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http://www.archive.org/details/catalogueofearlyOOIibriala
LIBEAEY OF OONGEESS
CATALOGUE
OF
EARLY BOOKS ON MUSIC
(BEFORE 1800)
BY
JULIA GREGORY
OF THE CATALOGUE DIVISION
PREPARED UNDER THE DIRECTION OF
O. G. SONNECK
CHIEF OF THE DIVISION OF MUSIC
29093
WASHINGTON
GOVERNMENT PRINTING OFFICE
1013
L. C. card, 12-35008
For Sale bt the
Superintendent of Documents
Government Printing Office
Washington, D. C.
Price, 60 Cents
ML
PREFATORY NOTE
The "musical renaissance" movement is placing ever increasing
treasures of olden time music before us in the form of "Denkmaler"
and similar, more or less, monumental publications, edited by com-
petent musical scholars. Thus the old mastery of music are again
accessible to libraries which could not and can not acquire them in
the very costly and scarce original editions, and this remark applies
for obvious reasons to practically all American libraries.
While therefore the evolution of modern music may be fairly well
reconstructed through the medium of these modem editions of old
music, it is entirely different with the old books on music in which
there lies stored such a great wealth of historical suggestion and fact.
They are not accessible in reprint, if we except certain works by
standard authors — I mention at random Altenburg, Agricola, St.
Augustine, Bach, Blankenburgh, Boethius, Diruta, Glarean, Haw-
kins, Mattheson, Parfaict, Praetorius, Quantz, Ramos de Pareja,
Schlick, Virdung, Zacconi. Confronted by this fact, the Library of
Congress, immediately after the reorganization of the Music Division
in 1902, undertook systematically to collect the old books on music
in the original (because practically, only available) editions. In the
short space of ten years it was, of course, impossible to acquire every
rare book of moment and in some instances this was due less to
rarity than to prohibitive cost. Fortunately, a few such books
are available either in modern reprints at the Library of Con-
gress, or they found their way years ago, when prices were less
exasperating, to other American libraries, principally the Boston
Public, the New York Public and the Newberry Library of Chicago.
It would be unsafe to assume that an old book on music is not to be
found in America because it happens to be wanting here in the largest
American collection of the kind.
Possibly, if fortune favors us, certain annoying gaps in our own
collections, annoying because of the otherwise comprehensive character
of the collections, will gradually disappear. But, whether or not
fortune will so favor us, it was felt that the publication of a catalogue
of the old books on music already in the Library of Congress — prob-
ably more than a third of the entire output before 1800 — had become
advisable in the interest of musicology at home and abroad. One
point, however, should not be overlooked. It has not been the
policy of the Library of Congress to collect every or even many edi-
3
4 LIBRAKY OF CONGRESS
tions of a rare book, much less every known translation. The mat-
ter embodied in the edition usually decided our choice of edition.
Nor did first editions without distinguishing matter tempt us, merely
because they were Jlrst editions. Such a complete representation of
the typographical history of a book may be and is a legitimate desid-
eratum in special collections, but is not necessarily an essential in a
general collection as planned by the Library of Congress.
This catalogue is practically the work of Miss Julia Gregory of the
Catalogue Division, and, with revisions and certain modifications,
represents the catalogue cards prepared since 1902. The adoption of
the Anglo-American code of rules some years later will account for
occasional slight variations in form between earher and later entries.
Suggestions that would naturally be offered from time to time by the
chief of the Music Division, in whose custody the books are kept,
have not materially affected the character of Miss Gregory's work.
He assumes, however, the full responsibility for the form of this
book, and for a few minor deviations from the code of "Catalogue
rules, compiled by Committees of the American Library Association
and the (British) Library Association," published 1908 with the
modifications in force in the Catalogue Division of the Library of
Congress. In case of doubt as to the meaning of a collation, etc., the
user of the Catalogue is referred to that publication.
To avoid misunderstanding, it may be stated that the entries have
as a rule been restricted to books dealing exclusively or in an essential
degree with music. Many of the latter are not shelved in the Music
Division, but elsewhere, and this accounts for classification symbols
other than M, ML and MT to be found in this catalogue. Books dealing
only incidentally with music, such as Forkel, for instance, enumerates,
have been excluded for practical reasons, though their incidental
musical matter may possess a greater scientific value than treatises
devoted exclusively to music. Finally, a subject index has been
dispensed with after mature reflection, principally because the old
books do not lend themselves satisfactorily to modern subject head-
ings, and because a really useful subject index would have involved
analytical labor of such magnitude as to be clearly out of proportion
to its usefulness for the musicological expert, the person for whom
alone it could possess a practical value. At the end of the volume
will be found an ''Index to anonymous works, including references
to special contents" as compiled by me, and entries for books received
too late for insertion in the main alphabet.
O. G. SONNECK
Chief, Music Division
Herbert Putnam
Librarian of Congress
Washington, D. C, May, 1913
EARLY BOOKS ON MUSIC
A.
See Sendschreiben an die herren verfasser der Freyen urtheile,
1750. •
A., J. A.
See Keinspeck, M. Liliu musice plane [1506]
ABC Dario musico. Bath, Printed for the authors, and sold at
the rooms; [etc., etc.] 1780.
1 p. 1., iii, [5]-51 p. 21^""'.
Critical notices of the principal muracians of the period, resident in England.
ML105.A2A2
Aaron, Pietro.
Compendiolo di molti dvbbi, segreti et sentenze intorno al canto
fermo, et figvrato, da molti eccellenti & consumati musici dichiarate,
raccolte dallo eccellente & scienzato autore frate Pietro Aron del
ordine de Crosachieri & della inclita citta di Firenze. In memoria
etema erit Aron, et nomen eius nunquam destruetur. In Milano,
Per lo. Antonio da Castelliono stampatore [ca, 1545]
[76] p. 21i«'».*
Printer's mark on t.-p. Signatures: 4 1. unsigned, A-C, A-D in fours, E in
six.
ML171.A11
Libri tres de institvtione harmonica editi a Petro Aaron Flor^tino
interprete lo. Antonio Flam. Foro Cornehte. [Colophon: Impressum
Bononise in aedibus Benedicti Hectoris bibliopolae bononiensis.
Tempore pontificatiis domini nostri Leonis pape decimi. mcccccxvi]
62 numb. 1. 20*"™.
Title within ornamental border; printer's mark at end. Leaf 39 numbered 38.
ML171.A15
Lvcidario in mvsica di alcvne oppenioni antiche, et moderne con
le loro oppositioni, & resolutioni, con molti altri secreti appresso, &
question! da altrui anchora non dichiarati, composto dall' eccellente,
& consumato musico Pietro Aron del ordine de Crosachieri, & della
citta di Firenze. [Colophon: In Vinegia appresso Girolamo Scotto.
Nel M.D.XLV]
12 unnumb. 1., 41 numb. 1. illus. (port.) 21Jxl5i''™.
ML171.A16
Toscanello in mvsica di messer Piero Aron . . . nvovamente stam-
pato con laggivnta da Ivi fatta et con diligentia corretto . . .
[Colophon: Stampato in Vinegia per maestro Bernardino & maestro
Matheo de Vitali Venitiani el di v. de iuUi mille cinquecento. xxix.]
[124] p. illus. 29^^™.
Initials. Signatures: a, A-K in fours, L in six, M-N in fours, O in six. On
verso of [a iiii] is a full page illustration representing Aaron in his lecture room
which appears also in his "Trattato," 1525. In this copy the signature L 6, origi-
nally blank, contains in contemporary (?) hand "Versus de ligaturis i musica "
an'^ commentary.
ML171.A13
6 LIBRARY OF CONGRESS
Aaron, Pietro — Continued.
Trattato della natvra et cognitione di tvtti gli tvoni^di canto
figvrato non da altrvi piv scritti, composti per Messer Piero Aaron
mvsico fiorentino canonico in Rimini maestro di casa del reve^° et
magnifico cavaliere hierosolimitano Messer Sebastiano Michele priore
di Vinetia. [Colophon: Impresso in Vinegia per Maestro Bernardino
de Vitali Venitiano el di qvarto di agosto. m.ccccc.xxv. Con
privilegio]
[48] p. illus. SOJ"".
Signatures: 3 1. unsigned, a in three, b-d in twos, e-^ in fours.
Title within ornamental border, consisting of an architectural design supported
by columns, with portraits of famous classical authors, and at foot the Muses in two
groups; initials.
Bound with L. of C. copj^ of the author's Toscanello in musica, is a supplement
to the present work, comprising 12 p., sig. aa-[aa6], with colophon "Stampato ia
Vinegia per Bernardino de Vitali Venetiano. m.d.xxxi," but without title.
ML171.A14
Abbe lejils.
See Saint-Sevin, Joseph Barnabe.
Abercorn, James Hamilton, 7th earl of, 1685-1744.
See Pepusch, J. C. A short treatise on harmony, 1730.
Abguerbe, Quentin Godin d'.
See Godin d' Abguerbe, Quentin.
Abhandlung von den pantomimen, historisch und critisch
ausgefiihrt. Hamburg, C. S. Geissler, 1749.
6 p. 1., 81 p. ISi-^".
Preface dated: Hambui^, im jennennonate, 1749.
Attributed to Johann Mattheson by Paul Trommsdorff (Zeitschrift fur biicher-
freunde x 3 beiblatt p. 7) on the authority of the Gesamtkatalog der preussi-
schen bibliotheken. In the British museum catalogue the work is ascribed to
Johann Christoph Strodtmann.
ML3460.A2A14
Abreu, Antonio.
Escuela para tocar con perfeccion la guitarra de cinco y seis
ordenes, con reglas generales de mano izquierda y derecha. Trata
de las cantorias y pasos dificiles que se pueden ofrecer, con metodo
facil de executarlas con prontitud y limpieza por una y otra mano.
Compuesta por D. Antonio Abreu . . . Ilustrada y aumentada con
varios divertimientos honestos y utiles para los aficionados a este
instrumento: por el P. F. Victor Prieto ... La da a luz su apa-
sionado N. N. Salamanca, En la imprenta de la Calle del prior, 1799.
107 p. 3 pi. (music) 20'=°'.
MT582.A2A2
EARLY BOOKS ON MUSIC
Academy of ancient music, London.
Letters from the Academy of ancient musick at London, to Sig"^
Antonio Lotti of Venice : witK his answers and testimonies. London,
Printed by G. James, 1732.
1 p. 1., 41 p. 20"
icm
The letters are given in the original Latin, French or Italian, with English
translation on opposite pages.
ML410.L88A2
R. Accademia filarmonica, Bologna.
Statuti ovvero costituzioni de' signori accademici filarmonici di
Bologna promulgati sotto gU auspici dell' eminentissimo, e reveren-
dissimo principe il Sig. cardinaie rietro Ottoboni'. . . degnissimo
protettore di detta accademia. Bologna, G. B. Bianchi, 1721.
4 p. 1., 52 p. 23"°'.
ML290.8.B68A3
Adami da Bolsena, Andrea, 1663-1742.
Osservazioni per ben regolare il coro de i cantori della Cappella
pontificia, tanto nelle funzioni ordinarie, che straordinarie, fatte da
Andrea Adami da Bolsena, tra gl'Arcadi Caricle Piseo, maestro della
medesima cappella . . . Roma, A. de' Rossi, 1711.
10 p. 1., xlvj, 215, [3] p. illus. (ports.) port. 24^ x l?""".
Title vignette; tail-pieces. Added t.-p., engr.
MT88.A2A19
Adgate, Andrew, d. 1793.
See Introductory lessons, practised by the Uranian society [1785]
Adlung, Jacob, 1699-1762.
M. Jacob Adlungs . . . Anleitung zu der musikalischen gelahrt-
heit; theils vor alle gelehrte, so das band aller wissenschaften
einsehen; theils vor die liebhaber der edlen tonkunst uberhaupt;
theils und sonderlich vor die, so das clavier vorzilglich lieben; theils
vor die orgel- und instrumentmacher. Mit kupfern und einer vorrede
des . . . herrn Johann Ernst Bachs . . . Erfurt, J. D. Jungnicol,
1758.
30, 814, [34] p. VIII pi. IS"'".
Pages 551 and 623 numbered 581 and 62 respectively.
ML100.A2A2
M. Jacob Adlungs . . . Anleitung zur musikalischen gelahrt-
heit, worinn von der theorie und praxis der alten und neuen musik,
von den musikaUschen instrumenten, besonders der orgel, nachricht
gegeben, und die in jedes fach gehorigen bucher bekannt gemacht
werden. 2. aufl., besorgt von Johann Adam Hiller. Dresden und
Leipzig, Breitkopfische buchhandlung, 1783.
8 p. 1., 976 p. VIII pi. 18"™.
The plates, numbered "tab. I-VIII," are on 4 folding leaves.
ML100.A2A23
8 LIBRARY OF CONGRESS
Adlung, Jacob — Continued.
Musica mechanica organoedi. Das ist: Griiiidlicher unterricht
von der struktur, gebrauch und erhaltung, &c. der orgeln, clavicym-
bel, clavichordien und anderer instrumente, in so fern einem orga-
nisten von solchen sachen etwas zu wissen ndhtig ist. Vorgesteflet
von M. Jakob Adlung . . . Aus der hinterlassenen handschrift des
seel. hrn. verfassers in ordnung gebracht, mit einigen anmerkungen
und einer vorrede versehen, und zum drucke bef6rdert von M. Johann
Lorenz Albrecht . . . Nebst zwey tabellen und vielen figuren.
Berlin, F. W. Birnstiel, 1768.
2 V. in 1 (v. 1: 3 p. 1., [3]— 291 p.; v. 2: 4 p. 1., xx, 185, [13] p., 1 1.) illus.,
11 diagr. on ii pi. 21^ x 18<=™.
Title of V. 2 varies slightly.
Contains additions by J. F. Agricola, and an autobiography of Adlung (v.
2, p. ii-xiv)
ML550.A2A2
M. Jakob Adlungs . . . Musikaliscbes siebengestirn. Das ist:
Sieben zu der edlen tonkunst geh6rige fragen, welche derselbe, auf
erhaltenen befehl der ChurMrstl. maynzischen akademie niltzlicher
wissenschaften in Erfurt, anf&nglich in lateinischer sprache beant-
wortet, nachgehends aber ins deutsche ilbersetzet nat. Aus der
hinterlassenen eigenen deutschen handschrift des seel, herm verfas-
sers mit einer vorrede ans licht gestellet von M. Johann Lorenz
Albrecht . . . Nebst einer noten-tabelle, Berlin, F. W. Birnstiel,
1768.
X, [ll]-34 p., 1 1. illus. 22ixl8i«».
MT50.A2A3
AfaUard, Michel 1'.
See L'Affillard, Michel.
Agricola, Johann Friedrich, 1720-1774.
See Adlung, J. Musica mechanica organoedi, 1768.
Agricola, Johann Friedrich, 1720-1774, translator.
See Tosi, P. F. Anleitung zur singkunst, 1757.
Agricola, Martin, 1480-1556.
Musica II Chora- |l lis || Deudsch. || Mart. Agricola. || 1533. [Colo-
phon: Gedriickt zu Wittemberg durch || Georgen Rhaw]
[96] p. 14^''™.
Title within historiated border, the sides formed by two figures playing the
flute and drum, with the first notes of a Te Deura for four parts above and below.
Signatures: A-F in eights (Eij and Eiij signed Dij and Diij respectively)
ML171.A24
Musica II Figu- || ralis 1| Deudsch. || Mart. Agricola. [Colophon:
Gedruckt zu Wit || temberg durch || Georgen Rhaw 1| m. d. xxxij]
[240] p. tables, diagr. 15^"
icm
EABLY BOOKS ON MUSIC 9
Ag^ricola, Martin — Continued.
Title in red and black, within historiated border with printer's mark.
On verso of t.-p.: Musica figuralis mit ihren zugeh6renden exempeln / sampt
einem besunderlichen schonen buchlein von den proportionibus / welche alien
gemeinen sengem / instrumentisten vnd anhebem dieser kunst / gantz ntitz-
barlich zu wissen / auffs einfeltigst vnd vorstentlichst ins deudsche verfasset.
In two parts. The second part has special t.-p. with ornamental border: Von
den II Propor- 1| cionibus. || Wie dieeelbigen inn |f die Noten wircken /vnd || wie
eie im figural ge- || sang gebraucht || werden. || Mart. Agricola. [Colophon:
Gedruckt zu Wittember^ || durch Georgen |J Rhaw]
Signatures: A-M in eights, N in four, A-B in eights, C in four (for Cii is
printed Bii)
ML171.A25
Musica instru- 1| metalis deudsch |J ynn welcher begrif- j] fen ist / wie
man || noch dem gesange aufF mancherley || Pfeiffen lernen sol / Auch
gen / vnd allerley
gegnindten Tabel-
wie auff || die Orgel / Harffen / Lauten / Gei-
Instrument vnd || Seytenspiel / noch der recht-
thur II sey abzusetzen. || Mart. Agricola. [Colophon: (jedriickt zu Wit-
temberg || durch Georgen Rhaw. m.d.xxx.]
Ivi numb. 1., 4 1. illus., 4 fold. pi. IS''"'.
In verse.
Title in red and black. Leaves and first three plates printed on both sides.
Leaves xxxviij, xlvij, liij numbered xxxvi, 47, liiij respectively. Part of plate 2
torn off.
Ms. note on fly-leaf (by A. Wotquenne?): Edition originale, quoiqu'en disc
Eitner, i, 60-61, qui confond toutes ces Mitions.
ML171.A26
Rvdimenta || mvsices, qvibvs canen- || di artificivm compen-
diosissime complexum, pue- jj ris vna cum Monochor- | di dimensione
traditur, || per || Mar. Agricolam. || Vitebergae apud | Geor. Rhaw.
Anno. II 1539.
[62] p. HJ^'".
Title within ornamental border.
Signatures: A-C in eights, D in seven (Biiij signed Ciiij) According to
Weckerlin's catalogue of the library of the Conservatoire national, Paris, 1885,
the work should comprise 40 leaves, the last part being a eulogy^ the science of
music in Latin verse by Johann Spangenberg.
ML171.A27
Aiguino, Uluxninato, h, 1520?
La illvminata de tvtti i tvoni di canto fermo, con alcvni bellissimi
secreti, non d'altrui piu scritti, composta per il reverendo padre frate
Illuminato Aiguino aa Bressa . . . V enetia, A. Gardano, 1562.
58 numb. 1., [4] p. 22'''". *»
Title vignette (port.) initials; printer's mark at end.
ML171.A28
II tesoro illvminato di tvtti i tvoni di canto figvrato, con alcvni
bellissimi secreti, non da altri piii scritti: nuouamente composto dal
reuerendo padre frate Illuminato Aijguino Bresciano . . . Venetia,
G. Varisco, 1581.
2 p. 1., 88 numb. 1., [8] p. port. 22^ x 17''™.
MT55.A2A8
ML1727.3.A2A52
10 LIBRARY OF CONGRESS
Alard, Lambert, 1602-1672.
Lamp. Alardi . . . De veterum musica liber singularis: in fine
accessit Pselli sapientissimi Musica e grseco in latinum sermonem
translata, autore eodem . . . Schleusingae, sumtibus H. Grosii jun.,
excusus typis P. Fabri, 1636.
11 p. 1., 203 p. fold. tab. 12J'='".
"¥sUoD Tijc fiooacKijc abvoipcc TiKpc^wKhf^X]" : p. 177-189. "Pselli De musica
compendium exactissimum. Interprete Lamperto Alardo": p. 189-203.
ML169.A2A6
Albar . . . , Comte d% psevd.
Lettre familiere de M. le comte d'Albar ... a M™^. la duchesse
de L * * *. Sur I'op^ra. [n. p., ca. 1790]
15 p. 2ii<=™.
Caption title.
Albert!, J., editor.
See Reichardt, J. F. Geist des Musikalischen kunstmagazins,
1791.
Albrecht, Johann Lorenz, 1732-1773.
M. Johann Lorenz Albrecht. Abhandlung ilber die frage: ob die
musik bey dem gottesdienste der christen zu dulden, oder nicht ...
Berlin, F. W. Birnstiel, 1764.
32 p. 20i X l?""".
ML3001.A5
Grundliche einleitung in die anfangslehren der tonkunst. Zum
gebrauche musikalischer lehrstunden nebst einer erkllirung der vor-
nehmsten sowohl in der vokal- als instrumentalmusik vorkommenden
kunstw6rter, und einem kurzen abrisse einer musikalischen bibho-
thek, abgefasset von m, Johann Lorenz Albrecht . . . Langensalza,
J. C. Martini, 1761.
8 p. 1., 136 p. 21i X 17^'^'^.
MT6.A2A34
Albrecht, Johann Lorenz, 1732-1773, editor.
See Adlung, J. Musica mechanica organoedi, 1768.
MusikaUsches siebengestim, 1768.
Albrecht, Johann Wilhelm, 1703-1736.
Tractatus physicus de efFectibus musices in corpus animatum,
authore D. Jo. Wilh. Albrecht . . . Lipsise, apud J. C. Martini,
1734.
4 p. 1., 136 p. loj'^'",
ML3820.A2A6
EARLY BOOKS ON MUSIC 11
Albrechtsberger, Johann Georg, 1736-1809.
Johann Georg Albrechtsbergers . . . GriindKche anweisung zur
composition; mit deutlichen und ausfuhrlichen exempeln, zum
selbstunterrichte, erl&utert; und mit einem anJiange: von der be-
schaffenheit und anwendung aller jetzt liblichen musikalischen in-
strumente. Leipzig, J. G. I. Breitkopf, 1790
2 p. 1., 440 p. 24i X 20"™.
MT40.A2A34
Kurzgefasste methode den generalbass zu erlernen, von herrn G.
Albrechtsberger . . . Wien und Mainz, Artaria compagnie [1792]
1 p. 1., 36 p. 24i X 35'''".
Engraved throughout.
"Beiapiele iiber alle intervalla " : p. 17-36.
MT49.A2A5
Alembert, Jean Le Rond d', 1717-1783.
Elemens de musique, theorique et pratique, suivant les principes
de M. Rameau. Paris, David I'aine [etc.] 1752.
xvj, 171, [1] p., 1 1. 10 fold. pi. (partly music) 20J<='°. {With Gresset, Jean
B. L. Discours sur I'harmonie. Paris, 1737)
ML3815.A2A5
Siemens de musique, theorique et pratique, suivant les prin-
cipes de M. Rameau, 6claircis, developpes et simplifies, par M.
d' Alembert . . . Nouv. ed., rev., cor. & considerablement augm.
Lyon, J.-M. Bruyset, 1762.
2 p. 1., xxxvj, 236, [3] p. 10 fold. pi. (partly music) 20"'".
"R^ponse h une lettre imprimee de M. Rameau " (p. 211-231) was first pub. in
Le Mercmre, March, 1762, as "Lettre a M. Rameau, pour prouver que le corps
sonore ne nous donne et ne peut nous donner par lui-meme aucune id^e dea
proportions."
ML3815.A2A52
filemens de musique, theorique et pratique, suivant les prin-
cipes de M. Rameau, eclaircis, developpes et simplifies, par M.
d' Alembert . . . Nouv. etl., rev., cor. & considerablement augm.
Lyon, J.-M. Bruyset, 1766.
2 p. 1., xxxvj, 236, [2] p., 1 1. 10 fold. pi. (partly music) 20"™.
ML315.8A2A53
Elemens de musique, theorique et pratique, suivant les prin-
cipes de M. Rameau, eclaircis, developpes et simplifies, par M.
d' Alembert . . . Nouv. ed., rev., cor. & considerablement augm.
Lyon, J. M. Bruyset, 1772.
2 p. 1., xxxvj, 236, [3] p. 10 fold. pi. (partly music) 20^"™. ( Tl^i^A Kalkbren-
ner, Christian. Histoire de la musique. Paris [etc.] 1802)
ML160.K14
Hrn. d' Alembert . . . Systematische einleitung in die musi-
calische setzkunst, nach den lehrs&tzen des herrn Rameau. Aus
dem franzdsischen libersetzt und mit anmerkungen vermehret von
Friedr. Wilh. Marpurg. Leipzig, J. G. I. Breitkopf, 1757.
6 p. 1., 136 p. 22i X 18J"
ML3815.A2A54
See also Baton, C. Examen de la lettre de M. Rousseau, 1753.
12 LIBRARY OF CONGRESS
[Alexis de Sainte Anne, brother]
Methode du chant ecclesiastique, qui contient les vraies regies de
la bonne modulation, & les premiers elemens de la composition . . .
[Paris] Impr. de C. J. F. Ballard, 1752.
iv, 62, [2]p. ITr"".
Signed: Frere Alexis de Sainte Anne, religieux carme de la province de
Touraine.
MT860.A2A36
Algarotti, Francesco, conte, 1712-1764.
Saggio sopra I'opera in musica . . . Livomo, M. ColteUini, 1763.
157 p. IS*"".
Title vignette. The author's name occurs in the caption of the dedication.
Includes the texts of Algarotti's librettos "Enea in Troja" and "Iphigenie
en Aulide."
Ist edition 1755.
ML3858.A37
An essay on the opera. Written in Italian by Count Alga-
rotti . . . Glasgow, R. Une, 1768.
iv, [3]-124, [2], 125-182 p. 16''«.
ML3858.A39
Allacci, Leone, 1586-1669.
Drammaturgia di Lione Allacci, accresciuta e continuata fino al-
I'anno mdcclv. Venezia, G. Pasquali, 1755.
4 p. 1., 1016 col. 24"".
Rev. and continued by Giovanni Cendoni, Apostolo Zeno and others.
1st edition Rome, 1666.
Z2354.D7A4
Allgemeine musikalische zeitung . . . 1.-50. jahrg., oct. 1798-
1848; neue folge 1.-3. jahrg., 1863-65; [3. folge] 1.-17. jahrg.,
1866-82. Leipzig, Breitkopf and Hartel; [etc., etc., 1798J-1882.
70 V. illus., plates, ports. 25^-30"™. weekly.^
Engraved title-pages. "Beylagen" (music) on separate sheets. With the first
series was issued " Intelligenz-blatt zur Allgemeinen musikalischen zeitung."
Founded by Friedrich Rochlitz and ed. by him till 1818; ed. by G. W. Fink,
1827-41; C. F. Becker, 1842; Moritz Hauptmann, 1843; J. C. Lobe, 1846-48.
Publication suspended from 1849 to 1862, inclusive.
Ed. by Selmar Bagge and others, 1863-68; Friedrich Chrysander, 1869-June
1871^ Joseph Muller, July 1871-1874; Friedrich Chrysander, 1875-8*2.
From 1866-68 title reads: Leipziger allgemeine musikalische zeitung.
Register zu den ersten zwanzig jahrgangen . . . (1798-1818.)
Leipzig, Breitkopf und Hartel [1819?]
1 p. 1., 140 p. 25i'-
ML5.A43
Almanach des theaters in Wien. Nebst einer abhandlung von der
kunst und dem stande des schauspielers, nach dem englischen
libersetzt. [Wien] 1774.
[188] p. 6 pi. 17'^'".
"G6nnern und freunden des theaters gewidmet von alien mitgliedem der
K. K. National-schauspielergesellschaft."
PN2616.V5A6
EARLY BOOKS ON MUSIC 13
Almeida Campos, JoSlo Ribeiro de.
See RiBEiRO de Almeida Campos, Joao.
Alsted, Johann Heinrich, 1588-1638.
Templvm mvsicvm: or, The musical synopsis, of the learned and
famous Johannes-Henricus-Alstedius, being a compendium of the
rudiments both of the mathematical and practical part of musick:
of which subject not any book is extant in our EngUsh tongue.
Faithfully translated out of Latin by John Birchensha . . . London,
P. Dring, 1664.
7 p. 1., 93 (i. e. 94) p. front. 16^'^'".
A translation #f the 6th part (Elementale musicum) of the author's Elementale
mathematicum, Frankfort, 1611.
MT6.A2A46
Altenburg, Johann Ernst, 1736-1801.
Versuch einer anleitung zur heroisch-musikalischen trompeter- und
pauker-kunst, zu mehrerer aufnahme derselben historisch, theo-
retisch und praktisch beschrieben und mit exempeln erl&utert von
Johann Ernst Altenburg . . . Halle, J. C. Hendel, 1795.
ix, [1] p., 1 1., 144 p. 20 X 18'".
Pages 133-144 ("Concerto a VII clarini con tymp.," "Marach" and "Minu-
etto ) printed on leaves 20 x Zb^"^.
MT440.A2A6
Alypius.
See Meibom, M., translator. Antiqvae mvsicse avctores, 1652.
Meurs, J. VAN, editor. Aristoxenvs, 1616.
Alypius junior, pseud.
Qvid sit mvsice aetatem agere ex Plavti Mostellaria act. iii. sc. ii.
V. 40. Ad componendam controversiam de vita mvsica inter viros
mvsicos nvper ortam exponit Alypivs ivnior. [n. p.] 1751.
xvi p. 21^ X 17^"™.
The controversy referred to was occasioned by the publication of a pamphlet
by J. G. Biedermann, entitled De vita musica ex Plant. Mostellar. act.iii. sc. ii.
ML64.A5
Amiot, Joseph Marie, 1718-1793.
Memoire sur la musique des Chinois, tant anciens que modemes,
par M. Amiot . . . avec des notes, des observations & une table des
matieres, par M. FabD^-E-oussier . . . faisant partie du tome sixieme
des Memoires concernant les Chinois. Paris, Nyon Faine, 1779.
^3 p. 1., 254 p. XXX pi. (partly fold.) incl. tables, diagrs. 26^""^.
Printer's mark on t.-p. Plate xxix is in two states, the figures of the first being
reversed on the second.
One of a few copies printed with separate title. This copy belonged originally
to the Abbe Roussier, and contains many notes in Roussier's handwriting, cf.
Matthew, J. E., The literature of music
ML336.A2A16
14 LIBRARY OF CONGRESS
Analyse critique de Tarare. A Ormutz, et se trouve a Paris,
H6tel de Mesgrigny, 1787.
26 p. 20<=
icm
Text has caption: A Monsieur de * * * qui reside en province.
A criticism of the libretto of the opera Tarare, which was written by Beau-
marchais (music by Salieri)
ML410.S16A2
[Ancelet, ]
Observations sur la musique, les musiciens, et les instrumens. Am-
sterdam [i. e. Paris] Aux d^pens de la Compagnie, 1757.
40 p. ISi""".
ML270.3.A59
[Andre, Yves Marie] 1675-1764. •
Essai sur le beau, ou Ton examine en quoi consiste pr4cis6ment le
beau dans le physique, dans le moral, dans les ouvrages d'esprit, &
dans la musique. Paris, H.-L. Guerin, & J. Guerin, 1741.
vlij, 302, [2] p. 17i X 10"=™.
N63.A55
Andrea di Modena.
Canto harmonico in cinqve parti diviso, col quale si puo arriuare
alia perfetta cognitione del canto fermo, del p. f, Andrea di Modona
. . . Modana, Per gli eredi Cassiani stampatori episcopali, 1690.
228, 90, [2] p. pi., 3 fold. tab. 24^'="^.
MT45.A2A6
. Andrien, J. F.
See KuRTZE anfuhrung zum general-bass, 1733.
KuRTZE und grundliche anleitung zum generalbasse, 1744.
Angelo da Picitono.
Fior ange- || lico di Mvsica: I| Nuouamente dal R. P. frate || Angelo
da Picitono, Conuen || tuale, dell' ordine minore, || Organista pre-
clarissi- || mo, composto. || Nelqual si contengono alcune bellissime
II dispute contra quelli che dicono, la || Musica non esser scienza:
Con al II tre molte questioni, & solu- || tioni di varii dubbii: || Pur
hora da lui da- || to in luce. || mdxlvii. [Colophon: In Vinegia per
Agostino Bindoni. || mdxlvii]
[199'Jp. illus., diagrs. 20J''™.
Title within ornamental border; printer's mark on last page. Signatures: ■,
A-Z, &, in fours (versos of ■ 2, P 4, & 4, blank) N and Niv transposed in
binding.
ML171.A58
Angelo da Conceigao.
See DoMiNGOS do Rosario. Theatro ecclesiastico, 1774.
Angiolini, Gaspare.
Lettere di Gasparo Angiolini a Monsieur Noverre sopra i balli panto-
mimi. fMilano, G. B. Bianchi, 1773]
112 p. 20i'"".
ML3460.A2A58
EARLY BOOKS ON MUSIC 15
Angleria, Camillo, d. 1630.
La regola del contraponto, e della mvsical compositione . . . Con
due ricercari I'vno a 4. e Faltro a 5. dell' autore, & vn ricercare, e t^
canoni &, 2. 3. e 4. da cantarsi in vari modi del Signer Gio. Paolo 7
Cima, al quale la presente opera e dedicata, e nuouamente data in -
luce dal rever. padre fr. Camillo Angleria . . . Milano, G. Rolla,
1622.
4p. 1., 117, [7]p. lillus. 24x18^'".
Title within ornamental border. Title vignette, St. Cecilia at the organ,
appears again on last page, somewhat altered and enlarged. Signature 0, p.
105-112, irregularly imposed and folded.
MT55.A2A6
L'anti-scurra, ou Pr6servatif contre les Bouffons italiens. [n, p.,
1753-]
7, [l]p. ig^'".
Caption title. Dated "6 f^vrier 1753." In verse.
See also Caux de Cappeval.
ML1727.33.A1
Antoniotto, Giorgio, 1692-1776.
L'arte armonica; or, A treatise on the composition of musick, in
three books; with an introduction, on the history, and progress of
musick, from it's beginning to this time, written in Italian by Giorgio
Antoniotto, and translated into English . . . London, Printed by
J. Johnson, 1760.
2 V. (v. 1: 5 p. 1., 109 p.; v. 2: 1 p. 1., 62 pi., partly fold.) 33""'.
Engr. t.-p. Vol. 2, containing the examples, has engr. half-title only.
MT40.A2A6
Antonius, Johann Ephraim, 1702-1749.
Principia musices, oder Ersten anf&nge der music, hat . . . seinen
unterhabenden schulern des lateinischen Psedagogei bremensis zu
mehrerm nutzen und besserm anwachs in derselben entworffen Joh.
Ephr. Antonius . . . Bremen, Gedruckt bey sel. H. C. Jani, E.
L6bl. gymnasii buchdruckers, wittwe, 1743.
71 p. 17'^"'.
Interleaved. "Scala in dur durch alle thone" and "Scala in moll durch alle
thone," in ms., inserted opposite pages 25 and 26 respectively.
MT7.A2A7
Apligny, Le Pileur d'.
See Le Pileur d' Apligny.
Apthorp, East, 1732 or 3-1816.
Of sacred poetry and music. A discourse at Christ-church, Cam-
bridge, at the opening of the organ, on Tuesday, xxi August,
MDCCLXiv. By East Apthorp . . . Boston, Printed by Green and
Kussell, 1764.
vii, 22p. 23^x184""°.
Arbeau, Thoinot, pseud.
See Tabourot, Jean.
16 LIBRARY OF CONGRESS
/
^\Arlstides Quintilianus.
See Meibom, M., translator. AntiqvsB mvsicae avctores. 1652.
Aristoteles.
See GoGAVA, A. H., translator. Aristoxeni . . . Harmonicorvm
elementorvm libri iii, 1562.
Aristoxen der jiingere, pseud.
See Mattheson, Johann.
Aristoxenus.
See GoGAVA, A. H., translator. Aristoxeni . . . Harmonicorvm
elementorvm libri iii, 1562.
Meibom, M., translator. Antiqvae mvsicae avctores, 1652.
Meurs, J. VAN, editor. Aristoxenvs, 1616.
Armonici erudimenti nei quali si contengono le regole e suoi
esempj per imparare accompagnare sul cimbalo il basso continovo,
il modo di trasportarlo in altri tuoni, un esempio dal quale si conosce
qual sia il metodo da praticarsi per acquistare un buon portamento-
di mano sopra detto strumento, scale dimostrative per bene impos-
sessarsi della proprieta' de' tuoni si di terza maggiore come di terza
minore, e tutto per maggiore f acilita' e comodo di chi desidera appli-
carsi a tale studio . . . Firenze, Stamperia di A. G. Pagani, e comp.,
si vende da G. Chiari, 1790.
2 p. 1., 24 p. illu8. 25'-'^.
Ornamental borders; title vignette; head and tail piece.
MT49.A2A7
[Amaud, Frangois] 1721-1784.
Lettre sur la musique, a Monsieur le comte de Caylus, academicien
honoraire de TAcademie royale des inscriptions & belles-lettres, & de
celle de peinture. [Paris] 1754.
1 p. 1., 36 p. 17i'='".
Signed: L'abb6 Amaud.
Intended to serve aa a preface for a work which was never written.
An Italian translation of the letter is given by Arteagain v. Sofhis Rivoluzioni
del teatro musicale italiano.
ML3800.A2A6
La soiree perdue a I'Opera. A Avignon, et se trouve a Paris, chez
Esprit, 1776.
26 p. igi""".
Attributed also to Pascal Boyer
ML1727.35.A7
See also Riedel, F. J. Ueber die musik des ritters Christoph von
Gluck, 1775.
Amobat, Charles Pierre Coste d'.
See Coste d'Arnob.\t, Charles Pierre.
EARLY BOOKS ON MUSIC 17
Arrhenius, Laurentius, 1680-1730, praeses.
. . . Dissertatio mythologico-historica de primis musicsB inven-
toribus, quam ... in illustri Upsal. lycseo, sub praesidio . . . dn.
Laurentii Arrhenii . . . publicse censurse modeste subjicit . . . Jo-
hannes Christiern. Durseus . . . Upsalise, Uteris Wemerianis [1729]
3 D. 1., 32 p. 14^="'.
ML3800.A2A7
L'art du plein-chant, ou Traite th^orico-pratique sur la fapon de le
chanter: dans lequel on propose aux eglises de province les regies
& le golit repus dans la capitale du royaume pour le chant des
offices. Villefranche-de-Rouergue, P. Vedeilhie, 1764.
6 p. 1., xvj, 204, 226 p. 16<'™.
"Pieces de plein-chant choisies, et relatives a cet ouvrage": 226 p.
MT860.A2A7
L'art du plein-chant, ou Traits theorico-pratique sur la fapon
de le chanter: dans lequel on propose aux eglises de province les
regies & le goftt repus dans la capitale du royaume pour le chant
des offices. Villefranche-de-Rouergue, P. Vedeilhie, 1765.
6 p. 1., xvj, 214 p., 1 1., 226 p. 16"°^.
"Pieces de plein-chant choisies, et relatives k cet ouvrage": 226 p.
MT860.A2A72
[L'arte del detto contraputo] Per imparare ciascheduno, che
desidera approfittarsi nel contraputo, e necessario sapere tutte le
cose appartenenti all' esecuzione di ben registrare, e modulare.
L'arte del detto contraputo.
3-156 p. 22i X 16"'".
Manuscript of the 18th (?) century, arranged in the form of a printed book.
In 2 parts, "Libro primo" and "Libro secodo." At end: Fine delle disposizioni
a tre uoci.
MT55.A2A65
Arteaga, Stefano, 1747-1799.
Le rivoluzioni del teatro musicale italiano dalla sua origine fino al
presente; opera di Stefano Arteaga . . . Bologna, Stamperia di
C. Trenti, 1783-88.
3 v. in 2. fold. pi. (music) 19^'^™.
" Osservazioni intomo ad un estratto del tomo secondo della presente opera
inserito nel Giomale enciclopedico di questa cittk n. xiii. . . . 1786, colle
repliche fatte a queste osservazioni dallo stesso autor dell' estratto [V. Manfre-
dini], e intitolate Difesa della musica moderna": v. 2, 207 p. at end.
"Lettera sopra la musica indirizzata al Sig. co. di Caylus e stampata 1' anno
1754" (translation of the Abbe Amaud's Lettre sur la musique): v. 3, p. 56-91.
ML1733.3.A7
Le rivoluzioni del teatro musicale italiano dalla sua origine
uno al presente; opera di Stefano Arteaga ... 2. ed. accresciuta,
variata, e corretta dall' autore . . . Venezia, Stamperia di C.
Palese, 1785.
3 V. 6. pi. on 3 fold. 1. (music) 20^'"
51234°— 1.3 2
18 LIBRARY OF CONGRESS
Arteaga, Stefano — Continued.
Plates printed on both sides.
"Lettera d'un celebre scrittore francese che contiene 1' idea d' un' opera eccel-
lente da farei intomo alia musica" (translation of the Abb6 Arnaud's Lettre sur
la musique, Paris, 1754): v. 3, p. 243-284.
"Osservazioni intomo ad un estratto del tomo 2°. della presente opera inserito
nel Giomale enciclopedico di Bologna n. xiii. del mese d'apriie del corrente
anno": v. 3, p. [285]-391.
ML1733.3.A71
Stephan Arteaga's . . . Geschichte der itali&nisclien oper von
ihrem ersten ursprung an bis auf gegenw&rtige zeiten . . . Aus dem
itali&nischen libersetzt und mit anmerkungen begleitet von Johann
Nicolaus Forkel . . . Leipzig, Schwickert, 1789.
2 V. (v. 1: X, [2], 344 p.; v. 2: vi, [3]-532 p.) 17^'"'.
ML1733.3.A72
Artusi, Giovanni Maria, d. 1613.
L'arte del contraponto ridotta in tavole da Gio: Maria Artvsi . . .
Dove brevemente si contiene i precetti k quest' arte necessarij . . .
Venetia, G. Vincenzi, & R. Amadino, 1586.
2p. l.,46p., 11. 30«'».
Title within ornamental border; title vignette. L. of C. copy has ms. notes.
ML171.A78
L'arte del contraponto, del rever. d. Gio. Maria Artvsi
nella quale con ordine, e modo facilissimo si insegnano tutte quelle
regole, che h questa arte sono necessarie. Nouamente ristampata, &
di molte nuoue aggiunte, dall' auttore arrichita. Con due tauole, vna
de capitoli, & 1' altra delle cose piu notabili. Venetia, G. Vincenti,
1598.
6p. 1., SOp. 28i<^™.
Title within ornamental border.
ML171.A79
Seconda parte dell' Artvsi ouero Delle imperfettioni della
moderna mvsica, nella quale si tratta de' molti abusi introdotti da
i moderni scrittori, & compositori. Nuouamente stampata. Vene-
tia, G. Vincenti, 1603.
6 p. 1. , 56, 54 p. 30''"'. ( With his L'arte del contraponto. Venetia, 1586)
Title vignette. Corrections in ms. Author's autograph presentation copy.
"Considerationi mvsicali, del r. p. d. Gio. Maria Artvsi . . .": 54 p. at end.
ML171.A78
Au petit prophSte de Boesmischbroda, au grand proph^te Monet,
&c. [Paris, 1753]
13 p. 19'=°'.
Dated: A Paris, ce 21. f^vrier 1753.
No. 7 in a volume of pamphlets lettered Quere[lle] des Bouffo[n8]
Attributed to Diderot by Poulet-Malassifi and in the catalogue of the Biblioth^
que nalionale, Paris.
ML1727.33.A1
EAELY BOOKS ON MUSIC 19
[Aubert, Jean Louis] 1731-1814.
Refutation suivie et d^taill^e des principes de M. Rousseau de
Geneve, touchant la musique fran^oise, Adress^e a lui-m^me, en
r^ponse a sa Lettre . . . Paris, Chaubert [etc.] 1754.
2 p. 1., iii-vi, 7-98, [3] p. 17 x lO""".
ML1727.33.A88
Aulnaye, Frangois Henri Stanislas de 1'.
See L' Aulnaye, FRANgois Henri Stanislas de.
Avella, Giovanni d'.
Regole di mvsica, divise in cinqve trattati, con le quali s'insegna il
canto fermo, e figurato, per vere, e facili regole. II modo di fare il
contrapvnto. Di comporre I'vno, e Faltro canto. Di cantare alcuni
canti difficili, e molte cose nuoue, e curiose. Composte dal padre fra
Giovanni d'Avella . . . Roma, Nella stampa di F. Moneta, 1657.
2 p. 1., 167, [1] p. illus. 32i'"».
MT860.A2A94
Aventinus i. e. Johannes Turmair, of Abensherg, 1477-1534, editor.
See Fabee, N. Mvsicae rvdimenta [1516]
Avila, Geronimo Romero de.
See Romero de Avila, Geronimo.
Avison, Charles, d. 1770.
An essay on musical expression. By Charles Avison . . . Lon-
don, C. Davis, 1752.
4p. 1., 138p. 16i<"°.
ML3847.A95
Azopardi, Francesco, 1748-1809.
Le musicien pratique, ou Lemons qui conduisent les eleves dans
I'art du contrepoint, en leur enseignant la maniere de composer cor-
rectement toute espece de musique; ouvrage compose dans les prin-
cipes des conservatoires d'ltalie . . . par il Signer Francesco Azo-
pardi , . . Tr. de Titalien, par M. Framery . . . avec des notes du
traducteur pour en faciliter rintelligence . . . Paris, Le Due, 1786.
2 V. 20"™ (v. 2: 21^"™)
Collation: v. 1, 127 p.; v. 2 ("Exemples") 1 p. 1., 120 p.
" Published in the form of a French translation only." — Grove, Diet, of music.
MT55.A2A97
Bacchini, Bernardino, in religion Benedetto, 1651-1721.
D. Benedicti Bacchini De sistris, eorumque figuris, ac differentia,
ad illustrissimum d. d. Leonem Strozza dissertatio. Jacobus TuUius
Dissertatiunculam & notulas adjecit, & perillustri Velthusio conse-
cravit. Trajecti ad Rhenum, ex officina Francisci Halma, 1696.
36 p. fold. pi. 2^ X ISi'^".
Title vignette.
2d edition. 1st edition Bologna, 1691.
ML1040.A2B13
20 LIBRARY OF CONGRESS
Bacchius, senior.
See Meibom, M., translator. Antiqvae mvsicae avctores, 1652.
Bach, Carl Philipp Emanuel, 1714-1788.
Versuch uber die wahre art das clavier zu spielen, mit exempeln
und achtzehn probe-stiicken in sechs sonaten erl&utert von Carl
Philipp Emanuel Bach . . . Berlin, In verlegung des auctoris,
gedruckt bey C. F. Henning, 1753.
2 V. (v. 1: 4 p. 1., 135 p.; v. 2: 1 p. 1., 26 pi. on 14 1.) 22^ x ISi""* (v. 2: 40i«°')
Vol. [2] has title: Exempel nebst achtzehn probe-stucken in sechs sonaten zu
Carl Philipp Emanuel Bachs Versuche tiber die wahre art daa clavier zu spielen
auf XXVI. kupfer-tafeln.
MT224.A2B10
Carl Philipp Emanuel Bachs Versuch ilber die wahre art das
clavier zu spielen, mit exempeln und achtzehn probe-stucken in sechs
sonaten erl&utert . . . Berhn, In verlegung des auctoris, gedruckt
bey G. L. Winter, 1759-62.
2v. inl(v. l:4p. 1., 118p.; V. 2:5p. 1., 341, [l]p.) pi. 21x17'='°.
Errors in paging. "Exempel," same as in 1753 edition, wanting.
Parti: 2. aufl. Part 2 is here issued for the first time; title reads: . . . Versuch
. . . zweyter theil, in welchem die lehre von dem accompagnement und der freyen
fantasia abgehandelt wird . . . Nebst einer kupfertafel.
MT224.A2B11
Carl Philipp Emanuel Bachs . . . Versuch ijiber die wahre
art das clavier zu spielen, mit exempeln und achtzehn probe-stiicken
in sechs sonaten ermutert . . . Leipzig, Schwickert, 1787-97.
3 V. in 2. 23 X 19'='° (v. 3: 40^"™)
Part 1: 3. mit zus§,tzen und sechs neuen clavier-stficken verm. aufl.
Part 2: . . . Zweiter theil, in welchem die lehre von dem accompagnement
und der freyen fantasie abgehandelt wird. Nebst einer kupfertafel. 2. vom
verfasser verb., und mit zusitzen verm. aufl.
Part [3] has title: Exempel nebst achtzehn probe-stGcken in sechs sonaten
zu Carl Philipp Emanuel Bachs Versuche uber die wahre art das clavier zu
spielen, mit sechs neuen clavier-stdcken vermehrt auf xxxi. kupfer-tafeln.
MT224.A2B12
Verzeichniss des musikalischen nachlasses des verstorbenen capell-
meisters Carl Philipp Emanuel Bach, bestehend 1) aus instrumental-
compositionen ... 2) aus sing-compositionen ... 3) aus vermisch-
ten stucken, 4) aus compositionen von Johann Sebastian Bach,
W. F. Bach, J. C. F. Bach, J. C. Bach (dem Londner), J. Bernhard
Bach, 5) aus dem altbachischen archive, 6) aus musikalien von ver-
schiedenen meistern, 7) aus instrumenten, 8) aus einer sammlung
bildnisse von beruhmten tonkunstlern, und 9) aus einer sammlung
dergleichen silhouetten, nebst angeh&ngtem verzeichnisse verschie-
dener vorhandenen zeichnungen des . . . Joh. Sebast. Bach, und
einiger andern . . . Hamburg, Gedruckt bey G. F. Schniebes, 1790.
1 p. 1., 142 p. 17i"™.
ML134.B15A1
EARLY BOOKS ON MUSIC 21
Bach, Johann Christian, 1735-1782.
Methode ou recueil de connoissances elementaires pour le forte-
piano ou clavecin; oeuvre mele de theorie et de pratique, divise en
deux parties, compose pour le conservatoire de Naple par J. C. Bach
et F. P. Ricci . . . Paris, Le Due [17—]
1 p. 1., 12, 45 p.; 1 p. 1., 48-75 p. 25^ x 32i«".
Engraved, with the exception of the text, which occupies only 12 pages.
MT222.A2B12
Bach, Johann Ernst, 1722-1777.
See Adlung, J. Anleitung zu der musikalischen gelahrtheit^
1758.
Bach, Johann Michael, &. 1754?
Kurze und systematische anleitung zum general-bass, und der
tonkunst liberhaupt, mit exempeln erl^utert, Zum lehren und
lernen entworfen von J. M. Bach . . . Cassel, Gedruckt in der Way-
senhaus-buchdruckerey, 1780.
3 p. 1., 47, [1] p. 17 X 20J''™.
MT49.A2B16
Bacilly, Benigne de, h. 1625?
L'art de bien chanter de M. de Bacilly. Augmente d'un discours
c[ui sert de reponse a la critique de ce traits, et d'une plus ample
instruction pour ceux qui aspirent a la perfection de cet art. Ouvrage
tres-utile, non seulement pour le chant, "mais mdme pour la decla-
mation. Paris, Chez Fautheur, 1679.
7 p. 1., 32, 428, [2] p. IS*"".
Preceding the printed t.-p. is an engraved t.-p.: " Remarques curieuses sur l'art
de bien chanter et particulierement pour ce qui regarde le chant frangois, par
le eieur B. D. B." According to Fetis this is the title of the 2d issue of the 1st
edition, 1668, the title of the 1st issue not containing the words "par le sieur
B. D. B." The main part of work, which follows the Discours, has caption
and running title: Remarques sur l'art de bien chanter (caption title adds "et
f)articulierement pour ce qui regarde le chant frangois ") Colophon: A Paris, De
'imprimerie de C. Blageart, rue S. Jacques, a la Cloche rouge, 1668. Last leaf
has on recto "Extrait du priuilege du roy," dated "le 23. mars 1668"; on verso,
"Errata."
MT820.A2B2
Bahr, Johann, 1652-1705.
Johann Beerens . . . Musicalische discurse durch die principia der
philosophie deducirt, und in gewisse capitel eingetheilt, deren mnhalt
nach der vorrede zu linden. Nebst einem anhang von eben diesem
autore, genannt Der musicalische krieg zwischen der composition und
der harmonic. Nurnberg, P. C. Monath, 1719.
7 p. 1., 116 {i. e. 216) p. front. 17J''".
Last signature paged incorrectly, 109-116. Edited by Peter Wenig?
ML60.B27
22 LIBRARy OF CONGRESS
Bagatella, Antonio.
Regole per la costruzione de' violini, vide, violoncelli e violoni;
memoria presentata all' Accademia di scienze, lettere ed arti di
Padova al concorso del premio dell' arti dell' anno mdcclxxxii. Dal
Signer Antonio Bagatella . . . Padova, A spese dell' Accademia,
1786.
xxiv p. illus., 2 fold. pi. 29 x 22^"™.
Title viffnette.
ML802.A2B14
Bagnall, Gibbons, 1719-1800.
The antiquity of music, and the propriety of admitting it into
divine worship, asserted from the example of beings above us, and
the custom of all the wisest and politest nations. A sermon preached
in the cathedral-church of Hereford, at the anniversary meeting of
the Three choirs of Worcester, Glocester, and Hereford, on Wednes-
dav, September 15, 1762. By Gibbons Bagnall . . . Glocester,
Printed by R. Raikes [1762]
22 p. 22§«"».
ML3001.B13
Bailleux, Antoine, d. 1791.
Methode pour apprendre facilement la musique vocale et instru-
mentale, ou tous les principes sont developes avec beaucoup de
clarte, et cent lepons dans le gout nouveau a une et a deux parties,
ce qui enseigneen tres peu de tems a solfier sur toutes les clefs, toutes
les mesures et tous les tons . . . Compos6e par M.*" Bailleux . . .
Paris [etc.] L'auteur [1770]
2p. 1., 127p. 34x26i«'».
Engraved throughout.
MT870.A2B2
Bailleux, Antoine, d. 1791, editor.
See RoussiER, P. J. L'harmonie pratique [1775]
Bails, Benito, d. 1797, translator.
See Bemetzrieder, A. Lecciones de clave, 1775.
BaUiere de Laisement, Charles Louis Denis, 1729-1800.
Theorie de la musique, par M. BaUiere . . . Paris, P. F. Didot le
jeune; [etc., etc.] 1764.
1 p. 1., viij, 177 p., 1 1. diagrs. on 5 fold. pi. 26 x 20*"'°.
ML3805.A2B15
Banchieri, Adriano, d. 1634.
Cartella mvsicale nel canto figvrato, fermo, & contrapunto. Del
p. d. Adriano Banchieri . . . Nouamente in questa terza impressione
^ ridotta dall' antica alia moderna pratica . . . Venetia, G. Vincenti,
1614.
8 p. 1., 4, [2], 248 (i. e. 244) p. illus. 20"'".
EARLY BOOKS ON MUSIC 23
Banchieri, Adriano — Continued.
No. 77-80 omitted in paging.
Imperfect, wanting leaf preceding text, and p. 247-248 (supplied in ms.)
In 7 parts; each part, except the first, has special t.-p., dated 1613. (2)
Brevi et primi docvmenti mvsicali a gli figliuoli, & altri, che desiderano assicu-
rarsi sopra il canto figurato ... (3) Dvo in contrapvnto sopra vt, re, mi, fa,
sol, la . . . (4) Altri docvmenti mvsicali nel canto fermo ... (5) Dvo spartiti
al contrapvnto in corrispondenza tra gli dodeci modi, & otto tuoni ... (6)
Canoni mvsicali a qvatro voci ... (7) Modema pratica mvsicale, opera
trentesima settima . . .
MT860.A2B2
. . . Direttorio monastico di canto fermo, per vso particolare della
Congregatione Oliuetana in preuenire Foffitio diumo al choro ; nuoua-
mente registrato dalli libri cnorali alia riforma del breuiario impresso
sotto la santitk di N. S. papa Paolo V. dal p. d. Adriano Banchieri
. . . Bologna, Per gli heredi di G. Rossi, 1615-16.
407, [1] p. illus. 15"™.
Title vignette. Composed* of 2 "books" containing together 4 parts. Each
part has special t.-p., as has an appendix to book i.
2d edition, Bologna, 1622, has title: II cantore Olivetano.
MT860.A2B21
Organo svonarino del p. d. Adriano Banchieri ... In questa
quarta impressione accordato con ogni diligenza e diuiso in cinque
registri, libro vtiHssimo a qual si voglia organista per alternare in
voce chorista alii canti fermi di tutto Tanno nelle chiesi secolari,
regolari, monache, e confraternita a secondo I'vso di santa madre
chiesa. Et nel fine dopo la tauola generale di tutta Topera aggiuntoui
il sesto registro . . . Opera xxxxiii. Venetia, A. Vincenti, 1638.
2 p. 1., 159, [1] p. 24"'°.
Errors in paging.
MT190.A2B17
Bandeira, Jeronymo da Cunha.
See Cunha Bandeira, Jeronymo da.
Bandini, Angelo Maria, 1726-1803.
Aug. Maria Bandini Commentariorvm de vita et scriptis loannis
Bapt. Doni patricii florentini olim Sacri cardinal, collegii a secretis
libri qvinqve, adnotationibvs illvstrati ad Silvium Valenti . . .
Accedit eivsdem Doni literarivm commercivm nvnc primvm in Ivcem
editvm. Florentiae, Typis caesareis, 1755.
2 V. in 1 (v. 1: xx, cxvi p.; v. 2: xii p., 272 col.) front, (port.) vign. 37"
rem
Title vignette; initials; tail-pieces.
Vol. [2] has title: lo. Baptistae Donii . . . Commercivm litterarivm nvnc
primvm coUectvm, digestvm editvmqve stvdio et labore Ant. Francisci Gorii
. . . Florentiae, in Typographio caesareo, 1754.
"Autorum omnium nomina . . . qui de Donio nostro honorifice meminerunt,
& quorum potissimum testimonio usi fuimus": v. [1] p. xj-xiiij.
"Index opervm qvorvm partim lo. Bapt. Doniva evvlgavit, partim absolvit,
partim incepit": v. [1] p. cxi-cxvi.
ML423.D6B2
24 LIBRARY OF CONGRESS
Barca, Alessandro, 1741-1814.
Introduzione a una nuova teoria di musica, memoria prima del p. d.
Alessandro Barca. (Letta il di xxiii. gennajo mdlxxxiii.)
{In R. Accaderaia di scienze, lettere ed arti in Padova. Saggi scientifici e
letterarj. Padova, 1786. 29""". 1. 1, p. 365-418)
Detached copy.
ML3800.A2B2
Introduzione ad una nuova teoria di musica, memoria seconda
del p. d. Alessandro Barca c. r. s. (Letta il di xx. dicembre
MDCCLXXXVI.)
{In R. Accademia di scienze, lettere ed arti in Padova. Saggi scientifici e
letterarj. Padova, 1789. 29<="'. t. i, p. 329-362)
AS222.P21
Barnickel,
See KuRTZGEFASSTES musicalisches lexicon.
Baron, Ernst Gottlieb, 1696-1760.
Ernst Gottlieb Barons . . . Abriss einer abhandlung von der
melodic. Eine materie der zeit. Berlin, A. Haude und J. C. Spener,
1756.
12 p. 21ixl7i''"'. ML3851.B18
Ernst Gottlieb Barons . . . Historisch-theoretisch und practische
untersuchung des instruments der lauten / mit fleiss au%esetzt und
alien rechtschaffenen liebhabern zum vergnijigen berausgegeben.
Nurnberg, J. F. Rudiger, 1727.
15 p. 1., 218, [4] p. illus. 16i<^«.
ML1010.A2B2
Barradas Muitopao e Morato, Joao Vaz.
See Vaz Barradas Muitopao e Morato, Joao.
[Barthelemy, Jean Jacques] 1716-1795.
Entretiens sur I'etat de la musique grecque, vers le milieu du
quatrieme siecle, avant I'ere vulgaire. A Amsterdam, et se trouve
a Paris, chez les freres de Bure, 1777.
nop., 11. 2P". ML169.A2B15
Bartholin, Caspar, 1655-1738.
Caspari Bartholini Thorn, fil. De tibiis vetervm & earum antiquo
vsu libri tres . . . Romse, ex typographia P. Monetae, sumptibus
B. Carrarse, 1677.
8 p. 1., 235, [5] p. 3 fold. pi. 17^'^"'.
ML169.A2B2
-; — Casp. Bartbolini Thom. fil. De tibiis veterum, et earum
antiquo usu libri tres. Editio altera, figuris auctior. Amstelaedami,
apud Jllenr. Wetstenium, 1679.
12 p. 1., 415, [5] p. illue. (incl. port.) 5 fold. pi. 14''™.
Added t.-p., engr.
ML169.A2B28
EARLY BOOKS ON MUSIC 25
Bartl, Franz Konrad, 1750-1813.
Abhandlung von der tastenharmonika, von Franz Konrad Bartl . . .
Mit 5 kupfertafeln. Briinn, L. Haller, 1798.
8 p. 1., [15]-75 p. V pi. 25i X 20'=°>.
Engr. t.-p.
ML1055.A2B18
Bartoli, Daniello, 1.608-1685.
Del svono de' tremori armonici e delF vdito. Trattati del p.
Daniello Bartoli . . . Roma, A spese di N. A. Tinassi, 1679.
9 p. 1., 330 p. diagrs. 21'^'°.
ML3805.A2B29
Bartolus, Abraham.
Mvsica mathematica, das ist: Das fundament der allerlieblichsten
kunst der musicse, wie nemMch dieselbe in der natur stecke / vnd jhre
gewisse proportiones, das ist / gewicht vnd mass habe / vnd wie
dieselben in der mathematica, iurnemlich aber in der geometria, vnd
astronomia beschrieben seind : sonsten genennet die beschreibung des
instrumentes magadis oder monochordi ... in deutzsch gegeben /
durch M, Abrahamum Bartolum . . .
(JnZeising, Heinrich. Theatrummachinarum. Altenburg, 1614. 16^x19"™,
V. 6, p. [89]-174. pi. 21-24)
ML3805.A2B19
Baryphonus, Heinrich, 1581-1655.
Henrici Baryphoni . . . Pleiades musicae, qvse in certas sectiones
distributee prsecipuas qusestiones musicas discutiunt, & omnia, quae
ad theoriam pertinent, & melopoeise plurimtmi inserviunt ex veris
fundamentis mathematicis exstructa, theorematis septenis propo-
nunt, exemplis illustrant, & coram judicio rationis & sensus exami-
nant, studiosis non solilm musices, vertim etiam matheseos scitu
necessariae & lectu jucundse . . . Halberstadi, ex officin^, typogra-
phicS, J. A. Cotenii, 1615.
8 p. 1., 95, [1] p. 14'^"'.
ML3805.A2B3
Basili, Domenico Andrea, d. 1775?
Musica universale armonico pratica dettata dalP istinto, e dalla
natura, illuminata dai veri precetti armonici; opera utile per i studi-
osi di contrapunto, e per i suonatori di grave cembalo, ed organo.
Esposta in ventiquattro esercizi da Andrea Basili . . . [Venezia,
1776?]
1 p. 1., [1], 54, 77 p. 24 X 35''">.
Title within ornamental border. Engraved throughout. "L'incisione de rami
e fatiha di Innocente Alesandri, e Pietro Scattaglia Veneziani."
MT55.A2B18
Bassi, Antonio Benedetto.
Lettre adressee a la Societe olympique de Paris, a Foccasion de
I'opera bouffon italien de Versailles. Par M. Bassi . . . [Paris]
1787.
2 p. 1., 24 p. 21i'=».
ML1727.3.A2B18
26 LIBRARY OF CONGRESS
[Baton, Charles] d. 1758.
Examen de la lettre de M. Rousseau, sur la musique fran^oise.
Dans lequel on expose le plan d'une bonne musique propre k notre
langue. Par M. B. * * * [Paris] 1753.
2 p. 1., 36 p. 17^"™.
Georges Cucuel in his Notes sur Jean-Jacques Rousseau (Zeitschrift d. In*^ernat.
musikgesellschaft xiii, 9) cites from a contemporary ms. (Bibl. nat. ms. franvaia
22158 in 4° fol. 100 k 203. 1753-1754) a passage to the effect that Baton merely lent
his name to the author of the present brochure, who was thought by some to be
Rousseau himself, by others, D'Alembert.
ML1727.33.B17
Bauderon de Senece, Antoine.
See Senece, Antoine Bauderon de.
Baumann, Johann Gottfried.
Schediasma historico-theologicvm de hymnis et hymnopoeis veteris
et recentioris ecclesiae, verae atqve christianae religioni promovendae
ac propagandae inservientibvs, avtore loan. Godofr. Bavmann . . .
Bremae, apvd I. H. Cramer, 1765.
54 p. ISi""".
Ch. 17. 1896
Bayly, Anselm, 1718 or 19-1794.
The alliance of musicli, poetry and oratory. Under tlie head of
poetry is considered the aUiance and nature of the epic and dramatic
poem, as it exists in the Iliad, ^Eneid and Paradise lost. By Anselm
Bayly . . . London, J. Stoclidale, 1789.
iv, [1], 384 p. 22i='».
Engr. t.-p. PN1066.B3
A practical treatise on singing and playing with just expression
and real elegance. Being an essay on i. Grammar, ii. Pronuncia-
tion; or, The art of just speaking, iii. Singing — its graces — their
application. — On cathedral compositions. By Anselm Bayly . . .
London, J. Ridley, 1771.
V, 16, 99 p. 211"™.
MT830.A2B3
Beauford. William.
See Walker, J. C. Historical memoirs, 1786.
[Beaumarchais, Pierre Augustin Caron de] 1732-1799.
Discours preUminaire de I'opera de Tarare, appauvri de notes.
Par une societe d'indiff^rens. A Ormus [i. e. Paris] 1787.
2 p. 1., 24 p. 2P™.
Caption title: Aux abonnes de I'Opera, qui voudraient aimer I'opera.
ML410.S16B3
Beaumont, Saunier de.
See Saunier de Beaumont.
EARLY BOOKS ON MUSIC ' 27
Beauveset, Pierre Honore Robbe de.
See Robbe de Beauveset, Pierre Honore.
[Beche, ]
Abrege de Thistoire de la Menestrandie, dans lequel on rapporte
les differents arrets du Conseil & lettres-patentes rendus en laveur
de Tart musical, centre la Communaute de Saint-Julien des men^triers.
[Versailles ? 1774 ?1
36 p. 16"™.
Caption title. Line borders.
ML270.8.P2B3
Bedford, Arthur, 1668-1745.
The great abuse of musick. In two parts. Containing an account
of the use and design of musick among the antient Jews, Greeks,
Romans, and others; with their concern for, and care to prevent the
abuse thereof. And also an account of the immorality and profane-
ness, which is occasioned by the corruption of that most noble
science in the present age. By Arthur Bedford . . . London,
Printed by J. H. for J. Wyatt, 1711.
2 p. 1., 276 p. 204-"°.
"A canon of four parts in one, according to Mr. Purcell's rule of fuging": p.
[269J-276.
ML285.3.A2B41
The Temple musick : or. An essay concerning the method of singing
the Psalms of David in the Temple, before the Babylonish captivity.
Wherein, the musick of our cathedrals is vindicated, and supposed to
be conformable, not only to that of the primitive Christians, but also
to the practice of the church in all preceding ages. By Arthur Bed-
ford . . . London, H. Mortlock; [etc., etc.] 1706.
8 p. 1., 253, [1] p. 19i<"".
ML3001.B41
Bedos de Celles, Frangois, 1706-1779.
L'art du facteur d'orgues. Par D. Bedos de Celles, Benedictin.
[Paris, Impr. de L. F. Delatour] 1766-[78]
1 p. 1., xxxii p., 1 1., 676 p. cxxxvii pi. (partly fold.) 43"'".
Paging irregular. Thia copy imperfect, wanting plates lxxvii and lxxix and
a portion of each of plates xxx, xxxir, and xxxiii. Issued in 4 parts.
Forms part of a series, Description des arts et metiers, published by the
Academic des sciences, Paris.
ML555.A2B41
Bekuhrs, Gottlob Friedrich Wilhelm, d. 1795.
Ueber die kirchen-melodien . . . von Gottlob Friedrich Wilhelm
Bekuhrs . . . Halle, J. C. Hendel, 1796.
Ip. 1., 154p. 20''»i.
ML3184.A2B2
28 • LIBBAEY OF CONGRESS.
Belli, Lazaro Venanzio.
Dissertazione sopra li preggi del canto gregoriano e la necessity, che
haiino gli ecclesiastici di saperlo, con le regole principal!, e piii
important! per bene apprenderlo, lodevolmente pratticarlo, ed in esso
ancora comporre. Opera diretta alii signori chierici del V. Seminario
vescovile tuscolano ... da Lazaro Venanzio Belli . . . Frascati,
Stamperia dello stesso Seminario, 1788.
xvi, 230 p., 1 1., xxxii, [2] p. 25J x 19^=™.
Special t.-p. precedes the rules: Regole le principali . . . per bene apprendere
. , , il canto ecclesiastico gregoriano, con i precetti di ben comporre nuovi sog-
getti . . . Same title with slight alterations is prefixed to the appendix.
MT860.A2B44
[Belz, Urban Nathanael] d. 1776.
Dissertation sur le son et sur Fouie, qui a remporte le prix propos6
par TAcademie royale des sciences et beUes-lettres de Prusse, pour
rann^e mdcclxii. adjug^ en mdcclxiii. Berlin, Haude et Spener,
1764.
viii, 139 p. 21^ x 18^°>.
Half-title: Abhandlung vom schalle . . . von herm Urban Nathanael Beltz . . .
Text in German.
QC222.B5
Bemetzrieder, Anton, d. 1817.
Lepons de clavecin, et principes d'harmonie, par M' Bemetzrieder.
Paris, Bluet, 1771.
viii, 362 p., 11. 24 x 18<=".
Preface by Diderot.
MT224.A2B42
Music made easy to every capacity, in a series of dia-
logues; being practical lessons for the harpsichord, laid down in a
new method, so as to render that instrument so little difficult, that
anj person . . . may play well; become a thorough proficient in the
prmciples of harmony; and will compose music ... in less than a
twelvemonth. Written in French by Monsieur Bemetzrieder . . .
And pub. at Paris, (with a preface) by the celebrated Monsieur
Diderot, the whole tr. and adapted to the use of the Enghsh student,
by Giffard Bernard . . . London, Printed by R. Ayre and G. Moore,
and sold by W. Randall, 1778.
vi, iv, 249 p. 2^yi22Y'^.
In 3 parts. Parts 2 and 3 have each special t.-p., not included in paging:
Music made easy to every capacity. Part ii[-iii] London, Printed by R. Ayre,
1779.
"Subscribers to this work", ^^ p., inserted after t.-p.
MT224.A2B44
^ Music made easy to every capacity, in a series of dialogues;
being practical lessons for the harpsichord, laid down in a new method,
so as to render that instrument so little difficult, that any person may
. . . play well ; become a thorough proficient in the principles of har-
mony; and will compose music ... in less than a twelvemonth.
Written in French by Monsieur Bemetzrieder . . . And pub. at
EARLY BOOKS ON MUSIC 29
Bemetzrieder, Anton — Continued.
Paris, (with a preface) by the celebrated Monsieur Diderot. The
whole tr., and adapted to the use of the English student, by Giffard
Bernard . . . [London] Printed by G. Bigg for Messrs. Birchall and
Andrews, 1785.
viii, iv, 249 p. 27 x 21i<'".
In 3 parts. Parts 2 and 3 have each special t.-p., not included in paging:
Music made easy to every capacity. Part ii[-iii] London, Printed by R. Ayre,
1779.
MT224.A2B45
Lecciones de clave, y principios de harmonia. Por D. Benito
Bails . . . Madrid, Por D. J. Ibarra, impresor, 1775.
4 p. 1., vi, 291 p. 1 illua., fold. pi. 22^""'.
A free translation of Bemetzrieder's Lemons de clavecin.
MT224.A2B47
Lettre de M. Bemetzrieder a MM. * * * musiciens de profession:
ou, R^ponse a quelques objections qu'on a faites a sa methode,
pratique, sa theorie & son ouvrage sur I'harmonie. Paris, Pissot-
1771.
48 p. 24 X IS''". ( With his Legons de clavecin. Paris, 1771)
MT224.A2B42
Nouvel essai sur Tharmonie, suite du Trait6 de musique . . . Par
M. Bemetzrieder. Paris, Chez I'auteur, et chez Onfroy, 1779.
286 p. 20 pi. on 10 fold. 1. 21<'°>.
"Approbation" dated 1780.
MT50.A2B45
Precis d'une nouvelle methode de musique. Les differentes
branches du savoir musical sont separees, definies, eclaircies &
arrangees suivant I'ordre naturel. Par M. Bemetzrieder. Londres,
Se vend chez I'auteur, 1783.
65 p. 20'''°.
MT35.A2B47
Reflexions sur les lepons de musique; methode pour enseigner la
lecture musicale, I'accompagnement, I'execution & les elemens de la
composition, par M. Bemetzrieder ... A Amsterdam, et se trouve
a Paris, chez Onfroy, 1778.
iv, [51-66 p. 19*""'.
MT35.A2B3
Methode et reflexions sur les lepons de musique. Nouv. ed.
. . . Par M. Bemetzrieder . . . Paris, Chez I'auteur, et chez Onfroy,
1781.
2 p. 1., 127, [3] p. VI pi. on 3 fold. 1. 21^"°'.
Plates printed on both sides.
MT35.A2B33
Le tolerantisme musical, par M. Bemetzrieder. Paris, Chez ^au^
teur, et chez Onfroy, 1779.
1 p. 1., [o]-32 p. 2V'^.
ML3916.B33
80 LIBEARY OF CONGBESS
Bemetzrieder, Anton — Continued.
Traits de musique, concernant les tons, les harmonies, les accords
et le disconrs musical; 2. 4d, Par M. Bemetzrieder . . . Paris,
Chez Tauteur, et chez Gueffier, 1780.
viij, 254, [2]p.;lp. 1., 80p. (engr.) 20""'.
"Exemples du Traits de musique": 30 p.
MT50.A2B43
Bendeler, Johann Philipp, 6. ca. 1660.
Organopoeia, oder Unterweisung / wie eine orgel nach ihren haupt-
stiicken / als mensuriren / abtheilimg derer laden / zufall des windes /
stimung oder temperatur &c., aus wahren mathematischen grunden
zu erbauen / samt einer zugabe / wie alle ilbel-khngende spinette /
clavicimbel &c. zu einem Uebhchen klange / ohne ver&nderung der
decke / zu bringen ; ingleichen / wie sie wohl zu bekielen . . . neu aus-
fearb. / und an den tag gegeben von Johann Philipp Bendelern . . .
ranckfurt und Leipzig, In verlegung T. P. Calvisii, Merseburg,
druckts C. Gottschick [1690?]
4 p. 1., 48 p., 1 1. diagrs. 19i x 15^'=™.
ML552.A2B4
Orgel-bau-kunst, oder: Unterweisung, wie eine orgel nach
ihren haupt-stilcken, als mensuriren, abtheilung derer laden, zufall
des windes, stimmung oder temperatur &c. aus wahren mathemati-
schen gninden zu erbauen, sammt einer angabe, wie alle libel-
khngende spinette, clavicimbel &c. zu einem Hebhchen klange, ohne
ver§,nderung der decke, zu bringen; ingleichen wie sie wohl zu
bekielen . . . neu ausgearb., und an den tag gegeben von Johann
Phihpp Bendelern . . . Franckfurt, 1739.
52 p. diagre. 19^ x 16"™.
ML552.A2B42
Benzoni, Donate, 1587-1664, translator.
See Secchi, A. Delia hinnodia, 1643.
Berard, Jean Antoine, 1710-1772.
L'art du chant, dedie a Madame de Pompadour, par M. Berard.
Paris, Dessaint & Saillant [etc.] 1755.
9 p. 1., 158, [6], 34 p.(engr.) pi. 22"'°.
The 34 p. contain musical examples.
Authorship claimed by the Abbe Blanchet, who afterward published his
"L'art, ou les principes philosophiques du chant" (Paris, 1756) as "2. edition,
corrigee & augmentee."
MT820.A2B3
Berardl, Angelo, d. 1693?
Arcani mvsicali suelati dalla vera araicitia, ne' quali appariscono
diuersi studij artificiosi, molte osseruationi, e regole concernenti alia
tessitura de componimenti arraonici, con vn modo facilissimo per
sonare trasportato. Dialog© del can. Angelo Berardi . . . Bologna,
P.-M. Monti, 1690.
32 p. 22^ X 16^"™. ( With his Miscellanea mvsicale. Bologna, 1689)
MT55.A2B50
EARLY BOOKS ON MUSIC 31
Berardi, Angelo — Continued.
Docvmenti armonici di D. Angelo Berardi . . . nelli quali con
varij discorsi, regole, & essempij si dimostrano gli studij arteficiosi
della musica, oltre il mode di vsare le ligature, e d'intendere il valore
di ciascheduna figura sotto qual si sia segno . . . Bologna, G.
Monti, 1687.
178 (i. e. 180) p. 24"™.
Title vignette: coat of arms; initials; tail-pieces. Errors in paging; p. 67, 97,
132, 133 numbered 76, 95, 130, 131 respectively; no. 95 and 96 repeated.
MT55.A2B48
Miscellanea mvsicale di D. Angelo Berardi . . . divisa in tre parti
done con dottrine si discorre delle materie piii curiose della musica:
con regole, & essempij si tratta di tutto il contrapunto con I'intreccio
di bellissimi secreti per li professori armonici . . . Bologna, G. Monti,
1689.
6 p. 1., 210, [6] p. 22i X lej""".
Title vignette: coat of arms.
MT55.A2B50
II perche mvsicale, overo Staffetta armonica nella quale la ragione
scioglie le difficolta, e gli esempi dimostrano il modo d'isfuggire gli
errori, e di tessere con artificio i componimenti musicaU; opera del
canonico D. Angelo Berardi . . . Bologna, P.-M. Monti, 1693.
60 p. 22i X 16J''°>. ( With his Miscellanea mvsicale. Bologna, 1689)
Title vignette: coat of arms.
MT55.A2B50
Ragionamenti mvsicali composti dal Sig. D. Angelo Berardi . . .
Dedicati all' illustriss. e reuerendiss. Sig. il Sig. abbate Carlo Antonio
Sampieri da Givseppe Orsolini . . . Bologna, G. Monti, 1681.
190 p. 14 X 71"™.
A resum6 of lessons given by Berardi, written by Orsolini.
MT6.A2B48
Aggivnta di D. Angelo Berardi . . . alii svoi Ragionamenti
mvsicali, nella quale si pruoua, che la musica e vera, e reale scienza
. . . Bologna, G. Monti, 1681.
34 p. 14 X 7^"™. (TFt^Ais Ragionamenti mvsicali. Bologna, 1681)
MT6.A2B48
Berlin, Johann Daniel, 1711-1787.
Anleitung zur tonometrie, oder wie man durch hulfe der logarith-
mischen rechnung nach der geometrischen progressionsrechnung die
so genannte gleichschwebende musikalische temperatur leicht und
bald ausrechnen kann; nebst einem unterrichte von dem 1752.
erfundenen und eingerichteten monochordum, von Johann Daniel
Berlin . . . Kopenhagen und Leipzig, F. C. Pelt, 1767.
1 p. 1., 2, 5-48 p. Ill fold. pi. 17J"™.
ML3809.A2B36
32 LIBRARY OF CONGRESS
Berlinische musikalische zeitung. Historischen und kritischen in-
halts. Mit funfzig musikstucken von verschiedenen meistern.
Hrsg. von Carl Spazier . . . 1.-52. stuck; 9. feb. 1793-4. Jan. 1794.
Berlin, Im verlage der neuen musikhandlung, 1794.
210 p. 25 X 21"™. weekly.
2 numbers issued for Oct. 19, 26, Nov. 2 and Jan. 4 respectively.
ML4.B4
Bermudo, Juan, h. 1510?
Comienpa el libro llamado Declaracio de instumetos[ !] musicales . . .
copuesto por el muy reuerendo padre fray lua Bermudo ... en el
qua! hallara todo lo que en musica desseare, y cStiene seys libros . . .
1555. [Colophon: Fin delos cinco libros dela declaracion delos instru-
mento [!] musicales los quales compuso el muy reueredo padre fray
lua Bermudo . . . y fuero impressos ela villa de Ossuna por luan de
Leo ... Y acabarose de imprimir a treze dias del mes de iulio siendo
bispera de Sanct Buenauentura ano de. m.d.l.v.]
8 p. I., cxlij numb. 1. illus. 29"
icm
Title within ornamental border; title vimette: coat of arms. The 1st edition,
1548, comprised only the first "book." The sixth was not published.
ML171.B52
Bernard, Giffard, translator.
See Bemetzrieder, A. Music made easy.
Bernardo da Concei§ao.
O ecclesiastico instruido scientificamente na arte do canto-chao,
composta pelo P. P. Fr. Bernardo da Concei^ao . . . e dada a' luz por
Jeronymo da Cunha Bandeira . . . Lisboa, F. L. Ameno, 1788.
3 p. 1., xii p., 1 1., 1091 {i. e. 1094), [1] p. incl. pi., tables. 20^"°^.
"Alguns hymnos selectos, tirados do Psalterio romano": p. 341-360.
"Vario canto-chao pratico, para uso dos principiantes " : p. 361-1028.
"Psalmos, e li^-oes dos tres officios da Semana santa; e tambem do Officio dos
defuntos" (text only): p. 1029-1086.
MT860.A2B4
Bertalotti, Angelo Michele, h. 1665?
Regole facilissime per apprendere con facilita, e prestezza li canti
fermo, e figvrato, dati alle stampe per comodo delli putti delle scvole
pie di Bologna. Bologna, M. Silvani, 1698.
54 p. 2P™.
Tail-piece.
MT860.A2B5
Ilegole facilissime, per apprendere il canto fermo, con vn
dialot:jo che puo servire tanto per esaminare li scolari, che per esser
esaminato, ed una spiegazione de' tuoni per chi volesse comporre
antifone, o altro in canto fermo; nuovamente per la quinta volta ri-
stampate, e ricorrette . . . da Angelo Michele Bertalotti . . . Bologna,
Stamperia di L. dalla Volffe, 1756.
44 p. illus. 24^"™.
MT860.A2B53
EARLY BOOKS ON MUSIC 33
Bertalotti, Angelo "Michele— Continued.
Solfeggi a canto, e alto, dati gia alle stampe per comodo delle
scuole pie di Bologna da Angelo Bertalotti . . . Nuova ed. con ag-
giunta degli elementi, del solfeggio, e de' terzetti. Bologna, Stamperia
di L. dalla Volpe, 1764.
72 p. 20i X 26i<="».
MT870.A2B4
Bertezen, Salvatore.
Principj di musica teorico-prattica, di Salvatore Bertezen. Roma,
Stamperia Salomoni, 1780.
350, [2] p. 16i X 9""^.
MT6.A2B5
Principj della musica, di Salvatore Bertezen . . . Londra, E.
Reynell, 1781.
iv, xiii, 14-189, [2] p. xviir pi. 20"=™.
MT6.A2B52
Extract of the work entitled Princif)les of music by Salvatore
Bertezen. Estratto dell' opera de' Principj della musica, &c. Lon-
don, Printed for the author, 1782.
1 p. 1., 5-46 p. IV pi. 20"°'.
Italian and English in parallel columns.
MT6.A2B53
[Berthet, Pierre]
Lemons de musique, ou Exposition des traits les plus necessaires
pour apprendre a chanter sa partie a livre ouvert. P. L. S. B.
Paris, C. Ballard, imprimeur, 1691.
47, [1] p. 12 X 19"".
145 p. of music in ms., by Berthet and others, appended. On fly-leaf at end:
" Le 14 avril 1693 . P . Berthet . ' '
MT870.A2B5
Bertouch, Georg von, 1668-1743.
See Stryk, E. A. Disputatio juridica [1693]
Bethisy, Jean Laurent de, 1702-1781.
Exposition de la theorie et de la pratique de la musique, suivant
les nouvelles decouvertes. Par M. de Bethizy. 2. ed. Cor. & augm.
par I'auteur. Paris, F. G. Deschamps, 1764.
xvi, 331, [4] p., 60 p. (music, engr.) 20"™.
MT6.A2B56.
Beuf, Jean le.
See Lebeuf, Jean.
51234°:— 13 3
34 LIBRARY OF CONGRESS
Beurhusius, Friedrich, 1536-1609.
Erotematum mvsicse libri dvo, ex optimis hvivs artis scriptoribvs
vera perspicvaqve methodo descripti, per Fredericvm Bevrhvsivm
. . . Cum prsefatione d. loannis Thomse Freigii. Noribergae, 1580.
[126] p. 16^
5cin
Colophon: Noribergse, imprimebatvr in officina typographica Caiharinse
Gerlacnin, & hseredum loannis Montani.
/ Signatures: A-G in eights, H in seven.
The first edition quoted is that of Dortmund, 1573.
ML171.B55
[Bianchi, Giovanni Antonio] 1686-1758.
De i vizj, e de i difetti del moderno teatro e del mode di correg-
gergli, e d' emendarli, ragionamenti vi. di Lauriso Tragiense pastore
arcade. Roma, N., e M.. Pagliarini, 1753.
xii, 345, [1] p. illus., 4 pi. (1 fold.) 2 plans. 27 x 20'"".
Title vignette; initials; head and tail pieces.
Ch.34,3018
Bianchini, Francesco, 1662-1729.
Francisci Bianchini Veronensis . . . De tribus generibus instru-
mentorum musicse veterum organicse dissertatio. Romae, impensis
Fausti Amidei, 1742.
xi, 58 p. VIII pi. 25^^^™.
Title vignette; head-pieces; initials.
ML162.A2B6
Bicknell, John Laurence, 1740-1787.
See Veal, G. Musical travels through England.
Biedermann, Johann Gottlieb, 1705-1772.
M. Johann Gottlieb Biedermanns . . . Abgendthigte ehren-rettung
wider die unversch^mten l&sterungen uber seine einladungsschrifft
De vita mvsica. Leipzig, M. C. F. Muller, 1750.
15 p. 21i X 17i''«.
ML64.B4
See also Nachgedanken herm m. Joh. Gottl. Biedermanns, 1750.
Birchensha, John. •
See Salmon, T. An essay, 1672.
Birchensha, John, translator.
See Alsted, J. H. Templvm mvsicvm, 1664.
Bisse, Thomas, d. 1731.
Musick the deUght of the sons of men. A sermon preached at the
cathedral church of Hereford, at the anniversary meeting of the three
choirs, Glocester, Worcester, Hereford, September 7. 1726. By Tho.
Bisse . . . London, W. and J. Innys, 1726.
52 p. 20'="'.
ML63.B62
EARLY BOOKS ON MUSIC 35
Blainville, Charles Henri, 1711-1769.
L'esprit de Tart musical, ou Reflexions sur la musique, et ses diffe-
rentes parties, par C. H. Blainville. Geneve, 1754.
2 p. 1., 126, [2] p. front. 21i<'°».
A German translation, taken from "Vermischte beytr&ge zur philosophie und
den sch6nen wissenschaften", was pub. by J. A. Hiller in his " W6chentliche
nachrichten", 1767,
ML1727.33.B63
Harmonie theorico-pratique, divisee en six parties . . . Paris, Chez
I'auteur [etc.] 1751.
iv, 55, [1] p. 20i X 27^"".
Caption title: Regies de composition.
Blainville is given as author in the privilege.
An earlier edition was published by Ballard in 1746.
MT50.A2B5
Histoire gen6rale,» critique et philologique de la musique . . . par
M. de Blainville. Paris, Pissot, 1767.
xj, [1], 189, [3] p. LXix (i. e. 61) pi. (incl. front.) 27^ x 21^'".
Plates (partly music) numbered irregularly and in part printed on both sides.
ML159.B63
Blanc, Hubert le.
See Le Blanc, Hubert.
Blanchet, Jean, 1724-1778.
L'art, ou les principes philosophiques du chant: par M. Blanchet.
2. ed., cor. & augm. . . . Paris, A. M. Lottin [etc.] 1756.
xlviij, 148, [4] p. pi. le^'^"'.
For the Ist edition of this work see Berard, J. A., L'art du chant.
MT820.A2B4
Bland, John.
. . . Catalogue of subjects or beginnings of the several works, for
the harpsichord, piano forte, & organ, which are printed & sold by
J. Bland, n.° 45, Holborn, London . . . Catalogue thematique, ou
commencement de chaque ouvrage pour le clavecin, forte piano ou
I'orgue qui sont pubH^s & vendus par J. Bland . . . London [1790]
18 p. 25«".
At head of title: N? 2. Decem'- 1790.
ML145.A2B41
Blankenburg, Christian Friedrich von, 1744-1796, editor.
See SuLZER, J. G. Allgemeine theorie der schdnen kunste, 1792-99.
36 LIBRARY OF CONGRESS
Blankenburg, Quirinus van, h. 1654.
Elementa musica, of Niew licht tot het welverstaan van de musiec
en de bas-continuo. Door regelen, met reden en bewys, gebouwd op
oen klare ontledinge der eerste beginselen; na een voorafgaande
wederlegging van de dwalingen dezes tyds. Waar nevens de vinding
en opkomst der konst ; de musiec der ouden ; de redenmaat der klan-
ken; de ontdekking van een wiskunstige cirkel, waar in de wet der
nature al de toonen verdeelt; de stelkonst; de speeltuigen en de
grondlegging van de zangkunst. Door Quirinus van Blankenburg . . .
's Gravenhage, L. Berkoske, 1739.
15p. 1., 200p., 11. front, (port.) 29 pi. (partly fold.) 26 x 201-^"^.
MT49.A2B64
Blewitt, Jonas, d. 1805.
A complete treatise on the organ, to which is added a set of explan-
atory voluntaries composed expressly for the purpose of rendering
theory and practice subservient to mutual elucidation. By Jonas
Blewitt . . . Op: 4 . . . London, Printed by Longman and Bro-
derip [17 — ]
1 p. 1., 9, 59 p. 24 X ?,2V^.
Engraved, except the treatise (9 p.) which is followed by the dedication (p. 1),
12 voluntaries (p. 2-42) and psalm-tunes with preface (p. 43-59)
MT182.A2B6
Bocchi, Francesco, 1548-1618.
Discorso di Francesco Bocchi sopra la musica, non secondo Parte di
quella, ma secondo la ragione alia poHtica pertinente. Fiorenza, 1581.
39 p. 16''™.
Colophon: In Fiorenza, Nella stamperia di Giorgio Marescotti . . . mdlxxx.
Title within ornamental border; printer's mark at end.
ML171.B57
Boch, Jean, 1555-1609.
See Straet, J. van der. Enconivm mvsices [ca. 1600]
Boecklin von Boecklinsau, Franz Friedrich Siegmund August
von, reichsfreiherr zu Rust, 1745-1813.
Beytr&ge zur geschichte der musik, besonders in Deutschland; nebst
freymuthigen anmerkungen uber dfe kunst. Von F. F. S. A. von
BoeckUn. Freyburg im Breisgau, Gedruckt be}^ N. A. Zehnder, 1790.
loO p. 19"™.
A second title precedes the text: xviii. briefe uber die tonkunst.
ML275.3.B73
Boethius, Anicius Manlius Severinus.
Arithmetica, geometria et musica Boetii. Venetiis, Johannes et
Gregorius de Gregoriis, 1492.
32cni
From Opera Boetii, 1492, '91 (2 v.) v. 1, 1 p. 1., numb. 1. 1.5fr-220 {i. e. 222)
(According to Hain: 157-222; according to Pellechet: 157-220 (z. e. 175-242))
In Pellechet, f. 157'', col. 1: '"table"; in Hain and this copy, col. 1: C Inci-
piunt duo libri de Arithmetica.
Book-plate of James E. Matthew.
C omplete work listed as follows: Hain *3351, Pellechet 2490, Proctor 4517 (3
Venice 45-16, 17, 20)
Incun.1492.B67
EARLY BOOKS ON MUSIC S7
Boethius, Anicius Manlius Severinus — Continued.
Opera. [Venetiis, Johannes et Gregorius de Gregoriis, fratres,
1497-99]
3 V. in 1. S'Z"™.
Hain *3352; Proctor 4555, 4559; Pellechet 2491.
Incun.l499.B6
AnitiiManliiSeveriniBoethi . . . opera omnia . . . Accesservnt
loannis Murmelij in v. lib. De consolatione philosophise commentaria.
et in eosdem Rodolphi Agricolae enarrationes. Item, Gilberti Porretae^
episcopi pictauiensis, in iiii. Hb. De trinitate commentarij, ante nun-
quam sediti. Prseter reliquos doctiss. uiros, Henricvs Loritvs Glarea-
nvs, Arithmeticam & Musicam demonstrationibus & figuris auctiorem,
redditam, suo pristino nitori restituit . . . et Martianvs Rota, opus
de tota disserendi ratione, hoc est, Organum . . . illustrauit. et huius
autorisuitam . . . descripsit. Basile9e,exofficinaHenricpetrina [1570]
23
3 p. 1., 1546, [2] p. diagrs. 31^"°'.
Printer's mark on t.-p. and on last page; initials.
Ch.40
Bogatzky, Carl Heinrich von, 1690-1774.
See Der eitle musicant, 1760.
Boiseul, Jean.
Traitte contre les danses. Par Jean Boiseul. La Rochelle, Les
heritiers de Hierosme Havltin, 1606.
50 p. 16"™.
Printer's mark on t.-p.
GV1740.B7
Boissy, M. A. Laus de.
See Laus de Boissy, M. A.
Bollioud-Mermet, Louis, 1709-1793.
De la corruption du goust dans la musique franpoise. Par M.
Bollioud de Mermet . . . Lyon, Lupr. d'A. Delaroche, 1746.
53, [1] p. \^'^.
Title v^ette.
ML270.3.B68
Herrn Bollioud von Mermet abhandlung von dem verder-
ben des geschmacks in der franz6sischen musik. Aus dem franzd-
sischen ubersetzt und mit einigen historischen anmerkungen verse-
hen von F[riedrich] G[otthiK] F[reytag] Altenburg, Bey P. E. Rich-
tern, 1750.
78 p. nY"^.
Title vignett«.
"A. G. K§,stners . . . schreiben an den uebersetzer, die ursachen, warum man
in den kunsten auf das unnatfirliche verf§,llt, betreffend": p. 69-78.
ML270.3.B69
Bologna. R. Accademia filarmonica.
See Accademia filarmonica, Bologna.
38 LIBRAE Y OF CONGRESS
Bona, Giovanni, cardinal, 1609-1674.
De divina psalmodia, eivsqve cavsis, mysteriis, et discii)linis, deque
variis ritibus omnium ecclesiarum in psallendis diuinis officiis,
tractatvs historicvs, symbolicvs, asceticvs. Sive Psallentis ecclesise
harmonia, opus nouum, & curiosum, ac multiplici eruditione illus-
tratum. Auctore d. loanne Bona . . . Ed. 2. avctior et emen-
datior. Nunc primiim prodit in Galliis. Parisiis, apud Lvdovicvm
Billaine, 1663.
12 p. 1., 534 p. 23i<"".
"Notitia avctorvm, et librorvm, qvi in hoc opere citantvr, notantvr, illvstran-
tvr": p. 1-48.
ML3270.A2B6
Bona, Valerio.
Essempi delli passaggi delle consonanze, et dissonanze, et d'altre
cose pertmenti al compositore. Del r. p. Valerio Bvona . . . Milano,
Appresso li heredi di F., & S. Tini, 1596.
28 p. 19 X 14i«°'.
ML171.B69
Bonaventura da Brescia.
Regula musice plane. [Venetia, Jacomo di Penci da Lecho, 1500]
16 1. 21i''">.
±*roctor5589(3Venicel36— 8,9,11) Copinger 1200. NotinHainorPellechet.
ML171.B7
Regula musice pla || ne VenerabilisfratrisBo [j nauenture de Bri-
xia ordinis || mino- |[ ru. [Colophon: d Impressum Mediolani per
Joannem Angelum Scinzenze || ler. Anno dni. M.ccccc.xiiij. Die xxvij.
Mensis Septebris]
[40] p. 1 illua. 20^''°'.
Title within woodcut border; printer's mark on t.-p. above title; Guidonian
hand on recto of third leaf. Gothic type. Signatures: a in eight, b-d in fours.
1st edition pub. at Brescia in 1497 under title: Breviloquium musicale.
ML171.B71
Regula musice plane vene- || rabilis fratris Bonauen || ture
de brixia ordinis || Minorum. [Colophon: G Stampato in Venetia
per Giouanni An- || drea Valuaflore detto Guadagnino || m.d.l.]
[45] p. 1 illus. ISi'^".
Signatures: A-B in eights, C in seven. Woodcut on t.-p., Guidonian hand on
recto of A iii, printer's mark on last leaf.
ML171.B73
Bonlini, Giovanni Carlo, 1673-1731.
Le glorie della poesia, e della musica contenute nell' esatta notitia
de teatri della citt&, di Venezia, e nei catalog© purgatissimo de drami
musicali quiui sin' hora rapresentati. Con gl' auttori della poesia, e
della musica, e con le annotationi a suoi luoghi proprij. In Venezia
[C. Bonarigo stampatore, 1730]
1 p. 1., 264, [2] p., 11. 18 X 10"°^.
ML1733.8.V4B5
EARLY BOOKS ON MUSIC 39
Bonnet, Jacques, 1644-1724.
Histoire de la musique, et de ses effets, depuis son origine jusqu'«i
present . . . Paris, J. Cochart [etc.] 1715.
8 p. 1., 487, [1] p. 17='".
Dedication signed: Bonnet.
The work was begun by the Abb6 Bourdelot, continued by hia nephew, Pierre
Bonnet, and completed and pub. by the brother of the latter, Jacques Bonnet.
ML159.B7
Histoire de la musique et de ses effetS; depuis son origine
i'usqu'^ present: & en quoi consiste sa beaute . . . Amsterdam, C.
je Cene, 1726.
4 V. in 2. 16«™.
Vol . 2-4 of this edition are a reprint of the ' ' Comparaison de la musique itali-
enne et de la musique franpoise" of J. L. Le Cerf de La Vieville.
ML159.B8
Histoire generale de la danse, sacree et prophane ; ses progres & ses
revolutions, depuis son origine jusqu'k present. Avec un supplement
de I'Histoire de la musique, & le Paralele de la peinture & de la po^sie
... Par M. Bonnet . . . Paris, D'Houry fils, 1724.
leva
xl, 269 p. 15^"
Based upon material left in manuscript by the Abb6 Bourdelot.
GV1601.B71
Bonnet-Bourdelot, Pierre, 1638-1708.
See Bonnet, J. Plistoire de la musique.
Bonnot de Mably, Gabriel.
See Mably, Gabriel Bonnot de.
Bononcini, Giovanni Maria, 1640-1678.
Mvsico prattico che breuemente dimostra il modo di giungere alia
perfetta co^nizione di tutte quelle cose, che concorrono alia compo-
sizione de i canti, e di cio en' all' arte del contrapunto si ricerca.
Opera ottava di Gio. Maria Bononcini . . . Bologna, G. Monti, 1673.
5 p. 1., 164 p. front. 20i<"".
MT55.A2B71
Johannis Mariae Bononcini . . . Musicus practicus. Welcher
in kiirtze weiset die art / wie man zu vollkommener erk^ntniss aller
der jenigen sachen / welche bey setzung eines gesangs unterlauffen /
und was die kunst des contra-puncts erfordert / gelangen kan. Stut-
gart /P. Treu / 1701.
1 p. 1., 101, [1] p. 20 X 16'^°'.
Translation of the second part of his "Mvsico prattico."
MT55.A2B73
t^
40 LIBBAEY OF CONGRESS
Bontempi Angelini, Giovanni Andrea, 1624-1705.
Historia mvsica, nella quale si ha piena cognitione della teorica, e
della pratica antica deUa mvsica harmonica; secondo la dottrina de'
Greci . . . e come dalia teorica, e dalla pratica antica sia poi nata la
pratica moderna, che contiene la scientia del contrapunto ... Di
Grio: Andrea Angehni Bontempi . . . Pervgia, Pel Costantini, 1695.
6 p. 1., 278, [2] p., 1 1. diagrs. SO'"*.
Title vignette.
ML159.B85
Borde, Jean Baptiste de la.
See La Borde, Jean Baptiste de.
Borde, Jean Benjamin de la.
See La Borde, Jean Benjamin de.
Bordier, Louis Charles, d. 1764.
Nouvelle methode de musique, par M"". Bordier . . . Paris, Des
Lauriers [1760]
1 p. 1., lis p. 33i X 25^'^"'.
Engraved throughout. Label mounted over imprint on t.-p.: Chez M*""* Cas-
tagnery ... ,
A new edition was published in 1781 under title: Methode pour la voix.
MT870.A2B71
Traits de composition, par feu M. Bordier . . . mis au jour par M.
Boiiin . . . Paris, Chez I'editeur; [etc., etc., 1770?]
2 p. 1., 86 p. 24^''".
Engraved throughout.
MT40.A2B78
Borghese, Antonio D. R.
L'art musical ramene a ses vrais principes; ou, Lettres d'Antoine
D. R. Borghese, a JuUe, tr. de I'italien par I'auteur . . . Paris, Har-
douin & Gattey, 1786.
Ip. l.,16, 178, [2]p. 2P™.
Gaspari gives also a volume of 17 plates, published 1785, containing the musical
examples for the work.
MT6.A2B73
[Borjon, Charles Emmanuel] 1633-1691.
Traite de la mvsette, avec vne novvelle methode, pour apprendre
de soy-mesme a joiier de cet instrument facilement, & en peu de
temps. A Lyon, Chez lean Girin, & Barthelemy Riviere, 1672.
5 p. 1., 39, 19 p. incl. illus., pi. front., 2 pi. 29f<'".
Title vignette; head-pieces; historiat«d initials. In two parts; the second
part, " Livre de tablature,'' engraved throughout, consists of a^ias and dance music
in tablature with transcription in modern notation on opposite pages, followed
by the words of the songs.
MT530.B78
EAELY BOOKS ON MUSIC 41
Borromeo, Carlo, Saint.
See Carlo Borromeo, Saint.
Borromeo, Federico, cardinal, 1564-1631.
See Regole d'alcuni capi, 1795.
Bos, Jean Baptiste du.
See DuBOs, Jean Baptiste.
Bossier, Heinrich Philipp Carl, d. 1812, editor.
See Musikalische real-zeitung [1788-90]
Bottrigari, Ercole, 1531-1612.
II Patricio, overo De' tetracordi armonici di Aristosseno, parere, et
vera dimostratione dell' illustre Signor caualiere Hercole Bottrigaro.
Bologna, V. Benacci, 1593.
47, [1] p. 21 X 15i<^"'.
ML171.B75
Bourdelot, Pierre, originally Pierre Michon, 1610-1685.
See Bonnet, J. Histoire de la musique.
Histoire generale de la danse, 1724.
Boyer, Pascal, 6. 1743.
Lettre a Monsieur Diderot, sur le projet de Funite de clef dans la
musique. Et la reforme des mesures, proposes par M. I'abbe La Cas-
sagne, dans ses Elemens du chant. Par M. Boyer ... A Amster-
dam, et se trouve, a Paris, chez Vente, 1767.
1 p. 1., ij, 70 p., 1 1. fold. pi. 19^"°'.
ML432.A2B6
See also Arnaud, F. La soiree perdue a I'Op^ra, 1776.
Bradbury, Thomas, 1677-1759.
See Practical discourses, 1708.
Bravo, Jose de Torres Martinez.
See Torres Martinez Bravo, Jose de.
Breitkopf, Johann Gottlob Immanuel, 1719-1794.
Catalogo . . . [Lipsia] 1762-65.
6 pt. in 1 V. 22^'^™.
Thematic catalogue of ms. music only.
Each part has special t.-p. (1) Catalogo delle sinfonie che si trovano in manu-
ecritto nella officina musica di Giovanno Gottlob Imnaanuel Breitkopf, in Lipsia.
Parte ima. 1762. (2) Catalogo deisoli, duetti, trii e concerti per il violino [etc.]
chi si trovano in manuscritto nella officina musica di Breitkopf in Lipsia. Parte
iida. 1762. (3) Catalogo de' soli [etc.] per il flauto traverso [etc.] . . . Parte
iiiza. 1763. (4) Catalogo de' soli [etc.] per il cembalo e I'harpa . . . Parte ivta.
1763. (5) Catalogo de' qvadri, partite, divertimenti, cassat. scherz. ed intrade
... a diversi stromenti . . . Parte va. 1765. (6) Catalogo delle arie, duetti,
madrigali e cantate, con stromenti diversi e con cembalo solo . . . Parte vita.
1765.
42 LIBRARY OF CONGRESS
Breitkopf, Johann Gottlob Innnanuel — Continued.
Svpplemento i[-xii] dei catalog! delle sinfonie, partite, ouver-
ture, soli, duetti, trii, quattri e concerti per il violino, fl«.uto traverso,
cembalo ed altri stromenti, che si trovano in mancscritto nella officina
musica di Breitkopf in Lipsia. [Lipsia] 1766-78.
12 pt. in 2 V. 22i^™.
Supplements xiii-xvi wanting in L. of C. set.
ML145.A2B83
Bremner, Robert, d. 1789.
The rudiments of music : or, A short and easy treatise on that sub-
ject. To which is added, a collection of the best church-tunes, canons,
and anthems. By Robert Bremner. Edinburgh, Printed for the
author, 1756.
2 p. 1., [ui]-ix, [1], 35 p. 12, 52 p .(music, engr.) 2 fold. pi. IG''".
Page 52 and 4 unnumb. p. following are ruled but otherwise blank.
MT7.A2B8
The rudiments of music : or, A short and easy treatise on that
subject. The 3d ed. With considerable additions; particularly,
Instructions for song; and, A plan for teaching a number of persons
collectively the four parts of psalmody. By Kobert Bremner. To
which is annexed, a collection of the best church-tunes, canons, and
anthems. London, Printed for the author, 1763.
1 p. 1., [v]-xix, [1], 59 p., 1 1., 72 p. (music, engr.) 3 fold. pi. 17''™.
MT7.A2B83
[Bretagne, Pierre de] &. ca. 1666.
De excellentia musicse antiquse Hebrseorum et eorum instrumentis
musicis tractatus ex S. Scriptura, ss. patribus, & antiquis authoribus
illustratus . . . Monachii, sumptibus Joannis J. Remy, 1718.
6 p. 1., 100 p. fold. pi. 16'^'".
Dedication signed: F. P. de Bretagne, a. s. e. b. c. & t.
According to F^tis this is a reprint of the 1st edition, Paris, 1707.
ML166.A2B8
Brett, John, d. 1785, translator.
See Feijoo y Montenegro, B. J. Three essays, 1778.
Briefwechsel uber Danziger musik und musiker. Berlin, 1785.
71 p. le'^".
Letters to H. W. Gulden (r/. Reichardt) concerning a pamphlet by J. G.
Hingelberg, published anonymously, " Ueber Danziger musik und musiker."
ML279.8.D16
Brijon, C. R., 6. ca. 1720.
L'ApoUon moderne, ou Le developpement intellectuel par les sons
de la musique. Nouvelle devouverte [!] de premiere culture, aisee
& certaine pour parvenir a la reussite dans les sciences, & nouveau
moyen d'apprendre facilement la musique. Par C. R. Brijon . . .
Deuxieme oeuvre . . . Lyon [A. A. Belion] 1782.
xxxij, 264, [7], 64 p. 22^"°'.
In two parts. The second part has special t.-p.: L'Apollon moderne. Ou,
Principes, exemples et leyons de musique. Grave par Meunier graveur du roy,
1782 a Lyon.
MT6.A2B84
EARLY BOOKS ON MUSIC 43
Brijon, C. R. — Continued.
Reflexions sur la musique, et la vraie mani^re de I'ex^cuter sur le
violon. Par M. Brijon . . . Paris, Chez I'auteur [etc.] 1763.
2 p. 1., 32, V, 11 p. 26i X 20^'='".
In two parts. The second part, " Principes de musique, pour parvenir k jouer
du violon, ia engraved throughout.
MT260.A2B85
Brocarte, Antonio de la Cruz.
See Cruz Brocarte, Antonio de la.
[Brocklesby, Richard] 1722-1797.
Reflections on antient and modern musick, with the application
to the cure of diseases. To which is subjoined, an essay to solve the
question, wherein consisted the difference of antient musick, from
that of modern times . . . London, IVI. Cooper, 1749.
1 p. 1., 82 p., 1 1. 19°™.
ML3920.A2B76
Brookbank, Joseph, h. 1612.
See The organs fvnerall [1642 ?]
Brossard, Sebastien de, d. 1730.
Dictionaire de musique, contenant une expUcation des termes
grecs, latins, itahens, & fran^ois les plus usitez ... A I'occasion
desquels on rapporte ce qu'il y a de plus curieux, & de plus necessaire
a s^avoir; tant pour I'histoire & la theorie, que pour la composition,
& la pratique . . . de la musique . . . Ensemble, une table alphabe-
tique des termes franpois qui sont dans le corps de I'ouvrage . . . Un
traite de la maniere de bien prononcer, sur tout en chantant, les
termes itaUens, latins, & franpois. Et un catalogue de plus de 900.
auteurs qui ont ecrit sur la musique . . . Par M^ Sebastien de Bros-
sard . . . Paris, C. Ballard, 1703.
[112] p. 37'"°.
ML108.A2B6
See also Grassineau, J. A musical dictionary, 1740.
Brouncker, William Brouncker, 2d viscount, 1620 or 21-1684,
editor.
See Descartes, R. Excellent compendium of musick, 1653.
Brown, John, 1715-1766.
A dissertation on the rise, union, and power, the progressions,
separations, and corruptions, of poetry and music. To which is
prefixed, The cure of Saul. A sacred ode. Written by Dr. Brown
. . . London, L. Davis and C. Reymers, 1763.
iv, [5]-244 {i. e. 248) p. 26^ x 20i«"'.
Last page numbered 244 for 248.
ML3849.A2B87
44 LIBRARY OF CONGRESS
Brown, John — Continued.
Dr. Brown's Betrachtungen uber die poesie und musik, nach
ihrem ursprunge, ihrer vereinigung, gewalt, wachsthum, trennung
und verderbniss. Aus dem englischen ubersetzt, mit anmerkungen
und zween anh&ngen begleitet, von Johann Joachim Eschenburg.
Leipzig, Weidmanns erben und Reich, 1769.
7p. 1., 494, [2]p., 11. front. IS-"".
"Die heilung Sauls, eine ode von dr. Brown": p. [395]-43i.
ML3849.A2B871
Deir origine, unione e forza, progressi, separazioni, e corru-
zioni della poesia, e della musica, dissertazione del dottor Giovanni
Brown, tr. m lingua italiana dall' originale inglese, ed accresciuta di
note dal dottor Pietro Crocchi ... A cui si aggiunge La cura di
Saule, ode sacra dell' istesso autore, tr. fedelmente in poesia italiana
di metre irregolare a confronto del testo inglese da Oresbio Agieo
p. A. . . . Firenze, Stamperia Bonducciana, 1772.
2 p. 1., 248 p. 22«™.
"Oresbio Agieo," academic name of Fitincesco Corsetti.
ML3849.A2B872
Brown, John, 1752-1787.
Letters upon the poetry and music of the Italian opera; addressed
to a friend. By the late Mr. John Brown, painter. Edinburgh, Bell
and Bradfute; [etc., etc.] 1789.
2 p. 1., [iiij-xx, 141 p. 16<=™.
ML3858.B87
Letters on the Italian opera: addressed to the Hon. Lord
Monboddo. By the late Mr. John Brown. 2ded. London, T. Cadell,
1791.
xviii, 141 p., 1 1. 17<=".
ML3858.B872
Browne, Richard.
Medicina musica: or, A mechanical essay on the effects of singing,
musick, and dancing, on human bodies. Revis'd and corrected. To
which is annex'd a new essay on the nature and cure of the spleen
and vapours. By Richard Browne . . . London, J. Cooke, 1729.
XV, 125 p. \AY^.
Ist edition 1674.
ML3920.A2B75
Bruce, Thomas.
The common tunes; or, Scotland's church musick made plain. By
Mr. Thomas Bruce . . . Edinburgh, Printed for the author, 1726.
3 p. 1., viii, 46 p. front., 21 pi. (music) 17''™.
Caption title and running title: The gam-ut, or scale of musick explain'd.
MT7.A2B92
[Brumbey, Carl Wilhelm] I. 1757.
Brief e uber musikwesen, besonders Cora in Halle. Quedlinburg,
In commission bey C. A. Reussner, 1781.
109 p. 18'^"'.
ML410.N29B8
EARLY BOOKS ON MUSIC 46
Brunnelius, Eric, b. ca. 1708.
See BuRMAN, E. Elementa musices planse [1728]
Bulyovszky, Mihaly, d. 1711.
Michaelis Bvliowski . . . Brevis de emendatione organi musici trac-
tatio. Kurtze vorstellung von verbesseriing des orgelwercks. Ar-
gentorati, apud J. E. Zetznervm, 1680.
6 p. 1., 121, [11] p. IS''-".
Text in Latin and German on opposite pages; " Register," Latin and German
in parallel columns.
"Lobspruch dieses grundlichen berichts von verbesserung des orgelwercks,"
poem, signed Jo. Ernestus Saur: [4] p. preceding p. [1]
ML552.A2B9
Buonanni, Filippo, 1638-1725.
Gabinetto armonico pieno d'istromenti sonori, indicati, e spiegati
dal padre Filippo Bonanni . . . Roma, Stamperia di G. Placho, 1722.
8 p. 1., 177, [1] p. front., cxlviu {i. e. 149) pi. 25''".
Plates numbered irregularly.
ML460.A2B61
Descrizione degl' istromenti armonici d'ogni genere, del padre
Bonanni. 2. ed. riv., cor., ed accrescivta dalF abbate Giacinto
Cervti. Ornata con cxl. rami incisi d'Arnoldo Wanwesterout.
Roma, A spese di V. Monaldini, 1776.
xvi, xxiij, [1], 114 ({. e. 214), [2] p. cxl (i. e. 142) pi. (1 fold.) 26i<'"».
Title and text in Italian and French, arranged in parallel columns. The
t.-p. (engr. and folded) is counted as 4 pages in numbering. Page 214 wrongly
numbered 114.
ML460.A2B62
Burette, Pierre Jean, 1665-1747.
Dissertation, ou Ton fait voir, que les merveilleux effets, attribuez
a la musique des anciens, ne prouvent point, qu'elle fust aussi parfaite
que la ndtre. Par M. Burette.
{In Academic des inscriptions et belles-lettres, Paris. Memoires. Paris,
1729. 25^ X 19«'". [i. ser.] t. v [2. ptie.] p. 133-151)
Detached copy.
ML169.A2B8
Paragone dell' antica colla moderna musica. Dissertazione
del Signor Burette. In cui si dimostra, che i maravigliosi effetti
attribuiti alia musica degli antichi non provano in niun modo, ch' essa
fosse pill perfetta della nostra. N°. xiv. Venezia, A. Groppo, 1748.
12 p. 22^'"^.
Title vignette.
ML169.A2B82
Dissertation sur la melopee de I'ancienne musique. Par M.
Burette.
(In Academic dea inscriptions et belles-lettres, Paris. Memoires. Paris,
1729. 25i X 19''°'. [i. ser.] t. v [2. ptie.] p. 169-199)
Detached copy.
ML169.A2B8
46 LIBRARY OF CONGRESS
Burette, Pierre Jean — Continued.
Addition a la Dissertation sur la m^lop^e . . .
{In Acad^mie des inscriptions et belles-lettres, Paris. M^moires. Paris, 1729.
[i. ser.] t. V [2. ptie.] p. 200-206)
Detached copy.
Dissertation sur la symphonie des anciens. Par M. Burette
(In Acad^mie
746. 25i X 19"="
Detached copy
(In Academic des inscriptions et belles-lettres, Paris. Memoires. Paris,
1746. 25i X 19"=". [i. ser.] t. iv, p. 116-131)
ML169.A2B8
Dissertation sur le rhythme de I'ancienne musique. Par M.
Burette.
(In Academic des inscriptions et belles-lettres, Paris. Memoires. Paris,
1729. 25^x19^"°. [i. ser.] t. V. [2. ptie.] p. 152-168)
Detached copy.
ML169.A2B8
Extrait d'une lettre ecrite aux auteurs du Mercure, suivie d'un
memoire qui repond a la question proposee dans celui du mois de juin
dernier, au sujet du plainchant &c. [Paris? 1733?]
19 p. 16^=".
Caption title.
The memoir has caption title "Memoire sur I'autorit^ des musiciens en
matiere de plainchant," and is signed: Burette et Falconnet, fils.
ML3082.A2B8
Prima, e seconda memoria per servire alia istoria del ballo degli
antichi, del Signer Burette. n<*. ii. Venezia, 1746.
1 p. 1., 33-44, 33-42 p. 25 x 19<-'».
Title vignette.
The French original was printed in '• Histoire de I'Acad^mie royale des in-
scriptions et belles-lettres", Paris, 1717.
GV1787.B8
Burette, Pierre Jean, 1665-1747, translator.
See Plutarchus. IJep} ptouoiKfjc, 1735.
Burman, Erik, 1692-1729, praeses.
... Dissertatio musica, De basso fundamentali . . . Upsaliae, Ute-
ris Wernerianis [1728]
4p. 1., 15, [l]p. 15i^°.
Diss. — Upsala (A. Lofgron, respondent and author)
MT49.A2B92
. . . Elementa musices planae exercitio academico . . . Upsaliae,
typis Wernerianis [1728]
4 p. 1., 40, [4] p. 15^''='.
Diss. — Upsala (E. Brunnelius, respondent and author)
MT44.A2B78
EARLY BOOKS ON MUSIC
Burmeister, Joachim, h. ca. 1560.
Miisica auzooxsdcaariKij qvae per aliquot accessiones in gratiam
philomusorum quorundam ad tractatum de hypomnematibus musicse
poeticse ejusdem auctoris anozad-Qv quondam exaratas, in unum cor-
Eusculum concrevit, in qu^ redditur ratio i. Formandi & componendi
armonias; ii. Administrandi & regendi chorum; iii. Canendi melo-
dias modo hactenus non usitatd. Edita studio & labore M. Joachimi
Burmeisteri Lunseburgensis. Rostochii, excudebat C. Reusnerus^
1601.
[244] p. illuB., 2 fold. 1. (mmic) 18^ x Hi"™.
Title within ornamental border.
MT6.A2B96
Musica poetica: definitionibus et divisionibus breviter delineata,
quibus in singulis capitibus sunt hypomnemata praeceptionum instar
GuvonrcKibc addita, edita studid & oper^, M. Joacnimi Bvrmeisteri . . .
Rostochii, excudebat S. Myliander, 1606.
4 p. 1., 76, [4] p. 18^x14^"™. {WithhisUvisicSiajlnoaxedcmriK^. Rostochii, 1601)
Title withia ornamental border.
MT6.A2B96
Burney, Charles, 1726-1814.
An account of the musical performances in Westminster-abbey^
and the Pantheon, Ma}?^ 26th, 27th, 29th; and June the 3d, and 5th,
1784. In commemoration of Handel. By Charles Burney . . . Lon-
don, Printed for the benefit of the musical fund, and sold by T. Payne
and son [etc.] 1785.
[237] p. vii pi. (incl. front.) 27^ x 22'^'°.
Various paging.
"Sketch of the life of Handel": p. [l]-38. "Chronological list of Handel's
works": p. [42]-46. "Abstract of the laws and resolutions of the Fund for the
support of decayed musicians and their families": p. 129-136.
ML410.H13B9
Dr. Karl Burney's Nachricht von Georg Friedrich H&ndel's
lebensumst^nden und der ihm zu London im mai und juni 1784
angestellten ged&chtnissfeyer. Aus dem enghschen ilbersetzt von
Johann Joachim Eschenburg . . . Mit kupfern. Berlin und Stettin,
F. Nicolai, 1785.
14p. 1., [iii]-lii, 102p., 1 ]. front., 1 illus., fold. plan. 25x20''™.
ML410.H13B93
A general history of music, from the earliest ages to the present
period. Bv Charles Burnev . . . London. Printed for the author,
1776-89.
4 V. fronts, (v. 1: port.), illut,., 10 pi. (4 fold.) 28 x 22''"'.
, In L. of C. copy v. 1 is of the 2d edition, 1789. Engraved musical illustrations
throughout text. "Chronological list of the principal books published on the
subject of music in England, during the present century": v. 4, p. [687]-688.
ML159.B96.
48 LIBRARY OF CONGRESS
Bumey, Charles — Continued.
Memoirs of the life and writings of the Abate Metastasio. In
which are incorporated, translations of his principal letters. By-
Charles Burney . . . London, G. G. and J. Robinson, 1796.
3 V. front, (port.) 21<=°'.
ML429.M4B9
The present state of music in France and Italy: or, The journal of
a tour through those countries, undertaken to collect materials for a
general history of music. By Charles Burney . . . London, T. Becket
and CO., 1771.
vii, 396, [10] p., 2 1. 21=^.
ML195.B96
The present state of music in Germany, the Netherlands, and
United Provinces. Or, The journal of a tour through those coun-
tries, undertaken to collect materials for a general history of music.
By Charles Burney . . . London, T. Becket and co., 1773.
2 V. (v. 1: viii, 376 p.; v. 2: 1 p. 1., \-\i, 352 p.) 21^ x 12^'='°.
ML195.B962
The present state of music in Germany, the Netherlands, and
United Provinces. Or, The journal of a tour through those coun-
tries, undertaken to collect materials for a general history of music.
By Charles Burney ... 2d ed., cor. London, T. Becket [etc.] 1775.
2 V. (v. 1: viii, 380 p.; v. 2: 2 p. 1., 352 p.) 21^'='°.
ML195.B963
Busby, Thomas, 1755-1838.
A complete dictionary of music. To which is prefixed, a familiar
introduction to the first principles of that science. By Thomas
Busby, LL. D. London, R. PhilUps [1786]
xxxiii, [294] p. 18 J x 10^'^°'.
Scheme of staves ("Treble stave," "Soprano stave," etc.) on one folding
leaf, takes the place of p. [xxi-xxii] of the Introduction.
ML108.A2B9
Butler, Charles, d. 1647.
The principles of musik, in singing and setting: with the two-fold
use therof, < ecclesiasticall and civil. > By Charles Butler . . . Lon-
don, Printed by J. Haviland, for the author, 1636.
viii, 135 p. illus. 18 x 14'^™.
Imperfect, wanting pages 13-14.
MT6.A2B995
Buttstett, Johann Heinrich, 1666-1727.
Ut, re, mi, fa, sol, la, tota musica et harmonia seterna, oder Neu-
eroffnetes, altes, wahres, eintziges und ewiges fundamentum musices,
entgegen gesetzt dem Neu-er6ffneten orchestre, und in zweene partes
eingetheilet. In welchen / und zwar im ersten theile / des herrn
authoris des Orchestre irrige me3'nungen . . . wiederleget / im andern
theile aber das rechte fundamentum musices gezeiget . . . von Johann
EABLY BOOKS ON MUSIC 49
Buttstett, Johann Heinrich — Continued.
Heinrich Buttstett . . . Erffurt, Gedruckt bey O. F. Werthern, zu
finden in Leipzig, bey J. H. Kloss [1717]
5 p. 1., 176 p., 1 1. 26 pi. on 25 1. (partly fold.), fold. tab. 20 x 16i<"".
Added t.-p., engr. The plates contain musical examples.
MT44.A2B98
Der wieder Das beschiltzte orchestre ergangenen oeffentlichen
erkl&rung zweyte auflage. Von dem verfasser nachgesehen / mit
anmerckungen eri&utert / und mit seinem angebohrnen insiegel
bekr^fftiget ; auch an vielen orten weit vollstandiger / anders / besser
und wahrhafFtiger als die erste vom 21. sept. 1718. [Erffurth? 1718]
broadside. 20 x l?^*"".
Dated: Erffurth, den 21. oct. 1718. Signed: J. H. Buttstett.
MT44.A2B982
C, G. M.
See Mattei, S. Se i maestri di cappella son . . . artigiani [1785 ?]
Cahusac, Louis de, 1706-1759.
La danse ancienne et moderne, ou Traite historique de la danse.
Par M. de Cahusac ... A La Haye [^. e. Paris] Chez J. Neauhne,
1754.
3 V. 13^<"".
GV1600.C2
Calderon, Manuel Perez.
See Perez Calderon, Manuel.
Calendrier musical universel, contenant I'indication des ceremonies
d'eglise en musique; les d^couvertes et les anecdotes de Fannee . . .
la notice des pieces en musique representees . . . sur les difFerens
theatres de I'Europe . . . le releve des ouvrages sur la musique et
des productions musicales pub. a Londres et a Paris . . . &c. &c. &c.
Pour Fannee 1788. Paris, Prault [etc., 1788]
3 p. 1., 3-288, [4] p. 15i^™.
By N. E. Framery, who is given as author in the privilege.
Framery issued a second calendar, for 1789, after which the publication was
discontinued.
ML20.C15
CaUcott, John WaU, 1766-1821.
Explanation of the notes, marks, words, &°, used in music, by I. W.
Callcott . . . London, Printed for the author [1792]
2p. 1., 29p. 26x32^"°'.
Engraved, with the exception of the 2d prelim, leaf and pages 27-29.
MT7.A2C2
51234°— 13 4
50 LIBRARY or CONGRESS
Calmet, Augustin, 1672-1757.
Tr^sor d'antiquitez sacr^es et profanes, tirees des Commentaires
du R, P. D. Augustin Calmet . . . sur I'ficriture Sainte . . . Amster-
dam, P. Marret, 1723.
2v. inl (v. 1: xl, 131p.; V. 2: Ip. 1., 190p.) fold.pl. 17 x r^".
General t.-p. wanting; title supplied from the Catalogue g^n^ral of the Biblio-
th^que nationale, Paris.
Added t.-p.: Dissertations sur la poesie et la musique des anciens en g^n^ral et
des H6breux en particulier, avec lee figures des instrumens de musique. Tome
eremier. Premiere [-seconde] partie. Amsterdam, D. P. Marret, 1723. (Part 2
as special t.-p.: Dissertations sur le Livre des Pseaumes . . .) No more pub. of
this edition. Edition of Paris, 1720, in 3 vols., , appeared under title: Disser-
tations qui t>euvent servir de prol^gomfenes de I'Ecriture Sainte . . .
ML166.A2C2
Calsabigi, Ranieri de% 1714 (yr 15-1795.
Risposta che ritrovo' casualmente nella gran citta' di Napoli il
licenziato Don Santigliano di Gilblas, y Guzman, y Tonnes, y Alfarace,
discendente per linea paterna, e materna da tutti quegli insigni
personaggi delle Spagne; alia critica ragionatissima delle poesie
drammatiche del C. de' Calsabigi, fatta dal baccelliere D. Stefano
Arteaga . . . Venezia, Stamperia Curti, 1790.
224 p. 20^'^™.
ML429.C14A8
Calvisius, Seth, 1556-1615.
Exercitationes musicse duse. Qvarvm prior est, de modis mvsicis,
qvos vulg6 tonos vocant, rect^ cognoscendis, & dijudicandis. Poste-
rior, de initio et progressv mvsices, alijs^ rebus eo spectantibus.
Institutae a Setho Calvisio . . . Lipsise, impensis I. Apebj, 1600.
1 p. 1., 138 (i. e. 139), [1] p. 15'
;cin
Number 75 repeated in paging, p. 77 wrongly numbered 78.
Colophon: Lipsise, Franciscvs Schnelboltz excvdebat. Typis haeredum
Beyen . Anno m . dc .
MT45.A2C18
— — Exercitatio mvsica tertia Sethi Calvisii de praecipuis quibus-
s/ dam in arte musicA qusestionibus, auibus prsecipua ejus theoremata
continent ur; instituta ad . . . Hippolytum Hubmeierum . . . Ldpsise,
impensis T. Schiireri, M. Lantzenberger excudebat, 1611.
1 p. 1., 180 p. 24^'^™.
MT45.A2C182
Campion, Thomas, 1575-1620.
See Playford, J. An introduction to the skill of musick.
Campos, Joao Ribeiro de Alm.eida.
iiee Ribeiro de Almeida Campos, J040.
EARLY BOOKS ON MUSIC 51
Cantorinus. Ad eorum instructionem : qui cantum ad chorum
ptinentem: breuiter & qj facillime discere concupiscunt : & non
clericis modo : sed omnibus etiam diuino cultui deditis, perqj utilis,
& necessarius. In quo facilis modus est additus ad discendam
manti: ac tonos psalmorum: vt sequens tabula indicabit. Nouis-
sime castigatus, cui etiam addite sunt Letanie. Venetiis, 1550.
8 p. 1., 104 numb. 1. illus. 17^"
icm
Rubricated; printer's mark on t.-p. The illuBtrations are (1) Guidonian hand
on verso of 3d prelim, leaf, (2) the Crucifixion, on verso of 8th prelim, leaf, (3)
the Annunciation, on verso of leaf 55. Colophon: Explicit Cantorinuswd com-
modum nouitiorum cleiicoru factus: nouissime impressus & diligetissime
reuisus. In oflBcina heredti Luceantonij Junte. Venetijs anno salutis. 1550.
mense januario.
"Compendium musice:" p. 1. [3] v°-p. 1. [8] r°.
ML171.C32
Cantorinvs pro his, qui cantum ad chorum pertinentem, breuiter
et ^ facillime discere concupiscunt : & non clericis modo, sed omnibus
etiam diuino cultui deditis, perquam vtilis, et necessarius. In quo
facilis modus est additus ad discendam manum : ac tonos psalmorum,
vt sequens tabula indicabit. Nouissime castigatus. Venetiis, 1566.
8 p. 1., 104 numb. 1. ITi""*.
Rubricated. Printer's mark on t.-p., Guidonian hand on verso of 2d prelim,
leaf. Colophon: Venetijs in officina h^redum Luceantonij JuntQ anno Do-
mini.1566.
"Compendium musics": p. 1. [2] -p. 1. [7]
ML171.C34
See also Compendiu musices [1513]
Cantus diversi ex Gradual! romano, pro singulis solemnitatibus,
dominicis, festis & feriis per annum. Lugduni, ex officina Petri
Valfray, 1724.
190, 105, [5] p. 14i«'°.
In two parts. The second part contains: (1) Trois methodes faciles pour
apprendre le plein chant, (2) Les divers tons ou intonations des chants
communs de I'eglise, (3) Cantus diversi ad usum ecclesise lugdunensie,
(4) Maniere pour bien chanter dans un choeur.
An earlier edition was published at Lyons by Claude Moulu in 1700.
M2150.A2C23
Capalti, Francesco.
II contropuntista pratico, o siano Dimostrazioni fatte sopra I'espe-
rienza da Francesco Capalti . . . Terni, A. Saluzj, stampator vesco-
vile [1788]
2 p. 1., 242 p., 1 1. 18^'
cm
MT55.A2C2
Capella, Martianus.
See Martianus Capella.
Cappeval, N. de Caux de.
See Caux de Cappeval, N. de.
Cardano, Girolamo, 1501-1576.
See Spangenberg, J. Qvaestiones mvsicse [1536]
52 LIBRARY OF CONGRESS
Carissimi, Giovanni Giacomo, d. 1674.
Ars cantandi ; das ist : Richtiger und aussfuhrlicher weg / die jugend
aus dem rechten grund in der sing-kunst zu unterrichten; durch
weiland den welt-beriihmten musicum, herrn Giovan Giacomo Caris-
simi, in welscher sprach aufgesetzt; nunmehro aus derselben aber von
einem music-freund in unsere mutter-sprach gebracht / und / so vil
m6glich / deutlich gegeben . . . Augspurg, J. Koppmayer, 1693.
16 p. 16 X 20i'="».
MT35.A2C22
See also Vermehrter . . . wegweiser, 1693.
Carl, Johann Gteorg, editor.
See Werckmeister, A. Cribrvm mvsicvm, 1700.
Carlo Borromeo, Saint, 1538-1584.
S. Caroli Borromaei . . . Opvscvlvm de choreis et spectaculis in
fastis diebus non exhibendis, accedit collectio selectarum sententiarum
ejusdem ad versus choreas, et spectacula, ex ejus statutis, edictis,
institutionibus, homiliis. Romse, apud fratres Palearinos, 1753.
xii, 93, [1] p. le^"'".
GV1740.C3
Traitte contre les danses et les comedies. Compose par S.
Charles Borromee . . . Paris, G. Soly, 1664.
7 p. 1., 198 p. 14J X 8<"°.
"Lettrede I'evesque d'Agnani, pour la defense d'vne ordonnance synodale,
par laquelle il auoit defendu de danser les ioura dea festes:" p. 154-176.
GV1740.C32
[Carlos de Jesus Maria] 1713-1747.
Resumo das regras geraes mais importantes, e necessarias para a
boa intelHgencia do cantocham, com huma breve instrucpam para os
presbyteros, diaconos, e subdiaconos conforme o uso romano. [n. p.,
n. d.]
47 p. 21^ X 16'='°.
Caption title. Title-page wanting?
Perhaps identical with the edition of Coimbra, 1726 (!) described by Vascon-
cellos.
MT860.A2J58
Resumo das regras geraes mais importantes, e necessarias para a
boa intelli^encia do cantocham, com huma instrucpam para os pres-
byteros, diaconos, e subdiaconos, conforme o uso romano. Dado
novamente ao pre'lo pelo P. Luis da Maia Croesse'r {'pseud.] . . . Com
varios accrescentamentos, que vam notados com este signal*. Coim-
bra, Na officina de A. S. Ferreyra, impressor, 1741.
1 p. 1., 92, [2] p. 22^"'".
L. of C. has also an issue with the following variations: cantochao for cantocham
in title; different arrangement of type on p. 28 and 29, with a paragraph of text
at foot of p. 29 which in the present L^sue appears on last page, following index;
alterations in four lines of index; paragraph 2 of p. 52 m corrected form, the
correction being found at foot of last page in this issue.
MT860.A2J59
EABLY BOOKS ON MUSIC 53
Caron de Beaumarchais, Pierre Augustin.
See Beaumarchais, Pierre Augustin Caron de.
Caroso, Marco Pabrizio.
11 ballarino di M. Fabritio Caroso . . . diuiso in due trattati; nel
prime de' quali si dimostra la diuersita de i nomi, che si danno a gli
atti, & mouimenti, che interuenc^ono ne i balli: &, con molte regole si
dichiara come debbano farsi. Nel secondo s'insegnano diiierse sorti
di balli, & balletti si all' vso d'ltalia, come a quello di Francia, &
Spagna. Omato di molte figure. Et con I'intauolatura di liuto nel-
la sonata di ciascun ballo, & il soprano della musica alia maggior
parte di essi. Opera nuouamente mandata in luce . . . Venetia,
F. Ziletti, 1581.
2 V. in 1 (v. 1: 7 p. 1., 16 numb. 1.; v. 2: 184 numb. 1., [8] p.) illus., port.
23 X 18"™.
Title vignettes; head and tail pieces; initials.
Vol. 2 has title: Trattato secondo del Ballarino . . . nel quale s'insegnano varie
sorti di balletti, cascarde, tordiglione, passo e mezo, pauaniglia, canario, & ga-
gliarde all' vso d'ltalia, Francia, & Spagna . . .
GV1600.C35
Carre, Remi, h. 1706.
Le maistre des novices dans I'art du chanter: ou, Regies . . . pour
apprendre parfaitement le plein-chant; pre'ce'de'es de quelques mo-
tifs & exemples ^difians . . . de quelques observations sur la for-
mation, conservation, destruction, enrouement, extinction de la voix
. . . suivies d'un ample recueil d'antiennes, repons, & messes . . . Par
frere Remy Carre' . . . Paris, Le Breton, 1744.
xii, 54 p., 1 1., Ixxxiv p. 27^ x 20^"^".
MT860.A2C31
Casali, Lodovico, 6. 1594.
Generale inuito alle grandezze, e marauiglie della mvsica oue per
ogni raggion tanto diuina, come naturale, e positiua, si mostra la sua
antichita, e valore; e come sia necessaria a chi di reUgion professa;
e quanto di buono apporta, a chi ciuilmente I'apprende. All' il-
lvstr.™° Sig.""® il Sig.'" conte Alessandro Rangoni . . . Lodovico Casali
. . . consacra, e dona. Opera qvarta. Modana, G. B. Gadaldino,
1629.
9p. 1., 211, [l]p. 20<^
ML3920.A2C3
[Case, John] d. 1600.
The praise of mvsicke: wherein besides the antiquitie, dignitie,
delectation, & vse thereof in ciuill matters, is also declared the sober
and lawfull vse of the same in the congregation and church of God
. . . Oxenford, Printed by I. Barnes, 1586.
4p. 1., 152p. m"».
ML3001.C28
54 LIBRARY OF CONGRESS
Caselli, Domenico Antonio.
II canto fermo in prattica per vso di qual si voglia sorte di religiosi,
e religiose, che bramano con un metodo facilissimo, e breve imparare
il canto gregoriano per il buon concerto, e regolamento de' cori. Del
p. fr. Domenico Antonio Caselli . . . Roma, Stamperia del Chracas,
1724.
32 p. coat of arms. 20<="».
MT860.A2C38
Castagneres, PranQois de, abhe de CMteauneuf.
See Chateauneuf, Francois de Castagneres, abhe de.
Castel, Louis Bertrand, 1688-1757.
Beschreibung der augen-orgel oder des augen-clavicimbels, so der
beruhmte mathematicus und Jesuit zu Paris, herr pater Castel,
erfunden und ins werk gerichtet hat; aus einem franz6sischen brief e
libersetzet von Telemann. Hamburg, Gedruckt mit Piscators schrif-
ten, 1739.
[8] p. 22 X 18'="'.
Written in the 3d person and only in part translated from Castel 's " Nouvelles
experiences"- (Memoires de Tr^voux, Dec. 1735) Published also in Mizler'a
"Musikalische bibliothek."
ML1055.A2C3
Reponse critique d'un academicien de Rouen, a I'academicien de
Bordeaux, sur le plus profond de la musique. [Paris ? 1754]
36 p. lei""".
Caption title. At foot of p. [1]: Tome 1. No more published.
A pretended reply to his own "Lettres d'un academicien de Bordeaux sur le
fond de la musique, a I'occasion de la lettre de M. R. * * * [i. e. Rousseau]
contre la musique frangoise."
ML1727.33.C34
Catalisano, Gennaro, d. 1793.
Grammatica-armonica iisico-matematica ragionata su i veri principj
fondamentali teorico-pratici per uso della gioventii studiosa, e di
qualunque musicale radunanza. Composta dal m. r. p. Gennaro
Catalisano . . . Roma, Nella stamperia di S. Michele a Ripa, per
P. Giunchi, 1781.
xxxii, 166 p. illus., XV fold, pi., tables (1 fold.) 28"™.
Title vignette.
ML3805.A2C3
[Cattaneo, Giovanni, conte]
La liberty del cantare. Lucca, F. M. Benedini, 1752.
204 p. 17J''™.
Letters to "MadamaN. N." chiefly on philosophical subjects, but including sev-
eral on music . Pages 175-204 contain ' ' Ragionamento sopra il medico, impropria-
mente attaccato da un autore spagnolo."
ML63.C35
EARLY BOOKS ON MUSIC 55
Caus, Salomon de, d. 1626.
Institvtion harmoniqve, diuis^e en deux parties; en la premiere
sont monstr^es les proportions des interualles b.armoniques, et en la i^-
deuxiesme les compositions dicelles. Par Salomon de Cans . . .
Francfort, En la boutique de J. Norton, 1615.
4p. 1., 23numb. 1.; Ip. 1., [2], 47(i. e. 59)p. illua., diagrs. 38^ x 25«°».
Engr. t.-p. with architectural border ; red line borders. Leaves 6 and 16
numbered 8 and 13 respectively; p. 59 numbered 47.
MT40.A2C19
Les raisons des forces movvantes auec diuerses machines tant
vtilles que plaisantes aus quelles sont adioints plusieurs desseings de
grotes et fontaines. Par Salomon de Cavs . . . Francfort, En la
boutique de I. Norton, 1615.
3 V. in 1. illus., plates, diagrs. (I double) 37^"™.
The general t.-p. and the special t.-p. of "livre " 2 are illustrated and engraved.
Vol. 2 has special t.-p.: Livre second ov sent desseignees plusieurs grotes
et fontaines propres pour I'ornement des palais, maisons de plaisances et iardins.
par Salomon de Cavs . . . Francfort . . . 1615.
Vol. 3 has special t.-p.: Liure troisiesme traitant de la fabriqve des orgves.
Par Salomon de Cavs . . . Francfort . . . 1615.
"Mesures de madrigal, Che sera sed al cielo. d' Alessandro Strigio, mis en tab-
lature par Pierre Filippe " : vol. 1, 1. 38 vM. 39 r°.
TJ144.C4
[Caux de Cappeval, N. de] d. 1774.
Apologie du gotit franpois, relativement a I'opera: poeme, avec un
Discours apologetique, et des Adieux aux Bouffons. [n. p.] 1754.
2 p. 1., 3-^0 p. 20'=°'.
Engr. t.-p. The "Adieux aux Bouffons'-- is a revised version of "L'anti-
scurra'- {see title)
ML1727.33.C37
Cavazza, Manuel, d. 1790.
El musico censor del censor no musico, 6 Sentimientos de Lucio
Vero Hispano, contra los de Simplicio Greco, y Lira. Discurso unico
publicale D. Manuel Cabazza . . . Madrid, A. Lopez [etc., 178-?]
2 p. 1., 176, [4] p. M-^tt.
The work was completed in 1786, but was published somewhat later (c/.
Note preceding p. 1)
"Es contestacion al discurso 97 de El Censor que, abundando en las ideas de
Eximeno, habia ridiculizado los artificios de loa contrapuntistas." — Pedrell, Dic-
cionario de musicos.
ML63.C37
Cavelier, Louise.
See Levesque, Mme. Louise (Cavelier)
[Gazette, Jacques] 1719-1792.
La nouvelle Rameide, poeme, revu, corrige, et presque refondu;
par M. Rameau, fils & neveu de deux grands hommes, qu'il ne fera
pas revivre. A Amsterdam {%. e. Paris] 1766.
vj p., 1 L, [9h30 p. ISi''^.
A parody on Jean Francois Rameau'a "La Rameide."
ML410.R2C3
56 LIBBARY OF CONGRESS
[Gazette, Jacques] — Continued.
Observations sur la lettre de J. J. Rousseau au sujet de la musique
fran^oise ... [n. p.] 1753.
1 p. 1., 19 p. 16| X Qio"*.
ML1727.33.C38
La guerre de I'opera. Lettre ecrit a une dame en province, par
quelqu'un qui n'est ni d'un coin, ni de I'autre. [n. p., 1753]
24 p. \9''^.
No. 2 in a volume of pamphlets lettered Quere[lle] dea Bouffo[ns]
ML1727.33.A1
Celles, FranQois Bedos de.
See Bedos de Celles, Franqols.
Celma, Gaspar Francisco Bartolome Sanz y.
See Sanz y Celma, Gaspar Francisco Bartolome.
Cendoni, Giovanni.
See Allacci, L. Dranunaturgia, 1755.
Cepede, Bernard Germain fitienne de La Ville sur Hlon, comte
de la.
See Lacepede, Bernard Germain Etienne de La Ville sur
Illon, comte de.
Cephise, pseud.
See Levesque, Mme. Louise (Cavelier)
Cerf de La Vieville, Jean Laurent le.
See Le Cerf de La Vieville, Jean Laurent, seigneur de
Freneuse.
Cerone, Domenico Pietro, h. 1566.
... El melopeo y maestro. Tractado de mvsica theorica y pratica:
en que se pone por extenso, lo que vno para hazerse perfecto musico
ha menester saber: y por mayor facilidad, comodidaci, y claridad del
lector, esta repartido en xxii. libros . . . Compue^to por el R. D.
Pedro Cerone . . . Napoles, Por I. B. Gargano, y L. Nucci, impres-
sores, 1613.
8 p. 1., 1160 p., 1 1. illus., diagrs. 30J''™.
Title in red and black within line border; title vignette. On verso of 2d leaf
an illustration representing the Virgin and Child; on verso of 3d leaf, coat of
arms of Philip in of Spain; on verso of 4th leaf, port, of Cerone.
Errors in paging; no. 294-295, 375-376 repeated; no. 371-372, 1157-1158
omitted .
"A work . . . founded on the system of Zarlino; indeed there is some reason
to believe that it is a mere redaction of a work with the same title which Zarlino
speaks of as having completed in ms., but which has totally disappeared." —
Grove, Diet, of music (c/. also F^tis)
MT6.A2C3
See also Guzman, J. de. Cvriosidades del cantollano, 1709.
EABLY BOOKS ON MUSIC 57
Cerreto, Scipione, h. 1551.
Scipione Cerreto Napolitano. Delia prattica mvsica vocale, et
strvmentale, opera necessaria a coloro, che di musica si dilettano.
Con le postille poste dall' avtore a maggior dichiaratione d'alcune
cose occorrenti ne' discorsi. Napoli, G. I. Carlino, 1601.
4 p. 1., 335, [1] p. illus. (port.) diagr. 21'^'".
Head and tail piece; initials; eide-noteB. On t.-p. is a short four part eong
without key (Omnes per ostium intrant) each part forming the side of a square.
MT6.A2C38
Ceruti, Giacinto, h. 1737 ? translator.
See BuONANNi, F. Descrizione degl' istromenti armonici, 1776.
Chabanon, Michel Paul Gui de, 1730-1792.
filoge de M. Rameau, par M. Chabanon . . . Paris, Impr. de M.
Lambert, 1764.
63, [1] p. 19<^".
"Ouvrages de musique, par M. Rameau": p. 58-59. "Ouvrages de theorie":
p. 60-63.
ML410.R2C4
Observations sur la musique, et principalement sur la metaphy-
sique de I'art . . . Paris, Pissot, pere & fils, 1779.
2 p. 1., XX, 215, [1] p. lOJ^™.
At end: " Fin de la premiere partie." No more published of this edition.
ML3800.A2C4
De la musique consideree en elle-meme et dans ses rapports
avec la parole, les langues, la po^sie, et le theatre . . . Paris, Pissot,
1785.
2 p. 1., 459, [1] p. 20^^™.
A rev. edition of the "Observations sur la musique," with an additional
part, "Des proprietes musicales des langues" and "Considerations eur les
langues."
ML3800.A2C5
Ueber die musik und deren wirkungen, mit anmerkungen hrsg.
von Johann Adam Hiller. Leipzig, F. G. Jacobaer und sohn, 178L
xxviii, 228 p. 18 x 10*'''".
A translation of Chabanon 's "Observations sur la musique."
ML3800.A2C43
Chagas, Lulz das, d. 1640.
See Raymundo da Conver^ao. Manval de tvdo o qve se canta
fora do choro, 1675.
[Chastellux, Frangois Jean, marquis de] 1734-1788.
Essai sur T union de la poesie et de la musique. A La Haye, et se
trouve a Paris, chez Merlin, 1765.
1 p. 1., iv, 94 p. 17'="'.
ML3849.A2C5
58 LIBRARY OF CONGRESS
[Chateauneuf, FranQois de Castagneres, ahhe de] d. 1709.
Dialogue sur la musique des anciens. A Monsieur de * * *. Paris,
N. Pissot, 1725.
4 p. 1., 126, [4] p., 1 1. VII pi. 17 X 9^"'^.
Published, with a preface, by Jacques Morabin.
ML169.A2C4
Chauncey, Nathaniel, 1681-1756.
Kegular singing defended, and proved to be the only true way of
singing the songs of the Lord; by arguments both from reason and
Scripture: having been heard and approved of, by the General asso-
ciation at Hartford, May- the 12th. 1727. with their recommendation
of it to the pubUck. By Nathaniel Chauncey ... N. London, T.
Green, 1728.
2 p. 1., 54 p. 15^'''°.
Half-title: Mr. Chauncey 'a arguments for regular singing.
George Hood, Hist, of music in New England, Boston, 1846, quotes Chauncey 'a
arguments at some length, apropos of the discussion which was going on at the
time concerning a reform in church music.
ML3001.C49
[Chevrier, Frangois Antoine] 1721-1762.
Constitution du Patriarche de I'Opera. Qui condamne cent une
propositions extraites de deux ecrits intitules : Reflexions sur les vrais
principes de Fharmonie, & Lettre sur I'origine & les progres de I'Aca-
demie royale de musique. Cytheropolis [i. e. Paris] 1754.
32 p. 16i<"°.
Author's pseud, follows caption title (Pancrace . . . archevSque de Cythero-
polis, & patriarche de I'Opera)
Reprint of "La constitution de I'Opera," Amsterdam [Paris?] 1736. At-
tributed to Chevrier.
ML1727.33.C39
Chiavelloni, Vincenzo.
Discorsi della mvsica, composti da Vincenzo Chiavelloni , . . Roma,
I. de Lazeri, 1668.
8 p. 1., 5.56 p. 25'^°».
Added t.-p., engr.; printer's mark (?) on t.-p.
ML3920.A2C4
Chiodino, Giovanni Battista.
Arte prattica & poetica, das ist : Ein kurtzer unterricht / wie man
einen contrapunct machen und componiren sol lernen (in zehen
bucher abgetheilet) sehr kilrtz- und leichtlich zu begreilfen: so vor
diesem von Giov. Chiodino latein- und italienisch beschrieben
worden. Dessgleichen : ii, Ein kurtzer tractat und vnterricht / wie
man einen contrapunct h mente, non k penna . . . componiren und
setzen soUe: vnd letzUchen: in. CoroUarii loco : eine mstruction und
vnterweisung zum general-bass ... in die hochteutsche sprach
vereetzet . . . anjetzo pubUciret und zum truck verfertiget / durch
Johann-Andream Herbst . . . Getruckt zu Franckfurt / bey A.
Hummen, in verlegung / T. M. G6tzens, 1653.
4 p. 1., 48 p. 20 X 16J<='".
The last part (p. 43-47) has caption: . . . CoroUarii loco, eine kurtze instruc-
tion . . . zum general-bass: vor diesem von Wolff Ebner . . . lateinisch be-
schrieben / nun aber ... in die teutsche sprach versetzet durch J. A. H.
MT55.A2H5I
EARLY BOOKS ON MUSIC 5\>
[Choquel, Henri Louis] d. 1767.
La musique rendue sensible par la mechanifiue, qu Nouveau
systeme pour apprendre facilement la musique soi-meme. Ouvrage
utile et curieux. Nouv. ed. . , . Paris, C. Ballard, 1762.
3 p. 1., 19, 10, [xi]-xiv, 213, [4] p. 2 fold, tab., diagra. 20*"°.
Title vignette. Dedication signed: Choquel.
"La m^thode de Choquel consiste a enseigner I'intonation par I'usage du
monocorde, et la mesure par le chronom^tre." — F6tis, Biog. univ. dea rausiciens.
MT7.A2C54
Christmann, Johann Friedrich, 1752-1817, editor.
See MusiKALiscHE real-zeitung [1788-90]
Cizzardi, Liborio Mauro.
II tutto in poco, overo II se^eto scoperto; composto da Liborio
Mauro Cizzardi ... diviso in cinque libri, ne' quali si mostra un
modo facilissimo, per imparare if vero canto fermo con le giuste
regole, e con alcune altre osservazioni necessarie ad un cantore . . .
Parma, G. Rosati, 1711.
6 p. 1., 166, [2] p. illu3., 3 pi. 30J<"".
Title vignette: coat of arms.
MT860.A2C54
[Clagget, Charles] '1740?-1820?
Musical phaenomena, founded on unanswerable facts; and a proof
that musical instruments have been hitherto fabricated on [!] the
most uncertain, therefore the most improper materials . . . This
work will extend to several numbers. No. i. contains an account of
the aiuton, and the cromatic trumpets and the French horns, capable
of fine tune and regular harmony m all the keys in use, minor as well
as major. London, Printed for the author, 1793.
4 p. 1., [7]-22, 4 p. illua. 29^ x 23<^'".
Added t.-p.: No. "1 of Musical phaenomena. An organ, made without pipes,
strings, bells, or glasses ... a cromatic trumpet, capable of producing just
intervals and regular melodies in all keys . . . without undergoing any change
whatever; a French horn, answering the above description of the trumpet . . .
The above instruments . . . may be seen and heard at the Musical museum,
Greek street, Soho . . .
Prefixed is a portrait of Clagget, which according to Grove was published with
his "Discourse on musick," 1793. An advertisement of Clagget's Musical
museum is appended.
ML1055.A2C5
Clemens XTTT, pope, 1693-1769.
Sanctissimi in Christo patris, et domini nostri domini dementis
divina providentia papse xiii. constitutio svper regimine & direc-
tione Collegii cantorum Pontificise cappellae; cvm opportunis ordina-
tionibus. Romae, ex typographia reverendse Camerae apostolicse,
1762.
xii p. 25 X 19<=".
Title vignette; head-piece. Signed: N. card. Antonellus.
ML291 1762
60 LIBRARY OF CONGRESS
Clement, Charles Frangois, h. 1720?
Essai sur raccompagnement du clavecin, pour parvenir facilement
& en pen de terns k accompagner avec des cmffres ou sans chiffres par
les pnncipes les plus clairs & les plue simples de la composition. Par
M. Clement. Paris, Impr. de C. Ballard, 1758.
22 p. 20 X 25J''". MT68.A2C6
Essai sur la basse f ondamentale ; pour servir de supplement a
I'Essai sur I'accompagnement du clavecin, & d'introduction a la com-
position-pratique . . . Par M. Clement . . . Paris, Impr. de C. Bal-
lard, 1762.
35 p. 20 X 25^"^™. ( TFi7/s Ai« Essai sur raccompagnement du clavecin. Paris,
1758)
MT68.A2C6
[Clement, Jean Marie Bernard] 1742-1812.
Anecdotes dramatiques . . , Paris, Veuve Duchesne, 1775.
3 V. 17i^".
By Clement and the Abb6 de Laporte.
Title in full: Anecdotes dramatiques, con tenant, 1°. Toutes les pieces de
theatre, tragedies, comMies, pastorales, drames, opera, opera-comiques, para-
des, proverbes, qui ont ^te joues a Paris ou en province, sur des theatres publics,
ou dans des societes particulieres, depuis I'origine des spectacles en France,
jusqu'a I'annee 1775, ranges par ordre alphabetique. 2°. Tous les ouvrages
dramatiques qui n'ont ete representes sur aucun theatre, mais qui sout imprimis,
ou conserves en manuscrits dans quelques bibliotheques. 3°. Un recueil de
tout ce qu'on a pu rassembler d'anecdotes imprimees, manuscrites, verbales,
connues ou peu connues; d'evenements singuliers, serieux, ou comiques; de
traits curieux, d'epigrammes, de plaisanteries, de naivetes & de bons-mots,
auxquels ont donne lieu les representations de la plupart des pieces de theatre,
Boit dans leur nouveaute, soit a leurs reprises. 4°. Les noms de tous les auteurs,
poetes ou musiciens, qui ont travaille pour tous nos theatres; de tous les acteurs .
ou actrices celebres qui ont joue a tous nos spectacles, avec un jugement de leura
ouvrages & de leurs talents, un abrege de leur vie, & des anecdotes sur leura
personnes. 5°. Un tableau, accompagn^ d'anecdotes, des theatres de toutes les
nations.
ML102.O6C6
Bibliotheque des theatres, dictionnaire dramatique . . . Paris,
Veuve Duchesne, 1784.
3 V. front, (port.) 17<^™.
Caption title: Anecdotes dramatiques.
PN2208.C4
[Cleonides]
EukMooj Eicayaj-j'rj dpfiovcicTj. Too auzou Kararofiij kouovoc- Euclidis
Rudimenta mvsices. Eiusdem Sectio regulse harmonicas. E Regia
bibliotheca desumpta, ac nunc primiim grsece & latine excusa,
loanne Pena regio mathematico mterprete . . . Parisiis, apud A.
Wechelum, sub Pegaso, 1557.
2 p. 1., .S-16, 10 numb. 1. 20^^".
Printer's mark on t.-p.
The Rudimenta musices is now attributed to Cleonides.
ML171.E9
See also Meibom, M., translator. Antiqvse mvsicse avctores, 1652.
EARLY BOOKS ON MUSIC 61
Clerc, Jean Baptiste le.
See Leclerc, Jean Baptiste.
Cochlaeus i. e. Johannes Dobnek, of Wendelstein, 1479-1552.
Tetrachordu musices Joannis Coclei Norici . . . Nurnbergae aedi-
tum: pro iuuentute laurentiana in primis: dein pro ceteris quoqj
musarum tyrunculis . . . Hvivs tetrachordi qvatvor tractatus, quoru
quilibet decern capita complectitur. Primus, De musices elementis;
secundus, De musica gregoriana; tertius, De octo tonis meli; quar-
tus, De musica mensurali. [Colophon: C Finis Tetrachordi musices
Nurnbergse iinpressi in officina excusoria Friderici Peypus anno
salutis 1514]
[59] p. 20i'^°'.
Ist edition, Nuremberg, 1511. Said to be based on his "Musica," Cologne,
1507.
ML171.C66
Coferati, Matteo.
II cantore addottrinato, ovvero Regole del canto corale, oue con
breue, e facil metodo s'insegna la pratica de' precetti piti necessarj del
canto fermo; il modo di mantenere il coro sempre alia medesima
altezza di voce; di ripigliare done resta I'organo; d'intonare molte
cose, che fra I'anno si cantano; ed in particolare tutti gl' inni. Con
varie aggiunte dell' autore in questa seconda impressione. Opera di
Matteo Coferati . . . Firenze, II Vangelisti [1691 J
xvj, 391 p. illus. 15""".
MT860.A2C67
Manvale degli invitatorj c5 suo' salmi da cantarsi nell' ore cano-
niche per ciascuna festa, e feria di tutto I'anno: nell' Vfizio paruo
della Beatissima Vergine, e de' morti. Coll' aggiunta delle sequenze,
e lor canto, e antifone da cantarsi alia distribuzione delle candele, e
delle palme. Opera raccolta da Matteo Coferati . . . Firenze, V.
Vangelisti stamp., 1691.
vij, 196 p. 15''°'.
MT860.A2C39
Coll, Antonio Martin y.
See Martin y Coll, Antonio.
CoUe, Francesco Maria, 1744-1815.
Dissertazione sopra il quesito: Dimostrare, che cosa fosse, e
quanta parte avesse la musica nelV educazione de' Greci. qual era la
forza di una siffatta istituzione, e qual vantaggio sperar si potesse,
se fosse introdotta hel piano della moderna educazione, })resentata
dal Signor Francesco Maria Colle de' nobili di S. Bartolommeo de
Colle, e de' conti di Cesana, Bellunese, socio dell' Accademia lette-
raria, e georgica di Belluno al concorso dell' anno 1774 . . . Mantova,
Per I'erede di A. Pazzoni, stampatore, 1775.
140 p. 27^ X 20'''".
" Corona tadalla Reale accademia di scienze e belle lettere di Mantova."
ML1G9.A2C6
Collier, Joel, pseud.
See Veal, George.
62 LIBBARY OF CONGRESS
Colonna, Fabio, 1567-1650.
La sambvca lincea, overo Dell' istromento mvsico perfetto lib. lu.
di Fabio Colonna Linceo, ne' quali oltre la descrittione, et costruttione
deir istromento si tratta della diuisione del monacordo: della pro-
portione de tuoni, semituoni, et lor minute parti. Della differenza
de tre geni di musica, de gradi enarmonici et chromatici: et in che
differiscano da quelli de gli antichi I'osseruati et descritti dall' autore;
con gli esempi di numeri, di musica, et di segni . . , Con I'organo
hydraulico di Herone Alessandrino dichiarato aall' istesso autore . , .
Napoli, C. Vitale, 1618.
3 p. 1., 116 p. illus., port., tables. 21<"°.
Title within architectural border.
ML697.A2C75
Comes y de Puig, Bernardo.
Fragmentos musicos. Caudalosa fuente gregoriana, en el arte de
canto llano. Cuyos fundamentos, teorica, reglas, practica, y exem-
plos, copiosamente se explican sobre los ocho tonos, con sus entradas,
clausulaciones finales, y diversidad de seculorums, que en la obra se
manifiestan. Con la addicion de las processiones mas solemnes, que
en la santa iglesia se practican. For el P. Fr. Berardo Comes, y de
Pvig . . . Barc[elona] Herederos de J. Pablo, y M. Marti, 1739.
11 p. ]., 197, [3] p. fold. tab. 20'='".
MT860.A2C7
[Compan, Charles] h, ca. 1740.
Dictionnaire de danse, contenant Thistoire, les regies & les prin-
cipes de cet art, avec des reflexions critiques, & des anecdotes curi-
euses concernant la danse ancienne & moderne; le tout tire des
meilleurs auteurs qui ont 6crit sur cet art . . . Paris, Cailleau [etc.]
1787.
1 p. 1., [v]-xvj, 395, [2] p. ly^".
Dedication signed: Compan.
GV1585.C7
Coinx)endiu musices || confectu ad faciliore instructione can- || turn
chorale discentiu: necno ad intro- || ductione huius Hbelli: qui
Catorinus II intitulatur: omnibus diuino cultui de- || ditis putilis i
necessarius: vt in tabula || hie immediate secjueti latius apparet.
[wdct.] [Colophon: ([ Finis Cantorini Romani : impressi || \ enetijs
p dnm Lucantoniti de || Giunta Florentinu3: Anno || dni millesimo
ongente !| simo tertiodecimo || die vo tertia || decebris. jl . 81 . ||
Kegistrum. !J A . . . P. [| Omnia sunt quaterna.] || [Printer's mark
of Lucantomo Giunta, m red]
t.-p., [2]-120 numb. 1. incl. 2 diagr., wdcts. 14^^^™.
Printed in red and black; gothic type; initials. Sig. Aij and Bij are wrongly
signed Pij, and for Biiij stands Aiiij.
The Comf)endium ends with 1. 16, r°. At foot of page: C Hie modus cantadi
revelat' fuit a dno ieau chri- 1| sto sancte Brigide vidue: vt habet in suo volumine
I II in libro extrauaganti cap. iiij.
The Cantorinus begins with 1. 17, and has caption: Catorinus. || C Romani
cantus vtilissimu ropedi- || olu: ola diuino officio p-soluedo ?cerne |l tia i se
includes: clericis oibus Z diuino || cultui dedicatis pmaxime necessariu.
MT860.A2C73
EARLY BOOKS ON MUSIC 63
Compendiu musices — Continued.
Tractatvs mvsices . . . [Colophon: Impressum Venetijs per
Joannem Baptistam Sessa]
8 1. 20^"™.
Guidonian hand on t.-p. with the letters I. B. S. ; printer's mark at end; gothic
type. Signatures: a-b in fours.
II presente trattatello 6 fedelissima copia del Compendium musices posto nelle
prime carte di tutti gli antichi Cantorini. L'operetta qui citata fu per certo data
in luce nel principio del sec. xvi." — Gaspari, Catalogo d. bibl. d. Liceo musicale
di Bologna.
ML171.T81
See also Cantorinus.
Compendium regularum generalium cantus ecclesiastici regularis,
seu plani. Pro instrvctione novitiorvm secundum usum FF. ordinis
Prsedicatorum. Romae, ex typographia H. Mainardi, 1736.
28 D 18*^™
MT860.A2D67
Comipleat instructions for the German flute, containing the easiest
& most modern methods for learners to obtain a proficiency, care-
fully corrected by the most eminent masters. To which is added,
a favourite collection of minuets, marches, song tunes & duetts,
f)roperly dispos'd for that instrument . . . London, J. Bland
178-?]
1 p. 1., 36 p. front. 17 x 24«™. (With Entire new . . . instructions for the
fife. London [17—])
Caption title: New instructions for the German flute and the method of double
tongueing with proper examples. Engraved throughout.
MT356.A2E62
New instructions for the German flute and the method of
double tongueing, with proper examples &c. [n. p., n. d.]
32 p. 23«™.
Caption title. Title-page wanting?
MT342.A2N5
New instructions for the German flute, containing the easiest
and most modern methods for learners to play. To which is added
a favorite collection of minuets, marches, song tunes, duets, &c.
Also the method of double tongueing. And a complete scale and
description of the German-flute with all the additional keys, invented
by M' Tacet. London, Longman & Broderip [17 — ]
1 p. 1., 42 p. front. 17 x 24''™. (With Entire new . . . instructions for the
fife. London [17—])
Engraved throughout. Frontispiece colored by hand.
MT356.A2E62
Compleat instructions for the violin [ca. 1790?]
See Geminiani, F.
The compleat tutor for the fife, containing easy rules for learners
after a new method, with a choice collection of all the celebrated
marches that are played upon that instrimient which all are in proper
keys for the German flute. London, D. Rutherfoord [1756 ?^
1 p. 1., 21 p. 23^°'.
Engraved throughout
MT356.A2E6
64 LIBRARY OF CONGRESS
The compleat tutor for the fife — Continued.
New and complete instructions for the fife, containing the best
\
and easiest directions to learn that instrument, with a collection of
the most celebrated marches, airs, &c. performed in the Guards and
other regiments . . . London, G. Goulding [17 — 1
1 p. 1., 26, [6] p. 17 X 24°'". {With Entire new . . . instructions for the fife.
London [17—])
Engraved throughout.
MT356.A2E62
— — Entire new and compleat instructions for the fife; containing the
best and easiest directions to learn that instrument, with a collec-
tion of the most celebrated marches, airs &c perform' d in the Guards
& other regiments. N. B. The tunes in tnis book are proper for
the German flute. London, J. Preston [1780?]
1 p. 1., 32 p. front. 17^ x 25^'"°.
Engraved throughout.
MT356.A2E61
Entire new and compleat instructions for the fife, containing the
best and easiest directijons to learn that instrument, with a coUec^
_ tion of the most celebrated marches, airs &c perform' d in the Guards
& other regiments. N. B. The tunes in this book are proper for the
German flute. London, Printed by Longman and Broderip [17 — ]
1 p. 1., 36 p. front. 17 x 24''".
Engraved throughout. Frontispiece colored by hand.
MT356.A2E62
The compleat tutor for the German flute, containing the best and
easiest instructions for learners to obtain a proficiency. Trans-
lated from the French. To which is added a choice collection of y®
most celebrated Italian, English, & Scotch tunes, curiously adapted
to that instrument. London, J. Simpson [17 — ]
30, 2 p. front. 21^^°^.
Engraved throughout.
Apparently a much altered edition of "The newest method for learners on the
German flute" which forms the third part of Peter Prelleur's "Modern musick-
master," London, 1738. The "Newest method" is itself a free translation from
Hotteterre's "Principes de la flute traversiere," Amsterdam, 1708.
MT342.A2C76
The compleat tutor, for the German flute; containing the best
and easiest instructions for learners to obtain a proficiency. Trans-
lated from the French. To which is added a choice collection of y®
most celebrated Italian, English & Scotch tunes; curiously adapted
to that instrument. London, J. Fentum [n. d.]
32 p. 2W'
MT342.A2C7
— The compleat tutor for the German flute, containing the best
and easiest instructions for learners to obtain a proficiency. Trans-
lated from the French. To which is added a choice collection of y*
most celebrated Italian, English, & Scotch tunes curiously adapted
to that instrument. London, J. Johnson [17 — ]
Ip. l.,36p. front., fold. pi. 22'=°'.
Engra>'ed throughout. MT342.A2C78
EAELY BOOKS ON MUSIC ^ 65
The compleat tutor for the German flute — Continued.
The compleat tutor for the flute. Containing the best and
easiest instructions for learners to obtain a proficiency. To which
is added a choice collection of the most celebrated Italian, English,
and Scotch tunes. Curiously adapted to that instrument. Lon-
don, J. Johnson [17 — ]
Ip. l.,36p. front. 22<="'. MT342.A2C79
The compleat tutor for the harpsichord or spinnet ; wherein is shewn
the Italian manner of fingering, with suits of lessons for beginners &
those who are already proficients on that instrument & the organ:
with rules for tuneing the harpsichord or spinnet. London, P.
Thompson [175-]
2 p. 1., 33 p. front. 21^"™.
Engraved throughout.
Forms the sixth part of Peter Prelleur's "Modem musick-master, " London,
1738, where it appears under title "The harpsichord illustrated and improv'd."
In the present edition the "Rules for attaining to play a thorough bass" are
omitted and a part of the musical examples of the earlier edition have been re-
placed by others.
Copy 2. 23i'"".
Imperfect, wanting last leaf.
MT252.A2C76
See also The harpsichord illustrated [174 — ]
Conceigao, Angelo da.
See Angelo da Concei^ao.
Conceigao, Bernardo da.
See Bernardo da CoNCEigXo.
Conceigao, Manuel da.
See Manuel da Concei^ao,
Contamine, Cousin de.
See Cousin de Contamine.
[Contant d'Orvllle, Andre Guillaume] 1730?-1800.
Histoire de I'opera bouffon, contenant les jugemens de toutes les
pieces qui ont paru depuis sa naissance jusqu'a ce jour. Pour servir
a riiistoire des theatres de Paris ... A Amsterdam, et se trouve a
Paris, chez Grange', 1768.
2 V. (v. 1: 4p. 1., 266, [2] p.; v. 2: 2 p. 1., 214, [2] p.) 17''^.
Vol. 2 dated 1748 by printer's error.
"Cet ouvrage esfc I'amusement de deux freres, q^ui . . . toujours separes I'un
de I'autre, se sent rendu compte des bagatelles qui . . . fixoient rattention du
public . ' '^A vertissement .
ML1727.3.A2C6
Contant de La Molette, Philippe du.
See Du Contant de La Molette, Philippe.
Conver§ao, Raymundo da.
See Raymundo da CoxvERgAO.
51234°— 13 5
66 LIBRARY OF CONGRESS
[Coqueau, Claude Philibert] d. 1794.
Entretiens sur Fetat actuel de Fopera de Paris. Amsterdam, et
se trouve a Paris, chez Esprit, 1779.
vi, [71-174 p. 21'='".
ML1727.35.C67
Suite des Entretiens sur I'^tat actuel de I'op^ra de Paris, ou
Lettres a M. S. ... [i. e. Suard] auteur de Textrait de cet ouvrage
dans le Mercure. [Paris, 1779]
iv, [5]-48 p. 19i''".
ML1727.35.C672
Corrette, Michel.
Le maitre de clavecin pour I'accompagnement, methode theorique
et pratique, qui conduit en tres peu de terns a accompagner a livre
ouvert. Avec des lemons chantantes ou les accords sont notes pour
faciliter 1' etude des commen^ans. Ouvrage utile a ceux qui veulent
f)arvenir a I'excelence de la composition. Le tout selon la regie de
'octave et de la basse fondamentale. Par Monsieur Corrette . . .
Paris, L' auteur [etc.] 1753.
3 p. 1., 94 p. 30^^°.
Engraved throughout.
MT68.A2C7
Methode pour apprendre aisement a jouer de la flute traversiere.
Avec des principes de musiq^ue, et des brunettes a i. et ii. parties.
Ouvrage utile et curieux, qui conduit en tres peu de tems a la par-
faite connoissance de la musique et a jotier a livre ouvert les sonates
et concerto. Par M"^. Corrette . . . Paris, Chez Fauteur; [etc., etc.,
177-?]
2 p. 1., 50 p. front. 26 x 1^"^.
Engraved throughout.
MT342.A2C8
Methode, theorique et pratique. Pour apprendre en peu de tems
le violoncello dans sa perfection. Ensemble des principes de musique
avec des lepons a i, et ii, violoncelles. La division de la corde pour
{)lacer s'il on veut dans les commencemens, des lignes traversalles sur
e manche du violoncelle. Plus une petite methode particuhere pour
ceux qui jotient de la viole, et qui veuUent joiier du violoncelle.
Compos^e par Michel Corrette. xxiv.® ouvrage . . . Paris, Chez
Fauteur; [etc., etc.] 1741.
3 p. 1., 46 p. front., illus. 29 x 22<=™.
Engraved throughout.
"Catalogue des ouvrages de M'. Corrette": [1] p. preceding p. 1.
MT302.A2C824
Le parfait maitre a chanter, methode pour apprendre facilement
la musique vocale et instrumentale, ou tous les principes sont d6ve-
lopes nettement et distinctement. Avec des lemons dans le gout
nouveau ^ une et a deux parties, ce gui enseigne en tres peu de tems
h, solfier toutes sortes de musique a livre ouvert, et des regies invari-
ables pour ceux qui veulent se servir de la transposition . . . Par
EARLY BOOKS ON MUSIC 67
Corrette, Michel — Continued.
Michel Corrette . . . Nouv. ed. auguementee de nouveaux signes de
musique et d'airs a chanter. Paris, Chez I'auteur [1782]
1 p. 1., A-B, 61 p. front. 29«™.
Engraved throughout; line borders. Label of Melle. Castagnery mounted
over imprint.
MT6.A2C56
Corsetti, Francesco, d. 1774, translator.
See Brown, J. Dell' origine . . . della poesia, 1772,
Corvinus, Johannes Michaelis.
See Ravn, Hans Mikkelsen.
[Coste d'Arnobat, Charles Pierre] &. 1732.
Doutes d'un Pyrronien, proposes amicalement a J. J. Rousseau . . .
[Paris] 1753.
1 p. 1., 36 p. 17^"™.
ML1727.33.C68
[Couppe, Marie Angelique] 6. 1723.
Requeste de deux actrices d'Opera a Momus, avec son ordonnance.
A la Haye [i. e. Paris] 1743.
1 p. 1., [5]-21 p. 15J''™.
In verse.
Caption title: Requeste presentee k Momus par les Demoiselles Couple & Des-
granges, actrices de 1' Opera, tant pour elles que pour celles de leurs compagnes qui
se trouvent dans le cas de I'article xx. du Code lyrique, ou reglement pour
rOpera, imprime au mois de juin 1743.
ML1727.8.P2R35
[Cousin de Contamine, ] 6. 1704.
Traite critique du plain-chant, usite aujourd'hui dans I'eglise;
contenant les principes qui en montrent les defauts, & qui peuvent
conduire a le rendre meilleur. Paris, P. G. Le Mercier, 1749.
xxiv, 69, [3] p. 8 {i. e. 9) fold. pi. 16 x Si''™.
Imperfect, wanting plates 2 and 6; plate 8 (in 2 parts) supplied in ms.
ML3082.A2C6
[Coxe, William] 1747-1828.
Anecdotes of George Frederick Handel, and John Christopher
Smith. With select pieces of music, composed by J. C. Smith, never
before published. London, Printed by W. Buhner and co., sold by
Cadell and Davies; [etc., etc.] 1799.
4 p. 1., iv, 64, 34 p. 2 port. (incl. front.) 27^ x 21i<^™.
ML410.H13C87
Cramer, Carl Friedrich, 1752-1807, editor.
See Magazin der musik [1783-86]
/
68 LIBRARY OF CONGRESS
Crivellati, Cesare.
Discorsi mvsicali, nelli qvali si contengono non solo cose pertinenti
alia teorica, ma etiandio alia pratica; mediante le quali si potra con
facilita peruenire all' acquisto di cosi honorata scientia. Raccolti da
diuersi buoni aiitori da Cesare Criuellati . . . Viterbo, Agostino
Discep., 1624.
196, [3] p. ISi""!.
Title in red and black; title vignette: ecclesiastical coat of arms.
MT6.A2C8
Crocchi, Pietro, translator.
See Brown, J. DelF origine . . . della poesia, 1772.
Croesse'r, Luis da Mala, pseud.
See Carlos de Jesus Maria.
Croix, A. Pherotee de la.
See La Croix, A. Pherotee de.
Crousaz, Jean Pierre de, 1663-1750, praeses.
Systematis physici disputatio decima quinta. Quam . . . praeside
N. J. P. de Crosa . . . deiendere conabitur Gabriel Jacobus Ballivus
Lucinensis. In publico Academise lausanensis auditorio . . . Bernse,
ex officina illustns. Reipubl. bernensis, 1713.
67 p. 19 X IS""".
ML3809.A2C95
Crudeli, Tommaso, 1703-1745.
In lode del Signor Carlo Broschi detto Farinello, musico celebre,
ode di Tommaso Crudeli. Firenze, A. M. Albizzini, 1734.
18 p. incl. port. 20^"™.
ML420.B8C8
Criiger, Johann, 1598-1662.
Synopsis musica continens rationem constituendi & componendi
melos narmonicvm. Conscripta, varijsqj exemplis illustrata a Jo-
hanne Criigero , . . [Berolim] sumtibus lohannis Kally, 1630.
[127] p. 19i X 15"
^nm
Engr. t.-p., illustrated (allegorical figures of the seven liberal arts) with
printer's mark. Signatures: A-Q in fours.
Several authorities cite an earlier edition, Berlin, 1624, but Fetis considers the
present the first edition.
MT55.A2C75
Cruz, Joao Chrysostomo da, 1707-1748.
Method© breve, e claro, em que sem prolixidade, nem confusao se
exprimem os necessarios principios para inteligencia da arte da
musica . . . por Joao Chrysostomo da Cruz . . . Com hum appendix
dialogico que servira de index da obra, e lipao dos principiantes.
Lisboa, I. Rodrigues, 1745.
9 p. 1., 75, [33] p. tables, diagr. 20"™.
MT7.A2C95
EAELY BOOKS ON MUSIC 69
Cruz Brocarte, Antonio de la.
Medula de la mvsica theorica. Cuya inspeccion manifiesta clara-
mente la execucion de la practica, en division de quatro discursos;
en los quales se da exacta noticia de las cosas mas principales, que
pertenecen al canto llano, canto de organo, contrapunto, y compo-
sicion, con toda brevedad, y claridad. Por Don Antonio de la Crvz
Brocarte . . . Salamanca, E. A. Garcia, 1707.
9 p. 1., 234 p. illus. 15«"».
Paging irregular.
MT6.A2C95
Cuisse, de la.
See La Cuisse, de.
Cunha Bandeira, Jeronymo da, editor.
See Bernardo da CoNCEigAO. O ecclesiastico instruido, 1788.
D. * * *, M.
See Dissertations en forme de lettres, 1788.
The dancing -master; or. Directions for dancing country dances,
with, the tunes to each dance for the treble- violin. The 10th ed.
cor. ; with the addition of several new dances and tunes never before
printed. [London] Printed by J. Heptinstall, for H. Playford, 1698.
2 V. in 1 (v. 1 :4 p. 1., 215 p.; v. 2 :2 p. 1., 48 p.) 11 x 19^"'°.
Vol. 2 has title: The second part of the Dancing master: or, Directions for
dancing country dances, with the tunes to each dance for the violin or flute. The
2d ed., with additions. (^London] Printed for H. Playford, 1698.
The 1st edition, comprising vol. 1 only, was published by John Playford in
1651, under title: The English dancing-master.
MT950.A2D3
Dard,
Nouveaux principes de musique, qui seuls doivent suffire, pour
I'apprendre parfaitement. Auxquels I'auteur a joint I'histoire de la
musique et de ses progressions, depuis son origine juscju'a present . . .
par M*" Dard . . . Graves par M®"« Girard . . . Paris, Chez I'auteur
[1769]
1 p. 1., 149, 19 p. 24 X 19^'^'°.
Title within ornamental border, text within line borders.
Forms the second part of his "Nouveaux principes de musique, avec histoire
suivi du paralelle de Lully et de Rameau et du catalogue de tous les operas
repres. depuis 1671," Paris, 1768. cf. Eitner, Biog.-bibl. quellen-lexikon.
MT6.A2D2
Daube, Johann Friedrich, 1730-1797.
Anleitun^ zur erfindung der melodie und ihrer fortsetzung. Von
Johann Friedrich Daube . . . Wien* Gedruckt bey C. G. Taubel,
1797-98.
2v.ini (v. 1:4 p. 1., [5]-51, [1] p.; v. 2: 2 p. 1., [3]-68 p.) illus. 22^ x 17^"™.
Vol. 2 (Zweyter theil, welcher die composition enthilt) has imprint: Wien, In
commission der Hochenleitterschen buchhandlung, 1798.
Published also under title: Anleitung zum selbstunterricht in der musika-
lischen composition, sowohl f iir die instrumental- als vocalmusik.
MT47.A2D2
70 LIBRARY OF CONGRESS
Daube, Johanii Friedrich — Continued.
General-bass in drey accorden, gegriindet in den regeln der alt- und
neuen autoren, nebst einem hierauf gebaueten unterricht: wie man
aus einer jeden aufgegebenen tonart, nur mit zwey mittels-accorden,
in eine von den drey und zwanzig tonarten die man begehret, gelangen
kann, xmd der hierauf gegriindeten kunst zu pr^ludiren, wie auch zu
ieder melodie einen bass zu setzen, dass also durch diese neue und
leichte anleitung, zugleich auch zur composition unmittelbar der weg
gebahnet wird, von Johann Friedrich Daube . . . Leipzig, J. B.
Andr&, Frankfurt am Mayn, 1756.
xxii, [2], 215, [1] p. fold. pi. 21^''°'.
MT49.A2D23
Der musikalische dilettanti eine abhandlung der komposition,
welche nicht allein die neuesten setzarten der zwo- drey- und mehr-
stimmigen sachen: sondern auch die meisten kilnstlichen gattungen
der alten kanons: der einfachen und doppelfugen, deutlich vortr>,
und durch ausgesuchte beyspiele erkUret. von Johann Friederich
Daube . . . Wien, Gedruckt bey Johann Thomas edlen von Tratt-
nern, 1773.
3 p. 1., [3]-333, [1] p. 22i x 18'''".
MT40.A2D23
See also Der Musikalische dillettante, 1770.
David, Prangois.
Methode nouvelle ov principes generaux pour apprendre facilement
la musique, et I'art de chanter. Par M."" David . . . Paris, M.® la
v." Boivm; [etc., etc.] 1737.
1 p. 1., 142 p. 16 X 24J<="i.
Engraved in part.
MT835.A2D3
Davy, Charles, 1722-1797.
Letters, addressed chiefly to a young gentleman, upon subjects of
literature: including a translation of Euclid's Section of the canon;
and his treatise on harmonic; with an explanation of the Greek
musical modes, according to the doctrine of Ptolemy. By Charles
Davy . . . Bury St. Edmunds, Printed for the author, by J. Rack-
ham, 1787.
2 V. (2 p. 1., iii-xii, 423 p., 11.; 2 p. I., 541, [1] p., 1 1.) plates, tables, diagrs.
23cm
"Balaam: an attempt towards an oratorio, for a private concert. 1769 " (words
only): v. 1, p. [341J-352. "Ruth: an attempt towards an oratorio, for a private
concert. 1769" (words only): v. 1, p. [353J-368.
PN45.D3
De ceteris GrsBcorum musices in omnes scientias usu, et energia
divinatio. Rem tibi Socraticse poterunt ostendere chartse. Venetiis,
typis Antonii Zatta, 1762.
1 p. 1., XXXV p. 30*"°.
Title vignette.
ML169.A2D3
EARLY BOOKS ON MUSIC 71
Declaration du public, au sujet des contestations qui se sont elevees
sur la musique. [n. p., 175-]
7 p. W"^.
Caption title.
No. 13 in a volume of pamphlets lettered Quere[lle] dea Bouffo[n8]
ML1727.33.A1
Copy 2.
ML1727.33.D2
Dedekind, Henning, d. 1628?
See GoETTiNG, V. Compendium mvsicse [1587]
Deimling, Ernst Ludwig, h. ca. 1760.
Beschreibung des orgelbaues und der verfabrungsart bei unter-
sucbung neuer und verbesserter werke. Ein buch fiir organisten,
scbulmeister und orts-vorgesetzte. Von Ernst Ludwig Deimling.
2. aufl. Offenbach, Gedruckt bei C. L. Brede [1796]
1 p. 1., X, [13]-216 p., 1 1. 1^'"^.
"Etwas vom choral-gesang " : p. 193-216.
ML555.A2D3
Dellain,
Nouveau manuel musical, contenant les Clemens de la musique,
des agremens du chant et de I'accompagnement du clavessin . . . Par
M. Dellain. Paris, Veuve Ballard & fils; [etc., etc.] 1781.
viij, 52, [2] p. 27 x 20J<^°^.
Given by Fetis as Charles Henri, by Michel Brenet as Charles Louis Joseph,
Dellain.
MT7.A2D35
Demantius, Johann Christoph, 1567-1643.
Isagoge artis musicse ad incipientium captum maxime accommo-
data. Kurtze anleitung recht und leicht singen zu lernen / neben
kurtzer / doch grundlicher erkl&,rung / der griechischen / lateinischen
und itali&nischen w6rtlein / so bey den neotericis .oder ietzigen neuen
musicis hin und wieder ilblichen [!] und in gebrauch seyn. Auctore
Christophoro Demantio . . . Ed. 9. & ultima, prioribus multo auctior
& correctior . . . Freibergse, impensis G. Beutheri, 1656.
[192] p. le-^^.
Colophon: Jense, typis Samuelis Krebsi. Anno m.dc.lvii.
Text in Latin and German on opposite pages.
MT870.A2D37
[Demotz de La Salle, Jean Prangois] d. ca. 1741.
Methode de musique selon un nouveau syst^me tres-court, tres-
facile & tres-slir, approuve' par messieurs de T Academic royale des
sciences, & par les plus habiles musiciens de Paris. Dediee a la reine.
Par M. * * =^ pretre. Paris, P. Simon, 1728.
6 p. 1., 3-216, [4] p. 1 illus. 20<=™.
ML432.A2D3
72 LIBRARY OF CONGRESS
Denis, Jean.
Traits de I'accord de I'espinette, auec la comparaison de son ciauier
a la musique vocale. Augments en cette edition des quatre chapitres
suiuants. i. Traite des sons & combien il j en a. ii. Traite des tons
de I'eglise & de leurs estendues. iii. Traite des fugues & comme il
les faut traiter. iv. La maniere de bien jouer de I'espinette & des
orgues . . . Par I. Denis . . . Paris, Par R. Ballard, imprimeur, et se
vendent chez I'autheur, 1650.
40 p. fold. tab. 19^'="'.
MT252.A2D36
Denis, Pierre.
Nouvelle methode pour apprendre en peu de terns la musique et
Tart de chanter, avec un nombre de lepons dans plusieurs genres.
Par M"" Denis . . . Paris, De La Chevardiere [17 — ]
72 p. 20J X 25^'^'°.
"Grave par M«"« Vendome."
MT6.A2D4
Denis, Pierre, translator.
See Fux, J. J. Traite de composition musicale [17 — ]
Tartini, G. Traite des agremens de la musique [1782]
Dennis, John, 1657-1734.
An essay on the opera's after the Italian manner, which are about
to be establish'd on the English stage: with some reflections on the
damage which they may bring to the publick. By Mr. Dennis . . .
London, J. Nutt, 1706.
4 p. 1., 15, [11 p. 23 X l?'^".
ML1731.3.A2D3
Dentice, Luigi.
Dvo dialoghi della mvsica del Signor Lvigi Dentice . . . Deili
quali I'uno tratta della theorica, & Faltro della pratica: raccolti da
diuersi autori greci, & latini. Nuouamente posti in luce. Roma, V.
Lucrino, 1553.
[79] p. diagrs. lOf"™.
.Title vignette. Signatures: A in two, B-K in fours, L in two.
ML171.D47
[Desboulmiers, Jean Auguste Julien, Tcnovm as] 1731-1771.
Histoire anecdotique et raisonnee du Theatre italien, depuis son
retablissement en France jusqu'a Fannee 1769. Contenant les ana-
lyses des principales pieces, & un catalogue de toutes celles tant
italiennes que fran^aises, donnees sur ce theatre, avec les anecdotes
les plus curieuses & les notices les plus interessantes de la vie & des
talens des auteurs & acteurs . . . Paris, Lacombe, 1769.
7 V. IS"^"".
PX2633.D4
Histoire (Ui theatre de I'Opera comique . . . Paris, Lacombe, 1769.
2 V. (v. 1: 1 p. 1., 497, [5] p., 1 1.; v. 2: 1 p. 1., 558, [2] p.) 17^".
EARLY BOOKS ON MUSIC 73
Desboulmiers, Jean Auguste Julien — Continued.
An analysis of pieces represented 1712 to 1761, followed by "Catalogue raisonne
des auteurs, des acteurs, et des pieces, qui n'ont point 4t4 compris dans I'Histoire
de rOp^ra comique" (v, 2, p. 133-558)
ML1727.8.P2D44
Desbout, Luigi.
Ragionamento fisico-chirurgico sopra I'effetto della musica nelle
malattie nervose, dedicate all' illustriss. Sig. dottore Giorgio de
Lagusius ... da Luigi Desbout . . . Livorno, Calderoni, e Faina,
1780.
40 p. ISJ''™.
ML3920.A2D4
Dissertation sur Teffet de la musique dans les maladies ner-
veuses, par Louis Desbout ... St. Petersbourg, Impr. de Breitkopf ,
1784.
3 p. 1., 75 p., 1 1. 20«'°.
ML3920.A2D42
Descartes, Rene, 1596-1650.
Renati || Des-Cartes || Musicse || Compendium. || Trajecti ad Rhenum,|(
Typis Gisberti a Zyll, & TheodOri ab Ackersdyck, || cioiocl.
58 p. diagrs. 184 x 15<''».
ML3805.A2D2
Renati Des-Cartes Musicae compendium. Francofvrti ad
Moenvm, sumptibus F. Knochii, 1695.
48 p. diagrs. 19^ x 16'='".
Title vignette.
ML3805.A2D3
Renatus Des-Cartes excellent compendium of musick : with ^
necessary and judicious animadversions thereupon. By a person of
honour. London, Printed by T. Harper, for H. Moseley, 1653.
8 p. 1., 94 p., 1 1. diagrs. 19^ x 15'=™.
The "Animadversions," p. [59};-94, have special t.-p.
A person of honour: William viscount Brouncker.
ML3805.A2D32
Desessarts, Nicolas Toussaint Lemoyne, 1744-1810.
Les trois theatres de Paris, ou Abreo;e historique de retablissement
de la Comedie franpoise, de la Comedie italienne & de I'Opera; avec
un precis des loix, arrets, reglemens & usages, qui concernent chacun
de ces spectacles. Par M. Des Essarts . . . Paris, Lacombe, 1777.
3 p. 1., 300, [3] p. 20i«"i.
PN2636.P3D4
74 LIBKARY OF COlifGKESS
[Desforges, ]
Memoires anecdotes pour servir a Thistoire de M. Duliz. Et la
suite de ses avantures, apres la catastrophe de celle de Mademoiselle
Pelissier, actrice de I'Opera de Paris. Londres, S. Harding, 1739.
1 p. 1., 206 p., 1 1., 75 p. front. IG^"*.
Title vignette.
"Le triomphe de I'intergt. Comedie. [Par Laus de Boissy] ": 1 1., 75 p.
ML429.D88
[Desgranges, MUe.]
Requeste de deux actrices d'Opera a Momus, avec son ordonnance.
A la Haye [i. e. Paris] 1743.
1 p. 1., [5}-21 p. 15i=™.
In verse.
Caption title: Requeste pr6sent6e h Momus par les Demoiselles Couple &
Desgranges, actrices de I'Opera, tant pour elles que pour celles de leura com-
pagnes qui se trouvent dans le cas de I'article xx. du Code lyrique, ou regle-
ment pour I'Opera, imprime au mois de juin 1743.
ML1727.8.P2R35
Desperiers, Bonaventure, (Z. 1544?
See DiscouRS non plus melancoliqves qve divers, 1557.
Dibdin, Charles, 1745-1814.
The musical tour of Mr. Dibdin ; in which — previous to his embar-
kation for India — ^he finished his career as a public character . . .
Sheffield, Printed for the author by J. Gales, 1788.
3 p. 1., iv, 443, [1] p. 19 pi. on 15 1. (music) 26 x 20"°^.
ML410.D44D5
Diderot, Denis, 1713-1784, editor.
See Au petit prophete de Boesmischbroda [1753]
Bemetzrieder, a. Lemons de clavecin, 1771.
Music made easy.
Dingley, William, 1672 or 3-1735.
Cathedral service decent and useful. A sermon preach'd before
the University of Oxford at S* Marv's on Cecilia's dav, 1713. By
W. Dingley . . . Oxford, A. Peisley,'l713.
2 p. 1., 19 p. 19"^™.
ML64.D4
Dionigi, Marco.
Primi tvoni, overo introdvzione del canto fermo, con I'aggiunta
d'altri tuoni; del Sig. dottor Marco Dionigi . . . Parma, M, Vigna,
1667.
112 p. illus. 28''™.
Dedication, p. 3-4, wanting in this copy.
The present IS the 2d edition; the 1st edition was published at Parma in 1648.
MT860.A2D59
EARLY BOOKS ON MUSIC 75
Discours non plus || melancoliqves qve divers, || de choses mesme-
ment, qui appartiennent || a notre France : & a la fin La maniere
de II bien & lustement entoucher les lues & \\ guiternes. || APoitiers,|j
De rimprimerie d'Enguilbert de Marnef. jj 1557 |1 Auec priuilege
du roy.
4 p. 1., 112 p. incl. tab., diagr. 19^"™.
Title, with printer's mark. — Priuilege du roy, donne a Enguilbert de Mamef.
t.-p. verso. — Engvilbert de Mamef imprimevr av lectevr salvt. [3] p. — Table
des choses contenues en ce liure. [2] p. — Fautes aduenues en I'impression de ce
liiu*e. [1] p. — Text, followed by colophon: Acheue d'imprimer a Poitiers, le
13 de may 1556 par Enguilbert de Mamef. 112 p.
The table (Les noma des jours de la semaine) which is counted as page 9, is
wanting in L. of C. copy, being replaced by a printed facsimile.
Attributed to B. Desperiers by some authorities, by others to Jacques Peletier
and Elie Vinet. cf. Notice by L. Lacour in (Euvres fr. de B. Des reriers, 1856,
V. 1.
ML171.D58
Dissertations en forme de lettres sur differens sujets de litt^rature
et des beaux-arts : ouvrage divis^ en deux parties. Par M. D. * * *
de Dijon ... A Londres, et se trouve a Paris, chez Brunet, 1788.
150, [2] p. 16^^=^.
Contents. — Entretien d'un musicien frangois avec un gentilhomme russe,
sur les effets de la musique modeme; ou. Tableau des concerts de province. —
Lettre a M. d'Alembert, sur la seconde Edition de ses El^mens de musique. —
Lettre k M. de Marmontel, sur les nouveaux spectacles de I'Opera. — Lettre k
M. Rousseau, dans laquelle on fait le paralelle de ce celebre Gene vols, mentor
d'Emile, avec son illustre compatriote Lefort, le mentor de Pierre le Grand. —
Lettre a messieurs de I'Academie des sciences de Dijon, sur la graisse du vin. —
Lettre k M. de Voltaire, sur son histoire de la guerre de 1741. — Lettre ^ M. B6 * * *
sur la force de I'imagination. — Dissertation, ou lettre adressee a M. d'Alembert,
sur les honneurs rendus h Rome aux com^diens.
ML3877.A2D45
Doane, Joseph, editor.
See A MUSICAL directory [1794]
Dodwell, Henry, 1641-1711.
A treatise concerning the lawfulness of instrumental musick in
holy offices. By Henry Dodwell, m. a. To which is prefixed, a
preface in vindication of Mr. Newte's sermon, concerning the law-
fulness and use of organs in the Christian church, &c., from the
exceptions of an anonymous letter to a friend in the country, con-
cerning the use of instrumental musick in the worship of God, &c.
The 2d ed., with large additions. London. W. Haws, 1700.
1 p. 1., 84, [3], 143, [1] p. 20<=».
ML3001.D64
Domenjoud, Jean Baptiste.
De la preference des vis aux chevilles, pour les instrumens de
musique. Et un Essai sur la maniere de changer I'A, mi, la, en
tendant ou detendant toutes les cordes a la fois, sans detruire I'har-
monie. Ce qui donne lieu a des manches d'une forme nouvelle,
beaucoup plus commodes que les anciens. Presente a I'Academie
royale des sciences, le 13 aotit 1756, par M. Domenjoud . . . Paris,
Thiboust, 1757.
22, [2] p. fold. pi. 16i«»».
ML845.A2D6
76 LIBRAEY OF CONGRESS
Dozningos do Rosario.
Theatre ecclesiastico, em que se acham muitos documentos de
cantochao para qualquer pessoa dedicada ao culto divine nos officios
do coro, e altar . . . ordenado por seu author o padre fr. Domingos
do Rosario . . . novamente disposto com melhor ordem, correcto, e
accrescentado com todas as missas de Nossa Senhora, e as que em
todos OS dias festivos do anno se cantam, &c. pelo padre fr. Angelo
da ConceicaS. 5. impressao. Lisboa, Officina de M. Coelho Amado,
1774.
xi, 580 p. 21"™
MT860.A2D77
Doni, Giovanni Battista, 1593 or 4-1647.
Compendio del trattato de' ^eneri e de' modi della mvsica. Di
Gio. Battista Doni. Con vn discorso sopra la perfettione de' con-
centi. Et vn saggio k due voci di mutationi di genere, e di tuono in
tre maniere d'intauolatura: et d'vn principio di madrigale del prin-
cipe, ridotto nella medesima intauolatura . . . Roma, A. Fei, 1635.
20 p. 1., 171, [1] p. 5 fold, diagr. 22''">.
Title vignette: ecclesiastical coat of arms.
Abstract of a larger work which was never published. The present work was
completed by the publication of "Annotazioni sopra il Compendio," Rome, 1640.
ML3805.A2D7
lo: Baptistae Doni . . . De prsestantia musicse veteris libri tres
totidem dialogis comprehensi, in quibus vetus ac recens musica, cum
singulis earum partibus, accurate inter se conferuntur. Adiecto ad
finem onomastico selectorum vocabulorum, ad banc facultatem cum
elegantia, & proprietate tractandam, pertinentium . . . Florentise,
typis A. Masses Foroliuien., 1647.
4 p. 1., 266 p. 24^'=^.
ML169.A2D6
lo. Baptistae Doni . . . Lyra Barberina dficficxopdoc. Accedvnt
eivsdem opera, pleraqve nondvm edita, ad veterem mvsicam illvs-
trandam pertinentia, ex avtograf)his collegit, et in Ivcem proferri
cvravit Antonivs Franciscvs Gorivs . . . Absolvta vero stvdio et
opera lo. Baptistae Passeri . . . Florentiae, Typis caesareis, 1763.
2 V. (v. 1: xii, 424 p.; v. 2: xii, 306 p., 1 1., iv, 100 p.) front, (port.) plates
(partly fold.) diagrs. 37^<=™.
Title vignette; head and tail pieces; initials.
Vol. 2 has title: De' trattati di mvsica di Gio. Batista Doni . . . tomo secondo,
ne' qvali si esaniina e dimostra la forza e I'ordine della mvsica antica e per qval
via rid\T si pos'sa alia pristina efficacia la moderna; raccolti e pvbblicati per
opera di Anton Francesco Gori . . . Aggiuntovi un lessico delle voci musiche,
e I'indice generale, per opera e studio del p. maestro Gio. Batista Martini . . .
Firenze, Stamperia iraperiale, 1763.
"Index aliorvm opervm lo. Baptistae Donii ad mvsicam spectantium " : v. 1,
p. 180.
ML60.D68
See also Baxdixi, A. M. Commentariorvm de vita . . . loannis
Bapt. Doni, 1755.
EARLY BOOKS ON MUSIC 77
[Dorat, Claude Joseph] 1734-1780.
Euterpe; or, Remarks on the use and abuse of music, as a part of
modern education . , . London, J. Dodsley [1779]
2 p. 1., 28 p. 25J X 20«"».
ML63.D77
Douwes, Klaas, h. 1668.
Grondig ondersoeli van de toonen der musijlv: zijnde een lilaare
betooninge van de wijdte of grootheit van octaven, quinten, quarten
en tertien, geheele en halve toonen: van de imperfecte, ende valsche
spetien. Als mede of in een goed musijk de octaven, ende hoe veel
malen de quinten, quarten en tertien met malkanderen mogen gaan.
Van de twaalf toonen der musijk; ende eenige exempelen om de
musifk-nooten te componeren. Met een tweede deel; handelende
van verscheidene musijk-instrumenten. Alles kort en Idaar aange-
weesen, door Klaas Douwes . . . Franeker, A. Heins, 1699.
5 p. 1., 3-132 p. fold. pi. 16'^'°.
Added t.-p., illustrated.
MT6.A2D68
Dowland, John, 1563-1626, translator.
See Ornithoparcus, A. Micrologvs, 1609.
Draghetti, Andrea, 1736-1825. ^ ,
Replica del padre^ Andrea Draghetti . . . alia Risposta del padre
D. Giovenale Sacchi . . . Milano, G. Galeazzi, 1772.
94 p., 1 1. diagr. ISJ""".
Half-title: Delia legge di continuita nella ecala musica.
ML3809.A2D7
Drechssler, Johann Gabriel, d. 1677, praeses.
nn"? 1^3 sive De cithara Davidica . . . Ed. 3. ob defectum exem-
plarium denuo excusa . . . Lipsiae, hteris Colerianis, 1675.
[48] p. 19i X IS^^'".
Diss. — Leipzig (Casparus Felmerius, respondent)
ML166.A2D7
Dressier, Ernst Christoph, 1734-1779.
Fragmente einiger gedanken des Musikalischen zuschauers die bes-
sere aufnalime der musik in Deutschland betreffend . . . Gotha, C.
Mevius seel, erben, 1767.
2 p. 1., 8, 36 p. 23^ X 18"°".
Title vignette; head-piecea.
ML66.A2D7
78 LIBRARY OF CONGRESS
Dressier, Ernst Christoph — Continued.
Ernst Christoph Dresslers Theater-schule fir die Deutschen, das
ernsthafte singe-schauspiel betrefifend. Hannover und Cassel, J. W.
Schmidt, 1777.
4 p. 1., 200, [14] p. 17''™.
ML3858.D77
Dressier, Gallus, h. ca. 1530.
Mvsicse practicae elementa in vsum Scholse magdeburgensis edita,
a M. Gallo Dreslero . . . Magdebvrgi, excudebat Wolffgangus
Kirchner, 1571.
[205] p. 14<=°«.
Signatures: A-M in eights, N in seven. Ms. notes,
ML171.D72
Drewis, F. G.
Freundschaftliche briefe liber die theorie der tonkunst und com-
position. Von F. G. Drewis . . . Halle, J. C. Hendel, 1797.
iv, 88 p. pi. 20i«'°.
MT6.A2D77
Dubos, Jean Baptiste, 1670-1742.
Reflexions critiques sur la poesie et sur la peinture . . . Nouv. ed.
rev. & cor Utrecht, E. Neauhne, 17.32-36.
3 V. 16=™.
Vol. 3 has caption title: Supplement aux Reflexions critiques . . . Disserta-
tion Bur'les representations th^trales des anciens.
N63.D8
Reflexions critiques sur la poesie et sur la peinture. Par M.
I'abbe Du Bos . . . 6. 6d. . . . Paris, Pissot, 1755.
5 V. 16<=«.
Vol. 3 has caption title: Reflexions critiques . . . Troisieme partie. Qui
contient une dissertation sur les representations theatrales des anciens.
X63.D83
Critical reflections on poetry, painting and music. With an
inquiry into the rise and progress of the theatrical entertainments of
the ancients. Written in French by the Abbe Du Bos . . . Tr. into
English by Thomas Nugent, gent. From the 5th ed. rev., cor., and
inlarged by the author . . . London, J, Nourse, 1748.
3 V. 21^''™.
Vol. 2 has title: Critical reflections on poetry and painting . . .
N63.D88
Dubreuil, Jean, d. 1775.
Manuel harmonique, ou Tableau des accords pratiques, pour faci-
hter a toutes sortes de personnes, I'intelligence de rliarmonie & de
Taccompagnement, avec une partie chiffree pour le clavessin, & deux
nouveaux menuets en rondeau. Par M. Dubreuil . . . Paris, La-
combe [etc.] 1767.
viii, 60 p., 2 1., [2] p. 2P™.
Four folding leaves of music included in paging.
MT50.A2D81
EARLY BOOKS ON MUSIC 79
Du Contant de La Molette, Philippe, 1737-1793.
Traits sur la poesie et la musique des Hebreux, pour servir d'in-
troduction aux Pseaumes expliques . . . par M. I'abbe du Contant de
La Molette . . . Paris, Moutard, 1781.
2 p. 1., 251, [1] p. 18i'"°.
ML166.A2C67
Diinkelfeind, Caspar, pseud.
See Leopold, G.
Dufayel, Sophie.
Memoire pour la D"® Dufayel I'ainee, actrice de la Comedie itali-
enne, pensionnaire du roi. [n. p., 1779 ?]
29 p. Idi""^.
Written to refute the accusation that she had tried to poison her sister.
"Reflexions sur le memoire ci-dessus": p. 17-29.
ML420.D93
Dufort, Giovanni Battista.
Trattato del ballo nobile di Giambatista Dufort, indirizzato all' ec-
cellenza delle signore dame, e de' signori cavalieri napoletani. Napoli,
Stamperia di F. Mosca, 1728.
12 p. 1., 160 p. diagrs. ITJ""*.
GV1600.D8
Dumas, Antoine Joseph, h. 1705.
L'art de la musique enseigne et pratique par la nouvelle methode du
bureau typografique etablie sur une seule cle, sur un seul ton, et sur un
seul signe de mesure . . . par M"" Dumas. Grav6 par M®"® Vandome.
Paris, Chez I'auteur [1753]
3 p. L, 427, 10 p., 1 1. incl. 7 fold. pi. fold. pi. 20^ x 26'=°'.
"Le bureau typografique musical est compose de trente colonnes con tenant
huit cases chacunes. Trois de ces colonnes . . . contiennent I'exposition des
elemens de la musique. Dix huit autres partagees en trois octaves . . . ensei-
gnentau moyendel'arrangement des cartes . . . une lecture de la musique prompte
et facile. Les neuf dernieres colonnes . . . donnent une parfarte connoissance
des transpositions Diezees et Bmolees, et mettent en etat de chanter dans la parti-
tion."— Avertissement.
MT6.A2D86
[Dumont, ]
Le vol plus haut, ou L'espion des principaux theatres de la capitale;
contenant une histoire abregee des acteurs & actrices de ces memes
theatres, enrichie d' observations philosophiques & d'anecdotes recre-
atives. Dedie aux amateurs ... A Memphis, chez Sincere, libraire
refugie au Puits de la Yerite. [Paris] 1784.
viij, [9]-142 p. ll^""^.
"Je ne . . ..pr^sente que I'histoire du Concert spirituel & de I'Op^ra." — ^Avis
de I'editeur.
Attributed also to Francois Marie Mayeur de Saint-Paul.
ML1727.3.A2D88
80 LIBRAE Y OF CONGRESS
Dupont, Henri Bonaventure.
Principes de musique, par demande et par reponce, par lequel toutes
personnes, pouront aprendre d'eux meme a connoitre toutte la mu-
sique . . . Far le S/ Dupont . . . Paris, L'Hauteur, 1718.
2 p. 1., 45, [1] p. 25i X 19i<^°».
Engraved throughout.
MT7.A2D93
Durseus, Johannes Christiern.
. . . Dissertatio mythologico-historica de primis musicse inventori-
bus, quam ... in illustri Upsal. lycaeo, sub prsesidio . . . Dn. Lau-
rentii Arrhenii . . . publicse censurse modeste subjicit . . . Johannes
Christiern. Durseus . . . Upsalise, Uteris Werneriams [1729]
3 p. 1., 32 p. 14^*^".
ML3800.A2A7
[Durey de Noinville, Jacques Bernard] 1683-1768.
Histoire du theatre de I'opera en France. Depuis I'^tabUssement
de FAcademie royale de musique, jusqu'&. present . . . Paris, J.
Barbou, 1753.
2 V. in 1 (v. 1: 4 p. 1., 264 p.; v. 2: 1 p. 1., 221, [3] p.) 20"°^.
Vol. 2 dated m.lcc.liii.
Dedication signed: D * * *
By Durey de Noinville and Louis Travenol.
ML1727.3.A2D8
Histoire du theatre de 1' Academic royale de musique en
France, depuis son etablissement jusqu'k present. 2. 6d., cor. &
augm. des pieces qui ont ete representees sur le theatre de I'Opera par
les musiciens italiens, depuis le premier aotit 1752. jusqu'a leur depart
en 1754. avec un extrait de ces pieces & des ecrits qui ont paru a ce
sujet . . . Paris, Duchesne, 1757.
2v.ini (v. 1: 6, [8], 320 p.; v. 2: 1 p. 1., 221, [3], 221-222 p., 1 1., 11 p.) 20<"".
Dedication signed : D * * *
ML1727.3.A2D82
[Du Roullet, Frangois Louis Gaud Lebland, marquis] 1716-1786.
Lettre sur les drames-opera. A Amsterdam, et se trouve a Paris,
chez Esprit, 1776.
55 p. 19i<'°'.
ML3858.D9G
Duval, alhe, d. 1781.
Principes de la musique pratique. Par demandes et par reponses.
De M. I'abbe Duval. Paris, Cailleau [etc.] 1764.
X, [ll]-66, [3] p. 4 fold. pi. igi^"".
In the "Catalogue general" of the Bibliothfeque nationale, Paris, this Is
ascribed to the Abbe Pierre Duval (1730-1797)
MT7.A2D98
EARLY BOOKS ON MUSIC 81
Dwight, Josiah, 1671-1748.
An essay to silence the outcry that has been made in some places
against regular singing. In a sermon preach' d at Framingham, by
the Reverend Mr. Josiah Dwight . . . Boston, J. Eliot, 1725.
16 p. 17^"™.
Last leaf mutilated.
ML3001.D84
Earle, Jabez, 1676?-1768.
See Practical discourses, 1708.
Eastcott, Richard, 1740-1828.
Sketches of the origin, progress and effects of music, with an account
of the ancient bards and minstrels. Illustrated with various historical
facts, interesting anecdotes, & poetical quotations. By the Rev.
Richard Eastcott . . . Bath, S. Hazard, 1793.
vii, [3], ^dii, iv p., 1 1., 277 p. 22^'=°'.
ML60.E13
Ebner, Wolfgang, d. 1665.
See Chiodino, G. B. Arte prattica, 1653.
Einige zum allgemeinen nutzen deutlicher gemachte musikalische
erwegungs- und andere leichter eingerichtete uibun^s-wahrheiten,
hrsg. von einem freunde dieser wissenschafft. Leipzig, In commis-
sion zu haben bey M, Blochbergern [1750?]
viii, 90 {i. e. 76) p. 21 x 17"™.
No. 66-79 omitted in paging.
Attributed to Georg Friedrich Lingke.
ML3805.A2E4
[Eisel, Johann Philipp] 1698-1763.
Musicus duxod'cdaKxoc , oder Der sich selbst informirende musicus,
bestehend sowohl in vocal- als liblicher instrumental-musiqve, welcher
uber 24. sorten sowohl mit saiten bezogener als blasender und schla-
gender instrumente beschreibet, die ein jeder . . . nach denen princi-
piis fundamentalibus erlernen kan . . . ans licht gestellet, und mit
vielen darzu dienlichen figuren und handgriffen erl&utert von einem
der in praxi erfahren. Erfurt, J. M. Funck, 1738.
4 p. 1., 108 p. 1 illus., 17 pi. on 16 1. 21 x 17^"™.
MT6.A2E44
Der sich selbst informirende musicus, oder : Griindliche
anweisung zu der vocal- und instrumental-music, welcher uber 24.
sorten, sowohl mit saiten bezogener, als blasend- und schlagender
instrumenten, zugleich auch achtzehen darzu dienliche figuren und
handgriffe enthalt . . . Augsburg, J. J. Letter, 1762.
7 p. 1., 90 p. illus. 17 X 21<^°».
MT6.A2E46
51234°— 13 G
82 LIBEARY OF CONGRESS
Der eitle miisicant und schenkwirth als zwey wunder in der christen-
heit, besonders in den itzigen betrubten kriegsl&uften, nebst ange-
wiesener allgemeinen heilsordnung und einer auf die itzige krieges-
zeit gerichteten vorrede . . . [Halle, Waisenhaus-b.] 1760.
8p. 1., 104p. lej'^'".
By Carl Heinrich von Bogatzky?
HV5478.A3E4
filoge de M. d'Acquin, musicien, organiste de la chapelle du roi.
[Paris, 1773 ?]
p. 191-203. le*"".
Caption title.
From "Le Necrologe des hommes celebres de France," edited by Palissot de
Montenoy, Poinsinet de Sivry, and others.
ML416.A37
filoge de Monsieur Duni. [Paris, 1776?]
1 p. 1., p. [165H69- ISi'""-
Caption title.
From the same source as the preceding.
ML410.D91
Eloge de M. Le Clair. [Paris, 1767 ?]
p. 119-131. 16^°'.
Caption title.
From the same source as the preceding.
ML410.L41E5
Elsmann, Heinrich.
Compendivm mvsicae latino-germanicum, cum brevi tractatu de
modis. Accesserunt hymni sacri intercalares pro horis scholasticis,
georgiani ut vocant, fvnebres: omnia in usum inventutis [ ! ] con-
scripta & congesta a m. Henrico Elsmano . . . Wolferbyti, Autore
sumptum faciente imprimebatur per Eliam Holwein, 1619.
[128] p. 15'="'.
MT860.A2E5
Elst, Joannes van der, 1594?-1670.
Notse Avgystinianae, sive Mvsices figvrse sev notse novse concinendis
modvlis faciliores, tabvlatvris organicis exhibendis aptiores; qvas
firmamento ecclesise magno patriarchae divo Avrelio Avgvstino mvsices
ecclesiasticae protectori venerabvndvs dedicat F. loannes vander Elst
. . . Gandavi, typis IVfaximiliani Graet, 1657.
2 p. 1., 16 p. 11 pi. 23 X 18^^™.
In 2 parts. The second part, " Explicatio ad musices voces," p. 9-16, is dated
at end, 1659. Bound with " Den ouden . . . grondt vande musiicke."
MT6.A2E49
Den ouden ende nieuwen grondt vande musiicke . . . Inde welcke
met korte ende klare reghels ende redenen wt-ghelej^dt wordt het
mergh vande musijcke, soo kerckelicke, figurele, als instrumentele,
soo voor de theorie als voor de practijcke, door P. I. V. E. A. Ghendt,
M. Graet, 1662.
xii, 76 p. diagrs. 23 x IS"""".
Dedicatory letter signed: F. loannes vander Elst Augiistinianus.
Plates, same as in the '• Notae Avgvstinianee, " wanting.
MT6.A2E49
EARLY BOOKS OiST MUS'kS
83-'
Emmanuel a' Conceptione.
See Manuel da CoNCEigAO.
Engel, Johann Jakob, 1741-1802.
Ueber die musikalische malerey. An den k6nigl. kapell-meister,
heirn Reichardt. Von J. J. Engel. Berlin, C F. Voss und sohn,
1780.
48 p. 15^"™.
ML3855.A2E5
Engramelle, Marie Dominique Joseph, 1727-1781.
La tonotechnie, ou Fart de noter les cylindres, et tout ce qui est
susceptible de notage dans les instrumens de concerts mechaniques.
Ouvrage nouveau, par le pere Engramelle . . . Paris, P. M. Dela-
guette, 1775.
4 p. 1., xxvij, [1], 236,' [4] p. front., v fold. pi. 20'=™.
Pages 43-50, "Table des caract^res," are printed on leaves 27 x 20"™.
ML1051.A2E6
Entire new and compleat instructions for the fife.
See The compleat tutor for tbe fife.
[Erculeo, Marzio] 1623-1706.
II canto ecclesiastico. All' Altezza serenissima del Sig. prencipe
cardinal d'Este, d. d. d. Modana, Per gli eredi Cassiani stamp,
episc, 1686.
15 p. 1., 3-65, [7] p. illus. 25<=™.
Title vignette: ecclesiastical coat of arms. Dedication signed: D. Marzio
Erculeo.
A second title precedes the text: Lvmi primi del canto fermo, ecclesias-
tico, gregoriano, corale, 5 piano, cioe stabile, et vniforme k tvtti gli ecclesiastici.
Emendato, composto, & insegnato da S. Gregorio Magno . . . Per M. E. ad vso
de scolari chienci delle scuole pie della Congregazione della B. V., e S. Carlo,
h per loro essercizio il Confiteor, Fratres, antifone della B. Vergine, Adoma
talamum, Si quaeris, e messa de' morti con lisuoi cinc^ue responsorij nelle essequie
pid solenni, &c. Modana, Nella stampa delli eredi Cassiani stamp, episcopali,
1686.
MT860.A2E65
Erste musikalische preisaustheilung fiir das jahr 1791. Nebst
vierzig kupfertaf6ln die aus dem Magnificat beider preistr&ger ein
stuck und die umarbeitung beider stiicke vom preisrichter liefern.
Frankfurt am Main, Varrentrapp und Wenner, 1794.
2v.ini (v. 1:32 p. 19 x 11 J"™; v. 2: 40 p. 32 x 25i«™)
Vol. [2] engraved throughout, has caption title: Notenbeyspiele ziu* Ersten
musikalischen preisaustheilung fiir das jahr 1791.
Listed under Abt Vogler in Kayser's "Biicher-lexicon."
ML76.V25
Eschenburg, Johann Joachim, 1743-1820, translator.
See Brown, J. Betrachtungen uber die poesie, 1769.
Burney, C. Nachricht von Georg Fnedrich Handel's lebens-
umst&nden, 1785.
' ' '' '84' ' ' ' LIBRARY
OF CONGRESS
Eschstruth, Hans Adolf, freiherr von, 1756-1792.
Musicalische bibliothek, hrsg. von H. A. fr. v. Eschstruth ... 1.
stiick. Marburg unci Giesen, Bei Krieger dem jiingern, 1784.
152 p. IS^^'".
Imperfect, wanting port, and "zwei etucke des . . . herrn kapellmeisters C. P.
E. Bach."
The "2. stiick" appeared in 1785; a "3. stuck" was announced but not pub-
lished, cf. Freystatter, Die musikal. zeitschriften.
ML4.E74
Espic de Lirou, Jean Frangois, 1740 or 41-1806.
Explication du syst^me de rharmonie, pour abreger Fetude de la
composition, & accorder la pratique avec la theorie; par le chevaHer
de Lirou. A Londres, et se trouve a Paris, chez Merigot [etc.] 1785.
2 p. 1., 239 p. 7 pi. (1 fold.) 21i«™.
ML3815.A2L7
L'Esprit des journaux, franpais et strangers, par une societe de gens
de lettres. Paris [etc.] 1783-1805.
6 V. 17"™. monthly.
Incomplete collection of the parts of ''L'Esprit des journaux" devoted to
theater and music, detached from their respective volumes and bound together.
Binder's subtitle reads " Comptes-rendus de musique et theatre."
ML270.3.E56
Essai methodique pour apprendre aux enfans a lire aussi aisement la
musique, qu'on leur apprend a lire I'ecriture ordinaire. Liege,
F. J. Desoer [1763?]
58 p. 16 J'^'".
MT35.A2E78
An essay on the church plain chant . . . London, J. P. Coghlan,
1782.
3 V. in 1. 18<=™.
Appended: Antiphons which are sung whilst th« Blessed Sacrament is exposed
in the church of the English dames of St. Clare, at Aire in Artois. London, Printed
by J. P. Coghlan, 1783. 1 p. 1., 6 p. "
Contents. — pt. 1. Instructions for learning the church plain song. — pt. 2.
Several anthems, litanies, proses and hymns, as they are sung in the public
chapels at Loudon. — pt. 3. A supplement of several anthems, litanies, proses and
hymns.
MT860.A2E8
Essex, John, translator.
See Rameau, P. The dancing-master, 1728.
Esteve, Pierre.
Xouvelle decouverte du principe de I'harmonie, avec un examen de
ce que M. Rameau a publie sous le titre de Demonstration de ce
principe. Par M. Esteve . . . Paris, S. Jorry, 1752.
xvj, 54, [3] p. 21J'-'".
ML3815.A2E8
See also Morand, P. de. Justification de la musique frangoise, 1754.
EAELY BOOKS ON MUSIC 85
Estwick, Sampson, d. 1739.
The usefulness of church-musick. A sermon preach' d at Christ-
church, Novemb. 27. 1696. upon occasion of the anniversary-
meeting of the lovers of musick, on St. Cseciha's day. By S. Est-
wick . . . London, T. Bennett, 1696.
2 p. 1., 22 p. 19i X 15"".
ML3001.E77
£itat actuel de la musique du roi et des trois spectacles de Paris.
Paris, Vente, 1772.
1 p. 1., iv, [12], 140, vj, [6] p. 5 pi. (incl. front.) 13^'=°'.
Engr. t.-p. with ornamental border and coat of arms; line borders. Lettered:
Almana[chj du theatr[e]
Issued annually 1759-60, and 1767-78. The volumes for 1759-60 have title
"Etat actuel de la musique de la chambre du roi et des trois spectacles de
Paris ..." In these two issues Vente's name does not appear on the t.-p., but
is found in the privilege, cf. Grand-Carteret, Lea almanachs franyais.
L. of C. has only the issue of 1772.
ML1727.8.P2S4
Ettmiiller, Michael Ernst, 1673-1732, praeses.
Disputatio effectus musicse in hominem . . . Lipsise, litteris J. G.
Bauchii [1714]
39 p. 18 X Hjo^i.
Diss. — Leipzig (C. G. Jocher, respondent and author)
ML3920.A2E7
Euclides.
YtUKMdou ^Icotyajyii app.ovcKrj. Toy aoxoo IS^arazoixrj Kavovof.
Euclidis Rudimenta mvsices. Eiusdem Sectio regulse harmonicse.
E Regia bibliotheca desumpta, ac nunc primiim grsece & latine excusa,
loanne Pena regio mathematico interprete . . . *Parisiis, apud A.
Wechelum, 1557.
2 p. 1., 5-16, 10 numb. 1. 20=='.
Printer's mark on t.-p.
The Rudimenta musices is now attributed to Cleonides.
ML171.E9
See also Davy, C. Letters, 1787.
Meibom, M., translator. Antiqvse mvsicee avctores, 1652.
Eugenius junior, pseud.
See Owen, James.
Euler, Leonhard, 1707-1783.
Tentamen novae theoriae mvsicae ex certissimis harmoniae prin-
cipiis dilvcide expositae. Avctore Leonhardo Evlero. Petropoli, ex
typographia Academiae scientiarvm, 1739.
263 p. plates (3 fold.) tables (2 fold.) 27i'^">.
Title vignette.
ML3805.A2ES
See also Unger, J. F. von. Entwurf einer maschine, 1774.
86 LIBRARY OF CONGRESS
Eximeno y Pujades, Antonio, 1729-1808.
Deir origine e delle regole della musica, colla storia del sue pro-
ffresso, decadenza, e rinnovazione. Opera di D. Antonio Eximeno fra
1 Pastori Arcadi Aristosseno Megareo . . . Roma, Stamperia di M. A.
Barbiellini, 1774.
6 p. 1., 466 p., 1 1. illus., 23 fold. pi. (music, tables) port. 27'='°.
ML159.E9
Del origen y reglas de la musica, con la historia de su progreso,
decadencia y restauracion. Obra escrita en italiano por el abate Don
Antonio Eximeno. Y traducida al castellano por D. Francisco An-
tonio Gutierrez . . . Madrid, Imprenta real, 1796.
3 V. illus., 22 fold. pi. (music, tables) 20'="».
ML159.E93
Dubbio di D. Antonio Eximeno sopra il Saggio fondamentale
pratico di contrappunto del reverendissimo padre maestro Giam-
battista Martini. Roma, M. Barbiellini, 1775.
viii, 120 p. 28i<'">.
MT55.A2E9
Exmes, Frangois Le Prevost d'.
See Le Prevost d'Exmes, FRANgois.
Exposition de quelques nouvelles vues mathematiques dans la
theorie de la musique. A Amsterdam, et se trouve a Paris, chez
Cailleau, 1760.
30 p.' IS"".
ML3809.A2E97
Fabbrizi, Pietro.
Regole generali di canto fermo raccolte da diuersi autori da D.
Pietro Fabritii Fiorentino. In questa quarta impressione corrette, &
ampUate. Roma, M. A., & O. (Jampana, 1689.
80 p. incl. pi. 15^'=°'.
MT860.A2F12
Regole generali di canto fermo raccolte da diuersi autori da D.
Pietro Fabritii Fiorentino, in questa quarta impressione corrette, &
ampliate. Roma, II Mascardi, 1708.
80 p. incl. pi. IS""".
MT860.A2F13
Faber, Gregorius.
Mvsices practicse erotematum libri ii, avtore M. Gregorio Fabro
Luczensi, in Academia tubingensi, musices professore ordinario.
Basilese [1553]
4 p. 1., 230, [2] p. diagrs. 15^"'°.
Colophon: Basileae, per Henrichvm Petri, anno salvtis m.d.liii. raense martio.
Guidonian hand on t.-p.; initials; printer's mark at end. Original t.-p.
wanting; replaced by a facsimile.
Contains musical examples taken from the works of Josquin de Pr^s, Okeghem,
Anton Brumel and others.
ML171.F14
EARLY BOOKS ON MUSIC -87
Faber, Heinrich, d. 1552.
Compen- || diolvm mvsicse || pro incipientibvs. || Per mas^istrvm ||
Henricvm Fabrvm conscri- || ptum, ac nunc denuo, cum additio || ne
alterius Compendioli, || recognitum. || Noribergae, || In Officina
loannis Montani, || & Vlrici Neuberi [15 — ]
[32] p. 15"'".
The 1st edition cited is of Brunswick, 1548. In that issue the title reads as
in this one, indicating the existence of an earlier edition, cf. Eitner, "Magister
Heinrich Faber" (Monatshefte ftir musikgeschichte, 2 jahrg., 1870, p. 26 ff.)
ML171.F11
See also Gumpeltzhaimer, A. Compendivm mvsicse, 1616.
Faber, Nicolaus.
Mvsicae rvdimenta admodvm brevia atqve vtilia . . . loannes
Auentinus Thurinomarus edidit. [Colophon: Excusa in officina Mil-
lerana Augustse Vindelicorti xii. cal. iunias. Anno a natiuitate
Domini, m.d.xvi.]
[34] p. illus. 21<'=».
Title as above taken from first two lines and last line of leaf Aij recto..
Frontispiece: Illvstrissimo prin || cipi Arionisto vtrivsqve Boiari- || ae dvci
dedicatvm || [woodcut] \\ Nicolaus Faber Vuolazanus illustrissimi principis
Arioni- 1| sti vtriusque Boiarise cantor & a sacris. Ad lectorS || [musical canon:]
Crede mihi melius nihil est qua musica quae te || Efficiet doctu magnificuq, virum.
Signatures: A-B in fours, C in six, D in three. Printer's mark at end.
L. of C. has also another issue, in which the inscription of poem on, recto of
last leaf is arranged in six lines instead of seven, as in this issue, and has uni-
form type, the first line here being in much larger type.
ML171.F13
Faber, Petnis, 1540 or 41-1600.
Agonisticon Petri Fabri . . . sive, De re athletica Ivdisqve vetervm
gymnicis, mvsicis, atque circensibus spicilegiorum tractatus, tribus
Ebris comprehensi. Opvs tessellatvm. Nunc primum in lucem editum.
Cum indice rerum ac verborum memorabihum locupletissimo . . .
Lvgdvni, apud F. Fabrum, 1592.
12 p. 1., 363, [17] p. 24"'".
Printer's mark on t.-p. ; side-notes.
GV17.F2
Faber Stajmlensis, Jacobus.
See Le Fevre, Jacques, d' Staples..
Fabricius, Werner, 1633-1679.
Werneri Fabricii . . . Unterricht, wie man ein neu orgelwerk, obs
gut und best^ndig sey, nach alien stucken, in- und auswendig exami-
niren, und so viel m6glich, probiren soil. Frankfurt und Leipzig,
1756 [sic]
86 p. 17^'^™.
ML555.A2F12
88 X LIBRARY OF CONGRESS
Palck, Georg, d. 1688 ?
. . . Idea boni cantoris, das ist : Getreu und griindliche anleitung /
wie ein miisic-scholar / so wol im singen / als auch auf andern instru-
mentis musicalibiis in kurtzer zeit so weit gebracht werden kan / dass
er ein stilck mitzusingen oder zu spielen sich wird unterfangen
ddrffen; aus verschiedenen berilhmten musicis colligirt / und der
music-liebenden jugend zu sonderbakrer lust-erweck- und nutzlichen
beOTeiffung zusammen geschrieben / und heraus gegeben von Georg
Falcken dem aelteren . . . Niirnberg / Gedruckt bey W. M. Endter /
1688.
16 p. 1., 209, [3] p. 17 X 204^'°.
In two parts. Caption title reads " Institutionis musicse practicae er8ter[- an-
derer] theil."
MT770.A2F27
Falconnet,
Extrait d'une lettre ecrite aux auteurs du Mercure, suivie d'un
memoire qui repond a la question proposee dans celui du mois de juin
dernier, au sujet du plainchant &c. [n. p. 1733 ?]
19 p. 16^"°'.
Caption title.
The memoir has caption "Memoire sur I'autorite des musiciens en matiere
' de plainchant," and is signed: Burette et Falconnet, fils.
ML3082.A2B8
Fanzago, Francesco, 1749-1823.
Elogi di tre uomini illustri, Tartini, Vallotti, e Gozzi, con una ora-
zione gratulatoria. Padova, C. Conzatti, 1792.
212 p. 20'=™.
"Nel solenne ingresso alia dignita di procvtrator di S. Marco di S. E. Sig.
cavalier Andrea Memmo gratulatoria della magnifica citta di Padova": p.
[157]-205.
ML390.A2F2
Orazione del Signor abate Francesco Fanzago Padovano delle lodi
di Giuseppe Tartini, recitata nella chiesa de' rr. pp. Serviti in Padova
li 31. di marzo I'anno 1770, con varie note illustrata, e con un breve
compendio della vita del medesimo. Padova, Stamperia Conzatti,
1770.
48 p. incl. front, (port.) illus. 24 x Vd"'^.
Title vignette.
ML410.T18F1
Fayser, Johann, of Arnstein.
' \ riacdt'ca \\ Mvsicae. || Kindtliche Anlaytung oder || vnderweysung
1 der Edlen j| Kunst Musica. || Authore M. loanne Fessero || Arnstei-
nensi Franco. || G. Fabricivs. || Diuina res est Musica, || Mulcet
^ Deum, mulcet uiros. || Quicuiiqi Musicam colunt, || Amat Deus,
coluntuiri. |l Cum gratia & Priuilegio Imperiali. || Avgvstse Vinde-
licorvm || Philippus Vlhardus || excudebat [1572]
[56] p. 1 illus. 15^'''".
Signatures: A-C in eights, D in four,
ML171.F27
EARLY BOOKS ON MUSIC 89
Febure, Louis Fran§ois Henri le.
See Lefebure, Louis Francois Henri.
Fedeli, Giuseppe.
. . . Principj di canto fermo dati alia luce da D. Givseppe Fedele . . .
Cremona, Mt Antonio dal Re intaglia e stampa apresso S. Catterina
in Borgheto, 1722.
25 numb. 1. 29 x 22^"™.
Title within ornamental border; title vignette (port.) Engraved throughout.
MT860.A2F29
Feijoo y Montenegro, Benito Jeronimo, 1675-1764.
Three essays or discourses on the following subjects, a defence or
vindication of the women, church music, a comparison between
antient and modern music. Tr. from the Spanisk of Feyjoo; by a
gentleman. London, T. Becket, 1778.
2 p. 1., 187 p. 21'==».
Translated by John Brett.
ML60.F34
Feillee, Frangois de la.
See La Feillee, Francois de.
Feind, Barthold, 1678-1721.
Barth. Feindes / It. Deutsche gedichte / bestehend in musicalischen
schau-spielen / lob- gKickwiinschungs- verliebten und moralischen
gedichten/ernst- und schertzhafften sinn- und grabschriff ten / saty-
ren/cantaten und allerhand gattungen. Sammt einer vorrede Von
dem temperament und gemiihts-beschaffenheit eines poeten / und
Gedancken von der opera. Erster theil. Mit kupffern und einem
voUst&ndigen register. Stade, H. Brummer, 1708.
7 p. 1., 678, [18] p., 2 1., [10], 651-786 p. plates. 17'".
Double engr. t.-p. added.
Appended is a translation of Jeremias de Decker's "Lof der geldsucht," with
special t.-p.: Hm. lie. Feindes aus dem holl&ndischen ubersetzte ausbundige
satyre vom lobe der geldsucht / an einigen hundert oerthem verbessert und
vermehrt, ans licht gestellt von Ferdinand Gasto von Perlensee . . . C611n /
Bey P. Marteau, auf kosten der Societat; [etc., etc.] 1709,
ML49.F34
Feldtenstein, C. J. von.
Erweiterung der kunst nach der chorographie zu tanzen, tanze zu
erfinden, und aufzusetzen; wie auch anweisung zu verschiedenen
national-tanzen ; als zu englischen, deutschen, schw&bischen, pohl-
nischen, hannak- masur- kosak- und hungarischen; mit kupfern;
nebst einer anzahl englischer t&nze. Von C. J. von Feldtenstein.
Braunschweig, 1772.
109, [1] p. VIII fold. pi. 17<^™.
GVieoi.rs
90 LIBRAE Y OF CONGRESS
Fernandes, Antonio.
Arte de mvsica de canto dorgam, e canto cliam, & proporpoes de
musica diuididas harmonicamente. Composta por Antonio Fernan-
dez . . . Lisboa, P. Craesbeeck, impressor, 1626.
6 p. 1., 125 numb. 1. fold, pi., diagre. 19J'=°'.
Title vignette (coat of arms)
MT860.A2F36
[Fernandez de Rojas, Juan] d. 1817.
Crotalogfa; 6, Ciencia de las castanuelas. Instruccion cientifica del
modo de tocar las castanuelas para baylar el bolero . . . Parte
primera ... Su autor el licenciado Francisco Agustin Florencio
[pseud.'l Madrid, Imprenta real, 1792.
3 p. 1., X, 92 p. 15''™.
"Este opiisculo, que pasa por ser un tratado de tocar laa castafiuelas, no ea en
realidad Bino una finisima satira contra el furor enciclopedista que a fines del
siglo pasado se no3*\'ino de Francia." — Salva y Mallen, Catdlogo de la biblio-
teca de Salvd, 1872. (For history see Pedrell's Cat. de la Bibl. mus. de la Dipu-
tatio de Barcelona, 1908-09, v. 2, p. 331)
MT720.A2F3
Ferrari, Carlo Antonio Porta.
See Porta Ferrari, Carlo Antonio.
Ferrari, Ottavio, 1607-1682.
Octavii Ferrarii De pantomimis et mimis, dissertatio, in Patavino
lyceo publice olim, magnoque cum adplausu recitata, nunc vero
primum in lucem edita. Cum duabus epistolis vna lacobi Facciolati,
altera lo. Phil. Slevogtii, & lo. Fabricii ad non neminis dubia de
orthographia latina responsionibvs. Wolffenbvttelii, svmtibvs G.
Freytagil [1714]
63 p. 16i<"°.
Cli.34.3015
Ferte, Denis Pierre Jean Papillon de la.
See Papillon de La Ferte. Denis Pierre Jean.
Feiiillet, Raoul Auger.
Reciieil de dances contenant un tres grand nombres, des meil-
lieurea entries de ballet de M.' Pecour, tant pour homme que pour
femmes, dont la plus grande partie ont 6t6 danc4es k I'Opera. Reciieil-
lies et mises au jour par M.' Feiiillet . . . Paris, Chez le sieur Feiiillet,
1704.
1 p. 1., 5 numb. 1., 128 (i. e. 228), 16 p. diagrs. 24^'''".
Engraved throughout. "Airs des dances contenues en ce reciieil, qui sert de
table h. ce volume " : 16 p. at end.
MT950.A2F48
Fevre, Jacques le.
See Le Fevre, Jacques, d' Staples.
Feytou, Jean £tienne, 1742-1816, editor.
See Framebt, N. £. Musique, 1791-1818.
EARLY BOOKS ON MUSIC 91
Flaminio, Giovanni Antonio, d. 1536, translator.
See Aaron, P. Libri tres . . . [1516]
Florencio, Francisco Agustin, pseud.
See Fernandez de Rojas, Juan.
Florido, Francesco, editor.
See Scaletta, O. Scala di mvsica, 1642. •
[Fludd, Robert] 1574-1637.
. . . De temple mvsicae ... [n. p., n. d.]
p. 159-259. illus., fold, pi., diagrs. 3P™.
Full title reads: Tractatus secundi pars II. De templo musica; in quo musica
iiniversalia tanquam in speculo conspicitur: in libros septem divisa.
Detached from v. 1, "De macrocosmi historia," of Fludd's "Utriusque cosmi
. . . metaphysica, physica atque technica historia," probably of the edition of
Oppenheim and Frankfurt, 1617-24.
Signatures: 1 1. unsigned, X-Z, Aa-Ii in fours, Kk in two. The greater part
of the illustrations are printed from engraved pRites.
ML100.A2F4
Fogliani, Lodovico, d. ca. 1540.
Mvsica theorica Ludouici Foliani Mutinensis: docte simul ac dilu-
cide pertractata: in qua quaplures de harmonicis interuallis: non
prius tentatae: continentur speculationes. [Colophon: C. Venetiis per
lo. Antonium & fratres de Sabio. Anno Donuni mdxxix. Mense
iulii]
2 p. 1., xliii numb. 1. wdcts. 29^ x 20''™.
Leaves xiv and xlii numbered xix and xli respectively.
ML171.F65
Foglietti, Ignazio Domenico, translator.
See La Feilx,ee, F. de. II cantore ecclesiastico, 1786.
Foliot, Madame, pseud.
Ce que Ton doit dire. Re'ponse de Madame Foliot, a la lettre de
Monsieur * * *. [n. p., 1752]
8 p. 19<"".
Caption title.
No. 5 in a volume of pamphlets lettered Quere[lle] des Bouffo[na]
A reply to F. L. C. Marin's "Ce qu'on a dit . . . Lettre a Madame Foliot."
ML1727.33.A1
Fond, Jean Frangois de la.
See Lafond, Jean FKANgois de.
92 LIBKAKY OF CONGRESS
[Fontana, Francesco Luigi] cardinal, 1750-1822.
Vita di Benedetto Marcello, patrizio veneto. Con Fa^unta delJe
risposte alle censure del Signor Saverio Mattel. Con T'lndice delle
opere stampate, e manoscritte, e alquante testimonianze intorno al-
r insigne suo merito neUa faculta musicale. Venezia, A. Zatta e
figli, 1788.
2 p. 1., 108 p. 20<-
icm
Note at foot of p. 1: Questa vita fu scritta in lingua latina dal p. d. Francesco
Fontana . . . e trovasi inserita nel tome ix. dell aiirea opera: vitse Italorum
^ doctrina excellentium, qui saeculo xvu. & xviu. floruerunt, auctore Angelo Fa-
bronio . . .
Translated by Giovenale Sacchi.
ML410.M31F5
Fontego, Silvestro Ganassi dal.
See Ganassi, Silvestro, dal Fontego.
Ford, Thomas, 1598-1674.
Singing of psalmes the duty of Christians under the New Testa-
ment, or A vindication of that gospel-ordinance in v. sermons upon
Ephesians 5. 19. wherein are asserted and cleared 1. that, 2. what,
3. how, 4. why, we must sing. By T. F. . . . London, Printed by
A. M. for C. Meredith, 1653.
4 p. 1., 175 {i. e. 159) p. 14"™.
Errors in paging.
ML3001.F67
Singing of psalmes the duty of Christians under the New Testa-
ment, or A vindication of that gospel-ordinance in v. sermons upon
Ephesians 5. 19. wherein are asserted and cleared 1. that, 2. what,
3. how, 4. why, we must sing. The 2d ed., with manv additions.
By Tho. Ford . . . London, Printed by W. B. for F. "^Eaglesfield,
1659.
4 p. 1., 164 p. 15 X 8i=
ML3001.F69
Forkel, Johann Nicolaus, 1749-1818.
Allgemeine geschichte der musik, von Johann Xicolaus Forkel . . .
Leipzig, Schwickert, 1788-1801.
2 V. (v. 1: xxxvi, 504 p.; v. 2: xviii, 776 p.) 10 pi. (5 fold.) 24J x 2P™.
Title vignette.
Closes with the first half of the sixteenth centurj-. Further material for the
work, left by Forkel, came into the hands of Schwickert, but no more was pub-
lished.
ML159.F3
Allgemeine litteratur der musik; oder, Anieitung zur keimtniss
musikahscher biicher, welche von den <esten bis auf die neusten
zeiten bey den Griechen, R6mem und den meisten neuern euro-
p^ischen nationen sind geschrieben worden. Systematisch geordnet,
und nach veranlassung mit anmerkungen und urtheilen begleitet, von
Johann Nicolaus Forkel. Leipzig, Schwickert, 1792.
xxiv, 540 p. 23^'^™.
EARLY BOOKS ON MUSIC 93
Forkel, Johann Nicolaus — Continued.
Contains a reprint of Joannes Tinctoris' "Terminorum musicae diflBnitiorum "
(p. 204-216)
" Verzeichnisa musikali^cher manuscripte, -svielche in verschiedenen euro-
• p&ischen, theils 6ffentlichen, theils privatbibliotheken aufbewahrt werden":
p. 485-504.
ML105.F72
Musikalisch-kritische bibliothek, von Jolianii Nicolaus Forkel . . o
Gotha, C. W. Ettinger, 1778-79.
3 V. 20^"™.
ML4.M31
Ueber die theorie der musik, insofem sie liebhabem und kennern
nothwendig und niitzlich ist. Eine einladungsschrift zu musikali-
schen vorlesungen von Johann Nicolaus Forkel . . . Gdttingen, Im
verlag der wittwe Vandenhilck, 1777.
38 p. 21 X 17"™.
ML63.F72
Forkel, Johann Nicolaus, 1749-1818, editor.
See MusiKALiscHER ahnanach fur Deutschland [1782-89]
Forkel, Johann Nicolaus, 1749-1818, translator.
See Aeteaga, S. Geschiclite der itali&nischen oper. 1789.
Fournier, Pierre Simon, 1712-1768.
Traite historique et critique sur I'origine et les progres des carac-
teres de fonte pour Fimpression de la musique, avec des ^preuves de
nouveaux caracteres de musique, pr^sentes aux imprimeurs de France.
Par M. Fournier le jeune. A Berne, et se trouve a Paris, chez Barbou,
1765.
47, [2] p. 26 X 20-^°^.
"Ariette, mise en musique par M. I'abbe Dugue. A Paris, Des nouveaux
caracteres, de Fournier le jeuhe. m.dcc.lxv": p. [39]-47.
ML112.A2F7
[Fraguier, Claude Frangois] 1666-1728.
Examen d'un passage de Platon sur la musique.
{In Academie des inscriptions et belles-lettres, Paris. Histoire de I'Acade-
mie . . . Paris, 1746. 26^™. [1. S(5r.] t. rn, p. 111-122)
Separate.
ML168.P6F8
Framery, Nicolas Etienne, 1745-1810.
Avis aux poetes IjTiques, ou De la necessity du rhythme et de la
cesure dans les hymnes ou odes destines a la musique; par N. E.
Framery . . . Imprime par ordre du Comite d 'instruction publique.
Paris, Imprimerie de la republique, brumaire, an iv [1795]
2p. 1., 36p. 2r"'.
ML3849.A2F8
94 LIBRARY OF CONGRESS
Framery, Nicolas fitienne, 1745-1810, editor.
. . . Musique, pub. par MM. Framery et Ginguene . . . Paris, Pan-
ckoucke, 1791-1818.
2 V. (v. 1: xij, 760 p.; v. 2: 2 p. 1., 557, [3], 74, 114 p.) tables (1 fold.) 26i<"". ,
Forms part of the Encyclopedia m^thodique (half-title reads: Encyclop^die
methodique . . . par une soci^te de gens de lettres . . .)
Vol. 2: "Pub. par MM. Framery, Guingene et de Momigny." (Vol. 1 ed. by
Framery with the assistance of the Abb6 Feytou and P. L. Guinguen6; vol. 2,
by J. J. Momigny)
The "Dictionnaire de musique" of J. J. Rousseau is incorporated entire in
this work, and such articles of the original " Encyclop6die " and its supplements
as were judged to be of interest are preserved in this edition.
Musical illustrations, engr., at end of v. 2 (74, 114 p.)
ML100.A2F8
See also Calendrier musical universel [1788]
Framery, Nicolas Etienne, 1745-1810, translator.
See AzoPARDi, F. Le musicien pratique, 1786.
France.
Memoire, lettres {)atentes et arrets. Pour les organistes composi-
teurs de musique, faisans profession d'enseigner a toucher le clavecin,
les instrumens d'harmonie, & servans a I'accompagnement des voix.
Contra le roi & maitre des menestriers, & la Communaute des maitres
a danser, joueurs d'instrumens tant haut que bas & hautbois. Paris,
Impr. de Delaguette, 1751.
2 p. 1., 60 p. 25 X 19"^™.
Heraldic head-piece.
ML271 1751
Recueil d'^dit, arrSt du Conseil du roi, lettres-patentes, memoires,
et arrets du Parlement, &c. en faveur des musiciens du royaume.
[Paris] Impr. de P. R. C. Ballard, 1774.
2 p. 1., ij, 227 p. 20"'".
"Le Corps de la musique de Sa Majesty ... a fait r^diger ce recueil, & . . .
en a demand^ I'impression." — Avertissement.
ML271 1774
LIBRARY OP CONGRESS HAS ALSO IN ML 271:
Arrest du Conseil d'estat du roy. Sur la requete du sieur de LuUy, pour
I'ex^cution du priAdlege a lui accord^, pour ^tablir une Academic royale de
musique k Paris. Donnj^ . . . le 14 avril 1672. [2] p.
Permission povr tenir Academic royale de musique, en faveur du sieur de
Lully. [Le vingt-septi^me iuin mil six cens soixante-douze] [5] p.
Arrest du Conseil d'etat du roy, qui ordonne que les comediens, farceurs,
operateurs, & autres persohnes de cette quality, ne pourront s'(5tablir dans la
ville d^ Grenoble, & ne pourront y representer aucuns jeux . . . sans avoir
obtenu la permission des officiers de police . . . Du 29. aoust 1702. 4 p.
Lettres patentes du roi, extraites des registres du Parlement. [Les maitres k
danger ne pourront prendre d'autres qualit^s que celle de maitres a danser,
joueurs d'instrumens, tant hauts que bas, & hautbois. Impr. de la veuve
Ballard, 1773] 4 p.
Edit du roy, portant crfetion d'oflBces de greffiers altematifs & triennaux dans
les villes de Paris & Lyon, & dans tons les h6tels-de- ville du royaume: et de
BOTgens, archers . . . trompettes, tambours, fifres, portiers & gardes dans lesdits
hotels-de- ville. Donn6 k Versailles au mois de mars 1709 . . , [Paris, Prault
pere] 8 p.
EAKLY BOOKS ON MUSIC • 95
France — Continued.
Ordonnance de Sa Majesty pour la tranquillity des spectacles. Du 16 novembre
1720. [J. de La Caille] 3 p.
Arrest de la Cour de Parlement, portant condamnation de mort centre Louis-
Dominique Cartouche; Jean-Baptiste Madelaine, dit Beaulieu . . . Jean Blan-
chard, dit Gaillard ou Champagne, ou le Chanteur de chanson . . . Jean-
Baptiste Messi^, & le nomm^ le Camus . . . [Paris, L. D. Delatour & P.
Simon, 1721] 4 p.
Arrest de la Cour de Parlement, portant condamnation d'estre rompu vif . . .
centre Charles Le Clerc, dit Picard La Valine, joueur de violons aux guin-
guettes, convaincu de vols sur les grands chemins . . . Paris, L.-D. Delatour
& P. Simon, 1722. 4 p.
Ordonnance du roy, concemant les spectacles des Comddies fran^oise & ita-
lienne. Du 25 avril 1751 . . . [Paris, Imprimerie royale, 1751] 2 p.
Arrest du Conseil d'etat du roi, et lettres patentes sur icelui, du 11 fevrier 1764.
Concemant la reconstruction de la salle de specta,cle, k I'usage de I'Academie
royale de musique . . . [Impr. de la veuve d'Houry] 16 p.
Lettres patentes du roi, en faveur de I'Academie royale de musique. Donneea
k Versailles au mois de juin 1769 . . . [Paris, Imprimerie royale, 1769] 6 p.
Ordonnance du roi, portant augmentation de hautbois dans les compagnies de
mousquetaires de la garde du roi. Du 16 fevrier 1772 . . . [Paris, Impri-
merie royale, 1772] [2] p.
£:dlt du roi, portant suppression de I'oflSce de roi & maitre des m^nestriers.
Donne k Versailles au mois de mars 1773 . . . [Paris, P. G. Simon7'1773] 3 p.
Lettres patentes du roi, qui annullent les concessions des charges de lieutenans
gen^raux & particuliers du roi des violons. Denudes . . . le trois avril 1773 . . .
[Paris, P. G. Simon, 1773] 4 p.
Ordonnance du roi, portant rfeglement sur les entr^s aux representations . . .
de rOp^ra ... & sur la police int^rieure pendant la duree du spectacle. Du •
29 mars 1776 . . . [Paris, Imprimerie royale, 1776] 6 p. '
Arrest du Conseil d'etat du roi, portant nouveau r&glement pour I'Academie
royale de musique. Du 30 mars 1776 . . . [Paris, Imprimerie royale, 1776]
12 p.
Arret du Conseil d'etat du roi, contenant reglement pour I'Academie royale de
musique. Du 27 fevrier 1778 . . . [Paris, Imprimerie royale, 1778] 12 p.
Arret du Conseil d'etat du roi, concemant les honoraires des auteurs qui travail-
lent pour I'Academie royale de musique. Du 10 avril 1778 . . . [Paris, Impri-
merie royale, 1778] 3 p.
Arret du Conseil d'etat du roi, concemant les loges louees ^ I'annee k I'Opera.
Du 10 avril 1778 . . . [Paris, Imprimerie royale, 1778] 3 p.
Arret du Conseil d'etat du roi', qui ordonne I'execution des reglemens, & notam-
mentdel'arretdu Conseildu 10 avril 1778, concemant les honoraires des auteurs
de poemes & de musique pour I'Academie rovale de musique. Du 16 octobre
1779 . . . [Impr. de Lottin I'aine, 1779] 4 p.
Arret du Conseil d'etat du roi, concemant I'Opera. Du 17 mars 1780 . . .
[Paris, Imprimerie royale, 1780] 6 p.
Ordonnance du roi, concemant les spectacles. Du 2 avril 1780 . . . [Paris,
Imprimerie royale, 1780] 4 p.
Lettres-patentes du roi, pour I'etablissement de I'Academie royale de danse
en la ville de Paris, donnees au mois de mars mil six cent soixante-un . . .
Impr. de P. R. C. Ballard, 1781. 15 p.
Declaration du roi, portant reglement pour les spectacles etablis a la suite de la
cour. Du vingt-huit fevrier mil sept cent quatre-vingt-deux . . . [Paris,
P. G. Simon, 1782] 8 p.
ifedit du roi, concemant le corps de la musique du roi. Donne . . . au mois de
mai 1782 . . . [Paris, Imprimerie royale, 1782] 20 p.
Arrest du Conseil d'etat du roi, concemant I'Opera. Du trois Janvier 1784 . . .
[Paris, P. G. Simon, & N. H. Nyon, 1784] 8 p.
Arret du Conseil d'etat du roi, contenant reglement pour I'Academie royale de
musique. Du 13 mars 1784. Paris, Imprimerie royale, 1784. 1 p. 1., 33 p.
Reglement pour I'Academie royale de musique. Du 13 Janvier 1787 . . .
[Paris, N. H. Nyon, 1787] 3 p.
96 LIBBAKY OF CONGRESS
Yrance— Continued.
Proclamation du roi, sur un d^ret de I'Asseinblee nationale, portant que
toutea les anciennes ordonnances sur la nature & les fonnea du service, notam-
ment sur la police des spectacles, doivent etre executees provisoirement. Du
17 juia 1790 . . . [Chaumont, Impr. de Bouchard] 2 p.
[Franceschi, Francesco]
Apologia clelle opere drammatiche di Metastasio . . . Lucca, D.
Marescandoli [17 — ^J
vi, 300 p. 21^"™.
The author's name is given in caption of dedicatory poem, p. iii.
ML3858.F81
Franck de Franckenau, Georg, 1643-1704, praeses.
. . . Dispvtatio medica ordinaria de musica . . . Heidelbergse, typis
J. C. Walter! [1672]
[4] p. ISi X 15''™.
Diss. — Heidelberg (Benedictus Herrmannus, respondent)
ML3920.A2F81
Franco, Cirillo,
See JoAO IV, Mng of Portugal. Difesa della mvsica moderna
[16-]
Franqueville, Mme. de Latour de.
See Latour de Franqueville, Mme. de.
Frjeigius, Johann Thomas, 1543-1588.
See Beurhusius, F. Erotematum mvsicse, 1580.
[Freron, Elie Catherine] 1719-1776.
Lettres sur la musique fran^oise. En reponse a celle de Jean-
Jacques Rousseau. A Geneve [i. e. Paris] 1754.
64 p. 20''°».
A reprint of two letters previously published in Freron's "Lettres sur quelques
Merits de ce temps," London and Paris, 1752-54.
ML1727.33.R72F7
See also Hertel, J. W. Sammlung musikalisclier schrLften,
1757-58.
Freudenberg, Frdulein von.
See KuRTZE anfuhrung zum general-bass, 1733.
Kurtze und grundliche anleitung zum generall3asse,1744.
Freytag, Friedrich Gotthilf, 1723-1776, translator.
See Bollioud-^Iermet, L. Abhandlung, 1750.
' EARLY BOOKS ON MUSIC 97
Frezza, Giuseppe, dalle Grotte.
11 cantore ecclesiastico ; breve, facile, ed essatta notizia del canto
fermo per istruzzione de' Religiosi mihori conventuali, e beneficio ^
commune di tutti gl' ecclesiastic!, raccommandato alia protezzione ^
del reverendissimo padre maestro Felice Rotondo da Monte Leone ... i
ministro generale dell' istess' ordine de' Minori conventuali. Da f .
Gioseppe Frezza dalle Grotte . . . Padova, Stamperia del Seminario,
opera di G. Manetti, 1698.
166 (i. e. 164), [6] p. pi. 22'"°.
Title vignette: heraldic device. Added t.-p., illustrated. No 161-162
omitted in paging. —
MT860.A2F89
Frick, Christoph, 1577-1640.
Music-buchlein, oder Nutzlicher bericht von dem uhrsprunge /
gebrauche vnd erhaltung christlicher music vnd also von dem lobe
Gottes / welches die Cnriste . . . verrichten sollen . . . Mit vorher
gesetztem sunmiarischem inhalt / vnd zu ende hinzu-gethanem
register . . . Durch m. Christophorum Friccium . . . Liineburg /
Gedruckt bey J. vnd H. Sternen / 1631.
12 p. 1., 347, [13] p. U^"^.
Title within ornamental border. In 2 parts, part 2 with special t.-p.
1st edition, Leipzig, 1615, has title: Musica Christiana, oder rredigt iiber die
worte Psalm 98: Lobet den Harm mit harfen und psalmen. In this (2d) edi-
tion another sermon is added.
ML3001.F73
Frick, Philipp Joseph, 1740-1798.
The art of musical modulation rendered easy and familiar, digested
in twelve tables; shewing the shortest method of modulating tliro' all
the keys, in tliree and four parts. To which is perfixed [!] an explana-
tory preface, by P: I: Frike. [London] Printed by W. Napier [1786]
1 p. 1., iv, 33 p. 24 X 33'^'".
Engraved with the exception of p. i-iv.
MT52.A2F7
A guide in harmony, containing the various manners in which every
chord in four parts can be prepared, resolved, or otherwise freely
used . . . composed by Joseph Frike . . . London, Printed for and
sold by the author, 1793.
1 p. 1., viii, 93 p. 24 x 33"™.
Engraved with the exception of p. i-vi ("Introduction -'-)
MT50.A2F8
A treatise on thorough bass, containing a plain and easy method for
the performer by the help of many examples and several new essential
rules, the pure manner of figuring and a repertory of every chord in
harmony worthy the attention of young composers . . . bj' Joseph
Frike . . . London, Printed for and sold by the author [1786]
1 p. 1., 109 p. 23 x 30««.
Engraved throughout.
MT49.A2F7
51234°— 13 7
98 LEBEARY OF CONGRESS
Frischmuth, Marcus Hilarius, psevd.
See FuHRMANN, Martin Heinrich.
Fritz, Barthold, 1697-1766.
Anweisung, wie man claviere, clavecins, \md orgeln, nach einer
mechanischen art, in alien zw6lf tdnen gleich rein stimmen k6nne, dass
aus solchen alien sowol dur als moll wohlklingend zu spielen sey.
Aufgesetzet von Barthold Fritzen ... 2. verm, und verb. aufl.
Leipzig, J. G. I. Breitkopf, 1757.
6 p. 1., 24 p. 22 X 18'''°.
MT165.A2F5
Anweisung, wie man klaviere, clavecins, und orgeln nach
einer mechanischen art in alien zwdlf t6nen gleich rein stimmen k6mie,
dass aus solchen alien so wohl dur- als moll-kUngend zu spielen sey.
Nebst beygefilgtem unterrichte, wie man klaviere gehdrig hehandeln
soil und gut erhalten kann. Von Barthold Fritzen . . . Wien, Bin-
zische buchhandlung, 1799.
2 p. 1., 19 p. 21^ X 17<="».
MT165.A2F7
Frosch, Johann, d. 1533.
Rervm || mvsicarvm || opvscvlvm rarvm ac in- I| signe, totius eius
negotii rationem mira in- || dustria & breuitate complectens, iam ||
recens publicatum. loan. || Froschio, |j autore. [Colophon: Argento-
rati apvd Petrvm |j SchoefFer & Mathiam Apiarium. Anno Salutis ||
M.D.XXXV]
[78] p. incl. 2 tab. fold, diagr. 28^'^'".
Printer's mark on t.-p.; side-notes. Signatures: 1 1. unsigned, 3 1. signed 2, 3
and 4 respectively, 2 1. unsigned, A-D in sixes, E in four, F in five. Dedication
has date 1532.
"Exempla": 1. E v°-l. [Fv] r°.
ML171.F93.
Frustabirbe, awocato, pseud.?
Lettera dell' awocato Frustabirbe, indirizzata al Signor Antonio
Sacchini, maestro di cappella. Tormi I'onor cercasti ed il danaro Solo
per odio, e senza tuo projitto: PercJie non m'hai o pezzo di sornaro Col
coltej, di Baretti il cor trajitto? — Badini. In Roma, AJla bocca della
Verita, 1774.
Jem
94, [1] p. 23«
"Elogj de' congiurati contro il Badini:" p. [79]-88.
ML410.S13F8
[Fuhrmann, Martin Heinrich] h. 1669.
Die an der kirchen Gottes gebauete satans-capelle; darin dem
Jehova Zebaoth zu leid und verdruss, und dem Baal-Zebub zur freud
und genuss, (1.) Die operisten und comcedianten mancher orten ihren
zuschauern eine theologiam gentilium aus den griechischen und
lateinischen fabel-m^tzen, und eine moral aus des verlohmen sohns
catechismo vorbringen; und (2.) Die menschhche welsche wallachen
EARLY BOOKS OIT MUSIC 99
[Fuhrmann, Martin Heinrich] — Continued.
und Amadis-sirenen aus dem hohen lied Ovidii De arte amandi, lieb-
liche Venus-lieder dabey singen; und (3.) Die Jubalisten mit geigen
und pfeiffen nach des alten Adams lust und wust darzu kUngen; und
(4.) Sylvester mit seiner Herodias-schwester, und Arlequin in einem
frantzosischen k^lber-tantz herum springen; in einem wald-discours
uber des autoris zwey letzte tract^tlein wider die hamburgischen
operisten und herrn d. Mayern betrachtet, von Caspar, Baltzer, Mel-
cner. Und alien christlichen seelen zur anschau und abscheu vorge-
stellet, von Marco Hilario Frischmuth {'pseud.^ Gedruckt zu C611n am
Rhein, und verlegt von der heil. drey k6nige erben. [Berlin, 1729]
96 p. ISi*''".
ML63.F78
Das in unsern opern-theatris und comoedien-biihnen siechende
cbristenthum und siegende heidenthum, auf veranlassung zweyer
wider den Musicalischen patrioten sich emp6renden hamburgischen
theatral-malcontenten, Musandri und Harmonii, betrachtet, und . . .
in einem gespr&ch vorgestellet von Liebhold und Leuthold . . . Ge-
druckt zu Canterbury [i. e. Berlin, 1728]
32 p. 15^'^"'.
"Zuschrift" signed: N. N. N. Dated: Ascher-mittwoch, 1728. Canterburj-,
in dem musicalischen haupt-quartir, 36. meilen von Hamburg.
Written in reply to an^ anonymous work pub. the same year under title: Ein
paar derbe musikalisch-patriotische ohrfeigen dem . . . herrn Mattheson . . . zu
wiederherstellung seines verlomen geh6r8 und verstandes . . . ertheilt von . . .
Musandern und Harmonic.
ML63.F821
Musica vocalis in nuce, das ist: Richtige und v611ige unterweisung
zur singe-kunst / in wenig bl&ttern / nach welcher ein informator seinen
informandis die gantze vocal-music nach heutiger manier bald und
leicht beybringen kan / ausgefertigt von Martin Henrich Fuhrmann
. . . BerUn / Gedruckt bey J. Lorentz [1715]
64 p. 17§^™.
MT6.A2F91
M. H. F. G. F. C. Musicalische strigel / womit (1.) Diejenige super-
lativ-virtuosen aus der singenden und klingenden gesellschafft / so
nicht chor-m&ssig als kunstler die gr&ntzen des Apollinis seines musi-
cahschen reichs; sondern thor-m&ssig als bumpier die platze des
Apollyonis seiner music-kahlen barbarey vermehren; (2.) Diejenige
super-kluge quacksalber aus der musical, guide, so in des autoris
Musical, trichter / sine fronte & fonte herum stdhren, s&uberHch
geputzet werden. Denen canonicis zur nachricht / denen apocryphis
zum unterricht / und dem neid zu leid herausgegeben, un in diese form
gedruckt, damit dis tractMchen auf verlangen an dessen auchange-
fochtenen Musica in nuce kdnne beygebunden werden. Athen an der
Pleisse [i. e. Leipzig, 17 — ^
36 p. 16 X 9i<="'.
MT6.A2F8
100 LIBRARY OF CONGRESS
[Fuhrmann, Martin Heinrich] — Continued,
Musicalischer-trichter / dadurch ein geschickter informator semen
informandis die edle singe-kunst nach heutiger manier bald und leicht
einbringen kan / darinn vitiosa ausgemustert : obscura erl^utert :
deficienta[!] aber erstattet / mit einer vorrede / von der heutigen music
vollkommenheit / krafft / nutz und nothwendigkeit / hrsg. durch ein
mitglied der singenden und klingenden gesellschafft ... In verle-
gung des autoris. Franckfurt / an der Spree [i. e. Berlin] gedruckt
1706.
I cm
96p. 15J X ISJ"
Preface signed: Meines hertzens freude.
MT6.A2F9
Funk, Christlieb Benedict, 1736-1786.
De sono et tone . . . Lipsiae, litteris Langenhemiorvm haered. et
EQavberthiis [1779]
16 p. 20i X 16"°!.
Programm (Ad capessendos summos in philosophia honores invitat procancel-
larius C. B. Funccius) — Univ. Leipzig.
ML3809.A2F9
Disquisitionem in doctrinam de sono et tono continvat
Christlib Benedictvs Fvnk . . . Lipsiae, ex officina Klavbarthia
[1782]
8 p. 20^ X 16°"».
Programm (Ad celebrandam memoriam Henricianam, Ridelianam et Seyfer-
tianam) — Univ. Leipzig.
ML3S09.A2r9
Fusee de Voisenon, Claude Henri de.
See Voisenon, Claude Henri de Fusee, ahM de.
Fux, Johann Joseph, 1660-1741.
Gradus ad Parnassum, sive Manuductio ad compositionem musicse
regularem, methodo nova ac cert^, nondum ante tam exacto ordine
in lucem edita: elaborata a Joanne Joseplio Fux . . . Viennse Aus-
trise, typis Joannis Petri van Ghelen, 1725.
5p. L, 280p. lillus. 32<=™.
Added t.-p., engr.
MT40.A2F99
Practical rules for learning composition, translated from a
work intitled Gradus ad Parnassum, written originally in Latin by
John Joseph Feux . . . London, J. Preston [1791 ?]
1 p. L, 49 p. 351"^™.
Engraved throughout.
MT40.A2F998
EARLY BOOKS ON MUSIC 101
Pux, Johann Joseph — Continued.
Traite de composition musicale, fait par le celebre Fux, On
pent en etudiant ce traits avec attention parvenir a bien composer
en tres pen de tems . . . Tr. en franpais par le &". Pietro Dems . . .
Paris, M. Boyer [etc., 17 — ]
Ip. 1., 272p. 24=
icm
Engraved throughout. Only a partial translation of the "Gradus."
1st edition, Paris, 1773.
MT40.A2F996
Gradvs ad Parnassvm, oder Anfiihrung zur regekn&ssigen
musikalischen composition . . . ausgearb. von Johann Joseph Fux
Aus dem lateiniscnen ins teutsche ubersetzt, mit . . . anmerckungen
versehen und heraus gegeben von Lorenz Mizlern . . . Mit sieben
und fimfzig kupfertafeln in quart. Leipzig, Mizler, 1742.
4 p. 1., 197, [3] p. Lvii pi. on 29 fold. 1. (music) 21^ x 16^"'°.
Title vignetto
MT40.A2F^3
Gabler, Matthias, 1736-1805.
Der instrumentahon ; eine physikahsche abhandlung verf asset von
Matthias- Gabler . . . als Joseph Hubbauer . . . Mr den grad des magi-
steriums aus der weltweisheit geprufet wurde. Im monate august
1775. [Ingolstadt] Gedruckt bey J. F. Lutzenberger [1776]
1 p. 1., 42 p. 20 X 16'=°'.
ML3807.G12
Gabriel da Annuiicia§ao, h. 1681.
Arte de cantocham resumida, para o uso dos Rehgiosos Franciscanos
observantes da Santa Provincia de Portugal. Composta pelo padre
Fr. Gabriel da Annunciapam . . . Lisboa Occidental, Officina da
musica, 1735.
6 p. 1., 83 p. 1 illus. 2P°».
MT860.A2A61
Gaffurio, Franchino, 1451-1522.
Angelicum ac diuinum opus musice || Franchini Gafurii laudensis
Re 11 gii musici : ecclesieq^ Me || diolanensis phonasci : || materna lingua
II scriptum. [Colophon: Impressum Mediolani per Gotardum de pote
Anno Salutis Millesimo quin || getesimo octauo die sextadecima sep-
tembris . . .]
[96] p. illus., diagrs. 28i«
I cm
Signatiues: A in four, B-F in sixes, G-H in fours, I in six. Ist ed. Milan, 1496.
ML171.G10
C Apologia Franchini Gafurii musici aduersus loannem || Spata-
rium & complices musicos bononienses. [Colophon: C Impressum
Taurini per magistrum Augustinum de Vi || comercato. Anno do-
mini. M.D.xx. die XX. ApriUs]
[19] p. diagrs. 28<'"».
Caption title. Signature: A of ten leaves.
Ends with: Cum opera nostra eana sint si sane intelligantur / & sententiae
nostree rectse nisi peruertantur. Quo fit: ut & si incocessa rabie torquearis:
harmonia Gafurii & loannes Grolierius patronus setemum uiuant (followed by
the arms of Jean Grolier)
ML171.G105
102 LIBRARY OF CONGRESS
Gaffurio, rranchino — Continued.
(L Franchini Gafurii Laudensis Regii Musici publice || profitentis :
Delubriqj Mediolanensis Phona || sci: de Harmonia Musicorum In ||
strumentorum Opus. || lo. lacobi Lomatii Epygrama, || Vt quon-
dam e Phrygia matrem Nasica Deorum || Aduectam meruit solus ut
exciperet, || Sic fieri solus noster Grolierius hospes || Coelestis meruit
cultor & Harmonise || Et merito: nam cum foueat pascatc^ sorores : |j
Quae poterat Diuse gratior esse domus? [Colophon: (E Impressum
Mediolani per || Gotardum Pontanum Calco || graphum die. xxvii.
Nouem II bris. 1518. Authoris praef ectu J| rse Anno trigesimoquinto.
Leo II ne Decimo Potifice Maximo: Jl ac Christianissimo Francorum ||
Rege Francisco Duce Medio || lani. Foelici Auspicio Regnan |! tibus]
4 p. 1., c numb. 1., [4] p. Ulna., diagra. 28'"'".
Woodcut on t.-p.; initials; on verso of 4th prelim, leaf the arms of Jean Grolier;
printer's mark at end. lxi omitted in numbering leaves; lxiii repeated.
ML171.G11
Practica musicae. [Mediolani, Guillermus Le Signerre, 1496]
Hain 7407, Proctor 6067, Panzer, v. 2, p. 83, Copinger.
ML171.G12
Practica Musicae vtriuscj) || cantus excellentis fran || chini gaf-
fori Lau- |jdesis. quatuor || libns mo || dulatis || sima.|| [Colophon:
Impressa Brixie opera & impensa Angeli Britannici: anno salutis.
M.D.viii. II die ultimo maii]
[222] p. Sli""".
Signatures: 4 1, imsigned, a-b in eights, c in six, A-K in eights, L in five.
ML171.G121
Practica musicae vtriusq* catus excelletis Frachini Gaffori
Laudesis. Quattuor libris modulatissima : sumaqj diligetia nouissime
ipressa. [Colophon: Musicae Franchini Laudensis: cantoris solemni&-
simi pratica quattuor libris compraehesa explicit. Impressa nouissime
Venetiis: multisoj erroribus expurgata per Augustinum de Zannis de
Portesio bibliopoTam accuratissimum. Anno dominicse incarnationis.
M.D.xii. die. xxviii. iulii]
82 numb. 1. illus. 30^"™.
Title-page has woodcut 21 J x 16i«™, signed "L." 4 large initials, 2 full page
illustrations. The woodcut, initials and illustrations are in this copy roughly
colored by hand.
ML171.G13
Qaleazzi, Francesco, 1758-1819.
Element! teorico-pratici di musica, con un sag^io sopra I'arte di
suonare il violino analizzata, ed a' dimostrabili principj ridotta. Opera
utilissima a chiunque vuol appUcar con profitto alia musica, e speci-
almente a' dilettanti, e professori di stromenti d'arco, di Francesco
Galeazzi . . . Ascoli, F. Cardi, 1817, 1796.
2 V. (v. 1: xviii, [2], 286, [2] p.; v. 2: viii, xxvi, 327, [1] p.l 14 fold, pi., fold.
tables. 21^'^™.
EARLY BOOKS ON MUSIC 103
Galeazzi, Francesco — Continued.
Vol. 1: Ed. 2., ricorretta, e considerabilmente dall' autore accresciuta col'-
I'aggiuiita di molte, e nuove tavole in rame, e specialmente di quattro gran pro-
Bpetti concernenti I'arte dell' arco.
Vol. 2 has slightly varying title.with imprint: Roma, Stamperia di M. Puccinelli,
1796.
MT6.A2G15
Gkileota, Onofrio, pseud.
See Galiani, Ferdinando.
Galiani, Ferdinando, 1728-1787.
See Mattei, S. Se i maestri di cappella son . . . artigiani [1785?]
Gralilei, Vincenzo, d. 1591.
Dialogo di Vincentio Galilei nobile fiorentino della mvsica antica,
et della modema. Fiorenza, G. Marescotti, 1581.
2 p. 1., 149, [10] p. Ulua., diagrs. (1 fold.) 32""'.
Title within ornamental design; printer's mark at end. The folding diagram is
yxSl"". Between p. 40 and 41 in this copy is inserted a pen and mk illustra-
tion, headed: Cithara nova et antiqua. Ms. notes throughout the book and the
following note on t.-p.: Con le note e correttioni di , . . Don Barttolomeo Cara-
sciolo.
ML171.G15
Fronimo, dialogo di Vincentio Galilei . . . sopra I'arte del bene inta-
volare, et rettamente sonare la mvsica negli strumenti artificiali si di
corde come di fiato, & in particulare nel liuto. Nuouamente ristam-
pato, & dall' autore istesso arrichito, & ornato di nouitk di concetti,
& d'essempi. Vineggia, Appresso Therede di G. Scotto, 1584.
4 p. 1., 182 p. 32^"™.
Title vignette (repeated on last p£^e)
MT640.G25
Cralle, Daniel.
See SchurtZfleisch, C. S. De hymnis ecclesise veteris [1725]
GaUe, PhiUppe, 1537-1612.
See Straet, J. van der. Enconivm mvsices [ca. 1600]
Gtalliard, John Ernest, 1687 ?-1749, translator.
See Raguenet, F. A comparison between the French and
Italian musick, 1709.
Tosi, P. F. Observations on the florid song, 1743.
GktUiculus, Johannes.
Isagoge jl loannis || Gallicv- l| li de || compo- || sicione || cantvs. |1
Lipsise, apud Valenti- || num Scnumannu An. || Christi. m.d.xx.
[46] p. 16^''™. (In Rhaw, Georg. Enchiridion vtriusq^ musicQ practice.
[Lipsi«, 1520] [pt. 3])
ML171.R42
104 LIBRARY OF CONGRESS
Galliculus, Johannes — Continued.
Libellvs de || compositione || cantvs. || loannis Gallicvli. ||
Vitebergae || apud Georgium || Rhau. || Anno m.d.xlvi.
[19] p. I5<="i.
Title within ornamental border, colored by hand. Signatiu-es: a-B in eights,
C in four.
"Exemplvm omnivm regvlarvm": [2] p. at end.
ML171.G17
Gallini, Giovanni Andrea Battista, 1728-1805.
A treatise on the art of dancing. By Giovanni Andrea Gallini.
London, Printed for the author and sold by R. Dodsley [etc.] 1772.
2 p. 1., [ix]-xvi, [17]-292 p. fold, front. 20^""^.
Copy 2.
GV1601.G17
Ganassi, Silvestro, dal Fontego.
Opera Intitulata Fontegara || Laquale isegna a sonare di flauto chs
tutta Tarte opportuna a esso istrumento || massime il diminuire
ilquale sara utile ad ogni istrumento di fiato et chorde: et achora
a II chi si dileta di canto, cSposta per syluestro di ganassi dal fOtego
sonator d la 111'"*. S*. D. V*. [CotopJion : C Impressum Venetiis per
Syluestro di ganassi || dal fontego sonator della illustrissima si ||
gnoria di Venetia hautor pprio. || mdxxxv]
[158] p. 15J X 21'=™.
Title and accompanying woodcut within heavy black border. Signatures: 4 1.
unsigned, ■, A-S in fours (last 1. blank)
MT342.A2F55
[Garcin, Laurent] d. 1788.
Traite du melo-drame, ou Reflexions sur la musique dramatique
. . . Paris, Vallat-la-Chapelle, 1772.
xxxij, 380, [3] p. Idi"^.
ML1727.35.G2
Gaspar, Michael, psevd.
See MiCHELL, Henry.
Gasparini, Francesco, 1668-1727.
L'armonico pratico al cimbalo. Regole, osservazioni, ed avver-
timenti per ben suonare il basso, e accompagnare sopra il cimbalo,
spinetta, ed organo. Di Francesco Gasparim . . . Venezia, A. Bor-
toli, 1708.
lis, [2] p. 22 X 17^"°'.
MT68.A2G17
^ ^L'armonico pratico al cimbalo, regole, osservazioni, ed avver-
timenti per ben suonare il basso, e accompagnare sopra il cimbalo,
spinetta, ed organo. Di Francesco Gasparini ... 4. impressione.
Venezia, A. Bortoli, 1745.
4 p. 1., 86 p., 1 1. 24i<="».
Title vignette.
MT68.A2G175
EARLY BOOKS ON MUSIC 105
Gatta, Marco della.
Breve ra'gguaglio delle principali regole del canto fermo gregoriano
parte prima divisa in nove dialoghi con breve appendice del canto
iratto, opera del rev. sacerdote D. Marco della Gratta . . . per uso, e
studio de' convittori del seminario diocesano . . . Napoli, V. Orsini,
1793-94.
2 V. in 1 (v. 1: xxvi, [2], 132 p.; v. 2: viii, 85, [2], 137, [2] p.) 1 iUus. 26"°'.
Vol. 2 has title: Esempj e cantilene di canto fermo gregoriano con appendice
di messe, ed officiatura de' morti. Parte eeconda . . .
MT860.A2G26
Gaudentius.
See Meibom, M., translator. Antiqvae mvsicse avctores, 1652,
Gaultier, Aloisius fidouard Camille, 1746 ?-1818.
Methode pour apprendre a lire la musique, et a battre la mesure
en tres-peu de temps, faisant partie du cours d'etudes elementaires
de M. I'abbe Gaultier, destine a instruire les enfans en les amusant,
par le moyen de plusieurs jeux . . . Paris, Au Cours des jeux instruc-
tifs pour la jeunesse, 1789.
24 p. 3 fold pi. ISi'^'".
Appended: Cours de jeux instructifs pour la jeunesse, sous la protection du
gouvemement . . . Par M. I'abb^ Gaultier. 14 p., 1 1.
MT35.A2G18
[Gauthier, Frangois Louis] 1696-1780.
Traite contre les danses et les mauvaises chansons, dans lequel le
danger & le mal qui y sont renfermes sont demontres par les temoi-
gnages multiplies des Saintes Ecritures, des ss. pp. des conciles, de
plusieurs ev^ques du siecle passe & du notre, d'un nombre de theo- ^
logiens moraux & de casuistes, de jurisconsultes, de plusieurs ministres
protestans, & enfin des payens m^me. Paris, FrouUe, 1785.
36, 347 p. l?^"".
"Revu par L.-E. Rondet." — Barbier, Diet, dee ouvrages anonymes.
First edition, 1765.
ML3920.A2G19
[Gauthier de Montdorge, Antoine] 1700-1768.
Reflexions d'un peintre sur I'opera. La Haye, P. Gosse, 1743.
41 p. 16^"=™.
ML3858.G27
Gavinies, Pierre, 1726-1800.
See Latour de Franqueville, Mme. de. Mon dernier mot [1781]
Gebst, Volckmarus Leisringius.
Corona musices, qvam ex lectissimis & svavissimis, ac ex musarti
charitumqj viridario decerptis flosculis, ctim antiquitatis dignitate, et
multiplici utilitate; tum concinna jucunditate, e perpetua durabili-
tate, sestimandis, collegit, & sub orationis ju^um coegit ac revocavit:
et deniqj publice exhibuit Volckmarus Leisringius Gebst . . . Jense,
typis VVeidnerianis, 1611.
[16] p. 19i X loi'^'".
Title witbiu ornamental border. Signatures: A-B in fours.
ML64.G3
106 LIBEARY OF CONGBESS
Gedanken uber die welschen tonkijnstler. Zur beantwortung des
im sieben und dreissigsten stiicke der hamburgischen Freyen
urtheile beimdlichen Schreibens an den herrn verfasser des
Kritischen musikus an der Spree. Halberstadt, C. E. I. Weldige,
1751.
23 p. 21J X IT-^™.
ML275.3.G26
Gehot, Jean, h. ca. 1756.
The art of bowing on the violin, calculated for the practice &
improvement of juvenile performers, by Joseph Gehot. London, G.
Goulding[179-?]
9 p. 25 X SP"*.
MT267.A2G31
Gteminiani, Francesco, 1680?-1762.
The art of accompaniament, or A new and well digested method to
learn to perform the thorough bass on the harpsichord, with propriety
and elegance, by F. Geminiani. Opera 11"* . . . London, Preston
and son [1753 «]
2 V. (v. 1: 1 p. 1., 4, 33 p.; v. 2: 1 p. 1., 4, 36 p.) 36i'>'°.
Engraved, with exception of preliminary matter (p. 1^) in each vol.
Vol. 2: Op)era 11*''. Part the 2**. Treatmg of position and motion of harmony,
and the preparation and resolution of discorda.
MT49.A2G4
The art of playing on the violin; containing all the rules
necessary to attain to a perfection on that instrument, with great
variety of compositions, which wiU also be very useful to those who
study the violoncello, harpsichord &c. Composed by F. Geminiani
, . . Opera ix. London, Printed for the author by J: Johnson, 1751.
1 p. 1., 9, 51 p. 34 X 25^''™. {With his Rules for playing in a true taste. [Lon-
don, 1745?])
Not identical with pt. v of Prelleur's "Modem musick-master." The first
edition, according to the Oxford history of music, can not have been issued
before 1734.
MT262.A2G32
L'art de jouer le violon, contenant les regies necessaires a la
perfection de cet instrument, avec une grande variete de compositions
trds-utiles a ceux qui jouent le violoncelle ou le clavessin, &c. Par
F. Geminiani. Opera ix. Grave par Madame de Lusse ... Paris,
De la Chevardiere; [etc., etc., 17 — J
2 p. 1., 55 p. 34<^™.
Added t.-p., illustrated.
MT262.A2G31
The art of playing the guitar or cittra, containing several compo-
sitions with a Dass for the violoncello or harpsichord ... by F. Gemi-
niani . . . Edinburgh, Printed for the author by R: Bremner, 1760.
1 p. 1., 2-51 p. 35^'='".
Engraved throughout.
MT582.A2G2
EARLY BOOKS ON MUSIC 107
Oeminiani, Francesco — Continued.
Compleat instructions for the violin, containing the easiest and
best methods for learners to obtain a proficiency, with some useful
directions, lessons, graces, &c. by Geminiani. To which is added a
favorite collection of airs, marches, minuets, &c. with several excellent
peices [!] for two violins . . . [London] G. Goulding [ca. 1790?]
1 p. 1., 28, [2] p. front., pi. 17 x 24"™. {With Entire new . . , instructions
for the fife. London [17—])
Caption title: New instructions for the violin. Engraved throughout.
MT356.A2E62
Guida armonica, o Dizionario armcaiico. Being a sure guide to
harmony and modulation, in which are exhibited, the various com-
binations of sounds, consonant, and dissonant, progressions of har-
mony, hgatures and cadences, real and deceptive. By F. Geminiani.
Opera x . . . London, Printed for the author, by J. Johnson [1742]
3 p. 1., 34 p. front. 33^"™.
Engr. t.-p.
MT52.A2G3
A supplement to the Guida armonica, with examples shewing
it's use in composition: by F. Geminiani. London, Printed for the
author, by J. Johnson [17 — ]
4p. 1., lOp. 33i«™. (TFi«A;^w Guida armonica. London [1742])
MT52.A2G3
Dictionaire harmonique^ ou Guide sur pour la vraie modu-
laison. Par F. Geminiani. Dictionarium harmonicum, of Zeekere
wegwyzer tot de waare modulatie . . . Amsterdam, Aux depena de
I'auteur, 1756.
4 p. 1., 34 p. 34^"™.
Title-page, verso blank. — Privilegie. p. 1. [2] — Au lecteur (French and Dutch
in parallel columns) p. 1. [3] — Methode de composer suivant ce dictionaire
(French and Dutch) p. 1. [4]— {Modulations] 34 p., engr.
MT52.A2G32
Rules for playing in a true taste on the vioHn, German flute,
violoncello and harpsicord, particularly the thorough bass; exem-
pUfy'd in a variety of compositions on the subjcts [!] of EngUsh,
Scotch and Irish tunes; by F. Geminiani. Opera viii. [London,
1745 ?]
2 p. 1., 2-19 p. 34 X 25^"°".
MT262.A2G32
A treatise of good taste in the art of musick ... by F. Geminiani.
London, 1749.
1 p. 1., 4, [2], 30 p. front. 37^'"".
Engraved, with the exception of 4 pages following t.-p.
MT80.A2G32
108 LIBEARY OF CONGKESS
Gerber, Ernst Ludwig, 1746-1819.
Historisch-biographisches lexicon der tonkiinstler, welches nach-
richten von dem leben und werken musikalischer schriftsteller,
benlhmter componisten, s&nger, meister auf instrumenten, dilet-
tanten, orgel- und mstrumentenmacher . . . enth< zusammen-
getragen von Ernst Ludwig Gerber . . . Leipzig, J. G. I. Breitkopf,
1790-92.
2 V. (v. 1: xiv, [2] p., 992 col.; v. 2: 1 p. 1., 860 col., xvi, 86 p.) 22i«"».
" Verzeichniss derjenigen musikalischen werke, welche bey dem sammeln
dieser nachrichten am meisten zu rathe gezogen worden eind:" v. 1, 2 p. fol-
lowing p. xiv.
"Anhang, welcher nachrichten von bildnissen, bfieten und etatfien beruhmter
tonlehrer und tonkfinstler . . . desgleichen von beruhmten orgelwerken und
ein instrumenten-register enthilt": v. 2, xvi, 86 p. at end.
ML105.A2G36
Gterbert, Martin, /rei^rr von Homau, 1720-1793.
De cantv et mvsica sacra a prima ecclesiae aetate vsqve ad praesens
tempus. Avctore Martino Gerberto . . . Typis San-Blasiams, 1774.
2 v. (v. 1: 10 p. 1., 590 p.; v. 2: 6 p. 1., 409, [29], 112 p.) illus., xxxv pi. (partly
fold., incl. facsims.) 26 x 20"=™.
Title vi^ette; head-pieces; initials.
"Misea in coena Dommi": 112 p. at end of v. 2.
ML3002.A2G3
Martini Gerberti . . . Iter alemannicum, accedit italicum et galli-
cum. Sequuntur Glossaria theotisca ex codicibus manuscriptis a
sseculo IX. usque xiii. Typis San-Blasianis, 1765.
4 p. 1., 519, [15], 144 p. 18''™.
Z1001.G44
Gerbert, MaTtin, freiherr von Homau, 1720-1793, editor.
Scriptores ecclesiastici de musica sacra potissimum. Ex variis
Italise, Galliae & Germanise codicibus manuscriptis collecti et nunc
primum publica luce donati a Martino Gerberto monasterii et congreg.
S. Blasii in Silva Nigra abbate, s, q. b. i. p. ... Typis San-Blasianis
1784.
3 V. fronts., fold, tables. 26 x 20i''"».
ML170.G3
Gervasio, Giovanni Battista.
Methode tres facile pour apprendre k jouer de la mandoline k
quatre cordes, instrument fait pour les dames. Avec les regies les
plus exactes pour la fa?on de se servir de la plume . . . Par M"". J. B.
Gervasio . . . CEuvre F. Paris, Boiiin; [etc., etc., 17 — ]
1 p. 1., 15 p. 34^^'°.
Engraved throughout.
MT602.A2G3
Gesius, Bartholomaus, d. 1613.
Synopsis mysicse practicae, variis exemplis illustrata, et exercitiis
ad 12. modos in utroque cantu, regulari scilicet ac transposito ampli-
ficata. In usum scholasticse juventutis francofurtensis cis Viadrum
conscripta a Bartholomseo Gesio . . . Francofurti MarcMonum, typis
& impensis Johannis Eichom, 1609.
[240] p. 14'=«.
Signatxires: A-P in eights.
MT6.A2G39
EABLY BOOKS ON" MUSIC 109
G«strinius, Sueno.
See LuNDius, D. Dissertatio gradualis [1707]
Gianotti, Pietro, d. 1765.
Le guide du compositeur, contenant des regies sures pour trouver
d'abord, par les consonnances, ensuite par les dissonnances, la basse
fondamentale de tous les chants possibles, & dans tous les genres de
musique; avec les moyens les plus stirs pour reussir dans la recherche
& la connoissance du ton dans le sujet . . . Par M. Gianotti. Paris,
Durand [etc.] 1759.
xxiv, 310, [6], 39 p. (engr.) 20=™.
"Exemples": 39 p. at end.
MT68.A2G43
Gibel, Otto, 1612-1682.
Ottonis Gibelii . . . Introductio musicae theoreticse didacticae, in
quS, prsecipua ejus principia, cum primis vero mathematica . . . summ^
pariter perspicuitate ac brevitate proponuntur ; nee tanttim ad mono-
chordum, sed alia quoq^ hodie usitatiora & nobiHora instrumenta, tiim
secundilm veterem tilm novam musices rationem, accurate applican-
tur. Pars generalis . . . Bremae, typis & sumptibus J. Kohleri, 1660.
6 p. 1., 128 p. diagrs. on fold. 1. 19 x 14^"™. {With his Propositiones mathe-
matico-musicse. Minden an der Weser, 1666)
The second and concluding part mentioned in the preface was not published.
ML3809.A2G4
Propositiones mathematico-musicse, das fst : Etliche f ilrnehme und
gar niltzliche musicalische auffgaben / auss der mathesi demonstriret,
und nach beschaffenheit in beygefugten kupfferstilcken kunstlich
repraesentiret und fiir augen gesteUet / alien wahren music-liebhabern
zum besten aufFgesetzet und an tag gegeben. Von Ottone Gibelio.
Minden an der Weser, J. E. Heydorn, 1666.
2 p. 1., 53 (i. «. 44) p. fold, pi., fold. tab. 19 x 14§''«».
Last four pages numbered 50-53 for 41-44.
ML3809.A2G4
Ginguene, Pierre Louis, 1748-1816, editor.
See Framery, N. fi. Musique, 1791-1818.
Glareanus i. e. Heinrich Loiiti, ofGlarus, 1488-1563.
Glareani JcodeKaxopdov . . . Basileae. [Colophon: Basileae per Hen-
richvm Petri mense septembri anno post Virgihis partym. m.d.xlvii]
10 p. 1., 470, [6] p. illus., diagrs. Sli"^.
Printer's mark at end.
Glareanus' autograph presentation copy to Francisco Spinola. Inserted at
end are 4 leaves containmg in ms. (1) Presentation note: Anno a Jesu Christi
natali mdliii. Clarissimo viro P. Francisco Spinola Glareanus a Friburgo Brisgoa.^
D. M. (2) Ode: Ad omatissimum virum P. Franciscum Spinolam Glareani
Trimetri. (3) Codex Glareani manu emendatus in his maximfe, quae neces-
sitaa postulabat, csetera, quae innumera quidem sunt, et k mediocris ingenij
cantoribus videri faciliter poterunt, in genere duntaxat ac breuiter hie perstricta
conspiciuntur. (4) Alia huius codicis errata quae prima relectione minus anim-
aduersa fuere denuo ipsius Glareani cura ac manu hue pemotata conspiciuntur.
At end, in a different hand: Decessit anno 1563, setatis 75.
The third part contains examples from the works of Okeghem, Obrecht,
Joaquin de Pres and others.
ML171.G54
/
110 LIBRARY OF CONGRESS
Glareanus i. e. Heinrich Loriti — Continued.
Dvo eleffiarvm libri || Henrici Glareani || Helvetii ad || Vlderi- j!
cvm. jl Ziniivm || Doggivm. [Colophon: Basileae in aedibvs loannis |)
Frobenij Hammelburgensis diligen- || tissimi apud Alemannos || Chal-
cographi, || expensis || aute || Gertrudae || Lachnerae uxoris || Frobenijw
Anno domini || m.d.xvi. Decimooctauo ]| Calendas Decembreis.]
[42] p. 21'™. (PTiYA Ais Isagoge in mvsicen. Basilese, 1516)
Title within ornamental border; initials; printer's mark at end. Signatiires
continuous with those of his Isagoge in mvsicen: F-I in fours, K in five.
ML171.G56
Isagoge in mvsicen || Henrici Glarea || ni Helvetii || poe. lav. || e
quibusqj bonis au |J thorib^ latinis & graecis ad || studiosorii utilitate ||
multo labore || elaborata. || Ad Falconem coss. || vrbis Aventicensis.
[Basilese, 1516]
[39] p. diagrs. 21""'.
Title within woodcut border by Hans Holbein the younger; initials; printer's
mark of J. Frobenius^on t.-p. Signatures: A-E in fours. Preface dated: Basilese,
1516.
ML171.G56
Musicse epitome ex Gla- || reani Dodecacbordo || Vna cum || qvinqve
vocvm melodiis svper || eivsdem Glareani Panegyrico de Helve || tica-
rum XIII urbium laudibus, per Manfredum || Barbarinum Coregien-
sem. II Basilese [1559]
8 p. 1., 150, [2] p. 1 illus., fold, tab., diagrs. 15 x ll^''™.
Colophon on p. 103 and on recto of last leaf: Basileae, || ex oflScina Hieronymi |1
Cvrionis, impensis Hen || rici Petri, anno || m.d.lix. men- 1| se martio.
Guidonian hand on t.-p. (repeated on p. 5) Preliminary leaves 7-8 blank.
Printer's mark on p. [104] and on last page.
Caption of preface: Joannes Litauicus Vuonnegger lectori S.
"Mensuralis Musices || ex Glareani Dode- || cachordo Compendium": p. 105-
150.
ML171.G55
See also Boethius, A. M. S. Opera omnia [1570]
Glaser, Johann Adam.
See Weidling, C. Exercitatio philologica [1686]
Godin d'Abguerbe, Quentin.
See Parfaict, F." Dictiormaire des theatres, 1756.
Goetting, Valentin.
Compendium || mvsicse mo- || dulativse, quale brevitate ordinis ||
commoditate & facilitate nun- || quam visum, Jj Observatum & in
usum puero- |l rum jam primum ad Musicam adniben- || dorum Col-
lectum a || Valentino GcEttingi Witzen- || husano Musicse studioso, ||
Anno salutis 1587. editum secund6 in gratiam || tam docentium quam
discentium, J| Accessit Exercititi Musicum, ad || duodecim Dode-
cachordi modos & puerorum inci- || pientium captum acconmiodatum,
11 Cum Prsefatione Henningi Deaekindi || Cantoris Salzensis. || . . .
[ColopTion: Erphordise Georgius Bauman excudebat]
[64] p. le-^".
EARLY BOOKS ON MUSIC 111
Goetting, Valentin — Continued.
Signatures: A-D in eights. Ms. note on fly-leaf: "Deux exemplaires connus:
k la Bibl. Fetis (n» 5465) et celui-ci. A[lfred] W[otquenne] "
Title, with dedicatory verse "Ad Fridericum Beurhusium" at foot of page. —
Insignia nobilium de Sachsa. t.-p. verso. — Poem "In insignia nobilium de
Sachsa" signed H. D. N. F. 1. [2] r°. — Aeqvo lectori, bonis viris, et iuvenibus
musicae studiosis salutem dicit Henningus Dedekindus Neostadianus. (Run-
ning title "Prsefatio") 1. [2] v°-l. [11] r°. — Epistolanobilibvsingenvisethonestis
adolescentibvs, stemmatissui nobilitatem liberalium artium studio illustrantibus:
Sigismvndo de Sachsa [et al.] ingeniis musicae amantibus, salutem & plenum
liberalium studiorum amorem optat Valentinus Goettingi VVitzenhus, (dated
1586) 1. [11] vM. [13] r°.— Instrvctio ad docentes initia musicae. 1. [13] v°-l.
114] v". — Methodus hujus Compendii. 1. [15] r". — Compendivm mvsicae modu-
ativae. 1. [15] vM. [19] v°.— Ad lectorem. 1. [20] r».— Henricvs Gottingi ludi
Gebeseni moderator suo fratri s. d. p. (poem) 1. [20] v". — ^Exercitivm musicum
f)ro incipientibus. 1. [21] r°-l. [32] v». — Fragmentum ex Henningi Dedekindi
iteris ad autorem missis. [Colophon] 1. [32] v*>.
ML171.G63
Goeze, Johann Melchior, d. 1727.
Der weit-beruhmte musicus und organista wurde bey trauriger
leich-bestellung des weyland edlen una kunst-hoch-erfahrnen herrn
AndresB Werckmeisters, treu-verdient-gewesenen organistens bey
unserer St, Martini-kirche, und kdnigl. preuss. wohl-bestallt-gewese-
nen inspectoris liber alle orgel-wercke im Mrstenthumb Halberstadt,
welcher am abgewichenen 26. octobr. des 1706ten jahres in Jesu seelig
verstorben, in einer stand-rede dargestellet von lohann Melchior
G6tzen . . . [Quedlinburg ?] Gedruckt 1707.
[16] p. 19^x16"™. {With Werckmeister, Andreas. Musicalische paradoxal-
discoiuBe. Qvedlinburg, 1707)
ML3800.A2W4
Grogava, Antonius Hermannus, 1529-1569, translator.
Aristoxeni mvsici antiqviss. Harmonicorvm elementorvm libri iii.
CI. Ptolemsei Harmonicorum, seu de musica lib. iii. Aristotelis de
obiecto auditus fragmentum ex Porphyrij commentarijs. Omnia
nunc primum latine conscripta & edita ab Ant. Gogauino . . . Vene-
tijs, apud V. Valgrisium, 1562.
165, [1] p. diagrs. 22^'^'°.
Printer's mark on t.-p. and on last page.
ML171.G65
Goldschad, Gotthelf Conrad, h. 1719.
Chorvm mvsicvm gloriam Christi celebrantem ex Ps. Lxviit v. 26.
sistit . . . M. Gotthelff Conrad Goldschad. Dresdae, hteris Harpe-
terianis [1751]
[12] p. 19^°".
Programm — St. Annaschule, Dresden.
ML3001.G62
Gomes da Silva, Alberto Jose, d. 1795.
Regras de acompanhar para crave, ou orgao, e ainda tambem para
qualquer outre instrumento de vezes, reduzidas a breve methode, e
facil percep^ao . . . por Alberto Joseph Gomes da Silva . . . Lisboa,
F. L. Amene, 1758.
4 p. 1., 39 (i e. 47), [2] p. tab., diagr. 20^x16"'°.
Pages 45-47 wrongly numbered 37-39. Pages [21-24] and [35-42] contain
"exemplos."
MT68.A2G63
112 LIBRARY OF CONGRESS
Gonzaga, Silvio Valenti-, cardinal.
See Valenti-Gon'zaga, Silvio, cardinal.
Gori, Antonio Francesco, 1691-1757, editor.
See Bandini, A. M. Commentariorvm de vita . . . loannis Bapt.
Doni, 1755.
DoNi, G. B. Lyra Barberina, 1763.
Gori Pannilini, Francesco de'.
Lettera dell' abate Francesco de' Gori Pannilini . . . sopra I'opera
deir abate Giuseppe Pizzati che ha per titolo La scienza de' suoni e
delV armonia, diretta specialmente a render ragione de' fenomeni, e a
conoscer la natura e le teggi delta medesima, ed a giovare alia pratica
del contrappunto. Opera dell' ah. Giuseppe Pizzati divisa in cinque
parti. In Venezia 1782. appresso Gio. Gatti. Pisa, J. Grazioli, 1782.
39 p. 15 X 8i<"n.
MT50.A2P692
Gorton, William.
Catechetical questions in musick, containing a hundred and seventy
questions, fairly answered and made plain to the meanest capacity.
By William Gorton . . . London, Printed by W. Pearson for the
author, 1704.
3 p. 1., 41 p. U'^^^.
MT7.A2G7
Gottsched, Luise Adelgunde Viktoria (Kulmus) 1713-1762.
See Grimm, F. M., freiherr von. Ici sont ecrits les vingt-un
chapitres [17 — ]
[Goudar, Angel 1720-1791.
Le brigandage de la musique italienne ... [n. p.] 1777.
2 p. 1., viij, 156 p. 19^"™.
The dedication, "Epitre aux amateurs de la musique italienne du parterre de
r Opera de Paris, " is signed: Jean-Jacques Sonnette [pseud, of Ange Goudar]
ML1727.35.G6
Goudar, Mme. Sara, d. ca. 1800.
De Yenise. Remarques sur la musique & la danse, ou Lettres de
Mr.G . . . a Milord Pembroke. Venise, C. Palese, 1773.
3 p. 1., 3-136 p. igi^"*.
ML3845.A2G68
Supplement aux Remarques sur la musique, & la danse, ou
Lettres de Mr G . . . a Milord Pembroke. Venise, C. Palese, 1773.
95 p. 16^'=='.
ML3845.A2G69
CEuvres m616es de Madame Sara Goudar . . . Amsterdam, 1777.
2 V. in 1 (v. 1: xij, 203 p.; v. 2: 2 p. 1., 198 p.) 17'=°>.
Contents. — t. 1. Lettres sur les divertissements du camaval de Naples & de
Florence. — t. 2. Remarques eur la musique italienne & sur la danse, a Milord
Pembroke.
DG447.G6
EARLY BOOKS 01^ MUSIC 113
Gournay, B. C.,d. ca. 1794.
Lettre a M. FabM Roussier, sur une nouvelle regie de I'octave que
propose M. le marquis de Culant; par M. Gournay . . . Paris,
Koyez [etc.] 1785.
36, [2] p. 21J'''".
MT50.A2G6
Graaf, Christiaan Ernst, h. ca. 1726.
Proeve over de natuur der harmonie in de generaal has, benevens
een onderricht eener korte en regelmaatige becyffering, door C. E.
Graaf ... 's Graavenhaage, B. Wittelaer, 1782.
46 p. XI fold. pi. 20^"'".
MT49.A2G8
Grassineau, James, d. 1769.
A musical dictionary; being a collection of terms and characters,
as well ancient as modern; including the historical, theoretical, and
Practical parts of music . . . The whole carefully abstracted from the
est authors in the Greek, Latin, Italian, French, and EngUsh lan-
guages. By James Grassineau . . . London, J. Wilcox, 1740.
xii, 347 p. 4 pi. (3 fold.) 20='".
Paging irregular.
Translated, with additions, from the French of Sebastian de Brossard, probably
tinder the supervision of Dr. Pepusch.
ML108.A2B7
Gratus, Veridicus, pseud.
See Printz, W. C. Phrynis Mitilengeus, 1696.
[Gresset, Jean Baptiste Louis] 1709-1777.
Discours sur Fharmonie. Paris, J.-N. Le Clerc, 1737.
2 p. 1., 89, [1] p. 20^"='.
Title vignette.
"Le manuscrit que je publie aujourd'hui est secret depuis mil sept cens trente-
trois. Ce discours fut alors compost en latin, pour etre prononce dans un pays
^loigne de Paris. L'auteur le traduisit en meme temps pour une dame, & tel
qu'on le trouve ici." — Preface.
ML3815.A2A5
Gretry, Andre Ernest Modeste, 1741-1813.
Memoires, ou essai sur la musique, par M. Gretry . . . Paris, Chez
l'auteur; [etc., etc.] 1789.
2 p. 1., 565, [3] p. 20i«°^.
ML410.G83A
Memoires, ou essais sur la musique; par le c.®'' Gretry . . .
Paris, Imprimerie de la republique, pluviose, an v [1797]
3 v. 21-=™.
A reprint of the first edition, 1789, with two additional volumes.
"Liste des ouvrages dramatiques mis en musique par l'auteur de ces essais":
V. 3, p. [465]-[473]
ML410.G83A1
51234°— 13 8
114 LIBKAKY OF CONGEESS
[Grimaldi, Francesco Antonio] 1741-1783.
Lettera sopra la musica all' eccellentissimo Signore Agostino Lomel-
lini gia' doge della serenissima repubbiica di Genova. [NapoK, 1766]
Ixiv p. 22'^'".
Title vignette.
Signed: Francesco Antonio Grimaldi.
ML3800.A2G7
[Grimm, Friedrich Melchior, /m^e/*r von] 1723-1807.
Le petit prophete de Boehmischbroda. [n. p., 1753]
56 p. front. 19^"™.
Caption title: Ici sont ecrite les vingt-un chapitres de la prophetie de Gabriel
Joannes Nepomucenus Frariciscus de Paula Waldstorc, dit Wasdstoerchel . . .
' ' Reponse du coin du roi au coin de la reine [par I'abb^ de Voisenon] Seconde
edition corrigee & augmentee": p. 49-56.
ML1727.33.GS
Ici sont ecrits les vingt-un chapitres de la prophetie de Gabriel
Joannes Nepomucenus Franciscus de Paula Waldstorch, dit Wald-
stoerchel, natif de Boehmischbroda en Boheme ... il les a ecrits de
sa main, & il les appelle sa vision. Lat. canticum Cygni bohemici.
[n. p., 17—]
58 p. 19<^"i.
Caption title.
No. 11 in a volume of pamphlets lettered Quere[lle] des Bouffo[ns]
In part an imitation and in part a translation by Frau Gottsched of Le petit
prophete de Boehmischbroda. cf. Fetis, Biog. univ. des musiciens.
ML1727.33.A1 '
Les vingt-un chapitres de la prophetie de Gabriel-Joannes-
Nepomucenus-Franciscus de Paula Waldstorch, dit Waldstoerchel,
qu'il appelle sa vision. Lat. canticum Cygni bohemici. Imprime
a Prague en Boheme [i. e. Paris, 17 — ]
1 p. 1., 43 p. I6i X gj''™.
ML3925.G86
Grosvenor, Benjamin, 1676-1758.
See Practical discourses, 1708.
Grube, Hermann, 1637-1698.
Hermanni Grube . . . De ictu tarantulas, & vi musices in ejus cura-
tione, conjecturse physico-medicse. Francofurti, ex bibhopolio Haf-
niensi, D. PaulH, 1679.
7 p. 1., 76, [10] p. 18'^°'.
RC426.G88
Gruber, Johann Sigmund, 1759-1805.
Beytri&ge zur litteratur der musik, hrsg. von Johann Sigmund
Gruber . . . Xurnberg, In commission bey G. W. Gruber; [etc., etc.]
1785.
116, [4] p. 16'^'".
Based upon an unpublished list by C. S. Zeidler. cf. Preface.
ML116.G88
EAELY BOOKS ON" MUSIC 115
Gruber, Johann Sigmund — Continued.
Beytrage zur litteratur der musik, hrsg. von Johann Sigmund
Gruber . . . Frankfurt und Leipzig, 1790.
2 V. in 1 (v. 1: 116 p.; v. 2: 74 p.) 17''™.
Part 2, forming a supplement to part 1 and also to the author's "Litteratiur
der musik," is here published for the first time.
ML116.G89
Litteratur der musik, oder Anleitung zur kentnis der vorzuglichen
musikalischen bucher, fur liebhaber der musikalischen litteratur
bestimmt. Hrsg. von einem liebhaber der musik. Niirnberg, Auf
kosten des verfassers, 1783.
56 p. 16"°^.
ML111.A2G8
Gruner, Caspar.
. . . Ein ratschlag wider die gotlosen tentz . . . Caspar Gruner.
[n. p.] 1525.
[11] p. 18«i".
At head of title: "Euangelion Marci. vj." Title within ornamental border.
Signatures: A in four, B in two.
GV1740.G8
Gualterotti, Francesco Maria.
La mvsica, idilio di Francescomaria Gvalterotti. Al m. illustre,
e m. reuer. Sig. il Sig. Fabbrizio Alba Bocca. Firenze, Z. Pignoni,
1626.
25, [1] p. IS"'".
In verse.
Coat of arms on t.-p.; printer's mark (?) at end.
ML64.G9
[Guerson, Guillaume]
UTihssime musicales regule neces || sarie plani cantus / simplicis
contra || pticti / rerti factaru / tonoru vsuali ]| um: necno artis acce-
tuandi || tarn speculatiue (p pra || ctice: acriori lima || mundate.
[Parisiis, F. Regnault, 1518]
[63] p. 1 illus. 20"".
Colophon: (I Utilissime musicales regule ne || cessarie plani cantus / simplicis
CO- II trapuncti: rerum factaru3: tonoru || vsualium: necnon artis accetuan- jj di
epistolas et euagelia: que antea mendose erant: nunc vero correcte || Impresse
Anno salutif ere passio- 1| nis Millesimo quingentesimo de- 1| cimo octauo Penultima
Mensis || Augusti.
Signatures: A-D in sixes, E in eight. Dili and Diiii transposed in binding.
Rubricated; gothic type. Printer's mark on t.-p; illustration, Guidonian
hand, pn recto of 1. [4]
ML171.G82
Gugl, Matthaeus.
Fundamenta partiturse in compendio data. Das ist: Kurtzer und
grundhcher unterricht, den general-bass, oder partitur, nach denen
reglen recht und wohl schlagen zu lernen. In den druck gegeben
von Matthseo Gugl . . . Augspurg und Insprugg, J. Wolff, 1757.
Ip. 1., oOp. 16^x20^''™.
First edition, Salzburg, 1719.
MT49.A2G9
116 LIBRABY OF CONGRESS
Guidetti, Giovanni, 1532-1592.
Directorivm chori ad vsvm omnivm ecclesiarum cathedralium, &
collegiatarum a loaime Gvidetto olim editum, et nvper ad novam
Romani breuiarij correctionem ex piQcepto dementis viii. impressam
restitutum, & plurimis in locis auctum, & emendatum. Accesserunt
huic postremse editioni quamplures hynmorum, & antiphonarum
toni, qui in prsecedentibus desiderabantur. Romse, apud A. PhQum,
1615.
4 p. 1., 619, [3] p. m''
Rubricated.
M2150.A2G92
Directorivm chori. Ad vsvm omnivm ecclesiarum cathedra-
lium, & collegiatarum. A loanne Gvidetto olim editum. Et nvper
ad novam Romani breuiarij correctionem ex praecepto dementis vm.
impressam restitutum, & plurimis in locis auctum, & eniendatum.
Huic postremse editioni prseter errorum correctionem nouissime acces-
serunt Ofl&cium angeli custodis, & Missa pro defunctis, cum antiphonis
integris, ac responsorijs, quae in defunctorum officio desiderabantur.
MonacMi, apud N. Henricum, 1618.
4 p. 1., 649, [3] p. l?""".
Rubricated.
M2150.G94
[Guilford, Francis North, 1st haron] 1637-1685.
A philosophical essay of musick, directed to a friend . . . London,
J. Martyn, 1677.
25 {i. e. 35) p., 1 1. fold. tab. 20'=°».
Page 35 wrongly numbered 25.
ML3805.A2G9
Guisbarchi, Annie.
L'ecclesiastico in coro ammonito dal suo prelato a salmeggiare nella
forma, che deve, con tre' raggionamenti messi sotto gU occhi di tutti
quelli, che tengono I'obh^o del servizio corale, cioe canonici, benefi-
ciati, cappellani, e musici. Dal conte Annio Guisbarchi ... 2. ed.
ricorretta, ed in piil luoghi ampliata, e specialmente con un' aggiunta
in fine di Ricordi di S. Carlo Borromeo, e d'un avvertimento circa la
maniera di portarsi nelle pubUche processioni. Roma, Stamperia di
G. Zempel, 1745.
Ill p. lei'-"".
MT860.A2G96
Gumpeltzhaimer, Adam, 1559-1625.
Compendivm mvsicse latino-germanicvm. Studio & oper4 Adami
Gumpeizhaimeri . . . Nvnc editione hac sexta nonnvsqvam .correc-
tum, & auctum. Avgvstae, typis et impensis I. V. Schoenigij, 1616.
45 numb. 1., 47-78, 47-78, 79-82 p. illus. 20 x 16^''™.
Title within historiated border. Pages 47-78 numbered in duplicate.
Title-page mutilated; title in part from Becker's Systemat.-chron. darstellung
d. musikalischen lit., Nachtrag, 1839. With this copy ia bound a collection of
canons for from two to six voices, [30] p., without title.
Based upon Heinrich Faber's ' Compendiolum musicae." Title of 1st edition,
Augsburg, 1591, reads "Compendium musicae, pro illius artis tironibus. A m.
Hemrico Fabro latin^ conscriptum, & ^ m. Christophoro Rid in vemaculum
sermonem conversum, nunc praeceptis & exemplis ^^uctum studio & opera
Adami Gumpeizhaimeri."
MT6.A2G9
EARLY BOOKS ON MUSIC 117
Gunn, John, ca. 1765-ca. 1824.
The theory and practice of fingering the violoncello, containing
rules & progressive lessons for attaining the knowledge & command
of the whole compass of the instrument, by John Gunn . . . London,
Printed for & sold by the author [1793]
3p. 1., 96p. pi. 33i«™.
Engr. t.-p.
"Dissertation on the origin of the violoncello": p. [l}-32.
MT302.A2G97
Gutierrez, Francisco Antonio, d. 1828, translator.
See ExiMENO y Pujades, A. Del origen . . . de la musica, 1796.
Guzman, Jorge de.
Cvriosidades del cantollano, sacadas de las obras del reverendo Don
Pedro Cerone de Bergamo, y de otros autores, dadas a luz a costa de
Jorge de Guzman . . . Madrid, Imprenta de musica, 1709.
8 p. 1., 272, [28] p. 21«'°.
MT860.A2G97
H., D. V.
See De zangkunst, 1788.
H., M. H.
See ScHREiBEN an die herren verfasser der Freyen urteile [1752]
Hahn, Georg Joachim Joseph.
Der nach der neuern art wohl unterwiesene general-bass-schiUer,
oder Gespr&ch zwischen einem lehrmeister und scholaren von dem
general-bass . . . von Georg Joachim Joseph Hahn ... 2. verb, und
verm. aufl. Augsburg, J. J. Lotter, 1768.
4 p. 1., 95p. 18x2P™.
• MT49.A2H2
Halle, Johann Samuel, 1727-1810.
Die kunst des orgelbaues, theoretisch und praktisch beschrieben
von Johann Samuel Hallen . . . Nebst viii. kupfertafeln. Branden-
burg, J. W. Halle und J. S. Halle, 1779.
1 p. 1., [215]-411 p. VIII (i. e. 6) pi. (2 fold.) 20^ x 11'^.
Illustrated t.-p. Running title: Nachtrag zum Orgelbauer.
Issued also as part of the 6th volume of Halle's " Werkstatte der kiinste."
ML552.A2H18
Haltmeier, Carl Johann Friedrich,
Weiland herrn Carl Johann Friedrich Haltmeiers . . . Anleitung:
wie man einen general-bass, oder auch handstilcke, in alle tone trans-
poniren k6nne; zum druck befdrdert von Georg Phihp Telemann . . .
Hamburg, Gedruckt bey J. G. Piscator, 1737.
16 p. 10 pi. (music) 20^ x 17^''™.
Published also in Mizler's Neu er6ffnete musikalische bibliothek, 2. bd.,
2. th., p. 256-268.
MT42.A2H19
118 LIBRAKY OF CONGEESS
Hammett, John, 1678 or 9-1773.
Promiscuous singing no divine institution ; having neither president
nor precept to support it, either from the musical institution of David,
or from the gospel dispensation. Therefore it ought to be exploded,
as being a humane invention, tending rather to gratify the carnal
ears of men, than to be acceptable and pleasing worship to God.
By John Hammett ... [n. p.] Printed in the year 1739.
1 p. 1., iii, 29 p. l?"™.
"Newport? Printed by the Widow Franklin?" — Evans, American bibliogra-
phy, V. 2, p. 140. »
ML3001.H22
The harpsichord illustrated and improv'd; wherein is shewn the
Italian manner of fingering, with suits of lessons for beginners &
those who are already proficients on that instrument and the organ,
with Rules for attainmg to play a thorough bass, also with Rules for
tuning the harpsichord or spinnet. London, W. Dicey [etc., 174-]
2 p. 1., 48, 4 p. front. 24J<=°'.
Engraved throughout.
Published also as part 6 of Peter Prelleur's "Modem musick-master " {cf. The
compleat tutor for the harpsichord)
"A dictionary explaining such Greek, Latin, Italian & French words as gen-
erally occur in musick": 4 p. at end.
MT252.A2H28
The harpsichord preceptor. Being a new & complete introduction
to playing the harpsichord, organ, or pianoforte. Containing i.
A :^miliar elucidation of the first principles of music, with the
most modern . . . method of playing the above instruments, ii.
Thirty easy & pleasing lessons . . . progressively arranged, with
preludes, canzonetts, & a duett for 2 performers . . . London,
S., A. & P. Thompson [178-?]
2 p. 1., 2-28 p. 23ix32i<'".
Engraved throughout.
MT252.A2H3
Harris, William, d, 1740.
See Practical discourses, 1708.
Harrison, John, 1693-1776.
A description concerning such mechanism as will afford a nice, or
true mensuration of time; together with some account of the attempts
for the discovery of the longitude by the moon: as also an account of
the discovery of the scale of musick. By John Harrison . . . Lon-
don, Printed for the author, 1775.
108 p. 21""^.
QB107.H26
[Hartong, ]
Musicus theoretico-practicus, bey welchem anzutreffen i. Die
demonstrativische theoria musica auf ihre wahre principia gebauet,
von vielen arithmetischen subtilitseten befreyet, dahmgegen die
EAELY BOOKS ON MUSIC 119
[Hartong] — Continued.
abwechslung derer harmonien, die daher entstehende scalse, und die
aus der hannonie entspringende melodie . . . vestgestellet werden.
II. Die methodische clavier-anweisung mit regeln und exemplen.
Wozu noch kominet eine anfiihrung zu fugirenden fantasien, zu rech-
ter executirung dess chorals, zu rechtem gebrauch eines neu-inveu-
tirten circuli. Ausgefertigt von P. C. Humano [jpseud.] NAmberg,
Gedruckt bey A. J. Felsseckers seel, erben, 1749.
2 p. 1., 88, [2], 15 p., 2 1., 33 p. 21^ x lei""".
Part 2 haa special t.-p. and separate paging.
Musical examples: 33 p. at end.
MT6.A2H19
Hase, Wolfgang, h. ca. 1600.
Grilndliche einfilhrung in die edle music oder singe kunst / anfangs
der gemeinen jugend zum besten / und insonderheit fur die schule der
stadt Osteroda gestellet / jetzo aber vermehret und verbessert / und
zum andern mal dem druck ilbergeben durch Wolfgangum Hasen . . .
Gosslar, Gedruckt bey N. Dunckern, in verlegung des autoris, 1657.
87 p. 15""'.
MT935.A2H2
Hasse, Johann Adolph, 1699-1783.
Beytr&ge zu wahrer kirchenmusik, von Johann Adolf Hasse, und
Johann Adam Hiller. 2. verm. aufi. Leipzig, A. F. B6hme, 1791.
35 p. 16"™.
Hiller here proposes to translate into German the words of some of Basse's com-
positions and to publish the translations together with the music. Pages 14-35
contain extracts from the proposed work.
ML410.H35H3
Hawkins, Sir John, 1719-1789.
An account of the institution and progress of the Academy of
ancient music. With a comparative view of the music of the past and
present times. By a member . . . London, Printed in the year 1770.
24 p. 21i<^™.
ML28.L8A54
A general history of the science and practice of music, by Sir John
Hawkins . . . London, T. Payne and son, 1776.
5 V. front., illus. (incl. ports., facsims., music), v pi., diagrs. 28 x 22"™.
ML160.H39
[Hayes, William] 1706-1777.
The art of composing music by a method entirely new, suited to the
meanest capacity. Whereby all difficulties are removed, and a per-
son who has made never so little progress before, may, with some
small application, be enabled to excel. London, J. Lion, 1751.
vi, [7]-32p. 21^"
icm
An attack upon Barnabas Gunn, composer and at one time organist of Gloucester
cathedral.
ML410.G933H2
120 LIBRARY OF CONGRESS
[Hayes, William] — Continued.
Remarks on Mr. Avison's Essay on musical expression. Wherein
the characters of several great masters, both ancient and modern, are
rescued from the misrepresentations of the above author; and their
real merit asserted and vindicated. In a letter from a gentleman in
London to his friend in the country . . . London, J. Robinson, 1753.
1 p. 1., 133 p. 2 fold. pi. (music) 17^=™.
ML3847.A96
Heck, Johann Caspar, h. 1740.
The art of fingering. Or, The easiest and surest method how to
learn to play on the harpsicord . . . exemplified by a gradation of
fine lessons . . . each lesson being mark'd with the most proper man-
ner of fingering. To which is added a table of all the different keys,
shewing the different manner of fingering the same. As also an
explanation of all graces, shakes, &c. . . . By John Casper Heck.
London, W. Randall & I. Abell [177-?]
1 p. 1., 35 p. 24 X 32'='".
Engraved throughout.
MT222.A2H32
The art of playing thorough bass with correctness according to the
true principles of composition, fully explained by a great variety of
examples in various stiles; to which is added by way of supplement
six lessons of accompaniment . . . the whole beings designed for the
use of such young composers & performers in general as are desirous
of being well grounded in the science of harmony. By John Casper
Heck. London, I. Welcker [177-]
1 p. 1., 99 p. diagr. Sg^"".
Engraved throughout. On p. 94-99 Lesson I- VI by Corelli, Quantz and Graun.
MT49.A2H4
A complete system of harmony; or, A regular and easy method to
attain a fundamental knowledge and practise of thorough bass ; with
the nature and various use of concords and discords explained, con-
formable to the modern composition. Illustrated by a variety of
examples. By John Casper Heck . . . [London] Printed for, and
sold by the author [1768?]
iv, 26, 19 p. 27 X 21^<=™. ( With Bemetzrieder, Anton. Music made easy to every
capacity. London, 1785)
Manuscript note on t.-p.: Printed for Mess' Thompsons . . . London.
MT224.A2B45
Heinichen, Johann David, 1683-1729.
Neu erfundene und grundliche anweisung / wie ein music-liebender
. . . k6nne zu vollkommener erlernung des general-basses, entweder
durch eigenen fleiss selbst gelangen / oder durch andere . . . dahin
angefilhret werden / dergestalt / dass er so wohl die kirchen als thea-
tralischen sachen / insonderheit auch das accompagnement des
recitativs-styh wohl verstehe / und geschickt zu tractiren wisse.
Wobey zugleich auch andere sch6ne vortheil in der music an die hand
gegeben / und alles mit vielfachen exempeln, und . . . nutzlichen
composition-regeln erUutert worden, Nebst einer ausfuhrlichen vor-
rede. Heraus gegeben von Johann David Heinchen. Hamburg, B.
Schiller, 1711.
2 p. 1., 284 p. 20 X 15i'='°.
MT49.A2H46
EARLY BOOKS ON MUSIC 121
Hemichen, Johann David — Continued.
Der general-bass in der composition, oder : Neue und griind-
liche anweisung, wie ein music-liebender mit besonderm vortheil,
durch die principia der composition, nicht allein den general-bass im
kirchen- cammer- und theatralischen styld voUkommen, & in altiori y
gradu erlernen; sondern auch zu gleicher zeit in der composition
selbst, wichtige profectus machen kdnne. Nebst einer einleitung
oder musikalischen raisonnement von der music liberhaupt, und
vielen besondern materien der heutigen praxeos. Hrsg. von Johann
David Heinichen , . , Dressden, Bey dem autore, 1728.
4 p. 1., 960, [28] p. tab. 21 x 16i''°».
MT49.A2H47
Herbst, Johanii Andreas, 1588-1666.
Mvsica moderna prattica, ouero Maniera del bvon canto. Das ist :
Eine kurze anleitung / wie knaben und andere / so sonderbare lust
und liebe zum singen tragen / auff jezige italienische manier . . . k6n-
nen unterrichtet werden. Alles aus den fiirnemsten italienischen
authoribus . . . zu-sammen getragen / auch mit vielen clausulis und
variationibus gezieret : sonderlich aber f ilr die instrumentisten / auff
viohnen und cornetten zu gebrauchen / mit allerhand cadenzen ver-
mehret / und zum drittenmahl in druck verfertiget / durch Johann-
Andream Herbst . . . Franckfurt, G. MiiUer [1658]
4 p. 1., 76 p. 20 X 16"™.
Date of imprint trimmed off in binding.
MT915.A2H26
Musica poetica, sive Compendium melopoeticum, das ist: eine
kurtze anleitung / vnd grundliche vnterweisung / wie man eine'
sch6ne harmomam, oder lieblichen gesang . . . componiren, vnd
machen soil. So mehrentheils auss den furnembsten / so wol alten
als newen / lateinischen vnd italienischen authoribus vnd musicis ...
zusammen getragen / vnd in dieses compendium kurtzlich verfasset /
auch mit sch6nen clausulis vnd exemplis gezieret. Allen liebhabern
dieser edlen kunst zum besten / vnd dienstlichem wolgefallen / in
teutscher sprach ... an jetzo publiciret, vnd zum druck verfertiget:
durch Johann Andream Herbst . . . Gedruckt zu Nilrnberg / In
verlegung J. Dilmlers / 1643.
4 p. 1., 119 p. 19i X I5i<^™.
MT55.A2H53
Herbst, Johann Andreas, 1588-1666, translator.
See Chtodino, G. B. Arte prattica, 1653.
Herold, Philipp.
Carmen heroicvm Philippi Heroldi Lipsici, De laudibus Mvsarum.
[n. p.] 1558.
[14] p. pi. 21'^™. {With Sebastiani, Claudius. Bellum musicale. Argen-
t[orati] 1563)
ML171.S44
122 LIBEARY OF CONGEESS
Hertel, Johann WUhelm, 1727-1789.
Sammlung musikalischer schriften, gr6sstentheils aus den werken
der Itali&ner und Franzosen libersetzt, und mit anmerkungen ver-
sehen von Johann Wilhelm Hertel . . . Leipzig, J. G. I. Breitkopf,
1757-58.
4 p. 1., 136 p. ; 1 p. 1., [137]-254 p. 17^°°^.
"Nachricht von neuen musikalischen schriften": p. 133-136, 250-254.
Contents. — 1. stfick. Joh. Friedr. L6wens Anmerkungen uber die oden-
poesie. Des herm von Voltaire gedanken von der oper. Eben desselben
fedanken von den trag6dien der Griechen. Der (!) herm Remond von St. Mard
Jetrachtungen uber die oper. — 2. stuck. Joh. Friedr. L6wens Anmerkungen
uber die geistliche cantatenpoesie. Von der dramatischen musik der alten;
ein auszug aus . . . Lives of the Roman poets, vol. ii. Anmerkungen uber die
musik ftberhaupt, aus des Patru et d'Ablancourt Dialogues sur les plaisira.
Brief des herm Roy von der oper. Des herm Frerons critik der Betrachtungen
uber die oper des herm Remond von St. Mard. Schreiben an den herrn von
L*s*r.: Woner es k6mmt, dass einige tonarten in der musik anmuthig und
sanfter, andere aber stark und rauschender klingen.
ML55.H37
Hess, Joachim, 1730-1810 or 11.
Dispositien der merkwaardigste kerk-orgelen, welken in de zeven
Vereenigde Provincien als mede in Duytsland en elders aangetroffen
worden. Benevens eene beschryving van het nieuw en uitmuntend
orgel, in de St. Jans kerk te Gouda. Dienende tot een vervolg op de
Luister van het orgel. Door Joachim Hess . . . Gouda, By J. van-
der Klos, stads-drukker, 1774.
vi, 200 p. 21 X 16'=°'.
ML594.A2H2
Korte en eenvoudige handleyding tot het leeren van 't clavecimbel
of orgel-spel, opgesteld ten dienste van leerlingen, door Joachim
Hess ... 4. druk. Op nieuws overgezien, vermeerderd en veibeterd.
Gouda, By J. van der Klos, stads-drukker, 1779.
4p. 1., 32p. fold, pi. 21xl6i<='".
MT252.A2H58
Luister van het orgel, of Naauwkeurige aanwyzinge, hoe men, door
eene gepaste registreering en geschikte bespeelmg, de voortreffelyke
hoedanigheden en verwonderenswaardige vermogens van een kerk- of
huis-orgel in staat is te vertoonen. Tot onderrigting van alle liefheb-
bers van het orgel-spel, inzonderheid voor jonge organisten, leerhngen,
en alien die zig eene bekwaame behandeling van het orgel tragten
eigen te maaken. Opgesteld door Joachim Hess . . . Gouda, By
J. vander Klos, stads-drukker, 1772.
xii, 78 p. 21 X 16"™.
MT189.A2H3
Hesse, Johann Heinrich.
Kurze, doch hinl&,ngliche anweisung zum general-basse, wie man
denselben aufs allerleichteste, auch ohne lehrmeister, erlernen kann.
Hrsg. von Johann Heinrich Hesse . . . und bey eben demselben zu
bekommen. Hamburg, Gedruckt von M. C. Bock [1776]
48 p. 20 X 18''™.
Title within ornamental border; head-pieces.
MT49.A2H53
EABLY BOOKS ON MUSIC 123
Hewett, James.
An introduction to singing, or The rudiments of music; to which is
added a compleat set of practical lessons, together with a collection of
the best and most useful psalm tunes, in all their parts, and several
anthems, by eminent masters. By James Hewett. [London] Sold
by the author [etc.] 1765.
I p. 1., ii, [3]-23, iii, 4-104 p. 23i''™.
Engraved in part.
M2136.A2H56
Heyden, Sebald, d. 1561.
De arte canendi, ac vero signorvm in cantibvs vsv, libri duo,
autore Sebaldo Heyden. Ab ipso authore recogniti, mutati & aucti
. . . Norimbergae, apud I. Petreium, 1540.
6 p. 1., 163 p. 20 X 15^''°'.
Ist edition, Nuremberg, 1537, has title: Musicae, id est, artis canendi libri
duo.
ML171.H38
Hilaire, Cecile de Saint.
See Saint Hilaire, Cecile de, fseud.f
Hiller, Johann Adam, 1728-1804.
Anweisung zum musikalisch-richtigen gesange, mit hinl^nglichen
exempeln erl&utert, von Johann Adam Hifler. Leipzig, J. F. Junius,
1774.
II p. 1., [3J-224 p. 22 X 17^^-°.
Title vignette: "Canon quatuor vocum in unisono."
MT840.A2H65
Esempel-buch der Anweisung zum singen . . . hrsg. von
Johann Adam Hiller. Leipzig, J. F. Junius, 1774.
64 p. 22 X 17^'='°. {With his Anweisung zum . . . gesange. Leipzig, 1774)
MT840.A2H65
Anweisung zum musikalisch-richtigen gesange, mit hinl4ng-
lichen exeinpeln erl^utert, von Johann Adam Hiller. 2., verb. aufl.
Leipzig, J. G. Feind, 1798.
7 p. 1., [3]-220, [4] p. 22 x 17'='".
Title vignette, same as in the edition of 1774.
MT840.A2H67
Anweisung zum musikalisch-zierlichen gesange, mit hinl&nglichen
exempeln erl&utert, von Johann Adam Hiller. Leipzig, J. F. Junius,
1780.
4 p. 1., XXX, [2] p., 1 1., 152 p. 21^ X 17i<^°>.
Title vignette, same as in the foregoing. Signatures: "ii. theil " (forms the
second part of his "Anweisung zum musikalisch-richtigen gesange ")
MT840.A2H66
124 LIBRARY OF CONGRESS
.Hiller, Johann Adam — Continued.
Anweisung zum violinspielen, fur schulen, und zum selbstunter-
richte. Nebst einem kurzgefassten lexicon der fremden wdrter und
benennungen in der musik, entworfen von Johann Adam Hiller.
Leipzig, Breitkopf [1792]
2 p. 1., 86 p. 21 X 16^"="'.
MT278.A2H46
Anweisung zum violinspielen, Mr schulen, und zum selbstun-
terrichte. Nebst einem kurzgeiassten lexicon der fremden w6rter und
benennungen in der musik, entworfen von Johann Adam Hiller.
GrMz, C. F. Tr6tscher, 1795.
2 p. 1., 87 p. 20 X 161'='".
MT278.A2H47
BeytrS,ge zu wahrer kirchenmusik, von Johann Adolf Hasse, und
Johann Adam Hiller. 2. verm. aufl. Leipzig, A. F. B6hme, 1791.
35 p. IG""*.
Hiller here proposes to translate into German the words of some of Hasse's
compositions and to publish the translations together with the music. Pages
14-35 consist of extracts from the proposed work.
ML410.H35H3
Kurze und erleichterte anweisung zum singen, fiir schulen in
st&dten und ddrfern . . . von Johann Adam Hiller. Leipzig, J. F.
Junius, 1792.
6 p. 1., 99, [1] p. 21^x17^^".
MT935.A2H57
Lebensbeschreibungen beruhmter musikgelehrten und tonkiinstler
neuerer zeit, von Johann Adam Hiller. Erster theil. Leipzig,
Dykische buchhandlung, 1784.
5p. 1., 320p. 21«°'. *
In alphabetical arrangement, A-Ta, with Hiller's autobiography at end (p. 28&-
320) No more published.
ML390.A2H63
Nachricht von der auffuhrung des H&ndelschen Messias, in der
domkirche zu Berlin, den 19. may 1786, von Johann Adam Hiller . . .
Berlin, Gedruckt bey C. S. Spener [1786]
32 p. 35i x 20^"°'.
Title vignette.
ML410.H13H4
Hiller, Johann Adam, 1728-1804, editor.
See Adlung, J. Anleitung zur musikalischen gelahrtheit, 1783.
LiNGKE, G. F. Kurze musiklehre, 1779.
WdcHENTLiCHE nachrichtcn, 1766-70.
Hiller, Johann Adam, 1728-1804, translator.
See Chabanon, M. P. G. de. Ueber die musik, 1781.
EARLY BOOKS ON MUSIC 125
Hinrichs, Johann Christian, h. 1760.
Entstehung, fortgang und ietzige beschaffenheit der russischen
iagdmusik. von lohann Christian Hinrichs ... S*. Petersburg,
Gedrukt bei I. K. Schnoor, auf kosten des verfassers, in commission
bei I. D. Gerstenberg et c*>, 1796.
3p. 1., xivp., 11., 24, [3]p.,ll. 7 pi. on 5 1. 27J x 22i«'".
Engr. t.-p. On pi. 2-5 specimena of music.
"Lebenslauf des erfindera der jagdmusik Johann Anton Maresch . . .": p.
vii-xiv.
ML1337.A2H6
Hirsch, Andreas, translator.
See KiRCHER, A. Kircherus Jesuita germanus GermanigB redo-
natus, 1662.
Hoegi, Pierre.
A tabular system whereby the art of composing minuets is made
so easy that any person, without the least knowledge of musick, may
compose ten thousand, all different, and in the most pleasing and
correct manner. Invented by Sig."" Piere Hoegi. London, Printed
at Welcker's musick shop [1770?]
2 p. 1., 8 p. 24 X 33'="». {With Pasquali, Nicolo. The art of fingering, the
harpsichord. London [17 — ])
Engraved throughout.
MT252.A2P31
[Holbach, Paul Henri Thiry, haron d'] 1723-1789.
Arr^t rendu a Tamphithe^atre de TOpera, sur la plainte du milieu
du parterre, intervenant dans la querelle des deux coins, [n. p.,
1752]
15 p. 19""'.
Caption title.
No. 3 in a volume of pamphlets lettered Quere[lle] des Bouffo[n8]
ML1727.33.A1
Holden, John.
An essay towards a rational system of music. By John Holden . . .
Glasgow, Printed for the author; London, Sold by R. Baldwin, 1770.
viii, 148 p. xu pi. 17J x 22«'°.
MT50.A2H726
Holder, William, 1616-1698.
A treatise of the natural grounds, and principles of harmony. By
William Holder . . . London, Printed by J. Heptinstall, for the
author, and sold by J. Carr, 1694.
5 p. 1., 204 p. 2 pi. (1 fold.) diagrs. W"".
ML3815.A2H6
126 LIBRARY OF CONGRESS
Holder, William — Continued.
A treatise of the natural grounds, and principles of harmony.
By Wilham Holder ... To which is added, by way of appendix:
Rules for playing a thorow-bass; with variety of proper lessons, fuges,
and examples . . . Also directions for tuning an harpsichord or spin-
net. By the late Mr. Godfrey Keller . . . The whole being revis'd,
and corrected from many gross mistakes committed in the first pub-
Ucation of these rules. London, Printed by W. Pearson for J. Wilcox
[etc.] 1731.
3 p. 1., [202] p. fold, pi., diagrs. 20'='».
Errors in paging.
ML3815.A2H7
Hollbusch., Johann Sebastian.
Tonsystem von Johann Sebastian Hollbusch; abgef asset in einem
gespr&che zweier freunde. Mainz, Gedruckt bey Hafners sel. erben,
1792.
4 p. 1., 200 p. m<='°.
ML3815.A2H75
[Holler, Aegidius] I. 1751.
Solfeggio nuovo, facile e sicuro per tutti i tuoni del canto fermo,
proposto agli studiosi di esso da D. Diego OreUi. Siena, Appresso
V. razzini Carh, e figlj a spese dell' autore, 1797.
28 p. 281'=°.
MT870.A2H73
Holtheuser, Johann.
Enconivm mvsicae, artis antiqviss: et divinae carmine elegiaco
, scriptum, et recitatum in celeberrima Academia vvittebergensi, in
' prselectione musicse Henrici Fabri. anno, 1551. 26. april. a loanne A.
Holthevsero Hilperhvsano. Adiecta svnt in fine Epigrammata in
laudem mvsicae a uarijs scripta. Erphordiae, 1551.
[31] p. illus. 19 X 14i^
icm
Illustration on t.-p. ("Mvsica") repeated on p. [30]; arms of Hildburghausen
on p. [31] Colophon: Excusum Erphordiae per Martinum de Dolgen. Signa-
tures: A-D in fours.
ML171.H64
Hooch, Dirk van der.
See De zaxgkunst, 1788.
L'Hopital, musicien. Paris, L. Cellot, & A. Jombert jeune, 1778.
22 p. 20'^'°.
Proposes that the children in the Hopital general be educated in music.
ML63.H71
EAELY BOOKS ON MUSIC 127
Hotteterre, Jacques, d. 1760 or 61.
Methode pour la musette, contenant des principes, par le moj-en
desquels on peut apprendre a joiier de cet instrument, de soy-meme
au defaut de maitre. Avec un nouveau plan pour la conduite du
souflet, & plusieurs instructions pour le toucher, &c. Plus un recueil
d'airs, & quelques preludes, dans les tons les plus conven&,bles. Par
M"". Hotteterre, ordinaire de la musique de la chambre du roy.
Oeuvre x. Paris, Impr. de J-B-C. Ballard, 1738.
viij, 84, [2] p.; 1 p. 1., 32 p. front., pi. 28"™.*
In two parts. The second part is engraved, with the exception of the title
(Seconde partie de la Methode . . . Contenant plusieurs suittes, d'airs, vaude-
villes, menuets, symphonies, &c. . . . Recueillis & ornez de leurs agvements
par I'autheur. Ensemble des preludes dans differens modes, par le meme)
"Catalogue des oeuvres du s'' Hotteterre": p. [85]
MT530.H78
Principes de la flute traversiere, ou flute d'Allemagne, de la flute a
bee, ou flute douce, et du haut-bois, divisez par traitez. Par le sieur
Hotteterre -leRomain . . . Amsterdam, Auxd^pensd'E. Roger [1708]
2 p. 1., 46, [1] p. 7 pi. (6 fold.) 20«=>.
MT342.A2H75
Hoyle, John, d. 1797 ?
Dictionarium musica [!], being a complete dictionary: or, treasury of
music. Containing, a full explanation of all the words and terms
made use of in music, both speculative, practical and historical. All
the words and terms made use of by the Italians, are also inserted.
The whole compiled from the best antient and modern authors who
have wrote on the subject. By John Hoyle . . . London, Printed
for the author, and sold by S. Crowder; [etc., etc.] 1770.
2 p. 1., 112 p. 20^"^"!.
For the most part a mere abridgment of Grassineau.
ML108.A2H78
A complete dictionary of music. Containing a full and clear
explanation, divested of technical phrases, of all the words and terms,
English, Italian, &c. made use of in that science . . . The whole
compiled from the best ancient and modern authors ... by John
Hoyle . . . London, H. D. Symonds [etc.] 1791.
iv, 160 p. 21''°^.
ML108.A2H8
Huber, Johann Ludwig, 1723-1800.
Tamira, ein drama. Nebst einer abhandlung iiber das melodrama,
von (1. Huber . . . Tubingen, Cotta, 1791.
136 p. lej^™.
Title vignette.
Albert Schatz, in the ms. catalogue of his collei^tion of librettos, gives the
author as Ferdinand Ludwig, not Johann Ludwig, Huber.
ML48 S11295
128 LIBRARY OF CONGRESS
Hughes, William, d. 1798.
The efficacy and importance of musick. A sermon preach' d in the
cathedral-church of Worcester, at the annual meeting of the Three
choirs, Worcester, Gloucester and Hereford, Wednesday, September
13, 1749 ... By WiUiam Hughes . . . London, S. Mountfort [1749]
vii, 24 p. 20"™.
ML3920.A2H86
Remarks upon church musick. To which are added several obser-
vations irpon some of Mr, Handel's oratorio's, and other parts of his
works. By William Hughes ... 2d ed. Worcester, R. Lewis, 1763.
ix, 46 p. 20'="'.
ML3869.A2H86
Hugo Reutlingensis.
See Spechtshart, Hugo, of Reutlingen.
Humanus, P. C, psevd.
See Hartong.
[Hunold, Christian Friedrich] 1680-1721.
Tlieatralische / galante und geistliche gediclite / von Menantes
[pseud.] Hamburg / G. Liebernickel, 1706.
7 p. 1., 241 {i. e. 269), 80, [7] p. front, lei""*.
No. 207-208 omitted in paging; p. 257-271 numbered 227-241.
The book is in form of a treatise on the technique of librettos.
"Der gestdrtzte und wieder erhShte Nebucadnezar, k6nig zu Babylon / unter
dem grossen propheten Daniel, in einem singe-spiel auf dem grossen hamburgi-
schen schau-platze vorgestellet im jahr 1704" : p. [137]-196.
"Der blutige und sterbende Jesus / wie selbigerin einem oratorio musicalisch
gesetzt / und in der Stillen woche / montags und mittewochs zur vesper-zeit
auffgef&hret worden / durch Reinhard Keisern" : p. [3J-35.
ML49.A2H9
Huygens, Constantijn, Tieer van Zuilichem, 1596-1687.
Ghebruik, en onghebruik van 't orghel, in de kerken der Vereenighde
Nederlanden. Beschreeven door Constantyn Huigens, ridder. heere
van Zuylichem, Zeelhem, ende Monickeland . . . Verrijkt met
eenighe zanghen. Amsterdam, A. G. vanden Heuvel, 1660.
6 p. 1., 180 p. 15''".
Added t.-p., engr.: Constantijn Huygens Orgel gebruyk, inde kerke der Ver-
eenighe Neederlande. Verrykt met eenige zange . . .
Preceding the text are three poems laudatory of Huygens, the first by P. C.
Hooft, the second and third by H. F. Waterloos. At end (p. 143-180) are six
poems by Waterloos.
First edition published anonymously, Leyden, 1641.
ML3001.H98
niuminato da Torino.
Canto ecclesiastico facile della Settimana santa del p. f. Illuminato
da Torino . . , Per uso, e commodo di tutti gli ecclesiastici si secolari,
che regolari . . . Venezia, G. Tomasini, 1729.
4 p. 1., 291, [1] p. coat of anna. 26*=°'.
M2150.A2 129
EARLY BOOKS ON MUSIC 129
Imbert,
Nouvelle m^thode, ou principes raisonn^s du plein-chant, dans sa
perfection, tires des elemens de la musique: contenant aussi una
m^thode de serpent . . . les maitres trouveront dans ladite methode,
toutes sortes de pieces de chant choisies, comme: duo, trio, quatuor,
messes, proses, nymnes . . . pour enseigner k leurs eleves. Par M.
Imbert . . . Paris, Veuve Ballard & fils [etc.] 1780.
viii, 50 p., 2 1., [53J-268, [2] p. 5 pi. (1 fold.) 17=°».
MT860.A2I32
Introductory lessons, practised by the Uranian society, held at
Philadelphia for promoting the knowledge of vocal music. Jan. 1 ,
1785. [Philadelphia, 1785]
2 p. 1., iv, 20 p. pi. 11^ X 25i«™.
Engraved throughout.
Probably compiled by Andrew Adgate, president of the society.
MT870.A2U72
Iriarte y Oropesa, Tomas de, 1750-1791.
La miisica, poema. Por D. Tomas de Yriarte . . . Madrid, Im-
prenta real de la Gazeta, 1779.
10 p. 1., 126, xl p., 1 1. front., 5 pi. 23i'="».
ML3800.A2I8
La mtisica, poema, por D. Tomas de Yriarte ... 2. ed.
Madrid, Imprenta real, 1784.
10 p. 1., 126, xl p. front., 5 pi. 23°».
ML3800.A2I82
Irol, Pablo Minguet e.
See Minguet e Irol, Pablo.
Iso,
Memoire pour le sieur Iso, maitre de musique, demandeur. Contre
le sieur Lagarde, aussi maitre de musique, defendeur. [Paris, Impr.
de Knapen, 17 — ]
6 p. 24^ X IT"^.
Caption title. Signed: M® Richer, avocat. Amiot, procureur.
Iso identical with Yzo, author of "Lettre sur celle de M. J. J. Rousseau"?
ML423.Y97
Jackson, William.
A scheme demonstrating the perfection and harmony of sounds;
wherein is discover' d the true coincidence of tones into diapasons and
where all musical intervals unite and incorporate to the minutest part
of their exact proportions agreeable to the proportions of numbers;
likewise the exact difference betwixt greater and lesser intervals and
how they are compounded together in musical concordance ... To
Edward Barker . . . this scheme is humbly inscribed by the author
WilHam Jackson. [London, 1726?]
chart. 65 x 34 J""" fold, to 21 x IQ<"^.
Engraved chart, with vignette and ornamental border.
MT15.A2J14
51234 °^13 9
130 LIBRARY OF CONGRESS
Jacob, d. 1772.
Methode de musique sur un nouveay plan. Par M. Jacob . . .
Paris, Chez I'auteur [etc.] 1769.
2 p. 1., 66, [2] p. fold. pi. 20«"».
MT6.A2J14
Jamard, 1734-1815.
Recherches sur la theorie de la musique, par M. Jamard . . . Paris,
Jombert; [etc., etc.] 1769.
1 p. 1., xxvii, [1], 296, [4] p. fold. pi. 20^"™.
A development of the theory of Balliere.
ML3800.A2J2
Janovka, Tomas Baltazar, h. 1660.
Clavis ad thesaurum magnae artis musicse, seu Elucidarium omnimn
fere rerum ac verborum, in musica figurali tam vocaU, quam instru-
mental obvenientium. Consistens potissimtun in definitionibus &
divisionibus; quibusdam recentioribus de scala, tone, cantu, & genere
musicae &c. sententijs, variisque exqvisitis observationibus . . . alpha-
betico ordine compositum a Thoma Balthasare Janovvka . . . Im-
pensis authoris, apud quern venalis invenitur. Vetero-Pragae, in
Magno coUegio Carolino typis Georgij Labaun, 1701.
10 p. 1., 324 p. 16'''°.
ML108.A2J2
See also Vogt, M. J. Conclave Thesauri magnte artis musicae,
1719.
Jesus Maria, Carlos de.
See Cahlos de Jesus Maria.
[Joao iv] Icing of Portugal, 1604-1656.
moderna || contro || la falsa opinione || del
tradotta || di spagnvolo || in || itaUano.
Difesa | della || mvsica
vescovo I Cirillo Franco
[Venetia, 16—]
74 p. 20i<'">.
Dedication signed: Incerto autore D. B. (i. e. Duque de Braganga)
Engr. t.-p. with emblematic border and arms of the House of Braganga. In
lower part of border: C. Dolcetta fece in Venetia.
'-'Lettera [del vescouo Cirillo Franco a] Hugolino Gualteruzzi, Bopra I'impro-
priet^ delli musici modemi nelle loro compositioni delle messe, e canto eccle-
eiastico. VS, impressa nella sua lingua toscana, nel terzo libro delle lettere
illustri Btampate in Venetia per Aldo Manutio 1567 . . . Puntualmente sta
tradotta, ma non parola per parola, per il mal suono, che haurebbe fatto nella
lingua castigliana": p. 14-27.
"Alcvni essempi della pi\l antica musica": p. 63-74.
ML3920.A2J8
Jocher, Christian Gottlieb, 1694-1758.
See Ettmuller, M. E. Disputatio effectus musicae [1714]
EARLY BOOKS ON MUSIC 131
Jones, Edward, Bardd y hrenin, 1752-1824.
Musical and poetical r^cks of the Welsh bards: preserved, by
tradition and authentic manuscripts, from very remote antiquity;
never before pubHshed. To the bardic tunes are added variations
for the harp, harpsichord, vioUn, or flute: with a select collection of
the pennilHon and englynion, or, epigrammatic stanzas, poetical
blossoms, and pastoral songs, of Wales, with English translations.
Likewise, a general history of the bards and druids ... To which
is prefixed, a copious dissertation on the musical instruments of the
aboriginal Britons ... by Edward Jones ... A new ed., doubly
augm., and improved . . . London, Printed for the author, 1794.
2 p. 1., 183, viii p. 2 pi. (incl. front.) 34i=">.
A second volume was published in 1802 under title: The bardic museum.
"Jones had prepared a thu-d volume, a portion only of which was published at
his death, the remainder being issued subsequently." — Grove, Diet, of music.
M1742.A2J77
[Jones, William] 1726-1800.
A treatise on the art of music; in which the elements of harmony
and air are practically considered, and illustrated by an hundred and
fifty examples in notes, many of them taken from the best authors:
the whole being intended as a course of lectures, preparatory to the
practice of thorough-bass and musical composition . . . Colchester,
Printed for the author, by W. Keymer, 1784.
1 p. 1., iii, [2], xii, 61, 40 p. 33"".
Ms. signature at end of dedication: W. Jones.
The music, though paged consecutively (1-40), is inserted throughout text.
MT50.A2J79
[Jourdan, Jean Baptiste] 1711-1793.
Le correcteur des Bouffons a I'ecoher de Prague, [n. p., 1753?]
20 p. 19"°'.
No. 8 in a volume of pamphlets lettered Quere[lle] des Bouffo[n8]
ML1727.33.A1
Seconde lettre du correcteur des Bouifons a I'ecolier de Prague.
Contenant quelques observations sur I'opera de Titon, Le jaloux
corrige, & Le devin du village, [n. p., 1753?]
22 p. IS"'".
ML1727.33.J8
Journal der tonkunst. Hrsg. von Heinrich Christoph Koch . . .
1.-2. stuck. Erfurt, G. A. Keyser, 1795.
16, [2], [17]-142 p., 6 p. (music); viii, [143]-261, [1] p. 19""".
Part 2: Erfurt, G. A. Keyser, und Braunschweig, In dem Musikalischen maga-
zin auf der hohe, 1795.
ML4.J6
132 LIBRARY OF CONGRESS
Journal des spectacles, repr^sentes devant Leurs Majestes, sur les
theatres de Versailles & de Fontainebleau, pendant rann^e 1765 . . .
[Paris] Impr. de P. R. C. BaUard, 1766.
2 V. 2P™.
The "Journal" proper (16 p.), a calendar of the spectacles, precedes the texts
(each separately paged) of the following: (t. 1) Intermedes d'amour pour amour.
Les Incas du Perou. Prologue des Indes galantes. Les sauvages, entree ajoutee
aux Indes galantes. Fragments, composes du prologue des Amours des dieux,
de Tacte de L'amour enjou^, et de celui de La danse. Thetis et Pelee. Renaua
d'Ast. — (t. 2) Silvie. Palmire. La vengeance de l'amour, ou Diane ,et Endi-
mion, pantomime heroique. La fee Urgele. Programme du ballet d'Egle. Le
triomphe de Flore. Zenis et Almasie. Thes6e. Erosine.
ML48.J7
[Jumiihac, Pierre Benoit de] 1611-1682.
La science et la pratique du plain-chant, oh tout ce qui appartient
a la pratique est stably par les principes de la science, et confirme par
le temoignage des anciens philosophes, des peres de I'eglise, & des
plus illustres musiciens . . . Par un reUgieux Benedictin de la con-
gregation de S. Maur. Paris, L. Bilaine, 1673.
1 p. 1., xiv, 400 p. incl. 7 pi. 26^""".
"Exemples": p. 314-397.
ML3082.A2J8
Junker, Carl Ludwig, d. 1797.
Einige der vornehmsten pflichten eines kapellmeisters oder musik-
direktors. Von Carl Ludwig Junker. Winterthur, H. Steiner und
comp., 1782.
48 p. H"™.
MT85.A2J9
Portefeuille Mr musikliebhaber. Charakteristik von 20 componi-
sten; und Abhandlung ijber die tonkunst. Leipziger ostermesse, 1792.
Ip. 1., 109, 119p. 19''"'.
A reprint of his "Tonkunst" and "Zwanzig comjKjnisten."
ML60.J95
Tonkunst. C. L. Junker. Wuxrjc caxpe'cov. Bern, Typographische
gesellschaft, 1777.
19 p. 1., 119 p. 19"™.
Title vignette.
ML3845.A2J8
Ueber den werth der tonkunst, von C. L. Junker . . . Bayreuth
und Leipzig, J. A. Liibecks sel. erben, 1786.
viii, 174 p. 17^"™.
Title vignette.
ML3920.A2J9
Zwanzig componisten, eine skizze, von Carl Ludwig Junker . . .
Bern, Typographische gesellschaft, 1776.
xvi, 109 p. 18 x l(f ™.
Title vignette.
ML390.A2J9
EARLY BOOKS ON MUSIC 133
Junker, Carl Ludwig — Continued.
See also Musikalischer almanach . . . 1782.
MusiKALiscHER uncl kiinstler-almanach . . . 1783.
Jussow, Johann Andreas.
See ScHMiD, J. A. De cantoribvs ecclesiae, 1708.
Justinus a Desponsatione B. M. V.
R. p. Justini Cann. Musicalische arbeith und kurtz-weil. Das ist:
Kurtze und gute regulen: der componier und schlag-kunst k 4.
Leichte und schware exempelen / und fragen. Voll- und lehr-griffige
schlag-stuck. Dem scholarn: zwey hand voll arbeith. Dem lieb-
haber: zwey hand voll kurtz-weil . . . Augspurg und Dillingen /
J. C. Bencards seel, wittib und erben, 1723.
8 p. 1., 132 p., 1 1. 29"'".
MT6.A2J9
Kalkbrenner, Christian, 1755-1806.
Kurzer abriss der geschichte der tonkunst, zum vergnilgen der lieb-
haber der musik. Hrsg. von C. Kalkbrenner . . . Berhn, F. Maurer,
1792.
128 p. 17^"™.
MLl59.kl2
Theorie der tonkunst, mit dreyzehn tabellen, von C. Kalkbrenner
. . . Erster theil. Berlin, J. J. Hummel [1789]
3p. 1., vi, 40p.;ll., 13p. (engr.) 29 x 24«°».
No more published.
MT6.A2K2
Kausch, Johann Joseph, 1751-1825.
Johann Joseph Kausch's . . . Psychologische abhandlung uber den
einfluss der tone und ins besondere der musik auf die seele; nebst
einem anhange uber den unmittelbaren zwek der schdnen kunste.
Bresslau, Bei J. F, Korn, dem ^.Iteren, 1782.
xvi, 200 p., 11. 20 X 11^"'°.
ML3920.A2K2
Keeble, John, 1711-1786.
The theory of harmonics: or. An illustration of the Grecian har-
monica. In two parts: i. As it is maintained by EucUd, Aristoxenus,
and Bacchius senior, ii. As it is established on the doctrine of the
ratio: in which are explained the two diagrams of Gaudentius, and
the Pythagorean numbers in Nicomachus. With plates, an intro-
duction to each part, and a general index. By John Keeble . . . Lon-
don, Printed for the author, and sold by J. Walter [etc.] 1784.
3 p. 1., 204, xxiii, [2] p. xxix pi. on 20 1. (incl. tables) 30x24"".
ML3805.A2K26
134 LIBBABY OF CONGBESS
Keinspeck, Michael.
Liliu musice plane
quibusdam additame
MichaeKs kiinspeck musici Alexa |[ drini. notiis
I tis Per J. A. A. eius discipulum pn || dem illus-
tratum. || Hexasticon In comendationem || Fragrantis Lilij. || Discite
nuc iuuenes Musas celebrare canoras || Atcb ammum corpus cb simul
releuare periclis || Candidulum florem spirantem germine leto || In-
geniu curamqj dico coniuge loquenti || Hie etenim medicam possis
naurire salutem || Corporis ac anime melioris munera vite. [Colophon:
^Explicit Lilium Musice plane Micha || elis kunspeck musici Alexan-
drini bene j| meriti. Per Mathiam Hupfuff ciuem || Argentines! im-
pressus. Anno salutis nfe j| ^iillesimo. Quingentesimo sexto]
[31] p. 20^^"".
ML171.K34
Keiser, Reinliard, 1674-1739.
See Mattheson, J. Das neu-er6ffnete orchestre, 1713.
Keller, Gottfried, d. 1704.
A compleat method, for attaining to play a through bass upon
either organ, harpsichord or theorbo lute, by the late famous M*".
Godfry Keller; with variety of proper lessons & fuges, explaining the
several rules through-out the whole work; & a scale for tuning y^
harpsichord or spinet, all taken from his own copies which he design'd
to print. Note in this celebrated work for y® ease of practitioners
all y^ chords are correctly explain'd both with figures & notes. Lon-
don, R. Meares [ca. 1714]
1 p. 1., 14 numb. 1. Sl^"".
Engraved throughout.
MT49.A2K29
Rules for playing a thorow-bass, by the late famous Mr.
Godfrey Keller.
(In Holder, William. A treatise of . . . harmony. London, 1731. 20"™.
p. 159-202)
ML3815.A2H7
Kellner, David, d. 1748.
Treulicher unterricht im general-bass . . . hrsg. von D. K. 2. und
verm. aufl. Nebst einer vorrede hn. G. P. Telemanns. Hamburg,
C. Herold, 1737.
3 p. 1., 99, [9] p. illus., tables. 22 x IS'"".
MT49.A2K3
Treulicher unterricht im general-bass, worinne . . . allerhand
sothane neu-erfundene vortheile an die hand gegeben werden, ver-
m6ge welcher einer in kurtzer zeit alles, was zu dieser wissenschafTt
geh6ret, sattsam begreiffen kan . . . hrsg. von David Kellner ... 3.
aufl. Mit einer vorrede des herrn Daniel Solanders . . . Hamburg,
C. Herold, 1743.
3 p. 1., 98, [6] p. tables., diagrs. 21 x 17^'''°. {With Eisel, Johann P. Musi-
CU.S dujzodidaKToc. Erfurt, 1738)
MT6.A2E44
EAELY BOOKS ON MUSIC 135
Kellner, David — Continued.
Treulicher unterricht im general-bass . . . hrsg. von David
Kellner .... 7., mit vierzehn melodien von C. P. E. Bach verm. aufl.
Hamburg, J. G. Herold [1796]
1 p. 1., 64, [2], 16 p. illus. 21J x 27^''"».
The music has special t.-p.: Neue melodien zu einigen liedem dea neuen ham-
burgischen gesangbuchs, nebst einigen berichtigungen von Carl Philipp Ema-
nuel Bach ... Im verlag der Heroldschen buchhandlung, 1787.
According to Gerber, Neues . . . lexikon der tonktinstler, the present edition
is the 8th, the 7th edition having appeared in 1782.
MT49.A2K31
Kellner, Johann Christoph, 1736-1803.
Grundriss des generalbasses ; eine theoretisch-praktische anleitung
fiir die ersten anfanger entworfen, von J. C. Kellner. Op. xvi.
Erster theil. Cassel, Gedruckt auf kosten des verfassers [17 — ]
47, [1] p. 17 X 204""'.
MT49.A2K35
Kessel, Johann Christian Bertram, d. 1823.
Unterricht im generalbasse zum gebrauche fur lehrer und lernende,
von Joh. Christian Bertram Kessel. Neue verb, und verm. aufl.
Leipzig, C. G. Hertel, 1791.
8 p. 1., 110, [2] p. 20"™.
"Zusatze, von der fantasie": p. 67-106.
MT49.A2K42
Kircher, Athanasius, 1602-1680.
Athanasii Kircheri . . . Mvsvrgia vniversalis, sive Ars magna con- ^
soni et dissoni in x. libros digesta . . . Romse, ex typographia hsere-
dum F. Corbelletti, 1650.
2 V. (v. 1: 11 p. 1., 690 p.; v. 2: 1 p. 1., 462, [36] p.) front, (v. 2) illus., plates
(2 fold.) port., tables, diagrs. 33^"°'.
Title vignette; added t.-p.,. engr. in v. 1. Vol. 2 has title abbreviated, with
imorint: Romae, typis Ludouici Grignani, 1650.
ML100.A2K5
, . . Kircherus Jesuita ^ermanus Germanise redonatus: sive
Artis magnse de consono & dissono ars minor; das ist / philoso-
phischer extract und auszug / aus dess welt-beruhmten teutschen
Jesuiten Athanasii Kircheri . . . Musurgia universali . . . ausgezogen
und verfertiget . . . von Andrea Hirschen . . . Schw. Hall, Gedruckt
bei H. R. Laidigen, 1662.
[16], 375, [25] p. 15^"°^.
ML100.A2K55
136 LIBRARY OF CONGRESS
Kircher, Athanasius — Continued.
Athanasii Kircheri . . . Phonurgia nova, sive Conjugium mechanico-
physicum artis & natvrse paranympha phonosophia concinnatum;
qua universa sonorum natura, proprietas, vires effectutimqj pro-
digiosorum causae, nov^ & multipbci experimentorum exhibitione
enucleantur; instrumentorum acusticorum, machinartimqj ad naturae
prototypon adaptandarum, turn ad sonos ad remotissima spatia pro-
pagandos, turn in abditis domorum recessibus per occultioris in^enii
machinamenta clam palamve sermocinandi modus & ratio traditur,
tum denique in bellorum tumultibus singularis hujusmodi organorum
usus, & praxis per novam phonologiam describitur. Campidonae, per
Rudolplium Dreherr, 1673.
22 p. 1., 229, [16] p. illus., plates, port., diagre. 34"™.
Title vignette; added t.-p., engr.
ML3805.A2K58
Kirclirath, Reiner.
Theatrum musicae choralis, das ist: Kurze und ^nindlich erkUrte
verfassung der aretinischer und gregorianischer singkunst, zusam-
mengetragen und in druck gegeben von Reinero Kirchrath . . . K61n
am Kheine, Bey J. G. Langen, 1782.
4 p. 1., iv, 88, [2] p. 23 x 19<"".
Title within ornamental border.
MT860 A2]K58
Kirnberger, Johann Philipp, 1721-1783.
Allegro, filr das clavier alleine, wie auch Mr die violin mit dem vio-
loncell zu accompagniren, von Johann Philipp Kimberger componirt
und vertheidiget. Berhn, Gedruckt bey G. L. Winter, 1759.
1 p. 1., 13 p. 3ii«™.
The defense of the "Allegro" was written in reply to a criticism by Marpnrg
in his "Kritische briefe," of July 28, November 24, and December 1, 1759.
MT59.A2K59
Der allezeit fertige polonoisen- und menuettencomponist, von
Johann PhiUpp Karnberger. Berlin, G. L. Winter, 1757.
10, xxix p. 22 X 27^'^'".
MT64.A2K3
L'art de composer des menuets et des polonoises sur le champ,
par Mr. Jean-Phil. Kimberger. Berlin, G.-L. Winter, 1757.
lO; xxix p. 21 X 28"™.
MT64.A2K4
Anleitung zur singekomposition, mit oden in verschiedenen sylben-
maassen begleitet, von loh. Phil. Kimberger . . . Berlin, G. I.
Decker, 1782.
1 p. 1., 85, [1] p. 28i X 32"°.
MT64.A2K5
Gedanken iiber die verschiedenen lehrarten in der komposition, als
vorbereitung zur fugenkenntjiiss, von Johann Phihpp Kimberger . . .
Berlin, G. J. Decker, 1782.
31 p. 22^ X 18"™.
MT55.A2K59
;early books on music 137
Kirnberger, Johann Philipp — Continued.
Grundsatze des generalbasses, als erste linien zur composition von
Johan Philip Kirnberger . . . Berlin, J. J. Hummel [1781]
3 p. 1., vi, 88 p.; 1 p. 1. (blank), 45 pi. on 25 1. (musical examples) 24^ x 20"'".
Another L. of C. copy of the examples h.'is an engr. title, as above, with the
words "nebst xxxxv kupfertafeln " added.
MT49.A2K6
Die kunst des reinen satzes in der musik aus sicheren grunds&tzen
hergeleitet und mit deutlichen beyspielen erl&utert von Job. Phil.
Kirnberger . . , Berlin, In commission bey C. F. Voss, 1771-79.
2 V. 20^ X l?"™.
Title vignette. Vol. 2 is in 3 parts, each having special t.-p., with imprint:
Berlin und Konigsberg, G. J. Decker und G. L. Hartung, 1776 [-79]
Collation: v. 1: 5 p. 1., 250, [5] p. fold, tab., 2 fold. 1. (musical examples);
V. 2: 2 p. 1., 153, [1] p.; 2 p. 1., [3]— 232, [2] p.; 2 p. 1.; [3J-188 p.
MT40.A2K6
Methode sonaten aus 'm ermel zu schuddeln, von Johann Philipp
Kirnberger . . . Berhn, Gedruckt bey F. W. Bimstiel, 1783.
7 p. 37J X 22<=™.
MT62.A2K47
Die wahren grunds&tze zumgebrauch der harmonic, darinn deutlich
gezeiget wird, wie alle m6glichen accorde aus dem dreyklang und dem
wesentlichen septimenaccord, und deren dissonirenden vorh§,lten, her-
zuleiten und zu erkl§,ren sind, als ein zusatz zu der Kunst des reines
satzes in der musik, von Johann Philipp Kirnberger . . . Berlin und
K6nigsberg, G. J. Decker und G. L. Hartung, 1773.
115 {i. e. 113) p. 20^ x 17''™. {With his Kunst des reinen satzes in der musik.
Berlin, 1771-79. v. 1)
Last page numbered 115 for 113.
MT40.A2K6
See also Sxilzer, J. G. Allgemeine theorie der sch6nen kunste,
1792-99.
Klein, Johann Joseph, 1740-1823.
Versuch eines lehrbuchs der praktischen musik in systematischer
ordnung entworfen von Johann Joseph Klein . . . Mit kupfern.
Gera, C. F. Bekmann, 1783.
12 p. 1., 264 (i. e. 164), [12] p. diagrs. (1 fold.) 21^'^'".
Title vignette. No. 132-231 omitted in paging.
MT6.A2K5
Knecht, Justin Heinrich, 1752-1817.
Erklarung einiger von einem der r. g. b. in Erlangen angetasteten,
aber missverstandenen grundsatze aus der Voglerschen theorie . . .
von Justin Heinrich Knecht . . . Nebst angehingten anmerkungen
liber herrn Ldhleins einleitung in den zweyten theil seiner Clavier-
schule. Ulm, Gedruckt bey C. U. Wagner, 1785.
35 p. 22 x 18'^"'.
Head and tail pieces.
Written in reply to Johann Michael Weissbeck's * ' Protestationsschrift, oder
Exemplarische widerlegung einiger stellen . . . der kapellmeister Voglerischen
Tonwissenschaft und tonsetzkunst."
MT40.A2K7
138 LIBRARY OF CONGRESS
Knecht, Justin Heinrich — Continued.
Kleines alphabetisches w6rterbuch der vomehmsten und interes-
santesten artikel aus der musikalischen tlieorie. Verfasst von Justin
Heinrich Knecht. Uhn, Wohlersche buchhandlung, 1795.
viii, 117 p., 1 1. 20«"'.
ML108.A2K5
Vollst&ndige orgelschule Mr anf&nger und geiibtere, hrsg. von
Justin Heinrich Knecht . . . Leipzig, Breitkopfische musikhand-
lung [1795-98]
3 V. 31 X 24«'".
Vol. 3: In der Breitkopf- und HSxtelschen musikhandlung.
Of the Bix parts announced in the preface of vol. 3 only the first three were
published.
Contents. — 1. abth. Die anfangsgrfinde der orgelspielkunst. — 2. abth. Die
kenntnis der vomehmsten orgelregister. — 3. abth. Eine theoretisch-praktische
abhandlung uber das choralspiel auf der orgel.
MT182.A2K73
Kobrich, Johann Joseph Anton Bemhard, h. ca. 1720.
Johann Anton Kobrichs . . . GrundUche clavierschule, durchge-
hends mit praktischen beyspielen erkl^ret. Augsburg, M. Riegers
sel. sdhne, 1782.
2 p. 1., 47 p. illus. 35'='".
Title within ornamental border; title vignette; head-piece.
"Kurze anzeige des general-basses": p. 23-32.
MT222.A2K75
Koch, Heinrich Christoph, 1749-1816.
Versuch einer anleitung zur composition, von Heinrich Christoph
Koch . . . Leipzig, A. F. B6hme, 1782-93.
3 V. IS''".
MT40.A2K76
Koch, Heinrich Christoph, 174&-1816, editor.
See Journal der tonkunst, 1795.
Koesfelt, Coenraad Zumbag de.
See Zumbag de Koesfelt, Coenraad.
Koesfelt, Lothar Zumbag de.
See Zumbag de Koesfelt, Coenraad. Institutiones musicae,
1743.
Kollmann, August Friedrich Christoph, 1756-1829.
An essay on musical harmony, 'according to the nature of that
science and the principles of the greatest musical authors. By
Augustus Frederic Christopher Kollmann . . . London. J. Dale, 1796.
xviii, 128 p., 40 p. (music, engr.) 34<=™.
MT50.A2E:8
EARLY BOOKS ON MUSIC 139
Kollmann, August Friedrich Christo-ph— Continued.
An essay on practical musical composition, according to the
nature of that science and the principles of the greatest musical
authors. By Augustus P^rederic Cliristopher Kollmann . . . Lon-
don, Printed for the author, 1799.
XX, 106 p., 1 1., 67 p. (music, engr.) 34"™.
The 1 1. contains list of works published by the author.
MT40.A2K77
Kolof, Lorenz Christoph Mizler von.
See Mizler von Kolof, Lorenz Chuistoph.
[Koswick, Michael]
Compendiaria Musice [| artis aeditio, cuncta q ad practicam atti-
nent || mira quadam breuitate complectens. || C Cum quibusdam nouis
additionibus. || [wdct.] || Inuentum Samii modosa vatis || Si paucis
cupias habere verbis || Me paruum / facito / legas tibellum || Et paruo
redimas / vale viator. || C Lipsi impressit Uuolffgangus Monacen. 1517.
[30] p. 21^ X 16«"».
Signatures: A in four, B-C in sixes (last leaf blank)
Koswick 's name appears in the caption of the dedication.
ML171.K73
[Kraus, Joseph Martin] 1756-1792.
Wahrheiten die musik betreffend, gerade herausgesagt von einem
teutschen biedermami. Frankfurt am Mayn, Eichenbergsclie erben,
1779.
142 p. lO""'.
In 3 parts: (1) Erstes stuck (2) Erste fortsetzung (3) Zweyte fortsetzung.
ML60.K72
[Krause, Christian Gottfried] 1719-1770.
Von der musikalischen poesie . . . Berlin, J. F. Voss, 1752.
11 p. 1., 484, [19] p. 18i X 10i«™.
ML3849.A2K91
Kriner, Joseph, d. 1807.
Klavier-meister oder Die durch die theorie aufgeloste practische
abhandlung liber den general bass mit beygesetzter finger ordnung
vom Joseph Kriner, musick compositeur.
[67] p. 281'''".
18th cent, ms., presumably the author's autograph.
MT49.A2K84
Kritische briefe uber die tonkunst, mit kleinen clavierstucken und
singoden begleitet, von einer musikalischen geseUschaft in Berlin . . .
Berlin, F. W. Birnstiel, buchdrucker, 1760-64.
3 V. in 2. 22 x 17^''™.
Published weekly June 23, 1759-Sept. 6, 1760; June 20, 1761-Feb. 6, 1762 (none
for Dec. 26); June 12, 1762-Jan. 15, 1763; June 11-Sept. 17, 1763. Edited by
I'riedrich Wilhelm Marpurg, who is also author of the greater part of the letters.
ML4.K92
140 LIBBARY OP CONGRESS
Kurzinger, Ignaz Franz Xaver.
Getreuer unterricht zum singen mit manieren, und die violin zu
spielen. Zum gebrauch und nutzen der anf&nger; zur erieichterung
deren herren chorregenten, cantoren, thurnermeistern, und andern,
die sich mit instruiren beschliftigen. Nebst einem alphabetischen
anhang der mehrsten sachen, welche einem rechtschaffenen s&nger,
oder instrumentisten zu wissen n6thig sind. Zusammengetragen von
Ignatz Franz Xaver Kilrzinger . . . Augsburg, J. J. Lotter, 1763.
2 p. 1., 95, [1] p. illus. 21^ X l?^'".
MT7.A2K9
Kuhnau, Johann, 1660-1722.
See Mylitjs, A. Jura circa musicos ecclesiasticos [1688]
Printz, W. C. Musicus curiosus, 1691.
Musicus magnanimus, 1691.
Werckmeister. a. Cribrvm mvsicvm, 1700.
Kuntzen, Johann Paul, 1696-1757.
See Mattheson, J. Gultige zeugnisse, 1738.
Kunzen, Frledrich Ludwig Aemilius, 1761-1817, ediUyr.
See MusiKALiscHE monathsschrift [1792]
Musikalisches wochenblatt [1791-92]
Studien fiir tonkiinstler, 1793.
Kurtze anfuhrung zum general-bass, darinnen die regeln, welche bey
eriemung des general-basses zu wissen n6tliig, kurtzlich und mit
wenig worten enthalten. Allen anf &ngern des claviers zu mitzlichen
gebrauch zusammen gesetzet. 2. ed. Leipzig, A. Martini, 1733.
8 p. 1., 80 p. 17 X lO'^™. {With Mizler von Kolof, Lorenz C. Anfangsgrfinde
des general basses. Leipzig [1739])
Dedicated to Mile. Jeanne Eleonore Wolff; dedication signed "A." Has been
attributed to a certain Fraulein von Freudenberg, a young girl, pupil of David
Kellner in Stockholm, but the general tenor of the dedication would lead to
the supposition that the author was of mature age and was the music teacher of
Mile. Wolff. In the British museum catalogue the work is ascribed to J. F.
Andrien.
MT49.A2M68
Kurtze und griindliche anleitung zum generalbasse, worinne die
zu dieser wissenschaft nothige regeln kurtzlich und deutlich enthal-
ten. Denen liebhabern des claviers, absonderhch aber den anf angern
desselben zum nutzen aufgesetzt. 3. und verb. aufl. Leipzig,
A. B. Martin, 1744.
4p. 1., 70p. 17<^
MT49.A2K9
Kurtze anweisung zur sing-kunst. Vor die schule zur Neustadt an
der Orla. Jena, Gedruckt bey C. L. Kempffen, 1651.
[14] p. 15x8i'-".
MT7.A2K94
EARLY BOOKS ON MUSIC 141
Kurtzgefasstes musicalisches lexicon, worinnen eine niitzliche an-
leitung und grundlicher begriff von der music enthalten, die termini
technici erkl&ret, die instrumente erl^utert und die vornehmsten
musici beschrieben sind, nebst einer historischen beschreibung von
der music nahmen, eintheilung, ursprung, erfindung, vermehrung und
verbesserung . . . Alles aus derer besten und beruhmtesten musi-
corum ihren schrifften mit fleiss zusammen gesucht . . . Chemnitz,
J. Christoph und J. D. St6ssel, 1737.
8 p. 1., 430 p. l?"-".
Taken largely from Walther's Musicalischea lexicon, 1732. Eitner gives as
editor a certain Barnickel.
" Verzeichniss derer autorum und bucher, so zu diesem Musicalischen lexico
gebraucht worden: " [2] p. preceding p. [1]
ML100.A2K9
Kurtzgefasstes musicalisches lexicon, worinnen eine niitzliche
anleitung und grundlicher begriff von der music enthalten, die ter-
mini technici erkl&ret, die instrumente erl&utert und die vornehm-
sten musici beschrieben sind, nebst einer historischen beschreibung
von der music nahmen, eintheilung, ursprung, erfindung, vermeh-
rung und verbesserung . . . Alles aus derer besten und beruhmtesten
musicorum ihren schrifften mit fleiss zusammen gesucht . . . Neue
aufl. Chemnitz, J. Christoph und J. D. St6ssel, 1749.
431, [1] p. 17^"°^.
"Verzeichniss derer autorum und bdcher, so zu diesem Musicalischen lexico
gebraucht worden " : p. [432]
ML100.A2K91
Kurze anweisung das trommel-spielen auf die leichteste art zu
erlernen, nebst sieben in noten gesetzte stucke und marsche mit
anmerkungen von einem tonkunstler. Berlin, Gedruckt bey G. L.
Winters wittwe, 1777.
xix p. 17 X 21'"™.
MT662.A2K9
Laag, Heinrich, 1713-1797.
Anfangsgriinde zum clavierspielen und generalbas, von Henrich
Laag . . . Osnabriick, J. W. Schmid, 1774.
74, [2] p. 20 X 17'='".
MT49.A2L15
L'Abbe lefils.
See Saint-Sevin, Joseph Barnabe.
Labbet, Antoine Jacques, ahhe de Moramhert.
See MoRAMBERT, Antoine Jacques Labbet, abhe de.
La Borde, Jean Baptiste de, 173(>-1777.
Le clavessin electrique; avec une nouvelle theorie du mechanisme
et des phenomenes de F^lectricite. Par le R. P. Delaborde . . .
Paris, H. L. Guerin & L. F. Delatour, 1761.
xij, 164, [3] p. II fold. pi. 17* x 10"™.
ML1055.A2L12
142 LIBRARY OF CONGRESS
[La Borde, Jean Benjamin de] 1734-1794.
Essai sur la musique ancienne et moderne . . . Paris, Impr. de
P.-D. Pierres, et se vend chez E. Onfroy, 1780.
4 V. in 5. illus., plates, fold, tables. 26 x 20'='°.
Vol. [5] has half-title only: Parties s^par^es des chansons a 4 parties.
"M. I'abb^ Roussier a accompagn^ ce m^moire d'une grande quantity de
notes, de quelques observations, & d'une table raisonnee des matieres." — v. 3,
p. 678.
"Morceaux de musique du 16. « et 17. « sifecle": v. 2, p. 75-108. "Choix de
chansons miees k quatre parties": v. 2, 178 p. at end.
ML100.A2L2
Memoires historiques sur Raoul de Coucy. On y a joint le recueil
de ses chansons en vieux langage, avec la traduction & F ancienne
musique. Paris, Impr. de P.-D. Pierres, 1781.
2 V. in 1 (v. 1: 3 p. 1., 108 p.; V. 2: 106, 12 p.) pi., 3 port. 13 x 6^'^".
ML410.C85L1
Memoires sur les proportions musicales, le genre enarmonique des
Grecs et celui des modernes. Par I'auteur de I'Essai sur la musique.
Avec les observations de M. Vandermonde ... & des remarques de
M. I'abbe Roussier. Supplement a I'Essai sur la musique. Paris,
Impr. de P.-D. Pierres, 1781.
1 p. 1., xiv, 70 p. 25i X 19^"™.
"Lettre de I'auteur de I'Essai sur la musique, a M. I'abbe Roussier" and
" R^ponse de M. I'abbe Roussier " : p. [i]-xiv.
ML3809.A2L14
Lacassagne, Joseph, h. 1720?
Traite general des elemens du chant . . . par M. I'abbe Lacassagne
. . . Paris, Chez I'auteur; [etc., etc.] 1766.
4 p. 1., 188 p., 2 1. 22='°.
Engraved throughout; ornamental borders.
"Cet ouvrage, imprim6 d^ 1742, ne fut public qu'en 1766." — F^tis, Biog.
univ. des musiciens.
MT835.A2L2
L'uni-clefier musical, pour servir de supplement au Traite general
des elemens du chant . . . par M. I'abbe Lacassagne, & pour servir de
reponse a quelques objections. [Paris, Impr. de G. Desprez, 1768]
16, xiip. 22<^™. (TTifA ^is Traits g^n^ral des ^l^mensdu chant. Paris, 1766)
Caption title. Line borders.
MT835.A2L2
Lacepede, Bernard Germain fitienne de La Ville sur Illon,
comte de, 1756-1825.
La poetique de la musique. Par M. le comte de La Cepede . . .
Paris, Imprimerie de Monsieur, 1785.
2 V. (v. 1: xij, 384 p.; v. 2: 2 p. 1., 352 p.) 20^''°'.
ML3845.A2L3
13, -^ '
EARLY BOOKS ON MUSIC 143
La Croix, A. Pherotee de, d. ca. 1715.
L'art de la poesie franpoise et latine, avec une id6e de la musique
sous une nouvelle methode, Omnia in pondere, numero <& mensura.
En trois parties. Par le sieur de La Croix. Lyon, T. Amaulry, 1694.
15 p. 1., 662 p. front. 16"™.
PC2504.L2
La Cuisse, de.
Le repertoire des bals, ou Theorie pratique des contredanses,
decrites d'une maniere aisee avec des figures demonstratives pour les
pouvoir danser facilement, auxquelles on a ajout6 les airs not^s. Par
le Sr de La Cuisse . . . Paris, Cailleau [etc.] 1762-65.
3 V. front, (v. 2) fold, plates, diagrs. 19J^<=™.
Engraved throughout; line borders. Imprint varies.
Vol. 1 is in 2 parts. The 2d part has special t.-p.: Suite du Repertoire des
bals, ou Recueil de contredanses. Par le S. de La Cuisse. Paris, M®"^ Casta-
gnery, 1762. The same title occurs in vol. 2 and 3, following the special title,
which reads: Suite du Repertoire des bals, ou ii.*™® [-3?] volume du Recueil
des airs et figures des meilleures et plus nouvelles contredanses . . .
The dances are in 18 "cahiers," 100 "feuilles," each dance constituting a
"feuille" (with special t.-p,, vol. 2-3) These parts were issued both separately
and in volumes.
Vol. 4 wanting in L. of C. set.
GV1590.L3
La Feillee, Frangois de.
Methode nouvelle pour apprendre parfaitement les regies du plain-
chant et de la psalmodie, avec des messes et autres ouvrages en plain-
chant figure et musical, a I'usage des paroisses et des communaut^s
religieuses. Par Mr de La Feille'e ... A Poitiers, & se vend a Paris,
chez J. T. Herissant, 1748.
3 p. 1., 384 p. n^"
I cm
"Motets pour les principales fdtes de I'annee & autres fdtes ordinaires, ^ l'61e-
vation du tr^-saint sacrement": p. 248-300.
MT860.A2L14
Methode nouvelle pour apprendre parfaitement les regies du
plain-chant et de la psalmodie, avec des messes & autres ouvrages en
plain-chant figure & musical, a voix seule & en partie ... 3. ed.,
augm., rev. & cor. par M. de La FeiUee . . . Poitiers, J. Faulcon,
Paine, 1775.
viii, 600 p. 17'=™.
"Motets pour les principales fetes de I'ann^e, & autres fetes ordinaires": p.
328-525.
MT860.A2L16
-II cantore ecclesiastico, ossia Metodo facile per imparare il canto
fermo secondo le regole francesi, ridotte in italiana favella, ed amphate
dal prete Ignazio Domenico Foglietti . . . Pinerolo, Dalle stampe di
G. Peyras, e G. Scotto, 1786.
252 p. 16i'''°.
"Aggiunta di alcune messe proprie de santi concesse da' sommi pontefici, le
quali non sono notate in canto nel Graduale romaro, ed alle quali si e aggiunto
il canto": p. 151-208. "Quinque missse pro majoribus festis, auctore D. D.
Humont": p. 209-248.
MT860.A2F78
144 LIBRAEY OF CONGBESS
La Ferte, Denis Pierre Jean Papillon de.
See Papillon de La Ferte, Denis Pierre Jean.
L'AffiUard, Michel.
Principes tres-f aciles pour bien apprendre la musique, qui conduiront
promptement ceux qui ont du naturel pour le clinat [!], jusqu'au point
de chanter toute sorts de musique proprement, et a livre ouvert; par
le S' L'AffiUard . . . Tres-nouvelle ed., a I'usage du monde. [Paris]
Impr. de J-B-C. Ballard, 1747.
185, [1] p. 2 fold. pi. 12J X lO""".
MT870.A2L3
Lafond, Jean Frangois de.
A new system of music, both theorical and practical, and yet not
mathematical: written in a manner intirely new; that's to say, in a
style plane and intelligible; and calculated to render the art more
charmmg, the teaching not only less tedious, but more profitable,
and the learning easier by three quarters . . . By John Francis de La
Fond . . . London, Printed for the author, 1725.
4 p. 1., Ixxxiii, 180, [6] p. 20"™.
Following the text are the words "The end of the first volume"; according to
Barclay Squire, no more of the work has been published.
MT7.A2L16
Laisement, Charles Louis Denis Balliere de.
See Balliere de Laisement, Charles Louis Denis.
Lambranzi, Gregorio.
Nuoua e curiosa scvola de' balli theatrali. Prima parte continente
cinquanta balU di diverse nationi, e figure theatrali con i loro vesti-
menti, si che, come si deue contenera nelle positure di questi balli
rapresentate da una leggiera, ma virtuosa maniera, e con le arie, e con
pieno, e necessario auvertimento, come ogn' uno ha da contenersi in
simili balli, si che questi ancor senza d'un ballarino si possono facil-
mente apprenderli, e senza aver conoscenza della chorographia
ogn'uno da se solo con ogni facilita legendo i medemi e uedendo le posi-
ture potrk imprimerseH nella memoria, inuentati e dati alia luce, da
Gregorio Lambranzi, maestro de' balH francesi, in^lesi, ridiculi e serij
in aria ed a terra, e compositore de' balli theatrali, disegnati, e inta-
gliati da Giovanni Giorgio Puschner, intagliator di rame in Norim-
berga a: mdccxvi.
2 V. in 1 (v. 1: 2 p. 1., 4 p., 50 pi.; v. 2: 1 p. 1., 51 pi.) 30«='.
Italian title followed by title in German on t.-p. of v. 1. Added t.-p.
"Delicise thcatrales," with port, of the author.
Vol. 2 has illustrated title: Sig: Greg: Lambranzi, maestro di balli. Neue
und curjevse theatrialische tantz-schul zweitter theil. Niimbei^, Verlegt von
loh. lacob Wolrab.
Preface and description of the dances in Italian, followed by same preface in
German. Each plate has at head the tune for the dance represented and at
foot the description in German.
MT950.A2L27
EARLY BOOKS ON MUSIC 145
La Molette, Philippe du Contant de.
See Du Contant de La Molette, Philippe.
[Lamorliere, Jacques Rochette de] 1719-1785.
Lettre d'un sage a un honune tres respectable, & dont il a besoin . . .
[Paris, 1754]
1 p. 1., 18 p. 17i«™.
A reply to Jean Jacques Rousseau's "Lettre eur la muaique frangoise."
"Reponse de rhomme respectable": p. 18.
ML1727.33.L2
[La Mothe Le Vayer, Frangois de] 1588-1672.
Discovrs sceptiqve svr la mvsiqve. [Paris, 1662 ?]
p. 535-552. 35^'^'".
Caption title.
Ms. note on fly-leaf: Taken from his Works, Paris, 1662, 2 vols, folio. This
"Discours" was (first?) printed by M^rsenne, to whom it was addressed, in his
"Questions harmoniques, " Paris, 1634, a fact which Fetis seems to have over-
looked. (Signed "J. E. M.," i. e. James E. Matthew)
ML63.L16
Petit discovrs chrestien de rimmortalite de Tame: auec le corol-
laire, & vn discours sceptique sur la musique. 3. ed. Paris, A. de
Sommaville, 1647.
4 p. 1., 251, [1] p., 1 1. le^"".
Ch.17.1781
Lampadius, Autor, d. 1559.
Compendivm mvsices, tarn figurati quam plani cantus ad fonnam
dialogi, in usum ingenuse pubis ex eruditis musicorum scriptis accu-
rate cogestum, quale ante nac nunquam uisum, & iam recens publica-
tum. Adiectis etiam regulis de concordantiarum & componendi
cantus artificio, summatim omnia musices prsecepta pulcnerrimis
exemplis illustrata, succincte & simpliciter complectens. Prseterea
additse svnt form vise intonandi psalmos, & ratio accentus ecclesiastici,
legendorum quoque euangeliorum & epistolarum. Ab Avctore
Lampadio Luneburgensi elaborata. Bernae in Helvetiis, per S.
Apiarium, 1554.
[112] p. ISJ'^'".
Signatures: A-G in eights. Printer's mark on last page.
Preface by Eberhard von Riimlang, dated 1546; dedication dated 1537. 1st
edition Bern, 1537.
ML171.L16
Lampe, Friedrich Adolf, 1683-1729.
Friderici AdoHi Lampe De cymbalis vetervm libri tres, in q^uibus
quaecunque ad eorum nomina, differentiam, originem, historiam, mi-
nistros, ritus pertinent, elucidantur . . . Trajecti ad Khenum, ex
[officina] bibliopolae Guilielmi a Poolsum, 1703.
15 p. 1., 405, [43] p. 9 pi. 14 x 7i'=°>.
Added t.-p., engr.
"Index authorum, qui hoc tractatu citantur": p. [430-440]
ML169.A2L23
51234°— 13 10
146 LIBRAKY OF CONGRESS
Lampe, John Frederick, d. 1751.
The art of musick. By John Frederick Lampe . . . London, C.
Corbett, 1740.
5 (i. e. 4), [4], 60 p. 9 pi. 20o"'.
ML3836.A2L3
A plain and compendious method of teaching thorough bass . . .
With proper rules for practice. The examples and lessons curiously
engraved on copper plates. By John Frederick Lampe . . . London,
J. Wilcox, 1737.
1 p. 1., viii, 9-45 p. 93 pi. (partly fold.) 28''".
MT49.A2L23
Lanfranco, Giovanni Maria.
Scintille di mvsica di 1| Giovan Maria Lanfranco da Te-J rentio Par-
megiano, che mostrano a leggere il Canto Fermo, |l & Figurato, Gli
accideti delle Note Misurate, Le Pi'o- || portioni, I Tuoni, II Contra-
punto, Et la diuisione || del Monochordo, Co la accordatura de ua- || rii
mstrumenti, Dalla quale nasce un || Modo, onde ciascti per se stesso ||
imparare potra le uoci di || La, Sol, Fa, Mi, Re, Vt . . . || In Brescia
per Lodouico Britannico 1533.
4 p. 1., 143 p. diagrs. 15* x 2P™,
ML171.L26
Langle, Honore Frangois Marie, 1741-1807.
Traite d'harmonie et de mgdulation, par H. F. M. Langle ... Ce
traite est divis6 en deux parties, la V^ donne la connoissance de tons
les ac.^ praticables en narmonie, la seconde renferme toutes les
modulations possibles . . . Paris, V''^ Naderman [1797]
1 p. 1., 96 p. 34'-
icm
Engraved throughout. Label of Cochet, Paris, mounted over imprint.
An earlier edition was published by Boyer in 1793.
MT50.A2L27
Traite de la basse sous le chant, pr6c6de de toutes les regies de la
composition, par H. F. M. Langle . . . Paris, Naderman [1798]
1 p. 1., 304 p. 33 X 25i"°.
MT40.A2L27
[Laporte, Joseph de] 1713-1779.
Anecdotes dramatiques . . . Paris, Veuve Ducbesne, 1775.
3v. lUf"^.
By J. M. B. Clement and the Abbe de Laporte.
Contents. — v. 1. Pieces de theatre. A-M. — v. 2. N-Z. Supplement. Anec-
dotes.— V. 3. Auteurs et acteurs. A-Z. Additions. Arrets et reglements, con-
cemant la Comedie fran^oise. R^glements concemant la Comedie italienne.
Etat des personnes qui composent I'Academie royale de musique, en Janvier
1775. Etat des Comediens ordinaires du roi, Janvier 1775. Etat des comediens
italiens ordinaires du roi.
ML102.O6C6
EARLY BOOKS ON MUSIC , 147
[Larghi, Desiderio]
II mode di solfeggiare all' uso francese ricavato da due lettere
familiari, scritte da uno ad un' altro amico in lingua toscana, intro-
dotto nuovamente in Siena dal m. r. Signore Fausto FritteUi . . ,
Siena, Nella stamp, del pub., 1744.
26 p. 2P'°.
The letters are signed: Desiderio Larghi.
MT44.A2L17
Lasalle,
Analyse du Rapport de M. Jean-Jacques Le Roue, administrateur
des etablissemens publics, concernant TOp^ra; presents a M. le
Erocureur-general-syndic du departement de Pans, par le sieur de
la Salle, secretaire perpetuel de I'Academie royale de musique,
brevete du roi. [Paris, Impr. de Mayer & compagnie, 1791 ?]
31 p. 20"™.
Caption title.
ML1727.8.P2L17
La Salle, Jean Frangois Demotz de.
See Demotz de La Salle, Jean Francois.
Lasser, Johann Baptist, 1751-1805.
Vollst&ndige anleitung zur singkunst, sowolil fur den sopran, als
auch fur den alt. Von Johann Baptist Lasser . . . Munchen, Zu
finden beym verfasser, und in der Falterschen musikhandlung, 1798.
176 p. incl. 4 pi. 20 J x 25^'^"'.
The let edition appeared under title: "Anleitung zur singkunst," Landshut,
without date. cf. Wurzbach, Biog. lex. d. kaiserthums Oesterreich.
MT885.A2L16
[Latour de Franqueville, Mme. de] d. 1789.
Mon dernier mot [ou Reponse a la lettre que M. D. L. B. a adressee
a M. I'abbe Roussier, en tete du supplement a I'Essai sur la musique,
par I'auteur de I'Errata de I'Essai sur la musique. Paris? 1781]
1 p. 1., 50 p. 22''°>.
By Bome authorities attributed to Pierre Gavini^s.
" [Reimprime] dans le 30® volume des (Euvres de J. J. Rousseau, edit, de
Geneve, 1782." — Querard, La France litteraire.
ML100.A2L3
[Laugier, Marc Antoine] 1711-1769.
Apologie de la musique franpoise, contre M. Rousseau. Nostras qui
despicit artes harharus est. [Paris] 1754.
2 p. 1., 78 p. 194"*. (With Rochemont, de. Reflexions d'un patriote.
Lausanne, 1754)
ML1727.33.R67
Sentiment d'un harmoniphile, sur differens ouvrages de musique
... A Amsterdam, et se trouve a Paris, chez Jombert [etc., 1756]
168 p. 12 fold. pi. (music) 18 x 10"™.
In two parts; part 1 dated at end: Mars, 1756.
Erroneously attributed to the Abbe Morambert and Antoine de Leris. cf.
Freystatter, Die musikal. zeitschriften, and Fetis, Biog. univ. des musiciens.
ML195.L18
148 , LIBRARY OF CONGRESS
L'Aulnaye, Frangois Henri Stanislas de, 1739-1830.
De la saltation tlieatrale, ou Recherches sur I'origine, lesprogres,
& les effets de la pantomime chez les anciens, avec neuf planches
coloriees . . . par M. de L'Aulnaye . . . Paris, Barrois l'ain6, 1790.
2 p. 1.. 100, civ p. VIII pi. 20p'".
Ch. 34.3016
L'Aulnaye, Frangois Henri Stanislas de, 1739-1830, editor.
See RoussiER, P. J. Memoire sur la nouvelle harpe^ 1782.
Lauremberg, Peter, 1585-1639, editor.
See Sartorius, E. Musomachia, 1642.
Lauriso Tragiense, academic name.
See BiANCHi, Giovanni Antonio.
[Laus de Boissy, M. A.] &. 1747.
Lettre critique sur les ballets de I'op^ra, adress^e h Pauteur du
Spectateur franpais, par un homme de mauvaise humeur. 2. ed.
. . . [Paris, 17—]
vij, [3]-27 p. 19"'
^cm
Reprint of his "Lettre critique sur notre danse theatrale," Paris, 1771. cf.
Qu6rard, La France litt^raire.
ML3460.A2L6
[La Valliere, Louis Cesar de La Baume Le Blanc, due de]
1708-1780.
Ballets, opera, et autres ouvrages lyriques, par ordre chronologique
depuis leur origine; avec une table alphabetique des ouvrages et des
auteurs. Paris, C. J. B. Bauche, 1760.
4 p. L, 298, [2] p. 18i«°».
Title vignette.
ML102.O6L16
Lavington, George, h-p. of Exeter, 1684-1762.
The influence of church-music. A sermon preach'd in the cathe-
dral-church of Worcester, at the anniversary meeting of the choirs of
Worcester, Hereford, and Gloucester, September 8. 1725 . . . By
George Lavington . . . 2d ed. London, J. & J. Knapton, 1726.
26 (i e. 34) p. 19'-".
Pages 33-34 wrongly numbered 25-26.
ML64.L8
La Voye Mignot, de.
Traite de mvsiqve, povr bien et f9,cilement apprendre h, chanter &
composer, tant pour les voix que pour les instruments. Divise en
trois parties. Oil se voyent tons les exemples des principales regies &
obsoruations praticiuees par les plus excellens autneurs. Par le sieur
de La Vove. Paris, R. Ballard, imprimeur, se vendent chez R. de
Ninville, 1656.
2 p. 1., 107 (i. e. 115), [7] p. 22i x 17'''".
Page 115 wrongly numbered 107.
MT6.A2L29
EARLY BOOKS ON MUSIC 149
The lawfulness, excellency and advantage of instrumental music.
A 2d ed. (with necessary improvements, which now render the
sense entirely plain) of the Lawfulness, excellency and advantage
of instrumental music in the public worship of God, but chiefly of
organs. Philadelphia, A. Steuart, 1763.
16 p. 18<».
Title taken from the old L. of C. printed catalogue. The pamphlet itself is mis-
placed and could not be found for recataloguing.
Apparently this is not a bona fide second edition of the pamphlet "The law-
fulness and advantage of instrumental musick in the public worship of God . . .
By a Presbyterian" (Philadelphia, W. Dunlap, 1763. 38 p.) but a satirical
reply. Compare Sonneck's "Francis Hopkinson and James Lyon," 1905, p.
131-132.
Lebeuf, Jean, 1687-1760.
Traite historique et pratique sur le chant ecclesiastique. Avec le
directoire qui en contient les principes & les regies, suivant I'usage
present du diocese de Paris, & autres. Precede d'une nouvelle
methode, pour I'enseigner, & I'apprendre facilement. Par M. I'abb^
Lebeuf . . . Paris, C. J. B. Herissant [etc.] 1741.
4 p. 1., 190, [6] p. IS^'".
ML3082.A2L4
Le Blanc, Hubert.
Defense de la basse de viole contre les entreprises du violon et les
pretentions du violoncel. Par Monsieur Hubert Le Blanc . . . Am-
sterdam, P. Mortier, 1740.
4 p. 1., 148, [12] p. 13*'''".
ML760.A2L4
Le Blanc, Louis Cesar de La Baume, due de La VaUiere.
See La Valliere, Louis Cesar de La Baume Le Blanc, due de.
Leblond, Gaspar Michel, called, 1738-1809, editor.
See Memoires pour servir a I'histoire de la revolution op^ree dans
la musique, 1781.
[Le Cerf de La Vievllle, Jean Laurent, seigneur de Freneuse]
1674-1707.
Comparaison de la musique itaUenne et de la musique fran^oise.
Bruxelles, F. Foppens, 1704-06.
3 V. in 1. 17<=™.
Vol. 2 has title: Comparaison [etc.] Ou, en examinant en detail les avantages
des spectacles, & le merite des compositeurs des deux nations, on montre quelles
sont les vrayes beautez de la musique. 2. partie, qui contient, une nouvelle let-
tre. Un recueil de vers chan tans. Et trois nouveaux dialogues. Dans lesquels
Bont renfermez, une histoire de la musique, & des opera. Une vie de Lulli. Une
refutation du traite de Mr Perraut, De la musique des anciens. Et un traits du
bon gout en musique . . .
Vol. 3 has title: Comparaison [etc.] 3. partie, qui contient des fragmens d'un
opera chretien. Un discours eur la musique d'eglise. Une reponse a la Defense
du Paralelle. Et un eclaircissement sur Buononcini.
Occasioned by Raguenet's "Parallele des Italiens et des Francois en ce qui
concerne la musique."
ML194.A2L3
See aho Bonnet, J. Histoire de la musique, 1726.
150 LIBRABY OF CONGRESS
Leclerc, Jean Baptiste, 1756-1826.
Essai sur la propagation de la musique en France, sa conservation,
et ses rapports avec le gouvernement, par J.-B. Leclerc . . . Paris,
Imprimerie nationale, prairial, an iv [1796]
66 p. 21"°.
ML270.3.L4
Ledwich, Edward, 1738-1823.
See Walker, J. C. Historical memoirs, 1786.
Lef§bure, Louis Pransois Henri, 1754-1839.
Bevues, erreurs et m^prises de diif^rents auteurs celebres, en
matieres musicales. Par M. Lefebure. Paris, Knapen fils, 1789.
2 p. 1., iv, [2], ij, 236, ij, [5] p., 1 1. 16"°.
ML3851.L4
Nouveau solf^ge, par L. Lefebure. A Venise, et se trouve a Paris,
chez Cailleau, 1780.
23 p. pi. 20i"».
MT44.A2L3
[Le Fevre, Jacques] d'Staples, d. 1537.
Musica libris quatuor demonstrata. Parisiis, apud Gulielmum
Cauellat, 1552.
44 numb. 1. diagrs. 20^"°.
Printer's mark on t.-p.
First edition, Paris, 1496.
ML171.L4
Leipziger allgemeine musikalische zeitung.
See AixGEMEiNE musikalische zeitung [1798]-1882.
Leite, Antonio da Silva.
See Silva Leite, Antonio da.
Lenain,
Elemens de musique, ou Abrege' d'une theorie, dans laquelle on
peut apprendre avec facilite I'art de raisonner & les principes de cette
science: ouvrage utile aux commenpans, & a ceux m^me qui ont des
connoissances plus 4tendues. Par M. Lenain . . . Paris, Dessain
junior [etc.] 1766.
1 p. 1., xii, 156, [2] p. 17 x 9^"°.
MT7.A2L56
[Leopold, G.]
Gedanken eines liebhabers der tonkunst ilber herrn Nichelmanns
tractat von der melodic. [Nordhausen, 1755]
16 p. 21^x17^^™. ( PFiYA Baron, Ernst G. . . . Abriss einer abhandlung von
der melodie. Berlin, 1756)
Caption title.
Signed: Caspar Dunkelfeind [pseud, of G. Leopold]
ML3851.B18
EARLY BOOKS ON MUSIC 151
[Leopold, Georg August Julius] 1755-1827.
Gedanken und konjekturen zur geschichte der musik. Stendal,
D. C. Franzen und J. C. Grosse, 1780.
39 p. l?"™.
ML3845.A2L4
Le Pileur d'Apligny,
Traite sur la musique, et sur les moyens d'en perfectionner I'expres-
sion. Par M. Le Pileur d'Apligny . . . Paris, Demonville [etc.] 1779.
viii, 174, [2] p. lOi"™.
ML3845.A2L5
[Le Prevost d'Exmes, Frangois] 1729-1793.
Lully, musicien. [Paris, 1785 ?]
48 p. 19"'^.
Caption title.
"Chiefly compiled by Le Prevost d'Exmes from various articles written by
Senece, de Fresneuse, and Titon du Tillet." — Grove, Diet, of music.
Apparently issued aa part of a series. Only a small portion of the paper cover
remams, on the back, and on this is printed "Theatre. 3." At end of text: "Fin
de la vie de Lully."
Copy 2.
To this copy are prefixed 3 prelim, leaves, a title-page (Portique ancien et
moderne ... 1. cahier. Paris, Cussac, 1785) and 2 leaves with "Approbation "
and "Privilege du roi." The privilege is granted to "lesieur Joly," for "des
ouvrages de sa composition, intitules: Portique ancien et moderne." According
to Barbier, the 1. cahier of the Portique is all that was published, and contains,
not "Lully," but "Nanteuil."
ML410.L95L5
Leris, Antoine de, 1723-1795.
Dictionnaire portatif historique et litt^raire des theatres, contenant
I'origine des ditferens theatres de Paris; le nom de toutes les pieces
qui y ont ete representees depuis leur etabHssement, & celui des
pieces jouees en province, ou qui ont simplement paru par la voie de
I'impression depuis plus de trois siecles; avec des anecdotes & des
remarques sur la pltipart: le nom, & les particularites interessantes
de la vie des auteurs, musiciens & acteurs; avec le catalogue de leurs
ouvrages, & Fexpose de leurs talens: une chronologic des auteurs, &
des musiciens; avec une chronologic de tous les op^ra, cS; des pieces
qui ont paru depuis trente-trois ans. Par M. de Leris. 2. ed., rev.,
cor. & considerablement augm. Paris, C. A. Jombert, 1763.
xxxiv, 730 {i. e. 744) p. 17J'"™.
Last 2 pages numbered 729-730 for 743-744.
Z2174.D7L4
See also Laugier, M. A. Sentiment d'un harmoniphile [1756]
Leroux, Jean Jacques, 1749-1832.
. . . Rapport sur I'Opera, presente au Corps municipal, le 17 aotit
1791, par J. J. Leroux, officier municipal, nomme administrateiir au
Departement des etablissemens publics, le 15 fevrier dernier. Paris
[Impr. de Le Becq] 1791.
2 p. L, 98 p., 1 1. 3 fold. tab. 21^^
icm
At head of title: Municipalite de Paris. Administration des etablissemens
publics.
ML1727.3.A-2P2
152 LIBRARY OF CONGRESS
Le Sueur, Jean Frangois, 1760-1837.
Suite de I'Essai sur la musique sacr^e et imitative, ou Ton donne le
plan d'une musique propre k la f^te de P4que. Par M. Le Sueur . . .
raris, Veuve Herissant, 1787.
103 p. 21i^"'.
"Motet pour la veille de Paque: La resurrection" (words only, Latin and
French): p. [29j-39.
ML3869.A2L2
[Lesuire, Robert Martin] 1737-1815.
Lettre de M. Camille Trillo [pseud.] fausset de la cath^drale d'Ausch,
sur la musique dramatique. Paris, Quillau Faine, 1777.
1 p. 1., [5]-43 p- lei"^".
ML1727.35.L35
Lettera delF autore del nvovo cembalo angelico inventato in Roma
neir anno mdcclxxv. che serve d' istruzione per costruire lo stes-
so cembalo e ne significa i pregj. Roma, Stamperia di G. Zempel
[1775] •
38 p., 1 1. fold. pi. 20'''".
ML65.5.A2L3
Lettre au sujet du spectacle des Avantures d'Ulisse a son retour du
siege de Trove, jusqu'a son arrivee en Itaque, Tire de I'Odissee
d'Homere. Ouvert au palais des Thuilleries, dans la salle des
machines, au mois de mars 1741. Invents par le chevalier Ser-
vandoni . . . Parig, Prault fils, 1741.
16 p. IG""*.
No. 12 in a volume of pamphlets lettered Quere[lle] des Bouffo[ns]
ML1727.33.A1
Lettre d'un amateur de 1' opera a M, de * * *, dont la tranquille
habitude est d'attendre les evenemens pour juger du merite des
projets. A Amsterdam, et se vend a Paris, chez Couturier pere,
1776.
1 p. ]., 5-69 p. igi""*. •
ML1727.3.A2L67
Lettre d'un Parisien, a son ami, en province, sur le nouveau spectacle
des Eleves de I'Opera, ouvert le 7 Janvier . . . Paris, Chez les
marchands de nouveautes, & audit spectacle, 1779.
16 p. 19'^™.
"IjCs Eleves pour la danse de I'Op^ra, ce theatre attendu depuis si long-
tems . . . s'est enfin ouvert le jeudi 7 Janvier 1779, par la premiere representa-
tion de Jerusalem d^livree, ou Renaud & Armide, tragedie-pantomime en quatre
actes [par M. Leboeuf]"
ML1727.8.P2L3
Lettre de M. de * * * ^ Madame de * * * sur les opera de Phaeton,
et Hyppolite et d'Aricie. [Paris, Impr. de C. F. Simon, fils, 1743]
15 p. 20i<^'°.
ML1727.3.A2L65
EARLY BOOKS ON MUSIC 153
Lettre de M, * * * negociant de Paris, a M. * * * son correspondant
a D * * * . Au sujet de la messe solemnelle qui a 6t6 chantee en
musique h. grand-choeur & grand-orchestre, par MM. de I'Aca-
d^mie royale de musique, ou I'Op^ra, dans I'eglise du prieure
royal des B6n6dictins de S. Martin-des-Champs, au mois de decem-
bre dernier, au profit des pauvres prisonniers detenus pour mois
de nourrices. Le produit de la qu^te vers6 dans les mains de
MM. de Boissy, tresoriers de la Soci6t6 de charite de ces pau-
vres ... [n. p.] 1786.
60 p. 16*'^'".
ML3027.8.P2L2
Le Vayer, Frangois de La Mothe.
See La Mothe Le Vayer, Francois de.
Levens,
Abrege des regies de Tharmonie, pour aprendre la composition,
avec un nouveau pro jet sur un syst^me de musique sans tempera-
ment, ni cordes mobiles . . . par Mr. Levens . . . Bordeaux, J. Chap-
puis, 1743.
viij, 92 p. 26 x 19^?™.
MT50.A2L38
[Levesque, Mme. Louise (Cavelier)] 1703-1745.
. Lettres et chansons, de Cephise et d'Uranie. Paris, Impr. de
J. B. C. Ballard, 1731.
87, [4] p. 21i^"'.
M1619.A2L65 .
Liberati, Antimo.
Lettera scritta dal Sig. Antimo Liberati in risposta ad vna del
Sig. Ovidio Persapegi che gli fa istanza di voler vedere, ed' essaminare
i componimenti di musica fatti dalli cinque concorrenti nel concorso
per il posto di maestro di cappella della Metropolitana di Milano fatto
sotto il di 18. agosto 1684 . . . [Roma, II Mascardi, 1685]
63, [1] p. 22 X 17'=™.
Caption title.
MT55.A2L3
Light, Edward, 1747-1832.
Tlie art of playing the guittar, by Edward Light; to which is
added a variety of the most familiar lessons, airs, divertimentos,
songs &c. properly adapted for that instrument. London, J. Preston
[1795?]
1 p. 1., 41 p. 23«™.
Engraved throughout.
MT580.A2L47
Lingke, Georg Friedrich, d. 1779?.
George Friedrich Lingkens . . . Kurze musiklehre, in welcher
nicht allein die verwandschaft aller tonleitern, sondern auch die jeder
154 LIBRARY OF CONGRESS
Lingke, Georg Triedrich.— Continued.
zukommenden harmonisclien sktze gezeigt, und mit praktischen bey-
spielen eri&utert werden. Leipzig, J. G. I. Breitkopf, 1779.
viii, 86 p. 21^ x 17^''™.
Preface signed: Johann Adam Hiller.
MT50.A2L4
Die sitze der musicalischen haupt-s&tze in einer harten und weichen
tonart und wie man damit fortschreitet und ausweichet in zwo
tabellen entworffen, erkRrt und mit exempeln erl&utert von George
Friedrich Lingken. Leipzig, Gedruckt una in commission bey B. C.
Breitkopf una sohn, 1766.
4p. 1., 60p. 2 fold. tab. 22^ x ISi"™.
MT52.A2L42
See also Einige . . . musikalische erwegungs- und andere . . .
uibungs-wahrheiten [1750 ?]
linguet,
Risposta di Linguet al Signor Apologia della musica.
[Napoli, 1786]
2 p. 1., .3-163 p. 17i<='"
Dedication signed: Nicola Pellegrini barone.
ML63.M165
Linley, Francis, 1774-1800.
A new assistant for the piano-forte or harpsichord, containing the
necessary rudiments for beginners, with twelve airs or short lessons,
progressively arrang'd: to which is added, six sonatas . . . with pre-
ludes, rules for thorough bass, a short dictionary of musical terms.
&c. . . . compil'd, compos'd, and arrang'd, by F. Linley . . . Balti-
more printed & sold by I : Carr, and by B : Carr, Philadelphia & New
York [179-]
3 p. 1., [3]-32 p. 33=°'.
Engraved throughout.
MT222.A2L70
Lippius, Johann, 1585-1612.
Synopsis mvsicse novae omnino verae atque methodicae vniversa?, in
omnis sophise prsegustum napkpycoc inventae disputatae & propositae
omnibus philomusis. A M. Joanne Lippio . . . Argentorati, im-
pensis PauH Ledertz, typis Caroli Kieffer, 1612.
[160] p. diagrs. 16^"™.
Signatures: ):(, A-I in eights. Between leaves D8 and E is a folding leaf,
"Nova scala syntona compendiosissima, " 18 x 32"™.
MT6.A2L47
liippius, Johann, 1585-1612, praeses.
Disputatio musica prima[-tertia] . . . Wittebergae, typis I. Gor-
mani, 1609-10.
3 V. in 1. illus. 18 x 15^=™.
Diss. — Wittenberg (S. Carolus, respondent)
Title within woodcut border. Subtitle varies.
ML3809.A2L3
EARLY BOOKS ON MUSIC 155
Lipsius, Justus, 1547-1606.
See PuTEANUS, E. Mvsathena, 1602.
Lirou, Jean FranQois Espic de.
See Espic de Lirou, Jean FRANgois.
listenius, Nicolaus.
Mvsica Nicolai Listenii, ab avtore denuo recognita, multiscb nouis
regulis & exemplis adaucta. Norimbergae, apud Gabrielem Heyn,
1557.
[86] p. 16"°'.
Signatiires: a-e in eighta, f in four (last leaf blank)
The 1st edition, Wittenberg, 1533, and several of the subsequent editions were
published under title: Rudimenta musicse.
MT6.A2L77
Liverziani, Giuseppe.
Grammatica della musica, o sia Nuovo, e facile metodo per istruirsi
neir intero corso della musica, non per anche posto in ordine da
alcuno, ove premesse le notizie istoriche, e le propneta della medesima,
s'insegnano fin dai piii remoti principj le regole per ben cantare, e suo-
nare it cembalo, indi si procede alio studio del contrapunto, e compo-
sizione prattica. Di Giuseppe Liverziani . . . Parte prima. Roma,
Stamperia P. Cracas, 1797.
xvi, 88 p. incl. front, (port.) 20«™.
No more published.
MT7.A2L78
Livre de galoubet.
36 unnumb. p. 12 x 20"°^.
Anonymous 18th cent. ms. instruction book.
Lobos, Mathias de Sousa Villa.
See SousA Villa Lobos, Mathias de.
Locke, Matthew, 1630?-1677.
The present practice of musick vindicated against the exceptions
and new way of attaining musick latelyjjublish'd by Thomas Salmon,
M. A. &c. ; by Matthew Locke ... To which is added Dvellvm
mvsicvm by John Phillips, gent., together with a letter from John
Playford to Mr. T. Salmon by way of confutation of his Essay, &c. . . .
London, N. Brooke [etc.] 1673.
2 p.n., 96 p. 17"".
ML432.A2S22
Lofgron, Anton.
See BuRMAN, E. Dissertatio musica [1728]
MT720.G3
156 LIBEAEY OF CONGRESS
Lohlein, Georg Simon, 1727-1781.
Anweisung zum violinspielen, mit pracktischen beyspielen und zur
uebung mit vier und zwanzig kleinen duetten erlS,utert, von George
Simon L6hlein. Leipzig und Ziillichau, Waysenhaus- und Fromman-
nische buchhandlung, 1774.
6 p. 1., 136 p. illus. 18 X 21i<"".
Title vignette.
MT262.A2L62
George Simon Ldhlein's Anweisung zum violinspielen, mit
praktischen beyspielen und zur uebung mit zw61f kleinen duetten
erRutert, zum dntten mahl mit verbesserungen und zus&tzen, auch
mit zwolf balletstucken aus der oper Andromeda und der oper Brenno
verm. hrsg. von Johann Friedericn Reichardt. Leipzig und Ziillichau,
F. Frommann, 1797.
2 p. 1., 123 p. illus. 18i X 22«'".
MT262.A2L63
Georg Simon Ldhleins Clavier-schule, oder Kurze und grundliche
anweisung zur melodie und harmonie, durchgehends mit practischen
beyspielen erkl&ret. Leipzig und Zullichau, Waisenhaus- und From-
mannische buchhandlung, 1765.
6 p. 1., 188 p. 17ix22i'"".
Title vignette. In L. of C. copy the imprint date is partly erased.
MT224.A2L72
Georg Simon L6hleins Clavier-schule, oder Kurze und griind-
liche anweisung zur melodie und harmonie, durchgehends mit prac-
tischen bejT^spielen erklaret . . . Leipzig und Ziillichau, Waisennaus-
und Frommannische buchhandlung, 1781-82.
2 V. in 1 (v. 1: 4 p. 1., 190, [2] p.; v. 2: 4 p. 1., 188 p.) 18 x 22i«'».
Title vignette. Vol. 1: 4. und verb, aufl., 1782.
Vol. 2 has title: Georg Simon L6hleins Clavier-schule, zweyter band. Wo-
rinnen eine vollst&ndige anweisung zur begleitung der unbezifferten b&sse / und
andern im ersten bande fehlenden harmonien gegeben wird: durch sechs sona-
ten / mit begleitung einer violine erklSret. Nebst einem zusatze vom recitativ.
MT224.A2L73
Loescher, Caspar, 1636-1718, praeses.
: . . Dissertatio historico-theologica, de Saule per musicam curato
... ex I. Sam. xvi, 14. seqq. . . . Wittenbergse, typis C. Schrodteri
[1688]
78, [2] p. lO*"".
Diss. — Wittenberg (Heinrich Pipping, respondent and author)
ML3920.A2L8
Lowen, Johann Priedrich, 1727-1771
See Hertel, J. W. Sammlung musikalischer schriften, 1757-58.
London. Academy of ancient music.
See Academy of ancient music.
EARLY BOOKS ON MUSIC 157
Loonsma, Stephanus Theodorus van.
Muzicaal A, B,-boek, of Den organist in zyn leerjaaren, zvnde
een kort begrip wegens de behandeling van het clauwier of clavicim-
baal-spel. Opgesteld ten dienste voor de eerst beginnende jeugd . . .
Door Step. Theod. van Loonsma . . . Amsterdam, A. Olofsen, 1741.
41, [1] p. incl. 6 pi. on 4 fold. 1. 20 x Ib^""^.
Title vignette.
MT182.A2L86
Lopez, Isidro, editor.
See Perez Calderon, M. ExpUcacion de solo el canto-llano,
1779.
Lopez de Velasco, Sebastian, editor.
See MoNTANOS, F. de. Arte de canto llano, 1670.
Lopez Remacha, Miguel, 1772-1827.
Arte de cantar, y compendio de documentos mtisicos respectivos
al canto, por D. Miguel Lopez Remacha . . . Madrid, B. Cano, 1799.
8 p. 1., 118 p. 2 fold. pi. Hi''™.
MT820.A2L7
Lorente, Andres, 1624-1703.
El porqve de la mvsica, en qve se contiene los qvatro artes de ella,
canto llano, canto de organo, contrapvnto, y composicion, y en cada
vno de ellos nvevas reglas, razon abreviada, en vtiles preceptos, aun
en las cosas mas dificiles, tocantes a la harmonia musica, nvmerosos
exemplos, con clara inteligencia, en estilo breve, que al maestro
deleytan, y al discipulo enseflan, cuya direccion se verk sucintamente
anotada antes del prologo . . . For ... el maestro Andres Lorente
. . . Alcala de Henares, Impr. deN.de Xamares, 1672.
14 p. 1., 695 p. pi. 29^""'.
MT40.A2L86
Lorenzoni, Antonio.
Saggio per ben sonare il flautotraverso ; con alcune notizie generali
ed utili per qualunque strumento, ed altre concernenti la storia della
musica: opera del d."" Antonio Lorenzoni. Vicenza, F. Modena, 1779.
91 p. illus. (coat of arms) iv fold. pi. 25^™.
Title vignette ; tail-piece.
According to Rockstro, this is an abridgment of Quantz's •' Versuch."
MT340.A2L7
Loriti, Heinrich, ofGlarus.
See Glareanus i. e. Heinrich Loriti, of Glarus.
Lossius, Lucas, 1508-1582.
Erotemata || mvsicse || practicse, ex pro- || batissimis qvibvsqve ||
huius dulcissimse artis scnptoribus accurate || & breuiter selecta, &
exemplis puerili || institutioni accomodis illustrata, || iam primvm || ad
158 LIBRARY OF CONGRESS
Lossius, Lucas — Continued.
usum scholae Luneburgensis, J| & aliarum puerilium in |[ lucem edita,
a II Lvca Lossio. || Item. || Melodise sex generum carminum vsita-
tiorum, in primis suaues, in gra- || tiam puerorum selectse || & editae
Noribergae, m.d.lxiii. || Cum Priuilegio ad decennium.
[223] p. 15""°.
In 2 parts, part 2 with special t.-p.: Melodise sex genervm carminviii . . .
Colophon: (1) Noribergae, |l Excudebant Joannes Montanus, & || "Mricus
Neuberus. (2) Noribergae, Apud lohannem Montanum, & || Vlricum Neuberum.
II Anno 1563.
Signatures: A-L, A-C in eights (versos of [L viii] and [C viii], last page, blank)
Ms. notes.
ML171.L6
Lotti, Antonio, d. 1740.
See Academy of ancient music. Letters, 1732.
Louet, Alexandre, 1753-1817.
Instructions th^oriques et pratiques sur Faccord du piano-forte.
Ouvrage qui apprend en tres-peu de temps aux personnes les moins
exerc6es, a accorder parfaitement cet instrument. Par Alexandre
Loiiet. Paris, Le Due [etc.] an v (1797)
63, [1] p. 2 pi. 2li'=-. „^ , .
MT165.A2L6
Loulie, fitienne, d. ca. 1707.
Elements ou principes de musique mis dans im nouvel ordre . . .
divisez en trois parties. La premiere pour les enfans. La seconde
pour les personnes plus avancez en 4ge. La troisieme pour ceux qui
sont capables de raisonner sur les principes de la musique. Avec
I'estampe, la description & 1' usage du chronometre . . . par le moyen
duquel, les compositeurs de musique pourront desormais marquer le
veritable mouvement de leurs compositions, & leurs ouvrages marquez
par rapport a cet instrument, se pourront executer en leur absence
comme s'ils en battoient eux-mesmes la mesure. Par M. Lovlie.
Amsterdam, E. Roger, 1698.
no p. fold. pi. le^*^™.
2d edition; 1st edition, Paris, 1696.
MT7.A2L91
[Lowe, Edward] d. 1682.
A review of some Short directions for performance of cathedral
service, published for the information of such, as may be called to
officiate in cathedrall or collegiate churches; or rehgiously desire to
bear a part in that service. The 2d ed., with many usefuU additions
relating to the Common praver-book as it is now established. By
E. L. Oxford, Printed by W. Hall, for R. Davis, 1664.
4 p. 1., 72 p. 15J X 8i''™.
Dedication signed : Ed: Lowe.
MT88.A2L76
EARLY BOOKS ON MUSIC 159
Ludwig, Johann Adam Jakob, 1730-1782.
Gedanken ilber die grossen orgein, die aber deswegen keine wunder-
werke sind. Bey gelegenheit der im jahre 1761 durch herrn Johann
Nicolaus Rittern . . . erbauten neuen orgel zu Nemmersdorf, von
Johann Adam Jakob Ludwig . . . Leipzig, Gedruckt bey J. G. I.
Breitkopf, 1762.
15 p. 22 X IS*"".
ML552.A2L9
Eine helle brille fiir die bidden augen eines albern haberechts zu
Niemandsburg, welcher vor einiger zeit seine gedanken Tiber die
streitigkeit zwischen dem herrn noforganisten Sorge zu Lobenstein
und herrn secretair Marpurg in BerUn in druk aus^ehen lassen, auf-
gesetzt von einem am Salstrome wohnenden Sorgianer. Quasi me
asinus calcitrasset. [n. p., 1767]
[12] p. 23 X lO^"".
Written in reply to an anonymous work (by J. L. Albrecht?) entitled "Ge-
danken eines thuringischen tonkunstlers uber die streitigkeit, welche der herr
. . . George Andreas Sorge wider den herrn secret. Friedr. Wilh. Marpurg . . .
erreget hat." Ascribed also to Sorge.
ML63.L95
Lundius, Daniel, 1666-1747, praeses,
. . . Dissertatio gradualis de musica Hebraeorum antiqua . . . Up-
sahse, ex officina Werneriana [1707]
3 p. 1., 65, [1] p. 15'^'°.
Diss. — Upsala (S. Gestrinius, respondent and author)
ML166.A2L9
Luscinius, Ottmar, d. 1537.
Mvsicae institvtiones Othmari Nachtgall Argetini a nemine un-
qua prius pari facilitate tentatQ, studiosis, qui d/iouaoc esse nolint
no mediocriter conducibiles. . . loannes Knoblouch notis aereis excepit
Argentoraci [1515]
[19] p. 19^"'.
Title in red and black within architectural border. Signatures: a in four,
b in six.
On t.-p. following title: N. Gerbelij d. d. d. ad lecto || rem hexastichon. |i Si
tibi prtedulces unqua placuere Camoen? || Si lyra, si citharae te rapuere soni, ||
Si petis Amphio fieri, uel Thraci' Orpheus || Si te musarum non pudet esse
ducem || Non graue prsedocti tibi sit legisse libellum || Othmari, tenet has quas
memoramus opes . . .
ML171.L93
Mvsvrgia || seu praxis Mvsicae. || Illius primo quae Instrumentis
agitur certa ratio, ab Ottomaro || Luscinio Argentino duobus Libris
absoluta. || Eiusdem Ottomari Luscinij, de Concentus polyphoni, id
est, Ij ex plurifarijs uocibus compositi, canonibus, Libri totidem. ||
C Argentorati apud loannem Schottum, || Anno Christi. 1536. || Cum
gratia & priuilegio Imperiah, || ad Quinquennium.
3 p. 1., 102, [3] p. illus. 15^ xW^''™.
Mainly a translation of Sebastian Yirdung's "Musica getutscht," Basel, 1511.
The illustrations are reproductions of those in Yirdung's work, and include a
motet, p. 40-43, which appears in mensural notation and also in tablature for
the clavichord and for the lute. Pages 58-59 contain tables showing the tabla-
ture for bass, tenor and discant flute.
ML171.L94
160 LIBBABY OF CONGEESS
Lustig, Jacob Wilhelm, 1705-1796.
Inleiding tot de muzykkunde; uit klaare, onwedersprekeolyke
gronden, de innerlyke geschapenheid, de oorzaaken van de zender-
baare uitwerkselen, de groote waarde, en 't regte gebruik der muzyk-
konst aanwyzende. Opgesteld door Jacob Wilhelm Lustig . . .
Groningen, Gedrukt voor den auteur, by H. Vechnerus, 1751.
8 p. 1., 340, [20] p. 20|<'™
MT6.A2L97
Muzykaale spraakkonst; of, Duidelyke aanwyzing en verklaaring
van allerhande weetenswaardige dingen, die in de geheele muzykaale
practyk tot eenen grondslag konnen verstrekken. Opgesteld door
Jacob Wilhelm Lustig . . . Amsteldam, Gedrukt by A. Olofsen, 1754.
4 p. 1., 206, [6] p. XI fold pi. 2P°'.
MT6.A2L98
Lustig, Jacob Wilhelm, 1706-1796, translator.
See Schmidt, J. M. Musico-theologia [1756?]
[Mably, Gabriel Bonnet de] 1709-1785.
Lettres a Madame la marquise de P. . . , sur I'opera. Paris, Didot,
1741.
xix, [5], 166 p. 16^'^'".
Addressed to Madame de Pompadour.
ML1727.3.A2M11
Maccari, Orazio.
See Walker, J. C. Historical memoirs, 1786.
Mace, Thomas, 1613?-1709?
Musick's monument; or, A remembrancer of the best practical
musick, both divine, and civil, that has ever been known, to have been
in the world. Divided into three parts. The first part, shews a
necessity of singing psalms well, in parochial churches, or not to sing
at all; directing, how they may be well sung, certainly; by two sev-
eral ways, or means; with an assurance of a perpetual national-quire;
and also shewing, how cathedral musick, may be much improved, and
refined. The second part, treats of the noble lute . . . directing the
most ample way, for tne use of the theorboe . . . Shewing a general
way of procuring invention, and playing voluntarily, upon the lute,
viol, or any other instrument; with two pritty devices; the one,
shewing how to translate lessons, from one tuning, or instrument, to
another; the other, an indubitable way, to know the best tuning,
upon any instrument : both done by example. In the third part, the
generous viol ... is treated upon; with some curious observations,
never before handled, concerning it, and musick in general. By Tho.
Mace . . . London, Printed by T. Radcliffe, and N. Thompson, for
the author, 1676.
10 p. 1., 272 p. front, (port.) illus. 31^ x 20'^'".
MT640.MI4
EABLY BOOKS ON MUSIC 161
Magazin der musik. Hrsg. von Carl Friedrich Cramer ... 1.-2.
jahrg.; 1783-1786. Hamburg, In der Musicalischen niederlage
[1783-86]
2 V. in 4. pi., fold, tables. ITi""*.
2. jahrg., 1. hilfte, 1784; 2. h&lfte, 1786.
ML4.M2
Le Magazin des modemes, almanach curieux, oil Ton trouve autant
d'esprit qu'il en faut pour se fairs une reputation aupres des
femmes. L'an de grace 1768. 2. 6d., servant de seconde partie,
rev., cor., & augm. de la musique complette de la petite comedie:
musique exactement neuve & faite pour les paroles ... A La
Haye, chez Propice, imprimeur; et se trouve k Paris, chez la veuve
Duchesne [1768]
2 p. 1., 100, 67 p. 14 X 7"°'.
"Que ne peut pas ramour? Commie lyrique": p. [53]-67.
ML20.M14
Maggi, Girolamo, d. 1572.
Hieronymi Magii De tintinnabvlis liber postvmvs. Franciscvs
Sweertivs F. Antuerp. notis illustrabat. Hanovise, typis Wechelianis,
apud C. Mamium & heredes I. Aubrii, 1608.
98, [14] p. illus. 18«"'.
Printer's mark on t.-p.
CC200.M3 1608
Hieronymi Magii Anglarensis De tintinnabulis liber postumus.
Franciscus Sweertius F. Antverp. notis illustrabat. Ed. novissima
aucta, emendata, & figuris seneis exornata. Amstelodami, sump-
tibus A. Frisii, 1664.
16 p. 1., 151, [26] p. illus., 2 fold. pi. 13^'''°.
Printer's mark on t.-p. Added t.-p., engr.
CC200.M3 1664
Magirus, Johann, d. 1631.
Artis mvsicae legibvs logicis methodice informatse libri dvo. Ad
totum musicse artificium, & comprimis solidum sonorum, modo-
rumque musicorum fundamentum, componendi^ rationem, recte, &
facile agnoscendum valde accommodi: revisi et recogniti, multis^
in locis emendati & correcti, ab auctore lohanne Magiro . . . [Bruns-
vig8B] sumptibus avtoris, 1611.
8p. 1., 123, [l]p. 14^"°'.
MT6.A2M14
Mvsicae rudimenta vere fundamentalia ita ad[or]nata ut inde etiam,
modi mvsici, cum notis & pausis, clavibus & vocibus, vel pveris, sine
negotio insinuari, visibiles, & palpabiles fieri possint. In vsvm eorum,
qui artem banc divinissimam & breviter, & fundamentaliter, &
docere, & discere volunt. Pvblicata avctore Johanne Magiro, pastore.
[Guelpherbyti] imprimebatur per Eliam Holwein, sumptibus auctoris,
1619.
[54] p. 15'=™.
Author's preface dated "Brunsvigse, 1619."
MT7.A2M18
512.34°— 13 11
//
162 LIBBABY OF CONGRESS
Magri, Gennaro.
Trattato teorico-prattico di ballo di Gennaro Magri . . . Napoli,
V. Orsino, 1779.
2 V. in 1 (v. 1: 11, 9-12, [3], [13]-143 p. ; v. 2: 102 p.) 22 pi. (partly fold.) 22"='.
Title of V. 2 reads: Trattato di ballo teorico-prattico . . .
GV1590.M3
Mahaiilt, Antoine.
Nieuwe manier om binnen korten tyd op de dwarsfluit te leeren
speelen, tot gebruik van aanvangers en meer gevorderden opgesteld,
ooor A. Mahaut. 2. druk, voorzien met 12 nooten tabula's. Am-
sterdam, J. J. Hummel [17 — ]
1 p. 1., 36 p. incl. plates. 1 illus. 18^ x 24"=™.
Title and text in Dutch and French, in parallel columns.
First edition, 1759.
MT342.A2M22
[Mainwaring, John] d. 1807.
Memoirs of the life of the late George Frederic Handel. To which
is added, a catalogue of his works, and observations upon them . . .
London, R. and J. Dodsley, 1760.
1 p. 1., 208 p. 21""'.
ML410.H13M2
piilairobert, Mathieu Frangois Pidanzat de] 1727-1779.
Les propheties du grand proph^te Monet, [n. p.] 1753.
Ip. 1., 16p. 19'='°.
No. 9 in a volume of pamphlets lettered Quere[lle] des Bou£fo[n8]
ML1727.33.A1
Majer, Joseph Friedrich Bernhardt Caspar.
Joseph Friederich Bernhard Caspar Majers . . . Neu-er6ffneter theo-
retisch- und pracktischer music-saal, das ist: Kurze / doch vollst&n-
dige methode, so wohl die vocal- als instrumental-music grundUch zu
eriemen / auch die . . . blasend- schlagend- und streichende instru-
menten . . . durch die deutUchstc exempla, in besondern tabellen, mit
leichter miihe zu begreiffen. Nebst einem . . . appendice und erkl§,-
rung derer anjezo gebr&uchlichsten griechisch- lateinisch- itali&nisch-
und franz6sisch-musicalischen kunst-w6rter. 2. und viel-vermehrte
aufl. Niirnberg, J. J. Cremer, 1741.
3 p. 1., 117, [2] p. front., illus., 4 pi. 17^ x 2P™.
First edition published Hall (Swabia) 1732 under title: Museum musicum
theoretico-practicum .
MT6.A2M2
Malcior, of Worms.
See Reisch, G. De principijs musice [n. d.]
WoLLicK, N. Opus aureum, 1504.
EARLY BOOKS ON MUSIC 163
Malcolm, Alexander, b. 1687.
A treatise of musick, speculative, practical, and historical. By
Alexander Malcolm . . . Edinburgh, rrinted for the author, 1721.
xxiv, 608 p. 6 fold. pi. 19i«».
"An ode on the power of musick, inscrib'd to Mr. Malcolm ... by Mr.
Mitchell": p. [iii]-xii.
MT6.A2M23
A treatise of musick, speculative, practical, and historical.
By Alexander Malcolm . . . London, J. Osborn [etc.] 1731.
xvi, 608 p. 19i<>»'.
"An ode on the power of musick, inscrib'd to Mr. Malcolm ... by Mr.
Mitchell": p. [iii]-xvi.
MT6.A2M24
IMallio, Michele] 1756-1831.
Elogio storico della Signora Maria Rosa Coccia Romana, maestra
pubbhca di cappella, accademica filarmonica di Bologna, e tra i Forti
di Roma Trevia, coll' aggiunta di varie lettere a lei scritte da uomini
illustri, ed eruditi, e di varj componimenti poetici consecrati al di lei
merito. Roma, II Cannetti, 1780.
xcvi p. fold. port. 16^"^™.
Caption title: Elogio storico . . . scritto dal Signor abbate Michele Mallio . . .
Pages Ixy v-lxxvi canceled and replaced by a new leaf containing on recto the
"Sonetto di Ulisae accademico Forte" in revised form, and on verso "Sonetto
del r. p. Flaminio da Latera minore osservante" instead of "Sonetto di natale
Maria Laschi accademico Forte."
ML410.C7M1
Malpied,
Traite sur Part de la danse, d6di6 a Monsieur Gardel, I'aine, maitre
des ballets de I'Academie royale de musique. Par M. Malpied . . .
Paris, Boiiin; [etc., etc., ca. 1780]
2 p. 1., A-D, 122 p. diagrs. 21i''"».
Engraved throughout; title-ps^e has ornamental border.
GV1590.M4
Mancini, Giovanni Battista, 1716-1800.
Pensieri, e riflessioni pratiche sopra il canto figurato. Di Giamba-
tista Mancini . . . Vienna, Stamparia di Ghelen, 1774.
3 p. 1., 188 p., 1 1. vign. 22 x IT''^.
Title vignette.
MT845.A2M3
Manfredini, Vincenzo, 1737-1799.
Difesa della musica moderna e de' suoi celebri esecutori, di Vin-
cenzo Manfredini . . . Bologna, Stamperia di C. Trenti, 1788.
207, [1] p. 19="°.
Upon the publication of the 2d volume of Stefano Arteaga's "Le rivoluzioni
del teatro musicale italiano," Manfredini published a criticism (Giomale enci-
clopedico, April, 1785) of ideas advanced in that volume. The present work
contains the replies published by Arteaga in the 3d volume of his work and
counter replies by Manfredini.
ML290.3.A2M27
164 LIBRARY OF CONGRESS
Manfredini, Vincenzo — Continued.
Regole armoniche, o sieno Precetti ragionati per appxendere i prin-
cipj della musica, il portamento della mano, e raccompagnamento
del basso sopra gli strumenti da tasto, come I'organo, il cembalo ec.
Dedicate a Sua Altezza imperiale Paul Petrovicz ... da Vincenzo
Manfredini . . . Venezia, G. Zerletti, 1775.
xvi, 78 p., 1 1. incl. front, (port.) 20 fold. pi. (music) 26^'="'.
Title vignette.
MT49.A2M27
Regole armonicbe, o sieno Precetti ragionati per apprender la
musica, di Vincenzo Manfredini. 2. ed. cor., ed accresciuta. Vene-
zia, A. Cesare, 1797.
2 p. 1., 207, [11 p. XX fold. pi. (music) 22"°'.
MT40.A2M27
See also Arteaga, S. Le rivoluzioni, 1783-88.
Manuductio ad cantum choralem gregoriano-moguntinum, quS, fun-
damenta hujus cantus; nee non modus canendi epistolas, evangelia,
prophetias, coUectas, versiculos, benedictiones, lectiones, capitula,
aliaque ejuscemodi plura traduntur & exponuntur, jussu & authori-
tate . . . d. Joannis Philippi, sanctse sedis Moguntinse archi-epis-
copi . . . edita, ad usum clericorum ac ludirectorum archidioecesis
Moguntinse & dioecesium Herbipolensis ac Wormatiensis. Mogun-
tiae, typis C. Kiichleri, 1672.
2 p. 1., 143 p. 17 X IQ""".
MT860.A2M29
Manuel da CorLceigao, d. 1745.
Manuale seraphicum, et romanum, juxta usum Fratrum minorum
denuo auctum cum variis processionibus, benedictionibus, & oratio-
nibus, aliisque multis ; nee non cum ritibus ad sacramentum baptismi
parvulorum, ac adultorum ministrandum . . . Per fr. Emmanuelem
a' Conceptione . . . Ulyssipone Occidentali, ex Typographia musicae,
1732.
2 V. (v. 1: 7 p. 1., 317 p.; v. 2: 1 p. 1., 332 p.) 20"°'.
Title vignette.
Vol. 2 has title: Manuale seraphicum, et romanum, ad usum prsecipufe Fra-
trum minorum, ac monialium ejusdem ordinis, in alma provincia Algarbiorum
8. p. n. Francisci. Includens omnia pertinentia ad receptionem habitus novicio-
rum, tam fratru, quam monialium, nee non ritus ad exequias defunctorum,
&c. . . .
MT860.A2M24
Marbach, Christian.
EvangeUsche singe-schule, darinnen diejenigen dinge deutlich geleh-
ret und wiederholet werden / welche ilberhaupt alien evangelischen
christen zur erbauung und bef6rderung der Gott wohlgef&lligen singe-
andacht zu wissen ndthig und nutzlich sind. Wohlmeynend erdfFnet
von m. Christian Marbach . . . Bresslau und Leipzig, M. Eohrlach,
1726.
9 p. 1., [3]-216, [8] p. l?""".
Ch. 17. 1896 .
EARLY BOOKS ON MUSIC 165
[Marcello, Benedetto] 1686-1739.
II teatro alia moda, o sia Metodo sicuro, e facile per ben comporre,
&esequire [!] Topere italiane in musicaall' use moderno, nel quale si
danno avvertimenti utili, e necessarij k poeti, compositori di musica,
musici dell' uno, e dell' altro sesso, impresarj, sUonatori, ingegneri, e
pittori di scene, parti buffe, sarti, paggi, comparse, suggeritori,
copisti, protettori, e madri di virtuose, & altre persone appartenenti
al teatro. D^icato daU' auttore del libro al compositore di esso.
Stampato ne Borghi di Belisania per Aldiviva Licante, all' insegna
dell' Orso in Peata. Si vende nella strada del Corallo alia porta del
palazzo d'Orlando. E si ristamper^, ogn' anno con nuova aggiunta.
[Venezia, 17 — ]
72 p. 16i«"'.
This edition is not described by Tessier, in the reprint of Venice, 1887, but
corresponds to the one called by him the second (1733) except that the t.-p.
shows no vignette.
ML3858.M28
Marcos y Navas, Francisco.
Arte, 6 compendio general del canto-llano, figurado, y organo, en
metodo facil, ilustrado con algunos documentos, 6 capltulos muy pre-
cisos para el aprovechamiento, y ensenanza. Dividiao en cinco trata-
dos, de los que el primero manifiesta la teorica del canto-Uano: el
segundo su practica, con el oficio de difuntos, sepultura, misa, y pro-
cesion: el tercero, y quarto la especulativa, y practica del canto
figurado, y de organo, segun el moderno estilo; y el quinto las nueve
lamentaciones, y la bendicion del cirio, vestidas, 6 adomadas de
clausulas sobre su mismo canto-llano. Su autor D. Francisco Marcos
y Navas . . . Madrid, J. Ibarra, impresor, 1777.
1 p. 1., XX, 623 p. illus., diagr. 20"°^.
MT860.A2M3
Mard, Toussaint Remond de Saint-
See Kemond de Saint-Mard, Toussaint.
Maret, Hugues, 1726-1786.
Eloge historique de M"". Rameau, compositeur de la musique du
cabinet du roi, associe de 1' Academic des sciences, arts & beUes-lettres
de Dijon. Lu a la seance pubUque de 1' Academic, le 25 aotit 1765, par
M. Maret . . . Dijon, Causse; [etc., etc.] 1766.
Ip. 1., iv, [5]-78p. 19^'^™.
Pages [43]-78, "Notes."
Published also in Memoires de I'Acad^mie de Dijon, 1766.
ML410.R2M18
Maria, Carlos de Jesus.
See Carlos de Jesus Maria.
Maria, Salvadore, da VerceUi.
See Salvadore Maria da VerceUi.
Maria, Tomas de Santa.
See ToMAS de Santa Maria.
166 LIBEAEY OF CONGRESS
Marignan, de.
Eclaircissemens donnas a I'auteur du Journal encyclop6dique, sur
la musique du Devin du village. Par le sieur de Marignan, com^dien.
A Bouillon, et se trouve a Paris, chez la veuve Duchesne, 1781.
30 p. 18«"i.
ML410.R86M2
PMarin, Frangois Louis Claude] 1721-1809. *
Ce qu'on a dit, ce qu'on a voulu dire. Lettre a Madame Folio,
[n. p., 1752?]
16 p. ig""*.
No. 4 in a volume of pamphlets lettered Quere[lle] dea Bouffo[n8]
ML1727.33.A1
Marinelli, Giulio Cesare.
Via retta della voce corale, overo Osservationi intorno al retto
esercitio del canto fermo divise in cinqve parti, oue si da vn' esattis-
sima, e facilissima instruttione di quest' arte, con vn nuouo modo di
reggere, e mantenere il coro sempre in vna medesima voce, si per la
Sarte del corista, come anco delr organista. Del p. f. Givlio Cesare
[arinelli . . . Bologna, G. Monti, 1671.
4 p. 1., 268 p. illus. 2P"'.
MT860.A2M33
Marinoni, Giovanni Battista, d. 1647.
Fiori poetici raccolti nel funerale del . . . Signor Clavdio Monte-
verde, maestro di cappella della ducale di S. Marco. Consecrati da
D. Gio: Battista Marinoni, detto Gioue . . . all' illvstrssimi [!] &
ecceilentissimi [!] sig. procvratori di chiesa di S. Marco. Venetia,
F. Miloco, 1644.
70 p., 1 1. 19^""*.
Engr. t.-p. with symbolical border and port, of Monteverdi.
ML410.M77M1
Marmontel, Jean Fran§ois, 1723-1799.
Essai sur les revolutions de la musique en France. Par M. du
Marmontel . . . [Paris, 1777]
1 p. 1., 60 p. 21<"°.
ML1704.A2M35
Marot, Clement, pseud.
See Senece, Antoine Bauderon de.
Marpurg, Friedrich Wilhelm, 1718-1795.
Abhandlung von der fuge, nach den grunds&tzen und exempeln
der besten deutschen una ausl&ndischen meister entworfen von
Friedrich Wilhelm Marpurg . . . Berlin, A. Haude, und J. C. Spener,
1753-54.
2 V. (v. 1: 4 p. 1., xvi, 192, [4] p.; v. 2: 4 p. 1., xxx, 147, [14] p.) 122 pi.
2U X 18"™.
MT59.A2M35
EARLY BOOKS ON MUSIC 167
Marpurg, Priedrich Wilhelm — Oontinued.
Anfangsgriinde der theoretischen musik, von Friedrich Wilhelm
Marpurg. Leipzig, J, G. I. Breitkopf, 1757.
4 p. 1., 176 p. 21i X iri*"".
ML3805.A2M3
Anleitung zum clavierspielen, der scli6nern ausubung der heutigen
zeit gem&ss entworfen von Friedr. Wilh. Marpurg. Nebst xviii.
kupfertafeln. Berlin, A. Haude und J. C. Spener, 1755.
6 p. 1., 78, [6] p. xvni pi. (partly music) 20^ x 17^'=°'.
MT224.A2M35
Anleitung zum clavierspielen, der sch6nern ausiibung der
heutigen zeit gem&ss entworfen von Friedrich Wilhelm Marpurg.
Nebst XVIII. kupfertafeln. 2. verb. aufl. Berlin, Haude und Spener,
1765.
7 p. 1., 3-78, [6] p. XX pi. on 10 1. (partly music) 20i x 18"°.
MT224.A2M354
Principes du clavecin, par Mr. Marpoui^. Avec vingt plan-
ches. BerUn, Haude et Spener, 1756.
4 p. 1., 92, [6] p. XX fold. pi. (partly music) 22 x 18'="'.
MT224.A2M36
Friedr. Wilh. Marpurgs Anleitung zur musik tiberhaupt und zur
singkunst besonders, mit uebungsexempeln erlliutert . . . Berlin, A.
Wever, 1763.
7 p. 1., [31-171 p. 18'='".
MT7.A2M2
Anleitung zur singcomposition, von Friedrich Wilhelm Marpurg.
Berlin, G. A. Lange, 1758.
5 p. 1., 206 p. front, (port.) 22 x 17i«°.
Contains only the " 1 . hauptstdck, Von dem prosodischen ausdruck eines textea,
oder von der mechanik der singcomposition. Ledebur (Tonkiinstler Berlin's)
states that Marpurg had intended to complete the work with a second volume,
but did not carry out his intention.
MT64.A2M35
Clavierstiicke mit einem practischen unterricht fiir anf&nger und
geiibtere, von Friedrich Wilhelm Marpurg. BerHn, Haude und
Spener, 1762-63.
3 V. in 1. 19J X 32"™.
"Discurs des harm Quanz dber das clavieraccompagnement (. . . aus dessen
Versuche &c. die fl6te zu spielen ...)": v. 3, p. [21]-27.
MT243.A2M23
Des Critischen musicus an der Spree erster band. Berlin, A.
Haude und J. C. Spener, 1750.
4 p. 1., 406 p. v fold. pi. (music) 21 x 17J<"°.
Issued weekly from March 4, 1749, to Feb. 17, 1750. •
ML4.C93
168 LIBRARY OF CONGRESS
Marpurg, Friedrich Wilhelm — Continued.
Handbuch bey dem generalbasse und der komposition mit zwo-
drey- vier- Mnf- sechs- sieben- acht und mehfern stimmen, filr an-
f&nger und geiibtere, von Friedrich. Wilhelm Marpurg . . . Nebst . . .
notentafeln . . . Berlin, G. A. Lange, 1757-62.
341 p. 35 pi. 22 X IQ"".
In 4 parte, each with special t.-p. pt. [1]: 2. verm, und verb. aufl. 1762.
pt. 2: 1757. pt. 3: Dritter und letzter theil, nebst einem hauptregister fiber
aUe drey theile. 1758. pt. 4: Anhang zum Handbuche [etc.] 1760.
MT49.A2M35
HernuGeorg Andreas Sorgens Anleitung zum generalbass und zur
composixion. Mit anmerkungen von Friedrich Wilhelm Marpurg.
Nebst vier kupfertafeln . . . Berlin, G. A. Lange, 1760.
6 p. 1., 152 p. IV pi. 21J X 17<"".
A criticism by Marp\xrg of Sorge's "Compendium harmonicum."
MT50.A2M35
Historisch-kritische beytr&ge zur aufnahme der musik, von Fried-
rich Wilhelm Marpurg . . . Berlin, G. A. Lange, 1754-78.
5 V. fold, plates. 18''"'.
Vol. 1 has imprint: Berlin, J. J. Schfitzenssel. wittwe, 1754. Errors in paging.
Issued in 30 parts ("stucke") each with special t.-p.
ML4.H67
Kritische einleitung in die geschichte und lehrs&tze der alten und
neuen musik, von Friedrich Wilhelm Marpurg. Nebst acht kupfer-
tabellen. BerHn, G. A. Lange, 1759.
5 p. 1., 246, [10] p. front, (port.) viii pi. (partly music) 23 x 19^"™.
Title vignette.
ML169.A2M35
Die kunst das clavier zu spielen, durch den verfasser des Critischen
musicus an der Spree. Berlin, Haude und Spener, 1751.
27 p. IV pi. 20i X 17"°.
1st edition, Berlin, 1750.
MT220.A2M3
Legende einiger musikheiligen. Ein nachtrag zu den musikalischen
almahachen und taschenbiichern jetziger zeit, von Simeon Meta-
phrastes, dem jungern [meud.] Nebst 2. notentafeln [Canon i-ii]
C611n am Rhein, Bey P. Hammern. [Breslau, Korn] 1786.
9 p. 1., [3]-331, [1] p. fold. 1. (music) 16i«"».
ML65.M58
Neue methode allerley arten von temperaturen dem claviere aufs
bequemste mitzutheilen ; auf veranlassung einer von dem herrn baron
von Wiese zu Dresden vorgeschlagenen neuen stimmungsart entworfen
von Friedrich Wilhelm Marpurg. Berlin, G. A. Lange, 1790.
6 p. 1., 40 p. 23 X 20"™.
ML3809.A2M37
EAKLY BOOKS ON MUSIC 169
Marpurg, Friedrich Wilhelm — Continued.
Friedrich Wilhelm Marpurgs . . . Versuch Tiber die musikalisclie
temperatur, nebst einem anhang ilber den Rameau- und Kirnberger-
schen grundbass, und vier tabellen . . . Breslau, J. F. Korn, 1776.
xiv p., 1 1., 319, [1] p. IV fold. pi. 19i°«».
ML3809.A2M35
Marpurg, Friedrich Wilhelm, 1718-1795, editor.
See Kritische briefe liber die tonkunst, 1760-64.
Marpurg, Friedrich Wilhelm, 1718-1795, translator.
See Alembert, J. L. R. d'. Systematische einleitung, 1757.
Marshall, William.
The propriety of singing the Psalms of David in New Testament
worship. A seimon preached at Middle-Octoraro, April 13th, 1774.
at the opening of tne Associate Presbytery of Pensylvania. By
William Marshall . . . Perth, A. Sharp [etc.] 1776.
68 p. 17''™.
ML3001.M28
Martianus Capella.
See Meibom, M., translator. Antiqvae mvsicse avctores, 1652.
Martin y Coll, Antonio, h. ca. 1680.
Arte de canto llano, y breve resvmen de svs principales reglas,
para cantores de choro; dividido en dos libros; en el primero, se
declara lo que pertenece a la theorica; y en el segundo, lo que se
necessita para la practica, y las entonaciones de los psalmos con el
organo. Dispvesto por Fr. Antonio Martin y Coll . . . Madrid, Por
la viuda de J. Garcia Infanpon, 1714.
13 p. 1., 144, [3] p. illus. 21 x ISi'^'".
Dedication engraved.
MT860.A2M35
Arte de canto llano, y breve resumen de sus principales reglas,
para cantores de choro. Dividido en dos libros. En el primero se
declara lo que pertenece a la theorica; y en el segundo lo que se
necessita para la practica; y las entonaciones de los psalmos con el
organo; y anadido en esta segunda impression con algunas adver-
tencias, y el arte de canto de organo. Dispuesto por fray Antonio
Martin y Coll . . . Madrid, En la Imprenta de musica, por B.
Peraha, 1719.
13 p. 1., 340, [5] p. illus. 21'^™.
MT860.A2M36
Martinez Bravo, Jose de Torres.
See Torres Martinez Bravo, Jose de.
170 LIBBABY OF CONGEESS
Martini, Georg Heinrich, 1722-1794.
Beweig dass der neuern urtheile liber die tonkunst der alten nie
zul&nglich und entscheidend seyn k6nnen. Womit die feyerliche
rede . . . auf das amtsjubelfest herm Christoph Stolzenbergs . . . an-
kiindiget Georg Heinrich Martini . . . Regensburg, Gedruckt bey
H. G. Zunkel [1764]
12 p. 2U X IT-^"*.
ML169.A2M38
Martini, Giovanni Battista, 1706-1784.
Dissertatio de usu progressionis geometricse in musica, auctore
Joanne Baptista Martini ... [n. p., 1766]
25 p. 28i<^"».
" Questa dissertazione e inserita ne' Commentari dell' latituto delle scienze
di Bologna, tomo v. par ii. pag. 372-394 dell' edizione di Bologna jjer Lelio
dalla Volpe." — Parisini, Delia vita , . . del padre Gio. Battista Martini, 1887.
ML3809.A2M39
Esemplare, o sia saggio fondamentale pratico di contrappunto
sopra il canto fermo dedicato all' eminentissimo . . . Sig. cardinale
Vincenzo Malvezzi ... da f. Giambattista Martini . . . Bologna,
Lelio della Volpe, impressore [1774-76]
2 V. (v. 1: xxxii, 260 p.; v. 2: xxxxviii, 328 p.) fold. pi. 30<"".
Vol. 2 has title: Esemplare . . . di contrappunto fugato, dedicato all' illustris-
simo . . . Moneignore Gennaro Adelelmo Pignatelli . . .
Consists of examples from celebrated composers with accompanying explana-
tions; vol. 1 contains a prefatory outline of the elements and rules of counter-
point, vol. 2, of the fugue.
MT55.A2M38
Storia della musica ^. . . alia Sacra reale cattolica Maesta Maria
Barbara . . . umiliato,* e dedicato da fr. Giambatista Martini ...
Bologna, Lelio dalla Volpe, impressore, 1757-81.
3 V. fold, front., illus. (incl. ports.) 12 pi. (partly fold.) 2 fold, maps, 2 plans.
46""°.
Large paper edition. Title in red and black; initials; vignettes; ornamental
borders. Bibliographical foot-notes. Numerous musical illustrations.
Vol. 2: Air Altezza serenissima elettorale di Carlo Teodoro . . . umiliato, e
dedicato; v. 3: A Sua Altezza reale Don Fendinando di Borbone . . .
The work was not completed. The 3 volumes published all deal with ancient
music. The Ist vol., printed 1757, was not published until 1760 or after.
ML159.M2
Storia della musica . . . alia Sacra reale cattolica Maesta
Maria Barbara . . . umiliato, e dedicaio da fr. Giambatista Mar-
tini . . . Bologna, Lelio dalla Volpe, impressore, 1757-81.
3 V. illus. (incl. ports.) plates (partly fold.) fold. maps. 28 x 21^''".
Title vignette. Bibliographical foot-notes. Same variations of title as in the
large paper edition. Numerous musical illustrations.
ML159.M3
See also Doni, G. B. Lvra Barberina, 1763.
Zanotti, F. M. " Lettere, 1782.
EARLY BOOKS ON MUSIC 171
Martyres, Verissimo dos.
See Verissimo dos Martyres.
Mason, William, 1724-1797.
Essays, historical and critical, on English church music. By
William Mason . . . York, printed by W. Blanchard, and sold by
J. Robson, London; [etc., etc.] 1795.
2 p. 1., 264 p. 17"'".
" [The essay on cathedral music] originally prefixed to a collection of the
words of anthems, &c. in the year 1782 ... is hereby reprinted with some
additions."
ML3001.M41
Masson, Charles.
Nouveau traite' des regies pour la composition de la musique, par
lequel on apprend a faire facilement un chant sur des paroles; a com-
poser ^ 2. ^ 3. & & 4. parties, &c. et a chiffrer la basse-continue^
suivant I'usage des meilleurs auteurs. Ouvrage tres-utile k ceux qui
joiient de Torgue, du clavecin, & du th^orbe. Par C. Masson . . .
3. ed., rev. & cor. Paris, C. Ballard, 1705.
4 p. 1., 127, [1] p. 19'^°'.
MT40.A2M42
Mather, Cotton, 1663-1728.
See Walter, T. The grounds ... of musick [17 — ]
Mather, Increase, 1639-1723.
See Walter, T. The grounds ... of musick [17 — ]
Mattel, Saverio, 1742-1795.
Memorie per servire alia vita del Metastasio, raccolte da Saverio
Mattel. Ed. 1. CoUe, Stamperia di A. M. Martini, e comp., 1785.
2 p. 1., 3-136 p. 20^""^.
Half-title: Metastasio e Jommelli.
"Elogio del Jommelli, o sia II progresso della poesia, e musica teatrale":
p. 59-136.
ML410.J7M2
Se i maestri di cappella son compresi fra gli artigiani, probole di
Saverio Mattel. Lettera al Signor Linguet. Guazzabugho Filosar-
monico, o sia Miscellaneo sulla Probole, Anti-probole, ed Aneddoto
forense delF abate GaUani, Sulla quistione se gli maestri di cappella
son compresi fra gli artigiani, anti-probole di G. M. C. Per D. Lio-
nardo Garofalo, risposta alia Probole. Ultima vera per gU probolisti
a richiesta per gU antiprobolisti, o sia Spicilegio musico di Michel-
angelo Grisolia. Napoli, A spese di S. Palermo [17 — ]
38, [4], 3-16, 28, 43, 47, 47 p. 18"°'.
First article has caption: AH' illustre Signor cavaliere D. Luigi de' Medici de'
principi di Ottajano, giudice della Gran corte e commessario della causa del
maestro Cordelia. Second article has half-title: Aneddoto forense, lettera al
Signor Linguet, traduzione dal francese. Third article has special t.-p.: Guazza-
buglio filosarmonico, o sia Miscellaneo verso-prosaico sulla Probole, Anti-probole,
ed Aneddoto forense di D. Onofrio Galeota [pseud, of F. Galiani] . . . Fanta-
172 LIBRABY OF CONGRESS
Mattel, Sakverio— Continued.
eianopoli 22. luglio 1785. Fourth article haa special t.-p.: Sulla quistione [etc.]
anti-probole di G. M. C. Napoli, S. Palermo, 1785. Fifth article (Bigned: Luigi
Serio) and sixth article have each half-title as given on t.-p.
Appended: Spaventosissima descrizione dello spaventoso spavento che nci
Bpavent5 a tutti quanti la seconda volta colla spaventevole eruzzione del Vesuvio
alii 15. giugno dell' anno 1794., che se ne fece la prima descrizione, che questa e la
eeconda. Fatta da D, Onofrio Galeota ... 28 p.
ML63.M163
Se i maestri di cappella son compresi fra gli artigiani ; probole
di Saverio Mattei, in occasione d'una tassa di fatiche domandata dal
maestro Cordelia ... [3. ed.] Napoli, G.-M. Porcelli, 1785.
48 p. 20i<=»°.
ML63.M16
Matthai, Conrad, h. 1610.
Kurtzer / doch ausfuhrlicher bericht / von den modis musicis,
welchen aus den besten / aeltesten / beruhmtesten und bewerthesten
autoribus der music zusammen getragen / auff den unbeweglichen
grund der mess-kunst gesetzet und mit beliebung der loblichen Philo-
sophischen facuklt Churfl. br. pr. universitat zu Konigsberg / heraus
gegeben hat Conradus Matthgei, Brunsuicensis. [K6nigsberg] Ge-
druckt durch J. Reusnern / in verlegung des autoris, 1652.
12 p. 1., 124 p. fold. tab. IQ*""^ x 15i«°'.
MT45.A2M18
Mattheson, Johann, 1681-1764.
Behauptung der himmlischen musik aus den grunden der vemunft,
kirchen-lehre und Heiligen Schrift . . . Hamburg, C. Herold, 1747.
4 p. L, 144, [8] p. 17"™.
Preface signed: Mattheson.
ML63.M17
Critica musica. D. i. Grundrichti^e untersuch- und beurtheilung /
vieler / tbeils vorgefassten / theils emf^ltigen meinungen / argumen-
ten und einwiirffe / so in alten und neuen / gedruckten und unge-
druckten / musicalischen schrifften zu finden. Zur muglichsten aus-
r&utung aller groben irrthumer / und zur befdrderun^ eines bessern
wachstnums der reinen harmonischen wissenschafft / in verschiedene
theile abgefasset / und stuck-weise heraus gegeben von Mattheson . . .
[Pars i-viii, 1.-24. stilck] Hamburg, Auf unkosten des autoris [etc.]
1722-25.
2v. in 1 (v. 1: 368, [16] p.; V. 2: 8 p. 1., 380, [21] p.) diagr. 21 x 17J''™.
Title varies. Vol. 2: Gedruckt und zu bekommen bey seel. Thomas von
Wierings erben.
For full description and contents see Krome, Die anfange des musikalischen
joumalismus in Deutschland .
ML4.M42
De ervditione mvsica schediasma . . .
See his Philologisches tresespiel.
Exemplarische organisten-probe im artikel vom general-bass.
Welche mittelst 24. leichter / und eben so viel etwas schwerer exempel /
EAKLY BOOKS OlST MUSIC 173
Mattheson, Johann — Continued.
aus alien tonen / des endes anzustellen ist / dass einer / der diese 48.
prob-stilcke rein trifft / imd das darinn enthaltene wohl anbringt /
sich . . . ruhmen m6ge : er sey ein meister im accompagniren . . . ^lit
den nothwendigsten erl4uterungen und anmerckungen / bey jedem
exempel / und mit einer ausfuhrlichen . . . tbeoretischen vorbereitung /
uber verschiedene musicalische merckwilrdigkeiten / versehen von
Mattheson . . . Hamburg, Schiller- und Kissnerische buch-laden,
1719.
8 p. i., 128, 276 p. front, (port.) fold. pi. 21 x 18i«°'.
MT49.A2M43
Johann Matthesons Grosse general-bass-schule. Oder: Der
Exemplarischen organisten-probe 2. / verb, und verm. aufl. / bestehend
in dreien classen / als : in einer grundlichen vorbereitung / in 24. leichten
exempeln / in 24. schwerern prob-stilcken : solcher gestalt eingerich-
tet / dass / wer die erste wol verstehet; und in den beiden andem
classen alles rein trifft ; so dann das darin enthaltene gut anzubringen
weiss; derselbe ein meister im general-bass heissen k6nne. Ham-
burg, J. C. Kissners buchladen, 1731.
21 p. 1., 484 p. pi. 21^ X 18i<=™.
MT49.A2M44
A complete treatise of thorough bass, containing the true rules
with a table of all the figured & their proper accompanyments, to
which is added several examples of each ngure, by John Matheson
London, P: Hodgson [17 — ]
1 p. 1., 32 p. 35«
^cm
Engraved throughout. The "true rules" occupy only p. 1, the rest of the
work consisting of musical examples.
MT49.A2M442
Grundlage einer ehren-pforte, woran der tiichtigsten capellmeister,
componisten, musikgelehrten, tonkilnstler &c. leben, wercke, ver-'
dienste &c. erscheinen sollen. Zum fernern ausbau angegeben von
Mattheson. Hamburg, In verlegung des verfassers, 1740.
2 p. 1., xliv, 428, [16] p. 21 x 16^^°^.
Engr. t.-p.
ML105.A2M42.
Gultige zeugnisse liber die jiingste Matthesonisch-musicalische kern-
schrifft, als ein fuglicher anhang derselben, zum druck bef6rdert von
Aristoxen, dem jungern ['pseud.] . . . Hamburg, 1738.
15 p. 21^x18"™. ( TFi'iA Ais Kern melodischer wissenschafft. Hamburg, 1737)
Three letters, by C. H. P., J. P. Kuntzen and J. A. Scheibe respectively, with
notes by Mattheson.
MT6.A2M44
Kern melodischer wissenschafft, bestehend in den auserlesensten
haupt- und grund-lehren der musicahschen setz-kunst oder composi-
tion, als ein vorl&uffer des Vollkommenen capellmeisters / ausgear-
beitet von Mattheson. Hamburg, C. Herold, 1737.
9 p. 1., 182, [8] p. illus. 2H x 18-=™.
MT6.A2M44
174 LIBRARY OF CONGRESS
Mattheson, Johann — Continued.
Johann Mattheson' s . . . Kleine general- bass-schule. Worin nicht
nur lernende / sondern vornehmlich lehrende / aus den allerersten
anfan^-griinden desclavier-spielens / ilberhaupt und besonders / durch
verscmedene classen u. ordnungen der accorde stuff en-weise / mittelst
gewisser lectionen oder stiindlicher aufgaben / zu mehrer voUkom-
menheit in dieser wissenschafft / richtig / getreulich / und auf die
deutlichste lehr-art / kiirtzlich angeMnret werden . . . Hamburg /
J. C. Kissner / 1735.
8 p. 1., 253, [13] p. 21 X IS""".
Added t.-p., engr., with date 1734.
Additions and corrections for his Grosse general-baas-schule, 2d ed., Heidelberg,
1731, on last page.
MT49.A2M45
Der Musicalische patriot / welcher seine gnindliche betrachtun-
gen / liber geist- una weltl. harmonien / samt dem / was durchge-
nends davon abh&nget / in angenehmer abwechselung zu solchem ende
mittheilet / das Gottes ehre / das gemeine bests / und eines jeden
lesers besondere erbauung dadurcb bef6rdert werder. Ans licht ge-
stellet von Mattheson. Hamburg, 1728.
376 (i. e. 384) p. 19 x ISi""*.
No. 73-80 repeated in paging.
Issued in weekly numbers aa "Des Mvisikalischen patrioten erste [-drey und
vierzigste] betrachtung."
ML4.M43
Die neuangelegte freuden-akademie, zum lehrreichen vorschmack
unbeschreiblicher herrUchkeit in der veste gdttUcher macht. Ange-
priesen von Johann Mattheson . . . Hamburg, J. A. Martini, 1751-53.
2 V. in 1 (v. 1: 2 p. 1., 302, [22] p.; v. 2: 38 p. 1., 322, [17] p.) 18^^
Jem
Vol. 2 has title: Johann Matthesons . . . Neuangelegter freuden-akademie
zweyter band, mit vorgesetzter abhandlung betreffend alle freudenstSrer und
todwunscher.
Ch. 17. 1144
Das neu-er6ffnete orchestre, oder Universelle und griindhche anlei-
tung / wie ein galant homme einen vollkommnen begriff von der
hoheit und wilrde der edlen music erlangen / seinen gout darnach for-
miren / die terminos technicos verstehen und geschickUch von dieser
vortrefflichen wissenschafft raisonniren m6ge. Durch J. Mattheson,
seer. Mit beygefugten anmerckungen herrn capell-meister Reisers.
Hamburg, Auf unkosten des autoris, und zu finden in B. Schillers
wittwe buchladen / 1713.
7 p. 1., 338, [11] p. front, (port.) 16<"".
' ' 9 seiten notenbeispiele ' ' mentioned by Becker not in this copy.
MT6.A2M42
Das neu-er6ffnete orchestre, oder Universelle und griindliche
anleitung / wie ein galant homme einen vollkommnen begriff von der
hoheit und wiirde der edlen music erlangen / seinen gout darnach for-
miren / die terminos technicos verstehen und geschicklich von dieser
vortrefflichen wissenschafft raisonniren m6ge. Durch J. Mattheson,
EARLY BOOKS ON MVSIC ""' ^ 'i ; ' ;" ; ,' it&c
Mattheson, Johann — Continued.
seer. Mit beygefugten anmerckungen herm capell-meister Keisers.
Hamburg, B. Schillers wittwe, 1713.
2 p. 1., 338 p. H^*"".
"9 seiten notenbeispiele" mentioned by Becker not in this copy.
MT6.A2M43
- Das beschiltzte orchestre,oder desselben zwey te er6ff nung/worinn
nieht nur einem wilrcklichen galant-homme, der eben kein professioris-
verwandter / sondem auch manchem musieo selbst die alleraufrich-
tigste und deutlichste vorstellung musicalischer wissenschaiften / wie
sich dieselbe . . . eigentlich und wahrhafftig verhalten / ertheilet; aller
wiedrigen auslegung und gedungenen aufbiirdung aber v611iger . . »
bescheid gegeben; so dann endlich des lange verbannet gewesenen ut
re mi fa sol la, todte (nicht tola) musica, imter ansehnlicher begleitung
der zw6lff griechischen modorum . . . zu grabe gebracht und mit
einem monument, zum ewigen andencken / beehret wird von Matthe-
son. Hamburg, Schilleriscne buchladen, 1717.
11 p. 1., 561, [1] p. 7 fold. pi. HO"*.
The greater part of the work was written in refutation of J. H. Buttstett's Ut,
re, mi, fa, sol, la, tota musica.
MT6.A2M38
Das forschende orchestre, oder desselben dritte er6ffnung.
Darinn sensvs vindiciae et qvartse blanditiae, d. i. der beschirmte sinnen-
rang und der schmeichelnde quarten-klang / alien unpartheyischen syn-
tecmiitis zum nutzen und nachdenken; keinem menschen aber -zum
nachtbeil / sana ratione & autoritate untersuchet / und vermuhtlich
in ihr rechtes licht gestellet werden von Joanne Mattheson . . . Ham-
burg / B. Schillers wittwe / und J. C. KLissner, 1721.
23 p. 1., 789, [38] p. front. ISi""*.
MT6.A2M39
Die neueste untersuchung der singspiele, nebst beygeMgter musi-
kalischen geschmacksprobe, liefert niemit Aristoxenus, der jungere
[pseud.] . . . Hamburg, C. Herold, 1744.
4 p. 1., 168 p. 17'^".
ML3858.M41
Matthesons Philologisches tresespiel, als ein kleiner beytrag zur
kritischen geschichte der deutschen sprache, vornehmlich aber, mit-
telst gescheuter anwendung, in der tonwissenschaft niitzlich zu
gebrauchen. Subiuncta nouissima editione Schediasmatis de ervdi-
tione mvsica • . • ^ Hamburg, J. A. Martini, 1752. ,
16 p. 1., 133, [9] p., 1 1., 29 p. 17<'™.
"De ervditione mvsica" has special t.-p. and separate paging.
ML63.M18
Matthesonii Plvs vltra, ein stilckwerk von neuer und mancherley
art. Erster[-zweeter] vorrath . . . Hamburg, J. A.Martini, 1754-55.
382, [16] p. 2 fold. pi. (music) 17^'=™.
Each part has special t.-p.
The third and fourth parts, published 1755-56, are wanting in L. of C. copy.
ML60.M432
47;^<^ V; ''/\ ;-'' '•'• '■' '-^LIBBAEY OF CONGRESS
Mattheson, Johann — Continued.
Der vollkommene capellmeister; das ist, Gnlndliclie anzeige aller
derjenigen sachen, die einer wissen, k6nnen, und voUkommeii inne
haben muss, der einer capelle mit ehren und nutzen vorstehen will:
zum versuch entworffen von Mattheson. Hamburg, C. Herold, 1739.
28, [4], 484, [20] p. aSJ^"".
Dedication signed: Johann Mattheson.
"Neu^ verzeichniss bisheriger Matthesonischer wercke": [1] p. at end.
MT85.A2M43
See-also Abhandlung von den pantomimen, 1749.
Mattheson, Johann, 1681-1764, editor.
See NiEDT, F. E. Musicalische handleitung.
Raupach, C. Deutliche beweis-gnlnde, 1717.
[Maupoint, ]
Biblioteque des theatres, contenant le catalogue alphabetique des
{)ieces dramatiques, opera, parodies, & opera comiques; & le terns de
eurs representations. Avec des anecdotes sur la plftpart des pieces
contenues en ce reciieil, & sur la vie des auteurs, musiciens & acteurs.
Paris, L. F. Prault, 1733.
3 p. 1., 369, [3] p. 20'='°.
Added t.-p., engr.
Z2174.D7M3
[Maxwell, Francis Kelly called John] d. 1782.
An essay upon tune. Being an attempt to free the scale of music,
and the tune of instruments, from imperfection. Illustrated with
plates . . . Edinburgh, C. ElUot; [etc., etc.] 1781.
2 p. L, 290, [1] p. xix fold. pi. 2V^.
ML3809.A2M41
Mayeur de Saint Paul, Frangois Marie, 1758-1818.
See DuMONT. Le vol plus haut, 1784.
Meckenheuser, h. ca. 1660.
Die so genannte: allerneueste, musicaUsche temperatur: oder, Die,
von denen respective herren capellmeistern Biimlern, zu Onoltzbach,
und hn. Mattheson zu Hamburg, giltigst communicirte, 12. rational-
fleiche toni minores, oder semitonia in, und zwischen denen 13. clavi-
us, und denen 12. intervallis aller derselben octaven: des . . . herrn
hof-rahts H^nflings, zu Onoltzbach. Denen respective herren musicis
Eracticis . . . zu beliebiger censur libergeben, von J, G. Mecken-
euser . . . [QuedUnburg, 1727]
60 p., 1 1. 20i X 11'-^.
Gerber, Eitner and others give the author's forenames as Jacob Georg; the
dedication of the book is signed Johann Georg.
ML3809.A2M43
BABLf BOOKS ON MUSIC 1*77
Mel, Girolamo.
Discorso sopra la mvsica antica, e modema, di M. Girolamo
Mei . . . Venetia, G. B. Ciotti, 1602.
[23] p. m""".
Title vignette: printer's mark. Signatures: A-C in fours.
An abridged translation, by Pier del Nero, of the second book of an unpub-
lished work by Mei, "Demodis musicis veterum libri quatuor." The original
ms. is in the Vatican library, cf. Gaspari, Catalogo della bibl. del Liceo mus.
di Bologna, v. 1, p. 234.
ML171.M44
Meibom, Marcus, d. 1711, editor.
Antiqvse mvsicse avctores septem. Greece et latine. Marcvs Mei-
bomivs restituit ac notis expUcavit . . . Amstelodami, apud Ludo-
vicum Elzevirium, 1652.
2 V. 5 fold. tab. 22J x 16«"».
Printer's mark: Minerva.
Vol. 2 has title: 'ApsazsiSou KolvTiXeavoH IIspl ^oaiKf^c ^i^Ua r. Aristidis
Qvintiliani De mvsica libri iii. Marcvs Meibomivs reatitvit, ac notis expU-
cavit . . .
Contents. — I. i. Aristoxeni Harmonicorvm elementorvm libri iii. ii. Ev-
clidis [i. e. Cleonidse?] Introdvctio harmonica. Euclidis Sectio canonis. nr.
Nicomachi Geraseni, Pythagorici, harmonices manvale. iv. Alypii Introdvctio
mvsica. v. Gavdentii, philosophi, Introdvctio harmonica, vi. Bacchii senioris
Introdvctio artis mvsicse. — II. Aristidis Qvintiliani De mvsica libri in. &
Martiani Capellae De mvsica liber ix.
ML167.M49
Mellen, John, 1722-1807.
Religion productive of music. A discourse, delivered at Marl-
borough, March 24th, 1773, at a singing lecture . . . By John Mel-
len .. . Boston, I. Thomas, 1773.
34 p. 19<"".
[Miscellaneous pamphlets, v. 319, no. 4]
Caption title: The service of God, a ground of gladness and singing. Psalm c.
ver. 2 . . .
AC901.M5
Melody — the soul of music: an essay towards the improvement of
the musical art: with an appendix, containing account of an inven-
tion . . . Glasgow, Printed in the Courier office, 1798.
82 p. 20^'=™.
The invention is a violin with double strings in octaves.
ML3920.A2M4
Memoire pour le sieur de Lanove, la demoiselle Gavssin, & consorts,
opposans a la reception de la demoiselle Cleron {h. la Comediefran-
^oise] [n. p., ca. 1750]
20 p. 16"'°.
ML1727.3.A2M5
51234°— 13 12
178 LEBBARY OP CONGBESS
Memoires pour servir a I'histoire de la revolution op^r^e dans la
musique par M. le chevalier Gluck ... A Naples et se trouve a
Paris, chez Bailly, 1781.
2 p. 1., 491 p. front, (port.) 22<'»».
Edited by Gaspar Michel Leblond.
ML1727.35.M5
[Menestrier, Claude Frangois] 1631-1705.
Des ballets anciens et modernes selon les regies du theatre. Paris,
R. Guignard, 1682.
28 p. 1., 232 (t. e. 323), [5] p. 15""'.
The privilege, dated 1679, is for Menestrier'e "PhiloBophie dee images",
of which this forms a part. Errors in paging.
PN1991.M4
Des representations en musique anciennes et modernes. Paris,
R. Guignard, 1681.
12 p. 1., 333, [3] p. 17«"'.
ML1700.A2M5
Mengoli, Pietro, 1625-1686.
Specvlationi di mvsica, dedicate all' eminentiss. . . . Sig. card.
AzzoUni da Pietro Mengoli . . . Bologna, Per I'herede del Benacci,
1670.
12p. 1., 295p. tables (2 fold.) 20i<'"».
ML3800.A2M3
Mercadier, Jean Baptiste, 1750-1816.
Nouveau syst^me de musique th^orique et pratique, par M. Mer-
cadier de Belesta . . . Paris, Valade, 1776.
Ixxij, 304, [4] p. VIII fold. pi. 20^'=='.
ML3800.A2M4
Mermet, Louis Bollioud-
See Bollioud-Mermet, Louis.
Mersenne, Marin, 1588-1648.
F, Marini Mersenni . . . Harmonicorvm Hbri. In qvibvs agitvr de
sonorvm natvra, cavsis, & effectibus: de consonantiis, dissonantiis,
rationibus, generibus, modis, cantibua, compositione, orbisque totius
harmonicis instrumentis . . . Opus vtile grammaticis, oratoribus,
philosophis, iurisconsultis, medicis, mathematicis, atque theologis . . .
Lvtetiae Parisiorvm, sumptibus Gvillelmi Bavdry, 1635.
6 p. 1., 184, 168 p. illus., diagrs. 35i<"°.
Title vignette.
1^L3805.A2M5
Harmonicorvm libri xii. In qvibvs agitvr de sonorvm
natvra, cavsis, et effectibvs: de consonantiis, dissonantiis, rationibus,
generibus, modis, cantibus, compositione, orbisque totius harmonicis
EABLY BOOKS ON MUSIC 179
Mersenne, Marin — Continued.
instrumentis. Authore F. M. Merseno Minimo . . . Editio avcta.
Lvtetise Parisiorvm, sumptibus Gvillelmi Bavdry, 1648.
8 p. 1., 184 (i. e. 172), 4, 168 p. illus., diagrs. 36^^".
Title in red and black; title vignette. No. 126-131, 154-159 omitted in paging
of part 1; other slight errors in paging.
ML3805.A2M6
Harmonie vniverselle . . . Par F. Marin Mersenne . . . Paris, S.
Cramoisy, 1636-37.
2 V. in 3. illus. (incl. port.) tables, diagrs. 37i<=™.
Coat of arms of Antoine Barillon de Morangis, maitre des requdtes ordinaires du
roi, in gilt, stamped on cover. Many irregularities in paging.
Collations of this work differ; the L. of C. copy is made up as follows:
Vol. [1] Title (in red and black) : Harmonie vniverselle, contenant la theorie
et la pratique de la mvsiqve, ou il est traits de la nature des sons, & des mouue-
ments, des consonances, des dissonances, des genres, des modes, de la compo-
sition, de la voix, des chants, & de toutes sortes d'instrumens harmoniques.
Par F. Marin Mersenne de I'ordre des Minimes. [vignette: printer's mark]
A Paris, chez Sebastien Cramoisy, imprimeur ordinaire du roy, rue S. Jacques,
aux Cicognes. m.dc.xxxvi. Auec pnuilege du roy, & approbation des doc-
teurs. — Title-page, v°: note, Les caracteres de mvsiqve sont de I'impression de
Pierre Ballard imprimeur de la musique du roy. — Title (Harmonie vniverselle)
with an engr. illustration, signed H. Le Roy; below, verse 22 of Psalm 70. Verso
blank. — p. 1. [3]-p. 1. [7]: Premiere preface generale av lectevr. — p. 1. [7]
v°: Extraict dv privilege dv roy. Approbation des theologiens de I'ordre des
Minimes. — p. 1-68: Livre de I'vtilit^ de I'Jiarmonie, & des autres parties des
mathematiques. — Half-title: Traitez de la natvre des sons, et des mowemens
de toutes sortes de corps. Verso blank. — p. 1. [2-3]: A tres-havt . . . prince Mon-
seignevr Lovis de Valois, conte d'Alais [etc.] (signed by the author) — p. 1. [4]:
Preface au lecteur. Fautes suruenues dans le second liure Des mouuemens. —
E. 1-84: Livre premier. De la natvre et des proprietez dv son. — p. 85-156:
ivre second. Des mowemens de tovtes sortes de corps. — p. 157-228: Livre
troisiesme. Dv mowement, de la tension, de la force, de la pesanteur, & des
autres proprietez des chordes harmoniques, & des autres corps. — p. 228: Fautes
de I'impression des trois liures precedens. Advertissement. — p. 1. [1]: Leaf
with 4 diagrams on verso, recto blank. — p. 1. [2]r°: Aduertissement au lecteur.
Fautes suruenues en I'impression. Verso blank. — p. 1-36: Traite de mechaniqve.
Des poids soustenvs par des puissances sur les plans inclinez k I'horizon. Des
puissances qui soustiennent vn poids suspendu a deux chordes. Par G. Pers.
de Roberual . . . — Vol. [2] Half-title: Traitez de la voix, et des chants. Verso
blank. — p. 1. [2]-p. 1. [3] r°: A Monsievr Monsievr Halle, seignevr de Bovcqveval
[etc.] (signed by the author) — p. 1. [3] v°-p. 1. [4]: Preface au lecteur. Fautes
suruenues en I'impression. — p. 1-88: Livre premier. De la voix, des parties
qvi servent a la former, de sa definition, de ses proprietez, & de I'oiiye. — p. 89-
180: Livre second, Des chants (p. 117-128: Varietez des six notes de la sexte
mineure, ou maieure. Sept cens vingt chants de I'hexachorde mineur. p. 150-
151: Table des 256 varietez de quatre temps differens) — Half-title: Traitez des
consonances, des dissonances, des genres, des modes, & de la composition. Verso
blank. — p. 1. [2-3]: A Monsievr, M. Nicolas Clavde Fabry, sieur de Peiresc et
de Callas [etc.] (signed by the author) — p. 1. [4]-p. 1. [6] r°: Preface, & aduer-
tissement au lecteur. — p. 1. [6] v": Fautes suruenues en I'impression.— p. 1-112:
Livre premier. Des consonances. — p. 113-140: Livre second. Des disso-
nances.— p. 141-196: Livre troisiesme. Des genres, des especes, des systemes, &
des modes de la musique (Plate bearing diagram between p. 164 and 165, dupli-
cate between p. 166 and 167) — p. 197-282: Livre qvatriesme. De la composition
de mvsiqve.
Title: Seconde partie de 1' Harmonie vniverselle: contenant la pratique des
consonances, & des dissonances dans le contrepoint figure, la methode d'enseigner,
& d'apprendre a chanter. L'embellissement des airs. La musique accentuelle.
La rythmique, la prosodie, & la metrique fran^oise. La maniere de chanter les
odes de Pindar, & d'Horace. L'vtilite de I'harmonie, & plusieurs nouuelles
obseruations, tant physiques que mathematiques: auec deux tables, I'vne des
4
i-
180 LIBRARY OF CONGRESS
Mersenne, Marin — Continued.
propositions, & I'autre des matieres. Cantate Domino canticum nouum, latis
eius in ecclesia sanctorum. Psal. 149. [vignette: printer's mark] A Paris, par
Pierre Ballard, imprimeur de la musique du roy, demeurant rue S. lean de
Beauuais, k I'enseigne du Mont Parnasse. m.dc.xxxvii. Auec priuilege du roy,
& approbation des docteurs. Verso blank. — p. 1. [2]: Av lectevr. Errata cor-
rigez. — p. 283-330: Livre cinqviesme. De la composition de mvsiqye (p. 300-
303: Fantaisie k quatre, composee par le sieur de Cousu) — p. 331-440: Livre
sixiesme. De I'art de bien chanter. — p. 440-442: Fautes de I'impression du 5
6 6 liure, auec quelques auertissemens. Licence du general F. Franciscvs
a Longobardis ordinis Minorum corrector generalis. Approbation des doctevrs. —
Vol. [3] Half-title: Traite des instrumens a chordes. verso blank. — p, 1. [21 —
p. 1. [3] r°: A Monsievr Monsie\T de Refvge, conseiller av Parlement (signed by
the author) — p. 1. [3] v° — p. 1. [4]: Preface au lecteur. Fautes euruenues en
I'impression. — p. 1-40, numb. 1. 41-46: Livre premier. Des instriimens (running
title) — p. 45-92, 85-92, nimib. 1. 93-100: Livre second. Des instruments a
chordes. — ^p. 101-176: Livre troisiesme. Des instrvmens a chordes. — p. 177-228:
Livre qvatriesme. Des instrvmens a chordes (p. 186-189: Fantaisie a 5. composee
par le sieiu: Henry le leune) — p. 225-308: Livre cinqviesme. Des instrvmens
a vent. — p. 1. [1]: A Monsievr Monsievr Pascal . . . (signed by the author) — p.
1. [2]: Preface au lecteur. Fautes suruenues en I'impression du traits de I'or-
gue. — ^p. 309-412: Livre sixiesme. Des orgves. — p. 1-72: Livre septiesme. Des
instrvmens de percvssion (p. [66]-69: Requiem k cinq parties compose par Jac-
ques Mauduit) — p. 73-79: Fautes de I'impression, & quelques aduis. Essay des
moralitez tirees de la pure mathematique. — p. 1-28: Isovvelles observations
physiqves et mathematiqves. — p. [1-9]: Table des xix. liures de musique. —
p. [10]: Premiere observation. — p. [11-12]: Seconde observation.
ML100.A2M3
Les prelvdes de riiarmonie vniverselle, ov Qvestions cvrievses.
Vtiles aux predicateurs, aux theologiens, aux astrologues, aux med^
cins & aux pliilosophes. Composees par le L. P. M. M. Paris, H.
Gvenon, 1634.
7 p. 1., 224 p. illus. 17J'^™.
ML3800.A2M5
Traite de rharmonie vniverselle. Oil est contenu la musique theo-
rique & pratique des anciens & modernes, auec les causes de ses effets.
Enrichie de raisons prises de la philosophie, & des mathematiques.
Par le sieur de Serines [psevd.] A Pans, pour Gvillavme Bavdry,
1627.
2 pt. in 1 V. illus., tables, diagrs. 18''™.
Title-page, with printer's mark (?) verso blank. — Epistre (A Monsie\T Monsievr
de Refvge, conseiller dv roy en sa cour de Parlement. Signed: F. de Sermes)
"^9] p. — Preface av lectevT, [7] p.— Sommaire des seize liures de la musique,
5] p. — Preface dv premier livre, [2] p. — Table des theoremes dv premier livre,
7] p. — Livre premier de la mvsiqve. Qui contient ce qu'enseignent Euclide,
rtolom^e, Bacchius, Boece, Guy Aretin, Faber, Glarean, Folian, Zarlin, Salinas,
Galilee, rilluminato, Cerone, &c. & plusieurs autres choses qui n'ont point este
trait^es iusques k present, p. 1-304, followed by Exemples des xii. modes, [4] p. —
Title: Livre second de I'Harmonie vniverselle. Oil I'harmonie de toutes les
parties du monde est expliquee tant en general qu'en particulier. Par le sieur
de Sermes. A Paris, po\T Gvillavme Bavdry . . . m.dc.xxvii. Auec privilege
du roy. Verso blank. — Epistre (A Monsievr Monsievr Covtel, conseiller dv roy
en sa Govt des aydes. Signed: Francois de Sermes), [7] p. — Preface dv second
livre, [8] p. — Table des theoremes dv second livre, [3] p. — Livre second des
paralleles de la mvsiqve. Auquel on void le rapport qu'ont les sons, les con-
sonances, & les autres inteniales auec la rythmique [etc., etc.], p. 305-477 (p.
368 wrongly numbered 378, no. 369-370 omitted) — Fautes du premier liure.
Fautes du second liure, [1] p.
ML3805.A2M68
EARLY BOOKS ON MUSIC 181
Metaphrastes, Simeon, der jungere, psevd.
See Marpurg, Friedrich Wilhelm. Legende einiger musik-
heiligen, 1786.
Metodo per suonare il flauto con principj ristretti di musica.
[21] p. 30 X 2P'».
18th cent. ma.
On p. [14] "Regole per aprendere la musica," which are extensively explained
in the following "Spiegazione degl' antecedenti articoli."
ML96.M
Meude-Monpas, J. J. O. de.
Dictionnaire de musique, dans lequel on simplifie les expressions
et les definitions mathematiques et physiques qui ont rapport k cet
art; avec des remarques impartiales sur les poetes lyriques, les v6ri-
ficateurs, les compositeurs, acteurs, executants, ect, ect . . . Par
J. J. O. de Meude-Monpas, chevalier. Paris, Knapen et fils, 1787.
xvj, 232 p. ISi""*.
ML108.A2M2
Meurs, Johannes van, 1579-1639, editor.
Aristoxenvs. Nicomachvs. Alypivs. Auctores musices antiquis-
simi, hactenus non editi. Joannes Mevrsivs nunc primus vulgavit,
& notas addidit. Lvgdvni Batavorvm, ex ofiicin& Lvdovici Elzeviri,
typis G. Basson, 1616.
4 p. 1., 160 (i. e. 196) p. 19^ x IS^""".
Printer's mark: open music book. Last page numbered 160 for 196.
Contents. — ^ Apcazo^kuoo 'ApfiovcKojv azoixdcov ^c^X'ca Y . — NcKofiayou repauTjvou
nodaYopcKotJ 'ApfwvcKTj^ iY](£ipld:ov. Bc^X'ca duo. — 'AXtmiou Ehaj-wpj jiouacKT}.
ML167.M57
See also Philostratus. Epistolse, 1616.
[Meusnier de Querlon, Anne Gabriel] 1702-1780.
Le code lyrique, ou reglement pour I'Opera de Paris. Avec des
eclaircissemens nistoriques. A Utopie, chez Thomas Morus, h. I'en-
seigne des Terres australes. [Paris] 1743.
1 p. 1., 95 p. 15i X Si""".
ML1727.8.P2M59
pMeyer, Carl Gottfried] compiler.
Sammlung einiger nachrichten von beriihmten orgel-wercken in
Teutschland, mit vieler muhe aufgesetzt von einem hebhaber der
musik. Breslau, C. G. Meyer, 1757.
2 p. 1., 112 p. illus. 23 X IS''".
Appended is a description of organs in Dresden (Katholische kirche) Berlin
(St. Nikolai) etc. 19 p. ms.
ML594.A2M3
[Meyer, Joachim] 1661-1732.
Unvorgreiffiche gedancken uber die neulich eingerissene theatra-
hsche kirchen-music und denen darinnen bishero ilblich gewordenen
cantaten mit vergleichung der music voriger zeiten, zur verbesserung
der unsrigen vorgestellet von J. M. D. [Lemgo] 1726.
70 p. IdV'^.
ML3001.M61
182 LIBRARY OF CONGRESS
Michaelis, Christian Friedrich, 1770-1834.
Ueber den geist der tonkunst, mit riicksicht auf Kants Kritik der
fi,stlietischen urtheilskraf t ; ein &sthetischer versuch von Christian
Friedrich Michaelis . . . Leipzig, Schaferische buchhandlung, 1795-
1800.
2 V. (v. 1: 134, [2] p.; v. 2: 3 p. 1., 160 p.) IS""*.
Title vignette. Title of vol. 2 varies slightly.
" Verzeichniss einiger neuerer musikalisch-§,8thetisclier schriften und auf-
s&tze": V. [l]p. 125-134.
ML3845.A2M62
Michel, Gaspar.
See Leblond, Gaspar Michel, called.
Michele, Antonio di, d. 1680.
La nvova chitarra di regole, dichiarationi, e figvre con la regola
della scala. Composta da Don Antonino di Micheli . . . Con aggiun-
ta d'arie siciliane, e sonate di varij auttori. Palermo, Per P. Cop-
pula stamp, camer., 1698.
2 p. 1., 70, [2] p. 1 illus., diagrs. 14^ x 21"™.
Title vignette.
An earlier edition was published at Palermo in 1680.
MT582.A2M4
[MicheU, Henry] 1714-1789.
De arte medendi apud priscos musices ope atque carminum epistola
ad Antonium Relhan . . . Ed. altera & auctior . . . Londini, ex-
cudebat J. Nichols, 1783.
81, [1] p. 22«™.
Caption of dedication: Viro summo comiti de Shelburne &c. s. p. d. Michael
Gaspar [pseud, of Henry Micheli]
ML3920.A2M5
Mignot, de La Voye.
See La Voye Mignot, de.
Milbourne, Luke, 1649-1720.
Psalmody recommended in a sermon preach' d to the Company of
pa;rish-clerks, at St. Alban's Woodstreet, November 17. at St. Giles's
in the Fields, November 22, 1712. and now pubhsh'd at the desire of
the hearers. By Luke IVIilbourne . . . London, J. Downing, 1713.
1 p. 1., X, 35 p. IQ""".
ML3001.M64
Milchmeyer, Johann Peter, 1750-1813.
Die wahre art das pianoforte zu spielen . . . von J. P. Milchmeyer
... Zu haben in Dresden beym verfasser . . . Dresden, Gedruckt
bei C. C. Meinhold, 1797.
4 p. 1., 72 p. 23 X 32i<'°'.
MT222.A2M64
EAKLY BOOKS ON MUSIC 183
Mllioni, Pietro.
Vero e f acil modo d'imparare a sonare, et accordare da se medesimo
la chitarra spagnuola, non solo con I'alfabetto, & accordatura ordi-
naria, ma anco con vn' altro alfabetto, & acordatura straordinaria,
nuouamente inuentati da Pietro Milioni, et Lodovico Monte com-
pagni. Con vna regola per imparare il modo d'accordare sei chitarre,
per poterle sonare insieme in concerto, ciascmia per differente chiaue.
Venetia, G. Zim, 1684.
48 p. 1 illus. 9^ X ISJ"™.
Illustrated t.-p.
Earlier editions were published in 1644, 1652, etc.
M127.M6
Miller, Edward, 1731-1807.
Elements of thorough bass and composition, in which the rules of
accompaniment for the harpsichord or piano-forte are rendered amu-
sing by the introduction of eight ItaUan, eight French & twelve Eng-
lish songs collected from the works of eminent composers antient &
modern. With proper lessons for practise ... by Edward MiUer . . .
Opera quinta. London, Longman & Broderip [1787]
8, 88 p. 32"™.
Engraved, with the exception of p. [3]-8 (first group)
MT49.A2M5
A treatise on thorough bass and composition, in which the rules
of accompaniment are laid down and a variety of proper lessons are
given — the whole calculated for such performers as are unacquainted
with the principles of harmony, by Edw**. Miller . . . DubHn, E. Lee
[1787]
1 p. 1., 52 p. 33'''".
Engraved throughout.
MT49.A2M52
Mimnermus, psevd.
See Printz, Wolfgang Caspar.
Mingotti, Regina (Valentini) 1728-1807.
An appeal to the publick, by Signora Mingotti. London, Printed
for the authoress [1756 ?]
1 p. 1., 13 p. 20^ X 16<="».
Relating her contentions with the opera manager Vanneschi.
ML420.M46
[Minguet e Irol, Pablo] d. 1801 ?
Reglas, y advertencias generales que ensenan el modo de taner
todos los instrumentos mejores, y mas usuales, como son la guitarra,
tiple, vandola, cythara, clavicordio, organo, harpa, psalterio, ban-
durria, violin, flauta travesera, flauta dulce, y la nautiUa, con varies
tanidos, danzas, contradanzas, y otras cosas semejantes . . . [Madrid,
J. Ibarra, 1753-54]
[64] p. front., 17 pi. 14^ x 20''«.
In four parts, each with special t.-p. bearing the author's name. The appro-
bation of part [1] is dated 1753, the t.-p. of part [4], 1754; the second and third
parts are not dated.
MT582.A2M3
184 LIBEARY OF CONGRESS
PVIirabeau, Honore Gabriel Riquetti, comte de] 1749-1791.
Le lecteur y mettra le titre. Londres, 1777.
95, [1] p. 21""'.
An essay on music. Contains an analysis of a symphony by Raimondi, "Les
aventures de T^lemaque."
ML3845.A2M67
Minis, Adam Erdmann, 1656-1727.
Kurtze fragen aus der musica sacra, worinnen denen liebhabern
bey lesung der biblischen historien / eine sonderbahre nachxicht
fegeben wird / entworffen von M. Adam Erdmann Miro . . . Dresden,
. C. Zimmermann, 1715.
3 p. 1., 180 p. front. 14"™.
First edition, Gorlitz, 1707.
ML166.A2M6
Missery, Antoine Suremain de.
See Suremain de Missery, Antoine.
Mizler von Kolof, Lorenz Christoph, 1711-1778.
Anfangs-grilnde des general basses nach mathematischer lehr-art
abgehandelt, und vermittelst einer hierzu erfundenen mascbine auf
das deutlicbste vorgetragen von Lorenz Mizlern ... Leipzig, Zu
finden bey dem verfasser [1739]
4 p. 1., 123 {i:e. 137), [1] p. v pi. 17^="'.
Page 137 wrongly numbered 123.
MT49.A2M68
Dissertatio qvod mvsica scientia sit et j)ars ervditionis pbilosopbi-
cae . . . Ed. 2. avctior et longe emendatior cvm praefatione nova.
Lipsiae et Wittebergae, recvsa in officina Hakiana, 1736.
4 p. 1., 24 p. 19i X 16<>'°.
ML3800.A2M6
Musikalischer staarstecber in welchem rechtscbaffener musikver-
st&ndigen fehler bescheiden angemerket, eingebildeter und selbst
gewachsener so genannten componisten thorbeiten aber l^cherlich
gemacbet werden. Als ein anhang ist des herrn Riva . . . Nachricht
vor die componisten und s&nger beygeMget, und aus dem italienischen
ins Deutsche ilbersetzet von Lorenz Mizlern, a. m. Leipzig, Auf
kosten des verfassers [1740]
4 p. 1., 118, [3] p. fold. pi. 16i<="'.
Issued monthly (1.-7. stuck) 1739-40.
The appendix has title: Anhang zum Musikalischen staarstecber welcher
bestehet in einer Nachricht vor die componisten und 83,nger, in italieniecher
sprache aufgesetzt vomherm Riva, damaligen residenten desherzoes von Modena
zu Londen, und daselbst hrsg. bey Tomaso-Edlin anno 1728 . . . Leipzig, 1740.
" Verzeichnis der schrifften und bficher, welche M. Lorenz Mizler . . . geschrie-
ben": p. 117-118.
ML4.M89
Lorenz Mizlers . . . Neu er6ffnete musikalische bibliothek, oder
GriindUcbe nachricht nebst unpartheyischem urtheil von musikali-
EARLY BOOKS ON MUSIC 185
Mizler von Kolof , Lorenz Christoph — Continued.
schen schriften und bilchern . . . Leipzig, Im verlag des verfassers
mid bey Braims erben in commission, 1739-54.
4 V. fold, plates, 3 port. (incl. front.) fold tables, fold, diagrs. IT^"™ (v. 4: 19"™)
Vol. 1 was issued in 6 parts, 1736-38; vol. 2 in 4 parts, 1740-43; vol. 3 in 4 parts,
1746-52. Of vol. 4 only the first part was published. Contains music.
Vol. 2 has title: Lorenz Mizlers Musikalische bibliothek . . . worinn alles, was
aus der mathematik, philosophie und den schSnen wissenschafften zur erliute-
rung und verbesserung sowol der theoretischen als practischen musik geh6ret
. . . beygebracht wird . . . Leipzig, Im Mizlerischen bficherverlag, 1743. Vol.
3 and vol, 4, part 1, have same title with slight variations.
ML4.M37
See also Voigt, C. Gespr§,ch von der musik, 1742.
Mizler von Kolof, Lorenz Christoph, 1711-1778, translator.
See Fux, J. J. Gradvs ad Parnassvm, 1742.
Molette, Philippe du Contant de la.
See Du Oontant de La Molette, Philippe.
Moline, Pierre Louis, 1739-1820.
See RiEDEL, F. J. Ueber die musik des fitters Christoph von
Gluck, 1775.
Momigny, Jerome Joseph, h. 1762, editor.
See Framery, N. fi. Musique, 1791-1818.
Monnet, Jeah, 1703-1785.
Supplement au Roman comique [de Scarron], ou M^moires pout
servir a la vie de Jean Monnet, ci-devant directeur de I'Opera-
Comique k Paris, de I'Op^ra de Lyon, & d'une Com6die fran^oise k
Londres, ecrits par lui-meme . . . Londres, 1773.
2 V. in 1 (v. 1: 4 p. 1., 135, [3] p.; v. 2: 2 p. 1., 192, [6] p.) ISJ""".
ML429.M67
Monpas, J. J. O. de Meude-
See Meude-Monpas, J, J. O. de,
Montanos, Francisco de.
Arte de canto llano. Con- entonaciones comunes de core y altar,
y otras cosas diversas, como se vera en la tabla. En todo va acen-
tuado el punto con la letra, y algunas cosas remitidas puestas ad
longum. Compuesto por Francisco de Montanos, y aora nueva-
mente corregido, y enmendado por Sebastian Lopez de Velasco . . .
Anadida la Missa del angel custodio . . . Zarago^a, I. de Ibar, 1670.
2 p. 1., 164 p. 21 X 15^'=°'.
MT860.A2M76
Arte de musica theorica y pratica, de Francisco de Montanos . . .
Valladolid, Impresso en casa de D. Fernandez de Cordova, 1592.
6 pt. in 1 V. illus., diagrs. 20"^".
Title-page wanting; title taken from Catalogue de la bibliotheque de F. J.
F^tis, Brussels, 1877.
ML171.M76
186 LIBRARY OF CONGRESS
Montdorge, Antoine Qauthier de.
See Gauthieb de Montdorge, Antoine.
Monte, Lodovico.
Vero e facil modo d'imparare a sonare, et accordare da se medesimo
la chitarra spagnuola, non solo con I'alfabetto, & accordatura ordi-
naria, mk anco con vn' altro alfabetto, & acordatura straordinaria,
nuouamente inuentati da Pietro [Milioni, et Lodovico Monte com-
pagni. Con vna regola per imparare il modo d' accordare sei
chitarre, per poterle sonare msieme m concerto, ciascuna per differente
chiaue. Venetia, G. Zim, 1684.
48 p. 1 illus. ^ X ISi""'.
Illustrated t.-p.
Earlier editions were published in 1644, 1652, etc.
M127.M6
Monteclair, Michel Pignolet de, 1667-1737.
Nouvelle methode pour apprendre la musique par des demonstra-
tions faciles, suivies d'un ^and nombre de lepons h, une et h,deux voix,
avec des tables qui facilitent T habitude des transpositions et la
conoissance des differentes mesures . . . Par M"". Monteclair . . .
Paris, Chez I'auteur [etc.] 1709.
4 p. 1., 64 p. diagrs. 28 x 21i<"".
Engraved throughout; line borders.
MT6.A2M77
Principes de musique. Divisez en quatre parties.- La premiere
partie contient tout ce qui appartient a I'intonation. La ii."^^ partie
tout ce qui regarde la mesure et le mouvement. La iii.® partie la
maniere de joindre les paroles aux nottes et de bien former les agre-
ments du chant. La iv.^ partie est Tabrege d'un nouveau syst^me
de musique, par lequel I'auteur fait voir qu'en changeant peu de
choses dans la maniere de notter la musique, on en rendroit I'etude et
la pratique plus aisees. Composez . . . par M"". de Monteclair ... Se
vend a Paris, rue S^ Honore k la Regie d'or [veuve Boivin, 1736]
3 p. 1., 133 p. diagrs. 31^'='°.
Engraved throughout.
MT835.A2M68
Montenegro, Benito Jeronimo Feijoo y.
See Feijoo y Montenegro, Benito Jeronimo.
Montenoy, Charles Palissot de.
See Palissot de Montenoy, Charles.
Montes, Diego de Roxas y.
See RoxAS y Montes, Diego de.
Morabin, Jacques, 1687-1762.
See Chateauneuf, F. de Castagneres, abbe de. Dialogue sur
la musique des anciens, 1725.
EARLY BOOKS ON MUSIC 187
Moraes Pedroso, Manuel de.
Compendio musico, ou Arte abbreviada em que se cont^m as regras
mais necessarias da cantoria, acompanhamento, e contraponto . . .
Por Manoel de Moraes Pedroso . . . Porto, Na officina episcopal do
capitao M. Pedroso Coimbra, 1751.
6 p. 1., 47, [3] p. illus. 20«'°.
MT40.A2M82
Morambert, Antoine Jacques Labbet, ahhe de, 1721-1756.
See Laugier, M. A. Sentiment d'un harmoniphile [1756]
[Morand, Pierre de] 1701-1757.
Justification de la musique franpoise. Contre la querelle qui lui a
6te faite par un Allemand & un Allobroge. Adress^e par elle-meme
au coin de la reine le jour qu'avec Titon & FAurore elle s'est remise en
possession de son theatre ... La Haye [i. e. Paris] 1754
2 p. 1., viij, 55 p. 21i'="».
"La deuxi^me critique [qui a paru contre Rousseau de Geneve] ... est de
Morand le po^te et d'Estfeve, ce qu'il y a de plaisant, c'est que dans la partie que
Morand a faite, il a cite avec eloge des bribes du Livre des beaux arts par Esteve,
et dans celle qu' Esteve a faite, il a cit6 des vers lyriques de Morand." — Extract
from Bibl. nat. ms. fran^ais 22158 in 4° {cf. note xinder Baton)
ML1727.33.M82
Morato, Joao Vaz Barradas Muitopao e.
See Vaz Barradas Muitopao e Morato, Joao.
Moreau, Henri, 1728-1803.
L'harmonie mise en pratique. Avec un tableau de tous les accords,
la methode de s'en servir, & des regies utiles a ceux qui etudient la
composition ou I'accompagnement. Get ouvrage qui est recueilli de
tous les meilleurs auteurs, contient des exemples sur toutes les con-
sonnances & dissonnances h, deux, &, trois, & a quatre parties, &c. de
m^me que fugues, points d'orgue, chromatique, &c. . . . Par H.
Moreau . . . Liege, J. G. M. Loxhay, 1783.
4 p. 1., 128 p. A-i, K-p fold. pi. 20<'°^.
MT50.A2M83
Moreschi, Giovanni Battista Alessandro.
Orazione in lode del padre maestro Giambattista Martini, recitata
da Giambattista Alessandro Moreschi nella solenne accademia de'
Fervidi 1' ultimo giorno delF anno 1784. Bologna, Stamperia di S.
Tommaso d' Aquino, 1786.
38 p., 1 1. incl. front, (port.) 23 x 16A<==>.
ML423.M29M5
Moretus, Theodore, 1602-1667, praeses.
Propositiones mathematicse ex harmonica, de soni magnitudine . . .
Vratislavise, typis Baumannianis, exprimebat J. C. Jacob [1664]
[20] p. illus., diagrs. 17^ x 14^"™.
Diss. — Breslau (Gottfried Fibig, respondent)
ML3807.A2F4
188 LIBRARY OF CONGRESS
Morley, Thomas, 1557-1603 ?
A plaine and easie introdvction to practicall mvsicke, set downe In
forme of a dialogue: deuided into three partes, the first teacheth to
sing with all things necessary for the knowledge of pricktsong. The
second treateth of descante and to sing two parts in one vpon a plain-
song or ground, with other things necessary for a descanter. The
/ third and last part entreateth of composition of three, foure, fine or
more parts witn many profitable rules to that effect. With new songs
of, 2. 3, 4. and .5 parts. By Thomas Motley . . . Imprinted at Lon-
don by P. Short, 1597.
3 p. 1., 183, [35] p. diagrs. 27^=".
Illustrated t.-p.; initials; head and tail pieces.
"Authors whose authorities be either cited or vsed in this booke " : [1] p. at end.
MT6.A2M84
A plaine and easie introdvction to practicall mvsicke, set
downe in forme of a dialogue: diuided into three parts. The first
teacheth to sing, with all things necessarie for the knowledge of
pricktsong. The second treateth of descante, and to sing two parts
m one vpon a plainsong or ground, with other things necessarie for a
descanter. The third and last part entreateth of composition of
three, foure, fiue or more parts, with many profitable rules to that
effect. With new son^s of, 2. 3. 4. and 5. parts. By Thomas Mor-
ley . . . London, Lnprinted by H. Lownes, 1608.
3 p. 1., 183, [35] p. 29'"".
Illustrated t.-p.; initials; head and tail pieces.
' 'Authors whose authorities be either cited or vsed in this booke " : fl] p. at end.
MT6.A2M86
A plain and easy introduction to practical music, set down
in form of a dialogue, divided into three parts, the first teacheth to
sing, the second treateth of descant, the third treateth of composition,
by Thomas Morley ... As printed in the year 1597. Now reprinted
for W. Randall, London, 1771.
5p. 1., iv, 257, [l]p., 11., 29p. diagrs. 26^x21^'".
Engraved t.-p.
"Motetts, canzonets &c. ... in score": 1 1., 29 p. at end.
MT6.A2M87
Morliere, Jacques Roche tte de la.
See Lamorliere, Jacques Rochette de.
Mothe Le Vayer, Frangois de la.
See La Mothe Le Vayer, Francois de.
[Moyria, Gabriel, vicomte de] 1771-1839.
Lettre sur la musique moderne. Par G***M*** ... Bourg,
Dufour et Josserand, 1797.
56 p. 20i<^™.
ML195.M69
EABLY BOOKS ON MUSIC 189
Mozart, Johann Georg Leopold, 1719-1787.
Versuch einer griindliclien violinschule, entworfen und mit 4.
kupfertafeln sammt einer tabelle versehen von Leopold Mozart . . .
Augspurg, Verlag des verfassers, 1756.
8 p. 1., 264 p., 2 1., [8] p. front, (port.) 4 pi. (1 fold.) 22^ x ITi*"".
MT262.A2M9
Leopold Mozarts . . . Griindliche violinschule, mit vier kupfer-
tafeln und einer tabelle. 2. verm. aufl. Auf kosten des verfassers.
Augsburg, Gedruckt bey J. J. Lotter, 1770.
8 p. 1., 268, [8] p. front, (port.) 4 pi. (1 fold.) 22 x 18°".
MT262.A2M92
Muller, August Eberhard, 1767-1817.
Anweisung zum genauen vortrage der Mozartschen c'aviercon-
certe hauptsachlich in absicht richtiger applicatur, von A. E. Muller.
Leipzig, Breitkopf & Hartel [1796]
1 p. 1., [1], 24 p. 32 X 26<='".
Engraved throughout.
MT247.A2M9
Miiller, Johann Christian, 1749-1796.
Anleitung zum selbstunterricht auf der harmonika, von Johann
Christian Muller. Leipzig, S. L. Crusius, 1788.
4 p. 1., 48 p. 25i X 22=™.
Title vignette: port.
MT670.M9
Milnster, Joseph Joachim Benedict,
Musices instructio in brevissimo regulari compendio radicaliter data.
Das ist : Kurzist- doch wohl grilndlicher weeg und wahrer unterricht
die edle sing-kunst denen regeln gem&ss recht aus dem fundament zu
erlernen ... in druck gegeben von Josepho Joachimo Benedicto
Miinster ... 8. aufl. Nicht allein mit denen sieben fundamental-
regeln, welche nicht mit worten alleine, wie bey der 1. aufl., sondern
in scala musica zu leichterer eindruckung der jugend in der andern
aufl. ganz ausgesetzter zu finden gewesen, sondern auch in der 3. mit
noch einem denen versiculanten wohlanst&ndigen anhang vermehret.
Augsburg, J. J. Lotter, 1768.
32 p. 18* X 21"'".
MT44.A2M9
Scala Jacob ascendendo, & descendendd. Das ist : Kiirtzhch / doch
wohlgegrilndete anleitung / und vollkommener unterricht / die edle
choral-music denen reglen gem^ss recht aus dem fundament zu
erlernen ... in druck gegeben von Josepho Joachimo BenecUcto
Miinster ... 2. aufl. Augspurg, J. J. Lotters seel, erben, 1756.
38 p. 17 X 21"°'.
MT860.A2M83
Muitopao e Morato, Joao Vaz Barradas.
See Vaz Barradas Muitopao e Morato, Joao.
190 LIBRABY OF CONGRESS
Murschhauser, Franz Xaver Anton, 1663-1738.
Academia musico-poetica bipartita. Oder: Holie schul der musi-
calischen composition in zwey theil eingetheilt. Per definitiones,
divisiones, regulas universales & particulares, explicationes, limita-
tiones, & obiectionum solutiones &c. Mit emsiger untersuchung aller
zu dieser honen wissenschafft dienlichen materien / und umst&nden /
auch vermeidung aller unnothwendigen weitl&ufftigkeiten &c. nach
des welt-beriihniten herrn Johann Caspar KerUs . . . und anderer
approbirten classicorum tradition getreulich . . . beschrieben / und
durchaus mit exenaplis wohl erl&utert / in druck hervor gegeben /
durch Franciscum Xaverium Murschhauser . . . Erster theil. Wel-
cher handelt von denen intervallis; dann von denen con- und disso-
nantibus; nachgehends von denen tonis, oder modis musicis, sowohl
choraUbus, als nguratis, mit angeh&ngten transpositionibus. Num-
berg, W. M. Endter, 1721.
7 p. 1., 186, [10] p. Sli"".
No more published.
In the present edition the title does not contain the words "Um dem vortreff-
lichen herrn Mattheson ein mehres licht zu geben ..." as in the edition of
same place and date quoted by Vogeleis (Kirchenmusikalisches jahrb., 1901,
p. 11) and in the Augsburg edition of 1721 given by Eitner.
Mattheson's reply was published in his Cntica musica, p. 1-88 ("Die melopo-
etische lichtscheere")
MT40.A2M98
Fundamentahsche kurz, und bequeme handleithug so wohl zur
figural- als choral-music, aus denen alt- und neyen approbierten,
uohrnembsten kunst-meisteren underschidUcher nationen herausge-
zogen, denen Uebhaberen der edlen music-kunst zum besten, denen
instructoribus zwar zum vortheil, dene lehrnede aber, als eine zur
Eerfectio hochst-nothwendige wisseschafft zu nuzen uerfast, und
eruorgegeben durch Franz Xaueriu Antonium Murschhauser.
Miinchen, In verlegung des authoris, 1707,
[33] p. 19 X 28"'".
Engraved throughout.
MT44.A2M92
A musical directory for the year 1794. To be continued annually.
Containing the names and address of the composers & professors of
music, with a number of amateurs . . . Also tlie names and address
of the principal music-sellers, and instrument-makers . . . &c. Lon-
don, Printed for the editor, pub. by R. H. Westley [1794]
vii, 87 p. 19<^™.
Dedication signed: J. Doane.
ML286.8.L5D5
Musices choraUs medulla, sive Cantus gregoriani fundamentalis tra-
ditio, una cum tonis conmaunibus, hymnis, antiphonis, lectione
mensaU &c. Ad usum Fratrum minorum strictioris observantise,
provincise Saxonise S. Crucis, ordinis seraphici patris S. Francisci.
Paderbornse, typis Joachimi F. Buch, 1714.
1 p. 1., 146, 92, 4 p. 13i X 7^'='".
MT860.A2M87
EARLY BOOKS ON MUSIC 191
Musik. Von Carl Friedrich Cramer . . . Dec. 1788-Apr. 1789.
Copenhagen, S. Sonnichsen, 1789.
346 p. 4 fold. 1. (music) 16<"".
ML4.M3
Der Musikalische dillettante; eine woehenschrift. Wien, Gednickt
bey J. Kurtzb6cken, 1770.
424, [1] p. 22i X IS""".
A treatise on thorough-bass, issued in 53 numbers, each of which is accompa-
nied by music.
The dedication and index announced on p. 4 do not appear in this copy.
Has been ascribed to J. F, Daube. The preface, however, is signed "Die
verfasser," and this accords with the advertisement in the Augsburger kunet-
zeitung cited by Freystatter, which reads "Der musikalische dilettante. Wo-
ehenschrift herau^egeben von einer gesellschaft virtuosen ..."
ML4.M40
Musikalische monathsschrift. 1.-6. stiick; jul.-dec. 1792. Berlin,
Neue berlinische musikhandlung [1792]
cover-title, 172 p. 26'=™.
J. F. Reichardt, F. L. A. Kunzen, editors.
Preceded by Musikalisches wochenblatt.
Reissued, Berlin, 1793, together with the Musikalisches wochenblatt, under
title: Studien fiir tonkiinstler und musikfreunde.
ML4.M45
Musikalische nachrichten und anmerkungen, 1770.
See W6CHENTLICHE nachrichten, 1766-70.
Musikalische real-zeitung ... 2. juhi 1788-30. junii 1790. Speier,
Expedition dieser zeitung; [etc., etc., 1788-90]
4 V. in 1. 21i X 17^^^™. weekly.
H. P. C. Bossier, J. F. Christmann, editors.
The musical supplements were issued separately as "Anthologie zur Real-
zeitung."
Continued as "Musikalische correspondenz der Deutschen filarmonischen
gesellschaft."
ML4.M48
Musikalischer almanach auf das jalir 1782. Alethinopel [1782?]
20 p. 1., 116 p. 17^'^'°.
Added t.-p., engr. Facing p. 106 is a second title not included in paging:
Musikalisches handbuch auf das jahr 1782. Alethinopel.
Attributed by most authorities to Carl Ludwig Junker. Eitner ascribes
to Johann Friedrich Reichardt (Monatshefte fiir musikgeschichte, 12, 144)
Forkel quotes as a supplement to this: Sichtbare und unsichtbare sonnen- und
mondfinstemisse, die sich zwar im Musikalischen handbuch oder Musikalmanach
fiir das jahr 1782. befinden, aber nicht angezeigt sind. Alethinopel (Berlin) 1782.
ML20.M60
Musikalischer und kunstler-almanach auf das jahr 1783.
Kosmopolis [1783 ?]
16 p. 1., [25}-168 p. front. 17^'='°.
Ascribed to Carl Ludwig Junker.
The third and last issue appeared as "Musikalischer almanach auf das jahr
1784. Freyburg."
ML20.M61
192 LIBEABY OF CONGRESS
Musikalischer almanach fur Deutschland auf das jahr 1782-84,
1789. Leipzig, Schwickert [1782-89]
4 V. 16J-17^''"'.
Edited by Johann Nicolaus Forkel.
ML20.M63
Musikalischer almanacli, hrsg. von Johann Friedrich Reichardt.
Mit 12 neuen in kupfer gestochenen liedern. Berlin, J. F. Unger,
1796.
[177] p. 12 pi. 11 X SJ"".
No more published.
ML20.R3
Musikalisches handwdrterbuch, oder Kurzgefasste anleitun^,
sammtliche im musikwesen vorkommende, vomehmlicli ausl&ndi-
sche kunstw6rter richtig zu schreiben, auszusprechen und zu ver-
stehn. Nebst einem anhange, welcher sehr wichtige musik-vor-
theile und eine neue erfindung beschreibt. Ein buch Mr jeden, der
die musik treibt, lehrt oder lernt . . . Weimar, C. L. Hoffmanns
seel, wittwe und erben, 1786.
10 p. 1., [5]-222 p. fold. pi. 18<"".
Ascribed to J. G. L. von Wilke.
ML108.A2M9
Musikalisches kunstmagasin, von Johann Friederich Reichardt . . .
1.-2. bd. (i.-viii. stiick); 1781-91. BerHn, Im verlage des ver-
fassers, 1782-91.
2 V. 29 X 26'"". quarterly.
"Chronologisches verzeichnis der 6ffentlich im druck und kupferstich er-
schienenen musikalischen werke von Johann Friederich Reichardt": v. 1, p.
207-209; v. 2, p. 124-125.
ML4.M52
Musikalisches wochenblatt. 1.-2. hft. (stilck 1-24); 1791-92.
Berhn, In der Neuen berhnischen musikhandlung [1791-92]
cover-title, 191, [1] p. 26"™.
J. F. Reichardt, F. L. A. Kunzen, editors.
Superseded by the Musikalische monathsschrift.
Reissued Berlin, 1793, together with the Musikalische monathsschrift, under
title: Studien f iir tonkiinstler und musikfreunde.
ML4.M8
La musique du diable, ou Le Mercure galant devaHs6. A Paris,
chez Robert le Turc, rue d'Enfer, 1711.
11 p. 1., 381 p. front. 13^"^.
Supposed adventures of Mile. Desm§,tins of the Opera, in the Inferno. Intro-
duces LuUy and other celebrities of the time.
ML1727.3.A2M9
Mylius, Andrfeas, 1649-1702, praeses.
. . . Jura circa musicos eqclesiasticos . . . Lipsiae, Uteris C. Banck-
manni [1688]
[40] p. 19 X 14^"°'.
Diss. — Leipzig (J. Kuhnau, respondent and author)
ML3795.A2K87
EARLY BOOKS ON MUSIC 193
N., N.
See Abreu, A. Escuela para tocar ... la guitarra, 1799.
Nachgedanken herrn m. Joh. Gottl. Biedermanns rect. der schule zu
Freyberg ilber sein programma De vita musica in einem verweis-
schreiben an eine nochwurdige person zu FreyJberg entworfen.
Freyberg, Auf kosten des verfassers, 1750.
8 p. 21^ X 17"-^.
This is in reality a sharp attack on Biedermann, who had published the year
preceding a pamphlet "De vita musica," directed against J. F. Doles.
The letter ends with the following verse: Wer Biedermannen nennt, wird
einen Midas nennen, und Wer Biedermannen kennt, wird leicht den W
kennen. In L. of C. copy the name Wilisch has been inserted in the last line
with pen and ink.
ML64.B42
Nachtigall, Othmar.
See LusciNius, Ottmar.
Narro, Manuel, d. 1776.
Adicion al Compendio del arte de canto llano. Su autor el R. P. F.
Pedro Villasagra . . . La escribia Don Manuel Narro . . . Valencia,
Impr. de la viuda de J. de Orga, 1766.
12 p. 21''™. ( IFitA Villasagra, Pedro de. Arte, y compendio del canto llano.
Valencia, 1765)
MT860.A2V6
Nassarre, Pablo, h. 1664.
Escvela mvsicaj segvn la practica moderna, dividida en primera,
y segvnda parte. Elsta primera contiene qvatro libros, el primero
trata del sonido armonico, de svs divisiones, y de sus efectos. El
segvndo, del canto llano, de sv vso en la iglesia, y del provecho
espiritual que produce. El tercero, del canto de organo, y del fin,
porqve se introduxo en la iglesia, con otras advertencias necessarias.
El qvarto, de las proporciones qve se contraen de sonido a sonido;
de las que ha de llevar cada instrumento musico; y las observancias,
que ban de tener los artifices de ellos. Sv avtor el padre Fr. Pablo
Nassarre . . . Zaragoza, Herederos de Diego de Larvmbe, 1723-24.
2 V. (v. 1: 14 p. 1., 501, [10] p.; v. 2: 6 p. 1., 506 p.) SOJ"".
Vol. 2 has title: Segvnda parte de la Escvela mvsica, que contiene quatro
libros. El primero, trata de todas las especies, consonantes, y disonantes; de
sus qualidades, y como se deven usar en la musica. El segvndo, de variedad
de contrapuntos, assi sobre canto llano, como de canto de organo, conciertos,
Bobre baxo, sobre tiple, a tres, a quatro, y a cinco. El tercero, de todo genero
de composicion, a qualquier numero de vozes. El qvarto, trata de la glossa, y
de otras advertencias necessarias h, los compositores. Compuesto por fray Pablo
Nassarre . . . Zaragoza, Herederos de M. Roman, impressor de la Vniveraidad,
1723.
MT60.A2N6
Fragmentos mvsicos. Reglas generales, y muy necessarias para
canto llano, canto de organo, contrapunto, y composicion. Com-
pvestos por Fr. Pablo Nassarre . . . Zaragopa, T. G. Martinez, 1683.
8 p. 1., 142 p. 15*""'.
MT40.A2N25
51234°— 13 ^13
i
194 LIBRARY OF CONGRESS
Nassarre, Pablo — Continued.
Fragmentos musicos, repartidos en quatro tratados. En que
se hallan reglas generales, y muy necessarias para canto llano, canto
de organo, contrapunto, y composicion, Compuestos por Fr. Pablo
Nassarre ... Y aora nuevamente anadido el vltimo tratado por el
mismo autor ; y jiintamente exemplificados con los caracteres musicos
de que carecia. Sacalos a luz . . . D. Joseph de Torres . . . Madrid,
En su imprenta de musica, 1700.
8 p. 1., 288 p. 21''°'.
MT40.A2N26
Nauss, Johann Xaver.
Grundlicher unterriclit den general-bass recht zu erlemen, worinnen
denen anf^ngern zum vortbeil, nebst denen nothwendigsten regeln
und exempeln, zugleich audi der finger-zeig mit ziffern sowohl im bass
als discant deutlich gewiesen wird. Von Johann Xaveri Nauss . . .
Augsburg, J. J. Lotter, 1769.
32 p. 17i X 20"™.
An earlier edition was published at Augsburg in 1751.
MT49.A2N2
Navas, Francisco Marcos y.
See Marcos y Navas, Francisco.
Negri, Cesare, I. 1546?
Nuove inventioni di balli, opera vaghissima di Cesare Negri ^Milanese
detto il Trombone . . . nella quale si danno i giusti modi del ben portar
la vita, e di accomodarsi con leggiadria di movimenfo alle creanze, e
grazie d'amore, convenevoli a tutti i cavalieri e dame per ogni sorta di
baUetto, e brando d'ltaHa, di Spagna e di Francia. Con figure in
rame, regola di musica et intavolatura di suono et di canto. Milano,
G. Bordone, 1604.
5 p. 1., 296 (i. e. 312) p. front, (port.) illus. 29^'^™.
The frontispiece is a portrait of the author at the age of 66. Title vignette;
full page illustrations, several of which are repeated on different pages; errors
in paging. Caption title (Le gratie d'amore di Cesare de Negri . . .) is the same
as the title of the 1st edition, 1602.
In L. of C. copy the t.-p. is wanting, and is replaced by a facsimile.
MT950.A2N3
Neidhardt, Johann Georg, d. 1739.
Johann George Neidhardts . . . Beste und leichteste temperatur des
monochordi, vermittelst welcher das heutiges tages br&uchhche genus
diatonico-chromaticum also eingerichtet wird / dass alle intervalla,
nach gehdriger proportion, einerley schwebung uberkommen / und
sich daher die modi regulares in alle und iede claves, in einer ange-
nehmen gleichheit / transponiren lassen: worbey vorhero von dem
ursprunge der musicalischen proportionum, den generibus musicis,
deren fehlern / und unzul&nglichkeit anderer verbesserungen gehan-
delt wird. Alles aus mathematischen grunden . . . aufgesetzt. Nebst
einem darzu geh6rigen kupffer. Jena, Bey J. Bielcken, 1706.
5 p. 1., [Sy-104 p., 11. 19 X 15''^.
Plate wanting in this copy.
ML3809.A2N26
EARLY BOOKS ON MUSIC 195
Neidhardt, Johann Georg — Continued.
Compositio harmonica. Problematice tradita per Joh. Georg Neid-
hart, regiae Borussorum musica magistrum.
159 p. 32<=".
Author's autograph, undated.
MT40.A2N45
G&ntzlich ersch6pfte, mathematische abtheilungen des diatonisch-
chromatischen, temperirten canonis monochordi, alwo, in unwieder-
sprechlichen regeln und handgreiflichen exempeln, gezeiget wird, wie
alle temperaturen zu erfinden, in linien und zahlen darzustellen, und
aufzutragen seyn. Den liebhabern grundlicher stimmung mitge-
theilet, von Johann George Neidhardt . . . K6nigsberg, C. G. Eckart,
1732.
6 p. 1., 52 p. fold. pi. 20J X 17^'-'".
ML3809.A2N3
Sectio canonis harmonici, zur vdUigen richtigkeit der genervm
modvlandi, hrsg. von Johann George Neidhardt . . . Konigsberg,
C. G. Eckart, 1724.
8 p. 1., 36 p. fold. pi. 21 X 17'='".
The plate is 14 J x 68''™.
ML3809.A2N32
[Nemeitz, Joachim Christoph] 1679-1753.
Von den musicaHschen schauspielen, die man opern nennet.
{In his . . . Vemunfftige gedancken uber allerhand historische / critische und
moralische materien. Franckfurt am Mayn, 1739-45. IS'^™. 6. t., p. 162-189)
AC33.N4
Nero, Pietro del.
See Mei, G. Discorso sopra la mvsica, 1602.
Neue und erleichterte art zu solmisiren, nebst andern vortheilen, die
singkunst in kurzer zeit zu erlernen. Denen herren lehrmeistern
zu grosser bequemHchkeit, der musikhebenden jugend aber zum
sonderbaren nutzen ans licht gestellet von P. J. L. C. R. & B. W. U.
Ulm, J. G. Groschopff, 1763.
4 p. 1., 56 p. illus. 17 X 20^"'".
MT44.A2R4
[Neuss, Heinrich Georg] 1654-1716.
Musica parabolica, oder paraboUsche music, das ist, er6rterung
etlicher gleichnisse und figuren, die in der music, absonderlich an der
trommete befindUch, dadurch die allerwichti^sten geheimnisse der
Heiligen Schrift . . . abgemahlet wird . . . [Leipzig, Heinsius erben]
1754.
124 p. 17 X 10'^.'".
"Kurtzer entwurf von der music. Den geLst der weissheit und offenbahrung
zur erkenntniss Gottes und seiner geheimen wahrheit zuvor": p. 90-124.
ML3800.A2N2
New and complete instructions for the fife.
See The compleat tutor for the fife.
196 LIBRARY OF CONGRESS
New and complete instructions for the harpsichord, piano forte or
organ, wherein the fundamental principles are fully explain' d . . .
6 by which any one may without the assistance of a master learn
to play with taste and judgment in a short time. To which is
adaed a valuable selection of favorite lessons, marches, airs, songs
&c., also the rules of thorough bass by an eminent master . . .
London, Printed for G. Astor n«. 79 Cornhill [17— ?1
32 p. 18 X 25^""'.
Published between 1798 and 1801. cf. Kidson, British music publishers.
Engraved throughout. This copy imperfect, wanting p. 23-24.
MT252.A2N3
A new and easie method to learn to sing by book : whereby one (who
hath a good voice and ear) may, without other help, learn to sing
true by notes. Design' d chiefly for, and apphed to, the promoting
of psalmody; and furnished with variety of psalm tunes in parts,
with directions for that kind of singing . , . London, W. Rogers,
1686.
7 p. 1., 104 p. 18<-".
MT870.A2N4
New instructions for the German flute.
See CoMPLEAT instructions for .the German flute.
Newman, John, 1677 ?-1741.
See Practical discourses, 1708.
Nichelmann, Christoph, 1717-1762.
Die melodic nach ihrem wesen sowohl, als nach ihren eigenschaften,
von Christoph Nichelmann . . . Nebst 22. kupfer-tafeln , . . Dant-
zig, J. C. Schuster, 1755.
8 p. 1., 175 p. xxii pi. on 12 1. 24 x 19""".
The plates, with the exception of the first and last, are printed on both sides.
ML3851.N52
Nicolai, Ernst Anton, 1722-1802.
Die verbindung der musik mit der artzneygelahrheit, entworfen von
d. Ernst Anton Nicolai. Halle im Magdeburgischen, C. H. Hem-
merde, 1745.
12 p. 1., 70 p. 19^"°.
Nicomachus Gerasenus.
See Meibom, M., translator. Antiqvse mvsicse avctores, 1652.
Meurs, J. VAN, editor. Aristoxenvs, 1616.
Niedt, Friedrich Erhardt, 1674-1717.
Friedrich Erhard Niedtens Handleitung / zur variation, wie man
den general-bass, uiid daruber gesetzte zahlen variiren / artige
inventiones machen / und aus einen schlechten general-bass prseludia,
ciaconen, allemanden, couranten, sarabanden, menueten, giquen
ML3920.A2N5
EARLY BOOKS ON MUSIC 197
Niedt, Priedrich Erhardt — Continued.
und dergleichen leichtlich verfertigen k6nne / samt andern n6tigen
instructionen. Hamburg, Auf kosten des autoris, und bey B.
Schillern zu finden / 1706.
[166] p. 17 X 20i<='".
Unpaged. Signatures: a-x in fours (last leaf blank)
MT49.A2N54
Friderich Erhard Niedtens / musici, Musicalische handleitung / oder
Griindlicher unterricht. Vermittelst welchen ein liebhaber der edlen
music in kurtzer zeit sich so weit perfectioniren kan / dass er nicht
allein den general-bass . . . fertig spielen / sondern . . . allerley sachen
selbst componiren . . . konne. Erster theil. Handelt vom general-
bass, denselben schlecht weg zu spielen. Hamburg, B. Schiller, 1710.
[64] p. 17 X 2P'».
First edition, Hamburg, 1700.
MT40.A2N46
Friederich Erhard Niedtens Musicalischer handleitung anderer
theil / von der variation des general-basses, samt einer anweisung /
\rie man aus einem schlechten general-bass allerley sachen / als prse-
ludia, ciaconen, allemanden, &c. erfinden konne. Die 2. aufl. / verb. /
verm. / mit verschiedenen grund-richtigen anmerckungen / und einem
anhang von mehr als 60. orgel-wercken versehen durch J. Mattheson
. . . Hamburg / B. Schillers wittwe und J. C. Kissner / 1721.
6 p. 1., 204 p. 17 X 19^'^"'.
MT40.A2N47
Friederich Erhardt Niedtens Musicalischer handleitung dritter
und letzter theil / handlend vom contra-punct, canon, motteten,
choral, recitativ-stylo und cavaten. Opus posthumum. Deme bey-
gefuget Veritophili DeutUche beweis-^unde / worauf der rechte
gebrauch der music / beydes in den kirchen und ausser denselben
beruhet . . . bessern nackdrucks [!] wegen mit einer vorrede zum
druck befdrdert von Mattheson. Hamburg / Sel. B. Schillers erben /
1717.
2 V. in 1 (v. 1: 2 p. 1., 68 p.; v. 2: 12 p. 1., 56 p.) 17 x 2P"'.
"Veritophili Deutliche beweis-grunde," by Christoph Raupach, has special
t.-p. and separate paging.
The work was not completed.
MT40.A2N48
Niemtschek, Franz Xaver.
Leben des k. k. kapellmeisters Wolfgang Gottlieb Mozart,. nach
originalquellen beschrieben vom Franz Niemtschek . . . Prag, Herr-
lische buchhandlung, 1798.
2 p. 1., 78 p. m x 16<="^.
ML410.M9X3
Nierop, Dirk Rembrantsz. van, 1610-1682.
Mathematische calculatie, dat is, Wiskonstige rekening: leerende
het vinden van verscheyden hemelloopsche voorstellen, en dat door
de tafelen sinus tangents of logarithmus wiskonstelick uyt te rekenen:
198 LIBRARY OF CONGRESS
Nierop, Dirk Rembrantsz. van — Continued.
als cock tuyghwerckelick op een liniael uyt te passen. Als mede 't
beschrijven en uytrekenen der zonwysers . . . Noch is hier by
gevoeght de Wis-konstige musyka: waer in getoont wort de oorsake
van 't geluyt, de redens der zangh-toonen, en verscheyden dingen tot
de zangh en speel-konst behoorende. Door Dyrck Kembrantz van
Nierop . . . Amsteldam, G. van Goedesbergen, 1659.
31, 167, 70 p. tables (partly fold.) diagre. (partly fold.) l^""^.
Black-letter. Title vignette: portrait of the author. "Wis-konstige musyka"
has special t.-p. and separate paging.
ML3809.A2N37
Nivers, Guillaume Grabriel, h. 1617.
Dissertation sur le chant gregorien, dedi^e au roy. Par le S*"
Nivers . . . Paris, Aux d^pens de Fautheur, 1683.
8 p. 1., 215, [1] p. 18i«™.
"Tabula tonorum": p. 175-188. "Cantus ecclesiastici " : p. 18d-[216]
ML3082.A2N7
Methode certaine pour apprendre le piain-chant de I'eglise, dress^e
par le S"* Nivers . . . Nouv. ed. Paris, Impr. de J. B. C. Ballard
1745.
icm
47, [1] p. lO-^
"Exemples de quelques antiennes et respons": p. 27-47.
MT860.A2N58
Traite de la composition de mvsqve [!] Par le S^ Nivers . . .
Paris, Chez Tautheur [etc.] 1667.
61 p. l?"-".
MT40.A2N73
Noble, Oliver, 1734-1792.
Regular and skilful music in the worship of God, founded in the
law of nature, and introduced into his worship, by his own institution,
under both the Jewish and Christian dispensations; shewn in a ser-
mon, preached at the North meeting-house, Newbury-Port, at the
desire of the church and congregation, February 8th, 1774. h^ OUver
Noble, A. M., pastor of a church in Newbury. Printed at the desire
of the Musical society, in Newbury-Port. And of a number of gentle-
men and ladies who heard it . . . Boston, Printed by Mills and Hicks,
for Daniel Bayley, in Newbury-Port, 1774.
46 p. 20<^™.
ML3001.N75
Noinville, Jacques Bernard Durey de.
See Durey de Noinville, Jacques Bernard.
Nopitsch, Christoph Friedrich Wilhelm, 1758-1824.
Versuch eines elementarbuchs der singkunst; vor trivial und nor-
malschulen sistematisch entworfen von Christoph Friedrich Wilhelm
Nopitsch . . . Mit sechs erkl&rungstabellen. Ndrdhngen, Verlag des
verfassers, 1784.
2 p. 1., [3]-35, [1] p. VI fold. pi. 20 x 16<^">.
MT935.A2N7
EARLY BOOKS ON MUSIC 199
[Nougaret, Pierre Jean Baptiste] 1742-1823.
De I'art du theatre en general, oil il est parle des spectacles de
I'Europe, de ce qui concerne la comedie ancienne & nouvelle, la
trag^die, la pastorale-dramatique, la parodie, Topera-serieux, Topera-
bouffon & la comedie-m^lee-d'ariettes, &c. Avec I'histoire philoso-
phique de la musique, & des observations sur ses diff^rens genres
re^us au theatre . . . Paris, Cailleau, 1769.
2 V. (v. 1: xxiv, 382 p.; v. 2: 3 p. 1., [v]-viii, [5]-368, [2] p.) fronts. ITi*"".
Added t.-p., engr.: De I'art du theatre; ou il est parl^ des differens gens de
spectacles, et de la musique adaptee au theatre . . .
ML3858.N92
Le nouveau theatre itahen, ou Recueil general des comedies repre-
sentees par les Comediens italiens ordinaires du roi. Nouv. ed.,
cor. & tres-augm., & a laquelle on a joint les airs graves des vaude-
villes a la fin de chaque volume . . . Paris, Briasson, 1753.
10 V. 19^"=^.
Added t.-p., engr. Each comedy has special t.-p. and separate paging.
"Memoire pour servir I'histoire de la comedie italienne, depuis le retablisse-
ment des comMiens italiens k Paris en 1716. jusqu'a la presente annee 1752":
V. 1, p. viij-xxxij.
PQ1231.I5N6
Nouvelle methode pour aprendre le plain-chant parfaitement et en
peu de terns, compos^e specialement pour le diocese de Rouen, con-
forme aux nouveaux livres de chant, clans laquelle se trouvent not^es
les proses & hymnes nouvelles. Rouen, Jore, Dere & fils [1730 ?]
1 p. 1., 90, [2] p. 171"'".
MT860.A2R88
Noverre, Jean George, 1727-1810.
Lettres sur la danse, et sur les ballets, par M. Noverre ... A
Stutgard, et se vend a Lyon, chez A. Delaroche 1760.
2 p. 1., 484 p. illus. (coat of arms) 17'^"'.
L3460.A2N94
Lettres sur la danse et sur les ballets. Par M. Noverre . . .
2. ed. A Londres, et se trouve a Paris, chez la veuve Dessain junior,
1783.
viij, 368 p. 20'"™.
ML3460.A2N95
Nugent, Thomas, 1700?-1772, translator.
See DuBOS, J. B. Critical reflections on poetry, 1748.
Nunes da Silva, Manuel, h. 1678.
Arte minima, que com semibreve prola^am tratta em tempo breve,
OS modos da maxima, & longa sciencia da musica . . . seu author o P.
Manoel Nunes da Sylva . . . Lisboa, Na officina de M. Manescal,
impressor, a custa de A. Pereyra, & A. Manescal, 1704.
6 p. 1., 44, 52, 136 p. pi., diagrs. 20^"™.
First published Lisbon, 1685; reissued 1704 and 1725 with new t.-p.
MT6.A2N97
200 LIBRARY OF CONGRESS
Observations pour les sujets retires de FOp^ra; et pour les auteurs
de ce theatre. [Paris, Impr. de Prault, ca. 1790?]
24 p. 21'''^.
ML1727.3.P2014
Observations sur la musique a grand orchestre, introduite dans
plusieurs eglises & en dernier lieu a Notre-Dame de Paris; & sur
['admission des musiciens de I'Opera dans ces eglises. [n. p.,
1786?]
100 p. 16i<'°'.
Caption title. Dated at end: 9 decembre 1786.
ML3027.8.P2O2
Odier, Loiiis, 1748-1817.
Epistola physiologica inauguralis de elementariis musicae sensa-
tiombus . . . Edinburgi, apud Balfour, Auld, et Smellie, 1770.
49 p. 20"™.
Thesis (m. d.) — ^Edinburgh.
ML3805.A2O21
Oelrichs, Johann Carl Conrad, 1722-1798.
Johann Carl Conrad Oelrichs . . . Historische nachricbt von den
akademischen wurden in der musik und 6ffentlichen musikalischen
akademien und geselschaften. Berlin, C. F. Voss, 1752.
6p. 1., 52p. 17<'«.
ML63.028
OflS.cium hebdomadae sanctse jvxta formam Missalis & Breviarii
romani sub Urbano viii. correcti : adjunctis, italico sermone decla-
rationibus multarum rerum, quae fiunt, & dicuntur in ejus recita-
tione. Venetiis, ex typogr. J. Antonii Pezzana, 1777.
416 p. 16''°».
Title vignette; rubricated. In case.
Ch.17.1854
[Olio, Giovanni Battista dall'] 1739-1823.
La musica, poemetto. Modena, La Societa tij)ografica, 1794.
78 p., 1 1. 21«°'.
• Prefatory letter signed: Giambatieta dall' Olio.
The poem is accompanied by historical and explanatory notes.
ML64.05
Olivier, Grabriel Raimond Jean de Dieu Frangois, 1753-1823.
L' esprit d'Orphee, ou De I'influence respective de la musique, de la
morale et de la legislation . . . Par le citoyen Olivier. Paris, C.
Pougens, an vi (1798)
2 p. 1., 92 p. 21^"™.
Caption title: Premiere etude, ou dissertation touchant I'influence de la
musique sur les moeurs et le bonheur d'une nation ...
L. of r. has also a title edition of this first "etude," published by Pougens in
1800, and a second and third "6tude," issued by the same publisher in 1802
and 1804 respectively.
ML3920.A2O4
EABLY BOOKS OF MUSIC 201
[Orazi, Giovanni Battista]
Saggio per costruire, e suonare un flauto traverse enarmonico che
ha i tuoni bassi del violino, con due trii di genere enarmonico misti.
Roma, Stamperia di M. Puccinelli, 1797.
18 p. 3 pi. (1 fold.) 34J<''°.
Text and plates followed by 8 1. with the parts of the " Due trii . . . per tre
traversi di nuova costruzione. In Roma nella calcografia Franzetti."
ML936.A208
Orelli, Diego, originally Aegidius Holler.
See Holler, Aegidius.
The organs fvnerall, or The quiristers lamentation for the abolish-
ment of superstition and superstitious ceremonies. In a dialogicall
discourse between a quirister and an organist, an. Dom. 1642.
London, G. Kirby [1642 ?]
[8] p. 18 X ISI"".
Has been attributed to Joseph Brookbank.
ML3001.O72
Ornithoparcus, Andreas,
Musice Actiue || Microlog^ Andree Orni- || toparchi Ostrofranci
Meyningensis, Artiti jj Mgfi, Libris Quattuor digest^. Oib* Mu- ||
sicse studiosis nS ta vtilis qj necessarius. II ... [Colophon: C Excussum
est hoc opus, ab ipso authore denuo castigatum, || recognitumqj :
Lipsie in edibus Valentini Schumanni, calco- || graphi solertissimi :
Mense Nouebri : Aimi virginei partus de- || cimi septimi supra sesqui-
millesimu. Leone decimo Pont. Max. || ac Maximiliano inuictissimo
impatore orbi terrar[um] psid§tibus]
• [107] p. diagrs. 21'=
I cm
Title in red and black within ornamental border. Printer's mark at end. Sig-
natures: A-M in fours, except A, C, F, which are in sixes.
On t.-p., following the title: Laurentius Thurschenreutinus Ad studio- || sum
Musices Lectorem. || Musica: quam rursus medis purgauerit author: || lam redit
ante oculos: lector amice: tuos. || la redit ante oculos, Lypsick excussa Schu-
mani || Arte Valentini: qui bene pressit eam. || Arte Valentini facta est nitidis-
sima tota: || Et tibi Arionios afferet ilia sonos.
MT6.A207
Andreas Ornithoparcvs his Micrologvs, or Introdvction : con-
taining the art of singing. Digested into foure bookes. Not onely
profitable, bvt also necessary for all that are studious of musicke.
Also the dimension and perfect vse of the monochord, according to
Guido Aretinus. By lohn Do viand . . . London, T. Adams, 1609.
4 p. 1., 80 (i. e. 90), [2] p. illus. 28^'^
Lem
Title within ornamental border; title vignette; initials. Page 90 wrongly
numbered 80.
MT6.A2072
See also Sebastiani, C. Bellvm mvsicale [1563]
Oropesa, Tomas de Iriarte y.
See Iriarte y Oropesa, Tomas de.
Orsolini, Giuseppe.
See Berardi, A. Ragionamenti mvsicali, 16§1.
202 LIBEAEY OF CONGBESS
Orville, AndrS Quillaume Contant d'.
See Contant d'Orville, Andre Guillaume.
Oslo, Teodato.
L'armonia del nvdo parlare con ragione di nvmeri Pitagorici,
discoperta da Teodato Osio, all' ecc ™*> S/ Don Fran.*'*' di Melo.
Milano, C. Ferrandi [1637]
8 p. 1., 35, [1], 191 p. illus. 17^
rem
Engr. t.-p.
Half-title: L'armonia del nvdo parlare, overo La mvsica ragione della voce
continva, nella qvale a forza di aritmetiche et di mvsiche specvlationi si pon-
gono alia prova le regole sino al presente stabilite da gl' osservatori del nvmero
della prosa et del verso.
ML3849.A208
Oudoux, abhe.
Methode nouvelle pour apprendre facilement le plain-chant, avec
quelques exemples d'hymnes & de proses . . . Par M. Oudoux . . .
2. ed., rev., cor. & augm. Paris, A. M. Lottin I'aine, 1776.
2 p. 1., 72, xcvi p. fold. 1. (music) 16^"^™.
Contents. — i. ptie. Methode nouvelle. — ii. ptie. Leyons propres k former la
voix.
MT860.A2O93
Overend, Marmaduke, d. 1790.
A brief account of, and an introduction to, eight lectures, in the
science of music ... in which are proposed, to be demonstrated and
to be explained the radical sources of melody and harmony . . . By
Marmaduke Overend . . . London, Printed for the author, and sold
by Mess. Payne and son [etc.] 1781.
Ip. 1., 20p. 26x21^'"°.
ML3809.A2O9
[Owen, James] 1654-1706.
Church-pageantry display'd: or, Organ- worship, arraign'd and con-
demn'd, as inconsistent with the revelation and worship of the gospel,
the sentiments of the ancient fathers, the Church of England, and sev-
eral eminent divines, both Protestants and Papists . . . By Eugenius
Junior [psevd.] — in answer to a letter about organs . . . London,
A. Baldwin, 1700.
1 p. 1., 25 p. 20 X 16"=™.
ML3001.O83
P., C. H.
See Mattheson, J. Gultige zeugnisse, 1738.
Paduani, Giovanni, h. ca. 1512.
loannis Padvanii Veronensis Institvtiones ad diuersas ex plurium
uocum harmonia cantilenas, sine modulationes ex uarijs instrumentis
fingendas, formulas pene omnes ac regulas, mira & perquam lucida
breuitate complectentes. Veronae, apud Sebastianum, & loannem
fratres a Donnis, 1578.
4 p. 1., 99, [1] p. 20^'='".
Title vignette: ecclesiastical coat of arms. Errors in paging.
ML171.P22
EARLY BOOKS ON MUSIC 203
Pagani, Pietro Antonio.
Breve trattato sopra il canto fermo, et sopra gli otto tuoni: con
alcuni auisi intorno al corista, & cantore. Composto per il reuerendo
p. f. Pietr' Antonio Pagani . . . Venetia, G. A. Rampazetto, 1604.
31 numb. 1., [2] p. 22«"'.
Title within ornamental border; title vignette; rubricated.
MT860.A2P37
Paisley, James Hamilton, haron.
See Abercorn, James Hamilton, 7th earl of.
Paixao Ribeiro, Manuel da.
Nova arte de viola, que ensina a tocalla com fundamento sem
mestre . . . com estampas das posturas, ou pontes naturaes, e acci-
dentaes; e com alguns minuettes, e modinhas por musica, e por cifra
. . . por Manoel da Paixao Ribeiro . . . Coimbra, Real omcina da
Universidade, 1789.
1 p. 1., V, 51 p. 8 fold. pi. 22'^'°.
MT338.A2P2
[Palissot de Montenoy, Charles] 1730-1814.
Eloge de Jean-Philippe Rameau, compositeur de musique du cabi-
net duroi. [Paris, 1765?]
p. 39-67. 16i<=™.
Caption title. Signature title, p. 57 : "N^crologe 1765." Taken from "LeNe-
crologe des hommes c^lfebres de France."
"Catalogue des ouvrages de M. Rameau": p. 65-67.
ML410.R2P15
Panerai, Vincenzio.
Principj di musica teorico-pratici dell' ab : Vincenzio Paneraj . . .
Firenze, G. Volpini [n. d.]
[1], 13 p. 28 X 21^'''"
Engraved throughout.
Another edition was published at Florence in 1750.
MT7.A2P26
Pannilini, Francesco de' Gori.
See Gori Pannilini, Francesco de'.
Paolucci, Giuseppe, 1726-1776.
Arte pratica di contrappunto dimostrata con esempj di varj autori
e con osservazioni di fr. Giuseppe Paolucci . . . Venezia, A. de
Castro, 1765-72.
3 V. in 1. 10 fold. 1. (music) 22J x 18"'^.
Title vignette.
MT55.A2P3
Papillon de La Ferte, Denis Pierre Jean, 1727-1794.
Sre Paris. Academie royale de musique. Precis sur I'Opera
[1789]
204 LIBRABY OF CONGRESS
Papius, Andreas, 1542-1581.
And. Papii Gandensis De consonantiis, sev j)ro diatessaron libri
y dvo. Antverpise, ex officina Christophori Plantini, ardutypographi
regij, 1581.
208, [22] p., 1 1. diagre. ISJ"
I cm
Printer's mark on t.-p.; initials. The 22 pages at end contain "Pater peccaui
tribvs vocibvs" and "Als unverhoetz [Susan' vn iour] met ij. stimmen."
A revised edition of his " De consonantiis, sive harmoniis musicis contra vul-
garem opinionem," Antwerp, 1568.
ML171.P27
Parfaict, Claude, 1701 ?-1777.
See Parfaict, Francois.
[Parfaict, Frangois] 1698-1753.
Dictionnaire des theatres de Paris, contenant toutes les pieces qui
ont 6t6 representees jusqu'a present sur les differens theatres franpois,
& sur celui de I'Academie royale de musique: les extraits de celles
qui ont 6te jou6es par les comediens italiens, depuis leur retablisse-
ment en 1716, ainsi que des opera comiques, & principaux spectacles
des foires Saint Germain & Saint Laurent. Des faits anecdotes sur
les auteurs qui ont travaille pour ces theatres, & sur les principaux
acteurs, actrices, danseurs, cfanseuses, compositeurs de ballets, des-
sinateurs, peintres de ces spectacles, &c. . . . Paris, Lambert, 1756.
7 V. 17 X 9^''™.
By Francois and Claude Parfaict (completed and published by Quentin Godin
d'Abguerbe)
ML102.O6P2
Memoires pour servir a I'histoire des spectacles de la foire. Par
un acteur forain . . . Paris, Briasson, 1743.
2 V. in 1 (v. 1: 2 p. 1., Ixxxiv, 240 p.; v. 2: 2 p. 1., 162 p.) 16i<"°.
By Francois and Claude Parfaict.
PN2633.P3
Paris. Academie royale de musique.
Memoire justificatif des sujets de T Academie royale de musique,
en r^ponse a la lettre anonyme qui leur a ete adressee le 4 septembre
1789, avec I'epigraphe: Tu dors, Brutus, et Rome est dans les fers.
[Paris] 1789.
18 p. 20«™.
ML1727.8.P2P23
. . . Petition, pour 1' Academie royale de musique, a rAssembl6e
nationale. [Pans, Impr. de Laillet & Garnery, 1790]
8 p. 19^'='".
Caption title.
At head of first page: Supplement k la Chronique de Paris, n° 246, annee 1790.
ML1727.8.P2P3
Precis sur TOp^ra et son administration, et reponses a diff^rentes
objections. [Paris, 1789]
3 p. 1., [3]-92 p. fold. tab. 25 x 20'^'".
By Papillon de La Ferte (c/. Pierre, Le Conservatoire national, 1900, p. 40)
ML1727.8.P2P4
EARLY BOOKS ON MUSIC 205
Paris. Academie royale de musique — Continued.
Reglemens pour rAcademie royale de musique. Du P"". avril
1792. Paris, Impr. de I'Opera, 1792.
2 p. 1., 44 p. fold. tab. 24 x ISJ'''".
ML1727.8.P2R24
See also France:
Paris. Conservatoire national de musique et de declamation.
Organisation du Conservatoire de musique. [Paris, Impr. de la
r^publique, brumaire an v, 1796]
2 p. 1., 58 p. 21i<'°'.
MT3.P2C3
Parran, Antoine, 1582-1650.
Traite de la mvsiqve theoriqve et pratiqve. Contenant les pre-
ceptes de la composition. Par le R. P. Antoine PaiTan . . . Paris,
Par R. Ballard, seul imprimeur du roy pour la musique, 1646.
4 p. 1., 143, [1] p. fold, pi., diagr. 24°"'.
Title vignette.
1st edition Paris, 1639.
MT40.A2P18
Parrilli, Felice.
Lettera villereccia di Felice Parrilli ad uno avvocato napoletano
indiritta, in cui si propone un mezzano sistema per la quistione se i
maestri di cappella son compresi fra gli artigiani . . . [Napoli ? 1785 ?]
xii, 72 p. 20''".
The letter is dated: Mauro il di 10. luglio 1785; the dedication, Napoli add!
28. agosto 1785.
ML63.P27
Pasquali, Nicolo, d. 1757.
The art of fingering the harpsichord ; illustrated with examples in
notes; to which is added, An approved method of tuning this mstru-
ment: by Nicolo Pasquali. Eclinburgh, R. Bremner [1760?]
vii, 28 p. XV pi. on 8 1. 24| x SS^-^™.
Text, except the first 4 pages, printed on leaves 24J x 16*"". Plates printed
on both sides.
MT252.A2P3
— — ■ The art of fingering, the harpsichord. Illustrated with exam-
ples in notes. To wmch is added, an approved method of tuning that
mstrument. By Nicolo Pasquali. London, R: Bremner [17 — -]
V, 28 p. XV pi. on 81. 24 x 33^^™.
Text printed on leaves 23^ x I82''™. Plates printed on both sides.
MT252.A2P31
Thorough-bass made easy : or. Practical rules for finding & applying
its various chords with httle trouble ; together with variety of exam-
ples in notes, shewing the manner of accompanying concertos, solos,
206 LIBRAE Y OP CONGRESS
Pasquali, Nicole — Continued.
songs, and recitatives: bv Nicolo Pasquali. Edinburgh, R. Bremner
[1757]
3 p. 1., [3]-48 p. XXIX pi. on 15 1. 24^x331''™. {With his Art of fingering
the harpsichord. Edinburgh [1760?])
Text printed on leaves 24J x 16*^™. Plates printed on both sides.
MT252.A2P3
Thorough-bass made easy: or, Practical rules for finding &
applying its various chords with little trouble; together with variety
01 examples in notes, shewing the manner of accompanying concertos,
solos, songs, and recitatives: by Nicolo PasquaU. London, R. Brem-
ner [17—]
2 p. 1., [3]-48 p. XXIX pi. on 15 1. 24 x 33<"". {With his Art of fingering, the
harpsichord. London [17 — ])
MT252.A2P31
Passeri, Giovanni Battista, 1694-1780, editor.
See DoNi, G. B. Lyra Barberina, 1763.
Patru, Olivier, 1604-1681.
See Hertel, J. W. Sammlung musikalischer schriften, 1757-58.
Pecourt, Gnillaume Louis, 1653-1729.
See Feuillet, R. A. Rectieil de dances, 1704.
Rameau, p. Abreg6 de la nouvelle methode [1725 ?]
Pedroso, Manuel de Moraes.
See Moraes Pedroso, ]\LiNUEL de.
Peletier, Jacques, 1517-1582.
See DiscouRS non plus melancoliqves qve divers, 1557.
Pemberton, B.
An essay for the further improvement of dancing; being a collec-
tion of figure dajices, of several numbers, compos'd by the most emi-
nent masters; describ'd in characters after the newest manner of
Monsieur Feuillet. By E. Pemberton. To which is added, three
single dances, viz. a chacone by Mr. Isaac, a passacaille by Mr.
L'Abbe, and a jig by Mr. Pecour . . . London, J. Walsh [etc.] 1711.
5 p. 1., 54 pi. (partly fold.) 26 x ig*^"".
MT950.A2P45
Pena, Jean, d. 1558? translator.
See EuCLlDES. EuKksidoij ElcayiDYij dpfiovncQ, 1557.
Penna, Lorenzo, 1613-1693.
Direttorio del canto fermo, dal quale con breuit^. si apprende il
modo di cantare in coro cid s'appartiene a coristi, con la maniera di
comporre il canto fermo, ad vno, due, e tre cori; dato in Ivce da f.
Lorenzo Penna . . . Modana, Per gli eredi Cassiani stampatori episc,
1689.
96 p. 24'-'°.
MT860.A2P41
EARLY BOOKS ON MUSIC 207
Penna, Lorenzo — Continued.
Li primi albori mvsicali per li principianti della musica figurata;
distinti in tre' libri: dal prime spuntano fi principij del canto figvrato;
dal secondo spiccano le regole del contrapvnto ; dal terzo appariscono
li f ondamenti per suonare I'organo d clavicembalo sopra la parte ; del
padre fra Lorenzo Penna ... 5. impresione. Bologna, P. M. Monti,
1696.
199 p. incl. illus., port. 22J x 17'^'».
" Terzo choro," etc., of example on p. 138 is on separate leaf attached to page.
MT6.A2P41
[Pepusch, John Christopher] 1667-1752.
A short treatise on harmony, containing the chief rules for com-
posing in two, three, and four parts. Dedicated to all lovers of
musick, by an admirer of this noble and agreeable science . . . Lon-
don, Printed by J. Watts, 1730.
2p. 1., 84p. 4 pi. 12xl8i<^"».
MT50.A2P2
A treatise on harmony : containing the chief rules for com-
posing in two, three, and four parts. Dedicated to all lovers of
musick, by an admirer of this agreeable science. The 2d ed., alter'd,
enlarg'd, and illustrated by examples in notes . London Printed
by W. Pearson, 1731.
2 p. 1., 227^ [1] p., 1 1. incl. 4 pi. \\\ x 20^^".
"In 1730 there was published anonymously 'A [short] treatise on narmony
. . .' As the rules contained in the book were those Pepusch was in the habit
of imparting to his pupils, and as they were published without the necessary
musical examples, he felt compelled to adopt the work, and accordingly in 1731
published a 'Second edition' ... It was conjectured that the first edition was
put forth by Viscount Paisley, afterwards Earl of Abercom." — Grove.
MT50.A2P22
See also Grassineau, J. A musical dictionary, 1740.
Perego, Camillo, d. ca. 1574.
La regola del canto fermo ambrosiano, composta gik d'ordine di
S. Carlo dal reuer. p. Camillo Perego . . . Ed hora data alia stampa
per commessione di Monsignor' illustrissimo, e reverendissimo Fede-
rico cardinale Borromeo arciuescouo . . . Milano, Per I'her. di P.
Pontio, & G. B. PiccagUa, stampatori archiepiscopaU, 1622.
2 p. 1., 161, [5] p. illus. 23 x 17i''">.
Title vignette. Errors in paging.
MT860.A2P45
Perez Calderon, Manuel.
ExpUcacion de solo el canto-llano, que para instruccion de los
novicios de la provincia de Castilla del real y militar Orden de N.
Senora de la Merced, redencion de cautivos, compuso el P. Fr. Manuel
Perez Calderon ... A que anade las cuerdas de Alamire, Gsolreut,
Ffaut, y la que particularmente usa la santa iglesia de Toledo, llamada
por eso cuerda toledana. Contiene asimismo todas las antifonas,
lamentaciones. y responsorios de los tres dias de Tinieblas. Todo lo
208 LIBRARY OF CONGRESS
Perez Calder6n, Manuel — Continued.
^ue para utilidad comun ha dispuesto, y da a luz el P. Fr. Isidro
lopez . . . Madrid, For D. J. Ibarra, impresor, 1779.
1 p. 1., V, [1], 189 p. 1 Ulua. 21^=™.
Copy 2. MT860.A2P49
Le petit Rameau, ou Principes courts et faciles, pour apprendre
soi-meme, & en peu de terns, la musique; avec taolettes de papier
nouveau, pour 6crire ou noter tout ce que Ton desirera. raris,
Desnos [1772 1]
48, 24, 48 p. 12 x 6"'".
Approbation dated " 11 juin 1772.'
MT7.A2P44
Petri, Johann Samuel, 1738-1808.
Anleitung zur practischen musik, vor neuangehende singer und
instrumentspieler, von Johann Samuel Petri ... Lauban, J. C.
Wirthgen, 1767.
164 p., 1 1. 17i'='^.
MT6.A2P47
Anleitung zur praktischen musik, von Johann Samuel Petri.
[2. umgearb., verb, una verm, aufl.] Leipzig, J. G. I. Breitkopf, 1782.
10 p. 1., 484, [1] p. 22 X 17^°'".
MT6.A2P49
Pfeiffer, August Friedrich, 1748-1817.
Ueber die musik der alten Hebr&er, von August Friedrich Pfeiffer
. . . Erlangen, W. Walther, 1779.
lix p. fold. pi. 24 J X ig^"™.
ML166.A2P52
Phillips, John, 1631-1706.
See Locke, M. The present practice of musick vindicated, 1673.
Phillips, John.
FamiUar dialogues on dancing, between a minister and a dancer,
taken from matter of fact, with an appendix containing some extracts
from the writings of pious and eminent men against the entertain-
ments of the stage, and other vain amusements . . . By John Phil-
hps . . . New- York, Prmted by T. Kirk, 1798.
39 p. 21<=".
GV1740.P5
Philodemus, of Gadara.
Philodemi De musica iv. [Neapoli, ex Regia typographia, 1793]
3 p. 1., 23 p., 1 1., 180 p. facsim. 40"™. (R. Accademia ercolanese di arche-
ologia, Naples. Hercvlanensivm volvminvm qvae svpersvnt tomvs i)
Title given above appears as half-title preceding the text.
A facsimile of the papyrus, with transcription and Latin translation on oppo-
site pages. Edited by Carlo Maria Rosini.
ML168.P45
EARLY BOOKS ON MUSIC 209
Philodemus — Continued.
... In Philodemi Ilepl fwuaiKijc librum iv. nuper ab academicis
herculanensibus editum animadversionum particula i. [auctore C. G.
Schuetz] [Jenae] ex officina Goepferdtii [1795]
[4] p. 35^x19^"'°.
Program m — Univ. Jena (Novi prorectoratvs avspicia . . . indicit Acad, ienensis)
ML169.A2P5
Philomela franciscana, clar4 & brevi methodo decantans has ac
certas regulas ad bene, perfecteque cantum ecclesiasticum ad-
diacendum & docendum. Una cum tonis communibus, hymnis,
antiphonis, lectione mensali, &c. ad usum FF. minorum recollec-
torum ordinis seraphici patris S. Francisci . . . Augustas Vindeli-
corum, typis Joannis Michaelis Labhart, 1731.
2 p. 1., 274 (i. e. 272) p. illus. 13^"°^.
No. 134-135 omitted in paging.
MT860.A2P55
Philostratus.
Philostrati Lemnii sopbistse Epistolse qusedam, partim nunquam,
partim auctiores editse. loannes Mevrsivs primus vulgavit, & ad-
]unxit, De Philostratis dissertatiunculam. Lvgdvni Batavorvm, ex
officina Lvdovici Elzevirii, typis Godefridi Basson, 1616.
24 p. 19^ X 13^"™. {With Meurs, Johannes van, editor. Aristoxenva. Lvg-
dvni Batavorvm, 1616)
Printer's mark: open music book.
ML167.M57
Picerii, Silverio.
Specchio prime di mvsica, nel quale si vede chiaro non sol' il . . ,
mode d'imparar di cantare di canto figurato, e fermo; ma vi si ve-
don' anco dichiarate . . . tutte le principali materie, che iui si tratta-
no, sciolte le ma^giori difficolta, cne ... in essa occorrono, e scoperti
nuoui segreti nella medesima circa il cantare, comporre, e sonar di
tasti, nascosti . . . Composto dal m. r. p. f. Silverio Picerii . . .
Napoli, O. Beltrano, 1630.
81, [9] p., 1 1. 20i''"i.
The preface announces 3 parts but the third part apparently not published.
MT6.A2P59
Specchio secondo di mvsica, nel qvale si vede chiaro il . . .
modo di comporre di canto figurato, e fermo, di fare con nuoue regole
ogni sorte di contrapnnti [!], e canoni, di fomar [!] li toni di tutt' i
generi di musica reale, e finta . . . e di porre in prattica quanto si vuole,
e puo desiderare di detti canto figurato, e fermo. Composto dal
m. r. p. f. Silverio PicerU . . . Napoli, M. Nucci, 1631.
7 p. 1., 196 p. 201^'=°'. (With his Specchio primo di mvsica. Napoli, 1630)
MT6.A2P59
Picitono, Angelo da.
See Angelo da Picitono.
51234°— 13 14
210 LIBRARY OF CONGRESS
Pidanzat de Mairobert, Mathieu Frangois.
See Mairobert, Mathieu FRANgois Pidanzat de.
Pignolet de Monteclair, Michel.
See Monteclair, Michel Pignolet de.
Pileur d'Apligny, le.
See Le Pileur d'Apligny.
Pintado, Giuseppe.
Vera idea della musica e del contrappunto, di D. Giuseppe Pintado.
Roma, Stamperia di G. Puccinelli, 1794.
159 p. 20^'^°.
MT55.A2P65
Pipegrop, Heinrich.
See Baryphonus, Heinrich.
Pipping, Heinrich, 1670-1722.
See LoESCHER, C. Dissertatio historico-theologica [1688]
Pizzati, Giuseppe, 1732-1803.
La scienza de' suoni, e dell' armonia, diretta specialmente a render
ragione de' fenomeni, ed a conoscer la natura e le leggi della medesima,
ed a giovare alia pratica del contrappunto. Opera dell' ab : Giuseppe
Pizzati, divisa in cinque parti. Venezia, G. Gatti, 1782.
2 V. (v. 1: viii, 358 p., 11. ; v. 2: 1 p. 1., xlix pi. on 26 1.) 3P"» (v. 2: 34i'='»)
Vol. [2], engraved throughout, haa title: Tavole degli esempj appartenenti
alia Scienza de' suoni e dell' armonia . . .
MT50.A2P69
Planelli, Antonio, 1747-1803.
Deir opera in musica, trattato del cavaliere Antonio Planelli . . .
Napoli, Stamperia di D. Campo, 1772.
272 p. 20^"™.
ML3858.P7
Playford, Henry, h. 1657.
See The dancing-master, 1698.
Playford, John. 1623-1686 ?
An introduction to the skill of musick. In two books. The first:
the grounds and rules of mvsick, according to the gam-vt, and other
principles thereof. The second: instructions & lessons for the bass-
viol : and instruments & lessons for the treble- vioUn. By John Plaj^-
ford. To which is added. The art of descant, or composing musick
in parts. By Dr. Tho. Campion. With annotations tnereon, by Mr.
Chr. Simpson. The 7th ed., cor. and enl. London, Printed by W.
Godbid, for J. Playford, 1674.
7 p. 1., 121. [3], 42, 10 p. illus. 17^
Tcm
EARLY BOOKS ON MUSIC 211
Plajrford, John — Continued.
The "Art of descant" has special t.-p. and separate paging.
The first edition was published in 1654 as "Breefe introduction to the skill of
musick, for song and viall."
"Rules and directions tor singing the Psalms": p. 71-89.
"The order of performing the divine service in cathedrals and collegiate
chappels: " 10 p. at end.
MT7.A2P72
An introduction to the skill of musick, in two books. The
first contains the grounds and rules of musick, according to the
gam-ut, and other principles thereof. The second, instructions and
lessons both for the basse- viol and treble- vioUn. By John Playford.
To which is added, The art of descant, or composing of musick in
parts, by Dr. Tho. Campion; with annotations thereon by Mr. Chr.
Simpson. Also The order of singing divine service in cathedrals.
The 8th ed. carefully cor. London, Printed by A. C. and J. P. for
J. Playford, 1679.
7 p. 1., 119, [3], 34, 7 p. front, (port.) illus. 16<"°.
The "Art of descant" has special t.-p. and separate paging.
MT7.A2P73
An introduction to the skill of musick, in three books. The
first contains the grounds and rules of musick, according to the
gam-ut, and other principles thereof. The second, instructions and
lessons both for the bass-viol and treble-violin. The third, the art of
descant, or composing musick in parts: in a more plain and easie
method than any heretofore published. By John rlayford. The
12th ed. Corrected and amended by Mr. Henry Purcell. [London]
Printed by E. Jones, for H. Playford, 1694.
9 p. 1., 144 p. front, (port.) illus. ni""".
"A brief discourse of the Italian manner of singing . . . written some years
since by an English gentleman who had lived long in Italy, and being returned,
taught the same here": p. 31-46.
MT7.A2P75
An introduction to the skill of musick: in three books. By
John Playford. Containing i. The grounds and principles of musick
according to the gamut ... ii. Instructions and lessons for the
treble, tenor, and bass-viols; and also for the treble- violin, iii. The
art of descant, or composing musick in parts; made ver}' plain and
easie by the late Mr. Henry Purcell. The 13th ed. [London]
Printed by E. Jones, for H. Playford [etc.] 1697.
2 p. 1., ix, [1], 134 p. front, (port.) illus. 17 x 10''".
Parts 2 and 3 have each special t.-p.
MT7.A2P76
An introduction to the skill of musick: in three books: by
John Playford. Containing i. The grounds and principles of musick,
according to the gamut , . . ii. Instructions and lessons for the
treble, tenor and bass-viols; and also for the treble-violin, in. The
art of descant, or composing musick in parts: made very plain and
212 LIBRARY OF CONGRESS
Playford, John — Continued.
easie by the late Mr. Henry Purcell. The 15th ed. Corrected, and
done on the new ty'd-note. London, Printed by W. Pearson, for
H. Playford [etc.] 1703.
9 p. 1., 180 (i. e. 170) p. front, (port.) illus. 17''
7cm
Parts 2 and 3 have each special t.-p., dated 1700. No. 81-90 omitted in piling;
no. 108 and 109 transposed.
"The order of performing the divine service in cathedrals, & collegiate chap-
pels": p. 5^-60.
MT7.A2P78
An introduction to the skill of musick: in three books: by
John Playford. Containing i. The OTounds and principles of musick,
according to the gamut ... ii. Instructions and lessons for the
treble, tenor, and bass-viols; and also for the treble vioUn. iii. The
art of descant, or composing musick in parts; made very plain and
easie by the late Mr. Henry Purcell. The 16th ed. Corrected, and
done on the new ty'd note. London, Printed by W. Pearson, for
J. Sprint, 1713.
9 p. 1., 170 p. illus. 16<"".
"The order of performing the divine service in cathedrals, & collegiate chap-
pels": p. 53-60.
MT7.A2P79
An introduction to the skill of musick: in three books: by
John Playford. Containing i. The grounds and principles of musick,
according to the gamut . . . ii. Instructions and lessons for the
treble, tenor, and bass-viols; and also for the treble- violin, iii. The
art of descant, or composing musick in parts : made very plain and
easy by the late Mr. Henry Purcell. The 19th ed. Cor. , and done on
the new-ty'd note. London, Printed by W. Pearson, for B. Sprint,
1730.
9 p. 1., 170 p. front, (port.) illus. 17"™.
"The order of performing the divine service in cathedrals, and collegiate chap-
pels": p. 53-60.
MT7.A2P793
See also The dancing-master, 1698.
Locke, M. The present practice of musick vindicated,
1673.
The playhouse pocket-companion, or Theatrical vademecum: con-
taining, I. A catalogue of all the dramatic authors who have written
for the English stage, with a list of their works, shewing the dates of
representation or publication, ii. A catalogue of anonymous pieces.
III. An index of plays and authors. In a method entirely new,
whereby the author of any dramatic performance, and the time of
its appearance, may be reacHly discovered on inspection. To which
is prefixed, a critical history of the English stage from its origin to
the present time; with an enquiry into the causes of the decline of
dramatic poetry in England . . . London, Richardson and Urqu-
hart [etc.] 1779.
2p.l., [13]-179p. 18=°^.
Z2014.D7P/'
EARLY BOOKS ON MUSIC 213
Plutarchus.
IJXovrapxov diakoyog Ilepl fxovGiKrjs. Dialogue de Plutarque
sur la musique, tr. en franpois. Avec des remarques. Par M. Bu-
rette. Paris, Imprimerie royale, 1735.
442, 31-126 p. 3 fold. pi. 26^"'°.
One of 12 copies separately issued. Printed also in "M^moires de litt^rature
tirez des registres de TAcad^mie royale des inscriptions et belles lettres," vol.
10, 13, 15, 17, 1736-51.
The last instalment ("Suite des remarques [etc.]", §§ccxlv-cclxxi, and a
"Dissertation," p. 61-126) has paging and signature of the "M^moires."
"Dissertation servant d'epilogue & de conclusion aux remarques sur le traite
de Plutarque touchant la musique; dans laquelle on compare la theorie de
I'ancienne musique avec celle de la musique moderne. Par M. Burette": p.
61-126 at end.
ML168.P7B6
La poesie et la musique. Satire. A Monsievr Despreavx. Paris,
D. Mariette, 1695.
3p. 1., 14, 8p. 25"™.
"Cantiques spirituels [composez pour I'illustre maison de Saint Cyr, & mis en
chant par Monsieur Moreau]": 8 p. at end.
ML270.2.A2P7
[Poisson, Leonard] 1695-1753.
Nouvelle methode, ou Traits theorique et pratique du plain-chant,
dans lequel on explique les vrais principes de cette science, suivant
les auteurs anciens & modernes; on donne des regies pour la com-
position du plain-chant, avec des observations critiques sur *les
nouveaux livres de chant . . . Paris, Lottin, le jeune, 1745.
4 p. 1., 419, [5] p. 20"".
MT860.A2P6
Traits theorique et pratique du plain-chant, appelle gregorien,
dans lequel on explique les vrais principes de cette science, suivant
les auteurs anciens & modernes; on donne des regies pour la com-
position du plain-chant, avec des observations critiques sur les
nouveaux livres de chant . . . Paris, P. N. Lottin, & J. H. Butard,
1750.
4 p. 1., 419, [5] p. 20"°'.
MT860.A2P7
Polandus, Nicolaus, d. 1612.
Musica instrumentaUs, von christlichem brauch der orgelwerck
vnnd seytenspiel / bey dem heiligen gottesdienst / eine predigt /
gehalten in der domkirchen zu Meissen / als die newe orgel / so das
ehrwurdige domcapitul &c. von newem erbawen lassen / allda zu erst
gebrauchet ward / Mit einer vorrede / darinnen etwas von bischoffs
Bennonis wundern / wider die baierische papisten / beruhret worden /
Von Nicolao Polanto . . . Gedruckt zu Leipzig / durch Jacobum
Popporeich / in verlegung Johann: Borners J des 4ltern / 1605. •
45, [1] p. 18J X 15^"™.
Line borders.
ML3001.P65
214 LIBRARY OP CONGRESS
Ponzio, Pietro, 1532-1596.
Dialogo del r. m. Don Pietro Pontio Pannigiano, oue si tratta
della theorica, e prattica di musica. Et anco si mostra la diuersita
de' contraponti, & canoni. Parma, E. Viothi, 1595.
4 p. 1., 152 p. 19J''"».
Title vignette.
MT55.A2P7
Ragionamento di mvsica, del reuerendo m. Don Pietro Pontio
Parmegiano. Ove si tratta de' passdggi delle consonantie, & dis-
/ sonantie, buoni, & non buoni; & del modo di far motetti, messe,
salmi, & altre compositioni ; et d'alcvni avertimenti per il contra-
puntista, & compositore, & altre cose pertinenti alia musica. Parma,
E. Viotto, 1588.
2 p. 1., 161, [3] p. incl. diagr. 20^"'°.
Title vignette.
MT55.A2P81
Porphyrius.
See GoGAVA, A. H., translator. Aristoxeni . . . Harmonicorvm
elementorvm libri in, 1562.
Porta, Persic della.
L'Arianna musicale del Signor Don Persio della Porta . . . Napoli,
D. A. Parrino, e M. L. Mutio, 1696.
^ p. 1., 88, [4] p. 1 illua. 22^"°'.
Rubricated.
MT860.A2P8
Porta Ferrari, Carlo Antonio.
II canto fermo ecclesiastico, spie^ato a' seminaristi di Ferrara . . .
da D. Carlo Antonio Porta Ferrari . . . Modena, B. Soliani, stam-
pator ducale, 1732.
viii, 77 p. pi. 27 X 20"™.
MT860.A2P83
Portique ancien et moderne, 1785.
See Le Prevost d'Exmes, F. LuUy, musicien [1785 ?]
Portmann, Johann Gottlieb, 1739-179*.
Leichtes lehrbuch der harmonic, composition und des generalbasses,
zum gebrauch. Mr liebhaber der musik, angehende und fortschreitende
musici und componisten, hrsg. von Johann Gottlieb Portmann . . .
Darmstadt, Gedruckt durch J. J. Will, 1789.
2 p. 1., 70 p., 1 1., 64 p. (engr.) illua. 21^ x 17^"'°.
Musical examples: 64 p. at end.
MT6.A2P85
Die neuesten und wichtigsten entdeckungen in der harmonic,
•melodic und dem doppelten contrapuncte. Eine beilage zu jeder
musicalischen theorie, von J. G. Portmann. Darmstadt, 1798.
8 p. 1., 270, 19 p. (engr.) 17^"™.
Musical examples: 19 p. at end.
MT50.A2P76
EARLY BOOKS ON MUSIC 215
Potter, John.
Observations on the present state of music and musicians. With
general rules for studying music ... in order to promote the further
cultivation and improvement of this difficult science. The whole
illustrated with . , , remarks, intended for the service of its practi-
tioners in general. With the characters of some of the most eminent
masters of music. To which is added, A scheme for erecting and
supporting a musical academy in this kingdom. By John Potter.
London, C. Henderson, 1762.
4 p. 1., 108 p. 20^"
icm
"Interspers'd in my lectures read at Gresham-coUege last Easter and Trinity
terms. ' ' — Advertisement.
ML195.P82
Practical discourses of singing in the worship of God; preach' d at
the Friday lecture in Eastcheap. By several ministers . . . Lon-
don, Printed by J. Darby for K Cliff [etc.] 1708.
X, 226 p. l?""".
Contents. — Of the nature of the duty of singing, by Mr. Earle. — ^Arguments
to prove the obligation of the duty, by Mr. Bradbvuy. — Of the excellence of
singing, by Mr. Harris. — ^Objections against singing consider'd, by Mr. Rey-
nolds.— Directions for the right performance of the duty of singing, by Mr.
Newman. — Exhortation to singing, by Mr. Gravener.
ML3001.P89
Praetorius, Michael, 1571-1621.
Syntagma musicum; ex veterum et recentiorum, ecclesiasticorum
autorum lectione, polyhistorlim consignatione, variarum linguarum
notatione, hodierm secuU usurpatione, ipsius denique musicse artis
observatione : in cantorum, organistarum, organopoeorum, csetero-
rumque musicam scientiam amantium & tractantium gratiam collec-
tum ; et secundum generalem indicem toti operi prsefixum, in quatuor
tomos distributum, a Michaele Praetorio ... [n. p., 1615-20]
3 V. in 1. XLii pi. on 21 1., fold. tab. 22 x 17"™.
Each vol. has special t.-p. (v. 1) Syntagmatis musici tomus primus com-
plectens duas partes: quarum prima agit de musica sacra vel ecclesiastica . . .
Wittebergse, e typographic J. Richteri, 1615 (Part 2 has half-title: Syntagmatis
musici tomo primo. Conjuncta pars altera: videlicet, Historia de musica extra
ecclesiam . . .) (v. 2) Syntagmatis musici . . . tomus secundus De organogra-
phia . . . Wolffenbiittel, Gedrucktbey E. Holwein, in verlegung des autoris,
1619. (v. 3) Syntagmatis musici . . . tomus tertius. Darinnen 1. Die be-
deutung / wie auch abtheil- vnnd beschreibung fast aller nahmen / der italia-
nischen / frantz68ischen / englischen vnd jetziger zeit in Teutschland gebrauch-
lichen gesinge ... 2. Was im singen / bey den no ten vnd tactu, modis vnd
transpositione, partibus seuvocibus vnd vnterschiedenen choris, auch bey den
unisonis vnnd octavis zu observiren: 3. Wie die italianische vnd andere termini
musici . . . zu verstehen vnd zu gebrauchen [etc., etc.] . . . Wolff enbuttel,
Gedruckt bey E. Holwein, in verlegung des autoris, 1619.
The plates form the last part of vol. 2, with special t.-p.: Theatrum instru-
mentorum, seu Sciagraphia Michaelis Praetorii C. Darinnen eigentliche abriss vnd
abconterfeyung / fast aller derer musicalischen instrumenten, so jtziger zeit in
Welschland / Engeland / Teutschland vnd andern ortern vblich vnd vorhanden
seyn ... Wolffenbuttel, 1620.
Part 1 in Latin, parts 2 and 3 in German. In the general table of contents,
at the beginning of vol. 1, a fourth part is given in outline, which has never
appeared.
ML100.A2P8
216 LIBEAEY OF CONGRESS
[Prelleur, Peter]
An introduction to singing after so easy a method, that persons of
the meanest capacities may (in a short time) learn to sing (in tune)
any song that is set to musick, with a choice collection of songs for
one, two or three voices, with a thorough bass to each, by y most
eminent masters of f age. London, D. Rutherford [17 — ]
32 p. 22"™.
Engraved throughout.
MT870.A2P63
The modern musick-master; or, The imiversal musician, containing,
I. An introduction to singing ... ii. Directions for playing on the
flute . . . III. The newest method for learners on the German flute
... IV. Instructions upon the hautboy ... v. The art of playing
on the vioUn ... vi. The harpsichord illustrated and improv'd . . .
in which is included a large collection of airs, and lessons, adapted
to the several instruments . . . With A brief history of musick . . .
To which is added, a musical dictionary . . . Curiously adorn' d with
cuts . . . 4th ed., finelv engrav'd . . . London, At the Printing-office
in Bow Church Yard. 1738.
8 V. in 1. fronts., plates (partly fold.) 23'^'°.
Vol. l-[7] have each special t.-p.
MT6.A2P93
See also The compleat tutor for the German flute.
The COMPLEAT tutor for the harpsichord [175-]
The HARPSICHORD illustrated and improv'd [174-]
Preus, Georg.
Grund-regeln von der structur und den requisitis einer untadel-
haften orgel, worinnen hauptsS,chlich gezeiget wird, was bey erbauung
einer neuen und renovirung einer alten orgel zu beobachten sey, auch
wie eine orgel bey der ueberheferung musse probiret und examiniret
werden; in einem gesprach entworffen von Georg Preus, organisten
an der Heil. Geist-^rche in Hamburg. Hamburg, C. W. JBrandt,
1729.
7 p. 1., 104 p. front. 16"™.
ML555.A2P9
Preus, Georg.
Observationes musicse, oder Musicalische anmerckungen / welche
bestehen in eintheilung der thonen / deren eigenschafft und wirckung /
den music-liebenden zum besten heraus gegeben von Georg Preus,
organist der stadt Greiffswald. Greiffswald/ Gedruckt bey D. B.
Starcken [1706]
[24] p. fold, diagr. 20 x 15^"™.
"Musicalische exempel": 7 p. at end.
ML3809.A2P37
Prevost d'Exmes, Frangois le.
See Le Prevost d'Exmes, Fran90is.
Prieto, Victor, editor.
See Abreu, A. Escuela para tocar ... la guitarra, 1799.'
EAKLY BOOKS ON MUSIC 217
Primcock, A., pseud.
See Ralph, James.
Primi elementi di musica prattica per gli student! principianti di tal
professione. A' quali si sono aggiunti alquanti solfeggi a due voci
in partitura, d'eccellente autore. Venezia, A. Bortoli [170- ?]
68 p. 22 X 16^""'.
Published 1708 or earlier, as it is advertised in Gasparini's " L'armonico
pratico," Venice, Bortoli, 1708.
MT870.A2P68
Principes abrlges de musique, en forme de dialogue, a F usage des
commen^ans. Metz, Behmer, an vi [1798 ?]
2 p. 1., 18 p. 2 pi. 21"'°.
MT7.A2P84
Principj di musica. Nei quali oltre le antiche, e solite regole vi sono
aggiunte altre figure di note, schiarimento di chiavi, scale dei tuoni,
lettura alia francese, scale semplici delle prime regole del cimbalo,
violino, viola, violoncello, contrabasso, oboe, e flauto. Firenze, G.
Chiari [1750 ?]
[1], 9 p. 25^"».
Illustrated t.-p.; line borders; engraved throughout.
MT7.A2P96
Principj di musica nei quali oltre le antiche, e solite regole vi sono
aggiunte altre figure di note, schiarimento di chiavi, scale dei tuoni,
lettura alia francese, scale semplici delle prime regole del cimbalo,
violino, viola, violoncello, contrabbasso, oboe, e flauto. Venezia, A.
Zatta, e figh [17—]
[1], 10 p. 28^^™.
Title within ornamental border; line borders; engraved throughout.
MT7.A2P8
Prinner, Johann Jacob.
MusicaUscher schhssl welcher aufsparet dass schreibkhastlein dess
verstands, darinnen vnterschiedliche ladlein alss capitl begriffen, dar-
von jedes nach der ordnung seinen schaz zeiget. Sowoll dass instru-
ment vnd clauir zuuerstehen, alss auch singen, geigen der violin, viola
da ^amba, violon vnd andrer geigen zuerlehrnen, wie auch die com-
Eosition von grund auss zuergreiifen, die partitur oder den general
ass zum accompagniren zuuerstehen. Welchen schlissl ich der
lieben Jugendt zum besten auf dass fleissigste an die handt reiche vnd
mittheille dise edle khunst auf das leichteste vnd beste zu fassen, vnd
khiinfftig das erlehrnete wider umb vergessener massen zuerhollen
auch verf asset anno 1677. Joannes Jacobus Prinner.
[174] p. 20| X loi "".
Author's autograph. Contains the " Musicalischer schlissl" (13 chapters, 100
p.), teaching the rudiments of music, use and notation of stringed instruments;
the "Organische instruction" (21 p.), treating of organ and "clavier"; the
"Fuga" (53 p.), treating of fugue and canon.
Eitner, in his Quellen-lexikon, gives Prinner's name as Prumer.
ML95.P7
s/
218 LIBRARY OF CONGRESS
Printz, Wolfgang Caspar, 0/ Waldihum, 1641-1717.
Exercitationes musicae theoretico-practicae curiosae de concor-
dantiis singulis, das ist Musicalische wissenschafft und kunst-ubungen
von jedweden concordantien, in welchen jeglicher concordantz natur
und wesen / composition, eigentlicher sitz, production, continuation
und progressus aus gewissen griinden erkl&ret / und beschrieben
werden . . . von Wolfgang Caspar Printzen / von Waldthurn . . .
Dresden, J. C. Mieth, 1689.
9 V. in 1. \^ X 16^''"'.
Added t.-p., engr.: Wolfgang Caspar Printzens Musicalische wissenschafft
[etc.]
Contains a "Prodromus " and eight dissertations, each with special t.-p. bear '
ing imprint: Franckfurt und Leipzig, J. C. Mieth, 1687[-89]
MT55.A2P96
Historische beschreibung der edelen sing- und kling-kunst, in
welcher deroselben ursprung und erfindung, fortgang, verbesserung,
unterschiedlicher gebrauch, wunderbare wiirckungen, mancherley
feinde, und zugleich beriihmteste ausilber von anfang der welt biss
auff unsere zeit in m6glichster kiirtze erzehlet und vorgestellet werden,
aus denen vornehmsten autoribus abgefasset und in ordnung gebracht
von Wolfgang Caspar Printzen, von Waldthurn . . . Dresden, J. C.
Mieth, 1690.
3 p. 1., 240 p. V pi. 19J X l?*"".
ML159.P9
Musica modulatoria vocalis, oder Manierliche und zierliche sing-
kunst / in welcher alles / was von einem guten s&,nger erfordert wird /
griindlich und auf das deutlichste gelehret und vor augen gestellet
wird . . . von Wolfgang Caspar Printzen /von Waldthurn . . . Schweid-
nitz / C. Okel / 1678.
4p.l.,79, [l]p. pi. igixlS""*. {Withhis7\vcyms. Quedlinburg [etc.] 1676-77)
MT40.A2P95
Musicus curiosus, oder Battalus, der vorwitzige musicant, in einer
sehr lustigen / anmuthigen / unertichteten / und mit sch6nen moralien
durchspickten geschichte vorgestellet von Mimnermo, des Battali
guten freunde. Freyburg / Verlegt von J. C. Miethen / 1691.
333 (1 e. 331) p. IS^""" x 9"
icm
. No. 319-320 omitted in paging. Frontispiece (added t.-p., engr.?) wanting.
Ascribed also to Johann Kuhnau.
ML410.K97A1
Musicus magnanimus, oder Pancalus, der grossmuthige musicant /
in einer ilberaus lustigen / anmuthigen / und mit sch6nen moralien
gezierten geschicht vorgestellet von Mimnermo, des Pancali guten
freunde. Freyburg / Zu linden bey J. C. Miethen, 1691.
1 p. 1., 262 p. 15Jx9°™. (Tfi^A^is Musicus curiosus. Freyburg, 1691)
Added t.-p., engr.
Ascribed also to Johann Kuhnau.
ML410.K97A1
Wolffgang Caspar Printzens / von Waldthurn . . . Phrynis oder
Satyrischer componist / welcher vermittelst einer satyrischen ge-
EARLY BOOKS ON MUSIC 219
Printz, Wolfgang Caspar — Continued.
schicht alle und iede f ehler / der ungelehrten / selt^ewachsenen / iinge-
schickten und unverst&ndigen componisten h6mich darstellet / und
darneben lehret / wie ein musicaliscnes stiick rein / ohne fehler und
nach dem rechten grunde zu componiren und zu setzen sev . • . Qued-
linburg / C. Okel / 1676-77.
2 V. in 1. front, (v. 2) fold. pi. 19i x IS""".
Added t.-p., engr. Unpaged (pagination trimmed off in binding?)
Vol. 2 has title: Wolffgang Caspar Printzens/ von Waldthurn . . . Phrynia
Mytilenaeus, oder ander theil/ dea Satyrischen componistena . . . Sagan, C.
Okel, 1677.
MT40.A2P95
Wolffgang Caspar Printzens von Waldthurn Phrynis Mitile-
nseus, oder Satyrischer componist, welcher, vermittelst einer satyri-
schen geschicht, die fehler der ungelehrten, selbgewachsenen, uige-
schickten, und unverstandigen componisten h6mch darstellet, und
zugleich lehret, wie ein musicaUsches stiick rein, ohne fehler, und
nach dem rechten grunde zu componiren und zu setzen sey, worb-^y
mancherley musicalische discurse . . , wie auch eine beschreibung
eines labyrinthi musici, nebst eingemengten lustigen erzehlungen
gefunden werden. Dressden und Leipzig, J. C. Mieth und J. C.
Zimmermann, 1696.
3 V. in 1. 4 fold. 1. (muaic), fold, diagr. 20^ x 16|'-'°.
Title varies. Added t.-p., engr. " Wunderbahrliche echo . . . in einer dop-
pelten fugd ligat4 . . . von Ismenia Stratonico :" 2d 1.
Vol. 3, although ready for publication in 1679, first appeared in this, the second,
edition. A fourth part to the work was written, but was destroyed by fire.
In the "prodromus" to vol. 1 of the present edition are included: (1) "Refu-
tation des Satyrischen componisten . . . von . . . Matz Tapinsmus . . . und Charia
Lausimpeltz written by Printz himself (c/. p. 23 et seq.) and first pub. sepa-
rately in 1678; (2) a pretended reply by Printz, "Declaration oder weitere erkl&-
rung der Refutation . . . von Philomuso Polyandro," 1679; (3) a colloquy by
one of Printz's pupils, "Der aberwitzige pickelhering Jean Rebhu, in emem
kurtzen gesprS,ch entworffen von Veridico Grato," being a satirical reply to an
attack on Printz, which appeared in a contemporary almanac, containing also
"Lebensbeschreibung dea abenteuerlichen Jean Rebnu."
MT40.A2P96
[Prixner, Sebastian] 1744-1799.
Kann man nicht in zwey, oder drey monaten die orgel gut, und
regelmassig schlagen lernen? Mit ja beantwortet, und dargethan
vermittelst einer einleitung zum ^eneralbasse. Verfasst fur die
Pfianzschule des furstlichen reichsstiftes St. Emmeram. Landshut,
Mit Hagenschen schriften, 1789.
223, [5] p., 1 1. incl. 2 fold. pi. W x 21<-"».
The plates are each counted as one page in numbering.
MT182.A2P7
Proved!, Francesco.
Paragone della musica antica, e della moderna: ragionamenti iv.
di Francesco Provedi coltellinajo sanese. [n. p., 17 — ]
[107] p. 17 X 9'^'°.
Dedication dated: Siena, 22. novembre 1752. Signatures: A5-[A12], B-D in
twelves, E in ten.
ML169.A2P7
220 LIBRARY OF CONGRESS
Provedi, Francesco — Continued.
Paragone della musica antica, e della modema: ragionamenti
IV. di Francesco Provedi coltellinajo sanese. [n. p., 17 — ]
4 p. 1., p. 353-451. 16 x 9=°.
Dedication dated as in the foregoing. Signature title: Opusc. torn. L,
Originally formed part of volume 50 of Calogera's " Raccolta d'opuscoli scien-
tifici e filologici, " Venice, 1754. c/. Lichtenthal, Dizionario e bibl. della musica,
1826.
ML169.A2P6
Psellus, Michael.
See Alard, L. De veterum musica, 1636.
Ptolemaeus, Claudius.
KXaud'coo nrokfjbouou ^ Ap/xoviioLv /3;/?Aia f. Claudii Ptolemsei Haraldm-
corum libri tres. Ex. cod. mss. vndecim, nunc primum grsece
editus. Johannes Wallis . . . recensuit, edidit, versione & notis
illustravit, & auctarium adjecit. Oxonii, e Theatro Sheldoniano,
1682.
10 p. 1., 328 p. front., tables, diagrs. 24''™.
Title vi^ette.
Appendix, " De veterum harmonica ad hodiemam comparata:" p. 281-328.
ML168.P97
See also Gogava, A. H., translator. Aristoxenl , . . Harmonicorvm
elementorvm libri ni, 1562.
Puig, Bernardo Comes y de.
See Comes y de Puig, Bernardo.
Pujades, Antonio Eximeno y.
See Eximeno y Pujades, Antonio.
PurceU, Henry, 1658 or 9-1695, editor.
See Playtord, J. An introduction to the skill of musick.
Purmann, Johann Georg, 1733-1813.
Antiquitates musicae . . . [Specimen i] Francofurti ad Moenum,
excudebat I. P. Bayrhoffer [1776]
24 p. 23 X 18''™.
Programm — Gymnasium, Frankfurt a. M.
ML64.P9
Puteanus, Erycius, 1574-1646.
Errici Pvteani . , . Modvlata Pallas, siue Septem discrimina vocvm,
ad harmonicas lectionis nouum & compendiarium vsum aptata & con-
texta, philologo quodam filo. Mediolani, apud Pontianos, 1599.
122, [5] p. illus. 17^'''°.
ML171.P9
EARLY BOOKS ON MUSIC 221
Puteanus, Erycius — Continued.
Eryci Pvteani Mvsathena, sive Notarvm heptas, ad har-
monicse lectionis nouum & facilem vsum. Eiusdem Iter nonianvm.
Dialogus, qui epitomen Musathenae comprehendit. Eiusdem De dis-
tinctionibvs syntagma, cum epistol^ lusti Lipsii de eadem materia.
Hanovise, typis Wechelianis, apud C. Marnium & heredes I. Aubrii,
1602.
103, [1] p. 17-=°.
2d edition of the Modulata Pallas.
MT44.A2P92
Quantz, Johann Joachim, 1697-1773.
Johann Joachim Quantzens . . . Versuch einer anweisung die fl6te
traversiere zu spielen; mit verschiedenen, zur befdrderung des guten
geschmackes in der praktischen musik dienlichen anmerkungen
begleitet, und mit exempeln erl&,utert. Nebst xxiv. kupfertafeln.
Berlin, J. F. Voss, 1752.
7 p. 1., 334, [20] p., 1 1. illus., xxiv pi. on 12 fold. 1. 24 x 19<"".
The plates contain the " exempel " and are printed on both sides.
MT342.A2Q2
See also Lorenzoni, A. Saggio per ben sonare il flauto traverse,
1779.
Quatremere de Quincy, Antoine Chrysostome, 1755-1849.
De la nature des operas bouffons italiens, et de 1' union de la comedie
& de la musique dans ces poemes ; par M. Quatremere de Quincy.
(InL'Espritdesjoumaux . . . Paris [1789] 16^'='". 18. ann^e, t. ix. p. 281-30S)
Separate.
Reprinted from the Journal encyclop4dique.
ML3858.A2Q4
Querlon, Anne Gabriel Meusnier de.
See Meusnier de Querlon, Anne Gabriel.
Quetant, Antoine Frangois, 1733-1823.
Essai sur I'opera-comique.
{In his Le serrurier, opera bouffou. Paris, 1765. 21"™. p. [43]-47)
ML48 S5205
Quincy, Antoine Chrysostome Quatremere de.
See Quatremere de Quincy, Antoine Chrysostome.
Quintanilla, Giacinto.
Annotationi, regole e documenti necessarii per direttione del canto
fermo estratti da diuerse auttori da Giacinto Quintanilla ad instanza
di Suor Clara Maria Donati Monaca professa In S. Huomobono I'anno
MDCLVII.
2p. 1., [16]p. 26X20^'='".
Unpublished manuscript, probably in author's own hand.
^ ^ ^ ' MT860.A2Q4
222 LIBBAEY OF CONGKESS
Quintilianus, Aristides.
See Aristides Quintilianus.
Quirsfeld, Johann, 1642-1686.
Breviarium musicum, oder Kurtzer begriff wie ein knabe leicht und
bald zur singe-kunst gelangen und die ndthigsten dinge darzu kiirtz-
lich begreiffen und erlernen kan. Nebenst einem anhange unter-
schiedener deductionen und fugen, nach den zw61ff tonis musicis.
Zusammen gebracht und aufs neue vermehret von M. Johanne Qvirs-
felden . . . Dresden, M. G. Hilbner, 1688.
6 p. 1., 112 p. 16"°.
3d edition. Ist edition, Pirna, 1675.
MT870.A2Q8
R., P. J. L. C.
See Neue . . . art zu solmisiren, 1763.
Rafaele, Benvenuto, conte di San.
See San Rafaele, Benvenuto, conte di.
CRaguenet, FranQois] 1660?-1722.
Paralele des Italiens et des Francois, en ce qui regarde la musique
et les op^ra. Paris, J. Moreau, 1602 [i. e. 1702]
4 p. 1., 124, [12] p. 15<''".
ML1733.2.A2R1
La paix de I'opera, ou Parallele impartial de la musique
fran^oise et de la musique italienne. Amsterdam, 1753.
40 p. 191=".
A much altered edition of the "Paralele," with notes by the editor.
ML1727.33.R2
A comparison between the Frencli and Italian musick and
opera's. Translated from the French; with some remarks. To
which is added A critical discourse upon opera's in 'England, and a
means proposed for their improvement. London, Printed for W.
Lewis, and sold by J. Morphew, 1709.
3 p. 1., 86 p. 21^"°'.
"Sir John Hawkins conjectured, from internal evidence, that Galliard made
the translation of the Abbe Raguenet's Parallele, published in 1709 . . . and was
the author of A critical discourse upon operas in England . . . printed at the end
of that translation; whUst Dr. Burney . . . was of a contrary opinion." — Grove,
Diet, of music.
ML1733.2.A2R12
[Ralph, James] d. 1762.
The touch-stone: or. Historical, critical, political, philosophical,
and theological essays on the reigning diversions of the town . . .
In which everything antique, or modem, relating to musick, poetry,
dancing, pantomimes, chorusses, cat-calls . . . circus bear-garden,
gladiators, prize-fighters ... is occasionally handled. By a person
EARLY BOOKS ON MUSIC 223
[Ralph, James] — Continued.
of some taste and some quality. With a preface, giving an account
of the author and the work . . . London, 1728.
2 p. 1., iii-xxviii, 237 p. VT'^.
Dedication signed: A. Primcock [pseud, of James Ralph]
PN2021.R29
The taste of the town: or, A guide to all publick diversions.
Viz, I. Of musick, operas and plays ... ii. Of poetry, sacred and
profane . . . in. Of dancing, rehgious and dramatical ... iv. Of the
mimes, pantomimes and choruses of the antients ... v. Of audi-
ences, at our theatrical representations ... vi. Of masquerades,
ecclesiastical, political, civil and military . . . vii. Of the athletic
sports of the antients . . . London, Printed, and sold by the book-
sellers of London and Westminster, 1731.
xxviii, 237 p. illus. 16<"°.
Epistle dedicatory signed: A. Primcock.
Reissue of "The touchstone."
PN2021.R3
[Rameau, Jean Frangois] &. 1716.
La Rameide, poeme . . . Inter ramos [vignette] liha fulgent. Prix,
1. 3. 6. 12. 24. 48. 96. A Petersbourg, aux Rameaux couronnes.
M.DCC.LXVi. [Paris, 1766]
28 p., 1 1. 19f '".
ML410.R2R2
See also Cazotte, J, La nouvelle Ram^ide, 1766.
Rameau, Jean Philippe, 1683-1764.
Code de musique pratique, ou M^thodes pour apprendre la musique,
meme a des aveugles, pour former la voix & I'oreille, pour la position
de la main avec une mechanique des doigts sur le clavecin & I'orgue,
pour I'accompagnement sur tous les instrumens qui en sont suscep-
tibles, & pour le prelude: avec de nouvelles reflexions sur le principe
sonore. Par M. Rameau. Paris, Imprimerie royale, 1760.
1 p. 1., XX, 237, 33 p. front. 26x19^^".
Title vignette.
"Exemples du Code de musique pratique": 33 p. at end.
MT50.A2R16
Demonstration du principe de Fharmonie, servant de base a tout
I'art musical th^orique & pratique. Approuvee par messieurs de
r Academic royale des sciences . . . Par Monsieur Rameau. Paris,
Durand [etc.] 1750.
xxiii, xlvij, 112 p. 5 fold. tab. 19 J'"'".
L. of C. has also another copy, with 4 unnumbered pages containing the
privilege and errata, which are not in this copy. The two issues show slight
typographical differences, e. g. in the second copy the signature letter on first
page of each signature is preceded by an asterisk which does not appear in the
first copy.
"Extrait des registres de I'Academie royale des sciences (rapport des com-
missaires nommes par I'Academie sur le memoire de M. Rameau) ": xlvij p.
ML3815.A2R17
224 LIBRARY OP CONGRESS
Rameau, Jean Philippe — Continued.
Erreurs sur la musique dans FEncyclopedie. Paris, S. Jorr}', 1755.
124 (i. e. 128) p. 19«'".
No. 109-112 repeated in paging.
ML3805.A2R2
Extrait d'une reponse de M. Rameau a M. Euler, Sur I'identite des
octaves, d'oil resultent des verites d'autant plus curieuses qu'elles
n'ont pas encore ete soupponn6es. Paris, Durand, 1753.
2 p. 1., 41 p. 19^^"™. {With his Demonstration du principe de Tharmonie.
Paris, 1750)
ML3815.A2R17
Generation harmonicjue, ou Traite de musique theorique et pratique.
Par M. Rameau.- Pans, Prault fils, 1737.
8 p. 1., 201 (i. e. 227), [13], xlvij, [4] p. 12 pi. 20^ x 12'='°.
Title vignette. Pages 226 and 227 numbered 208 and 201 respectively.
ML3815.A2R19
Nouveau systeme de musique theorique, oh Ton decouvre le prin-
cipe de toutes les regies necessaires a la pratique, pour servir d'intro-
duction au Traite de I'harmonie; par Monsieur Rameau . . . Paris,
Impr. de J. B. C. Ballard, 1726.
viij, 114, [6] p. 2 fold. tab. 25 x 19i<=™. {With his Traite de Tharmonie.
Paris, 1722)
MT50.A2R17
Nouvelles reflections de M. Rameau. Sur sa Demonstration du
principe de Fharmonie . . . Paris, Durand [etc.] 1752.
2 p. 1., 85, [1] p., 1 1. 19^"™. {With his Demonstration du principe de I'har-
monie. Paris, 1750)
ML3815.A2R17
Observations sur notre instinct pour la musique, et sur son prin-
cif)e; oil les moyens de reconnoitre run par I'autre, conduisent k pou-
voir se rendre raison avec certitude des differens effets de cet art. Par
Monsieur Rameau. Paris, Prault fils [etc.] 1754.
xvj, 125, [1] p. 7 fold. pl. 19''°'.
ML3845.A2R2
/ Traite de Tharmonie* reduite a ses principes naturels; divise en
"^ quatre livres . . . Par Monsieur Rameau . . . Paris, Impr. de
J. B. C. Ballard, 1722.
4 p. 1., xxiv, 432, 17, [1] p. 25 x 19^'^.
MT50.A2R17
A treatise of musick, containing the principles of composition.
Wherein the several parts thereof are fully explained, and made useful
both to the professors and students of that science. By Mr. Rameau
. . . Tr. into English from the original in the French language . . .
London, Printed by R. Brown, for the proprietor, and sold by J.
Walsh, 1752.
4 p. 1., 176, [2] p. 2^ X 20^'^°'.
A translation of the third part of the Traite de Tharmonie. 1st edition, 1737.
MT50.A2R173
EARLY BOOKS ON" MUSIC 225
Rameau, Pierre.
Abrege de la nouvelle methode, dans I'art d'ecrire ou de tracer
toutes sortes dedanses de ville . . . mise au jour par le S'". Rameau . . .
Ouvrage tres utile pour toutes personnes qui ont s^u ou qui appren-
nent a danger, puis que par le secour de ce livre, on peut se remettre
facilement dans toutes les danses que Ton a appris , . . Paris, Chez
I'auteur [etc., 1725?]
2 pt. in 1 V. (5 p. 1., Ill (i. e. 109), [2] p.; 1 p. 1., 83 p.) diagrs. 20«
'kcm
Running title: Abrege de la nouv. choregraphie.
No. 29-30 omitted in paging of part 1. Page 73 (probably "planche du bal")
wanting in this copy.
Part 2, engraved throughout, has title: Seconde partie contenant douze des
plus belles danses de Monsieur Pecour . . . remis en choregraphie suivant la
nouvelle correction et augmentation du S"^. Rameau . . . (The tune for each
dance is gi^-en)
GV1590.R33
Le maitre a danser. Qui enseigne la maniere de faire tous les
differens pas de danse dans toute la regularite de Tart, & de conduire
les bras k chaque pas. Enrichi de figures en taille-douce, servant de
demonstration pour tous les differens mouvemens qu'il convient faire
dans cet exercice . . . Par le sieur Rameau . . . Paris, Rollin fils,
1748.
xxiv, 271, [1] p. 60 pi. (partly fold., incl. front.) 19^^^
Plates signed: P. Rameau, invenit et fecit.
GV1590.R3
The dancing-master: or, The art of dancing explained ... In
two parts . . . The whole containing sixty figures drawn from the
life, and curiously engraved on copper plates. Done from the French
of Monsieur Rameau, by J. Essex . . . London, Printed and sold by
him, and J. Brotherton, 1728.
xxxii, 160 p. 57 pi. (partly fold., incl. front.) 25"=™
GV1590.R4
Ramoneda, Ignacio.
Arte de canto-llano en compendio breve, y methodo muy facil para
que los particulares, que deben saberlo, adquieran con brevedad, y
poco trabajo la inteligencia, y destreza conveniente. Su autor el
P. Fr. Ignacio Ramoneda . . . Madrid, Impr. de P. Marin, 1778.
8p. 1., 216p. 2P™.
MT8G0.A2R17
Rangoni, Giovanm Battista.
Essai sur le gotit de la musique, avec le caractere des trois celebres
joueurs de violon, Messieurs Nardini, Lolli, & Pugnani, par Monsieur
le marquis Jean-Baptiste de Rangoni . . . Livourne, Impr. de T.
Masi & comp., 1790.
vii, 2-91 p. 19^"^.
Text in French and Italian on opposite pages. Added t.-p. in Italian.
ML3853.A2R19
51234''— 13 15
226 LIBKARY OF CONGRESS
Raparlier,
Principes de musique, les agr^ments du cliant, et un Essai sur la
prononciation, rarticulation et la prosodie de la langue franpoise . . .
Par M. Raparlier . . . LiUe, P. S. Lalau, 1772.
4 p. 1., 44 p. 1 illus, 26""^.
Title visTiette; ornamental borders.
MT7.A2R17
Kaselius, Andreas, d. 1602.
Hexacliordvm, seu (^vaestiones mvsicae practicse, sex capitibus
comprehensse, quae continent perspicua methodo ad praxin, ut hodie
est, necessaria. Pro gynmasio poetico s. p. q. ratisponensis, hoc
ordine distinctse, & idoneis exemplis, una cum pulcherrima xii.
modorum doctrina illustrata a M. Andrea Raselio . . . Noribergse
[in ^fficina typographica Gerlachiana] 1589.
[175] p. 16''"'.
Signatures: A-L in eights. *
ML171.R28
Rauch, Christoph.
Theatrophania, Entgegen gesetzet der so genanten schrifft Thea-
tromania. Zur verth&digung der christliclien / vornemlich aber /
deren musicalischen operen / und verwerffung aller heidnischen und
von den alten kirchen-v&ttern allein verdammeten schauspielen. In
druck verfertiget durch Cbristophorum Rauch . . . Hannover,
W. Schwendimann, 1682.
15 p. 1., 15-150 p. 16i X 9""^.
Against Anton Reiser's "Teatromania."
ML3858.R24
[Raupach, Christoph] h. 1686.
VeritophiU DeutUche beweis-grilnde / worauf der rechte gebrauch
der music, beydes in den kirchen / als ausser denselben / beruhet; aus
der Heil. Schrifft / denen zeugnussen der heil. v&ter / und aus der
theorie der music selbst / mit alt- und neuen / sowol geist -/ als welt-
lichen exempeln / nebst der milgHchen pflicht eines jeden christen
im gebrauch dieser g6ttl. gabe erdrtert / und mit ungemeinen bissher
versteckt-gewesenen doch n6thigen erinnerungen / samt einer vor-
rede / heraus gegeben von Mattheson. Hamburg, Sel. B. Schillers
erben / 1717.
12 p. 1., 56 p. 17 X 21"™. (In Niedt, Friedrich E. ... Musical ischer handlei-
tung dritter und letzter theU. Hamburg, 1717)
" Veritophilus " is the pseudonym of Christoph Raupach.
MT40.A2N48
Ravn, Hans Mikkelsen, 1610-1663.
Heptachordum danicum, seu Nova solfisatio in qua musicse prac-
ticse usus tam qvi ad canendum, qv^m qvi ad componendum cantum,
sive choralem seu planum, sive mensuralem seu contrapunctum per-
tinet . . . ostenditur. Cui accessit Logistica harmonica musicse theo-
ricse vera & firma prsestruens fundamenta . . . studi6 Johannis Michae-
lii Corvini. Hafmae, typis Melchioris Martzan, 1646.
29p. 1., 209p., 4 1., 56p. 2 fold. tab. 19^ x 15i<'"».
Added t.-p., engr.
MT6.AR219
EARLY BOOKS ON MUSIC 227
Rawlins, John.
The power of musick, and the particular influence of church-musick :
a sermon preached in the cathedral-church of Worcester, at the anni-
versary meeting of the choirs of Worcester, Hereford, and Gloucester,
September 8. 1773. By John Rawlins . . . Oxford, Clarendon-press,
1773.
2 p. 1., 29 p. 20"=™.
ML3920.A2R18
Raymundo da Convergao, 1601-1661.
Manval de tvdo o qve se canta fora do choro, conforme ao uzo dos
religiosos, & religiosas da sagrada ordem de penitencia de nosso sera-
phico padre Sao Francisco do reyno de Portugal. Pello p. fr. Ray-
mvndo da Conver^am . . . contem as ceremonias do altar, & choro,
em todos os actos solemnes que occorrem em o descurso do anno:
conforme o breviario, missal mais correctos. Coimbra, Officina de
R. de Carvalho Coutinho, 1675.
4 p. 1., 485, [5] p. 20 X 15J''°'.
According to Vieira, this is a translation and revision c f an unpublished work
of Luiz das Chagas, "Manual para todo lo que se canta fuera del coro [etc.]"
MT860.A2R19
Reading, John, 1588-1667.
A sermon lately dehvered in the cathedral church of Canterbury,
concerning church-musick. By John Reading . . . London, Printed
by T. Newcomb, 1663.
2 p. 1., 18 p. 21^'^'".
ML3001.R31
Reflexions sur la musique, ou recherches sur la cause des effets
qu'elle produit. Par M. V * * * *. A Amsterdam, et se trouve a
Paris, cnez Nyon I'aine; 1785.
2 p. 1., iij-xiij, [15]-82 p. 18^^'°.
Title vignette.
ML3830.R3
Regole d'alcuni capi necessarj, e piu' frequent! per I'osservanza delle
sacre cerimonie, e del canto fermo ambrosiano, stampate per ordine
del card. Federico Borromeo. Milano, Stamperia Pulini, 1795.
76 p. 15'=°.
Half-title: Liturgia Ambrosiana.
Ch.17.1854
Regole musicali per li principianti di cembalo. Nuova ed. accresciu-
ta. Napoli, D. Sangiacomo, 1795.
60 p. ibh'^.
MT224.A2R4
Reichardt, Johann Friedrich, 1752-1814.
Briefe eines aufmerksamen reisenden die musik betreffend. An
seine freunde geschrieben von Johann Friederich Reichardt . . .
Frankfurt und Leipzig, 1774-76.
2 V. in 1 (v. 1: 4 p. 1., 184 p.; v. 2: 134 p.) 16^^'°.
Vol. 2 published Frankfurt and Breslau.
ML275.3.R34
228 LIBRARY OF CONGRESS
Reichardt, Johann Friedrich — Continued.
Geist des Musikalischen kunstmagazins von Johann Friederich
Reichardt. Hrsg. von I. A[lberti] Berlin, Gedruckt und in com-
mission bey J. F, Unger, 1791.
xii, 195, [1] p. 16i«°^.
"Aufsatze imd urtheile aus dem Musikalischen kunstmagazin." — Pref.
ML3845.A2R3
Johann Friedrich Reichardt an das musikahsche pubUkum seine
franzosischen opern Tamerlan und Panthee betreffend. Hamburg,
In commission bey B. G. Hofmann [1787]
55 p. ISi"'^.
ML410.R3A12
Joh. Friedrich Reichardt iiber die deutsche comische oper, nebst
einem anhange eines freundschaftUchen briefes uber die musikahsche
poesie. Hamburg, C. E. Bohn, 1774.
124 p. 27^'='".
"Zergliederung der comischen oper: Die jagd": p. 24-96.
ML410.H67R3
Leben des berilhmten tonkunstlers Heinrich Wilhelm Gulden
nachher genannt Gughehno Enrico Fiorino. Erster theil. BerUn,
A. Myhus, 1779.
1 p. 1., 258 p. W"".
A romance, supposed by many to be partly autobiographical , although Reichardt
himself denied this. Only the first part was published.
ML3925.A2R3
Schreiben uber die berhnische musik an den herrn L. v. Sch. in M,,
von Johann Friedrich Reichardt. Hamburg, C. E. Bohn, 1775.
32 p. 16'''°.
"Eine beylage zu dem ersten theile der Briefe eines aufmerksamen reisenden."
ML279.8.B2R3
Ueber die pflichten des ripien-violinisten, von Johann Friederich
Reichardt . . . Berlin und Leipzig, G. J. Decker, 1776.
92 p. 16 J'^'".
MT68.A2R35
Reichardt, Johann Friedrich, 1752-1814, editor.
See LoHLEiN, G. S. Anweisun^ zum viohnspielen, 1797.
MusiKALiscHE monathsschrift [1792]
MusiKALiscHER almanach auf das jahr 1782.
MusiKALiscHES kunstmagasiu, 1782-91.
MusiKALiscHES wochcublatt [1791-92]
Studien fiir tonkiinstler, 1793.
Reichenberger, Johann Nepomuk, 1737-1805.
Die ganze musikkunst, so, wie sie die weltweisheit und die mathe-
matik leichthch jeden lehrt, der auch zur musik am mindesten taug-
EARLY BOOKS ON MUSIC 229
Reichenberger, Johann Nepomuk — Continued.
lich zu seyn scheinen d&rfte, an das licht gegeben durch p. Johann
Nepomuk Reichenberger . . . [Regensburg] 1777-80.
212p. incl. tab. fold. tab. 18i<"".
In 3 parts, each with special t.-p. At end of part 3: Die fortsetzung folgt.
MT6.A2R3
Reinhard, Andreas.
Monochordum Andreas Reinhardi Nivimontami [!] Lipsi3e,Valentin
am Ende imprimeb., typis hseredum Beyeri, 1604.
64 p. diagrs. 15^'='°.
Title within ornamental border, text within line borders; printer's mark on
t.-p. At end: Lipsiae, sumtibus lohan. Rosii. bibliop.
ML171.R35
Reinhard, Leonhard, &. 1710.
Kurzer und deutlicher unterricht von dem general-bass, in welchem
durch deutUche regeln und leichte exempel nach dem neuesten musi-
calischen stylo gezeiget wild, wie die anf&nger in dieser h6chst-
niltzhchen wissenschaft zu einer grAndlichen fertigkeit auf die leich-
teste art gelangen k6nnen, verfertiget von Leonhard Reinhard . . .
Augspurg, J. J. Loiters seel, erben, 1750.
60 p. 16i X 2P«».
An earlier edition is cited by Heinsius, published at Augsburg in 1744.
MT49.A2R2
Reisch, Gregor, d. 1525.
. . . De principijs musice tractatus i [-ii] ... [n. p., n. d.]
[50] p. illus., fold, diagr. 22"™.
From Reisch's Margarita philosophica; the signatures and illustrations cor-
respond to those of the 3d edition, Strassburg, 1508, as described by W. Eames
in his "List of editions of the Margarita philosophica," 1886. The signatures /O
are as follows: 3 1. unsigned, U in eight, X in six, Y in eight.
Leaf [1] recto: Illustration, inscribed Typvs Mvsices. — 1. [1] v°-l. [6] v°: Liber
quintus de principijs musice. Tractatus I . . . (Running title: Libri v trac-
tatus I. Musice speculatiue) — 1. [6] v°-l. 13 x": Libri quinti tractacus [!] secudus
de praxi music§ (Running title, beginning with recto of 1. [6]: Libri V tract. II.
Musice practice) — 1. 13 v": Illustration. — 1. [14] -1. [25] r": Musica figurata
(By Malcior of Worms) — 1. [25] v^: Illustration, inscribed Typvs Geometric.
The folding leaf (part of which has been torn off) bears a diagr. on recto and
another on verso, and is inserted between U and Uij.
ML171.R37
Rellstab, Johann Carl Friedrich, 1759-1813.
Versuch liber die vereinigung der musikalischen und oratorischen
declamation, haupts&chUch fur musiker und componisten mit erlau-
ternden beyspielen, von Johann Carl Friedrich Rellstab . . . Berlin,
Im verlage der musikhandlung und musikdruckerey des verfassers
[1786]
4 p. 1., [3]-49, [1] p. 28 X 21*'-'°.
* ' ^ J^ ' L J ^ MT67.A2R37
Remacha, Miguel Lopez.
See Lopez Remacha, Miguel.
230 LIBEARY OF CONGRESS
[Remond de Saint-Mard, Toussaint] 1682-1757.
Reflexions sur I'opera. La Haye, J. Neaulme, 1741.
1 p. 1., v-x, 104 p. le""".
ML1727.3.A2R26
See also Hebtel, J. W. Sammlung musikalischer schriften,
1757-58.
Requeno y Vives, Vincenzo, 1743-1811.
Sag^ sul ristabilimento dell' arte armonica de' greci e romani
canton del Signer abate D. Vincenzo Requeno . . . Parma, Fratelli
Gozzi, 1798.
2v. (v. 1: 4p. l.,xxxix, 347, [4]p.; V. 2: 453, [6]p.) pi. 20J'"°.
ML169.A2R4
Reynolds, Thomas, 1667 ?-1727.
See Practical discourses, 1708.
Reynvaan, Joos Verschuere-
See Verschuere-Reynvaan, Joos.
Rhaw, Gteorg, 1488-1548.
Enchi- II ridion vtri- || usq,.Music§ Practice || a Georgio Rhau- || uo
congestum. || (E Isagoge lo- || annis Galliculi De ca || tus Composi-
tione. [Lipsise, 1520]
3 V. in 1. illua. 16i<'™.
Title in red and black within woodcut border. At end of part [1]: Explicit
mvsica cho- 1| ralis. Nvnc ad || mvsices men- || svralis || enchi- || ridi- |i on ||
pergamvs, || Valentinva Shv- || man Lypsiae || impres- || sit. _
Part [2] haa special t.-p. (with woodcut border): Enchiri || dion mvsi |1 cse
mensv- (| ralis !| . . . (Colophon, followed by printer's mark: d Lipsiae ex
sedibus Valentini Schuman || Anno domini Millesimo quin- 1| gentesimo vigesimo)
_ Part [3] has special t.-p. (with woodcut border): Isagoge || loannis || Gallicv- 1|
li de II compo- || sicione || cantvs. || Lipsise, apud Valenti- || num Schumannti
An. II Christi. m.d.xx. (Colophon, preceded by printer's mark: C Lipsise ex
sedibvs || Valentini Schv- 1| man mense ma- 1| io anno || m.d.xx)
Signatures: a in eight, b-1 in fours, m in three; A in eight, B-M in fours, N in
three; A in eight, B-D in fours, E in three.
According to F6tis, Eitner, and others this is the 2d edition of Rhaw's
"Enchiridion musices ex variis musicorum libris," Leipzig, 1518.
ML171.R42
Ribeiro, Manuel da Paixao.
See Paixao Ribeiro, Manuel da:
Ribeiro de Almeida Campos, Joao.
Elementos de musica . . . Por . . . Joao Ribeiro de Almeida . . .
Coimbra, Real imprensa da Universidade, 1786.
4p. 1., 92p. fold.pl. H''™.
MT7.A2R48
Riccati, Giordano, conte, 1709-1790
Saggio sopra 1
. . . Castel-Frar
2 p. 1., 155 p. 18
Saggio sopra le leggi del contrappunto del conte Giordano Riccati
. Castel-Franco, G. Trento, 1762.
MT55.A2R49
EARLY BOOKS 01^ MUSIC 231,
Ricci, Pasquale, h. 1733.
Methode ou recueil de coimoissances elementaires pour le forte-
piano ou clavecin; oeuvre mel6 de theorie et de pratique, divis6 ©q
deux parties, compost pour le Conservatoire de Naple par J. C. Bach
et F. P. Ricci . . . Paris, Le Due [17—]
1 p. 1., 12, 45 p.; 1 p. 1., 48-75 p. 25J x 32i''«».
Title-page and musical examples engraved.
MT222.A2B12
Richer,
See Iso. Memoire [17 — ]
Biedel, Friedrich Justus, 1742-1785, editor.
Ueber die musik des fitters Christoph von Gluck verschiedene
schriften, gesammelt und hrsg. von Friedrich Just. Riedel. Wien,
Gedruckt bei Joh. Thorn, edl. v. Trattnern, 1775.
xvi,96p. 17^^.
Title vignette; head-piecesi - - •,...-.
Contents. — Brief des herm von * * an die frau grS,fin von * * db^r die
neue oper. [By the Abb6 Amaud] — Brief an die frau von * * *, iiber die oper
Iphigenie en Aulide. Paris vom 26. april 1774. — Gespr§,ch zwischen Lulli,
Rameau und Orpheus in den Elis&ischen Feldern. Von herrn M * * * [P. L.
Moline] — Auszug, aus dem EncyklopSdischen joiu-nal [May 1774]
ML410.G5R42
Riederer, Johann Bartholomaus, 1720-1771.
D. Joh. Bartholom&us Kiederers . . . Abhandlung von einfuhrung
des teutschen gesangs in die Evangelisch lutherische kirche ilber-
haupts und in die nurnbergische besonders. Wobey auch von den
^Itesten gesangbuchern und liedern so bis zum tode Lutheri heraus-
gegeben und verfertigt worden gehandelt wird. Nilrnberg, J. A.
Endter, 1759.
8 p. 1., 326 p. 17«'°.
"Nachtrage dazu in seinen Nachrichten zur kirchen-geschichte." — Eitner,
Biog.-bibl. quellen-lexikon.
"Abdruck eines seltenen buchleins . . . Von der Evangelischen mess, wie
eie zu Nurmberg im Newen spital, durch Andream Ddber, gehalten wurdt, caplan
doselbst. 1525": p. 313-326.
ML3129.A2R5
Riedt, Friedrich Wilhelm, 1710 or 12-1784.
Versuch liber die musikalische intervallen, in ansehung ihrer
wahren anzahl, ihres eigentlichen sitzes, und naturlichen vorzugs in
der composition, von Friedrich Wilhelm Riedt . . . Berlin, A. Haude
und J. C. Spener, 1753.
4 p. 1., 32 p. diagr. 21^ x 18''"'.
ML3809.A2R5
Riepel, Joseph, 1707 or 8-1782.
Anfangsgriinde zur musicaUschen setzkunst: nicht zwar nach alt-
mat hematischer einbildungsart der zirkel-harmonisten, sondern durch-
gehends mit sichtbaren exempeln abgefasset. De rhythmopoeia,
232 LIBRABY OF CONGRESS
Riepel, Joseph — Continued.
oder Von der tactordnung. Zu etwa beliebigem nutzen hrsg, von
Joseph Riepel . . . Frankfurt [etc., Gedruckt bey J. J. Lotter, Augs-
purg] 1752-68.
5 V. in 2. 34'"".
Each vol. has special t.-p. (v. 2) Grundregeln zur tonordnung insgemein.
Abermal durchgehends mit musicalischen exempeln abgefaest und geepr&ch-
weise vorgetragen von Joseph Riepel . . . Frankfurt [etc., Gedruckt bey C. U.
Wagner, Ulm] 1755. (v. 3) Grftndliche erklSrung der tonordnung insbesondere,
zugleich aber fdr die mehresten organisten insgemein. Wieder durchaus mit
musikalischen exempeln abgefasst und gesprSch-weise vorgetragen von Joseph
Riepel . . . Frankfurt [etc.] 1757. (v. 4) Erliuterung der betrfiglichen
tonordnung, n§,mlich das versprochene vierte capitel. Abermal durchaus mit
musicalischen exempeln abgefasst und gesprSch-weise vorgetragen von Joseph
Riepel... Augsburg, J. J. Lotter, 1765. (v. 5) Funftes capitel. Unenfc-
behrliche anmerkungen zum contra^unct . . . mit musikalischen exempeln
abgefasst, und wieder gesprichweise vorgetragen von Joseph Riepel . . . Regens-
burg, In commission bey herm J. C. Knppner, 1768.
MT47.A2R65
Bassschli5ssel, das ist, Anleitung Mr anf&nger und liebhaber der setz-
kunst, dis sch6ne ^edanken haben und zu papier bringen, aber nur
klageTi, dass sie keinen bass recht dazu zu setzen wissen, von Joseph
Riepel . . . hrsg. von Johann Kaspar Schubarth . . . Regensburg,
J. L. Montags erben, 1786.
5 p. 1., 83, [1] p. 34"'°.
MT49.R55
Harmonisches syllbenmass, dichtern melodischer werke gewiedmet,
und angehenden singcomponisten zur einsicht mit platten beyspielen
gespr&^cnweise abgefasst . . . Durch Joseph Riepel . . . Regens-
burg, J. L. Perile, 1776.
2 p. 1., 51, [6], 54-93, [1] p. 35"^.
Head and tail piece.
MT64.A2R3
Rigler, Franz Paul.
Anleitung zum gesange, und dem klaviere, oder die orgel zu spielen;
nebst den ersten griinden zur komposizion; als n6thige vorkenntnisse
der freyen und gebundenen fantasie; mit 2 anh&ngen: der 33 kir-
chenlieder; und 31 charakteristischen tonstilcken verschiedener
meister dieses jahrhunderts . . . Verf asset: von Franz Paul Rig-
ler .. . Ofen, Im verlage der K6nigl. hungar. universit&tsbuch-
druckerey, 1798.
4 p. 1., 510 p. 19 X 22^0™.
"Verzeichniss der besten musikalischen bftcher; und der berfihmtesten kom-
ponisten": p. 278-281.
MT40.A2R4
Riley, William.
Parochial music corrected. Containing remarks on the perform-
ance of psalmody in country churches, and on the ridiculous and pro-
fane manner of singing practised by the Methodists; reflections on the
bad performance of psalmody in London, Westminster, &c., with
some hints for the improvement of it in public worship ; observations
EARLY BOOKS ON MUSIC 233
Riley, William — Continued.
on the choice and quaUfications of parish-clerks; the utility of teach-
ing charity-children psalmody and hymns ; the use of organs, and the
performance of organists. By William Riley ... To which are
added, a scarce and valuable collection of psalm tunes . . . London,
Printed for the author, 1762.
xix, 34 p. 22"".
The psalm tunes are wanting in this copy.
ML3001.R45
Rio, Antonio Ventura Reel del.
See RoEL del Rio, Antonio Ventura.
Riquetti, Honore Gabriel, comte de Mirabeau.
See Mirabeau, Honore Gabriel Riquetti, comte de.
Risposta di un' anonimo al celebre Si^. Rousseau circa al suo senti-
mento in proposito d'alcune proposizioni del Sig. Giuseppe Tartini.
Venezia, A. ae Castro, 1769.
15 p. diagr. 20^'"°.
Neither dedicated to Delia Torre Taeeis nor written by him, as internal evi-
dence proves. Possibly written by the mathematician "padre Colombo,"
whom Bm-ney mentions in connection with Tartini. Certainly not by Tartini
himself, and is not to be confused with his "Risposta di Giuseppe Tartini ..."
ML3805.A2T3
[Ritson, Joseph] 1752-1803, editor.
Ancient songs, from the time of King Henry the Third, to the
revolution . . . London, J. Johnson, 1790.
2 p. 1., Ixxx, 332 p. illus. 18<^«.
Title vignette.
" Observations on the ancient English minstrels," and " Dissertation on the
songs, music, and vocal and instrumental performance of the ancient English:"
p. i-lxxvi.
PR1187.R5
Riva, Giuseppe, h. ca. 1696.
See Mizler von Kolof, L. C. Musikalischer staarstecher [1740]
[Robbe de Beauveset, Pierre Honore] 1714-1792.
Satire a Monsieur le marquis D . . . [n. p., 17 — ]
22 p., 1 1. 19'^'".
In verse. No. 6 in a volume of pamphlets lettered Quere[lle] des Bouffo[ns]
Attributed to "M. Robbe" in the ms. table of contents prefixed to the col-
lection.
ML1727.33.A1
Rocca, Angelo, 1545-1620.
De campanis commentarivs a fr. Angelo Roccha ... ad Sanctam
ecclesiam catholicam directvs, in quo multa non minus admiratione,
ac scitu digna, quam lectu iucunda, in ecclesia Dei reperiri narratur
. . . Romse, apud G. Facciottum, 1612.
viii, 166, [26] p. plates (partly fold.) 22^™.
Illus. t.-p.; initials; text within line borders.
CC200.R7
234 LIBRARY OF CONGRESS
Rocchi, Antonio, 1724-1780.
Istituzioni di musica teorico-pratica di D. Antonio Rocchi . . .
Delia teoria matematica, libro primo. Del genere diatonico . . ,
Venezia, Stamperia Albrizziana, 1777.
60 p. 26"'".
ML3809.A2R6
[Rochemont, de] 6. ca. 1715.
Reflexions d'un patriote sur I'opera fran^ois, et sur I'opera italien,
qui pr^sentent le parallele du goftt des deux nations dans les beaux
arts. Lausanne, 1754.
xij, 137, [1] p. 19'™.
ML1727.33.R67
Roche tte de Lamorliere, Jacques.
See Lamorlieee, Jacques Rochette de.
Rochlitz, Johann Friedrich, 1709-1842, editor.
See Allgemeine musikalische zeitung [1798]-1882.
Roel del Rio, Antonio Ventura.
Institucion harmonica, o Doctrina musical, theorica, y practica,
que trata del canto llano, y de organo; exactamente, y segun el
moderno estilo expUcada, de suerte que escusa casi de maestro . . .
Escrita por Don Antonio Ventura Roel del Rio . . . Madrid,
Herederos de la viuda de J. Garcia Infanzon, 1748.
18 p. 1., 279, 53 p. 21i<^°».
"Motetes y obras diferentes al Santissimo y ^ Nra Sra ": 53 p. at end.
MT860.A2R6
Rollig, Karl Leopold, d. 1804.
. . . Die orphica, ein neues musikahsches instrument, erfunden von
. Ra
hr. E.[!] L. Rdllig . . .
{In Journal def
Jbruar, p. 87-98.
Detached copy.
{In Journal des luxus und der moden. Weimar, 1796. 19^''". 11. jahrg.,
februar, p. 87-98. fold, pi.)
ML1015.A2R63
Roger, Joseph Louis, d. 1761.
Tentamen de vi soni et musices in corpus humanum. Authore
Josepho, Ludovico Roger . . . Avenione, apud Jacobum Garrigan,
1758.
117, [3] p. pi. Wi""".
ML3920.A2R72
Rojas, Juan Fernandez de.
See Fernandez de Rojas, Juan.
EARLY BOOKS ON MUSIC 235
Rolle, Christian Carl, b. 1714.
Neue wahrnehmungen zur aufnahme und weitern ausbreitung der
musik. Von Christian Carl Rolle . . . BerUn, A. Wever, 1784.
2 p. 1., 106, [2] p. 16"™.
"Ehren-gedichtniss Johann Friedrich Agricola, k6nielich-preu8siBchen hof-
compositora (hof-componisten) nach Grauns tode capelldirektore " : p. 92-95.
*'Ehren-ged§,chtnis8 Carl Heinrich Graun": p. 96-106.
ML60.R74
BoUet,
M^thode pour apprendre la musique sans transposition, avec quatre
vingt lemons a deux parties, sur toutes les clefs, toutes les mesures, et
tous les tons qui sont usit^s dans la musique . . . compos6e par M'^.
Rollet . . . Paris, Chez M"". Le Menu; [etc., etc., 1780]
1 p. 1., 98 p. 32i X 26i«™.
Engraved throughout.
MT222.A2R7
[Romaine, WiUiam] 1714-1795.
. An essay on psalmody . . . London, 1775.
iv, 5-368 p. 19'^'°.
Preface signed: W. R.
"A collection out of the book of Psalms, suited to every Sundaj' in the year,"
p. [155]-368, has special t.-p.
ML3186.A2R7
Romero de Avila, Geronimo.
Arte de canto-llano, y organo, 6 Promptuario musico, dividido en
quatro partes. La primera trata de la especulativa del canto-llano.
La segunda, de la practica del mismo canto. La tercera, de la espe-
culativa, y practica de todo hynmo, sequencia, o prosa. Y la quarta,
de la especulativa, y practica del canto de organo, segun el moderno
estilo. Su autor Don Geronymo Romero de Avila . . . Madrid. J.
Ibarra, 1762.
8 p. 1., 535 p. illus. 21 x W"^.
MT860.A2R76
Rondet, Laurent Etienne, 1717-1785, editor.
See Gauthier, F. L. Traits contre les danses, 1785.
Rosa, Onorato.
Regole del canto fermo detto gregoriano spogliate dell' antica loro
oscurita, e registrate con brevita, e chiarezza dal r. p. f. Onorato
Rosa da Cairano . . . Napoli, Stamperia degli eredi di More, 1788.
xii, 96 p. 23 x 18^""".
MT860.A2R78
Rosario, Domingos do.
See Domingos do Rosario.
Rosini, Carlo Maria, 1748-1836, editor.
See Philodemus, of Gadara. De musica [1793]
236 LIBRARY OF CONGRESS
Bosseto, Vincenzo, translator.
See Vanned, S. Recanetvm de mvsica avrea, 1533.
Rossetti, Biagio.
Blasii Bos- || setti Veronensis li- || bellus de rudimentis Musices.
De triplici musices specie. || De mode debite solugdi divinu pensum.
Et de auferendis noimullis abusibus in dei || templo. || Quq omnia suii
compendio candidus lector J| inueniet. || C Cum priuilegio prout in
breue cont. [Colophon: C VeronQ, per Stephanum, & fratres de Nico-
linis II de Sabio, sumptu & requisitione D. Blasii Roset- || ti piQsbyteri,
in Ecclesia maiori Organistse. || mdxxix. mense Septembrio]
[104] p. 22^"'".
Title within woodcut border. Signatures: a-n in fours.
ML171.R7
Bossi, Lemme, d. 1673.
Sistema mvsico, ouero Mvsica specvlativa done si spiegano i piii
celebri sistemi di tutti i tre generi, di Lemme Bossi Perugino. [Colo^
glwn: In Pervgia, Nella Stampa episcopale, per Angelo Laurenzi.
on licenza de' superiori. 16661
6 p. 1., 179, [1] p. diagrs. 25=°».
Head and tail piece; initials.
ML3805.A2R8
Bossino, Francesco di.
Grammatica melodiale teorico-pratica esposta per dialoghi, nella
quale . . . insegnasi il modo d'imparare ancne di per se il vero canto
ecclesiastico, o sia canto fermo, trattine i primi rudimenti. Divisa in
tre parti. Opera del p. f. Francesco di Kossino . . . Con in fine un
appendice pratica, la quale servira di direttorio al clero tanto secolare,
cne regolare, particolarmente ai religiosi francescani . . . Roma,
I Lazzarini, 1793.
xxiv, 396 p. 29 X 22J<="^.
MT860.A2R82
Both, Georg Michael, 1769-1817.
Ueber die bisherige unm6glichkeit einer philosophic des bildes, der
musik und sprache, von Georg Michael Roth. G6ttingen, J. C. Die-
terich, 1796.
xxxii, 95 p. 19''™
Ch.26.2.5479
Boullet, Francois Louis Gaud Lebland, marquis du.
See Du Roullet, Francois Louis Gaud Lebland, marquis.
Bousseau, Jean.
Methode claire, certaine et facile, pour apprendre a chanter la
\J musique, sur les tons transposez comme sur les naturels. A battre la
mesure h toutes sortes de mouvemens ordinaires & extraordinaires.
EARLY BOOKS ON MUSIC 237
Rousseau, Jean — Continued.
A faire les ports de voix, & les cadances sur la musique avec regu-
larite ; et a connoitre oti il f aut faire les tremblemens dans les livres oh
ils ne sent point marquez. Le tout explique & mis en ordre par Jean
Rousseau . . . Paris, Chez I'autheur [etc.] 1683.
4 p. 1., 64 p. 12 X 18^''".
The 1st edition was published by Ballard in 1678.
MT7.A2R8
Traite de la viole, qui contient une dissertation curieuse sur son
origine. Une demonstration generale de son manche en quatre
figures, avec leurs explications. L'explication de ses jeux differents,
& particulierement des pieces par accords, & de I'accompagnement h
fond. Des regies certames, pour connoitre tous les agremens qui se
peuvent pratiquer sur cet instrument dans toutes sortes de pieces de
musique. La veritable maniere de gouverner I'archet, & des moyens
faciles pour transposer sur toutes sortes de tons. Par lean Rovsseav
. . . Paris, C. Ballard, imprimeur, 1687.
8 p. 1., 151 p. fold. tab. IS^'^"'.
"Modelles povr la transposition . . .": p. 120-151.
MT338.A2R7
Rousseau, Jean Jacques, 1712-1778.
Dictionnaire de musique, par J. J. Rousseau . . . Paris, Veuve
Duchesne, 1768.
jx, [3], 548 {%. e. 556), [2] p. a-n fold. pi. (partly music) 26^''™.
Title vignette. No. 473-480 repeated in paging.
ML108.A2R7
Dictionnaire de musique. Par J. J. Rousseau . . . Amster-
dam, M. M. Rey, 1768.
2 V. (v. 1: xvi, 504 p.; v. 2: 2 p. 1., 372 p.) a-x fold. pi. (partly music), fold. tab.
18''™.
ML108.A2R8
A complete dictionary of music. Consisting of a copious ex-
planation of all words necessary to a true knowledge and understand-
mg of music. Tr. from the original French of J. J. Rousseau. By
WilHam Waring. 2d ed. London, J. Murray; [etc., etc.] 1779.
Ip. 1., 468p. 24^"^.
ML108.A2R86
Lettre sur la musique frtoQoise. Par J. J. Rousseau. Sunt verba
cfc voces, 'prxtereaque, nihil, [n. p.] 1753.
2 p. 1., 92 p. 17i<=™.
ML1727.33.R7
Lettre sur la musique fran^oise, par J. J. Rousseau ... 2. ed.
[n. p.] 1753.
4 p. 1., 92 p. 20*'^'".
ML1727.33.R72
238 LIBRARY OF CONGRESS
Rousseau, Jean Jacques — Continued.
Trait^s siir la musique, [Geneve, 1781 ?]
437, [1] p. 24 fold. pi. on 19 1. (partly music) 20""'.
The general title is in the form of a half-title, without imprint; the first essay-
has special t.-p. with imprint "Geneve, 1781." The plates include "Airs prin-
cipaux du Devin du village" (pi. I-X)
Half-title, title-page and a slight variation in paging excepted, this issue
corresponds to another of the same year: CEuvres posthumes de Jean-Jaques
Rousseau, ou Recueil de pieces manuscrites, pour servir de supplement aux
editions publi^es pendant sa vie. Tome troisieme. Geneve, 1781.
Contents. — Projet concemant de nouveaux signes pour la musique. — Disser-
tation sur la musique modeme. — Essai'sur I'origine dea langues, oil il est parl6
de la melodie & de I'imitation musicale. — Lettre a Monsieur I'abb^ Raynal, au
sujet d'un nouveau mode de musique, invent^ par M. Blaiuville. — Examen de
deux principes avanc^s par M. Rameau, dans sa brochiue intitul^e: Erreurs
sur la musique, dans l'Encyclop6die. — Lettre a M. Bumey sur la musique,
avec fragmens d' observations sur I'Alceste italien de M. le chevalier Gluck.
Extrait d'une reponse du petit faiseur a son prete-nom, sur un morceau de I'Or-
ph^e de M. le chevalier Gluck.
ML60.R86
See also Baton, C. Examen de la lettre de M. Rousseau, 1753.
Framery, N. fi. Musique, 1791-1818.
Roussier, Pierre Joseph, 1716-1790?
L'harmonie pratique, ou Exemples pour le Traite des accords, par
M. Roussier . . . ^Iis au jour par M. Bailleux. Paris, Chez I'editeur;
[etc., etc., 1775]
xvj, [2], 111 (i. e. 113) p., 1 1. 21<"°.
Engraved, with the exception of the 18 pages preceding the examples.
• Copy 2.
Title-page, half-title and preliminary matter (xvj p.) wanting.
MT49.A2R6
Memoire sur la musique des anciens, ou Ton expose le principe des
proportions authentiques, dites de Pythagore, & de divers systSmes
de musique chez les Grecs, les Chinois & les Egyptiens. Avec un
Sarallele entre le syst^me des Egyptiens & celui des modernes. Par
[. I'abb6 Roussier . . . Paris, Lacombe, 1770.
2 p. 1., xxiv, 252 p. illus., pi. (music), fold. tab. 26"™.
ML162.A2R7
Memoire sur la nouvelle harpe de M. Cousineau, lutbier de la reine;
par M. I'abb^ Roussier . . . mis au jour par M. F. Delaunay . . .
Paris, Lamy, 1782.
40 p. IS*"".
ML1006.A2R7
Observations sur diff^rens points d'harmonie, par M. I'abbe Rous-
sier ... A Geneve, et se trouvent h, Paris, chez JBailleux, 1755.
4 p. 1., 249 p. fold. pi. 21<'».
MT50.A2R«6
Traits des accords, et de leur succession; selon le syst^me de la
basse-fondamentale; pour servir de principes d'harmonie a ceux
EARLY BOOKS ON MUSIC 239
Roussier, Pierre Joseph — Continued.
qui 6tudient la composition ou raccompagnement du clavecin. Avec
une methode d'accompagnement . . . Paris, Duchesne; [etc., etc.l
1764.
xxviij, [4], 192 p. 3 pi. (1 fold.) fold. tab. 20i<"".
Dedication signed: Roussier.
MT49.A2R4
Traits des accords, et de leur succession; selon le systeme de
la basse-fondamentale; pour servir de principes d'harmonie a ceux
qui 6tudient la composition ou I'accompagnement du clavecin; avec
une methode d'accompagnement . . . raris, Bailleux, 1764.
xxxij, 192 p. 3 pi. (1 fold.) fold. tab. 21''™.
Dedication signed: Roussier.
MT49.A2R5
See also La Borde, J. B. de. Essai sur la musique, 1780.
Memoires sur les proportions musi-
cales, 1781.
Roussier, Pierre Joseph, 1716-1790? editor.
See Amiot, J. M. Memoire sur la musique des Chinois, 1779.
Roxas y Montes, Diego de.
Promptuario armonico, y conferencias theoricas, y practicas de
canto-llano, con las entonaciones de choro, y altar, segun la costumbre
de la santa iglesia cathedral de Cordoba, y de otras. Compuesto por
D. Diego de Roxas, v Montes . . . Cordoba, Impresso por A. Serrano,
y D. Rodriguez, 1760.
13 p. 1., 482 p. V fold. pi. 20J'-'".
MT860.A2R9
Roy, Pierre Charles, 1683-1764.
See Hertel, J. W. Sammlung musikalischer schriften, 1757-58.
RUmlang, Eberhard von.
See Lampadius, A. Compendivm mvsices, 1554.
Ruetz, Caspar, 1708-1755.
Widerlegte vorurtheile vom ursprunge der kirchenmusic, und klarer
beweis, dass die gottesdienstliche music sich auf Gottes wort grilnde,
und also g6ttliches ursprungs sey, der gleichgultigkeit in ansehung
dieser art des gottesdienstes entgegen gesetzet von Caspar Ruetz . . .
Lubeck, J. Schmidt, 1750.
12 p. 1., 114, [C] p. 19"'°.
Title vignette: printer's mark.
ML3001.R92
Widerlegte vorurtheile von der beschaffenheit der heutigen kirchen-
music und von der lebens-art einiger musicorum, ans hcht gegeben von
Caspar Riietz . . . Lilbeck, P. B6ckmann, 1752.
8 p. 1., 175, [9] p. 19«"'.
ML3001.R93
240 LIBRARY OF CONGRESS
Ruetz, Caspar — Continued.
Widerlegte vorurtheile von der wirkung der kirchenmusic, und von
den darzu erfoderten unkosten, nebst einer vorrede von der musi-
calischen liebhaberey, ans licht gestellt von Caspar Ruetz . . . Ro-
stock und Wismar, J. A. Berger und J. Boedner, 1753.
23 p. 1., 152, [15] p. ISi-^"*.
ML3001.R94
Ruggero, Francesco Girolamo.
Dichiarazione della eccellente musica seguita in Novara coU' inter-
vento de primi virtuosi d'ltaglia nell' occasione del famoso trasporto
del sagro corpo di S. Gaudenzo, primo vescovo, e protettore di detta
citta, spiegata dal prete Francesco Girolamo Ruggero . . . Vercelli,
Nella stampa di P. A. Gilardone, 1711.
15, [1] p. IS'^'".
ML290.8.N6R9
Rules; or a short and compleat method for attaining to play a thor-
ough bass upon the harpsicord or organ. By an eminent master.
Also an explanation of figur'd time, with the several moods & charac-
ters made use of in musick. To which is added, a dictionary, or ex-
phcation of such Italian words, or terms, as are made use of in
vocal, or instrumental musick. London, Printed for & sold by I:
Walsh [1715?]
42 p. 2P='.
Engraved throughout.
The dictionary (pages 10-42) was published separately, London, 1724, as "A
short explication of such foreign words, as are made use of in musick books."
MT49.A2R9
[Ridhiere, Claude Carloman de] 1734-1791.
Jugement de I'orchestre de I'Opera. [n. p., 175-]
8 p. 164'=™.
Caption title.
ML1727.33.R95
Sabbatini, Luigi Antonio, 1739-1809.
Elementi teorici della musica colla pratica de' medesimi, in duetti,
e terzetti a canone accompagnati dal basso, ed eseguibili si a solo, che
a piti voci, di f. Luigi Antonio Sabbatini . . . Roma, Stamperia P.
Cracas, e G. Rotilj socio, 1789-95.
3 V. in 1. 23^ x SO""*.
Vol. 2 has title: Elementi pratici della musica formati in duetti a canone accom-
pagnati dal basso . . . Parte seconda. Ed. 2. . . . 1795.
MT55.A2S11
La vera idea delle musicali numeriche segnature diretta al giovane
studioso deir armonia da f. Luigi Ant.° Sabbatini . . . Venezia, S.
Valle, 1799.
iv, clxxix, [1] p. 29i'=™.
MT50.A2S11
EAELY BOOKS ON MUSIC 241
Sacchi, Giovenale, 1726-1789.
Del nvmero e delle misvre delle corde mvsiche e loro corrispon-
denze, dissertazione del p. D. Giovenale Sacchi Bemabita. Miano
[G. Mazzucchelli] 1761.
126 p. 20"™.
ML60.S11
Delia divisione del tempo nella musica, nel ballo e nella poesia.
Dissertazioni iii del p. D. Giovenale Sacchi Bemabita. Milano [Per
G. MazzuccheUi nella stamperia Malatesta] 1770.
4 p. 1., 248 p. diagr. 20"™. (With his Del nvmero . . . delle corde mvsiche.
MUano, 1761)
ML60.S11
Delia natura e perfezione della antica musica de' Greci e della
utihta che ci potremmo noi promettere dalla nostra applicandola
secondo il loro esempio alia educazione de' giovani; dissertazioni ni
del p. D. Giovenale Sacchi Bemabita. Milano [Per A. Mogni nella
stamperia Malatesta] 1778.
5 p. 1., 207 p. 20"™.
ML60.S12
Delle quinte successive nel contrappunto e delle regole degli accom-
pagnamenti; lettera del p. D. Giovenale Sacchi al * . . Sig. Wincislao
richl . . . Milano, Per C. Orena, stamperia Malatesta, 1780.
183 p. 20"™. (With his Della natura . . . della antica musica de' Greci.
Milano, 1778)
ML60.S12
Don Placido, dialogo del p. Don Giovenale Sacchi . . . dove cercasi:
se lo studio della musica al rehgioso convenga o disconvenga. Pisa,
L. RaffaeUi, 1786.
152 p. 20"™.
ML63.S12
Vita del cavaUere Don Carlo Broschi, scritta da Giovenale Sacchi
. . . Vinegia, Stamperia Coleti, 1784.
48 p. 19i"™.
ML420.B8S14
See also Zaxotti, F. M. Lettere, 1782.
Sacchi, Giovenale, 1726-1789, translator.
See FoxTANA, F. L. Vita di Benedetto Marcello, 1788.
Sache, fitienne, d. ca. 1724.
Traite des tons de I'eglise selon I'usage romain, dans lequel la
game ancienne et nouvelle est mise au commencement. Avec
plusieurs autres chants pour vespres, complies, matines, la haute
messe, &c. . . . Par E. Sach6 . . . Lisieux, R. Le Boullenger,
M. DC. Lxciv [i. e. 1676]
8 p. 1., 47, [1], 136 p. illus. 14^"™.
ML3082.A2S2
51234°— 13 16
242 LIBEAKY OF CONGBESS
[Saint Hilaire, Cecile de] psevdJ
Lettre a I'auteur des Lettres sur les homines celebres dans les
sciences, la litterature & les beaux arts. Sous le regne de Louis xv.
Amsterdam, P. Marteau. [Paris?] 1752.
32 p. IS""*.
Signed: Cecile de Saint Hilaire.
Mainly a comparison of the art of Lully and Rameau.
ML410.L95S14
Saint-Mard, Toussaint Remond de.
See Remond de Saint-Mabd, Toussaint.
[Saint- Sevin, Joseph Barnabe] 1727-1803.
Principes du violon pour apprendre le doigte de cet instrument, et
les diflferends a^ements dont il est susceptible . . . par M"^. I'Abbe le
fils. Ces principes sont suivis de deux suites d'airs d'op^ra a deux
violons . . . de plusieurs lepons dans le genre de sonates avec la basse
chiffree pour le clavecin, d'exemples analogues a ces lepons, de pre-
ludes . . . et d'une suite de jolis airs varies pour un. violon seul . . .
Paris, Des Lauriers [1761?]
2 p. 1., 81 p. 35""'.
Engraved throughout.
MT262.A2S24
Sala, Nicola, 1701-1800.
Regole del contrappunto pratico di Nicola Sala Napoletano, primo
maestro nel Reale conservatorio della Pieta' de' Torchini, dedicate
alia maestk di Ferdinando iv. re delle Due Sicilie &c. Napoli,
Stamperia reale, 1794.
3 V. in 2. 52 X SG""*.
Title vignette. The work consists almost entirely of contrapuntal examples
and exercises, which are printed from engraved plates.
MT55.A2S2
Salinas, Francisco de, 1513-1590.
Francisci Salinas . . . De musica libri septem, in quibus eius doc-
trinse Veritas tarn quae ad harmoniam, quam quae ad rhythmum per-
tinet, iuxta sensus ac rationis indicium ostenditur, & demonstratur.
Cvm duplici indice capitum & rerum . . . Sabnanticse, excudebat M.
Gastius, 1577.
2 p. 1., 438, [18] p. incl. fold. tab. diagrs. (1 fold.) 29i<'">.
Title vignette: coat of arms. Printer's mark at end.
ML171.S16
Salle, la.
See Lasalle.
Salle, Jean Frangois Demotz de la.
See Demotz de La Salle, Jean Francois.
Salmon, Thomas, 1648-1706.
An essay to the advancement of musick, by casting away the per-
plexity of different cUff s. And uniting all sorts of musick : lute, viol,
violin, organ, harpsechord, voice, &c. in one universal character. By
Thomas Salmon . . . London, Printed bv J. Macock, and are to be
sold by J. Car, 1672.
8 p. 1., 92 p. 5 fold. pi. (partly music) 17''™.
Added t.-p., engr. Preface signed: John Birchensha.
ML432.A2S2
EARLY BOOKS ON MUSIC 243
Salmon, Thomas — Continued.
A proposal to perform musick, in perfect and mathematical propor-
tions. Containing, i. The state of musick in general, ii. The princi-
ples of present practice; according to which are, iii. The tables of pro-
portions, calculated for. the viol, and capable of being accommodated
to all sorts of musick. By Thomas Salmon . . . Approved by both
the mathematick professors of the Vniversity of Oxford. With large
remarks upon this whole treatise, by the reverend and learned John
Wallis . . . London, J. Lawrence, 1688.
6 p. 1., 42 p. 4 pi. 23 X ISi""".
ML3807.A2S17
A vindication of an Essay to the advancement of musick, from Mr.
Matthew Lock's Observations. By enquiring into the real nature,
and most convenient practise of that science. By Thomas Salmon
. . . London, Printed by A. Maxwell, and are to be sold by J. Car,
1672.
2 p. 1., 85, 20 p. fold. pi. 17^"™.
Written in the form of a letter to Dr. John Wallis. The 20 p. at end contain a
letter to Salmon signed N. E., concerning his Essay and Locke's "Observations."
ML432.A2S3
Salvadore Maria da Vercelli.
Nelle funebri pompe del Signor arcimaestro in musica David Peres,
maestro di camera di S. R. M. fedelissima felicemente regnante ora-
zione. Tributo d'ossequio di irk Salvadore Maria da Vercelli . . .
Lisbona, Stamperia reale, 1779.
15 p. 20i«".
ML410.P27S15
Sam.ber, Johann Baptist.
Manuductio ad organum, das ist: Griindlich- und sichere handlei-
tung durch die hdchst-nothwendige solmisation, zu der edlen schlag-
kunst . . . Sambt einer kurtz-verfassten information von denen
kirchen- oder choral-tonen, wi3 solche geschwind zuerkennen, imd auff
denen in cornet-ton gestimmten orgl-wercken abzuschlagen seynd.
Alles mit vilen in kupffer gestochenen figuren und exemplen gezieret /
und mit sonderbahren fleiss zusamen getragen / auch das erste mahl in
den druck gegeben durch M. Joannem Baptistam Samber ... Zu
finden bey dem authore. Saltzburg / Gedruckt durch J. B. Mayrs /
seel, wittib / und erb., 1704.
8 p. 1., 177, [6] p. 16* X 22*""'.
MT182.A2S2
Continuatio ad Manuductionem organicam, das ist: Fort-
setzung zu der Manuduction oder handleitung zum orgl-schlagen ; wo-
rinnen . . . begriffen seynd . . . i. Was gestalten die in besagter Manu-
ductione vorgezeigte intervalla und concenten in auf- und absteigend-
haltend- und springenden noten auff dem clavier sollen genommen
und geschlagen werden / sambt beygefiigten nutzlichen exercitiis.
II. Wird die natur und namen der registern in verschidenen orgl-
wercken zu erkennen / solche zu verwechslen / und zu combiniren /
demonstrirt : und zugleich / was in compositione der galantarien / als
244 LIBRARY OF CONGRESS
Samber, Johann Baptist — Continued.
allemanden / couranten / sarabanden / menueten / &c. . . . zu beo-
bachten . . . dem giinstigen liebhaber solcher capriccien hiemit com-
municirt ... iii. Auff was weise eine gute harmonia . . . zu compo-
niren und zu setzen seye ... iv. Wie man allerley fugen . . . for-
miren solle / der rechte weeg gewisen . . . auss vilen approbirten
authoribus, auch eigner praxi zusaffien getragen und verlegt durch M.
Joannem Baptistam Samber . . . Saltzburg, Gedruckt bey J. B.
Mayrs seel, wittib und sohn, 1707.
4 p. 1., 239, [4] p. VIII pi. 18 X 23^"'°.
MT182.A2S21
San Eafaele, Benvenuto, conte di.
Lettere due sopra I'arte del suono, del Signor co: Benvenuto di S.
Rafaele, Torinese. Vicenza, A. Veronese, 1778.
38 p. 15i<="'.
ML63.S16
Sander, F. S., d. 1796.
Kurze und grAndliche anweisung zur fingersetzung fur clavier-
spieler mit genau bestimmten regeln und beygefugten exempeln.
Hrsg. von F. S. Sander. Bresslau, F. E. C. Leuckart, 1791.
iv, 24 p. 20J X 25""^.
MT220.A2S2
Santa Maria, Tomas de.
See Tomas de Santa Maria.
Santoro, Fabio Sebastiano, 6. 1671.
Scola di canto fermo, in cui s'insegnano facilissime, e chiare regole
per ben cantare, e componere . . . Dal sacerdote D. Fabio Sebastiano
Santoro . . . Con infine le considerazioni di novissimi, ed altre cose
utili h, chi spera il paradiso. Napoli, Stamperia di Novello de Bonis,
1715.
8 p. 1., 108, [1], 109-292, [16] p. front, (port.) iUus. 22 x 16^""^.
MT860.A2S23
Sanz y Celma, Gaspar Francisco Bartolome, 1640-1710.
Instrvccion de mvsica sobre la gvitarra espanola; y metodo de svs
primeros rvdimentos, hasta tanerla con destreza. Con dos laberintos
mgeniosos, variedad de sones, y dances de rasgueado, y punteado, al
estilo espanol, italiano, francos, y ingles. Con vn breve tratado para
acompanar con perfeccion, sobre la parte muy essencial para la gui-
tarra, arpa, y organo, resumido en doze reglas, y exemplos los mas
principales de contrapunto, y composicion . . . Compvesto por el
licenciado Gaspar Sanz . . . Zarago^a, Herederos de D. Dormer,
1674.
3 pt. in 1 V. 40 pi. (partly music), port. 21^ x 28J=°'.
MT582.A2S2
EABLY BOOKS ON MUSIC 245
Sartorius, Erasmus, 1578-1637.
Musomachia, id est Bellum musicale. Ante quinque lustra bellige-
ratum in gratiam Er: Sar: nunc denu6 institutum k primo ejus aucto-
re Petro Laurembergio professore academico. [Rostochii] Richelianis
arma suppeditantib.^ S, Johanne Hallervordio toti orbi indictum, 1642.
1 p. 1., 78 p. 15"™.
The let edition was published at Hamburg in 1622 as "Erasmi Sartori . . . Bel-
ligerasmuB, id est Historia belli exorti in regno musico."
ML63.S17
Saunier de Beaumont, d. ca. 1750.
Lettre sur la musique ancienne & moderne, a Madame la duchesse
de * * *. Avec des anecdotes interessantes. Par M. Saunier de
Beaumont . . . Paris, Veuve Pissot, 1743.
Ip. 1., 50p. ISi""*.
ML1727.3.A2S2
Sauveur, Joseph, 1653-1716.
Systdme general des intervalles des sons, & son application h,
tons les syst^mes & k tous les instrumens de musique. Par M. ^^
Sauveur.
(In Acad^mie des sciences, Paris. Histoire de TAcad^mie . . . ann^e 1701.
Paris, 1704. 297-364, [2] p. 25^"°'. infold, tab.)
Detached copy.
ML3809.A2S2
Sayas, Juan Francisco de.
Musica canonica, motetica, y sagrada, su origen, j pureza con que
la eri^o Dios para sus alabanzas divinas . . . Escnta por Don Juan
Francisco de Sayas . . . Pamplona, Por M. J. de Rada, impressor
[1761 ?]
10 p. 1., 411, 405-411 p. 20i''°».
ML3000.A2S27
Scaletta, Orazio, d. 1630.
Scala di mvsica molto necessaria per principianti. Di Horatio
Scaletta . . . Dall' istesso ampliata di molti essempij, & auuertimenti
molto vtili, per QAntar polito, e bene. Et in questa vltima impres-
sione da D. Florido . . . corretta. Roma, A. Fei, 1642.
1 p. 1., 29, [1] p. 1 nius. 22 X 16^='°.
MT44.A2S28
Scheibe, Johann Adolph, 1708-1776.
Johann Adolph Scheibens . . . Abhandlung vom ursprunge und
alter der musik, insonderheit der vokalmusik . . . Mit einer bisto-
rischen und critischen vorrede versehen, worinn vom inhalte dieser
abhandlung, und von einigen andern*musikalischen sachen gehandelt
wild. Altona und Flensburg, Kortische buchhandlung, 1754.
Ixxx, 107 p. 184'='°.
ML3800.A2S31
246 LIBRAEY OF CONGRESS
Scheibe, Johann Adolph — Continued.
Eine abhandlung von den musicalischen intervallen und geschlech-
ten, abgefasset von Johann Adolph Scheibe. Hamburg, Auf kosten
des verfassers, 1739.
8 p. 1., 114 p., 1 1. 3 fold. 1. (musical examples) 18"".
ML3809.A2S4
Johann Adolph Scheibens . . . Critischer musikus. Neue verm, und
verb. aufl. Leipzig, B. C. Breitkopf, 1745.
24p. 1., 1059, [24]p. 20i<"°.
Appeared in weekly numbers (irr^iilar) 1737-1740.
ML4.C82
Johann Adolph Scheibe . . . Ueber die musikaUsche composition.
Erster theil. Die theorie der melodie und harmonic. TLeipzig,
Schwickert, 1773.
Ix, 600 p. fold, tables. 20i x 17«°'.
No more published.
MT6.A2S31
See also Mattheson, J. GAltige zeugnisse, 1738.
Scheibel, Gottfried Ephraim, 1696-1759.
Zuf&lUge gedancken von der kirchen-music, wie sie heutiges tages
beschaffen ist, alien rechtschaffnen Uebhabern der music zur nachlese
und zum erg6tzen wohlmeinende ans Ucht gestellet von Gottfried
Ephraim Scheibel. Franckfurt und Leipzig, Zu finden bevm authore,
1721.
2 p. 1., 84 p. 16"™.
ML3865.A2S3
Scheid, Johann Friedrich.
. . . Dissertatio inaugurahs de jure in mnsicos singulari, germ.
Dienste und obrigkeit der spielleuth / Rappolsteinensi comitatui an-
nexo, quam solo Deo prassiae, auctoritate amplissimse Facultatis juri-
dicse ar^entoratensis, pro licentia summos in utroque jure honores et
privilegia doctoralia rite consequendi solenniter defendet Jo. Frideri-
cus Scheid, Francofurt. ad Mcen. d. xix. maji anno mdccxix. hor.
& loc. consuet. Argentorati, Uteris J. Pastorii [1719]
2 p. 1., 52 p. 18J X 15"°'.
This copy closely trimmed in binding.
"Documenta": p. 44-49.
ML63.S34
Scheyrer, Bernhard.
Mvsica choraHs theoro-practica, das ist : Ein nutzhche underwei-
sung / wie man das choral gesang ... in kurtzer zeit ergreiffen m6ge.
Aus vnderschidUchen / sowol lateinisch: als teutschen authoribus . . .
zusammen getragen / auch in ein bequeme ordnung redigirt vnnd
verfasset / vnnd ... in truck verfertiget. Durch p. f. Bernardvm
Scheyrer . . . Mfinchen, Gedruckt durch J. J^ckUn, 1663.
4 p. 1., 92 p. 19i X 16""^.
MT860.A2S32
EAELY BOOKS ON MUSIC 247
Schlegel, Franz Anton.
Griindliche anleitung die flote zu spielen, nach Quanzens Anwei-
sung. Hrsg. von Franz Anton Schlegel. Graz, J. G. Weingand und
F. Ferstl, 1788.
166, [2] p. viii pi. on 4 1. 20<'"»,
Engr. t.-p. MT342.A2S13
[Schlichtegroll, Adolf Heinrich Friedrich von] 1765-1822.
Mozarts leben . . . Gratz, J. G. Hubeck, 1794.
32 p. front, (port.) 18"
}cm
Printed also in Schlichtegroll's "Nekrolc^ auf das jahr 1791," Gotha, 1792,
2. jahr, 2. bd., p. 82-112.
ML410.M9S34
[Schlick, Rudolph]
Exercitatio qua mvsices origo prima, cvltvs antiqvissimvs, dig-
nitas maxima, & emolumenta, quae t^m animo qukm corpori humane
confert summa, breuiter ac duucidd exponuntur . . . Spirse, typis
Bernardi Albini, 1588.
48 p. 14J'>™.
Dedication signed: Rodolphvs Schlick Misnensis, medic, d. The present copy
has been closely trimmed in binding, and the author's name is supplied with
pen and ink at head of title.
ML171.S34
Schmid, Christian Ernst, 1715-1786.
Cantandi ritvm per noctes festorvm apvd Ebraeos exponit et viris
clarissimis doctissimisqve dn. loanni Friderico Wittichio . . . dn.
loanni Lvdovico GenseKenio . . . [et al.] lavrcam magisterialem ipsis
d. XXX. april. cioioccxxxviii. a Levcoride rite impositam sincere
gratvlatvr Collegivm examinatorio-dispvtatorivm Deylingianvm, in-
terprete Christiano Ernesto Sclmiidio . . . Lipsiae, ex officina Lan-
genhemiana [1739]
xvip. 18xl5i«™.
ML166.A2S3
Schmid, Jo[hann] An[dreas] 1652-1726, praeses.
De cantoribvs ecclesiae V. et N. T. ... Helmstadii, litteris
Hammianis, 1708.
1 p. 1., 44 p. 19 X IG"*".
Diss. — Helmstedt (J. A. Jussov, respondent and author)
Ch. 16. 1193
Schmidt, Johann Michael, 1728-1799.
Musico-theologia, oder Erbauliche anwendung musicalischer wahr-
heiten, entworfen von m. Johann Michael Sclunidt, d. z. h. Bay-
reuth und Hof, J. G. Vierling, 1754.
5 p. 1., [3]-312, [14] p. 17««.
Half-title: Musico-theologia. Oder, Anleitung zur erkS,nntniss Gottes und
seines willens aus der music.
ML380O.A2S35
248 LIBRARY OF CONGRESS
Schmidt, Johann Michael — Continued.
^lusico-theologia, of Stigtelyke toepassing van muzikaale
waarheden; ontworpen door Mr. Johann Michael Schmidt. Uit het
Hoogduitsche vertaald door Jacob Wilhehn Lustig . . . Amsterdam,
A. Oloisen[1756?]
xxiii, [1], 261, [25] p. 16i««.
The publisher's dedication is dated July, 1756.
ML3800.A2S36
[Schmith, Amand Wilhelm]
Philosophische fragmente ilber die praktische musik . . . Wien,
Gedruckt in der K. K. Taubstmnmeninstitutsbuchdruck., 1787.
7 p. 1., 164, [6] p. 17«™.
Preface signed: Dr. A. W. S.
ML3800.A2S34
Schneegass, Cyriacus, 1546-1597.
Isagoges mvsicse hbri dvo. Tarn theoricse quam practicae studiosis
inseruire iussi. Annexo ad finem tractatulo, ex poetic a desumto:
paucis(^ de canendi elegantia obseruationibus: nee non solmisandi
exercitio. Methodo facili & perspicua ita conscripti, ut neq^ neces-
saria artis prsecepta, cum selectioribus exemplis omittantur, neqj
superuacanea discentibus obtrudantur. Autore m. Cyriaco Snegas-
sio MotxrcKJiv Ipcjc dcddxjKst. m.d. xcvi. [CoZo^^on : Erphordiae Geor
gius Bauman excudebat. anno salvtis.1596]
[189] p. IbY"^.
Signatures: A-M^ (recto of [Mvj], verso of [Mvij] and last leaf blank)
2d edition; Ist edition Erfurt, 1591.
"Exercitivm dcodsKozovov discentium captui solerter attemperatum: quo singuli
modi elegantibus fugis principales clausulaa complexis, & conuenienti textui
applicatis, egregi^ illustrantiu-. Omnes sunt duarum vocum: in hypodiapason
decantanda . . . Autore Philippo A venario" : 1. Hiij-[Hvij]
"Fvgae viginti ex solmizandi exercitio lohannis Steuerlini descriptae, & ad
calcem opusculi in tyronum gratiam & usum, (commostratis modis) annexae": 1.
[Ivj>Miijr°. ML171.S36
Schreiben an die herren verfasser der Freyen urteile. [n. p.] 1752.
11 p. 20i X IQ^""^.
Signed: M. H. H. Dated: Nevistadt, den 26. februar, i. j. 1752.
ML275.3.S35
Schroter, Christoph Gottlieb, 1699-1782.
Christoph Gottlieb Schr6ters . . . letzte besch&ftigung mit musica-
lischen dingen; nebst seciis temperatur-planen und einer noten-tafel
[8 pt. Canon infinitus] Nordhausen, 1782.
4 p. 1., 52 p. 1 1. (music), diagrs. 20i x 17"'''.
ML3809.A2S5
Deutliche anweisung zum general-bass, in best&ndiger ver&nderung
des uns angebohrnen harmonischen dreyklanges, mit zulinglichen
exempeln: wobey ein umst&ndUcher vorbericht der vornehmsten
vom general-basse handelnden schriften dieses jahrhunderts; von
Cbristoph Gottlieb Schr6ter . . . Halberstadt, J. H. Gross, 1772.
xxiv, 202, [6] p. 23i x 18i<>™.
MT49.A2S38
EARLY BOOKS ON MUSIO 249
Schroter, Christoph Gottlieb — Continued.
Sendschreiben an hr. hoch-edlen, den herm magister Lorenz Mzler,
preisswilrdigen stiffter der l&ngst gewilnschten Societlit der musicali-
schen wissenschafften, in welcnem i. der bevorstehenden reformation
der music; ii. einer aufgabe wegen der temperatur; iii. einiger miz-
licher erfindungen gedacnt; und etliche ndtnige erinnerungen Mr die
tonkinstler . . . eingeschaltet worden, von Christoph Gottheb Schrdter
. . . Nordhausen, 1738.
16 p. 16"™.
Published also in Mizler's Neu er6£fnete musikalische bibliothek, 3. bd., 3.
th., Leipzig, 1747.
ML3809.A2S46
Schroter, Johann Georg.
Churfiirstl. mayntzisches gn&digstes privilegium, wie auch derer
cl6ster und gemeinden attestata wegen derer verfertigten neuen orgel-
wercke / ertheilet Johann Georg Schrdtern . . . [Erffurth ?] Gedruckt
anno 1723.
24 p. 21 X 17i<'™.
ML424.S37
[Schuback, Jacob] 1726-1784.
Von der musicalischen declamation. G6ttingen, Vandenhoecks
wittwe, 1775.
48 p. 18i<=°^.
ML3849.A2S3
Schubart, Christian Friedrich Daniel, 1739-1791.
Schubart's leben und gesinnungen. Von ilim selbst, im kerker
aufgesetzt . . . Stuttgart, Bei den gebriidern Mantler, 1791-93.
2 V. (v. 1: xviii, 292 p.; v. 2: 2 p. 1., iii-vi p., 1 1., vii-xiv, 320 p.) fronts, (v. 1:
port.) 4 pi. 17<="».
Title vignette. Vol. 2: Hrsg. von seinem eohne, Ludwig Schubart.
PT2510.S5Z8
Schubart, Ludwig Albrecht, 1765-1811.
Schubart's karakter, von seinem sohne Ludwig Schubart . . .
Erlangen, Auf kosten des verfassers, 1798.
viii, 168 p. 16 J'^".
PT2510.S5Z95
Schubart, Ludwig Albrecht, 1765-1811, editor.
See Schubart, C. F. D. Schubart's leben, 1791-93.
Schubarth, Johann Kaspar, 1756-1810, editor.
See RiEPEL, J. Bassschlussel, 1786.
250 LIBKARY OF CONGRESS
Schulz, Johann Abraham Peter, 1747-1800.
Entwurf einer neuen und leichtverst&ndlichen musiktablatur, deren
man sich, in ermangelung der notentypen, in kritischen und theo-
retischen schriften bedienen kann, und deren zeichen in alien buch-
druckereyen vorr&thig sind, nebst einem probeexempel, von J. A. P.
Schulz . . . BerUn, Rellstab [1786]
1 p. 1., 57, [1] p. 17 X 9^"^.
ML431.A2S39
See also Sulzer, J. G. AUgemeine theorie der sch6nen ktoste,
1792-99.
Schurtzfleisch, Conrad Samuel, 1641-1708, praeses.
. . . De hymnis ecclesise veteris . . . Wittenbergse, imprimebat
J. Wilcke [1725]
• [16] p. 18 xM""*.
Diss. — ^Wittenberg (Daniel Galle, respondent and author)
ML169.A2S3
Scorpione, Dom.eiiico, h. ca. 1645.
Riflessioni armoniche divise in due libri. Nel prime de' qvali si
tratta dello stato della musica in tutte I'et^ del mondo, e di materie
spettanti al musico specolativo. Nel secondo si d^ il modo per ben
comporre; si registrano con nuovo ordine sotto i loro generi tutte le
varie specie de' contrapunti, delle fughe, deUe imitationi, delle conse-
qvenze, e de' canoni : e si danno le regole per rivoltarli, e roversciarU
con ogni faciltk per mezzo di numeri. Composte dal padre fra Do-
menico Scorpione . . . Opera qvinta. Napoli, De Boms, 1701.
8 p. 1., 219, [11] p., 1 1. 32i«™.
MT55.A2S32
Sebastiani, Claudius.
Bellvm mvsicale, inter plani et mensvraUs cantvs r^es, de princi-
patu in musicse prouincia obtinendo, contendentes. Clavdio Sebas-
tiani Metensi, organista, authore . . . [Coloplion: Argent, in officina
Pavli Machaeropoei, anno m. d. lxiii.]
[174] p. illus. 21xl6'^i».
Printer's mark on t.-p. Signatures: -, A-X in fours.
Chapters 31, 32, 34-36 are taken from the "Musice actiue micrologus"
of Andreas Ornithoparcus.
ML171.S44
Secchi, Anacleto.
. . . De ecclesiastica hymnodia libri tres, in quibus de pr^stantia,
effectibus, et modo rite psallendi in choro copiose agitur, avctore
Anacleto Sicco . . . Bononiae, apud C. Ferronu, 1629.
10 p. 1., 381 (i. e. 371), [13] p. 21""'.
Engr. t.-p. Numbers 329-338 omitted in paging.
Ch. 16.1193
Della hinnodia ecclesiastica libri tre, ne' quali della nobilta,
de gli effetti, e del modo, di bene e regolatamente cantare i salmi in
choro, copiosamente si tratta: composti gia dal r. p. d. Anacleto
EARLY BOOKS ON MUSIC 251
Secchi, Anacleto — Continued.
Secchi . . . et hora recati fedelmente di latino in volgare dal p. D.
Donate Benzoni . . . Milano, G. P. Cardi, 1643.
14 p. 1., 511 p., 12 1. ir^"".
Added t.-p., engr. Printer's mark at end.
Ch. 16.1193
Seelen, Johann Heinrich von, 1688-1762.
. . . De patribvs edoctis mvsicam Eccles. xliv. 5. collavdatis exerci-
tatio philologico-historica, panegyri, qva d. xxvi. april. a.MDCcxxxvii.
cantor solenni ritv inavgvrabitvr, praemissa a lo. Henr. a Seelen . . .
Gym. Ivb. rect. Lvbecae, typis I. N. Greenii [1737]
16 p. 20^ X l?""".
ML64.S33
. . . Principem mvsicvm ex sacra et profana historia exhibet et
eximios iwenes Olavm Mollervm, Flensburg. de ervditis mvsicis ac
Petr vm Cramervm , Flensburg. de historia pvblice d . avgvst . diet vros
patrvm reipvblicae, virorvm sacri ordinis ceterorvmqve stvdiis nos-
tris faventivm splendida corona cingi decenter rogat lo. Henr. von
Seelen, conrector. Flensbvrgi, operis Vogelianis, 1715.
1 p. 1., 21 p. 2lj°»».
ML166.A2S4
Sendschreiben an die herren verfasser der Freyen urtheile in Ham-
burg, das Schreiben an den herrn verfasser des Kritischen musikus
an der Spree betreffend. Berlin, 1750.
16 p. 21^x17^™.
Signed "A" and dated "Berlin, den 28ten august 1750."
ML275.3.A3
[Senece, Antoine Bauderon de] 1643-1737.
Lettre de Clememt Marot [fsevd.], a Monsieur de * * *, touchant
ce qui s'est passe a Tarrivee de Jean Baptiste de Lulli, aux Champs
Elis^es. A Cologne, chez Pierre Marteau, 1688.
119 p. 13 X 7'"°'.
ML410.L95S4
Senff, Carl Samuel, praeses.
. . . De cantionibvs fvnebribvs vetervm . . . Lipsise, typis C.
Gvntheri [1689]
16 p. 18i X 14i<'">.
Diss. — Leipzig (G. Wezelius, respondent)
ML169.A2S4
Sense against sound ; or, A succedaneum, for Abbey music . . .
This is (strictly speaking) the clerical widow's sermon at St.
James's ... on the disappointment in losing advantages expected
from Handel's anniversaiy . . . London, C. Stalker [1788?]
1 p. 1., 24 p. 24J«°i.
ML64.S36
Serio, Luigl.
See Mattei, S. Se i maestri di cappella son . . . artigiani [1785 ?]
Sermes, Sieur de, pseud.
See Mersenne, Marin.
252 LIBRAEY OF CONGRESS
Serra, Paolo.
Introduzione armonica sopra la nuova serie de' suoni modulati
oggidi e modo di rettamente, e piti facilmente intuonarla, di Paolo
Serra. Koma, Nella stamperia (U S. Michele a Ripa, per il Giunchi,
1768.
XV, [1], 230 p. front., a-d fold. pi. 28''"».
MT44.A2S48
Serre, Jean Adam, h. 1704.
Essais sur les principes de rhannonie, oil Ton traite de la th^orie
de rharmonie en g^n^ral, des droits respectifs de rharmonie & de la
melodie, de la basse fondamentale, et de I'origine du mode mineur.
Par Monsieur Serre . . . Paris, Prault fils, 1753.
4 p. 1., 159, [1] p. 2 pi. 19«™.
ML3815.A2S4
Observations sur les principes de rharmonie, occasionn^es par
quelques ecrits modernes sur ce sujet, & particulierement par Particle
Fondamental de M. d'Alembert dans 1' Encyclopedic, le Traits de
theorie musicale de M. Tartini, et le Guide harmonique de M, Gemi-
niani. Par J. A. Serre . . . Geneve, H.-A. Gosse et J. Gosse, 1763.
xiii, [3], 206 p. 22<='°.
ML3815.A2S48
[Serre de Rieux, Jean de]
Les dons des enf ans de Latone : La musique et La chasse du cerf ,
poemes d^dife au roy. Paris, P. Prault [etc.] 1734.
xij p., 1 1., 330 p., 1 1., 32 p. (music, engr.), [2] p. front., 7 pi. IQi"".
Souhart, "Bibl. , . . des ouvr. sur la chasse," 1886, gives a full description of
this work and adds that it is practically a translation of Jean Savary's " Venationis
cerviase. " In the present copy, the " Remarques sur la musique," 14, 4 p. (engr.)
are inserted at p. [14] and 28.
Contents. — Au roy. — Preface. — ^ApoUon, ou L'origine des spectacles en
musique, poeme. — La musique, epitre en vers. 3. ed., rev., cor. & augm. —
Catalogue chronologique des opera represent^s en France depuis I'annee 1645
. . . jusqu'^ present. — Diane, ou Les loix de la chasse du cerf, poeme. — Dic-
tionaire des termes usit^s dans la Chasse du cerf. — Nouvelle chasse du cerf,
divertissement en musique; compost de plusieiurs airs parodies sur les opera
d'Angleterre. — Parodies sur les fanfares. — Tons de chasse et fanfares a une et
deux trompes. — Remarques sur la musique.
ML63.S36
[Servan, Joseph Michel Antoine] 1737-1807.
Discours d'un ancien avocat-g6n6ral, dans la cause du comte
de * * [La Suze], et de la DUe. * * * [Bon], chanteuse de I'Gpera.
Lyon, S. Grabit, 1772.
xxiij, 368 p. ITi"™.
ML420.L2S3
Sevin, Joseph Barnabe Saint-
See Saint-Sevin, Joseph Barnabe:.
Sharp, Granville, 1735-1813.
A short introduction to vocal music. By Granville Sharp. The
2d ed. London: first printed in the year 1767, re-printed in 1777.
iv, 5-32 p. 20=°'.
MT870.A2S4
EARLY BOOKS ON MUSIC 253
Sherlock, William, hp. of London, d. 1707.
A sermon preach'd at St. Paul's cathedral, November 22. 1699.
being the anniversary meeting of the Lovers of musick. By W.
Sherlock . . . London, W. Rogers, 1699.
2 p. 1., 27 p. 19J X IS""*.
ML3001.S43
Shield, WiUiam, 1748-1829.
An introduction to harmony, by Wilham Shield. London, Printed
for the author & sold by G. G. & J. Robinson, 1800.
3 p. 1., 125, [3] p. 31 X 25<'"i.
Engr. t.-p.
MT50.A2S55
A short explication of such foreign words, as are made use of in
musick books. London, J. Brotherton, 1724.
93, [3] p. 13^"°'.
Appended: "An account of printed musick, for violins, hautboys, flutes and
other instruments, by several masters," and "Books printed for J. Brotherton"
(24 p.)
ML108.A2S39
See also Rules . . . for attaining to play a thorough bass [1715 ?]
Signoretti, P.
M^thode contenant les principes de la musique at du violon, par P.
Signoretti. Premiere [-seconde] partie. La Haye, Les freres Wil-
Uams, 1777.
5 p. 1., 3-36 p., 1 1., 41, [1] p. illus., 3 pi. on 2 1. 23i x 18i«°».
L. of C. copy imperfect, wanting p. 27-30 of part 2 and all of part 3.
Ms. signature at end of "Avertissement de I'auteur": P. Signoretti.
MT7.A2S4
Silva, Alberto Jose Gomes da.
See Gomes da Silva, Alberto Jose.
Silva, Manuel Nunes da.
See Nunes da Silva, Manuel.
Silva Leite, Antonio da, 1759-1833.
Estudo de guitarra, em que se expoem o meio mais facil para
aprender a tocar este instrumento: dividido em duas partes. Apri-
meira contem as principaes regras da musica, e do accompanhamento.
A segunda as da guitarra; a que se ajunta huma collec^ao de minuetes,
marchas, allegros, contradanpas, e outras pepas mais usuaes para
desembara<?o dos principiantes : tudo com accompanhamento de
segunda guitarra .. . Por Antonio da Silva Leite .. . Porto, Officina
typografica de A. Alvarez Ribeiro, 1795.
38, [2], xxiii p. 1 illus. ZZ^"^.
MT582.A2S53
Rezumo de todas as regras, e preceitos da cantoria, assim da musica
metrica, como do canto-chao. Dividido em duas partes. Composto
por Antonio da Silva Leite . . . Para o uso dos sens discipulos.
Porto, Officina de A. Alvarez Ribeiro, 1787.
4 p. 1., 43, [1] p. 2 pi. (1 fold.) 20^""'.
MT7.A2S58
254 LIBRARY OF CONGRESS
Simpson, Christopher, d. 1669.
A compendium of practical musick in five parts : teaching, hy a new,
and easie method, 1. The rudiments of song. 2. The principles of
composition. 3. The use of discords. 4. The form of ngurate des-
cant. 5. The contrivance of canon. -By Christopher Simpson . . .
London, Printed by W. Godbid for H. Brome, 1667.
8 p. 1., 176 p. front, (port.) ly^"".
The 1st edition, London, 1665, has title: The principles of practical musick.
MT40.A2S6
A compendium of practical musick in five parts. Teaching,
by a new, and easie method, 1. The rudiments of song. 2. The
principles of composition. 3. The use of discords. 4. The form of
ngurate descant. 5. The contrivance of canon. Together with les-
sons for viols, &c. The 3d editio. By Christopher Simpson . . .
London, Printed by M. C. for H. Brome, 'l678.
7 p. 1., 192 p. front, (port.) 17i<=™.
"Appendix: Short and easie ayres designed for learners": p. 145-192.
MT40.A2S63
A compendium : or. Introduction to practical musick. In five
parts. Teachmg, by a new, and easie method, 1. The rudiments of
song. 2. The principles of composition, 3. The use of discords. 4.
J The form of ngurate descant. 5. The contrivance of canon. By
Christopher Simpson. The 4th ed. with additions: much more cor-
rect than any former, the examples being put in the most useful cliffs
. . . London, Printed by W. Pearson, for J. Cullen, 1706.
7 p. 1., 144 p. front, (port.) 17*'=°'.
MT40.A2S64
A compendium; or. Introduction to practical music. In five
parts. Teachmg, by a new and easy method, 1. The rudiments of
song. 2. The principles of composition. 3. The use of discords. 4.
The form of figurate descant. 5. The contrivance of canon. By
Christopher Sympson. The 6th ed. with additions: much more cor-
rect than any former, the examples being put in the most useful cliffs
. . . London, Printed by W. P. for J. Young, 1714.
7 p. 1., 144 p. front, (port.) 18<=™.
A slip with printed date 1722 is mounted over imprint date on t.-p.
MT40.A2S66
A compendium : or, Introduction to practical music. In five
parts. Teachmg, by a new and easy method, i. The rudiments of
song. II. The principles of composition, iii. The use of discords.
IV. The form of figurate descant, v. The contrivance of canon. By
Christopher Sympson. The 8th ed., with additions: much more cor-
rect than any former, the examples being put in the most useful chft's
. . . London, Printed by W. Pearson, for A. Bettesworth, and C.
Hitch [etc.] 1732.
7 p. 1., 144 p. front, (port.) IS*"™.
MT40.A2S68
EARLY BOOKS ON MUSIC • 255
Simpson, Christopher — Continued.
A compendium, or Introduction to practical music, in five
parts. Teaching by a new & easy method, l.«*The rudiments of song.
2.'^ The principles of composition. 3.** The use of discords. 4.*** The
form of figurate descants, b.^ Y° contrivance of canons. By Chris-
topher Sympson. The 9th ed. with material additions, corrected
from many gross errors in the former editions, the examples being
put in the most useful cliffs . . . London, Longman, Lukey and co.
[1775?]
1 p. 1., vi, 90 p. front, (port.) 19 x 26"™.
Engraved, with the exception of p. i-vi.
MT40.A2S69
The division-violist : or, An introduction to the playing upon a
grovnd: divided into two parts. The first, directing the hand, with
other preparative instructions. The second, laying open the manner
and method of playing ex-tempore, or composing division to a grovnd.
To which, are added some divisions made upon grounds for the prac-
tice of learners. By Chr. Simpson. London, Printed by W. Godbid,
and sold by J. Playford, 1659.
5 p. 1., 67 p. incl. illiis., diagrs. on pi. front, (port.) 30''"'.
Pages 51-52 blank in this copy.
The 2d edition, London, 1665, has title: Chelys, minnritionum artificio exor-
nata, sive Minuritiones ad baein, etiam extempore modulandi ratio . . . The
division viol.
MT49.A2S4
See also Playford, J. An introduction to the skill of musick.
Smith, Amand Wilhelm.
See ScHMiTH, Amand Wilhelm.
Smith, Robert, 1689-1768.
Harmonics, or The philosophy of musical sounds. By Robert Smith
. . . Cambridge, Printed by J. Bentham, and sold by W. Thurlbourn;
[etc., etc.] 1749.
XV, [1], 292, [13] p. XXV fold. pi. (incl. tables, diagrs.) tables (1 fold.) 20^'=™.
ML3805.A2S6
Harmonics, or The philosophy of musical sounds. By Robert
Smith ... 2d ed., much improved and augm. London, Printed for
T. and J. Merrill, Cambridge, 1759.
XX, 280, [12] p. XXIX fold. pi. (incl. tables, diagrs.) tables (1 fold.) 21«™.
ML3805.A2S62
A postscript to D"". Smith's Harmonics, upon the changeable
harpsichord: which being supplied with all the useful flat and sharp
sounds and tuned in the best manner, is made as harmonious as pos-
sible: and yet the execution of music upon this perfect instrument is
the same as upon the common harpsichord. London, Printed for T.
and J. Merrill, Cambridge; [etc., etc.] 1762.
12 p. 2P™. (With his Barmonics. London, 1759)
ML3805.A2S62
256 LIBKAEY OF CONGEESS
Solano, Francisco Ignacio, d. 1800.
Disserta^ao sobre o caracter, qualidades, e antiguidades da musica,
em obsequio do admiravel mysterio da Immaculada conceiQao de
Maria santissima, Nossa Senhora, feita per Francisco Ignacio Solano,
e por elle recitada no dia 24 de novembro de 1779 para effeito de abrir,
e estabelecer nesta corte huma aula de musica theorica, e pratica . . .
Ldsboa, Kegia officina typografica, 1780.
27 p. 20^=°.
"Poeziaa que recitdrao na meama occasiao alguns professores musicos": p.
24-27.
ML3800.A2S68
Exame instructivo sobre a musica multiforme, metrica, e rythmica,
no ciual se pergunta, e da resposta de muitas cousas interessantes para
o solfejo, contraponto, e composipao: sens termos privativos, regras,
e preceitos, segundo a melhor pratica, e verdadeira theorica . . • Por
. . . Francisco Ignacio Solano. Lisboa, Regia officina typogranca,
1790.
10 p. 1., 289 p., 1 1. IS^"".
MT6.A2S68
Nova arte, e breve compendio de musica para lipao dos princi-
piantes, extrahido do livro, que se intitula Nova instrucpao musical,
ou Theorica pratica da musica rythmica . . . Por . . . Francisco
Ignacio Solano. Lisboa, Officina de M. Manescal da Costa, impressor,
1768.
2 p. 1., 16 p. 20=™.
MT7.A2S69
Nova arte, e breve compendio de musica para li^ao dos princi-
piantes mais purificada, e accrescentada nesta 2. ed. . . . For
Francisco Ignacio Solano. Lisboa, Officina de S. T. Ferreira, 1794.
16 p. 19'='".
MT7.A2S69
Nova instruc^ao musical, ou Theorica pratica da musica rythmica,
com a qual se f o'rma, e ordena sobre os mais sohdos f undamentos hum
novo methodo, e verdadeiro systema para constituir hum intelhgente
solfista, e destrissimo cantor, nomeando as n6tas, ou figuras da solfa
pelos seus mais proprios, e improprios nomes, a que chamamos ordina-
ries, e extraordmarios no canto natural, e accidental, de que precede
toda a difficuldade da musica . . . Por . . . Francisco Ignacio Solano.
Lisboa, Officina de M. Manescal da Costa, impressor, 1764.
30 p. 1., 340 p., 1 1., [2], 47, [1] p. illus., fold. pi. 23 x 17'=°'.
MT44.A2S68
Novo tratado de musica metrica, e rythmica, o qual ensina a acom-
panhar no cravo, orgao, ou outro qualquer instrumento, em que se
possao regular todas as especies, de que se compoe a harmonia da
mesma musica. Demonstra-se este assumpto pratica, e theorica-
mente, e tratao-se tambem algumas cousas parciaes do contraponto, e
da composi^ao . . . Por . . . Francisco Ignacio Solano. Lisboa, Regia
officina typografica, 1779.
xvi, 301, [1] p. illus. 20i''"».
MT68.A2S68
EARLY BOOKS ON MUSIC ' 257
Soler, Antonio, 1729-1783.
Llave de la modulacion, y antiguedades de la mvsica, en que se trata
del fundamento necessario para saber modular: theorica, y practica
para el mas claro conocimiento de qualquier especie de figuras, desde
el tiempo de Juan de Muris, hasta hoy, con algunos canones enig-
maticos, y sus resoluciones. Su autor el P. Fr. Antonio Soler . . .
Madrid, Oficina de J. Ibarra, 1762.
20 p. 1., 272 p. incl. 28 pi. (partly fold.) fold. 1. (music) 21 x le^"".
The plates, each counted as one page only, contain music.
MT52.A2S68
Some observations on Dr. Brown's Dissertation on the rise, union,
&c., &c., &c. of poetry and musick. In a letter to Dr. B * * * * *
. . . London, W. Johnston, 1764.
2 p. 1., 59 p. 24i X ISi""*.
ML3849.A2B89
Sonne tte, Jean Jacques, psevd.
See GouDAR, Ange.
Sorge, Georg Andreas, 1703-1778.
Anleitung zur fantasie, oder zu der sch6nen kunst, das clavier, wie
auch andere instrumente aus dem kopfe zu spielen; nach theorethi-
schen und practischen grunds&tzen, wie solche die natur des klangs
lehret, gestellet von Georg Andreas Sorgen . . . Mit 17. kupfer-
tafeln . . . Lobenstein, Verlag des verfassers [1767]
4 p. 1., 80 p. xvii pi. (incl. diagr.) 20J x 16^'=°'.
MT68.A2S84
Anweisung zur stinunung und temperatur sowohl der orgelwerke,
als auch anderer instrumente, sonderhch aber des claviers. In einem
gesprS^che zwischen einem musico theoretico und seinem scholaren.
Mit n6thigen mathematischen beweisthumern versehen, und durch
frag und antwort, auch endeckung [!] vieler durch lange praxin
erlangter vortheile und handgriffe leicht und deutlich gemacht von
Georgio Andrea Sorgen . . . Hamburg, Gedruckt mit Piscators
schriften, 1744.
56 p. 18"™.
ML3809.A2S7
AusfiihrUche und deuthche anweisung zur rational-rechnung, und
der damit verknilpfften ausmessung und abtheilung des monochords,
vermittelst welcher man die musikalische temperatur . . . nicht nur
. . . ausrechnen, sondern auch . . . ausmessen, und folglich auf orgeln
und allerhand andefe instrumente bringen kan. Nebst einer aus-
filhrlichen nachricht von dem neuen Telemannischen intervallen
system . . . gespr&chs-weise gestellet und ans licht gegeben von Georg
Andreas Sorgen . . . Lobenstein, Im verlag des verfassers, 1749.
• 6 p. I., 308 p. incl. tables. 17^"™.
ML^09.A2S73
51234°— 13 ^17
258 LIBRARY OF CONGRESS
Serge, Georg Andreas — Continued.
Ausweichungs-tabellen; in welchen auf vierfache art gezeiget wird
wie eine iede tonart in ihre neben-tonarten ausweichen konne / ent-
worffen von herrn Georg Andreas Sorge . . . Ntirnberg, J. U. Haffner
[17—]
11 p. 37<"™.
Engraved throughout. At foot of t.-p.: N." lxiv. Pag. x.
MT52.A2S71
Compendium harmonicum, oder Kurzer begrif der lehre von der
harmonie, vor diejenigen, welche den generalbass und die composition
studiren, in der ordnung welche die natur des klangs an die hand
giebt, verfasset von Georg Andreas Sorge . . . Mit 24. kupfertafehi.
Lobenstein, Im verlag des verfassers, und in commission in Hof bey
Ludwig [1760]
8 p. 1., XXIV pi., 121, [3] p. 19i X le*"".
MT50.A2S71
Genealogia allegorica intervallorum octavae diatono-chromaticae,
das ist: Gesclilecht-register der intervallen der diatonisch-chromati-
schen octav in einem verblilmten verstande, nach anleitung der kl&nge
so das grose waldhorn gibt . . . von Georgio Andrea Sorgen . . . Hof,
Gedruckt bey J. E. Schultzen auf kosten des auctoris [1741]
4 p. 1., 44 p., 1 1. 17=™.
ML3809.A2S75
Gespr^ch zwischen einem musico theoretico imd einem studioso
musices von der Pr&torianischen / Printzischen / Werckmeisterischen
/ Neidhardtischen und Silbermannischen temperatur / wie auch von
dem neuen systemate herrn capellmeister Telemanns / zu befdrderung
reiner harmonie entworffen von Georg Andreas Sorgen . . . Loben-
stein, Verlag des autoris [1748]
85, [1] p. lej'^"'.
ML3809.A2S8-
Der in der rechen- und messkunst wohlerfalirne orgelbaumeister,
welcher die beh6rige weite und l&^nge aller orgelpfeifen, ihren erforder-
Uchen raum, die ndtlaige metalldicke, die gr6sse der cancellen und
can&le, die accurate abtheilung der windladen, u. a. m. genau
erforschen und ausmessen kan . . . zum nutzen des gemeinen wesens,
wie auch der orgelmacher und probisten neuerbaueter und reparirter
orgelwercke, nebst 5 kupfer-tafeln in folio, beschrieben von Georg
Andreas Sorge . . . [Lobenstein] Auf kosten und im verlag des
verfassers [1773]
64, [4] p. diagrs. on v fold. pi. 22 x 18^'"™.
^ ML552.A2S7
Vorgemach der musicalischen composition, oder: Ausfiihrliche,
ordentliche und vor heuti^e praxin ninlangliche anweisung zum
general-bass, durch welche em studiosus musices zu einer grilndHchen
erk&nntniss aller in der composition und clavier vorkommenden con-
und dissonirenden grund-s&tze, und wie mit denenselben natur- geh6r-
und kunst-m&ssig umzugehen, kommen, folghch nicht nur ein gutes
EARLY BOOKS ON MUSIC 259
Serge, Georg Andreas — Continued.
clavier als ein compositor extemporaneus spielen lernen, sondern auch
in der composition selbst wichtige und gegrundete profectus machen
kan. Er6ffnet von Georgio Andrea Sorgio . . . Lobenstein, Verlag
des autoris [1745-47]
3 pt. in 1 V. 98 pi. on 49 1. 21^ x 16^"™.
Each part has special t.-p. Plates printed on both sides.
MT49.A2S81
Georg Andreas Sorgens . . . Zuverl&ssige anweisung claviere und
orgeln beh6rig zu temperiren und zu stimmen, nebst einem kupfer,
welches die ausmessung und ausrechnung der temperatur, wie auch
das Telemannische intervallen-system &c. darstellet; auf veranlas-
sung herrn Barthold Fritzens . . . herausgegebenen Mechanischen art
zu stimmen, und zur vertheidigung gegen desselben angrif entworfen
. . . Leipzig und Lobenstein, Bey dem autore, und G. F. Authenrieth
[1758]
4 p. 1., 28 p. fold. pi. 21 X 17i<'»».
MT165.A2S6
See also Ludwig, J. A. J. Eine helle brille [1767]
Sousa Villa Lobes, Mathias de.
Arte de cantochao . . . Composta por Mathias de Sousa Villa-
Lobos . . . Coimbra, Officina de M. Rodrigves de Almeyda, 1688.
8 p. 1., 214, [4] p. 19 X Hi"™.
MT860.A2S72
South, Robert, 1634-1716.
Musica incantans, sive Poema exprimens musicae vires, juvenem in
insaniam adigentis, et musici inde periculum. Authore Roberto
South . . . Oxonii, typis W. H, impensis G. West, 1667.
1 p. 1., 19 p. 20 X 15^"™.
First edition, Oxford, 1655.
ML3920.A2S7
Spangenberg, Jehann, 1484-1550.
Qvaestiones mvsicae in usum scholse Northusianse, per loann.
Spang, Herdess, coUectse. Norimbergse, apud I. Petreium [1536]
[58] p. 15^"'".
Title vignette: coat of arms. Dedication dated: Northusise pridie idus
augusti, anno xxxvi. Signatures: A-C in eirfits, D in five.
"De arte canendi, ex libro decimosexto De subtilitate Hieronymi Cardani
Mediolanensis:" [2] p. at end.
ML171.S83
See also Agricola, M. Rvdimenta mvsices, 1539.
Spataro, Giovanni, d. 1541.
Tractato di mvsica di Gioanni Spataro mvsico bolognese nel qvale
si tracta de la perfectione da la sesqvaltera prodvcta in la mvsica
mensvrata exercitate . . . [Coloplion: Impressa in Vinegia per Maes-
tro Bernardmo / de Vitali el di octauo del mese di ottobre m.d.xxxi.]
[118] p. incl. diagrs. 28^'^°'.
The t.-p., wanting in this copy, is supplied in facsimile. Signatures: 11.
unsigned, a in two, A in eight, b-h in sixes (except c in seven) i in five.
ML171.S88
260 LIBRARY OF CONGRESS
Spazier, Johann Gtottlieb Carl, 1761-1805, editor.
See Berlinische musikalische zeitung, 1794.
Spechtshart, Hugo, of ReuUingen, 1285-1359 or 60.
Flores Musi || ce omnis catus || Gregoriani. [Colophon: Impssum
Aigetine p Johan || nem pryss Anno Mcccclxxxviij]
Hain * 7174 (1) Proctor 538.
With heliog. facsim. of the "dispoeitio monocordi," between fol. 27 and 28.
cf. Beck, C, Flores musice . . . neu hrsg., Stuttgart, 1868, p. 8. Bound in limp
vellum (a fragment of a 15th (?) cent. ms. service book)
Of the 2 examples described in Hain, neither agrees with the copy in hand.
In this copy the word Argentine in the colophon is printed Argetine, and the last
leaf (97) has on verso a full page woodcut.
ML171.H84
Speer, Daniel, d. 1693 or 4.
Grund-richtiger / kurtz / leicht und n6thiger unterricht der musi-
y calischen kunst / wie man fiiglich und in kurtzer zeit choral und
figural singen / den general-bass tractiren / und componiren lernen
soil. Denen lehr- und lernenden zu beliebigem gebrauch / herauss
gegeben von Daniel Speeren . . . Ulm / G. W. Kiibne / 1687,
144 p. fold. tab. lej""'.
Running title: Musicalische fragstuck.
MT6.A2S7
Spiess, Meinrad, 1683-1761.
Tractatus musicus compositorio-practicus. Das ist, Musicalischer
tractat, in welchem alle gute und sichere fundamenta zur musica-
lischen composition aus denen alt- und neuesten besten autoribus
herausgezogen . . . und deutlich erl&utert werden . . . Samt einem
anhang in welchem fast alle ... in griechisch- lateinisch- welsch-
frantz6sisch- und teutscher sprach gebr&uchHche kunst- und andere
gew6hnlich-vorkommende w6rter nach ordnung des alphabets
gesetzt, und erkl&ret werden. Hrsg. von r. p. Meinrado Spiess . . .
Opus vm. Augspurg, J. J. Lotters seel, erben, 1746.
8 p. 1., 220, [8], 11, [1] p. front. 33««.
"Specification aller meiner musicalischen wercken, so im druck heraus
seynd": [1] p. at end.
MT40.A2S85
Sponsel, Johanii XJlrich, 1721-1788.
Johann ULrich Sponsels . . . Orgelhistorie. Nilrnberg, G. P. Monath,
1771.
167 p. 18 X lOJ^"".
Title vignette.
ML552.A2S8
[Steffani, Agostino] 1654-1728.
V Quanta certezza habbia da suoi principii la musica et in qua!
pregio fosse perci5 presso gli antichi. Amsterdam, 1695.
72 p. 14i<='».
A second title is given on p. 3: Risposta di D. A. Steffani • • ..ad vna lettera
del S'. march". A. G. in difesa d'vna proposizione aostenuta da lui in vna assem-
blea hanuoveia sett. 1694.
ML3800.A2S79
EARLY BOOKS ON MUSIC 261
[Steflfani, Agostino] — Continued.
D. A. Steffani . . . send-schreiben / darinn enthalten wie grosse
gewissheit die music aus ihren principiis, und grund-s&tzen habe / und
m welchen werthe / und wiirckung sie bey denen alten gewesen / aus
dem italienischen ins hochdeutscne bef6rdert; dann um der wiirde
und nutzen so darinnen enthalten / mit einigen anmerckungen erl&u-
tert / und dem druck ilbergeben von Andr. Werckmeister . . . Qued-
linburg und Aschersleben, G. E. Struntz, 1700.
101, [1] p. 16i«».
ML3800.A2S81
[Steinberg, Christian Gottlieb] 1738-1781.
Betrachtungen ilber die kirchen-music und heiligen ges&nge derer
rechtgl&ubigen, und ihrem nutzen. Breslau und Leipzig, D. Piet-
schische buchhandlung, 1766.
125 p. 17^''°'.
"Beurtheilung der AUbrechtischen abhandlung von der kirchen-music": p.
[7H9.
ML3001.S73
[Stillingfleet, Benjamin] 1702-1771.
Principles and power of harmony . . . London, Printed by J. and
H. Hughs and sold by S. Baker and G. Leigh [etc.] 1771.
vii, [1], 154, [6] p. fold. pi. 22^ x 17«">.
An analysis of Tartini's "Tratta,to di musica. "
ML3836.A2S8
[Stolzel, Gottfried Heinrich] 1690-1749.
Practischer beweiss, wie aus einem nach dem wahren fundamente
solcher noten-kilnsteleyen gesetzten canone perpetuo in hypo dia
pente quatuor vocum, viel und mancherley, theils an melodic, theils
auch nur an harmonic, unterschiedene canones perpetui a 4 zu machen
seyn. Der warheit, und einigen music-freunden zu gef alien, dem
druck liberlassen, von G. H. S. [n. p.] 1725.
[24] p. 20i X 17«"'.
MT59.A2S8
Stohrius, Johannes Mauritius, praeses.
. . . Organum musicum, historice extructum . . . Lipsise, Uteris J.
Georg [1693]
[16] p. 17i<='°.
Diss. — Leipzig (Johannes Schiecke, respondent)
ML64.S86
Straet, Jan van der, d. 1605.
Enconivm mvsices quod Sacris Litteris concinnabat Phihp. Gallseus.
Iconibus exprimebat pictor celeberrimus lo. Stradanus. Versibus
illustrabat doctissimus lo. Bochius, urbi Antverp. k secretis. Ant-
verpise, apud PhiUppum Gallseum [ca. 1600]
2 p. 1., 18 pi. (incl. t.-p.) 25i x 32^""'.
262 LIBEARY OF CONGRESS
Straet, Jan van der — Continued.
Engr. title, with illustration consisting of 3 figures, Mvsica, Harmonia, and
Mensvra; in the background musical instruments, mostly those in use in the
16th century, and in center an open book showing a complete motet for six
voices, * ' Nata et grata polo . ' ' The inscription is from Psalm 150, ' ' Laudate Eum
in sono tubse [etc.]" The title is at top of page, and at foot is the dedication
"Amplissimis omatissimisqve d. d. EdVardo vander Dilft et Carolo Malineo
civitatifl Antverpiae consvlibvs Philppvs [!] Gallaevs d. d. — Title-page, verso
blank. — Preface, "Philippvs Gallaevs ad artis mvsicae stvdiosos," p. 1. [2] r°.
Verso blank. — Plates, numbered 3-18, each with Latin hexameter verse para-
phrasing a text from the Vulgate at foot. — Unnumbered plate illustrating Luke
XV, 7, with the corresponding verse from the Vulgate.
Plates 3-15, 17, are signed: "loan. Stradan. inuent. Adrian. Collaert sculp.
Phis. Galle excudit" (form of signature varies slightly, and Collaert's name
does not appear on pi. 5, 10, 12, 13, 17) On pi. 16: "loan. Stradan. inuent.
Theodor. Galle sculpsit"; pi. 18: "loan. Stradan. inuent." Last pi. has "Marti.
de VoB inuen. Phis. Gall, excud."
ML467.A2S7
Strodtmann, Johann Christoph, 1717-1756.
See Abhandlung von den pantomimen, 1749.
Stryk, Elias August, d. 1733, praeses.
. . . Disputatio juridica de eo quod justum est, circa ludos scenicos
operasqve modernas, dictas vulgo operen . . . Kiloni, typis J. Keu-
manni [1693J
63, [1] p. 18 X ISi""'.
Diss. — Kiel (G. von Bertuch, respondent and author)
ML1703.A2B35
Studien fur tonkunstler und musikfreunde. Eine historisch-
kritische zeitschrift mit neun und dreissig musikstiicken von ver-
schiedenen meistern fiirs jahr 1792, in zwei theilen herausgegeben
von F. Ae. Kunzen und J. F. Reichardt. Berlin, Im verlage der
Neuen musikhandlung, 1793.
2 pt. in 1 V. (2 p. 1., 191, [1], 172 p.) 25 x 21<"°.
Reissue with new t.-p. and preface, of two periodicals, the Musikalisches wo-
chenblatt, 1791-92, and the Musikalische monathsschrift, 1792.
ML4.S92
Sueur, Jean Prangois le.
See Le Sueur, Jean Francois.
Suire, Robert Martin le.
See Lesuire, Robert Martin.
Sulzer, Johann Georg, 1720-1779.
Allgemeine theorie der sch6nen kilnste, in einzeln, nach alplia-
betiscner ordnung der kunstw6rter auf einander folgenden, artikeln
abgehandelt, von Johann George Sulzer . . . Neue verm. 2. aufl.
Leipzig, Weidmannsche buchhandlung, 1792-99.
5 V. front., illus., fold, pi., 6 fold. 1. 22=™.
The 6 fold, leaves, in vol. 4, contain 39 musical examples.
Ed. by C. F. von Blankenburg. The articles relating to music are by J. A. P.
Schulz and J. P. Kimberger.
ML3845.A2S9
EAKLY BOOKS ON MUSIC 263
Suremain de Missery, Antoine, 1767-1852.
Th^orie acoustico-musicale, ou de la doctrine des sons rapport^e
aux principes de leur combinaison. Ouvrage analytique et pniloso-
phique. Par A. Suremain-Missery . . . Pans, F. Didot, 1793.
9 p. 1., [ix]-xxxvj, [37H04 p. fold. pi. 20""'.
ML3805.A2S9
Sweerts, Pierre Frangois, 1567-1629, editor.
See Maggi, G. De tintinnabvlis liber.
Symmes, Thomas, 1678-1725.
Utile dulci. Or, A joco-serious dialogue, concerning regular sing-
ing: calculated for a particular town, (where it was publickly had, on
Friday Oct. 12. 1722.) but may serve some other places in the same
climate. By Thomas Symmes . . . Boston: Printed by B. Green,
for S. Gerrish, in Cornhill, 1723.
1 p. 1., ii, 59 p. 15"™.
ML3869.S98
[Tabourot, Jean] 1519-1595.
Orchesographie. Et traicte en forme de dialogve, par leqvel tovtes
personnes pewent facilement apprendre & practiquer I'honneste exer-
cice des dances. Par Thoinot Arbeau [pseud] . . . Lengres, Imprim^
par lehan des Preyz [1589]
' 104 numb. 1. illus. 21"™.
Thoinot Arbeau is an anagram for Jehan Tabourot.
Includes a large number of dance tunes, with words fitted to the melodies.
GV1590.T3
Tacet, Joseph.
See CoMPLEAT instructions for the German flute.
r
Tans'ur, William, d. 1783.
The elements of musick display'd: or, its grammar, or ground-work
made easy: rudimental, practical, philosophical, historical, and tech-
nical. In five books. Containing, i. An universal introduction to
all the rudiments of musick ... ii. Of time, in all its various
moods . . . III. The structure of musical instruments . . . With
sacred lessons; songs in parts; and tunes for instruments, iv. The
theory of sound . . . with the principles of composition, in all its
branches, v. A new musical-dictionary . . . By William Tans'ur,
senior . . . London, Printed for S. Crowder; and sold by the author,
and his son, 1772.
xiii, [1], 232 p. illus. 21"™.
Preface dated 1766. Books ii-v have each special t.-p.
MT6.A2T16
A new musical grammar : or. The harmonical spectator. Contain-
ing all the useful theoretical, practical, and technical parts of musick.
Being a new and correct introduction to all the rudiments, terms, and
characters, and composition in all its branches. With several scales
264 LIBRAE Y OF CONGRESS
Tans'ur, William — Continued.
for musical instruments; and philosophical demonstrations, on the
nature of sound. Laid down in so concise and easy a method, as to
be understood by the meanest practitioner, whether .vocal or instru-
mental, by way of question ana answer . . . By William Tansur . . .
Printed for the author, and sold by him, and in London, by J. Robin-
son, 1746.
1 p. 1., iv, [2], 156 p. incl. 14 pi., diagrs. 17''°».
MT7.A2T16
A new musical grammar, and dictionary: or, A general intro-
duction to the whole art of musick. In four books . . . The whole
is extracted from the best authors, both ancient, and modern; and
methodically digested to every capacity ... 3d ed., with large addi-
tions. By William Tans'ur, senior . . . London, Printed by R.
Brown, for J. Hodges; also sold by the author; and by his son, 1756.
xii, [4], 176 p. illus. 19^""^.
Books ii-iv have each special t.-p.
MT6.A2T13
Tapia, Martin de, h. 1542 ?
. . . Vergel de mvsica || spiritual speculatiua y actiua. del || qual,
muchas, diuersas y suaues flores se puede coger. Dirigi- || do al
yllustrissimo y Reuergdissimo Senor do Fracisco Tello || de San Doual
Obispo de Osmay del Cosejo de su Magestad || 0 Autor el Bachiller
Tapia Numantino. J| G Tratase lo primero con grade artiflcio y pro-
fundidad, las || alaoan^as, las gracias, la dignidad, Las virtudes y
prerrogati- || uas delamusicaydespues,Lasartes deCantollano,Organo
y Contraputo, en suma y en Theorica. C Esta tassado cada volume
en papel A tres Reales. [Colophon: . . . Se |{ acabo de imprimir el
presete Ubro . . . el ql fue imf)resso ela Incly || ta vniuersidad dela
Villa del Burgo de Osma por Diego || Fernandez de Cordoua impressor.
Acabose a veynte y ocho || dias del mes de Mayo, Ano de nuestra
redemp || cion de mil y quinietos y setenta anos]
4 p. 1., cxx numb. 1. diagrs. 19i<=™.
Contains three approbations, the first undated, the others dated 1559.
At head of title the arms of the bishops of Osmay, surrounded by quotations
from the Psalms (32, 149, 95, 67) within line borders. Printer's mark following
colophon on recto of last leaf. Leaves liv and Ixxi numbered Iv and Ixxxvij
respectively.
ML171.T17
Tartini, Giuseppe, 1692-1770.
De' principj dell' armonia musicale contenuta nel diatonico genere,
dissertazione, di Giuseppe Tartini. Padova, Stamperia del Semi-
nario, 1767.
6 p. 1., 120 p. 24J^".
Title vignette; initial; head-piece.
ML3815.A2T19
EARLY BOOKS ON MUSIC 265
Tartini, Giuseppe — Continued.
Trait6 des agr^mens de la musique, contenant I'origine de la petite
note, sa valeur, la maniere de la placer, toutes les differentes especes
de cadences, la maniere de les employer, le tremblement et le mordant,
I'usage, qu'on en pent faire, les modes ou agr6mens naturels, les modes
artimciels qui vont a I'infini, la maniere de former un point d'orgue
. . . compose par le c^lebre Giuzeppe Tartini . . . et tr. par le Sig/ P.
Denis, raris, Chez I'auteur [1782J
1 p. 1., 94 p. 23«'".
Engraved throughout.
"Never published in the original Italian." — Vander Straeten, The romance of
the fiddle, 1911.
MT80.A2T2
Trattato di musica secondo la vera scienza dell' armonia. Padova,
Nella stamperia del Seminario, appresso G. Manfre, 1754.
4 p. 1., 175, [1] p. fold, pi., diagrs. 24^"'".
Title vi^ette.
Tartini is given aa author in a preface by Decio Agostino Trento, who published
the work.
ML3805.A2T2
[Tate, Nahum] 1652-1715.
An essay for promoting of psalmody. London, J. Holland, 1710.
5 p. 1., 38 p. 16i<"".
Dedication signed: N. Tate.
ML3001.T16
[Tauber von Taubenfurt, Johann Nepomuk, /rei^err]
Uiber meine violine . . . Wien, Bey Joseph edlen von Kurzbock
[1780]
188 p. illus. 17«™.
Title vignette.
"Reflexionen des kapellmeisters": p. 28-188.
ML66.A2T2
Taylor, Dan, 1738-1816.
A dissertation on singing in the worship of God : interspersed with
occasional strictures on Mr. Boyce's late tract, entitled, "Serious
thoughts on the present mode and practice of singing in the public
worship of God." By Dan Taylor . . . London, Printed for the
author, and sold by J. Buckland [etc., 1786]
v, 7-72 p. 17i<'°'.
ML3001.T18
A second dissertation on singing in the worship of God; intro-
duced with two letters to the Rev''. Mr. Gilbert Boyce, in defence of a
former dissertation on that subject. By Dan Taylor . . . London,
J. Buckland [etc.] 1787.
77 p. lU""^.
^ ^ ML3001.T183
266 LIBRARY OF CONGRESS
Taylor, John, 1704-1766.
The music speech at the public commencement in Cambridge, July 6,
MDCcxxx. "To which is added, an ode designed to have been set to
music on that occasion. By John Taylor . . . London, Printed by
W. Bowyer, jun., and sold by W. Thurlbourn, Cambridge; [etc., etc.]
1730.
26 p. 19i<='°.
Ch. 33
Telemann, Georg Michael, 1748-1831.
Georg Michael Telemanns . . . Unterricht im generalbass-spielen,
auf der orgel oder sonst einem clavier-instrumente. Hamburg,
M. C. Bock, 1773.
112 p. 20 X 17'''°.
MT182.A2T3
Telemann, Georg Philipp, 1681-1767, editor.
See Haltmeier, C. J. F. Anleitung, 1737.
Telemann, Georg Philipp, 1681-1767, translator.
See Castel, L. B. Beschreibung der augen-orgel, 1739.
[Teller, Wilhelm Abraham] 1734-1804.
Kurze wahrhafte geschichte der 41testen deutschen kirchenges&nge,
besonders von D. Martin Luther. Zur heilsamen anwendung auf das
fur die k6nighch preussischen lande bestimmte allgemeine gesang-
buch. Berlin, Bey Unger dem jungem, 1781.
35 p. 16'^'".
Signed: Willhelm Abraham Teller.
Ch.17.1896
[Tempelhof, Georg Friedrich von] 1737-1807.
Gedanken ilber die temperatur des herm Kimberger, nebst einer
anweisung, orgeln, claviere, fliigel, &c. &c. auf eine leichte art zu
stimmen, von G. F. T. einem liebhaber der music. Berlin und Leip-
zig, G. J. Decker, 1775.
37 p. 17'=°».
ML3809.A2T28
Teralbo Timate.
Gr elementi generali della musica esposti, e spiegati con metodo sis-
tematico per uso de' giovanetti principianti, con diverse figure in
rame, da Teralbo Timate, accadenuco augusto delle buone arti, e socio
letterario vmbro; dati in luce da N. N. In grazia de' signori dilet-
tanti. Roma, A. Casaletti, 1792.
xij, 103 p. 7 pi. on 4 fold. 1., 2 fold. tab. 18"™.
MT7.A2T58
EARLY BOOKS ON MUSIC 267
[Terrasson, Antoine] 1705-1782.
Dissertation historique sur la vielle; oil Toil Examine I'origine & les
progres de cet instrument. Avec une digression sur I'histoire de la
musique ancienne & moderne. Dedi6e a Mademoiselle de * * *
par M. * * * Paris, J. B. Lamesle, 1741.
6 p. 1., 104, [4] p. 18 X lO""".
ML760.A2T38
Tessarini, Carlo, h. 1690.
A musical grammar which teaches an easy and short method of
.learning to play to perfection the violin in parts. Divided in two
books. With all the necessary figures, lessons, sonnets, for the use of
all the tones in music, with the measures and the touches of all the
sounds that can possibly be expressed on the violin ... by Carlo
Tessarini . . . Edmburgh, N. Stewart [176-?]
18 p. pi. 22J X 31'''°.
Engraved throughout. At end: "End of book first."
Published originally in Italian, Rome, 1741 (?)
MT262.A2T3
Testori, Carlo Giovanni, 1714-1782.
La musica ragionata espressa famigliarmente in dodici passeggiate a
dialog© ; opera di Carlo Giovanni Testori . . . per cui si giungera . . .
air acquisto del vero contrappunto. VercelU, G. Panialis, 1767.
4 p. 1., cli, [1] p. 22 pi. 24 X 18^'='".
Title within ornamental border.
MT55.A2T34
Primi rudimenti della musica e supplemento alia Musica ragio-
nata. Opera di Carlo Giovanni Testori . . . Libro secondo. Vercelli,
Nelle stampe di G. Panialis, 1771.
2 p. 1., Ixx p. 6 pi. 24i X 19i<^'°.
The third work in the series was published in 1773 as "Supplemento alia
Musica ragionata . . . Libro terzo " .
MT55.A2T35
L'arte di scrivere a otto reali, e supplemento alia Musica
ragionata, opera di Carlo Giovanni Testori . . . Libro quarto. Ver-
celli, G. PaniaUs, 1782.
3 p. 1., [iiiHvi p. 26 fold. pi. ("pag. 1-29") 25 x 19i<"".
Added t.-p., engr.: Esempi della Musica ragionata di Carlo Gio Testori.
MT55.A2T37
Tettamanzi, Fabrizio, h. ca. 1650.
Breve metodo per fondatamente, e con faciUtk apprendere il canto
fermo. Diuiso in tre Ubri. Nel primo si pongono breuemente le
regole del medesimo canto, con il modo di pratticarle. Nel secondo
il modo di cantare I'hore canoniche, all' vso francescano, e romano.
Nel terzo si pone I'officio in canto di tutta la Settimana santa. Del
padre F. Fabricio Tettamanzi . . . Milano, Per F. Agnelli scultore, e
stampatore, 1636 [i. e. 1686]
148 p. illus. 22* X 17*'='".
MT860.A2T31
268 LIBEAKY OF CONGRESS
Tettamanzi, Fabrizio — Continued.
Breve metodo per apprendere fondatamente e con facilita' ii
canto fermo; diviso in tre libri, nel primo si pongono brevemente le
regole del medesimo canto, con il modo di praticarle: nel secondo, il
modo di cantare Tore canoniche; nel terzo, si pone Tofficio in canto
di tutta la Settimana santa. Del padre F. Fabrizio Tettamanzi
. . . Milano, Per B. Sirtori, stampatore arcivescovile, ad istanza
di G. Galleazzi libraro, 1756.
155, [1] p. illus. 22 X 16i<'".
3d edition.
MT860.A2T34 *
Tevo, Zaccaria, h. 1651.
II mvsico testore del p: bac: Zaccaria Tevo . . . Venezia, A. Bor-
toli, 1706.
7 p. 1., 366, [2] p. illus., 2 pi. 2^ x 17^'™.
Engr. t.-p. with ornamental border. Added t.-p., engr., with port, of the
author.
MT6.A2T42
Thalesio, Pedro.
Arte de canto chao, com hvma breve instrvc^ao pera os sacerdotes,
diaconos, subdiaconos, & mopos do coro, conforme ao vso romano.
Composta, & ordenada por o mestre Pedro Thalesio . . . Agora nesta
segunda impressao nouamente emendada, & aperfeipoada pello mesmo
autor . . . Coimbra, Na impressao de D. Gomez de Louveiro, 1628.
6 p. 1., 136 p. illus. 20^^".
Title vignette : ecclesiastical coat of arms.
MT860.A2T42
[Thielo, Carl August] 1702-1763.
Grund-regeln wie man, bey weniger information, sich selbst die fun-
damenta der music und des claviers, lernen kan, beschrieben, mit
exempeln in noten gezeiget und verlegt von C. A. T. Erster theil.
[Kopenhagen, 1753]
1 p. 1., 81 p. 16 X 2P™.
No more published.
According to F^tis this is an abridged translation of Thielo's "Tanker og regler
fra grunden af om musiken," Copenhagen, 1746.
MT224.A2T43
Thomas, Christian Gottfried, 1748-1806.
Praktische beytr&ge zur geschichte der musik, musikalischen lit-
teratur und gemeinen besten, bestehend vorziiglich. in der einrichtung
eines 6ff entlichen allgemeinen und &cliten verlags musikalischer manu-
scripte, zum vortheil derer hrn. verfasser und kA,ufer; wie auch in
andern litterarischen abhandlungen, die musik betreffend. Hrsg.
von Christian Gottfried Thomas . . . Erste sammlung. Leipzig,
Verlag des verfassers, 1778.
64 p. 23 X IQ"-".
No more published.
ML112.A2T45
EARLY BOOKS ON MUSIC 269
Tigrini, Orazio.
II compendio della mvsica, nel ovale brevemente si tratta dell' arte
del contrapunto, diviso in qvatro libri. Del r. m. Oratio Tigrini . . .
Nouamente composto, & date in luce . . . Venetia, R. Amadino, 1588.
6 p. 1., 135, [1] p. 21 X le""".
Title within ornamental border; title vignette.
ML171.T47
II compendio della mvsica, nel qvale brevemente si tratta
deir arte del contrapvnto, diuiso in quattro libri. Del r. m. Oratio
Tigrini ... Di nouo con diligentia corretto, & ristampato . . . Vene-
tia, R. Amadino, 1602.
4 p. 1., 135, [1] p. 21J X 15^"™.
Title vignette.
MT55.A2T56
Til, Salomon van, 1644-1713.
Digt- sang- en speel-konst, soo der ouden, als bysonder der Hebreen,
door een nauwkeurig ondersoek der oudheyd uyt sijn vorige duyster- /
beyt wederom opgeheldert: dienende, om, by wege van een voor-
looper, den leser tot een beter verstand der goddeujke Psalmen, en
netter begrip van haar ware gebruyk onder de beyde Testamenten
op te leyden: door Salomon van Til . . . Dordrecht, D. Goris, 1706.
14 p. 1., 533, [15] p. illus. 20i«
I cm
Title vignette.
Ist edition, Dordrecht, 1692.
ML166.A2T55
Digt- sang- en speel-konst, soo der ouden, als bysonder der
Hebreen, door een nauwkourig ondersoek der oudheyd uyt sijn voorige
duysterheyd wederom opgeheldert: dienende, om, by wege van een
voor looper, den leser tot oen beter verstand der goddelijke Psalmen,
en netter begrip van haar waare gebruyk onder de beyde Testamenten
op te leyden : door Salomon van Til . . . Amsterdam, A. Schoonen-
burg, 1725.
14 p. 1., 533, [15] p. illus., 5 pi. (1 fold.) 20^ x IG"''".
The illustrations are printed from engr. plates.
ML166.A2T57
Dicht- sing- und spiel-kunst / so wohl der alten / als ins
besonder der Hebreer. Durch neus^ierige untersuchung der antiqui-
tkt aus ihrer vorigen dunckelheit wieder auflfgekUret : als vorlaiiffer
d' g6ttliche Psalmen / zu dero besserem verstand dem leser dienend und
zum deutlicherm begriff ihres gebrauchs unter beyden Testamenten
anleitung zu geben durch Salomon von Til . . . Franckfurt/M. Groot '
1706.
9 p. 1., 478, [16] p. illus., fold. pi. 21 x 16^"™.
ML166.A2T56
270 LIBRARY OF CONGRESS
Tilesius von Tilenau, Nathanael. 1565-1616.
Christliche vnd grilndliche erweisun^ dass die musica vnd singe-
kunst Gott wolgefeilig / vnd mit gleubiger andacht / in kirchen vnd
Musern m6ge gebraucht werden. In einer hochzeitpredigt gehandelt
. . . Gehalten zu Stroppen / den 13. novembris anno 1596, vnd
jetzt ... in druck verfertiget durch Nathanaelem Tilesium ... [n. p,]
Gedruckt im jahr 1599.
[20] p. 19^"".
ML3001.T57
Tinctoris, Joannes, d. 1511.
See FoRKEL, J. N. Allgemeine litteratur der musik, 1792.
Todd, John, d. 1812.
An humble attempt towards the improvement of psahnody: the
propriety, necessity and use, of evangehcal psalms, in Christian wor-
ship. DeHvered at a meeting of the Presbytery of Hanover in Vir-
fima, October 6th, 1762. By John Todd . . . Philadelphia: Printed
y A. Steuart, 1763.
40 p. I6i<=™.
[Hazard pamphlets, v. 10, no. 5]
AC901.H3
Topfer, Johann Christian Carl, &. 1740?
Anfangsgrilnde zur erlernung der musik und insonderheit des
claviers, durch eigenen fleiss und erfahrung aufgesetzet und mit einer
kritischen vorrede begleitet von Johann Christian Carl T6pfer . . .
Bresslau, W. G. Korn, 1773.
xii, [13]-44 p. 3 fold. pi. (music) 20 x 16"™.
MT7.A2T6
Tollius, Jacobus, d. 1696.
See Bacchini, B. De sistris, 1696.
Tomas de Santa Maria, d. 1570.
Libro llamado Arte de taner fantasia, assi para tecla como para
vihuela, y todo instrumeto, en que se pudiere taner a tres, y a quatro
vozes, y a mas . . . Elqual por mandado del muy alto Consejo real
fue examinado, y aprouado por el eminete musico de Su Magestad
Antonio de Cabepon, y por iuan de Cabe^on, su hermano. Com-
puesto por el muy reuerendo padre fray Thomas de Sancta Maria . . .
Valladolid, Impresso por F. Fernandez de Cordoua, 1565.
4 p. 1., 90, 124 numb. 1. 28^"™.
Title vignette.
ML171.T65
Tomeoni, Florido, 1757 ?-1820.
Th^orie de la musique vocale, ou des dix regies g^u'il faut connaitre
et observer pour bien chanter ou pour apprendre a juger par soi-m^me
du degre de perfection de ceux que Ton entend; par Florido Tomeoni
. . . Avec des remarques sur la prononciation des langues franpaise et
italienne, r6dig4es par un homme de lettres. Paris, Chez I'auteur
[etc.] an vii [1799]
viij, 138, 2-5 p., 1 1. 19i«"'.
MT820.A2T76
EARLY BOOKS ON MUSIC 271
Tomeoni, Pellegrino, h. 1729.
Regole pratiche per accompagnare il basso continue esposte in dia-
lo^hi per facilitare il possess© alia principiante gioventti da Pelle-
grino Tomeoni . . . Firenze, A. G. Pagani, e comp., 1795.
44 p. 22^^^".
Pages 17-18, 21-22, 25-26, 31-32, 37-38, 43-44 (musical examples) are printed
on leaves 31J x 21i«"'.
MT49.T65
[Toneellief, Willem] psevdJ
Missive van een heer in Leijden, aan zyn vriend in's Gravenhaage,
vervattende eenige nieuwigheeden, betreffende de Amsteldamsche en
Rotterdamsche schouwburgen, benevens een nette origineele lyst en
staat der muziciens, acteurs, actrices, dansers . . . enz. zoo als die voor
beide de schouburgen geangageert zyn om het toneel te openen, bene-
vens hunne riaamen en de characters waar voor zy in't vervolg zuUen
speelen, gevolgt van iets het geen de Hoogduitsche en Vlaamsche
operas betreft. Monnikendam, By de Gorter; [etc., etc., 1774]
8 p. ISJ'^"'.
Signed: Willem Toneellief. Dated: Leijden den 14 Augustus 1774.
ML1735.3.A2T7
Torino, Illuniinato da.
See Illuminato da Torino.
Torres Martinez Bravo, Jose de, 1665-1738.
Reglas generales de. acompanar, en organo, clavicordio, y harpa,
con solo saber cantar la parte, 6 vn baxo en canto figurado. Distri-
bvidas en tres partes. En la primera, se ensenan los fundamentos,
que deben preceder al acompanar, en la segunda el modo de acom-
panar, vsando solo de especies consonantes, y en la tercera el modo de
practicar las especies falsas . . . Compuestas por Don Joseph de
Torres . . . Madrid, Imprenta de mvsica, 1702.
8 p. 1., 143, [12] p. 2P°'.
MT49.A2T7
Reglas generales de acompanar, en organo, clavicordio, y
harpa, con solo saber cantar la parte, o-un baxo en canto figurado.
Distribuidas en tres partes . . . Anadido aora un nuevo tratado,
donde se expHca el modo de acompanar las obras de musica, segun el
estilo itaUano. Compuestas por Don Joseph de Torres Martinez
Bravo . . . Madrid, Imprenta de musica, 1736.
4 p. 1., 124, [3] p. illus. 21 x 28i«"'.
MT49.A2T72
Torres Martinez Bravo, Jose de, 1665-1738, editor.
See Nassaeee, P. Fragmentos musicos, 1700.
[Toscan, G. L. George] 1756-1826.
De la musique et de Nephte. Aux manes de I'abb^ Arnaud. Paris,
Imprimerie de Monsieur, 1790.
2 p. 1., 28 p. 20*'""^.
ML3920.A2T7
272 LIBRARY OF CONGRESS
Tosi, Pietro Francesco, ca. 1650-ca. 1731.
Opinioni de' cantori antichi, e moderni, o sieno Osservazioni sopra
il canto figurato di Pierfrancesco Tosi . . . Dedicate a Sua Eccellenza
Mylord Peterborough . . . [Bologna, L. dalla Volpe, 1723]
3 p. 1., 118 p. 18"™.
This copy is without imprint and contains the dedication to Lord Peterborough.
For variations in the different copies of this edition see Gaapari's catalogue of the
Liceo musicale of Bologna.
MT820.A2T72
Observations on the florid son^; or, Sentiments on the ancient
and modern singers. Written in Itahan by Pier. Francesco Tosi . . .
Tr. into English by Mr. Galliard ... To which are added, explan-
atory annotations, and examples in musick ... 2d ed. London,
J. Wilcox, 1743.
xviii, [2], 184 p. vi fold. pi. l?""'.
"A prefatory discourse giving some account of the author": p. [vii]-xiii.
MT820.A2T73
Anleitung zur singkunst. Aus dem itaH&nischen des herm
Peter Franz Tosi . . . mit erl&uterungen und zus§,tzen von Johann
Friedrich Agricola . . . Berlin, Gedruckt bey G. L. Winter; 1757.
xvi, 239 p. 21 X 17"™.
Title vignette; head and tail pieces.
MT820.A2T74
Tovar, Francisco.
Libro de mu || sica pratica Compuesto por || mosz Francisco touar:
di II rigido al illustrissimo y || reuer6dissimo senyor || do Enrique de
Car II d5a obispo d'Bar || celona. y a su insi || gno capitulo. [Colophon:
C La presente obra fue compuesta por mossen Francisco to || uar de
la villa de Pareia Imprimida en la insigne || cibdad de Barcelona por
maestre Johan Rose || bach aleman a. v. de Janero anyo de mil y ||
quinientos y diez]
4 p. 1., XXXV numb. 1. diagrs. 28"™.
Title in red; printer's mark at end. The musical notes and clefs are in ms. on
printed staves.
ML171.T73
Towerson, Gabriel, d. 1697.
A sermon concerning vocal and instrumental musick in the church.
As it was delivered in the parish church of St. Andrew Undershaft,
upon the 31*'' of May, 1696, being Whit-Sunday, and the day wherein
the organ there erected was first made use of. By Gabriel Towerson,
D. D. London, B. Aylmer, 1696.
30 p. 18i X IS""".
ML3001.T78
Tractatvs mvsices.
See CoMPENDitj musices.
EAKLY BOOKS ON MUSIC 273
[Travenol, Louis] d. 1783.
Les entrepreneurs entrepris, ou Complainte d'un musicien opprim6
par ses camarades, adressee aux protecteurs et aux protectrices des
sciences & des beaux arts, [Paris, Impr. de S. Jorry, 1758]
40 p. 19i''"^.
Caption title: Memoire pour le sieur Travenol . . . Contre le sieur Mondon-
ville, ex-nausicien dii roi, le sieur Capperan, ex-musicien de I'Op^ra, & la dame
Rover, tous trois entrepreneurs & directeurs du Concert spirituef.
This copy has ms. notes and inscription on t. -p.: "A Monsieur I'abb^ de la
Porte." On fly-leaf at end: "Chanson nouvelle, sur I'air, Or ecout^s petits et
grands."
ML1727.8.P2T8
La galerie de I'Academie royale de musique, contenant les portraits,
en vers, des pruicipaux sujets, qui la composent en la presente annee
1754. Dediee h, Jean Jacques Rousseau . . . Par un zele partisan de
son syst^me sur la musique franpoise. [Paris] 1754.
62 p. 17i X 10'-'".
ML1727.33.T7
Histoire du Theatre de I'opera en France. Depuis Tetablissement
de I'Academie royale de musique, jusqu'a present . . . Paris, J.
Barbou, 1753.
2 v. in 1 (v. 1: 4 p. 1., 264 p.; v. 2: 1 p. 1., 221, [3] p.) 20<=™.
Vol. 2 dated m.lcc.liii. Dedication signed: J) ^ :^ ^
By Durey de Noinville and Louis Travenol.
ML1727.3.D8
Histoire du theatre de l'x4.cademie royale de musique en France,
depuis son etablissement jusqu'^, present. 2. ed., cor. & augm. des
pieces qui ont 6te representees sur le Theatre de Fopera par les
musiciens italiens, depuis le premier aotit 1752. jusqu'^ leur depart
en 1754. avec un extrait de ces pieces & des ecrits qui ont paru k ce
sujet . . . Paris, Duchesne, 1757.
2 V. in 1 (v. 1: 6, [8], 320 p.; v. 2: 1 p. 1., 221, [3], 221-222 p., 1 1., 11 p. j 20'=°'.
Dedication signed : D 4^ ^(. ^j.
ML1727.3.A2D82
(Euvres melees du sieiu* * * *, ouvrage en vers et en prose, contenant
des remarques curieuses sur les mysteres de la confrairie des Francs-
ma9ons, sur la Lettre de J. J. Rousseau, contre la musique fran^oise,
& sur le Dialogue de Pegaze & du vieillard, par M. de Voltaire.
Amsterdam [i. e. Paris] 1775.
xij, 114 p. 2P°'.
ML1727.33.T8
Treiber, Johann Friedrich, 1641 or 42-1719.
. . . De cantantium ordinibus Veteris Testamenti: cantico novo
Novi Testamenti: ut & de officio civium erga choros, symphoniacum
& currentium; & tandem de officio beneficiarionun utrius^ chori, in
solennitate Catharinali, d. xxvii. novembr. a. r. s. cio.ioccv. h. 1. q. c.
peroraturos sistet m. Joh. Fridericus Treiber . . . Amstadise, Uteris
Meurerianis [1705]
8 p. 19 X ISi"™.
ML166.A2T7
51234°— 13 18
274 LrBRAEY OF CONGEESS
Treiber, Johann Friedrich — Continued.
. . . Orationes de musica Davidica, itemque discursibus per urbem
cum musica noctumis, in solennitate Catharinali d. nov. a. r. s.
cio.iocci. h. 1. q. c. habendas intimat M. Jo. Frider. Treiber . . .
Amstadiae, Uteris Bachmannianis [1701]
[8] p. 19J<='".
ML63.T7
Treiber, Johann Philipp, 1675-1727.
D. Johann Philipp Treibers . . . sonderbare invention: eine arie in
einer einzigen melodey aus alien tonen und accorden / auch jederley
tacten / zu componiren / so / dass sie in dem h&,rtesten accord anf &ngt /
in dem weichsten auffhdret / und dem auffmercker dennoch die
abwechselung derer accorde nicht frembde vorkommet. Von wel-
cher invention der autor, besage der vorrede ... in nachfolgender
arie, worinne die regirung Gottes und der obrigkeit mit der music
verglichen wird / eine probe abgeleget . . . Jena, C. Junghans, 1702.
[8] p. 12 pi. (music) 30^ x 20""'.
Initial; head -piece.
MT47.A2T85
Trento, Decio Agostino.
See Tartini, G. Trattato di musica, 1754.
Trew, Abdias, 1597-1669, praeses.
Disputatio musica de divisione monochordi et deducendis inde
sonorum concinnorum speciebus et affectionibus et tandem tota praxi
compositionis musicae . . . Altdorffi, typis Georgi Hagen, 1662.
[32] p. pi. 19 X ISi""".
Diss. — Altdorff (T. G. Mayr, respondent)
ML3809.A2T8
Trillo, Camille, pseud.
See Lesuire, Robert Martin.
Tromlitz, Johann George, 1726-1805.
Ausfuhrlicher und ^nlndlicher unterricht die fl6te zu spielen, von
Johann George Tromlitz . . . Leipzig, A. F. B6hme, 1791.
xxiv, 376, [8] p., 1 1. pi. 24i x 19'''°.
Title vignette.
MT348.A2T84
Ueber die fl6ten mit mehrem klappen; deren anwendung und
nutzen. Nebst noch einigen andem dahin geh6rigen aufs&tzen von
Johann George Tromlitz . . . Als zweyter theil zu meinem Ausfuhr-
lichen und griindhchen unterricht die n6te zu spielen. Leipzig, A. F.
B6hme, 1800.
x, 140, [4] p. 24^x19'=™. ( IFitA /iis Ausftihrlicher ... unterricht. Leipzig, 1791)
MT348.A2T84
EAELY BOOKS ON MUSIC 275
Trydell, John.
Two essays on the theory and practice of music. In the first are
laid down the principles of the science. In the latter are demon-
strated the rules of harmony, composition, and thorough bass. To
which is added, a new and short method of attaining to sing by note.
By the Rev. John Trydell . . . Dublin, Printed for the editor by B.
Grierson, 1766.
icm
XX, 140, 51 p. 21J''
"Examples": 51 p., engr.
MT6.A2T87
Tiibel, Christian Gottlieb, d. 1776.
Korte onderrichting van de musiek, met daar by gevoegde lxxvii.
handstukkies, voor het clavier. Beneevens eene korte verhandeling
van het contrapunct, door den Heer C. G. Tubel . . . Kurzer unter-
richt von der music, nebst den dazu gehdrigen lxxvii. piecen, fur die
ienigen welche das clavecin spielen, nebst eine kurze nachricht von
contrapunct . . . Amsterdam, J. Covens [pref . 1766]
1 p. 1., 4, 123 p. 17 X 24*=™.
Engraved, with the exception of 4 p. following title. Text in German and
Dutch, in parallel colimins.
MT224.A2T8
Turk, Daniel Gottlob, 1750?-1813.
Klavierschule, oder Anweisung zum klavierspielen filr lehrer und
lernende, mit kritischen anmerkungen, von Daniel Gottlob Turk . . .
Leipzig und Halle, Auf kosten des verfassers, in kx)mmission bey
Schwickert in Leipzig [etc.] 1789.
4 p. 1., 408, [12], 15 p. 22 x ITi""'.
"Zw61f handstucke zum gebrauche beym unterrichten " : 15 p. at end.
MT222.A2T9
Kurze anweisung zum generalbassspielen, von Daniel Gottlob
Tiirk . . . Halle und Leipzig, Auf kosten des verfassers, in kommis-
sion bey Schwickert in Leipzig [etc.] 1791.
2 p. 1., 307, [1] p. 20i««.
MT49.A2T8
Von den \vdchtigsten pfhchten eines organisten. Ein beytrag zur
verbesserung der musikalischen liturgie, von D. G. Turk. Halle, Auf
kosten des verfassers, in kommission bei Schwickert zu Leipzig [etc.]
1787.
211, [1] p. 18^^'".
"Das choralspielen bey den protestanten " : p. 6-109.
MT190.A2T9
Turmair, Johannes.
See AvENTiNus i. e. Johannes Turmair, o/ Ahensherg.
276 LIBRARY OF CONGRESS
Tiirner, William.
Sound anatomiz'd, in a philosophical essay on musick. Wherein ia
explained the nature of sound, both in its essence and regulation, &c.
Contrived for the use of the voice in singing, as well as for those who
play on instruments. Together with a thorough explanation of all
the different moods used in musick, for regulating time in the different
divisions of measures used therein . . . To wmch is added, a dis-
course concerning the abuse of musick. By WilUam Turner Lon-
don, Printed by W. Pearson for the author, 1724.
3 p. 1., 80, 7 p. pi. 21 X 16'="».
MT7.A2T95
Tyard, Pontus de, 1521-1605.
Les disco vrs philosophiqves de Pontvs de Tyard, seignevr de Bissy,
et depvis euesque de Chalon. fLe tout reueu & beaucoup augments,
depuis la derniere edition] A Paris, Chez A. L'Angeher, 1587.
368 numb. 1., [24] p. fold, pi., port., diagrs. 24 x 17'=°'.
Printer's mark on t.-p.
Contents.— ^Solitaire premier, ov Discours de muses, & de la fureur poetique. —
Solitaire second, ov Discours de la musique. — Mantice, ov Discours de la verite
de diuination par astrologie. — Le premier cvrievx, ov Premier discovrs de la
natvre dv monde, & de ses parties. — Le second cvrievx, ov Second discovrs de
la natvre dv monde, et de ses parties, traitant des choses intellectuelles. — Sceve,
ov Discovrs dv temps, de Tan, et de ses parties.
Ch.40
SoUtaire second, ov Prose de la musique. Lion, Par Ian de
Tovrnes, 1555.
160, [16] p. illus. (port.) fold, pi., diagrs. 22^'="'.
Title within ornamental border, in this copy colored by hand; initials.
On verso of t.-p. is a portrait of the author, with inscription " P. D. T. en son
an 31 " and on p. [161] is a laudatory poem: "G. Altarij Carolatis, ad Pontum
Tyardaeum endecasyllabi."
ML171.T9
U., B. W.
See Neue ... art zu solmisiren, 1763.
Uberti, Grazioso.
Contrasto mvsico. Opera dilettevole del Signor Gratioso Vberti
. . . Roma, L. Grignani, 1630.
4 p. 1., 152 p. ISi'''".
Title vignette.
ML3795.A2U14
Xnioa, Pedro de, 1663-1721.
Musica universal, 6 Principios universales de la musica, dispuestos
por el padre maestro Pedro de UUoa . . . Madrid, En la Imprenta
de musica, por B. Peralta, 1717.
6 p. 1., 104 p. 2 fold. pi. 22^''°'.
MT6.A2U42
EARLY BOOKS ON MUSIC 277
Unger, Johann Friedrich von, 1716-1781.
Entwurf einer maschine, wodurch alles was auf dem clavier gespie-
let wird, sich von selber in noten setzt. Im jahr 1752. an die K6nigl.
akademie der wissensc&aften zu Berlin eingesandt, nebst dem mit
dem herrn direktor Euler dariiber gefilhrten briefwechsel, und eini-
fen andern diesen entwurf betreffenden nachrichten. Von Johann
riedrich Unger . . . Mit 8 kupfertabellen. Braunschweig, Filrstl.
Waisenhaus-buchhandlung, 1774.
5 p. 1., [3]-52 p. VII {i. e. 8) fold. pi. (partly music) 21 x 17"'".
ML1050.A2U5
XTraniaii society, PMladelpJiia.
See Intkoductory lessons, practised by the Uranian society [1785]
XT * * * * J^
See Reflexions sur la musique, 1785.
Valenti-Gonzaga, Silvio, cardinal, 1690-1756, editor.
See Bandini, A. M. Commentariorvm de vita . . . loannis Bapt.
Doni, 1755.
Vallara, Francesco Maria.
Primizie di canto fermo del padre Francesco Maria Vallara . . .
Modona, Per A. Capponi, stampatore, 1700.
8, 80 p. 23^ X 18'-™. MT860.A2V17
Scuola corale nella quale s'insegnano i fondamenti piti necessarii
alia vera cognizione del canto gregoriano, composta dal padre Fran-
cesco Maria Vallara . . . Modena, Per A. Capponi, stamp,, 1707.
viii, 198 p., 1 1. 24i X 18^'^'".
The frontispiece given by Gaspari is wanting in this copy.
MT850.A2V17
Teorico-prattico del canto gregoriano, dato alia luce dal padre
Francesco Maria Vallara . . . rarma, G. Rosati, 1721.
viii, 140 p. 2 fold. pi. 25i'''".
MT860.A2V19
[VaUe, GugUelmo deUa] 1740 M794?
Memorie storiche del p. m. Giambattista Martini, minor conven-
tuale di Bologna, celebre maestro di cappella. Napoli, Stamperia
Simoniana, 1785.
viii, 152 p. 20<'°i.
ML410.M38V2
Valliere, Louis Cesar de La Baume Le Blanc, due de la.
See La Valliere, Louis Cesar de La Baume Le Blanc, due de.
278 LIBRARY OF CONGRESS
Vallotti, Francesco Antonio, 1697-1780.
Delia scienza teorica, e pratica della moderna musica libro prime.
Opera del p. f, Francescantonio Vallotti . . . Padova, Nella stam-
peria del Seminario, appresso G. Manfre, 1779.
xxxi, 168 p. 7 pi. (1 fold.) fold. tab. 25J x 19^<"".
"Non fu pubblicato che questo primo volume; ma tutto il rimanente dell' ope-
ra conservasi ms. nella biblioteca de' Min. conv. al Santo di Padova." —
Ga«pari, Catalogo della bibl. del Liceo musicale di Bologna.
ML3805.A2V2
Vandermonde, Alexandre Theophile, 1735-1796.
Second memoire sur un nouveau syst^me d'hannonie appjlicable k
r^tat actuel de lamusique. ParM. Vandermonde . . . [Paris, 1781 ?]
18, 4 p. 27 X 21"™.
Caption title.
Musical illiistrations: 4 p., engr.
ML3815.A2V23
See also La Borde, J. B. de. Memoires sur les proportions musi-
cales, 1781.
Vanneo, Stefano, h. 1493.
Recanetvm de mvsica avrea a magistro Stephano Vanneo Reci-
nensi . . . nuper seditum, & solerti studio enucleatum, Vincentio
Rosseto Veronensi interprete. Romae apvd Valerivm Doricvm
Brixiensem, 1533.
4 p. 1., 93 numb. 1. illus., diagrs. 28"™.
The Italian original was not published.
ML171.V26
Vaucanson, Jacques de, 1709-1782.
Le mecanisme du fluteur automate, presents a messieurs de I'Aca-
demie royale des sciences. Par M. Vaucanson, auteur de cette
machine. Avec la description d'un canard artificiel; mangeant,
beuvant, digerant & se vuidant, epluchant ses ailes & ses plumes,
imitant en diverses manieres un canard vivant. Invents par la
mesme. Et aussi celle d'une autre figure, ^galement merveilleuse,
jouant du tambourin & de la flute, suivant la relation, qu'il en a
donnee depuis son memoire 6crit. Paris, J. Guerin, 1738.
11 (i. e. 23) p. front. 25^ x lOi"™.
Last page numbered 11 for 23.
ML1055.A2V19
Vayer, Frangois de La Mothe le.
See La Mothe Le Vayer, Francois de.
EAELY BOOKS ON MUSIC 279
Vaz Barradas Muitop&o e Morato, Joao, h. 1689.
Breve resumo de cantocham, com as regras mais principaes e a
f6nna que devem guardar, o director do coro para o sustentar firme
na corda chamada coral, e o organista quando o acompanha, orde-
nado ao uso romano, por Joa6 V az Barrada Muito Pam, e Morato
. . . Lisboa Occidental, Officina da musica, 1735.
2 p. 1., 59 p. 19i<'™.
MT860.A2V39
Flores musicaes colhidas no jardim da melhor lipao de varios
au tores. Arte pratica de canto de orgao, indice de cantoria para
principiantes, com hum breve resummo das regras mais principaes
de acompanhar com instrumentos de vozfes, e o conbecimento dos
tons assim naturaes como accidentaes . . . por Joao Vaz Barradas
Muito Pam, e Morato . . . Lisboa Occidental, Officina da musica,
1735.
6 p. 1., 113, [6] p. incl. pi., tables. 2P™.
MT860.A2V41
[Veal, George]
Musical travels through England. By Joel CoUier [psettd.] . . .
London, G. Kearsly, 1774.
viii, 59 p. 19^'="'.
[Miscellaneous pamphlets, v. 1141, no. 1]
A satire on Bumey. Attributed also to J. L. Bicknell.
AC901.M5
Musical travels through England. By the late Joel Collier
, . 4th ed. London, G. Kearsly, 1776.
2 p. 1., vi p., 1 1., 102, 28 p. 20i«
ML429.V394
Musical travels through England. By the late Joel CoUier
. . . New ed. London, G. Kearsley, 1785.
xiv, [2], 126, 32 p. 15""^.
ML429.V396
Velasco, Sebastian Lopez de.
See Lopez de Velasco, Sebastian.
Venceslaus Philomathes, de Nova Domo.
Venceslai Philomatis de Nova Domo Musicorum libri quatuor . . .
[Colophon: Impressum Viennse Pannonise per loannem Singrenium.
Anno M.D.xxiii.]
[43] p. 22"=".
Below title, on t.-p.: "Rvdberti Resch Grecensis . . . epigramma extempo-
rale, musicse complectens obiter laudeni" (14 lines in pentameter) followed by
the sentence "Eme lector et gavdebis" in capitals.
Title within woodcut border with printer's mark; initials. Signatures: a-d
in fours; e in six. This copy has ms. notes.
The present is the 3d edition. According to F^tis, the 1st edition, Vienna,
1512, has title: Venceslai Philomathis de Nova Domo Musicorum libri quatuor,
compendioso carmine elucubrati.
^ ML171.V36
280 LIBEAEY OF CONGKESS
Venezia, Giacinto.
Esercizio accademico sulla musica pubblicamente esposto da cherici
delle scuole pie nel coUegio della ducnesca sotto la direzione del padre
Giacinto Venezia . . . Napoli, 1792.
26 p. 23xl8i'^«.
ML64.V3
Venini, Francesco, 1737-1820.
De i principi dell' armonia musicale, e poetica, e sulla lore appli-
cazione alia teoria e alia pratica della versificazione italiana. JDis-
sertazione dell' abate Francesco Venini. Parigi, G. C. Molini, Tan
6me_(i7g8)
2 p. 1., 3-165 p. 21i«™.
2d edition. Ist edition, Paris, 1784.
PC1505.V5
Verato, Giovanni Maria.
II Verrato insegna con noua e breuissima inuentione facile per
imparare per tutte le chiaue, a leg^ere le notte, cantare & portar la
batuda, con cinque sole regole, in dialogo cioue maestro, & discepolo
. . . Con vn epilogo breue per li maestri che insegnano. Di f. Gio.
Maria Verrato . . . Novamente stampata. Venetia, B. Magni, 1623.
1 p. 1., 18 p. 23""'.
MT44.A2V35
Veridicus Gratus, psevd.
See Printz, W. C. Phrynis Mitilenseus, 1696.
Verissimo dos Martyres, 1699?-1767.
Director ecclesiastico das ceremonias da Cinza, Ramos, e de toda a
Semana santa, conforme as rubricas do Missal romano, e decretos da
S. Congregapao de ritos, com todo o canto-chao que nos sobreditos
dias se deve cantar . . . Pelo R. padre Fr. Verissimo dos Mar-
tyres . . . Lisboa, Ofiic. de J. da Costa Coimbra, 1755.
4 p. 1., 407, [1] p. 19*'='°
MT860.A2V51
Director funebre de ceremonias na administra^ao do sagrado
viatico, extrema-un^ao aos enfermos, enterro, officio dos defuntos,
procissao das almas, e outras funpoes pertencentes aos mortos, com o
canto, que em to das se deve observar . . . Dedicado ao . . . Senhor
Luiz Cesar de Menezes, ii. conde de Sabugosa . . . pelo R. P. Fr. Ve-
rissimo dos Martyres . . . Lisboa, J. da Costa Coimbra, 1749.
7 p. 1., 289 p. 20'="'.
MT860.A2V5
Veritophilus, pseud.
See Raupach, Christoph.
EAELY BOOKS ON MUSIC 281
Vermehrter / und nun zum zweytemnal in druck bef 6rderter kurtzer
jedoch grilndlicher wegweiser / vermittelst welches man nicht nur
allein aus dem grund die kunst / die orgel recht zu schlagen / so wol was
den general-bass, als auch was zu dem gregorianischen choralgesang
erf ordert wild /erlernen . . . sondern auch weiland herrn Giacomo Ca-
rissimi Sing-kunst / und leichte grund-regeln / vermittelst welcher
man die jugend ... in der music perfectioniren kan / zu finden seyn.
Wobey aucn die eigentliche unterweisung / den choral-gesang zu be-
greiffen / alle desselben then zu erkennen / und sich nach denselben in
den introitibus, Kyrie, hymnis, psalmis, Benedictus, Magnificat, &c.
wissen auf der orgel mit den praeambulis zu richten. Deme hinzu
. geMgt ein in kupffer verferti^ter ubungs-plan / bestehend in aller-
nand praeambulis, interambuhs, versen, toccaten, tastaten, varia-
tionen, fugen, und dergleichen . . . Allen / so geist- als weltlichen /
welche nothwendig den choral-gesang verstehen soUen . . . abson-
derlich denen / so der lateinischen sprach unerfahren / zu lieb in
teutsch hervor gegeben / und in druck verfertiget. Augspurg, J.
Koppmayer, 1693.
48, 55 p. 1 illus. 16 x 20^=™.
"Prseambula, variationen, &c.": 55 p.
MT35.A2K87
See also Carissimi, G. G. Ars cantandi, 1693.
Verschuere-Reynvaan, Joos, 1739-1809.
Muzijkaal kunst-woordenboek, behelzende, de verklaaringen, als-
mede hot gebruik en de kracht der kunstwoorden, die in de muzijk
voorkomen, door J. Verschuere Reynvaan ... [1. deel] Amsteldam,
W. Brave, 1795.
xxii, [2], 618 p. fold, plates. 21^'''".
Cover dated 1796. Several of the plates are printed on both sides.
Only the first part was published, covering the letters A-M.
Versuch einer systematischen entwickelung der tactarten und
vorschl&ge zu neuen tactzeichen.
(In Deutsches magazin. [Altona?] 1792. 17 x 10'='". m&rz, p. [231]-264)
Detached copy.
ML432.A2V5
Vicentino, Nicola, h. 1511.
L'antica mvsica ridotta alia modema prattica, con la dichiaratione,
et con gli essempi de i tre generi, con le loro spetie. Et con Tinven-
tione di vno nvovo stromento, nel qvale si contiene tvtta la perfetta
mvsica, con molti segreti mvsicali. Nuouamente mess' in luce, dal
reverendo M. Don Nicola Vicentino. Roma, A. Barre, 1555.
146 numb. 1., [10] p., 1 1. illus. (port.) SIJ^'".
Title vignette. Leaf 105 numbered 106.
^ ML171.V43
282 LIBBABY OF CONGBESS
Vierling, Johann Gottfried, 1750-1813.
Versuch einer anleitung zum pr^ludiren Mr ungeAbtere, mit bei-
spielen erl&utert, von Johann Gottfried Vierling . . . Neue ausg.
Leipzig, Breitkopf und H&rtel [1794]
28 p. 25"°.
MT68.A2V66
Vieville, Jean Laurent Le Cerf de la.
See Le Ceef de La Vievelle, Jean Laurent, seigneur de
Freneuse.
Villa Lobos, Mathias de Sousa.
See Sousa Villa Lobos, Mathla.s de.
Villasagra, Pedro de.
Arte, y compendio del canto llano. Brevissimo en su inteligencia
para los que quieran aprender con f acilidad : con algunas antiphonas,
y missas para la practica. Su autor el P. Fr. Pedro de Villasagra . . .
Valencia, Impr. de la viuda de J. de Orga, 1765.
2 p. 1., 136 p. 1 illus. 2P°».
Appended: "Adicion al Compendio del arte de canto llano ... La escribia
Don Manuel Narro," Valencia, 1766. 12 p.
MT860.A2V6
Ville sur Dion, Bernard Oermain Etienne de la, comte de Lace-
pede.
See Lacepede, Bernard Germain Etienne de La Ville sub
Illon, comte de.
Villers, Clemence de.
Dialogues sur la musique, par M"® de Villers, adress^s a son amie.
Paris, Vente, 1774.
64 p. l?"™.
ML1727.35.V7
Vincent, William, 1739-1815.
Considerations on parochial music. By WiUiam Vincent ... 2d
ed., with additions. London, T. Cadell, 1790.
iv, 43 p. 20i«™.
ML3(X)1.V77
Vinet, filie, 1509-1587.
See DiscouRS non plus melancoliqves qve divers, 1557.
Viotti, Giovanni Battista, 1753-1824.
M6moire au roi, concemant I'exploitation du privilege de POp^ra,
demand^ par le sieur Viotti. (Pans ? 1789 ?]
50 p. 20"™.
Dated " 29 avrill789."
ML1727.8.P2V5
EARLY BOOKS ON MUSIC 283
Virdung, Sebastian.
See LusoiNius, O. Mvsvrgia, 1536.
[Vismes, Alphonse Denis Marie de, called de Saint-Alphonse]
1746-1792.
Lettre a Madame de * * *, sur Top^ra d'lphig^nie en Aulide.
A Lausanne, 1774.
23 p. 18J<''».
For authorship see Pougin's supplement to F6tis' Biographic universelle des
musiciens.
ML1727.35.V74
Vives, Vincenzo Requeno y.
See Requeno y Vives, Vincenzo.
Vockerodt, Gottfried, 1665-1727.
Missbrauch der freyen kunste / insonderheit der music / nebenst
abgenSthigter erdrterung der frage: was nach d. Luthers und anderer
evangelischen theologorum und politicorum meinung von opern und
com6dien zu halten sey ? Gegen hn. d. Wentzels / hn. Job. Christian
Lorbers / und eines weissenf elsischen hof-musicantens schm5,h-schriff-
ten . . . vorgestellet / und mit einer zugabe: darinne enthalten: i.
Eine erinnerung an die censores dieser schrifft : ii. Das von den pas-
quillanten angefochtene programma: iii. Der hochldblichen Theol.
facult&t zu Giessen bedencken: iv. Vorstellung des . . . beginnens des
weissenf elsischen pasquillanten . . . hrsg. von Gottfried Vockerodt . . .
Franckfurt / Bey J. D. Zunnern, 1697.
176 p., 11. 19 X 15i<"'".
The program has special t.-p.: . . . De falsa mentium intemperatarum medi-
ciaa . . . Litteris Reyherianis.
ML194.A2V6
Gottfried Vockerodts . . . Wiederholetes zeugnus der warheit
gegen die verderbte music und schauspiele / opern / comddien und
dergleichen eitelkeiten / welche die heutige welt vor unschuldige mit-
teldinge will gehalten wissen: abgendthiget durch die andere von
einem weissf elsischen hof-musicanten / im jahr 1697. herausgegebene
schm&.h-schriflFt . . . Hierzu komt als eine zugabe / nebenst andern
. . . materien / des herrn von Chanteresme grundliches . . . bedencken
von denen heutigen schau-spielen; wie aucn des . . . hn. Armand yon
Bourbon, printzens von Conty, herrliches tract§,tlein von denen pflich-
ten grosser herren. Franckfurt und Leipzig / Bey J. Bielcken / 1698.
6 p. 1., 148, 59, [1] p. 19 X 15y^. {WiA his Missbrauch der freyen kunste.*
Franckfurt, 1697)
The "tract&tlein " haa special t.-p.
ML194.A2V6
284 LIBRARY OF CONGRESS
Vogelsang, Joannes.
Mvsicae rv- || dimenta, per loan. || Vogelsangum Lindauiensem,
tarn II fideliter quam compendiose || congesta. || loan. Pedionevs
Rhse- II tus, ad literarum tvrunculos. || (^ui cupis in teneris, statim per-
discere cantum, || Annis, nsec musse prima clementa para: || Quse tibi
cui nomen cantus foecere uolucrum || Succincto tradit colligit atcjh
libro. [Colophon: Auguste Vindelicorum per Va- || lentinum Otthmar]
lem
[88] p. 14i«
Dedication dated 1542. Signatures: A-E in eights, F in four.
ML171.V64
Vogler, Georg Joseph, aht, 1749-1814.
Georg Joseph Vogler's . . . Stimmbildungskunst, Mannheim, Kuhr-
furstliche hoibuchdruckerei, 1776.
[7] p. 4 fold. 1. (music) 18^"™.
Leaves printed on both sides.
MT820.A2V6
Vogler's Tonschule, tonwissenschaft und tonsezkunst. Nebst bey-
spielen . . . Offenbach a/M, J. Andre [n. d.]
2 V. in 1. fold, tab., fold, diagr. IT^"".
A reissue, with Andre's engr. t.-p. added, of Vogler's:
Kxihrpf&lzische tonschule. Auf kosten des verfassers. Mannheim, In
commission bei herrn C. F. Schwan, und bei herrn M. G6tze [1778]
2v.inl(v. l:viii, 96p.; V. 2:4p. l.,206p.) fold, tab., fold, diagr. 17^"™.
Contents. — 1. th. Tonkunst. Clavierschule. Stimmbildungskunst.
Singschule. Begleitungskunst. — 2. th. Tonwissenschaft. Tonsezkunst.
Nuzbarkeit des tonmases. Gebrauch der harmonic. Tonlehre.
From this it appears that the "Nuzbarkeit des tonmases" does not consti-
tute a third part to the work, as is stated in Barclay Squire's "Catalogue of
printed music (1487-1800) in the British mftseum."
The "Zweiter theil " is apparently a reissue with the original t.-p. of
"Georg Joseph Vogler's . . . Tonwissenschaft und tonsezkunst," Mannheim,
1776.
The "beyspiele" refer to the "Griinde der Kuhrpfalzischen tonschule in
beispielen" following.
MT40.A2V88
Griinde der Kuhrpfalzischen tonschule in beispielen : als vor-
bereitung zur Mannheimer monat-schrift, und zu den herausgaben des
Offentlichen tonlehrers. [Mannheim, 1778]
XXX p. 30 X 24''°».
Engraved throughout.
MT40.A2V883
Verbesserung der Forkel'schen ver&,nderungen liber das englische
volkslied God save the King. Nebst acht kupfertafeln. Frankfurt
am Main, Varrentrapp und Wenner, 1793.
2 V. (v. 1: 48 p. fold, tab.; v. 2: 10 p.) W'^™ (v. 2: 35'^"')
Preface signed: A. V.
Vol. 2, engraved throughout, has title: Kontrapunktische bearbeitung des
englischen volkslieds God save the King.
MT64.A2V6
See aZsoERSTE musikahsche preisaustheilung, 1794.
EAELY BOOKS ON MUSIC 285
Vogt, Moritz Johann, 1669-1730.
Conclave Thesauri magnse artis musicse [in quo tractatur. Prse-
cipue de compositione pura, musicse theoria, anatomia sonori, musica
enharmonica, chromatica, diatonica, mixta, nova, & antiqua: termi-
norum musicorum nomenclatura : musica authenta, plagali, chorali,
figurali: musicse historia . . . &c. . . . Authore R. P. Mauritio Vogt]
. . . Vetero-Pragse, typis Georgij Labaun, 1719.
8 p. 1., 223, [3] p., 1 1. illus., diagrs. 33^""'.
Supposed by some authorities to have been written by Tomds Baltazar Janovka
and merely edited by Vogt.
MT7.A2V75
[Voigt, C]
Gespr&ch von der musik, zwischen einem organisten und adjuvan-
ten, darinnen niclit nur von verschiedenen missbr&uchen, so bey der
musik eingerissen, gehandelt, sondem auch eines und das andere beym
clavier- und orgel-spielen angemerket wird ... an das licht gestellet
von einem, der von jugend auf christlich vnterrichtet, und oeffentlich
die wabrheit an den tag gegeben. In iv. unterredungen. Erfurth,
J. D. Jungnicol, 1742.
5 p. 1., 140 p. front. 20 x 17''«.
Preface by Lorenz Mizler.
ML3001.V89
[Voisenon, Claude Henri de Fusee, ahhe de] 1708-1775.
R^ponse du coin du roi au coin de la reine. 2. ed. cor. & augm.
[n. p., 1753]
No, 1 in a volume of pamphlets lettered Quere[lle] des Bou£fo[ns]
ML1727.33.A1
See also Grimm, F. M., freiherr von. Le petit prophete [1753?]
Voltaire, Frangois Marie Arouet de, 1694-1778.
See Hertel, J. W. Sammlung musikalischer schriften, 1757-58.
Voye Mignot, de la.
See La Vote Mignot, de.
Wagenseil, Johann Christoph, 1633-1705.
Job. Christophori Wagenseilii De Sacri rom. imperii Libera civitate
noribergensi commentatio. Accedit, De Germanise pbonascorvm,
von der meister-singer / origine, prsestantia, vtilitate, et institvtis,
sermone vernacvlo liber. Altdorli Noricorvm, typis impensisqve
J. W. Kohlesii. 1697.
4 p. 1., 7-576 (i. e. 588) p. front., vign., plates (partly fold.) ports., fold, plan,
tab. 21 x 164"=™.
Between p. 554 and 555 is " Der meisterliche hort, in vier gekr6nten th6nen, "
[12] p. ^
" Vrbs Norimberga carmine heroico illvstrata per Helivm Eobanvm Hessvm :
"•P'^HS^- ML1S3.A2W3
286 LIBEAEY OF CONGRESS
Walder, Johann Jacob, 1750-1817.
Anleitung zur singkunst in kurzen regein fur lehrer und in stuffen-
weyser reyne von uebungen und beyspielen fur schuler, zum gebrauch
der vaterl&ndischen scnulen. Von J. J. Walder. Zuricn, Orell,
Gessner, Fussli und compagnie, 1788.
XX, 60 p. 20J X 17^"™.
MT935.A2W26
Walker, Joseph Cooper, d. 1810.
Historical memoirs of the Irish bards. Interspersed with anecdotes
of, and occasional observations on, the music of Ireland. Also, an
historical and descriptive account of the musical instruments of the
ancient Irish. And an appendix . . . By Joseph C. Walker . . .
Dublin, Printed for the author, by L. White, 1786.
xii, 166, 124, [6] p. front, (port.) illus. 27 x 21=™.
Appendix: no. i. Inquiries concerning the ancient Irish harp . . . By the
Rev. Edward Ledwich. — ^no. ii. A letter ... on the style of the ancient Irish
music. From the Rev. Edward Ledwich. — no. iii. An essay on the poetical
accents of the Irish: by William Beauford. — no. iv. Dissertazione del Signor cano-
nico Orazio Maccari di Cortona, sopra un' antica statuetta di marmo, rapprasen-
tante un suonator di cornamusa. — no. v. Memoirs of Cormac Coromon. — no. vi.
The life of Turlough O'Carolan.— no. vii. An account of three brass trumpets,
found near Cork: with remarks thereon. — no. viii. An essay on the construction
and capability of the Irish harp, in its pristine and present state. By William
Beauford. — no. ix. Select Irish melodies.
ML287.W18
Wallin, Georg, 1686-1760.
See Wernsdorf, G. De prudentia [1723]
Wallis, John, 1616-1703.
See Salmon, T. A proposal to perform musick, 1688.
Wallis, John, 1616-1703, translator.
See Ptolemaeus, Claudius. 'ApiwvcKujv ^c^^a f, 1682.
Walter, Thomas. 1696-1725.
The grounds and rules of musick explained: or. An introduction
to the art of singing by note. Fitted to the meanest capacities . . .
Recommended by several ministers, [n. p., 17 — ]
iii, [1], 25 p., 20 1. (music) 12i x 18'''".
Imperfect, wanting t.-p. and plate 4. Title taken from that of the Ist edition,
1721, as given in "Catalogue of the American library of . . . Mr. George Brinley,"
Hartford, 1881. According to Mr. Metcalf, however, our copy is not of the 1st
edition, but was published probably about 1740.
Contains (1) "A recommendatory preface," dated Boston, April 18, 1721, and
signed by Increase and Cotton Mather and 13 other ministers, iii p. (2) Expla-
nation of musical characters. [1] p. (3) "Some brief and very plain instructions
for singing by note." 25 p. (4) Music (engraved) consisting of "Rules for
tuning the voice" (leaf 1) followed by hymn tunes arranged for 3 parts (1. 2-20)
M2116.W23
EARLY BOOKS ON MUSIC 287
Walter, Thomas — Continued.
— I — The grounds and rules of musick explained : or, An intro-
duction to the art of singing by note. Fitted to the meanest capaci-
ties. By Thomas Walter . . . Boston: Printed for, and sold by
T. Johnston, 1764.
1 p. 1., 25 p., 24 1. (music) 11^ x 17""'.
The first 20 1. of music in this issue correspond to those in the foregoing.
M2116.W24
The Sweet psalmist of Israel. A sermon preach'd at the lecture
held in Boston, by the Society for promoting regular & good singing,
and for reforming the depravations and debasements our psalmody
labours under, in ordet to introduce the proper and true old way of
singing. Boston, J. FrankHn, for T. Fleet, 1722.
3p. l.,6+p. 16°.
Imperfect, wanting p. 7-28.
Ch. 17.1063
Walther, Johann Gottfried, 1684-1748.
Musicalisches lexicon, oder Musicalische bibliothec, darinnen nicht
allein die musici, welche so wol in alten als neuern zeiten, ingleichen
bey verschiedenen nationen, durch theorie und praxin sich hervor
gethan, und was von jedem bekamit word en, oder er in schrifften
interlassen, mit allem fleisse und nach den vomehmsten umst^nden
angefijhret, sondern auch die in griechischer, lateinischer, itali&nischer
una frantz6sischer sprache gebr§.uchUche musicalische kunst- oder
sonst dahin geh6rige w6rter, nach alphabetischer ordnung vorgetragen
und erkl&ret, una zugleich die meisten vorkommende signaturen
erl&utert werden von Johann Gottfried Walthern . . . Leipzig, W.
Deer, 1732.
7 p. 1., 659, [7] p. XXII fold. pi. 22*^™.
ML100.A2W2
Weaver, John, 1673-1760.
An essay towards an history of dancing, in which the whole art and
its various excellencies arc in some measure explain' d. Containing
the several sorts of dancing, antique and modern, serious, scenical,
grotesque . . . London, J. Tonson, 1712.
4p. 1., 172p. 17"™.
GV1601.W36
The history of the mimes and pantomimes, with an historical
account of several performers in dancing, living in the time of the
Roman emperors. To which will be added, a list of the modern
entertainments that have been exhibited on the English stage, either
in imitation of the ancient pantomimes, or after the manner of the
modern Italians; when ana where first performed, and by whom
composed. By John Weaver . . . London, J. Roberts [etc.] 1728.
56 p. 20'='^.
[Miscellaneous pamphlets, vol. 31, no. 6]
288 LIBRARY OF CONGRESS
[Webb, Daniel] 1719?-1798.
Observations on the correspondence between poetrj and music.
By the author of An enquiry into the beauties of painting . . . Lon-
don, J. Dodsley, 1769.
vii, 155 p. 17i<"°.
ML3849.A2W3
Weidling, Christian, 1660-1731, praeses.
. . . Exercitatio philologica de instrumentis Ebrseorum musicis
mV^n^m nirjJn ex psalmo iv. & v. . . . Lipsise, Uteris J. Coleri [1686]
[20] p. 17i X Hi'-"'.
Diss. — Leipzig (J. A. Glaser, respondent and author)
ML166.A2G56
Weimar, Georg Peter, 1734-1800.
Versuch kurzer praktischer uebungs-exempel allerley art itiv
schuler, die im gesange zum sogenannten notentreffen oder vom blatt-
singen angeleitet werden sollen ; ein pendant zu Hillers kilrzeren und
erleichterten singeanweisung . . . von Georg Peter Weimar . . . Leip-
zig, Breitkopfische musikhandlung [1795]
1 p. 1., 110 p. 22 X ITi""*.
MT870.A2W3
Weissbeck, Johann Michael, 1756-1808.
Protestationsschrift, oder Exemplarische widerlegung einiger stellen
und perioden der kapellmeister Voglerischen Tonwissenschaft und
tonsetzkunst, von Johann Michael Weissbeck, d. r. g. b. Erlangen,
Gedruckt mit Kunstmannischen schriften, 1783.
1 p. 1., 17, [5] p. 21J X 18''°>.
Title vignette.
Contains another t.-p., undated, and with different vignette, under which the
motto: Ich werdekeinenspruchundkeineprufungscheuen. Weissbeck is here
designated as "juris stud.
"Anhang zur Protestations-schrift . . . Im februar 1784": [4] p. at end.
MT40.A2W45
Werckmeister, Andreas, 1645-1706.
Andrese Werckmeisters . . . Cribrvm mvsicvm, oder. Musicalisches
sieb, darinen einige m&ngel eines halb gelehrten componisten vorge-
stellet, und das b6se von dem guten gleichsam ausgesiebet und abge-
sondert worden, in einem sendschreiben an einem [ !] guten freund
dargestellet, dann denen unzeitigen componisten zur nachricht und
fleissigern nachsinnen zum druck bef6rdert durch Johann Georg
Carln . . . Quedlinburg und Leipzig, T. P. Calvisius, 1700.
4 p. 1., 60 p. 19J X IG""*.
Pages 42-60 contain an extract from Johann Kuhnau's "Der musikalische
quack-salber," Dresden, 1700.
MT55.A2W48
EARLY BOOKS ON MUSIC 289
Werckmeister, Andreas — Continued.
Harmonologia musica, oder Kurtze anleitung zur musicalischen
composition, wie man vermittels der regeln und anmerckungen bey
den general-bass einen contrapunctum simplicem . . . durch drey sS,tze
oder griffe componiren / una extempore spielen: audi dadurch im
clavier und composition weiter zu scnreiten und zu variiren gelegen-
heit nehmen k6nne : benebst einen unterricht / wie man einen gedop-
pelten contrapunct und mancherley canones oder fugas ligatas, durch.
sonderbahre griffe und vortheile setzen und einricnten m6ge / aus
denen mathemathischen und musicalischen griinden aufgesetzet und
zum drucke heraus gegeben durch Andream Werckmeistern . . .
Franckfurth und Leipzig / In verlegung T. P. Calvisii, Qvedlinburg,
1702.
13p. 1., 142p. 20ixl6i'^'».
MT55.A2W5
Hypomnemata musica, oder Musicalisches memorial / welches
bestehet in kurtzer erinnerung dessen / so bisshero unter guten
freunden discurs-weise / insonderheit von der composition und tem-
peratur m6chte vorgangen seyn / zu eigener nachricht aufifgesezzet /
und denen musical-lernend- und liebenden zum besten / den druck
Tjbergeben von Andrea Werckmeister . . . Qvedlimburg, In verlegung
T. P. Calvisii, 1697.
4 p. 1., 44, [3] p. 20x15^""'.
ML3809.A2W37
Musicse mathematicse hodegus curiosus. Oder, Richtiger musica-
lischer weg-weiser / das ist, wie man nicht alleine die naturlichen
eigenschafften der musicalischen proportionen / durch das mono-
chordum, und ausrechnung erlangen / sondern auch vermittels der-
selben / naturUche und richtige rationes liber eine musicalische
composition vorbringen konne. Benebenst einem allegor-morali-
schem / von der music entspringendem anhange . . . Von Andrea
Werckmeistern . . . Franckiurt und Leipzig, In verlegung T. P.
Calvisii, 1687.
4 p. 1., 160, [12] p. 20 X 15^'-'".
ML3809.A2W3
Musicalische paradoxal-discourse, oder Ungemeine vorstellungen /
wie die musica einen hohen und gdttlichen uhrsprung habe / und wie
hingegen dieselbe so sehr gemissbrauchet wird. Dann wie dieselbe
von den lieben alten mit grosser schwiirig- und weitlaufftigkeit /
welche uns zum theil noch anhanget / ist fortgesetzet worden / und
wie man hingegen in vielen stilcken / in heutiger musica practica
eines nahern weges und vortheils sich bedienen kdnne. &c. So wohl
denen so ihre music zur ehre Gottes gedencken anzuwenden / auch
andern Gott- und kirchen-music Hebenden zum weitern nachdencken
mathematice, historice, und allegorice, durch die musicahschen pro-
portional-zahlen entdecket / und vorgestellet von Andrea Werck-
meister . . . Qvedlinburg / T. P. Calvisius, 1707.
120, [2] p. 19^ X 1%'=^.
Imperfect, wanting p. 27-28.
ML3800.A2W4
51234"— 13 19
290 LIBRARY OF CONGRESS
Werckmeister, Andreas — Continued.
Die nothwendigsten aiunerckungen / und regeln wie der bassus
continuus, oder general-bass wohl k6nne tractiret werden / und ein
jeder / so nur ein wenig wissenschafft von der music und clavier hat /
denselben vor sich selbst erlemen k6nne. Aus dem wahren funda-
ment der musicalischen composition denen anf&ngem zu besserer
nachricht aufgesezet / u. aniezo merckicb [!] vermehret / und mit
vielen exempeln erkl&ret durch Andreas Werckmeistem / m. u. o. z.
S. M. i. H. Andere aufl. Aschersleben / G. E. Struntz, 1715.
75, [1] p. 19 X 16 J"".
MT49.A2W48
iJie nothwendigsten anmerckungen / und regeln wie der bassus
continuus, oder general-bass wol k6nne tractiret werden und ein jeder
so nur ein wenig wissenschafft von der music und clavier hat den-
selben vor sich selbst erlemen k6nne. Aus dem wahren fundament
der musicalischen composition denen anf&ngern zu besserer nachricht
auffgesezzet und aniezzo mercklich vermehret / und mit vielen
exempeln erkl&ret / durch Andreas Werckmeistem / m. u. o. z. S. M.
i. H. Aschersleben / G. E. Struntze [n. d.]
72, [4] p. 18 X IS""*.
As most of the errata in this edition are also in the edition of 1715, it is not
possible to determine which is the earlier. Various authorities date the Ist
edition 1698 and describe as the third an undated edition.
MT49.A2W47
. . . Organum gruningense redivivum, oder Kurtze beschreibung
des in der gruningischen schlos-kirchen beruhmten orgel-wercks, wie
dasselbe anfangs erbauet und beschaffen gewesen: und wie es anitzo
... ist renoviret und mercklich verbessert worden . . . von Andreas
Werckmeister. Quedlinburg und Aschersleben / G. E. Struntz
[pref. 1705]
[36] p. 19 X 15J«^.
ML594.G7
Andrese Werckmeisters . . . erweiterte und verbesserte Orgel-probe /
oder Eigentliche beschreibung / wie und welcher gestalt man die orgel-
wercke von den orgelmachern annehmen / probiren / untersuchen und
denen kirchen Uefern k6nne; auch was bey verdungniss eines neuen
und alten wercks / so da zu renoviren vorf alien m6chte / nothwendig in
acht zu nehmen sey . . . jetzo von dem autore selbst iibersehen / mit
grAndhchen uhrsachen bekr&fftiget / und zum druck befordert.
Qvedlinburg, In verlegung T. P. Calvisii, 1698.
8 p. 1., 84, [4] p. 19«°'.
Added t.-p., engr., in this copy colored by hand.
ML552.A2W4
Andreas Werckmeisters . . . erweiterte und verbesserte Orgel-
probe / oder: Eigenthche beschreibung wie und welcher gestalt man
die orgelwercke von den orgelmachern annehmen / probiren / unter-
suchen und denen kirchen Hefem k6nne; auch was bey verdiingniss
eines neuen und alten wercks / so da zu renoviren vorfcillen m6chte /
nothwendig in acht zu nehmen sey . . . jezo von dem autore .selbst
EAELY BOOKS ON MUSIC 291
Werckmeister, Andreas — Continued.
libersehen / mit grundlichen ursachen bekr&fftiget / und zum druck
bef6rdert. Quedlinburg und Aschersleben / G. E. Struntz / 1716.
12 p. 1., 85, [3] p. 21 X 16J«»».
Added t.-p., engr.
ML552.A2W41
Andreas Werkmeisters erweiterte und verbesserte Orgelprobe.
Leipzig, J. M. Teubner, 1754.
110 p. front. 17'=°'.
ML552.A2W42
Werckmeister, Andreas, 1645-1706, translator.
See Steffani, A. Send-schreiben, 1700.
[Wernich, Johann Carl Gustav] d. 1796.
Versuch. einer richtigen lehrart die harfe zu spielen, wobey die
grundsS-tze nach welchen dieses instrument erlernet werden muss,
mit der grSssten deutlichkeit, und solchergestalt vorgetragen wer-
den, dass der liebhaber desselben eine hinl&ngiiche geschicklichkeit
darauf erlangen k6nne, von J. C. G. W. Berlin, G. L. Winter, 1772.
8 p. 1., 43 p. 1 illus. 21^ X l?"*".
Dedication signed: J. C. G. Wemich.
MT540.A2W57
Wernsdorf, Gottlieb, 1668-1729, praeses.
. . . De prudentia in cantionibus ecclesiasticis adbibenda . . . Wit-
tenbergae. Uteris vidvae Gerdesiae [1723]
76 p. W™.
Diss. — ^Wittenberg (Georg Wallin, respondent and author)
ML3001.W49
Wiedeburg, Michael Johann Friedrich, h. ca. 1735,
Musikalisches charten-spiel ex G dur, wobey man allezeit ein musi-
kalisches stuck gewinnet, zum vergnugen und zur uebung der clavier-
spieler und zum gebrauch der organisten in kleinen st§.dten und auf
aem lande. Erstes spiel. Von Mich. Joh. Fridr. Wideburg . . .
Aurich, A. F. Winter, 1788.
8, 48 p. 22i X 19'=™.
No more published.
MT68.A2W4
Der sich selbst informirende clavierspieler, oder Deutlicher und
leichter unterricht zur selbstinformation im clavierspielen ... so
deutlich und mit fleiss weitl&uftig abgef asset, dass die liebhaber . . .
sich selbst so weit bringen kdnnen, nach noten ein lied auf dem
clavier zu spielen, nebst dreyssig bekannten liedermelodien und einer
aria, wie auch einer kurzen anweisung alle Ueder auch nach dem
generalbass spielen zu lernen, aufgesetzet von Michael Johann Fried-
rich Wiedeburg . . . Halle und Leipzig, Verlag der buchhandlung
des Waisenhauses, 1765-75.
3 V. in 4. 2 pi. (1 fold.) 24J x 19^''"'.
292 LIBRARY OF CONGRESS
Wiedeburg, Michael Johann Priedrich — Continued.
Vols. 2 and 3 have special t.-p.: (v. 2) Anderer theil des Sich selbst infonni-
renden clavier-spielers, oder Deutlicher und grundlicher unterricht zur selbst-
information im general-bass . . . Von Michael Johann Friedrich Wideburg . . .
Halle, Gedruckt und verlegt im Waisenhause, 1767. (v. 3) Dritter theil . . .
worin gezeiget wird, wie ein liebhaber der music bey fleissiger selbst-information
nicht allein . . . zum fantasiren auf der orgel und dem clavier, Bondem auch zu
einer geschicklichkeit, allerley musicalische stucke . . . zu verfertigen und zu
componiren, gelangen kan . . . Halle, -Im verlag des Waisenhauses, 1775.
MT248.A2W64
[Wiese, Christian Ludwig Gustav, freiherr von] 1732-1800.
Discours analytique sur la coherence imperturbable de Funite du
principe des trois premieres parties integrantes de la th^orie musicale,
et qui sent: 1.) La partie canonique ... 2.) La partie melodique . . .
3.) La partie harmonique . . . Ouvrage enrichi de cinq tables formu-
laires . . . Par le B. de W. . . . Dresde, Chez les freres Walther,
1795.
38 p. 5 fold. pi. 22i X IG''™.
ML3805.A2W5
Versuch eines formularisch und tabellarisch vorgebildeten leit-
f ad ens im bezug auf die quelle des harmonischen tonungsausflusses;
ferner auf die mechanisch ausfiihrbare stimmungsiibertragung der
sowohl rationalstimmung, als auch ungleichschwebenden fixen tem-
Seraturstimmung auf der orgel und den tastenjnstrument . . . Dres-
en, P. C. Hilscher [1791]
1 p. 1., 33 p. 24 X 36''">. ,
Engraved in part.
ML3809.A2W6
Wilisch,
See Nachgedanken herrn m. Joh. Gottl. Biedermanns, 1750.
Wilke, Johann Georg Leberecht von, 1730-1810.
See MusiKALiscHES handwdrterbuch, 1786.
Wochentliche nachrichten und anmerkungen die musik betreffend.
1. jahrg. 1. Jul. 1766-22. jun. 1767; 3. jahrg., 4. jul. 1768-26. jun.
1769; 4. jahr^., 1. jan.-24.dec. 1770. Leipzig, Im verlag der Zei-
tungs-expedition, 1766-70.
3 V. 24J X 19<>"'.
Each quarter-year has t.-p. 4. jahrg. has title: Musikalische nachrichten und
anmerkungen auf das jahr 1770. 1. [-52.] stiick. (Signatures: iv. jahrg.)
J. A. Hiller, editor.
L. of C. set lacks 2. jahrg. and 24 numbers published July 10-Dec. 25, 1769, as
anhang to the 3. jahrg.
ML4.W6
Wolf, Ernst Wilhelm, 1735-1792.
Auch eine reise, aber nur eine kleine musikaHsche, in den monaten
i'unius, Julius und august 1782 zum vergnii^en angestellt und . . .
>eschrieben und herausgegeben von Ernst Wilhelm Wolf . . . Wei-
mar, C. L. Hoffmanns sel. wittwe und erben, 1784.
64 p. 16=™.
ML275.3.W75
EAELY BOOKS ON MUSIC 293
Wolf, Ernst Wilhelm — Continued.
Musikalischer unterricht. Vom ton; von den tonleitem; von den
kon- und dissonirenden t6nen; denen daraus entstehenden akkorden
u. s. w.; von den fortschreitungen der t6ne und akkorde; von ihren
ausweichungen, aufldsungen und den daraus entstehenden ver-
schiedenenkadenzen; vomtakt . . . vom tempo; von der melodie . . .
vom generalbass, und von der harmonisclien modulazion; vom kon-
trapunkt . . . von der nachahmung . . . von der fuge . . . alles durch
pjraktische beyspiele erl&utert ; vom ausdruk, und etwas von der ein-
richtung musikalischer tonstilkke . . . geschrieben und hrsg. von
Ernst Wilhelm Wolf. Dresden, Hilschersche musikverlage, 1788.
2 V. (v. 1: 2p. 1., 76p.; V. 2: Ip. 1., 54p.) 34i«».
Vol. [2], "Praktische beyspiele," is engraved throughout.
MT40.A2W85
Wolf, Georg Friedrich, 1762-1814.
Kurzgefasstes musikalisches lexikon, zusammengetragen von Georg
Friedrich Wolf . . . Halle, J. C. Hendel, 1787.
xiv, 192 p. 20''"'.
ML100.A2W8
Georg Friedrich Wolfs . . . Unterricht im klavierspielen . . . Halle,
J. C. Hendel, 1799.
2 V. in 1 (v. 1: 104 p.; V. 2: 96 p.) 20"™. '
Parti: 4., verb, und verm. aufl. Part 2: Zweiter theil, welcher die anfangs-
grunde des generalbasses entMlt. 2., verb, und verm. aufl.
MT220.A2W85
Georg Friedrich Wolfs Unterricht in der singekunst. Halle in
Sachsen, J. C. Hendel, 1784.
123, [1] p. 20i«°'.
Title vignette.
MT820.A2W7
Wollick, Nicolas.
Opus Aureum. || Musice castigatissimu || de Gregoriana et Figura-
tiua atqj con || trapticto simplici percomode tra || ctans omib^ cantu
oblectan || tibus vtile et necessa- || rium e diuersis J| excerptum ||
Fata regunt finem, spero dij cepta secundent || Qui ducis vultus & non
legisista libenter || Omnibus inuideas, liuide nemo tibi | [Colophon:
C Explicit opusculu musices oib) volentib) cantum | vtrucb scire
necessariu fausto fine Impressum Colo- || nie in edibus honesti viri
Henrici Quentell. Anno |] domini. M.ccccc.iiij]
[78] p. lillus., diagr. 21"°'.
Signatures: A", B\ C^ D-E*, F^, G*, H^ (one leaf, to complete signature H,
wanting)
In four parts, of which only the first two, treating of the Gregorian choral, are
by Wollick; the last two, dealing with florid song, are by Malcior of Worms.
The staves alone are given for the musical examples of the third and fourth
parts. .,, . •
On the last page is a letter headed: Nicolaus wollick de Serouilla Artiu magister
dno Ade Popardiensi sacre pagine licentiato ac in gymnasio Corneliano regenti
Salute. P. D.
According to Fetis this is a reissue of the 1st edition, Cologne, 1501, with
new t.-p.
^ ML171.W75
294 LIBRARY OF CONGRESS
Wollick, Nicolas — Continued.
C Enchiridio musices Nicolai wolici || Barroducensis de grego-
riana et figu || ratiua atq, cotrapticto simplici pcom- || mode tractas /
omnibus cantu oblecta || tibus perutile et necessarium. || C Distichon.
II Fata regunt musas placidum pertingere callem || Aiinuet optanti
cepta canora deus. || [printer's mark] || G Distichon 'in zostum. ||
Liuidus americos liuenti murmure tractus. || Vadat: vt inuidiam
liuor acerbus edat. {Colophon: C Impressum Parisii impensa . . . Jo-
hanis || Parui ad itersigniti leonis argentei. z Francisci Regnault ad
in- I tersigniu diui Claudii comoratiu. Anno virginei partus. 1512.
14. j kalendas Nouembris]
[163] p. illus. 19'"".
Signatures: a-i^ k®, 1*. Gothic type; rubricated. Lettered: Thesaurus melo-
diae.
ML171.W86
Wonnegger, Johann Ludwig.
See Glareanus. Musicse epitome [1559]
An enquiry into the principal phsenomena of sounds and musical
strings. By Matthew Young . , . London, G. Robinson, 1784.
Young, Matthew, Ip. of ClonfeH, 1750-1800
An enquiry into the principal phf
rings. By Matthew Young ... I
3 p. 1., 203 p. pi., diagrs. on fold. pi. 22«°».
QC225.Y8
Yzo,
Lettre sur celle de M. J. J. Rousseau, citoyen de Geneve, sur la
musique. Par M. Yzo . . . [Paris] 1753.
24 p. 16""'.
Addressed to "Monsieur Breun de Larcherie, Am^ricain."
ML1727.33.Y97
See also Iso.
Zacconi, Giulio Cesare, in religion Lodovico, 1555-1627.
Prattica di mvsica vtile et necessaria si al compositore per com-
porre i canti suoi regolatamente, si anco al cantore per assicurarsi in
tutte le cose cantabili. Divisa in qvattro Ubri. Ne i qvali si tratta
delle cantilene ordinarie, de tempi de prolationi, de proportioni, de
tuoni, et della conuenienza de tutti gU istrumenti musicah. S' insegna
a cantar tvtte le composizioni antiche, si dichiara tutta la messa del
Palestina titolo Lome arme, con altre cose d'importanza & dilet-
teuole. Vltimamente s' insegna il modo di fiorir una parte con uaghi
& modemi accenti. Composta dal r. p. f . Lodovico Zacconi . . ,
Venetia, B. Carampello, 1596.
6 p. 1., 218 numb. 1. illus. 29<='».
Title vignette. Leaves 30, 67, 124, 130, 188 numbered 29, 140, 130, 122, 194
respectively.
Leaf inserted before leaf 50, bearing also the number 50, and having on
recto the alto, etc.: Beatus author seculi, in measured notation; on verso, canto
etc. : Gloria tibi domine, in black choral notation. The original leaf has on recto
the alto, etc.: Beatus author seculi, in black choral notation, and on verso, text.
According to Gaspari this edition is the same, t.-p. excepted, as the edition
of 1592.
A second part was published at Venice in 1622.
ML171.Z23
EARLY BOOKS ON MUSIC 295
Zanger, Johann.
Practicae mv- || sicae praecepta, || pveritiae institvendae || gratia,
ad certam metho- J| dum reuocata, per I] loannem Zange- J rum
Oenipontanum. || Lipsiae, || In officina Typographica || Georgij
Hantzsch. || Anno || 1554.
[154] p. lillus. 20"°'.
S^natures: A-S in fours, T in six (last leaf blank) Guidonian hand on verso
ofB2.
ML171.Z26
De zangkunst gemaklijk gemaakt; of, Musykaal handboek; met
behulp van 't welke men alle de gronden dier loflijke kunst zonder
meester kan leeren : benevens eene duidelijke verklaaring van de
hoogstnuttige transpositie: opgehelderd met veele voorbeelden, op
uitslaande plaaten, zeer zindelyk in 't koper gegraveerd. Amster-
dam, H. Gartman, 1788.
40 p. front., 9 fold. pi. 19^"™.
Introduction signed: D. v. H.
A new edition of Dirk van der Hooch's Grondslag van 't vocaalmuzijk?
MT870.A2Z2
Zanotti, Francesco Maria, 1692-1777.
Lettere del Sig. Francesco Maria Zanotti, del pad. Giambatista
Martini, min. con., del pad. Giovenale Sacchi, c. r. b., accademici
deir Istituto di Bologna, nelle quali si propongono, e risolvono alcuni
dubbj appartenenti al trattato: Delia divisione del tempo nella
musica, nel ballo, e nella poesia, pubblicato in Milano I'anno 1770
nella stamperia Malatesta; e aU' altro: Delle quinte successive nel
contrapnunto, e delle regole degli accompagnamenti, pubblicato nella
medesima stamperia, I'anno 1780. Milano, Stamperia de' fratelli
Pirola, 1782.
2 p. 1., [3]-59 p. 23'-
}pm
Pages &-10, 39-40 (half-titles?) do not appear in this copy.
The treatises in question were written by Sacchi.
MT55.A2Z2
Zapata, Maurizio, 1640-1709.
Ristretto, overo breve discorso sopra le regole di canto fermo, di
D. Mavrizio Zapata . . . Parma, G. dall' Oglio, e I. Rosati, 1682.
64 p. 21'"™.
MT860.A2Z2
Zarlino, GioseflFo, d. 1590.
De tvtte I'opere del r. m. Gioseffo Zarlino . . . ch' ei scrisse in
bvona lingva italiana; gia separatamente poste in luce; hora di
nuouo corrette, accresciute, & migliorate, insieme ristampate . . .
Venetia, Francesco de' Franceschi Senese,' 1588-89.
4 V. in 3. illus., diagrs. (1 fold.) ?>0^''^.
Printer's mark on t.-p. Title varies.
Contents. — I. v. L'istitvtioni harmoniche. 1589. —2. v. Le dimostrationi har-
moniche. 1589. — 3. v. Sopplimenti mvsicali . . . ne i quali si dichiarano
molte cose contenute ne i due primi volumi, delle istitutioni e dimostrationi;
per essere state mal' intese da molti; e si risponde insieme alle loro calonnie.
1588. — 4. V. II trattato delLa patientia, II discorso del vero anno, & giorno della
morte di Christo, L'origine de i r. p. Capuccini, et Le risoliitioni d'alcune di-
mande fatte intomo la coiTettione del calendario di Giulio Cesare. 1589.
ML171.Z33
296 LIBRAE Y OF CONGRESS
Zarlino, Gioseffo — Continued.
Dimostrationi harmoniche del r. m. Gioseffo Zarlino . . . Nelle
quali realmente si trattano le cose della musica: & si risoluono molti
dubii d'importanza. Opera molto necessaria h. tutti quelli, che
desiderano di far buon profitto in questa nobile scienza. Con la
tauola delle materie notabiU contenute nell' opera . . . Venetia,
Francesco de i Franceschi Senese, 1571.
4 p. 1., 312, [10] p., 1 1. illua., diagre. 30«°».
Printer's mark on t.-p.
ML171.Z37
Le istitvtioni harmoniche di m. Gioseffo Zarlino da Chioggia; nelle
quali; oltra le materie appartenenti alia mvsica; si trouano dichiarati
molti luoghi di poeti, d'mstorici, & di filosofi; si come nel leggerle si
potra chiaramente vedere . . . Venetia, 1558.
6 p. 1., 347 p. diagrs. 30i''°».
Printer's mark (?) on t.-p., with legend: Excubo ac vigilo. Text, preface and
table of contents printed in italics. Page 95 wrongly numbered 87.
ML171.Z35
Istitvtioni harmoniche del rev. messere Gioseffo Zarlino . . .
di nuouo in molti luoghi migUorate, & . . . ampliate. Nelle quali;
oltra le materie appartenenti alia mvsica; si trouano dichiarati molti
luoghi di poeti, historici, & di filosofi; si come nel leggerle si potra
chiaramente vedere. Con due tauole; I'vna che contiene le materie
principali: & I'altra le cose piti notabili, che nell' opera si ritrouano . . .
Venetia, Francesco de i Franceschi Senese, 1573.
6 p. 1., 428, [20] p. illus., diagrs. 30"=".
Printer's mark on t.-p.
Bound with the " Dimostrationi harmoniche" and "Sopplimenti musicali."
ML171.Z37
Sopphmenti mvsicali del rev. m. Gioseffo Zarlino . . . Ne i quali si
dichiarano molte cose contenute ne i due primi volumi, delle Istitu-
tioni & Dimostrationi; per essere state mal' intese da molti; & si
risponde insieme alle loro calonnie. Con due tauole. Tuna che con-
tiene i capi principali delle materie, & I'altra le cose piti notabili, che
si trouano nell' opera. Terzo volume . . . Venetia, Francesco de'
Franceschi, Sanese, 1588.
8 p. 1., 330, [20] p. illus. (incl. coat of arms) diagrs. (1 fold.) 30"'".
Printer's mark on t.-p.
Boimd with "Dimostrationi harmoniche" and "Istitutioni harmoniche.''
ML171.Z37
See also Cerone, D. P. El melopeo, 1613.
Zeidler, Carl Sebastian, 1719-1786.
Dissertatio epistolica de vetervm philosophorvm stvdio mvsico,
qvam . . . domino Erhardo Andreae Frommanno in anniversario
Academiae altdorffinae sacro a. d. xxix. ivnii mdccxlv. dignitatem
philosophicam impetranti gratvlationis cavssa dicat Carolvs Sebas-
tianvs Zeidler . . . Norimbergae, typis A. BieUngii [1745]
12 p. 20 X 16i«™.
ML168.Z34
See also Gruber, J. S. Bejiir&ge zur htteratur der musik.
EARLY BOOKS ON MUSIC 297
Zeidler, Johann Georg, h. ca. 1590, praeses.
. . . Ternarius musicus . . . Jena[e] typis Henri[ci Rauchmauls?
1615]
[8] p. 18 X ISO*".
Diss. — Jena (U. Fritsch respondent)
Imperfect, part of t.-p. torn off.
ML64.Z34
Zeno, Apostolo, 1668-1750.
See Allacci, L. Drammaturgia, 1755.
Zuccari, Carlo.
The true method of playing an adagio made easy by twelve exam-
ples, first, in a plain manner with a bass, then with all their graces,
adapted for those who study the violin; composed by Carlo Zuccari
. . . London, Printed by R: Bremner [17 — ]
1 p. 1., XII p. 24 X Sy^. {With Pasquali, Nicolo. The art of fingering, the
harpsichord. London [17 — ])
Engraved throughout.
MT252.A2P31
[Zumbag de Koesfelt, Coenraad] 1697-1780.
Institutiones musicse, of Korte onderwyzingen rakende de practyk
van de musyk; en inzonderheid van den generaalen bas. of bassus
continuus, benevens de daer uit sprtiitende gronden van de compo-
sitie. tJitgegeven door een liefhebber van deze kunst. Leyden,
G. PotvKet, 1743.
4 p. 1., 74, [2] p. vrii pi. ISi"
icm
Engr. t.-p. Dedication signed: Coenraad Zumbag de Koesfelt, m. d.
Based on a work left in ms. by his father, Lothar Zumbag de Koesfelt
(1661-1727)
MT49.A2Z8
INDEX TO anony:moxjs works.
Including references to special contents.
ABC Dario musico. See Title.
A. G. Kaestners . . . schreiben. See Bollioud-Mermet.
Der aberwitzige pickelhering Jean Bebhu. See Printz' Phrynis Mitilenaeus.
Abhandlung vom schalle. See Belz' Dissertation sur le son et sur I'ouie.
Abhandlung von den pantomimen. See Title.
Abrege de I'histoire de la Menestrandie. See Beche.
Abstract of the laws ... of the Fund for the support of decayed musicians.
See Bumey's Account.
An account of printed musick. See A short explication.
An account of the institution and progress of the Academy of ancient
music. See Hawkins.
An account of three brass trumpets, found near Cork. See Walker.
Adicion al Compendio del arte de canto llano. See Villasagra.
Aggiunta di alcune messe proprie de santi. See La Feillee's II cantore eccle-
siastico.
Alcuni essempi della piu antica musica. See Joao IV.
Alguns hymnos selectos. See Bernardo da Concei?ao.
AUgemeine musikaJische zeitung. See Title.
Almanach des Theaters in Wien. See Title.
Als unverhoetz. See Papius.
Altri documenti musicall nel canto fermo. See Banchieri's Cartella musicale.
Alypii Introductio musica. See Meibom.
Die an derkirchen Gottes gebauete satans-capelle. See Fuhrmann.
Analyse critique de Tarare. See Title.
Ancient songs from the time of King Henry the Third. See Ritson.
Anecdotes dramatiques. See Clement, J. M. B.
Anecdotes of . . . Handel . . . and . . . Smith. See Coxe.
Aneddoto forense. See Mattel.
Anleitung zum selbstxinterxicht in der musikalischen composition. See
Daube's Anleitung zur erfindung der melodie.
Anmerkungen ueber die musik ueberhaupt. See Hertel's Sammlung.
L'anti-scurra. See Title.
Apologia delle opere drammatiche di Metastasio. See Franceschi.
Apologie de la musique frangoise. See Laugier.
Apologie du go<it fransois. See Caux de Cappeval.
Argimients to prove the obligation of the duty, by Mr. Bradbury. See Prac-
tical discourses.
Ariette, mise en musique par M. I'abbe Dugue. See Foumier.
'Apiareido'j KoivzdiavoO ITspi fiooaiKrjc ^cfiUa. See Meibom.
Aristidis Quintiliani De musica libri III. See Meibom.
Aristoxeni Harmonicorum elementorum libri III. See Meibom.
Armonici erudimenti. See Title.
Arrest de la Cour de Parlement. See France.
299
300 INDEX TO ANONYMOITS WORKS
Arrest du Conseil d'estat du roy. See France.
Arrgt du Conseil d'etat du roi. See France.
Arr§t rendu a I'amphithgatre de I'Opera. See Holbach.
L'art du plein-chant, ou Traite theorico-pratique sur la fa^on de le chanter.
See Title.
Th.e art of composing music by a method entirely new. See Hayes.
The art of descant. See Playford, John.
The art of playing on the violin. See Prelleur.
L'arte del detto contrapiito. See Title.
Au petit proph§te de Boesmischbroda. See Title.
Bacchii senioris Introductio artis musicae. See Meibom.
Balaam: an attempt towards an oratorio. See Davy's Letters.
Des ballets anciens et modemes. See Menestrier.
Ballets, opera, et autres ouvrages lyriques. See La VaUi^re.
Berlinische musikalische zeitung. See Title.
Betrachtungen ueber die kirchen-music. See Steinberg.
Beurtheilung der Allbrechtischen abhandlung. See Steinberg.
Beytraege zur geschlchte der musik, besonders in Deutschland. See Boecklin
von Boecklinsau.
Biblioteque des theatres. See Maupoint.
BibUothSque des theatres. See Clement, J. M. B.
Der blutige und sterbende Jesiis (libretto) See Hunold.
Breefe introduction to the skUl of musick. See Plaj^ord, John.
Brevi et primi documenti musicali. See Banchieri's Cartella musicale.
Brief an die frau von * * * , ueber die oper Iphigenie en Aulide. See Ritdel.
Brief des herm Boy von der oper. See Hertel's Sammlung.
Brief des herm von * * . . . ueber die neue oper. See Riedel.
A brief discourse of the Italian manner of singing. See Playford, John.
Briefe ueber musikwesen, besonders Cora in HaUe. See Bnimbey.
Briefwechsel ueber Danziger musik. See Title.
Le brigandage de la musique italienne. See Goudar, Ange.
Calendrier musical universel. See Title.
Canoni musicali a quatro voci. See Banchieri's Cartella musicale.
Cantiques spirituels [par Monsieur Moreau]. See La poesie et la musique.
n canto ecclesiastico. See Erculeo.
n cantore ecclesiastico, ossia Metodo facile. See La Feill^.
Cantorinus. See Title.
Cantus diversi ex GraduaJi romano. See Title.
Cantus ecclesiastici. See Nivers.
Ce que I'on doit dire. See Foliot.
Ce qu'on a dit, ce qu'on a voulu dire. See Marin.
Che sera sed al cielo, d'Alessandro Striggio. See Caus' Raasons.
Chelys, minuritionum artiflcio exomata. See Simpson's The division-violist.
Choix de chansons mises ^ quatre parties. See La Borde's Essai.
Das choralspielen bey den protestanten. See Turk's Von den wichtigsten
pflichten eines organisten.
Chronological list of Handel's works. See Bumey's Account.
Church-pageantry display 'd: or, Organ-worship. See Owen.
Ciencia de las castanuelas. See Femdndez de Rojas.
Le code lyrique, ou reglement pour I'Opera de Paris. See Meusnier de Querlon.
Comparaison de la musique italienne et de la musique frangoise. See Le Cerf
de La Vi^ville.
A comparison between the French and Italian musick. See Raguenet.
Compendiaria musice artis aeditio. See Koswick.
INDEX TO ANONYMOUS WORKS 301
Compendium musice. See Cantorinus.
Com.pen(iiu zausices. See Title.
Compendium regularum generalium cantus. See Title.
Compleat instructions for the German flute. See Title.
The compleat tutor for the fife. See Title.
The compleat tutor for the German flute. See Title.
The compleat tutor for the harpsichord or spinnet. See Title.
La constitution de I'opera. See Chevrier's Constitution du Patriarche de Topera.
Constitution du Patriarche de I'Opera. See Chevrier.
Le correcteur des Bouflons. See Jourdan.
Cours de jeux instructifs pour la jeunesse. See Gaultier.
Der Critische musicus an der Spree. See Marpui^.
Crotalogia; 6, Ciencia de las castanuelas. See Femdndez de Rojas.
The dancing-master. See Title.
De arte canendi. See Spangenberg.
De arte medendi apud priscos musices. See Michell.
De cantionibus funebribus veterum. See Senff.
De excellentia musicae antiquae Hebraeorum. See Bretagne.
De i vizj, e de i difetti del modemo teatro. See Bianchi.
De I'art du theatre en general. See Nougaret.
De la musique consideree en elle-mdme. See Chabanon.
De la musique et de NephtS. See Toscan.
De principijs musice tractatus I[-II] See Reisch.
De sono et tono. See Funk.
De templo musicae. See Fludd.
De Venise. Remarques sur la musique & la danse. See Goudar, Mme. Sara.
De veteris Graeconun musices. See Title.
Declaration du public. See Title.
Declaration du roi. See France.
Declaration oder weitere erklaerung der Refutation. See Printz' Phrynis
Mitilenaeus.
Dehciae theatrales. See Lambranzi.
Dialogue sur la musique des anciens. See Chateauneuf.
Dictionnaire de danse. See Compan.
Dictionnaire des theatres de Paris. See Parfaict.
Difesa deUa musica modema. See Joao IV.
Directions for playing on the flute. See Prelleur.
Directions for the right performance of the duty of singing, by Mr. New-
man. See Practical discourses.
Discours analytique sur la coherence imperturbable. See Wiese.
Discours d'un ancien avocat-general. See Servan.
Discours non plus melancoliques que divers. See Title.
Discours prSliminaire de I'opera de Tarare. See Beaumarchais.
Discours sceptique sur la musique. See La Mothe Le Vayer.
Discours sur I'harmonie. See Gresset.
Discurs des herm Quanz ueber das clavieraccompagnement. See Marpuig's
Clavierstuecke.
Disputatio juridica de eo quod justum est. See Stryk.
Disputatio medica ordinaria de musica. See Franck de Franckenau.
Disputatio musica de divisions monochordi. See Trew.
Dissertation historique sur la vielle. See Terrasson.
Dissertation on the origin of the violoncello. See Gunn.
Dissertation on the songs ... of the ancient EngHsh. See Ritson.
302 INDEX TO ANONYMOUS WORKS
Dissertation, ou lettre adressee a M. d'Alembert. See Dissertations en forme
de lettres.
Dissertation servant d'epilogue . . . See Plutarchus.
Dissertation sur la znusique modeme. See Rousseau's Traits.
Dissertations en forme de lettres. See Title.
Dissertations qui peuvent servir. See Calmet.
Dissertations sur la poesie et la musique des anciens en gSnSral. See Calmet.
Dissertations sur le Livre des Pseaumes. See Calmet.
Dissertazione del Signor canonico Orazio Maccari. See Walker.
Les dons des enfans de Latone. See Serr^ de Rieux.
Doutes d'un Pyrronien. See Coste d'Amobat.
Duo in contrapunto sopra ut, re, mi, fa, sol, la. See Banchieri's Cartella musi-
cale.
Duo spartiti al contrapunto. See Banchieri's Cartella musicale.
Edit du roy. See France.
Ehren-gedaechtniss Carl Heinrich Graun. See RoUe.
Ehren-gedaechtniss Johann Friedrich Agricola. See RoUe.
Einige zum aUgemeinen nutzen deutlicher gemachte . . . uibungs-wahr-
heiten. See Title.
Der eitle musicant und schenkwirth.. See Title.
Elemens de musique . . . suivant les principes de M. Bameau. See
d'Alembert.
Eloge de Jean-Philippe Hameau. iSee Palissot de Montenoy.
Eloge de M. d'Acquin. See Title.
Eloge de Monsieur Duni. See Title.
Eloge de M. Le Clair. See Title.
Elogj de' congiurati contro il Badini. See Frustabirb
Elogio storico della Signora Maria Bosa Coccia. See Mallio.
Enconium musices. See Straet.
Enea in Troja (libretto) See Algarotti.
Entire new and compleat instructions for the fife. See The compleat tutor
for the fife.
Les entrepreneurs entrepris. See Travenol.
Entretien d'un musicien frangois avec un gentilhomme russe. See Disserta-
tions en forme de lettres.
Entretiens sur I'Stat actuel de I'opSra de Paris. See Coqu^au.
Entretiens sur l'6tat de la musique grecque. See Barthelemy.
fipitre aux amateurs de la musique : talienne. See Goudar's Le brigandage de
la musique italienne.
Erreurs sur la musique dans I'Encyclopedie. See Rameau, J. F.
Erste musikaHsche preisaustheilung fuer das jahr 1791. See Title.
Esempj e cantilene di canto fermo gregoriano. See Gatta.
L'espion des principaux theatres de la capitale. See Dumont's Le vol plus haut.
L'esprit de I'art musical, ou Beflexions sur la musique, et ses diflerentes
parties. See Blainville.
L'Esprit des joumaux. See Title.
Essai methodique povir apprendre aux enfans a lire. See Title.
Essai SMT la musique ancienne et modeme. See La Borde, J. B. de.
Essai sur le beau. See Andr^.
Essai sur I'origine des langues. See Rousseau's Trait^s.
Essai sur I'union de la poesie et de la musique. See Chastellux.
An essay for promoting of psalmody. See Tate.
An essay on psalmody. See Romaine.
An essay on the church plain chant. See Title.
INDEX TO ANONYMOUS WORKS 303
An essay on the construction ... of the Irish harp . . . By William Beau-
ford. See Walker.
An essay on the poetical accents of the Irish: by WiUiam Beauford. See
Walker.
An essay towards an history of dancing. See Weaver.
An essay upon tune. See Maxwell.
Etat actuel de la musique du roi. See Title.
Euclidis Introductio harmonica. See Meibom.
Euterpe. See Dorat.
Examen de deux principes avanc6s par M. Bameau. See Rousseau's Traits.
Examen de la lettre de M. Housseau, sur la musique frangoise. See B^ton.
Examen d'un passage de Platon. See Fraguier.
Exemples de quelques antiennes et respons. See Nivers.
Exemplum omnium regularum. See Galliculus.
Exercitatio philologica de instruraentis Ebraeorum musicis. See Weidling.
Exercitatio qua musices origo prima. See Schlick.
Exhortation to singing, by Mr. Gravener. See Practical discourses.
Exposition de quelques nouveUes vues mathematiques. See Title.
Extrait d'une reponse du petit faiseur. See Rousseau's Traites.
Des herm Prerons critik . . . See Hertel.
La galerie de I'Academie royale de musique. See Travenol.
Gaudentii . . . Introductio harmonica. See Meibom.
Gedanken eines liebhabers der tonkunst. See Leopold.
Gedanken ueber die temperatur des herm Kimberger. See Tempelhof.
Gedanken ueber die welschen tonkuenstler. See Title.
Gedanken und konjektiiren zur geschichte der musik. See Leopold.
Gedanken von den tragoedien der Griechen. See Hertel.
Gespraech von der musik. See Voigt.
Gespraech zwischen Liulli, Bameau und Orpheus. See Riedel.
Der gestuertzte und wieder erhoehte Nebucadnezar (libretto) See Himold.
Le gratie d' Amore. See Negri.
Grund-regelnwieman . . . sich selbst die fundamenta der music . . . lemen
kan. See Thielo.
Guazzabuglio filosarmonico. See Mattel.
La guerre de I'opera. See Cazotte.
Harmonie theorico-pratique. See Blainville.
The harpsichord illustrated. See Prelleur.
The harpsichord illustrated and improv'd. See Title.
The harpsichord preceptor. See Title.
Eine helle brille. See Ludwig.
Histoire anecdotique et raisonnee du Theatre italien. See Desboulmiers.
Histoire de I'opera bouffon. See Contant d'OrviUe.
Histoire du theatre de I'Academie royale de musique. See Durey de Noinville.
Histoire du theatre de I'Opera comique. See Desboxilmiers.
Histoire du theatre de I'opera en France. See Durey de Noinville.
L'Hopital musicien. See Title.
Ici sont ecrits les vingt-un chapitres de la prophetie. See Grimm.
Das in unsern opern - theatris undcoraoedien-buehnen siechende christen-
thum. See Fuhrmann.
Inquiries concerning the ancient Irish harp . . . by . . . Ledwich. ;See Walker.
Institutiones musicae, of Korte onderwyzingen. See Zumbag de Koesfelt.
Institutionis musicae practicae. See Falck's Idea boni cantoris.
Instructions upon the hautboy. See Prelleur.
An introduction to singing. See Prelleur.
304 INDEX TO ANONYMOUS WORKS
Introductory lessons, practised by the TJranian society. See Title.
Iphigenie en Aulide (libretto) See Algarotti.
Isagoge Joannis GaUiculi. See Rhaw.
Journal der tonkunst. See Title.
Journal des spectacles. See Title.
Jugement de I'orchestre de l'Op6ra. See Rulhiere.
Justification de la musique frangoise. See Morand.
Kann man nicht in zwey, oder drey monaten die orgel . . . schlagen lemenP
See Prixner.
EJritische briefe ueber die tonkunst. See Title.
Die kunst das clavier zu spielen. See Marpurg.
Kurtze anfuehrung zum general-bass. See Title.
Kurtze anweisung zur sing-kunst. See Title.
Kurtz e und gruendliche anleitung zum general basse. See Kurtze anfuehrung
zum general-bass.
Kurtzer entwurf von der music. See Neuss.
Kurtzgefasstes musicalisches lexicon. See Title.
Eurze anweisung das trommel-spielen . . . zu erlemen. See Title.
Kurze anzeige des general-basses. See Kobrich.
Kurze wahrhafte geschichte der aeltesten deutsclien kirchengesaenge. See
Teller.
The lawfulness, excellency and advantage of instrumental music. See Title.
Leben des beruehmten tonkuenstlers Heinrich Wilbelm Gulden. See
Reichardt.
Legons de musique, ou Exposition des traits les plus necessaires. See Berthet.
Le lecteur y mettra le titre. See Mirabeau.
Legende einiger musikbeiligen. See Marpurg.
A letter ... on the style of the ancient Irish music. From . . . Ledwich.
See Walker.
Iiettera [del vescovo Cirillo Franco a] Hugolino Gualteruzzi. See Joao IV.
Lettera deU' autore del nuovo cembalo. See Title.
Lettera d'un celebre scrittore francese. See Arteaga's Le rivoluzioni.
Lettera sopra la musica. See Grimaldi.
Lettera sopra la musica indirizzata al Sig. co. di Caylus. See Arteaga's Le
rivoluzioni.
Letters ... to Sig'' Antonio Lotti. See Academy of ancient music.
Lettre a I'auteur des Lettres sur les hommes celebres. See Saint Hilatre.
Lettre a Madame de * * *, sur I'opera d'lphigSnie en Aulide. See Vismes.
Lettre a messieurs de I'Academie des sciences de Dijon. See Dissertations en
forme de lettres.
Lettre a M. Be * * * See Dissertations en forme de lettres.
Lettre a M. Bumey sur la musique. See Rousseau's Trait^s.
Lettre a M. d'Alembert. See Dissertations en forme de lettres.
Lettre a M. de Marmontel. See Dissertations en forme de lettres.
Lettre a M. de Voltaire. See Dissertations en forme de lettres.
Lettre a Monsieur I'abbe Rajnaal. See Rousseau's Trait^s.
Lettre a M. Rameau . . . See d'Alembert's El($mens de musique, Lyon, 1762.
Lettre a M. Rousseau. See Dissertations en forme de lettres.
Lettre au sujet du spectacle des avantures d'TJlisse. See Title.
Lettre critique sur les ballets de I'opera. See Laus de Boissy.
Lettre de Clememt Marot. See S6neci$.
Lettre de I'auteur de I'Essai sur la musique. See La Borde'e M^moiree sur les
proportions musicales.
Lettre de Pevesque d'Agnani. See Carlo Borromeo.
INDEX TO ANONYMOUS WORKS 305
Lettre de M. * * * nSgociant de Paxis. See Title.
Lettre de M. CazaiUe Trillo. See Lesuire.
Lettre deM.de * * * k Madame de * * * See Title.
Lettre d'un amateur de I'Opera. See Title.
Lettre d'lin Parisien. See Title.
Lettre d'lin sage a un homme tres respectable. See Lamorlifere.
Lettre sur la m.usique, a Moxisieur le comte de Caylus. See Amaud.
Lettre sur la musique modeme. See Moyria.
Lettre sur les drames-opera. See Du Roullet.
Lettres a Madame la marquise de P. See Mably.
Lettres de Mr. G . . . a Milord Pembroke. See Goudar, Mme. Sara.
Lettres et chansons, de Cephise et d'Uranie. See L^vesque.
Lettres patentes du roi. See France.
Lettres sur la musique frangoise. See Fr^ron.
La liberty, del cantare. See Cattaneo.
Libro llamado Arte de tafier fantasia. See Tomds de Santa Maria.
The life of Turlough O'Carolan. See Walker.
Liliu musice plane. See Keinspeck.
Littirgia Ambrosiana. See Regole d'alcuni capi necessarj.
Lobspruch ... Jo. Emestus Saur. See BulyovBzky.
Joh. Friedr. Loewens Anmerkungen ueber die geistliche contatenpoesie.
See Hertel's Sammlung.
Joh. Friedr. Loewens Anmerkungen ueber die odenpoesie. See Hertel's
Sammlung.
Lully, musicien. See Le Pr^voBt d'Exmes.
Lumi primi del canto fermo. See Erculeo's II canto ecclesiaetico.
Magazin der musik. See Title.
Le Magazin des modemes. See Title.
Manuductio ad cantum choralem. See Title.
Martiani CapeUae De musica liber IX. See Meibom.
Melody — ^The soul of music. See Title.
Memoir e justificatif des sujets de I'Academie royale de musique. See Paris.
Memoire, lettres patentes et arrets. See France.
Memoire pour le sieur de Lanove. See Title.
Memoir e pour le sieur Iso. See Iso.
Memoire pour le sieur Travenol. See Travenol.
MSmoire pour servir lliistoire de la coniSdie italienne. See Le nouveau
theatre italien.
Memoire stir Pautorit6 des musiciens en matiere de plainchant. See Burette's
Extrait d'une lettre.
Memoires anecdotes poiir servir a I'histoire de M. Duliz. See Desforges.
Memoires historiques sur Raoul de Coucy. See La Borde.
Memoires pour servir a I'histoire de la revolution op6r6e . . . par . . . Gluck.
See Title.
Memoires pour servir a I'histoire des spectacles de la foire. See Parfaict.
Memoires sur les proportions musicales. See La Borde.
Memoirs of Cormac Common. See Walker.
Memoirs of the life of the late George Frederic Handel. See Mainwaring.
Memorie storiche del p. m. Giambattista Martini. See Valle.
Le Mercure galant devaJis^. See La musique du diable.
Methode de musique selon xm. nouveau systeme. See Demotz de La Salle.
Methode du chant ecclesiastique. See Alexis de Sainte Anne.
Metodo per suonare il flauto. See Title.
Missa in coena Domini. See Gerbert.
51234°— 13 20
306 INDEX TO ANONYMOUS WOBKS
Missive van een heer in Leijden. See Toneellief.
Modelles pour la transposition. See Rousseau's Traite de la viole.
The modem musick-master; or, the Tiniversal musician. See Preileur.
n modo di solfeggiare all' uso francese. See Larghi.
Mon dernier mot. See Latcur de Franqueville.
Morceaux de musique du 16® et 17* sidcle. See La Borde's Essai.
Motetes y obras dif erentes al Santissimo y & Nra Sra. See Reel del Rfo.
Motets pour les principales f gtes de I'annSe. See La Feill^.
Mozarts leben. See SchlichtegroU.
Miiseum musicum theoretico-practicum. See Majer.
Musica libris quatuor demonstrata. See Le Ffevre.
Miisica paraboUca. See Neuss.
La musica, poemetto. See Olio.
Miisicae, id est, artis canendi Ubri duo. See Heyden.
A musical directory for the year 1794. See Title.
Musical phaenomena. See Clagget.
Musical travels through England. See Veal.
Musicalische discurse. See Bahr.
Musicalische strigel. See Fuhrmann.
Musicalischer-trichter. See Fuhrmann.
Musices choralis medulla. See Title.
Musicus duTodidoKzoc. See Eisel.
Musicus curiosus, oder Battalus. See Printz.
Musicus magnanimus, oder Fancalus. See Printz.
Musicus theoretico-practicus. See Hartong.
Musik. See Title.
Der Musikalische dillettante, eine wochenschrift. See Title.
Musikalische monathsschrift. See Title.
Musikalische real-zeitung. See Title.
Musikalischer almanach . . . See Title.
Musikalischer und kuenstler-almanach. See Title.
Musikalisches handwoerterbuch oder kurzgefasste anleittmg. See Title.
Musikalisches kunstmagasin. See Title.
Musikalisches wochenblatt. See Title.
La miisique du diable, ou Le Mercure galant devalis^. See Title.
La musique rendue sensible par la mSchanique. See Choquel.
Musomachia, id est Bellum musicale. See Sartorius.
Nachgedanken herm m. Joh. Gottl. Biedermanns. See Title.
Nachricht von Georg Friedrich Haendel's lebensumstaenden. See Bumey.
Neue melodien zu einigen liedem des neuen hamburgischen gesangbuchs
(C. Ph. E. Bach) See Kellner's Treuliches unterricht, 7. aufl.
Neue und erleichterte art zu sohnisiren. See Title.
Ne-w and complete instructions for the fife. See The compleat tutor for the fife.
New and complete instructions for the harpsichord. See Title.
A new and easie method to learn to sing by book. See Title.
New instructions for the German flute. See Compleat instructions.
New instructions for the violin. See Geminiani's Compleat instructions for the
violin.
The newest method for learners on the German flute. See Preileur.
Nicomachi Geraseni, Pythagorici, harmonices manuale. See Meibom.
Le nouveau theatre italien. See Title.
Nouvelle ruSthode ou Traite theorique et pratique du plain-chant. See
Poisson.
Nouvelle mSthode pour aprendre le plain-chant. See Title.
INDEX TO ANONYMOUS WORKS 307
La nouvelle Bam^ide. See Cazotte.
Objections against singing consider'd, by Mr. Reynolds. See Practical dis-
courses.
Observations on the ancient English minstrels. See Ritson.
Observations on the correspondence bet-ween poetry and music. See Webb.
Observations pour les sujets retires de l'Op4ra. See Title.
Observations sur la lettre de J. J. Rousseau. See Cazotte.
Observations sur la musique. See Chabanon.
Observations sur la musique a grand orchestre. See Title.
Observations sur la musique, les musiciens, et les instrumens. See Ancelet.
An ode on the po-wer of musick . . . by Mr. Mitchell. See Malcolm.
Oeuvres radices du sieur * * *. See Travenol.
Of the excellence of singing, by Mr. Harris. See Practical discourses.
Of the nature of the duty of singing, by Mr. Earle. See Practical discourses.
OflBcium hebdomadae sanctae. See Title.
Orchesographie. See Tabourot.
The order of performing the divine service. See Playford, John.
Ordonnance de Sa Majeste. See France.
Organisation du Conservatoire de musique. See Paris.
The organs funerall or The quiristers lamentation. See Title.
Osservazioni intomo ad un estratto. See Arteaga's Le rivoluzioni.
La paix de I'opera. See Raguenet.
Paralele des Italiens et des Francois. See Raguenet.
Pater peccavi. See Papius.
Permission pour tenir Academle royale de musique. See France.
Petit discours chrestien. See La Mothe Le Vayer.
Le petit prophete de Boehmischbroda. See Grimm.
Le petit Rameau, ou Principes courts et f aciles. See Title.
Petition, pour I'Academie royale de musique. See Paris.
Philomela franciscana. See Title.
A philosophical essay of rausick. See Guilford.
Philosophische fragraente ueber die praktische musik. See Schmith.
The playhouse pocket-companion, or theatrical vade raecum. See Title.
La poesie et la musique. See Title.
PortefeuiUe fuer musikliebhaber. See Junker.
Practical discourses of singing in the worship of God. See Title.
Practischerbe-weiss,wie . . . unterschiedene canones perpetui & 4 zu machen
sejm. See Stolzel.
Precis sur I'Opera. See Paris.
Primi elementi di musica prattica. See Title.
Principes abreges de musique. See Title.
Principes du violon pour apprendre le doigt6. See Saint-S^vin.
Erincipj di musica. Nei quali . . .* See Title.
Principj di musica nei quali . . . See Title.
Principles and power of harmony. See Stillingfleet.
Proclamation du roi. See France.
Projet concemant de nouveaux signes pour la musique. See Rousseau's
Trait^s.
Les propheties du grand prophdte Monet. See Mairobert.
Psalmos e ligoes dos tres oflacios. See Bernardo da Conceifao.
Pselli De musica compendium exactissimum. See Alard's De veterum musica.
Quanta certezza habbia da suoi principii la musica. See Steffani.
Que ne peut pas I'amour? (libretto) See Le Magazin des modemes.
Quinque raissae pro majoribus festis. See La Feillee's II cantore ecclesiafltico.
308 INDEX TO ANONYMOUS WOBKS
La Bameide. See Rameau, J. F.
Brecueil d'edit, arrSt du Conseil du roi. See France.
Beflections on antient and modem musick. See Brocklesby.
Beflexions d'un patriote sur I'opera frangois. See Rochemont.
Reflexions d'un peintre sur I'opera. See Gauthier de Montdoi^e.
Reflexions sur la musique dramatiques. See Garcin.
Reflexions sur la musique, ou recherches sur la cause des eflets qu'elle
produit. Par M. V * * *. See Title.
Reflexions sur I'opera. See Remond de Saint-Mard.
Refutation . . . des principes de M. Rousseau de Geneve. See Aubert.
Refutation des Satyrischen compordsten. See Printz' Phrynis Mitilenaeus.
Reglas y advertencias generales. See Minguet 6 Irol.
Reglemens pour I'Academie royale de musique. See Paris.
Reglement pour I'AcadSmie royale de musique. See France.
Regies de composition. See Blainville's Harmonie.
Regole d'alcuni capi necessarj. See Title.
Regole le principali . . . per bene apprendere. See Belli's Diasertazione sopra
li preggi del canto gregoriano.
Regole musicali per li principianti di cembalo. See Title.
Remarks on Mr. Avison's iTssay on musical expression. See Hayes.
Remarques curieuses sur I'art de bien chanter. See Bacilly's L'art de bien
chanter.
Remarques sur l'art de bien chanter. See Bacilly's L'art de bien chanter.
Der [!] herm Remond von St. Mar d Betrachtungen ueber die oper. See
Hertel's Sammlung.
Reponse critique d'un academicien de Rouen. See Castel.
Reponse de M. I'abbe Roussier. See La Borde'a M^moires sur lea proportions
musicales.
Reponse du coin du roi au coin de la reine. See Voisenon.
Des representations en musique anciennes et modemes. See Menestrier.
Requeste de deux actrices d'Opera a Mom.us. See Coupp6.
Requeste presentee k Momus. See Couppe.
A review of some short directions. See Lowe.
Risposta di un' anonimo al celebre Sig. Rousseau. See Title.
Rules and directions for singing the psalms. See Playford, John.
Rules; or a short and compleat method. See Title.
Ruth, an attempt to-wards an oratorio. See Davy's Letters.
Saggio per costruire e suonare un flauto traverso. See Orazi.
Sammlung einiger nachrichten von beruehmten orgel-wercken. See Meyer.
Sanctissimi in Christo patris . . . dementis . . . papae XIII constitu-
tio . , . See Clemens XIII.
Die . . . satans-capeUe. See Fuhrmann.
Satire a Monsieur le marquis D . . . See Robb6 de Beauveset.
Schreiben an den herm von L * s * r. See Hertel.
Schreiben an die herren verfasser der Freyen urteile. See Title.
La science et la pratique du plain-chant. See Jumilhac.
Seconde lettre du correcteur des Bouflons. See Jourdan.
Select Irish melodies. See Walker.
Sendschreiben an die herren verfasser der Freyen urtheile. See Title.
Sense against sound; or, A succedaneum, for Abbey music. See Title.
Sentiment d'un harmoniphile. See Laugier.
Short and easie ayres designed for learners. See Simpson's Compendium, 1678.
A short exphcation of . . . foreign words. See Title.
A short treatise on harmony. See Pepusch.
INDEX TO ANONYMOUS WOBKS 309
Der sich selbst infonnirende musicus. See Eisel.
Das . . . siechende christenthum. See Fuhrmarm.
Sketch, of the life of Handel. See Bumey's Account.
Xia soiree perdue k I'OpSra. See Amaud.
Solfeggio nuovo. See Holler.
Solitaire second. See Tyard.
Some observations on Dr. Brown's Dissertation. See Title.
Spaventosissima descrizione dello spaventoso spavento. See Mattel.
Statuti owero costituzioni de' signori accademici filarmonici di Bologna.
See Accademia filarmonica.
Studien fuer tonkuenstler und musikfreunde. See Title.
Suite des Entretiens. See Coqu^au.
Supplement aux Bemarques sur la musique & la danse. See Goudar, Mme. Sara.
Tabula tonoinim. See Nivers.
The taste of the town. See Ralph.
Tavole degli esempj appartenenti alia Scienza de 'suonl. See Pizzati.
n teatro alia moda. See Marcello.
Terminorum musicae diffim'tiorum, (Tinctoris) See Forkel's Allgemeine lit-
teratur.
Temarius musicus. See Zeidler.
Theatralische, galante und geistliche gedichte. See Hunold.
The touch-stone. See Ralph.
Traite contre les danses et les mauvaises chansons. See Gauthier.
Traite critique du plain-chant. See Cousin de Contamine.
Traite de Pharmonie universelle. See Mersenne.
Traite de la musette. See Borjon.
Traite des accords et de leur succession. See Roussier.
Traite du melo-drame ou BefLexions sur la musique dramatique. See Garcin.
Traite theorique et pratique du plain-chant. See Poisson.
Trattato di ballo teorico-prattico. See Magri.
Trattato di musica secondo la vera scienza dell' armonia. See Tartini.
Treating of position and motion of harmony. See Geminiani's The art of accom-
paniament.
A treatise on harmony. See Pepusch.
A treatise on the art of music. See Jones, W.
TJeber die musik und deren wirkungen. See Chabanon.
Ueber die musikalische composition. See Scheibe.
Uiber meine violine. See Tauber von Taubenfurt.
Unvorgreiflaiche gedancken. See Meyer.
TJtilissime musicales regule necessarie. See Guerson.
Vario canto-chao pratico. See Bernardo da Conceifao.
Veritophili Deutliche beweis-gruende. See Niedt.
Veritophili Deutliche beweis-gruende. See Raupach.
Vermehrter und nun zum zweytenmal in druck befoerderterkurtzer jedoch
gruendlicher wegweiser. See Title.
Versuch einer richtigen lehrart die harfe zu spielen. See Wernich.
Versuch eines formularisch und tabellarisch vorgebildeten leitfadens. See
Wiese.
Verzeichniss des musikalischen nachlasses. See Bach, C. P. E.
Verzeichniss musikalischer manuscripte. See Forkel's Allgemeine litteratur der
musik.
WeUou Tijc fiouaiKfjc awo<(>:c rjKpiPojKkvfj [!] See Alard's De veterum musica liber singularis.
lios vingt-un chapitres de la prophetie. See Grimm.
310 INDEX TO ANONYMOUS WOBKS
Vita di Benedetto Marcello. See Fontana.
Le vol plus haut, ou L'espion des principaiix theatres. See Dumont.
Des herm von Voltaire gedanken von der oper. See Hertel's Sammlung.
Von den musicalischen schauspielen. See Nemeitz.
Von den proporcionibus. See M. Agricola's Mueica figuralis deudsch.
Von der draraatischen musik der alten. See Hertel's Sammlung.
Von der musicalischen declamation. See Schuback.
Von der musikalischen poesie. See Krause.
Wahrheiten die musik betreflend. See Kraus.
Wis-konstige musyka. See Nierop.
Woechentliche nachrichten und anmerkungen die musik betreffend. See
Title.
WunderbahrUche echo ... in einer doppelten fuga ligatS,. Sec Printz'
Phrynis Mitilenaeus.
De zangkunst. See Title.
ZwoeU handstuecke zum gebrauche beym untexrichten. See Turk's Kla-
vierschule.
. ADDENDA
(Entries for books received too late for insertion in the main alphabet)
Artusi, Giovanni Maria, d. 1613.
L'Artvsi, ouero Delle imperfettioni della modema mvsica ragio
namenti dui. Ne' quail si ragiona di molte cose vtili, & necessarie alii
moderni compositori. Del r. p. d. Gio. Maria Artvsi da Bologna.
Canonico regolare nella congregatione del Saluatore. Nouamente
stampato. In Venetia, Appresso Giacomo Vincenti, 1600.
4 p. 1., 71 numb. 1. diagrs. 26^'"°.
Title vignette: ecclesiastical coat of arms.
"Un motetto k quattro voci del re. Costanzo Porta:" 1. 70 v"-!. 71.
ML171.A83
[Freillon Poncein, Jean Pierre]
La veritable maniere d'apprendre a jouer en perfection du haut-bois,
de la flute et du flageolet. Avec les principes de la musique pour la
voix et pour toutes sortes d'instrumens. Paris, J. Collombat, 1700.
5p. 1., 74(i. c. 81)p. illus. 16^x23^''"'.
The epistle dedicatory is signed : Freillon Poncein.
Printer's mark on t.-p.; paging irregular. Contains, in addition to the usual
examples, the author's 6 part "L'embarras de Paris," based on the street cries of
Paris, and "Bruits de guerre pour toutes sortes d' instruments."
MT362.F8
Gando, Nicolas, d. ca. 1767.
Observations sur le Traite historique et critique de Monsieur Four-
nier le jeune, sur I'origine et les progr^s des caracteres de fonte, pour
Timpression de la musique. Par MM. Gando, pere et fils. A Berne,
et se trouve k Paris, chez Moreau, 1766.
27, [1] p. 25x19"™. (TFi<^ Fournier, P.S. Traite historique et critique. Berne,
1765. Copy 2)
"Six morceaux d'ancienne musique . . . pour d^montrer les progr^s de cette
partie de I'art typographique en France, jusqu'en 1695:" [1] p. at end.
Yudin coU.
[Goudar, Mme. Sara] d. ca. 1800.
Osservazioni sopra la musica, ed il ballo, ossia Estratto di due
lettere di Mr. G . . . a Milord P . . . tradotte dal francese. Milano, G.
Motta [17—]
110 p. 21"™.
The original was published at Venice, in 1773, under title: "De Venise.^ R^-
marques sur la musique & la danse." The translator is given as "F. T." in a
ms. copy dated Venice, 1773, belonging to the Liceo musicale of Bologna.
ML3845.A2G693
311
{J12 ''<"■■ '■' AJ)DENr>A
BftiisikaBsch© cKaTlatdnerien. Von F. W. V. Berlin und Leipzig,
1792.
23 p. 16J°».
ML63.V2
Observations sur la musique, la flute, et la lyre des anciens . . .
Paris, Flahault, 1726.
34 p. ,11. pi. IT^""*. (TFitA CMteauneuf, F. de Castagn^rcB, a66^ de. Dialogue
BUT la musique. Paris, 1725. Copy 2)
A criticism of the Abb6 de Chateauneuf's "Dialogue sur la musique des an-
ciens." Printed also in " Biblioth^que fran^aise, ou Histoire litt^raire de la
France," Amsterdam, 1723-42, vol. v, p. 107-125. cf. F^tis, Biog. univ. des
musiciens.
ML169.A2C41
Regole d'alcvni capi necessarii, e pid frequenti per I'osseruanza
delle sacre cerimonie, e del canto fermo Ambrosiano. Stampate
d'ordine di Monsig. illustrissimo, e reuerendissimo Federico car-
dinal Borromeo arciuescouo di Milano. Con privilegio. In
Milano, Per gli her. di Pacifico Pontio, & Gio. Battista Piccaglia.
stampatori arcliiepiscopali.1622.
46 p. 23"™.
Title vignette.
Ch.17.1854
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