use of female colleges, the parlor, & the,
stage. Written by Rebecca J. Goff. Composed by Charles
Hess. [Accomp. for pianoforte.] Cincinnati. Peters.
1861. Portrait. M.292.31
Hess, Charles Leon.
Le diner de Pierrot. Opera-comique en un acte. Poeme de
B. Millanvoye. Musique de Ch. L. Hess. [Partition chant
et piano.] Paris. Leduc. 1893. No. i in M.402.69
Le petit Lulli. Opera-comique en un acte de Louis Leloir
et Paul Gravollet. Musique de Charles Hess. [Partition
piano et chant. Paris.] Gounin-Ghidone. 1895.
No. 2 in M.389.8
Hesse, Adolph Friedrich.
Fantasie fur die Orgel, nebst Praludium und Fuge uber den
Namen "Hesse." Op. 52. No. 30 der Orgelsachen. Leip-
zig. Hofmeister. [185-?] No. 6 in M.414.35
Fantasie fiir die Orgel. 76. Werk. Berlin. Bote & Bock.
[186-?] No. 9 in M.414.3S
Niitzliche Gabe fiir Orgelspieler. Heft 2. Leichte Prae-
ludien . . . Leipzig. Leuckart. [189-?] No. 9 in M.312.49
Praeludium und Fugal (D moll) fiir die voile Orgel. Op. 66.
No. 27 der Orgelsachen. Leipzig. Breitkopf & Hartel.
[i8s-?] No. 8 in M.414.35
VI Orgelstiicke. No. 44 der Orgelcompositionen. 77. Werk.
No. 44 der Orgelsachen. Berlin. Bote & Bock. [186-?]
No. 10 in M.414.35
VI Orgel-Stiicke verschiedenen Charakters. Op. 58. No. 33
der Orgelsachen. Leipzig. Hofmeister. [184-?]
No. 7 in M.414.35
Variationen fiir die Orgel iiber ein original Thema. 34.
Werk. (No. 20 der Orgelsachen.) Wien. Haslinger.
[184-?] No. 4 in M.414.3S
Variationen (No. 2) uber ein original Thema fiir die Orgel.
47. Werk. (No. 26 der Orgelsachen.) Wien. Haslinger.
[184-?] No. 5 in M.414.35
Variationen iiber den Choral: „Sei Lob und Ehr' dem hoch-
sten Gut," und Postludium (Fuge). Op. 54- Leipzig.
Leuckart. [188-?] No. 10 in M.312.49
Vier Orgelstiicke . . . Op. 63. Leipzig. Leuckart. [189-?]
No. 12 in M.312.49
Contents. — Vorspiel zum Choral: „Es ist das Hcil uns kommen her."
— Trio, Bearbeitung des Chorals: „Freu dich sehr o meine Seele." —
Praeludium und Fuge.
Zwei Fugen nebst Einleitung fiir das voile Werk und drei
Vorspiele fiir sanfte Stimmen. Op. 62. Leipzig. Leuc-
kart. [189-?] No. II in M.312.49
Hesse, E. H.
Release of Jonah (Jonas' Befreiung). A comic operetta
with English and German words. (Piano score.) St.
Louis. Poppen & Botefiihr. 1868. No. 3 in M.379.11
Hesse, Max.
Max Hesse's Deutscher Musiker-Kalender fiir das Jahr
1897, 98, 1901, 02, 04. Leipzig. Hesse. [1896-1903.] 5 v.
Portraits. M.20S.27
Heth. Peccatum peccavit. Anthem. Palestrina. Werke.
Band 31. M.8o4oa.66.3i
Hetman, L'. Part-song. Boulanger. No. 41 in M.392.3
Heu mihi Domine. Motet. Lassus. Sammtliche Werke. Band 9.
M.8o4oa.67.9
Heu quantus dolor. Motet. Lassus. Sammtliche Werke. Band
II. M.8o4oa.67.ii
Heuberger, Richard Franz Josef.
Die Abenteuer einer Neujahrsnacht. Komische Oper in 3
Akten, nach Zschokke's gleichnamiger Novelle. Text von
Franz Schaumann. Musik von Heuberger. Klavieraus-
zug. Mainz. Schott. [1886.] M.276.40
Autumn. Part song [t. x. B. B.]. Boston. Priifer. [1882.]
No. 2 in M.392.11
Barfussele. Oper in einem Vorspiel und zwei Bildern (nach
Auerbachs Erzahlung) von Victor Leon [Pseud.]. Musik
von Richard Heuberger. Vollstandiger Klavier-Auszug
mit Text. Leipzig. Brockhaus. [1906.] M.389.44
Felix Mendelssohn-Bartholdy, „Paulus." (Mit Text.) Er-
lautert. Frankfurt a. M. Bechhold. [1898. Der Musik-
fiihrer.] No. 21 in M.217.12.3
„Geht dir's wohl, so denk' du an mich" . . . Cantate fur
Sopransolo, Tenorsolo, Mannerchor und Orchester.
Op. 19. Clavierauszug. Leipzig. Kistner. [1882?]
No. 4 in M.203.16
Handwerksburschenlied. Chor [t. t. b. b.] mit Clavier-Be-
gleitung. Op. 3. Wien. Buchholz & Diebel. [1876?]
No. 6 in M.392.2g
Johannes Brahms, Konzert fiir Violine mit Begleitung des
Orchesters. Op. 77. Erliiutert. Frankfurt a. M. Bech-
hold. [1895. Der Musikfiihrer.] No. 36in M.2i7.i2.a
Johannes Brahms, Rhapsodic, Op. S3; Nanie, Op. 82. Er-
lautert. Frankfurt a. M. Bechhold. [1805. Der Musik-
fiihrer.] No. 44 in M.2i7.i2.a
Johannes Brahms, Trio fiir Pianoforte, Klarinette (oder
Bratsche) und Violoncello, Op. 114; Quintett fiir Klari-
nette (oder Bratsche), 2 Violinen, Bratsche und Violon-
cello, Op. 115. Erlautert. Frankfurt a. M. Bechhold.
[1895. Der Musikfiihrer.] No. 45 in M.217.12.2
[Kain.] Ouverture zu Byron's „Kain" fiir grosses Orches-
ter. Op. 16. Partition. Leipzig. Kistner. [1883?]
No. 2 in M.336.14
Nachtmusik fur Streichorchester. Op. 7. Partitur. Leip-
zig. Kistner. [1879.] No. i in M.336.14
Robert Schumann, Das Paradies und die Peri. Op. 50. Er-
lautert. Frankfurt a. M. Bechhold. [1898. Der Musik-
fiihrer.] No. 10 in M.217.12.4
Robert Schumann, Scenen aus Goethe's „Faust". (Mit
Text.) Erlautert. Frankfurt a. M. Bechhold. [1898.
Der Musikfiihrer.] No. 10 in M.217.12.3
Schlachtgesang (Altdeutsches Kriegslied) fiir Miinnerchor
und Orchester. Op. 20. Partitur. Leipzig. Kistner.
[1884?] No. 3 in M.212.7
Variationen iiber ein Thema von Franz Schubert, fur Or-
chester. Op. II. Partitur. Leipzig. Kistner. [188-?]
No. 5 in M.342.4
Zwei Mannerchore. Op. 10. Leipzig. Kistner. [1880.]
No. I in M.392.11
Contents. — Der fahrende Musikant. — Herbst.
Heuberger, Richard Franz Joseph, editor.
Brahms. Das Lied vom Herrn von Falkenstein.
No. IS in M.212.3
FucHS, R. Walzer fur Pianoforte zu vier Handen.
No. 2, 3 in M.33S.20
Heugel, Henri.
La quenouille de verre. Opera-bouffe. Paroles de MM.
Albert Millaud et H. Moreno [pseud.]. Musique de
Charles Grisart. M.328.6
Heulen und schmerzlichs Weinen. Part-song. Schein, J. H.
Werke. Band i. M.4i4-i-i
573
Hauler
THE PUBLIC LIBRARY OF THE CITY OF BOSTON
Hezekiah
Part-song. Dorn, H.
L. E. Zwei Ge-
No. 51 in M.3g2.6
No. I in M.202.28
No. 2 in M.2g6.6
M.128.38
Heuler und Wiihler.
sange.
Heulhard, Louis Octave Arthur.
fitude sur Une folic a Rome. Opera bouffe de Federico
Ricci. Paris. Bachelin-Deflorenne. 1870. Portrait.
No. 2 in M.iig.14; No. I in M.iiga.io
Heulhard, Louis Octave Arthur, editor.
Chronique musicale. La. Revue bi-mensuelle de I'art
ancien & moderne. Tome i-io. Paris. 1873-76. M.123.1
Heure de liberte, Une. Opera. For the Music see Mathieu, fi.
Heure de manage, Une. Opera. For the Music see Dalayrac.
For the Libretto see Etienne, C. G.
Heure des reves, L'. Song. Panseron.
Heures favorables. Song. Destouches
Heures parisiennes, Les. Delvau.
Heureuse rencontre, L'. Opera. For the Music see Ganne.
For the Libretto see Roger-Miles.
Heureuse solitude, L'. Song. Hortense, Queen of Holland.
Romances. M.221.27
Heureux amour, L', qui eleve et honore. Part-song. Lassus.
Sammtliche Werke. Band 12. M.8o4oa.67.i2
Heureux proces, L'. Opera. For the Music see Gresnick. For
the Libretto see Le Prevost d'lray.
Heureux qui de la sagesse. Song. Servais, A. F.
No. 22 in M.3gi.28.2
Heureux sera le jour. Song. Gounod. Vingt melodies, se
recueil. No. 6 in M.IS7.36.5
Heuser, G.
Kroenungsmarsch zu Schillers Jungfrau von Orleans, ftir
grosses Orchester. [Partition.] Manuscript. [186-?]
M.312.3
Heut Nacht erhob ich mich. Song. Wolf, H. Italienisches
Liederbuch. Band 2.
Heute! Part-song. Mueller, R.
Tauwitz. 2 heitere Chore.
Heute ist heut. Part-song. Dieck.
Heute ist Sonntag. Part-song. Blum, C.
M.38o.2g.2
No. 38 in M.3g2.i6
No. 21 in M.3g2.26
No. 29 in M.3g2.8
L.
No. 6s in M.i2ga.43.2
H6ve, Lucien d'.
Thi-Teu. Opera par MM. fidouard Noel et Lucien d'Heve.
Musique de Frederic Le Rey.
Hewins, James M.
Hints concerning church music, the liturgy
Ide & Button. 1856.
Hewlett, Henry Gay, editor.
Chorley. Autobiography, memoir, letters.
The national music of the world.
M.382.41
Boston.
H.101.9
M.108.7
M.I 28.5
Hexe, Die. Opera. For the Music see Enna. For the Li-
bretto see Ipsen.
Hexenlied, Das. Incidental music. Schillings. No. i in H.38o.a8
Hexenlied. Part-song. Turanyi. Leichter Sinn.
No. 2 in M.157.15
Hexenlied. Song. Mendelssohn-Bartholdy, J. L. F. Werke.
Serie 19. M.413.3.19
Schillings. No. i in M.380.2S
Hexenspiegel, Der. Opera. For the Music see Eysler. For
the Libretto see Schnitzer.
Hey, Julius.
Dem einigen Deutschland! 1870 . . . Vier Mannerquar-
tette, mit Begleitung des Pianoforte ad lib. Miinchen.
Aibl. [187-?] No. 62 in M.393.8
Contents. — „Ich halte Wach' am Rhein." — „Vorwarts, ihr deutschen
Sohne." — Den Gefallenen. — Rheinweinlied.
Hey down, down, down. Song. Heath. M.236.10
Hey hoe, to the greenwood. Part-song. Byrd.
No. 65 in M.235.17.4; etc.
Heyberger, Joseph.
Adieu, foret! [Choeur, t. t. b. b.] {In Recueil des choeurs
d'ensemble frangais . . . i4e fete. Pp. 7-9.)
No. 7 in M.130.7
Heydenreich, Eduard Carl Heinrich.
Musikgeschichtliche Mitteilungen aus Schneeberger Hand-
schriften. [Schwarzenberg i. S. Gartner. 188-?] Fac-
similes. No. 8 in M.372.41
Heydrich, Bruno.
Amen. Opern-Drama in einem Akte und einem musika-
lisch-pantomimischen Vorspiele: Reinhards Verbrechen
von Bruno Heydrich. Textbearbeitung von Max Beh-
rend. Originalauszug [fiir Klavier und Gesang]. Coin.
Uhrig. [1895.] No. I in M.3g9.83
Heydrich, Moritz, translator.
DoRN, H. L. E. Der Botenlaufer von Pirna. M.262.9
Heylli, Georges d', pseud. See Poinsot, Antoine Edmond.
Hejrm, G.
Friedrich Gernsheim, Erste Symphonic in G-moll (Op. 32).
Erlautert. Leipzig. Seemann. [1901? Der Musikfiih-
rer.] No. 7 in M.217.12.10
Heyse, Paul Johann Ludwig.
Adam und Eva. Operette. Musik von Robert von Horn-
stein. M.225.S
Im Walde. Gedicht. Componirt . . . von Gustav Schreck.
No. 8 in M.270.13
Das Thai des Espingo. Ballade. Componirt von Jos.
Rheinberger. No. i in M.3g2.47; etc.
Hezekiah. Oratorio. For the Music see Armes; also Hatton.
For the Libretto see Abercrombie.
END OF VOL. I.
The Public Library of the City of Boston: Printing Department
574
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