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Full text of "Catalogue of the Allen A. Brown collection of music in the Public library of the city of Boston"



LIBRARY OF 
WELLESLEY COLLEGE 




PRESENTED BY 
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Date Due 






THE ALLEN A. BROWN COLLECTION. 



CATALOGUE 



OF THE 



Allen A. Brown Collection 

of Music 



IN THE 



PUBLIC LIBRARY OF THE 
CITY OF BOSTON 



Vol. Ill 

ROSSMANN - ZWYSSIG 




BOSTON 

PUBLISHED BY THE TRUSTEES 

1915 



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The Public Library of the City o! Boston: Printing Department. 



THE 
ALLEN A. BROWN COLLECTION 

OF MUSIC 



Rossmann 



Rossmann, Wilhelm. 

Luther in Worms. Oratorium. Musik von Ludwig Mei- 
nardus. M. 153.48 

Rosso, Lorenzo Ottavio del. See Del Rosso, Lorenzo Ottavio. 
Poccia. [Rossiya.] Symphonic poem. Rubinstein. 

No. 2 in M.334.15 
Rost, Carl Christian Heinrich. 

Die Feyer der Christen auf Golgotha. Ein Oratorium. In 
Musik gesetzt und als ein Auszug zum Singen beym Kla- 
viere hrsg. von Johann Gottfried Schicht. No. I in 11.152.29 
Rostaing, Jules. 

Sylvie. Opera comique. Paroles de J. Adenis [pseud.] et J. 
Rostaing. Musique de E. Guiraud. No. i in M.270.44 

Rostan, Joseph Andre. 

£gill-le-Demon. Drame fantastique et lyrique. Prologue 
et epilogue par J. A. de Rostan et J. M. Cournier. Mu- 
sique de Jules Gerard. No. 3 in M. 256.12 
Rostand, Eugene Alexis Edmond. 

Pierrot qui pleure et Pierrot qui rit. Comedie en musique. 
Musique de * * *. Paris. Heugel & cie. 1899. 

No. 2 in M.393.45 
La Samaritaine. fivangile. Musique de Gabriel Pierne. 

No. 2 in M. 193.7 
Rosy finger'd goddess. Glee. Danby. No. 103 in M.220.9.3 

Rot Roeslein. Part-song. Juengst. Standchen. 

No. 37 in M.392.12 
Rota, Giuseppe. 

Ginevra di Scozia. Melodramma in 3 atti. Poesia di M. 
Marcello. Musica di Giuseppe Rota. Riduzione con ac- 
comp. di pianoforte. Milano. Lucca. [1862?] M.274.3 
Rota, Vincenzo. 

Der Apotheker. (Lo speziale.) Opera buffa von Joseph 
Haydn. No. 2 in M.393.25 

Rote Aeuglein. Song. Franz, R. Sachs Gesange. Op. 23. 

No. 60 in M.244.5.2 
Roth, Franz. 

Standchen fiir Mannerchor und Tenor-Solo mit Pianoforte- 
Begleitung. Leipzig. Eulenburg. [189-?] 

No. 12 in M.212.14 
Roth, Louis. 

Der Polengraf. Operette in 3 Acten, nach einem G. de 
Grahl'schen Entwurfe von Richard Genee und J. Fritz- 
sche. Musik von Louis Roth. Vollstandiger Clavieraus- 
zug. Hamburg. Leichssenring. [188-?] M.321.3 

Der Tugendring. Marchen-Operette in 2 Akten. Text von 
Hermann Hirschel. Musik von Louis Roth. Klavier Aus- 
zug mit Text. Berlin. Internationaler Musik-Verlag 
"Apollo." 1900. M.389.28 

Rothe Hanne, Die. Song. Schumann, R. A. Die Lowenbraut. 

No. 8 in M.244.15.1 ; etc. 

Rothkaeppchen. For orchestra. Bendel. Marchenbilder. Op. 

135. No. I in M.332.5 



No. I in M.221.34 



Melodramma. 



Posto in musica dal 

M.232.43 

Posto in musica dal Conte 

M.232.44 



Rothkaeppchen. Opera. For the Music see Boieldieu, F. A. 

Le petit chaperon rouge. For the Libretto see Theaulon 

de Lambert. 

Roth-Roeslein. Part-song. Isenmann. Fiinf Mannerchore. 

Op. 66. No. 29in M.392.11 

Rothschild, Baronne Willy de. 

Ich will's dir nimmer sagen. Romance [s. ou t. Accomp. de 
piano]. Facsimile, (/n Album du Gaulois. Vol. 2.) 

No. 17 in M.391.28.2 
Rotoli, Augusto, editor. 

Basili. Miserere for s. c. t. b. 
Rotondi, Pietro. 

Bianca di Santafiora. 
Conte Giulio Litta. 
Sardanapalo. Melodramma. 
Giulio Litta. 
Roubin, Amedee de. 

Le quai malaquais. Operette en i acte. Paroles de William 
Busnach et £lie Frebault. Musique de Amedee de Roubin. 
Partition piano et chant. [Paris.] D'Aubel. [1866.] 

No. 2 in M.307.40 
Roublard le canotier. Opera. For the Music see Villebichot. 

Rouch, Alma. 

Un pecheur en chambre. Operette. Musique de Frederic 
Maihol. No. 2 in M.247.9 

Roucoux, Paul Urbain. 
Absalon. Operette bouffe. Paroles de Paul Burani [pseud.] 
& A. Pouillon. Musique de Achille D. Campisiano. 

No. I in M.275.27 

La barbiere improvisee. Opera comique. Paroles de P. 

Burani [pseud.] et J. Montini. Musique de Joseph O'Kelly. 

No. I in M.277.15 
La belle Sophie. Opera-bouffe. Paroles de P. Burani 
[pseud.] & E. Adenis [pseud.]. Musique de Edmond 
Missa. M.267.3 

Le billet de logement. Opera-comique de P. Burani [pseud.] 
et M. Boucheron. Musique de Leon Vasseur. M.325.16 

La bouquetiere du Chateau d'Eau. Opera comique. Mu- 
sique de Constantin Lubomirski. M.382.44 
Le bourgeois de Calais. Opera comique. Paroles de Ernest 
Dubreuil et Paul Burani [pseud.]. Musique de Andre 
Messager. M.257.25 
Le Cabinet Piperlin. Operette bouffe de Hippolyte Ray- 
mond et Paul Burani [pseud.]. Musique inedite de Herve 
[pseud.] completee par Gardel-Herve fils [pseud.]. 

No. 2 in M.394.36 
La cantiniere. Piece. Paroles de Paul Burani [pseud.] et 
Felix Ribeyre. Musique de Robert Planquette. 

No. 2 in M.287.26 

Compere Guilleri. Opera-comique de Paul Burani [pseud.] 

& Jules Cavalie. Musique de Henri Perry. No. i in M.300.8 



III I 



1 



Roucoux 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Rousseau 



Roucoux, Paul Urbain. (Cotttinued.) 

Le droit du seigneur. Opera-comique de P. Burani [pseud.] 
et M. Boucheron. Musique de Leon Vasseur. M.325.23 

L'eleve du Conservatoire. Operetta en 3 actes. Paroles de 
Paul Burani [pseud.] et Henri Keroul. Musique de 
Leopold Wenzel. M.326.23 

Fanchonette. See his Fanfreluche. 

Fanfreluche. Opera comique de Gaston Hirsch, St. Arro- 
man & Burani [pseud.]. Musique de G. Serpette. 

No. I in M.322.22; etc. 

La fauvette du Temple. Opera comique. Paroles de Paul 
Burani [pseud.] et Eugene Humbert. Musique de Andre 
Messager. M.257.20 

Frangois les Bas Bleus. Opera comique. Paroles de MM^s 
Ernest Dubreuil, Eugene Humbert et Paul Burani 
[pseud.]. Musique de Firmin Bernicat terminee par Andre 
Messager.' M.26S.11 

Jean Raisin. Operette. Musique de Marius Carman. M.303.21 

Le mariage au tambour. Opera comique. Musique de Leon 
Vasseur. M.32S.19 

Mille et deuxieme nuit. Opera-bouffe. Paroles de Paul 
Burani [pseud.] & Pierre Richard. Musique de Lucien 
Poujade. M.297.14 

Ninon. Opera-comique de Blavet, Burani [pseud.] et Andre 
[pseud.]. Musique de Leon Vasseur. M.32S.26 

Le petit Parisien. Opera-comique. Paroles de Paul Burani 
[pseud ] et Maxime Boucheron. Musique de Leon Vas- 
seur. M.325.20 

Le Prince Soleil. Piece a grand spectacle. Poeme de Hip- 
polyte Raymond et Paul Burani [pseud.]. Musique de 
Leon Vasseur. M.32S.28 

Le puits qui park. Opera-comique de Beaumont [pseud.] et 
Burani [pseud.]. Musique de E. Audran. M.2S5.14 

La reine des halles. Opera bouffe de Delacour [pseud.], 
Bernard et Burani [pseud.]. Musique de L. Varney. 

M.324.40 
Rivoli. Opera-comique. Musique de Andre Wormser. 

M.395-57 

Le roi malgre lui. Opera comique. Paroles de £mile de 

Najac & Paul Burani [pseud.]. Musique de Emmanuel 

Chabrier. M.275.40 

Le talisman. Opera-comique par d'Ennery [pseud.] et Paul 

Burani [pseud.]. Musique de Robert Planquette. M.287.33 

Rouen. France. Music. 

Neukomm, E. Trois jours a Rouen. Souvenirs du cente- 
naire de Boieldieu, juin 1875. Paris. 1875. 

No. 3 in M. 139.22 
Musique sacree, La, au diocese de Rouen du IVe au Vllle 
siecle. Rouen. 1866. No. 3 in M.372.21 

Rouet, Le, d'Omphale. Symphonic poem. Saint-Saens. 

No. I in M.343.39 
Rouge et noir. Ballet music. Bayer, J. No. 2 in M.255.42 

Rouge et noir. For pianoforte. Louis, N. No. 11, 12 in M.390.17 

Rougeron, Jean. 

L'hypnotiseur par amour. Operette-bouffe. Paroles de 
Lucien Gothi et Jean Rougeron. Musique de Lucien Gothi. 

No. 3 in M.393.19 
Rouget de Lisle, Claude Joseph. 

Air des Marseillais, harmonise par Gossec [a. t. b. Accomp. 
de piano], (/n Pierre, C. V. D. Musique des fetes et cere- 
monies de la Revolution frangaise . . . Pp. 64-66.) M.380.14 
Same. La Marseillaise. Hymne national orchestre par 
fimile Pessard. Partition. Paris Leduc. [188-?] 

No. 7 in M.343.46 

Same. Hymne k la liberte (dit des Marseillais). [t. solo et 

choeur, t. t. t. b. b. Accomp. de piano.] (/n Pierre, C. V. 

D. Musique des fetes et ceremonies de la Revolution 

frangaise ... Pp. 456-460.) M.380.14 

Same. Hymne des Marseillais [t. t. b. b. With English 

words]. No title-page. [187-?] No. 7 in M.392.37 

Same. Hymne des Marseillais arrange a grand orchestre et 

a double choeur, par Hector Berlioz. [Partition.] Paris. 

Brandus & cie. [185-?] No. 9 in M.341.24 



Rouget de Lisle, Claude Joseph. (Continued.) 

Hymne a la raison (1793) [a. t. b. Accomp. de piano]. (In 
Pierre, C. V. D. Musique des fetes et ceremonies de la 
Revolution frangaise ... Pp. 224-226.) M.380.14 

Hymne dithyrambique sur la conjuration de Robespierre. 
[Choeur. Accomp. de piano.] (In Pierre, C. V. D. Mu- 
sique des fetes et ceremonies de la Revolution frangaise 
. . . Pp. 120-130.) M.380.14 

48 chants frangais. Paroles de differens auteurs. Mises en 
musique avec accomp. de piano, par Rouget de Lisle. 
Paris. Schlesinger. [1825?] M.202.44 

Contents. — Roland a Roncevaux. — Olivier. — figinard et Emma. — 
Chant clievaleresque. — Raoul de Coucy, ou la Croisade. — Chanson. 

— Iselle et Gaston. — La Blanche Marguerite. — Du Guesclin. — 
Agnes Sorel. — Charles VII. — M^compte d'amour. — Chanson spiri- 
tuelle. — Bayard. — Vers de Francois ler. — L'amour et I'honneur. — 
Adieux de Marie Stuart. — Henri IV. — Viens aurore. — Chanson de 
Roland. — Paul et Virginie. — Hymne au soleil couchant. — Hymne 
des Marseillais. — Le vengeur. — La jeune captive. — Mont Jourdain. 

— Chant du neuf Thermidor. — Hymne a I'esperance. — Hymne a la 
liberte. — ■ Vengeance. — Le chant du combat. — Kleber. — Hymne a 
la paix. — Enguerrand de Crecy. — L'emigr^ montagnard. — Mon- 
taigu. — Plus de politique. — Ma Republique. — Si j'etais petit oiseau. 

— L'aveugle de Bagnolet. — La petite fee. — Les veterans. — La 
sainte alliance des peuples. — Les enfans de la France. — Le voyageur. 

— Chant des industriels. — Dieu conserve le Roi. — Mon dernier voeu. 
Roland a Roncevaux. Chant de guerre, [t. solo et chceur, 

T. T. B. Accomp. de piano.] (/n Pierre, C. V. D. Musique 
des fetes et ceremonies de la Revolution frangaise . . . 
Pp. 461, 462.) M.380.14 

Rouget de Lisle, Claude Joseph. Works about. 

Le Roy de Sainte-Croix, F. N. Le chant de guerre pour 
I'Armee du Rhin, ou la Marseillaise. Strasbourg. 1880. 

No. 3 in M. 123.10 

Loth, A. J. M. Le chant de La Marseillaise: son veritable 

auteur. Paris. 1886. Facsimiles. No. i in M.132.17 

Pierre, C. V. D. La Marseillaise. Comparaison des dif- 

ferentes versions, variantes de la melodie, du rythme et de 

I'harmonie. Paris. 1887. No. 3 in M.141.17 

Tiersot, J. B. £. J. Rouget de Lisle: son oeuvre, sa vie. 

Paris. 1892. Portrait. Facsimile. M.138.12 

Rough country priest, A. Catch. King, J. No. 47 in M.220.9.4 

Rougier, Elzeard. 

Le roi d'Ys [de Lalo]. Souvenir de la centieme representa- 
tion, le 24 mai 1889. Paris. Savine. 1890. No. 7 in M.370.65 
Roumakal, L Opera. For the Music see Rossi, F. For the 

Libretto see Fuma. 
Round about her chariot. Madrigal. Gibbons, E. 

No. 28 in M.235.12; etc. 
Round are all things. Part-song. Kuecken. No. 10 in M.392.48.1 
Round Jerusalem stand. Anthem. Marston. No. 16 in M.203.38 
Round the hapless Andre's urn. Glee. Paxton, S. 

No. 37 in M.220.3.4; etc. 
Round the hearth. [Welsh melody.] Harmonised for 3 
voices [s. T. B.]. (In The Choralist. Vol. i, ser. 4.) 

No. 37 in M.157.S.1 
Round thy pillow. Glee. Cooke, R. 8 glees. No. 4 in M.220.8 
Round with the glass. Catch. Atterbury. No. 140 in M.220.9.2 
Roundelay. Part-song. Rheinberger, J. G. No. 32 in M.392.37 
Rounders, The. Opera. For the Music see Englaender. For 

the Libretto see Mars. 
Rounds. See Part-songs. 

Rounds, The, catches and canons of England. Part-songs. 
Rimbault, editor. M.380.45 

Rourke, William Michael. See Rooke, William Michael. 
Rouslane and Ludmilla. Overture. Glinka. No. 4 in M.348.7 
Rousseau, Amedee Louis Joseph. 

Clemence. Romance [t. Accomp. de piano]. (In Album 
lyrique.) No. 2 in M.158.34 

Les cloches du soir. Nocturne [s. t. Accomp. de piano]. 
(Ln Album lyrique.) No. 2 in M.158.34 

La poupee de Nuremberg. Opera comique. Paroles de 
MM. de Leuven [pseud.] & de Beauplan [pseud.]. Mu- 
sique de Ad. Adam. No. 2 in M.361.5 
Sorrente. Barcarolle [t. Accomp. de piano]. (In Album 
lyrique.) No. 2 in M.158.34 
Vois tu la bas. Tyrolienne [t. Accomp. de piano]. (In 
Album lyrique.) No. 2 in M.158.34 



Rousseau 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Rowe 



Rousseau, Auguste. 
La dame du lac. Opera heroique de MM. d'fipagny et A. 
Rousseau. Musique de Rossini. M.264.2S; etc. 

Rousseau, Jean Baptiste. 

Circe. Cantate. Musique de Courcelles. No. 2 in M.1S4.34 
Rousseau, Jean Jacques. 
A complete dictionary of music. Translated by William 
Waring. 2d edition. London. Murray. 1779- M.131.12 
The cunning-man. See his Le devin du village. 
Le devin du village. Intermede. [Paroles et musique] par 
J.J.Rousseau. [Partition.] Paris. Le Clerc. [i7S3] 

No. I in M.274.4 
Same. Partition de piano et chant. Launer. [186-?] 

M.327.a 

Same. The cunning-man. A musical entertainment in 2 

acts. Taken from the Devin du village of Rousseau, and 

adapted to his original music by C. Burney. [Accomp. for 

piano.] London. Bremner. [1766?] No. I in M.130.2 

Discours qui a remporte le prix a I'Academie de Dijon, en 

I'annee 1730, sur cette question: Si le retablissement des 

sciences & des arts a contribue a epurer les moeurs. Par 

un citoyen de Geneve. Nouvelle edition, accompagnee de 

la Refutation de ce discours, par les apostilles critiques 

de I'un des academiciens examinateurs [C. L. Le Cat]. 

London. Kilmarneck. 1751. Plate. No. i in M.103.3 

Forth from the dark and stormy sky. Hymn. (In Hullah. 

Part music. Sacred. Vol. i, pp. 90. 9i) 

No. 29 in M.157.28.1 

Hark! 'tis the breeze. Chorus. [Accomp. for organ.] {In 

Handel and Haydn Society Collection of sacred music. 

Vol. 3, pp. 116, 117.) No. 20 in M.221.22.3 

Lettre sur la musique frangoise. 2e edition. [Geneve.] 

1753. No. 2 in M.103.3 

Pygmalion. Ein Monodrama. Fiir das Clavier ausgezogen 

von G. Benda. M.230.19 

Que le jour me dure! Air de trois notes. [Accomp. de 

piano.] {In Musical library. Vol. 3, p. 20.) 

No. 6 in M.235.18.3 
Tendre fruit des pleurs d'Aurore. Duettino [s. a. Accomp. 
de piano]. {In Musical library. Vol. 3, p. 80.) 

No. 25 in M.235.18.3 
Rousseau, Jean Jacques. Works about. 

Cazotte, J. Observations sur la lettre de J. J. Rousseau, 
au sujet de la musique frangaise. [Anon. Geneve?] 1753. 

No. 5 in M.103.3 
GossEC, F. J. Hymne a J. J. Rousseau, [s. solo et chceur, 
s. A. T. B. Accomp. de piano.] {In Pierre, C. V. D. Mu- 
sique des fetes et ceremonies de la Revolution frangaise 
... Pp. 394-397) M.380.14 

Jadin, H. Hymne a J. J. Rousseau, [s. solo et choeur, 
s. A. T. B. Accomp. de piano.] {In Pierre, C. V. D. Mu- 
sique des fetes et ceremonies de la Revolution frangaise 
... Pp. 398, 399) M.380.14 

Jansen, a. Jean-Jacques Rousseau als Musiker. Berlin. 
1884. M.371.35 

Poulet-Malassis, P. E. A. La querelle des bouffons. La 
bibliotheque de J. J. Rousseau. Paris. 1876. 

No. 5 in M.218.4 

Yso, . Lettres sur la musique frangoise en reponse a 

celle de Jean Jacques Rousseau. [Anon.] Geneve. I7S4- 

No. 4 in M.103.3 
Rousseau, Johann Baptist. 

Liska, Oder die Hexe von Gyllensteen. Oper. Komponirt 

von Ferd. Ries. M.264.12 

Der Sieg des Glaubens. Oratorium. In Musik gesetzt von 

Ferd. Ries. M.222.12 

Rousseau, Marcel Auguste Louis. 

Le roi Arthur. Poeme lyrique en trois episodes de Fernand 
Beissier. Musique de Marcel Rousseau. Partition piano 
et chant. Paris. Choudens. 1903. M.397.55 

Rousseau, Samuel. 

La cloche du Rhin. Drame lyrique en trois actes de Georges 
Montorgueil & P. B. Gheusi. Musique de Samuel Rous- 
seau. Partition chant et piano. Paris. Choudens. 1898. 

M.394a3 



Rousseau, Samuel. (Continued.) 

Deux pieces pour quatuor a cordes. Partition. Paris. 

Durand. [189-?] No. 3 in M.405.71 

Merowig. Drame lyrique en 3 actes et 5 tableaux. Poeme 

de Georges Montorgueil. Musique de Samuel Rousseau. 

Partition chant et piano. Paris. Choudens. 1892. M.3ai.4 

Messe solennelle (de Piques). Soli et chceurs a 4 voix, avec 

accomp. d'orgue. Paris. Le Beau. [189-?] 

No. 2 in M.158.41 

Messe solennelle, Deuxieme. Soli, choeurs et orchestre. 

Partition, chant et orgue. Paris. Peregally & Parvy. 

1896. No. 2 in M.203.33 

Rousseau, Victor Arthur. 

Bonsoir, voisin. Opera comique. Poeme de Brunswick 
[pseud.] et Arthur de Beauplan [pseud.]. Mis en musique 
par Ferdinand Poise. No. 2 in M.287.39 

Le pain bis. Opera comique. Paroles de Brunswick 
[pseud.] et de Beauplan [pseud.]. Musique de Th. 
Dubois. No. I in M.305.17 

La poupee de Nuremberg. Opera comique. Paroles de 
MM. de Leuven [pseud.] & de Beauplan [pseud.]. Mu- 
sique de Ad. Adam. No. 2 in M.361.5 
Rousselot, Scipion. 

Canzonnetta italiana. Precedee d'une introduction et variee 

pour le violoncelle, avec accomp. de piano. CEuv. 17. 

[Partition.] Paris. Richault. [184-?] No. 3 in M.210.6 

Same. [Partie de violoncelle.] No. 11 in M.aio.12 

Roussier, Pierre Joseph. 

Memoire sur la musique des anciens. Paris. Lacombe. 

1770. Plates. M.131.6 

Traite des accords, et de leur succession, selon le systeme 

de la basse-fondamentale. Paris. Duchesne. 1764. M.103.6 

Roussotte, La. Opera. For the Music see Ronger, F. For 

the Libretto see Meilhac. 
Rouvre, Philippe de. 

Scenes heroiques en trois parties et un prologue. Musique 
de imile Ratez. No. 2 in M.384.19 

Rouvrou, , Baron de, translator. 

Arteaga. Les revolutions du theatre musical en Italic. 
London. 1802. M.149.25 

Roux, Armand. 

Les oreilles d'ane. Operette bouffe en i acte. Paroles de 
Fernand Langle et Felix Savard. Musique de Armand 
Roux. [Partition chant et piano.] Paris. Feuchot. 
[1868.] No. 2 in M.300.4 

Rouxel, 

Histoire des ecoles de musique. Reponse au discours pro- 
nonce par M. Gevaert, a I'Academie des beaux-arts a 
Bruxelles, septembre 1876. Par un Trouvere. 2e edition. 
Paris. Baur. 1877. No. 2 in M.370.64 

Rover, The. Part-song. Smart, H. No. 72 in M.157.2; etc. 

Rover reclaim'd, The. Song. Arne, T. A. Lyric harmony. 
Vol. I. M.380.1.1 

Rovigo, Rene de. 

Le fauteuil de mon oncle. Operette. Musique de Clara 
Collinet. No. 5 in M.285.23 

Row, brothers, row. Part-song. Maddison. 

No. 10 in M.i39a.i8.8 

Row gently here. Part-song. Schira. No. 42 in M.121.3 

Row, little boat. Part-song. Geibel, A. No. 25 in M.203.11; etc. 

Row the boat, Whittington. Catch a 3 voci. {In Clementi. 

Collection of catches. Vol. 2, p. 65.) 

No. 137 in M.110.1.2; No. 137 in M.iio.2.2 
Also to be found in The Harmonist; Sibbald's Collection of catches. 
Rowan tree, The. Song. Balfe. No. 16 in M.192.9.2 

Rowbotham, John Frederick. 

A history of music. London. Triibner & Co. 1885-87. 3 v. 

M.106.19 
The private life of the great composers. London. Isbister 
& Co. 1892. M.107.30 

Rowe, Bolton, translator. 

Lecocq, A. C. The little duke (Le petit due.) No. i in M.296.32 
Rowe, Charles James. 
"A puff of smoke." Musical duologue. Music by Angelina 
[pseud.]. No. I in M.277.a2 



Rowe 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Rubinstein 



Rowe, Saville, translator. . , ^ 

Lecocq, a. C. The little duke (Le petit due). 

No. I in M.295.32 

Rowlands, David, translator. 

Parry T. Blodwen. (White-flower.) M.326.40 

1_ immanuel. '*-^54.2 

Roxas, Emmanuele de. .• • i 

Lu core muorto. [Canzone, s. o. t. Accomp. di piano.] 

(In Cottrau. 23a raccolta di canzoni napolitane. Fp. 23, 

2 . ) No. 4 in M.390.44 

Lu dispietto. [Canzone, a. o. bar. Accomp. di piano.] (/n 

Cottrau 23a raccolta di canzoni napolitane. Pp. 25-27.) 

No. 4 in M.390.44 

Roy, Pierre Charles. . . t 1 j . t^ 

Les elements. Ballet du roi. [Musique de Laland et Des- 
touches.] . ^^ M.296.17 

Philomele Tragedie. Mise en musique par M. La (^oste. 

M.120.14 
Roy, Le, et le fermier. Opera. For the Music see Monsigny. 

For the Libretto see Sedaine. 
Royal Academy of Music, London. 

Cazalet, W. W. The history of the Royal Academy of 

Music' London. 1854- Portrait. M.101.38 

DuviviER, A. D. Mr. A. D. Duvivier, Hon. R. A. M. and 

the Royal Academy of Music. A simple statement of 

facts. [London. 1888.] No. 10 in M.216.18 

Royal Albert Hall choral music, The. Part-songs. Gounod, 

editor. "^-l^^-^f 

Royal chef. The. Opera. For the Music see Jerome, B. M. 

For the Libretto see Stoddard. 
Royal cravatte. Opera. For the Music see Pilate. For the 

Libretto see Julian. 
Royal Dindon. Opera. For the Music see Bordese. For the 

Libretto see Flan. 
Royal Institute for Church Music, Berlin. See Koenigliches 

Institut fiir Kirchenmusik, Berlin. 
Royal Institution of Great Britain. Addresses. 

Pole, W. The philosophy of music. Lectures delivered 
in 1877. London. 1895. M.136.6 

Royal Italian Opera, Covent Garden, London. 

The Shakespeare night, in aid of the fund for the purchase 
and preservation of Shakespeare's house. [Programme. 
London. 1847.] No. 4 in M.149.8 

Royal melody compleat, The. Church music. Tans'ur. 

No. I in M.100.39 
Royal Musical Festival in Westminster Abbey, 1834. 

The first-fourth performance. London. Mallett. [1834.] 
Newspaper cuttings are inserted. M. 100. 14 

Royal star. The. Opera. For the Music see Clerice. For the 

Libretto see Ordonneau. 
Royalisten, Die. Opera. For the Libretto see Philippe, A. 

For the Music see Manas. 
Royalty catch. Catch. Carter, T. Come, my boys. 

No. 42 in M.141.21.2; etc. 
Royaume, Le, des femmes. Opera. For the Music see Ser- 

pette. For the Libretto see Blum, E. 
Royer, Alphonse. 

La favorita. [Opera. Musica di Donizetti. Parole di A. 

Royer e J. N. G. Van N. Vaez.] M.401.10; etc. 

Histoire de I'opera. Paris. Bachelin-Deflorenne. 1875. 

Portraits. M.137.1 

Jerusalem. Grand opera. Poenie de MM. Alph. Royer et 

G. Vaez. Musique de G. Verdi. M. 328.29 

Robert Bruce. Grand opera. Paroles de G. Vaez et A. 

Royer. Musique de Rossini. M.226.13; etc. 

Royer, Alphonse, translator. 

Rossini. Otello. M.264.24 

Royer, Joseph Nicolas Pancrace. 

Zaide. Ballet heroique [de I'Abbe Delaraare]. Mis en mu- 
sique par Mr Royer. 2e edition. [Partition.] Paris. 
L'auteur. [i74S?] M.400.28 

Royer, P., translator. 

Oettinger, E. M. Rossini: I'homme et I'artiste. Bruxelles. 
1858. 3 V. M.208.30 



Roze, Marie. 

Marie Roze. A biographical sketch. [New York. 1878.] 

No. Sin M.116.10 

Roze, Nicolas. 

O Salutaris. Motet transcrit pour 3 voix egales. [Accomp. 
d'orgue.] (In La Chapelle. Vol. i, pp. 25-27.) 

No. 10 in Ii(.20i.33 

Roze, Raymond. 

For sword or song. A poetical music-play in three acts. 
Written by Robert George Legge. Made by Louis Cal- 
vert. Musick'd by Raymond Roze. [Vocal score. Lon- 
don.] Joseph Williams, etc. [ipca.] No. 2 in M.378.39 
The love birds. A musical comedy. Book by George 
Grossmith, Junf. Additional lyrics by Percy Greenbank. 
Music by Raymond Roze. Vocal score. London. Keith, 
Prowse & Co. 1904. M.397.56 

Roze, De. Song. Lange, D. de. No. i in M.403.93 

Ruban vert, Le. Song. Schubert, F. P. Melodies. Vol. 2. 

M.327.4.2 
Rubans, Les. Opera. For the Music see Gronnenrade. For 

the Libretto see Parisau. 
Rubens, Paul Alfred. 

The blue moon. A musical play. Book by Harold Ellis. 
Lyrics by Percy Greenbank and Paul A. Rubens. Music 
by Howard Talbot and Paul A. Rubens. M.383.66 

The Cingalee. A new and original musical play by James T. 
Tanner. Music by Lionel Monckton. Additional lyrics 
and numbers by Paul A. Rubens. M.397.46 

A country girl. A new and original musical play by James 
T. Tanner. Music by Lionel Monckton. Additional lyrics 
and numbers by Paul A. Rubens. M.381.31 

Miss Hook of Holland. A Dutch musical incident. Book 
by Paul A. Rubens and Austen Hurgon. Lyrics and music 
by Paul A. Rubens. Vocal score. London. Chappell & 
Co., Ltd. 1907. M.378.8 

Three little maids. A new and original musical play in three 
acts. Written and composed by Paul A. Rubens. Addi- 
tional numbers by Percy Greenbank and Howard Talbot. 
Vocal score. London. Chappell & Co. 1902. M.397.57 
Rubezahl. See Ruebezahl. 

Rubin, Der. Opera. For the Music see Albert, E. F. C. d'. 
Rubin und Gold. Part-song. Braune. No. 3 in M.392.20 

Rubini, Giovanni Battista. 

LocATELLi, A. Cenni biografici sulla straordinaria carriera 
teatrale percorsa da Gio. Battista Rubini. Milano. 1844. 

No. 4 in M.207.9 
Rubino, Francesco. 

II domino nero. Opera comica. Musica del maestro Lauro 
Rossi. M.1SO.26 

Rubinstein, Anton Grigorievitch. 

[Antonius et Cleopatre.] Ouverture de la tragedie „An- 
tonius et Cleopatre" de Shakespeare, pour orchestre. Op. 
116. Partition. Leipzig. Senff. [1890.] No. 3 in M.342.a9 
Autobiography, 1829-1889. Translated by Aline Delano. 
Boston. Little, Brown & Co. 1890. Portrait. M.i09a.i3 
Bal costume. Suite [i, 2] de morceaux caracteristiques pour 
orchestre. Op. 103. Instrumentation par Max Erdmanns- 
dorfer. Partition. Berlin. Bote & Bock. [187-?] 

No. I in M.342.28 

Battle song [t. t. b. b.]. (In Mosenthal. Songs of the 

Mendelssohn Glee Club. Pp. 49-5 1-) No. 13 in M.204.38 

Caprice russe pour piano avec accomp. d'orchestre. Op. 102. 

Partition. Leipzig. Senff. [1879] No. 2 in M.335.23 

Concerto, ler, pour le piano avec accomp. d'orchestre ou 

d'un second piano. Op. 25. [Partition 2 pianoforte.] 

Leipzig. Peters. [186-?] No. 3 in M.403.70 

[Concert, 2e, fiir Pianoforte und Orchester. Op. 35- Par- 

titur.] Manuscript. [Wien. Spina. 187-?] M.342.27 

Concerto, 3e, pour le piano, avec accomp. d'orchestre. Op. 

45. Edition nouvellement revue. Partition. Berlin. 

Bote & Bock. [1858?] No. I in M.345-2 

Same. Edition pour piano seul. No. 2 in M.200.6 

Concerto, 46 (D moll), pour piano avec accomp. d'orchestre. 

Op. 70. Partition. Leipzig. Senff. [187-?] 

No. I in M.345.3 



Rubinstein 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Rubinstein 



Rubinstein, Anton Grigorievitch. (Continued.) 

Concerto, 5e (Es dur), pour le piano avec accomp. d'or- 

chestre. Op. 94. Partition. Leipzig. Senff. [188-?] 

No. 2 in M. 345.3 
Concert pour le violon, avec accomp. d'orchestre. Op. 46. 

[Partition.] Leipzig. Peters. [188-?] No. i in M.342.29 
Concerto pour violoncelle avec accomp. d'orchestre. Op. 65. 

Partition. Leipzig. Senff. [188-?] No. I in M.337.62 

Concerto, 2e (D moll), pour violoncelle avec accomp. d'or- 
chestre. Op. 96. Partition. Leipzig. Senff. [188-?] 

No. 2 in M.337.62 
Concertstuck pour le piano avec accomp. d'orchestre. Op. 

113. Partition. Leipzig. Senff. [1880?] No. 3 in M.335.23 
Der Damon. Phantastische Oper in 3 Acten. Nach dem 

Russischen [P. A. Viskovatov's] von Alfred Offermann. 

Musik von Anton Rubinstein. Vollstandiger Clavieraus- 

zug. Leipzig. Senff. [1880.] M.321.7 

Same. Balletmusik fiir Orchester aus der Oper Der Damon. 

Partitur. Leipzig. Senff. [188-?] No. 2 in M.345.11 

2 quatuors pour deux violons, alto et violoncelle. Op. 90. 

Partition. Leipzig. Senff. [1875.] No. 7, 8 in M.351.29 
Same. [Parties separees.] 8 v. in 4. No. 9, 10 in M.211.2.1-4 
Deux serenades russes: No. i, D moll; No. 2, A moll. Op. 

93, Cah. 6. Fiir Orchester bearbeitet von Karl Miiller- 

Berghaus. Partitur. Leipzig. Senff. 1899. 

No. I in M.405.51 
Deux trios pour piano, violon et violoncelle. Op. 15, No. i, 2. 

[Partition.] Leipzig. Hofmeister. [185-?] M.351.27 

Same. [Parties de violon et violoncelle.] 4 v. 

No. 13, 14 in M.211.4.3, 4 
[Dimitri Donskoi.] Ouverture de I'opera ,,Dimitri Don- 

skoi." Partition d'orchestre. Berlin. Bote & Bock. 

[1874?] No. 3 in M.334.15 

Don Quixote. Musikalisches Characterbild. Humoreske 

fiir grosses Orchester. Op. 87. Partitur. Leipzig. Senff. 

[188-?] No. 3 in M.345.1 

Doumka. Andante con moto. Op. 93, Cah. 3. Fiir Orchester 

bearbeitet von Karl Miiller-Berghaus. Partitur. Leipzig. 

Senff. 1899. No. 2 in M.405.5i 

Eighteen two-part songs with pianoforte accomp. "The 

English version by Natalia Macfarren. London. Novello, 

Ewer & Co. [1879?] No. i in M.155.47 

Contents. — The angel. — Birdie. — The homestead. . — The merry 
maidens. — Wanderer's night song. — The hour of parting. — Night. 

— The cloud. — The happy birds. — The turtle dove and the wanderer. 

— Twilight. — Autumn sadness. — Song of the summer birds. — In 
the wood. — Faith in spring. — Pass by. — Rest after storm. — The 
lotusflower. 

Eroica. Fantaisie pour orchestre. Op. no. Partition. 
Leipzig. Senff. [188-?] No. 2 in M.342.29 

Fantaisie (C dur) pour piano avec accompagnement d'or- 
chestre. Op. 84. Partition. Leipzig. Senff. [188-?] 

M.407.40 
„Faust." Ein musikalisches Characterbild fiir grosses Or- 
chester. Op. 68. Partitur. Leipzig. Siegel. [188-?] 

No. 2 in M.34S.I 

Feramors. (Lalla Roukh.) Lyrische Oper in 3 Aufziigen, 

nach Thomas Moore's Gedicht von Julius Rodenberg. 

Musik von Anton Rubinstein. Vollstandiger Clavieraus- 

zug mit Text. Neue Ausgabe. Leipzig. Senff. [188-?] 

M.321.11 
Same. Vollstandiger Clavierauszug [ohne Text]. 

No. I in M.354.8 

Same. Balletmusik und Hochzeitszug fiir Orchester, aus 

der Oper Feramors. Partitur. Leipzig. Senff. [188-?] 

No. I in M.345.1 1 
The festival of love. [Part-song, x. x. b. b.] (/n Mosenthal. 
Songs of the Mendelssohn Glee Club. Pp. 131-135.) 

No. 35 in M.204.38 
Le fils des Asra. [Solo, x. ou s. Accomp. de piano.] Por- 
trait. (/» Album du Gaulois. Vol. 2.) No. 16 in M.391.28.2 
Fiinf Fabeln von Kriloff, aus dem Russischen iibersetzt von 
R. Sprato. Fiir eine Singstimme [s. oder x.] mit Clavier- 
begleitung componirt von Anton Rubinstein. Op. 64. 
Leipzig. Senff. [186-?] No. 14 in M. 192.5 

Contents. — Der Esel und die Nachtigall. — Das Quartett. — Der Par- 
nass. — - Der Adler und der Kukuk. — Die Ameise und die Libelle. 



Rubinstein, Anton Grigorievitch. (Continued.) 
Die Gedichte und das Requiem fiir Mignon aus Goethe's 
„Wilhelm Meisters Lehrjahre." In Musik gesetzt von 
Anton Rubinstein. Op. 91. [Clavierauszug.] Leipzig. 
Senff. [1873.] No. 2 in M. 351.26 

Contents. — Was hor' ich draussen vor dem Thor? [bas.]. — Wer nie 
sein Brod mit Thranen ass" [bar.]. — Wer sich der Einsamkeit erariebt 
[bar.]. — Kennst du das Land [s.]. — Ich armer Teufel [t.]. — Ihm 
farbt der Morgensonne Licht [bar.]. — Nur wer die Sehnsucht kennt 
[s., BAR.]. — Singet nicht in Trauertonen [s.]. — An die Thiiren will 
ich schleichen [bar.]. — Heiss mich nicht reden [s.]. . — Ich hatt' ihn 
einzig mir erkoren [a.]. — So lasst mich scheinen bis ich werde [s.]. 

— Wen bringt ihr uns zur stillen Gesellschaft? Fiir Solo-Quartett und 
gemischten Chor. — O ihr werdet Wunder sehen [t.]. 

Gondelfahrt. Durch Erd' und Himmel leise. [Gesange, 
s. A. X. B.] Wien. Spina. [187-?] No. 8 in M.158.21 

Hecuba. Arie fiir eine Altstimme mit Orchesterbegleitung. 
Op. 92, No. I. Clavierauszug. Leipzig. Senff. [1873?] 

No. 4 in M.351.36 

Iwan IV. (Der Grausame.) Musikalisches Characterbild 
fiir grosses Orchester. Op. 79. Partitur. Berlin. Bote 
& Bock. [187-?] No. 2 in M.345.2 

Kalaschnikoff, der Kaufmann von Moskau. Oper in 3 
Acten. Nach einer Dichtung von Lermontoff bearbeitet 
von N. Kulikoff. Deutsch von Hermann Wolff. Musik 
von Anton Rubinstein. Vollstandiger Clavierauszug. 
Leipzig. Senff. [i88-?] M.321.9 

Die Kinder der Haide. Oper in 4 Aufziigen. Text frei nach 
Carl Beck's „Janko" [von Julius Mosenthal]. Musik von 
Anton Rubinstein. Vollstandiger Clavierauszug. Neue 
Ausgabe. Leipzig. Senff. [187-?] M.321.6 

Liebesfeier. [Mannerchor.] Op. 61, No. 2. Wien. Spina. 
[186-?] No. 34 in M. 392.23 

Die Maccabaer. Oper in 3 Aufziigen, nach O. Ludwig's 
Drama von H. S. Mosenthal. Musik von Anton Rubin- 
stein. Vollstandiger Klavier-Auszug. Berlin. Bote & 
Bock. [1875?] M.321.10 

Melodic en fa. Op. 3, no. I. Orchestree par Vincent d'Indy. 
Partition d'orchestre. Paris. Hamelle. [187-?] 

No. 3 in M.405.S0 

Miniatures. Suite. Op. 93. Cah. 9. Fiir Orchester frei 
bearbeitet von Karl Miiller-Berghaus. Partitur. Leipzig. 
Senff. 1899. No. 3 in M.40S.S1 

Contents. — El Dachtarawan, marche orientale. — Chevalier et Payse. 

— Serenade. — Berceuse. — Cortege. 

Der Morgen. Gedicht von Polonsky. Aus dem Russischen 
ubersetzt von Jos. Wenzig. Fiir Mannerchor mit Orches- 
terbegleitung in Musik gesetzt von Ant. Rubinstein. Op. 
74. Partitur. Leipzig. Senff. [1876?] No. 13 in M.212.14 

Moses. Geistliche Oper in 8 Bildern. Text von Heinrich 
Mosenthal. Musik von Anton Rubinstein. Clavier-Aus- 
zug. Leipzig. Senff. [1888.] M.321.14 

Music and its masters. Chicago. Sergei & Co. [1892.] 

M.104.10 

Nero. Oper in 4 Acten von Jules Barbier. Musik von Anton 
Rubinstein. Vollstandiger Clavierauszug. Leipzig. [1885?] 

M. 321.8 

Same. Balletmusik fiir Orchester aus der Oper Nero. 
Partitur. Leipzig. Senff. [188-?] No. 2 in M.342.28 

Neun Lieder von Kolzoff. Aus dem Russischen von A. von 
Viedert. In Musik gesetzt fiir eine Singstimme [s. oder 
X.] mit Begleitung des Pianoforte von Anton Rubinstein. 
Op. 27. Wien. Spina. [186-?] No. 2-4 in M.192.5 

Contents. — Singe Nachtigall nicht. — Lebewohl. — Gieb, O heiVge 
Geistermacht. — Es singt der Ros'. — Liebes, gold'nes Ringelein. — 
Kleine Wolke ist est. — Keine Fruhlingsluft. — Wenn ich kommen 
dich seh'. — Sturmeswinde durch die Lufte weh'n. 

Die Nixe. Gedicht von Lermontoff. Aus dem Russischen 
ubersetzt von Robert Sprato. Fiir Frauenchor und Alt- 
Solo, mit Begleitung des Orchesters od. Pianoforte com- 
ponirt von Ant. Rubinstein. Op. 63. Clavierauszug. 
Leipzig. Senff. [1863?] No. I in M.35i.a6 

Ocean. 2e symphonic. See his Symphonies. 

Ouverture de concert (B dur) pour orchestre. Op. 60. Par- 
tition. Leipzig. Senff. [187-?] No. 3 in M.345.6 

Ouverture triomphale pour orchestre. Op. 43. Partition. 
Mayence. Schott. [187-?] No. I in M.34S.1 



Rubinstein 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Rubinstein 



Rubinstein, Anton Grigorievitch. (Continued.) 

Der Papagei. Komische Oper in i Akt. Nach einem persi- 

schen Marchen von H. Wittmann. Musik von Anton 

Rubinstein. Vollstandiger Clavierauszug. Leipzig. Senff. 

[1884.] No. I in M.321.12 

Paradise lost. See his Das verlorene Paradies. 

Quatuor [en fa mineur] pour deux violons, alto et violon- 

celle. Op. 106, No. 2. Partition. Leipzig. Senff. [187-?] 

No. 21 in M.211.1 
Quatuor pour piano, violon, alto ef violoncelle. Op. 66. Par- 
tition. Leipzig. Senff. [186-?] No. 3 in M.211.5.2 
Same. [Parties.] 3 v. No. 12 in M.211.6.1, 3, 4 
Quatuors, Trois, pour 2 violons, alto e violoncelle. Op. I7- 
Partition. Nouvelle edition. Leipzig. Breitkopf & Har- 
tel. [1870?] No. 1-3 in M.351.29 
Quatuors, Trois, pour 2 violons, alto et violoncelle. Op. 47. 
Partition. Nouvelle edition. Leipzig. Breitkopf & Har- 
tel. [1872?] No. 4-6 in M.351.29 
Quintette, pour piano, flute, clarinette, cor et basson. Op. 
55. [Partition et parties.] Paris. Hamelle. [189-.] 

M. 404.8 
Quintette (F dur), pour deux violons, deux altos et violon- 
celle. Op. 59. Partition. Leipzig. Senff. [185-?] 

No. 2 in M.404.4 
Quintette, en sol mineur, pour piano, deux violons, alto et 
violoncelle. Op. 99. [Partition et parties.] Paris. Gerard. 
[189-.] M.404.9 

Die Rebe (La vigne). Ballet in 3 Acten (fiinf Bildern) von 
Taglioni, Grandmougin und Hansen. Musik von Anton 
Rubinstein. Vollstandiger Clavierauszug [zu vier Han- 
den]. Leipzig. Senff. [1884?] M.200.13 
Poccia. MysuKajibHoe coiHHeHie ana 6ojibuiaro opKecipa. 
riapTHTypa. [Rossiya. Musical poem for full orchestra. 
Full score.] MocKBa. KDpreHCOHi.. [1881.] 

No. 2 in M.334.1S 

Scena ed aria (E dunque ver?), per soprano con accomp. 

di orchestra. Op. 58. [Partitura.] Mayence. Schott. 

[186-?] No. 2 in M.345.6 

Same. Partition de piano. No. 3 in M.3SI.26 

Sechs Lieder aus dem Russischen von W. Osterwald. Fiir 

eine Singstimme [s. oder T.] mit Begleitung des Pianoforte 

componirt von Ant. Rubinstein. Op. 8. Leipzig. Senff. 

[185-?] No. I in M.192.5 

Contents. — Der Traum. — Fruhlingsgefuhl. — Das Blattchen. — Die 

Blume. — Sehnsucht. , — Der Schiffer. 

Sechs Lieder fiir eine Singstimme [a. oder bar.] mit Clavier- 

begleitung. Op. 72. Leipzig. Senff. [186-?] 

No. 15 in M.192.5 
Contents. — Es blinkt der Thau. — Wie eine Lerch' in blauer Luft. — 
Die VValdhexe. — Morgens. — Veilchen vom Berg. — Verlust. 
Sechs Lieder fur eine Singstimme [s. oder t.] mit Beglei- 
tung des Pianoforte. Op. 33. Leipzig. Kistner. [1856.] 

No. 6 in M.192.5 
Contents. — Morgenlied. — An der Rose Busen. — Die Lerche. — 
Rathsel. — Siehe, der Fruhling wahret nicht. — Nachhall. 
Sechs Lieder fur eine Singstimme [s. oder t.] mit Beglei- 
tung des Pianoforte. Op. 57- Leipzig. Senff. [187-?] 

No. 13 in M.192.5 
Contents. — Fruhmorgens. — Nun die Schatten dunkeln. — Neue Liebe. 
— Clarchens Lied. — Freisinn. — Entflieh' mit mir. 
Sechs Lieder fiir eine Singstimme [s. oder t.] mit Clavier- 
begleitung. Op. 76. Leipzig. Senff. [187-?] 

No. 16 in M.1Q2.5 
Contents. — Waldeinsamkeit. — Nachts. — An den Frfihling. — Tmh- 
lingsblick. — Bedeckt mich mit Blumen. — Klinge, klinge, mein Pandero. 
6 Lieder von Heine fiir eine Singstimme [s. oder t.] mit 
Begleitung des Pianoforte. Op. 32. Leipzig. Kistner. 
[187-?] No. 5 in M.192.5 

Contents. — Leise zielit durch mein Gemuth. — Die blauen Frfihlings- 
augen. — In dem Walde. — Es war ein alter Konig. — Du bist wie 
eine Blume. — Der Asra. 
[Sextuor, D dur, fur 2 Violinen, 2 Bratschen und 2 Violon- 
cell. Op. 97. Partitur.] No title-page. [Leipzig. Senff. 
1878.] No. 3 in M.331.5 

Die sibirischen Jager. Oper in i Act. Text nach dem Rus- 
sischen des Jerebtzoff von Peter Cornelius. Musik von 
Anton Rubinstein. Vollstandiger Clavierauszug. Leipzig. 
Senff. [188-?] No. I in M.321.13 



Rubinstein, Anton Grigorievitch. (Continued.) 

Sonate pour piano et alto. Op. 49. Nouvelle edition. [Par- 
tition.] Leipzig. Breitkopf & Hartel. [188-?] 

No. 3 in M.3S7.7 

Sonate pour piano et violon. Op. 13. [Partition.] Leipzig. 

Peters. [188-?] No. i in M.357.7 

Sonate, Deuxieme, pour piano et violon. Op. 19. Nouvelle 

edition. [Partition.] Leipzig. Breitkopf & Hartel. [188-?] 

No. 2 in M.357.7 
Sonate pour piano et violoncelle. Op. 18. Nouvelle edition. 
[Partition.] Leipzig. Breitkopf & Hartel. [1881.] 

No. 8 in M.210.13 

Same. [Partie de violoncelle.] No. 9 in M.210.14 

Suite pour orchestre. Op. ii9- Partition. Leipzig. Senff. 

[1895.] M.404.10 

Sulamith. Ein biblisches Biihnenspiel in 5 Bildern nach dem 

hohen Liede Salomonis von Julius Rodenberg. Musik von 

Anton Rubinstein. Vollstandiger Klavierauszug. Berlin. 

Bote & Bock. [1883.] M.aai.iS 

Symphonies. Namely: 

Symphonic, No i (F dur), fiir Orchester. Op. 40. Parti- 
tur. Leipzig. Kahnt. [187-?] M.345.4 
Ocean. 2ieme symphonic (C dur) pour orchestre. Op. 42. 
Partition. Leipzig. Senff. [186-?] No. i in M.345.S 
Same. Adagio et scherzo (deux morceaux ajoutes a la 
symphonic Ocean) pour orchestre. Op. 42. Partition. 
Leipzig. Senff. [187-?] No. 2 in M.34S.5 
Forms the 5th and 6th movements of the symphony. 
Same. Deuxieme morceau de la symphonic Ocean, pour 
orchestre. Op. 42. Partition. Leipzig. Senff. [188-?] 

No. I in M.345.6 
Forms the seventh (usually played as the second) movement of 
the symphony. 
Symphonic, 3e, pour orchestre. CEuvre 56. Partition. 
Leipzig. Schuberth & Co. [186-?] M.345.7 

Symphonic dramatique (No 4, D moll), pour orchestre. 
Op. 95. Partition. Leipzig. Senff. [187-?] M.345.8 
Symphonic, Se (G moll), pour orchestre. Op. 107. Parti- 
tion. Leipzig. Senff. [1881.] M.345.9 
Symphonic, 6e, pour orchestre. Op. iii. Partition. Leip- 
zig. Senff. [1886.] M.345.10 
Der Thurm zu Babel. Geistliche Oper in I Aufzuge. 
Gedichtet von Julius Rodenberg. Componirt von Anton 
Rubinstein. Op. 80. Clavierauszug. Leipzig. Senff. 
[187-?] M.243.20 
Same. The Tower of Babel. Sacred opera in one act. 
Words by Julius Rodenberg. Composed by Anton Rubin- 
stein. Op 80. [Translated from the German by M. L. 
Nichols. Vocal score.] Cleveland. Brainard. [1879.] 

No. I in M. 384.42 

Same. Libretto by Julius Rodenberg, translated by Josiah 

Pittman. Composed by Ant. Rubinstein. [Accomp. for 

pianoforte.] London. Enoch. [187-?] M.154.5 

Same. By A. Rubinstein. (Edited by F. W. Rosier.) Vocal 

score.] Nev^^ York. Schirmer. 1883. No. 2 in M.155.47 

The text is by Rodenberg, translated by Rosier. 

Trio (C moll) pour piano, violon et violoncelle. Op. 108. 

[Partition.] Leipzig. Senff. [1882?] No. 7 in M.211.3.4 

Same. [Parties, violon et violoncelle.] 2 v. 

No. 16 in M.21 1.4.3,4 
Trio, 3e (B dur), pour piano, violon et violoncelle. Op. 52. 
[Partition.] Leipzig. Senff. [186-?] No. 6 in M.211.3.4 
Same. [Parties, violon et violoncelle.] 2 v. 

No. 15 in M.211.4.3,4 
Tpio [MeTBepToe] (JjopieniflHO, CKpnnKH h BioJiOHiCJiH. [Trio, 
4«, pour piano, violon et violoncelle.] CoH. 85°*. (A moll.) 
[Partition et parties.] Cn6. Beccefli. [1870?] 3 parts 
in I V. M.351.28 

Unter Raubern. Komische Oper in I Akt, von Ernst 
Wichert. Musik von Anton Rubinstein. Vollstandiger 
Klavier-Auszug. Berlin. Bote & Bock. [188-?] 

No. 2 in H.321.12 
Valse-Caprice. Fur grosses Orchester bearbeitet von Carl 
Miiller-Berghaus. Partitur. Leipzig. Senff. [187-?] 

No. 3inM.345.11 



Rubinstein 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Rueckert 



Rubinstein, Anton Grigorievitch. (Continued.) 

Das verlorene Paradies. Oratorium in 3 Theilen. Text frei 
nach J. Milton [von Julius Rodenberg]. Musik von An- 
ton Rubinstein. Op. 54. Clavierauszug. Leipzig. Senff. 
[1876?] M.243-.2I 

Same. Paradise lost (Das verlorene Paradies). Oratorio. 
[Words by J. Rodenberg after Milton.] The English ver- 
sion by Henry Hersee. The music by Anton Rubinstein. 
[Accomp. for pianoforte.] London. Cramer & Co. 
[1882?] M.154.4 

Zehn Lieder aus dem Franzosischen, Italienischen und 
Englischen iibersetzt von N. Roda und A. v. Winterfeld. 
Fiir eine Singstimme [s. oder t.] componirt von Anton 
Rubinstein. Op. 83. Berlin. Bote & Bock. [187-?] 

No. 19 in M. 192.5 
Contents. — Gedenke mein. — In Saint Blaise. — Barberinen's Lied. — 
Frauengebet. — Mit meinem Madchen kann sich keine messen. — Die 
Wanderschwalbe. — Das erste Veilchen. — Die Thrane. — Gut' Nacht ! 
— Ein Traum. 

Zwei Lieder fiir das Album Ihrer K. K. Hoheit der Kron- 
prinzessin des Deutschen Reiches. Berlin. Bote & Bock. 
[1877.] No. 20, 21 in M.ig2.5 

Contents. — Mitternacht. — Die Blume der Ergebenheit. 

Zwolf Lieder aus dem Russischen von F. Bodenstedt. In 
Musik gesetzt fiir eine Singstimme [s. oder t.] mit Be- 
gleitung des Piano von Anton Rubinstein. Op. 36. Wien. 
Spina. [186-?] No. 9-12 in M.192.S 

Contents. — Die Felsen. — Wenn deine Stimme mir tont. — Das 
Schiff. — Die Wolken. — Der Dolch. — O frage nicht. — Vernehmet 
ihr. — Auf dein Wohl trink' ich. — Die Erde ruht. — Sie singt ein 
Lied. — Der fallende Stern. — Weht es, heult es triib. 
Zwolf Lieder aus dem Russischen von W. Osterwald. Fiir 
eine Singstimme [s. oder t.] mit Begleitung des Piano- 
forte componirt von Anton Rubinstein. Op. 78. Leipzig. 
Senff. [187-?] No. 17, 18 in M.192.5 

Contents.— He^raische Melodie. — Konnt' ich doch stets.— Der Engel. 

Der Sturm. — Klage. — Der Gefangene. — Neugriechisches Lied. 

Elegie. — Wie der Quell ist mein Lied, — Sinngedicht. — Rab' 

zum Raben fliegt daher. — Alter Mann, grimmerMann. 
Zwolf Lieder des Mirza-Schaffy, aus dem Persischen von F. 
Bodenstedt. In Musik gesetzt fur eine Singstimme [s. 
oder T.] mit Begleitung des Pianoforte von Anton Rubin- 
stein. Op. 34. Leipzig. Kistner. [186-?] 

No. 7, 8 in M.192.5 
Contents. — Nicht mit Engeln. — Mein Herr schmiickt sich. — Seh' 
ich deine zarten Fusschen an. — Es hat die Rose sich beklagt. — Die 
Weise guter Zecher ist. — Ich Whle deinen Odem. — Schlag' die 
Tschadra zuruck. — Neig', schone Knospe. — Gelb rollt mir zu Fuss- 
chen. — Die helle Sonne leuchtet. — Thu' nicht so sprode. — Gott 
hiess die Sonne gliihen. 

Rubinstein, Anton Grigorievitch. Works about. 

Catalog der im Druck erschienenen Compositionen von 
Anton Rubinstein. Jubilaums-Ausgabe. Leipzig. Senff. 
1889. M.214.15 

FiNCK, H. T. Rubinstein's fate and future. Illus. Portrait. 
(In The music of the modern world. Vol. I, pp. 68-70. 
New York. [1895.]) M.14.1.1 

M'Arthur, a. Anton Rubinstein. A biographical sketch. 
Edinburgh. 1889. Portrait. M.i49a-8 

Medak, H. Anton Rubinstein, Viertes Klavierkonzert. Op. 
70, D moll. Erlautert. Leipzig. [1902.] No. i in M.217.12.11 
Merkel, J. Anton Rubinstein, Ocean-Symphonie. Op. 42. 
Erlautert. Frankfurt a. M. [1898.] No. 16 in M.2i7.i2.5 
VoGEL, A. B. Anton Rubinstein. Biographischer Abriss 
nebst Charakteristik seiner Werke. Leipzig. 1888. Por- 
trait. M.370.45 
WiTTE, G. H. Anton Rubinstein, Symphonie dramatique 
(No. 4, D moll). Op. 95- Erlautert. Leipzig. [1901.] 

No. IS in M.217.12.10 
Rudall, H. 

Signa. Opera. The libretto by Gilbert A Becket, H. Rudall 
and F. E. Weatherly. The music by Frederic H. Cowen. 

M.246.5 
Ruddygore; or, the witch's curse! Opera. For the Music see 

Sullivan, A. S. For the Libretto see Gilbert, W. S. 
Rudel. Cantata. For the Music see Bridge, J. C. For the 

Libretto see Weatherly. 
Ruderlied. Part-song. Vesque von Puettlingen. 3 Quartet- 
ten. No. 12, 13 in M.212.7 



Rudersdorff, Erminia. 
Fridolin, or the message to the forge. A dramatic cantata. 
The music by A. Randegger. M. 155.38 

Rudolphsen, John F. 

Folded in Thy circling arms. [Anthem. Accomp. for or- 
gan.] Boston. Tolman & Co. 1866. No. 16 in M.190.7 
Rudorff, Ernst Friedrich Carl. 

Der Aufzug der Romanze. Eine Fruhlingsfeier, nach 
Worten der gleichnamigen Dichtung Ludwig Tieck's. 
Fiir Chor, Solostimmen und Orchester von Ernst Rudorff. 
Op. 18. Partitur. Berlin. Simrock. [186-?] 

No. 3 in M.202.2g 

Ballade (Introduction, Scherzo und Finale) fiir grosses 

Orchester. Op. 15. Partitur. Berlin. Simrock. [187-?] 

No. 2 in M.346.24 
[Otto der Schiitz.] Ouverture zu „Otto der Schiitz" fur 
Orchester. Op. 12. Partitur. Leipzig. Seitz. [186-?] 

No. I in M.346.27 

Ouverture zu Ludwig Tieck's Marchen Der blonde Ekbert 

fiir Orchester. Op. 8. Partitur. Bonn. Simrock. [186-?] 

No. I in M.346.24 
Serenade fiir Orchester. Op. 20. Partitur. Berlin. Sim- 
rock. 1875. No. I in M.346.25 
Serenade (No. 2, G-dur) fur Orchester. Op. 21. Partitur. 
Berlin. Bote & Bock. [1876?] No. 2 in M.405.47 
Sextett fiir 3 Violinen, Viola und 2 Violoncellos. Op. 5- 
Partitur. Leipzig. Senff. [186-?] No. 2 in M.346.23 
Sinfonie, B-dur, fiir Orchester. Op. 31- Partitur. Berlin. 
Bote & Bock. [18S-?] M.346.26 
Sinfonie, Zweite (G-moU), fiir grosses Orchester. Op. 40. 
Partitur. Berlin. Schlesinger. [188-?] No. 4 in M.342.29 
Variationen iiber ein eigenes Thema fiir Orchester. Op. 24. 
Partitur. Leipzig. Breitkopf & Hartel. [187-?] 

No. 2 in M.346.27 

Rudorff, Ernst Friedrich Carl, editor. 

Schubert, F. P. Fantasie (F moll). No. 2 in M.346.25 

Chopin. Werke. M.316.2 

Rueberettig. Part-song. Loewe, J. C. G. VI vierstimmige 

Gesange. No. 2 in M.392.I7 

Ruebezahl. Cantata. For the Music see Abt, F.; also Hiie. 

For the Libretto see Francke, H.; also Cerfberr. 
Ruebezahl. Opera. For the Music see Conradi; also Flotow, 
F. F. A. von. For the Libretto see Jansen, O.; also Put- 
litz, G. H. G. 
Ruebezahl. Overture. 
Flotow, F. F. A. von. No. i in M.336.10 

Oberthuer. No. 4 in M.405.34 

Ruebezahl und der Sackpfeifer von Weisse. Opera. For the 

Music see Zincke. For the Libretto see Koenig, E. 
Ruebner, Cornelius. 

Concert (G moll) fur die Violine mit Begleitung des Or- 
chesters oder des Pianoforte. Op. 30. Orchesterpartitur. 
Greiz. Franquet. [189-?] M.404.11 

Friede, Kampf und Sieg. Symphonische Dichtung fiir 
grosses Orchester. Op. 20. Orchester-Partitur. Han- 
nover. Oertel. [188-?] No. I in M.331.22 
Rueckauf, Anton. 

Die Rosenthalerin. Oper in 3 Acten von Anton Riickauf. 

Dichtung von Fritz Lemmermayer. [Klavierauszug mit 

Text.] Leipzig. Berte & Co. [1906.] M.378.5 

Rueckblick. Song. Schubert, F. P. Werke. Serie 20, Band 9- 

M.317. 1.20.9 
Rueckerinnerung. Part-song. Szadrowsky. No. 124 in H.147.4 

Rueckerinnerung. Song. Haydn, F. J. Gesange. Heft 2. 

No. 2 in M.312.35 
Rueckert, Friedrich. 
Advent hymn (In lowly guise thy King appeareth) for s. 
solo and chorus. Composed by Robert Schumann. 

No. II inM.157.a1 
Same. Adventlied. Fur Sopran Solo und Chor mit Be- 
gleitung des Orchesters componirt von R. Schumann. 

No. I in M.280.S7 
Same. Hymn for Advent. Set to music for solo voices, 
chorus and orchestra by Robert Schumann. 

No. I in M.203.6 



Rueckert 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Ruetli 



Rueckert, Friedrich. (Continued.) 

Same. Adventlied. Fur Solostimmen, Chor und Orchester 
componirt von Felix Draeseke. No. i in M.391.39 

Gedichte. Fiir eine Singstimme [s. o. t.] mit Begleitung 
des Piano-forte componirt von C. Loewe. 

No. I, 2 in M.221.30 

Minnespiel aus Riickert's Liebesfriihling. Fiir eine und 

mehrere Singstimmen (s. A. t. b.) mit Begleitung des 

Pianoforte von R. Schumann. No. 12 in M.244.15.3 

Neujahrslied. Fiir Chor mit Begleitung des Orchesters 

componirt von Robert Schumann. No. i in M.342.35; etc. 

Ritornelle. In canonischen Weisen fur mehrstimmigen 

Mannergesang componirt von Robert Schumann. 

No. 3 in M.158.24 
Verzweifle nicht im Schmerzenthal. Motette fiir doppelten 
Mannerchor mit Begleitung der Orgel (ad lib.), com- 
ponirt von R. Schumann. No. S in M.28o.4g 
Zwolf Gedichte aus F. Riickerts Liebesfriihling. Fiir Ge- 
sang und Pianoforte von Robert und Clara Schumann. 

No. II in M.244.15.1 
Rueckfahrt, Die, des Kaisers. Opera. For the Music see 

Hummel, J. N. 
Rueckkehr. Song. Kuecken. No. S in M.221.25; etc. 

Rueckleben. Song. Strauss, R. Fiinf Lieder. Op. 47. 

No. 3 in M.380.24.4 
Rueckweg. Song. Schubert, F. P. Werke. Serie 20, Band 4. 

M. 317. 1.20.4 
Ruefer, Philippe Bartholome. 

Ingo. Grosse Oper in vier Akten. Text nach dam gleich- 
namigen Roman Gustav Freytags, von M. F. Musik von 
Philipp Riifer. Op. 38. Clavier-Auszug mit Text von 
Max Reger. Berlin. Thelen. [1895.] M. 393.52 

Merlin. Grosse Oper in 3 Akten. Text von L. A. Hoff- 
mann. Musik von Philipp Riifer. Vollstandiger Klavier- 
auszug. Leipzig. Breitkopf & Hartel. 1887. M.321.16 
Ouverture de concert, a grand orchestra. Op. 5. Partition. 
Paris. Maho. [187-?] No. 3 in M.358.18 

Quartett, Zweites (Es-dur), fiir 2 Violinen, Viola und Vio- 
loncell. Op. 31. Partitur. Berlin. Bote & Bock. [187-?] 

No. 5 in M.338.16 

Sonata fiir die Orgel. Op. 16. Berlin. Bote & Bock. 

[187-?] No. 9 in M.414.32 

Symphonic, F dur. Op. 23. Partitur. Offenbach a. M. 

Andre. [185-?] No. i in M.336.24 

Trio (B dur) fiir Pianoforte, Violina u. Violoncello. Op. 34. 

[Partitur und Stimmen.] Bremen. Praeger & Meier. 

[188-?] No. 2 in M.404.64 

Vier Klavierstucke. Op. 22, No. 2, fiir Orchester umbear- 

beitet. [Partitur.] Offenbach a. M. Andre. [1872?] 

No. 2 in M.336.24 
Violin-Concert mit Begleitung des Orchesters. Op. 33. 
Partitur. Leipzig. Peters. [188-?] No. 2 in M.331.22 

Rueffer, Eduard. 

Die Harmonic. Hymne. Fiir Mannerchor mit Begleitung 
von Blasinstrumenten componirt von Wilhelm Tschirch. 

No. I in M.212.18 
Ruehl, Friedrich Wilhelm. 

Bundasliad [t. t. b. b.]. (In Das Riitli. P. 279.) 

No. 119 in M.147.4 
Ruehrt auch frisch und schafft die Fasser. Part-song. Bruch. 
Chor der Winzer und Schiffer. No. 16 in M.212.3 

Ruelle, Jules. 

L'amour mannequin. Opera-comiqua. Musique de Th""^ 

Gallyot. No. 2 in M.256.12 

Le contrat. Opera-comique. Musique da J. G. Penavaira. 

No. I in M.287.6 
Dans la foret. Op6ra comique. Musique de Charles Con- 
stantin. No. i in M.285.28 

Trois parques. Op^ra-comique. Musique de M. Wilhelm. 

No. 4 in M.326.21 
Ruelle, Jules, translator. 

RiMSKi-KoRSAKOF. Mjiafla. [Mlada.] M.395.47 

Ruetli, Das. Ein Liederbuch fur Mannergesang. 10. Auflage. 

St. Gallan. Sondareggar. 1873. M.147.4 

Conlenli. — Mozart : Weihe des Gesanges. — Greith : Das Rutli. ^ 

Hauptmann; Ehre sei Gott in der Hohel — Klein: Der Herr ist mein 



Ruetli, Das. (Continued.) 

Hirt. — Lotti : Alle die tiefen Qualen. — Pratorius : Christe, du Lamm 
Gottes. — Wallfahrtslied. — Zwyssig: Via crucis, via lucis ; Trittst 
im Morgenroth daher. — Kreutzer : Das ist der Tag des Herrn. — 
Zwyssig: Lasst Jehovah hoch erheben 1 — Breitenbach : Dich preist, 
Allmachtiger.. — Beethoven : Die Ehre Gottes aus der Natur. — Nageli : 
Der Mensch lebt und bestehet. — Ecker: Das walte Gott. — Sack- 
statter : So feierlich und Stille. — Abt : Stille ruht die Erde. — Otto : 
Feierlicher Glockenklang; Gebet fur's Vaterland. — Otto: Es weht 
durch euren Frieden. — Veraguth : Neujahrslied. — Beethoven : Hymne 
an die Nacht. — Malan : Vertrauen auf Gott. — Feska : Die Dorfkirch- 
glocke. — Mendelssohn : Morgengebet. — Brunner : Trauungsgesang. 

— Santner : Abendruhe. — Hauptmann; Himmelslicht. — Kreutzer: 
Die Kapelle : Was schimmert dort : Das Kreuz im Walde. — Veit : Des 
Sonntags am Rhein. — Krevitzer : Die Kapelle : Droben stehet die 
Kapelle. — Billeter : Muss eine von dem Andern. — Kreutzer : Abend- 
gebet. — Berner : .\m Grabe eines Sangers. — Neefe : Der Friedhoff. 

— Kuhlau : Grabgesang. — Ecker : Schlaf wohl ! — Elsasser : Am 
Grabe eines Jiinglings. — Bogler : Letzte Bitte. — Lindpaintner : 
Leiden und Freuden. — Kloss : Frieden. — Lindpainter : Am Grabe. 

— Abt: Gcleit. — Heim: Sangerspruch. — Lvov: Herr, sei der Vater 
Schutz. — Heim : Vaterland, dich schiitzt Gottes Hand ! — Huber : 
Vaterlandsgruss. — Weber : Schweizerheimweh. — Zwyssig : Schweizer- 
gebet. — Iten : Vaterlandsliebe. — Kreutzer : Sehnsucht nach der 
Heimath. — Lindpaintner : Sehnsucht nach der Schweiz. — Stern : 
Mein Heimatland, mein Vaterland. — Muller : An die Heimat 1 — Nichts 
gleicht der lieben Heimat. — Rietz : Wohlauf, du Eidgenossenschaft ! 

— Heim: Heimweh. — Reichardt : Was ist des Schweizers Vaterland? 

— Bogler : An die Heimat. — Reichardt : Was ist des Deutschen 
Vaterland? — Baumgartner: Mein Vaterland; An mein Vaterland. — 
Reiter: Gruss an das Vaterland. — Greith: Erneuerung des Rutlibundes. 

— Abt : Schweizerisches KriegsHed. — Marschner : Ein Mann ■ — ein 
Wort. — Kreutzer : Lied der Schweizer. — Zollner : Die Heimat. — 
Kreutzer: An das Vaterland. — Sauer: Das ganze Herz dem Vater- 
land! — Abt: Ueber den Sternen. — Der letzte Krieg. — Himmel: Gebet 
wahrend der Schlacht. — Mendelssohn : Lied der Schweizer in der 
Fremde. — Nageli : Manneskraft. — Weber : Schwertlied. — Spohr : 
Wie ein stolzer Adler. — Kucken : Lasst marschiren. — Kalliwoda : 
Das deutsche Lied. — Ausmarsch. — Mehul : Hor' uns, Gott Herr der 
Welt I — Speidel : Das deutsche Lied. — Schweizerdegen. — Meth- 
fessel : Der Freiheit Schlachtruf. — 's Schwyzerhusli. — Tietz : Auf 
der Kirchweih zu Schwyz. — Lauer: Auf einem Schlachtfelde. — Sack- 
statter : Vaterlandslied. — Wilhelm : Die Wacht am Rhein. — Baumgart- 
ner : Schweizergesang. — Liebe : Mein Heimatthal. — Mendelssohn : 
Schwur freier Manner. — Schwyzer Heimweh. — Abt: Das Heimat- 
land. — Mein Herz ist im Hochland. — Lieb Heimatland, ade I — 
Heimat, ade 1 — Bogler : Vaterlandslied. — Methfessel : Was brausest 
du, mein junges Blut? — Schumann: Die ewige Burg. — Liebe: Hei- 
matlied. — Sackstatter : Das Herz gehort dem Vaterland. — Ecker : 
Sehnsucht nach der Schweiz. — Kreutzer : Fruhlingsandacht. — Wan- 
derschaft. — Vorfriihling. — Reinecke : Friihling ohne Ende. — Behrens : 
Morgens. — Abt: Im Friihling. — Schmolzer: Waldabendschein. — 
Seidel: Mein Herz, thu' dich auf! — Baumgartner: Fruhlingsglaube. 

— Esser: Abschied vom Walde. — Kreutzer: Marznacht. — Tietz: 
Waldeinsamkeit. — Mair: Tausendschon. — Mohring: Gott und mein 
Lied. — Liitzel: Trauungsgesang. — Ruhl: Bundeslied. — Rand- 
hartinger: Herbstlied. — Brambach: Ein frohlicher Sang. — Abt; 
Abendlied. Der Abend sinkt. — Das einsame Roslein. — Diirrner: 
Sturmbeschworung. — Ecker: Fruhlingslied. — Szadrowsky: Ruck- 
erinnerung. — Rinck : Abendlied. — Mendelssohn : Des Jagers Abschied. 

— Werner; Haidenroslein. — Baumgartner; Weg mit Grillen und 
Sorgen. — Gersbach : Morgenlied. — Stehle ; Polenlied in der Schenke. 

— Billeter; Schlafe wohl 1 — Gade : Wanderlust. — Abt: Abend- 
glockcn. — Chwatal: Nachtgesang. — Marschner: Liedersfreiheit. — 
Silcher: Der Schweizer: Der Soldat. — Ecker; Standchen. — Mein 
Wunsch. — Heim: Das deutsche Lied. — Silcher: Barbarossa. — Ade I 

— Abt: Lieb' ist ein Blumelein. — Schubert: Die Nacht. — Silcher: 
Aennchen von Tharau. — Herzenswunsche. — Silcher ; Wohin mit 
der Freud'? — Rietz; Freud' und Leid. — Ecker: Sangerfahrt. — 
Rietz: Im Mai. — Billeter; Der versenkte Hort. — Attenhofer: Das 
Erkennen. — Alles, was wir lieben, lebe I — Der Konig in Thule. — 
Schon Rohtraut. — Weber: Wanderlied. — Mangold: Heiterer Lebens- 
lauf. — Becker : Das Kirchlein. — Durrner ; Waldvogelein. — Noch ist 
die bliihende, goldene Zeit. — Lang' ist es her I — Baumgartner : Wenn 
wir durch die Strassen ziehen, — Ergo bibamus I — In der Fremde. — 
Seliger Tod. — 's Bliiemli. — Beethoven : Fahr' wohl, du gold'ne Sonne. 

— Im Thale. — Silcher: Der Geliebten. — Stern; Soldatenabschied. 

Die Gedanken sind frei. — Baumgartner: An der Saale hellem 

Strande. — Silcher ; Lebewohl. — Witt ; Die Thrane. — Das Schwert. 

— Mozart : Bruder, reicht die Hand zum Bunde I — Zollner : Trink, 
Kamerad. — Abt : Trinklehre. — Pfeiffer ; Das bohmische Konigs- 
tochterlein. — Zollner; Das Lied vom Rheinwein. — Pfeiffer: So 
lang im Keller noch ein Fass. — Bonicke: Lied und Wein. — Arndt: 
Trinklicd. — Baumgartner ; Vom hoh'n Olymp. — Kiicken : Trink- 
lied. — Stuntz: Im Pokale klaren Wein. — Baumgartner: Warnung 
vor dem Wasser. — Zollner; Wo mocht' ich sein? — Ecker; Gam- 
brinus. — Schroter; Bechers Wunsch. — Schneider: Ich bin nicht 
gern allein. — Bonicke ; Im Weinhaus. — Ahrenssen ; Stiftungsfeier. 

Haser: Der Gesang. — Des Sangers Griinze. — Marschner: Bruder, 

lasst uns lustig sein! — Stosst an. trinkt aus. — Pfeiffer: Mailied. — 
Bergmann : Mein Herz ist wie die dunkle Nacht. — Munziger : O, 
spielt ein traurig Lied. — Weber; Der todte Soldat. — Schumann: 
Der Abendstern. — Mangold: Mein liebster Aufenthalt. — Baumgart- 
ner : Es ist bestimmt in Gottes Rath. — Am Ufer hin und wieder. — 
Santner: Mein schonster Kirchengang. — Kreutzer; Abendfeier. — 
Heisig; Der weisse Hirsch. — Billeter: Wanderlied. — Baumgartner: 



8 



Ruetli 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Russell 



Ruetli, Das. (Continued.) 

O Jugendzeit I — Silcher : Hoffe das Beste I — Abendschiedsgesang 
der Auswanderer. — Weber: Was glanzt im Aug' so belle? — Stuntz: 
In's Freie. — Kuhne : In die Feme. — Silcher : Stirb, Lieb' und Freud' ! 
— Wilhelm: Scheiden. — Gaugler: Der wandernde Musikant. — 
Zimmermann: Abschied vom Walde. — Frauen-Lob. — Weber: Liitzow's 
wilde Jagd. — Billeter : Zum Walde musst du wandern geh'n. — Haydn ; 
Oesterreichisches Nationallied. — Berger: Theodor Korner, — Kiahne: 
Ueber alien Gipfeln ist Rub. — Maczewsky: Trinklied fur Alte. — 
Braun : Mutterseelenallein. — Wassermann : Die Harmonie. — Flem- 
ming: Zur Cacilienfeier. — Zollner : Im Herbst. — Bogler: Bleib' bei 
mir. — Harmonisches Hoch. — Abt : Toast, Er lebe hoch, 

Ruetli, Das. Part-song. Greith. No. la in M.147.4 

Ruetlischwur, Der. Cantata. For the Music see Arnold, Gus- 

tav. For the Libretto see Schiller. 
Ruf vom Berge. Song. Beethoven. Werke. Serie 23. 

M.413.1.23 
Ruffini, Giovanni, translator. 

Donizetti. Don Sebastiano. M.305.5 

Ruffo, Vincenzo. 

Adoramus Te. [Motet.] (In Lueck. Sammlung ausge- 

zeichneter Compositionen fiir die Kirche. Band 4, pp. 

I, 2.) No. I in M.158.33.4 

See, from his ocean bed. Madrigal. {In Hullah. Part 

music. Secular. Vol. I, pp. 100-104.) No. 27 in M.157.28.1 

Ruggi, Francesco. 

I due ciabattini. Follia comica in i atto, di A. Spadetta. 
Posta in musica dal Mo Francesco Ruggi. Canto in chiave 
di sol con accomp. di pianoforte. Milano. Lucca, [i860.] 

No. 2 in M.286.30 

Ruhe. Part-song. Abt, F. Gesange fiir Mannerstimmen. Op. 

73. No. I in M.392.1 ; etc. 

Lachner, I. Sechs Gesange. Op. 78. No. i in M.392.34 

Schumacher, P. P. H. Musikanten-Lieder. No. 7 in M. 212.16 

Ruhe der Liebe. Song. Curschmann. Curschmann-Album. 

No. I in M.157.37 
Ruhe frei von aller Klage. Part-song. Fuss. 

No. 73 in M.i29a.43.2 

Ruhe im Schatten einer Ruine. For orchestra. Hofmann, H. 

C. J. Drei Characterstiicke. No. 2 in M. 342.6 

Ruhe, meine Seele! Song. Strauss, R. 4 Lieder. Op. 27. 

No. I in M.380.24.2 
Ruhe, schonstes Gliick der Erde. Part-song. Schubert, F. P. 

No. 46 in M.392.23; etc. 

Ruhe, Siissliebchen. Song. Brahms. Romanzen aus Tieck's 

Magelone. Heft 3. No. 7 in M. 380.40.1 

Curschmann. Curschmann-Album. No. i in M.157.37 

Ruhelos, rastlos. Part-song. Bruch. Denkmale des Volks- 

gesanges. No. 15 in M.1S8.22 

Ruhethal. Part-song. 

Kreutzer, C. [Sechs Lieder. Op. 24.] No. 54 in M.392.13 
Mendelssohn- Bartholdy, J. L. F. Werke. Serie 16. 

M.413.3.16 
Ruhig, Philister! Part-song. 

GENiE. Drei lustige Lieder. Op. 103. No. 32 in M.392.9 

Tauwitz. Vier Gesange. Op. 109. No. 24 in M. 392.26 

Ruined chapel. The. Part-song. Becker, V. E. No. 13 in M.109.1 

Ruinen, Die, von Athen. Opera. For the Music see Beethoven. 

Werke. Serie 20, Band 2. 
Ruinen, Die, von Athen. Overture. Beethoven. M.413.1.3 

Ruinen, Die, von Paluzzi. Opera. For the Music see Rom- 
berg, A. 
Ruines. Song. Schubert, F. P. Melodies. Vol. 8. M. 327.4.8 
Ruines, Les, d'Athenes. Opera. For the Music see Beethoven. 

For the Libretto see Kotzebue. 
Ruisseau, Le. Song. Schubert, F. P. Melodies. Vol. 4. 

M.327.4.4 
Rule Britannia. Song. Arne, T. A. No. i in M. 384.48 

Ruler of all creation. Part-song. Rossini. No. is in M.235.7.2 
Rullmann, Wilhelm. 

Die Albigenser. Grosse Oper. Musik von Jules de Swert. 

M.324-5 
Rumor. Fiction. Sheppard. M.ioi.44 

Rumpelstiltskin. Opera. For the Music and Libretto see 

Gatty, A. S. 

Rumpere livor edax. Motet. Lassus. Sammtliche Werke. 

Band 11. 11.80403.67.11 



Rumpitur invidia. Motet. Lassus. Sammtliche Werke. Band 

II- M.8o4oa.67.ii 

Runaway flirt, The. Opera. For the Music see Merz. For the 

Libretto see Oldfather. 
Runaway girl, A. Opera. For the Music see Tilkins. For the 

Libretto see Hicks, S. 
Runaways, The. Opera. For the Music see Hubbell. For the 

Libretto see Burkhardt, A. 

Rund. Song. Abt, F. Drei komische Lieder. No. 24 in M.192.1 

Rund ist Alles auf der Welt. Part-song. Abt, F. Leichte 

Mannerchore. No. 24 in M.246.23 

Hennig. No. 10 in M.392.36 

Kuecken. Trinklied. No. 3 in M.392.1S 

Rundgesang. Part-song. Abt, F. Die Kirmes. No. 4 in M.392.1 

Rundgesang auf dem Wasser. Part-song. Behrens, C. H. T. 

No. 255 in M. 1293.43.8 
Rundgesang des Freundschafts-Bundes. Song. Righini. 

No. 23 in M.221.33 
Rundgesang im Walde. Part-song. Schulz, J. P. C. 

No. 18 in M.213.9 
Runenzauber. Opera. For the Music see Hartmann, E. For 

the Libretto see Lehm3nn, J. 
Runenzauber. Overture. Hartmann, E. No. 3 in M.403.53 

Rungenhagen, Carl Friedrich. 
An die Stunden des Gesanges. [Gesang, s. o. t. Mit Be- 
gleitung des Pianoforte.] (In Deutsche Gesange. P. 7.) 

No. 13 in M.221.33 
Der Cid im Leben, Lieben und Sterben. In Romanzen 
nach dem Spanischen von J. C. von Herder. In Musik 
gesetzt [fur eine Singstimme, s. o. t., mit Pianoforte- 
Begleitung] von C. F. Rungenhagen. Berlin. Christian:. 
[182-?] No. 21 in M.221.30 

Das eigne Herz. Gedicht von C. Grunig. In Musik gesetzt 
fiir eine Singstimme [a. o. bar.] mit Begleitung des Piano- 
forte von C. F. Rungenhagen. Berlin. Klage. [182-?] 

No. 22 in M.221.30 
Gestern liebt' ich. [Gesang, s. o. t. Mit Begleitung des 
Pianoforte.] (In Deutsche Gesange. P. 8.) 

No. 3 in M.221.33 
Lebensmelodien. Gedicht von A. W. Schlegel. Wechsel- 
gesang fiir 2 Sopran-, Tenor- und Bassstimmen mit Be- 
gleitung des Piano-Forte von C. F. Rungenhagen, Berlin. 
Christian!. [182-?] No. 23 in M.221.30 

Das Vergissmeinnicht [s. o. T.], nach Himmel's Composi- 
tion. Mit Veranderungen und Begleitung des Pianoforte 
von C. F. Rungenhagen. Berlin. Schlesinger. [182-?] 

No. 25 in M.221.30 
Zur allerhochsten Geburtsfeier Sr. Majestat des Konigs von 
Preussen Friedrich Wilhelm des Dritten. Gesellschafts- 
lied von Carl Miichler. Mit Begleitung des Pianoforte in 
Musik gesetzt von C. F. Rungenhagen. Berlin. Groben- 
schiitz & Seiler. [183-?] No. 24 in M.221.30 

Runs, Albert de. 

La nuit du plus beau jour. Folie musicale en i acte. Paroles 
de Jules Marville. Musique de Albert de Runs. [Partition 
chant et piano.] Toulouse. Messonnier. [1873.] 

No. 3 in M.307.40 
Rupes, Georges. 

Ave Maria [t. ou s. Accomp. de piano]. Paris. Leduc. 

[188-?] No. 26 in M.20I.3S 

Rural sports. Catch. Leclerc. No. 93 in M.220.9.1 

Rurik's Segen. Opera. For the Music se Schreinzer. For the 

Libretto see Lange, E. 
Ruse d'amour. Opera. For the Music see Lecocq, A. C. For 

the Libretto see Bordese, S. 
Ruse, La. d'amour. Opera. For the Music see Chsrding. 
Ruses d'amour. Ballet music. Glazunov. M.406.47 

PycJiaHT. H JIiOAMHJia. [Ruslan and Ludmila.] Opera. For the 

Music see Glinka. For the Libretto see Pushkin. 
Ruse inutile. La. Opera. For the Music see Isouard. For the 

Libretto see Hoffman, F. B. 
Russell, Gertrude, translator. 

Hrussoczy, M. von. Recollections of Countess Theresa 
Brunswick (Beethoven's "Unsterbliche Geliebte). Lon- 
don. 1893. M.103.4 



III 2 



9 



Russell 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



'S ist 



Russell, William. 
Job. A sacred oratorio. Adapted for the organ or piano 

forte by Samuel Wesley. London. Welsh & Hawes. 

[1826.] M.243.22 

A morning & evening service [in A. Consisting of Te 

Deum, Jubilate, Magnificat, Nunc dimittis]. Arranged 

with an accomp. for the organ, by William Patten. 

[Added six double chants, by Patten.] London. Novello. 

[185-?] No. 8 in M. 236.22 

In rosy bovir'rs. Glee [s. a. b.]. (/n The Apollo. Vol. 4, 

pp. 297-305.) No. 14 in M.i39a.i8.4 

Miserere mei. Solo, s. [Accomp. for organ.] {In Novello. 

Motetts. Vol. I, book i, pp. 9-11.) No. 4 in M. 260.24.1 

O Salutaris. Trio for s. s. a. [Accomp. for organ.] (In 

Novello. Convent music. Vol. 2, pp. 140, 141.) 

No. 52 in M.260.17.2 
Sanctus and Kyrie in C. [Accomp. for organ.] (In Novello. 

Cathedral choir book. Vol. i, pp. 35-38.) 

M.233.14.1; No. 23 in M. 190.6 
The sea beat mariner. Glee. (In Page. Festive harmony. 

Pp. 141-153.) No.24in M.235.11 

Tantum ergo [s. a. t. b. Accomp. for organ]. (In Novello. 

Convent music. Vol. i, pp. 90, 91.) No. 5 in M.26Q.17.1 
Russia. Music. 

Adaievski, E. La musique et les compositeurs russes con- 

temporains: M'le Ella Adaiewski. Paris. 1877. Portrait. 

No. 4 in M. 134.9 
Arnold, Y. F. Teopin flpeBHe-pyccKaro uepKOBHaro h 

Hapoanaro ntma. [Theory of old Russian church music 

and folksong.] MocKsa. 1880. M.21S.2 

Balakirev, M. a. Recueil de chants populaires russes, 

notes et harmonises. [Accomp. de piano.] Leipzig. 

1898. M.384.64 

Karpov, G. F., editor. Kpyn> uepKOSHaro flpesHHro SHaMCH- 

Haro ntHisi. [Cycle of old church songs.] Cn6. 1884, 85. 

6 V. in 4. M.223.27 

Kui. T. A. La musique en Russie. Paris. 1880. 

No. 2 in M. 132.2 
NapravnIk, E. F. „HapoflHbie laHUbi," una opKecipa. No. 

1-6. [Danses nationales. Pour orchestre.] Cn6. [187-?] 

6 V. in 2. M.405.42 

SouBiES, A. Histoire de la musique en Russie. Paris. 

[1898.] Facsimiles. M.373.17 

Precis de I'histoire de la musique russe. Paris. 1893. 

No. 2 in M.208.31 
Yusupov, N. B. Histoire de la musique en Russie. Partie 

i: Musique sacree. Paris. 1872. M. 206.20 

Russian hymn. [God save the Emperor, s. a. t. b. Accomp. 

for organ.] (In Gounod. The Royal Albert Hall choral 

music. Vol. 3, pp. 4I-45-) M.384.28.3 

Same. Russian national song. [Part-song.] (In Turle 

and Taylor. The People's music book. Vol. 3, pp. 274, 

275.) No. 90 in M.iii.4.3 

Russian sacrifice, The, or the burning of Moscow. Opera. 

For the Music see Stevenson, J. A. For the Libretto see 

Code. 



„Russisch." For orchestra. Kuecken. No. 7 in M.342.11 

Russische Suite. For strings. Wueerst. No. 8 in M.353.S 

Rust, Friedrich Wilhelm. 

Sonata seria H moll fur Pianoforte und Violine. Heraus- 
gegeben von Wilh. Rust. [Partitur und Stimme.] Leip- 
zig. Klemm. [1889.] M.431.45 
Rust, Wilhelm. 

Ich und mein FlaschenI [Mannerchor.] (In Abt. Deutsche 
Sangerhalle. Vol. i, p. 61.) No. 21 in M.392.42.1 

Qui tollis. Terzett fiir s. a. b. [mit obligater Orgel]. Leip- 
zig. Breitkopf & Hartel. [186-?] No. 14 in M.260.10.3 
Rustic coquette. Part-song. Champneys. No. 13 in M.195.1.17 
Rutenber, C. B. 
The Christ. A cantata. [Accomp. for organ.] Boston. 
Ditson & Co. 1892. No. 5 in M.204.25 
Ruth. Cantata. For the Music see Gaul; also Le Beau. For 

the Libretto see Oxenford, E.; also Musiol. 

Ruth. Oratorio. For the Music see Cowen; also Franck, C. 

A.; also Goldschmidt, O.; also Tolhurst; also Vincent, 

C. J. 

Ruth and Naomi. Cantata. For the Music see Damrosch, L. 

Ruth et Booz. Cantata. For the Music see Litolff. For the 

Libretto see Lefebvre, H. 
Ruth et Noemi. Oratorio. For the Music see Lesueur. 
Rutherford, John. 

The troubadours: their loves and their lyrics; with remarks 

on their influence, social and literary. London. Smith, 

Ewer & Co. 1873. M. 126.15 

Ruy Bias. Opera. For the Music see Marchetti. For the 

Libretto see Ormeville. 
Ruy Bias. Overture. Mendelssohn-Bartholdy, J. L. F. 

No. I in M.346.14 
Ruy Bias and the blase roue. Opera. For the Music see Lutz. 

For the Libretto see Hobson. 
Ryan, Desmond. See Ryan, Michael Desmond. 
Ryan, Desmond Lumley. 

The lord of Burleigh. A pastoral cantata. The music com- 
posed by F. Schira. M.iss.so 
The maid of Astolat. Cantata. Composed by C. S. Heap. 

M.15S.18 

Mina. Opera. The music by F. Schira. M.32a.8 

Toy symphony in C. Full score. London. Metzler & Co. 

[188-?] No. 2 in M. 342.30 

Ryan, Michael Desmond. 

Selections from Pietro il Grande. Music by Jullien. M.253.7 
Ryan, Michael Desmond, translator. 

Goldbeck. "The soldier's return," or Clara and Valentine. 

M.237.22; etc. 
LiNDPAiNTNER. The widow of Nain (Der Jungling von 
Nain). M.242.29 

Rydberg, Abraham Viktor. 

Snofrid. Ballad. For soli, kor och orkester af Elfrida 
Andree. No. i in M.391.31 

Rydberg, Victor. See Rydberg, Abraham Viktor. 
Rymond. Opera. For the Music see Koczalski. For the 
Libretto see Freddo. 



S. 

Signora Angelica Catalani. Beschreibung ihres Lebens 
und Charakters, nebst einer Beleuchtung ihres Gesanges. 
Hamburg. Wichers. 1819. No. i in M. 102.37 

S., E. See Schreck, Emmy. 

S., E. H. z. See Ernst August Carl Johannes Leopold Alex- 
ander Eduard, Herzog von Sachsen-Coburg-Gotha. 
S., L 

Lebensbeschreibung von Carl Maria von Weber. Gotha. 
Hennins. 1829. Portrait. M.372.12 



S., S. B. 
Ho! every one that thirsteth. Opening sentence for four 

voices. Re-arranged from the original manuscript by 

Henry Wilson. Boston. Ditson & Co. 1872. 

No. 20 in M.190.9 
S*** P***. Opera. For the Music see Lassimonne. For the 

Libretto see Prevel, £. 
S. U. su P. E. R. per. Motet. Lassus. Sammtliche Werke. 

Band 9. 111.8043.67.9 

*S ist schlimm genug. Part-song. Chwatal. No. 152 in M.346.32 



10 



S'ei 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sacchini 



S'ei non mi vuole amar. Aria. Handel. 12 Sopran-Arien. 

No. I in M.270.48 
S'V '1 dissi mai. Madrigal. Palestrina. Werke. Band 28. 

M.8o4oa.66.28 
S'il est un charmant gazon. Song. Liszt. Gesammelte 
Lieder. No. 24 in M.244.14 

S'il y a compagnon. Part-song. Lassus. Sammtliche Werke. 
Band 14. M.8o4oa.67.i4 

S'io esca vivo de' dubbiosi scogli. Part-song. Lassus. Sammt- 
liche Werke. Band 10. M.8o4oa.67.io 
S'io fusse ciaul'. Part-song. Lassus. Sammtliche Werke. 
Band 10. 11.80403.67.10 
S'io non ti conoscessi. Madrigal. Palestrina. Werke. Band 
29. M.8o4oa.66.29 
S'io talor muovo. Madrigal. Lassus. Sammtliche Werke. 
Band 2. 11.80403.67.2 
S'io ti vedess' una sol. Part-song. Lassus. Sammtliche Werke. 
Band 10. M.8o4oa.67.io 
S'io ve dico ca sete la chiu bella. Part-song. Lassus. Sammt- 
liche Werke. Band 10. 11.80403.67.10 
S' un sguardo un fa beato. Madrigal. Palestrina. Werke. 
Band 28. 11.80403.66.28 
S' una fede amorosa. Part-song. Lassus. Sammtliche Werke. 
Band 10. 11.80403.67.10 
Sa ch3umiere. Song. Schubert, F. P. Melodies. Vol. 2. 

11.327.4.2 
S4 ens3m uti natten. Song. Kjerulf. Sanger och Visor. 
Band i. M.158.47 

Sa fleur cherie. Song. Schubert, F. P. Melodies. Vol. 2. 

M.327.4.2 
Sa Majeste I'Amour. Opera. For the Music see Roger, V. 

For the Libretto see Hennequin, M. 
Sa tonnbe. Song. Schubert, F. P. Melodies. Vol. i. 

M.327.4.1 
Saatengruen. Part-song. Liszt. No. ii in M.392.16 

Sabadini, Bernardo. 

Dominus a dextris Tuis. Aria [b. Accomp. for pianoforte]. 
(In Latrobe. Selection of sacred music. Vol. 4, p. 112.) 

No. 21 in 11.290.29.4 
God be merciful. Terzetto [a. t. b. and chorus. Accomp. 
for pianoforte]. (In Latrobe. Selection of sacred music. 
Vol. 2, pp. 43-48.) No. 9 in M.290.29.2 

In my distress I cried. Duetto [s. s. Accomp. for piano- 
forte]. (In Latrobe. Selection of sacred music. Vol. 3. 
pp. 47, 48.) No. 8 in 11.290.29.3 

Sabatier, Jenny. 

Un service d'ami. Opera comique. Musique de Edmond 
Hocmelle. No. 3 in M.276.23 

Sabatier-Blot, Maria. 

Un mariage par quiproquo. Operette en un acte. Paroles 
de Adele Laboureau. Musique de M^He M. Sabatier-Rlot. 
[Partition chant et piano.] Paris. Gambogi. [1865.] 

No. I in M. 393.53 
Sabatini, Giovanni Andrea. 

Zion, arise in gladness. Duetto [s. s. Accomp. for organ]. 
(In Gardiner. Sacred melodies. Vol. 4, PP- 582, 583.) 

No. 29 in M.236.30.4 
Sabatino, Niccolo. 

Agitato ancor mi sento. [Aria, T., con accomp. d'orchestra. 
Parti separate.] Manuscript. [17S-?] No. I in M.120.29 
Sabsttier, J. B. 

L'opera et la symphonie, ou idee generale de la musique. 

Paris. Marpon & Flammarion. 1879. ' No. 3 in 11.1193.10 

Sabbat, Le, pour rire. Opera. For the Music see Raspail. 

For the Libretto see Chauvin. 
Sabbstfeier. Part-song. Abt, F. No. 16 in M.147.4 

S3bb3th bells. Part-song. Smart, H. No. 34 in M.157.1 

Sabbath call, The. Part-song. Kreutzer, C. 

No. 34inM.i57.s.i;etc. 
Sabbath evening sacred vocal music. Psalmody. Goss. 

No. 2 in M.236.9 
Sabbath evenings. Songs. Knight, J. P. 11.234.14 

Sabbath morn. Anthem. Mendelssohn-Bartholdy, J. L. F. 

No. 7 in 11.280.22 ; etc. 
Sabbath-morn, The. Part-song. Lachner, F. 

No. 26 in M.204.36.5 



Sabbath morning at sea. Song. Elgar. Sea-pictures. 

No. I in M.406.63 
Sabbath schools. Singing books. See Sunday schools. Singing 

books. 
Sabbathruh. Part-song. Abt, F. Vier vierstimmige Manner- 
chore. Op. 331. No. 7 in 11.392.39 
S3bb3tini, Niccolo. See Sabstino, Niccolo. 
Sabbe, Julius. 
De klokke Roeland. Contate. Getoonzet door Edgar Tinel. 

No. 3 in M. 204.26 
Sabeennes, Les. Duet. Gounod. Quinze duos. 

No. 3 in 11.157.36.6 
S3belk3mpf. Part-song. Fluegel, G. No. 28 in II.203.7 

Sabin3, Karel. 

Im Brunnen. Komische Oper. Musik von Wilhelm Blodek. 

No. 2 in M. 393.7 
Prodana nevesta. Komicka zpevohra. Hudbu slozil B. 
Smetana. M.384.68; etc. 

Sabots, Les. Opera. For the Music see Duni. For the Li- 
bretto see Sedaine. 
S3bots, Les, de la marquise. Opera. For the Music see Bou- 

l3nger. For the Libretto see Carre, M. 
Sabre enchante, Le. Opera. For the Music see Boussagol. 

For the Libretto see Domicent. 
S3C, Le, du convent. Part-song. Boulanger. No. 40 in II.392.3 

Sacchero, Giacomo. 

I baccanti. Dramma lirico. Posto in musica dal M° 

Uranio Fontana. M.231.40 

Caterina Cornaro. [Opera.] Musique del Mo. Gaetano 

Donizetti. M. 363.34 

Clarissa Harlowe. Dramma lirico. Musica di N. Perelli. 

M.369.3 
Corrado d'Altamura. Dramma lirico. [Musica del Maestro 
Federico Ricci.] Venezia. Molinari. [1842.] 

Libretto only. No. 4 in M.147.8.2 

Same. Corrado d'Altamura, del Mo. F. Ricci. Opera com- 
plet. 11.369.10 

Cristina di Svezia. Tragedia lirica de Cammarano & Sac- 
chero. Posta in musica dal Mo. Alessandro Nini. M.267.30 

Margarita di Yorck. Tragedia lirica. Musica del Maestro 
Alessandro Nini. Venezia. Molinari. [1840.] 
Libretto only. No. 13 in II.147.8.3 

Same. Posta in musica dal Mo Alessandro Nini. M.311.4 

La martire. Dramma lirico. Musica di E. Perelli. M. 293.31 
Sacchi, Giovenale. 

Delia divisione del tempo nella musica, nel ballo e nella 
poesia. Dissertazioni IIL Milano. [Mazzucchelli.] i7"o. 

M. 103.30 
Sacchini, Antonio Maria Gasparo. 

All my past life. Duett [s. s.]. (In Bland. The Ladies' 
collection. Vol. 4, p. 460.) No. 105 in M.235.17.4 

Britannia, encircled ^Nhh glory. National chorus. (In Turle 
and Taylor. The People's music book. Vol. 3, pp. 135- 
145.) No. Soin II.111.4.3 

Chimene, ou le Cid. Tragedie lyrique en 3 actes [de Guil- 
lard]. Mise en musique par Sacchini. [Partition.] Paris. 
L'auteur. [1784.] M.274.S 

Same. Paroles de Guillard d'apres Corneille. [Musique 
par] Sacchini. Reduite pour piano et chant par Eugene 
Gigout. Paris. Michaelis. [188-?] Portrait. [Chefs- 
d'oeuvre de l'opera frangais.] M. 394.24 

[Col mio ben si vada a morte. Aria, t., con accomp. d'or- 
chestra. Partitura.] Manuscript. [Paris? 183-?] 

No. 3 in M.120.29 

La colonie. Opera comique en 2 actes. Imite de I'italien 
[par Framery] & parodie sur la musique del Sigr Sacchini. 
[Partition.] Paris. Le Due. [1775.] M.274.7 

La contadina in corte. A comic opera. London. Cox. 
1782. No. 7 in M.147.5 

Libretto only, in English and Italian. 

Creso. A serious opera. London. Cadell. 1777. 

Libretto only, in English and Italian. No. 2 in M.147.5 

Dardanus. Tragedie lyrique en 4 actes [de Leclerc de La 
Bruere]. Mise en musique par Sacchini. [Partition.] 
Paris. Magnian. [1784] II.274.10 



11 



Sacchini 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sad 



Sacchini, Antonio Maria Gaspare. (Continued.) 
Elle m'a prodigue sa tendresse. Air [b. Accomp. de piano], 
(In Bibliotheque musicale. Serie 2, tome i, pp. 97-102.) 

No. 13 in M.ig3.2i.i 

Evelina. Opera en 3 actes. Paroles de M^ Guillard. Mu- 

sique de Sacchini. [Partition.] Paris. Imbault. [1788.] 

M.274.6 
Henry cuU'd the flow'ret's bloom. Song [s. or t.] from 
Rosina. [Accomp. for pianoforte.] (In Musical library. 
Vol. 3, pp. 138-140.) No. 45 in M.235.18.3 

How should we mortals. Trio [a. t. b.]. (In The Apollo. 
Vol. I, pp. 17-22.) No. 9 in M.i3ga.i8.i 

Also to be found in dementi's Collection of catches ; Sibbald's Col- 
lection of catches ; Webbe, Jr.'s Convito armonico. 

Idol mio se piii non vivi. Cavatina a soprano, 2 violini, 2 

viole e basso. [Partitura.] Manuscript. [1820?] 

No. 4 in M. 120.29 
L'isola d'amore. Intermezzi a quattro voci. [Partitura.] 

Manuscript. [Roma? 1766?] M.51.19 

Same. London. Bremner. [178-?] No. 3 in M. 391.25 

Lucio Vero. [Opera. Parole di Apostolo Zeno.] Musica 

del Sig"' D. Antonio Sacchini. [Partitura.] Manuscript. 

[Napoli? 1764?] 2 V. M. 51.20 

Mein Sohn, du bist's nicht mehr. Recit. und Arie [b.] aus 

Odipus auf Colonos. [Clavierauszug.] Manuscript. N. d. 

No. 16 in M. 236.6 
O lieto di. Trio [s. t. b.] in the opera of Evelina. [Accomp. 

for violins, viola and bass.] London. Clementi. [18 — ?] 

No. 18 in M.235.14 
Same. O joyful day! [Trio, s. s. A. Accomp. for piano- 
forte.] London. Leader & Cock. [185-?] 

No. 3 in M.244.10.3 
CEdipe a Colone. Opera en 3 actes [de Guillard]. Mis en 

musique par A. Sacchini. [Partition.] Paris. Imbault. 

[1784.] M.274.11 

Same. Partition de piano et chant. Launer. [186-?] 

M.327.3 
L'Olympiade, ou le triomphe de I'amitie. Drame heroique 

en 3 actes et en vers [de Metastase, traduit par Framery]. 

Musique du Sgr. Sacchini. [Partition.] Paris. Le Due. 

[1 777-] M.274.8 

[Perche se re tu sei. Duetto, s. s., con accomp. d'orchestra. 

Partitura.] Manuscript. [18 — ?] No. 7 in M.120.29 

Same. [Per voci e basso continue.] No. 8 in M. 120.29 

Renaud. Tragedie lyrique en 3 actes. [Paroles de Leboeuf 

et Framery.] Mise en musique par Sacchini. [Partition.] 

Paris. Le Due. [1783.] M.274.12 

Same. Reduite pour piano et chant par Eugene Gigout. 

Paris. Michaelis. [188-?] Portrait. [Chefs-d'oeuvre de 

I'opera frangais.] M.394.25 

Le Sacchini des concerts. Recueil des airs, scenes, duos, 

des operas frangais de ce maitre. Avec accomp. de piano 

par Castil-Blaze [pseud.]. Paris. Castil-Blaze. [183-?] 

M. 274.9 

Contents. — From Renaud : Je pourrais etre insensible, air, b. ; Dej^ 
la trompette guerriere, air, T. ; Souverain arbitre du sort, choeur ; Cruel, 
pourquoi m'as-tu trahie, scene, s. ; Seras-tu toujours inflexible, duo, 
s. T. ; Barbare Amour, tyran des cceurs, air, s. ; Eh, comment veux-tu 
que je vive, air, s. ; Renoncez a votre haine, air, x. ; Plus nous avons 
souffert de peines. trio, s. t. b. — From Chimene : Pardonne a ces 
laches combats, air, s. ; Je vois dans mon amant, air, s. ; D'un juste 
combat qui m'honore, air, T. ; O tourment rigoureux, duo, s. x. ; Tout 
ce qui dut me rendre heureux, cavatine, x. ; Bannis un cruel desespoir, 
air, B. ; Marchons, mes chers amis, finale ; D'un si brillant succes, air, 
T. ; Sans I'offenser non tu ne peux le croire, air, s. ; On dira qu'epris 
de Chimene, air, x. ; Cruel, veux-tu que ton amante, air, s. — From 
Dardanus : Manes plaintifs, tristes victimes, choeur ; Par des jeux 
eclatans, choeur ; C'est un charme supreme, air, x. : Jour heureux, 
espoir enchanteur, air, x. ; Arrachez de mon coeur, air, s. ; Sombre 
chagrin, air, T. ; Eh bien, avec transport, duo, s. x. — From CEdipe a 
Colone : Ma fille est le precieux gage, cavatine, b. ; Le fils des dieux, 
air, X. ; Nous braverons pour lui, choeur; Allez regner jeune princesse, 
choeur, s. s. ; Votre cour devint mon asile, air, x. : Implorons les 
bienfaits, trio, s. x. b. ; O vous que I'innocence meme, choeur, x. 
x. b. : Helas, d'une si pure flamme, air, x. ; Ah, n'avanQOns pas 
davantage, scene, s. b. ; Ma fille pardonne, cavatine, b. ; Tout mon 
bonheur, cavatine, s. ; Filles du Styx, air, B. ; O transports pleins 
de charmes, duo, s. b. ; Du malheur auguste victime, air, b. ; O bonte 
secourable, trio, s. b. b. ; Dieux ce n'est pas pour moi, air, s. ; En ma 
faveur, duo, s. x. ; Elle m'a prodigu6, air, b. ; Oti suis-je, mes enfants, 
trio, s. T. B. : O doux moment, trio, s. x. b. — From fivelina : O ma 
patrie, 6 fortune rivage, air, b. : Ah, daignez m'entendre, duo, s. X. ; 
Oui, vous pouvez tout sur moi, air, x. 



Sacchini, Antonio Maria Gasparo. (Continued.) 
Signorino che pensate. [Aria, s., con stromenti al arco. 
Partitura.] Manuscript. [Paris? 181-?] No. 5 in M.120.29 
Same. [Another copy, for voice and continuous bass.] 

No. 6 in M.120.29 
[So che fedele. Aria, s., con accomp. d'orchestra. Parti- 
tura.] Manuscript. [Paris? i8o~?] No. 2 in M.120.29 

From his opera Creso. 

Why so pale and wan. Duett [s. s.]. (In Bland. The 

Ladies' collection. Vol. 4, p. 461.) No. 16 in M.23S.I.7.4 

Sacchini, Antonio Maria Gasparo. Works about. 

JuLLiEN, J. L. A. La cour et I'opera sous Louis XVI, Marie 

Antoinette et Sacchini, Salieri, Favart et Gluck. Paris. 

1878. M.I 27.39 

Saccio na cosa ch' e di legn' e tonda. Part-song. Lassus. 

Sammtliche Werke. Band 10. M.8o4oa.67.io 

Sacerdos et Pontifex. Anthem. Gabrieli, A. 

No. 28 in M.158.33.4 
Sacerdos et Pontifex. Mass. Palestrina. Werke. Band 16. 

M.8o4oa.66.i6 
Sacerdotes Domini. Mass. Palestrina. Werke. Band 17. 

M.8o4oa.66.i7 

Sacerdotes Domini incensum et panes offerunt. Offertory. 

Palestrina. Werke. Band 9. M.8o4oa.66.9 

Sachs, Melchior Ernst. 

Totenklage der Goten. (Gedicht von Luise Hitz.) Fiir 

Mannerchor mit Begleitung eines kleinen Orchesters 

oder des Klaviers komponiert von M. E. Sachs. Op. 15. 

Klavierauszug. Leipzig. Siegel. [1888?] No. i in M.212.15 

Der Trompeter an der Katzbach. [Mannerchor.] (In Abt. 

Deutsche Sangerhalle. Vol. 4, pp. 118-121.) 

No. 41 in M.392.42.4 
Sachsen-Hymne. Part-song. Krebs. No. 5 in M.3g2.i4 

Sacred Harmonic Society. Publications. 

Catalogue of the library. New edition, augmented. [Com- 
piled by W. H. Husk.] London. The Society. 1872. 

M.I 48.9 
Elijah. An oratorio. The English version by W. Bar- 
tholomew. The music composed by Felix Mendelssohn 
Bartholdy. London. [185-?] No. 5 in M.372.S4 

Words only. 
Ernst Pauer's Three lectures on the history of the oratorio. 
First lecture [before the Society]. Syllabus and musical 
illustrations. London. [1872, 73.] M.206.12 

The grand service in D, composed by Ludwig van Bee- 
thoven. London. [185-?] No. 3 in M.372.54 
Words only. 
Same. With an analysis of the work, written expressly for 
the Society by G. A. Macfarren. London. [1854.] 
Words only. No. 4 in M.372.54 
Israel in Egypt. An oratorio. The music composed in the 
year 1738, by George Frederic Handel. With an analysis 
of the oratorio, written expressly for the Sacred Har- 
monic Society, by G. A. Macfarren. London. [1857.] 
Words only. No. 8 in M.372.54 

Sacred Harmonic Society, London. Works about. 

Hill, D. A history of the Sacred Harmonic Society. Lon- 
don. 1882. No. 4 in M.216.18 
Sacred lyrist. The. Church music. Bird, J. M. 100.34 
Sacred melodies. Church music. Gardiner, editor. M.236.30 
Sacred minstrel. The. Church music. Goss, editor. M.158.8 
Sacred songs for little singers. Children's songs. Randegger. 

H.158.10 
Sacred vocalist, The, or pocket collection of select and orig- 
inal tunes. New York. Burnett & Smith. 1832. M.iogb.s 
Sacrifices, The, of God. Anthem. Calkin. Two introits. 

No. 9 in M.234.10 
Sacris solemnis. Anthem. Casciolini. No. 38 in M. 158.33.3 

Lenz, L. No. S in M.260.10.6 

Sacro horrore. Anthem. Galuppi. No. 32 in M.290.29.5 

Sad and luckless was the season. Song. Beethoven. Werke. 
Serie 24. M.413.1.24 

Sad disappointment, A. Part-song. McCheane. 

No. I in M.205.10.7 
Sad is my day. Duet. Jackson, W., of Exeter. 

No. 5 in M.i39a.i8.5; etc. 



12 



Sad 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sailors' 



Sad, that I must turn to dust. Part-song. Raff. 

No. 9 in M.205.10.7 
Sadak and Kalasrade. Ballet music. Bishop, H. R. m. 396.12 
CaAKO [Sadko]. Symphonic poem. Rimski-Korsakof. 

No. I in M.342.30 
Sadly to mine heart appealing. Song. Foster, S. C. 

No. 13 in M.380.41.3 
Saechsischer Elbgau-Sangerbund. 
Jubilaums Gesange [t. t. b. b.] zum asjahrigen Bestehen. 
Dresden. Dietrich. [1889.] No. i in M.392.24 

Contents. — Sangerfestspruch, von F. W. Helbig. — Jubilaumslied, 
von Gustav Schone. — Jubilaumslied, von Carl Bieber. — Bundes- 
Festlied, von B. Hellriegel. 

Saemen, Em. 
Tantum ergo, a 4 voix avec accomp. d'orgue. Op. 18. Paris. 
Schott. [187-?] No. 27 in M. 201. 35 

Saenger, Der. Part-song. Otto, E. J. No. 3 in M. 130.8 

Reissiger. [Chorgesange und Quartette. Lieferung i.] 

No. 6 in M.392.34 
Schumann, R. A. Werke. Serie 12. M.316.1.12 

Saenger, Der. Song. Schubert, F. P. Werke. Serie 20, 
Band 2. M.317. 1.20.2 

Saenger, Der, am Felsen. Song. Schubert, F. P. Werke. 
Serie 20, Band 4. M.317.1.20.4 

Saenger, Der, und der Maler. Song. Weber, C. M. F. E. von. 
Sammtliche Lieder. Band 2. No. 88 in M.244.7 

Saenger's Abendlied. Part-song. Abt, F. Leichte Manner- 
chore. No. 3 in M.246.22 
Saengers Abendlied. Song. Seidel, F. L. Lieder. Heft 3. 

No. 17 in M.221.33 
Saenger's Friihlingsgruss. Part-song. Nessler. 

No. 20 in M.392.19 

Saengers-Gebet. Part-song. Koesporer. No. 83 in M. 1293.44 

Saengers Gliick. Part-song. Gade. Fiinf Gesange fiir Man- 

nerchor. Op. 38. No. 8 in M. 157. 21; etc. 

Saengers Lied an die Sterne. Part-song. Mueller, C. G. 

No. 6s in 11.1293.43.10 
Saengers Lieder. Song. Stern, J. 5 Gesange. Op. i. 

No. II in M.221.30 
Saengers Morgengruss. Part-song. Becker, V. E. Drei Ge- 
sange fiir vierstimmigen Mannerchor. Op. 65. 

No. 20 in M.392.4 

Saengers Morgenlied. Song. Schubert, F. P. Werke. Serie 

20, Band 2. M.317.1.20.2 

Saengers Trost. Part-song. Faisst. No. 36 in M. 392.42.3 

Saengers Trost. Song. Schumann, R. A. Lieder und Ge- 
sange. Op. 127. No. Sin M.244.i5.4;etc. 
Saengers Wonne. Part-song. Greger. No. 7 in M. 392.20 
Saengerfahrt. Part-song. Becker, V. E. Fiinf Lieder fiir 
vierstimmigen Mannerchor. Op. 59. No. 15 in M.392.4 
EcKER. No. 149 in M.147.4 
Hauptmann, M. Sechs vierstimmige Lieder. 

No. 2 in M. 157.22 
Kleffel. Sechs Mannerchore. Op. 11. No. 9 in M. 392.13 
Reiter, E. No. 5 in M.203.22 

Saengerfahrt auf der Elbe. Part-song. 

Mair. No. 51 in M.204.39 

MoELDNER. No. 50 in M.204.39 

Saengerfest-Marsch. Part-song. Koellner. No. 28 in M.392.8 

Saengerfestspruch. Part-song. Helbig. No. i in M.392.24 

Saenger-Fruhlingsmarsch. Part-song. Reiser. 

No. I in M. 370.30 
Saengergruss. Part-song 
Abt, F. Deutsche Sangerhalle. Vol. 2. No. 35 in M.392.42.2 
Feyhl. No. 2 in M.370.30 

Fischer, C. L. No. 34 in M.392.42.1 

Kuecken. No. 21 in M.392.14 

Otto, E. J. No. 6 in M.203.3 

Saengergruss den Frauen. Part-song. Nolopp. Zvi'ei vier- 
stimmige Mannergesange. Op. 31. No. 45 in M. 392.16 
Saengerlust. Part-song. Moehring. 6 Gesange fiir Manner- 
chor. Op. 58. No. 8 in M.392.18 
Saengermarsch. Part-song. Abt, F. No. 43 in M. 392.1 
Becker, V. E. Drei Gesange fiir vier Mannerstimmen. Op. 
60. No. 17 in M.392.4 
Kron. No. 26 in M.392.8 



Saengermarsch. Part-song. (Continued.) 
Musiol. Lieder fiir vier Mannerstimmen. Heft 2. 

No. 9 in M. 392.19 
Orth. No. so in M. 392. 16 

Otto, E. J. No. 8 in M.i29a.44 

Richter, R. No. 26 in M. 392.22 

Schoen, E. von. No. 21 in M. 392.42.3 

Saengerpflicht. Part-song. Genee. Drei Lieder. Op. iii. 

No. 33 in M.392.9 

Saengerprobe, Eine. Part-song. Kuntze. No. 9 in M.392.15 

Saengersegen. Part-song. Reinecke, C. H. C. 

No. 5 in M.203.22 

Saengerspruch. Part-song. Heim, I. No. 44 in M.147.4 

Saenger-Standchen. Part-song. Gernerth. No. 17 in M.3g2.io 

Saenger-Testament. Part-song. Abt, F. Sechs vierstimmige 

Mannergesange. Op. 361. No. 9 in M.392.2; etc. 

Lichner. Vier Quartette fiir Mannerstimmen. Op. 157. 

Heft I. No. 32 in M.392.1S 

Otto, E. J. Ernst und Scherz. No. 14inM.392.27 

Saengerweihe. Opera. For the Music see Taubmann. For 

the Libretto see Ehrenfels. 
Saffo. Opera. For the Music see Mayer, J. S.; also Pacini, G. 

For the Libretto see Cammarano, S. 
Saffron tints. The, of morn. Anthem. Mozart. 

No. 4 in M.22I.22.I 

Safonoff, B., editor. 

Chopin. Grande fantaisie sur des airs polonais. 

No. S in M.334.1 
Sag' an, der Berge Maid! Part-song. Mueller, A., Jr. 

No. 70 in M.204.39 

Sag' an O lieber Vogel mein. Song. Schumann, R. A. Lieder 

u. Gesange. Heft i. No. 6 in M.244.is.i;etc. 

Sag mir! Song. Franz, R. Sechs Lieder von H. Heine. Op. 

38. No. 40 in M.244.S.3 

Sage, Die, von der Martinswand. Opera. For the Music see 

Nieden. 

Saggio e santo Pastor. Madrigal. Palestrina. Werke. 

Band 28. M.8o4oa.66.28 

Sagt ihm, dass er zu mir komme. Song. Wolf, H. Spani- 

sches Liederbuch. No. 25 in M.380.30 

Sagt mir, o schonste Schaf'rin mein. Song. Brahms. 

Deutsche Volkslieder. Heft i. No. 9 in M.380.40.3 

Sagt, seid Ihr es. Song. Wolf, H. Spanisches Liederbuch. 

No. 22 in M.380.30, 
Sagt woher stammt Liebeslust. Song. Taubert, C. G. W. 
Gesange aus Shakspeare. No. 8 in M.221.26 

Sah Gregor das rothe Meer. Part-song. Reinecke, C. H. C. 
Sechs altfranzosische Volkslieder. No. 18 in M.392.21 

Sah' ich ihr Auge. Song. Donizetti. No. 13 in M.236.6 

Said a smile to a tear. Song. Braham. No. 41 in M. 384.48 

Said Pasha. Opera. For the Music see Stahl. For the Li- 
bretto see Marble, S. 
Sailor boy, The. Song. Keller, M. No. 27 in M.ig2.i3.2 

Sailor's serenade, The. Part-song. Hatton. No. 81 in M.1S7.S.2 
Sailor's song. Part-song. Eckert. No. 9 in M.204.38 

Hatton. No. 6 in M.195.1.6 ; etc. 

MosENTHAL, J. Three songs for . . . male voices. 

No. 28 in M.392.18 
Sailor's welcome home, The. Glee. Bishop, H. R. Complete 
collection of glees. Vol. 2. M.235.1.2 

Sailors, The. Glee. Ravenscroft. We be three poor man- 
ners. No. 23 in M.220.3.1 ; etc. 
Sailors' songs. 

Kitchiner, W., editor. The sea songs of England, selected 
from original manuscripts and early printed copies in 
[his] library. [Accomp. for pianoforte.] London. 1823. 

No. 2 in M.237.24 

Robin, J. La chanson des cols bleus; chants populaires de 

la flotte frangaise. Paris. [1901.] Hlus. M.102.35 

Schneider, F. H., compiler. Flottenlieder. Eine Sammlung 

der besten Seemanns- Flotten- u. Meereslieder mit leich- 

ter Klavierbegleitung. Leipzig. [1901.] M.372.59 

Smith, L. A. The music of the waters. A collection of the 

sailors' chanties, or working songs of the sea, of all 

nations. London. 1888. M.106.22 

13 



Sain d'Arod 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Saint Georges 



Sain d'Arod, Prosper. 

Messe en re majeur, pour quatre voix d'hommes, completee 
d'un Credo. Specialement destinee a I'usage des societes 
chorales de France et d'Allemagne. Partition reduite 
avec accomp. d'orgue ou orgue harmonium. Op. 43. 
Paris. Canaux. [1853.] No. 3 in M. 202.15 

St. Adalbert martyr. Oratorio. For the Music see Sowinski. 

For the Libretto see Ostrowski. 
Saint-Albin, Albert de. 

La belle poule. Opera-bouffe. Paroles de Hector Cre- 
mieux & St. Albin. Musique de Herve [pseud.]. M.276.35 
La foire de St. Laurent. Opera-bouffe de H. Cremieux et 
A. de St. Albin. Musique de J. Offenbach. M. 277.4 

Le grand Casimir. Operette de J. Prevel et A. de Saint- 
Albin. Musique de Charles Lecocq. M.306.4 
Mam'zelle Gavroche. Comedie-operette de MM. Edmond 
Gondinet, Ernest Blum et Albert de Saint-Albin. Mu- 
sique de Herve [pseud.]. No. i in M.276.37 
Le manoir de Pictordu. Operette de Mi's S' Albin & A. 
Mortier [pseud.]. Musique de G. Serpette. M.322.28 
Panurge. Opera-comique de H. Meilhac et de Saint-Albin. 
Musique de Robert Planquette. M. 300.11 
Saint Antoine vaincu par I'amour. Opera. For the Music see 

Cognet. For the Libretto see Raynaud. 
Saint Arroman, Raoul. 

Fanfreluche. Opera comique de Gaston Hirsch, St. Arro- 
man & Burani [pseud.]. Musique de G. Serpette. 

No. I in M.322.22; etc. 
Fanchonette. See his Fanfreluche. 
Saint-Auban, Fmile de. 

Un pelerinage a Bayreuth. Paris. Savine. 1892. M.138.14 
Saint Barnabas. Oratorio. For the Music see Armes. 
Saint bien heureux. Part-song. Auber. No. 8 in M.130.7 

St. Cecilia. Cantata. For the Music see Benedict. The legend 

of St. Cecilia. For the Libretto see Chorley. 
St. Cecilia's day. 

Husk, W. H. An account of the musical celebrations on 
St. Cecilia's day, in the i6th, 17th, and i8th centuries. 
Appended a collection of odes on St. Cecilia's day. Lon- 
don. 1857. M.108.8 
Saint Cecilia's day. Cantata. For the Music see Bree. 
Saint-Cere, Jacques, pseud. See Rosenthal, Armand. 
Saint Clair, C. G. 

Ave Maria, s. t. [Accomp. for pianoforte or organ.] New 

York. Gordon. [1868.] No. 33 in M.201.35 

Saint Cyr. Opera. For the Music see Dellinger. For the 

Libretto see Walther, O. 
St. David's Day. Opera. For the Music see Attwood. For 

the Libretto see Dibdin, T. J. 
Saint Domingue en 1804. Duet. Concone. No. 17 in M.244.2 
Saint-Etienne, Sylvain. 

Christophe Colomb, ou la decouverte du Nouveau monde. 

Ode symphonic. Paroles de MM. Mery, Ch. Chaubet et 

Sylvain St. foienne. Musique de Felicien David. M.241.24 

Le marquis des Flageolets. Opera comique. Paroles de 

Biron et Sylvain St. fitienne. Musique de Jules Creste. 

M.381.12 
Moise au Sinai. Oratorio. Musique de Felicien David. 

M.1S3.14 

La perle du Bresil. Opera comique. Paroles de J. Gabriel 

[pseud.], et Sylvain St. fitienne. Musique de Felicien 

David. M.295.4 

Saint Foix. Opera. For the Music see Zincke. For the 

Libretto see Wolzogen, H. P. von. 
Saint Francis of Assisi. Oratorio. For the Music see Tinel, 

Edgar. For the Libretto see Koninck. 
Saint Frangois. Oratorio. For the Music see Tinel, Edgar. 

For the Libretto see Koninck. 
Saint-George, George. 

Reveil du printemps. Friihling's Erwachen. Ouverture. 
Partition. London. Woolhouse. [188-?] No. i in M407.24 
St. George, John. 

Will they answer if I write? Four-part song arranged 
from the song for male voices [by A. Davenport]. Bos- 



St. George, John. (Continued.) 

ton. White-Smith Music Publishing Co. [1894.] 

No. 14 in M.203.20 
Same. Mixed voices. No. 15 in M.203.2g 

St. George's Te Deum. Anthem. Macfarren, G. A. 

No. 1 in M.ig3.2o 
Saint Georges, Jules Henri Vernoy de. 

L'aieule. Opera comique. Musique de Adrien Boieldieu. 

M.281.4; etc. 
Alma I'incantatrice. Opera. Musica di F. de Flotow. 

M.2S6.7 
[L'ambassadrice. Opera. Paroles de Scribe et de St. 
Georges. Musique d'Auber.] M. 223.2; etc. 

L'ame en peine. Opera. Musique de F. de Flotow. 

M.364.a7 
Les amours du Diable. Opera feerie. Musique de Albert 
Grisar. M.266.37 

L'artisan. Opera-comique. Musique de F. Halevy. 

M. 292.18 
Au travers du mur. Opera bouffe. Musique du Prince 
Poniatowski. M.297.12 

L'aumonier du regiment. Opera-comique. Poeme de H. 
de St. Georges & Ad. de Leuven [pseud.]. Musique de 
Hector Salomon. No. i in M.32i.2g 

L'aventurier. Opera comique. Musique du Prince Ponia- 
towski. M.297.11 
La Bohemienne. Grand opera. Musique de M. W. Balfe. 

M.2SS.32 
Cagliostro. Opera comique. [Paroles de Scribe et St. 
Georges.] Musique d' Ad. Adam. M.361.12 

Le carillonneur de Bruges. Opera comique. Musique de 
Albert Grisar. M.226.5;etc. 

Catharina Cornaro Konigin von Cypern. Grosse tragische 
Oper. In Musik gesetzt von Franz Lachner. M. 253.29 
Le chateau de la Barbe-Bleue. Opera-comique. Musique 
de A. Limnander. M.306.22 

La contessina. Opera dei Sigg. de St. Georges, Adenis 
[pseud.], e de Lauzieres. Musica del Principe G. Ponia- 
towski. M.297.10 
Les diamants de la couronne. Opera comique. Paroles 
de Scribe et de S* Georges. Musique de D. F. E. Auber. 

M.361.19; etc. 
Same. [Crown diamonds.] The new comic opera, in three 
acts, of the Crown diamonds. The music by Auber. 
[The words by Scribe and Saint Georges.] 

No. 10 in M.145.25 
Libretto only, in English. This is a different version from the other 
editions of The crown diamonds. 

Same. [The crown jewels.] The favourite opera, entitled 
The crown jewels (Les diamans de la couronne). The 
music by Auber. The words [by Scribe and Saint 
Georges translated] by E. Fitzball [pseud.]. 

Libretto only, in English. No. 1 1 in M.I45.25 

L'eclair. Opera comique. Paroles de MM. de Planard et 
de S' Georges. Musique de F. Halevy. M.325.2;etc. 

Elisabetta d'Ungheria. Opera. Musica di Giulio Beer. 

M.265.2 

[The enchantress.] A new and original opera, in three 
acts. Preceded by a prologue, entitled the Enchantress, 
as first performed at the Theatre Royal, Drury Lane, 
May 14th, 1845. The music by M. W. Balfe. The libretto 
by M. de St Georges and translated by Mr. Bunn. Lon- 
don. Johnson. [1845.] M.147.25 
Libretto only, interleaved with newspaper clippings. 

Same. The enchantress. An opera. Written by M. de St 
Georges & Alfred Bunn. Composed by M. W. Balfe. 

M.261.9 

L'esclave du Camoens. Opera-comique. Musique de M^ 
F. de Flotow. M.378.47 

Falstaff. Opera-comique de MM. de Saint-Georges et de 
Leuven [pseud.]. Musique de Ad. Adam. No. i in M.361.13 

Le fanal. Opera. Musique de A. Adam. M.251.10 

Le Fanchonnette. Opera comique Poeme de MM. de S* 
Georges et de Leuven [pseud.]. Musique de L. Clapisson. 

11.400.25; etc. 



14 



Saint Georges 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Saint-Luc 



Saint Georges, Jules Henri Vernoy de. (Continued.) 

La fee aux roses. Opera comique. Paroles de Scribe et de 

St Georges. Musique de F. Halevy. M.227.22; etc. 

La fiancee du roi de Garbe. Opera-comique. Paroles de 

Scribe et de Saint Georges. Musique de D. F. E. Auber. 

M.362.2 

Le fidele berger. Opera comique. Paroles de Scribe et de 

St Georges. Mis en musique par Adolphe Adam. M.361.1S 

La figlia del reggimento. Opera. Musique de Donizetti. 

[Paroles de Bayard et de Saint-Georges.] M.364.i8;etc. 

La fille invisible. Opera comique. Poeme de MM. de St. 

Georges et Dupin. Musique de A. Boieldieu. M.265.27 

II fiore di Harlem. Melodramma del Sig. di Saint Georges. 

Musica di F. de Flotow. M.272.4 

Le Florentin. Opera-comique. Musique de Ch. Lenepveu. 

M.303.1S 

Guise, Oder die Stande von Blois. (Guise, ou les etats de 

Blois.) Lyrisches Drama von Planard und von St 

Georges. Musik von Georg Onslow. M.293.12 

Jaguarita I'Indienne Opera comique. Paroles de MM. 

de St. Georges et de Leuven [pseud.]. Musique de F. 

Halevy. M.3S4.5;etc. 

Le joaillier de St James. See his Lady Melvil. 

La jolie fille de Perth. Opera de MM. de Saint-Georges & 

J. Adenis [pseud.]. Musique de G. Bizet. M.26S.22 

Le Juif errant. Opera. Paroles de Scribe et de St. Georges. 

Musique de F. Halevy. M. 227.23 

Lady Melvil, ou le joaillier de St James. [Opera comique. 

Paroles de St. Georges et A. de Ribbing.] Musique 

d'AIbert Grisar. M.292.7;etc. 

Le lazzarone. Opera. Musique de F. Halevy. M. 292. 13 

Ludovic. Opera-comique. Musique de F. Herold et F. 

Halevy. M.226.7;etc. 

Le luthier de Vienne. Opera comique. Paroles de MM. de 

S' Georges et de Leuven [pseud.]. Musique de Hipp. 

Monpou. M. 283. 10 

La magicienne. Grand opera. Musique de F. Halevy. 

M.365.28 

Maitre Claude. Opera comique. Paroles de MM. de S' 

Georges et de Leuven [pseud.]. Musique de Jules Cohen. 

M.363.20 
Margot. Opera comique. Paroles de MM. de Saint- 
Georges et A. de Leuven [pseud.]. Musique de L. 
Clapisson. M.363.18 

La marquise. Opera comique. Paroles de MM. de St 
Georges et de Leuven [pseud.]. Musique de Adolphe 
Adam. M.400.34;etc. 

Les mousquetaires de la reine. Opera comique. Paroles 
de Mr de S' Georges. Musique de F. Halevy. M.366.3 
Le nabab. Opera comique. Poeme de MM. E. Scribe et 
de S' Georges. Musique de F. Halevy. M.365.30 

Naida. Opera semiseria. Musica di F. De-Flotow. M.364.31 
Noe. Grand opera. Musique de Halevy et Georges Bizet. 

M.26S.23 
L'ombre. Opera-comique. Musique de F. de Flotow. 

M.364.29 
La pagode. Opera comique. Musique de B. C. Fauconier. 

M.256.1 

Pierre de Medicis. Grand opera. Poeme de MM. de St 

Georges et E. Pacini. Musique du Prince J. Poniatowski. 

M.369.8 

Pierre et Catherine. Opera. Mis en musique par Adolphe 

Adam. M.2S1.6 

Le planteur. Opera comique. Paroles de H. de S' Georges. 

Musique de Hippolyte Monpou. M.22S.22;etc. 

La reine d'un jour. Opera comique. Paroles de MM. E. 

Scribe et de S' Georges. Musique de Adolphe Adam. 

M.223.20; etc. 
La reine de Chypre. Opera. Musique de F. Halevy. 

M.401.19; etc. 
La rose de Florence. Opera. [Musique] par Em. Biletta. 

M.271.13 

La sentinelle perdue. Opera comique. Mis en musique 

par V. Rifaut. M.264.13 



Saint Georges, Jules Henri Vernoy de. (Continued.) 

La Serafina, ou Toccasion fait le larron. Opera. Paroles 
de MM. de S' Georges et Dupin. Musique d'Alfred de S' 
Julien. No. I in M.323.43 

Le sylphe. Opera comique. Musique de L. Clapisson. 

M.402a.9 ; etc. 
La symphonie. Opera comique. Mis en musique par Louis 
Clapisson. M.401.S 

Die Tauschung (L'illusion). Oper [von J. H .V. de Saint- 
Georges, u. C. Menissier]. Musik von F. Herold. M.232.17 
Das Thai von Andorra. See his Le val d'Andorre. 
Thomas Riquiqui, oder die politische Heirath. Komische 
Oper nach dem Franzosischen der H. H. S' Georges u. 
de Leuven [Pseud.]. In Musik gesetzt von Heinrich 
Esser. M.262.30 

Le val d'Andorre. Opera comique. Musique de F. Halevy. 

M.365.25;etc. 

Zanetta. Opera comique. Paroles de Scribe et S* Georges. 

Musique de D. F. E. Auber. M.223.5;etc. 

Zilda (conte des Mille et une nuits). Opera comique. 

Paroles de MM. de S' Georges & Chivot. Musique de F. 

de Flotow. M.364.30 

St. Germaine, C. 

The growth and cultivation of the voice in singing. 2d 
edition. London. Cramer & Co. [1877.] No. 4 in M.116.S 
St. Hans Kveld. For orchestra. Holter. No. 3 in M.405.11 

Saint Hilaire, Amable Villain de. 

Cosimo. Opera bouffon. Paroles de MM. S' Hilaire et 
Paul Duport. Musique de Eug. Prevost. 11.254.32 

Le diadeste, ou la gageure arabe. Opera comique. Paroles 
de MM. de S* Hilaire et Leon [pseud.]. Musique de Jules 
Godefroid. M.282.7 

Micheline ou I'heure de I'esprit. Opera comique de MM. St 
Hilaire & Masson. Mis en musique par Ad. Adam. 

M.400.3S 
Saint Hubert, La. Part song. Laurent de Rille. 

No. 21 in M. 130.7 
St. James's Hall, London. 

Book of words of Mad™e Viard Louis' last concert, 26. 
June, 1878. London. [1878.] No. 10 in M.116.10 

Madame Trebelli's grand concert, June 27, 1878. [Pro- 
gramme.] London. [1878.] No. ii in M.116.10 
St. John. Cantata. For the Music see Parker, J. C. D. 
St. John. Oratorio. For the Music see Gilbert, W. B. 
St. John the Baptist. Oratorio. For the Music see Macfarren, 

G. A. ; also Taylor, W. 
St. John's eve. Cantata. For the Music see Bennett, J. For 

the Libretto see Cowen. 
St. John's eve. Part-song. Rheinberger, J. G. No. 23 in M.392.22 

Saint Julien, Alfred de. 

La Serafina, ou I'occasion fait le larron. Opera en i acte. 

Paroles de MM. de St Georges et Dupin. Musique d' 

Alfred de S' Julien. Partition piano et chant. Paris. 

Latte. [1851.] No. I in M.323.43 

Saint Julien I'Hospitalier. Opera. For the Music see Er- 

langer, C. For the Libretto see Lug^et. 
Saint- Just, Godart d'Ancourt de. 

Le calife de Bagdad. Opera. Mise en musique par A. 

Boieldieu. M.224.3;etc. 

Gabrielle d'Estrees, ou les amours d'Henri IV. Opera. 

Musique de Mehul. M.273.3o;etc. 

La prisonniere. Opera. [Paroles de Jouy, de Longchamps 

et Saint-Just.] Musique de Cherubini et Boieldieu. 

M.28S.13 
Zoraime et Zulnar. Opera. [Musique] par Boieldieu. 

11.271.32 
St. Leger, H. J. 

Reminiscences of Balfe. London. Nimmo. [1870.] 

No. 4 in M.128.32 
Saint Louis. Opera. For the Music see Solart. For the 

Libretto see Boylesve. 
Saint-Luc, Jacques de. 
Straeten, E. van der. Jacques de Saint-Luc, luthiste athois 
du xviie siecle. Paris. 1887. Portrait. No. 2 in M.122.1 

15 



Saint Ludmila 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Saint-Saens 



Saint Ludmila. Oratorio. For the Music see Dvorak. For 

the Libretto see Frida. 
Saint-Marc, Jean Pau! Andre de Razins, Marquis de. 
La fete de Flore. Pastorale hero'ique. Par M. Trial. 

M.284.20 
St. Marcelin, Jean Victor. See Fontanes de Saint-Marcellin, 

Jean Victor. 
St. Martini, Battista. See Sammartini, Giovanni Battista. 
St. Mary Magdalen. Cantata. For the Music see Stainer. 

For the Libretto see Simpson, W. J. S. 
Saint-Megrin. Opera. For the Music see Hillemacher, P. J. 

W., and L. Hillemacher. For the Libretto see Dubreuil. 
St. Michael's chair. Glee. Claske-Whitfeld. 

No. 76 in M.157.6.2 
Saint Nicolas. Opera. For the Music and Libretto see 

Mortarieu. 
St. Patrick at Tara. Oratorio. For the Music see Glover, 

J. W. 
St. Paul. Oratorio. For the Music see Mendelssohn-Bar- 

tholdy, J. L. F. 
St. Paul Symphony Orchestra. 

Descriptive programmes. 1906-07. Programme notes ar- 
ranged by Arthur Prescott Lothrop. [St. Paul. 1907.] 

M.371.45 
St. Paul's Cathedral, London. 

BuMPUs, J. S. The organists and composers of S. Paul's 

Cathedral. London. 1891. M.216.3 

St. Peter. Oratorio. For the Music see Benedict; also Paine, 

J. K. 
Saint-Piat, Charles de. 

Un menage en porcelaine. Operette. Paroles de Ch. de S' 
Piat et Paul Renard. Musique de Leon Roques. 

No. S in M.300.3 
Le secret du sapeur. Saynete-bouffe. Paroles de Paul Re- 
nard et de Ch. de Saint-Piat. Musique de Leon Roques. 

No. 3 in M.307.38 

Trombolino. Operette. Paroles de Paul Renard & Ch. de 

St Piat. Musique de Herve [pseud.]. No. 6in M.301.10 

Saint-Pierrot. Pantomime. Fragerolle. No. 2 in M.384.3 

St. Polycarp. Oratorio. For the Music see Ouseley. The 

martyrdom of St. Polycarp. 
Saint Prest, Rene de. 

Fridolin. Opera comique. Paroles de Mariani, de S' Prest 
& Rene Gry. Musique de Adolphe Deslandres. 

No. 3 in M.2g5.8 

Pat-chou-ly. Operette. Paroles de A. de Bausset et Rene 

de St Prest. Musique de Ben-Tayoux. No. 2 in M.265.4 

La reponse du berger. Saynete bouffe. Paroles de Rene 

Gry et Rene de St Prest. Musique de A. de Villebichot. 

No. 5 in M.326.6 
Saint-Quentin, G. de, pseud. See Hutchison, William Marshall. 
Saint-Saens, Camille. See Saint-Saens, Charles Camille. 
Saint-Saens, Charles Camille. 

Africa. Fantaisie pour piano, avec accomp. d'orchestre. 
Op. 89. Partition. Paris. Durand. [189-?] 

No. I in M.343.36 

Allegro appassionato pour violoncelle avec accompagne- 

ment de piano. Op. 43. Partition d'orchestre. Paris. 

Durand. [1875.] No. 4 in M.405.S3 

L'ancetre. Drame lyrique en trois actes. Poeme de L. 

Auge de Lassus. Musique de C. Saint-Saens. Partition 

pour chant et piano reduite par I'auteur. Paris. Durand. 

1906. M.399.96 

[Andromaque.] Musique pour Andromaque, tragedie de 

Racine. Partition d'orchestre. Extraits. Paris. Durand. 

[189-?] M.406.27 

Antigone. Tragedie de Sophocle. Mise a la scene frangaise 

par Paul Meurice et Auguste Vacquerie. Musique de C. 

Saint-Saens. Partition chant et piano. Paris. Durand. 

[1893?] No. 3 in M.384.40 

Ascanio. Opera en 5 actes et 7 tableaux, d'apres le drame 

"Benvenuto Cellini" de Paul Meurice. Poeme de Louis 

Gallet. Musique de C. Saint-Saens. Partition chant et 

piano. Paris. Durand & Schoenewerk. [1890.] Plate. 

H.321.24 



Saint-Saens, Charles Camille. (Continued.) 
Ave Verum. Arranged by C. H. Morse. [Duet for soprano 

and alto.] Boston. Schmidt. 1877. No. 5 in M.155.48 
Ave Verum, pour 2 soprani et 2 contralti avec cor oblige. 

[Accomp. d'orgue.] Paris. Maeyens-Couvreur. [187-?] 

The full score and separate horn part. No. 32 in M. 201. 35 

Les barbares. Tragedie lyrique en 3 actes et un prologue. 
Poeme de Victorien Sardou et P. B. Gheusi. Musique de 
C. Saint-Saens. Partition pour chant et piano reduite 
par Georges Marty. Paris. Durand. 1901. Plates. 

M.381.37 

Same. Ouverture. Partition d'orchestre. Paris. Durand. 
[1901.] No. 2 in M.406.29 

Benediction nuptiale in F major. New York. Schirmer. 
1876. [Compositions for the organ.] No. 9 in M.414.31 

Calme des nuits. [Chceur a 4 voix, avec accomp. de piano, 
ad. lib.] Paris. Durand, Schoenewerk & cie. [188-?] 

No. 5 in M.321.25 

La coccinelle. [Chanson, T. Accomp. de piano.] Por- 
trait. Facsimile. (In Album du Gaulois. Vol. 2.) 

No. 18 in M.39I.28.2 

Coeli enarrant. Psaume XVIII. Soli, choeurs et orchestre. 
Partition, piano et chant. Paris. Durand, Schcenewerk 
& cie. [1873.] No. 2 in M.321.20 

Concerto, ler, pour piano, avec accomp. d'orchestre. Op. 
17. Partition. Paris. Durand, Schcenewerk & cie. 
[187-?] No. I in M.343.34 

Same. Piano principal avec reduction de I'orchestre pour 
un 2e piano. No. 3 in M.200.6 

Concerto, 2e, pour piano, avec accomp. d'orchestre. Parti- 
tion. Op. 22. Paris, Durand, Schoenewerk & cie. [187-?] 

No. 2 in M.343.34 

Concerto, 3e, pour piano, avec accomp. d'orchestre. Op. 29. 
Partition. Paris. Durand, Schoenewerk & cie. [187-?] 

No. I in M.343.35 

Concerto, 4e, pour piano, avec accomp. d'orchestre. Op. 44. 
Partition. Paris. Durand, Schoenewerk & cie. [187-?] 

No. 2 in M.343.35 

Concerto, se, pour piano et orchestre. Op. 103. Partition. 
Paris. Durand. 1896. M.405.52 

Concerto, 3e (en si mineur), pour violon, avec accomp. 
d'orchestre. Op. 61. Partition. Paris. Durand, Schoene- 
werk & cie. [187-?] No. 3 in M.343.37 

Concerto pour violoncelle [et orchestre]. Op. 33. Parti- 
tion. Paris. Durand, Schoenewerk & cie. [188-?] 

No. I in M.343.37 

Concerto, 2e, pour violoncelle et orchestre. (Op. 119.) 
Partition. Paris. Durand. 1903. No. 4 in M.406.64 

Concertstiick fiir Violine mit Begleitung des Orchesters. 
Op. 20. Partitur. Leipzig. Leuckart. [187-?] 

No. I in M.343.33 

Le cygne. [Extrait du "Carnaval des animaux". Orchestre 
par Paul Vidal.] Partition. Paris. Durand. [190-?] 

No. 8 in M.405.53 

Danse des pretresses de Dagon. See his Samson et Dalila. 

Danse macabre. Poeme symphonique. Op. 40. Partition. 
Paris. Durand, Schcenewerk & cie. [1876?] 

N0.3 in M.343.39 

Dejanire. Musique pour la tragedie de Louis Gallet. Parti- 
tion chant et piano. Paris. Durand. 1898. 

No. I in M. 193.10 

Le deluge. Die Siindfluth. Poeme biblique en 3 parties de 
Louis Gallet. Texte allemand de Mosenthal. Musique 
de Camille Saint-Saens. [Partition.] Paris. Durand, 
Schoenewerk & cie. [1876.] M.341.30 

Same. Partition piano et chant. Paris. Durand, Schcene- 
werk & cie. [1876.] No. I in M.321.20 

Same. The deluge. Biblical cantata. Vocal score. [Poem 
by Louis Gallet.] New York. Schirmer. [1889.] 

No. 2 in M.384.42 

Deux choeurs sur des poesies extraites de L'art d'etre grand- 
pere de Victor Hugo. Partition d'orchestre. Paris. 
Durand. [1878.] 2 v. in x. No. i in M.406.64 

Contents. — Chansom de grand-pere: choeur a 2 voix de femmes. 
Chanson d'ancetre pour baryton solo et choeur d'hommes. 



16 



Saint-Saens 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Saint-Saens 



Saint-Saens, Charles Camille. (Continued.) 
Same Partition chant et piano. Durand, Schoenewerk & 
cie. No. 3, 4 in M.321.2S 

filevation or communion, in E major. New York. Schirmer. 
1876. [Compositions for the organ.] No. 10 in M.414.31 
fitienne Marcel. Opera en 4 actes. Poeme de Louis 
Gallet. Musique de C. Saint-Saens. Partition chant et 
piano. Paris. Durand, Schoenewerk & cie. [1879.] 
Plates. M.321.23 

Same. Airs de ballet. Partition d'orchestre. Paris. Du- 
rand, Schoenewerk & cie. [1879?] No. 2 in M.342.31 
Fantaisie pour orgue. Paris. Richault. [188-?] 

No. 8 in M.414.31 

Le feu celeste. Cantate pour soprano solo, choeurs, or- 

chestre, orgue et un recitant. Poesie de Armand Sil- 

vestre. Musique de C. Saint-Saens. (Op. 115.) Partition 

chant et piano. Paris. Durand. 1900. No. 3 in M.406.7S 

Feuillet d'album. Op. 81. Transcription pour octuor d' 

instruments a vent par P. Taffanel. Paris. Durand & 

Schoenewerk. [1887?] No. 6 in M.405.S3 

La fiancee du timbalier. Ballade de Victor Hugo. Musique 

de C. Saint-Saens. Op. 82. Partition d'orchestre. Paris. 

Durand. [1888.] No. 2 in M.406.64 

Les fleurs et les arbres. [Choeur a voix, avec accomp. de 

piano, ad lib.] Paris. Durand, Schoenewerk & cie. 

[188-?] No. 2 in M.321.2S 

Fredegonde. Opera. Poeme de Louis Gallet. Musique 

de Ernest Guiraud et Camille Saint-Saens. M.303.8 

Gavotte en ut mineur pour piano. Op. 23. Partition d' 

orchestre. Paris. Durand & Schoenewerk. [1872.] 

No. I in M.405.53 

Les guerriers. [Choeur, t. t. b. b.] Op. 84. Paris. Durand 

& Schoenewerk. [1888?] No. 57 in M.392.21 

Harmonic et melodic. Paris. Levy. 1885. M.127.14 

Havanaise pour violon avec accompagnement d'orchestre. 

Op. 83. Partition. Paris. Durand & Schoenewerk. 1888. 

No. 7 in M.40S.53 
Helene. Poeme lyrique en un acte. Partition pour chant 
et piano. Paris. Durand 1904. Plate. M. 383.34 

Henry VIII. Opera en 4 actes. Poeme de Leonce 
Detroyat & Armand Silvestre. Musique de Camille 
Saint-Saens. Partition chant et piano. Paris. Durand, 
Schoenewerk & cie. [1883.] M.321.18 

Hymne a Victor Hugo. Op. 69. Partition d'orchestre [avec 
choeur ad libitum]. Paris. Durand, Schoenewerk & cie. 
[1885.] No. 3 in M.342.31 

Introduction et rondo capriccioso pour violon et orchestre. 
Op. 28. Partition. Paris. Durand, Schoenewerk & cie. 
[187-?] No. 2 in M.343.37 

Javotte. Ballet en i acte et 3 tableaux de J. L. Croze. 
Musique de C. Saint-Saens. Partition pour piano seul. 
Paris. Durand. 1896. No. 2 in M.193.10 

Same. Fantaisie pour orchestre sur Javotte. Partition. 
Paris. Durand. [190-?] M.406.28 

La jeunesse d'Hercule. Poeme symphonique. Op. 50. Par- 
tition. Paris. Durand, Schoenewerk & cie. [1877?] 

No. 4 in M.343.39 

La jota aragonese. Transcription [pour orchestre]. Op. 64. 

Partition. Paris. Durand, Schoenewerk & cie. [1880?] 

No. 2 in M.343.36 
Lola. Scene dramatique a deux personnages par Stephan 
Bordese. Musique de C. Saint-Saens. (Op. 116.) [Par- 
tition chant et piano.] Paris. Durand. 1901. 

No. I in M.383.35 
La lyre et la harpe. Ode. Poesie de Victor Hugo. English 
words of Sydney M. Samuel and James Donzel. Soli, 
choeur & orchestre. Musique de C. Saint-Saens. Parti- 
tion ch' et piano. Paris. Durand, Schoenewerk & cie. 
1879. No. I in M.155.49 

Marche heroique. Op. 34. Partition d'orchestre. Paris. 
Durand, Schoenewerk & cie. [187-?] No. 2 in M.343.38 
Les marins de Kermor. Chceur pour 4 voix d'hommes. Op. 
71, no. I. Paris. Durand, Schoenewerk & cie. [1882?] 

No. s8 in M.392.21 



Saint-Saens, Charles Camille. (Continued.) 

Melodies persanes. Poesies tirees des Nuits persanes d' 
Armand Renaud. Musique de C. Saint-Saens. [Accomp. 
de piano.] Paris. Durand, Schoenewerk & cie. [187-?] 

No. 4 in M.1SS.48 

Messe a quatre voix, soli et choeurs. Avec accomp. d' 
orchestre, grand orgue et orgue d'accomp. oblige. Re- 
duction pour grand orgue et orgue d'accomp. ou pour 
orgue seul (ad lib.), par Leon Roques. Paris. Durand 
& Schoenewerk. 1889. No. 2 in M.i55.4g 

Messe de requiem. Soli, choeurs et orchestre. Partition, 
chant et piano par Messager. Paris. Durand, Schoene- 
werk & cie. [187-?] No. I in M.155.48 

Morceau de concert pour violon avec accompagnement d' 
orchestre. Op. 62. Partition. Paris. Durand. [1880.] 

No. 5 in M.405.53 

Musique d'eglise. [Accomp. d'orgue.] Paris. Maeyens- 
Couvreur. [187-?] No. 28-30 in M.201.3S 

Contents. — Ave Verum [s. A. T. B.]. — Veni, Creator [t. t, b. b.]. — 
O Salutaris [en si bemol, s. a. bar.]. 

Les noces de Promethee. Cantate pour solos, choeurs et 
orchestre. Paroles de M. Romain-Cornut fils. Musique 
de C. Saint-Saens. Part°n chant et piano. Paris. Maho. 
[1867?] No. 3 in M.1SS.48 

La nuit. Soprano solo, choeur de femmes et orchestre. 
Poesie de Georges Audigier. Musique de C. Saint-Saens. 
(Op. 114.) Partition pour chant et piano (avec flijte 
solo). Paris. Durand. 1900. No. 4 in M.384.40 

Une nuit a Lisbonne. Barcarolle. Op. 63. Partition d' 
orchestre. Paris. Durand, Schoenewerk & cie. [188-?] 

No. 3 in M.343.36 

O Salutaris [en la bemol] pour s. a. bar. [Accomp. d'orgue.] 
Paris. Maeyens-Couvreur. [187-?] No. 31 in M.201.35 

Oratorio de Noel. Partition chant & piano. Paris. Durand, 
Schoenewerk & cie. [187-?] No. 3 in M.321.20 

Parysatis. Drame de Jane Dieulafoy. Musique de C. Saint- 
Saens. Partition pour chant et piano reduite par I'auteur. 
Paris. Durand. 1902. M.381.38 

Same. Airs de ballet de Parysatis. Partition d'orchestre. 
Paris. Durand. [1902.] No. i in M.406.29 

Phaeton. Poeme symphonique. Op. 39. Partition. Paris. 
Durand, Schoenewerk & cie. [1873?] No. 2 in M.343.39 

Phryne. Opera-comique en 2 actes. Poeme de L. Auge de 
Lassus. Musique de C. Saint-Saens. Partition chant et 
piano. Paris. Durand. 1893. Plate. No. i in M.321.2S 

La princesse jaune. Opera-comique en i acte de Louis 
Gallet. Musique de Camille Saint-Saens. Partition pour 
chant et piano. Paris. Hartmann. [1872.] 

No. 2 in M.321.19 

Same. Ouverture. Op. 30. Partition. Paris. Durand, 
Schoenewerk & cie. [1872?] No. I in M.343.38 

[Printemps qui commence. Aria de Dalila de I'opera 
Samson et Dalila. Partition. Paris. Durand & Schoene- 
werk. 1877.] No. 3 in M.406.64 

Proserpine. (D'apres Auguste Vacquerie.) Drame lyrique 
en 4 actes de Louis Gallet. Musique de C. Saint-Saens. 
Partition chant et piano. Paris. Durand & Schoenewerk. 
[1887.] M.321.22 

Quatuor pour 2 violons, alto et violoncelle. (Op. 112.) 
Partition. Paris. Durand. 1899. No. i in M.405.54 

Quatuor en si bemol pour piano, violon, alto et violoncelle. 
Op. 41. [Partition.] Paris. Durand & Schoenewerk. 
[187-?] No. S in M.211.5.2 

Same. [Parties.] 3 v. No. 14 in M.211.6.1, 3, 4 

Quintette pour piano, deux violons, alto et violoncelle. Op. 
14. [Partition.] Paris. Maho. [186-?] No. 4in M.211.S.2 

Same. [Parties.] 4 v. No. 13 in M.211.6.1-4 

Rapsodie bretonne, pour orchestre. Partition. Paris. 
Durand. [189-?] No. 4 in M.343.36 

Rhapsodic d'Auvergne pour piano. Op. 73. Partition d' 
orchestre. Paris. Durand & Schoenewerk. [188-?] 

No. 2 in M.405.54 

Romance pour cor (ou violoncelle) avec accompagnement 
d'orchestre. Op. 36. Partition. Paris. Durand. [1874.] 

No. 2 in M.405.S3 



III 3 



17 



Saint-Saens 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sainte-Croix 



Saint-Saens, Charles Camille. (Continued.) 

Romance pour flute (ou violon) avec accompagnement d' 
orchestre. Op. 37. Partition d'orchestre. Paris. Durand. 
[1874.] No. 3 in M.40S.53 

Le rouet d'Omphale. Poeme symphonique. Op. 31. Par- 
tition. Paris. Durand, Schoenewerk & cie. [1872?] 

No. I in M.343.39 

Saltarelle. Choeur [t. t. b. b.]. Op. 74 Paris. Durand, 
Schcenewerk & cie. [1885.] No. 59 in M.392.21 

Samson et Dalila. Opera en 3 actes de Ferdinand Lemaire, 
avec traduction allemande par Richard Pohl. Musique 
de Camille Saint-Saens. [Partition.] Paris. Durand & 
Schoenewerk. [1877.] M.226.15 

Same. Partition chant et piano. No. i in 11.321.19 

Same. Danse des pretresses de Dagon, de Samson & Dalila. 
Partition d'orchestre. Paris. Durand, Schoenewerk & cie. 
[187-.] No. I in M.404.12 

Sarabande et Rigaudon. Op. 93. Rigaudon. Partition d' 
orchestre. Paris. Durand. [189-?] No. 3 in M.405.54 

Scene d'Horace de Corneille. Mise en musique par C. Saint- 
Saens. [Partition, chant et piano.] Paris. Durand & 
cie. [187-?] No. 2 in M.IS5.48 

Same. [190-?] Plate. M.389.S7 

Septuor pour trompette, 2 violons, alto, violoncelle, contra- 
basse et piano. Op. 65. En septuor. Paris. Durand, 
Schoenewerk & cie. [1884?] No. 4 in M.342.31 

Serenade d'hiver. Choeur a 4 voix d'homme. Paris. Pegiel. 
[1863.] No. 3 in M.1SS.41 

Same. Durand, Schcenewerk & cie. [187-?] 

No. I in M.392.23 

Les soldats de Gedeon. [Double] choeur pour voix d' 
hommes. Op. 46. Paris. Durand, Schoenewerk & cie. 
[ 1878 ?] No. 8 in M.392.34 

Same. The soldiers of Gideon. [Double chorus, x. t. b. b.] 
Op. 46. [Boston.] Apollo Club. 1885. 

No. 12, 13 in M.203.20 

Sonate pour piano et violon. Op. 75. [Partition et partie 
de violon.] Paris. Durand. [189-?] M.434.47 

Sonate pour piano & violoncelle. Op. 32. [Partition.] 
Paris. Durand, Schoenewerk & cie. [187-?] 

No. 9 in M.210.13 

Same. [Partie de violoncelle.] No. 10 in M. 210.14 

Sonate, 2^, pour violoncelle et piano. (Op. 123.) [Parti- 
tion et partie de violoncelle.] Paris. Durand. 1905. 

M.411.10 

Suite algerienne. Impressions pittoresques d'un voyage en 
Algerie. Op. 60. [Partition d'orchestre.] Paris. Durand, 
Schoenewerk & cie. [1880.] M. 331.30 

Suite fiir Violoncello und Pianoforte. Op. 16. [Partitur 
und Stimme.] Paris. Leuckart. [187-?] No. 2 in M.404.52 

Suite pour orchestre. Op. 49. Partition. Paris. Durand, 
Schoenewerk & cie. [187-?] No. 3 in M.343.38 

Symphonic, i^e, a grand orchestre. En partition. [Op. 2.] 
Paris. Richault & cie. [185-?] No. i in M. 344.14 

Symphonic, 2^, en la mineur. Op. 55. Partition. Paris. 
Durand, Schcenewerk & cie. [187-?] No. 4 in M.343.38 

Symphonic, 3^, en ut mineur. Op. 78. Partition d'orchestre. 
Paris. Durand & Schoenewerk. [1887.] M.341.29 

Tarentelle pour flijte et clarinette, avec accomp. d'orchestre. 
Op. 6. En partition. Paris. Richault & cie. [185-?] 

No. 2 in M.344.14 

Le timbre d'argent. Drame lyrique en 4 actes de J. Barbier 
et M. Carre. Musique de Camille Saint-Saens. Partition 
chant & piano. Paris. Choudens. [1877.] M.321.21 

Les Titans. Choeur [t. t. b. b.]. Op. 71, no. 2. Paris. 
Durand, Schoenewerk & cie. [1882?] No. 60 in M.392.21 

Trio pour piano, violon et violoncelle. Op. 18. [Partition.] 
Paris. Maho. [1879?] No. i in M.211.3.5 

Same. [Parties, violon et violoncelle.] 2 v. 

No. 17 in M.211.4.3, 4 

Trio, 2e (en mi mineur), pour piano, violon et violoncelle. 
Op. 92. [Partition et parties.] Paris. Durand. 1892. 

M.404.65 



Saint-Saens, Charles Camille. (Continued.) 

Trio, piano, violon et violoncelle, d'apres le Septuor, Op. 65. 
[Partition.] Paris. Durand, Schcenewerk & cie. [1885?] 

No. 2 in M. 21 1.3.5 
Same. [Parties, violon et violoncelle.] 2 v. 

No. 18 in M.211.4.3, 4 
Valse [dans I'opera fitienne Marcel]. Partition d'orchestre. 
Paris. Durand, Schoenewerk & cie. [1879?] 

No. I in M.342.31 
Saint-Saens, Charles Camille, editor. 

Gluck. £cho et Narcisse. M.402a.i3 

NiEDERMEYER. Vie d'un compositeur moderne [Louis 

Niedermeyer]. M.215.14 

Rameau, J. P. In convertendo. Motet. No. i in M.384.40 

Oeuvres completes. Tome 8, 9. M.402a.2S 

Quam dilecta. Motet. No. 2 in M.384.40 

Schumann, R. A. Chant du soir (Abendlied). 

No. 3 in M.342.36 
Saint-Saens, Charles Camille. Works about. 

Bellaigue, C. M. Camille Saint-Saens de I'lnstitut. Paris. 
1889. No. 3 in M. 102.38 

C. Saint-Saens et son cinquantenaire artistique. Paris. 
Durand. [1896.] 2 portraits. No. S in M. 373.23 

HippEAU. Henry vm et I'opera frangais. fitude sur 
Camille Saint-Saens et sur un essai de style nouveau 
dans le drame lyrique. Paris. 1883. No. 3 in M.132.17 
Malherbe, C. Notice sur Ascanio, opera de Camille Saint- 
Saens. Paris. 1890. No. 4 in M.116.6 
PocHHAMMER, A. Camille Saint-Saens, Die Siindflut (Le 
deluge). Op. 45. Erlautert. Frankfurt a. M. [1895.] 

No. 49 in M.217.12.2 
Programme analytique de [sa] 3™^ symphonic en ut mineur. 
[Paris. 1887?] No S in M.116.6; No. 3 in M.123.29 

Sakolowski, R. P. Camille Saint-Saens, Le rouet d'Om- 
phale. (Das Spinnrad der Omphale. Op. 31.) Erlautert. 
Leipzig. [1901.] No. 22 in M.217.12.7 

Saint Sylvestre, La. Opera. For the Music see Bazin. For 

the Libretto see Duveyrier. 
Saint Ursula. Cantata. For the Music see Cowen. For the 

Libretto see Francillon. 
Saint-Valentin, La. Opera. For the Music see Toulmouche. 

For the Libretto see Ordonneau. 
Saint Victor, Jacques Maximilien Benjamin Bins de. 

L'habit du Chevalier de Grammont. Opera. Mis en 
musique par Eler. M.262.24 

Hero et Leandre. Cantate. Musique de G. Bouteiller. 

No. I in M.281.8 
Uthal. Opera, imite d'Ossian. Musique de Mehul. M.273.22 

Saint- Yves, , pseud. See Deadde, fidouard. 

Saint Yvon, La. Opera. For the Music see Claments. For 

the Libretto see Lemonier. 
Sainte Agnes. Cantata. For the Music see Grandval. For 

the Libretto see Gallet. 
Sainte alliance, La, des peuples. Song. Rouget de Lisle. 48 
chants frangais. M.202.44 

Sainte Catherine, La. Opera. For the Music see Barbier, F. 

£. For the Libretto see Lacombe. 
Smnte CecUe. Cantata. For the Music see Caspar, C. 
Sainte chapelle, La. For organ. LEFiBURE-WiLY. M.384.34 
Sainte-Croix, Camille de. 

La Burgonde. Opera de fimile Bergerat & Camille Sainte- 
Croix. Musique de Paul Vidal. M.394.61 
Sainte-Croix, Caroline de. 

La chanson du printemps. Opera-comique en i acte. 
Paroles de F. Bouquet. Musique de Mme de Sainte- 
Croix. [Partition chant et piano.] Paris. Bathlot. [1875.] 

No. I in M.321.17 
Madame de Rabucor. Operette en i acte. Paroles de 
Adolphe Jaime. Musique de Mme de Sainte-Croix. 
[Partition chant et piano.] Paris. Bathlot. [1874.] 

No. 2 in M.321.17 

Pygmalion. Operette bouffe en i acte. Paroles de E. 

Hugot. Musique de C. de Sainte-Croix. Partition piano 

& chant. Paris. Bathlot. [1875.] No. i in M.324.7 



18 



Sainte-Croix 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Salieri 



Sainte-Croix, Caroline de. (Continued.) 

Les rendez-vous galants. Opera-comique en i acte. Paroles 
de Fernand Langle. Musique de Mme de Sainte-Croix. 
Partition piano et chant. Paris. Bathlot. [1873.] 

No. 3 in M.321.17 
Sainte Freya. Opera. For the Music see Audran. For the 

Libretto see Boucheron. 
Sainte Genevieve de Paris. Opera. For the Music see Blanc, 

C- 
Sainte Germaine. Oratorio. For the Music see Comire. 

Sainte Godelive. Opera. For the Music see Tinel, Edgar. 

Godelieve. For the Libretto see Ram. 
Sainte ivresse. Song. Gounod. Vingt melodies. 4e recueil. 

No. 10 in M.157.36.4 
Sainte-Marie, fitienne, translator. 

Roger, J. L. Traite des effets de la musique sur le corps 

humain. Paris. An XI (1803). M.216.15 

Sainte Trinite, La. Mass. Curto. No. 3 in M.191.4 

Saintes femmes, Les, au tombeau du Christ. Oratorio. For 

the Music see Concone. For the Libretto see Vilain 

XIIIL 

Saintine, Joseph Xavier Boniface. 

Le Due d'Olonne. Opera comique. Paroles de Scribe et 

Saintine. Musique de D. F. E. Auber. M.223.8;etc. 

L'ours et le pacha. Opera comique. Paroles de Scribe et 

Saintine. Musique de Frangois Bazin. No. 2 in M. 399.1 

[Le proscrit, ou le tribunal invisible. Drame lyrique. 

Paroles de Carmouche et X. Saintine. Musique d' 

Adolphe Adam.] M.251.9 

Le timide. Opera comique. Paroles de MM. Scribe & 

Xavier [pseud.]. Musique de D. F. E. Auber. M. 251.26 

Voyage autour de ma chambre. Opera comique. Paroles 

de Xavier [pseud.], Duvert et Lauzanne. Musique de 

Albert Grisar. No. 2 in M.266.36 

Sainton-Dolby, Charlotte Helen. 

Florimel. A cantata for female voices. The poetry by J. 
A. Blaikie. The music by Charlotte Sainton-Dolby. Lon- 
don. Novello, Ewer & Co. [1885.] No. 2 in M.155.33 
The legend of St. Dorothea. A cantata. Words by J. C. 
H. Set to music by Charlotte H. Sainton-Dolby. Lon- 
don. Enoch. [1876.] No. 3 in M.I 54.43 
Saints and angels. Funeral anthem. Wolf, E. W. 

No. 10 in M.290.29.1 
Sals, Le. Opera. For the Music and Libretto see Olagnier, M. 
Sais-tu pourquoi, ma douce reine? Song. Blumenthal. 

No. 24 in M.244.1 

Saison musicale. La. Par une reunion d'ecrivains speciaux. 

1866. 2e edition. Paris. Faure. 1867. M. 108.37 

Saisons, Les. Ballet music. Glazunov. M.406.48 

Saisons, Les. Opera. For the Music see Lully; also Masse. 

For the Libretto see Pic; also Barbier, P. J. 
Saknaden. Song. Kjerulf. Sanger och Visor. Band 2. 

M.I 58.47 
Sakolowski, Paul. See Sakolowski, Richard Paul. 

Sakolowski, Richard Paul. 
Albert Becker, Selig aus Gnade. Oratorium. Eriautert. 

Leipzig. Seemann. [1902.] No. 6 in M.217.12.9 

Camille Saint-Saens, Le rouet d'Omphale. (Das Spinnrad 

der Omphale. Op. 31.) Eriautert. Leipzig. Seemann. 

[ipoi.] No. 22 in M. 217.12.7 

Franz Liszt, Der xiii. Psalm fiir Tenor-solo, Chor und 

Orchester. Eriautert. Leipzig. Seemann. [1901.] 

No. 3 in M.217.12.9 
Franz Liszt, Zwei Episoden aus Lenau's Faust. Eriautert. 

Leipzig. Seemann. [1901.] No. 4 in M.217.12.9 

Siegfried Wagner, Ouverture zur Oper „Herzog Wildfang." 

Nach Angaben des Komponisten eriautert. Leipzig. 

Seemann. [1901.] No. 21 in M.217.12.10 

These volumes form Nos. 208, 209, 174. 204, 205, 206, and 246 re- 
spectively of Der Musikfuhrer. 

Sakuntala. Opera. For the Music see Scharwenka, L. P.; 

also Weingartner. For the Libretto see Wittkowsky; 

also Weingartner. 
Sakuntala. Overture. Goldmark. No. i in M.346.19 



Sala, George Augustus Henry. 
The t-wo prima donnas, and The dumb door porter. Lon- 
don. Tinsley. 1862. M.108.13 
Sala, Nicola. 

Qui tollis [s. solo. Accomp. for pianoforte]. (In Latrobe. 
Selection of sacred music. Vol. 4, pp. 7-10.) 

No. 2 in M.290.29.4 
Salaam, The. Song. Mendelssohn-Bartholdy, J. L. F. Songs. 

No. 39 in M.244.21 
Salamander. Song. Brahms. Fiinf Lieder. Op. 107. 

No. 5 in M.380.40.3 
Salamis. Cantata. For the Music see Bruch. For the Li- 
bretto see Lingg. 
Salamis. Part-song. Gernsheim. No. 3 in M.130.7; etc. 

Salammbo. Opera. For the Music see Reyer. For the 
Libretto see Du Commun Du Locle. 

Salatino, . 

Sancia di Castiglia. Tragedia lirica. Posta in musica da 

Gaetano Donizetti. M.231.18 

Salbung David's, Die. Oratorio. For the Music see Deprosse. 

For the Libretto see Keinast. 
Sale, John Bernard. 
The butterfly. Duet [t. b. Accomp. for pianoforte]. Lon- 
don. Lavenu. [182-?] No. 23 in M.235.14 
Salelles, Georges, Comte de. 

Rebecca. Scene biblique pour orchestre, soli et choeurs. 
Poeme et musique de G. de Salelles. Partition chant et 
piano. Paris. Durdilly & cie. [189-?] No. 3 in M.213.4 
Salentin von Isenburg. Part-song. Rheinberger, J. G. 

No. 14 in M.392.22 
Salice, II, e la tomba. Duet. Gordigiani. fichos de la Toscane. 
Vol. I. No. 38 in M.244.13.1 

Salieri, Antonio. 

Angiolina, ossia il matrimonio per susurro. Opera buffa. 

Op. 136. [Riduzione per canto e pianoforte.] Vienna. 

[1800?] M.150.38 

Armida. Eine tragische Oper von Carlo Coltellini und A. 

Salieri. [Klavierauszug] von C. F. Cramer. Leipzig. 

Breitkopf. 1783. M.150.41 

Axur Koenig von Ormus. Eine Oper, nach Schmieder's 

teutscher Bearbeitung und nach Salieri's Musick fiirs 

Clavier eingerichtet von C. G. Neefe. Bonn. Simrock. 

[179-?] M.150.40 

Les Danaides. Tragedie lyrique en 5 actes. Paroles de Du 

Bailly du Rollet & du Baron de Tchudy. [Musique par] 

Salieri. Reconstituee et reduite pour piano et chant par 

Gustave Lefevre. Paris. Michaelis. [1880. Chefs-d' 

oeuvre de I'opera fran?ais.] M. 321. 26 

[La fiera di Venezia. Opera di Boccherini. Musica di 

Salieri. Partitura.] Manuscript. [Vienna? I77-?] 3 v. 

M.340.9 
[Fragrant chaplets.] The favourite song of Fragrant chap- 
lets, [s. with pianoforte accomp.] The words by J. 
O'Keefe. [London.] Longman & Broderip. [179-?] 

No. 36 in M.384.48 
[La grotta di Trifonio. Opera. Parole di G. B. Casti. 
Musica di Salieri. Partitura.] No title-page. [1785?] 

M.400.46 
Jouissez du destin propice. Recit et air [b. Accomp. de 
piano]. (In Bibliotheque musicale. Serie 2, tome 2, pp. 
26-32.) No. 6 in M.193.21.2 

Das Kaestchen mit der Chiffer. (La cifra.) Komische 
Oper in zwei Aufziigen. Vollstiindiger Clavier Auszug. 
Manuscript. [Vienna. 1789?] 2 v. M.150.39 

Make a joyful noise Full anthem. [Accomp. for organ.] 
(In Turk and Taylor. The People's music book. Vol. 2, 
pp. 39-43) No. i4inM.iii.4.2 

Palmira. [Oper.] Musik von Anton Salieri. Clavier Aus- 
zug von Carl Zulehner. Mainz. Schott. [i79-?] M.150.37 
Silenzio facciasi. [Mannerchor.] (In Orpheus. Band i, 
p 22.) No. 19 in M.i2ga.43.i 

Tarare. Tragedie lyrique en 5 actes et un prologue. Paroles 
de Beaumarchais. Reconstituee et reduite pour piano 
et chant par Gustave Lefevre. Paris. Michaelis. [188-? 
Chefs-d'oeuvre de I'opera frangais.] M.321.27 

19 



Salieri 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Salve 



Salieri, Antonio. Works about. 

JuLLiEN, J. L. A. La cour et I'opera sous Louis xvi, Marie 

Antoinette et Sacchini, Salieri, Favart et Gluck. Paris. 

1878. M.127.39 

Neumann, W. Anton Salieri. Eine Biographie. Cassel. 

1855. Portrait. No. 6 in M.20S.22 

Sallet, Friedrich von. 

Der Rhein und die Reben. [Fiir Mannerchor mit Orchester- 
begleitung komponiert von Wilhelm Sturm.] 

No. 10 in M.212.17 
Sally Brown. Cantata. For the Music see Fox, G. For the 

Libretto see Hood, T. 
Sally in our alley. Song. 

Beethoven. Werke. Serie 24. M.413.1.24 

Carey, H. No. 5 in M.235.18.2 

Sally, or the boatswain's mate. Opera. For the Music see 

Williams, J. For the Libretto see Righton. 
Salm-Reifferscheid-Dyck, Constance Marie, Princesse. 

Sapho. Tragedie par la Citoyenne Pipelet [Princesse Salm- 
Reifferscheid-Dyck]. Mise en musique par le Citoyen 
Martini. M.273.13 

Saloia, A. Song. Frondoni. No. 6 in M.391.57 

Saloman, Siegfried. 

Das Diamantkreuz. Komische Oper in 3 Aufzugen von Th. 
Overskou [in's Deutsch iibersetzt]. Musik von Siegfried 
Saloman. [Klavierauszug.] Hamburg. Schuberth & Co. 
[185-?] Portrait. M.274.13 

Die Rose der Karpathen. Grosse Oper in s Acten. [Text 
von Miiller von Konigswinter.] Musik von Siegfried 
Saloman. VoUstandiger Clavier-Auszug. Berlin. Bote 
& Bock. [1868.] 2 V. M. 321.30 

Salome. Opera. For the Music see Strauss, R. For the 
Libretto see Wilde. 

Vier Gesange. Op. 69, Heft 2. 

No. 5 in M.380.40.2 
Hadley. M.411.4 



Salome. Song. Brahms. 



[Accomp. d'orgue.] Paris. Girod. 

No. 5 in M.260.10.2 

a 4 voix d'hommes. (/« Soirees 

No. 17 in M. 157.8 

M.394.16 

[Partition.] Paris. 
M.I 20.4 



Salome. Symphonic poem. 
Salome, Theodore Cesar. 
Ave Maria, pour s. ou t. 

[185-?] 
Nuit en mer. Choeur 
orpheoniques. Pp. 120-125.) 
Salome, Theodore Cesar, editor. 
Lesueur. Ossian, ou les bardes. 

Salomon, . 

Medee et Jason. Tragedie en musique. 
Ribou. [1713.] 
Salomon, Hector. 

L'aumonier du regiment. Opera-comique en i acte. Poeme 

de H. de St. Georges & Ad. de Leuven [pseud.] Musique 

de Hector Salomon. [Partition chant et piano.] Paris. 

Michaelis. [1877.] No. I in M.321.29 

Bianca Capello. Opera en 5 actes. Poeme de Jules Barbier. 

[Musique de] H. Salomon. Partition chant et piano. 

Paris. Leduc. 1886. M.321.28 

Les dragees de Suzette. Opera comique en i acte. Paroles 

de J'es Barbier & Jles Delahaye. Musique de Hector 

Salomon. Partition chant et piano. Paris. Choudens. 

[1866.] No. 2 in M.321.29 

Salomon, Hector, editor. 

Destouches. Isse. 

Omphale. 

Salomon, Johann Peter 

Say not that minutes quickly move. Canzonet 

Accomp. for pianoforte]. (In Musical library. 

pp. 84, 85.) No. 34 in M.235.18.2 

Salons, Les, de Vienne et de Berlin. History. Blaze, A. H. 

M.128.27 
Salpetre republicain, Le. Song. Cherubini. M.380.14 

Saltarelle. For orchestra. Vieuxtemps. No. 3 in M.343.40 

Saltarelle. Part-song. Saint-Saens. No. 59 in M.392.21 

Saltarelle. Song. David, F. C. 50 melodies. M.363.28 

Salter, Sumner. 

Heavenly Father, grant Thy blessing. Invocation [s. s. a. a. 
Boston]. Russell. 1885. No. 41 in M.158.19 



M.295.36 
M.295.37 

[s. or t. 
Vol. 2, 



Salter, Sumner, editor. 

Pianist, The, and organist. A monthly musical magazine. 

Vol. 1-3. 1895-97. M.171,4 

Saltimbanco, II. Opera. For the Music see Pacini, G. For 

the Libretto see Checchetelli. 
Saltimbanques, Les. Opera. For the Music see Ganne. For 

the Libretto see Ordonneau. 
Salut a Cesar. Part-song. Bazin, F. E. J. No. 8 in M.1S7.8 

Salut du matin. Song. Schubert, F. P. Melodies. Vol. 2. 

M.327.4.2 
Salut, fidele amie. Song. Schubert, F. P. Melodies. Vol. 8. 

M.327.4.8 
Salut pour le Jour de I'Ascension. Anthems. Lambillotte. 

No. I in M.201,34 

Salut solennel. Anthems. Fauconier. No. 4 in M.201.32 

Vervoitte. M.202.45 

Salutation angelique. Anthem. Bardin. No. 5 in M.380.3 

L'fipiNE. Scenes et chansons. M.158.42; etc. 

Salutation angelique. Song. 

Gounod. Vingt melodies. 4e recueil. No. 14 in M.157.36.4 
Saluti, I. Song. Gordigiani. fichos de la Toscane. Vol. 2. 

No. 18 in M.244.13.2 
Saluts pour le Mois de Marie. Anthems. Lambillotte. 

No. 2 in M.201.34 
Salvati, Tigrino. 

Talmatha. Drama saecula per musica. [Accomp. di piano.] 

London. Goodwin & Tabb. [188-?] M.321.34 

Salvation belongeth unto the Lord. Anthem. Webbe, S. 12 

anthems. No. 2 in M.234.7 

Salvation to our God. Hymn. Vittoria. No. 42 in M.157.3 

Salvator mundi. Anthem. Hayes, P. No. 4 in M.220.5.1 

Palestrina. Werke. Band 5. M.8o4oa.66.5 

Salvator mundi. Part-song. Hayes, P. No. 4 in M.22o.5.i 

Salvator Rosa. Opera For the Music see Rastrelli; also 

Grange; also Ghislanzoni. For the Libretto see Bur- 

meister, J. P. T.; also Duprato; also Gomes. 

Salvatore, Domenico. 

In Monte Oliveti. Responsorio. (In Latrobe. Selection 
of sacred music. Vol. 3, p. 176.) No. 31 in M.290.29.3 

Recessit Pastor noster. Responsorio. [Accomp. for piano- 
forte.] (In Latrobe. Selection of sacred music. Vol. 3, 
p. 128.) No. 23 in M.290.29.3 

Tenebrae. [Chorus. Accomp. for pianoforte.] (In Latrobe. 
Selection of sacred music. Vol. 2, pp. 184-186.) 

No. 40 in M.290.29.2 
Salvatorello. Opera. For the Music and Libretto see 

Soffredini. 
Salvatorem exspectamus. Anthem. Palestrina. Werke. Band 31. 

M.8o4oa.66.3X 
Salvayre, Gervais Bernard. 

Air de danse varie pour instruments a cordes. Partition. 
Paris. Choudens. [186-?] No. 2 in M.343.33 

Le bravo. Opera en 4 actes. Paroles de M. E. Blavet. 
Musique de G. Salvayre. Partition, piano et chant. 
Paris. Lemoine. [1877.] M.323.1 

La Dame de Monsoreau. Grand opera en 5 actes et 7 
tableaux, tire par A. Maquet du drame d' Alexandre 
Dumas et A. Maquet. Musique de G. Salvayre. Parti- 
tion piano et chant. Paris. Choudens. [1888.] M.321.31 
Egmont. Drame lyrique en 4 actes. Paroles de Albert 
Wolff et Albert Millaud. Musique de G. Salvayre. Par- 
tition piano et chant. Paris. Grus. [1887.] M.321.32 
Richard iii. Grand opera en 4 actes de E. Blavet. Musique 
de G. Salvayre. Partition chant et piano. Paris. 
Choudens. [1883.] M.321.33 
Stabat Mater, pour soli, chceurs et orchestre. Partition 
chant et piano. Paris. Choudens. [1876?] No. 3 in M.156.33 
Suite espagnole pour orchestre. Partition d'orchestre. 
[Paris. Choudens. 189-?] No. i in M.407.36 
Trio en sol mineur pour piano, violon et violoncelle. [Par- 
tition.] Paris. Choudens [187-?] No. 3 in M.211.3.5 
Same. [Parties, violon et violoncelle.] 2 v. 

No. 19 in M.211.4.3,4 
"Salve Eternum." Cantata. For the Music see Pierson. 
For the Libretto see Bulwer-Lytton. 



20 



1 



Salve 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Samson 



Salve festa dies. Motet. Lassus. Sammtliche Werke. Band 
II. M.8o4oa.67.ii 

Salve, Libertas. Part-song. Sturm. No. 4 in M.203.23 

Salve Maria. Anthem. Mercadante. No. 3 in M.260.10.2 

Nava. No. 14 in M.201.35 

Salve Redemptor. Anthem. Alberti. No. 25 in M.290.29.5 

Danzi. No. 30 in M.2go.2g.4 

Hasse, J. A. P. No.4inM.222.47;etc. 

Haydn, F. J. No. 26 in M.290.29.5 

Salve Regina. Anthem. Anzoletti. No. 8 in M.260.10.3 

Baini, L. No. id in M.201.33.1 

Bernabei, G. E. No. 46 in M.158.33.4; etc. 

Brambach. No. i in M. 194.6 

Caldara. No. 14 in M.202.6.2 

Damcke, B. No. 17 in M.414.30 

Danzi. M.156.52; etc. 

Diabelli. No. 23 in M.260.18 

Eckers. No. I in M.392.8 

Ellerton. No. 3 in M.260.21 

Gernsheim. No. 4 in M.391.39 

GiRAc. No. 26 in M. 260.10.2 

Gordigiani. Melodies sacrees. No. s in M.270.42 

Hamma, B. No. II in M.158.32 

Handel. Werke. Lieferung 38. M.313.1.38 

Hauptmann, M. No. 3 in M.260.10.1 

Haydn, F. J. No. i in M.270.47; etc. 

Janssen, N. a. No. 33 in M.260.19 

Jaspar. No. 7 in M.201.32 

Labat. 26 grands motets. M.213.23 

Lassus. No. 8 in m. 202.6.1 ; etc. 

LicKL, C. G. No. 3 in M.260.10.4 

LoTTi. No. 48 in M.158.33.4 

Lyon. No. 6 in M. 260.10.7 

Mandanici. No. 2 in M.201.3S 

Mariani, A. No. 4inM.270.17 

Neukomm, S. von. Recueil de 40 motets. No. i in M. 158.37 
Novello, V. Collection of sacred music. No. 10 in M.270.3.1 
Palestrina. Werke. Band 6, 7, 31. M.8o4oa.6,7,3i 

Pecket. No. 5 in M.260.10.7 

Pergolesi. No. Sin M. 222.48; etc. 

Perretti. No. 20 in M.260.10.1 

Reissiger. No. 3 in M.222.40 

RocHLiTz. No. 102 in M.213.9 

Schubert, F. P. No. 34 in M.201.35; etc. 

Short. No. 7 in M.201.36 

Soriano. No. 47 in M.158.33.4 

VoGLER, G. J. No. 18 in M. 260.10.6; etc. 

Webbe, S. No. 71 in M.156.50; etc. 

Wesley, S. M.260.23.2 

WiLLCOX. No. 2 in M.260.10.2 

Witt, F. No. 3 in M.222.41 

Salve Regina. Mass. Palestrina. Werke. Band 24. 

M.8o4oa.66.24 
Salve Sancta parens. Motet. Glover, J. W. Second mass. 

No. 2 in M.191.8 
Salvete flores martyrum. Hymn. Palestrina. Werke. Band 8. 

M.8o4oa.66.8 

Salvi, Matteo. 

Caterina Howard. Melodramma tragico in 4 atti di G. 
Giachetti. Posto in musica da M. Salvi. [Accomp. di 
pianoforte.] Milano. Lucca. [184-?] M.150.42 

Salvini, G. R. 

Cancioneiro musical portuguez. 40 melodias con acomp. de 
piano. Lisboa. Corazzi. 1884. M.206.1S 

Salvos fac. Motet. Wuellner. 3 Motetten. No. 25 in M. 158.21 
Salvos fac nos. Anthem. Haydn, J. M. No. 30 in M. 202.6.3 
Salvos fac servos. Anthem. Novello. No. 52 in M. 260.24.1 

Salvum fac populum. Anthem. Schicht. No. 4 in M. 260.24.2 
Salvum fac regem. Anthem. Loewe, J. C. G. No. 9 in M.260.2 
Salvum me fac. Anthem. Palestrina. Werke. Band 31. 

M.8o4oa.66.3i 

Salvum me fac. Mass. Palestrina. Werke. Band 11. 

M.8o4oa.66.ii 

Samara, Spiro. 

La Biondinetta. See his Storia d'amore. 



Samara, Spiro. (Continued.) 

Flora mirabilis. Leggenda in 3 atti di Ferdinando Fontana. 
Musica di Spiro Samara. Riduzione per canto e piano- 
forte. Milano. Sonzogno. [1886.] M.322.2 

Histoire d'amour. See his Storia d'amore. 

La martire. Novella scenica in tre atti di Luigi Illica. 
Musica di Spiro Samara. Riduzione per canto e piano- 
forte. Milano. Sonzogno. 1894. M.245.I7 

Same. Natalia. (Die Martyrerin.) Scenische Novelle in 
drei Akten von L. Illica. Musik von S. Samara. VoU- 
standiger Klavier-Auszug mit deutschem und italie- 
nischem Text. Berlin. Bote & Bock. [1895.] M.245.18 

Medge. Opera in quattro atti e cinque quadri. Parole di 
Pietro Elzear [pseud.]. Musica di Spiro Samara. Tradu- 
zione italiana di F. Fontana. Riduzione per canto e 
pianoforte. Milano. Sonzogno. 1888. M.399.56 

Natalia. See his La martire. 

[Storia d'amore.] Histoire d'amour. Comedie lyrique de 
Paul Milliet. Musique de Spiro Samara. Traduction 
rhythmique italienne de A. Galli Reduction pour chant 
et piano de Vittorio Norsa. Milan. Sonzogno. 1903. 
The text is in French and Italian. M.396.S8 

Same. La Biondinetta. Histoire d'amour. Oper in drei 
Aufziigen von Paul Milliet. Deutsch von Ludwig Hart- 
mann. Englisch von John Bernhoff. Musik von Spiro 
Samara. Klavierauszug von Vittorio Norsa. Leipzig. 
Kahnt. 1904. M.378.13 

Samaritaine, La. Incidental music. Pierne. No. 2 in M.193.7 
Samazeuilh, Gustave Marie Victor Fernand. 

Senate (en si mineur) pour violon et piano. [Partition et 
partie.] Paris. Durand. [1903] 2 parts in i v. 

M.411.11 

Samie, Auguste. 

Messe solennelle, a 4 voix d'hommes, avec accomp. d'orgue. 
Paris. Leduc. [187-.] No. 3 in M.158.41 

Sammartini, Giovanni Battista. 

Campana che suona. Glee [a. t. b.]. (/» Bland. The 
Ladies' collection. Vol. i, p. 96.) No. 151 in M.235.17.1 
Also to be found in Warren's Collection of catches. 
Sammartini, Giuseppe 

Sonata in A moll. Fur Violine & Klavier. Nach der Ori- 
ginal-Ausgabe bearbeitet von Alfred Moffat. Mainz. 
Schott. 1909. No. I in M.432.42.4 

Sammlung musikalischer Vortraege. 

Deiters, H. Johannes Brahms. [Leipzig. 1881.] 

No. S in M.215.4 

KoESTLiN, H. A. Josefine Lang. (Lebensskizze.) Leipzig. 

1818. M.io5.33;etc. 

Kretzschmar, a. F. H. Peter Cornelius. [Leipzig. 1881.] 

No. 4 in M.215.4 
NiGGLi, A. Gertrud Elisabeth Mara. Eine deutsche 
Kiinstlerin des 18. Jahrhunderts. [Leipzig. 1881.] 

No. 8 in M. 215.4 

Nicolo Paganini. Leipzig. 1882. No. 2 in M.135.11 

Schletterer, H. M. Luigi Boccherini. Leipzig. 1882. 

No. 3 in M.215.4 

Weber, J. Die musikalische Sage und der Volksunterricht 

in Frankreich. Deutsch von L. Ramann. Leipzig. 1884. 

No. 9 in M.215.4 
Sammtrock, Der. Opera. For the Music see Gyrowetz. 
Samori. Opera. For the Music see Vogler, G. J. 
Samson, Joseph Isidore. 

L'art theatrale. [Poeme.] Nouvelle edition precedee d'une 
lettre d'£mile Augier, et d'une preface de M. Coquelin 
aine. Paris. Dentu. 1889. M.208.10 

Samson, L. 

By the rivers of Babylon. Full anthem. [Accomp. for 

organ.] {In Novello's Collection of anthems. Vol. 10, 

pp. 59-68.) No. 10 in M.195.2.10 

Departure. A trio [s. s. a. Accomp. for pianoforte]. (In 

Novello's Collection of trios, etc. Vol. 4, pp. 112-116.) 

No. 14 in M.204.36.4 
for pianoforte]. (In 
Vol. 4, pp. 1 17-122.) 
No. IS in M.204.36.4 

21 



The elf. A trio [s. s. a. Accomp. 
Novello's Collection of trios, etc. 



Samson 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sandberger 



Samson, L. (Continued.) 

For the mountains shall depart. Full anthem. [Accomp. 

for organ.] (In Novello's Collection of anthems. Vol. lo. 

pp. 69-76.) No. II in M.I9S.2.IO 

The spring. A trio [s. s. a. Accomp. for pianoforte]. (In 

Novello's Collection of trios, etc. Vol. 4, PP- 123-132.) 

No. 16 in M.204.36.4 
Samson. Oratorio. For the Music see Handel; also Rolle, 

J. H. Simson. For the Libretto see Milton. 
Samson et Dalila. Opera. For the Music see Saint-Saens. 

For the Libretto see Lemaire. 
Samsonnet. Opera. For the Music see Roger, V. For the 

Libretto see Ferrier. 
Samuel, Adolphe. 

Pale etoile du soir. [Choeur, T. T. b. b.] (In Eidgenoessischer 
Saengerverein. Wettgesange bei dem I2te . . . Sanger- 
feste. Pp. SI, 52.) No. 8 in M.130.7 

Also to be found in Recueil des choeurs d'ensemble francjais. 
Symphonic no. 6, en re mineur. Partition. Bruxelles. 
Schott. [1884?] M.331.10 

Samuel, Adolphe. Works about. 

BoEDRi, P. Adolf Samuel, Christus. (Symphonisches 
Mysterium fiir Orchester, Chor und Orgel.) Erlautert. 
Frankfurt a. M. [1898.] No. 4 in M.217.12.S 

Samuel, Sydney Montagu, translator. 

Saint-Saisns. La lyre et la harpe. No. I in M.iss.49 

San Carlo theatre, Naples. 

Almanacco de' reali teatri S. Carlo e Fondo, del annata 

teatrale 1834. Napoli. 1835. Portraits. M.io9b.45 

San Martino. Part song. Dodson. No. 49 in M.392.6 

San Toy, or, the Emperor's own. Opera. For the Music see 

Jones, S. For the Libretto see Morton, E. 
Sana me, Domine. Anthem. Caldaba, A. No. 17 in M.260.24.2 
Sancho. Opera. For the Music see Jaques-Dalcroze. For 

the Libretto see Yve-Plessis. 
Sancho Panga. Opera. For the Music see Danican. For the 

Libretto see Poinsinet. 
Sancia di Castiglia. Opera. For the Music see Donizetti. 

For the Libretto see Salatino. 
S":* Johannisnacht, Die. Opera. For the Music see Pressel. 
Sanct Paulus war ein Medicus. Part song. Zelter. 

No. 82 in M.i29a.43.3 
Sancta et immaculata. Motet. Lassus. Sammtliche Werke. 
Band i. M.8o4oa.67.i 

Palestrina. Werke. Band 2. M.8o4oa.66.2 

Sancta Maria. Anthem. Buehler, F. No. 17 in M.260.10.5 

Certon. M.236.10 

Clari. No. I in M.233.26.S 

DoLAN, W. No. 13 in M.260.10.5 

Haydn, F. J. No. 19 in M.290.29.4; etc. 

Himmel, F. H. No. 10 in M.260.24.2 

Lassus. Sammtliche Werke. Band 3, 5. 14.80403.67.3,5 

Meyerbeer, G. No. 69 in M.157.5.2; etc. 

MoNTU. No. 61 in M. 1293.43.2 

Mozart. No. s in M.260.11 ; etc. 

Naumann, J. G. No. 19 in M.260.20 

NovELLO, V. No. 23 in M. 260.3; etc. 

Perez, D. No. 53 in M.260.24.1 

RiNCK, J. C. H. No. 17 in M.260.10.3 

Rolle, J. H. No. 44 in M.260.20 

Rossini. No. 26 in M.244.2 

Schneider, J. G. No. 10 in M.260.17.2 

Vittoria. Opera. Tomus i. M.313.2.1 

Webbe, S. No. 58 in M.156.50 

Wouters. No. 23 in M.201.36 

Sancte Deus. Motet. Lassus. Sammtliche Werke. Band 13. 

M.8o4oa.67.i3 

Sancte Paule apostole. Motet. Palestrina. Werke. Band 

I, 7. M.8o4oa.66.i,7 

Sancti et justi. Anthem. Mozart. No. 4 in M.260.11 

Sancti mei. Motet. Lassus. Sammtliche Werke. Band i. 

M.8o4oa.67.i 
Sanctificavit Dominus. Motet. Palestrina. Werke. Band 3. 

M.8o4oa.66.3 



Sanctorum meritis. 
Sanctorum meritis. 



Hymn. 

Mass. 



Palestrina. 



Werke. Band 8. 

M.8040a.66.8 
Palestrina. Werke. Band 16. 

M.8o4oa.66.i6 
Snactum et terribile. Anthem. Pergolesi. No. 3 in M.140.1 
Sanctus. A une voix [a. ou b. Accomp. d'orgue]. Paris. 
[Heugel. 186-? Petite maitrise. Annee i. No. 19.] 

No. 31 in M.201.34 
Sanctus. Anthem. Aldeich. No. 29 in M.233.9 

Attwood. No. i in M. 236.16 

Bassanl No. 19 in M.290.29.2 

Benevoli. No. 6 in M.202.6.2 

Blow, J. No. 7 in M.233.2S.2 

Carnaby. No. 42 in M.290.22.1 

Cherubini. No. 3 in M.222.24; etc. 

Cooke, B. Kyrie. M.233.14.2 

Creyghton. No. 22 in M.157.28.1 

Dregert. No. 70 in M.392.3 

Fluegel, G. No. 3 in m. 213.10 

Gibbons, O. No. 32 in M.290.22.1 ; etc. 

GoLDWiN. No. 42 in M.iii.4.2 

Haydn, J. M. No. 33 in M.290.29.2 

Mozart. No. 17 in M.290.29.2 

Naumann, J. G. No. 32 in M.290.29.4 

Neukomm, S. No. 29 in M.290.29.4 

Novello, V. No. 22 in M.ioo.4.2; etc. 

Osgood. No. 57 in M.392.16; etc. 

Panseron. Collection de 40 morceaux. No. 14 in M.260.13 
Pergolesi. No. 30 in M.290.33 

Rossini. No. 45 in M.157.1 

Russell, W. m.233.i4.i; etc. 

Schubert, F. P. Werke. Serie 19. M.317.1.19 

Seyfried. No. 15 in M.260.20 

Tallis, T. No. S in M.157.28.1 

Walmisley, T. a. Te Deum, Jubilate & Sanctus. 

No. 27 in M.190.8; etc. 
Sanctus, sanctus. Canon. Okenheim, J. M.236.10 

Sancy, Paul de. 

La fille de Madame Angot. Opera comique. Paroles de 

Clairville [pseud.], Siraudin [pseud.] & Koning. Musique 

de Charles Lecocq. M.366.26 

Le jardinier galant. Opera comique. Paroles de MM. de 

Leuven [pseud.] & Siraudin [pseud.]. Musique de F. 

Poise. No. 2 in M.287.38 

La marquise des rues. Opera-comique de Siraudin [pseud.] 

* et G. Hirsch. Musique de Herve [pseud.]. 

No. I in M.276.34 

El Seiior Inigo. Folic espagnole. Operette-bouffe. Paroles 

de Paul Siraudin [pseud.]. Musique de Victor Robillard. 

No. 2 in M.307.24. 

Le veuf du Malabar. Opera comique de P. Siraudin 

[pseud.] et Adrien Robert [pseud.]. Musique de A. 

Doche. M.252.37 

Le voyage de MM. Dunanan pere et fils. Opera bouffe. 

Paroles de Siraudin [pseud.] et Jules Moinaux. Musique 

de J. Offenbach. No. i in M.267.33 

Sand, George, pseud. See Dudevant, Amantine Lucile Aurore 

Dupin. 
Sandberger, Adolf. 

Ludwig der Springer. Oper in drei Aufziigen. Dichtung 
und Musik von A. Sandberger. Op. 12. Clavierauszug 
von Percy Pitt und Wilhelm Ammermann. Miinchen. 
Schmidt. [1896.] M.381.39 

Peter Cornelius' Cid. Miinchen. Lukaschik. 1893. [Muen- 
chener Theater-Bibliothek.] No. 3 in M.372.37 

Riccio. Symphonischer Prolog (angeregt durch Bjornsen's 
Drama „Maria von Schottland") fiir grosses Orchester. 
Op. 16. Partitur. Leipzig. Breitkopf & Hartel. 1900. 

No. I in M.406.30 
Sandberger, Adolf, editor. 
Lassus. Kompositionen mit franzosischem Text. 

M.8o4oa.67.i3;etc. 
Madrigale. M.8o4oa.67.2 ; etc. 



22 



Sanders 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sapho 



Sanders, Ralph Barton. 

The chemical maid. A musical comedy in two acts. Book 
and lyrics by George Henry Bryant. Music by Ralph 
Barton Sanders, Emerson Hurd Packard, Charles Francis 
Willis, Herbert Mygatt Wilcox, Harry Lawrence Moody, 
Louis John Killion, Charles Wolston Coffin. [Vocal 
score.] Boston. Tech Show. 1905. No. 2 in M.389.17 
Sanderson, Sibyl. 

Smith, Fanny M. Berlioz and the Romantic school. Por- 
traits. {In The music of the modern world. Vol. i, pp. 
167-170. New York. [1895.]) M.14.1.1 

Contains an account of Sibyl Sanderson. 
Sandmaennchen. Song. Brahms. Volks-Kinderlieder. 

No. 8 in M.380.40.3 

Sandmann, Der. Song. Schumann, R. A. Werke. Serie 13, 

Band 3. M.316.1. 13.3; etc. 

Taubert, C. G. W. Klange aus der Kinderwelt. [Heft 8.] 

No. 27 in M. 192.7 
Sandre, Gustave. 

Serenade fiir Streichorchester. Op. 24. Partitur. Leipzig. 
Breitkopf & Hartel. [188-?] No. 3 in M.342.30 

Sandre, Gustave, editor. 

Chants populaires et nationaux de France. Harmonises 
[pour piano seul]. Paris. Choudens. [1894.] 

No. 8 in M.3go.44 

Contents. — Vive Henri iv ! — La Parisienne. — La Marseillaise. — 
T'en souviens-tu? — Dans les Gardes frangaises. — Le chant du depart. 

— Va-t-en voir s'ils viennent, Jean. — Chanson de Clement Marot. — 
Que j'aime a voir les hirondelles. — Tontaine, tonton. — Mimi Pinson. 

— Clemence Isaure. — Le reveil du peuple. — Pour un patriote, 6 gue! 

— Mourons pour la patrie! — Je suis un bon soldat. — Liron, lirette. 

— Le point du jour. — Le matelot de Bordeaux. — Fanfan la Tulipe. 

— Madame Veto. — La fille a ma tante. — Le depart du conscrit. — 
Veillons au salut de I'Empire. — Ca ira! — Chanson de bord. — Que 
ne suis-je la fougere. — A la mariee. — Chanson de Louis xill. — 
Chanson normande . — Chant huguenot. — Quand on fut toujours ver- 
tueux. — Depuis longtemps, j'aimais Adele. — Le Roi Richard. — 
L'orage. — Le chant fran<;ais. — Malgre la bataille. — Ma Fanchette 
est charmante. — Le mouton perdu. — Quand tout venait a I'esperance. 

— La marche des rois. — La Romanesca. — Marches et sonneries de 
I'Armee frangaise. 

Sands, The, o' Dee. Part song. Goldbeck. No. 9 in M.203.7 
Macfarren, G. a. No. i7inM.i58.i7;etc. 

Sands, The, of Dee. Song. Balfe. No. 15 in M. 192.9.2 

Sandtner, Carl. See Santner, Carl. 
Sandys, William. 

Christmas carols, ancient and modern. London. Beckley. 
1833. 12 pp. of music. M. 145.24 

Christmastide: its history, festivities, and carols. London. 
Smith, [i860.] lUus. Plates. M.149.15 

The history of the violin and other instruments played on 
with the bow. By William Sandys and Simon Andrew 
Forster. London. Smith. 1864. Illus. Plate. 

No. I in M. 144.2 
SeUielli, Gualtiero. 

II fornaretto. Dramma di Andrea Codebo. Posto in musica 
dal maestro G. Sanelli. Riduzione per canto con accomp. 
di pianoforte di L. Truzzi. Milano. Ricordi. [187-?] 

M.IS0.44 

Luisa Strozzi. Dramma tragico di Pietro Martini. Posto 

in musica da G. Sanelli. Riduzione per canto con accomp. 

di pianoforte [di L. Truzzi]. Milano. Ricordi. [1851.] 

M.151.1 

La tradita. Melodramma di Andrea Codebo. Posto in 

musica dal maestro G. Sanelli. Riduzione per canto con 

accomp. di pianoforte di Luigi Truzzi. Milano. Ricordi. 

[i8s-?] M.150.43 

Sanften Tage, Die. Cantata. For the Music see Kuecken. 

For the Libretto see Uhland. 
Sang, Le, de la sirene. Cantata. For the Music see Tourne- 

mire. For the Libretto see Brennure. 
Sang an Aegir. Part song. William ii.. Emperor of Germany. 

No. 2 in M.202.27 

Sang Ellens. Song. Taubert, C. G. W. Sechs deutsche 

Lieder. Op. 6. No. 2 in M.221.26 

Sang pa vandet. Part song. Kjerulf. No. 6 in M.392.13 

Sang und Klang aus alter Zeit. Collection of music. Tappert. 

M.41S.40 



Sanga. Opera. For the Music see Lara. For the Libretto 

see Moraud. 
Sanges Friihling. Songs. Raff. No. 1-3 in M.I92.4 

Sangeshort. Part songs Gruber, J., editor. No. i in M.370.30 

Sangfugl fra de dunkle Buske. Song. Kjerulf. Sanger och 
Visor. Band 2. M.IS8.47 

Sangfugl hvorhen saa snar? Song. Kjerulf. Sanger och 
Visor. Band 2. M.1S8.47 

Sangiorgi, Filippo. 

Diana di Chaverny. Dramma lirico in un prologo e 3 atti 
di Carlo D'Ormeville. Musica del Maestro Filippo 
Sangiorgi. Canto con accomp. di pianoforte. Milano. 
Lucca. [1875.] M.322.3 

Giuseppe Balsamo. Opera in i prologo e 4 atti di Carlo 
D'Ormeville. Musica del Mo. Filippo Sangiorgi. [Per 
canto e piano.] Milano. Lucca. [1873.] M.274.14 

Sankey, Ira David, compiler. 

Sacred songs and solos. Enlarged edition. London. Mor- 
gan & Scott. [187-?] No. I in M.370.31 

Sankt Stephan. Song. Gruber, G. W. Gottfried August 
Burgers Gedichte. Vol. 2. No. 17 in M. 130.9.2 

Sannosta esta la ninna. Song. Schumann, R. A. Werke. 
Serie 10, Band 2. M.316.1.10.2 

Sans I'offenser non tu ne peux le croire. Aria. Sacchini. Le 
Sacchini des concerts. M.724.9 

Sans peur, le verre en main. Song. Schubert, F. P. Melodies. 
Vol. 8. M.327.4.8 

Sans toi. Song. Schubert, F. P. Melodies. Vol. 4. M.327.4.4 

Sansara. Cantata. For the Music see Geisler. 

"Sanssouci." For strings. Claassen, A. No. 3 in M.334.1 

Santa-Chiara. Opera. For the Music see Ernst August Carl 
Johannes Leopold Alexander Eduard, Hersog von Sachsen- 
Coburg-Gotha. For the Libretto see Birch, C. 

Santa Lucia. Song. Cottrau. No. 4 in M.3go.44 

Santi, Pietro. 

[Notturni, a 2 voci, s. a., e basso continuo.] Manuscript. 

[180-?] No. II in M.120.29 

Santi, Raffaello. 
Alberti, C. E. R. Raphael und Mozart. Eine Parallele. 

Vortrag zur Feier des 100 jahrigen Geburtstags Mozart's, 

am 28. Januar 1856. Stettin. 1856. No. 5 in M.217.11 

Santley, 5'tV Charles. 

Student and singer. Reminiscences. London. Arnold. 

1892. 2 portraits. M.106.20 

Santner, Carl. 
Abendruhe. [Mannerchor.] {In Das Riitli. Pp. 70, 71.) 

No. 26 in M. 147.4 
Auf der Alpe. [Mannerchor.] {In Abt. Deutsche Sanger- 

halle. Vol. I, pp. 77-80.) No. 28 in M.392.42.1 

Aus der Tiefe. Gedicht fur vier Mannerstimmen. Leipzig. 

Forberg. [1864?] No. 2 in M.392.23 

Ihr deutschen Manner all'! [Mannerchor.] {In Tauwitz. 

Deutsches Liederbuch. Pp. 244-246.) No. 108 in M. 204.39 
Mein schonster Kirchengang. [Mannerchor.] {In Das 

Riitli. Pp. 486-489.) No. 206 in M.147.4 

Morgengebet. [Mannerchor.] {In Abt. Deutsche Sanger- 

halle. Vol. I, pp. 123-126.) No. 44 in M.392.42.1 

Also to be found in Eidgenoessischer Saengerfest. Wettgesange bei 

dem lite . . . Sangerfeste. 

Same. Morning prayer [t. t. b. b.]. {In Chickering collec- 
tion. Vol. I, pp. 80-84.) No. 36 in M.392.48.1 
Spring song. Friihlings Wanderung [t. t. b. b.]. Phila- 
delphia. Boner & Co. [1886. Germania Glee Club col- 
lection.] No. 3 in M.392.23 
Unitis viribus. [Mannerchor.] {In Tauwitz. Deutsches 
Liederbuch. Pp. 54, 55.) No. 18 in*M.204.39 
Santo Altare. Madrigal. Palestrina. Werke. Band 29. 

M.8o4oa.66.29 
Sapeur, Le, et la payse. Opera. For the Music see Vandenesse. 

For the Libretto see Sonnois. 
Saphir, Le. Opera. For the Music see David, F. C. For the 

Libretto see Ribbing. 
Sapho. Cantata. For the Music see Lacombe-Trouillon. 
For the Libretto see Lamartine. 



23 



Sapho 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sarti 



Sapho. Opera. For the Music see Martini, J. P. E.; also 

Massenet. For the Libretto see Salm-Reifferscheid- 

Dyck; also Cain. 
Sapling oak. The. Song. Storage. No. 35 in M.235.18.3 

Sapphische Ode. Song. Brahms. Fiinf Lieder. Op. 94. 

No. 12 in M.380.40.2 
Sappho. Overture. Goldmark. No. i in M.358.26 

Sara la baigneuse. Cantata. For the Music see Berlioz, L. H. 

For the Libretto see Hugo, V. M. 
Sarabandes. For orchestra. 

Gounod. Sarabande de Cinq-Mars. No. 6 in M.313.1 

Sarah. Opera. For the Music see Grisar. For the Libretto 

see Duveyrier, A. H. J. 
Sarai contenta un di. Song. Handel. Werke. Lieferung 51. 

M.3I3-I-5I 
Sarasate, Pable de. See Sarasate y Navascues, Pablo Martin 

Meliton de. 
Sarasate y Navascues, Pablo Martin Meliton de. 

Airs ecossais pour violon avec accompagnement d'orchestre. 
Oeuvre 34. Partitur. Berlin. Simrock. 1892. 

No. 2 in M.406.30 
Airs espagnols pour violon avec accompagnement d'or- 
chestre. Partition. Paris. Durand. [188-?] No. 4 in M.405.47 
La chasse. Morceau caracteristique pour violon avec ac- 
compagnement d'orchestre. Op. 44. Partition. Leipzig. 
Zimmermann. [1901.] No. 4 in M.40S.55 

Danse espagnole, "Adios montanas mias." Celebre zort- 
zico de Joaquin Larregla, pour violon avec accomp. de 
piano par Pablo de Sarasate. Op. 37. Londres. Schott 
& Co. 1895. No. 7 in M.410.45 

Introduction et caprice Jota pour violon avec accompagne- 
ment d'orchestre. Op. 41. Partition. Leipzig. Zimmer- 
mann. 1899. No. I in M.405.55 
Introduction et tarentelle pour violon avec accompagne- 
ment d'orchestre. Op. 43. Partition. Leipzig. Zimmer- 
mann. 1899. No. 3 in M.405.55 
Jota de San Fermin, pour violon avec accomp. d'orchestre. 
Op. 36. Partition. Berlin. Simrock. 1864. No. 3 in M.338.14 
Miramar-Zortzico pour violon avec accompagnement d' 
orchestre. Op. 42. Partition. Leipzig. Zimmermann. 
1899. No. 2 in M.405.55 
Muineira. Theme montagnard varie pour violon avec 
accomp. d'orchestre. Op. 32. Partition. Leipzig. Senff. 
[1885?] No. 2inM.335.11 
Navarra. Duo pour deux violons, avec accomp. d'orchestre. 
QEuvre 33. Partition d'orchestre. Berlin. Simrock. 1889. 

No. 2 in M.404.12 

Nocturne-Serenade pour violon avec accompagnement [d' 

orchestre]. Op. 45. Partition. Leipzig. Zimmermann. 

[1901.] No. 5 in M.405.55 

Peteneras. Caprice espagnol pour violon, avec accomp. 

d'orchestre. Op. 35. Partition. Berlin. Simrock. 1894. 

No. 2 in M.338.14 
Spanische Tanze fiir Violine mit Begleitung des Pianoforte. 
Op. 26. Heft 4, No. 7, 8. Berlin. Simrock. 1882. 

No. 6 in M.410.45 

Viva Sevilla! Danse espagnole pour violon avec accomp. 

d'orchestre. Op. 38. Partitur. Berlin. Simrock. 1896. 

No. 4 in M.338.14 

Zigeunerweisen, pour violon avec accomp. d'orchestre. Op. 

20. Partition. Leipzig. Senff. [1879?] No. I in M.335.11 

Sarastro. Opera. For the Music see Goepfart. For the 

Libretto see Stommel. 
Sareizenen, Die. Symphonic poem. MacDowell. 

No. I in M.338.24 
Sarbacane. Opera. For the Music see Chatau. For the 

Libretto see Queyroul. 
Sarcey, Francisque. 
Comettant, J. P. O. Les musiciens, les philosophes et les 
gaietes de la musique en chiffres. Response a M. Fran- 
cisque Sarcey. Paris. 1870. No. 2 in M.141.17 
Sardanapcde. Opera. For the Music see Duvernoy; also 

Joncieres. For the Libretto see Berton; also Becque. 
Sardanapalo. Opera. For the Music see Litta, G. For the 
Libretto see Rotondi. 



Sardanapalus. Cantata. For the Music see LeonL For the 

Libretto see Akerman. 
Sardou, Victorien. 

Les barbares. Tragedie lyrique. Poeme de Victorien 
Sardou et P. B. Gheusi. Musique de C. Saint-Saens. 

M.381.37 
Bataille d'amour. Opera comique de Victorien Sardou et 
Karl Daclin. Musique de Vaucorbeil. M.325.29 

Le capitaine Henriot. Opera comique. Poeme de Victo- 
rien Sardou & G. Vaez. Musique de F. A. Gevaert. 

M.272.32 
La fille de Tabarin Comedie lyrique de MM. Victorien 
Sardou & Paul Ferrier. Musique de Gabriel Pierne. 

M.382.63 

Musique de scene pour Cleopatre, drame de MM. Victorien 

Sardou et fimile Moreau. Composee par Xavier Leroux. 

No. 2 in M.154.44 

Les noces de Fernande. Opera comique. Paroles de Sardou 

et de Najac. Musique de Louis Deffes. M. 295.14 

Patrie. Grand opera de Victorien Sardou & Louis Gallet. 

Musique de E. Paladilhe. M.277.37 

Piccolino. Opera-comique de Victorien Sardou et Charles 

Nuitter [pseud.]. Musique de E. Guiraud. M. 276.11 

Les pres S' Gervais. Opera-comique. Paroles de Victorien 

Sardou et Ph. Gille. Musique de Charles Lecocq. 

M.366.23 

Le Roi Carotte. Opera-bouffe-feerie de Victorien Sardou. 

Musique de J. Offenbach. M. 277.14 

Theodora. Drame musical de Victorien Sardou et Paul 

Ferrier. Musique de Xavier Leroux. M.378.15 

Tosca. Melodramma di V. Sardou, L. Illica, G. Giacosa. 

Musica di G. Puccini. M.393.59 

Sarei troppo felice. Aria. Handel. Werke. Lieferung 51. 

M.313.1.51 
Sargines. Opera. For the Music see Dalayrac. For the 

Libretto see Boutet de Monvel. 
Sargino. Opera. For the Music see Paer. 
Sarka. Symphonic poem. Smetana. M.356.23 

Sarlin, Eugene. 

Colombine. Opera comique. Musique de Gustave Michiels. 

No. I in M.257.30 
Samecki, Zygmunt. 

Konrad Wallenrod. Opera. Slowa Zygmunta Sarneckiego 
i Wiadyslawa Noskowskiego. Muzyka Wladyslawa 
Zelenskiego. M.381.70 

Saro, J. Heinrich. 

„Blau Aeugelein." [Mannerchor.] (In Claassen. Ludwig 
Liebe-Album. Pp. 38-41.) No. 11 in M.203.16 

Saroni, Herrman S. 

Musical vade mecum: a manual of the science of music. 
New York. Mason & Lavjr. 1852. M.104.46 

Sarrazin, Gabriel, translator. 

Debussy. La damoiselle elue. No. 2 in M.406.7 

Sarreau, Gaston. 

La louve. Drame lyrique en deux actes de J. Jacquin. 
Musique de G. Sarreau. [Partition piano et chant.] Paris. 
Joubert. [1901.] M.379.33 

Sarrepont, Major H. de. pseud., editor. 

Chants et chansons militaires de la France. Avec la musique 
des principaux airs. Paris. Librairie illustree. [1887.] 
Illus. Plates. M.i3ga.3 

Sarrette, Bernard. 

Pierre, C. V. D. B. Sarrette et les origines du Conserva- 
toire national de musique et de declamation. Paris. 
[1895.] Portraits M.215.15 

Sarria, Errico. 

La campana dell' eremitaggio. Commedia lirica in tre atti 
di E. Cofino. Opera completa per canto e pianoforte. 
Milano. Ricordi & c. 1875. Portrait. M.383.36 

Sarti, Giuseppe. 
Amplius lava me [s. a. b. Accomp. for organ]. (In Ayrton. 
Sacred minstrelsy. Vol. 2, pp. 165-167.) No. 61 in M.290.22.3 
Also to be found in Latrobe's Selection of sacred music; Novello's 
Motetts. 



24 



Sarti 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sauvage 



Sarti, Giuseppe. (Continued.) 

[Demofoonte.] The favourite songs in the opera Demo- 
foonte. [By Sig^ Bertoni, Misliwecek, Sarti and Monza.] 

No. I in M.400.36 

Le gelosie villane. Musica del Sig^ Giuseppe Sarti. [Parole 

di Grandi. Partitura.] Manuscript. [1776.] 2 v. M.si.21 

Giulio Sabino. Dramma per musica [di Metastasio]. Con 

musica composta dal Sigre G. Sarti. [Partitura.] Vienna. 

[178-?] Plate. M.152.2 

Lungi dal caro bene. Cavatina [a. or bar. Accomp. for 

pianoforte]. (In Musical library. Vol. 4, pp. 101-103.;) 

No. 33 in M.235.18.4 
Lungi date ben mio. Cavatina a voce di soprano [e stro- 
menti al arco. Partitura]. Manuscript. [180-?] 

No. 9 in M.120.29 

Medonte. [Opera in due atti. Partitura.] Manuscript. 

[1753] 2 V. M.51.22 

Miserere mei, a quatro voci con I'accomp. di tre viole, 

violoncello e basso. [Partitura.] Manuscript. [182-?] 

M.202.8 
Same. [Chorus. Accomp. for pianoforte.] (In Latrobe. 
Selection of sacred music. Vol. 4, pp. 113-117.) 

No. 22 in M.2go.29.4 
Les noces de Dorine, ou Helene et Francisque. Opera en 4 
actes. Musique par M. Sarti. Paroles de M"" XXX. [Par- 
tition.] Paris. Sieber. [1790?] M.274.1S 
O taste and see. Terzetto [s. s. b. Accomp. for pianoforte]. 
(In Gardiner. Sacred melodies. Vol. 3. PP- 389-391.) 

No. 22 in M. 236.30.3 

When the storms of life. Trio [s. a. b. Accomp. for organ]. 

(In Turle and Taylor. The People's music book. Vol. 2, 

pp. 92-98.) No. 25 in M.iii.4.2 

Sartorelli, Alessandro, compiler. 

Sunto teorico-musicale con tavole. Venezia. Merlo. 1836. 

No. 4 in M.372.44 
Sartorius, Thomas. 

Wolauff ir lieben Geste. [Madrigal.] (In Renner. Auswahl 
deutscher Madrigale. Pp. I3-I9.) No. 4 in M.204.40 

Sass, Marie Constance. 

Souvenirs d'une artiste. Paris. Librairie Moliere. 1902. 
Portraits. Facsimiles. M.376.24 

Sataniel. Opera. For the Music see Ferron. For the Li- 
bretto see Goerlitz. 
Sattler, Heinrich. 

ABC. [Mannerchor.] (In Tauwitz. Deutsches Lieder- 
buch. Pp. 207, 208.) No. 93 in M.204.39 

Beim Ausmarsch zur Schlacht. [Mannerchor.] (In Tau- 
witz. Deutsches Liederbuch. Pp. 189, 190.) 

No. 87 in M.204.39 
Bergmannsleben. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. 137. 138.) No. 66 in M.204.39 

Der Turner Fahnenlied. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. P. 93.) No. 42 in M.204.39 

Der Deutsche in Bohmen. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. Pp. 37-39-) No. 9 in M.204.39 

Der deutschen Linken. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. Pp. 80, 81.) No. 32 in M.204.39 

Die Fahne, Bruder! [Mannerchor.] (In Tauwitz. Deut- 
sches Liederbuch. Pp. 52, S3-) No. 16 in M.204.39 
Feldjagerlied. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. loi, 102.) No. 47 in M.204.39 
Gebet der Turner. [Mannerchor.] (/n Tauwitz. Deutsches 
Liederbuch. Pp. 81, 82.) No. 33 in N.204.39 
Gebet fiir das Reich. [Mannerchor.] (In Tauwitz. Deut- 
sches Liederbuch. Pp. 52, 53-) No. 16 in M.204.39 
Im Bohmerwald. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. 121, 122.) No. 58 in M.204.39 

Another setting forms No. 89 in this collection. 

In Riibezahl's Revier. [Mannerchor.] (In Tauwitz. 

Deutsches Liederbuch. P. 239.) No. 104 in M.204.39 

Neue Schlosser. [Mannerchor.] (In Tauwitz. Deutsches 

Liederbuch. Pp. 174, 175.) No. 81 in M.204.39 

Neuosterreich. [Mannerchor.] (In Tauwitz. Deutsches 

Liederbuch. Pp. 42, 43.) No. 11 in M.204.39 

III 4 



Sattler, Heinrich. (Continued.) 

Soldatenlied. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. 187-189.) No. 86 in M.204.39 

Ein Todtenlied. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. P. 261.) No. 114 in M.204.39 

Von dichten Nebeln. [Mannerchor.] (In Tauwitz. Deut- 
sches Liederbuch. P. 238.) No. 103 in M.204.3g 
Was wollen. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. 206, 207.) No. 92 in M.204.39 
Wir Erzgebirger Kinder. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. Pp. 212, 213.) No. 95 in M.204.39 
Zur Sangerfahrt. [Mannerchor.] (In Tauwitz. Deutsches 
Liederbuch. Pp. 94, 95) No. 43 in M.204.39 
Saturday Musical Review, The. A record of music and the 
drama. Vol. i, no. 1-42. London. [Metzler & Co.] 1879. 
No more was published. See also Choir, The. M. 165.6 
Saturday night at sea. Song. Dibdin, C. 1745-1814. 

No. 9 in M.384.48; etc. 
Saturnales, Les. Opera. For the Music see Lacome d'Estalenx. 

For the Libretto see Valabregue. 
Sauer, Emil. 

Concerto pour piano et orchestre (mi-mineur). Partition 
de piano [deux pianos]. Mayence. Schott. 1000. 

No. 2 in M.410.52 
Sauer, F. 

Das ganze Herz dem Vaterland! [Mannerchor.] (In Das 
Riitli. Pp. 176-178.) No. 70 in M.147.4 

Saugeon, J. M. M. 

Lettres sur I'enseignement populaire de la musique, par J. 
M. M. Saugeon et Anatole * * *. Bordeaux. 1861. 
Supports the Cheve method. No. I in M. 207.34 

Saugler, Theodor. 

Der wandernde Musikant. [Mannerchor.] (In Das Riitli. 

Pp. 518, 519.) No. 218 in M.147.4 

Saul. Opera. For the Music see Buzzi. For the Libretto 

see Giuliani. 
Saul. Oratorio. For the Music se^ Handel; also Hiller. For 

the Libretto see Hartmann. 
Saul. Overture. Bazzxni. No. i in M.35S.1 

Saul and David. Oratorio. ' For the Music see Assmayer. 

For the Libretto see Kuffner. 
Saul, Konig in Israel. Opera. For the Music see Seyfried. 

For the Libretto see Caigniez. 
Saul, Oder die Gewalt der Musik. Oratorio. For the Music 

see Rolle, J. H. For the Libretto see Patzke. 
Saul of Tarsus. Oratorio. For the Music and Libretto see 

Parry, J. 
Saunders, Gordon. See Saunders, Joseph Gordon. 

Saunders, Joseph Gordon. 

The Lord is in His holy temple. Anthem. [Accomp. for 
organ.] (In Novello's Collection of anthems. Vol. 12, 
pp. 146-154.) No. 17 in M.195.2.12 

Saurer Wein. Part-song. Weinzierl. No. 52 in M.392.24 

Sauret, £mile. 

Concert fiir die Violine mit Begleitung des Orchesters. 
Op. 26. Partitur. Leipzig. Breitkopf & Hartel. [1883?] 

No. I in M.342.34 
* Rhapsodie suedoise pour le violon avec orchestre. Op. 59- 
Partition. Leipzig. Forberg. 1898. No. 3 in M.406.30 
Saussine, Henri de. 

Le marchand de Venise. Comedie musicale en 4 actes d 
apres Shakespeare. Paroles et musique de Henri de 
Saussine. Partition chant et piano. Paris. Choudens. 
1907. M.378.16 

Sauter, danser, faire les tours. Part-song. Lassus. Sammt- 
liche Werke. Band 12. M.8o4oa.67.i2 

Sautereau, Edmond. 

Chants populaires en I'honneur de Jeanne d'Arc. Mise en 
musique par Alexandre Lemoine. No. 2 in M.112.16 

Sauvage, Agostino. . 

Un bacio al diavolo. Opera in un atto e due quadn. 
Parole di Francesco Barbieri. Musica del Maestro A. 
Sauvage. Canto con accomp. di pianoforte. Milano. 
Lucca. [1882.] M.381.40 



25 



Sauvage 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Savoyarde 



Sauvage, H. 
Jacques Clement. Opera. Musique de A. Grisy. Paroles 
de L. de Garat, H. Sauvage et A. Larsonneur. M.303.6 
Sauvage, Thomas. See Sauvage, Thomas Marie Frangois. 
Sauvage, Thomas Marie Frangois. 
Angelique et Medor. Opera bouffon. Paroles de Sauvage 
et ***. Musique de Ambroise Thomas. M.284.19 

Le caid. Opera bouffe. Musique de Amb. Thomas. 

M.4oo.4g;etc. 
Le carnaval de Venise. Opera comique. Musique de Am- 
broise Thomas. M.324.17 
Don Gregorio. Opera comique. Poeme de T. Sauvage et 
de Leuven [pseud.]. Musique du Comte N. Gabrielli. 

M.364.34 

L'eau merveilleuse. Opera bouffe. Musique de Albert 

Grisar. No. i in M.276.4; etc. 

Gille & Gilotin. Opera-comique. Musique de Ambroise 

Thomas. No. i in M.324.16 

Gille ravisseur. Opera-bouffe. Musique de Grisar. 

M.225.1; etc. 
L'habit de Mylord. Opera comique de T. Sauvage et de 
Leris [pseud.]. Musique de Paul Lagarde. 

No. 2 in M.2g6.i2 
Lisette. Opera comique. Musique de Eug. Ortolan. 

M.368.33 
Madelon. Opera comique. Musique de F. Bazin. M. 362.17 
Marguerite d'Anjou. Opera. Musique de J. Meyerbeer. 

M.225.21; etc. 

Le Pere Gaillard. Opera comique. Musique de Henri 

Reber. M.401.30; etc. 

Les Porcherons. Opera comique. Musique de Albert 

Grisar. M.2g2.6 

La Tonelli. Opera comique. Musique de Ambroise Thomas. 

M.327.12 

Le toreador, ou I'accord parfait. Opera bouffon. Musique 

de Adolphe Adam. M.402a.i; etc. 

Volage et jaloux. Proverbe lyrique. Musique de J. Rosen- 

hain. No. i in M.307.40 

Das Wunderwasser. See his L'eau merveilleuse. 

Sauvage-Trudin, Louis. 

Les deux cousines. Opera-comique en i acte. Paroles de 
Ches Raymond. Musique de L's Sauvage-Trudin. Parti- 
tion chant et piano. Paris. Hielard. [1875.] No. 4 in M.324.6 
Sauvageot, Louis. 

Considerations sur la construction des theatres, a propos 

de la reconstruction du Theatre des arts a Rouen. Paris. 

Morel & cie. [1877.] Plates. Plans. No. 4 in M. 122.38 

Sauvons la caisse. Opera. For the Music see Lecocq, A. C. 

For the Libretto see La Guette. 
Sauzay, Charles Eugene. 

L'ecole de I'accompagnement. Paris. Firmin Didot. 1869. 

M.113.4 

Haydn, Mozart, Beethoven, fitude sur le quatuor. Paris. 

1861. M.132.12 

Le Sicilien, ou I'Amour peintre. Comedie-ballet de Moliere. 

Mise en musique par Eugene Sauzay. Precedee d'un essai 

sur une representation du Sicilien au temps de Moliere. 

[Partition chant et piano.] Paris. Firmin-Didot & cie. 

1881. Illus. M.322.4 

Le violon harmonique: ses ressources, son emploi dans les 

ecoles anciennes et modernes. Paris. Firmin-Didot & 

cie. 1889. M.2o6.i6 

Savage, William. 

Poor Ralpho. [Catch for 4 voices.] {In Warren. Collec- 
tion of catches. Vol. i, p. 35.) No. 32 in M. 220.9.1 
Praise the Lord, O my soul. Anthem [s. s. Accomp. for 
organ]. {In Stevens. Sacred music. Vol. i, pp. 44-49.) 

No. 9 in M.234.4.1 
Savard, Augustin. See Savard, Marie Gabriel Augustin. 
Savard, Felix. 

Hercule chez Omphale. Folie musicale. Musique de Leon 
Roques. No. 4 in M.307.37 

La journee aux soufflets. Operette. Paroles de Pericaud, 
Villemer & Savard. Musique de Lucien Collin. 

No. 3 in M.393.8 



Savard, Felix. (Continued.) 

Une mariee sans mari. Operette Paroles de Savard & 

Villemer. Musique de Lucien Collin. No. 4 in M.285.23 

Memoire sur la construction des instruments a cordes et a 

archet. Suivi du Rapport qui en a ete fait aux deux 

Academies des sciences et des beaux-arts. Paris. Roret. 

[1819?] Plates. M.207.35 

Les oreilles d'ane. Operette. Paroles de Fernand Langle et 

Felix Savard. Musique de Armand Roux. No. 2 in M.300.4 

Savard, Marie Gabriel Augustin. 

Principes de la musique. Paris. Durand. 1861. M. 206.17 
Save, Lord, and hear us Motet. Faure, J. B. No. 21 in M.201.33 
Haves, W. No. 19 in M.195.2.8; etc. 

Save, Lord, or we perish. Anthem. Warren, G. W. 

No. 7 in M. 190.9 

Save me from the grave and wise. Song. Beethoven. Werke. 

Serie 24. M.413.1.24 

Save me, O God. Anthem. Blow. No. s in M.233.23.3 

BoYCE. Services and anthems. Vol. 3. M.233.3.3 

Byrd, W. No. 26 in 11.233.25.3; etc. 

Hopkins, J. L. No. 12 in M.195.2.14; etc. 

Vittoria. No. 29 in M.233.2S.3 

Save me, O Lord. Anthem. Lassus. No. 39 in M.233.2S.3 

Save, «0 save Thy people. Anthem. Marcello, B. 

No. 28 in M.2go.29.2 
Save us, O God. Anthem. Webbe, S. Eight anthems. 

No. I in M.234.7 
Savenau, Carl Maria, Freiherr Kappel von 

Nachtlich dehnen sich die Stunden. Mannerchor. Op. II, 

No. 2. Prag. Schalek & Wetzler. [188-? Drei Ge- 

dichte. 2.] No. 4 in M.392.23 

Symphonisches Concertstiick fiir grosses Orchester. 15'ss 

Werk. Partitur. Wien. Spina. [188-?] No. 4 in M.342.30 

Savetier, Le, et le financier. Opera. For the Music see 

Geoffrey. 
Savile, Jeremy. 

Here's a health to all good lasses. Glee [a. t. b.]. {In The 
Apollo. Vol. 2, pp. 91-93.) No. 4 in M.i39a.i8.2 

Also to be found in Boosey's Standard English glees; The Harmonist; 
Social harmony; Warren's Cocks's Hand-book of glees. 

Same. Viva tutte le vezzose donne. Canzonetta a 3 voci. 
{In Apollonian harmony. Vol. i, pp. 30. 31.) 

No. 20 in M.235.17.1 

Also to be found in Bland's The Ladies' collection; dementi's Collec- 
tion of catches; Sibbald's Collection of catches; Social harmony. 

Here's a health unto His Majesty. Glee [s. s. b.]. London. 
Novello. [185-? The Musical times.] No. 48 in M.isS.ig 
Also to be found in Musical times [Music] ; for s. a. t. b. in Warren's 
Cocks's Hand-book of glees. 

The waits. [Glee.] London. Novello. [185-? The 
Musical times.] No. 46 in M.158.19 

Also to be found in The Apollo ; Hullah's Part music. Secular ; 
Hullah's The Singer's library. Secular ; Leslie's Cassell's Choral 
music; Musical library; Musical times [Music]; Oliphant's Madri- 
gals in parts ; Warren's Cocks's Hand-book of glees ; Webbe, Jr.'s 
Convito armonico. 

Saviour, again. Anthem. Millard, H. No. 38 in M.158.18 

Saviour, breathe. Anthem. Nicolai, C. O. E. No. 21 in M.190.6 
Saviour, source of ev'ry blessing. Anthem. Mozart. Ave 

Verum. No. 26 in M.175.1.8 

Pattison, J. N. No. 37 in M. 190.6 

Saviour, when in dust. Anthem. Morris, J. W. Vocal quar- 
tets. No. 34 in M. 190.5 
Saviour, who from sin hast freed me. Anthem. Mozart. 

No. 3 in M.157.3 
Savoisienne, La. Opera. For the Music see Du Grosriez. 

For the Libretto see Dufrenois. 
Savoyard, The. Glee. Bishop, H. R. Complete collection 

of glees. Vol. 6. M.233.1.6 

Savoyard, Der. Song. Taubert, C. G. W. Vier heitere 

Gesange. Op. 116 No. 6 in M.ig2.7 

Savoyard's return. The. Part-song. Hatton. No. 8 in M.244.10.2 
Savoyard's song, The. Song. Mendelssohn-Bartholdy, J. L. 

F. Songs. No. 69 in M.244.21 

Savoyarde, Der. Opera. For the Music see Feith. For the 

Libretto see Brakl. 



26 



Saw 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Scarlatti 



Saw ye not the pallid angel? Anthem. Mendelssohn-Bar- 
THOLDY, J. L. F. No. 7 in M.157.24 

Sawertal, Ladislaus. See Zavrtal, Ladislav. 
Sawitri. Opera. For the Music see Zumpe. For the Li- 
bretto see Sporck, F. J. J. P. 
Sawyer, Frank E. 

Benedictus, in C. [Accomp. for organ.] Boston. Schmidt. 
[1894.] No. 3 in M.203.29 

Entreaty. Four part song. Male voices. Boston. White- 
Smith Music Publishing Co. [1894.] No. i in M.203.22 
Sawyer, Frank Joseph. 

Orpheus. Dramatic cantata for four (or two) soloists, 
chorus and orchestra. Vocal score. Edinburgh. Methuen, 
Simpson & Co. [1893.] M. 193.13 

Ponder my words. Anthem [a. t. t. b.]. (In Novello's Col- 
lection of anthems. Vol. 15, pp. 18-21.) No. 3 in M.ig5.2.i5 
Sawyer, H. P. 
A song of the Christ. Music by H. P. Sawyer. Words 
arranged by Mrs. H. A. Sawyer. [Choruses for a Sun- 
day school service.] Boston. Oliver Ditson Co. 1886. 

No. 2 in M.415.78 
Sax, Adolphe. 

CoMETTANT, J. P. O. Histoirc d'un inventeur au ige siecle. 
Adolphe Sax: ses ouvrages et ses lettres. Paris, i860. 
Portrait. M.132.11 

Saxophone. Music. Saxophone and orchestra. 

Indy, p. M. V. d'. Choral varie pour saxophone (alto ou 

violoncelle) et orchestre. (Op. 55.) No. i in M.406.51 

Sporck, G. Legende pour saxophone alto (ou cor anglais) 

et orchestre. No. i in M.4io.g4 

Say, dear, when will your frowning. Madrigal. Weelkes. 

First set of madrigals. No. i in M.234.21 

Say farewell, and go. Song. Linley, G. [Songs.] Vol. 2. 

No. 16 in M. 235.19.2 
Say, hast thou seen. Song. Hodson, W. Fourteen songs. 

No. 3 in M.221.32 
Say not so, friar. Glee. Percy, J. No. 12 in M.157.18.3 

Say not that minutes quickly move. Song. Salomon, J. P. 

No. 34 in M.235.18.2 
Say, shall the heart. Part-song. Winter, P. von. 

No. 3 in M.205.10.5 
Say, watchman, what of the night. Part-song. Sullivan, A. 
S. Six sacred part-songs for mixed voices. 

No. 6 in M.i54.ig 
Say what flow'r. Glee. Berg, G. No. 112 in M.220.9.1 

Say, what is love? Glee. Carter, T. No. 127 in M. 235. 17. 5 

Say what you please. Catch. Turner, W. 

No. 151 in M.H0.1.2; etc. 
Say, where is He born? Anthem. Mendelssohn-Bartholdy, 
J. L. F. No. 8 in M. 204.36.2 

Say where is Lucy. Part-song. Donizetti, G. No. 37 in M. 235. 7.1 
Sayings of Jesus. Sunday school service. Davies, W. H. The 
Sunday scholars' service of sacred song. No. 3 in M.373.44 
Sayn-Wittgenstein-Berleburg, Friedrich Ernst. 

[Antonius und Cleopatra. Grosse Oper in iv Akten. Musik 
von F. E. Wittgenstein. Text von S. H. Mosenthal. Par- 
titur. Graz. 1884.] Lithograph script. M.400.47 

The title-page is lacking. Corrections have been made in manuscript. 
Same. Antonius und Kleopatra. Grosse Oper in 4 Akten 
und einem Nachspiele. Text von P. [sic] H. Mosenthal. 
Musik von F. E. Wittgenstein. [Klavierauszug.] Wien. 
Gutmann. [1884.] M.326.27 

Many parts of the opera have been rewritten and inserted in lithograph 
script. 

Die Welfenbraut. Grosse romantische Oper in 5 Acten. 

Musik von F. E. Wittgenstein. Text vom Componisten. 

Partitur. Leipzig. Kistner. [1879?] M.225.27 

Same. Clavier-Auszug. M.326.28 

Says Damon to Chloe. Catch. Webbe, S. No. 144 in M. 215.21 
Says my lord. Catch. Baildon. No. 162 in M.220.9.1; etc. 

Says Nan. Catch. Atterbury. No. 18 in M.220.9.4 

Says Pontius in rage. Duet. Travers. No. 118 in M.235.17.1; etc. 
Says she, says he. Part-song. Moscheles, L The Tyrolese 

melodies. Vol. i. No. 3 in M.244.24.1 



Says Sue to Prue. Catch. Wellesley, G. C. 

No. 12 in M.i57.i8.2;etc. 
Sayve, Auguste de la Croix Chevriere de, Comte. 

Duo pour piano et violoncelle [ou alto]. CEuvre 10. [Piano 

seul.] Paris. Zetter & cie. [183-?] No. 4 in M.2io.6 

Same. [Partie d'alto.] No. 14 in M.210.10 

Same. [Partie de violoncelle.] No. 12 in M.210.12 

Sazio di tormentarmi. Part-song. Palestrina. Werke. Band 

30- M.8o4oa.66.3o 

Sbarra, Francesco. 

II pomo d'oro. Btihnenfestspiel. [Musik von M. A. Cesti.] 

M.414.4 

Seals tu dir I'Ave. Part-song. Lassus. Sammtliche Werke. 

Band 12. 11.80403.67.13 

Scala, La, di seta. Opera. For the Music see Rossini. For 

the Libretto see Foppa. 
Scalchi, Luigi. 

II diavolo della notte. Melodramma semiserio. Posto in 

musica da Giovanni Bottesini. M.230.30 

Un giorno in quarantena. Opera comica. Musica di F. M. 

Albini. M.255.6 

Scalchi, Sofia. 

Jean and fidouard de Reszke. [With a sketch of Sofia 
Scalchi.] Illus. Portraits. (In The music of the modern 
world. Vol. I, pp. 138-140. New York [1895.]) M.14.1.1 
Scale. 

Biddle, H. p. The musical scale. Boston. 1867. M.104.1 
Delusse, C. Lettre sur une nouvelle denomination des sept 
degres successifs de la gamme, ou Ton propose de nou- 
veaux caracteres propres a les noter. Paris. 1766. Folded 
plate. No. 3 in M.377.13 

Hogarth, G. Doctrines respecting the scale. (In Musical 
World. No. 68-70. London. 1837.) M. 109.29 

Meerens. C. M. a. La gamme musicale majeure & mineure. 
Bruxelles. 1890. No. 10 in M. 207.18 

Wild, H. De la formation du mode mineur par revolution, 
la transformation et la fixite. Paris. 1898. M.372.26 

WooLHOusE, W. S. B. Essay on musical intervals, har- 
monics and the temperament of the musical scale. Lon- 
don. 1835. M.146.15 
Scales, The, of justice. Opera. For the Music see Caldicott. 

"A fishy case." 
Scalinger, G. M. 

Fortunio. Dramma lirico. Musica di Niccolo van Wester- 
hout. 11.399.67 

Scalvini, Antonio. 

II Guarany. Opera-ballo. Musica del Mo A. Carlos Gomes. 

M.266.18 
Scandale, Le, au theatre. Criticism. Poinsot. No. 2 in M.118.13 
Scande coeli. Offertory. Mozart. Werke. Serie 3. M.315.1.3 
Scandinavia. Music. 

Germa, M. L'art scandinave. La musique dans le Dane- 
mark, en Islande, en Norvege et en Suede. Histoire et 
monographie. [Par] Maurice Cristal [pseud.]. Paris. 
1874. No. 6 in M.372.21 

Scapulis suis. Motet. Lassus. Sammtliche Werke. Band 3. 

M.8o4oa.67.3 
Palestrina. Werke. Band 9. M.8o4oa.66.g 

Scaramouche. Pantomime. Messager. No. 2 in M.257.19; etc. 
Scarlatti, Alessandro. 

Cantate [a voce sola col basso continuo]. Vol. 2-4. Manu- 
script. [Rome? 180-?] 3 V. .M.360.10 
Cor mio. Madrigal [a. a. a. a. b.]. (In Warren. Collection 
of catches. Vol. 4, pp. 224-231.) No. 70 in M.220.9.4 
Fugue pour orgue. Paris. Heugel & cie. [187-?] 

No. 15 in M.414.30 
Gloria Patri [s. s. a. t. b., mit Orgel-Begleitung]. (In 
Rochlitz. Sammlung vorziiglicher Gesangstiicke. Band 2, 
pp. 38-43.) No. II in M.202.6.2 

Here for repose I fly. Song [s. or t. Accomp for piano- 
forte]. (In Turle and Taylor. The People's music book. 
Vol. 3, pp. 205-208.) No. 69 in M.I 1 1.4.3 

Kyrie eleison [in G, fiir s. A. t. b.]. (In Rochlitz. Samm- 
lung vorziiglicher Gesangstiicke. Band 2, pp. 35-37.) 

No. 10 in M.202.6.2 



27 



Scarlatti 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schaeffer 



Scarlatti, Alessandro. (Continued.) 

Messa a S e 7 voci. [In C. Vocal score.] Manuscript. 
[177-?] No. 5 in M.2S0.19 

Same. Sanctus [s. s. a. t. b.] und Agnus Dei [s. s. a. a. t. t. b.]. 
(In Rochlitz. Sammlung vorziiglicher Gesangstiicke. 
Band 2, pp. 48-55.) No. 13 in M.202.6.2 

La rosaura. [Opera.] Musica dell' Sigr Alessandro Scar- 
latti. Poesia del Sig. Giov. Battista Lucini. [Atto i, 2. 
Leipzig. Breitkopf & Hartel. 1885. Publikation aelterer 
praktischer und theoretischer Musik-Werke vorzugs- 
weise des xv. und xvi. Jahrhunderts.] No. i in M. 225.38 
Same. (In Oper, Die, von ihren ersten Anfangen bis zur 
Mitte des 18. Jahrhunderts. Theil 2, pp. 107-222. Leipzig. 
1885.) M.400.6.3 

Solfeggio. Arranged for 4 voices. (In Hullah. Part music. 
Secular. Vol. i, pp. 53-59-) No. 17 in M.157.28.1 

Toccades pour le clavecin. Manuscript. [Paris. 180-?] 

M.360.9 
Vanum est [s. solo, s. a. t. b., con accomp. di violini, bassi ed 
organo]. (In Rochlitz. Sammlung vorziiglicher Gesang- 
stiicke. Band 2, pp. 44-47.) No. 12 in M.202.6.2 
Thirty sonatas for the harpsichord or piano-forte. Lon- 
don. Printed for Rt. Birchall. [179-?] M.380.54 
Scarlet letter, The. Opera. For the Music see Damrosch, W. 

For the Libretto see Lathrop, G. P. 
Scendi propizia. Catch. Vento. No. 20 in M.220.10 

Scene de ballet. For pianoforte. Blumenthal. No. 8 in M. 190.10 
Scene de brigands. Part-song. Berlioz, L. H. No. 20 in M.391.32 
Scene de Faust. Song. Schubert, F. P. Melodies. Vol. 7- 

M.327.4.7 
Scene der Marfa. Song. Joachim. No. 3 in M. 358.16 

Scene d'Horace de Corneille. Cantata. For the Music see 

Saint-Saens. For the Libretto see Corneille. 
Scene patriotique. Cantata For the Music see Lesueur. 

For the Libretto see Dercy. 
Scene romantique. For violin and orchestra. Wagner-Loeber- 
scHUTZ. No. 3 in M.404.30 

Scene veneziane. For pianoforte and orchestra. Pirani. 

No. 4 in M.404.3 
Scenen aus Goethe's Faust. Cantata. For the Music see 

Litolff. 
Scenes alsaciennes. Suite. Massenet. No. 2 in M.343.18 

Scenes arabes. For orchestra. Hartog. No. 2 in M.407.1S 

Scenes bretonnes. Suite. Ropartz, J. G. M. No. 2 in M.405.50 
Scenes champetres. Suite. Vuidet. M.410.3 

Scenes de feerie. Suite. Massenet. No. i in M.343.18 

Scenes de la csarda. For violin and orchestra. Hubay. 

No. 2 in M.403.71 
Scenes dramatiques. Suite. Massenet. No. i in M.343.19 

Scenes ecossaises. For orchestra. Godard, B. L. P. 

No. 3 in M.403.45 
Scenes fantaisistes. Suite. Broustet. No. 2 in M.403.15 

Scenes heroiques. Cantata. For the Music see Ratez. For 

the Libretto see Rouvre. 
Scenes hongroises. Suite. Massenet. No. i in M.343.17 

Scenes italiennes. For orchestra. 

Godard, B. L. P. Serenade florentine. No. i in M.40S.18 

Sicilienne. No. 2 in M.405.18 

Tarentelle. No. 3 in M.405.18 

Scenes napolitaines. Stoite. Massenet. No. 2 in M.343.16 

Scenes of woe. Glee. Beale, W. A collection of 13 glees. 

No. 5 in M.158.30 
Scenes pittoresques. Suite. Massenet. No. 2 in M.343.17 

Scenes poetiques. For orchestra. Godard, B. L. P. 

No. I in M.343.41 
Schaab, Robert. 

Fiihrer durch die Literatur des Mannergesanges. 3te 
vermehrte Auflage. Leipzig. Forberg. [1873.] 

No. 2 in M. 145.6 

Liebestraum. Standchen [t. t. b. B.]. (/n Gartz. Thesaurus. 

Heft I, p. II.) No. 26 in M.203.7 

Nun nehme ich den Wanderstab. [Mannerchor.] (In 

Gartz. Thesaurus. Heft i, p. 11-13.) No. 26 in M.203.7 

Standchen. Manner-Chor. [Leipzig? 188-?] 

No. 61 in M.392.21 



Schabab. Part-song. Cavallo. Sieben Landsknechtslieder. 

No. 12 in M.392.6 
Schabler, Julius. 

Preis-Quartett fiir zwei Violinen, Viola und Violoncello. 

Partitur. Mannheim. Heckel. [185-?] No. i in M.405.80 

Schach dem Koenig! Opera. For the Music see Bruell. For 

the Libretto see Hirschfeld, V. 
Schachner, Joseph Rudolf. 

Der Heini von Steier. Gedichtet von J. V. Scheffel. Tonge- 
malde fiir Mannerchor mit Begleitung des Pianoforte 
componirt von J. R. Schachner. Op. 42. Wien. Schreiber. 
[ 186-?] No. 2 in M.212.1S 

Israel's return from Babylon. Sacred oratorio. In 4 parts. 
The words from Holy Scripture. The poetry from 
Moore's Sacred songs. [Pianoforte score.] London. 
Boosey. [1863.] M.243.23 

Schachtlied. Part-song. Schubert, F. P. Werke. Serie 16. 

M.317.1.16 
Schachtner, Andreas. 

Zaide. Oper von W. A. Mozart. M.3io.4i;etc. 

Schachtner, Andreas, translator. 

Mozart. Idomeneus, Konig von Greta. Oper. M.110.13 
Schack, Benedict. 

A mass, for 4 voices. Composed by Benedetto Schak, with 
additions by Mozart. Arranged with a separate accomp. 
for the organ or pianoforte, by Vincent Novello. Lon- 
don. Novello. [1831.] No. 3 in M.260.8.3 
Schaefer, Anny. 

Der Miinzenfranz. Volksoper. Musik von Hans Koessler. 

M.397.38 
Schaefer, Der. Part-song. Otto, F. Sechs Lieder. Op. 9. 

No. 40 in M.392.19 
Schaefer im Mai. Song. Taubert, C. G. W. Sechs Lieder. 
Op. 22. No. 5 in M.221.26 

Schaefer, Der, und der Reiter. Song. Schubert, F. P. Werke. 
Serie 20, Band 5. M.317.1.20,5; etc. 

Schaeferhut, Der. Part-song. Ellmenreich. No. 9 in M.392.33 
Schaeferin, Die, vom Lande. Part-song. Rheinberger, J. G. 

No. 2 in M.280.37 
Schaeferlied. Song. Haydn, F. J. Gesaenge. Heft 2. 

No. 2 in M.312.3S 
Schaefers Klagelied. Song. Schubert, F. P. Werke. Serie 
20, Band i. M.317.1.20.1; etc. 

Schaefers Nachtlied. Song. Cornelius. Werke. Band i. 

M.414.20.1 
Schaeff, H. 

Drei Lieder fiir vierstimmigen Mannerchor. Op. 7. Schleu- 
singen. Glaser. [188-?] No. 5-7 in M.392.23 

Contents. — I. Unter'm Strohdach. 2. Sirach 32. 3. Aus den Spriichen 
Salomonis. 

Schaeffer, August. 

Der alte Fritz auf Sans-souci. [Mannerchor.] Op. 14, No. 8. 
Berlin. Schlesinger. [184-? Heitere Lieder. 2. Folge. 6.] 

No. 9 in M.392.23 
Der Angelgalopp. [Mannerchor.] Op. 38, No. 5. Berlin. 
Schlesinger. [1845? Heitere und ernste Lieder. 5.] 

No. 12 in M.392.23 
Come away, come away. Polka-serenade [t. t. b. b.]. (In 
The Orpheus. New series. Vol. i, pp. 17-20.) 

No. 4 in M.205.10.1 
Das deutsche Kaiserlied [t. t. b. b.]. Op. 21, No. 4. Berlin. 
Schlesinger. [184-? Heitere Lieder. 3. Folge. 4.] 

No. 10 in M.392.23 

Drei Heldenlieder. Fiir den vierstimmigen Mannergesang. 

Op. 33. Berlin. Schlesinger. [184-?] No. 11 in M.392.23 

Contents. — Der alte Dessauer. — ■ Der alte Ziethen. — Der alte Derf- 

fling. 

Eisenbahn. [Mannerchor.] Op. 8, Heft 3. Berlin. Schle- 
singer. [1848? Heitere Lieder. 3.] No. 8 in M.392.23 

Das emporte Suschen. Lied fiir eine Sopran- oder Tenor- 
Stimme mit Piano. Berlin. Trautwein. [185-?] 

No. I in M.236.8 

Der Landesvater. Variatio delectat. [Zwei Mannerchore.] 
Op. 50, No. 2. Berlin. Schlesinger. [1852? Heitere 
Lieder. 5. Folge. 2.] No. 13 in M.392.23 



28 



Schaeffer 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schauseil 



Schaeffer, August. (Continued.) 

Das Lied von Minnecken. [Mannerchor.] Op. 64A. Leip- 
zig. Siegel. [1856? Drei humoristische Gesange. i.] 

No. 15 in M.392.23 
The love-struck herring. [Part song, t. t. b. b.] Boston. 

Schmidt. [1890.] No. 62 in M.392.21 ; No. 19 in M.203.20 

Der Rath von Pantoffelhein. [Mannerchor.] Op. 50, No. 4. 

Berlin. Schlesinger. [185S? Heitere Lieder. 5- Folge. 

> 1 No. 14 in M.392.23 

Roschens Sehnsucht. [Lied, s. Mit Piano.] Berlin. Traut- 

wein. [i8s-?] No. 7 in M.236.8 

Die Weinprobe. [Mannerchor.] (In Abt. Deutsche Sanger- 

halle. Vol. 4, p. 81.) No. 29 in M.392.42.4 

Der Wirth zum Wassermann. [Mannerchor.] (In Stutt- 

garter Liederkranz. Mannerchor-Album. Pp. 92-94) 

No. 5 in M. 203.22 

Schaeffer, Heinrich. 

Der vveise Salomo. [Mannerchor.] (In Abt. Deutsche 
Sangerhalle. Vol. 2, pp. ioi-io6.) No. 32 in M.392.42.2 
Schaeffer, Julius. 

The maiden's lament [t. t. b. b.]. (In The Choralist. Vol. i, 
series 3.) No. 32 in M.i57.S-i 

Also to be found in Willard's Arion. 
Zwei Beurtheiler Robert Franz's. Ein Beitrag zur Beleuch- 
tung des Unwesens musikalischer Kritik in Zeitungen 
und Broschiiren. Breslau. Leuckart. 1863. 

No. 5 in M. 207.3 

Schaeffer, Leonhard. 

Sonntags-Morgen. [Mannerchor.] Op. 8, No. i. Leipzig. 
Forberg. [1865? Drei Lieder. i.] No. 16 in M.392.23 
Schaeffer, O. H. 

Um Pfingsten. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 2, pp. 38-41.) No. 12 in M.392.42.2 
Schaetzelein, es kriinket mich. Song. Curschmann. Cursch- 
mann-Album. No. i in M.157.37 
Schahabaham II. Opera. For the Music see Gautier, J. F. E. 

For the Libretto see Ribbing. 
Schak, Benedetto. See Schack, Benedict. 
Schale, Die, der Vergessenheit, Song. Brahms. Vier Gesange. 
Op. 46. No. 9 in M.380.40.1 

Schalk, Der. Part-song. Zoellner, H. No. 82 in M.392.24 

Schalk, Der. Song. Franz, R. Sechs Gesange. Op. 3. 

No. 14 in M.244.S.1 
TiEHSEN, O. Sechs Gedichte. No. 14 in M.236.8 

Schambach, Otfried, editor. 

Liederhalle fiir Deutschlands Jugend. Altenburg. Bonde. 
[1883.] M.205.28 

Contains the airs of many songs. 
Schaper, Gustav. 

Hurrah, Germania! Gedicht von Freiligrath. Fiir Chor- 

gesang [s. s. a.] componiert von Gustav Schaper. Op. 31. 

Magdeburg. Heinrichshofen. 1895. No. 15 in M.203.20 

Musikalische Gedenkblatter fiir Streich-Quartett in ein- 

facher Besetzung. Op. 12. Braunschweig. Litolff. [1870.] 

No. 4inM.357.19 
Coulenls. — No. I. Widmung. No. za. Stilles Gliick. No. 2b. Susses 
Erinnern. No. 3. Selige Ruh? [als Streich-Quartett und] als Streich- 
Quintett. 

Scharf, Moritz. 

Fantasie fiir Orchester. Op. 40. Partitur. Leipzig. Reinecke. 
[189-?] Lithograph script. No. i in M.407.25 

Quartett (G dur) fiir zwei Violinen, Viola und Violoncell. 
Op. 60. Partitur. Leipzig. Reinecke. [189-?] 

No. 4 in M.404.39 
Quintett fiir Violine, Viola, Cello, Bass und Clavier. Op. 41. 
[Stimmen.] Leipzig. Brauns. 1892. 5 parts in i v. 

M.404.66 

Scharf e, Gustav. 

Dem deutschen Mannersang. [Mannerchor.] (In Gruber. 
Sangeshort. Heft i, pp. 3-6.) No. i in M.370.30 

Scharwache, Die. Part-song. Boehme, M. No. 36 in M.392.3 
Scharwenka, Franz Xaver. 

Andante religioso for string orchestra, harp and organ. 
Op. 46A. Full score. London. Augener & Co. [188-?] 

No. 3 in M.342.33 



Scharwenka, Franz Xaver. (Continued.) 

Concert (B moll) fiir das Pianoforte mit Begleitung des 
Orchesters. Op. 32. Orchester-Partitur. Bremen. Praeger 
& Meier. [187-?] M.33I.29 

Koncert, 2tes, fiir Pianoforte und Orchester. Op. 56. Par- 
titur. Leipzig. Breitkopf & Hartel. [1881.] 

No. 2 in M.342.33 

Konzert (Nr. 3. in Cis moll) fiir Klavier und Orchester. 

Op. 80. Partitur. Leipzig. Breitkopf & Hartel. 1899. 

M.404.13 
Mataswintha. Oper in 3 Aufziigen. Text nach F. Dahn's 
,.Ein Kampf um Rom" von Ernst Koppel. Musik von 
Xaver Scharwenka. Vollstandiger Klavierauszug. Leip- 
zig. Breitkopf & Hartel. 1893. M.322.6 
Symphonie in C moll fiir Orchester. Op. 60. Partitur. 
Leipzig. Breitkopf & Hartel. [1884?] No. i in M.342.33 
Scharwenka, Ludwig Philipp. 

Arkadische Suite fiir Orchester. Op. 76. Partitur. Leip- 
zig. Breitkopf & Hartel. [i88-?] No. 3 in M.342.32 
Dramatische Phantasie fiir grosses Orchester. Op. 108. 
Partitur. Leipzig. Breitkopf & Hartel. 1900. M.404.67 
Fest-Ouverture fiir Orchester. Op. 43. Partitur. Bremen. 
Praeger & Meier. [188-?] No. 2 in M.342.32 
Friihlingswogen. Symphonische Dichtung (As-dur) fiir 
grosses Orchester. Op. 87. Partitur. Berlin. Simon. 
1891. No. 3 in M.333.19 
Fiir die Jugend. Op. 71, Nr. i, 3 u. 4. Fur Streichinstru- 
mente bearbeitet von Max Burger. [Partitur.] Leipzig. 
Breitkopf & Hartel. [1896.] No. 3 in M.404.12 
Liebesnacht. Fantasiestiick fiir Orchester. Op. 40. Par- 
titur. Bremen. Praeger & Meier. [188-?] No. 2 in M.333.19 
Polnische Tanzweisen. Op. 38. Partitur. Bremen. Praeger 
& Meier.* [188-?] No. 3 in M.343.33 
Sakuntala. Dichtung von Carl Wittkowsky. Fur Soli. Chor 
und Orchester componirt von Philipp Scharwenka. Voll- 
standiger Klavier- Auszug. Berlin. Bote & Bock. [188-?] 

M.322.5 

Serenade fiir Orchester. Op. I9- Partitur. Bremen. 

Praeger & Meier. [187-?] No. i in M.333-I9 

2 polnische Volkstanze fiir Orchester. Op. 20. Partitur. 

Offenbach a/M. Andre. [187-?] No. i in M.342.32 

Scharwenka, Ludwig Philipp, editor. 

MoszKowsKi. Spanische Tanze. No. 5 in M.342.19 

Scharwenka, Philipp. See Scharwenka, Ludwig Philipp. 

Schatten, Die. Song. Schubert, F. P. Werke. Serie 20, 

Band I. M.317.1.20.1 

Schatz, Der. Opera. For the Music see Maurice, A. For the 

Libretto see Schwerdersky. 
Schatz graeber, Die. Opera. For the Music see Mehul. For 

the Libretto see Hoffman, F. B. 

Schatzgraeber, Der. Song. Schubert, F. P. Werke. Serie 20, 

Band 3. M.317.1.20.3 

Schumann, R. A. Werke. Serie 13, Band 2. M.316.1.13.2; etc. 

Schatzgraebers Begehr. Song. Schubert, F. P. Werke, 

Serie 20, Band 7- M.3i7.i.20.7;etc. 

Schau her, mein Lieb'. Part-song. Brambach. Acht schottische 

und irische Volksmelodien. No. 4^ in M.392.3 

Schau ich in Eure Augen. Part-song. Weinwurm. Deutsche 

Minnelieder. No. 22 in M.392.38 

Schau', lieber Gott, wie meine Feind'. Anthem. Bach, J. S. 

Werke. Jahrgang 32. M.8040.21.32 

Schau mir in's Herz. Part-song. Ploetz. No. 19 in M.392.20 

Schaub, M. t^ . 

Die Worte der Liebe. [Mannerchor.] (In Orpheus. Band 
6_ pp. 51-53.) No. 207 in M.i29a.43.6 

Schauet doch und sehet. Anthem. Bach, J. S. Werke. Jahr- 
gang 10. M.8040.21.10 
Schaumann, Franz. _ 

Die Abenteuer einer Neujahrsnacht. Komische Oper. 
Musik von Heuberger. M.276.40 

SchauseU, Wilhelm, editor. 

Mozart. Lullaby. No. 1 1 in M.303.20 

Reinthaler. Glockenthurmers Tochterlein. 

No. 30 in M.392.20 
Der Schnee ist vergangen. No. 28 in M.392.31 

29 



Schauspieldirector THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Scherling 



Schauspieldirector, Der. Opera. For the Music see Mozart. 

Werke. Serie 5, No. 16. 
Schauspiel-Ouverture. For orchestra. Hofmann, H. C. J. 

No. 2 in M.410.34 
Schauss, Carl. 

Waldruf. Fiir vierstimmigen Mannerchor. Wiesbaden. 

Schauss. [188-?] No. 16inM.203.20 

Schebek, Edmund. 

The violin manufacture in Italy and its German origin. 

Translated by Walter E. Lawson. London. Reeves. 

1877. No. 7 in M.116.10 

Zwei Briefe iiber Johann Jacob Froberger. Ein biogra- 

phischer Beitrag. Prag. Ruh. 1874. No. 11 in M.372.40 

Scheerbauer, . 

Missa quatuor paribus vocibus accommodata. N. p. N. d. 
Lithograph script. No. 4 in M.156.39 

Scheffel, Joseph Victor von. 
Am Traunsee. Gedicht. Fiir Bariton-Solo und Frauenchor 
mit Streichorchester componirt von Ferd. Thieriot. 

No. 6 in M. 391.58 

Bergpsalm. No. i der „Bergpsalmen." Componirt fiir 

Mannerchor, Bariton-Solo und Orchester von Karl Hoff- 

bauer. No. 7 in M.212.7 

Ekkehard. Open Musik von J. J. Abert. M.25S.1 

Gersprenz. Fiir Bass- oder Baryton-Solo, Mannerchor 

und Orchester komponirt von Adolf Wallnofer. 

No. 7 in M.212.18 

Der Heini von Steier. Tongemalde fiir Mannerchor mit 

Begleitung des Pianoforte componirt von J. R. Schachner. 

No. 2 in M.212.1S 
[Die Linde am Ettersberg.] Musik aufgefiihrt von Eduard 
Lassen. No. 3 in M.391.41 

Die Maulbronner Fuge. Fiir eine Bariton^timme und 
Mannerchor mit Begleitung des Pianoforte componirt 
von Siegfried Ochs. No. 18 in M.212.11 

Normannenzug. Gedicht aus „Ekkehard." Fiir Bariton- 
Solo, einstimmigen Mannerchor und Orchester componirt 
von Max Bruch. No. 2 in M.270.21 

La regine Avrillouse. (Die Maikonigin.) Altfranzosischer 
Friihlingstanzreigen aus Scheffel's Frau Aventiure. Fiir 
dreistimmigen Frauenchor mit Begleitung des Orchesters 
von Arnold Krug. No. 5 in M.333.12 

Der Trompeter von Sackingen. Oper. Musik von Emil 
Kaiser. M.286.31 

Same. Aus Scheffel's Dichtung von R. Bunge. Musik von 
Nessler. M.267.33 

Der Willekumm, aus Scheffel's „Gaudeamus!" Von Adolf 
Jensen. Fiir Mannerchor und Orchester (oder Piano- 
forte) bearbeitet. No. 7 in M.280.6 
Schefsky, Hans Heinrich. 

Lorle. Oper. Musik von Alban Forster. M.393.18 

Scheherazade. State. Rimski-Korsakof. M.337.2 

Schehlmann, Louis. 

The captive brook. [Part song, t. t. b. b. Boston.] Russell. 

1887. No. 63 in M.392.21 ; No. 17 in M. 392.23 

When I gaze into thine eyes, [Part song, t. t. b. b.] Bos- 



ton. Russell. [1888.J 
Schehlmann, Louis, editor. 

Liszt. Thou art like unto a flower. 
Schumann, R. A. Thou art to me a 



No. 18 in M.392.23 

No. 26 in M. 203.15 
flower. 

No. 20 in M. 203.20 
Scheibe, Johann Adolf. 

Ariadne auf Naxos [von H. von Gerstenberg], und Johann 
Elias Schlegels Prokris und Cephalus. In Musik gesetzt, 
fiir das Clavier und eine oder zwo Singestimmen, nebst 
einem Sendschreiben iiber das Recitativ und die Dekla- 
mation von Johann Adolph Scheiben. Erneuerte Ausgabe. 
Altona. Hellmann. 1779. M.203.42 

Scheibler, Johann Heinrich. 

Lecomte, J. L. M. Memoire explicatif de I'invention de 

Scheibler. Pour introduire une exactitude inconnue avant 

lui, dans I'accord des instruments de musique. Lille. 1856. 

Folded sheets. No. 2 in M.373.33 

Scheidelied. Part-song. Gelbke. Zwei Mannerchore. Op. 6. 

No. 20 in M.392.9 



Scheidemann, David. 

Wie herrlich strahlt der Morgenstern. [Mannerchor.] 

{In Eidgenoessischer Saengerverein. Mannerchore fiir 

das lite . . . Sangerfest. P. i.) No. 2 in M. 130.7 

Scheiden. Duet. Cornelius. Werke. Band 2. M.4i4.20.2 

Scheiden. Part-song. 

Hauser, M. H. Sechs Lieder. Op. 13. No. 37 in M.392.10 
Kern. Acht Lieder fur Mannerchor. Op. 58. 

No. 46 in M.392.12 

MoEHRiNG. Fiinf Gesange. Op. 83. No. I4in M.392.18 

WiLHELM, C. No. 217 in M.147.4 

Scheiden ohne Leiden. Part-song. Schmidt, G. No. 2 in M.392.38 

Scheiden und Meiden. Duet. Cornelius. Werke. Band 2. 

M.414.20.2 
Scheiden und Meiden. Part-song. 

Erk. Volksklange. No. i in M.130.8 

Franz, R. 6 Lieder fur gemischten Chor. Op. 49. 

No. 19 in M.158.22 
JuENGST. Zwei Lieder. No. Zi in M.392.12 

Scheiden und Meiden. Song. Brahms. Fiinf Gedichte. 

No. 5 in M.380.40.1 
Scheidend. Song. Mendelssohn-Bartholdy, J. L. F. Werke. 
Serie 19. M.413.3.19 

Schein, Johann Hermann. 

Samtliche Werke. Herausgegeben von Arthur Priifer. 
Band i, 2. Leipzig. Breitkopf & Hartel. 1901-04. 2 v. 
Portraits. Facsimiles. M.414.1 

Contevts. — i. Venus Kranzlein. — Banchetto musicale. 2. Musica 
boscareccia oder Waldliederlein. — Weltliche Gelegenheits-Komposi- 
tionen. 

Scheintod, Der. Part-song. Fink. Die deutsche Liedertafel. 

No. 87 in M.213.9 
Schelle, Carl Eduard. 

Die papstliche Sangerschule in Rom genannt die Sixtinische 

Capelle. Wien. Gotthard. 1872. 2 plates. No. I in M.144.3 

Der Tannhauser in Paris und der dritte musikalische Krieg. 

Eine historische Parallele. Leipzig. Breitkopf & Hartel. 

1861. No. 3 in M. 198.9 

Schelle, Eduard. See Schelle, Carl Eduard. 

Schelling, Ernest. 

Suite fantastique pour piano et orchestre. [Op. 7. Par- 
tition. Leipzig. Rahter. 1908.] M.411.90 
Schelling, Hermann, translator. 

Sophocles. Sophokles' Antigone. No. 16 in M.145.25 

Schelm, Der, vom Bergen. Part-song. Rheinberger, J. G. 

No.' 15 in M.392.22 
Schels, Anton. 

Das schonste Lied. Festgedicht. Musik von Josef Stritzko. 

No. 8 in M.212.17 
Schenk, Johann. 

Der Dorfbarbier. Komische Oper in 2 Akten von Johann 

Schenk. [Text von Joseph Weidemann.] Klavierauszug. 

Leipzig. Reclam. 1856. M.340.13 

Schenkendorf, Gottlob Ferdinand Maximilian Gottfried von. 

Gesang der heiligen drei Konige. Gedicht. Fiir drei 

Mannerstimmen [t. b. b.] und Orchester componirt von 

Max Bruch. No. 3 in M.353.21 

Scherff, Ludwig. 

Die Rose von Bacharach. Romantische Oper in 3 Acten. 
[Text und Musik] von Ludwig Scherff. [Klavierauszug.] 
Hamburg. Niemeyer. [1871.] 10 parts in i v. 

No. I in M.391.21 
Same. Ouvertiire. Partitur. Hamburg. Niemeyer. 1875. 

No. 4 in M.404.12 

Triumph-Marsch auf Deutschlands Erhebung, fiir grosses 

Orchester. Op. 10. Partitur. Hamburg. Niemeyer. 

[187-?] No. 4inM.335.11 

Scherillo, Michele. 

Storia letteraria dell' opera buffa napolitana dalle origini 
al principle del secolo xix. Napoli. Tip. della Regia 
universita. 1883. M.214.16 

Scherling, Chr., editor. 

Liebe, E. L. Die Wacht auf den Vogesen. Fiir Manner- 
chor mit Instrumental- oder Pianoforte-Begleitung von 
Chr. Scherling. No. i in M.203.5 



30 



Scherz 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schifferlied 



Scherz, List und Rache. Opera. For the Music see Bruch. 

For the Libretto see Goethe. 
Scherzlied. Part-song. Dehn. No. 164 in 11.1293.43.5 

Scherzo fantastique. For orchestra. Suk. M.410.93 

Scherzos. For orchestra. 

Delahaye, L. L. Arlequin. No. i in M.3ia.26 

Draeseke. Scherzo (11. Satz einer Symphonic in G dur). 

No. I in M.335.20 
DuKAS. L'apprenti sorcier. Scherzo d'apres une ballade 
de Goethe. M.410.20 

Dvorak. Scherzo capriccioso No. 3 in M.344.42 

Frischen, J. Ein rheinisches Scherzo. No. 3 in M.406.11 

GoLDMARK. Scherzo. Op. 19. No. 2 in M.346.18 

Scherzo. Opus 45. No. 2 in M.404.81 

HoFMANN, H. C. J. Irrlichter und Kobolde. No. 2 in M.331.17 

JuNGMANN. Im Elfenhain. No. 2 in 11.342.9 

KoEHLER, B. Scherzo. No. 3 in M. 403.85 

KopiLov. Scherzo. No. 2 in M. 405. 28 

Lalo. Scherzo. No. 3 in M.343.23 

Mendelssohn-Bartholdy, J. L. F. Scherzo a capriccio fur 

Piano. Fiir vollstandiges Orchester eingerichtet von 

Theodor Leschetizky. No. 4 in M.342.18 

Naumann, O. Junker tJbermut. No. 2 in M.410.50 

Nedbal. Scherzo-Caprice. No. 3 in M.405.34 

Radecke, a. M. R. Zwei Scherzi. No. 3 in M.342.25 

SuK, J. Scherzo fantastique. M.410.93 

Wermann. Scherzo. No. 4 in M. 405.63 

Scherzos. For pianoforte. 

Chopin, F. F. Werke. Band 7, Abtheilung 2. M.316.2.7.2 
Scherzos. For violin and orchestra. 

TcH.\iKovsKi, P. L Valse scherzo. Pour le violon avec 
accomp. d'orchestre. No. 4 in M. 334.24 

Schettler, Paul. 

Hertha. Oper von Paul Geisler. M.381.18 

Schiava, La. Opera. For the Music see Piccinni, N. 
Schiavo, Lo. Opera. For the Music see Gomes. For the 

Libretto see Paravicini. 
Schicht, Johann Gottfried. 

Ave Maria, [s. et t. solo, et choeur. Accomp. d' orgue.] 

(In Dietsch. Repertoire de musique religieuse. Pp. 177- 

179.) No. 37 in M.260.20 

Dignare Domine. Preghiera a 4 voci. [Accomp. for organ.] 

(/« Novello. Evening service. Vol. i, pp. 154, 155.) 

M.260.23.1 
Das Ende des Gerechten. Passions-Oratorium von Fried- 
rich Rochlitz. In Musik gesetzt auch im vollstandigen 
Klavierauszug gebracht von Johann Gottfried Schicht. 
Leipzig. Hofmeister. [182-?] M.222.14 

Et rege eos. Chorus. [Accomp. for organ.] (In Novello. 
Motetts. Vol. 2, book 7, pp. 26-30.) No. 8 in M. 260.24.2 
Die Feyer der Christen auf Golgotha. Ein Oratorium, von 
C. C. H. Rost. In Musik gesetzt und als ein Auszug zum 
Singen beym Klaviere herausgegeben von Johann Gott- 
fried Schicht. Leipzig. Boehme. 1785. No. i in M. 152.29 
Meine Lebenszeit verstreicht. Mottetto. [Vierstimmig.] 
Leipzig. Breitkopf & Hartel. [182-?] 

No. I in M.^1.58; No. 3 in M.236.19 
[Motetten. Heft i-ii. Partitur.] Leipzig. Breitkopf & 
Hartel. [182-?] 11 parts in i v. M.236.19 

Contents. — i. Nach einer Prufung kurzer Tage [s. s. a. a. t. r. b. 
B.]. 2. Jesus, meine Zuversicht. 3. Meine Lebenszeit. 4. Ich will dich 
erhohen. — Christe! du Lamm Gottes. 5. Gross ist der Herr. 6. 
Kommt herzu, lasst uns dem Herrn frohlocken. — Die mit Thranen 
saen. — Lasst uns mit ehrfurchtsvollem Danken. — Der Winter. 7. 
Lobet den Herrn in seinem Heiiigthume [s. s. A. A. T. T. b. b.] . — 
Das Gebet Jesu. 8. Jauchzet dem Herrn alle Welt [s. s. a. a. t. t. 
B. B.]. 9. Lobgesang auf Jesus. — Ach, schwer und dunkel schwebt 
die Zeit. — Jesus der Kinderfreund. — Auf, Briider, lasst am trauten 
Heerd. 10. Holde Hoffnung, Kind des Himmels. — Schon ruht von 
Nacht und Staub bedeckt. — Da Sie, ihr Name wird im Himmel nur 
genennet. — Steig empor in stiller Abendstunde. 11. Gott ist unsre 
Zuversicht. — Auf Gott und nicht auf meinen Rath. 

Preis der Dichtkunst. Ein musikalisches Gedicht vom 
Domherrn von Nostitz. In Musik gesetzt von Johann 
Gottfried Schicht. [Klavierauszug.] Leipzig. Breitkopf. 
[1796.] No. I in M.221.13 



Schicht, Johann Gottfried. (Continued.) 

Salvum fac populum. s. solo. [Accomp. for organ.] (In 
Novello. Motetts. Vol. 2, book 7, pp. 13-15.) 

No. 4 in M.260.24.2 
Sechs Gesange von Matthias Claudius, Matthisson und von 
Salis, fiir 4 und mehrere Singstimmen, in Partitur. In 
Musik gesetzt von Joh. Gottfried Schicht. Leipzig. Hof- 
meister. [181-?] No. 2 in M. 152.29 

Contents. — Abendlied [s. s. a. t. t. b.]. — Die Kinderzeit. — Elisium. 
— Taglich zu singen. — Die Vollendung. — Die Betende. 
Tu Rex gloriae. Choral motett. [Accomp. for organ.] (In 
Novello. Evening service. Vol. i, pp. 156-160.) M.26o.23.i 
Veni Sancte Spiritus. 4 voices. [Accomp. for organ.] (In 
Novello. Evening service. Vol. 2, pp. 205-212.) 

M.260.23.2 
Schick, Margarete Luise. 

Levezow, C. von. Leben und Kunst der Frau Margarete 

Luise Schick. Berlin. i8og. No. 4 in M.145.20 

Schicksal. Part-song. George v., of Hanover. Sechs Lieder. 

No. 7 in M.155.17 

Schicksalslenker, blicke nieder. Part-song. Schubert, F. P. 

Werke. Serie 17. M.317.1.17 

Schicksalslied. Cantata. For the Music see Brcihms. For 

the Libretto see Hoelderlin. 
Schiebeler, Daniel. 

Lisuart und Dariolette, oder die Frage und die Antwort. 

Eine romantisch-comische Oper. In die Musik gesetzt 

von Johann Adam Hiller. M.330.2 

Die Muse. Ein Nachspiel. lu Musik gesetzt von Johann 

Adam Hiller. M.320.27 

Die Musen. Singspiel. In Musik gesetzt von J. A. Hiller. 

M.360.16 
Schiedermair, Ludwig. 

Gustav Mahler, Erste Symphonic in D-dur. Erlautert. 

Leipzig. Seemann. [1901.] No. 18 in M.217.12.9 

Gustav Mahler, Dritte Symphonic. (Mit Text.) Erlautert. 

Leipzig. Seemann. [1901.] No. 2 in M.217.12.10 

Max Schillings, Symphonischer Prolog zu Sophokles' 

„K6nig CEdipus." Erlautert. Leipzig. Seemann. [1901.] 

No. 16 in M.217.12.10 
These three works form respectively No. 222, 227, 241 of Der Musik- 
fuhrer. 

Schiedermayer, Joseph Bernhard. 

Benedictus. [A 4 voix. Accomp. d'orgue.] (In Dietsch. 
Repertoire de musique religieuse. Pp. 156-159.) 

No. 34 in M.260.20 
Kyrie. [A 4 voix. Accomp. d'orgue.] (In Dietsch. Reper- 
toire de musique religieuse. Pp. 82-86.) No. 17 in M.260.20 
Mass, in C. Full score. Manuscript. [183-?] M.250.45 
Schiff, Das. Song. Rubinstein. Zwolf Lieder. Op. 36. 

No. 9 in M. 192.5 
Schiffer, Der. Song. 

Rubinstein. Sechs Lieder. Op. 8. No. i in M.192.S 

Schubert, F. P. Werke. Serie 20, Band 5, 6. M.317. 1.20.5, 6 

Schiffer, Die. Part-song. Abt, F. No. 14 in M.392.1 

Schiffer, Der, fahrt zu Land. Curschmann. Curschmann- 

Album. No. i in M.157.37 

Schiffer's Abfahrt. Part-song. Schmoelzer. No. 66 in M.392.21 

Schiffers Abschied. Part-song. Abt, F. Vier vierstimmige 

Mannergesange. Op. 312, Heft i. No. i in M.392.2 

Marschner, a. E. No. 24 in M. 1293.43.9 

Schiffers Ausfahrt. Part-song. Vesque von Puettlingen. 

3 Quartetten. 20. Werk. No. 12, 13 in M.212.7 

Schiffers Scheidelied. Song. Schubert, F. P. Werke. Serie 

20, Band 8. M.317.1.20.8 

Schiffergebet. Part-song. Storch. No. 6 in M.270.13 

Schiffergesang. (Nordische Volksweise.) [Mannerchor.] 

(In Eidgenoessischer Saengerverein. Wettgesange bei 

dem lite . . . Sangerfeste. P. 28.) No. 9 in M.I30.7 

Schiffergesang. Part-song. Eckert. No. 43 in M.392.24; etc. 

Schiff erin, Die. Song. Blum, C. L. Lyra fur Damen. 

No. 32 in M.221.30 

Schifferlied. Duet. Taubert, C. G. W. 6 deutsche Lieder. 

Op. 12. No. 5 in M.221.26 



31 



Schifferlied 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schilling 



Schifferlied. Part-song. Abt, F. Vier Gesange fiir vier 

Mannerstimmen. Op. 175. No. 19 in M.392.1 

KiTTL. No. S3 in M.204.39 

MoEHRiNG. 2 deutsche Gesange fiir vierstimmigen Manner- 

chor. Op. 74. No. 12 in M.392.18 

MoELDNER. No. S4 in M.204.39 

ScHMOELZER. Vier Lieder. Op. 381. No. 68 in M.3g2.2i 

Schifferlied. Song. 

Abt, F. Lebensfriihling. Heft 2. No. 26 in M.192.1 

KuECKEN. No. 7 in M.244.6.3 

Taubert, C. G. W. Sechs deutsche Lieder. 5. Werk. 

No. I in M.221.26 

Schifferstaendchen. Part-song. Abt, F. No. 23 in M.392.1 ; etc. 

Schifflein, Das. Part-song. Kreutzer, C. Sechs Lieder. Op. 

24. No. 54 in M.392.13 

Schumann, R. A. Werke. Serie 12. M.316.1.12; etc. 

Schifflein, Das. Song. Mendelssohn-Bartholdy, J. L. F. 

Werke. Serie 19. M.413.3.19 

Schiffmann, Der. Barcarolle. Donizetti. Nuits d'ete a Pau- 

silippe. No. 15 in M.244.4 

Schiffskapitain, Der. Opera. For the Music see Blum, C. L. 

Schiffspatron, Der. Opera. For the Music see Ditters von 

Dittersdorf. 
Schikaneder, Emanuel Johann. 

Babilons Piramiden. Eine grosse heroisch-koniische Oper. 
In Musik gesetzt, der erste Aufzug von Johann Gallus 
[Pseud.], der zweyte Aufzug von Peter Winter. 

M.151.42; etc. 

II flauto magico. See his Die Zauber Flote. 

[Das Labyrinth.] Der zweyte Theil der Zauberflote unter 

dem Titel Das Labyrinth oder der Kampf mit den Ele- 

menten. Eine grosse heroisch-komische Oper. In Musik 

gesetzt von Peter Winter. M.isi.41; etc. 

JDer Tyroler Waste! von Haibel. Overtura, Arien und 

Duetten aus der Oper.] No. i in M.350.6 

Die Zauber Flote, or II flauto magico. An heroi-comic 

opera. Music by Mozart. Translated from the German 

by Signer Gamerra. London. Brittell. 1811. 

Libretto only, in English and Italian. No. 10 in M.I47.7 

Same. Flauto magico. Musique de Mozart. M.367.30 

Schild, Der, der deutschen Ehre. Part-song. Reinecke, C. 

H. C. No. 28 in M. 392.20 

Schilderung eines Madchens. Song. Beethoven. Werke. 

Serie 23. M.413.1.23 

Schildhom. Cantata. For the Music see Rohde. For the 

Libretto see Gurski. 
Schildwacht, Die. Song. Tiehsen. Acht Gedichte. 

No. 12 in M.236.8 

Schilflied. Song. Mendelssohn-Bartholdy, J. L. F. Werke. 

Serie 19. M.413.3.19 

Taubert, C. G. W. 12 Lieder. Sang der Liebe. Op. 17. 

No. 4 in M.221.26 
Schilflieder von Nic. Lenau. Songs. Franz, R. 

No. 13 in M.244.5.1 
Schiller, Johann Christoph Friedrich von. 

An die Kiinstler. Gedicht. Componirt fiir Mannergesang, 
Soli und Chor und Orchester von Franz Liszt. 

No. 4 in M. 212.10 
The bride of Messina. (Braut von Messina.) Tragic opera. 
Composed by Johann Heinrich Bonawitz. M.396.15 

Dichtungen. In Musik gesetzt von Wilhelm Taubert. 

No. 1-4 in M.ig2.8 
Dithyrambe. Fiir Tenor-Solo, sechsstimmigen Chor und 
Orchester, von Max Bruch. No. 3 in M.1S4.35; etc. 

Same. Fur Mannerstimmen (Chor und Solo) und Or- 
chester componirt von Julius Rietz. No. 2 in M.352.24; etc. 
Das Eleusische Fest. Fur Soli (s. und bar.), Chor und 
Orchester componirt von C. Jos. Brambach. 

No. 2 in M.270.18 

[Fiesco.] Ouverture zu Schiller's „Fiesko." Fiir Orchester 

componirt von Heinr. Urban. No. 6 in M.404.17 

Die Glocke. See his Das Lied von der Glocke. 

Die Gunst des Augenblicks. Gedicht. Fiir vierstimmigen 

Mannerchor, Soli und Harmoniemusik in Musik gesetzt 

von F. W. Markull. No. I in M.203.3 



Schiller, Johann Christoph Friedrich von. (Continued.) 

Johanna von Orleans. Scenen nach Schiller's Drama. Fiir 
Soli (s. und BAR.), Mannerchor und Orchester komponirt 
von Heinrich Hofmann. No. 9 in M.212.7 

Same. Die Jungfrau von Orleans. Fiir Solostimmen, Chor 
und Orchester componirt von C. Ad. Lorenz. M. 240.6 

Same. OpjieancKaa a-fesa. [Die Jungfrau von Orleans.] 
Onepa. TeKci-b no lIlHJiJiepy h >KyK0BCK0My. MyawKa n. 
MaftKOBCKaro. M.381.48 

Die Kindesmorderin. In Musik gesetzt von Andreas Rom- 
berg. No. I in M.221.10 

Die Kiinstler. Gedicht. Fiir vierstimmigen Mannerchor 
componirt von Edvard Lassen. No. 26 in M.392.15 

Das Lied von der Glocke. Gedicht. Fiir Chor, vier Solo- 
stimmen, Orchester und Orgel componirt von Max 
Bruch. M.341.12; etc. 

Same. In Musik gesetzt fiir Soli, Chor und Orchester von 
W. F. G. Nicolai. No. 6 in M.221.34 

Same. In Musik gesetzt von Andreas Romberg. 

No. 2 in M. 280.43 

Same. Fiir Soli, Chor, Orchester und Orgel componirt von 
Bernhard Scholz. No. i in M.204.26 

Same. Lay of the bell. [Cantata by A. Romberg.] 

No. 2 in M.280.42 

Same. Bilder aus Schiller's „Glocke." Fiir Mannerchor, 
Solostimmen und Orchester oder Klavier componirt von 
Franz Knappe. No. i in M.392.30 

Same. Die Glocke. Cantate. In Musik gesetzt fiir Solo- 
Stimmen, Chor und Orchester von Carl Haslinger. 

No. 2 in M. 391. 44 

Die Macht des Gesanges. Cantate. Fiir Manner-Chor, Soli 
und Orchester componirt von C. Jos. Brambach. 

No. 4 in M.392.40 

Same. In Musik gesetzt von Andreas Romberg. M.221.11 

Same. In Musik gesetzt fiir i Solo-Sopran, und 4 Chor- 
stimmen, mit Begleitung des Orchesters, von A. Sundelin. 

M.290.4 

The minstrel and the king. (Rudolf von Hapsburg.) 
Ballade for male chorus and orchestra, with soli for 
tenor and barytone voices, by Mrs. H. H. A. Beach. 

No. 3 in M. 203.9 

Nanie. Fiir Chor und Orchester (Harfe ad libitum) von 
Johannes Brahms. No. s in M.332.6 

Same. Noenia. For chorus and orchestra. Composed by 
Hermann Goetz. No. 4 in M.155.8 

Der Riitlischwur. Dramatische Scene fiir Mannerchor, Soli 
und Orchester, nach Worten aus Schiller's „Wilhelm 
Tell." Componirt von Gustav Arnold. No. i in M. 203.9 

Die Sehnsucht. Gedicht. In Musik gesetzt fiir eine Sing- 
stime [s. oder t.] mit Begleitung des Pianoforte von 
Franz Schubert. No. S in M.140.33.3 

Turandot, Prinzessin von Schiras. Grosse Oper. Musik 
von J. Hoven [Pseud.]. M.253.2 

Vier Gedichte. Fiir 4 Mannerstimmen in Musik gesetzt 
von dem Kronprinzen von Hannover. No. 4 in M. 155.17 
Schiller, Johann Christoph Friedrich von. Works about. 

Meyerbeer. Cantate composee a I'occasion du festival 
donne a Paris, 1859, pour la celebration du loo": anni- 
versaire de la naissance de Schiller. Paroles allemandes 
de L. Pfau. Traduction frangaise de J. Duesberg. 
Musique de G. Meyerbeer. Partition po et chant. Paris. 
[1859.] No. 3 in M.367.19 

ZoPFF, H. Der Triumph der Liebe. Festhymne zu Schiller's 
Geburtstag, fiir Chor und Solostimmen mit Begleitung 
des Pianoforte. Leipzig. [186-?] No. 9 in M.391.60 

Schilling, E. 

Sommernacht. [Mannerchor.] {In Claassen. Ludwig Liebe- 
Album. P. 42.) No. II in M.203.16 

Schilling, Ferdinand. 

Lichtenstein. Oper in 5 Akten. Text nach Wilhelm Hauff's 
gleichnamiger Sage von Adolf Kiepert. Musik von 
Ferdinand Schilling. Clavierauszug. Leipzig. Kahnt. 
[189-?] M.389.50 



32 



Schillings 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schlafe 



Schillings, Max. 

Das Hexenlied von Ernst von Wildenbruch. Mit be- 
gleitender Musik von Max Schillings. Op. IS- Orchester- 
Partitur. Leipzig. Forberg. 1903. No. i in M.380.28 

The words are in German and English. 

Ingwelde. Dichtung in 3 Aufziigen von Ferdinand Graf 
Sporck. Musik von Max Schillings. Klavier-Auszug. 
Leipzig. Schuberth & Co. [1894] M.226.16 

Moloch. Musikalische Tragodie in drei Aufziigen von Max 
Schillings. Dichtung frei nach Friedrich Hebbel's 
Moloch-Fragment von Emil Gerhauser. VoUstandiger 
Klavier-Auszug mit Text von Rudolf Siegel. Berlin. 
Bote & Bock. [1906.] M.378.6 

Der Pfeifertag. Heitere Oper in drei Aufziigen. Dichtung 
von Ferdinand Graf Sporck. Musik von Max Schillings. 
VoUstandiger Klavier-Auszug mit Text bearbeitet von 
Richard Mors. Berlin. Bote & Bock. [1902.] M.397.58 

Symphonischer Prolog zu Sophokles' "Konig Oedipus" fiir 
grosses Orchester. Op. 11. Partitur. Berlin. Bote & 
Bock. [1900.] No. I in M.410.53 

„Von Spielmanns Leid und Lust." Vorspiel zum dritten 
Aufzug der Oper. Partitur. Berlin. Bote & Bock. 
[1899.] No. 5 in M.406.71 

Ein Zwiegesprach. Tongedicht fiir kleines Orchester. Par- 
titur. Berlin. Ries & Erler. [189-?] Lithograph script. 

No. 2 in M. 407.8 
Schillings, Max. IVorks about. 

Mauke, W. Max Schillings, Ingwelde. Erlautert. Frank- 
furt a. M. [1898.] No. 2inM.2i7.i2.4 

ScHiEDERMAiR, L. Max Schillings, Symphonischer Prolog 

zu Sophokles' „K6nig CEdipus." Erlautert. Leipzig. 

[1901.] No. 16 in M.217. 12.10 

Schilric et Vinvela. Song. Schubert, F. P. Melodies. Vol. 6. 

M.327.4.6 

Schimon, Adolphe. 

Quatuor, 2e, pour 2 violons, alto et violoncelle. Op. 25. 
Partition. Paris. Hartmann. [185-?] No. 5 in M.333.4 
Schindelmeisser, Ludwig. 

Melusine. Romantische Oper in 5 Akten. Text von E. 
Pasque. Musik von L. Schindelmeisser. Vollst. Klavier- 
auszug. Berlin. Bote & Bock. [1861.] M.274.16 

Schindler, Anton. 

The life of Beethoven, including his correspondence with 
his friends. Edited by Ignace Moscheles. London. Col- 
burn. 1841. 2 V. Portrait. M.103.1 
Schindler, Paul. 
The Isle of Spice or His Majesty of Nicobar! Opera 
comique in three acts. Book and lyrics by Allen Lowe 
and Geo. E. Stoddard. Music by Paul Schindler and 
Ben. M. Jerome. Vocal score. New York. Stern & Co. 
1903. M.397.S9 
Schink, Johann Friedrich. 

Der Zweikampf mit der Geliebten. Oper von Louis Spohr. 

M.350.17 
Schinn, Johann Georg. 

Biographische Skizze von Michael Haydn. [Anon. Von 
J. G. Schinn und J. Otter.] Salzburg. Mayr. 1808. 
Portrait. No. i in M.149.21 

Schira, Francesco. 

Ave Maria. Part song. London. Jefferys. N. d. [The 
Choral Society. 25.] No. 25 in M.121.3 

The boatman's good night. Part song. London. Hutch- 
ings & Romer. [186-? Chorister's album.] 

No. 37 in M.1S7.23 

Daybreak. Part-song. London. Jefferys. N. d. [The 

Choral Society. 24.] - No. 24 in M.121.3 

The ear-ring. An opera in i act. [Accomp. for piano.] 

London. Jefferys. [188-?] No. 3 in M.391.43 

How beautiful is night. Part-song. London. Jefferys. 

N. d. [The Choral Society. 31-] No. 31 in M.121.3 

The lord of Burleigh. A pastoral cantata, written by 

Desmond L. Ryan. The music composed by F. Schira. 

[Accomp. for pianoforte.] London. Hutchings & Romer. 

[1873.] M.IS5.S0 

III 5 



Schira, Francesco. (Continued.) 

Mina. Opera in 2 acts. The libretto by Desmond Ryan. 

The music by F. Schira. [Vocal score.] London. Jefferys. 

[1871?] M.322.8 

Row gently here. [Part-song.] London. Jefferys. N. d. 

[The Choral Society. 42.] No. 42 in M.121.3 

Selvaggia. Dramma lirico in un prologo e 3 atti, di G. T. 

Cimino. Musica del Maestro F. Schira. Riduzione per 

canto con accomp. di pianoforte. Milano. Lucca. [1875.] 

Portrait. M.322.7 

Therese the orphan of Geneva. An opera written by Charles 

Jefferys. The music by F. Schira. [Accomp. for piano.] 

London. Jefferys. [850.] M.274.I7 

Schirmer, Adolf. 

Casarine. Komische Oper in 3 Acten. Text von Adolf 
Schirmer. Musik von Max Wolf. Clavierauszug. Ham- 
burg. [188-?] No. I in M.326.29 
Rafaela. Komische Oper in 3 Acten. Text von Ad. 
Schirmer und J. Schnitzer. Musik von Max Wolf. 
[Klavierauszug.] Wien. [1884.] No. 2 in M.326.29 
Schizzi, Folchino, Conte. 

Delia vita e degli studi di Giovanni Paisiello. Milano. 
Truffi & comp. 1833. Portrait. M.145.3S 

Schjelderup, Gerhard. 

Norwegische Hochzeit (Bruderover). Musikdrama in zwei 

Akten. Klavierauszug mit deutschem und norwegischem 

Text. Leipzig. Breitkopf & Hartel. 1900. M.396.37 

Sonntagsmorgen. Sondagsmorgen. Dichtung und Musik 

von Gerhard Schjelderup. Aus dem Norwegischen iiber- 

setzt von Emma Klingenfeld. Clavierauszug von Max 

Schillings. Leipzig. Hofmeister. 1893. No. i in M.193.11 

Weihnacht-Suite aus einem Weihnachtsspiel. Partitur. 

Leipzig. Breitkopf & Hartel. 1901. No. i in M.410.54 

Schlacht, du brichst an! Part-song. Weber, C. M. F. E. von. 

No. 55 in M.i2ga.43.2 
Schlacht, Die. im Teutoburger Walde. Opera. For the Music 

see Becker. For the Libretto see Brouwer. 

Schlachtbild. Part-song. Volkmann. Zwei Chorgesange 

fiir gemischte Stimmen. No. 20 in M.1S8.21 

Schlachtgebet. Part-song. Riieinberger, J. G. Vier deutsche 

Gesinge. Op. 48- No. 3 in M.392.22 

Schlachtgesang [t. T. b. b.]. (/n Orpheus. Band 4, pp. S2-5S-) 

No. 145 in M. 1293.43.4 

Schlachtgesang. Part-song. Heuberger. No. 3 in M.212.7 

Hiller, F. No. 3 in M.392.11 

Moehring. No. 138 in M.246.22 

Schumann, R. A. Der Eidgenossen Nachtwache. 

No. 2 in M. 157.21 

Schlachtgesang. Song. Schubert, F. P. Werke. Serie 20, 

Band 4- M.3i7-i-20.4 

Schlachtgesang des Tyrtaos. Part-song. Bruch. Zwei 

Mannerchore. No. 3 in M.I54-37 

Schlachtlied. Cantata. For the Music see Reinecke, C. H. C. 

For the Libretto see Klopstock. 
Schlachtlied. Part-song. Schubert, F. P. Chor-Gesangwerke. 
Band 2. No. 24 in M. 280.48.2 

Silcher, F. Silcher-Album. No. 4 in M.370.30 

Schlaeger, E. 

The significance of Wagner's Parsifal in and for our times. 
Translated by Miss Coleman. Minden i. Westf. Bruns. 
jgg^ No. 6 in M.216.18 

Schlaeger, Hans. 

Hoch Universitas! [Miinnerchor.] (/n Tauwitz. Deutsches 

Liederbuch. Pp. 57-60.) No. 20 in M.204.39 

Schlaf, Kindchen, schlaf. Song. Kuecken, F. W. Zwei 

kleine Lieder. No. 5 m M.244.6.3 

Schlaf ein! Part-song. Hentschel. Vier Gedichte. Op. 16. 

No. 46 in M.392.10 

Schlaf ein, mein suesses Herz. Song. Waley, S. W. 

No. 17 in M.380.18 

Schlaf in guter Ruh. Song. Taubert, C. G. W. 12 Gesaenge. 

Q 27. No. 7 in M.221.20 

Schlaf wohl! Part-song. Ecker. No. 37 in M.I47-4 

Schlafe wohl! Part-song. Billeter. No. 131 m M.147^ 

Maeyer. No. 2 in M.370.30 

33 



Schlafende 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schlummerlied 



Schlafende Apfel, Der. Song. Taubert, C. G. W. 3 Balladen 

aus der Kinderwelt. No. 21 in M.192.8 

Schlaflied. Part-song. Menagee. No. 17 in M.392.42.3 

Schlaflied. Song. Schubert, F. P. Werke. Serie 20, Band 5. 

M.317.1.20.S 

Schlafloser Augen Leuchte. Song. Mendelssohn-Bartholdy, 

J. L. F. Werke. Serie 19. M.413.3.19 

Schlaftrunk, Der. Opera. For the Music see Weyse. For 

the Libretto see Bretzner, 

Schlaf die Tschadra zuriick. Song. Rubinstein. Zwolf 

Lieder des Mirza-Schaffy. No. 8 in M.192.5 

Schlage doch, gewunschte Stunde. Anthem. Bach, J. S. 

Werke. Jahrgang 12, Theil 2. M.8040.21.12.2 

Schlagen, Das, meines Herzens. Song. Abt, F. Fiinf Lieder. 

Op. 94. No. 35 in M.192.1 

Schlagende Herzen. Song. Strauss, R. Drei Lieder. Op. 29. 

No. 6 in M.380.24.2 
Schlagt derb auf s Fass. Part-song. Pache. No. S in M.392.21 
Schlaraffenland. Opera. For the Music see Weinberger. 

For the Libretto see Schurz. 
Schlaraffenland, Das. Song. Brahms. Volks-Kinderlieder. 

No. 8 in M.380.40.3 
Schlasierlied. Song. Taubert, C. G. W. No. 40 in M.192.8 
Schlegel, Johann Elias. 

Prokris und Cephalus. In Musik gesetzt, fiir das Clavier 

und eine oder zwo Singestimmen von Johann Adolph 

Scheiben. M.203.42 

Schlehenbluet' und wilde Rose. Part-song. Weinzierl. Drei 

Mannerchore. Op. 46. No. 45 in M.392.24 

Schleicht, spielende Wellen. Cantata. Bach, J. S. Werke. 

Jahrgang 20, Theil 2. M.8040.2 1.20.2 

Schleiffarth, George. 

Rosita, or Boston and banditti. An original comic opera 

in 2 acts. Libretto by Matthew C. Woodward. Music 

by Geo. Schleiffarth. (Lyrics by Harry B. Smith.) 

[Accomp. for pianoforte.] Chicago. Bowen & Schleiffarth. 

1887. No. 2 in M.276.17 

Schleinitz, Heinrich Conrad. 

Ach, wenn du warst mein eigen! [Mannerchor.] (/n Fink. 

Die deutsche Liedertafel. Pp. 178, 179.) No. ii6inM.2i3.9 

Schlesinger, Leon. 

Le casque. Operette en i acte. Paroles de Andre Degrave. 
Musique de Leon Schlesinger. Partition piano et chant. 
Paris. Poulalion. 1892. No. i in M.322.9 

Un modele. Opera-comique en i acte. Paroles de Andre 
Degrave & Manuel Lerouge. Musique de Leon Schle- 
singer. Partition chant et piano. Paris. Heugel. [1890.] 

No. 2 in M.322.9 
Schleswig-Holsteinisches Armee-Lied. For orchestra. Witt, 
L. F. No. 3 in M.352.5 

Schlett, Joseph. 

II sogno. Der Traum, nach Metastasio. Fiir eine Sing- 
stimme [t.] mit Begleitung des Pianoforte. Leipzig. 
Breitkopf & Hartel. [182-?] No. 12 in M.221.33 

Schletterer, Hans Michael. 

Ave Maria. Trio [s. s. a. Accomp for pianoforte]. New 
York. Schirmer. [18—?] No. 14 in M.244.10.6 

Das deutsche Singspiel von seinen ersten Anfangen bis auf 
die neueste Zeit. Augsburg. Schlosser. 1863. [Zur 
Geschichte dramatischer Musik und Poesie in Deutsch- 
land.] M.371.21 

Dornroschen. The sleeping beauty in the wood. Drama- 
tisirtes Marchen in 2 Akten, von Marie Schmidt. Fiir 
Soli und Chor, mit Begleitung des Pianoforte, componirt 
von H. M. Schletterer. Leipzig. Rieter-Biedermann. 
1875. No. 2 in M.324.7 

With English and German words. 

Same. New York. Schirmer. No. 6 in M.155.22 

Einzug der Sanger. [Mannerchor.] {In Eidgenoessischer 

Saengerverein. Mannerchore fur das I2te . . . Sangerfest. 

Pp. 17, 18.) No. I in M.130.7 

Also to be found in ISantonal-Saengerfest, Wyl. Mannerchore fiir das 

6te . . . Sangerfest. 
Herba lori fa. [Mannerchor.] {In Stuttgarter Lieder- 

kranz. Mannerchor-Album. Pp. 95-98.) No. 5 in M.203.22 



Schletterer, Hans Michael. (Continued.) 
Joh. Friedrich Reichardt: sein Leben und seine musika- 

lische Thatigkeit. Augsburg. Schlosser. 1865. M. 133.6 
Katalog der in der Kreis- und Stadt-Bibliothek, dem 

staedtischen Archive und der Bibliothek des Historischen 

Vereins zu Augsburg befindlichen Musikwerke. Glogau. 

Mosche. [1879.] No.6in M.115.12 

Luigi Boccherini. Leipzig. Breitkopf & Hartel. 1882. 

[Sammlung musikalischer Vortrage.] No. 3 in M.215.4 

Ob kein Lied der Welt verbliebe. [Mannerchor.] {In Claas- 

sen. Ludwig Liebe-Album. Pp. 43, 44.) No. 11 in M.203.16 
Die Tochter Pharao's. Pharao's [sic] daughter. Drama- 

tisirtes Marchen in 3 Akten, von Marie Schmidt. Fur 

Soli und Chor mit Begleitung des Pianoforte componirt 

von H. M. Schletterer. Leipzig. Rieter-Biedermann. 

1877. No. 3 in M.324.7 

With English and German words. 

Schlicht, Emil. 

Die Kriegsgefangene. Oper von Carl Goldmark. M.3g6.24 
Schlichte Weisen. Songs. Strauss, R. No. 17-21 in M.380.24.1 
SchlichtegroU, Adolph Heinrich Friedrich von. 

The life of Mozart. {In Beyle. Life of Haydn. Pp. 333- 
418. London. 1817.) M.116.1 

Schlieben, Erwin. 

Harald, der letzte Sachsenkonig. Grosse Oper. Musik 

von G. Dullo. M.262.12 

Schlimm fiir die Manner. Part-song. Henschel, G. Serbisches 

Liederspiel. No. 2 in M.194.15 

Schlittenfahrt. Song. Taubert, C. G. W. Klange aus der 

Kinderwelt. Heft 2. No. 8 in M. 192.6 

Schloss, Das, am Aetna. Opera. For the Music see Marschner, 

H. A. For the Libretto see Klingemann, E. A. F. 
Schloss, Das, am Meer. Part-song. Rheinberger, J. G. 

No. I in M.280.37 

Schloss, Das, am Meer. Song. Raff. Sanges-Friihling. 

Heft I. No. I in M.ig2.4 

Schloss Candra, Das. Opera. For the Music see Wolfram. 

For the Libretto see Gehe. 
Schlosser, F. F. 

O Salutaris. Duo pour s. et b. Avec accomp. d'orgue. 
Paris. Regnier-Canaux. [184-?] No. 7 in M.260.10.S 

Schlosserlied. Part-song. Otto, E. J. Gesellenfahrten. 

No. 46 in M.3g2.ig 
Schlottmann, Louis. 

Gute Nacht. Gedicht von Geibel. Fiir Tenor-Solo und 
Chor mit Orchesterbegleitung componirt von L. Schlott- 
mann. Op. 26. Partitur mit beigefiigtem Clavieraus- 
zuge. Berlin. Mueller. [188-?] No. 10 in M.203.6 

Ouverture zu Schiller's Wallenstein's Lager. Op. 23. Par- 
titur. Berlin. Bote & Bock. [1874?] No. i in M.334.19 
Ouverture zu Shakespeare's Romeo und Julia. Op. 18. 
Partitur. Berlin. Bote & Bock. [186-?] No. i in M.348.10 
Trauermarsch, Recitativ und Finale. Sinfonische Scene 
fiir Orchester. Op. 43. Partitur. Berlin. Challier & 
Co. [187-?] No. I in M.335.12; No. 2 in M.348.10 

Schluesselblumen, Die. Song. Liszt. Gesammelte Lieder. 
I No. 36 in M.244.14 

Schlueter, Joseph. 

A general history of music. From the German, by Mrs. 
Robert Tubbs. London. Bentley. 1865. M.107.26 

Schlummerlied [t. t. b. b.]. {In Orpheus. Band 7, p. 10.) 

No. 219 in M.i29a.43.7 
Schlummerlied. For orchestra. 

Buergel. No. 6 in M.338.11 

Schumann, R. A. No. 2 in M.342.36 

Schlummerlied. Part-song. 

Kron. No. 18 in M.392.14 

Kuhn, E. 3 Gesange. Op. 60. No. 7 in M.392.15 

Lachner, V. No. 3 in M.130.8 

Lindpaintner. No. ii in M.380.22 

Naret-Koning. Vier Lieder fiir Mannerchor. 

No. 10 in M.392.19 

Taubert, C. G. W. Vier Quartette fiir Mannerstimmen. 

Op. 10. No. 14 in M.392.34 

Weber, C. M. F. E. von No. 80 in M.i29a.43.2 



34 



Schlummerlied 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schmidt 



Schlummerlied. Song. 

Franz, R. Zwolf Gesange. Op. i. No. lo in M.244.S.1 

Hennig. 20 ein und zweistimmige Lieder. No. 17 in M.203.8 
HiLLER, F. Lieder fiir eine Altstimme. Op. 129. 

No. 23 in M.192.3 

KuECKEN. Lieder fiir Sopran. No. 7 in M.244.6.1 

Schubert, F. P. Sammtliche Compositionen. M.244.12 

Taubert, C. G. W. 12 Gesaenge. Op. 27. No. 7 in M.221.26 

Weber, C. M. F. E. von. No. 47 in M.23S.18.4 

Schlummerlos rauschen die Saiten. Part-song. Reinecke. C. 

H. C. Drei italienische Volkslieder. No. 17 in M.392.21 

Schlummre sanft, du lieblich Kind. Song. Kuecken. Leichte 

Lieder. No. 3 in M.244.6.2 

Schlusslied des Narren. Song. Schumann, R. A. Werke. 

Serie 13, Band 4. M.316.1.13.4; etc. 

Schmelz, Reinhard. 

Die Rheingauer Glocken fiir Maennergesang. New York. 
Schuberth & Co. 1878. No. 19 in M.392.23 

Schmerz. Song. Weber, C. M. F. E. von. Sammtliche 
Lieder. Band 2. No. 86 in M.244.7 

Schmerz der Liebe. Song. Albert, Prince Consort. Col- 
lected compositions. 11.290.23 
Schmerz verzerret ihr Gesicht. Duet. Schubert, F. P. Werke. 
Serie 19. M.317.1.19 
Schmerzliche Wonnen. Wolf, H. Spanisches Liederbuch. 

No. 28 in M.380.30 

Schmetterling, Der. Part-song. Solle, F. No. 32 in M.392.25 

Schmetterling, Der. Song. Becvarovsky. Gesaenge beim 

Klavier Ihro Majestaet. No. 19 in M.221.33 

Cornelius, C. A. P. Werke. Band i. M.414.20.1 

Schumann, R. A. Lieder fur die Jugend. Abtheilung i. 

No. 2 in M.244.15.3; etc. 

Schmetterling, Der, ist in die Rose verliebt. Song. Franz, 

R. Sechs Lieder von H. Heine. No. 38 in M.244.5.3 

Schmetterling, wie freu' ich mich. Part-song. Rheinberger, 

J. G. In der Zechstube. Op. 74. No. 8 in M.392.22 

Schmid, Anton. 

Christoph Willibald Ritter von Gluck. Dessen Leben und 
tonkiinstlerisches Wirken. Leipzig. Fleischer. 1854. 
Facsimile. M.136.5 

Schmid, Carl. 

Blue eyes. [Part-song, x. t. b. b.] (/» The Osgood col- 
lection of part-songs. Vol. 2, pp. 63, 64.) M.193.23.2 
Brindisi. [Part-song, t. t. b. b.] (/« The Osgood collec- 
tion of part-songs. Vol. 2, pp. 59-62.) M.193.23.2 
Schmid, Ernst. 

Kommt die Nacht mit ihren Schatten. Chor [x. x. b. b.] 
mit Tenor-Solo. Wien. Buchholz & Diebel. [187-?] 

No. 20 in M.392.23 
Schmid, Franz Xaver. 

Cantabo Domino. [Motet. Accomp. for organ.] London. 

Butler. [184-?] No. 25 in M.260.3 

Deus noster refugium. [Motet. Accomp. for organ.] 

London. Butler. [184-?] No. 16 in M.260.3 

Gloria et honore. [Motet. Accomp. for organ.] London. 

Butler. [184-?] No. 17 in M.260.3 

Jubilate Deo. [Motet. Accomp. for organ.] London. 

Butler. [184-?] No. 24 in M.260.3 

[Masses.] Namely: 

Messes a 3 voix, s. A. b. Avec accomp. d'orgue. Paris. 

Schott. [187-?] 14 V. in I. M. 201. 19 

Contents.- — Serie i. Op. i: No. i, en do; No. 2, en mi \): No. 4, en 

la; No. 5, en fa. — Serie 2, Op. 2: No. i, en sol; No. 3, en la b ; 

No. 4, en la; No. 6, en mi b- — Serie 3, Op. 3: No. i, en sol; No. 2, 

en si b : No. 3, en sol ; No. 4, en fa ; No. 5, en la ; No. 6, en mi b- 

Mass in A. [For s. a. b. Accomp. for organ. London. 

Butler. 184-?] No. 3 in M.260.3 

Mass in C. [For s. a. b. Accomp. for organ. London. 

Butler. 184-?] No. 7 in M.260.3 

Mass in D. [For s. a. b. Accomp. for organ. London. 

Butler. 184-?] No. 4 in M.260.3 

Same. [186-?] No. i in M.201.20 

Mass in E flat. [For s. a. b. Accomp. for organ. Lon- 
don. Butler. 184-?] No. 5 in M.260.3 

Same. Dayton. Fischer. 1868. No. 3 in M.380.2 



Schmid, Franz Xaver. (Continued.) 

Mass in E flat. [Accomp. for organ.] (In Werner, A. 

The Memorare. Pp. 30-49.) M.100.3 

Mass in F. [For s. a. b. Accomp. for organ. London. 

Butler. 184-?] No. 8 in M.260.3 

Mass in G. [For s. a. b. Accomp. for organ. London. 

Butler. 184-?] No. 6 in M.260.3 

Also to be found [for s. A. T. B.] in Werner's The Cantate. 

Miserere mei, Domine. [Motet. Accomp. for organ.] 

London. Butler. [184-?] No. 14 in M.260.3 

Quam dilecta tabernacula Tua. [Motet. Accomp. for 

organ.] London. Butler. [184-?] No. 15 in M.260.3 

Schmid, Hermann Theodor von. 

Der Liebesring. Romantische Oper. Musik von G. R. 
Doerstling. No. I in M.305.8 

Raimondin. Oper. Musik von Karl Perfall. M.287.8 

Schmid, Otto, editor. 

Haydn, J. M. Caligaverunt oculi mei. ("Now are mine 
eyes grown dim.") No. 4 in M.384.11 

Schmidt, 

Eduardo e Cristina. Dramma del maestro Cav. Rossini. 
Venezia. Molinari. [182-?] No. i in M.147.8.1 

Italian libretto only. 
Same. Eduardo e Cristina del Sig« Giovacchino Rossini. 

M.60.6 ; etc. 
Elisabetta, regina d'lnghilterra. Opera. Musica di Rossini. 

M.340.8 ; etc. 
Schmidt. Adolf. 

Die drei Liebchen. Ballade fur 3 Solostimmen [t. bar. b.], 
Mannerchor und Orchester oder Pianoforte. Op. 37. 
[Klavierauszug.] Wien. Rebay & Robitschek. [189-?] 

No. 3 in M.212.15 
„Es lauschte das Laub so dunkelgriin." Mannerchor. Op. 
52. Partitur. Wien. Rebay & Robitschek. [189-?] 

No. 4 in M.212.15 
Friihlingsnacht. Mannerchor mit Solo-Quartett. Op. 20. 
Wien. Schreiber. [1879?] No. 11 in M.392.34 

„Gold'ne Wolk' in stiller Hoh'." [Fiir Tenor-Solo mit 
Brummchor, x. T. B. B.] Op. 18. [Wien. Schreiber. 
1879?] No. 12 in M.3g2.34 

The twilight fades before me. By S. Dolf [pseud. Part- 
songs, t. t. b. b.]. Boston. Schmidt. 1892. No. 64 in M.392.21 
Weiss nicht wie's kommen ist? [Mannerchor.] Op. 31. 
Wien. Buchholz & Diebel. [i88-?] No. 32 in M.392.23 
Schmidt, August, editor. 

Orpheus. Musikalisches Album fiir das Jahr 1840-42. 

Jahrgang 1-3. M.375.11 

Schmidt, Carl G. 

Christmas hymn [s. A. T. B.]. Boston. 

[1893-] 
Schmidt, Franz Xaver. 
Schmidt, Giovanni. 

L'apoteosi d'Ercole. 
Mercadante. 
Schmidt, Gustav. 

Acht Lieder fiir vierstimmigen Mannerchor. Op. 43. Leip- 
zig. Forberg. [1880?] No. 23, 24 in M.392.23 
Contents. — i. Mein Wunsch. — „Wach auf. du schone Traumerin!" — 
,,In der Friih", wcnn die Sonn' erwacht !" — ,,0 Friihlingsruf in Wald 
und Feld.*' 2. Ade zur guten Nacht. — Im Wald bei der Amsel. — Wer's 
Lieben erdacht. — Das Glocklein. 

Alibi, oder die Fahrt in's Philisterium. Komische Oper in 
3 Aufziigen. Clavierauszug. Hamburg. Pohle. [i860?] 

No. I in M.323.8 

Awake, thou pretty dreamer. [Part-song, x. x. b. b.] (In 
The Osgood collection of part-songs. Vol. 2, pp. 24, 25.) 

M.193.23.2 

Drei Gedichte von Fritz Renter, fiir vier Mannerstimmen. 
Op. 51. Leipzig. Forberg. [1881?] No. 25-27 in M.392.33 
Contents. — i. An Sie. 2. Wannersang. 3. Schneiders Lust und Leid. 

Es muss geschieden sein. [Volkslied, t. t. b. b.] Leipzig. 
Seitz. [1871?] No. 29 in M.392.23 

Fiinf Lieder fiir vierstimmigen Mannerchor. Op. 42. Leip- 
zig. Forberg. [1879?] No. 21, 22 in M.392.23 
Contents. — I. Im Wandern. — „Vora Berg ergeht ein Rufen." — 
Frohliche Gesellen. 2. Der Abendstern. — „Wer's nur verstande!" 



Truette & Co. 
No. 4 in M.203.2g 
See Schmid, Franz Xaver. 



[Opera.' 



Musica del Sigf Saverio 
M.40.22 



35 



Schmidt 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schmitz 



Schmidt, Gustav. (Continued.) 

Gut' Nacht, mein Schatz. [Volkslied, x. t. b. b.] Leipzig. 
Seitz. [1871 ?] No. 31 in M.392.23 

My wish. [Part-song, t. t. b. b.] (In The Osgood col- 
lection of part-songs. Vol. 2, pp. 17-20.) M.193.23.2 

Niemals wieder. [Volkslied, t. t. b. b.] Leipzig. Seitz. 
[ 1871 ?] No. 30 in M.392.23 

Der Pavilion ist unbewacht. Recitativ und Arie [b.] aus 
der Oper La Reole. Manuscript. No. 15 in M.236.6 

„Prinz Eugen der edle Ritter." Oper in 3 Akten. [Text 
vom Componisten.] VoUstandiger Clavierauszug. Leip- 
zig. Breitkopf & Hartel. [187-?] M.274.20 

La Reole. Oper in 3 Akten von Charlotte Birch-Pfeiffer. 
Musik von G. Schmidt. VoUstandiger Clavier-Auszug. 
Berlin. Bote & Bock. [1865.] M.274.19 

Scheiden ohne Leiden. [Volkslied, t. t. b. b.] Leipzig. 
Seitz. [1872?] No. 2 in M.392.38 

Tanzlied, von Otto Roquette. Fiir vierstimmigen Manner- 
chor niit Begleitung des Pianoforte (ad lib.) componirt 
von Gustav Schmidt. Leipzig. Seitz. [187-?] 

No. 4 in M.270.59 

Treue Liebe. [Volkslied, t. x. b. b.] Leipzig. Seitz. [1871?] 

No. 28 in M.392.23 

Weibertreue, oder Kaiser Konrad vor Weinsberg. Ko- 
misch-romantische Oper in 3 Akten. VoUstandiger 
Klavierauszug. [Text vom Componisten.] Leipzig. 
Breitkopf & Hartel [187-?] M.274.18 

Zwei Trauungs-Gesange fiir vierstimmigen Mannerchor mit 
Sopran-Solo. Op. 41- Leipzig. Forberg. [1880?] 

No. 13 in M.392.34 

Contents. — ..O Geist der Andacht schwebe linde." ^ „Was in Liebe 
treu verbunden." 
Schmidt, Hans, translator. 

TcHAiKovsKi, P. L lolanthe. M.324.25 

Tanieev, S. L Opecxea. [Oresteia.] M.395.40 

Schmidt, Heinrich, of Baireuth. 

Konzert fiir Orgel und Streich-Orchester fiir die Unter- 
richts- und Auffiihrungswerke der Mittelschulen. Par- 
titur. Leipzig. Leuckart. [1903] No. 2 in M.410.S4 

Schmidt, Heinrich. i779-iS57- 

Meerkonig und sein Liebchen. Romantisches Singspiel. 
Musik von Carl Bohmer. M.271.28 

Schmidt, J. P. See Schmidt, Johann Philipp Samuel. 
Schmidt, Johann Philipp Samuel. 
An die Hoffnung. [Lied, s. o. x., mit Pianoforte-Beglei- 
tung.] Dresden. Hilscher. [182-?] No. 32 in M.221.33 
Same. Melodie von J. P. Schmidt, mit Veranderungen 
fur die Singstimme von Ambrosch. [Mit Pianoforte- 
Begleitung.] Berlin. Christiani. [181-?] No. 33 in M.221.33 
Dem Konig Heil! Volkslied [i auch 4 stimmig zu singen. 
Mit Pianoforte-Begleitung. Berlin. 1813]. 

No. 31 in M.221.33 

Feodore. Singspiel in einem Act, von A. von Kotzebue. 

In Musick gesetzt von J. P. Schmidt. [Partitur.] Berlin. 

1812. Manuscript. M.30.13 

Contains an autograph dedication by the author. 

Same. VoUstandiger Klavier-Auszug. Leipzig. Kunst- 

u. Industrie-Comptoir. [1812?] M.151.3 

Fest-Gesang dem Dritten August. [x. solo mit Chor. 

Begleitung des Pianoforte.] Berlin. Kupfer. [180-?] 

No. 29 in M.221.33 
Das Fischermadchen, oder Hass und Liebe. Lyrisches 
Drama von Theodor Korner. In Musik gesetzt von J. P. 
Schmidt. VoUstandiger Clavier-Auszug vom Com- 
ponisten. Berlin. Christiani. [1818?] M.151.4 
Wie Nordlands Au und Siidens Flur. Bolero [x.] aus Ein 
Abend in Madrid. [Mit Begleitung des Pianoforte.] 
Berlin. Christiani. [181-?] No. 30 in M.221.33 
Wohinaus. Gedicht von C. W. Contessa. Fiir eine Sing- 
stimme [x.] mit Pianoforte-Begleitung. Berlin. Chris- 
tiani. [18!-?] No. 28 in M.221.33 
Schmidt, Johann Philipp Samuel, editor. 

BoiELDiEU, F. A. Le petit chaperon rouge. M.230.29 

Caxel. Die Baiaderen. M.230.40 



[Mannerchor.] (/n Eidgenoessischer 

Wettgesange bei dem I2te . . . Sanger- 

No. 8 in M.130.7 



Schmidt, K. 

An die Heimat. 
Saengerverein. 
feste. P. 9.) 
Schmidt, Leopold. 

Ludwig van Beethoven. (/» Photographische Gesellschaft. 
Ludwig van Beethoven. Pp. 57-63- Berlin. 1897.) 

No. 6 in M.380.58 
Schmidt, Marie. 

Dornroschen. The sleeping beauty in the wood. Drama- 
tisirtes Marchen. Fiir Soli und Chor, mit Begleitung 
des Pianoforte componirt von H. M. Schletterer. 

No. 2 inM.324.7;etc. 
Die Tochter Pharao's. Pharao's [sic] daughter. Drama- 
tisirtes Marchen. Fiir Soli und Chor mit Begleitung des 
Pianoforte componirt von H. M. Schletterer. 

No. 3 in M.324.7 
Schmidt, Richard, editor. 

Paladilhe, fi. Mandolinata. No. 22 in M.392.37 

Schmidt, Der: Part-song. Schumann, R. A. Werke. Serie 
12. M.316.1.12 

Schmidtbauer, J. A. See Schmittbauer, Johann Aloys. 
Schmidt-Dolf. See Schmidt, Adolf. 
Schmidt-Lux, Hans. 

Hochzeit im Walde. The forester's wedding. Cantate fiir 
Soli, Chor, Orchester und Orgel ad libitum. Text und 
Musik von Hans Schmidt-Lux. Klavierauszug mit Text 
von Heinrich Weimar. English version by Lilian 
Laugher. Leipzig. Breitkopf & Hartel. 1900. M.384.43 

The text is in German and English. 

Schmied, Der. Part-song. Kreuxzer. No. 26 in M.i2ga.43.i 
Schmied, Der. Song. 
Abx, F. Lebensfriihling. Heft i. No. 25 in M.192.1 

Brahms. Fiinf Gedichte. No. 5 in M.380.40.1 

Hiller, F. Lieder fur eine Altstimme. Op. 129. 

No. 24 in M.ig2.3 

Schmied, Der, von Rotenburg. Part-song. Rheinberger, J. 

G. Auf der Wanderung. No. 38 in M.392.21 

Schmied, Der, von Ruhla. Opera. For the Music see Lux, 

F. For the Libreixo see Bauer, L. C. 
Schmieder, Heinrich Gottlieb. 

Axur Koenig von Ormus. Eine Oper nach Salieri's 

Musick. M.1SO.40 

Die Liebe im Narrenhaus. Eine komische Oper vom Herrn 

Ditters, Edlen von Dittersdorf. M.360.14 

Schmieder, Heinrich Gottlieb, translator. 

Dalayrac. [Azemia.] No. i in M.320.11 

Schmiedlied. Part-song. Lachner, F. No. 36 in M.i29a.44 

Schmiedt, Siegfried. 

[Melida.] Ouverture und Gesange im Klavierauszuge aus 
dem Singspiel Melida. Leipzig. Schmiedt & Rau. 
[1796.] No. I in M.152.2S 

Schmitt, Aloys. 

Rondo concertant pour piano et violoncelle. CEuvre 49. 
[Piano seul.] Paris. Richault. [183-?] No. 5 in M.210.6 
Same. [Partie de violoncelle.] Mo. 13 in M.210.12 

Zweite Messe fiir 4 Singstimmen. VoUstandiger Clavier- 
auszug. Leipzig. Hofmeister. [185-?] No. i in M.222.41 
Schmitt, Aloys. Works about. 

Henkel, H. Leben und Wirken von Aloys Schmitt. 
Frankfurt a. Main. 1873. Portrait. No. 2 in M.i37.g 

Schmitt, Florent. 

Semiramis. Scene lyrique. Poeme d'E. Adenis [pseud.]. 
Musique de Florent Schmitt. Op. 14. [Partition piano 
et chant.] Paris. Baudoux & c'^. 1900. No. 2 in M.383.35 
Schmittbauer, Johann Aloys. 

Die Eltern im ersten Ehewitter. Eine Cantate. [Full 
score.] Manuscript. N. d. No. i in M.236.17 

Schmitz, A. 

Missa. (A dur.) N. p. N. d. Lithograph script. 

No. 3 in M.156.39 
Missa. B dur. N. p. N. d. Lithograph script. 

No. 2 in M.156.39 



36 



Schmoelzer 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schneider 



Schmoelzer, Jakob Eduard. 

Die Alpenrose. [Mannerchor.] Op. 209, No. 4. Leipzig. 
Siegel. [1878?] No. 35 in M.392.23 

Barcarolle. Fiir vierstimmigen Mannerchor. Op. 414. 
Offenbach a. M. Andre. [1889?] No. 73 in M.392.21 

Die Deutschen in Bohmen. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. Pp. 165, 166.) No. 77 in M.204.39 

Ein deutscher Mann. [Mannerchor.] (In Abt. Leichte 
Miinnerchore. Heft 12, pp. 2-5.) No. 69 in M.246.22 

Die Klag. Steyrisches Volkslied [t. t. b. b.]. Leipzig. 
Siegel. [1880?] No. 33 in M.392.23 

Lob des Gesanges. [Mannerchor.] (In Abt. Leichte 
Miinnerchore. Heft 17, pp. 18-20.) No. 107 in M.246.22 

Das Madchen vom Rhein. Fiir vierstimmigen Mannerchor. 
Op. 482. Offenbach a. M. Andre. [1889?] 

No. 72 in M.392.21 

Morgenstille. [Mannerchor.] Op. 210, No. 4. Leipzig. 
Siegel. [1880?] No. 67 in M.392.21 

Schiffer's Abfahrt. [Mannerchor.] Op. 210, No. 3. Leip- 
zig. Siegel. [1880?] No. 66 in M.392.21 

Schwarz-roth-gold. [Mannerchor.] (In Tauwitz. Deut- 
sches Liederbuch. Pp. 43, 44.) No. 12 in M.204.39 

Seemannslied [t. t. b. b.]. Op. 141, No. 2. Leipzig. Siegel. 
[1872?] No. 34 in M.392.23 

Sehnsucht nach den Alpen. [Mannerchor.] (/>i Abt. Leichte 
Mannerchore. Heft 14, pp. 2-6.) No. 83 in M.246.22 

Steyrisches Lied [t. t. b. b.]. (In Abt. Leichte Manner- 
chore. Heft 14, p. 10.) No. 85 in M.246.22 

Stoansteirisch. [Lied, t. t. b. b.] Op. 329, No. i. Wien. 
Buchholz & Diebel. [i88-?] No. 41 in M.392.23 

Vier Lieder fiir vierstimmigen Mannerchor. Op. 357. 
Leipzig. Forberg. [1881?] No. 37-40 in M.392.23 

Contmts. — I. Das deutsche Land. 2. Im Walde, 3. Mannergesang. 
4. Nordsturm. 

Vier Mannerchore. Op. 381. Leipzig. Siegel. [1888?] 

No. 68-71 in M^92.2i 

Contents. — i. Schifferlied, 2. ,,Bin ein fahrender Gesell." 3. Gaudea- 

mus igitur. 4. Waidmann's Heil. 

Waldabendschein. [Mannerchor.] (In Das Riitli. Pp. 

261-263.) No. no in M.147.4 

Der Waldfee. [Mannerchor.] Op. 209, No. 5. Leipzig. 

Siegel. [1878?] No. 36 in M.392.23 

Waldlied [t. t. b. b.]. Mit Baritonsolo und obligatem 

Horn. Op. 210, No. i. Leipzig. Siegel. [1880?] 

No. 65 in M.392.21 
Walkiirensang [t. t. b. b.]. (In Stuttgarter Liederkranz. 
Mannerchor-Album. Pp. 99, 100.) No. 5 in M.203.22 

Weberlied [t. t. b. b.]. (In Tauwitz. Deutsches Lieder- 
buch. Pp. 240, 241.) No. 105 in M.204.39 
Wir Erzgebirger Kinder. [Mannerchor.] (In Tauwitz. 
Deutsches Liederbuch. Pp. 214, 215.) No. 96 in M.204.39 
Schmolke und Bakel. Opera. For the Music see Tauwitz. 

For the Libretto see Wohlbrueck. 
Schmuecke dich, O Hebe Seele. Anthem. Bach, J. S. Werke. 
Jahrgang 35. M.8040.21.35 

Schnabel, Joseph Ignatz. 

Regina coeli. For 5 voices [s. s. a. t. b. Accomp. for 

organ]. (In Novello. Convent music. Vol. 2, pp. 105- 

113.) No. 37 in M.260.17.2 

Schnadahuepferl. Duet. Taubert, C. G. W. 6 deutsche 

Lieder. Op. 6. No. 2 in M.221.26 

Schnarenzer-Mette. Part-song. Schwalm. Drei Lieder. 

Op. 33. No. 22 in M.3g2.25 

Schnecker, Peter A. 

Cantate Domino. [In A major. Accomp. for organ.] 
Boston. Schmidt. [1893.] No. 8 in M.203.29 

Come ye lofty, come ye lowly. [Christmas anthem. Ac- 
comp. for organ.] Boston. Schmidt. [1893.] 

No. 5 in M.203.29 
Sleepers, wake. Hymn for quartett & chorus. [Accomp. 
for organ.] Boston. Schmidt. 1893. No. 9 in M.203.29 
Te Deum laudamus. In Bb. [Accomp. for organ.] Bos- 
ton. Schmidt. 1894. No. 7 in M.203.29 
Welcome, happy morning. Easter anthem. [Accomp. for 
organ.] Boston. Schmidt. 1894. No. 6 in M.203.29 



Schnee, Der, ist vergangen. Part-song. Reinthaler. 
Schnee, Der. Song. Ritter, F. L. Zehn Kinder-Lieder. 
Heft I. No. 6 in M.192.4 

No. 28 in M.392.21 

Schnee, Der, ist zergangen. Song. Franz, R. Sechs Gesange. 

Op. 6. No. 48 in M.244.5.1 

Schnee, Der, zerrinnt. Part-song. Schubert, F. P. Werke. 

Serie 19. M.317.1.19 

Schnee und Regen. Song. Taubert, C. G. W. Klange aus 

der Kinderwelt. Heft 10. No. 20 in M. 192.8 

Schneeballenlied. Song. Abt, F. Lebensfriihling. Heft I. 

No. 25 in M.192.1 
Schneeberg, Germany. Music. 

Heydenreich, E. C. H. Musikgeschichtliche Mitteilungen 
aus Schneeberger Handschriften. [Schwarzenberg i. S. 
188-?] Facsimiles. No. 8 in M.372.41 

Schneeberger, Friedrich. 

Der Camogasker. Romantische Oper in einem Akt von R. 
Kelterborn. Musik von F. Schneeberger. VoUstandiger 
Klavier-Auszug. Biel. Schneeberger. [1892.] M.395.48 
Schneegloeckchen. Part-song. 

Duerrner. Sechs Gesange. Op. 7. No. 14 in M.392.7 

Lachner, V. Sechs Quartette. Heft i. No. 3 in M.392.34 
Maier, J. J. No. 8 in M.130.7 

Schneegloeckchen. Song. 

Abt, F. Fiinf Lieder. Op. 103. No. 2 in M. 192.2 

ScHUM.\NN, R. A. Lieder fiir die Jugend. Abtheilung 2. 

No. 3 in M.244.15.3; etc. 
Taubert, C. G. W. Klange aus der Kinderwelt. Heft 7. 

No. II in M.192.7 
Schneegloecklein. Duet. Hennig. 20 ein und zweistimmige 
Lieder. No. 17 in M.203.8 

Schneewittchen. For orchestra. Bendel. Marchenbilder. 

No. I in M.332.5 
Schneewittchen. Part-song. Reinecke, C. H. C. 

No. 7 in M.203.ig 
Schneidegniss an die Heimath. Part-song. Abt, F. 8 vier- 
stimmige Mannergesange. Op. 336, Heft i. 

No. 4 in M.392.2 
Schneider, F. H., compiler. 

Flottenlieder. Eine Sammlung der besten Seemanns- 
Flotten- u. Meereslieder mit leichter Klavierbegleitung 
ausgewahlt und bearbeitet. Leipzig. Breitkopf & Har- 
tel. [1901.] M.372.S9 

Schneider, Friedrich. See Schneider, Johann Christian Fried- 
rich. 
Schneider, Johann. See Schneider, Johann Gottlob. 
Schneider, Johann Christian Friedrich. 

Abendlied, wenn man aus dem Wirthshaus geht [t. t. b. b.]. 

(In Orpheus. Band i, pp. 45, 46.) No. 31 in M.i29a.43.i 

Absalon. Oratorium von Adolf Briiggemann. In Musik 

gesetzt von Friedrich Schneider. Partitur. Dessau. 

[182-?] M.243.24 

Absence. [Part-song, t. t. b. b.] (In The Orpheus. New 

series. Vol. 3, pp. 92-94.) No. 22 in M.205.10.3 

Also to be found in Orpheus glee book. 

Agnus Dei [s. s. x. b. Accomp. d'orgue]. (In Dietsch. 

Repertoire de musique religieuse. Pp. 34-37-) 

No. 8 in M.260.20 

Auf's Wohl der Frauen. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. P. 11.) No. 11 in M.213.9 

Ave Maria. [A 4 voix. Accomp. d'orgue.] (In Dietsch. 

Repertoire de musique religieuse. Pp. 119-121.) 

No. 25 in M.260.20 

Children of your Father's mercy. Air [and chorus] from 

the oratorio "The deluge." [Accomp. for pianoforte.] 

(In Turle and Taylor. The People's music book. Vol. 2, 

pp. 232-237.) No. 55 in M.iii.4.2 

Christus das Kind. Oratorium in 3 Abtheilungen von 

Philipp Mayer. In Musik gesetzt von Friedrich 

Schneider. Clavierauszug. Halberstadt. Bruggemann. 

[183-?] M.222.17 

Deus Noster, audi nos. Quintett [s. s. s. s. s. Accomp. for 

organ]. (In Novello. Convent music. Vol. 2, pp. 20-23.) 

No. 7 in M.260.17.2 



37 



Schneider 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schneider 



Schneider, Johann Christian Friedrich. (Continued.) 

Die Ehrenmanner. [Mannerchor.] (/n Fink. Die deutsche 
Liedertafel. P. 3-) No. 3 in M.213.9 

Es lebe hoch! [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 138.) No. 89 in M.213.9 

Die Freude. [Mannerchor.] (hi Fink. Die deutsche 
Liedertafel. Pp. 118, 119.) No. 80 in M.213.9 

Freundschaft. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 6.) No. 6 in M.213.9 

Frisches Leben. [Mannerchor.] (In Orpheus. Band 9. P- 
10.) No. 4 in M.i29a.43.9 

Fur uns. [Mannerchor.] (In Fink. Die deutsche Lieder- 
tafel. Pp. 22, 23.) No. 22 in M.213.9 

Gethsemane und Golgotha. Charfreitags-Oratorium. Text 
von Wilhelm Schubert. Fiir Chor und Soli componirt 
von Friedrich Schneider. Neue Ausgabe. Clavier-Aus- 
zug. Leipzig. Forberg. [186-?] No. 3 in M.270.47 

Gideon. Oratorium in 2 Abtheilungen von A. Briiggemann. 
In Musik gesetzt von Friedrich Schneider. Clavieraus- 
zug. Halberstadt. Bruggemann. [183-?] M.222.16 

Grand quatuor pour le piano forte, violon, alto et violon- 
celle. OEuv. 34. [Partition piano seul.J Bonn. Sim- 
rock. [182-?] No. 5 in M.312.34 

Great is the Lord. Chorus. (In Handel and Haydn So- 
ciety Collection of sacred music. Vol. 4, pp. 87-93.) 

No. 8 in M.221.22.4 

Gute Nacht! [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. Pp. 185, 186.) No. 121 in M.213.9 

Harzlieder, fiir vier Mannerstimmen. 99. Werk. Dessau. 
Aue. [1834.] No. 42 in M.392.23 

Contents. — Der Geist des Falkensteins. — Berg. — Fruhlingslied. — 
Wer nicht liebt. — Liedertafelexamen [bar. Solo, t. t. b. e.]. — Lied 
fur reisende Liedertafler. 

„Der Herr ist mein Hirte." Der XXIIL Psalm. Fur 4 
Mannerstimmen componirt von Friedrich Schneider. 
Leipzig. Hofmeister. [184-?] No. 8 in M.270.59 

Hoffnung. [Mannerchor.] (In Fink. Die deutsche Lieder- 
tafel. Pp. 95, 96.) No. 68 in M.213.9 
Holy Lord God of hosts. [Motet.] (In Handel and Hadyn 
Society Collection of sacred music. Vol. 4, p. 94-) 

No. 9 in M.221.22.4 

Ich bin nicht gern allein. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp. 24, 25.) No. 24 in M.213.9 

Also to be found in Orpheus; Das Riitli. 

Kommt, Freunde, trinket froh mit mir. [Mannerchor.] 

(In Orpheus. Band i, p. 51) No. 35 in M.i29a.43.i 

Konig Salomo's Weisheit. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp 158, I59) No. 104 in M.213.9 

Lasset die Freund'. [Mannerchor.] (In Orpheus. Band 

I, pp. II, 12.) No. 9 in M.i29a.43.i 

Let us be joyful. A four-part song [t. t. b. b.]. (In The 

Orpheus. New series. Vol. 4, pp. 156-162.) 

No. 33 in M.205.10.4 

Liebe, Wein und Gesang. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. P. 27.) No. 26 in M.213.9 

Lied auf dem Wasser zu singen. [Mannerchor.] (In 

Orpheus. Band 10, pp. 43-45-) No. 62 in M.i29a.43.io 

Der Liedertafler Willkommen. [Mannerchor.] (In Fink. 

Die deutsche Liedertafel. Pp. 124, 125.) No. 84 in M.213.9 

Mihi Jesu mellifluus. m.-s. solo. [Accomp. for organ.] iln 

Novello. Convent music. Vol. 2, p. 57.) No. 20 in M.260.17.2 

Minnelied [t. t. b. b.]. (In Orpheus. Band 9, p. 37) 

No. 22 in M.i29a.43.9 

Missa fur 4 Singstimmen, mit Begleitung von 2 Violinen, 

Bratsche, Violoncell und Contrabass, Flote, 2 Oboen, 2 

Clarinetten, 2 Fagotte, 2 Horner, 2 Posaunen, Trom- 

peten und Pauken. 55. Werk. Partitur. Offenbach a. M. 

Andre. [182-?] No. i in M.221.37 

Monody on Felix Mendelssohn Bartholdy [t. t. b. b.]. (In 

Musical times. [Music] Vol. 2, p. 134.) No. 11 in M.17S.1.2 

Noah's Mahnung. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. i45-) No. 95 in M.213.9 

O Jesu, Bone Pastor. Quartette. [Accomp. for organ.] 

(In Novello. Evening service. Vol. 2, pp. 357-359) 

M.260.23.2 



Schneider, Johann Christian Friedrich. (Continued.) 

O Jesu, Bone Pastor. Terzetto for 3 s. voices. [Accomp. 
for organ.] (In Novello. Convent music. Vol. 2, pp. 
76-79) No. 24 in M.260.17.2 

O memoriale mortis Domini, s. (or T.) solo. [Accomp. 
for 3 violoncellos or organ.] (In Novello. Convent 
music. Vol. 2, pp. 35-37-) No. 12 in M.260.17.2 

Pharao. Oratorium in 2 Abtheilungen von A. Briiggemann. 
In Musik gesetzt von Friedrich Schneider. Clavieraus- 
zug. Halberstadt. Briiggemann. [182-?] M.222.20 

Polterabend. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. Pp. 100, loi.) No. 71 in M.213.9 

Der 67ste Psalm. „Gott sei uns gnadig, und segne uns." 
Zweichorig fiir Mannerstimmen mit Begleitung von 
Blase-Instrumenten, Paucken, Violoncelle und Contra- 
bass. [Partitur.] Berlin. Trautwein & Co. [184-?] 

No. 4 in M.221.1 
So sagen die Weisen. [Mannerchor.] (In Orpheus. Band 
I, p. 39.) No. 27 in M.i29a.43.i 

Die Sterne. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 121.) No. 82 in M.213.9 

Die Siindfluth. Oratorium von E. von Groote. In Musik 
gesetzt von Friedrich Schneider. Vollstandiger Clavier- 
Auszug. Bonn. Simrock. [18 — ?] M.222.15 

Das verlorene Paradies. Oratorium in 3 Abtheilungen, 
von Heinrich de Marees. In Musik gesetzt von Fried- 
rich Schneider. Clavierauszug. Halberstadt. Briigge- 
mann. [183-?] M.222.18 
Wald. [Mannerchor.] (In Fink. Die deutsche Lieder- 
tafel. Pp. 112, 113.) No. 78 in M.213.9 
Wanderlied. [Mannerchor.] (/« Fink. Die deutsche Lieder- 
tafel. P. 89.) No. 62 in M.213.9 
Warnung vor dem Wasser. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. Pp. 162, 163.) No. 106 in M.213.9 
Was wir wollen. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 139.) N0.90 in M.2i3.g 
Das Weltgericht. Oratorium von August Apel. In Musik 
gesetzt von Friedrich Schneider. Partitur. Mit latei- 
nischem Texte von Carl Niemeyer. Leipzig. Breitkopf 
& Hartel. [1819.] M.1S2.19 
Same. Klavierauszug. Leipzig. Hofmeister. [182-?] 

M.222.19 
Wir sind nunmehr beim letzten Glas. [Mannerchor.] (In 
Fink. Die deutsche Liedertafel. Pp. 180, 181.) 

No. 117 in M.213.9 

Zum Gedachtnisstrunke. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp. 187, 188.) No. 122 in M.213.9 

Zum Lobe der Wirthin. [Mannerchor.) (In Fink. Die 

deutsche Liedertafel. Pp. 8, 9.) No. 8 in M.213.9 

Schneider, Johann Christian Friedrich, editor. 

Catel. Les aubergistes de qualite. M.230.39 

Mozart. Don Juan. M.310.42 

Spontini, G. L. p. La vestale. M.151.13 

Schneider, Johann Christian Friedrich. Works about. 

Neumann, W. Friedrich Schneider. Eine Biographic. 
Cassel. 1854. Portrait. No. i in M.20S.23 

Schneider, Johann Gottlob. 

Alma Redemptoris. A solo, duett and trio for 3 s. voices 
and chorus. [Accomp. for organ.] (In Novello. Con- 
vent music. Vol. 2, pp. 102-104.) No. 36 in M.260.17.2 
Ave Regina. Duett [s. s.] and chorus [s. s. s.]. Adapted 
with additions by V. Novello. [Accomp. for organ.] 
(In Novello. Convent music. Vol. i, pp. 95-97-) 

No. 7 in M.260.17.1 

Eia Mater, fons amoris. Trio for s. voices. [Accomp. 

for organ.] (In Novello. Convent music. Vol. i, pp. 

134. 135) No. 21 in M.260.17.1 

Fantasie und Fuge fiir die Orgel. 3- Werk. Leipzig. 

Breitkopf & Hartel. [183-?] No. 5 in M.312.48 

Pater de coelis Deus. Solo for s. and chorus for 4 s. 

[Accomp. for organ.] (In Novello. Convent music. 

Vol. 2, pp. 6, 7.) No. 2 in M.260.17.2 

Die rechte Liebe. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 173-) No. 112 in M.213.9 



38 



Schneider 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schoen 



Schneider, Johann Gottlob. (Continued.) 

Sancta Maria. Trio for s. voices. [Accomp. for organ.] 
{In Novello. Convent music. Vol. 2, pp. 30, 31.) 

No. 10 in M.260.17.2 

Das Veilchen im Thale. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp. 174. I75) No. 113 in M.213.9 

Virgo fidelis. Trio and chorus for 3 s. voices, with organ 

obligate. (In Novello. Convent music. Vol. i, pp. 

121-125.) No. 15 in M.260.17.1 

Wein, Gesang und Kuss. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp. I77, 178.) No. 115 in M.213.9 

Schneider, Johann Julius. 

An den Gesang. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 144) No. 94 in M.213.9 

Bundeslied [t. t. b. b.]. (In Fink. Die deutsche Lieder- 
tafel. Pp. 168, 169.) No. 109 in M.213.9 
Das Lied vom Wein [t. t. b. b.]. (In Fink. Die deutsche 
Liedertafel. Pp. 148, 149.) No. 97 in M.213.9 
Schneider, Julius. See Schneider, Johann Julius. 
Schneider, Lina. 

Bonifacius. Oratorium. Musik von W. F. G. Nicolai. 

M.267.28 

Schneider, Ludwig. 

Geschichte der Oper und des Koniglichen Opernhauses in 
Berlin. Berlin. Duncker & Humblot. 1852. M.21S.19 
Schneider, Paul Friedrich. 

Drei Lieder fiir Mannerchor und Solo. Op. 5- Bonn. 
Simrock. [184-?] No. 43 in M.392.23 

CoKlcnIs. — Fahr wohl. — Winterabend. — Beim Abendliiuten. 

Schneider, Theodor. 

Lied und Freud. [Mannerchor.] (In Abt. Deutsche 

Sangerhalle. Vol. 4, P- 8.) No. 3 in M.392.42.4 

Nun kommt der Friihling wieder. [Mannerchor.] (In 

Gruber. Sangeshort. Heft i, pp. 49, So.) No. i in M.370.30 

Schneider-Lied. Part-song. Blum, C. L. No. 47 in M.213.9; etc. 

Nessler. No. 17 in M.392.37 

Schneiders Lust und Leid. Part-song. Schmidt, G. Drei 

Gedichte. Op. Si. No. 27 in M.392.23 

Schnepfenlied. Part-song. Lachner, V. No. 2 in M.3g2.37 

Schnezler, August. See Schnezler, Ferdinand Ale.xander 

August. 
Schnezler, Ferdinand Alexander August. 

Die verlassene Miihle. Fiir Tenor- oder Sopran-Solo 

und Mannerchor mit Begleitung des Pianoforte com- 

ponirt von Templeton Strong. No. 9 in M.212.17 

Schnitter Tod. Part-song. Becker, A. E. A. No. 5 in M.212.3 

Brahms. Deutsche Volkslieder. Heft 2. No. 3 in M.204.7 

Schumann. Romanzen und Balladen fiir Chor. 

No. 5 in M.158.24; etc. 
Schnitterlied. Song. Taubert, C. G. W. 12 Lieder. Op. 9- 

No. 3 in M.221.26 
Schnitzer, Ignaz. 

Der Hexenspiegel. Komische Oper. Musik von Edmund 

Eysler. M.389.38 

Rafaela. Komische Oper. Text von Ad. Schirmer und J. 

Schnitzer. Musik von Max Wolf. No. 2 in M.326.29 

Der Zigeunerbaron. Operette. Musik von Johann Strauss. 

M.323.14 
Schnitzer, J. See Schnitzer, Ignaz. 

Schnur, Die, die Perl' an Perle. Song. Brahms. Lieder und 
Gesiinge. Op. 57, Heft 2. No. i in M.380.40.2 

Schnyder von Wartensee, Franz Xaver. 

Ergo bibamus. [Mannerchor.] (In Orpheus. Band 9, pp. 
12, 13.) . No. 6 in M.i29a.43.9 

Fortunat mit dem Sackel und Wiinschhiitlein. Mahrchen- 
Oper von Georg Doring. In Musik gesetzt von X. 
Schnyder von Wartensee. Vollstiindiger vom Com- 
ponisten verfasster Clavierauszug. Eberfeld. Betzhold. 
[183-?] M.1S1.25 

If in that breast. Romance and duet [s. t. Accomp. for 
pianoforte]. (In Musical library. Vol. 3, pp. 132-134.) 

No. 42 in M.235.18.3 

Lebenserinnerungen von Xaver Schnyder von Wartensee. 

Hrsg. von der Stiftung von Schnyder von Wartensee. 

Zurich. Hug. 1887. M.206.18 



Schnyder von Wartensee, Franz Xaver. (Continued.) 

Zeit und Ewigkeit. Ein Oratorium fiir Mannerstimmen. 
Aus drei geistlichen Liedern von Klopstock zusammen- 
gestellt und componirt von Xaver Schnyder von War- 
tensee. Clavier-Auszug. N. p. [182-?] Lithograph 
script. No. 3 in M.152.26 

Schober, Franz von. 

Alfonso und Estrella. Romantische Oper von Franz 
Schubert. M.322.11 

Schoelcher, Victor. 

The life of Handel. London. Trubner & Co. 1857. M.ios.28 

A portrait and newspaper cuttings are inserted. 

Schoen, Eduard, Ritter von. 

Akme und Septimius. Chor [t. t. b. b.] mit Piano. Von 
E. S. Engelsberg [Pseud.]. Hamburg. Cranz. [188-?] 

No. 5 in M.392.28 
Das Aleph. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 27 in M.392.7 
Die alten Lieder. [Mannerchor.] Hamburg. Cranz. 
[188-?] No. 44 in M.392.7 

„Am obern Langbathsee." Fiir Solo-Quartett [t. t. b. b.], 
Chor [t. t. b. b.] und Pianoforte-Begleitung. Wien. 
Wessely. [188-?] No. 10 in M.392.28 

Same. Finland love song [t. t. b. b. Accomp. for piano- 
forte]. Adapted to the English words of Th. Moore, by 
Joseph Mosenthal. New York. Schuberth & Co. 1879. 

No. 6 in M.392.8 

Same. On upper Langbathsea. Finland love song [t. t. 

B. B.]. English version by Ellis Gray. Boston. Ditson & 

Co. [188-?] No. 7 in M.392.8 

Aufruf. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 2 in M.392.8 
Die Berge. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 43 in M.392.7 
Das Bienchen. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 30 in M.392.7 
Ein Bild aus Neapel. Gedicht von Hebbel. Fur Manner- 
chor mit Pianofortebegleitung componirt von E. S. 
Engelsberg [Pseud.]. Wien. Spina. [1870?] 

No. 4 in M.392.44 
Der Blumen Schwester und der Sterne. Tenor-Solo mit 
Chor [t. t. b. b.] und Pianoforte-Begleitung. Wien. 
Wessely. [187-?] No. 5 in M.392.44 

Der Einsiedler. [Mannerchor.] Mit Pianoforte-Beglei- 
tung. Wien. Wessely. [1884?] No. 7 in M.392.44 
Es ist bestimmt in Gottes Rath. [Mannerchor.] Ham- 
burg. Cranz. [188-?] No. 39 in M.392.7 
Far away. See his So weit. 

Finland love song. See his Am obern Langbathsee. 
Der Fischer. [MannercHor.] Hamburg. Cranz. [188-?] 

No. 46 in M.392.7 

Die Flucht der Liebe. Bariton-Solo mit Chor [t. t. b. b.] 

und Pianoforte-Begleitung. Wien. Wessely. [1884?] 

No. 8 in M.392.44 
Friihlingsbrausen. [Mannerchor mit Pianoforte-Beglei- 
tung.] Hamburg. Cranz. [188-?] No. 8 in M.392.28 
Die Gestirne. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 26 in M.392.7 

Der Gltickliche. [Mannerchor.] (In Abt. Deutsche 

Sangerhalle. Vol. 4, PP- 49-52.) No. 18 in M.392.42.4 

Der Glucksritter. [Mannerchor.] Hamburg. Cranz. 

[188-?] No. 40 in M.392.7 

.Griiss dich Gott." [Mannerchor.] Wien. Buchholz & 

Diebel. [188-?] No. 48 in M.392.7 

Heimweh. Fiir Bariton-(oder Alt-) Solo und Mannerchor 

mit Begleitung des Pianoforte (oder des Harfes). Par- 

titur. Wien. Wessely. [188-?] No. 9 in M.392.44 

Heini von Steier. Dorpertanzweise f. 4 stimm. Mannerg. 

mit Pianofte. Wien. Haslinger. [187-?] 

No. 10 in M.392.44 
Der Jagersmann. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 25 in M.392.7 

Kathchen Putiphar. [Mannerchor.] Hamburg. Cranz. 

[ 188-?] No. 7 in M.392.28 

39 



Schoen 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schoene 



Schoen, Eduard, Ritter von. (Continued.) 

Die Kleine. [Mannerchor.] Hamburg. Cranz. [i88-?] 

No. 3 in M.3g2.8 

Der Konig von Yvetot. [Mannerchor.] Hamburg. Cranz. 

[i88-?] No. 41 in M.392.7 

Das Land der Ahnen. [Mannerchor.] Hamburg. Cranz. 

[188-?] No. 29 in M.392.7 

Die Liebe als Nachtigall. [Mannerchor.] Mit Pianoforte- 

Begleitung. Wien. Wessely. [1884?] No. 6 in M.392.44 

Same. Love as a nightingale. [Part-song, t. t.. b. b.]. 

English version by Charles J. Sprague. [Boston. Apollo 

Club.] 1885. No. 49 in M.392.7 

Love song. See his Minnelied. 

Margherita. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 24 in M.392.7 

Meine Muttersprache. [Mannerchor mit bar. Solo. Wien. 

Wessely. 188-?] No. 17 in M.392.39 

Same. My native tongue. [Part-song, bar. solo, t. t. b. b.] 

English words by Chas. J. Sprague. [Boston. Apollo 

Club.] 1880. No. I in M.392.36 

Minnelied [t. t. b. b.]. Hamburg. Cranz. [188-?] 

No. 33 in M.392.7 
Same. Love song [t. t. b. b.]. English version by Charles 
J. Sprague. [Boston. Apollo Club.] 1884. 

No. 34 in M.392.7 
„Minneweise." [Mannerchor.] Wien. Wessely. [188-?] 

No. 47 in M.3g2.7 
Miramare. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 36 in M.392.7 
Morgenlied [bar. Solo, t. t. b. b.]. Hamburg. Cranz. 
[188-?] No. 31 in M.392.7 

My native tongue. See his Meine Muttersprache. 
..Nachtlied." Tenor-Solo mit Chor [t. t. b. b.]. Wien. 
Wessely. [188-?] No. 18 in M.392.39 

Das Nest. [Mannerchor mit Pianofortebegleitung.] Ham- 
burg. Cranz. [188-?] No. 9 in M.392.28 
On upper Langbathsea. See his Am obern Langbathsee. 
Der Papegan. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 45 in M.392.7 
Ein Paradies. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 38 in M.392.7 

Poeten auf der Aim. Mannerchor mit Pianoforte-Beglei- 

tung. Wien. Wessely. [187-?] No. 20 in M.212.4 

Sangermarsch. [Mannerchor.] (/« Abt. Deutsche Sanger- 

halle. Vol. 3, pp. 66-72.) No. 21 in M.392.42.3 

Der schwere Traum. [Mannerchor.] Hamburg. Cranz. 

[ 188-?] No. 32 in M.392.7 

So far away. See his So weit. 

So viel Stern' am Himmel stehen [t. t. b. b.]. Hamburg. 
Cranz. [188-?] No. 28 in M.392.7 

„So weit!" [Mannerchor.] Wien. Wessely. [188-?] 

No. IS in M.392.39 
Same. Far away. [Part-song, t. t. b. b.] English words 
by Chas. J. Sprague. Boston. Apollo Club. 1880. 

No. 2 in M.392.36 
Same. So far away. [Part-song, x. t. b. b.] (In Mosenthal. 
Songs of the Mendelssohn Glee Club. Pp. 138-143.) 

No. 37 in M.204.38 
Ein statistischer Bericht des Landburgermeisters. Chor 
[t. t. b. b.] mit Piano. Hamburg. Cranz. [188-?] 

No. 6 in M.392.28 
Studentenherz. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 5 in M. 392.8 
Unter der Loreley. [Mannerchor.] (In Stuttgarter Lieder- 
kranz. Mannerchor-Album. Pp. 21-23.) No. 5 in M.203.22 
Der verzweifelte Liebhaber. [Mannerchor.] Hamburg. 
Cranz. [188-?] No. 37 in M.392.7 

Waldesweise. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 4, pp. 12, 13.) No. 5 in M.392.42.4 

Der Wanderer an der Sagemuhle. [Mannerchor.] Ham- 
burg. Cranz. [188-?] No. 4 in M.392.8 
Die Weide. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 35 in M.392.7 

„Die Wunderbriicke." Tenor-Solo mit Chor [t. t. b. b.]. 

Wien. Wessely. [188-?] No. 16 in M.392.39 



Schoen, Eduard, Ritter von. (Continued.) 
Zwanzig Jahre. [Mannerchor.] Hamburg. 



Zwolftausend Magdelein. [Mannerchor.] 
Bauer. [187-?] 
Schoen, Rudolf. 

Maiennacht. Fiir Mannerchor. 
Robitschek. [188-?] 
Schoen Aennchen. Song. Raff. 



Cranz. [188-?] 

No. 42 in M.392.7 

Braunschweig. 

No. 23 in M.3g2.7 



Op. 26. 



Wien. Rebay & 
No. 44 in M.392.23 
Sanges-Friihling. Heft 3. 
No. 3 in M.192.4 



Schoen Anna von Ortrant. Part-song. 

Abt, F. 

Jung. Drei Gesange. Op. 16. 
Schoen Annie. Overture. Cooper, H. C. 
Schoen Bluemelein. Duet. Schumann, R. 
10, Band I. 



No. 3 in M.392.35 

No. 37 in M.392.11 

No. 3 in M.332.11 

L Werke. Serie 

M.316.1.10.1 



Schoen Ella. Opera. For the Music see Marschner, H. A. 

For the Libretto see Kind. 
Schoen Ellen. Cantata. For the Music see Bruch. For the 

Libretto see Geibel, E. 
Schoen Elsabeth. Cantata. For the Music see Hecht, G. 

For the Libretto see Heese. 
Schoen Elschen. Song. Raff. Sanges-Friihling. Heft 3. 

No. 3 in M.192.4 
Schoen Else. Part-song. Griesinger, A. No. i in M.370.30 
Schoen Hedwig. Cantata. For the Music see Killer, F. For 

the Libretto see Hebbel. 
Schoen ist das Fest. Duet. Schumann, R. A. Zwolf Gedichte 

aus Riickerts Liebesfriihling. No. 11 in M.244.15.1 

Schoen ist das Fest. Part-song. Schumann, R. A. Minnespiel. 

No. 12 in M.244.1S.3; etc. 
Schoen Karin. Opera. For the Music see Griebel. 

Libretto see Christiansen. 
Schoen Rohtraut. Volksweise. 

noessischer Saengerverein. 

. . . Sangerfest. Pp. 24-26.) 

Also to be found in Das Riitli. 
Schoen-Rohtraut. Part-song. Schumann, R. A. Romanzen 

und Balladen fiir Chor. No. 4 in M.1S8.24; etc. 

Veit. No. 30 in M.392.41.1 ; etc. 

Schoen sind, doch kalt, die Himmelssterne. Song. Strauss, 

R. 6 Lieder aus „Lotosblatter." Op. 19. 

No. 13 in M.380.24.1 
Schoen Suschen. Song. Gruber, G. W. Gottfried August 

Biirgers Gedichte. Vol. 2. No. 11 in M.130.9.2 

Schoen Toro. Part-song. Grieg. Album fiir Mannergesang. 



For the 



[Mannerchor.] (In Eidge- 
Mannerchore fiir das I3te 
No. 3 in M.130.7 



Op. 30. 
Schoen war 

Lieder. 
Schoenbart. 



das ich dir weihte. Song. 
Op. 95- 
Song. Abt, F. 



Grosse 



romantische Oper. 
M.383.65 



No. 6 in M. 203.14 
Brahms. Sieben 
No. 13 in M.380.40.2 
Drei komische Lieder. 

No. 24 in M.iga.i 
Schoenbeck, Otto. 

Die letzten Tage von Thule. 
Musik von G. Rauchenecker. 
Schoene, Alfred Kurt Immanuel, editor. 

Hauptmann, M. Briefe an Franz Hauser. Band i. Leip- 
zig. 1871. Portrait. M.137.14 

Letters of a Leipzig cantor. Edited by Alfred Schone. 

and Ferdinand Hiller. London. 1892. 2 v. M. 106.10 
Schoene, Gustav. 
Jubilaumslied [t. t. b. b.]. (In Saechsischer Elbgau- 
Saengerbund. Jubilaums Gesange. Pp. 2, 3.) 



Schoene Alda, Die. 

Sarazenen. 
Schoene Blume, hiite dich. 



Symphonic poem. 
Part-song. 



No. I in M.392.24 
MacDowell. Die 
No. I in M.338.24 
SCHRECK, G. E. 

No. 2 in M.392.24 
No. 4 in M.204.37.1 
For the Music see 



Schoene Donna! Song. Mozart. 
Schoene Flamanderin, Die. Opera. 

Auber. Les chaperons blancs. 
Schoene Fremde. Song. Schumann, R. A. Lieder-Kreis von 

Eichendorff. No. 12 in M.244.15.1 ; etc. 

Schoene Galathe, Die. Opera. For the Music see Suppe. 

For the Libretto see Kohl von Kohlenegg. 



40 



Schoene 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schott 



Song. 



Franz, 



Brahms. Deutsche 

No. 14 in M.830.40.3 

R. Sechs Gesange. 

No. 88 in M.244.S.2 



Schoene Maria, Die. Song. Curschmann. Curschmann- 

Album. No. I in M.157.37 

Schoene Melusine. Cantata. For the Music see Hofmann, 

H. C. J. For the Libretto see Osterwald. 
Schoene Melusine, Die. Opera. For the Music see Hentschel. 

For the Libretto see Hoffschlaeger. 
Schoene Melusine. Overture. Mendelssohn-Bartholdy, J. L. 

F No. 4 in M.346.14 

Schoene Minka. Part-song. Erk. Volksklange. 

No. I in M.130.8 
Schoene Mullerin, Die. Opera. For the Music see Paisiello. 
Schoene Mullerin, Die. Songs. Berger, L. Gesange aus 

einem gesellschaftlichen Liederspiele. No. 18 in M.221.30 
Schubert, F. P. Werke. Serie 20, Band 7. 

M.3i7.i.20.7;etc 

Schoene Nachbarin, Die. Part-song. 

Dregert, a. No. 75 in M-39a-3 

Gueth. Drei heitere Solo-Quartette. Op. 39- 

No. 36 in M.3g2.io 

Schoene Schusterin, Die. Songs. Beethoven. Werke. Serie 

25. M.413.1.2S 

Schoene Welt, wo bist du? Song. Schubert, F. P. Werke. 

Serie 20, Band 6. M.317.1.20.6 

Schoene Wiege meiner Leiden. Song. Schumann, R. A. 

Liederkreis von Heine. No. i in M.244.1S.1 

Schoenebeck, Carl Siegmund. 

Der Wunder-Igel. Eine comische Operette in einem Auf- 

zuge, von F. E. Jester. In Musik gesetzt von C. S. 

Schoenebek. [Klavierauszug.] Konigsberg. Nicolovius. 

[1793.] No. 3 in M.3SO.I2 

Schoener als Alles. Song. Abt, F. Fiinf Lieder. Op. 92. 

No. 33 in M.192.1 
Schoener Augen schone Strahlen 

Volkslieder. Heft 6. 
Schoener Mai, bist ueber Nacht. 
Op. 30. 

Schoenfeld, . 

Jahrbuch der Tonkunst von Wien und Prag. [Prag.] 

Schonfeld. 1796. Plate. M.377-9 

Schoenste Liebe, Die. Part-song. Abt, F. Sieben leichte 

Mannerchore. Op. 382, Heft i. No. 7 in M.392.35 

Schoenste Lied, Das. Cantata. For the Music see Stritzko. 

For the Libretto see Schels. 

Schoenste Madchen, Das, im Stadtchen. Opera. For the 

Music see Conradi. For the Libretto see Winterfeld. 

Schoenste Schatz, mein Engel. Song. Brahms. Deutsche 

Volkslieder. Heft 3. No. 11 in M.380.40.3 

Schoenste Schenkin, Die. Part-song. Tschirch, F. W. 

No. 35 in M.392.8 
Schoensten Lieder, Die. Part-song. Leder. Vier Lieder. 

No. 22 in M.194.16 

Schoenster Herr Jesu. Taubert, C. G. W. 6 geistliche 

Lieder. Op. 142 b. No. 30 in M.192.7 

Schoenster Schmuck. Part-song. Abt, F. Sechs Lieder fiir 

vier Mannerstimmen. Op. 437i Heft 2. No. 15 in M.392.2 

Schoepff, Friedrich Wilhelm Traugott. 

Sechs Gesange von Wielfried von der Neun [Pseud.]. 
Fiir eine Singstimme [s. o. t.] mit Begleitung des Piano- 
forte componirt von R. Schumann. No. 7 in M.244.15.3 
Schoepfung, Die. Oratorio. For the Music see Haydn, F. J. 
Scholar's relapse, The. Song. Arne, T. A. Lyric harmony. 
Vol. 2. M.380.1.2 

Scholz, Bernhard. 

Caesar Franck, Die Seligkeiten (Les Beatitudes). Erlautert. 

Frankfurt a. M. Bechhold. [1894. Der Musikfiihrer. 

No. II, 12.] No. II, 12 in M.217.12.1 

Clavierconcert mit Begleitung des Orchesters. Op. 57- 

Partitur. Breslau. Hainauer. [188-?] No. 2 in M.342.34 

Edgar Tinel, Franciscus. Frankfurt a. M. Bechhold. 

[1894. Der Musikfiihrer. No. 2.] No. 2 in M.217.12.1 

Die Frosch' und die Unken. [Mannerchor. Leipzig. 

Leuckart. 186-? Deutsche Sangerhalle. 10.] 

No. 44 in M.392.24; No. 10 in M.392.42.1 
Golo. Romantische Oper in einem Vorspiel und 3 Auf- 

III 6 



Scholz, Bernhard. (Continued.) 

ziigen, frei nach Ludwig Tieck von Bernhard Scholz. 
Partitur. Hamburg. Pohle. [1890?] M.226.17 

Same. [Klavier-Auszug.] M.322.10 

The title-page is missing. 

Im Freien. Concertstiick in Form einer Ouverture ftir 
Orchester. Op. 21. Partitur. Leipzig. Rieter-Bieder- 
mann. [186-?] No. I in 11.405.56 

[Iphigenia auf Tauris.] Ouverture zu Goethe's Iphigenia 
auf Tauris fiir grosses Orchester. Op. I5- Partitur. 
Leipzig. Rieter-Biedermann. [i86-?] No. 2 in M.405.S6 

Leb' wohl, du schoner Waid! [Mannerchor.] (In Abt. 
Leichte Mannerchore. Heft 12, pp. 16-18.) 

No. 75 in M.246.22 

Das Lied von der Glocke von Friedrich Schiller. Fur 
Soli, Chor, Orchester und Orgel componirt von Bern- 
hard Scholz. Werk6i. Clavierauszug. Breslau. Hainauer. 
[187-?] No. I in M.204.26 

Mirandolina. Komische Oper in drei Aufziigen. Dichtung 
frei nach Goldoni's „La locandiera" von Theobald Reh- 
baum. Musik von Bernhard Scholz. Klavierauszug [mit 
Text]. Frankfurt a. M. Firnberg. [1908?] M.379.9 

The overture is arranged for four hands. 

Quartett, Zweites, fiir Saiten-Instrumente (2 Violinen, Viola 
und Violoncell). Op. 48. Partitur. Breslau. Hainauer. 
[187-?] No. 3 in M.334.14 

Quintett fiir Pianoforte, zwei Violinen, Viola und Violon- 
cell. Op. 25. Bremen. Cranz. [186-?] No. 2 in M.410.107 

Requiem fiir Soli, Chor und Orchester. Op 16. Partitur. 
Leipzig. Breitkopf & Hartel. [1863.] M.201.21 

Standchen an eine Verlassene. Gedicht von Gottfried 
Keller. Fiir Mannerchor mit Begleitung von Streich- 
instrumenten oder des Claviers componirt von Bernhard 
Scholz. Op. 58. Partitur mit unterlegtem Clavieraus- 
zug. Breslau. Hainauer. [187-?] No. 3 in M.380.16 

Still are there hearts. [Part-song, t. t. b. b. Accomp. for 
pianoforte.] New York. Schirmer. [1884.] 

No. 5 in M.392.31 

Symphonie fiir grosses Orchester, B dur. Op. 60. Par- 
titur. Breslau. Hainauer. [188-?] No. 3 in M.342.34 

Symphonie fiir Orchester, A-moll. Op. 80. Partitur. 
Frankfurt a. M. Firnberg. [189-?] M.404.14 

Tanz im Lager. Einleitung zum 3ten Akt der Oper 
„Zieten'sche Husaren." Op. 30. Partitur. Berlin. Bote 
& Bock. [1876?] No. I in M.331.11 

Wanderung. Suite von Characterstiicken fiir Orchester. 
Op. 74. Partitur. Frankfurt a. M. Firnberg. [188-?] 

No. I in M.410.80 
Contents. — I. Gebirgsgruss. 2. Libelle und Wasserfei. 3. Erinnern 
und Traumen. 4. Tanz. 5. Abendfrieden ; Heimweg. 

Scholz, Bernhard, editor. 

Bach, J. S. Praludium fiir die Orgel. Fiir grosses Or- 
chester bearbeitet. No. i in M.333.6 
Schon eilet froh der Ackersmann. Aria. Haydn, F. J. 

No. 4 in M.204.37 

Schon lacht der holde Friihling. Part-song. Mozart. Werke. 

Serie 24. M.315.1.24 

Schon ruht von Nacht und Staub bedeckt. Motet. Schicht. 

Motetten. Heft 10. No. 10 in M.236.19 

Schon streckt' ich. Song. Wolf, H. Italienisches Lieder- 

buch. Band 2. M.380.29.2 

School girl, The. Opera. For the Music see Barrett, T. For 

the Libretto see Hamilton, H. 
School-Music Journal. Vol. i, no. 10. Boston. Gilson. 1886. 

No. 4 in M.132.5 
School, The, of Anacreon. Cantata. For the Music see Arne, 

T. A. Two English cantatas. 
School, The, of fugue playing. Instruction book. Czerny. 

M.237.13 

Schott. (B. Schott's Sohne.) 

Verzeichniss der Verlagswerke. [Mainz. 1861-64.] 7 parts 
in I V. M.20S.13 

Schott, E. 

Gebet. [Mannerchor.] (In Orpheus. Band 9, pp. 5i> 52.) 

No. 30 in 11.1293.43.9 

41 



Schotte 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schubert 



Schotte, Carl. 

Zieh', Schimmel, zieh'. Gedicht v. R. Baumbach. Fiir Bass- 
Solo und Mannerchor mit Klavierbegleitung (ad libitum) 
componirt von Carl Schotte. Op. ii. Schleusingen. 
Glaser. [i88-?] No. 5 in M.212.15 

Schottische Taenze. For orchestra. Lancey. Zwei schottische 
Tanze. No. 3 in M.338.21 

Schottischer Barden-Chor. Part-song. Silcher, F. 

No. 31 in M.i2ga.44; etc. 
Schottlands Thraenen. Part-song. Bkuch. Das Wesso- 
brunner Gebet. No. 2 in M.353.21; etc. 

Schreck, Emmy. 

Der Falken-Rainer vom Oberland. Dichtung. Fiir Man- 
nerchor u. Soli mit Begleitung des Pianoforte komponirt 
von Gust. E. Schreck. No. 5 in M.203.21 

Konig Fjalar. Fiir Soli, Mannerchor und [Pianoforte] 
komponirt von Gustav E. Schreck. No. i in M.280.8 

Schreck, Gustav. 

Begriissung des Meeres. Gedicht von Anastasius Griin 
[Pseud.]. Mannerchor, mit Begleitung von 2 Hornern 
und Pianoforte zu 4 Handen, komponirt von Gustav 
Schreck. Leipzig. Licht. [187-?] No. 2 in M.280.8 

Same. Leipzig. Kistner. [1889?] No. 6 in M.212.15 

Der Falken-Rainer vom Oberland. Dichtung von Emmy 
Schreck. Fiir Mannerchor u. Soli mit Begleitung des 
Orchesters oder Pianoforte komponirt von Gust E. 
Schreck. Op. 8. Clavierauszug. Leipzig. Licht. [1889?] 

No. s in M.203.21 

Gebet. Fiir Mannerchor mit Baritonsolo. Leipzig. Hesse. 

[187-?] No. 45 in M.392.23 

Im Walde. Gedicht von Paul Heyse. Fur Tenor-Solo, 

Manner-Chor und Orchester componirt von Gustav 

Schreck. Clavierauszug. Leipzig. Kistner. [187-?] 

No. 8 in M.270.13 
Konig Fjalar. Text von E[mmy] S[chreck]. Fiir Soli, 
Mannerchor und Orchester komponirt von Gustav E. 
Schreck. Klavierauszug. Leipzig. Siegel. [188-?] 

No. I in M.280.8 
Memories. [Part-song, t. t. b. b.] (In The Osgood Col- 
lection of part-songs. Vol. i, pp. 40-45.) M.193.23.1 
Schone Blume, hiite dich! [Mannerchor.] Op. 17. Leip- 
zig. Siegel. [1889.] No. 2 in M.392.24 
Schreiber, Aloys Wilhelm. 

Odins Meeresritt. Gedicht. Fiir Baritonsolo, Manner- 
chor und Orchester von Friedrich Gernsheim. 

No. 3 in M.212.6 
Schreiber, Gustav. 

Heinrich Pestalozzi. Fest-Cantate fiir Mannerchor, Soli 

und Orchester. Gedichtet von Franz Knauth. Componirt 

von Gustav Schreiber. Clavier-Auszug. Magdeburg. 

Heinrichshofen. [186-?] No. 7 in M.212.15 

Schreinzer, Mathias. 

Rurik's Segen. (BjiarocjiOBenie PiopHKa.) Ein lyrisches 
Festspiel in einem Acte. Dichtung von Ernst Lange, ins 
Russische iibersetzt von A. Scheller. Musik von Mathias 
Schreinzer. Vollstandiger Clavier-Auszug mit deutschem 
und russischem Texte. St. Petersburg. Wahrmund. 
[1826.] M.220.22 

Schrey, C. 

Nur in Deutschland. [Mannerchor.] (In Orpheus. Band 
10, pp. 47, 48.) No. 64 in M.i2ga.43.io 

Schreyvogel, Joseph, translator. 

MoRETO Y Cavana. Donna Diana. M.395.5S 

Schricker, August. 

Meister Martin und seine Gesellen. Oper nach der Erzah- 
lung von E. T. A. Hoffmann. Componirt von Wendelin 
Weissheimer. M.226.26; etc. 

Schriefer, Wilhelm. 

Der Asket. Oper. Musik von Carl Schroeder. 

No. I in M.383.37 

Der Dusle und das Babeli. Volksoper. Dichtung von 

Wilhelm Schriefer und A. M. Kolloden. Musik von 

Karl von Kaskel. M.397.36 

Eros und Psyche. Lyrisches Musikdrama. Musik von 

Max Zenger. M.381.72 



Schroeder, Albert. 

Columbus. Dramatische Cantate von Julie Hallervorden. 

Fur Solostimmen, Mannerchor und Orchester von Albert 

Schroder. Clavierauszug. Leipzig. Rieter-Biedermann. 

1885. No. 8 in M.212.15 

Schroeder, Carl. 

Der Asket. Oper in einem Aufzuge. Text von Wilhelm 
Schriefer. Musik von Carl Schroeder. Clavierauszug 
mit Text. Leipzig. Oberdorffer. [1893.] No. i in M.383.37 

Aspasia. Oper in 3 Aufziigen. Text von Franz Bittong. 
Musik von Carl Schroeder. [Klavierauszug.] Leipzig. 
Oberdorffer. 1892. M.300.17 

Schroeder, Hermann. 

Sechs kleine leichte und instructive Quartette fiir 2 Violinen, 
Bratsche und Violoncell. Op. 8, Heft 2. [No. 4-6.] 
Mayence. Schott. [189-?] No. 3 in M.4i2.a 

Schroeder-Devrient, Wilhelmine. 

Gluemer, C. von. Erinnerungen an Wilhelmine Schroder- 
Devrient. Leipzig. 1862. Portrait. Facsimile. M.iog.28 

WoLZOGEN, C. A. A. von. Wilhelmine Schroder-Devrient. 
Ein Beitrag zur Geschichte des musikalischen Dramas. 
Leipzig. 1863. M.i29.27;etc. 

Schroeter, Johann Samuel. 

Six sonatas for the pianoforte or harpsichord, with accomp. 
for a violin and bass. Op. 2. [Score.] London. Ganer. 
[178-?] No. 6 in M.210.6 

Same. [Violin part.] No. 15 in M.210.10 

Same. [Violoncello part.] No. 14 in M.2io.ia 

Schroeter, Johann Samuel, editor. 

Twelve favorite Scots songs for the voice and harpsichord, 
with an accomp. for a violin or German flute. London. 
Naoier. [178-?] No. 9 in M.220.18 

Contents. — The bush aboon Traquair. — Peggie, I must love thee. — 
Lochaber. — Rosline castle. — The lass of Patie's mill. — Love is the 
cause. — Down the bum, Davie. — Tweed side. — The birks of Enver- 
may. — The braes of Ballanden. -— The last time I came o'er the 
moor. — Shepherds, I have lost my love. 

Schroeter, Leonhard. 

Champagne song [x. t. b. b.]. (In Chickering collection. 

Vol. I, pp. 34, 35.) No. 14 in M.392.48.1 

Nach Norden. [Mannerchor.] (In Regensburger Lieder- 

kranz. Pp. 133, 134.) No. 57 in M.i2ga.44 

Nur Du. [Mannerchor.] (In Regensburger Liederkranz. 

Pp- 139-141-) No. 59 in M.i29a.44 

Take, oh take those lips away. Glee [s. s. b.], harmonized 

from a song. (In Bland. The Ladies' collection. Vol. 

4, p. 451.) No. 102 in M.235.17.4 

Zechers Wunsch. [Mannerchor.] (In Regensburger 

Liederkranz. Pp. 135-139.) No. 58 in M.i29a.44 

.\!so to be found in Das Riitli. 

Schtschepkin-Kupernik, T. L. See Shtchepkin-Kupemik, T. L. 
Schubaur, Lucas. See Schuhbauer, Lucas. 
Schubert, Camile, pseud. See Prilipp, Camille. 
Schubert, F. L. See Schubert, Franz Ludwig. 
Schubert, Ferdinand. 

Der kleine Sanger. Eine Sammlung von zweistimmigen 
Liedern mit Bassbegleitung. Heft 1-3. Wien. Mechithar. 
1854-56. 3 parts in i v. No. 8 in M.373.61 

Schubert, Franz Ludwig. 

Hans und Hanne. Liederspiel in i Act. Klavierauszug. 
Leipzig. Kahnt. [188-?] No. 2 in M.391.21 

Die Orgel: ihr Bau, ihre Geschichte und Behandlung. Leip- 
zig. Merseburger. 1867. No. 4 in M.377.15 
Vive I'empereur. [Mannerchor.] (In Orpheus. Band 8, 
pp. 9, 10.) No. 248 in M.i29a.43.8 
Schubert, Franz Peter. 

Werke. Kritisch durchgesehene Gesammtausgabe. Leip- 
zig. Breitkopf & Hartel. [1884-97.] 38 v. Portrait. 
Serie i : Symphonien fiir Orchester. Partitur. 2 v. 

M.317.1.1 

Contents. — I. No. i, in D dur. — No. 2, in B dur. — No. 3, in D dur. 

— No. 4. Tragische Symphonic. 2. No. 5, in B dur. — No. 6, in C dur. 

— No. 7, in C dur. — No. 8, in H moll. 

Serie 2: Ouverturen und andere Orchesterwerke. Par- 
titur. M.317.1.2 
Contents. — No. I. Ouverture zum Lustspiel mit Gesang: Der Teufel 
als Hydraulicus. — No. 2. Ouverture in D dur. — No. 3. Ouverture in 



42 



Schubert 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schubert 



Schubert, Franz Peter. (Continued.) 

B dur. — No. 4. Ouverture in D dur. — No. 5. Ouverture in D dur (ira 
italienischen SUle). — No. 6. Ouverture in C dur. — No. 7. Ouverture 
in E moll. — No. 8. Funf Menuette mit sechs Trios. — No. 9. Fiinf 
Deutsche mit Coda und sieben Trios. — No. 10. Menuett. 
Serie 3: Octette. Partitur. M.317.1.3 

Contents. — No. i. Octett fur 2 Violinen, Viola, Violoncell, Contrabass, 
Clarinette, Horn und Fagott. Op. 166. — No. 2. Menuett und Finale 
eines Octetts fiir 2 Oboen, 2 Clarinetten, 2 Homer und 2 Fagotte. — 
No. 3. Eine kleine Trauermusik fur 2 Clarinetten, 2 Fagotte, Contra- 
fagott, 2 Horner und 2 Posaunen. 

Serie 4-6. 3 v. in i. M.317.1.4-6 

Contents. — I. Quintett fur 2 Violinen, Viola, und 2 Violoncelle. — 2. 
Quartette fur Streichinstrumente : No. 1-13. — 3- Trio fiir Violine, 
Viola und Violoncell. 

Serie 7: Pianoforte-Quintett, -Quartett und Trios. Par- 
titur und Stimmen. 2 v. M.317.1.7 
Contents. — i. Quintett fiir Pianoforte, Violine, Viola, Violoncell und 
Contrabass. Op. 114. — Adagio und Rondo concertant fiir Pianoforte, 
Violine, Viola und Violoncell. a. Erstes Trio fur Pianoforte, Violine 
und Violoncell. Op. 99. — Zweites Trio fur Pianoforte, Violine und 
Violoncell. Op. 100. — Nottumo fiir Pianoforte, Violine und Violon- 
cell. Op. 148. 

Serie 8: Fur Pianoforte und ein Instrument. Partitur. 

M.317.1.8 

Contents. — Rondo fiir Pianoforte und Violine. Op. 70. — Sonate fiir 
Pianoforte und Violine. Op. 137. No. 1-3. — Phantasie fiir Pianoforte 
und Violine. Op. 159. — Sonate fiir Pianoforte und Violine. Op. 162. 
— Introduction und Variationen iiber ein Thema: (,,Ihr Blumlein 
alle") fur Pianoforte und Flote. Op. 160. — Sonate fiir Pianoforte und 
Arpeggione od. Violoncell. 

Serie 9: Fiir Pianoforte zu vier Handen. 3 v. M.317.1.9 
Contents. — I. Drei Marsche. Op. 27. — Sechs Marsche. Op. 40. — 
Drei Militarmarsche. Op. 51. — Trauermarsch bei Gelegenheit des 
Todes Kaiser Alexanders I. von Russland. Op. 55. — Heroischer 
Marsch bei Gelegenheit der Salbung des Kaisers Nicolaus I. von Russ- 
land. Op. 66. — Zwei charakteristische Marsche. Op. 121. — Kinder- 
marsch in G dur. 2. Ouverture in F dur. Op. 34. — Ouverture in C 
dur. — Ouverture in D dur. — Sonate in B dur. Op. 30. — Sonate in 
C dur. Op. 140. — Rondo in A dur. Op. 107. — Rondo in D dur. Op. 
138. — Variationen in E moll iiber ein franzosisches Lied. Op. 10. — 
Variationen in As dur uber ein Original Thema. Op. 35. — Variationen 
in C dur iiber ein Thema (,,Was einst vor Jahren"). Op. 82, no. i. — 
Introduction und Variationen in B dur iiber ein Original-Thema. Op. 
82, no. 2. 3. Divertissement 4 la hongroise in G moll. Op. 54. — Diver- 
tissement in E moll iiber franzosische Motive. Op. 63. — Andantino 
vari^ in H moll iiber franzosische Motive. Op. 84, no. i. — Rondeau 
brillant in E moll iiber franzosische Motive. Op. 84, no. 2. — Lebens- 
stiirme. Charakteristisches Allegro in A moll. Op. 144. — Phantasie 
in F moll. Op. 103. — Sechs Polonaisen. Op. 61. — Vier Polonaisen. 
Op. 75. — Vier Landler. — Fuge in E moll. Op. 152. — Allegro 
moderate in C dur und Andante in A moll. — Phantasie (aus dem 
Jahre 1810). — Phantasie (aus dem Jahre 1811). — Phantasie (aus dem 
Jahre 1813). 

Serie 10: Sonaten fiir Pianoforte. No. 1-15. 14.317.1.10 
Serie 11: Phantasie, Impromptus und andere Stucke fiir 
Pianoforte. M.317.1.11 

Contents. — Phantasie. Op. is- — Vier Impromptus. Op. 90. — Vier 
Impromptus. Op. 142. — Moments musicals. C)p. 94. — Adagio und 
Rondo. Op. 145. — Zehn Variationen. — Variationen iiber ein Thema 
von Anselm Huttenbrenner. — • Variation iiber einen Waltzer von Ant. 
Diabelli. — Andante in C dur. — Klavierstucke in A dur. — Adagio in 
E dur. — Allegretto in C moll. — Drei Klavierstiicke. — Fiinf Klavier- 
stiicke. — Zwei Scherzi. — Marsch in E dur. 

Serie 12: Tanze fiir Pianoforte. No. 1-31, Anhang. 

M.317.1.13 

Serie 13: Messen. 2 v. M.317.1.13 

Contents. — 1. F dur. — G dur. — B dur. — C dur. 2. As dur. — Es 
dur. — Gesange zur Feier des heiligen Opfers der Messe nebst einem 
Anhange. Das Gebet des Herrn. 
Serie 14: Kleinere Kirchenmusikwerke. Partitur. 

M.3I7.I.14 
Contents. — A. Mit Begleitung: Offertorium, i, 2, Op. 46. 47; Salve 
Regina, Op. 153; Offertorium; Graduale, Op. 150; 3 Tantum ergo fiir 
Chor; Salve Regina fur Tenor; Duett, „Auguste jam coelestium"; 
Magnificat; 2 Stabat Mater; 3 Kyrie; Salve Regina. — B. Ohne Be- 
gleitung: Antiphonen zur Palmweihe am Palmsotmtag; Salve Kegina; 
Kyrie. — C. Anhang: Entwurf eines Tantum ergo fiir Soli, Chor und 
Orchester. 

Serie 15: Dramatische Musik. Partitur. 7 v. M.317.1.IS 
Contents. — i. Des Teufels Lustschloss. Oper in 3 Akten. 2. Der vier- 
jahrige Posten. Singspiel in i Akt. — Fernando. Singspiel in I Akt. -— 
Die beiden Freunde von Salamanka. Singspiel in 2 Akten. 3. Die 
Zwillingsbriider. Singspiel in I Akt. — Die Verschworenen. Singspiel 
in I Akt. 4. Die Zauberharfe. Melodram in 3 Akten. — Musik zum 
Schauspiel : Rosamunde von Cypem. Op. 26. 5. Alfonso und Estrella. 
Oper in 3 Akten. Op. 69. 6. Fierrabras. Heroisch-romantische Oper 
in 3 Akten. Op. 76. 7. Claudine von Villa Bella. Singspiel. — Der 
Spiegelritter. Operette. — Die Burgschaft. Oper. — Adrast. Oper. — 
Einlagen zu Harold's Oper: Das Zauberglockchen. 



Schubert, Franz Peter. (Continued.) 

Serie 16: Fiir Mannerchor. Partitur. H.317.1.16 

Contents. — A. Mit Begleitung von Streich- oder Blasinstrumenten : 
Nachtgesang im Walde, Op. 139b; Hymne, Op. 154; Gesang der Geis- 
ter fiber den Wassern, Op. 167. — B. Mit Pianoforte Begleitung: Das 
Dorfchen, Op. 11, no. i; Die Nachtigall, Op. 11, no. 2; Geist der 
Liebe, Op. 11, no. 3; Fruhlingsgesang, C)p. 16, no. 1; Naturgenuss, 
Op. 16, no. 2; Der Gondelfahrer, Op. 28; Bootgesang, Op. 52, no. 3; 
Zur guten Nacht, Op. 81, no. 3; Widerspruch, Op. 105, no. i; Nacht- 
helle, Op. 134; Standchen, Op. 135; Im gegenwartigen Vergangenes; 
Trinklied : Freunde, sammelt euch im Kreise ; Trinklied : Auf, Jeder sei 
nun froh und sorgenfrei ; Bergknappenlied ; La Pastorella. — C. Ohne 
Begleitung: Junglingswonne, Op. 17, no. i; Liebe, Op. 17, no. 2; Zum 
Rundetanz, Op. 17, no. 3; Die Nacht, Op. 17, no. 4; Wehmuth, Op. 64, 
no. I ; Ewige Liebe, Op. 64, no. 2 ; Flucht, Op. 64, no. 3 ; Monden- 
schein, Op. 102; Schlachtlied, Op. 151; Trinklied, Op. 155; Nacht- 
musik. Op. 156; Friihlingsgesang ; Der Geistertanz; Gesang der Geistef 
fiber den Wassern ; Lied im Freien ; Sehnsucht ; Ruhe, schonstes Gluck 
der Erde ; Wein und Liebe ; Der Entfemten ; Die Einsiedelei ; An den 
Fruhling; Grab und Mond ; Hymne. — Anhang: Wer ist gross?; Bei- 
trag zur Jubelfeier Salieri's ; Gesang der Geister fiber den Wassern ; 
Das Dorfchen. 

Serie 17: Fur gemischten Chor. Partitur. M.317.1.17 

Contents. — A. Mit Orchesterbegleitung: Lazarus; Cantate zu Ehren 
Joseph Spendore*s, Op. 128; Am Geburtstage des Kaisers, Op. 157; 
Namensfeier, Cantate; Glaube, Hoffnung und Liebe. — B. Mit Piano- 
fortebegleitung: Gott im Ungewitter, Op. 112, no. i; Gott der Welt- 
schopfer. Op. 112, no. 2; Hymne an den Unendlichen, Op. 112, no. 3; 
Mirjam's Siegesgesang, Op. 136; Gebet, Op. 139; Quartett, Op. 146; 
An die Sonne ; Lebenslust ; Der Tanz ; Cantate zur Feier der Genesung 
der Irene Kiesewetter ; Begrabnisslied ; Osterlied. ■ — C. Ohne Beglei- 
tung : Chor der Engel ; Der 92. Psalm. 
Serie 18, 19: 2 v. in i. M.317.1.18, 19 

Contents. — i. Fiir Frauenchor mit Pianoforte-Begleitung. Partitur: 
Coronach. Op. 52, no. 4. — Der 23. Psalm. Op. 132. — Gott in der 
Natur. Op. 133. — Standchen. Op. 135. — Das Leben. — Klage um 
AH Bev. 2. Kleinere drei- und zweistimmige Gesangwerke. Partitur: 
A. Mit Begleitung: Die Advocaten, Op. 74; Der Hochzcitbraten, 
Op. 104; Cantate zum Geburtstag des Sangers Michael Vogl, Op. 158; 
Cantate zur Namensfeier des Vaters ; Cantate zur 50 jahrigen Jubel- 
feier Salieri's ; Das Abendroth ; Punschlied ; Trinklied. — B. Ohne Be- 
gleitung: Voruber die stohnende Klage; Dessen Fahne Donnerstiirme 
wallte ; Hier umarmen sich getreue Gatten ; Selig durch die Liebe ; 
Wer die steile Sternenbahn ; Die zwei Tugendwege ; Bardengesang ; 
Mailied ; Trinklied im Mai; Trinklied im Winter: Fruhlingslied : Tod- 
tengraberlied. — C. Canc.ns: Verschwunden sind die Schmerzen : Unend- 
liche Freude ; Dreifach ist der Schritt der Zeit ; Goldner Schein ; Der 
Schnee zerrinnt ; Liebe sauseln die Blatter ; 2 Wilkommen, lieber 
schoner Mai ; 2 Lacrimoso son io ; Sanctus. — D. Duette : Mailied 
..Griiner wird die Au" ; Mailied ,,Der Schnee zerrinnt"; Der Morgen- 
stern ; Jagerlied ; Lutzow's wilde Jagd. — Anhang : Schmerz verzerret 
ihr Gesicht; Singubungen. 

Serie 20: Lieder und Gesange. 10 v. M.317.1.20 

Contents. — i. 1811-1814. 2. Januar bis Juli, 1815. 3. August bis Ende 
1815. 4. 1816. 5. 1817 u. 1818. 6. 1819-1821. 7. 1822 bis zur „sch6nen 
Miillerin" 1823. 8. Zwischen der ..schonen Mullerin" und der ,,Winter- 
reise." 1823-1827. 9. Von der „Winterreise" biz zum ,,Schwanenge- 
sang." 1827 u. 1828. 10. Anhang. 

Serie 21: Supplement. Instrumental-Musik. Gesang- 
Musik. M.317.1.21 

Contents. — Instrumental-Musik: Ouverture in B tur Orchester; Ou- 
verture in D fur Orchester; Concertstuck fur Violine und Orchester; 
Rondo fur Violine und Streichquartett ; Trio fiir Violine, Viola und 
Violoncell ; Ouverture in G fiir Pianoforte zu vier Handen ; Ouverture 
zu ,, Fierrabras" fur Pianoforte zu vier Handen ; 7 Sonaten fur Piano- 
forte, in E dur, Des dur, Fis moll, C dur, F moll, Cis moll. C dur; 
Pianofortestuck in C dur; Allegretto in C moll fur Pianoforte; Alle- 
gretto in C dur fur Pianoforte; Allegro moderato in C dur fur Piano- 
forte; Andantino in C dur fur Pianoforte; Allegro und Scherzo fur 
Pianoforte; Adagio fur Pianoforte in C dur und G dur; Zwolf Wiener 
Deutsche fur Pianoforte; 4 Menuette fur Pianoforte in A dur, E dur, 
D dur, Cis moll; Zwei Menuette fur Pianoforte; Acht Ecossaisen fur 
Pianoforte; Drei Ecossaisen fur Pianoforte; Albumblatt fur Pianoforte. 
— Gesang-Musik: Tantum ergo fur Chor und Orchester; Offertorium 
fur eine Tenorstimme, Chor und Orchester; Gesang der Geister fiber 
den Wassern, fur Mannerchor und Pianoforte; Fischerlied, fur Man- 
nerchor ; Fruhlingslied, a) fur Mannerchor, b) fur eine Singstimme und 
Pfte ; Terzette fiir drei Mannerstimmen ; Die Schlacht, Cantate. 

Sammtliche Compositionen i. Band: Lieder, Gesange und 
Balladen fiir eine Singstimme mit Pianofortebegleitung. 
Revidirt von L. Winkler und H. Sattler. Wolfenbiittel. 
Holle. [i8s-?] M.244.12 

Contents. — Op. 1-37 der Lieder: i. Der Erlkonig. 2. Gretchen am 
Spinnrade. 3. Schafers Klagelied ; Heidenroslein ; Jagers Abendlied; 
Meeresstille. 4. Der Wanderer; Morgenlied ; Wanderers Nachtlied. 
5. Rastlose Liebe; Nahe des Geliebten; Der Fischer; Erster Verlust; 
Der Konig in Thule. 6. Memnon; Antigone und Oedyp; Am Grabe 
Anselmo's. 7. Die abgebluhte Linde ; Der Flug der Zeit ; Der Tod und 
das Madchen. 8. Der Jungling auf dem Hugel ; Sehnsucht ; Erlafsee ; 
Am Strome. 12. Gesange des Harfners. 13. Der Schafer und der Rei- 
ter; Lob der Thranen ; Der Alpenjager. 14. Suleika; Geheimes. 19. 
Schwager Kronos ; An Mignon ; Ganymed. 20. Sei mir gegrfisst ; Frflh- 



43 



Schubert 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schubert 



Schubert, Franz Peter. (Continued.) 

lingsglaube ; Hanflings Liebeswerbung. 22. Der Zwerg ; Wehmuth. 23, 
Die Liebe hat gelogen; Selige Welt; Schwanengesang ; Schatzgrabers 
Begehr. 24. Gruppe aus dem Tartarus ; Schlummerlied. 25. Die schone 
Mullerin; Das Wandem ; Wohin?; Halt; Danksagung an den Bach; 
Am Feierabend; Der Neugierige ; Ungeduld ; Morgengruss; Des Mul- 
lers Blumen; Thranenregen ; Mein ; Pause; Mit dem grunen Lauten- 
bande ; Der Jager ; Eifersucht und Stolz ; Die liebe Farbe ; Die bose 
Farbe ; Trockne Blumen ; Der Miiller und der Bach ; Des Baches 
Wiegenlied. 26. Romanze aus dem Drama Rosamunde. 31. Suleika's 
zweiter Gesang. 32. Die Forelle. 36. Die zurnende Diana ; Nachtstiick. 
37. Der Pilgrim; Der Alpenjager. 
Absence. [Part-song, t. t. b. b.) (In Mosenthal. Songs of 
the Mendelssohn Glee Club. Pp.40, 41.) No. 10 in M.204.38 
Adagio et Rondo pour piano, violon, viola et violoncelle. 
Oeuv. posth. Leipzig. Peters. [187-?] No. i in M.353.10 
Alfonso und Estrella. Romantische Oper in 3 Acten [von 
Franz von Schober. Musik] von Franz Schubert. Text- 
lich und musikalisch bearbeitet von J. N. Fuchs. Klavier- 
Auszug. Berlin. Schlesinger. [1882.] M.322.11 

Same. Ouverture. Op. 69. Partiturausgabe. Wien. 
Spina. 1867. No. I in M.334.18 

Die Allmacht. Gedicht von Joh. Ladislaus Pyrker. Fiir 
eine Tenorstimme componirt von Franz Schubert. Fur 
Mannerchor und Orchester bearbeitet von Franz Liszt. 
Partitur. Leipzig. Schuberth & Co. [186-?] 

No. 2 in M.270.S5 
Same. Clavier-Auszug. No. S in M.392.41 

Same. Great is Jehovah, the Lord (Die Allmacht). Solo 
for a T. voice. The words by Campbell Clarke. Com- 
posed by Franz Schubert. Arranged with an accomp. of 
men's voices and orchestra by Franz Liszt. [Pianoforte 
score.] (In Novello's Collection of anthems. Vol. 11, 
pp. 143-153.) No. 14 in M.19S.2.11 

Am Meere. [Fiir Mannerchor eingerichtet mit Pianoforte- 
begleitung von W. Tschirch.] Wien. Haslinger. [186-? 
Liederkranz. 13.] No. 8 in M.392.41 

Same. Mit kleiner Orchesterbegleitung. No. 5 in M.203.5 
Ave Maria, von Fr. Schubert. Fiir grosses Orchester 
bearbeitet von Friedr. Lux. Partitur. Mainz. Schott. 
[1868?] No. 4 in M.337.8 

Bootgesang, fiir 2 Tenore und 2 Basse. [Mit Begleitung 
des Pianoforte.] Neue Ausgabe. Wien. Diabelli & Co. 
[185-?] No. II in M.270.59 

Same. Boat song [t. t. b. b.]. (In Orpheus glee book. 
Pp. 99, 100.) No. 54 in M.246.36 

Briider, lasset uns eins singen. [Mannerchor.] (In Or- 
pheus. Band i, pp. 14, IS-) No. 12 in 1*1.1293.43.1 
Chor-Gesangwerke von Franz Schubert. In Partitur mit 
untergelegtem Klavier-Auszuge und Stimmen heraus- 
gegeben von Alfred Dorffel. Leipzig. Peters. [186-?] 
3 V. in I. M.280.48 
Contents. — i. Fiir gemischten Chor: Jagerchor; Hirtenchor; Tantum 
ergo in C ; Gott im Ungewitter ; Gott der Weltschopfer ; Hynine an den 
Unendlichen; Antiphonen zur Palmweihe: Da liegt er Starr, Cantate; 
Mirjams Siegesgesang ; Gebet; Des Tages Weihe; Benedictus es. Do- 
mine. Graduale ; Constitutionslied ; Der Friihlingsmorgen, Cantate ; 
Der 92. Psalm ; Chor der Engel aus Goethe's Faust ; Arie mit Chor aus 
„Fierabras." 2. Fur Manner-Chor: Das Dorfchen ; Die Nachtigall ; 
Geist der Liebe; Fruhlingslied ; Naturgenuss ; Junglingswonne ; Liebe; 
Zum Rundtanz; Die Xacht ; Geisterchor aus „Rosamunde" ; Der Gon- 
delfahrer: Bootgesang; Wehmuth; Ewige Liebe; Flucht ; Zur guten 
Nacht ; Mondenschein ; Widerspruch ; Gott meine Zuversicht ; Nacht- 
helle ; Standchen ; Nachtgesang im Walde ; Salve Regina ; Schlachtlied ; 
Herr. unser Gott, Hymne; Trinklied ; Nachtmusik ; Gesang der Geister 
iiber den Wassern ; Deutsche Messe; Der Entfernten ; Im Gegenwarti- 
gen Vergangenes ; Lob der Einsamkeit ; Wein und Liebe ; Grab und 
Mond ; Ruhe, schonstes Gliick der Erde ; Funkelnd im Becher so helle, 
Trinklied; Briider, unser Erdenwallen, Trinklied; Freunde, sammelt 
euch im Kreise, Trinklied ; Klage um Aly Bey. 3. Fur Frauenstimmen ; 
Coronach ; Gott meine Zuversicht ; Gott in der Natur ; Standchen ; Das 
grosse Hallelujah. 
Coronach [s. s. a. Accomp. for pianoforte.] (In Novello's 
Collection of trios, etc. Vol. i, pp. 102-108.) 

No. 13 in M.204.36.1 
Dance we so gaily. Part-song. (In Hullah. Part music. 
Secular. Vol. 2, pp. 104-111.) No. 25 in M.157.28.2 

Deutsche Messe. [Gesange zur Feier des heiligen Opfers 
der Messe.] Nebst einem Anhang „Das Gebet des 
Herrn." Fiir 4 Singstimmen mit Begleitung von Blas- 
instrumenten. Partitur [und Sopranstimme]. Wien. 
Gotthard. 1870. No. 3 in M.201.20 



Schubert, Franz Peter. (Continued.) 

Divertissement a la hongroise. Op. 54. Orchestrirt von 
Max Erdmannsdorfer und Franz Liszt. Partitur. Berlin. 
Fiirstner. [187-?] No.i in M.33S.13 

Das Dorfchen. Fiir 4 Mannerstimmen mit Klavierbeglei- 
tung. Op. II, No. I. Neue Ausgabe in Partitur redigirt 
von Karl Wilh. Steinhausen. Neuwied. Heuser. [187-?] 

No. 7 in M.392.31 

Drei Lieder von Franz Schubert. Fiir vier Mannerstimmen 
eingerichtet von Robert Miisiol. Wien. Schreiber. 
[1872?] No. IS in M.392.37 

Contents. — Wand'rers Nachtlied. — Haiden-Roslein. — Der Konig von 
Thule. 

Drei Polonaisen (aus Op. 61) fiir Pianoforte zu vier 
Handen. Fiir Orchester iibertragen von Carl Kossmaly. 
No. I in D moll, B dur. No. 2 in F dur, Des dur. No. 3 
in B dur, G moll. Partitur. Leipzig. Rieter-Bieder- 
mann. 1880. No. 1-3 in M.405.S7 

Duos fiir Pianoforte und Violine, herausgegeben von Ferd. 
David. Leipzig. Peters. [187-?] 2 v. in i. M.353.11 

Contents. — i. No. 1-3 (re majeur, la mineur, sol mineur). Op. 137, 
No. 1-3. 3. Rondeau brillant, Op. 70. — Fantaisie, Op. 159. — Intro- 
duction et variations, Op. 160. — Duo, Op. 162. 

Erlkonig. Fur eine Singstimme mit kleinem Orchester. 
Instrumentirt von Franz Liszt. Partitur. Leipzig. For- 
berg. [1870?] No. 2 in M.335.13 

Erster Verlust. [Mannerchor.] (In Steinhausen. Con- 
f erenz-Gesange. Band 2, Heft i, p. 10.) No. 10 in M.392.38 

Ewige Liebe. Gedicht fiir 4 Mannerstimmen. Op. 64, No. 
2. Neue Ausgabe in Partitur redigirt von K. W. Stein- 
hausen. Neuwied. Heuser. [187-?] No. 3 in M.392.38 

The fair maid of the mill (Die schone Miillerin). A series 
of songs, written by Wilhelm Miiller. Composed by 
Franz Schubert. Translated by Clarina Macfarren. Lon- 
don. Chappell & Co. [1869. Chappell's Musical Maga- 
zine.] No. 3 in Mi.s7.10 

Fantasie (F moll) von Franz Schubert [Op. 103]. Fiir 
grosses Orchester eingerichtet von Ernst Rudorff. Par- 
titur. Berlin. Simrock. [187-?] No. 2 in M.346.25 

Fierrabras. Ouverture. Op. 76. Partiturausgabe. Wien. 
Spina. 1867. No. 2 in M.334.18 

Five choruses for female voices. London. Novello, Ewer 
& Co. [187-?] No. 3 in M.1S7.I6 

Contents. — Coronach (trio). — The Lord is my shepherd (quartet). — 
God in nature (quartet). — Serenade (solo and quartet). — Glory to 
the Lord Almighty (trio). 

Geist der Liebe. Fiir 4 Mannerstimmen mit Klavier- 
Begleitung. Op. 11, No. 3. Neue Ausgabe in Partitur 
redigirt von K. W. Steinhausen. Neuwied. Heuser. 
[ 187-?] No. 9 in M.392.31 

Der Geistertanz. Fiir Mannerchor. Nachgelassenes Werk. 
Wien. Gotthard. 1871. No. 52 in M.392.23 

Gesang der Geister iiber den Wassern (von Goethe). Fiir 
4 Tenor- und 4 Bass-Stimmen mit Begleitung von 2 
Violen, 2 Violoncelle und Contrabass von Franz Schubert. 
Partitur. Wien. Spina. [186-?] No. 3 in M.280.47 

"Glory to the Lord Almighty." Chorus [s. s. a. Accomp. 
for pianoforte]. (In Novello's Collection of trios, etc. 
Vol. I, pp. ISI-ISS-) No. 17 in M.204.36.1 

God in nature. Chorus [s. s. a. a. Accomp. for piano- 
forte]. (In Novello's (Collection of trios, etc. Vol. i, 
pp. 109-129.) No. IS in M.204.36.1 

Gondolier's serenade. Part-song for t. t. b. b., with piano- 
forte accomp. (In The Orpheus. New series. Vol. 4, 
pp. 122-128.) No. 28 in M.205.10.4 

Grand quintuor pour violon, alto, violoncelle et basse. Op. 
114. [Partition.] Leipzig. Peters. [187-?] No. 2 in M.353.10 

Great is Jehovah, the Lord. See his Die Allmacht. 

Grosse Fantasie (Op. 15)- [Von] Franz Schubert. Sym- 
phonisch bearbeitet fiir Piano und Orchester von Franz 
Liszt. Partitur. Wien. Schreiber. [187-?] 

No. I in M.342.14 

Grosse Messe. See his Mass (No. 6). 

Grosser heroischer Marsch (Op. 66, A moll) fiir das Piano- 
forte. Bearbeitet fiir grosses Orchester von O. Bach. 
Partitur. Mainz. Schott. [1873.] No. 4 in M.334.18 



44 



Schubert 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schubert 



Schubert, Franz Peter. (Continued.) 

Haidenroslein. Mel. v. Fr. Schubert. [Fiir t. t. b. b. bear- 
beitet von Joseph Zingsem.] (In Gruber. Sangeshort. 
Heft 4, p. 51.) No. 3 in M.370.30 

Hail to the chief. [Part-song, t. t. b. b.] {In The Orpheus. 
New series. Vol. 4, pp. 11 i-i 14.) No. 25 in M.205.10.4 

Hans und Hanne. Liederspiel in i Act. Klavierauszug. 
Leipzig. Kahnt. [188-?] No. 2 in M.391.21 

[Herr, unser Gott.] Hymne fiir vierstimmigen Mannerchor 
und Quartett-Solo [t. t. b. b.] mit Klavier-Begleitung 
(ad libitum). Op. 154. Neue Ausgabe in Partitur redigirt 
von K. W. Steinhausen. Neuwied. Heuser. [187-?] 

No. II inM.392.31 

Im Abendroth. [Lied, s. s. a. t. b.] Leipzig. Siegel. 
[187-?] No. 15 in M.158.21 

Kyrie eleison. Arranged from a subject by Franz Schu- 
bert. [London. Novello.] 1870. [The Musical times.] 

No. 42 in M.1S8.17 

Lazarus. Oster-Cantate. Clavier-Auszug. Wien. Spina. 
1866. No. 2 in M.280.47 

The letter of flowers. Song [s. t. Accomp. for piano- 
forte]. {In Musical library. Vol. 3, pp. 116, 117.) 

No. 37 in M.235.18.3 

Lightly creeping. Serenade [for alto solo and chorus of 
female voices. Accomp. for piano]. London. Exeter 
Hall. [186-?] No. 2 in M.391.58 

Der Lindenbaum [von] Franz Schubert. Bearbeitet [fiir 
T. T. B. B.] von Joseph Zingsem. (In Gruber. Sangeshort. 
Heft 4, pp. 46, 47.) No. 3 in M.370.30 

Lob der Thranen. Nach Schubert, Op. 13, No. 2. [Fiir 
vierstimmigen Mannerchor.] {In Steinhausen. Conferenz- 
Gesange. Band 2, Heft i, p. 13.) No. 10 in M.392.38 

Lobgesang. [Mannerchor.] {In Eidgenoessischer Saenger- 
verein. Mannerchore fiir das I3te . . . Sangerfest. Pp. 
4-6.) No. 3 in M.130.7 

The Lord is my Shepherd. Anthem [s. s. a. a. Accomp. 
for pianoforte]. {In Novello's Collection of anthems. 
Vol. 3, pp. 120-128.) No. 15 in M.19S.2.3 

Also to be found in XovelJo's Collection of trios, etc. 

Franz Schubert's Marsche. Fiir das Orchester iibertragen 
von F. Liszt. Partitur. Berlin. Fiirstner. [187-?] 

No. 1-4 in M. 344.2 
Contents. — I. Marsch (H moll). 2. Trauer-Marsch (Es moll). 3. 
Reiter-Marsch (C dur). 4. Ungarischer Marsch (C moll). 

Marche a la hongroise. Extrait de I'Op. 54 (Divertisse- 
ment a la hongroise), de F. Schubert. Orchestree par 
Jules Bordier. Partition. Paris. Richault. [1882?] 

No. 2 in M.338.11 

Mass (No. i) in F. Vocal score with pianoforte accomp. 
arranged by Ebenezer Prout. London. Augener & Co. 
[1876.] M.158.29 

Mass [No. 3] in B flat, in vocal score. The pianoforte 
accomp. arranged by Berthold Tours. Octavo edition. 
London. Novello, Ewer & Co. [187-?] M.156.42 

Mass [No. 4] in C, in vocal score. The pianoforte ac- 
comp. arranged by Berthold Tours. Octavo edition. 
London. Novello, Ewer & Co. [187-?] M. 156.40 

Mass [No. 5] in A flat, in vocal score. The pianoforte 
accomp. arranged by Berthold Tours. Octavo edition. 
London. Novello, Ewer & Co. [1876.] M. 156.41 

[Mass (No. 6) in E flat.] Grosse Messe (in Es) fiir Chor 
und Orchester. [Klavierauszug.] Leipzig. Rieter- 
Biedermann. 1865. M.250.46 

[Melodies.] Seule collection complete des melodies de 
Frangois Schubert, avec acct. de piano. Paroles fran- 
gaises de M"" Belanger. [Livre 1-16.] Paris. Richault. 
[185-?] 16 V. in 8. M.327.4 

Contents. — i. Le roi des aulnes. — Marguerite. — Les plaintes du 
jeune patre. — Le calme plat. — Rose sauvage. — Chant du chasseur. 
— Le voyageur. — Chant du matin. — Chant du soir. — Toujours. — 
Je pense a lui. — La Sirene. — Premiere peine. — Le roi de Thule. — 

L'Aurore. — Les proscrits. Sa tombe. — Le rosier depouille. — 

La fuite du temps. — La jeune fille et la Mort. — Le finance. — Vague 
desir. — Sur ta rive. — La vie. — Amour et mystere. — Au terme de 
tes maux. — L'ange. — Le mendiant. — Le patre et le cavalier. — 
£loge des larmes. — Le chasseur des Alpes. — Suleika. — Le secret. — 
Mephistopheles. — Point de treve a ma douleur. — La voix d'en haut. 



Schubert, Franz Peter. (Continued.) 

— Sois toujours mes seules amours. — Le printemps. — Bonheur d'es- 
p^rance. — Sur le Danube. — Le nautonnier. — Le pecheur. — Le 
nain. — Pauvre fleur. — Amour trahi. — Dans mon bateau. — Chant 
supreme. — Le chercheur de trisor. a. L'enfer. — Berceuse. — Le 
meunier voyageur. — Au bord de la fontaine. — Sa chaumiere. — Je 
vais la voir. — Elle ne m'a pas compris. — Suis-je aim^. — Toute ma 
vie. — Salut du matin. — Ne m'oubliez pas. — Fatal presage. — Elle 
est a moi. — Le luth voile. — Le ruban vert. — Le chasseur. — Jalousie. 

— Sa fleur cherie. — Garde moi souvenir. — La fleur fan^c. — La voix 
enchanteresse. — - L*6tranger. — Romance de Rosamonde. — La co- 
lorabe. — La Peri. — Punis-moi. — Pendant la nuit. — Jamais les 
cieux. — Laisse-moi partir, ma mere. — Edgar. — La-bas. — Le coin 
du feu. — La jeune religieuse. — Nuit et songes. — A la chiite du jour, 

— Chant d'Helene. — Le chasseur egare. — Le prisonnier. — Au camp. 

— Ave Maria. — Le rendez-vous. — - Eh bien! chante 1' Amour. — Au 
bosquet. 3. Le papillon. — Sur les Alpes. — Clair de lune. — Le soldat 
et la fiancee. — Emma. — Les plaintes de la jeune fille. — • Tu n'aimes 
pas. — La verrai-je encore? — L'attente. — ■ Les ris et les pleurs. — 
Le vieillard. — Dithyrambe. — Si vous aimez jamais. — Le serment. * 

— La solitude. — Quand tu me vols souffrir. — fitoile de la mer. — 
Toujours seul. — Heliotrope. — Le chant de la caille. — Adieu, ma 
mere. — Barcarolle. — La rose. — Le mal du pays. — - La toute puis- 
sance. — Le voyageur a la lune. — La cloche des agonisants. — Nuit 
d'^te. — Marie. — A ma lyre. — Bonsoir. — Puissance d'un regard. — 
Le reve du coupable. — Je prends femme. — Romance d'Anna Lyle. — 
Noma la sorciere. — Ivanhoe. — Un malheureu.x. — Esp^rance. — 
Beau page. — Tu n*es plus la. — Thekla. — A minuit. — • A toi. 4. 
Adieu. — Je dois te fuir. — Soyez heureux. — Les larmes. — L*hiver. 

— Le tilleul. — Le ruisseau. - — Lc torrent. — Moi seul j'aimais. — Le 
feu foUet. — Le repos. — Un reve. — Solitaire. — La poste. — J'ai crii 
vieilUr. — Le corbeau. — La derniere feuille. — Mes reves sont finis. — 
La matinee orageuse. — L'illusion. — Le guide. — Point d'asile. — 
Ah, laissons pleurer. — Regret. — Le joueur de vielle. — Le poete. — 
Le lac. — Le spectre du chateau. — D^courage. — On nous attend li 
bas. — La coquette de village. — Aupres de toi. — Mais lui, ne m'aime 
plus. — Chagrins passes. — Les etoiles. — ■ Je n'ai pu braver 1' Amour. 

— La chanson de nuit du voyageur. — Rendez-Ie-moi. — Aime, crois, 
espere! — Reve d'amour. — La jeune mere. — La fille du proscrit. — 
Le jeune aveugle. — Humble priere. — Tu grandiras. — Resignation. 

— Sans toi. — Amour secret. — Laissez-moi pleurer. — .\upres de 
mon berceau. — A Jenny. 5. Jamais I — Souvenir. — Chant du cygne. 

— Au mois de mai. — Humble retraite. — A sa fontaine. — Fatality. 

— Le plaisir. — Au bonheur. — Dis-le-moi. — La verdure. — Charme 
de la douleur. — Le langage de I'amour. — Elle doit venir. — Le mene- 
strel. — L'amour. — Voici le soir. — A demain les peines. — £loge du 
Tokay. — Au soleil. — La fileuse. — Sur le fleuve. — Ida. — Delphine. 

— Paolo. — La prisonniere. — L'ficho. — Recueillement. — Le joyeux 
frere. — Chant de douleur. — Le message d'amour. — Pressentimenta 
d'un soldat. — Le d^sir du printemps. — Serenade. — Mon sejour. — 
L'exile. — Le depart. — L'Atlas. — Son image. — La fille du pecheur. 

— La ville. — Au bord de la mer. — Vision. — • L'oiseau messager. 
6. Nuit d'orage en ficosse. — Le spectre de la fiancee. — Les plaintes 
de Colma. — L'esprit de Loda. — Schilric et Vinvela. — Chant funebre 
de Nathos. — La vierge d'Inistore. — La mort d'Oscar. — ; I. 'autre vie. 

— La fortune du poete. — Elle. — Le crepuscule. — Romeo. — La cau- 
tion. — La colere du barde. — Un soir. — A I'ocean. — La paix soit 
avec vous. — De la compassion de Marie. — A I'Etre infini. — Extase. 

— L'image de Marie. — Les astres. — Priere pendant la bataille. — 
Requiescant in pace. — Le maudit. — Le pardon. — Le naufrage. — 
Le soleil a son declin. — Le plongeur. — A mon coeur. — Ciel etoil£. 

— Chant du fossoyeur. ^ Dieu. — La justice divine. — Le reflet. — 
L'amour aux ecoutes. 7. La nuit dans les bois. — Delire. — A mon 
fils. — La mort d'un enfant. — Mon ame. — Soiree d'automne. — II 
faut mourir. — Apparition. — Le chevalier et la chatelaine. — Le 
coucher du soleil. — Scene de Faust. — Chant de Mignon. — Le lan- 
gage des fleurs. — Le baiser d'un ange. — Tu veux que je t'oublie. — 
L'esclave. — Le calme de la nuit. — fitoile du soir. — Ombre cherie. 

— Le barde. — Adieux du matelot. — La gloire et la vie. — Aimer 
encore. — Matinee de printemps. — Pourquoi la consoler. — Soiree 
d'hiver. — Le lansquenet de Wallenstein. — La croisade. — Bonheur 
d'amour. — Hermann et Thusnelda. — Pense au retour. — La guir- 
lande de roses. — Pourtant ce n'est pas toi. — La lune sur les tom- 
beaux. — La voix d'amour. — Peut etre. — Priere de Marguerite. — 
A bientot. — Profonde douleur. — Chanson de Claire. — Le tombeau 
d'une m^re. — La priere. — La fete des morts. — L'oratoire. 8. Le 
pelerin. — L'isolement. — Le reve du batelier. — Chant du captif. — 
Pardon ginereux. — Blondel a Marie. — Premier amour. — Chant de 
guerre. — Louise. — Lambertine. — Pauvre jeime fille. — Les ruines. 

— C'est toujours du bonheur. — Air d' Alfonso e Estrella. — Cavatine 
d'Alfonso e Estrella. — L'ermitage. — Noble chimere. — Sois belle 
sans alarmes. — Je t'ai vue rougir, — C'etait moi. — Rappelle-moi. — 
Reve d'une jeune fille. — Chanson de Berthe. — Adieux a mes amis. — 
Derniere pensee. — Beau reve. — La rencontre. — Corinne. — Chant 
d'outre tombe. — Adelaide. — Consolation. — Viens, charmante nuit. 

— Le punch. — • Euphrosine. — Les soucis viendront demain. — Sur la 
tombe d'un h^ros. — Baiser du matin. — Lettre d'un ami. — Cruelle 
esperance. — J'avais maudit Tamouj-. — A table. — L'oiseleur. — Coeur 
solitaire. — La moissonneuse. — Peine de coeur. — Sans peur, le verre 
en main. — La patrie absente. — Ma voisine. — Chanson de I'atelier. 

— Salut, fidele amie. — Lune de mai. — Sur le glacier. — Le champ de 
repos. — A son rosier. — Ainsi qu'un mystere. — Pure 6toile. — Quel 
desert que ma vie. — C'est I'heure du silence. — Peut-on calmer sa 
m^fiance. 

Miriam's song of triumph. A cantata for s. solo and 
chorus. Words by Grillparzer. Music by Franz Schu- 



45 



Schubert 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schubert 



Schubert, Franz Peter. (Continued.) 

bert. [Accomp. for pianoforte. Boston? Ditson? 185-?] 

No. 2 in M.280.41 

Same. The song of Miriam (Mirjams Siegesgesang). So- 
prano solo & chorus. Translated & partly re-written 
from the German of Grillparzer by William Duthie. 
Composed by Franz Schubert. [Accomp. for piano.] 
London. Novello, Ewer & Co. [187-?] No. i in M.280.47 

Die Nacht. [Mannerchor.] (In Eidgenoessischer Saenger- 
verein. Wettgesange be: dem i2te . . . Sangerfeste. P. 
20.) No. 8 in M.130.7 

Also to be found in Regensburger Liederkranz ; Das Riitli. 

Same. The night. [Part-song, t. t. b. b.] (In Chickering 
collection. Vol. i, pp. 27, 28.) No. 11 in M.3g2.48.i 

Nachtgesang im Walde. [Mannerchor.] (In Eidgenoes- 
sischer Saengerverein. Mannerchore fiir das I2te . . . 
Sangerfest. Pp. 19-26.) No.i in M.130.7 

Die Nachtigall. Fiir 4 Mannerstimmen mit Klavier- 
Begleitung. Op. 11, No. 2. Neue Ausgabe in Partitur 
redigirt von K. W. Steinhausen. Neuwied. Heuser. 
[187-?] No. 8 in M.392.31 

Naturgenuss. Fiir 4 Mannerstimmen mit Klavier-Beglei- 
tung. Op. 16, No. 2. Neue Ausgabe in Partitur redigirt 
von K. W. Steinhausen. Neuwied. Heuser. [187-?] 

No. 10 in M.392.31 

Neun Gesange von Franz Schubert. Fiir gemischten Chor 
eingerichtet von Ed. Mestenhauser. Troppau. Buch- 
holz & Diebel. [187-?] No. 12-14 in M.1S8.21 

Contents. — Nacht und Traume. — Du bist die Ruh'. — Pax vobiscum. 

— Litanei auf das Fest „Aller Seelen." — Himmelsfunken. — Das 
Weinen. — Abendstern. — Die Berge. — Aus Heliopolis. 

Neun Lieder von Franz Schubert. Eingerichtet fiir vier 
Mannerstimmen von G. W. Teschner. Leipzig. Siegel. 
[1879?] No. 49-51 in M.392.23 

Contents. — r. Das Wandern. — Der Lindenbaum. — Der Blumenbrief. 
2. Des Mullers Blumen. — Litanei auf das Fest aller Seelen. — Romanze 
aus Rosamunde. 3. Wanderer's Nachtlied. — Grablied fiir die Mutter. 

— Das Weinen. 

The night. See his Die Nacht. 

The night is cloudless & serene. Solo [t.] and chorus [t. t. 
B. B.]. (In The Orpheus. New series. Vol. i, pp. 149- 
158.) No. 24 in M.205.10.1 

Nocturne pour piano, violon et violoncelle. Op. 148. Leip- 
zig. Peters. [187-?] N0.2 in M.353.12 

O Lord our God! Hymn [t. t. b. b. soli, t. t. b. b. chorus. 
Accomp. for pianoforte]. New York. Schirmer. [188-?] 

No. 6 in M.392.31 

Octett [fiir 2 Violinen, Viola, Clarinet, Horn, Fagott, 
Violoncell und Bass]. Partitur. [Op. 166.] Leipzig. 
Peters. [187-?] No. 3 in M.3S3.13 

Ouverture im italienischen Style fiir das Orchester. Op. 
170. Partitur. Wien. Spina. 1866. No. 3 in M.334.18 

Phantasie. Op. 103, F moll, von Franz Schubert. Instru- 
mentirt von Felix Mottl. Partitur. London. Schott & 
Co. [189-?] No. I in M. 410.56 

Die Post. Lied v. Franz Schubert. Fiir vier Manner- 
stimmen und obligates Posthorn arrangirt von L. Fried- 
rich Witt. Kiel. Bellmann. [187-?] No. 48 in M.392.23 

Same. Fiir 4 Mannerstimmen mit Cornet a pistons oblig. 
gesetzt von Franz Abt. Offenbach a. M. Andre. [1877.] 

No. 47 in M.392.23 
[Quartette fiir 2 Violinen, Viola und Violoncello. No. 1-9.] 
Partitur. Leipzig. Peters. [187-?] No. i in M.353.13 

Contents. — i. A moll. Op. 29. 2. Es dur. Op. 125, No. i. 3. E dur. 
Op. 125, No. 2. 4. D moll. Op. posth. 5. G dur. Op. 161. 6. B dur. 
Op. 168. 7. G moll. Op. posth. 8. D dur. Op. posth. 9. C moll. Op. 
posth. 

Quintett [fiir 2 Violinen, Viola und 2 Violoncelle]. Op. 163. 

Partitur. Leipzig. Peters. [187-?] No. 2 in M.353.13 
Rest. See his Ruhe. 
[Rosamunde.] Ballet-Musik. Partiturausgabe. Wien. 

Spina. 1867. No. 3 in M.334.17 

Same. Chorus [t. t. b. b.] from "Rosamunde." (In Mosen- 

thal. Songs of the Mendelssohn glee club. Pp. 152-155.) 

No. 40 in M.204.38 
Same. Ouverture. Partiturausgabe. Wien. Spina. 1867. 

No. I in M.334.17 



Schubert, Franz Peter. (Continued.) 

Same. Zwei Entr'actes zu dem Drama: Rosamunde fiir 
das Orchester. Partitur. Wien. Spina. 1866. 

No. 2 in M.334.17 

„Ruhe, schonstes Gliick der Erde." Fiir vier Manner- 
stimmen. (Nachgelassenes Werk.) Wien. Gotthard. 
1871. No. 46 in M.392.23 

Same. Rest. [Part-song, t. t. b. b.] (In Mosenthal. Songs 
of the Mendelssohn Glee Club. Pp. 55-61.) 

No. 15 in M.204.38 

Salve Regina. Fiir s. a. t. b. mit Klavierbegleitung. [Par- 
titur und Stimmen.] Wien. Haslinger. [186-?] s parts 
in I V. No. 34 in M.201.35 

Schubert-Album. Lieder und beruhmte Stiicke von Franz 
Schubert. Fiir Violine und Piano iibertragen von Ad. 
Griinwald. [Partitur und Violine-Stimme.] Braun- 
schweig. Litolff. [188-?] No. 2 in M.357.10 

Die Sehnsucht. Gedicht von Schiller. In Musik gesetzt 
fiir eine Singstiihe [s. oder t.] mit Begleitung des Piano- 
forte von Franz Schubert. 39. Werk. Wien. Pennauer. 
[1826.] No. 5 in M.140.33.3 

Serenade. Solo [a.] and chorus [s. s. a. a. Accomp. for 
pianoforte]. (In Novello's Collection of trios, etc. Vol. 
I, pp. 130-150.) No. 16 in M.204.36.1 

Le secret. Air [s. or t. Accomp. for pianoforte]. (In 
Musical library. Vol. 3, pp. 144-146.) No. 48 in M.235.18.3 

Sieben Gesange aus Walter Scott's Fraulein vom See. In 
Musik gesetzt mit Begleitung des Pianoforte von Franz 
Schubert. Op. 52. Wien. Artaria. [183-?] 

Nos. 9, 10 in M.140.33.3 

Contents. — i. Ellen's Gesang No. i [m.-s.]. — Ellen's Gesang No. 2 
[a.]. — Bootgesang [t. t. b. b.]. — Coronach [s. s. A. und Chor]. 2. 
Norman's Gesang [x.]. — Ellen's Gesang No. 3 [m.-s.]. — Lied des 
gefangenen Jagers (Lay of the imprisoned huntsman) [x.]. 

Symphonie, C dur [No. 7], fiir grosses Orchester. Par- 
titur. Leipzig. Breitkopf & Hartel. [185-?] M.334.i6 

Symphonie, C-dur [No. 7], Unvollendete Symphonie in H 
moll [No. 8], und Andante aus der Tragischen Sym- 
phonie [No. 4]. Partitur. Leipzig. Peters. [187-?] 

No. 1-3 in M.353.14 

The song of Miriam. See his Miriam's song of triumph. 

Terzette. [Klavierauszug.] Leipzig. Peters. [187-?] 

No. 5 in M.156.1 
Contents. — Die Advocaten (fur 2 Tenore u. Bass). — ■ Der Hochzeit- 
braten (fiir Sopran, Tenor u. Bass). 

Trios fiir Pianoforte, Violine und Violoncell, revidirt von 
Ferd. David. Leipzig. Peters. [187-?] No. i in M.353.12 
Contents. — i. Op. 99. B dur. 2. Op. 100. Es dur. 

Valse noble. Violino & piano. Op. 77. Arranged by 
Ambrose Davenport. Boston. White, Smith & Co. 
[1888.] No. 8 in M.410B45 

Variationen iiber ein Thema von Franz Schubert. Fiir Or- 
chester von Richard Heuberger. No. 5 in N.342.4 

Die Verschworenen, oder Der hausliche Krieg. Oper in 
I Akt von Franz Schubert. [Text von I. F. Castelli. 
Klavierauszug.] Leipzig. Peters. [188-?] 

No. I in M.326.37 

The wedding guest. A musical sketch for three characters. 
English libretto by May Byron. Music by Fr. Schubert. 
[Accomp. for pianoforte.] London. Williams. [188-?] 

No. I in M.402.71 

Die Zwillingsbriider. [Singspiel in i Act. Text von E. T. 
W. Hoffmann. Musik von Franz Schubert.] Klavier- 
auszug. Leipzig. Peters. [188-?] No. 2 in M.326.37 

12 Gesange fiir s. a. t. b. Eingerichtet von Franz Abt. 
Componirt von Franz Schubert. Heft 1-3. Offenbach 
a. M. Andre. [1877?] No. 9-11 in M.158.21 

Contents. — I. Wanderers Nachtlied. — Heidenroslein. — Morgen- 
Standchen. — Der Lindenbaum. — In's stille Land. — ■ Pax vobiscum. 
2. Wiegenlied. — Kreuzzug. — Friihlingsglaube. — Grablied. — Lita- 
ney auf das Fest ,, Aller Seelen.*' — Der du von dem Himmel bist. 3. 
Das Wandern. — Des Miillers Blumen. — Die liebe Farbe. — Das 
Wirthshaus. — Am Meer. — Abendstern. 

Schubert, Franz Peter. Works about. 

AuDLEY, A. Franz Schubert: sa vie et ses oeuvres. Paris. 

1871. M.128.14 

Bach, A. B. The art ballad: Loewe and Schubert. Edin- 

' burgh. 1890. Portrait. . M.107.18 



46 



Schubert 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schulthes 



Schubert, Franz Peter. Works about. (Continued.) 

Barbedette, H. Fr. Schubert: sa vie, ses oeuvres, son 

temps. Paris. 1865. Portrait. No. 2 in M.122.12 

Frost, H. F. Schubert. London. 1881. M.128.41 

Gesellschaft der Musikfreunde, Vienna. Actenmassige 

Darstellung der Ausgrabung und Wiederbeisetzung der 

irdischen Reste von Beethoven und Schubert. Wien. 

1863. M.371.27 

Kreissle von Hellborn, H. Franz Schubert: a musical 

biography. From the German by Edward Wilberforce. 

London. 1866. M.107.12 

The life of Franz Schubert. Translated by A. D. 

Coleridge. With an appendix by George Grove. London. 
1869. 2 V. Portrait. M.146.10 

Medak, H. Franz Schubert, Octett, F dur. Op. 166. Er- 
lautert. Leipzig. [1901.] No. i in M.217.12.10 

Neumann, W. Franz Schubert. Eine Biographic. Cassel. 
1855. Portrait. No. 2 in M.205.23 

NiGGLi, A. Franz Schubert, Grosse Symphonic in C-dur. 
Erlautert. Frankfurt a. M. [1894.] No. 7 in M.217.12.1 

Franz Schubert, Unvollendete H-moll Symphonie. Er- 
lautert. Frankfurt a. M. [1895.] No. 15 in M.217.12.1 

NoTTEBOHM, M. G. Thcmatisches Verzeichniss der im 
Druck erschienenen Werke von Franz Schubert. Wien. 
1874. M.123.19 

SuppE, F. von. [Franz Schubert.] Ouverture zur Ope- 
rette: Franz Schubert, mit Benutzung Schubert-schen 
Motive, fiir grosses Orchester. Partitur. Leipzig. [187-?] 

No. 3 in M.345.19 
Schubert, Johann Wilhelm Benjamin. 

Gethsemane und Golgotha. Charfreitags-Oratorium. Fiir 
Chor und Soli componirt von Friedrich Schneider. 

No. 3 in M.270.47 
Schubert, Raoul. 

La petite Soubise. Operette en i acte. Paroles de fimile 

Max, Eug. Leclerc & P. Racques. Musique de Raoul 

Schubert. Partition chant et piano. Paris. Gregh. 

[1888.] No. 3 in M.383.3S 

Schubert, Wilhelm. See Schubert, Johann Wilhelm Benjamin. 

Schubiger, Anselm. 

Musikalische Spicilegien iiber das liturgische Drama, Orgel- 
bau und Orgelspiel, das ausserliturgische Lied und die 
Instrumentalmusik des Mittelalters. Berlin. Liepmanns- 
sohn. 1876. [Publikation alterer praktischer und theo- 
retischer Musikwerke vorzugsweise des xv. und xvi. 
Jahrhunderts. Band 5.] 14.185.4 

Schubin, Ossip, pseud. See Kirschner, Lula. 
Schucht, Jean F. 

Ludwig van Beethoven. Leben und Schaffen. Leipzig. 
Spamer. 1871. Portraits. [Welt der Jugend.] 

No. 2 in M.207.3 
Meyerbeer's Leben und Bildungsgang. Leipzig. Matthes. 
1869. M.119.8 

Schuecking, Christoph Bernhard Levin Anton Matthias. 
An die Musik. Gedicht. Fiir Solostimmen, Chor und Or- 
chester componirt von Julius O. Grimm. No. 3 in M.270.54 
Schuecking, Levin. See Schuecking, Christoph Bernhard 

Levin Anton Matthias. 
Schuelerschwaenke. Opera. For the Music see Angely. 
Schuermann, Georg Caspar. 

Ludovicus Pius oder Ludewig der Fromme. [Handlung 
1-3.] Aufgefiihrt in Braunschweig 1726, 1727, 1734. 
[Partitur.] {In Oper, Die, von ihren ersten Anfangen 
bis zur Mitte des 18. Jahrhunderts. Theil 4. Leipzig. 
1890, [91].) M.400.6.4 

Schuermann, M. 

Der heilige Bonifacius. Haupt-Momente aus seinem Leben. 
Mit mehreren von Fr. Koenen componirten Manner- 
Choren und Soli. Fulda. Maier. 1882. No. s in M.372.37 

Words only. 

Same. Mannerchore und Soli mit Clavierbegleitung. Com- 
ponirt von Fr. Koenen. No. 8 in M.203.16 
Schuett, Eduard. See Shitt, Eduard. 
Schuetz, Heinrich. 

Christus ist hier. Aus der Motette Wer will die Auser- 



Schuetz, Heinrich. (Continued.) 

wahlten Gottes beschuldigen. [Fiir s. a. t. b. und Orgel.] 
{In Rochlitz. Sammlung vorziiglicher Gesangstucke. 
Band 2, p. 124.) No. 31 in M.202.6.2 

Das Gebet des Herrn [s. a. t. t. b., mit Orgel-Begleitung]. 
{In Rochlitz. Sammlung vorziiglicher Gesangstiicke. 
Band 2, pp. 130-136.) No. 33 in M.202.6.2 

Seelig sind die Todten [s. s. a. t. b.]. (In Rochlitz. Samm- 
lung vorziiglicher Gesangstiicke. Band 2, pp. 121-123.) 

No. 30 in M.202.6.2 
A selection of choruses and recitatives from The Passion 
of our Lord. [Accomp. for pianoforte.] London. No- 
vello, Ewer & Co. [1885.] No. i in M.204.27 

Was betriibst du dich, meine Seele [s. s. a. t. b., mit Orgel- 
Begleitung]. {In Rochlitz. Sammlung vorziiglicher 
Gesangstiicke. Band 2, pp. 125-129.) No. 32 in M.202.6.2 
Schuetze, Johann Stephan. 

Zur Feier der Charwoche. Passionsgesang. Fiir vier- 

stimmigen Chor und Orgelbegleitung componirt von 

.Josef Rheinberger. No. 3 in M.280.3S 

Schuetzenkoenig, Der. Opera. For the Music see Zoellner, 

H. For the Libretto see Kulenkampf, J. 
Schuetzenlied. Part-song. Tschirch, F. W. No. 155 in M.246.22 
Schuetzenmarsch. Part-song. Otto, E. J. Der Philister. 

No. 4 in M.392.20 
Schuhbauer, Lucas. 

Die Dorfdeputirten, nach Goldoni. In Musik gesetzt und in 
Klavierauszug herausgegeben von Lucas Schubaur. 
Mannheim. Gotz. [1800?] M.130.3 

Die treuen Kohler. Ein Singspiel in 2 Aufziigen von Her- 
mann. In Musik gesetzt von Lucas Schubaur. [Klavier- 
auszug.] Mannheim. Gotz. [1791?] No. i in M.350.13 
Schuil, Mart. 

De Woudkoningin. Die Waldkonigin. Operette in twee 
bedryven op te voeren door jongens en meisjes van 12 
tot 18 jaar. Tekst en muziek van Mart. Schuil. Deutsche 
Uebersetzung des Textes von Hugo von der Amstel. 
Klavieruittreksel. Leipzig. Siegel. [190-?] 
The text is in Dutch and German. No. 2 in M.389.II 

Schul', Die, ist aus. Part-song. Riedel, F. E. A. 6 humo- 
ristische Gesange. No. 7 in M.158.21 

Schultes, Carl. 

Die Liebesprobe. Original-Zaubermahrchen. Musik von 
Eduard Hummel. M.253.4 

Schulthes, Wilhelm. 

Ave Maria for m.-s. or bar., with pianoforte or organ ac- 
comp. London. Ewer & Co. [186-?] No. 4 in M.260.10.4 
Benediction service and a collection of 36 litanies with 
organ accomp. London. Ewer & Co. [1861.] 

No. I in M.260.14 
A collection of six sacred vocal pieces for three & four 
equal voices, with organ accomp. (& harp ad lib.). Op. 
87. London. Novello, Ewer & Co. [1878?] 

No. I, 2 in M.201.36 

Contents. — I. Ave Verum [s. s. A. A.]. — Cor Jesu sacratissimum 
[s. s. A. A.]. — Sub Tuum prssidium [s. s. A.]. 2. O sacrum coii- 
vivium [s. s. A. A.]. — Ave cor Jesu [s. s. A. A.]. — Recordare, Virgo 
[s. s. A.]. 

Corona Lauretana. 2d series of litanies of the Blessed 
Virgin Mary, with organ accomp. London. Novello, 
Ewer & Co. [187-?] No. 2 in M.260.14 

Guirlandes de mai. Hymns to the B. V. M. by F. W. Faber. 
[Translated by] Le P. Philpin de Rivieres. Musique de 
W. Schulthes. Vol. 1-3. [Accomp. d'orgue.] London. 
Novello, Ewer & Cie. [187-?] No. 3-5 in M.156.28 

Invocations au Sacre Coeur. Chceur a voix egales [s. s. a. a.], 
avec accomp. d'orgue. [London.] Augener & Co. [186-?] 

No. 7 in M.260.14 

O quam bonum. Motett for 4 equal voices [s. s. a. a.], (solo 
& chorus). With organ accomp. (& harp ad lib.). Lon- 
don. Novello, Ewer & Co. [187-?] No. 5 in M.260.14 

O Salutaris, for solo [s.] and chorus with organ or piano- 
forte. London. Ewer & Co. [186-?] No. 3 in M.260.14 

Regina coeli. Motett for 4 equal voices [s. s. a. a.] (solo & 
chorus) with organ & harp accomp. (ad lib.). London 
Novello, Ewer & Co. [187-?] No. 4 in M.260.14 



47 



Schulthes 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schulz 



Schulthes, Wilhelm. (Continued.) 

Six invocations for four equal voices [s. s. A. a.] to be sung 
after benediction, with organ accomp. (& harp ad lib.)- 
Op. 88. London. Novello, Ewer & Co. [1879?] 

No. 3 in M.201.36 
Contents. — Jesus, Mary, Joseph! — Nos cum prole pia. — Vivat cor 
jesu! — Auxilium Christianorum. — Come, Lord Jesus. — O sacred 
heart of Jesus, no. i, 2. 

Song of angels, from the drama of The hidden gem by 
Cardinal Wiseman. Composed for 3 voices [s. s. a.] by 
W. Schulthes. [Accomp. for organ.] London. Ewer & 
Co. [186-?] No. 8 in M.260.14 

Twelve Latin hymns, for vespers and complin, etc. With 
organ accomp. London. Novello, Ewer & Co. [187-?] 

No. 22 in M.1S8.32 
Contents. — Adore Te devote. — O esca viatorum. — Venite, cuncti, 
currite. — Summi Parentis Filio. — Ave maris Stella. — Te, Joseph 
celebrent. — Jesu, dulcis amor meus. — Jesu, dulcis raemoria. — Qui- 
cumque certum quaeritis. — Jesu, corona virginum. — O gloriosa vir- 
ginuni. — Salve, Pater Salvatoris. 

Veni, Domine. Motett, for 4 equal voices [s. s. a. a.] (soli 
& chorus), with organ & harp accomp. (ad lib.), and 
Elevation for organ & harp. London. Novello, Ewer & 
Co. [187-?] No. 6 in M.260.14 

Schultz, Carl. 

Die Ansiedler. (The settlers.) Dramatische Cantate. Fur 
Soli (s. T. bar.), Miinnerchor u. Orchester componirt von 
Hermann Mohr. No. 5 in M.203.18 

The thunder-storm. Das Gewitter. Dichtung. Fiir Manner- 
chor, Baritonsolo mit Pianofortebegleitung von Hermann 
Mohr. No. 4 in M.203.17 

Schultz, Edwin. . 

Abend am Meere. [Mannerchor.] (In Claassen. Ludwig 

Liebe- Album. Pp. 45, 46.) No. 11 in M.203.16 

Abendandacht der Schopfung. [t. t. b. b. Mit Tenorsolo.] 

Klavierauszug. Op. iS5, No. 3. Leipzig. Siegel. [1889?] 

No. 5 in M.212.16 

Auf dem Wasser. Fiir vierstimmigen Mannerchor. Op. 77- 

Schleusingen. Glaser. [187-?] No. 4 in M.392.25 

Ave Maria. Gedicht von E. Geibel. Fiir vierstimmigen 

Mannerchor u. Solo[-Quartett] componirt von Edwin 

Schultz. Op. 72. Schleusingen. Glaser. [187-?] 

No. I in M.392.25 

Elfenwirthschaft [s. s. a. a. t. t. b. b.]. Berlin. Simon. 

[187-?] No. 6 in M.194.21 

„Engelwacht." [Mannerchor.] Op. 172. Wien. Rebay & 

Robitschek. [1891?] No. 3 in M.392.24 

Forest harps. See his Waldharfen. 

Friihlingsfeier. [Mannerchor.] Op. 137. Leipzig. Licht 
& Meyer. [1887?] No. 12 in M.392.2S 

Gewitter. [Mannerchor, mit Baritonsolo.] Klavierauszug. 
Op. 15s, No. 2. Leipzig. Siegel. [1889?] N0.4 in M.212.16 
Im Sturme. Gedicht von Jul. Wolff. Fiir vierstimmigen 
Mannerchor und Bariton-Solo mit Orchester- oder 
Klavierbegleitung componirt von Edwin Schultz. Op. 
141. Klavier-Auszug. Schleusingen. Glaser. [189-?] 

No. 2 in M.212.16 
Ihr Bliimlein, kommt geschwind hervor! Fiir vierstimmigen 
Mannerchor. Op. 76. Schleusingen. Glaser. [187-?] 

No. 3 in M.392.25 
Jagerlied. Fiir vierstimmigen Mannerchor. Op. 73. Schleu- 
singen. Glaser. [187-?] No. 2 in M.392.25 
Jiigers Liebe. Fiir Mannerchor & [t.] Solo. Op. 100. Ber- 
lin. Simon. [1880?] No. 8 in M.392.2S 
Mondnacht. (Moonlight.) [Mannerchor.] Op. 151. Ber- 
lin. Luckhardt. 1888. No. 14 in M.392.25 
With German and English words. 
My heart on the Rhine. [Part-song, t. t. b. b.] (In The 
Osgood Collection of part-songs. Vol. 2, pp. 26-31.) 

M.193.23.2 
Nachtgebet. Fiir Mannerquartett und Tenor-Solo. Op. 
114. Berlin. Raabe & Plothow. [1881?] 

No. II in M.392.2S 
Ostermorgen. [Gedicht von Emanuel Geibel. Manner- 
chor mit Pianofortebegleitung von Edwin Schultz.] Op. 
152. Berlin. Luckhardt. [1888.] No. 3 in M.212.16 



Schultz, Edwin. (Continued.) 

Sturm-Hymnus. Gedicht von Helene von Engelhardt. 
Fiir vierstimmigen Mannerchor mit Orchester- oder 
Klavierbegleitung komponiert von Edwin Schultz. Op. 
159. Klavierauszug. Leipzig. Siegel. 1889. 

No. 6 in M.212.16 
The words are in English and German. The English version is by Mrs. 
John P. Morgan. 
Traum' von mir. Mannerchor [t. t. b. b. b.]. Op. 118, No. i. 
Hamburg. Bohme. [1886?] No. 17 in M.203.20 

Wachet auf! [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. I, pp. 62-64.) No. 22 in M.392.42.1 

Waldharfen. Gedicht von Jul. Wolff. Fiir vierstimmigen 
Mannerchor mit Orchester- oder Klavierbegleitung kom- 
poniert von Edwin Schultz. Op. 131. Klavierauszug. 
Leipzig. Siegel. [188-?] No. i in M.212.16 

Same. Forest harps. [Chorus, t. t. b. b. Accomp. for 
pianoforte.] Op. 131. New York. Schirmer. [1887.] 

No. 12 in M.392.31 
Waldlied [t. t. b. b.]. (In Abt. Deutsche Sangerhalle. 
Vol. I, pp. 37-41.) No. 12 in M.392.42.1 

Waldrose. Vierstimmiger Mannerchor mit b. und t. Solo. 
Op. 83. Schleusingen. Qaser. [1879?] No. 7 in M.392.25 
Waldruhe [t. t. b. b.]. (In Abt. Leichte Mannerchore. 
Heft 17, pp. 2-5.) No. 102 in M.246.22 

Der Wanderer. [Mannerchor.] Mit Tenor- und Bariton- 
solo. Op. 140. Leipzig. Siegel. [1888?] 

No. 13 in M.392.25 
Zwei Gesange fiir Mannerchor. Op. 78. Schleusingen. 
Glaser. [187-?] No. 5 in M.392.25 

Contents. — Kampflied. — Abendstandchen. 
Zwei Gesange fiir vierstimmigen Mannerchor. Op. loi. 
Leipzig. Siegel. [1880?] No. 9, 10 in M.392.25 

Contents. — I. Es muss vergessen sein. 2. Fruhlingsahnung. 
Zwei vierstimmige Mannergesange. Op. 80. Schleusingen. 
Glaser. [1879?] No. 6 in M.392.25 

Contents. — Heimkehr. — Ein geistlich Abendlied. 
Schultz, Edwin, editor. 

Oelschlaeger. Hoho! du stolzes Madel! Harmonie. 

No. 20 in M.392.37 

Schultz, J. A. See Schulz, Johann Abraham Peter. 

Schultze, Adolf. August Reuss, Symphonischer Prolog fur 

grosses Orchester zu Hugo von Hofmannsthals Dichtung 

„Der Thor und der Tod." (Op. 10.) Erlautert. Leipzig. 

Seemann. [1902.] No. 12 in M.217.12.11 

Robert Schumann, Klavierkonzert in A moll. Op. 54. 

Erlautert. Leipzig. Seemann. [1902.] 

No. 21 in M.217.12.11 
Siegmund von Hausegger, Barbarossa: symphonische Dich- 
tung in drei Satzen. Erlautert. Leipzig. Seeman. [1901.] 

No. 19 in M.2i7.i2.g 
These three works form respectively No. 263, 273 and 223 of Der 
Musikfiihrer. 
Schultze, Carl. See Schulze, Carl. 
Schultze, Max, editor. 

Mazas. Douze petits duos pour deux violons. 

No. 3 in M.3S7.IO 
Pleyel, I. J. 6 duos faciles et progressifs pour deux violons. 

No. 4 in M.357.10 
Schultze-Biesantz, Clemens. 

Symphonische Tongedichte (Poemes symphoniques). I. 

Gliicksritter. IL Patheticon. IIL Marche humoristique. 

Fiir grosses Orchester. Partitur. Braunschweig. Henry 

Litolff's Verlag. 1900. M.410.S5 

Schulz, August. 

Friihlings Brautfahrt. Tongemalde fiir Mannerchor und 
Orchester (oder Pianoforte). Dichtung von H. Wichen- 
bach. Componirt von A. Schulz. Op. 69. Clavieraus- 
zug. Braunschweig. Bauer. [187-?] No. 11 in M.212.15 
Hehre heilige Musik. Gedxcht von Eberhard von Liine- 
burg. Fiir Mannerchor und Orchester, mit Tenor und 
Bariton Solo, componirt von A. Schulz. Clavierauszug. 
Braunschweig. Fischer & Mohr. [187-?] 

No. 9 in M.270.13 

Prinzessin Use. Dichtung von Eberhard von Liineburg. 

Fiir Mannerchor, Soli und Orchester componirt von A. 



48 



Schulz 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schumacher 



Schulz, August. (Continued.) 

Schulz. Op. 65. Clavierauszug. Braunschweig. Fischer 
& Mohr. [187-?] No. 10inM.212.1s 

Eine Sommernacht. Dichtung von R. Reinick. Fiir Manner- 
chor, Solo und Orchester componirt von A. Schulz. Op. 
63. Clavierauszug. Braunschweig. Bauer. [187-?] 

No. 9 in M.212.15 

Sonntag Mai Morgen. [Mannergesang.] Op. 25, No. i. 

Schleusingen. Glaser. [1880?] No. 4 in M.392.38 

Weihnachtslied [t. T. B. B.]. Op. 68. Braunschweig. Bauer. 

[1878?] No. IS in M.392.2S 

Der wilde Jager. Grosse romantische Oper in 4 Akten, 

frei nach J. Wolff's Dichtung von G. Wagner und G. 

Langenbeck. Musik von A. Schulz. Clavier-Auszug. 

Braunschweig. Litolff. [iSp-?] M.322.12 

Schulz, Carl. 

Glory be to God on high. Sacred song [s. or bar. Accomp. 
for organ]. (In Ayrton. Sacred minstrelsy. Vol. 2, p. 
200.) No. 72 in M.2go.22.2 

Schulz, Christian. See Schulz, Johann Philipp Christian. 
Schulz, Johann Abraham Peter. 

Aline, reine de Golconde. Opera par M. Sedaine. Mis en 

musique & arrange pour le clavecin par J. A. P. Schulz. 

Publie par C. F. Cramer. Copenhague. Sonnichsen. 

1790. M.151.5 

The words are in French and German. 

[Athalia.] Chore und Gesange zur Athalia. [Partitur.] 

Manuscript. N. d. M.23S.24 

Same. Chore und Gesange von J. A. P. Schulz. Aus dem 

Franzosischen des Racine iibersetzt von C. F. Cramer. 

Vollstandiger Klavierauszug. Berlin. Krafft & Klage. 

[1830.] M.221.14 

Same. Choeurs d'Athalie. [Partition.] Manuscript. 1786. 

M. 340.22 
Behold, to us a child is born. Duett, s. t. [Accomp. for 
pianoforte.] (/n Hasse, C. F. Sacred music. Pp. 141- 
146.) No. 28 in M.201.37 

Christ is worthy. Chorus. [Accomp. for pianoforte.] (In 
Hasse, C. F. Sacred music. Pp. 132-134.) No. 25 in M.201.37 
Fix my heart. Duet, s. t. [Accomp. for pianoforte.] (In 
Hasse, C. F. Sacred music. Pp. 8-12.) No. 2 in M.201.37 
Maria und Johannes. Ein Passions-Oratorium von 
Johannes Ewald. Im Clavierauszuge von J. A. P. 
Schulz. Hrsg. von C. F. Cramer. Copenhagen. Son- 
nichsen. 1789. No. 2 in M.152.25 
My Saviour, I am Thine. Air [s. Accomp. for pianoforte]. 
(In Hasse, C. F. Sacred music. Pp. 66-69.) 

No. 12 in M.201.37 
Sylvesterlied [t. t. b. b.]. (In Orpheus. Band 4, pp. 34-36.) 

No. 135 in M.i29a.43.4 
Schulz, Johann Abraham Peter, editor. 

Haydn, F. J. Der Versohnungstod. Cantate. M.202.23 
Schulz, Johann Philipp Christian. 

Der Abend. [Mannerchor.] (In Fink. Die deutsche Lieder- 

tafel. Pp. 80, 81.) No. 55 in M.213.9 

Am Grabe. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 51) No. 41 in M.213.9 

Den Abwesenden. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. Pp. 86, 87.) No. 60 in M.213.9 

Entschuldigung. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. Pp. 98, 99-) No. 70 in M.213.9 

Ergo bibamus. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 12.) No. 12 in M.213.9 

Erinnerung. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 84.) No. 58 in M.213.9 

Ermuthigung. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 85.) No. 59 in M.213.9 

Friihlingslust. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. Pp. 119, 120.) No. 81 in M.213.9 

Im Griinen. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 23.) No. 23 in M.213.9 

Die Jager. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. Pp. 184, 185.) No. 120 in M.213.9 

Die Jugend. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 106, 107.) No. 75 in M.213.9 



Schulz, Johann Philipp Christian. (Contimted.) 

Lehren der Weisheit. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. P. 10.) No. 9 in M.113.9 

Liebe. [Mannerchor.] (In Fink. Die deutsche Lieder- 
tafel. Pp. 94, 95) No. 67 in M.213.9 
Rundgesang im Walde. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. Pp. 18, 19.) No. 18 in M.213.9 
Tres faciunt collegium. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. Pp. 103, 104.) No. 73 in M.2i3.g 
Wanderers Nachtlied. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. P. 90.) No. 63 in M.213.9 
Weg mit den Grillen und Sorgen. [Mannerchor.] (In Fink. 
Die deutsche Liedertafel. Pp. 105, 106.) No. 74 in M.213.9 
Zum Abschiede. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. P. 92.) No. 65 in M.213.9 
Zuversicht im Wechsel. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. P. 19.) No. 19 in M.213.9 
Schulz, Otto Carl Friedrich Wilhelm. 

Weinlied [t. t. b. b.]. (In Orpheus. Band 2, pp. 29, 30.) 

No. 63 in M. 1293.43.2 
Schulz, R. 

Deutscher Schwur und deutsch Gebet. Charakteristisches 
Tongemalde fiir Mannerchor, Solo und Orchester. In 
Musik gesetzt von Ferd. Mohring. No. 3 in M.203.3 

Schulz-Schwerin, Carl. 

Gestandnis. Phantasiestuck fiir Streichchor. Op. 20. Par- 
titur. Leipzig. Siegel. [187-?] No. 5 in M.342.30 
Ouverture triomphale fiir Orchester. Partitur. Potschappel. 
Bellmann & Thiimer. [186-?] No. 6 in M.342.30 
Eine Ouvertiire zu Goethe's „Torquato Tasso," fiir grosses 
Orchester. Partitur. Leipzig. Eulenburg. [187-?] 

No. 2 in M.312.2 

Ouverture zu Schiller's „Braut von Messina." Partitur. 

Leipzig. Eulenburg. [187-?] M.412.10 

Traume sind Schaume. Humoristisches Wanderlied. Fiir 

Mannerchor. Leipzig. Licht & Meyer. [1886?] 

No. 16 in M.392.25 
Schulz-Schwerin, Carl, editor. 

Mendelssohn- Bartholdy, J. L. F. Drei venetianische 
Gondellieder (aus den „Lieder ohne Worte")- 

No. 3 in M. 331.8 
Schulz-Weida, Joseph. 

Andacht. [Mannerchor.] Op. 123, No. 5. Leipzig. For- 

berg. [1868?] No. 19 in M.392.2S 

Ihr Wandervogel in der Luft. [Mannerchor.] Op. 20, 

No. I. Leipzig. Siegel. [1880?] No. 17 in M.392.2S 

Madel, Madel, komm' und kiisse. [Mannerchor.] Op. 123, 

No. 4. Leipzig. Forberg. [1868?] No. 18 in M.392.25 

Schulze, Carl. 

Auf offner See. Dichtung. Componirt fiir 4 stimmigen 
Mannerchor und Solis mit Begleitung des Orchesters von 
Ferd. Mohring. No. 2 in M.203.3 

Vor Sonnenaufgang. Gedicht. Fiir vierstimmigen Manner- 
chor und Solo mit Orchester componirt von W. Hinze. 

No. I in M. 270.55 
Schulze, Ernst Conrad Friedrich. 

Hymne an die heilige Cacilia. Fiir Mannerstimmen in 
Musik gesetzt von dem Kronprinzen von Hannover. 

No. 9inM.1s5.17 
Sechs Gedichte. Fiir 4 Mannerstimmen in Musik gesetzt 
von dem Kronprinzen von Hannover. No. 8 in M. 155.17 
Sechs Gedichte. Fiir 4 Mannerstimmen in Musik gesetzt 
von dem Kronprinzen von Hannover. No. i, 2 in M. 155. 17 
Sechs Gedichte. Fiir 4 Mannerstimmen in Musik gesetzt 
von dem Kronprinzen von Hannover. No. 5 in M.15S.17 
Schulze, I. A. See Schulz, Johann Abraham Peter. 
Schumacher, Paul. See Schumacher, Peter Paul Heinrich. 
Schumacher, Peter Paul Heinrich. 

Bilder vom Rhein. Moderne Suite fiir grosses Orchester. 

Op. 48. Partitur. Berlin. Simrock. 1890. No. 2 in M.410.S3 

Musikanten-Lieder fiir vierstimmigen Manner-Chor, Solo- 

Geige und Clavier-Begleitung. Ein Cyclus von neun 

Gesangen. Op. 4. Partitur. Berlin. Simrock. 1877. 

No. 7 in M.212.16 

Contents. — Wandern. — Traumen. — Trinken. — Stromfahrt. — Rast. 
— Mondnacht. — Liebeslied. — Ruhe. — Abschied. 



Ill 7 



49 



Schumacher 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schumann 



Schumacher, Peter Paul Heinrich. (Cmiimued.) 

Symphonie (Serenade in D moll) fiir grosses Orchester. 
Op. 8. Partitur. Leipzig. Breitkopf & Hartel. [1879?] 

No. 2 in M.335.12 
Trauer-Marsch fur grosses Orchester. Op. 10. Partitur. 
Mainz. Schott. [189-.] No. i in M.404.15 

Schumacher, Reinhard. 

Drei Lieder fur vierstimmigen Mannergesang. i. Werk. 
Hannover. Nagel. [184-?] No. 20 in M.392.25 

Contents. — Ave Maria. — Auf! — Gesang im Walde. 

Schumann, A. 

Alpenlied [t. t. b. b.]. {In Orpheus. Band 9, pp. 52. 53.) 

No. 31 in M.i29a.43.9 
Wahlspruch. [Mannerchor.] {In Gruber. Sangeshort. 
Heft I, p. 2.) No. I in M.370.30 

Schumann, Clara Josephine. 

Declaration. [Chanson, t. Accomp. de piano.] {In Album 
du Gaulois. Vol. 2.) No. 20 in M.391.28.2 

Quartett (G-dur) fiir 2 Violinen, Viola und Violoncello. 
Op. 24. Partitur. Quedlinburg. Vieweg. [ 187-?] 

No. 3 in M.404.4 
Zwolf Gedichte aus F. Riickerts Liebesfriihling fiir Gesang 
und Pianoforte von Robert und Clara Schumann. 

No. II in M.244,15.1 
Schumann, Clara Josephine, editor. 

Schumann, R. A. Early letters. Translated by May Her- 
bert. London. 1888. M.128.1 

Robert Schumann's Werke. M.316.1 

Schumann, Georg Alfred. 
Amor und Psyche. Dichtung von Heinrich Bulthaupt. Fiir 
Soli, Chor und Orchester componirt von Georg Schu- 
mann. Op. 3. Klavier-Auszug. Leipzig. Jost & Sander. 
[1888.] No. 2 in M.193.11 

Liebesfriihling. Ouverture fiir grosses Orchester. Op. 28. 
Partitur. Leipzig. Breitkopf & Hartel. 1901. 

No. I in M.406.31 
Eine Serenade fiir grosses Orchester. Op. 34. Partitur. 
Berlin. Bote & Bock. [1904.] No. i in M.412.11 

Symphonic in F moll fiir grosses Orchester. Op. 42. Par- 
titur. Leipzig. Leuckart. [1905.] M.411.21 
Symphonische Variationen iiber den Choral: ,,Wer nur den 
lieben Gott lasst walten" fiir grosses Orchester & Orgel. 
Op. 24. Partitur. Leipzig. Hofmeister. [1899?] 

No. 2 in M.410.56 
Zur Carnevalszeit. Suite fiir grosses Orchester. Op. 22. 
Partitur. Leipzig. Hofmeister. [1899.] No. 2 in M.406.31 
Schumann, Robert Alexander. 

Werke. Herausgegeben von Clara Schumann. Leipzig. 
Breitkopf & Hartel. [1879-93.] 32 v. in 27. M.316.1 
Serie i: Symphonien fiir Orchester. Partitur. M.316.1. i 

Contents. — Erste Symphonie. Op. 38 in B dur; Zweite Symphonie. 
Op. 61 in C dur; Dritte Symphonie. Op. 97 in Es dur; Vierte Sym- 
phonie. Op. 120 in D moll. 

Serie 2: Ouverturen fur Orchester. Partitur. M.316.1.2 

Contents. — Ouverture, Scherzo und Finale. Op. 52 in E dur; 
Ouverture zu Genoveva. Op. 81 in C moll ; Ouverture zu Braut 
von Messina. Op. 100 in C moll; Ouverture zu Manfred. Op. 
115 in Es dur; Fest Ouverture mit Gesang. Op. 123 in C dur; 
Ouverture zu Julius Casar. Op. 1 28 in F moll ; Ouverture zu 
Hermann und Dorothea. Op. 136 in H moll; Ouverture zu Goethe's 
Faust, in D moll. 

Serie 3: Concerte und Concertstucke fiir Orchester. Par- 
titur. M.316.1.3 
Contents. — Phantasie fur Violine mit Orchester. Op. 131 in Cdur; Con- 
cert fur Violoncell mit Orchester. Op. 192 in A moll; Concertstiick 
fiir vier Horner mit Orchester. Op. 86 in F dur; Concert fiir Piano- 
forte mit Orchester. Op. 54 in A moll ; Introduction und Allegro 
appassionato, Concertstuck fiir Pianoforte mit Orchester. Op. 92 in 
G dur ; Concert- Allegro mit Introduction fur Pianoforte mit Or- 
chester. Op. 134 in D moll. 

Serie 4: Fiir Streichinstrumente. Partitur. M.316.1.4 

Contents. — Drei Quartette, fiir zwei Violinen, Bratsche und Violon- 
cell. Op, 41, No. I A moll. No. 2 F dur, No. 3 A dur. 

Serie 5: Fiir Pianoforte und andere Instrumente. 3 v. 

M.316.1.5 

Contents. — i. Quintett fiir Pianoforte, zwei Violinen, Viola und 
Violoncell. Op. 44 in Es dur; Quartett fur Pianoforte, Violine, Viola 
und Violoncell. Op. 47 in Es dur. 2. Erstes Trio fur Pianoforte, 
Violine und Violoncell. Op. 63 in D moll ; Zweites Trio fiir Piano- 
forte, Violine und Violoncell. Op. 80 in F dur; Drittes Trio fiir 



Schumann, Robert Alexander. (Contimied.) 

Pianoforte, Violine und Violoncell. Op. no in G moll; Phantasie- 
stiicke fiir Pianoforte, Violine und Violoncell. Op. 88 in A moll, F 
dur, D moll, A moll; Marchenerzahlungen, vier Stiicke fiir Clarinette 
(ad libit. Violine), Viola und Pianoforte. Op. 132 in B dur, G moll, 
G dur, B dur. 3. Adagio und Allegro fur Pianoforte und Horn (ad 
libit. Violoncell oder Violine), Op. 70 in As dur; Phantasiestucke fur 
Pianoforte und Clarinette fad libit. Violine oder Violoncell). Op. yz 
in A moll, A dur, A dur; Erste Sonate fiir Pianoforte und Violine. 
Op. 105 in A moll; Zweite grosse Sonate fiir Violine und Pianoforte. 
Op. 121 in D moll; Marchen-Bilder, vier Stiicke fiir Pianoforte und 
Viola (Violine ad libit.). Op. 113; Drei Romanzen fiir Oboe (ad 
libit. Violine) und Pianoforte. Op. 94 in A moll, A dur, A moll; 
Funf Stiicke im Volkston fiir Violoncell (ad libit. Violine) und Piano- 
forte. Op. 102. 

Serie 6: Fiir ein oder zwei Pianoforte zu vier Handen. 

M.316.1.6 

Contents. — Fiir zwei Pianoforte, Andante und Variationen. Op. 46; 
Fiir ein Pianoforte, Bilder aus Osten, Sechs Impromptus. Op. 66; 
Zwolf vierhandige Klavierstuckc fiir kleine und grosse Kinder, I, Abth. 
Op 85; Ballscenen. Op. 109; Kinderball, sechs leichte Tanzstucke. 
Op. 130. 

Serie 7; Fiir Pianoforte zu zwei Handen. 6 v. in 3. 

M.316.1. 7 

Contents. — 1, Variationen ijber den Namen „Abegg." Op, i ; Papillons. 
Op. 2; Studien nach Capricen von Paganini bearbeitet. Op. 3; Inter- 
mezzi. Op. 4 ; Impromptus iiber ein Thema von Clara Wieck. Op. 5, 
iste und 2te Ausgabe; Die Davidsbundler, achtzehn Charakterstucke. 
Op. 6, iste und 2te Ausgabe; Toccata. Op. 7; Allegro. Op. 8. 2. 
Carnaval, Scenes mignonnes sur 4 notes. Op. 9 ; Sechs Concert- 
Etuden nach Capricen von Paganini. Op. 10; Grosse Sonate No. i. 
Op. 11; Phantasiestiicke. Op. 12; Etuden in Form von Variationen 
(Symphonische Etuden). Op. 13, iste und 2te Ausgabe. 3. Grosse 
Sonate No. 3. Op. 14, iste und 2te Ausgabe; Kinderscenen. Op. 15; 
Kreisleriana. Op. 1 6 ; Phantasie. Op. 1 7 ; Arabeske. Op. 18 ; 
Blumenstuck. Op. 19. 4. Humoreske. Op. 20; Novelletten. Op. 21; 
Sonate No. 2. Op. 22 ; Nachtstiicke. Op. 23 ; Faschingsschwank aus 
Wien. Op. 26; Drei Romanzen. Op. 28; Scherzo, Gigue, Romanze 
und Fughette, vier Clavierstiicke. Op. 32. 5. Studien fur den Pedal- 
fliigel, sechs Stiicke in kanonischer Form. Op. 56; Skizzen fur den 
Pedalfliigel. Op. 58; Dreiundvierzig Clavierstiicke. Op. 68; Vier 
Fugen. Op. 72\ Vier Marsche. Op. y6\ Waldscenen, neun Clavier- 
stiicke. Op. 82. 6. Bunte Blatter, vierzehn Stiicke. Op. 99; Drei 
Phantasiestiicke. Op. iii; Drei Clavter-Sonaten fur die Jugend. 
Op. 1 18 ; Albumblatter, zwanzig Clavierstiicke. Op. 124 ; Sieben 
Stijcke in Fughettenform. Op. 126; Gesange der Fruhe, fiinf Stucke. 
Op. 138. 

Serie 8 [bound zvith Serie 6] : Fur Orgel, M.316,1.8 

Contents. — Sechs Fugen iiber den Namen „Bach,'* fur Orgel (oder 
Pianoforte mit Pedal). Op. 60. 

Serie 9: Grossere Gesangwerke mit Orchester oder mit 
mehreren Instrumenten. Partitur. 7 v. M.316.1.9 

Contents. — i. Das Paradies und die Peri fiir Solostiramen, Chor und 
Orchester. Op. 50; Adventlied fiir Sopran-Solo und Chor mit Or- 
chesterbegleitung. Op. 71. 2. Genoveva, Oper in 4 Acten. Op. 81. 
3. Beim Abschied zu singen, fiir Chor mit Orchester oder Pianoforte. 
Op. 84 ; Verzweifle nicht im Schmerzenthal, Motett fur doppelten 
Mannerchor mit Begleitung des Orchesters und der Orgel ad libitum. 
Op. 93 ; Requiem fiir Mignon, aus Goethe's Wilhelm Meister, fiir 
Chor, Solostimmen, und Orchester. Op. 98b ; Nachtlied fiir Chor 
und Orchester. Op. 108; Der Rose Pilgerfahrt, Marchen nach einer 
Dichtung von Moritz Horn fiir Solostimmen, Chor and Orchester. 
Op. 112. 4. Manfred, dramatisches Gedicht in drei Abtheilungen 
von Lord Byron. Op. 115; Der Konigssohn, Ballade von Ludwig 
Uhland fiir Solostimmen, Chor und Orchester. Op. 116; Fiinf 
Gesange aus Laube's Jagdbrevier fiir vierstimmigen Mannerchor (mit 
Begleitung von 4 Hornern ad libitum). Op. 137; Des Sangers Fluch, 
Ballade nach Ludwig Uhland bearbeitet von Richard Pohl fiir Solo- 
stimmen, Chor und Orchester. Op. 139. 5. Vom Pagen und der 
Konigstochter, vier Balladen von Em. Geibel fiir Solostimmen, Chor 
und Orchester. Op. 140; Das Gliick von Edenhall, Ballade nach 
Ludwig Uhland, bearbeitet von Hasenclever fiir Mannerstimmen, Soli 
und Chor mit Begleitung des Orchesters. Op. 143 ; NeujahrsHed von 
Fr. Riickert fur Chor mit Begleitung des Orchesters. Op. 144. 6. 
Messe fur vierstimmigen Chor mit Begleitung des Orchesters. Op. 
147; Requiem fiir Chor und Orchester. Op. 148. 7. Scenen aus 
Goethe's Faust fiir Solostimmen, Chor und (Orchester. 

Serie 10: Mehrstimmige Gesangwerke mit Pianoforte. 
Partitur. 2 v. M.316.1. 10 

Contents. — 1. Vier Duette fiir Sopran und Tenor. Op. 34; Drei 
Lieder fiir zwei Singstimmen. Op. 43 ; Vier Duette fiir Sopran und 
Tenor. Op. 78; Madchenliedcr von E. Kulmann fiir zwei Singstim- 
men. Op. 103. 2. Drei Gedichte von Emanuel Geibel fiir mehr- 
stimmigen Gesang. Op. 29 ; Romanzen fiir Frauenstimmen (Heft i, 
2). Op. 69, 91; Spanisches Liederspiel fiir eine und mehrere Sing- 
stimmen. Op. 74; Minnespiel aus Fr. Ruckert's Liebesfruhling fiir 
eine und mehrere Singstimmen. Op. 1 1 ; Drei Lieder fiir drei 
Frauenstimmen. Op. 114: Spanische Liebeslieder fiir eine und 
mehrere Singstimmen mit Pianofortebegleitung zu vier Handen. Op. 
138; Der deutsche Rhein, patriotisches Lied fur eine Singstimme und 
Chor. 



50 



Schumann 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schumann 



Schumann, Robert Alexander. (Continued.) 

Serie ii: Fiir Mannerchor. Partitur. M.316.1.11 

Contents. — Sechs Lieder fur mehrstimraigen Mannergesang ; Drei 
Lieder fur Mannerchor; Ritomelle in canonischen Weisen fur mehr- 
stimmigen Mannergesang. 

Serie 12: Fur Sopran, Alt, Tenor und Bass (ohne Beglei- 
tung). Partitur. M.316.1.12 

Contents. — Funf Lieder fiir gemischten Chor. Op. 55] Vier 
Gesiinge fur gemischten Chor. Op. 59 \ Romanzen und Balladen fur 
gemischten Chor (Heft i, 2). Op. 67, 75 ; Vier doppelchorige Gesange 
fur grossere Gesangvereine. Op. 141; Romanzen und Balladen fur 
gemischten Chor (Heft 3. 4)- Op. 145. 146- 

Serie 13- Fiir eine Singstimme mit Begleitung des Piano- 
forte. 4V. M.316.1.13 
Contents — I. Liederkreis von H. Heine. Op. 24; Myrthen, Lieder- 
kreis Op 25; Lieder und Gesange (Heft i). Op. 27; Drei Gedichte 
von Emanuel Geibel. Op. 30; Drei Gesange von Ad. von Chamisso. 
Op. 31; Zwolf Gedichte von Justinus Kerner. Op. 35; Sechs Gedichte 
aus dem Liederbuche eines Malers, von Reinick. Op. 36. 2. Zwolf 
Gedichte aus Fr. Ruckerfs Liebesfruhling. Op. 37; Liederkreis, 
zwolf Gesange von J. von Eichendorff. Op. 39 ; Funf Lieder fur eine 
tiefe Stimme. Op. 40 ; Frauenliebe und Leben, Liedercyklus von Ad. 
von Chamisso. Op. 42; Romanzen und Balladen (Heft i). Op. 45; 
Dichterliebe, Liedercyklus von H. Heine. Op. 48; Romanzen und 
Balladen (Heft 2). Op. 49; Lieder und Gesange fHeft 2). Op. 51; 
Romanzen und Balladen (Heft 3). Op. 53- 3. Belsatzar, Ballade von 
H Heine fur eine tiefe Stimme. Op. 57; Romanzen und Balladen 
(Heft 4). Op. 64; Lieder und Gesange (Heft 3)- Op. 77; Lieder- 
Album fiir die Jugend. Op. 791 Drei Gesange. Op. 83; Der Hand- 
schuh. Ballade von Fr. von Schiller. Op. 87; Sechs Gesange von W. 
von der Neun. Op. 89; Sechs Gedichte von N. Lenau und Requiem 
(altkathoHsches Gedicht). Op. 90; Drei Gesange aus Lord Byron's 
Hebraischen Gcsiingen mit Begleitung der Harfe oder des Pianoforte. 
Op. 95; Lieder und Gesange (Heft 4). Op. 96. 4. Lieder und 
Gesange aus Goethe's Wilhelm Meister. Op. 98a; Sieben Lieder von 
E. Kulmann. Op. 104; Sechs Gesange. Op. 107; Vier Husaren 
Lieder von N. Lenau fur eine Baritonstimme. Op. 117; Drei Gedichte 
aus den Waldliedern von S. Pfarrius. Op. 1 19 ; Funf heitere Gesange. 
Op. 125: Funf Lieder und Gesange. Op. 127; Gedichte der Konigin 
Maria Stuart. Op. 135; Vier Gesartfee. Op. 142; Schon Hedwig, 
Ballade von Fr. Hebbel fiir Deklamation mit Begleitung des Piano- 
forte. Op. 106; Zwei Balladen fiir Deklamation mit Begleitung des 
Pianoforte. Op. 122; Soldatenlied. 

Serie 14: Supplement. M.3i6.i.i4 

Contents. — Andante und Variationen fur 2 Pianoforte, 2 Violoncelle 
und Horn; An Anna, Gedicht von J. Kerner fiir eine Singstimme 
und Pianoforte; Im Herbste, Gedicht von J. Kerner fiir eine Sing- 
stimme und Pianoforte; Hirtenknabe, Gedicht von Ekert fiir eine 
Singstimme und Pianoforte ; Sommerruh, Gedicht von Chr. Schad 
fiir zwei Singstimmen und Pianoforte; Symphonische Etiiden fiir 
Pianoforte (Anhang zu Op. 13) ; Scherzo fiir Pianoforte (Anhang 
zu Op. 14) ; Presto fiir Pianoforte (Anhang zu Op. 22) ; Thema (Es 
dur) fur Pianoforte. 

Der Abendstern. [Mannerchor.] {In Das Riitli. P. 476.) 

No. 202 in M.147.4 
Adventlied. Von Friedrich Riickert. Fiir Sopran Solo und 

Chor mit Begleitung des Orchesters componirt von R. 

Schumann. Clavierauszug. Leipzig. Breitkopf & Hartel. 

[186-?] No. I in M.280.57 

Same. Advent hymn (In lowly guise thy King appeareth) 

for s. solo and chorus. Translated from Fr. Riickert by 

J. Troutbeck. [Accomp. for pianoforte.] London. 

Novello, Ewer & Co. [187-?] No. 11 in M.157.21 

Same. Hymn for Advent. Written by Fr. Riickert. Set 

to music for solo voices, chorus and orchestra by Robert 

Schumann. Op. 71. Translated by Natalia Macfarren. 

Vocal score. London. Augener & Co. [187-?] 

With English and German words. No. I in M.203.6 

At break of day. Four-part song [x. t. b. b.], with an ac- 
comp. for [4] horns (ad lib.). (In The Orpheus. New 
series. Vol. 7, pp. 94-99-) No. 20 in M.20S.10.7 

Battle song [t. t. b. b.]. The words translated by J. Trout- 
beck. London. Novello, Ewer & Co. [187-?] 
Also to be found in The Orpheus. No. 5 in M.157.21 

Beim Abschied zu singen. Lied von Freiherrn E. v. Feuch- 
tersleben. Fiir Chor mit Begleitung von 2 Floten, 2 
Hoboen, 2 Clarinetten, 2 Fagotten, 2 Hornern, oder 
Pianoforte. Klavier Auszug. Leipzig. Whistling. 1859. 

No. 3 in M.IS7.2I 

Belsatzar. Ballade [s. o. t.] von Heine. Fiir eine Sing- 
stimme, mit Begleitung des Pianoforte componirt von R. 
Schumann. Leipzig. Stoll. [185-?] No. 9 in M.244.1S.2 

Bilder aus Osten von Robert Schumann. Op. 66. Fiir 



Schumann, Robert Alexander. (Continued.) 

Orchester bearbeitet von Carl Reinecke. Partitur. Leip- 
zig. Kistner. [187-?] No. 5 in M.344.18 
Blame not. [Part-song, t. t. b. b.] (In Mosenthal. Songs 
of the Mendelssohn Glee Club. Pp. 14, I5-) 

No. 3 in M.204.38 
The boat. A four-part song. (In Novello's Part-song 
book. 2d series. Vol. 13, pp. 1 17-122.) No. 20 in M.19S.1.13 
[Die Braut von Messina.] Ouverture zur Braut von Mes- 
sina von Fr. v. Schiller. Fiir grosses Orchester com- 
ponirt von Rob. Schumann. Op. 100. Partitur. Leipzig. 
Peters. [186-?] No. 2 in M.344.18 

Chanson de mai. Duo [s. s. Accomp. de piano]. Por- 
trait. Facsimile. (In Album du Gaulois. Vol. 2.) 

No. 19 in M.391.28.2 
Chant du soir (Abendlied) extrait de I'op. 85 [de R. Schu- 
mann]. Orchestre transcription par C. St Saens. [Par- 
tition.] Paris. Durand, Schoenewerk & cie. [186-?] 

No. 3 in M.342.36 

Concert fiir das Pianoforte, mit Begleitung des Orchesters. 

Op. 54. Partitur. Leipzig. Breitkopf & Hartel. [186-?] 

No. I in M.344.19 
Concertstiick fiir 4 Horner und grosses Orchester. Op. 86. 
Partitur. Leipzig. Schuberth & Co. [186-?] 

No. 4 in M.342.36 
Confidence. [Double chorus, s. s. a. a. t. t. b. b.] (In 
Novello's Part-song book. 2d series. Vol. 13, pp. 107- 
113.) No. 18 in M.195.1.13 

Der Eidgenossen Nachtwache. [Mannerchor.] (In Eid- 
genoessischer Saengerverein. Wettgesange bei dein 
lite . . . Sangerfeste. Pp. (i-4)-) N0.9 in M.130.7 

Der Eidgenossen Nachtwache, von J. von Eichendorff; 
Freiheitslied, von F. Riickert; Schlachtgesang, von F. G. 
Klopstock. Fiir Mannerchor componirt von Schumann. 
Leipzig. Whistling. 1858. No. 2 in M.157.21 

Der Rose Pilgerfahrt. Marchen von Moritz Horn. Musik 
von Robert Schumann. [Partitur.] Leipzig. Kistner. 
[i8s-?] M.280.52 

Same. Clavier-Auszug. M.280.53 

Des Sangers Fluch. Ballade nach Ludwig Uhland bear- 
beitet von Richard Pohl. Fiir Solostimmen, Chor u. Or- 
chester componirt von R. Schumann. Clavierauszug. 
Elberfeld. Arnold. [186-?] M.280.S6 

Dextera Domini. [Motet. Accomp. for organ.] (In Lutz. 
Motets for the year. No. 12. Pp. 48-52.) 
Arranged from his Opus 82, No. 4. No. 12 in M.155.50 

Dichterliebe. Liedercyklus aus dem Buche der Lieder von 
Heine. Fiir eine Singstimme mit Begleitung des Piano- 
forte componirt von R. Schumann. Neue Auflage. Leip- 
zig. Peters. [185-?] No. 4, 5 in M.244.15.2 
Contents. — l. Im wunderschonen Monat Mai. — Aus meinen Thranen 
spriessen. — Die Rose, die Lilie. — Wenn ich in deine Augen seh'. — 
Ich will meine Seele tauchen. — Im Rhein, im heiligen Strome. — Ich 
grolle nicht. — Und wiissten's die Blumen. 2. Das ist ein Floten und 
Geigen. — Hor' ich das Liedchen klingen. — Ein Jungling liebt ein 
Madchen. — Am leuchtenden Sommermorgen. — Ich hab' im Traum 
geweinet. — Allnachtlich im Traume. — Aus alten Miirchen winkt es 
hervor. — Die alten bosen Lieder. 

The dream. A four-part song. (In Novello's Part-song 
book. 2d series. Vol. 13, pp. 114-116.) No. 19 in M.195.1.13 

The dreamy lake. [Part-song, x. x. b. b. ] (In Chickering 
collection. Vol. 2, p. 15-) No. 7 in M.392.48.2 

Drei Lieder fiir 3 Frauenstimmen mit Begleitung des Piano- 
forte. Berlin. Simrock. [186-?] No. 3 in M.280.49 
Contents. — Niinie. — Triolett. — Spruch. 

Drei Quartette fur 2 Violinen, Bratsche und Violoncell. 
Partitur. Op. 41. Leipzig. Breitkopf & Hartel. [186-?] 

No. 4-6 in M.344.17 
Contents. — i. In A minor. 2. In F major. 3. In A major. 

Same. Drei Quartette fiir 2 Violinen, Viola und •Violoncell. 
Op. 41. Manuscript. [186-?] No.i in M.312.9 

Early letters. Published by his wife. Translated by May 
Plerbert. London. Bell. 1888. M.128.1 

fitudes symphoniques en forme de variations. [Par] 
Robert Schumann. Pour orchestre. Instrumente par 
Willem Kes. Partition. Berlin. Simrock. 1897. 

No. 2 in M.404.15 

51 



Schumann 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schumann 



Schumann, Robert Alexander. (Continued.) 

Die ewige Burg. Fiir Mannerchor. (In Eidgenoessischer 
Saengerverein. Wettgesange bei dem iite . . . Sanger- 
feste. Pp. 8-10.) No. 9 in M.130.7 

Also to be found in Same, izte Sangerfeste; Das Rutli. 

Fantasiestiicke fiir Pianoforte u. Clarinette (oder Violine, 
Oder Violoncell). Op. 73- Berlin. Luckhardt. [187-?] 

No. 5 in M.353.IS 

Fest-Ouverture mit Gesang uber das Rheinweinlied. Fiir 
Orchester und Chor. Op. 123. Partitur. Bonn. Sim- 
rock. [ 1853 ?] No. 3 in M.344.24 

Die Fluchtlinge. Ballade von Shelley. Fiir Declamation 
mit Begleitung des Pianoforte componirt von R. Schu- 
mann. Leipzig. Senff. [186-?] No. 6 in M.244.15.4 

Forester's chorus [t. t. b. b. Accomp. for pianoforte]. 
(In Chickering collection. Vol. i, pp. 29-32.) 

No. 12 in M.392.48.1 

Frauenliebe und Leben. Lieder-Cyclus von A. v. Cha- 
misso. Fiir eine Singstimme [s. oder t.] mit Begleitung 
des Pianoforte componirt von R. Schumann. Leipzig. 
Heinze. [185-?] No. 2 in M.244.15.2 

Contents. — Seit ich ihn gesehen. — Er, der herrlichste von .'Mien. — 
Ich kann's nicht fassen. — Du Ring an meinem Finger. — Helft mir, 
ihr Schwestern. — Siisser Freund, du blickest mich verwundert an. — 
An meinem Herzen. — Nun hast du mir den ersten Schmerz gcthan. 

Fruhlingsgruss. [Mannerchor.] (In Eidgenoessischer 
Saengerverein. Wettgesange bei dem I2te . . . Sanger- 
feste. P. 28.) No. 8 in M.130.7 

Fiinf Lieder fiir eine Singstimme [s. oder t.] mit Begleitung 
des Pianoforte. Leipzig. Schuberth & Co. [185-?] 

No. I in M.244.15.2 
Contents. — Marz Veilchen. — Muttertraum. — Der Soldat. — Der 
Spielmann. — Verrathene Liebe. 

Fiinf Lieder von Robert Burns. Fiir gemischten Chor com- 
ponirt von Rob. Schumann. Leipzig. Whistling. 1857. 

No. 6 in M.280.49 
Contents. — Das Hochlandmadchen. — Zahnweh. — ..Mich zieht es 
nach dem Dorfchen hin." — Die alte gute Zeit. — Hochlandbursch. 

Fiinf Stiicke im Volkston fur Pianoforte u. Violoncell. Op. 
102. Berlin. Luckhardt. [187-?] No. 8 in M.353.15 

Gedichte der Konigin Maria Stuart. In Musik gesetzt von 
R. Schumann. [Mit Pianofortebegleitung.] Leipzig. 
Siegel. [185-?] No. 9 in M.244.15.4 

Contents. — Abschied von Frankreich. — Nach der Geburt ihres Sohnes. 
— An die Konigin Elisabeth. — Abschied von der Welt. — Gebet. 

Genoveva. Oper in 4 Acten, nach Tieck und F. Hebbel. 
Musik von Robert Schumann. Partitur. Leipzig. Peters. 
[1873?] M.226.18; M.352.17 

Same. Clavierauszug. M. 274.21 

Same. Ouverture zu der Oper: Genoveva. Op. 81. Par- 
titur. Leipzig. Peters. [187-?] No. i in M.344.18 

Gipsy life. See his Zigeunerleben. 

Das Gliick von Edenhall. Ballade nach L. Uhland bear- 
beitet von R. Hasenclever. Fiir Mannerstimmen, Soli u. 
Chor mit Begleitung des Orchesters componirt von Rob. 
Schumann. [Partitur.] Winterthur. Rieter-Biedermann. 
[187-?] No. 2 in M.280.50 

Same. The luck of Edenhall. A ballad (the words adapted 
from Uhland) for male voices, soli & chorus. Composed 
by R. Schumann. Op. i43- [Accomp. for pianoforte.] 
London. Novello, Ewer & Co. [187-?] No. 2 in M.250.48 

Der Handschuh. Ballade von F. von Schiller. Fur eine 
Singstimme [s. o. T.] componirt von R. Schumann. Leip- 
zig. Whistling. 1859. No. 6 in M. 244.15.3 

Have a care! Four-part song [t. t. b. b.], with an accomp. 
for [4] horns (ad lib.). (In The Orpheus. New series. 
Vol. 7, pp. 78-85.) No. 18 in M.205.10.7 

[Hermann und Dorothea.] Ouverture zu Goethe's Her- 
mann u. Dorothea. Fiir Orchester von Rob. Schumann. 
Op. 136. Partitur. Winterthur. Rieter-Biedermann. 
[186-?] No. I in M.344.24 

The hunter's morning song. Four-part song [t. t. b. b.], 
with an accomp. for [4] horns (ad lib.). (In The Or- 
pheus. New series. Vol. 7, pp. 86-93.) No. 19 in M.205.10.7 

Die Hiitte. Warnung. Der Brautigam und die Birke. Drei 
Gedichte aus den Waldliedern von S. Pfarrius. Fiir eine 
Singstimme [t. o. bar.], mit Begleitung des Pianoforte 



Schumann, Robert Alexander. (Continued.) 

von R. Schumann. Leipzig. Schuberth & Co. [185-?] 

No. 5 in M.244.15.4 
Hymn for Advent. See his Adventlied. 
In full chase. Four-part song [t. t. b. b.], with an accomp. 

for [4] horns (ad lib. In The Orpheus. New series. Vol. 

7, pp. 100-108.) No. 21 in M.205.10.7 

In meinem Garten die Nelken. Lied fiir 3 Soprane. [Mit 

Pianofortebegleitung.] Leipzig. Breitkopf & Hartel. 

[187-?] No. I in M.280.49 

Introduction und Allegro appassionato. Concertstiick fiir 

das Pianoforte mit Begleitung des Orchesters. Op. 92. 

Partitur. Leipzig. Breitkopf & Hartel. [187-?] 

No. 2 in M.344.19 
Der Knabe mit dem Wunderhorn. Der Page. Der Hidalgo. 

Drei Gedichte von E. Geibel. Fiir eine Singstimme mit 

Begleitung des Piano-Forte von R. Schumann. Berlin. 

Bote & Bock. [185-?] No. 7 in M.244.15.1 

Der Konigssohn. Ballade von Ludwig Uhland. Fiir Solo- 

stimmen, Chor und Orchester von Robert Schumann. 

Clavierauszug. Leipzig. Whistling, [i860.] 

No. 3 in M.280.S7 
Lieder fiir die Jugend. Abtheilung 1-3. Leipzig. Breit- 
kopf & Hartel. [186-?] No. 2-4 in M.244.15.3 

Contents. — i. Fiir Jungere : Der Abendstern ; Schmetterling; Friih- 
lingsbotschaft ; Friihlingsgruss ; Vom Schlaraffenland ; Sonntag ; Zwei 
Zigeunerliedchen ; Des Knaben Berglied ; Kauzlein ; Hinaus in's Freie; 
Der Sandmann ; Kinderwacht. 2. Fur Aeltere : Marienwiirmchen ; Die 
Des Sennen Abschied ; Er ist's ; Des Buben Schiitzenlied ; Schnee- 
Waise; Weihnachtslied ; Die wandelnde Glocke; Fruhlingsankunft ; 
glockchen ; Lied Lynceus des Thiirmers ; Mignon. 3. Zweistimmige 
Lieder: Mailied; Das Gliick; Friihlingslied ; Die Schwalben : Spinne- 
lied. 
Lieder, Gesange und Requiem fiir Mignon, aus Goethe's 
Wilhelm Meister. Fiir Gesang und Pianoforte von R. 
Schumann. Abtheilung i. Leipzig. Breitkopf & Hartel. 
185-?] No. II in M.244.15.3 

Contents. — Kennst du das Land? — Ballade des Harfners. — Nur wer 
die Sehnsucht kennt. — Wer nie sein Brod mit Thranen ass. — Heiss' 
mich nicht reden. — Wer sich der Einsamkeit ergiebt. — Singet nicht 
in Trauertonen. — An die Thiiren will ich schleichen. — So lasst mich 
scheinen bis ich werde. 

Lieder und Gesange fur eine Singstimme mit Begleitung 
des Pianoforte. Heft i. Op. 27. Leipzig. Whistling. 
1861. No. 6 in M.244.15.1 

Contents. — Sag' an, O lieber Vogel mein. — Dem rothen Roslein 
gleicht mein Lieb'. — Was soil ich sagen? — Jasminenstrauch. — Nur 
ein lachelnder Blick. 

Same. Heft 2. Op. 51. No. 7 in M.244.1S.2 

Contents. — Sehnsucht. — Volksliedchen. — Ich wand're nicht. — Auf 
dem Rhein. — Liebeslied. 

Same. Heft 3. Op. 77- No. i in M.244.15.3 

Contents. — Der frohe Wandersmann. — Mein Garten. — Geistemahe. 
— Stiller Vorwurf. — Auftrage. 

Same. Heft 4. Op. 96. No. 10 in M.244.1S.3 

Contents. — Nachtlied. — Schneeglockchen. — Ihre Stimme. — Ge- 
sungenl — Himmel und Erde. 

Lieder und Gesange von Kerner, Heine, Graf Strachwitz 
und Shakespeare. Fiir eine Singstimme [s. o. t.] mit 
Begleitung des Pianoforte. Op. 127. Dresden. Paul. 
[ 185-?] No. 8 in M.244.15.4 

Contents. — Sangers Trost. — Dein Angesicht. — Es leuchtet meine 
Liebe. — Mein altes Ross. — Schluss des Narren aus ..Was ihr woUt." 

Lieder-Kreis. Zwolf Gesange von J. von Eichendorff. Fiir 
eine Singstimme mit Begleitung des Pianoforte com- 
ponirt von R. Schumann. Leipzig. Heinze. [186-?] 

No. 12 in M.244.15.1 
Contents. — In der Fremde. — Intermezzo. — Waldesgesprach, — Die 
Stille. — Mondnacht. — Schone Fremde. — Auf einer Burg. — Icii 
hor' die Bachlein rauschen. — Wehmuth. — Zwielicht. — Im Walde. 

— Friihlingsnacht. 

Liederkries von H. Heine. Fur eine Singstimme [s. oder 
T.] und Pianoforte componirt von R. Schumann. Leipzig. 
Breitkopf & Hartel. [185-?] No. i in M.244.15.1 

Contents. Morgens stch' ich auf und frage. — Es treibt mich hin, es 

treibt mich her. — Ich wandelte unter den Baumen. — Lieb' Liebchen. 

— Schone Wiege meiner Leiden. — Warte, warte, wilder Schiffmann. 

— Berg' und Burgen schau'n herunter. — Anfangs wollt' ich fast ver- 
zagen. — Mit Myrthen und Rosen. 

The life of Robert Schumann, told in his letters. [Edited 
by F. Gustav Jansen.] Translated by May Herbert. 
London. Bentley. 1890. 2 v. M.126.18 



52 



Schumann 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schumann 



Schumann, Robert Alexander. (Continued.) 

Die Lotosblume. (H. Heine.) Fiir gemiscliten Chor und 
Streichorchester (2 Violinen, Bratsche, Violoncell u. 
Bass). Bearbeitet von Carl Hirsch. Partitur mit unter- 
gelegtem Klavierauszug. Leipzig. Siegel. [188-?] 

No. 4 in M.391.45 

Same. The lotus flower [t. t. b. b. Boston]. Russell & 

Co. 1874. [The Apollo.] No. 13 in M.384.12 

Also to be found in Mosenthal's Songs of the Mendelssohn Glee Club. 

Die Lowenbraut. Die Kartenlegerin. Die rothe Hanne. 

Von A. von Chamisso. Fiir eine Singstimme mit Be- 

gleitung des Pianoforte von R. Schumann. Hamburg. 

Cranz. [185-?] No. 8 in M.244.15.1 

The luck of Edenhall. See his Das Gliick von Edenhall. 

Marchenbilder. Vier Stiicke fiir Pianoforte u. Viola oder 

Violine. Op. 113. Berlin. Luckhardt. [187-?] 

No. 9 in M.3S3.15 

Same. Fiir Orchester bearbeitet von Max Erdmannsdorfer. 

Partitur. Berlin. Luckhardt. [187-?] No. 4 in M.344.18 

Manfred. Dramatisches Gedicht in 3 Abtheilungen von 

Lord Byron, mit Musik von Robert Schumann. Partitur. 

Leipzig. Breitkopf & Hartel. [186-?] No. i in M.280.50 

Same. Klavierauszug. M.280.59 

Same. Poeme dramatique. Fragments disposes en suite 

d'orchestre. Op. 115. Partition. Paris. Durand, Schtene- 

werk & cie. [188-?] N0.4 in M.335.13 

Same. Ouverture fiir grosses Orchester zu Manfred. Op. 

115. Partitur. Leipzig. Breitkopf & Hartel. [1859?] 

No. 3 in M.335.13 
Die Meersee. Husarenzug. Jung Volker. Friihlingslied. 
Friihlingslust. 5 heitere Gesange fiir eine Singstimme 
[s. o. T.] mit Begleitung des Pianoforte. Magdeburg. 
Heinrichshofen. [185-?] No. 7 in M.244.15.4 

Messe, fiir vierstimmigen Chor mit Begleitung des Or- 
chesters. Leipzig. Rieter-Biedermann. [186-?] 

M. 250.47 
Same. [Klavierauszug.] No. i in M.250.48 

Minnespiel aus Riickert's Liebesfruhling. Fiir eine und 
mehrere Singstimmen (s. a. t. b.) mit Begleitung des 
Pianoforte von R. Schumann. Leipzig. Whistling. 
1858. No. 12 in M.244.15.3 

Contents. — Meine Tone still und heiter, Lied [t.1 . — Liebster, deine 
Worte stehlen, Gesang [s.]. — Ich bin dein Baum, O Gartner, 
Duett [a. b.]. — Mein schoner Stern, ich bitte dich, Lied [t.] . — 
Schon ist das Fest des Lenzes, Quartett [s. A. T. B.]. — O Freund, 
mein Schirm, mein Schutz, Lied [s. o. A.]. — Die tausend Griisse die 
wir dir senden, Duett (s. t.]. — So wahr die Sonne scheinet, Quar- 
tett [s. A. T. B.]. 

Music and musicians. Essays and criticisms. Translated, 
edited and annotated by Fanny Raymond Ritter. [ist,] 
2d series. London. Reeves. 1877, 80. 2 v. Portrait. 

M.107.13 

Myrthen: Liederkreis von Gothe, Riickert [u. s. w.]. Fiir 
Gesang und Pianoforte von Robert Schumann, Heft 1-4. 
Leipzig. Kistner. [185-?] No. 2-5 in M.244.15.1 

Contents. — i. Widmung. — Freisinn. — Der Nussbaum. — Jemand. 

— Liedcr aus dem Schenkenbuch im Diwan von Gothe: Sitz' ich 
allein ; Setze mir nicht, du Grobian. 2. Die Lotosblume. — Talisniane. 

— Lied der Suleika. — Die Hochlander-Wittwe. — Lieder der Braut 
aus dem Liebesfriihling von Riickert : Mutter, Mutter, glaube nicht ; 
Lass mich ihm am Busen hangen. 3. Hochlanders Abschied. — Hoch- 
landisches Wiegenlied ; Aus den hebraischen Gesangen von Bryon. — 
Rathsel. — Zwei venetianische Lieder von T. Moore : Leis' rudern hier. 
mein Gondolier; Wenn durch die Piazetta. 4. Hauptmann's Weib. — 
Weit, weit! — Was will die einsame Thrane. — Niemand. — Im 
Westen. — Du bist wie eine Blume. — Aus den ostlichen Rosen. — 
Zum Schluss. 

Nachtlied von F. Hebbel. Fur Chor und Orchester com- 
ponirt von Robert Schumann. Clavierauszug. Bonn. 
Simrock. [185-?] No. 4 in M.280.49 

Nanie. Trio [s. s. a. Accomp. for pianoforte]. {In 
Novello's Collection of trios, etc. Vol. 7, pp. 89-92.) 

No. 16 in M.204.36.7 

Neujahrslied von Friedrich Riickert. Fiir Chor mit Be- 
gleitung des Orchesters componirt von Robert Schu- 
mann. Op. 144. [Partitur.] Winterthur. Rieter- 
Biedermann. [186-?] No. I in M.342.35 

Same. [Klavierauszug.] M.280.58 



Schumann, Robert Alexander. (Continued.) 

Night watch of the Swiss confederates. [Part-song, t. t. 
B. B.] N. p. N. d. No. 7 in M.157.21 

Also to be found in The Osgood Collection of part-songs. 

O Saviour of the world. [Accomp. for organ.] (In Buck. 
Motette collection. Vol. 2, pp. 172, 173.) 

No. 43 in M. 100.4.2 

Ouverture, Scherzo und Finale fiir Orchester. Op. 52- 
Partitur. Leipzig. Kistner. [185-?] No. 2 in M.344.24 

Ouverture zu Shakspeare's Julius Casar. Op. 128. Par- 
titur. Braunschweig. Litolff. [186-?] No. 4 in M.3S3.14 

Das Paradies und die Peri. Dichtung aus Lalla Rookh 
von Th. Moore. Fiir Solostimmen, Chor und Orchester 
componirt von Robert Schumann. Partitur. Leipzig. 
Breitkopf & Hartel. [185-?] M.341.15 

Same. Klavierauszug. M. 280.55 

Phantasie-Stiicke. Trio pour piano, violon et violoncelle. 

Op. 88. [Partition.] London. Augener & Co. [187-?] 

No. 3 in M.3S3.12; No. 6 in M.353.1S 

Same. [Parties, violon et violoncelle.] 2 v. 

No. 23 in M.21 1.4.3,4 

The piano works of Robert Schumann. Edited by E. 
Pauer. London. Augener & Co. [187-?] 4 v. Illus. 
Portrait. M.354.1 

Volumes i and 3 are of the fourth edition, volume 2 of the third. 
Contents. — Vol. I. Op. i. Air on the name "Abegy" with variations. 

— Op. 2. Papillons. — Op. 3. fitudes d'apres Les caprices de Paganini. 

— Op. 4. Six intermezzi. — Op. 5. Impromptu on an air of Clara Wieck. 

— Op. 6. Die Davidsbiindler. — Op. 7- Toccata. — Op. 8. Allegro. — 
Op. 9. Carneval. — Op. 10. Six studies after Paganini's Caprices. — 
Op. II. Sonata in F sharp minor. — Op. 12. Fantasie Stiicke: Evening; 
Soaring ; Why ; Whims ; Night ; Fable ; Dream visions ; The climax. 
Vol. 2. Op. 13. fitude en forme de variations. — Op. 14- Grande senate 
in F minor. — Op. 15. Scenes from childhood. — Op. 16. Kreisleriana. 
8 fantasias. — Op. 17. Fantasia in C major. — Op. 18. Arabesque. — 
Op. 19. Blumenstuck. — Op. 20. Humoresque. — Op. 21. Novelletten: 
No. I in F ; 2-5 in D ; 6 in A ; 7 in E ; 8 in F sharp minor. Vol. 3. Op. 
22. Sonata No. 2, in G minor. — Op. 23. Night visions. — Op. 26. Car- 
nival's jest from Vienna. — Op. 28. Three romances: No. I in B flat 
minor; No. 2 in F sharp major; No. 3 in B major. — Op. 32. Scherzo, 
gigue, romanza & fughetta. — Op. 54- Concerto in A minor. — Op. 56. 
Six studies for the pedal piano. — Op. 58. Four sketches for the pedal 
piano. — Op. 60. Six fugues on the name of "Bach." — Op. 68. .\lbum 
for young people. Vol. 4. Op. 72- Four fugues.— Op. 76. Four marches. 

— Op. 82. Forest scenes. — Op. 92. Introduction & allegro appas- 
sionato. — Op. 99. Leaves of different colors. — Op. iii. Three Phan- 
tasiestucke. — Op. 118. Three sonatas: In remembrance of Julia; To 
Eliza; Dedicated to Mary. — Op. 124. Album leaves: Impromptu; 
Coming woe; Scherzino ; Waltz; Fancy-dance; A little cradle song; 
Slow waltz; Grief without end; Impromptu; Waltz; Romanza; Bur- 
lesca; Larghetto ; A vision; Waltz; Slumber song; The elf; The mes- 
sage; A fancy piece; Canon. — Op. 126. Seven piano pieces in fughetta 
form. — Op. 133. Morning songs, s pieces. — Op. 134- Concert-allegro 
with introduction. 

Pictures from the Orient. [Two transcriptions for the 
organ by Dudley Buck. Op. 40.] New York. Schirmer. 
j85g No. 18 in M.200.2 

Quatuor pour piano, violon, alto & violoncelle. Op. 47. 
[Partition.] Paris. Flaxland. [185-?] No. 2 in M.351.31 

Quintett fiir Pianoforte, 2 Violinen, Viola und Violoncello. 
Op. 44. [Pianoforte allein.] Leipzig. Breitkopf & 
Hartel. [185-?] No. i in M.351.31 ; No. 3 in M.357-S 

Same. [Stimmen der Streichinstrumenten.] 4 v. 

No. 15 in M.3II.6.I-4 

Requiem fiir Chor u. Orchester. Op. 148. [Partitur.] 
Leipzig. Rieter-Biedermann. [186-?] No. 2 in M.342.35 

Same. [Klavierauszug.] No. 2 in M.156.1 

Requiem fijr Mignon [aus Goethe's Wilhelm Meister]. 
Fiir Chor, Solostimmen und Orchester [von Robert 
Schumann]. Clavierauszug. Leipzig. Breitkopf & 
Hartel. [185-?] No. 2 in M.280.57 

Same. Requiem for Mignon from Goethe's Wilhelm 
Meister. Solo voices, chorus and orchestra. Composed 
by Robert Schumann. Translated by Natalia Macfarren. 
Vocal score. London. Augener & Co. [187-?] 

No. 2 in M.203.6 

Resignation. Die Blume der Ergebung. Der Einsiedler. 
Drei Gesange fiir eine Singstimme [s. o. t.] mit Be- 
gleitung des Pianoforte. Hamburg. Schuberth & Co. 
[186-?] No. 5 in M.244.15.3 

Reverie. See his Traumerei. 

53 



Schumann 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schumann 



Schumann, Robert Alexander. (Continued.) 

Ritornelle von Friedrich Riickert. In canonischen Weisen 
fiir mehrstimniigen Mannergesang componirt von 
Robert Schumann. Leipzig. Breitkopf & Hartel. [i86-?] 

No. 3 in M.I58.24 
Contents. — Die Rose stand im Thau [t. t. b. b. b.]. — Lasst Lautcn- 
spiel [b. b. b. — Bliith' oder Schnee [t. t. t. t. t. b. b.]. — Gebt niir 
zu trinken [b. b. b.]. — Ziirne nicht des Herbstes Wind [t, t, b. b.]. 

— Im Sommertagen [t. t. b. b.]. — In Meeres Mitten [t. t. b, b.]. 

Romances. Op. 94. Violon et piano. London. Augener 
& Co. [187-?] No. 7 in M.353.1S 

Romanzen fiir Frauenstimmen, mit willkiihrlicher Be- 
gleitung des Pianoforte. Heft i, 2. Bonn. . Simrock. 
[185-?] No. 6, 7 in M.158.24 

Contents. — i. Tamburinschlagerin. — Waldmadchen. — Klosterfrau- 
lein. — Soldatenbraut. — Meerfey. — Die Capelle. 2. Rosmarien. — ■ 
Jager Wohlgemuth. — Der Wassermann. — Das verlassene Magdlein. 

— Der Bleicherin Nachtlied. — In Meeres Mitten. 

Romanzen und Balladen fiir Chor. Heft i, 2. Leipzig. 
Whistling, i860, 61. No. 4, 5 in M. 158.24 

Contents. — i. Der Konig von Thule [s. a. t. t. b.], — Schon-Rohtraut 
[s. A. T. b.]. — Heidenroslein [s. A. t. b.]. — Ungewitter [s. A. t. b.]. 
John Anderson [s. A. t. b.]. 2. Schnitter Tod [s. a. t. b.]. — Im Walde 
[s. A. T. B.]. — Der traurige Jager [s. A. A. t, b.]." — Der Rekrut 
[s. A. T. B.]. — Vom verwundeten Knaben [s. A. T. B.l. 

Romanzen und Balladen fiir Chorgesang. Heft 4. Elber- 
feld. Arnold. [187-?] No. 16 in M.158.21 

Contents. — Brautgesang. — Bankelsanger Willie. — Der Traum. — 
Sommerlied. — Das Schifflein. 

Romanzen und Balladen fiir eine Singstimme, mit Be- 
gleitung des Pianoforte. Heft i. Op. 45. Leipzig. 
Whistling. [185-?] No. 3 in M.244.15.2 

Contents. — Der Schatzgraber. — Friihlingsfahrt. — Abends am Strand. 

Same. [Heft 2.] Neue Ausgabe. Op. 49. 

No. 6 in M.244.15.2 
Contents. — Die beiden Grenadiere. — Die feindlichen Bruder. — Die 
Nonne. 

Same. Heft 3. Op. 53. 1857. No. 8 in M.244.15.2 

Contents, — Blondel's Lied. — Loreley. — Der arme Peter. 

Same. Heft 4. Op. 64. 1861. No. 10 in M.244.15.2 

Contents. — Die Soldatenbraut. — Das verlassene Magdelein. — Tragodie. 

The rose stood bathed in dew. [Part-song, t. t. b. b. b.] 
(In Mosenthal. Songs of the Mendelssohn Glee Club. 
Pp. 12, 13.) No. 2 in M. 204.38 

Scenen aus Gothe's Faust. Fiir Solostimmen, Chor u. 
Orchester componirt von Rob. Schumann. Partitur. 
Leipzig. Peters. [186-?] M. 280.51 

Same. [Klavierauszug.] No. 3 in M.156.1 

Sechs Gedichte von N. Lenau [Pseud.] und Requiem, 
altkatholisches Gedicht. Fiir eine Singstimme [s. o. T.] 
mit Begleitung des Pianoforte componirt von R. Schu- 
mann. Leipzig. Kistner. [185-?] No. 8 in M. 244.15.3 
Contents. — Lied eines Schmiedes. — Meine Rose. — Kommen und 
Scheiden. — Die Sennin. — Einsamkeit. — Der schwere Abend. — 
Requiem. 

Sechs Gedichte von Reinick. Fiir Sopran- oder Tenor- 
stimme mit Begleitung des Pianoforte componirt von R. 
Schumann. Hamburg. Schuberth & Co. [185-?] 

No. 10 in M. 244.15. 1 
Contents. — Sonntags am Rhein. — Standchen. — Nichts schoneres. — • 
An den Sonnenschein. — Dichters Genesung. — Liebesbotschaft. 

Sechs Gesange fiir eine Singstimme [s. oder t.] mit Be- 
gleitung des Pianoforte. Op. 107. Cassel. Luckhardt. 
[185-?] No. 3 in M.244.15.4 

Contents. — Hcrzeleid. — Die Fensterscheibe. — Der Gartner. — Die 
Spinnerin. — Im Walde. — Abendlied. 

Sechs Gesange von Wielfried von der Neun [Pseud.]. 
Fiir eine Singstimme [s. o. T.] mit Begleitung des Piano- 
forte componirt von R. Schumann. Leipzig. Kistner. 
[185^?] No. 7 in M.244.15.3 

Contents. — Es sturmet am Abendhimmel. — Heimliches Verschwinden. 
— Herbst-Lied. — Abschied vom Walde. — In's Freie. — Roselein, 
Roselein. 

Sechs Lieder fur vierstimmigen Mannergesang. Neue 
Auflage. Op. 33. Leipzig. Schuberth & Co. [185-?] 
No. 9 in M. 392.34; No. I in M. 157.21 
Contents. — Der traumende See. — Die Minnesanger. — Die Lotos- 
blume. — Der Zecher als Doctrinar. — Rastlose Liebe. — Friihlings- 
glocken. 
The copy on shelf-number u. 157.21 lacks pages 7-10. 

54 



Schumann, Robert Alexander. (Continued.) 

Sieben Lieder von Elisabeth Kulmann. Fiir eine Sing- 
stimme [s. o. T.] mit Begleitung des Pianoforte com- 
ponirt von R. Schumann. Leipzig. Kistner. [1851?] 

No. I in M.244.15.4 
Contents. — Mond, meiner Seele Liebling. — Viel Gliick zur Reise, 
Schwalben. — Du nennst mich armes Madchen. — Der Zeisig. — Reich 
mir die Hand, O Wolke. — Die letzten Blumen starben. — Gekampft 
hat meine Barke. 

Sinks the night. Trio [s. s. a. Accomp. for pianoforte]. 
(In Novello's Collection of trios, etc. Vol. 7, pp. 93- 
95-) No. 17 in M.204.36.7 

Sonate fiir Pianoforte und Violine. Op. 105. Leipzig. 
Hofmeister. [187-?] No. 3 in M.353.15 

Sonate pour piano et violon. Op. 121. London. Augener 
& Co. [187-?] No. 4 in M.353.15 

Song of freedom [t. T. B. B.]. N. p. N. d. No. 6 in M. 157.21 

The song of the chase. Four-part song [t. t. b. b.], with an 
accomp. for [4] horns (ad lib. In The Orpheus. New 
series. Vol. 7, pp. 70-77.) No. 17 in M.205.10.7 

Spanische Liebes-Lieder. Ein Cyclus von Gesiingen aus 
dem Spanischen fiir eine u. mehrere Stimmen, mit Be- 
gleitung des Pianoforte. Winterthur. Rieter-Bieder- 
mann. [186-?] No. 10 in M.244.15.4 

Contents. — Vorspiel [Piano]. Tief im Herzen trag' ich Pein [s.]. — 
O wie lieblich ist das Madchen [x.]. — Bedeckt mich mit Blumen 
[s. A.]. — Fluthenreicher Ebro [bar.]. — Intermezzo, Nationaltanz 
[Piano]. — Weh, wie zornig ist das Madchen [t.]. — Hoch, hoch 
sind die Berge [a.]. — Blaue Augen hat das Madchen [t. b.]. — 
Dunkler Lichtglanz, blinder Blick [s. A. T. B.]. 

Spanisches Liederspiel. Ein Cyclus ein- und mehr- 
stimmiger Gesange. M^t Begleitung des Pianoforte. 
No. i-g, und Anhang. Leipzig. Kistner. [185-?] 

No. 11-20 in M.244.15.2 
Contents. — i. Erste Begegnung [s. a.]. 2. Und schlafst du, mein 
Madchen [t. b.]. 3. Liebesgram [s. a.]. 4. In der Nacht [s. t.]. 
5. Es ist verrathen [s. a. t. b.]. 6. Melancholic [s,]. 7. Gestandniss 
[t,] 8. Botschaft [s. a.]. 9. Ich bin geliebt [s. a. t. b.], — Anhang: 
Der Contrabandiste [b.]. 

The stedfast heavens. Trio [s. s. s. Accomp. for piano- 
forte]. (In Novello's Collection of trios, etc. Vol. 7, 
pp. 96-98.) No. 18 in M.204.36.7 

Stiick im Volkston (Op. 102, No. 2), fiir Streichorchester, 
Clarinette, Horn und Harfe (ad lib.). tJbertragen von 
Heinrich Urban. Partitur. Berlin. Luckhardt. [187-?] 

No. 3 in M.404.1S 

Studien fiir den Pedal-Fliigel. Op. 56, Heft i: Sechs 
Stiicken in canonischer Form. Leipzig. Whistling. 
1861. No. 10 in M.414.32 

Symphonic (No. i, B dur) fiir grosses Orchester. Op. 
38. Partitur. Leipzig. Breitkopf & Hiirtel. [185-?] 

M.344.20 

Symphonic, Zweite, fiir grosses Orchester. Op. 61. Par- 
titur. Leipzig. Whistling. [185-?] M.344.21 

Symphonic, Dritte (Es dur), fiir grosses Orchester. Op. 
97. Partitur. Berlin. Simrock. [186-?] M.344.22 

Symphonic No. 4, D moll, fiir grosses Orchester. Op. 
120. Partitur. Leipzig. Breitkopf & Hartel. [186-?] 

M.344.23 

Same. Erste Bearbeitung aus dem Jahre 1841. Partitur. 
[1891. Werke. herausgegeben von C. Schumann. Serie 
I.] No. I in M. 342.36 

Thou art to me a flower. [Arranged for male voices by L. 
Schehlmann.] Boston. Schmidt. [1894.] No. 20 in M. 203. 20 

Die Tochter Jephta's. An den Mond. Dem Holden. Drei 
Gesange aus Byron's Hebraischen Gesangen. Fiir eine 
Singstimme [s. o. T.] mit Begleitung der Harfe oder 
des Pianoforte componirt von R. Schumann. Bonn. 
Simrock. [185-?] No. 9 in M.244.15.3 

Traumerei, aus den Kinderscenen. Fiir Violine mit Be- 
gleitung von Violinen, Bratschen und Violoncello ar- 
rangirt von Hugo Heermann. [Partitur.] Leipzig. 
Breitkopf & Hartel. [187-?] No. 3 in M.344.18 

Same. Kleine Romanze. [Fiir Violino und Pianoforte.] 
Braunschweig. Litolff. [188-?] No. 9 in M.410.45 

Same. Violin and piano. [Arr. by Henri Ernst. Full 
score and separate part for violin.] Boston. Daven- 
port. 1877. No. 10 in M.3S7.I2 



I 



Schumann 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schuppert 



Schumann, Robert Alexander. (Continued.) 

Same. [Part-song, t. t. b. b.] (In The Osgood Collection 

of part-songs. Vol. i, pp. 75-79-) M.193.23.1 

Same. Reverie. [From Op. 15. Traumerei, arranged for 

T. T. B. B. by Th. Pfeiffer.] Berlin. Luckhardt. 1889. 

No. 4 in M.392.24 

Trio [Erstes] fiir Pianoforte, Violine und Violoncell. Op. 

63. [Partitur.] Leipzig. Breitkopf & Hartel. [185-?] 

No. I in M.351.30 

Same. Trio [Premier] pour piano, violon et violoncello. 

Op. 63. [Partition.] London. Augener & Co. [187-?] 

No. I in M. 353. 15 
Same. [Parties, violon et violoncelle.] 2 v. 

No. 20 in M.21 1.4.3,4 

Trio [Zweites] fiir Pianoforte, Violine u. Violoncell. Op. 

80. [Partitur.] 2. Auflage. Leipzig. Schuberth. [186-?] 

No. 2 in M.3S1.30 
Same. [Stimmen, Violine und Violoncell.] 2 v. 

No. 21 inM.211.4.3,4 
Trio, Drittes (G moll), fiir Pianoforte, Violine und Violon- 
cell. Op. no. [Partitur.] Leipzig. Breitkopf & Hartel. 
[1852.] No. 4inM.2ii.3.5 

Same. [Stimmen, Violine und Violoncell.] 2 v. 

No. 22 in M.211.4.3,4 

Same. Trio [Troisieme] pour piano, violon et violoncello. 

Op. no. [Partition.] London. Augener & Co. [187-?] 

No. 2 in M.353.15 

Uncertain light. [Double chorus, s. s. a. a. t. t. b. b.] (In 

Novello's Part-song book. 2d series. Vol. 13, pp. 100- 

106.) No. 17 in M. 195.1. 13 

Verzweifle nicht im Schmerzenthal. Von F. Riickert. 

Motette fur doppelten Mannerchor mit Begleitung der 

Orgel (ad lib.) componirt von R. Schumann. Leipzig. 

Whistling. [i8s-?] No. s in M.280.49 

Vier doppelchorige Gesange fiir grossere Gesangvereine. 

[Clavierauszug.] Leipzig. Kistner. [186-?] 

No. 7 in M.280.49 
Contents. — An die Sterne, von F. Ruckert. — Ungewisses Licht, von 
Zedtlitz. — Zuversicht, von Zedtlitz. — Talismane, von Goethe. 

Vier Gesange fiir eine Singstimme [s. oder t.] mit Be- 
gleitung des Pianoforte. Op. 142. Leipzig. Rieter- 
Biedermann. [186-?] No. n in M.244.15.4 

Contents. — Trost im Gesang. — Lehn' deine Wang". — Madchen- 
Schwermuth. — Meine Wagen rollet langsam. 

Vier Gesange fiir gemischten Chor. Neue Ausgabe. 
Leipzig. Heinze. [185-?] No. 2 in M.1S8.24 

Contents. — Nord oder Slid.— Am Bodensee. — Jiigerlied. — Gute Nacht. 

Vier Husarenlieder von Nicolaus Lenau [Pseud.]. Fiir 
einer Baryton-Stimme mit Begleitung des Pianoforte 
componirt von R. Schumann. Leipzig. Senff. [186-?] 

No. 4 in M.244.15.4 

Vom Pagen und der Konigstochter. 4 Balladen von E. 
Geibel. Fiir Solostimmen, Chor u. Orchester componirt 
von Rob. Schumann. [Klavierauszug.] Leipzig. Rieter- 
Biedermann. [185-?] M.280.54 

Waldlied aus der Rose Pilgerfahrt. [Mannerchor.] (In 
Eidgenoessischer Saengerverein. Mannerchore fiir das 
I3te . . . Sangerfest. Pp. 20-23.) No. 3 in M.130.7 

Zigeunerleben, fiir kleinen Chor. Klavierauszug. Leip- 
zig. Breitkopf & Hartel. [187-?] No. 2 in M.280.49 

Same. Gipsy life. [Part-song.] The English version by 
John Oxenford. [Accomp. for pianoforte.] London. 
Novello, Ewer & Co. [186-?] 

No. 36 in M. 157.23; No. I in M. 158.24 
Also to be found [for s. s. a.] in Novello s Collection of trios, etc. 

Zur hohen Jagd. Habet Acht! Jagdmorgen. Friihe. Bei 
der Flasche. Fiinf Gesange fiir vierstimmigen Manner- 
chor (mit Begleitung von 4 Hornern ad lib.). Leipzig. 
Rieter-Biedermann. [186-?] No. 4 in M.157.21 

Zwolf Gedichte von Justinus Kerner. Eine Liederreihe 
fiir eine Singstimme [s. oder t.] mit Begleitung des 
Pianoforte von R. Schumann. 2. Auflage. Leipzig. 
Klemm. [185-?] No. 9 in M.244.15.1 

Contents. — Lust der Sturmnacht. — Stirb, Lieb' und Freud'. — Wan- 
derlied. — Erstes Grun. — Sehnsucht nach der Waldgegend. — Auf 
das Trinkglas eines verstorbenen Freundes. — Wanderung. — Stille 



Schumann, Robert Alexander. (Continued.) 

Liebe. — Frage. — Stille Thranen. — Wer machte dich so krank? — 
Alte Laute. 
Zwolf Gedichte aus F. Riickerts Liebesfriihling. Fiir 
Gesang und Pianoforte von Robert und Clara Schu- 
mann. Leipzig. Breitkopf & Hartel. [1841?] 

No. n in M.244.15.1 

Contents. — Der Himmel hat eine Thrane geweint. — Er ist gekommen. 

O ihr Herren! — Liebst du um Schonheit. — Ich hab' in mich 

gesogen. — Liebste, was kann denn uns scheiden? — Schon ist das Fest 
[Duett]. — Fliigel! Fliigel ! — Rose, Meet und Sonne. — O Sonn', O 
Meer, O Rose I — Warum willst du And're fragen? — So wahr die 
Sonne scheinet [Duett]. 
Schumann, Robert Alexander. Works about. 

BoTSTiBER. H. Robert Schumann, Musik zu Byrons Man- 
fred. (Op. ns.) Erlautert. Leipzig. [1901.] 

No. 14 in M.217.12.9 

David, E. Les Mendelssohn-Bartholdy et Robert Schu- 
mann. Paris. 1886. M.127.37 

Ernouf, a. a., Baron. L'art musical au xixe siecle. Com- 
positeurs celebres: Beethoven, Rossini, Meyerbeer, 
Mendelssohn, Schumann. Paris. 1888. M.118.15 

Hadow, W. H. Studies in modern music, [ist series: 
Berlioz, Schumann, Wagner.] New York. 1893. 

M. 107.21 

Henderson, W. J. Preludes and studies. Musical themes 
of the day. New York. 1891. M.i49a.28 

Heuberger, R. F. J. Robert Schumann, Das Paradies und 
die Peri. Op. 50. Erlautert. Frankfurt a. M. [1898.] 

No. 10 in M. 217.12.4 

Robert Schumann, Scenen aus Goethe's . , Faust." 

(Mit Text.) Erlautert. Frankfurt a. M. [1898.] 

No. 10 in M. 217.12.3 
LoHMANN, p. Ueber Robert Schumann's Faustmusik. 
Leipzig, [i860.] No. i in M.145.6 

Maitland, J. A. F. Schumann. New York. 1884. 

M.104.25 
Merkel, J. Robert Schumann, Der Rose Pilgerfahrt (mit 
Text). Op. 1X2. Erlautert. Frankfurt a. M. [1898.] 

No. 13 in M.217.12.5 

Mueller-Reuter, T. Robert Schumann, Ouverture, 

Scherzo und Finale fur Orchester. Op. 52. Erlautert. 

Frankfurt a. M. [1898.] No. 18 in M.217.12.4 

Neumann, W. Robert Schumann. Eine Biographic. 

Cassel. 1855. Portrait. No. 3 in M.205.23 

Niemann, W. Robert Schumann, Pianoforte-Quintett. 

Op. 44, Es-dur. Erlautert. Leipzig. [1901.] 

No. 23 in M.217.12.10 

NiGGLi. A. Robert Schumann: sein Leben und seine 

Werke. Basel. 1879. No. 4 in M.207.36 

Robert Schumann, IL Symphonic, C-dur. Op. 61. Er- 
lautert. Frankfurt a. M. [1898.] No. 15 in M.217.12.3 

Robert Schumann, IIL Symphonic (Es-dur). Op. 97- 

Erlautert. Frankfurt a. M. [1898.] No. 3 in M.217.12.6 

Reissmann, a. Robert Schumann: sein Leben und seine 
Werke. Berlin. 1865. M.147.18; etc. 

RiEMANN, H. Robert Schumann, Vierte Symphonic in D- 
moU. (Op. 120.) Erlautert. Leipzig. [1901.] 

No. I in M.217.12.9 

ScHULTZE, A. Robert Schumann, Klavierkonzert in A 
moll. Op. 54. Erlautert. Leipzig. [1902.] 

No. 21 in M.217.12.11 

SiTTARD, J. Robert Schumann, i. Symphonic (in B-dur, 
Op. 38). Erlautert. Frankfurt a. M. [1895.] 

No. 35 in M.217.12.2 

Thematisches Verzeichniss sammtlicher im Druck er- 
schienenen Werke Robert Schumann's mit Inbegriff 
aller Arrangements, etc. Leipzig. Schuberth & Co. 
[1862?] M.205.13 

Wasielewski, J. W. von. Life of Robert Schumann. 
Translated by A. L. Alger. Boston. [1870.] M.i09a.i9 
Schuppert, Carl. 

Abendlied [t. t. b. b.]. (In Abt. Deutsche Sangerhalle. 
Vol. 4, p. 24.) No. 9 in M.392.42.4 

Abschied. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 3, PP- 82-85.) No. 26 in M.3g2.42.3 

55 



Schuppert 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Schwalm 



Schuppert, Carl. (Continued.) 

Das deutsche Schwert. Gedicht von Johann N. Vogl. 
Fiir Mannerchor mit Begleitung von Blechinstrumenten 
componirt von Carl Schuppert. Op. 14. [Partitur.] 
Schleusingen. Glaser. [1865?] No. 8 in M.212.16 

Friihlingsglaube. [Mannerchor.] {In Abt. Deutsche 
Sangerhalle. Vol. 4, PP- 99-ioi.) No. 35 in M.392.42.4 

Tvifilight. [Part-song, t. t. b. b.] (In Chickering Collec- 
tion. Vol. 2, p. 42.) No. 21 in M.392.48.2 
Schure, fidouard. 

Le drame musical. Paris. Sandoz & Fischbacher. 1875. 
2 V. Plates. M.134.11 

Contents. — i. La musique et la poesie dans leur developpement histo- 
rique. 2. Wagner, son ceuvre et son Hie. 

Histoire du Lied ou la chanson populaire en Allemagne. 
Paris. Lacroix, Verboeckhoven & cie. 1868. M.118.20 
Bibliographie, pp. 1-4. 

Das musikalische Drama. Verdeutscht von Hans von 
Wolzogen. Theil i. 2. Auflage. Leipzig. Senf. [1888.] 
Plate. No. 2 in M. 102.30 

Schurz, Mathilde. 

Schlaraffenland. Komische Oper. Musik von Carl Wein- 
berger. M.378.11 
Schuss, Der. Part-song. Methfessel, A. G. Makrobiotik. 

No. 28 in M.392.17 

Schuster, Albert. 

Rede zum Gedachtnis an den Director Adolf Tellkampf, 
gehalten bei der Entlassung der Abiturienten am 20 
Marz 1869. [Hannover. Eulemann. 1869.] 

No. 8 in M.372.40 
Schuster, Joseph. 

Kyrie. [In F. For 4 voices, orchestra and organ. Full 

score.] Manuscript. [180-?] No. 6 in M.222.48 

Magnificat. [For 4 voices, with orchestra and organ. Full 

score.] Manuscript. [180-?] No. 3 in M.222.48 

Missa. [In A. For 4 voices, orchestra and organ. Full 

score.] Manuscript. [180-?] No. 4 in M.222.48 

Missa. [In D. For 4 voices, orchestra and organ. Full 

score.] Manuscript. [180-?] No. S in M.222.48 

Schutter, Leopold. 

Vardhamana. Oper. Musik von Bruno Oelsner. 

No. 2 in M.394.4S 
Schutzengel, Die. Cantata. For the Music see Doerstling. 

For the Libretto see Friedrich, T. H. 
Schuyt, Cornells. 

Drie madrigalen. (In Heije, Jan P., editor. Drie mad- 
rigalen. Amsterdam. 1873.) No. i in M.415.2 

Contents. — Zoo all der starren [s. s. A. T. B.]. — Gij begeert, liefste 
Leven [s. s. a. t. b.]. — Gij parelheldre [s. s. a. t. b.]. 
Schvartz, £mile Jean Baptiste. 

Feu Pierrot. Ballet-pantomime en deux actes de Charles 
Mouton. Musique de fimile Schvartz. [Pour piano.] 
Paris. Dupont. 1894. No. 2 in M.38g.i3 

Schwab, Emil. 
The Continentals, or the militiaman's bride. An Ameri- 
can comic opera. Libretto by Emil Schwab and Henry 
H. Hayes. The music by G. H. Hayes. 

No. I in M.276.17 
Schwab, FranQois Marie Louis. 

Messe pour chceur mixte a 4 parties et soli. Accomp. d' 

orgue. Paris. Heugel. [186-?] No. i in M.158.39 

Schwab, Frederick A. 

The abode of the mastersingers. Illus. (In The music of 

the modern world. Vol. i, pp. 117-119- New York. 

[1895-]) M.14.1.1 

A description of Nuremberg. 

Carmen: its composer and interpreters. Illus. Portraits. 

(In The music of the modern world. Vol. i, pp. 171- 

174. New York. [1895.]) M.14.1.1 

The influence of Louis Spohr. Illus. Portraits. (In The 

music of the modern world. Vol. i, pp. 62-65. New 

York. [1895.]) M.14.1.1 

Johannes Brahms. Illus. Portraits. (In The music of the 

modern world. Vol. i, pp. 176-178. New York. [1895]) 

M.14.1.1 



Schwab, Frederick A. (Continued.) 

Parisian cafes-concerts. Illus. Portraits. (In The music 
of the modern world. Vol. i, pp. 185-187. New York. 
[1895.]) M.14.1.1 

Singers of the [19th] century. Later singers of the [19th] 
century. The rule of the singer. Modern singers. Two 
great singers [Nilsson and Lucca]. The great male 
voices of the [19th] century. Illus. Portraits. Plates. 
(Ih The music of the modern world. Vol. i. New York. 
[1895.]) M.14.1.1 

Schwab, Gustav Benjamin. 

Der Tod des Herrn. Oratorium. In Musik gesetzt fiir 
den 4 St. Chor mit voller Instrumental-Musik von C. 
Geissler. M.222.5 

Schwaebisch. Part-song. Silcher, F. Silcher-Album. 

No. 4 in M.370.30 
Schwaetische Serenade. Part-song. Gen^e. Fiinf heitere 
Lieder. Op. 99, Heft 2. No. 30 in M.392.9 

Schwaebisches Bettlerlied. Song. Weber, C. M. F. E. von. 
Sammtliche Lieder. Band i. No. 21 in M.244.7 

Schwaebisches Liebesliedchen. Part-song. Dregert. Zwei 
Gesange fiir Mannerchor. Op. 76. No. 72 in M.392.3 

Silcher, F. Silcher-Album. No. 4 in M.370.30 

Schwaebisches Liedchen. Song. Abt, F. Vier Gesange. 
105. Werk. No. 4 in M. 192.2 

Schwaebisches Tanzlied. Part-song. Weber, C. M. F. E. 
von. No. 112 in M. 1293.43.3 

Schwaebisches Tanzlied. Song. Weber, C. M. F. E. von. 
Sammtliche Lieder. Band 2. No. 90 in M.244.7 

Schwaebisches Tanzliedchen. Part-song. Silcher, F. Silcher- 
Album. No. 4 in M.370.30 
Schwaebisches Volkslied. Part-song. Hamma, B. 

No. 71 in M.246.22 

Schwaelble, Die, ziehet fort. Song. Brahms. Sechs Gesange. 

Op. 7. No. 3 in M.380.40.1 

Schwager Kronos. Song. Schubert, F. P. Sammtliche 

Compositionen. M.244.12 

Schwaiger, Ernst. 

Das Grab im Busento. Gedicht von Platen. Fiir Manner- 
chor mit vierhandiger Klavier-Begleitung componirt 
von Ernst Schwaiger. Op. i. Wien. Gotthard. [188-?] 

No. 9 in M.212.16 

Schwalben, Die. Duet. Schumann, R. A. Lieder fiir die 

Jugend. Abtheilung 3. No. 4 in M. 244.15.3 

Schwalben, Die. Song. Schumann, R. A. Werke, Serie 13, 

Band 3. M.316.1.13.3 

Schwalbennest, Das. Opera. For the Music see Herblay. 

For the Libretto see Ordonneau. 
Schwalm, Robert. 

Abendstille am Meer. Evening by the sea. (Dichtung 
von Richard Berent. English version by E. Buek.) 
Fiir Mannerchor und Orchester componirt von Robert 
Schwalm. Op. 81. Clavierauszug. Leipzig. Kistner. 
[ 1892.] No. 4 in M.202.29 

Der arme Peter. [Mannerchor.] Op. 18. Schleusingen. 
Glaser. [ 1875 ?] No. 5 in M.392.38 

Drei Lieder fiir Mannerchor. Op. 33. Berlin. Bahn. 
[187-?] No. 21-23inM.392.25 

Contents. — i. Liebeslied. 2. Schnarenzer-Mette. 3. Jagerlied. 
Drei Lieder fiir Mannerchor. Op. 76. Leipzig. Kistner. 
[ 1888 ?] No. 8-10 in M.392.24 

Contents. — i. Dort unten im Thai. 2. Der Hut im Meere. 3. Soldaten- 
lied. 
Eingeregnet. Heitere Scene fiir Miinnergesang. Soli und 
Chor, mit Klavier-Begleitung. Text von W. Harditz. 
Musik von Robert Schwalm. Op. 47. Leipzig. Siegel. 
[1880?] No. 10 in M.212.16 

Far down in the vale. [Part-song, t. t. b. b.] (In The 
Osgood Collection of part-songs. Vol. 2, pp. 68, 69.) 

M.193.23.2 
Festgesang. Dichtung von Felix Dahn. Fiir Mannerchor 
mit Begleitung des Orchesters oder Pianoforte com- 
ponirt von Robert Schwalm. Op. 56. Partitur mit 
unterlegtem Clavierauszug. Leipzig. Forberg. [1885?] 

No. II in M.212.16 



56 



Schwalm 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Schwencke 



Schwalm, Robert. (Continued.) 

Frauenlob. Oper in 4 Aufzugen von Wilhelm Jacoby. 
Musik von Robert Schwalm. Vollstandiger Klavier- 
Auszug. Mainz. Schott. [1885?] M.322.13 

Gothenzug. Dichtung fiir Mannerchor (unisono) mit Be- 
gleitung von 2 Hornern, 3 Posaunen, Tuba und Pauken. 
Partitur mit untergelegtem Klavierauszug. Leipzig. 
Siegel. [1882.] No. 13 in M.392.31 

Die Hochzeit zu Cana. Biblische Scene nach den Worten 
der heiligen Schrift von R. Prellwitz. Fiir Soli, Chor 
und Orchester componirt von R. Schwalm. Clavieraus- 
zug. Leipzig. Kahnt. [189-?] M.156.2 

Jagdruf. (Hunting song.) [t. t. b. b.] Op. 74, No. 2. 
Berlin. Luckhardt. [1890.] No. 6 in M.392.24 

With German and English words. 
Jung Sigurd. Dichtung von Felix Dahn. Fiir Manner- 
chor, Soli [m.-s. t. bar.] und Orchester komponiert von 
Robert Schwalm. Op. 64. Klavierauszug. Leipzig. 
Siegel. [1888?] No. 12inM.212.16 

Mila. Dichtung von Felix Dahn. Fiir Soli, Mannerchor 
und Orchester komponirt von Robert Schwalm. Op. 
38. Klavierauszug. Leipzig. Breitkopf & Hartel. 
[ 1881 ?] No. 3 in M.392.43 ; No. 6 in M.203.21 

Same. [Cantata by Felix Dahn for x. t. b. b., with solos.] 
English version by Allen A. Brown. Op. 38. [Boston.] 
Apollo Club. 1882. No. 24 in M.392.25 

Spielmannslied. (Minstrel song.) [t. t. b. b.] Op. 74, 
No. 3. Berlin. Luckhardt. [1890.] No. 7 in M.392.24 
With German and English words. 
Trinklied aus Jul. Wolff's Rattenfanger [x. x. b. b.]. Op. 
28. Schleusingen. Glaser. [1878?] No. 6 in M.392.38 

Wenn sich zwei Herzen scheiden. (When two fond 
hearts must sever.) [Mannerchor.] Op. 74, No. i. 
Berlin. Luckhardt. [1890.] No. 5 in 1^.392.24 

With German and English words. 
Schwan, Der, von Tuonela. Symphonic poem. Sibelius. 

No. 2 in M.410.S8 
Schwan, Ein. Song. Grieg. Grieg-Album. 3. 

No. 4 in M.15S.16 
Schwanberg, Johann Gottfried. 

Die Bethlehemitischen Gefilde. [Fine Cantate. Par- 
titur.] Manuscript. No. 4 in M. 236.17 
Schwanengesang. Song. Schubert, F. P. Sammtliche 
Compositionen. M.244.i2;etc. 
Schwanengesang. Songs. Schubert, F. P. Werke. Serie 
20, Band 9. M.317.1.20.9 
Schwanenlied. Part-song. Abt, F. 4 Gesange fiir 3 Frauen- 
stimmen. No. 3 in M.158.22 
Zenger. Golias. Heft 2. No. 37 in M.392.27 
Schwanenlied. Song. Grubee, G. W. Gottfried August 
Biirgers Gedichte. Vol. 2. No. i4in M.130.9.2 
Schwartz, Jean. 

Piff! Paff! Pouf! A musical cocktail. Book by Stanis- 
laus Stange. Lyrics by William Jerome. Music by 
Jean Schwartz. Vocal score. New York. Shapiro, 
Remick & Co. 1904. M.397.60 

Schwarz-roth-gold. Part-song. ' Schmoelzer, J. E. 

No. 12 in M.204.39 

Schwarzbraun Kind. Part-song. Bergmann. Drei Gesange 

fiir vier Mannerstimmen. Op. 11. No. 31 in M. 392.4 

Schwarze Capitain, Der. Opera. For the Music see Mer- 

tens. For the Librexto see Faassen. 
Schwarze Kaschka, Die. Opera. For the Music see Jamo. 

For the Librexto see Bluethgen, V. 
Schwarze Nina, Die. Opera. For the Music and Librexto 

see Kaiser, A. 

Schwarzwaelder im Breisgau. Song. Taubert, C. G. W. 12 

Gesiinge. Op. 27. No. 7 in M. 221. 26 

Schwebe, schwebe, blaues Auge. Song. Liszt. Gesammelte 

Lieder. No. 29 in M.244.14 

Schwedensee, Der. Opera. For the Music see Emmerich. 

For the Libretto see Pasque. 
"Schwedisch." For orchestra. Maier, A. No. 2 in M.345.30 
Schwedischer Hochzeits-Marsch. For orchestra. Soderman. 

No. 4 in M.342.38 



Schwedischer Tanz. For strings. Gouvy. No. 5 in M.332.19 
Schweig' einmal still. Song. Wolf, H. Italienisches Lieder- 
buch. Band 2. M.380.29.2 

Schweigl schweig! Song. Weber, C. M. F. E. von. 

No. 4 in M.204.37 
Schweigen, Das. Canon. Beethoven. Werke. Serie 23. 

M.413.1.23 
Schweigen ist ein schoenes Ding. Song. Taubert, C. G. W. 
6 Lieder von Reinick. Op. 42. No. 9 in M.221.26 

Schweiger, Eduard. 

Elva. Komische Operette in 3 Akten von A. Froden. 
Musik von Eduard Schweiger. Clavierauszug. Ham- 
burg. Cranz. [189-?] M.300.16 
Schweiget mir von Weiber nehmen. For pianoforte. Reinken. 
Partite diverse. No. 3 in M.4i5.g 
Schweigt stille, plaudert nicht. Cantata. For the Music see 

Bach, J. S. Werke. Jahrgang 29. 
Schweitzer, Anton. 

Alceste. [Oper in 5 Aufziigen] von Wieland und Schweit- 
zer. [Partitur. Leipzig. Schwickert. 1774.] M.150.4S 
Die Dorfgala. Eine komische Operette von Herrn Gotten 
In Musik gesetzt von Anton Schweizer. [Klavieraus- 
zug.] Leipzig. Schwickert. 1777. No. 3 in M.152.2S 
Elisium. Ein musikalisches Drama von Herrn Capel- 
meister Schweizer. [Text von J. G. Jacobi. Klavier- 
auszug.] Konigsberg. Hartung. 1774. No. i in M.350.14 
Schweitzer, Julius, translator. 

Wolf-Ferrari. Aschenbrodel (Cenerentola). M.383.46 

Schweitzerlied. Song. Blum, C. L. Lyra fiir Damen. 

No. 32 in M.221.30 
Schweizer, Anton. See Schweitzer, Anton. 
Schweizer, Otto. 

The knight and the lady. Trio [s. s. a. Accomp for 

pianoforte]. (In Novello's Collection of trios, etc. Vol. 

7, pp. 160-167.) No. 31 in M.204.36.7 

Vox amoris. Trio [s. s. a. Accomp. for pianoforte]. (In 

Novello's Collection of trios, etc. Vol. 7, pp. 15S-159.) 

No. 30 in M.204.36.7 
Schweizer, Der. Part-song. Silcher. No. 5 in M. 130.7; etc. 
Schweizer Saenger Gesellschaft. 

Book of words and programme. London. Mitchell. 

1861. No. 8 in M.375.1 

Schweizerdegen. Volkslied [t. t. b. b.]. (In Das Riitli. 

Pp. 202, 203.) No. 83 in M.147.4 

Schweizerfamilie, Die. Opera. For the Music see Weigl. 

For the Libretto see Castelli. 
Schweizergebet. Part-song. Zwyssig. No. 49 in M.147.4 

Schweizergesang. Part-song. Baumgartner, W. No. 90 in M.147.4 
Schweizerheimweh. Part-song. Weber, J. R. No. 48 in M.147.4 
Schweizerhiisli, 's. Volksweise [t. t. b. b.]. (hi Das Riitli. 
Pp. 206, 207.) No. 85 in M.147.4 

Schweizerischen Schlachtfelder, Die. Part-song. Munzinger, 
E. No. 4 in M.130.7 

Schweizerisches Kriegslied. Part-song. Abt, F. 

No. 65 in M.147.4 

Schweizerland, Das. Part-song. Heim, I. No. 8 in M. 130.7 

Schweizerlied. Part-song. MacDowell. Drei Lieder. Op. 

27. No. 33 in M.392.16 

Schweizerlied. Song. 

Franz, R. Sechs Lieder. Op. 33. No. 1 1 in M.244.5.3 

Hiller, F. Lieder fiir eine Altstimme. Op. 129. 

No. 24 in M.192.3 

Schubert, F. P. Werke. Serie 20, Band 3. M.317. 1.20.3 

Schweizerpsalm. Part-song. Zwyssig, A. No. 8 in M.147.4 

Schweizers Heimweh. Song. Abt, F. No. 6 in M.192.1 

Schwencke, Carl. 

Fantaisie concertante, le, pour piano et violoncelle, ou 

violoii, sur des airs russes. CEuv. 33. [Piano seul.] 

Paris. Farrenc. [183-?] No. 7 in M.210.6 

Same. [Partie de violon.] No. 16 in M.210.10 

Same. [Partie de violoncelle.] No. 15 in M.210.12 

Schwencke, Johann Friedrich. 

Adagio fiir die Violine mit Begleitung des Orchesters. 
Op. 36. [Partitur.] Hamburg. Niemeyer. [184-?] 

No. I in M.342.38 



III8 



57 



Schwencke 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Scotland 



Schwencke, Johann Friedrich, editor. 

Spohr, L. Zemire und Azor. M.151.11 

Schwenke. Canon. Beethoven. Werke. Serie 23. 

M.413.1.23 

Schwerdersky, Walter. 

Der Schatz. Komische Oper von Alphonse Maurice. 
Text von W. Schwerdersky und W. Merkel. 

No. 2 in M.306.17 
Schwere Abend, Der. Song. 

Franz, R. Sechs Gesange. Op. 37- No. 34 in M.244.5.3 

MiHALOviCH. Sechs Lieder fiir eine Singstimme. 

No. 3 in M.380.21 
Schumann, R. A. 6 Gedichte von N. Lenau. 

No. 8 in M.244.15.3; etc. 
Schwere Traum, Der. Part-song. Schoen, E. von. 

No. 32 in M.392.7 

Schwermuethige, Der. Song. Weber, C. M. F. E. von. 

Siimmtliche Lieder. Band 2. No. 47 'n M.244.7.2 

Schwermuth. Song. Brahms. Lieder und Gesange. Op. 

58, Heft 2. No. 2 in M.380.40.2 

Schwert, Das. Volksweise [t. t. b. b.]. (In Das Riitli. Pp. 

414, 415.) No. 175 in M. 147.4 

Schwertesgruesse. Part-song. Tietz, P. No. 5 in M.130.8 

Schwerting der Sachsenherzog. Cantata. For the Music 

see Podbertski. For the Libretto see Ebert. 
Schwertlied. Song. 

Schubert, F. P. Werke. Serie 20, Band 2. M.317.1.20.2 
Weber, C. M. F. E. von. Sammtliche Lieder. Band i. 

No. 44 in M.244.7.1 
Schwestergruss. Song. Schubert, F. P. Werke. Serie 20, 
Band 7- M.317.1.20.7 

Schwesterlein. Part-song. Erk. Volksklange. 

No. I in M.130.8 

Schwesterlein. Song. Brahms. Deutsche Volkslieder. 

Heft 3. No. II in M.380.40.3 

Schwestern, Die, von Prag. Opera. For the Music see 

Mueller, W. For the Libretto see Perinet. 
Schwick, Joseph. 

Missa (F dur) quatuor paribus vocibus accommodata. 
N. p. N. d. Lithograph script. No. 5 in M.156.39 

Schwing, Henry. 

Ave Maria, s. or t. solo. [Accomp. for organ.] Cin- 
cinnati. Peters. 1862. No. 4 in M.201.36 
Missa solennis. [Accomp. for organ.] Baltimore. The 
Author. 1862. No. 2 in M.201.20 
Schwingt freudig euch empor. Anthem. Bach, J. S. Werke. 
Jahrgang 7, 34. M.8040.21.7,34 
Schwob, Marcel. 

La croisade des enfants. Legende musicale. [Musique 

par] Gabriel Pierne. M. 384.60 

Schwuele Naechte. Song. Mihalovich. Sechs Gesange fiir 

eine Singstimme. No. 4 in M.380.21 

Schwur, Der. Duet. Donizetti. Nuits d'ete a Pausilippe. 

No. IS in M. 244.4 
Schwur, Der. Opera. For the Music see Reich. For the 

Libretto see Singer, M. 
Schwur freier Manner. Part-song. Mendelssohn- Bartholdy, 
J. L. F. No. 92 in M.147.7 

Schwur, Der, im Ruetli. Cantata. For the Music see 

Munzinger, E. 

Schwyzer Heimweh. Volksvifeise [t. t. b. b.]. (In Das 

Riitli. Pp. 224, 225.) No. 93 in M.147.4 

Schwyzerhuesli. Part-song. Abt, F. Vier Mannerquartette. 

Op. 80. No. 2 in M.392.1 

Schytte, Ludvig Theodor. 

Concert pour piano, avec accomp. d'orchestre. CEuvre 28. 
Partition d'orchestre. Breslau. Hainauer. [1890?] 

* M.403.10g 

„Pantomimes" von Ludvig Schytte. Op. 30. Fiir Orchester 

bearbeitet von Karl Miiller-Berghaus. Partitur. Berlin. 

Simon. [1879.] M.407.9 

Sciama, Andre. 

Le collier. Opera-comique. Paroles de F. Remy et A. 
Semiane [pseud.] Musique de Henry Cieutat. 

No. I in M.39S.17 



Sciama, Andre. (Continued.) 

Pierrot puni. Opera comique. Paroles de MM. A. Se- 
miane [pseud.] & Albert Geres. Musique de Henri 
Cieutat. No. i in M.285.16 

Proces-verbal. Operette. Paroles de F. Beissier & A. 
Semiane [pseud.]. Musique de Henry Cieutat. 

No. 2 in M.39S.17 

Le reve. Operette en i acte. Paroles de MM. Albert 

Semiane [pseud.] & Albert Geres. Musique de Henri 

Cieutat. No. 2 in M.285.16 

Le sire de Framboisy. Operette. Paroles de Fernand 

Beissier et Andre Sciama. Musique de Gaston Meynard. 

M.382.S3 
Sciant gentes. Gradual. Haydn, J. M. No. 10 in M.202.g 

Sciava, La, in Bagdad. Opera. For the Music see Pacini, 

G. For the Libretto see Romani, F. 
Sciava saracena. La, ovvero il campo di Gerosolima. Opera. 
For the Music see Mercadante. For the Libretto see 
Piave. 
Scientific king, A. Opera. For the Music see Bay. For the 

Libretto see Loughlin, G. F. 
Scio, Claudine Angelique Legrand. 

ViEiLLARD, P. A. Madame Scio. Paris. 1855. No. 5 in M.141.7 
Scio enim. Motet. Lassus. Sammtliche Werke. Band 3. 

M.8o4oa.67.3 
Sciogliero. Part-song. Callcott, J. W. No. 96 in M.220.9.4 
Scipione. Opera. For the Music see Handel. Werke. 

Lieferung 71. 
Scirocco. Song. Meyerbeer. 40 melodies. No. i in M.157.38 
Sciti, Gli. Opera. For the Music see Mayer, J. S. For the 

Libretto see Rossi, G. 
Scola, Adamo, compiler. 

Venetian ballads composed by Sigr. Hasse and all the cele- 
brated Italian masters. London. Walsh. [17 — ?] 

M.220.30 
Contents. — 3 sets of Venetian ballads. — 10 sets of Italian and French 
duets or canzonets. 
Scolari, Giuseppe. 

Giusta Dea. [Aria, t., con accomp. d'orchestra.] Manu- 
script. [Paris? 180-?] No. 5 in M.360.8 
Scommessa, La. Opera. For the Music see Guglielmi, P. C. 
Scompiglio teatrale, Lo. Opera. For the Music see Fane, 

John. 
Scontrino, Antonio. 

Gringoire. Opera in un atto. Parole di Cordelia [pseud.]. 
Musica di A. Scontrino. Riduzione per canto e piano- 
forte. Milano. Treves. [1890.] No. i in M.393.63 
Quartett, G-molI, fiir 2 Violinen, Viola und Violoncell. 
[Partitur.] Leipzig. Eulenburg. [1901. Payne's Kleine 
Partitur-Ausgabe.] No. i in 11.4123.12 
II sortilegio. Dramma giocoso-fantastico in tre atti. Posto 
in musica dal Maestro A. Scontrino. Canto con accomp. 
di pianoforte. Milano. Ricordi & c. [1882?] M.399.S7 
Score, A, of famous composers. Biography. Dole, N. H. 

M.104.15 
Scorgo tant' alto il lume. Part-song. Lassus. Sammtliche 
Werke. Band 4. M.8o4oa.67.4 

Scotch songs. See Scotland. Music. 
Scotland, John. 

Lightly tread. Glee [a. t. b.]. (In The Apollo. Vol. 3, 
p. 216.) No. 16 in M. 1393.18.3 

Also to be found in Bland's The Ladies' collection ; Boosey's Standard 
English glees ; dementi's Collection of catches ; Ditson's The Or- 
phean lyre ; Sibbald's Collection of catches ; Social harmony. 
Through groves sequester'd. Glee [a. t. b.]. (In Clementi. 
Collection of catches. Vol. 4, pp. 100-103.) 

No. 260 m M.110.1.4; No. 260 in M.iio.2.4 
Also to be found in Sibbald's Collection of catches. 
Scotland. Music. 

Christie, W., editor. Traditional ballad airs. Arranged 
for the pianoforte and harmonium by W. Christie, M.A., 
and the late Wm. Christie, Monquhitter. Edinburgh. 
1876, 81. 2 V. M.121.12 

Curious collection. A, of Scots tunes. With variations, 
for the violin, with a bass for the violincello [sic] or 
harpsichord. Edinburgh. [178-?] No. 8 in M.220.18 



58 



Scotland 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Scribe 



Scotland. Music. (Continued.) 

Dalyell, J. G. Musical memoirs of Scotland. Edin- 
burgh. 1849. Plates. M.122.39 

Dauney, W. Ancient Scottish melodies. With an intro- 
ductory enquiry illustrative of the history of the music 
of Scotland. Edinburgh. 1838. M.122.37 

Fraser, S., edifor. The airs and melodies peculiar to the 
Highlands of Scotland and the Isles. Edinburgh. [1816.] 

M. 192.15 

GuNN, J. A historical enquiry respecting the performance 
on the harp in the Highlands of Scotland. Edinburgh. 
1807. No. 3 in M.I I i.s 

Johnson, James, compiler. The Scots musical museum. 
Dedicated to the Catch club. Edinburgh. [1787-go.] 

5 V. in 2. M.144.14 
Kennedy, David. 1825-1886. Mr. Kennedy's entertain- 
ment on the songs of Scotland. London. [1861?-] 1886. 

M.373-4S 
Love, J. Scottish church music: its composers and 
sources. Edinburgh. 1891. 11.1493.18 

McDonald, P., compiler. A collection of Highland vocal 
airs, never hitherto published. Added, a few of the 
most lively country dances or reels, of the North High- 
lands & Western Isles: and some specimens of bagpipe 
music. Edinr. [1784.] No. i in M.380.42 

Marr, R. a. Music and musicians at the Edinburgh In- 
ternational Exhibition, 1886. Edinburgh. 1887. 

M.i39a.i4 

Music for the people. A retrospect of the Glasgow 

International Exhibition, 1888. With an account of the 
rise of choral societies in Scotland. Edinburgh. 1889. 

M.370.26 
RiDDELL, R., compiler. A collection of Scotch, Galwegian 

6 Border tunes for the violin and piano forte, with a 
bass for the violoncello or harpsichord. Edin^. [1794-] 

No. 3 in M.380.42 

Schroeter, J. S., editor. Twelve favorite Scots songs for 

the voice and harpsichord, with an accomp. for a violin 

or German flute, adapted by I. S. Schroeter. London. 

[178-?] No. 9 in M.220.18 

Stenhouse, W. Illustrations of the lyric poetry and music 

of Scotland. Edinburgh. 1853. M.114.3 

Thomson, G., editor. Collection of the songs of Burns, 

Sir Walter Scott . . . united to The select melodies 

of Scotland, and of Ireland & Wales. With symphonies 

& accompaniments for the piano forte. London. [1822.] 

6 v. in 3. Portrait. Plates. M.123.21 

The melodies of Scotland, with symphonies and ac- 

comps. for the pianoforte, violin, &c., by Pleyel, Haydn, 
Beethoven. The poetry chiefly by Burns. New edition, 
with many improvements. London. 1830, 31. 5 v. 
Plates. M.237.II 

Wilson, J. [Wilson's edition of the songs of Scotland, 
as sung by him at his entertainments. London. 1842.] 

M.i29a.i7 
Scots Musical Museum, The. Songs. Johnson, J. M.144.14 
Scots, wha hae. [Part-song.] Harmonized by R. T. Skar- 
ratt. {In The Apollo. Vol. 2, pp. 114, 115.) 

No. 12 in M.i39a.i8.2 
Scott, Charles Newton, translator. 

Thomas, A. G. The sun-worshippers (Les adorateurs du 
soleil). No. 3 in M.156.3 

Scott, Clement William. 

The lily of ^eoville. Comic opera. The book by Felix 
Remo & Alfred Murray. The lyrics by Clement Scott. 
The music by Ivan Caryll [pseud.]. M.27S.30 

Scott, John. 

Praise the Lord, O Jerusalem. Anthem. [Accomp. for 
organ.] {In Cope. A Collection of anthems. Pp. 56- 
62.) No. 13 in M.290.34 

Also to be found in Musical times [Music] ; Turle and Taylor's The 
People's music book. 
Scott, Sir Walter, Baronet. 
The bridal of Triermain. A cantata. The music by 
Frederick Corder. No. 2 in M.28S.30 



Scott, Sir Walter, Baronet. (Continued.) 

Donald Caird ist wieder da! Fiir Tenor- oder Baryton- 

Solo, Mannerchor und [Pianoforte] componirt von 

Adolf Jensen. No. 3 in M.212.8 

The lady of the lake. With the incidental songs set to 

music [principally by David Small]. M. 121. 18 

The lay of the last minstrel. A dramatic cantata. The 

music by Hamish MacCunn. No. 2 in M.204.22 

Lovely Rosabelle. Ballad for chorus and [piano], by G. 

W. Chadwick. No. 7 in M.194.8 

March of the Monks of Bangor, for male voices. Music 

by Geo. E. Whiting. No. 3 in M.392.32; etc 

Sieben Gesange aus Walter Scott's Fraulein vom See. In 

Musik gesetzt mit Begleitung des Pianoforte von Franz 

Schubert. N0S.9, 10 in M.140.33.3 

Walter Scott lyrique. Musique de J. Concone. M.244.3 
Yule-tyde, or ye merrie and anciente Englyshe pastyme 

of Crystmasse eve. Sette to musicke by J. Morgan 

Bentley. No. 4 in M.204.2 

Scott-Gatty, Alfred Scott. See Gatty, Sir Alfred Scott-. 
Scottish songs. A souvenir. London. Nelson, [i860?] IIlus. 

M.I 04. 18 
Contents. — He's owre the hills. — The flowers of the forest. — 
Lochaber no more. — The boatie rows. — Scots wha ha'e. — ■ The garb 
of old Gaul. — My ain fireside. — Logic o'Buchan. — Auld Robin 
Gray. — The rowan tree. — John Anderson my Jo. — Auld lang syne. 

Scourfield, J. S. 

The grand serio-comic opera of Lord Bateman and his 

Sophia. By J. H. S. late J. H. P. [Words only.] Lon- 
don. Rogers. Middle Hill press. 1863. No. 5 in M.143.18 

One of ten copies printed. 
Scriabine, A. See Skriabin, Aleksandr. 
Scribe, Augustin Eugene. 

Acteon. Opera comique. Musique de D. F. E. Auber. 

M.223.6; etc. 
L'Africana. Opera di G. Meyerbeer. M.367.1S; etc. 

Ali-Baba, ou les quarante voleurs. Opera. Paroles de 

Scribe et Melesville [pseud.]. Musique de L. Cherubini. 

M.291.7 
L'ambassadrice. Opera. Paroles de Scribe et de St. 

Georges. Musique d'Auber. M.223.2;etc. 

La barcarolle. Opera comique. Musique de D. F. E. 

Auber. M.223.9;etc. 

La beaute du Diable. Opera comique. Paroles de M^s 

**** [Scribe] et de Najac. Musique de Giulio Alary. 

No. I in M.255.4 
Broskovano. Opera comique. Paroles de MM. E. Scribe 

et H. Boisseaux. Musique de Louis Deffes. M.295.13 
Cagliostro. Opera comique. [Paroles de Scribe et St. 

Georges.] Musique d'Ad. Adam. M.361.12 

Le chalet. Opera comique. Paroles de MM. Scribe et 

Melesville [pseud.]. Mis en musique par Adolphe 

Adam. M.226.i;etc. 

La chambre a coucher, ou une demi-heure de Richelieu. 

Opera comique. Mis en musique par L. Guenee. M.292.11 
La chanteuse voilee. Opera comique. Paroles de Scribe 

et de Leuven [pseud.]. Musique de Victor Masse. 

M.225.i7a;etc. 
Les chaperons blancs. Opera comique. Musique de D. 

F. E. Auber. M.223.10; etc. 

La chatte metamorphosee en femme. Operette. Paroles 

de MM. E. Scribe et Melesville [pseud.] Musique de 

J. Offenbach. No. 2 in M.368.13 

Le cheval de bronze. Opera feerie. Musique de D. F. E. 

Auber. M.402a.2; etc. 

La Circassienne. Opera comique. Musique de D. F. E. 

Auber. M.402a.3 ; etc. 

Le code noir. Opera comique. Musique de L. Clapisson. 

M.402a.8; etc. 
Le Comte de Carmagnola. Opera. Musique de Ambroise 

Thomas. M.284.17 

Le comte Ory. Opera en 2 actes. [Paroles de MM. Scribe 

et Poirson. Musique de Rossini.] Paris. Bezou. 1828. 

The libretto only. No. 4 in M.370.37 

Same. Paroles de Scribe & Delestre-Poirson [pseud.]. 

Mis en musique par G. Rossini. M.274.i;etc. 



59 



Scribe 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Scribe 



Scribe, Augustin Eugene. (Continued.) 

Concert a la cour, ou la debutante. Opera comique. 
Paroles de MM. Scribe et Melesville [pseud.]. Musique 
de D. F. E. Auber. M.2S1.27 

[Crown diamonds.] The new comic opera, in three acts, 
of the Crown diamonds. The music by Auber. [The 
words by Scribe and Saint-Georges.] London. Fair- 
brother. [184-?] No. 10 in M. 145.25 
Libretto only, in English. 
Same. The favourite opera, in three acts, entitled The 
crown jewels (Les diamans de la couronne). The music 
by Auber. Adapted to the English stage by Mr. Tully. 
The words [translated] by E. Fitzball [pseud.]. Lon- 
don. Chappell. [1840?] No. II in M. 145.25 
Libretto only, in English. 
Same. Les diamants de la couronne. Opera comique. 
Paroles de Scribe et de S' Georges. Musique de D. F. 
E. Auber. M.361.19; etc. 
La dame blanche (Die weisse Dame). Opera. Mis en 
musique par A. Boieldieu. Partition d'orchestre. 

M.352.9;etc. 

La dame de pique. Opera comique. Musique de F. 

Halevy. M.365.26 

Les deux nuits. Opera. [Paroles de Scribe et Bouilly.] 

Musique de A. Boieldieu. M.281.3 

Le Diable a I'ecole. Opera comique. Musique de Ernest 

Boulanger. No. i in M.281.7 

Le dieu et la bayadere. Opera. Musique de D. F. E. 

Auber. M.223.7; etc. 

Dom Sebastien. Opera. Musique de G. Donizetti. 

M.401.8; etc. 
Le domino noir. Opera comique. Musique de D. F. E. 
Auber. M.223.3;etc. 

Le Due d'Olonne. Opera comique. Paroles de Scribe et 
Saintine. Musique de D. F. E. Auber. M. 223.8; etc. 

II Duca d'Alba. Opera postuma di G. Donizetti. M.305.4 
L'enfant prodigue. Opera. Musique de D. F. E. Auber. 

M.361.36 

L'etoile du nord. Opera comique. Musique de Giacomo 

Meyerbeer. M.227.18; etc. 

La fee aux roses. Opera comique. Paroles de Scribe et 

de St. Georges. Musique de F. Halevy. M.227.22; etc. 

La fiancee. Opera-comique. Musique de D. F. E. Auber. 

M.223.17; etc. 
La fiancee du Diable. Opera comique. Paroles de E. 
Scribe et H. Romand. Musique de Victor Masse. 

M.247.33 

La fiancee du roi de Garbe. Opera-comique. Paroles de 

Scribe et de Saint Georges. Musique de D. F. E. Auber. 

M.362.2 
Le fidele berger. Opera comique. Paroles de Scribe et 
de S' Georges. Mis en musique par Adolphe Adam. 

M.361.15 

La figurante, ou I'amour et la danse. Opera comique. 

Paroles de MM. E. Scribe et Dupin. Musique de L. 

Clapisson. M.291.13; etc. 

Fiorella. Opera comique. Musique de D. F. E. Auber. 

M.223.13; etc. 

Le fils du prince. Opera comique. Mis en musique par 

Alph. de Feltre. M.262.38 

Florinda. Opera seria. Musica di S. Thalberg. M.327.9 

Fra Diavolo. Opera comique. Musique de D. F. E. 

Auber. M.223.4; etc. 

Giralda, ou la nouvelle Psyche. Opera comique. Musique 

de Ad. Adam. M.361.7 

Guido et Ginevra. Opera. Musique de F. Halevy. 

M.365.33 
Le guitarrero. Opera comique. Musique de F. Halevy. 

M.292.17; etc. 

Gustave ou le bal masque. Musique de D. F. E. Auber. 

Opera historique. M.400.32; etc. 

Haydee, ou le secret. Opera comique. Musique de D. F. 

E. Auber. M.361.24 

Jenny Bell. Opera-comique. Musique de D. F. E. Auber. 

M.362.7; etc. 



Scribe, Augustin Eugene. (Continued.) 

Le Juif errant. Opera. Paroles de Scribe et de St. 

Georges. Musique de F. Halevy. K.szy.i^; etc. 

La Juive. Opera. Musique de F. Halevy. M.328.7;etc. 

Le lac des fees. Opera. Musique de D. F. E. Auber. 

M.361.35 

Lambert Simnel. Opera comique. Paroles de MM. E. 
Scribe et Melesville [pseud.]. Musique posthume de 
Hipp. Monpou, terminee par Ad. Adam. M.267.10 

Leicester, ou le chateau de Kenilworth. Opera comique. 
Paroles de Scribe et Melesville [pseud.]. Musique de D. 
F. E. Auber. M.223.15; etc. 

Leocadie. Drame lyrique. Paroles de MM. Scribe et 
Melesville [pseud.]. Musique de D. F. E. Auber. 

M.251.22; etc. 

[Lestocq.] Songs, duets, chorusses, etc., in the new grand 
opera of Lestocq, or, the fete of the hermitage. Hhe 
music by Auber. [Adapted from the French of Scribe.] 
By Alfred Bunn. London. Miller. [1835.] M. 147.31 
Libretto only, in English. Interleaved, and with many newspaper cut- 
tings, letters, etc. 

Same. Musique de D. F. E. Auber. M.223.11; etc. 

Le loup garou. Opera comique. Paroles de Scribe et 
Mazeres. Musique de Louise Bertin. M.261.29 

Le magon. Opera frangais. [Paroles de Scribe et G. 
Delavigne.] Musique de D. F. E. Auber. M.362.S 

La main de fer, ou un mariage secret. Opera comique. 
Paroles de MM. Scribe et de Leuven [pseud.]. Musique 
de Ad. Adam. M. 251. 11 

Le mal du pays. Opera vaudeville. Paroles de Scribe et 
Melesville [pseud.]. Musique d' Adolphe Adam. 

No. 2 in M.391.27 

Manon Lescaut. Opera comique. Musique de D. F. E. 
Auber. M.362.9 

Marco Spada. Opera-comique. Musique de D. F. E. 
Auber. M.362.8 

Marguerite. Opera comique de MM. E. Scribe et Eugene 
[pseud.]. Mis en musique par Adrien Boieldieu. 

M.271.30 

La marquise de Brinvilliers. Paroles de MM. Scribe et 
Castil-Blaze. Musique de MM. Auber, Batton, Berton, 
Blangini, Boieldieu, Carafa, Cherubini, Herold et Paer. 

M.251.23 

Les martyrs. Opera. Mis en musique par G. Donizetti. 

M. 400.23 

[Masaniello.] La muette de Portici. Opera. Paroles de 
MM. Scribe et Germain Delavigne. Musique de D. F. 
E. Auber. M.402a.4;etc. 

Le mauvais ceil. Opera comique. Paroles de MM. E. 
Scribe et G. Lemoine. Mis en musique par Louisa 
Puget. M.225.36 

La medecine sans medecin. Opera comique. Paroles de 
Scribe & Bayard. Musique de F. Herold. M.402a.i7;etc. 

Mosquita la sorciere. Opera-comique. Poeme de Scribe 
et G. Vaez. Musique de X. Boisselot. M.363.1 

Les mysteres d'Udolphe. Opera comique. Poeme de 
Scribe & G. Delavigne. Musique par L. Clapisson. 

M.363.16 

Le nabab. Opera comique. Poeme de MM. E. Scribe et 
de St Georges. Musique de F. Halevy. M.36S.30 

Ne touchez pas a la reine. Opera comique. Poeme de 
Scribe et G. Vaez. Musique de X. Boisselot. M.362.35 

La neige, ou le Nouvel £ginard. Opera comique. Pa- 
roles de MM. Scribe et Germain Delavigne. Musique 
de D. F. E. Auber. M.251.25; etc. 

La nonne sanglante. Opera. Paroles de MM. E. Scribe 
et G. Delavigne. Musique de Ch. Gounod. M.328.S 

Le nouveau Pourceaugnac. Opera comique. Paroles de 
Scribe & Poirson. Musique de Aristide Hignard. 

No. 2 in M.276.23 

La nuit de Noel. Opera. Musique de Henri Reber. 

M.307.2 

L'ours et le pacha. Opera comique. Paroles de Scribe 
et Saintine. Musique de Frangois Bazin. 

No. 2 in M.399.1 



60 



Scribe 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Se taccione 



Scribe, Augustin Eugene. (Continued.) 

La part du Diable. Opera-comique. Musique de D. F. 

E. Auber. M.361.28 

Le philtre. Opera. Musique de D. F. E. Auber. 

M.25i.2g; etc. 
Le portefaix. Opera comique. Mis en musique par J. M. 

Gomis. M.282.10 

Le prison d'fidimbourg. Opera comique. Paroles de MM. 

Scribe et E. de Planard. Musique de Mr. Carafa. 

M.402a.s; etc. 
Le prophete. Opera. Musique de Giacomo Meyerbeer. 

m:.227.i9; etc. 
Le puits d'amour. Opera comique. Paroles de Scribe et 

de Leuven [pseud.]. Musique de M. W. Balfe. 

M.261.13; etc. 
Regine, ou deux nuits. Opera comique. Mis en musique 

par Adolphe Adam. M.223.18; etc. 

La reine d'un jour. Opera comique. Paroles de MM. E. 

Scribe et de S' Georges. Musique de Adolphe Adam. 

M. 223.20; etc. 
Roberto il Diavolo. Opera in cinque atti con balli ana- 

loghi. Musica di Giacomo Meyerbeer. Venezia. Mo- 

linari. [184-?] No. 14 in M.147.8.2 

Libretto in Italian only. 
Same. Robert the Devil. A grand opera seria, in four 

acts. The music by Meyerbeer. London. Chappell. 

[184-?] No. 6 in M. 145.25 

English libretto only. 
Same. Robert le Diable. Opera. Paroles de Scribe & 

Casimir [Germain] Delavigne. Musique de G. Meyer- 
beer. M.367.i7;etc. 
Le serment, ou les faux monnoyeurs. Opera. Musique 

de D. F. E. Auber. M.402a.22 ; etc. 

[Le sherif.] Ouverture [et morceaux detaches] de I'opera 

Le sherif. [Musique de F. Halevy.] M.396.25 

The syren: a comic opera. The music by Auber. The 

libretto by Scribe, adapted from the French by Alfred 

Bunn. London. Johnson. [1844.] M. 147.27 

Libretto only, interleaved. 

Same. La Sirene. Opera comique. Musique de D. F. E. 

Auber. M.223.12; etc. 

La tempesta. An entirely new grand opera, in three acts. 

The music composed by Halevy. The poem by Scribe. 

[With an Italian translation by Giannone.] Founded on 

"The tempest" of Shakspere. [Illustrated by Alfred 

Henry Forrester. London.] Mitchell. 1850. Plates. 

Words only, in Italian and English. No. 7 in M.372.61 

Same. Musique de F. Halevy. M. 365.31 

Le timide. Opera comique. Paroles de MM. Scribe & 

Xavier. Musique de D. F. E. Auber. M.251.26 

Les Treize. Opera comique. Paroles de MM. E. Scribe 

et Paul Duport. Musique de F. Halevy. M.2g2.i4 

Les trois Nicolas. Opera comique de Scribe, Lopez et 

**[Lurieu]. Musique de L. Clapisson. M.363.13 

Gli Ugonotti. Grand' opera. Musica di Giacomo Meyer- 
beer. M.355.io;etc. 
Le valet de chambre. Opera comique. Paroles de Scribe 

et Melesville [pseud.]. Musique de M^l Carafa. 

No. 3 in M.275.16 
I vespri siciliani. Opera di E. Scribe et Ch. Duveyrier. 

Musica di Giuseppe Verdi. M.327.21 

La vieille. Opera comique. Paroles de MM. Scribe & 

Germain Delavigne. Musique de F. J. Fetis. 

M.224.22; etc. 
Die Xacarilla. Grosse Oper. In Musik gesetzt von Mar- 

liani. M.273.9 

Yvonne. Drame lyrique. Musique de A. Limnander. 

M.306.20 
Zanetta. Opera comique. Paroles de Scribe et S' Georges. 

Musique de D. F. E. Auber. M.223.5;etc. 

Zerline, ou la corbeille d'oranges. Opera. Paroles de 

Scribe. Musique de D. F. E. Auber. M.361.37 

Die zwei Prinzen. Oper. Nach dem Franzosischen des 

Scribe und Melesville [Pseud.]. Musik von Heinrich 

Esser. M.262.29 



Scribe, Augustin Eugene. Works about. 

Moulin, V. Scribe et son theatre, fitudes sur la comedie 
au xixe siecle. Paris. 1862. No. i in M.141.3 

Scribe, E. See Scribe, Augustin Eugene. 
Scrivo in te Tamato nome. Song. Prati, A. Sei romanzi. 

No. 13 in M.221.25 
Scudamore organs. See Organ. 
Scudo, Pietro. 

L'annee musicale. Annee 1-3. Paris. Hachette & cie. 

1860-62. 3 V. M.138.8 

L'art ancien et I'art moderne. Nouveaux melanges de 

critique et de litterature musicales. Paris. Garnier. 

1854. M.129.21 

Largely biographicaL 

Le chevalier Sarti. [Roman.] Paris. Hachette & cie. 

1857. M.129.44 

Critique et litterature musicales. Serie [i], 2. Paris. 

Lecou. 1852, 59. 2 V. M. 129.45 

Scuola, La, de' maritati. Opera. For the Libretto see Ponte, 

L. da. 

Se al labbro mio non credi. Aria. Mozart. Werke. Serie 

6, Band i. No. 18 in M.315.1.6.1 

Se amarissimo fiele e mortal tosco. Madrigal. Palestrina. 

Werke. Band 29. 1*1.80403.66.29 

Se ardire, e speranza. Aria. Mozart. Werke. Serie 24, 

Band i. No. 3 in 11.315.1.24.1 

Se ben I'empia mia sorte. Part-song. Lassus. Sammtliche 

Werke. Band 8. 11.80403.67.8 

Se ben non veggion. Part-song. Lassus. Sammtliche Werke. 

Band 8. 11.80403.67.8 

Palestrina. Werke. Band 28. M.80403.66.28 

Se ceres, se dice il padre. Aria. Pergolesi, G. B. 

No. 4 in M. 120.28 
Se da soavi accenti. Part-song. Palestrina. Werke. Band 
30. M.80403.66.30 

Se di Cipro ottien I'impero. Romanza. Pacini, G. 

No. 2 in M.364.10 

Se di pi3nti e di stridi. Madrigal. Palestrina. Werke. Band 

28. M.8o4oa.66.28 

Se fr3 quest' erb' e fiore. Madrigal. Palestrina. Werke. 

Band 28. M.80403.66.28 

Se il mio ben. Duet. Weber, C. M. F. E. von. Sammtliche 

Lieder. Band i. No. 34 in M.244.7 

Se '1 pensier che mi strugge. Madrigal. Palestrina. Werke. 

Band 28. M.8o4oa.66.28 

Se la vits vuoi godere. Barcarola. Tadolini, G. 

No. 9 in M. 157.39 
Se lanient3r augelli. Madrigal. Palestrina. Werke. Band 
28. M.8o4oa.66.28 

Se lontan ben mio tu sei. Part-song. 

Henneberg, J. B. No. 144 in 11.1293.43.4 

Mozart. Werke. Serie 24, Band I. No. 4 in M.315.1.24.1 

Se m'abbandoni. Song. Mengozzi. No. 8 in M. 157.39 

Se mai senti spirarti. Aria. Gluck. No. 8 in M. 120.16 

Hasse, J. A. P. No. 5 in M.120.19 

Se me prestasse i vanni. Canon. Garcia, M. del Popolo- 

Vicente. No. 21 in M. 157.14 

Se nascens. Anthem. Mertiam. No. 25 in M.260.18 

Se non fusse il pensier. Madrigal. Palestrina. Werke. 

Band 28. 11.80403.66.28 

Se palpitar d'uggia. Aria, s. o. t., con accomp. d'orchestra. 

Partitura. Manuscript. [180-?] No. 5 in M. 120.28 

Se pari e la tua fe. Song. Handel. Werke. Lieferung 51. 

M.3I3-I-5I 
Se parto ben mio. Aria. Perez, D. No. ii in M.120.28 

Se per fatal destino. Song. Handel. Werke. Lieferung 51. 

M.313-I-SI 
Sea-pictures. Songs. Elgar. No. l in M.406.63 

Se pieta da voi non trovo. Song. Barth^lemon, M. 6 Eng- 
lish and Italian songs. No. 4 in M.221.32 
Se plac3r volete. Round. Martin y Solar. No. 46 in M.235.18.3 
Se resto sul lido. Arietta. Asioli. No. 32 in M.235.18.2 
Se si 3lto pon gir mie stanche rime. Part-song. Lassus. 
Sammtliche Werke. Band 4. M.8o4oa.67.4 
Se taccione i miei labbri. Duet. Pacini, G. No. 12 in M.221.20 



61 



Se torni 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



See from 



Se torni vincitor. Song. Cimarosa. No. 9 in M. 120.18 

Se tu mi lasci. Song. Gordigiani. fichos de la Toscane. 
Vol.2. No. II inM.244.13.2 

Se tu non lasci amore. Part-song. Handel. Werke. Liefe- 
rung 32. M.313.1.32 

Se tutti i mali miei. Aria. Mozart. Werke. Serie 6, Band i. 

No. 8 in M.315.1.6.1 
Se viver non poss' io. Catch. Hutchinson, F. 

No. 133 in M. 220.10 
Sea, The. Part-song. Mohr, H. No. 3 in M.392.18 

Sea and heart. Part-song. Oelschlegel. No. 31 in m. 392.19 
Sea beat mariner, The. Glee. Russell, W. No. 24 in M.235.11 
Sea-change, A; or, love's stowaway. Opera. For the Music 

see Henschel, G. For the Libretto see Howells. 
Sea-greeting. Cantata. For the Music see Thayer, A. W. 

For the Libretto see Heine. 

Sea, The, hath its pearls. Part-song. Parker, J. C. D. 7 

part songs. M.157.13 

Sea king, The. Part-song. Smart, H. No. 12 in M.195.1.1 

Sea-maidens, The. Cantata. For the Music see Roeckel, J. 

L. For the Libretto see Weatherly. 
Sea nymphs. The. Opera. For the Music see Lecocq, A. C. 

For the Libretto see Farnie. 
Sea slumber song. Song. Elgar. Sea-pictures. 

No. I in M.406.63 

Sea song. Part-song. Macfarren, W. C. No. 13 in M.195.1.9 

Sea song and river rhyme. Songs 'without music. Adams, E. 

D., editor. M.216.1 

Sea songs. The, of England. Songs. Kitchiner, editor. 

No. 2 in M.237.24 
Seals, The. Song. Barnett, J. Lyrical illustrations. 

No. II in M.157.41 
Search me, O God. Response. Blodgett. Anthems, responses 
and hymns. No. 4 in M.203.9 

Search me, O Lord. Anthem. Baumbach, A. 

No. 8 in M.290.9.1 
Searelle, Luscombe. 

"The black rover." A melo-dramatic opera, in three acts. 
Written and composed by Luscombe Searelle. [Accomp. 
for pianoforte.] London. London Music Publishing 
Co. [1890.] M.393-64 

Estrella; an original comic opera, in three acts. Written 
by Walter Parke. Composed by Luscombe Searelle. 
[Accomp. for pianoforte.] New York. Pond & Co. 
1883. M.402.48 

Season of my purest pleasure. Trio [s. s. s.]. (/n Turle 
and Taylor. The People's music book. Vol. 3, p. 28.) 

No. 14 in M.iii.4.3 
Seasons, The. Glee. Arnold, S. No. 55 in M.235.18.3 

Seasons, The. Oratorio. For the Music see Haydn, F. J. 
Seasons, The. Part-song. Hawes, W. No. 7 in M. 246.36 

Sebastien Gomez, ou le mulatre de Murillo. Opera. For the 
Music see Riquier. For the Libretto see Menard de 
Rochecave. 
Secchi, Benedetto. 

La fanciuUa delle Asturie. Tragedia lirica in 4 atti di 

Temistocle Solera. Musica di Benedetto Secchi. Ridu- 

zione per canto e pianoforte di Luigi Truzzi. Milano. 

Ricordi. [1856.] M.274.22 

Sechs Groschen und drei Dreier. Part-song. Lachner, V. 

No. 40 in M.392.42.4 
Second, Alberic. 

La fontaine de Berny. Opera-comique. Musique de 

Adolphe Nibelle. No. i in M.267.27 

Les petites mysteres de I'Opera. Paris. Kugelmann. 

1844. IIlus. M. 143.17 

Second, Louis. 

Une bonne fortune. Opera bouffon de MM. Edouard 
[pseud.] et Fereol [pseud.]. Mis en musique par 
Adolphe Adam. M.223.i9;etc. 

Secourez moi, ma dame. Part-song. Lassus. Sammtliche 
Werke. Band 16. 11.80403.67.16 

Secret, Le. Opera. For the Mhsic see Soulier. For the 
Libretto see Hoffman, F. B. 



Secret, The. Part-song. Hiller, F. No. 22 in M.204.36.2 

Reissiger. No. 7 in M.195.1.16 

Secret, Le. Song. Schubert, F. P. No. 48 in M.23S.18.3; etc. 

Secret, Le, d'Antonine. Opera. For the Music see Gobbaerts. 

For the Libretto see Michaels. 
Secret, Le, de I'Oncle Vincent. Opera. For the Music see 

Lajarte. For the Libretto see Boisseaux. 
Secret, Un, du monde. Fiction. Lecomte, J. 11.1293.52 

Secret, Le, du sapeur. Opera. For the Music see Roques, 

J. L. For the Libretto see Renard. 
Secret prayer. Anthem. Stearns. No. i in M.158.20 

Secrets, Les, de la Baronne. Opera. For the Music see 

Pourny. For the Libretto see Vernet. 
Secrets, Les, de la musique. Instruction book. Rigaud. 

M.144.10 

Secundum multitudinem dolorum. Motet. Palestrina. Werke. 

Band 2. M.8o4oa.66.2 

Sed juvat immensus. Motet. Lassus. Sammtliche Werke. 

Band 11. M.8o4oa.67.ii 

Sedaine, Michel Jean. 

Aline, reine de Golconde. Ballet-heroique par M^ * * * 

[Monsigny.] M.283.i2;etc. 

Aucassin et Nicolette, ou les moeurs du bon vieux terns. 

Comedie. Mise en musique par Gretry. M. 282.19 

Barbe Bleue. Comedie. Mise en musique par Gretry. 

M.282.29 

Blaise le savetier. Opera bouffon. Mis en musique par 

A. D. Philidor. M.340.2 

Le Comte d'Albert. Opera comique. Mis en musique 

par Gretry. M.282.23 

Le deserteur. Drame. [Mis en musique par Monsigny.] 

M.283.20; etc. 

Le Diable a quatre. Opera comique. [Mis en musique 

par Philidor.] No. i in M.2S4.13 

Ernelinde, princesse de Norvege. Tragedie lyrique [de 

Danican]. Paroles de Poinsinet (& Sedaine). M.287.16 

Le faucon. Opera-comique par M'' * * * [Monsigny]. 

M.225.24 

Felix, ou I'enfant trouve. Comedie. Mise en musique par 

M. M *** [Monsigny]. M.283.18 

Les femmes vengees. Opera comique. Mis en musique 

par A. D. Philidor. M.254.11 

Guillaume Tell. Drame lyrique. Remis a la scene avec 

des changements au poeme [de Sedaine] par M^ Pel- 

lissier, et a la musique [de Gretry] par H. Berton. 

M.261.32 

L'isola incantata, ou I'isle enchantee. Opera bouffon. Mis 

en musique par M. Bruni. M.224.4 

Le jardinier et son seigneur. Opera bouffon. Mis en 

musique par A. D. Philidor. No. 2 in M.2S4.9 

Le magnifique. Comedie. [Musique de] M. Gretry. 

M.282.27 

On ne s'avise jamais de tout. Opera bouffon. Mis en 

musique par M. * * ♦ [Monsigny]. No. i in M. 283.15; etc. 

Richard Coeur-de-Lion. Opera-comique. [Musique de 

Gretry.] M.282.38; etc. 

Rose et Colas. Comedie en i acte, prose et musique. 

Paris. Herissant. 1764. No. 6 in M.104.14 

Words only. 

Same. Comedie. Representee par M^ '*' * * [Monsigny]. 

M.283.13; etc. 

Le roy et le fermier. Comedie. Representee par M. * * ■* 

[Monsigny]. M.283.19 

Les sabots. Piece en i acte. Mise en musique par M. 

Duny. M.262.16 

Sede, Paul de. 

Le coq de Viroflay. Opera comique. Musique de Lucien 
Poujade. No. 2 in M.396.73 

Sederunt principes. Gradual. Haydn, J. M. No. 4 in M.202.9 
Seduzione, La. Duet. Alary. Ricreazioni musicali. 

No. I in M.244.19 
See, from his ocean bed. Madrigal. Ruffo. 

No. 27 in M.IS7.28.1 

See from Zion's sacred mountain. Anthem. Gabriel, M. A. 

V. No. 30 in M. 190.8 



62 



See how 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sehnsucht 



See! how beneath. Glee. Jolly. Glees for three and four 
voices. No. 3 in M.220.29;etc. 

See how smoothly. Glee. Pearsall. No. 21 in M.195.1.10 

See how the night. Part-song. Wilson, J. H. 

No. 47 in M. 158.20 

See our bark scuds o'er the main. Stevenson. The original 

boat glee. No. 7 in M.157.6.3 

See our oars. Glee. Stevenson. No. 6 in m. 157.7; etc. 

See, PhiUis, yonder bower. Catch. Battishill. 

No. 19 in M.157.18.1 ; etc. 
See, see, my boys. Catch. Bacon, R. No. 38 in M.220.10 

See, see, mine own sweet jewel. Glee. Morley. 

No. 17 in M.110.8; etc. 
See, smiling from the rosy east. Glee. Spofforth. 

No. 28 in M. 220.9.5 
See the blooming spring. Round. Atterbury. No. 2 in M.220.7 
See the bowl. Catch. Wellesley, G. C. No. 112 in M.220.9.2 
See the chariot at hand. Glee. Horsley, W. 

No. 34inM.i57.i7;etc. 
See the conquering hero comes. Glee. Handel. 

No. S in M.175.1.2; etc. 
See, the early dawn. Madrigal. Nanino, G. M. 

No. 38 inM.iii.4.3 
See, the glass is out. Glee. Bishop, H. R. Complete col- 
lection of glees. Vol. 2. M.235.1.2 
See the heavens smile. Song. Purcell, H. Beauties of 
Purcell. Vol. i. M.221.2.1 
See the jolly god. Catch a 4 voci. (/n Warren. Collection 
of catches. Vol. 2, pp. 20-22.) No. 8 in M.220.9.2 
See, the jolly god. Glee. Battishill. No. 8 in M.235.11 
See, the morning star. Carol. Monk, E. G. No. 17 in M. 175.1.8 
See, the rooks. Part-song. Hatton. No. 33 in M.195.1.6 
See the star of queenly beauty. Part-song. Flotow, F. F. 
A. von. No. 15 in M. 244.10.3 
See this transient mortal life. Choral. Latrobe, C. I. 
Original anthems. No. 18 in M.236.15 
See what horrid tempests. Glee. Stevens, R. J. S. 

No. 16 in M.23S.9.4; etc. 
See what love the Father bestow'd. Anthem. Mendelssohn- 
Bartholdy, J. L. F. No. 19 in M.17S.1.2 

See where, with rapid bound. Madrigal. Marenzio. 

No. 33 in M.237.15; etc. 
See where yon streamlet. Part-song. Mozart. 

No. 12 in M.157.17.1 
See, with ivy chaplet. Glee. Calcott, J. W. 

No. 70 in M.iii.4.3; etc. 
See yon gay goldfinch. Glee. Spofforth. Collection of 
glees. No. 15 in M.235.15 

Seebilder. Part-songs. Rheinberger, J. G. 

No. 28-31 in M.392.37 
Seeger, Ferdinand F., translator. 

Sieber, F. The art of singing. Translated from the 

German, with the 'addition of an original chapter on 

the hygiene of the voice by F. Seeger. New York. 

[1872.] M.375.10 

Seeg^er, Franz Gregor. 

Requiem fiir s. a. t. und b., dann Violin i, 2, Viola, 2 
Clarinetten, 2 Fagotten, 3 Posaunen, 2 Clarinen und 
Pauken, Violoncell, Contrabass und Orgel. 53. Werk. 
[Partitur.] Wien. Diabelli & Co. [184-?] 

No. 4 in M. 201.20 
Seejungfer, Die. Song. Haydn, F. J. Gesaenge. Heft 2. 

No. 2 in M.31Z.3S 

Seek by the silvery Darro. Duet. Hodges, G. L. Collection 

of Peninsular melodies. Vol. 2. No. 13 in M.244.25.2 

Seek not to draw me. Duet. Webbe. Selection of glees. 

Vol. I. No. 21 in M.235.13.1 

Seek not to know. Song. Purcell, H. Beauties of Purcell. 

Vol. 2. M.221.2.2 

Seek ye the Lord. Anthem. Bridge, J. F. No. 42 in M.158.13 

Brown, O. B. No. 6 in M.203.11 

Kinsey. No. I in M.195.2.16 

Roberts, J. V. No. 2 in M.195.2.10 

Seekadet, Der. Opera. For the Music see Genee. For the 

Libretto see Walzel. 



Seele, Die, eines Engels. Song. Gounod. No. i in M.192.10 
Seelendrang. Part-song. Grobe. No. 39 in M.392.42.1 

Seelenwanderung, Eine. Overture. Durand, E. 

No. 5 in M.332.I3 
Seelig sind die Todten. Anthem. Schuetz. No. 30 in M. 202.6.2 
Seeling, Hans. 

Aus den Memoiren eines Kunstlers. Tondichtungen fur 

Pianoforte von Hans Seeling. Op. 13. Fiir Orchester 

bearbeitet von Karl MuUer-Berghaus. Partitur. Leipzig. 

Senff. [1875.] No. 5 in M.335.11 

Seemann's Abschied. Song. Taubert, C. G. W. 12 Gesaenge. 

Op. 27. No. 7 in M.221.26 

Seemann's Scheidelied. Song. Mendelssohn- Bartholdyx J. 

L. F. Werke. Serie 19. M.413.3.19 

Seemannslied. Part-song. Schmoelzer. No. 34 in M.392.23 

Seemorgen auf dem atlantischen Meere. Cantata. For the 

Music see Holzinger. For the Libretto see Niembsch 

von Strehlenau. 

Seenixen, Die. Cantata. For the Music see Zoellner, H. 

For the Libretto see Tennyson. 
Segnitz, Eugen. 

W. A. Mozart, Blaser-Serenaden: Nr. 10 in B dur; Nr. 11 

in Es dur. Erlautert. Berlin. Seemann. [1904. Der 

Musikfiihrer. No. 236.] No. 11 in M.2i7.i2.io 

Segreto, II. Opera. For the Music see Mayer, J. S. For 

the Libretto see Foppa. 
Segreto, II. Song. Donizetti. No. S in M.157.39 

Seguii gia le speranze e '1 van desio. Part-song. Lassus. 
Sammtliche Werke. Band 8. M.8o4oa.67.8 

Segur, Alexandre Joseph Pierre, Vicomte de. 

L'opera comique. Opera comique. Paroles des citoyens 

J. Segur jeune et Em. Dupaty. Musique del Sig^ Do- 

menico della Maria. M.252.26 

Romeo et Juliette. Opera. Mis en musique par D. Stei- 

belt. M.284.6 

Segur, J., jeune. See Segur, Alexandre Joseph Pierre, Vicomte 

de. 

Seh' ich deine zarten Fiisschen an. Song. Rubinstein. 

Zwolf Lieder des Mirza-Schaffy. No. 7 >" M. 192.5 

Sehet, welch' eine Liebe. Anthem. Bach, J. S. Werke. 

Jahrgang 16. M.8040.21.16 

Sehet, wir geh'n hinauf gen Jerusalem. Anthem. Bach, J. 

S. Werke. Jahrgang 32. M.8040.21.32 

Sehnen, Das. Song. Schubert, F. P. Werke. Serie 20, 

Band 2. M.317.1.20.2 

Sehnsucht. [Mannerchor.] {In Orpheus. Band 4, p. 39-) 

No. 137 in M.i29a.43.4 
Sehnsucht. Part-song. Debois. No. 66 in M.392.3 

George V., of Hanover. Sechs Gedichte. 

No. s in 11.155.17; etc. 
Mangold. Drei Lieder. Op. 33- No. 17 in M.392.17 

Schubert, F. P. Werke. Serie 16. M.317.1.16 

SZADROWSKY, H. No. 8 in M.130.7 

Weinwurm. No. 2 in M.392.42.4 

Sehnsucht, Die. Song. Becvarovsky. Gesange beim Klavier. 
Heft I. No. 20 in M.221.33 

Beethoven. Werke. Serie 23. M.413.1.23 

Blumenthal. 6 Lieder. No. 27 in M.244.1 

Brahms. Funf Lieder. Op. 49- No. 12 in M.380.40.1; etc. 
HiLLER, F. Drei Gesange. Op. 34- No. 14 in M.192.3 

Kreutzer, C. No. 10 in M.221.30 

KuECKEN. Lied in der Fremde. No. i in M.244.6.1 

Mendelssohn-Bartholdy, J. L. F. Werke. Serie 19. 

M.4I3-3-I9 
Methfessel, a. G. 6 Lieder. 24. Werk. No. 5 in M.221.33 
PosA. No. 14 in M.380.22 

Romberg, A. J. No. 3 in M.280.43 

Rubinstein. Sechs Lieder. Op. 8. No. i in M.192.S 

Schubert, F. P. No. 5 in M.140.33.3; etc. 

Schumann, R. A. Lieder und Gesange. Heft 2. 

No. 7 in M.244.15.2; etc. 
Strauss, R. Funf Lieder fiir eine Singstimme. Op. 32. 

No. 13 in M.380.24.2 
Taubert, C. G. W. Dichtungen von F. v. Schiller. 

No. I inM.i92.8;etc. 



63 



Sehnsucht 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Seifriz 



Sehnsucht, Die. Song. (Contitfied.) 

Weber, C. M. F. E. von. Sammtliche Lieder. Band 2. 

No. 84 in M.244.7 

Sehnsucht der Liebe. Song. Schubert, F. P. Werke. 

Serie 20, Band 2. M.317.1.20.2 

Sehnsucht nach dem Fruehlinge. Song. Mozart. 30 Ge- 

sange. M. 221. 28; etc. 

Sehnsucht nach dem Tode. Song. Albert, Prince Consort. 

Collected compositions. M.290.23 

Sehnsucht nach dem Walde. Part-song. Hummel, F. Wald- 

wanderung. Heft i. No. 3 in M.203.2 

Sehnsucht nach den Alpen. Part-song. Schmoelzer. 

No. 83 in M.246.22 
Sehnsucht nach der Heimath. Part-song. 

Kreutzer, C. No. 51 in M. 147.4 

Krug, F. No. 5 in M.392.20 

Sehnsucht nach der Schweiz. Part-song. 

Ecker. No. 103 in M.147.4 

LiNDPAINTNER. No. 52 in M.I47.4 

Sehnsucht nach der Waldgegend. Song. Schumann, R. A. 

12 Gedichte von Kerner. No. 9 in M.244.15.1 ; etc. 

Sehr geviTohnliche Geschichte, Eine. Sang. Haydn, F. J. 

Gesange. Heft 2. No. 2 in M.312.35 

Seht auf die breiten Wiesen hin. Aria. Haydn, F. J. 

No. 4 in M.204.37.1 

Seht den Knut! Part-song. Grieg. Album fiir Manner- 

gesang. Op. 30. No. 6 in M.203.14 

Seht, wie diistere Wolken. Part-song. Boehme, F. M. 

Heimische u. fremde Weisen. No. 8 in M.392.5 

Sei du mein Trost. Song. Mozart. Werke. Serie 7, Band 

I. No. 15 in M.31S.1.7.1 

Sei gegruesst, du stille Nacht. Part-song. Abt, F. 

No. 5 in M.203.22 
Sei getreu bis in den Tod. Motet. Dornheckter. 2 Motetten. 

No. 17 in M.158.22 
Sei Lob und Ehr'. Choral. Bach, J. S. Werke. Jahrgang 
13, Theil I, 24. M.8040.21. 13.1,24 

Hesse, A. F. Variationen iiber den Choral. 

No. 10 in M.312.49 
Sei Lob und Preis. Motet. Bach, J. S. Werke. Jahrgang 
39. M.8040.21.39 

Sei mein! Song. Cornelius. Werke. Band i. M.414.20.1 
Sei mir gegruesst. Song. Schubert, F. P. Sammtliche 
Co«npositionen. M.244.12; etc. 

Sei mir gegruesst, O stille Nacht. Part-song. Becker, V. E. 

No. 21 in M.392.4 
Sei mir gnadig, Gott. Anthem. Hauptmann, M. 

No. II in M.270.49 
Sei mir heute nichts zuwider. Part-song. Kauffmann, E. F. 

No. 223 in M.i29a.43.7 
Sei pur bella pur vezzosa. Aria. Handel. Werke. Liefe- 
rung 51. M.313.1.51 

Sei pur tu che ancor rivedo. Duet. Donizetti. 

No. 7 in M.221.20 
Sei ruhig. Part-song. Haeser, J. Vier Lieder. Op. 2. 

No. 14 in M.3g2.io 
Sei still. Part-song. Humperdinck. Zwei Volkslieder. 

No. IS, 16 in M.392.12 
Sei still. Song. Abt, F. No. 4 in M.192.1 

Sei still dem Herrn und wart' auf ihn. Part-song. Haupt- 
mann, M. Sechs geistliche Gesange. No. 4 in M.1S7.22 
Seid Einig. Part-song. Genee. No. 10 in M.3g2.42.2 

Seidel, Arthur. 

O schau' mich an ein einzig mal. [Mannerchor.] (In 
Gruber. Sangeshort. Heft 4, pp. 14-16.) 

No. 3 in M.370.30 
Seidel, Christian. 

Mein Herz, thu' dich auf! [Mannerchor.] (In Das Riitli. 
Pp. 264, 265.) . No. Ill in M.147.4 

Seidel, Friedrich Ludwig. 

Lieder [s. o. t.], mit Begleitung des Pianoforte. Heft 3. 
Berlin. Kunst- & Industrie-Comptoir. [181-?] 

No. 17 in M.221.33 
Contents. — Friihlingslied. — Sangers Abendlied. — An eine Rose. — 
Leichter Sinn. 



Seidel, Johann Julius. 

The organ and its construction. Translated from the 
German. London. Ewer & Co. 1852. Plates. M.148.14 

Seidl, Anton, editor. 

The music of the modern world, illustrated in the lives 
and works of the greatest modern musicians. [Edited 
by] Anton Seidl, assisted by Fanny Morris Smith, H. 
E. Krehbiel and W. S. Howard. New York. Appleton 
& Co. [1895.] 2 V. Illus. Portraits. Plates. Fac- 
similes. M.14.1 
This work contains two articles by Seidl on conducting: Vol. i, pp. 
100-106, 201-214. Many of the plates are colored. 

Seidl, Arthur. 

Wagneriana. Berlin. Schuster & Loeffler. 1901, 02. 3 v. 

M.127.7S 
Contents. — I. Erlebte Aesthetik : Richard Wagner-Credo. Ein Er- 
ganzung zur ,, Richard Wagner-Schule." 2. Angewandte Aesthetik: 
Von Palestrina zu Wagner. Bekenntnisse eines musikalischen 
,,Wagnerianers." 3. Kritische Aesthetik: Die Wagner-Nachfolge im 
Musik-Drama. Skizzen und Studien zur Kritik der „modernen 
Oper." 
Seidl, Franz Xaver. 

Reisebekanntschaften. Singspiel. Musik von Franz Abt. 

No. I in M.391.27 
Seidl, Johann Gabriel. 

Herr, du bist gross! Gedicht fiir Mannerchor, Baritonsolo 
u. Orchester componirt von Albert Abt. No. i in M.212.3 
Seifert, Franz. 

Unsere Hausmeister. Heitere Scene fiir 4 Mannerstimmen 
mit Clavierbegleitung. Op. 51. Wien. Rebay & 
Robitschek. [189-?] No. 13 in M.212.16 

Seifert, Richard. 

Friihlingsaugen. [Mannerchor.] (In Abt. Deutsche 
Sangerhalle. Vol. 4, pp. 30-32.) No. 12 in M.392.42.4 

Same. Spring eyes. [Part-song, t. t. b. b.] (In Chickering 
collection. Vol. 2, pp. 24, 25.) No. 10 in M.392.48.2 

Weinlied. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 3, pp. 114, 115.) No. 37 in M.392.42.3 
Seifert, Uso. 

Always more. See his Immer mehr. 

Immer mehr. [Mannerchor.] (In Regensburger Lieder- 
kranz. Pp. 131, 132.) No. 56 in 11.1293.44 

Same. Always more. [Part-song, t. t. b. b.] (In Chicker- 
ing collection. Vol. i, p. 41.) No. 21 in M.392.48.1 
Same. More and more. [Part-song, t. t. b. b.] (In 
Mosenthal. Songs of the Mendelssohn Glee Club. Pp. 
16, 17.) No. 4 in M.204.38 
Wishes. [Part-song, t. t. b. b.] (In Chickering collec- 
tion. Vol. 2, pp. 6, 7.) No. 3 in M.392.48.2 
Seiffert, Max, editor. 

Boscoop, C. 50 psalmen Davids miet vier partijen 

M.41S.1 

NooRDT, A. van. Tabulatuur-boeck van psalmen en fan- 

tasyen, Amsterdam, 1659. * M.415.4 

Sweelinck, J. P. Werken. M.413.2 

ToLLius, J. Zesstemmige madrigalen. No. 2 in M.4i5.g 

Seifriz, Max. 

Acht Gesange fiir Mannerchor. Op. 3, Heft i. Breslau. 
Leuckart. [186-?] No. 25 in M.392.2S 

Contents, — Reiterlied. — Die Mlisensohne singen. — Trinklied. — 

Vaterlandslied. 
Bergmannslied. [Mannerchor.] (In Tauwitz. Deutsches 

Liederbuch. Pp. 138-141. Prag. 1865.) No. 67 in M.204.39 
Der deutschen Linken. [Mannerchor.] (In Tauwitz. 

Deutsches Liederbuch. Pp. 79, 80.) No. 31 in M.204.39 
Erklang dein traulich Wiegenlied. [Mannerchor.] (In 

Tauwitz. Deutsches Liederbuch. Pp. 36, 37.) 

No. 8 in M.204.3g 
Das Voglein. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 4, pp. 14-16.) No. 6 in M.392.42.4 
Waidmannslied. [Mannerchor.] (In Tauwitz. Deutsches 

Liederbuch. Pp. 141-143.) No. 68 in M.204.39 

Weberlied. [Mannerchor.] (In Tauwitz. Deutsches 

Liederbuch. Pp. 243, 244.) No. 107 in M.204.39 

Die Weihe der Nacht. [Mannerchor.] (In Stuttgarter 

Mannerchor-Album. Pp. 101-104.) No. 5 in M.203.22 



64 



Seigneur 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Selmar 



Seigneur, dans ta gloire. Anthem. Lacome d'Estalenx. 12 

psaumes. No. 2 in M.296.1 

Seigneur, ta puissance. Anthem. Lacome d'Estalenx. 12 

psaumes. No. 2 in M.2g6.i 

Seigneur Dieu, oy Toraison mienne. Anthem. Sweelinck, 

J. P. VVerken. Deel 3- M.4I3.2-3 

Seigneur, enten a mon bon droit. Anthem. Sweelinck, J. 

P. Werken. Deel 5. M.413.2.5 

Seigneur, enten ma requeste. Anthem. Sweelinck, J. P. 

Werken. Deel 2. M.413.2.2 

Seigneur, Le, est la clarte. Anthem. Sweelinck, J. P. 

Werken. Deel 2, 3. M.413.2.2,3 

Seigneur, garde mon droit. Anthem. Sweelinck, J. P. 

Werken. Deel 2. M.413.2.2 

Seigneur, je n'ay point. Anthem. Sweelinck, J. P. Werken. 

Deel 4. M.413.2.4 

Seigneur, le Roy. Anthem. Sweelinck, J. P. Werken. .Deel 

5. M.413.2.5 

Seigneur, puis que m'as retire. Anthem. Sweelinck. J. P. 

Werken. Deel 5. M.413.2.5 

Seigneur, Le, ta prier' entende. Anthem. Sweelinck, J. P. 

Werken. Deel 2. M.413.2.2 

Seiler, Emma. 

The voice in singing. Translated by a member of the 
American Philosophical Society [William Henry Fur- 
ness]. Philadelphia. Lippincott & Co. 1868. M.104.29 
Seiss, Isidor Wilhelm. 

Feierliche Scene und Marsch fiir grosses Orchester. Op. 
17. Partitur. Berlin. Schlesinger. [188-?] 

No. 2 in M.334.19 
Seit frischauf ir lieben Geste. Madrigal. Lassus. 

No. 21 in M.204.40 

Seit ich ihn gesehen. Song. Schumann, R. A. Frauenliebe 

und Leben. No. 2 in M.244.15.2 

Seitdem dein Aug' in meines schaute. Song. Strauss, R. 

Sechs Lieder von A. F. von Schack. Op. 17. 

No. 10 in M.380.24.1 
Seitz, Heinrich. 

Editha. Eine Sage vom Herthasee. Fiir Soli, Chor und 
Orchester componirt von Heinrich Hofmann. 

No. 2 in M.286.3 
Sejan, Nicolas, editor. 

Janson, J. B. A. J. Trois quatuor arranges pour le 

clavecin ou piano-forte, avec accomp. de violon et 

basse. No. 6 in M.360.11 

Sejour. Le, des bienheureux. Symphonic poem. Weingartner. 

Das Gefilde der Seligen. No. i in M.404.32 

Sejour militaire, Le. Opera. For the Music see Auber. For 

the Libretto see Bouilly. 
Sekles, Bernhard. 

Serenade fiir 11 Soloinstrumente: Flote, Oboe, Klarinette, 
Horn, Fagott, 2 Violinen, Viola, Violoncell, Kontrabass 
und Harfe. Op. 14. Partitur. Leipzig. Rahter. 1907. 

No. 2 in M. 136.28 
Selam, Le. Cantata. For the Music see Reyer. For the 

Libretto see Gautier, T. 
Selber ist der Mann. Part-song. Anacker, A. F. 

No. 88 in M.2i3.g 
Selby, Bertram Luard. 

All nations whom Thou hast made. Full anthem. [Ac- 
comp. for organ.] (In Novello's Collection of anthems. 
Vol. 12, pp. 137-145.) No. 16 in M.ig5.2.i2 

It was a lover. Part song. London. Novello, Ewer & 
Co. 1878. [The Musical times.] No. 45 in M.isS.ig 

Nurse's song. A two-part song [s. a. Accomp. for piano- 
forte]. (In Novello's Collection of trios, etc. Vol. 7, 
pp. 107-110.) No. 20 in M.204.36.7 

Shine out, stars. Trio [s, s. a. Accomp. for pianoforte]. 
(In Novello's Collection of trios, etc. Vol. 7, pp. 59- 
66.) No. 12 in M.204.36.7 

A song of the four seasons [s. s. a. Accomp. for piano- 
forte]. (In Novello's Collection of trios, etc. Vol. 3, 
pp. 145-152.) No. 20 in M.204.36.3 

Spring. Trio [s. s. a. Accomp. for pianoforte]. (In 



Selby, Bertram Luard. (Continued.) 

Novello's Collection of trios, etc. Vol. 7, pp. 52-58.) 

No. 1 1 in M.204.36.7 

Selden, Camille, pseud. See Krinitz, Elise de. 

Select harmony. Psalmody. Worcester. No. 2 in M.373.31 

Self-banished, The. Song. Blow. No. 47 in M.23S.18.1 

Selig die Todten. Part-song. Zoellner, C. F. Zehn Lieder 

u. Gesange. Heft 2. No. 41 in M.3g2.27 

Selig durch die Liebe. Part-song. Schubert, F. P. Werke. 

Serie 19. M.3i7.i.ig 

Selig ihr Blinden. Song. Wolf, H. Italienisches Lieder- 

buch. Band i. • M.38o.2g.i 

Selig ist der Mann. Anthem. Bach, J. S. Werke. Jahrgang 

12, Theil 2. M.8040.21.12.2 

Selig, selig alle. Canon. Mozart. Werke. Serie 7, Band 2. 

No. 43 in M.31S.1.7.2 
Selig sind die Todten. Cantata. For the Music see Hof- 
mann, H. C. J. 
Selig sind die Todten. Motet. Wermann. No. 33 in M.158.20 
Selige Nacht! Song. Franz, R. Aus Osten. 

No. 63 in M.244.5.3 

Selige Welt. Song. Schubert, F. P. Sammtliche Composi- 

tionen. M.244.i2;etc. 

Seliger Tag, Ein. Part-song. Lorenz, O. No. 5 in M.3g2.20 

Seliger Tod. Volksweise. [Mannerchor.] (In Eidgenoes- 

sischer Saengerverein. Mannerchore fiir das iite . . . 

Sangerfest. Pp. 30-32.) No. 2 in M.130.7 

Also to be found in Das Rutli. 

Seliger Tod. Part-song. Kreutzer, C. No. 177 in H.i2ga.43.5 

Seliger Tod. Song. Milhalovich. Acht Gedichte. 

No. 5 in M.380.21 

Seligkeit. So)ig. Schubert, F. P. Werke. Serie 20, Band 

4. M.317.1.20.4 

Seligkeiten, Die. Oratorio. For the Music see Franck, C. 

A. For the Libretto see Colomb, J. B. 
Seligmann, A. 

Der Vagabund und die Prinzessin. Opernspiel in einem 
Acte nach Andersen von A. Seligmann. Musik von Ed. 
Poldini. No. 3 in M.389.70 

Seligmann, Hippolyte Prosper. 

Ballade de minuit. Reverie. Op. 73. Pour piano et violon- 
celle. [Partition.] Paris. Lebeau. [186-?] 

No. 8 in M.210.6 

Same. [Partie de violoncelle.] No. 16 in M.210.12 

Deux nuits. No. 2: Nuit de decembre. Pour piano et 

violoncelle. Op. 74. [Partition.] Paris. Gambogi. 

[186-?] No. 9 in M.210.6 

Same. [Partie de violoncelle.] No. 17 in M.210.12 

Seligmann, P. See Seligmann, Hippolyte Prosper. 

Selima and Azor. Opera. For the Music see Linley, T. 

For the Libretto see Marmontel, J. F. 
Selkirk. Song. Chard. 6 favorite songs. No. 2 in M.221.32 
Selle, Louis. 

Mass for 3 voices [s. t. b. Accomp. for organ]. New 
York. Hall. 1849. No. 2 in M.260.8.1; No. 6 in M.260.8.6 
Vespers. For four voices. [Accomp. for organ.] New 
York. Webb & Allen, i860. No. s in M.201.36 

Contents. — Domine, ad adjuvandum me. — Dixit Dominus. — Confite 
bor Tibi. — Beatus vir. — Laudate, pueri. — Laudate Dominum. 
Selle, William Christian. 

Hellas: a lyrical drama by Percy Bysshe Shelley. The 
choruses set to music by William Christian Selle. [Ac- 
comp. for pianoforte.] London. Reeves & Turner. 
1886. [Shelley Society. Publications.] No. i in M.204.28 
Sello, A. Symphonic poem. Mihalovich. No. i in M.344.13 

Selma. Song. Abt, F. Sechs Lieder. Op. 71. 

No. 15 in M.ig2.i 
Selma sedlak. Opera. For the Music see Dvorak. Der 

Bauer ein Schelm. For the Libretto see Vesely. 
Selma und Selmar. Song. Schubert, F. P. Werke. Serie 
20, Band 3. M.317.1.20.3 

Selmar und Selma. Cantata. For the Music see Romberg, 
A. J. For the Libretto see Klopstock. 



Ill 9 



65 



Selmer 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sepulto 



Selmer, Johan Peter. 

„La captive," en deux parties, composee par Johan Selmer 
sur le poeme de Victor Hugo. Op. 6. le partie pour 
orchestra seul, 2e pour orchestra et solo de contralto. 
Partition d'orchestre. Christiania. Warmuth. [1877?] 

No. I in M.404.17 
Nordischer Festzug. (National Fest-Marsch.) Sympho- 
nischer Marsch fiir Orchester. Op. 11. Partitur. Christia- 
nia. Warmuth. [1878.] No. 2 in M.404.17 
Prometheus. Symphonische Dichtung in zwei Abthei- 
lungen. Op. 50. Partitur. Leipzig. Wild. [1899?] 

M.406.32 
Seltsam ist Juanas Weise. Song. Wolf, H. Spanisches 
Liederbuch. No. 13 in M.380.30 

Selv' avea, Le, d'intorn' al lido Eusino. Madrigal. Pales- 
TRiNA. Werke. Band 28. M.8o4oa.66.28 

Selvaggia. Opera. For the Music see Schira. For the Li- 
bretto see Cimino. 
Selvas y bosques. Catch. Ramire de Avellano. 

No. 83 in M.220.10 
Semele. Oratorio. For the Music see Handel. For the 

Libretto see Congreve. 
Semet, Theophile Aime Emile. 

La demoiselle d'honneur. Opera comique en 3 actes. 
Poeme de Mestepes & Kauffmann. Musique de Th. 
Semet. Partition piano & chant. Paris. Ikelmer & cie. 
[1857] M.322.1S 

Gil-Bas. Opera en 3 actes de Jules Barbier et Michel 
Carre. Musique de Th. Semet. Partition chant et piano. 
Paris. Choudens. [i860.] M.322.14 

Die Grille von Berry. (La petite Fadette.) Komische 
Oper in 3 Acten, von George Sand [Pseud.]. Deutsch 
von N. Roda. Musik von Th. Semet. VoUstandiger 
Clavierauszug mit franzosischem und deutschem Text. 
Berlin. Bote & Bock. [187-?] M.327.6 

Incognito. Operette en i acte. Paroles de M. Bourotte. 
Musique de Th. Semet. [Partition chant et piano.] 
Paris. 1880. [Journal des demoiselles.] No. i in M.322.16 
Laide. Operette en 2 tableaux. Paroles de Mme Adam- 
Boisgontier [pseud.]. Musique de Th. Semet. [Parti- 
tion chant et piano. Paris. 186-?] No. 2 in M.322.16 
Melancolie. [Melodie, m.-s. Accomp. de piano.] Por- 
trait. Facsimile. (!n Album du Gaulois. Vol. 2.) 

No. 21 in M.3gi.28.2 
Les nuits d'Espagne. Opera comique en 2 actes. Paroles 
de Michel Carre. Musique de Th. Semet. Partition 
piano et chant. Paris. Le Dentu. [1857.] Plate. 

M-327-5 
Le poltron. Operette en i acte. Paroles de Paul Du- 
bourg. Musique de Th. Semet. [Partition chant et 
piano.] Paris. 1875. [Journal des demoiselles.] 

No. 3 in M.322.16 
Semiane, A., pseud. See Sciama, Andre. 

Semiquaver, The. A manuscript musical magazine. [Vol. 
I, 2.] London. [Busby.] 1869-71. 2 v. in i. Litho- 
graph script. M. 147.17 
No more was published. 
Semiramide. Opera. For the Music see Himmel, F. H.; 
also Rossini. For the Libretto see Himmel, F. H.; also 
Rossi, G. 
Semiramide, La. Opera. For the Libretto see Portogallo. 
Semiramis. Opera. For the Music see Catel; also Schmitt, 
F. For the Libretto see Desriaux; also Colombeau, E. 
F. A. de. 
Semplice, La. Song. Ferrari, G. G. 6 favorite ariettes. 

No. 7 in M. 221.21 
Sempre all' alba. Song. Verdi. Verdi album. 

No. 6 in M.236.5 
Sempre libera. Song. Verdi. Verdi album. No. 19 in M.236.5 
Sempre pensoso e torbido. Song. Mercadante. 

No. 2 in M.364.10 
Sempre uniti. Duet. Roberti. Inspirations italiennes. 

No. I in M.364.10 
Sen. Song. MoNiuszKO. Trzy spiewy. No. 31 in M.221.30 



Senaillie, Jean Baptiste. . 

Sonata in A. Fiir Violine & Klavier. Nach der Original- 

Ausgabe bearbeitet von Alfred Moffat. [Partitur.] Mainz. 

Schott. 1909. [Kammer-Sonaten fiir Violine & Klavier 

des i7':=n & i8'en Jahrhunderts.] No. i in M.432.42.3 

Send down Thy blessing. Anthem. Millard, H. Ave Maria. 

No. 14 in M.260.10.2; etc. 
Send out Thy light. Anthem. Gounod. No. 7 in M.290.13 

Senex puerum portabat. Anthem. 

Palestrina. Werke. Band i. M.8o4oa.66.i 

ViTTORiA. Opera. Tomus i. M.313.2.1 

Senfel, Ludwig. See Senfl, Ludwig. 
Senff, Bartholf, editor. 

SiGNALE fijr die musikalische Welt. Jahrgang 1-72. 1843- 
1914. M.185.1 

Senffl, Ludwig. See Senfl, Ludwig. 
Senfl, Ludwig. 

Deus propitius esto [s. A. t. t. b.]. {In Rochlitz. Sammlung 
vorziiglicher Gesangstiicke. Band i, Abtheilung i, pp. 
34, 35.) No. 16 in M.202.6.1 

Mag ich Ungliick nit widerstan. Motette mit Choral. {In 
Rochlitz. Sammlung vorzuglicher Gesangstiicke. Band 
I, Abtheilung i, pp. 32, 33.) No. 15 in M.202.6.1 

Nunc dimittis [a. t. t. b.] {In Rochlitz. Sammlung vor- 
ziiglicher Gesangstiicke. Band i, Abtheilung i, pp. 36, 
37.) No. 17 in M.202.6.1 

Senger, Hugo von. 

Im Gebirge. Grosser Chor fiir Mannerstimmen. Op. 9. 
Offenbach a. M. Andre. [186-?] No. 14 in M.212.16 

Militarischer Trauer-Marsch fiir grosses Orchester. Op. 
5. Partitur. Zurich. Hug. [1871.] No. 3 in M.342.38 

Vier Gesange fiir vier Mannerstimmen. Op. 8. Offen- 
bach a. M. Andre. [1872?] No. 26 in M.392.25 
Contents. — Die Konigin der Nacht. — Weihelied. — Treuegelobniss. 
— Im Vaterland. 

Senger, Theodor. 

Ich mochte sein. [Mannerchor.] {In Gruber. Sangeshort. 
Heft 2, pp. 7-9.) No. 2 in M.370.30 

Seniores populi. Anthem. Palestrina. Werke. Band 32. 

M.8o4oa.66.32 

Senke dich in heil'ger Stille. Part-song. Abt, F. Drei 
Lieder fiir s. a. t. b. No. 9 in M.158.22; etc. 

Sennacherib. Cantata. For the Music see Arnold, G. B. 

Sennenlied. Part-song. Genee. Drei Lieder. Op. iii. 

No. 33 in M.392.9 

Sennerinn, Die, und ihr Schatz. Song. Taubert, C. G. W. 
12 Gesaenge. Op. 27. No. 7 in M.221.26 

Sennin, Die. Song. Schumann, R. A. 6 Gedichte von N. 
Lenau. No. 8 in M.244.15.3; etc. 

Seiior Inigo, El. Opera. For the Music see Robillard. For 
the Libretto see Sancy. 

Senor Piffardino, El. Opera. For the Music see Delaruelle. 
For the Libretto see Charles. 

Senti ah no. Song. Jommelli, N. No. 5 in M.120.22; etc. 

Senti il mar. Aria. Hasse, J. A. P. No. 37 in M.290.29.2 

Sentiant omnes. Anthem. Perez, D. No. 36 in M.260.24.1 

Sentinelle, La. Song. Hortense, Queen of Holland. Ro- 
mances. M.221.27 

Sentinelle perdue, La. Opera. For the Music see Rifaut. 
For the Libretto see Saint Georges. 

Sento che in seno. Aria. Giordani, G. No. 2 in M.120.19 

Sento la che ristretto. Song. Handel. Werke. Lieferung 
51- M.313.1.51 

Senza dite ben mio. Round [for 3 voices]. {In Social har- 
mony. P. 255.) No. 211 in M.215.21 

Senza la cara, cara sposa. Song. Porpora. No. 2 in M. 120.28 

Separazione, La. Song. Rossini. No. 13 in M. 280.45 

Sept paroles, Les. For orchestra. Haydn, F. J. 

No. 3 in M.403.67 

Septonate, The. Theory. Klauser. M.111.3 

Septuors, Instrumental. See Chamber music. Septets. 

Sequences, Liturgical. See Liturgical music. Masses. Se- 
quences. 

Sepulto Domino. Anthem. Palestrina. Werke. Band 32. 

M.8o4oa.66.32 



66 



Ser Marcantonio 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Serenades 



Ser Marcantonio. Opera. For the Music see Pavesi. For 

the Libretto see Anelli. 

Sera, Una, d'amore. Dttet. Campana. No. 12 in M. 244.9 

Serafina, La, ou I'occasion fait le larron. Opera. For the 

Music see Saint Julien. For the Libretto see Saint 

Georges. 

Seraglio, The. Opera. For the Music and Libretto see 

Dibdin, C. 1745-1814. 
Seraglio, II. Opera. For the Music see Mozart. For the 

Libretto see Bretzner. 
Seraph, The. Church music. Whitaker. M.123.20 

Seraphine. [Musikalische Scenen aus Lilar. Leipzig. 
Breitkopf & Hartel. 1827.] No. 3 in M.372.40 

Seraphinen steigen nieder. Anthem. Lindpaintner. 24 
Psalmen. No. 7 in M.290.30 

Serard, E. 

Un mari pour 3 femmes. Operette. Paroles de E. Serard. 

Musique de P. Cordelle. No. 4 in M.402.63 

Seras-tu toujours inflexible? Duet. Sacchini. Le Sacchini 

des concerts. M. 274.9 

Serbisches Liederspiel. Part-songs. Henschel, G. 

No. 2 in M. 194.15 
Serbisches Staendchen. Part-song. Stritzko. 

No. 3 in M.203.22 
Serenade, La. Opera. For the Music see Gail, E. S. For 

the Libretto see Gay, M. F. S. M. de L. 
"Serenade, The." Opera. For the Music see Herbert, V. 

For the Libretto see Smith, H. B. 
Serenade. Part-song. Abt, F. No. 27 in M.204.38 

Appel. No. I in M.392.33 

AuER, C. No. 2 in M.270.S8 

Beschnitt. 6 Lieder fiir Mannerchor. Op. 35. 

No. 12 in M.392.35; etc. 
Beseke. No. 37 in M.392.4 

Bradsky. Zwei Lieder fiir Mannerchor. Op. 54. 

No. 16 in M.392.5 
Busse. No. 12 in M. 205. 10.5 

Chadwick, G. W. Four part-songs. No. 21 in M.392.6 

Dregert. M.193.23.2 

EiSENHOFER. No. 35 in M.157.5.1 

Jahn, a. [Vier Quartette.] No. 26 in M.392.12 

KoELLNER. Zwei Lieder. No. 67 in M.392.12 

Kroegel. No. 18 in M. 203.15 

KuNZE. No. ig in M.392.48.2 

Marschner, a. E. No. 25 in M.109.1 

MiLDE. No. 9 in M.392.30 

Mueller-Hartung. Drei Mannerchore. No. 7 in M.392.19 
Otto, F. ' No. 21 in M.392.37 

Schubert, F. P. No. 16 in M. 204.36.1 ; etc. 

Smart. No. 35 in M.157.1 

Spicker. No. 44 in M.392.25 

Storch. No. 15 in M.392.26; etc. 

Tours. No. 16 in M.392.38 

ZuMSTEEG, J. R. No. II in M.212.21.1 

Serenade. Song. Bizet. No. 4 in M.391.28.1 ; etc. 

Brahms. Lieder und Gesange. Op. 58, Heft 2. 

No. 2 in M.380.40.2; etc. 

Gounod. Vingt melodies. No. 10 in M.157.36.1 

KjERULF. Sanger och Visor. Band 2. M. 158.47 

LoEFFLER. Quatre poemes. M.410.86 

Mermet. No. 5 in M.391.28.2 

Meyerbeer. 40 melodies. No. i in M. 157.38 

Schubert, F. P. Melodies. Vol. 5. M.327.4.5 

Taubert, C. G. W. Vier Lieder. Op. 120. No. 8 in M.192.7 

Vaucorbeil. Melodies. M.213.25 

Serenade am Seeufer. Song. Gade. Lieder und Gesange. 

Heft I. No. 2 in M.192.3 

Serenade d'hiver. Part-song. Saint-Saens. 

No. 3 in M.i55.4i;etc. 
Serenade, La, de Don Juan. Fiction. Audebrand, P. M.119.2 
Serenade de Silvio. Song. L'£pine. Scenes et chansons. 

No. I in M. 213.14; etc. 
Serenade florentine. For orchestra. Godard, B. L. P. 

No. I in M.405.18 
Serenade hongroise. For orchestra. Joncieres. No. i in M.342.9 



Serenades. For flute, violin and viola. 

Beethoven. Serenade fiir Flote, Violine und Viola. [Op. 

25.] No. 6 in M.355.2 

Reger, M. Serenade fiir Flote, Violine und Viola. Op. 

77A. No. I in M.4i2a.ii 

Serenades. For orchestra. 

Balorre. Serenade pour piano. [Arrangee pour orchestre.] 

No. I in M.358.22 
Brahms. Serenade, D dur, fiir grosses Orchester. Op. 11. 

M.346-37 

Serenade fiir kleines Orchester. Op. 16. No. i in M. 332.6 

Bruell. Serenade fiir Orchester. Op. 29. No. i in M.343.29 

- Serenade, E dur, fiir grosses Orchester. Op. 36. 

No. 2 in M.336.a 

Serenade, Dritte, fiir Orchester. Op. 67. 

No. I in M.403.1S 
Draeseke. Serenade (D dur) fiir Orchester. Op. 49. 

No. 3 in M.332.14 

Dvorak. Serenade fur Blasinstrumente (2 Hoboen, 2 

Clarinetten, 2 Fagotte, Contrafagott ad libitum, 3 

Horner), Violoncell und Contrabass (D moll). Op. 44. 

No. 4 in M.332.16 
Glazunov. Serenade pour I'orchestre. Op. 7. 

No. I in M.407.13 

Serenade, 2me, pour petit orchestre. Op. 11. 

No. 3 in M.343.4S 
Godard, B. L. P. Serenade florentine. Op. 126 [No.i]. 

No. I in M.405.18 
Grill. Serenade in 5 Satzen fur Orchester. Op. 3. 

No. 2 in M.348.20 

HuBER, H. Sommernachte. Serenade in 4 Satzen fiir 

grosses Orchester. Op. 86. M.343.44 

Serenade, 2te (Winternachte), fiir Orchester. 

No. I in M.358.28 

Indy, P. M. V. d'. Serenade et valse. Op. 16, no. i; 17, 

no. I. No. I in M.405.23 

Jadassohn. Serenade in 4 Canons fiir Orchester. Op. 42. 

No. 5 in M.342.8 

Serenade (No 2, D dur) : i. Intrada e notturno. 2. 

Menuetto, alia marcia, menuetto da capo. 3. Finale. Op. 
46. No. 6 in M.342.8 

Serenade (No 3, A dur) fiir Orchester. Op. 47. 

No. 2 in M.336.16 
■ Serenade (No. 4, F dur) fiir grosses Orchester. Op. 



No. I in M. 331. 18 

lustrumentirt von 

No. 8 in M.342.8 

No. I in M.342.9 

No. 2 in M. 342.12 

No. 4 in M. 338.21 

No. 3 in M.410.71 



7i- 
Jensen, A. Serenade. Op. 32, No 9. 

Reinhold Becker. 
Joncieres. [Serenade hongroise.] 
Langey. Arabische Serenade. Op. 24. 
Loewengard. Serenata fiir Orchester. 
Luigini. Serenade romantique. Op. 27. 
Mannheimer, J. Serenade, Zvveite (D moll), fiir Orchester. 

Op. 6. No. 2 in M.403.99 

Meyer-Helmund. Serenade burlesque fiir Orchester. Op. 

10. No. 3 in M.411.41 

Moszkowski. Serenata aus Opus 15. No. 3 in M.342.19 

Mozart. Cassationen [No. i, 2] und Serenaden [No. 1-12] 

fiir Orchester. Werke. Serie 9, Abtheilung i. M.3i5.i.9 
Napravnik, Quatuor, i"", pour deux violons, alto et violon- 

celle. Op. 16. Serenade arrangee pour I'orchestre. 

No. 2 in M.335.g 
Pappalardo. Serenata per flauto, clarinetto, fagotto, 

chitarra, violino, viola e violoncello. Op. 3. 

No. 2 in M.358.17 
Reger, M. Serenade fiir Orchester. Op. 95. M.411.24 

Reitsch. Tauferer Serenade fiir Orchester. Op. 25. 

No. 2 in M.410.78 
Rubinstein. Deux serenades russes: No. i, D moll; No. 2, 

A moll. Op. 93, Cah. 6. Fiir Orchester bearbeitet von 

Karl Miiller-Berghaus. No. I in M.405.51 

Rudorff. Serenade fiir Orchester. Op. 20. No. i in M.346.25 

Serenade (No. 2, G-dur) fiir Orchester. Op. 21. 

No. 2 in M.405.47 
Scharwenka, L. p. Serenade fiir Orchester. Op. 19. 

No. I in M.333.19 



67 



Serenades. 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Serenades 



Serenades. For orchestra. (Continued.) 

Schumann, G. A. Eine Serenade fiir grosses Orchester. 

Op. 34. No. I in M.412.11 

Sekles. Serenade fur 11 Soloinstrumente: Flote, Oboe, 

Klarinette, Horn, Fagott, 2 Violinen, Viola, Violoncell, 

Kontrabass und Harfe. Op. 14. No. 2 in M.136.28 

WiDOR. Serenade pour orchestre. Op. 10. No. 2 in M.358.13 

WiNDERSTEiN. Standchen fiir Orchester. Op. 11. 

No. 2 in M.33I.23 
Wolf, H. Italienische Serenade fiir kleines Orchester. 

No. 2 in M.406.42 
WuEERST. Serenade fiir Orchester. Op. 55- No. 2 in M. 333.22 
Serenades. For pianoforte with other instruments. 

HiLLER, F. Serenade, tiir Pianoforte, Violine & Violon- 
cell. 4tes Trio. Op. 64. M.404.51 

Serenade, Zweite, fiir Pianoforte, Violine und Violon- 
cell. (6tes Trio.) Op. 186. No. 6 in M.211.3.3; etc. 

Louis, N. Serenade, pour piano. Op. 199 [No. 12]. 

No. 17 in M.390.26 

Serenade pour piano, hautbois et basson. Op. 127. 

No. 4 in M.390.14; etc. 
Mendelssohn-Bartholdy, J. L. F. Serenade und Allegro 
giojoso fur das Pianoforte mit Orchester. 

No. I in M. 346.12 

Szymanowska. Serenade pour le pianoforte avec accomp. 

de violoncelle. No. 10 in M.210.7; etc. 

WiDOR. Serenade pour piano, flute, violon, violoncelle et 

harmonium. No. 6 in M.338.S 

Serenades. For strings. 

Beer, M. J. Abendmusik (Serenade) fiir Streich-Orchester, 

2 Horner und Pauken. Op. 54. No. i in M.403.6 

Beliczay. Serenade en re mineur pour instruments a 

cordes. Op. 36. No. 2 in M.358.22 

DiPPE. Serenade fiir Streichorchester. Op. 10. 

No. 4 in M.332.13 
Dvorak. Serenade (E-dur) fiir Streichorchester. Op. 22. 

No. 3 in M.332.16 

FooTE. Serenade, in E dur, fiir Streich-Orchester. Op. 

25. No. 2 in M.333.11 

FucHS, R. Serenade (D dur) fiir Streichorchester. Op. 9. 

No. I in M.346.10 

Serenade (No. 2, C dur) fiir Streichorchester. Op. 14. 

No. 2 in M.346.10 

Serenade, No. 3 (E moll), fiir Streichorchester. Op. 21. 

No. 3 in M.346.10 

Serenade, No. 4, fiir Streichorchester und 2 Horner. 

Op. 51. No. I in M.403.39 

Gerlach, T. Eine Serenade. Sechs Satze fiir Streich- 
orchester. Op. 3. No. 2 in M.403.39 

Henschel, G. Serenade. Marcia, Andante, Scherzo und 
Finale fiir Streich-Orchester, in Canonform. Op. 23. 

No. 4 in M.346.10 

Hofmann, H. C. J. Serenade fiir Streichorchester und 
Flote, Oder Solo-Sextett. Op. 65. No. i in M.342.7 

Serenade fiir Streich-Orchester. Op. 72. 

No. 2 in M.342.7 

Serenade, Zweite, fiir Streichorchester. Op. 93. 

No. 2 in M.405.11 

Jaques-Dalcroze. Serenade pour quatuor a cordes. Op. 

61. No. 2 in M.4i2a.6 

Jensen, G. Landliche Serenade, fiir Streich-Orchester. 

Op. 37. No. 2 in M.403.76 

Klengel. Serenade (in F dur) fur Streichorchester. Op. 

24. No. I in M.342.10; etc. 

Major, J. J. Serenade fiir Streichorchester. Op. 24. 

No. I in M.403.99 
Reinecke, C. H. C. Serenade (G moll) fiir Streich-Or- 
chester. Op. 242. No. 2 in M.406.23 
Sandre. Serenade fiir Streichorchester. Op. 24. 

No. 3 in M.342.30 
Shitt. Serenade, D dur, fiir Streich-Orchester. Op. 6. 

No. 2 in M.342.38 

Straus. Serenade fiir Streichorchester, G moll. Allegro 

commodo — Scherzino — Andantino Walzer — Alia marcia. 

(Finale.) Op. 35. No. 2 in M.407.24 



Serenades. For strings. 

TCHAIKOVSKI, p. I. 

Op. 48. 
Thieriot. 



(Continued.) 

Serenade pour orchestre a cordes. 
No. 2 in M.343.10 
Serenade fiir Streichorchester. Op. 44. 

No. 4 in M.407.24 

Volkmann. Serenade (No. i, C-dur) fiir Streich-Orchester. 

Op. 62. No. 6 in M.346.10 

Serenade (No. 2, F dur) fiir Streich-Orchester. Op. 63. 

No. 7 in M.346.10 

Serenade (No. 3, D-moll) fur Streich-Orchester. Op. 

69. No. 8 in M.346.10 

Wueerst. Unterm Balcon. Serenade fiir Streichorchester 
mit obligatem Violoncello. Op. 78. No. 9 in M.3S2.5 

Serenades. For violin and orchestra. 

Bruch. Serenade fiir Violine und Orchester. Op. 75. 

M.404.73 
Sarasate y Navascues. Nocturne-Serenade pour violon 
avec accompagnement [d'orchestre]. Op. 45. 

No. 5 in M.40S.SS 
Serenades. For violin and pianoforte. 

Haydn, F. J. Serenade. Violin and piano. [Arranged by- 
Henri Ernst. Full score and separate part for violin.] 

No. 25 in M.3S7.I2 

Jadin, L. E. Serenade concertante, Troisieme, pour piano 

et violon ou fliite obligee. No. 5 in M. 210.3 

Louis, N. Serenade, ire, pour piano et violon, sur Les 

laveuses du convent de Grisar. Op. 43. No. i in M.390.5 

Serenade, 2e, pour piano [et] violon. Op. 48. 

No. 2 in M.390.5 

Serenade, 3e, pour piano et violon, sur des motifs du 

Postilion de Lonjumeau, d'Adolphe Adam. Op. 49. 

No. 3 in M.390.5 

Serenade, 4e, pour piano et violon. Sur des motifs 

tires des Soirees de Rossini. Op. 51. No. 4 in M.390.5 

— — - Serenade, se, pour piano & violon, sur les motifs de La 
sonnambula de Bellini. Op. 57. No. 5 in M.390.5 

Serenade, 6e, pour piano et violon, sur les motifs de 

I'opera La double echelle, de Thomas. Op. 59. 

No. 6 in M.390.5 

Serenade, yt, pour piano et violon, sur des motifs du 

Fidele berger, d'Ad. Adam. Op. 62. No. 7 in M.390.5 

Serenade, 8e, pour piano et violon, sur des motifs du 

ballet: La chatte metamorphosee en femme, de Mont- 
fort. Op. 63. No. 8 in M.390.S 

Serenade, ge, pour piano et violon, sur des motifs de 1' 

opera Le brasseur de Preston, d'Adolphe Adam. Op. 
72. No. 9 in M.390.5 

Serenade, loe, pour piano et violon, sur des motifs de 1' 

opera Lucie de Lammermoor, de Donizetti. Op. 79. 

No. 10 in M.390.5 

Serenade, iie, pour piano et violon sur des motifs de 1' 

opera Le sherif, de F. Halevy. Op. 85. No. 11 in M.390.5 

Serenade, i2e, pour piano et violon, sur I'opera Lucrezia 

Borgia de Donizetti. Op. 95. No. 12 in M.390.5 

Serenade, I3e, sur I'opera Le puits d'amour de Balfe, 

pour piano et violon. Op. 141. No. i in M.390.22 

Serenade, i4e, sur des motifs favoris de MUe L. Puget, 

pour piano et violon. Op. 147. No. 14 in M.39o.i8;etc. 

Serenade [i5e] pour piano et violon sur les motifs de 

La part du diable de D. F. E. Auber. Op. 135. 

No. 3 in M.390.22 

Serenade, i6e, pour piano et violon, sur des motifs de 

La Sirene d'Auber. Op. 150. No. 19 in M.210.3; etc. 

Serenade, i7e, pour piano et violon sur des motifs de 

Cagliostro, opera d'A. Adam. Op. 151. No. S in M.390.22 

Serenade, i8e, pour piano et violon sur des motifs de 

Guillaume Tell de Rossini. Op. 159. No. 6 in M.390.22 

Serenade, i9e, sur I'opera d'Halevy: Les mousquetaires 

de la reine, pour piano et violon. Op. 165. 

No. 7 in M.390.22 

Serenade, 20e, sur des motifs de son opera: Marie- 

Therese, pour piano et violon. Op. 168. No. 8 in M.390.22 

Serenade, 2ie, sur I'opera: Ne touchez pas a la reine, 

de X. Boisselot, pour piano et violon. Op. 173. 

No. 9 in M.390.22 



68 



Serenades. 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Serpette 



Serenades. For violin and pianoforte. (Continued.) 

Serenade, 22e, sur I'opera; Gille ravisseur d'Albert 

Grisar, pour piano et violon. Op. 176. No. 10 in M.390.22 

Serenade, 23e, pour piano et violon, sur des motifs du 

Val d'Andorre, opera comique de F. Halevy. Op. 178. 

No. II in M.390.22 

Serenade, 246, sur La Cenerentola de Rossini, pour 

piano et violon. Op. 180. No. 12 in M.390.22 

Serenade sur des motifs de Si j'etais roi. d'Ad. Adam, 

pour piano et violon. Op. 232. No. 8 in M.390.35 

Serenade sur Giralda d'Ad. Adam, pour piano et violon. 

Op. 201. No. 8 in M.390.28 

Serenade sur Jenny Bell, opera de Auber, pour piano et 

violon. Op. 254. No. I in M.390.36 

Pleyel, C. Serenade pour piano-forte & violon oblige. 

Op. 15. No. 19 in M.210.4; etc. 

Tit'l. Serenade. Violin and piano. [Arranged by Henri 

Ernst.] No. 15 in M.3S7.12 

Serenades. For wind instruments. 

Jadassohn. Serenade. Fur Blasorchester. Op. 104c. 

No. I in M.334.4 

Lampe, W. Serenade fiir fiinfzehn Blasinstrumente: 2 

Floten, 2 Oboen, Englisch Horn, 2 Clarinetten, Bass- 

clarinette, 4 Horner, 2 Fagotte und Contrafagott. Op. 7- 

No. 2 in M. 407. 17 
Mozart. Zwei Serenaden fiir 2 

Horner und 2 Fagotte. 
Strauss, R. Serenade (Es-dur, 
Oboen, Clarinetten, 4 Horner, 
fagott Oder Basstuba. Op. 7. 
ZoPFF. Zwei Idyllen fiir kleines 
fiir Blasinstrumente. Op. 35. 
Serenades. Criticism. 

Knorr, I. Johannes Brahms, Serenade fiir grosses Or- 



Oboen, 2 Clarinetten, 2 

No. 2, 3 in M.347.12 

Andante) fiir 2 Floten, 

2 Fagotte und Contra- 

No. I in M.335.15 
Orchester. 2: Serenade 

No. 6 in M.405.63 



Chester (D-dur, Op. 11). Erlautert 
[1898.] 

Johannes Brahms, Serenade fiir 

Op. 16. Erlautert. Frankfurt a. M. 

Peter Tschaikowsky, Serenade 



Frankfurt a. M. 
No. 16 in M.217.12.6 
kleines Orchester. 

[1895.] 

No. 16 in M.217.12.1 

fiir Streichorchester, 



Op. 48. Erlautert. Frankfurt a. M. [1895.] 

No. 17 in M.217.12.1 
Segnitz, E. W. a. Mozart, Blaser-Serenaden: Nr. 10 in 
B dur, Nr, 11 in Es dur. Erlautert. Berlin. [1904.] 

No. II in M. 217. 12. 10 
Stradella, A. 

No. 3 in M.342.19 



Serenata. 
Serena ta. 



Cantata. For the Music see 
For orchestra. Moszkowski. 
Serenata, La. Duet. 

BoRTOLiNi, G. Amori veneziani. 
Rossini. Soirees musicales. 
Serenata, La. Song. Guglieimi, P. 



No. I in M.390.44 

No. II in M. 280.4s 

No. 2 in M.364.10 



Serenata, La, del marinaro. Song. Mercadante. Soirees 

italiennes. M.367.10 

Serenatos, Vocal. See Cantatas. 

Serene and mild. Glee. Webbe, S. No. 5 in M.23S.9.1 

Serenelli Honorati, Luigi. 

Fiorina, o la fanciulla di Glaris. Melodramma semiseria 

[sic]. Posto in musica da Carlo Pedrotti. M.369.2 

Serene, El. Song. Yradier. No. 22 in M.391.57 

Sergeant Brue. Opera. For the Music see Bedford. For 

the Libretto see Davis, J. 
Sergeant Kitty. Opera. For the Music see Sloane. For the 

Libretto see Burnside. 
Sergennois, J., translator. " 

Balakirev, M. a. Recueil de chants populaires russes. 

M. 384.54 

Sergent, E. 

Ave Regina. Motet a voix egales. [Accomp. d'orgue.] 

(7)1 Chapelle, La. Vol. i, pp. 59, 60.) No. 10 in M.201.33 

Tantum ergo. Motet [t. t. b. Accomp. d'orgue]. (/n 

Chapelle, La. Vol. i, pp. 63, 64.) No. 10 in M.201.33 

Sergent Larose, Le. Opera. For the Music see Durand de 

Fontmagne. For the Libretto see Labor. 
Sergy, E., pseud. See Koenig, Noemie. 



Serieyx, Auguste. 

Senate en sol, violon et piano. [Partition et partie de 
violon.] Op. 7. Paris. Demets. 1904. No. 2 in M.411.8 
Sering, Friedrich Wilhelm. 

Der Konigssieg bei Koniggratz, 3te Juli 1866. Gedicht 

von Georg Hesekiel. Componirt fiir Mannerchor und 

Pianoforte von Fried. Wilh. Sering. Op. 46- Berlin. 

Bote & Bock. [1865?] No. 15 in M.212.16 

Serini, Giuseppe. 

O fallaces honores. Recitativo [and aria, s. or t. Accomp. 
for pianoforte]. (In Latrobe. Selection of sacred music. 
Vol. 5, pp. 88-91.) No. IS in M.2go.29.5 

Sum in medio tempestatum. Aria [s. or T. Accomp. for 
pianoforte]. (In Latrobe. Selection of sacred music. 
Vol. 6, pp. 9-13.) No. 2 in M.290.29.6 

Sermens d'amour. Song. Hortense, Queen of Holland. Ro- 
mances. M.221.27 
Serment. Part-song. Danican. M.380.14 
Serment, Le. Opera. For the Music see Auber. For the 

Libretto see Scribe. 
Serment, Le. Song. Schubert, F. P. Melodies. Vol. 3. 

M.327.4.3 
Serment, Le, de Madame Gregoire. Opera. For_ the Music 

see Planquette. For the Libretto see Pericaud. 
Serment, Le, ou les faux monnoyeurs. Opera. For the 

Music see Auber. For the Libretto see Scribe. 
Serment republicain. Part-song. Gossec. M.380.14 

Serments envoles. Song. Tarbe. No. 26 in M.391.28.2 

Sermet, Julien. 

Une cabotine. Paris. Levy. 1886. [Bibliotheque moderne.] 

M. 137.18 
Serpent a plumes, Le. Opera. For the Music see Delibes. 

For the Libretto see Noe. 
Serpenthien, Claudius. 

Bodderhorn sett di! Fiir vier Mannerstimmen. Op. 3. 

Hamburg. Thiemer. [188-?] No. 27 in M.392.25 

Serpette, Gaston. See Serpette, Henri Charles Antoine 

Gaston. 
Serpette, Henri Charles Antoine Gaston. 

Adam et £ve. Operette fantastique en 3 actes. Paroles 

de MM. Ernest Blum & Raoul Toche. Musique de 

Gaston Serpette. [Partition chant et piano. Paris. 

Heugel. 1886.] No. i in M.322.25 

La bonne de chez Duval. Operette-vaudeville en 3 actes. 

Paroles de H. Raymond et A. Mars. Musique de Gaston 

Serpette. Partition chant et piano. Paris. Durdilly. 

i8p2. No. I in M.322.20 

La branche cassee. Opera-bouffe en 3 actes. Paroles de 

MM. A. Jaime et J. Noriac [pseud.]. Musique de Gaston 

Serpette. Partition chant et piano. Paris. L'union 

musicale. [1874] M.322.26 

Le Capitole. Opera-comique en trois actes et quatre 

tableaux de Paul Ferrier et Charles Clairville. Musique 

de Gaston Serpette. Partition chant et piano. Paris. 

Choudens. 1896. M.246.14 

Le carnet du Diable. Piece fantastique en 3 actes et 8 

tableaux de Ernest Blum & Paul Ferrier. Musique de 

Gaston Serpette. [Partition chant et piano.] Paris. 

Choudens. 1895. M.246.1S 

Cendrillonnette. Operette en 4 actes. Paroles de Paul 

Ferrier. Musique de Gaston Serpette & Victor Roger. 

Partition chant et piano. Paris. Choudens. [1890.] 

No. I in M.322.18 
Le chateau de Tire-Larigot. Operette fantastique en 3 
actes et 10 tableaux. Paroles de MM. Ernest Blum et 
Raoul Toche. Musique de Gaston Serpette. Partition 
chant et piano. Paris. Gerard. 1884. M.322.24 

Cousin-cousine. Operette en 3 actes de Maurice Ordon- 
neau & Henri Keroul. Musique de Gaston Serpette. 
Partition chant & piano. Paris. Choudens. 1894. 

No. I in M.322.17 
La demoiselle du telephone. Comedie-operette en 3 actes. 
Paroles de Antony Mars & Maurice Desvallieres. Mu- 
sique de Gaston Serpette. Partition chant et piano. 
I Paris. Choudens. [1891.] No. 2 in M.322.18 

69 



Serpette 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Servo 



Serpette, Henri Charles Antoine Gaston. (Continued.) 

Same. The telephone girl. By F. C. Burnand, Arthur 
Sturgess, and Sir Augustus Harris. Music by Gaston 
Serpette, and J. M. Glover. Vocal score. London. 
Ascherberg. [1896.] No. 3 in M.389.43 

La dot de Brigitte. Operette en trois actes de Paul 
Farrier et Antony Mars. Musique de Gaston Serpette 
et Victor Roger. Partition chant et piano. Paris. 
Choudens. 1895. M.246.16 

Fanfreluche. Opera comique en 3 actes, de Gaston Hirsch, 
St. Arroman & Burani [pseud.]. Musique de G. Ser- 
pette. Partition chant et piano. Paris. Choudens. 
[1883.] No. I in M.322.22 

Same. Fanchonette. An opera bouffe in 3 acts. Com- 
posed by G. Serpette. Adapted from the French [of 
Gaston Hirsch, St. Arroman, and P. U. Roucoux] by 
Oscar Weil. [Vocal score.] Boston. Blair & Lydon. 
1885. M.322.21 

La gamine de Paris. Opera-comique en 3 actes de Leter- 
rier & Vanloo. Musique de G. Serpette. Partition chant 
& piano. Paris. Choudens. [1887.] No. 2 in M.322.30 

Insomnie. Monologue. Paroles de Felix Henry. Musique 
de Gaston Serpette. [Partition chant et piano.] Paris. 
Brandus & cie.' [189-?] No. i in M.322.30 

La Lyceenne. Vaudeville-operette en 3 actes de Georges 
Feydeau. Musique de G. Serpette. Partition chant et 
piano. Paris. Choudens. [1888.] No. 2 in M.322.25 

Madame le Diable. Feerie-operette en 4 actes. Paroles 
de H. Meilhac & A. Mortier [pseud.]. Musique de Gas- 
ton Serpette. Partition chant et piano. Paris. Enoch. 
[1882.] M.322.19 

Le manoir de Pictordu. Operette en 3 actes de M'^ S* 
Albin & A. Mortier [pseud.]. Musique de G. Serpette. 
Partition chant & piano. Paris. Choudens. [1875.] 

M.322.28 

Me-na-ka. Legende japonaise en i acte. Paroles de Paul 
Ferrier. Musique de Gaston Serpette. Partition chant 
et piano. Paris. Durdilly. 1892. No. 2 in M.322.20 

Le moulin du Vert-Galant. Opera comique en 3 actes de 
Mrs E. Grange et V. Bernard. Musique de G. Serpette. 
Partition chant et piano. Paris. Choudens. [1876.] 

M.322.2g 

Le petit chaperon rouge. Operette en 3 actes et 4 tableaux 
de Blum et Toche. Musique de G. Serpette. Partition 
chant et piano. Paris. Choudens. [1885.] 

No. I in M.322.27 

La petite muette. Opera comique en 3 actes de Paul 
Ferrier. Musique de Gaston Serpette. Partition chant 
& piano. Paris. Mackar. [1877.] M.322.23 

La princesse. Comedie-operette en i acte de Raoul Toche. 
Musique de Gaston Serpette. Partition-Iivret. Poeme, 
chant et piano. Paris. Hartmann. [1882.] 

No. I in M.355.13 

Le royaume des femmes. Operette a grand spectacle en 
3 actes et 6 tableaux de MM. Ernest Blum et Paul 
Ferrier, d'apres Cogniard et Raoul Toche. Musique de 
Gaston Serpette. [Partition chant et piano.] Paris. 
Dupont. 1896. M.395.60 

Shakspeare! Operette-bouffe en 3 actes de Paul Gavault 
& P.-L. Flers [pseud.]. Musique de Gaston Serpette. 
Partition piano et chant. Paris. Heugel & c'«. 1899. 

M.399.58 

Le songe d'une nuit d'ete. Operette en i acte. Paroles 
d'fidouard Noel. Musique de Gaston Serpette. Par- 
tition chant et piano. Paris. Brandus & cie. [1886.] 

No. 2 in M.322.27 

Tige-de-Lotus. Operette en i acte. Paroles de R. Toche. 
Musique de G. Serpette. Partition chant & piano. Paris. 
Brandus & cie. [1883.] No. 2 in M.322.22 

The telephone girl. See his La demoiselle du telephone. 

Le voyage de noce ou I'auberge de Windsor, de Georges 
Durand. Pantomime. Musique de Gaston Serpette. 
[Partition pour piano.] Paris. Enoch. [1883?] 

No. 2 in M.322.17 



Serrano y Ruiz, Emilio. 

Mitridate. Dramma lirico in tre atti di D. Mariano Cap- 

depon. Musica del Maestro Emilio Serrano y Ruiz. 

[Traduzione ritmica dallo ipagnole per Ernesto Palermi. 

Accomp. di piano.] Milano. Lucca. [1885?] M.399.59 

Serrao, Paolo. 

La duchessa di Guisa. Melodramma in 4 atti di F. M. 
Piave. Musica di P. Serrao. Riduzione con accomp. di 
pianoforte. Milano. Lucca. [1867.] M.274.23 

Serre, Jean Adam. 

Essais sur les principes de I'harmonie. Paris. Prault. 
1753. No. 2 in M. 147.19 

Serret, Ernest. 

Clemence Oge: histoire d'une maitresse de chant. Paris. 
Hachette & cie. 1861. M.iog.ia 

Serrier, P. 

O Salutaris. Motet a voix egales. [Accomp. d'orgue.] 

(In Chapelle, La. Vol. i, pp. 57, 58.) No. 10 in M.201.33 

Tantum ergo [s. s. T. B. Accomp. d'orgue]. Paris. [Heugel. 

186-?] No. 26 in M.201.34 

Serrurier, Le. Ofera. For the Music see Kohaut. For the 

Libretto see Quetant. 
Serse. Opera. For the Music see Handel. Werke. Liefe- 

rung 92. 
Serta, Gaetano. 

La Zenobia di Palmira. [Opera] del Sig. D. Giovanni 

Paisiello. M.51.12 

Serva, La, e I'ussero. Opera. For the Music see Ricci, L. 

Serva bizzarra, La. Opera. For the Music see Guglielmi, 

P. C. 
Serva nos, Domine. 

Reissiger. 15 Graduales. No. 3 in M.1S8.27 

Serva padrona, La. Opera. For the Music see Paisiello. 

For the Libretto see Nelli. 
Servais, Adrien Frangois. 

Caprice sur des motifs de I'opera Le Comte Ory pour le 

violoncelle, avec accomp. d'un second violoncelle oblige 

ou de piano. Op. 3. [Piano et violoncelle principal.] 

Mayence. Schott. [1845?] No. 10 in M.210.6 

Same. [Partie de violoncelle principal et second.] 

No. 18, 19 in M.210.12 
Heureux qui de la sagesse. Cantique [s. ou t.] avec ac- 
comp. de violoncelle oblige. Portrait. Facsimile. {In 
Album du Gaulois. Vol. 2.) No. 22 in M.391.28.2 

Servais, Frangois Matthieu. 

L'Appollonide (Ion). Drame musical en 3 actes et 5 ta- 
bleaux d'apres Leconte de Lisle. Musique de Franz 
Servais. Partition chant et piano. Paris. Choudens. 
1899- M.393.54 

Servante, La, de Ramponneau. Opera. For the Music see 

Carman, M. For the Libretto see Rodembourg. 
Servante maitresse, La. Opera. For the Music see Per- 

golesi. For the Libretto see Nelli. 
Serve bone. Motet. Lassus. Sammtliche Werke. Band i. 

M.8o4oa.67.i 
Serve the Lord with gladness. Anthem. Caldara. 

No. 20 in M.290.33 
Service, Un, d'ami. Opera. For the Music see Hocmelle. 

For the Libretto see Sabatier. 
Service of song. Psalmody. Leavens, B. F., compiler. M.290.35 
Servier, Madame Henry. 

The evening bells. (Les cloches du soir.) Air anglais 
varie, avec introduction et finale, pour piano et violon- 
celle [ou violon]. Op. 2. [Partition piano et violon- 
celle.] Paris. Pacini. [184-?] No. 11 in M.210.6 
Same. [Partie de violon.] No. 17 in M. 210.10 
Same. [Partie de violoncelle.] No. 18 in M. 210.10 
Servieres, Georges. 

La musique frangaise moderne. 2e edition. Paris. Havard. 
1897. Portraits. M.370.40 

Contents. — Cesar Franck. — fidouard Lalo. — Jules Massenet. — 
Ernest Reyer. — Camille Saint-Saens. 
Richard Wagner juge en France. Paris. Librairie illustree. 
[1887.] Portrait. M.127.47 

Servo padrone, II. Opera. For the Music see Pavesi. 



70 



Sessa 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Seymour 



Sessa, Carlo. 

Ave Maria, per s. o. t. [Accomp. di organo.] Milano. 
Ricordi. [187S?] No. 6 in M.201.36 

Set up Thyself, O God. Anthem. Mozart, J. C. W. A. 

No. 7 in M.236.30.4 
Settimio. Opera. For the Libretto see Gilardoni. 
Setze mir nicht, du Grobian. Song. Schumann, R. A. 
Myrthen. Heft i. No. 2 in M.244.15.1 

Seuberlich, . 

Der Konig von Thule. [Mannerchor.] (In Regensburger 
Liederkranz. Pp. 167, 168.) No. 67 in M.i2ga.44 

Seuberlich, Rudolf. 

Der Prinz wider Willen. Oper. Musik von Otto Lohse. 

M.394.41 
Seufzer. Song. Schubert, F. P. Werke. Serie 20, Band 2. 

M.317.1.20.2 

Seufzer eines Ungeliebten. Song. 

Beethoven. Werke. Serie 23. M.413.1.23 

Gruber, G. W. Gottfried August Biirgers Gedichte. Vol. 2. 

No. I in M.130.9.2 

Seul! Song. 

Gounod. Vingt melodies. ler recueil. No. 2 in M.157.36.1 
Meyerbeer. 40 melodies. No. i in M. 157.38 

Seuls confidents de mes peines. Song. Campra. 

No. IS in M.356.11 
Se un vero amante. Catch [for 3 voices]. (In Vocal har- 
monist's magazine. Vol. i, p. 72.) No. 4 in M.220.5 
Seurat, E. 

Oh! c' Paladin. Bouffonnerie musicale. Paroles de E. 
Seurat et J. Valdy. Musique de Georges Douay. 

No. 4 in M.301.4 
Seven last words. The, from the Cross. Passion music. 
Gounod. No. 12 in M.157.31 

Seven sisters, The. Part-song. Rheinberger, J. G. 

No. 21 in M.392.22 
Seven words from the Cross. See Seven last words from the 

Cross. 
Seventh day, The. Cantata. For the Music see Bishop, 

H. R. For the Libretto see Milton. 
Severn, Thomas Henry. 

The spirit of the shell. Serenata. The poetry by Francis 
Wyman. Composed by Thomas Henry Severn. [Ac- 
comp. for piano.] London. Addison & Hodson. [185-?] 

No. 2 in M. 391.53 
Sevilliana. Ballet music. Hartog. No. 2 in M.348.13 

Sevin, Julien. 

Theorie musicale appliquee a I'enseignement simultane. 
Nantes. L'auteur. 1841. No. 6 in M. 206.2 

Sewell, Arthur. 

The Lord is my Shepherd, Psalm xxiii. (Bible version). 
[Accomp. for organ and pianoforte.] London. Novello, 
Ewer & Co. [188-?] No. i in M.156.3 

Sewell, John. 

Break forth into joy. Full anthem for Christmas. [Ac- 
comp. for organ.] London. Novello & Co. [1866?] 

No. 17 in M.190.7 

This is the day. Full anthem. [Accomp. for organ.] (In 

Novello's Collection of anthems. Vol. i, pp. 110-113.) 

No. 13 in M.195.2.1 
Sewrin, Charles Augustin. 

Emmeline, ou la famille Suisse. Opera-comique. Musique 

de Weigl. M.294.21 

La fete du village voisin. Opera comique. [Musique] par 

A. Boieldieu. M.271.34 

L'heritier de Paimpol. Opera comique. Mis en musique 

par N. Charles Bochsa. M.271.26 

L'homme sans fagon. Opera comique. Musique de R. 

Kreutzer. M.253.18 

Jadis et aujourd'hui. Opera bouffon. Musique de R. 

Kreutzer. M.253.19 

Sextuors. Instrumental. See Chamber music. Sextets. 

Seydelmann, Franz. 

Arsene. Singspiel nach Favart, von A. G. Meissner. In 
Musik gesetzt und in Klavierauszug gebracht von Franz 
Seydelmann. Leipzig. Breitkopf. 1779- M.151.6 



Seydelmann, Franz. (Continued ) 

Missa solennis a trombi et tympani, corni, oboi, violtni, 
viole, quatuor vocibus et basso. Manuscript. [180-?] 

No. 9 in M.222.48 
Seyffardt, Ernst Hermann. 

Aus Deutschland's grosser Zeit. Dichtung von Adolf 
Kiepert. Konzert-Kantate in 3 Teilen. Fiir 4 Solo- 
stimmen, gemischten Chor, MSnnerchor und Orchester 
componirt von Ernst H. Seyffardt. Op. 25. Clavier- 
Auszug. Diisseldorf. Metzger. 1895. M.3gs.49 

Seyfferth, Wilhelm. 

Der Trinker. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. P. 34-) No- 32 in M.213.9 

Zechers gute Nacht. [Mannerchor.] (In Fink. Die 

deutsche Liedertafel. Pp. 42, 43-) No. 36 in M.213.9 

Seyfried, Ferdinand, Ritter von. 

Riickschau in das Theaterleben Wiens, seit den letzten 
fiinfzig Jahren. Wien. 1864. M.373.41 

Seyfried, Ferdinand, Ritter von, translator. 

Balfe. Die vier Haimonskinder. M.230.6 

Seyfried, Ignatz Xaver, Ritter von. 
Ah! with me. See his Deh con me. 
Calm eyes of beauty. See his Luci sereni. 
Che bel contento. [Mannerchor.] (In Orpheus. Band i, 
pp. 49, so.) No. 34 in M.i29a.43.i 

Deh con me non vi sdegnate. [Mannerchor.] (In Or- 
pheus. Band 4, pp. 11, 12.) No. 122 in M.i29a.43.4 
Same. Ah! with me (Deh con me). Part-song for t. t. 
b. b. (In The Orpheus. New series. Vol. 3, pp. 109- 
114.) No. 27 in M. 205. 10.3 
Faust. Eine dramatische Legende [in s Acten] von Aug. 
Klingmann. Musick von Ig. Ritter von Seyfried. [Par- 
titur.] Manuscript. [Vienna. 1820?] M. 151.7 
Gloria (a 4 voix). [Accomp. d'orgue.] (In Dietsch. Re- 
pertoire de musique religieuse. Pp. 160-170.) 

No. 3S in M. 260.20 
Das Gliick der Liebe. [Mannerchor.] (In Fink. Die 
deutsche Liedertafel. Pp. 38, 39.) No. 34 in M.213.9 

Das lebendige Weinmass. Ein Lustspiel und comisches 
Melodrama in 3 Aufziigen von Mathaeus Stegmayer. 
Fiir das Piano-Forte eingerichtet von I. R. von Sey- 
fried. Wien. K. k. Hof-Theater-Musik Verlag. [181-?] 

No. I in M. 340.10 
Luci sereni abbiate pur pieta. [Mannerchor.] (In Or- 
pheus. Band 2, pp. 7, 8.) No. 47 in M.i29a.43.2 
Same. Calm eyes of beauty (Luci sereni). Part song for 
T. T. B. B. or s. A. t. b. (In The Orpheus. New series. 
Vol. 3, pp. 147-149.) No. 3S in M.205.10.3 
Missa fiir Singstimmen im Chor mit Begleitung des 
ganzen Orchesters. No. 3. Partitur. Leipzig. Hof- 
meister. [183-?] No. 2 in M.222.41 
Mozart, der Operncomponist. [Mainz. 1833,] 

No. 4 in M.372.40 

Music. [Part-song, T. T. B. B.] (In Orpheus glee book. 

Pp. 46-48.) No. 26 in M.246.36 

Die Ochsenmenuett. Singspiel in einem Akt. Nach 

Haydn's Compositionen arrangirt von Seyfried. Voll- 

stKndiger Klavierauszug. Berlin. Trautwein. [182-?] 

No. 2 in M.350.6 
Piano vien amore. [Mannerchor.] Breslau. Cranz. [188-?] 

Also to be found in Orpheus. No. 28 in M.392.2S 

Sanctus et Benedictus. Soli et choeur. [Accomp. d'orgue.] 
(In Dietsch. Repertoire de musique religieuse. Pp. 70- 
78.) No. IS in M.260.20 

Saul, Konig in Israel. Ein Melodram in 3 Acten. [Nach 
dem Franzosischen des Caigniez.] In Musik gesetzt von 
J. R. von Seyfried. Im Klavierauszug. Wien. [1810.] 

No. 2 in M.340.10 
Softly, softly. Part-song for t. t. b. b. (In The Orpheus. 
New series. Vol. 3, pp. 29-33.) N0.8 in M.205.10.3 

Seyfried, Ignatz Xaver, Ritter von, editor. 

Albrechtsberger, J. G. Methods of harmony, figured 
base and composition. London. [1834.] 2 v. M.135.1 
Seymour, Mary Alice Ives. 

Life and letters of Louis Moreau Gottschalk. By Octavia 

71 



Seymour 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Shakespeare 



Seymour, Mary Alice Ives. (Continued.) 

Hensel [pseud.]. Boston. Ditson & Co. 1870. M.ioga.ie 

The Rheingold trilogy. A guide through the trilogy of 

Richard Wagner. By Octavia Hensel [pseud.]. Boston. 

Ditson & Co. 1884. No. 6 in M.370.71 

Sgambati, Giovanni. 

Concerto pour piano et orchestre. Op. 15. Partition. 
Mayence. Schott. [1880?] No. 2 in M.342.37 

Gavotta, instrumentata da Luigi Mancinelli. [Partitura.] 
Firenze. Guidi. 1882. [Biblioteca del sinfonista.] 

No. 4 in M.355.13 

Messa da requiem. A coro misto, baritone e orchestra. 

[Op. 38.] Partitura d'orchestra. Mayence. Schott. 1908. 

M.411.91 
Quartett, Cis-moll, fiir 2 Violinen, Viola und Violoncell. 
Op. 17. [Partitur.] Leipzig. Eulenburg. [189-? 
Payne's Kleine Partitur-Ausgabe.] No. 2 in M.4i2a.8 

Quartetto per 2 violini, viola e violoncello. Op. 17. Par- 
titura. Mayence. Schott. [1886?] No. 2 in M.334.14 
Quintuor pour piano, deux violons, alto et violoncelle. 
Op. 4. Partition. Mayence. Schott. [187-?] 

No. 2 in M.410.83 
[Quintuor, 2e, pour piano, deux violons, alto et violon- 
celle. Op. 6. Partition. Mayence? Schott? 187-?] 

No. I in M.410.83 

The title-page is lacking and the first page is in manuscript. 

Sinfonia in re, per grande orchestra. Op. 16. [Partitura.] 

Mayence. Schott. [1881.] No. i in M.342.37 

"Te Deum laudamus." Andante solenne per orchestra e 

organo. Op. 28. Partitura d'orchestra e organo (ad. lib.). 

Mayence. Schott. 1908. No. 3 in M.136.28 

Sgombra i miei dubbi. Cavatina. Mercadante. 

No. 54 in M.235.18.3 
Shades, The, of night are flying. Part-song. Spohr. 

No. 13 in M.204.36.2 
Shadovtr, A. Part-song. Blumenthal. 6 part-songs. 

No. 2 in M. 158.23 
Shakespeare, William. Antony and Cleopatra. 

Bishop, H. R. Epicedium in Shakspear's play of Antony 
and Cleopatra. Composed and arranged for 4 voices, 
with accomp. for the pianoforte. No. i in M.320.12 

Rubinstein, A. G. Ouverture de la tragedie „Antonius 
et Cleopatre" de Shakespeare, pour orchestre. Op. 116. 
Partition. No. 3 in M.342.29 

Sayn-Wittgenstein-Berleburg, F. E. [Antonius und Cleo- 
patra. Grosse Oper. Musik von F. E. Wittgenstein. 
Text von S. H. Mosenthal. Partitur.] M.400.47;etc. 

Shakespeare, William. As you like it. 

Bishop, H. R. The whole of the music in As you like it. 
Added the 3 songs composed for the play by Dr. Arne. 
[Accomp. for pianoforte.] M.391.2 

Shakespeare, William. Comedy of errors. 

Bishop, H. R. Comedy of errors. The overture, songs, 
2 duets, & glees in Shakspeare's Comedy of errors. The 
music compressed for the voice and piano forte. 

No. 2 in M.271.17 

LoRENZ, C. A. Irrungen. Oper. Nach Shakspeare's Komodie 

der Irrungen bearbeitet und in Musik gesetzt. Clavier- 

auszug. M.306.27 

Shakespeare, William. Coriolanus. 

Graun, C. H. [Coriolano. Opera seria. Parole di Villati. 

Musica di C. H. Graun. Per canto.] M.282.15 

Lux, F. Coriolan. Dramatische Scene von Jos. Laufs. 

Fiir Mannerchor, Soli und Orchester in Musik gesetzt von 

Friedrich Lux. Op. 70. [Klavierauszug.] No. 2 in M.203.17 

Mackenzie, A. C. Suite dramatique (Coriolanus) pour 

orchestre. M.406.19 

Shakespeare, William. Cymbeline. 

MissA. Dinah. Comedie lyrique d'apres Shakespeare, par 
Michel Carre & Paul de Choudens. Musique de Edmond 
Missa. No. 2 in M.257.16 

Shakespeare, William. Hamlet. 

BuzzoLLA, A. Amleto. Tragedia lirica di Giovanni 
Peruzzini. Posta in musica da Antonio Buzzolla. Con 
accomp. di pianoforte. M.230.34 



Shakespeare, William. Hamlet. (Continued.) 

Gade. Hamlet. Concert-Ouverture fiir Orchester. Op. 
37. Partitur. No. 3 in M.345.45 

Henschel, G. The music to Shakespeare's Hamlet. Op. 
52. Deutsche tJbersetzung von Schlegel. Full score. 

M.403.69 
Hignard. Hamlet. Tragedie lyrique en 5 actes et 9 ta- 
bleaux traduites de Shakspeare. Par Pierre de Garal. 
Musique de A. Hignard. Partition piano et chant. 

M.366.13 
Joachim. Ouverture zu Hamlet. Partitur. No. 2 in M.3S2.1 
Liszt. Hamlet. Symphonische Dichtung. Partitur. 

No. 3 in M.344.7 

MacDowell. Hamlet. Ophelia. Zwei Gedichte fiir 

grosses Orchester. Op. 22. Partitur. No. i in M.334.10 

NicHOLL. Hamlet. Seelenstudie fiir grosses Orchester. 

Op. 14. Partitur. No. 5 in M.342.21 

Tanieev, a. S. ,,Hamlet." Ouverture pour grand orchestre. 

Op. 31. Partition. M.411.15 

TcHAiKovsKi, P. I. Hamlet. Phantasie-Ouverture fiir 

grosses Orchester. Op. 67. Partitur. No. 2 in M.343.1 

Hamlet von W. Shakespeare. Ouverture, Melodramen, 

Marsche und Entre' actes fiir kleines Orchester. Op. 
67B. Partitur. M.3S6.32 

Thomas, C. L. A. Hamlet. Opera. Paroles de Michel 
Carre et Jules Barbier. Musique de Ambroise Thomas. 
Partition piano et chant. M.327.15 

Shakespeare, William. Henry VHI. 

Sullivan, A. S. Shakspeare's "Henry VIII." Incidental 
music. [Pianoforte score.] No. 3 in M.323.37 

Shakespeare, William. Julius Caesar. 

BuELOw. Ouverture et marche des Imperiaux de la 
tragedie de Jules Cesar de Shakespeare, pour grand or- 
chestre. Op. 10. Partition. No. i, 2 in M.35S.17 
Schumann, R. A. Ouverture zu Shakspeare's Julius 
Casar. Op. 128. Partitur. No. 4 in M.353.14 
Shakespeare, William. King Lear. 

Balakirev. Ouverture fiir Orchester zu W. Shakespeare's 

Tragodie „K6nig Lear." Partitur. No. 2 in M.406.68 

Baezini. Re Lear. Overtura. Partitura. No. 2 in M.3S5.1 

Berlioz, L. H. Grande ouverture du Roi Lear. Partition. 

No. 2 in M.341.19 

Heidingsfeld, L. Konig Lear. Dramatische Sinfonie in 3 

Satzen. Op. 8. Partitur. No. 2 in M.342.S 

LiTOLFF. Konig Lear. Oper nach Shakespeare und Holin- 

shed. Ouverture. Partitur. No. 2 in M.410.71 

Weingartner, p. F. Konig Lear. Symphonische Dichtung 

fiir grosses Orchester. Op. 20. Partitur. 

No. I in M.404.33 
Shakespeare, William. Love's labour's lost. 

CusiNS. Two concert overtures: i. "Les travailleurs de la 
mer" (after Victor Hugo). 2. "Love's labour's lost" 
(after Shakespeare). [Full score.] No. 2, 3 in M.333.8 

Shakespeare, William. Macbeth. 

Bruell. Ouverture zu Macbeth fiir grosses Orchester. 
Op. 46. Partitur. No. i in M.336.2 

Chelard. Macbeth. Heroische Oper. Dichtung frey nach 
Shakspear. Clavier-Auszug. M.230.41 

Heinefetter. Ouverture zu Macbeth, Tragoedie von 
Shakespeare, componirt fiir grosses Orchester. Op. 13. 
Partitur. No. 4 in M.344.32 

Kelley, E. S. The music to Macbeth. Arranged [for 
pianoforte] for concert performance by Wm. H. Sher- 
wood. No. 4 in M.380.10 
Pierson. Macbeth (von Shakespeare). Sinfonische Dich- 
tung fiir grosses Orchester. Op. 54. Partitur. 

No. 2 in M.348.9 

PuRCELL, H. Locke's music for Macbeth. [Accomp. for 

pianoforte.] No. 6 in M.154.16 

The original songs, airs & choruses introduced in the 

tragedy of Macbeth. [Vocal score with orchestral ac- 
comp.] No. 4 in M.380.6 
Raff. Macbeth. [Orchester-Vorspiel. Nachgelassenes 
Werk, revidirt von E. A. MacDowell.] Partitur. 

No. 3 in M.347.43 



72 



Shakespeare 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Shakespeare 



Shakespeare, William. Macbeth. (Continued.) 

Strauss, R. Macbeth. Tondichtung fiir grosses Or- 
chester (nach Shakespeare's Drama). Op. 23. Partitur. 

M.404.24 
Taubert, C. G. W. Macbeth. Oper nach Shakespeare 
von F. Eggers. Musik von Wilhelm Taubert. [Klavier- 
auszug.] M.284.11 

TcHEREPNiN, N. N. Scene dans la caverne des sorcieres 
(IVme acte, scene i«) de la tragedie „Macbeth" pour 
grand orchestre. Op. 12. Partition d'orchestre. 

M.4o6.5g 
Verdi. Macbeth. Opera seria [di S. Cammarano]. Musica 
del Mo. G. Verdi. [Per canto e piano.] M.328.32 

Shakespeare, William. Merchant of Venice. 

Clarke, J. H. S. Music to the Merchant of Venice as per- 
formed at the Lyceum Theatre, ist November, 1879. 
[Arranged for pianoforte.] No. 4 in M.277.23 

Faure, G. U. Shylock. Comedie de Edmond Haraucourt 
(d'apres Shakspeare). Musique de scene de Gabriel 
Faure. Op. 57. Partition d'orchestre. No. 3 in M.358.25 
PiNSUTi. II mercante di Venezia. Melodramma da Shake- 
speare. Parole del Cav. G. T. Cimino. Musica del Mo. 
Giro Pinsuti. Per canto e pianoforte. M.287.21 

Saussine. Le marchand de Venise. Comedie musicale d' 
apres Shakespeare. Paroles et musique de Henri de 
Saussine. Partition chant et piano. M. 378.16 

Sullivan, A. S. Music to the Masque in Shakespeare's 
"Merchant of Venice." [Pianoforte score.] 

No. I in M.391.S9 

Shakespeare, William. Merry wives of Windsor. 

Adam, A. C. Falstaff. Opera-comique de MM. de Saint 

Georges et de Leuven [pseud.]. Musique de Ad. Adam. 

Partition piano et chant. No. i in M.361.13 

Balfe. Falstaff. A grand opera. The poetry by M. 

Maggioni. The music by M. W. Balfe. [Accomp. for 

piano.] M.261.1 

Kaun. Sir John Falstaff. Symphonische Dichtung fiir 

grosses Orchester. No. 2 in M. 406.79 

NicoLAi, C. O. E. Die lustigen Weiber von Windsor. 

Komische phantastische Oper [nach Shakespeare von 

S. H. von Mosenthal], von Otto Nicolai. In Partitur 

hrsg. von Gustav F. Kogel. M.3S2.i6;etc. 

Verdl Falstaff. Commedia lirica di Arrigo Boito. 

Musica di Giuseppe Verdi. Canto e pianoforte. M.325.3S 

Shakespeare, William. Midsummer night's dream. 

Mendelssohn-Bartholdy, J. L. F. Ein Sommernachts- 
traum (Le songe d'une nuit d'ete) von Shakespeare. 
Musik von Felix Mendelssohn-Bartholdy. Op. 61. Par- 
titur. No. 2 in M.3S3.5 ; etc. 
Serpette, H. C. a. G. Le songe d'une nuit d'ete. Operette 
en I acte. Paroles d'fidouard Noel. Musique de Gaston 
Serpette. Partition chant et piano. No. 2 in M.322.27 
Thomas, C. L. A. Le songe d'une nuit d'ete. Opera 
coinique. Poeme de Rosier et de Leuven [pseud.]. 
Musique de Ambroise Thomas. Accomp. de piano. 

M.327.16 
Shakespeare, William. Much ado about nothing. 

Berlioz, L. H. Beatrice & Benedict. Opera imite de 

Shakespeare. Paroles et musique de Hector Berlioz. 

Partition piano et chant. M.362.28 

PuGET, P. Beaucoup de bruit pour rien. Opera d'apres 

Shakespeare. Poeme de fidouard Blau. Musique de 

Paul Puget. [Partition chant et piano.] M.393.51 

Stanford. Much ado about nothing. Opera founded on 

Shakespeare's comedy. The words written by Julian 

Sturgis. The music composed by Charles Villiers 

Stanford. [Vocal score.] M.389.S2 

Shakespeare, William. Othello. 

Dvorak, A. Otello. Ouvertiire fiir grosses Orchester. 

Op. 93. Partitur. No. 3 in M.344.36 

FiBicH, Z. Othello. Symfonicka basen pro velky or- 

chestr. Op. 6. [Partitur.] No. i in M.410.26 

Krug, a. Symphonischer Prolog zu Shakespeare's Othello. 

Fiir grosses Orchester. Op. 27. Partitur. 

No. 6 in M.336.21 



Shakespeare, William. Othello. (Continued.) 

Rossini, G. A. [Otello. Opera seria di L. Tottola. Posta 
in musica da G. Rossini. Partitura.] M.264.24; etc. 

Verdi. Otello. Opera [by Arrigo Boito. Translated by 
Francis Hueffer. Music] by Verdi. Vocal score. 

M.325-33 
Shakespeare, William. Richard III. 

GoERNER. Grosse Simphonie [C moll] zu Shakespeare's 
,, Richard der Dritte." M.312.20 

Salvayre, G. B. Richard III. Grand opera de E. Blavet. 
Musique de G. Salvayre. Partition chant et piano. 

M.321.33 

Smetana, B. Richard III. Symphonische Dichtung fiir 
grosses Orchester. Partitur. No. 2 in M.338.27 

Volkmann, F. R. Musik zu Shakespeare's Richard III. 
Op. 73. Partitur. No. 3 in M.352.2 

Ouverture zu Shakespeare's Richard III. fiir grosses 

Orchester. Op. 68. Partitur. No. 2 in M.352.2 

Shakespeare, William. Romeo and Juliet. 

Bellini, V. Romeo und Julie. Oper in 4 Aufziigen [von 
F. Romani. Musik von Bellini. Partitur]. M.23o.io;etc. 

Benda, G. Romeo und Julie. Eine Oper. [Text von F. W. 
Gotter.] Klavierauszug. No. i in M.230.13 

Berlioz, L. H. Romeo et Juliette. Symphonic dramatique, 
avec chceurs, solos de chant et prologue en recitatif 
choral. Composee par Hector Berlioz. Paroles de M"' E. 
Deschamps. Grande partition. M.341.23; etc. 

Gounod. C. F. Romeo et Juliette. Opera de J. Barbier et 
M. Carre. Musique de Ch. Gounod. Partition chant et 
piano. M.382.26;etc. 

Holbrooke, J. Queen Mab. Shakespeare poem No. 7, for 
grand orchestra and chorus (ad lib.). Op. 45. Partitur. 

M.410.69 

IvRY, P. X. D. R. Les amants de Verone. Opera imite 
de Shakespeare. Paroles et musique de Richard Yrvid 
[pseud. Partition chant et piano]. M.39S.61 

Kliebert, C. Concert-Ouverture (Romeo und Julia) fiir 
Orchester. Op. 5. Partitur. No. i in M.403.8S 

Marchetti, F. Romeo e Giulietta. Dramma lirico di M. 
Marcello. Musica del M" Filippo Marchetti. Canto e 
pianoforte. M.273.5 

Pierson, H. H. Concert-Ouverture zu Romeo und Julie, 
Trauerspiel von Shakespeare. Op. 86. Partitur. 

No. 3 in M.348.9 

Raff, J. J. Romeo und Julie. [Orchester-Vorspiel. 
Nachgelassenes Werk, revidirt von E. A. MacDowell.] 
Partitur. No. 2 in M.347.43 

ScHLOTTMANN, L. Ouverture zu Shakespeare's Romeo und 
Julia. Op. 18. Partitur. No. i in M.348.10 

Shelley, H. R. Romeo and Juliet. Lyric drama in three 
acts and one tableau. [Words from Shakespeare.] 
Complete vocal score. M.397.61 

Steibelt, D. Romeo et Juliette. Opera [de Segur jeune]. 
Mis en musique par D. Steibelt. [Partition.] M.284.6 

SvENDSEN, J. S. Romeo und Julia. Phantasie fiir Or- 
chester. Op. 18. Partitur. No. 4 in M.335.15 

Tchaikovski, p. I. Romeo et Juliette. Ouverture-fantaisie 
d'apres Shakespeare. Partition d'orchestre. M.358.10 

Zingarelli, N. a. Giulietta e Romeo. Dramma eroico 
pantomimo [di G. Foppa]. Musica del Sigr Maestro 
Zingarelli. [Partitura.] M.60.20 

Shakespeare, William. Songs. 

Caulfield, J., compiler. A collection of the vocal music in 
Shakespeare's plays, including the whole of the songs, 
duets, glees, choruses, &c. Revised & arranged with an 
accompaniment for the piano forte, by Mr. Addison. 

M.ii2.ii;etc. 

Taubert, C. G. W. Gesaenge aus Shakspeare's Was ihr 
woUt [u. s. w.], mit Begleitung des Pianoforte. 

No. 8 in M.221.26 
Shakespeare, William. Taming of the shrew. 

GoETZ, H. Der Widerspanstigen Zahmung. Komische Oper 
nach Shakspeare's Lustspiel frei bearbeitet von J. V. 
Widmann. Musik von Hermann Goetz. Vollstiindiger 
Clavier-Auszug. M.266.10; etc. 



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THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



She 



Shakespeare, William. Taming of the shrew. (Continued.) 

Le Rey, F. La megere apprivoisee. Comedie-lyrique 

(d'apres Shakespeare) par fimile Deshays. Musique de 

Frederic Le Rey. [Partition chant et piano.] M.395.39 

Rheinberger, J. G. Ouvertiire zu Shakespeare's Die 

Zahmungder Widerspanstigen fiir Orchester. Partitur. 

No. I in M.312.2 
Shakespeare, William. The tempest. 

Benedict, J. Overture to Shakespeare's play The tem- 
pest. [Full score.] No. i in M.333.8 
CoRDER, F. Prospero. Concert overture for full or- 
chestra. Full score. No. 4 in M.332.11 
DuvERNOv, V. A. La tempete. Poeme symphonique pour 
soli, choeurs et orchestre. Paroles de Armand Silvestre 
et Pierre Barton, d'apres Shakespeare. Musique de Al- 
phonse Duvernoy. Partition piano et chant. M.30S.31 
FiBicH, Z. Boufe. Zpevohra. Basen die sujetu stejno- 
jmenne dram, pohadky Shakespeareovy napsal Jaroslav 
Vrchlicky. Hudbu slozil Zdenko Fibich. Der Sturm. 
Oper von Jaroslav Vrchlicky.' Musik von Zdenko Fibich. 
Op. 40. Klaylrni vytah. M.245.4 
Halevy, J. F. F. £. La tempesta. Opera. Paroles de E. 
Scribe. Traduction italienne de Giannone. Musique de 
F. Halevy. Partition pour chant avec acct. de piano. 

M.365.31 

Paine, J. K. Symphonische Dichtung nach Shakespeares 

Sturm (Tempest) fiir Orchester. Partitur. M.411.46 

PuRCELL, H. The music in Shakspeare's Tempest, by 

Purcell, Arne, Smith & Linley. New edition. [Accomp. 

for pianoforte.] No. 5 in M.391.58; etc. 

Reichardt, J. F. Die Geister-Insel. Kin Singspiel von 

J. F. Gotter, nach Shakespear's Sturm. In Musik 

gesetzt von loh. F. Reichardt. [Klavierauszug.] 

M.254.38 

Sullivan, A. S. The music to Shakespeare's Tempest. 

[Pianoforte score.] No. 3 in M.391.59 

Taubert, C. G. W. Der Sturm von Shakspeare. Musik von 

Wilhelm Taubert. Op. I34- Ouverture. Partitur. 

No. I in M.404.98 
TcHAiKovsKi, p. L „Bypfl" (no apaui UleKcnupa). <t>aHTa3iq 
fljifl opKecTpa. Coq. 18. napTHiypa. [The tempest, after 
Shakespeare's drama. Fantasy for orchestra.] 

No. 2 in M. 343.4 
Thomas, C. L. A. La tempete. Ballet fantastique. [Livret] 
de Jules Barbier. [Choregraphie] de J. Hansen. D' 
apres Shakespeare. Musique de Ambroise Thomas. 

M.324.13 
Urspruch, a. Der Sturm. Oper. Dichtung frei nach 
Shakespeare's Schauspiel von Emil Pirazzi. Musik von 
Anton Urspruch. Vollstandiger Clavierauszug. M. 328.37 
Van der Stucken, F. V. Musik zu Shakespeares „Sturm." 
Op. 8. Partitur. No. 2 in M.331.12 

Vierling, G. Ouverture zu Shakespeare's Sturm fiir Or- 
chester. Op. 6. Partitur. No. S in M.312.26 
Shakespeare, William. Tzvelfth night. 

Bishop, H. R. The songs, duetts & glees in Shakspeare's 
play of Twelfth night. The music composed for the 
voice and piano by Henry R. Bishop. No. 2 in M.390.46 
Taubert, C. G. W. Cesario. Oper frei nach Shake- 
speare's „Was ihr wollt" von Emil Taubert. Musik 
von Wilhelm Taubert. Vollstandiger Klavier-Auszug. 

M.324.10 
Tausch, J. Musik zu Shakespeare's Was ihr wollt. Op. 
4. Partitur. No. 3 in M.342.42 

Shakespeare, William. Tii.'o gentlemen of Verona. 

Bishop, H. R. Two gentlemen of Verona. The overture, 
songs, duets, glees & chorusses in the play. The' words 
selected from Shakespeare's plays, poems & sonnets. 
The music composed, adapted for the voice and piano- 
forte by H. R. Bishop. No. 2 in M.271.16 
Street, J. Ouverture zu Shakespeares Die beiden 
Veroneser fiir Orchester. Op. 8. Partitur. 

No. 2 in M.348.17 
Shakespeare, William. Winter's tale. 

Bruch, M. Hermione. Grosse Oper in 4 Aufzugen. Nach 



Shakespeare, William. Winter's tale. (Continued.) 

Shakespeare's Wintermarchen von Emil Hopffer. Musik 
von Max Bruch. Clavier-Auszug. M. 281.9 

Zimmermann, B. Ein Wintermarchen. Musikalisches 
Schauspiel mit Benutzung der Karl Simrock'schen 
Ubersetzung des gleichnamigen Schauspiels von Shake- 
speare, componirt von Balduin Zimmermann. [Klavier- 
auszug.] M.381.75 
Shakespeare, William. Works about. 

Gervinus, G. G. Handel und Shakespeare. Zur Asthetik 
der Tonkunst. Leipzig. 1868. M.106.7 

Gilbert, A. The Commemoration ode, written for the 
300th anniversary of the birth of Shakespeare. The 
poetry by Mrs. Edward Thomas. The music by Alfred 
Gilbert. [Accomp. for pianoforte.] No. S in M.202.14 

Greenhill, J., and others, compilers. A list of all the 
songs and passages in Shakspere which have been set 
to music. Compiled by J. Greenhill, W. A. Harrison 
and F. J. Furnivall. The words in old spelling from 
the quartos and first folio, edited by F. J. Furnivall and 
W. G. Stone. London. 1884. No. i in M. 215.9 

Lavoix, H. Les traducteurs de Shakespeare en musique. 
Paris. 1869. No. I in M. 141. 17; etc. 

New Shakspere Society. Critical and historical program 
of the madrigals, glees, and songs to be given at the 
second annual musical entertainment at University col- 
lege, London, 9th May, 1884. London. 1884. 

No. 2 in M. 215.9 
RovAL Italian Opera, Covent Garden, London. The Shake- 
speare night, in aid of the fund for the purchase and 
preservation of Shakespeare's house. [Programme. 
London. 1847.] No. 4 in M.149.8 

"Shakespeare." Overture. Oberthuer. No. 2 in M.404.3 

Shakspeare! Opera. For the Music see Serpette. For the 

Libretto see Gavault. 
Shall I in Mamre's fertile plain. Anthem. Handel. 

No. S3 in M.290.22.3 
Shall I tell you whom I love? Part-song. Wesley, S. S. 

No. 6 in M.195.1.JS 
Shall I waste my youth in sighing. Madrigal. Cooke, T. S. 

No. 75 in M.237.15 
Shall I wasting in despair. Part-song. 
Hatton. 

Jolly. Glees for three and four voices. 
Spofforth. Collection of glees. 
Shamus O'Brien. Opera. For the Music see Stanford. 

the Libretto see Jessop. 
Shannon, F. 

Fair Rosamond. A grand opera. The poetry by Z. C. 
Barnett & F. Shannon. The music by John Barnett. 

M.261.17 
Sharp and flat. Opera. For the Music see Hook, J. For 

the Libretto see Lawler. 
Sharps and flats. History. Maretzek, M. M.21S.11 

Shaw, Frances A., translator. 

Delaumosne, Abbe. The art of oratory, system of 

Delsarte. By I'Abbe Delaumosne and Mme Angelique 
Arnaud. With an essay on the attributes of reason, by 
F. Delsarte. 2d edition. Albany. 1884. M.i49a.io 

Shaw, James. 

Hark! the village bells. A trio [s. s. a. Accomp. for 

pianoforte]. (In Novello's Collection of trios, etc. Vol. 

5, pp. 60-64.) No. 13 in M.204.36.5 

I will magnify Thee. Anthem. [Accomp. for organ.] 

(In Novello's Collection of anthems. Vol. 8, pp. 1-7.) 

No. I in M.19S.2.8 

The Lord is my shepherd. Anthem. [Accomp. for organ.] 

(In Novello's Collection of anthems. Vol. 8, pp. 8-13.) 

No. 2 in M.ig5.2.8 
Shaw, Oliver. 

Sacred songs, duetts, anthems, &c. Composed & arranged 

with an accompaniment for the pianoforte or organ. 

Providence. The Author. [1823.] M.380.17 

Shawm, The. Psalmody. Bradbury. M.100.26 

She dropped a tear. Song. Moulds, J. No. 45 in M.237.7 



No. 21 in M.195.1.7 

No. 3 in M. 220.29 

No. 28 in M.235.15 

For 



74 



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THE ALLEN A. BROWN COLLECTION OF MUSIC 



Shield 



She never told her love. Song. Haydn, F. J. 

No. 15 inM.235.18.2 
She soft and meek. Round. Cooke, B. No. 132 in M.220.g.2 
She stoops to conquer. Opera. For the Music see Mac- 

farren, G. A. For the Libretto see Ball, E. 
She weepeth sore. Round. Lawes. No. 150 in M.220.10 

She who lies here. Round. Callcott, J. W. 

No. 3 in M.220.9.5; etc. 
Sheafe, Alfonso Josephs, editor. 

ZoRN, F. A. Grammar of the art of dancing, theoretical 

and practical. Lessons in the arts of dancing and dance 

writing. Boston. 1905. 2 v. M.375.25 

Sheathe the sword. [Welsh melody.] Harmonised for 3 

voices [s. T. B.]. {In The Choralist. Vol. i, series 4.) 

No. 45 in M.157.5.1 
Shed, O ye combatants. Catch. Hayes, W. Catches, glees 
and canons. Vol. i. No. i in M.220.5.1 

Shedlock, Emma L. 

A trip to music-land. A fairy tale, forming an exposition 
of the elements of music. London. Blackie. 1876. 

M.I 23.32 
Shedlock, John South, translator. 

Wagner, W. R. Richard Wagner's letters to his Dresden 
friends, Theodor Uhlig, Wilhelm Fischer, and Ferdi- 
nand Heine. London. 1890. M. 149.20 
Shelley, Harry Rowe. 

The Castanet song [t. t. b. b. Accomp. for pianoforte]. 
New York. Schirmer. [1885.] No. 15 in M.392.31 

The minstrel boy. [Chorus, t. t. b. b. Accomp. for piano- 
forte.] New York. Schirmer. [1885.] No. 14 in M.392.31 
Romeo and Juliet. Lyric drama in three acts and one 
tableau. [Words from Shakespeare.] Complete vocal 
score. New York. Schuberth & Co. 1901. M.397.61 
Vexilla Regis (The royal banners forward go). Sacred 
cantata for s. and b. soli, chorus, and orchestra. The 
Latin words from "The seven great hymns," with an 
English translation by J. M. Neale. The music by 
Harry Rowe Shelley. [Accomp. for pianoforte.] Lon- 
don. Novello, Ewer & Co. [1893.] No. 2 in M.204.28 
Shelley, Percy Bysshe. 

Apollo. Cantate. Fur Soli [s. a. t.], Chor und Orchester 

componirt von Martin Roeder. No. 2 in M. 204.25 

Arethusa. Poem. Set to music for bar. solo, chorus and 

orchestra by Alan Gray. No. 2 in M.204.16 

Die Fluchtlinge. Ballade. Fur Declamation mit Beglei- 

tung des Pianoforte componirt von R. Schumann. 

No. 6 in M.244.15.4 
Hellas: a lyrical drama. The choruses set to music by 
William Christian Selle. [Accomp. for pianoforte.] 

No. I in M.204.28 
Pan. Cantate. Fiir Bariton, Chor und Orchester com- 
ponirt von Martin Roeder. No. 3 in M. 204.25 
[Prometheus unbound.] "Chorus of spirits and hours" 
from Shelley's "Prometheus unbound." Composed for 
male chorus and tenor solo, with accomp. of piano, 
flute, string quintet and reed organ by Dudley Buck. 

No. 3 in M.270.12; etc. 
Same. Scenes from Shelley's Prometheus unbound. Set 
to music by C. H. H. Parry. No. 4 in M. 155.36 

Shepard, Thomas G. 

Penikeese; or, cuisine and Cupid. Comic opera in 2 acts. 

Libretto by D. H. Buel. Music by T. G. Shepard. 

[Accomp. for pianoforte.] New York. Pond & Co. 

1882. No. 2 in M.323.2 

Shepherd, Arthur. 

Sonata for the pianoforte. Opus 4. Boston. Boston 
Music Company. [1911.] M.434.65 

Shepherd, James. 

The captiveB of Babylon. An oratorio. The music by 
George Shinn. No. 3 in M.204.28 

Shepherd, John. 

Haste Thee, O God. [Anthem. Accomp. for organ.] {In 
Rimbault. Collection of ancient church music. Vol. 3, 
pp. 142-149.) No. 32 in M.233.25.3 



Shepherd boy, The. Part-song. 

Hering, C. E. No. 22 in M.204.36.7 

Moscheles, L Tyrolese melodies. Vol. 2. 

No. 16 in M.244.24.3 
"Shepherd king, The." Opera. For the Music see Fauche. 

For the Libretto see Wyatt. 
Shepherd, seek not wealth. Glee. Spofforth. Collection of 
glees. No. II in M.235.15 

Shepherd, A, wandering in a grove. [Glee, s. a. b.] {In 
Bland. The Ladies' collection. Vol. 5, pp. 515-519.) 

No. i34inM.23S.i7.5 
Shepherd's complaint, The. Song. Reichardt, L. 

No. 17 in M.212.21.1 
Shepherd's cot. The. Glee. Welsh. The night is rainy. 

No. I in M.237.9 
Shepherd's farewell. The. Part-song. Smart, H. 

No. I in M.195.1.8 
Shepherd's joys. Glee. Horsley, W. No. loin M.235.9.1; etc. 
Shepherd's lament. The. Part-song. Smart, H. 

No. 6 in M. 158.23 

Shepherd's lay. The. Song. Mendelssohn- Bartholdy, J. L. 

F. Songs. No. 41 in M. 244.21 

Shepherd's lottery, The. Opera. For the Music see Boyce. 

For the Libretto see Mendez. 
Shepherd's pipes. The. Madrigal. Marenzio. 

No. 8 in M.237.28; etc. 
Shepherd's Sabbath day, The. Part-song. Hatton. 

No. 30 in M.157.1 
Shepherd's song. The. Part-song. Brewer, T. Turn 
.\marillis. No. 10 in M. 1393.18.7 

Mendelssohn-Bartholdy, J. L. F. Quartetts. 

No. 17 in M.244.22 
Shepherd's song, The. Song. Beethoven. Werke. Serie 
24. M.4I3.I.24 

Shepherdesses' lament, The. Part-song. Gabussi. 

No. 5 in M.204.36.4 
Shepherds all and maidens fair. Part-song. Macfarren, W. 
C. No. 21 in M.195.1.9 

Shepherds, I have lost my love. Part-song. Danby. 

No. 169 in M.235.17.5 
Shepherds, leave decoying. Glee. Purcell, H. 

No. 176 in M.215.21; etc. 
Shepherds view the sight. Anthem. Tuerk. No. 35 in M.201.37 
Sheppard, Elizabeth Sara. 

Charles Auchester. 4th edition. London. Chapman & 
Hall. 1875. M.io9a.33 

A novel in which several of the characters represent well-known musi- 
cians, Mendelssohn appearing as Seraphael. 
Counterparts, or the cross of love. Boston. Burnham. 
1869. M.141.23 

Rumor. Boston. Burnham. 1864. M.101.44 

Sheppard, John. See Shepherd, John. 
Sheridan, Richard Brinsley Butler. 
The duenna, or double elopement. A comic opera. Com- 
posed and selected by T. Linley. No. 3 in M.391.54 
Sherif, Le. Opera. For the Music see Halevy, J. F. F. £. 

For the Libretto see Scribe. 
Sherwood, William Hall, editor. 

Kellev. The music to Macbeth. No. 4 in M.380.10 

Shew a room. Catch. Holmes, T. No. 225 in M. 215.21 ; etc. 
Shew me Thy ways. Anthem. Webbe, S. 12 anthems. 

No. 2 in M.234.7 
Shew us Thy mercy. Anthem. Boyce. No. 64 in M.290.22.2 
Shield, William. 

Abroad and at home. A comic opera. Composed by 
Gretry, Giornovichi, &c., and William Shield. The 
poetry by Geo. Holman. [Accomp. for piano.] London. 
Longman & Broderip. [1796.] No. 2 in M.340.15 

Same. Longman & Clementi. [i79-?] No. i in M.140.19 
Aladin [sic], or the wonderful lamp. Pantomime. The 
poetry by J. O'Keefe. The music selected from Handel, 
Giordini, Gluck, Carolan & Shield, by A. Shaw. The 
songs by W. Shield. [Accomp. for piano.] London. 
Goulding. [1788.] No. 2 in M.391.30 



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THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Shitt 



Shield, William. (Continued.) 

Amo amas I love a lass. Glee [a. t. b. London. I7S-?]- 

No. 30 in M.235.14 
Also to be found in The Apollo; Bland's The Ladies' collection; 
Flowers of harmony; The Harmonist; Warren's Collection of catches. 
Beauties, iiave you seen a toy? Glee [t. t. b.]. (In The 
Apollo. Vol. 8, pp. 570-572.) No. 4inM.i39a.i8.8 

[The crusade.] The songs, dialogue, duetts, trio, & 
inarches, in the historical romance of The crusade. 
[Words by Frederick Reynolds.] Composed by Arne, 
Martini, etc. and Shield. [Accomp. for piano.] Lon- 
don. Longman & Broderip. [1790.] No. 2 in M.130.14 
A few numbers have orchestral accompaniment. 
Dans votre lit. Song [t. Accomp. for pianoforte]. Lon- 
don. Andrews. [180-?] No. 37 in M.237.7 
From Patrick in Prussia. 
The enchanted castle. Pantomime. The poetry by M. P. 
Andrews. The music selected and arranged by William 
Shield. [Accomp. for pianoforte.] London. Longman 
& Broderip. [1786.] No. i in M.391.30 
Ere around the huge oak. Ballad [bar. Accomp. for 
pianoforte]. (In Musical library. Vol. 4. PP- 66, 67.) 

No. 23 in M.235.18.4 
The flitch of bacon. A comic opera [by Henry Bate- 
Dudley]. Composed & selected by W. Shield. [Full 
score.] London. Dale. [1778.] No. 5 in M.220.19 

Friar Bacon, or Harlequin Rambler. A pantomime. [The 
words by J. O'Keeffe.] Composed by William Shield. 
[Accomp. for piano.] London. Bland. [1783?] 

No. 3 in M.391.30 

Hark! hark! from spheres above. Trio and glee. London. 

Longman & Broderip. [181-?] No. 29 in M.235.14 

Health to our sov'reign. Glee [t. t. b.]. (In The Apollo. 

Vol. 8, pp. 561-563.) No. I in M.isga.iS.B 

Also to be found in Warren's Cocks's Hand-book of glees. 

How sliall we mortals. [Glee, a. t. b.] (In Bland. The 

Ladies' collection. Vol. 4, pp. 402-405.) 

No. 78 in M.235.17.4 
Light as thistle-down. Song [s. Accomp. for piano- 
forte]. (In Musical library. Vol. 4, pp. 156, I57-) 

No. 54 in M.235.18.4 
The load stars. Glee. See his O happy fair. 
The magic cavern, or virtue's triumphs. [Pantomime by 
Ralph Wewitzer.] Selected and composed by Wm. 
Shield. [Piano score.] London. Longman & Brode- 
rip. [1785.] No. 4 in M.391.30 
Marian. An opera. Composed & selected by W. Shield. 
The words by M^s Brooke. [Accomp. for pianoforte.] 
London. Longman & Broderip. [1788.] No. 2 in M.340.11 
Netley Abbey. A comic opera, partly selected and partly 
composed by Baumgarten. Parke, Paisiello, Howard and 
Shield. [Accomp. for piano. Words by William Pearce.] 
London. Longman & Broderip. [i794-] 

No. I in M.130.14 
The noble peasant. A comic opera [by Thomas Holcroft]. 
Set to music by William Shield. [Accomp. for piano- 
forte.] London. Napier. [1784?] No. i in M.360.15 
O happy fair. Glee [t. t. b]. (In The Apollo. Vol. 3, 
pp. 226-231.) No. 19 in M.i39a.i8.3 
Also to be found in Boosey's Standard English glees; Ditson's The 
Orphean lyre ; ; The Harmonist ; Hills's Vocal trios ; Novello's Glee- 
hive; Turle and Taylor's The People's music book: Warren's Cocks's 
Hand-book of glees; and for s. s. a. in Novello's Collection of trios. 

Old Towler. Hunting song. Arranged and harmonised by 

W. H. Birch. Composed by W. Shield. (In The Choralist. 

Series 2, pp. 5-8.) No. 14 in M.157.5.1 

Origin of kissing. Glee [a. t. b.]. (In The Harmonist. 

Vol. 2, pp. 38-41.) No. 12 in M.218.8.2 

The poor soldier. A comic opera [by John O'Keeffe]. 

Selected and composed by William Shield. [Accomp. 

for pianoforte.] London. Bland. [1783] 

No. 4 in M.220.25 
The prophet. An opera composed by Sacchini, Purcell 

. . . and Shield. [Words by Richard Bentley. Accomp. 

for piano.] London. Longman & Broderip. [1788.] 

No. 3 in M.130.14 



Shield, William. (Continued.) 

Richard Coeur de Lion. An opera composed by Gretry, 
Anfossi, Bertoni, Dr. Hayes, Dr. Wilson, Carolan, and 
William Shield. [The words by Leonard MacNally. 
Accomp. for pianoforte.] London. Longman & Brode- 
rip. [1786-?] No. 3 in M.360.15 
Robin Hood, or Sherwood Forest. A comic opera selected 
& composed by William Shield. The words by Leo"* 
MacNally. [Accomp. for pianoforte.] London. Bland. 
[1784?] No. 2inM.152.13 



Same. Goulding. [i79-?] 



No. 2 in M.360.15 



Rosina. A comic opera [by Frances M. Brooke. Com- 
posed and selected by William Shield. [Accomp. for 
pianoforte.] London. Dale. [1783.] No. i in M.340.11 

Same. New edition. Goulding, Potter & D'Almaine. 
[18—?] No. 35 in M.237.7 

Should your table with plenty. Glee [s. s. b.]. (In Turle 
and Taylor. The People's music book. Vol. 3, pp. 35°- 
352.) No. 113 in M.iii.4.3 

Also to be found in Warren's Cocks's Hand-book of glees. 

The sparrow and diamond. Glee for 4 voices. (In War- 
ren. Cocks's Hand-book of glees. Vol. i, pp. 25-31.) 

No. 7 inM.157.6.1 

The streamlet that flow'd. Song [s. or t. Accomp. for 
pianoforte]. (In Musical library. Vol. 2, pp. 100, loi.) 

No. 40 in M. 235.18.2 

Also to be found in Turle and Taylor's The People's music-book. 

The travellers in Switzerland. A comic opera. Selected 

& composed by William Shield. The words by Bate 

Dudley. [Accomp. for pianoforte.] London. Longman 

& Broderip. [i794-] No. 3 in M.340.15 

What is love? Glee [a. t. t. B.]. (7« The Harmonist. Vol. 

I, pp. 52-54.) No. 14 in M.218.8.1 

Wisdom, riches and greatness. Round [for 3 voices]. (In 

The Apollo. Vol. 8, p. 564-) No. 2 in M.i39a.i8.8 

The woodman. A comic opera. Composed chiefly by 

Willm Shield. The poetry by Bate Dudley. [Accomp. 

for pianoforte.] London. Longman & Broderip. [1792.] 

No. 2 in M.340.16 
Shield, William, editor. 

Haydn, F. J. Twelve ballads. No. i in M.221.32 

Shilrik und Vinvela. Song. Schubert, F. P. Werke. Serie 
20, Band 3- M.317.1.20.3 

Shine, J. L. 

Joan of Arc, or the merry maid of Orleans. Opera bur- 
lesque. Written by J. L. Shine & Adrian Ross. Music 
by F. Osmond Carr. No. 2 in M.328.3 

Shine out, stars. Part-song. Selby. No. 12 in M.204.36.7 

Shinn, George. 

The captives of Babylon. An oratorio. The words 

written and selected by James Shepherd. The music by 

George Shinn. [Accomp. for pianoforte.] London. 

Hart & Co. [1887.] No. 3 in M.204.28 

Ship, The, o' the fiend. Symphonic poem. MacCunn. 

No. I in M.3S7.I7 
Shipp, Jesse A. 

In Dahomey. A Negro musical comedy. Book by Jesse 

A. Shipp. Lyrics by Paul Lawrence [sic] Dunbar and 

others. Music by Will Marion Cook. No. i in M. 399.15 

Shipwreck, The. Opera. For the Music see Arnold, S. For 

the Libretto see Arnold, S., Jr. 
Shipwreck, The. Song. Davenport, A. No. 22 in M.290.12 

Shirley, Tames. 

Ode from the Contention of Ajax and Ulysses. The 

music by C. H. H. Parry. No. i in M.155.36 

Shitt, Eduard. 

Concert (F moll) fiir Pianoforte mit Begleitung des Or- 

chesters. Op. 47. Partitur. Berlin. Simrock. 1896. M.404.16 
Serenade, D dur, fur Streich-Orchester. Op. 6. Partitur. 

Offenbach a. M. Andre. [187-?] No. 2 in M.342.38 

„Signor Formica." Komische Oper in 3 Akten nach E. T. 

A. Hoffmann's gleichnamiger Novelle von Franz Keppel. 

Musik von Eduard Shiitt. Vollstandiger Klavierauszug. 

Berlin. Bote & Bock. [1892.] M.245.19 



76 



Sho-Gun 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sibbald 



Sho-Gun, The. Opera. For the Music see Luders. For the 

Libretto see Ade. 
Shoot, false love. Part-song. Morley. No. 22 in M.195.1.14; etc. 
Pearsall. No. 28 in M.195.1.10 

Shop girl, The. Opera. For the Music see Tilkins. For the 

Libretto see Dam. 
Shore, William, editor. 

Holiest, breathe an evening blessing. Italian chorale. 

[Accomp. for organ.] London. Novello. [185-? The 

Musical times.! No. 47 >n M.1S8.19 

Also to be found in Musical times tMusic]. 

Sacred music. Selected and arranged with a separate ac- 
comp. for the organ or piano forte. London. Novello. 
[1835.] M.237.18 

Short, Joseph. 

Salve Regina, for four voices. [Accomp. for organ.] Lon- 
don. Novello, Ewer & Co. [1868.] No. 7 in M.201.36 
Shortest and longest. Part-song. Macfarren, W. C. 

No. 17 in M.195.1.9 
Should I die by the force of good wine. Duetto [t. b.]. (In 
Clementi. Collection of catches. Vol. i, pp. 54-58.) 

No. 48 in M.iio.i.i; No. 48 in M.110.2.1 
Also to be found in Sibbald's Collection of catches. 
Should your table with plenty. Glee. Shield. 

No. 113 in M.iii.4.3; etc. 
Shout! comrades. Glee. Bishop, H. R. Complete collection 
of glees. Vol. 8. M.23S.1.8 

Shout for the monarch. Glee. Bishop, H. R. Complete col- 
lection of glees. Vol. 8. M. 235.1.8 
Shout the glad tidings. Anthem. 

Baker, E. L. No. 12 in M.190.1 

Davenport, A. No. 28 in M.190.2; etc. 

Marston. No. 18 in M.158.18 

Wilson, H. No. 23 in M. 190.9 

Show girl. The. Opera. For the Music see Heartz. For the 

Libretto see Bamett, R. A. 
Show me Thy ways. Anthem. Clarke, H. No. 24 in M.203.26 
Shpazhinski, L V. 
MapofltfiKa. Onepa. MysHKa n. HaHKOBCKaro. Die Be- 
zaubernde. Oper. Musik von P. Tschaikowsky. 

M.381.49 
Shrill ton'd lark, The. Glee. Young, C. 

No. 26 in M.1S7.18.1 ; etc. 
Shtchepkin-Kupernik, T. L. 

Amors Rache. Oper von A. S. Taneiew. M.397.66 

Shubert, Samuel S. 

"Fantana." A musical comedy. Book by Rob' B. Smith 
and Sam S. Shubert. Music by Raymond Hubbell. 

M.383.49 
Shunammite, The. Cantata. For the Music see Garrett. 
Shuttleworth, Janet Elisabeth Kay-, translator. 

Bitter, C. H. The life of J. Sebastian Bach. London. 
[1873.] M.108.31 

Si ambulavero. Motet. 

Lassus. Sammtliche Werke. Band 9. M.8o4oa.67.9 

Lutz. Motets for the year. No. 49 in M.156.50 

Si bene perpendi. Motet. Lassus. Sammtliche Werke. Band 

1^ II. M.8o4oa.67.ii 

Si beviam. Glee. Berg, G. No. 144 in M. 220.9.1 

Si bona suscepimus. Motet. Lassus. Sammtliche Werke. 

Band 9. M.8o4oa.67.9 

Si coelum et coeli coelorum. Motet. Lassus. Sammtliche 

Werke. Band 15. M.8o4oa.67.i5 

Si com' al chiaro giorno oscura notte. Part-song. Lassus. 

Sammtliche Werke. Band 8. M.8o4oa.67.8 

Si consistant adversum me castra. Offertory. Eybler. 

Offertorium, No. 2. No. 2 in M. 191. 7 

Si Deus nobiscum. Canon. Ives, S. No. 17 in M.220.9.1 

Si du malheur vous aviez. Part-song. Lassus. Sammtliche 

Werke. Band 12. 11.80403.67.12 

Si e debile il filo. Madrigal. Palestrina. Werke. Band 28. 

M.8o4oa.66.2S 
Si est-ce que Dieu. Anthem. Sweelinck. Werken. Deel 5. 

M.413.2.5 



Si froid et chault. Part-song. Lassus. Sammtliche Werke. 
Band 12. 11.80403.67.12 

Si ignoras te, o pulchra inter mulieres. Motet. Palestrina. 
Werke. Band 4. 11.80403.66.4 

Si j'aurai ce courage. Duet. Meyerbeer. No. i in M.390.37 
Si j'aym' ou non. Part-song. Sweelinck. Werken. Deel 7- 

M.413.2.7 

Si j'etais petit oiseau. Song. Rouget de Lisle. 48 chants 

frangais. M.202.44 

Si j'etais roi. Opera. For the Music see Adam, A. C. For 

the Libretto see Philippe, A. 

Si j'etais roi d'Espagne. Chorus. Ronge. 12 choeurs ryth- 

miques. No. 46 in M.392.21 

Si je suis brun. Part-song. Lassus. Sammtliche Werke. 

Band 12. 11.80403.67.12 

Si la loi du Seigneur. Part-song. Lacome d'Estalenx. 12 

psaumes. No. 2 in M.296.1 

Si la mort est le but. Song. Gounod. Vingt melodies. 2e 

recueil. No. 6 in M.157.36.2 ; etc. 

Si la rigueur et la vengeance. Song. Halevy, J. F. F. £. 

No. 4 in M.193.21.2 

Si le long tems. Part-song. Lassus. Sammtliche Werke. 

Band 12. 11.80403.67.12 

Si, lo sento. Song. Spohr, L. No. 5 in M.235.18.4 

Si mi vince talor. Part-song. Palestrina. Werke. Band 30. 

M.80403.66.30 
Si mostro la sorte. Aria. Mozart. Werke. Serie 6, Band i. 

No. II in 11.315. 1.6.1 
Si non per portas. Canon. Beethoven. Werke. Serie 23. 

M.413.1.23 
Si par souhait je vous tenerai. Part-song. Lassus. Sammt- 
liche Werke. Band 12. 14.80403.67.12 
Si per voi si pupille amate. Aria. Rossini. 

No. 21 in M.193.21.2 

Si pour moy avez du souci. Part-song. Lassus. Sammtliche 

Werke. Band 12. ll.8040a.67.12 

Si qua tibi obtulerint. Motet. Lassus. Sammtliche Werke. 

Band II. M.80403.67.11 

Si quid vota valent. Part-song. Lassus. Sammtliche Werke. 

Band 3. 11.80403.67.3 

Si, si minaccia. Aria. Handel. 12 Alt-Arien. 

No. 2 in M.270.48 
Si t'amo, o cara. Aria. Handel. 12 Sopran-Arien. 

No. I in M.270.48 
Si tu sav3is. Song. Balfe. No. 10 in M. 192.9.2 

Si vous 3imez jamais. Song. Schubert, F. P. Melodies. 
Vol. 3- M.327.4.3 

Si vous etes m'amie. Part-song. Lassus. Sammtliche Werke. 
Band 16. M.80403.67.16 

Si vous n'estes en bon point. Part-song. Lassus. Sammt- 
liche Werke. Band 12. 11.80403.67.12 
Si vous n'ouvrez votre fenetre. Song. Gounod. Vingt 
melodies, se recueil. No. 8 in M. 157.36.5 
Siat' avertiti. Madrigal. Ferretti, G. No. 82 in M. 157.20.3; etc. 
Sibbald, James, editor. 

A collection of catches, canons, glees, duetts, &c. Selected 
from the works of the most eminent composers antient 
and modern. Edinburgh. Sibbald. [1780.] 4 v. 

M.392.49 
ConleuU. — I. Baildon: When gay Bacchus. — Gently hear me. — 
Rogers: Come all noble souls. — Jenner: Thou'rt gone away. — 
Webbe: Pretty warbler; Who can express. — Smith: Return blest 
days. — Webbe: If love and all the world. — Morley: Now is the 
month. — Webbe: Now I'm prepar'd. — Weelkes: Welcome sweet 
pleasure. — Atterbury : Adieu ye streams. — Purcell : Fear no danger. 
Webbe: Since I'm born. — Smith: What shall he have. — Valton : 
Catch on a scolding wife. — Ravenscroft: Canst thou love. — 
Paxton : Go Damon go. — Cooke : Epitaph on a dormourse. — 
Paxton: Breathe soft ye winds. — Hilton: I charge ye. — Danby: 
When Sappho tun'd. — Webbe: When winds breathe soft; To Thee 
all angels. — Danby: Awake .^olian lyre. — Arne: Sweet muse 
inspire. — Webbe : There behold the mighty bowl. — Paxton : Round 
the hapless Andre's urn. — Purcell: Sweet tyranness. — Danby: 
Music has pow'r. — Atterbury: Go thou gentle whisp'ring wind. — 
Scotland: Through groves sequtster'd. — Webbe: When nature 
form'd; The mighty conqueror. — Smith: Take oh take. 2. Valton: 
Hated by fools. — Atterbury: Who like Bacchus; With horns and 
hounds. — Berg: Dolce miei sospiri. — Jerusalem. — Cranford: 
Boy come back. — Dyne: Fill the bowl. — Hayes: Who e'er has 



77 



Sibbald 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sicut 



Sibbald, James, editor. (Continued.) 

travell'd. — Nelham: Cuckow good neighbor. 



sing a catch. — Nelham: Follow me my jovial boys. 



Hayes : Would you 



Flackton : 



What ails you ye smoakers. — Webbe : Come live with me. — 
Jenner : Ancient Phyllis. — Ravenscroft : We be three poor mariners. 

— Vento: Gia la notte savvicina vienio. — Lawes : Gather your 
rosebuds. — Aylward : A cruel fate. — Ireland; Ah ch'il destino. — 
Hilton : Come let us all a maying. — Smith ; Hark the nightingale. 

— Mornington : Here in cool grott. — Lawes : The wise men. — 
Wise : Strange news from the rose. — Lawes : Great Tom is cast. 

— Hilton: Bless them that curse you. — Three bulls and a bear. — 
A bumper of good liquor. — White: Hark, how the woods do ring. 

— Hilton: Come hither boy. — Child: If any so wise is. — Este : 
How merrily we live. — Willis : Frank, what shall we do. — Purcell : 
Here's that will challenge. — Ireland : To love and wine. — Purcell : 
Pale faces stand by. — Nelham: The wily fox. — Clarke: In drink- 
ing full bumpers. — Cranford: This ale my bonny lad. — Arne : 
Come shepherds, we'll follow. — Nelham: How merrily looks. — 
Byrd : Come drink to me. — I'll live to-morrow. — Hilton : Come, 
jump at thy cousin. — Purcell: When U and I. — Row the boat, 
Whitington. — Hilton : Let Syraon's beard alone : Come my hearts. 

— Let's have a peal. — Harington: Sweet doth blush the rosy morn- 
ing. — Oh, my love lov'st thou me. — My wife's dead. — Giardini: 
Vade pure buona notte. — Lampe : Jack I hear you're good at pink- 
ing! — Hilton: Turn Amarilhs. — Brewer: Go Damon go. — 
Holmes: Prepare your hearts. — Turner: Say what you please. — 
Lawes: Drink to night. — Hilton: I poor and well. — Harington: 
Hark ! ding I my Lord's come in. — Atterbury : Lay that sullen 
garland. — Nelham: Slaves to the world. — Hilton: Call George 
again. — Travers ; When Bibo thought fit. — Hilton : There was an 
invisible fox. — Banbury ale. — Cooke : How sleep the brave. — 
Brown: Of honest malt liquor. — Hilton: Come away, to the 
tavern. — We be soldiers three. — Hayes : The glories of our birth. 

— Hilton: O ale ab alendo. — Cooke: Hark! the lark. — Oh, that 
the salvation. — Freeman: Of all the brave birds. — Harington: 
Beneath the silent rural cell. — Paxton : How sweet ! How fresh 1 

— Hilton : Down in a dungeon. — Nelham : O Dick and Strephon. 

— Carey: Curst be the wretch. 3. Hayes: Hail flow'ry mead; Poor 
Johnny's dead. — Weelkes : The nightingale. — Brewer: Turn 
Amarillis. — Wilbye : Ye restless thoughts. — Cranford: Come 
hither Tom. — Scotland: Lightly tread. — O hold your hands. — 
Webbe: A gen'rous friendship. — Smith: Hark the hollow woods. — 
Gibbons: The silver swan. — Wilbye: Flora gave me. — Ireland: 
Return my lovely maid. — Hayes: Life is a jest. — Ives: Now we 
are met. — Hilton: Come follow me. — I drink this cup. — Gillier: 
Crown the glass. — Battishill : Consign'd to dust. — Lawes : I saw 
fair Cloris. — Cavendish : Ev'ry bush new springing. — Travers : I 
like a bee. — Wilson: From the fair Lavinian shore. — Day: Come 
drink a bout. — Wilbye : Fly love to heav'n. — Goodgroome : Will 
Cloris cast. — Wilbye : Adieu sweet Amarillis. — Morley : Fair 
Phillis I saw. — Cobb: Smiths are good fellows. — Battishill: 
Amidst the myrtles. — Webbe: You gave me your heart. — Arnold: 
Here lyes poor Teague. — Bennet: When as I look'd. — Norris : 
For Agathon. — Harington: Alas, what boast. — Jenner: Hail 
lovely shade. — Hudson : Go happy soul. — Baildon : My sledge 
and hammer. — Nelham: A fig tor care. — The musical chase. — 
Garth : Care thou canker. — Long : Hush, the god of love. — Alcock : 
Hail ever pleasing solitude. — Conversi : When all alone. — Harington : 
O thou whose notes. — Uxor mea, u.xor polla. — Hilton ; What 
shall he have. — Nelham: Yonder he goes. — Weelkes: Ah! me my 
wonted joys. — Ford: Fair sweet cruel. — Dyne: Tell me thou dear 
departed. — Hilton: O Lord Almighty. — Hayes: Fairest isle of 
isles. — Allegri : Miserere mei Deus. — Bennett : Flow, O my tears. 
4. Baildon: When gay Bacchus fills. — Gently hear me. — Rogers: 
Come all noble souls. — Jenner : Thou'rt gone away. — Webbe : 
Pretty warbler; Who can express. — Smith: Return blest days. — 
Webbe : If love and all the world. — Morley : Now is the month. — 
Webbe: Now I'm prepar'd. — Weelkes: Welcome sweet pleasure. — 
Atterbury: Adieu ye streams. — Purcell: Fear no danger. — Webbe: 
Since I'm born. — Smith: What shall he have. — Valton : Catch on 
a scolding wife. — Ravenscroft : Canst thou love. — Paxton : Go, 
Damon, go. — Cooke : Epitaph on a dormouse. — Paxton : Breathe 
soft ye winds. — Hilton : 1 charge ye. — Danby : When Sappho 
tun'd. — Webbe: When winds breathe soft: To Thee all angels. — 
Danby : Awake ^olian lyre. — Arne : Sweet muse inspire. — Webbe : 
There behold the mighty bowl. — Paxton : Round the hapless Andre's 
urn. — Purcell: Sweet tyranness. — Danby: Music has pow'r. — Atter- 
bury: Go, thou gentle whisp'ring wind. — Webbe: When nature 
form'd ; The mighty conqueror. — Smith : Take, oh take those lips 
away. 

Sibelius, Jean Julius Christian. 

"En saga." (Eine Sage.) Tondichtung fiir grosses Or- 
chester. Partitur. Leipzig. Breitkopf & Hiirtel. 1903. 

No. 2 in M.406.33 

Finlandia. Tondigt for orchester. Partitur. Helsingfors. 
Helsingfors Nya Musikhandel. [190-?] No. i in M.406.33 

Karelia-Suite. Op. 11. Par*itur. Leipzig. Breitkopf & 
Hartel. 1906. No. 2 in M.411.13 

Konzert fiir Violine mit Orchester, D moll. Op. 47. Par- 
titur. Berlin. Schlesinger. [1905.] No. i in M.411.13 

Lemminkainen zieht heimwarts. Lemminkainen palaa 
kotitienoille. Le retour de Lemminkainen. Legende aus 



Sibelius, Jean Julius Christian. (Continued.) 

dem finnlandischen Volksepos „Kalevala" fiir Orchester. 
Partitur. Leipzig. Breitkopf & Hartel. 1901. 

No. I in M.410.58 
Nachtlicher Ritt und Sonnenaufgang. Tondichtung fiir 
grosses Orchester. Op. 55. Partitur. Berlin. Schle- 
singer. [1909.] No. I in M.4ii.g2 
Pelleas und Melisande. Suite fiir kleines Orchester. Aus 
der Musik zu dem gleichnamigen Drama des Maurice 
Maeterlinck [von] Jean Sibelius. Op. 46. Orchesterpar- 
titur. Berlin. Schlesinger. [190-?] No. 2 in M.411.53 
Der Schwan von Tuonela. Tuonelan Joutsen. Le cygne 
de Tuonela. Legende aus dem finnlandischen Volkse- 
pos „Kalevala" fiir Orchester. Partitur. Leipzig. 
Breitkopf & Hartel. 1901. No. 2 in M.410.58 
Suite aus der Musik zum Schauspiele „K6nig Kristian II," 
von Adolf Paul. Komponirt von Jean Sibelius. Par- 
titur. Leipzig. Breitkopf & Hartel. 1899. 

No. I in M.404.gi 
Svv'ahnevit (Schwanenweiss). Suite fiir kleines Orchester. 
Aus der Musik zu dem gleichnamigen Marchendrama des 
August Strindberg [von] Jean Sibelius. Op. 54. Partitur. 
Berlin. Schlesinger. [1909.] No. 2 in M.411.92 

Symphonie No. i [E moll], fiir grosses Orchester. Par- 
titur. Leipzig. Breitkopf & Hartel. 1902. M.406.34 
Symphonie No. 2, D dur, fiir grosses Orchester. Par- 
titur. Leipzig. Breitkopf & Hartel. 1903. M.406.35 
Symphonie No. 3, C dur. Op. 52. Partitur. Berlin. Schle- 
singer. [190-?] No. I in M.411.53 
Symphonie No. 4, A moll, fiir grosses Orchester. Op. 63. 
[Partitur.] Leipzig. Breitkopf & Hartel. [1912.] 

M.434.66 

Varsang. (La tristesse du printemps.) Friihlingslied. 

Fiir grosses Orchester. Partitur. Leipzig. Breitkopf & 

Hartel. 1903. No. 3 in M.4G6.33 

Siberia. Opera. For the Music see Giordano. For the 

Libretto see Illica. 
Sibire, Antoine, Abbe. 

La chelonomie, ou le parfait luthier. Recherches sur la 
facture et la restauration des instruments a archet. Aug- 
mentee d'une notice et d'un appendice par L. de Pratis. 
Bruxelles. Loosfelt. 1885. M. 208.29 

Les luthiers italiens aux xvii<^ et xviii^ siecles. Nouvelle 
edition du Parfait luthier de I'abbe Sibire, suivie de notes 
sur les maitres des diverses ecoles. [Par] J. Gallay. 
Paris. Academie des bibliophiles. 1869. Plate. M. 128.10 
Contains a facsimile of the 1806 title-page: La chelonomie ou le par- 
fait luthier. 

Sibirischen Jager, Die. Opera. For the Music see Rubin- 
stein. For the Libretto see Jerebtzof. 
Sic cum transierint. Motet. Lassus. Sammtliche Werke. 

Band 11. M.8o4oa.67.ii 

Sic Erneste. Motet. Lassus. Sammtliche Werke. Band 11. 

M.8o4oa.67.ii 
Sic sua virtutum. Motet. Lassus. Sammtliche Werke. Band 

II. M.8o4oa.67.ii 

Sichers Teutschland schliiffstu noch? Volkslied [s. a. t. b.] 

aus der Zeit des 3ojahrigen Krieges. (In Renner. 

Auswahl deutscher Madrigale. Pp. 35, 36.) • 

No. 8 in M.204.40 
Sicilian bride, The. Opera. For the Music see Balfe. For 

the Libretto see Bunn. 
Sicilian hymn. See O sanctissima. 
Sicilian mariners' hymn. See O sanctissima. 
Siciliana. Arietta. Alary. Ricreazioni musicali. 

No. I in M.244.ig 
Siciliane, Le. Part-song. Pinsuti. No. 2 in M.244.10.5 

Sicilianische Vesper, Die. Opera. For the Music see Lind- 

paintner. For the Libretto see Rau. 
Sicilien, Le, ou I'Amour peintre. Opera. For the Music see 

Sauzay. For the Libretto see Moliere. 

Sicilienne. For orchestra. Bach, J. S. No. 6 in M.343.48 

GoDARD, B. L. P. No. 2 in M.405.18 

Sicilienne. Song. Meyerbeer. 40 melodies. No. i in M.157.38 

Sicut ablactatus. Motet. Lassus. No. 6 in M. 233.26.4; etc. 



78 



Sicut 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Siehe 



Sicut erat. Anthem. Clari. 

COLONNA. 

Leo. 

Martini, G. B. 
Sicut in holocaustis. Motet. Mozart. 
Palestrina. Werke. Band 9. 



No. 9 in M.233.26.5 

No. 2 in M.233.26.5 

No. I in M. 233.26.1, 5 

No. 8 in M.233.26.1,4 

No. 40 in M. 156.50 

M.8o4oa.66.9 



Sicut lilium inter spinas. Mass. Palestrina. Werke. Band 

14. M.8o4oa.65.i4 

Sicut lilium inter spinas. Motet. Palestrina. Werke. Band 

i^ 4. M.8o4oa.66.i,4 

Sicut mater consolatur. Anthem. Eberlin. No. 4 in m. 221.43 

Lassus. Sammtliciie Werke. Band 7. 11.80408.67.7 

Sicut ovis. Anthem. Palestrina. Werke. Band 32. 

M.8o4oa.66.32 
Sicut rosa. Motet. Lassus. Sammtliche Werke. Band i. 

M.8o4oa.67.i 
Sidus ex claro veniens. Motet. Lassus. Sammtliche Werke. 
Band 3. M.8o4oa.67.3 

Sie. Song. Curschmann. Curschmann-Album. 

No. i in M. 157.37 
Sie blasen zum Abmarsch. Song. 

Jensen, A. Ausgewahlte Lieder. No. 3 in M. 157.37 

_WoLF, H. Spanisches Liederbuch. No. 38 in M.380.30 

Sie floh vor mir. Song. Franz, R. Sechs Gesange. Op. 40. 

No. 54 in M.244.5.3 
Sie fluestert leise: Gute Nacht. Song. Abt, F. Drei Ge- 
dichte. Op. 118. No. 13 inM.ig2.2 

Sie ist so weiss. Song. Grieg. Grieg- Album, i. 

No. 2 in M. 155. 16 
Sie liebten sich beide. Song. Franz, R. Sechs Gesange. 
Op. 31. No. 4 in M.244.5.3 

Sie meinten ob meiner Trunkenheit. Part-song. Moehring. 
Sechs Gesange. Op. 72, Heft 2. No. 9 in M.392.37 

Sie schallt, die Posaun'. Aria. Handel. No. 4 in M. 204. 37.1 
Sie, sie ist dahin. Canon. Mozart. Werke. Serie 7, Band 2. 

No. 42 in M.315.1.7.2 

Sie singt ein Lied. Song. Rubinstein. Zwolf Lieder. Op. 

36. No. 12 in M. 192.5 

Sie stand auf ihres Schlosses Zinnen. Song. Lindpaintner. 

No. s in M.380.22 

Sie weiss etwas. Part-song. Weinzierl. No. 5 in M.280.6 

Sie werden aus Saba AUe kommen. Anthem. Bach, J. S. 

Werke. Jahrgang 16. M.8040.21.16 

Sie werden euch in den Bann thun. Anthem. Bach, J. S. 

Werke. Jahrgang 10, 37. M.8040.21. 10,37 

Sie wissen es nicht. Part-song. Abt, F. 5 Lieder fiir s. a. 

T. B. Op. 538. No. 5 in M.158.22 

Sie wissen's nicht. Song. Strauss, R. Acht Lieder fiir eine 

Singstimme. Op. 49. No. 15 in M.380.24.4 

Siebeck, Gustav Heinrich Gottfried. 

Geistliche Lieder und Motetten. Fiir den gemischten Chor 
und Orgel oder Pianoforte ad lib. componirt von Gustav 
Siebeck. Heft i. Eisleben. Reichardt. [1846.] 

No. 3 in M.152.29 
Siebel, Carl. 

Rheinfahrt. Fiir Baritonsolo, Mannerchor und Orchester 

componirt von Julius Tausch. No. 12 in M.212.17 

Sieben Geislein, Die. Children's opera. For the Music see 

Humperdinck. For the Libretto see Wette. 
Sieben Maedchen in Uniform. Opera. For the Music see 
Angely. For the Libretto see Tlieaulon de Lambert. 
Sieben Raben, Die. Opera. For the Music see Rheinberger, 

J. G. For the Libretto see Bonn. 
Sieben Schlaefer, Die. Oratorio. For the Music see Loewe, 

J. C. G. For the Libretto see Giesebrecht. 
Sieben Schwaben, Die. Opera. For the Music see Milloecker. 

For the Libretto see Wittmann, H. 
Sieben Siegel, Die. Song. Strauss, R. Fiinf Gedichte von 
Friedrich Ruckert. Op. 46. No. 16 in M.380.24.3 

Sieben Todsiinden, Die. Oratorio. For the Music see Gold- 

schmidt, A. von. For the Libretto see Hamerling. 
Sieber, Ferdinand. 

The art of singing. Translated from the German, with 
the addition of an original chapter on the hygiene of the 



Sieber, Ferdinand. (Continued.) 

voice by F. Seeger. New York. Pond & Co. [1872.] 

M.37S.IO 
Ave Maria, gratia plena,' fiir vierstimmigen Frauenchor. 
Magdeburg. Heinrichshofen. [186-?] No. 7 in M.157.1S 
Ave Verum. t. or s. solo. [Accomp. for pianoforte.] {In 
Falkenstein. Sacred music. Pp. 8, 9.) No. 17 in M.201.33 
Kurze Anleitung zum griindlichen Studium des Gesanges. 
(ABC der Gesangskunst.) 2. vehmehrte Auflage. Leip- 
zig. Matthes. 1865. No. 2 in M.370.58 
Handbuch des deutschen Liederschatzes. Ein Catalog von 
10,000 Liedern, nebst einer Auswahl von Duetten und 
Terzetten. Berlin. Simon. 1875. No. 2 in M. 141. i 
Sieber, Jean Georges. 

Nocturne, Quatrieme, pour forte piano, avec cor, ou violon, 

ou violoncelle, sur la cavatine du Pirate de Bellini. 

[Piano seul.] Paris. Sieber. [180-?] No. 12 in M. 210.6 

Same. [Partie de violon.] No. 19 in M.210.10 

Same. [Partie de violoncelle.] N0.20 in M. 210.12 

Same. [Partie de cor.] No. 21 in M.210.12 

Siebath, Joseph. 

A short Te Deum, in D major. [Accomp. for organ.] 2d 

edition. New York. Pond & Co. 1866. No. 18 in M.190.7 

Sieg, Der. Song. Schubert, F. P. Werke. Serie 20, Band 8. 

M.317.1.20.8 

Sieg der Zeit und Wahrheit. Oratorio. Handel. Werke. 

Lieferung 20. M.313.1.20 

Sieg, Der, des Glaubens. Oratorio. For the Music see Hies, 

F. For the Libretto see Rousseau, J. B. 
Sieg, Der, des Kreuzes. Oratorio. For the Music see Riotte. 

For the Libretto see Bernard, J. C. 
Sieg im Gesang. Cantata. For the Music and Libretto see 

Kretschmer. 
Siege, Le, de Corinthe. Opera. For the Music see Rossini. 

For the Libretto see Balocchi. 
Siege, The, of Belgrade. Opera. For the Music see Storace. 

For the Libretto see Cobb, J. 
Siege, The, of Corinth. Opera. For the Music see Rossini. 

For the Libretto see Balocchi. 
Siege, The, of Rochelle. Opera. For the Music see Balfe. 

For the Libretto see Ball, E. 
Siegel, A. 

Les deux modeles. Operette. Musique de G. Michiels. 

No. 2 in M.257.30 
Siegel, Rudolf, editor. 

Schillings. Moloch. Musikalische Tragodie. M.378.6 

Sieges- und Festmarsch. For orchestra. Taubert, C. G. W. 

No. I in M.342.42 
Siegesbotschaft. Part-song. Kreutzer, C. No. 3 in M. 130.7 
Siegesgesang. Part-song. Abt, F. No. 2 in M.352.21 

Siegesgesang der Deutschen. Part-song. Abt, F. 

No. I in M.352.21; etc. 
Siegespsalm. Part-song. Faisst. No. 9 in M.352.21 

Siegfried. Opera. For the Music and Libretto see Wagner, 

W. R. 
Siegfried-Idyll. Symphonic poem. Wagner, W. R. 

No. 4 in M.352.4 
Siegfrieds Sword. Song. Damrosch, L. No. i in M.403.26 
Siegroth, Hilarius von. 

Ouverture zu Emilia Galotti, Trauerspiel von Lessing. Op. 
20. Partitur. Leipzig. Schuberth & Co. [186-?] 

No. 3 in M.348.10 
Sieh da, mein lieber Corydon. Part-song. Schein. Werke. 
Band 2. M.4I4-I.2 

Sieh das ist Gottes Lamm. Anthem. Handel. 

No. 3 in M.202.6.3 

Siehe, der Friihling wahret nicht. Song. Rubinstein. Sechs 

Lieder. Op. 33- No. 6 in M.192.5 

Siehe, es hat ueberwunden der Lowe. Anthem. Bach, J. S. 

Werke. Jahrgang 41. M.8040.21.41 

Siehe, ich will viel Fischer aussenden. Anthem. Bach, J. S. 

Werke. Jahrgang 20, Theil i. M.8040.21.30.1 

Siehe wie fein und lieblich ist es. Motet.- Kiel. 6 Motetten. 

No. 2 in M. 194.20 

79 



Siehe 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Silent 



Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei. 

Anthem. Bach, J. S. Werke. Jahrgang 35. M.8040.21.3S 

Siehst du das Meer? Part-song. Mair. No. 10 in M.212.10 

Witt, F. No. i in M.370.30 

Sierra, La, es alta. Song. Schumann, R. A. Werke. Serie 

10, Band 2. 11.316.1.10.2 

Siete bello. Song. Gordigiani. fichos de la Toscane. Vol. 2. 

No. 15 in M.244.13.2 
Siete rose rugiadose. Song. Handel. Werke. Lieferung 
SI. M.313.1.51 

Silete, venti. Motet. Handel. Werke. Lieferung 38. 

M.313.1.38 
Sieverding, J. A. 

Missa tribus vocibus virilibus organis comitantibus. No. r. 
Part. Amstelodami. Roothaan. [186-?] No. i in M.201.22 
Sigh, The. Song. Wilkins. No. 25 in M.237.2 

Sigh no more, ladies. Part-song. 
Allison. No. 41 in M.157.23 

Macfarren, G. a. No. 7 in M. 195. 1.4 

Stevens, R. J. S. N0.46 in M.220.3.4; etc. 

Sigh no more, ladies. Song. 
Arne, T. a. No. 61 inM.215.21 

Stevens, R. J. S. No. 13 in M.237.2 

Sigh not, fond shepherd. Part-song. Ferretti, G. 

No. 67 in M.237.1S 
Sighs. Glee. Smart, G. T. Collection of glees. 

No. 4 in M.235.8 
Sigismondo. Opera. For the Music see Rossini. For the 

Libretto see Romani, F. 
Signa. Opera. For the Music see Cowen. For the Li- 
bretto see A Beckett, G. A. 
Signal, Le. Opera. For the Music see Puget. For the Li- 
bretto see Dubreuil, E. 
Signal, The, resounds. Part-song. Buck, D. No. 6 in M.392.6 
Signale fiir die musikalische Welt. Begriindet von Bartholf 
Senff. Jahrgang 1-72. 1843-1914. Leipzig. Senff. 1843- 
1914. M.185.1 

Signe de mort. Song. L'fipiNE. Scenes et chansons. 

M. 158.42; etc. 

Signer dammi scienza. Madrigal. Palestrina. Werke. 

Band 29. M.8o4oa.66.29 

Signer, II, di Pourceaugnac. Opera. For the Music see 

Franchetti. For the Libretto see Fontana, F. 
Signer Fagotto, II. Opera. For the Music see Offenbach. 

For the Libretto see Truinet. 
Signer Formica. Opera. For the Music see Shitt. For the 

Libretto see Keppel. 

Signer, le colpe mie. Part-song. Lassus. Sammtliche Werke. 

Band 6. M.8o4oa.67.6 

Signer Masoni. Fiction. Thayer, A. W. No. i in M.127.1 

Signor Pascarello, II. Opera. For the Music see Petier. 

For the Libretto see Ribbing. 
Signer, se la tua grazia. Part-song. Lassus. Sammtliche 
Werke. Band 4. M.8e4oa.67.4 

Signor sergente. Part-song. Donizettl No. 10 in M.157.14.4 
Signora? Che? Duet. Donizetti, G. No. 6 in M. 221.20 

Signerino che pensate. Song. Sacchini. No. 5 in M.120.29; etc. 
Sigurd. Cantata. For the Music see Krug. For the Li- 
bretto see Souchay. 
Sigurd. Opera. For the Music see Reyer. For the Li- 
bretto see Du Cemmun Du Locle. 
Sigurd Jorsalfar. For orchestra. Grieg. No. 2 in M.406.50 

Sigurd Slembe. Symphonic poem. Svendsen. No. 5 in M.33S.15 
Silas, Eduard. 

Mass for 4 voices and organ, with a special graduale and 
offertory for the feast of the Immaculate Conception. 
Op. 62. London. Novello, Ewer & Co. [1868?] 

No. 2 in M.201.22 

The owl. Part song. (In Leslie. Cassell's Choral music. 

Pp. 189-192.) No. 45 in M.23S.I0 

Softly fall the shades. [Part-song.] (In Leslie. Cassell's 

Choral music. Pp. 65-68.) No. 15 in M.235.10 

Also to be found in Novello's Part-song book. 

Song for spring. [Part-song.] (In Leslie. Cassell's 

Choral music. Pp. 129-132.) No. 30 in M.235.10 



Silas, Eduard. (Continued.) 

Symphonie, i« [en la]. Op. 19. [Partition.] London. 

Cramer, Beale & Wood. [1850.] M.347.22 

Silbernes Baechlein. Part-song. Chwatal. No. 154 in M. 246.22 

Storch. No. II in M.392.26 

Silberstein, August. 

Das Geisterheer. Dichtung. Fiir Mannerchor und Or- 
chester komponirt von Ferdinand Hummel. 

No. I in M.212.8 

Germanenzug. [Gedicht.] Fiir Mezzo-Sopran und Bary- 
ton-Solo und Mannerchor mit Begleitung des Pianoforte 
componirt von John R. Lund. No. 7 in M.2i2.ie 

Silcher, Friedrich. 

Aennchen von Tharau. [Mannerchor.] (In Eidgenoes- 
sischer Saengerverein. Wettgesange bei dem iite . . . 
Sangerfeste. P. 18.) • No. 9 in M. 130.7 

Also to be found in Orpheus ; Das Rtitli. 

Barbarossa. Volksweise. [Mannerchor.] (In Das Riitli. 
Pp- 339, 340.) No. 141 in M.147.4 

Der Barde. Mannerchor. (In Eidgenoessischer Saen- 
gerverein. Wettgesange bei dem I2te . . . Sangerfeste. 
P. 12.) No. 8 in M.130.7 

Der Geliebten. [Mannerchor.] (In Das Rutli. Pp. 402, 
403.) No. 169 in M.147.4 

Hoffe das Beste! [Mannerchor.] (In Das Riitli. Pp. 504, 
505.) No. 211 in M.147.4 

Lebewohl. [Mannerchor.] (In Das Riitli. Pp. 410, 411.) 

No. 173 in M.147.4 

Der Lindenbaum. [Mannerchor.] New York. Schuberth 
& Co. [188-?] No. 29 in M.392.2S 

Mahnfuf. [Mannerchor.] (In Eidgenoessischer Saenger- 
verein. Wettgesange bei dem iite . . . Sangerfeste. 
P. 6.) No. 9 in M.130.7 

My dearie. [Part-song, t. t. b. b.]. (In The Osgood Col- 
lection of part songs. Vol. 2, p. 45.) M.193.23.2 

Schottischer Barden-Chor [t. t. b. b.]. (In Regensburger 
Liederkranz. Pp. 72, 73.) No. 31 in M. 1293.44 

Der Schweizer. [Mannerchor.] (In Kantonal-Saengerfest, 
Wyl. Mannerchore fiir das 6te . . . Sangerfest. P. 13.) 
Also to be found in Das Rutli. No. 5 in M.130.7 

Silcher-AIbum. Fiinfzig beliebte Volkslieder fiir Manner- 
chor herausgegeben von Heinrich Pfeil. Leipzig. Peters. 
[188-?] No. 4 in M.370.30 

Contents. — Das Klosterfraulein. — Wohin mit der Freud'? — Die 
Soldatenbraut. — Der Lindenbaum. — Aennchen von Tharau. — Mein 
eigen soil sie sein. — Burschenlust. — - Im Mai. — Unterlanders Heim- 
weh. — Schwabisches Liebesliedchen. — Der Wanderer. — Der Soldat. 

— Der Wirthin Tochterlein. — Frisch gesungen! — Hoffe das Beste I 

— Soldatenabschied. — Altes Minnelied. — Der gute Kamerad. — 
Lore-Ley. — Untreue. — Die drei Roselein. — Schlacht-Lied. — Hirten- 
liebe. — Die Auserwahlte. — 's Herz. — Mei Maidle. — Die Trauernde. 

— Herzensweh. — Mein Schatzerl ist hiibsch. — Schwabisches Tanz- 
liedchen. — Lebewohl. — - Der brave Reitersmann. — Abschied. — In 
der Feme. — Zum Ausmarsch. — Werbung. — ■ Die Fremdenlegion. — 
O Tannenbaum. — Die Deutschen vor Belgrad. — Oberschwabisches 
Tanzliedchen. — Treue Liebe [zwei Lieder]. — Schottischer Barden- 
chor. — Liebesqual. — Schwabisch. — Untreue. — Die Fnihlingszeit. 

— Liebesscherz. — Der traurige Bua. — Der Schweizer. 

The singer's grave. [Part-song, t. t. b. b.] (In Mosenthal. 
Songs of the Mendelssohn Glee Club. Pp. 42, 43.) 

No. II in M. 204.38 

Der Soldat. [Mannerchor.] (In Kantonal-Saengerfest, 

Wyl. Mannerchore fiir das 6te . . . Sangerfest. P. 14.) 

Also to be found in Das Rutli. No. 5 in M.130.7 

Stirb, Lieb' und Freud'! [Mannerchor.] (In Das Riitli. 

Pp. 515, 516.) No. 216 in M.147.4 

Swabian folksong. [Part-song. t. t. b. b.] (In The Osgood 

Collection of part-songs. Vol. i, p. 97.) M.193.23.1 

Wohin mit der Freud'? [Mannerchor.] (In Das Riitli. 

Pp. 349-352.) No. 147 in M.147.4 

Silen di rose ha '1 volto. Part-song. Lassus. Sammtliche 

Werke. Band 10. M.8o4oa.67.io 

Silence, ye jades. Catch. Arne, T. A. No. 70 in M.220.10 

Silent happiness. Part-song. Raff. No. 22 in M.19S.1.17 

Silent land, The. Part-song. Gaul. No. 9 in M.157.25 

Silent night. Part-song. Barnby. No. 39 in M.157.23 

Weber, C. M. F. E. von. No. 25 in M.246.36; etc. 

Silent river. Part-song. Watson, W. M. No. 28 in M.121.3 



80 



Silent 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Simiot 



Silent shady myrtle grove, A. Glee [a. t. b.]. (In Bland. The 
Ladies' collection. Vol. 4, pp. 458, 459.) 

No. 96 in M.235.17.4 

Silent tide, The. Part-song. Pinsuti. No. 20 in M.195.1.16 

Silenzio facciasi. Part-song. Salieri. No. 19 in M.i2ga.43.i 

Silesia. Music. Hoffmann, C. J. A. Die Tonkiinstler 

Schlesiens. Ein Beitrag zur Kunstgeschichte vom Jahre 

960 bis 1830. Breslau. 1830. M.376.18 

The last two pages are bound in the front of the book. 

Silete, venti. Motet. Handel. Werke. Lieferung 38. M.313.1.38 

Silfo, II, e la mammola. Song. Mariani, A. xxii melodie. 

No. I in M.158.28 
Sill, Edward Rowland, translator. 

Rau, H. Mozart. A biographical romance. New York. 
1868. M.104.33 

Sill, Louise Morgan. 

Musicians in rhyme for childhood's time. By Rebekah 

Crawford and Louise Morgan Sill. New York. [1890.] 

Portraits. Plates. M.121.9 

Silla. Opera. For the Music see Handel. Werke. Lieferung 

61. For the Libretto see Anfossi. 

Silly Sylvan, A, kissing heav'n born fire. Madrigal. Wilbye. 

Works. Vol. 2. No. 26 in M.234.19.2 

CHJiysTbl [Siluety]. Suite. Arenski. No. 3 in M.405.1 

Silvain. Opera. For the Music see Gretry, A. E. M. For 

the Libretto see Marmontel, J. F. 
Silvana. Opera. For the Music see Weber, C. M. F. E. von. 

For the Libretto see Heimer; also Pasque. 
Silvana. Overture. Weber, C. M. F. E. von. No. i in M.344.16 
Silvano. Opera. For the Music see Mascagni. For the 

Libretto see Targioni-Tozzetti. 
Silver, Charles. 

La belle au bois dormant. Feerie lyrique en quatre actes 
et neuf tableaux dont un prologue. Poeme de Michel 
Carre et Paul Collin. Musique de Ch. Silver. [Parti- 
tion piano et chant.] Paris. Grus. 1901. Plate. 

M.381.41 
Le clos. Opera-comique en quatre actes (d'apres le roman 
d'A. Achard). Poeme de Michel Carre. Musique de Ch. 
Silver. Partition chant et piano. Paris. Choudens. 
1906. M.389.18 

L'interdit. Scene lyrique de fidouard Noel. Musique de 
Ch. Silver. Partition piano et chant. Paris. Heugel & 
cie. [1891.] No. I in M.204.29 

Tobie. Mystere en quatre episodes de Paul Collin. Mu- 
sique de Ch. Silver. [Partition chant et piano.] Paris. 
Grus. [189-?] No. 2 in M. 240. 10 

Silver cloud, The. Cantata. For the Music see Abt, F. For 

the Libretto see Oxenford, E. 
Silver moonlight winds are blowing. Part-song. Christy, E. 
P- No. 53 in M.IS7.S.2 

Silver queen, The. Part-song. Bishop, H. R. 

No. 30 in M.157.19; etc. 
Silver slipper. The. Opera. For the Music see Barrett, T. 

For the Libretto see Davis, J. 
Silver streamlet. The. Part-song. Barnby. No. 85 in M. 157.5.2 
Silver swan. The. [Catch for 3 voices.] (In The Harmonist. 
Vol. I, p. 76.) No. 19 in M.218.8.1 

Also to be found in Social harmony. 
Silver swan. The. Part-song. 
Gibbons, O. No. 25 in M.220.3.3; etc. 

Smith. J. S. No. 14 in M.235.17.1; etc. 

Silveri, Domenico, Conte. 

Giuditta. Melodramma biblico in 4 atti di M. Marcello. 
Musica del Conte Domenico Silveri. Riduzione per 
canto e pianoforte. Milano. Lucca. [1885.] Portrait. 

M.399.60 
Silvery Christmas bells. Part-song. Randegger. 

No. 21 in M. 157.23 
Silvestre, Armand. SSe Silveistre, Paul Armand. 
Silvestre, Paul Armand. 

Charlotte Corday. Drame lyrique. Musique de Alexandre 
Georges. M.382.24 

Contes de Noel. Suites mignonnes. Par J. Burgmein. 

No. 3 in M.204.29 



Silvestre, Paul Armand. (Continued.) 

Coquelicot. Opera comique. Musique de Louis Varney. 

M.32S.8 
La czarine. Grand-opera. Musique de Caspar Villate. 

M.326.1 

Dimitri. Opera. Paroles de H. de Bornier & A. Silvestre. 

Musique de Victorin Joncieres. M.366.17 

Les drames sacres. Poeme dramatique en un prologue et 

dix tableaux en vers. [Par] Armand Silvestre et Eugene 

Morand. Avec musique de Ch. Gounod. [Words only.] 

Paris. Kolb. [1893.] M.373.15 

Le feu celeste. Cantate pour soprano solo, choeurs, or- 

chestre, orgue et un recitant. Musique de C. Saint- 

Saens. No. 3 in M.406.7S 

Galante aventure. Opera-comique de Louis Davyl 

[pseud.] et Armand Silvestre. Musique de E. Guiraud. 

M. 276. 1 2 
Henry VIII. Opera. Poeme de Leonce Detroyat & Ar- 
mand Silvestre. Musique de Camille Saint-Saens. 

M.321.18 
Izeijl. Drame indien de Armand Silvestre & Eugene 
Morand. Musique de scene de Gabriel Pierne. 

No. I in M.300.9 

Jocelyn. Opera, tire du poeme de Lamartine par Armand 

Silvestre et Victor Capoul. Musique de Benjamin 

Godard. M.266.5 

Le mari d'un jour. Opera comique. Paroles de MM. A. 

d'Ennery [pseud.] & Armand Silvestre. Musique de 

Arthur Coquard. M.285.29 

Messaline. Tragedie lyrique de Armand Silvestre & 

Eugene Morand. Musique de Isidore de Lara. M.396.30 

Myrto. Musique de fidouard Cazaneuve. No. 2 in M. 194.7 

Neere. Scene lyrique. Musique de Georges Palicot. 

No. 2 in M. 203.39 
L'orage. Drame lyrique. Musique de J. Urich. 

No. 2 in M.324.28 

Pedro de Zalamea. Opera. Poeme de Leonce Detroyat 

et Armand Silvestre. Musique de Benjamin Godard. 

M.256.42 
Le pilote. Opera. Musique de J. Urich. M.324.30 

Poeme d'hiver. Musique de J. Massenet. No. 3 in M.384.20 
Poeme pastoral. Scenes de Florian et d'Armand Silvestre. 
[Musique de] J. Massenet. No. 4 in M.213.11 

La tempete. Poeme symphonique. Paroles de Armand 
Silvestre et Pierre Berton, d'apres Shakespeare. Mu- 
sique de Alphonse Duvernoy. M.305.3t 
Les Templiers. Opera. Poeme de Jules Adenis [pseud.] 
Armand Silvestre, & Lionel Bonnemere. Musique de 
Henry Litolff. M.306.23 
Silvestri, Ludovico Settimo. 

Delia vita e delle opere di Gioachino Rossini. Milano. 

1874. Portrait. Facsimiles. 1^.141.24 

Silvia. Opera. For the Music see Giosa. For the Libretto 

see Bolognese. 
Simbad le marin. Opera. For the Music see Pilate. For 

the Libretto see Julian. 
Simeon. Song. Cornelius. Werke. Band i. M.414.20.1 
Simile, The. Song. Mendelssohn-Bartholdy, J. L. F. Songs. 

No. 36 in M.244.21 
Simile est regnum coelorum. Mass. Vittoria. Opera. 
Tomus 2. M.313.2.2 

Simiot, Andre. 

Les deux clarinettes. Opera-comique en i acte. Paroles 
de Mrs Adolphe Favre et Adolphe Stel. Musique de 
Andre Simiot. [Partition chant et piano.] Paris. 
Richault. [1864.] No. 5 in M.322.16 

La gageure d'Ali-Boron. Opera-comique en i acte. Paroles 
de H. Lefebvre et Jacques Lambert. Musique de Andre 
Simiot. [Partition piano et chant.] Paris. Richault. 
[ 1863.] No. 3 in M.277.29 

Les maries de Nanterre. Operette en I acte. Paroles de 
H. Gourdon de Genouillac. Musique de A. Simiot. 
[Partition chant et piano.] Paris. Bathlot. [1875.] 

No. I in M.300.5 
Les ressources de Jacqueline. Opera comique en i acte. 



Ill II 



81 



Simiot 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sinclair 



Simiot, Andre. (Continued.) 

Paroles de Henry Boisseaux. Musique d'Andre Simiot. 
[Partition chant et piano.] Paris. Richault. [1854.] 

No. 4 in M.322.16 
Un suicide en partie double. Operette en i acte. Paroles 
de Ed. Belval [pseud.]. Musique de Andre Simiot. [Par- 
tition chant et piano.] Paris. L'auteur. [1868.] 

No. 6 in M.322.16 
Simiot, Andre, editor. 

GuiMET. Le feu du ciel. No. 3 in M.15S.15 

Simms, Frank H. 

My love beyond the sea. A four-part song. (In Novello's 
Part-song book. 2d series. Vol. 16, pp. 143-147.) 

No. 24 in M.195.1.16 

Simon, , Abbe. 

Guide du chantre, contenant: i. Les principes du plain- 
chant. 2. Le ceremonial des chapiers a I'usage du 
diocese de Rouen. 2e edition. Rouen. Megard. 1845. 

M.372.38 
Simon, Henry Abel, editor. 

Annuaire general de la musique et des societes chorales et 
instrumentales de France. Paris. 1888. M. 112.99 

Simon, Joseph Philippe. 

Le bon gargon. Opera comique. Paroles de MM. Anicet 
Bourgeois & Lockroy [pseud.]. Musique d'Eugene 
Prevost. M.254.31 

Bonsoir, Mr Pantalon! Opera comique. Poeme de Lock- 
roy [pseud.] et de Morvan. Musique par Albert Grisar. 

M.224.34; etc. 
Le chien du jardinier. Opera comique. Paroles de Lock- 
roy [pseud.] et Cormon [pseud.]. Musique par Albert 
Grisar. No. 2 in M.276.5 

La croix de Marie. Opera comique. Poeme de MM. Lock- 
roy [pseud.] et d'Ennery [pseud.]. Musique de Aime 
Maillart. M.4O0.24;etc. 

Les dragons de Villars. Opera comique. Paroles de Lock- 
roy [pseud.] et d'Ennery [pseud.]. Musique de Aime 
Maillart. M.366.40 

La fee Carabosse. Opera comique. Paroles de Lockroy 
[pseud.] et Cogniard. Musique de Victor Masse. 

M.247.32 

La reine Topaze. Opera-comique. Paroles de Lockroy 

[pseud.] et Battu. Musique de Victor Masse. M. 247.31 

Suzanne. Opera comique de Lockroy [pseud.] et Cormon 

[pseud.]. Musique de Paladilhe. M.277.39 

Simon Boccanegra. Opera. For the Music see Verdi. For 

the Libretto see Piave. 
Simon de Montfort. Opera. For the Music see Germain. 

For the Libretto see Metge. 
Simon Peter. Sunday school service. Bammall. 

No. II inM.370.31 
Simon Petrus. Oratorio. For the Music see Meinardus. 
Simon Pure Brass. Opera. For the Music see Farrell. For 

the Libretto see Fremmer. 
Simona, La. Opera. For the Music see lunck. For the 

Libretto see Fontana, F. 
Simone. Opera. For the Music see Cottier; also Laforesterie. 

For the Libretto see Barbier, P.; also Desrosiers. 
Simone et Boquillon. Opera. For the Music see Ouvier. 
For the Libretto see Buguet. 

Simoneau, . See Simonneau, Jacques Guillaume. 

Simonneau, Jacques Guillaume. 

Gossec, F. J. Le triomphe de la loi en I'honneur de 
Simoneau. [Choeur, a. t. b. Accomp. de piano.] 

M.380.14 
Simpatia, La. Song. Panofka. Soirees de Londres. 

No. 5 in M.244.18 
Simple chanson. Song. Vaucorbeil. Melodies. M.213.25 

Simple histoire. Cantata. For the Music see Lenglet. 
Simple Simon. Opera. For the Music see Sloane. For the 

Libretto see Barnet. 
Simple-valse. For piano. Strauss, 1. No. 24 in M.391.28.2 
Simplicitas justorum diriget eos. Mass. Nicou-Choron. 

No. 2inM.i9i.3 



Simplicius, Der. Opera. For the Music see Huber, H. For 
' the Libretto see Bartholdy. 
Simpson, Arthur. 

Secret memoirs of Madame Catalani. Bath. Gye. 181 1. 

No. 7 in M. 144.18 
Simpson, Christopher. 

A compendium: or, introduction to practical music. Sth 

edition, enlarged. London. Young. 1714. M. 1193.4 

Simpson, H. P. 

The contented labourer. A ballad [s. or T.]. Accomp. for 

pianoforte. Oxford. Hardy. [18 — ?] No. 6 in M.235.14 

Simpson, James F. 

The arrow and the song. Four-part song. London. 
Jefferys. N.d. [The Choral Society. IS-] 

No. IS in M.121.3 
Simpson, James F., editor. 

Sullivan, A. S. The miller & his man. No. i in M. 277.23 
Simpson, John Palgrave. 
The bravo's heir. Operetta. Music by Palgrave Simpson. 

M.277.40 
Letty, the basket maker. Comic opera. Composed by M. 
W. Balfe. M.390.43 

Simpson, John Palgrave, translator. 

Weber, P. C. M. M. von. Carl Maria von Weber. Lon- 
don. 1865. 2 V. M. 101.6 
Simpson, Palgrave. 

The bravo's heir. Operetta in i act. Words by J. Pal- 
grave Simpson. Music by Palgrave Simpson. [Accomp. 
for piano.] London. Novello, Ewer & Co. [187-?] 

M.277.40 
Simpson, William John Sparrow. 

The crucifixion. A meditation on the passion of the Holy 

Redeemer. The music by J. Stainer. No. i in M.1S6.5 

St. Mary Magdalen. A sacred cantata. The music by 

John Stainer. No. 3 in M.156.5 

Simrock, Carl Joseph. 

Walther von Birbach. Legende. Fiir Solostimmen und 
gemischten Chor mit Begleitung des Pianoforte com- 
ponirt von Ferdinand Hiller. No. 2 in M.391.45 

Simrock, Carl Joseph, translator. 

Bruch. Rorate coeli. No. 2 in M.270.19 

Zimmermann, B. Ein Wintermarchen. M.381.7S 

Sims, George Robert. 

Blue eyed Susan. Comic opera. Written by Geo. R. Sims 
& Henry Pettitt. Music by F. Osmond Carr. M.245.1 
Dandy Dick Whittington . [Opera.] Music by Ivan Caryll 
[pseud.]. M.39S.13 

The dandy Fifth. An English military comic opera. Com- 
posed by Clarence C. Corri. M.389.36 
A dress rehearsal. Musical sketch. The music by Louis 
Diehl. No. 5 in M.277.23 
Faust up to date. Burlesque opera. Written by Geo. R. 
Sims & Henry Pettitt. Music by Meyer Lutz. M.247.3 
Little Christopher Columbus. Written by Geo. R. Sims 
and Cecil Raleigh. Music by Ivan Caryll [pseud.]. 

M.395-I5 
Simson. Oratorio. See Samson. 
Since first I saw your face. Madrigal. Ford, T. 

No. 18 in M.235.7.1 ; etc. 
Since I'm born. Duet. Webbe, S. No. 244 in M.392.49.4; etc. 
Since my Phillis is fall'n. Catch. 

Clarke, J. No. 4 in M.220.S.1 

Festing. No. 18 in M.iio.i.i; etc. 

Since neither tunes of joy. Madrigal. Bennet, J. Madrigais. 

No. I in M.234.22 
Since on the cross I saw Him. Anthem. Luther. 

No. 9 in M.157.28.1 
Since Phillis has bubbled. Catch. Smith, J. S. 

No. 33 in M.iio.i.i; etc. 
Since times are so bad. Duet. Purcell, H. Beauties of 
Purcell. Vol. 2. M.221.2.2 

Sinclair, George Robertson. 

Appreciation of Sir Frederick Ouseley as a musician. (In 
Joyce, F. W. The life of the Rev. Sir F. A. G. Ouseley. 
Pp. 235-255. London. 1896.) M.373.7 



82 



Sind 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Singer's 



Sind es Schmerzen, sind es Freuden. Song. Weber, C. M. 
F. E. von. Sammtliche Lieder. Band i. No. 31 in M.244.7 
Sinding, Christian. 

Concert (Des-dur) fiir Pianoforte und grosses Orchester. 
Partitur. Kopenhagen. Hansen. [189-?] 

No. I in M.333.18 
episodes chevaleresques. Suite pour orchestre. Opus 35. 
Grande partition. Leipzig. Peters. [1898.] M.404.18 
Koncert (A-dur) fiir Violine und Orchester. Op. 45. Par- 
titur. Kopenhagen. Hansen. [1899.] No. i in M.404.19 
Concert No. 2 (D dur) fiir Violine mit Begleitung des Or- 
chesters. Opus 60. Partitur. Leipzig. Peters. [189-?] 

No. 2 in M.405.58 
Quartett (A moll) fiir 2 Violinen, Viola, Violoncell. Op. 
70. Leipzig. Peters. [1905.] No. 4 in M.4i2a.ii 

Quintett (E moll) fiir Pianoforte, 2 Violinen, Viola und 
Violoncell. [Partitur.] 2. Auflage. Kopenhagen. Han- 
sen. [1890?] No. 6 in M.211.5.2 
Same. [Stimmen.] 4 v. No. 16 in M.211.6.1-4 
Rondo infinito fiir grosses Orchester. Op. 42. Partitur. 
Kopenhagen. Hansen. [1898.] No. i in M.405.58 
Symphonic, D moll, fiir grosses Orchester. Op. 21. [Par- 
titur.] Leipzig. Peters. [1893?] M.410.2 
Til Molde, af Bjornstjerne Bjornson. (Tysk Oversaettelse 
af Emma Klingefeld. Engelsk Oversaettelse af R. B. 
Anderson.) For Baryton-Solo, Kor og Pianoforte kom- 
poneret af Christian Sinding. Kristiania. Hals. [188-?] 

No. 3 in M.391.58 
Trio fiir Pianoforte, Violine und Violoncell. Op. 23. [Par- 
titur und Stimmen.] Kopenhagen. Hansen. [189-?] 
3 parts in i v. M.404.68 

Sine Cerere et Bacho friget Venus. Part-song. Sweelinck. 
Werken. Deel 9. M.4i3.2.g 

Sine nomine. Mass. Palestrina. Werke. Band 10, 11, 14, 
15, 18. M.8o4oa.66.io,ii, 14,15,18 

Sine titulo. Mass. Palestrina. Werke. Band 24. 

M.8o4oa.66.24 
Sinecure, Une, de troupier. Opera. For the Music see Ro- 

billard. For the Libretto see Quentin. 
Sinfonietta. Symphony. Novacek. No. 2 in M.4io.gi 

Reger. M.406.57 

Sinfonische Fuge. For orchestra. Koch. No. 2 in M.403.88 
Sing a song of praise. Anthem. Stainer. No. 15 in M. 195.2.9 
Sing a song of sixpence. Madrigal. Macfarren, G. A. 

No. 25 in M. 157.28.1 
Sing, all ye muses. Duet. Purcell, H. 

No. 219 in M.215.21 ; etc. 
Sing alleluia forth. Anthem. Buck, D. No. 16 in M.290.11 
Sing aloud with gladness. Motet. Wesley, S. 

No. 19 in M. 195.2. 12 

Sing and rejoice. Anthem. Barnby. No. 13 in M.158.13 

Truette. No. 22 in M.203.29 

Sing heigh-ho. Part-song. Harris, V. No. 7 in M. 203.15 

Macfarren, G. A. No. 32 in M.195.1.3 

Sing joyfully unto God. Anthem. Byrd. 

No. 25 in M.233.23.2; etc. 
Sing loud a joyful strain. Part-song. Gluck. 

No. 36 in M.157.28.1 

Sing merrily now. Catch. Aldrich, H. No. 4 in M. 220.5 

Sing, O heavens. Anthem. Boyce. Services and anthems. 

Vol. I. M.233.3.1 

Kent. No. 10 in M.290.22.2; etc. 

Lucas, C. No. 27 in M. 157.3 

Mackenzie, A. C. No. 16 in 1^.195.2.14 

MuDiE. Sacred songs. No. 10 in M.280.30 

Sullivan, A. S. No. 29 in M. 234.10 

Sing, O ye heavens. Anthem. 

Cruickshank. No. 30 in M.203.26 

Woodward, R. No. 43 in M.iii.4.2 

Sing old rose and burn the bellows. [Glee for 3 voices.] {In 
Flowers of harmony. Vol. i, pp. 84-86.) 

No. 50 in M.157.18.1 
Sing out ye nymphs. Madrigal. Bennet, J. Madrigals. 

No. I in M.234,22 



Sing praises to God. Response. Blodgett. Anthems, re- 
sponses and hymns. No. 4 in M.203.9 
Sing praises to the Lord. Anthem. Boyce. Services and 
anthems. Vol. i. M.233.3.1 
Croft. No. 18 in M.19S.2.8; etc. 
Sing praises unto God. Canon. Croft. No. 66 in M.ni.4.2 
Sing praises unto the Lord. Anthem. Gounod. 

No. 5 in M.1S7.31 ; etc. 
Sing, sing, music was given. Part-song. Brewer, J. H. 

No. 8 in M.203.10 
Sing the battle. Carol. Monk, E. G. No. 10 in M. 154.19; etc. 
Sing to Jehovah. Anthem. Graun. No. 7 in M.290.29.2 

Sing to the Lord. Anthem. 

Naumann, J. G. No. 19 in M.201.37 

Smart, H. No. 15 in M. 195.2.8 

Tye. Motetts for 4 voices. No. 8 in M.236.16; etc. 

Sing unto God. Anthem. Croft. No. 14 in M.290.22.2; etc. 
Dearle. a Te Deum, &c. M.233.17 

Dupuis, T. S. No. 71 in M.290.22.1 

Handel. No. 27 in M.221.22.3; etc. 

Patten. 6 anthems. No. 4 in M.280.32 

Sing unto the Lord. Anthem. 

Beale, W. a collection of 13 glees. No. 5 in M.I58.30 

Boyce. Services and anthems. Vol. 2. M.233.3.2 

Clarke-Whitfeld. Services and anthems. Vol. i. M.233.4.1 
Croft. 30 select anthems. Vol. i. M. 233.6.1 

Greene, M. No. 9 in M.236.30.3; etc. 

Hiles, H. No. 40 in M.190.3 

Mendelssohn-Bartholdy, J. L. F. The 98th Psalm. 

No. I in M.280.16; etc. 
Novello, V. No. 53 in M. 158.18; etc. 

Richmond. No. 5 in M.340.15 

Tye. No. 8 in M.233.23.2 

Webbe, S. 12 anthems. No. 2 in M.234.7 

Sing we and chaunt it. Madrigal. 

Morley. No. 40 in M. 235. 10; etc. 

Pearsall. No. 25 in M.195.1.10; etc. 

Sing we merrily. Anthem. Child, W. No. i in M.233.23.3 
Este, M. No. 3 in M.234.26; etc. 

Sing ye merrily. Anthem. Mozart. No. 7 in M.233.18.2 

Sing ye praises. Anthem. Vittoria. No. 16 in M.237.28 

Sing ye to God. Anthem. Lambillotte, L. No. 6 in M.ioo.io 
Singakademie, Berlin. 

Lichtenstein, M. H. C. Zur Geschichte der Sing- 
Akademie in Berlin. Nebst einer Nachricht iiber das 
Fest am fiinfzigsten Jahrestage ihrer Stiftung. Berlin. 
1843. M.372.11 

Singe Nachtigall nicht. Song. Rubinstein. Neun Lieder. 
Op. 27. No. 2 in M.ig2.5 

Singende Blumen. Part-song. Graben-Hoffmann. 

No. 5 in M. 244.11 
Singenthal, Das. Cantata. For the Music see Brandts-Buys. 

For the Libretto see Uhland. 
Singer, Edmund, editor. 

Raff. Cavatina pour violon et piano. No. 4 in M.342.25 
Singer, Maximilan. 

Der Schwur. Oper. Musik von Wilh. Reich. 

No. 2 in M.402.69 

Der Weise von Cordova. Komische Oper. Musik von 

Oscar Straus. No. 3 in M.402.69 

Singer, Otto, Sr. 

The landing of the Pilgrim Fathers. A cantata composed 

for alto solo, chorus and orchestra by Otto Singer. 

Poetry by Mrs. Hemans. [Vocal score.] Cincinnati. 

Church & Co. 1876. No. 4 in M.384.16 

Singer, Otto, Jr. 

Concertstiick fiir Violine mit Orchester. Op. 6. Partitur. 
Leipzig. Leuckart. [1893?] No. 2 in M.404.19 

Singer, Otto, Jr., editor. 

Strauss, R. Feuersnot. M.396.39 

Salome. M.380.49 

Singer's companion. The: containing a selection of popular 

songs, duets, &c., with music. New York. Stringer & 

Townsend. 1854. M.i09a.37 

Singer's grave. The. Part-song. Silcher. No. i i in M.204.38 



83 



Singer's 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Singing 



Singer's library, The. Church music. Hullah, J. P., editor. 

M.157.3 
Singer's library, The. Part-songs. Hullah, J. P., editor. 

M.157.2 
Singer's story, A. Fiction. Huntley. No. 4 in M.129.32 

Singers. Br4mont, A. de. The world of music. Vol. 2: Great 
singers. London. 1892. M. 109.27.2 

Chanson frangaise, La. Moniteur du Caveau. Revue 
illustree des societes chantantes et des chansonniers 
frangais. No. 1-6. [Paris. 1874.] Portraits. M.121.14 
Clayton, E. C. Queens of song. London. 1863. 2 v. 
Portraits. M.106.13 

CoLiGNY, C. La chanson frangaise. Histoire de la chanson 
et du Caveau, contenant I'historique des principals so- 
cietes chantantes et des biographies de chansonniers. 
Paris. 1876. Portraits. M.2I4.6 

Cuezon, H. de. Croquis d'artistes. Paris. i8g8. 16 por- 
traits. M.373.2 
EscuDiER, L. fitudes biographiques sur les chanteurs con- 
temporains par MM. Escudier freres [Leon et Marie]. 
Paris. 1840. Portraits. M. 1193.20 

Vie et aventures des cantatrices celebres. [Par Leon 

et Marie Escudier.] Paris. 1856. M.108.38 

Ferris, G. T. Great singers, ist, 2d series. New York. 
1882. 2 V. M.io9b.2o 

Laget, a. Le chant et les chanteurs. Paris. [1874.] 

M. 144.20 
Lyden, £. F. M. de. Le theatre d'autrefois et d'aujourd'hui. 
Cantatrices et comediens. 1532-1882. Paris. 1882. 

M. 127.29 
Musical Age. Business Bureau. Souvenir. Opera 
season 1893-1894. Portraits of prominent artists. New 
York. 1894. 15 portraits. No. 2 in M.372.55 

Schwab, F. A. Singers of the [19th] century. Later sing- 
ers of the [19th] century. The rule of the singer. Modern 
singers. Two great singers [Nilsson and Lucca]. The 
great male voices of the [19th] century. Illus. Por- 
traits. Plates. (In The music of the modern world. 
Vol. I. New York. [1895]) M.14.1.1 

Thurner, a. Les reines du chant. Paris. 1883. Por- 
traits. M.127.17 
Singers, The. See Boston Singers' Society. 
Singers, The. Part-song. Gaul. No. 20 in M. 158.16 
Singet dem Herrn ein neues Lied. Motet. Bach, J. S. Sechs 
Motetten. No. i in M.204.4; etc. 
Mendelssohn- Bartholdy, J. L. F. Werke. Serie 14, 
Abtheilung a, Band 2. M.413.3.14A.2 
NiKEL. Der 95. Psalm. No. 16 in M.212.11 
Singet Gott, lobsinget seinem Namen. Anthem. Richter, E. 
F. E. Der 68ste Psalm. No. 2 in M.158.21 
Singet nicht in Trauertoenen. Song. Schumann, R. A. 
Lieder aus Wilhelm Meister. No. 11 in M.244.15.3; etc. 
Singing. 

See also Articulation; Chants; Cheve method; Choir-sing- 
ing; Church music. Psalmody; Opera; Oratorio; Plain- 
song; Solfeggio; Songs, With music; Tonic-sol-fa- 
method; Voice. 
Alexandre, M. Quelques reflexions d'un orpheoniste. 
Paris. 1847. No. S in M. 206.3 

AuDUBERT, J. L'art du chant. Paris. 1876. M. 122.7 

Bach, A. B. On musical education and vocal culture. 3d 
edition. Edinburgh. 1883. M.135.7 

Bacon, R. M. Elements of vocal science. London. [1824.] 

M.147.11 

Bertrand, J. £. G. De la reforme des etudes du chant au 

Conservatoire. Paris. 1871. No. 2 in M. 206.4 

Bird, J. The singer's second book; consisting of easy 

rules and tunes to illustrate them, also many of the 

most useful and popular melodies. Edited by Joseph 

and Horace Bird. Boston. 1846. No. 2 in M.377.1 

Boston Academy of Music. Manual of the Boston 

Academy of Music, for instruction in the elements of 

vocal music, on the system of Pestalozzi. By Lowell 

Mason. 7th edition. Boston. 1853. M.i09b.27 



Singing. (Continued.) 

Bourdeau, £. Cours de musique vocale a I'usage des eleves 
du College Chaptal. Annee 1-6. Paris. [187-?] M.205.5 
Browne, L. Science and singing. Albany. 1884. 

No. I in M.135.2 

Voice, song, and speech. By Lennox Browne and 

Emil Behnke. 4th edition. New York. 1886. Illus. 
Plates. M.105.33 

Caz'alet, W. W. The voice; or the art of singing. Lon- 
don. 1861. M.103.18 

Chater, T. Scientific voice, artistic singing, & effective 
speaking. London. 1890. Illus. M.io9b.30 

Costa, A. Analytical considerations on the art of singing. 
London. 1838. 1*1.1093.23 

Considerations on the art of singing in general, and 

particularly on several errors into which singers are 
liable to fall. London. 1824. No. i in M.373.38 

Crowest, F. J. Advice to singers. Sth edition. London. 
1892. M.208.18 

Curwen, T. Singing for schools and congregations. A 
course of instruction in vocal music. [Anon.] Lon- 
don. 1843. No. 3 in M.376.25 

Daniell, W. H. How to sing; or, the voice, and how to 
use it. New York. 1887. No. i in M.376.26 

Delprat, C. L'art du chant et I'ecole actuelle. 2e edition 
augmentee. Paris. 1870. M.207.13 

Les theatres lyriques, les chanteurs, les ecoles de chant 

et le public. Paris. 1874. No. 7 in M.206.19 

Dow, S. H. Artistic singing. Boston. Lee & Shepard. 
1883. M.109.24 

Framery, N. 6. Discours qui a remporte le prix de mu- 
sique et declamation sur cette question: Analyser les 
rapports qui existent entre la musique et la declamation; 
determiner les moyens d'appliquer la declamation a la 
musique, sans nuire a la melodic. Paris. An X (1802). 

No. I in M. 197.8 

Gaskin, J. J. The early history, theory, and practice of 
vocal music, sight and part singing "made interesting;" 
according to Wilhelm's system. London, i860. M.112.14 

Gerard, H. P. Considerations sur la musique en general, 
et particulierement sur tout ce qui a rapport a la vocale. 
Paris. 1819. No. 2 in M. 218.9 

Gothard, J. Thoughts on singing; with hints on the ele- 
ments of effect and the cultivation of taste. Chester- 
field. 1848. No. 3 in M.i39a.9 

Graben-Hoffmann, G. Die Pflege der Singstimme und 
die Griinde von der Zerstorung und dem friihzeitigen 
Verlust derselben. Dresden. 1865. No. S in M.377.1S 

Habay, F. Unite de la voix. Methode synthetique du 
chant et de la parole. Paris. 1894. M.198.14 

Hastings, T. The music reader: or, practical lessons for 
the voice. Prefixed, the rudiments of music. Utica. 
1819. No. 3 in M.373.31 

Holtzem, L. a. Bases de l'art du chant. Traite theorique 
et pratique. Paris. 1865. M.2i7.io 

Complement des Bases de l'art du chant. Paris. 1867. 

No. 4 in M.373.38 

Howard, J. Respiratory control for vocal purposes. Al- 
bany. 1882. No. 10 in M.116.7 

Kitchiner, W. Observations on vocal music. London 
1821. No. 4 in M. 1193.12 

Lablache, L. Complete method of singing. With ex- 
amples. From the French. Boston. [184-?] M.236.7 

Laget, A. Le chant et les chanteurs. Paris. [1874.] M. 144.20 

Lee, G. J. The voice: its artistic production, development, 
and preservation. London. 1870. Plates. M. 106.5 

Lehmann, L. What I think of the modern art of song. 
Illus. Portraits. (/» The music of the modern world. 
Vol. I, pp. 107-110. New York. [1895.]) M.14.1.1 

Lovati, G. Guia per gli esordienti nell' arte melo- 
dramatica. Milano. 1850. No. 3 in M.370.70 

Lunn, C. The philosophy of voice. London. 1875. Illus. 

No. 6 in M. 128.32; etc. 

Vocal expression: empirical or scientific? London. 

1878. No. 4 in M.135.2 



84 



Singing 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sion 



Singing. (Continued.) 

Madelaine, £. J. B. N. Physiologie du chant. Paris. 
1840. Portrait. M.208.2S 

Maurel, V. Un probleme d'art. Paris. 1893. M.139.8 

Metodo per ben insegnare ed apprendere I'arte del can- 
tare. Firenze. 1807. No. i in M.370.70 

Montgomery, R. W. P. Voice and vocalisation: the 
theory of voice-production and development explained, 
and a chapter on the music and poetry of song. Lon- 
don. 1879. No. 2 in M.376.26 

New and easie method, A, to learn to sing by book: 
whereby one (who hath a good voice and ear) may, 
without other help, learn to sing true by notes. Lon- 
don. 1686. M.102.7 

[Newspaper cuttings and short pamphlets on methods of 
singing and teaching.] No. 3 in M. 135. 2 

North, A. A. Voxometric revelation. The problem sur- 
rounding the production of the human voice finally dis- 
covered. Also, A true and complete theory for the pro- 
duction and training of every character of voice upon 
one grand basis. London. 1896. Portrait. M.375.1S 

Papin, a. Methode pratique de musique vocale. Partie i. 
I7e edition. Paris. [187-?] No. i in M.272.23 

Same. Partie 2, 3. Paris. [1874?] No. 3, 4 in M.206.3 

Pattou, a. a. Responsibility of vocal teachers as voice 
builders. New York. 1886. No. 10 in M.i 19.9 

Penna, F. Singing: an essay. London. 1878. 

No. 4 in M.128.36 

Phillips, H. Hints on musical declamation. London. 
1848. Illus. No. 2 in M.132.5 

Philp, E. How to sing an English ballad. Including 60 
songs. London. [1883.] M.126.13 

RiALP, F. C. M. de. The legitimate school of singing. 
New York. 1894. M.216.14 

St. Germaine, C. The growth and cultivation of the 
voice in singing. 2d edition. London. [1877.] 

No. 4 in M.116.S 

Seeger, F. F. The hygiene of the voice. (In Sieber, F. 
The art of singing. Pp. 7-18. New York. [1872.]) 

M.375-IO 

Seiler, E. The voice in singing. Translated by a member 
of the American Philosophical Society [William Henry 
Furness]. Philadelphia. 1868. M. 104.29 

Sieber, F. The art of singing. Translated from the Ger- 
man, with the addition of an original chapter on the 
hygiene of the voice. New York. [1872.] M.375.10 

Kurze Anleitung zum grundlichen Studium des 

Gesanges. (ABC der Gesangskunst.) 2. Auflage. Leip- 
zig. 1865. No. 3 in M.370.58 

Smyth, C. J. Six letters on singing. Norwich. 1817. 

No. s in M.144.12 

Stewart, H. Critical remarks on the art of singing. Lon- 
don. 1836. M.123.3S 

TniiBAULT, D. A. P. F. C. H. Du chant et particuliere- 
ment de la romance. Par XXX. Paris. 1813. 

No. 2 in M.373.38 

ToMEONi, F. Theorie de la musique vocale. Paris. An 
VII [1799]- M. 143.10 

Tosi, P. F. Observations on the florid song; or, senti- 
ments on the ancient and modern singers. 2d edition. 
London. 1743. M.i29a.9 

Tl'rner, J. An easy guide to vocal music, chiefly with a 
view to psalmody. Boston. 1836. M.iogb.i7 

Ward, W. The throat in its relation to singing. Mans- 
field. 1881. No. 7 in M.372.52 

Weiss, G. G. A universal culture of the voice. Newark. 
1872. No. I in M.147.3.2 

WiDMANN, S. Die notwendigsten technischen Singii- 
bungen fiir Schulanstalten, mit Altersklassen vom 14.- 
17. Jahre. Stuttgart. 1889. M.370.33 

Williams, T. A treatise on singing. An analysis of the 
vocal powers of Incledon and Braham. Hints for the 
improvement of village choirs; interspersed with anec- 
dotes. London. 1835. No. i in M.112.20 



Singing. History. 

Fantoni, G. Storia universale del canto. Milano. 1873. 

M.208.3 

Schneider, C. E. Das musikalische Lied in geschicht- 

licher Entwickelung. i. Periode: Kantillirende Periode. 

Leipzig. 1863. No. I in M.I4I.I 

Singing. Operatic. 

Arnold, Y. F. Vier und zwanzig auserlesene Opern- 
Charaktere in Bezug auf deren musikalisch-deklaraa- 
torische, wie dramatisch-mimische Darstellung analy- 
sirt und beleuchtet. Heft i: Der Freischiitz. Leipzig. 
1867. Plates. No. 6 in M.14S.6 

BoisQUET, F. Essai sur I'art du comedien chanteur. Paris. 
1812. M.117.15 

Tamagno, F. The French and Italian schools of opera 
singing compared. Illus. Portraits. (In The music of 
the modern world. Vol. i, pp. 16-19. New York. 
[1895.]) M.14.1.1 

Walshe, W. H. Dramatic singing physiologically esti- 
mated. London. 1881. M.104.28 
Singing. Pronunciation. 

Adcock, J. The singer's guide to pronunciation, with an 

appendix. Nottingham. [1873.] No. 3 in M.147.31 

Weldon, G. Hints for pronunciation in singing; with 

proposals for a self-supporting academy. 3d edition. 

London, 1882. No. 8 in M.372.52 

Singing alone. Ballet. Morley. First set of ballets. 

No. 2 in M.234.20 
Singing club. The. Catch. Arne, T. A. Do, re, mi, fa. 

No. 104 in M.220.9.1 
Singing flames. See Pyrophone. 
Singing girl. The. Opera. For the Music see Herbert, V. 

For the Libretto see Stange. 
Singspiel, Das, auf dem Dache. Opera. For the Music see 

Fischer, A. For the Libretto see Treitschke. 
Singt laut. Part-song. Lorenz, O. No. 95 in M.i29a.43.3 

Singt und trinket! Part-song. Lorenz, O. 

No. 75 in M. 1293.43.2 
Singuf. Songs. Brune, H. No. 3 in M.204.37 

Sinico, Giuseppe. 

1 moschettieri. Melodramma in 3 atti di Ricardo Paderni 
e Michele Buono. Musica del Mo. Giuseppe Sinico. 
Riduzione per canto e pianoforte. Milano. Ricordi. 
[1859.] M.274.24 

Spartaco. Melodramma tragico in 4 atti di Ernesto 

Palermi. Musica di Giuseppe Sinico. Riduzione di 

Francesco Sinico. Canto e pianoforte. Trieste. 

Schmidl & Co. [1887.] M.322.31 

Sinigaglia, Leone. 

Am Altar. Adagio religioso, fiir Streichorchester. Par- 
titur. Hamburg. Thiemer. [189-.] No. 3 in M.404.19 

Konzert-Etude fiir 2 Violinen, Viola und Violoncello. Op. 
5. [Partitur.] Leipzig. Eulenburg. [1905. Payne's 
Kleine Partitur-Ausgabe.] No. 3 in M.4i2a.ii 

Rapsodia piemontese fiir Violine und Orchester. Op. 26. 
Partitur. Leipzig. Breitkopf & Hartel. [1905.] 

No. I in M.411.54 

Romanze in A dur fiir Violine mit Orchesterbegleitung. 
Op. 29. [Partitur.] Leipzig. Breitkopf & Hartel. [1906.] 

No. I in M.136.29 

2 Stiicke [fiir Violoncell und Orchester]. Op. 16. Partitur. 
Leipzig. Rahter. [1908?] 2 v. No. 4 in M.407.36 
Contents. — I. Romanze. a. Humoreske. 

Sinke hinab, ambrosische Nacht. Part-song. Abt, F. Vier 
vierstimmige Mannergesange. Op. 238. No. 35 in M.392.1 
Sinks the night. Part-song. Schumann, R. A. 

No. 17 in M.204.36.7 
Sinngedicht. Song. Rubinstein. Zwolf Lieder. Op. 78. 

No. 18 in M.i9a.s 
Sint lumbi vestri praecincti. Motet. Moreira. 

No. 46 in M.260.24.I 

Sintram. Symphony. Strong. 11.356.29 

Sion, montagne auguste. Trio. Lacome d'Estalenx. 12 

psaumes. No. 2 in M.296.1 

85 



Sion 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Skeats 



Sion now her head shall raise. 
Sion, the son of Evan. Duet. 



Anthem. 



Beethoven. 



Handel. 

No. 28 in M.221.22.1 

Werke. Serie 24. 

M.413.1.24 

Sir Cuckoo. Part-song. Hofmann, H. C. J. No. 16 in M.205.10.6 
Sir Eglamore that valiant knight. Song [bar.]. (In Smith, 
J. S. Musica antiqua. Pp. 66, 67.) M.236.10 

Sir John Falstaff. Symphonic poem. Kaun. No. 2 in M.406.79 
Sir Johnie Cope. Song. Beethoven. Werke. Serie 24. 

M.413.1.24 
Sir Knight, oh whither away? Part-song. Macirone, Clara 
A. No. 7 in M.195.1.2 

Sir Patrick Spens. Part-song. Pearsall. No. 24 in M.195.1.11 
Sir Timothy. Catch [for 4 voices]. (In Warren. Collection 
of catches. Vol. 4, pp. 38, 39.^ No. 10 in M.220.9.4 

Sir, you are a comical fellow. Catch. Bates, W. 

No. 31 in M.235.i4;etc. 
Sir, you're a rascal. Catch. Smith, J. S. No. 39 in M.220.9.3 
Sirach 32. Part-song. Schaeff. Drei Lieder. Op. 7. 

No. 6 in M.392.23 
Siraudin, Paul, pseud. See Sancy, Paul de. 
Sire, Le, de Barbe Bleue. Opera. For the Music see L' 

Eveille. For the Libretto see Marquet. 
Sire, Le, de Framboisy. Opera. For the Music see Meynard. 

For the Libretto see Beissier. 
Sire, Le, de Vergy. Opera. For the Music see Terrasse. 

For the Libretto see Caillavet. 
Sire Olaf. Opera. For the Music see Lambert, L. For the 

Libretto see Alexandre, A. 
Sirene, La. Opera. For the Music see Auber. For the 

Libretto see Scribe. 
Sirene, La. Song. Schubert, F. P. Melodies. Vol. i. 

M.327.4.1 
Sirenes. For orchestra and voices. Debussy. Nocturnes. 

M.406.8 
Sirenes, Les. Mythology. Kastner. M.121.36 

Sirens' duet. Duet. Purcell, H. No. 8 in M.235.18.1 

Siroe. Opera. For the Music see Handel. Werke. Liefe- 

rung 75. 
Siroe. Overture. Handel. No. 2 in M.344.32 

Sirotti, Francesco. 

Praise the Lord. Duetto [s. s. Accomp. for pianoforte]. 

(In Latrobe. Selection of sacred music. Vol. 2, pp. 58- 

61.) No. 13 in M.290.29.2 

Sirs, the serpentine river. Catch. Berg, G. No. 219 in M. 220.9.1 

Sister, awake. Part-song. Bateson, T. No. 38 in M.237.16; etc. 

Strong. No. 7 in M.1S8.20 

Sister of Phoebus. Glee. Webbe, S. No. ii in M.220.9.2; etc. 

Sister spirits, haste away. Part-song. Richards, H. B. 

No. II in M.244.10.1 
Sisters, The, of the sea. Glee. Jackson, W., of Mashant. 

No. 54 in M. 157.20.3 
Sisters, trip lightly. Part-song. Verdi. No. 13 in M.244.10.2 
Sistine Chapel, Rome. See Vatican. 

Sit down and sing. Madrigal. Weelkes. First set of madri- 
gals. No. I in M. 234.21 
Sit nomen Domini. Canon [for 3 voices], (/n Warren. Col- 
lection of catches. Vol. i, pp. 90, 91.) No. 91 in M. 220.9.1 
Sitt, Hans. 

Concert, No. 2, in A-moll, fiir Violine mit Begleitung des 
Orchesters oder Pianoforte. Op. 21. Partitur. Leip- 
zig. Leuckart. [1890?] No. 2 in M.404.20 
[Don Juan d'Austria.] Ouverture zu A. Leschivo's „Don 
Juan d'Austria," fiir grosses Orchester. Op. 20. Par- 
titur. Leipzig. Eulenburg. [189-.] No. i in M.404.20 
Trio fiir Pianoforte, Violine, Violoncell. Op. 63, No. 2. 
[Partitur.] Leipzig. Peters. [1900.] No. 2 in M.357.19 
Sitt, Hans, editor. 

Grieg. Norwegische Tanze fiir Pianoforte zu 4 Handen. 

No. 3 in M.342.1 
Molique, W. B. Concert No 5 fiir Violine mit Begleitung 
des Pianoforte. No. 2 in M.357.21 

Sittard, Josef. 

G. F. Handel, Der Messias. Erlautert. Frankfurt a. M. 
Bechhold. [1895.] No. 42, 43 in M.217.12.2 



Sittard, Josef. (Continued.) 

Joh. Seb. Bach, H-moll Messe. Erlautert. Frankfurt a. 
M. Bechhold. [1895.] No. 19, 20 in M.217.12.1 

Johannes Brahms, Akademische Fest-Ouvertiire, Op. 80; 
Die tragische Ouverture, Op. 81. Erlautert. Frank- 
furt a. M. Bechhold. [1895.] No. 25 in M.217.12.2 

Johannes Brahms, Schicksalslied, Op. 54; Gesang der Par- 
zen, Op. 89. Erlautert. Frankfurt a. M. Bechhold. 
[1895.] No. 37 in M.217.12.2 

L. van Beethoven, C-dur Messe. Erlautert. Frankfurt a. 
M. Bechhold. [1895.] No. 30 in M.217.12.2 

L. van Beethoven, Neunte Symphonic in D-moll. Erlau- 
tert. Frankfurt a. M. Bechhold. [1894.] No. 4 in M.217.12.1 

Ludwig van Beethoven, Missa solemnis (D-dur, Op. 123). 
Erlautert. Frankfurt a. M. Bechhold. [1895.] 

No. 47, 48 in M.217.12.2 

Robert Schumann, i. Symphonic (in B-dur, Op. 38). Er- 
lautert. Frankfurt a. M. Bechhold. [1895.] 

No. 35 in M.217.12.2 

These eight works form respectively Nos. 42, 43, 19, 20, 25, 37, 30, 
4, 47, 48 of Der Musikfuhrer. 
Studien und Charakteristiken. 1-3. Hamburg. Voss. 
1889. 3 v. M.373.16 

Contents. — I. Bunte Blatter: Von fahrendem Volke; Bayreuther Briefe; 
Die Musik als Ausdruck ; Ein neues Buch von Ed. Hanslick ; Die nordi- 
schen Volksweisen ; Musikerbriefe aus funf Jahrhunderten ; Zur Ge- 
schichte des Tanzes in Deutschland; Das Theater und Drama der 
Chinesen ; Eine neue Dramaturgie der Oper ; Eine neue Klaviatur von 
Paul von Janko ; Das Eselsfest in Frankreich. 2. Kiinstler-Charakteris- 
tiken : Wagner und Liszt ; Robert Schumann ; F. David und die Familie 
Mendelssohn- Bartholdy; Hans v. Bulow als Dirigent und Pianist; 
Marcella Sembrich ; Hermann Winkelmann ; Eduard Marxsen ; Jo- 
hannes Brahms als Symphoniker. — Aus dem Konzertsaal: Eine neue 
Symphonic von Rubinstein; Achilleus von Max Bruch; Prinz Reuss 
und seine Symphonic; Peter Tschaikowsky als Orchesterkomponist ; 
Anton Bruckner und seine siebente Symphonic; Sigurd, Konzcrtepos 
von Arnold Krug. 3. Alte und neue Opern : Jessonda, von Spohr ; Die 
hohe Braut, oder die Franzosen vor Nizza, von J. F. Kittl; Eine Nacht 
der Klcopatra, von V. Mass^; Dornroschen, von Ferd. Langer; Lore- 
ley, von Adolf Mohr ; Auf hohcu Befehl, von Karl Reinecke ; Merlin, 
von Karl Goldmark ; Die Pcrlenfischer, von George Bizet ; Der Cid, von 
J. Massenet ; Verdis Othello ; Faust, von Heinrich ZoUner ; Die drei 
Pintos von K. M. von Weber. — Musikaliscbe Gedenktagc : Karl Maria 
von Weber, zum 18. Dczember 1886; Zum hundertjahrigen Todestage 
C. W. Ritter von Glucks (15. November 1887); Zum Don Juan-Jubi- 
laum (29. Oktober 1887). — Aphorismen. 

Situation, Eine. Song. Gade. Lieder und Gesange. Heft i. 

No. 2 in M. 192.3 
Sitz' ich allein. Song. Schumann. R. A. Myrthen. Heft i. 

No. 2 in M.244.15.1 
Sitzt ein Voglein widewide. Song. Taubert, C. G. W. 

No. 10 in M. 192.6 
Sivori, Ernesto Camillo. 

Adagio pour violon seul. Portrait. Fac-simile. (In 
Album du Gaulois. Vol. 2.) No. 23 in M.391.28.2 

Sivry, Charles de. 

Aveugle par amour. Operette en i acte. Paroles de 
Bertol-Graivil [pseud.]. Musique de Ch. de Sivry. [Par- 
tition chant et piano.] Paris. Durand, Schoenewerk & 
cie. [1882.] No. 3 in M.322.9 

Six demoiselles a marier. Opera. For the Music see Delibes. 

For the Libretto see Jaime. 
Sjomansflickan. Song. Kjerulf. Sanger och Visor. Band 
2. M.158.47 

Sjula. Opera. For the Music see Kaskel. For the Li- 
bretto see Delmar. 
Skaiting duet. Duet. Dibdin, C. No. 237 in M.21S.21 

Skeats, Highmore. 

How just and merciful is God. [Anthem. Accomp. for 
organ.] (In Metcalfe. Fifty metrical anthems. Pp. 47. 
48.) No. 31 in M.157.34 

My soul, inspir'd by sacred love. [Anthem. Accomp. for 
organ.] (In Metcalfe. Fifty metrical anthems. Pp. 66- 
68.) No. 41 in M.157.34 

O praise ye the Lord. [Anthem. Accomp. for organ.] 
(In Metcalfe. Fifty metrical anthems. Pp. 79, 80.) 

No. 47 in M.157.34 

O render thanks to God above. [Anthem. Accomp. for 

organ.] (In Metcalfe. Fifty metrical anthems. Pp. 7S, 

76.) No. 45 in M.157.34 



86 



Skeats 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sleep'st 



Skeats, Highmore. (Continued.) 

Praise the Lord enthron'd on high. [Anthem. Accomp. 

for organ.] (In Metcalfe. Fifty metrical anthems. Pp. 

84-86,) No. so in M.157.34 

Thou, Lord, by strictest search. [Anthem. Accomp. for 

organ.] (In Metcalfe. Fifty metrical anthems. Pp. i, 2.) 

No. I in M.1S7.34 

Ye saints and servants of the Lord. [Anthem. Accomp. 

for organ.] (In Metcalfe. Fifty metrical anthems. Pp. 

51, 52.) No. 33 in M.157.34 

Skeffington, Sir Lumley St. George, Baronet. 

The sleeping beauty. A grand legendary melodrama. 

Composed by ]"° Addison. No. i in M.391.22 

Skeffington, Thomas Clotworthy Foster. 

Handy-book of musical art. London. Blackwood. [1858.] 

M. 101.28 
Skeleton, The, in armour. Cantata. For the Music see 

Foote. For the Libretto see Longfellow. 
Skelton, Edward Oliver. 

Commemorative record of the Handel and Haydn Society 
of Boston, 1815-1903. By Fred P. Bacon and Edward O. 
Skelton. [Boston. 1903.] Portraits. M.121.41 

Skeppet. Song. Kjerulf. Sanger och Visor. Band 2. 

M.158.47 
Sketchley, Arthur, pseud. See Rose, George. 
Skinner, Mose, pseud. See Brown, James E. 
Skinner, Ralph M. 

His Honor the Mayor. [Opera.] Book & lyrics by Chas. 

J. Campbell and Ralph M. Skinner. Music by Julian 

Edwards and Alfred E. Aarons. No. i in M.389.31 

Sklaven Jagd. Cantata. For the Music see Mohr, H. For 

the Libretto see Haemmerle. 
Skogens foglar tystnen. Song. Kjerulf. Sanger och visor. 

No. 2 in M. 158.28 

Skolie. Part-song. Muehling, A. No. 194 in M.i29a.43.6 

Wendt, J. G. No. 72 in M.213.9 

Skolie. Song. Schubert, F. P. Werke. Serie 20, Band 3, 4. 

M.317.1.20.3,4 
Skon Karen. Opera. For the Music see Fabricius. For the 

Libretto see Christiansen. 
Skovbaekken. Song. Kjerulf. Sanger och Visor. Band 2. 

M.158.47 
Skraup, Franz. See Skroup, Frantisek. 
Skriabin, Aleksandr. 

Concerto en fa-diese mineur pour piano, avec accomp. 
d'orchestre. Op. 20. Partition d'orchestre. Leipzig. 
Belaieff. 1898. No. 4 in M.404.15 

Le divin poeme. See his Symphonic, Troisieme. 
Le poeme de I'extase, pour grand orchestre. Op. 54. Par- 
tition d'orchestre. Leipzig. Belaieff. 1908. M.411.52 
Reverie pour orchestre. Op. 24. Partition d'orchestre. 
Leipzig. Belaieff. 1899. No. 2 in M.412.11 
Symphonic en mi pour grand orchestre et choeur. Op. 26. 
Partition d'orchestre. Leipzig. Belaieff. 1900. M.410.57 
Symphonie, Deuxieme, en ut pour grand orchestre. Op. 
29. Partition d'orchestre. Leipzig. Belaieff. 1903. M.406.60 
[Symphonie, Troisieme.] Le divin poeme. Troisieme sym- 
phonie (ut) pour grand orchestre. Op. 43. Partition. 
Leipzig. Belaieff. 1905. M.406.86 
Skroup, Frantisek. 

An ihre treue Brust. [Mannerchor.] (In Orpheus. Band 
8, pp. 19, 20.) No. 252 in M.i29a.43.8 

Erwache aus deinem siissen Traume. [Mannerchor.] (In 
Orpheus. Band 4, pp. 24, 25.) No. 130 in M.i29a.43.4 

Ich kenne ein Bliimchen. [Mannerchor.] (In Orpheus. 
Band 4, pp. 49, So.) No. 143 in M.i29a.43.4 

Der Soldat auf seinem Posten. [Mannerchor.] (In Or- 
pheus. Band 7, pp. 12-14.) No. 221 in M.i29a.43.7 
Vergebliche Liebe. [Mannerchor.] (In Orpheus. Band 
7, pp. 2, 3.) No. 215 in M.i29a.43.7 
Sky-lark, The; or, gentlemen and ladies' complete songster. 
Being a complete collection of the most modern and 
celebrated American, English and Scotch songs. Wor- 
cester. Isaiah Thomas. 1797. M. 129.102 
Pages are missing at beginning and end. The title is from Sabin. 



Sky lark, The. Part-song. Barnby. No. 18 in M.i57.25;etc. 
Slang, Musical. 

GouGET, fi. L'argot musical. Curiosites anecdotiques et 
philologiques. Paris. 1892. M. 129.42 

Slatter, George Maximilian. 

Three anthems [Remember, O Lord; I will magnify Thee; 
Rejoice in the Lord] ; a Te Deum, Benedictus, Jubilate, 
Magnificat, & Nunc dimittis, in F major, a Te Deum, 
Jubilate, Cantate Domino, and Nunc dimittis in C major, 
three psalm tunes and eight chants. [Accomp. for 
organ.] London. Addison & Hollier. [1854.] M.236.29 
Slaughter, A. Walter. 

An Adamless Eden. Comic opera di camera. The words 
by H. Savile Clarke. The music by W. A. Slaughter. 
[Accomp. for pianoforte.] London. Boosey & Co. 
[188-?] No. I in M.322.32 

The babes in the wood, containing all the original music 
introduced in the pantomime, composed by Walter A. 
[sic] Slaughter. London. Cramer & Co. [190-?] 
The words are from various sources. No. I in M. 397.62 

Dandy Dan (The lifeguardsman). Musical comedy. Writ- 
ten by Basil Hood. Music by Walter Slaughter. Vocal 
score. London. Hopwood & Crew. [189-?] 

No. 2 in M. 381.32 
The French maid. Words by Basil Hood. Music by 
Walter Slaughter. Vocal score. [Accomp. for piano- 
forte.] London. Ascherberg & Co. 1897. 

No. 2 in M. 402.46 
Gentleman Joe. A musical play. Written by Basil Hood. 
Music by Walter Slaughter. Vocal score. London. 
Ascherberg & Co. 1895. No. 2 in M.389.16 

"His only coat." Operetta. Words by J. J. Dallas [Dilley]. 
Music by Walter A. Slaughter. [Accomp. for piano- 
forte.] Boston. Ditson & Co. [188-?] No. 2 in M.322.32 
Marjorie. A new English comic opera in 3 acts. Written 
by Lewis Clifton and Joseph J. Dilley. Music by Walter 
Slaughter. Vocal score. London. Hopwood & Crew. 
[1891.] M.328.15 

Slaughter, Walter A. See Slaughter, A. Walter. 
Slave, The. Opera. For the Music see Bishop, H. R. For 

the Libretto see Morton, T. 
Slave hunt. The. For the Music see Mohr, H. For the 

Libretto see Hammerle. 
Slaves are they. Catch. Smith, J. S. No. 6 in M.220.3.4; etc. 
Slaves to the world. Catch. Nelham. No. 156 in M.110.1.2; etc. 
Slavische Rhapsodien. For orchestra. DvoiJAK. 

No. 2-4 in M.332.15 
Slavische Tanze. For orchestra. Dvorak. M.344.39 

Sleep and dream. Part-song. Morgan, G. W. 

No. 6 in M.212.11 
Sleep, downy sleep. Anthem. Clarke. J. No. 15 in M.157.28.2 
Sleep, gentle lady. Part-song. Bishop, H. R. 

No. 7inM.i57.23;etc. 
Sleep, Holy Babe. Carol. Ayers, D. J. Christmas carols. 

No. 8inM.158.13 
Sleep, my darling. [Welsh melody.] Harmonised for 3 
voices [s. s. B.]. (In The Choralist. Vol. I, series 4.) 

No. 41 inM.iS7.5,.i 
Sleep, my flower. Part-song. Kjerulf. No. 44 in M.158.17 
Sleep, my lady. Part-song. Geibel, A. No. 26 in M.203.11; etc. 
Sleep, my sweet. Part-song. Hatton. No. 14 in M.205.10.1 
Sleep on, my love! Song. Keller, M. No. 28 in M.192.13.2 
Sleep on, my sweetest joy. Song. Waley. No. 17 in M.380.18 
Sleep, poor youth. Glee. Smith, J. S. No. 47 in M.220.9.2 
Sleep! the bird is in its nest. Part-song. Barnby. 

No. 31 inM.i57.23;etc. 
Sleep! thou fearful lover's friend. Glee. Dixon, W. 

No. S in M.340.15 
Sleep, thou wild rose. Part-song. Abt, F. No. 26 in M.392.48.1 
Sleep, wayward thought. Part-song. Dowland, J. 

No. 29 in M.23S.12; etc. 

Sleep, while the soft evening breezes. Part-song. Bishop, 

H. R. No. 32 in M.158.13 

Sleep'st thou, brother. Duet. Porter, P. W. A collection 

of melodies. No. 2 in M.236.21 

87 



Sleeper 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Smart 



Sleeper, The, awakened. Opera. For the Music see Mac- 

farren, G. A. For the Libretto see Oxenford, J. 

Sleepers, awake. Chorus. Mendelssohn- Bartholdy, J. L. F. 

To God on high. No. 24 in M. 175. 1.3 

Sleepers, wake. Anthem. Schnecker. No. 9 in M. 203.29 

Sleeping beauty, The. Opera. For the Music see Addison; 

also Cowen; also Stratton, G. W. For the Libretto see 

Skeffington, L. St. G.; also Hueffer; also Aumer. 

Sleeping queen, The. Opera. For the Music see Balfe. For 

the Libretto see Famie. 
Sleeping, waking, dreaming. Part-song. Otto, F. 

No. 30 in M.246.36 
Sleeping, why now sleeping. Part-song. Bridge, E. S. 

No. 21 in M.205.10.2 
Sleepless. Song. Mendelssohn-Bartholdy, J. L. F. Songs. 

No. 19 in M.244.21 
Sleigh ride. The. Song. Keller, M. No. 29 in M.192.13.2 

Sleighbells, The. Part-song. Anderton. No. 9 in M.244.10.5 
Slender's ghost. Glee. Rock, M. Beneath a churchyard yew. 

No. 16 in M.234.2.6 
Sloane, Alfred Baldwin. 

The mocking bird. A new romantic comedy opera in 
three acts. Libretto by Sydney Rosenfeld. Music by A. 
Baldwin Sloane. Vocal score. New York. Stern & Co. 
1902. M.381.42 

Sergeant Kitty. Book by R. H. Burnside. Music by A. 
Baldwin Sloane. [Vocal score.] New York. Harris. 
[1903.] M.397.63 

Simple Simon. A Mother Goose extravaganza. The words 
by R. A. Barnet. The music by A. B. Sloane. [Accomp. 
for pianoforte.] Boston. White-Smith Music Publish- 
ing Co. 1897. No. 2 in M.391.36 
The strange adventures of Jack and the bean-stalk. A 
fairy extravaganza. The words by R. A. Barnet. The 
music by A. B. Sloane. [Accomp. for pianoforte.] Bos- 
ton. White-Smith Music Publishing Co. 1896. M.246.17 
Appended is the programme of the first performance. 
Sloman, Robert. 

Constantia. A dramatic cantata. The words translated 
and adapted from the "Decameron" of Boccaccio (1358) 
by E. S. Righton. The music composed by R. Sloman. 
[Vocal score.] London. Novello, Ewer & Co. [1896?] 

No. I in M.384.44 
Sloper, Frederick Lindsay. 

The birthday, an English scene. The music by Lindsay 
Sloper. The words by H. F. Chorley. [Accomp. for 
pianoforte.] London. Chappell & Co. [185-?] M.280.60 
Sloper, Frederick Lindsay, editor. 

Hanover Square; a magazine of pianoforte and vocal music. 
London. 1867. M. 156.51 

Sloper, Lindsay. See Sloper, Frederick Lindsay. 
Slow and sadly tolling. Glee. Bishop, H. R. 

No. 21 in M.235.22.1 
Slow fresh fount. Glee. Horsley, W. No. ii in M.234.3.3 

Slow men of London. Glee. Callcott, J. W. 

No. 10 in M.220.4; etc. 
Slow, slow, fresh fount. Madrigal. Walmisley, T. A. 

No. 26 in M.195.1.16 

Slumber, dearest. Part-song. Mendelssohn-Bartholdy, J. 

L. F. No. 39 in M.109.1 

Slumber my darling. Song. Foster, S. C. No. 14 in M.380.41.3 

Slumber on, baby dear. Part-song. King, O. 

No. 10 in M. 195.1. 17 

Slumber soft. Part-song. Moehring. No. 5 in M.392.48.1 

Slumber song. Part-song. Jolly. No. 4 in M.212.8 

MacDowell. No. 16 in M.158.17 

Slumber sweetly, dearest. Part-song. Eisenhofer. 

No. 17 in M. 205.10.4; etc. 
Slumberetta. Cantata. For the Music see Diehl. For the 

Libretto see Wynn. 
Small, David. 

The lady of the lake. A poem by Sir Walter Scott. With 
the incidental songs set to music [principally by David 
Small]. New York. Small. [1885.] Portrait. M.i2i.i8 



Smallwood, William. 

Praise the Lord, O Jerusalem. [Anthem. Accomp. for 
organ.] Boston. Schmidt. [1894.] No. 10 in M.203.29 
Smareglia, Antonio. 

Bianca da Cervia. Dramma lirico in 4 atti di Fulvio Ful- 
gonio. Musica di Antonio Smareglia. Riduzione per 
canto con accomp. di pianoforte. Milano. Lucca. 
[1882?] M.246.18 

Cornelius Schut. Oper in 3 Acten von Luigi Illica. 
Deutsch von Ludwig Hartmann. Musik von Ant. 
Smareglia. Clavier-Auszug mit deutschem und italie- 
nischem Text. Leipzig. Hofbauer. 1893. M.322.34 

Istrianische Hochzeit. (Nozze Istriane.) Drama in drei 
Aufziigen von Luigi Jllica. Fiir die deutsche Biihne 
iibertragen von Felix Falzari. Musik von Antonio 
Smareglia. Vollstandiger Auszug fiir Pianoforte mit 
deutschem u. italienischem Text. Leipzig. Hofbauer. 
1894- M.394.32 

Oceana. Commedia fantastica in tre atti di Silvio Benco. 
Deutsch von Felix Falzari. Musica di Antonio Sma- 
reglia. Riduzione per canto e piano. Milano. Mariani. 
1902. M.396.38 

Preziosa. Dramma lirico in tre atti. Canto e pianoforte. 
Milano. Lucca. [1879.] M.383.38 

Der Vasall von Szigeth (II vassallo di Szigeth). Oper in 
3 Acten. Text von Luigi Illica und F. Pozza. Fiir die 
deutsche Biihne iibertragen von Max Kalbeck. Musik 
von Ant. Smareglia. Clavierauszug. Leipzig. Wein- 
berger. [189-?] M.322.33 
Smart, Sir George Thomas. 

The butterfly's ball, or the grasshopper's feast. Canzonet- 
tina for three voices. London. The Author. [1839.] 

No. 5 in M.220.29 

A collection of glees & canons, &c. London. Addison & 
Lucas. [184-?] M.235.8 

Contents. — Queen of the skies. — The butterfly's ball. — The squirrel. 

— Sighs. — ^olic harp. — Epitaph on a child. — Bacchus and Apollo. 

— On content, catch. — Canons : O lead me forth ; Hear us, O Lord ; 
Pretty warbler; Hide not Thy face. 

A collection of sacred music. Vol. i. London. Addison 



& Lucas. [184-?] 



M.233.19 



Contents. — Te Deum, Jubilate, Sanctus, Responses, Magnificat, and 
Nunc dimittis, in A. — Same, in D. — Anthems : God be merciful ; I 
will lift up mine eyes ; Except the Lord build the house ; Blessed is he 
that considereth the poor; O God, who art the author. — 18 chants. — 
Sanctus and Responses in D. — Same, in F. 

The happy fellow. See his With my jug in one hand. 

With my jug in one hand. A glee [t. t. b.]. (/;; The 
Apollo. Vol. 4, pp. 268, 269.) No. 7 in M.i39a.i8.4 

The title of this song is The happy fellow. 

Also to be found in Apollonian harmony; Bland's The Ladies' col- 
lection ; Flowers of harmony ; Social harmony. 

Smart, Sir George Thomas, editor. 

Beethoven. The Mount of Olives. No. 3 in M.391.61 

Gibbons, O. Madrigals and motets for 5 voices. 

No. I in M.234.30 
Spohr, L. [Zemire und Azor.] M.274.29 

Smart, Henry. 

Autumn song. Four-part song. [London.] 1881. 

No. 50 in M.i58.ig 

Ave Maria. Four-part song. London. Novello, Ewer & 

Co. N. d. No. 49 in M.121.3 

Same. Adapted to Latin words by C. J. Hargitt. [Motet 

for 4 voices. Accomp. ad lib.] London. Novello, Ewer 

& Co. [187-?] No. 26 in M.1S7.I 

Also to be found in Novello's Collection of trios, etc. 

Be glad, O ye righteous. Anthem for duet [t. b.] and 

chorus. [Accomp. for organ.] {In Novello's Collection 

of anthems. Vol. 11, pp. 27-36.) No. 3 in M.19S.2.11 

The bird at sea. [Trio, s. s. s. Accomp. for pianoforte.] 

London. Novello, Ewer & Co. [187-?] 

No. 6 in M.244.10.6 

Also to be found in Novello's Collection of trios, etc. 

The bride of Dunkerron. A dramatic cantata. The verse 
by Frederick Enoch. The music by Henry Smart. [Ac- 
comp. for pianoforte.] London. Novello, Ewer & Co. 
[1874?] M.204.30 



88 



Smart 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Smart 



Smart, Henry. (Continued.) 

The butterfly. [Trio, s. s. a. Accomp. for pianoforte.] 

London. Leader & Cock. [185-?] No. 20 in M.244.10.3 

A capstan chorus. [Part-song for male voices. London. 

186-?] No. 76 in M.IS7.5.2; No. 21 in M.157.1 

Cold autumn wind. [Part-song. London. 185-?] 

No. 36inM.i57.i 

Consolation. A four-part song. (In Novello's Part-song 

book. 2d series. Vol. i, pp. 39-42-) No. 7 in M.igs.i.i 

The corall'd caves of ocean. [Trio, s. s. s. Accomp. for 

pianoforte.] London. Novello & Co. [186-?] 

No. I in M.244.10.6 
Also to be found in Novello's Collection of trios, etc. 
Cradle song [s. a. t. b. London. Cramer & Co. 186-?] 
Also to be found in Novello's Part-song book. No. 28 in M.157.23 
Crocuses and snowdrops. A four-part song. {In No- 
vello's Part-song book. 2d series. Vol. 8, pp. 61-66.) 

No. 14 in M. 195.1.8 
The curfew [s. a. t. b.]. (In Novello's Part-song book. 2d 
series. Vol. 4. PP- 122-125.) 

No. 2 in M.156.4; No. 25 in M.195.1.4 
Deus tu convertens. [Accomp. for organ.] {In Lutz. 
Motets for the year. No. 2. Pp. 5-8.) No. 2 in M. 156.50 
Dost thou idly ask? A four-part song. {In Novello's Part- 
song book. 2d series. Vol. 5, pp. 111-115.) 

No. 20 in M.195.1.5 
Doth not my lady come [s. a. t. b.]. {In Novello's Part- 
song book. 2d series. Vol. 4, pp. 114-117-) 

No. 2 in M. 156.4; No. 23 in M.19S.1.4 
Dream, baby, dream. A four-part song. {In Novello's 
Part-song book. 2d series. Vol. 8, pp. 36-39-) 

No. 9 in M.195.1.8 
Evening [s. s. a. Accomp. for pianoforte]. {In Novello's 
collection of trios, etc. Vol. i, pp. 75-78.) 

No. 9 in M.204.36.1 
The fay's song [s. s. s. Accomp. for pianoforte]. {In No- 
vello's Collection of trios, etc. Vol. i, pp. 64-74.) 

No. 8 in M.204.36.1 
The fishermaidens. A cantata for female voices. The 
words by Frederick E. Weatherly. The music by Henry 
Smart. [Accomp. for pianoforte.] London. Ashdown 
& Parry. [1877?] No. i in M.156.4 

The glow-worm. [Trio, s. s. a. Accomp. for pianoforte.] 
London. Leader & Cock. [185-?] No. 24 in M.244.10.3 
Good night, thou glorious sun. A four-part song. {In 
Novello's Part-song book. 2d series. Vol. i, pp. 43- 
48.) No. 8 in M.195.1.1 

"Grant, we beseech Thee, merciful Lord." Anthem. [Ac- 
comp. for organ.] London. [186-?] No. 4 in M. 157.10 
Hail to thee, child of the earth. Chorus of sea-maidens 
[s. s. A. Accomp. for pianoforte]. {In Novello's Col- 
lection of trios, etc. Vol. 2, pp. 31-37.) No. 4 in M.204.36.2 
From his Bride of Dunkerron. 
Hear, sweet spirit [s. a. t. b.]. {In Novello's Part-song 
book. 2d series. Vol. 4, pp. 126-129.) 

No. 2 in M.156.4; No. 26 in M.195.1.4 
Heaven, trio. See his Something brighter. 
Homeward watch. [Part-song, t. t. b. b.] New York. 
Molineux. [1880?] No. 30 in M.392.25 

Also to be found in The Orpheus. 
Hope and memory. [Trio, s. s. s. Accomp. for piano- 
forte.] London. Novello & Co. [186-?] 

No. 3 in M.244.10.6 
Also to be found in Novello's Collection of trios. 
The hostess' daughter. [Part-song for male voices. Lon- 
don. i86-?] No. 71 inM.157.5.2; No. i6inM.i57.i 
How soft the shades of evening. Part song. {In Leslie. 
Cassell's Choral music. Pp. 1-4.) No. x in M. 235.10 
Also to be found in Novello's Part-song book. 
How sweet is summer. Part song. {In Leslie. Cassell's 
Choral music. Pp. 117-120.) No. 27 in M.235.10 
Also to be found in Novello's Part-song book. 
Hunting song. A four-part song. {In Novello's Part-song 
book. 2d series. Vol. i, pp. 49-54-) No. 9 in M.195.1.1 
Hymn to Cynthia. A four-part song. {In Novello's Part- 
Ill 12 



Smart, Henry. (Continued.) 

song book. 2d series. Vol. 8, pp. 21-25.) 

No. 6 in M.195.1.8 
I prithee send me back my heart. A four-part song. {In 
Novello's Part-song book. 2d series. Vol. 5, pp. 124- 
127.) No. 23 in M.195.1.5 

Jacob. Sacred cantata. The words from the Holy Scrip- 
tures. The music by Henry Smart. [Accomp. for 
pianoforte.] London. Williams. [1873.] No. i in M.204.31 
The joys of Spring. A four-part song. {In Novello's 
Part-song book. 2d series. Vol. 8, pp. 31-35) 

No. 8 in M.195.1.8 

King Rene's daughter. A cantata, for female voices, with 

piano-forte accompaniment. The verse by Frederick 

Enoch. The music by Henry Smart. London. Hutch- 

ings & Romer. [188-?] No. 3 in M.156.4 

Lady, rise, sweet morn's awaking. A four-part song. {In 

Novello's Part-song book. 2d series. Vol. i, pp. 55- 

59.) No. 10 in M.195.1.1 

The land of wonders. A four-part song. (In Novello's 

Part-song book. 2d series. Vol. 8, pp. 79-83) 

No. 17 in M.195.1.8 
A legend of the Rhine. A part-song for male voices. 
[London. 186-?] No. 70 in M.157.5.2; No. 15 in M.157.1 

The Lord hath done great things. Anthem for harvest. 
[Accomp. for organ.] {In Novello's Collection of an- 
thems. Vol. 8, pp. 106-115.) No. 12 in M. 195.2.8 
Love and mirth. A four-part song. {In Novello's Part- 
song book. 2d series. Vol. 8, pp. 51-55.) 

No. 12 in M.195.1.8 

Magnificat & Nunc dimittis in G [for s. s. a. t. b. With 

organ accomp.]. London. Addison, Hollier & Lucas. 

[ 184-?] No. 9 in M. 236.22 

Also to be found in Haycraft's Sacred music. 

The moon. A four-part song. {In Novello's Part-song 

book. 2d series. Vol. 5, pp. 128-133.) No. 24 in M.195.1.5 

Morning. A four-part song. {In Novello's Part-song 

book. 2d series. Vol. 8, pp. 16-20.) No. 5 in M.195.1.8 

A morning, communion & evening service, in F. [Accomp. 

for organ.] London. Novello, Ewer & Co. [1868.] 

No. 19 in M.190.7 
Contents. — Te Deum. — Jubilate. — Kyrie, no. i, 2. — The Nicene 
creed. — Gloria in excelsis. — Magnificat. — Nunc dimittis. 
Morning thoughts. A trio [s. s. a. Accomp. for piano- 
forte]. {In Novello's Collection of trios, etc. Vol. 5, 
pp. 46-51.) No. II in M.204.36.5 

My true love hath my heart [s. a. t. b.]. {In Novello's 
Part-song book. 2d series. Vol. 4, pp. 110-113.) 

No. 2 in M.156.4; No. 22 in M.195.1.4 

Nature's praise. [Part-song. Accomp. for piano.] {In 

Plaistow's Part-songs. Part i, pp. 1-8.) No. 5 in M.158.23 

Night sinks on the wave. [Trio, s. s. s. Accomp. for 

pianoforte.] London. Novello, Ewer & Co. [187-?] 

No. 4 in M.244.10.6 
Also to be found in Novello's Collection of trios. 
Now May is here. Part song. {In Leslie. Cassell's Choral 
music. Pp. 209-216.) No. 50 in M.235.10 

Also to be found in Novello's Part-song book. 
Nymphs of air and ancient sea. [Trio, s. s. A. Accomp. 
for pianoforte.] London. Cock & Co. [185-?] 

No. 6 in M.244.10.3 

"O be joyful in God, all ye lands." Anthem. [Accomp. 

for organ.] London. [186-?] No. 5 in M.157.10 

O God the king of glory. Full anthem. [Accomp. for 

organ.] {In Novello's Collection of anthems. Vol. 5. 

pp. 109-119.) No. 8 in M.19S.2.5 

Also to be found in Novello's Collection of 31 anthems. 

Oh say not that my heart is cold. A four-part song. {In 

Novello's Part-song book. 2d series. Vol. 8, pp. 47- 

50.) No. II in M.195.1.8 

Oh! skylark for thy wing. [Trio, s. s. s. Accomp. for 

pianoforte.] London. Novello, Ewer & Co. [187-?] 

No- 5 in M.244.10.6 
Also to be found in Novello's Collection of trios. 
An old church song [s. a. t. b. London. 185-?]. 

No. 33 in M.157.1 

89 



Smart 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Smetana 



Smart, Henry. (Continued.) 

Only thou. A four-part song. (In Novello's Part-song 

book. 2d series. Vol. 5, pp. 120-123.) No. 22 in M.19S.1.5 

Our home shall be on this bright sea. Air [s.] with 

chorus [s. s. A. Accomp. for pianoforte]. (In Novello's 

Collection of trios, etc. Vol. 4, pp. 24-34.) 

No. 4 in M.204.36.4 
Pale autumn flowers. [Part-song. London. 186-?] 

No. 92 in M. 157.5.2 
A psalm of life. A four-part song. (In Novello's Part- 
song book. 2d series. Vol. 5, pp. 116-119.) 

No. 21 in M. 195.1.5 
Rest thee on this mossy pillow. [Trio, s. s. a. Accomp. 
for pianoforte.] London. Leader & Cock. [185-?] 

No. 7 in M.244.10.3 
The rover. Part song for male voices. [London. 186-?] 

No. 72 in M.157.2; No. 17 in M.157.1 
Sabbath bells. Part song. [London. 185-?] 

No. 34 in M.157.1 

The sea king. A four-part song. (In Novello's Part-song 

book. 2d series. Vol. i, pp. 65-69.) No. 12 in M.195.1.1 

Serenade. [Part-song. London. 185-?] No. 35 in M.157.1 

The shepherd's farewell. A four-part song. (In Novello's 

Part-song book. 2d series. Vol. 8, pp. 1-3.) 

No. I in M.195.1.8 

The shepherd's lament. [Part-song. Accomp. for piano.] 

London. Tonic Sol-fa Agency. [187-?] No. 6 in M.158.23 

Sing to the Lord. Anthem [s. s. a. a. t. t. b. b. Accomp. 

for organ]. (In Novello's Collection of anthems. Vol. 

8, pp. 142-169.) No. IS in M.195.2.8 

Six four-part songs (s. a. t. b.). London. [187-?] 

No. 2 in M. 156.4 
Contents. — 'Tis break of day. — My true love hath ray heart. — Doth 
not my lady come. — Spring song. — The curfew. — Hear sweet spirit. 

Something brighter, purer far. [Trio, s. s. a. Accomp. for 
pianoforte.] London. Novello & Co. [186-?] 

The title of this song is Heaven. No. 2 in M.244.IO.6 

Also to be found in Novello's Collection of trios. 
A song for the seasons. A four-part song. (In Novello's 
Part-song book. 2d series. Vol. 8, pp. 40-46.) 

No. 10 in M.195.1.8 

Song of the wood nymphs. Trio [s. s. a. Accomp. for 

pianoforte]. London. Cramer, Beale & Wood. [187-?] 

No. 12 in M.244.10.5 

Spring [s. a. t. b.]. (In Novello's Part-song book. 2d 

series. Vol. 8, pp. 12-15.) No. 4 in M.195.1.8 

Spring song [s. A. T. b.]. (In Novello's Part-song book. 

2d series. Vol. 4, pp. 118-121.) 

No. 2 in M. 156.4; No. 24 in M.195.1.4 
Spring's return. Part song. [London. 185-?] 

No. 32 in M.157.1 
The star that shines so fair. [Part-song. London. 186-?] 

No. 93 in M. 157.5.2 
Stars of the summer night. [Part-song. London. Cramer 
& Co. 186-?] No. 29 in M.157.23 

Also to be found in Novello's Part-song book. 
Summer morning. A four-part song. (In Novello's Part- 
song book. 2d series. Vol. i, pp. 60-64.) 

No. II in M.194.1.1 
Sweet lady mine! Part song. [London. 186-?] 

No. 2 in M.157.1 
Sweet vesper hymn. A four-part song. (In Novello's Part- 
song book. 2d series. Vol. 8, pp. 56-60.) 

No. 13 in M.195.1.8 
Te Deum laudamus. In F. [Accomp. for organ.] (In 
Novello's Parish choirbook. Pp. 163-169.) 

No. 32 in M. 157.30 
Thoughts of childhood. Part song. [London. 185-?] 

No. 31 in M.157.1 
'Tis break of day [s. a. t. e.]. (In Novello's Part-song 
book. 2d series. Vol. 4, pp. 106-109.) 

No. 2 in M. 156.4; No. 21 in M.195.1.4 
Wake to the hunting. A four-part song. (In Novello's 
Part-song book. 2d series. Vol. 5, pp. 105-110.) 

No. 19 in M.195.1.5 



Smart, Henry. (Continued.) 

The water nymphs [s. s. a. Accomp. for pianoforte]. (In 
Novello's Collection of trios, etc. Vol. i, pp. 79-87-) 

No. 10 in M.204.36.I 
The wave's reproof. A four-part song. (In Novello's 
Part-song book. 2d series. Vol. 8, pp. 4-8.) 

No. 2 in M.195.1.8 

Wind thy horn. A four-part song. (In Novello's Part-song 

book. 2d series. Vol. 8, pp. 73-78.) No. 16 in M.195.1.8 

The wood nymphs [s. s. s. Accomp. for pianoforte]. (In 

Novello's Collection of trios, etc. Vol. i, pp. 57-63-) 

No. 7 in M.204.36.I 

Ye little birds that sit and sing. A four-part song. (In 

Novello's Part-song book. 2d series. Vol. 8, pp. 84- 

87.) No. 18 in M.195.1.8 

Smart, Henry. Works about. 

Spark, W. Henry Smart; his life and works. London. 
1881. Portrait. ' M.126.19 

Smart, Thomas. 

To be jovial and gay. Glee [t. t. b.]. (In Social harmony. 
P. 32.) No. 23 in M.215.21 

Smend, Julius. 

Zum Gedachtniss W. A. Mozart's. Vortrag. Darmstadt. 
Waitz. 1892. No. 2 in M.207.36 

Smetana, Bedrich. 

Blanik. Symphonicka baseii pro velky orchestr. Par- 
titura. V Praze. Urbanek. [189-? Ma vlasf. 6.] 

No. 2 in M. 404.21 
Dalibor. Oper in 3 Akten. Text von Josef Wenzig. Fiir 
die deutsche Biihne eingerichtet von Max Kalbeck. 
Musik von Friedrich Smetana. Clavier-Auszug. Leip- 
zig. Weinberger. [189-?] M.322.35 
Das Geheimniss. (Tajemstvi.) Komische Oper in drei 
Acten, von Elisabeth Krasnohorska [Pseud.]. Fiir die 
deutsche Biihne frei bearbeitet von Max Kalbeck. Musik 
von Friedrich Smetana. [Clavier-Auszug.] Leipzig. 
Weinberger. [1895.] M.402.49 
Der Kuss. Volksoper in 2 Akten. Text von E. Krasno- 
horska [Pseud.]. Deutsch von Ludwig Hartmann. 
Musik von Friedrich Smetana. Clavier-Auszug. Leip- 
zig. Weinberger. [1893.] M.322.37 
Same. Ouverture zur Oper Der Kuss. Orchester-Par- 
titur. Leipzig. Weinberger. [1893?] No. 2 in M.357.16 
Hakon Jarl. Symphonische Dichtung fiir grosses Or- 
chester. Partitur. Berlin. Simrock. 1896. 

No. I in M.338.27 
Prodana nevesta. Komicka zpevohra o 3 jednanich od 
Karla Sabiny. Hudbu slozil B. Smetana. Klavirni 
uprava skladatelova. Predehru upravil J. z Kaanii. 
Praze. "Umelecka Beseda." [1866.] M.384.68 

Same. Die verkaufte Braut. (Prodana nevesta.) Komische 
Oper in 3 Akten von K. Sabina. Deutsche Ueberset- 
zung von Max Kalbeck. Musik von Friedrich Smetana. 
Vollstandiger Clavier-Auszug. Berlin. Bote & Bock. 
[1893.] M.322.36 

Same. Lustspiel-Ouverture. Ouvertura ku komicke 
zpevohfe „Prodana nevesta." Fiir Orchester. Partitur. 
Berlin. Bote & Bock. [188-?] No. i in M.342.45 

Quartett, Zweites, fur 2 Violinen, Bratsche und Violoncell. 
Partitur. Berlin. Simrock. 1896. No. 4 in M.338.17 

Richard IIL Symphonische Dichtung fiir grosses Or- 
chester. Partitur. Berlin. Simrock. 1896. 

No. 2 in M.338.27 
Sarka. [Symfonicka baseii pro velky orkestr.] Partitura. 

V Praze. Urbanek. [188-? Ma vlasi. 3.] M.356.23 
Tabor. Symfonicka basen pro velky orchestr. Partitura. 

V Praze. Urbanek. [189-? Ma vlasf. 5.] 

No. I in M.404.21 

Trio fiir Pianoforte, Violine und Violoncell. Op. 15. 

[Partitur und Stimmen.] Bremen. Schweers & Haake. 

[188-?] M.404.92 

Die verkaufte Braut. See his Prodana nevesta. 
Vltava. Symfonicka baseii pro velky orkestr. Partitura. 

V Praze. Urbanek. [188-? Ma vlasf. 2.] 

No. 3 in M.342.45 



90 



Smetana 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Smith 



Smetana, Bedfich. (Continued.) 

Vysehrad. Symfonicka baseii pro velky orkestr. Par- 
titura. V Praze. Urbanek. [188-? Ma vlasl. i.] 

No. 2 in M.342.45 
Wallenstein's Lager. Valdstynuv tabor. Symphonische 
Dichtung fiir grosses Orchester. Partitur. Berlin. 
Simrock. 1896. No. 4 in M.405.57 

Z ceskvch luhuv a hajuv. Symphonicka baseii pro velky 
orkes'tr. Partitura. V Praze. Urbanek. [189-? Ma 
vlasf. 4.] M.356.24 

Z meho zivota. Aus meinem Leben. Quatuor pro 
smyccove nastroje (I. II. housle, violu a cello). Par- 
titura. V Praze. Urbanek. [187-?] No. 22 in M. 211. i 
Zwei Wittwen. Komische Oper in 3 Akten. Libretto von 
Em. Ziingl. Musik von Friedrich Smetana. Voll- 
standiger Klavier-Auszug. Berlin. Bote & Bock. 
[1893.] M.395.50 

The title is repeated in Bohemian, and the words are in both German 
and Bohemian. 
Same. Ballet-Musik. Partitur. Berlin. Bote & Bock 
[188-?] No. S in M.40S.57 

Smetana, Bedfich. Works about. 

Stranskv, J. Friedrich Smetana, Mein Vaterland. Er- 
lautert. Frankfurt a. M. [1898.] No. 14-16 in M.217.12.4 
Smetana, Friedrich. See Smetana, Bedfich. 
Smets, Philipp Carl Joseph Anton Johann Wilhelm. 

Die Konige in Jsrael. Oratorium in 2 Abtheilungen. In 

Musik gesetzt von Ferdinand Ries. M.243.17 

Smets, W. See Smets, Philipp Carl Joseph Anton Johann 

Wilhelm. 
Smieton, Jane Paxton. 

The restored. A lyric opera in 2 acts. [Vocal score. 

Edinburgh. Home & Macdonald.] 1874. M.39S.51 

Smile, A, & a tear. Song. Abrams. No. 39 in M.384.48 

Smile, The. Part-song. Bridge, E. S. No. 15 in M.157.5.1 

Smile not, fair Amarillis. Madrigal. Pizzoni, G. 

No. 68 in M.237.15 
Smile, O heaven, upon the day! Part-song. Balfe. 

No. 68 in M.i57.5.a; etc. 
Smith, Adam. 

Sally, or the boatswain's mate. A musical farcial-comedy. 
Written by Edward Righton and Adam Smith. Com- 
posed by Florian Pascal [pseud.]. M. 240.27 
Smith, Albert. 

Why our theatres are not supported. With a few words 
about the late riots at Drury Lane. London. Kent & 
Richards. 1848. No. 10 in M.149.8 

Smith, Alfred Montem. 

The night is far spent. Short anthem for Advent. [Ac- 
comp. for organ.] London. Novello & Co. [1865.] 

No. 20 in M.igo.7 
Smith, Alice Mary. See White, Alice Mary. 
Smith, Blanche Fanny Wyatt-, translator. 

Becker, A. E. A. Des Miillers Lust und Leid. 

No. 3 in M.384.15 
Smith, Charles. 

[The tempest.] The music in Shakspeare's Tempest, by 
Purcell, Arne, Smith & Linley. No. 5 in M.391.S8 

Smith, Dexter. 

Grandpa's birthday. Operetta for children. [Composed 
by C. A. White.] No. i in M.208.33 

Smith, Fanny Morris, editor. 

Music, The. of the modern world, illustrated in the lives 
and works of the greatest modern musicians. [Edited 
by] Anton Seidl, assisted by Fanny Morris Smith, H. E. 
Krehbiel and W. S. Howard. New York. [1895.] 2 v. 
Illus. Portraits. Plates. M.i4.i 

Miss Smith has contributed the following articles to this work: 
Evolution of the violin; The music of romance; The evolution of the 
brass band ; The development of church music ; Berlioz and the 
Romantic school; The evolution of the oratorio; On the charming 
history of piano-playing. 

Smith, George Stuart. 

Love's plea. [Part-song.] Boston. Schmidt. [1892.] 

No. 9 in M. 158.20 



Smith, George Townshend. 

Do well, O Lord. Full anthem. [Accomp. for organ.] 
(In Novello's Collection of anthems. Pp. 156-159.) 

No. 26 in M. 233.13 
If ye then be risen. Anthem. [Accomp. for organ.] (In 
Fowle. Parochial anthems. Pp. 81-85.) No. i in M.233.29 
Smith, Harry Bache. 

The casino girl. [Opera.] Music by Ludwig Englander 
[sic]. M.383.56 

A China doll. A musical comedy. Book & lyrics by Harry B. 
and Robt. B. Smith. Music by Alfred E. Aarons. M.397.1 
Cyrano de Bergerac. Comic opera. Lyrics by Harry B. 
Smith. Music by Victor Herbert. M.393.27 

Don Quixote. A comic opera. Music by Reginald De 
Koven. M.295.18 

The fencing master. A comic opera. Music by Reginald 
De Koven. M.295.20 

The fortune teller. Comic opera. Music by Victor Her- 
bert. M.394.54 
"Foxy Quiller." Comic opera. Music by Reginald De 
Koven. M.402.12 
The free lance. Comic opera. Music by John Philip 
Sousa. M.389.51 
The highwayman. Romantic comic opera. Music by 
Reginald De Koven. M.394.3 
"The idol's eye." Comic opera. Music by Victor Herbert. 

M.394.6 
The jewel of Asia. A new musical comedy. Book and 
lyrics by Frederic Ranken and Harry B. Smith. Music 
by Ludwig Englander [sic]. M.397.24 

The Knickerbockers. A comic opera. The music by 
Reginald De Koven. M.295.21 

The little Corporal. A comic opera. Music by Ludwig 
Englander. M.394.26 

"Maid Marian." Comic opera. Music by Reginald De 
Koven. M.382.14 

A madcap princess. Comedy opera. The music by Lud- 
wig Englander. M.399.78 
Miss Dolly Dollars. A musical comedy. Music by Victor 
Herbert. M.383.59 
The office boy. A comedy opera. Music by Ludwig 
Englander [sic]. M.399.79 
Rob Roy. Romantic comic opera. Music by Reginald 
De Koven. M.303.15 
Robin Hood. A comic opera. Music by Reginald De 
Koven. M.394.10 
The Rounders. A vaudeville in three acts. Lyrics by 
Harry B. Smith. Music by Ludwig Englander. M.402.15 
"The serenade." Comic opera. Music by Victor Herbert. 

M.395-32 

The singing girl. Comic opera. Book by Stanislaus 

Stange. Lyrics by Harry B. Smith. Music by Victor 

Herbert. M.393.57 

"The strollers." A musical comedy (adapted from the 

German of F. Krenn and C. Lindau). Lyrics by Harry 

B. Smith. Music by Ludwig Englander. No. 2 in M.383.44 

The tar and the Tartar. Vocal gems. [Music by Adam 

Itzel, Jr.] No. 6 in M.402.74; etc. 

The three dragoons. Comic opera. Music by Reginald 

De Koven. M.393.11 

The Viceroy. Comic opera. Music by Victor Herbert. 

M.402.25 
The wizard of the Nile. Comic opera. Music by Victor 
Herbert. M.39S.33 

Smith, Hermann. 

The art of tuning the pianoforte . . . upon a system 
founded on the theory of equal temperament. London. 
Reeves. [1893.] M.376.10 

Smith, John. 

Cathedral music. With an accomp. for the organ. Lon- 
don. Novello. [182-?] M.233.8;M.290.i7 
Contents. — Te Deum. — Jubilate. — Sanctus, Kyrie and Credo 
Magnificat. — Nunc dimittis. — Short Te Deum. 
Cantate Domino. — Deus misereatur. 
12 chants. 



Benedictus. — 
Venite, Creator Spiritus. — 



91 



Smith 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Smith 



Smith, John. (Continued.) 

The Lord's Prayer. Trio [s. t. b. Accomp. for organ]. 
London. Novello. [184-?] No. 18 in M.290.14 

Once upon a time. Catch [for 3 voices]. (In Vocal har- 
monist's magazine. Vol. i, p. 58.) No. 4 in M. 220.5 
Smith, John Christopher. 
The owl is abroad. Caliban's song [b. Accomp. for piano- 
forte]. (In Musical library. Vol. 3, pp. 136, I37-) 

No. 44 in M.235.18.3 
Six suits of lessons for the harpsicord. Opera terza. 
London. Printed for L Walsh, [179-?] No. 2 in M.140.1 
Smith, John Christopher. Works about. 

CoxE, W. Anecdotes of George Frederick Handel, and 

John Christopher Smith. With select pieces of music, 

composed by J. C. Smith. [Anon.] London. 1799- 

Portraits. No. i in M.111.5 

Smith, John Stafford. 

Alleluja. Canon per arsin & thesin & augmentation. (In 
Warren. Collection of catches. Vol. 2, p. 355.) 

No. 145 in M. 220.9.2 
As on a summer's day. Glee [a. t. t. b.]. London. Birchall. 
[181-?] No. 4 in M.235.7.1 

Also to be found in The Apollo; dementi's Vocal harmony; Same. 
2d edition; Hullah's The Singer's library; Novello's Glee-hive; 
Warren's Collection of catches; Webbe, Jr.'s Convito armonico. 

Blest pair of sirens. Glee [s. s. a. t. b.]. (In Amusement 
for the ladies. Vol. 3, pp. 12-19.) No. 3 in M.220.3.3 

Also to be found in dementi's Vocal harmony; Same, 2d edition; 
Handel and Haydn Society Collection of sacred music; Novello's 
Glee-hive; Warren's Collection of catches; Webbe, Jr.'s Convito 



armonico. 



By shady woods. Catch [for 3 voices]. (/« Clementi. 

Collection of catches. Vol. i, p. 102.) 

No. 87 in M.110.1.1 ; No. 87 in M.110.2.1 

Also to be found in Sibbald's Collection of catches; Social harmony; 

Warren's Vocal harmony; Webbe, Jr.'s Convito armonico. 
Chloe, the wonder of her sex. Catch [for 4 voices]. (In 

Warren. Vocal harmony. P. 175.) No. loi in M.220.10 
Come unto Me. Anthem. [Accomp. for organ.] (In 

Turle and Taylor. The People's music book. Vol. 2, 

pp. 238-243.) No. s6inM.iii.4.2 

Come unto Me. Canon, 3 in i. (In Warren. Collection 

of catches. Vol. 3, p. 316.) No. 117 in M.220.9.3 

The doctor slept. Catch [for 4 voices]. (In Warren. Col- 
lection of catches. Vol. 3. P- 170.) No. 65 in M.220.9.3 
Double chant [in G.]. (In Turle and Taylor. The 

People's music book. Vol. 2, p. 261.) No. 60 in M.iii.4.2 
The fairest month of the fair year. Glee [t. t. b.]. (In 

Bland. The Ladies' collection. Vol. 5, p. 562.) 

No. 156 in M.235.I7.5 

Also to be found in Clementi's Collection of catches. 

Flora now calleth. Madrigal [s. s. a. t. b.]. London. 
Clementi. [18—?] No. II in M.235.7.1 

Also to be found in Amusement for the ladies; Clementi's Vocal har- 
mony ; Novello's Glee-hive ; Warren's Collection of catches ; Webbe, 
Jr.'s Convito armonico. 

Hark, the hollow woods. Glee [a. t. t. b.]. (In The Apollo. 
Vol. 7, pp. 500-503.) No. 5 in M.i39a.i8.7 

Also to be found in Bland's The Ladies' collection; Clementi's Col- 
lection of catches ; Horsley's Vocal harmony ; Sibbald's Collection 
of catches; Warren's Cocks's Hand-book of glees; Webbe, Jr.'s 
Convito armonico. 

Hark, the nightingale. Catch [for 3 voices]. (In The 
Apollo. Vol. I, p. 68.) No. 24 in M.i39a.i8.i 

Also to be found in Clementi's Collection of catches; The Har- 
monist; Warren's Vocal harmony. 

Here rests little Bridget. Catch [for 3 voices]. (In War- 
ren. Collection of catches. Vol. 2, p. 223.) 

No. 94 in M.220.9.2 

Let happy lovers. Glee [a. t. t. b.]. (In Amusement for 
the ladies. Vol. 3, pp. 2-10.) No. i in M.220.3.3 

Also to be found in Clementi's Vocal harmony; Warren's Collection 
of catches; Webbe, Jr.'s Convito armonico. 

Let us, my Lesbia, live and love. Glee [a. t. b.]. \In 
Amusement for the ladies. Vol. 2, pp. 38, 39.) 

No. II in M.220.3.2 
Also to be found in Collection of catches; The Harmonist; War- 
ren's Collection of catches; Webbe, Jr.'s Convito armonico. 



Smith, John Stafford. (Continued.) 

Let's drink and be merry. Catch [for 4 voices]. (In War- 
ren. Vocal harmony. Pp. 194.) No. iii in M.220.10 

Life is a scene. Canon, 3 in i. (In Warren. Collection 
of catches. Vol. 3, pp. 204, 205.) No. 74 in M.220.9.3 

'Midst silent shades. Glee [a. t. t. b.]. (In Warren. Col- 
lection of catches. Vol. 2, pp. 348-350-) 

No. 142 in M.220.9.2 

'Mongst other folks. Catch [for 3 voices]. (In Warren. 
Collection of catches. Vol. 2, pp. 222, 223.) 

No. 93 in M.220.9.2 

No more! Alas! Catch [for 4 voices]. (In Warren. 
Vocal harmony. Pp. 55.) No. 35 in M.220.10 

O fancy. Glee [a. t. b.]. (In Warren. Collection of 
catches. Vol. 2, pp. 258-160.) No. no in M.220.9.2 

O Pan, delight of nymphs. Glee [a. t. t. b.]. (In Warren. 
Collection of catches. Vol. 3, pp. 122-126.) 

No. 48 in M.220.9.3 

O remember not. Canon, 4 in 2 per arsin & thesin. (In 
Warren. Collection of catches. Vol. 2, pp. 158, 159.) 

No. 62 in M.220.9.2 

On Sally Salisbury. Catch [for 4 voices]. (In Warren. 
Collection of catches. Vol. 2, p. 173.) No. 72 in M.220.9.2 

Praise the Lord, O my soul. Canon, 3 in i. (In Warren. 
Collection of catches. Vol. 2, p. 310.) No. 129 in M.220.9.2 

Remember not, Lord. Motett [s. s. a. a. t. b.]. (In War- 
ren. Vocal harmony. Pp. 270-273.) No. 151 in M.220.10 

Return, blest days. Glee [a. t. t. b.]. (In Amusement for 
the ladies. Vol. i, pp. 2-5.) No. 2 in M. 220.3.1 

Also to be found in The Apollo; Bland's The Ladies' collection; 
dementi's Collection of catches; Clementi's Vocal harmony; Same, 
zd edition; Collection of glees and catches; The Harmonist; Musical 
library; Novello's Glee-hive; Parker's The Orphean lyre; Sibbald's 
Collection of catches; Warren's Collection of catches; Webbe, Jr.'s 
Convito armonico. 

The silver swan. Round [for 3 voices]. (In The Apollo. 
Vol. 2, p. 93.) No. 5 in M. 1393.18.2 

Also to be found in Bland's The Ladies' collection. 

Since Phillis has bubbled. Catch [for 3 voices]. (In 
Clementi. Collection of catches. Vol. i, p. 39-) 

No. 33 in M.iio.i.i; No. 33 in M.110.2.1 
Also to be found in Flowers of harmony ; Sibbald's Collection of 
catches ; Warren's Collection of catches. 

Sir, you're a rascal. Catch [for 3 voices.] (In Warren. 
Collection of catches. Vol. 3, p. no.) No. 39 in M.220.9.3 
This song is entitled The wranglers. 

Slaves are they. Catch [for 4 voices]. (In Amusement for 
the ladies. Vol. 4, pp. 18, 19.) No. 6 in M. 220.3.4 

Also to be found in Warren's Collection of catches. 

Sleep, poor youth. Glee [a. t. t. b.]. (In Warren. Col- 
lection of catches. Vol. 2, pp. 1 18-123.) 

No. 47 in M.220.9.2 

Soft tread, ye nymphs. Round [for 3 voices]. (In War- 
ren. Collection of catches. Vol. 3, p. 303.) 

No. 114 in M.220.9.3 
Also to be found in Webbe, Jr.'s Convito armonico. 

Stay shepherd, stay. Canzonet [s. a. t. b.]. (In Warren. 
Collection of catches. Vol. 2, pp. 96-102.) 

No. 41 in M.220.9.2 

Take, O take those lips away. Glee [a. t. b.]. (In Amuse- 
ment for the ladies. Vol. 4, pp. 124, 125.) M.220.3.4 
Also to be found in Clementi's Collection of catches; Collection of 
catches; The Harmonist; Sibbald's Collection of catches; Warren's 
Collection of catches. 

There was a certain lady. Catch [for 3 voices]. (In War- 
ren. Collection of catches. Vol. 2, p. 229.) 

No. 97 in M.22o,g.2 

What shall he have. Glee [a. t. t. b.]. (In Amusement 
for the ladies. Vol. 4, pp. 99-101.] No. 28 in M.220.3.4 
Also to be found in The Apollo; Clementi's Collection of catches; 
Clementi's Vocal harmony; The Harmonist; Sibbald's Collection of 
catches; Warren's Collection of catches. 

When Daphne smiles. Glee [a. t. t. b.]. (In Warren. 
Collection of catches. Vol. 3, pp. 68-70.) 

No. 24 in M.22o.g.3 

When to the muses. Ode [a. t. t. b. b.]. (In Clementi. 
Vocal harmony. Vol. 4, pp. 364-374.) No. 10 in M.23S.9.4 

Also to be found in Warren's Collection of catches. 



92 



Smith 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Smyth 



Smith, John Stafford. (Continued.) 

When wives do hate. Catch [for 3 voices]. {In Warren. 
Vocal harmony. P. 158.) No. 91 in M.220.10 

While fools their time. Glee, a. t. t. b. (/n Amusement 
for the ladies. Vol. 4. PP- 4-7-) No. 2 in M.220.3.4 

Also to be found in The Apollo; Bland's The Ladies' collection; 
dementi's Vocal harmony; Same, 2d edition; Ditson's The Orphean 
lyre- The Harmonist; Novello's Glee-hive; Turle and Taylors Ihe 
People's music book; Warren's Collection of catches; Webbe, Jr. s 
Convito armonico. 

The wranglers. See his Sir, you're a rascal. 

Young Damon knock'd. Catch [for 3 voices.] (In Warren. 
Collection of catches. Vol. 3. P- 169.) No. 64 m M.220.9.3 

Youre two eyn. Roundelay [a. t. b.]. (In Warren. Col- 
lection of catches. Vol. 2, pp. 296, 297.) 

No. 123 in M.220.9.2 

Smith, John Stafford, compiler. 

Musica antiqua. A selection of music of this and other 
countries, from the commencement of the twelfth to the 
beginning of the eighteenth century; comprizing motetts, 
madrigali, hymns, anthems [etc.]. London, Preston. 
[1812.] 2 V. in I. M.236.10 

Contents — i. Merulo da Correggio: Te Deum laudamus. — Summer 
is come in. — Faus semblaunt. — Ave mitis, ave pia. — Dance tune 
of the reign of Edward the 2d, or earlier. — Fowles in the frith. — 
Chaconne danced by Queen Anne in the Favorite, a new dance made 
for Her Majesty's birth-day. — Parted from sin. — On ne sauroit. — 
Thibault IV, King of Navarre: Coutume est bien; Je resous de me 
partir; Qui plus aime. — Gaces Brulez : Quand nord et gele. — De 
Coucy: Le nouveau terns.— Dangecort: Haute esperance.— Thiebaut 
de Blason : Au main par en ajournant. — Roi de Navarre. — Thibault 
IV King of Navarre: Dame I'on dit. — Erars: Bon amour qui son 
re'paire. — De Sancta Maria. — In die nativitatis. — Hymn to the 
Virgin — In die nativitatis. — In die nativitatis. — A' the syghes 
that come fro' my hart. — Y have been a fester long. — Cole : 'To leve 
alone comfort ys none. — West com wynde when wilt thou blow. — 
Blow thy home, hunter. — Joan qd John. — Heath: Hey down. — 
Belle qui tiens ma vie. — La bounette. — La douue cella. — La shy- 
myze — La paduana del re. — The short measure off my lady 
Wynicfyldes rownde. — Branle [from] Thoinet Arbeau. — Canaries 
[from] Arbeau. — Canaries from T. Arbeau and Purcell's Dioclesian. 
— Saraband. — The Kyngs maske. — A galyard. — Kyng Harry the 
viiiths pavyn. — My lady Carey's dompe. — La belle fyne. — It was 
a miller's. — The empororse pavyn. — A galyard. — The Kygs balad 
(Passe tyme wt good cumpanye). — Tyme to pas. — Preces Deo 
fundamus. — Rhydlan marsh. — The original music in the witches 
scene, in Middleton's comedy of The Witch. — Obrecht : Parce 
Domine. — Though your strangnes frett. — Johnson: Deare doe not 
your faire bewty wrong. — Rest awile you cruell cares. — Tell me 
dearest what is love. — Quarles: Know then my breth'ren. — With 
my flocke. — Pilkington: Rest sweet nymphes. — Laneir: Bring 
away this sacred tree. — Coprario: Come ashore, come merry mates. 

Is't for a grace. — You herralds of my Mrs. hart. — When I sit 

as judge. — The ran rins doon thro' mirryland. — Sir Eglamore. — 
Locke: Lilk; Curtain tune in The Tempest. — Tallis : Specimen of 
a lesson. — Subject taken by Mr. Bird to be found in Pammelia. — 
Sarabande. — Lassus: Susanna un jour. — Saraband as 4 rondo. — 
Allemande Loreyne. — A pavion of Kinloughes. — Byrd : Prelude.— 
Gibbons: The queenes command; Praeludium. — Wake: Galiardo. _ — 
Gibbons: Galiardo xvi. — Aston: A hornpipe. — Josquin Depres: 
The most excellent canon in the mass L'homme arme. — Willaert : 
De retourner mon ami. — Okenheim : Canon 4 in 2. — Wert: Virgo 
Maria hodie ad coelum. — Vorrai che tu cantasse'. 2. Clemens: Ye 
nightingales in greenwoods. — Morales: Dili mio si, o no senza 
timore. — Delatre: La jeune dame. — Richafort : Hierusalern. — 
Certon: Sancta Maria succurre miseris. — Zarlino: Come si m' 
accendete. — Vecchi : Quella ch'in mille ; Leggiadretto Clorino. — 
Gero : Phillida mi piu chei. — Gibbons : O Lord encrease my faith. — 
Child: O praise the Lord. — Jones: My love bound me with a kisse. 

— Lazaroni : Su le florite sponda. — Dowland : Go chrystal tears. — 
Mason and Earsden: Tune thy chearfuU voyce. — The kings good 
night. — Robin is a lovely lad. — Dido was the Carthage queene. — 
Come follow me, my wandring mates. — The shadowes darkning our 
intents. — The lord's welcome. — The farewell song. — Ives : Lament 
and mourn, — Jenkins : Suite in D-sol-re ; Lady Kath. Audley's bells. 

— Humphrey: Where ever I am; Phillis for shame; How severe is 
forgetfuU old age; A young man satt sighing; Though you doome all 
to dye. — Staggins: How unhappy a lover. — Musicks hand-maid. 
New lessons or instructions for the virginals or harpsychord. — Blow : 
If mighty wealth; Air from a birth-day ode. — Purcell : Leave your 
mountain vale; To her we flow'ry chaplets. — Air against the bite of 
a tarantula from Zimmerman's Florilegium. — Purcell: If thou wilt 
give me back my love; Amidst the shades. — Jones: Farewell, deare 
love. — Sing we now merily. — Lawes : If my mistress fix her eye. — 
Geminiani: Primo Cesare, ottomano. — Forlana, Venetian dance. 

Smith, Laura Alexandrine. 

The music of the waters. A collection of the sailors' 

chanties, or working songs of the sea, of all nations. 

London. Kegan Paul, Trench & Co. 1888. M.106.22 



Smith, Laura Alexandrine. (Continued.) 
Through Romany songland. London. Stott. 1889. 

The airs of many songs are given. M.208.22 

Smith, M. F. H., editor. 

Abt, F, Father of mercies. Quartet and [s.] solo. 

No. 21 in M. 190.7 

Smith, Miss Horace. 

A rainy day. Operetta. The music by Virginia Gabriel. 

No. 2 in M.272.15 
Smith, Paul, pseud. See Monnais, Guillaume fidouard. 
Smith, Robert Archibald. 

How beautiful upon the mountains. Full anthem. [Ac- 
comp. for organ.] London. Novello. [184-?] 
Also to be found in Musical times [Music]. No. 16 in M.290.9.2 

Smith, Robert Archibald. Works about. 

Ramsay, P. A. Memoir of [Robert Archibald] Smith. 
[Added, five pages of verses by Smith.] (In Tannahill. 
Works. Pp. xlii-lxvi. London. [1838.]) 

No. I in M.104.42 

Smith, Robert B. . , tt 

A China doll. A musical comedy. Book & lyrics by Harry 
B and Robt. B. Smith. Music by Alfred E. Aarons. 

M.397.1 
"Fantana." A musical comedy. Book by Rob' B. Smith 
and Sam S. Shubert. Music by Raymond Hubbell. 

M.383.49 

Smith, Theodore. 

Sweet is the breath. Duet [a. t.]. (In Social harmony. 
Pp. 290, 291.) No. 232 in M.215.21 

Smith, Walter. 

Praise the Lord, O my soul. Full anthem. [Accomp. for 
organ. London. Novello & Co. 186-?] No. 22 in M.1S7.29 
Smith, Mrs. Warington, translator. 

ViARD-Louis, J. Music and the piano. London. 1884. 

M.103.20 

Smith, William, Jr. 

A lecture on church music. London. Simpkin, Marshall 
& Co. 1859. No. I in M.373.3S 

Smith, William Seymour. 

"Break forth into joy." Anthem for Christmas. [Accomp. 
for organ.] Boston. Schmidt. 1892. No. 51 in M.158.19 
Evening. [Part-song.] London. Jefferys. N. d. 

No. 37inM.i2i.3 

The moon. Ode for female voices [s. s. a.]. Words by A. 
Stewart Harrison. Music by Seymour Smith. [Accomp. 
for pianoforte.] London. Augener & Co. [188-?] 

No. 5 in M.204.32 
Smith, The. Part-song. Kreutzer, C. M.192.23.1 

Smiths are good fellows. Glee. Cobb, J. 

No. 203 in M.110.1.3; etc. 

Smits, Willem. . 

Mass, in D. [For x. t. b. Accomp. for organ.] (In Brei. 
Six masses.) No. 4 in M.260.4 

Smolian, Arthur. . 

Engelbert Humperdinck, Maurische Rhapsodic fur Ur- 
chester. Erlautert. Leipzig. Seemann. [looi.l 

No. 13 in M.217.12.9 
Richard Strauss, "Taillefer." (Ballade von Ludwig Uhland.) 
Fiir Chor, Soli und Orchester. Op. 52. Erlautert. Leip- 
zig. Seemann. [1903.] No. IS m M.217.12.12 
These two works form respectively No. 216 and 283 of Der Musik- 
fiihrer. 

Smoni, . ^ , tj 

Lydia, ou les fiances de Novgorod. Opera-comique. fa- 
roles de MM. de Lyden et Smoni. Musique de Edmond 
Missa. No. 2 in M.275,29 

Smoothly glide. Canon. Hayes, W. Catches, glees and 
canons. Vol. 2. No. 2 in M^220.5.2 

Smugglers, The. Opera. For the Music see Attiwood; also 

Sousa. For the Libretto see Birch; also Vance, W. 
Smyth, Charles John. „ . u ^^ « 

Six letters on singing. Norwich. Stevenson, Matchett & 
Stevenson. 1817. No. 5 in M.I44.12 

Smyth, Ethel Mary. . ..... 

Fantasio. Phantastische Komodie m zwei Aufzugen. 

93 



Smyth 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Social 



Smyth, Ethel Mary. (Continued.) 

Dichtung (mit freier Benutzung des gleichnamigen Lust- 
spieles von A. de Musset) und Musik von E. M. Smyth. 
[Klavierauszug mit Text. Leipzig. 1898?] M.389.29 

Quintett in E dur fiir 2 Violinen, Bratsche und 2 Violon- 
celli. Op. I. Partitur. Leipzig. Peters. fi88-?] 

No. 4 in M.405.74 

Der Wald. The Forest. Musik-Drama mit Prolog und 

Epilog in einem Akt von E. M. Smyth. [Vocal score.] 

Mayence. Schott. 1902. M.389.30 

Snieders, August. 

Yolande. Lyrische legende. Muziek van Emile Wambach. 

M.379-34 
"CHtrypOMKa." [Schneeflockchen.] Opera. For the Music 
see Rimski-Korsakov. For the Libretto see Ostrovski. 
Snoeck, Cesar C. 

Catalogue de la collection d'instruments de musique 
anciens et curieux. Gand. Vuylsteke. 1894. M.207.37 
Snofrid. Cantata. For the Music see Andree. For the Li- 
bretto see Rydberg. 

Snow, . 

What cruel pains Corinna takes. Air harmonized. (In 

Turk and Taylor. The People's music book. Vol. 3, 

pp. 238, 239.) No.8oin M.iii.4.3 

Snow, The, has fallen around me. Part-song. Franz, R. 6 

songs for mixed voices. No. 9 in M.270.4 

Snow-drop, The. Part-song. Barney. No. 88 in M.157.5.2 

Snowdrops. Part-song. Raff. No. 23 in M. 195.1. 17 

Snow flakes. Song. Cowen. No. 25 in M.192.11 

Snow in spring. Part-song. Reinecke, C. H. C. 

No. 10 in M.204.36.5 

So bright is thy beauty. Catch. Hayes, W. Catches, glees 

and canons. Vol. i. No. i in M. 220.5.1 

So cedo ai detti tuoi. Aria. Guglielmi, P. No. 4 in M. 120.12 

So che fedele. Aria. Sacchini. No. 2 in M.120.29 

So che vanti. Catch [for 3 voices]. (In Amusement for the 

ladies. Vol. 3, p. 49.) No. 17 in M.220.3.3 

Also to be found in Bland's The Ladies' collection. 

So du mit deinem Munde bekennest Jesum. Anthem. Bach, 

J. S. Werke. Jahrgang 30. M.8040.21.30 

So echte deutsche Art. Part-song. Gottwald. 

No. 60 in M. 204.39 
So far away. Part-song. Schoen, E. von. No. 37 in M. 204.38 
So full of life. Glee. Webbe, S. Selection of glees. Vol. 2. 

No. 17 in M.23S.13.2 
So gracious is thy sweet self. Madrigal. 

Bennet, J. No. 8oin M.i57.20.3;etc. 

Ferretti, G. No. 2 in M.235.11; etc. 

So hab' ich doch die ganze Woche. Part-song. Kleffel. 

No. 8 in M.392.42.4 
So herzig, wie mein Lisel. Song. Taubert, C. G. W. Sechs 
Lieder. Op. 76. No. 11 in M.192.6 

So ist's recht. Part-song. Tauwitz, E. 2 heitere Chore. 

No. 21 in M.392.26 

So lang auf Bergen reift der Wein. Part-song. Reinecke, C. 

H. C. Durstige Lieder. No. 20 in M.392.21 

So lang im Keller noch ein Fass. Part-song. Pfeiffer, E. J. 

No. i8i in M.147.4 

So lang man niichtern ist. Part-song. Mendelssohn- Bar- 

THOLDY, J. L. F. No. 16 in M.i29a.44; etc. 

So lasst mich scheinen, bis ich werde. Song. Schumann, R. 

A. Lieder . . . aus Wilhelm Meister. 

No. II in M.244.15.3; etc. 
So light is love. Madrigal. Wilbye. Works. Vol. 2. 

No. 4 in M. 234.19.2 

So mancher mocht ihr Bliimchen sein. Part-song. Werner, 

F. W. No. 103 in M. 1293.43.3 

So mancher mogt' ihr Bliimchen seyn. Part-song. Meth- 

fessel. No. 3 in M. 1293.43.1 

So merrily over the ocean spray. Part-song. Richards, H. B. 

No. 3 in M.244.10.4 

So muss mein Liebchen sein. Quartet. Gueth. Drei heitere 

Solo-Quartette. Op. 39. No. 36 in M.392.10 

So muss mein Liebchen sein. Song. Abt, F. Fiinf Lieder. 

Op. 92. No. 33 in M.192.1 



So Oder so. Song. Beethoven. Werke. Serie 23. M.413.1.33 
So peaceful rests. Catch. Greene, M. No. 7 in M. 158.13; etc. 
So puenklich zur Sekunde. Part-song. Otto, E. J. Ernst 
und Scherz. No. 2 in M.3g2.20 

So sagen die Weisen. Part-song. Schneider, J. C. F. 

No. 27 in M. 1293.43.1 

So saith my fair. Madrigal. Marenzio. No. 6 in M.157.20.1; etc. 

So shall my darling be. Song. Abt, F. No. 35 in M. 192.2 

So soon is morning on us breaking. Part-song. Weber, C. 

M. F. E. von. No. 4 in M.235.16 

So stehn wir. Song. Brahms. Lieder und Gesange. Op. 32, 

Heft 2. No. 6 in M.380.40.1 

So still at evening lies the lake. Cantata. For the Music see 

Goetz, H. For the Libretto see Mueller von Koenigs- 

winter. 

So viel Stern' am Himmel stehen. Part-song. Schoen, E. 

von. No. 28 in M.392.7 

So wahr die Sonne scheinet. Duet. Lachner, F. Deutsche 

Gesaenge fiir 2 Singstimmen. No. 10 in M. 221.25 

Schumann, R. A. 12 Gedichte aus Riickerts Liebesfriihling. 

No. II in M.244.15.1; etc. 

So wa'hr die Sonne scheinet. Part-song. Schumann, R. A. 

Minnespiel. No. 12 in M.244.15.3 

So wahr die Sonne scheinet. Song. Mihalovich. Acht 

Gedichte. No. 5 in M.380.21 

So weich und warm. Duet. Cornelius. Werke. Band 2. 

M.414.20.2 

So weich und warm. Part-song. Cornelius. Werke. Band 

2. M.414.20.2 

So weit! Part-song. Schoen, E. von. No. 15 in M.392.39 

So weit von hier. Song. Franz, R. Sechs Gesange. Op. 22. 

No. 54 in M.244.5.2 
So wie Blumen. Duet. Weber, C. M. F. E. von. 

No. I in M. 244.17 
So will ich frisch und frbhlich sein. Song. Brahms. Deutsche 
Volkslieder. Heft 5. No. 13 in M.300.40.3 

So willst du von mir gehen. Song. Kuecken, F. W. 

No. 7 in M.244.6.2 
So winterlich. Part-song. Dietrich, A. H. Sechs Lieder. 
Op. 18. No. 44 in M.392.6 

So wird es geschehen. Part-song. Fluegel. No. 28 in M.203.7 
So wUnsch ich ihr ein' gute Nacht. Song. Brahms. Deutsche 
Volkslieder. Heft 3. No. 11 in M. 380.40.3 

Soane, George. 

Aladdin, or the wonderful lamp. A fairy opera. Composed 
by Henry R. Bishop. M.391.3 

The Andalusian; or, the young guard. An original oper- 
etta, in two acts, by George Soane. The music by Ed- 
ward Loder. London. Jefferys. 1848. No. 14 in M.145.25 
Libretto only. 
Faustus. A musical romance. Composed by T. Cooke, 
Charles E. Horn, and Henry R. Bishop. No. 2 in M.390.45 
The island of Calypso. An operatic masque. Composed 
by Edward J. Loder. M.280.3 

Soane, George, editor. 

Weber, C. M. F. E. von. [Der Freischiitz.] M.390.39 

Soaper, John. 

Double chant. [For s. a. t. b. In A.] (In Ayrton. Sacred 

minstrelsy. Vol. i, p. 39.) No. 14a in M.290.22.1 

Soave fia il morir. Madrigal. Palestrina. Werke. Band 28. 

M.8o4oa.66.28 
Soave immagine d'amor. Song. Mercadante. 

No. 56 in M.235.I8.3 
Soave sia il vento. Part-song. Mozart. No. 5 in M. 157. 14.4 
Sobieski. Opera. For the Music see David. Quatre duos. 
Sobolewski, Eduard. 
Johannes der Taufer. Oratorium, nach Worten der heili- 
gen Schrift. Clavierauszug. Konigsberg. [183-?] M.243.25 
Sobrie et juste. Anthem. Palestrina. Werke. Band 31. 

M.8o4oa.66.3i 
Social harmony. A collection of the most esteemed & cele- 
brated glees, catches, canzonets. London. Jones & Co. 
[1818.] M.215.21 

Contents. — Apollo and the muses. — Webbe: Merry and wise. — 
Smart: The happy fellow. — Hayes: Melting airs. — Arne: Hush to 



94 



Social 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Societe 



Social harmony. (Continued.) 

peace. — Webbe: Heigh ho. — Hayes: The rose. — Aldrich: Hark 
the bonny. — Webbe : The moon and woman. — Arne : Elegy on the 
death of Mr. Shenstone. — Hayes: When Flora decks. — Webbe: 
Surely that's the tender. — Battishill : Amidst the myrtles. — Pur- 
cell : Fye, nay prithee. — Hilton: What shall he have. — Handel: 
Come, ever smiling Liberty. — Weldon : Let ambition fire. — Hook: 
Far in a wilderness. — Harington; Look I neighbours, look I — 
Smart: To be jovial and gay. — Lawes: View, Lesbia, view. — 
Harington: Go, false Damon. — Playford: Comely swain. — Wilson: 
From the fair Lavinian shore. — Hayes: No longer Orpheus. — Al- 
cock: Hail I ever pleasing solitude. — Burney: Peter White. ■— 
Linley: A bumper. — Uxor mea, uxor polla. — Hayes: O come, fair 
Hebe. — Cssar: To our musical club. — Arne: Thou soft-flowing 
Avon. — Purcell: Sweet tyranness. — Brewer: 'Tis Amarillis. — 
Hayes: You beat your pate. — Here's a health to all good lasses. — 
The silver swan. — Hayes: When Chloe's kind. — Purcell: Sum up 
all the deUghts. — Freeman: Of all the brave birds. — III fares the 
family. — Boyce: 'Tis thus and thus farewell. — Clarke: In drinking 
full bumpers. — Purcell: Pale faces stand by. — Linley: The bottle's 
the sun. — Jenner: Ancient Phillis. — Weedon : Fourteen cows, — 
Webbe: My love and I for kisses. — By shady woods. — All in the 
downs. — Air amore non vuo. — God save the King. — Cocchi : 
Cantiam, brilliam. — Geminiani : Gently touch. — Arne: Buzz quoth 
the blue fly. — Morley : Go ye my canzonets. — Arne: Sigh no more. 

— Coleman: The glories of our birth. — Farewell mine own sweet- 
heart. — Dibdin: Lawyer Brief, Why all this stir? — Unbend thy 
working mind. — Morley : Now is the month. — Taylor : Ding dong. 

— Valton: Peace, thou white rob'd child. — Taylor: Sweet are the 
flow'rs. — Hayes: Haste, ye soft gales. — Berg: Not a day more than 
thirty. — Purcell : While bolts and bars. — Webbe : As Thomas was 
cudgel'd. — To Portsmouth, — PasquaU : O happy solitude. — Toby 
reduced. — Purcell: Jack thou'rt a toper. — Thomas: Tho' you are 
young. — Giardini: Beviamo tutti. — Ives: Come, honest friends. — 
Purcell : Fairest isle. — Este : How merrily we live. — Atterbury : 
Pretty maidens. — Hayes: On a scolding wife. — Adieu, vain joys. 

— Green: I've lost my mistress. — Blow: Go, perjur'd man. — 
Carissimi: Dite O cieli. — Hayes: Ars longa, vita brevis. — Berg: 
How happy are we. — There's a pudding. — Hilton: Turn Amarillis. 

— Brewer : Go, Damon, go. — Ravenscroft : We be three poor 
mariners. — Lawes: Gather your rosebuds. — Hayes: Hail I flow'ry 
mead. — Arne: Which is the properest day. — Ives: Now are we 
met. — Nares: Wilt thou lend me thy mare. — Howard: Ye chearful 
virgins. — Baildon : Adieu to the village. — Carey: In these groves. 

— Hayes: This tomb be thine. — Tallis: Like as the doleful dove. — 
Holcombe: When here, Lucinda. — Webbe: A gen'rous friendship. 

— Morley: Sweet nymph. — Carter: The royalty catch. — Follow 
me, my jovial boys. — Arne: Rise glory. — Travers : Doubtless the 
pleasure. — Hold thy peace. — Purcell : How sweet is the air 1 — 
Taylor: Hence, begone. — Go gentle breezes. — From night till 
morn. — Harington: 'Tis humdrum I — White sand and grey. — 
Would you sing a catch. — Bates : Come follow me with merry glee. 
Here's a health to all them that we love. . — Harington : I cannot 
sing. — On thy sweet lips. — Travers: Says Pontius in rage. — 
Eccles : Ah I how lovely. — Baildon : Mister Speaker. — Cranford : 
Come hither, Tom, — L'avare est toujours. — Mornington : When 
for the world's repose. — Fill your glasses round. — Alcock : When 
Troy town. — Vento : Bright Phcebus now lights up. — Hayden : As 
I saw fair Clora. — Locke: Ne'er trouble thyself. — Arne: See, Bob, 
the play is done. — Steffani : Prithee leave me. — O beauteous eyes. 

— Flat'rer why dost thou. — Travers: I, like the bee. — Cocchi; 
Coila bottiglia. — Purcell : For love ev'ry creature. — Webbe : Says 
Damon to Chloe. — O thou wert born to please me. — Marella: 
Half an hour past twelve o'clock. — Atterbury: Yes, these are the 
scenes. — Handel : See the conqu'ring hero. — My dame has in her 
hut. — Greene : So peaceful rests. — Purcell : Britons, strike home. 

— Harington: The black sanctus. — Byrd: The eagle's force. — Arne: 
To fair Fidele's. — Weelkes: Welcome sweet pleasure. — White; 
Hark ! how the woods do ring. — Overend : How sweet the breath. 

— Rameau; Where is pity's. — Purcell: Man is for the woman. — 
Giordani : Adieu, my love. — To thee, O gentle sleep. — Warren ; 
To our musical club. — Purcell : What can we. — Broderip ; When 
the full organ. — Purcell ; Now are we met. — Let's live and let's 
love. — Carey: Curst be the wretch. — Berg: I marry'd a wife. — 
Taylor; Haste, to rural sports. — Hayes: If neither brass nor 
marble. — Ridley : Away my brave boys. — Cuzens ; Sweet are the 
banks. — Cocchi ; Viva Londra 1 — Webbe ; Come live with me. — 
Purcell; Shepherds, leave decoying. — Hayes: May does ev'ry 
fragrance. — Green: Why is all this whining? — Hook: Golden sun. 

— The very bees. — Arne; When all the Attic fire was fled. — Carey; 
He comes, the hero comes. — Ye noble minds. — Scotland ; Lightly 
tread. — Brewer : Why shou'd not we three. — Jackson : Time has 
not thin'd. — Hilton : Come let us all a Maying. — Hayes ; Tipple 
away. — Green; Hail! British isle. — I sing the British. — Dibdin: 
Give round the world. — Pepusch; Harkl methinks I hear the sea- 
men. — Adieu the verdant lawns. — Hayes : Unbend thy working 
mind. — Ireland : How sleep the brave. — Hayes ; Alike in temper. 

— Berg: Come friends and companions. — Cuzens: Two lawyers, 
when a knotty cause. — There were three cooks. — Atterbury: With 
horns and hounds. — Hayes: Poor Johnny's dead. — Harington; 
Sweet doth blush. — Rogers; Come all noble souls. — Hilton: Now 
that the Spring. — Ut, re, mi. — Dibdin ; Sound drums. — Cuzens : 
Happy are we. — Ah 1 ga ira. — Linley : Come my jolly lads. — 
Senza dite. — Atterbury; How fair and sweet. — Hayes; Still in 
our ears. — Mornington : Here in cool grot. — Gregory ; Let us be 



i8. 



Social harmony. (Continued.) 

merry. — Dibdin : Behold the model. — Travers : Here innocence 
and beauty. — Hayes ; Sure women and wine. — Purcell : Sing, all ye 
muses. — Purcell: Take not a woman's anger. — Hook: Come now 
let's be joyous. — Webbe: Tell me ye pow'rs. — Gerard; The world 
and its vot'ries. — Arne : Blow thou winter's wind. — Holmes : Shew 
a room. — Jenner: Thou'rt gone. — Hayes: O Mersey, may thy 
bounteous stream. — Handel; The flecks shall leave. — Arne: When 
Britain first. — Purcell; For folded flocks. — Arnold; Happy island. 

— Smith : Sweet is the breath of morn. — Cuzens ; His grace in a 
rage. — Giordani: Adieu, my dear Ned. — Dibdin; This bleak and 
frosty morning. — In airy dreams. — How imperfect is expression. 

— Go to Joan Glover. — Taylor : Under this ground. — Purcejl : 
Come all. — Hayes; Let the French hop and sing. — Fickle Cupid. 

— Hayes: Oh, ever against eating cares. — Viva tutti. — Webbe: 
Now we are met. — Hayes : Give me but my bottle. — Garth : Care thou 
canker. — Hayes : Chairs to mend. — Webbe : A batchelor wou'd 
have a wife. — Hayes: Bloom of beauty. — Bates: Sir, you are a 
comical fellow. — Hook : Hush, the god of love. — Hayes ; Winde 
gentle evergreen. — Drink to me only. — Hayes; May the king for 
ever live. — Purcell: Soldier, take off thy wine. — Boyce: Long live 
King George. — Brewer: Why shou'd not we three. — Purcell: 
Let's live good honest lives. — Handel : When Phoebus the tops. — 
Green: Busy, curious, thirsty fly. — Eccles; Wine does wonders. — 
Greene : Hail ! green fields. — Wliile Adam slept. — [Sneezing catch.] 

— Edwards ; Where griping grief. — Hayes : A catch that is merry. 

— Dibdin ; Far from the world. — A boat, haste to the ferry. — 
Webbe; If Eve in her innocence. — Hayes: In a domestic tete-a- 
tete. — Now we're met. — Baildon; Ye heav'ns, if innocence. — 
Harington ; How great is the pleasure. — Green ; Come, all noble 
souls. — Atterbury ; Sweet enslaver. — Boyce ; A blooming youth. 

— God save Great George. — There was a jolly miller. — Dibdin: 
Sweetly, let's enjoy. — Taylor; When Phillis was faithful. — Byrd: 
Non nobis, Domine. — Hayes: Tears are my daily food. — Blow: 
Glory be to the Father. — Te Deum. — Miserere. — Oh that the 
salvation, — King ; Oh Absalom ! my son I — Webbe ; To God who 
sits. — Willaert; Amen hallelujah. — Webbe; Glory be to the 
Father. — Look down, O Lord. — Purcell : Glory be to the Father. 

Social whirl, The. Opera. For the Music see Kerker. For 

the Libretto see Herbert, J. W. 
Societa del quartette di Firenze. Publications. 

Unless otherwise stated, these quartets are for two violins, viola and 
'cello. 
Anichini. Quartette in mi min. 
Beethoven. Quartetto no. i-6. Op. 

Quartetto 1-3. Op. 59. 

Quartetto in mi b. Op. 74. 

Serenata. Trio [violino, viola e violoncello] in re. 

No. 4 in M.246.26 

Trio in si b [violino, viola e piano]. Op. 97. M.246.27 

Trio [per violino, viola e violoncello] 1-3. Op. 4. 

No. 1-3 in M.246.26 
BoTTESiNi. Quartetto in re. 
Croff. Quartetto. 
FiORi. Quartetto. 
Hummel, J. N. Gran settimetto in re 

oboe, corno, viola, violoncello, contrabbasso e piano.] 

M. 246.28 
Langhans. Quartetto. No. 3 in M.4i2a.2 

Mendelssohn-Bartholdy, J. L. F. Ottetto [4 violini, 2 

viola, 2 violoncelli]. Op. 20. M.246.30 

Quartetto in fa min. [Violino, viola, violoncello e 

pianoforte.] Op. 2. No. i in M.246.29 

Pacini, G. Quartetto, 4to. No. 3 in M.246.34 

RicoRDi. Quartetto i. No. 2 in M.4i2a.ii 

Spohr, L. Doppio quartetto in re min. Op. 65. M.246.31 

Societe chorale de I'ficole Galin-Paris-Cheve, Paris. Regle- 

ment de la Societe. Paris. Cheve. [1850.] 

No. 3 in M. 207.17 
Societe de bienfaisance hoUandaise de Paris. 

Comettant, J. P. O. La Hollande musicale a Paris. His- 

toire d'un concert [pour] le benefice de la Societe de 

bienfaisance hollandaise de Paris. Paris. 1891. M. 376.5 

Societe de patronage pour le propagation de la Methode 

Galin-Paris-Cheve. Bulletin, No. i. Paris. [1862.] 

No. 5 in M.207.17 

Societe des amateurs de musique, Brussels. Reglement 

adopte dans I'assemblee generale du 15 brumaire, 7e 

annee republn^. Bruxelles. Stapleaux. An VII [i799]- 

No. I in M.102.36 
Societe des concerts du Conservatoire. See Conservatoire 
national de musique et de declamation, Paris. Societe 
des concerts. 



No. I in M.4i2a.2 
M.246.24 
M. 246.25 

No. 2 in M.246.29 



No. 2 in M.4i2a.2 
No. 2 in M.246.34 
No. I in M.246.34 
min. [Flauto, 



95 



Societe 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sokolov 



Societe imperiale des orpheonistes lillois au Concours de 

Limoges. Recits & appreciations. Extraits des journaux. 

Lille. Danel. 1864. No. 6 in M.197.3 

Society of Professional Musicians. See Incorporated Society 

of Musicians. 
Soderberg, W. Th. 

Fagelns visa. Der kleine Vogel. [Mannerchor, x. Solo, 

T. T. B. B.]. Berlin. Simon. [188-?] No. 7 in M.392.38 

Same. The bird. [t. solo, t. t. b. b.] New York. Schirmer. 

[1887.] No. 31 in M.392.25 

Soderman, August Johan. 

Eine Bauernhochzeit. [Quartet, s. a. t. b.] Berlin. Simon. 
[ 187-?] No. 17 in M. 158.21 

Same. [t. t. b. b.] No. 10 in M.392.34; No. 8 in M.3g2.38 

Katolsk messa. For fyra soloroster, chor och orchester. 
Klaverutdrag. Stockholm. 1881. No. 3 in M.201.22 

Schwedischer Hochzeits-Marsch (Brollops). Partitur. Ber- 
lin. Simon. [187-?] No. 4 in M.342.38 
Soehle, Carl. 

Johannes Brahms, Klavierkonzert (No. 2) in B-dur. Op. 
83. Erlautert. Frankfurt a. M. Bechhold. [1898. Der 
Musikfiihrer. No. 139.] No. 13 in M.217.12.6 

Soehmer, Reinhard S. 

Christ the Lord is risen today. An Easter hymn. [Ac- 
comp. for organ.] New York. Dodworth. 1862. 

No. 22 in M. 190.7 
Soeur, La, de Jocrisse. Opera. For the Music see Banes. 

For the Libretto see Vanloo. 
Soeur Martha. Opera. For the Music see Le Rey. For the 

Libretto see Richet. 
Sceurs, Les, de lait. Duet. Concone. No. 16 in M.244.2 

Soeurs Gaudichard, Les. Opera. For the Music see Audran. 

For the Libretto see Ordonneau. 
Soffredini, Alfredo. 

Aurora. Bozzetto lirico-drammatico in due atti. Ridu- 
zione per canto e pianoforte dell' autore. Milano. 
Ricordi & c. [189-?] M.396.S9 

II piccolo Haydn. Melodramma in due atti per uso di 
collegi ed istituto maschili. Riduzione per canto e piano- 
forte. Milano. Ricordi & c. [189-?] M.399.61 
Salvatorello. Episodio storico-romantico in tre atti. 
Parole e musica di Alfredo Soffredini. Canto e piano- 
forte. Milano. Pigna. 1894. M.399.62 
Tarcisio. Bozzetto lirico-drammatico in un atto e due 
parti. Parole e musica di Alfredo Soffredini (scritto 
per voci di giovannetti e grande orchestra). Riduzione 
per canto e pianoforte dell' autore. Milano. Ricordi .& 
c. [1882?] M.399.63 
Sofge, H. G. 

Veni Creator [s. t. b. Accomp. for organ. Cincinnati]. 

Peters. 1858. No. 8 in M.260.10.7 

Sofonisba, La. Opera. For the Music see Paer. For the 

Libretto see Zanetti. 
Soft and safe. Glee. Callcott, J. W. No. 6 in M.235.9.2; etc. 
Soft Cupid, wanton, am'rous boy. Glee. Travers. 

No. 21 in M.235.i7.i;etc. 
Soft falls the tear. Glee. King, M. P. No. 14 in M.235.22.1 
Soft is the zephyr's breezy wing. Duet. Geary. 

No. 6 in M.i3ga.i8.4; etc. 
Soft let the Lamia sound. Part-song. Bishop, H. R. 

No. 16 in M.23S.7.2; etc. 
Soft sleep, profoundly pleasing power. Glee. Wellesley, 
G. C. Glees and madrigals. No. 20 in M.236.23 

Soft tread, ye nymphs. Round. Smith, J. S. 

No. 114 in M.220.9.3; etc. 
Soft voices blending. Part-song. Weigl. No. 10 in M.244.10.1 
Softly fades the twilight ray. Anthem. Havens. 

No. 33 in M.190.3 
Softly fall the shades. Part-song. 
Hatton. 
Silas. 
Softly fcills the moonlight. Part-song. 



light of day. Anthem. 



Softly now the light of day. 
Aldrich, p. D. 



Anthem. 



No. 4 in M.i57.2;etc. 
No. 15 in M.23S.10; etc. 
Christy, E. P. 

No. S2 in M.IS7.S.2 



Softly now the 

Camp. 

Hamer. 

Millard, H. 
Softly, O! drop, mine eyes. 

Vol. 2. 
Softly o'er the rippling waters. 



Madrigal. 
Song. 



Softly, softly. Part-song. Seyfried. 
Softly strike each golden lyre. Glee. 



Rossini. 



(Continued.) 

No. 19 in M.203.26 

No. 22 in M.203.27 

No. 39 in M.158.18 

WiLBYE. Works. 

No. 33 in M.234.19.2 

Thomas, J. R. 

No. 24 in M.192.14 

No. 8 in M.205.10.3 

Coward, J. 10 glees. 

No. I in M.236.18 

No. 14 in M. 244.10.2 

No. 12 in M.221.33 

GoRDiGiANi. £chos de la 

No. 24 in M.244.13.2 

For the Music see Mozart. 



No. 83 in M. 220.9.1 
No. I in M. 120.24 



No. 3 in M.203.26 



Softly the echo. Part-song. 

Sogno, II. Song. Schlett. 

Sogno, II, di Cenerentola. Song, 
Toscane. Vol. 2. 

Sogno, II, di Scipione. Opera. 
Werke. Serie 5, No. 7. 

Sogno, ma te non miro. Glee. Traetta. 

Sogno, o sposa. Part-song. Jommelli. 

Sografi, Antonio Simone. 

Gli Orazi e j Curiazi. Opera seria. Musica da Domenico 
Cimarosa. M.400.27 ; etc. 

Sohlem, , Freiherr von. 

Baldur's Tod. Musikdrama. Musik von Cyrill Kistler. 

M.303.I4 

Soir, Le. Part-song. Jouret. Der Abend. No. 32 in M. 392.12 

Soir, Le. Song. Gounod. No. 6 in M.192.10; etc. 

Schubert, F. P. Melodies. Vol. 6. M.327.4.6 

Thomas, C. L A. No. 27 in M.391.28.2 

Soir, Un, d'ete. For orchestra. Collin, C. No. 4 in M.336.6 

Soir, Un, d'orage. Opera. For the Music see Metra. For 
the Libretto see Marthold. 

Soiree d'automne. Song. Schubert, F. P. Melodies. Vol. 7. 

M.327.4.7 

Soiree d'hiver. Song. Schubert, F. P. Melodies. Vol. 7. 

M.327.4.7 

Soiree manquee, Une. Opera. For the Music see Pourny. 
For the Libretto see Vemet. 

Soiree orageuse, La. Opera. For the Music see Dalayrac. 
For the Libretto see Radet, J. B. 

Soirees de Londres. Songs. Panofka. 

Soirees de Paris. Songs. Donizetti. 

Soirees de Vienne. .Songs. Ricci, F. 

Soirees italiennes. Songs. Mercadante. 

Soirees musicales, Les. Songs. Rossini. 

Soirees orpheoniques. Collections de chceurs approuves par 
la Commission du chant de la ville de Paris. Paris. 
Escudier. [186-?] M. 157.8 

Contents. — Thomas : Les traineau.x ; La vapeur ; Le Tyrol. — Bazin : 
Attila devant Rome : Le depart des apotres ; Les vendangeurs du 
Rhin ; Les matelots de I'Adriatique ; Salut a Cesar ; Le tireur d'arc ; 
Le soldat vigneron ; Annibal traversant les Alpes ; Gloire a la France ; 
Chant des ecoles communales; Le bapteme ; Le loup et I'agneau. — 
Chariot; La creation. — Salome; Une nuit en mer. — Mozart: La 
flute enchantee. — Delibes ; Marchc .ic soldats. — Gluck ; Iphig^nie 
en Aulide. — Rossini; Mose-priere. — Polignac: Le myosotis. — 
Chariot; Chantons la vapeur. — Palestrina: Kyrie. — Haydn: Can* 
tique d'Haydn. 

Soirees parisiennes. Part-songs. Weckerlin. No. 2 in M.158.44 
Sois belle sans alarmes. Song. Schubert, F. P. Melodies. 

Vol. 8. M.327.4.8 

Sois ententif, mon peupl', a ma doctrine. Anthem. Sweelinck. 

Werken. Deel 2. M.413.2.2 

Sois libre, sois heureux. Song. Louis, N. 

No. 10 in M.390.4; etc. 
Sois ma bayadere. Song. Auber. No. ii in M.193.21.1 

Sois moy, Seigneur, ma garde. Anthem. Sweelinck. 

Werken. Deel 4. M.413.2.4 

Sois toujours mes seules amours. Song. Schubert, F. P. 



No. 1-6 in M. 244.18 
No. 9-14 in M.244.4 

No. 7-14 in M.244.18 
M.367.10 

No. 1-12 in M.280.45 



Melodies. Vol. i. 
66, Le. Opera. For the 

bretto see Pittaud. 

Sokolov, Nikolai A. 

La caressante. Polka 

Partition. Leipzig. 

Elegie pour orchestre. 

[188-?] 



Music see Offenbach. 



M.327.4.1 

For the Li- 



pour orchestre d'archets. Op. 38. 

Belaieff. 1899. No. 3 in M.412.11 

Op. 4. Partition. Leipzig. Belaieff. 

No. 4 in M.343.33 



96 



Sokolov 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Soleil 



Sokolov, Nikolai A. (Continued.) 

Quatuor pour deux violons, alto et violoncelle. Op. 7. 
Partition. Leipzig. Belaieff. 1890. No. 23 in M.211.1 
Same. Nouvelle edition. 1895. No. 4 in M. 355. 16 

Quatuor, Deuxieme (en la majeur), pour deux violons, alto 
et violoncelle. Op. 14. Nouvelle edition. Partition. 
Leipzig. Belaieff. 1895. No. 5 in M.355.16 

Quatuor, Troisieme (en re mineur), pour deux violons, 
alto et violoncelle. Op. 20. Partition. Leipzig. Belaieff. 
1894. No. 6 in M.355.16 

Les vendredis. Polka pour orchestre d'archets par N. 
Sokolow, A. Glazounow et A. Liadow. Partition. Leip- 
zig. Belaieff. 1899. No. 4 in M.412.11 
Sokrates. Part-song. Dregert. No. ii in M. 203.16 
Sol, II, che ne rischiara. Song. Perugini. No. 2 in M.364.10 
Sol bacio, Un, ti dono. Part-song. Sweelinck. Werken. 
Deel 8. M.413.2.8 
Sola, Carlo Michele Alessio. 

Spanish melodies, with characteristic poetry. Written by 
J. R. Planche. The symphonies & accompaniments by 
C. M. Sola. London. Chappell & Co. [182-?] 

No. 7 in 111.390.44 
Sola, Carlo Michele Alessio, editor. 

Rossini. Mi manca la voce. No. 4 in M. 235.7.2; etc. 

Solace of life. Glee. Arnold, S. No. 96 in M.220.9.2 

Solart, P. 

Saint Louis. Drame en 3 actes. Paroles du R. P. Marin 
de Boylesve. Musique de P. Solart. [Partition chant et 
piano.] Bruxelles. Katto. [187-?] No. 7 in M.322.16 

Solazzi, Ugo, editor. 

Perosi. Mose. M.415.19 

II natale del Redentore. M.415.16 

La risurrezione di Cristo. M.415.17 

Solche hergelaufne Laffen. Song. Mozart. No. 4 in M.204.37.1 
Soldat, Der. Part-song. Erk. Volksklange. No. i in M. 130.8 

MoEHRiNG. Soldatenlieder. Heft i. No. 5 in M.392.18 

SiLCHER. No. 5 in M. 130.7; etc. 

Soldat, Der. Song. 

Schumann, R. A. 5 Lieder. No. i in M.244.15.2; etc. 

Speier. No. 8 in M.236.5 

TiEHSEN. 8 Gedichte. No. 11, 12 in M.236.8 

Soldat, Der, auf seinem Posten. Part-song. Skroup. 

No. 221 in M.i29a.43.7 

Soldat, Le, et la fiancee. Song. Schubert, F. P. Melodies. 

Vol. 3- M.327.4.3 

Soldat magicien, Le. Opera. For the Music see Danican. 

For the Libretto see Anseaume. 
Soldat vigneron, Le. Part-song. Bazin. No. 10 in M.157.8 
Soldaten-Abschied. Part-song. Kern. No. 50 in M.392.12 

Marschner, H. a. Liebe, Wein und Krieg. 

No. 21 in M.392.17 
SiLCHER. Silcher-Album. No. 4 in M.370.30 

Stern, J. No. 3 in M. 1293.44; etc. 

Soldaten-Abschied. Song. 

MoEHRiNG. Drei Lieder. No. 8 in M.236.8 

Taubert, C. G. W. Zwolf Gesaenge. Op. 27. 

No. 7 in M.22I.26 
Soldatenart. Part-song. Duerrner. Sechs Gesange. Op. 7. 

No. 14 in M.392.7 

Soldatenbraut. Part-song. Schumann, R. A. Romanzen fiir 

Frauenstimmen. No. 6 in M. 158.24; etc. 

SiLCHER. Silcher-Album. No. 4 in M.370.30 

Speidel. No. II in M. 203.16 

Soldatenbraut, Die. Song. Schumann, R. A. Romanzen und 

Balladen. Heft 4. No. 10 in M.244.15.2; etc. 

Soldaten-Chor. Part-song. Werner, H. No. 50 in M. 1293.43.2 

Soldatenchor aus Faust. Part-song. Werner, H. 

No. loi in M.i29a.43.3 
Soldateneid. Part-song. Rietz. No. 29 in M.392.22 

Soldatenliebe. Part-song. Kuecken. No. 3 in M. 130.8 

Soldatenliebe. Song. Kuecken. 3 Gesange fiir eine Sing- 
stimme. No. i in M.221.25 

Soldatenlied. For orchestra. Moniuszko. No. 3 in M.410.51 
Sold3tenlied. Part-song. Burkhardt, S. No. 231 in M. 1293.43.7 
Ellmenreich. No. 62 in M.246.22 



Soldatenlied. Part-song. (Continued.) 

Fischer, C. W. No. 49 in M.i2ga.43.io 

Marschner, H. A. Liebe, Wein und Krieg. 

No. 21 in M.392.17 
Sattler. No. 86 in M.204.39 

Schwalm. Drei Lieder. Op. 76. No. 10 in M.392.24 

Veit. No. 28 in M.392.42.2 

Wendt, J. G. No. 61 in M. 213.9 

Soldatenlied. Song. Schumann, R. A. Werke. Serie 13. 
Band 4. M.316.1.13.4 

Taubert, C. G. W. Klange aus der Kinderwelt. Heft i. 

No. 3 in M.192.6 

Soldatenlieder. Part-songs. Moehring. No. 5 in M.392.18 

Soldatenstand. Part-song. Dessauer. No. 46 in M.204.39 

Hopp, J. No. 45 in M.204.39 

Soldatentod. Song. Abt, F. Der Polenmutter Wiegenlied. 

No. 10 in M.192.1 

Soldatenweh. Song. Banck. 6 Gesange. No. 17 in M.221.30 

Soldato, II. Song. Gordigiani. £chos de la Toscane. Vol. 

I. No. 6 in M.244.13.1 

Soldats, Les, de Gedeon. Part-song. Saint-Saens. 

No. 8 in M.392.34 
Soldier, The. Glee. Cooke, T. S. No. 89 in M. 157.6.2 

Soldier, The. Song. Beethoven. Werke. Serie 24. 

M.413.1.24 
Soldier, The, in a foreign land. Song. Beethoven. Werke. 
Serie 24. M.413.1.24 

Soldier, take off thy wine. Catch. Purcell, H. 

No. 33 in M.141.21.1 ; etc. 
Soldier's adieu, The. Part-song. Abt, F. 

No. 24 in M.157.6.1 ; etc. 
Soldier's adieu, The. Song. Dibdin, C. 1745-1814. 

No. 38 in M.237.7 
Soldier's farewell, The. Duet. 

Giordani, T. No. 236 in M.215.21 

Soldier's farewell. Part-song. 

KiNKEL. No. 13 in M.392.48.1 

Soldier's farewell. The. Song. Wuestenberg. 

No. 12 in M.212.21.1 
Soldier's home. The. Song. Foster, S. C. No. 15 in M.380.41.3 
Soldier's legacy. The. Opera. For the Music see Macfarren, 

G. A. For the Libretto see Oxenford. 
Soldier's love. Part-song. Kuecken. No. 27 in M.205.10.4; etc. 
Soldier's return. The. Opera. For the Music see Hook, J. 
"Soldier's return. The," or Clara and Valentine. Opera. For 

the Music see Goldbeck. 
Soldier's song. Part-song. Werner, H. 

No. ii in M.205.10.3; etc. 
Soldiers, brave and gallant be. Madrigal. Gastoldi. 

No. 14 in M.175.1.1 
Soldiers, The, of Gideon. Part-song. Saint-Saens. 

No. 12, 13 in M.203.20 
Soldiers' songs. 

Abt, F. Kriegs- und Sieges-Lieder fiir vierstimmigen 

Mannerchor. Op. 392. No. 12 in M.392.39 

Bl.-vckie. War songs of the Germans. With historical 

illustrations of the Liberation war and the Rhine 

boundary question. M.i2ga.30 

Edgell. a collection of soldiers' songs. M.107.5 

Frev, J., editor. Les chant? de guerre de la France en 

1870-71. M. 139a. 2 

Kastner. Les chants de I'armee frangaise. M.121.31 

Sarrepont, pseud., editor. Chants et chansons militaires de 

la France. Avec la musique des principaux airs. 

M.i39a.3 
Sole, II. Duet. Gordigiani, L. fichos de la Toscane. Vol. 2. 

No. 40 in M.244.13.2 

Soleasi nel mio cor. Part-song. Lassus. Sammtliche Werke. 

Band 8. M.8o4oa.67.8 

SoleU, Le, a son declin. Song. Schubert, F. P. Melodies. 

Vol. 6. M.327.4.6 

Soleil, Le, de minuit. Opera. For the Music see Renaud, A. 

For the Libretto see Truinet. 
Soleil levant, Le. Tyrolienne. Weckerlin. Chants des Alpes. 

No. I n M.1S8.44 



HI 13 



97 



Soleniere 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Solus 



Soleniere, Eugene de. 

La femme compositeur. Paris. La Critique. 1895. [Cri- 
tiques d'art.] No. 3 in M.372.43 
Contents. — La femme-compositeur. — Madame de Grandval. — Au- 
gusta Holmes, Cecile Chaminade. — Gabrielle Ferrari. — Marguerite 
Olagnier. — Edwige Chretien. — Pauline Thys. — Madame veuve 
Alphonse de Neuville. — Madame Am^lie Perronnet. — Celanie Caris- 
san. — Madame la Baronne Durand de Fontmagne. — Madame Schloss. 
— Po^mes. 
Massenet, fitude critique & documentaire. Paris. Biblio- 
theque d'art. 1897. Illus. Portraits. Facsimiles. 
Bibliographie, pp. 153-156. M.372.28 

Soler, . See Solere, fitienne. 

Solera, Temistocle. 

Attila. Dramma lirico del Mo. G. Verdi. M.327.24 

Emanuele Filiberto, ossia una notte di festa. Melodramma 
tragico. Posto in musica dal Mo. Angelo Villanis. 

M.2S4.28 
L'espinazione. Opera. Per musica di Achille Peri. 

M.293.33 

La fanciulla delle Asturie. Tragedia lirica. Musica di 

Benedetto Secchi. M.274.22 

Giovanna d'Arco. Dramma lirico. Posto in musica da 

Giuseppe Verdi. Venezia. Molinari. [1845.] 

Libretto only, in Italian. No. IS in M.147.8.2 

Same. Musica di G. Verdi. M.328.20 

Ildegonda. Dramma lirico. Posto in musica da Emilio 

Arrieta. M. 140.2 

I Lombard! alia prima crociata. Dramma lirico del Mo. G. 

Verdi. M.328.23 

Nabucodonosor. Dramma lirico. [Musica del maestro 

Giuseppe Verdi.] Venezia. Molinari. [184-?] 

Libretto only, in Italian. No. 1 7 in M.147.8.2 

Same. Musique de G. Verdi. M.327.19 

Oberto, Conte di S. Bonifacio. Dramma. Musica di G. 

Verdi. M.328.27 

Zilia. Dramma lirico. Musica di Caspar Villate. M. 326.2 

Solere, fitienne. 

Ouverture. [Pour le piano.] (In Pierre, C. V. D. Mu- 
sique des fetes et ceremonies de la Revolution frangaise 
• • ■ Pp- 532-53S-) M.380.14 

Solfeggio. 

Durante, F. [Undici solfeggi a due voci col basso con- 
tinue] Manuscript. [Paris? 180-?] M.360.3 
Elwart, A. £. Solfege poetique sur la clef lineaire. Paris. 
1854. No. 2 in M.372.60 

Solfege rhythmique sur la clef lineaire. Paris. 1854. 

No. I in M.372.60 
Solie, pseud. See Soulier, Jean Pierre. 
Solie, Emile, pseud. See Soulier, fimile. 

Soliman. Symphonic poem. Volkmann. No. 2 in M.348.1 

Soliman der Zweite. Opera. For the Music see Suessmayer. 
Solitaire, Le. Opera. For the Music see Carafa. For the 

Libretto see Planard. 
Solitaire, La. Song. Schubert, F. P. Melodies. Vol. 3, 4. 

M.327.4.3,4 
Solitaria, La, delle Asturie. Opera. For the Music see 

Coccia. For the Libretto see Romani. 
Solito, Gaetano. 

L'orfana guelfa. Dramma lirico. Posto in musica da 
Pietro Antonio Coppola. M. 231.6 

Solitude. For orchestra. Godard, B. L. P. No. 2 in M.405.17 
Solitude. Part-song. Storch, A. M. No. 14 in M.392.26 

Solitude. Song. Gounod. No. 15 in M. 192.10; etc. 

Solitudine, La. Song. Handel. Werke. Lieferung 50. 

M.313.1.50 
Solitudine amene ombre. Song. Terradellas. 

No. I in M. 120.30 

Song. Handel. Werke. 

M.313.1.51 

Schein. Werke. Band i. 

M.414.1.1 

Soil es denn nun nicht anders sein. Part-song. Schein. 

Werke. Band i. M.414.1.1 

Soil ich auf Mamre's Fruchtgefild. Anthem. Handel. 

No. 4 in M.204.37 



Solitudini care, amata liberta. 

Lieferung 51. 
Soil denn so mein Herr. Part-song 



Soil sich der Mond nicht heller scheinen. Brahms. Deutsche 
Volkslieder. Heft 5. No. 13 in M.380.40.3 

SoUa, Isidore de. See De SoUa, Isidore. 
SoUahub, Comte. See SoUogub, Vladimir Aleksandrovitch, 

Count. 
Solie, Friedrich. 

Der Schmetterling. Heiterer Mannerchor. Op. 43. Leip- 
zig. Forberg. [1863?] No. 32 in M.392.25 
Sollogub, Vladimir Aleksandrovitch, Count. 

Lettre du Comte SoUohub au redacteur de I'lndependance 

beige sur la methode Galin-Paris-Cheve. Paris. Li- 

brairie nouvelle. 1859. No. 2 in M.207.16 

Les musiciens contre la musique. Paris. Cheve. i860. 

On the Cheve method. No. I in M.372.20 

SoUt' ich mein Freud' verschweigen. Part-song. Schein. 

Werke. Band i. M.414.1.1 

Solnedgang. Part-song. Kjerulf. No. 7 in M.392.13 

Solo e pensoso. Madrigal. Lassus. Sammtliche Werke. 

Band 2. M.8o4oa.57.2 

Solo un bacio. Song. Celli. No. S in M.336.1 

Solomon, Edward. 

Billee Taylor, or "The reward of virtue." Original nau- 
tical comic opera in 2 acts. By Henry P. Stephens and 
Edward Solomon. Vocal score. New York. Pond & 
Co. [1881.] M.322.38 

Claude Duval, or love and larceny. Romantic comic opera 
in 3 acts. Words by Henry P. Stephens. Music by Ed- 
ward Solomon. [Accomp. for pianoforte. Philadelphia.] 
Stoddart. 1882. No. i in M.322.41 

Lord Bateman, or Picotee's pledge. New comic opera in 
2 acts. Words by Henry P. Stephens. Music oy Ed- 
ward Solomon. [Accomp. for pianoforte.] Philadel- 
phia. Stoddart & Co. 1882. No. 2 in M.322.41 
The Nautch girl, or the Rajah of Chutneypore. A new 
Indian comic opera in 2 acts. Words by George Dance. 
Music by Edward Solomon. Lyrics by G. Dance & 
Frank Desprez. Vocal score. London. Chappell & Co. 
1891. No. I in M.323.1 
Pickwick. By F. C. Burnand, and Edward Solomon. [Ac- 
comp. for piano.] London. Boosey & Co. [1889.] 

M.322.42 

Polly, the pet of the regiment. An original comic opera, 

m 2 acts and 3 tableaux. Written by James Mortimer. 

Composed by Edward Solomon. Vocal score. London. 

Ascherberg & Co. [1884.] M.322.39 

[Prospectus of] Billee Taylor at the Boston Theatre. 

[Boston. 1887.] Illus. ■ No. 4inM.ii6.7 

Quite an adventure. An operetta in i act. Written by 

Frank Desprez. Composed by E. Solomon. [Accomp. 

for pianoforte.] London. Chappell & Co. [1881.] 

No. 3 in M.391.23 
The red hussar. A comedy-opera in 3 acts. Written by 
H. P. Stephens. Music by Edward Solomon. Vocal 
score. London. Metzler & Co. [1889.] No. 2 in M.323.1 
The tiger. Operetta in one act. Written by F. C. Bur- 
nand. Music by Edward Solomon. [Accomp. for piano- 
forte.] London. Hopwood & Crew. [189-?] 

No. 4 in M.39S.3S 

[The Vicar of Bray.] A collection of songs, duets, &c., 

from the comic opera. The Vicar of Bray. Written by 

Sydney Grundy. Composed by Edward Solomon. 

[Accomp. for pianoforte.] London. Williams. [1892.] 

No. 2 in M.393.63 

Virginia; or ringing the changes. A new and original 

comic opera, in 2 acts. Written by Henry P. Stephens. 

Composed by Edward Solomon. [Accomp. for piano.] 

New York. Pond & Co. 1883. No. 2 in M.322.40 

Solomon. Cantata. For the Music see Boyce. For the 

Libretto see Moore, E. 
Solomon. Oratorio. For the Music see Handel. 
Solomon's prayer. Anthem. Fcvvle. 15 anthems. M.290.26 
Solskins-vise. Song. Kjerulf. Sanger och Visor. Band i. 

M.15847 
Solus igitur Deus refugium meum. Motet. Lassus. Sammt- 
liche Werke. Band 13. M.8o4oa.67.i3 



98 



Solvay 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sonatas 



Solvay, Lucien. 

Frasquita. Opera comique. Paroles de Lucien Solvay et 
Georges Du Bosch. Musique de Laurent de Rille. 

No. 3 in M.300.1 

Patria. Poeme lyrique pour soli, choeurs et orchestre. 

Musique de Theodore Radoux. No. 1 in M. 212.2 

Thyl Uylenspiegel. Drame lyrique de MM.' Henri Cain & 

Lucien Solvay. Musique de Jan Blockx. M.382.3 

Solve jubente Deo. Motet. Palestrina. Werke. Band i. 

M.8o4oa.66.i 
Solweigs Lied. Song. Grieg. Grieg-Album. 3. 

No. 4 in M.155.16 
Solvejgs Wiegenlied. Song. Grieg. Grieg-Album. 5. 

No. 6 in M. 155. 16 
Solyma, O happy Solyma. Anthem. Mozart. 

No. 24 in M.221.22.3 
Sombre chagrin. Aria. Sacchini. Le Sacchini des concerts. 

M. 274.9 
Sombres forets. Song. Rossini. No. 2 in M. 157.38 

Some feelings are to mortals giv'n. Glee. Jolly. Hymns, 
canons. M.235.2 

Some folks. Song. Foster, S. C. No. 16 in M.38o.4i.3 

Some modem wives. Catch. Atterbury. No. 40 in M.220.g.3 
Some one's coming. Song. Davenport, A. No. 32 in M.290.12 
Some say 'tis ambition. Catch. Nares. No. 39 in M.220.10 
Somebody's coming to see me tonight. Song. Foster, S. C. 

No. 17 in M.380.41.3 
Somerville, Reginald. 

The 'prentice pillar. A romantic opera, in one act. The 
words written by Guy Eden. The music composed by 
Reginald Somerville. [Accomp. for pianoforte.] Lon- 
don. Novello & Co. 1899. No. 2 in M.402.71 
Something brighter, purer far. Part-song. Smart, H. 

No. 2 in M.244.10.6; etc. 
Sometimes a light surprises. .4nthcm. Righini. 

No. s in M.201.37 
Somma, Antonio. 

Un ballo in maschera. [Opera. Musica di] G. Verdi. 

M.400.52 ; etc. 

Maria degli Albizzi. Melodramma. Posto in musica da 

Placido Mandanici. M.310.4 

Sommeil, Le, de I'enfant. Song. David, F. C. 50 melodies. 

M.363.28 
Sommeil interrompu, Le. For piano. Blumenthal. 

No. 13 in M.190.10 
Sommer, August. 

Cin-Ko-Ka. Operetta en tres actos. Musica de Aug. 
Sommer. Reduccion para piano solo, por Raffaello 
Ristori. Malaga. Lopez y Pino. [1890?] 

No. 2 in M. 381.34 
Sommer, Hans, pseud. See Zincke, Hans Friedrich August. 
Sommer, Die, ist so schon. Song. Franz, R. Sechs Ge- 
sange. Op. 3. No. 18 in M.244.5.1 

Sommerabend, Ein. Part-song. Lindblad. No. to in M.392.38 
Sommerabend. Song. Brahms. Sechs Lieder. Op. 85. 

No. 9 in M.380.40.2 
Sommerfaeden. Song. Brahms. Fiinf Gesange. Op. 72. 

No. 8 in M.380.40.2 
Sommerfahrt. For strings. Zoellner, H. No. 3 in M.404.36 
Sommerklaenge aus Siid-Russland. For orchestra. Bendlx. 

M.331.2 
Sommerlied. Part-song. 

BoEHME, F. M. Sechs Volkslieder. No. 7 in M.392.5 

Grote. Vier Mrinnerquartette. No. 40 in M.392.8 

Mendelssohn-Bartholdy, J. L. F. No. i in M. 130.7; etc. 

Reimann, H. Vier Lieder. No. 27 in M.i94.i6 

Schumann, R. A. Romanzen u. Balladen fiir Chorgesang. 

No. 16 in M. 158.21 ; etc. 

Sommerlied. Song. Taubert, C. G. W. Sechs Lieder. Op. 

153B. No. II in M.192.8 

Sommermondnacht. Part-song. Brah-Mueller. Nacht- 

lieder. No. 10 in M.392.37 

Sommernacht, Eine. Cantata. For the Music see Schulz, 

A. For the Libretto see Reinick. 



Sommernacht. Part-song. 

Bergmann. 5 Gesange fiir Mannerchor. Op. 34. 

No. 24 in M.392.3 
Billeter. Fiinf Gesange fiir Mannerstimmen. Op. 4. 

No. 39 in M.392.4 
Brambach. No. 27 in M.392.S 

FiLKE. No. 13 in M.392.8 

Muehling, a. No. 52 in M.i29a.43.io 

Schilling. No. ii in M. 203.16 

Stuckenschmidt. No. 14 in M.392.42.2 

Veit. No. 9 in M.130.7 

Vesque von Puettlingen. 3 Quartetten. 20. Werk. 

No. 12 in M.212.7 
Wagner, R. No. 7 in M.203.2a 

Sommernacht, Die. Song. Schubert, F. P. Werke. Serie 
20, Band 3. M.317.1.20.3 

Sommernacht auf dem Meere. Part-song. Hentschel. Vier 
Gedichte. Op. 16. No. 44 in M.392.10 

Sommernachtstraum, Ein. Incidental music. Mendelssohn- 
Bartholdy, J. L. F. No. 2 in M.353.5 
Sommernachtstraum. Overture. Mendelssohn-Bartholdy, 
J. L. F. No. I in M.3I2.8 
Sommernachtstraum. Part-song. Wurmb. No. ii in M.212.19 
Sommernaechte. For orchestra. Huber, H. M.343.44 
Sommernachte, Die. Songs. Berlioz, L. H. N0.4 in M.270.5S 
Sommerreise zum Rhein. Part-song. Feyhl. No. 2 in M.370.30 
Sommerruh. Diict. Schumann, R. A. Werke. Serie 14. 

M.3I6.1.I4 

Sommersang, En. Song. Kjerulf. Sanger och Visor. Band 

I. M.158.47 

Sommertag, Ein. Symphonic poem. Triest. No. 2 in M.333.2S 

Sommertag auf dem Lande. Symphonic poem. Gade. 

No. 2 in M.345.45 
Sommertagsbilder. Cantata. For the Music see Reinecke, 

C. H. C. 
Sommeruntergang. Part-song. Lachner, F. Vier Gesange. 

No. 21 in M. 194.16 
Sommi dei. Aria. Handel. 12 Sopran-Arien. 

No. I in M.270.4S 
Somogyi, Peter, translator. 

Erkel. Bank Ban. M.397.25 

Son, Le, du cor s'afflige vers les bois. Song. Loeffler. 
Quatre poemes. M.410.86 

Son amante. Song. Bertoni. No. 6 in M.140.1 

Son and stranger. Opera. For the Music see Mendelssohn- 
Bartholdy, J. L. F. For the Libretto see Klinge- 
mann, C. 
Son conftisa pastorella. Aria. Handel. 12 Alt-Arien. 

No. 2 in M.270.48 

Son finiti ben mio. Glee. Giardini. No. 69 in M.220.9.3 

Son fra I'onde. Song. Schubert, F. P. Werke. Serie 20, 

Band 10. M.317.1. 20.10 

Son image. Song. Schubert, F. P. Melodies. Vol. 5. 

M.327.4.5 
CoHT> Ha Bojirt. [Der Traum auf der Wolga.] Opera. For 
the Music see Arenski. For the Libretto see Ostrovski. 
Son nom! For flute and piano. Louis, N. No. 12 in M.390.12 
Son pur giunta una volta. Sotig. Prati, A. No. 6 in M. 120.28 
Son sempre a tempo. Song. Gordigiani. fichos de la Tos- 
cane. Vol. 2. No. 7 in M.244.13.2 

Sonal, Marc, pseud. See Lanos, Georges. 
Sonatas. For organ. 

Buck, D. Grand sonata in E flat for the organ. Op. 22. 

No. 8 in M.200.2 
Capocci. Sonata, la, per organo. • No. i in M.414.34 

Sonata, Seconda, per organo. No. 2 in M.414.34 

Sonata, Terza, per organo. No. i in M.30.23 

Eyken. Sonate (No. 3) fiir die Orgel. No. 11 in M.414.32 
Lachner, F. Drei Sonaten fiir die Orgel. 

No. 3-5 in M.414.34 
Lange, S. de. Sonate (No. 4 in D dur) fiir die Orgel. 

No. 7 in M.414.34 

Sonate iiber Luther's Choral: Ein feste Burg ist unser 

Gott. No. 6 in M.414.34 

Lemmens. Trois sonates pour orgue. No. 8-10 in M.414.34 



99 



Sonatas 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sonatas 



Sonatas. For organ. (Continued.) 

Mailly, a. J. E. Senate pour orgue. No. ii in M.414.34 

Mendelssohn-Bartholdy, J. L. F. Six sonatas and three 

preludes and fugues. M.312.47 

Merkel, G. a. Sonate [D moll] fiir die Orgel zu vier 

Handen und Doppel-Pedal. Op. 30. [Mit eineni Fuga.] 

No. I in M.3i2.48;etc. 

Sonate, Zweite, fiir die Orgel. Op. 42. No. 3 in M.414.38 

Sonate (No 3, C-moll) fiir die Orgel. Op. 80. 

No. 5 in M.414.38 

Sonate (Nr 4 in F) fiir Orgel. Opus iiS- 

No. 9 in M.414.38 

Sonate (N"" 5 in D moll) fiir Orgel. Opus 118. 

No. II in M.414.38 

Sonate (Nr 6 in E moll) fiir Orgel. Opus 137. 

No. 14 in M.414.38 

Sonate (No 7 in A-moll) fiir Orgel. Op. 140. 

No. 15 in M.414.38 

Sonate (No 8 in H-moll) fur Orgel. Op. 178. 

No. 18 in M.414.38 
Reubke. Grosse Orgel-Sonata in C-moll. (Der 94- 

Psalm.) No. 7 in M.414.32 

Rheinberger, J. G. von. Sonate (C moll) fiir Orgel. Op. 

27. No. I in M.414.40 

Fantasie-Sonate fiir Orgel. Op. 65. No. 2 in M.414.40 

Pastoral-Sonate fiir Orgel. Op. 88. No. 3 in M.414.40 

Sonate (No IV, A-moll) fur Orgel. Op. 98. 

No. 4 in M.414.40 

Sonate fiir Orgel (No 5, Fis dur). Op. in. 

No. 5 in M.414.40 

Sonate fiir Orgel (No. 6, Es moll). Op. iiQ- 

No. 6 in M.414.40 

Sonate fiir Orgel (No 7, F moll). Op. 127. 

No. 7 in M.414.40 

Sonate, No 8, in E-moU, fiir Orgel. Op. 132. 

No. 8 in M.414.40 

Sonate, No 9, in B-moU, fiir Orgel. Op. 142. 

No. 9 in M.414.40 

Sonate, No 10, in H-moll, fiir Orgel. Op. 146. 

No. 10 in M.414.40 

Sonate, No 11, in D moll, fiir Orgel. Op. 148. 

No. II in M.414.40 

Sonate, No 12, in Des, fiir Orgel. Op. IS4- 

No. 12 in M.414.40 
RiTTER, A. G. Sonate fiir die Orgel. Op. 19. 

No. 3 in M.312.43 

Sonate, iii., A moll, fiir die Orgel. Op. 23. 

No. 4 in M.312.48 
RuEFER. Sonate fiir die Orgel. Op. 16. No. 9 in M.414.32 
Whiting. Grand sonata for organ. Op. 25. No. 7 in M.202.10 
WoLFRUM, P. Sonate in B moll fiir Orgel. Op. i. 

No. 12 in M.414.32 

Sonate, Zweite, in E dur fur Orgel. Op. 10. 

No. 13 in M.414.32 

Sonate, Dritte, in F moll fiir Orgel. Op. 14. 

No. 14 in M.414.32 
Sonatas. For organ and other instrwnents. Mozart. Werke. 
Serie 23. M.315.1.23 

Sonatas. For pianoforte. 

Alberti, D. VIII sonate per cembalo. No. i in M.140.1 
Bach, C. P. E. Due sonate per il cembalo solo. 

No. 8 in M.200.9 

Sonata, in Es-dur, per il clavicembalo. No. 6 in M.200.9 

Sonate due per il cembalo solo. No. 7 in M.200.9 

Beethoven. Sonaten fiir das Pianoforte. Werke. Serie 

16. M.413.1.16 

Chopin. Sonaten fiir das Pianoforte. Werke. Band 8, 13. 

M.316.2.8,13 
Clementi, M. Sonatas. CEuvres completes [pour le 

pianoforte]. 6 v. M.360.12 

Ferrari, G. G. Trois sonates pour clavecin, ou forte piano, 

avec accomp. de violon oblige. [Piano seul.] 

No. 18 in M.210.2 
MacDowell. Sonate. Nr. i, G m. (Sonata tragica.) Op. 

45. Mo. 3 in M.403.9S 



Sonatas. For pianoforte. (Continued.) 

Sonate. Nr. 2, G m. (Sonata eroica.) Op. 50. 

No. 4 in M.403.98 

Mozart. [8 Sonaten] fiir ein und zwei Pianoforte zu vier 

Handen. Werke. Serie 19. M.315.1.19 

Sonaten und Phantasien fiir das Pianoforte. Werke. 

Serie 20. " M.315.1.20 

Neefe. Sechs neue Klaviersonaten, nebst Veranderungen 

iiber die Melodie der Romanze aus der Jubel Hochzeit: 

Kunz fand einst einen armen Mann. No. i in M.200.10 

— — Zwolf neue Klaviersonaten. No. 2 in M.200.10 

Pleyel, I. J. Trois sonates pour le pianoforte, violon et 

violoncelle tirees des Nouveaux quintetti de Boccherini. 

CEuvre i. [Piano seul.] No. i in M.210.5 

Romberg, B. Trois grands sonates pour le pianoforte, 

avec accomp. de violon. No. 2, 3. [Pianoforte seul.] 

No. 4, s in M.360.11 
Scarlatti. Thirty sonatas for the harpsichord or piano- 
forte. M.380.S4 
Schubert, F. P. Sonaten fiir Pianoforte. Werke. Serie 8. 

M.317.1.8 

M.434.6S 

premiere 

accomp. 



A. Sonata for the pianoforte. Op. 4. 
Trois sonates pour le piano-forte, la 
oblige et les deux autres sans 



No. IS in M. 2X0.6; etc. 



Shepherd, 
Steibelt. 

avec violon 

Oiuvre 4. 
Sonatas. For pianoforte and violin. 

Biber. Acht Violinsonaten, mit ausgefiihrter Clavier- 

begleitung. [Partitur und Stimme.] No. I in M.414.3 

Brahms. Sonate [Erste, G dur] fiir Pianoforte und Violine. 

Op. 78. [Partitur und Stimme.] No. i in M.356.1 

— — Sonate, Zweite (A dur), fiir Pianoforte und Violine. 

Op. 100. [Partitur und Stimme.] No. 2 in M.356.1 

Sonate, Dritte (D moll), fiir Pianoforte und Violine. 

Op. 108. [Partitur und Stimme.] No. 3 in M.356.1 

Clementi, M. Trois sonates pour clavecin ou piano forte, 

avec accomp. de violon et violoncelle. CEuvre 28. 

[Piano seul.] No. 12 in M.210.1 

Same. [Partie de violon.] No. 7 in M.210.9 

Cramer, J. B. Trois sonates pour clavecin ou forte piano. 

Avec violon ad libitum. Op. 4. [Clavecin seul.] 

No. 14 in M.210.1 

Same. [Partie de violon.] No. 8 in M.210.9 

DiABELLi. Grand sonate pour le piano forte, avec accomp. 

de violoncelle oblige (ou violon). Op. 92. [Piano seul.] 

No. 3 in M.210.2 
Same. [Partie de violon.] No. 12 in M.210.9 

Same. [Partie de violoncelle.] No. 18 in M.210.11 

DussEK. Trois sonates et trois preludes pour le piano- 
forte, avec accomp. de fliite ou violon et violoncelle. 
CEuvre 31. [Piano seul.] No. 15 in M.210.2 

Same. [Partie de violon.] No. 16 in M.210.9 

Faure, G. U. Sonate pour piano et violon. Op. 13. [Par- 
tition.] N0.4 in M.210.13; etc. 
Ferrari, G. G. Quatre sonates progressives pour le forte- 
piano, avec accomp. de violon, ad-libitum. Op. 27. [Piano 
seul.] No. 17 in M.210.2 
Same. [Partie de violon.] No. 19 in M.2io.g 
Franck, C. a. Sonate pour piano et violon. [Partition 
et partie.] No. 2 in M.410.27 
Grieg, E. H. Sonate (C moll) fiir Pianoforte und Violine. 
Op. 45. [Partitur.] No. 3 in M.357.2 

Sonate fiir Pianoforte und Violine. Op. 8. [Partitur.] 

No. I in M.357.2 

Sonate fiir Pianoforte und Violine. Op. 13. [Partitur.] 

No. 2 in M.357.2 

Haydn, F. J. Sonates pour piano et violon. [Sol majeur; 

Re majeur; Mib; La majeur; So! majeur; Ut majeur; Fa 

majeur; Sol majeur. Partition.] No. i in M.357.3 

Trois sonates pour le piano forte avec accomp. d'un 

violon. CEuvre 54. [Piano seul.] No. i in M.210.3 

Same. [Partie de violon.] No. 20 in M.210.9 

Hemberger. Quatre sonates, pour le clavecin, ou forte 

piano, avec accomp. de violon. Op. 13. [Piano seul.] 

No. 3 in M.210.3 



100 



Sonatas 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sonatas 



Sonatas. For pianoforte and violin. (Continued.) 

Same. [Partie de violon.] No. 23 in M.210.9 

Kalkbrenner, F. W. M. Grande sonate pour le forte 

piano, avec accomp. de violon ou flute. Op. 22. [Piano 

seul.] No. 6 in M.210.3 

Same. [Partie de violon.] No. 24 in M.210.9 

Kiel. Sonate fiir Pianoforte und Violine. Op. 16. [Par- 

titur.] No. 7 in M.210.13; etc. 

Kreuteer, R. Trois senates pour le piano forte, avec 

accomp. de violon. [Piano seul.] No. 9 in M.210.3 

Contains only one sonata. 

Same. [Partie de violon.] No. 26 in M.210.9 

Lekeu. Sonate pour piano & violon. No. i in M.410.44 

Mendelssohn-Bartholdy, J. L. F. Grande sonate pour 

piano et violon. Oeuvre 4. [Piano seul.] 

No. 4 in M.210.4; etc. 
Same. [Partie de violon.] No. 37 in M.210.9 

Mozart. [43] Sonaten fiir Pianoforte und Violine. Werke! 

Serie 18. M.31S.1.18 

NicoLAi, V. Six sonatas a I'usage des commengants, pour 

le clavecin ou pianoforte, avec accomp. de violon ad 

libitum. QEuvre 11. [Piano seul.] No. 15 in M.210.4 

Same. [Partie de violon.] No. i in M.210.10 

Plevel, I. J. Six nouvelles sonatines progressives pour 

piano, avec accomp. d'un violon. CEuvre 27. [Partition.] 

No. 5 in M.210.S 

Six nouvelles senates progressives pour piano avec 

accomp. d'un violon. Suite de I'oeuvre 27. [Partition.] 

No. 6 in M.210.S 

Trois sonates pour clavecin ou forte piano, avec violon 

ou violoncelle. CEuvre 26. [Partition piano et violon.] 

No. 4 in M. 210.5 
Same. [Partie de violon.] No. 10 in M.210.10 

Same. [Partie de violoncelle.] No. s in M.210.12 

PoisoT. Sonatine d'apres Tessarini. Pour piano et violon. 

[Partition.] No. 8 in M.210.3; etc. 

Raff. Grosse Sonate, Erste, fiir Pianoforte u. Violine. 

Op- 73- [Partitur und Stimme.] No. i in M.404.61 

Grosse Sonate, Zweite, fiir Pianoforte und Violine. 

Op. 78. [Partitur und Stimme.] No. 2 in M.404.61 

Grosse Sonate, Dritte, fiir Pianoforte und Violine. 

Op. 128. [Partitur und Stimme.] No. i in M.404.62 

Grosse Sonate, Vierte (Chromatische Sonate in einem 

Satze), fiir Pianoforte und Violine. Op. 129. [Partitur 
und Stimme.] No. 2 in M.404.62 

Reger, M. Sonate in C-dur fiir Violine und Pianoforte. 
Opus 72. [Partitur und Stimme.] No. i in M.410.101 

Rubinstein. Sonate pour piano et violon. Op. 13. [Par- 
tition.] No. I in M.3S7.7 

Sonate, Deuxieme, pour piano et violon. Op. 19. [Par- 
tition.] No. 2 in M.357.7 

Rust. Sonata seria H moll fiir Pianoforte und Violine. 
[Partitur und Stimme.] M.431.45 

Saint-Saens. Sonate pour piano et violon. Op. 75. [Par- 
tition et partie.] M.434.47 

Samazeuilh. Sonate (en si mineur) pour violon et piano. 
[Partition et partie.] M.411.11 

Sammartini. Sonata in A moll. Fiir Violine & Klavier. 

No. I in M.432.42.4 

Schumann, R. A. Sonate pour piano et violon. Op. 121. 

No. 4 in M.353.I5 

Sonate fiir Pianoforte und Violine. Op. 105. 

No. 3 in M.353.15 
Senaillie. Sonata in A. Fiir Violine & Klavier. 

No. I in M.432.42.3 

Serieyx. Sonate en sol, violon et piano. [Partition et 

partie de violon.] Op. 7. No. 2 in M.411.8 

Steibelt. Six sonates pour le piano forte avec accomp. 

d'un violon oblige. Op. 27, No. 1-5. [Partition.] 

No. i-S in M.210.7; etc. 

Six sonates pour le piano-forte, avec accomp. de 

violon. [No. I.] OJuvre 67. [Partition.] 

No. 7 in M.210.7; etc. 

Trois sonates pour forte-piano, avec accomp. de violon ad 

libitum. Op. 35. [Piano seul.] No. 6 in M.210.7 



Sonatas. For pianoforte and violin. (Continued.) 

Same. [Partie de violon.] No. 22 in M.210.10 

Stojowski. Sonate (en sol majeur) pour piano et violon. 
Op. 13. [Partition et partie de violon.] No. 2 in M.357.35 
Strauss. R. Sonate (Es dur) fur Violine und Klavier. Op. 
18. [Partitur und Stimme.] No. 2 in M.410.59 

Tartini. Sonata in A. Fiir Violine & Klavier. 

No. I in M.432.42.1 

Trille du Diable et Sonate en sol mineur, accompagnes 

d'une partie de piano par Fr. Hermann. No. 4 in M.357.1 

Telemann. Sonata in E. Fiir Violine & Klavier. 

No. 2 in M.432.42.4 
Tessarini. Sonata in G. Fiir Violine & Klavier. 

No. 3 in M.432.42.1 
Thirion. Sonate en ut mineur. Pour violon et piano. 
[Partition et partie.] Op. 14. M.434.84 

Veracini. Sonata in A moll. Fiir Violine & Klavier. 

No. 3 in M.432.42.3 

Sonata in H moll. Fiir Violine & Klavier. 

No. I in M.432.42.2 

ViERNE. Sonate (en sol mineur) pour violon et piano. Op. 

23. [Partition et partie.] M.434.70 

ViGUERiE. Deux sonates pour le forte-piano, avec accomp. 

de violon et basse (ad libitum), duvre 9. [Piano seul.] 

No. 2 in M.210.8 
Same. [Partie de violon.] No. 29 in M.210.12 
Six nouvelles sonatines pour le forte piano. Avec ac- 
comp. de violon, ad-libitum. CEuvre 12. [Piano seul.] 

No. 4 in M.210.8 
Same. [Partie de violon.] No. 31 in M.210.10 

Sonate pour clavecin ou forte piano. [Avec accomp. 

de violon, ad libitum.] CEuvre 9, no. 4. [Piano seul.] 

No. 3 in M.210.8 
Same. [Partie de violon.] No. 30 in M.210.10 

Trois sonates precedees de preludes ou exercices pour 

clavecin ou forte-piano, avec accomp. de violon (ad libi- 
tum). CEuvre 2. [Piano seul.] No. i in M.210.8 

Same. [Partie de violon.] No. 28 in M.210.10 

Vivaldi. Sonata in D moll. Fiir Violine & Klavier. 

No. 5 in M.432.42.2 
Ward, F. E. Second sonata (in G) for piano and violin. 

Op. 9. [Score and separate parts.] No. 3 in M.411.8 

Weber, C. M. F. E. von. Six sonates pour le piano, avec 

accomp. de violon (oblige). Op. 10. No. 1-3. [Piano 

seul.] No. 5 in M.210.8 

Same. [Partie de violon.] No. 32 in M.210.10 

Weingartner. Sonate in D dur fur Violine und Klavier. 

Op. 42, No. I. [Partitur und Stimme.] No. i in M.407.52 

Sonate in Fis moll, fiir Violine und Klavier. Op. 42, 

No. 2. [Partitur und Stimme.] No. 2 in M.407.S2 

Wolf-Ferrari. Sonate (A moll) fiir Pianoforte und 
Violine. Op. 10. No. i in M.434.72 

ZuccHiNETTi. Trois sonates pour le piano-forte, avec 
accomp. de violon ou fliite oblige. CEuvre i. [Parti- 
tion.] No. 17 in M.210.8; etc. 
Sonatas. For pianoforte and violoncello. 

Beethoven. Sonaten fiir Piano und Violoncell. [Op. 5, 
No. I, F dur; Op. 5, No. 2, G moll; Op. 69, A dur; Op. 
102, No. I, C dur; Op. 102, No. 2, D dur. Partitur und 
Violoncell-Stimme.] Neue Ausgabe. M.353.20 

Berg, C. M. Grande sonate concertante pour piano et 
violoncelle. CEuvre 23. [Partition.] No. 7 in M.210.1; etc. 

Brahms. Sonate pour piano et violoncelle. Op. 38. 
[Partition.] No. i in M.210.13; etc. 

Sonate, Zweite (F dur), fiir Pianoforte und Violoncell. 

Op. 99. [Partitur und Violoncell Stimme.] 

No. I in M.404.41 

Damcke. Sonate pour piano et violoncelle ou violon. 

CEuv. 43. [Partition et parties.] No. 2 in M.404.41 

DiABELLi. Grand sonate pour le piano forte, avec accomp. 

de violoncelle oblige (ou violon). Op. 92. [Piano seul.] 

No. 3 in M.210.2 
Same. [Partie de violon.] No. 12 in M.210.9 

Same. [Partie de violoncelle.] No. 18 in M.210.1 1 



101 



Sonatas 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Song 



Sonatas. For pianoforte and violoncello. (Continued.) 

Dietrich, A. H. Senate fiir Pianoforte und Violoncello. 

Op. 15. [Partitur und Stimme.] No. i in M.404.52 

Grieg. Senate fur Pianoforte und Violoncell [A moll]. 

Op. 36. [Partitur.] No. 4 in M.357.2 

Martucci. Sonata (in fa diesis minora) per violoncello e 

pianoforte. Op. 52. [Partitura e parte di violoncello.] 

No. I in M.411.8 
Mendelssohn-Bartholdy, J. L. F. Sonate pour piano et 

violoncelle, ou violon. Op. 45. [Partition piano et 

violoncelle.] No. 7 in M.210.4 
Sam.e. [Partie de violon.] No. 38 in M.210.9 
Same. [Partie de violoncelle.] No. 41 in M.210.11 
Senates pour piano et [violoncelle: Op. 45, sib majeur; 

Op. 58, re majeur]. No. 1 in M.353.7 

Reger, M. Sonate [F-dur] fiir Violoncello und Klavier. 



Opus 78. [Partitur und Stimme.] 
Rubinstein. Sonate pour piano et 

[Partitur.] 
Same. [Partie de violoncelle.] 
Saint-Saens. Sonate pour piano & 

[Partition.] 
Sonate, 2«, pour violoncelle et piano 

tition et partie de violoncelle.] 



No. 2 in M.410.101 

violoncelle. Op. 18. 

No. 8 in M.210.13 

No. 9 in M. 210.14 

violoncelle. Op. 32. 

No. 9 in M.210.13; etc. 

(Op. 123.) [Par- 

M.411.10 



Strauss, R. Sonate in F dur fiir Violoncelle und Piano- 
forte. Op. 6. [Partitur und Stimme.] No. i in M.410.59 
Sonatas. For pianoforte, violin and violoncello. 

Haydn, F. J. Tre sonate per il cembalo o forte piano con 
un violino e violoncello. No. 8 in M.i20.ig 

Trois senates pour le clavecin ou piano forte accom- 

pagnees d'un violon et violoncelle. No. 7 in M. 120.19 

Pleyel, I. J. Three sonatas for the piano-forte or harpsi- 
chord; with accomp. for a violin and violoncelle. Op. 21. 
[Piano only.] No. 3 in M.210.5 

Same. [Violin part.] No. 9 in M. 210.10 

Same. [Violoncello part.] No. 3 in M.210.12 

Schroeter, J. S. Six sonatas for the pianoforte or harpsi- 
chord, with accomp. for a violin and bass. Op. 2. 
[Score.] No. 6 in M. 210.6; etc. 

Staes. Trois senates pour le clavecin, ou forte piano, 
avec accomp. d'un violon oblige et violoncelle. CEuvre 
5. [Piano seul.] No. 13 in M.210.6 

Same. [Partie de violon.] No. 20 in M.210.10 

Same. [Partie de violoncelle.] No. 22 in M.210.12 

Steibelt. Trois senates pour le piano forte, avec accomp. 
de violon et violoncelle. Tirees de I'CEuvre 35 de Pleyel. 
[Piano seul.] No. 9 in M. 210.7 

Same. [Partie de violon.] No. 27 in M. 210.10 

Same. [Partie de violoncelle.] No. 23 in M.210.12 

Sonatas. For pianoforte and miscellaneous instruments. 

Brahms. Zwei Sonaten fiir Clarinette (oder Bratsche) und 
Pianoforte. [Partitur und Clarinette-Stimme.] 

No. 2, 3 in M.351.10 
Frederick II, the Great, of Prussia. Friedrichs des Grossen 
Musikalische Werke. Band i, 2: Sonaten fiir Flote und 
Clavier. No. 1-25. M.317.2 

Pleyel, I. J. Trois senates pour clavecin ou piano forte, 
avec accomp. d'une flvite ou violon et basse. [Op. 15. 
Parties separees de piano et de fliite.] 

No. 3 in M.360.11; etc. 
Ries, F. Grand sonate pour piano et cor, eu violoncelle. 
CEuvre 34. [Piano seul.] No. 8 in M.210.5 

Same. [Partie de cor.] No. 11 in M.210.10 

Same. [Partie de violoncelle.] No. 6 in M.210.12 

Rubinstein. Sonate pour piano et alto. Op. 49. [Parti- 
tion.] 
WoELFL. Trois senates pour le piano, 
violon et basse. Op. 25. [Piano seul.] 
Same. [Partie de violon.] 
Same. [Partie de basse.] 
Sonatas. For violin and miscellaneous instruments. 

Clementi, M. [The violin and violoncello parts of several 

of his sonatas.] M.352.25 

Corelli. Werke. Thiel i. M.354.7 

Leclair. Zwolf Sonaten fiir Violine und Generalbass 



No. 3 in M.357.7 

avec accomp. de 

No. II in M.210.8 

No. 41 in M. 210.10 

No. 29 in M.210.12 



Sonatas. For violin and miscellaneous instruments. (Continued.) 
nebst einem Trio fiir Violine, Violoncell und General- 
bass. M.400.16 
Reiken. Hortus musicus. Partitur. No. i in M.415.5 
Sonatas. Criticistn. 

GoTTScHALD, E. Bcethoveu's pianoforte sonatas explained 
for the lovers of the musical art, by Ernst von Elterlein 
[pseud.]. Translated by Emily Hill. 2d edition. Lon- 
don. 1879. M. 103.14 
Stier, E. L. van Beethoven, Sonaten fiir Pianoforte und 
Violine. Op. 12, 23, 24, 30, 47 und 96. Erlautert. Leip- 
zig. [1903.] No. 14 in M.217.12.12 
Sondermann, Emil. 

Der Abenteurer. Operette von Adolf Philipp und Emil 

Sondermann. Musik von Carl Stix. M.395.63 

Sonett. Song. Weber, C. M. F. E. von. Sammtliche Lieder. 

Band i. No. 15 in M.244.7 

Sonett 1-3. Songs. Schubert, F. P. Werke. Serie 20, 

Band 5. M.317.1.20.5 

Song book. The. Songs. Hullah, J. P., editor. M. 104.47 

Song for spring. Part-song. Silas. No. 30 in M,235.io 

Song, A, for the seasons. Part-song. Smart, H. 

No. 10 in M.195.1.8 

Song, A, from Shakespear's Cymbeline. Arne, T. A. Lyric 

harmony. Vol. 2. M.380.1 

Song of angels. Part-song. Schulthes. No. 8 in M.260.14 

Song, The, of Balder. Cantata. For the Music see Lloyd, 

C. H. For the Libretto see Weatherly. 
Song, The, of consecration. Part-song. Abt, F. 

No. 47 in M.157.6.1 
Song, A, of destiny. Cantata. For the Music see Brahms. 

For the Libretto see Hoelderlin. 
Song of freedom. Part-song. Schumann, R. A. 

No. 6 in M.IS7.2I 
Song of Harold Harfager. Part-song. Werner. H. 

No. 38 in M. 205.10.3; etc. 
Song of home. Cantata. For the Music see Cutter, E. For 

the Libretto see Longfellow. 
Song of Iras. Song. Kelley. No. 13 in M.380.10 

Song, A, of life. Cantata. For the Music see Gaul. For the 

Libretto see Ravenswood. 
Song of Mina's soldiers. Hodges, G. L. Collection of Penin- 
sular melodies. Vol. i. No. i in M.244.25.1 
Song, The, of Miriam. Cantata. For the Music see Schu- 
bert, F. P. For the Libretto see Grillparzer. 
Song, A, of morning. Song. Cowen. No. 4 in M. 192.10 
Song of night. Song. Mendelssohn-Bartholdy, J. L. F. 
Songs. No. 53 in M.244.21 
Song of Spring. Song. Mendelssohn-Bartholdy, J. L. F. 
Songs. No. 49 in M.244.21 
Song, A, of thanksgiving. Cantata. For the Music see 

Cowen. 
Song, The, of the chase. Part-song. Schumann, R. A. 

No. 17 in M.205.10.7 
Song, A, of the Christ. Sunday school service. Sawyer, H. P. 

No. 2 in M.415.78 
Song, The, of the fire-worshipper. Song. Attwood. 

No. 9 in M.a36.2 
Song of the four seasons. Part-song. 

Herman, R. L. No. 48 in M.3g2.io 

Selby. No. 20 in M. 204.36.3 

Song, The, of the Frank-companies. Part-song. Pearsall. 

No. 16 in M.195.1.10 
Song, The, of the Georgian maid. Song. Bishop, H. R. 

No. 21 in M.236.2 
Song of the gipsy maidens. Part-song. Hatton. 

No. 28 in M.ig5.i.6 

Song of the Graces from "Faust." Part-song. Reinecke, C. 

H. C. No. 6 in M.204.36.5 

Song of the Little Bathing. Cantata. For the Music see 

White, A. M. For the Libretto see Kingsley. 
Song of the miner. Part-song. Kuecken. No. 35 in M.157.6.1 
Song of the Norns. Cantata. For the Music see Hofmann, 
H. C. J. For the Libretto see Novra. 



102 



Song 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Song of the railroads. Part-song. Macfarken, G. A. 

No. 4 in M. 157.4; etc. 

Song of the silent land. Song. Waley. No. 18 in M.380.18 

Song, The, of the Spring. Part-song. Moscheles, I. Tyrolese 
melodies. Vol. 2. No. 18 in M.244.24.2 

Song of the summer birds. Duet. Rubinstein. 18 two-part 
songs. No. I in M.IS5.47 

Song, The, of the sword. Song. Becvarovsky. 

No. 4 in M.212.21.2 

Song, The, of the Titans. Part-song. Rossini. 

No. 6 in M.280.32 

Song of the Viking. Part-song. Chadwick, G. W. 

No. 3 in M. 194.8; etc. 

Song, The, of the Western men. Cantata. For the Music 
see Betjemann. For the Libretto see Hawker. 

Song of the wind. Part-song. Hine, G. No. i in M.195.1.17 

Song of the wood nymphs. Part-song. Smart, H. 

No. 12 in M.244.10.5 

Song, The, of the world. Part-song. Hawes, C. W. 

No. 28 in 11.158.17; etc. 

Song, A, of winter. Part-song. Hatton. No. 12 in M.205.10.1 

Song of wood nymphs. Duet. Waley. No. 22 in M.380.18 

Song should breathe of scents and flowers. Part-song. 
HuLLAH, J. P. No.43inM.i57.2 

Song to May. Part-song. Herman, R. L. No. 47 in M. 392. 10 

Song to Pan. Part-song. Hatton. No. 23 in M.195.1.1 

Pinsuti. No. 22 in M.195.1.16 

Songe, Le, d'une nuit d'ete. Incidental music. Mendelssohn- 
Bartholdy, J. L. F. Ein Sommernachtstraum. 

No. 2 in M.353.5 

Songe, Le, d'une nuit d'ete. Opera. For the Music see Ser- 
pette; also Thomas, C. L. A. For the Libretto see Noel; 
also Rosier, J. B. 

Songes, Les. Cantata. For the Music see Prevost-Rousseau. 
For the Libretto see Nadaud. 

Songs. With music. 

This heading includes only songs which have been separately pub- 
lished. Volumes containing two or more songs, whether by one 
author or several authors, will be found under the heading: Songs. 
With music. Collections. Unless otherwise stated, it is to be under- 
stood that the accompaniment is that of the piano. When the 
title is given in two languages it may be inferred that the entire 
text of the song is so written. 

See also Children's songs; Christmas carols; Church music. Anthems; 
Church music. Psalmody; Duets. Vocal; Drinking songs; Folk-songs; 
National songs; Negro melodies; Part-songs; Sailors' songs; Soldiers' 
songs : Student songs. 

Abos, G. [Padre, con quest' amplesso. Aria, t., coll' or- 
chestra.] No. I in M. 120.16 
Abrams. A smile & a tear [s.]. No. 39 in M.384.48 
Abt, F. Ach, ware mein Liebster tod. Lied [s. oder t.]. 

No. 3 in M.192.1 

Am Neckar, am Rhein. Fiir eine Singstimme (hohen 

bar.). No. 27inM.i92.i 

Auf der Reise zur Liebsten. Lied [s. oder t.]. 

No. 8 in M.192.1 

Auf ewig dein! Lied [s. oder t.]. No. ii in M. 192.1 

„Ave Maria." Fiir eine Altstimme. No. 22 in M.192.2 

Ave Maria (Hedwig am Gnadenbilde). Fiir eine 

Sopranstimme. No. i in M.192.2 

• Dear angel! sleep thee well. Schlaf wohl du si^isser 

Engel du. Serenade [s. or t.]. No. 24 in M.192.2 

Dear home of my childhood. [Song, s. or t.] 

No. 25 in M.192.2 

Der deutsche Knabe. Lied fiir eine Singstimme, t. 

Oder s. No. S in M.192.1 

Es ist nun einmal so. Fiir eine Singstimme [s. oder 

T.]. No. 21 in M.192.2 

Gruss. Lied [s. oder t.]. No. 7 in M.192.1 

— — Gute Nacht, du mein herziges Kind. Fiir eine Sing- 
stimme [s. oder t.]. No. 23 in M.192.1 

Haidevoglein. Lied [s. oder t.]. No. 2 in M.192.1 

The herdsman's mountain home. [Song, s. or t.] 

No. 29 in M.192.2 

Home so blest. For a. or b. No. 27 in M.192.2 

Hornist und Musketier. Fiir Bariton oder Bass, rait 



Songs. With music. (Continued.) 

Begleitung des Pianoforte und Horn 



- I see thee. Love, in every flower, 
jeder Blume.) Song, s. 

Immer bei dir. Lied [s. oder t.] 

Krieger's Abschied 



ad libit. 

No. 23 in M.192.1 

(Ich sehe dich in 

No. 28 in M.192.2 

No. I in M.192.1 

Fiir eine Singstimme [bar.]. 

No. 17 in M.192.1 



Lied 



Lebt wohl, ihr blauen Augen. 

Morning greeting. (Morgengruss.) 

Night in slumber. [Song, A. or bar.] 
O pray you, warblers. 



O rosy morn. [Song, 
Reflection. [Song, s. or t.] 
Schweizers Heimweh. Lied 

Sei still. Lied [s. oder t.]. 
So shall my darling be. [Song 

Stay with me. (Bleib' bei mir.) 



[t.]. 

No. 12 in M.192.1 
[Song, s. or T.] 
No. 26 in M.192.2 
No. 31 in M.192.2 
[Song, A. or b.] 

No. 32 in M.192.2 
. or T.] No. 33 in M.192.2 

No. 34 in M.192.2 
[s. oder T.]. 

No. 6 in M.192.1 
No. 4 in M.192.1 
s. or T.] 

No. 35 in M.192.2 
[Song, A. or b.] 
No. 36 in M.192.2; etc. 

Tell me, O bird of the merry greenwood. [Song, s. 

or T.] No. 30 in M.192.2 

Thee only I love. Song [s. or t.]. No. 37 in M.192.2 

Thou art the world. [Song, a or B.] No. 38 in M.192.2 

Wanderlied. Lied [s. oder t.]. No. 13 in M.192.1 

When I am near thee. Marie. [Song, bar.] 

No. 39 in M.192.2 

With thee. Song [a. or b.] from the "Prince of Cau- 
casus." No. 40 in M.192.2 

Adam, A. C. Elle est a moi. Air [t.]. No. 23 in M.390.37 

La fille de Dominique. Couplets [s.]. 

No. 33 in M.390.37 

J'ai peur, j'ai peur! [Chant, b.] No. 20 in M.193.21.2 

Alberti, D. Caro sposo. Aria a soprano solo con stro- 

menti. [Partitura.] No. 6 in M.120.17; etc. 

Andreozzi. Pietoso Dio che adoro. Cavatina con quar- 

tetto. No. S in M. 120.12 

Anfossi, P. Berenice che fai more il tuo. Scena ed aria 

[t., con accomp. d'orchestra. Partitura]. 

No. 5 in M. 120.17 

Eccossi tratta il padre un figlio capitano. [Scena ed 

aria, x., con accomp. d'orchestra. Partitura.] 

No. 4 in M. 120.17 

Minaccia avverso il Fato. [Aria, s., con accomp. d' 

orchestra. Partitura.] No. 2 in M.120.17; etc. 

Araby's daughter. Ballad [s. or T.] from Lalla Rookh. 

The melody by , with symphonies and accomp. by 

G. Kiallmark. No. 15 in M.236.2 

Arne, T. a. Homeward bound. [Song, t., with accomp. 
for harpsichord and clarinets.] No. 37 in M.384.48 

Overture to Thomas and Sally. [Also the Scotch air, 



Voice [s.] or Ger. 



s., in the overture 

Rule Britannia. 

forte accomp. 

Two English cantatas for a voice 

ments. 

Arnold, S. Lira lira. A favorite song 

of Calais [s.]. 
AsioLi. Tisbe. Cantata a voce sola 

conip. d'orchestra.] Partitura. 
Attvvood. The acacia bower. [Song, s. or 

Rookh. 

At early dawn from humble cot. A 

farce Fast asleep. 

The cold wave my love lies under. 

From Lalla Rookh. 

Her hands were clasp'd. Recit 

from Lalla Rookh 



No. 30 in M.237.7 
flute with piano- 
No. I in M.384.48 
[t.] and instru- 
No. 3 in M.237.26 
in the Surrender 
No. 38 in M.384.48 
di soprano. [Ac- 
M.350.1 
t.] From Lalla 
No. II in M.236.a 
song [s.] in the 
No. 26 in M.237.3 
[Song, s. or T.] 
No. 10 in M.236.2 
and air [s. or T.] 
No. 12 in M.236.2 



song of the fire-worshipper [t.], from Lalla 

No. 9 in M.236.a 
No. 2 in M.391.57 



The 

Rookh. 
Auber. Barcarola. [t. solo. 



103 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. (Continued.) 

Les yeux. [Chanson, ba:«.] No. 4 in M.221.33 

Balfe. The Alpine lay. [Song, s. or t.] No. 24 in M.192.9.1 

Annabel Lee. Ballad [a. or bar.]. No. i in M.igz.g.i 

Behold the happy home. Ballad [s. or t.]. 

No. 22 in M.192.9.1 

The canteeneer. Concert song [s.]. No. 2 in M. 192.9.1 

The churchyard wall. [Song, bar.] No. 25 in M.192.9.1 

Come away to the sands. [Song, s. or t.] 

No. 3 in M.192.9.1 

Come into the garden, Maud. Serenade [t.]. 

No. 4 in M.192.9.1 

Come with the gipsy bride. Song [s.], with chorus 

ad lib. No. 26 in M.235.7.1 

Could'st thou but know. See his Si tu savais. 

The day is done. [Song, a. or bar.] No. 5 in M.192.9.1 

Farewell, dear home. Ballad [a. or bar.]. 

No. 6 in M.192.9.1 

• The first kiss. Song [bar.]. 

• Fresh as a rose. Ballad [t.]. 
■ Gentle Nellie Gray. Song [bar.] 

b.]. 
- Gently o'er the rippling water. 



No. 26 in M.192.9.1 

No. 8 in M.192.9.1 

and chorus [a. t. 

No. 9 in M.192.9.1 

[Song, s. or t.]. 



No. 10 in M.192.9.1 

— Go, lovely rose. [Song, t.]. No. ii in M.192.9.1 

— Good night! beloved. Serenade [t.]. No. 12 in M.192.9.1 

— The green trees whispered low and mild. [Song, t.] 

No. 27 in M.192.9.1 

— Gushing from this living fountain. [Song, s. or t.] 

No. 13 in M.192.9.1 

— Ho girato tutto il mondo. Aria per basso. 

No. 14 in M.192.9.1 

— I love you [t.]. No. 15 in M.192.9.1 

— I'm a merry Zingara. Song [s.]. No. 18 in M.192.9.1 

— I'm leavin' hame, my Willie. Scotch ballad [a.]. 

No. 19 in M.i92.g.i 

— I'm not in love, remember. Song [s.]. 

No. 20 in M.192.9.1 

— I'm with you once again. [Song, a. or bar.] 

No. 21 in M.192.9.1 

— I wandered by the brookside. Ballad [a. or bar.]. 

No. 16 in M.192.9.1 

— If I could change. Ballad [a. or bar.]. 

No. 17 in M. 192.9.1 

— Lady Mildred. [Song, t.] No. i in M.192.9.2 

— Let me whisper in thine ear. Ballad [t.]. 

No. 2 in M.192.9.2 

— The light of other days. [Song, s. or t.] 

No. 13 in M.192.9.2 

— Magenta, or "Sound, trumpet, sound." Song [a. or 

BAR.]. 

Margaretta. [Song, bar.] 

— The moon is up. [Song, a. or bar.] 

My native land. [Bravura song, s. 



Norah, darling, don't believe them. 
"O take me to thy heart again." 



O weep not, lady. [Song, 
One smile from thee. Song 



bar.] 
• [a. or 



No. 3 in M.192.9.2 

No. 4 in M.192.9.2 

No. 14 in M.ig2.9.2 

or T.] 

No. 5 in M.192.9.2 

Irish ballad [t.]. 

No. 6 in M.192.9.2 

Song [a.]. 

No. 8 in M.192.9.2 

No. 7 in M.192.9.2 

bar.]. 

No. 9 in M.192.9.2 

No. 19 in M.192.9.2 

[Song, A. or B.] 

No. 17 in M.192.9.2 
The rowan tree. [Song, A. or b.] No. 16 in M.192.9.2 
The sands of Dee. [Song, s. or t.] No. 15 in M.192.9.2 
Si tu savais, "Didst thou but know." Romance [t.]. 

No. 10 in M.192.9.2; etc. 
The spirit of light. Cavatina [s. or t.]. 

No. 18 in M.192.9.2 
The sun upon the silent hills. [Song, s. or t.] 

No. 20 in M.192.9.2 
Sweetheart. A bird's song [s. or t.]. 

No. 12 in M.192.9.2 



The quadroon girl. Song [a. or b.]. 
The' reaper and the flowers. 



Songs. M'^ith music. (Continued.) 

Then lady, wake. [Song, t.] No. 21 in M.192.9.2 

Threads of gold. Ballad [s. or t.]. No. 22 in M.192.9.2 

Till thou sought'st my happy cot. Ballad [t.] from 

The maid of honor. No. 23 in M.192.9.2 

To me the world's an open book. [Song, A. or b.] 

No. 24 in M.192.9.2 

'Twas he, my only thought. Ballad [s.] in the opera 

Bianca the bravo's bride. No. 25 in M.192.9.2 

'Twas in that garden beautiful. [Song, s.] In The 



siege of Rochelle. 
— We may be happy yet. 
daughter of St. Mark. 



Ballad 



What's a tear? 

— Woman's heart, 
ress. 

— Write to me. 

Yon moon o'er 



Ballad [s. or t.]. 
Romance [s. or t." 



[Song, T.] 
the mountain. 



No. 26 in M.192.9.2 
[s. or T.] in The 
No. 27 in M.192.9.2 
No. 28 in M.192.9.2 
^ in The enchant- 
No. 29 in M.ig2.9.2 
No. 30 in M.192.9.2 
Romance [s. or T.]. 
No. 31 in M.192.9.2 
Benda, G. Amynts Klagen iiber die Flucht der Lalage. 
Fiir die Discantstimme, begleitet von 2 Waldhornern, 2 
Floten 2 Violinen, Bratsche und Bass. [Stimmen.] 

No. 3 in M.1S2.30 

Berlioz, L. H. Absence. Melodic [t.], instrumentee pour 

I'orchestre. Grande partition. No. i in M.341.24; etc. 

Adieu, Bessy. Romance [t.]. No. 8 in M.391.32; etc. 

La belle Isabeau. Conte pendant I'orage [m.-s.]. 

No. 29 in M.391.32; etc. 

La belle voyageuse. Legende irlandaise [m.-s.]. 

Instrumentee pour orchestre. G'^^ partition. 

No. 2 in M.341.24; etc. 

La captive. Reverie pour m.-s. ou c. [Accomp. d' 

orchestre. Partition.] No. 3 in M.341.24; etc. 

Les champs. Aubade, t. No. 26 in M.391.32; etc. 

Le chasseur danois. [Chanson, b.] 

No. 28 in M.3gi.32; etc. 

Le coucher du soleil. Reverie [t.]. 

No. I in M.391.32; etc. 

filegie [t.]. No. 9 in M.391.32; etc. 

Le jeune patre breton. [Romance, s. ou t.] ^ Avec 

accomp. d'orchestre. Partition. No. 4 in M.341.24; etc. 

Le matin. Romance, s. ou t. No. 14 in M.391.32; etc. 

L'origine de la harpe. Ballade [s. ou t.]. 

No. 7 in M.391.32; etc. 

No. 19 in M.391.32 
Chanson, m.-s. ou bar. 

No. 15 in M.391.32; etc. 
transports. [Solo, a., tire de Romeo et 

No. 22 in M.391.32 

No. 25 in M.391.32; etc. 

No. 6 in M. 140.1 

A canzonet [s. or t.] 



Le pecheur. 
Petit oiseau. 



Ballade [s. ou t.]. 



Premiers 

Juliette.] 

Za'ide. Bolero, s. 

Bertoni. [Son amante. a. ou bar.^ 
BiANCHi, G. Gia riede primavera. 

with an accomp. for the piano forte or harp. 

No. 13 in M.237.7 
BiRDSEYE. Once again [bar.]. No. 20 in M. 192.13.2 

Bishop, H. R. The Arabian maid's song [s.], from Lalla 

Rookh. No. 23 in M.236.2 

The feast of roses. [Song, s. or t.] From Lalla 

Rookh. No. 18 in M.236.2 

He is all the world to me. Air [s.]. No. 44 in M.237.7 

The song of the Georgian maid [s.], from Lalla Rookh. 

No. 21 in M.236.2 
Blondeau, p. a. L. Marie Stuart. Monologue lyrique 
[s.]. No. 2 in M.281.8 

Blue Bells, The, of Scotland. A song [s.], with an ac- 
comp. for the piano forte, harp, guitar or lute. 

No. 20 in M.237.2 
Blumenthal. Across the far blue hills, Marie. Song [t.]. 

No. I in M.ig2.i2 

The bend of the river. Song [s. or t.]. 

No. 13 in M. 192.12 

La capricciosa (Die Eigensinnige). Arietta [s.]. 

No. 21 in M.244.1 ; etc. 

The children's kingdom. [Song, a.] No. 4 in M.244.1 

Clear and cool. [Song, a. or bar.] No. 2 in M.244.1 



104 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. IVith music. (Continued.) 

Come to thy lattice. Serenade [t. or s.]. 

No. 8 in M.244.1 

The days that are no more. [Song, A. or b.] 

No. 9 in M.244.1 

Espere en Dieu. Romance [s. ou t.]. 

An evening song [bar.]. 

Exhilaration. [Song, s. or t.] 

The gate of gold. Romance [s.]. 

Good morrow, Love. Ballad [t. or 



Her king. Song [s. or t.]. 

Her name. Song [bar.]. 

I awake and dream. Song [a.]. 

I prithee, give me back my heart. 

I thought to be your bride. 

Leoline. Song [t.]. 

Life. [Song, a. or b.] 

Love the pilgrim. [Song, s. 

The message. [Song, t. or 

My queen! Song [t.]. 

My sweet sweeting. [Song, bar.] No. 10 in M.244.1 

My true love has my heart. Ballad [a.]. 

No. 8 in M. 192.12 

Le papillon (Der Schmetterling). 



No. 25 in M.244.1 
No. 13 in M.244.1 
No. 2 in M. 192. 12 
No. 18 in M.244.1 
s.]. 

No. 15 in M.244.1 
No. 3 in M. 192.12 
No. 4 in M. 192.12 
No. S in M. 192. 12 
[Song, A. or bar.] 
No. 19 in M.244.1 
Song [a.]. 

No. 16 in M.244.1 

No. II in M.244.1 

No. 7 in M. 192.12 

or t.] No. 20 in M.244.1 

s.] No. 6 in M.244.1 ; etc. 

No. 5 in M.244.1 



Pour ma mere (Fur meine Mutter) 

Rappelle-toi (Gedenke mein). 

The reason why. Song [s. or t.]. 

Regret. [Song, s. or t.] 

The requital. [Song, t.] 

Sais-tu pourquoi, ma douce reine? 



Sunshine and rain. Song [a. or b.]. 
Sweet is true love. [Song, bar.] 
Thinking of thee. Song [t.]. 
Thoughts of thee. [Song, a. or bar.] 
The two stars. Song [bar.]. 
Twilight song [a. or b.]. 
Venetian boat song [bar.]. 
Waiting. [Song, s. or bar.] 
The wedding day. Song [a. or 



Romance [bar.]. 

No. 22 in M.244.1 

Romance [bar.]. 

No. 23 in M.244.1 

Melodic [s. ou bar.]. 

No. 26 in M.244.1 

No. 14 in M. 192.12 

No. 9 in M. 192. 12 

No. 3 in M.244.1 

Melodic [t.]. 

No. 24 in M.244.1 

No. 10 in M. 192. 12 

No. I in M.244.1 

No. 16 in M. 192.12 

No. 12 in M.244.1 

No. 15 in M. 192.12 

No. 7 in M.244.1 

No. 17 in M.192.12 

No. 18 in M.192.12 

BAR.]. 



No. II in M.192.12 

When we are parted! Ballad [bar.]. No. 14 in M.244.1 

Why was I looking out? [Song, s.] No. 17 in M.244.1 

Yes. Song [bar.]. No. 19 in M.192.12 

Bourgeois, T. L. L'Amour musicien. Cantate a voix 

seule [s.] avec simphonie. [Partition.] No. 3 in M.281.18 

Le combat d'Anacreon contre I'Amour. Cantate a 

voix seule [t.] avec symphonic. [Partition.] 

No. 4 in M.281.18 
Bouteiller. Hero et Leandre. Cantate 

Accomp. d'orchestre. Partition]. 
Braham. The beautiful maid. A ballad 

of The cabinet. 

Said a smile to a tear. 

False alarms [t.]. 



[a voix seule, s. 

No. I in M.281.8 

[t.] in the opera 

No. 31 in M.237.7 

Celebrated song in the opera 

No. 41 in M.384.48 



Songs. With music. (Continued.) 

Camp medley. The. With the original tunes. Within 
compass of the German flute, [s. or t.] 

No. 31 in M.384.48 
Carafa. Assis dans ma barque. Couplets [t.]. 

No. 3, 8 in M.390.37 

Chant de la berceuse [s.]. No. 6 in M.390.37 

Dans notre chaumiere. Ronde [s.]. No. 5 in M.390.37 

Carter, T. Oh Nanny, wilt thou fly with me? Song [t.]. 

No. 28 in M.237.7; etc. 

Castle. Morning and evening. A sacred song [s. or t.], 

with quartet ad lib. No. 13 in M. 190.2 

Cazaneuve. Myrto. [Cantate pour voix de soprano.] 

No. 2 in M.ig4.7 
Celli. Solo un bacio. Grande valse 

voix [s.]. Orchester-Partitur. 
Chard. Domum. An English version, 



Brahms. Mondnacht. Fiir hohe Stimme. No. 7 in M.380.40.3 
Bratsch. Der arme Thorns. [Lied fiir eine Singstimme, 
A. Oder bar.] No. 3 in M.236.6 

Ihr verbliihet, siisse Rosen. [Lied fiir eine Sing- 
stimme, s. Oder t.] No. 2 in M.236.6 

O sieh mich nicht so lachelnd an. [Lied fiir eine 

Singstimme, bar.] No. i in M.236.6 

Buck, D. The tempest [s. or t.]. No. 22 in M.200.2 

Bungert. Bei diesem kalten Wehen? [Lied fiir eine 

mittlere Stimme.] No. 11 in M.380.20 

„0 sehne dich nicht an's graue Meer." [Lied.] Fiir 

eine Bariton-oder Altstimme. No. 13 in M.380.20 

Callcott, J. W. Angel of life. [Recitativo and aria, t.] 

No. 34 in M.23S.14 

III 14 



Yes, yes, be merciless. Song [s.] 

Chaumet. Patria. Poeme dramatique 

CiMAROSA. Ah che la morte io veggo. 
comp. d'orchestra.] 

Al raggio della luna. Aria, t, 

chestra. Partitura. 

Morte crudele e ingiusta. 

d' orchestra.] 

Nel lasciarti, O 

comp. d'orchestra. 

Quelle pupille tenere. 

chestra. Partitura]. 



brillante pour la 

No. 5 in M.336.1 

[Song, s. or t.] 

No. 20 in M.235.14 

in Pizarro. 

No. 27 in M.237.2 
[b.]. 

No. 3 in M.396.3 
Aria seria. [Ac- 
No. 2 in M.120.12 
con accomp. d'or- 
No. 7 in M. 120.18 
Scena ed aria. [Accomp. 
No. 3 in M. 120.12 
prence amato. Aria [bar., con ac- 
Partitura]. No. 8 in M. 120.6 

Aria [s., con accomp. d'or- 
No. 6 in M. 120.18 

Se torni vincitor. Scena con duetto [t. t., con ac- 
comp. d'orchestra. Partitura]. No. 9 in M. 120.18 

Clarke-Whitfeld. The minstrel's harp. A cantata [t.] 
from The lay of the last minstrel: with an accompani- 
ment for the harp or pianoforte. No. 42 in M.384.48 

My sweet little Anne. [Song, t. Accomp. for flutes, 

violins, and pianoforte.] No. i in M.235.14 

Namouna's song [s.], in Lalla Rookh. 

No. 19 in M.236.2 

The Peri pardoned. [Song, s.] From Lalla Rookh. 

No. 7 in M.236.2 

The spirit's song [s.], in Lalla Rookh. 

No. 20 in M.236.2 
Clifton, J. C. Oh, let me only breathe the air. [Song, 
s.] From Lalla Rookh. No. 5 in M.236.2 

CoccHi. Berenice che fai. Recitativo ed aria, s., con ac- 
comp. d'orchestra. Canto e basso, e parti separate d' 
istromenti. No. 4 in M.200.9 

Va crescendo qual face agitata. Aria, s., con accomp. 

d'orchestra. Partitura. No. 10 in M. 120.18 

CocciA. Ero. An Italian cantata for one voice [s.]. 

No. 2 in M.221.12 

Coelho. Voce vio! [Lundum.] No. 7 in M.391.57 

Collins, J. The chapter of kings. A celebrated historical 

song [t. With accomp. for piano and violin, or flute or 

guitar]. No. 4 >n M.384.48 

The golden days of good Queen Bess. A favorite 

song [s.]. No. 13 in M.384.48 

CoNCONE. Beatrix. Scene et air [s. ou t.]. No. 4 in m. 244.2 

Derniers voeux de Rachel. Melodic biblique pour 

mezzo-soprano. No. S in M.244.2 

La femme de I'exile. Scene et air pour soprano. 

No. 2 in M.244.2 

La fiancee du marin. Scene et air pour soprano. 

No. 6 in M.244.2 

Les fleurs qui chantent. Tyrolienne pour soprano. 

No. 8 in M.244.2 

Jeanne Hachette. Scene et air [s. ou t.]. 

No. 3 in M.244.2 

Judith. Scene and air [s.]. No. i in M.244.2 

Melanie. Scene dramatique [s.]. No. 7 in M.244.2 

Cooke, R. The farewell. [Song, s. or t.] No. 8 in M.23S.14 
CowEN. Alone. [Song, a. or bar.] No. i in M.192.11 

105 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. (Continued.) 
As years go past. [Ballad, 



BAR.] 

No. 2 in H.ig2.ii 
No. 3 in M.192.11 
No. 5 in M.192.11 
No. 6 in M.192.11 
No. 7 in M.192.11 



Aubade. Serenade [t.]. 

Better far. [Song, a. or bar.] 

The better land. [Song] s. 

Evening star. [Song] s. 

Fantasia: Kiss mine eyelids, lovely morn [s. or T.]. 

No. 8 in M.192.11 
Far away. [Song, s.] No. 9 in M.192.11 

The first farewell. [Song, t.] No. 29 in M.192.11 

Forever and forever. Song [s. or t.]. No. 10 in M.192.11 
Good night! [Song, m.-s. or bar.] No. ii in M.192.11 
He and she. [Song, m.-s. or t.] No. 12 in M.192.11 
I dreamed of thee. [Song, a. or bar.] 

No 
I wonder why. [Song, a. or bar.] 
If every lute on earth were mute. 



13 m M.192.11 
No. 14 in M.192.11 
Song [a. or bar.]. 
No. 15 in M.192.11 
No. 16 in M.192.11 
No. 17 in M.192.11 
No. 18 in M.192.11 
No. 19 in M.192.11 
No. 27 in M.192.11 
No. 28 in M.192.11 
b. Accomp. for 
No. 20 in M.192.11 
No. 21 in M.192.11 
No. 22 in M.192.11 
No. 23 in M.192.11 
No. 24 in M.192.11 
No. 25 in M.192.11 
No. 4 in M. 192.10 
[Song, s. or t.] 

No. 26 in M.192.11 

Thoughts at sunrise. [Song, s.] No. 30 in M.192.11 

Thy remembrance. [Song, s. or t.] No. 31 in M.192.11 

The unfinished song. [Song, a. or b.] 

No. 32 in M.192.11 

Who knows? Song [s. or t.]. 

World of dreams. [Song, s. or t. 

Curschmann, C. F. Aus Liebeszauber 



— In the chimney corner. [Song, s.] 

— Is my lover on the sea? [Song, s.] 

— It was a dream. Song [s. or T.]. 

— Jessie. [Song, t.] 

— The keepsake. [Song, a. or bar.] 

— The last dream. [Song, a. or bar.] 

— Light in darkness. [Song, a. or 
pianoforte, and organ, ad lib.] 

— Love me if I live. [Song, s.] 

— Marie. Song [t.]. 

My love is late. [Song, s.] 

Nightfall. [Song, s. or t.] 

Snow flakes. [Song, s. or t.] 

A song of morning, s. or t. 

Sweet evenings come and go 



No. 33 in M.192.11 
No. 34 in M.192.11 
[Gesang, s. o. t.] 
No. 7 in M.221.30 
No. 9 in M.221.30 
No. 8 in M.221.30 
No. 5 in M.391.S7 



Ungeduld. [Lied, s. o. t.] 

Waldesgruss. [Gesang. s. or bar.] 

Daddi. Nao dormi! [Solo, s.] 

Damrosch, L. Siegfrieds Sword. (Siegfrieds Schwert.) 

Ballade. For tenor voice with accomp. of orchestra. 

No. I in M.403.26 

Davenport, A. Erin Machree, or the handful of earth, 

[Song, s.] No. 24 in M. 290.12 

Faithless. [Song, bar.] No. 18 in M.290.12 

The flower of Marblehead. [Song, s.] 

No. 27 in M.290.12 

The golden land. Sacred song, duett [s. A.] and 

chorus. No. 28 in M.290.12 

The heavenly hill. Sacred song and chorus. 

No. 29 in M.290.12 

I will be true to thee. Song [s.]. No. 30 in M.290.12 

Little Dottie's vision. [Song and chorus.] 

No. 31 in M.2go.i2 

The mountain echo. [Song, a. or bar.] 

N0..21 in M.290.12 

The name I learned to love. [Song, a. or bar.] 

No. 26 in M.290.12 

Nannie's confession. [Song, s.] No. 25 in M.290.12 

The night watch. [Song, a. or b.] No. 17 in M.290.12 

One smile, one tear. [Song, bar.] No. 16 in M.290.12 

The shipwreck. [Song, b. or a.] No. 22 in M.290.12 

Some one's coming. Song and chorus. 

No. 32 in M.290.12 

Thou art like a lovely flow'ret. [Song, bar.] 

No. 20 in M.290.12 
Davenport, W. In patient love. Serenade [t.]. 

No. IS in M.290.12 



Songs. With music. (Continued.) 

Dibdin, C. 1745-1814. Bachelor's Hall [t.] : for his enter- 
tainment, The oddities. No. 3 in M.384.48 

The blind sailor: for his entertainment. The Quizes, 

or a trip to Elysium. [Song, s. or t.] No. ii in M.384.48 

Buxom Nan: for his entertainment, The wags, or the 

camp of pleasure. [Song, s. or t.] No. 17 in M.384.48; etc. 

Father and mother Suke: in his entertainment, called 

Castles in the air. [Song, t.] No. 30 in M.384.48; etc. 

The flowing can: for his entertainment, The oddities. 

[Song, t.] No. 2 in M.324.48;etc. 

Jack at the windlass: for his entertainment called The 

Quizes, or a trip to Elysium. [Song, t.] 

No. 19 in M.384.48; etc. 

Jack Ratlin. A favorite song in Liberty Hall [x.]. 

No. 12 in M.384.48; etc. 

The jolly ringers: in his entertainment, Castles in the 

air. [Song, s. or t.] No. 23 in M.384.48 

The lamplighter: for his entertainment. The oddities. 

[Song, T.] No. 18 in M.384.48; etc. 

Lovely Nan. [Song, t.] No. 40 in M.384.48; etc. 

The lucky escape: for his entertainment. Private 

theatricals or nature in nubibus. [Song, s. or T.] 

No. 10 in M.384.48; etc. 

None so pretty: for his entertainment. The Quizes, 

or a trip to Elysium. [Song, s. or t.] No. 8 in M.384.48 

Poor Jack. A favorite song in the Whim of the mo- 
ment [t.]. No. 5 in M.384.48 

Poor Tom, or the sailor's epitaph: for his The oddi- 
ties. [Song, s. or t.]. No. 15 in M.384.48; etc. 

The race horse. A celebrated song in Liberty Hall. 

[t.] No. 16 in M.384.48 

— ■ — Saturday night at sea; for his entertainment. The 
oddities. [Song, s. or t.] No. 9 in M.384.48; etc. 

The soldier's adieu. [Song, t.] No. 38 in M.237.7 

The true hearted tar, being a sequel to The disconso- 
late sailor. [Song, s. or t.] No. 7 in M.384.48 

Dignum, editor. The neglected tar. A celebrated song 
[t.] adapted by Mr. Dignum. No. 21 in M.384.48 

Donizetti. Sah' ich ihr Auge. Romanze [a. or b.] aus 
der Oper: Der Wahnsinnige auf Set. Domingo. 

No. 13 in M.236.6 

EcKLEY. A bacchanalian song [b.]. No. 7 in M.235.14 

Engel, D. H. Wenn sich zwei Herzen scheiden. [Lied, 

s. Oder t.] No. 3 in M.236.8 

Fane, J. Bendemeer's stream. [Song, s. or t.] 

No. 2 in M.236.2 
Fay, fi. Amour et rose. Romance [s. ou t.]. 

No. 14 in M.22I.33 
Feltre. D'un bal vif et bruyant. Couplets [s.]. 

No; 22 in M.390.37 

Dans ses penchants inconstant. Air [t.]. 

No. 20 in M.390.37 

Palais pompeux, riches demeures. Romance [t.]. 

No. 21 in M.390.37 
Ferrari, G. G. Non vi fidate agli uomini. Cavatina [s.]. 

No. 5 in M.390.44 

Fesca, F. E. Scena italiana, con sottoposte parole 

tedesche, per voce di soprano. No. 3 in M.221.5 

Fioravanti, V. Almen per breve istante. Scena ed aria, 

s., coir orchestra. Partitura. No. 3 in M.120.16 

Amor de miei sospiri. Cavatina, s., coll' orchestra. 

Partitura. No. 2 in M. 120.16 

Fischer, C. L. O armes, armes Vaterland. Fiir eine 
Sopran- oder Tenor-Stimme, mit Piano-Forte oder 
Guitare Begleitung. No. 7 in M.236.6 

Foster, G. W. Day dreams, or true love never dies. 
Ballad [s. or t.]. No. 13 in M.380.4.1 

Foster, S. C. Ah! may the red rose live alway. Song [t.]. 

No. I in M.380.41.1 

Angelina Baker. A plantation melody [t.]. 

No. 2 in M.380.41.1 

Annie my own love. Song [t.]. No. 3 in M.380.41.1 

Beautiful child of song. [Song, t.] No. 4 in M.380.41.1 

Beautiful dreamer. [Song, t.] No. 3 in M.380.41.1 



106 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. With music. (Continued.) 

Better times are coming. [New version. Song, s.] 

No. 6 in M.380.41.1 

Bury me in the morning, Mother. [Song or duet, 

with chorus.] No. 7 in M.380.41.1 

Camptown races. A favorite Ethiopian song [t.]. 

No. 8 in M.380.41.1 

Come with thy sweet voice again. Song [t.]. 

No. 10 in M.380.41.1 

Comrades, fill no glass for me. [Song, t.] 

No. 1 1 in M.380.41.1 

Cora Dean. Song [t.]. No. 12 in M.380.41.1 

Dolcy Jones. [Song, t.] No. 14 in M.380.41.1 

Dolly Day. A plantation melody [t.]. 

No. 15 in M.380.41.1 

Don't bet your money on de Shanghai. Plantation 

song [t.]. No. 16 in M.380.41.1 

Down among the cane brakes. Song [t.]. 

No. 17 in M.380.41.1 

A dream of my mother. [Song, t.] 

No. 18 in M. 380.41. 1 

Ellen Bayne. [Song, t.] No. 19 in M.380.41.1 

Eulalie. Song [s. or t.]. No. 20 in M.380.41.1 

Fairy-Belle. Song [t.]. No. 21 in M.380.41.1 

Farewell my Lilly dear. Plantation melody [t.]. 

No. 22 in M.380.41.1 

Farewell old cottage. [Song, s. or t.] 

No. 23 in M.380.41.1 

Farewell sweet mother. [Song, s. or t.] 

No. 24 in M.380.41.1 

For thee love, for thee. Song [s. or t.]. 

No. 25 in M.380.41.1 

Gentle Annie. [Song, s. or t.] No. 26 in M.380.41.1 

Gentle Lena Clare. [Song, s. or t.] 

No. 27 in M.380.41.1 

Give the stranger happy cheer. Ballad [s. or t.]. 

No. 28 in M.380.41.1 

The Glendy Burk. A plantation melody [t.]. 

No. 29 in M.380.41.1 

Golden dreams and fairy castles! Arranged [as solo 

or duet for a. or bar.] by Mrs. Parkhurst. 

No. 30 in M.380.41.1 

Hard times come again no more. [Song, t.] 

No. 31 in M.380.41.1 

I cannot sing tonight. [Song, s. or t.] 

No. 33 in M.380.41.1 

I see her still in my dreams. [Song, t.] 

No. 2 in M.380.41.2 

I will be true to thee. [Song, s. or t.] 

No. 3 in M.380.41.2 

I would not die in summer time. Song [s. or t.]. 

No. 4 in M.380.41.2 

I'd be a fairy. Song [s.]. No. 34 in M.380.41.1 

I'll be home to-morrow. Ballad [t., with chorus]. 

No. I in M.380.41.2 

If you've only got a moustache. [Comic song, s. or 

T.] No. 5 in M.380.41.2 

Jeanie with the light brown hair. [Song, s. or t.] 

No. 6 in M.380.41.2 

Jenny June. [Song, s. or t.] No. 7 in M.380.41.2 

Jenny's coming o'er the green. Ballad [t.]. 

No. 8 in M.380.41.2 

Katy Bell. Song [s. or t., with chorus]. 

No. 9 in M.380.41.2 

Kiss me dear mother. Ballad [s. or t.]. 

No. 10 in M.380.41.2 

Larry's good bye. [Song, s. or t.] 

No. II in M.380.41.2 

Laura Lee. [Song, s. or t.] No. 12 in M.380.41.2 

Leave me with my mother. [Song, s. or t.. with 

chorus.] No. 13 in M.380.41.2 

Linda has departed. Song [s. or t.]. 

No. 14 in M.380.41.2 

Linger in blissful repose. Serenade [s. or t.]. 

No. IS in M.380.41.2 



Songs. With music. (Continued.) 

The little ballad girl. [Song, s. or t.] 

No. 16 in M.380.41.2 

Little Ella. Song [s. or t.]. No. 17 in M.380.41.2 

Little Jenny Dow. Ballad [t.]. No. 18 in M.380.14.2 

Lizzie dies to-night. [Song, s. or t.] 

No. 19 in M.38o.4i.a 

The love I bear to thee. [Song, s. or t.] 

No. 21 in M.380.41.2 

Lula is gone. Song [s. or t.]. No. 22 in M.380.41.2 

Maggie by my side. [Song, t.] No. 20 in M.380.41.2 

Mary loves the flowers. Song [s. or t.]. 

No. 23 in M.380.41.2 

Massa's in the cold, cold ground. [Song, t.] 

No. 24 in M.380.41.2 

Melinda May. [Song, s. or t.] No. 25 in M.380.41.2 

Merry little birds are we. [Song, s. or t.] 

No. 26 in M.380.41.2 

The merry, merry month of May. Song [s. or t.] 

and chorus. No. 27 in M.380.41.2 

Molly! do you love me? Song [t.]. 

No. 30 in M.380.41.2 

Molly dear, good night. Ballad [t.]. 

No. 29 in M.380.41.2 

Mother, thou'rt faithful to me. Ballad [s. or t.]. 

No. 31 in M.38o.4i.a 

My angel boy. [Song, s. or t.] No. 32 in M.380.41.3 

My boy is coming from the war. [Song, s. or t.] 

No. 33 in M. 380.41.3 

My brudder Gum. [Song, t.] No. 34 in M 380.41.2 

My loved one and my own, or Eva. Ballad [t.]. 

No. 35 in M.380.41.2 

My old Kentucky home. [Song, s. or t.] 

No. 36 in M.380.41.3 

My wife is a most knowing woman. [Comic song, t.] 

No. 37 in M.380.41.2 

Nelly Bly. [Song, s. or t.] No. 38 in M.380.41.2 

Nelly was a lady. An Ethiopian melody. [Song, s. 

or T.] No. 39 in M.380.41.3 

None shall weep a tear for me. Song [s. or t.]. 

No. 40 in M.380.41.2 

Oh, boys, carry me long. A plantation melody [t. 

and chorus]. No. 41 in M.380.41.3 

Oh! Lemuel! Go down to the cotton field. Ethiopian 

song [s. or t.]. No. i in M.380.41.3 

Oh, why am I so happy? [Song, s. or t.] 

No. 2 in M.380.41.3 

Old black Joe. [Song, s. or t.] No. 3 in M.380.41.3 

Old dog Tray. [Song, s. or t.] No. 4 in M.380.41.3 

Old folks at home (Swanee River). Song [s. or t.]. 

No. S in M.380.41.3 

Old memories. Song [s. or t.]. No. 6 in M.380.41.3 

Once I loved thee Mary dear. Song [s. or t.]. 

No. 7 in M.380.41.3 

Our Willie dear is dying. Ballad [s. or t.]. 

No. 8 in M.380.41.3 

Parthenia to Ingomar. Song [s.]. No. 9 in M.380.41.3 

A penny for your thoughts. [Song, s. or t.] 

No. 10 in M.380.41.3 

Poor drooping maiden. Song [s. or t.]. 

No. II in M.380.41.3 

Ring de banjo. New Ethiopian melody [t.]. 

No. 12 in M.380.41.3 

Sadly to mine heart appealing. Song [s. or t.]. 

No. 13 in M.380.41.3 

Slumber my darling. Song [s. or t.]. 

No. 14 in M.380.41.3 

The soldier's home. [Song, x.] No. 15 in M.380.41.3 

Some folks. [Song, t.] No. 16 in M.380.41.3 

Somebody's coming to see me to-night. Ballad [s.]. 

No. 17 in M.380.41.3 

The spirit of my song. [Song, s. or t.] 

No. 18 in M.380.41.3 

That's what's the matter. Song [t.]. 

No. 19 in M.380.41.3 

107 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. (Continued.) 

There are plenty of fish in the sea. [Song, s. or t.] 

No. 20 in M.380.41.3 
There's no such girl as mine. [Song, t.] 

No. 21 in M.380.41.3 
'Tis my father's song. Ballad [s. 



Under the willow she's sleeping. 
The village maiden. 



or T.]. 

No. 22 in M.380.41.3 
Song [s. or t.]. 

No. 24 in M.380.41.3 
[Song, s. or t.] 

No. 25 in M.380.41.3 

The voice of bygone days. Ballad [s. or t.]. 

No. 26 in M.380.41.3 

The voices that are gone. [Song, s., and chorus, s. s. 

T. B.] No. 27 in M.380.41.3 

Was my brother in the battle? [Song, s. or t.] 

No. 28 in M.380.41.3 

We've a million in the field. [Song, s. or t.] 

No. 29 in M.380.41.3 

When old friends were here. [Song, s. or t.] 

No. 35 in M.380.41.3 

Where has Lula gone. Ballad [s. or t.]. 

No. 31 in M.380.41.3 

Why have my loved ones gone 



[Song, s. or t.] 
No. 37 in M.380.41.3 
S. or T.] 

No. 38 in M.380.41.3 
Song [s.]. 

No. 39 in M.380.41.3 

Willie has gone to the war. Song and chorus [s. s. 

T B.]. No. 40 in M.380.41.3 

Willie my brave. Ballad [s.]. No. 41 in M.380.41.3 

Fragerolle. Le reve de Joel. Legende [pour voix de 



Why, no one to love? [Song, 
The wife; or he'll come home. 



baryton] 
Franz, R. 



Er ist gekommen. [Lied, 



Frondoni. a camponeza. [Solo, b.] 

Luiz de Camoes. [Solo, s. o. t.] 

A saloia. [Cangao c, y coro.] 

Galuppi. [Idol mio che fiero istante. 

stromenti al arco. Partitura.] 

Quel chiaro rivo e placido. Aria, 

due violini e violoncello. 

Garcia, M. del P. V. El bagelito nuevo. 

[a.] con acomp. de piano y guitarra. 
Ghinassi. [Chi m'insegna la maniera. 

accomp. d'orchestra. Partitura e parti.] 
Giordani, G. Sento che in seno mi batte il 



M.I 20.33 
s. oder t.] 
No. S in M.236.6;etc. 
No. 4 in M.391.57 
No. 3 in M.391.57 
No. 6inM.391.s7 
Rondeau, t., con 
No. 3 in M. 120.19 
:., con accomp. di 
No. S in M. 120.16 
Cancion andaluza. 
No. 17 in M.391.57 
Cavatina, s., con 
No. 4 in M. 120.19 
core. Aria 



[s., con accomp. d'orchestra. Partitura]. No. 2 in M.120.19 
Giordani, T. [Non dubitare bell' idol mio.] The favorite 

rondeau in the opera La Frascatana. [t. Accomp. for 

orchestra.] No. 2 in M.400.36 

Glover, S. Beauty and the beast. A chamber opera [for 

one voice, s. or t.]. No. i in M.391.43 

Gluck. Ah! no, son io. Scena ed aria [s.] con accomp. 

d'orchestra. Partitura. No. 6, 7 in M.120.16 

Se mai senti spirarti. Aria [s.] con accomp. d'or- 
chestra. Partitura. No. 8 in M.120.16 

Gomis. El aire danino. Cancion espafiola [a.]. Con 
acomp. de piano y guitarra. No. 15 in M.391.57 

El chacho moreno. Cancion andaluza [a.]. Con 

acomp. de piano y guitarra. No. 16 in M.391.57 

Gounod. Biondina [m.-s.]. Poeme musical de Giuseppe 
Zaffira. Paroles frangaises de Jules Barbier. Par Ch. 
Gounod. No. I in M.156.28 

Christmas morn. A sacred song [s. or t.]. 

No. 2 in M.iga.io 

The flower's last sigh. [Ballad, s. or t.] 

No. 23 in M. 192. 10 

No. 3 in M. 192.9. 2 
No. 5 in M. 192.10 
No. 4 in M.192.10 
No. 7 in M. 192.10 
or bar.]. 
No. 8 in M.192.10 



[Song, s. or t.] 
A. or bar.] 
[Song, bar.] 
Nazareth. Sacred song for c. or bar, 
Only last night. A dream song [a. 



Guardian angel. 
Longing. [Song, 
Maid of Athens. 



Songs. IVith music. (Continued.) 

Ou voulez-vous aller? Barcarolle, s. 

No. 9 in M.192.10; etc. 

Passed away. [Song, s. or t.] No. 10 in M.192.10 

Peter the Hermit. A dramatic song [t.]. 

No. II in M.192.10 

The pilgrim. (Le Juif errant.) [Song, bar.] 

No. 12 in M.192.10 

Primavera. Song, c. or b. No. 13 in M.192.10 

Ring on! sweet Angelus. Evening song [a. or b.]. 

No. 14 in M.192.10 

Die Seek eines Engels (L'ame d'un ange). Melodic. 



I 



-s. oder bar. 
Le soir. Melodic [a. ou bar.]. 
Solitude. Melodic, c. ou b. 
Stances. Si la mort est le but. 



Tell me, oh gentle maiden. See 

aller? 

There is a green hill far away. 



No. I in M.192.10 
No. 6 in M. 192.10 
No. 15 in M.192.10 
M.-s. ou bar. 

No. 16 in M.192.10 
his Ou voulez-vous 



[Song, s. or T.] 

No. 18 in M.192.10 

No. 20 in M.192.10 

No. 21 in M.192.10 

No. 19 in M.192.10 

No. 24 in M.192.10 

No. 22 in M.192.10 

Scene lyrique, pour 

No. 3 in M.391.42 

A Scotch song [s. or t.]. 

No. 21 in M.237.2 
fait jour sur le glacier. [Air, t.]. 
No. 27 in M.390.37 

Non, jamais. Air [t.]. No. 32 in M.390.37 

O ma chere patrie. Air [t.]. No. 30 in M.390.37 

Grieg. Der Einsame. (Altnordische Volkspoesie) fur 

Baritonsolo, Streichorchester u. 2 Horner. Partitur. 

No. 7 in M.203.14 
Io sono in selva amena. [Aria, s. o. t. con 
Partitura.] No. 6 in M.360.8 

Aria seria [s., con accomp. d'or- 
No. I in M.120.19 



To spring. Song, c. or bar. 

To the nightingale. Melody, c. or b. 

Tombez, mes ailes! Romance [a.]. 

Venise. [Song, s. or t.] 

The village curfew. [Song, a. or b.] 

GouvY. Le dernier hymne d'Ossian. 

voix de basse. 
Green grow the rushes O. 

GRfiTRY, A. E. M. II 



Guglielmi, P, 
accomp. d'orchestra. 

Padre, rammenta. 

chestra. Partitura]. 

So cedo ai detti tuoi. Scena con aria 

d'orchestra. Partitura]. 

GuMBERT. In den Augen liegt das Herz. 

T.] 

Hackel. Der Deserteur. Ballade [bar.]. 
Hamm, J. V. Das arme Herz. 
hohe Bassstimme. 



[s., con accomp. 
No. 4 in M. 120.12 
[Lied, s. oder 
No. 4 in M.236.8 
No. 9 in M.236.6 
Lied fiir eine Baryton-oder 
No. 6 in M.236.6 



Handel. [Dove sei amato bene.] The favourite song from 
the opera of Rodelinda [a. Accomp. for orchestra]. 

No. 3 in M.400.36 

Harris, J. M. We part, forever part, tonight. Recitative 
and song [s. or t.], from Lalla Rookh. No. 8 in M.236.2 

Hasse, J. A. P. [Perche la calma non ha quest' alma?] Aria 
[s., con accomp. d'orchestra. Partitura]. No. 6 in M.120.19 

[Se mai senti spirarti.] Aria [s., con accomp. d'or- 
chestra. Partitura]. No. S in M.120.19 

Hauptmann, M. Gretchen vor dem Bilde der Mater 
dolorosa aus Gothe's Faust. Gesang mit Begleitung fiir 
Orchester. Partitur. No. 5 in M.204.18 

Hawes, W. Bendemeer's stream. Ballad [s. or t.] from 
Lalla Rookh. No. i in M.236.2 

Paradise and the Peri. Recitative and song [s. or t.] 

from Lalla Rookh. No. 4 in M.236.2 

Haydn, F. J. Piercing eyes. [Canzonet, t.] 

No. 7 in M.235.18.2; etc. 

Hayes, W. The Highland laddie. [Song, t. Accomp. for 

bassoons, flutes, violins and basses.] No. 2 in M. 235.14 

Heighington. Six select odes of Anacreon in Greek and 

three of Horace in Latin, set to music [s. or t., with 

orchestral accomp.]. M.340.23 

Herold, L. J. F. Le muletier. Couplets [a.]. 

No. 19 in M.390.37 

Souvenirs du jeune age. Romance [s.]. 

No. 24 in M.390.37; etc. 



108 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. With music. (Continued.) 

HiLLER, F. He will not always thus afflict. Air [s. or t.]. 

No. 31 in M.192.3 

The Lord upholdeth those. Air [a. or b.]. 

No. 32 in M.192.3 

My song [s. or t.]. No. 33 in M.192.3 

Die Wallfahrt nach Kevlaar. Ballade von Heine, fur 

eine Singstimme [s. oder t.]. No. 17 in M.192.3 

„Weine nicht!" Recitativ und Romanze fiir eine 

Sopranstimme. No. 16 in M.192.3 

HiMMEL, F. H. Frohsinn. [Gesang, s. o. t.] 

No. IS in M.221.33 

Punschgesang fiir das Neunzehnten Jahrhundert. 

[Gesang, t.] No. 16 in M.221.33 

Hook. Down in the valley. A rondeau [s.] in The soldier's 
return. No. 27 in M.237.7 

I never lov'd any dear Mary but you. A favorite 

song [t.]. No. 25 in M.384.48 

The tartan plaiddie. Scotch song [s.]. 

No. 34 in M.384.48 

The Vauxhall gypsey. A favorite song [s.]. 

No. 22 in M.384.48 

Hue, G. a. fidith au col de cygne [s.]. Poeme de Maurice 

Chassang. Musique de Georges Hiie. No. 2 in M.384.37 

In airy dreams. A song [s. Also as a duet, s. a.]. Adapted 

for the harpsichord, flute, violin & guitar. 

No. 22 in M.237.7 
Infelice poverina. [Aria, t., con acconip. d'orchestra.] 

No. 2 in M.360.8 
Jackson, W., of Exeter. Encompass'd in an angel's frame. A 
song [bar.] in The lord of the manor. 

No. 23 in M.237.2; etc. 

The storm, A song [t.]. No. 42 in M.237.7 

When first this humble roof I knew. Song [t.] in 

The lord of the manor. No. 43 in M.237.7 

Jaehns. Nahid. Gedicht fiir eine Sopran- (oder Tenor-) 

Stimme. No. 33 in M.221.30 

Joachim. Scene der Marfa. Aus Schiller's unvollendetem 

Drama „Demetrius." Fiir Mezzo-Sopran und Orchester. 

Partitur. No. 3 in M.358.16 

Jockey, a Scotish [sic] ballad. The melody from Little 

Fanny's love. No. 20 in M.384.48 

JoMMELLi. L'augurio il ciel secondi. Aria, t., con accomp. 

d'orchestra. Partitura. No. 3 in M.120.23 

Berenice, ove sei. Aria, s., con accomp. d'orchestra. 

Partitura. No. i in M.120.23 

Confusa smarrita. Aria [s., con accomp. d'orchestra. 

Partitura] . No. 7 in M.120.23 

D'un infelice amante. Scena ed aria, t., con accomp. 

d'orchestra. Partitura. No. 6 in M.120.23 

Guarda chi lascio. Cavatina [s., con accomp. d'or- 
chestra. Partitura]. No. 4 in M.120.23 

In si fatal momento. Scena ed aria, s., con accomp. 

d'orchestra. Partitura. No. 8 in M.120.23 

Non temer vassallo indegno. [Aria, t., con accomp. 

d'orchestra. Partitura.] No. 3 in M.120.25 

Opprimete i contumaci. Aria, T., con accomp. d'or- 
chestra. Partitura. No. 2 in M.120.23 

Per lei fra I'armi dorme il guerriero. Aria, t., con 

accomp. d'orchestra. Partitura. No. 2 in M.120.25 

Pupille adorate per me. Aria [t., con accomp. d'or- 
chestra] . No. 4 in M. 120.22 

Senti ah no. Recitativo ed aria [t.] con sinfonia. 

[Partitura.] No. 5 in M. 120.22; etc. 

Keller, M. Afloat on the tide. [Song, t. Accomp. for 
pianoforte.] No. i in M.192.13.1 

The American hymn. [Song, bar., and chorus.] 

« No. 2 in M.192.13.1 

The angel of dream. Ballad [a. or bar.]. 

No. 3 in M.192.13.1 

The battle in the clouds. Song [s.] and chorus. 

No. 4inM.i92.i3.i 

Blue eyed violets are nodding. Song [s. or t.] & 

chorus. No. 5 in M.192.13.1 



Songs. 



With music. (Continued.) 
The brigand leader. [Song, a. or b.] No. 6 in M.192.13.1 

The broken hearted. [Song, a. or b.] No. 7 in M.192.13.1 

Come to my heart. Elegy [a. or b.]. No. 9 in M.192.13.1 

The cottage rose. Ballad [s. or bar.]. 

No. 10 in M.192.13.1 

Could I be near my boy. [Song, s., and chorus.] 

No. II in M.192.13.1 

Daisy mine! [Song, t., and chorus.] 

No. 12 in M.192.13.1 

Darling Lillie. Song [a. or bar.] & chorus. 

No. 13 in M.192.13.1 

The dying wife's farewell. Ballad [s.]. 

No. 14 in M.I92.I3.I 

The European emigrant's song of salutation to 

America. [Song, s. or T., and chorus.] No. 15 in M. 192.13.1 

Fairest and rarest. Ballad [t.]. No. 16 in M.192.13.1 

Fishes in the sea. Comic song [s.] with chorus. 

No. 17 in M.192.13.1 

Follow the drum. Ballad [s. or bar.]. 

No. 18 in M.192.13.1 

The forsaken. Ballad [s. or t.]. No. 20 in M.192.13.1 

The girls of dear New England. Ballad [s. or t.]. 

No. 21 in M.192.13.1 

Hail! to our nation. Patriotic hymn. Arranged for 

one voice [s. or t., and] chorus. No. 22 in M.192.13.1 

"Handsome Brown." A serio-comic ballad [bar.]. 

No. 23 in M. 192. 13.1 

Home and friends. Ballad [s. or t.], with duet & 

chorus, ad lib. No. 24 in M.192.13.1 

Hurrah for the old flag! [Song, s. or t., and chorus.] 

No. 25 in M.192.13.1 

I cannot leave the battle-field. Song [t.] & chorus. 

No. 26 in M.192.13.1 

I could not help to stay. Ballad [s. or t.]. 

No. 27 in M.192.13.1 

I have listened for her footsteps. Song [bar.] & 

chorus. No. 28 in M.192.13.1 

I have no joy but in thy smile. Ballad [s. or t.]. 

No. 29 in M.192.13.1 
or T.]. 
No. 30 in M.192.13.1 
Song [a. or bar.]. 

No. 31 in M.192.13.1 

Ballad [s. or t.]. 

No. 32 in M.192.13.1 

[Song, A. or BAR. and 

No. i2 in M.192.13.1 

Song [s. or t. and] chorus. 

No. 35 in M.192.13.1 

thus that fate must sever? [Song, s. or t,] 

No. 36 in M.192.13.1 
Ballad [bar.] with chorus (ad 
No. I in M.192.13.2 
I'm dead. Ballad [t.] with 
No. 2 in M.192.13.2 
[s. or T. Accomp. for piano- 
No. 3 in M.192.13.2 



I live for thee only. Ballad [s. 
I loved thee too fondly. 



— "I'm ling'ring at the garden gate." 

— I'm lonely since my brother died, 
chorus.] 

— In the stillness of night. 

Is it 



— Jane of Ravenswood. 
lib.). 

— Kiss me, mother, ere 
chorus ad libitum. 

— Little Rose. A ballad 
forte and horn ad lib.]. 



The lonely sentinel. 
Love's dream of the past. 
Love's last adieu, 
thou art a 



Ballad [s. or bar.]. 

No. 4 in M.192.13.2 
Ballad [s. or t.]. 

No. 5 in M.192.13.2 
Romance [a. or bar.]. 

No. 6 in M.192.13.2 

Love, thou art a heaven to me. Ballad [t.] with 

chorus. No. 7 in M.192.13.2 

Meet me, darling one, tonight. Ballad [bar.]. 

No. 8 in M.192.13.2 

- The milkmaid's marriage song [s.]. No. 9 in M.192.13.2 

Mother, kiss away my tears. [Song, s. or bar., and 

chorus.] No. II in M.192.13.2 

Mother, Oh! sing me to rest. Song [s. or bar.] with 

chorus ad lib. No. 10 in M.i92.i3-2 

Mother will greet me. [Song, s. or t., and chorus.] 

No. 12 in M.192.13.2 

109 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. (Continued.) 

My heart it throbs for thee. [Song, a. or bar.] 

No. 13 in M.192.13.2 

My husband is such a queer fellow. A comic song [s.]. 

No. 14 in M.192.13.2 

My mother's sweet goodbye. Ballad [s. or bar.]. 

No. IS in M.192.13.2 

My only brother's gone. Song [s. or bar.] & chorus. 

No. 16 in M.192.13.2 

O thou breeze of Spring. [Song, a. or bar.] 

No. 17 in M.192.J3.2 

Oh! the heart it is a treasure. Ballad [s.] with chorus 

ad lib. No. 18 in M.192.13.2 

One single kiss. Moorish serenade [bar.]. 

No. 19 in M.192.13.2 

Our banner's constellation. Patriotic song [bar.] and 

chorus. No. 21 in M.192.13.2 

Our idol. Elegy [s. or t,]. No. 22 in M.192.13.2 

The past that breathes of thee. Ballad [s. or bar.]. 

No. 23 in M.192.13.2 

Pit and pat. A song [s.]. No. 24 in M.192.13.2 

The rival. A song [s. or t.]. No. 26 in M.192.13.2 

The sailor boy. [Song, a. or bar.] No. 27 in M.192.13.2 

Sleep on, my love! Serenade [bar.]. 

No. 28 in M.192.13.2 

The sleigh ride. A humorous song [bar., with chorus, 

ad libitum]. No. 29 in M.192.13.2 

The sweetest flower. Song [a. or bar.], with chorus 

ad lib. No. 30 in M.192.13.2 

Then turn your thoughts to me. Song [s. or t.] & 

chorus. No. 31 in M.192.13.2 

Thine image! Song [s. or t.] & chorus. 

No. 32 in M.192.13.2 

"Things I love." Song [a. or bar.] & chorus. 

No. 33 in M.192.13.2 

Thy boy's an angel now. Ballad [s.]. 

No. 34 in M.192.13.2 

To a mourning world. W. Dexter Smith's poem "In 

memoriam Abraham Lincoln." [s. solo and chorus.] 

No. 34 in M.192.13.1 

Truly will I love thee ever. [Song, bar.] 

No. 35 in M.192.13.2 

We meet no more! [Song, s.] No. 37 in M.192.13.2 

We parted with a cheerful smile. Song [bar.] with 

chorus. No. 38 in M.192.13.2 

We'll meet no more at twilight hour. Ballad [bar.]. 

No. 40 in M.192.13.2 

Welcome to our gallant boys. Song [s. or t.] & chorus. 

No. 39 in M.192.13.2 

When eyes are beaming, or the farewell song [s. or t.]. 

No. 41 in M.192.13.2 

Whispering hope. Ballad [s.]. No. 42 in M.192.13.2 

Kelley. In the garden. [Song for s. or t.] 

No. II in M.380.10 

The lady picking mulberries. [Song, m.-s.] Chinese 



version by Yung Kwai. 

- Love and sleep. [Song for s.] 

Love's fillet. [Song for a.] 

My silent song [s.]. 

Song of Iras [a.]. (From "Ben 

What the man in the moon saw. 



No. 6 in M.380.10 

No. 10 in M.380.10 

No. 8 in M.380.10 

No. 7 in M.380.10 

Hur.") 

No. 13 in M.380.10 
[Song, s.] 

No. 9 in M.380.10 

A song [s.] in Time is a 

No. 29 in M. 237.7 

In The Jew of 

No. 26 in M.237.7 

In Pizarro. 
No. 40 in M.237.7 
KiALLMARK. Fly to the desert. [Song, T.] From Lalla 
Rookh. No. 22 in M.236.2 

Hinda's appeal to her lover. [Song, s.] From Lalla 

Rookh. No. 14 in M.236.2 

Then fly with me. Ballad [s.], from Lalla Rookh. 

No. 24 in M.236.2 



Kelly. The mischievous bee. 
tell tale. 

My money bags are safe. 

Mogadore. 

Yes! Yes! be merciless. 



[Song, T.] 
[Song, s.] 



Songs. With music. (Continued.) 

Klein, B. J. Gretchen aus Faust von Gothe. Fiir eine 

Sopranstimme. No. 20 in M.221.30 

Knight, J. P. Rock'd in the cradle of the deep. [Song, b.] 

No. 23 in M. 290.12 

Kkeutzer, C. Die Sehnsucht. Gedicht [s. or t.] fiir das 

Pianoforte oder der Guitarre. No. 10 in M.221.30 

KuECKEN, F. W. Ach Gott, nun ist mein' Zeit vorbei. Lied 

fiir eine Singstimme [s. o. t.]. No. 12 in M.244.6.3 

Ach! kann ich's sagen. Lied [s. o. t.]. 

No. 10 in M. 244.6.2 

Allemanisches Lied [s. o. t.]. No. 13 in M.244.6.1 

Aus dem Orient. Kind, was thust du so erschrocken. 

Fiir eine Singstimme [s. o. t.]. No. 10 in M.244.6.3 

Ave Maria. [Lied, a. o. b.]. No. 9 in M.244.6.1 

Die Bergstimme. [Romanze, a. o. b.] 

No. 4 in M.244.6.1 ; etc. 

Die Botschaft [s. o. t.]. No. 8 in M.244.6.2 

Curiose Geschichte. [Lied, s. o. t.]. 

No. 4 in M.22I.25; etc. 

Deutscher Marsch. Fiir eine Singstimme [s. o. t.]. 

No. 20 in M.244.6.3 

Drei Worte. Lied fiir Sopran o. Tenor. 

No. 9 in M.244.6.2 

Du bist wie eine Blume. [Lied, s. o. t.]. 

No. 12 in M.244.6.1 

Du schone Maid. Lied fiir Tenor- oder Sopran- 

Stimme. No. 18 in M.244.6.2 

Friihlingsglaube. [Lied, s. o. t.]. No. 10 in M.244.6.1 

Gesang der Brautjungfern [s. o. t.]. No. 6 in M.244.6.2 

Gretelein. Volkslied, arrangirt fur eine Singstimme 

[m.-s. o. b.]. No. 12 in M.244.6.2 

Gut' Nacht, fahr' wohl, mein treues Herz. Lied fiir 

eine Bass- od. Altstimme. No. 2 in M.244.6.3 

Gute Nacht. [Lied, s. o. t.]. No. 18 in M.244.6.3 

Hans und Verene [s. o. t.]. No. 4 in M.244.6.2 

Herzallerliebstes Schatzerl du! Volkslied, arrangirt 

fiir eine Singstimme [s. o. t.]. No. 13 in M.244.6.2 

Hier in Gottes freiem Garten. [Lied, x., zum Sing- 
spiel Die Flucht nach dem Schweiz.] No. 22 in M.244.6.3 

Ich sass im Grunen. [Lied, s. o. t.] No. ii in M.244.6.1 

Immortelle. Gedicht fiir Gesang [s. o. t.]. 

No. 23 in M.244.6.3 

Kitty. [Lied.] Fiir eine Bassstimme. 

No. II in M.244.6.2 

Der kleine Rekrut. [Lied, s. o. t. 

Lieb Liebchen. [Lied, s.] 

Liebesbote. [Lied, s.] 

Liebesgedanken. (Schwabisch.) 

bearbeitet [s. o. t.]. 

Die Lore-ley. Ballade [b.]. 

Mein Herz, ich will dich fragen. 



No. 19 in M.244.6.3 
No. 3 in M.221.25; etc. 
No. 13 in M.244.6.3 
Volksmelodie frei 
No. 8 in M.244.6.3 
No. 3 in M.244.6.1 
[Lied, s. o. t.] 
No. 21 in M.244.6.2 

— Neapolitanisch. "Du mit den schwarzen Augen" fiir 
eine Singstimme [a. o. b.]. No. 15 in M.244.6.2 

— Nun lass dir erzahlen. Lied fiir eine Singstimme [s. 
o. T.]. No. II in M.244.6.3 

— Die Quelle. [Lied.] Fiir eine Sopran- oder Tenor- 
Stimme. No. 17 in M.244.6.3 

— Riickkehr. [Lied, s. o. T.] No. 5 in M.221.25; etc. 

— Schifferlied. (Bairisch.) Volksmelodie frei bear- 
beitet [s. o. T.]. No. 7 in M.244.6.3 

— Steckbrief. [Gesang, x. o. s.]. No. 5 in M.244.6.2 

— Das Sternlein. [Lied.] Fur eine Sopran- oder Tenor- 
Stimme. No. 16 in M.244.6.3 

— Die stille Wasserrose. Lied fiir eine Singstimme [s. 
o. X.]. No. 17 in M.244.6.2 

— Die Thrane. Lied fiir eine Singstimme [s. o. x.]. 

.No. 4 in M.244.6.3 

— Tragodie. Gedicht in 3 Abtheilungen von Heine, fiir 
eine Singstimme [a.]. No. 6 in M.244.6.1 

— Tscherkessisches Lied fiir eine Bass- oder Bariton- 
Stimme. No. 16 in M.244.6.1 

— Und schau' ich hin, so schau'st du her. [Schwabische 
Volksmelodie, frei bearbeitet. a. o. b.] No. 6 in M.244.6.3 



110 



r 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



JVifh music. (Continued.) 
Wanderlied. (Norddeutsch.) 
beitet [s. o. t.]. 
— Wenn du warst mein eigen. 



Songs 

Volksmelodie frei bear- 
No. 9 in M.244.6.3 
[Lied, s.] 

No. 8 in M.244.6.1 ; etc. 

Winter. [Lied, s. o. t.] No. 3 in M.244.6.3 

Wo still ein Herz von Liebe gliiht. Lied fiir eine Sing- 

stimme [s. o. t.]. No. 16 in M.244.6.2 

Wunderlich! [Lied.] Fiir eine Singstimme [s. o. t.]. 

No. 14 in M.244.6.3 

Kui. Chanson circassienne de I'opera „Ie prisonnier du 
Caucase" [m.-s.]. Partition d'orchestre. No. 2 in M.333.7 

Labarre. Ah! pour soumettre une fiere coquette. Air [t.]. 

No. 25 in M.390.37 

Lachner, V. Vineta. Concert-Arie fiir Sopran mit Or- 
chester. Partitur. No. 2 in M.403.26 

Lange, D. de. De Roze. Gedicht voor lagere stem met 
orkest. Orkest part. No. i in M.403.93 

Last rose, The, of summer. Song. Letzte Rose, wie magst 
du so einsam. Volkslied. No. 5 in M.236.8 

Le Borne. Amour trahi [m.s.]. No. 2 in M.193.S 

Leo. [Lungi no e I'oggetto die t'innamora. Aria, t., con 
accomp. d'orchestra. Partitura.] No. i in M. 120.26 

Lindpaintner. [Combien j'ai douce souvenance.] Romanze 
aus der Oper, Die Gewalt des Liedes. [Fiir eine Sing- 
stimme, a.]. No. 7 in M.380.22 

[Die Dame an dem Fenster.] Romanze aus der Oper, 

Die sicilianische Vesper. [Fiir eine Singstimme, t.] 

No. 3 in M.380.22 

Der Rose. Aus der Oper, Die Gewalt des Liedes. 

[Fiir eine Singstimme, a., und Chor.] No. 6 in M.380.22 

[Jn eines treuen Volkes Mitte.] Lied gesungen bei 

der Eroffnungsfeyer des Koniglichen Theaters zu Can- 
statt, den 29'en May, 1840. [Fiir eine Singstimme, a.] 

No. 10 in M.380.22 

Lieder des Schmerzes. Auf dem Thurme. Gedicht 

von Draxler-Manfred. [Fiir eine Singstimme, a.] 

No. 2 in M.380.22 

[Qualen der Liebe.] Romanze aus der Oper, Die 

sicilianische Vesper. [Fiir eine Singstimme, t.] 

No. 4 in M.380.22 

Roland. Romanze fiir eine Singstimme [t.] mit Or- 

chester-Begleitung. No. 5 in M.342.13 

[Sie stand auf ihres Schlosses Zinnen.] Ballade aus 

der Oper, Die sicilianische Vesper. [Fiir eine Sing- 
stimme, s.] No. 5 in M.380.22 

Der Todtengraber von Herwegh. [Fiir eine Sing- 
stimme, BAR.] No. 8 in M.380.22 

LiNLEY, T. Come, come my jolly lads. A favorite song in 
the pantomime of Robinson Crusoe, [t., and chorus.] 

No. 6 in M.384.48 

The woodman. [Song, t.] No. 46 in M.237.7; etc. 

LoEWE, J. C. G. Zwist und Suhne. Gedicht fiir eine Sing- 
stimme [s. o. T.]. No. 6 in M.221.30 

LoRTZiNG, G. A. Es wohnt am Segerstade. [Romanze, 
BAR.] No. II in M. 236.6 

Louis, N. Allons mourez, je vous en prie. Romance [a. ou 
BAR.]. No. 18 in M.3904 

L'Ardennaise. [Romance, s.] No. 16 in M.390.11 ; etc. 

Au pied de la Croix. Romance [x.]. No. 14 in M.3go.4 

La belle fermiere. Chansonnette [t.]. 

No. 9 in M.390.1 1 ; etc. 

La breche au Diable. Ballade [t.]. No. 24 in M.390.30 

Ce jour le voila! [Romance, s.] No. 2 in M.3go.ii ; etc. 

Ce sera moi! Romance [x.]. No. 11 in M.390.11; etc. 

Chant de sommeil. Melodie [s.]. 

No. 25 in M.390.11 ; etc. 

Chere enfant. Chansonnette [x.]. No. 18 in M.390.30 

Le chien du Louvre, filegie [s. ou x.]. No. i in M.390.4 

Les cloches du soir. [Romance, s. ou x.] 

No. 14 in M.390.11 ; etc. 

Le desastre de la Pointe-a-Pitre. Stances [s. ou x.]. 

No. 23 in M.390.11 ; etc. 

Les deux couronnes. Romance [x.]. 

No. 24 in M.390.11 ; etc. 



Songs. With music. (Continued.) 

Dites-lui le chemin. Romance [t.]. 

Une enfant. Ballade [s.]. 

L'etoile luit. Serenade [x.]. 

L'etoile tricolore. Hymne phoceen 



La fleur du prisonnier. 



No. 17 in M.390.4 
No. 13 in M.390.4 
No. 3 in M.390.30 

[T.]. 

No. 23 in M.390.30 
[Romance, x.] 

No. 17 in M.390.11; etc. 

Un instant. [Chanson, bar.] No. 6 in M.390.4 

Je n'aime que vous. Fauvette musicale [s.]. 

No. 12 in M.390.4 

Je ne le dirai plus. [Romance, bar.] 

No. 7 in M.390.4; etc. 

Louise. Romance [x.]. No. i in M.390.11; etc. 

Ma belle Touraine. Romance [s. ou bar.]. 

No. IS in M.390.4 

Ma champagne. Melodie [x.]. No. 22 in M.390.30; etc. 

Malheur a moi! [Romance, s.] No. 11 in M.390.4; etc. 

Me fuyez-vous? Romance [x.]. No. 12 in M.390.11; etc. 

Le meunier de Sauternes. [Ballade, bar.] 

No. IS in M.390.11; etc. 

Le missionnaire. Scene pour voix de basse. 

No. 3 in M.390.1 1 ; etc. 

Mon cceur n'est pas jaloux. Romance [s.]. 

No. 4 in M.390.4 

Ne me suis pas. Romance [x.]. No. 4 in M.390.11; etc. 

. — — La Neustrienne. Ballade [x.]. No. 13 in M.390.11; etc. 

Nouveau chant du depart [x. ou bar.]. No. 2 in M.390.4 

— — La nymphe des eaux. Melodie romantique [s.]. 

No. 18 in M.390.11 ; etc. 

La pauvre enfant. Romance [s.]. No. 9 in M.390.4 

Pauvre Marcelle! Romance [x. ou bar.]. 

No. 3 in M.390.4 

La plus jolie. Melodie [x.]. No. s in M.390.11; etc. 

La priere. [Romance, s.] No. S in M.390.4 

Priere de Noe. Melodie pour voix de basse. 

No. 26 in M.390.11 ; etc. 

Le proscrit. Romance [bar.]. No. 8 in M.390.4; etc. 

Qui m'aimera? filegie [bar.]. No. 10 in M.390.11; etc. 

La ronde des bergers. Scene pastorale [s. ou x.] avec 

accomp. de hautbois oblige [et piano]. 

No. 22 in M.3go.ii; etc. 

Sois libre, sois heureux. [Chanson, s.] 

No. 10 in M.390.4; etc. 

Ton souvenir. [Romance, x.] No. 6 in M.390.11; etc. 

Veuillez me comprendre. Romance [x.]. 

No. 19 in M.390.4 

Viens! Melodie [x.]. No. 31 in M.390.30 

Le vieux sapin. Chansonnette [s. ou bar.]. 

No. 16 in M.390.4 

Majo. Dunque pivi non si tardi. Scena [ed aria, x., con 

accomp. d'orchestra. Partitura]. No. 4 in M.120.26 

[lo ti lascio, O figlia amata. Aria, s., con accomp. d' 

orchestra. Partitura.] No. 5 in M.200.9 

Malibran. Le retour de la TyroHenne. Air frangais [s.]. 

No. 30 in M.221.30 

Marescalchi. Che ad altra fiamma. [Aria, x., con accomp. 

d'orchestra.] No. 3 in M.360.8 

Co' flebili lamenti. [Aria. s. o. x., con accomp. d'or- 
chestra,] No. 4 in M.360.8 

Massenex. Poeme d'hiver [m.-s. ou bar.]. Scenes d'Armand 
Silvestre. Musique de J. Massenet. No. 3 in M.384.20 

Mazzinghi. Tom Starboard. A song [t.], in The turnpike 
gate. No. 19 in M.237.2 

Mendelssohn-Barxholdy, J. L. F. Infelice! Scena for a 
soprano. No. i in M.280.12 

Von alien schonen Kindern auf die Welt. Rheinisches 

Volkslied [s. o. x.]. N0.8 in M.221.25 

Mexhfessel, a. G. Arie im Walde. Die Niihe griint, etc. 

No. 6 in M.221.33 
Meyerbeer. [L'etoile du nord.] Polonaise [x.]. Supple- 
ment a la grande partition de L'etoile du nord. Partition. 

No. 4 in M.403.26 
Moore, T. Away with this pouting. [Song, bar.] 

No. 17 in M.237.7 



111 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. tVith music. (Continued.) 

Goodnight! A ballad [t.]. No. 19 m M.237.7 

Here's the bower. A ballad [bar.]. No. 20 in M.237.7 

When time who steals our years away. Ballad [t.]. 

No. 18 in M.237.7 

MoscA. Del mio destin crudele. Aria [t., con accomp. d' 

orchestra. Partitura]. No. 7 in M.120.26 

Moulds, J. She dropped a tear & cried, be true. A song 

[t_]. No. 45 in M.237.7 

Mozart. Forget me not. A song [t.]. No. 28 in M.237.2 

Hier soil ich dich denn sehen. Arie [t.] aus Die 

Entfiihrung aus dem Serail. No. 2 in M.236.8 

Nannetti Briol-valzer. Partitura per [canto, t., ed] or- 
chestra. No. 5 in M.403.26 
Naumann, J. G. Vada si dal mio. [Recitativo e rondo, t., 
con violini e basso.] No. i in M.120.27 
Paisiello. Come al corso il sole e lento. Cavatma seria 
[s., con accomp. d'orchestra]. No. 8 in M.120.28 

[For tenderness form'd in life's early day, t.] A 

favourite song in the comedy of the Heiress. 

No. 35 in M.384.48 

Veggo tra I'ombre il varco. ReC" ed aria [t., con 

accomp. d'orchestra]. N0.9 in M.120.28 

Perez. [Figlio mi sento, oh Dio. Aria, s., col basso con- 
tinue, due violini e viola. Parti separate.] 

No. 12 in M.120.28 

[Se parto ben mio. Aria, s., col basso continuo e due 

violini. Parti separate.] No. 11 in M.120.28 

[Ti parli in seno amore. Aria, t., col basso continuo 

e due violini. Parti separate.] No. 10 in M.120.28 

Pergolesi. [Se cerca, se dice il padre. Ana, t., con stro- 
menti al arco. Partitura.] No. 4 in M.120.28 

PicciNNi, L. De Therese en ce jour. Air [t.]. 

No. 2 in M.225.32 

L'heroine de Bordeaux. Chant heroique [s. solo et 

choeur]. No. 3 in M.225.32 

Le ralliement. Hymne [t. solo et choeur]. 

No. 4 in M.22S.32 

La violette de 1816 aux dames frangaises. Romance 

[g] No. 5 in M.225.32 

PicciNNi, N. Ah che crudel tormento. Aria [s., con 

accomp. d'orchestra. Partitura]. No. 5 in M. 120.27 

[Oh, no, povero Prence. Scena ed aria, s., con accomp. 

d'orchestra. Partitura.] No. 3 in M.120.27 

Digli ch' io son fedele. Aria [s. con stromenti al 

arco. Partitura] . No. 4 in M.120.27 ; etc. 

Dove vado sventurato. [Recitativo ed ana a voce di 

soprano o tenore. Con accomp. d'orchestra.] 

No. I in M.360.8 

[Liberia, che in voi risplende. Aria, t., con accomp. 

d'orchestra. Partitura.] No. 8 in M.120.27 
Poro d'unque mori. [Recitativo ed aria, s., con stro- 
menti al arco. Partitura.] No. 2 in M.120.27; etc. 
Questa e sposa, e non e sposa. Cavatina [b., con stro- 
menti al arco]. No. 6 in M.120.27 

[Zitto un poco. Aria, t., con orchestra. Partitura.] 

No. 7 in M.120.27 

PiERSON. An die Geliebte. (To the beloved.) Fiir eine s., 

A. Oder B. Stimme. No. 4 in M.236.6 

Sturmritt. (Gedicht von Feodor Lowe.) Arie fur 

Bariton Stimme mit Orchester-Begleitung. 

No. 4 in M.348.9 
Pleyel, L J. Henry's cottage maid. A favorite song. [s.]. 

No. 14 in M.384.48 

Tho' pity I cannot deny. A favorite song in the 

Haunted tower [s.]. No. 24 in M.384.48 

Poor soul. The, sat singing. Original music of Desdemona's 
song, from an old book of madrigals. The bass added 
by another hand. No. 5 in M.235.14 

PoRPORA. [Pende da cenni tuoi. Aria, t., con stromenti al 
arco. Partitura.] No. i in M.120.28 

[Senza la cara, cara sposa. Aria, t., con stromenti 

al arco.] No. 2 in M.120.28 

Prati, a. Son pur giunta una volta. Recitativo et rondo 

[s., con accomp. d'orchestra. Partitura]. No. 6 in M.120.28 



Songs. IVith music. (Continued.) 

Raff. Traumkonig und sein Lieb. Fiir eine Singstimme 
[m.-s.] mit Begleitung des Orchesters. Partitur. 

No. I in M.347.25 
Raimondl Che smania, oh Dio! Cavatina ed aria per il 
soprano. No. 35 in M.221.33 

Rauzzinl The birth-day of Laura. A canzonet [t.]. 

No. 29 in M.237.2 

Cease to blame my melancholy. A song [s. or t.]. 

No. 30 in M.237.2 
Reichardt, J. F. Leonora. A ballad [s.] from the German 
of Biirger. Set to music by J. F. Reichardt. 

No. 5 in M. 277.28 
Reuchsel. Les trois ages de Mignon. 

parties [s.]. 
RiFAUT. Bonjour, ma nouvelle famille 



Honneur au voltigeur. Chanson 
Rappelez-vous ce vieux refrain. 



Petit poeme en 3 
No. 4 in M.ig4.22 
. Air [s.]. 

No. 16 in M.390.37 
[T.]. 

No. 13 in M.390.37 
Couplets [b.]. 

No. 17 in M.390.37 

Voila trois mois. Ballade [a.]. No. 14, 18 in M.390.37 

RiGHiNL Maireigen. Lied [s. o. t.]. No. 24 in M.221.33 

Rundgesang des Freundschafts-Bundes [t. und Chor]. 

No. 23 in M.221.33 

Die Tauben. Lied [s. o. t.]. No. 25 in M.221.33 

Das Veilchen fiir Lida. Lied [t.]. No. 26 in M.221.33 

RoLLE, J. H. Isaak's Morgengesang [m.-s. Aus Abraham 

auf Moria]. No. 2 in M.340.6 

Romberg, A. J. Monolog aus Schillers Jungfrau von Or- 
leans [s. o. T. Mit Orchester-Begleitung. Partitur]. 

No. 2 in M.221.4 

Sehnsucht. Gedicht [fiir Sopran-Solo und Orchester]. 

Partitur. No. 3 in M.280.43 

Ross, J. O strew the sweet flower. Altered from the old 
Scotch ballad. [Song, bar., with accomp. for pianoforte 



and 2 violins.] 
Rossini. Alia voce della gloria 
de basse. 

Guirlanden-Arie [s.]. 

Oedipus. Arie fiir eine Bassstimme. 

La separazione. Melodia dramatica 

Su, fratelli, letizia si canti. 

[s. o. T.]. 

Rubinstein. Hecuba. Arie fiir 



No. 23 in M.237.7 

Scene et air pour voix 

No. 15 in M. 280.45 

No. 9 in M.221.33 

No. 14 in M.280.45 

[S. O. T.]. 

No. 13 in M.280.45 

Inno popolare, a Pio IX 

No. 3 in M.201.41 

eine Altstimme. 

No. 4 in M.351.26 

Scena ed aria (E dunque ver?) per soprano con 

accomp. di orchestra. [Partitura.] No. 2 in M.345.6; etc. 

Rungenhagen. Der Cid im Leben, Lieben und Sterben. 
[Fiir eine Singstimme, s. o. T.] No. 21 in M. 221.30 

Das eigne Herz. Gedicht fiir eine Singstimme [a. o. 

bar. ] . No. 22 in M.221.30 

Lebensmelodien. Wechselgesang fiir 2 Sopran-, 

Tenor- und Bassstimmen. No. 23 in M.221.30 

Das Vergissmeinnicht [s. o. t.]. No. 25 in M.221.30 

Zur allerhochsten Geburtsfeier Sr. Majestat des 

Konigs von Preussen Friedrich Wilhelm des Dritten. 
Gesellschaftslied. No. 24 in M.221.30 

Sabatino. Agitato ancor mi sento. [Aria, t., con accomp. 

d'orchestra. Parti separate.] No. i in M. 120.29 

Sacchini. [Col mio ben si vada a morte. Aria, t., con 

accomp. d'orchestra. Partitura.] No. 3 in M. 120.29 

Ido! mio se piu non vivi. Cavatina a soprano, 2 violini, 

2 viole e basso. [Partitura.] No. 4 in M. 120.29 

Mein Sohn, du bist's nicht mehr. Recit. und Arie [b.] 

aus Odipus auf Colonos. No. 16 in M.236.6 

Signorino che pensate. [Aria, s., con stromenti al arco. 

Partitura.] No. 5 in M.120.29; etc. 

[So che fedele. Aria, s., con accomp. d'orchestra. 

Partitura.] No. 2 in M.120.29 

Saint-Saens. [Printemps qui commence. Aria de Dalila 
de I'opera Samson et Dalila. Partition.] No. 3 in M.406.64 

Salieri. [Fragrant chaplets.] The favourite song of 
Fragrant chaplets [s.]. No. 36 in M.384.48 



112 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Der Handschuh. 

Singstimme [s. o. T.j 

ScoLARi. Giusta Dea. 



Songs. IVitk music. (Continued.) 
Sarti. Lungi date ben mio. Cavatina a voce di soprano [e 

stromenti al arco. Partitura]. No. 9 in M. 120.29 

ScHAEFFER, A. Das emporte Suschen. Lied fiir Sopran- 

oder Tenor- Stimme. No. i in M.236.8 

Roschens Sehnsucht. [Lied, s.] No. 7 in M.236.8 

ScHLETT. II sogno. Der Traum, nach Metastasio fiir eine 

Singstimme [t.]. No. 12 in M. 221.33 

Schmidt, G. Der Pavilion ist unbewacht. Recitativ und 

Arie [b.] aus der Oper La Reole. No. 15 in M.236.6 

Schmidt, J. P. S. An die Hoffnung. [Lied, s. o. x.] 

No. 32 in M.221.33; etc. 

Fest-Gesang dem Dritten August, [t. Solo mit Chor.] 

No. 29 in M.221.33 

Dem Konig Heil! Volkslied [i auch 4 stimmig zu 

singen]. No. 31 in M.221.33 

Wie Nordlands Au und Siidens Flur. Bolero [t.] aus 

Ein Abend in Madrid. No. 30 in M.221.33 

Wohinaus. Gedicht von C. W. Contessa. Fur eine 

Singstimme [t.]. No. 28 in M.221.33 

Schubert, F. P. Erlkonig. Fiir eine Singstimme [m.-s.] 
mit kleinem Orchester. Partitur. No. 2 in M.335.13 

Die Sehnsucht. Gedicht von Schiller. In Musik ge- 

setzt fiir eine Singstime [s. oder t.] von Franz Schubert. 

No. 5 in M. 140.33.3; etc. 
Schumann, R. A. Belsatzar. Ballade [s. o. t.] von Heine. 
Fiir eine Singstimme componirt von R. Schumann. 

No. 9 in H.244.1S.3 
Ballade von F. v. Schiller. Fiir eine 
componirt von R. Schumann. 

No. 6 in M.244.15.3 
[Aria, t., con accomp. d'orchestra.] 
No. 5 in M.360.8 
[Se palpitar d'uggia. Aria, s. o. t. con accomp. d'orchestra. 
Partitura.] No. 5 in M.120.28 

Shield, W. Dans votre lit. Song [t.]. No. 37 in m. 237.7 
Simpson, H. P. The contented labourer. A ballad [s. or 
t.]. No. 6 in M.235.14 

Soriano Fuertes. El vito granadino. [Cancion espafiola, 
M.-s.] No. 18 in M.391.57 

Speier. Der Soldat. Gedicht von Chamisso. Fiir eine 
Singstimme [a. oder b.] in Musik gesetzt von Wilhelm 
Speier. No. 8 in M.236.6 

Spohr, L. [Scena and aria, bar. With orchestral accom- 
paniment.] No. 2 in M.312.37 
Stern, J. Der deutsche Rhein. [Gesang, a. oder bar.] 

No. 13 in M. 221. 30 

[Song, T.] 

No. 13 in M.237.2 

[s. or T.]. With 

No. 4 in M.235.14 

song [t.]. 

No. 39 in M.237.7 

Now morn is blushing. [Song, s. or t.] From Lalla 

Rookh. No. 6 in M.236.2 

Twas his own voice. Recit. and air [s. or t.] from 

Lalla Rookh. No. 13 in M.236.2 

Storace. The carpet weaver. A song [t.] in Mahmoud. 

No. 32 in M.237.7 

There the silver'd waters roam. A favorite song in 

the Pirates, [t. with figured bass.] 

No. 32 in M.384.48; etc. 

When 'tis night and the mid-watch is come; in the 

entertainment called The glorious first of June. [Song, 
s., with chorus.] No. 28 in M.384.48 

With lowly suit. In No song, no supper. [Song, s.] 

No. 24 in M.237.7; etc. 
Strauss, R. Stiller Gang (Night- fall). Lied fiir eine Sing- 
stimme [t.]. No. II in M.380.24.2 

Das Thai. The valley. Fur eine tiefe Bassstimme mit 

Orchesterbegleitung. Partitur. No. 3 in M.380.26 

Taubert, C. G. W. An den Mond. Fiir eine Singstimme 
[s. oder t.]. No. 19 in M. 192.6 

An die Nachtigall. [Lied, s. oder t.] No. 37 in M.192.8 



Stevens, R. J. S. Sigh no more. 



Stevenson. Love and madness. 

accomp. for harp or pianoforte. 
Mary, I believe thee true. A 



ladies. 
Song 



Songs. With music. (Continued.) 

Den deutschen Invaliden. Gedicht von Emil Taubert. 

Fiir eine Singstimme [s. oder t.] componirt von Wilhelm 
Taubert. No. 32 in M.192.8 

Des Konigs Auszug. Fiir eine Singstimme [s. oder t.]. 

No. 34 in M.192.8 

Deutschlands Stern. Fiir eine Singstimme [bar.], 

Chor ad libitum. No. 35 in M.192.8 

Echo. [Gesang, s. oder t.] No. 9 in M.192.6 

Kirmes Lied. Fiir eine Singstimme [s. oder t.]. 

No. 20 in M.192.6 

Der Knab' im Walde. Ballade fiir eine Singstimme 

[a. oder bar.]. No. 15 in M.192.6 

Liebst du mich? Fiir eine Singstimme [s. oder t.]. 

No. 23 in M.192.6 

Morgenwandrung. [Lied, s. oder t.] No. 31 in M. 192.7 

,,Nun weiss ich's." Lied [s. oder t.]. No. 39 in M.192.8 

Der Postilion. Fiir eine Singstimme [s. oder t.]. 

No. 18 in M.192.6 

Schlasierlied [s. oder t.]. No. 40 in M.192.8 

Sitzt ein Voglein widewide. [Gesang, s. oder t.] 

No. 10 in M.192.6 

Sturm und Frieden. Gedicht fiir eine Singstimme [s. 

oder t.]. No. 6 in M.192.8 

„Verschwunden ist die finstre Nacht." Morgenlied. 

Fiir eine Singstimme [s. oder t.]. No. 38 in M.192.8 

Der Vogel im Walde [s. oder x.]. No. 19 in M.192.8 

Vorfriihling. Fiir eine Singstimme [s. oder t.]. 

No. 22 in M.192.6 

Waldconcert. Gedicht von J. J. Vogl. Fiir eine Sing- 
stimme [s. oder T.] von Wilhelm Taubert. 

No. 10 in M.192.7 

Warnung. Fiir eine Singstimme [s. oder t.]. 

No. 21 in M.192.6 
Te voglio vene assai. [Arietta, t.] No. 2 in M.390.44 

Terradellas. [Solitudine amene ombre. Recitativo ed 
aria, s., con accomp. d'orchestra. Partitura.] 

No. I in M. 120.30 
Thomas, J. R. Annie of the Vale. Song [bar.] and chorus. 

No. I in M. 192.14 

Blue-eyed Jeanie. Ballad [bar.]. No. 2 in M.192.14 

Bonny Eloise. Song [bar.] and chorus. 

No. 3 in M. 192. 14 

The box of shamrocks. [Song, s.] No. 4 in M. 192.14 

Down by the gate. Balbd [bar.]. No. 5 in M.192.14 

Down by the river side. Ballad [s. or bar.]. 

No. 6 in M.192.14 

Evangeline. Song [bar.], with quartette ad libitum. 

No. 7 in M.192.14 

Follow the flag. [Song, bar.] No. 8 in M.192.14 

Fond hearts at home. Ballad [bar.]. No. 9 in M.192.14 

Happy be thy dreams. [Song, s. or t.] 

No. 10 in M.192.14 

I have so much to tell. Song [a. or bar.]. 

No. II in M.192.14 

Kiss me goodnight, mother. Ballad [a. or bar., and 

chorus]. No. 12 in M.192.14 

Linger not, darling. Serenade [t., with chorus ad. 

lib.]. No. 13 in M.192.14 

Little Willie's grave. Ballad [a. or b.]. 

No. 14 in M.192.14 
— — Mother kissed me in my dream. [Song, a. or b.] 

No. 16 in M.192.14 

Murmuring shell. [Song, a. or b.] No. 17 in M.192.14 

My dear, my native home. Song [s. or t.] & chorus. 

No. 18 in M.192.14 

Nearest and dearest. [Song, a. or bar.] 

No. 19 in M.192.14 

Oh! gently breathe. Song [a. or b., with chorus]. 

No. 20 in M.192.14 

One cheering word. Ballad [s. or bar.]. 

No. 21 in M.192.14 

The owl. [Song, a. or b.] No. 25 in M.192.14 

The reaper and the flowers. [Song, s. or bar.] 

No. 22 in M.ig2.i4 



III 15 



113 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. JVitli music. (Continued.) 

Rose of the valley. Ballad [a. or b.\r.] with chorus. 

No. 23 in M. 192. 14 

Softly o'er the rippling waters. Song [.\. or b., with 

chorus ad lib.]. No. 24 in M.192.14 

The star of my home. Ballad [s. or b.«.]. 

No. 26 in H.192.14 

The sweetest of flowers. Ballad [s. or bar.]. 

No. 27 in M.192.14 

'Tis but a little faded flower. Ballad [.v or bar.]. 

No. 28 in M.192.14 

The Union. Song [s. or bar.] & chorus. 

No. 29 in M.192.14 

We were boys & girls together. Ballad [a. or bar.]. 

No. 30 in M.192.14 

Where art thou? Song [a. or bar.]. No. 32 in M.192.14 

While gentle ones are round us. Ballad [s. or t.]. 

No. 33 in M.192.14 

TiEHSEN. Unruhe. Gedicht fiir eine Singstimme [s. oder 

T.]. No. 13 in M.236.8 

Vom Baumlein das andere Blatter hat gewollt. Ein 

Marchen fiir eine Singstimme [s. oder t.]. 

No. 10 in M.236.8 
TowERZEY. Sweet is the vernal matin air. [Song, t. 
Accomp. for violin and piano. Also for guitar.] 

No. 3 in M.235.14 
Traetta. [Dove mi guidi. Scena e cavatina, s., con ac- 
comp. d'orchestra. Partitura.] No. 2 in M.120.30 

[Un empia m'accusa. Aria, t., con accomp. d'orchestra. 

Partitura.] 

Misera dove son. Scena ed 

orchestra. Partitura]. 

[Respira gia contento. Aria. 

Partitura.] 



No. 6 in M. 120.30 
ia [s., con accomp. d' 

No. 4 in M. 120.30 
con stromenti al arco. 

No. 5 in M. 120.30 



[Superbo del mio dono. Aria, t., 
arco. Partitura.] 
Trubetskaya. Chanson indienne [s.] 

Vera Sorrentina, La, 

Vincent, H. J. Hannchen vor Allen. 



Waefu' he.\rt. 
Wagner, W. R. 



[Song, s.] 
Phantasie 



con stromenti al 

No. 3 in M. 120.30 

Partition d'orchestre. 

No. 4 in M.404.17 

Canzone napoletana [bar.]. 

No. 3 in M.390.44 
[Lied, s. oder t.] 
No. 14 in M.236.6 
No. 22 in M. 237.2 
Wolfram's [b.\r.]. 

No. 10 in M.236.6 



Waley. Alpine shepherd's song [t.]. 

Angels' voices: song [s.]. 

The bird, let loose. Sacred song [s.]. 

"By the rivers of Babylon." Sacred 



"Curfevir." Song for 
The dream of home. 



An emblem. Song [s.]. 
The home of early love 



— "I would not be forgot.' Song [s. 

— I'll rest beneath the greenwood 
Feme"). [Song, s. or t.] 

— "Lore-Ley" (Lurline). [Song, a. 

— A lost chord. Song [s.]. 

— "Oh I where art thou dreaming?" 



No. 4 in M.380.18 
No. I in M.380.18 
No. 6 in M.380.18 
song [a.]. 
No. 5 in M.380.18 
barytone or bass. 

No. 7 in M.380.18 
Ballad [s. or t.]. 

No. 8 in M.380.18 
No. 2 in M.380.18 
Song [a. or bar.]. 

No. 9 in M.380.18 
or t.]. 

No. II in M.380.18 
shade ("In der 
No. 10 in M.380.18 

or BAR.] 

No. 13 in M.380.18 
No. 3 in M.380.18 

Song [s. or T.]. 
No. 14 in M.380.18 
No. 15 in M.380.18 

thy bow'r" ("Ant- 
No. 16 in M.380.18 



— Our native land. Song [s. or t.]. 

— "The rose that reached me from 
wort"). [Song, s. or t.] 

— Sleep on, my sweetest joy (Schlaf ein, mein siisses 
Herz). Cradle song [s. or t.]. No. 17 in M.380.18 

— Song of the silent land. [Song, a. or bar.] 

No. 18 in M.380.18 

"Thou streamlet hast a tuneful voice." "Du Quell 

hast einen siissen Mund." Song [t.]. No. 19 in M.380.18 



Songs. With music. (Continued.) 

When e'er on death I think ("O Gott! wenn ich an's 

Sterben denke"). [Song, s. or t.] No. 20 in M.380.18 

Wallnoefer. Hymne an die Erde. Hymn to the earth. 
Dichtung fiir Tenor-Solo oder Tenor-Chor ad lib. und 
grosses Orchester. Partitur mit untergelegtem Klavier- 
auszug. No. 3 in M.380.28 

Weber. B. A. Patriotischer Rundgesang fiir frohliche 
Zirkel [m.-s. o. bar.] mit Begleitung des Pianoforte oder 
Guitarre. No. 34 in M.221.33 

Weiss. J. Waldroslein. [Gesang, t. o. s.] No. 16 in M.221.30 

Weissheimer. Konig Sifrid. Ballade fiir Bariton od. Bass. 
Partitur [des Orchesters]. No. 6 in M.403.26 

Welsh. Oh! fair as the sea-flower. Ballad [s. or t.] from 
Lalla Rookh. No. 16 in M.236.2 

The Peri's song [s.] from Lalla Rookh. 

No. 17 in M.236.2 
Whitaker. Had I a cave. A song [t.]. 
WiLKiMS. Humid seal of soft affection 



The sigh, a 

Wrighten, Mrs. 



song [t.]. 



No. 25 in M.237.7 
A canzonet [t.]. 
No. 24 in M.237.2 
No. 25 in M.237.2 
No indeed not I [s.]. 

No. 26 in M.384.48 
[Song, s. or T.] 

No. so in M. 158.20 
S. EI carpintero. Cancion [a.]. No. 20 in M.391.57 
charran. Cancion andaluza [m.-s.]. 

No. 26 in M.391.S7 
Cancion madrilena [m.- 



WvEERST. Sweet rose of the vale. 



Yradier. 
El 



La colasa 

La flor de la Canela 



-s.]. 



No. 23 in M.391.S7 

[Cancion, m.-s.] 

No. 21 in M.391.S7 

Cancion andaluza [m.-s.] con 
No. 24 in M.391.57 
No. 25 in M.391.57 
No. 22 in M.391.57 
s., con stromenti 
No. 8 in M.120.30 



La jaca de terciopelo. 

acomp. de piano y guitarra. 

EI jaque. Cancion [m.-s.]. 

EI sereno. Cancion andaluza [m.-s.]. 

Zingarelli. [Na si este alia pena. Aria, 

al arco. Partitura.] 
Songs. With music. Collections. 

Abt, F. Der Polenmutter Wiegenlied. Soldatentod. 
Zwei Lieder fiir eine tiefe Stimme. No. 9, 10 in M. 192.1 

Deutsche Volkslieder fiir eine Singstimme [s. oder 

T.]. Op. 90, No. 1-4. No. 28-31 in M. 192.1 

Drei komische Lieder fur Bass. No. 24 in M. 192. i 

Drei Gedichte von W. Floto fiir eine Singstimme [a.]. 

No. 12-14 in M. 192.2 

Drei Lieder fiir t. od. s. No. 7 in M.192.2 

Fiinf Lieder fiir Alt oder Bass. Op. 94- 

No. 35 in M.192.1 

Fiinf Lieder fiir eine Singstimme [s. oder t.]. Op. 92. 

No. 33 in M. 192.1 

Fiinf Lieder fiir eine Singstimme [s. oder t.]. Op. 93. 

No. 34 in M.192.1 

Fiinf Lieder fiir s. oder t. Op. 103. No. 2 in M.192.2 

Fiinf Schweizerlieder fiir Sopran. No. 1-4. Op. 80. 

No. 19-22 in M.192.1 

Lebensfriihling. Fiir eine Singstimme [s. oder t.]. 

No. 25, 26 in M.192.1 

Sechs Lieder fiir eine Alt- oder Baritonstimme. Op. 

67. No. 14 in M.192.1 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 71. 

No. 15 in M.192.1 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 119. 

No. 15-20 in M.192.2 

Sechs Lieder fur Sopran oder Tenor. 40. Werk. 

No. 2 in M.204.37 

Sieben Lieder aus dem ,,Buch der Liebe" fiir eine 

Sopran- oder Tenorstimme. 39. Werk. No. i in M.204.37 

Vier Gesange fiir s. oder t. 105. Werk. 

No. 3-6 in M.ig2.2 

\ier Lieder fur eine Bariton-oder Bass-Stimme. Op. 

109. No. 8-1 1 in M.192.2 

Zwei Lieder fiir eine Singstimme [s. oder t.]. Op. 79. 

No. 18 in M.ig2.i 



114 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. IVilh music. Collections. (Continued.) 
Alary. Ricreazioni musicali. Colezione di 6 ariette, 3 

duetti e 2 terzetti. No. i in M.244.19 

Albert, Prince Consort. Collected compositions. M.290.23 
Album de chant. Offert aux abonnes de la Gazette musi- 

cale, 1851. No. I in M. 202. 28 

Album des curiosites musicales. [10 pieces selected from 

the album.] No. 3 in M. 158.34 

Album du Gaulois. CEuvres inedites, recueillies par Eugene 

Tarbe & Armand Gouzien. 2 v. M.3gi.28 

Album lyrique, compose de 12 romances, chansonnettes et 

nocturnes. No. 2 in M. 158.34 

Album lyrique du chant frangais. No. 2 in M. 157.38 

Arien-Album. Sammlung beriihmter Arien fiir Bariton und 

Bass. Band I. No. 4 in M. 204.37 

Arne, T. a. Lyric harmony, consisting of eighteen entire 

new ballads, with Colin and Phaebe in score. M.380.1 
Arnim, C. von. A selection of German national melodies. 

with the words both in the original and translated into 

English. M.212.21 

Bach, J. S. 8 airs for an alto voice, from various cantatas 

and masses. M.244.16 

Balakirev. Recueil de chants populaires russes, notes et 

harmonises. M.384.64 

Banck, C. Sechs Gesange [s. oder t.]. No. 17 in m. 221.30 
Banister, J. New ayres and dialogues composed for voices 

and viols, of two, three, and four parts. H.iiga.14 

Barnett, J. Lays of the passions. M.244.20 

Lyrical illustrations of modern English poets. A col- 
lection of songs for s. a. t. and b. voices. M.157.41 

Barthelemon, M. Six English and Italian songs [s. or t. 
Accomp. for violins and pianoforte]. No. 4 in M. 221.32 

Bearden. a collection of songs for one and two voices, 
properly adapted for the harpsichord, violin, German 
flute and guitar. No. 4 in M.202.32 

Becvarovskv. Gesange [s. oder t.]. Heft i. 

No. 20 in M. 221. 33 

Gesaenge [s. oder t.] Ihro Majestaet der Koenigin 

von Preussen zugeeignet. No. 19 in M.221.33 

Bedford. In a Persian garden. A song-cycle for four solo 
voices [s. c. t. b.]. The words selected from the 
Rubaiyat of Omar Khayyam. M. 193.1 

Benda, G. Sammlung italienischer Arien mit [Orchester- 
Begleitung und] untergelegtem Clavierauszuge. 2. Samm- 
lung. No. 1-6. M.220.12 

Benedict. Twelve songs by Jules Benedict and .\rthur S. 
Sullivan. No. 2 in M.157.10 

Beranger. Musique des chansons de Beranger. Airs notes 
anciens et modernes. M.141.25 

Nouveau recueil contenant tous les airs des chansons 

de Beranger. [Avec un supplement.] M.i09b.4o 

Berger, L. Gesange aus einem gesellschaftlichen Lieder- 
spiele Die schone Miillerin. No. 18 in M.221.30 

Berger-Henderson, editor. Album of 16 Hungarian songs, 
with English translations. No. 2 in M.384.63 

Berlioz, L. H. Feuillets d'album. Recueil de 3 morceaux 
de chant. No. 25-27 in M.227.26 

Fleurs des Landes. 5 melodies. No. 14-18 in M.391.32 

Irlande. 9 melodies pour I et 2 voix avec chceur. 

No. 1-9 in M.3gi.32 

Les nuits d'ete. 6 melodies pour m.-s. ou t. Paroles 

de Th. Gautier. No. 11 in M.391.32; etc. 

Die Sommernachte. See his Les nuits d'ete. 

Summer nights. See his Les nuits d'ete. 

33 melodies pour chant et piano, a i voi.x ou plusieurs 

voix et choeur. M.265.8 

Bernier. Cantates frangoises ou musique de chambre a 
voix seule, avec simphonie et sans simphonie avec la 
basse continue. M. 236.25 

Bianchi, F. Four songs [s.]. No. 11 in M.237.7 

Bibliotheque musicale, ancienne et moderne. 2e serie. 
Chant voix de basse-taille. 2 v. M.193.21 

Bird, J., and H. Bird. The singer's second book; consist- 
ing of easy rules and tunes to illustrate them, also many 
of the most useful and popular melodies. No. 2 in M.377.1 



Songs. With music. Collections. (Continued.) 

Bishop, H. R. Airs of haut-ton. No. 3 in M. 244.19 

Bizet. Vingt melodies. Edition pour mezzo-soprano ou 
baryton. No. 2 in M. 265.24 

Blow. Amphion Anglicus. A work of many compositions, 
for one, two, three and four voices: with several accom- 
pagnements of instrumental musick; and a thorow-bass to 
each song. M.121.1S 

Blum. C. L. Lyra fiir Damen. Romanzen [s.]. 

No. 32 in M.221.30 

Blumenthal. 6 Lieder von Emanuel Geibel und Betty 
Paoli, fiir eine Singstimme. No. 27-32 in M.244.1 

6 Lieder [von Geibel u. A.] fiir eine Singstimme. 2te 

Sammlung. No. 33-38 in M.244.1 

Boeheim, editor. Auswahl von Maurer Gesangen. mit 

Melodien der vorziiglichsten Componisten. M. 120.32 

BoRTOLiNi. Amori veneziani. Canzonette popolari in 

dialetto. No. i in M.390.44 

Boston Musical Miscellany: a selection of songs. \'o\. 2. 

M.370.2 
Brahms. Deutsche Volkslieder. Ausgabe fiir hohe Stimme. 

No. 9-15 in M.380.40.3 

Fiinf Gedichte fiir eine Stimme. Op. 19. Ausgabe fiir 

hohe Stimme. [Mit deutschem und englischem Text.] 

No. 5 in M.380.40.1 

Fiinf Gesange fiir eine Stimme. Ausgabe fiir hohe 

Stimme. Op. 69, Heft i. No. 4 in M.380.40.2 

Fiinf Gesange fiir eine Stimme. Op. 71. [With] 

English versions. Fiir hohe Stimme. No. 7 in M.380.40.2 

Fiinf Gesange fiir eine Stimme. Op. 72. [With] Eng- 
lish versions. Fiir hohe Stimme. No. 8 in M.380.40.2 

Fiinf Lieder [fiir eine Stimme]. Op. 47. [Mit 

deutschem und englischem Text.] No. 16 in M.380.40.1 

Fiinf Lieder [fiir eine Stimme]. Op. 49. 

No. 12 in M.380.40.1 

Fiinf Lieder fiir tiefe Stimme. Op. 94. [Mit deutschem 

und englischem Text] No. 12 in M.380.40.2 

Fiinf Lieder fiir eine tieferere Stimme. Op, 105. 

[With] English version. No. 3 in M.380.40.3 

Fiinf Lieder fiir eine Stimme. Op. 106. 

No. 4 in M.380.40.3 

Fiinf Lieder fiir eine Singstimme. Op. 107. Ausgabe 

fiir hohe Stimme. No. 5 in M.380.40.3 

Lieder u. Gesange von Aug. v. Platen und G. F. 

Daumer fiir eine Singstimme. Op. 32. No. 6 in M.380.40.1 

Lieder und Gesange von G. F. Daumer fiir eine Sing- 
stimme. Op. 57. Englische Uebersetzung. Fiir hohe 
Stimme. No. I in M.380.40.2 

Lieder und Gesange fiir eine Singstimme. Op. 58. 

Englische Uebersetzung. Fur hohe Stimme. 

No. 2 in M.380.40.2 

Lieder und Gesange fiir eine Singstimme. Op. 59. 

Englische L^ebersetzung. Fur hohe Stimme. 

No. 3 in M.380.40.2 

Lieder und Romanzen fiir eine Singstimme. 

N^o. 4 in M.380.40.1 

Romanzen [No. 7-15] aus L. Tieck's Magelone fiir 

eine Singstimme. Op. 33, Heft 3-5. [Fiir hohe Stimme. 
Mit deutschem und englischem Text.] 

No 8-10 in M.380.40.1 ; etc. 

Sechs Gesange fiir eine Stimme. Op. 3. Ausgabe fiir 

hohe Stimme. [Mit deutschem und englischem Text.] 

No. I in M.380.40.1 

Sechs Gesange fiir eine Sopran- oder Tenor-Stimme. 

Op. 6. No. 2 in M.380.40.1 

Sechs Gesange fiir eine Singstimme. Op. 7. Aus- 
gabe fiir eine hohe Stimme. [Mit deutschem und en- 
glischem Text.] No. 3 in M.380.40.1 

Sechs Lieder fiir eine Stimme. Op. 85. English ver- 
sions. Fiir hohe Stimme. No. 9 in M.380.40.2 

Sechs Lieder fiir eine tiefere Stimme. Op. 86. [Mit 

deutschem und englischem Text.] No. 1 1 in M.380.40.2 

Sechs Lieder fiir eine Stimme. Op. 97. Ausgabe fiir 

hohe Stimme. [Englische Uebersetzung.] 

No. 2 in M.380.40.3 



115 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Son^s 



Songs. IVith music. Collections. (Continued.) 

Sieben Lieder [fiir eine Stimme. Mit deutschem und 

englischem Text]. Op. 48. No. 1 1 in M.380.40.1 

Sieben Lieder fiir eine Stimme. Op. 95. Fiir tiefe 

Stimme. [Mit deutschem und englischem Text.] 

No. 13 in M.380.40.2 

Vier ernste Gesange fiir eine Bassstimme. Op. 121. 

English text. No. 6 in M.380.40.3 

Vier Gesange fiir eine Singstimme. Op. 43. [With] 

English translation. No. 8 in M.380.40.1 

Vier Gesange fiir eine Stimme. Op. 46. Ausgabe fiir 

hohe Stimme. [Mit deutschem und englischem Text.] 

No. 9 in M.380.40.I 

Vier Gesange fiir eine Stimme. Ausgabe fiir hohe 

Stimme. Op. 69, Heft 2. No. 5 in M.380.40.2 

Vier Gesange fiir eine Stimme. Op. 70. Translated 

into English. Fur hohe Stimme. No. 6 in M.380.40.2 

Vier Lieder fiir eine Singstimme. Op. 96. [Mit 

deutschem und englischem Text.] No. i in M.380.40.3 

Zwei Gesange fiir eine Altstimme mit Bratsche und 

Pianoforte. Op. 91. [Mit deutschem und englischem 
Text.] No. 10 in M.380.40.2 

Brice. Album de M^ Laure Brice. [10 romances, etc.] 

No. I in M.158.34 
Brown, E. A. Elizabethan lyrics set to music. 

No. I in M.384.19 
Brune, H. Singuf. Rattenfangerlieder von Jul. Wolff 
fur eine Singstimme [bar. oder b.]. No. 3 in M.204.37 

Buck, D. Three songs for mezzo-soprano. Op. 36. 

No. 19-21 in M. 200.2 
BuNGERT. Junge Leiden. Lieder fiir eine mittlere Stimme. 

No. 12 in M.380.20 
— — Junge Lieder fiir eine Singstimme [s. o. t.]. Op. 1-7. 

No. 7 in M.380.20 

Kinderleben. Lieder fiir eine Singstimme [a. o. bar.]. 

Heft I. No. 14 in M.380.20 

Oden fiir eine Bariton oder Altstimme. 

No. 8-10 in M.380.20 

Calliope: or the musical miscellany. A select collection 
of the most approved English, Scots, and Irish songs, 
set to music. M.373.47 

Campana. I miei pensieri. Album musicale. M.244.23 

Carissimi. Six cantatas [four being for a single voice, s. 
orT.]. No. 2 in M.391.35 

Chants et chansons populaires de la France. M.122.10 

Chappell. a collection of national English airs, consist- 
ing of ancient song, ballad & dance tunes. M. 126.16 

Chard. Six favorite songs [s. With accomp. for flute and 
piano]. No. 2 in M. 221.32 

Chopin. 17 polnische Lieder fiir eine Singstimme. Ausg. f. 
Sopran od. Tenor. No. 2 in M.157.37 

Choudens, a. 20 melodies. [Edition pour s. ou t.] 

No. 2 in M. 285. 14 

Churchill. Sei arie. M.220.37 

Cinese Rimpatriato. Arie e duetto del Cinese. 

No. 6 in M.340.3 

CoNCONE. Walter Scott lyrique. [Serie 1-6. Collection de 
72 morceaux de chants, airs, duos, trios, etc.] M.244.3 

Cornelius. Gunlod. Drei Stiicke daraus zum Konzert- 
vortrag eingerichtet und instrumentirt. Partitur. 

M.414.21 

CoRRi, D., editor. A select collection of the most admired 
songs, duetts, &c., from operas and other works in Italian, 
English, French. M.244.26 

CoTTRAu, editor. 23a raccolta di canzoni napolitane. 

No. 4 in M.3go.44 

Cressonnois. Harmonies. Poesie de MM. de Lamartine, 
Quiertant, Barthet, Victor Hugo. No. 2 in M.295.9 

Curschmann. Curschmann-Album. Sammtliche Lieder und 
Gesange fiir eine Singstimme. Ausgabe fiir Sopran oder 
Tenor. No. i in M.157.37 

Dana, C. H. Five songs. M.141.33 

Dannstrom. Vier Lieder aus dem Schwedischen. 

No. 6 in M.236.8 



glees. 
Donizetti. 

lyrique. 
Ispirazioni viennesi. 



Songs. With music. Collections. (Continued.) 

Dauney. Ancient Scotish melodies, from a MS. of the 

reign of King James VI. M.122.37 

David, F. C. Cinquante melodies, scenes, romances. 

M.363.28 
Davidson's Universal Melodist, consisting of the music and 

words of popular songs. 2 v. M.112.6 

Delmet. Chansons tendres. M.102.23 

Dentu. Qiuvres musicales. M.1S7.35 

Deutsche Gesaenge. No. 13 in M. 221.33 

DiBDiN, C. The musical tour of Mr. Dibdin. [With the 

music of seven songs.] M.121.1 

Songs chronologically arranged, with notes and the 

music of the best of the melodies. M.133.1 

DiGNUM. Vocal music. Consisting of songs, duetts & 

No. 2 in M.236.18 
Un hiver a Paris, 1838-1839. Nouvel album 

No. 16 in M.244.4 

[Ballate ec] No. i in M.364.10 

Matinees musicales, ossia raccolta di ariette, romanze, 

etc. M.236.i4;etc. 

Nuits d'ete a Pausilippe. Recueil de 6 ariettes et 6 

duos. No. IS in M.244.4 

Soirees de Paris. Album d'ariettes et de nocturnes 

italiens. No. 9-14 in M.244.4 

ficHos d'ltalie. Vol. 2: Airs, romances, ariettes et duettinos. 

M.157.14.2 

Edinburgh Musical Miscellany, The; a collection of 
Scotch, English, and Irish songs. 2 v. M.147.9 

Elgar. Sea-pictures: cycle of five songs for contralto. 
[With orchestra accompaniment.] Full orchestral score. 

No. I in M.406.63 

Favourite collection. A, of songs sung by Miss Brent, 
Miss Wright, &c. at Vaux-Hall Gardens &c. [Accom- 
paniment for flute, violin and figured bass.] 

No. 6 in M. 237.26 

Ferrari, G. G. Six favorite Italien ariettes, one duett and 
one hymn for 4 voices. No. 7 in M.221.21 

FiTZ. The American school song book, improved. 

No. I in M.205.32 

Fleurs d'ltalie. Recueil de 55 morceaux pour le chant 
choisis parmi les oeuvres des plus celebres compositeurs 
italiens. No. 2 in M.364.10 

Flint, , Lady. Five songs [s. or t.] and a duett [s. t.]. 

The words selected from Lalla Rookh. No. 25 in M.236.2 

Florimo. Ore musicali, o sia raccolta di 12 pezzi per 
camera. No. 2 in M.244.19 

Franz, R. [Lieder und Gesange fiir eine Singstimme.] 
Op. 1-14, 16-18, 20-23, 25-28, 30, 31, 33-44. M.244.5 

Eraser, editor. The airs and melodies peculiar to the High- 
lands of Scotland and the Isles. Having the lively airs 
introduced as medleys, to form a sequence to each slower 
movement. With an admired plain harmony for the 
pianoforte, harp, organ or violincello. Acquired during 
1715 to 1745. M.192.1S 

Gade. s Gedichte aus „Bilder des Orients" von Stieglitz 
fiir eine Singstimme [t. oder s.]. Op. 24. 

No. I in M. 192.3 

Lieder und Gesange. Heft 1-8, No. i. 

No. 2-11 in M. 192.3 

Georges. Melodies. M.245.16 

Gernlein, R. Drey Lieder fiir bar. oder a. mit Pianoforte 
oder Guitarre Begleitung. No. 3 in M.221.33 

Giuliani, M. Zwey deutsche Romanzen [t.], mit Beglei- 
tung des Pianoforte, fiir die Guitarre arrangirt. 

No. 18 in M.221.33 

Glinka. Romances, traduites du russe. M.244.8 

Gonet. Tableau de la litterature frivole en France depuis 

le xi^ siecle ou musee des chansons et des poesies logeres. 

M.233.30 
Gordigiani. £chos de la Toscane. 80 chansons populaires. 

M.244.13 

Goss, editor. The sacred minstrel. 2 v. M.158.8 

Gounod. Ten popular songs. Including several airs from 

'Faust' and 'The mock doctor.' No. i in M. 157. 10 



116 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. With music. Collections. (Continued.) 

Vingt melodies. Recueil 1-5. 5 v. in 3. 

Gregoir, £. G. J. Pantheon musical populaire 



Grieg. Grieg-Album. 



M.157.36 
6 V. in 2. 

M.I34-4 
Sammlung beliebter Lieder. 

No. 2-6 in M.15S.16 

Gruber, G. W. Gottfried August Biirgers Gedichte fiir die 

Singstimme gesetzt von Georg Wilhelm Gruber. M.130.9 

Handel. The beauties of Handel, consisting of upwards of 

150 of his songs, duets & trios. 3 v. M. 221.24 

Songs, duets, and trios, selected from the oratorios, 

etc. 6 V. M.234.5 

12 Alt-Arien, aus verschiedenen Opern. 

No. 2 in M.270.48 

12 Sopran-Arien, aus verschiedenen Opern. 

No. I in M.270.48 
Hanover Square; a magazine of pianoforte and vocal 
music. Vol. I. M.156.51 

Harder. Drei Gedichte von August Kuhn [s. o. bar.]. 

No. 21 in M.221.33 
Haydn, F. J. Gesaenge. [Heft i, 2.] No. i, 2 in M.312.35 

VI original canzonetts, for the voice [s. or t.]. 

No. 10 in M.237.7 

Twelve ballads [s. or t.] adapted to English words, 

with an accomp. for the harpsichord or piano forte. 

No. I in M. 221.32 
Hennig. 20 ein- und zweistimmige Lieder. Op. 2, Heft 

I, 2. No. 17 in M.203.8 

Henschel, G. Serbisches Liederspiel (Servian romances). 

Eine Reihe altserbischer Volkslieder, nach der Talvj'schen 

Uebersetzung fiir eine und mehrere Singstimmen (s. a. 

T. B.). Translated into English. No. 2 in M. 194.15 

Hiller, F. Acht Ritornelle aus Paul Heyse's italienischem 

Liederbuch, fiir eine Singstimme [s. oder t.]. 

No. 21 in M. 192.3 

Drei Gesange fiir eine Singstimme [s. oder t.]. 

No. 12-14 in M.192.3 

Lieder fiir eine Altstimme. Op. 129. 

No. 22-24 in M.192.3 

Sechs leichte Gesange fiir eine Singstimme [a. oder 

bar.]. Op. 149. No. 25-30 in M.192.3 

Vier Gesange fiir eine Singstimme [s. oder t.]. 

No. IS in M.192.3 

Zwolf Lieder fiir eine Altstimme. No. 18-20 in M.192.3 

Himmel. Alexis und Ida. Ein Schaferroman in 46 Liedern 

von Tiedge. Fiir eine, zwey und mehr Stimmen com- 

ponirt von F. H. Himmel. M. 221.31 

Hodges, G. L., editor. A collection of Peninsular melodies. 

M.244.25 

Hodson, W. Fourteen songs [s. or t.] with a glee for 2 

voices. No. 3 in M. 221.32 

Hook, J. The hours of love. A collection of sonnets 

adapted for the voice, harpsichord, violin, flute or guitar. 

No. 34 in M.237.7 

A third collection of songs sung by Mr. Vernon, Mrs. 

Weichsell, Mrs. Wrighten & Miss Thornton. 

No. I in M.202.32 

A sixth book of songs, sung by Mr. Vernon, Mrs. 

Weichsell and Miss Jameson. No. 2 in M.202.32 

Hortense, Queen of Holland. Romances mises en musique. 

M.221.27 

Hudson, H., editor. [Irish airs.] M.374a.7 

HuLLAH, J. P., editor. The song book. Words and tunes 
from the best poets and musicians. M. 104.47 

Jackson, W., of E.reter. Twelve songs set to music. Opera 
quarta. [Also another set of twelve songs. Accomp. for 
2 violins and figured bass.] M. 237.23 

Jaques-Dalcroze. Chansons romandes. Serie i, 2. 

No. I in M. 203.37 

Chez nous. Nouvelles Chansons romandes. 

No. 3 in M. 203.37 

Des chansons. No. 2 in M.203.37 

Jensen, A. Ausgewahlte Lieder und Gesange fiir eine Sing- 
stimme. No. 3 in M.157.37 



Songs. IVith music. Collections. (Continued.) 

Johnson, J., compiler. The Scots musical museum. 5 v. in 2. 

M.144.14 
Kennedy, D. 1825-1886. Kennedy's Handbook of Scottish 
song, with the melodies; as sung by him. 

No. I in M.373.46; etc. 
Kiel. Sechs Lieder [s. o. t.]. No. i in M.221.33 

KiTCHiNER, editor. A collection of the vocal music in Shake- 
speare's plays. M.112.11 
KjERULF. Album of songs. Translation by T. Marzials. 

No. 2 in M. 158.28 

Sanger och visor. Lieder und Gesange. Die nor- 

dischen und englischen Gedichte deutsch von Edmund 
Lobedanz. M. 158.47 

Klein, B. J. Lieder und Gesange [fiir eine Singstimme, 

s. o. T.]. No. 19 in M.221.30 

Knight, J. P. Sabbath evenings. 12 sacred songs, duetts 

& trios. M.234.14 

Krigar. Sechs Lieder fiir eine tiefe Stimme. 

No. 16 in M.235.8 
Kuecken. Drei Gesange fiir eine Alt- oder Bass-Stimme. 

No. 2 in M.221.25 

Drei Gesange fur eine Singstimme [s. o. T.j. 

No. I in M.221.25 

Ernste und heitere Lieder [s. o. x.]. No. 15 in M. 244.6.1 

Fiinf Lieder fur Gesang [s. o. x.]. No. 2 in M. 244.6.2 

Fiinf Lieder fiir Sopran oder Tenor, und ein drei- 

stimmiger Canon. No. 6 in M.221.25 

Leichte Lieder [s. o. x.]. No. 3 in M.244.6.2 

Lied in der Fremde. Da driiben. Sehnsucht. 3 Lieder 

fiir Gesang [s. o. x.]. No. i in M.244.6.1 

Lieder fiir Sopran oder Tenor. No. 7 in M.244.6.1 

Lieder & Gesange fiir eine Singstimme [s. o. x.]. 

No. 5 in M.244.6.1 

Treue im Wechsel. Lieb' Annchen. 2 Lieder fiir 

Gesang [s. o. x.]. No. 2 in M.244.6.1 

Vier Lieder [s. o. x.]. No. 17 in M.244.6.1 

Der Wunsch. So willst du von mir gehen. Zwei 

Gesange fiir eine tiefe Stimme. No. 7 in M.244.6.2 

Zwei Gesange fiir eine Bass- oder Alt-Stimme: Mau- 

risches Standchen; Wasserfahrt. No. i in M.244.6.2 

Zwei Gesaenge: Pilgers Abendlied; Auf dem Wasser. 

Fiir eine Tenor- oder Sopran-Stimme. No. 14 in M.244.6.2 

Zwei kleine Lieder: Schlummerlied [Schlaf, Kindchen, 

schlaf] ; Durch die Nacht. Fiir eine Singstimme [s. o. x.]. 

No. 5 in M. 244.6.3 

Zwei Lieder fiir eine Singstimme [s. o. x.] : Es liegt 

die heisse Sommer; Voglein im Walde. No. i in M.244.6.3 

Zwei Lieder fiir eine Singstimme [s. o. x.]. 

No. 14 in M.244.6.1 
Kuhlau. Drey Gesange, in Musik gesetzt [s. o. x.]. 

No. 27 in M.221.30 
Labarre. Album lyrique, compose de douze romances, 

chansonnettes et nocturnes. M. 123.16 

Lacome d'Estalenx. Les contes de Perrault, mis en chan- 
sons. No. 2 in M. 202.28 
Lacome d'Esxalenx, editor. Les fondateurs de I'opera fran^ais. 

Transcriptions pour piano et chant. No. 2 in M. 296.6 

Laffile, editor. Le souvenir des menestrels, contenant une 

collection de romances inedites. M.246.35 

Lee, D. a set of Turkish melodies. Vol. i. M. 193.22 

Lemoine, a. Chants populaires en I'honneur de Jeanne 

d'Arc. No. 2 in M.112.16 

Lemoine, L. P. Album de M«"« Loisa Puget. M. 158.6 

Lenz, L. Gesaenge und Lieder aus der Tragodie Faust 

von Goethe, fiir eine Singstimme. No. 28, 29 in M.221.30 
L'fipiNE. Scenes et chansons. No. i in M. 213.14 

Lindpainxer. Zwolf deutsche Liedlein fiir eine Singstiirie 

[s. o. X.]. No. I in M.380.22 



LiNLEY, G. [Songs.] 2 V. 

Lira d'ltalia. 56 morceaux italiens. 

Liszx. Gesammelte Lieder. 

Loeffler. Four poems set to music. Op. 15. 

Quatre poemes pour voix, alto et piano. 



M.235.19 

M.I57-39 
M.244.14 
M.410.88 
Op. 5- 
M.410.86 



117 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. Collections. (Continued.) 

LoEWE, J. C. G. Kaiser Karl v. 4 historische Balladen fiir 
eine Singstimme [m.-s. o. bar.]. No. 3-5 in M.221.30 

Riickert's Gedichte fiir eine Singstimme [s. o. T.]. 

No. I, 2 in M.221.30 
LoMAN, editor. Twaalf Geuzeliedjes uit de Geusen lieden- 
boecxkens van 1588 en later. No. 2 in M.415.7 

LuNN, J. The passions; being 6 songs, each with a de- 
scriptive proem and graphic illustrations: the music by 
G. F. Stansbury, T. Cooke, J. Parry, F. W. Horncastle, 
J. C. Clifton, E. Taylor. 11.391.51 

Lyre, The. [Thirty-five old songs.] M. 143.6 

Maitre-Chanteur, Le. Recueil de chant et journal musical. 
Annee i, 2. M. 122.34 

Mangold. Johanna d'Arc. Scene u. Arie fiir Sopran, nach 
Worten von Schiller's Jungfrau von Orleans. 

No. 3 in M.403.26 

Mariani, A. XXII melodic italiane. No. i in M. 158.28 

Martucci, G. La canzone dei ricordi. Poemetto lirico di 

R. E. Pagliara. No. i in M.384.37 

Masini. Album contenant 12 melodies. M.237.6 

Mathews, C. T., compiler. [Manuscript music and songs, 

principally national or folk-songs, of Italy.] M.117.2 

Mendelssohn-Bartholdy, J. L. F. Songs [in English and 

German]. M.244.21 

Mendes, editor. Les plus jolies chansons du pays de France. 

Chansons tendres. M. 122.41 

Methfessel, a. G. Dodici canzonette [s. o. t.] con accomp. 

di pianoforte o chiltarra. Parte i. No. 8 in M.221.33 

Sechs Lieder [s. o. t.] mit Begleitung des Fortepiano 

und Guitarre. 24. Werk. No. 5 in M.221.33 

Sechs Lieder [s. o. t.]. No. 7 in M.221.33 

Metzdorff. Metzdorff-Album. Lieder und Gesange fiir 

eine Singstimme. 
Meyerbeer. 40 melodies a une 



et 



No. 3 in M.384.63 

a plusieurs voix. avec 

paroles frangaises & allemandes. No. i in M. 157.38 

Middlemore, editor. Songs of the Pyrenees with Spanish, 

French & English words. 2d series. No. i in M.384.63 

Mihai.ovich. Acht Gedichte fiir eine Singstimme. 

No. 5 in M.3S0.21 

Sechs Gesange fiir eine Singstimme. No. 4 in M.380.21 

Sechs Lieder fiir eine Singstimme. No. 3 in M.380.21 

Sieben Gedichte von Mathilde Wesendonck. Fiir 

Gesang componirt von Edmund von Mikalovich. 

No. I in M.380.21 

Sieben Lieder fiir eine Singstimme. No. 2 in M.380.21 

MoLLOv, editor. The songs of Ireland, including the most 

favourite of Moore's Irish melodies, and a large collec- 
tion of old songs and ballads, with new symphonies and 
accompaniments. M.123.30 

MoNiuszKO. Trzy spiewy. [3 songs for m.-s. or bar.] 

No. 31 in M.221.30 

Moore, T Irish melodies, with symphonies and accom- 
paniments. M.122.42 

A selection of popular national airs, with symphonies 

and accomps. M.236.13 

Moscheles, I., editor. The Tyrolese melodies. Arranged 
for I or 4 voices. [With English and German words.] 
Vol. I, 2. M. 244.24 

Mozart, xxx Gesange. M. 221.28 

Mudie. Sacred songs, for a treble or tenor voice. No. i, 
4, 5, 9, 12, 14-16, 20-22. M.280.30 

Musical cabinet. The: containing a selection of all the 
new and fashionable songs. M.148.41; etc. 

Musical carcanet, The: a choice collection of the most 
admired popular songs, arranged for the voice, flute, and 
violin. M.148.3S 

Musical library, The. Vocal. [Glees, canzonets, arias, 
songs, &c.] M.235.18 

Musical miscellany, The: a collection of songs, set to the 
violin and flute. M.iiga.15 

Naumann, J. G. [Medea.] Arie scielte dell' opera Medea 

No. 3 in M.225.26 

Liebhaber des Gesangs und 

No. I in M.220.34 



aggiustate pel cembalo. 
Neefe. Vademecum fiir 
Klaviers. 



Songs. IVith music. Collections. (Continued.) 

Neukomm, S. von. Gesange und Lieder zu Tiedge's Lieder- 
Roman Aennchen und Robert. M.221.29 

Niedermeyer. 10 melodies. No. 4 in M. 157.37 

Nouvelles PofesiEs morales sur les plus beaux airs de la 
musique frangoise et italienne avec la basse. Recueil i. 

M. 360.17 

Panofka. Soirees de Londres. Collection de morceaux 
pour le chant. No. 1-6. [Paroles italiennes et allemandes.] 

No. 1-6 in M. 244.18 

Panseron. L'album. M.120.3S 

P^NAVAiRE, J. G. Vingt melodies pour chant [s. ou t.]. 

No. 3 in M.287.6 

Phillips, H. The true enjoyment of angling. [With direc- 
tions for flies, etc., for each month, with a corresponding 
song set to music] M.i4ga.3 

Playford. editor. Choice ayres, songs, & dialogues to sing 
to the theorbo-lute or bass-viol. Being most of the 
newest ayres and songs, sung at court. M.380.43 

Porter, P. W. A collection of melodies, duets, and glees 
for 3 and 4 voices. No. 2 in M.236.21 

PosA. Fiinf Lieder. Gedichte von Detlev von Liliencron. 
[Mit deutschem und englischem Text.] Fiir eine Sing- 
stimme. Op. 6. No. IS in M.380.22 

Fiinf Lieder von Detlev von Liliencron fiir eine Sing- 
stimme. [Mit deutschem und englischem Text.] 

No. 13 in M.380.22 

Sechs Lieder fiir eine Singstimme. [Mit deutschem 

und englischem Text.] Op. 5. No. 14 in M.380.22 

Vier Lieder (Gedichte von Ricarda Huch), fiir eine 

Singstimme. Op. i. No. 12 in M.380.22 

Prati, a. Sei romanzi [s. o. t.] in lingua italiana e francese 
con accomp. di cembalo o arpa. No. 13 in M. 221. 25 

Pratt, S. G., editor. "The War in song;" a military and 
musical allegory of the late Cviil War. [Programme and 
words of the songs, with music] No. i in M.372.61 

Purcell, H. The beauties of Purcell. Consisting of songs, 
duets, trios, &c. M.221.2 

Raff. Sanges-Friihling. Dreissig Compositionen fiir eine 
Singstimme (Romanzen, Balladen, Lieder und Gesange). 
Ausgabe fiir s. oder t. No. 1-3 in M. 192.4 

[Recueil de medinhas, romances, bailes, rondinas, segui- 
dillas. canciones, &c. portugais et espagnols.] M.391.57 

Recueil de romances frangaises et allemandes. Musique 
de Berton, Boieldieu, Kalkbrenner. Livr. i. 

No. 26 in M.221.30 

Reeve. [The brush.] Fourteen comic, convivial, and senti- 
mental songs. Written and sung by Mr. Collins, in his 
entertainment of The brush. The music adapted, and 
accomp. [for piano and violin, or guitar, or German flute] 
by W. Reeve. No. 7 in M.391.54 

Reger, M. Lieder fiir mittlere Singstimme mit Klavier- 
begleitung. The English words by Percy Pinkerton. 

M.137.38 

Ricci. F. Soirees de Vienne. Album lyrique d'ariettes et 
de nocturnes italiens. [Paroles italiennes et allemandes.] 
No. 1-8. No. 7-14 in M.244.18 

Richer. Cantates frangoises [a voix seule] avec simphonie, 
et un trio. [Partition.] No. 2 in M.281.18 

Riemsdijk, editor. Vier en twintig liedern uit de is^e en i6<ie 
eeuw, met geestelijken en werldlijken tekst voor eene 
zangstem. No. 3 in M.415.7 

Righini. Zwolf deutsche Lieder [s. o. t.]. No. 27 in M.221.33 

Ritter, F. L. Hafis. Ein Liederkreis aus dessen Gedichten 
in deutscher und englischer tJbersetzung fiir eine Sing- 
stimme [s. Oder t.]. No. 4, 5 in M.192.4 

Six songs [s. o. t. Words in English and German]. 

No. 8 in M.ig2.4 

Rodrigues-Henriques. Apologues. D'apres les Midraschim 

ou Contes du Talmud, traduits en vers. M.204.41 

Historiettes. D'apres les Midraschim, ou Contes du 

Talmud, traduits en vers. M.204.42 

Romagnesi. Collection des romances, chansonnettes et 
nocturnes. M.193.24 



118 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. IVilh music. Collections. (Continued.) 

fitrennes lyriques. Recueil compose de romances, 

nocturnes. M.158.7 

Root, G. F. The young men's singing book: music for male 

voices. M. 100.22 

RoPARTZ, J. G. M. Vingt melodies. M.415.64 

RosENHAiN. Lieder [s. o. T.]. No. 2 in M.221.33 

Rossini. Les soirees musicales. Collection of 8 Italian airs 

and 4 duets. No. 1-12 in M. 280.45 

RouGET DE Lisle. 48 chants frangais. M.202.44 

Rubinstein. Die Gedichte und das Requiem fiir Mignon 

aus Goethe's „Wilhelm Meisters Lehrjahre." 

No. 2 in M.351.26 

Fiinf Fabeln von Kriloff, aus dem Russischen ijber- 

setzt. Fiir eine Singstimme [s. oder T.] componirt von 
Anton Rubinstein. No. 14 in M.192.5 

Neun Lieder von Kolzoff, aus dem Russischen. Fiir 

eine Singstimme [s. oder t.] von Anton Rubinstein. 

No. 2-4 in M.192.5 

Sechs Lieder aus dem Russischen, fiir eine Singstimme 

[s. Oder T.]. Op. 8. No. i in M.192.5 

6 Lieder von Heine fiir eine Singstimme [s. oder t.]. 

Op. 32. No. 5 in M.192.5 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 33. 

No. 6 in M.192.5 

Sechs Lieder fur eine Singstimme [s. oder t.]. Op. 57. 

No. 13 in M.192.5 

Sechs Lieder fiir eine Singstimme [a. oder bar.]. Op. 

72. No. IS in M.192.5 

Sechs Lieder fur eine Singstimme [s. oder t.]. Op. 76. 

No. 16 in M.192.5 

Zehn Lieder aus dem Franzosischen, Italienischen und 

Englischen iibersetzt, fiir eine Singstimme [s. oder t.]. 

No. 19 in M.192.5 

Zwei Lieder fiir das Album Ihrer K. K. Hoheit der 

Kronprinzessin des Deutschen Reiches. 

No. 20, 21 in M.192.5 

Zwolf Lieder des Mirza-Schaffy, aus dem Persischen, 

fiir eine Singstimme [s. oder t.]. Op. 34. 

No. 7,8 in M.192.5 

Zwolf Lieder aus dem Russischen, fiir eine Singstimme 

[s. oder t.]. Op. 36. No. 9-12 in M. 192.5 

Zwolf Lieder aus dem Russischen, fiir eine Singstimme 

[s. oder t.]. Op. 78. No. 17, 18 in M.192.5 

Sacchini. Le Sacchini des concerts. Recueil des airs, 
scenes, duos, des operas frangais de ce maitre. M.274.9 

Saint-Saens. Melodies persanes. Poesies tirees des Nuits 
persanes d'Armand Renaud. No. 4 in M. 155.48 

Salvini. Cancioneiro musical portuguez. 40 melodias. 

M.206.15 

Scarlatti. Cantate [a voce sola col basso continue]. Vol. 
2-4. M.360.10 

Schambach, editor. Liederhalle fur Deutschlands Jugend. 

M. 205.28 

ScHROETER, editor. Twelve favorite Scots songs for the 
voice and harpsichord, with an accomp. for a violin or 
German flute. No. 9 in M.220.18 

Schubert, F. P. Franz Schubert's Sammtliche Composi- 
tionen. Band l: Lieder, Gesange und Balladen fiir eine 
Singstimme. M.244.12 

The fair maid of the mill (Die schone Miilleriu). A 

series of songs, written by Wilhelm Miiller. 

No. 3 in M. 157. 10 

[Melodies.] Seule collection complete des melodies 

de Frangois Schubert. Paroles frangaises de M^ Belanger. 
[Livre 1-16.] M.327.4 

Sieben Gesange aus Walter Scott's Fraulein vom See. 

Nos. 9, 10 in M. 140.33.3 
Schumann, R. A. Dichterliebe. Liedercyklus aus dem 
Buche der Lieder von Heine, fiir eine Singstimme. 

No. 4, 5 in M.244.15.2 

Frauenliebe und Leben. Lieder-Cyclus von A. von 

Chamisso, fiir eine Singstimme [s. oder T.]. 

No. 2 in M.244.15.2 



eine Singstimme. Heft i. 
No. 6 in M.244.15.1 
No. 7 in M.244.15.2 
No. I in M.244.15.3 
No. 10 in M.244.15.3 



Songs. With music. Collections. (Continued.) 

Fiinf Lieder fiir eine Singstimme [s. oder t.]. 

No. I in M.244.15.2 

Gedichte der Konigin Maria Stuart. No. 9 in M.244.15.4 

Die Hiitte. Warnung. Der Brautigam und die Birke. 

Drei Gedichte aus den Waldliedern von S. Pfarrius, fiir 
eine Singstimme [t. oder bar.]. No. 5 in M.244.15.4 

Der Knabe mit dem Wunderhorn. Der Page. Der 

Hidalgo. Drei Gedichte von E. Geibel, fiir eine Sing- 
stimme. No. 7 in M.244.15.1 

Lieder fiir die Jugend. Abtheilung 1-3. 

No. 2-4 in M.244.15.3 

Lieder, Gesange und Requiem fiir Mignon, aus 

Goethe's Wilhelm Meister. Abtheilung i. 

No. IX in M.244.15.3 
Lieder und Gesange fiir 
Op. 27. 

Same. Heft 2. Op. 51. 

Same. Heft 3. Op. 77. 

Same. Heft 4. Op. 96. 

Lieder und Gesange von Kerner, Heine, fiir eine Sing- 
stimme [s. o. T.]. No. 8 in M.244.15.4 

Lieder-Kreis. Zwolf Gesange von J. von Eichendorff, 

fiir eine Singstimme. No. 12 in M.244.15.1 

Liederkreis von H. Heine, fiir eine Singstimme [s. 

oder T.]. No. i in M.244.15.1 

Die Lowenbraut. Die Kartenlegerin. Die Rothe 

Hanne. Von A. von Chamisso. Fiir eine Singstimme. 

No. 8 in M.244.15.1 

Die Meersee. Husarenzug. Jung Volker. Friihlings- 

lied. Friihlingslust. 5 heitere Gesange fiir eine Sing- 
stimme [s. o. T.]. No. 7 in M.244.15.4 

Minnespiel aus Riickert's Liebesfriihling fiir eine und 

mehrere Singstimmen (s. a. t. b.). No. 12 in M.244.15.3 

Myrthen: Liederkreis von Gothe, Riickert, fiir Gesang 

und Pianoforte. Heft 1-4. No. 2-5 in M.244.15.1 

Resignation. Die Blume der Ergebung. Der Ein- 

siedler. Drei Gesange fiir eine Singstimme [s. o. t.]. 

No. 5 in M.244.15.3 

Romanzen und Balladen fiir eine Singstimme. Heft i. 

Op. 45. No. 3 in M.244.15.2 

Same. [Heft 2.] Op. 49. No. 6 in M.244.15.2 

Same. Heft 3. Op. 53. No. 8 in M.244.15.2 

Same. Heft 4. Op. 64. No. 10 in M.244.15.2 

Sechs Gedichte von N. Lenau [Pseud.], und Requiem, 

altkatholisches Gedicht, fiir eine Singstimme [s. o. t.]. 

No. 8 in M.244.15.3 

Sechs Gedichte von Reinick, fiir Sopran- oder Tenor- 

stimme. No. to in M.244.15.1 

Sechs Gesange fiir eine Singstimme [s. oder t.]. Op. 

107. No. 3 in M.244.15.4 

Sechs Gesange von Wielfried von der Neun [Pseud.], 

fiir eine Singstimme [s. o. T.]. No. 7 in M.244.15.3 

Sieben Lieder von Elisabeth Kulmann fiir eine Sing- 
stimme [s. o. T.]. No. I in M.244.15.4 

Spanische Liebes-Lieder. Ein Cyclus von Gesangen 

aus dem Spanischen fiir eine u. mehrere Stimmen. 

No. 10 in M.244.15.4 

Spanisches Liederspiel. Ein Cyclus ein- und mehr- 

stimmiger Gesange. No. 1-9, und Anhang. 

No. 11-20 in M.244.15.2 

Die Tochter Jephta's. An den Mond. Dem Holden. 

Drei Gesange aus Byron's Hebraischen Gesangen, fiir 
eine Singstimme [s. o. T.]. No. 9 in M.244.15.3 

Vier Gesange fiir eine Singstimme [s. oder t.]. Op. 

142. No. II in M.244.15.4 

Vier Husarenlieder von Nicolaus Lenau [Pseud.], fiir 

einer Baryton-Stimme. No. 4 in M.244.15.4 

Zwolf Gedichte von Justinus Kerner. Eine Lieder- 

reihe fiir eine Singstimme [s. oder T.]. No. 9 in M.244.15.1 

Zwolf Gedichte aus F. Riickerts Liebesfriihling. Fiir 

Gesang und Pianoforte von Robert und Clara Schumann. 

No. II in M.244.15.1 

Scola, compiler. Venetian ballads composed by Sigr. Hasse 

and all the celebrated Italian masters. M.220.30 



119 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Songs 



Songs. With music. Collections. (Continued.) 

Scottish songs. A souvenir. M.104.18 

Seidel, F. L. Lieder [s. o. t.]. Heft 3. No. 17inM.221.33 
Singer's Companion, The: containing a selection of popular 
songs, duets . . . with music. M. 1093.37 

Small. The lady of the lake. Poem by Sir Walter Scott. 
With the incidental songs set to music. M.121.18 

Smith, J. S., compiler. Musica antiqua. A selection of music 
of this and other coutries, from the commencement of the 
twelfth to the beginning of the eighteenth century; com- 
prizing motetts, madrigals, hymns, anthems [etc.] . . . 

M.236.10 

Smith, L. A. Through Romany songland. M.208.22 

Sola, C. M. A. Spanish melodies, with characteristic 

poetry. No. 7 in M.390.44 

Stanley. Six cantatas, for a voice and instruments. 

No. I in M.237.26 

Stern, J. Bilder des Orients. Gedichte von H. Stieglitz 

fur Sopran oder Tenor. No. 12 in M.221.30 

Compositionen von Jul. Stern, F. Mohring und Otto 

Tiehsen, Lieder und Gesange. No. 8 in M.236.8 

Deutsche Gesange fiir eine Singstimme. 

No. 17 in M.236.8 

Fiinf Gesange fiir eine Singstimme [s. o. t.]. 

No. II in M.221.30 
Strauss, R. Acht Gedichte aus „letzte Blatter" von Herr- 
mann von Gilm fiir eine Singstimme. Op. 10. Fiir hohe 
Stimme. The English version by John Bernhoff. 

No. 1-8 in M.380.24.1 

Acht Lieder fiir eine Singstimme [s. oder t.]. Op. 49- 

Englische Uebersetzung von Dr. Paul England. 

No. 11-18 in M.380.24.4 

Drei Gesange alterer deutscher Dichter fiir eine Sing- 
stimme [s.]. Op. 43- No. ii-i3inM.38o.24.3 

Drei Lieder (nach Gedichten von Otto Julius Bier- 

baum) fiir eine Singstimme. Op. 29. Ausgabe fiir hohe 
Stimme. Englische Uebersetzung von John Bernhoff. 

No. 5-7 in M. 380.24.2 

3 Lieder von Carl Busse fur eine (hohe) Singstimme. 

Op. 31. Englische Uebersetzung von Paul England. 

No. 8-10 in M.380.24.2 

Fiinf Gedichte von Friedrich Riickert fiir eine Sing- 
stimme [s. Oder t.]. Op. 46. Englische Uebersetzung 
von Paul England. No. 14-18 in M.380.24.3 

Fiinf Lieder fiir eine mittlere Singstimme. Op. 15. 

No. 9 in M.380.24.1 

Fiinf Lieder fiir eine Singstimme. Op. 32. Ausgabe 

fiir hohe Stimme (Tenor). Englische Uebersetzung von 
John Bernhoff. No. 12-16 in M.380.24.2 

Fiinf Lieder fiir eine Singstimme [t.]. With German 

and English words. Op. 39- No. i-S in M.380.24.3 

Fiinf Lieder fiir eine Singstimme [t. oder s.]. Op. 41. 

[With English & German words.] No. 6-10 in M.380.24.3 

Fiinf Lieder (Ludwig Uhland) fur eine Singstimme 

[t.]. Op. 47. Englische Uebersetzung von Constance 
Bache. No. i-S in M.380.24.4 

5 Lieder nach Gedichten von Otto Julius Bierbaum 

und Karl Henckell fiir eine Singstimme [t. oder s.]. Op. 
48. Englische Uebersetzung von Constance Bache. 

No. 6-10 in M.380.24.4 

Madchenblumen (Maiden-blossoms). Gedichte von 

Felix Dahn fiir eine Singstimme. Op. 22. Ausgabe fiir 
hohe Stimme. Mit deutschem und englischem Text. 

No. 22 in M.380.24.1 

„Schlichte Weisen." Fiinf Gedichte von Felix Dahn 

fiir eine Singstimme. Op. 21. Ausgabe fiir hohe Stimme. 
Englische Uebersetzung von John Bernhoff. 

No. 17-21 in M.380.24.1 

Sechs Lieder von A. F. von Schack fiir eine hohe 

Singstimme. Op. 17. No. 10 in M.380.24.1 

Sechs Lieder aus „Lotosblatter" von Adolf Friedrich 

Graf von Schack fiir eine Singstimme. Op. 19. Ausgabe 
fur hohe Stimme. No. ii-i 6 in M.380.24.1 

Sechs Lieder fiir eine Singstimme. Op. 37- Ausgabe 



Songs. With music. Collections. (Continued.) 

fiir hohe Stimme. Englische Uebersetzung von John 
Bernhoff. No. 21-26 in M.380.24.2 

Vier Gesange fiir eine Singstimme mit Begleitung des 

Orchesters. Op. 33. Partitur. No. 1-4 in M.380.25 

Vier Lieder fiir eine Singstimme. Op. 27. Ausgabe 

fiir hohe Stimme. Englische Uebersetzung von John 
Bernhoff. No. 1-4 in M.380.24.2 

Vier Lieder fiir eine Singstimme. Op. 36. Ausgabe 

fiir hohe Stimme. Englische Uebersetzung von John 
Bernhoff. No. 17-20 in M.380.24.2 

Zwei grossere Gesange fiir eine tiefere Singstimme mit 

Orchesterbegleitung. Op. 44. Partitur. No. 5, 6 in M.380.25 

Zwei Lieder (Gedichte von N. von Lenau) fiir eine 

Singstimme. Op. 26. Ausgabe fur hohe Stimme. En- 
glische Uebersetzung von John Bernhoff. 

No. 23, 24 in M.380.24.1 

Sullivan, A. S. Twelve songs by Jules Benedict and 

Arthur S. Sullivan. No. 2 in M.isy.io 

The window, or, the songs of the wrens. [12 songs.] 

Words by Tennyson. M.236.1 

Taubert, C. G. W. Acht Lieder von Robert Burns, fiir 
eine Singstimme [s. oder t.]. No. S, 6 in M. 192.6 

Des Knaben Berglied. Uhlandslied. Zwei Lieder fiir 

eine Singstimme [s. oder t.]. No. 28, 29 in M.192.7 

Dichtungen von Fr. v. Schiller in Musik gesetzt von 

Wilhelm Taubert. Op. 144, No. i, 3-5. No. 1-4 in M.192.8 

Drei Balladen aus der Kinderwelt, fiir eine Sing- 
stimme [s. oder t.]. No. 21-23 in M.192.8 

Drei heitere Gesange fiir eine Singstimme [bar.]. 

No. 5 in M.192.7 

Der frohliche Mann. Ganse. Zwei heitere Liedar. 

Friihiingsjubel. Maientag. Zwei Gesange. Fiir s. oder T. 

No. 15-18 in M.192.8 

Fiinf Gesange [s.] nebst englischer Uebersetzung. 

Op. 99. No. I in M.192.7 

Fiinf Lieder fiir eine Singstimme [s. oder t.]. Op. 

102. No. 2, 3 in M.192.7 

Fiinf Lieder [s. oder t.]. Op. 132A. No. 16 in M.192.7 

Gesaenge aus Shakspeare's Was ihr woUt [u. s. w. 

nebst englischer Uebersetzung]. No. 8 in M.22I.26 

Gliick der Liebe. Acht Gedichte von Emil Taubert. 

Fiir s. oder t. componirt von Wilhelm Taubert. 

No. 33 in M.192.8 

Gruss an Schlesien. 5 Lieder in schlesischer Mundart 

von Hoffmann, Viol und Geisheim. Fiir eine Singstimme 
[s. oder t.] componirt von Wilhelm Taubert. 

No. 4 in M.ig2.6 

Jungfrau Lowisika. Die weinenden Schwestern. Zwei 

Humoresken fiir eine Singstimme [s. oder t.]. 

No. 4 in M.ig2.7 

Liebesglocken. Friihlingslust. 2 Gesange fur eine 

Singstimme [s. oder t.]. No. 9 in M.192.7 

Sechs deutsche Lieder [s. oder t.]. 5. Werk. 

No. I in M.221.26 
Op. 6. 
No. 2 in M.221.26 

— Sechs deutsche Lieder. Op. 12. No. 5 in M.221.26 

— Sechs geistliche Lieder fiir eine mittlere Stimme. Op. 
142B. No. 30 in M.192.7 

— Sechs Gesange [s. oder t.]. Op. 91. No. 16 in M.192.6 

— Sechs Gesange fiir eine tiefe Stimme. Op. 151. 

No. 8 in M.192.8 

— Sechs Lieder [s. oder t.]. Op. 22. No. 6 in M.221.26 

— Sechs Lieder von R. Reinick, fur eine Singstimme [s. 
oder t.]. Op. 42. No. 9 in M.221.26 

— Sechs Lieder [s. oder t.]. Op. 67. No. 7 in M.192.6 

— Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 76. 

No. II in M. 192.6 

— Sechs Lieder fiir eine mittlere Stimme. Op. 82. 

No. 13 in M.192.6 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 

137. No. 17 in M.192.7 

— Sechs Lieder aus dem Spanischen fiir eine Singstimme 
[s. Oder t.]. Op. 149. No. 7 in M.192.8 



Sechs deutsche Lieder [s. oder t.]. 



120 



Songs 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Songs 



Songs. With music. Collections. (Contmued.) 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 

153B. No. 9-14 in M. 192.8 

Sechs Lieder fiir eine Singstimme [s. oder t.]. Op. 

169. No. 24 in M. 192.8 

Sieben Lieder fur eine Singstimme [s. oder t.]. Op. 

26. No. I in M.192.6 

Sieben Lieder [s. oder t.]. Op. I74- 

No. 25-31 in M.192.8 

Vier heitere Gesange [s. oder t.]. Op. 116. 

No. 6 in M. 192.7 

Vier Lieder fiir eine Singstimme [s. oder t.]. 

No. 12-15 in M.192.7 

Vier Lieder fur Sopran oder Tenor. Op. 48- 

No. 10 in M.221.26 

Vier Lieder [s. oder t.]. Op. 120. No. 8 in M.192.7 

[Zwei Gutenberglieder, fiir eine Singstimme, s. oder t. 

Op. 51.] No. 2 in M.192.6 

Zwolf Gesaenge fiir eine Singstimme [s. oder t.]. Op. 

27. No. 7 in M.221.26 

Zwolf Lieder [s. oder t.]. Op. 9- No. 3 in M.221.26 

Zwolf Lieder. Sang der Liebe [s. oder t.]. Op. 17. 

No. 4 in M.221.26 

TcHAiKOVSKi, P. L 18 Lieder fiir eine Singstimme. Aus- 
gabe fiir Sopran oder Tenor. M.415.48 

Thomas. J., editor. Welsh melodies, with Welsh and English 
poetry, by John Jones, and Thomas Oliphant. Arranged 
for one voice, and also harmonized for 4 voices, with 
accomp. for harp or pianoforte. Vol. i. M. 235.6 

Thomas, J. R. Six Welsh melodies. Adapted to English 
words and arranged for the voice [a. or bar.]. 

No. 31 in M. 192.14 

Thomson, G., editor. Collection of the songs of Burns, Sir 
Walter Scott . . . united to The select melodies of Scot- 
land, and of Ireland & Wales. M.123.21 

The melodies of Scotland, with symphonies and ac- 

comps. for the pianoforte, violin, &c., by Pleyel, Haydn, 
Beethoven . . . The poetry chiefly by Burns. 5 v. 

M.237.11 

TiEHSEN. Acht Gedichte von Eichendorff, Chamisso . . . 

fur eine tiefe Stimme. No. 12 in M.236.8; etc. 

Drei Lieder fiir eine Tenor- oder Sopranstimme. 

No. 8 in M.236.8 

Fiinf Gesange von Heine u. Miiller fiir eine Sopran- 
stimme. No. 9 in M.221.25 

Sechs Gedichte von Burns, Eichendorff . . . fiir eine 

Singstimme [s. oder t.]. No. 14 in M.236.8 

Sieben Gedichte von Max Lowenstein fur eine Sing- 
stimme [s.]. No. 9 in M.236.8 

Vagedes. Gesaenge aus Corona, einem Rittergedichte von 

Fr. Baron de la Motte Fouque. No. 3 in M.291.24 

Valerius. Oud-Nederlandsche liederen uit den Neder- 

landtsche gedenckclanck No. 1 in M.41S.7 

Vaucorbeil. Melodies. Nouvelle edition augmentee de La 

niort de Diane, grande scene lyrique. M. 213.25 

Verdi. The Verdi album. 25 songs from his operas. Italian 

and English. M.236.5 

Vesque von Puettlingen. Die Heimkehr. 88 Gedichte aus 

H. Heine's Reisebildern. M. 158.3 

Weber, C. M. F. E. von. Sammtliche ein- und zweistimmige 

Lieder und Gesange. M. 244.7 

Weber-Album. [10 Lieder und Gesange fiir eine und 

mehrere Stimmen.] M. 244.17 

Weckerlin. La chanson populaire. M.215.20 

Chants des Alpes. 20 tyroliennes, avec variantes, 

vocalises et annotations. No. i in M.158.44 

Wehman, editor. The New York musical album. [Songs.] 

No. 7 in M.402.74 

Weingartner. Vier Gesange fiir eine hohere Singstimme 
mit Begleitung des Orchesters. English version by Wil- 
liam Wallace. Partitur. No. 3-6 in M.380.38 

Zwei Gesiinge von Gottfried Keller fiir eine tiefere 

Singstimme mit Begleitung des Orchesters. English 
version by William Wallace. Partitur. No. i, 2 in M.380.38 

Weissheimer. Fiinf geistliche Sonnette, von Theodor 



Songs. IVith music. Collections. (Contmued.) 

Korner, componirt fiir Singstimme, Flote, Oboe, Clari- 

nette, Pyrophon und Pianoforte. No. i in M.404.35 

Whitaker. The celebrated Odes of Anacreon, arranged 

from the Greek, as English songs. No. i in M.380.19 

Wiedebein. Lieder [s. o. t.]. No. 10 in M.221.33 

Wilson, James. The musical cyclopedia; a collection of 

English, Scotch and Irish songs; with music. M. 132.19 

Wilson, John. [Wilson's edition of the songs of Scotland, 

as sung by him at his entertainments.] M.i29a.i7 

Windsor shades, being a collection of English songs, set 

to music for one, two and three voices, with the bass 

figur'd for the organ, harpsichord & pianoforte. 

No. 3 in M.202.32 

Woehler, G. Sechs Lieder von Geibel fiir eine Singstimme 

[s. oder t.]. No. 15 in M.236.8 

Wolf, H. Italienisches Liederbuch nach Paul Heyse fiir 

eine Singstimme. M.380.29 

Spanisches Liederbuch nach Heyse und Geibel fiir 

eine Singstimme. M.380.30 

WusTROw. Neun Gesaenge [s. o. t.]. No. ii in M.221.33 

Songs. With music. Bibliography. 

Koehler, C. L. H. Gesangs-Fiihrer. Ein Auszug empfeh- 

lenswerther Werke aus der gesammten Literatur fiir Solo- 

und Chorgesang. Leipzig. [1863.] No. i in M. 139.3 

Schaab, R. Fiihrer durch die Literatur des Mannergesanges. 

Leipzig. [1873.] No. 2 in M. 145.6 

Sieber, F. Handbuch des deutschen Liederschatzes. Ein 

Catalog von 10,000 Liedern, nebst einer Auswahl von 

Duetten und Terzetten. Berlin. 1875. No. 2 in M. 141. i 

Songs. JVith music. Criticism. 

Mauke, W. Richard Strauss, Vier Gesange fiir eine Sing- 
stimme mit Begleitung des Orchesters. Op. 33. Erlau- 
tert. Leipzig. [1903.] No. 11 in M.217.12.8 

Songs. Without music. 

Academy of Ancient Music, London. The words of such 
pieces as are usually performed by the Academy, Lon- 
don. 1768. No. I in M. 146.5 
Adams, E. D., editor. Sea song and river rhyme from 
Chaucer to Tennyson. With a new poem by Algernon 
Charles Swinburne. London. [1897?] M.216.1 
Barthelemy, L. La cantatrice grammairienne, ou I'art d' 
apprendre I'orthographe fran?aise seul, par le moyen de 
chansons erotiques, pastorales . . . Geneve. 1788. 

M. 126.33 

Bath Harmonic Society. A selection of favourite catches, 

glees, &c., as sung by the Society. Bath. 1799- M. 137.20 

Bath York-House Catch-Club. A selection of catches, 

glees, &c., for the use of the members. Bath. 1804. 

No. 3 in M. 1293.20 
British Minstrel, The: a collection of English, Scottish 
and Irish songs. London. 1824, 25. 3 v. Portraits. 
Plates. M.128.30 

Clark, R. The first volume of poetry; revised and en- 
larged, containing the favorite pieces, as performed at 
the Catch club. Glee club . . . London. 1824. 

M.I 193.3; etc. 

Damade, L., editor. Histoire chantee de la Premiere Re- 

publique. 1789 a 1799. Chants patriotiques, revolution- 

naires et populaires. Paris. 1892. M.373.40 

DiBDiN, C. The professional life of Mr. Dibdin. With six 

hundred songs. London. 1804. 4 v. Portrait. Plates. 

M.117.1 

Dibdin, T. J. The last lays of the last of the three Dib- 

dins. London. 1833. M.145.30 

Dowland, R. Douland's Musical banquet. [Selections. 

London.] 1817. M.146.16 

Duprez, G. L. Joyeusetes d'un chanteur dramatique. 

[Vers. Paris. 1882.] No. 2 in M.143.3 

Ellinger, G., editor. Kirchenlied und Volkslied. Geistliche 

und weltliche Lyrik des 17. und 18. Jahrhunderts bis auf 

Klopstock. Stuttgart. 1892. M.370.9 

Gueru, H. Chansons de Gaultier Garguille [pseud.]. 

Nouvelie edition, avec introduction et notes par Edouard 

Fournier. Paris. 1858. M.102.13 



III 16 



121 



Songs 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sonntagsfeier 



Songs. Without music. (Continued.) 

Harland, J., editor. The songs of the Wilsons: with a 

memoir of the family, and several additional songs never 

before published. London. 1866. M.372.27 

Heine, H. Book of songs. Translated by Charles G. Le- 

land. Philadelphia. 1864. M.i09a.i4 

Kennedy, D. 1825-1886. Mr. Kennedy's entertainment on 

the songs of Scotland. London. i86i?-i886. M.373.45 

Lloyd, A. Repertoire of the legitimate, veritable, and 

popular comic songs, sung by Arthur Lloyd. London. 

[186-?] No. 10 in M.373.44 

London Melodist, The; or, songster's companion. London. 

N. d. Illus. M.i09a.36 

Meusy. Chansons d'hier et d'aujourd'hui. M.208.9 

Moore, T. Irish melodies. London. 1823. Illus. Plates. 

M.i2ga.2 
Nadaud, G. Chansons. Paris. 1867. Portrait. M.143.4 

Chansons de salon. Paris. 1867. No. 2 in M.208.23 

Oliphant, editor. La musa madrigalesca; or a collection of 
madrigals, ballets, roundelays, etc., chiefly of the Eliza- 
bethan age; with remarks and annotations. London. 
1837. M.i49a.5 

Philip, E. How to sing an English ballad. Including 60 
songs. London, [1883.] M. 126.13 

Queen's Minstrels, The. [Song book.] London. [186-?] 

No. 9 in M.373.44 
Reimann, H., editor. Das deutsche Lied. Ein Lieder-Cyclus 
in 4 Abenden. Das deutsche Lied von seinen Anfangen 
bis zur heutigen Zeit vorgetragen von Amalie Joachim. 
[Berlin. 189-?] No. 2 in M.372.41 

RiMBAULT, E. F., editor. A little book of songs and ballads, 
gathered from ancient musick books, us. and printed. 
London. 1851. M.126.14 

Sky-lark, The. Being a complete collection of the most 
modern and celebrated American, English and Scotch 
songs. M.129.102 

Tannahill, R. Works. With life of the author, and a 
memoir of Robert A. Smith, the composer, by Philip A. 
Ramsay. London. [183-?] No. i in M. 104.42 

Townsend, G. H.. compiler. Selections and words of glees, 
madrigals, choruses, songs, etc., sung every evening [in 
Evans's Music and Supper Rooms, Covent Garden. 
Anon.]... [London. 186-?] No. 3 in M.132.3 

Vocal Magazine, The; or, British songster's miscellany. 
Containing all the English, Scotch and Irish songs, can- 
tatas, glees . . . deemed any way worthy of being trans- 
mitted to posterity. Vol. i. London. 1778. No. i in M.376.65 
Songs without words. For pianoforte. Mendelssohn-Bar- 
THOLDY, J. L. F. Werke. Serie 11. M.413.3.11 

Songs in a cornfield. Cantata. For the Music see Macfarren, 

G. A. For the Libretto see Rossetti. 
Songs of praise. Part-song. Leslie, H. D. Cassell's Choral 
music. No. 7 in M.235.10 

Songs of the nativity. Carols. Husk, editor. M. 101.37 

Songs of the Pyrenees. Folk-.tongs. Middlemore, editor. 

No. I in M.384.63 
Songster's Assistant, The. Duets. Swan, T. No. 8 in M. 127. i 
Sonn', Die, ist hin. Song. Franz, R. Sechs Gesange. Op. 35. 

No. 21 in M.244.5.3 

Sonn', Die, ist unter. Part-song. Rheinberger, J. G. Am 

Walchensee. No. 13 in M.158.27 

Sonnambula, La. Opera. For the Music see Bellini; also 

Paer. For the Libretto see Romani, F. 
Sonne, Die, geht zur Ruh'. Part-song. Zimmermann, S. A. 

No. 4 in M.392.42.2 

Brahms. Deutsche 

No. 9 in M.380.40.3 

J. No. I in M.384.1 



Sonne, Die, scheint nicht mehr. 

Volkslieder. Heft i. 
Sonne und Erde. Ballet music. 
Sonnenaufgang, Der. Part-song. 

Behling. Vier Gesange. 

Brambach. 

Cornelius. Werke. Band 2. 

Hermes. Beliebte Lieder. 

Hiller, F 



Song. 
Bayer, 



No. 10 in M.212.3 

No. 23 in M.392.5 

M.414.20.2 

No. I in M. 194.16 



Zehn Lieder aus Waldmeisters Brautfahrt. 

No. 4 in M.392.11 



Sonnenaufgang. Song. Taubert, C. G. W. Sechs Lieder. 

Op. IS3B. No. 9 in M. 192.8 

Sonnenblick. For orchestra. Koelling. No. 2 in M.405.25 

Sonnenfest, Das, der Braminen. Opera. For the Music see 

Mueller, W. For the Libretto see Hensler. 

Sonnenlicht ist schlafen gangen. Part-song. Abt, F. Stand- 

chen. No. 65 in M. 1293.44 

Sonnenschein. Part-song. Becker, R. No. 44 in M.392.2; etc. 

Sonnenuntergang. Part-song. Billeter. Drei Gesange fiir 

vierstimmigen Miinnerchor. Op. 44. No. 19 in M.392.35 

KjERULF. Solnedgang. No. 7 in M.392.13 

Sonnenuntergang. Song. Cornelius. Werke. Band i. 

M.414.20.1 
Sonnenwende. Part-song. Herman, R. L. No. ii in M. 203.16 
WuELLNER. Waldlieder. No. 24 in M.158.21 

Sonnenwende. Song. Franz, R. Sechs Gesange. Op. 37. 

No. 35 in M.244.5.3 
Sonnet, Le. Pantomime. Raynaud, A. No. 2 in M.300.1 ; etc. 
Sonnett, Ein. Song. Brahms. Lieder und Romanzen. Op. 
14. No. 4 in M.380.40.1 

Sonnette, Jean Jacques, pseud. See Goudar, Ange. 
Sonneur, Le, et le gondolier. For pianoforte. Louis, N. 

No. 2 in M.3go.g 
Sonnies, Paul. 

Nicolas Nickleby. Opera comique. Paroles de Paul 

Somnies [sic] d'apres le roman de Charles Dickens. 

Musique de Charles Grelinger. M.389.8 

Sonning lock. Part-song. Corder, F. No. 16 in M.204.36.5 

Sonnois, Jules. 

A deux de jeu. Saynette. Paroles de Jules de Rieux 

[pseud.]. Musique de J. Vandenesse. No. i in M.324.34 

Un drapier dans de mauvais draps. Saynete. Musique de 

J. Vandenesse. No. 5 in M.402.70 

Monsieur Auguste. Operette. Musique de Chassaigne. 

No. 2 in M.28S.5 

L'ordonnance du commandant. Saynette. Musique de 

Charles Hubans. No. i in M.286.ia 

Le retour de Musette. Operette en un acte. Paroles de 

Jules de Rieux [pseud.] et Villemer. Musique de Lucien 

Collin. No. 4 in M.393.8 

Le sapeur et la payse. Saynete. Musique de J. Vandenesse. 

No. 2 in M.324.34 

Une table de cafe. Saynete a travestissements. Paroles de 

J. de Rieux [pseud.] & A. Guyon. Musique de Francis 

Chassaigne. No. 4 in M.28S.S ; etc. 

Sonntag. Duet. Hennig. 20 ein und zweistimmige Lieder. 

No. 17 in M.203.8 

Sonntag, Der. Part-song. Abt, F. Fiinf Gesange fur Manner- 

chor. Op. 145. No. 8 in M.392.1 

MusiOL. No. 2 in M.370.30 

Sonntag. Song. 

Brahms. Fiinf Lieder. Op. 47. No. 10 in M.380.40.1 

Franz, R. Zwolf Gesange. Op. i. No. 7 in M.244.S.1 

Schumann, R. A. Lieder fiir die Jugend. Abtheilung i. 

No. 2 in M.244.15.3; etc. 
Sonntag-Abend. Part-song. Nessler. No. 5 in M.203.22 

Sonntag auf dem Meere. Part-song. Heinze, G. A. 

No. S3 in M.sga.S 
Sonntag Mai Morgen. Part-song. Schulz, A. No. 4 in M.392.38 
Sonntag-Morgen. Cantata. For the Music see Mueller, C. 

F. W. 

Sonntagmorgen. Part-song. Kern. Acht Lieder fiir Manner- 

chor. Op. 58. No. 46 in M.392.ia 

Kretzschmar. Op. 5, No. 2. No. 52 in M.392.13 

Sonntag Morgen im Walde. Part-song. Abt, F. Fiinf 

Gesange. Op. 185. No. 3 in M.392.39 

Sonntags am Rhein. Part-song. Abt, F. Vier Gesange fiir 

vier Mannerstimmen. Op. 205. No. 26 in M.392.1 

Mueller, R. 3 Gesange. Op. 47- No. 8 in M.212.11 

Orth. No. 55 in M.392.i6 

Stein, C. No. i in M.370.30 

TscHiRCH, F. W. No. 5 in M.203.22 

Sonntags am Rhein. Song. Schumann, R. A. 6 Gedichte von 

Reinick. No. 10 in M.244.15.1 ; etc. 

Sonntagsfeier. Part-song. Zopff. No. 49 in M.392.27 



122 



Sonntagsfruehe 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Sorrows 



Sonntagsfruehe. Part-song. 

Abt, F. Leichte Mannerchore. 

Mangold. Drei Lieder. Op. 33. 

Mueller, W. 

Otto, E. J. 
Sonntags-Jaeger, Die. Part-song. 
Op. 14, Heft I. 



No. 76 in M.246.22 

No. 17 in M.392.17 

No. 31 in M.392.42.3 

No. 17 in M.147.4 

GENiE. Heitere Lieder. 

No. 26 in M.3g2.9 



Sonntagskind, Das. Opera. For the Music see Milloecker. 

For the Libretto see Wittmann, H. 

Sonntags-Klaenge. Song. Albert, Prince Consort. Collected 

compositions. M.290.23 

Sonntagslied. Part-song. Gackstaetter. No. 15 in M.147.4 

Kreutzer, C. No. 128 in m. 1293.43.4; etc. 

Sonntagslied. Song. Mendelssohn-Bartholdy, J. L. F. 

Werke. Serie 19. M.413.3.19 

Sonntagsmorgen. Cantata. For the Music and Libretto see 

Schjelderup. 

Sonntagsmorgen. Duet. Mendelssohn-Bartholdy, J. L. F. 

Werke. Serie 18. M.413.3.18 

Sonntagsmorgen. Part-song. Mendelssohn-Bartholdy, J. L. 

F. „Maigl6ckchen und Blumelein." No. 26 in M.392.17 

Schaeffer, L. No. 16 in M.392.23 

Sono cieco. Song. Roberti. Inspirations italiennes. 

No. I in M.364.10 

Sono liete. Duet. Handel. Werke. Lieferung 32. M.313.1.32 

Sonst und Jetzt. For pianoforte. Spohr, L. No. 4 in M.404.95 

Sontag, Henriette Gertrude Walpurgis, Contessa de Rossi. 

Gundling, J. Henriette Sontag. Kiinstlerlebens Anfange 

in Federzeichnungen. Leipzig. 1861. 2 v. M.377.5 

Life of Henriette Sontag, Countess de Rossi. With 

sketches by Scudo, Berlioz . . . New York. Stringer & 

Townsend. 1852. Portrait. No. i in M.144.12 

Memoir of the Countess de Rossi (Madame Sontag). 

[London.] Mitchell. [1849?] M.i29a.io 

Sons of Zion. Anthem. Naumann, J. G. No. 19 in M.221.22.3 

Soon as I careless stray'd. Part-song. Festa. No. 2 in M.175.1.1 

Soon as the genial spring. Glee. Alcock, J. 

No. 135 in M.220.9.2 
Soon as the silver moonbeams. Madrigal. Gastoldi. 

No. 22 in M.237.28 
Sophie et Moncars. Opera. For the Music see Gaveaux. 

For the Libretto see Guy, J. H. 
Sophocles. Antigone. 

Mendelssohn-Bartholdy, J. L. F. Antigone. Chorusses 
of Sophocles' Antigone. The words written and adapted 
by W. Bartholomew. [Accomp. for piano.] M. 280.19 

An imitative version of Sophocles' Antigone; as writ- 
ten and adapted to the music of Mendelssohn Bartholdy, 
by W. Bartholomew. No. i in M.116.7 

An imitative version of the choruses and the melo- 
dramatic dialogue, with a synopsis of the scenes in 
Sophocles' Antigone; written to the music composed by 
Mendelssohn Bartholdy. No. 2 in M.116.7 

Saint-Saens, C. C. Antigone. Tragedie de Sophocle, mise 
a la scene frangaise par Paul Meurice et Auguste Vac- 
querie. Musique de C. Saint-Saens. Partition chant et 
piano. No. 3 in M.384.40 

SoPHOKLEs' Antigone. Neue metrische Uebersetzung. 
[Von Hermann Schelling.] 2te Auflage. 

No. 16 in M.145.25 

Williams, C. F. A. A short account of the music of the 
Greek drama, together with the choruses of Sophocles' 
"Antigone" as performed in the Greek theatre at Brad- 
field College, June, 1898. With an English paraphrase 
by G. 5. Freeman. [Accomp. for lyres.] Xo. 3 in M.380.11 
Sophocles. Oedipus Coloneus. 

Gouvy. Oedipus auf Kolonos. Dramatische Kantate fiir 
vier Solostimraen, Chor und Orchester, von Th. Gouvy. 

M.35i.i7;etc. 

Mendelssohn-Bartholdy, J. L. F. CEdipus at Colonos. The 

English lyrics written and adapted by W. Bartholomew. 

The music by Felix Mendelssohn Bartholdy. [Accomp. 

for pianoforte.] M.280.14 

Sophocles. Oedipus Tyrannus. 

Bellermann. OlSinous Tvigawos. Chore und Melodramen 



Sophocles. Oedipus Tyrannus. (Continued.) 

aus dem Konig Oedipus des Sophocles. In Musik gesetzt 
von H. Bellermann. Clavierauszug, rait griechischem u. 
deutschem Text. No. 11 in M.212.3 

Lassen. Konig Oedipus von Sophocles. Musik von E. 
Lassen. Einleitung, Chore u. Melodramen. Clavieraus- 
zug. No. 5 in M.280.38 
Membree. E. Oedipe Roi. Tragedie de Sophocle. Tra- 
duction de J. Lacroix. Musique de scene par Edmond 
Membree. [Partition piano et chant.] No. i in M.380.11 
Paine, J. K. Oedipus Tyrannus of Sophocles. Music for 
male chorus and orchestra by J. K. Paine. [Accomp. for 
pianoforte.] M.155.34 

Prelude to Oedipus Tyrannus of Sophocles. [Full 

score.] No. 2 in M.407.20 

Schillings. Symphonischer Prolog zu Sophokles' "Konig 
Oedipus" fiir grosses Orchester. Partitur. 

No. I iin M.410.S3 

Stanford. Prelude to the Oedipus Rex of Sophocles. Full 

score. No. 5 in M.405.47 

Sophonisbe. Opera. For the Music see Neefe. For the 

Libretto see Meissner, A. G. 
Sophrosyne. Glee. Cooke, B. 9 glees. No. 2 in M. 220.8 

Soprano, The. Fiction. Barnard, C. M.108.6 

Sopwith, Daisy. 

Coquette. Operetta in 2 acts. The libretto by R. E. Pat- 

tinson. The music by Daisy Sopwith and Angela Rawlin- 

son. [Accomp. for pianoforte.] London. Boosey & 

Co. 1893. M.394.9 

Sorant, J. A. de. 

Dans le petrin. Folie-operette. Musique de T. Nargeot. 

No. 5 in M.257.15 
Les exploits de Sylvestre. Operette. Musique de J. Nar- 
geot. No. 2 in M.267.2I 
Pecheurs et pecheresses. Operette-bouffe. Musique de J. 
Nargeot. No. 3 in M.267.21 
Sorcerer, The. Opera. For the Music see Sullivan, A. S. 

For the Libretto see Gilbert, W. S. 
Sorcier, Le. Opera. For the Music see Danican; also 
Perriere-Pilte. For the Libretto see Poinsinet; also 
Perriere-Pilte. 
Sorciere, La, par hazard. Opera. For the Music and Li- 
bretto see Framery. 
SorgenvoUe, wetterschwuele, Madchenstirne. Part-song. 

Adam, C. F. No. 67 in M.i29a.43.io 

Sorgi, O padri. Song. Bellini, V. No. 32 in M.157.39 

Soriano, Francesco. 

Ave Regina [s. a. t. b.]. (In Lueck. Sammlung aus- 

gezeichneter Compositionen fiir die Kirche. Band 4, pp. 

162,163.) No. 42 in M. 158.33.4 

Magnificat I. toni [s. A. T. b.]. {In Lueck. Sammlung aus- 

gezeichneter Compositionen fiir die Kirche. Band 4, 

pp. 125-128.] No. 35 in M.158.33.4 

Missa, "Super voces musicales" sex vocum [s. s. a. t. t. b.]. 

{In Proske. Selectus novus missarum. Vol. i, pp. 203- 

252.) No. 7 in M.2S0.39.1 

Salve Regina [s. a. t. b.]. {In Lueck. Sammlung aus- 

gezeichneter Compositionen fiir die Kirche. Band 4, pp. 

180, 181.) No. 47 in M.158.33.4 

Soriano Fuertes, Mariano. 

El vito granadino. [Cancion espanola. Accomp. de piano. 
Madrid? 185-?] No. 18 in M.391.S7 

Sovnen. Song. Kjerulf. Sanger och Visor. Band i. 

M.158.47 

Sorrente. Song. Rousseau, A. No. 2 in M.158.34 

Sorrentina, La. Song. Cottrau. 23a raccolta di canzoni 

napolitane. No. 4 in M.3go.44 

Sorrentine, La. Opera. For the Music see Vasseur, F. A. 

J. L. For the Libretto see Moinaux. 
Sorrow and song. Biography. Curwen, H. M.126.30 

Sorrow's lone, dejected daughter. Song. Harnett, J. Lays 
of the passions. M.244.20 

Sorrows and pleasures. Song. Reichardt, J. F. 

No. 20 in M.212.21.1 



123 



Sorrows 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Soumis 



Sorrows, The, of death. Anthem. Haycraft. Sacred harmony. 

No. 33 in M.234.6 
Sorrows, The, of my heart. Anthem. Boyce. 

No. 24 in M.2go.22.i 
Sortilegio, II. Opera. For the Music see Scontrino. 
Sosarme. Opera. For the Music see Handel. Werke. 

Lieferung 81. 
Sosie, Le. Opera. For the Music see Pugno. For the Li- 
bretto see Valabregue. 
Sospir, Un, a chi si muore. '^on?. Handel. Werke. Liefe- 
rung si. M.313.1.S1 
Sospiro, II. Song. Donizetti. Ispirazioni viennesi. 

No. I in M.364.10 
Soto, Francesco. 

Jesu dulcedo cordium. A 3 voix [s. s. a. ou t.]. (In Frober. 
Jubilus rythmicus de nomine Jesu. P. 17.) 

No. 2 in M.201.1 

Sotto due negri e sottilissimi archi. Part-song. Lassus. 

Sammtliche Werke. Band 8. M.8o4oa.67.8 

Sotto quel sta. Part-song. Lassus. Sammtliche Werke. 

Band 8. 14.80403.67.8 

Soubies, fimile Jean Albert. 

Histoire de la musique. Espagne: Le xix^ siecle. Paris. 
Flammarion, 1900. Portraits. M.377.10 

Same. Hollande. Paris. Flammarion. 1901. Portrait. 

M.377.11 
Same. Portugal. Paris. Flammarion. 1898. Plate. M.377.12 
Histoire de la musique allemande. Paris. Librairies im- 
primeries reunies. [1896.] Illus. [Bibliotheque de 1' 
enseignement des beaux-arts.] M. 216.16 

Histoire de la musique en Russie. Paris. Societe fran- 
gaise d'editions d'art. [1898.] Illus. Portraits. Plates. 
Facsimiles. [Bibliotheque de I'enseignement des beaux- 
arts.] M.373.17 
Histoire de I'Opera-Comique. La seconde Salle Favart. 
1860-87. [Par] A. Soubies et C. Malherbe. Paris. 
Flammaroin. 1893. Facsimile. M.isga.ii 
Melanges sur Richard Wagner, par A. Soubies et C. Mal- 
herbe. Paris. Fischbacher. 1892. Portrait. Plate. 

M.i3ga.6 
L'oeuvre dramatique de Richard Wagner, par A. Soubies 
et C. Malherbe. Paris. Fischbacher. 1886. M.138.S 

Precis de I'histoire de la musique russe. Paris. Fisch- 
bacher. 1893. No. 2 in M.208.31 
Precis de I'histoire de I'Opera-Comique. [Par] A. Soubies 
et C. Malherbe. Paris. Dupret. 1887. 

M.I 293.35; No. I in M.208.31 
Soixante-sept aus a I'Opera en une page. Du "Siege de 
Corinthe" a "La Walkyrie." (1826-1893.) Paris. Fisch- 
bacher. 1893. Folded table. M.214.17 
Soubron, Otto, translator. 

Kaun. Der Pietist. The ring of fate. M.39S.37 

Souchay, Conrad Theodor. 

Fingal. Dichtung. Fur Soli, Mannerchor und Orchester 
componirt von Arnold Krug. No. 9 in M.203.16 

Kyffhauser. Dramatische Scene. Fiir Soli, Mannerchor 
und Orchester componirt von Joseph Anton Mayer. 

No. 3 in M.203.17 
Sigurd. Dichtung nach Geibel's Epos ,,K6nig Sigurd's 
Brautfahrt." Fiir Soli, Chor und Orchester componirt 
von Arnold Krug. M.302.1 

Wickinger Ausfahrt. Gedicht. Konzertstiick fiir Manner- 
chor, Tenorsolo und Orchester komponiert von Wilhelm 
Speidel. No. i in M.212.17 

Souchay, Theodor. See Souchay, Conrad Theodor. 
Soucis, Les, viendront demain. Song. Schubert, F. P. 
Melodies. Vol. 8. M.327.4.8 

Soufflets, Les. Opera. For the Music see Duveyrier, H. M. 

J. For the Libretto see Duveyrier, A. H. J. 
Soufflons d'autant amis. Part-song. Lassus. Sammtliche 
Werke. Band 16. M.8o4oa.67.i6 

Souhaits, Les. Tyrolienne. Weckerlin. Chants des Alpes. 

No. I ni M.158.44 
Souhaits ridicules, Les. Opera. For the Music see Claments. 
For the Libretto see Lemonier, H. 



Soul of the world. Cantata. For the Music see Wallnoefer. 

For the Libretto see Gottschall. 
Soul, The, that sinneth. Anthem. Webbe, S. 12 anthems. 

No. 2 in M.237.7 
Soula, Hyacinthe. 

Essai sur I'influence de la musique et son histoire en 
medecine. Paris. Derenne. 1883. No. 3 in M.372.44 

Soulie, Henry. 

Les fiances du bonnet de coton. Operette en i acte. 

Paroles de L. Pericaud & Villemer. Musique de Henry 

Soulie. [Partition chant et piano.] Paris. Bathlot. 

[ 1879.] No. 2 in M.300.5 

Soulie, Melchior Frederic. 

Les deux reines. Opera comique de Fred. Soulie et Ar- 
nould. Mis en musique par Hippolite Monpou. 

M.402a.22 ; etc. 
Soulier, fimile. 

Histoire du Theatre royal de I'Opera-Comique. Par fimile 
Solie [pseud.]. Paris. 1847. No. 8 in M.370.65 

Soulier, Jean Pierre. 

L'epoux genereux, ou le pouvoir des procedes. Comedie 

en I acte et en prose. Paroles de feu M"' Dejaur[e]. 

[Musique] par Solie [pseud. Partition]. Paris. Masson. 

[1804.] M.274.26 

L'incertitude maternelle ou le choix impossible. Comedie 

en un acte et en vers libres. Paroles de feu M. De Jaure. 

Mise en musique par M. Solie [pseud. Partition]. Paris. 

L'Auteur. [1803.] M.274.27a 

Joint authorship in this work has been attributed to Andre Joseph 

Gretry. 

Jean et Genevieve. Comedie en un acte et en prose. 

Paroles de Favieres. Mise en musique par Solie [pseud. 

Partition]. Paris. Iraprimerie du Conservatoire de 

musique. [1792.] M.226,ig 

Le jockei. Opera en i acte. Paroles d'Hoffman. Mises 

en musique par Solie [pseud. Partition]. Paris. Le- 

blanc. [1796.] No. 2 in M.274.25 

Mademoiselle de Guise. Opera comique en 3 actes. 

Paroles de M"' Emmanuel Dupaty. Mis en musique par 

Solie [pseud. Partition]. Paris. Masson. [1808.] 

M.274.27 

Le secret. Opera en i acte. Paroles d'Hoffman. Mises en 

musique par Solie [pseud. Partition]. Paris. Leblanc. 

[1796.] No. I in M.274.25 

Das zweyte Kapitel. [Komische Oper in i Aufzuge, von 

Dupaty. Musik von Solie, Pseud. Klavierauszug.] No 

title-page. [189-?] 10 parts in i v. M.340.12 

Souliers, Les, de noce. Opera. For the Music see Douay. 

For the Libretto see Tourte. 
Souliers mor-dores, Les. Opera. For the Music see Frixer. 

For the Libretto see Ferrieres. 
SouUier, Charles. See Soullier de Roblain, Charles Simon 

Pascal. 
Soullier de Roblain, Charles Simon Paul. 

Les neogammes. Essai scientifique d'une nouvelle theorie 
musicale, appliquee au developpement du mystere sur 
I'origine des modes et des tons. Paris. Escudier. 
[1877.] No. 4 in M.370.66 

Nouveau dictionnaire de musique illustre. Paris. Bazault. 
1855. M.112.10 

Souls, The, of the righteous. Anthem. 

Ebdon. Sacred music. M.233.15 

Foster, M. B. No. 18 in M.ig5.2.i2 

Nares. No. 64 in M.290.22.1 ; etc. 

Rea, W. No. 19 in M.ig5.2.i4 

Woodward, H. H. No. 10 in M. 195.2.14 

Soumet, Alexandre. 

Le siege de Corinthe. Tragedie lyrique en 3 actes. Paroles 
de MM*''''* [Balocchi et Soumet]. Musique de M. 
Rossini. Paris. Jonas. 1836. No. 2 in M.370.37 

The libretto only. 

Same. [Musique de] G. Rossini. M.226.14; etc. 
Soumis, Louis, editor. 

Collasse, p. Thetis et Pelee. M.285.25 

Gevaert. Jacob van Artevelde. M.i5S.g 



124 



Soumis 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Souvenir 



Soumis, Louis, editor. (Continued.) 

LuLLY. Les saisons. M.306.39 

Sound a parly. Duet. Purcell, H. Beauties of Purcell. 

Vol. I. M.221.2.1 

Sound an alarm. Anthem. Handel. No. 5 in M.221.22.1 

Sound and music. Acoustics. Stone, W. H. No. 2 in M. 128.36 

Sound, drums. Round. Dibdin, C. No. 207 in M.215.21 

Sound, O muse. Glee. Pring, J. C. No. 109 in M.220.9.4 

Sound, The, of Rokeby's woods. Song. Porter, P. VV. A 

collection of melodies. No. 2 in M.236.21 

Sound the loud timbrel. Part-song. Avison. No. 34 in M.157.3 

Moore, T. Miriam's song. No. 17 in M.235.7.2 

Sound the trumpet. Catch. Arne, T. A. No. 140 in M.220.9.1 

SoupQon, Le, Therese, il frappe. Song. HALfevy, J. F. F. £. 

No. 8 in M.ig3.2i.2 
Soupe, Alfred Philibert. 

Un grand mauvais sujet. Operette. Paroles de A. Phili- 
bert [pseud.]. Musique de J. Uzes. No. 3 in M. 324.28 
Un oncle de Carcassone. Operette. Paroles de L. Boullon 
et A. Philibert [pseud.]. Musique de L. C. Desormes. 

No. 2 in M.295.34 
Le tresor de la Xante Bechut. Operette. Musique de 
Georges Douay. No. 5 in M.30S.11 

Tintano. Operette bouffe. Musique de Georges Rose. 

No. 4 in M.379.74 
Soupe, Philibert. See Soupe, Alfred Philibert. 
Souper, Un, chez M^'le Contat. Opera. For the Music see 

Barbier, F. fi. For the Libretto see Degas. 
Souper, Le, d'Arlequin. Opera. For the Music see Barbier, 

F. £. For the Libretto see Perrin, J. 
Souper, Le, du mari. For the Music see Despreaux. For 

the Libretto see Desnoyer. 
Soupir! Song. Choudens. 20 melodies. No. 2 in M. 285.14 

Soupirs du coeur! Opera. For the Music see Meyan. For 

the Libretto see Hermil. 
Source of all light. Motet. Hauptmann, M. 6 motets. 

No. I in M. 290.9.2 
Source, The, of song. Cantata. For the Music see Pache. 

For the Libretto see Hausmann. 
Sourd, Le. Opera. For the Music see Adam, A. C. For the 

Libretto see Ribbing. 
Souriguieres de Saint-Marc, Jean Marie. 

L'enfant prodigue. Opera. Paroles de MM" *** [F. L. 
Ribouttee et J. M. Souriguieres de Saint-Marc. Mis en 
musique] par P. Gaveaux. M.224.24 

Sourilas, Th. 

Cantate a Jeanne d'Arc, pour soli et choeurs. Paroles de 

Paul Bru-Thiellay. Musique de Th. Sourilas. Partition 

chant et piano. Paris. Pinatel. [188-?] No. 2 in M.384.35 

Sourire, Un. For pianoforte. Blumenthal. No. 16 in M. 190.10 

Souris blanche. La. Opera. For the Music see Vasseur. For 

the Libretto see Chivot. 
Sous le feuillage. Duet. Gounod. Quinze duos. 

No. 5 in M. 157.36.6 
Sous les branches. Song. L'fipiNE. Scenes et chansons. 

M. 158.42; etc. 
Sous les etoiles. For orchestra. Lacombe. No. i in M.403.91 
Sous les palmiers. Duet. Concone. No. 24 in M. 244.2 

Sousa, John Philip. 

The bride-elect. Comic opera in 3 acts. Book and music 
by John Philip Sousa. [Accomp. for pianoforte.] Cin- 
cinnati. J. Church Co. 1897. M.395.72 
El capitan. Comic opera in 3 acts. Book by Charles 
Klein. Music by John Philip Sousa. Vocal score. Cin- 
cinnati. J. Church Co. 1896. M.300.18 
The charlatan. Comic opera in three acts. Book by 
Charles Klein. Music by John Philip Sousa. [Accomp. 
for pianoforte.] Cincinnati. J. Church Co. 1898. 

M.394.59 
Chris and the wonderful lamp. Extravaganza in three acts. 
Book by Glen MacDonough. Music by John Philip 
Sousa. [Accomp. for pianoforte.] Cincinnati. John 
Church Co. 1899. M.402.50 

Desiree. Comic opera in 2 acts. Libretto by Edward M. 
Taber and John Maddison Morton. Music by John 



Sousa, John Philip. (Continued.) 

Philip Sousa. [Accomp. for pianoforte.] Boston. White, 
Smith & Co. 1882. No. i in M.323.2 

The free lance. Comic opera in two acts. Book by Harry 
Bache Smith. Music by John Philip Sousa. Vocal 
score. Cincinnati. The John Church Co. [1906.] 

M.389.51 

The smugglers. A coniic opera in two acts. Libretto by 

Wilson Vance. Music by John Philip Sousa. [Accomp. 

for pianoforte.] Philadelphia. Shaw. 1881. M.402.51 

South Kensington Museum art handbooks. 

Engel, C. Musical instruments. New York. 1876. Illus. 

H. 108.3 
South wind of summer. Part-song. Hatton. No. 16 in M. 157.10 
Southard, Lucien H. 

As the hart pants. [Motet. Accomp. for organ.] Boston. 

Ditson & Co. 1872. No. 25 in M. 190.7 

Ave Maria for M.-.S. or bar. [Accomp. for organ.] Boston. 

Ditson. [186-?] No. 4 in M.260.10.2 

Morning and evening. A collection of [15] pieces [s. a. t. 

B.] for use as voluntaries. [Accomp. for organ.] Boston. 

Ditson & Co. 1865. M.290.25 

Contents. — i. Rejoice the heart of Thy servant. 2. I will praise Thee. 

3. Oh Lord my God. 4. Hear my prayer. 5. I will be glad. 6. Blessed 

be the Lord. 7. Trust in God. 8. Oh magnify the Lord. 9. Keep thy 

tongue from evil. lo. Happy art thou. li. Incline Thine ear. 12. I will 

remember. 14. How long wilt Thou forget. 15. I will love Thee. 16. 

Let Thy loving mercy. 

Same. No. 1-4, 7. No. 28-32 in M.190.7 

My heart doth find. [Motet. Accomp. for organ.] Boston. 

Ditson. 1872. No. 27 in M.190.7 

Praise waiteth for Thee. [Motet. Accomp. for organ.] 

Boston. Ditson & Co. 1872. No. 26 in M.190.7 

Te Deum and Jubilate Deo, in F. [Accomp. for organ.] 

Boston. Tolman & Co. 1868. No. 23, 24 in M.190.7 

Two masses, i. In F, for 2 trebles and bass. 2. Short mass 

in D [s. A. B.] with tenor (ad. lib.). [Accomp. for organ.] 

Boston. Ditson & Co. [1867.] No. i, 2 in M.222.27 

Southard, Lucien H., editor. 

The Haydn collection of church music. Selected and ar- 
ranged by B. F. Baker and L. H. Southard. M. 100.19 
Lyra catholica: masses, hymns, motetts. Selected and ar- 
ranged by J. H. Willcox and L. H. Southard. [Accomp. 
for organ.] M. 100.5 
The organist. A collection of voluntaries, studies, and 
transcriptions. Edited by L. H. Southard and G. E. 
Whiting. Boston. Ditson & Co. 1868. M.220.1 
The union glee book. Selected and arranged by B. F. 
Baker and L. H. Southard. M.100.17 
Southern, John William. 

Ruth. An entirely new and original dramatic oratorio in 
three acts. Composed by Charles Vincent. M.193.15 

Southey, Robert. 

The Inchcape rock. Ballad by Robert Southey. Set to 
music for chorus and orchestra by J. F. Bridge. Piano- 
forte accomp. arranged by Walter Alcock. Octavo edi- 
tion. London. 1891. No. i in M.154.29 
Souvenir, Le. Song. 

Gounod. Vingt melodies. 3e recueil. No. 6in M.157.36.3 
Schubert, F. P. Melodies. Vol. 5. M.327.4.5 

Souvenir d'enfance. For pianoforte. Louis, N. 

No. 6 in M.390.26 

Souvenir d'un lieu cher. For violin and orchestra. Tchaikovski, 

P. L No. 1-3 in M.334.24 

Souvenir d'une nuit d'ete a Madrid. For orchestra. Glinka. 

No. I in M.348.7 
Souvenir de Bretagne. For piano. Louis, N. 

No. 16 in M.390.26 
Souvenir de Budapesth. For orchestra. Bordier, J. 

No. 2 in M.336.1 
Souvenir de Florence. For strings. Tchaikovski, P. L 

No. 2 in M.343.13 
Souvenir de Haydn. For violin and piano. Leonard, H. 

No. I in M.410.45 
Souvenir, Le, des menestrels. Sottgs. LAFFiLi, editor. M.246.35 



125 



Souvenir 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Spare 



Souvenir des Pyrenees. For violin and piano. Louis, N. 

No. 8 in M. 390.35 
Souvenir du bal. For piano. Louis, N. No. 11 in M.390.26 

Souvenir du Pre aux clercs. For violin and piano. Lemoine, H. 

No. 4 in M.390.1 
Souvenir du Prophete. For violin and piano. Louis, N. 

No. 4 in M.390.28 

Souvenirs, Les. For piano. Louis, N. Trois fantaisies bril- 

lantes. Op. 56. No. 6 in M.390.6 

Souvenirs. Song. 

Cressonnois. Harmonies. No. 2 in M.295.9 

Meyerbeer. 40 melodies. No. i in M.157.38 

Souvenirs artistiques. History. Gregoir, fi. G. J. M.134.1 

Souvenirs d'un chanteur. Autobiography. Duprez, G. L. 

M.I 18.5 
Souvenirs d'un impresario. Biography. Strakosch, M. 

M.127.20 

Souvenirs d'un musicien. Criticism. Adam, A. C. M.127.8 

Souvenirs d'un pianiste. Reponse aux Souvenirs d'une 

Cosaque [par Robert Franz, pseud.]. Paris. Lachaud & 

Burdin. [1874] No. i in M.129.2 

Attributed to Liszt. 

Souvenirs d'un vieux melomane. Biography. Pontmartin. 

M.139.21 
Souvenirs d'une artiste. Biography. Sass. M.376.24 

Souvenirs d'une Cosaque. Autobiography. Janina. 

No. I in M. 129.3 
Souvenirs de Bade. For violin and piano. Leonard, H. 

No. 2 in M.410.45 
Souvenirs de Bellini. For violin and piano. Montagney. 

No. 2 in M.410.7 
Souvenirs de Boieldieu. For violin and piano. Louis, N. 

No. 14, IS in M.390.28 
Souvenirs de dix ans. History. Palianti. No. 4 in M. 137.10 
Souvenirs de Nice. For flute and piano. Louis, N. 

No. 16, 17inM.390.12 
Souvenirs de Weber. For violin and piano. Louis, N. 

No. 4-6 in M.390.27 
Souvenirs des Porcherons. For violin and piano. Louis, N. 

No. 7 in M.390.28 
Souvenirs du jeune age. Song. H6rold, L. J. F. 

No. 24 in M.390.37; etc. 
Souvenirs du Loiret. For violin and piano. Louis, N. 

No. 8, pin M.390.17 
Souvenirs du Tyrol. For piano. Louis, N. No. 21 in M.390.26 
Souvenirs et portraits. Criticism. Hal6vy, J. F. F. £. 

M.127.6 

Souverain arbitre du sort. Part-song. Sacchini. Le Sacchini 

des concerts. M.274.9 

Souverainete, La, du peuple. Part-song. Catel. M.380.14 

Souvestre, fimile. 

Les infiniment petits. {In Foyer de I'Opera. Tome i, pp. 

157-260. Bruxelles. 1840.) M. 1293.5.1 

Souviens toi de Clementine. Opera. For the Music see Malo. 

For the Libretto see Villemer. 
Sovereign Ruler. Anthem. Aiblinger. No. 17 in M.201.33 

Sovereigns. As musicians. 

Wasielewski, J. W. von. Musikalische Fursten vom 

Mittelalter bis zum Beginne des 19. Jahrhunderts. {In 

Waldersee. Sammlung musikalischer Vortrage. Serie i, 

pp. 323-346. Leipzig. 1879.) M.10S.3.1 

Sovnen. Song. Kjerulf. Sanger och visor. 

No. 2 in M.158.28 
Sowinski, Albert. 

Messe solennelle a trois parties [s. s. a.], solos, choeurs. 
[Accomp. d'orgue.] Paris. Chailliot. [185-?] 

No. 3 in M.250.35 

Les musiciens polonais et slaves, anciens et modernes. 

Dictionnaire biographique. Paris. Le Clere & cie. 1857. 

M.131.13 

O quam suavis est. Motett [s. or x. Accomp. for organ]. 

London. Novello. [184-?] No. 21 in M.260.10.1 

Perfice gressus meos [t. b. b. Accomp. d'orgue]. Bruxelles. 

Schott. [i8s-?] No. 50 in M.260.19 



Sowinski, Albert. (Continued.) 

St. Adalbert martyr. Oratorio. Paroles frangaises_ de Mi- 
le Comte Ostrowski. Musique de Albert Sowinski. Par- 
tition piano et chant. Paris. Brandus & cie. [185-?] 

M.I 54.6 
Veni Creator [t. bar. b. ou s. s. a. Accomp. d'orgue]. 
Bruxelles. Schott. [185-?] No. 48 in M.260.19 

Sowinski, Albert, translator. 

Nissen, G. N. von. Histoire de W. A. Mozart. Paris. 

1869. M.132.6 

Soyez heureux. Song. Schubert, F. P. Melodies. Vol. 4. 

M.327.4.4 
Soyons joyeux sur la plaisant verdure. Part-song. Lassus. 
Siimmtliche Werke. Band 12. M.8o4oa.67.i2 

Spadetta, Almerindo. 

Cicco e Cola. Opera comica. Musica di A. Buonomo. I 
recitativi sono musicati da Ettore Gelli. M.281.19 

Don Checco. Opera buffa. Musica di Niccola de Giosa. 

M.232.6 

I due ciabattini. Follia comica. Posta in musica dal Mo 

Francesco Ruggi. No. 2 in M.286.30 

Spaete Lieder. Part-song. Moehring. V Gesange. Op. 93. 

No. 17 in M.392.18 

Spaetzchen, Das. Song. Taubert, C. G. W. Klange aus der 

Kinderwelt. Heft 2. No. 8 in M.192.6 

Spahi, Le. Opera. For the Music see Lambert, L. For the 

Libretto see Gallet. 
Spain. Music. 

Hodges, G. L., editor. A collection of Peninsular melodies. 
The English words by Mrs. Hemans, Mrs. Norton. 
London. [1830.] M.244.25 

MiDDLEMORE, editor. Songs of the Pyrenees with Spanish, 
French & English words. Collected and arranged from 
traditional Pyrenean melodies, with translations. Lon- 
don. 1887. No. I in M.384.63 
MoRPHV, G. Les luthistes espagnols du xvie siecle (Die 
spanischen Lautenmeister des 16. Jahrhunderts). Leipzig. 
1902. 2 v. lUus. Facsimiles. M.413.4 
[Recueil de medinhas, romances, bailes, rondinas, 
seguidillas, canciones, &c. portugais et espagnols. Ac- 
comp. de piano.] M.391.57 
Spagnole, Le. Part-song. Pinsuti. No. 3 in M. 244.10.5 
Spande ancor a mio dispetto. Cantata. For the Music see 

Handel. Werke. Lieferung 52B. 
Spanische Liebes-Lieder. Songs. Schumann, R. A. 

No. 10 in M.244.15.4; etc. 
Spanische Taenze. For orchestra. Moszkowski. 

No. 4, 5 in M.342.19 
Spanische Taenze. For violin and piano. Sarasate y Navascues. 

No. 6 in M.410.45 
Spanisches Lied. Part-song. Jouret. No. 30 in M.392.12 

Spanisches Lied. Song. Brahms. Sechs Gesange. Op. 6. 

No. 2 in M.380.40.1 
Spanisches Liederbuch. Songs. Wolf, H. M.380.30 

Spanisches Liederspiel. Par.t-songs. Schumann, R. A. 

No. 11-20 in M.244.15.2; etc. 
Spanish barber. The. Opera. For the Music see Arnold, S. 

For the Libretto see Colman, G., the elder. 
Spanish melodies. Songs. Sola. No. 7 in M.390.44 

Spanish patriots, a thousand years ago. Opera. For the Music 

see Stevenson, J. A. For the Libretto see Code. 
Spanish rivals. The. Opera. For the Music see Linley, T. 

For the Libretto see Lonsdale. 
Spanish serenade. Part-song. Dregert. No. 8 in M.392.7; etc. 
Spanish song. Part-song. Vogrich. No. 47 in M.392.26 

Spansk Romans. Song. Kjerulf. Sanger och Visor. Band 
I. M.1S8.47 

Spanske Studenter. Opera. For the Music see Lange- 

Mueller. For the Libretto see Faber, V. 
Sparafucile, pseud. 

Gens de choeurs. (Roman de choriste.) Bruxelles. Kiste- 
maeckers. 1893. M.370.41 

Spare, O spare thy servant. Anthem. Haydn, F. J. 

No. 7 in M.321.22.4 



126 



Spark 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Speier 



Spark, Frederick R. 

History of the Leeds musical festivals, 1858-1889. By F. 
R. Spark and Joseph Bennett. 2d edition. Leeds. Spark. 
1892. Portraits. Facsimiles. M. 149.2 

Spark, William. 

.A.11 we like sheep. Anthem. [Accomp. for organ.] (/n 

Fowle. Parochial anthems. Pp. 49-SS-) No. i in M.233.29 

The birthday festival. Ode for solo voices, chorus and 

orchestra. The poetry by Frank Curzon. The music by 

William Spark. [Accomp. for pianoforte.] London. 

Lucas, Weber & Co. 1873. M.290.1 

Henry Smart: his life and works. London. Reeves. 1881. 

Portrait. M.126.19 

"Immanuel." [Part i.] A sacred cantata. [Accomp. for 

pianoforte.] Manchester. Heywood. [1887.] 

No. 2 in M.204.27 
Same. [Part 2.] An oratorio for solo voices, chorus, or- 
chestra, and organ, being the second part, complete in 
itself, but which may be performed in conjunction with 
Part I, the previous and more simple work by the same 
name. The music composed by Wm. Spark. The words 
compiled by Eustace R. Conder. London. Heywood. 
[1889.] M.193.14 

Musical memories. London. Swan Sonnenschein & Co. 
1888. Portrait. M.isga.? 

O God, have mercy. Full anthem. [Accomp. for organ.] 
(/« Novello's Collection of anthems. Pp. 160-165.) 

No. 27 in M.233.13 
Sparrow, The, and diamond. Glee. Shield. No. 7 in M. 157.6.1 
Sparrow- Simpson, J. See Simpson, William John Sparrow. 
Sparrow's twitter. The. Part-song. Otto, F. No. 7 in M.384.12 
Spartaco. Opera. For the Music see Platania; also Sinico. 

For the Libretto see Ghislanzoni; also Palermi. 
Spartan song, A. Glee. Cooke, B. No. no in M.220.9.4 

Spatz und Katze. Song. Taubert, C. G. W. Klange aus der 
Kinderwelt. Heft 6. No. 7 in M.192.7 

Spatz und Spatzin. Part-song. Graner. No. 27 in M. 392.10 

Spatzenfang. Song. Taubert, C. G. W. Fiinf Lieder. Op. 
132A. ^ No. 16 in M.192.7 

Spatzenlenz. Part-song. 

Abt, F. 4 Lieder fiir s. a. t. b. No. 10 in M, 158.22 

Fluegel, G. No. 26 in M.203.7 

Spazier, Johann Gottlieb Carl. 

Wie hehr im Glase blinket. [Mannerchor.] (In Orpheus. 
Band i, p. 2.) No. 2 in M.i29a,43.i 

Speaight, James. 

Aldrich, T. B. The little violinist [James Speaight. Bos- 
ton]. 1880. No. 4inM.143.18 
Speak ye, who best can tell. Anthem. Galliard. 

No. 82 in M.in.4.2 
Speakers. 

Blackman, R. D., editor. Selections in prose and verse, 

adapted for recitation, reading, and dramatic recital. 

(In Campbell. Voice, speech and gesture. Pp. 219-888. 

London. 1895.) M.218.2 

Specchio che fosti. Madrigal. Palestrina. Werke. Band 29. 

M.8o4oa.66.29 

Spectre, The. Part-song. Genee. M. 193. 23.2 

Spectre, Le, de la fiancee. Song. Schubert, F. P. Melodies. 

Vol. 6. M.327.4.6 

Spectre de la rose. Song. Berlioz, L. H. Les nuits d'ete. 

No. II in M.391.32; etc. 

Spectre, Le, du chateau. Song. Schubert, F. P. Melodies. 

Vol. 4. M.327.4.4 

Spectre knight. The. Opera. For the Music see Cellier. 

For the Libretto see Albery. 
Spectre's bride. The. For the Music see Dvorak. For the 

Libretto see Erben. 
Speech. 

Bell, A. M. The principles of speech and vocal 

physiology; and dictionary of sounds. New edition. 

London. [1865?] M.109.2S 

Brewer, R. F. Speech. (In Voice, speech and gesture. 

Pp. 55-100. London. 1895.) M.218.2 



Speech. (Continued.) 

CoLOMBAT, M. Traite de tous les vices de la parole et en 
particulier du begaiement. 3e edition. Paris. 1843. Plates. 

M.207.11 
Hunt, J. A manual of the philosophy of voice and speech, 
especially in relation to the English language and the 
art of speaking. London. 1859. M.ios.g 

Meyer. G. H. von. The organs of speech and their applica- 
tion in the formation of articulate sounds. New York. 
1884. IIlus. M.i49a.3i 

Rampont, M. F. De la voix et de la parole. Paris. 1803. 

No. 3 in M. 103.32 
Speech in song. Instruction book. Ellis, A. J. No. i in M. 117.5 
Speed to my Celia. Madrigal. Renaldi. No. 24 in M. 237.28 
Speer, Charlton Templeman. 

"The arsenal"; or, "War and peace." Cantata for solo [s. 

A. t. bar. b.], chorus & orchestra. Words by Longfellow, 

Music by Charlton T. Speer. [Accomp. for pianoforte.] 

London. Weekes. [1884?] No. 2 in M.204.33 

Speidel, Wilhelm. 

Alpennacht. [Mannerchor mit T. Solo.] Op. 52, No. i. 
Hamburg. Pohle. [187-?] No. 9 in M.392.38 

Beim Wandern. [Mannerchor.] (In Abt. Deutsche Sanger- 
halle. Vol. 4, p. 65.) No. 24 in M.392.42.4 

Das deutsche Lied [t. t. b. b.]. (In Das Riitli. Pp. 200- 
202.) No. 82 in M.147.4 

Drei deutsche Lieder fiir Mannerchor. Op. 43. Stuttgart. 
Sturmer. [1870?] No. 37-39 in M.392.25 

Contents. — I. O Deutschland, mein Vaterlandl 2. Friedensfeier. 3. 
Franzosisch-deutsches Tamlied. 
Die dunklen Linden. [Mannerchor.] Op. 88, No. 2. Leip- 
zig. Licht. i88g. No. 11 in M.392.24 
Der fahrende Student. [Mannerchor.] (In Regensburger 
Liederkranz. Pp. 212-215.) No. 82 in M.i29a.44 
Friihlingspracht. [Mannerchor.] Op. 41, No. 2. Leipzig. 
Forberg. [1869?] No. 35 in M.392.25 
Fiinf Chore fiir vier Mannerstimmen. Op. 31. Leipzig. 
Kahnt. [186-?] No. 33 in M.392.25 
Contents. — Nachtgebet. — Trinklied. — Abendlied. — „Mag auch 
heiss das Scheiden breimen." — Martini Kirchweih. 
Fiinf Mannerchore. Op. 51. Hamburg. Pohle. [1875?] 

No. 40 in M.392.25 
Contents. — An Deutschland. — Vor der Schlacht. — Abschied vom 
Walde. — Trinklied. — Studentenherz. 

Das griine Thier und der Naturkenner. [Mannerchor.] 

Op. 41, No. 4. Leipzig, torberg. [1869?] 

No. 36 in M.392.2S 
Hymne: O Geist der Tone! [Mannerchor.] (In Eidgenoes- 

sischer Saengerverein. Mannerchore fiir das I4te . . . 

Siingerfest. Pp. 10-17.) No. 4 in M.130.7 

Neujahrslied [t. t. b. b.]. Op. 41, No. i. Leipzig. Forberg. 

[1869?] No. 34 in M.392.25 

Ouverture und Intermezzo zu „K6nig Helge" von Oehlen- 

schlager. Fiir Orchester. Op. 50. Partitur. Hamburg. 

Pohle. [188-?] No. 2, 3inM.331.11 

Die Soldatenbraut. [Mannerchor.] (In Claassen. Ludwig 

Liebe-Album. Pp. 47, 48.) No. 11 in M.203.16 

Unterm Schleedornhag. [Miinnerchor.] (In Abt. Deutsche 

Sangerhalle. Vol. 4, pp. 56, 57-) No. 20 in M.392.42.4 

Was hab' ich denn meinem FeinsHebchen gethan. Volkslied 

[t. t. b. b.]. (In Regensburger Liederkranz. Pp. 60-62.) 

No. 27 in M.i29a.44 
Wenn die Lerchen wiederkommen. [Mannerchor,] (In 

Stuttgarter Liederkranz. Mannerchor-Album. Pp. 105, 

106.) No. 5 in M.203.22 

Wickinger Ausfahrt. Gedicht von Theodor Souchay. Kon- 

zertstiick fiir Mannerchor, Tenorsolo und Orchester kom- 

poniert von Wilhelm Speidel. Op. 70. Klavierauszug. 

Leipzig. Siegel. [1882?] No. i in M.212,17 

Speier, Wilhelm. 

Protest. Fiir vier Mannerstimmen. Op. 58. Mainz. Schott. 

[1848?] No. 41 in M.392.2S 

Der Soldat. Gedicht von Chamisso. Fiir eine Singstimrne 

[a. Oder b.] mit Begleitung des Pianoforte, in Musik 

gesetzt von Wilhelm Speier. Offenbach a. M. Andre. 



[185 



No. 8 in M.236.6 

127 



Speisezettel 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Spinnerin 



Speisezettel. Ein musikalischer Schwank fur 6 Manner- 
stimmen [t. t. t. b. b. b.]. Neue Ausgabe. Mainz. Schott. 
[1832?] No. 42 in M.392.25 

Speise-Zettel, Der. Part-song. Zoellner, C. F. 

No. 39 in M.392.27; etc. 
Spell-bound fiddler, The. Fiction. Janson, K. N. M.108.9 

Spem in alium. Mass. Palestrina. Werke. Band 12. 

M.8o4oa.66.i2 
Speme arcana. Song. Patti. No. 9 in M.391.28.2 

Spence, Joseph. 

Die Wahl des Hercules. [Cantate] von Handel nach 
Mozarts Bearbeitung. M.30.14 

Spencer, Charles Child. 

A rudimentary and practical treatise on music. 6th edition. 
London. 1865. [Weale's Rudimentary series.] M.io9a.io 
Spencer, John. 

When tender rose trees. Glee [s. s. b.]. (In Page. Festive 
harmony. Pp. 111-117.) No. 18 in M.235.11 

Spendiarov, A. . _ 

KpbiMCKie 3CKH3bi. fljisi opKecTpa. Esquisses de Crimee 
pour orchestre. i. Air de danse. 2. Chanson elegiaque. 
3. Chanson a boire. 4. Air de danse „Kaitarma". Par- 
tition d'orchestre. Op. 9 C : neTep6ypn.. Beccenb & Ko. 
[1903.] No. 2 in M.407.25 

An arrangement of popular melodies of the Tartars of Crimea. 
Les trois palmiers. Tableau symphonique pour orchestre 
d'apres une poesie de Lermontow. Op. 10. Partition d' 
orchestre. Leipzig. Belaieff. 1907. M.136.49 

Spengler, Franz, translator. 

Mueller- Berghaus. Die Kalewainen in Pochjola. M.380.12 
Spenser, Willard. 

The little tycoon. A comic opera in 2 acts. [Words and 
music] by Willard Spenser. [Accomp. for pianoforte. 
Nevi' York. Gottsberger.] 1882. M.323.3 

Miss Bob White. An original American pastoral comedy 
opera in three acts. Words and music by Willard 
Spenser. Vocal score. [Philadelphia. Spenser.] 1901. 

M.381.43 

The Princess Bonnie. An original American-Spanish comic 

opera in two acts. Words and music by Willard Spenser. 

[Accomp. for pianoforte. Philadelphia.] Spenser. 1893. 

M.381.44 
Spera si, mio caro bene. Aria. Handel. 12 Sopran-Arien. 

No. I in M. 270.48 
Speranza, Antonio Giovanni. 

I due Figaro. Melodramma giocoso del Cav. Romani. 
Posto in musica dal Mo A. G. Speranza. [Riduzione per 
canto con accomp. di pianoforte.] Milano. Lucca. [184-?] 

M.151.8 

Speranza, Domenico. 

A hymn of thanksgiving. [Chorus and a. or bar. solo. Ac- 
comp. for organ.] New York. Breusing. 1861. 

No. I in M.190.8 
Speranza, La. Part-song. 

Alary. Ricreazioni musicali. No. i in M. 244.19 

Tenaglia. No. 25 in M.201.35 

Speranza, La. Song. Robert:. Inspirations italiennes. 

No. I in M.364.10 
Speranza, La, al cor mio dice. Song. Methfessel, A. G. 12 
canzonette. No. 8 in M.221.33 

Sperate in Deo. Gradual. Eybler. Graduale. No. 2. 

No. 2 in M.191.6 

Sperent in te. Anthem. 

Lassus. Sammtliche Werke. Band i. M.8o4oa.67.i 

Palestrina. Werke. Band 9- M.8o4oa.66.9 

Spesso in poveri alberghi e in picciol tetti. Part-song. Lassus. 

Sammtliche Werke. Band 8. 11.80403.67.8 

Speth, Erich. 

Die Grille. Oper. Musik von Johannes Doebber. M.394.4 
Speziale, Lo. Opera. For the Music see Haydn, F. J. For 

the Libretto see Rota. 
Sphinx, The, or love at random. Opera. For the Music see 

Thompson, L. S. For the Libretto see Gray, D. 
Spicker, Max. 

Die gebrochene Blume. [Mannerchor.] (/n Claassen. 



Spicker, Max. (Continued.) 

Ludwig Liebe-Album. Pp. 49, 50.) No. 11 in M.203.16 
Die Heimath. (Home.) So!o-Quartett [t. t. b. b.]. Op. 
24, No. 2. Berlin. Luckhardt. [1888.] No. 47 in M.392.25 
„Im Grase thaut's." (The dew-drops fall.) [Mannerchor.] 
Op. 23. Berlin. Luckhardt. [1887.] No. 45 in M.392.25 
Die Linde. (The linden tree.) [Mannerchor.] Op. 15. 
Berlin. Luckhardt. 1886. No. 43 in M.392.25 

Neuer Friihling. (Spring's return.) [Mannerchor.] Op. 
24, No. 3. Berlin. Luckhardt. [1888.] No. 15 in M.392.24 
Noch sind die Tage der Rosen. (Life's springtime.) 
[Mannerchor.] Op. 24, No. i. Berlin. Luckhardt. [1888.] 
No. 14 in M.392.24; No. 46 in M.392.25 
Der Pilot. Dichtung von Franz v. Holstein. (English ver- 
sion by E. Buek.) Fiir Mannerchor, Bariton-Solo und 
Orchester. Op. 30. Clavier-Auszug. Berlin. Luck- 
hardt. 1893. No. 5 in M.202.29 
Serenade. [Mannerchor.] Op. 19, No. i. Berlin. Luck- 
hardt. [1887.] No. 44 in M.392.25 
Spielmannslied. (The minstrel's song.) [Mannerchor.] 
Op. 29, No. 2. Berlin. Luckhardt. [1892.] 

No. 18 in M.392.24 

Tage der Jugend. (Days of youth.) [Mannerchor.] Op. 

28, No. 2. Berlin. Luckhardt. [1891.] No. 16 in M.392.24 

Winterabend. (Winter evening.) [Mannerchor.] Op. 29, 

No. I. Berlin. Luckhardt. [1892.] No. 17 in M.39a.24 

Spiegazion, La. Duet. Bortolini. Amori veneziani. 

No. I in M.390.44 
Spiegel, Der, von Arkadien. Opera. For the Music see 

Suessmayer. 
Spielleute, Die. Part-song. Methfessel, E. 

No. 26 in M.392.42.4 
Spielmann, Der. Ballet music. Forster, J. No. 2 in M.331.7 
Spielmann, Der. Song. 

Gade. Lieder und Gesange. Heft 8. No. 11 in M.192.3 

Schumann, R. A. s Lieder. No. i in M.244.15.2; etc. 

Spielmannslied. Port-song. 

Becker, V. E. No. 22 in M.392.3 

ScHWALM. No. 7 in M.392.24 

Spicker. No. 18 in M.392.24 

Spielmannslied. Song. Grieg. Grieg-Album. 3. 

No. 4inM.1s5.16 
Spielter, Hermann. 

„Vineta." Gedicht von J. Seiler. Fur Bariton-Solo mit 
Clavierbegleitung und Mannerchor a capella componirt 
von Hermann Spielter. Op. 4. Bremen. Haake. 1886. 

No. 2 in M.212.17 
Spies, Arno. 

Bogna des Verbannten Tochter. Oper von Arno Spies und 
Max Radziszewski. Musik von M. Hertz. M.396.27 

Waldfest. Heitere Weisen. Fiir Mannerchor und Bariton- 
Solo mit Klavierbegleitung von G. Unbehaun. 

No. 4inM.212.18 
Spindler, Fritz. 

Quartett (C moll) fiir 2 Violinen, Viola und Violoncello. 
Op. 62. Partitur. Leipzig. Whistling. 1856. 

No. 24 in M.211.1 
Symphonic, Zweite (C moll), fur Orchester. isotes Werk. 
Partitur. Leipzig. Siegel. [186-?] M.334.20 

Spinelli, Niccola. 

A basso porto. (Am untern Hafen). Neapolitanische 

Volks-Scenen von Goffredo Cognetti. Lyrisches Drama 

in 3 Akten von Eug. Checchi. Deutsch von Ludwig Hart- 

mann. Musik von Niccola Spinelli. Vollstandiger 

Clavier-Auszug mit deutschem und italienischem Text. 

Leipzig. Oberdorffer. 1894. M.394.71 

Spinn! Spinn! Part-song. Juengst. No. 38 in M.392.11 

Spinnelied. Part-song. Schumann, R. A. Lieder fiir die 

Jiigend. Abtheilung 3. No. 4 in M.244.IS.3 

Spinnelied. Song. Schumann, R. A. Werke. Serie 13, Band 

3. M.316.1.13.3 

Spinnerin, Die. Part-song. Filke. No. 10 in M.392.8 

Janson, F. XII Lieder fiir vier Mannerstimmen. 

No. 34 in M.392.11 



128 



Spinnerin 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Spohr 



Spinnerin, Die. Song. 

Schubert, F. P. Werke. Serie 20, Band 3. M.317.1.20.3 

Schumann, R. A. 6 Gesange. Op. 107. 

No. 3 in M.244.15.4; etc. 
Taubert, C. G. W. Sechs Gesange. Op. pi- 

No. 16 in M.192.6 
Spinnerlied. For orchestra. Mendelssohn- Bartholdy, J. L. F. 

No. I in M.342.18 

Spinneriied. For violin. Hollaender, G. No. 8 in M.406.6 

Spinnerlied. Song. Gruber, G. W. Gottfried August 

Burgers Gedichte. Vol. 2. No. 8 in M. 130.9.2 

Taubert, C. G. W. Klange aus der Kinderwelt. Heft 10. 

No. 20 in M. 192.8 
Spinney, Walter. 

It is high time to awake. [Short full anthem. Accomp. 
for organ.] Boston. Schmidt. [1892.] No. 53 in M.158.19 
Spinning chorus, The. Part-song. Wagner, W. R. 

No. 7 in M.204.36.2 
Spinning wheel, The. Part-song. Meyerbeer. 

No. 8 in M.1S7.17.2 
Spinnlied. Song. Kuecken. Leichte Lieder. 

No. 3 in M.244.6.2 
Spinnrocken, Der. Song. Donizetti. Nuits d'ete a Pausi- 
lippe. No. isin M.244.4 

Spirit of air. Song. Linley, G. [Songs.] Vol. i. 

No. 15 in M.235.19.1 
Spirit of bliss. Part-song. Fane, J. No. 3 in M.236.2 

Spirit, The, ©flight. Song. Balfe. No. 18 in M. 192.9.2 

Spirit of meekness. Anthem. Beethoven. No. 8 in M. 290.14 
Spirit of music. Part-song. Taylor, W. F. No. 34 in M.121.3 
Spirit, The, of my song. Song. Foster, S. C. 

No. 18 in M.380.41.3 
Spirit of peace. Anthem. Buffinton. Four hymns. 

No. 10 in M. 190.2 
Spirit, The, of song. Part-song. Abt, F. No. 28 in M. 157.17. 3 
Spirit, The, of the shell. Cantata. For the Music see Severn. 

For the Libretto see Wyman. 
Spirit of the woods. Part-song. Abt, F. No. 21 in M. 204.38 
Spirit of truth. Anthem. Gerrish. No. 18 in M. 203.25 

Spirit song, The. Song. Haydn, F. J. No. 27 in M.235.18.4 

Spirit's song. The. Clarke- Whitfeld. No. 20 in M.236.2 

Spiritistisches Trinklied. Part-song. Riedel, F. E. A. 

No. I in M.370.30 
Spirito, Lo, di Dante. Cantata. For the Music see Mabellini. 

For the Libretto see Corsini. 
Spirito santo, amore. Madrigal. Palestrina. Werke. Band 
29. M.8o4oa.66.29 

Spirits, advance. Part-song. Bishop, H. R. 

No. 24 in M. 157.19; etc. 
Spiritus sanctus replevit. Motet. Palestrina. Werke. Band 
6. M.8o4oa.66.6 

Spitta, Julius August Philipp. 

Johann Sebastian Bach. Leipzig. Breitkopf & Hartel. 
1873, 80. 2 v. M.113.3 

Johann Sebastian Bach: his work and influence on the 
music of Germany, 1685-1750. Translated by Clara Bell 
and J. A. Fuller-Maitland. London. Novello, Ewer & 
Co. 1884, 85. 3 v. Portrait. M.134.2 

Musikgeschichtliche Aufsatze. Berlin. Paetel. 1894. 

M.372.24 
Contents. — Heinrich Schutz' Leben und Werke. — Die Anfange madri- 
galischer Dichtung in Deutschland. — Die musikalische Societal und 
das Convivium musicale zu Miihlhausen im XVII. Jahrhundert. — 
Bachiana. — Renaldo von Capua und seine Oper ,,Die Zigeunerin." — 
Sperontes „Singende Muse an der Pleisse." — Zur Geschichte des deut- 
schen Hausgesanges im 18. Jahrhundert. — Der deutsche Mannerge- 
sang. — Johann Georg Kastner. — Xaver Schnyder von Wartensee. — 
Ueber Robert Schumanns Schriften. — Ballade. 
Spontini in Berlin. [Berlin. 1878.] No. 10 in M.21S.4 

Cut from the Deutsche Rundschau. 

Spitta, Julius August Philipp, editor. 

Frederick IL, the Great, of Prussia. Friedrichs des Grossen 
Musikalische Werke. M.3I7.2 

Spitta, Ludwig. 

Moses. Ein biblisches Oratorium. Fiir Chor, Solostimmen, 
Orchester (und Orgel ad lib.) von Max Bruch. 

M.341.14; etc. 



Spitta, Philipp. See Spitta, Julius August Philipp. 
Spitzenkloepplerlied. Part-song. Hopp, J. No. 97 in M.204.3g 
Spitzenkloepplerlied. Song. Mair. No. 98 in M.204.3g 

Spitzentuch, Das, der Konigin. Opera. For the Music see 
Strauss, J. 1825-1899. For the Libretto see Bohrmann. 
Splendente Te, Deus. Anthem. Mozart. No. 4 in M. 236.28 
Splendor Patris. Anthem. Haydn, F. J. M.260.23.2 

Splendour, The, falls. Part-song. Macfarren, G. A. 

No. 3 in M. 195.1.2 
Spofforth, Reginald. 

L'ape e la serpe. [Glee, a. t. t. b.] {In Clementi. Vocal 
harmony. 2d edition. Vol. 5, pp. 42-45.) 

No. 9 in M.234.2.5; No. 9 in M.235.9.5 

By Celia's arbor. Glee [a. t. t. b.]. (In Page. Festive 

harmony. Pp. 49-52.) No. 9 in M.235.11 

A collection of glees, compiled from [his] unpublished 

manuscripts by W. Hawes. London. Hawes. [1830.] 

M.235.15 

Contents. — Yesterday ! — O memory ! — Whilst I gaze. — Go, you 
may call it madness. — King-cup, daffodil and rose. — Mio ben, ricor- 
dati. — Arise, my fair one. — Come, love, since time. — The garlands 
fade. — Leave, wanton bee. — Shepherd, seek not wealth. — Sweet is 
the woodbine's. — Bacchus would'st thou deign. — When sprightly 
youths. — • See yon gay goldfinch. — If those who live. — Beauty is 
but a vain. — Good morrow. — Fairest daughter of the day. — Fair 
daffodils. — But when she speaks. — Oft on the troubled ocean's face. 
— With roses and with myrtles crown'd. — Good night, good rest. — 
Bronte Piragmo e Sterope. — Winter is past. — While the madly rag- 
ing nations. — Shall I wasting in despair. — Fair is my love. — Come. 
Anacreon. — Press the grape. — What tho' her cheeks. — Non euro 
I'affetto. — Sweet peace. — Go, thou fond heart. — Cease your music. 
Come, bounteous May. [Glee, a. a. t. b. b.] (In Boosey's 
Standard English glees. Vol. i, pp. 151-156.) 

No. 38 in M.157.7 
Also to be found in dementi's Vocal harmony; Novello's Glee-hive. 

Hail smiling morn. [Glee, s. A. T. B.] (/» Boosey's Standard 
English glees. Vol. i, pp. 40-44.) No. 9 in M.157.7 

Also to be found in Leslie's Cassell's Choral music ; Musical times 
[Music]; Novello's Glee-hive; Warren's Cocks's Hand-book of glees; 
for A. T. T. B. in dementi's Vocal harmony; for t. t. b. b. in Orpheus 
glee book. 

Hark! the goddess Diana. Hunting duet [s. s.]. (In Bland. 

The Ladies' collection. Vol. 5, pp. 486-488.) 

No. 120 in M.235.17.5 
Health to my dear. Glee [s. A. t. b.]. (In Hullah. The 

Singer's library, Secular. Pp. 81-84.) No. 18 in M. 157.2 

Also to be found [for s. s. a. b.] in Musical library; for a. t. t, b. 

in Novello's Glee-hive ; Warren's Cocks's Hand-book of glees. 
In this recess. Glee [a. t. t. b.]. (In Warren. Collection 

of catches. Vol. 4, pp. 344-349) No. 105 in M.220.9.4 

Marked you her eye? Glee [a. a. t. t. b.]. (In Boosey's 

Standard English glees. Vol. i, pp. 202-206.) 

No. 41 in M.157.7 

Also to be found in Musical times [Music] ; for s. s. b. in Musical 

library. 

My dear mistress had a heart. Glee for a. t. t. b. (In 
Boosey's Standard English glees. Vol. i, pp. 90-93-) 
Also to be found in Novello's Glee-hive. No. 18 in M.157.7 

See, smiling from the rosy east. Glee [a. t. b.]. (In War- 
ren. Collection of catches. Vol. 5, pp. 103-108.) 

No. 28 in M. 220.9.5 

Sweet peace. Glee. (In Hullah. The Singer's library. 
Secular. Pp. 9-12.) No. 30 in M.157.2 

Tell me, fond youth. Round [for 4 voices]. (In Knyvett. 
A Collection of glees. P. 15.) No. 6 in M.220.6 

Where are those hours? Glee. (In Warren. Collection of 
catches. Vol. 5, pp. 81-87.) No. 22 in M.220.9.5 

Why flows the muses' mournful tear? Glee [a. t. t. t. b.]. 
(In Warren. Collection of catches. Vol. 4, pp. 327-330.) 

No. lOI in M.220.9.4 
Spohr, Ferdinand, editor. 

Spohr, L. Der Berggeist. M.151.12 

Jessonda. M.151.10 

Pietro von Abano. M.151.9 

Spohr, Louis. 

Der Alchymist. Romantische Oper in 3 Aufziigen [von 
Johann Pfeiffer]. In Musik gesetzt von Louis Spohr. 
VoUstandiger Klavier-.\uszug von Ferd. Spohr. Berlin. 
Schlesinger. [1832.] M.274.30 



III 17 



129 



Spohr 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Spohr 



Spohr, Louis. (Continued.) 

[Alruna. Romantische Oper in 3 Aufziigen. Partitur.] 
Manuscript. [182-?] M.340.17 

As pants the hart. Anthem for 6 voices [s. s. a. a. t. b.]. 
Arranged [with accomp. for the pianoforte or organ] 
from the "Crucifixion" by James Stimpson. London. 
Novello. [1841?] No. 12 in M.290.9.1 

Also to be found in Musical times [Music]. 

Autobiography. Translated from the German. London. 
Longmans. 1865. 2 v. in I. M.105.23 

Azor & Zemira. See his Zemire und Azor. 

Das befreite Deutschland. [Cantata. Partitur.] Manu- 
script. [Cassel? 181-?] M.243.29 

Der Berggeist. Romantische Oper [von Georg Doring]. 
In Musik gesetzt von L. Spohr. Vollstandiger Klavier- 
auszug von Ferdinand Spohr. Leipzig. Peters. [1866?] 

M. 151. 12 

Blessed are the dead. Quartet and chorus. [Accomp. for 
piano.] (In Ayrton. Sacred minstrelsy. Vol. 2, pp. i, 2.) 

No. I in M.2go.22.2 

From his The last judgment. Also to be found in Musical times 
[Music]. 

Calvary. "Des Heilands letzte Stunden." An oratorio 
composed by Louis Spohr. The English version by Ed- 
ward Taylor. [Full score, with German and English 
words.] London. Novello, Ewer & Co. [187-?] M.352.19 
Same. [Accomp. for pianoforte.] Sacred Harmonic So- 
ciety. 1852. M.243.31 
The Christian's prayer. A sacred cantata. The words 
translated from the German of A. Mahlmann by Edward 
Taylor. The music by Louis Spohr. The accomp. for the 
piano forte revised by Vincent Novello. London. Taylor. 
[185-?] No. 5 in M.290.15 
Concert-Ouverture im ernsten Styl. Op. 126. Partitur. 
Leipzig. Siegel & StoU. [1847?] No. 3 in M.347.14 
Concertos. Namely: 

[Concerto I, A moll. Op. i. For pianoforte alone.] No 
title-page. [180-?] No. i in M.404.93 

[Concerto 11, D moll. Op. 2. For violin and pianoforte.] 
No title-page. [180-?] No. 2 in M.404.93 

Same. Beriihmte Violin Concerte, herausgegeben von 
Ferd. David. No. 2. Op. 2. [Mit Pianoforte Beglei- 
tung. Partitur und Violon-Stimme.] Leipzig. Peters. 
[187-?] No. I in M.357.11 

[Concerto IH, C moll. Op. 7. For violin and piano- 
forte.] No title-page. [180-?] No. 3 in M.404.93 
[Concerto IV.] Violin Concert, 4tes, H moll. Op. 10. 
[Partitur.] Manuscript. [185-?] No. i in M.312.37 
[Concerto V, Eb.] Cinquieme Concerto pour le violon 
arrange avec accompagnement de piano par F. Her- 
mann. Op. 17. Leipzig. Peters. [185-?] 

No. 4 in M,404.93 
[Concerto VI, G moll.] Si.xieme concerto pour le violon 
arrange avec accompagnement de piano par F. Her- 
mann. Op. 28. Leipzig. Peters. [185-?] 

No. I in M.404.g4 

[Concerto VII, E moll. Op. 38. For pianoforte and 

violin.] No title-page. [181-?] No. 2 in M.404.94 

Same. Violin-Concert, No. 7. [Mit Pianoforte-Beglei- 

tung. Leipzig. Peters. 188-?] No. 3 in M.3S7.1 

[Concerto VIII, A moll. Op, 47. For pianoforte and 

violin or flute.] No title-page. [181-?] No. 3 in M.404.94 

Same. Violin-Concert No. 8 in A moll (Gesangs-Scene). 

[Partitur.] Leipzig. Eulenburg. [189-?] 

No. 3 in M.4i2a.8 
Same. Violin-Concerte. Neue revidirte Ausgabe von 
Leopold Auer. No. 8. [Klavier-Auszug und Violin- 
Stimme.] Braunschweig. Litolff. [188-?] 

No. 2 in M.357.11 
[Concerto IX, D moll. Op, 55.] Neuvieme Concerto 
pour le violon avec accompagnement de piano. (Ar- 
rangement de J. B. Andre.) Offenbach s. M. Andre. 
[187-?] No. 4 in M.404.94 

[Concerto X, A moll. Op. 62. For pianoforte and 
violin.] No title-page. [188-?] No. I in M.404.95 



Spohr, Louis. (Continued.) 

[Concerto XL] G dur. Op. 70. Violin Concert, iites. 
[Partitur.] Manuscript. [184-?] M.312.38 

[Concerto XII, A moll. Op. 79.] Concertino ou I2e 
concerto pour le violon avec accompagnement de I'or- 
chestre ou de pianoforte. Avec piano. Berlin. Schle- 
singer. [182-?] No. 2 in M.404.95 

[Concertino XIII, E dur. Op. 92. For pianoforte alone.] 
No title-page. [182-?] No. 3 in M.404.95 

[Concerto XIV, A moll. Op. no.] Sonst und Jetzt. 
Drittes Concertino fiir die Violine mit Begleitung des 
Orchesters. No. 14 der Concerte. [Arrangement von 
Carl Czerny fiir Pianoforte allein.] Wien. Mechetti. 
[183-?] No. 4 in M.404.95 

[Concerto XV, E moll. Op. 128. For pianoforte and 
violin.] No title-page. [182-?] No. 5 in M.404.95 

The cuckoo. Part-song for t. t. b. b. (In The Orpheus. 
New series. Vol. 4, pp, 40-47.) No. 10 in M.205.10.4 

Deus pacis. Quartettino. [Accomp. for organ.] (In No- 
vello. Motetts. Vol. 2, book 11, p. 24.) 

No. 41 in M.260.24.2 
Deux duos concertants pour deux violons. Qiuv. 9. Leip- 
zig. Peters. [185-?] No. 2 in M.200.8 
Doppel-Quartett [D-moll] fiir 4 Violinen, 2 Violen und 2 
Violoncelles. Op. 65. [Partitur.] Leipzig. [1886? Payne's 
Kleine Partitur-Ausgabe] No. i in M.35S.14 
Same. Doppio quartetto in re min. [Violini, viole e violon- 
celli.] Op. 65. [Partitura.] Firenze. Guidi. [1864. 
Societa del quartetto di Firenze.] M. 246.31 
Doppel-Quartett [Es-dur] fiir 4 Violinen, 2 Violen und 2 
Violoncelles, Op. 77. [Partitur.] Leipzig. [1886? Payne's 
Kleine Partitur-Ausgabe.] No. 2 in M.35S.14 
Doppel-Quartett [E-moll] fur 4 Violinen, 2 Violen und 2 
Violoncelles. Op. 87. [Partitur.] Leipzig. [1886? Payne's 
Kleine Partitur-Ausgabe.] No. 3 in M.355.14 
Doppel-Quartett [G-moU] fiir 4 Violinen, 2 Violen und 2 
Violoncells. Op. 136. [Partitur.] Leipzig. [1886? Payne's 
Kleine Partitur-Ausgabe.] No. 4 in M.355.14 
Double chant [in F]. Adapted by James Turle. ■ (In Turle 
and Taylor. The People's music book. Vol. 2, p. 305.) 

No. 75 in M.iii.4.2 
Drei Duetten fiir s. u. t., mit Begleitung des Pianoforte. 
Bonn. Simrock. [185-?] No. 19 in M. 221.20 

Contents. — Liebesfragen. — Wechselgesang. — Liebe. 
3 grosse Duette fiir zwei Violinen. Op. 148, 150, 153. Leip- 
zig. Peters. [185-?] No. 5-7 in M.200.8 
Drei Psalmen nach Mendelssohn'scher Uebersetzung fiir 2 
vierstimmige Chore mit eingemischten Soils. Partitur 
mit untergelegtem Clavierauszuge. Bonn. Simrock. 
[184-?] No. 2-4 in M.221.16 
Contents. — Unendlicher Gott, unser Herri — Gott ist mein Hirt. — 
Aus der Tiefen ruf* ich Gott. 

fitudes pour le violon avec accomp. d'un second violon. 
Paris. Richault. [184-.?] No. 35, 36 in M.200.4.4 

The fall of Babylon. An oratorio. The English version by 
Edward Taylor. [Pianoforte score.] London. Taylor. 
[1842.] M.243.30 

[Faust.] Ouverture zur Oper: Faust, fiir Orchester. Op. 
60. Partitur. Leipzig. Peters. [185-?] No. I in M.347.14 

Festmarsch, componirt zur Vermahlungsfeier Ihrer Ho- 
heiten der Prinzessin Marie von Hessen und des Herzogs 
Bernard von Sachsen-Meiningen. Partitur. Kassel. 
Voigt. [186-?] No. 4 in M.347.14 

From the deep I called. Anthem for double choir and 4 
solo voices. (Unaccompanied.) (In Novello's Collection 
of anthems. Vol. 13, pp. 180-196.) No. 18 in M.i95.2.i3 

Friihlingsorakel. [Miinnerchor.] (In Orpheus. Band 5, 
pp- 5-9-) No. 152 in M.i29a.43.s 

Gebet vor der Schlacht. Gedicht fiir Mannerstimmen com- 
ponirt. Ilfeld a. Harz. Fulda. [188-?] No. 21 in M.203.20 

God thou art great. See his Hymne. 

Grand duo pour violon et viola. Op. 13. Leipzig. Peters. 
[185-?] * No. 8 in M.200.8 

Historische Symphonie. See his Sinfonien. 



130 



Spohr 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Spohr 



Spohr, Louis. (Continued.) 

Holy, holy. Introit. For s. a. t. b. (In Hullah. The 
Singer's library. Sacred. Pp. I39i I40-) 

No. 27a in M. 157.3 
"How lovely are Thy dwellings fair." Festival anthem. 
The vocal parts in score, the instrumental adapted for 
the organ or pianoforte. London. Surman. [184-?] 

No. 2 in M.280.32; No. 3 in M. 290.15 
Also to be found in Novello's Collection of anthems. 
Der i28ste Psalm, metrisch bearbeitet von M"- Broadley mit 
deutscher Uebersetzung. Fiir 4 Chor- und 4 Solo- 
Stimmen mit Begleitung der Orgel oder des Pianoforte 
componirt von L. Spohr. Bonn. Simrock. [186-?] 

No. 4 in M.280.12 
Same. "O bless'd for ever." The version by C. B. Broadley, 
of the 128. Psalm. Set to music by Louis Spohr. [Ac- 
comp. for organ.] London. Whittingham. [185-?] 

No. 3 in M.280.32 
Hymn to S' Cecilia, for s. and chorus. [Accomp. for 
piano.] London. Ewer & Co. [185-?] No. i in M.290.15 
Hymne [Gott, du bist gross!] von J. F. Rohdmann. Fiir 4 
Chor- und 4 Solo-Stimmen und grosses Orchester in 
Musik gesetzt von Louis Spohr. Partitur. Op. 98. Bonn. 
Simrock. [184-?] No. 2 in M.2I2.2 

Same. God, Thou art great. A sacred cantata for 4 voices. 
The English translation [from the German of J. F. Rohd- 
mann] by Morley Chubb. [Accomp. for pianoforte.] 
London. Novello. [184-?] No. 2 in M.290.15 

Same. Novello, Ewer & Co. [187-?] No. 3 in M.154.19 

Irdisches und Gottliches im Menschenleben. See his Sinfo- 

nien. 
Jahreszeiten, Die. See his Sinfonien. 

Jehovah, Lord God of hosts! The 8th Psalm. The words 
adapted by F. W. Rosier. Composed for 4 solo voices 
and a double chorus, without accomp. [Accomp, for 
pianoforte or organ ad lib.] London. Ewer & Co. [185-?] 

No. 4 in M.290.15 
Jessonda. Oper in 3 Akten [von Gehe. In Musik gesetzt] 
von Louis Spohr. Herausgegeben von Gustav F. Kogel. 
[Partitur.] Leipzig. Peters. [1875?] M.352.18 

Same. Vollstandiger Klavierauszug von Ferdinand Spohr. 
Leipzig. Peters. [182-?] M.151.10 

Same. Der Text von E. Gehe. The English by W. Bar- 
tholomew. [Accomp. for pianoforte.] London. Ewer & 
Co. [i8s-?] M.274.31 

Same. Ouverture zur Oper: Jessonda fiir Orchester. Op. 
63. Partitur. Leipzig. Peters. [185-?] No. 2 in M.347.14 
Jesu fili Mariae. Terzetto, s. s. a. [Accomp. for organ.] 
(In Novello. Convent music. Vol. 2, pp. 80-83.) 

No. 25 in M.260.17.2 
Same. Jesus, heavenly Master [s. s. A. Accomp. for piano- 
forte]. (In Novello's Collection of trios, etc. Vol. 2, 
pp. 42-46.) No. 6 in M.204.36.2 

Das jiingste Gerichte. Oratorium in 3 Abtheilungen von 
Arnold. In Musik gesetzt von L. Spohr. [Partitur.] 
Manuscript. [1812?] 3 v. M.243.28 

Die Kreuzfahrer. Grosse Oper in 3 Acten, bearbeitet nach 
Kotzebue's Schauspiel. In Musik gesetzt von Louis 
Spohr. Vollstandiger Clavierauszug. Hamburg. Schu- 
berth & Co. [185-?] M.274.28 

Kriegeslust ergeben. Arie [bar., mit Pianofortebegleitung]. 
(/« Arien-Album. Band I, pp. I54-I59-) No. 4 in M. 204.37 
From Jessonda. 
Die letzten Dinge. The last judgment. An oratorio. 
Newly arranged by Vincent Novello. [Accomp. for 
piano.] London. Novello. N. d. No. I in M.110.17 

Same. The last judgment (Die letzten Dinge). An oratorio. 
The English version by Edward Taylor. Full score. 
London. Novello, Ewer & Co. [1881.] M.243.26 

Same. [Pianoforte score.] M.243.27 

Das Lied. [Mannerchor.] (In Das Riitli. Pp. 190, 191.) 

No. 77 in M. 147.4 
Love and courage. A four-part song [t. t. b. b.]. (In The 
Orpheus. New series. Vol. 5, pp. 82-87.) 

No. 18 in M.205.10.5 



Spohr, Louis. (Continued.) 

Messe [in C] fuer 5 Solostimmen und 2 fuenfstimmige 
Choere. Partitur. Leipzig. Peters. [1827?] M.222.42 
Nonett [F-dur] fiir Violine, Viola, Violoncell, Kontrabass, 
Flote, Oboe, Klarinette, Horn und Fagott. Op. 31. [Par- 
titur.] Leipzig. [1884? Payne's Kleine Partitur-Aus- 
gabe.] No. 6 in M.355.14 

Same. Nonetto pour deux violons, alto, violoncelle, contra- 
basse, fliite, hautbois, clarinette, basson et cor. ffiuvre 
31. [Partition.] Manuscript. [183-?] M.312.28 

Notturno fiir Harmonic- und Janitscharen-Musik. Op. 34. 
Neue Auflage. Partitur. Leipzig. Peters. [185-?] 

No. 5 in M.342.45 

O bless'd forever. See his Der i28ste Psalm. 

O Bone Pastor. Solo & chorus for 5 s. voices. [Accomp. 

for organ.] (In Novello. Convent music. Vol. 2, pp. 

8-11.) No. 3 in M.260.17.2 

O Salutaris Hostia. Trio [s. s. s. Accomp. for organ]. 

(In Novello. Convent music. Vol. i, pp. 138, 139.) 

No. 23 in M.260.17.1 
Octett [E-dur] fiir Violine, 2 Violen, Violoncell, Klarinette, 
2 Horner und Kontrabass. Op. 32. [Partitur.] Leipzig. 
[1886? Payne's Kleine Partitur-Ausgabe.] 

No. 5 in M.355.14 

Same. Ottetto pour violon, 2 altos, violoncelle, clarinette, 

2 cors et contrabasse. CEuv. 32. Partition. Manuscript. 

Paris. Richault. [182-?] No. i in M.356.26 

O'er moor and mountain. Part-song for t. t. b. b. (In The 

Orpheus. New series. \'ol. 3, pp. 8-1 1.) 

No. 3 in M.205.10.3 
Pietro von Abano. Romantische Oper [von Carl Pfeiffer]. 
In Musik gesetzt von L. Spohr. Vollstandiger Klavier- 
auszug von Ferdinand Spohr. Berlin. Schlesinger. 
[1827?] _ M.151.9 

Pot-pourri pour le violon avec accomp. de I'orchestre. 
Original-Partitur. Manuscript. [183-?] M.3i2.2g 

[Quartette.] Namely: 
String quartetts. (2 violins, viola & violoncello.) No. 
1-34. Scores made from the parts by Allen A. Brown. 
Manuscript. 1894-98. 34 parts in 8 v. M.337.15 

Contents. — I. No. 1-5. a. No. 6-10. 3. No. :i-i4. 4. No. 15-18. 5. 
No. 19-21. 6. No. 22-25. 7. IMo. 26-29. 8. No. 30-34- 
Quatuor[s] pour deux violons, alto et violoncelle. No. 
1-26. CEuv. 4, II, IS, 27, 29, 30, 43, 45. 58, 61, 68, 74, 83, 
84. [Parties separees.] Paris. Richault. [184-?] 104 
parts in 4 v. No. 1-26 in M. 200.4 

Trois quatuors pour deux violons, alto et violoncelle. 
Qiuvre 29. Nouvelle edition. [Parties separees.] Vienne. 
Haslinger. [185-?] No. 12 in M.211.2.1-4 

Trois quatuors pour 2 violons, viola et violoncelle. Op. 
74. Manuscript. [186-?] No. 2 in M.312.9 

Grand quatuor [6e] pour deux violons, alto et violon- 
celle. CEuvre 27. Nouvelle edition. [Parties separees.] 
Vienne. Haslinger. [1848?] No. 1 1 in M.211.2.1-4 

Quartett, Xtes, fiir 2 Violinen, Viola und Violoncelle. 30. 
Werke. [Stimmen.] Wien. Haslinger. [1838?] 

No. 15 in M.211.2.1-4 
Quatuor brillant, no. n. [Pour deux violons, alto et 
violoncelle.] Op. 43. [Partition.] Manuscript. 1895, 
96. No. 2 in M.338.13 

Made by Allen A. Brown. 
[Quintette.] Xamcly: 
Grand quintette pour deux violons, deux altos et violon- 
celle. No. i[-5]. CEuvre 33, 34, 69. [Parties separees.] 
Paris. Richault. [184-?] No. 27-31 in M.200.4 

Same. Quintuor, 2e, pour 2 violons, 2 altos et un violon- 
celle. [Partition.] Manuscript. Paris. Richault. [183-?] 

No. 2 in M.356.26 

Grosses Quintett. Fur Pianoforte, zwei Violinen, Viola 

und Violoncell. Op. 130. [Partitur.] Leipzig. Schu- 

berth & Co. [188-?] No. 7 in M.211.5.2 

Same. [Parties.] No. 17 in M.211.6.1-4 

Rastlose Liebe. [Mannerchor.] (In Fink. Die deutsche 

Liedertafel. Pp. 43-46.) No. 37 in M.ais.g 

Also to be found in Orpheus. 



131 



Spohr 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Spontini 



Spohr, Louis. (Continued.) 

Sammtliche Duette fiir zwei Violinen, revidirt von Ferd. 
David. [No. 3.] Op. 39- [Parties separees.] Leipzig. 
Peters. [188-?] No. 3 in M.357.11 

Same. Trois grands duos pour deux violons. [No. 3.] 
GEuv. 39. Leipzig. Peters. [186-?] No. 3 in M.200.8 

[Scena and aria, bar. Op. 71. With orchestral accompani- 
ment.] Manuscript. [182-?] No. 2 in M.312.37 
No words. 
Septett fiir Pianoforte, Flote, Clarinette, Horn, Fagott, 
Violine und Violoncell. Op. 147. Partitur. Leipzig. 
Peters. [1853?] No. i in M.347.17 
The shades of night are flying. Trio [s. s. a.] from "Zemira 
and Azor." [Accomp. for pianoforte.] (In Novello's Col- 
lection of trios, etc. Vol. 2, pp. 89-101.) 

No. 13 in M. 204.36.2 
Si, lo sento. Cavatina [s.] from Faust. [Accomp. for piano- 
forte.] (In Musical library. Vol. 4, pp. 11-13.) 

No. 5 in M.235.18.4 
[Sinfonien.] Namely: 
[Sinfonia, no. 2, D moll. Op. 49. Partitura.] Manu- 
script. [182-?] M.356.25 
Sinfonie, 3e [C moll], a grand orchestre. Op. 78. Par- 
tition. Manuscript. [185-?] M.312.22 
[Sinfonie, 4e, F dur.] Die Weihe der Tone. Characte- 
ristisches Tongemalde in Form einer Sinfonie, nach 
einem Gedicht von Carl Pfeiffer componirt. 86tes Werk. 
Partitur. Wien. Haslinger. [184-?] M.342.47 
Sinfonie, 5e (in C moll), fiir das Orchester. [Op. 102.] 
Partitur. Wien. Haslinger. [1839.] M.342.46 
[Sinfonie, 6e, G dur.] Historische Symphonic, im Styl 
und Geschmack vier verschiedener Zeitabschnitte. 
ii6tes Werk. Partitur. Wien. Mechetti. [184-?] 

No. 4 in M. 342.45 

[Sinfonie, ye. C dur.] Irdisches und Gottliches im 

Menschenleben. Doppel-Symphonie fiir 2 Orchester. 

Op. 121. Partitur. Hamburg. Schuberth & Co. [1842?] 

M.331.31 

Sinfonie No 8 [G moll] fiir grosses Orchester. Op. 137. 

Partitur. Leipzig. Peters. [185-?] M.347.16 

[Sinfonie, 9e, H moll.] Die Jahreszeiten. Sinfonie fiir 

grosses Orchester. I43tes Werk. Partitur. Leipzig. 

Schuberth & Co. [185-?] M.347.15 

Sonst und jetzt. See his Concertos. 

Still confiding. Duet [s. b.], from Faust. [Accomp. for 
pianoforte.] (In Musical library. Vol. 2, pp. 46-49.) 

No. 19 in M. 235. 18.2 
Summer bringeth buds. [Trio, s. s. a. Accomp. for piano- 
forte.] London. Leader & Cock. [185-?] 

No. 12 in M.244.10.2 
Tantum ergo. Quartette. Latin and English. [Accomp. 
for organ.] Boston. Tolman & Co. 1867. 

No. 20 in M.260.10.7 
Tantum ergo. Quartett and chorus. [Accomp. for organ.] 
(In Dietsch. Repertoire de musique religieuse. Pp. 104. 
105.) No. 22 in M.260.20 

Also to be found in Novello's Motetts. 
Thee, Lord, our King. Hymn, s. a. or s. t. b. [Organ 
accomp.] (In Ayrton. Sacred minstrelsy. Vol. i, pp. 
84, 85.) No. 29a in M.290.22.1 

Trio concertant pour pianoforte, violon et violoncelle [ir^- 
S™e. Partitur et parties]. Op. 119, 123, 124, 133, 142. 
Leipzig. Schuberth & Co. [i83-?-i84-?] 3 v. M.353.18 
Trois duos concertants pour deux violons. Op. 3. Leipzig. 
Peters. [185-?] 2 v. No. i in M.200.8 

Trois duos concertans pour deux violons. Op. 67. Leipzig. 
Peters. [187-?] 2 v. No. 4 in M.200.8 

The 24th Psalm. The earth is the Lord's. Composed by 
L. Spohr. Adapted to the English version by W. T. Free- 
mantle. Revised by S. S. Wesley. [Accomp. for piano- 
forte.] London. Novello, Ewer & Co. [186-?] 

No. 3 in M. 155.22; No. 3 in M. 204.14 

Same. [185-.] No. 3 in M. 192.20 

Verlust. [Lied, s. o. t., mit Pianofortebegleitung.] (In 

Weber-Album. Pp. 24-27.) No. 9 in M.244.17 



Spohr, Louis. (Continued.) 

Wechsel des Gliicks (Cantatine zum silbernen Hochzeits- 
feste), fiir Sopran-Solo und gemischten Chor mit vier- 
handiger Clavierbegleitung. Lepizig. Rieter-Biedermann. 
1887. No. 4 in M.391.58 

Weihe, Die, der Tone. See his Sinfonien. 

What makes this poor bosom. Song [s. Accomp. for 
pianoforte]. (In Musical library. Vol. 4, pp. 61-63.) 

No. 2, 21 in M.235.18.4 

Zemire und Azor. Oper in 2 Acten von L. Spohr. [Dich- 
tung nach Marmontel. Partitur.] Manuscript. [182-?] 
2 v. M.I52.3I 

Same. Neu bearbeitet von Ihlee. Im vollstandigen Clavier- 
Auszuge von J. F. Schwencke. Hamburg. Cranz. [182-?] 

M.151.11 

Same. Azor & Zemira, or the magic rose. Adapted for the 
English stage by Sir George Smart, with accomp. for the 
piano forte. London. Goulding & D'Almaine. [182-?] 

M.274.29 

Der Zweikampf mit der Geliebten. Oper in 3 Aufziigen 
von Louis Spohr. [Text von J. F. Schink.] Im voll- 
standigen Clavier Auszuge. Hamburg. Bohme. [1811?] 

M.3S0.17 
Spohr, Louis. Works about. 

Ebers, J. J. H. Spohr und Halevy und die neueste Kirchen- 
und Opern-Musik. Breslau. 1837. No. 2 in M.147.3.1 

Neumann, W. Ludwig Spohr. Eine Biographic. Cassel. 
1854. Portrait. No. 4 in M.205.23 

Schwab, F. A. The influence of Louis Spohr. Illus. Por- 
traits. (In The music of the modern world. Vol. i, pp. 
62-65. New York. [1895.]) M.14.1.1 

Spoils, The, of the field. Glee. See Evening, The, of the 

chase. 
Sponsa quid agis. Motet. Lassus. Sammtliche Werke. Band 
II. • M.8o4oa.67.ii 

Spontini, Bartolommeo. 

The joyous birds. Madrigal. (In HuUah. Part music. 
Secular. Vol. 2, pp. 1-5.) No. i in M. 157.28.2 

Spontini, Gasparo Luigi Pacifico. 

L'adieu. Romance [s. ou t. Accomp. de piano]. (In 
Recueil de romances. Livr. i, pp. 4, 5.) No. 26 in M.22I.30 

Borussia. Preussischer Volksgesang fur vollstandige 
Tiirkische-Musik mit Hinzufiigung der Streich-Instru- 
mente in Partitur. Berlin. Schlesinger. [183-?] 

No. 6 in M.342.38 

Fernand Cortez, ou la conquete du Mexique. Tragedie 
lyrique en 3 actes, de MM. Jouy et Esmenard. Mise en 
musique par G. Spontini. [Partition.] Paris, firard. 
[1817.] 2 V. M.274.33 

Same. Ferdinand Cortez, oder die Eroberung von Mexico. 
Oper in 3 Acten. Text von de louy [und Esmenard]. 
Deutsche Uebersetzung vom Kriegsrath May. Musik vom 
Ritter Spontini, arrangirt fiir das Pianoforte von Fr. 
Naue. Leipzig. Hofmeister. [183-?] M. 284.5 

La finta filosofa. [Dramma giocoso in 2 atti. Partitura.] 
Manuscript. [Paris. 180-?] 2 v. M.402b.i2 

Grosses Sieges- und Festmarsch fiir vollstandige Tiirkische- 
Militair-Musik, mit Hinzufiigung der Streich-Instru- 
mente. [Partitur.] Berlin. Schlesinger. [183-?] 

No. 5 in M.342.38 

Julie, ou le pot de fleurs. Opera en i acte de M"" A. Jars. 
Mis en musique par Gaspard Spontini. [Partition.] Paris, 
firard. [1805.] M.284.3 

Lalla Rukh. Festspiel mit Tanzen und Marschen. [Text 
nach T. Moore.] Klavier-Auszug. Berlin. Schlesinger. 
[1821.] M.350.16 

Same. [Marsch aus dem Festspiel: Lalla Riikh. Fiir Or- 
chester. Partitur. Berlin? Schlesinger? 1821?] 

No. 2 in M.411.54 

Milton. Opera en i acte de Joui et Dieulafoi. Mis en 
musique par Gaspard Spontini. [Partition.] Paris. £rard. 
[1804.] M.274.32 

Nurmahal, oder das Rosenfest von Caschmir. Lyrisches 
Drama in 2 Abtheilungen [von C. A. Herklotz]. In Musik 



132 



Spontini 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Springer 



Spontini, Gasparo Luigi Pacifico. (Continued.) 

gesetzt vom Ritter Spontini. Vollstandiger Klavieraus- 
zug. Berlin. Schlesinger. [1823.] M. 284.2 

Olimpia. Grosse Oper in 3 Acten [von Brifaut und Dieula- 
foy]. In Musik gesetzt vom. Ritter Spontini. Im voll- 
standigen Klavierauszuge mit deutschem und franzo- 
sischem Texte. Berlin. Schlesinger. [1823.] M.284.4 

[La vestale. Tragedia lirica in 3 atti di Jouy [pseud.]. 
Musica di Spontini. Partitura. Firenze. Guidi. 1876.] 
2 v. M.355.15 

The title-page is missing. 

Same. La vestale. Tragedia lyrique en 3 actes de M^ 
de Jouy [pseud.]. Mise en musique par Gaspard 
Spontini. [Partition.] Paris, ifirard. [1807.] 2 v. 

M.284.1 

Same. Die Vestalinn. Vollstandiger Klavierauszug von 
Fried. Schneider. Leipzig. Peters. [184-?] M.151.13 

Same. La vestale. [Ouvertura. Partitura.] Firenze. 
Guidi. [188-?] No. 5 in M.35S.8 

Spontini, Gasparo Luigi Pacifico. Works about. 

Neumann, W. Gasparo Spontini. Eine Biographie. 
Cassel. 1855. Portrait. No. 5 in M.205.23 

Robert, C. Gasparo Luigi Pacifico Spontini. Eine 
biographische Skizze. Berlin. 1883. M.104.37 

RocHETTE, D. R. Notice historique sur la vie et les 
ouvrages de M. Spontini. Paris. 1852. No. 4 in M.214.1 

Spitta, J. A. P. Spontini in Berlin. [Berlin. 1878.] 

Cut from Deutsche Rundschau. No. 10 in M.215.4 

Spontone, Bartolommeo. 

The joyous birds. Madrigal. {In Hullah. Part music. 
Secular. Vol. 2, pp. 1-5.) No. i in M.1S7.28.2 

Sporck, Ferdinand Johann Josef Paul, Graf. 

Ingwelde. Dichtung. Musik von Max Schillings. M. 226.16 
Der Pfeifertag. Heitere Oper. Musik von Max Schil- 
lings. M.397.58 
Sawitri. Dichtung. Musik von Herman Zumpe. 

No. 2 in M.389.73 
Sporck, Georges. 

Fantaisie-Caprice pour harpe chromatique avec acct. d' 
orchestre. Partition. Paris. Auteur. [1903.] 

No. 3 in M.4IO.S3 
Legende pour saxophone alto (ou cor anglais) et or- 
chestre. Partition. Paris. Demets. 1905. 

No. I in M.4io.g4 
Sportive little trifler. Glee. Bishop, H. R. 

No. 37 in M.IS7.19; etc. 
Sportsman's evening song. Song. Reichardt, J. F. 

No. 7 in M. 212.21. 1 
Sposa, La, d'Abido. Opera. For the Music see Peruzzini. 
Sposa, La, del Tirolo. Opera. For the Music see Guglielmi, 

P. C. 
Sposa fedele. La. Opera. For the Music see Pacini. For 

the Libretto see Rossi. 
Sposa promessa, La, del falconiere. Opera. For the Music see 

Marschner, H. A. For the Libretto see Wohlbrueck. 
Sposo burlato, Lo. Opera. For the Music see Piccinni, N. 
Sposo deluso, Lo. Opera. For the Music see Mozart. 
Sposo disperato, Lo. Opera. For the Music see Anfossi. 
Sposo, Tiniante. Duet. Anfossi. No. i in M. 120.17 

Spoth, Edward. 

Mass in E flat, for 4 voices with organ accomp. Cincin- 
nati. Peters. 1863. No. 5 in M.222.27 
Spoth, Edward, editor. 

ScHMiD, F. X. Mass in E flat. No. 3 in M.380.2 

Sprache, Die, der Liebe. Part-song. 

Otto, E. J. Ernst und Scherz. No. 2 in M.3g2.2o 

Sprache der Liebe. Song. 

Schubert, F. P. Werke. Serie 20, Band 4. M.317.1.20.4 

Sprague, Charles James. 

The Chickering collection of four part songs for male 

voices. Words by Charles J. Sprague. Vol. i, 2. Score 

and separate parts. Boston. Koppitz, Priifer & Co. 

1869, 72. 10 v. in s. M.3g2.48 

Sprague, Charles James, translator. 

Apollo, The. A collection of part songs for male voices. 



Sprague, Charles James, translator. (Continued.) 

English words by C. J. Sprague. M.384.12 

Bruch. The birches and the alders. No. 2 in M. 154.36 

Rossini. Les soirees musicales. No. 1-12 in M. 280.45 

Sprague, N. B. 

Asleep in Jesus. [Part song, x. t. b. b. Boston. Russell. 

1888.] No. 22 in M. 203.20 

A catastrophe. [Part song.] Male voices. [Boston.] 

Russell. 1888. No. 48 in M.392.2S 

Lovely daisy. [Part song, s. s. a. a.] Boston. Russell. 

[1888.] No. 52 in M. 158.19 

Sprange, W. E. 

The new barmaid. Musical play. Written by Frederick 
Bowyer and W. E. Sprange. Music by John Crook. 

M.397.21 
Sprato, Robert, translator. 

Rubinstein. Fiinf Fabeln von Kriloff. No. 14 in M. 192.5 

Die Nixe. No. i in M.351.26 

Spricht man dir von Liebe. Part-song. Reinecke, C. H. C. 
Sechs altfranzosische Volkslieder. No. 18 in M.392.2I 

Spring, Charles. 

Benedic anima mea. [Accomp. for pianoforte.] Boston. 

Tolman & Co. 1867. No. 2 in M.190.8 

Spring. Part-song. Macfarren, W. C. No. 7 in M.195.1.5 

Samson, L. No. 16 in M. 204.36.4 

Selby. No. II in M. 204.36.7'* 

Smart, H. N0.4 in M.195.1.8 

Webbe, S. Selection of glees. Vol. I. No. 12 in M.235.13.1 

Wueerst, R. F. No. 14 in M.204.36.7 

Spring advancing. Song. 

Mendelssohn-Bartholdy, J. L. F. Songs. No. 18 in M. 244.21 
Spring, The, again rejoices. Part-song. Duerrner. 

No. 24 in M. 392.48.1 
Spring and love. Part-song. Herbeck, J. F. No. 6 in M. 204.38 
Spring chicken, The. Opera. For the Music see Tilkins. 

For the Libretto see Grossmith. 
Spring evening. Part-song. Abt, F. No. 34 in M. 392.48.1 

Spring eyes. Part-song. Seifert, R. No. 10 in M.3g2.48.2 

Spring faith. Part-song. 

Franz, R. 6 songs for mixed voices. No. 11 in M.270.4 

Spring in the land. Part-song. Raff. No. 8 in M.204.36.4 

Spring is come. Part-song. Buck, D. No. 3 in M.392.6 

Mendelssohn-Bartholdy, J. L. F. No. 10 in M.244.22 

Spring morning, A. Part-song. Abt, F. No. 9 in M.204.36.3 
Spring night. Part-song. Fischer, C. L. No. 2 in M.392.48.1 
Spring questions. Part-song. Weinzierl. Lenzfrage. 

No. 58 in M.3g2.24 
Spring returns. Madrigal. Marenzio. No. 18 in M.ig5.i.i4; etc. 
Pearsall. No. 13 in M.igs.i.io 

Spring song. Part-song. 

Chadwick, G. W. No. 35 in M.158.14 

Hatton, J. L. No. 21 in M. 121. 3; etc. 

Mendelssohn-Bartholdy, J. L. F. Quartetts. 

No. 23 in M.244.22 

PiNsuTi. No. 35 in M. 157.23 ; etc. 

Santner. No. 3 in M.392.23 

Smart, H. No. 2 in M.156.4; etc. 

Spring-song, A. Song. Mendelssohn-Bartholdy, J. L. F. 

No. 43 in M.235.18.3; etc. 
Spring, the sweet spring. Part-song. Hatton. No. i in M. 195.1. 13 
Spring voices. Part-song. Reay. No. 8 in M. 158.23; etc. 

Spring, ye flow'rets. Part-song. Hatton. No. 15 in M.205.10.1 
Spring's approach. Part-song. Egerton. No. 21 in M.195.1.13 
Spring's awaking. Part-song. Abt, F. No. 10 in M.195.1.12 
Spring's delights. Glee. Mueller, A. E. No. 25 in M.157.25; etc. 
Spring's faith. Part-song. Franz, R. No. 4 in M.195.1.12 

Spring's return. Part-song. Smart, H. No. 32 in M.157.1 

Spicker. Neuer Friihling. No. 15 in M.392.24 

Weber, C. M. F. E. von. No. 22 in M.392.48.2 

Spring's warning. Part-song. Attenhofer. 

No. 33 inM.392.2;etc. 
Springer, W. A. 

Our nation's struggle. A patriotic allegory. Illustrated by 
Fred A. Springer. Tableaux and camp scenes. Boston. 
White, Smith & Co. [1885.] No. 6 in M.130.8 



133 



Springquell 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Staendchen 



Springquell, Der, von Bachtschissarai. Cantata. For the 

Music see Arenski. For the Libretto see Pushkin. 
Springtanz. Song. Hartmann, J. P. E. Nordische Volks- 
taenze. No. 4 in M.342.4 

Springtime. Cantata. For the Music see Abt, F. For the 

Libretto see Oxenford. 
Springtime. Part-song. Kreutzer, C. No. 20 in M. 205.10.4; etc. 
MacDowell. Drei Lieder. Op. 27. No. 33 in M.392.16 

Marshall, VV. G. No. 38 in M.121.3 

MoscHELES, L, editor. Tyrolese melodies. Vol. i. 

No. 4 in M.244.24.1 

Sproede, Die. Song. Brahms. Lieder und Gesange. Op. 

58, Heft I. No. 2 in M.380.40.2 

Spruch. Duet. Schumann, R. A. Werke. Serie 10, Band 2. 

M.316.1.10.2 
Spruch. Part-song. Schumann, R. A. Drei Lieder fiir 3 
Frauenstimmen. No. 3 in M.280.49 

Squire, William Barclay. 

Callirhoe: a legend of Calydon. A dramatic cantata. 

Music by J. F. Bridge. No. i in M.154.30 

Der verschleierte Prophet. The veiled prophet. Grosse 

Open Musik von C. Villiers Stanford. M.323.5 

Squirrel, The. Glee. Smart, G. T. Collection of glees. 

No. 3 in M.235.8 
Sta ben' allerta. Ballad. Ricci, F. Soirees de Vienne. 

No. 7 in M.244.18 
Staab, Adalbert. 

Erste Nachtigall. [Mannerchor.] (In Gruber. Sangeshort. 

Heft 2, pp. 56, 57-) No. 2 in M.370.30 

Waldbiichlein. [Mannerchor.] {In Gruber. Sangeshort. 

Heft 2, pp. 60, 61.) No. 2 in M.370.30 

Waldeinsamkeit. [Mannerchor.] {In Gruber . Sangeshort. 

Heft 2, pp. 58, 59.) No. 2 in M.370.30 

Waldeinsamkeit. [Mannerchor.] {In Gruber. Sangeshort. 

Heft 2, pp. 59, 60.) No. 2 in M.370.30 

Stabat Mater. (Gregorian.) [Accomp. for organ.] {In Lutz. 

Motets for the year. No. 57. Pp. 276-279.) 

No. 57 in M.156.S0 
Stabat Mater. Anthem. Abos. No. 18 in M.2go.29.5 

BoccHERiNi, L. No. 6 in M.290.29.4 

BouTEiLLER. No. 5 in M. 120.18 

Caffaro. No. 17 in M.290.29.3 

Clari. No. 3 in M.233.26.2 

Fago. M.260.23.1 

Fernandez de Monge. No. i in M. 158.38 

Haydn, F. J. No. i in M.290.29.4 

Helle. Les echos sacres. No. 5 in M.201.32 

JuviN. No. 10 in M.201.33 

Lesueur. Recueil de morceaux sacres. M.201.29 

Nanino. No. 25 in M. 202.6.1 

NovELLO, V. Convent music. No. 41 in M.260.17.2 

Palestrina. No. 23 in M.is8.32;etc. 

Ravalli. No. 6 in M.222.45 

Schubert, F. P. Werke. Serie 14, No. 12. 

No. 12 in M.317.1.14 
TuMA. No. 2 in M.222.47 

Webbe, S. No. 19 in M. 156.50 

Winter, P. von. M.260.23.2 

Stabat Mater. Cantata. Belli. No. 2 in M.191.2 

Reynaud. No. 2 in M.1S6.33 

Schubert, F. P. Werke. Serie 14, No. 13. 

No. 13 in M.317.1.14 
Stabat Mater. For pianoforte. Rossini. No. 18 in M. 390.18 

Stabat Mater. Oratorio. Astorga. No. i in M.352.20; etc. 

Bourgault-Ducoudray. No. 2 in M.305.20 

Dvorak. No. i in M. 154.54 

Ellerton. No. 2 in M.260.21 

Fry, W. H. M.2S0.15 

Gounod. No. 3 in M. 202.16 

Gouvy. No. 3 in M. 155.13 

Graffigna. No. 4 in M. 202.16 

Haydn, F. J. No. i in M.250.20; etc. 

Henschel, G. No. i in M.384.32 

Leopold L, Emperor of Germany. No. 6 in M.193.16 



Stabat Mater. Oratorio. (Continued.) 
Lvov. 
Maistre. 
Neldy. 

Nicou-Choron, S. L. , 
Paladilhe. 
Pergolesi. 
Rheinberger, J. G. 
Rossini. 
Salvayre. 
Valenti. 



M.402a.i9 
No. I in M. 156.33 
No. 2 in M.202.30 
No. I in M.201.39 
No. 2 in M.415.30 

No. 3 in M. 120.28; etc. 

No. 7 in M. 221.34; etc. 

M.250.43 

No. 3 in M. 156.33 

No. I in M.158.31 



Stabunt justi. Motet. Lassus. Sammtliche Werke. Band 7. 

M.8o4oa.67.7 
Stade, Friedrich Wilhelm. 

Friihiingsreigen. [Mannerchor.] Leipzig. Forberg. [1869?] 

No. 50 in M.392.25 
Lebewohl. [Mannerchor.] Leipzig. Forberg. [1869?] 

No. 49 in M.392.25 
Stade, Wilhelm. See Stade, Friedrich Wilhelm. 
Stadler, Maximilian. 

Ave Regina, for 4 voices. [Accomp. for organ.] (In No- 

vello. Evening service. Vol. 2, pp. 337-339) M.260.23.2 

Die Befreyung von Jerusalem. Grosses Oratorium in 2 

Abtheilungen. Gedichtet von Heinrich und Matthaeus 

Collin. Musik von Maximilian Stadler. [Partitur.] Wien. 

Steiner & Co. [1816?] M.243.32 

Lord, save Thy people. Motet. The P. F. accomp. by the 

editor. {In HuUah. The Singer's library. Sacred. Pp. 

13-20.) No. 31 in M.157.3 

Stadlmayr, Johann. 

Hymnen. Herausgegeben von Johannes Ev. Habert. Wien. 

Artaria & Co. 1896. [Denkmaler der Tonkunst in Oster- 

reich. Band 3, Theil i.] No. 3 in M.414.3 

Stadt, Die. Song. Schubert, F. P. Werke. Serie 20, Band 9. 

M.317. 1.20.9 
Staeger, Alexander. 

Traumkonig und sein Lieb. Dichtung von E. Geibel. 
Componirt fiir Mannerchor und Solostimmen mit Beglei- 
tung des Pianoforte von Alexander Staeger. Op. 4. Leip- 
zig. Forberg. [1886.] No. 3 in M.212.17 
Staehleme Schloss, Das. Opera. For the Music see Perger. 

For the Libretto see Baumbach, R. 
Staendchen. Part-song. Adam, C. F. No. 5 "" M. 1293.43.9 

Bauer, O. No. 37 in M.392.2 

Beschnitt. 6 Lieder fiir Mannerchor. Op. 35. 

No. 12 in M.392.35 
Boenicke. No. 37 in M.392.42.4 

Debois. No. 29 in M.392.6 

EcKER. No. 138 in M.147.4 

EiSENHOFER. No. 90 in M. 1293.43.3 

EssER. No. 48 in M. 213.9 

Fesca, a. E. No. 56 in M.392.7 

Fischer, C. L. Drei Quartetten. Op. 9. No. 60 in M.392.7 
Grote. Vier Mannerquartette. No. 40 in M.392.8 

Juengst. No. 37 in M.392.12 

Kistler. Drei Mannerchore. Op. 34. No. 21 in M.392.36 
Koellner. No. 17 in M. 203.15 

Kron. No. i in M.392.15 

Krug, a. Fahrende Leute. No. 3 in M. 212.9 

Lachner, L Sechs Gesange. Op. 78- No. i in M.392.34 

Marschner, a. E. No. 36 in M.392.8; etc. 

Moehring. Vier Gesange. Op. 18. No. 6 in M.392.18 

Mueller, J. G. No. 13 in M.392.37 

Nessler. Fiinf Lieder fur vierstimmigen Mannerchor. Op. 
100. No. 21 in M.392.19 

OsTHOFF. No. 79 in M.i29a.43.2 

Otto, E. J. Der Philister. No. 4 in M.392.20 

Reissiger. [Chorgesange und Quartette. Lieferung i.] 

No. 6 in M.392.34 
Roth. No. 12 in M.221.14 

ScHAAB. No. 61 in M.392.21 

Schubert, F. P. Chorgesang- Werke. Band 2. 

No. 4, 21 in M.280.48.2; etc. 
Sturm, W. Vier Lieder. Op. 64. No. 29 in M.392.24 

Tauwitz. Vier Gesange. Op. 109. No. 23 in M.392.26 



134 



Staendchen 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Stainer 



(Continued.) 



No. 3 in M.2i2.ig; etc. 
No. 59 in M.392.24 



Staendchen. Part-song. 
Weinwurm. 
Weinzierl. 
Staendchen. Song. 
Abt, F. Fiinf Lieder. Op. 103. No. 2 in M.192.2; etc. 

Albert, Prince Consort. Collected compositions. M.290.23 
Becker, V. E. No. 12 inM.392.4; etc. 

Brahms. Funf Lieder. Op. 106. No. 4 in M.380.40.3; etc. 
CuRscHMANN. Curschmann-Album. No. i in M.157.37 

Gade. S Gedichte aus „Bilder des Orients." No. i in M.192.3 
Gruber, G. W. Gottfried August Burgers Gedichte. Vol. 2. 

No. 10 in M.i30.g.2 
Schubert, F. P. Werke. Serie 20, Band 8, 9. M.317.1.20.8,9 
Schumann, R. A. 6 Gedichte von Reinick. 

No. ID in M. 244.15.1 ; etc. 
Strauss, R. Sechs Lieder. No. 10 in M.380.24.1 

Staendchen am Morgen. Part-song. Witt, J. 

No. 26 in M. 392.27 
Staendchen an eine Verlassene. Part-song. Scholz. 

No. 3 in M.380.16 

Staendchen an Luise. Part-song. A t. No. 211 in M.i29a.43.6 

Staendchen des Mephistopheles. Song. Lenz, L. Gesaenge 

und Lieder aus Faust. No. 29 in M.221.30 

Staendchen, Ein, Euch zu bringen. Song. Wolf, H. Italie- 

nisches Liederbuch. Band I. M.380.20.1 

Staendchen zum Namensfest. Part-song. Eisenhofer. 

No. 93 in M.i29a.43.3 
Staenderl. Song. Abt, F. Fiinf Lieder. Op. 92. 

No. 33 in M.I92.I 
Staes, Ferdinand Philippe Joseph. 

Trois senates pour le clavecin, ou forte piano, avec ac- 
comp. d'un violon oblige et violoncelle. CEuvre 5. [Piano 
seul.] Bruxelles. Vanipen & Pris. [178-?] 

No. 13 in M.210.6 

Same. [Partie de violon.] No. 20 in M.210.10 

Same. [Partie de violoncelle.] No. 22 in M.210.12 

Stage-struck. Fiction. Macchetta. M.104.38 

Staggins, Nicholas. 

How unhappy a lover am L Duet [s. t.]. (In Smith. 
Musica antiqua. P. 173.) M.236.10 

Stagnelius, Erik Johan. 

Necken. (Der Neck.) Komponerad for sopran solo, kor 
och orkester af Ivar Hedenblad. No. 4 in M.391.44 

Stagnelius, J. E. See Stagnelius, Erik Johan. 
Stahl, Max. 

Thiirmers Tochterlein. Komische Oper. Musik von Josef 
Rheinberger. No. i in M.307.13 

Stahl, Richard. 

Said Pasha. An original romantic opera in 2 acts. Li- 
bretto bj' Scott Marble and Richard Stahl. Music by 
Richard Stahl. [Accomp. for pianoforte.] Boston. 
White, Smith & Co. 1888. Portrait. M.323.4 

Stainer, Sir John. 

And all the people saw the thunderings. Anthem for Whit- 
suntide. [Accomp. for organ.] {In Novello's Collection 
of anthems. Vol. 13, pp. 48-60.) No. 6 in M.195.2.13 

Awake, awake; put on thy strength. Anthem for s. a. t. b., 
chorus and semi-chorus. [Accomp. for organ.] (In 
Novello's Collection of anthems. Vol. 3, pp. 19-32.) 

No. 4 in M. 195.2.3 
The Benedictus: pointed and arranged to the third 
Gregorian tone, with vocal and instrumental harmonies 
by John Stainer. Oxford. Bowden. [1867?] 

No. 23 in M.157.29 

Bind my brows. A glee [a. t. t. b.]. {In The Orpheus. 

New series. Vol. 2, pp. 144-151.) No. 20 in M.205.10.2 

Composition. 4th thousand. London. Novello, Ewer & 

Co. [1877? Music primers.] No. 3 in M.216.13 

The crucifixion. A meditation on the passion of the Holy 

Redeemer. For 2 solo voices (tenor and bass) and 

chorus, and interspersed with hymns to be sung by the 

congregation. The words selected and written by J. 

Sparrow-Simpson. The music by J. Stainer. Revised 

edition. London. Novello, Ewer & Co. [188-?] 

No. I in M.156.5 



Stainer, Sir John. (Continued.) 
The daughter of Jairus. A sacred cantata. [Accomp. for 
pianoforte.] London. Novello, Ewer & Co. [1878?] 

No. 2 in M.156.S 
Deliver me, O Lord. Anthem. [Accomp. for organ.] {In 
Fowle. Parochial anthems. Pp. 103-105.) No. i in M.233.29 
A dictionary of musical terms by Sir John Stainer and 
W. A. Barrett. Compressed from the imperial 8vo edi- 
tion by K. M. Ross. London. Novello, Ewer & Co. 
[188-? Music primers.] M.373.18 

Drop down, ye heavens. Anthem. [Accomp. for organ.] 
{In Ouseley. Special anthems. Vol. 2, pp. 89-99.) 

No. 7 in M.233.24.2 
Gideon. An oratorio. [Words from Holy Writ.] Com- 
posed by John Stainer. [Accomp. for pianoforte.] Lon- 
don. Novello, Ewer & Co. [1865?] M.154.7 
Grieve not the Holy Spirit. Anthem. [Accomp. for 
piano, ad lib.] {In Novello's Collection of anthems. 
Vol. II, pp. 115-121.) No. II inM.195.2.11 
Harmony. With an appendix containing 100 graduated 
exercises. 55th thousand. London. Novello, Ewer & 
Co. [188-? Music primers.] No. 2 in M.216.13 
Hosanna in the highest, .\ntheni for Advent. (Accomp. 
for organ.] (In Parish choirs in the Diocese of Massa- 
chusetts. Annual festival. Order of music, 7th festival. 
Pp. 17-20.) No. 59 in M.158.18 
Harold Glynde. A cantata. Written by Edward Foskett. 
With original music by John Stainer, C. S. Jekyll, George 
C. Martin and other composers. London. Pitman. [i88-?] 

No. 3 in M. 204.27 
I am Alpha and Omega. Anthem. [Accomp. for organ.] 
London. Novello, Ewer & Co. 1878. [The Musical 
times.] No. s4inM.158.19 

Same. Boston. Russell. [188-?] No. 55 in M. 158.19 

I desired wisdom. Anthem for Epiphany. [Accomp. for 
organ.] (In Novello's Collection of anthems. Vol. 8, 
pp. 180-192.) No. i7inM.i95.2.8 

I saw the Lord. Anthem for Trinity Sunday [s. s. a. a. t. t. 
b. b. Accomp. for organ]. {In Novello's Collection of 
anthems. Vol. g, pp. 1-16.) No. i in M. 195.2.9 

Also to be found in Ouseley's Special anthems. 
Lead, kindly light. Anthem. [Accomp. for organ.] Lon- 
don. Novello, Ewer & Co. [187-?] No. 2 in M.157.29 
Also to be found in Novello's Collection of anthems. 
Let the peace of God rule. Anthem for solo [s. or t.] 
and chorus. [Accomp. for organ.] {In Novello's Col- 
lection of anthems. Vol. 11, pp. 162-172.) 

No. 17 in M.195.2.11 
Lo! Summer comes again. Anthem for harvest. [Ac- 
comp. for organ.] (In Novello's Collection of anthems. 
Vol. 16, pp. 140-158.) No. 17 in M.195.2.16 

The Lord is in His holy temple. Anthem. [Accomp. for 
organ.] {In Ouseley. Special anthems. Vol. i, pp. 
206-216.) No. 26 in M.233.24.1 

Lord, Thou art God. Anthem for t. solo and chorus. 
[Accomp. for organ.] {In Novello's Collection of 
anthems. Vol. 15, pp. 204-223.) No. 21 in M.195.2.15 

The morning stars sang together. Anthem. [Accomp. for 
organ.] (In Novello's Collection of anthems. Vol. 4, 
pp. 88-102.) No.8inM.i95.2.4 

Also to be found in Ouseley's Special anthems. 
The music of the Bible, with an account of the develop- 
ment of modern musical instruments from ancient types. 
New York. Cassell, Petter & Galpin. [1880.] Illus. 

M. 104.7 
My hope is in the Everlasting, solo [s. or t.] ; and Awake, 
thou that sleepest, chorus. Anthem for Easter. [Ac- 
comp. for organ.] (In Novello's Collection of anthems. 
Vol. 10, pp. 77-94.) No. 12 in M.I9S.2.IO 

O clap your hands. Anthem. [Accomp. for organ.] Lon- 
don. Novello, Ewer & Co. [187-?] No. 12 in M.157.29 
Also to be found in Novello's Collection of anthems. 
The righteous live for evermore. Verse anthem. [Accomp. 
for organ.] (In Novello's Collection of anthems. Vol. 
9, pp. 59-68.) No. 4 in M.195.2.9 



135 



Stainer 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Stanford 



Stainer, Sir John. (Continued.) 

St. Mary Magdalen. A sacred cantata. The words com- 
piled and written by W. J. Sparrow-Simpson. The music 
by John Stainer. [Accomp. for pianoforte.] Octavo 
edition. London. Novello, Ewer & Co. [1883.] 

No. 3 in M.1S6.5 

Sing a song of praise. [Anthem. Accomp. for organ.] 

{In Novello's Collection of anthems. Vol. 9, PP- 192- 

197.) • No. 15 in M.195.2.9 

Te Deum laudamus. In C. [Accomp. for organ.] {In 

Novello's Parish choir book. Pp. 95-101.) 

No. 19 in M.1S7.30 
There was a marriage in Cana. A wedding anthem. [Ac- 
comp. for organ.] {In Novello's Collection of anthems. 
Vol. 12, pp. 202-209.) No. 22 in M.igs.2.i2 

They were lovely and pleasant. Anthem. [Accomp. for 
organ.] {In Ouseley. Special anthems. Vol. 2, pp. 193- 
209.) No. 16 in M.233.24.2 

What are these? A short anthem. [Accomp. for organ.] 
{In Novello's Collection of anthems. Vol. 3, pp. 33-38.) 

No. 5 in M.19S.2.3 
Stainer, Sir John, editor. 

Bach, J. S. Come unto Me. No. 5 in M.19S.2.5 

Christmas carols, new and old. The words edited by the 

Rev. H. R. Bramley. The music edited by John Stainer. 

London, Routledge. [1873.] Plates. M.122.32 

See also Music primers. 

Stainlein, Louis, Comte de. See Stainlein-Saaleinstein, Louis 

Charles Georges Corneille, Comte de. 
Stainlein-Saaleinstein, Louis Charles Georges Corneille, Comte 
de. 
Sextuor pour 2 violons, 2 altos et 2 violoncelles. Op. 20. 
Partition. Mayence. Schott. [186-?] No. 3 in M.346.23 
Stambuchreim. Song. Grieg. Grieg-Album. 3. 

No. 4 in M.1SS.16 
Stamitz, Carl. Symphonic. [Partition.] Manuscript. 1884. 

M.403.110 
Stammering. 

Bell, A. M. The principles of speech and vocal physi- 
ology; and dictionary of sounds. With directions for 
the cure of stammering. London. [1865?] M.109.25 

CoLOMBAT, M. Traite de tous les vices de la parole et en 
particulier du begaiement. 3e edition, augmentee. Paris. 
1843. Plates. M.207.11 

Desgranges, a. J. Rapport presente a la Societe d'educa- 
tion de Lyon par Dr. Desgranges, les Drs. Forteret et 
Passot, sur la methode employee pour la cure du begaye- 
ment et de tous les autres vices de prononciation par Mr. 
Chervin aine. Lyon. 1864. No. 2 in M.373.23 

Helmore, F. Speakers, singers and stammerers. Lon- 
don. 1874. Plates. M.108.44 
Stammering glee, The. Part-song. Harington. 

No. 10 in M.i39a.i8.3; etc. 
Stances pour I'anniversaire du 9 thermidor. Song. Catel. 

M.380.14 
Stance di piij soffrire. Song. Handel. Werke. Lieferung 51. 

M.313-I-SI 
Stand up and bless the Lord. Anthem. 

Goss. No. 16 in M.195.2.3 

Latrobe, C. L Original anthems. No. 26 in M. 236.15 

Stand! who's there? Part-song. Bishop, H. R. 

No. ig in M.235.7.2; etc. 
Standomi un giorno. Madrigal. Lassus. Sammtliche Werke. 
Band 2. M.8o4oa.67.2 

Stanford, Charles Villiers. 

The battle of the Baltic. Ballad by Thomas Campbell. 
Set to music for chorus and orchestra by C. V. Stanford. 
[Accomp. for pianoforte.] Octavo edition. London. 
Novello, Ewer & Co. 1891. No. 5 in M.156.8 

By the waters of Babylon. A sacred drama. The words 
selected from the Holy Scriptures. The music by C. V. 
Stanford. [Accomp. for pianoforte.] London. Lucas, 
Weber & Co. [1882?] No. 2 in M.156.6 

The Canterbury pilgrims. Opera in 3 acts. Written by 



Stanford, Charles Villiers. (Continued.) 

Gilbert a Beckett. Composed by C. Villiers Stanford. 
[Accomp. for pianoforte.] London. Boosey & Co. 
[1884.] M.323.6 

Carmen saeculare. An ode for the jubilee of H. M. Queen 
Victoria. Written by Tennyson. Set to music by C. V. 
Stanford. Pianoforte accomp. London. Novello, Ewer 
& Co. [1887.] No. 3 in M.156.6 

Communion service (in G). See his Mass in G major. 
Concert variations upon an English theme "Down among 
the dead men" for pianoforte and orchestra. Op. 71. 
Full score. Leipzig. Bosworth & Co. [1898.] M.406.37 
East to West. An ode to Algernon Charles Swinburne. 
Set to music for chorus and orchestra, by C. V. Stan- 
ford. Pianoforte accomp. London. Novello, Ewer & 
Co. 1893. No. I in M.1S6.7 

Eden. A dramatic oratorio. The poem by Robert Bridges. 
Set to music for soli, chorus and orchestra by C. V. 
Stanford. [Accomp. for pianoforte.] Octavo edition. 
London. Novello, Ewer & Co. 1891. No. 2 in M. 156.9 

Elegiac ode. The words from President Lincoln's burial 
hymn, by Walt Whitman. The music by C. V. Stanford. 
[Accomp. for pianoforte.] London. Lucas, Weber & 
Co. 1884. No. I in M.1S6.6 

The Eumenides of Aeschylus, as arranged for performance 
at Cambridge, December, 1885. The text in Greek and 
English. [Translated by A. W. Verrall.] The incidental 
music by C. Villiers Stanford. [Pianoforte score.] Cam- 
bridge. Macmillan & Bowes. 1885. No. i in M.203.23 
God is our hope & strength. (Psalm 46.) For soli, chorus, 
orchestra & organ. Op. 8. London. Novello, Ewer & 
Co. [1877?] No. 3 in M.204.1 
Irish rhapsody. No. i. Op. 78. Full orchestral score. 
London. Houghton & Co. 1902. No. 2 in M.410.94 
The Lord is my shepherd. Anthem. [Accomp. for organ.] 
{In Novello's Collection of anthems. Vol. 15, pp. 57-69.) 

No. 8 in M.195.2.15 
Mass in G major, for soli, chorus, orchestra and organ. 
Pianoforte arrangement by the composer. London. No- 
vello, Ewer & Co. 1893. No. 2 in M. 156.7 
Same. Communion service (in G) for soli, chorus, or- 
chestra and organ. The English words adapted, and the 
pianoforte accomp. arranged by the composer. London. 
Novello, Ewer & Co. 1893. No. 3 in M.156.7 
Much ado about nothing. Opera in four acts founded on 
Shakespere's comedy. The words written by Julian 
Sturgis. The music composed by Charles Villiers Stan- 
ford. (Op. 76.) [Vocal score.] London. Boosey & Co. 
1 90 1. M.389.52 
[Oedipus Rex.] Prelude to the Oedipus Rex of Sophocles. 
Op. 29. Full score. London. Novello, Ewer & Co. 
[1887.] No. 5 in M.40S.47 
Phaudrig Crohoore. An Irish ballad for chorus and or- 
chestra. Written by J. Sheridan Le Fanu. Set to music 
by Charles V. Stanford. Op. 62. [Vocal score.] Lon- 
don. Boosey & Co. 1896. No. 3 in M.384.42 
Quartett (No. i), G dur, fiir 2 Violinen, Viola und Violon- 
cell. Op. 44. [Partitur.] Leipzig. Eulenburg. [1891. 
Payne's Kleine Partitur-Ausgabe.] No. 4 in M.355.3 
Quartett (No. 2), A moll, fur 2 Violinen, Viola und Violon- 
cell. Op. 45. [Partitur.] Leipzig. Eulenburg. [1891. 
Payne's Kleine Partitur-Ausgabe.] No. 5 in M.355.3 
Requiem, for solos, chorus and orchestra. Op. 63. [Ac- 
comp. for pianoforte.] London. Boosey & Co. 1897. 
Plate. M.213.24 
The Revenge. A ballad of the fleet, by Lord Tennyson. 
Set to music for chorus and orchestra, by C. V. Stanford. 
[Accomp. for pianoforte.] Octavo edition. London. No- 
vello, Ewer & Co. [1886.] No. 2 in M.156.10 
Shamus O'Brien. A romantic comic opera in 2 acts. Writ- 
ten by Geo. H. Jessop. Composed by Charles Villiers 
Stanford. Pianoforte arrangement by Myles B. Foster. 
Op. 61. London. Boosey & Co. 1896. M.39S.52 
The three holy children. An oratorio. The words selected 
from the Holy Scriptures. The music by C. V. Stanford. 



136 



Stanford 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Stearns 



Stanford, Charles Villiers. (Continued.) 

Pianoforte accomp. Boston. Ditson & Co. [i88-?] 

No. I in M. 156.10 

Part I of this oratorio with the title By the waters of Babylon, may be 

found on shelf-number No. 2 in M. 156.6. 

Der verschleierte Prophet. The veiled prophet. Grosse 

Oper in 3 Acten. Text nach Moore's Lalla Rookh von 

W. Barclay Squire, iibersetzt von Ernst Frank. Musik 

von C. Villiers Stanford. [Klavierauszug.] Berlin. 

Bote & Bock. [1881.] M.323.5 

The voyage of Maeldune. Ballad by Lord Tennyson. Set 

to music for soli, chorus and orchestra by C. V. Stanford. 

[Accomp. for pianoforte.] Octavo edition. London. No- 

vello, Ewer & Co. [1889.] No. i in M.156.9 

Stanford, Charles Villiers, editor. 

Thomas, A. G. The swan and the skylark. No. i in M.384.46 
Stange, Max. 

Zwei Romanzen, fiir Streichorchester. Op. 52. Partitur. 

Berlin. Raabe & Plothow. [189-.] No. S, 6 in M.404.20 

Zwei Stiicke fiir Streichinstrumente. Op. 48. Partitur. 

Berlin. Raabe & Plothow. [189-.] No. 3, 4 in M.404.20 

Contents. — Serenade, — Nachtgebet. 

Stange, Stanislaus. 

Brian Boru. Romantic opera. Music by Julian Edwards. 

M.395-25 
Dolly Varden. Comic opera. Music by Julian Edwards. 

M.382.18 
The jolly musketeer. Comic opera. Music by Julian Ed- 
wards. M.394.65 
Love's lottery. Comic opera. Music by Julian Edwards. 

M.397.23 

Piff! Paff! Pouf! A musical cocktail. Music by Jean 

Schwartz. M.397.60 

The singing girl. Comic opera. Music by Victor Herbert. 

M.393-57 

The student king. A romantic light opera. Book and 

lyrics by Frederic Ranken and Stanislaus Stange. Music 

by Reginald De Koven. M.389.23 

The two roses. Comedy opera. The music by Ludwig 

Englander. M.399.80 

When Johnny comes marching home. Three act military 

spectacular comic opera. Music by Julian Edwards. 

M.381.14 
Stanislaus, Frederick. 

The Lancashire witches, or King Jamie's frolic. A light 

opera in 3 acts. Written by R. T. Gunton. Music by F. 

Stanislaus. [Accomp. for piano.] London. Forsyth. 

[1879.] M.323.7 

Stanley, Charles John. 

Six cantatas, for a voice and instruments. London. Printed 
for J. Stanley. [1742.] No. i in M. 237.26 

Stansbury, George Frederick. 

Love. [Song, s. or T. Accomp. for pianoforte.] (In Lunn, 

J. The Passions. Pp. 7-14.) No. i in M.391.S1 

Stapf, E. 

Abschied. [Mannerchor.] (/m Stuttgarter Liederkranz. 

Mannerchor-Album. Pp. 107-109.) No. 5 in M.203.22 

Stapleaux, Leopold. 

Pierrot fantome. Opera-comique. Paroles de MM. E. 
Dubreuil et L. Stapleaux. Musique de L. Vercken. 

No. I in M.325.31 
Staples, H. A. 
Joseph's bondage. A dramatic cantata. Music composed 
by J. M. Chadwick. M. 213.8 

Star of evening. For violin and piano. Wagner, W. R. 

No. 17 in M.357.12 
Star, The, of love. Part-song. Buck, D. 5 four-part songs 
for male voices. No. 2 in M. 203.7 

Star, The, of my home. Ballad. Thomas, J. R. 

No. 26 in M. 192. 14 
Star of the silent eve. Part-song. Sterkel. No. 23 in M.244.10.3 

Star, The, that shines so fair. Part-song. Smart, H. 

No. 93inM.i57.5.2 



Stark, P. 

Le Diable a Yvetot. Opera-comique. Musique de C. de 
Gessler. No. i in M.301.8 

Starke, Reinhold, editor. 

Lange, H. G. Eine ausgewahlte Sammlung Motetten zu 4, 
S, 6 und 8 Stimmen. M.400.14 

Starlight is glowing. Song. Linley, G. [Songs.] Vol. 2. 

No. 4 in M.235.19.2 
Starlings, The. Part-song. Macfarren, G. A. 

No. 29 in M.195.1.3 
Starlit is night-time. Part-song. Raff. No. 20 in m. 195.1. 17 
Starry crowns of heaven. Part-song. Barney. 

No. I in M. 158.23; etc. 
Stars, The, are with the voyager. Part-sang. 

M.\cfarren, W. C. No. 14 in M.195.1.9 

Mackenzie, A. C. No. 23 in M.195.1.12 

Stars, The, beyond the cloud. Part-song. Tours. 

No. 12 in M.204.36.5 
Stars, The, in beauty beam. Part-song. Hatton. 

No. II in M.157.10 
Stars, The, in heaven. Part-song. Rheinberger, J. G. 

No. 33 in M.392.37 
Stars of glory shine more brightly. Carol. Ayers, D. J. 
Christmas carols. No. 8 in M. 158.13 

Stars of the summer night. Part-song. 

Cruickshank. No. IS in M.205.10.7 

Hatton. No. 9 in M. 195.1.6; etc. 

Smart, H. No. 29 in M. 157.23; etc. 

Stars the night adorning. Part-song. Weckerlin. 

No. 12 in M. 157. 15 
Star-spangled banner. For organ. Buck, D. No. 9 in M.200.2 
Star-spangled banner. For orchestra. Kaun. Festival march. 

No. 2 in M.410.68 
Stars trembling o'er us. Part-song. Stearns. No. 19 in M.392.24 
Stasof, Vladimir Vasil'evitch. 

Alexandrine Borodine. D'apres la biographic et la corres- 
pondance publiees par Wladimir Stassoff [par] Alfred 
Habets. Paris. Fischbacher. 1893. Portrait. Fac- 
similes. No. I in M. 132.2 
Contents. — Borodine, sa vie & ses oeuvres. — Franz Liszt d'apres la 
correspondance de Borodine. 
Statham, Francis Reginald. 

Rejoice in the Lord. Anthem for Advent. [Accomp. for 
organ.] (In Novello's Collection of anthems. Vol. 8, 
pp. 1 16-127.) No. 13 in M. 195.2.8 

Statistischer Bericht, Ein, des Landbuergermeisters. Part- 
song. Schoen, E. von. No. 6 in M.392.28 
Statue, La. Opera. For the Music see Reyer. For the Li- 
bretto see Barbier, P. J. 
Statue bride. The. Opera. For the Music see Aspa. For the 

Libretto see Amcotts. 
Staub bei Staube ruhst du nun. Part-song. Rheinberger, J. G. 
4 Lieder. No. 5 in M. 158.27 

Staunton, William. 

Praise Him! sun and moon [Anthem. Accomp. for or- 
gan.] (/); Handel and Haydn Society Collection of sacred 
music. Vol. 3, pp. 125-134.) No. 23 in M.221.22.3 

Te Deum laudamus in D. [Accomp. for organ.] (In Pre- 
ferred Te Deum laudamus. Pp. 15-31.) No. 3 in M.igo.8 
Stay, Corydon. Madrigal Wilbye. No. 17 in M.157.20.1 ; etc. 
Stay, Daphne. Catch. Webbe, S. No. 195 in M.235.17.2; etc. 

Stay, limpid stream. Madrigal. Marenzio. No. 66 in M. 237. 15 
Stay, lovely Laura. Glee. Cooke, B. No. 9 in M.220.9.5 

Stay, pry'thee, stay. Part-song. Bishop, H. R. 

No. 21 in M.157.19; etc. 
Stay, shepherd, stay. Part-song. Smith, J. S. 

No. 41 in M.220.9.2 
Stay with me. Song. Abt, F. No. 36 in M. 192.2; etc. 

Stearns, Charles C. 

Brightest and best. Christmas anthem. [Accomp. for 

organ.] Boston. White-Smith Music Publishing Co. 

[1893.] No. II in M. 203.29 

Children's festival mass. Latin and English text. [Accomp. 

for organ.] Boston. White, Smith & Co. [1888.] 

N.o 2 in M. 156.43 



III 18 



137 



Stearns 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Stehle 



Stearns, Charles C. (Continued.) 

Harvest anthem. [Accomp. for organ.] Boston. White- 
Smith Music Publishing Co. [1894.] No. 12 in M.203.29 
Lay him low. [Quartet.] Male voices. Boston. White- 
Smith Music Publishing Co. [1893.] No. 18 in M.203.20 
Same. Mixed voices. No. 13 in M.203.29 

The Lord is my light. [Anthem. Accomp. for organ.] 
Boston. White-Smith Music Publishing Co. [1894.] 

No. 14 in M.203.29 

Mass in A: with an accomp. for organ or piano-forte. 

Latin and English words. Boston. Ditson & Co. [1866.] 

M.156.44 
Mass of the Angel guardian. For children's voices. With 
Latin and English text. [Accomp. for organ.] Boston. 
White, Smith & Co. [1887.] No. i in M.156.43 

Popular mass in D, with accomp. for organ or pianoforte. 
Latin and English words. Boston. White, Smith & 
Perry. 1869. M.156.45 

Secret prayer. [Hymn-anthem. Accomp. for organ.] 
Boston. Russell. [1882.] No. i in M.158.20 

Stars trembling o'er us. Boat song for male quartette with 
s. or T. obligate. Boston. White-Smith Music Publish- 
ing Co. [1893.] No. 19 in M.392.24 
Te Deum laudamus, in Bb. [Accomp. for organ.] Boston. 
Ditson & Co. [186-?] No. 4 in M.190.8 
That glorious song of old. Christmas anthem. [Accomp. 
for organ.] Boston. White-Smith Music Publishing Co. 
[1892.] No. 56 in M. 158.19 
When all Thy mercies. [Anthem. Accomp. for organ.] 
Boston. Tolman & Co. [1868.] No. 5 in M.190.8 
Steckbrief. Song. Kuecken. No. S in M. 244.6.2 
Steckenpferd, Das. Song. Kuecken. Leichte Lieder. 

No. 3 in M.244.6.2 

Steckenpferdreiter, Der. Song. Taubert, C. G. W. Klange 

aus der Kinderwelt. [Heft 8.] No. 23 in M.192.7 

Steckenreiter-Lehre. Song. Taubert, C. G. W. Klange aus 

der Kinderwelt. [Heft 8.] No. 24 in M.192.7 

Stedfast heavens. The. Part-song. Schumann, R. A. 

No. 18 in M.204.36.7 
Stedman, Edmund Clarence. 

Ode for Commencement Day at Yale University. 1895. 
The music by Horatio W. Parker. No. 2 in M.379.31 

Steele. Clarence T. 

Come, ye thankful people, come. Anthem for Thanksgiv- 
ing. [Accomp. for organ.] Boston. White-Smith Music 
Publishing Co. [1893.] No. 16 in M.203.29 

Steely, Guy F. 

The forbidden land. A Tibetan comic opera. Music by 

Frederic Chapin. M.397.16 

The storks. A musical fantasy in two acts. [Book by 

Richard Carle and Guy F. Steely.] Music by Frederic 

Chapin. M.381.8 

Steersman! leave the watch! Part-song. Wagner, W. R. 

No. 9 in M.392.45 
Steetz, William. 

A treatise on the elements of music. Tiverton. Smith. 
1812. Plates. M.122.20 

Steffani, Agostino. 

Come, ye children. Duetto [s. s. Accomp. for organ]. (In 
Stevens. Sacred music. Vol. i, pp. 62-65.) 

No. 13 in M.234.4.1 

I will give thanks. Anthem [s. s. Accomp. for organ]. (In 

Stevens. Sacred music. Vol. 2, pp. 1-6.) No. i in M234.4.2 

O hear ye this. [Trio, s. s. B. Accomp. for organ.] (In 

Stevens. Sacred music. Vol. 2, pp. 50-53.) 

No. 8 in M.234.4.2 

O praise the Lord with me. Duetto [s. s. Accomp. for 

organ]. (In Ayrton. Sacred minstrelsy. Vol. 2, pp. 34- 

36.) No. 13 in M.290.22.2 

Also to be found in Stevens's Sacred music. 

Prithee, leave me. Duet [s. b. Accomp for organ]. (In 

Social harmony. Pp. 160-163.) No. 138 in M.215.21 

Rejoice in the Lord. Trio [s. s. b. Accomp. for organ]. 

(In Ayrton. Sacred minstrelsy. Vol. i, pp. 60-64.) 

Also to be found in Stevens's Sacred music. No. 21 in M.290.22.I 



Steggall, Charles. 

God came from Teman. Anthem for Whitsunday. [Ac- 
comp. for organ.] (In Novello's Collection of anthems. 
Vol. 5, pp. 99-108.) No. 7 in M. 195.2.5 

Also to be found in Ouseley's Special anthems. 

Have mercy upon me, O God. Full anthem for four voices. 

[Accomp. for organ.] London. Novello & Co. [1863.] 

No. 7 in M.igo.8 
Also to be found in Novello's Collection of 31 anthems. 

He was as the morning star. Anthem. [Accomp. for 
organ.] (In Ouseley. Special anthems. Vol. 2, pp. 154- 
167.) No. 12 in M.233.24.2 

Hear ye, and give ear. A full anthem for four voices. [Ac- 
comp. for organ.] London. Novello & Co. [1866.] 

No. 6 in M.igo.8 
Also to be found in Fowle's Parochial anthems. 

I will cry unto God. Full anthem. [Accomp. for organ.] 
London. Novello, Ewer & Co. [187-?] No. 7 in M.157.29 
Also to be found in Novello's Collection of anthems. 
Lord, what love have L Anthem for soli [s. s. a. t. b. b.] 
and chorus. [Accomp. for organ.] (In Novello's Collec- 
tion of anthems. Vol. 13, pp. 197-213.) No. 19 in M.195.2.13 
O clap your hands together. Full anthem. [Accomp. for 
organ.] (In Fowle. Parochial anthems. Pp. 44-48.) 

No. I in M.233.29 
[Rejoice in the Lord.] Festival anthem. Psalm S3- [Ac- 
comp. for organ.] No title-page. [London. 185-?] 

No. I in M.290.21 

Remember now thy Creator. Anthem. [Accomp. for 

organ.] {.hi Novello's Collection of anthems. Vol. 2, pp. 

105-113.) No. 12 in M.195.2.2 

Te Deum laudamus. In A. [Accomp. for organ.] (In 

Novello's Parish choir book. Pp. 1-7.) No. i in M.1S7.30 

Turn Thy face from my sins. Anthem for soli [t. b.] and 

chorus. [Accomp. for organ.] (In Novello's Collection 

of anthems. Vol. 13, pp. 214-223.) No. 20 in M.195.2.13 

Steggall, Charles, editor. 

Mendelssohn-Bartholdy, J. L. F. Six cathedral anthems. 

No. 3 in M.243.2 
Steglich, Ed. 

Autumn. [Part-song, x. t. b. b.] (In The Osgood Collec- 
tion of part songs. Vol. 2, pp. 72, 73.) M. 193.23.2 
Stegmann, Carl David. 

Das redende Gemahlde. Eine comische Oper in 2 Acten. 
In die Musik gesetzt von C. D. Stegmann. [Text nach 
Anseaume. Klavierauszug.] Mitau. Hinz. 1775. 

No. 2 in M.350.14 

Der Triumpf der Liebe, oder: das kiihne Abentheuer. Eine 

Feenoper von [F. E.] Jester. In Musik gesetzt von C. 

D. Stegmann, und von ihm selbst im Clavierauszuge 

herausgegeben. Konigsberg. Nicolovius. [178-?] 

M.1S1.14 
Stegmann, Carl David, editor. 

Paer. Achilles. M.311.28 

Stegmayer, Matthaeus. 

Das lebendige VVeinmass. Ein Lustspiel und comisches 

Melodrama. Fiir das Piano-Forte eingerichtet von I. R. 

von Seyfried. No. i in M.340.10 

Wladimir Fiirst von Nowgorod. Eine Oper. Im Klavier- 

Auszug von G. B. Bierey. M.230.24 

Steh' fest! Part-song. Abt, F. Leichte Mannerchore. 

No. 80 in M.246.22 
Stehe auf mein holdes Leben. Part-song. Halevy, J. F. F. £. 

No. 259 in M. 1293.43.8 
Stehe fest! Part-song. Koehler, C. L. H. No. i in M.392.42,a 
Stehle, Gustav Eduard. See Stehle, J. Gustav Eduard. 
Stehle, J. Gustav Eduard. 

Polenlied in der Schenke [t. i. B. B.]. (In Das Riitli. Pp. 

309-315.) No. 130 in M.147.4 

["Saul." Symphonisches Tongemalde fiir Orgel. Leipzig. 

Garbrecht. 185-?] No. 6 in M.312.48 

Stehle, J. Gustav Eduard, editor. 

Wagner, W. R. Trauermarsch beim Tode Siegfried's und 
Briinhilde's Klagegesang. No. 16 in M.414.37 



138 



Steibelt 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Stensland 



Steibelt, Daniel. 

CEuvres choisies, pour piano seul. Vol. 2. Precede d'une 

analyse raisonnee de ses ouvrages et de sa biographie, 

par Fetis, pere. Paris. Schonenberger. [187-?] Biblio- 

theque classique des pianistes.] M.3S8.9 

Contents. — Op. 56. Senate No. 1, 2. — Op. 64. Senate, — Op. 25. 

L'amante disparate. — Op. 82. Senate militaire. 
Romeo et Juliette. Opera en 3 actes, en prose [de Segur 

jeune]. Mis en musique par D. Steibelt. [Partition.] 

Paris. Boyer. [1793.] M.284.6 

Rondeau turc pour le piano-forte, avec accomp. [de violon] 

ad libitum. [Piano et tambour de basque.] Paris. Joly. 

[183-?] No. 8 in M. 210.7 

Same. [Partie de violon.] No. 24 in M. 210.10 

Six sonates pour le piano forte avec accomp. d'un violon 

oblige. Op. 27, No. 1-5. [Partition.] Paris. Imbault 

[etc. 181-?]. No. i-S in M.210.7 

Same. No. i. No. 14 in M.210.6 

Same. [No. i, partie de violon.] No. 25 in M.210.10 

Same. [No. 4, partie de violon.] No. 26 in M.210.10 

Six sonates pour le piano-forte, avec accomp. de violon. 

[No. I.] QLnvTe 67. [Partition.] Paris. Delahante. 

[183-?] No. 7 in M.210.7 

Same. [Partie de violon.] No. 23 in M. 210.10 

Trois sonates pour le piano-forte, la premiere avec violon 

oblige et les deux autres sans accomp. CEuvre 4. Paris. 

Sieber. [181-?] No. 15 in M. 210.6 

Same. [Partie de violon.] No. 21 in M. 210.10 

Trois sonates pour forte-piano, avec accomp. de violon ad 

libitum. Op. 35. [Piano seul.] Paris. Leduc. [182-?] 

No. 6 in M.210.7 
Same. [Partie de violon.] No. 22 in M.210.10 

Trois sonates pour le piano forte, avec accomp. de violon 

et violoncelle. Tirees de I'CEuvre 35 de Pleyel. [Piano 

seul.] Paris. Pleyel. [181-?] No. 9 in M.210.7 

Same. [Partie de violon.] No. 27 in M. 210.10 

Same. [Partie de violoncelle.] No. 23 in M.210.12 

We praise Thee, O God. [Motet. Accomp. for organ.] 

(In Handel and Haydn Society Collection of sacred 

music. Vol. 2, pp. 169-172.) No. 31 in M.221.22.2 

Steig' auf, geliebter Schatten. Song. Brahms. Fiinf Lieder. 

Op. 94. No. 12 in M.380.40.2 

Steig auf'n Baam. Port-song. Gauby. Zwei Steierlieder. 

No. 18 in M.392.9 
Steig empor in stiller Abendstunde. Motet. Schicht. Motet- 
ten. Heft 10. No. 10 in M.236.19 
Steigentesch, August Ernst, Freihcrr von. 

Die Abreise. Musikalisches Lustspiel. Musik von Eugen 

d'.Mbert. No. I in M.381.1 

Steiget hernieder auf goldner Spur. Song. Kuecken. Ernste 

und heitere Lieder. No. 15 in M. 244.6.1 

Stein, Carl. 

Arcona. [Mannerchor.] (In Gartz. Thesaurus. Heft 3, 

p. 13. j No. 28 in M. 203.7 

Die Geburt Jesu. Oratorium in 2 Abtheilungen nach 

Worten der heiligen Schrift zusammengestellt von D. L. 

Couard. Componiert fiir Chor und Einzelstimmen mit 

Begleitung der Orgel von Carl Stein. Wittenberg. Her- 

rose. [187-?] No. 3 in M. 384.22 

Im Freien. [Mannerchor.] (In Gartz. Thesaurus. Heft 

2, p. 13.) No. 27 in M.203.7 

Meinem Vaterlande! Nach einem schwedischen Liede bear- 

beitet [fiir t. t. b. b.]. (In Gartz. Thesaurus. Heft 3, p. 

14.) No. 28 in M.203.7 

Sonntags am Rhein. [Mannerchor.] (In Gruber. Sanges- 

hort. Heft i, pp. 13-16.) No. i in M. 370.30 

Stein, Carl, editor. 

Mendelssohn-Bartholdy, J. L. F. „Maiglockchen und 

Bliimelein," „Sonntagsmorgen." No. 26 in M.392.17 

Stein, Carl Andreas. 

LuiB, F. Biographische Skizze des Carl Andreas Stein. 

Wien. 1856. N0.4 in M.377.7 

Stein, Leo. 
Der Generalconsul. Operette von Alexander Landesberg und 

Leo Stein. Musik von Heinrich Reinhardt. No. i in M. 383.32 



Stein, Leo. (Continued.) 

Lachende Erben. Operette von J. Horst [Pseud.] & L. 

Stein. Musik von Carl Weinberger. No. i in M.381.6S 

Die lustige Witwe. Operette von Victor Leon [Pseud.] u. 

Leo Stein. Musik von Franz Lehar. M.378.i;ctc. 

The merry widow. See his Die lustige Witwe. 

Das siisse Madel. Operette von Alexander Landesberg und 

Leo Stein. Musik von H. Reinhardt. M.38i.3S 

Stein, Oskar. 

Zenobia. Oper. Musik von Louis Adolphe Coerne. 

M.397.19 
Steinacker, Carl. 

Lebensgliick. [Mannerchor.] (In Fink. Die deutsche 
Liedertafel. Pp. 54, 55.) No. 43 in M.213.9 

Also to be found in Orpheus. 

Peace of mind. Part-song for t. t. b. b. (In The Orpheus. 
New series. Vol. 4, pp. 48-54.) No. 11 in M.205.10.4 

Steinberg, Maximilian. 

Variations pour grand orchestre. Op. 2. Partition d'or- 
chestre. Leipzig. Belaieff. 1906. M.434.24 

Steinbrueck, Carl. 

Gute Nacht. Fiir Mannerchor, mit Tenor- und Bariton- 
Solo. Op. 50. Offenbach a. M. Andre. [1880?] 

No. 51 in M.392.2S 
Steinerne Herz, Das. Opera. For the Music see Bruell. 

For the Libretto see Widmann, J. V. 
Steingraber, Louis. 

Erinnerungen aus meinem Kiinstlerleben. Graz. The 
Author. 1897. No. 4 in M. 102.24 

Steinhausen, Carl Wilhelm, editor. 

Conferenz-Gesange fiir das Seminar zu Neuwied, zugleich 
Fortsetzung von Neues und Altes fiir mehrstimraigen 
Mannergesang. Op. 18. 2. Band, i. Heft. Neuwied. 
Heuser. [1878.] No. 10 in M.392.38 

Contents. — Haydn : Das Lied der Deutschen. — Klein : Psalm 102. — 
Steinhausen [Vierst] : Psalm 103, 15-18. — Mendelssohn-Bartholdy: 
Der frehe Wandersmann. — Lindblad : Ein Sommerabend. — Mendels- 
sehn-Bartheldy : Abendlied. — Schubert: Erster Verlust. . — Weber: 
Jagercher. — Beethoven : Kriegsgesang. — Schubert : Lob der Thranen. 
— Steinhausen [Vierst] : Abschied von der Heimath. — Mozart: 
Abendruhe. — Steinhausen [Vierst] : Geliibde. — Franz : Fiir Musik. 
Steinkuehler, ifimile. 

Ave Verum. Pour 4 voix, avec accomp. d'orgue. Paris. 

Richault. I185-?] No. 12 in M.260.10.3 

Steirische Hochlandsklange. Opera. For the Music see 

Wagner, R. For the Libretto see Harpf. 
Stel, Adolphe. 

Les deux clarinettes. Opera-comique. Paroles de Mrs 

Adolphe Favre et Adolphe Stel. Musique de Andre 

Simiot. No. 5 in M. 322.16 

Stella. Chorus. Weckerlin. Choeurs. M. 157. 12 

Stella. Opera. For the Music see Auteri Manzocchi; also 

Nardis. For the Libretxd see Interdonato; also Elsa. 
Stella di Napoli. Opera. For the Music see Pacini, G. For 

the Libretto see Cammarano, S. 
Stella quam viderant magi. Motet. Palestrina. Werke. 
Band I. M.8o4oa.66.i 

Stelldichein, Die. Opera. For the Music see Maurice, A. For 

the Libretto see Wennhacke. 
Stelldichein, Das, auf der Pfahlbriicke. Opera. For the Music 

see Beer, M. J. For the Libretto see Raudnitz. 
Stelle, perfide stelle. Song. Handel. Werke. Lieferung 51. 

M.313.1.51 
Stenhammar, Wilhelm. 

Quatuor pour deux violons, alto et violoncelle. CEuvre 2. 
Partition. Breslau. Hainauer. 1895. No. 4 in M.404.4 

Stenhouse, William. 

Illustrations of the lyric poetry and music of Scotland. 
Edinburgh. Blackwood. 1853. M. 114.3 

Stenka Razine. Symphonic poem. Glazunov. No. i in M.405.16 
Stenographic musicale. See Notation. 
Stensland, Theodore. 

The campaigners. A comic opera. Music by Frederic 
Carleton Gulick and others.. No. 2 in M.402.66 

The Viking. Comic opera. Music by John A. Loud. 

No. 3 in M.382.11 



139 



Step 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Sternennacht 



Step. Symphonic poem. Noszkovski. M.406.84 

Stephan, Gottlieb. See Stephanie, Gottlieb. 
Stephanie, Gottlieb. 

Der Apotheker und der Doctor. Komische Oper. In 
Musik gesetzt von Carl Ditters von Dittersdorf. M.305.3 
Stephanie, der Jiingerer. See Stephanie, Gottlieb. 
Stephen, David. 

"Missa solemnis" (for solo voices, chorus and orchestra). 

Op. 4. [Vocal scorej No. 2 in M.384.41 

Stephen, ou la harpe d'Eole. Cantata. For the Music see 

Kastner. 
Stephens, Charles Edward. 

Come, fill ye right merrily. Part-song [a. t. t. b.]. {In 
The Orpheus. New series. Vol. 7, pp. 161-168.) 

No. 31 in M.205.10.7 

O praise the Lord. Anthem. [Accomp. for organ.] (In 

Fowle. Parochial anthems. Pp. 96-102.) No. i in M.233.29 

Quatuor, 2eme, pour deux violons, alto et violoncelle. Op. 

22. Partition. Mayence. Schott. [188-?] 

No. 2 in M.405.80 
Te Deum laudamus. In C. [Accomp. for organ.] {In 
Novello's Parish choir book. Pp. 121-127.) 

No. 24 in M.157.30 
Stephens, Henry Pottinger. 

Billee Taylor, or "The reward of virtue." Original nautical 
comic opera in 2 acts. By Henry P. Stephens and Ed- 
ward Solomon. M.322.38 
Claude Duval, or love and larceny. Romantic comic opera. 
Music by Edward Solomon. No. i in M.322.41 
Little Jack Sheppard. Burlesque drama. Selections of 
words and music. Written by H. P. Stephens and W. 
Yardley. Music by Meyer Lutz, Arthur Cecil, Hamilton 
Clarke, and Florian Pascal [pseud.]. No. 2 in M. 287.3 
Lord Bateman, or Picotee's pledge. New comic opera. 
Music by Edward Solomon. No. 2 in M.322.41 
The red hussar. A comedy-opera. Music by Edward 
Solomon. No. 2 in M.323.1 
Virginia; or ringing the changes. A new and original 
comic opera. Composed by Edward Solomon. 

No. 2 in M.322.40 
Stephens, William. 

Te Deum laudamus, fiir Chor und Soli mit Orgel- oder 
Pianofortebegleitung. Englisch-Deutsch. Partitur. Leip- 
zig. Breitkopf & Hartel. 1892. No. 3 in M. 193.18 
Stephenson, Benjamin Charles. 

Doris. A comedy opera. Music by Alfred Cellier. M.275.35 
Dorothy. A comedy opera. Music by Alfred Cellier. 

M.275.36 

The golden web. Comedy opera by F. Corder and B. C. 

Stephenson. Music by Arthur Goring Thomas. M.402.57 

Out of sight. Opera. Music by Frederic Clay. M. 291.20 

Sterb' ich, so hiillt. Song. Wolf, H. Italienisches Lieder- 

buch. Band 2. M.380.29.2 

Sterbende, Der. Song. Kuhlau. 3 Gesange. No. 27 in M. 221. 30 

Sterbende, Die. Song. Schubert, F. P. Werke. Serie 20, 

Band 2. M.317. 1.20.2 

Sterbende Krieger, Der. Overture. Moody, M. No. 3 in M.343.28 

Sterbini, Cesare. 

Le barbier de Seville, ou la precaution inutile. Opera- 

comique en 4 actes, d'apres Beaumarchais et le drame 

italien [de Sterbini]. Paroles ajustees sur la musique de 

Rossini par Castil-Blaze [pseud.]. 2e edition. Paris. 

Castil-Blaze. 1828. No. 6 in M.370.37 

The libretto only. 

Same. Le barbier de Seville. Parodie sous la musique de 

Paesiello. M.293.21 

Same. Paroles ajustees sur la musique de Rossini, par 

Castil-Blaze [pseud.]. M. 264.26; etc. 

[Torvaldo e Dorliska.] Dorvaldo e Dorliska. Dramma 

semiseria. Musica del Sig^e Giovacchino Rossini. 

M.60.14; etc. 
Sterkel, Johann Franz Xaver. 

Remuneration. [Song, s. Accomp. for pianoforte.] {In 
Arnim. A Selection of German national melodies. Vol. 
I, pp. 38, 39.) No. 16 in M.212.21.1 



Sterkel, Johann Franz Xaver. (Continued.) 

Star of the silent eve. [Trio, s. s. a. Accomp. for piano- 
forte.] London. Leader & Cock. [185-?] 

No. 23 in M.244.10.3 
Stern, Adolf. 

Die Amazone. Operette. Nach dem gleichnamigen Schwank 
von G. von Moser und E. Thun bearbeitet von Fr. W. 
Wulff und A. Stern. Musik von Franz von Blon. 

M.399.71 
Zur Sacular-Feier Beethovens. Cantate. Componirt fiir 
Chor, Soli und Orchester von Franz Liszt. 

No. I in M.194.21 
Stern, Julius. 

Bilder des Orients. Gedichte von H. Stieglitz. Fiir Sopran 
oder Tenor mit Begleitung des Pianoforte componirt von 
Julius Stern. Leipzig. Klemm. [184-?] No. 12 in M.221.30 
Contents. — Vor Fittne's Zelt. — Blumengruss. — Omar's Nachtlied. 
Compositionen von Jul. Stern, F. Mohring und Otto Tieh- 
sen. Lieder und Gesange mit Begleitung des Pianoforte. 
Berlin. Bote & Bock. [185-?] No. 8 in M.236.8 

Contents. — Stern : Aug' und Meer [b.] ; Der Abschied [t.] ; Abschieds- 
Lied eines Frankfurter Handwerksburschen [bar.]. 

Deutsche Gesange fiir eine Singstimme mit Begleitung des 
Pianoforte. Berlin. Bote & Bock. [185-?] 

No. 17 in M.236.8 
Contents. — Das ruft so laut [s, o. T.]. — Die Lockung [a. o. b,]. — 
Friihlingsliebe [s. o. T.]. — Talismane [a. o. b.]. — Wandern [a. o. b.]. 

— Weil ich nicht anders kana [a. o. b.]. 

Der deutsche Rhein. [Gesang, a. oder bar. Mit Pianoforte- 
Begleitung.] Berlin. Simion. [1840?] No. 13 in M.221.30 

Fiinf Gesange fiir eine Singstimme [s. o. t.] mit Begleitung 

des Pianoforte. Op. i. Berlin. Crantz. [1839?] 

No. II in M.221.30 
Contents. — . Geliebter wo zaudert dein irrender Fuss. — Sangers Lieder. 

— Abschied. — Wasserfahrt. — Die Loreley. 

Geistliche Ouverture. Op. g. Grande partition. Berlin. 

Schlesinger. [185-?] No. 7 in M.342.38 

Mein Heimatland, mein Vaterland. [Mannerchor.] {In Das 

Riitli. Pp. 132, 133.) No. S3 in M.147.4 

Soldaten-Abschied. [Mannerchor.] {In Regensburger 

Liederkranz. Pp. 6, 7.) No. 3 in M.i29a.44 

Also to be found in Das Riitli. 

Stern, Julius, editor. 

Bach, J. S. Passion music (according to the Gospel of St. 

Matthew). M.153.1 

Stern, Der, der Liebe. Part-song. George, V., of Hanover. 

Sechs Gedichte. No. i in M.155.17 

Stern, Der, der Liebe. Song. Wollank. No. 13 in M.221.33 

Stern, Rose und Zephyr. Part-song. Mueller, F. F. G. 

No. 9 in M.244.11 
Stern, Der, von Bethlehem. Oratorio. For the Music see Kiel. 
Stern, Der, von Turan. Opera. For the Music see Wueerst. 

For the Libretto see Wichert. 
Stern Winter's loud blasts. Song. Barthelemon, M. 6 Eng- 
lish and Italian songs. No. 4 in M.221.32 
Sternan, C. O., pseud. See Inkermann, Otto. 
Sternchen, Das. Part-song. Kremseu. No. 34 in M.392.13 
Sterne, Die. Part-song. 

Brah-Mueller. Nachtlieder. No. 10 in M.392.37 

Schneider, J. C. F. No. 82 in M.213.9 

Sterne, Die. Song. Blumenthal. Sais-tu. No. 24 in M. 244.1 
Schubert, F. P. Werke. Serie 20, Band 2, 3, 6, 9. 

M.317.1.20.2,3,6,9 

Sterne mit den goldnen Fiisschen. Song. Franz, R. Sechs 

Gesange. Op. 30. No.8s in M.244.S.2 

Sterne, Die, schau'n in stiller Nacht. Song. Mendelssohn- 

Bartholdy, J. L. F. Werke. Serie 19. M.413.3.19 

Sterne sind schweigende Siegel. Part-song. Liebe, E. L. 

No. 31 in M.392.42.1 
Sternengebet. Opera. For the Music and Libretto see 

Wagner, S. 
Sternenkoenigin, Die. Part-song. Lindpaintner. 

No. 6 in M.221.S 
Sternenmaedchen, Das. Opera. For the Music see Kauer. 
Sternennacht, Die. Part-song. 
Abt, F. Leichte Mannerchore.' No. 97 in M.246.2a 



140 



Sternennacht 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Stevenson 



Sternennacht, Die. Part-song. (Continued.) 

Beschnitt. Drei Lieder fur Mannerchor. Op. 42. 

No. 14 in M.392.35 

Gelbke. No. 23 in M.392.9 ; etc. 

Sternennaechte, Die. Song. Schubert, F. P. Werke. Serie 

20, Band 6. M.317.1.20.6 

Sternenwelten, Die. Song. Schubert, F. P. Werke. Serie 

20. Band 3- M.317.1.20.3 

Stemfeld, Richard. 

Hans von Biilow. Leipzig. Fritzsch. 1894. No. 4 in M.207.3 
Sternlein, Das. Song. Kuecken. No. 16 in M.244.6.3 

Sternlein, Die. Song. Taubert, C. G. W. Klange aus der 
Kinderwelt. Heft 7. No. 11 in M.192.7; etc. 

Sternlein mit den goldnen Fussen. Song. Abt, F. Sechs 
Lieder. Op. 119. No. 18 in M.192.2 

Stern'sche Gesangverein, Berlin. 

Der Stern'sche Gesangverein in den ersten 25 Jahren seines 
Bestehens. Ein Riickblick. [Berlin. 1862.] 

No. 3 in M.115.12 
Stet quicunque. Motet. Lassus. Sammtliche Werke. Band 11. 

M.8o4oa.67.ii 
Stets barg die Liebe sie. Song. Haydn, F. J. Gesaenge. 
Heft I. No. I in M.312.35 

Steveniers, Jacques. 

Le marechal ferrant. Opera comique en i acte. Paroles 
d'apres Quettant. Musique de J. Steveniers. Partition 
chant & piano. Paris. Katto. [1862.] No. 2 in M.323.43 
Stevens, Alphonse. 

Um die Weberin. (De Vlas gaard.) Lyrisches Drama. 
Vlamisch von Rene de Clercq und Alphonse Stevens. 
Musik von Josef Vandermeulen. M.378.22 

Stevens, Charles Isaac. 

An essay on the theory of music. Inaugural-Dissertation, 
Gottingen. Gottingen. 1863. No. 10 in M.207.26 

Stevens, David K. 

[Baron Humbug.] Hungarian musical play in two acts, 
entitled Baron Humbug. Book by R. A. Barnet. Music 
by Lewis S. Thompson. Lyrics by D. K. Stevens and 
R. A. Barnet. M.397.68 

The show girl. A musical play. Book by R. A. Barnet. 
Lyrical collaborator, D. K. Stevens. Music by H. L. 
Heartz, E. W. Corliss. M.382.30 

Stevens, F. G. 

The truth about Mrs. Weldon: her life and character. 
Leicester. Gibbons & Co 1886. Portrait. 

No. 4 in M. 208.13 

Stevens, Richard John Samuel. 

Although soft sleep. Glee. For s. s. a. t. b. {In HuUah. 
The Singers library. Secular. Pp. 30-32.) 

No. 33a in M. 157.2 

Ask me why I bring. Glee [a. t. t. b.]. (hi Webbe, Jr. 
Convito armonico. Vol. 4, pp. 424-428.) No. 22 in M.234.3.4 

Blow, blow, thou winter wind. Glee. (In Boosey's Stand- 
ard English glees. Vol. i, pp. 4S-48.) No. 10 in M.157.7 
Also to be found in Hullah's Part music, Secular ; Novello's Glee-hive ; 
Turle and Taylor's The People's music book; Warren's Cocks's Hand- 
book of glees. 

Bragela. Glee [s. s. b.]. With accomp. for 2 performers 
on one piano. Preston. [182-?] 

No. 43 in M.23S.14; No. 12 in M.237.7 
Also to be found in The Harmonist. 

The cloud cap't towers. Glee [a. a. t. t. b. b.]. London. 
Novello. [184-? The musical times.] No. 3 in M.158.20 
Also to be found in Musical times [Music] ; Turle and Taylor's The 
People's music book; for s. s. a. t. b. b. in Boosey's Standard English 
glees; Hullah's The Singer's library; for s. A. T. t. b. b. in Leslie's 
Cassell's Choral music. 

Consols! consols! Catch [for 5 voices]. (/» Warren. Col- 
lection of catches. Vol. 4, p. loi.) No. 32 in M.220.9.4 

Crabbed age and youth. Glee. {In Boosey's Standard 
English glees. Vol. I, pp. 215-219.) No. 43 in M.157.7 

Also to be found in Hullah's Fart music. Secular; Novello's Glee- 
hive; Parker's The Orphean lyre; Tiu-le and Taylor's The People's 
music book ; Warren's Cocks's Hand-book of glees. 

Doubt thou the stars are fire. Glee for 4 voices. {In 
Warren. Cocks's Hand-book of glees. Vol. 2, pp. 207, 
208.) No. 52a in M.IS7.6.2 



Stevens, Richard John Samuel. (Continued.) 

From Oberon in fairy land. Glee. {In Boosey's Standard 
English glees. Vol. i, pp. 70-77-) No. 15 in M.157.7 

Also to be found in Hullah's Part music. Secular; Novello's Glee-hive. 

It was a lover and his lass. Glee [s. s. a. t. b.]. (In The 
Apollo. Vol. 7. PP- 553-558) No. i6inM.i39a.i8.7 

Also to be found in Bland's The Ladies' collection; dementi's Vocal 
harmony; Collection of glees and catches; The Harmonist; Novello's 
Glee-hive; Warren's Cocks's Hand-book of glees; Warren's Collection 
of catches. 

O mistress mine. [Glee, s. s. a. t. b.] {In The Harmonist. 

Vol. 6, pp. 1-6.) No. I in M.218.8.6 

O nightingale. Glee [s. s. a. t. b.]. {In Warren. Collection 

of catches. Vol. 4, pp. 31-33-) No. 8 in M.220.9.4 

Prithee, foolish boy. Glee [a. t. B.]. (/« The Apollo. Vol. 

2, PP- 97-99-) No. 7 in M. 139a. 18.2 

Also to be found in dementi's Vocal harmony; Same, 2d edition; 
Warren's Collection of catches; Webbe, Jr.'s Convito armonico. 

See what horrid tempests. Glee [a. t. t. b.]. {In Clementi. 
Vocal harmony. Vol. 4. PP- 399-405-) No. 16 in M.235.9.4 
Also to be found in Warren's Collection of catches. 
Sigh no more, ladies. Glee [a. a. t. t. b.]. {In Amusement 
for the ladies. Vol. 4, pp. 157-163.) No. 46 in M.220.3.4 
Also to be found in Warren's Collection of catches; for t. t. b. in 
The Apollo; Bland's The Ladies' collection; dementi's Vocal har- 
mony ; Collection of glees and catches ; The Harmonist ; fors. s. A. T. B. 
in Boosey's Standard English glees; Musical times [Music]. 
Sigh no more, ladies. [Song, T. Accomp. for pianoforte.] 
London. Longman & Broderip. [i79-?] No. 13 in M.237.2 
Sweet muse. Glee [a. t. t. b.]. (In Warren. Collection of 
catches. Vol. 4. PP- 3-7-) No. i in M.220.9.4 

Tell me where is fancy bred. Glee. For s. ?. s. t. Words 
by Shakespear. (/« Hullah. The Singer's library. Secular. 
Pp. 141-143.) No. 28inM.i57.2 

To be gazing. [Glee, a. t. t t. b.] {In Clementi. Vocal 
harmony. 2d edition. Vol. 6, pp. 111-115.) 

No. 17 in M.234.2.6; No. 17 in M.235.g.6 
What shall he have? Glee [a. t. t. b.]. {In Warren. Col- 
lection of catches. Vol. 3, pp. 33^-338.) 

No. 126 in M.220.9.3 
When the toil of day is o'er. Glee. {In Boosey's Standard 
English glees. Vol. i, pp. 225-228.) No. 46 in M.157.7 

Also to be found in Hullah's Part music. Secular; Warren's Cocks's 
Hand-book of glees. 
Wherefore burn. Glee [a. a. t. t. b.] {In Warren. Col- 
lection of catchs. Vol. 3, PP- 378-382.) No. 134 in M.220.9.3 
Ye spotted snakes. Glee. London. Longman & Broderip. 
[1784?] No. 5 in M.120.31 ; No. 6 in M. 340.15 

Same. Novello. [185-? The Musical times.] 

No. 2 in M.158.20 
Also to be found in The Apollo; Boosey's Standard English glees; 
dementi's Collection of catches; dementi's Vocal harmony; The 
Harmonist; Hullah's Part music. Secular; Leslie's Cassell's Choral 
music; Musical times [Music]; Turle and Taylor's The People's 
music book; Warren's Cocks's Hand-book of glees; Warren's Collec- 
tion of catches ; Webbe, Jr.'s Convito armonico. 
Stevens, Richard John Samuel, editor. 

Sacred music for i, 2, 3 & 4 voices, from the works of the 
most esteemed composers, Italian and English. Vol. i, 2. 
London. [180-?] 2 v. in i. M.234.4 

With figured bass. 
Stevenson, Sir John Andrew 

Alas, poor Lubin. [Duet, t. t. Accomp. for pianoforte.] 
{In The Harmonist. Vol. 5, PP- 62-66.) No. 20 in M.218.8.S 
The Bedouins, or Arabs of the desert. A comic opera in 3 
acts written by Eyles Irwin. Composed by Sir J. A. 
Stevenson. [Accomp. for pianoforte.] London. Gould- 
ing, Phipps, D'Almaine & Co. [1802.] No. i in M.391.67 
"Border feuds," or the Lady of Buccleuch. A musical drama 
in three acts. Founded on Scott's "The lay of the last 
minstrel." The music by Sir John Stevenson. [Accomp. 
for pianoforte.] London. Goulding & Co. [182-?] 

No. 2 in M.391.50; No. 2 in M.391.67 
Come, buy my cherrys. Catch [for 4 voices]. (In The 
Apollo. Vol. 3, P- 215.) No. 15 in M.i39a.i8.3 

Also to be found in Bland's The Ladies' collection; The Harmonist; 
Warren's Cocks's Hand-book of glees. 
Come, my heroes. Glee [a. t. b.]. {In Bland. The Ladies- 
collection. Vol. I, p. 9-) No. 18 in M.23S.17.1 

141 



Stevenson 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Stewart 



Stevenson, Sir John Andrew. (Continued.) 

Come unto these yellow sands. Glee [s. s. b.], with an 
accomp. for 2 performers on one piano forte. Dublin. 
Hime. [182-?] No. 24 in M.235.14 

The fisherman's glee [s. a. t. b.]. (In Parker. The Orphean 
lyre. Series 3, pp. 10-15.) No. 2 in M. 237.9 

Also to be found in Plaistow's Part-songs. 

Go forth to the mount. [Anthem. Accomp. for organ.] 

(In Handel and Haydn Society Collection of sacred music. 

Vol. 3, pp. 43-45.) No. 5 in M.221.22.3 

Hail, lovely sounds. Glee. (In Bland. The Ladies' collec- 
tion. Vol. 4, pp. 452-454.) No. 103 in M.235.17.4 
Hark! the vesper hymn. [Quartet. Accomp. for organ.] 

Boston. Tolman & Co. 1866. No. 8 in M.igo.8 

I'll think on thee. Duett [s. t. Accomp. for pianoforte]. 

(/)! The Harmonist. Vol. 3, pp. 27-30.) No. 8 in M.218.8.3 
Let us the fleeting hours enjoy. Glee [s. s. b.]. (In Bland. 

The Ladies' collection. Vol. 4, pp. 424, 425.) 

No. 92 in M.235.17.4 
The Lord is my strength. Chorus. [Accomp. for organ.] 

(In HuUah. The Singer's library. Sacred. P. 21-24.) 

No. 32 in M.157.3 
Love and madness. Song [s. or x.]. With accomp. for 

harp or pianoforte. [Oxford. Hardy. 18 — ?] 

No. 4 in M.235.14 
Mary, I believe thee true. A song [t.], with accomp. for 

the piano forte. London. Balls. [181-?] No. 39 in M.237.7 
Now morn is blushing. [Song, s. or x.] From Lalla Rookh. 

London. Power. [185-?] No. 6 in M. 236.2 

Now steals the punctual hour. Glee. (In Bland. The 

Ladies' collection. Vol. 4, pp. 477-481.) 

No. 1 16 in M.235.17.4 
O Lord, our Governor. Anthem. [Accomp. for organ.] 

(In Handel and Haydn Society Collection of sacred music. 

Vol. 3, pp. 5-25.) No. I in M.221.22.3 

The original boat glee, See our bark scuds o'er the main 

[s. A. B,]. (/)) Warren. Cocks's Hand-book of glees. 

Vol. 3, pp. 17-24) No. 7 in M.157.6.3 

The patriot, or hermit of Saxellen. A melo drama. The 

words by H. B. Code. The music composed by Sir John 

A. Stevenson. [Accomp. for pianoforte.] London. Gould- 

ing, D'Almaine, Potter & Co. [1810?] M.391.68 

Prepare, ye nymphs. [Glee, s. A. B.]. (In Parker. The 

Orphean lyre. Series 3, pp. 64-68.) No. 15 in M.237.9 

The Russian sacrifice, or the burning of Moscow. A grand 

melodrama. Written by H. B. Code. The music by J. 

Stevenson. [Accomp. for pianoforte.] London. Gould- 

ing & Co. [181-?] No. I in M.391.69 

See our oars with feather'd spray. Glee. (In Boosey's 

Standard English glees. Vol. i, pp. 26-29.) 

No. 6 in M.157.7 
Also to be found in Musical times [Music] ; Warren's Cocks's Hand- 
book of glees. 

Spanish patriots, a thousand years ago. A dramatic ro- 
mance. The words by H. B. Code. The music composed 
by Sir John A. Stevenson. [Accomp. for pianoforte.] 
London. Goulding, D'Almaine, Potter & Co. [181-?] 

No. 2 in M.3gi.69 

Take, O take those lips away. Glee. (In Bland. The 
Ladies' collection. Vol. 4, pp. 434-437.) 

No. 95 in M.23S.17.4 

They play'd in air. Glee. (In Bland. The Ladies' collec- 
tion. Vol. 4, pp. 392, 393.) No. 72 in M.235.17.4 
Also to be found in Handel and Haydn Society Collection of sacred 
music. 

'Tis true that I gave my fond heart. Glee [a. x. i. b.]. (In 

Bland. The Ladies' collection. Vol. 3, pp. 244, 245.) 

No. 3 in M.235.17.3 
'Twas a sweet summer's morning. Glee [s. a. t. x. b.]. (In 

Bland. The Ladies' collection. Vol. 4, pp. 444-448.) 

No. 100 in M.235.17.4 
'Twas his own voice. Recit. and air [s. or x.] from Lalla 

Rookh. [Accomp. for pianoforte.] London. Paver. 

[185-?] No. 13 in M.236.2 

Waft sweetest echo. Glee [a. i. b.]. (In Bland. The Ladies' 

collection. Vol. 4, pp. 432, 433.) No. 94 in M.235.17.4 



Stevenson, Sir John Andrew. (Continued.) 

Welcome sons of harmony. A glee for five voices [s. s. a. 
X. B.]. Dublin. Willis. [182-?] No. 31 in M.23S.7.2 

When the morning sun. Glee [s. a. x. x. b.]. (In Bland. 
The Ladies' collection. Vol. 4, pp. 464-466.) 

No. 108 in M.235.17.4 
Will you be pleas'd to walk? Glee [a. i. b.]. (In Bland. 
The Ladies' collection. Vol. 4, pp. 469-471.) 

No. Ill in M.23S.17.4 

With solemn notes. Canon [3 in 2]. (In Bland. The 

Ladies' collection. Vol. 4, p. 481.) No. 117 in M.235.17.4 

With tender lambkins. Glee [s. a. b.]. (In Bland. The 

Ladies' collection. Vol. 4, pp. 442, 443.) 

No. 99 in M.235.17.4 
With the sun we rise. Glee [a. x. x. x. b.]. (In Bland. The 
Ladies' collection. Vol. 4, pp. 426-431.) 

No. 93 in M.235.17.4 

Also to be found in Parker's The Orphean lyre. 

Yes, Damon, yes. Glee. (In Bland. The Ladies' collection. 
Vol. 4, pp. 455-459.) No. 104 in M.235.17.4 

Stevenson, Sir John Andrew, editor. 

AvisoN. Sound the loud timbrel. No. 34 in M.1S7.3 

MooRE, T. Irish melodies. M.122.42 

A selection of popular national airs. M.236.13 

Stevenson, Sir John Andrew. Works about. 

BuMPUs, J. S. Sir John Stevenson. A biographical sketch. 
London. 1893. Portrait. M.215.5 

Steward, Mme F. M. 

Une belle mere, ou Madm^ Gateout. Operette comique en 
2 actes. Musique et poesie de M»"e F. M. Steward. [Par- 
tition chant et piano.] Milan. Lucca. [187-?] 

No. 2 in M.323.8 
Stewart, Mrs. Colonel. See Stewart, Harriet. 
Stewart, Harriet. 

Comala. A dramatic poem from Ossian. Set to music by 

Harriet Wainewright. [Full score.] London. Napier. 

[1803.] M.234.ia 

Critical remarks on the art of singing. London. Hoitt. 

1836. M.123.35 

Stewart, Humphrey John. 

Bluff King Hal. A romantic opera in 3 acts. Libretto by 
Daniel O'Connell. Music by H. J. Stewart. Vocal score. 
Boston. Miles & Thompson. i8gi. M.323.9 

Stewart, Sir Robert Prescott. 

The bells of St. Michael's tower. A glee [s. a. x. b. b.]. (In 
Novello's Part-song book. 2d series. Vol. 15, pp. 109- 
118.) No. 17 in M.ig5.i.i5 

The cruiskeen lawn. A part-song [s. a. x. b. b.]. (In No- 
vello's Part-song book. 2d series. Vol. 15, pp. 1 19-125.) 

No. 18 in M.195.1.15 
The dream. [Part-song.] (In Monk. Novello's Part-song 
book. Pp. 121-123.) No. 30 in M.157.4 

The haymaker's song. [Part-song.] (In Monk. Novello's 
Part-song book. Pp. 133-138.) No. 34 in M.157.4 

If ye love Me, keep my commandments. [Anthem. Ac- 
comp. for organ. Boston.] Russell. 1885. 

No. 33 in M.158.19 
Same. London. Novello, Ewer & Co. 1885. [The Musical 
times.] No. 4 in M.158.20 

Also to be found in Fowle's Parochial anthems. 
In the Lord put I my trust. Anthem for four voices, [s. 
solo and chorus. Accomp. for organ.] London. Novello 
& Co. [1864.] No. 9 in M.190.8 

Also to be found in Novello's Collection of anthems; Novello's Collec- 
tion of 31 anthems. 

The King shall rejoice. A jubilee anthem. [Accomp. for 
organ.] (In Novello's Collection of anthems. Vol. 15, 
pp. 139-152.) No. 16 in M.I95.2.I5 

Te Deum laudamus. In G. [Accomp. for organ.] (In 
Novello's Parish choir book. Pp. 108-112.) 

No. 21 in M. 157.30 

Thou, O God, art praised in Zion. A short verse anthem. 
[Accomp. for organ.] (In Fowle. Parochial anthems. 
Pp. 86-95.) No. I in M.233.29 

Also to be found in Novello's Collection of anthems. 



142 



Stewart 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Stockhausen 



Stewart, Sir Robert Prescott. (Continued.) 

The wine cup is circling. A part-song [s. a. t. b. b.]. (In 
Novello's Part-song book. 2d series. Vol. 15, pp. 126- 
131.) No. 19 in M.195.1.15 

Steyrische Taenze. For orchestra. Goldschmidt, A. von. 

No. 5 in M.332.22 
Steyrisches Lied. Part-song. Schmoelzer. No. 85 in M.246.22 
Stieber, Paul. 

Die Fiirstin Patschouli, oder Friseure auf Reisen. Operetta 

in einem Akt fiir vier Singstimmen mit Begleitung des 

Klaviers. Text und Musik von Paul Stieber. Op. 28. 

Leipzig. Siegel. [1903?] No. 4 in M.383.3S 

Stiebitz, Richard. 

Variationen uber ein Original-Thema fiir Orchester. Op. 
9. Partitur. Berlin. Schlesinger. [189-?] 

No. 3 in M.405.56 
Der Zigeuner. Oper in 4 Aufziigen. Clavierauszug. Leip- 
zig. Schuberth & Co. [189-?] M.39S.S3 
Stiebritz, Ludvirig. 

Das Stiftungsfest. Gedicht. Composition fiir gemischten 
Chor mit Begleitung des Pianoforte von Julius Otto. 

No. 2 in M.1S2.27 
Stiehl, Heinrich Franz Daniel. 

Grand trio pour piano, violon et violoncelle. Op. 36. [Par- 
tition.] Leipzig. Breitkopf & Hartel. [1859?] 

No. 5 in M.211.3.5 
Same. [Parties, violon et violoncelle.] 2 v. 

No. 24 in M.211.4.3,4 
Jery und Bateley. Operette in i Acte. [Gedicht von 
Goethe.] Musik von Heinrich Stiehl. Klavierauszug. 
Leipzig. Breitkopf & Hartel. [187-?] No. 3 in M.391.21 
Ouverture triomphale a grande orchestre. Op. 46. Par- 
tition. Leipzig. Kistner. [187-?] No. 8 in M.342.38 
Stiehl, Henri. See Stiehl, Heinrich Franz Daniel. 
Stieler, Carl. 

Eliland. Dichtung. Fiir Soli, Mannerchor und Orchester- 

begleitung [von Ferdinand Debois]. No. 3 in M. 212.4 

Friihlingsnahen. (Gedicht.) Fiir Mannerstimmen (Soli und 

Chor), 2 Floten, 2 Horner und Pianoforte componirt von 

Carl Hirsch. No. 5 in M.212.7 

Stieleriana. Part-songs. Zenger. No. 64-69 in M.3g2.24 

Stier, Ernst. 

L. van Beethoven, Sonaten fur Pianoforte und Violine. Op. 

12, 23, 24, 30, 47 und 96. Erlautert. Leipzig. Seemann. 

[1903. Der Musikfiihrer. No. 289.] No. 14 in 11.217.12.12 

Stiffelio. Opera. For the Music see Verdi. For the Libretto 

see Piave. 
Stiftungsfeier. Part-song. 

Ahrenssen. • No. 193 in M.147.4 

Mendelssohn-Bartholdy, J. L. F. Lieder und Gesange 

fiir vier Mannerstimmen. No. 25 in M.203.16; etc. 

Stiftungsfest, Das. Cantata. For the Music see Otto, E. J. 

For the Libretto see Stiebritz. 
Still amid old Sweden's youth. Declaration song [t. t. b. b.]. 
(In The Orpheus. New series. Vol. i, pp. 39-41.) 

No. 9 in M.305.10.1 

Still are there hearts. Part-song. Scholz. No. 5 in M.392.31 

Still beglueckt. Part-song. Van der Stucken. Drei Gesange. 

Op. 2. No. 42 in M.392.26 

Still confiding. Duet. Spohr, L. No. 19 in M. 235. 18.2 

Still in our ears. Round. Hayes. No. 47 in m. 235.17. i; etc. 

Still is the night breeze. Catch [for 3 voices]. (In Flowers 

of harmony. Vol. 2, p. 85.) No. 32 in M. 157. 18.2 

Still ruht der See. Part-song. Abt, F. Fiinf Gesange fiir 

s. A. T. B. Op. 453. No. 17 in M.392.2 

Pfeil. Zwei Lieder. Op. 10. No. 23 in M. 392.37 

Still! Still! Part-song. A T. No. 208 in M.i29a.43.6 

Still, still with Thee. Anthem. Foote. No. 5 in M. 203.27 

Gerrish. No. 28 in m. 158.16; etc. 

Stille, Die. Song. Hiller, F. Vier Gesange. Op. 41. 

No. 15 in M. 192.3 
Schumann, R. A. Lieder-Kreis von Eichendorff. 

No. 12 in M.244.15.1; etc. 
Stille amare gia vi sento. Aria. Handel. 12 Alt-Arien. 

No. 2 in M.270.48 



Stille der Nacht. Song. Weingartner. No. 2 in M.380.38 

Stille Dorf, Das. Part-song. Gelbke. No. i in M.203.15 

Stille Frage. Song. Beethoven. Werke. Serie 23. M.413.1.23 
Stille Liebe. Song. 

Franz, R. Sechs Gesiinge. Op. 41- No. 58 in M.244.5.3 

Schumann, R. A. 12 Gedichte von Kerner. 

No. 9a in M.244.1S.1 ; etc. 

Stille, sanfte Ruhe bringt die Nacht. [Mannerchor.] (In 

Orpheus. Band 2, pp. 42-44.) No. 70 in M.i29a.43.2 

Stille Sicherheit. Song. Franz, R. Sechs Gesange. Op. 10. 

No. 69 in M.244.5.1 
Stille Thai, Das. Part-songs. Boehme, F. M. Sechs Volks- 
lieder. No. 7 in M.392.5 

Stille Thraenen. Song. Schumann, R. A. 12 Gedichte von 
Kerner. No. 9a in M.244.15.1 ; etc. 

Stille treue Nacht, Die. Part-song. Abt, F. Leichte Manner- 
chore. No. 29 in M.246.22 
Stille Wasserrose, Die. Song. Kuecken. No. 17 in M. 244.6.2 
Liszt. Gesammelte Lieder. No. 47 in M.244.14 
Stillen Wanderer, Die. Song. Curschmann. Curschmann- 
Album. No. I in M.1S7.37 
Stiller, Erdmann. 

Eine Nacht auf dem Meere. Dichtung. Dramatisches 
Tongemalde fiir Solo, Chor [t. t. b. b.] und Orchester 
von Wilhelm Tschirch. No. 4 in M.392.43 

Stiller Abend. Song. Franz, R. Zwolf Gesange. Op. 5. 

No. 40 in M.244.5.1 
Stiller Gang. Song. Strauss, R. No. 11 in M.380.24.2 

Stiller Segen. Part-song. Haering. Sechs Lieder. Op. 4. 

No. 2 in M.392.10 
Stiller Vorwurf. Song. 

Gade. Lieder und Gesange. Heft 6. No. 9 in M. 192.3 

Schumann, R. A. Lieder und Gesange. Heft 3. 

No. I in M.244.15.3; etc. 
Stilles Gedenken. Part-song. Pache. Zwei Gesange fiir 
Mannerchor. Op. 62. No. i in M.212.13 

Stillman-Kelley, Edgar. See Kelley, Edgar Stillman. 
Stimme der Liebe. Song. Schubert, F. P. Werke. Serie 20, 
Band 2, 4. M.317.1.20.2,4 

Stimme, Die, der Natur. Opera. For the Music see Lortzing. 

Der Wildschiitz. For the Libretto see Kotzebue. 
Stimpson, James, editor. 

Spohr, L. As pants the hart. No. 12 in M.290.9.1; etc. 

Stimulants. 

Browne, L. Voice use and stimulants. London. 1885. 

M.109.23 
Stirb, Lieb' und Freud'! Part-song. Silcher. No. 216 in M.147.4 
Stirb, Lieb' und Freud'. Song. Schumann, R. A. 12 Gedichte 
von Kerner. No. 9 in M.244.15.1; etc. 

Stirling, Elizabeth. See Bridge, Elizabeth Stirling. 
Stix, Carl. 

Der Abenteurer. Operette in 3 Akten von Adolf Philipp 
und Eniil Sondermann. Musik von Carl Stix. Voll- 
standiger Clavierauszug. Hamburg. Cranz. [189-?] 

M.39S-63 

Sto core mio. Part-song. Lassus. Sammtliche Werke. Band 

10. M.8o4oa.67.io 

Stoansteirisch. Part-song. Schmoelzer. No. 41 in M.392.23 

Stock, Frederick A. 

Symphonic No. i, C moll, fiir grosses Orchester. Op. 18. 
Partitur. Leipzig. Breitkopf & Hartel. [1912. Breit- 
kopf & Hartels Partitur-Bibliothek.] M.434.93 
Stock jobbers, The. Catch. Stevens, R. J. S. Consols! 

No. 32 in M.220.9.4 
Stockhausen, Franz. 

Domine, probasti me. Solo, m.-s. [Accomp for organ.] 
London. Novello. [184-?] N0.8 in M.260.10.6 

Te decet hymnus. Duo, s. s. [Accomp. for organ.] Lon- 
don. Novello. [184-?] No. 9 in M.260.10.6 
O Salutaris, for 4 voices. [Accomp. for organ.] London. 
Novello. [184-?] No. 7 in M.260.10.6 
Vidimus stellam. [Solo, s. and chorus, with accomp. for the 
harp & organ.] London. Novello. [184-?] 

No. 10 in M.260.10.6 



143 



Stockmann 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Storace 



Stockmann, J. 

Hushed is the night. Christmas carol. [Boston.] Miles 
& Thompson. 1890. No. 6 in M.I58.20 

Stoddard, George E. 

The Isle of Spice or His Majesty of Nicobar! Opera 
comique. Book and lyrics by Allen Lowe and Geo. E. 
Stoddard. Music by Paul Schindler and Ben M. Jerome. 

M-397-59 

The royal chef. A comic opera. Book and lyrics by Geo. 

E. Stoddard and Chas. S. Taylor. Music by Ben M. 

Jerome. M.399.28 

Stoecklin, Leo. 

Missa a s. a. t. b. ac organo obligato. Karlsruhe. 1834. 

No. 2 in M.250.38 
Stoeclin, M. 

Mass in B flat. [Accomp. for organ.] (In Werner, A. The 
Memorare. Pp. 67-82.) M.100.3 

Stoelzel, Gottfried Heinrich. 

Gloria in excelsis [s. a. t. b., mit Pianoforte-Begleitung]. 
{In Rochlitz. Sammlung vorziiglicher Gesangstiicke. 
Band 3, pp. 71-76.) No. 13 in M.202.6.3 

Stoepel, Robert. 

Hiawatha. Indian symphony. The words from Long- 
fellow's poem. The music composed by Robert Stoepel. 
[Accomp. for pianoforte.] New York. Hall. 1863. 

M.2go.2 
Stoepselzieher ! Part-song. Kuntze, C. No. 14 in M.392.15 

Lachner, F. Drei Gedichte. Op. 94- No. 18 in M.392.15 
Stoer, Carl. 

Im Thijringer Lande. Concert-Ouverture, No. 2, in Es, fiir 
Orchester. Op. 24. Partitur. Leipzig. Seitz. [186-?] 

No. 2 in M.347.17 

Ritterliche Ouvertiire fiir grosses Orchester. Partitur. 

Leipzig. Fritzsch. 1874. No. 3 in M.312.2 

Tonbilder fiir Orchester zu Schiller's Lied von der Glocke. 

Op. 20. Partitur. Leipzig. Seitz. [188-?] 

No. 3 in M.334.19 
Stojowski, Sigismond. 

Concerto en fS pour piano et orchestre. Op. 3. Partition 
d'orchestre. London. Lucas, Weber, Pitt & Hatzfeld. 
1893. No. I in M.342.41 

Le printemps (Der Friihling) d'apres une ode d'Horace. 
Paroles frangaises de Jules Barbier. Deutscher Text von 
Alfred Nossig. Pour choeur et orchestre par Sig. 
Stojowski. Op. 7. Partition. London. Lucas, Weber, 
Pitt & Hatzfeld. 1895- No. 2 in M.380.28 

Sonate (en sol majeur) pour piano et violon. Op. 13. [Par- 
tition et partie de violon.] London. Lucas, Weber, Pitt 
& Hatzfeld, Ltd. 1894. No. 2 in M.357.35 

Suite en mi b pour grand orchestre. Op. g. Partition. Lon- 
don. Lucas, Weber, Pitt & Hatzfeld. 1893. 

No. 4 in M.331.11 
Symphonic D moll fiir grosses Orchester. Op. 21. [Par- 
titur.] Leipzig. Peters. [1901.] M.406.36 
Stokes, Charles. 

An address to the Deity. The words from Thomson. Set 

to music for 4 voices by Charles Stokes. [Accomp. for 

pianoforte.] London. Novello. [183-?] No. 16 in M.290.9.1 

I will lay me down in peace. Set to music for 4 voices. 

[Accomp. for pianoforte.] London. Novello. [183-?] 

No. 15 in M.290.9.1 
Stokes, Edward John. 

Caractacus. A cantata for solo voices, chorus, and or- 
chestra. The music by J. F. H. Read. No. i in M.155.39 
Stolba, Josef. 

Die Dickschadel. Tvrde palice. Komische Oper. Musik 
von Anton Dvorak. M.30S.33 

Stolberg-Stolberg, Friedrich Leopold, Reichsgraf zu. 

The ballad of a knight and his daughter. For chorus and 
orchestra by H. W. Parker. No. 3 in M.155.35 

Stoltz, Rosine. 

Perignon, E. Rosine Stoltz. [Paris. 1847] No. 7 in M.I97.3 
Stolz, Jakob. 

Auf dem See. Chor fiir Mannerstimmen. Op. 30. 2. Aut- 
lage. Wien. Gloggl. [1867?] No. 52 in M.392.25 



Stolze, Heinrich Wilhelm. 

Der Tempel des Herrn. Kantate nach Worten der Heil. 
Schrift zusammengestellt. In Musik gesetzt von H. W. 
Stolze. Partitur. Leipzig. Breitkopf & Hartel. [183-?] 

No. 2 in M.290.3 
Der Wunderbare. Hymne in Musik gesetzt von H. W. 
Stolze. Partitur. Wolfenbiittel. Hartmann. [1829.] 

No. I in M.290.3 
Stommel, Gottfried. 

Sarastro. Musik-Drama in 3 Aufziigen von K. Goepfart. 

M.270.41 
Stonard, William. 

Ding dqng bell. Canon, 3 in I, with a plain song. (In Vocal 
harmonist's magazine. Vol. i, pp. 74-77-) 

No. 4 in M.220.5 
Also to be found in Warren's Collection of catches. 
Magnificat & Nunc dimittis [in C]. (In Rimbault. Collec- 
tion of ancient church music. Vol. 2, pp. 78-90.) 

No. S in M.233.25.2 
Stone, Catherine Gushing Graupner, compiler. 

Gottlieb Graupner. "The pioneer of classical music in 
America." Berkeley. 1906. Portrait. M.380.65 

Typewritten. Contains genealogical notes. 
Stone, Henry M. 

The harpsichord, or union collection of sacred music. By 
Leonard Marshall and Henry M. Stone. Boston. 1852. 

M. 100.23 
Stone, Horatio. 

Eleutheria. A hymn to liberty. Music by George Henry 
Curtis. M.231.8 

Stone, Melville Edwin. 

The flying Dutchmen. '97 Hasty Pudding play. Music by 

J. A. Carpenter. No. i in M.391.36 

Stone, Samuel John. 

The first Christmas morn. A Biblical pastoral. The music 

by Henry Leslie. No. 3 in M.194.17 

Stone, Walter George, editor. 

A list of all the songs and passages in Shakspere which 
have been set to music. Compiled by J. Greenhill, W. A. 
Harrison and F. J. Furnivall. The words in old spelling 
from the quartos and first folio, edited by F. J. Furnivall 
and W. G. Stone. London. 1884. No. i in M.215.9 

Stone, William Henry. 

The scientific basis of music. London. Novello, Ewer & 
Co. [188-?] lUus. [Music primers.] 

No. 2 in M.117.S; No. 4 in M. 216.13 
Sound and music. London. Macmillan & Co. 1876. Illus. 
[Science lectures at South Kensington.] No. 2 in M. 128.36 
Storace, Stephen. 

Against the shaft of cruel fate. Glee [s. a. t.]. (In The 
Apollo. Vol. 4, pp. 306-309.) No. 15 in M.i39a.i8.4 

The carpet weaver. A song [x.] in Mahmoud. [Accomp. 
for pianoforte.] London. Dale. [18 — ?] No. 32 in M.237.7 
The Cherokee. An opera in three acts. [Words by James 
Cobb.] The music principally composed by Stephen 
Storace. [Accomp. for piano.] London. Dale. [I794-] 

No. 4 in M.130.14 

Down by the river. Song [t. Accomp. for pianoforte]. 

(In Musical library. Vol. 2, pp. 50, 51.) No. 20 in M.235.18.2 

Five times by the taper's light. Glee [s. s. A. B.]. (In 

Boosey's Standard English glees. Vol. i, pp. 53-SS-) 

No. 12 in M. 157.7 
Also to be found in Flowers of harmony ; The Harmonist ; Hullah's 
The Singer's library ; Musical library ; Warren's Cocks's Hand-book 
of glees. 
From shades of night. Part-song. Harmonized by Joseph 
Corfe. (In Hullah. The Singer's library. Secular. Pp. 
7_ 8.) No. 29a in M. 157.2 

The haunted tower. A comic opera in 3 acts [by James 
Cobb]. The music selected, adapted & composed by 
Stephen Storace. [Accomp. for piano.] London. Long- 
man & Broderip. [1789-] No. 3 in M.340.11; No. i in M.340.15 
The iron chest. Opera. Composed for the voice and piano 
forte. By Stephen Storace. [Words by George Colman, 
the Younger.] London. Walker. [1796.] No. 2 in M.225.38 



144 



Storace 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Storch 



Storace, Stephen. (Continued.) 

Kehre wieder holder Friede. [Mannerchor.] (In Orpheus. 

Band 4, pp. 14, 15.) No. 124 in M.i29a.43.4 

Let shepherd lads and lasses. Finale to "No song, no 

supper." (In Turle and Taylor. The People's music book. 

Vol. 3, pp. 250-258.) No.8sinM.iii.4.3 

[Lodoiska. Opera in 3 acts by J. P. Kemble. Music by S. 

Storace. Accomp. for pianoforte. London. I. Dale. 

1794.] No. 2 in M.120.31 

The title-page is missing. 

Lullaby. [Part-song.] Harmonised by S. Harrison. (In 

The Apollo. Vol. S, pp. 389. 390.) No. 21 in M.isga.iS.s 

Same. Harmonised by V. Novello. (In Musical times. 

[Music] Vol. S. PP- 23-25.) No.8inM.i75.i.s 

Same. Harmonised by [Hullah]. (/n Hullah. The Singer's 

library. Secular. Pp. 79, 80.) No. 17a in M.157.2 

Mahmoud & The iron chest. Composed by Stephen Storace. 

Adapted for the piano forte or harpsichord by Joseph 

Mazzinghi. London. Mrs. Storace. [i797?] Portrait. 

No. I in M.340.14 

The words of Mahmoud were written by Prince Hoare. 

My grandmother. A musical entertainment. [Accomp. 

for piano.] London. Dale. [1796.] No. 3 in M.140.18 

Peaceful slumb'ring on the ocean. Song [t. Accomp. for 

pianoforte]. (In Musical library. Vol. 3, p. 176.) 

No. 58 in M.235.18.3 
The pirates. An opera in 3 acts [by James Cobb]. The 
music composed by Stephen Storace. [Accomp. for 
pianoforte.] London. Dale. [1792.] 

No. 2 in M.340.14; No. 3 in M.340.16 
The sapling oak. Song [s. or t. Accomp. for pianoforte]. 
(In Musical library. Vol. 3, pp. 106-108.) 

No. 35 in M.235.18.3 
The Siege of Belgrade. An opera in 3 acts [by James Cobb]. 
The music by Stephen Storace. [Accomp. for piano- 
forte.] London. Dale. [1791-] No. i in M.340.16 
Sweet little Barbara. [Duet, s. t. Accomp. for pianoforte.] 
(In Flowers of harmony. Vol. 3, pp. I-7-) 
Also to be found in The Harmonist. No. I in M. 157.18.3 
There the silver'd waters roam. A favorite song in the 
Pirates [t. with figured bass]. London. Dale. [1792?] 

No. 32 in M.384.48 
Also to be found, with accomp. for piano, in Musical library. 
Toll, toll the knell. Song [s. or T. Accomp. for pianoforte]. 
(In Musical library. Vol. i, pp. 14-16.) 

No. 7 in M.235.18.1 
When 'tis night and the mid-watch is come. In the enter- 
tainment called The glorious first of June. [Song, s., 
with chorus and pianoforte accomp.] London. Birchall. 
[179-?] No. 28 in M.384.48 

With lowly suit. In No song, no supper. [Song, s. Ac- 
comp. for pianoforte.] London. Goulding, Phipps & D' 
Almaine. [i79-?] No. 24 in M.237.7 

Also to be found in Musical library. 
Storch, Anton M. 
Abendgelaute. [Mannerchor. Wien. Schreiber. 1875?] 

No. 23 in M.392.39 
Bei'n Bachel. [Mannerchor.] Hamburg. Cranz. [188-?] 

No. 10 in M.392.26 

Bltimchen am Hag. [Mannerchor.] (In Regensburger 

Liederkranz. Pp. 242-244.) No. 90 in M.i29a.44 

Da Bua in da Angst. [Mannerchor.] Wien. Buchholz & 

Diebel. [188-?] No. 9 in M.392.26 

Dearest, awake! See his Liebchen, wach' auf! 

„Du bist not d'Erste," aus C. A. Kaltenbrunners „Oester- 

reichische Lieder." Fiir Mannerstimmen mit Begleitung 

des Pianoforte componirt von A. M. Storch. Wien. 

Schreiber. [187-?] No. 5 in M.270.13 

Ermanne dich, Deutschland! Chor fiir Mannerstimmen und 

Soli, mit Begleitung von 2 Trompeten, 4 Horner, 3 

Posaunen und Bombarden, oder Pianoforte. [Partitur 

und Klavierauszug.] Wien. Gloggl. [1861.] 

No. 2 in M.203.5 

The faithful comrade. [Part-song, t. t. b. b. Boston.] 

Schmidt & Co. 1887. No. 5 in M.392.26 

III 19 



Storch, Anton M. (Continued.) 

Friihlingswonne. [Mannerchor.] (In Stuttgarter Lieder- 
kranz. Miinnerchor-Album. Pp. no, 11 1.) No. 5 in M.203.22 
Gebet vor der Schlacht. [Mannerchor.] (In Regensburger 
Liederkranz. Pp. 65-68.) No. 29 in M.i29a.44 

Same. Prayer before battle [t. t. b. b.]. (In Chickering 
collection. Vol. 2, pp. 8, 9.) No. 4 in M.392.48.2 

Das Heim. Mannerchor mit Soloquartett und Horn- 
begleitung Oder Pianoforte. [Partitur.] Hamburg. Cranz. 
[188-?] No. 4in M.212.17 

Die Heimath. Fiir Mannerchor (mit Solo-Quartett). Leip- 
zig. Leuckart. [186-?] No. i in M.392.26 
Husarenlied [t. t. b. b.]. (In Abt. Deutsche Sangerhalle. 
Vol. I, pp. 14, 15.) No. 4 in M.392.42.1 
Sa.-ae. Hussar song [x. x. b. b.]. (In Chickering collection. 
Vol. 2, pp. 26, 27.) No. II in M.392.48.2 
Husaren-ijrlaub. Mannerchor. Wien. Schreiber. [1875?] 

No. 21 in M.392.39 

Ich Hebe Dich. Fiir Mannerchor mit Soli. Wien. Spina. 

[1877?] No. 19 in M.392.39 

Same. I love but thee. [Part-song, t. t. b. b.] Boston. 

Schmidt. [1880. Apollo Club collection.] 

No. 20 in M.392.24; No. 13 in M.3g2.38 
Ich hab' von dir getraumet. Fiir vier Mannerstimmen. 
Wien. Schreiber. [1877.] No. 3 in M.392.26 

Ich weiss eine Schmiede. Mannerchor mit t. Solo. Wien. 
Spina. [1877.] No. II inM.392.38; No. 20 in M.3g2.39 

Im Traume. [Mannerchor.] Wien. Buchholz & Diebel. 
[188-?] No. 7 in M.392.26 

Johannisfeier (Dalmatischer Hochzeitzug). Achtstimmiger 
Chor mit Bass-Solo. [Mit vierhandiger Pianoforte- 
Begleitung.] Wien. Schreiber. [187-?] No. 7 in M.270.13 
Die Karthause. Fiir vier Mannerstimmen mit Begleitung 
von vier Waldhornern (ad libitum). 15. Werk. Wien. 
Mechetti. [186-?] No. 16 in M.203.8 

Liebchen, wach' auf! (Pizzicato-Serenade.) Fiir Manner- 
stimmen (Soli und Chor) mit Begleitung von 2 Violinen, 
Viola, Violoncelle und Contrabass oder Pianoforte. Par- 
titur. Wien. Schreiber. [187-?] 

No. 4 in M.270.13; No. 6 in M.2i2.i7 

Same. Dearest, awake! Pizzicato-serenade [x. x. b. b,, with 

solos]. English words by Charles J. Sprague. Boston. 

Apollo Club. 1880. No. 12 inM.392.38 

Lied den deutschen Schiitzen in Wien, 1868 [x. x. b. b.]. 

Wien. Spina. [1870?] No. 6 in M.392.26 

,,'s Liimperl." Fiir Mannerchor. Wien. Schreiber. [1877.] 

No. 2 in M.392.26 

March [x. i. b. b.]. (In Chickering collection. Vol. i, pp. 

70-73.) No. 32 in M.392.48.1 

Miihlenlied. Fiir Mannerstimmen mit Begleitung des 

Pianoforte. Wien. Buchholz & Diebel. [187-?] 

No. 5 in M.212.17 
Nachtzauber. [Mannerchor.] Wien. Buchholz & Diebel. 
[ 188-?] No. 8 in M.392.26 

Nun sag' ich gute, siisse Nacht. [Mannerchor. Wien. 
Schreiber. 1875?] No. 22 in M.392.39 

O Welt, du bist so wunderschon! Mannerchor, mit Soli 
[x., BAR]. Wien. Spina. [1877.] No. 4 in M.392.26 

Prayer before battle. See his Gebet vor der Schlacht. 
Schiffergebet. Mannerchor mit Tenor-Solo und vier- 
handiger Pianoforte-Begleitung. Wien. Schreiber. [187-?] 

No. 6 in M.270.13 
Serenade [x. solo, x. x. b. b.]. Brooklyn. Molineux. [1882. 
Amphion's collection.] No. 15 in M.392.26 

Also to be found in Chickering collection. 
Silbernes Bachlein im tiefen Thai. [Mannerchor.] Ham- 
burg. Cranz. [188-?] No. 11 in M.392.26 
Solitude. Waldeinsamkeit. [Part-song, T. i. b. b.] Phila- 
delphia. Boner & Co. [1886. Germania Glee Club col- 
lection.] No. 14 in M.392.26 
With English and German words. 
Der treue Kamerad. Mannerchor mit Begleitung des Wald- 
horn und Pianoforte. [Partitur.] Wien. Spina. [1873?] 

No. 7 in M.212.17 

145 



Storch 



THE PUBLIC LIBRARY OF THE CITY OF BOSTON 



Stransky 



Storch, Anton M. (Continued.) 

Und dann nicht mehr. [Mannerchor.] Hamburg. Cranz. 

[i88-?] No. 12 in M.392.26 

Vorwarts in die Schenke. [Mannerchor.] (In Regens- 

burger Liederkranz. Pp. 197-203.) No. 79 in M.i29a.44 

Wenn alle Briinnlein fliessen. Mannerchor. Hamburg. 

Cranz. [ 188-?] No. 13 in M.392.26 

Storchs Ankunft. Song. Taubert, C. G. W. Klange aus der 

Kinderwelt. Heft 7- No. 11 in M.192.7 

Storer, John. 

Concert overture, in G major. Full orchestra. [Full score.] 
London. National Music Co. [1886.] No. 3 in M.347.17 
The punch bowl, or the royal brew. Comic opera in 2 acts. 
Written by T. Murray Ford. Music by John Storer. 
Vocal score with pianoforte accomp. London. Agate & 
Co. [1887.] No. 3inM.300.s 

Stork's return, The. Part-song. Marschner, H. A. 

No. 32 in M.204.36.5 
Storks, The. Opera. For the Music see Chapin. For the 

Libretto see Carle. 
Storm, The. Part-song. Otto, F. No. 43 in M.246.36 

Storm, The. Song. Jackson, W., of Exeter. No. 42 in M.237.7 
Storm, The, at sea. Part-song. Duerrner. No. 36 in M.204.38 
Storm king, The. Cantata. For the Music see Baker, B. F. 

For the Libretto see Ticknor. 
Stormy Lannow. Glee. Callcott, J. W. No. 4 in M. 218.8.8 
Stornello trasteverino. Duet. Campana. No. 15 in M.244.g 

Story, J. 

L'orpheline. (Het arme kind.) Operette. Pour voix d 
enfants. Musique de Ch. Miry. No. 3 in M.301.16 

Story, The, of a musical life. Autobiography. Root, G. F. 

M.107.3 
Story, The, of Elaine. Cantata. For the Music see Hutchi- 
son, W. M. For the Libretto see Jaxone. 
Story, The, of Sayid. Cantata. For the Music see Mackenzie, 

A. C. For the Libretto see Bennett, J. 
Story, The, of the Cross. Cantata. For the Music see 

Buck, D. 
Stosst an, trinkt aus. Volksweise. [Mannerchor.] (In Das 
RUtli. Pp. 465, 466.) No. 197 in M.147.4 

Stout Hodge. Catch. Arne, T. A. No. 166 in M.220.9.1 

Stout Richard. Catch. Hook, J. No. 105 in M.220.9.3 

Strachwitz, Moritz Carl Wilhelm Anton, Graf von. 

Pharao. (Ballade.) Fiir einstimmigen Mannerchor und 
Orchesterbegleitung komponirt von Ed. Kollner. 

No. 5 in M.203.13 

Wie ein fahrender Hornist sich ein Land erblies. (Dich- 

tung.) Fiir Soli und Mannerchor mit Begleitung des 

Orchesters von Templeton Strong. No. 6 in M.202.29 

Strad, The. A monthly journal for professionals and amateurs 

of all stringed instruments played with the bow. Edited 

by Eugene Polonaski. Vol. 1-22. May, 1890-April, 1912. 

London. 1891-1912. 22 v. Illus. Portraits. M.372.31 

Stradella, Alessandro. 

Dove Battista. Quintetto [s. s. a. t. b. Accomp. for piano- 
forte]. {In Novello. The Fitzwillian music. Vol. 4, pp. 
30-32.) No. 5 in M.233.26.4 

Nel seren de' miei contenti. Duo [s. b. Dal oratorio San 
Giovanni Battista con stromenti]. (In Deldevez. Fon- 
dation de I'opera en France. Pp. 27-30.) No. 9 in M.356.11 
Pieta, Signore. Air d'eglise [s. ou T. Accomp. de piano]. 
Paris. Choudens. [184-?] No. 24 in M.260.10.2 

Also to be found in Lira d'ltalia. 
Serenata [a 3 voci, con strumenti. Partitura]. Leipzig. 
Druck der Gesellschaft. 1888. [Supplemente, enthaltend 
Quellen zu Hiindel's Werken. 3.] No. 2 in M.415.20.1 

Stradella. Opera. For the Music see Flotow, F. F. A. von; 
also Niedermeyer. For the Libretto see Riese; also 
Deschamps de Saint-Amand. 
Stradella. Part-song. Pinsuti, C. E. No. 30 in M. 195.1.5; etc. 
Stradivari, Antonio. 

Fetis, F. J. Notice of Anthony Stradivari, the violin- 
maker. Preceded by researches on bow instruments. 



Stradivari, Antonio. (Continued.) 

Translated by John Bishop. London. 1864. Illus. Fac- 
simile. M.105.24 
Petherick, H. Antonio Stradivari. London. 1900. Illus. 
Portraits. M.376.19 
Straesser, Ewald. 

Zwei Quartette fiir 2 Violinen, Bratsche und Violoncell. 
Op. 12, No. I, E moll; No. 2, G dur. Partitur. Berlin. 
Simrock. 1901. 2 v. in i. No. 3, 4 in M.40S.80 

Straeten, Edmond van der. 

Curiosites de I'histoire musicale des anciens Pays-Bas. 
Paris. Librairie artistique. 1867. Portraits. Plate. 
Forms Vol. i of his La musique aux Pays-Bas. M.X34-3 

J. F. J. Janssens, compositeur de musique. Bruxelles. 
Sannes & cie. 1866. [Biographic nationale.] 

No. 4 in M.149.22 

Jacques de Saint-Luc, luthiste athois du xvn<= siecle. Paris. 

Schott. 1887. Portrait. No. 2 in M.122.1 

La melodie populaire dans I'opera Guillaume Tell de 

Rossini. Paris. Baur. 1879. No. i in M.206.19 

Les musiciens neerlandais en Italic du I4e au ige siecle. 

Bruxelles. Van Trigt. 1882. Plates. Facsimiles. 

This work forms Vol. 6 of La musique aux Pays-Bas. M.133.3 

La musique aux Pays-Bas avant le xix^ siecle. Bruxelles. 

Muquardt. 1867-88. 8 v. Portraits. Plates. Facsimiles. 

M.I33-4 
Same. [Prospectus.] Bruxelles. Muquardt. 1867. 

No. I in M.149.22 

Notice sur Andre van der Meulen. Gand. Hebbelynck. 

1853. No. 2 in M.149.22 

Notice sur Lievin van der Cruyce dit Crucius. Lille. 

Lefebvre-Ducrocq. 1862. No. 3 in M.149.22 

Turin musical. Pages detachees. Audenarde. Bevernaege 

van Eechaute. 1880. No. 6 in M.206.S 

Voltaire musicien. Paris. Baur. 1878. M.133.S 

Strage, La, degli innocenti. Oratorio. Perosi. M.415.18 

Strahlt zuweilen. Song. Brahms. Lieder und Gesange. Op. 

57, Heft 2. No. i in M.380.40.2 

Strain, The, upraise. Anthem. Buck, D. No. 5 in M.290.11 

Strakosch, Clara Louise. 

Italian opera as illustrated by Adelina Patti. Illus. Por- 
traits. (In The music of the modern world. Vol. i, pp. 
6-10. New York. [1895.]) M.14.1.1 

Strakosch, Moritz. 

Confession de jeune fille. Capricetto [pour piano]. Por- 
trait. Facsimile. (In Album du Gaulois. Vol. 2.) 

No. 25 in M.391.28.2 

Souvenirs d'un impresario. 2e edition. Paris. Ollendorff. 

1887. M.127.20 

Strange adventures. The, of Jack and the beanstalk. Opera. 

For the Music see Sloane. For the Libretto see Barnet. 

Strange news from the Rose. Catch. Wise. 

No. 115 in M.110.1.2; etc. 
Strange that such difference. Catch [for 6 voices]. (In War- 
ren. Vocal harmony. P. 78.) No. 51 in M.220.10 
Strange were the life. Madrigal. Bateson. First set of 
madrigals. No. 2 in M.234.22 
Straniera, La. Opera. For the Music see Bellini. For the 

Libretto see Romani, F. 
Stransky, Josef. 

Friedrich Smetana, Mein Vaterland. Erlautert. Frankfurt 
a. M. Bechhold. [1898. Der Musikfiihrer. No. 93-95-1 

No. 14-16 in M.217. 12.4 
Contents. — I. Vysehrad. 2. Vltava; Sarka; Aus ISohmen's Hain und 
Flur. 3. „Tabor"; „Blanik." 
„In der Ahnengruft." Ballade fur Mannerchor und grosses 
Orchester. Clavierauszug und Stimmen. Leipzig. Schu- 
berth & Co. [1886?] No. 2 in M.203.22 

Richard Wagner, „Eine Faustouverture." Erliiutert. Frank- 
furt a. M. [1898. Der Musikfuhrer. No. 137] 

No. II in M.217.12.6 

Robert Fuchs, Symphonic in C-dur, Op. 37. Erlautert. 

Frankfurt a. M. Bechhold. [1897. Der Musikfuhrer. 

No. 60.] No.8inM.2i7.i2.3 



146 



Strassburg 



THE ALLEN A. BROWN COLLECTION OF MUSIC 



Strauss 



Strassburg. Music. 

Berg, C. M. Apergu historique sur I'etat de la musique a 

Strasbourg, pendant les cinquante dernieres annees. 

Strasbourg. 1840. No. 3 in M.218.4 

Strassburg 1870. Overture. Nessler. No. S in M.34S.30 

Stratonice. Opera. For the Music see Diet; also Fournier, 

A.; also Mehul. For the Libretto see Chardon; also 

Gallet; also Hoffman, F. B. 

Stratton, George W. 

Dobbs' farm. Operetta. [Accomp. for pianoforte.] Boston. 
Stratton & Co. 1895. M.396.60 

Edelweiss. A cantata for school-room practice and singing- 
classes of young folks. [Accomp. for pianoforte.] Bos- 
ton. Stratton & Co. 1893. M.396.61 

The fairy grotto. An operetta. [Accomp. for piano.] 
Boston. Stratton & Co. [1872.] M.110.6 

Genevieve. An operetta, by G. W. Stratton. [Libretto by 
Mrs. L. L. Stratton. Accomp. for piano.] Boston. 
Stratton. 1870. M.100.37; No. 3 in M.208.33 

Isadore. Operetta. [Accomp. for pianoforte.] Boston. 
Stratton & Co. 1893. M.395.54 

"This work is the operetta 'Genevieve' with one change in the first act, 
the second act most wholly rewritten in order to introduce a tenor." — 
Preface. 

Lady Bount