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CATALOGUE 



IN THE 




I 



JI Jl A 




AT \ !ȴ: 




GROUND FLOOR 

Room 

39—43 Library and Secretaries' rooms 

43 A Ante-room <closed> 

K2 Kommissions'rootn 

D2 "Directors' room 

RA Studio for repairing and restoring pictures 

TUV Italian painters of the XVIII. Century 

52 Pastels and Miniatures 

53 Frendi painters of the XVIII. Century (Rigaud) 

54 Frendi painters of the XVIII. Century (Watteau) 

55 German painters of the XVIII. Century <Graff> 

56 German painters of the XVIII. Century <A. Kauffinann) 

57 German and Italian painters of the XVIII. Ccntur>' <Batoni> 

58 Italian painters of the XVIII. Century <EngIish painters) 

59 Italian painters of the XVIII. Century <Rotari> 

60 Italian painters of the XVIII. Century <CanaIetto> 

61 Italian painters of the XVIII. Century <Canalctto> 

62 Italian painters of the XVIII. Century <Canaletto> 

63 <Rotundc> Pastels 

64 Italian painters of the XVIII, Century <G. M. Crcspi) 

65 German painters of the XVIII. Century (Dictrtdi) 

66 German painters of the XVIII. Century <Dietridj> 

67 German painters of the XVIII. Century <Dietridi> 

68 Kaspar David Friedrid> and his contemporaries 

69 Frendi painters of the XVIII. Century <Silvestre> 



SECOND FLOOR 

22-38 Painters of the XIX. Century 




THE LIBRARY 

OF 

THE UNIVERSITY 

OF CALIFORNIA 
LOS ANGELES 



Digitized by the Internet Archive 

in 2007 with funding from 

IVIicrosoft Corporation 



/^ 



http://www.archive.org/details/catalogueofpictuOOgemaiaia 




RAFFAELLO SANTI 
MADONNA DI SAN SISTO 



CATALOGUE OF THE 

PICTURES 

IN THE 

ROyAL GALLERY 

AT DRESDEN 

PUBLISHED By AUTHORITY 




EIGHTH EDITION 

WITH 53 ILLUSTRATIONS 

1912 
PUBLISHERS 

BUCHDRUCKEREI DER JULIUS BARD 

WILHELM UND BERTHA VERLAG FOR LITERATUR 
V. BAENSCH STIFTUNG UND KUNST 

DRESDEN BERLIN 



Printed and Bouttcf By WifBefm tind 
BertBav.Baensd) Stifiiing, Dresden 
Cover =desin By W after Tiemann 




169 



liziano \yecelli 



Art 

Library 

.7 ' 



CONTENTS ^fm£- 

Plan of the Ground Floor and of the Second Floor '^° ^JIV'* 

page 

Preface . .. IX 

Introduction XI 

The early pictures to tBe end of t Be XVIII. Century 

I Byzantine School 3 

II Italian Schools of the XIV. and XV, Centuries 5 

Tforence 6 

Siena 8 

UmBria ,. 9 

Terrara 10 

Bofogna a t®«lc>; 11 

Venice and Venetian territories . 11 

Mifan 14 

Illltalian Schools of the XVI. Century 15 

Tforence 16 

Siena 18 

Rome 18 

Bofogna 20 

Terrara 22 

Parma and Modena 25 

Venice and Venetian territories 27 

NortB Itafy 39 

IV Italian Schools of the XVII. and XVIII. Centuries 41 

Bofogna 42 

Rome 51 

Napfes 55 

Tforence 58 

Venice and Venetian territories 60 

Mifan 69 

Genoa 71 

V Spanish School 73 

XVL Century 74 

XVII. Century 74 

VI French School 79 

XVI. Century " . . 80 

XVII. Century 80 

XVIII Century 84 

VII English Sdiool 89 

1 1189621 



CONTENTS 



VIII Flemish and Dutdi Schools of the XV, and XVI. Centuries , . 91 

TfemisB painters 92 

DutS painters 97 

IX Flemish Sdiool of the XVII. Century 101 

TBe M2iSters of tBe transition period 102 

Antwerp 109 

7Be Genre=painters of Antwerp and Brussefs 118 

Antwerp and Brussefs painters of scenes in camp and on 

tSe BattCe'fiefd 123 

Lanascape and Marine painters of tBe Antwerp and 

Brussefs SSoof 125 

TBe ArcBitecturaf painters of Antwerp 130 

TBe Antwerp painters of animafs, stiff- fife, fruit and 

/Towers 131 

Walfoon ScBoof 135 

XDutdiSdiools of the XVII. Century 137 

UtreSt 138 

Defft 145 

Hague 147 

Haarfem 150 

Amsteraam 166 

Leyden 181 

MidaefBurg, DordreSt and Rotterdam 187 

Kampen, Deventer and AfMmaar 192 

Various scBoofs 193 

XI German Sdiools XV. and VXI. Centuries 197 

MiddfeRBine 198 

Tranconian 198 

SwaBian 200 

Saxon 202 

SoutB German 207 

XII German Sdiools from the end of the XVI. to the end of the 

XVIII. Century 209 

Modern pictures yrow tBe Beginning of tBe XIX. Century 

I. German Schools 231 

Dresden 232 

Dussefdorf 250 

Munidj 254 

Berfin 263 

Vienna 267 

CarfsruBe, Stuttgart and Trankfort'on-Main 269 

Weimar 272 

NortB German 273 



VI 



CONTENTS 



II Foreign Sdiools 277 

TrenS painters 278 

American and EngfisB painters 279 

Swiss painters 280 

Scandinavian painters 280 

Befgian painters 281 

Pastels, Miniatures and Tapestries 

I Pastels 285 

Itafian painters 286 

TrenS painters 295 

German painters 296 

II Miniatures 299 

TBe earfy efectoraf Coffection .. .. 300 

TBe Pan Rotner Coffection 305 

T6e Preuss Coffection 306 

TBe Von Reitzenstein Coffection 309 

76e GraBf Coffection 314 

Miniatures acquired singfy 314 

7Be Von ZaBn Bequest 316 

7Be Ottifie KrieBef Bequest 316 

III The Tapestries 319 

Ofd TfemisB tapestries . , . , 320 

T^Be RapBaef tapestries 320 

Appendix 

List of pictures lent 323 

Index of the artists' names 341 

Plan of the First Floor '\^^^£: 



VII 



PREFACE 

The new impression of the smaller edition of the Royal Picture 
Gallery Catalogue is based on the excellent catalogue com- 
piled by Wirkl. Geheimer Rat KarlWoermann, with such revision 
and alterations as have been found necessary to bring it up to date. 
To the historical and critical remarks have been added particulars 
as to the mode of acquisition of eadi picture, while a more effective 
type has been employed. The numerous pictures loaned to other 
places are not included in the text proper, but will be found in a 
brief appendix. In view of the fact that the whole collection with» 
out exception has been photographed by authority for inclusion 
in a larger Catalogue now in preparation, detailed information on 
this point has been omitted. 

For the guidance of those using this catalogue the following 
directions are given : 

1. The room in which the picture is hung is designated by a 
capital letter in the case of the large rooms, including those of the 
wings, on the first floor, and by figures in the case of the small 
rooms <Kabinette> on all three floors. The figure following the 
capital letter or the letter following the figure shows on whidi wall 
the picture hangs. Compare plan. 

2. The measurements are given in metres and centimetres. 

3. The abbreviations G.-W., N. G.-W., G.-W. N.F. refer 
to the Engravings of the 18th and 19th Centuries whidi are on 
sale singly or collectively in the Secretary's office. 



IX 



PREFACE 

4, The pictures temporarify housed in the business premises 
of the gallery and more particularly in the old "Landhaus" are 
designated by the expression "Store-rooms". 

The English translation has been made by M*" Harry Virgin 
M.A.Oxford. 

POSSE 



INTRODUCTION 

The Dresden Royal Picture Gallery is in its essential features the creation 
of the two art and splendour loving princes who, as Electors of Saxony, 
are known as Friedridi August I and Friedridi August II, and, as Kings of Poland, 
as Friedridi August II (Augustus the Strong) and Friedridi August III, It follows 
as a matter of course that the taste of XVII. Century Collectors, who only 
recognized . outside the artists of their own day, the great masters of the XVI. 
and XVII. Centuries and held in small esteem the earlier Sdiools, reflects itself 
in the bulk of the pictures in the Dresden Collection even at the present day. 

Even before the XVIII. Century the reigning House of Saxony already 
possessed in its Kunstkammer and Palaces a nucleus of pictures in whidi even 
the old masters were, to some extent at least, represented, and the exertions of 
the XIX. Century have been directed towards establishing a department of con» 
temporary art and also towards filling in lacunae in the earlier Sdiools. 

In the history of the gradual growth of the Dresden Gallery three distinct 
periods may be traced. The first, whidi is so to speak introductory, embraces 
the XVI. and XVII, Centuries, the second the XVIII. and the third the period 
from the beginning of the XIX. up to the present day. 

Wc may date the commencement of the first of these periods in the year 
1560, when the Elector August set apart the rooms above his suite of apartments 
in the Royal Palace as a "Kunstkammer" for his collection of works of art and 
curios of every description, sudi as generally obtained at the princely courts of 
that time. 

This period of the history of the CoUcction is merely the early history of 
the Kunstkammer, whidi, be it mentioned, did not by any means cease to exist 
as sudi, when the greater number of its best pictures were transferred to the 
Gallery proper in 1722. According to tbe inventory of 1587 it possessed at that 
time, besides the recently acquired "16 exquisitely painted panels" by Hans Bols 
of whidi nine <Nos. 822 — 890) are now in the Gallery, only two celebrated pic- 
tures by distinguished artists viz: "Adam" <No. 1911) and "Eve" <No. 1912) by 
Lucas Cranadi the Elder, and, until the inventory of 1640 was made, the only 
additions, apart from unknown German artists, were a few masterpiece of the 
Elder Cranadi, the seven important pictures from Durer's Studio <Nos. 1875 to 
'881), the five Swabian panels of the Childhood of the Saviour <Nos. 1896—1900) 
and a few more small panels by Hans Bols. 

XI 



INTRODUCTION 



The fact that the art treasures of the Kunstkammer were greatly increased 
in the second half of the XVII. Century and the first decade of the XVIII, is 
proved by the remark "taken from the Kunstkammer", put after 284 pictures 
in the first Gallery inventory of 1722 and is still further evidenced by a catalogue 
compiled by Hantzscfa of the pictures whidi were taken from the Kunstkammer 
in 1717 and distributed in the various apartments of the palace. 

Among these pictures were a number of important works, as for example 
Giorgione's "Venus" <No. 185), Paudiss' Portrait of a young man in a grey hat 
<No. 1596), described in the inventory of 1722 as "the artist's own portrait", 
"Chalking up the Score" by David Teniers the Younger <No. 1073), Gerard 
Dou's "Old Woman Sewing" and several pictures by Wouwerman. 

The second period , during whidi the Gallery proper may he said to have 
been founded, dates from the accession in 1694 of Augustus the Strong, during 
whose reign the best of the before mentioned pictures of the Kunstkammer were 
in all probability acquired. 

In Dresden the purdiases were at first directed by the Chief Court»painter 
Samuel Bottsdiild <i642— 1707), through whom for example Durer's "Dresden 
Altar" <No. 1869) was acquired from the Wittenberg "Sdilosskirdie" in 1687, 
and were afi:erwards continued by the Cabinet Minister Graf von Wackerbarth, 
Fieldmarshall von Flemming and more particulary by Baron Raymond Le Plat, 
Chief Court'arrfijtect at the Electoral Court of Saxony. 

At that time Antwerp was the principal head quarters abroad of the Saxon 
agents for the acquisition of pictures. In 1708 and 1709 the King-'Elector caused 
a number of works of the Flemish and Dutch Sdiools to be purdjased there 
through his "Premier Commissaire" Rasdike, whilst those acquired from Italy 
passed mostly through the hands of a certain Kindermann. In this may a num« 
ber of dioice works had already been secured in 1722. 

The Flemish Sdiool was represented by Rubens .<No. 962 A>, Jordaens 
<No. 1009), Teniers <Nos. 1066, 1072, 1076,. 1082, 1085, 1085 A> and Vandyck 
<Nos. 1022 and 1023) ,• the Dutdh School by Dou <Nos. 1704—1706, 1711 — 1716), 
Matsu <No. 1736), Terbordbi <No. 1830), Bol <No. i6o6>, Wouverman <Nos, 1413, 
1415, 1419, 1427, 1428, 1433, 1451, 1452, 1459, 1460) and J. D. de Heem <Nos. 1261, 
1262 and 1267) ,• Italy by Cima da Conegliano <No. 62), Fr. Albano <No. 340) 
and a good many painters of the early XVII. Century,- and finally the Frendi 
Sdiool by Nicolas Poussin <No. 719). Augustus the Strong now decided to 



XII 



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170 



Tiziano VecefTi 






5^ 




INTRODUCTION 



have an inventory made of his collections, and to select the best specimens 
from sudi with a view to the formation of a recognized Picture Gallery. 

In 1722 he caused the 1938 pictures which were destined to institute the 
Gallery to be placed, under the direction of Le Plat, his "premier architecte" before 
mentioned, in the second storey of the "Stallgebaude" adjoining the "Jiidenhof". 

Le Plat and the "Geh. Cammerier" Steinhanser were appointed the first 
Gallery inspectors. On Steinhauser devolved the duty of preparing catalogues, 
and the fruits of his labours may be seen in the excellent inventories whidi are 
still extant. As regards the purdiase of pictures however Le Plat was as 
heretofore the moving spirit, and thanks to his judgment and capacity so many 
excellent works were secured that, at the death of Augustus the Strong in 1733, 
the Gallery could vie with the best collections of that time. Among its treasures 
we may mention Rembrandt's "Samson expounding his riddle" <No. 1560) and 
his "Portrait of himself" <No. 1569), Vandyck's "Drunken Silenus" <No. 1017), 
J. Jordaen's "Wie die Alten sungen" <No. 1014), Palma Vecdiios "Holy Family" 
<No. 191) and "Venus" <No. 190), Guido Reni's '"Venus and Cupid" <No. 324) 
and Padovanino's "Judith with the Head of Holofernes" <No. 525). 

But by far the most brilliant epodi in the history of the Gallery was the 
time of Augusttis III, successor of Augustus the Strong, who during a reign of 
thirty years brought together in his capital the greater part of those master- 
pieces on whidi the world-wide fame of the Dresden Gallery rests. 

This Monardi's puissant and capable Minister, Graf von Bruhl, in his 
(taracteristically masterful manner took entirely into his own hands all further 
acquisitions of works of art. The real connoisseur of art at the Saxon court, 
however, was Bruhl's private secretary, Carl Hcinridi von Heinedien, who was 
invested by the Count with full powers to use his own judgment in the selection of 
pictures. He is known as the author of "Nadiriditen von Kunstlern und Kunst- 
sadien" (Notes on Artists and Works of Art) and of the "Dictionnaire des artistes", 
the manuscript of whidi is still preserved in the Dresden Gallery of Engravings. 

Under the direction of this able man, Saxon agents were employed in all 
the Art-centres of Europe. Diplomatic representatives were enrolled in the 
service in the principal capitals, while to less important places artists or specialists 
were delegated. 

First and foremost Italy was the diief field of activity displayed by the King's 
emissaries. In Venice they were under the supervision of Count Villio, the 

xni 



INTRODUCTION 



Saxon Ambassador, One of the most enterprising of these agents was Ventura 
Rossi, who in 1738 sent 44 pictures to Dresden, among them being Ribera's 
"S. Francis on the Bed of Thorns" <No. 685), in 1741 as many as 70 including 
the great "Presentation in the Temple" by Paolo Farinati <No. 223), and in 1744 
a further 6$, among whi<h were two Madonnas by Sassoferrato <Nos. 430 and 
431). Rossi, however, was outrivalled by the brillant writer Count Algarotti, 
who visited Italy in 1743 for the sole purpose of securing pictures for the Saxon 
Court, and his purdiases, though fewer in number than those of Rossi, surpassed 
them in value. Among them we may mention the Holbein Madonna whidi, 
even though no longer ranking as an original, will always be one of the gems of 
this Gallery, and the "Three Sisters" by Palma Vecdiio <No. 189). 

All previous and succeeding purdiases were however eclipsed by that of 
the renowned collection of Duke Francis III of Modena effected by Count 
Villio, Ventura Rossi and the celebrated art-critic Antonio Maria Zanetti in 
Venice, By this transaction the Saxon Court came into possession, at a single 
stroke, of a magnificent collection of first class works by great Italian Masters 
sudi as had never before been seen north of the Alps. The sum paid for them 
amounted to 100,000 sequins, to which must be added considerable incidental 
expenses. Included among these valuable acquisitions were all the works by 
Correggio whidi this Gallery possesses, almost all those by Dosso Dossi and 
Garofalo, the diief pictures of A. Carracci, Guido Reni and Guercino, Titian's 
"Tribute Money" <No. 169) and the best of this artist's portraits, four large 
paintings by Paul Veronese fromfthe Cuccina Palace <Nos. 225—228), Andrea 
del Sarto's "Offering of Isaac" <No. 77) and Giulio Romano's "Madonna del 
Catino", together with some important works by other than Italian painters, 
e. g. Holbein's "Portrait of Moretti" <No. 1890), the fine portrait by Velasquez 
<No. 697) and Rubens' S. Jerome <No. 955). 

The Modena pictures readied Dresden in 1746, but Augustus III and Count 
Briihl were far from relinquishing the idea of further purdiases in Italy, To 
mention a few, Zanetti acquired in 1747 the wonderful "Santa Conversazione" 
<Madonna and Child) by Titian <No. 168) in Venice. In 1748 Bernardo Benzoni 
purdiased Gessi's "Repentant Magdalene". In 1749 the Director of the Gallery, 
Guarienti, visited North Italy in person and returned with several masterpieces, 
including Palma Vecdiio's "Virgin and Child" <No. 188). In 1750 the painter 
Sicgm. Striebel bought the fine "Holy Family" by Garofalo <No, 134) in Rome, 

XIV 



INTRODUCTION 



and in 1752 the "Canonicus" Luigi Crcspi sent from Bologna Guido Reni's 
"Ninus and Semirarats". Of all the confidential agents the most successful was 
the painter Carlo Cesare Giovannini of Bologna who in 1754 accured for 20,000 
ducats the Madonna di San Sisto by Raphael <No, 93), still the most celebrated 
picture of this gallery, whidi up to that time had adorned the High*altar of the 
Churdi of San Sisto at Piacenza. 

On this side the Alps the principal theatres of the Saxon agents' efforts 
were Bohemia and Paris, To begin with, the Wallenstein- Collection at Dux 
was acquired in 1741, 268 pictures for 22,000 florins, including the masterpiece 
by Jan Vermeer of Delft <No. 1335) and the two beautiful little portraits by Frans 
Hals <Nos. 1358 and 1359). Next followed 48 pictures from Prague in 1742, 
among them Fr, Snyder's "Still^life with a dog and her puppies" <No, 1192), The 
most important acquisition from this town was made in 1749, when 69 pictures 
of the Prague Gallery, including Rubens' "Boar Hunt" <No. 962), passed into 
the possession of the Dresden Gallery for the sum of 50,000 thalers. 

Hardly less favourable a field was afibrded by Paris, from whidi city the 
Secretary of Legation de Brais and his man of business Le Leu, who had the 
advantage of the advice of the noted painter Rigaud, acquired in 1742 a number 
of valuable paintings for 86,346 livres from the effects of Prince Carignan, in- 
cluding both the principal Carlo Dolcis in this gallery <Nos. 509 and 510), 
Poussin's "Adoration of the Kings" <No. 717), Rembrandt's "Portrait of his 
wife" <No. 1562) and Rubens' "Lion Hunt". On the death of de Brais, in the 
same year, Le Leu became solely responsible for further purdiases and in 1749 
and succeeding years he was able to send to Dresden among other pictures 
Rembrandt's "Portrait of himself with his wife on his lap" <No. 1559), Dou's 
"Violin-player" <No. 1707) anda number of Wouwerman's later works <Nos. 1417, 
1424, 1444, 1446, 1448, 1463, 1464). 

As may naturally be supposed, purdiases on such a gigantic scale entailed 
the employment of able coadjutors under the supervision of Bruhl and HeineAen. 
Lc Plat died in 1742, and the Bohemian painter Job. Gottfried Riedel,- who had 
been appointed court-painter in 1739, was made Inspector of the Picture 
Gallery conjointly with the aged Steinhauser. At the very outset of his official 
career Riedel found himself faced by an entirely new problem. The premises 
were becoming too limited to accommodate the pictures of the collection, 

XV 



INTRODUCTION 



swelled as it was by the recent acquisitions during 1741 and 1742. The upper 
part of the ■"Stallgebaude" therefore was adapted for their reception and formed 
into a Gallery proper in the modern sense <the present "Johanneum"), where the 
collection remained until past the middle of the XIX. Century, This work was 
begun in 1744 and finished in 1746 and during the interval the pictures were 
housed in the Japanese Palace. Steinhauser had the satisfaction of admitting the 
Modena acquisitions into the new premises before retiring. To fill the vacancy 
thus caused, the Venetian painter and expert Pietro Guarienti was diosen Sep* 
tember lo^h 1746 to act with Job. Gottfried Riedel as co-inspector. Guarienti 
died on May 27^11 1753, before however having completed the new inventory in 
Italian whidi he was then engaged in compiling. Owing to the ever=increasing 
press of work two sub-inspectors were appointed to assist Riedel, in the persons 
of his son Job. Anton and of Matthias Oesterreidi who had hitherto filled a post 
in the Gallery of Engravings, and was the compiler of the inventory of 1754. 
In the year 1755 the elder Riedel died, and in 1757 Oesterreidi was appointed 
Director of the Gallery of Sanssouci. From this time tmtil 1816 the younger 
Riedel acted as sole director. During the Seven years' War, whidi put an end 
to further purdiases, the work entailed was not too severe for one man to cope 
with, the most important duty being to ensure the safety of the pictures, whidi 
as a precautionary measure were packed in cases and sent to the fortress of 
Konigstein, from whidi they were reconveyed to Dresden after the peace of 
Hubertusburg in 1763. 

The intention of the King and his adviser Count Bruhl to resume their 
favorite project was frustrated by the death of both in October 1763, and no 
further efforts were made to augment the collection during the rest of the cen- 
tury. Augustus was succeeded by Friedridi August "the Just" who reigned far 
into the XIX. Century. On the death of his patrons, HeineAen was forced to 
retire from his confidential post and was succeeded by C. L. Hagedorn of 
Hamburg, who from 1763 to 1780 was "Generaldirector der Kunste and Kunst- 
akademien, audi zugehoriger Gallerien und Kabinetts" (Director-General of 
Fine Arts and the Academy and the Galleries etc. thereto appertaining). After 
his death the Cabinet-minister Count Marcolini <died 1814), became Director- 
General. During the whole of this time, however, the managing director was 
Joh. Anton Riedel until his death in 1816. The third period of the history of the 
Dresden Gallery belongs entirely to XIX. Century. 

XVI 



INTRODUCTION 



On the death in 1823 of Riedel's successor, Carl Fr. Demiani, who for five 
years previously to his appointment had been sub-inspector, the historical painter 
Joh. Friedr. Matthai, in addition to being Professor and for a while Director of 
the Academy of Arts, was appointed Director of the Gallery. Under him the 
most renowned picture -restorer of the day, Pietro Palmaroli, was summoned 
from Rome to Dresden in order to take in hand the restoration of a number of the 
most important pictures, in whidi task he acquitted himself with the utmost skill. 
By order of the Cabinet-minister B. von Lindenau a thorough revision of the 
store-rooms <viz : premises not opened to the public) was made, whereby a num- 
ber of excellent pictures were brought to light, whidi had either hitherto escaped 
notice, or had been acquired by degrees in the interval. These pictures were 
assigned to the Gallery, a very considerable addition, whidi becomes evident by 
consulting Matthai's catalogue of 1835, Finally in 1836 a Board of Commissioners 
was constituted on whom, devolved the duty of assisting not only in supervising 
the works of restoration but also at a later date, when means became available 
for the purpose, in the acquisition of new pictures. 

Matthai undertook an official visit to Vienna, where he died October 23rd 
1845, and the distinguished artist Julius Sdinorr von Carolsfeld, who was staying 
in Munidi at the time, was invited to fill the posts of Professor of the Academy 
and Director of the Gallery. The offer was accepted, and in 1846 he took up 
the duties of his twofold office. Thereupon this third period in the history of 
the Gallery began to exhibit a new vitality,- the seeds sown in the previous decade 
came to development and fruitage. The need of adequate accommodation had 
long been keenly felt and after mature deliberation the task of providing it was 
intrusted to Professor Gottfried Semper, Director of the Dresden Sdiool of 
Ardiitecture. In 1847 this project was taken in hand, while in 1855 the new 
building, in which the Gallery is now located, was completed and thrown open to 
the public. Julius Hubner, a member of the Board of Commissioners and Pro- 
fessor of the Academy, undertook the new cataloguing of the pictures. The 
first edition appeared in 1856, the fifth in 1880, and a reprint as late as 1884. 
Julius Sdinorr von Carolsfeld retired from his poet as Director in 1871 and died 
in the following year. His successor, Julius Hubner, retained office as Director 
for ten years, retiring in 1882 and during the same year. The post was then 
offered to and accepted by the Professor of the History of Art, Dr. Karl Woer- 
mann, of Dusseldorf, 



XVII 



INTRODUCTION 



Daring Sdinorr's period of office, a considerable number of works by both 
old and modem masters were added to the Gallery from various sources. To 
begin with, fifteen pictures of the Spanish sdiool, among them masterpieces sudi 
as Zurbaran's "S. Bonaventura" <No. 696) and Murillos "S. Rodriguez" <No. 704), 
were purchased in London in 1753 from the effects of Louis Philippe, King of the 
Frendi, In i860 Piero di Cosimo's "Holy Family" <No. 2o>, whidi was then 
ascribed to Luca Signorelli, Lorenzo di Credi's "Madonna and Child <No. 13) 
and others were acquired from the effects of Mr. Sam Woodburn, the well 
known art-dealer, while the celebrated little picture by Albredit Durer, entitled 
"The Crucifixion" <No. 1870), was purdiased in Vienna. In the seventies and 
early eighties money was especially plentiful, owing to large grants from the 
Frendi War-indemnity. Of old Italian masters we would mention especially 
the "S. Sebastian" of Antonelli da Messina <No. 52), the painted pilasters from 
the studio of Luca Signorelli <Nos. 36 and 37), the beautiful portrait by Paolo 
Morando <No. 201), Mazzolini's "Ecce Homo" <No. 123) and Andrea Mantegna's 
exquisite "Holy Family"/ and of Flemish masters Jean Steen's "Hagar" 
<No. 1727), Th. de Keysers "Two Horsemen" <No. 1543), a „StilUlife" by Heda 
<No. 1371) and the "Landscape" by Jan van der Meer van Haarlem <No. 1388 A>, 

From parliamentary grants, whidi from this time were regularly made, the 
earlier sdiools were enridied by many valuable acquisitions, e. g. the "Portrait 
of Mr. James" by Sir Joshua Reynolds <No. 17980 in 1891, the "Vision of 
Jacob's Ladder" by G. van den Eedihout <No. i6i8A> in 1892, the celebrated 
"Death of S. Clara" by Murillo (No. 17038) in 1894, Cosimo Tura's "S. Sebastian" 
<No. 42 A) in 1896, Sir Henry Raeburn's fine "Portrait of Bishop O'Beirne" 
<No. 798 D> in 1897, the well known "Watermill" by Hobema <No. 1664 A> in 
1899, the wonderful "Lamentation over Christ" by the "Meister des Hausbudis" 
<No. 1868 A) in 1903, the "Dutdi Landscape" by PhiHps Konindi <No. 1612 A> in 
1905 and Hendridc Gerrrtsz. Pot's "Cardplayers" <No. i369A> in 1908. 

The first step towards furthering the acquisition of modern pictures was 
taken by the then "Staatsminister" and Director General Von Lindenau who, on 
his retirement from office in 1843, devoted 700 thalers of his pension annually to 
the purdiase of pictures by living artists. To this "Lindcnau-Stiftung" the 
Gallery is indebted for, among others, A. L. Riditer's "Bridal Procession". 

On Mardi 31st 1848 the Council of the Academy passed a resolution to 
devote a moiety of the nett proceeds of all exhibitions to the purchase of pic- 



XVIII 



INTRODUCTION 



tures cxlubited in the Academy. In this manner the Gallery came into 
possession of, among others. Gross' "Leda and the Swan", Kummer's "Sunset", 
Lier's "Oise by Moonlight" and Choulant's "Ponte di Sant Angelo". 

Out of the "public fund for the purdiase of works of art", supported by 
state grants, the Gallery was enabled to secure in the sixties suA works as 
Hubner's "Disputation between Luther and Dr. Eck" and Hofmann's "Woman 
taken in adultery, before Christ". 

It was not however until the previously mentioned special grant that the 
purdiase on a large scale of prominent works of living artists could be under- 
taken. By this means, during the sixties and seventies, were acquired by degrees 
most of those pictures whidi now enable this section to vie in interest with that 
of the old masters. It should be mentioned that since 1884, when the fund, whidi 
was not re=voted, became exhausted, the management has had to depend on the 
means placed at its disposal through grants made in eadi finarcial period. 

We must here mention that the painter Max HeinridiEd.Proll, who assumed 
by royal licence the name of ProlUHeuer after his foster-father, the colourman 
Anton Heuer, bequeathed to the Dresden Academy, on his death in 1879, a 
considerable sum, from the interest of whidi pictures of living German artist's 
are purdiased every year at exhibitions held in Dresden, the selection being made 
by the Council of the Academy. To this Proll - Heuer bequest the Gallery is 
indebted for over a hundred pictures, some of them excellent ones, by recent 
artists. 

Of other bequests and donations during late years special mention should 
be made of the following: Professor Bertrand's donation, through whidi the Gal- 
lery was enridied in 1882 by five first-class pictures by Anton Graff <Nos. 2173 
to 2177)/ the Moritz Winkler bequest, through whidi nine modern works, among 
them the masterpieces of Andreas and Oswald Adienbadi, passed to the GaU 
lery in 1884/ the Ed. Nossky bequest from the proceeds of whidi no fewer than 
nineteen pictures, including two modern ones, were acquired/ the Hofrat W, 
Lesky donation, in the year 1897, by whidi the Gallery became possessed of 
Bodclin's "Pan and Syrinx"/ the donation of W. Trubner's "Portrait of himself" 
of the original wing of the Uhde "Altarpiece" by Mr. L. Uhle/ of B6(ilin's 
"Summerday" by the Wirkl. Geh, Kommerzienrat Lingner/ and of three of J. 
A. Kodi's landscapes, six works of A. L. Riditer and W.Kalf 's exquisite "Kit- 
dien Interior" (No. 1639 A> by Mr. Ed. Cidiorius. 

— 
XDC 



INTRODUCTION 



The appointment of Woermann, not an artist by profession but an art- 
critic and historian , has been productive of the most beneficial results to the 
Gallery as regards both its management and enlargement. In the first place the 
art-treasures were now catalogued on a thoroughly critical and scientific basis. 
This catalogue appeared in 1887, and during the twenty*eight years of the author's 
tenure of office has gone through seven editions. In the second place a reform 
was introduced in the method of restoration, advantage being taken of modern 
tedinique and science. This was carried out with the assistance of firsts class 
practical and theoretical experts , so that to day the Gallery ranks among the 
best ordered in Europe. 

Thirdly, sudi means as were at the disposal of the management were devoted 
to the enlargement of the Gallery, and more particularly of the modern section. 
Under Woermann's regime as many as 219 works of modern and 63 of earlier 
masters were acquired, as well as 5 pastels and 34 miniatures. This constant 
increase made the question of accommodation again a problem of the first 
importance, and to relieve the congestion, 308 pictures were loaned to other 
places, while considerable additional room was obtained by the removal of the 
sculptures from the east ground=floor of the building. Various circumstances, 
but more particularly lade of means, prevented a radical and systematic re- 
arrangement of the collection to satisfy the growing interest of all classes of 
society. This task Woermann had to leave to his successor on his retirement, 
Mardi 31st 1910, and the conditions of the present seem to be favourable for its 
solution, inasmudi as considerable public grants have been made in addition to 
large sums privately subscribed. At the same time there seems to be fair hope 
for the realization of a sdieme whidi Woermann had strongly recommended, 
viz: to devote a specially constructed building to the modern section. The 
"DresdnerMuseum-Verein", called into being by Oberburgermeister Dr.Beutler 
in December 1911, has promised to take a prominent part in this sdbeme. It has 
shown its keen interest in the Gallery's welfare by presenting Hans von Maree's 
portrait of himself <No. 2399 A>, a work of special importance for Dresden. 
A rearrangement of the pictures has necessitated the removal of works of inferior 
merit to the old Houses of Parliament <altesLandhaus> where they are open to the 
public on certain days. By the courtesy of the Ministry of Finance these pictures 
are allowed to remain here until room can be found for them in that part of the 
Zwinger whidi now contains the Natural History Museum Collections. 

XX 




1 



«3 

I 






I 

ByZANTlNE SCHOOL 



ByZANTINE SCHOOL 



Christ in Hades, Old Slavonic inscriptions. Gold ground. The panel 

probably belongs to the Russian Sdhool (Novgorod) of the XVI. 

Century. 

R 5 " on poplar / 0,21 h. by 0,17 w. — according to an inscription on the bade was in 

the KunstKaminer as early as 1673. 

The Transfiguration. Greek inscription. Gold ground. 

R 5 — on deal/ 0,385 h. by 0,28 w. — presented by Colonel Christoph vonDegenfeldt 

to the Elector Joiiann Georg II and received into the Kunstkammer in 1674. 

St. Gregory. Greek inscription. Gold ground. 

R? — on poplar/ 0,135 h. by 0,11 w. — presented by Colonel Christoph von Degen» 
feldt to the Elector Johann Georg II in 1672 together with two companion pictures 
which have not been preserved. 

The Virgin and Child. Half=-length. Greek inscription. Gold ground. 

R 5 — on poplar / 0,22 h. by 0,175 w. — acquired from Professor Steinla's collection 
in 1857. 



II 

ITALIAN SCHOOLS 

OF THE XIV. 
AND XV. CENTURIES 



FLORENTINE SCHOOL 



GIOTTO. SCHOOL OF GIOTTO DI BONDONE (about 

1266 to 1337). 

S. John the Baptist in prison, visited by the two disciples. 

R 5 — on poplar/ 0,595 •»• by 0,35 w. — acquired from the Woodbum effects in 
London in i860. 

The Lamentation over Christ, 

R 5 — on poplar/ circular witli quatrefoil/ 0,195 h. by 0,295 w. — presented by Pro- 
fessor Steinla in 1857. 

ANGELICO. SCHOOL OF FRA GIOVANNI DA FIE- 

SOLE, called FRA ANGELICO (1387- 1455). 

The Annunciation. Gold ground. 

1 b — on poplar/ 0,275 h. by 0Hr4 w. — acquired from the Rumohr effects in 1846. 

PESELLINO. STYLE OF FRANCESCO DI STEFANO, 
called PESELLINO <1422-1457>. 
7A The Virgin enthroned with the Infant Christ. 

I a — on poplar/ 0,69 h. by 0,475 ^> — from the Barker Collection in London in 1874. 

BOTTICELLL ALESSANDRO FILIPEPI, called SANDRO 
BOTTICELLI. Born at Florence in 1444 or 1445/ buried th^re May 
ij^ 1510. Pupil of Fra Filippo Lippi, influenced later by Verrocchio 
and Antonio Pollaiuolo. 

The Virgin and Child with the Infant S. John, Three-quarter length. 
In the artist's later style, 

1 c — on poplar/ 0,895 h. by 0,735 w. — purdtased in England in 1874 <formerly in the 
collection of A. Fitzmorris). 

Four scenes from the life of S. Zenobius. 1, A boy is being run over. 
2. The mother takes him to the Saint, 3. The Saint leads the boy, 
restored to health, badi to his mother. 4. The death of the Saint. Be- 
longs with three other panels <of whidi two are now in the National 
Gallery ,London,and the other in the Metropolitan Museum, New York) 
to a series of scenes from the life of S. Zenobius whidi were probably 
painted 1503—1504 for the Compagnia di San Zanobi in Florence, 
lb — on poplar/ 0,66 h. by 1,82 w. — acquired in 1868 from the von Quandt Col- 
lection <K)rmerly in the possession of the Mardiese Rondinelli, afterwards in the 
Met2ger Collection, Florence). 

BOTTICELLL SCHOOL OF SANDRO BOTTICELLI. 
10 The Virgin and Child surrounded by angels. Three-quarter length. 

1 a ~ on apple / oval/ 0,805 h. by 0,92 w. — acquired in 1832 in exdiange for two small 
pictures by Poelenburgh. 



XrV. AND XV. CENTURIES 7 

S. John the Evangelist, Bust^'Ieogth. Companion picture to No. 12. 11 

1 c — on poplar/ 047 h. by 0,305 w, — first appears in the catalogue of 1848. 

S. John the Baptist. Bust-length. 12 

ic — on poplar/ 0465 h. by 0,31 ■w. — as in the case of the companion picture 
No. 11 first appears in the catalogue of 1848. 

CREDI, LORENZO DI. Bom at Florence 1457/ died there Jan. 12* 
1537. Pupil of Verrocchio. 

The Virgin and Child with the Infant S. John adoring. In the artist's 13 

early style. Three-quarter length. 

t c — on poplar/ 0,385 h. by 0,31 w. — acquired in i860 from the Woodbum effects 
in London. 

The Virgin adoring the Child. In the artist's middle style. 14 

1 c — on poplar/ 0,875 h. by 0,65 w. — acquired in 1874 from the Barker Collection. 

The Virgin and Child enthroned in a vaulted nidie. On the left 15 

S. Sebastian, on the right S. John the Evangelist. In the artist's later ,^ 
style. I 

lb — on poplar/ 1,75 h, by 1,765 w. — acquired in 1874 from the Barker Collection. 

GHIRLANDAJO. SCHOOL OF DOMENICO DI TOM- 
MASO BIGORDI, called GHIRLANDAJO U^g-i^g^). 

The Virgin adoring the new-born Child, who is reposing between 16 

Joseph's knees. 

R4 — transferred from poplar to canvas/ circular/ 0,77 in diameter — acquired in 
1857 from the Steinla Collection. 

The Ardiangel Midiael. Three-quarter length. Companion picture 17 

to No. 18. 

1 a — on poplar/ circular / 0,22 in diameter — acquired from the Woodburn effects 
in i860. 

The Ardiangel Raphael. Three-quarter length. 18 

1 a — on poplar/ circular/ 0,22 in diameter — together with its companion picture 
No. 17 acquired from the Woodbum effects in i860. 

LIPPL SCHOOL OF FILIPPINO LIPPK1457 <?> to 1504). 

The Virgin and Child. Half-length. 19 

1 c — originally on wood, transferred in 1864 to canvas by Sdurmer/ 0,48 h. by 0,37 w. 
— acquired from the Steinla Collection in 1857. 

PIERO DI COSIMO. Bom at Florence 1462/ died there 1521. 
Pupil of Cosimo Rosselli. ..^i^ 

The Holy Family with the Infant S. John, /ZO 

Bz — on poplar/ circular/ 1,65 in diameter — acquired in i860 from the Woodbum 
effects {formerly in the possession of the Venerosi family in Pisa). 



S ITALIAN PAINTERS OF THE 



RAFFAELLO DEI CAPPONI or CARLI. Member of the 
Guild in Florence from 1499. His picture signed Capponi in the 
Uffizi, Florence, dated 1500/ his picture signed C<7r/?' in the Corsini 
Gallery, Florence, dated 1502. 

21 The Virgin and Child between S. Jerome on the left, and S. Francis 
on the right. Three-quarter length. 

R 4 — on poplar/ circular; 0,75 in diameter -— acquired in 1857 from the Steinia 
Collection. 

FLORENTINE SCHOOL about 1500. 

22 The Virgin and Child, the latter embraced by S. John. Three-quarter 
length. Latterly ascribed to Matteo Balducci. 
R 3 — on poplar/ 0,58 h. by 047 w, — acquired In 18 J7 from the Steinia Collection. 

TUSCAN SCHOOL OF THE XIII. CENTURy. 

23 The Virgin and Child enthroned. Gold ground. 

R 5 — on poplar/ 0,205 h. by 0,15 w. — acquired in i860 from the Woodbum 
effects. 



SIENESE SCHOOL 



SANO DI PIETRO. Born at Siena 1406,- died there 1481. 

24 Part of an Altar*piece. Gold ground. Half-length figures of the 
Saviour and the Twelve Apostles surround the picture. In the gable, 
the Virgin giving her girdle to S. Thomas, who kneels beneath. 
Below, S. Margaret on the left, S. Zenobius on the right. 
R 5 — on poplar/ ©^^5 h. by 0,33? w. — first catalogued in 1843. 

25 A Cross painted on an ornamented gold ground. In the centre, Christ 
on the Cross. In the four points, half-length figures of Christ above, 
the Virgin on the left, S. John on the right, and Mary Magdalene 
below. The other side of the cross, which is sawn asunder, is shewn in 
the next picture, 
R 5 — on poplar/ 0,535 h. by 0^3 w. — first catalogued in 1843. 

26 A Cross painted on an ornamented gold ground. In the centre, Christ 
on the Cross. In the points, half-length figures of the Fathers of the 
Churdi, 
R 5 — on poplar/ 0,54 h. by 0,43 w. — first catalogued in 1843. 

SIENESE SCHOOL OF THE XIV. CENTURy. 

27 The Presentation in the Temple. The Annunciation in two small me- 
daliions above. Sdiool of Ambruogio Lorenzetti. 
R 5 — on poplar/ o,8z b. by 0,545 w. — purchased in Rome in 1874. 




-/s 



Trancesco Cossa 




51 



Anarea Mantegna 



XrV. AND XV. CENTURIES 



The Virgin and Child. Half » length on a gold ground. Sdiool of 

Lippo Memmi. 

R 5 — on poplar/ 0,27 h. by 0,13 w. — purchased in 1846 from the Rumohr cflfects. 

Two wings of an Altar-piece. 1. On the left on a gold ground: 
a> above, S. Lucy and S. Clara,- b> below, S. Louis and another 
saint. 2. On the right : a) above, on a gold ground, two female saints,- 
b> below, S. Francis receiving the stigmata. Style of Bartolo di 
Maestro Fredi. 
R 5 — on poplar/ 0,545 h- by 0,26 w. — acquired in 1857 from the Steinia Collection. 

Portion of a larger picture : the Virgin. Bust»length. Gold ground. 

Sdiool of Lorenzetti. 

R 5 — on poplar/ 0,35 h. by 0,29 w. — acquired in 1857 from the Steinta Collection. 

The Dead Saviour, in a Sarcophagus. 

R 5 — on poplar/ 0,215 h. by o,2j w. — purdiased in Berlin in 1874. 

Part of a Gothic Altar-piece. Gold ground. The Virgin and Child 
enthroned between two female saints. Above in a medallion, a half 
length figure of the Saviour. Sdiool of Lippo Memmi. 
R 5 — on poplar/ 0,46 h. by 0,195 w. ~ acquired from the Rumohr effects in 1846. 

SIENESE SCHOOL OF THE XV. CENTURy. 

Holy Family with S. John the Baptist. Half-length. 

R 5 — on poplar/ 0,625 h. by 0,415 w. — acquired in 1872 from the Piccolomini Palace 

in Siena. 



UMBRIAN SCHOOL 



UMBRIAN SCHOOL OF THE XV. CENTURy. 

The Virgin and Child, an angel bringing dierries to the latter. Gold 

ground. Three-quarter length. 

R5 — on poplar/ 0,735 h. by 0,465 w. — purchased in Rome in 1874. 

SIGNORELLI. Studio of LUCA SIGNORELLI (about 1441 to 

A painted Pilaster (formerly together with the companion picture No. 37 
on the High-altar of the diurdi of San Donnino in Florence). Above, 
the Ardiangel Raphael with Tobias/ in the middle, S. Jeromc/ below, 
S. Bernardin of Siena. Studio work. 

t a — on poplar / 1,295 h. by 0,11 w. — purchased in London from the Barker Collection 
in 1874. 

A painted Pilaster, Above, S.Bernard/ in the centre, S.Onophrlus/ 

below, S. Dorothy. 

la — on poplar/ 1,295 h> by o,u w. — purchased in London in 1874. 



lo ITALIAN PAINTERS OF THE 

PERUGINO. SCHOOL OF PIETRO VANUCCI, called PE- 
RUGINO <i446-i523>. 

38 S. Crispin. Portion of a larger picture. Bust«length. 
R5 — on poplar/ 0,35 h. by 0,235 ^> — acquired in 1857 from the Stdnla CoOection. 

39 S. Francis. 
R5 — on poplar/ 0,23 h. by 046 w, — acquired from NiAols in London in 1857. 

40 S. Rodius resting, a dog bringing him bread. 
R 5 — on poplar ; 0,22 h. by 0,30 w. — acquired from tlic Stdnla CoUection in 1857. 

PINTURICCHIO. BERNARDINO DI BETTO BIAGIO, 
called IL PINTURICCHIO. Born probably at Perugia about 1455/ 
died at Siena Dec, ii^h 1513. 

Portrait of a Boy. Bust-length. 

— on poplar/ 0,50 h. by 0,355 vi. — inventory of 1722. 






>ALMEZZANO, MARCO <i456 to 1538). 
42 The Adoration of the Magi. A spurious modern copy. 

R4 — on poplar/ 0,61 h. by 0,45 w. — first catalogued in 1835. 

FERRARESE SCHOOL 

TURA, COSIMO <COSME>. Born atFerrara 1432/ died there 1495. 
42 A S, Sebastian. According to the Hebrew inscription, whidi names 
Lorenzo Costa as having finished the picture, formerly attributed to 
this artist. 



-\ 



43 %] The Annunciation. 

. G — on poplar/ 1,375 h. by 1,13 w. — acquired in 1750 as a Mantegna from the dturdi 
. . ... ^ I Bo" 



B 3 — on poplar / 1,715 h. by 0,59 w. — acquired in 1896 from M. Guggenheim in 
Venice <formerly in the Costabile Gallery at Ferrara). 

COSSA, FRANCESCO. Born at Ferrara about 1435/ died there 
»477- 

deir Osservanza in Sologna. 

COSSA. STUDIO OF FRANCESCO COSSA, 

44 The Birth of Christ. 

G — on poplar/ 0,265 h, by 1,145 w. — inventory of 1754. 

ROBERTI, ERCOLE DE'. Bom at Ferrara 1450/ died there June 
1496. Sdiool of Cosimo Tura. 

45 Christ on the way to Golgotha, This and the next picture arc parts 
of the Predella of the High»altar of S. John in Bologna. 

G — on poplar/ 0,35 h. by 1,17 w. — acquired frx>ra the Sacristy of St. John in Bologna 
in 1750, 



XIV. AND XV. CENTURIES // 



The Taking of Christ. 46 

G — on poplar/ 0,35 h. by 1,18 w. ■— acqtiired from the Sacristy of S. John in Bologna 
in 1750. 

ROBERTI. copy AFTER ERCOLE DE' ROBERTI. 

Gathering Manna in the Wilderness. The original is in the National 47 

Gallery in London. 

lb — on poplar/ 0,30 h. by 0^55 w. — first catalogued in 1835. 



BOLOGNESE SCHOOL 



FRANCIA. FRANCESCO RAIBOLINI, called FRANCIA. ^ 
Born at Bologna 1450/ died there Jan. 5* 1518. -^ 

The Baptism of Christ. Signed : Trancia Avrifex . Bon . T . l5o9- 48 

According to Vasari painted for Modena. 

Bi — on poplar/ 2,09 h. by 1,69 w. — Guarienti inventory. 

The Adoration of the Magi. 49 

1 a — on poplar/ 041 h. by 0,59 w. — inventory of 1754. 

FRANCIA, GIACOMO. Born at Bologna 1486/ died there 1557. 
Son and pupil of Francesco Francia. 

The Virgin and Child with the Infant S. John. Half=length. 50 

1 a — on poplar/ 0,57 h. by 0^35 w. — inventory of 1754. 

SCHOOLS OF VENICE AND THE 
VENETIAN TERRITORIES 



MANTEGNA, ANDREA, Bom at Vicenza 1431/ died at Man- 
tua Sept. i3tl» 1506. Founder of a Sdiool at Padua. 
Holy Family with Elizabeth and the Infant S. John. Three-quarterJ ^ 51 



length. Of the master's later period (1495— 1500) 
I c — on canvas / 0,755 h. by 0,615 w. — N. G.-«\ 
lection of Sir Charles Hastlake in London in 1876c 



on canvas / 0,755 h. by 0,615 w. — N. G.«W., E 2 — acquired from the coU 
Eas 



ANTONELLO DA MESSINA. Bom at Messina about 1430 / 
died there Febr. 14th or 151'* 1479. In Venice from about 1475 to 14764 
The Martyrdom of S. Sebastian. \ 52 

G — transferred from vood to canvas / 1,71 h. by 0,86 w. — purchased from J. Ch. 
Endris in Vienna in 1873. 



''ti 



12 I ITALIAN PAINTERS OF THE 

BELLINI, STYLE OF GIOVANNI BELLINI (about 1430 to 

52 A The Virgin with the Body of Christ. Three-quarter length. 
R3 — on poplar/ 0,565 h. by 0,385 w. — bequeathed by Heir and FrauKestner 1111892. 

53 Portrait of the Doge Leonardo Loredan. Bust-length. 

1 a — on poplar,- 0,705 h. by 0,55 w. — inventory 1754. 

SANTA CROCE, GIROLAMO DA. Born at Santa Croce in 
the province of Bergamo,- died in Venice luly ^^ 1556. 

55 The Adoration of the Infant Christ, 
2a — on poplar,- 0,675 h- W 0,755 w. — acquired through von Kaiserling in 1741. 

56 The Martyrdom of S. Lawrence. Probably the picture which the 
master painted for the diurdi of S. Francesco della Vigna in Venice. 
2a — on poplar; 0,64 h. by 0,79 w. — first catalogued in 1835. 

BARBARI, JACOPO DE'. In Germany called Jakob Waldi 
<"der walsdie Jakob"), i. e. Jacob the Italian. Supposed to have been 
born in Venice about 1450,- died probably in Brussels between 1511 
and 1515. From 1503 until 1505 in the service of Frederick the Wise, 
Elector of Saxony. 

57 The Saviour in the Act of Blessing. Half=Iength. According to an 
inscription on a signed woodcut hy Lucas Cranacfa the younger, who 
reproduces the picture almost exactly, painted by Jacopo about 1503. 

2a — transferred from linden to canvas; 0,61 h. by 0,48 w. — first catalogued in 1843 
<supposed to have been taken from the Kunstiiammer). 

58 S. Catherine. Half-length. 

2C — on linden,- 0,505 h. by 0,30 w. — this as well as the companion picture No. 59 
was doubtless originally a wing of an altar piece. 

59 S.Barbara. Half-length. 

2 — transferred from wood to canvas ,- 0,425 h. by 0,275 w. — first catalogued in 1846. 

59 A Galatea standing on a Dolphin. 
R4— on poplar/ 1,29 h. by 0,535 ^- " inventory 1754. 

PREVITALI, ANDREA. Born about 1480 at Bergamo/ died 
there Nov. 7^^ 1528. Pupil of Giovanni Bellini in Venice. 

60 The Virgin and Child with the Infant S. John. Three-quarter length. 
Signed : IS^O and (only partially preserved) Andreas Bergomensis 
pinxit. 

2a — on poplar/ 0,755 h- by '/O^ w. — purchased from the Barker Collection in London 
in 1874 (formerly in the Manfrin Gallery in Venice). 



XIV. AND XV. CENTURIES 



13 



CIMA. GIOVANNI BATTISTA DA CONEGLIANO, called 
CIMA. Born at Conegliano in 1459 or 1460,- died Sept. 2nd (?) jjiy 
or 1518. 

The Saviour in the Act of Blessing. «wXr- 

G — on poplar; \s^ h. by 0,765 w. — G.*W. II, 6 — inventory of 1754. } 

The Saviour, Bust=length. 

2C — on poplar/ 0,345 h. by 0,255 ^- ~ inventory of 1722. 

The Presentation of the Virgin Mary, _^ 

G — on poplar/ 1,05 h. by 145 w. — acquired in 1743 from a diurdi near Venice. 

BISSOLO. STYLE OF FRANCESCO BISSOLO <died 1554). 

The Virgin and Child surrounded by saints. On the left, S, Nicolas 
of Bari and S. Helena/ on the right, the Abbot Antonius and S. 
Catherine of Alexandria. Three-quarter length. 

1 a — on poplar/ 0,92 h. by 1,38 v, — acquired in 1725 through Leplat, 

CATENA. VINCENZO DI BIAGIO, called CATENA. Born 
at Venice,- died there Dec, 1531, Formed his style under the influence 
of Bellini, 
The Virgin and Child between S. Peter and S. Helena, Half-length, 

R 6 — on poplar/ 0^485 h. by \/yy w. — acquired in 1874 from the Barker Collection 
in London <formerly in the Manfrin Gallery in Venice). 

The Virgin, with the Child on the lap of her mother Anna. Joseph 
holding a little diair for the Child, Of the master's later period. 

C 3 — on canvas/ 1,455 b. by 2ax) w, — G.-W, I, 7 — acquired in 1746 from the 
Ducal Gallery in Modena. 

CATENA, copy AFTER VINCENCO CATENA, 

Judith with the Head of Holofernes. Half-length, The original is in 

the Quirini Stampalia Gallery in Venice, 

R 12 — on canvas/ 0,76 h.by 0,61 w, —acquired in 1869 from the linger Collection in 
Berlin, 

CAROTO, GIOVANNI FRANCESCO, Born at Verona about 

1480/ died there 1555, Pupil of Liberale da Verona and of Andrea 

Mantegna. 

The Virgin and Child between two Angels. Half-length. 

2 a — on poplar / 0,745 h, by 0,595 w. — purdtased in Italy in 1741 as a Leonardo da 
Vinci <according to the spurious inscription). 

VENETIAN SCHOOL about 1500. 
The Holy Family, Three-quarter length. 
R 6 — on poplar/ 0,875 b. by 0,69 w. — first catalogued in 1835. 



61 
61 
63 

64 



64A 



65 



65 A 



66 



67 



14 ITALIAN PAINTERS 

MILANESE SCHOOL 

BEVILACQUA, GIOVANNI AMBROGIO. According to 
documentary evidence painted in Milan in 1485 and 1502. Pupil of 
Vincenzo Foppa. 

68 The Virgin standing in a garden, adoring the Child. On the scroll: 

( Virga Jesse fforvvit virgo deum et Bominem genuit pacem deus 

\^ retmidit in se reconcifians into summis. From the destroyed diurdi 
/\ of S. Maria della Pace in Milan. 

R 3 — on canvas/ 1,51; h. by 1,06 w. " purdiased in 1851 from the effects of the art> 
dealer Kaspar Weiss. 



Ill 

ITALIAN SCHOOLS 
OF THE XVI. CENTURY 



16 



ITALIAN PAINTERS 



FLORENTINE SCHOOL 



71 

72 

73 
74 

75 



>< 



77 



^ 



MICHELANGELO. COPIES FROM MICHELANGELO 

BUONARROTI <i475-i564>- 

Leda and the Swan. The original, painted for the Duke of Ferrara, was 

in Fontainebleau, and is now perhaps in the possession of the National 

Gallery in London, Our copy is attributed to Rubens (about 1620). 

C 2 — on oak / 1,22 h. by 1,825 w. — purchased in 1723 from the Wrzowecz Collection 
in Prague. 

The Scourging of Christ. The original, painted by Sebastian del 
Piombo from a drawing by Midielangelo, is in the cfiurdh of S. Pietro 
in Montorio at Rome. 

R 14 — on poplar/ 0,585 h. by 0425 w. — piaced in the Kunstkamraer in 1622 from 
the collection of the court architect Nosseni. 

The Holy Family with the Infant S. John. The original is only known 

through an engraving of the XVI. Century. 

R9 — on copper/ 0,19 h. by 0,145 w. — acquired by Heineckcn from Hamburg in 1740 

See Appendix. 

FRANCIABIGIO, FRANCESCO DI CRISTOFANO BIGI, 

commonly called FRANCIABIGIO. Born at Florence 1482/ died 

there Jan. 24th 1525. Assistant of Andrea del Sarto, 

The Letter sent by the hand of Uriah. On the left in the foreground, 

Bathsheba bathing. On the right above, David looking down from 

the house«top. On the right below, Uriah is being despatdied with 

the letter. Monogram and A , S . 1523. 

1 b — on poplar/ 0,85 h. by 1,72 w. — purchased in 1750 from the collection of the 

Marchese Suares in Florence. 

SARTO. ANDREA D AGNOLO. commonly called ANDREA 

DEL SARTO. Born in Florence July 16th 1486/ died there Jan. zz^^ 

1531. Pupil of Piero di Cosimo. 

The Betrothal of S. Catherine. Monogram: AA. Painted about 1512. 

B2 — on poplar/ 1,67 h. by 1,22 w. — acquired in 1749 from the Imperial Gallery at 

Prague. 

The Offering of Isaac. Signed with the Monogram A A. According 
to Vasari the artist was commissioned about 1530 by G. B. della 
Palla to paint it for King Francis I of France, but the picture was not 
delivered, and after the artist's death became the property of Filippo 
Strozzi who presented it to Alfonso Davalos , Mardiese del Vasto. 
Afterwards the picture was in the Tribuna of the Uffizi at Florence, 
but by exdiange for Corregio's "Repose during the Flight" found its 
way into the Modena Gallery. 

C 2 — on poplar / 2,15 h. by 1,59 w. — G.-W. I, 8 — acquired in 1746 from the Ducal 
Gallery in Modena. 




52 



AntonelTo da Messina 




15o 



Antonio AOegrt da Correggio 



SARTO. COPIES AFTER ANDREA DEL SARTO. 

St. Catherine. The original is in the Cathedral at Pisa, Companion 78 

picture to No. 79. 

Private rooms — on canvas / 1,435 h. by 0,635 w. — taken from the private rooms in 1856. 

St. Margaret. The original is in the Cathedral at Pisa. yn 

Private rooms — on canvas/ 1,43 h. by 0,63 5 w. — taken from the private rooms in 1856. 

BACCHIACCA, FRANCESCO UBERTINI, called BAC- 
CHIACCA. Born at Florence March jst 1494,- died there Oct. 5*^ 
1557. Pupil of Perugino, but was influenced by Andrea del Sarto. 
The King's Sons shooting at the heart of their father's body for the 80 

crown. It was adjudged to the youngest, who, after his two brothers 
had shot, threw away his bow and arrow ' and refused to shoot. 
According to Vasari one of the paintings for decorating ornamental 
diests or the like and executed for the Florentine Giovanni Maria 
Benintendi. 

jb — on poplar/ 0^45 h. by 1,96 w. — purchased in 1750 from the Mardhese Suares 
in Florence. 

BRONZING. AGNOLO DI COSIMO, called BRONZINO. 
Bom at Monticelli near Florence Nov. ij^^ 1503/ died in Florence 
Nov. zy^ 1572. 

Portrait of the Grand Duke Cosmo I of Florence. Bust'length. 81 

3 a — on poplar/ 0,585 h. by 0^5 w. — Guarienti inventory. 

Portrait of Eleonora of Toledo <died 1562, Consort of Cosmo I, Duke 82 

of Tuscany and daughter of Don Pedro, Viceroy of Naples), Bust- 
length. 
3 b — on poplar/ 0,39 h. by 0,29 w. — inventory of 1754. 

FLORENTINE SCHOOL about 1500. 

Mary with the Body of the Saviour at the foot of the Cross. The pic- 296 
ture, formerly attributed to the North Italian Sdiool, appears rather to 
belong to the Florentine <style of Bacchiacca). 
R 9 — on canvas, orginally on wood / 0,25 h. by 0,205 ""■ — first catalogued in 1835, 

S. Mary and Mary Magdalene with the Body of the Saviour. In the four 83 

corners,, the four Evangelists, Formerly attributed to Vasari. 

R 12 — on walnut; 0,41 h. by 0,285 w. — acquired by Striebel from Rome in 1749. 

PORTELLI, CARLO. Born at Loro in the territory of Valdarno,- 

buried at Florence Oct. 15'^ 1574, 

Moses receiving the Tables of the Law on Mount Sinai, In the fore- 84 

ground, on the left the Worshipping of the Golden Calf, on the right, 

Moses breaking the Tables of the Law, 

3 b — on poplar / 1,39 h, by 0,995 w. — inventory of 1754, 



18 



85 



86 

87 

88 

89-90 



91 



92 



•a 
4 



93 



ITALIAN PAINTERS 



SALVIATI. FRANCESCO ROSSI, called SALVIATI <aftcr 
his Patron, Cardinal Salviati), Born at Florence 1510,- died in Rome 
Nov. nth 1^63. 

The Virgin and Child seated on the floor with four saints. 

jb — on canvas/ 1,33 h. by 0,94 w. — acquired iii 1743 through Algarotti in Venice 
from Count Giovaaelli. 

SALVIATI. GIUSEPPE PORTA, called SALVIATI (after his 
master Francesco Salviati). Born at Castelnuovo di Garfagnana about 
1520/ died in Venice about 1575. 
Angels weeping over Christ. 

D 4 — on canvas ; 1,085 h. by 0,87 w. — G.^W. II, 12 — purchased in 1742 from the 
Carignan Collection in Paris. 

NALDINI, BATTISTA. Born at Fiesole 1537, died at Florence 

Feb. iStli 1590. Pupil of Pontormo. 

The Adoration of the Shepherds, Companion picture to No. 88. 

44b — on poplar/ o,8iy h. by 0,635 w. — obtained through Rossi from Italy in 1738. 

The Adoration of the Magi. 

44b — on poplar/ o,8i h. by 0,635 w. — obtained through Rossi from Italy in 1741. 

Florentine Sdiool, see Appendix, 



SIENESE SCHOOL 



VANNI, FRANCESCO. Bom at Siena 1563,- died there Oct. 16* 

1610. According to others 1565—1609. 

The Holy Family with Elizabeth and the Infant S. John, 

S 1 — on canvas / 1,25 h, by 1,045 w, — G.=W. I, 25. -- Guarienti inventory. 

SIENESE SCHOOL about 1550. 

The Holy Family with the Infant S. John. Three-quarter length, 

2a — on poplar/ 0,715 h. by 0,565 w. — first catalogued in 1835 (presumably acquired 
in 1746 from the Ducal Gallery at Modena). 



ROMAN SCHOOL 



RAFFAELLO SANTI. Born at Urbino April 7'^ 1483/ died at 
Rome April (^^ 1520. Pupil of his father Giovanni Santi at Urbino, 
and assistant of Pietro Perugino at Perugia, 

The Sistine Madonna, The Virgin and Child , standing on clouds. 
On the left. His Holiness Pope Sixtus II,- on the right, S, Barbara, 



OF THE XVL CENTURY 



In the foreground two (terubs leaning on a ledge. Celebrated master- 
piece of the artist, painted between 1515 and 1519 in Rome for the 
High=^altar of the (hurdi of San Sisto at Piacenza. 

A 1 — on canvas / 2,65 h. Iw 1,96 w. — G.=W. Ill, 1 — acquired in 1753 or 1754 
through the painter Carlo Cesare Giovannini from the church of San Sisto in 
Piacenza for zo,ooo ducats. 

RAFFAELLO. COPIES FROM RAFFAELLO SANTL 
S, Cecilia. On the left, S. Paul and S. John the Evangelist. On the 
right, Mary Magdalene and Augustinus <Petronius?>, Copied by 
Dionysius Calvaert from the original whidi is now in the Picture 
Gallery at Bologna. 

Private rooms — on canvas / 2,34 h. by 1,48 w. — acquired in 1750 by Guarienti from 
the Senator Bentivogiio in Bologna. 

The Prophet Isaiah, Copied in 1764 by G.B.Casanova <born 1728 at 
Venice, died 1795 at Dresden, Professor at the Dresden Academy of 
Fine Arts) from the Fresco in the diurdi of S. Agostino in Rome. 
Private rooms — on canvas/ 245 h. by 1,45 w. — first catalogued in 1835. 

"La belle jardiniere". The Virgin with the Infant Christ, Whom the 
Infant S. John is worshipping. The original in the Louvre in Paris. 

Private rooms — on walnut/ 1,215 h. by 0,805 ^' — acquired in 1749 from the Im* 
perial Gallery at Prague. 

The "Madonna della Sedia". The Virgin and Child with the Infant 

S. John. Three-quarter length. The original is in the Pitti Palace at 

Florence. 

Bi — on poplar/ circular/ 0,725 in diameter — inventory of 1754. 



See Appendix. 



Bom 



PERUZZL copy FROM BALDASSARE PERUZZI. 
at Siena Mardi i^ 1481 ,• died at Rome Jan. 6th 1^36. 

The Adoration of the Magi. Signed indistinctly: R 1564. After 

one of the tapestries in the Vatican whidi were designed by Peruzzi, 

R13 — on fir inlaid with walnut and maple/ 0,71 h. by 0,59 w. — acquired in 1741 
through Rossi from the Abb^ Ricci in Venice. 

See Appendix. 

PIOMBO. copy FROM SEBASTIANO LUCIANI, called 
SEBASTIANO DEL PIOMBO. Born at Venice about 1485,- died 
at Rome June ztst 1547. Pupil of Giorgionc in Venice, and of Midiel» 
angelo in Rome <after 1511). 

Christ bearing the Cross. Three-quarter length. The genuineness 
justly disputed- The original is in the Museum at Madrid, 
C3 — on poplar/' 1,23 h. by 0,96^ w. — acquired in 1874 from a London art'dealer 
<formerly in the possession of Prince Napoleon and still earlier in the Reiset Collec- 
tion). 



2o 



ITALIAN PAINTERS 



GIULIO ROMANO, GIULIO PIPPI, called GIULIO ROMA- 
NO. Born at Rome \^gif died at Mantua Nov. ist 1546. Raphael's 
most distinguished pupil. 

The "Madonna delCatino". The Virgin bathing the Child, over Whom 
the Infant S. John is pouring water. On the left Elizabeth , on the 
right Joseph. According to Vasari, of the later Mantuan period of 
the master and painted for Duke Federico who presented the picture 
to Isabella Busoietta. 



103 



104 

105 
106 

107 
108 

109-110 
111 

112 



B2 — on poplar/ 1,61 h. by 1,195 w. — G.-W. I, 9 — acquired in 1746 from the Ducal 
Gallery at Modena. 

Pan and Daphnis. After an old marble group. 

Ci — on poplar/ 248 h. by 1,87 w. — acquired in 1732 from London. 

POLIDORO CALDARA DA CARAVAGGIO. Born at Ca- 
ravaggio/ died at Messina 1543. Pupil of Raphael. 
POLIDORO? A Cavalry Combat, in grey monodirome on a shield. 
R 11 — on copper/ circular, 0,515 in diameter — acquired from Rome in 1749. 

POLIDORO? The Holy Family in a room. Three-quarter length. 
R 7 — on poplar/ 0^445 h. by 0,355 w. — inventory of 1722 <from the Kunstkammer). 

BAROCCI, FEDERIGO. Born at Urbino 1526/ according to 
others in 1528/ died there 1612, 

The Virgin and Child during the Flight. Of the master's later period. 
3 c — on canvas/ 0,385 h. by 0,28 w. — inventory of 1754. 

The Assumption of the Virgin. Signed : T. B. Of the master's later 
period. 

S 3 — on canvas/ 1,45 h. by i,it -v. — acquired from Rome in 1755. 
Copies, see Appendix. 

ROMAN SCHOOL about 1550. 

Mary Magdalene at the Sepuldire. On the right, in the middle distance, 

Christ as a gardener. 

R 13 -- on canvas/ 0,535 h- by 0425. w. — inventory of 1722. 

d'Arpino, see Appendix. 



BOLOGNESE SCHOOL 



\ 



BAGNACAVALLO, BARTOLOMMEO RAMENGHI, 

called BAGNACAVALLO. Born at Bagnacavallo 1484/ died at 

Bologna in August 1542. Pupil of Francesco Francia. 

The Virgin and Child with (reading from left to right) the Saints 

Pctronius, Peter, Paul, and Philippus Benitius. 

E2 — on poplar/ 2,51 h. by 2^)6 w. — acquired in 1755 through C. C. Giovaniiitii from 

die Hospital de" Pellegrini at Bologna. 



OF THE XVI. CENTURY 



Born at Bologna about 1533,- died 



FONTANA, PROSPERO. Bom at Bologna 1512,- died therei597. 

Pupil of Innocenzo da Imola. 

The Holy Family with S. Cecilia and a second Saint. 

R 8 — on poplar/ 0,75 h. by 0,65 w. — inventory of 1754. 

PASSEROTTI, BARTOLOMMEO. Born at Bologna about 1530,. 
died there June 3'^ 1592. Pupil of Taddeo Zuccaro. 
Two men, two women and a Aild at a table. Supposed to be the 
artist's family. Three-quarter length. 

S 1 — on canvas / 1,035 h. by 1,395 ^•'. -~ Guarienti inventory <frofn the collection of 
the MarAese Monti at Bologna). 

SAMACCHINI, ORAZIO. Bom at Bologna Dec. 20th 1532,- died 

there June 12'*^ i577- 

Holy Family with S. Catherine and the Infant S. John. 

R8 — on poplar; o^y h. by 0,745 ▼• — Guarienti inventory (from the collection of 
the Mardiese Monti at Bologna>. 

Tibaldi, see Appendix. 

SABBATINI, LORENZO, 

about 1577. 

The Betrothal of S. Catherine. 

R15 — on canvas/ 0,96 h. by 0,745 w. — Guarienti inventory (from the Casa Bellucci 
at Bologna>. 

CALVAERT, DENJS <DIONISIO>. Born in 1540 at Antwerp, 

where he became an apprentice of the St. Luke Guild in 1556,- died at 

Bologna Mardi 17* 1619, Pupil of Prospero Fontana. Founder of a 

Sdiool in Bologna. 

The Virgin in the clouds above S. Francis <on the left) and S. Dominic 

<on the right). Dated : /S9S. 

F3 — on canvas; 1,595 ^- ^Y Ui5 w. — acquired from the Casa Ranuzzi at Bologna 
in 1756. 

See also No. 94. 

FONTANA, LAVINIA. Baptised at Bologna Aug. 26* 1552/ 

died in Rome 1602. Pupil of her father Prospero. 

The Holy Family with Elizabeth and the Infant S. John. Signed: 

Lavinia Prosperi Totitana .... TacieBat Ao MD . . . 

40 — on beedi; 040 h. by 0,32 w. — Guarienti inventory <from the BranAetta Col* 
lection at Bologna). 

LONGHI, BARBARA. Bom at Ravenna Sept. 21st 1552, was still 
living there in 1619. Pupil of her father Luca Longhi at Ravenna. 
The Virgin and Child with S. John. Three-quarter length. 
R6 — on canvas; 0,885 h. by 0,71 — first catalogued in 1835. 



121 A 



22 



ITALIAN PAINTERS 



122 



126 



127 



128 



BOLOGNESE SCHOOL IN THE XVI, CENTURy. 

The Holy Family with Elizabeth and the Infant S. Jo hn. 
R 14 — on canvas / 0,84 h. by 1,13 w. — inventory of 1722. 



FERRARESE SCHOOL 



MAZZOLINI, LODOVICO. Born at Ferrara about 1480,- died 
there 1528. Pupil of Lorenzo Costa. 

123 Ecce Homo. 

la — on poplar/ 0,66 h. by 0,435 ■*•• " acquired in 1876 from London <until 1865 in 
the collection of Count J. Pourtales^Gorgier in Paris). 

I DOSSO. GIOVANNI DINICCOLOLUTERCcalledDOSSO 
[ DOSSI. Born in the Ferrarese territory about 1480/ died at Ferrara 
before July 27^^ 1542. 

124 I St. George. The rescued princess is kneeling in the middle distance. 
Altered and enlarged copy of Raphael's S. George, in the"Eremitage" 
at St. Petersburg. Companion picture to No. 125. 

El — on canvas,- 2,06 h. by 1,21 w. — acquired in 1746 as a Garofalo from the Ehical 
j Gallery at Modena. 

125 j The Ardiangel Midiael warring against Satan. 

I E 1 — on canvas / 2,05 h. by 1,19 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 



Justice with the Scales and Fasces. Companion picture to No. 127, 
Belongs with Nos. 127, 130, 131 (perhaps also 124 and 125), 132, 135, 
138, 139 <Garofalo>, 142, 143 and 145 <Girolamo da Carpi) to a series 
of pictures whidi formerly adorned the walls of the Castle of Ferrara. 
In 1618 the pictures passed from Ferrara to Modena. 

E 3 — on canvas ,• 2/x5 h. by 1,055 ^- •" acquired in 1746 from the Ducal Gallery at 
Modena. 

Peace, with the Tordi and the Horn of Plenty. Perhaps by Giovanni's 
younger brother Battista Dossi (died 1548). See remark on No. 126. 

E3 — on canvas/ 2,11 h. by i/)9 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

Vision of the four Fathers of the Churdi. Below on the Earth, the 

four Fathers of the Churdh, and S. Bernardin of Siena. Above in the 

Clouds, the Coronation of the Virgin. Originally painted as an altar 

picture for the Cathedral at Modena, where it was placed Nov. 20^'i 

1532. 

E4 — on poplar; 3,58 h. by 2,08 w. — G.-W. II, 7 — acquired in 174^ from the Ducal 

Gallery at Modena. 



OF THE XVL CENTURY 



Vision of the four Fathers of the Churdi, Below on the Earth, the 
four Fathers of the Church, Above in the Clouds, God the Father 
with the Virgin. Probably by Battista Dossi, brother of Giovanni. 
I b — transferred from wood to canvas; 1,55 h. by 1,165 '^- ~ inventory of 1754. 

DOSSO. SCHOOL OF DOSSO DOSSI. 

One of theHoraewith the four steeds of Apollo. See remark on No, 126, 

E3 — on canvas/ 0,89 h. by 1,55 w. — acquired in 1746 as a Garofafo from theDacal 
Galfery at Modena. 

The Dream : a young woman asleep surrounded by fantastic dream- 
spirits. Perhaps rightly attributed to Battista Dossi. See remark on 
No. 126. 

R 8 — on canvas ; 0,82 h. by 1,47 \r. — acquired in 1746 as a Garofalo from the 
Ducai Gallery at Modena. 

GAROFALO, BENVENQTO TISI, called BENVENUTO 
<DA> GAROFALO. Born in the Ferrarese territory 1481 ,- died at 
Ferrara Sept. 6th 1559. 

Pallas Athene and Poseidon. Signed: 1512 , Nov. See remark on 
No. 126. 

E 2 — on canvas ; 2,11 h. by 1,40 w. — C^W, II, 17. -- acquired in 1746 from the Ducal 
Gallery at Modena. 

The Virgin adoring her Child, Signed : 1517- According to Vasari 
painted for the diurth of S. Girolamo at Ferrara. 

Private rooms — on canvas; 244 h, by 0,30 w. — Guarienti inventory <from the 
diurdi of the Scaizi at Ferrara). 

Below in the landscape SS. Peter <on the left), Bernard of Clairvaux 
<jn the centre), George <on the right). Above them in the clouds the 
Virgin and Child. Signed : Benvenv Garofafo l53o Dec. Formerly 
in the Certosa at Ferrara. 

Private rooms — on canvas; 2,82 h. by 1,47 w. — obtained in 1749 from Rome through 
Messrs. Stricbel. 

Venus, wounded before Troy, begs Mars for his diariot. See remark 
on No, 126. 

E 1 — on canvas; 1,33 h. by 2,38 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

The Holy Family with Joadiim and Anna, Elizabeth and the Infant 
S. John. 

la — on poplar; 1,41 h. by 0,57 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

The Virgin giving the Infant Christ to the kneeling S, Cecilia. On 

the left SS. Antonius and Bernardin, on the right S, Geminianus. 

30 — on poplar; 0,65 h. by 0,855 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 



24 



ITALIAN PAINTERS 



138 Bacchanal. On the left, Bacchus and Ariadne on their car. In the 
foreground, Silenus mounting a lion. Painted \>y Garofalo in his 
65 th year for the Duke of Ferrara from a drawing by Raphael, as an 
ornament for a mantel-piece. See remark on No, 126, 

B 1 — on canvas / 2,18 h. by 3,13 w. — acquired in 1746 from the Ducal Gallery at 
Modena to which the picture passed from Ferrara at the beginning of the XVII. 
Century. 

139 Diana bending over the sleeping Endymion. See remark on No. 126. 
E 3 — on canvas/ 0,945 ^- I>y '^54? w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

140 The youthful Saviour teadiing in the Temple. 
3 c — on canvas 1 0,665 h. by 0,845 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

GAROFALO. SCHOOL OF GAROFALO. 

141 The Betrothal of S. Catherine, Dated: /55 7- 
3 c — on poplar/ 0,68 h. by 0,525 w. — acquired in 1746 from the Ducal Gallery at 
Modena to which the picture passed in 1625 from the collection of Cardinal Alessandro 
d'Este in Rome. 

GIROLAMO DA CARPL GIROLAMO DE' SELLARI or 
DE' LIVIZZANI, called GIROLAMO DA CARPI. Born at 
Ferrara in 1501,- died there in 1556. Pupil of Garofalo, 

142 Opportunity <a youth) and Patience (a veiled woman). Painted in 
1541 at the Ducal Court of Ferrara. See remark on No. 126. 

E 3 — on canvas / 2,11 h. by 1,10 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

143 Venus in a shell drawn by swans. From a design \>y Dosso. See 
remark on No. 126. 

E 3 — on canvas / 143 h. by 2,67 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

144 Judith with the Head of Holofernes. Three-quarter length. 

E 2 — on canvas/ 1,345 h- by 1,075 >*■• -" acquired in 1746 from the Ducal Gallery at 
Modena. 

145 The Rape of Ganymede. Probably from a design by Dosso. 
E 1 — on canvas / 0,805 h. by 1,45 w. — acquired in 1746 as a Parmigianino from 
the Ducal Gallery at Modena. 

SCARSELLINO. IPPOLITO SCARSELLA, called SCAR- 
SELLING, Born at Ferrara 1551,- died there Oct. ^^^^ 1620. 

146 The Flight into Egypt. Companion picture to No. 147. 
3 a — on canvas/ 0,535 h. by 0,785 w. — Guarienti inventory <formerly in the collec- 
tion of the Abbe Branchetta at Bologna). 

147 The Holy Family in the Carpenter's Workshop. 

3 a — on canvas / 0,535 h- by 0,79 w. — Guarienti ir.ventory (formerly in the collec- 
tion of the Abbe Branchetta at Bologna). 




i52 



Antonio AlTegri da Correggio 



i* . - -^«ifexc.y ■■^"""liHaiJS'-^', ■>.-**£' 




153 



Antonio AlTegri da Correggio 



OF THE XVI. CENTURY 



25 



The Holy Family with SS. Barbara and Carlo Borromco. Ordered hy 
the Duke in 1615 for a Chapel in Modena {finished Oct. 1615). 
Private rooms — on canvas / 1,96 h. by 2,19 w. — G.^W. II, 27 — acquired in 1746 
from the Ducal Gallery at Modena. 

The Virgin and Child with SS. Clara and Catherine, S. Francis and 
S, Anthony. 

Rio — on copper/ 0,34 h. by 0,285 ^- " Guarientl inventory <fTom the Casa Ghis^ 
Heri at Bologna). 

FERRARESE SCHOOL OF THE XVI. CENTURy. 

Lamentation over the Dead Body of Christ. On the right in the middle 

distance S. Jerome, in the bad?ground the Martyrdom of S. Peter. 

R4 — on poplar,- 0,60 h. by 0,53 w. — acquired through the Director Matthai in the 
earlier half of the XIX. Century. 



148 



149 



149A 



SCHOOLS OF PARMA AND MODENA 



150 



'y yA ^ ■ ■'" 



CORREGGIO. ANTONIO ALLEGRI, commonly called 
CORREGGIO. Born at Correggio about 1494/ died there Mardi 5* 
1534. Founder of a Sdiool at Parma, 

The Madonna of S. Francis. The Virgin and Child enthroned underan 
ardi, the Virgin stretdiing out her right hand over the head of S. Francis, 
who is worshipping on the left. Near the latter is S. Anthony. On 
the right, S. John the Baptist and S. Catherine. Signed : Antoivs de 
Alegris . P. The picture was ordered in 1514 by the Minorite Friars 
at Correggio and delivered by the artist in the spring of 1515. 

El — on poplar/ 2,99 h. by 2,455 f. — G.»W. 1, 1 — acquired in 1746 from the Ducal 
Gallery at Modena. 

The Madonna of S. Sebastian. In the foreground on the left S. Se- 
bastian, in the centre S. Geminianus, on the right S. Rodius. Ordered 
in 1525 by the ardier guild of S. Sebastian for a dioir diapel of 
the Cathedral, the picture was relinquished by the diurdi to Duke 
Alfonso IV for his Gallery. 

E3 — on poplar/ 2,65 h. by 1,61 w. — G.»W. 1, 3 — acquired in 1746 from the Ducal 
Gallery at Modena. 

The Nativity. Ordered by Alberto Pratonero in 1522, but not placed 
in the diapel of the Pratoneri in the diurdi of S. Prospero at Keggio 
until 1^30, In May 1640 in the time oT Duke Francesco I the picture ' 
passed into the possession of the Gallery at Modena. 
El — on poplar/ 2,565 h. by 1,88 w. — G.-W. II, 1 — acquired in 1746 from the 
Ducal Gallery at Modena. 

The Madonna of S. George. On the left S. John the Baptist and il53 
S. Geminianus. On the right S. George, with whose weapons infant*-— i|*' 
angels are playing, and S. Peter Martyr, Painted between 1530 and 



151 



""Y^" 



152 



26 



154 



— -^ bv 



155 



156 



ITALIAN PAINTERS 



160 
161 



1^32 for the Aurdi of S. Peter Martyr at Modcna. In i649placed in 
the Gallery at Modena, A sketdi of the picture is in the Gallery of 
Engravings at Dresden. 

E3 — on poplar/ 2^85 h. by 1^90 w, — G.-W. I, 2 — acquired in 1746 from the Dncal 
Gallery at Modena. 

CORREGGIO? The Repentant Magdalene. An old copy after a 
lost original by the Master, 

( c — on copper ; 0,29 h. by 0,395 w. — G.»W. I, 4 — acquired in 1746 from the Ducal 
jallery at Modena <proved to have been in the collection and held to be an original 
by Correggio as early as 1682). 

CORREGGIO? Portrait of an elderly gentleman with a book,- 
the so called "Physician of Correggio". Bust«length. Probably of 
Ferrarese origin. 

3 c — on poplar; 0,825 fi- hy 0,69 w. — G.»W. II, 2 — acquired in 1746 from the Ducal 
Gallery at Modena <as early as 1638 was in the possession of the Bishop Coccapani of 
Reggio and held to be a Correggio). 

CORREGGIO. COPIES AFTER CORREGGIO . 

"La Madonna della Cesta"; La Vierge au panier. Three-quarter 

length. The original in the National Gallery in London. 

3 c — on mahogany; 0,355 h. by 0,255 '''• ~ inventory of 1722. 

The Betrothal of S. Catherine. On the right S. Sebastian. Three*- 

quarter length. The original in the Louvre at Paris. 

Private rooms — on canvas ; 1,01 h. by 1,01 ■vf. — Acquired in 1741 through v. Kaiser* 

ling. 

CORREGGIO, SCHOOL OF CORREGGIO. 
Half-length figure of S. Margaret. 

3c — onpoplar; 0,68 h. by 0,525 w. — purchased in 1756 from the Gallery of the 
Due de Tallard in Paris as an original by Correggio. 

PARMIGIANINO. FRANCESCO MARIA MAZZOLA, 

called IL PARMIGIANINO. Born at Parma Jan. nth 1504/ died at 

Casal Maggiore Aug. 24th 1540. Style formed under the infiuence of 

Correggio. 

The Virgin and Child in the Clouds, S.Stephen <on the left), with the 

donor and S. John the Baptift <on the right). According to Vasari 

painted during the master's later period for the diurdi of S. Stefano at 

Casal Maggiore. 

E 2 — on poplar ; 2,5^ h. by t,6i w. — acquired in 1746 from the Ducal Gallery at 

Modena where it haa been since 1646. 

' "La Madonna della Rosa". The Virgin with the Child Jesus, Who is 
giving her a rose. Three-quarter length. According to Vasari, painted 
in Bologna for Pietro Aretino but presented to Pope Clement VII 
during a visit to Bologna and by him left to Dionigi Zani of that city. 
E2 — on poplar/ 1,09 h. by 0,885 '^- ~ G.»W. II, 3 — acquired from the Casa Eani 
at Bologna in 1752. 



A young Man representing a Saint with a palm. Half-length. 162 

Bi — on canvas/ 1,02 h. by 0^85 w. — acquired in 1869 from the linger Collection. 

PARMIGIANINO. COPy AFTER PARMIGIANINO. 

Eros cutting his Bow, with two Cupids. The original is in the Imperial 163 

Gallery at Vienna. 

B2 — on canvas; 1,355 h- by 0,645 w. — inventory of 1722 <from the Grand Dnke of 
Tuscany). 

Sdiool of Parmigianino, see Appendix. 164 

ABBATE, NICCOLO DELL'. Born at Modena about i5i2,. died 

at Fontainebleau 1571. Formed his style under the influence of Cor- 

reggio and Giulio Romano. Lived at Fontainebleau after 1552. 

The Martyrdom of the Apostles Peter and Paul. Master^piece of the 165 

artist, painted in 1547 for the diurdi S. Pietro at Modena. 

E4 — on poplar ,• 3,635 h. by 1,98 w. — G.«W. 1, 6 — acquired in 1746 from the Docal 
Gallery at Modena. 

BEDOLL GIROLAMO BEDOLI, called MAZZOLA. Bom 

about 1500, probably at Parma,- died there 1569. Cousin of Parmigianino. 

The Virgin and Child with S. George. On the right an angel is leading 165A 

up the Infant S.John. An early work of Bedoli painted for the parish 

diurd) at Rio near Correggio. 

E 4 — on canvas/ 1,565 h. by 1,33 w. — G.^^W. II, 4, — acquired fn 1746 from the 

Ducal Gallery at Modena where it had been since 164^6. 

The Virgin and Child with S.John between S.Sebastian <on the right), 166 

and S. Francis <on the left). 

E 1 — on poplar/ 1,68 h. by 0,955 w. — G.^W. I, 5 — Guariehti inventory. 

SCHEDONI <SCHIDONE), BARTOLOMMEO. Born at 
Modena,- died at Parma 1615. 
The Holy Family in a Landscape. | 167 

R 14 — on poplar/ 0,415 h. by 0,52 w. — first catalogued in 1835. I 



SCHOOLS OF VENICE AND THE 
VENETIAN TERRITORIES 



nZIANO VECELLI (VECELLIO). Born at Pieve di Cadore, 
probably in 1477/ died at Venice Aug. 27th 1576. Pupil of Bellini, 
rounder of a Sdiool in Venice. 
The Virgin and Child with four Saints : on the left S. John the Baptist/ ^ 168 
on the right Mary Magdalene, SS. Paul and Jerome. Three»quarterJL— 
length. An early work of the artist. "^ 1 

G — on poplar / 1,38 h. by 1,915 w. — G.-W. II, 8 — acquired through Messrs. Zanetti I 
and Guarienti from the Casa Grimani dei Servi in Venice. I 



2S 



ITALIAN PAINTERS 



169 



170 

171 

\ 



172 



173 
175 

176 

176A 
177 



The Tribute Money, The Saviour with the Jew who is showing Him 
the coin. HalWength. Signtd: Ticianvs . 7. According to Vasari, 
painted in 1514 to decorate the door of a diest in the Palace of Duke 
f Alfonso I at Ferrara <probabIy even earlier, perhaps about 1508). 

G — on poplar/ 0,75 h. by 0,56 w. — G.--W. Ill, 29 — acquired in 1746 from the 
Ducal Gallery at Modena where the picture had been since the beginning of the 
XVII. Century. 

Titian's daughter Lavinia as bride. Three-quarter length, 

D 3 — on canvas; 1,02 h. by 0,86 w. — G^W. I, 12 — acquired in 1746 from the 
Ducal Gallery at Modena to whidi it passed from Ferrara at the beginning of the 
XVII, Century, 

Titian's daughter Lavinia as matron. Signed : Lavinia Tit .V.T". 
a6 . eo . p. Painted about 1565. Three«quarter length, 

D 3 — on canvas,- 1,03 h, hy 0,865 'w- — G.3W. 1, 13 — acquired in 1746 from the 
Ducal Gallery at Modena to which the picture had passed at the beginning of the 
XVII. Century from the Castle at Ferrara. 

Portrait of a Man with a palm, perhaps the painter Antonio Palma, 
nephew of Palma Vecchio. Three-quarter length. Signed: 1561 
anno , , . natvs . aetatis suae 46. Titianvs Pictor et Aeqves Cae- 
sar is. Of the artist's later period, 

Dt — on canvas; 1,38 h. by 1,16 w. — Guarienti inventory <from the Casa Marcello 
at Venice). 

Portrait of a young Girl with a Vase. Three-quarter length, 

D 3 — on canvas ; 0,995 h. by 0,87 w. — G.^W. Ill, 38 — acquired through Leplat in 
1731. 

The Holy Family with the family of the patron. Three-quarter length. 
The authenticity disputed. 

D 2 — on canvas ; 1,18 h. by 1^1 w. — G-»W. 1, 10 — acquired in 1746 from the Ducal 
Gallery at Modena to whim it had passed from the Castle of Ferrara about the be- 
ginning of the XVII. Century. 

Portrait of a Lady in a red dress. Three-quarter length. The authen- 
ticity as a Titian disputed. 

Di — on canvas/ 1,35 h. by 0,895 ^' "" acquired in 1746 from the Ducal Gallery at 
Modena. 

TIZIANO. COPIES AFTER TIZIANO VECELLI. 
The Holy Family. The original is in the Uffizi at Florence. 
R 14 — on canvas; 0,76 h. by 1,005 w. — first catalogued in 1835. 

Venus upon her coudi crowned \)y Cupid. At her feet a lute player. 

Altered replica of the Sdiool after the original in the Museum at 

Madrid. 

C3 — on canvas; 1,42 h. by 2/38 w. — acquired in 1731 through Leplat. 



OF THE XVL CENTURY 



29 



Venus, for whom Cupid is holding a looking-glass. Three-quarter 178 

length. Altered replica of the Sdiool from the original inthe"Eremitage" 

at St. Petersburg. 

C2 — on canvas/ 1,15 h. by \fio w. — acquired in 1749 from the Imperial Gallery at 

Prague to which it probably passed from the collection of the Ardiduke Leopold 

WUhelra in Brussels. 

See Appendix. 179-181 

Venus and Adonis, Altered copy from the original in the Museum 182 

at Madrid. 

Private rooms — on canvas/ 1,38 h. by 1,60 w. — acquired through Messrs. de Brais 

from Paris in 1742. 

Venus and Adonis, A free treatment of the work by Titian, Late 183 

XVII. Century. 

Private rooms — on canvas / 1,91 h. by 1,665 ^' " in the inventory of 1722 described 

as a Bevcrenzo . 

Ecce Homo. Three-quarter length. Altered copy from the original 184 

by Titian in the Museum at Madrid. 

Private rooms — on canvas / 0,84 h. by 0,765 w. — acquired through Messrs. Riedel 
from Vienna in 1741. 

See also No. 378 <Torre>, 

GIORGIONE. GIORGIO <ZORZON> DA CASTELFRAN- 

CO, called GIORGIONE. Born at Castelfranco 1477 or (according 

to the Second Edition of Vasari) in October or November 1478/ died 

at Venice 1510. Pupil of Giovanni Bellini. 

Venus asleep, in a ridi landscape. One of the artist's principal works, 185 

and after his premature death finished by Titian (landscape and Cupid 

who was formerly to be seen at the feet of the goddess). This picture 

was in the house of Jeronimo Marcello at Venice in theXVI.Centurjr 

and can be shewn to have still been there in 1660. 

G — on canvas / 1,085 h> t*y «/75 "^- — first catalogued in 1707. 

GIORGIONE. AFTER GIORGIONE. 
An Astrologer casting the horoscope of a boy. 

R 2 — on fir / 1,3 25 h. by ix>2 w. — acquired in 1874 from the Barker Collection in Lon- 
don <formerly in the Manfrin Gallery at Venice as a Giorgione). 

The Judgment of Paris. 



ttb 



ion^ 



R 13 — on canvas / 0,525 h. by 0,675 w. — acquired in 1869 from the linger Collection 
in Berlin. 

PALMA. GIACOMO D'ANTONIO DENIGRETTI, called 
PALMA VECCHIO. Born at Serinalta near Bergamo about 1480 / 
died at Venice July 3ot*> 1528. Pupil of Giovanni Bellini. Formed his 
style under the influence of Giorgione and Titian. 

The Virgin and Child with S. John the Baptist and S. Catherine, 

Half-length, 

2 a — on poplar/ 0,67 h. by 0,975 w. —acquired 1749 through Guariend from the Casa 

Ptsano di S. Stefano at Venice. 



186 
187 



188 



3o 



ITALIAN PAINTERS 



^K 



189 

190 
191 

192 



193 
194 

194A 
^\ 

194B 
195 

197 
199 



J^ 



The Three Sisters. Half=length, In the house of Taddeo Contarini 
at Venice as early as 1525, 

G — on poplar ; 0,88 h, by 1,23 w, — G.-W. Ill, 44 — acquired in 1743 through Alga^ 
rottl from the family Corner della Casa grande at Venice. 

Venus Reposing. 

C 3 — on canvas / 1,125 h. fcy j,86 w. — acquired from Italy through Rossi in 1728. 

Holy Family with the Infant S. John and S. Catherine. The master's 

later period. 

2 a — on p>opIar/ 0,755 h- by 1,06 w. — acquired in 1725 through Leplat. 

The Meeting of Jacob and Radiel. The master's later period. 

B 2 — on canvas ; 1465 h. by 2,505 w. — G-^W. II, 45 — Guarienti inventory <ac« 
quired from the Casa Malipiero at Venice as a Giorgionc). 

PALMA. SCHOOL OF PALMA VECCHIO, 

The Virgin and Child with four saints. On the left SS. John the 

Baptist and Francis, on the right SS. Joseph <?> and Catherine. 

2b — on poplar/ 1,02 h. by 1,43 w. — acquired in 1741 through Rossi. 

See Appendix. 

LOTTO, LORENZO. Bom at Venice about 1480/ died at Loreto 
between Sept. iSt^i 1556 and July i^t 1557. 

The Virgin with the Child Jesus Who is embracing the Infant S. John. 
Signed: Laurentius Lotus 15 • 8. <i5i8?>. 
Uc — on poplar/ 0,52 h. by 0,39 w. — G.-'W. Ill, 28 — first catalogued in 1809. 

LOTTO. STYLE OF LOTTO'S LATER PERIOD. 

The Martyrdom of S. Sebastian. 

Private rooms — on canvas / 1,89 h. by 1,07 w. — acquired in 1746 from the Oucal 

Gallery at Modena as a Carlo Feti. 

LOTTO, copy AFTER LORENZO LOTTO. 

The Virgin and Child with four saints. On the left S. Francis and 

S. Clara. Signed ; L. Lotus . T. The original is in the Bridgewater 

Gallery, London. 

R6 — on poplar/ 0,85 h. by 1,03 w. — acquired in 1883 from Fairfax Murray in 

Florence. 

See Appendix. 

PORDENONE, GIOVANNI ANTONIO DE'SACCHI DA. 
Born at Pordenone 1483/ died at Ferrara January 1539. A leading 
painter of Friuli. 
PORDENONE? The Calling of the Apostle Matthew. Half-length, 

Rio ^ on canvas/ 1,995 h. by 1,19 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 



OF THE XVI. CENTURY 



^I 



PORDENONE? Portrait of a Lady in mourning. Bust=Iength. ^^; 
za — on canvas / 0,61 h. by 0,54 w. — G.-W. Ill, 3 — first catalogued in 1765. 

LICINIO, BERNARDINO DI ANTONIO. Born about 1490, 
probably at Venice,- died there between 1556 and 1561. As pupil of 
the preceding also called Pordenone. 

Portrait of a Lady in a red dress. Half-length. Signed : B . Licini . 
f. 1533. 
3 b — on canvas; 0,99 h. by 0,83 w. — first catalogued in 1722. 

CAVAZZOLA. PAOLO MORANDO, called IL CAVAZ- 

ZOLA. Born at Verona 1486/ died there Aug. \')^^ 1522. Pupil of 

Domenico Morone. 

Portrait of Joannes Emilius of Verona, Apostolic Notary <bom 1746) 

Half-length. 

G — on canvas/ 0,93 h. by 0,7^5 w. — acquired in 1875 from R. Brooks in Londi 
(formerly in the possession of the Megli family at Verona). . 



BARTOLOMEO VENETO. Bom at Cremona and formed his 
style under Milanese influence and that of Giovanni Bellini. Signed 
pictures dated from 1502 to 1530. 

The Daughter of Herodias with the Head of John the Baptist. Half- 
length. 

G — on poplar/ 1,035 h- by 0,62 w. — G.-W. Ill, 46 — acquired in 1749 from the 
Imperial Gallery at Prague. 



^\ 



GIROLAMO DA TREVISO THE yOUNGER. Bom at 
Treviso 1497/ killed by a cannon ball in 1544 near Boulogne. Origi- 
nally a pupil of Titian, he developed his style under the influence of 
Raphael. 
The Adoration of the Shepherds. 

R8 — on walnut/ 0,86 h. by 1,18 w. — acquired from Madrid in 1744 through the 
Secretary of Legation Talon. 

Copy after Moretto, see Appendix. 

BORDONE, PARIS. Baptised at Treviso July5A 1500/ died at 

Venice Jan. iptt* 1571. Pupil of Titian at Venice. 

Apollo between Marsyas and Midas. Three-quarter length. 

C 3 — on canvas/ 0,98 h. by 0,815 '^- — inventory of 1754. 



A- 



Diana surrounded by her nymphs. Three-quarter length. 

D 2 — on canvas / i,t6 h. by 1,87 w. — inventory of 1754. 

The Holy Family with Elizabeth, Jerome and the Infant S. John. 

Si — on canvas/ 1,13 h. by 1,50 w. — acquired In 1749 from the Casa Pisani dl 
S. Stcfano at Venice. 



199A 



200 



1^ 



X 



4ir 



201 

IE 



201 A 



2013 
202 

203 
204 
205 



32 



ITALIAN PAINTERS 



BONIFAZIO VERONESE. BONIFAZIO DE' PITATI, 
called BONIFAZIO VERONESE. Born at Verona 1487/ died at 
Venice Oct. igif* 1553. Pupil of Palma Vecchio. 

The Finding of Moses. 

2b — on canvas,- 1,01 h. by 1,40 w. — acquired through Leplat in 1725. 



208 



209 Half-length figure of the Saviour with the globe. Doubtless only studio 
work. 

2 c — on canvas,- 0,795 h. by 0,675 w. — first catalogued in 1835. 

BONIFAZIO. STUDIO OF BONIFAZIO VERONESE. 

210 The Adoration of the Shepherds. 

2 b — on poplar / 1,025 h. by 1,49 w. — acquired in 1749 from the Casa Pisant di 
S. Stefano at Venice. 

211 TheHoly Family with Elizabeth, the Infant S.John, and S.Catherine. 

2b — on poplar/ 1.07 h. by 1,34 w. — acquired from Italy through Rossi in J738. 

212 The Raising of Lazarus. 

R7 — on canvas/ 1,325 h. by 2,00 w. — acquired in 1749 from the Casa Pisani di 
S. Stefano at Venice. 

213 The Virgin and Child with S.Catherine, S. Peter and S.Anthony. 
Bi — on canvas/ i/)9 h. by 1,52 w. — acquired through Rossi in 1741. 

POLIDORO VENEZIANO. POLIDORO DI PAOLO DI 
LANZANO, called POLIDORO VENEZIANO. Born at Lan- 
zano near Lodi 1515/ died at Venice July zi^t 1565. Pupil of Bonifazio. 

214 The Virgin and Child, to Whom a nobleman is bringing his child. On 
the right S.Mary Magdalene. 

2 c — on canvas / 1,215 h. by 1,745 w. — acquired in 1749 from the Casa Pisani di 
S. Stefano at Venice. 

215 The Betrothal of S, Catherine. On the right, S. Andrew <?>, further 
back, the Angel and Tobias. 
B2 — on canvas/ 1^)85 h. by 1,325 w. — inventory of 1754. 

216 The Virgin adoring her Child, Three-quarter length. 
2C — on oak/ 0,51 h. by 0,38 w. — inventory of 1722. 

217 Venetian Sdiool, see Appendix. 

VENETIAN SCHOOL OF THE XVI. CENTURy, • 

219 Portrait of a Man with a bladt beard. Half-length. Ascribed to Poli- 

doro Lanzano. 
2 b — on canvas / 0,90 h. by 0,725 w. — acquired in 1620 from Italy. 




266 



Jacopo Tintoretto 



A Loving Couple. Bust^Iength. A similar but weakerpicturc, signed 
Fr. Mancini, was in the Scarpa Gallery at Motta, This picture has 
been attributed toCallistodaLodt (flourished 1521 — 1564), it is however' 
perhaps an early work of Romanino. 

2C — on popfar; 0,52 h. by 0,72 w. — acquired in J746 from the Ducal Gallery at 
Modena to whiA it passed from Ferrara in 1618. 

Christ bearing the Cross. Half-length. 

ja — on canvas/ 0^75 h. by 1^8 w. — probably acquired in 1733 at thede la Chataig" 
nerage auction in Paris. 

FARINATI, PAOLO. Bom at Verona 1522,- died there 1606, In- 
fluenced by Paolo Veronese, 
The Presentation in the Temple. *' 

D 2 — on canvas/ i,86 h. by 4,17 w- — acquired in 1747 through Rossi from the Casa 
Bonfadini at Venice. 

VERONESE. PAOLO CALIARI, called VERONESE. Bom 
at Verona 1528/ died at Venice April 19th 1588. 
The Virgin and the Cuccina Family. Faith, Hope and Charity 
conduct the members of the Family to the Madonna, who is enthroned 
between S. John the Baptist and S. Jerome. This great work of Paul 
Veronese, together with the next three pictures, was painted for the 
Cuccina Family. IntheXVIL Century the four pictures were still in the 
Palace belonging to the family at Venice <laterTiepolo now Pap adopoli). 

D 3 — on canvas / 1,47 h. by 4,t6 w. — G>"W. 1, 15 — acquired in 1746 from the Ducal 
Gallery at Modena to which it passed together with the other three in 1645. 

The Adoration of the Kings. See remark on 224. 

D 1 — on canvas/ 2/36 h. by 4,55 w. — G.»W. I, 14 — acquired in 1746 from 

Ducal Gallery at Modena. 

The Marriage at Cana. See remark on 224. 

D 1 — on canvas / z^rj h. by 4,57 w. — G.=W. II, 9 — acquired in 1746 from the 
Ducal Gallery at Modena. 

Christ bearing the Cross. Sec remark on 224. 

D 3 — on canvas / 1,66 h. by 4,14 w. — O.-W. 1, 16 — acquired in 1746 from the Ducal 

Gallery at Modena. 

The Centurion of Capernaum before the Saviour. Painted between 
1570 and 1580. Companion picture to No. 229. 

D 3 — on canvas / 1,78 h. by 2,75 w. — acquired in 1747 frcmi the Casa Grimani de' 
Servi at Venice. 

The Finding of Moses. Painted between 1570 and 1580. 

D 3 — on canvas / 1,78 h. by 2,77 w. — acquired in 1747 from the Casa Grimani de' 
Servi at Venice. 

The Good Samaritan. 

D 4 — on canvas / 1^75 h. by 2,53 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 



I 221 



222 



I 
f223 



224 



m fie 



»i » 



^- 



225 
226 
227 
228 

229 
230 



34 



ITALIAN PAINTERS 



231 
232 
233 

234 

235 
236 



237 
238-239 



K. 



240-2^ 
243 



244 
245 
246 



The Crucifixion of Christ. The genuineness justly disputed. 

2b — on canvas/ 0^5 h. by 0,345 w. — acquired in 1741 through Vent. Rossi in 

Venice. 

The Crucifixion of Christ. Studio work. 

2 a —on canvas / 0,085 ^- by 0,76 w. — acquired in 1742 through Riedel from the 

Inij>erial Gallery at Prague. 

Christ with the Disciples at Emmaus. Perhaps only studio work. 

D 4 — on canvas / 1,205 h- by 1,815 w. — acquired in 1746 from the Ducal Gallery in 
Modena to whidi it had passed in 1625 from the collection of Cardinal Alessandro 
d'Este in Rome. 

Leda and the Swan. Probably a copy from the original formerly in the 
Orleans Gallery. 

D 1 — on canvas / 1,06 h. by 0,905 w. — acquired in 1744 through Rossi from the 
Casa Grimani Calergi at Venice. 

The Resurrection of Christ. 

2 b — on canvas; 1,365 h. by iaH w. — acquired in 1741 through Riedel from Vienna. 

Portrait of one of the Contarini. Formerly described as a portrait of 
Daniele Barbaro. Three^^quarter length. 

D t — on canvas/ 1,325 h. by i/)2 w. — G.*W. II, 10 — acquired in 1744 from the 
Casa Grimani Calergi at Venice. 

lusanna Bathing. Studio work. 
R 12 — on canvas / 1,255 h. by 1/H5 '^- " acquired in 1742 from the Carignan Collection 
>< in Paris. 

Copies, see Appendix. 

VERONESE. THE HEIRS OF PAOLO VERONESE. Pao- 
lo's brother Benedetto and his sons Gabriele and Carletto Caliari who 
continued the work of his studio after his death. 
See Appendix. 

Jupiter, assuming the form of a bull, is carrying off Europa. This com- 
position was repeatedly reproduced with some alterations by Paolo 
and his pupils. The finest example by the master's own hand is in the 
Doge's Palace at Venice, while another one is in the Gallery of the 
Capitol at Rome. The picture in this gallery is probably by Carletto, 

D 1 — on canvas / 3,21 h, by 2,89 w. — acquired in 1743 through Algarotti from Signora 
Teresa Negrenzi at Venice (formerly in the possession of the Mardiese Piati>. 

VERONESE. SCHOOL OF PAOLO VERONESE. 
Venus and Adonis, 

2 b — on canvas / 0,755 ^- by 0^6 w. — inventory of 1754, 

Portrait of a Boy with a rattle. Half-length. 

3 a — on canvas/ 0,54 h. by 0,40 w, — acquired in 1857 from the Steinla Collection, 

See Appendix. 



OF THE XVI. CENTURY 



3S 



The Martyrdom of S. Catherine. 247 

Store-rooms — on canvas ; 0,655 •*• by 0,81 w, — acquired in 1742 through de Brais 
from the Carignan Collection in Paris. 

The Adoration of the Kings. 248 

Store-rooms — on canvas/ 1/355 •»• by 0,81 w. — inventory of 1754. 

FASOLO, GIOVANNI ANTONIO. Bom at Viccnza .528, 

died there 1572. Sdiool of Paolo Veronese. 

Portrait of a Lady. Three-quarter length. 249 

D 3 — on canvas/ 1,32 h. by 1,13 w. — acquired in 1744 through Rossi from the Casa 

Grimani Calergi at Venice. 

PALM A, JACOPO THE yOUNGER, called PALMA GIO- 

VINE. Born at Venice 1544/ died there 1628. Grand nephew of 

Palma Vecchio. 

The Presentation of the Virgin Mary in the Temple. Painted for the 250 

diurdi deir Umilta at Venice. 

Store - rooms — on canvas / 1,80 h. by 3,52 w. — acquired in 1746 from the Ducal 

Gallery at Modena to whidi it passed from Venice in 1653. 

S.Sebastian. 251 

Store-rooms — on canvas/ 1,675 h. by 1,17 w. — acquired in 1743 through Algarotti 
from Count Giovanelli in Venice. 

The Crucifixion of St. Andrew. 252 

Store-rooms — on canvas / 1,65 h. by 2,635 w. — acquired in 1742 from the de Brais 
Collection in Paris. 

BASSANO. GIACOMO DA PONTE, called BASSANO. 

Born at Bassano about 1515/ buried there Feb. 14*^ 1592. Pupil of his 

father Francesco. 

Samson fighting with the Philistines. Early work of the artist. 252A 

S 1 — on canvas / 1,55 h. by 2,19 w. — acquired in 1749 from the Imperial Gallery at 
Prague. 

The Israelites journeying through the Wilderness. Companion picture 253 

to No. 254. 

D 1 — on canvas/ 1,83 h. bv 2,78 w. — acquired in 1747 through Zanetti from the 
Casa Grimani dei Scrvi at Venice. 

The Return of Tobias. 254 

Dj — on canvas/ 1,79 h. by 2,77 w. — acquired in 1747 from the Casa Grimani. 

Moses and the Israelites at the Rock. 256 

R 20 — on canvas/ 1,14 h. by 1,76 w. — Cuarienti inventory. 

BASSANO. STUDIO OF GIACOMO BASSANO. 

The Conversion of Saul. 258 

Store-rooms — on canvas / 1,805 h. by 1,125 ▼• — acquired through Vent. Rossi frotn 
Venice in 1741. 



36 



ITALIAN PAINTERS 



258 A 

259 
260-263 

265 

265A 

266 



267 

\ 

269 

-\ 

270 



270A 



271 



Noah's Ark. The animals in pairs, entering the ark. 

R 20 — on canvas ; 1,225 h. by 1,795 w. — acquired in 1744 tiirough Vent. Rossi from 
the collection of the Abb^ Ricci at Venice. 

The message of "good tidings of great joy" to the Shepherds. 
Store-rooms — on canvas/ 1,325 h. by 1,83 w. — inventory of 1754. 

See Appendix. 

TINTORETTO. JACOPO ROBUSTI, called IL TINTORET- 
TO. Born at Venice in Sept. 1518/ died there May 31st 1594. Pupil 
of Titian. 
Women with musical instruments. An early work of the artist. 

D 4 — on canvas 1 142 h. by 2,14 w. — Ooarientl inventory (from the Imperial Gallery 
at Prague). 

Portrait of a Lady in mourning. Three-quarter length. 

D 3 — on canvas/ 1,04 h. by 0,87 w. — G.-W. 1, 11 — acquired in 1746 from the Ducal 
Gallery at Modena. 

The Ardiangel Midiael warring against Satan <Rev. XII). 
D3 — on canvas/ 3,18 h. by 2,20 ■w. — inventory of 1754. 

The Holy Family with S. Catherine <or perhaps Justina) and the 

donor who is worshipping. Three-quarter length. 

D4 — on canvas/ 1,02 h. by 1,555 w. — acquired in 1741 through Riedel from Vienna. 

A Knight in armour rescuing two naked women in a boat from a 

tower. 

D 4 — on canvas / 1,53 h. by 2,51 w. — inventory of 1754 (perhaps this is the picture 

which was purdtased in Msintua by Algarotti in 1743). 

Dual portrait of an old and a young man. Three-quarter length. 
According to others by Domenico Tintoretto. 

D 1 — on canvas / 0,995 h. by 1,21 w. — acquired in 1749 from the Imperial Gallery 
at Prague. 

TINTORETTO. STUDIO OF JACOPO TINTORETTO. 
The Woman taken in adultery, before Christ. 

Store-rooms — on canvas / 1,89 h. by 3,55 w. — G.-W. II, 11 — acquired in 1749 from 
the Imperial Gallery at Prague. 

Apollo with the Muses and the Horae on Mount Parnassus. 

Store -rooms — on canvas; 2,14 h. by 3,25 w. — taken in 1725 from the Kunst- 
kammer, its passing to which from the Imperial Gallery at Prague is attributed to 
Johann Georg I. 



272-273 



Copies, see Appendix. 



OF THE XVI. CENTURY 



37 



SCHIAVONE. ANDREA MELDOLLA, called SCHIAVO- 

NE. Born at Zara or Sebenico as is supposed about 1522, probably 

however earlier/ died at Venice Dec. i^t 1563. Pupil of Bonifazio and of 

Titian. 

The Dead Body of Christ, supported \iy two men and an angel 

Three-quarter length. 

D4 — on canvas/ 1,07 h. by 0^75 w. — acquired in 1749 from the Imperial Gallery 

at Prague. 






274 



275 



The Holy Family with the Infant S. John, worshipped by three figures 
holding a dialice and a flagon. 

4a — on canvas/ 0,855 h. by 0,685 "^^ '~ acquired in 1743 through Algarotti from the 
house of the Procuratcssa Cornaro della Ca grande at Venice. 

GRECO. DOMENICO THEOTOCOPULI , called EL GRE- 
CO. Born at Candia in Crete about 1547/ died at Toledo April 7th 
1614. Pupil of Titian in Venice. 

Christ healing the Blind Man. An early work of the artist. 276 

2 b — on poplar/ 0,655 h. by 0,84 w. — acquired in 1741 through Rossi from Venice. 

BASSANO. FRANCESCO DA PONTE, called BASSANO. 
Born at Bassano probably in Jan. 1549/ died at Venice July 3'"<Ji592. 
Pupil of his father Giacomo. 

Christ driving the Money -diangers out of the Temple. Signed: 277 

Tranc . Bass . T. 

Store*rooms — on canvas/ 0,675 h. by 0,845 ▼• "" G.*W. II, 13 — acquired in 1746 
from the Ducal Gallery at Modena. 

The Adoration of the Shepherds. 278 

2 b — on canvas / 0,68 h. by 1,095 w. — G.-W. II, 14 — acquired in 1744 through Rossi 
from the Casa Grimani Calergi at Venice. 

The Assumption of the Virgin. Slightly altered copy of the picture 279 

on the High-altar of the Churdi of §. Luigi de' Francesi at Rome. 
Store-rooms — on canvas / 1,73 h. by 1,18 w. — inventory of 1754. 

BASSANO. LEANDRO DA PONTE, called BASSANO. Born 
at Bassano June ztl^^ ^557/ died at Venice April 15* 1622. Pupil of 
his father Giacomo. 

Christ bearing His Cross. Bust -length. Signtd: Leander a Ponte 280 

Bass' Eqves . T. 

R4 — on canvas/ 0,815 h- •'V o#67 v. — acquired through Rossi from Venice in 1741. 

Portrait of the Doge Marino Grimani <Doge 1595—1606). Three- 281 

quarter length. Signed : Leancfer. Bass. TacieBat. 

D 2 — on canvas/ 1,34 h. by 1,115 w. — acquired in 1744 through Rossi from the Casa 
Grimani Calergi at Venice. 



38 



ITALIAN PAINTERS 



282 



283 



283A 



284 



286 



287 

288 

289 
290 

291 



Portrait of the Wife of the above, Moresina Morosini. Three-quarter 

length. Signed : Leander . Bass . T. 

D 2 — on canvas / 1,34 h. by 1,115 "^- — acquired in 1744 from the Casa Grimani CalergL 

Portrait of a Gentleman writing. Three -quarter length. Signed: 

Leander a Ponte Bass' . Eqves . T. 

D 2 — on canvas/ 0,92 h. by 1,075 w- — inventory of 1754. 

TINTORETTO. DOMENICO ROBUSTI, called TINTORET- 
TO. Born at Venice as is supposed in 1562, but probably earlier,- died 
there 1637. Pupil of his father Jacopo. 

The Virgin and Child with the SS. Barbara and Chrysostom on the 
left and 5S. Catherine and Augustine on the right. 

44a — on canvas/ 4,57 h. by 2,35 w. — Guarienti inventory <from tlie Cathedral of 
Candia). 

MARESCALCO, PIETRO, called LO SPADA. Born at Feltrc,- 
painted about 1576 in the Venetian territories. 

The Daughter of Herodias with the Head of John the Baptist, before 
her Parents who are feasting. Signed: Petrvs . die . Marescaf" , 
P. 1576. 

2 b — on canvas / 0,89 h. by 0,885 w. — acquired in 1748 through Benzoni from 
Venice. 

RIDOLFI, CLAUDIO. Born at Verona 1570/ died at Corinaldo 
1644. Style of Paolo Veronese and of Federico Barocci. 
The Annunciation. 

3 c — on canvas/ 0,705 h. by 0,56 w. — inventory of 1722 <at that time in th& Chapel 
Royal). 

VENETIAN SCHOOL AT THE END OF THE XVI. AND 
BEGINNING OF THE XVII. CENTURy. 
The Adoration of the Kings. 

Store = rooms — on canvas/ 0,56 h. by 0,985 w. — acquired through Rossi from 
Venice in 1741. 

Venus Reposing, with Cupid. 

Store J- rooms — on canvas/ 1,315 h. by 2,025 w. — acquired through Rossi from 

Venice in 1738. 

See Appendix. 

he Betrothal of S. Catherine. Three=quarter length. 
sjt c — on canvas / 0,87 h. by 0,79 w. — • taken from the store-rooms in 1855. 

The Virgin giving her girdle to S.Thomas. 

S 2 — on canvas/ 2,755 h. by 1,21 w. — inventory of 1754. 



OF THE XVI CENTURY 39 

SCHOOLS OF NORTH ITALy 

SCHOOL OF NORTH ITALV FROM THE BEGINNING 

OF THE XVI. CENTURY. 

The Holy Family. Formerly described as "attributed to Gaudenzio 293 

Ferrari". Perhaps Sdiool of Cremona. Three-quarter length. 

tb — on poplar/ 0,62 h. by o/iy w. — purchased in Rome in 1875. 

Uncertain North Italian Painters, see Florentine Sdiool about 1550, 296 

page 17. 

NORTH ITALIAN SCHOOL OF THE XVI. CENTURy. 

The Dead Christ, supported by three Angels. 298 

Rio — on copper/ 0,25 h. by 0,20 w. — first catalogued in 1835. 

S. Margaret Kneeling. 299 

Store-rooms — on canvas; 1,73 h. by 1,28 w. — inventory of 1754. 

See Appendix. 300 



'•■•■"' m '••"•••^fWmmmm.utm 




3o4 



An ni Safe Carracci 




324 



Giddo Rem' 



w 



IV 

ITALIAN SCHOOLS 

OF THE XVII. AND 

XVIII. CENTURIES 



42 



ITALIAN PAINTERS OF THE 



BOLOGNESE SCHOOL 



301 



302 



303 



304 



305 



306 



307 



308 



CARRACCI, SCHOOL OFLODOVICO CARRACCI <iy55 
to i6i9>. 

The Holy Family reposing during the Flight into Egypt. 

R 10 — on canvas / 0,725 h. by 0,50 w. — acquired in 1742 through dc Brais from the 
Carignan Collection in Paris. 

CARRACCI, ANNIBALE. Baptised at Bologna Nov. 3rd ,560,. 
died at Rome July 15th or ^(^^ 1609. One of the diief Italian painters 
of the XVII. Century, 

Christ with the Crown of Thorns, supported by Angels. Painted for 
the diurdi of S.Prospero at Reggio. An early work of Annibale. 

El — on canvas/ 0,855 h. by 1,00 w. — G.«W, I, i8 — acquired in 1746 from the 
Ducal Gallery at Modena to whiA it had passed from S. Prospero in 1680. 



1587. Painted for the 



The Assumption of the Virgin. Dated: 
Brotherhood of S. Rocco at Reggio. 

Fi — on canvas," 3,81 h. by 2,45 w. — G.^W. 1, 19 — acquired in 1746 from the Ducal 
Gallery at Modena where it had been since 1661. 

The Madonna enthroned. At her feet on the left, S, Matthew the 
Evangelist with an Angel/ in the centre S. Francis,- on the right S.John 
the Baptist. Signed: HanniBaf Carractivs Bon . T . 1588. 

F 3 — on canvas / 3,84 h. by 2,55 w. — G.»W, I, 20 — acquired in 1746 from the Ducal 
Gallery at Modena. 

S. Rodius distributing alms to the plague » stricken. Painted for the 
Brotherhood of S. Rocco at Reggio (finished 1595— 96) as a companion 
picture to No. 645. 

F3 — on canvas/ 3,31 h. by 4,77 w. — G.«W. 1, 21 — acquired in 1746 from the Ducal 
Gallery at Modena where it had been since 1661. 

The Genius of Fame. 

El — on canvas/ 1,74 h. by 1,14 w. — G.«W. II, 19 — acquired in 1746 from the Ducal 
Gallery at Modena (previously in the possession of Cardinal Alessandro d' Este in 
Rome, to whom it had been presented by Asdrubale Bombacci of Reggio, and passed 
to the Ducal Gallery at Modena in 1625). 

The Virgin and Child to Whom the Infant S.John is giving a swallow. 
Three-quarter length. 

4 b — on canvas / 1,005 h. by 0,85 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

Portrait of the Lute^player Giovanni Gabrielle, called "il Siello" or "il 

Masdierone". Half=length. 

4a — on canvas/ 0,77 h. by 0,64 w. — acquired in 1746 from the Ducal Gallery at 

Modena. 



XVIL AND XVin. CENTURIES 



43 



<ob — on canvas/ ojSo h. by 0,50 w. — acquired in 1746 from the Dacal Gallery at 
Mo ' "■ " - ■• 



Head of Christ. 

4c — on copper/ 0,51 h. by 0,38 xr, — G.*W. Ill, 5 — inventory of 1754. 

CARRACCI, SCHOOL OF THE CARRACCL 

The Descent from the Cross. 

4c — on canvas; 0,68 h. by 0,44 w. — first catalogued in 1875. 

See Appendix, 

The Apostle Peter. Bust-length. Companion picture to No. 313. 
44b — on canvas/ 0,65 h. by o^Sy w, — inventory of 1754. 

The Apostle Paul. Bust=Iength. 

44 b — on canvas/ 0,65 h. by 0485 \r. — inventory of 1754. 

See Appendix. 

Portrait of a Boy. Half-Iength. 

4b — on canvas/ 0,655 h- by 0,485 w. — acquired in 1746 from the Ducal Gallery at 
Modena where it was ascribed to Antonio Carracci. 

Portrait of an Artist. Bust^Iength 
ab — on canvas/ ojSo h. by c 
lodena <as a Pietro FaccinI), 

See Appendix. 

FACCINI, PIETRO. Born at Bologna 1562/ died there 1602. 
FACCINI? The Betrothal of S. Catherine. On the right S.Jerome 
and three female saints. Doubtless belongs to the Sdiool of Parma. 

3 b — on poplar/ 0,265 h. by 0,195 w. — inventory of 1722. 

FACCINI? The Holy Family with the Infant S.John and S.Francis. 
Store»rooms — on copper/ 0425 h. by 0,31 w. — inventory of 1722. 

RENI, GUIDO, Born at Calvenzano near Bologna Nov. 4th 1575,- 

died at Bologna Aug. \%^^ 1642. At first pupil of Dion. Calvaert, 

afterwards of Lodovico Carracci. 

The Risen Saviour with the Redeemed Spirits from Hades, before His 

Mother, On the right S. Carlo Borromeo. Formerly in the Cathedral 

at Modena, 

F 1 — on canvas/ 3,22 h. by 1,99 w. — G.'W. 1, 22 — acquired in 1746 from the Ducal 

Gallery at Modena, where it had been from 1678 or earlier. 

Head of Christ with the Crown of Thorns. 

4c — on poplar/ 0,49 h. by 0,37 w. — G.-V 
to King Augustus II by Pope Innocent XII. 

Venus Reclining, with Cupid. 

F 2 — on canvas/ 1,36 h- by 1,745 '"• — probably acquired in 1731 through Lepla 



4c — onpoplar/ 0,49 h. by 0,37 w. — G.-W. Ill, 26 — inventory of 1722. Presented 
II by Pope In 



309 

310 

311 

312 

313 

314-315 
316 

317 

318-319 
320 

321 



322 



123 

esented § 1^ 



44 



ITALIAN PAINTERS OF THE 



325 
326 
327 



26U. 

\ 

7 

A1 



Ninus giving Semiramis his crown. 
Store-rooms — on canvas; 2,94 h. by 2,1? 
through Crespi from the Marchesc Tanari i 

The Virgin bending over the sleeping Infant Christ. Half-length. 



Store-rooms — on canvas; 2,94 h. by 2,18 w, — G^W. II, 20 — acquired in 1782 
through Crespi from the Marchesc Tanari in Bologna. 



4c — on canvas/ oval / 0,695 h. by 0,89 w. — acquired in 1764 through Prince Xaver 
and Count Bose. 



The youthful Bacchus drinking. 

c — on canvas/ 0,72 h. by 0,56 w. — G.»W. I, 24 — acquired in 1746 from the 
"ucal Gallery at Modena, 



328 \ The Virgin enthroned, with the Infant Christ. At her feet, on the left, 
SS. Crispus and Crispinianus/ on the right, S. Jerome, Painted for 
the Chapel of the Cordwainers' Guild in the Churdi of S. Prospero at 
Rcggio. 



329 



U- 



330 J p* The Saviour with the Crown of Thorns. Bust-length. 
V 3 b — on canvas/ 0,79 h. by 0,65 w. — inventory of 1754. 



331 

332 



333 
334 

335 

336 



F t — on canvas/ 3,14 h. by 2,16V. — G.-W.i,23 — acquired in 1746 from the Dncal 
Gallery at Modena where it had been since 1680. 

The Saviour with the Crown of Thorns, Bust-length. 

3 b — on copper/ 0,76 h. by 0,595 '^- " O.-W. Ill, 4 — acquired in 1749 from the 
Imperial Gallery at Prague. 



Half-length figure of S. Jerome. 

4 b — on canvas/ 0,79 h. by 0,645 w. — taken from the Royal Apartments in 1740. 

Copy, see Appendix. 

SPADA, LEONELLO. Bom at Bologna 1576/ died at Parma 

May 17th 1622. Pupil of the Carracci and of Caravaggio. 

Christ bound to the pillar. Half-length. 

Store-rooms — on canvas/ 0,685 h. by 0,54 w. — acquired in 1746 from the Ducal 

Gallery at Modena. 

David giving the Head of Goliath to a soldier. Half-length. 

R 14 — on canvas; 0,735 h. by 0,995 w. — acquired in 1746 from the Ducal Gallery at 

Modena to whidi it was bequeathed in 1625 by the Cardinal Alessandro d'Este in 

Rome. 

See Appendix. 

TIARINI, ALESSANDRO. Born at Bologna Mardi 20th 1577,- died 

Febr. 8th 1668. At first pupil of Prospero Fontana, afterwards of 

Lodovico Carracci. 

Medoro carving Angelica's name on the edge of a well <from Ariosto's 

Orlando Furioso). Three-quarter length. 

Fi — on canvas/ 1,05 h. by 1,39 w. — G.-W. II, 25 — acquired in 1746 from the 

Ducal Gallery at Modena. 



XVII. AND XVIIL CENTURIES 



45 



ALBANI, FRANCESCO. Born at Bologna MarA 17* 1578,. died 

there Oct.4t'» 1660. At first pupil of Dion. Calvaert, afterwards of the 

Carracci. 

Amoretti, with the stolen emblems of the god of the nether world, 

dancing round a sculptured group of cupids. In the back*ground the 

Rape of Proserpine. 

4b — on copper/ 0,745 f»- '>y 0'99 ''<'• " G.«W. II, z\ — acquired in 1746 from the Ducal 
CaOery at Modena where it had been since 1659. 

Diana, with eight nymphs and the fleeing Actaeon. ^ \^ 

4 a — on canvas / 0,755 h. by 0,94 w. — doubtless acquired in 1738 through Rossi. 

Diana, with nine nymphs and the fleeing Actaeon. Purdiased in 1639 
in the artist's studio for Duke Francis I of Modena. 

4 a — on canvas / 0,745 h. by 1,00 w. — acquired in 1746 from the Dacal Gallery at 
Modena. 

Galatea, in a car made of sea shells, drawn by dolphins. 

F2 — on canvas/ 1,88 h. by 1,235 v. ~ inventory of 1722. 

Venus and Vulcan watdiing cupids practising shooting. 

4b — on canvas/ 1,38 h. by 1,83 w. — acquired in 1743 through Le Leu from Paris. 



The Expulsion of Adam and Eve from Paradise 

4a — on can\ 
from Vienna. 

The Creation of Eve 

c — on canvas / circulai . 

rom the Carignan Collection in Paris. 



4a — on canvas/ 0,93 h. by 1,26 w. — G.-»W. Ill, 33 — acquired in 1741 through Riedel 
fn 



4 c — on canvas/ circular/ 0,68 in diameter — acquired in 1742 through de Brais 
fro ' " ^ .. . . ^ . 



The Adoration of the Shepherds. 

4b — on copper/ 0,345 h. by 0,43 w. — acquired in 1742 from the Dubreuil Collection 
in Paris. 

Repose of the Holy Family during the Flight into Egypt. 

5a — on canvas/ 1,67 h. by 0,81 w. — acquired in 1742 from the Carignan CoUection 
in Paris. 

The Holy Family with Elizabeth and S. John. 

R12 — on copper/ 0,675 h. by 0,51 w. — acquired in 1725 through Leplat. 

SACCHI, ANDREA. Bom Nov. 1599 at Nettuno near Rome/ 
died at Rome June 21st 1661. Pupil of Francesco Albani, 

Repose of the Holy Family during the Flight into Egypt. 

Rio — on copper/ 0,705 h. by 0,515 w. — acquired in 1741 through Rossi from Italy. 

S<hooI of Francesco Albani, see Appendix. 



337 

338 
339 

340 
341 
342 

343 

344 

345 

346 

347 
348 



46 



ITALIAN PAINTERS OF THE 



LANFRANCO, GIOVANNI. Bom at Parma in the autumn of 
1580/ died at Rome Nov. 29* 1647. Pupil of the Carracci. 

The Repentant S. Peter, 

F 2 — on canvas ; 1,555 h, by 1,14 w. — G.«W. II, 24 — inventory of 1754. 



349 
350 

351 

352 

353 
354 

"3 

356 
35A 



358 



K 



LANFRANCO? Four Magicians. Three-quarter length, 

S 1 — on canvas / 0,97 h. by 1,175 w. — acquired in 1742 through Riedel from Prague. 

DOMENICHINO. DOMENICO ZAMPIERI,called DOME- 
NICHINO. Born at Bologna Oct. 21st 1581 / died at Naples April 16th 
1641, At first a pupil of Dion. Calvaert, then of the Carracci, 

Charity <Love> represented as a mother with three diildren, 

Fj — on canvas/ 1,105 h- by 1,97 w. — acquired in 1845 from the heirs of HerrMatthai, 
a former Director of the Gallery. 

DOMENICHINO. SCHOOL OF DOMENICHINO. 

S. Francis in solitude, 

R 13 — on copper/ 0,535 h- by 0,395 '^- " acquired in 1742 from Paris. 

See Appendix, 

An Old Man praying. Bust-length. 

R 14 — on poplar,- 0,51 h. by Or465 w, — acquired in 1857 from the Steinla Collection, 

GESSI, FRANCESCO, Bom at Bologna Jan. 20* 1588/ died there 
1647 or perhaps in 1649, Pupil of Guido Reni, 
The Repentant Magdalene in a cave. Half-length, 
,4c — on canvas/ 0,76 h, by 0,63 w, — acquired in 1748 through Benzoni from Venice, 

GUERCINO. GIOVANNI FRANCESCO BARBIERI, called 
■ GUERCINO. Baptised at Cento Feb. 8th 159,, died at Bologna 
Dec, 22n<l 1666, 

S, Francis with the Angel playing the Violin. Early work of the 
artist. 

F 4 — on canvas ; 1,625 h' by i/27 w. — acquired in 1756 from the Casa Ranuzzi at 
Bologna. 

357—360. The Four Evangelists. According to Malvasia painted at 

Cento in 1623, 

S, Matthew the Evangelist, Half-length. 

5a — on canvas/ 0,89 h. by 0,71 w, — acquired in 1746 together with the three 
following pictures from the DucaJ Gallery at Modena, to whi A they had passed in 1625 
on the death of Cardinal Alessandro dTlste in Rome, 

S. Mark the Evangelist, Half-length, 

5C — on canvas/ 0,87 h. by 0,705 w. — see remark on No. 357. 



XVn. AND XVIIL CENTURIES 



47 



him while 361 

sMarthese I 
ranee who.- H"' 

r 

1744 through I 
whidi it had ' 



S. Luke the Evangelist. Half-length, 

5a — on canvas/ 0,87 h. by 0,705 w. — see remark on No. 357. 

S. John the Evangelist. Half-length. 

5 c — on canvas / 0,87 h. by 0,695 w. — sec remark on No. 357. 

Cephalos with the body of his beloved Procris, killed by him while 
hunting (taken from Ovid's Metamorphoses). Ordered by theMardhese 
Cornelio Bentivoglio and painted in 1644 for the Queen of France ' 
gave it to Cardinal Mazarin. 

F 4 — on canvas / zfiri h. by 2,52 w. — G.- W. II, 22 — acquired in 
Le Leu and Rigaud from Paris <formerIy in the Carignan Collection to 
passed together with No. 364 on the death of Cardinal Mazarin). 

Semiramis informed by a messenger of the insurrection in Babylon, 

Three-quarter length. Painted in 1645 for Cardinal Cornaro, 

F 2 — on canvas; 1,32 h. by 1,77 w. — acquired in 1746 from the Ducal Gallery at 

Modena. 

Diana with her Greyhound. Three-quarter length. Painted in 1645 for 

Lorenzo Delfino in Venice. 

F 3 — on canvas; 1,28 h. by 1,04 w. — acquired in 1738 through Rossi from Venice. 

Venus bending over the body of her beloved Adonis who was killed 
by a boar while hunting. Painted in 1647 for Cardinal Mazarin, 
evidently as a companion picture to No, 361, See remark on No. 361. 
Store-rooms — on canvas/ 2,06 h. by 2,525 w. — G.-W. II, 23 — acquired in 1744 
through Le Leu and Rigaud from Paris <formcrIy in the Carignan Collection). 

The Birth of Adonis from the Myrrh-tree. Subject taken from 
Ovid's Metamorphorses, Companion picture to No. 366. 
Store-rooms — on canvas ; 2,10 h, by 2,50 w. — inventory of 1754. 

Venus bending over the body of her beloved Adonis who was killed 

by a boar while hunting. 

Store-rooms — on canvas ; 2,115 h. by 2,72 w. — inventory of 1754. 

Silvio, having wounded Dorinda, begs her forgiveness. On the left 
the shepherd Linco, Subject taken from Guarini's "Pastor fide". 
Painted in 1647 for Count Alfonso di Novellara, 

F 4 — on canvas; 2,24 h. by 2,91 w, — G,«'W, III, 18 — acquired in 1744 through 
Talon from Madrid. 

Lot and his Daughters. Probably painted in 1651. 

S 1 — on canvas; 1,76 h. by 2,25 w. — acquired in 1744 through Le Leu and Rigaud 

from the Polignac Collection in Paris <formerly in Rome). 

Allegorical figures of Painting and Drawing. Probably the picture 

referred to by Malvasia as having been painted in 1656. 

Store-rooms — on canvas; 2,31 h. by i,8t w. — acquired in 1742 through de Brais 
from Paris. 

Attributed to Guercino. See Appendix. 



359 



360 



-\ 



362 

363 

364 

365 
366 
367 

368 
369 

370 



>: 



48 ITALIAN PAINTERS OF THE 

371 GUERCINO? S.Veronica. Half-length. A but slightly altered 
replica of this picture in Guercino's early style is in the "Eremitage" 
at St. Petersburg and described as a Carlo Dolci. 

R ly — on canvas / 0,79 h. by 0,665 v. ■— in the 1754 inventory described as "Cremonese 
da Ferrara". 

372 Copy from Guercino, see Appendix. 

GUERCINO. SCHOOL OF GUERCINO <?>. 

373 The Stoning of S. Stephen. 

46c — on poplar/ 1,(05 h. by 0,875 w- ~ first catalogued in i8}5. 

CAGNACCI. GUIDO CANLASSI, called CAGNACCI. Bom 
at Castel S. Arcangelo near Rimini 1601,- died in Vienna 1681. Pupil 
of Guido Reni. 

374 ^ ^ CAGNACCI? The Repentant Magdalene. Half=length. 

H 2 — on canvas/ 0,75 h. by 0,635 w. — not known to have been catalogued before 
1765. 

375 See Appendix. 

TORRE, FLAMINIO. Born in 1621 at Bologna,- appointed Court 
Painter by Duke Alfonso IV, died at Modena 1661. Pupil of Guido 
Reni. 

376 The Holy Family w^ith the Infant S. John. Painted for Count Tosdii 
at Modena. Three=quarter length. 

Store » rooms — on canvas/ 1,055 h. by 0,875 w. — acquired in 1746 from the Dacal 
Gallery at Modena where it had been since 1681. 

377 The Martyrdom of S, Apollonia. Replica in the Barberini Palace in 
Rome. 

3b — on copper/ 0,445 h. by 0,345 w. — inventory of 1751. 

378 Copy from Titian's Tribute Money. See No. 169. 
Store * rooms — on poplar / 0,75 h. by 0,565 w. — acquired in 1746 from the Ducal 
Gallery at Modena- 

RICCHI, PIETRO, called IL LUCCHESE, Born at Lucca 1606/ 
died at Udine 1675. Pupil of Guido Reni, but influenced by the 
Venetians. 

379 The Betrothal of S. Catherine. Three-quarter length. 

R 18 — on canvas/ 142 h. by 1,965 w. — acquired through Rossi in 1738. 

MOLA, PIER FRANCESCO. Baptised Feb. 9th 1612 at Coldrerio 
(territory of Como),- died in the spring of 1668 in Rome, Mudi in- 
fluenced by Albani, Guercino and Ribera, 

715 Homer. Formerly attributed to Valentin. Replica in the National 

Gallery in Rome. Three=quarter length. 
S 1 — on canvas/ 0,95 h. by 1,31 w. — inventory of 1754. 




IS 



3 



<5 






^ 



I' 




xvn. AND xvm. centuries 



49 



Hero and Leander. 

R 16 — on canvas / 1,11 h. by 1,60 ▼. — first catalogued in 1765. 

See Nuvolonc, page 70. 

CANTARINI, SIMONE, called IL PESARESE. Born at Oro- 

pezza near Pesaro 1612/ died at Verona Oct. 15''* 1648. Pupil of Guido 

Reni. 

Joseph and Potiphar's Wife. Threc=quarter length. Painted for the 

Senator Melara at Bologna. 

Stopc*rooms — oa canvas/ 1,38 h. by 1,79 w. — C^W. II, 26 — inventory of 1754 
<from the collection of the Abbe Brancbetta at Bologna). 

CITTADINI, PIER FRANCESCO, called IL MILANESE. 

Born at Milan 1616/ died at Bologna Nov. \Qf^ i68i. Pupil of Guido 

Rent. 

Landscape with Hagar and the Angel. Companion picture to No. 384. 

R ly — on canvas/ 0,93 h. by 1,245 'w- ~ acqxiired through Leplat in 1725. 

Landscape with Lot and his daughters. 

R 17 — on canvas / 0,92 h. by 1,26 \r. — acquired through Leplat in 1725. 

CITTADANI? StilUlife with a hare. 

yi b — on canvas / 0,805 h. by 1,30 w. — acquired through Rossi in 1741. 

TRIVA, ANTONIO. Born at Reggio 1626/ appointed Court 
Painter at Munidi where he died in 1699. Pupil of Guercino. 
Venus Bathing, waited upon by Cupid and a Satyr. 
Store-rooms — on canvas / 1,91 h. by 1,655 '^- " inventory of 1722 <from Poland). 

CIGNANL Count Carlo. Born at Bologna May 15* 1628/ died at 
Forli Sept. 6* 1719. Pupil of Fr. Albani. 

Joseph and Potiphar's Wife. Three'^quarter length. Painted for the 
Procurator Contarini of S. Marco. 

4 a — on canvas / octagonal / 0,99 h. by 0,99 w. — G.^W. 1, 46 — acquired in 1749 
through Guarienti from the Casa Contarini at Venice. 

SIRANI, ELISABETTA. Born at Bologna Jan. 8* 1639/ died there 
Aug. 29''^ 1665. Pupil of her father, who was a pupil of Guido Reni. 
Allegorical figure of Strength. Half-length. 
44b — on canvas/ 0,80 h. by 0,65 w. — inventory of 1722. 

FRANCESCHINI, MARC ANTONIO. Born at Bologna April 
5th 1648/ died there Dec. 14^'^ 1729. Pupil of Cignani. 
The Repentant Magdalene, with her attendant women. 

F4 — on canvas,- 2,425 h. by 1,73 w. — G.=W. Ill, 48 — acquired in 1755 through 
Giovjuinini from the Marchese Bovi at Bologna. 

The Birth of Adonis from the Myrrh-tree. 

R 14 — on copper/ 0,485 h. by 0,69 w. — acquired In 1712 through de Brais from the 
Carignan Collection in Paris. 



380 



381 



382 



383 



384 



385 



386 



387 



388 



389 



390 



50 



ITALIAN PAINTERS OF THE 



DAL SOLE, GIOVANNI GIUSEPPE. Born at Bologna Dec. 

\o^^ 1654/ died there July 2 2°«1 1719. Pupil of his father Antonio Maria, 

who was a pupil of Guido Reni, 

Hercules and Omphale, 

4a — on canvas/ 0,87 h. by 0,665 w. — supposed to have been acquired in 1741 

through Rossi from Venice. 



391 



392 

393 
394 
395 
396 
397 
398 
399 

400 

401 
402 

403 



CRESPI, GIUSEPPE MARIA, called LO SPAGNUOLO. Born 
at Bologna Mardi 16th 1665,- died there July i6thi747. Pupil of Canuti. 
392—398 The Seven Sacraments, Painted about 1712 for Cardinal 
Ottoboni at Rome. 
The Sacrament of Matrimony. 

64 c — on canvas / 1,27 h. by offS'y w. — acquired together -with the following six 
pictures about the middle of the XVIII. Century by King Augustus III at the sale of 
Cardinal Ottoboni's Collection after his death in Rome. 

Ordination. 

640 — 00 canvas/ 1,27 h. by 0,95 w. — see remark on No. 392. 

Extreme Unction, 

64b — on canvas/ 1,27 h. by 0,945 '«'• "■ see remark on No. 392. 

Confirmation. 

64 b — on canvas / 1,255 h. by 0,93 w. — see remark on No. 392. 

Confession. 

64 c — on canvas / 1,27 h. by 0,945 w. — see remark on No. 392. 

Communion. 

64a — on canvas/ 1,275 li> l>y 0,945 w. — see remark on No. 392. 

Baptism, Dated: /7/2, 

64a — on canvas/ 1,27 h. by 0,95 w. — see remark on No. 392. 

S, Joseph with a Book and a Lily, Half-length, 

64b — on canvas; oval/ 0,87 h. by 0,705 w. — acquired in 1749 from the artist's son, 

the Canon Luigi Crespi at Bologna. 

The Adoration of the Shepherds. 

59a — on copper/ 0,54 h. by 0,645 '«'• — Guarienti inventory <from the CasaBellucci 
at Bologna). 

The Virgin and Child with the Infant S. John. Three-quarter length. 
66a — on canvas/ 0,235 h. by 0,20 w. — inventory of 1754. 

The ModiJng of Christ. Half-length. 

59 a — on canvas / 0,855 h- t>y 0,67 w. — doubtless acquired in 1749 in the same manner 
as No. 399. 

Portrait of the Imperial General Pallfy. 

T3 — on canvas/ 2,325 h. by 1,335 w. — first mentioned in the "Abr^e" of 1782. 



XVII. AND XVIII. CENTURIES 



51 



VIANI, DOMENICO MARIA, Born at Bologna Nov. nth 1668/ 
died at Pistoja Oct, i^t 1711, Pupil of his father Giovanni. 
Venus with two Amoretti. 
4b — on copper/ 0,285 h. by 0,365 w, — 0.-W, III, 6 — first catalogued in 1765. 



Mirandolesc <Paltronieri>, see Appendix. 
Bolognese Sdiool, see Appendix. 



404 

405-406 
407 



ROMAN SCHOOL 



CARAVAGGIO. MICHELANGELO MERISI DA CARA- 

VAGGIO, Born between 1560 and 1565 at Caravaggio,- died 1609 

at Porto d'Ercole. 

The Card -sharper. Three-quarter length. Recently, and correctly 408 

attributed to Valentin, Caravaggio's most distinguished pupil. 

F2 — on canvas/ 0,945 h. by 1,375 w. — G.-W. II, 28 — acquired in 1749 from the 

Imperial Gallery at Prague. 

CARAVAGGIO? S.Sebastian. Three-quarter length. 409 

F4 — on canvas/ 1,265 h. by 0,985 w. — acquired in 1746 from the Ducal Gallery at 
Modena. 

CARAVAGGIO. PUPILS AND SCHOOL OF CARA- 
VAGGIO. 
A Girl Reading. Half-length. 410 

3 c — on canvas / 0,75 h. by 0,615 w. — acquired in 1749 from the Imperial Gallery 
at Prague. 

The Guard-room. Probably by Bartolommeo Maniiredi. 411 

Fi — on canvas/ 1,69 h. by 2,385 w. — Guarienti inventory. 

See Appendix. 412—414 

FETI, DOMENICO, Bom at Rome 1589,- died at Venice about 

1624. Pupil of Lodovico Cardi da Cigoli. 

David with the Head of Goliath. 415 

R9 — on canvas/ \/bo h. by 1,115 w. ~ G.-W, 1,26 — acquired in 1742 through Riedel 
from the Imperial Gallery at Prague, 

Tobias and the Angel, 416 

5a — on poplar/ 0,665 h, by 0,84 w. — acquired in 1742 through Riedel from the Im- 
perial Gallery at Prague. 

The Parable of the Prodigal Son. 417 

5b — on poplar/ 0,60 h. by 0,45 w. — acquired in 1742 through Riedel from the Im- 
perial Gallery at Prague. 



52 



ITALIAN PAINTERS OF THE 



418 
419 
420 

421 
422 
423 
424 
425 
426-427 

428 
429 



The Parable of the lost Piece of Silver. 

5 c — on poplar/ o^y h. by 0,44 w. — G.»W. II, 29 — acquired in 1742 through Riedel 
from the Imperial Gallery at Prague. 

The Parable of the Unmerciful Servant. 

5b — on poplar/ 0,61 h. by 0,445 w. — acquired in 1742 through RiedeJ from the 

Imperial Gallery at Prague. 

The Beheading of a Samt. 

jb — on poplar/ 0,655 h. by 0,43 w. — acquired in 1742 through Riedel from the 

Imperial Gallery at Prague 

The Parable of the Lost Sheep. 

jb — on poplar/ 0,605 h. by 0,445 w. — acquired in 1742 through Riedel from the 
Imperial Gailer>' at Prague. 

The Parable of the Blind leading the Blind. 

jc — on poplar/ 0,55 h. I 
Imperial Gallery at Prague. 

The Parable of the Labourers in the Vineyard. 

5 b — on poplar/ 0,61 h. by 0,45 w. — G.»W. II, 30 — acquired in 1742 through Riedel 
from the Imperial Gallery at Prague. 

The Parable of the Great Supper. 

5c — on poplar/ 0,61 h. by 0,445 ▼• " acquired in 1742 through Riedel from the Im» 
perial Galloy at Prague. 

The Parable of the Good Samaritan. 



3c — on^poplar/ 0,55 h. by 0,72 w. — acquired in 1742 through Riedel from the 
In ■ ' " 



430^ 



5 a — on poplar / 0,685 b. by 0,825 w. — acquired in 1742 through Riedel from the 
Imperial Gsulery at Prague. 

Cortona, see Appendix. 

CERQUOZZI, MICHELANGELO, called MICHELANGE- 
LO DELLE BATTAGLIE. Born at Rome Feb. 18* 1602,- died 
there April 6th 1660. Developed his style under the influence of Pieter 
van Laer, 

Pillaging after a Battle. 
48 a — on canvas / 0,60 h. by 0,73 w. — inventory of 1754. 

Burial during a Battle. 

49c — on canvas/ 0,74 h. by 1,205 w. — inventory of 1754. 

SASSOFERRATO. GIOVANNI BATTISTA SALVI, called 

SASSOFERRATO. Born at Sassoferrato July nth 1605, died at Rome 

April 8th i68j. Developed his style under the influence of Dome= 

nidiino. 

The Virgin with the sleeping Child, surrounded \>y angels' heads. 

Half-length. 

3 b — on canvas / 0,755 h- by 0,99 w. — acquired in 1744 through Rossi from the 
Casa Grimani Calergi at Venice. 



XVn. AND XVIIL CENTURIES 



S3 



-t 



The Virgin with the sleeping Child. Half- length. The conii>osition 
is after Guido Reni's etching. 

4b — on canvas/ 0,465 h. by 0,39 w. — acquired in 1744 through Kossi from the 
Casa Grimani Calcrgi at Venice. 

The Virgin, praying. Bust^Iength. 

4 b — on canvas/ 0,495 h. by 0,385 w. — inventory of 1754. 

COD AGORA <CODAZZI>, VIVIANO. Painted between 1637 

and 1672 in Rome and Naples. 

Architectural picture: an old Roman Temple, 

49 b — on c:anvas / 1,79 h. by 2,285 w, — acquired in 1744 through V. Rossi from Venice, 

BRANDI, GIACINTO. Born at Poli 1623,- died at Rome 1691 

<according to others, born at Gaeta 1633, died at Rome 1701). Pupil 

of Lanfranco, 

Moses with the Tables of the Law. Half-length, 

R 20 — on canvas/ 0,995 h. by 0,75 w. — inventory of 1754. 

See Appendix, 

MARATTA <MARATTI>, CARLO. BornatCameranoMayi3th 

1625,- died at Rome Dec. 15A 1713. Pupil of Andrea Sacchi. Founder 

of the "Roman School" of the latter half of the XVII. Century. ,, 

The Virgin with the Infant Christ, bending over the Manger. Half- l 436 

length. ^^ 

3 b — on canvas / 0,99 h. by 0,75 w. — G.» W. I, 44 — acquired in 1744 through Le Leu 

and Rigaud from the "Succession Polignac" in Paris. 



The Virgin with the Child asleep on her breast. Half-length. 

4C — on canvas/ 0,445 h- hy o,345_ w. — G-rW. I, 45 — acquired in 1734 through 
Algarotti from Maratta's relatives in Venice. 

The Virgin and Child with the Infant S.John. Half-length. 

4C — on canvas/ 0,45 h. by 0,355 w. — acquired in 1734 through Algarotti from 
Marana's relatives in Venice. 

Attributed to Carlo Maratta and Carlo dai Fiori, sec Appendix, 

BERRETTONI, NICC0L6. Born at Montefeltre Dec. 14th ,637, 
died at Rome in February 1682. Pupil of Carlo Maratta. 
Front r The Adoration of the Shepherds. — Back: The Baptism of 
Christ. 

4 b — on copi>er / 0,73 h. by 0,36 w. — inventory of 1754. 

POZZO, ANDREA. Bom at Trient Nov. 30* 1642,- died at Vienna 

Aug. 31st 1709. Jesuit Father. 

The Infant Christ, sleeping. 

R 9 — on canvas/ 0,735 h.by 0,96 v. — inventory of 1754. 



431 
432 

433 

434 
435 



437 
438 
439 

440 
441 



54 



ITALIAN PAINTERS OF THE 



ROSSI, PASaUALE. Born at Vicenza 1641, died at Rome 1718. 

Roman Academician. 

The Adoration of the Shepherds. 

4 b — on canvas / 0,26 h. by 0,32 w. — inventory of 1754. 



442 
443 

444 

445 
446 

447 

448 

449 
450 
451 

452 

453 



The Preadiing of S. John the Baptist. 

■J b — on canvas/ 0^85 h. by 0,635 w. — inventory of 1754. 

CHIARI, GIUSEPPE BARTOLOMEO. Born at Rome Mardi loth 

1654/ died there Sept.7tl» 1727. Pupil of Carlo Maratta, 

The Adoration of the Kings. Signed : JosepB Cfarvs PingeBat . 

Anno 1714. 

S 1 — on canvas / 2,45 h. by 2^1 w. — inventory of 1754. 

TREVISANI, FRANCESCO. Born at Castelfranco or Treviso 
1656/ died at Rome 1746. Pupil of Zandii in Venice. 
The Massacre of the Innocents at Bethlehem. 
Store-rooms — on canvas/ 2,50 h. by 4,64 w, — inventory of 1754. 



The Holy Family. Three-quarter length. 
R 7 — on poplar / 
rotti from Venice. 



R 7 — on poplar / 0,39 h. by 0,31 w. — supposed to have been acquired through Alga» 
Vei ■ 



Repose during the Flight into Egypt. 

Store=-rooms — on canvas/ 2,475 h. by 2,76 w. — inventory of 1754. 

The Virgin and Child with the Infant S.John. Three-quarter length. 
Signed: T. 7. IJoS. 

Store-rooms — on canvas/ 0^5 h. by 0,74 w. •— G.-W. Ill, 19 — acquired in 1734 
through Le Leu and Rigaud from Paris. 

The Holy Family with Joadiim and Anna. 

4 c — on canvas / 0,65 h. by 0,50 w. — inventory of 1754. 

Christ on the Mount of Olives. 

3 c — on canvas / 0,455 b. by 0,64 w. — inventory of 1722. 

S.Anthony healing a side man. 

4b — on canvas/ 0,765 h. by 0,385 w. — inventory of 1754. 

S.Francis with the Angel playing the Violin. Signed: T. T. 

4 b — on canvas / 0,74 h. by 0,61 w. — acquired in 1761 through Striebel from Rome. 

BATONI, POMPEO GIROLAMO. Born atLucca Jan. 25^'' 1708/ 

died at Rome Febr. 4* 1787, The most distinguished Roman artist 

ofthe XVIII. Century. 

S.John the Baptist, reclining. Companion picture to No. 454. 

F 1 — on canvas / 1,195 h- by 1,855 'w- "" inventory of 1754, 



XVn. AND XVIIL CENTURIES 



55 



The Repentant Magdalene. 

Fi — on canvas/ i,2t fu by 1,875 'w- "" inventory of 1754. 

The Fine Arts, 

56 b — on canvas / 0,99 h. by 0,74 v. — Inventory of 1754. 






ROBERT!, DOMENICO. Painted in Rome in the first half of th*e 
XVIII. Century. 

Roman ruins of pillars with a statue of Jove in a sitting posture. 
Companion picture to No. 457. 

50 c — on canvas / 0,66 h. by Ort95 w-. — Inventory of vjzz. 

Roman ruins of ptifars with a round Temple, 
yi c — on canvas / 0,66 h. by 0495 w. — inventory of 1722. 

Roman ruins of pillars with a female statue. Companion picture to 
No. 459. 

51 c — on canvas / 0,65 h. by 0^17 w. — inventory of 1722. 

Roman ruins of pillars with a statue of Hercules, 
foe — on canvas/ 0,645 h. by 0,465 w. — inventory of 1722. 

See Appendix. 

BUTI. Supposed to be GIOVANNI ANTONIO BUTI, who 

painted in Rome about the middle of the XVIII. Century. 

A splendid Palace with arcades, a Fountain and a pool of water. 

Signed : Buti P : 175o : P -' Companion picture to No. 462. 

Ti — on canvas/ 1,35 h. by 0,995 w. — inventory of 1754 (described as "autore 

modemo">. 

A Street with an ardied building containing trophies. 
T 1 — on canvas / 1,365 h. by 0,995 ^' *" inventory of 1754. 



454 
455 

456 

457 
458 

459 
460 

461 
462 



NEAPOLITAN SCHOOL 



STANZIONE <STANZIONI>, MASSIMO. Bom at Naples 
1585/ died there 1656. 

STANZIONE? Natural Philosophy. 463 

C I — on canvas/ 1,275 h. by 0,825 '^- -~ C-W. Ill, 31 — first catalogued in 1812. 

VACCARO, ANDREA. Bom at Naples apparently between 
1600 and t6io/ died there Jan. xfA 1670. Pupil of Girolamo Imparato. 
Christ with the Redeemed Spirits from Hades, before his Mother. 464 

StorC'rooins — on canvas/ 2,375 h. by 2,54 w. — 0.-W. II, j6 — 1723 through Rossi. 



56 



ITALIAN PAINTERS OF THE 



PRETI, MATTIA, called IL CAVALIER CALABRESE. Born 
at Taverna in Calabria Feb. 24* 1613/ died at Maka Jan. 13* 1699, 
Style formed under the influence of Ribera and the Venetians. 

465 The Martyrdom of S.Bartholomew, Three-^quarter length. 

Store-rooms — on canvas / 2,00 h. by 1465 w, — G,»W, 1, 33 — acquired in 1749 from 
the Imperial Gallery at Prague. 

466 The Incredulity of S, Thomas, 

Fi — on canvas/ M7 h- by «f995 w.— G.»W. 1,34 — acquired in 1743 through Riedel 
from Vienna, 

467 The Deliverance of St. Peter from prison. 

Fi — on canvas; 2^)45 h. by 2,255 "^- ~ G.^W. I, 32 :-- 'acquired in" 1748 through 
Benzoni from the Casa Ghelthof in Venice. 

ROSA, SALVATORE. Born at Arenella near Naples July 21st 1615, 
died at Rome Mardi iftb 1673. Pupil of Aniello Falcone. 

468 ROSA? A Storm on a steep rodty coast. 
Store-rooms — on canvas / 0,73 h. by 1,12 w. — acquired in 1742 through de Brais 
from Paris. • 

469 ROSA? Half-length figure of a Man with an ape on his shoulder. 
Supposed to be the artist's own portrait. The picture is certainly not 
by oalvator Rosa, but rather belongs to the XVIII. Century. 
Store-rooms — on canvas ,• 0,785 h. by 0,645 '"'• "" taken in 1741 from the Royal Apart> 
ments where it was designated "The artist's own portrait by Luca Giordano", 

ROSA. SCHOOL OF SALVATOR ROSA,; 

470 Wooded Landscape. 

Store«rooms — on canvas , 0,73 h. by 0,975 w. — inventory of 1754. 

GHISOLFI, GIOVANNI. Bom at Milan about 1623,- died there 
1680, Pupil of Salvator Rosa. 

471 The Ruins of Carthage, Companion picture to No, 472. 
51b — on canvas; 1,165 h. by 1,67 w. — acquired in 1744 through Rossi from the Casa 
Grimani Calergi in Venice. 

472 A Sea-port. 

51b — on canvas; 1,17 h. by 1,66 w. — acquired in 1744 through Rossi from the Casa 
Grimani Calergi in Venice. 

473 See Appendix, 

GIORDANO, LUCA, called FA PRESTO, Bom at Naples 1632/ 
died there Jan, \z^ 1705, Pupil of Giuseppe Ribera, influenced later by 
P, da Cortona and the Venetians, 

474 Hercules and Omphale. Signed: Luca Giordano . T . iOJo. 
Store-rooms — on canvas/ 2,265 h. by 2,82 w. — G.»W, I, 40 — inventory of 1722. 

475 Ariadne surprised by Bacdius. Signed : Jorcfanus . T. 

Store-rooms — on canvas/ ;i,8i5 h. by 2,59 w, — G,-W, I, 39 — acquired in 1725 
through Leplat, 




5o9 



Carlo Dofct 



0\ 



^ 

^ 



I. 



C 




XVII. AND XVIII. CENTURIES 



57 



Perseus turns Phineus and his companions to stone with the Head of 476 

Medusa. Signed : Jordanus . T. 

Store « rooms — on canvas / 2,54 h. by 3^ w. — G.--W. II, 39 — acquired in 1742 

from the Carignan Collection in Paris. 

Susanna surprised \>y the Elders. Signed : Jordanus . T. 477 

Store-rooms — on canvas/ 1,69 h. by 2,405 w. — G.-W. II, 38 — acquired in 1725 
through Leplat. 

See Appendix. 478 

S. Irene tending the martyred S. Sebastian, Early work of this master, 479 

shewing the influence of Ribera. 

R 2 — on canvas / 2,02 h. by 1,50 w. — inventory of 1722. 

S. Paul the Hermit, Bust=Iength, Earlywork of the artist. Companion 480 

picture to No. 481, 

F 2 — on canvas; 0,765 h. by 0,625 "^- — inventoried in 1722 as a Ribera, 

S. Jerome. Bust=Iength. Early work of the artist. 481 

F 2 — on canvas/ 0,77 h, by 0,63 w, — inventoried in 1722 as a Ribera. 

See Appendix. 482 

The Expulsion of Hagar hy Abraham. Three«quarter length. 483 

Store-rooms — on canvas; 1,495 h. by 2/33 w. — inventory of 1722. 

Bacdius descending in a cloud to the forsaken Ariadne. 484 

46a — on canvas/ 2,625 h. by 1,80 w. — inventory of 1754. 

The Rape of the Sabines. 485 

Store-rooms — on canvas; 2,03 h. by 2,325 w. — C^W. II, 40 — inventory of 1722. 

Lucretia and Tarquin, 486 

Storc«rooms — on canvas/ 1,35 h. by 1,845 "^^ ~ C-W. I, 37 — acquired in 1728 
through Rossi. 

The Death of Seneca, Perhaps Sdiool of Solimena, 487 

F 3 — on canvas / 1,50 h. by 2,27 w. — G.»W. 1, 38 — acquired in 1751 from the Crozat 
Collection in Paris. 

See Appendix, 488 

The Virgin and Child. Three-quarter length. 489 

Stor&rrooms — on canvas / 0,74 h. by 0,62 w. — first catalogued in 1765. 

Lot and his Daughters, An early work of the artist, 490 

Store-rooms — on canvas/ 1,52 h, by 2,04 w, — G-.W. II, 37 — acquired in 1742 
through Riedel from Prague. 

Jacob and Radiel at the Well. 491 

Store-rooms — on canvas/ 2,04 h, by 2,32 w, — G,*W, I, 35 — inventory of 1722. 

See Appendix, 492-493 



5S 



ITALIAN PAINTERS OF THE 



494 GIORDANO? A Man In a brown hat, with a skull in his hands. 

Bust^length. 

Store-rooms — on canvas;o,73 h. by 0,605 w. — acquired in 1741 through Rossi from Italy. 

495 GIORDANO? Portrait of a Man in a blade coat. Half-length. 
R ly — on canvas/ 0,83 h. by 0^5 w. — taken from the store»rooms in 1850. 

SOLIMENA, FRANCESCO, called L'ABBATE CICCIO. 
Born at Nocera Oct. a^^ i(>57/ died at Naples April 5t*» 1747. 

496 The Battle between the Centaurs and the Lapithse. 
Store*rooms — on canvas/ 1,785 h. by 2,74 w. — acquired in 1725 through Leplat 

497 The Virgin and Child in the clouds with S. Francis de Paula and a 
Boy accompanied by his Guardian Angel. Companion picture to 
No. 498. 

R 17 — on canvas/ 0,975 h. by 0,085 '»'• ~ 0.-W. II, 41 — acquired in 1745 through 
Rossi from the Casa w idman in Venice. 

The Vision of S.Francis. 

R 17 — on canvas / 1,00 h. by i/x)5 w. — see remark on No. 497. 

Mater Dolorosa. Half-length. 

4c — on poplar/ 0,5} h. by 0,42 w. — acquired in 1753. 

500 T See Appendix. 

501 Juno giving lo, who has been dianged into a heifer, into the diarge of 
Argus. 

F 2 — on canvas / 1.81 h. by 2,34 w. — Guarienti Inventory <acquired with the 
companion picture No. 500 from the collection of the Procurator Canale at Venice). 

502 SOLIMENA? Abduction of the Lapithae \>y the Centaurs, 
Store-rooms — on canvas / 1,17 h. by 2,51 w. — acquired by Rossi in 1723. 

503—504 See Appendix. 

CONCA, SEBASTIANO. Bom at Gaeta 1676/ died at Rome 
1764. Pupil Francesco Solimena. 

505 The Three Kings before Herod. 

Store-rooms — on canvas/ 2,485 h. by 4,64 w. — acquired through Vent. Rossi in 1743. 



498 
499 



^* 



FLORENTINE SCHOOL 



FLORENTINE SCHOOL OF THE XVII.CENTURy. 

523 David with the Head of Goliath. Three-quarter length. This picture, 

whidi was formerly attributed to A. Turdii, is by the hand of a 
Florentine in the style of Matteo Roselli. 
F2 — on canvas; 1,27 h. by 1,145 w. — Guarienti inventory. 



XVII. AND XVIII. CENTURIES 59 






FURINI, FRANCESCO. Born at Florence about 1600, died there 

Aug. 19th 1646. Pupil of Matteo Roselli and of Passignano. 

A Female Martyr <S. Cecilia?). Bust-length. 

3 a — on canvas / 047 h. by 0,365 w. — acquired in 1857 from the Steinla Collection. 

PIGNONI, SIMONE. Bom at Florence 1614/ died there 1698. 

Pupil of Francesco Furini. 

Justice with Scales and Sword. Half=length. Signed : S . P. 

R 20 — on canvas / 0,915 h. by 0,75 vr. — inventory of 1722 <taken from the Kunstv 

kamtner, passed to the Royal Apartments as early as 1707). 

DOLCI, CARLO. Born at Florence May 25th 1616/ died there 
Jan. 17th t686. Pupil of Jacopo Vignali and of Matteo Roselli. | 

The Daughter of Herodias with the Head of S. John the Baptist on*^ 
a Charger. Three=quarter length. Painted for the MardieseRinnuccini 
at Florence. 

5a — on canvas/ 0,955 h. by 0,805 w. — G.*W. I, 42 — acquired in 1742 through 
de Brais from the Carignan Collection in Paris. 

S. Cecilia seated at the Organ. Half-length. Painted for the Grand 

Duke Cosimo III who presented it to the Treasurer of the King 

Poland. 

5c — on canvas/ 0,965 h. by o,8« w. — G.*W. 1, 43 — acquired in the same manner 

as No. 508. . 

The Saviour blessing the Bread and Wine. Half-length. '**l"" 

5.b — on canvas / 0,87 h. by 0,75 w. — G.-W. 1, 41 — acquired in 1746 from the Casa \ 
Kumieri at Venice. ^ • 

DOLCI. SCHOOL OF CARLO DOLCL 

The Virgin. Half-length. Perhaps by Carlo's daughter Agnese. 

5b — on canvas/ 0,77 h. by 0,615 w. — acquired in 1741 through Heinedten 

Hamburg. 

GABBIANI, ANTONIO DOMENICO. Bom at Florence 1652, 
died there 1722. Pupil of Ciro Ferri in Rome. 
The Feast in the House of Simon the Pharisee. Signed : A . D . G. 
R 15 — on canvas ; 0,93 h. by 1,42 w. — first catalogued in 1765. 

LUTI, BENEDETTO. Born at Florence Nov. 17th 1666/ died at 

Rome June \j^^ 1724. Pupil of Ant. Dom. Gabbiani. 

The Saviour in the Act of Blessing. Bust-length. Signed (on the 

bad): Egues Benedictus Lutis pingeBat. Anno 1722. Companion 

picture to No. 514. 

R 16 — on canvas / 0,735 h- t>y 0,60 w. — acquired in 1742 through Riedel from Prague. 

Mater Dolorosa. Bust-length. Signed as the preceding. 

R16 — on canvas/ 0,725 h. by 0,605 w. — acquired in 1742 through Riedel from 
Prague. 



tx 



506 



-1—507 



508 



510 



511 



512 



514 



6o 



ITALIAN PAINTERS OF THE 



515 
516 



517 
518 
519 
520 
521 






523 
524 



525 

526 

527-528 



SCHOOLS OF VENICE 
AND THE VENETIAN TERRITORIES 



TURCHI, ALESSANDRO, called L'ORBETTO. Born at Verona 

1582,- died in Rome i648. Pupil of Felice Brusasorci. 

The Adoration of the Shepherds, Signed : Afexander Ttircis T. 

3 b — on slate / 0,45 h. by 0,375 w. — first catalogued in 1835, but in the Kunstkammer 
as early as 1659. 

The Presentation of Christ in the Temple. Signed : Afexander VerO' 
nensis T. 

Rg — on copper/ 1,065 h- by 0,815 w. — acquired in 1742 from the Carignan Collection 
in Paris, 

Christ as the Man of Sorrows. Half=Iength. 
R 9 — on slate/ 0,15 h, by 0,11 w. — inventory of 1754. 

The Stoning of S. Stephen. 

R4 — on amethyst mosaic; oval/ 0,245 h, by 0,325 w. — first catalogued in 1812. 

The Holy Trinity. 

3 b — on slate; 0,33 h, by 0,28 w, — first catalogued in 1765. 

The Virgin and Child, 

3 b — on slate/ 0,255 h, by 0,185 ^' "" inventory of 1722. 

Venus and the wounded Adonis. 

j4> — on slate; 0,275 h, by 0,34 w. — 0.»W. II, 15 — acquired in 1742 from the 
Jubreuil Collection in Paris. 

The Judgment of Paris. 

5 c — on poplar ; 0,60 h. by 0,845 w. — Guarienti inventory <formerly in the possession 

of the Senator Isolani at Bologna). 

See Florentine Sdiool of the XVII. Century, page 58. 

See Appendix. 

RADOVAN INO. ALESSANDRO VAROTARI, called IL 
PADOVANINO. Born atPadua 1590/ died at Venice 1650. Formed 
his style after Titian. 
(-.Judith with the Head of Holofernes. Three-quarter length. 

E3 — on canvas/ 1,325 h. by 0,96 w. — acquired in 1725 through Leplat. 

Study of a Female Head. 

5c — on canvas; 0,405 h, by 0,295 "^^ " inventory of 1722. 

See Appendix. 



XVIL AND XVIIL CENTURIES 



61 



LIBERI, PIETRO. Bom at Padua 1605,- died at Venice Oct. 18* 
1687. Sdioo! of Padovanino. 
The Judgment of Paris. 

Storc»rooms — on canvas/ 1,99 h. by 1,67 w. — inventory of 1722. 

See Appendix. 

VECCHIA, PIETRO. Born at Venice 1605,- died there 1678. 

Pupil of Padovanino. 

A Warrior. Three-quarter lengfth. 

Fi — on canvas; 1,175 h. by 1,005 w. — acquired in »748 through Benzoni from the 
Casa Ghelthof in Venice. 

A Warrior in Armour. Three-^quarter length. 
Ft — on canvas/ 1,17 h. by 0,93 w. — inventory of 1754. 

Saul and David with the Head of Goliath. Three-quarter length, 
F 3 — on canvas/ 1,185 h. by t/)55 w. — first mentioned in 1707. 

An Old Woman striking at three children, one of whom has stolen 

her spindle. Three-quarter length. 

60 a — on canvas / i^n h by i,iS w. — first catalogued in 1765. 

See Appendix. 



529 
530 

531 

532 
533 
534 

535 



CARPIONI, GIULIO. Bom at Venice 1611/ died at Verona 1674. 
Pupil of Padovanino. 

Latona (hanging the peasants into frogs (Ovid's Met. VI>. Com- i 536 
panion picture to No. 537. J»— 

R 11 — on canvas / \f& h. by 1,315 w. — acquired through Rossi in 1738 from Venice. I 

Coronis, pursued by Neptune, is transformed into a crow (Ovid's J 537 
Met. II>. <^ 

R 11 — on canvas / i/>8 h. by 1,315 w. — acquired in the same manner as the preceding. ' 

See Appendix. 538-539 



FORABOSCO <FERABOSCO>, GIROLAMO. BornatPadua 

in the early part of the XVII. Century,- died at Venice about 1680. 
A young Matron and Death. Half-length. 

44b — on canvas/ 0,745 h. by 0,595 w. — purchased in 1746 from the Ducal Gallery 
at Modena as a Cagnacci. 

MOLINARI, GIOVANNI BATTISTA. Born at Venice 1636, 

died there after 1682. Pupil of Pietro Vecdiia, 

The Drunkenness of Noah. 

Store-rooms — on canvas / 2^)3 h. by 2,365 w. — acquired through Leplat in 1731. 



540 



541 



62 



ITALIAN PAINTERS OF THE 



542 
543 
544 

545 



546 



547 

548 
549 
550 

551 
552 



CELESTI, ANDREA. Born at Venice 1637,- died there 1706, 

Pupil of Matteo Ponzone. 

The Massacre of the Innocents. 

Store-rooms — on canvas; 2,73 h. by 4,36 w, — inventory of 1722. 

The Israelites bringing their Golden Earrings to Aaron <Exod. XXXII). 

Store-rooms — on canvas / 1^9 h. by 2,01 w. — acquired through Leplat in 1725. 

Bacchus and Ceres, 

Store»rooms — on canvas/ 1,735 h. by 1,93 w. — acquired through Leplat in 1725. 

BELLUCCI, ANTONIO. Born at Pieve di Soligo near Treviso 

1654/ died there 1726. Formed his style in Venice, Court Painter to 

Joseph I, in Vienna <after 1709), 

Venus Reclining, feeding her dove, with Cupid. 

Store-rooras — on canvas; 1,355 h. by 1,755 w. — acquired through Leplat in 1731. 

The Virgin and Child. Three-quarter length. 
4 b — on canvas ; 0,71 h. by 0,565 w. — inventory of 1754. 

GHISLANDI, FRAVITTORE. Born at Bergamo Mardi 4th 1655,. 
. died there 1743, Pupil of Seb. Bombelli. 

Copy from Rembrandt's portrait of himself in the Uffizi at Florence. 
Bust^length. 
Store-rooms — on canvas; 0,725 h, by 0,58 w. — acquired in 1742. 

RICCI, SEBASTIANO. Born at Cividale di Belluno 1659 or 1660, 
died at Venice May 131'! or 15th 1734. Pupil of A.Magnasco at Milan, 
The Ascension, Dated : 17o2. 

T,=H. — on canvas ; 2,75 h. by 3/59 w. — C-W, II, 16 — inventory of 1722 <at that 
time in the Roman Catholic Church), 

A Priestess at the Altar, Companion picture to No. 550, 

58 b — on canvas ; 0,565 h. by 0,73 w, — acquired in 1743 through Algarotti at Venice 

from Zanetti. 

A Priest at the Altar, 

58 b — on canvas ; 0,565 by 0,735 "^^ — acquired in the same manner as No. 549. 

DIAMANTINI, GIUSEPPE. Born at Fossombrone about 1621 / 

died there Nov,iith 1705, 

David with the Head of Goliath, Three^^quarter length. 

62 b — on canvas; 1,18 h, by 0,85 w, — acquired in 1741 from the Wallenstcin Gallery 
at Dux, 

MOLINARI, ANTONIO. Born in Venice 1665/ died there after 

1727. Son of Giov. Batt. Molinari. Pupil of Zandii. 

Psyche gazing at the sleeping Amor. 

Store-rooms — on canvas; 1,91 h. by 1,665 ■*• *" acquired through Rossi in 1723, 



XVn. AND XVIII. CENTURIES 



63 



CARLEVARIS, LUCA. Bom at Udine 1665, died at Venice 
about 1731. Predecessor of Antonio da Canale, 

The Reception of the Imperial Ambassador Count Colloredo at Venicci 553 
58 c — on canvas / 1,32 h. by 2,59 w. — inventory of 1754. ^W* • 

RICCI, MARCO. Born at Cividale di Belluno 1679,- died at Venice* 

1729. Pupil and nephew of Sebastiano Ricci. 

See Appendix. 554-555 

By the River^side before a Town, 556 

57 b — on canvas / 0,99 h. by 1,53 w. — acquired in 1738 through Rossi from Venice, 

See Appendix, 557 

Mill in a Valley. Companion picture to No. 559. 558 

57a — on canvas/ 0,995 h. by 1,30 w. — acquired in 1738 through Rossi from Veni 

Country Road above a Valley. 559 

64c — on canvas/ 0,97 h. by 1,31 w. — see remark on No. 558. 

See Appendix, 560—561 

On the Shore of a Mountain Lake, Companion picture to No. 563. 562 

57 c — on canvas/ 0,96 h. by 1,295 w. — acquired in 1738 through Rossi from Venice. 

Washing=day in a Valley. 563 

64a — on canvas/ 0,96 h, by ,1,29 w. — acquired in the same manner as No, 562, 

BRISIGHELLA, CARLO, called EISMANN, Bom at Venice 

1679/ died probably at Verona. Pupil of his adoptive father Joh.Ant. 

Eismann. 

See Appendix. 564 

Cavalry Skirmish near a wall of rod?. 565 

Q2 — on canvas; 0,375 h. by 0,73 w. — acquired in 1741 through Rossi at Venice. 

Cavalry Attadc near the walls of a town. 566 

Q2 — on canvas/ 0,375 h. by 0,73 w. — see remark on No. 565. 

After the Battle. 567 

Q.1 — on canvas/ 0,955 h- ty h55 w. — Inventory of 1754. 

Diziani, see Appendix. 568 

PIAZETTA, GIOVANNI BATTISTA. Born at Pictrarossa near 

Treviso Feb. 13th 1682/ died at Venice April 24t*» 1754. Pupil of A. 

Molinari at Venice and of G. M. Crespi at Bologna. 

The Offering of Isaac. Three-quarter length. 569 

R 19 — on canvas/ 1,525 h, by 1,145 w. — acquired in 1741 from the Wallenstein Col- 
lection at Dux. 



64 



ITALIAN PAINTERS OF THE 



570 
571 

571-57Z 
574 

575 
576 
577 

578 
579 

580 



5SlXl 



David with the Head of Goliath. Threc-quarter length. 

job — on canvas; 0,84? h. by o^ w. — acquired in 174 j through Algarotti from 
Venice. 

A young Standard»bearer. Three-quarter length. 

JO a — 00 canvas / 0,87 h. by 0,715 w. — acquired in 1743 through Algarotti from 

Venice. 

MIGLIORI, FRANCESCO. Bom at Venice 1684/ died there 1734. 

See Appendix. 

Joseph interpreting Pharaoh's Dreams. This and the following three 

pictures form a series. 

U 2 — on canvas / 2,73 h. by 2,05 w. — inventory of 1722. 

The Offering of Isaac. 

U4 — on canvas/ 2,66 h. by zfia w. — inventory of 1722. 

Cain and Abel. 

U 4 — on canvas/ 2,73 h. by 2/>5 w. — inventory 1722. 

Cimon in Prison, nourished by his daughter Pero. 
U 2 — on canvas / 2,71 h. by 2,03 w. — inventory of 1722. 

PITTONI, GIOVANNI BATTISTA. Born at Venice 1687/ died 

there 1767. Pupil of his uncle Francesco Pittoni. 

The Emperor Nero at the side of his murdered mother Agrippina. 

Signed: G . Ba . Pitoni. Companion picture to No, 579. 

T.»H. — on canvas/ 2,37 h. by 3A)65 w. — inventory of 1722. 

The Emperor Nero before the corpse of Seneca. Signed : G . Ba . 

Pitoni. 

T,-H. — on canvas/ 2,36 h. by 3,06 w. — inventory of J722. 

NEGRI, PIETRO. Painted in Venice in the last three decades of 

the XVII. Century. Pupil of Antonio Zandii. 

The Emperor Nero \yy the corpse of his mother Agrippina. 

F3 — on canvas; 1,37 h. by 1,65 w. — acquired through Rossi in 1731. 

CANALETTO. GIOVANNI ANTONIO <DA> CANAL, 

called CANALETTO. Born at Venice Oct. iS^h 1697,- died there 

April 2otl^ 1768. 

The Grand Canal in Venice, with the Ponte di Rialto. 

58a — on canvas/ 1,455 h. by 2,34 w, — inventory of 1754. 

The Piazza in front of the diurdi of SS. Giovanni and Paolo in Venice, 
with the Scuola di S. Marco and Verrocdiio's Equestrian Statue of 
Bartolommeo Colleoni. 
57b — on canvas; 1,25 h. by 1,65 w. — inventory of 1754. 




658 



Bernardo Strozzi 




683 



Jusepe de RiBera 



XVII. AND XVIII. CENTURIES 



65 



The VvazzA in front of the diurA of S. Giacomo di Rialto in Venice. 

Companion picture to No. 584. 

55 b — on canvas / 0,955 h. by 1,17 v. — inventory of 1754. 

The Piazza of S. Mark in Venice. 

55 b — on canvas/ 0,96 h. by 1,17 w. — inventory of 1754. 



583 



584 



At the Entrance of the Grand Canal in Venice. On the right in the \ ^ 585 
foreground, the diurdi of S. Maria della Salute, in the middle distance^ 
the Piazetta. Companion picture to No. 586. 



56 b — on canvas ,• 0,65 li. by 0,98 w. — acquired in 1741 from the Wallenstein Col« 
lection at Dux. 

On the Grand Canal in Venice. 

56b — on canvas,- 0,655 •*• by "0,975 '"'• — • see remark on No. 585. 



•'\ 



NAZARI, BARTOLO. Born at Bergamo May lo^h 1699,- died 

at Milan Aug. z^^^ 1758. Pupil of Ghislandi. 

An Old Man in a black cap. Bust* length. Companion picture to ^^^87 

No. 588. '^ >. 

57b — on canvas/ 0^495 h. by 0,385 w. — acquired in 1743 througli Algarott! from ' 

Venice. 



^ 



An Old Woman in a blade striped shawl. Bust=length. 

57 b — on canvas / 0,49 h. by 0,375 ^' "~ acquired in 1743 through Afgarotti from 
Venice by artist himself. 

NOGARI, GIUSEPPE. Born at Venice 1699/ died there 1763. 
Pupil of Giov. Batt. Pittoni and of A. Balestra. 
An Old Man pouring gold out of a bag. Half-length. Companion 
picture to No. 590. 

60 b — on canvas / 0,745 h. by 0,59 w. — acquired in Venice in 1743 through Algarotti 
from the artist. 

A learned Old Man. Half-length. 

60 b — on canvas/ 0,755 h. by 0,595 w. — see remark on No. 589. 

An Old Man with a pair of spectacles in his left hand. Half=^length. 

57b — on walnut/ o,6t h. by 0,445 w. — G.«W. Ill, 50 — see remark on No. 589. 



.589. I 



An Old Woman warming her hands. Half-length. 

57b — on walnut/ 0,59 h. by 0,43 w. — G.»W. Ill, 50 — see remark on No. 589. 

The Apostle Peter. Half-length. 

60 b — on canvas / 0^45 h. by 0,605 '"• ~ see remark on No. 589. 

NOGARI? Portrait of an Old Man with a black cap. 

61 b — on canvas / 0^89 h. by 0,73 w. — supposed to have been acquired, together 
with the preceding picture, through Algarotti from Venice in 1743. 



586 



588 



589 



590 



1 591 



592 



593 



594 



66 



ITALIAN PAINTERS OF THE 



X 

597 



LONGHI, PIETRO. Bom at Venice 1702,- died there after 1780. 
Pupil of A.Balestra at Venice and of Giuseppe Crespi at Bologna. 

595 Portrait of a Lady in a cap and veil. Bust»Iength. 
69b — on canvas/ 0,675 h, by 0,575 ▼. — Inventory of 1722. 

ROTARI, COUNT PIETRO. Bom at Verona 1707, died at St. 
Petersburg 1762. Pupil of A.Balestra in Venice, Painted at various 
courts, diiefly at Dresden. 

596 \y Repose during the Flight into Egypt. 
59a — on canvas/ 2,74 h. by 2,08 w. — inventory of 1754. 

S. James the Apostle <?>. 

60b — on canvas/ 0,525 h. by 0,435 ■*■• '~ first mentioned in the "Abreg^" of 1782. 

598 Bust^length figure of a Bishop. 
60b — on canvas/ 0445 h, by 0,35 w. — first catalogued in 1765. 

599 The Repentant Magdalene. Bust»length, 

56c — on canvas/ 0,45 h. by 0,35 w. — first catalogued in 1765. 

600 Portrait of the Princess Elizabeth, Daughter of Augustus III. Three- 
quarter length. Companion picture to No. 601. 

6t b — on canvas / ^fi^ h. by 0,86 w. — first mentioned in the supplement to the 
catalogue of 1765. 

601 Portrait of the Princess Kunigunde, daughter of Augustus III. Three* 
quarter length. 

61 b — on canvas / 1,075 h. by 0,87 w. -- first mentioned in the supplement to the 

catalogue of 1765. 

GUARDI, FRANCESCO. Born atVenice Oct. 5* 1712,. died there 
Jan. ist 1793. Pupil of Antonio Canaletto. 
601 A Pope Pius VI blessing the Venetians <i782> from the Scuola di San 
Marco. Next to the Pope is the Doge Paolo Renier. One of the 
replicas after the original is in the Ashmolean Museum at Oxford. It 
belonged to a series of four pictures painted by Guardi for Pietro 
Edwards. 

59a — on canvas/ 0,515 h. by 0,68 w, — purdiased in London in 1898 <formerIy in the 
collection of Mr. George Salting). 

CANALETTO. BERNARDO BELLOTTO, called CANA- 
LETTO. Born at Venice Jan, 30* 1720 ,• died at Warsaw Oct. 17* 
1780. Nephew and Pupil of Antonio Canale. 

602 Dresden from the right bank of the Elbe above the Augustus Bridge. 
In the foreground is the artist himself, sitting between his colleagues, 

•\fNLKiele and Dietridi, who are standing, and other well known court 
xS^r son ages. Signed: Bernardo . Beffoto . Detto . Carta feto . T . 
Anno . 1747 . in Dresda. 

62 c — on canvas / 1,32 h. by 2,36 w, — inventory of 1754, 



X 



xvn. AND xvm. centuries 



67 



Weir between Padua and Venice. Signed: Bernardo .Befoto .Deto\ 
Canafetto . Te . Anno . 1748. ^' 

6oa — on canvas,- 1,32 h. by 2,32 vr. — inventory of 1754. ^ 

The Adjge at Verona. Companion picture to No. 605. \ 

60b — on canvas/ 1,315 h. by 2,315 w. — inventory of 1754. 

The old Ponte delle Navi at Verona. 

60b — on canvas / 1,325 h. by 2,335 w. — inventory of 1754. 

Dresden from the right bank of the Elbe below the Augustus Bridge. | 
Signed ; Bernardo BelTotto detto Canafeto T . ano . 1J48. ^Jk " 

60a — on canvas/ 1,325 h. by 2,35 -v. — inventory of 1754. V 

Dresden from the left bank of the Elbe below the Ramparts. Signed 
Bernardo Befotto detto Canafetto T Ano 1748. x^. 

62 c — on canvas / 1,345 h- by 2,27 w. — inventory of 1754. • 

Dresden from the left bank of the Elbe near the approadi to the 
bridge. Signed : Bernardo . Befoto . Detto . Canafetto . f. An" ^ 
1748. JU 

62a — on canvas/ 1,325 h. by 2,35 w. — inventory of 1754. • 



\ 



The old Zwinger Moat in Dresden. 

6oa — on canvas/ 1,325 h. by 2,345 w. — inventory of 1754. 

The Neumarkt in Dresden seen from the Judenhof, Painted in 1749. 

62c — on canvas/ 1,355 h- t>y 2,265 w. — painted specially for the Gallery in 1751^^ 
through Canaletto himself. '^ \ 

The old Fortifications in Dresden seen from the Wilsdruff Gate. Pain- 
ted in 1750. "**V' 
62a — on canvas/ 1,315 h. by 2,36 w. — painted specially for the Gallery in 175» I 
through Canaletto himself. 1 * - 

Dresden Neustadt seen from the Bridge. Painted in 1750. 

62 c — on canvas/ 1,335 h. by 2,355 w. — painted specially for the Gallery 
through Canaletto himself. 

The Neumarkt in Dresden, seen from the Moritzstrasse. Painted in 

1750. 

62a — on canvas/ 1,35 h. by 2,365 w. — inventory of 1754. 



to«7f»\ 



603 

604 
605 
606 

607 

608 

609 
610 

611 

612 
613 



The Altmarkt in Dresden, seen from the Sdilossstrasse. Painted ioJ''^ 614 
1751. *^ 

59b — on canvas/ 1,365 h. by 2,38 w. — inventory of 1754. 

The Altmarkt in Dresden, seen from the Seestrasse. Painted in \t^v(\ 615 
62 a — on canvas/ 1,365 h. by 2,39 w. — Inventory of 1754. 

The old Kreuzkirdie in Dresden (destroyed 1760), Painted in 1751. \^ 616 
62 b — on canvas / 1,955 h- by 1,855 w. — inventory of 1754. ^ 



6S 



ITALIAN PAINTERS OF THE 



617 
618 

619 
620 
621 
622 
623 
624 
625 
626 
627 
628 
629 



i 



y 



«o^ 



631 
632 



> 



^fe 



The Fraucnkirdie in Dresden. Painted in 1751, 

T.»H, — on canvas/ 1,93 h. by 1^55 w. — inventory of 1754. 

Pirna from the right bank of the Elbe near Posta. This as vp^ell as the 
following 10 views was painted between 1752 and 1755. 

61c — on canvas; 1,38 h. by 2,395 w. 

Pirna from the right bank of the Elbe near Posta. 
i 61 b — on canvas ,• 1,36 h. by 241 w. — sec remark on No. 618. 

Sonnenstein above Pirna. 

6ja — on canvas/ 1,32 h. by 2,35 w. — see remark on No. 618. 

Pirna from the corner of Breitegasse. 

61a — on canvas/ 1,345 h. by 2,345 '*'• ~ see remark on No. 618. 

The Breitegasse in Pirna. Signed: /7/2. 

61 a — on canvas/ 1,345 h. by 2,345 ^- " see remark on No. 618. 

The Market=place in Pirna. 

61c — on canvas/ 1,34 h. by 2,375 w. — see remark on No. 618. 

Pirna from the high-road before the upper gate. 
61c — on canvas/ 1,32 h. by 2,34 w. — see remark on No. 618. 

Pirna from Sonnenstein. 

6ia — on canvas/ 1,325 h. by 2,34 w. — see remark on No. 6i8. 

Pirna from the Sdiiffervorstadt. 

61c — on canvas/ 1,36 h. by 2,37 w. — see remark on No. 6t8. 

/Pirna from the right bank of the Elbe near Copitz. 
61b — • on canvas/ 1,35 h. by 2,36 w. — see remark on No. 618. 

The interior of the Fortress of Sonnenstein. 

60b — on canvas/ 2/535 h. by 3,31 w. — see remark on No. 6i8. 

The Zwinger in Dresden. 

60 a — on canvas/ 1,34 h. by 2,37 w. — G.«W. E, 14 — inventory of 1754. 

resden from the right bank of the Elbe below the bridge. Companion 
picture to No. 631. 
56 a — on canvas / 0,95 h. by 1,65 w. — acquired in 1778 firom the Spahn Collection. 

Dresden from the right bank of the Elbe above the bridge. 
• 56 c — on canvas / 0,95 h. by 1,65 w. — acquired in 1778 from the Spahn Collection. 

Allegorical picture. The Goddess Polonia, Three-quarter length. 
The figures supposed to be by C. W. E. Dietrich. Dated: 1762. 
Painted as a decoration for a doorway in the Castle at Warsaw. 
Companion picture to No. 633. 
60 b — on canvas / 1,09 h. by 1,545 w. — passed to the Gallery in i860. 



XVIL AND XVm. CENTURIES 



69 



Allegorical picture. A Youth in Ermine, and a Pole. Three=quartcr 633 
length. The figures supposed to be by Dietridi. 
60 b — on canvas/ 1,09 h. by 1,55 w. — see remark on No. 632. 

The Grand Staircase in the Palace at Warsaw, This and Nos.635and 634 

636 Ax^ere painted as decorations for doorways. 

62 c — on canvas / 1,045 h- by 146 w. — passed to the Gallery in 1855. 

Porch in the Court»yard of the Palace at Warsaw. 635 

62a — on canvas/ i/H h. by 1,46 w. — passed to the Gallery in 1855. 

Flight of Steps in the Court^yard of the Palace in Warsaw. 636 

59b — on canvas/ ia)3 h. by 1,455 w. — passed to the Gallery in 1855. 

Dresden from the Neustadt below the bridge. Signed: Bernardo . 637 
Befotto . De . Canafetto. According to the inscription on the badt 
painted in 1765 for reception into the Academy. 
55 c — on canvas / 0,995 h. by 1,34 w. — passed to the Gallery in 1855. 

The Ruins of the old Kreuzkirdic in Dresden. — Signed : Bernar . 638 

Befoto De Canafetto . Tec . A . 1765- 

55 a — on canvas/ 0,80 h. by iaj95 w. — passed to the Gallery in 1855. 

TIEPOLO, GIOVANNI DOMENICO. Born at Venice 1726, 
year of his death unknown. Pupil of his father Giovanni Battista 
Tiepolo. 

The Presentation in the Temple. Three-quarter length. 639 

59a — • on canvas/ 0,40 h. by 0,485 w. — acquired in 1875 from theMinutoH Collection 
at Liegnitz. 

Venetian School, see Appendix. 640—641 



MILANESE SCHOOL 



PROCACCINI, GIULIO CESARE. Bom at Bologna about 

1^48/ died at Milan about 1626, Pupil of his father Ercole Procaccint 

the Edler. 

Abduction of Women in the Heroic Age. 

Si — on canvas/ 2,65 h. by 2,50 w. — acquired in 1746 from the Ducal Gallery at 

Modena. 

The Holy Family with Angels bringing fruit. 

F 4 — on oak / 1,62 h. by 1,075 w- — G.» W. 1, 17 — inventory of 1722 <from the Belgiojoso 
Collection at Milan). 

Sec Appendix. 



r at\ 



642 
643 
644 



7o 



ITALIAN PAINTERS OF THE 



PROCACCINI, CAMILLO. Born at Bologna about i;;o/ died 
at Milan 1627. Pupil of his father Ercole Procaccini the Elcler. 

S. Rodius healing those sick of the Plague. Painted for the Brother* 
hood of S. Rocco at Reggio. 



645 



646 



381 



647 I 



648 

649 
650 
651 
652 



F 3 — on canvas ; "iSS h, by 4,76 w. — G.-W. II, j8 — acquired in 1746 from the 
Ducal Gallery at Modena where it had been since 1661. 

CAIRO, FRANCESCO. Bom at Varesc 1598/ died at Milan 1674. 

Pupil of Mazzucdielli. 

Venus with Cupid and Apollo. 

R7 — on copper/ 0^40 h. by 0,27 w. — acquired in 1741 through Rossi from Italy. 

NUVOLONE, CARLO FRANCESCO, called PANFILO. 
Born in Milan 1608/ died about 1665. 

The Death of Dido. Formerly but incorrectly ascribed to Mola. 
3 b — on oak/ 0,475 h. by 0,66 w. — first catalogued in 1812. 



T= 



DANEDI, GIUSEPPE, Painted in conjunction with his brother 
Stefano <i6o8— 1689), Both were called I Montalti. 
t. Anthony and the Infant Christ. Half-length. 

R6 — on canvas/ 0,875 !>• by 0,765 \f. — acquired in 1746 from the Ducal Gallery 
at Modena. 



PAGANI, PAOLO. Born at Valsolda 1661/ died at Milan 1716. 

Formed his style on the Venetian Sdiool. 

The Repentant Magdalene and an Angel. 

R>9 — on canvas/ 1,145 !»• by »49 — G.»W. II, 42 — acquired in 1725 through Leplat. 

MAGNASCO, ALESSANDRO, called LISSANDRINO. Born 
at Genoa 1681/ died there 1747. Pupil of Filippo Abbiati at Milan. 

Nuns in the Choir. Companion picture to No. 650. 

59a — on canvas/ 0,915 h. by 0,715 w. — acquired in 1741 from the Wallenstein Col» 
lection at Dux. 



Capudiin Monks in the Refectory 
59 a — on canN 
lection at Dux, 



59a — on canvas; 0,91 h. by 0,72 w. — acquired in 1741 from the Wallenstein CoU 
lei 



Landscape with S. Anthony. Companion picture to No. 652. 

65b — on canvas/ 1415 h. by i,u w. — acquired in 1875 from L. Ldwenstein of 
Warsaw. 

Landscape with S. Jerome. 

65 b — on canvas / 1,42 h. by 1,11 w. — acquired from Warsaw in the same manner 
as No. 651. 



653-654 



Crivelli, see Appendix. 



XVn. AND XVIIL CENTURIES 7/ 

GENOESE SCHOOL 



STROZZI, BERNARDO, called ILPRETE GENOVESE. Bom 

at Genoa 1581 / died at Venice Aug.3''<l 1644, Pupil of Pietro Sorri. 

Bathsheba reminding David of his promise to leave the crown^to her 655 

son Solomon. Three-'quarter length. 

F 4 — on canvas / 1,82 h. by 1415 w. — inventory of 1754. 

Rebecca with Abraham's servant at the well. 656 

F 2 — on canvas / 1^4 h. by 1,45 w. — acquired through Leplat in 1725. 

David with the Head of Goliath. Three-quarter length. _ f 657 

F2 — on canvas; 1,34 h. by 1,00 w. — acquired in 1743 through Algarotti from the | 
Casa Sagredo at Venice (formerly in the Casa Bonfadini). I 

A Female Performer on the Bass-viol. Three-quarter length. 658 

F2 — on canvas; 1,255 h. by 0,985 w. — acquired in 1743 through Algarotti from the 
Casa Sagredo at Venice. 

CASTIGLIONE, GIOVANNI BENEDETTO. Born at Genoa 
1616/ died at Mantua 1670. Pupil of Giov. Batt. Paggi and of Gio, 
Andrea Deferrari. 
The Animals entering the Ark. Companion picture to No. 660, 659 

45 c — on canvas / 1,45 h. by 1,945 w. — G.-W. II, 31 — acquired from Paris through 
de Brais in 1742. 

Jacob's Return. 660 

R 12 — on canvas; 1,44 h. by 1,975 w. — C-W. II, 32 — acquired.in the same manner 
as No. 659. 

See Appendix. 661 

CASTIGLIONE, FRANCESCO. Died at Genoa 1716. Pupil 

of his father Benedetto Castiglione. 

Sporting Dogs and Keepers. Signatures : T£o»irio cfi Mantua and A 662 

suoy cofioni. 

46 c — on canvas ; 2,08 h. by 3,29 w. — inventory of 1754. 

LANGETTI, GIOVANNI BATTISTA. Born at Genoa 1625 

(according to others 1635)/ died at Venice 1676. Pupil of Pietro da 

Cortona. 

Apollo and Marsyas. 663 

T.»H. — on canvas/ 2,10 h. by 2,37 w. — G.»W. I, 47 — acquired through Leplat. in 

1731 (formerly in the possession of^ Count G.Tiene at Venice). 

BISCAINO, BARTOLOMMEO. Born at Genoa about 1632, 

died there 1657. Pupil of Valerio Castello. 

The Woman taken in adultery, before Christ. Three-quarter length. 664 

Fi — on canvas/ 1475 h. by 1,995 w. — G.-W. II, 33 — Guarienti inventory. 



72 



ITALIAN PAINTERS 



665 The Adoration of the Kings. Companion picture to No. 666. 

3 c — on canvas/ 0,545 h. by 0,60 w. — inventory of 1722. 

666 The Presentation in the Temple. 
3 c — on canvas / 0,55 h. by 0,59 w. — inventory of 1722. 

NORTH ITALIAN SCHOOL OF THE XVII.CENTURy. 

667 S.Anna with the Virgin and Child. Three-quarter length. 

R 11 — on canvas/ 049 h. by 0,375 w. — first catalogued in 1835. 

668—671 See Appendix. 



74 SPANISH PAINTERS OF THE 

THE XVI. CENTURY 

MORALES, LUIS DE, called EL DIVINO. Born at Badajoz 
early in the sixteenth century, died there 1586, 

673 The Man of Sorrows. Bust^length, 

5 c — on oak; 0,39 h. by 0,32 w. — acquired in 1744 through M. Talon, Secretary to 
the Embassy, from the Encenada Collection at Madrid. 

674 Juanes, see Appendix. 

PEREyRA, VASCO. Bom at Lisbon about 1535. Resident in 
Seville. Proved to have painted between 1562 and 1598. 

675 S.Onophrius, SigmA: Vasco Preira Picttor 1583. 
Rj3 — on oak/ 1/38 h. by 0,81 w. — purchased in London in 1853 from the Louis 
Philippe Collection. 

ROELAS, JUAN DE LAS, called EL LICENCIADO. Bom at 
Seville 1558 or 1560/ died at Olivares April zy^ 1625. 

676 . The Virgin Mary upon a Crescent as the symbol of the Immaculate 
^,. Conception. 

\ R 2 — on canvas / 2,225 f>. ^Y ^7^ w. — purchased In London in 1853 from the Louis 
Philippe Collection. 

ORRENTE, PEDRO, Born at Monte Alegre in Murcia at the 
end of the XVI. Century,- died at Toledo 1644. Style of Bassani. 

677 Jacob and Radiel at the Well. 
C2 — on canvas/ 1,755 h- i>y 2,21 w. — purchased in London in 1853 from the Louis 
Philippe Collection. 

SPANISH SCHOOL OF THE XVI. CENTURy. 

678 The Repentant Peter before Christ, Who is bound to the Pillar. The 
inscription attests that the picture was presented by t^e Master Saddler 
Pedro Ruiz. 

R 21 — on oak/ 1,77 h. by 0,745 w. — purchased in London in 1853 from the Louis 
Philippe Collection. 

679 Christ on the Cross, between the Virgin and S. John. 
R9 — on deal/ 0,86 h. by 0,735 ■*■• " purchased in London in 1853 from the Louis 
Philippe Collection. 



THE XVII. CENTURY 



680 Herrera the Elder, see Appendix. 



XVI. AND XVII. CENTURIES 



75 



CARDUCHO <CARDUCCI>, VINCENTE. Bom at Florence 
1578/ died at Madrid 1638. One of the Aief artists of the early Madrid 
Sdiool (appointed Court-painter in 1609). 

S.Gonzalo between S.Francis (on the left) and S.Bernard of Siena 
(on the right). Signed : Vincento . CarcfvSo p. R, {{. e, Pictor Regis) 
T. 163o Aftos. 



681 



S 1 — on canvas / 2,20 h. by 1,64 w. — purchased in London in 1853 from the Louis 
Philippe Collection. 

RIBERA, JUSEPE DE, called LO SPAGNOLETTO. Born at 

Jativa 1589 (according to Palomkio),- died at Naples Sept, z"*' 1652. 

Founder of a School in Naples. 

Diogenes with his Lantern. Half-length. Signed: Jusepe de RiBera 

espafiof. T. 1637. 

3 c — on canvas / 0,76 h. by 0,61 w. — G.»W. I, 31 — inventory of 1722. 

S. Agnes , around whom an Angel is wrapping a sheet. Signed : Ju- 
sepe de RiBera espafiof. T . 1641. 

C 1 — on canvas / z/ai h. by 1,52 w. — G.*W. I, 30 — acquired in 1745 through the 
Spanish Ambassador at the Court of Saxony, Count de Bene de Masseran. 

The Deliverance of S.Peter from Prison. SigmA: Jusepe de RiBera 
espafiof. T . 1642. Companion picture to No. 685. 
Ct — on canvas/ 1,76 h. by 2,26 w. — G.«W. II, 34 — acquired in 1738 through Rossi 
from the Duodo Collection at Venice. 

S. Francis on the Bed of Thorns. Signed : Jusepe de RiBera espa- 
fiof T. 

Ci — on canvas/ 1,71 h. by 2,255 w. — G.»W. II, 35 — acquired in the same manner 
as No. 684. 

The Martyrdom of S. Lawrence. A similar picture is in the Vatican 
at Rome. Perhaps they are both studio repftcas of an unknown 
original. 

R2 — on canvas; 2,06 h. by 1,54 w. — G.*W. I, 29 — acquired in 1742 through 
Heinedcen from Hamburg. 

Paul the Hermit. Signed : Jusepe de RiBera espafiof T. 

R 1 — on canvas / 2,04 h. by 1,50 w, — acquired in 1746 through HeincAen from 
Spain. 

S. Andrew. Also known through replicas. Three-quarter length. 

C 1 — on canvas / 1,285 h. by 1,005 w. — G.-W. Ill, 49 — first mentioned by Heinedcen 
in 1768. 

RIBERA. PUPILS AND STYLE OF JUSEPE DE RIBERA. 

Jacob keeping Laban's sheep. Copy from the original of 1634 in the 

Escurial. 

Store-rooms — on canvas / 1,74 h. by 2,19 w. — G.-W. I, 27 — inventory of 1754. 



682 
683 

684 

685 

686 

687 
688 

689 



76 



690 

691 

692 

693 
694 

695 



697 



698 



SPANISH PAINTERS 




The Martyrdom of S. Bartholomew. Three-quarter length. 

Store » rooms — on canvas/ 1,45 h. by 1,94 w. — G.»W. 1, 28 — acquired in 1746 firom 
the Ducal Gallery at Modcna. 

Portrait of an Old Gentleman. Bust'^length. 

S 1 — on canvas / 0,705 h. by 0,59 w. — acquired in 1741 from the Wallenstein CoU 
lection at Dux. 

A learned Man, on whose head is a wreath. Half»Iength. 

S» — on canvas/ 0,98 h. by 0,735 v- — G.-W. Ill, 32 — acquired in 1743 through 
Rossi from Italy. 

See Appendix, 

Portrait of a Man. In his hand a letter addressed to the Jesuit Father 

Antonio Guido. Three-quarter length. 

51 c — on canvas / 1,315 h. by 0,975 w. — first catalogued in 1835. 

Ribalta, see Appendix. 

ZURBARAN, FRANCISCO DE. Baptised at Fuente de Cantos 
Nov. 7* 1598/ died at Madrid 1662, Pupil of J. de Roelas in Seville, 

S. Bonaventura kneeling before the Papal Crown, praying for inspi- 
ration to nominate the most suitable candidate for the office of Pope, 
by request of the Cardinals <i27i>. Above him is the Angel who 
suggests the name to him <Visconti, who on election assumed the title 
of Gregory X>. One of four scenes from the life of the Saint whid» 
this artist and Herrera painted in the diurdi of S. Bonaventura at 
Seville in 1629 <of the three others, two are in the Louvre and one in 
the Kaiser«Friedridb-Museum in Berlin). 

C3 — on canvas/ 2,39 h. by 2,22 w. — acquired in 1853 '" London from the Louis 
thilippe Collection. I 

VELAZQUEZ. DIEGO RODRIGUEZ DE SILVA V VE- 
LAZQUEZ. Baptised at Seville June 6t'i 1599,- died at Madrid 
Aug. 6th 1660, Pupil of Fr. Herrera and of Fr.Pacheco, 

Portrait of a Gentleman of Rank, probably that 'of Juan Mateos, 
, Master of the Royal Stag-hounds, Three-quarter length. 

Ci — on canvas/ t,o8 h. by 0.895 w. — G.-W, III, 41 — acquired in 1746 from the 
Ducal Gallery at Modena as an original by Rubens but as early as 1685 described as 
a Velasquez in the collection of Prince Cesare Ignazio d'Este. 

Portrait of an Old Gentleman with a gold chain and the cross of the 
order of S, Jago. Bust-length. 

Ci — on canvas/ 0,655 h. by 0,56 w. — G.-W. II, 45 — acquired in 1746 from the 
Ducal Gallery at Modena as an original by Rubens <as early as 1685 it was in the 
collection of Prince Cesare Ignazio d'Este described as a Velasquez), 



OF THE XVII. CENTURY 



Portrait of Gaspar de Guzman, Count of Olivares, Minister in the 

reign of Philip IV. Bust^-Iength. Possibly only one of many studio 

replicas. 

C I — on canvas / 0,925 h. by 0,74 -w. — acquired in 1746 from the Ducal Gallery at 

Modena, but as early as 16S; it was in the Collection of Prince Cesare I^nazio d'Este 

who had purAased it in 1681 as a Velasquez with the rest of Count Toschi's CoU 

lection. 

I ESPINOS A, JACINTO JERONIMO DE. Born at Concentaina 

July 2otf» 1600/ died at Valencia 1680. 
I ESPINOS A? S.Francis, praying. Half-length. 

Store-rooms — on canvas/ 0,915 h. by 0,91 w. — acquired in London in 1853 from 
the Louis Philippe Collection. 

CANO, ALONSO. Born at Granada Mardi 12 th 1601, died 

there Oct. 5th 1667. Pupil of Fr. Padieco and Juan del Castillo in 

Seville. 

The Apostle Paul, 

C 3 — on canvas / z,u5 h. by i,ti w. — acquired in London in 1853 from the Louis 
Philippe Collection. 

CANO. SCHOOL OF ALONSO CANO. 
The Virgin and Child. Three-quarter length. 

Store » rooms — on canvas / 1,23 h. by 0,975 w. — probably acquired in 1744 from 
Madrid through Talon. 

MOyA, PEDRO DE. Born at Granada 1610,- died there 1666. 
Pupil of Juan del Castillo in Seville. 

MOyA? Bust -length figure of an Officer with a red scarf. The 
signature B. E. M./e. is a forgery. 

Store-rooms — on canvas / 0,615 h. by 0,49 w. — presented in 1887 by Gch. Kommersien- 
rat Zsdiille. 

MURILLO, BARTOLOME ESTEBAN. Baptised at Seville 
Jan. ist i6i8,- died there April y^ 1682. Pupil of Juan del Castillo. 

The Death of S. Clara, One of the eleven pictures whidi Murillo 
painted for the cloisters of the Franciscan monastery at Seville, and ' 
whidi were dispersed after the destruction of the monastery by the 
Frendi <i8io). 

C 2 — on canvas / 1,895 h- by \i¥> ^- — purAased from the Earl of Dudley in London 
in 1894 and formerly in the Aguado Collection and in that of the Marquis of Sala- 



77 



699 



-V 



700 



702 



f 



St. Rodriguez. 

C 3 — on canvas 

from the Louis Philippe Colfection 



From the convent of S. Clara at Seville. 



2A>55 h. by 1,235 w. — G.-W. IH, 42 — acquired in 
lie 



Lo«3sfni853"*'\' 



The Virgin and Child. 

C 3 — on canvas/ 1,66 h. by 1,145 w. — acquired in Paris in 1755 from thiE Pasquie^Lr/ 



Collection. 



^ 



703 



703 A 



'"T" 



703 B 



705 



m^ 



7S 



SPANISH PAINTERS 



706 Copy, see Appendix. 

VALDES LEAL, JUAN DE. Bom at Sevilfc or Cordova about 
1630/ died at Seville Oct, 14th 1690. 

707 S. Vasco of Portugal in front of his monastery. Signed : EL V . 
P , T. CVeneraBife Padre TrayJ Basco de Portugaf. 

S I — on canvas / 2,485 h. by 1,27 w. — acquired in London in 1853 from the Louis 
Philippe Collection. 

708—711 Spanish School, see Appendix. 

SPANISH <?> SCHOOL OF THE XVII.CENTURy. 
712 The Virgin and Child upon a crescent, 

Rio — on copper/ 0,205 h. by 0,13 w, — bequeathed by Mr, C, G, A. Sdimidt, art» 
dealer, in 186a 



VI 
FRENCH SCHOOL 



So FRENCH PAINTERS OF THE 

THE XVI. CENTURY 

CLOUET. SCHOOL OF FRANQOIS CLOUET (Painter to 
the Court 1541 — 1572). 

713 Portrait of Jeanne de Pisselcu, Dudiess of Etampes. Half-length. 
21 b — on oak/ 0,315 h. by 0,25 w. — acquired from Hofirat Rost of Dessau in 1876. 

THE XVII. CENTURY 

VOUET, SIMON. Born at Paris Jan. 9'^ 1590,- died there June jo^^ 
1649. Formed his style by studying the Italian Masters. 

714 The Apotheosis of St. Louis. 
44c — on canvas/ 2,69 h. by 148 w. — acquired through Leplat In 1731. 

715 Valentin, see Mola page 48. 

CALLOT. copy AFTER JACQUES C ALLOT <i592-«635>. 

716 Execution by Court-martial. Copy after the engraving "L'Arque« 
busade". No. 12 of the great "Miseres de la guerre". 
0,3 -— on copper/ 0,08 h. by 0,185 *•■ ~ passed to the Kunstkammer in 1700. 

POUSSIN, NICOLAS. Born at VHlers near Les Andelys in Nor- 
mandy in June 1594/ died at Rome Nov. 19th 1665. 

717 The Adoration of the Kings, Signed : Accad : rom. Nicofavs . 
PvsinfacieBat Romae . 1633. 

6 c — on canvas / 1,605 h. by 1,815 w. — acquired in 174I through de Brais from Paris 
<formerIy in the possession of the Earl Waldegrave). 

718 The Nymph Syrinx, pursued by Pan. According to Felibien painted 
for La Fleur about 1637. 



^ 



46 c — on canvas / 1^)65 h. by 0,82 w. — acquired through de Brais in 1742 from the 
Du' " " ■ 



)ubreuil Collection. 



719 The Kingdom of Flora. A Composition representing human beings 
\;i^ichanged into flowers. From Ovid's Metamorphoses. 

^g^r t^^ 47c — on canvas/ 1,31 h. by 1,81 w. — inventory of 1722. 

720 Moses being placed in the Ark of Bulrushes. 

47 a — on canvas / 1,44 h. by 1,955 w. — acquired in 1742 through de Brais itoxa Mr. 
Poincinet of Paris. 

7^1 ^ Venus reposing, and Cupid, Belongs to the artist's early Roman 
period. 
6b — on canvas/ 0,71 h. by 0,96 w. — inventory of 1722. 



\ 




697 



Diego Vefazquez 



XVI. AND XVII. CENTURIES 



SI 



t 



Narcissus gazing at his reflection in the water. Belongs to the artist's . I 722 
early Roman period (probably painted for Le Notre in Paris). 
6 b — on canvas / 0,72 h. by 0,965 w. — acquired through Leplat in 1725. 

POUSSIN. SCHOOL OF NICOLAS POUSSIN. 

The Martyrdom of S.Erasmus. I 723 

Storc»rooms — on canvas/ 2^ h. by 3,07 w. — acquired through Leplat in 1731. 

See Appendix, 724 

The Lupercalta Festival. 725 

Store-rooms — on canvas/ 0,73 h. by 0,985 w. — inventory of 1722. 

Sec Appendix. 726—728 

V. E, Probably a member of the family of the Flemish artist Elle, 
resident in Paris, 

Portrait of the Painter Nicolas Poussin. Bust^length. Signed: Si T29 
Nomert a me quaeris N. Poussin . 164o . T. This inscription pro- 
bably only refers to the person in the picture. ""V. E. pinxit" is on 
an engraving of this picture by Louis Ferdinand (died in Paris 1698), 
the son of the portrait»painter Ferdinand Elle. 
6 b — on canvas / 0,755 h. by 0,59 w, — inventory of 1722. 

CLAUDE GELLEE, called CLAUDE LORRAIN. Bom at 

Chamagne in Lorraine about 1600/ died in Rome Nov, 21st 1682. 

Pupil of Agostino Tasso in Rome. The most distinguished master of 

classic landscape painting. 

Landscape with the Flight into Egypt, Signed : CCavde ivef Roma 730 

1647- Painted for Mr. Purasson in Lyon, 

6c — on canvas/ 1,02 h. by 1,34 w. — inventory of 1754 — acquired as well as No. 731 

from the collection of Graf Hoym, Saxon Ambassador in Paris, and formerly in the 

de Verrue and, from 1725, the de Nocet Collection. 

Coast scene with Acis and Galatea. Above on the ri|jht is the Cyclops 731 

Polyphemus. Painted for Mr.Delagard. Signed: (Zfavde Gefee ivef 

Roma 1657- 

6a — on canvas/ 1,00 h. by 1,35 w. — inventory of 1754— acquired from the collection 

of Graf Hoym, probably at the same time as No. 730. 

Copy, see Appendix. 732 

DUGHET, GASPARD, called POUSSIN. Born at Rome 1613, 

died there May 25* 1675. Pupil and brother* in -law of Nicolas 

Poussin. 

Mountain Lake. 733 

6b — on canvas/ 0,73 h. by 0,97 w. — first catalogued in 1833. 

Landscape in the Campagna. Companion picture to No. 735. 734 

6a — on canvas/ 0,72 h. by 0,965 w. — first catalogued in 1765. 



82 



FRENCH PAINTERS 



735 Landscape of mountain and woods with a waterfall, . 
6 c — on canvas / 0,74 h. by 0,98 w. — first catalogued in 1765. 

736 Wooded Landscape with a mountain village, 

6 b — on canvas / 0,645 h. by 0,88 w. — inventory of 1754. 

DUGHET. SCHOOL OF GASPARD DUGHET, called 
POUSSIN. 
737-740 See Appendix. 

741 Scene from Tivoli, 
P 10 — on canvas/ 0,685 h- ^f 0/545 w, — first catalogued in 1835, 

BOURDON, SEBASTIEN. Born at Montpellier Feb. 2nd 1616/ 
died at Paris May Z^^ 1671. Style formed after Poussin and B. Castig- 
lione. 

742 Jacob's Return. 
44b — on canvas; 0,96 h. by 1,305 w. — acquired through Guarienti from Venice as 
a Benedetto Castiglione. 

LE BRUN, CHARLES. Born at Paris Feb. 24th 1619,. died there 
Feb. 12^1^ 1690. Pupil of Simon Vouet. Founder of the Royal Aca- 
demy of Painting and Sculpture in Paris. 

743 The Holy Family with Joadiim, Eli2abeth and the Infant St, John, 
6a — on canvas; 1,59 h. by 1,59 w. — inventory of 1754. 

BOURGUIGNON. JACaUES COURTOIS, called LE BOUR- 
GUIGNON. Born at St.HippoIyte in Frandie^-Comte 1621/ at his 
death, Nov. 14^^ 1676, was lay=brother in the College of Jesuits at 
Rome. Developed his style under the influence of Salvator Rosa. 

744 Battle in a Valley. 
45 b — on canvas / 1,535 h. by 2/67 w. — acquired through Algarotti in 1743 from the 
Casa Sagredo at Venice. 

745 Cavalry Skirmish before the Walls of a Fortress. 
46b — on canvas/ 1,55 h. by 2,74 w. — acquired in the same manner as No. 744, 

746 After the Battle. 
51 a — on canvas / 0,365 h. by 0,61 w. — inventory of 1754. 

747 Before the Battle, 

49a — on canvas/ 0,65 h. by 1,17 w. — inventory of 1754. 

BOURGUIGNON. PUPILS AND SCHOOL OF JACQUES 
COURTOIS, called BOURGUIGNON. 

748 Cavalry ^irmish on barren upland. 
Q.2 — on canvas/ 0,525 h. by 0,745 w- -~ inventory of 1722. 

749-750 See Appendix, 



OF THE XVII. CENTURY 83 

A Cavalry Battle. 751 

50 b — on canvas/ 1,18 h. by 1,815 w. — inventory of 1722. 

The Sentry. 752 

5J a — on canvas ; 0,275 b. by 0,42 w. — inventory of 1754. 

COURTOIS, GUILLAUME. Born at St. Hippolyte in Frandic* 
Comte 1628/ died at Rome 1679. Brother of Jacques Courtois. 
The Offering of Isaac. 753 

6 b — on canvas / 0,72 h, by 0,59 w. — acquired through Leplat in 1725. 

MILLET, FRANQOIS. Baptised at Antwerp April 27th 1642/ 

buried in Paris June y^ 1679. Sdiool of Gaspard Poussin. 

Roman hilly Landscape with an Aqueduct. 754 

6b — on canvas stretdied on oak; 0,545 h. by 0,66 w. — acquired from A.AUen in 
London in 1862. 

Landscape with a round Tower. 755 

48 a — on canvas f 0,60 h. by 0,64 w. — acquired in 1740. 

SAVOyE, DANIEL DE. Born at Grenoble 1644,- died at Er- 
langen 1716, Pupil of Sebastian Bourdon. Painted for some time in 
Dresden, 

Portrait of the Artist's Wife. Bust-length. 756 

67 c — on canvas / 0,74 h. by 0,59 w. — first catalogued in 1835. 

DE TROy, FRANQOIS. Born at Toulouse in February 1645,- 

died in Paris May i^t 1730. Pupil of Claude le Fevre, 

Portrait of the Due de Maine (Son of Louis XIV and of Madame dc 757 

Montespan). Signed: Peint par T . de T^ro^ en 1716. Three-quarter 

length. 

54b — on canvas/ 0,92 h. by 0,74 w. — first catalogued in 1835. 

LARGILLIERE, NICOLAS DE. Bom in Paris Oct. 9* or 10* 

1656/ died there Mardi zcf^ 1746. Pupil of A.Goubeau in Antwerp 

and of Sir Peter Lely in London. 

Portrait of M. de Montargu. Bust-length. 758 

54a — on canvas/ 0,80 h. by 0,635 w. — acquired from the Spahn Collection in i778. 

Portrait of the Due de la Rochefoucauld, Bust-length, 759 

67 c — on canvas/ 0,41 h. by 0,335 ^- "- acquired in 1873 from the linger Collection 
in Berlin. 

RIGAUD, HYACINTHE. Born at Pcrpignan July 18th 1659, died 

at Paris Dec. 29th 1743. Celebrated portrait painter. 

Portrait of King Augustus III of Saxony as Electoral Prince. Pain- 760 

ted in Paris in 1715. 

53 a — on canvas/ 2^0 h. by 1,73 w, — G,-W, I, o — inventory of 1722. 



84 ! FRENCH PAINTERS OF THE 



GOBERT <GAUBERT>, PIERRE. Born at Fontainebleau 1659, 
died in Paris Feb. 13^^ 1741. Member of the Academy. 

761 Portrait of a Lady. Bust-length. 
54 b — on canvas / 0,78 h. by 0^2 w. — acquired in 1707 in Paris. 

BERTIN, NICOLAS. Born at Paris 1667,- died there April it* 
1736. Pupil of Jouvenet and Boullogne. 

762 The Acorn and the Gourd. From Lafontaine's fable. Companion 
picture to No. 763. 
54 c — on canvas / 0,595 h. by 0,495 w. — inventory of 1722. 

763 The Bear and the Gardener. From Lafontaine's fable. 

54 c — on canvas / 0,595 h. by 0,495 w. — inventory of 1722. 

FRENCH SCHOOL FROM THE END OF THE XVII. 
CENTURY . 

763 A A Monastic Visit. Companion picture to No. 763 B. 

67 b — on canvas / 0,62 h. by 0,77 w. — acquired in 1741 from the Wallenstein CoU 
lection at Dux. 

763 B A Monastic Jest. 

67b — - on canvas/ 0,62 h. by 0,785 w. — acquired in the same manner as its com« 
panion picture No. 763 A, 

764 The Crucifixion. 
67a — on canvas/ o36 h. by 0,555 w. — acquired in 1741 through Rossi from Venice. 

765 The Judgment of Solomon, 
67 a — on canvas / 0,73 h. by 0,585 w. — first catalogued in 1835. 



THE XVIIL CENTURY 



SILVESTRE THE yOUNGER, LOUIS DE. Born at Paris 
June 23''<J 1675/ died there April i^t 1760. Pupil of Charles le Brun. 
Appointed painter to the King of Saxony in 1716. 

765A Portrait of General Jan de Bodt, Intendant of the military and civil 
public buildings <i67o— 1745). According to the inscription on the 
badk, painted in Dresden in 1729. Three-quarter length. 

53 b — on canvas ; 1,30 h. by 1,01 w. — passed to the Gallery from the "Kadettenhaus" 
in 1893 <formerIy in the fortress of Konigstein). 

766 The Centaur Nessus with Deianira, pursued by Hercules. Signed 

on the badi: peint par Louis Sifvestre a Dresde 1732. 
54c — on canvas/ i/)8 h. by 1,46 w. — acquired in 1733 from the artist. 



XVII. AND XVIIL CENTURIES 



SS 



The family meeting at Neuhaus on May 24* 1737 between the Em- 

firess Amalic <widow of the Emperor Joseph I>, her daughter Maria 
osepha and King Augustus III, husband of the latter. On the right, 
the Royal Children. ««™|--- 

E.»S. — on canvas; 4,97 h. by 6,74 w. — painted by order of King Augustus III. 

Portrait of King Augustus II, on horsebadc 
EurS. — on canvas/ 2,67 h. by 2,08 w. — inventory of 1722. 

Portrait of Augustus III when Electoral Prince, on horsebadc. 

E.-S. — on canvas / 2,67 h. by 2,08 w. — inventory of 1722. 



T 



King Augustus II <the Strong) of Poland <on the left), and King Fre- 

deridk William I of Prussia <on the right). 

E.^S. — on canvas ,■ 2,81 h. by zfiz w, — acquired in 1730 through the artist 

Maria Josepha of Austria when Electoral Princess of Saxony. 
E.-S. — on canvas/ 247 h. by 1,66 w. — G.=W. II, o — inventory of 1722. 

GRIMOU, ALEXIS. Bom at Argenteuil May 24th 1678/ died at 

Paris early in May 1733. 

The youthful Flute-player. Half-length. 

54 c — on canvas / 0,65 h. by 0,545 '^- " acquired in 1725 through Leplat. 

PESNE, ANTOINE. Bom in Paris May 23«-cl 1683,- died in Berlin 
Aug. 5th 1757. Appointed painter to the King of Prussia in 1711, 
Half-length figure of a Girl with pigeons. Signed : Pesne fecit J72&t^"' 773 

69 b — on canvas / 0,76 h. by 0,61 w. — G.=W. Ill, 17 — acquired in 1728 from Berlin 
through the artist. 

See Appendix. | 774 



767 

768 
769 
770 

771 
772 



Portrait of the Artist, Bust-length. Signed ; Ant. Pesne peint par fuy 

mesme 1728. 

54b — on canvas/ 0,815 h. by 0,66 w. — acquired in 1728 through the artist himself. 

Portrait of a Gentleman with a turban. Bust -length. Companion 
picture to No. 777. 

65b — on canvas/ oval/ 0,72 h, by 0,545 w, — inventory of 1722 <acquired through 
the artist). 

Portrait of a Lady with a turban. Bust-length. JL* 

65 b — on canvas/ oval/ 0,72 h. by 0,545 ▼• — inventory of 1722 (acquired through 
the artist). 

A Gipsy telling a Lady's fortune. Three-quarter length, 

67b — on canvas/ 1,14 h. by 0,925 w. — G.-W. Ill, u — inventory of 1722 (acquired 
through the artist). 

Portrait of a Boy holding a mask before his face. Bust-length. 

54c — on oak/ 0,57 h. by 0,44 w. — inventory of 1722 (acquired through the artist) 

Van Loo, see Appendix, 



775 
776 

777 

778 

779 
780 



86 FRENCH PAINTERS 

WATTEAU, ANTOINE. Baptised at Valenciennes Oct. toth 
1684/ died at Nogent near Vincennes July i8t^ 1721. Pupil of Claude 
Gillot and of Claude Audran. 

781 A Garden Party. Companion picture to No. 782. 
54 a — on canvas / 0,60 h. by 0,75 w. — Cuartenti inventory. 

782 Groups of Lovers in a Park. 
54a — on canvas/ 0^1 h. by 0,75 w. — Guarienti inventory. 

NATTIER, JEAN MARC. Born at Paris MarA 17th ,685,- died 
there Nov. 7^^ 1766. Pupil of his father Marc. 

783 Portrait of Count Maurice of Saxony, Marshal of France, at the age 
of 32. In the badiground allegorical representation of Time with a 
sprig of laurel. Signed : Peint a Paris par Nattier fejeune en 172o. 
53c — on canvas/ 2,57 h. by 1,72 w. — inventory of 1722. 

LANCRET, NICOLAS. Born at Paris Jan. 22nd 1690/ died there 
Sept. 14th 1743. Pupil of Gillot. Style of Watteau. 

784 Dancing in the Castle grounds. 

54b — on canvas/ 2^)75 h. by 2,075 w. — inventory of 1754. 

785 A Quadrille under the trees. Companion picture to No. 786. 

54 c — on canvas / 0,42 h. by 0,565 w. — Guarienti inventory. 

786 A Dance round a tree. 
54c — on canvas/ 0,43 h. by 0,53 w. — Guarienti inventory. 

PATER, JEAN»BAPTISTE»JOSEPH. Born at Valenciennes 
1696,- died at Paris July z-j^^ 1736. Pupil of A. "Watteau. 

787 A Procession <perhaps bridal) in the open air. Companion picture to 

No. 788. 

54 c — on walnut/ 0,25 h. by 0,38 w. — ' Guarienti inventory. 

788 A Quadrille under the trees. 
54c — on walnut/ 0,255 h. by 0,385 w. — Guarienti inventory. 

SUBLEVRAS, PIERRE. Bom at Uzes in Langued'oc 1699/ died 
at Rome May 28* 1749. Style formed diiefly in Rome. 

789 Christ in the House of Simon the Pharisee. A small Replica of the 
Artist's large picture in the Louvre at Paris. 
54c — on canvas/ 0,505 h. by 1,22 w. — taken from the Royal Apartments in 1742. 

VERNET, CLAUDE-JOSEPH. Born at Avignon Aug. 14* 1714/ 
died at Paris Dec. 23'"d 1789. 

790 See Appendix. 

790 A VERNET? A Thunderstorm at Sea. 

Store-rooms — on walnut/ 0,21 h. by 0,26 w. — acquired through the bequest of 
Herr E. F. Nossky, President of the Court of Appeal. 



OF THE XVIII. CENTURY 



S7 



HUTIN, CHARLES. Bom in Paris 1715, died io Dresden July 29th 
1776. Pupil of Fr. le Moine. Director of the Academy in Dresden, 
A Girl Reading, Signed: C Hvtin Pinxit 1769. Three -quarter 
length. 



69b — on canvas/ o^yy h. by 0,56 w. — first catalogued in 1835. 

GREUZE. copy AFTER JEAN-BAPTISTE GREUEE (1725 
to 1805). 

The Father of the family reading the Bible to his household. The 
original is in the Bartholdy-Delessert Collection in Paris, 

54a — on canvas/ 0,74 h. by 0,925 w, — acquired in 1874 from the Reede van Oudts» 
hoorn Collection at Utredit. 

FRENCH SCHOOL OF THE XVIII, CENTURy. 
See Appendix, 

Portrait of Queen Maria Lescinska of France, Consort of Louis XV. 

Date on the bads 1726. 

54 b — on canvas/ 0,73 h. by oA>5 w. — acquired from Poland in 1730, 

See Appendix. 



791 
792 

793 
794 

795-798 



VII 
ENGLISH SCHOOL 



go ENGLISH PAINTERS 



KNELLER, GOTTFRIED. Born at Lubedc Aue. 8* 1646/ died 
in London Oct. 27th 1723. Pupil of Ferd. Bol in Amsterdam. In 
England known as Sir Godfrey Kneller <Kniner>, painter to the King. 
798 A Portrait of the young Lord Euston. 

57b — on canvas/ 1,52 h. by i,ot w. — acquired in 1893 through the bequest of Herr 
E. F. Nosslcy/ President of the Court of Appeal. 

SEEMAN, ENOCH. Born at Danzig 1694/ died in London 1744. 
He came as a boy to London, where he received his artistic education. 
798 B Portrait of the Artist, Bust-length. Signed : EnoS Seeman ipsepinx. 
Anno I7I6. 
58b — on copper/ 0,575 h. by 0,45 w. — G.»W. Ill, 20 — inventory of 1722. 

REYNOLDS,^ SIR JOSHUA. Born at Plympton July 16th ,723,. 
died in London Feb. 23'"«J 1792. Pupil of Thomas Hudson in London. 
Became first President of the Royal Academy in London in 1768. 
798C Portrait of Mr. William James in hunting costume. Half-length. 
Painted in 1758. 
58b — on canvas/ i,ti h. by 0,89 w. — purchased in Berlin in 1891. 

RAEBURN, SIR HENRy. Born at Stodcbridge near Edinburgh 
Mardi 4th 1756/ died at Edinburgh July 8th ,823. 
798 D Portrait of Lucius O'Beirne, Bishop of Meath. Three-quarter length. 

50 b — on canvas/ 0,975 h. by 0,71 w. — purchased in Paris in 1897 <formerly in the 
Henry Willet Collection, London). 



VIII 
FLEMISH AND DUTCH 
SCHOOLS OF THE XV. 
AND XVI. CENTURIES 



92 



799 



800 



801 



802 



803 



804 



805 



FLEMISH PAINTERS OF THE 



FLEMISH SCHOOL 



^ 



EyCK, JAN VAN, Born at Maaseijdk about 1390,- died at 

Bruges between June 24th and July zz^^\i[^\. Pupil of his brother 

Hubert van Eydc. 

ATriptydi. In the centre, the Virgin and Child enthroned in a churdi. 

On the outer side of the wings, the Annunciation <in grey mono* 

dirome). On the inside, the Ardiangel Midiael with the donor in a 

kneeling posture on the left, and S. Catherine on the right. Round 

the frame arc the arms of the Genoese family Giustiniani. 

Ni — on oak in an ebony frame/ 0,275 h., the middle picture 0,215 w., each wing 

0,08 w. — G.-W., N. F. 15 — first catalogued in 176^ as an Albrecht Dtirer <described 

in the Jabadi Collection in Paris as a Hutcrt van Eytk in j696>. 

WEyDEN, STUDIO OF ROGER VAN DER WEYDEN 

(about 1400 to 1464). 

Christ on the Cross with his faithful followers. 

21c — on oak; 0,325 h. by 0,205 w. — acquired in 1855 from George Schuiz of Celle 

(supposed to have passed by purchase to Paris from the Ducal Palace at Brunswidt 

in i8o6>. 

MEMLING. OLD COPy FROM HANS MEMLING <about 

1430 to 1494). 

Portrait of Anton of Burgundy, half«brother of Charles the Bold. 

Bust=length. Better examples in various places. 

P 3 — on oak/ 0,45 h. by 0,355 w. — inventory of 1724. 

MEMLING. SCHOOL OF HANS MEMLING <about 1430 to 

i494>, 

S. Christopher carrying the Infant Christ through the river. 

zt c — on oak/ round at the top/ 041 h. by 0,24 w. — acquired in 1876 from the Ruhl 
Collection in Cologne to which it had passed in 1850 on the sale by auc:tion of the coU 
lection of King William II of Holland. 

Adam and Eve under the Tree of Knowledge. 
Pi — on oak/ 1,25 h. by 0,985 w. — first catalogued in 1835. 

MASSyS, STUDIO OF QUINTEN MASSyS <i466 to «53o>. 
Bargaining over a fowl. Perhaps by his son Jan Massys. 



21 c — on oak / 0,85 h. by >,i5 w. 
Prague. 



acquired in 1749 from the Imperial Gallery at 



GOSSAERT. copy FROM JAN GOSSAERT, called MA= 

BUSE <about 1470 to 1533), 

A Mother with her Child, Half-length. The same composition is 

found in several collections. 

P3 — - on oak,- 0,435 h. by 0,33 w. — acquired in 1874 from Captain von Schleinitz. 



XV. AND XVL CENTURIES 



93 



Sec Appendix. 805 A 

BLES, HERRI MET DE, in Italy called CIVETTA from his sign, 
a screedi owl. Born at Bouvignes or Dinant about 1480,- died to- 
wards the middle of the XVI. Century in Italy as is supposed. Deve= 
loped his style under the influence of Patinir. 

Apes plundering the wares of a pedlar who is lying asleep under a 806 

tree. Signed with the owl. 
P7 — on oak,- 0,595 h. by 0,855 w. — inventory of 1722. 

FLEMISH MASTER OF THE END OF THE XV. CEN- 
TURY, called THE MASTER OF THE DRESDEN TRIPTY- 
CHON. 

Altar-piece in three divisions. A Triptydi, In the centre: The 806 A 

Adoration of the Kings. Left wing : The Adoration of the diildren. 
Right wing: The Presentation in the Temple. 

P 2 — on oak/ tA3J5 h., the middle picture 0,71 w., side pictures eadi 0,315 -w. — 
assigned to the Gallery in 1857 by King John on the demise of Princess Louise of 
Saxony. 

FLEMISH SCHOOL about 1491. 

Portrait of Albert the Courageous, Duke of Saxony. Bust-length, 806B 

Probably painted in 1491 in Medilin where Albert received the insignia 

of the Golden Fleece. 

02 — on oak/ 0,28 h. by 0,195 w. — first catalogued in 1835 <in 1741 it was still in 
the Kunstkammer). 

FLEMISH <?) SCHOOL about 1500. 

Two Wings of an Altar-piece, Probably by the so-called "Master of 807—808 

Frankfort". 

The Wing of an Altar-piece with the Donor and S. Andrew. Left 807 

wing of a lost centre picture to whidi No. 808 belonged as a right wing. 

03 — on canvas (formerly on wood>; 0,75 h. by 0,245 w. — passed in 1698 to the 
Kunstkammer and thence to the Gallery, but not until after 1741. 

The Wing of an Altar-piece with S. Elizabeth. 808 

O 3 — on canvas (formerly on wood) / 0,76 h. by 0,245 w. — passed in 1698 to the 
Kunstkammer and thence to the Gallery, but not until after 1741. 

MASTER OF THE DEATH OF THE VIRGIN M ARy. 
Probably JOOS VAN CLEVE THE ELDER, bom at Cleves or 
Antwerp about 1485,- died at Antwerp 1525, 

The lesser Adoration of the Magi. 809 

21 c — on oak; i,io h. by 0,705 w. — first catalogued in 1812. 

The greater Adoration of the Magi, 809 A 

Li — on oak/ 2,51 h. by 1,85 w. — in the Guaricnti inventory described as a DQrer 
(according to tradition presented to King Augustus III by Fieldmarshall Graf Sdiulen- 
burg, who is said to have saved the picture from destruction by fire at the siege of 
Genoa, when it is supposed to have been in the diurdi of S. Luca d'Erba>. 



94 FLEMISH PAINTERS OF THE 



809 B Portrait of a beardless Man, Half-length, 

21 b — on oak/ 0,425 h. by 0,305 w. — inventory of 1722. 

ORLEy, BERNAERT VAN. Born at Brussels about 1495,- died 
there Jan. t''^ 1542. Formed his style in Italy under Raphael's influence. 

810 Mary and Joseph kneeling before the Child. Probably not by Orley 
but by a relative of the "Master of the death of the Virgin Mary", 

21a — on oak/ 0,87 h. by 0,855 w. — acquired in 1875 from Baroness Dimsdale in 
London. 

811 Portrait of a Man in a blade cap, Bust«Iength, The date 1527 <i522?> 
is on the scrip. 
21c — on oak/ 0,375 h. by 0,29 w, — inventory of 1722. 

MARINUS VAN REyMERSWAELE <also called van Zeeuw>. 
Born in Zeeland in Holland. Flourished between 1521 and 1566. Style 
of Quinten Massys. 

812 The Money^dianger and his Wife. Half-length. Signed: Marinus 
me fecit anno 1541. 
21a — on' oak/ 0,935 h. by 1,115 w. — inventory of 1754, 

POURBUS. STyLE OF PIETER POURBUS <about 1510 to 
1584). 

813 Portrait of a Man with a brown beard. Signed: Aetatis 5ve 4o 
Anno 1548. Half-length. 
21a — on oak/ 0,795 h. by 0,57 w. — first catalogued in 1843. 

814 Portrait of a Man with a light brown beard. Bust-^length. Signed : Ao 
Aeta 4o 1552. 
21 a— on oak/ 0,58 h. by 0,505 w, — first catalogued in 1765, 

FLORIS. FRANS DE VRIENDT, called FLORIS. Born at 
Antwerp 1518 or 1519/ died there Oct. ist 1570, 

815 The Adoration of the Shepherds, Signed: TTT E7 IV. 
Q.1 — on oak/ 1,26 h, by 1,25 w, — Guaricnti inventory. 

816 The Emperor Vitellius. Bust=^length. Monogram : TTT. 

M 3 — on oak/ 0,45 h. by 0,35 \r. — acquired In 1741 from the Wallenstein Collection 
at Dux. 

817 A Girl laughing. Bust-^length, Monogram: 7*7* !F. 

M3 — on oak/ 0,45 h. by 0,345 w. — acquired in 1741 from the Wallenstein Collection 
at Dux. 

818 See Appendix, 



XV. AND XVL CENTURIES 



95 



BRUEGHEL THE ELDER, PIETER, called Bauern-Brueg- 

hel. Born at Breughel about 1525/ died at Brussels 1569. 

Peasants Brawling. Probably only a copy \iy the hand of P. Brueghel 

the younger or Jan Brueghel the Elder, 

P6 — on oak/ 0,71 h. by 1,00 w. — Guaricnti inventory. 



819 



The Preadiing of S. John the Baptist, Doubtless only a copy hy the 819A 

hand of P. Brueghel the Younger. 

Q.3 — on canvas / 1,105 h- t>y 1,645 '^- " acquired in 1738 through Rossi from Venice. 

BRUEGHEL. STYLE OF BRUEGHEL THE ELDER. 

Winter Landscape. 820 

20a — on oak/ circular/ 0,18 to diameter — probaWy inventoried in 1754. 

Maerten de Vos, see Appendix, 821 

BOL, HANS, Born at Medilin <Malines> Dec. i6th 15^3^^ buried at 

Amsterdam Nov. jo'ti 1593. 

Nine Landscapes in water colours in one frame. As early as 1587 822—830 

mention is made in the Kunstkammer inventory of "16 beautifully 

painted little panels" which had been acquired by the Elector Augustus, 

while in the inventory of 1640 as many as 25, and in that of 1741 even 

26, are mentioned. 

Fishermen jousting on the Weiher at the Hague. Signed : HBofl586. 822 

21 c — on parchment stretched on oak/ 0,125 h. by 0,58 w, — m the Kunstkammer in- 
ventory of 1587, 

Village Feast in front of the church and castle. 823 

21c — on parchment stretched on oak/ 0,14 h. by 0,21 w, — in the Kunstkammer in« 
ventory or 1587. 

A Town on an arm of the sea, 824 

21 c — on parchment stretched on oak / 0,14 h. by 0,255 w, — first mentioned for certato 
in the Kunstkammer inventory of 1640, 

The Castle Grounds in spring time. 825 

21 c — on parchment stretched on oak/ 0,13 h. by 0,20 w, — probably first mentioned in 
the Kunstkammer inventory of 1640,- 

Abraham and the three Angels, 826 

21c — on parchment stretched on oak/ 0,14 h. by 0,21 w, — first mentioned to the 
Kunstkammer inventory of 1640. 

Abigail before David. SxgnzA: Hans Bof 15S7- 827 

21 c — on parchment stretched on oak/ 0,14 h, by 0,215 w, — first mentioned in the 
Kunstkammer inventory of 1640, 

The Vision of Jacob's Ladder. 828 

21 c — on parchment stretched on oak/ 0,14 h. by 0,215 w. — in the Kunstkammer In- 
ventory of 1587. 



96 



FLEMISH PAINTERS OF THE 



829 

830 



Mclcager giving Atalanta the head of the boar. Signed : HBofJ58o. 

21 c — on parchfl 
vcntory of 1587. 



21 c — on parchment strctdied on oak/ 0,14 h. by o,ziy w. — in. the Kunstkammer In. 

3ft " 



831 



832 



833 

834 

835 

836 
837 

838 



Moses >jc7ith the daughters of Jethro at the well. 

2!C — on parchment stretdied on oak/ 0,14 h. by 0,215 w. — in the Kanstkammer in- 
ventory of 1587. 

BEUKELAER, JOACHIM. Born at Antwerp about 1535/ was 

a member of S. Luke's Guild in 1560 and died towards the end of 1574. 

Pupil of Pieter Aertsen. 

The Four Evangelists. Monogram : ^B and 1567 

Pit — on oak/ 1,375 h. by 1,29 ■vr. — - inventory of 1722 <from the old Kunstkammer>. 

VALCKENBORCH, MAERTEN VAN. Born at MeAlin 

<MaHnes> 1542/ died after 1604. Younger brother of Lucas van 

Valckenbordi. 

The Tower of Babel. Signed : Martin van VaC(£enBorcB fecit et in" 

ventor MVV 1595. 

P4 — on oak/ 0,755 h. by 1/355 "^^ ~ acquired in 1699 through Samuel Bottsdtlld 

passed in 1700 to the Kunstkammer and after 1741 to this Gallery. 

POURBUS THE ELDER, FRANS. Bom at Bruges 1545, died 

at Antwerp Sept, ip^^* 1581. Pupil of his father Pieter and of Frans 

Floris. 

Portrait of a Lady with a little dog in her arms. Signed : 1568 TP. 

Three-quarter length. 

2ta — on oak/ 0,79 h. by 0,545 v- " acquired in 1742 through Riedel from Prague. 

POURBUS. STYLE OF FRANS POURBUS THE ELDER. 
Portrait of a Lady in a white cap. Three=quarter length. 
21 b — on oak/ 0,69 h, by 0,545 w. — taken from the Kunstkammer in 1707. 

POURBUS. STYLE OF POURBUS. 
Portrait of a Warrior in armour. Half-length. 

Pii — on canvas; 0,95 h. 0,735 w, — acquired from Madrid in 1855 through therSaxon 
Minister at the Spanish Court, von Koenneritz. 

Portrait of a Man with red hair. Bust-Iength. 

P5 — on oak/ 0,415 h. by 0,34 w. — acquired from the Steinla Collection in 1857. 

Portrait of a Woman in a white cap. Bust=length. 

P5 — on oak/ 0,465 h..by 0,345 w. — acquired from the Steinla Collection in 1857. 

FLEMISH SCHOOL OF THE XVI. CENTURY- 
Portrait of a Man in a fur cloak. Bust-length, 
P 4 — on oak 0,41 h. by 0,3 w. — inventory of 1722, 




Antoine Watteau 



XV. AND XVI. CENTURIES 



97 



Portrait of a learned Man, HalWength. 838 A 

O 3 — on canvas ; 0,74 h. by 0,58 — first appears in the catalogue of 1882. 

See Appendix. 838 B 

Portrait of Philip the Handsome of Burgundy. Half-length. Com- 838 C 

panion picture to No. 838 D. 

Store-rooms — on oak/ 0,315 h. by 0,20 w. — acquired in 1856 from the Ungern- 1 
Sternberg Collection. 

Portrait of Joan the Mad, Consort of Philip the Handsome. Half- 838D 

length. 

Store* rooms — on oak; 0,52 h. by 0,20 w. — acquired in the same manner as the I 
preceding. 



DUTCH SCHOOL 



ISENBRANT, ADRIAEN. Master of the Painter's Guild at 

Bruges ini5io,died there July 1551. Painted in the style of Gerrad David. 

S. Mary Magdalene. Half-length. The picture belongs to the group j 839 

of paintings whidi Waagen traces back to Jan Mostaert. 

21b — on oak/ 0,345 h. by 0,245 -w. — first appears in the catalogue of 1843. ' 

DUTCH SCHOOL anterior to 1500. 

The Holy Family in a room, with Joadiim and Anna. 840 

21 a — on oak ,• 0,655 h. by 0,48 w. — Guarienti inventory. 

An Altar-piece with side pictures. Centre picture: The taking of I 841 
Christ. Left wing: inside. Angel with the instruments of the Passion,- 

outside, S. Catherine. Right wing: inside, Angelwith the instruments : 

of the Passion,- outside, S. Barbara. The outside of the wings painted j 

in the XVI. Century, evidently in Wittenberg. I 

P2 — on oak/ 1,73 h., the middle picture 1,11 w., the wings 048 w. — acquired throuijh I 
Bottsdiild for the Kunstkammer in 1687 from the "SdiloOkirAe" at Wittenberg, where 
it can be proved to have been since 1604/ passed to the Gallery in 1733. The wings, 
whidi had been sold in the XVIII. Century, were restored to the Gallery by exdiange 
in 1876 from the "Gothic House" at W6rlit2. 

DUTCH MASTER about 1500. j 

PortraitofaManwiththreearrows. Bust-length. Monogram: AT/,. 842 

Qi — on oak/ 0,36 h. by 0,305 w. — passed to the Kunstkammer in 1676 and to the ' 
Gallery after 1741. 

ENGELBRECHTSEN, CORNELIS. Supposed to have been 

bom in 1468 at Leyden/ died there 1533. One of his pupils was Lucas 

van Leyden. 

The Temptation of S. Antony. 843 

21a — on oak/ circular/ 0,245 in diameter — first appears in catalogue of 1817. : 



9S \ FLEMISH AND DUTCH PAINTERS 



-M 



SCOREL, JAN VAN. Born at Sdioorl near Alkmaar Aug. i st 
1495/ d'cd 3t Utredit Dec. 6^'^ 1562. 

844 David and Goliath, Painted about 1538. 

Q.5 — on oak/ ifiS^ h. by 1,555 w. — inventory of 1722. 

AERTSEN, STYLE OF PIETER AERTSEN {1507 or 1508 to 

i575>- 

845 The Saviour bearing His Cross. Perhaps by Gillis Mostaert. 
Pi — on oak; 0,86 h. by 1,595 w. — inventory of 1754. 

DUTCH MASTER of the year 1548. 

846 Portrait of a Lady in a white cap. Half-length. Signed : Aetatis 41 
and Ao 1548. 

N 1 — on oak / 0,80 h. by 0,60 w. — acquired in 1741 from the Wallcnstein Collection 
at Dux. 

MOR <MORO>, ANTONIS. Bom atUtreAt, apparently in 1512/ 
died at Antwerp between 1576 and 1578. Pupil of Jan van Scorel. 

847 Portrait of a Canon of Utredit. Bust^length. Early work of the 
artist while under the influence of his master Scorel. 
21b — on oak/ 0,345 b. by 0,29 w, — inventory of 1754, 

847 A A Man in a white silk jerkin and black coat. Half^ength. Dated: 
1557. 
J 1 — on canvas (afterwards anadied'to oak)/ 1,10 h. by 0,78 w. — inventory of 1754. 

848 Portrait of a fair bearded Man in a fur coat and bladt cap, Half=length, 
In the artist's later style, 
21 b — on oak/ 0,73 h. by 0,545 w. — Guarienti inventory. 

DUTCH MASTER of the year 1563. 

849 Portrait of two diildren. Dated : Atto . 1563. In the style of Antonis 
Mor. 

P 1 — on oak / 1,20 h. by 0,88 w. — acquired in 1727 throu3h Leplat. 

CORNELIS CORNELISZ. VAN HAARLEM, Bom at 

Haarlem 1562,- died there Nov. 11th 1638. Pupil of Pieter Pietersz. in 
Amsterdam and of Gillis Coignet in Antwerp. 

850 V A Woman between two men at a table. Half=length. Signed: Ao , 
V 1594 C. C.H. 

^ ^.0.2 — on canvas/ 0,705 h. by 0,865 w. — acquired in 1741 from the Wallenstein CoU 
lection at Dux. 

851 \ '^ Venus, Bacdius and Ceres. Signed: CH . 1614. 

^ ^.L2 — on canvas/ 1,54 h. by 1,84 w, — acquired in 1723 from the Countess Wrzowecz 
I at Prague. 



OF THE XV. AND XVI. CENTURIES 99 



CORNELIS. STYLE OF CORNELIS CORNELISZ. VAN 

HAARLEM. 

Adam and Eve under the Tree of Knowledge. 

17 a — on coppo"/ 0,14 h. by 0,10 w. — passed in 1700 to the Kunstkammer, where it 

still was in 1741. 

See Appendix. 

UTENWAEL. <UITENWAEL>, JOACHIM ANTONLSZ. 

Born at Utredit 1566/ died there Aug. 13th 1638. 

Apollo with the Muses, Minerva and Pegasus, on Mount Parnassus. 

Signed: JoaSim Vtenwaef 1594. 

21 c — on copper/ 0,155 h. by 0,205 '«'• — first nienttoned iir catalogne of 1835. , 



852 
853 

854 



IX 

FLEMISH SCHOOLS 

OF THE 

XVII. CENTURY 



lo2 



FLEMISH PAINTERS 



THE MASTERS 
OF THE TRANSITION PERIOD 



FRANCKEN <FRANCK> I, HIERONyWUS. Bom at 
Heerenthals 1540/ was "Peintre du roi" when he died in Paris 
May ist 1610. Pupil of Frans Floris in Antwerp. 

855 The Beheading of S. John the Baptist. Signed : HT : Ao I609. 
P3 — on copper; 0,385 h. by 0,335 w. — first found in catalogue of 1835. 

FRANCKEN <FRANCK> I, FRANS. Born at Heerenthals 
in the autumn of 1542,- died at Antwerp Oct, 3«"<l 1616. Brother of 
Hieronymus Francken and pupil of Frans Floris in Antwerp. 

856 Christ on the way to Golgotha. Signed: Do TTran(6 inventor et 
fecit Ao 1597. 

P 3 — on oak/ 0,605 h. by 0,89 w. — first found in catalogue of 1843. 

CONINXLOO, GILLIS VAN. Born at Antwerp Jan. 24* 1544, 
buried at Amsterdam Jan. 4^^ 1607. Pupil of Gillis Mostacrt. 

857 Landscape with the Judgment of Midas. The figures by another hand. 
Signed with the monogram of Coninxloo and 1588. 
P p — on oak ,- 1,20 h. by 2,04 w. — inventory of 1722 (taken from the Kunstkammer, 
■where it can be proved to have been as early as rjcfft. 



\ 



BRILL <BRIL>, PAULVS. Born at Antwerp 1554/ died at Rome 
Oct. 7'h 1626. Pupil of Damiaen Ortelmans at Antwerp. 

858 Landscape with Roman ruins. Signed: P Brif I600. Companion 
picture to No. 859. 
21 b — on copper ; 0,215 h. by 0,295 w. — acquired in 1742 through de Brats from Paris. 

859 An Italian Valley. 
21 b — on copper/ 0,225 h. by 0,305 w. — acquired as the preceding, 

860 Mountainous Landscape with a wooden bridge over the river. Signed : 
PBrif. I608 and with a pair of spectacles on the sign=board of the inn. 

P 8 — on linden / 0,635 h. by i/)65 w. — passed to the Gallery in 1856 (probably the 
picture which was in the Kunstkammer in 1741). 

861 Wooded Landscape with Tobias and the Angel. Signed: Pavofo 
Brim 1624. 

0,3 — on canvas/ 0,765 h. by 1/315 "'■ "" acquired in 1742 through de Brais from the 
Dubreuil Collection in Paris. 

BRILL <?>. SCHOOL OF THE BRILL BROTHERS, 

862 Wooded Landscape with Diana and Actaeon. More likely to be by 
a South German artist in the style of Johann Konig. 
0,2 — on copper/ 0,27 h, by 0,34 w. — taken from the store-rooms in 1861. 



OF THE XVIL CENTURY 



Io3 



Sec Appendix. 863 

BRILL. SCHOOL OF PAULVS BRILL. 

Wooded Landscape, with the Repose during the Flight. 864 

Qt — on copper/ 0,235 ^- t>y 0,31 w. — acquired for the Kunstkammcr from the 
collection of the Court architect Johann Maria Nosseni on his death in i62i. 

A Castle amid wooded mountains. 865 

Q3 — on copper/ 0,20 h. by 0,28 w. — taken from the store-=rooras in 1856. 

Roman Landscape with ruins. Signed indistinctly : , . , 1626 <?>. 866 

0,3 — on canvas/ 0,74 h. by 0,98 w. — first appears in catalogue of 1848. 

Wooded Landscape with a river. 867 

Store-rooms — on canvas / 0,605 h- by 0,765 w. — inventory of 1754. 

MOMPER, JOOS <JODOCUS> DE. Born at Antwerp 1564,- died 
there early in 1635. Pupil of his father Bartholomeus. The figures in 
his landscapes are often by Jan Brueghel the Elder. 

Mountainous Landscape with a waterfall and a bridge. Signed : 1 . 868 

D.M.Q) 

20 a — on oak/ 0,495 h. by 0,93 w. — acquired in 1742 through Riedel from Prague. 

Mountainous Landscape with a watermill. Companion picture to 869 

No. 870. 

20 c — on oak ; 0,53 h. by 0,715 w. — inventory of 1754, 

Mountainous Landscape with broken pine=trunks in the stream. 870 

20 c — on oak; 0,53 h. by 0,715 w. — inventory of 1754. 

Landscape with a road with figures, at the foot of a slope. 871 

0,2 — on oak/ 0,445 b. by 0,64 w. — inventory of 1754. 

Mountainous Landscape with four horsemen and two beggars. Com- 872 

panion picture to No. 873. 

Pi — on oak/ 0,385 h. by 0,555 w. — acquired at the Leipsic Fair in 1722. 

Landscape. Valley with a rainbow. 873 

Q3 — on oak; 0,385 h. by 0,555 w. — acquired as the preceding. 

A Town in a Valley. 874 

P8 — on oak/ 0,85 h. by 1,25 w. — acquired in 1875 from M. La Vierc. 

Winter Landscape. 875 

19c — on oak/ 0,485 h. by 0,66 w, — inventory of 1754 (supposed to have been 
acquired in 1708 from Lemmers of Antwerp>. 



lo4 



FLEMISH PAINTERS 



BRUEGHEL THE ELDER, JAN. Called "Velvet Brueghd" 
<de Velours). Born at Brussels 1568,- died at Antwerp Jan. 12* 1625. 
Son of Peter Brueghel the Elder and brother of Peter Brueghel the 
younger. 

877 Juno in the Nether World, Signed: BruegSef 1592 <or 1598). 

20c — on copper; 0,255 h. by 0,355 w. — inventory of 1722. 

878 The Temptation of S. Anthony, Signed: BruegSef 16o4. 

20 c — on copper/ 0,255 h, by 0,35 w, — Guarienti inventory, 

879 A Hill and River Landscape with fishers. Signed : BrvegBef 16o4. 

21 b — on oak ; 0,355 h, by 0,645 w, — acquired in jyio through Rascfake from Jak. dc 
Wit at Antwerp. 

880 A Round Tower by the sea shore. Signed : BruegSef 16o5- 
Stolen in 1905 — on copper/ 0,085 h. by 0,12 — supposed to have been in the inven* 
tory of 1722. 

881 Landscape, with a man shooting bitterns. SxgntA: BrvegBef 16o5- 
20 b — on oak/ 0,42 h, by 0,7(5 ■*■• ~ acquired in 1708 from Lemmers at Antwerp. 

882 Country road under high trees, with figures upon it. Signed : BrvegBef 
16o5. 

19a — on copper/ 0,20 h, by 0,29 w. — acquired in 1708 from Lemmers at Antwerp, 

883 Landscape on the coast, with the calling of SS, Peter and Andrew, 
Signed: BrvegBef I608. 

P6 — on copper/ 0,50 h. by 0,66 w, — inventory of 1722 <taken from the Kunst» 
kammer). 

884 Wooded river Landscape with wood^cutters. SignzA: BrvegBef I608. 
P 5 — on oak/ 0,47 h. by 0,455 w. — acquired in 1708 from Lemmers at Antwerp. 

885 River Landscape with the skeleton of a horse. Signed : BrvegBef I608. 
19a — on copper/ 0,175 h- hy 0,23 w. — inventory of 1722. 

886 Flat Country with Windmills, Signed : BrvegBef 1611. 
21 b — on oak/ 0,265 h. by 0,375 w, — acquired in 1708 from Lemmers at Antwerp, 

887 Village Street overlooked Wf a diurdi tower. Signed : BrvegBef 1611. 
21 b — on copper / 0,24 h, by 0,355 w, — acquired in 1710 from Jak, d eWit at Antwerp, 

888 Dutd) Canal with a village and diurch. Signed : BrvegBef 1612. 
Pit — on oak/ 0,37 h, by 0,615 w, — acquired in 1710 from Jak, de Wit at Antwerp, 

889 A Windmill in a village on the river, 

21b — on copper/ 0,25 h, by 0,35 w. — inventory of 1722. 

890 Road with figures on a wooded height, 
20 b — on oak / 0,42 h. by 0,66 w. — Guarienti inventory. 



OF THE XVIL CENTURY 



lo5 



Road through a wood with a wood^^cutter, 891 

21 a — on copper/ 0,20 h. by 0,25 w. — inventory of 1722. 

A Windmill on a slight eminence. 892 

20 c — on oak/ 0,305 h. by 0,22 w. — inventory of 1722. 

Houses washed by the water, trees in the foreground. Companion 893 

picture to No. 894. 

17 a — on copper/ 0,135 h. by 0,19 w. — inventory of 1722 <acquired from Italy through 
the Electoral rrince>. 

A Chapel under the trees. 894 

17a — on copper/ 0,135 h. by 0,19 w. — inventory of 1722 <acquired in the same 
way as the picture No. 893). 

A Ford at a stream. 895 

21b — on oak; 0,36 h. by 0,565 'sr. — acquired in 1723 from the Wrzowecz Collection 
at Prague. 

A Landing-place in a village with a diurdi. 896 

19 b — on oak / 0^17 h. by 0,86 w. — Guarienti inventory. 

The Battle between the Israelites and the Amalekites. 897 

P5 — on oak/ 0,405 h. by 0,615 w. — first appears in the catalogue ofi8i7,birt doubtless 
identical with the picture called "Moses and Aaron" in the "Spezification" of 1707. 

Copys, see Appendix. 900—905 

BRUEGHEL THE yOUNGER, JAN. Baptised at Antwerp 

Sept. i3i'» 1601/ died there Sept. i^t 1678. Son and pupil of Jan Brueghel 

the Elder, whose style he followed. 

In front of the Village Inn. Signed : BrvegBef 1641. 906 

20a — on oak/ circular/ 0,185 in diameter — inventory of 1722. 

Hillv Landscape with Woods. ^x^ntA: BrvegBef 1642. On the back 907 
of the copper plate a view of a town is engraved. 
2jb — on copper/ 0,245 h. by 0,34 w. — inventory of 1722. 

A Tower near the Sea. Signed: BrvegBef 1642. 908 

P6 — on oak/ 0,44 h. by 0,765 w. — inventory of 1722. 

A Sea-port. 909 

P 1 — on oak / 0,37 h. by 0,53 w. — inventory of 1722. 

BRUEGHEL. PUPILS AND STYLE OF JAN BRUEGHEL 

THE ELDER. 

Houses by the Waterside. 909 A 

19a — on copper/ 0,175 by 0,25 w. — inventory of 1722. 

Group of Trees in front of a village. 909B 

Pi — on oak/ drcular/ 0,23 in diameter — inventory of 1722. 



lo6 



FLEMISH PAINTERS 



910 



911-913 



914 



915 



916 



917 
918 



919 



920 



922 



921 . Olymp 

-fAfPi-on 
\ In i707>. 



A Village on the banks of a canal. 

0,3 — on copper; 0,32 h. by o^ w. — taken from the store-rooms in 1861. 

See Appendix. 

Ruins of a Temple by the sea-^side. On the bade of the copper plate 
is the name of the copper engraver Peeter Stas. 

Pi — on copper/ 0,165 h. by 0,215 w. — inventory of 1722. 

The Holy Family, surrounded by a wreath of flowers. The figures 
perhaps by Frans Frandten II, the flowers doubtless hy JanvanKesse!, 

P 11 — on copper/ 0,515 h. by 0,38 w. — inventory of 1722. 

SCHOUBROECK, PEETER. Son of the Flemish Protestant 
Minister Niklas Sdioubroedi, who from 1586 worked in Frankental. 
Pupil of Gillis van Coninxloo in F^rankental, where he died before 
1608. Pictures dated between 1597 and 1605. 
The Battle of the Amazons, Signed ; Pe . Sdj . . TrankentaC. 16o3 .T. 

Q.1 — on copper/ 0,77 h. by 1,485 w. —acquired in 1743 from theCarignan Collection 
in Paris. 

SCHOUBROECK. STyLE OF PEETER SCHOUBROECK. 
See Appendix. 

Lot and his Daughters near Sodom and Gomorrha. Dated : J6o2. 

19a — on copper/ 0,195 h- by 0,235 w. — inventory of 1722. 

BALEN THE ELDER, HENDRIK VAN, Born at Antwerp 

1575/ died there July 17th 1632. Pupil of Adam van Noort. 

The Nuptial Feast of Bacdius and Ariadne. Signed: H .V . Bafen. 

Pi — on copper; 0,365 ti. by 0,515 w. — inventory of 1722 <taken from the Kunst» 
kammcr in 1707). 

The Nuptial Feast of Peleus and Thetis. Signed: H . v Baef I608. 
P 1 — on copper/ 0445 h. by 0,615 w. — inventory of 1722. 

Olympian Banquet of the Gods. 

on copper/ 0,42 h. by 0,61 w. — inventory of I722<taken from the Kunstkammer 



>^L Pi 



Nymphs and Children under fruit trees. 



on copper/ 0,485 h. by 0,655 — Guaricnti inventory. 



924 Four Children representing the four elements. 
20a — on copper/ 0,215 h. by o,i7w. — acquired in 1741 from theWalienstcin CoU 
lection at Dux. 

925 ,. Diana and her Nymphs watdied by Satyrs. The landscape and stilU 
^' life by Jan Brueghel the Elder. 

I P 1 — on copper; 0,46 h. by o/h \r. — inventory of 1722. 



OF THE XVII. CENTURY 



107 



The Goddess of the Earth in a luxuriant landscape. The landscape 927 

from the SAool of Brueghel. 

P 7 — on oak/ 0,56 h. by 0,935 w. — first catalogued in 1817. 

BALEN. ATTRIBUTED TO HENDRIK VAN BALEN THE 

ELDER. 

See Appendix. 928 

The youthful Jesus, gazing at the Cross. 928 A 

20a — on copper,- 0,215 h. by 0,265 w. — inventory of 1722. 

The Goddess Flora. The landscape is probably by a painter in the 928 B 

style of Jan Brueghel the Elder <A. Govaerts?), the figures perhaps 

hy H. the Clerdt. 

Store-Brooms — on oak/ 0,515 h. by 0,665 w. — Guarienti inventory. 

SAVERy, ROELANT. Bom at Courtrai 1576,- died at Utredjt 

Feb. 25th 1639. Pupil of his elder brother Jacob. 

A Boar Hunt. Signed: R . Savery Te . I6I0. 929 

P 3 — on oak/ 0,25 h. by 0,345 w- "" Gotter invctitory (before 1736). 

A Castle in the woods. Signed: R . Savery Te . 1614. 930 

P 7 — on oak/ 0,53 h. by 1^37 w. — inventory of 1722. 

Ruins of a tower, near a sheet of water with wild fowl. Signed: 931 

Roefaent Saverey Te. 1618. 

Pii — on oak; 0,195 h. by 0,42 w. — Guarienti inventory. 

The Animals in front of Noah's Ark. Signed : Roefandt Savery Te. 932 

162o. 

18 c — on oak/ 0,82 li. by 1,37 w. — inventory of 1754 <on the back is a label with the 

inscription : "Geschondcen von Vorst Christian von Braunswyck" (presented by 

Prince Christian of Brunswick). 

Mountain Stream between rodss and pine trees. Signed : Roefandt 933 

Savery Tz 162o. 

19b — on oak/ 0455 h. by 0,825 w. — inventory of 1754. 

The Animal Kingdom after the Flood. Signed : Roe font Savery Te 934 

1625. 

20a — on oak; 0,53 h. by 0,98 w. — Cotter inventcjry (before 1756). 

Sec Appendix. " 935 

WILLARTS, ADAM. Born at Antwerp 1577,- died at Utredit 
April 4* 1664. 

Dutdi Ships in a rocky inlet. Signed : A . WiOartsf . 162o. 936 

20 a — on oak/ 0,62 h. by j/>4 w. — inventory of 1754. 



lo8 



FLEMISH PAINTERS 



VINCKEBOONS, DAVID. Baptised at MeAlin Aug. i3«h 1576/ 
died at Amsterdam 1629. Pupil of his father Philips. 

937 Village Festival under the trees. 
P7 — on oak/ 0,52 h. by 0,915 w. —• first catalogued in 1817. 

938 Distribution of Alms through the window of a monastery. 
P 5 — on oak/ 0,29 h. by 0,455 w- ~ inventory of 1722. 

939 Wooded mountainous Landscape with the Return of Tobias. 
0,3 — on canvas/ 1/375 h. by 1,76 w. — acqtiired through Leplat in 1731. 

STALBEMT, ADRIAEN VAN. Bom at Antwerp June 12* 
1580,- died there Sept. 2it*» 1662. 

940 Feast of the Gods in the Woods. Signed : A V. StafBemt TAo 1622. 

0,2 — on oak; 0,51 h. by 0^05 w. — inventory of 1754. 

941 The Judgment of Midas. 

P J — on walnut/ 0,37 h. by 0,57 w. — inventory of 1722. 

JORDAENS <JOERDANS>, HANS. Either Hans jordaens I, 
Master of the Antwerp Guild 1581,- died at Delft about 1613,- or Hans 
Jordaens II, born at Antwerp 1581,- died there 1653. 

942 \ Men, Women and an Ape at a Meal. Signed : HJoerdaens. 

P7 — on oak/ 0,165 h. by 0,275 w. — acquired from the Steinia Collection in 1857. 

FRANCKEN <FRANCK> II,FRANS. Bom at Antwerp May 
z^^ 1581 ,• died there May 6»h 1642. Son and pupil of Frans Francken 1. 
In contradistinction to his son, Frans Frandien III <i6o7— 1666>, was 
subsequently called Frans Frandien the Elder. 

943 The Flight into Egypt. Signed: 7*. ?r<7«af^//, 
P8 — on copper/ 0,485 h. by 0445 w. — inventory of 1754. 

944 The Unjust Judge with allegorical figures of "Power", "Envy", "Slan- 
der" etc. Signed: TTraticA . T . in. 
Pi — on oak; 0,55 h. by 0,765 w. — inventory of 1722. 

944 A The Queen of Heaven, surrounded hy a wreath of flowers. The 
flowers probably by Jan van Kessel. 
P 11 — on oak; 0,655 h. by 0,52 w, — Guarienti inventory. 

944B The Woman taken in adultery, before Christ. Indistinctly signed: 

P JO — on copper/ 0,355 h. by 0,285 w. — inventory of 1722. 

945 The Creation of Eve. The animals and the landscape by one of the 
pupils of Jan Brueghel the Elder. 

P3 — on oak/ 0,555 h. by 0,81 w. — acquired in 1741 from the Wallenstein Collection 
at Prague. 



OF THE XVII. CENTURY 



Io9 



FRANCKEN THE yOUNGER <?>, FRANS. 

The Creation of animals. The animals belo'O' on the right in the stvfe 
of Jan Brueghel the Elder,- the rest, all round the picture, is painted at 
a later date by a weaker hand, to make it a companion picture to the 
preceding. 



P 3 — on oak; 0,535 h. by 0,805 w. 
atDox. 

Vrancx, sec Appendix. 



■ acquired in 1741 from the Wallenstein Collection 



FLEMISH SCHOOL OF THE XVII, CENTURy. 

Christ and St. Peter on the water. 

0,1 — on copper/ 0,28 h. by 0,245 '^- -~ inventory of 1722. 

Christ bearing his Cross. In the style of Frandcen, 
P 1 — on copper/ 0,165 ^ by 0,135 w. — inventory of 1722. 

The Temptation of S. Anthony. Copy from an old wood engraving, 
for whidi Hieronymus Bosch is supposed to have made the drawing. 
P 3 — on oak/ 0,275 h. by 0,37 \c. — inventory of 1722. 

Rodcy Landscape. 

P 11 — on oak; 0,335 h. by 0465 w. — from the store-rooms in 1855. 

Robbers in a forest. According to some authorities by Seb, Vrancx 
<Antwerp, 1573—1647). 

P 6 — on oak/ 0,415 h. by 0,62 w. — acquired from Prague through Riedel in 1742. 



946 

949 

950 
951 
952 

953 

954 



ANTWERP SCHOOL 



RUBENS, PETRUS PAULUS. Born at Siegen or Cologne June 
28th 1577,- died at Antwerp May 30th 1640, Pupil of Tobias Verhaegt, 
of Adam van Noort and or Otho van Veen in Antwerp. Was in Italy 
from 1600 until 1608. One of the most distinguished artists of the 
Antwerp Sdiool. 

In his work Rubens used to avail himself to a very great extent of the assistance of 
his pupils, and the line between his own work and that done in his studio is therefore 
more difficult to draw than in the case of any other master. The first group of the 
following pictures contains those works whidi we consider entirely or principally by 
the master's own hand; in a second group we place those works wnich we must 
attribute to the studio of the master, anain which some assistance by the master's own 
hand is not impossible; in the third and fourth groups arc the copies by other hands 
or the works of pupils. 

St. Jerome. Signed: P . P . R. Painted about 1612. 

H 3 — on canvas / 2,36 h. by 1,63 w, — acquired in 1746 from the Ducal Gallerjr at 
Modena. 



955 



llo 






FLEMISH PAINTERS 



956 The Champion of Virtue <Mars> crowned \iy the Goddess of Victory. 
.Painted about 1614/ perhaps for Vincenzo Gonzaga, Duke of Mantua. 

Hi — on canvas/ 2,03 h. by 2,22 w. — G.-W. II, 44 — acquired in 174'5. 

Hercules Drunk, being led away by a nymph and a satyr. Also painted 

about 1614 and perhaps too for the Duke of Mantua. 

Hi — on canvas; '2/34 h. by 2,04 w. — acquired from Mantua through Rossi in 174'j. 

957 A - Satyrs and Girls with a basket of fruit. A similar picture in the Sdion-' 
born Gallery, Vienna. 
H3 — on oak — 1,055 h. by 0,74 w. — acquired through Rossi in 1738. 

958 \ An Old Woman with a diafing^dish. Three-quarter length. Painted 
I from about 1615 to 1620. Sawn out of the Brussels picture No. 413, 

where it was replaced by an insertion by another hand , and worked 
up into a representation of Vulcan's Forge. A copy of the picture 
in its original form, representing Venus accompanied by nymphs 
taking refuge in a grotto <'''sine Baccho et Cerere friget Venus"), is 
in the Hague Museum. 
H 3 — on oak / 1,16 h. by 0,92 w. — G.«W. I, 49 — Guarienti inventory. 

958 A See page iti. 

960 I Portrait of a Gentleman standing by a table. Three = quarter length. 
[ By some connoisseurs attributed to A. van Dydt (about 1619). 
I J 1 — on oak; 1,03 h. by 0,725 w, — inventory of 1754. 

962 A Boar Hunt. About 1615 to 1620. 

L2 — on oak; 1,37 h. by 1,685 w. — acquired in 1749 from the Imperial Gallery at 
Prague, for which it had been purdiased in 1648 by the Ardiduke Leopold Wilheira at 
the sale by auction of the Duke of Buckingham's Collection at Antwerp. The Duke of 
Buckingham had purdiased it from Rubens himself with others of his works. 

962 At Diana returning from the diasc. The animals and fruit by F.Snyders. 

Hi — on canvas / 1,365 h. by 1,82 w. — acquired from Antwerp through Rasdike in 1710. 

\\ 

962B»; JPie Judgment of Paris. A small studio replica after the picture in 
Jyf^he National Gallery in London (painted about 1635). 

IX^ob — on oak; 0,49 h. by 0,63 w. — acquired from the Briihl Collection <formerly in 
I Tte Ridielieu Gallery). 

rgus and Mercury. Artist's later period. 

2 — on oak/ 0,63 h. by 0,875 '«'■ ■" acquired from Paris through de Brais in 1742. 

rtrait of an Old Bishop. Bust = length. Signed: PPR 1634 f 
(genuineness doubtful). 

H4 — on oak; 0,595 h. by 0,525 w. — inventory of 1722. 

964A'\jPortrait of a Woman with fair plaited hair. Bust=length. About 1620 
^,„JC\o 1625. 

H 4 — on oak ; 0,64 h. by 0,495 w. — acquired about 1747. 




OF THE XVII. CENTURY 



/// 



965 



967 



"Qnos Ego!" Neptune stilling the Waves (Virgil Aen, I>. From 964B 

the triumphal arch erected in 1635 under Rubens' direction for the 
reception of the Cardinal^Infante Ferdinand at the George Bridge at 
Antwerp, In the background is represented the passage of the Prince* 
Cardinal's fleet from Barcelona to Genoa. 

Hi — on canvas/i,26h. by 3.845 w. — acquired through Graf Briihl in 1742 / formerly 
in the dc la Fage Collection, Paris <i73i> and still earlier in the Richelieu Collection. 

Bathsheba at the fountain receiving David's letter. The artist's laterli 
style. t*l]fe 

H 4 — on oak ,■ 1,75 h. by 1,26 w. — acquired from Paris through Le Leu in 1749. 

St. Francis de Paula being appealed to for help by those stricken by 
the plague. Sketch by the artist's own hand <about 1620) with later 
additions. 

M 2 — on oak/ 0,645 h. by 0,73 w. — acquired in 1741 from the Wallenstein Collecnion 
at Dux. 

RUBENS. STUDIO OF PETRVS PAULVS RUBENS. 

A Lion Hunt. 972 

H 2 — on canvas ; 2,40 h. by 3,17 w. — acquired in 1742 through de Brais from the 
Carignan Gallery in Paris. 

Meleager giving to Atalanta the head of the slain boar. In the clouds 973 

is Eris, the goddess of Discord. About 1635. The original, which is 
almost wholly by Rubens himself, is in the Pinakothek in Munich. 
J 1 — on canvas / j^85 h. by i,2t w. — inventory of 1754. 

Satyr and a Tigress. About 1620. The original is in the possession | 974 

of Count Constantin de Bousies in Brussels. 

J 2 — on canvas / 2,23 h. by 148 w. — inventory of 1754 (presumably from Brussels). 



-f^ 



Diana returning from the Chase. FuIUlength. Copy from the studio 

picture in the Darmstadt Museum. 

T.»H. — on canvas / 2,20 h. by 2,365 w, — acquired in 1743 from Paris. 

Landscape with wild beasts. 

J 1 — on canvas / 2,005 h. by 3,695 w. — inventory of 1754. 

View of the Escurial in Spain. 

0,1 — on canvas ; 1,14 h. by 1,94 w. — acquired through Riedcl from Prague in 1742. 



Bacchus on a cask. The original is in St. Petersburg. 
J 4 — on oak/ 1,955 h- by ^M5 ▼• —' inventory of 1722. 



RUBENS. COPIES AFTER PETRVS PAULVS RUBENS 
The Last Judgement. Presumably a copy after a sketch by Rubens 
for the great picture in the Pinakothek in Munich. , 

M 3 — on oak/ 1,215 h. by 0,96 w. — inventory of 1754. 



~f 



980 



982 



983 



984 



958A 



112 



FLEMISH PAINTERS 



986 Sec Appendix. 

986 A Portrait of a fair young woman in a blade veil. Half»Iength. Original 
in the possession of Baron Gustav Roths<f)ild in Paris, 
J 2 — on canvas on oak / 0,765 h. by 0,60 w. — acquired through Riedel from Vienna 
in 1743- 

986B The two sons of Rubens, Albert and Nicolas. The original is in the 
\ ^^^ieditenftein Gallery in Vienna. 
•'■"a 1 — on oak ; 1,56 h. by 0,91 w. — G.«W. I, 50 — acquired through de Brais in 1742 
' . from the Dubreuil Collection in Paris. 

986C The Garden of Love. Original in the possession of Baron Edmund 
Rothsdiild in Paris. 

M 2 — on oak / 0,93 h. by 1,22 w. — acquired through de Brais in 1742 from the 
Carignan Collection in Paris. 

987 See Appendix. 

988 Portrait of the Ardiduke Albredit. Bust = length. Original (three- 
quarter length) in the Museum at Madrid. Companion picture to 
No. 989. 

50 b — on oak / 0,67 h. by 0,525 w. — acquired in 1723 from the Wrsowecz Collection 
at Prague. 

989 Portrait of the Infanta Isabella. Bust-length. Original (three-quarter 
length) in the Museum at Madrid. 
50b — on oak/ 0,655 h. by 0,525 w. — sec note on No. 988. 

990 The Triumph of Truth. After the design in the Museum at Madrid. 
The original composition was designed by Rubens for the Carmelite 
Monastery at Loedies in Spain. 
P 10 — on canvas; 0,58 h. by 0,80 w. — taken from the store-rooms in 1856. 

991 Venus and Adonis. This picture was repeatedly copied in the artist's 
studio. 

I P 10 — on oak 1 0,605 !»• by 0,83 w. — Guarienti inventory <from the Isolani Collec- 
tion at Bologna). 

992 The Rape of Proserpine. The original was destroyed by fire at Blen- 
I heim. 

Pio — on oak; 0,50 h. by 0,645 ■"• "" inventory of 1722. 

993 The Daughters of Cecrops opening the basket containing the little 
Eridithonius. Copy from a sketdi by the artist in the Stockholm 
Museum. The picture is in Belvoir Castle in England. 
0,3 — on oak/ 0,41 h. by 0,535 w. — bequeathed by the Art -dealer Schmidt in i860. 

994 The Adoration of the Shepherds. The original is only known to us 
through engravings. 
Q.3 — on oak/ 0,41 h. by 0,565 w. — acquired through von Kaiserling in 1741. 




956 



Petrtis Paufus RuBeni> 



it 




OF THE XVII. CENTURY 



113 



The Madonna being presented with firuit hy angels. The original is 995 

only known through engravings. 

P 10 — on copper/ 0,655 h- by o^QS '*'• •~ inventory of 1722. 

The Adoration of the Kings. The original is in the Antwerp Museum. 996 

P 10 — on oak / 0,85 h. by 0,63 w. — acquired through Leplat in 1727. 

St. Cecilia. Three-quarter length. The original <without the badc^ 997 

ground) is only known through engravings. 
Store-rooms — on oak/ 1,23 h. by 0^5 w. — inventory of 1722. 

St.Rodius. The original is in the Churdi of St.Rodjus at Aalst. [ 998 

P 7 — on walnut; 0,56 h. by 0,355 w. — formerly in the possession of Princess Louise j 
of Saxony, and after her death placed in this Gallery by King John in 1857. i 

i 
The Marriage of the Virgin. The original is known through engravings. I 998 A 
Companion picture to No. 998 B. 
P6 — on copper/ 0,53 h. by 0,405 w. — acquired through Rossi in 1741. 

The Coronation of St. Catherine. The original is at Belvoir Castle in | 998B 

England. 

P6 — on copper/ 0,53 h. by 0,40 w. — acquired through Rossi in 1741. 

An Old Man <Joseph>. Painted after the engraving which Bolswert 1860 
made of Rubens' "vierge au perroquct" <now in the Antwerp Museum). 
Formerly described as "uncertain Dutdi Sdiool". Bust^length. 
L 2 — on canvas / 0,625 h. by 0,515 w. — inventory of 1722. 

RUBENS. PUPILS AND STYLE OF P. P. RUBENS. 

Diana and Actaeon. Perhaps by Abraham van Diepenbeedc. __jy— ^^ 

2ob — on oak/ 0,535 h. by 0,755 w. — inventory of 1722. ■ 

Diana with her Nymphs, hunting. 1000 

H 4 — on canvas / 1,84 h. by 2^)3 w. — acquired in 1881 from Graf Fersen in Dresden 
as a Velazquez. 

Christ on the Sea. 1001 

P 11 — on oak/ 1,00 h. by 1,41 w. — acquired through Le Leu in Paris in 1749. 

Hero and Leander. The picture has been pronounced to be a very 1002 
early work of Rubens. 

M 2 — on canvas / 1,28 h. by 2,17 w. — passed to the Kunstkammer in 1659, and to die 
Gallery in 1728. . 

The Nuptials of Neptune and Amphitrite. **I * ^^^ 

Q.I — on oak/ 0,885 h. by 1,35 w. — Guarienti inventory <snpposed to have HN4" i' 
acquired from the Wallenstein Gallery at Dux). 



Portrait of a Lady in a high lace collar. Bust-length. 

M 3 — on canvas attadied on poplar; 0,735 h. by 0,525 -w. — acquired in 1723 from the 
Wrzowecz Collection at Prague. 



1004 



114 



FLEMISH PAINTERS 



1005 

1006 
1007 

1009 

1010 
1011 



1012 
1013 
1014 



013]^. 






Portrait of a Lady with fair hair and with roses in her lap. Half' 
length. 

M 2 — on canvas ,• 0,77 h. by 0,57 w. — acquired from the Wallenstein Collection at 
Dux in 1741. 

Portrait of an Old Woman with a white handkerdiief on her head. 

Bust'length. 

M 3 — on oak/ 0^7 h. by 0,41 w. — inventory of J754. 

Head of an Old Woman in a white cap. 

51 c — on oak/ 0,335 h. by o,z6f w. — acquired through von Kaiseriing in 1741. 

JORDAENS, JACOB. Born at Antwerp May igiJi 1593/ died 
there Oct. ipt^i 1678. A pupil of Adam van Noort, afterwards came 
under the influence of Rubens. 
Ariadne with Bacchus and his train, 

H2 — on canvas/ 240 h. by 3,155 w. — acquired throtigh Rascfake from Antwerp' in 
1710. 

Diogenes with a Lantern looking for a man in the market-place. 

J 3 — on canvas/ 2,33 h. by 3,495 w. — acquired through de Biais from Paris in 1742. 

The Prodigal Son feeding the swine. 

J3 — on canvas/ 2,36 h. by 3,69 w. — Guarienti inventory <acqnired doubtless from 

the Hague in 1742). 

The Presentation in the Temple. 

J3 — on canvas/ 3,955 h. by 3^)5 w. — inventory of 1754, 

The Holy Women at the Sepuldire. 

J 2 — on canvas / 2,15 h. by 1465 w. — Guarienti inventory. 

"As the old birds sang,- so the young ones pipe." 

J2 — on canvas/ 1,685 h. by 2,05 w. — inventory of 1722. 



\ JORDAENS. STYLE OF JACOB JORDAENS. 
1015 \VA. Sacrifice to Venus. A replica is in the Brunswidi Museum, 

3r^O» — on oak/ 0,75 h. by 1,425 w. — inventory of 1854. 



)IEPENBEECK, ABRAHAM VAN. Baptised at Herzogen- 
busdi May 9th 1596 / died at Antwerp between April ijd* and Sept. 16* 
1675. Pupil of Peter Paul Rubens. 
1016 \ ^ Neptune and Amphitrite. 

/ \ \zo\> — on oak/ 0,51 h. by 0,74 w. — inventory of 1722, 

1016A i DIEPENBEECK? The Flight of Cloelia, 

^jrfj'' J 1 — on canvas/ t,8o h. by 2,67 w. — in the inventory of 1722 described as "acquired 
^ry through Her Majesty the Qiieen". 



OF THE XVIL CENTURY 



SUTTERMANS. STYLE OF JUSTUS SUTTERMANS 

<SUSTERMANS> (1597-1681). 

Portrait of a young Man, Bust^Iength. 

50c — on oak,- 0,465 h. by 0,345 w. — acquired from the Wallcnstcin Collection in 

1741. 

DyCK, ANTONIUS VAN. Born at Antwerp MarA 22th 1599, 

died in London Dec. 9*'* 1641. At first pupil of Hendrik van Balen, 

afterwards assisted P. P. Rubens. Appointed painter to his Majesty 

by King Charles I of England. 

Silenus Drunk. Three»quarter length. Monogram : ^ P'/), An early 

work of the artist. 

H 3 — on canvas / i/)7 h. bjr 0,915 w. — inventory of 1722. 

The Apostle Bartholomew. Half-length. Forms, with the four fol= 
lowing, part of the series of pictures of the Twelve Apostles whidi 
the artist painted in his youth. 
20 a — on oak/ 0,625 h- by 0,465 w. — inventory of 1722. 

The Apostle Matthew. Half-length. 

M2 — on oak/ 0,63 h. by 0,465 w. — inventory of 1722. 

The Apostle Simon. Half-length, 

H4 — on oak; 0,63 h. by 0,475 '"'• " inventory of 1722. 

The Apostle Peter, Half-length. 

M2 — on oak/ 0,63 h. by 0,465 w, — inventory of 1722. 

The Apostle Paul. Half-length. 

H4 — on oak/ 0,63 h. by 0,465 w. — inventory of 1722, 

Portrait of an Old Gentleman. Bust-length. Signed : Aetatis suae 60 
and Anno 1618. In the artist's early style when under the influei^ce 
of Rubens. Companion picture to No. 1023. 

J 1 — on oak/ 0,66 h. by 0,52 w. — inventory of 1722. 



t 



Portrait of an Old Lady. Bust-length. Signed : Aetatis suae 60 and \ 1023 
Anno 1618. 



1 1 — on oak / 0,655 h. by 0,505 w. — this and the preceding picture are described as 
Van Dydts in the inventory of 1722. 



115 



1016B 



1017 



1018 



1019 



1020 



1021 



1021 A 



5o 1022 
cei ^ 

n 



Portrait of a young Man. Bust-length. An early picture of van Dydc. 
H3 — on oak/ 0,645 h. by 0^495 w. — acquired from Dr. Hille in Dresden in 1851 <for- 
merly supposed to have been in the possession of King Anton of Saxony>. 

Portrait of a Lady (Marie Clarisse, wife of Jean Woverius) and her 

child. Three-quarter length. An early picture of Van Dyd?. 

J 1 — on oak/ 1,05 h. by 0,76 ir. — described as a Van Dyck in the Gtiarienti 
ventory. 



1023A 



ieOr^023B 

in- V 



116 



FLEMISH PAINTERS 



1023 C I Portrait of a Gentleman, drawing on his gloves. Three«quarter length. 

I An early picture of Van Dydt. Companion picture to No. 1023D. 
j Hi — on oak; i/>7 h. by 0,74 w. — described as a Van Dydt in the Guarientt in- 
ventory. 

1023 D 1 Portrait of a Lady. Three-quarter length. 

Hi — on oak; 1^3 h. by 0,735 w. — described in the Guarienti inventory as a van 
I DyA (acquired through Le Leu in Paris in 1742>. 

1024 : St. Jerome. A fine example of the early period of the master while 
j under the influence of Rubens. 

I H 3 — on canvas; 1,95 h. by 2,155 w. — G.*W. II, 49 — Guarienti inventory. 

1025 B I The Child Jesus treading on the Serpent. 

-tTT' 20 c — on canvas of on oak/ 0,725 h. by 0,495 w. — first appears in catalogue of 1835. 

1026 \ Portrait of a Commander in armour, with a red scarf. Three-quarter 

length. 

I J 1 — on canvas / 0,90 h. by 0,70 w. — G.-W. Ill, 16 — acquired in 1741 from the 
I Wallenstein Collection in Dux. 

1027 Portrait of a Gentleman dressed in bladk, near a pillar. Companion 
» picture to No. 1028. Three-quarter length. Painted about 1630 during 
\^e artist's second Antwerp period. 

]\ J 1 — on canvas ,• 1,275 b. by 0,92 w. — acquired through Heinecken from Hamburg 

I AJn 1471. 



1028 

i i 



Portrait of a Lady dressed in bladi, before a red curtain. Three-quarter 

length. 

J I — on canvas / 1,26 h. by 0,92 w. — acquired in the same manner as No. 1027. 



1(E9 I Portrait of a Gentleman. Threes-quarter length. 

H3 — on canvas attadied to oak/ 0,85 h. by 0,65 w. — acquired in 1723 from the' 
Wrzowecz Collection at Prague. 

1030 Portrait of a Gentleman with a fair moustadie. Bust-length. 

M3 — on canvas/ 0,60 h. by 0,53 w. — acquired in 1763 from the effects of G. Lor* 
■ mier in the Hague. 

1031 Portrait of a Gentleman with fair hair. Bust^length. 

' M3 — on canvas/ 0,60 h. by 048 -w. — first appears in catalogue of 1817. 

1032 I Portrait of Thomas Parr <born 1483 and died 1655, according to the 
j tablet in Westminster Abbey). Bust^length, A lengthy inscription on 
' the bade of the picture states that the portrait was painted in London 
I in the presence of Jabadi to whom Van Dydt presented it. 

20 b — on canvas attached to oak/ oval; 0,645 h- ''y 0,52 w. — acquired through 
Rigaud from Paris before 1754. 

1033 ■'■K The three eldest Children of Charles 1 of England. An exactly similar 
jjV^^pipture is in Windsor Castle. 

«^^^ X^"— on canvas / 1,31 h. by 1,51 w. — acquired through Le Leu from Paris in 1744. 



OF THE XVn. CENTURY 



//7 



Henrietta of France, Consort of King Charles I of England. There 

are several replicas of the picture <e. g. in Windsor Castle). Studio 

work. 

J 2 — on canvas/ 1,235 h. by 0,97V. — acquired with N0.103S from the Imperial Ga!« 

lery at Prague in 1749. 

Portrait of a Man in a fur coat, probably a Prince Rhodocanakis^ 
Giustiniani of Chios, whom Van Dyck painted in 1622 in Genoa. 
Three»quarter length. 
J 1 — on canvas,- m7 h- by 0,97 w. — G.-rW. Ill, 15 — Guarienti inventory. 



1034 



io [i ' 

IT 



1035 



Bust* length. 1 1036 



Portrait of a Man, supposed to be Philipp Rubens. 

Authenticity doubted. | 

J 2 — on canvas ,• 0,665 h- hy 0,535 w. — catalogue of 1835. I 

I 

Portrait of EngclbertTaie, Baron von Wemmel. Bust=length. Authcn=\l 1037 
ticity not undoubted. ^'\^ 

M 5 — on canvas / 0,725 h. by 0,565 w. — acquired in 1723 from the Wrzowecs Col« \ 
lection at Prague. p 

DyCK. copy FROM VAN DyCK By SIR PETER LELy { 
<born probably at Soest in Westphalia 1618/ died in London i68o>. i 
Portrait of King Charles I of England. Three-quarter length. Dated: .1^1038 
1632. The original was burnt at Whitehall in London in 1697. '■^^*'^^ 

J I — on canvas / 1,23 h. by 0,965 w. — acquired together with No. 1034 in 1749 from j ' 
the Imperial Gallery at Prague. j 

DyCK. ATTRIBUTED TO ANTONIUS VAN DyCK. 

Danae. By an artist in the style of van Dyck. 1039 

M 3 — on canvas ; 1,30 h. by 1,825 w. — inventory of 1722. 

The Virgin as the Queen of Heaven with the Child. Three-quarter 1040 

length. 

P4 — on canvas,- 1,22 h. by 0,97 w. — acquired throogh Riedel from Vienna in 1741. 

See Appendix. 1041 

Portrait of a Commander in Armour. Three-quarter length. 1042 

H 3 — on canvas; 1,14 h. by 0,83 w. — inventory of 1722. 

Portrait of a Man in Armour. Bust-length, 1043 

H 3 — 00 canvas/ 0,635 h. by 0,50 w, — inventory of 1754. 

Portrait of Roger de St.Lary, Duke of Bellegarde, Bust-length. 1044 

M 2 — on canvas/ 0,615 h. by 0,495 "^- — acquired in 1741 from the Wallenstdn CoU 
lection at Dux. 

A Man's Head {unfinished), 1045 

51 c — on oak/ 0,315 h. by 0,27 w. — inventory of 1722. 

See Appendix. 1046 



118 



FLEMISH PAINTERS 



FRANQOyS <FRANCHOyS>, PEETER. Born at MeAIin 

<Malines> Oct. 20*!^ 1606/ died there Aug. 11*^ 1654. Developed in 

Antwerp under Ger. Zegers, 

Portrait of a Man in Armour. Bust^^length. Signed: P. 'Francoys 

Pinxit. 

19c — on oak/ 0,14 h. by 0,105 v- '- inventory of 1722. 



1047 



1047A 



1050 



1051 



1052 



1053-1054 



Copy after J. v. d. Hoedtc, see Appendix. 

WOLFVOET, VICTOR. Baptised at Antwerp May 4* 1612, 
died there Oct. zy^ 1652. Pupil of P. P. Rubens. 
The Head of Medusa. Signed : Victor Woffvoet. The prototype by 
Rubens is in the Imperial Gallery at Vienna. 

P 10 — on canvas / 0,455 h. by 0,59 w. — inventory of 1722. 

MONOGRAMMIST OF 1638. 

Portrait of a Lady dressed in black. Three-quarter length. Mono- 
gram; JMM 2inA 1638. Companion picture to No. 1052. 
M 2 — on oak / 0,925 h. by 0,695 w. — acquired in 1741 from the Wallenstein CoIIec* 
tion at Dux. 

Portrait of a Gentleman dressed in blade. Three-quarter length. 

Monogram : J MM and 1638. 

M2 — on oak/ 0,92 h. by 0,695 ~ acquired in the same manner as the preceding. 

Flemish and Dutdi Sdiool, see Appendix. 



THE GENRE-PAINTERS 
OF ANTWERP AND BRUSSELS 



TENIERS THE ELDER, DAVID. Born at Antwerp 1582, 
died there July 29th 1649. 

1055 Village on the banks of a stream. Signed; T.T. Companion picture 
to No. 1056. 

20 a — on oak / 0,145 h- '>y 0/2» w. — inventory of 1754. 

1056 Village Street. Signed: r. F. 

20 a — on oak; 0,145 h. by 0,21 w. — Inventory of 1754. 

BROUWER, ADRIAEN. Bom probably at Oudenaerde in Flan- 
ders 1605 or 1606/ buried in Antwerp Feb. i^t 1638. Pupil of Frans 
Hals in Haarlem. 

1057 Unpleasant Duties of a Father. Three-quarter length. The Artist's 
early period. 
17 a — on oak / 0,20 h. by 0,13 w. — catalogue of 1817. 



OF THE XVIL CENTURY 



119 



Peasants quarrelling over dice. The Artist's middle period. 

19c — on oak; 0,225 h. by 0,17 \r, — acquired through von Kaiserling in 1741. 

Peasants brawling over cards. 

19b — on oak; 0,265 h. by 0,745 \f. — catalogue of 1817. 

Portrait of a Man putting his finger in his mouth. Bust-length. Cari- 
cature. 

17a — on oak/ oval/ 0,115 h. by 0,085 '''• -" inventory of 1722. 

BROUWER. STYLE OF ADRIAEN BROUWER. 

Four Men at a table in an inn. 

P7 — on oak/ 0,25 h. by 0,54 w. — inventory of 1722. 

Rowdy Scene in a peasant's cottage. 

Store»rooins — on canvas/ 0,50 h. by 0,75 mc. — taken from the store=rooms in i86t. 

TENIERS THE yOUNGER, DAVID. Baptised at Antwerp 
Dec. 15th 1610/ died at Brussels April 25* 1690. Pupil of his father 
David Tcniers the Elder. 

Moonlight Landscape with shepherds round a fire. Signed : D . 

Tenters . T. Companion picture to No. 1065. 
19b — on oak/ 0,38 h. by 0,55 w. — inventory of 1722. 

River Landscape with shepherds and flodcs resting. Signed: D. Tenters. 
Te. 

19b — on oak/ 0,38 h. by 0,55 w. — inventory of 1722. 

Peasants smoking in the village inn. Signed : D . Tenters . Tec. \ 
20 c — on canvas / 0,365 h. by 0,505 w. — inventory of 1722. <*"#""" 

A Bleadiing-ground. Signed : D . Tenters . T. Companion pictif^e 
to No. 1068. 

18a — on oak/ 0,485 h. by 0,695 w- — first mentioned in catalogue of 1817 <sapposed 
to have been acquired through Goiter between 1730 and 1735). 

Inn by the river-side near the town. Signed : D . Tenters . T. 

18 a — on oak / 0,49 h. by 0,71 ▼. — first mentioned in catalogue of 1817 <supposed to 
have been acquired in the same manner as the preceding). 

Fishers on a sandy coast. Signed: D .T . T". 
20 c — on canvas/ 0,83 h. by 1,19 ▼. — inventory of 1722. 

Village Feast at the Half-moon Inn. Signed: David Tenters and 
1641. 

i8c — on canvas / 0,925 h. by 1,325 w. — acquired through de Brais in 1742 from the 
Carignan Collection in Paris. 

A Party of Smokers, Signed : D . Tenters . Tec. 

19a — on canvas/ 0,585 h. by 0,725 w. — acquired through Az Brals in 1742 from the 

Carignan Collection in Paris. 



1058 
1059 
1061 

106Z 
1063 

1064 

1065 

1066 
1067 

1068 

1069 
1070 

1071 



120 



FLEMISH PAINTERS 




1072 



1074 



1077 



1081 



1082 



\ 



1083 

I M Il V -'- 



The AlAemist. Signed : D . Teniers . Tec. 

19a — on canvas/ 0,60 h. by 0,735 w. — inventory of 1722. 

halking up the Score at an inn. Signed: D . Tenters . T. 
19c — on oak/ 0,47 h. by 0,685 ^- ~ inventory of 1722 <"taken from the Kunstr 
kammer"). 

Peasants throwing dice. Dated : 1646. 

20b — on oak/ 0,565 h. by 0,765 w. — inventory of 1722. 

Portrait of the artist in the inn. Signed : D . Teniers . T. and 1646. 
20c — on oak/ 0,425 h, by 0,55 w, — inventory of 1722, 

Peasants at table. Signed : D . Tenters . Tec . and 1648. 

19b — on oak/ 0,605 ^- t>y 0,885 ■"• " inventory of 1722. 

The Deliverance of S. Peter from prison. Signed: D . Tenters . T. 



Tf \ The 1 

_—»%''' 20 b — on copper/ 0,57 h. by 0,77 w. — inventory of 1722. 

1078 \1 A Page in a Guard=room. Signed : David . Tenters . Tec. 
18 c — on copper/ 0,395 h. by 047 w. — inventory of 1754. 

1079 The Temptation of S. Anthony in a cave in the rotfes. Signed: D . 
Tenters . T. 
20a — on copper/ 0,69 h. by 0,86 w. — inventory of 1722. 

1080 The Dentist. Signed: D . Tenters . T. 
j8c — on oak/ 0,35 h. by 0,305 w. — acquired through von KaiserKng in 1741. 

Great Village Feast with two couples dancing. Signed : David . 
Teniers . T. 

20 b — on canvas / 1,65 h. by 2,14 w. — acquired through Le Leu in 1742 from the 
Araignon Collection in Paris. 

. , J The Temptation of S. Anthony. Signed: D . Teniers . T. 
J\ 19c — on oak/ 0,275 h- ^V 0,375 w. — inventory of 1722. 

' ^ Great Village Feast with a couple dancing. Signed : D . Teniers. 
Belongs to the later period of the artist. 

19b — on canvas/ 1,42 h. by 1,785 w. — acquired through Le Leu in 1746 from the 
Ar 



raignon Collection in Paris 

1084 A Learned Old Man in a vaulted chamber. Signed; D . Teniers. 
19a — on oak/ 0,37 h. by 0,19 -w. — inventory of 1722. 

1085^ relaying Backgammon. Signed: D. <?> Teniers . T. 

\i9b — on oak/ 0,30 h. by 0,375 w. — iilventory of 1722. 

1085 A Peasants playing Cards. Signed : D . Teniers . Tec. 

19b — on oak/ 0,30 h. by 0,385 w. — inventory of 1722. 

1085 B Two Men playing the lute and the flute. Three-quarter length. 

P7 — on oak/ 0,195 h. by 0,16 w. — inventory of 1722, 



OF THE XVIL CENTURY 



121 



TENIERS. copy FROM DAVID TENIERS THE 

yOUNGER. 

In the WitAes' KttAen. In the XVIII. Century the original was in 

the possession of the Comte de Vence in Paris. 

Pti — on oak; 0,335 h. by 0,24 w. — inventory of 1722 <"takcn from the Kiinst« 

kammcr'^. 



TENIERS. STyLE OF DAVID TENIERS THE yOUNGER. 

An Old Man embracing a girl in the cow^stall. The antique mono- 
gram oi DT . yand 1649 is a forgery. Perhaps by Abraham Tcnicrs. 
See No. 1100. 
P5 — on oak/ 0475 h. by 0,64 w . — acquired through Leplat in 1727. 

A young Peasant, asleep. The signature is spurious. 
Pit — on oak; 0,35 h. by 0,25 w. — inventory of 1722. 

TENIERS. DAVID TENIERS THE yOUNGER, NICOLAES 
VAN VEERENDAEL (baptised at Antwerp Feb. 19th 1640,- died 
there Aug. nth ,691 and CARSTIAN LUCKX or LUyX (born at 
Antwerp Aug. 17'h i623/ died after 1653). 

In front of the Kitdien. The kitdien by Teniers (signed: D .T.),- the 
flowers by Veerendael (signed: N. v. Verendaef f!) 1 the still-life by 
Carstian Ludcx, signed : Carstian Luc^x. 

M 3 — on canvas 1 0,83 h. by 1,205 w. — acquired in 1725 from the Wrzowecz Cc^ec" 
tion at Prague. 

RyCKAERT THE yOUNGER (III), DAVID. Baptised at 
Antwerp Dec. z^^ 1612/ died there Nov. ii'h 1661. Pupil of his father 
who bore the same name. 

A Peasant's Room. Signed : D . Rye . T. 1638. 

19c — on oak/ 0,505 h. by 0,805 w- ~ acquired through von Kaiserling in 1741. 

A Peasant's Family, illustrating the proverb : "As the old birds sang, 

so the young ones pipe." Signed : D . Rydkaert 1639. 

19c — on oak; 0,59 h. by 0,96 w. — acquired from the Ducal Gallery at Modena in 
1746. 

A Peasant's Family, illustrating the proverb: "As the old birds sang, 

so the young ones pipe." Signed : D . Rydaert 1642. 

19a — on oak/ 0,645 h. by \jo\ w. — acquired through Rossi from Italy in 1744. 

Still-life with a cat. Signed : D . Ryc^aert 1659- 

Li — on canvas/ 0,795 h. by 0,875 ^' — first in the catalogue of 1862. 

Still-life with a boy whipping a top. Signed : D . RycA . . . 
$oa — 00 canvas/ 0,68 h. by 0,855 w. — first in the catalogue of 1862. 



1086 



1087 



1089 



1091 



1092 
1093 

1094 

1095 
1096 



122 



FLEMISH PAINTERS 



1097 
1097A 

1098 
1099 

1100 

1101 

1102 
^;1103 

1104 
1105 



COQUES, GONZALES. Born at Antwerp 1618/ died there 

April i8'h 1684. Pupil of David Ryckaert II, style formed under the 

influence of van Dydc. 

A Family Group on the terrace of their house. 

19b — on oak/ 0,67 h. by 0,90 -w, — first in catalogue of 1843. 

Flemish School, see Appendix. 

TILBORCH, GILLIS <EGIDIUS>. Bom at Brussels about .625,- 
died there about 1678. Pupil of Teniers the Younger, 
Flemish Peasant's Wedding, Signed : G. Ti'fSorS. 
18 b — on canvas ; 1,28 h. by 1^ \r, — Inventory of 1754. 

A Young Man with a bottle. Monogram : TB. 

19b — on oak/ 0,25 h. by 0,35 w, — acquired from the Wallenstein Collection in 1741. 

TENIERS, ABRAHAM, Born at Antwerp Mardi ist 1629/ died 

there at the end of Sept. 1670. Son and pupil of David Teniers the 

Elder. 

In the Kitdien, Signed : A <under the cork of the bottle) Tenters ./. 

18 c — on oak/ 0,375 h. by 0,595 w. »- acquired through von Kaiserling In 1741. 

APSHOVEN II, FERDINAND VAN, Baptised at Antwerp 
Mardi ist 1630,- buried there April f^ 1694. Pupil of David Teniers 
the Yoxingzr. 
In the Painter's Studio. 

P5 — on canvas/ 0,505 h. by 0,815 w. — acquired from the Wallenstein Collection at 
Dux in 1741. 

BREyDEL, FRANS. Born at Antwerp Sept. 8th ,679/ died there 

Nov. 24th 1750. 

Masqueraders among Roman Ruins. Signed: T. Breycfef. Companion 

picture- to No. 1103. 

66a — on oak/ 0,24 h. by 0,29 w. — acquired through Leplat in 1727. 

Masqueraders among Roman Ruins. Signed : T. Breydef. 

66a — on oak/ 0,24 h. by 0,29 w, — acquired through Leplat in 1727. 

HOREMANS THE ELDER, JAN JOSEPH. Baptised at Ant- 
werp Nov. 16th 1682/ died there Aug. 7th 1759. 

A Shoemaker in his work=shop. ^xgnzA: J Horemans. Companion 

picture to No. 1105. 

18 a — on oak / 0,265 b. by 0,205 '"*'• ■" acquired in 1778 as part of the Spahn Collection. 

A Mother and her diild. ^\gatA:J Horemans. 

18 a — on oak / 0,265 h- by 0,205 'w^- "" acquired in 1778 as part of the Spahn Collecdoo. 



OF THE XVn. CENTURY 



123 



ANTWERP AND BRUSSELS PAINTERS 

OF SCENES IN CAMP AND ON THE 

BATTLE-FIELD 



SNAyERS, PEETER, Baptised at Antwerp Nov. 24th 1592,- died 

at Brussels about 1667. Pupil of Seb.Vrancx. 

Cavalry Skirmish near a windmill. Companion picture to No. 1107. 1106 

18 a — on oak/ 0/t9 h. by 0,73 w. — acquired from the Wallenstcin Collection at Dux 

in 1741. 

Cavalry Skirmish.) 1107 

•8a — on oak/ 049 h. by 0,725 w. — acquired in the same manner as the preceding. 

Plundering a Village. 1108 

P 6 — on canvas / 0,82 h. by 1,145 w. — acquired through Riedel from Prague in 1742. 

Robbers in a Forest. Companion picture to No. iiio. 1109 

19a — on canvas/ 0,535 h. by 0,67 w. — inventory of 1722. 

Robbers before a Village. 1110 

19a — on canvas,- 0,535 h. by 0,67 w. — inventory of 1722. 

Horsemen on a road overhung by rodks. Monogram /'J' and /66v3, 1111 

Companion picture to No. 1112, 

i8 b — on canvas / 0,595 b. by 0,495 w. — acquired through Riedel from Prague in 1742. 

Landscape with a Horseman in a lonely ravine. 1112 

18b — on canvas/ 0,585 h. byo,49w. — acquired in the same manner as the preceding. 

VROOM, MATTHEUS. Member of the Antwerp Guild in 1620. 

VROOM <?> The landing of Mary of Medici in Antwerp. The 1113 

monogram of M P in. et Tecit and the date 1632 correspond with 

the name and date of this master. 

0.2 — on oak/ 0,645 h. by 0,92 w. — inventory of 1722. 

MEULEN, ADAM FRANS VAN DER. Baptised at Brussels 
Jan. iitb 1632/ died in Paris Oct. i5tb 1690. Pupil of Peeter Snayers, 

Excursion of Louis XIV to Vincennes. 1114 

18b — on canvas/ 0,60 h. by 0,85 w. — acquired through de Brais from Paris in 1742. 

Entry of Louis XIV into Arras. 1115 

i8 b — on canvas / 0,63 h. by 0,97 w. — acquired through de Brais from Paris in 174a. 

MEULEN, copy AFTER A. F. VAN DER MEULEN. 

Louis XVI at a fight on the canal at Bruges. 1116 

Pj — on canvas/ 0,64 h. by 0,86 w. — acquired through von Kaiserling in 1741. 



124 



FLEMISH PAINTERS 



BLOEMEN <BLOMMEN>, PEETER VAN. Baptised at Ant- 
werp Jan. 17th 1657/ buried there Mardi 6t'> 1720. Pupil of Simon 
Douw. 

1117 Cattle»market in the ruins of Rome. Signed: P . V . B. IJlo- Com= 
panion picture to No. 1118. 
•48b -- on canvas/ o^ h. by i,ot w. — acquired through Riedel from Prague in 1742. 

1118 Riding practice in the ruins of Rome. Signed: P . V . B . IJlo. 
48b — on canvas/ 0^55 h. by 1,015 w. — acquired through Riedel from Prague in 1742. 

1119 I Before the Campagna-Osteria. Signed: P . V . B . IJIS. Companion 

picture to No. 1120. 

i8 b — on canvas / 0,59 h. by 0,50 w. — acquired from the Wallcnstein Collection at 
Dux in 1741. 

1120 I Fishers in a rocky gully. 

18b ~ on canvas/ 0,58 h. by 0,495 w. — acquired from the Wallenstein Collection at 
Dux in 1741. 

1121 j Train of Gipsies. 

I 49c — on canvas/ 0,72 h. by 0,995 w. — acquired through Riedel from Prague in 1742. 
j 

1122 I In the Camp. Perhaps only by a pupil. 

'.. t8 c — on canvas/ 0,45 h. by 0,55 w. — acquired through Riedel from Prague in 1742. 

! HONDT, LAMBERT DE. Painted in Medilin and died before 1665. 

1123 i Cavalry Skirmish. 

I 19c — on oak/ 0,25 h. by 0,345 w. — in the inventory of 1754 described as by "Hond". 

MEIREN, JAN BAPTIST VAN DER. Born at Antwerp Dec. 
I 15th 1664/ died there about 1708. 

1124 I Pleasure Encampment in a valley through whidi a river runs. Signed : 

J B . van der Meirenf 1698. Companion picture to No. 1125. 
P6 — on canvas/ 0425 h. by 0,575 w. — inventory of 1722. 

1125 An Oriental Fair. Signed:^ .5 . van der Meiren 1698. 
P6 — on canvas/ 0,435 h. by 0,58 w. — inventory of 1722. 

1126 \ See Appendix. 

BROERS, JASPER. Born at Antwerp April 21st 1682,- buried there 
Jan. igtli 1716. Pupil of J. B. van der Meiren. 

1127 Cavalry Skirmish in the hills. Signed: J Broers Tecit. Companion 
picture to No 1128. 
18 a — on canvas / 0,395 h. by 0,595 w. — acquired through Riedel from Prague in 1742. 

1128 Cavalry Skirmish in the valley. Signed : J Broers fecit. 

18 a — on canvas / 0,595 h. by 0,595 w. — acquired through Riedel from Prague in 1742. 



OF THE XVn. CENTURY 



125 



FALENS/ KAREL VAN. Baptised at Antwerp Nov. 24* 1683/ 
died at Paris May 29th 1733. Member of the Paris Academy. 
Hawking Party about to start. Signed : C. van Tafens. 
7b — on canvas; 0,545 h. by 0,655 v. — first mentioned in "Catalogue" of 1765. 

BREDAEL, JAN FRANS VAN. Bom at Antwerp April i« 
1686/ died there Febr. 19*^ 1750. Pupil of his father Alex, van Bredael. 
In front of the Smithy. Companion picture to No, 1131, 

8c — on canvas,- 0,40 h. by 047 w. — iirst mentioned in "Catalogue" of 1765. 

Hunting Party about to start. 

8 c — on canvas/ Or^o h. by 047 w. — first mentioned in "Catalogue" of 1765. 

Flemish Sdiool, see Appendix. 



LANDSCAPE AND MARINE 

PAINTERS OF THE ANTWERP AND 

BRUSSELS SCHOOL 



WILDENS, JAN. Bom at Antwerp 1586/ died there Oct. 16* 
1653. Assisted Rubens as landscape Painter. 

Winter Landscape with a hunter. Signed : Jan Wifdens fecit 1624.\ 
J 3 — on canvas ; 1,94 h, by 2,92 w. — inventory of 1722 <at that time at Moritzbi 

UDEN, LUCAS VAN. Born at Antwerp Oct, i8th 1595/ died 
there Nov. ^^^ 1672, Assisted Rubens in his landscapes. 
Landscape with a heavy rain cloud. Signed: Lucas . van . Vden . 
vine. 

18 a — on oak^ 0405 h. byT0,695 w. — inventory of 1722. 



L.V. Vden. The 1135 



Landscape with a bridal procession. Signed: 
figures by David Teniers the Younger. 

4Sb — on canvas; 1,58 h. by 2,855 ^- ~ inventory of 1754. 

Forest Stream. Signed: L . V . V . 1656. 

19b — on oak/ 0,225 h. by 0,35 w. — inventory of 1722. 

Landscape with a rainbow. Signed : L . V . V. 
18 a — on oak / 042 h. by 0,635 w, — inventory of 1722. 

Landscape with the hermits SS. Paul and Anthony. The figures by 

David Teniers the Younger. 

19 c — on oak; 0,515 h, by 0,73 w. — inventory of 1722, 



1129 

1130 
1131 
1132 



1133 



1134 



1136 



1137 



1138 



126 



FLEMISH PAINTERS 



1139 River Landscape with fishermen. Companion picture to No, 1140. 

iglr — on oak 1 0,255 h, by 0,345 w, — probably acquired through Riedei from Prague 
in 1742. 

1140 A Road by the side of a lake, with Horsemen. 
19c — on oak/ 0,25 h. by 0,35 w. — acquired in 1742 through Riedcl from Prague. 

1141 Flocks in a valley with a river. Companion picture to No. 1142. 
20 b — on canvas 1 0,525 h, by 0,69 w. — inventory of 1722.I 

1142 Pollard Willows at the edge of a wood. 

20b — on canvas; 0,505 h. by 0,685 w. — inventory of 1722. 

KERRINCX <KEIRINCX>, ALEXANDER. Bom at Antwerp 
Jan. 23tb 1600/ died at Amsterdam in Oct. 1652 or later. 

1143 Road through a wood by the river^side. Signed: AK . . . INCJC. 
Companion picture to No. 1144. Early work. 

P8 — on oak/ 0,57 h. by 0,995 w. — acquired in 1741 from the Wallenstein Collection 
at Dux. 

1144 Country Road over rising ground. Early work. 

I P8 — on oak/ 0,575 b, by 0,905 w. — acquired in 1741 from the Wallenstein CoOection 
at Dux, 

1145 j Pond in a wood. Signed: A . Kern'ncx . A 162o. 

0,2 — on oak/ 0,28 h, by 0,355 w. — inventory of 1722, 

1146 Landscape with wood and river. Later style of the master, 

0,2 — on oak/ 0,445 b- by 0,705 w. — purdiased by ithe Queen at the Lcipsic F^ in 
1751 and presented to the King. 

PEETERS, GILLES. Baptised at Antwerp Jan. zy^ 1612,- buried 
there Mardi i2tb 1653. Painted in conjunction with his brother Bona= 
Ventura Peeters. 

1147 Peasants' Huts, 'SAgntA: Peeters. 
18 c — on oak/ 0,365 h. by 0,56 w. — inventory of 1722. 

D'ARTHOIS, JACQUES. Baptised at Brussels Oct. i2tb 1613, 
died after 1684. 

1148 WoodedLandscapewith shepherds resting. %vgx\s.A: Jac . d' ArtBois . 
Ao. . . 

48b — on canvas/ 0,855 h. by 1,17 w. — acquired through Riedei from Prague in 1742. 

1149 Wooded Landscape with three horsemen. Companion picture to 
No. 1150. 

47a — on canvas/ 0,575 b. by 0,825 w. — acquired through Riedei from Prague in 
1742- 

1150 Wooded Landscape with a travelling carriage with three horses. 

47a — on canvas, 0,57 h. by 0,825 w. — acquired through Riedei from Prague in 1742, 



OF THE XVII. CENTURY 



127 



A Narrow Pass 
c — on canvas; o 
ourt of appeal E. F.ls'ossky. 



48c — on canvas; 0,64 h. by 0,825 w. — bequeathed in 1893 by the President of the 
Cou " ' 



1150 A 



PEETERS, BONA VENTURA. Baptised at Antwerp July 23th 

1614/ died at Hoboken near Antwerp July 251*1 1652. Brother of 

Gilies Peeters. 

Sea-piece. Signed : B . P . 1643. 

18a — on oak/ 0,40 h. by 0,56 w. — purchased in Paris in 1894 <formcriy in the Hadzor 

Collection at Droitwidi). 

Ships of War in a bay <supposed to be the roadstead of Corfu). 

Signed : Bonaventura Peeters . Tecit in HoBo^en . 1652. 

51b — on canvas; 0,755 h. by 1,115 '*'• '~ acquired through Riedel from Prague in 1742. 

NEyrS <NI]TS>, GILLES <AEGIDIUS>. Baptised, probably at 

Ghent, April 4t'» 1623/ died about 1687. Supposed to have been a 

pupil of L. V. Uden. 

Wooded hilly Landscape with gentlemen and ladies on horseback. 

Signed : Ae . Neyts ./ . 1681. Companion picture to No. 1153. 

48a — on canvas/ 1,30 h. by 1,99 w. — acquired through Riedel from Prague in 1742. 

See Appendix. 

GySELS, PEETER. Baptised at Antwerp Dec. y^^ 1621,- died 
there 1690 or 1691. Imitated the landcapes of Jan Brueghel the Elder. 
A Village with a diurdi on the river. Signed : P. Ge^sefs. 
20c — on copper/ 0,165 h. by 0,225 ^. — inventory of 1722. 

Rodiy Valley with village, diurdi and windmill. Signed: Peeter 
Gysefs. Companion picture to No. 1156. 

20 a — on copper; 0,205 h. by 0,26 w. — Guarienti inventory <supposed to have been 
acquired from Paris in 1749>. 

Rodcy Valley with village and rfiurdi. Appears to have been originally 
signed as the preceding. 

20 a — on copper; 0,205 h. by 0,255 '''• " Guarienti inventory (supposed to have been 
acquired from Paris in 1749). 

Peasants' Cottage by a canal. Signed : P . G . T. 
20 c — on copper/ 0,165 h- by 0,23 w, — inventory of 1722. 

Village Street by the river side. Signed : P . G. 
20 c — on copper/ 0,20 h. by 0,26 w. — inventory of 1722. 

Pasturage by the river side. Signed : P . G. Companion picture to 

No. 1160. 

20 c — on copper/ 0,165 h. by 0,23 w. — inventory of 1722. 



1150B 
1151 



1152 
1153 

1154 
1155 

1156 

1157 
1158 
1159 



128 



FLEMISH PAINTERS 



1160 Peasants' Dance in a village. 
20C — on copper/ 0,165 b. by 0,23 w. — Inventory of 1722. 

1161 Dead Game at the edge of a wood. Signed : Peeter Gysefs. 
20C — on copper/ 0,365 h. by 0,29 w. — inventory of 1722. 

1162 Dead Game at the edge of a wood. 
20c — on copper/ 0,465 h. by 0,335 '*'• ~" inventory of 1722. 

ACHTSCHELLINCK, LUCAS. Baptised at Brussels Jan. 16* 
1626/ buried there May \z^^ 1699. 

1163 Country Road near a wood. Companion picture to No. 1164, 

jgc — on canvas,- 0,355 h, by 0,465 w.— acquired through Riedel from Prague in 1741. 

1164 Canal near a wood. 
19c — on canvas/ 0,355 h. by 0,46 w, — acquired through Riedel from Prague in 1742. 

MINDERHOUT, HENDRIK VAN. Born at Rotterdam 1632, 
died at Antwerp July 22'"' 1696. Dutdi by birth, painted diiefly in 
Flanders. 

1165 An Oriental Seaport. Signed : H van MinderBout .f. 1673. 
18 a — on canvas/ 0,855 h. by 1,17 w. — inventory of 1754. 

HUIJSMANS, CORNELIS. Baptised at Antwerp April 2n<li648/ 
i died at Malines (Medilin) June i^t 1727, Pupil of J. d'Arthois at 
I Brussels. 

1 166 ] A Shepherd's Hut near a forest. 

I 18 b — on canvas/ 0,585 h. by 0,805 ^' — acquired through Riedel from Prague in 
i 1742- 

1167 I Landscape with wood and lake, 
20c — on canvas/ 0,355 h. by 0,44 w. — purdiased in GrQnbcrg in 1876. 

BOUDEWIJNS AND BOUT- BOUDEWIJNS, ADRIAEN 
FRANS. Born at Brussels in the autumn of 1644,- died there after 
1711. — BOUT, PEETER. Baptised at Brussels Dec. 5th 1658/ died 
there Jan. 28''^ 1719. Bout painted the figures in Boudewijns' land" 
i scapes. 

1168 ' Italian Landscape with shepherds. 

I P 4 — on oak/ 0,25 h. by 0,36 w. — acquired from Prague through Riedel In 1742. 

1169 j Ruins in the Campagna with a fortune=teller. 

P7 — on oalc/ 0,28 h. by 0,44 w. — acquired through von Kaiserling in 1741. 

1170 A Spring, at whidi a horse is being watered, near a lake. Companion 
picture to No. 1171. 

P7 — on oak/ 0,22 h. by 0,345 w. — inventory of 1722. 




to26 



Antonius van D^ck 




i335 



Jan Vermeer van Detft 



OF THE XVII. CENTURY 



129 



Tvo Castles near a stream on whtdi are boats. 

P7 — on oak/ 0,225 h. by 0,345 ^- — inventory of 1722. 

A Stream in whidi diildren are bathing. Companion picture to 

No. 1173. 

18 c — on canvas / 0,36 h. by 0,525 w. — inventory of 1722. 

Roman Triumphal Arch on the quay of a sea-port. 
P 11 — on canvas/ 0,37 h. by 0,535 w. — inventory of 1722. 

Cattle^market at the foot of a fortified rock. 
18 c — on canvas/ 0,41 h. by 0,56 v. — inventory of 1722. 

Monument, near a country (hurch. 

P4 — on oak/ 0,25 h. by 0,36 w. — acquired from Prague through Riedel in 1742. 

See also No. 1250. 

RIJSBRACK, PEETER. Baptized at Antwerp April 25th 1655, 
supposed to have died in Brussels 1729. Pupil of r r. Millet in Paris. 
Mountainous Landscape with a castle. The authorship of Rijsbra<k 
is not absolutely certain. 
P4 — on canvas/ 0,72 h. by 0,97 w. — purchased in 1740 as a Poussin. 

BLOEMEN, JAN FRANS VAN, called ORIZZONTE. 

Baptized at Antwerp May iz'h 1662,- died at Rome June i3»J» 1749. 

Painted in the style of Gasp, Dughet. 

Landscape in Central Italy. 

6b — on canvas; 0,72 h. by 0,965 w. — purdtased in 1740 as a Poussin. 

SMOUT THE yOUNGER, LUCAS. Born at Antwerp 
Febr. 271^ 1671,- died there early in April 1713. Pupil of H. v. Minder- 
hout, but painted in the style of Boudewijns and Bout. 
Sea^-port town on a bay. Companion picture to No. 1179. 
P5 — on oak/ 0,345 h. by 0,49 w. — inventory of 1722. 

Beggars at the door of a churdi. 

P 5 — on oak/ 0,34 h. by 0,49 w. — inventory of 1722. j 

MICHAU, THEOBALD. Born at Doornik 1676/ buried at Ant* 

werp Oct. 27 1*^ «765. Pupil of Lucas Aditsdiellinck. 

A mountain Lake. Companion picture to No. 1179B. 

Q.3 — on bceth/ 0,125 h. by 0,185 ^- ~ bequeathed in 1893 by the President of the 
Court of appeat E. F. Nossky. 

A Road through a wood. 

0.3 — on beedi/ 0,125 h. by 0,185 '"■ — bequeathed in 1893 by the President of the 
Court of appeal E. F. Nossky. 

Flemish Sdiool, see Appendix. 



1171 
1172 

1173 
1174 
1175 

1176 



1177 

1178 

1179 

\ Qp. 

1179A 

1179B 

1180-1182! 



I3o 



FLEMISH PAINTERS 



1183 

1184 
1185 

1186 

1187 

1188 
1189 



1189 A 



THE ARCHITECTURAL PAINTERS OF 
ANTWERP 



NEEFS THE ELDER, PEETER. Bom at Antwerp about 
1578/ died there between 1656 and 1661. Supposed to have been 
a pupil of Hendrik van Steenwijck the Elder, 

Interior of a Gothic Churdi. Signed : P . Nefs . 16o5- 
20 a — on oak/ 0,36 h. by 0,57 w. — Cuarienti inventory. 

STEENWIJCK THE yOUNGER, HENDRICK VAN. 
Supposed to have been born at Frankfort on Main, but of Antwerp 
parents, about 1580,- died about 1649, presumably in London. 
Interior of a small Gothic Churdi. Signed: H . V. Steenwic . . /6o9- 
20a — on copper/ 0,345 h. by 0,535 '*'• •" inventory of 1722. 

Interior of a Gothic Churdi with five aisles. Indistinctly signed : 

3teenwijc6 fecit An . 1611. 

19a — on copper/ 0,38 h. by 0,53 w. — acquired from Paris in 1743. 

Interior of a dimly lighted Gothic Churdi. Signed: HvSteenwyc6 

1613. 

19a — on oak/ 0,33 h. by 0,47 w. — first in catalogue of 1765. 

King Charles I of England in a hall. The figure probably by a pupil 
ofVandydi. The ardiitecture signed: Henri van Stemwic6 1637- 
Companion picture to No. ii88.^f 

20 c — on oak/ 0,50 h. by 0,465 w. — first mentioned in catalogue of 1765 and described 
as a "Henri Steenwijck ct Gonzales Coques". 

Queen Henrietta Maria, the Consort of Charles I of England, in a 

haTl. Dated: 1637. 

20 c — on oak/ 0,51 h. by 0,445 w. — first in catalogue of 1765. 

NEEFS, LODEWIJK. Baptized at Antwerp Jan. 22th 1617, date 
of his death not known. Son and pupil of Pceter Neefs the Elder. 
Interior of Antwerp Cathedral. Signed: D.J. TTranc^ . in etf. 
and Trater Locfevicvs Neejfs An. 1648. The figures by Frans 
Frandien III. 
19 c — on canvas / 0,89 h. by j,!65|w. — inventory of 1754. 

NEEFS THE yOUNGER, PEETER. Baptized at Antwerp 
May 23rd 1620/ died there after 1675. Pupil of his father Peeter Neefs 
the Elder. 

Interior of a Gothic Churdi with three aisles. Signed <rather suspici' 
ously) : Peeter Neefs 1658. 

0.2 — on canvas/ o/j8 h. by 0,815 ^. •" bequeathed in 1893 by the President of the 
Court of appeal E. R Nossky. 



OF THE XVII. CENTURY 



131 



GHERINGH, ANTONIUS. Born in Germany,- died in Antwerp 
1668. Probably pupil of P. Neefs the Elder. 

Interior of a Churdi in the Renaissance style. Signed: A. GSeringS 1190 

J664. 

19a — on canvas/ 0,83 h. by 1,17 vr. — inventory of 1754. 

THE ANTWERP PAINTERS OF 

ANIMALS, STILL-LIFE, FRUIT 

AND FLOWERS 



SNyDERS, FRANS. Baptized at Antwerp Nov. u* 1579/ died 

there Aug. 19* 1657. Pupil of P. Brueghel the Younger and H. van 

Balen. 

StilWife with a lady holding a parrot on her hand, Signed: T . 1191 

Snyders . fecit. \ 

H J — on canvas/ 1,54 h. by 2,37 w. — acquired from Paris in 1743. 

StilUlife with a dog and her puppies. 1192 

j 4 — on canvas/ 1,71 h. by 2^55 w. — acquired through Riedel from Prague in 1742. 

StilUlife with a monkey and a parrot fighting. 1193 

J 2 — on canvas/ 1,70 h. by?2,38 vr. — inventory of 1754. 

Still'Iife with a peasant couple. 1194 

J 3 — on canvas/ 1^25 h. by 2.84 w. — inventory of 1754 

Still'Iife with a dog and her puppies, and a male and female cook . 1195 

J ! — on canvas/ iffjs h. by 3,25 w. — acquired in 1743 through "P. Qyerin et Rossy" 

A Boar Hunt. The figures from the studio of P. P. Rubens. 1196 

J 3 — 00 canvas/ 1,915 K by 3^ w, — inventory of 1754. 

SNyDERS, STyLE OF FRANS SNyDERS. 

A Bear. attacked by dogs. The signature 7. Snydersfec. is spurious. 1197 

H3 — on canvas/ 1,31 h. by 2,10 w. — acquired through Gotter before 1736. 

A Woman selling vegetables. Companion picture to No. 1199. ! 1198 

H 4 — on canvas/ 149 h. by 2,005 w. — acquired in 1741 from the Wallenstein CoI« 
lection at Dux. 

A Man selling vegetables, 1199 

H 4 — on canvas/ 1,45 h. by rfiz w. — acquired In the same manner as No. 1198. 



132 



FLEMISH PAINTERS 



VOS, PAUWEL DE. Born at Hulst about 1590 ,• died at Antwerp 
June 30'*^ 1678. Brother^in-^Iaw of Snyders whose style he followed. 

The Animal Kingdom in Paradise. 

H 2 — on canvas/ 1,68 h. by 2,705 w. — inventory of 1754. 



1200 



SEGHERS, DANIEL. Born at Antwerp Dec, 5'^ 1590,- died 
there Nov. z^^ 1661. Jesuit Father. Pupil of Jan Brueghel the 
Elder. 

1201 A Bunch of Flowers surmounted by lilies in a glass. Signed : D S . 
j Soc''' Jesu . 1643. 

19b — on copper/ 0,855 h- by 0,645 w. — presented to King Ausustus by theQyeen in 
I «75t. 

1202 ' A Bund\ of Flowers surmounted by roses in a glass. Signed: D . S . 
\ Soc*'Jesv . 1643. 

I 16b — on copper/ 0,455 b- by 0,35 w. — acquired through Leplat in 1727. 

1203 I Flowers surrounding a stone relief of the Adoration of the Shepherds. 
I Signed : Pater Dattief Segers. 

i 47a — on canvas/ 142 h. by 0,95 w. — acquired through Rechenberg in 1728. 

1204 ; Flowers surrounding a stone relief of the Virgin with the Child. 
I Signed : Pater Dattief Segers. 

47a — on canvas/ 1415 h. by 1,125 w. — acquired through Redienbcrg in 1728. 

1205 Flowers surrounding a stone relief of the Virgin with the Child on 
her lap. Signed: Dattief SegBcrs Soc^" Jesv. 

j 20b —on copper/ 0,85 h. by 0,61 \r. — acquired in 1741 from the Wallensiein Co!» 
lection at Dux. 

1206 Flowers surrounding a stone relief of the Virgin. Signed : Dattief 
SegBers Soc^^^ Jesv. 

20 b — on canvas / 0,855 h- by 0,645 w — acquired in 1741 from the Wallenstdn Col» 
lection at Dux. 

1207 Style of Seghers, see Appendix. 

ADRIAEN VAN UTRECHT. Bom at Antwerp Jan. tz* 
1599/ died there Oct. 5*1^ 1652. Pupil of Harmen de Nijt. 

1208 StilUlife with a dog and cat fighting. Signed: Adriaen vatt Vtredjt 
fecit atto 1647. 
H 1 — on canvas/ 1,84 h. by 2,27 w. — inventory of 1754. 

1215 A ADRIAEN VAN UTRECHT <?) StilUlife with a hare and birds on 
a ring. Signed (spurious) ; 5/, 7'//'/' .yi 
M3 — on canvas/ 0,86 h. by 1,17 w. — invemor>' of 1754. 



OF THE XVII. CENTURY 



133 



JACOBSEN, JURIAEN. Supposed to have been born m Ham- 
burg about 1610 (according to some not until 1630)/ supposed to have 
died at Leeuwarden in 1685 (according ro some in Amsterdam as 
early as 1664). Certainly lived in Amsterdam from 1659 to 1664. 
Pupil of F. Snyders in Antwerp. 

A Wild Boar attacked by dogs. Sigm^: J JacoBsen .fee . I660. 
1 2 — on canvas; 1,82 h. by 2,54.5 w. — inventory of 1754. 

FyT, JAN. Baptized at Antwerp March 15^^ 1611,- died there 
Sept. iftl* 1661. Pupil of Frans Snyders. 

StilHife with a hare, porcelain dishes and red cloth. Signed : Joannes 

Tyt. T. 

47 a — on canvas/ 0,81 h. by .1,00 w. — inventory of 1754. 

A large Dog with a boy and a dwarf. Signed : Joannes Tijt . 1652. 
M 3 — on canvas/ 1,38 h. by 2/335 w. — purchased in London in 1874. 

Two dead Partridges, a dog sniffing at them. Signed : Joannes Tyt. 

L 3 — on (suivas/ 0,40 h. by 0,56 w. — inventory of 1754. 



Dead Game. 

t a — on caiiva 
Cunftkammer in i666y 



jfta — on canvas/ 0,755 h« by 0,575 w. — Guarienti inventory <perhaps passed to the 



A dead Kid. It is doubtful whether it is the work of Fyt. 
51a — on canvas/ 0,73 h. by 0,60 w. — Guarienti inventory. 

Fyr <?> see Adriaen van Utredtt. 
Fyr <?> see Appendix. 

APS HOVEN, THOMAS VAN. Baptized at Antwerp Nov. 30* 
1622/ died there between Sept. t8* 1664 and July 1665. Pupil of D. 
Teniers the younger. 

A Morning Repast. Signed : T . P . ApsBoven. 

14c — on oak/ 0,275 h. by 0,40 w. — acquired through von iOtiserling in 1741, 

SON, JORIS VAN. Baptised at Antwerp Sept. 24t<» 1623,- buried 
there June 25th 1667. 

Fruit and Vegetables. 

43 b — on canvas/ 0,475 h. by 0,64 vc. — acquired in 1740. 

A Morning Meal. 

43b — cm canvas/ 0,49 h. by 0,645 "*>• " acquired through von Kaiserling in 1741. 
See Appendix. 



1209 

1210 

1211 
1212 
1214 

1215 

12t5A 
1216 

1217 

1218 
1219 
1220 



134 



FLEMISH PAINTERS 



I KESSEL THE ELDER, JAN VAN. Baptized at Antwerp 
April 5tl» 1626/ died there April ly'f* 1679. Son of Jeroom van Kessel, 
Grandson of Jan Brueghel the Elder, and pupil of Simon de Vos and 

j of his uncle Jan Brueghel the Younger. 

1221 A Table spread with viands. Signed \ J . v . Kessef f , anno 1654. 
18 a --on canvas; 0,855 h. by 1,17 w. — probably inventoried in 1754. 

HEEM, CORNELIS DE. Baptized at Leyden April 8th 1631,- 
buried at Antwerp May 17'^ 1695. Pupil of his father Jan Davidsz. 
dc Heem. 

1222 I StilUlife, with a lobster, fruit and flowers. Signed : C . de Heem ./. 
I 18 c — on canvas/ 0,40 b. by 0,525 w. — inventory of 1722. 

1223 t StilUlifc, with a cluster of fruit tied with a blue ribbon. Signed : . . cfe 
\ Heem. The letters J. D. placed before the name later. Companion 

picture to the three following pictures. 

20a — on canvas; 0,645 h. by 0,53 -w. — acquired through Leplat in 1727. 

1224 StilUlife with a box and a wine glass. Signed : C . de . Heemf. 

18 b — on canvas; 0,625 h. by 0,535 w. — acquired through Leplat in 1727. 

1225 StilUlife with oysters and a large wine glass. Signed: C . de Heem. 
!8b — on canvas/ 0,635 h. by 0,56 w — acquired through Leplat in 1727. 

1226 i StilUlife with oysters and a wine bottle. Signed : C . de Heem. 
! 20a — on canvas; 0,635 h. by 0,54 w. — acquired through Leplat in 1727. 

ELLIGER THE ELDER, OTTMAR. Bom at Gothenburg 
or Copenhagen Sept. 8'^ 1633/ died in Berlin Dec. 21*^ 1679. Pupil of 
I David Seghers in Antwerp. 

1227 Flowers and Fruit on a stone ledge. Signed: Ottmar Etfiger . Tecit. 
Anno . 1674. 

\ 19b — on oak; 0,385 h. by 0,30 w. — acquired through von Kaiserling in 1741. 

1228 ! Flowers and Fruit tied with a blue ribbon. Signed : Ottmar Effi'ger . 
\ T.A.16... 

13 c — on oak; 0,635 h. by 0,44 w. — purchased at the Leipsic fair in X727. 

VEERENDAEL, NICOLAES VAN. Baptized at Antwerp 
I Febr. 19* 1640/ died there Aug. ii^h 1691. 

1229 I Monkeys regaling themselves. Signed : Nf . v . Veerendaef 1686. 
I 9 a — on oak; 0,29 h. by 0,375 w. — first in catalogue of 1817. 

1230 j A Bundi of Flowers. Signed : Na vo . Veeredaef. 

14a — on oak; 0,555 h. by 0,425 w. — inventory of 1754. 

Sec also No. 1091. 



OF THE XVU. CENTURy 



135 



WALLOON SCHOOL 



FLEMAL, BARTHOLET. Born at Liege May 23 th 1614,- died 
there July 10 * or 18* 1675. Pupil of Gerard DoufFet. 
i^neas' Departure from Troy, Signed : BartBofet Tfemaf. 

P9 — on oak/ o^ h. by 0,635 w. — inventory of 1722. 

VAILLANT, WALLERANT. Born at Lille May 30th ,623, 
buried at Amsterdam Sept, 2"«' 1677, Pupil of Erasmus Quellinus, 
A Board with letters etc, secured by red tape. Signed : WalTerana 
PaiOant feat 165S. On one of the letters is written: Aux freres 
WalTerand et Bernard VailTant au chateau de He^defBerg. 
P8 — on canvas/ 0,515 h. by 0,405 w, — first in the catalogue of 1862. 

LAIRESSE, GERARD DE, Bom at Liege 1641/ buried at Amster- 
dam July zist 1711. Pupil of his father and of Bartholet Flemal. 

Mount Parnassus, Signed : G. Lairessef. 
9 b — on oak/ 0,775 h. by 1,525 w. — inventory of 1722, 

A Bacchanal, 

6b — on canvas/ 0,705 h, by 0,655 «'• " inventory of 1722. 



t 
+ 



1231 



1232 



1233 
1234 



X 

DUTCH SCHOOLS 

OF THE 

XVII. CENTURY 



138 



DUTCH PAINTERS 



1235 
1236 

1238 
1239 

1240 

1241 
1242 
1242A 
1243 

1244 
1245 



SCHOOL OF UTRECHT 



BLOMAERT, ABRAHAM. Born at DortreAt about Christmas 
1564/ died at Utredit Jan. 27* 1651. 

An Old Man with a white beard. Bust-length, Signed : A Bfoemaert 
fee . 1635. 

0,1 — on oak/ 0,375 h. by 0,275 w. — inventory of 1722 <passed to the Kunstkanuner 
in 1700). 

The Crucifixion of S. Peter. Copy from Caravaggio. 

P8 -- on oak/ 0,53 h. by 0,415 w. — inventory of 1722 (passed to the Kunitkammer 
In 1797). 

POELENBURGH, CORNELISVAN. Born at Utredit 1586/ 
died there Aug. iztli 1667. Pupil of Abraham Bloemaert. 
Landscape with the Holy Family. Signed : C P. 

9a — on copper,- 0,33 h. by 0,415 w. — passed to the gallery from the store'rooms In 
1855. 

Landscape, with the Holy Family resting during the Flight into Egypt. 

Signed: C. P. 

9c — on oak/ 0,26 h. by 0,345 ^> ~ inventory of 1722 <"through the Danish Am* 

bassador"). 

Landscape with women bathing. Signed : C P. Companion picture 

to No, 1241. 

9C — on oak/ 0,24 h. by 0,29 w, — inventory of 1722 <"by the Danish Ambassador"), 

Women washing in vaulted ruins. Signed: C P. 

9 c — on oak/ 0,245 h. by 0,29 w..— 'inventory of 1722 <"by the Danish Ambassador") 

Mount Parnassus. Signed : C, P. 

9c — on oak/ 0,61 h. by 0,555 ^' -~ inventory of 1722. 

The Assumption of the Virgin, Signed: C. P. 
9c — on copper/ 0,37 h. by 0,295 w. — Guarienti inventory. 

Landscape with Tobias and the Angel. Signature <not genuine): C.P. 

Companion picture to No. 1244, 

9c — on oak/ 0,265 h. by 0,335 w. — inventory of 1754. 

Landscape with women bathing. Signature <doubtful> : C P. 
90 — on oak/ 0,265 h. by 0,34 w. — inventory of 1754. 

River Landscape with nymphs bathing. Signature (perhaps not 

genuine) : C. P. 

9 c — on oak/ 0,405 h. by 0,525 w. — Guarienti inventory. 



OF THE XVII. CENTURY 



139 



Landscape with four haff=naked men. Companion picture to No. 1247. 1246 

7 a — on oak/ 0,33$ h. by 0,28 w. — Giiarient! inventory. 

Landscape with four half naked women. 1247 

7a — on oak/ 0,335 h. by 0,28 w. — Guarienti inventory. 

The Adoration of the Kings. 1248 

9b — on oak ; 0,405 h. by 0,30 w. — inventory of 1722. 

POELENBURGH, UNKNOWN PUPIL OF C. POELEN- 

BURGH and PEETER BOUT. 

Flodcs and Herds crossing a riveri The figures by P. Bout <see No, 1250 

1168—1175), ths landscape hy a pupil of Poelenburgh. 

9C — on oak/ 0,24 h. by 0,335 w. — G.^W. Ill, 25 — in the 1722 inventory described 

as a Hillus. 

HONTHORST, GERARD VAN. Bom at UtreAt Nov. 4* ,590, 

died there April zj^^ 1656. Pupil of Abraham Bloemaert, formed his 

style under the influence of Caravaggio in Italy where he was called 

Gherardo dalle Notti. 

The Dentist. Three-quarter length. Signed : G . v : Hont Horst : 1251 

fe . 1622. 

K i — on canvas / 1,47 h. by 2,19 w. — acquired from the Imperial Gallery at Pragne 
in 1749. 

An Old Woman at a tabic upon whidi a candle is burning. Half- 1252 
length. 

L 2 — on oak / 0,925 h. by 0,705 w. — acquired in 1741 from the Wallenstdn Collection 
at Dux. 

An Old Woman with a candle in her hand. Bust-length. 1253 

L 2 — on canvas; 0,71 h. by 0,575 w. -~ inventory of 1722. 

HONTHORST. STyLE OF GERARD VAN HONTHORST. 

An Old Woman with a pair of spectacles in her hand. Perhaps by 1254 

H. Terbrugghen (1588 to 1629, fellow pupil of Honthorst). Bust-length. 

P 4 — on canvas/ 0,61 h. by 047 w. — purchased in Leipsic in 1740. 

DROOCHSLOOT, lOOST CORNELISZ. Born at UtreAt 
1586/ died there May i4"» 1666. 

A busy Thoroughfare in a village. Monogram^of the X^zxsJCDSf. 1255 
15 b — on oak/ 0,475 h. by 0,63 w. — acquired in 1874 from the Reede van Oudtshoom 
Collection at Utre<£t (formerly Cremer Collection at Brussels). 

VERTANGEN, DANIEL. Bom at the Hague about 1598/ died 

at Amsterdam after 1681. A pupil of Poelenburgh in UtreAt. 

The Expulsion from Paradise. Signed : D . Vertangen. 1256 

a — on copper/ 0,20 h. by 0,245 ▼• — first appears in catalogue of 1835 <ln th£ 

Kiuutkammer as late as 1741). 



14o 



DUTCH PAINTERS 



AST, BALTHASAR VAN DER. Born atMlddelburg before 1590, 

in Utredit from 1619 to 1632, afterwards in Delft where he was stilf 

alive in 1656. 

Shells and Fruit. Signed : B . van der Ast. 

14c — on oak/ 0,29 h. by 0,37 w. — inventory of 1722. 



1257 



1258 



1259 
1260 
1261 

1262 

1263 
1264 

1265 
1266 
1267 



KNUPFER, NIKOLAUS. Born at Leipsic about 1603,- died <in 
Utredit?) about 1660. In 1630 a pupil of Abraham Bioemaert in Ut- 
rcdit, in 1637 a member of the Guild there. 

Portrait of the artist himself, with his wife and three children. Signed : 
N Knupfer. 

13a — on oak/ 0,50 h. by 0,55 xr, — Guarienti inventory. 

HEEM, JAN DAVIDSZ. DE. Born at Utredit 1606 ,- died at 

Antwerp in the winter of 1683— 1684. Pupil of his father David in 

Utredit 

Fruit in front of an old wall. Signed -.J.D.cfe Heem. 

18 c — on oali/ 0,415 h. by 0,545 ^' " inventory of 1722. 

Still* life with a lobster. Signed -.J.D.de Hcem . R. 
18b — on canvas/ 0,67 h. by 0,56 w. — inventory of 1722. 

StilUlife with a bird's nest. Signed : J . D . de Heem fecit. 

17 a — on canvas / 0,89 h. by 0,72 w. — acquired through Raschke from Antwerp 

in 1709. 

A Bundi of Flowers in a silver vase with fruit lying near it. Signed: 
J.D.de Heem/. 

13 c — on oak; 0,64 h. by 0,44 w. — inventory of 1722. 

Fruit and Flowers tied with blue ribbon. Signed :c/. D . de Heem/. 
15c — on canvas/ 0,345 h. by 0,29 w. — acquired througii Wadierbarth after 1728. 

A Bunch of Flowers with a blue iris in a glass bottle. Signed r^/. D . 

de Heem/. 

J4c — on oak/ 0,48 h. by 0,37 w. — inventory of 1722. 

Memento mori ! A skull near a luxuriant bundi of flowers. Signed : 
J . D . de Heem. 

47b — on canvas/ 0,875 h. by 0,65 ■«'. — inventory of 1722. 

A Bundi of Flowers with dark red peonies in a glass. Signed: j/. D . 

de Heem . R. 

47 b — on canvas/ 0,855 ^ !>>' 0,675 w. — inventory of 1722. 

Fruit near a glass of flowers. Signed -.J.D.de Heem . R. 

Ml — on canvas/ 1,005 h- by 0,755 ^' *" acquired through Rasdike from Antwerp 
in 1709. 



OF THE XVII. CENTURY 



141 



A Class of Wine in a stone nitiie surrounded fay a wreath of flowers. 
Signed : JD de Heemf. A . 16 5o. 

17 c — on canvas / i,2z h. by 0,87 w. — not known for certain to have been catalogued 
before 1765. 

HEEM. SCHOOL OF JAN DAVIDSZ. DE HEEM. 

Fruit and Oysters with a sprig of orange blossom. 

L J — on oak/ 0,355 h. by 0,56 w. — taken from the storc'rooms in 1856. 



BOTH, JAN. Born about 1618 at Utredit,- buried there Aug. 9* 
1652. Pupil of Abraham Bloemaert. Influenced in Rome by Claude 
Lorrain. 

Italian Landscape with a bridge in the background. Signed : JBotB. 
14a — on oak; 0,40 h. by 0,55 w. — Guarienti inventory. 

Ruins near a bay. Signed : JBotB. 

7b — on oak; 0,54 h. by 0,41 w. — inventory of 1722. 

A mountain road over wooded country. 

15c — on oak/ 0,69 h. by 0,925 w. — first found in the catalogue of 1817 (supposed to 
have been purchased at the Leipsic Easter Fair in 1751). 

Road under trees in a valley. 

17b — on canvas/ 0,865 h. by 1,17 w. — first found in the catalogue of 1817. 

BOTH, copy AFTER JAN BOTH. 

Bridge at the foot of a rode on whidi a castle is situated. 

15a — on canvas/ 0,845 h. by 1,155 w. — first found in the catalogue of 1765. 

STOOP, DIRCK. Born at Utredit about 1610/ died there 1686. 

Painted for some time in Lisbon and in England. 

Rest during the <hase. Signed : D . Stoop. 

P 10 — on oak / 0,57 h. by 0,52 w. — first found in the catalogue of 1835. 

Camp scene. 

9a — on oak/ 0,315 h. by 0^45 w. —■ acquired from Prague through Riedel in 1742. 

STOOP, CORNELIS. Supposed to have been born in Hamburg 

about 1606. Details of his life not known. 

STOOP <?> A rodiy cave with a statue. 

P 5 — on oak/ 0,29 h. by 0,505 w. — acquired through von Kaiserfing in 1741. 

SAFTLEVEN THE yOUNGER, HERMAN. Born at 
Rotterdam 1609 or 1610,- died at Utredit Jan. 5th 1685. Pupil of his 
father Herman in Rotterdam, but resident in Utredit. 
Hilly Landscape in the time of vintage. Monogram and 1649. 
9c — on oak/ 0,225 h. by 0,17 w. — Guarienti inventory. 



1268 
1269 

1270 
1271 
1272 

1273 
1274 

1275 
1276 

1277 
1278 



142 



1279 

1280 
1281 

1282 
1283 
1284 
1285 

1286 
1287 

1288 

128» 
1290 

1291 
1292 



DUTCH PAINTERS 



View of a Valley with a fortification in the middle distance. Mono= 
gram and i65 • (The last cypher is indistinct.) 
8a — on oak; 0,315 h. by 0,415: w. — inventory of 1722. 

Castle on a steep rock above a valley. Monogram and 1656. 
7b — on oak/ 0,20 h. by 0,30 w. — inventory of 1722, 

The fortress of Ehrenbreitstein <Hermannstein> on the Rhine. Mono- 
gram and on the badi : EBrenBritsteyn ofte Hermesteyn Anno 1656. 
7b — on copper/ 0,255 h. by 0,295 w- "" inventory of 1722. 

Mountainous Landscape with a small diapel. Monogram and 1658. 
P7 — on copper/ 0,215 h. by 0,265 w. — inventory of 1722. 

Rodiy Valley with a village and diurdi. Monogram and I660. 
Pi — on oak/ 0,445 h. by 0,575 ^'' " inventory of 1722. 

Valley with a ferry boat on the river. Monogram and 1662. 
P6 — on oak/ 0,36 h, by 047 w. — first found in the catalogue of 1817. 

Landscape on the Rhine. Monogram and 1662. On the back: 
^^Costerspei" Herman Saftfevenf . A . litre (£t Anno 1662. 
7a — on copper/ 0,15 h. by 0,23 w. — inventory of 1722. 

Hilly district, strongly fortified. Monogram and 1663. 
7b — on oak/ 0,24 h. by 0,33 w. — not found in inventory before 1754. 

Landscape on the Rhine near Engers. Monogram and 1663. On the 
back: Engers Herman Saftfevenf . A . UtrecBt Anno 1663. 
7a — on copper/ 0,15 h. by 0,24 w. — inventory of 1722. 

Landscape near Cologne. Monogram and 1663. On the back: 
By Cue (Ten Herman Saftfeven f . A . Utrecht Anno 1663. 
7a — on copper/ 0,15 h. by 0,235 w. — acquired after 1747. 

View of Utrecht. Monogram and 1664. 

16 a — on copper/ 0,195 h- t>y 0,355 w. — inventory of 1722. 

Landscape near Brieg. Monogram and 1664. On the back: By 
BrieigB Herman Saftfeven f . A , UtreSt Anno 1664. 
7a — on oak/ 0,17 h. by 0,265 w. — inventory of 1722. 

Signal Tower on the shore of a bay. Monogram and 167o. 
P7 — on oak/ 0,205 h. by 0,28 w. — inventory of 1722. 

The fortress of Ehrenbreitstein or Hermannstein, Monogram and 
1674. On the back: Het Casteffvon Harmestein Herman Saftfeven 
/. UtrecAt Anno 1674. 
8a — on oak/ 0,285 h. by 0,38 w. — inventory of 1722. 



OF THE XVII. CENTURY 



143 



Mountain and river Landscape with people bathing. Perhaps only a j 1293 
work of the sdiool. Companion picture to No. 1294. ! 

7b — on copper/ 0,25 h. by 0,34 w. — first found in the catalogue of 1817. 

Mountain Landscape with a waterfall. Perhaps only a work of the 1294 

sdiool. 

9c — on copper/ 0,25 h. by 0,335 "^^ — first found in the catalogue of 1817. 

BLOEMAERT, HENDRICK. Bom at UtreAt about 1601, died 

there Dec, 31st 1672. Son and pupil of Abraham Bloemaert. 

A Man with a looking glass. Half»length, Signed : H Bfoemaert fc 1295 

16. ,<i648?>. 

P4 — on canvas/ 0,665 h, by 0,525 w, — first found in the catalogue of 1872. 

An Old Man praying. Three»quarter length, 1295 A 

P4 — on canvas/ 0,95 h. by 0,76 w. — inventory of 1722. 

VERSCHURING, HENDRICK. Born at Gorkum 1627, drowned 

near Dordredit April zt^ 1690. Pupil of Jan Both in Utredit. 

Riders preparing to start. Signed: H. VerscBuring .fl679- 1296 

0,3 — on oak/ 0,635 h. by 0,475 w. — inventory of 1722. 

Christ on the way to Golgotha. Signed: H . PersdSvr/ng. 1297 

Q.1 — on canvas/ 0,805 h. by 1,22 w. — inventory of 1754. 

LIN, HERMAN VAN, called STILHEID. Known to have lived 
in Utredit between 1659 and 1670, 

Cavalry Combat beneath the walls of a fortress. Signed: H. v . Lin . \ 1298 
fe . t659. 

18 c — on oak/ 045 h. by 0,635 w. — inventory of 1722. 

Hunting party. Signed : H . van Lin . fe. Companion picture to 1299 
No. 1300. 

9a — on oak/ 0,22 h. by 0,27 w. — inventory of 1722, 

Hunters resting in a court-yard. Signed; H . v . Lin .fe. 1300 

9a — on oak/ 0,225 f>- by 0,27 w. — inventory of 1722. 

D'HONDECOETER, MELCHIOR. Bom at Utredit 1636/ 

died at Amsterdam April f^ 1695. Pupil of his father Gijsbert and of 

his uncle J. B. Weenix in Utredit. 

A Bird of Prey in the poultry-yard. Signed : M . DHondekoeter. 1301 

16b — on canvas/ 1,07 h, by 1,39 w. — acquired in 1724. 

Hen and Chidcens in a poultry-yard. Signed ; MD'Hondecoeter, 1302 

K 3 — on canvas / 0,775 h. by 0,945 ^- *" acquired through von Kaiserling in 1741. 

Dead Birds, and implements of the diase. Signed : Af . Z>'// ... . 1303 

L 1 — on canvas / 0,725 h. by 0,81 w. — acquired through Morel in 1740, 



144 



DUTCH PAINTERS 



1304 j Still-life with a kingfisher. Signed: M . d . Bondec. 

! 7 c — on canvas / 0,56 h. by 047 w. — inventory of 1727. 

1305 The Bird Concert. 

47b — on canvas; 1^ h. by 2,14 w. — inventory of 1727 <at that time at Motitzburg). 

HAENSBERGEN, JOHANNES VAN. Born at UtreAt 

{an. 2n<li642/ died at the Hague Jan. iot*> 1705. Pupil of Cornelis van 
*oe!enburgh. 

1306 The "Good Tidings" to the Shepherds. Signed : / . V. H. 
9b — on oak/ 0,555 h. by 0,29 w. — inventory of 1722. 

1307 i The Adoration of the Shepherds. Signed:/.!^,//. 
I 9b — on oak/ 0,365 h. by 0,29 w. — inventory of 1722. 

1308 I The Adoration of the Magi. Signed: /. P', //. 
j 9b — on oak/ 0,37 h. by 0,29 w. — Guarienti inventor>'. 

1310 j Rodiy Landscape with women bathing. Signed : H . B. 
i 9a — on oak/ 0,215 h. by 0,265 ^' " inventory of 1754. 

1310 A Portrait of a lady in hunting costume. Three-quarter length. Signed: 
J . V . HaensBergen 1676. 

9a — on canvas/ 0,41 h. by 0,35 w. — bequeathed by the President of the Cotirt of 
Appeal E. F. Nossky in 1893. 

VORSTERMANS, JOHANNES. Bom at Bommel about 1643/ 
died about 1699. Pupil of Herman Saftleven in Utredit. 

1311 VORSTERMANS <?> View from the fort. 

16a — on oak/ 0,15 h. by 0,215 w. — first found in the catalogue of 1817. 

HOET, GERARD. Born at Bommel Aug. zz"*! 1648/ died at the 
Hague Dec. 2"<l 1733. 

1312 Flora with three children. Signed : Hoetfe 1667 Q^- 
9c — on oak/ 0,27 h. by 0,32 w. — inventory of 1722. 

WyTMANS, MATTHEUS. Supposed to have been bom at 
Gorkum about 1650/ member of the Utredit Guild in 1667/ died 
there <?> about 1689. Pupil of H. Versdiuring. 

1313 The Lute'player. Three-quarter length, ^KgnzA: M .'Wijtmans . f . 

9a — on oak/ 0,285 h- by 0,23 w, — first found in the catalogue of 1835. 

MARIENHOF, A. Said to have lived in Utredit about 1677. 

1314 An Ardiitect before a Princely Couple. Signed: A , MarienBof f 
1649. 

P5 — on oak/ 0,485 h. by 0,64 w. — acquired through Riedef from Prague in 1742. 




1336 



Jan Permeer van Defft 




1559 



RemBrandt van Rijn ' 



OF THE XVn. CENTURY 



145 



DELFT SCHOOL 



MIEREVELT, MICHIEL JANSZ. VAN. Bom at Defft May i« 
1567/ died there June zj*** 1641. Pupil of A. van Montfort in Utredit. 
Portrait of an elderly gentleman. Bust»length. 1315 

M 2 — on oak/ 0,71 h. by 0,56 w. — certainly found In the catalogue of 1765 (probably 
acquired through Heinecken in 1742). 

Portrait of a gentleman with a letter in his hand. Half-length. 1316 

K3 — on oak; 0,74 h. by 0^35 w. — acquired in 1742 through Riedel from Prague. 

Portrait of a lady. Half-length. 1317 

K3 — on oak/ 0,74 h. by 0,62 w. — acquired in 1742 through Riedel from Prague. 

Portrait of an old gentleman, leaning upon a stick. Three-quarter 1318 

Icngfth. 

Lt — on oak/ 1,18 h. by 0,885 w. — acquired in 1742 through Riedel from Prague. 

MIEREVELT. SCHOOL OF MICHIEL JANSZ. VAN 

MIEREVELT. 

Portrait of a lady. Half-length. 1319 

L2 — on oak/ 0,71 h. by 0,55? w. — first found in the catalogue of 1843 (supposed to 

have been acquired through Riedel from Prague in 1742). 

Portrait of a man <the Merdiant Grossa de Rynealmo of Amsterdam?) 1320 
in a painted stone oval. Bust-length. Perhaps by P. Moreclse. 
L 2 — on oak / 0,76 h. by 0,60 w. — acquired in 1728 from Holland. 

Portrait of a lady with a fan. Three-quarter length. According to 1321 

some by G. Honthorst. 

L 1 — on oak/ t,i7 h. by o,88y w. — acquired in 1742 through Riedel from Prague. 

MIEREVELT, PIETER. Bom at Delft Oct. 5* 1596,. died there 

Jan. iitl* 1623. Son and pupil of M. J. Micrevelt. 

Portrait of a young man with a sword. Three-quarter length. 1322 

L 2 — on oak / 1,06 h. by 0,775 w. — first found in the catalogue of 1835 and described 
as a Picter Mierevelt. 

BRAMER, LEONHARD. Bom at Delft Dec. 24th 1596/ buried 

there Feb. lo^h 1674. Influenced by Elsheimer in Rome. 

The modting of Christ. Signed : LHBramer 1637. 1323 

23 a — on oak/ 0,795 h. by 0,585 w. — inventory of 1722 (acquired from Leipsic). 

The prayer of King Solomon. Signed: L . Bramer. Companion | 1324 

picture to No. 1325. 

17 b — on oaky 0,735 h. by xjofjfy w. — acquired in 1738. 



146 



DUTCH PAINTERS 



1325 The Queen of Sheba before Solomon. Signed : L . Bramer. 

«7b — on oak/ 0,74 h. by 1,095 '^- — acquired in 1738, 

PALAMEDESZ. STYLE OF ANTHONIE PALAMEDESZ., 
called STEVAERTS. Born at Delft about 1600/ died during a 
journey to Amsterdam Nov, z-j^^ 1673. Under the influence of Micre* 
velt and Dirdt Hals. 

1326 A Gentleman leaning on a stick. 
15c — on canvas/ 0,28 h. by 0,18 w. — first found in the catalogue of 1862. 

PALAMEDES PALAMEDESZ., called STEVAERTS. Sup- 
posed to have been born in London 1607,- died at Delft Mardi 26* 
1638. Younger brother of Anthonie Palamedesz. 

1327 Skirmish of horsemen. Signed : P . . . vaert. C1634 ?). 
15 b — on oak / 0,46 h, by 0,715 w. — first found in the catalogue of 1835. 

POEL, EGBERT VAN DER. Baptised at Delft Mardi 9th 1621,- 
buried at Rotterdam July 19th 1664. 

1328 Courtship in a peasant's room. Signed : E VPoef 1648. 
J) b — on oak/ 0,595 h. by 0,755 'w^- "" purchased in 1876 at Amsterdam. 

1329 Male and Female Peasant in a stable near an oven. Traces of the 
signature : E . van der PoeC still preserved. 
13 b — on oak/ 0495 h. by 0,75 w. — acquired in 1741 through von Kaiserling. 

1329 A Fire at night in a village. Signed:/*. 
P 7 — on oak / 0,185 h. by 0,235 w. — presented by Herr Ed. Cidiorius in 1906. 

AELST, WILLEM <GUILLELMO> VAN. Bom at Delft 1626,- 
probably died at Amsterdam 1683, or later. Pupil of his uncle Evert 
van Aelst at Delft, 

1330 Dead Game with a partridge and a bullfmd]. Signed: Guif^" van 
Aefst 1644. 
7 — on canvas; 0,56 h. by 0,47 w. — inventory of 1722. 

1331 An oyster Breakfast, Signed: GuilT'*"' van Defst 1679- 
8b — on canvas/ 0,56 h. by 0,45 w. — acquired in 1741 through von Kaiserling. 

AELST. STYLE OF WILLEM VAN AELST. 

1332 Fruit near a stone tankard, 
8a — on canvas/ 0,65 h. by 0,54 w, — acquired in 1741 through von Kaiserling, 

OOSTERWyCK, MARIA VAN. Born at Nootdorp near Delft 
Aug. 20* 1630/ died at Uitdam Nov. i2tl» 1693. Pupil of Jan Davidsz. 
de Heem. 

1333 Fruit and cups. Signed: Maria van Oofterwyc^. Companion pic- 
ture to No, 1334. 

7 a — on canvas / 0,705 h. by 0,56 w. — acquired in 1740 through Morel. 



OF THE XVII. CENTURY 



147 



Flowers and shells. Signed: Maria van Oosterwyc^. 1334 

14a — on canvas; 0,72 h. by 0,56 w. — acquired in 1740 through Morel. 

VERMEER <VAN DER MEER> VAN DELFT, JAN. 
Baptised at Delft Okt. 31st ,632,- buried there Dec. i5t'» 1675. Pupil of 
Carel Fabritius. 

A Girl with her lover, a lute^player, and a woman on a balcony. 1335 
Three-quarter length. Chef d'oeuvre of this master. Signed (inter- 
woven) : JVMeer . 1650. 

K3 — on canvas/ 1,43 h. by 1,30 w. — acquired in 1741 from the Wallenstcin CoU 
lection at Dux. 

A Girl reading a letter at an open window. Three=quartcr length. 1336 

Traces of signatures on the right. 

10 b — on canvas/ 0,83 h. by 0,645 w- ~" acquired in 1742 through de Brais from Paris. 



HAGUE SCHOOL 



RAVESTEyN, JAN ANTHONISZ.VAN. Bom at the Hague 
about 1575/ buried there June zi^t 1657. 

RAVESTEyN <?> Portrait of a Commander in armour. Three- 1337 
quarter length. Dated; 16o5' 

Hi — on canvas/ 1,19 h. by 0,925 w. — first found in the catalogue of 1835 <supposed 
to have been acquired through Rossi from Italy in 1744). 

VENNE, ADRIAEN PIETERSZ. VAN DE. Bom at Delft 1589/ 

died at the Hague Nov. 12th 1662. 

Peasants fighting. Grey monodiromc. Inscription : Af^</'//^5. Signed: 1337 A 

Av .D . Venne 1633. 

store-rooms — on oak/ 0,275 h. by 0,37 w. — purchased at the Fetis auction at 

Brussels in 1909 and presented to the Gallery. 

MyTENS. Perhaps ISACK MyTENS. Member of the Hagu e 
Guild in 1622. 

A portrait group of David Mytens, his wife Judith Hennings, and 1338 
their five children. Three-quarter length. Inscriptions giving the 
names of the members of the group, their ages and the date 1624. 

K4 — on canvas ; 1,02 h. by 1,63 w. — purdtased in Grflnberg as a Daniel Mytens in 
1883 <formerly in private hands in Coi>enhagen>. 

GOyEN, JAN VAN. Bom at Leyden Jan. 13th 1596/ died at the 
Hague April 1656. Pupil of C. van Sdiilperoort and of Esaias van 
dc Veldc. 

A Well near a peasant's cottage. Monogram ; l^G and 1633. 1338 A 

8 b — on oak / 0,55 h. by 0,80 w. — inventory of 1754. 



148 



DUTCH PAINTERS 



1338B Winter on the river. Signed: VGoyen 1643. Companion picture 

to No. 1338 C. 

5b — on oak/ oval,- 0,68 h. by 0,905 w. — first found in the catalogue of i8tz. 

1338 C Summer on the river. Monogram: VG and J643. 

5b -> on oak/ oval/ 0,68 h. by 0,905 w. — first found in the catalogue of i8iz. 

CROOS, ANTHONY VAN. Born t6o6 or 1607. Proved to have 
been at the Hague from 1634 to 1662. School of van Goyen. 
1338 D River Landscape, Signed: AV . Croos . T. 

8 c — on oak/ 0,275 h.bjr 0,335 w. — - acquired in 1S90 from the ; effects of (M. B. 
Lindau, Inspector of the Gallery of Engravings. 

LELIENBERGH, CORNELIS. Bom at the Hague before 1626/ 
member of the Hague Guild from 1646,- died after 1672. 

1339 Dead Birds. Signed: C . LefienBerg^ . f . 1654. 
14 b — on oak/ 0,56 h. by 0,455 w. — Guarientijinventory. 

BEIJEREN, ABRAHAM VAN. Bom at the Hague 1620 or 1621, 
died at Alkmaar after 1675. 

1340 A Fish-stall. Monogram : ^ P.ffT'. 

4ob — on canvas/ 1,25 h. by 1,53 w. — taken from the>store»rooms in 1856 (formerly In 
Brfiirt). 

LISSE, DIRK VAN DER. Member of the old guild at the Hague 
1644 and of the new guild in 1656/ buried there Jan.3tst 1669. 

1340 A Diana and her nymphs bathing. 

9a — on oak/ oA>5 h. byo,9iw. — inventory of 1754 (supposed to have been acquired 
through Rigaud from Paris in 1742). 

VERELST, PIETER. Painted at the Hague between 1643 and 1668/ 
died at Hulst about 1678. 

1341 An Old Man over a coal fire. Monogram: PVE. 

8 c — on oak/ 0,22 h. by 0,20 w. — inventory of 1722. 

1342 An Old Man reading. Monogram :/* P'£'. 
8c — on oak/ 0,265 h. by 0,23 w. — inventory of 1722. 

1343 An Old Woman winding yam. Half-length. 

12b — on canvas/ 0,73 h. by 0,63 ■vr. — acquired in 1741 through von Kaiserling. 

BAEN, JAN DE. Bom at Haarlem Febr. 20* 1633/ buried at the 
Hague Mardi 8th 1702. Pupil of J. A. Badier in Amsterdam. 

1344 The Artist's own portrait. Three-quarter length. 
L 3 — on canvas / 1,07 h. by 0,94 w. — inventory of 1722. 



OF THE XVII. CENTURY 



149 



NETSCHER, CASPAR. Born at Heidelberg 1639, died at the 
Hague Jan. 15^'' 1684. Pupil of Gerard Terbordi, 

A si<k Lady with her physician. Signed : CNetsSer . 1664. 
1 J c — on copper/ 0,27 h. by o,zi w. — Inventory of 1722. 



\ 



The Letter»writer. Three-quarter length. Signed: CNetsSer fecit 

1665. 

8c — on oak/ 0,27 h. by 0,185 w. — inventory of 1722. 

A Lady singing and a lute player, behind a stone window seat. Signed : 
CNetscBer Ao 1665- 

17c — on oak/ 0,43 h. by 0,34 w. — G-=^W. Ill, 10 — acquired in 1754 through Lc Leu 
from the de la Bouexiere Collection in Paris. ' 

A Lady with her maid arranging her hair. Signed : CNetscBer . Ao . 

1665. 

17c — on oak/ 0435 h. by 0^34 w. — first found in the catalogue of 1765 <supposed to 

have been acquired through Lcmmers at Antwerp in i7io>.-' 

A Lady standing at the harpsidiord near a gentleman singing. Signed : 
CNetsdJerf. 1666. 

11a — on oak/ 0,595 h. by 0,46 w. — acquired In the same manner as No. 1347, 

Portrait of a lady supposed to be Madame de Montespan, the Mistress 
of Louis XIV. Signed: C . NetsSer 167o. 

17c — on copper/ 0,505 h. by 0,385 w. — Guarienti inventory (doubtless acquired 
through de Brais from Paris in 1742). 

Portrait of a lady supposed to be Madame de Montespan playing the 

harp, with her son the little Due de Maine. Signed : C . NetscBer . 

Tec . 1671. 

17 c — on copper/ 0,48 h. by o,37|W. —i acquired in 1742 through {de Brais from the 
Dubreuil Collection in Paris. 

A Woman spinning. Signed : C NetscBer. Companion picture to 
No. 1353. 

13 c — on oak/ 0,275 h. by 0,235 w. — inventory of 1722. 

Woman sewing. On the left below are traces of an old signature. 
13c — on oak/ 0,275 h. by 0,235 w. — inventory of 1722. 

Copy, see Appendix. 

TILIUS, JAN. Born at Hilvarenbeek. Member of the Hague Guild 
in 1683. Was living in London in 1694. 

A Woman sewing. Three-quarter length. Signed : ,7 . Tifius . Pin . 

1681. 

lib — on oak/ 0,255 h. by 0,205 w. — inventory of 1722. 



1345 
1346 

1347 

1348 

1349 
1350 

1351 

1352 

1353 
1354 

1355 



15o 



DUTCH PAINTERS 



1356 



1357 



1358 



1359 



1360 



1361 



1362 



1363 



ROEPEL, COENRAET. Bom at the Hague Nov. 6th ,678,- died 
there Jan. 4* 1748. Pupil of Constantin Netsdier. 

A Bunch of Flowers. Signed: Coenraet Roepeff. 

8 c — on canvas ,• 0^95 h. by 0,67 w. — acquired in 1751 through Heinedicn. 

LIMBORCH, HENDRIK VAN. Born at the Hague Mardi6th 
i68z/ died there Feb. 3''d 1759. Pupil of Adriaen van der Werff. 

Venus and Cupid. 

jc — on canvas from oak/ 0,58 h. by 044 w. — doubtless acquired in 1727 at the 
JLdpsic Easter Fair. 



HAARLEM SCHOOL 



HALS THE ELDER, FRANS. Born at Antwerp, of Haarlem 
parents, 1580 or 1581,- died at Haarlem Aug. 29th 1666. Pupil of Karel 
van Mander. Founder of a Sdiool in Haarlem. 

Portrait of a young man in a yellowish grey coat. Half«length. A 
picture of the artist's middle period. Companion picture to No. 1359. 

lib — on oak; 0,245 h. by 0,195 w. — acquired in 1741 from the Wallenstein Col» 
lection at Dux. 

Portrait of a young man in a black coat. Half length. 

lib — on oak/ 0,245 h< by 0,20 w. — acquired in 1741 from the Wallenstein Collection 
at Dux. 

HALS. COPIES AFTER FRANS HALS THE ELDER. 

Portrait of a man. Bust = length. The original in a private collection 
in Paris, 

0,1 — on oak/ 0,34 h. by 0,25 w. — inventory of 1722. 

Portrait of a young lady. Half = length. Copy from a picture of the 

master or studio work. 

M2 — on canvas/ 0,76 h. by 0,63 w. — purchased in Amsterdam in 1875. 

HALS. SCHOOL OF FRANS HALS THE ELDER. 

Portrait of the painter Vincent Laurens van der Vinne. Half»length. 
Perhaps by the painter himself who was a pupil of Frans Hals and 
lived from 1629 to 1702. 

14a — on oak/ 0,63 h. by 0,475 w. — acquired in 1874 from Dr. A. v. d. Willigcn who 
had bought the picture from the van der Vinne family. 

Portrait of an old woman. Half » length. 

M2 — on oak/ 0,745 h, by 0,55 w, — acquired in 1740 from Antwerp. 



OF THE XVII. CENTURY 



151 



LAER, PIETER VAN, in Italy called BAMBOCCIO. Bom 

July 13th 1582 at Haarlem,- died there Jan. 30th 1642. In Rome from 

1623 to 1639. 

At the Wine Cask under the city wall. 1364 

8a — on canvas attadied to oak; 0,J7 h. by 0,48 w. — inventory of 1754. 

Peasants playing boccia <bowls>. 1365 

9 c — on canvas / 0,495 ^- by 0,645 w. — Guarienti inventory. 

Roman Vagabonds in front of S, Maria del Popolo in Rome. 1366 

12 a — on canvas/ 0,74 h. by 0,98 w. — Guaricnti inventory. 

The Master paying his labourers their wages. 1367 

8a — on canvas; 0,40 h. by 0,48 w. — inventory of 1754 (supposed to have been 
acquired in 1746 from the Ducal Gallery at Modena). 

POT, HENDRICK GERRITSZ. Bom at Haarlem about 1585,- 

died at Amsterdam Oct. 16* 1657. Style formed uiider the influence 

of the sdiool of Frans Hals. 

Portrait of a Gentleman (probably Zadiarias Hooftman) in his room. 1368 

Signed <spurious) : . . . Le Due. 

17a — on oak; 0,43 h. by 0,335 w. — ftrst found in the catalogue of 1817 (supposed to 
have been acquired at tnc Lcipsic Fair, Easter 1751). 

The same Gentleman. Half=length. A weaker replica of the pre- 1369 
ceding. 

9a — on oak/ 0,175 h. by o»i4 ▼• ~ inventory of 1754. 

Playing Cards. Signed with Monogram HP. 1369 A 

13 c — on oak; 0495 h. by 0,515 w. — purdiased in Baden'Baden in 1908. 

CLAESZ., PIETER. Born at Burgsteinfurt in Westphalia about 
1590/ in Haarlem after 1617,- buried there Jan. i*' i66i. The father of 
Claes Pietcrsz. Berdiem. 
StilUlife with a tall gold cup. ^Aonoitzm: PC Ao 1624. 1370 

14 a — on oak; 0,65 h. by 0,555 ^. — purchased in Amsterdam in 1875. 

HEDA, WILLEM CLAESZ. Bom at Haarlem 1594,- died there 

after 1679. Authentic proofs of his having been there from 1631 to 

1678. 

A Moming Repast <luncheon> with a bladcberry pie. Signed: He^a . 1/51371 

163/. 

15b — on oak; 0,54 h. by 0^2 w. — purchased in Amsterdam In 1875. 

GREBBER, PIETER DE. Born at Haarlem between 1590 andi6oo/ 

died after 1655. Pupil of his father Frans Pietersz. de Grebber. 

The Finding of Moses. Monogram : P. DG 1634. 1372 

K 4 — en canvas ; 1,695 h. by 2,285 '^- — acquired through GrOnberg from Brussels 
befor«i722. 



152 



DUTCH PAINTERS 



1373 Portrait of a lady in a cap with a feather. Bust»lcngth. Monogram: 
PDG. 

14c — on oak/ 0^3 h. by O/56 w. — inventory of 1754. 

1374 Portrait of a young man with a bow. Bust^Iength, Monogram: P. 
DG1631. 

14c — on oak/ 0,71 h. by 0,555 'W- " Guarienti inventory. 

1375 Portrait of a young man in a fur coat. Bust-length. Monogram: 
PDG and date, probably 1632. 
L3 — on oak/ 0,62 h. by 0^445 w. — inventory of 1754. 

BRAV, SALOMON DE. Born at Amsterdam 1597, died in Haar- 
lem May It* 1664, After 1615 in Haarlem. 

1376 A young Girl in a straw hat. Half-length. S\gmA: S. Bray 1635- 
Companion picture to No. 1377. 

M2 — on oak/ 0,755 b. by 0,605 "*'• " Guarienti inventory <fonnerly in the possession 
ofGrafWa<kerbarth>. 

1377 A young Man with a wreath on his head. Half-length. Signed: 
SBray 1635- 

M2 — on oak/ 0,755 h. by 0,59 w. — Guarienti Inventory (formerly in the possession 
of Graf Wackcrbarth). 

MULIER THE ELDER, PIETER. Haarlem Master. Proved 
to have lived after 1637,- buried at Haarlem April zi^^ 1670. Father 
of Pieter Mulier the Younger, called Cavaliere Tempesta. 

1378 On the Sea-shore. Monogram : PMVL. 

P4 — on oak/ 0,345 h. by 0,345 w. — first found in the catalogue of 1835. 

BOLLONGIER, JAN. Proved to have been in Haarlem 1623 to 
1642/ latest date of a picture by him is 1644. 

1379 BOLLONGIER (?) Flowers in a green wine-glass in front of a nidie. 
Signed: J. 5. /(525. 
8c — on oak/ 0,28 h. by 0,20 w. — purchased in London in 1875. 

ARTIST JHB. 

1380 The WitAes' KitAen. Monogram: JHB 1631. 

9c — on oak/ 0,22 h. by 0,28 w. — inventory of 1722. 

VROOM, CORNELIS. Bom about 1600 at Haarlem/ buried there 
Sept, i6t^ 1661. Son and pupil of the marine painter Hendridc Vroom. 

1381 Road through a wood with a hunter riding into it. Companion pic- 
ture to No. 1382. Traces of the old signature. 
16c — on oak/ 0,50 h. by 0,40 w. — acquired in 1876 at Leipsic through Griinberg. 

1382 Road through a wood with a hunter riding out of it. 
16c — on oak/ 0,48 h. by 0,405 w. — acquired in 1876 at Leipsic through Crfinberg. 



OF THE XVII. CENTURY 



153 



RUnSDAEL, SALOMON VAN. Born at Haarlem {Member of 

the Guild there 1623) ,• buried there Nov. ist 1670. Attached himself to 

and formed his style after Esaias van de Velde and Jan van Goyen. 

Uncle of Jacob van Ruisdael. 

Village under the trees. Monogram: S v R 1633. Companion pic* 1383 

ture to No. 1384. 

17c — on oak/ oval,- ojbos h. by 0,805 w. — first found in the catalogue of 1817. 

River with wooded banks. 1384 

17c — on oak/ oval/ 0,605 h- by 0,805 '^- — first found in the catalogue of 1817. 

Cattle in the water. Signed : S v RuysdaeCl661. 1385 

16a — on oak/ 0,505 h. by 0,60 w. — purdiased in Hanover in 1874. 

CODDE, PIETER. Born at Amsterdam 1599 or 1600 ,• buried there 

Oct. 12* 1678. Formed his style under the influence of Frans Hals 

in Haarlem. 

Soldiers tormenting a peasant. Monogram (painted over) : P C 1386 

15c — on oak/ 0,305 h. by 0,225. w. — inventory of 1754. 

Soldiers in the guard-room. SxgntA: P. Codde f J628 . 1387 

13 c -- on oak/ 0,38 h. by 0^49 w. — purdiased in Berlin in 1881. 

DUCK, JACOB A. Born at Utredit about 1600,- died after 1660 

frobably in the Hague. Formed his style under the influence of Dirck 
lals in Haarlem. 
Musical Entertainment. Signed : ^A Duc6. 1388 

12 a — on copper/ 0,49 h. by 0,385 w. — purdiased in Cassel at the sa(e by auction 
of the Habidi Collection in 1892. 

VAN DER MEER <VERMEER> VAN HAARLEM I., 

JAN. Bom at Haarlem about 1600,- buried there Feb. 8*'» 1670. Father 

of Jan Vcrmeer II, 

View from the sand hills of the flat country of Holland. Signed : Jv 1388 A 

Meer. 

i6c — on oak/ 0,33 h. by 0,63 w. — purdiased from O. Pein in Berlin in 18S3. 

POORTER, WILLEM DE. Painted at Haarlem, where he was 
still living in 1645. Pupil of Rembrandt's early period at Leyden. 

Esther before Ahasuerus. Signed: WD . P. 1645- 1389 

14a — on oak/ 0,40 h. by 0,32 w. — inventory of 1754. 

The Woman taken in Adultery, before Christ. Signed : WDP. 1390 

•4C — 00 oak/ 0,635 b- by 0,495 w. — purdiased at the Leipsic Easter Fair in 1743. 

The Presentation of Christ in the Temple. The original by Rembrandt 1391 

of 1631 in the Museum at the Hague. 

14c — on oak/ 0,60 h. by 0,485 w. — inventory of 1722. 



154 



DUTCH PAINTERS 



MOLENAER, JAN MIENSE. Bom at Haarlem about 1610, 
buried there Sept, iptl* 1668. Pupil of Frans Hals. 

1392 Tap » room in an inn, peasants singing, and a fiddler. Signed: j/A/o= 
Cenaer. 

ija — on oak/ 049? h. by 0,375 w. —acquired in"i874 from theRecde van Oudtshoorn 
Collection at Utrecht. 

1393 A Fiddler in a room with a peasant family. A later work of the 
master. 
P 8 — on oak; 0,38 h. by 0,325 w. — acquired in 1778 from the Spahn Collection. 

1394 Peasants drinking by the fireside. 

9a — on oak/ 0,42 h. by 0,53 w. — bequeathed by the President of the Court of 
Appeal, Nossky in 1893. 

OSTADE, ADRIAEN VAN. Baptised at Haarlem Dec. loth 1610 ,• 
buried there May 2"d 1685. Pupil of Frans Hals, 

1395 Hilarious Peasants in an inn. youthful work of the master. Signed : 
AvOstade. 
i6 b — on oak / 0,39 h. by 0,56 w. — inventory of 1722. 

1396 Regular Guests in the village inn. Signed: Av. Ostade I660. 

*6c — on oak/ 0455 h. by 0,39 vr, — acquired in 1754 through Le Leu from the de la 
Boucxiere Collection in Paris, 

1397 The Artist in his studio. Signed: Av. Ostade 1663. 

t6c — on oak/ 0,38 h. by 0,355 w. — acquired in 1754 through Le Leu from the de la 
B ouexiere Collection in Paris (formerly in the Cro2at Collection), 

1398 Two Peasants regaling themselves. Three-quarter length. Signed: 
Av. Ostade 1663. Companion picture to No. 1399. 
16 a — on oak / 0,305 h, by 0,26 w. — inventory of 1724. 

1399 Two Peasants smoking. Three-quarter length. 'SAgntA: Av. Ostade 
1664. 

16a — on oak/ 0,30 h, by 0,255 w. — inventory of 1722. 

1400 Men and "Women in a village inn. Signed: Av. Ostade 1679 <or 
1674). 

16c — on oak/ 0,495 h. by 0,625 '«'• " first found in the catalogue of 1817 (supposed 
to have been acquired from Paris through Le Leu in i75i>. 

OSTADE. AFTER ADRIAEN VAN OSTADE. 

1401 Dance in front of a village inn. Signed : A . v . Ostade fi. 
P 10 — on canvas/ 0,405 h. by 0,355 w. — acquired through von Kaiserling in 1741. 

1402 See Appendix. 



OF THE XVII. CENTURY 



155 



WIJCK, THOMAS. Born near Haarlem about 1616/ buried there 
Aug, 19th 1677, Pupil of P, van Laer in Rome. 

An Alchemist with a bottle in his hand. Signed: TW^^^. 1403 

8c — on canvas/ 0,39 h. by 0,56 w. — inventory of 1722. 

An Aldjcmist with a money-bag in his hand. Signed: 7" PPz/isf. 1404 

15b — on canvas/ 0,55 h. by 0,47 w. — inventory of 1722. 

Italian Street Scene. Signed: 7" W^^af. 1405 

14a — on oak/ 0,50 h. by 0,375 w, — first found in the catalogue of 1765, 

HALS THE yOUNGER, FR ANS. Born at Haarlem between 

1617 and 1623/ still living there in 1669, Pupil of Frans Hals the Elder, 

Hille Bobbe and a man smoking. Three-^quarter length. Monogram : 1406 

TH. 

'4 b — on canvas / 0,975 b. by 1,24 w, — acquired in 1874 from the Reede van OudtS' 

boom Collection at Utretht <in 1809 in the Crcmer Collection at Brussels), 

BRAy, JOSEPH DE, Born at Haarlem, died there May 16th 1664. 

Son of Salomon and brother of Jacob and Jan de Bray. 

Still-life, with a poem in praise of the herring. Signed: Jos . Bray 1407 

1656. 

8b — on oak; 0,57 h. by 0,485 w, — acquired through von Kaiserling in 1741. 

WOUWERMAN, PHILIPS, Baptised at Haarlem May 24* 1619,- 

died there May 19th 1668. Pupil of Jan Wijnants, influenced also by 

P. van Laer, 

Landscape with a red -covered cart. Monogram: PBfW. In the 1408 

master's early style, 

9a — on oak/ 0,43 h. by 0,515 w. — G,-W. Ill, 23 — first found in the catalogue of 
1817. 

Harnessing a white horse. Early work of the master. 1408 A 

7b — 00 oak/ 0,525 h, by 0,39 w, — Cuarienti inventory. 

A Horseman before a peasant's hut. Monogram : P6 . W. In the 1409 
master's early style as are also the succeeding pictures. 

15 b — on oak ; 0,235 h, by 0,305 — inventor>' of 1754. 

Carter at an inn on a hill. Monogram : P6 . W. 1410 

9a — on oak/ 0,37 h. by 0,49 w. — acquired in 1742 through Riedel from Prague. 

The "good tidings" to the Shepherds. 1411 

9b — on oak; 0,345 b. by 0,58 w. — acquired in 1742 through Riedel from Prague. 

A Hawking Party. Monogram spurious. 1412 

•5a — on oak; 0,43 h. by 0,63 w. — acquired in 1708 from Lemmers of Antwerp. 

Return from the Chase, Monogram : P6 .W. 1413 

15a — on oak/ 0,43 h. by 0,61 w. — inventory of 1722. 



156 



DUTCH PAINTERS 



1414 

1415 
1416 

1417 
1418 

1419 
1420 

14Z1 

1422 
1423 

1424 
1425 

1426 



The stag hunt, A man with a horn on the white horse. Monogram : 
P6.W. 

8b — on oak; 0^5 h. by 0,785 w. — acquired in i74z through Rigaud from the 
Cabinet du Pile in Paris. 

The white Horse in a rocky gorge. Monogram: PBfsW. 

14a — on oak/ 0455 h. by 0,37 w. — inventory of 1722. 

The preaching of St. John the Baptist. Monogram : PBfs . W. Of the 
artist's middle perioa. 

14b — on canvas/ O/675 b- by 0,865 w. — Guartentt inventory <acquired from the 
Blondy Collection in Paris). 

Feeding the Poor on the steps of the monastery. Monogram: PifsW. 

8c — on oak/ 0,325 h. by 0,36 w. — acquired in 1749 through -Le Leu from Le Noir 
in Paris. 



The Horse=fair. Monogram : Pifs . W. 

7b — on canvas/ 0,615 b. by 0,765 w. — Guarienti inventory <supposed to have been 
acquired * ' ' . . — ^ . . ^ .. 

in Paris). 



acquired from Antwerp in 1710/ as late as 1739 in the Chevalier d'Orleans' Gallery 
■ I Pa ■ 



A camp on the river <also called "The Fair"). Monogram: PBfsW. 

15 c — on oak/ 0,32 h. by 0,41 w. — inventory of 1722. 

Halt at the smithy. Monogram : PBfs . W and <spurious> PW. 

itb — on canvas/ 0,55 h. by 0,60 w. — acquired in 1751 from the Crozat Collection 
in Paris <formerly in the Tugny Collection).* 



A hunting party fording a river. Monogram : PBifs . W. 

b — on canvas; 0,64 h. by 0,73 w. 
emmers from Antwerp in 1708). 



Lb — oncanvas;o,64h.byo,73w. — Guarienti inventory <doubtlcss acquired through 



The executioner's house. Monogram : PBi'/Js . W. 
16 a — on canvas / 0,56 h. by 0,685 w. -- inventory of 1722. 

Landscape with dunes. The white horse drinking. Monogram : 

PBfsW. 

15b — on canvas/ 0,285 h. by 0,36 w. — acquired in 1742 through Riedel from Prague. 



In the stable of the inn. Monogram : PBifs . W. 

jb — on canvas/ 0,515 h. by 0,65 w. — acqi 
^omtesse de la Verrue's Collection in Paris. 



15b — on canvas/ 0,51^ ^i^y Or6^ w. — acquired in 1749 through Le Leu from the 
Co 



The rider of the white horse, having dismounted, is embracing a girl. 
Monogram: PBi'/s W. 

11c — on canvas/ 041 h. by 0,51 w. — Guarienti inventory (supposed to have been 
acquired through Lemraers from Antwerp in 1708). 

Halt before a smithy in the hills. Monogram : PBfs . W. 

13 b — on canvas/ 0,525 h. by 0,655 w. — acquired in 1749 from the Comtcsse de la 
Verrue's Collection in Paris. 



OF THE XVIL CENTURY 



157 



S^' 



A horseman on a white horse in the inn yard. Monogram: PBfs 
W A 1649. 

14c — on oak/ 0,325 h. by 0,365 v. — inventory of 1722. 

Cavalry skirmish near a mountain fort. Monogram : PBifs . H^. 
7a — on canvas/ 0,69 h. by 0^2 w. — inventory of 1722. 

Hawking party about to start. Monogram : PHifs . W. Companion 
picture to No. 1430. ^ 

16b — on canvas/ 0,81 h. by 1,045 ^> — inventory of 1722 <taken from the Kunst' 
kammer as early as 1707). 

Hawking party about to Start, Monogram <genuinc?>: PSfsW. 
16b — on canvas/ 0,805 h. by 1,02 w. — inventory of 1722 <taken from the Knnsi 
kammer as early as 1707). 

Landscape with lake and hills. Horseman in a red cloak on the white 

horse. Monogram : PSifsW. 

lya — on canvas/ 0,53 h. by 0,67 w. — doubtless taken from the Royal Apartments 
in 1741, 

Rest during the <hase. Monogram: PBifsW. 
7b — on oak/ 047 h. by 0,645 -v. — inventory of 1722. 

A trumpeter on a white horse before a sutler's tent. Monogram: 
PBifsW. 

13 b — on oak / 0,475 h. by 0,42 w. — inventory of 1722. 

Fishermen on the dunes above the sea shore. The white horse feeding. 
Monogram: PBifsW. 

1 b — on oak/ 0,55 h. by 0,60 w. — inventory of 1754. 

Hunters resting before a tavern in the rodis. The white horse without 

a rider. Monogram: P/^/Zs IP, 

16 c — on canvas/ 0,645 •>. by 0,53 -w. — first found in the catalogue of 1817. 

Watering place for horses. A boy behind the rider on the white horse. 

Monogram : PBifs W. 

9a — on oak/ 0,465 h. by 0,615 ^' ■" Guarienti inventory. 

A fight on the bridge. Monogram: PBifsW. 
12a — on canvas/ 1,065 h- J>y »»355 ^. -~ inventory of 1722. 

Riders halting before an inn. Monogram: PBifsW. 

7c — on oak/ 0,40 h. by 0475 w. — acquired in 1749 through Le Leu from the Crozat 
Collection in Paris. 

Return from the Aase (with the Bacdius fountain). Monogram: 

PBifsW. Companion picture to No. 1440. 

12c — on oak/ 0,455 b. by 0,64 w. — Guarienti inventory (supposed to have been 

acquired in 1755 from the 

Vicorate de Pontpertuis). 



1427 

1428 
1429 

1430 
1431 

1432 
1433 

1434 

1435 

1436 

1437 
1438 

1439 



acquired in <i7$5 nvm the effects of Pasquier in Paris/ fnimeriy in the possessicwi of 



158 



DUTCH PAINTERS 



1440 Starting for the diase. 

12 c — on oak; o,4f h, by 0,64 w. — the same remarks apply as to the preceding. 

1441 A sutler's tent with a standard bearer on the white horse. Monogram : 

PBifsW. Companion picture to No, 1442. 

17b — on oak/ 0,36 h. by 0,435 w. — acquired in 1740 through Heinecken from Ham' 
burg. 

1442 Horsemen resting at a well. Monogram: /*;$//SVP. 
17 b — on oak / 0,355 h. by 0,41 w. — the same remarks apply as to the preceding. 

1443 Collision between horsemen and a peasant's cart. Monogram : 
PBifsW. 

8c — on canvas; 0,56 h. by 0,78 w. — Gaaricnti inventory <supposed to have been 
acquired in 1742 through Rigaud from the du Pile Collection in Paris). 

1444 The Waterfall. In the foreground a wagon with five horses. Mono- 
gram: PBifsW. 

15c — on copper; 0,30 h. by 0,385 w. — acquired in 1749 through Le Leu from the 
Comtessc de fa Verrue's Collection in Paris. 

1445 Boar and bear hunt in a valley. Monogram : PBifs W. 

8b — on canvas; 0,79 h. by i/)9 w. — acquired in 1749 from the de Vaux Collection 
in Paris. 

1446 A smithy in the rocks, before whidi a white horse is being shod. 
Monogram: PBifsW. 
16 c — on canvas / 0,625 h. by 0,51 w. — acquired in 1749 through Le Leu from Paris. 

1447 Watering place for horses. On the right a castle with a cannon. 
Monogram: PBifsW. 
15a — on oak; 0^46 h. by 0,60 w, — inventory of 1722. 

1448 Halt on the mardi. Monogram: /'i^/'/sli^. 
7 b — on canvas; 0,51 h. by 0,63 w. — acquired in 1749 through Le Leu from Paris. 

1449 Stag^hunt near a river. Monogram: PBifsW. Companion picture 
to No. 1450. 

9b — on canvas ; 0,715 h. by 1/29 w. — supposed to have been acquired in 1742 through 
de Brais from the Carignan Collection in Paris (formerly in the possession of the 
Comtesse de la Verrue). 

1450 Camp by a river. In the foreground a kidding horse. Monogram : 
PBifsW. 
9b — on canvas; 0,715 h. by 1,28 w. — see remarks as the preceding. 

1451 Fight between Turkish and Christian horsemen. Monogram : PBifsW. 
M a — on canvas ; 0,825 h. by 1,045 ^' " acquired in 1710 through Lemmers from 
Antwerp. 

1452 Cavalry fight before a round tower. Monogram : PBifs W. 

7a — on canvas; 0,695 h- t>y 0,82 w. — acquired in f782 through Rascfake from 
Antwerp. 



OF THE XVIL CENTURy 



159 




The gipsy camp. \Aono%T2xa: PBifsW. 

7 c — on oak ; o,>95 h. by 0,475 w. — Guarienti inventory <probabiy acquired through 

Graf Gotter). 

Coast scene. A rider on a vc^hitc horse speaking to fishermen. 

Monogram: PBifsW. 

9c — on oak/ 0,31 h. by 0,34 w. — acquired in 1741 through von Kaiserling. 

A white horse being led by a peasant to water. Monogram : PBifs W. 
7 a — on oak/ 0,335 h. by 0,27 w. — taken from the store-rooms in 1851. 

A duel between horsemen. Monogram: PBifsW. 

17b — on oak/ 0,34 h. by 0,41 w. — acquired in 1751 from the Crozat Collection in 

Paris. 

Cavalry fight near a ruined castle. Monogram: PBifsW. 
14 b — on canvas/ 0,70 h. by 0,98 w. — inventory of 1722. 

An excursion. Monogram: /'i^/'/s PP. 

It a — on canvas/ 0,77 h. by 0,98 w. — acquired in 1710 through Jacob de Wit firom 

Antwerp. 

Small Stable with three horses. Monogram: PBifsW. 

8a — on oak/ 0,27 h. by 0,35 w. — acquired in 1710 through Rasdike from Annrerp. 

Stable with travellers. Monogram: PBifsW. 

t4 c — on oak / 0,295 ^- by 0,38 w. — acquired in 1710 through Rasdike from Antwerp. 

Cavalry skirmish on rising ground. Monogram: PBifsW. 
7 a — on oak / 0,375 h. by 0,305 w. — inventory of 1754. 

A train of baggage wagons attacked by robbers while crossing a stream. 

Monogram : PBiis W. 

8a — on oak/ 0,545 h. by 0^475 w. — Guarienti inventory. 

Cavalry skirmish near a burning windmill. Monogram : PBifs W. 
15 b — on canvas / 0,545 h. by 0,665 w. — acquired in 1749 through Le Leu from the 
Crozat Collection in Paris <formerly in the Tugny Collection). 



Horsemen fighting with peasants. Monogram: PBfsW. 

\C'- on canvas/ 0,56 h. by 
::.ngraver Moyreau in Paris. 



17c — oncanvas/ 0,56 h. by 0,785 w. — acquired in 1749 through Le Leu from the 
En 



Fishermen on the river bank, drawing their net to land. Monogram : 
PBfsW. 

15c — on oak/ 0,31 h. by 0,36 w. — acquired in 1741 through von Kaiserling. 

Hunting party starting. 

8b — on canvas/ 0,825 h. by 1,275 w.~ acquired in 1749 from the de Vaux CoUectiofl 
in Paris. 



1453 
1454 

1455 
1456 

1457 
1458 

1459 
1460 
1461 
1462 

1463 
1464 
1465 
1466 



16o 



DUTCH PAINTERS 



1468 



1468A 
-1474 



1476 

1477 
1478 
1479 

1480 
1481 
1482 

1483 

1484 
1485 

1486 



In front of the smithy. Monogram: PSfs.W (genuine?). A finer 
original in Cassel. 

gb — on copper; 0,38 h. by 0,415 w. — inventory of i7j4<perhaps in the "Specification" 
of 1707 / formerly in the possession of Vicomte dc Fontpcrtuis in Paris). 

Copies and imitations, see Appendix. 

BEGA, CORNELIS PIETERSZ. Baptised at Haarlem Nov. 15th 
1620/ died there Aug. zjtl* 1664. Pupil of Adriaen van Ostade. 
Dance in the village inn. Signed : CBega. 
17b — on oak; 0465 h. by 0^445 w. — first appears in the catalogue of 1833. 

BERCHEM, CLAES (NICOLAES) PIETERSZ. Bartised at 
Haarlem Oct. i** 1620,- died at Amsterdam Febr. 18* 1683. Pupil of 
his father Pieter Claesz. and of other masters. 
Landscape with sunset. A herdswoman asleep. Signed: BerSem. 

9c — on oak/ 0,47 h. by 0,635 '^- "* acquired through Rigaud and \jt Leu from Paris 
about 1743. 

Drovers and cattle on a mountain road. Signed : BeriSem. 

oc — on oak/ 0,245 h. by 0,315 w. — inventory of 1722 (acquired through Wacker- 
barth>. 

A merchant prince receiving a Moor at his palace near the sea. Signed ; 
CBercBemf. 

9 a — on canvas formerly on wood/ 0,94 h. by 0,^5 w. — acquired in 1727 through 
Leplat. 

The good tidings to the shepsherds. Signed : C BerigBem 1649- 
17b — on oak/ 0,45 h. by 0,375 w. — acquired in 1741 through von Kaiserling. 

A castle in the forest. Signed : BerSem f 1650. 

10 a — on canvas/ 1,38 h. by 1,03 w. — acquired in 1742 through de Brais from Paris. 

Fishermen at a lake. Signed : BercBem and 1656. 

7b — on oak/ 041 h. by 0,60 w. — G.-W. Ill, 21 — acquired in 1754 through Le Leu 
from the de la Bouexierc Collection in Paris. 

Herdsmen with Hodcs and herds going into a rodjy valley. Signed : 
BerSem /. 

t6b — on canvas/ 1,17 h. by 1,335 w. — inventory of 1722. 

Landscape with ruins. Signed : Berdiem. 

7C — on oak/ 0,47 h. by 0,635 ^' •" acquired in 1742 through Riedel from Prague. 

Herdsmen at a mountain lake. Signed : BercBem. 

pc — on oak/ 0,295 h. hy 0,255 w. — inventory of 1722 (acquired through Wadter- 

Herdsmen and flodcs at a waterfall. Signed : N BereBem. 

10 a — on canvas/ 1,10 h. by 1,53 w. — acquired in 1749 through Le Leu from the 
Crozat Collection in Paris. 




I 

I 

I 



o 



^IS^^^^ 




1561 



RemBrandt van Rijn 



OF THE XVII. CENTURY 



161 



Herdsmen resting in a valley. Brown monodirome. Signed : BerSem. 1487 

Companion picture to No. 1488. 

P4 — on oak/ 0,28 h. by 0,365 w. — acquired in 1741 through von Kaiserling. 

Herdsmen and cattle near a dwelling in the rocks. Brown monodirome. 1488 

Signed; SercBem. 

P4 — on oak/ 0,29 h. by 0,37 w. — acquired in 1741 through von Kaiserling. 

Herdsmen beneath a high wall of rodt. Signed : BerSem 1659- 1489 

IOC — on oak/ 1,555 h. by 1^40 w. — G.-W. II, 50 — acquired in 1749 through 
Le Leu from Madame Gersaint in Paris. 

HEERSCHOP, HENDRICK. Born at Haarlem 1620 or 1621/ 

died there after 1672. Pupil of Heda and of Rembrandt. 

The Aldiemist, Signed: //^^r^o^o/? (only partially visible). 1490 

12 a — on oak / 0,55 h. by 0,45 w. — acquired in 1741 through von Kaiserling. 

OSTADE, ISACK VAN. Baptized at Haarlem June 2nd ,621/ 

buried there Oct. 16* 1649. Pupil of his brother Adriaen. 

Sports on the ice. Signed : Isac£ van Ostacfe. 1491 

13 c — on oak/ 0,335 h. by 0,595 ▼• — acquired in 1754 from the de (a Bouexi^e CoU 
lection in Paris. 

WHNANTS, JAN. Born about 1625 in Haarlem,- died probably 

at Amsterdam early in 1684. 

Road by a wood. Signed: J. Wynants 1659- 1491 A 

13 b — on canvas / 0,625 h. by 0,72 w. — inventory of 1754. 

Road by the side of a hill. Signed : J. Wynants. 1491 B 

t5 c — on oak/ 0,31 h. by 0,415 w. — first found in the cat^ogue of 1817. 

See Appendix. 1491 C 

RUISDAEL, JACOB VAN. Bom at Haarlem 1628 or 1629/ 
buried there Mardi 14*'" 1682. Pupil of his uncle Salomon Ruijsdael, 
perhaps also of Cornells Vroom. 

The Stag hunt. Signed: JvRuisdaef. The animals no doubt by 1492 
Adriaen v. d. Velde. 

12c — on canvas/ 1,075 h. by 1,47 w. — G.»W. Ill, 27 — inventory of 1754. 

The Ford in the wood. S\gnz6.: JvRuisdaef. 1493 

16a — on oak/ 0,55 h. by 0,74 w. — purdiased in 1743 at the Lcipsic Easter Fair. 

The Monastery. Monogram: ^/f^. 1494 

ua — on canvas/ 0,75 h. by 0,96 w. — G.«W. Ill, 40 — inventory of 1754. 

A Waterfall near a hill with a castle upon it. Signed : JvRuisdaef. 1495 
11 a — on canvas/ 0,99 h. by 0,85 w. — acquired in 1740 through Morell. 



162 



DUTCH PAINTERS 



1496 
145fir 

1498 
1499 
1500 

1501 

1502 
1503 

1504 
1505-1506 

1510 

1510A 

1511 



Bentheim Castle. Signed: JvRuisdaef. 
lib — on oak/ 0,55 h, by 0,835 ▼• — inventory of 1754. 

A Waterfall near a wooden bridge. Signed : JvRuisdaef. Companion 
picture to No. 1498. 

10 b — on canvas / o^ h. by 0,535 w. — inventory of 1722. 

A Waterfall near a wooded slope. Signed: JvRuisdaef. 

10 b — on canvas / 0,675 h. by 0,545 w. -- inventory of 1722. 

Knoll with oaks. Monogram; JvR. 

11 c — on oak / 0,38 h. by 0,52 w. — inventory of 1754. 

Road through the wood. Signed: JvRuisdaef. Companion picture 

to No. 1501. 

11a — on canvas/ 0,625 •>• by 0,515 w. — Guarienti inventory. 

Waterfall with a fir tree. Signed: Ruisdaef 

ua — on canvas/ 0,63 h. by 0,52 w. — Guarienti inventory. 

The Jewish burying ground. Signed: JvRuisdaef 

11c — on canvas/ 0,84 h. by 0,95 w. — G.aW. Ill, 39 — inventory of 1754, 

A Village in a wood behind sand dunes. Signed : Ruisdaef 

11 c — on canvas / o,W h. by 0,51 w. — acquired in 1751 throuch Riedei at the Leipsic 
Midiaelmas Fair and presented to King Augustus III by Graf Wackcrbarth. 

Canal with a village in the badiground. 

16a — on canvas/ 0,57 h. by 0,65 w. — first found in catalogue of 1765. 

See Appendix. 

ROMBOUTS, GILLES <IILLIS>. Haarlem Master 1652/ last 
mention of him there 1663. Sdbool of Ruisdael. 

Village Fair near a windmill- Monogram : JRB 1657- 

8a " on oak/ 0,475 h. by 0,64 w. — first found in the catalogue of 1817. 

ROMBOUTS, SALOMON. Haarlem Master about 1650,- is 
mentioned as having died there 1702. Probably brother of the pre* 
ceding. Sdiool of Ruisdael. 
Huts under trees by the water =^ side. 

17c — on oak/ 0,61 h. by 0,845 w. — purchased in Dresden from the art^ealer Ernst 
in 1876. 

BERCKHEyDE, JOB ADRIAENSZ. Baptized at Haarlem 
Jan, 27th 1630/ buried there Nov. if^ 1693. Pupil of J. W. de Wet. 
The Great Churdi at Haarlem <interior>. Signed -.JBerc^Beyde 1665- 
13 c — on oak/ 0,61 h. by 0,85 w. — acquired in 1874 from the A. v. d. WilUgen CoU 
lection at Haarlem. 



OF THE XVn. CENTURY 



163 



BERGEN, DIRCK VAN. Born at Haarlem about 1640/ painted 

there and in London till 1690, Sdiool of Adriaen van de Vckic. 

A Shepherd with his flock. Signed: DvBerg . . . 1682. Companion 

picture to No, 1513. 

Store-rooms — on canvas; 0,315 h. by 0,37 w. — inventory of 1754. 



A Shepherdess and her small boy. Signed: Z)fj5. 
Store-rooms — on canvas; 0,31 h. by 0,37 ▼• — inventory of t754' 

A Herdsman's family. Signed: Dv Bergen T. Companion picture 

to No. 1515. 

P7 — canvas on oak/ 0,245 h. by 0,295 ^- — inventory of 1754. 

Cattle by the wood side. 

P7 — on canvas/ 0,25 h. by 0,30 w. — inventory of 1754. 

HEEREMANS, THOMAS. Member of the Guild at Haarlem 

in 1664. Pictures dated from 1660 till 1692. 

A Tent by a frozen river. Signed: THmans. 1677- 

50a — on oak; 0,60 h. by 0,85 w. — inventory of 1722. 

Sjxsrts on the ice, under the walls of a town. Signed: THmatts. 
1677- Companion picture to No. 1515 C. 

8 c — on oak/ 0,60 h. by 0,84 w. — acquired in 1741 through von Kaiserling. 

Sports on the ice, under the walls of a town. Signed; THmans. 
1677. 

Sc on oak/ 0,605 h..by 0,84 w. — acquired in 1741 through von Kaiserling. 

TEMPESTA, PIETER MULIER THE yOUNGER, called 

CAVALIERE TEMPESTA, Bom at Haarlem 1637/ died at MUan 

July 29th 1701. Sen and probably pupil of Pieter Mulier the Elder. 

Further developed in Italy, 

Landscape with a rain-storm. 

40 a — on canvas/ 0,73 h, by 0,99 w. — acquired in 1741 through Vent. Rossi from 

Venice. 

Landscape with a waterfall. Companion picture to No, 1518. 

Storc'rooms — on canvas / 0,36 h. by o/So w. — acquired in 1741 through Vent, Rossi 
from Venice, 

Landscape with a thunderstorm. In the foreground dead donkey. 

Store-rooms — on canvas/ 0,355 h, by 0,595 ▼• -" acquired in 1741 through Vent. 
Rossi from Venice, 



1512 

1513 
1514 

1515 

1515A 
1515B 

1515C 



Landscape with S. John the Baptist. Companion picture to No, 1520, 

re — on cani 

<egcnsburg>. 



1516 
1517 
1518 
1519 



7c — on canvas/ 0,35 h. by 0,48 w. — Gotter inventory (acquired from Vienna or 
Re ' 



164 



DUTCH PAINTERS 



1520 



1521 



1522 



1523 



1524 



1525 



1526 



1527 



1528 



Landscape near the sea. 

7C — on canvas/ 0,35 h. by 0^8 w. — acquired through Gottcr either from Vienna 

or Rcgensburg. 

BERCKHEyDE, GERRIT ADRIAENSZ. Baptized at Haarlem 

June 6th 1638/ drowned there June 14th 1698. Pupil of his elder 

brother Job. 

View of the "Dam" at Amsterdam with the Rathaus <TownHalI> built 

in 1648 by Jacob van Kampen,- on the right in the foreground the 

"Stadtwaage", in the middle distance the "Nicuwe Kerk". Signed : 

G Berck He^de. 

8c — on oak/ 0,41 h. by 0,555 w. — Guarienti inventory. 

Riding out hawking. Signed; Gerrit BercMBe^de. Companion pic* 
ture to No. 1523. 

16 b — on canvas/ 0,53 h. by 0,625 w. — purdiased in 1746 at Erfurt from the art* 
dealer G. Breltbarth. 

The Horse^fair. Signed : Gerrit BerckBe^de. 

16b — on canvas/ 0,53 h. by 0,625 ^> — purdiased in 1746 at Erfurt from the art» 

dealer G. Breitbarth. 

ROMEyN, WILLEM. Bom at Haarlem, died there after 1695. 

Pupil of Claes Berdiem. 

Cattle resting. Signed : WRomeyn. 

13 a — on oak/ 0,43 h. by 0,37 w. — inventory of 1722. 

HEEMSKERCK THE yOUNGER, EGBERT VAN. Born 
at Haarlem about 1634/ died in London 1704 as is supposed. Pupil of 
P. de Grebber in Haarlem. Style of Teniers and Brouwers. 

Peasants in a tavern with soldiers. Monogram: Hfi. Companion 

picture to No. 1526. 

50b — on canvas/ 0,57 h. by 0,82 w. — inventory of 1722.'^ 

Peasants smoking and drinking. Monogram : H^. 
50b — on canvas/ 0,58 h.!;by 0,825 ^' -- inventory of 1722. 

HUCHTENBURGH <HUGHTENBURG>/ JAN VAN, 

Born at Haarlem 1646/ died at Amsterdam 1733. Pupil of Thomas 
Wydi and others.f 

Cavalry engagement between Christians and Turks. Dated : iJiJ^ooA. 

signed: jHugBtenBurgB. 

Pii — on canvas/ 0,70 h. by 0,96 w. — purdiased in 1722 at the Leipsic Easter Fair. 

Cavalry engagement with some men hanging on trees in the middle' 

distance. Monogram : JHB IJIS <i7io?>. 

P 6 — on canvas / 0,575 h. by 0,695 'w. — inventory of 1722. 



OF THE XVII. CENTURY 



165 



Cavalry engagement with a fort in the middie'distance. Monogram : 1529 

JHB 1720 <i7io?>. 

P 6 " on canvas / 0,575 h. by 0/S95 w. — purchased in 1722 at the Leipsic Easter Fair. 

Cavalry engagement near a windmill. Monogram : JHB. Companion 1530 

picture to No. 1531. 

P9 — on canvas/ 0,535 h. by 0,625 ▼• — inventory of 1722. 

Attack on a mail coadi. 1531 

P 9 — on canvas/ 0,535 h, by 0,625 '^- — inventory of 1722. 

Cavahy engagement. 1532 

49c — on canvas/ 1,555 h. by 2,10 w. — inventory of 1722. 

VAN DER MEER <VERMEER> III, JAN. Baptized at 
Haarlem Nov. 29* 1656/ died there May 28* 1705. Pupil of his 
father Jan Vermeer II and of Berdiem. 

Ferry on a mountain lake. Signed : J . v .dr Meer 1689. 1533 

P6 — on oak/ 0,345 h> by 0'4« w- — inventory of 1754- 

Flodts resting in front of a shepherd's hut. Signed : J . van Meer fc. 1534 

12 a — on canvas/ 0,84 h.by 1,08 w. — acquired in 1741 through von Kaiserting. 

DUSART, CORNELIS. Born at Haarlem April 24th i66o,- died 
there Oct. ist 1704. Pupil of Adriaen van Ostade. 

Mother and diild in a peasant's room. Signed : C . Dusart . 1679' \5Z5 
16c •— on oak/ 0,385 h. by 0,34 w. — first found in the catalogue of 1835. 

Peasants playing skittles. Signed: Corn: Du Sart . fe 1688. 1536 

i6c — on canvas/ 0,89 h. by 0,735 w. — acquired in 1874 from the Reede van Oudts* 
hoom Collection at Utrcdit. 

Peasants brawling at a card table. Signed : Dusart 1697- 1537 

13 b — on copper/ 0,205 h. by 0,255 ▼• ~ firsiifound in the catalogue of 1817.'. 

NIKKELEN , JAN VAN. Born at Haarlem xd^t, died at Cassel 
1716. Pupil of his father Isaak van Nikkelen. 

Landscape with a palm tree. Companion picture to No. 1539. 1538 

8b — on canvas; 0,575 •>• by 0,73 w. — inventory of 1754 <supposed to have been 
purdiased at the Leipsic Easter Fair in 1751). 

Landscape with a waterfall. 1539 

8b — on canvas/ 0,575 h. by 0,71 w. — inventory of 1754 (supposed to have been 
pordiased at the Leipsic Easter Fair in 1751). 



J66 



DUTCH PAINTERS 



AMSTERDAM SCHOOL 



1539A 



1540 



1541 



1542 



1543 



1544 



\ 



1545 



VOORT, CORNELIS VAN DER. Born at Antwerp 1576/ buried 
at Amsterdam Nov. z^^ 1624. Pupil of Corn. Ketel in Amsterdam. 
Portrait of a red^bearded gentleman. Threc»quarter length. Signed : 
Aetatissuae 38. Ano 1618. 
47a — on canvas/ 1,135 h. by 0,775 w. — purdiased at GrUnbcrg in Saxony in 1876. 

D'HONDECOETER, GILLES CLAESZ. Born at Medilin, 
died at Amsterdam Sept. 1638. The father of Gijsbert, and grandfather 
of Meldiior d'Hondecoeter, 
Road through a village. Monogram: GDH A 1629- 

14a — on oak/ 0,335 h. by 0,465 w. — acquired;in 1741. 

JONSON (JANSSENS, JANSON) VAN CEULEN, 

CORNELIS. Born in London Oct. 14* 1593/ died towards 1664 in 

Amsterdam or Utredit. Painted 1618 till 1643 in England. 

Portrait of a gentleman. Three-quarter length. Signed: Cor^ Jonson 

van Ceufett .fecit 1651- Companion picture to No. 1542. 

M 3 — on canvas / 1,12 h. by o^ w, — inventory of 1754 <supposed to have been 

ptircfaased in 1751 at the Leipsic Midiaelmas Fair). 

Portrait of a lady. Three-quarter length. ^xgnzA: Cor^ Jonson van 
Ceufett fecit 16 5i- 



M 3 — on canvas ; 1,12 h. by 0,90 
purdiased in 1751 at the Leipsic Mi 



—- inventory of 1754 (supposed to have been 
idiaelmas Fair). 



KEySER, THOMAS HENDRICKSZ. DE. Born at Amster- 
dam 1596 or 1597/ buried there June 7th 1667, 
Two Horsemen, Monogram: TDKT . 1661. 

11 c — on canvas/ 0,98 h. by -0,925 w. — purchased in Vienna in 1880 (formerly in 
England). 

VRIES, ABRAHAM DE. Born at Rotterdam, died probably at 

the Hague about 1650. Developed under the influence of Thomas de 

Keyser and Rembrandt in Amsterdam. 

Portrait of a gentleman. Bust-length, Signed: Tecit A . deVr . . . 

Ao 1639- 

Ki — on oak / 0,705 h. by 0,52 w. ~- purdiased in Holland in 1728 and described as the 

Burgomaster of Brussels. 

CAMPHUySEN, RAFEL GOVERTSZ. Bom at Gorkum 

1597 or 1598/ buried at Amsterdam Oct, 23"^ 1657. Pupil of his father 

Govert. 

Moonlight view of a village on a river. Signed : R . CampBuijsen. 

Companion picture to No. 1546, 

P 7 — on oak / 0,47 h. by 0,63 w, — inventory of 1754. 



OF THE' XVU. CENTURY 



107 



Village on a river, \>y moonlight. Signed : . . , pBuiJsen. 1546 

P? — on oak/ 0,475 h. by 0,625 ^- — inventory of 1754. 

BREENBERGH, BARTHOLOMEUS. Born at Deventer 1599 

or 1600 / died before Martt 1659, as is supposed at Amsterdam, where 

he was engaged in painting for a long time. 

Distribution of bread, during the famine in Egypt. Signed : BBreen - 1547 

BergB fecit Anno 1644. 

13 b — on oak ; 0,485 h. by 0,685 w. — acquired in 1754 through Le Leu from the dc la 

Bonexi^e Colfecdon in Paris (formerly in the Braamkamp Collection at Amsterdam >. 

MOEIJAERT, CLAES. Born probably at Amsterdam shortly 

before 1600/ died at Amsterdam after 1659, probably 1669. Developed 

under the influence of Elsheimer in Italy. 

Joseph being cast by his brethren into the pit. Signed <not very I 1547A 

distinctly) : CM (interwoven) 16 . . . Hitherto ascribed to Elsheimer. 

21a — on copper/ 0,225 !»• I>y o»28 w. — in the inventory ^of 1722 described as an Els^ 
heimer. 

DUySTER, WILLEM CORNELISE. Bom at Amsterdam about 

1600/ buried there Jan. 31st 1635. Pupil of Pieter Codde. 

Soldiers fighting over the division of booty. Signed i Duster. 1548 

8c — on oak/ 0,795 h. by 0,585 w. — acquired in 18771 in Dresden from Frau Bertha 
Hoffmann. 

VLIEGER, SIMON DE, Bom at Rotterdam about 1601/ died at 

Weesp in Mardi 1653, Supposed to have been a pupil of Willem van 

de Velde the Elder. 

Storm on a rodty coast. Signed : 5. de Vfieger. Companion picture I 1549 

to No. 1550. 

8 a — on oak/ 0,305 h. by 0,59 w. — inventory of 1754. 

VLIEGER (?) Skating on a sheet of ice with low lying shore. The I 1550 
indistinct signature is perhaps to be read PB (Phil. BooTs ?). 
8 a — on oak / 0,305 h. by 0,39 w. — inventory of 1754. 

NEER, AERT VAN DER. Born probably at GoriAem 1603, 

died at Amsterdam Nov. 9'** 1677. 

Moonlight on the river near a town. Monogram: A VDN. Com- 1 1552 

panion picture to No, 1553. ! 

11 a — on oak/ 046 h. by 0,70 w. — inventory of 1754 (supposed to have been acquired 
from Antwerp in 1708). 

Evening on the river near a town. Monogram : A VDN. 1553 

11 a — on oak / 0,465 h. by 0,70 w. — inventory of 1754 (supposed to have been acquired j 
from Antwerp in 1708). j 

Canal in a village, by daylight. Monogram : A VDN. 1554 

13 c — on oak/ 0,315 h. by 0,36 w, — Ouarienti Inventory, 



16S 



DUTCH PAINTERS 



1555 Village on fire by a river, at night. Monogram : A VDN. 

ijb — on oak/ 0,575 h. by 0,74 w. — first found in the catalogue of 1876. Property 
ofH.M.theKing. 

REMBRANDT, HARMENSZ. VAN RIJN. Born at Lcyden 
July 15th 1606/ buried at Amsterdam Oct. ^^ 1669. Pupil of Jacob 
van Swanenburgh at Leyden, and of Pieter Lastman in Amsterdam. 

1556 \ Portrait of Saskia van Uijlenburgh, as a young girl. She became 
^^ ^Rembrandt's wife in June 1634. Bust«length. Signed : RemBrandt . 

fe . 1633. 
140 — on oak/ 0,525 h. by 0,445 w. — first found In the catalogue of 1817. 

1557 Portrait of Willem Burggraeff. Bust=length. Signed : RemBrancftfec 
^^ 1633. The companion picture, a portrait of the wife of the person 
" % here depicted is in the Stadel Institute at Frankfort*on»Main. 
V Ki — on oak/ 0,675 h. by 0,52 w. — inventory of 4722. 



1558 

\ 

1559 ^ 



V* 1560*^ 



Ganymede in the talons of the eagle. Signed: RemBrandt .fe 1635- 
K3 — on oak/ 1,715 •>• ^y i»3ow. — G.-W. 111,2 — acquired in 1751 through Heinedten 
from Hamburg <purdiased in 1716 at an auction sale at Amsterdam). 

The artist's own portrait with his wife Saskia on his knee. Three* 

quarter length. Signed: RemBrant f. Painted about 1635. 

K3 — on canvas/ i,6i h. by 1,31 w. — acquired after >749 from Paris through Le Leu. 



V oran 
-J^^ Kt- 



Samson putting forth his riddle at the wedding feast. Signed : Rem" 
Brandt .f. 1638. 

on canvas/ 1,265 h- t>y'»f755 ^' -- inventory of 1722. 



1561 The Bittern-shooter. Three-quarter length. Signed: RemBrandt fe 
L. 1639- 

\ Ki — on oak/ 1,21 h. by o,8() w. — Guarienti inventory. 

1562 x Portrait of Rembrandt's wife Saskia with a red flower in her right hand. 
\> Three-quarter length. SigmA: RemBrandt .f 1641. 

t^ \ 1\ K3 — on oak/ 0,985 h. by 0,825 w. — acquired in 1742 from the Araignon Codection 
, Vf Vjn Paris. 

1563 The sacrifice of Manoah and his wife. SignzA: RemBrandt f 1641. 
,,^ Ki — on canvas /i 2,42 h. by 2,83 \r. — G.-W. II, 47 — Guarienti inventory. 

An old woman weighing gold. Three^^quarter length. Signed : Rem' 
Brandt f 1643. The signature probably spurious. 
'IC2 — <Mi canvas/ 1,13 h. by 0,995 '^- — inventory of 1754. ^ 

Portrait of a young warrior. Bust=length. S\gntA: RemBrandt .f 
1643. 

Ki — on canvas/ 0,765 h. by 0,67 w. — Guarienti inventory. 



""^v 



1565 



k\ 



OF THE XVII. CENTURY 



Christ being laid in the tomb. A studio replica, retoudied by the 
master's own hand, the original of which was completed as early as 
1639, is now in the Munidi Pinakothek. Signed: RemBrandt .f . 1653. 

10a — on canvas; 0,975 h- t>y 0,685 '^- "* acquired in 1763 from the effects of Gutll. 
Lormlcr of the Hague <formerly in the possession of the Douairierc v. d. Santen* 
Muntcr). 

Portrait of an old man with a beard, in a blade cap. Half'length. \ 
S\%m6.: RemBrandt ./. 1654, 

K 3 — on oak; 1,02 h. by 0,78 w. — supposed to have been acquired from Paris in 1742" 
but were probably from Poland at an earlier date. 

Portrait of a gentleman with a red cap trimmed with fur, seated in an ^ 

arm chair. Half-length. Painted about 1656, 

K 2 — on canvas/ 0,985 h. by 0,685 ^' — certainly mentioned in catalogue of 1765. 



The artist's own portrait with a sketdi* book. Half-length. Signed 

RemBrandt f 1657 • 

K 2 — on canvas / 0,855 h. by 0,65 w. — inventory of 1722. 



^ 



Portrait of a man with pearls on his hat. Three-quarter length. Painted 

about 1667. 

K2 — on canvas/ 0^2 h. by 0,71 w. — inventory of 1722 <acquired from Poland). 

Portrait of an old man with a stid(. Painted about 1645, hat and 
cloak were repainted in the XVIII. century. "T* 

K3 — on canvas; 0,955 h. by 0,805 w. — G.-W. II, 48 — Guarienti inventory <sup- 
posed to have been acquired from the Carignan Collection in Paris). 

REMBRANDT. OLD COPIES FROM REMBRANDT. 
See Appendix. 

The Rabbi. Three-quarter length. The original (painted in 1635)15 at 
Chats worth. 



K3 — on canvas; 0,905 h. by 0,735 w. 
Leplat. 



acquired in 1725, with ou^ doubt through 



REMBRANDT. SCHOOL OF REMBRANDT. 

Portrait of Rembrandt <?> in a red cloak. Bust-length. Probably by 

Govert Flindc. 

14a — on-oak/ 0,535 •>• by 046 w. — doubtless mentioned in the inventory of 1722. 

Mountain landscape with a watermill. Perhaps by Aert de Gelder. 
«2 a — on canvas/ 0,785 h. by 1,05 w. — first mentioned in the catalogue of j8t2. 

Portrait of a man of the people. Bust-length. Indistinctly signed 

(genuine?): RemBrandt 1636. 

8 c — on oak / 0,215 h. by 0,165 w. — mentioned as a Rembrandt in the inventory of 
1722. 



169 



1566 



.1567 



1568 



1569 



1570 



1571 



1572 
1572A 



1573 

1575 
1576 



17o 



DUTCH PAINTERS 



REMBRANDT. SCHOOL AND STYLE OF REMBRANDT. 

1577 Two old people in a room. 

P 8 — paper on canvas i 0,29 h. by o,}6 w. — acquired in \%^\ by exchange, from the 
gallery of engravings. 

1578 Sec Appendix. 

1579 Daedalus and Icarus. Three-quarter length. 
L3 — on canvas/ 1,14 h. by 0,98 w. — acquired in 1731 through Leptat. 

1580 The Three Maries at the Sepuldire. 

P7 — on oak/ 0^5 h. by 0,495 w. — acquired in 1727 through Lepiat. 

1580 A A beardless old man in a turban. Bust-length. Signed: RemBrandt 
1636 <spurious>, 
66c — on oak/ 0,19 h. by 0,155 ■*• "" Ciuarienti inventory. 

1580B A man dressed in brown. Bust -length. Signed : ^^/«A <spurious>. 
66c — on oak/ 0,195 h. by 0,16 w. — inventory of J754. 

1580C An old woman. Half-lengfth. 

65 b — on oak ; 0,475 h. by 0,37 w. — acquired in 1741 through von Kaiseriing. 

LIEVENS, JAN. Born at Leyden Oct. 24th 1607,- buried at 
Amsterdam June 8* 1674. Fellow pupil with Rembrandt, of Pietcr 
Lastman in Amsterdam. 

1581 A young warrior in profile. Bust-length. Signed : L. 
M 3 — on oak/ 0,54 h. by 0,46 w. — inventory of 1722. 

1582 An old man in profile. Bust-length. 
L 3 — on oak/ 0,53 h. by 0,42 w. — purchased in 1742 at the Leipsic Easter Fair. 

BACKER, JACOB ADRIAENSZ. Born at Harlingen 1608 or 
1609/ died at Amsterdam Aug. 27* 1651. Formed his style under the 
influence of Rembrandt. 

1583 Portrait of an old man in a fur cloak. Bust-length. Monogram : JAB. 

K 3 — on canvas / 0,655 h. by 0,54 w. — first found in catalogue of 1835. 

1584 Portrait of a young married woman. Bust- length. Monogram 
(genuine?): JAB. 
48 c — on canvas/ 0,675 h. by 0,605 w- " inventory of 1722 [(acquired from Poland). 

1585 An old man with a bald head. Bust-length. 
12b — on canvas/. 0,63 5 h. by 0,53 w. — inventory of 1722 (acquired from Poland). 

1586 A young man dressed in red. Bust-length. 
K 1 — on oak/ 0,71 h. by oA> w. — inventory of 1722. 

1587 A young man in a red cloak and dark hat with a feather. Bust-length. 

K 3 — on oak/ 0,72 h. by 0,55 w. — first found in Catalogue of 1835 (supposed to 
have been acquired through Hagedorn from Hamburg). 



OF THE XVn. CENTURY 



171 



KONINCK, SALOMON. Born at Amsterdam 1609, buried 
there Aug. V^ 1656. Formed his style under the influence of Rem- 
brandt. 
The Hermit. Three-quarter length. Signed: S . Koitinc^ Ao 1643. 1589 

K 2 — on canvas; 1,21 h. by 0,995 ''p. " G^W. Ill, 43. — inventory of 1722. \ 

The Astronomer. Half-length. Inscription: Dan/ef Co . , . Ao * 1589 A 
J6. .. •*=>* 

K 1 — qn canvas/ 1^5 h. by 0,87 w. — No doubt to be found in the inventory of 1722 " 

Portrait of an old man with gold cord on his cap. Bust-length. 1589B 

L 3 — on canvas ,- 0,57 h. by 0,45 w. — inventory of 1722. 

FABRITIUS, BARENT. Lived in Uyden from 1657 to 1659, still 

alive in 1672. Pupil of Rembrandt. 

Portrait of a young woman putting on a pearl bracelet. Bust-length, i 1591 

Copy from Rembrandt's portrait of Hendridije Stoffel painted in 1663, 

now in the possession of Mr. B. Altman of New York. 

K 3 — on canvas on wood / 0,78 h. by 0,625 w. — inventory of 1722. 

ASSELIJN, JAN, called KRABBETJE. Born 1610 at Dieppe in 

France <or Diepen near Amsterdam) ,• buried at Amsterdam Oct. y^ 

1652. Formed his style under the influence of P. van Laer in Rome. ; 

Distribution of food to beggars at the door of a monastery. Signed : i 1592 

JAssefin . 1647- * 

9c — on canvas/ 0,59 h. by 0,745 w. — Guarienti inventory. 

Herdsman and cattle near ruins of columns. Monogram : J A. 1593 

7b — on canvas/ 0,965 h. by 0,75 w. — inventory of 1722. 

Herd-boy and cattle at the water side. Monogram : J A. 1594 

t3 a — on canvas/ 0,415 h- by o,jyj w. — inventory of 1722. 

The ford. 1594A 

8a — on canvas/ 0,33^ h. by 0,405 vc. — Bequeathed in 1893 by theJPresident of the 
Court of Appeal, E. F. Nossliy. 

HELST, BARTHOLOMEUS VAN DER. Born at Haarlem 1613/ 
buried at Amsterdam Dec. 16th 1670. Pupil of Nicolaes Elias. 
The Wife of the Burgomaster Andries Bicker of Amsterdam. Half- 
letigth. Signed: B . van der . Hefst 1642. The companion picture 
is in the Rijksmuseum at Amsterdam. 

K3 — on oak/ 0,925 h- by 0,70 w. — acquired in 1876 firom the ROW Collection in 
Cologne. 



- i 1595 

in I 



A woman looking out from behind a green curtain. 

Signed: B . van der Hefst 1652. 

K 3 — on canvas / 0,73 h. by 0,655 w. — inventory of 1722. 



Bust -length. 



1596 



172 



DUTCH PAINTERS 



15^ 



1597 Portrait of a young man, Bust'Iength. 

M 1 — on canvas / 0,705 b. by 0,555 ▼• ~' inventory of 1754 <ac<]alred in 1751 at the 
Leipsic Easter Fair). 

1598 See Appendix. 

LOO, JACOB VAN. Born at Sluis 1614,- died at Paris Nov. 26* 
1670. Pupil of his father Jan van Loo. Academician in Paris. 
Paris and CEnone. Signed : J: P : Loo. 
Store»rooms — on canvas / 2,12 h. by 1,72 w. — G.»W. Ill, 34 — inventory of 1734. 

FLINCK, GO VERT. Born atCleves Jan. 25* 1615/ died at Amster- 
dam Febr. z^^ 1660. Pupil of Rembrandt. 

1600 An old man in a red cap. Bust=length. Signed: G.Tfinck .f 1639. 
14 a — on oak ; 0,71 h. by 0,54 w. — first in the catalogue of 1765. 

1601 A man in a bladi cap. Bust-length. Signed : G : Tfinck 1643. 

14a — on canvas; 0,665 h. by 0,535 w. — acquired in 1723 from Jhe Wrzowecz Col« 
lection at Prague. 

1602 David giving the letter to Uriah. Three-quarter length. 
K3 — on oak/ 1,505 h. byj2,i85 w. — inventory of 1754. 

BOL, FERDINAND. Baptized at Dordredit June 24* 1616/ buried 
at Amsterdam July 24th 1680. Pupil of Rembrandt. 

1603 Repose of the Holy Family during the Flight into Egypt. Signed : 
TBof . fecit 1644. 
K 2 — on canvas / 2,03 h. by 2,61 w. — acquired in 1743 at the Leipsic Easter Fair. 

1604 '^ Jacob's Dream. Signed: T . Bof . fecit. 

K 2 — on canvas; 1,285 h- by 0,97 w. — inventory of 1722. 

1605 Jacob before Pharaoh. 

K 1 — on canvas / 1,70 h. by 2,14 w. — G.«W. Ill, 9 •— Guarientt Inventory. 

1606 Portrait of a young man in a hat <the artist himself?). Bust-length. 
•4 b — on canvas/ 0,63 h, by 0,48 w. — inventory of 1722. 

DORSTE, J ACOB VAN. Born at Leyden, buried at Amster- 
d am Jan. 6th 1678. Painted in Amsterdam. Pupil of Rembrandt. 

1607 P ortrait of a Man in a Hat. Half«Iength. Signed : J v Dorste . fee. 
14c — on oak/ 0,74 h.^by 0,595 '•'• "" inventory of 1722. 

DROST <CORN. D. oder P. D.?>. Pupil of Rembrandt, studied 
later in Italy, where he formed his style under the influence of 
C. Loth. 

1608 DROST (?>, Mercury and Argus. Three-quarter length. 

L3 — on canvas; 1,165 b. by 0,985 w. — in the Guarienti inventory described at a 
Drost (acquired in 174J5 through B. Benzoni from Venice). 



k 



OF THE XVn. CENTURY 



173 



KLOMP, AELBERT lANSZ. Born at Amsterdam 1618, died 

Dec. 20* 1688. Style of Paulus Potter. 

Pasturage by the river°side. Signed : A . KCompf. 1609 

13 a — on canvas/ 0,74 h. by 0,65 w. — acquired in 1742 through Ricdel from Prague 

LOOTEN, JAN. Born about 1618, probably at Amsterdam,- died in 
England 1681. On his pictures are dates from 1656 to 1677. 
Landscape with a shepherdess. Signed : JLooten. 1610 

Q.5 — on copper/ 0,405 h. by 0,49 w. — taken from the storerooms in i860. 

Landscape with a gallows. Companion picture to No. 1612. Signed: 1611 

JLooten. 

11 c — on copper/ 0,40 h. by 0,49 w. — taken -from the storerooms in i860. 

Landscape with a loving couple. Signed : JLooten. 1612 

Q,} — on copper/ 0,40 h. by 0,49 w. — taken from the storerooms in i860. 

KONINCK, PHILIPS, Born at Amsterdam Nov, 5* 1619,- buried 

there Oct, 4th 1688. Pupil of his brother Jacob and of Rembrandt. 

Extensive Dutdi landscape with a view from the dunes towards the 1612A 

flat country. 

10 a — on canvas / 1,22 h. by i,6y w. — purdiased in 1905 in London. 

SCHRIECK, OTHO MARSEUS VAN. Born at Nymegen 1619 

or 1620/ buried at Amsterdam June 12* 1678. 

Plants, with insects and amphibia. Signed: OtBo Marseus v. S, 1613 

1673 2 1. 

15 c — on canvas/ 0,69 h, by 0,53 w, — inventory of 1722, 

Snake near a bird's nest. Signed : OtBo Marseus D. S. 167 !• 2-1. 1614 

15 c — on canvas / 0,69 h. by 0,53 w. — inventory of 1722. 

VICTORS (VICTOR), JOHANNES. Bom at Amsterdam about 

1620/ died after 1676. Pupil of Rembrandt at Amsterdam. 

The Finding of Moses. SignzA: JoBsPt'ctorsfe . 1653. Compditiion 1615 

picture to No. 1616. 

K2 — on canvas/ 1,76 h. by 1,99 w. — first found in catalogue of 1835. 

The Finding of the Cup in Benjamin's sadc. Signed: JoBanes 1616 
Victors fe. ^ \ 

K 2 — on canvas/ 1,79 h. by 1,965 w. — first found in catalogue of 1835. \| 

VICTOR, JACOMO. Painted about 1636 in Venice/ about 1670 

in Amsterdam, mentioned as being there in 1678. 

A poultry-yard. Signed : Jacomo Victor. 1617 

L3 — on canvas/ 1,12 h. by 0,96 w. — first found in catalogue of 1765 (supposed to 
have been acquired in 1741 through v. Kaiserling). 



174 



DUTCH PAINTERS 



1617A 

1618 
1618A 



1619 

1620 
1621 

1622 
1623 
1624 

1625 
1626 



DUBBELS, HENDRICK. Born at Amsterdam 1620 or 1621, buried 
there June 9'^ 1676, 

Rough sea with large and small vessels. Signed : DuBBefs. 
8b — on canvas/ o,fi h. by 0,51 w. — purchased in 1883 over GrOnberg. 

EECKHOUT, GERBRANDT VAN DEN. Bom at Amsterdam 
Aug. 19* 1621,- buried there Sept. 29t'» 1674. Pupil of Rembrandt. 

The Presentation of Christ in the Temple. 

14 b — on canvas / 0,675 b. by 0,84 w. — inventory of 1722, 

Jacob's Dream, Signed: G. v. EeckBout fecit Ao 1669- i2 M\31. 

10 a — on canvas; 1,28 h. by 1,04 w. — purdiased in Cassel at the Habidi auction sale 
in 1892. 

WEENIX, JAN BAPTIST <GIOVANNI BATTISTA). Born 
at Amsterdam 1621/ died near Utredit 1660. Pupil of Abr, Bloemaert 
in Utredit and of Claes Moeijaert in Amsterdam. 

The Meeting of Jacob and Esau. Signed : Gio . Batta . Weettix. 

12a — on canvas; 1,01 h. by 1,35 w. —acquired in 1741 from the Wallensteiu Collection 
at Dux <until 1723 probably in the Wrzowecz Collection at Prague). 

Poultry»yard near ruins. Signed; Gio . Batta , Weenixf. 

K4 — on canvas; 0,78 h. by 0,945 w. — acquired in 1741 through v. Kiaiserling. 

WEENIX <?> Campagna-landscape, Signed : Giov . Ba 

15 b — on canvas ; 0,475 h. by 0,67 w. — acquired in 1742 from Prague through Riedel, 

BEERSTRATEN, JAN ABRAHAMSZ. Baptized at Amster- 
dam May 31st 1622/ died there July i»' 1666, 

Mouth of a river. Signed : Beerstraten. 

13 c — on oak; 0,555 h- by 0455 w, — probably inventory of 1722. 

Storm on a rocky precipitous coast. 

50a — on oak; 0,89 h. by 1,23 w. — inventory of 1722. 

See Appendix. 

LUNDENS <LUNDERS>, GERRIT. Baptized at Amsterdam 
Sept. 27* 1622/ died there after 1677, 

A fiddler and a girl dancing. Signed: G Limdersfe 1656. 

P 8 — on oak / 0,42 h, by 0,355 w, — first mentioned in catalogue of 1818 <supposed to 
have been acquired through Kiedel from the Leipsic Fair, Easter 1751). 

A girl sitting on a man's knee. Signed : G Lun . . . -ft 1656. 
P8 — on oak; 0,315 h, by 0,29 w, — first mentioned in the "Specificatio" of 1707. 



OF THE XVn. CENTURY 



175 



LINGELBACH, JOHANNES. Baptized at Frankfort-on-Main 

Oct, loth 1622/ died at Amsterdam Nov. 1674. Style formed under 

the influence of Phil. Wouwerman. 

Harbour with a light-house. Signed: /. Lingef BacB fecit. 

9b — on canvas/ 1,08? h. by 0,895 '*'• -' Guaricnti inventory (supposed to have been 

acquired through Riedel at the Leipsic Fair, Easter «75i>. 



Country people on a road. 

13 b — on oak; 0,505 h. by 0,435 w. — inventory of 1722. 

POTTER, PAULUS. Baptized at Enkhuizen Nov. 20th ,625/ buried 
at Amsterdam Jan. lytl* 1654. Pupil of his father Pteter Potter. 

Herdsman with his oxen. Signed: Pauftis Potter .f . 1652. Com- 
panion picture to No. 1630. •*■ 

13 a — on oak/ 0,36 h. by 0,495 w. — inventory of 1722. 

Cattle resting. Signed : Paufus Potter ./. 1652. 
13 a — on oak/ 0,355 h. by 0,465 w. — inventory of 1722. 

POTTER, copy FROM PAULUS POTTER. 

Huntsmen and dogs in the "BosA" near the Hague. The original in 
the Kaiser -Friedridi- Museum in Berlin. The animals betray the 
hand of A. v. d. Velde. Signed: Paufus Potter . Tec . 1652. 

13 b •— on canvas/ 0,625 h- by 0,775 ^' "" '" '•>€ inventory 'of 1754 described as by 
Paul Potter and Adriaen van dc Velde. 

DU JARDIN, KAREL. Born at Amsterdam 1622,- died at Venice 
Nov. 20th 1678. Pupil of Nic, Berdiem. 

Milking goats in the Roman Campagna. Signed : K . Dvjardin. 
7a — on oak/ 0,23 h. by 0,29 w. — inventory of 1722. 

An Ox. S\%ntA'. K . Dvjardt'nf. 

7a — on oak/ 0,26 h. by 0,35 w. — inventory of 1722. 

Diogenes at the spring. Three-quarter length. Signed: K . Dvjardin. 

7b — on oak / 0,425 h. by 0,31 w. — inventory of 1754. 

VERBOOM, ADRIAEN HENDRICKSZ. Born at Rotterdam 
about {628/ died probably at Amsterdam 1670. Painted under the 
influence of Ruisdael in Haarlem <i65o— 1660) and in Amsterdam. 

A village road under trees. Signed: A v Boomf. Companion picture 
to No. 1636. 

14 c — on canvas/ 0,655 h- by 0,78 w. — first in catalogue of 1765. 

A drove of pigs near an oak forest. Signed : A v Boomf. 
14c — on canvas/ 0,655 •»• by 0,68 w. — first in catalogue of 1765. 



1627 
16Z8 

1629 
1630 

1631 



1632 
1633 
1634 

1635 
1636 



176 



DUTCH PAINTERS 



I VONCK, JAN. Painted in Amsterdam about 1670. Probably son 
I and pupil of Elias Vondc. 

1637 Roe-deer pursued by dogs. The landscape by Ruisdaei. Signed with 
monogram ; Jv R and J . Vonck . fe. 
Store«rooras — on canvas/ 1,37 h. by 2^ w. — inventory of 1754. 

1637 A Dead birds on a stone table. Signed: J. Vonck .f. 

8a — on oak/ 0,34 h. by 0,47 w. — bequeathed in 1893 by Ac President of the court 
of appeal E. F. Nossky. 

1638 VONCK <?> A white pheasant and other dead birds. Probably by 
Elias Vonck <i6o5— 1652). 
P 10 — on oak/ 0,74 h. by 0,595 ▼• — >" the 1754 inventory referred to as a "Vunk". 

HACKAERT, JAN. Born at Amsterdam 1629/ died there pro- 
bably 1699. Formed his style in Italy, 

1639 Country road with figures, on the sunny slope of a hill. 
8 b — on canvas / 0,975 h. hy 1,10 w. — first in catalogue of 1835. 

KALF, WILLEM. Born at Amsterdam 1621 or 1622,- buried there 
Aug. y^ 1693. Pupil of Hendridc G. Pot. 
1639 A Interior of a kit dien. Signed: W- Kaff. 

13c — on oak/ 0,265 h. by 0,21 w. — presented by Herr Bduard Cidtorius in 1906. 

1640 Still-life with glasses. Signed: W . Kaff. 166 1. 
P8 — on canvas/ 0,485 h. by 0,415 w. — acquired in 1741 through von Kaiserling. 

BACKHUySEN, LUDOLF. Born at Emden Dec. 18* 1631,- 
buried at Amsterdam Nov. 17* 1708. Pupil of Allart van Evcrdingcn. 

1641 j A sea fight between Dutdi and English. Signed : L . B. 
I 16 a — on canvas/ 0,94 h. by 1,135 'w- "~ inventory of 1754. 

1641 A See Appendix. 

! MAES, NICOLAES. Born at Dordredit Nov, 1632,- buried at 
Amsterdam Dec. 24th 1693. Pupil of Rembrandt, 

1642 Portrait of Mynheer Godard van Reede and Agrun. Bust -length. 
Signed: N Maes 1676. 

•6a — on canvas/ o,+f5 h. by 0,325 w. — acquired in 1874 firom the Reede van Oudts- 
hoom Collection at utredj t. 

BOSCH, PIETER VAN DEN, Born at Amsterdam about 1613/ 
proved to have been there about i66o,- in 1663 was in London, where 
he probably died. 

1643 Kitdien scene. The signature A^. Maes is spurious. 

13 b — on oak / 0,58 h, by 0,725 w, — acquired in 1874 from the Reede van Oudtshoom 
Cofiection at Utredit, 




.J? 

I 







16o4 



Terdinand Bof 



OF THE XVII. CENTURY 



177 



VELDE THE yOUNGER, WILLEM VAN DE. Baptized 

at Leyden Dec. iS'** 1633,- died at GreenwiA near London April 6* 

1707. Pupil of his father W. van de Velde the Elder, and of S. de 

Vlieger. 

Ships in a rough sea. Signed : WW J. 

13 a — on oak/ o,8iy h. by 1^5 w. — purchased in London in 1874. 



1644 



MOUCHERON, FREDERIK DE. Bom at Emdcn .633/ buried 
at Amsterdam Jan. 5'^ 1686. Pupil of Jan Asselijn. 

Wooded mountainous landscape with a hunter. Signed : MouSeronfi. I6i5 

Companion picture to No. 1646. 

14a — on canvas/ 0,69 h. by 0,83 w, — acquired firom Prague through Riedel in 1742. 

Wooded mountain landscape with a quiet pond. Signed: MoucSeron, 1646 
14a ^ on canvas/ 0,69 h. by 0,81 w. — acquired in the same manner as the preceding. 

See Appendix. 1647 

Road on a hill slope. Signed : MoucBeron. 1648 

13 b — on canvas / 0,49 h. by 0,66 w. — acquired through von Kaiserling in 1741. 

Wooded landscape with waterfalls. Signed : MouSeron. 1649 

51b — on canvas/ 0^5 h. by o,66y ■w.J— inventory of 1754. 

Park and river landscape with peacocks. 1650 

13 b — on canvas / 0,505 h. by 0,66 w. — acquired through von Kaiserling in 1741. 

MOUCHERON. SCHOOL OF FREDERIK DE MOUCHE- 
RON. 

Landscape with a rainbow. 1651 

Store-rooms — on canvas / 0,715 h. by 0,885 w. — first in catalogue of tyiS. 

A Castle on a river. 1652 

Store'rooms — on canvas/ 0,705 h. by 0,885 w- ■" taken in 1836 from the store'rooros. 

MOUCHERON, ISAAC DE. Bom at Amsterdam about 1670,- 
died there July zotl^ 1744. Son and pupil of Frederik de Moudieron. 

The castle grounds. Signed : I . MoucBeron . Tecit 1713. 1653 

8a — on canvas/ 0,27 h. by 0,345 w. — acquired through von Kaiserling in 1741. 

NECK, IAN VAN. Bom at Naarden 1636/ died at Amsterdam 
1714. Pupil of Jac. Badcer. 

A sacrifice to Pan by the side of a wood. Signed .^pNec^/. 1654 

7a — on canvas/ 0,82 h. by 0,68 w. — acquired firom Leipsic by the Crown Prince 
and presented to the King in 1751. 



IJS 



DUTCH PAINTERS 



VELDE, ADRIAEN VAN DE. Baptized at Amsterdam Nov. 
30* 1636/ died there Jan. 21st 1672. Pupil of his father W. van de Veldc 
the Elder and of Jan Wijnants and or Ph. Wouwerman. 

1655 Pasturage, with a girl milking a cow. Signed : A . v . Veftfe f 1659- 
13 b — on canvas; 0,59 h. by 0,715 w. — G.«W. Ill, 24 — inventory of 1722. 

1656 A woman drinking. Three»quarter length. Signed : A . v . Vefde 
1662. 

11 b — on oak/ 0,215 h- by 0,19 w. — inventory of 1722. 

1657 Cattle and sheep among some ruins. Signed : A . v . Vefde 1665' 

Jib — on canvas/ 0,795 h. by 0,665 w- ~ fi>^t •" catalogue of 1817. 

1658 A herd of cattle in a gateway. Signed: A . v . Vefde . 1667- 
8 b — on canvas / 0,755 h- by 1,115 '^- — Guarienti inventory. 

1659 Sports on the ice on the moat of a town. Signed: A . v . Vefde f . 
J665 (.iddgl). 

14 c — on canvas stretdied on walnut/ 0,33 h. by OrK>5 ^- ~ acquired in 1754 through 
Le Leu from the de la Boucxiere Collection in Paris. 

1660 Pasturage near a leafless tree. Signed : A . v . Vefde f. 
i4c — on oak/ 0,325 h. by 0,395 w. — Guarienti inventory. 

HEyDE, JAN VAN DER. Born at Gorkum 1637,- died at 
Amsterdam Sept. 28^^ 1712. 

1661 A view of the town in old Brussels. ^\gt\s.6.: JVH 1678. 
16a — on oak; 0,20 h, by 0,275 ^. " first '1 catalogue of 1817. 

1662 View of a Monastery in the hills. Signed: VHei/de. Companion 
picture to No. 1663. 

lib — on oak/ 0,24 h. by 0,295 w. — first in catalogue of 1817 <perhaps previous In 
Guarienti inventory). 

1663 The old Castle at Brussels. Signed : J . v . der He^de. 

11 b — on oak / 0,24 h. by 0,29 w. — first in catalogue of 1817. 

1664 A street with Churdies and Monasteries. ^\%t^zA: VHeijde. 

8a — on oak/ 0,325 h. by 0,435 w. — inventory of 1724. 

HOBBEMA, MEINDERT. Born at Amsterdam 1638: died there 
Dec. 7tb 1709. Pupil of Jacob van Ruisdael. 
1664 A^ The "Water-mill. Signed: MHoBBema. 

12 — on oak/ 0,595 h. by 0,845 w. — acquired in 1899 at the Sdiubart auction in 
Ijiobich <formerly in the gallery of the Duke of Courland and Sagan, then in the 
^allery of the Prince of Hohenzollern »• Hediingen, from about 1883 in the Sdiubart 

illery at Dresden, afterwards at Munidi). 

1665 A road between huts under the trees. Signed: MHoBBema. 

13 a — on oak/ 0,335 h. by 0,415 w. — purdiased from Amsterdam in 1874. 



^^ 



OF THE XVII. CENTURY 



179 



WEENIX, JAN- Born at Amsterdam about 1640,- died there 

Sept. 20^'' 1719. Pupil of his father Jan Baptist Weenix. 

Still-life with a dead deer. ^xgrxA: J .Weenix f 1689- Companion 

picture to No, 1667. 

K3 — on canvas/ 1,275 h- '>y «/69 w. — acquired in 1743 through Aigarotti from the 

Casa Rumicri at Venice. 



1666 



Still-life with a dead hare. Signed: ^. liVr«/'x//<5Po. 1667 

K3 — on canvas/ 1,30 h. by 1,70 w. — acquired in 1743 through Algarotti ft-om Venice. 

Still-life with a blue cushion. Signed : J . Weem'x 1689- 1668 

K 1 — on canvas ; 0,97 h. by 0,71 w. — acquired in i74« through von Kaiseriing. 

Still-life with a dead white cock. 1669 

Ki — on canvas/ ia»5 h. by 0,805 w. — inventory of 1722. 

See Appendix. 1670 

NEER, EGLON HENDRIK VAN DER. Born at Amsterdam 

1635 or 1636/ died at Dusseldorf May y^ 1703. Son of Aert van der 

Neer, pupil of Jacob van Loo. 

The Lute-player. Three-quarter length. Signed : van der Neer. 1671 

14 a — on oak / 0,365 h. by 0,295 w. — acquired in 1754 through Le Leu from the de la 

Bouexiere Collection in Paris. 

VERKOLJE, JAN. Born at Amsterdam Feb. 9* 1650 ,• buried 

at Delft May %^^ 1693. Pupil of Jan Lievens in Amsterdam. 

Temptation. Signed : JVeriofie. 1672 

17a — on canvas / 0,70 h. by 0,66 w. — inventory of 1722. 

STORCK, ABRAHAM. Bom at Amsterdam about 1635,- died 
there after 1704. 

The harbour of Amsterdam. Signed: A . StorcM . T 1689- 1673 

t3 c — on canvas/ 0,71 h. by 0,855 ▼• " C3uarientJ inventory. 

GRIFFIER, JAN. Born at Amsterdam 1656/ died in London 1718. 

Style of Herm. Saftleven. 

Mountain and river landscape. Signed : J . Griffter T 17o8 London. 1675 

Companion picture to No. 1676. 

Pm — on oak/ 0,655 h. by 0^75 w. — inventory of 1722. 

Valley with a river and barges lying in harbour. Signed ;j7- G riffle r 1676 

Tc. London. 

Pn — on oak/ 0,645 h. by 0^65 w. — inventory of 1722. 

Valley with people bathing. Signed : J . Griffler . T. \(>77 

Q.3 — on copper/ 0,275 h. by 0,495 '■'• " inventory of 1722. 



18o 



DUTCH PAINTERS 



1678 A valley in whidi a fair is being held. Signed : Griffer. Companion 
picture to No. 1679. 

P9 — on copper/ 0,525 h. by 0,665 w. — inventory of 1722. 

1679 A valley with a number of figures. Signed : Griffier. 
Q.3 — on copper/ 0,525 h. by 0,66 w. — inventory of 1722. 

1680 Fair in a valley. Signed : Griffier. Companion picture to No. 1681. 

Pi — on copper/ 0,47 h. by 0,53 \r. — inventory of 1722. 

1681 Fair in a valley. Signed : Griffier. 
Pit — on copper/ 0,47 h. by 0,53 w. — inventory of 1722. 

1682 j Valley with tents at the foot of a mountain. Signed : J . Griffier. 
I P 11 — on copper/ 0,38 h. by 0,495 w. — inventory of 1722. 

1683 i Valley with an arched bridge before the town. Signed: Griffier. 
I Store=-rooms — on oak/ 0465 h, by 0,585 w. — inventory of >722. 

1684 A castle above the valley. Signed : Griffier. 
P5 — on copper/ 0,475 1». t>y 0,53 \c. — inventory of 1722. 

1685 j River landscape with a harbour. Signed : Griffier . T. Companion 
[ picture to No. 1686. 

I P 6 — on oak/ 0,375 h. by 0,48 w. — inventory of 1722. 

1686 j River landscape. 

P 11 — on oak / 0,375 h, by 0,48 w. — inventory of 1722. 

1687 Road by the forest stream. 

9b — on oak/ 0,415 h. by 0,45 w. — inventory of 1722. 

1688 Valley with a river and bay with a light-house. 
Store-rooms — on copper/ 0,465 h. by 0,525 w. — inventory of 1722. 

1689 Water-mill in the mountains. 
Pi -- on canvas/ 0,445 ^- by O/60 w. — taken in 1741 from the royal apartments. 

1690 See Appendix. 

1691 Fair in a valley. 

Pi — on oak/ 0495 h. by 0,645 w. — acquired in 1727 through Leplat. 

RUySCH, RACHEL. Bom at Amsterdam 1664 or 1665/ died 
there Oct. 12'h 1750. Pupil of Willem van Aelst. 

1692 Fruit-piece with a stag=beetle. SignzA: Rac6efRuys(£ 17 iS. Com- 
panion picture to No. 1693, 

7 a — on copper/ 0,74 h. by 0,615 '*'• ~ inventory of 1722. 

1693 Flowers in a glass, a red and white tulip above the rest. Signed: 
RacBaefRu^sai. 
16a — on copper/ 0,735 !>• by o<6i5 w. — inventory of 1722. 



OF THE XVII. CENTURY 



181 



Flowers and living creatures, in front of a rock. Signed: RacBef \ 1694 
RuysS. 

i6a — on canvas/ 0,715 h. by 0,565 w. — inventory of 1754 <supposed to have been 
acquired through Riedel at the Leipsic Easter Fair of 1751). 

VERKOLJE, NICOLAES. Born at Delft April tith ,673,- died at \ 

Amsterdam Jan. 21st 1746. Pupil of his father Jan Verkolje. I 

A market scene. \ 1696 

16b — on canvas,- 0,47 h. by 0,37 w. — acquired in 1874 from the Reede van Oudts* 

hoom Collection at Utrecht. 

HUySUM, JAN VAN. Bom at Amsterdam April 15th 1682,- 

died there Feb. ^^ i749- Pupil of his father Justus van Huysum. | 

A bundi of flowers in a glass, and an orange. Signed: Jan Van j 1697 

Huysum Tecit. I 

17b — on canvas/ 0,925 h. by 0,70 w. — inventory of 1754 (supposed to have been I 

acquired through Heinecken in i75i>. I 

A bundi of flowers in an earthenware vase, and a bird's nest. Signed ; | 1698 

Jan Van Huysum fee. 

8a — on oak/ 0,39 h. by 0,32 w. — inventory of 1754. 

Road by the river side. SUgnzA: J v Huysum .f. 1699 

9b — on canvas; 0,40 h. by 0,48 w. — inventory of 1754. 

"WIT, JACOB DE. Born at Amsterdam 1695,- died there Nov. 12* 
1754. Influenced in Amsterdam and Antwerp. j 

Nude dilldren with implements of the diase. Grey diiaroscuro. 1700 
Signed:^. dWitfc . 1733. 
P 11 — on canvas/ 0,82 h. by 1,33 w. — first in catalogue of 1835. 



LEyDEN SCHOOL 



DOU, GERARD. Born at Leyden April 7* 1613,- buried there 

Feb. 9th 1675. Pupil of Rembrandt during the later's early period in 

Leyden. 

The Artist himself in his studio. Signed: GDov 1647- 1704 

15c — on oak/ 0,43 h. by 0,345 w. — inventory of J722. 

A cat in a window. Signed: GDov 1657- 1705 

»5a — on oak/ 0,34 h. by 0,265 w. — inventory of 1722, 

A girl in a window gathering grapes, with a candle in her hand. Sig- 1706 

ned: GDov 165 ■ a6S6?J. 

15 a — on oak/ 0,355 h, by 0,295 w. — inventory of 1722. 



182 



DUTCH PAINTERS 



1715 
1716 
1717 
1718 

1719 
1720 



> 



1721 
1722-1723 



A vioIin»pIaycr in a window. Signed : GDov . 1665- 

15 c — on oak/ 0,40 h. by 0,29 w. — acquired in 1749 through Le Leu from theAraignon 
Collection in Paris. 

StilUlife. Signed : GDov. 

15a — on oak/ 043 h. by 0,355 v. — inventory of 1754 <in the Cabinet de Bye in 
Leyden as early as 1665). 

The old Sdjoolmaster. Signed : GDov 1671- 

15 c — on oak/ 0,32 h. by 0,245 '"'• ~ fii^t '" catalogue of 1817 <supposed to be in the 
inventory of 1722). 

The Dentist. Signed : GDov 1672. 

15 c — on oak/ 0,31 h. by 0,24 w. — first in catalogue of 1817. 

A Hermit kneeling in prayer. Signed : GDov. 

15 c -- on oak/ 0,57 h. by 0,43 w. — acquired in 1708 from Anfwerp. 

A girl watering flowers. Signed : GDov. 

15 c — on oak/ 0,28 h. by 0,205 ''«'• -~ inventory of 1722. 

In the wine-cellar. Signed : GDov. 

lya — on oak/ 0,33 h. by 0,25 w. — Guartenti inventory. 

The lost thread. Signed: GDov. 

15a — on oak/ 0,335 h. by 0,265 w. — inventory of 1722 <taken from the Kunst« 
iiammer). 

At the Doctor's. Signed : GDov. 

15c — on oak/ 0,44 h. by 0,34 w. — inventory of 1722. 

A Hermit reading. HalWength. Signed: G^Z)of. 
♦15 c — on oak/ 0,27 h. by 0,19 w. — inventory of 1722. 

A young girl at a table. Half-length. 

173 — on oak/ oval/ 0,145 h. by 0,12 w. — inventory of 1722. 

An old woman in a hat <mother of Dou's master Rembrandt) with a 
book. Half-length. 

15c — on oak; 0,165 h. by 0,14 w. — certainly mentioned in the catalogue of 1817 
Supposed to have been acquired by Grfinberg in Brussels together with a companion 
picture at the van Teylingen auction sale at Leyden). 

An old woman <Rembrandt's mother) in spectacles reading a news- 
paper. Half-length. 
17a — on oak/ oval; 0,125 h. by 0,09 w. — inventory of 1722. 

An old woman (Rembrandt's mother) with a book. Three-quarter 
length. 

15 c — on oak/ oval / 0,24 h. by 0,195 w. — inventory of 1722. 

The mouse-trap. Signed : GDov. 

P5 — on oak/ 0,265 h. by 0,21 w. — inventory of 1722. 

See Appendix. 



OF THE XVn. CENTURY 



1S3 



STOOTER, CORNELIS. Proved to have been in Leyden after 

1622/ died there 1655. 

A fishing boat on a rough sea. Signed : Sto. 

8a — on oak/ 0,39 h. by 0,50 w. — acquired in 1740 from Antwerp through Morel. 



RING, PIETER DE. Born at Leyden 1615,- died there Sept zi^^ 
1660. Pupil of Jan Davidsz. de Heera in Leyden. 
StilWife with a pheasant. Signed with the ring. 
L 3 — on canvas/ 0,965 h. by 0,79 w. — acquired in 1723. 

STEEN, JAN. Born at Leyden in 1626 or 1627,- buried there Feb. 3'^ 

1679. Pupil of Nicolaes Knupfer and Jan van Goyen. Formed his 

style under the influence of F. Hals and A. van Ostade. 

The Marriage at Cana. Signed : JSteett. 

15 b — on oak/ 0,585 h. by 048 w. — taken in 1861 from the store-rooms. 

Mother and dii Id. Three-quarter length. ^xgnsA-.JSteen. 
17b — on canvas stretched on oak/ 0,29 h. by 0,245 ^' — inventory of 1722. 

The expulsion of Hagar. Signed j JSteen. 

17 b — on canvas/ 1,36 h. by i/>9 w. — purdiased in 1876 from the art-dealer Ernst 
in Dresden). 

VOIS, ARIE DE. Born at Utredit between 1631 and 1634/ died at 
Leyden in July 1680. Pupil of Nicolaes Knupfer and A. van den 
Tempel. 

Women bathing. ^vgtveA: ADVoisf . 1666. 
7a — on oak/ 0,30 h. by 0,37 w. — inventory of 1722. 

The Toper. Three-quarter length. ^\%x\z^\ ADVoisf. 
13 b — on canvas/ 0,195 h. by 0,16 w. — inventory of 1722. 

The beautiful Shepherdess. Signed: ADV. 
90 — on canvas/ 0,275 h- by o,2j w- — inventory of 1722. 

BREKELENKAM, QUIRINGH GERRITSZ. VAN. Born at 
Zwammerdam about 1620/ died at Leyden 1668. Formed his style 
under the influence of Dou. 

Visit to a mother shortly after diildbirth. Signed: QBreifenkam. 
15 b — on oak; 0,36 h. by 0,31 w. — Inventory of 1754. 

METSU, GABRIEL. Bom at Leyden 1629/ buried at Amsterdam 
Oct. 241'^ 1676. Probably a pupil of Dou in Leyden, and afterwards 
influenced by Rembrandt in Amsterdam. 
Lovers at breakfast. Signed ; GMetsii 1661. 

16 c — on oak/ 0,355 h. by 0,305 — N. G.-W. 16 — inventory of 1722. 



1723 A 
1724 

1725 
1726 
1727 



1728 
1729 
1730 

1731 

1732 



184 



DUTCH PAINTERS 



1733 A man selling poultry. Signed; G . Metsu 1662. Companion pic- 
ture to No, 1734' 
«c — on oak/ 0,615 h- by 0,455 w. — inventory of 1722. 

1734 A woman selling poultry. Signed : G . Metsu 1662. 

11c — on oak / 0,605 h. by 0,45 w. — inventory of 1722. 

1735 Old woman selling game. Signed : G . Metsu. 
11 a — on oak/ 0,57 h. by 0,43 w. — first in catalogue of 1812 (supposed to have been 
acquired from Antwerp in tyto). 

1736 A lady with a lace pillow. Signed: G . Metsu. 
16c — on oak/ 0,35 h. by 0,265 '^. — inventory of 1722. 

1737 A smoker sitting by the fire. Signed : G . Metsu. 

16 c — on oak/ 0,275 h. by 0,23 w. — first in catalogue of 1817. 

1738 METSU <?> A woman with a letter. Three-quarter length. 

13 b — on oak / 0,24 h. by 0,195 '»'■ ~ first in catalogue of 1826. 

BEGEyN, ABRAHAM JANSZ. Born at Leyden 1637 or 1638/ 
when he died was Court-painter in Berlin June n'^ 1697. 

1739 Three goats under a tree. Signed: ABegeiJn. 
P4 — on oak/ 0/215 h. by 0,245 '^' " inventory of 1722. 

MIERIS THE ELDER, FRANS VAN. Born at Leyden April 
16* 1635/ died there Mardi 12th 1681. Pupil of Abr. van den Tempcl 
and of Ger. Dou. 

1740 A soldier in a red cap. Half-length, Signed: T . van Mieris . Ao 
1667- 
13 b — on oak/ 0,175 h. by2o,i35 w. — inventory of 1722. 

1741 A young woman at her toilette. Signed on the back: Anno 1667 • 
Juny . Lugd . Bat . T . van Mieris fecit. 
13 c — on oak/ 0,27 h, by 0,22 w. — inventory of 1722, 

1742 The love-letter. Signed: T . van Mieris Anno 1671- 
17 b — on oak / 0,295 h by 0,24 w. — acquired in 1710 from Antwerp. 

1743 The Music-lesson. S\gntd.'. T" . van Mieris/c Anno 1672. 
17 a — on oak / 041 h. by 0,31 w. — inventory of 1722. 

1744 Mary Magdalene in a cave. Three-quarter length. Signed: T . van 
Mieris 1674. 

P 7 — on oak / 0,205 f>- by 0,16 w. — acquired in 1763 through the Secretary of 
Legation von Kauderbadi from the Lormier Collection at the Hague. 

1745 An old Woman with a flower-pot. Three-quarter length. Signed : 
T . van Mieris. Companion picture to No, 1746, 
15a — on oak/ round at the top/ 0,29 h, by 0,22 w, — inventory of 1722, 



OF THE XVII. CENTURY 



m 



An old Man with a wooden ewer. Three-quarter length. Signed: 1746 

f . van Mien's. 

15a — on oak; round at the top/ 0,29 h. by 0,22 w. — inventor>' of '722. 

A Soldier smoking. SlgntA.: 7 . v Mien's. 1747 

16c — on oak/ 0,32 h. by 0,255 w. — inventory of J722. \ 

An old Sdiolar. S\gatA: 7 v Mien's. 1748 

11 a — on oak/ 0,345 h. by 0,245 — acquired from Antwerp in 1708. 

The Tinker. Signzd^: 7 . van Mien's. j 1749 

13b — on oak/ 0,48 h. by 0,545 w. — inventory of 1722. ' 

The Artist painting a lady. SAgntA: T . van Mien's. | 1750 

It b — on oak/ 0,595 b, by 046 w. — acquired from Antwerp in 1708. 

The Conoisseur in the artist's studio. j 1751 

11 b — on oak/ 0,635 h. by 047 w. — Guarienti inventory. j 

The Cloth'^merdiant. Three=quarter length. 1752 

13 b — on oak/ 0,21 h. by 0,15 w. — inventory of 1754. I 

Allegorical figure of Poetry. Three»quarter length. i 1753 

u a — on oak/ 0,32 h. by 0,255 '«'• — acquired through von Kaisei^ng in 1741. { 

Copy, see Appendix. 1754 

TOL, DOMINICUS VAN. Bom at Bodegraven between 1631 

and 1642/ died at Leyden Dec. 26th 1676. Pupil of his uncle Gerard 

Dou. 

A Man eating a herring. Signed : D . V . Tof. 1755 

16c — on oak; 0,26 h. by 0,19 w. — first in catalogue of 1817. 

A Woman winding yarn. Signed: D . V . Toi. 1756 

9a — on oak/ 0,335 h. by 0,26 w. — first in catalogue of 1817. 

TOORENVLIET, JACOB. Born at Leyden 1655 or 1636,- died 
there 1719. Pupil of his father Abraham Toorenvliet. 

Four Musicians. Threc»quarter length. SxgntA: J'Toorenvfiet 7" . 1757 
Ao 1678. 

11a — on copper/ 0,285 h. by 0,315 w. — inventory of 1722. 

The Fishworaan. Three-quarter length. ^\gTvtA\ JToorenvfiet T . 1758 
Ao. 1679- Companion picture to Ino. 1759. 

•1 a — on copper / 0,22 h. by 0,17 w. — inventory of 1722 (taken la 1707 from the Kunst- 
kaniiner). 

The Rabbi. Three-quarter length. S\gntA: JToorenvfiet 1679. ■ 1759 

11 a — on oak/ 0,22 h. by 0,17 w. — inventory of 1722 <taken in 1707 from the Kunst- 
kammer). 



186 



DUTCH PAINTERS 



1760 A Girl selling game. 

P 10 — on canvas/ 0,40 h. by 0,32 w. — inventory of 1722. 

SLINGELANDT, PIETER CORNELISZ. VAN. Born at 
Lcyden Oct. 20* 1640/ died there Nov. 7th 1691. Pupil of Gerard Dou. 

1761 The unmusical puppy. S\gtx6: P . v . s/i'ngefand 1672. 
15 a — on oak / 0,395 h. by 0,305 w. — acquired through Lemmers from Antwerp in 1708. 

1762 An old woman giving a cock to a young woman through a window. 
Signed: P.v . sfitigefant . 1672 C1673?J. 
15 c — on oak/ 0,355 h- by 0,28 w. — inventory of 1722. 

1763 A lady singing at a harpsidiord. Signed: P.p. Sft'itgBefandt. 
16 c — on oak/ 0,525 h. by 0,26 w. — taken in i860 from the store-rooms. 

SLINGELANDT. IN THE STyLE OF PIETER CORNE- 
LISZ. VAN SLINGELANDT. 

1764 The music lesson. 
P8 — on oak; 0,595 h- by 0,465 w. — inventory of 1754. 

MOOR THE yOUNGER, KAREL DE. Bom at Leyden 
Feb. 25th 1656,- died at Warmond Feb. 16'^ 1738. Pupil of Dou, Frans 
Mieris and others. 

1765 MOOR <?> A Hermit praying. This picture is certainly older than 
dc Moor and shows the hand of a fellow student or pupil of G. Dou. 
Signed <in a rather suspicious manner) : Ritt, C ■ ■ . de Moor. 
15b — on oak; 0,925 h. by 0,695 w. — inventory of 1754. 

MIERIS, WILLEM VAN. Born at Leyden June 3rd 1662,- died 
there Jan. 26th 1747. Pupil of his father Frans Mieris the Elder. 

1766 A Man with a hurdy-gurdy. Signed: W . van Mieris . Te Anno 
1694. 

13 a — on canvas/ 0,485 h. 'by 0405 w. — acquired in 1708 through Lemmers from 
Antwerp. 

1767 The Game-dealer. Signed : W van Mieris 1699- 
8c — on oak/ 0,295 h. by 0,24 w. — inventory of 1722. 

1768 The Jolly Toper in an ardbed window. Three-quarter length. Signed ; 
W . van Mieris f Anno 1699- 

8 c — on oak; 0,25 h. by 0,22 w. — inventory of 1722. 

1769 A Trumpeter. Signtd: W van Mieris . Te . Ano 1700. 
7a ^ on oak/ 0,30 h. by 0,245 w. — inventory of 1722. 

1770 Cephalus and Procris, Signed : W . van Mieris . Te . Ano 17o2. 
P4 — on oak/ 0,375 h. by 0,44 w. — inventory of 1722. 



OF THE XVII. CENTURY 



187 



deciphered 

9C — on oak/ o^iy h. by 0,52 w. — Guarientt inventory. 

Venus and Paris. Signed : W . van Mien's . Te . Ano 1717- 
17 a — on canvas / 0,14 h. by 0,17 w. — Guarientl inventory. 

A Monkeys' Cafe. Signed : W . van Mien's . T . Anno 17i9- 
9a — on oak/ 0,285 h. by 0,4s w. — first in catalogue of 1817. 

The old Cook. Three-quarter length. Signed : Ao. J729- 
13 b — on oak / 0,19 h. by 0,155 '^- — inventory of 1754. 

LEERMANS, PIETER. Born 1655,- died 1706. Pupil of G.Dou. 

A Hermit. Signed: P Leermans. 

15b — on oak/ 0,415 h. byo,33w. —acquired in 1708 through Lemmers from Antwerp. 



SCHOOLS OF MIDDELBURa 
DORDRECHT AND ROTTERDAM 



Venus and Cupid. Signed: W . van Mien's . Te Anno 17o3. 

17a — on canvas stretdied on oak/ 0.135 h- l>y 0/«7 ^' — Guaricnti inventory. 

Bacdius and Ariadne. Signed: W . van Mien's . Te . 17o4. 
7b — on oak/ 0,595 h. by 0,755 w. — inventory of 1722. 

The Fortune-teller. Three-quarter length. Signed : W . van Mien's . 

Te . Ano J706. 

8 c — on oak/ 0,29 h. by 0,24 w. — inventory of 1722. 

A Man with a hurdy-gurdy, and a girl bringing him drink. Signed: 
W . van Mien's . Te . Ano I706. 

7a — on oak/ 0,29 h. by 0,24 w. — inventory of 1722, 

The recognition of Preciosa. Signed : W . van Mien's . Te . Anno 
17o9- On the table is a pardiment from the title of whidi the words . 
"Don Terdinando d' Assavedo" and "Madrid 1595" niay be \ 



f 



1771 
1772 
1773 

1774 

1775 

1776 
1777 
1778 

1779 



MOLANUS, MATTHEUS. Was Dean of the S. Lukas Guild at \ 
Middelburg in 1626/ died there April -^^^ 1645. Style of Jan Brueghel, j 
Village landscape. Signed : M . Mofanus 1635- 1780 

Q.3 — on oak/ 0,40 h. by 0,615 w- — first in?catalogue of 1765. 

CUyP, BENJAMIN GERRITSZ. Born at Dordredit Dec. 1612/ 
died there Aug, 28t'> 1652. Pupil of his step-brother Jacob Gerritsz. 
Cuyp. 

A man playing the fiddle and singing. 1781 

17b — on oak; oval/ 0,27 h. by 0,345 w. -- Inventory of 1722. 



188 



DUTCH PAINTERS 



CUyP, AELBERT. Born at Dordrecht Oct. 1620,- buried there 
Nov. 7th or 15th 1691. Pupil of his father Jacob Gerritsz. Cuyp. 

1782 Portrait of a boy with a greyhound. Three-quarter length. Signed: 

A C. The authorship of Cuyp is not undoubted. 
L3 — on oak; 1,14 h. by 0,82 w. — acquired in 1875 from R. Brooks in London. 

1782 A I cuyp <?>. A white horse, held by a groom. 

L 2 — on canvas / 1^525 h. by 1,58? w. — purdiased in Vienna in 1880 <formerly in the 
possession of the Consul E. F. Weber in Hamburg who had purdiased the picture 
in England). 

cuyp. copy FROM AELBERT cuyp. 

1783 A gentleman and a lady on horsebadt. Signed : A. Cu^p. The original 
was in the possession of Mr. Adrian Hope in London, now in that 
of Mr. Widcner in Philadelphia. 
L 2 — on canvas / 1,16 h. by 1,70 w. — acquired in 1872 from Bruges. 

cuyp. Supposed to be by AELBERT CUyP. 

1785 Portrait of a man. Three-quarter length. Signature <spurious> : A 
Cuyp. 
L J — on canvas/ 1,08 h. by 0,88 w. — acquired in 1880 from Steynmeyer in Cologne. 

SCHALCKEN, GODFRIED. Born at Made 1643, died at the 
Hague Nov. 16th 1706. Came to Dordredit in his youth. Pupil of 
Samuel van Hoogstraeten, style of Gerard Dou. 

1786 A girl reading a letter. Half-length. Signed : G. SSafc^en. Com- 
panion picture to No. 1787. 

17b — on oak,- 0,27 b. by 0,205 w. — acquired in 1754 through Le Leu from the de la 
Bouexiere Collection in Paris. 

1787 I A lady throwing a light on the face of the spectator. Half-length. 
Signed : G . Scoafc^en. 

8c — on oak/ 0,26 h. by 0,205 '^- — acquired as the preceding. 

1788 An old woman with a book in her lap. Three-quarter length. Signed : 
G . ScdafckCen). 

M 1 -- on canvas / 0,81 h. by 0,695 w. — acquired "through Her Majesty the Qyeen" 
from the Leipsic Easter Fair in 1727. 

1789 A young man with the sculptured bust of a young woman. Three- 
quarter length. 

13a — on oak/ 0,445 h. by 0,31 w. — inventory of 1722. 

1790 A girl holding an egg to the light. Three-quarter length. 
J7b — on oak/ 0,28 h. by 0,215 ^' — inventory of 1722. 



OF THE XVII. CENTURY 



tag 



GELDER, AERT DE. Bom at DordreAt Oct. 26th 1645,- buried 

there Aug. 28* 1727. Pupil of Rembrandt during the latter's late 

period. 

The Presentation of Christ. Worked out from the well known etching 1791 

of Rembrandt. Signed: AdGefder . f . 1671. 

Ki — on canvas/ 1,52 h. by \m. w. — inventory of 1754 (acquired in 1743 from the 
Segcn^Tierens Collection at the Hague). 

A Halberdier. Half-length, 1792 

K 2 — on canvas / 0^25 h. by 0,705 w. — acquired "through Her Majesty the Qaeen" 
at the Leipsic Easter Fair in 1727. 

An important document. Three-quarter length. 1792 A 

K J — on canvas / 1^2 h. by 1,52 w. — Inventory of 1722 (acquired "from Poland"). 

BOONEN, ARNOLD. Bom at Dordredit Dec. i6th 1669/ died 
at Amsterdam Oct. z^^ 1729. Pupil of Godfried Schaldien at Dord- 
redjt. 

A girl with a lantern. Half-length. Sisncd: A . Boonen 169S' 1793 

9b — on canvas; 0,33 h. by 0,27 w. — inventory of 1722. 

A Hermit. Three-quarter length. Signed : A . Boonen. 1794 

P 10 — on canvas/ 0425 h. by 0,34 w. — inventory of 1722. 

A girl with a lantern and a boy. Three-quarter length. Signed : A . 1795 
Boonen. Companion picture to No. 1796. 
9b — on canvas/ 0,475 h. by 0,38 w. — inventory of 1722. 

young smokers and drinkers. Three-quarter length. Nijjht-piece. ! 1796 

Signed : A . Boonen 1698. 

9b — on canvas/ 0,475 h. bjr 0,385 w. — inventory of 1722, 

A young woman with a parrot. Three-quarter length. Companion 1797 
picture to No. 1798. 

13 c — on canvas / 0,43 h. by 0,34 w. — inventory of 1722. 

An old merchant. Three-quarter length. 1798 

13 c — on canvas/ 0,43 h. by 0,34 w. — inventory of 1722. 

The young Connoisseur. Three-quarter length. 1799 

9b — on canvas/ 0,335 h. by 0,275 ■*■• — inventory of 1722. 

SAFTLEVEN <SACHTLEVEN>, CORNELIS. Bom at 

Gorkum between May 5th and Sept. 3'"d 1607/ buried there June 4* 

1681. Pupil of his father Herman Saftleven the Elder/ brother of the 

landscape-painter Herm. Saftleven the younger. 

In the stable. Indistinctly signed : C . Soft Leven. 1800 

»6b — on oak/ 0,32 h. by 0,53 w. — doubtless acquired in 1741 through von Kaiserling. 



19o 



DUTCH PAINTERS 



■\ 



1801 Peasants playing and singing. Signed : C . . afi . . . 
18 c — on oak/ 0,38 h. by 0,28 w. — inventory of 1754. 

1802 Feeding poultry in a peasant's cottage. Signed ; C . SaStfeven 1678. 
Companion picture to No. 1803, Both pictures are by some attributed 
to Egbert v. d. Poel. 
ijb — on oak / 0495 h. by 0,66 -w, — first in catalogue of 1817. 

1803 Feeding dudis in front of a peasant's cottage. See remark on the pre- 
ceding. Signed: C . S . 167S. 
15b — on oak/ 0^5 h. by 0,65 w. — first in catak>j;ue of 1817. 

1804 Interior of a peasant's cottage. 

Pj — on oak/ 0,51 h. by o,4oy w. — inventory of 1722 <vhen taken from the Kunst- 
kammer in 1707 described as by "SAaditleven"). 

JONGH, LUDOLF <LEUFF> LEENDERTSZ. DE. Born at 
Oversdiie 1616/ died at Hillegersberg in the summer of 1679. Pupil of 
Corn. Saftleven, of Ant. Palamedes and of Jan van Bylert. 

1805 Portrait of a young woman and of her daughter. Three-quarter length. 
Signed: LDJongBfA 1653. 
Kj — on canvas/ i,to h. by 0,97 w. — acquired in 1751 through Helnedcen. 

SORGH, HENDRICK MARTENSZ., called ROKES. Born at 
Rotterdam about 1611/ buried there June 28* 1670. Pupil of Willem 
Buytewedi. 

1806 A Rotterdam fish woman. Signed: 1664 HM SorgB. 

16 c — on oak / 0^49 h. by 0,37 w. — inventory of 1722. 

1807 Paying wages. Signed ; HM . Sorg 1667. 

13 b — on oak / 0,48 h. by 0,64 w. —'-inventory of 1754. 

1808 A couple playing cards in an alehouse. Remains of a signature 
SorgB and a date. 

«7 a — on oak / 0,585 h. by 0,83 \r. — when acquired is unknown. 

OSSENBEECK, JAN. Supposed to have been born at Rotter- 
dam about 1624/ died at Vienna Mardi 3o''» 1674. 

1809 A lady and gentleman visiting a shepherd's hut. Signed : J . Ossetf 
Beeckf. 1664. 

17c — on canvas/ 0,52 h. by o,8t w. — probably one of the pictures whidi were sent 
before 1756 by Baron Gotter frotn Vienna and Regensburg. 

HONDT <HONDIUS>, ABRAHAM DE. Bom at Rotterdam 
about 1625/ supposed to have died in London 1695, but more probably 
at Rotterdam 1684. 

1810 A boar-hunt. Signed : A . de Hon . . . 1651. 
12 a — on oak / 0,73 h. by 0,93 w. — acquired in 1874 from the Reede van Oudtshoom 
Collection at Utrecht. 



OF THE XVII. CENTURY 



191 



Lot and his Daughters. Signed: Adr». v . werff .fee . 1694. 



OCHTERVELT, JACOB. Bom at Rotterdam about 1635,- from 

1665 to 1672 member of the guild there, after 1674 in Amsterdam. 

Pupil of Nic. Berdiem. Formed his style under the influence of Ter* 

bordi and Metsu. 

A gentleman cutting slices of lemon into a glass for a lady. Signed : 

/ . 0(6terveCtfl669- 

17 a — on canvas ,• 0.815 h- t»y 0,605 w- — inventory of 1722. 

WERFF, ADRIAEN VAN DER. Bom at Kralinger-AmbaAt 

Jan. 2ist 1659/ died at Rotterdam Nov. 12* 1722. Pupil of Eglon van 

der Neer. 

A loving young pastoral couple. Signed: acfr" vander werff fee . 

an . 1689. 

7C — on oak/ 0,585 h. by 0,475 w- — present in 1710 by the Elector Patatine. 

A family group. Supposed to be the master himself with his family. 

Signed: Adt^. Vander Werff. f, 168 . . .^^ 

7a .— on canvas; 0,61 h. by 0,545 w. -* acquired in 1742 through de Brais from the 
Carignan Collection in Paris. . 

"T 

7b — on oak/ 0,395 h. by 0,315 w. — inventory of 1722 (presented by the Electo| 
Palatine). 

Venus and Cupid. Signed: Adr^ vand . . Werff ano . 1699- 
7c — on oak/ 0,37 h. by 0,30 w. — Guarienti inventory. 

A Hermit. Three-quarter length. Signed: A v. Werff .fe . Anno. 
17o5. 

7b — on oak/ 0,375 h. by 0,30 w. — first in catalogue of 1817 (supposed to have been 
acquired in 1751 through Riedel at the Ldpsic Easter Fair). 

The Repentant Magdalene. Signed : CBv v Werff fee ano IJll. 
7 c — on mahogany; 0,345 h. by 0,255 ^. — G.»W. Ill, 12 — Guarienti inventory 
(acquired from the Czemin Collection at Prague). 

The Judgment of Paris. Signed: CBevr vr Werff fee . Ano 1712. •-* 

7C — on walnut/ 0,56 h. by 0,495 w. — Guarienti inventory (acquired from the 
Crernin Collection at Prague). 

The Virgin with the Child Jesus and S.John. Signed: CBevr vr Werff 
fee ano IJI5. 

7c — on mahogany; 0,46 h. by 0,34 w. — G.»W. Ill, 35 — Guarienti inventory 
(acquired from the Czernin Collection at Prague). . 

The Annunciation. Signed: C£eV vandf Werff fee. ano 1718. 

7b — transferred from oak to canvas/ 0,71 h. by 0,52 w. — Guarienti inventory 
(acquired from the Czemin Collection at Prague). 

Diogenes with his lantem in the market place. Signed : A .V . Werff. 
7b — on oak; 0,29 h. by 0,24 w. — Guarienti inventory. 



1811 



-V- 



tory\ 



1812 
1813 

1814 

1815 
1816 

1817 
1818 

1819 

1820 
1821 



192 



DUTCH PAINTERS 



■x 



1822 Lady and gentleman playing diess. Signed : A . v . Werff. 

7C — on oak,- 0,345 h. by 0,26 w.— purdiased through Riedel at the LeipsicEaster Pah" 
in 1751 and presented to the King by the Qyeen. 

1823 ., The Expulsion of Hagar. ^\%nzA: A . v . d .Werff. 
7 c — on canvas / 0,875 h- by 0,695 w. — acquired in 1742 from Paris. 

WERFF, PIETER VAN DER. Bom at Kralinger-Ambadit 1665/ 
buried at Rotterdam Sept. z(^^ 1722. Pupil of his brother Adriaen van 
derWerfF. 

1824 S. Jerome. Signed: P . v. werff .fe Ano JJoJ- 
7 b — on canvas ,• 0,29 h. by 0,245 '^. -~ inventory of 1722 <not in the gallery before 
i874>. 

1825 A mouse caught in a trap. Signed : P . v . Werff. 

9a — on oak/ 0,20 h. by 0,14 w. — inventory of 1722. 

1826 Eating mussels in a tavern by the sea^shore. 
133 — on oak/ 0,385 h. by 0,315 w. — inventory of 1722. 



SCHOOLS OF KAMPEN, DEVENTER 
AND ALKMAAR 



AVERCAMP, HENDRICK, call. DE STOMME VAN KAM- 
PEN. Born at Amsterdam Jan. 25th 1585/ died at Kampen after 1663, 

1827 Sledging and skating. Companion picture to No. 1828, 
P5 — on oak/ 0,245 ^- by 0,45 w. — inventory of 1722. 

1828 Sports on the ice. 

P 5 — on oak / 0,245 b- by 0,43 w. — inventory of 1722. 

TERBORCH <TER BORCH), GERARD. Born at Zwolle in 
1617/ died at Deventer Dec. 8*b 1681. Pupil of his father Gerard at 
Zwolle and of P. Molijn at Haarlem. Developed his style under the 
influence of Frans Hals. 

1829 An officer writing a letter. Monogram : G TB. 

16 b — on canvas/ 0,515 h. by 0,385 w. — Cuarienti inventory. 

1830 A lady washing her hands in a basin whidi a maid is holding for her. 
Signed: GTBorS. 

16b — on oak/ 0,53 h. by 0,43 w. — inventory of 1722. 

1831 A lady playing the lute. Threc-quarter length. Monogram : C7 T^. 
16a — on oak/ 0,365 h. by 0,31 ▼. — inventory of 1722. 




1732 



GaBrief Metsu 




183o 



Gerard TerBorcB 



OF THE XVII. CENTURY 



193 



A lady in white satin, in firont of a bed with red curtains. Partial 183Z 
rcpKca of or study for the "Paternal admonition" in the Berlin and 
Amsterdam Museums. 
16 a — on oak/ 0,39 h. by 0,275 ^- ~ fi''st in catalogue of 1765. 

An officer reading a letter. 1833 

16a — on oak/ 0,375 h. by 0,29 w. — inventory of 1722. 

EVERDINGEN, CAESAR VAN. Bom at Alkmaar 1606 or 

later,- buried there Oct. 13* 1678. Pupil of J. v. Bronckhorst at Ut- 

redit. 

Bacdius with two Nymphs and Cupid. Monogram : C P£. 1834 

L 3 — on canvas / 1,47 h. by 1,61 w. — acquired in 1865 from Mr. J. D. Dreycr at 
Bremen. 

EVERDINGEN, ALLART VAN. Baptized at Alkmaar June 

i&^^ 1621, • buried at Amsterdam Nov. 8* 1675. Vounger brother of 

Caesar vanEverdingen, pupil of R. Savery andP.MoHjn. Travelled 

in Norway. 

Stag-hunt by a mountain lake. Signed : A . van . Everdingen 1649. 1835 

S a — on oak/ 0,455 h. by 0,645 w. — inventory of 1754. 

A great waterfall, S\gnzA: Av . Evercfittgen. \ 1836 

K J — on canvas/ 1,435 h- by 1,72 w. — acquired in 1837 from Frau Hdgendorf. ', 

Hilly landscape with a castle. Signed: Av . Everdingen. Com* , 1837 
panion picture to No. 1838. I 

15 a — on oak/ 0,35 h. by 0425 w. — Cuarienti inventory. i 

Watermills. 1838 

15a — on oak/ 0,35 h. by 0,425 w. — Ouarlend inventory. 

Small landscape with trees and rocks. 1839 

It b — on oak/ 0,26 h. by 0,245 ▼• " acquired in 1742 through Riedd from Prague. 

VARIOUS DUTCH SCHOOLS 



LyS <LIS>, JAN, called PAN. Born in the latter part of the XVI. 
Century at Oldenburg, according to others at Hoom,- died 1629 
<or according to others in 1626) at Venice, Pupil of Hendrik Coltzius 
at Haarlem, At a later date painted in Italy. 
The Repentant Magdalene, Three-quarter length. 

Q.1 — on canvas / 1,14 h, by 1,315 w. — first in catalogue of 1765 <formerly in the Casa 
Bonfadini at Venice), 

The Lute-player, Half-length. 

L 2 — on canvas/ i/>5 h. by 0,775 ▼• '- acquired in 1744 through Rossi from the Casa 
Grimani Calergi at Venice. 



1840 
1841 



194 



DUTCH PAINTERS 



MIEL, JAN. Born in Flanders 1599/ ^^s court painter when he 
died at Turin 1664. Style of Pieter van Laer. 

1842 The Bagpiper, Companion picture to No. 1843. 
9c — on copper/ 0,145 h- by 0,245 w. — acquired in 1742 through de Brais in Paris.' 

1843 Extracting a thorn. 

90 — on copper/ 0,145 h. by 0,245 w. — acquired in 1742 through de Brais in Paris. 

SWANEVELT, HERMAN VAN. Bom at Woerden about 
1600/ died at Paris 1655 or 1656. Style of Claude Lorrain. In Rome 
from 1624 to 1637. 

1844 On the banks'of a lake. 

Q.3 — on canvas/ 0,785 h. byo,905lw. — exdianged$i4832 for the duplicate of picture 
by Wouwerman. 

NOUWJNX <NAIWINX>, BERMAN. Born about 1624, 
supposed to have died at Hamburg 1651. Of Flemish origin, but resi- 
dent in Amsterdam. 

1845 Hilly landscape with a waterfall. Signed : H . Nouwj'nx. 
Store«oooffis — on canvas/ 1,13 h. by 1,685 ^' ~ inventory of 1754. 

1846 A mountain lake, 
7c — on oak/ 0,46 h. by 0,635 w. -~ described in the inventory of 1722 asi"Wadcriaa". 

ULFT, JACOB VAN DER. Bom at Gorkum 1627,- died there 
soon after 1688. Probably pupil of Jan Both. Formed his style in 
Rome. 

1847 Ardiitectural picture in Rome. 

9C — on oak/ 0,47 h. by 0,745 w. — acquired in 1741 through von Kaiserling.< 

DEUREN, OLIVIER VAN. Baptized at Rotterdam Dec, 21" 
1666/ died there before Feb. lo^b 1714. Probably pupil of Frans v. 
Mieris and of Caspar Netsdier. 

1849 A Hermit reading. SigmA: O VDeuren fect't 1684. 

P 10 — on oak/ 0,41 h, by 0,325 -w. — inventory of 1722. 

1850-1851 Stoom, see Appendix. 

GLAUBER, JOHANNES, called POLIDOR, Born at Utredit 
1646/ died at Sdioonhoven 1726, His style developed in Italy after 
that of Gasp, Dughet, 

1855 Idyllic landscape. 

0,3 — on canvas ; 0,62? h. by 0,78 w. — inventory of 1754 <supposed to have been 
acquired in 1751 througn Hdnecken). 



OF THE XVII. CENTURY 



195 



WIEBKE, BARTHOLT. Probably a native of Hoorn. His pic- 
tures bear the dates of 1679 and 1682. 

Fruit with a codidiafer and some butterflies. Signed : BartBoft WieBMe 
fecit Ao 1679- 
8a — on oak/ 0,37 h. by 0,295 ^' ~ inventory of 1722. 

Potasdi, see Appendix. 

DUTCH SCHOOL OF THE XVII. CENTURy, 
Portrait of a lady. Bust-length. 

14b — on oak; o^bsyj h. by 0,49 w. — acqtnred in 1743 through Rigaud and Le Leu 
from Paris. 

Portrait of a man in armour, with a yellow scarf. Bust-length. 
49b — on oak/ o^ h. by 0,49 w. — inventory of 1754. 

Portrait of a man in armour, with yellow sleeves. Bust-length. Dated : 

1634. 

49b — on oak/ o,6f 5 h. by 0,535 w. — inventory of 1754. 

See copies from Rubens, page 113. 

Study of a female head in profile. 

50a — on oak/^o,4t h. by 0,345 w, — acquired in 1857 from the Stdnla eflfects. 

Portrait of a youth looking upwards. Bust-length. 
48c — on oak/ 0^35 h. by 0,46 w. — inventory of 1722. 

See Appendix. 

Portrait of a lady in a veil. Bust-length . 

50a — on canvas/ 0,365 h. by 0,325 w. — acquired in 1857 from the Steinta effects. 

Portrait of a beardless man. Bust-length. 

50c — on oak/ 0,515 h. by 0,40 w. — supposed to be in the inventory of 1722. 

A Bear-hunt. 

Store-rooms — on canvas / 2,40 h. by 3,71 w. — acquired in 1744 through the Secretary 
to the Embassy Talon at Madrid as a Paul de Vos. 

See Appendix, 

DUTCH SCHOOL OF THE XVIII. CENTURy. 

A herdsman near some rocks. 

Q3 — on copper/ 0,10 h. by 0,135 ■m. — inventory of 1722. 



1855A 

1855B 

1857 

1858 
1859 

1860 
1861 

1862 

1863-1864 
1865 

1866 

1867 

1867 A 
1867 B 

1868 



XI 

GERMAN SCHOOLS 

OF THE XV. AND 

XVI. CENTURIES 



19S 



1869 




187a 



GERMAN PAINTERS OF THE 



MIDDLE RHINE SCHOOL 



THE MASTER OF THE HAUSBUCH. A Master unknown 
by name but celebrated through his engravings, who painted in the 
district middle Rhine as early as 1467 and as late as 1505. Called by 
this title as being the artist of the "Hausbuch" of the middle ages <in 
the collection of the Princl^ of Waldburg^Wolfegg). In former times 
also called "Master of the Amsterdam Cabinet". 

1868A Lamentation over Christ, Gold badt ground. 

O3 — on fir/ 1,31 h. byi,7iw. -—acquired in 1903 from Jos. Lamberti in Aachen <Aix« 
lavChapelle). 



1872 

i 

1873-1874| 

I 

1875- 1881 1 



FRANCONIAN SCHOOL 



DQRER, ALBRECHT. Born at Nuremberg May zist 1471,. died 
there April 6t'> 1528, Pupil of MidiaelWohlgemut, Painted in Nurem^ 
berg/ was in Venice from 1494 to 1495 and from 1505 to 1507/ in the 
Netherlands from 1520 to 1521. 

The Dresden Altar, I, Centre picture : The Virgin worshipping her 
Child, Half=length. II. Left wing: S. Anthony. Half-length. III. Right 
wing: S. Sebastian. Half-length. 
N2 — in tempera on canvas,- centre picture : 1/355 h. by 0,05 w./ wings : i,»2 h, by 



0/435 ''«'• "• acquired in 1687 through Bottschild together with 
liirme at Wittenberg, 



>,Q5w./ 
No, 841 



from the Schloss' 



Christ on the Cross. Monogram: AD and 15o6. Painted in Venice. 

N 1 — on linden / o,zo h. by 0,16 w, — G.*W. Ill, 47 — acguired in 1865 from the effects 
of the engraver Bohm in Vienna <formerfy in the S, v. Fcstetits Gallery), f 

Portrait of the painter Bernaert van Orky. Bust-length. Monogpram : 

AD and t521. Painted in Antwerp. 

2! b — on oak/ 0,455 h- by o<3iy '"'• ~" probably acquired through Le Leu from Paris. 

DQRER. COPIES FROM ALBRECHT DQRER, 

Christ bearing the Cross, Monogram: AD and 1527' 

P 3 — on canvas stretched on llmewood / 0,30 h, by 0,455 '^- " acquired in 1727 through 

Leplat. 

See Appendix, 

DQRER. STUDIO OF ALBRECHT DQRER. Seven scenes 
from the life of Christ. This series of pictures whidi perhaps belonged 
formerly to the balustrade pictures of the small gallery in the "Sdiloss= 
kirdie" at Wittenberg, passed to Dresden in 1588 from the effects of 



XV. AND XVI. CENTURIES 


199 


Lucas Cranadi the Younger and can be proved to have been in 
the Kunstkammer in 1640 and 1741. 




The Circumcision of Christ. 


1875 


0» — on fir; 0,63 h. by 0,455 w. 




The Flight into Egypt. 


1876 


1 — on fir / 0/S3 h. by 046 w. 




The Saviour when He was twelve years old, in the Temple. 


1877 


1 — on fir/ 0,625 h. by 0,45 w. 




Christ bearing the Cross. 


1878 


Oi — on fir/ 0,63 h, by 0,445 w. 




Christ being nailed to the Cross. 


1879 


1 — on fir/ 0,62 h. by 0,46^*. 




Christ on the Cross. 


1880 


Ot — on fir/ o,635;h. by 0,455 w. 




Lamentation over Christ. 


1881 


1 — on fir / 0,63 h. by 0,46 w. 




DQRER. ASCRIBED TO ALBRECHT DORER. 




S. Jerome in his cell. Monogram <spurious>: AD. Perhaps a copy 
from H. v. d. Goes or some other Netherland painter of the XV. 


1886 


Century. 




P 3 — on deal ; 0,735 h- by 0,59 w. — presented to 1650 to theDucal Gallery at Modena 
by Graf Lessle of Vienna/ passed to Dresden In 1746. 




DQRER, HANS. Bom at Nuremberg Febr. 21st 1490. Pupil of his 
elder brother Albredit Durer. Painter to the Polish Court in Cracow 




in 1529 to 1538. 




HANS DQRER <?> Portrait ofthe Nuremberg merdiant Caspar Neu- 
mann. Three-quarter length. Monogram : HD natvs. 1519 and 1554 


1882 


Pi — on linden/ 1^)05 h. by 0,86 w. — inventory of 1754. 




PENCZ, GEORG. Bom at Nuremberg about 1500/ died at Leip- 
sic Oct. ii'h 1550, Formed his style under the influence of Durer. 




The Adoration of the Magi, Fragments of a large sized altar-piece. 


1883-1885 


First portion of the Adoration of the Magi. Monogram : GP. 


1883 


P 2 — on linden/ 1,815 h- by 0'44 "*'• ~ first found in catalo^e of 1835. 




Second portion of the Adoration of the Magi. 


1884 


P2 — on linden/ 0,58 h. by 0,28 w. — first found in catalogue of 1835. 




Third portion of the Adoration of the Magi. 


1885 


2 — on linden / 0,315 h. by 0,205 ^- — first found in catalogue of 1835. 




Sec above. 


1886 



2oo 



GERMAN PAINTERS OF THE 



1888 



1889 



„>X- 



1890 



\ 



1891 
1892 



SWABIAN SCHOOL 



BREU THE ELDER, JORG. Master of the Guild in Augsburg 
1502/ died there 1536. Formed his style under the influence of Burgk.= 
mair. 

The Ursula Altar. I. Inside. 1. Centre picture: The Martyrdom of 
S.Ursula. The saint, returning home from Rome with a numerous band 
of virgins is slain, when on the point of landing at Cologne, by the 
imperial mercenaries. 2. Left wing: The train of ardiers coming up. 
3, Right wing: Another part of the massacre. II. Outside. 1. Left 
wing: Statue of S. George. 2, Right wing: Statue of S. Ursula. 

0« — on linden/ centre picture : 2,15 h. by 1,62 w./ wings: 1,73 h. by 0,77 w. — aci^ 
quired in 1852 from the effects of Major Aster. 

HOLBEIN THE yOUNGER, HANS. Bom at Augsburg 

1497/ died in London in the autumn 1543. Pupil of his father Hans 

Holbein the Elder, Chief artist of the Swabian School. 

Double portrait of Sir Thomas Godsalve and his son Jon. Half-lcngth. 

Dated: 1^28. One of the diief pictures of this master, of the period 

of his first residence in England (1526 to 1528). 

21c — on oak/ 0,35 h. by 0,36 ▼. — acquired in 1749 through Lc Leu from Paris. 

Portrait of Morette. Half-length. A small circular portrait, also 
attributed to Holbein, in the Arundel Collection, engraved by Wenzel 
Hollar in 1647 and entitled "Mr. Morett". Probably not the Gold= 
smith Morett, but the Frendi Nobleman Sieur de Morette, who was 
at the Court of Henry VIII at the same time as Holbein. Painted 
during the artist's later English period <after 1531). 
Ni — on oak/ 0,925 h. by 0,75 w. — G.»W. II, 5 — acquired in 1746 as a Leonardo 
da Vinci <the person represented being supposed to be Ludovico Sforza) from the 
Ducal Gallery at Modena, to which it passed as a present to Duke Francis I from 
Marquis Massimiliano Montecuccoli, ambassador to Parma and Rome. 

Original drawing for the picture of Morette, No. 1890. Bust-length. 

N2 — on paper; 0,325 h. by 0,245 w. — acquired in i86o from the effects of the art- 
dealer S. Woodburne in London (formerly in the possession ofW. Esdailc [died 1837], 
J. Ridiardson jr. [died 1774] and R. Houlditdj [died 1736]). 

HOLBEIN. OLD COPIES FROM HANS HOLBEIN THE 
yOUNGER. 

The Madonna of the Burgomaster Meyer. Worshipping at her feet 
on the left are the Burgomaster Meyer of Basel with his two sons, 
and on the right, his first wife (Magdalena Baer, died 1511) and his 
second wife <Dorothea Kannegiesser) with Anna, the daughter of the 
latter. An excellent and but slightly altered later copy (probably 
executed by Bartholomaus Sarburgh) from the original is now in the 
possession of the Grand Duke of Hesse in Darmstadt. The Roman 



XV. AND XVI. CENTURIES 



2ol 



Catholic Burgomaster caused this picture to be painted as a votive 
offering to commend himself and his family to the protection of the 
Blessed Virgin in the town whidi was rapidly becoming Protestant. 

Ni — on oak; 1,595 h. by i^j w. — G.-»W. II, 43 — acquired in 1743 as an original by 
Holbein through Algarotd from Zuan Delfino in Venice. 

Portrait of Erasmus of Rotterdam. Bust-length. 1893 

Pi ~ on oak/ 0,185 h. by 0,145 w. — inventory of 1722. 

Portrait of King Henry VIII of England. Bust-length. Copy from 1894 
I the painting by Holbein in Whitehall, whidi was destroyes by fire 
in 1648. 
O 3 — on oak / 0,655 h- by 0,57 w. — first in inventory of 1754. 

The death of Virginia, in grey diiaroscuro. Probably after a drawing 1895 
by Holbein. 

N 2 — on oak Hojb^ h. by 0,54 w. — acquired in 1870 from Professor H. Mficke in 
DOsseldorf. 

MASTER A B. Painted about the middle of the XVI. Century 
in Swabia. 

Scries of five pictures from the life of the Virgin Mary. The series 1896-1900 

was in the Kunstkammer as early as 1640 and passed to the Gallery 

in 1741. 

The Annunciation. 1896 

P 2 — on linden / 0.42 h. by 0,395 w. 

The visit of the Holy Women. Monogram : AB. 1897 

P 2 — on linden/ 0,415 h. by 0,385 ■w. 

The Adoration of the Child. Monogram: ^45. 1898 

P 2 — on linden/ 0415 h. by 0,395 w. 

The Circumcision of Christ. 1899 

P 2 — on linden / 0,42 h. by 0,39 w. 

The Adoration of the Magi. Monogram: ^^. 1900 

P 2 — • on linden / 0,42 h. by 0,39 w. 

MALER, HANS. Born at Ulm, probably a pupil of Zeitblom, 

painted at Sdiwaz in the Tyrol, from 1519 to 1529 according to the 

dates on his pictures. 

Portrait of a man in a brown fur cap. Bust-length. Inscription: Do 1901 

man 1519 zaft, do was iS 31 jar aft. 

21c — on fir/ 0,36 h. by 0,295 w. — inventory of 1722 <acqirired through Leplat). 

Portrait of Joadjim Rehle. Bust-length. Inscription : Do man 1524 \ 1902 
zaft was iSJoaSim ReBfe 34 Jar aft auff adi. . . . XIIII fuigo. j 

21c — on linden/ 0,335 h- by 0,285 ^. — acquired in 1728. 



/ 



2o2 



GERMAN PAINTERS OF THE 



GERMAN SCHOOL about 1550. 

1903 Portrait of a lady in a black velvet cap. Bust^length. 

P3 — on canvas; 0,535 ^- by 0,435 w. — acquired through Goiter before 1736 from 
Vietina or Rcgensburg <Ratisbon>. 

UPPER GERMAN <?> SCHOOL about 1500. 

1905 Portrait of a man with a black cap in his hand. Bust'length. 

2ia '— on linden/ 0*615 h. by 0,445 ^< " how acquired is not known. 

SAXON SCHOOL 



CRANACH THE ELDER, LUCAS. Named after his birth- 
place. His family name is uncertain. Born at Kronacfa in Franconia 
in Oct. 1472/ died at Weimar Oct. i6t'» 1553. Founder of the Saxon 
SAool in Wittenberg. 

The studio sign of the master, a winged serpent <Hp to 1537 with outstretched, after 
1537 with folded wings), is also found on the picttires of his sons Lucas Cranach the 
younger and Hans Cranadi, and even upon pictures by the hand of unluiown ap* 

grentices. Whether a picture with the sign is by the hand of Lucas Cranadi the 
llder, Lucas Cranach the Younger, Hans Cranadi, or only from the studio of one 
or the other can therefore only be decided by interna) evidence, unless the date 
or origin of the picture should supply any reliable information. Some pictures can 
only be adcnowledged as partly by the master's own hand^ \ 

1906 A The Martyrdom of S. Catherine. In the background is the old fortress 
ofCoburg. Signed: J5o6L.C. Centre picture of an altar-piece 
of which one wing is No. 1906 B white the other is in the Speck-Stem- 
burg Collection at Liitzschena near Leipsic. The exteriors of both 
wings are in private hands in England. 
Pi — on linden,- 1,26 h. by 1,395 ▼• — S"^* 'n catalogue of 1835. 

1906B Saints Barbara, Ursula and Margaret. One of the wings of the pre- 
ceding picture. 
Pi ~ on linden,- 1,245 h. by 0,665 w. — first in catalogue of 1835. 

1906 C The Massacre of the Innocents at Bethlehem. Painted about 1515, 

O 3 — on lindenV 1,225 h- by 0,865 ^- " acquired in 1687 for the Kunstkamraer through 
Bottschild. 

1906D Six pictures in one frame. Originally not connected with each other. 
Only the centre picture, Christ bound to the pillar, by the master's 
own hand. Signed with the serpent and 15i5- Upper semicircle: The 
Holy Trinity,- left side piece: the Annunciation,- right side piece: The 
Presentation in the Temple. Left lower picture : the Entombment of 
Christ/ right lower picture: the Ascension. 

O3 — on linden <the side pictures on deal); total height 1,26, total width 0,79/ 
centre picture 0,60 h. by 0,525 w. — The centre picture is from the Castle at Torgau 
and in 1814 was in the Landscfaaftshaus at Dresden. In 1861 the whole, put together at 
random, passed from the store-rooms to the gallery. 



XV. AND XVI. CENTURIES 



2o3 



S. Catherine. Painted about 1516. Companion picture to No. 1906F. 1906E 

Ot — on linden/ 1,38 h. by 0,46 w. — inventory of 1722— 28 <perhaps in 1588 from the 
effects of Lucas Cranadi the younger). 

. S. Barbara. Painted about 1516. 1906F 

1 — on linden / 1,38 h. by 0,46 w. — see remarii on No. 1906 E. 

Portrait of Duke Henry the Pious <bom 1473). Companion picture 1906G 
to the following. 

N 3 — transferred from linden on canvas / 1^ h. by 0,825 w. -- until J905 in the Royal 
Historical Museum. 

Portrait of Dudiess Katharina of Medslenburg, Consort of Duke 1906 H 
Henry the Pious of Saxony (married 1512). Signed with the serpent, 
LCaxiAJSM. 

N3 — transferred from linden on canvas/ 1^4 h- by 0^825 w. — until 1905 in the Royal 
Historical Museum. 

Christ bearing the Cross. Painted about 1515. Signed with the serpent 1906J 
(only partially visible as the panel is cut at the edges), 

P 2 — on linden / 0,61 h. by o,6j w. — acquired in 1911 by exchange with Nos. 1926 and 
2008 from the Sanatorium at Sonnenstein near Pima, supposed to have come from 
Torgau. 

Christ taking have of his mother. Three-quarter length. Signed with 1907 

the serpent. Painted soon after 1516. 

2t b — on linden / 0,86 h. by 0,60 w. — acquired in 1741 from the Wallenstein Collection 
at Dux. 

Christ on the Mount of Olives. Signed with the serpent. Painted 1908 

soon after 1525. 

21 a — on linden ; 0,68 h. by 0,405 w. — inventory of 1722 {acquired perhaps from the 

effects of the Duches Katharina). 

Adam. Companion picture to the following. Signed with the serpent 1911 
and 1531. 

P2 — on linden/ 1,70 h. by 0,695 w. — inventory of 1722 (taken from the Kunst- 
kammer). 

Eve. Painted about 1531. j 1912 

Pz — on linden/ 1,695 b- by 0,69 w. — inventory of 1722—28 (taken from the 
Kunstkammer). 

Christiana Eulenau. Half-length. Signed with the serpent and 1534. 1913 
21 a — on beech/ 0,205 b. by 0,145 w. — inventory of 1722—28. 

Ecce Homo. Half-length. Painted about 1534. 1914 

21 b — on beech / 0,585 h. by 0,785 w. — acquired in 1874 from Henry Darby Seymour 
in England. 

Duke Henry the Pious. Signed with the serpent and 1537- 1915 

Oj — on linden/ 2,085 h- by 0,895 w, — property of the City of Dresden (in the 
gauery since 1871). 



2o4 



GERMAN PAINTERS OF THE 



1916 Lucretia and Judith. Double panel. Both panels signed with the 
serpent with folded wings. Probably later than 1540. 
O2 — on linden/ cadi panel 1,72 h. by 0,64 w. — taken in 1707' from the Konst' 
kammer. 

1916A Adam and Eve, Double panel. Signed with the serpent with folded 
wings. 

O2 — on linden/ eadi panel 1,71 h. by 0,63 w. — taken in 1725 from the Kunst< 
r kammer. 

1917 i A little nude boy. Whether by the master's own hand is not undis^ 
j puted. 

i O 3 — on oak / 0,39 h. by 0,255 ^- " taken in 1861 from the sf ore«rooms. 

I CRANACH, STUDIO OF LUCAS CRANACH THE EL- 

I DER. 

1918 j Dr. Martin Luther. Half-length. Dated: /5>32 . etatis sue 45. Com- 
! panion picture to No. 1919. 

j 2ta — on oak/ 0,185 h. by 0,15 w, — acquired in 1622 from the effects of the Court 

I Ardiitcct Nosseni <taken from the Kunstkammer in 1707). 

I 

1919 Philipp MelanAthon. Half-length. 'DztzA: J532 etatis sue 3o. 
2ta — on oak/ 0,185 h. by 0,15 w. — acquired in 1622 from the Nosseni effects. 

1922 Portrait of the Elector Frederick the Wise. Bust-length. Signed with 

the serpent and 1533. 

21 a — on beedi ,- 0,13 h. by 0,14 w. — taken from the Kunstkammer in 1707, in the 
"Sdilosskirdie" in 1722, at a later date no doubt sold and repurchased from the Steinla 
Collection in 1857. 

1922 A Portrait of Margarethe von Ponickau. Half-length. Unknown Mono- 

gram : Z . . and 1536 with the serpent. 

P3 — on linden/ 0,52 h. by 0,34 w. — inventory of 1722— 28. 

1923 See Appendix. 

1924 Christ blessing 'little diildren. Half-length. Signed with the serpent 
with folded wings and 1538. 

O2 — on linden/ 0,83 h. by 1,205 ^- — taken in 1677 from the Kunstkammer, after 
1741 to the gallery. 

1925 See Appendix. 

1926 Given in exdiange for No. 1906 J <Cranadi> together with No. 2008 
<Uth>. 

1927-19281 See Appendix. 

1929 Samson and Delilah. Signed with the serpent with folded wings. 

I Pi — on linden/ 0,745 ^ by 1,21 w. — acquired in 1657. 



David and Bathsheba. Signed with the serpent with folded wings. 

Pi — on linden/ 0,74 h. by 1,21 w. — taken in 1657 from the Kunstkammcr, after 1741 
to the gallery. 

Altar piece in five compartments. 1 . Principal picture : Presentation of 
Christ. Four predella» pictures: 2. The Birth of Christ, i. The 
Adoration of the Magi. 4. Jesus in the Temple. 5. The Flignt into 
Egypt. Studio pictures arbitrarily placed together in the XIX. Cen- 
tury/ perhaps the ones whidi in 1814 were in the "Landsdiaftshaus" in 
Dresden and came originally from the castle at Torgau. 
Pi — on linden/ total height 1,205, total vidth 047 — taken in 1861 from the store* 



1930 
1932 



The Taking of Christ, and Christ appearing after the Resurrection. 1933 
Put together from two panels whidi were originally distinct. 

P3 — on linden; 0,395 h. by 0,35 w. — was still in 1741 in the Kunstkammer <ac» 
qaired in 1861 from the store»rooms>. ' 

The Raising of Lazarus. 1934 

Store-rooms — on linden ; t,20 h. by 0,825 w. — after 1741 from the Kunstkammer to ! 
the gallery. 

The Presentation in the Temple. Three-quarter length. 1935 

O 2 — on linden/ 0,835 h. by 1,20 w. — taken in 1657 from the Konstkamraer, after 1741 | 
to the gallery. ' 

Three pairs of lovers at a table. Three-quarter length. } 1936 

O 3 — on beed)/ 0,735 h. by 1,215 ^- ~ taken In 1657 irom.the Kunstkammer, in 1861 j 
to the gallery. I 

CRANACH. SCHOOL OF LUCAS CRANACH THE EL= ! 

DER. 

ludith. Three-quarter length. . 1939 

O 3 — on linden/ 0,20 h. by o,t6 w. — taken from the Kunsticammer after 1741. i 

The Emperor Henry II. Perhaps of the early period of Cranadt's I 1940 
studio. I 

Pi — on linden / 0,60 h. by 0,32 w. — through Moritz I^ahnen, "Amtshauptmann" at 
Petersberg near Halle came into the possession of Johatin Georg II in 1665 and was I 
later in the Kunstkammer. 

CRANACH THE yOUNGER, LUCAS. Born at Witten- 
berg Oct. 4t*> 1515/ died at Weimar Jan. 25th 1586. Pupil of his father 
Lucas Cranad) the Elder. 

Elijah and the prophets of Baal. Painted in the studio of the elder i 1941 
Cranad). Signed with the serpent and /S4S' 

O 3 — on linden / 1,275 f>. by 2,42 w. — taken from the store-»rooms in i86i (among 
;he effects of the Dudiess Katharina in 1651/ as late as 1806 in the "Hof klrdie" at 
Dresden). ! 

The Crucifixion. Signed with the serpent and /S46. 1942 

Store'rooms — on linden/ 1,20 h. by 0,715 w. — inventory of 1722. 



2o6 



GERMAN PAINTERS OF THE 



1943 The slcq)ing Hcrakles and the pigmies. Signed with the serpent and 
ISS^- Companion picture to No. 1944. 

P2 — on canvas; 1,89 h. by 2,59 w, — inventory of 1722—28 <taken from the stores 
rooms in i86t>. 

1944 The awakened Herakles driving away the pigmies. Signed with the 
serpent and JS5^- 

P2 — on linden/ 1,88 h. by 2,61 w. — inventory of 1722—28 (taken from the store- 
rooms in i86i>. 

1945 The Elector Moritz of Saxony and his Consort Agnes. Half-length. 
Signed with the serpent and 1559- 
21 b — on linden; o,44,h. by 0,665 w. — inventory of 1722. 

1946 The Crucifixion. Signed with the serpent and 1573. 

O2 — on linden; 1,74 h. by 1,26 w. — first in catalogue of 1835. 

1947 Portrait of the Elector Augustus. Bust-Iength. 

21b — on millboard; 0,405 h. by 0,325 w. — first in catalogue of 1835 (taken from the 
Kunstkamm er in 1707). 

1948 Portrait of the Elector Moritz, Bust«length. 

21 b — on paper; 0^405 h. by 0,325 w. — taken from the Kunstkammer in 1707. 

1948A Head of the Elector Joadiim II of Brandenburg. Study from life by 
the master for the large picture in the possession of H. M. the Ger- 
man Emperor. Signed with the serpent. 
21b — on millboard; 0,405 h. by o,355w. — in the inventory of 1722 described asaDiirer. 

CRANACH. PUPILS AND SCHOOL OF LUCAS CRA- 
NACH THE yOUNGER. 

1949 Portrait of the Elector Augustus. Bust^'Iength, Companion picture 
to No. 1950. 

I P 2 — on fir / 0,435 h- l>y 0,355 '«'• — inventory of 1722 (taken from thestorc'rooms in i86i> 

1950 I Portrait of the Electress Anna, Bust-length. 

P2 — on fir; o,435lh. by 0,355 w. — taken from the store-rooms In 1861. 

1951 Portrait of an Electoral Princess. Bust-length, 

O2 — on canvas; 0,395 f»- l>y 0,28 w. — taken from the store-rooms In 1861. 

1952 Portrait of Melandithon on his death-bed <died 1560), Bust-length. 
2! b — on oak ; 0,37 h. by 0,275 w. — acquired in 1871 by Professor H. BOrdtncr. 

1953 The Holy Trinity. 

P 3 — on linden (heart-shaped) ; 0,85 h. by 0,745 ^- ~" acquired in 1879 from Cdditz. 
Castle. 

1954 The Elector Augustus of Saxony and Johann Georg von Branden- 
burg. Three-quarter length. Perhaps by the Saxon Court Painter 
Cyriakus Reder. 
O 3 — on canvas ; 1,59 h. by 1,565 w. — inventory of 1722. 



XV. AND XVI CENTURIES 



2o7 



Luther on his death-bed. Copy of an original by Fortcnagel. 1955 

Pj — on linden/ o^h. by 0,505 w. — acquired for the Kunstkammer in 1622 from the 
effiEcts of the Court Ardiitect NosscnJ. 

KRELL, HANS. Painter of Leipsic, called the "Furstenmaler", 
mentioned between 1531 and 1565. Formed his style under the influence 
of the Wittenberg Sdiool. 

Portrait of Duke (afterwards Elector) Augustus of Saxony. Dated : 1956 
/55/- With the companion picture No. 1957 painted for Dudiess 
Katharina. 

22 c — on canvas/ 2.02 h. by 0,93 w, — inventory of 1722 <acquired in 1561 from the 
effects of the Duc&ess Katharina, in the Kunstkammer in 1587). 

Portrait of Dudiess (afterwards Electress) Anna. Dated : /55/- 1957 

22 a — on canvas / z/n h. by 0,93 w, — acquired in 1561 from the effects of the Dudtess 
Katharina, in the Kunstkammer in 1587 and passed to the gallery in 1859. 

KRODEL, MATTHIAS. Worked 1586 to 1591 for the Elector 
of Saxony. Pupil of the elder Cranadi. 

Portrait of an old gentleman. Half-length, Monogram: Af .AT and 1958 

yS9/ aetatis sue 79. 

21b'- on linden/ 0,775 h. by 0,66 w. — acquired in 1857 from the Steinla Collection. 

WEHME, ZACHARIAS. Painter to the Saxon Court in the 

latter part of the XVI. Century. Died at Dresden Jan. 5^1 1606. 

Formed his style under the influence of the Sdiool of the younger 

Cranadi. 

Portrait of the Elector Augustus in Armour. Three-quarter length. 1959 

Signed: Z. W. T . 1586. 

21b — on canvas/ 1,215 t». by 0,925 w. — until 1886 in the Royal Pid>(ic Library at 
Dresden. 



LOWER GERMAN SCHOOL 



COLOGNE SCHOOL about 1520. 

The Descent from the Cross. Gold bade ground. 1965 

21 c — on oak / 0,875 h. by 0,695 ^- ~ acquired in 1874 from Herr Fischer of Basle. 

BRUyN, BARTHEL. Born 1493 probably in Holland, died at 
Cologne between 1553 and 1557. Sdiool of Jan Joest of Kalkar and 
of the "Master of the Death of the Virgin Mary". Painted in Cologne 
after 1515. 

Part of a Lamentation over Christ. Half-length. 1966 

P3 — 00 oak/ 0,76 h. by 0,495 w. — acquired in 1857 from the Steinla Collection. 



2o8 



GERMAN PAINTERS 



LOWER GERMAN SCHOOL OF THE XVI. CENTURy. 

1967 Portrait of a man in a bladi cap. Bust-length. 

Pt — on oak/ 0,235 h. by 0,185 ''*'• — inventory of 1722—28 <acquire<l in 1700 for the 
Kunstkatnmer). 

1968 Portrait of the Margrave Georg Fricdrirfi of Anspadi, 1539 to 1603 
(according to the oia inscription on the bade). Bust'lengtn. 
O 3 — on oak/ 0^85 h. by 0,145 w. — first found in catalogue of 1843. 




1871 



AfBrecBt Diirer 




16&9 



Hans HofBein d.J. 



XII 

GERMAN SCHOOLS 

FROM THE END OF THE 

XVI. TO THE END OF THE 

XVIII. CENTURY 



21o 



GERMAN PAINTERS OF THE 



SCHWARZ, CHRISTOPH. Born near Ingolstadt 1550,- died at 
Munidi April 15th 1597. Pupil of Mclchtor Bodtsberger, developed 
his style in Venice. 
The Crucifixion. 



1969 



1970 

1971 
1972 
1973 

1974 

1975 

1977 
1978 



1979-1982 
1983 



Py — on copper/ 0,29 h, by 0,24 w. — first in catalogue of 1835 <on the back is the 
inscription : "Churffirstlidier Sadis. Frau Mutter Verlassensdiaft. Anno i623">. 

ROTTENHAMMER, JOHANN. Born at Munidi 1564/ died 
at Augsburg 1623. Pupil of his father Thomas and of I. Donauer in 
Municn. Developed his style under the influence of the Venetians. 
Repose during the Flight into Egypt. 
P7 — on oal?/ 0,265 h. by 0,205 ▼. — inventory of 1722. 

HEINZ, JOSEF. Born at Basle June ii* 1564/ died at Prague 

about the middle of Oct. 1609. Pupil of Hans von Aadien, Became 

painter to the Emperor Rudolph II at Prague in 1591. 

The Rape of Proserpine. 

P 8 — on copper / 0,63 h. by 0,94 w. — Guarienti inventory. 

Lot and his Daughters. 

Pio — on copper/ 047 h. by 0,32 w. — first appears in catalogue of 1835. 

See Appendix. 

UPPER GERMAN SCHOOL about 1600. 

The Marriage of Cana. 

Store.?rooms — on linden/ 0,96 h. by 0,765 w. — first appears in catalogue of 1835. 

ELSHEIMER, ADAM. Baptized at Frankfort-on»Main Mardi 

18* 1578/ died Dec. 11* 1610 at Rome. Pupil of Ph. Uffcnbadi at 

Frankfort. Painted in Rome from about 1595. 

Judith with the Head of Holofernes. Three-quarter length. Early 

work. 

21 a — on copper/ 0,335 h. by 0,275 ''• ~ inventory of 1722. 

Jupiter and Mercury with Philemon and Baucis. 
2t c — on copper / 0,165 h. by 0,225 v- -" inventory of 1754. 

Landscape with the Flight into Egypt. 

21c — on copper/ 0,175 h. by 0,22 w. — inventory of 1722. 

SKRETA. KARL SKRETA SSOTNOWSKy VON ZA- 
WORZITZ. Born at Prague in the first decade of the XVII. Cen- 
tury,- buried there Aug. jst 1674. Developed his style in Italy. 
See Appendix. 

S. Gregory. Half-length. Companion picture to the next two. 

Q.3 — on linden/ 0,965 h. by 0,80 w. — Guarienti inventory <acqaired from the 

Sacristy of the former Wenccslas Monastery in Prague). 



XVI. TO XVIII. CENTURY 



211 



S. Jerome. Half-length. Companion picture to No. 1983 and 1985. 1984 

Q. 3 — on linden ; 0,96 h. by 0,80 w. — Guarienti inventory <acquired from the 
Sacristy of the former Wenceslas Monastery in Pragae). 

S. Ambrose. Half-length. Companion picttire to No. 1983 and 1984. ' 1985 

0,3 — on linden; 0,965 b. by o^ w. — Guarienti inventory <acquired from the 
Sacristy of the former Wenceslas Monastery in Prague). 

S- Paul the Apostle. Half-length. 1986 

0,3 — on linden; 0,96 h. by 0,83 w. — Guarienti inventory (acquired from the 
Sacristy of the former Wencesfas Monastery in Prague). 

Moses with the Tables of the Law. Bust-length. 1987 

Pio " on linden; 0.49 h. by 0,575 w. — Guarienti inventory (acquired from the 
Sacristy of the former wenceslas Monastery at Prague). 

Portrait of Bernhard de Witte, Knight of S. John of Malta. Three- 1988 

quarter length. Dated : 1651- 

Pu '- on canvas/ 1,245 1^ i>T 0^895 w. — acquired in 1742 through Riedd at Prague. 

SCHONFELDT, JOHANN HEINRICH. Bom at Bibradi in 

"Wurtemberg Mardi v^ 1609/ died at Augsburg after 1675. Pupil 

of Joh. SiAclbein at Memmingen. Formed his style in Italy. 

A Pastoral Festival. ^\%xitA: JH , SSonfefdt Tecit. Companion 1989 

picture to No. 1990. 

Store-rooms — on canvas/ 0,95 h. by 1,83 w. — acquired in 1741 from the Wallensteto 
Collection at Dux, until 1723 in the Wrzowecz Collection at Prague, originally together 
with four companion pictures in possession of the Burgomaster Marc Anton jenisdt 
at Augsburg. 

Battle of the Giants. Signed : JH . SSonfefd Tecit. 1990 

Qx — on canvas; 0,95 h. by 1,82 w. — acquired in 1741 with three companion pictures, 
of whidt only No. 1989 is still in the gallery, from the Wallenstein Collection at Dux. 

A Musical Entertainment. A lady at the spinet. Signed: JH 1991 
SSdn/efdt TecitaxAJHS: Tecit. Companion picture to No. 1992. 
O3 -" on canvas; 1,245 b- by 0,925 w. — acquired in 1741 from the Wallenstein Col- 
lection at Dux, formerly in the Wrzowecz Collection at Prague. 

SCHONFELDT <?> Musical entertainment. Painted at Prague 1992 
as companion picture to the preceding by another hand (attributed to 
Jan Onghers 1651 to 1730). 

O3 ~~ on canvas; 1,245 h. by 0^ w. — acquired in 1741 from the Wallenstein Col- 
lection at Dux, formerly in the Wrzowecz Collection at Prague. 

PAUDISS, CHRISTOPH. Bom in Lower Saxony about i6t8/ 

died at Freising 1666 or 1667. Pupil of Rembrandt in Amsterdam, 

but painted in Germany. 

Portrait of an old man in a fur cap. Bust -length. Signed: C^r/^- 1993 

fiopr Paudiji 1654. 

L 3 — on linden; 0,515 h. by 0,42 w. — inventory of 1722. 



212 



GERMAN PAINTERS OF THE 



1995 



1996 



1996A 



1997 

1998 

1999 
2000 

2001 
2002 



2002A 
-2004 



2005 



Portrait of a Hungarian servant in a high cap. Bust-length. Signed : 

CBriJioffer Paudifi . 16 . . {1655? 1665?). 

M 3 — on canvas / 0,59 h. by 0,515 w, — inventory of 1712. 

Portrait of a youth in a gray hat. Bust-length. 

47b — on canvas; 0,755 h. by oA) w- — in inventory of 1722 described as "Sdt>st» 
bildnis" (picture of the artist). 

MATTHISEN, BRODER. Born at Husum in SAlesvtrig/ died in 
Berlin after 1665, Was Painter to the Court there from 1659. 
A skull in the midst of books and musical mst-ruments. Signed: 
MatBifen fecit and Broder MattBifen fecit Anno 16 (41?). 
Store-rooms — on canvas,- 1,38 h. by 1,19 w. — acquired in 1741 through von Kaiserfins. 

WILLMANN <WILLEMANS>,MICHAEL. Bom atKonigs- 

berg 1629/ died at Leubus Aug. 26th 1706. Pupil of Jac. A. Backer 

in Amsterdam. Painter to the Court in Berlin. 

Portrait of a boy. Bust«length. 

P8 — on paper attached to oalt; 047 h. by 0,35 w. — inventory of 1722. 

BEMMEL, WILHELM VON. Born at UtreAt June loA 1630,- 
died near Nuremberg Dec. 20*'^ 1708. Pupil of Corn. Saftlevcn in 
Rotterdam. Ancestor of a family of artists in Nuremberg. 
Evening landscape with a waterfall. Monogramm : WB .fzoA I660. 
Companion picture to No. 1999. 
Q.2 — on canvas / 1,27 h. by 1,98 v, — first In catalogue of 1835. 

Morning landscape with a mountain lake. Monogram: WBdxiAl66J. 
0.2 — on canvas/ 1,27 h. by 1,97 w. — first in catalogue of 1835. 

See Appendix. 

ROOS, JOHANN HEINRICH. Bom at Otterberg in the Pala- 
tinate Oct. 27''^ 1631/ died at Frankfort- on -Main Oct. 3rd 1685. 
Court painter to the Elector Palatine Karl Ludwig. 
Shepherds and flod?s amidst ruins. Signed : JHRoos Pinxit 1681. 
Companion picture to No. 2002. 

P 9 — on canvas / 0,585 h. by 0,79 w. — inventory of 1722 (passed in 1699 to the Kunst' 
kammer). 

Shepherds and floAs among the rocks. ^\gmA: JHRoos .fecit. 

P9 — on canvas/ 0,59 h. by 0,79 w. — inventory of 1722 (passed in 1699 to the Konst' 
kammer). 

See Appendix. 

LOTH, JOHANN CARL. Bom in Munidj 1632, died in Venice 
Oct. d'h 1698. Formed his style in Venice and Rome. 
Job with his friends. Three-quarter length. 
Si — on canvas/ 1,22 h. by 0,985 w. — inventory of 1722. 



XVI. TO XVIII. CENTURY 



Set Appendix. 2006-2007 

Given in exchange for No. 1906 J <Crana<Jh> to the Sanatorium at 2008 
Sonnenstein near Pirna, 

HALDER, BERNHARD. Pupil of Dirk Dalens in Amsterdam,- 
painted in Hamburg towards the end of the XVII. Century. 
Ardiitectural picture, with ruins of Roman pillars. Signed: I/a/ifer/. 
0,3 — on copper; 0,10 h, by o,iiy w. — first appears in catalogue of 1765. 

RUTHART, CARL. Probably South German by birth,- but a 
member of the Antwerp Guild 1663 to 1664, probably in Italy after 1672. 

Ulysses with his followers who had been turned into animals, and 
Circe. The figures by J. Spillenberger at Kasdiau. Signed : C . Kut' 
(jartfe . 1666. 

48c — on canvas/ 1,35 h. by 1,68 w. — inventory of 1754 (probably in theWrtowccr 
Collection at Prague until i7z3>. 

Stags and herons. Signed : C . RutBart. Companion picture to 
No. 2012. 

18b — on canvas/ 0,68 h. by 0,555 '"'• — acquired in 1742 through Riedel from Prague. 

Hunted stags. Signed : C . RutBart. 

18b — on canvas/ 0,68 h. by 0,56 -w. — acquired in 1742 through Riedel from Pragae. 

Fight between bears and dogs. Signed : C . RutBart. 
14 b — on canvas / 0,685 h- by 0'87 w. — inventory of 1722. 

EISMANN, JOHANN ANTON. Bom at Salzburg 1604,- died 
at Venice 1698. Adoptive father of Carlo Brisighella <seeNo. 564), 
Ruins by a river side. Companion picture to No. 2015. 
P5 — on oak/ 0,265 h- by o>305 '*'• " acquired in 1727 through Leplat. 

Monument amid ruins. 

P5 — on oak/ 0,265 h. by 0,31 w. — acquired in 1727 through Leplat. 

HEISS, JOHANN. Born at Memmingen 1640/ died at Augsburg 

1704. Pupil of Joh. Heinr. Sdionfeldt. 

The Departure of the Israelites from Egypt. S\gntd: J Heiji . 1677- 2016 

Q.1 — on canvas/ 1,09 h. by 2,135 w. — inventory of 1754. , 

MIGNON, ABRAHAM. Born at Frankfort-on-Main June2i« 
1640/ died there <or in Wetzlar) 1679, Pupil of Jan Davidsz. de Heem 
in the Netherlands. ! 

Flowers in a glass with a spray of orange blossom. Signed: AMig' ! 2017 
not! .fe. \ 

19b — on canvas/ 0,88 h. by 0,67 w. — inventory of 1722. 



214 



GERMAN PAINTERS OF THE 



2018 A garland of fruit with blue ribbons. Signed: AB . Mignon -.fe. 
Ml — on canvas/ 1^5 h. by 0^35 w. — Inventory of 1722. 

2019 A bird's nest in a basket of fruit. Signed: AB . Mignon .fee. 
17a — on canvas/ 0^55 h. by 0,705 w. — inventory of 1722. 

2020 A garland of fruit and flowers. Signed: A6 . Mignon .fee. 
17b — on canvas/ 0,91 h. by 0,74 w, — inventory of 1722. 

2021 Autumn fruits in a brown stone nidie. Signed : A6 . Mignon . fee. 
14a — on oak/ 047 h. by 0,365 w. — inventory of 1722. 

2022 A basket of fruit under an oak. Signed: AB Mignon .fee. 
44b — on canvas/ 0,865 h. by 0,685 ^' — ' inventory of 1722. 

2023 Fruit, a crab and glasses. ^vgvvtA: A . Mignon fe. 
49b — on canvas/ 0,895 h. by 0,745 ■"• " inventory of 1722. 

2024 Flowers in a glass on a dark ground. Signed: A . Mignon .fe. 
14c — on oak/ 0,47 h. by 0,365 w. — inventory of 1722. 

2025 Flowers and animals in a rodty grotto. Signed : A . Mignon .fe. 
9b — on canvas/ 0,805 h. by 0,965 w. — inventory of 1754. 

2026 A squirrel in a rodty cave. Signed : A . Mignon . fe. 
P9 —• on canvas/ 0,915 h. by 0,765 w. — inventory of 1722. 

2027 Flowers and fruit bound with blue ribbons. Signed : A . Mignon .fe. 
12c — on oak/ 0,405 h. by 0,525 w. — inventory of 1722. 

2028 Dead birds in a stone nidie. Signed: A . Mignon .fe. 

M3 — on oak/ 0,875 h. by 0,68 w. — inventory of 1722. 

2029 Birds above a stone table. 

M3 — on canvas/ 0,95 h. l)y 0,74 w. — acquired in 1741 through von Kaiserling. 

2030-2031 See Appendix. 

SEITER, DANIEL. Born at Vienna 1649,- died at Turin 1705. 
Pupil of Carl Loth in Venice, and of Carlo Maratta in Rome. 

2034 S. Jerome. Bust^length. 

Store-rooms — on canvas/ o3« h. by 0,70 w. — inventory of 1722. 

ROOS, PHILIPP PETER, called ROSA DI TIVOLI. Born at 
Frankfort»on-Main 1651/ died at Tivoli near Rome 170^. Pupil of 
his father Johann HeinriA Roos. Painted in Rome and Tivoli, 

2035 Shepherds and flocks in a landscape with ruins. 
Pi — on canvas/ 2,88 h. by 4,34 w. — inventory of 1722. 

2036 Shepherds and flodcs near Tivoli. 

Pi — on canvas/ 2,81 h. by 4,26 w, — inventory of 1722. 



XVI. TO XVIII. CENTURY 



215 



Noah after the flood, before Jehovah. 2037 

V — on canvas / 1,945 h. by 2,94J w. — handed over by Melchior Roos for Moritzburg 
in 1723. 

See Appendix. 2038 

A young shepherd with his flock. Companion picture to No 2038. 2039 

Pi — on canvas/ i^go h. by 4,32 w. — inventory of 1722. 

A shepherd on horsebad( behind his flod(. Companion picture to 2040 
No. 2041. 

V — on canvas / M65 h. by 2,22 w. — passed to the Gallery in 1740. 

See Appendix. 2041-2042 

TAMM, FRANZ WERNER. Bom at Hamburg 1669,- died at 

Vienna Dec. i2t'» 1724, Formed his style in Rome under Mario de' 

Fiori. Painted mostly in Vienna. 

Two pigeons. Signed: Tr. v . Tarn .fe . A: 1714. Companion pic- 2043 

ture to No. 2044. 

P5 — on canvas/ 0,36 h. by 0,46 w. — inventory of 1722. j 

A hen with her diickens. 2044 

Py — on canvas/ 0,36 h. by 0455 w. — inventory of 1722. I 

Dead birds. Companion picture to No. 2046. j 2045 

Store'rooms — on canvas/ 1,57 h. by w)5 w. — acquired in 1723 through Wackerbarth 
together with No. 2046 and two other pictures. I 

Live birds with two pheasants. \ 2046 

Store-rooms — on canvas / 1,565 h. by 1^345 w. — acquired in 1743 through Wadier- 
barth together with No. 2045 and two other picturcs.j 

ROOS, JOHANN MELCHIOR. Born at Frankfort -on -Main 
j659,- died there 1731. Pupil of his father Johann Heinridi Roos, 
younger brother of Philipp Peter Roos. 
Stags in the forest. Signed: J M Roos fecit 1714. 2047 

P9 — on copper/ 0,76 h. by 0^3 w. — inventory of 1722 (acquired for Moritzbarg 
from the artist himself). 

STRUDEL VON STRUDENDORFF, PETER. Bom at 

Cles in the Tyrol 1660,- died at Vienna 1714. Pupil of Carl Loth in 

Venice. Court painter and Director of the Academy in Vienna. 

Jupiter in the form of a satyr watdiing Antiope. 2048 

Store»rooms — on canvas/ 1,54 h. by i,8t w. — inventory of 1722. 

Susanna bathing. i 2049 

Store-rooms — on canvas/ 1,54 h. by i^i w. — acquired in 1778 as part of the Spahn | 
Collection. 



2/(5 



GERMAN PAINTERS TO THE 



2050 
2051 
2052 
2053 

2054 

2055 



2056 
2057 



2058 



2059 



HAMILTON, JOHN GEORGE DE. Bom at Brussels 1672, died 

at Vienna Jan. y^ 1737. Son and pupil of James3dc Hamilton in 

Brussels. Court painter, in Vienna. 

A grey horse saddled. Signed: J . G . De . Hdmifton fee: 17 o3. 

Companion picture to No. 2051. 

66 a — on canvasj^ o,495|h. byro^25 w. — taken in i860 from the storerooms. 

A white horse with reddish-brown spots. Signed '.J.G. De . Ho" 
mifton Ao 17o4. 

66 c — on canvas / 0,495 h* by 0,62 w. — taken in i860 from the store«room8. 

A negro with a grey horse. Signed: J . G .De.Hamifton Ao IJoQ. 

Companion picture to No. 2053. 

66c ~ on canvas; 0,495 h. by o,6z5 -w. — taken in i860 from the storerooms. 

A groom with a white horse. Signed : J . G. De. Hamifton Aol7o9- 
66 a — on canvas / 0,495 ^- i>y 0,62 w. <— taken in i860 from the storC'rooms. 

RUGENDAS, GEORGPHILIPP. Born at Augsburg Nov. 27 »»» 

1666 ,• died there May 10* 1742. Fomredhis style under the influence 

of Jacques Courtois. 

On the battle-field. 

66a — on canvas/ 045 h. by 0,41 w. — acquired in 1742 through Riedel fromtPrague. 

KUPETZKy, JOHANN. Bom at Bosing near Pressburg 1667/ 
died at Nuremberg 1740. Pupil of B.Klaus in Vienna/ developed his 
style in Italy. 
The artist's own portrait. Half-length. 

61 c — on canvas / 0,93 h. by 0,73 w. — acquired in 1741 from the Wallenstein Col- 
lection in Dux. 

AGRICOLA, CHRISTOPH LUDWIG. Bom at Regensburg 

Nov. 5 th 1667/ died there 1719. Formed his style under the influence 
of the works of G. Doghet and C. Lorrain. 
See Appendix. 

Landscape with a millstone. Signed: L . A .fee. 
P 10 — on canvas; 0,83 h. by 0,665 ▼• '- inventory of 1754, 

MANyOKI, ADAM. Born at Szokolya in Hungary 1673,- died 

at Dresden Aug. 6'1» 1757. Court painter in Dresden (from 1717). 

Portrait of a gentleman in a blade cloak. Half-length, Supposed to 

be the Court painter J. A. Thielc. 

61b — on canvas/ 0,95 h. by 0,74 w. — acquired in 1741 from the Wallenstein Col- 
lection in Dux. 

GERMAN SCHOOL OF THE EARLY PART OF THE 

XVIII. CENTURY. 

Portrait of a gentleman. Bust-length. 

50b — on canvas/ 0,55 h. by 0455 w. — first appears in catalogue of 1835. 



XVI. TO XVIIl. CENTURY 



217 



FAISTENBERGER, ANTON. Born at Kitzbiihel in the Tyrol 
1678/ supposed to have died at Vienna in 1722, Developed his style 
under the influence of the works of Poussin and Salvator Rosa. 
Mountain landscape with nymphs. Signed: Antoni TaistenBerger. 2060 
66b — on canvas/ 1,21 h. by 2,175 '•'• ~- acquired in 1742 through Riedd from Prague- 

See Appendix. 2061 

MOLLER, ANDREAS. Born at Copenhagen Nov. 30th ,683, 

died at Berlin about 1750. 

See Appendix. 2062 

Count Maurice of Saxony (?>. Half-length. 2063 

67a — on canvas/ 0,755 h. by 0^25 «". — first appears in catalogue of 1835. 

DENNER, BALTHASAR. Bom at Hamburg-Altona Nov. 15* 
1685: died at Rostock April 14* 1749. Pupil of the Berlin Academy. 
Portrait of a lady with a green kerdiief on her head. Bust»length. 2064 
Signed : Denner 17i9- 

05c — on canvas/ 0,34 h. by 0,26 w. — inventory of 1722. 

S. Jerome. Monogram : BD and 1731. 2065 

55b — on canvas/ 0^5 h. by 0,36 w. — inventory of 1754. 

Portrait of an old gentleman in a brown cloak <a ranger of Lutzow?>. 2066 
Half-length. Signed : Denner 1731. Companion picture to No. 2067. 

55 a — on canvas/ 0,755 h- by 0,635 w. — inventory of 1754. 

Portrait of an elderly woman in white cap. Half-length. 2067 

55 a — on canva.s/ 0,745 h. by 0,62 w. — inventory of 1754. 

Portrait of an old lady with a gold-yellow kerchief on her head. Bust- 2068 

length. Signed: Denner 1737. 

56c — on copper/ 0,42 h. by 0,33 w. — first appears-in catalogue of 1815. 

Portrait of a young girl in a blue dress. Bust-length. Signed: 2069 

Denner fec^ . 

67a — on copper/ 0,37 h. by 0,315 w. — inventory of 1754. 

Portrait of an elderly woman with, a white kerchief on her head. Sig- ; 2070 

ned: Denner fec^. Companion picture to No. 2071. 

55b — on canvas/ 0,45 h. by 0,335 w. — acquired in 1730 from the artist himself. 

Portrait of a gentleman with long grey hair. Bust-length. j 2071 

55b — on canvas/ 0,43 h. by 0,335 w. — acquired in 1730 from the artist himself. 

Portrait of an old gentleman with a grey beard. Bust-length. 2072 

56c — on canvas/ 0,36 h. by 0,305 w. — inventory of 1722. 



218 



GERMAN PAINTERS OF THE 



2073 



2074 



2075 
2076^ 

2077 

Z078 
2079 

2080 

2081 

2082 



THIELE, JOHANN ALEXANDER. Bom at Erfurt MarA 26 th 
168^/ died at Dresden May zi^^ 1752, Formed his style after Agricola, 
ana in Dresden under Manyoki. Court painter in aaxony from 1747. 

Landscape with the Kyffhauser. Signed: . . . gemaBft von Afexanaer 
76iefen 1748. 

(S b — on canvas/ 1,05 h. by 1,53 w. — until 1870 in the gallery, from 1870 to »886 in 
tne Royal Palace. 

The "Kurprinz Friedridi" turn near Freiberg. Signed : . . . gemaBfet 
von Afexander TBiefen 1749- 

58a — on canvas/ xfi's h. by 1,55 w. -— antil 1870 in the gallery, from 1870 to j886 in 
the Royal Palace. 

REINER, WENZEL LORENZ. Bom at Prague 1686/ died there 

Oct. 9*'* 1743. Formed his style under the influence of Pieter van 

Bloemen. 

Roman cattte-market with a group of beggars. Companion picture 

to No. 2076. 

66 a —'on canvas/ 0,735 h. by 0,981c. — acquired in 1739 through Riedel from Prague. 

Roman cattle'market with a white horse laden with vegetables. 

67b — on|canvas/ 0,725 h. by 0,98 w. — acquired In 1739 through Riedcl from Prague. 

FERG, FRANZ DE PAULA. Bom at Vienna May 2nd ,689,. 
died in London 1740. Pupil of Alex. Thiele in Dresden <from 1718). 

Fair near a bridge. Signed: 7 . "Ferg. Companion picture to No. 
2078. 

66 c — on copper/ 0,425 h. by 0,515 w. — acquired in 1741 through von Kaiscrling. 

Peasants merry-making by the river side. 

66c — on copper/ 0,425 h. by 0,51 w. — acquired in 1741 through von Kaiserling. 

Village square with a high house wiih a gable, near a stream on whidi 
is a ferry "boat. ^vgntA.-.T'r.'Fergfec. Companion picture to N0.2080. 
67b — on copper/ 0,205 b- by 0,28 w. — Guarienti inventory.' 

Village square with an old round tower, near a stream on whidi is a 

ferry-^boat. Signed: T. ferg. 

67b — on copper/ 0,205 h. by 0,28 w. — Guarienti inventory. 

Peasants amusing themselves among old ruins. Signed: T. Terg. 

Companion picture to No, 2082. 

67b — on copper/ 0,245 b. by 0,31 w. — acquired in 1727 through Leplat. 

Fair near an old castle. Signed : T. Tergf. 

67 b — on copper/ 0,245 h. by 0,31 w. — acquired in 1727 through Leplat. 



XVI. TO XVIII. CENTURy 



219 



MENGS, ISMAEL. Born at Copenhagen about 1688/ died at ; 

Dresden Dec, 26* 1764. Court painter in Dresden from 1714. Father 

of Anton Raphael Mengs. 

The artist's own portrait. Half-length. 2083 

6t a — on canvas / 0,855 h- by 0,71 w. — acquired in 1741 throi^h von Kaiserling. 

SPERLING, JOHANN CHRISTIAN. Bom at Halle on the 
Saale 1691,- died at Anspadi 1746. Court painter in Anspadi. \ 

Vertumnus and Pomona. SigntA: J . C Sperfing . IJiQ- '*|** 2084 

7b — on copper/ 0,42 h. by o,'}t5 w. — acquired in 1741 through von Kaiserling. * 

QUERFURT, AUGUST. Bom at Wolfenbuttel 1697/ died at 

Vienna 1761. Son and Pupil of the Brunswidt Court Painter Tobias 

Querfiirt, deveIoi>ed his style under Rugendas at Augsburg. Sdiool 

of Wouwerman. 

A beggar, and a lady on a white horse. Signed: A . Quetfurt . pinx. 2086 

66a — on oak,- 0,27 h. by 0,355 w. — acquired in 1741 from the Wallenstcin Collection 

in Dux. 

Riding party resting before a ruined hut. Signed: -4 Q. j 2087 

66b — on copper,- 0,32 h. by 0,42 w. — acquired in 1741 through von Kaiserling. 

A horseman on a brown horse with a falcon. Signed : A . Quetfurt. j 2088 

66a — on oak; 0,27 h. by 0,355 w. — acquired in 1741 from the Wallenstcin CoUection 
in Dux. { 

A gentleman who has dismounted from his grey horse. Signed: A . 2089 
Quetfurt. \ 

P4 — on copper/ 0,215 h. by 0,27 w. — acquired in 1741 through von Kaiserling. j 

A horseman before a sutler's tent. Signed: A . Q. Companion ! 2090 

picture to No. 2091. 

P7 — on deal/ 0,225 h- by 0,33 w. — acquired in 1741 throi^h von Kaiserling. 



A horseman on a white horse with a falcon. Signed: A . Quer . . . 
66b — on deal/ 0,225 h. by 0/33 w. — acquired in 1741 through von Kaiserling. 

SEyBOLD, CHRISTIAN. Bom at Mayence 1697 <according 
to others 1703)/ died atVieimaSept.29* 1768. Style of Balth.Dcnner. 
Court painter in Vienna. 

Portrait of a boy with a flute. Bust-Iengfth. - Companion picture to 
No. 2093. 

56b — on copper/ 0,47 h. by 0,37 w. — Goarienti inventory. 

Portrait of a girl with a veil. Bust-length, 

56b — on copper/ 0,465 h- by 0,37 w. — Guarienti inventory. 

Portrait of an old man in a cap of panther-skin. Bust-length. Com- 
panion picture to No. 2095. 
56b — on copper attached to wood/ 0,41 h. by 0,325 w. — Guarienti Inventory. 



2091 



2092 



2093 



1AU2094 



22o 



GERMAN PAINTERS TO THE 



^^^ 



2097 

2098 
2099 
2100 

2101 



2102 v^ 



2103 
2104 



Portrait of an old woman with a green kerdiief on her head. Bust' 
length. 

56 b — on copper/ 0^15 h. by 0,325 w. — Gaarienti inventory. 

The artist's own portrait. Half»length. 

60 b — on canvas / 0,74 h. by 0,61 w. — inventory of 1754. 

PLATZER <PLAZER>, JOHANN GEORG. Bom 1702 at 
Eppan in the Tyrol,- died 1760 at St, Michael in the Tyrol. Son of 
Jon. Victor Platzer. 

Solon and Croesus. Signed: JGPfazer. Companion picture to 

the next three pictures. 

66a — on copper/ 0,405 h. by 0,59 w. — Guarienti inventory. 

The Samnites before Curius Dentatus. ^xgnzA: J G Pl'azer. 
66a — on copper/ 0,405 h. by 0,59 w. — Guarienti inventory. 

Mercury hovering over his beloved Herse. Signed : JGPfazer. 
67a — on copper/ 040 h. by 0,59 w. — Guarienti inventory. 

Bacchus and Ariadne. S\%nzd: J G Pfazer. 

67 a — on coppci-/ 0,40 h. by 0,59 w. — Guarienti inventory. 

DATHAN, GEORG. Born at Mannheim about 1703. Painted 

there. 

An allegory on the marriage of the Princess Maria Joscpha of Saxony 

with the Dauphin of France <t747>. Signed: Georg DatBan 1748. 

67 c — on apple/ 0,57 h. by 0,415 w. — first in catalogue of 1835. 

KERN <KORNE>, ANTON. Born at Tetsdien i7<0/ died at 

Dresden June 8 ^ 1747. Pupil of the court painter L. Rossi in Dresden 

and of G. B. Pittoni in Venice. Was Court Painter in Dresden in 1741. 

The Massacre of the Innocents at Bethlehem. Painted in Rome about 

«739- 

67c — on canvas/ 0,73 h. by 0,965 w. — talten in 1740 from the Royal Sleeping 

Apartments. 

DIETRICH <DIETRICy>, CHRISTIAN WILHELM ERNST. 
Born at Weimar Oct. 3ot*> 1712/ died at Dresden April 23'"^ or 24* 
1774. Pupil of his father Joh. Georg in Weimar and of Alex. Thiele 
in Dresden. In 1741 Court Painter, in 1746 Gallery Inspector, and 
in 1765 Academy Professor in Dresden. 

The Adoration of the Magi. Signed: CViPEDietricBfec: IJSl. 
65 c — on canvas ,• 0,875 h. by 1,145 ''*'■ "" imventory of 1752. 

The Marriage at Cana. Signed: Dietricy pinx 4ju. . . 1735- 
67 a — on beedi/ 0,19 h. by 0,265 "^^ ~ first appears in catalogue of 1835. 



XVI. TO XVIII. CENTURY 



The Presentation in the Temple. Signed: Dietricy Pitixit Ao 1738- 
66b — on oak/ 0,385 h. by o,yyy w. — acquired in 1741 through von Kaiserling. 

See Appendix. 



Arcadian pastoral life. Signed: CWE Dietricy : Pinx. Ao ,- 174o. 

Companion picture to No. 2108. 

67c — on canvas; 0,535 h. by 0,72 vf. — acquired In 1741 through von Kaiseriing. , 

Women near a pond. Signed : Dietricy . Pinx . Ao . 174o. jA 
67 b — on canvas/ 0,535 h. by 0,72 w. — acquired in 1741 through von Kaiserllng.'|| 

The Presentation in the Temple. Signed: Dietricy Ao 174o. 
67 a — on beedb; 0,50 h. by 0,845 w. — acquired in 1720 through von Kaiseriing. 

An old woman in a brown cloak. Half-length. Signed : Dietricy 

Pinx . 1740. 

66c — on beech/ 0,325 h. by 0,24 w, — acquired in 1741 through von Kaiseriing. 

Portrait of an old man with a white beard, in a turban. Bust-length. 2111 

Signed: Dietricy .f. Ao 174o. 

65 b — on beech/ 0,33 h. by 0,24 w. — acquired in 1741 through von Kaiseriing. 

Blowing bubbles. Signed: D . A . 174o. 

66a — on oak/ 0,285 h. by o,2t w. — acquired in 1741 through von Kaiseriing. 

Portrait of a warrior in a brown cap. Signed: Dietricy fee. Ao 174o . 
66c — on beech/ 0,33 h. by 0,245 vr. — acquired in 1741 through von Kaiseriing. 

A shepherd and shepherdess. Signed : Dietricy Pinx . Ao 174o 
66b — on copper/ 0,44 h. by 0,67 w. — G.»W. Ill, 22 — acquired in 1741 thr 
von Kaiseriing. 




A young couple with Cupid. Signed : Dietricy 17 4o. Companion 

picture to No. 2116. 

66 b — on beech ; 0,45 h. by 0,35 w, — acquired in 1741 through von Kaiseriing. 

A young couple with sheep and goats. .^^r" 

66b — on beech/ 0,45 h. by 0,345 w. — acquired in 1741 through von Kaiseriing. V 

The Prodigal Son. Signed : Dietricy Pinx . Ao 174o. 

66c — on canvas/ 0,40 h. by 0,52 w. — acquired in 1741 through von Kaiseriing. 

The Raising of Lazarus. Signed: Dietricy . Pinx . 1742. 

65 c — on c:anvas / 0,885 h. by 0,775 ▼• — inventory of 1754. 

The Holy Family under a ro<k. Signed : CWE Dietricy Pinx . Ao • 

1746. 

66c — on beech/ 0,44 h. by 0,325 w. — acquired in 1778 out of the Spahn Collection. 

The Holy Family under a palm tree. Signed : Dietricy 1746. 

66 b — on c:anvas/ 0,315 h. by 0,47 w. — inventory of 1754. 



22/ 



2105 

2106 
2107 



ill5 



2120 



222 



GERMAN PAINTERS OF THE 



112Z 

2123 
2124 

2125-2126 
2127 



-4 



2128 
2129 
2130 
2131 
2132 

2133 

2134 

2135 

2136 

2137 
2138 






A Village by a river side. Signed: Dietricy fecit 1748. 

67 a — on canvas 1 0,54 h. by 0^55 w. — acquired In 1778 out of the Spahn Collectiofl. 

Shepherdesses and flod<s near a round stone monument. Signed: 
Dietn'cy Pi'tix . 175i- Companion picture to No. 2123. 

67b — on canvas/ 0,545 h. by 0,725 w. — inventory of 1754. 

Shepherdesses and flod(s. 

673 — 00 canvas/ 0,545 h. by 0,73 vr. — inventory of 1754. 

The Crucifixion. Signed: Dietricy 1754. 

65 b — on canvas / 0,86 h. by 1,09 v. — first appears in catalogue of 1765. 

See Appendix. 

Thetis and Adiilles. Signed : Dietn'cy 1766. Painted for admission 

into the Dresden Academy. 

66b — on canvas/ 0,755 h. by 0,63 w. — taken In 1855 from die store^'fooins. 

Christ healing the side. Signed : Dietricy. 

66b — on canvas/ 0,545 h- by 0/74 "^^ " inventory of 1754. 

Nymphs under the rodis. Signed ; Dietricy. 

67c — on beech/ 0,30 h. by 0,395 w. — acquired In 1741 through von Kaiserling. 

enus as a shepherdess. Signed: Dietricy. 

66 c — on beedj/ 0,285 h. by 0,295 w. — acquired in 1778 out of the Spahn Collection. 

Shepherdesses bathing. Signed : Dietricy. 

67 c — on beedi/ 0,285 h. by 0,41 w. — taken in 1856 from the storerooms. 

An old man in a broad«brimtned hat. HalMength. Signed: Dietricy 

Pitix. 

65 b — on beedi ; 0,325 h. by 0,24 w. — acquired In 1741 through von Kaiserling. 

Diana discovering Callisto's frailty. 

67 c — on canvas / 0,535 h. by 0,72 w. — acquired in 1731 through the artist himself. 

Belisarius in the guise of a beggar. 

65c — on canvas/ 0^75 h. by 0,725 w. — acquired in 1731 through the artist himself. 

Shepherd and shepherdess with their flodcs. 

66b — on canvas; 0,35 h. by 0,495 w. — acquired in 1741 through von Kaiserling. 

Women bathing. 

67 c — on beed» / 0,295 h. by 0,395 -w, — acquired in 1741 through von Kaiserling. 

See Appendix. 

Wounded soldiers near a battle-field. Companion picture to No. 2139. 
65a — on canvas; (,42 h. by 2,09 w. — acquired in 1741 through von KaiserDng. 



XVI. TO XVin. CENTURY 




Horsemen, near a battle-field. 

65c ^ on canvas/ t^z h. by 2^)9 w. — acquired in 1741 through von Kaiserling. 

The Holy Family resting during the Flight into Egypt. After an 
etdbJng by Rembrandt, 

66 b — on beed» / o,zt h. by 0,145 w. — acquired in 1744 through von Kaiserling. 

The Angel bringing the Good Tidings to the Shepherds. Companion 
picttire to No. 2147. 

65 a — on canvas / 0,82 h. by 1,29 w. — inventory of 1754. 

The Adoration of the Shepherds. 

6; a — on canvas^ 0,87 h. by 1,28 w. — first appears in catalogue of 1765. 

The Holy Family. 

67c — on canvas; 0,68 h. by 0,52 v. — inventory of 1754. 

Copy from the Magdalene ascribed to Correggio. <No. 154 of thij 
Gallery.) 

66a " on copper/ 0,285 b. by 0,385 w. — • taken in 1761 from the Castle of Hi 
burg. 

A Mountain Path. Companion picture to No. 2151. 

67b — on canvas; o,J5 h. by 0,41 w. — acquired in 1778 out of the Spahn Collection. 

A Rod£y Pass. 

67 b — on canvas ; 0,745 h. by 0,405 -w. — acquired in 1778 oat of the Spahn Collection. 

The Gunpowder Explosion on the "Jungfernbastci" <i747). 

66 b — on beedi; 0,255 h. by 0,34 ▼. — acquired in 1778 out of the Spahn Collection. 

Romantic Scene in a garden. Companion picture to No. 2154. 
67b — on beedi/ o,j8 h. by 0,26 w. — taken in 1855 from the store«roon>s. 

Music and Love. Copy from Lancret's picture in the Royal Palace 

at Berlin. 

67b — on beedi; 0,38 h. by 0,29 w. — taken in 1855 from the store-rooms. 

See Appendix. 

GRUND, NORBERT. Born at Prague 1714, died at Vienna 1767. 
Pupil of Franz de Paula Ferg. 

Rustic amusements in front of a country inn. Companion picture to 
No. 2157. 

67 a — on beech; 0,245 h. by 0,36 w. — acquired in 1778 out of the Spahn Collection. 

An al fresco Gathering. 

67 c — on beedi ; 0,24 h. by 0,365 w. — acquired in 1778 otit of the Spahn Collection. 



223 



2139 
2142 

2146 

2147 
2148 
2149 

2150 
2151 
2152 
2153 
2154 

2155 

2156 
2157 



224 



GERMAN PAINPERS TO THE 



2158 I 

\ 



2159 



2160 
2161 

2162 
2163 



2164 



2164A 



OESER, ADAM FRIEDRICH. Bom at Pressburg Feb. 17 »»> 1717/ 
died at Leipzig March iSf^* 1799. Director of the Academy in Leipsic 
after 1763. At the same time Court painter and Professor of the 
Academy at Dresden. 

■'Group of the Artist's diildren. Painted in 1766 for admission into the 

. Dresden Academy. 

"',57 b -' on canvas ; t,4o h. by 1,00 w. — property of the Academy. 

WAGNER, MARIA DOROTHEA, nee DIETRICH. Born at 

Weimar (according to others at Dresden) 1728/ died at Meissen Feb. 

lo* 1792. Sister of Chr. W, E. Dietridi. 

A Water-mill amongst trees and rodis. Signed ; M • D .W. 

66c — on oak/ 0,27 h. by 0,37 ▼. — first appears in catalogue of 1835. 

MENGS, ANTON RAPHAEL. Born at Aussig Mardii2th 1728,- 

died at Rome June 29* 1779. Son and Pupil of Ismael Mengs in 

Dresden. Court painter at Dresden <from 1745). From 1752 in Italy 

and Spain. 

Joseph's Dream. Painted in 1750 as a sketdi for an altar-piece for the 

Roman Catholic "Hofkirdie" at Dresden. 

y6c — on canvas/ 0,55 h. by 0,275 '^- ~ fi"t appears in catalogue of i8t2. 

Joseph's Dream. Painted in 1750. 

56c — on canvas/ 0,525 h. by 0,275 'w- -" acquired in J879 ojit of the effects of the 
artist Proll. 

The Repentant Magdalene. Painted in Rome in 1752. 

55b — on canvas/ 0,475 h. by 0,635 w. — first appears in catalogue of 1765. 

Portrait of the Electoral Princess Maria Antonia. Three-quarter 

length. Painted in Dresden in 1751. 

53 b — on canvas/ 1,555 h- l>y »/>2y ▼• — first appears in catalogue of 1765. 

ROOS, JOSEPH. Born at Vienna 1728/ died there 1805. Grand- 
son of Philipp Roos. Became painter to the Court and member ot 
the Academy at Dresden in 1764 and Inspector of the Belvedere Gal= 
lery at Vienna in 1722. 

Herdsman and flocks near an old willow. Signed ; JofepB . Roos/ . 

1765- 

66c — on canvas/ 0,715 h. by 0,865 ■*■• "• first appears in catalogue of 1765. 

SCHENAU, JOHANN ELIAS ZEISIG, called SCHENAU. 

Born at Gross-Schonau near Zittau Nov. 7^1* 1737/ died at Dresden 

Aug. zy^ t8o6. Pupil of Silvcstre at Dresden and Paris. Formed 

his style under the influence of Greuzc. Professor of the Dresden 

Academy in 1774. 

The School-'girl. Half-length. 

Q3 —on oak/ 0,165 h. by 0,09 w.— bequeathed to the Gallery in 1893 by the President 

of the Court of Appeal E. F. Nossy. 




189o 



Hans Ho f Be in d.J. 




I9o6A 



Lucas Cranadj d. i 



XVI. TO XVm. CENTURY 



225 



The Electoral Family. In the centre, surrounded \yy the younger 
princes and princesses, the Elector Friedridi August, and the Electress 
Amalia by the side of the Electress Dowager Maria Antonia. On the 
right Prince Xaver. Signed : ScBenau itiv . . . . a Dresde 1772. 
Store»Tooms — on canvas/ 1,21 h. by 1,16 w. — purchased in 1910 at Paris. 

GRAFF, ANTON. Bom at Winterthur Nov, 18 A 1736,- died at 
Dresden June zz^^ 1813. From 1766 in Dresden and in 1789 Professor 
of the Art Academy. 
King Friedrich August the Just. Signed : A Graff pinx : 1795- 

T 3 — on canvas/ 2,26 h. by 1,37 w. — G.*W. Ill, o — first appears in catalogue of 1856 
<fornierIy in the "Landhaus"). 

Portrait of the artist in early youth. Three=quarter length. Painted in 
Winterthur in 1765, and sent to the Academy exhibition at Dresden 
for reception into the Academy. 
5J a — on canvas/ 1,005 h. by 0,785 w. — taken in 1855 from the store-roonis. 

Portrait of the artist in his 58 th year. Sent in the Academy exhibi- 
tion in 1795. 

55b — on canvas/ 1,68 h. by 1,055 w. — first appears in catalogue of 1835 <probabIy 
purchased in 1832 from the artist^ heirs). 

The artist's own portrait at an advanced age, Bust»length. 

55 c — on canvas / 0,71 h. by 0,565 w, — inventory of 1809, 

Portrait of the poet Christian Furditegott Gellert, Bust-length. 

55 b — on canvas / 0,63 h. by 0,52 w. — presented in 1865 by the Freiin Amalie von 
Wagner. 

Portrait of Christian Heinrich Voigt, manufacturer of gold and silver 
wire. Half-length. In the academy exhibition of 1789. 

55 c — on canvas ; 0,77 h. by 0,60 w. — becjueathed in 1867 by the grandson of the 
subject of the picrture, the Banlter C. E, Lotze of Dresden, 

Portrait of the manufacturer Carl Gottlieb Hommeyer. Half-length. 
Companion picture to No. 2172, 

56 b — on canvas / 0,77 h, by ofio -w, — bequeathed in 1867 by the Banker C, E, 
Lotze of Dresden, nephew of the subject of the picture. 

Portrait of Frau Henriette Hommeyer, nee Voigt, Half-length 

56 b — on'c:anvas/ 0,77 h. by 0,61 w. — bequeathe 
of Dresden, nephew or the subject of the picture. 

Portrait of Frau Johanna Christiane Eltz, nee Voigt, Half-length, 
55 c — on canvas / 0,78 h. by 0,615 w. — bequeathed in 1867 by the Banker C. E, L6tze 
of Dresden, nephew of the subject of the picture. 

Portrait of Fraulein Chriftiane Friederike Voigt. Half-length. 

55 c — on c:anvas/ 0,775 h. by 0,595 ^- — bequeathed in 1867 by the Banker C. E, 

Ldtze of Dresden, nephew of the subject of the picture. 



2164B 



56 b — on'c:anvas / 0,77 h. by 0,61 w. — bequeathed in 1867 by the Banker C. E. Lotze 
'^ ' ■ oft 



2165 
2166 

2167 

2168 
2169 

2170 

2171 

2172 
2173 
2174 



226 



GERMAN PAINTERS OF THE 



2175 Portrait of Jean Jacques Mesmer, Minister of the Reformed Churdb. 

Bust=length. Sent to the art exhibition of the Academy in 1810, 

55c — on canvas/ 0,67 h. by 0^2 w. — presented in 1875 by Frau Eug. Hofer, n^e 
Mesmer, of Meissen. 

2175 A Lieutenant General Carl Wilhelm Ferdinand von Funck, Half=Iength, 

60c — on canvas/ 0,775 h. by 0,61 w. — bequeathed in 1901 by Fraulein Therese von 
Witzleben. 

2175B Portrait of Fraulein Pezold, afterwards wife of Lieutenant Kotsdi. 
Bust^length, 

60 b — on canvas / 0,455 h- by 0/375 ■*■. — presented in 1908 by Fr3ulcin Therese Francke, 
grand'daughter of the subject of the picture. 

2176 Portrait of the Court Historian Johann Gottlob Bo^ih.me, at an ad" 
vanced age <i7i7 to 1780). Half=length. 

54 a — on canvas / 0,66 h. by 0,54 w. — presented in 1882 by Professor J. Bertrand. 

2177 Portrait of the preceding at an earlier age. Half-length. Companion 
picture to No. 2178. 
56 c — on canvas/ 0,90 h. by 0,68 w. — presented in 1882 by Professor J. Bertrand. 

2178 Portrait of Frau Christiane Regina Boehme, nee Hetzer. Half-length, 
56 c — on canvas / 0,90 h. by 0,68 w. — presented in 1882 by Professor J. Bertrand. 

2179 Portrait of the law=court official Hetzer, Half»length, Companion 
picture to No, 2180. 

55 a — on canvas / 0,90 h. by 0,68 w, — presented in 1882 by Professor J. Bertrand. 

2180 Portrait of Frau Hetzer, Half-length, 
55a — on canvas/ 0,90 h. by 0,68 w. — presented in 1882 by Professor J, Bertrand. 

2180A Portrait of Frau Riquet ad an advanced age <died 1826), Half-length, 

54a — on canvas,- 0,705 h. by 0,565 w, — presented in 1887 by Herr Louis Barfuss in 
Kotzschenbroda. 

2180 B Portrait of Dr. Ernst Platner, Professor of Physiology at the University 
of Leipsic <i744— 1818). Half-length. In the Academy exhibition 
of 1790. 

55 c — on canvas / 0,625 h. by 0,52 w, — presented in 1891 by Herr HcinriA Seidel in 
S tries en. 

2180C Portrait of E. F. Burkhard de Leger <i732— 1802), Chamberlain of 
Friedridi August the Just. Bust-length. 

55b — on canvas; 0,65 h. by 0,54 w^. — bequeathed in 1898 by the wife of General 
von Zesdiau. 

2180D Portrait of Herr Ried <Rieth?>. On the bade by an unknown hand: 
A . Graff pinx . I808. Half-length. 

60c — on canvas/ 0,71 h. by 0,565 w. — bequeathed in 1905 by the Baroness vonAker- 
hieim. 



XVI. TO XVIIL CENTURY 



227 



Portrait of the Cabinet Minister Otto Ferdinand Graf von Loeben 
<i74i — i8o4>. On the badt by an unknown hand: A. Graff pinx . 
1783. Bust^'Iength. Companion picture to No. 2180F. 

yz d — on canvas / oval / 0,66 h. by 0,53 w. — - bequeathed in 1907 by Frau OberforsU 
meister J. H. von Loeben. 

Portrait of Grafin Maria Caroline von Loeben <bom 1760). Bust- 

length. 

52 d — on canvas/ oval/ 0^6 h. by 0,53 w, — bequeathed in 1907 by Frau Obcr« 

forstmcister J. H. von Loeben. 

STOCKLIN, CHRISTIAN. Born at Geneva July 14th ,741, died 
at Frankfort-on^Main in June 1795. From 1757 in Italy, pupil of 
Antonio Galli da Bibiena at Bologna. 

Interior of a diurdi in the renaissance style. Signed : St6(£fmf. 1788. 
Companion picture to No. 2180H. 

66 b — on copper ; 0,205 h. by 0,145 w. — bequeathed in 1893 by the President of the 
Court of Appeal E. F. Nossky. 



2180E 



2180F 



Signed : 5t6c6finf. 1788. 

66 b — on copper /_ 0^05 h. bv 0,145 w. — bequeathed in 1893 of the President of the 
sky 



Interior of a circular churdi. 

66b — on copper/ 0,205 •»• by o, 
Court of Appeal E. F. Nossky. 



2180 G 



2180 H 



KAUFFMANN, ANGELICA, Born at Chur <Coire> Oct. 30* 
1741/ died at Rome Nov. ^^^ 1807. Pupil of her father Joh. Joseph 
KaufFmann. Painted diiefly in Italy. 

Portrait of a young lady as a sibyl. Half-length. Signed : Angefk 

Kauffman Pinx. Companion picture to No. 2182. 

56a — on canvas/ 0,91 h. by 0,725 w. — G.»W. Ill, 36 — acquired in 1782. 

Signcdl ^ 



efio^. 



2181 



Half-length, 



Portrait of a young lady as a vestal virgin 

Angefica Kauffm . . . Pinx. 

56a — on canvas/ 0,915 h. by 0,715 w. — G.»W. Ill, 7 — acquired in 1782. 



The Desertion of Ariadne. 

56b — on canvas/ 0,88 h. by 0,705 w. — G.»W. Ill, 8 — acquired in 1782. 
Friedridi, see Appendix. 



V I 



TISCHBEIN, JOHANN FRIEDRICH AUGUST. Born at 
Maastridit 1750/ died at Heidelberg 1812. Pupil of Joh. Heinridj 
Tisdibein at Cfassel, He succeeded Oeser as Academy Professor in 
Leipsic in 1800. 

Portrait of Grafin Bose, nee Grafin Schulenburg - Wolfsburg. Three 

quarter length. Signed: 7isc£6ein . p . 1789. 

56 b — on canvas / 1,58 h. by 1,20 w. — bequeathed in 1907 by Freifrau von Ecfcardstein, 
n^e Senger, of Potsdam. 



2182 



2183 



2184 



-t 



2184A 



228 



GERMAN PAINTERS 



2184 B 



2185 

2186 
2186A 



Portrait of Frau Christiane Caroline Friederike Mesnier <died 1843). 
Bust^Iength. 

69 b — on canvas 1 0,695 h- t>y 0,54 w. — bequeathed in 1891 by Frau Felicia Land, 
n^e Mesmer daughter of the person represented. 

KLENGEL, JOHANN CHRISTIAN. Born at Kesselsdorf 

April 5th 1751/ died at Dresden Dec. 19th 1824. Pupil of Chr. W, E, 

Dietridi. Professor of the Dresden Academy, 

Apollo tending the herds of Admetus. Signed: Kfengef. 

58 c — on canvas / 0,97 h. by 1,46 w. — purdiased from the artist's heirs in 1825. 

See Appendix. 

Landscape with willows. 

68 b — on canvas ; - 
Court of appeal E. 



68 b — on canvas ; 0,24 h. by 0,32 w. — bequeathed in 1893 by the President of the 
. F. Nossky. 



2187 
2188 



2189 




GRASSI, JOSEF, Born at Vienna April zz'^^ 1757,- died at Dresden 

Jan. 7th 1838. Professor of the Dresden Academy in 1799. From 1816 

until 1821 Director of the studies of the holders of art sdholarships at 

kome. 

S. John the Baptist. Half-length, 

64b — on canvas/ 0,83 h. by 0,625 w. — bequeathed by the artist in 1838, 

The Apostle S. Peter, Bust=length. 

64b — on canvas/ 0,62 h. by 0,485 -v. — first in catalogue of 1843. Doubtless be« 

queathed by the artist in 1838. 

VOGEL, CHRISTIAN LEBERECHT. Born at Dresden April6th 
1759/ died there April iit>i 1816. Pupil of Sdienau. From 1814 Pro- 
fessor at the Dresden Academy. 
The Artist's sons. Painted in 1792 or 1793. 
56a — on canvas/ 0,755 h. by 0,995 w. — acquired from the artist's heirs in 1817. 



MODERN PICTURES 



I 

GERMAN SCHOOLS 



232 



GERMAN PAINTERS 



DRESDEN SCHOOL 



POCHMANN, TRAUGOTT LEBERECHT. Born at Dresden 
Dec. 6^^ 1762/ died there April ly^ 1830. Pupil of Anton Graff and 
of G. B. Casanova. Professor of the Academy. 

2190 The Artist's own portrait. Three-quarter-Iength, 
68 a — on canvas / 1,00 h. by 0,80 w. — acquired in 1847 from the artist's daughter. 

2190A Portrait of the Leipsic tnerdiant Johann Gotthold Quandt. Three* 
quarter length. 

Store»rooms — on canvas / 1,28 h. by 0/88 w. — bequeathed by Hcrr Johann Gustav 
Qyandt in 1908. 

KQGELGEN, GERHARD VON. Bom at BacharaA on the 
Rhine Feb. 6th 1772, murdered near Dresden March zj^^ 1820. 
Professor of of the Academy of Dresden (where he lived after 1805). 

2191 Portrait of Karl Ludwig Fernow, author of works on art. Painted 
1806—1807 at Weimar. Half=length. 

68a — on canvas/ 0^5 Ij. by 0,52 w. — acquired in 1905 from Hcrr Konstantin von 
KQgelgen. 

2192 The Prodigal Son. Half-length. Painted in 1820. 

68 c — on canvas / 0,965 h. by 0,75 w. — acquired in 1820 out of the artist's effects. 

HARTMANN, FERDINAND. Born at Stuttgart July 14th 1774, 
died at Dresden Jan. 6tl». 1842. Director of the Dresden Academy 
from 1824. 

2193 The Artist's own portrait. Bust»Iength. 

68 b — on canvas 1 0,64 h. by 0,50 w. — acquired in 1874 from Frau von Witzleben. 

FRIEDRICH, KASPAR DAVID. Born at Greifswald Sept. 5th 
1774/ died May 7th 1840. Formed his style in Copenhagen. Professor 
of the Dresden Academy from 1824. 

2194 Two Men observing the moon. Painted in 1819. 

69c — on canvas/ 0,35 h. by 0,44 w. — acquired in 1840 out of the artist's effects. 

2195 A CromleA in autumn. Painted between 1819 and 1826 for admission 
into the Academy- 
69c — on canvas/ 0,55 h. by 0,71 \r. — acquired in i860 from the Dresden Academy. 

2196 A Cromlech in snow. Painted about 1810. 

69c — on canvas/ 0^15 h. by 0,80 w. — acquired in 1905 out of the effects of the 
artist Johann SiegwaJd Dahl. 

2197 Rest during haymaking. Painted 1834 to 1835. 
68 a — on canvas/ 0,725 h. by 1,02 w. — acquired in 1840 out of the effects of the artist. 



OF THE XIX. CENTURY 



233 



A large meadow near Dresden called "Das grosse Gehege". 2197 A 

68 c — on canvas / 0,735 h. by 1/325 '"'• " acquired in 1909 from Frl. EUa von Nostitz* 
Jankendorf. 

ROESSLER, lOHANN CARL. Born at Gorlitz May 18* 1775, 

died at Dresden Feb. zotJ^ 1845. Pupil of G. B. Casanova. Professor 

at the Dresden Academy from 1815. 

Portrait of the Actor and Entomologist OAsenheimer, Three-^ 2198 

quarter^length, 

68c — on canvas/ 0,81 h. by 0,68 w. — presented in 1868 by the HofsAauspieler Heine. 

Portrait of the Geheimer Finanzrat Johann Carl Ludwig von Nostiz* 2198 A 
Drzewiedci <i774 — 1825). According to the inscription on the bade, 
painted in 1824. Half-length. 

68a — on canvas/ 0,75 h. by 0,59 w. — presented in 1908 by the heirs of Fratilein 
Isidore von Reutter. 

MATTHAI, FRIEDRICH, Born at Meissen March 4th 1777,. died 

at Vienna Oct. 23''d 1845. Pupil of Casanova at Dresden and of 

Fuger at Vienna. Professor of the Dresden Academy from 1810, 

Gallery Inspector from 1823, afterwards Director of the Picture 

Gallery. 

The Murder of Aegistheus. Painted during his stay in Italy <i8o2 to 2199 

i8o8>. Three-quarter length. 

Store-rooms — on canvas / 1,58 h. by 2,39 w. — acquired from the artist's heirs in 1858 

See Appendix. 2200 

Portrait of the Leipsic merdiant Johann Gotthold Quandt. Three- 2200A 
quarter length. 

Store-rooms — on canvas/ 1,10 h. by 0,805 w. — bequeathed by Herr Johann Gustav 
Qyandt in 1908. 

Riditer, see Appendix. 2201-2202 

KERSTING, FRIEDRICH GEORG. Bom at Gustrow in Medc- 
lenburg 1783/ died at Meissen 1847. Formed his style in Copenhagen 
and Dresden. Superintendent of Porcelain Painting at the Royal Por- 
celain Factory at Meissen. 
S. Mary Magdalene, Three-quarter length. 2202 A 

68 c — on canvas/ 0,66 h. by 0,53 w, — acquired in 1907 from Meissen. 

Arnold, see Appendix. 2203 

NAECKE, GUSTAV HEINRICH. Born at Frauenstein April 

4''» 1785/ died at Dresden Jan. lo'h 1835. Pupil of Grassi, Professor 

at the Dresden Academy from 1825. 

Portrait of the artist himself. Painted in 1814, Bust-length, 2204 

68 b — on canvas / 0,44 h. by 0,40 w, — bequeathed in 1866 by the Burgermaster HUbler. 



234 



GERMAN PAINTERS 



FABER, G. TRAUGOTT. Born at Dresden Nov. lo* 1776/ died 
there June z^ 1863. Pupil of Klengel. Member of the Dresden Aca- 
demy, 

Wooded valley with a stream, by moonlight. Signed: TaBer 1816. 
w. ~- bequeathed in 1893 by the president of the court 



2205 



2206 
2207 



2208 
2209 

2210 



2211 
2211 A 

2211 B 
2212 



41 c — on canvas ; 0,795 h. by o,i 
of appeal, E. F. Nossky. 

DAHL, JOHANN CHRISTIAN CLAUSSEN, Born at Bergen 

in Norway Feb, 24th 1788/ died at Dresden Oct. \i^^ 1857. Pupil of 

the Copenhagen Academy, Professor of the Dresden Academy <where 

he was engaged from i8i8>, 

A forest stream in the mountains. Signed: DaBf 1819- Painted for 

admission into the Academy. 

68 a — on canvas / 0,76 h, by 0,61 w, — acquired in i860 from the Academy, 

Norwegian mountain landscape, SxgtitA: ^ DaBf 185o. 
68b — on canvas/ 1,83 h. by 2,37 ■w. — acquired in 1853, 

VOGEL VON VOGELSTEIN, CARL. Bom at Wildenfels 
June 16^^ 1788/ died at Munidi Mardi 4th 1868. Pupil of his father 
Christian Leberedit Vogel, Professor of the Dresden Academy from 
1820 to 1853. 
See Appendix, 

Portrait of King Friedridi August the Just of Saxony. Half-length. 

Signed on the bade : . . . C Vogef Dresden 1823. 

52 d — on maple/ 0,725 h, by 0,57 w, — first appears in catalogue of 1835. 

Prince Johann {afterwards King of Saxony) in his capacity as Presi- 
dent of the Ministry of Finance. Signed on the back: GemaBft fiir 
Sr. Exf. dem Herrn Tinanz ^ Minister von ZesSau. C . VogeC 
pinx . Pilfnitz 1832. Three=quarter length. 

22 d — on canvas/ 1,23 h. by 0,97 w. — taken from the treasury buildings in 1874, 
Property of the Treasury, 

See Appendix, 

Portrait of the Dresden Art-connoisseur Johann Gotthold vonQuandt 
<i787-'i859>. Three-quarter length. 

Store-rooms — on canvas / 1,285 h, by 1,02 w, — bequeathed by Herr Johann Gustav 
Quandt in 1908, 

Portrait of Frau von Quandt, nee Meissner, Three=quarter length. 

Store-rooms — on oak/ 1,21 h, by 0,94 w, — bequeathed by Herr Johann Gustav 
Quandt in 1908, 

Portrait of Professor Carl Forster of Dresden. Signed on the bade: 
C. Vogef . pinx . Dresdae . 1823. Companion picture to No. 2213, 
Bust-length, 

69c — on mill-board/ 0,23 h, by 0,175 w, — bequeathed in 1892 by Professor FSrster's 
wife, and her daughter. 



OF THE XIX. CENTURY 



23S 



Portrait of Frau Louise Forstcr, wife of the preceding. Signed on 2213 

the back: C Vogef . pinx . 1832. Bust-length. 

69c — on mahogany/ 0,24 h. by 0,195 w. — bequeathed in 1892 by Fran LutseForster 

and her daughter. 

CARUS, CARL GUSTAV. M. D. Physician in Ordinary to the 
King. Born at Leipsic Jan 3''d 1789,- died at Dresden July zS^fi 1869. 

Spring Landscape. S>\%nt6.: Carus pt'tix . 18M. 2214 

69a — on canvas/ 0,34 h. by 0,435 w. — bequeathed in 1869 by the artist. 

Landscape by moonlight. 2215 

69 a — on milUboard / 0,30 h. by 0,41 w. — bequeathed in 1869 by the artist. 

View of Florence. 2215 A 

52 — on paper attadied to canvas/ 0,135 h- ^y 0,195 '^- " purdiased in 1908 privately 
in Dresden. 

View from Hosterwitz. 2215B 

52 — on paper/ 0,125 b- by 0,12 w. — • purdiased in 1908 privately in Dresden. 

STEINLA. MORITZ MQLLER, called STEINLA. Born at 

Steinla near Hildesheim Aug. 21st 1791,- died at Dresden Sept. 215^1858, 

Celebrated engraver. Professor of the Dresden Academy. 

The artist's own portrait. Half-length. Signed: Stein fa se ips . Tl\^ 

pinxit 1826. 

40c — on canvas/ 0,83 h. by offj w. •— presented in 1857 l>y the artist. 

SCHNORR VON CAROLSFELD, JULIUS. Born at Leip- 
sic March 26th 1794,- died at Dresden May 2411^ 1872. Pupil of his 
father Hans Veit Sdinorr, developed his style in Vienna and Rome. 
Was Professor of the Academy at Munidi from 1827 until 1846. 
Professor of the Academy and Director of the Gallery in Dresden 
from 1846. 

The Family of S. John the Baptist with the Holy Family. Mono- 2217 
gram: J^Jand/<Sy7. 

23 b -- on canvas/ round at the top/ 1,23 h. by \fniyi. — acquired in 1868 out of the 
von Qiiandt Collection. 

View of Salzburg from the Gaisberg. Monogram : JS and i817- 2217 A 

24a — on canvas/ 0475 h. by oA> w. — acquired in 1907 from the artist E. Sdiulz, 
Wiesbaden/ formerly in the possession of the "Rittergutsbesitrcr" H3nel«Clauss at 
Seuslitz near MeiDen. 

The Visit of Ananias to Paul. On the side pictures are the donor 2218 

<Thomas Brown) with his wife, son and daughter. Design for the 

lower portion of a window in S. Paul's in London. Monogram r^/J^ 

and 1865. 

41 b — on paper attadied to canvas / 3,29 h. by 3,73 w. — acquired in 1867. 



236 



GERMAN PAINTERS 



OEHME, ERNST FERDINAND. Born at Dresden April zr<^ 
1797/ <lied there Sept. lo^h 1855. Pupil of the Dresden Academy. 

2219 Autumn evening in the "Grosse Gehege" near Dresden. Monogram: 
E O and 183o. 
68 a — on canvas/ 0^1 h. by 0,71 w. — acquired in 1843 from the artist Schwemmer. 

2220 Hennig, see Appendix. 

PESCHEL, CARL GOTTLIEB. Born at Dresden Mardi3ist 
1798/ died there July 3«'d 1879. Pupil and Professor of the Dresden 
Academy. 

2221 Jacob's Return from Padan-aram. Monogram: CPaxApinx. 
1845. 

23 c — on canvas/ round at the top/ 1,32 h. by 1,76 w. — acquired in 1845 out of the 
Lindenau bequest. 

2222 The Last Supper. Monogram C/*and pinx.lSSi' 

23a — on canvas/ round at the top/ 0,32 h. by 0,54 w. — acquired in 1851. 

2223 Richter, see Appendix, 

BAHR, CARL JOHANN. Bom at Riga Aug. 18th 1801/ died at 
Dresden Sept, z^^^ 1869, Academy •^Professor at Dresden from 1840. 

2224 Finish magicians foretelling his death to Ivan the Terrible. Signed : 
185o CBdBr. 

Store=rooms — on canvas / 1,93 h. by 2,58 w. — acquired in 1852 oat of the Lindenau 
bequest, 

2225 Portrait of the Artist Kaspar David Friedridi. Bust=length, 
68b — on canvas/ 0,555 h, by 0^75 w. — bequeathed in 1894 by Justizrat Dr. Carl 
Bahr, son of the artist. 

RICHTER, ADRIAN LUDWIG. Born at Dresden Sept. 28* 1803,- 
died there June 18* 1884. Pupil of his father, the Engraver Carl Aug. 
Riditer Professor at the Dresden Academy. Formed his style in Rome, 
Academy ^Professor in Dresden from 1836, 

2226 Harpist returning home. Painted in Civitella in 1825, 
23 a — on canvas/ 0,385 h. by 0,47 v. — purdiased in 1902 in Dresden, 

2227 Civitella, Painted in 1827 for Herr von Quandt, Companion picture 
to No, 2228, 

23 d — on canvas/ 0,595 h. by 0,775 w. — purdiased from the Ludwig Riditer Exhibl« 
tion in Dresden and presented to the Gallery in 1903 by Herr Ed. Cidiorius. 

2228 Ariccia. Signed : L. RiSter pinxit . Meissen 1828. Painted for 
Herr von Quandt, 
23 d — on canvas/ 0,595 h. by 0,775 "^^ " presented in 1903 by Herr Ed. Cidiorius. 



OF THE XIX. CENTURY 



237 



Landscape at Salzburg. Signed: L. RiSter 183o. 2228 A 

24a — on canvas/ o,jo5 h. by 0,585 w. — presented in 1906 by Herr Ed. CiAorius. 

Rocca di Mezzo in the Sabine hills. Signed: A. L. RiSter 1832. 2228B 

23 a — • on canvas / 0,585 h. by 0,505 w. — presented in 1906 by Herr Ed. Cidtorius. 

View of Capri from Baiae. Signed : L. RiSter 1834. 2228 C 

24 c — on canvas / 0,33 h. by 0,41 w. — presented in 1906 by Herr Ed. Cichorius. 

Ferry across the Elbe at the Sdiredcenstein near Aussig. Signed:/.. 21229 
RiSter 1837. Painted for Herr von Quandt, 

23 c — on canvas/ 1,16 h. by ijj6 w. — N. G-»W, II, 4 — purdiased at Dresden in 1875 
<fonnerly in the possession of Herr F. Krohn>. 

Bohemian pastoral landscape. Signed : L. RiSter . 1841. 2729 K 

23 d — on canvas / 0,70 h. by 1,045 '^- — bequeathed in 1908 by the Gr§fin Ernestine 
von HoItzendorfF, 

Bridal Procession in spring. Signed: L . RiSter 1847- 2230 

23 a — on canvas/ 0,93 h. by 1,49 w. — acquired in 1847 out of the Lindenau Bequest 

June landscape with rainbow. SxgnzA'. L. RiSter 1859- Painted for 2230 A 

Herr Ed. Cidiorius. 

23 a — on canvas/ 0,96 h, by 1,515 w. — presented in 1905 by Herr Ed. Cidiorius. 

Tormer, sec Appendix. 2231 

PROLL-HEUER, MAX HEINRICH EDUARD. Born at 
Dresden Sept. 20th 1804,- died there Jan. lotl* 1879. Founder of the 
Proll-Heuer bequest, from the interest of whidi pictures of living 
German artists are acquired for the Gallery. 
Portrait of the artist's colourman, Anton Heuer. Half=Iength. 2232 

22 d — on canvas/ 0,94 h. by 0,77 w. — bequeathed in 1879 of the artist. 

GILLE, CHRISTIAN FRIEDRICH. Born at Ballcnstedt Mardi 
2otl^ 1805/ died at Dresden June g^^ 1899. Pupil of the Dresden Aca- 
demy, 

Herd of Cattle returning home. Signed: C Ct/VT? . 7^- 2233 

40 b — on canvas / 0,75 h. by 1,02 w. — acquired in 1874. 

HQBNER, RUDOLF JULIUS B. Bom at Oels Jan. 27th 1806, 

died at Losdjwitz near Dresden Nov. 7^^ 1882. Pupil of W. von 

Sdiadow at the Berlin and Dusseldorf Academies. Professor of the 

Dresden Academy. Director of the Gallery in Dresden from 1871. 

See Appendix. 2234 

The artist Guido Hammer in the costume of a lansquenet. A Study. 2235 

Half-length. Monogram : JH and 1848. 

41c — on oak/ 0,60 h. by 0,42 w. — presented in 1872 by the artist. 



23S 



GERMAN PAINTERS 



2236 The Golden Age. Monogram : ^H and /S4S. 

23 a — on canvas; 1,17 h. by 1,98 w. — acquired in 1849 out of the interest of the 
Lindenau Bequest. 

2237-2238 See Appendix, 

LEyPOLD, CARL JULIUS VON. Born at Dresden July 24th 
1806/ died at Niederlossnitz near Dresden Dec. 31511874. Pupil and 
afterwards Honorary Member of the Dresden Academy, 

2239 A town by the river^side. Signed : 5/, f. Leypofd 1850. 
Store-rooms — on canvas / 0,87 h. by 1,34 w. — acquired in 1856. 

2240 View of the old Mercury Bastion in Dresden from the Marien Strasse, 
Signed -.J.v. Leypofk. 

24 c — on canvas ; 0,39 h. by 0,55 w. — presented in 1872 by the attorncy»at=Iaw Hunig. 

2241 View of the old Mercury Bastion in Dresden from the Seethor bridge. 
Signed: J .v . Leypofd 1873. 
24 c •— on canvas/ 0^2 h. by 0,645 w- '"' presented in 1875 by the widow of the artist. 

2242 See Appendix, 

RAySKI, FERDINAND VON. Born at Pegau in Saxony Oct. 
23'"d 1806/ died at Dresden Oct. 23rd 1890. Pupil of the Dresden 
Academy. Was in Paris from 1834 to 1835. 
2242 A Portrait of the Artist's Sister Minna Pompilia von Rayski. Three* 
quarter length. Signed under the frame with the Monogram: T v R. 
Painted about 1840, 

24 d — on canvas/ oval/ 1,235 h. by 0,91 w, — acquired in 1908 from Frl. Esther von 
Boxberg. 

2242 B Portrait of a gentleman wearing the Order of the Knights of S. John 
of Jerusalem <Graf Zedi). Three = quarter length. Painted between 
1840 and 1850. 

24c — on canvas; 1,43 h. by 1,125 w. — aquired in 1908 from the effects of the artist 
E. von Hartitzsch. 

OER, THEOBALD VON. Bom at Nottbeck in Westphalia Oct. 
gtli 1807/ died at the Lindenhof near Coswig Jan. 30th 1885. Pupil of 
the Diisseldorf and Dresden Academies. 

2243 Giovanni Bellini's visit to Albredit Diirer's studio in Venice. Signed : 
7B .V . Oer . Dresden 1833. 

Store-rooms — on canvas / 0,96 h. by 1,34 w. — acquired in 1853 out of the interest 
of the Lindenau Bequest. 

JAGER, GUSTAV. Bom at Leipsic July t2th ,808/ died there 
April 19th 1871. Pupil of the Academy of Dresden and after 1847 
Director of that of Leipsic. 

2244 The Mystic Marriage of S. Catherine, Monogram : J G and 1855. 
Store»rooms — on canvas/ circular; 0,41 in diameter — acquired in 1855, 



OF THE XIX. CENTURY 



239 



HAUSCHILD, MAX. Bom at Dresden Aug. 23«-<l iSio,- died at 
Rome Oct. i6th 1895. An Ardiitect by Profession he was a pupil of 
the Dresden Academy, 

In the Monastery, Signed: Max HausSifd 1848. Scene from S. 
Sdiolastica at Subiaco, 

by Professor 



Store-rooms — on canvas/ 1,15 h. by 0,92 w, — presented in t 
Ed. Bendemann. 

KUMMER, C. ROBERT, Born at Dresden May 30* 1810,- died 

there Dec. 29»'» 1889, 

Sunset on the coast of Scotland, Signed : R. Kummer. 

23 a — on canvas / 0,98 h. by 1,64 w. — acquired in 1852, 

Wegener, see Appendix, 

Papperitz, see Appendix. 

GONNE, CHRISTIAN FRIEDRICH, Bom at Dresden May3oA 
1813/ died there Mardi 30^11 1906, Pupil of the Art Academies in 
Dresden and Antwerp. Professor of the Dresden Academy from 1857, 
Portraitof the Artist's mother. Three=quarter length. Signed: Tried" 
ri'S Gonne pinx. 
24b — on canvas/ 1,01 h, by 0,84 ■w. — bequeathed in 1906 by the artist. 

FIEBIGER, JULIUS. Bom at Bautzen Sept. 5tf» 1813,- died at Dres- 
den Jan. 29tt» 1883, Honorary Member of the Dresden Academy. 
Landscape in Bohemia. Signed : J . TieBiger 1861. 
40 b — on canvas/ o^ h. by 1,40 w. — acquired in 1861. 

Wendler, see Appendix. 

Sdiurig, see Appendix, 

Georgi, sec Appendix, 

HAHN, GUSTAV ADOLF, Born at Altenburg July u* 1819,- 

died at Dresden Nov. i** 1872. 

The Courtyard of Kriebstein Castle in Saxony. Signed : GHaBn. 

Store-rooms — on canvas/ 1^ h, by 0,81 w, — acquired in 1871 from the artist's 
widow, 

Widimann, see Appendix. 

HAMMER, EDMUND GUIDO, Born at Dresden Feb, 4* 1821/ 
died there Jan 27th 1898, Pupil of the Dresden Academy. 
See Appendix. 

A female wild boar with young ones. Signed : Guido Hammer I860. 
22 d — on canvas/ 1,31 h. by 1,87 w. — acquired in i860. 



2245 



2246 



2247-2248 
2249 



2249A 



2250 

2251 
2252 
2253 

2254 
2255 

2256 
2257 



24o 



GERMAN PAINTERS 



DREBER, K. HEINRICH, commonly called HEINRICH 
FRANZ=DREBER. Born at Dresden Jan. 9th 1822/ died at Antt- 
coli near Rome Aug. 3''d 1875. Pupil of the Dresden Academy, more 
especially of L. Riditer, Developed his style in Munidi and Italy. 

2258 Landscape with the Good Samaritan. Signed : H . 7ranz'DreBer . 
Rom . 1848. 
29 d — on canvas; 1,23 h. by 1,76 w. — acquired in 1849. 

2259 Landscape with an aged minstrel. Signed : T . DreBer . 1858 Roma. 

22 b — on canvas/ 1,64 h. by 2,49 w. — bequeathed in 1889 by Frau Dr. Seeburg in 
Leipsic. 

2260 Diana bathing. Signed: DreBer f. 
40b — on canvas/ 0,955 h, by 1,245 w. — presented in 1897 by Herr Hofrat Lesky. 

GLIEMANN, PHILIPP ALBERT. Born at Wolfenbuttel Dec. 
26th 1822/ died at Dresden April 251'* 1871. Pupil of the Dresden 
Academy, more especially of Julius Hubner, 

2261 An aged Jew. Signed: Gfiemann fe . I'm Atefier JHQAnhntt). Bust- 
length. 

Store » rooms — on canvas/ 0,495 h. by 0,37 w. — presented by Professor HObner 

in 1872. 

2261 A Portrait of the artist in early manhood. Half=length. 

Store-rooms — on canvas / 0,63 h. by 0,515 w. — acquired in 1911 from the artist's 
daughter. 

2262 Muhlig, see Appendix. 

MQLLER, HEINRICH EDUARD. Bom at Pultowa Sept. 6 A 
1823/ died at Dresden Oct. i6tf» 1853. 

2263 On Lake Midiigan in North America. Signed : H. MuiTer 53. 
Store«rooms — on canvas / 0,77 h. by 1,05 w. — acquired in 1854. 

2264 See Appendix. 

HOFMANN, JOHANN MICH. HEINRICH. Bom at Darm- 
stadt March igtl* 1824,- died at Dresden June zy^ 1911. Pupil of the 
Dusseldorf Academy. Professor of the Dresden Academy from 1870. 

2264 A Portrait of the Dresden sculptor. Professor Ernst Hahnel (1811 — 1891). 
Signed: H.Hofmann 1852. Three=quarter length. 
24 c — on canvas/ 1,30 h. by 0,875 w. — acquired in 1906 from the artist's daughter. 

2265 The Woman taken in Adultery, before Christ. Signed : H . Hof" 
mann. 
29b — on canvas/ 1,75 h. by 2,15 ■w. — N. G.»W. IV, II — acquired in 1869. 




19o6H 



Lucas Cranac6 d.A. 




2180 



Anton Graff 



OF THE XIX. CENTURY 



241 



Christ questioning in the temple with the doctors. Signed: HHof' 2266 

mann. Three-quarter length. 

29b — on canvas/ 1,52 h. by 2,04 w. — G.«W. N. F. 17 — acquired in 1882 from the 

artist 

Reinhold, see Appendix, 2267 

SCHUSTER, LUDWIG ALBRECHT. Born at Berthelsdorf near 
Stolpen Mav pt** 1824/ died at Dresden May \i^ 1905. Pupil of 
Hubner at tne Dresden Academy. 

The battle of Borodino (Sept. ^^ 1812). 2268 

Store-rooms — on canvas/ 1,88 h. by 2,85 w. — acquired in 1858. 

The Saxon grenadier battalion "aus dem Winkell" after the battle of 2269 
Jena (October 14* i8o6>. Signed : SSuster 1862. 
39a — on canvas/ 1,17 h. by 2,27 w. — acquired in 1862. 

SCHONHERR, CARL GOTTL. Born at Lengefeld Aug. 15 th 
1824/ died at Dresden July cf^ 1906. Pupil and Professor of the Dres- 
den Academy. 

S. Peter raising Tabitha to life. Signed : C . SSonBerr . 1853. 2270 

41c — on canvas/ 0,96 h. by. 1,50 w. — acquired in 1854 out of the Lindenau 
Bequest. 

Petrus Forsdiegrund. From a "Legcnde" hy Sdiubert. Signed : C . 2271 
ScBonBerr. 

41 a — in tempera on canvas / 0,965 h. by 0,5; w. — purdiased in 1889 out of the interest 
of the ProIl^Heuer Bequest from the academy exhibition. 

FRIEDRICH, GUSTAV ADOLF. Born at Dresden Dec. zy^ 
1824/ died there Jan. 4th 1889. Pupil of the Dresden Academy. 
Farm horses at the plough. Signed : A . TriecfricB. 2272 

40b — on canvas/ 0,61 h. by 0^3 w. — acquired in 1877. 

SCHOLTZ, JULIUS. Born at Breslau Febr. 12* 1825/ died at 
Dresden June z^^ 1893. Pupil of Julius Hubner. Professor of the 
Dresden Academy. 

Shepherd^boy asleep. SxgnzA: ^uf. Sc£oftz 1874. 2273 

32a — on canvas/ 0,255 h- by o»3» ^- " acquired in 1893 from the artist's effects. 

Peasants returning home through a cornfield. Signed : ^u/l SSoftz. 2274 
24 b — on canvas/ 0,53 h. by 0,755 ^' —' acquired in 1893 from the artist's effects. 

MQLLER, C. H. MORITZ. Bom at Diethenburg near WediseU 
burg June 12<1» 1825/ died at Blasewitz near Dresden Sept. 30th 1894/ 
Pupil of the Dresden Academy. 

A Child reading. Half-length. SignzA: H M MuOer. 1175 

24a — on canvas/ 0,44 h. by 0,38 w. — acquired in 1857. 



242 



GERMAN PAINTERS 



LEONHARDI, AUGUST EDUARD. Born at Freiberg in 
Saxony Jan. 19th 1828/ died July i5tf> 1905 at Losdiwitz near Dresden. 
Pupil and Honorary Member of the Dresden Academy. 

German wooded landscape. Signed : E LeonBardi 1863. 
260 — 011 canvas/ 2,13 h. by 1,70 w. — acquired in 1864. 



2276 



2277 



2278 



2279 



2280 
2281 

2282 
2283 



ROTERMUND, JULIUS W. L. Bom at Hanover Mardi nth 
1826/ died at Sal2brunn June 14th 1859. Pupil of Professor Bende- 
mann at the Dresden Academy. 

Lamentation over Christ. Finished by Ed. Bendemann <born in Berlin 
1811/ died at Dusseldorf, where he was Director of the Academy, in 
1889) after Rotermund's premature death. Signed : Jufius Rotermuna 
inv. et pt'nx. K. Bendemann dir. et fin. Dresaen 1859- 

29c — on paper attadied to canvas/ 2,58 h. by 2,83 w. — acquired from Ed. Bende» 
mann and presented to the Gallery in i86t by the Saxon "Kunstverein". 

GOTZ, THEODOR VON. Born at Liesdien near Hoyerswerda 
Dec. 14th 1826/ died at Dresden July 21st 1892. Lieutenant^^colonel 
in the Saxon army. Developed his style under the influence of 
Sdhuster. 

The Crown Prince Albert receiving the congratulations of Prince 
George after the victory of Beaumont (August 30* 1870)- Signed: 
V . Gotz 1887- 

zgd — on canvas/ 1^9 h, by 3,01 w. — purAascd in 1887 from the interest of the 
ProII-Heuer Bequest. 

CHOULANT, LUDWIG THEODOR. Born at Dresden July 
18th 1827/ at his death in Dresden July 12th 1900 was Painter to the 
Court. Pupil of the Dresden Academy. 

View of the Ponte Sant' Angelo in Rome. Signed : CBoufant. 
22 d — on canvas/ 1,32 h. by 1,93 w. — acquired in 1870. 

DAHL, JOHANN SIEGWALD. Born at Dresden Aug. 16th ,827, 
died there June 15th 1902. Pupil of his father Joh. Chr, Claussen Dahl. 
Honorary Member of the Dresden Academy. 

A wounded doe and her fawn. Signed : S . DaBf 1861. 
69a — on canvas/ 0,76 h. by 0,98 w. — acquired in I861. 

Ferry at Telemarken in Norway. Signed : Siegwafa DaBf 1863. 

41 c — on canvas / 0,875 h. by 1,15 w. — acquired in 1863. 
Ritsdier, see Appendix, 
Hahn, see Appendix. 



OF THE XIX. CENTURY 



243 



GROSSE, FR. THEODOR. Born at Dresden April i-)^^ 1829, 

died there Oct. 12* 1891. Pupil and Professor of the Dresden Aca-» 

demy. 

Leda and the Swan. Signed ; IB . Grosse 1852. 

40b — on canvas/ 1,50 h. by 1,08 w. — acquired in 1852. 



See Appendix, 

The Landing of Souls in Purgatory. Subject taken from Dante's 
Divine Comedy. Signed: IB . Grosse 1879- 

20 a — on'canvas ; 241 h. by 3,75 w. — acquired in iSSo, In part out of the interest of 
the ProU-Heuer Bequest. 

PAUWELS, W. FERDINAND. Bom at Edceren near Antwerp 
April 13th 1830/ died at Dresden Mardi 25* 1904. Pupil of the Ant^ 
werp Academy. Professor of the Academy at Dresden from 1876. 
Count Philipp of Alsace visiting the hospital of S. Maria at Ypres. 
Signed : Terdinancf PauweCs. A smaller and slightly altered replica 
of one of the twelve pictures in the Clothworkers' Hall at Vpres. 

27a — on mahogany/ 1,17 h. by 1,40 w. — N. G.-W. I, 2 — purdiased in 1877 from the 
Dresden Art Exhibition. 

SIMONSON, DAVID. Bom at Dresden MarA 15* 1831 / died 
there Feb. 8th 1896, Pupil of the Dresden Academy. 
Portrait of the artist's wife. Bust^'length. Signed : D . Simonson 1867- 
4t a — on canvas/ 0,55 h. by 0475 w. — acquired in 1867. 

TOM DIECK, AUGUST CHR. HERMANN. Born at Olden- 
burg Mardi 23'"<* 1831/ died at Dresden Aug. 2otf> 1893. Pupil of the 
Dresden Academy. 

S. Cecilia. Three-quarter length. Signed : A. Tom Die<£. 
Store«rooms — on canvas / 1,20 h. by 0^3 w. — acquired in 1878 from the artist. 

OEHME, ERNST ERWIN. Born at Dresden Sept. 18th ,831, 
died at Blasewitz near Dresden Oct. \o^^ 1907. Pupil of his father E. 
F. Oehme, of L. Riditer and of^the Dresden Academy. Professor at 
the Tedinical Hodisdiule. 

A Quarry in Saxon Switzerland. Signed : Erwin OeBme / I860 . 

Dresaeti. 

24 a — oncanvas/ 1^2 h. by 1^ w. — acquired in 1864. 

Weber, see Appendix. 

OURy, JEAN LIBERT. Bom at Liege Oct. 6th iSp, died at 

Dresden Sept. 6th 1908. Pupil of the Liege and Dresden Academies. 

A Nun. Half-length. Monogram :^Z,0 and /(JiJo. 

34 c — on canvas/ 0,81 h. by 0,59 w. — acquired in i88i out of the interest of thePrSll- 
Heuer Bequest. 



2284 

2285 
2286 



2287 



2288 



2289 



2290 
2291 

2292 



244 



GERMAN PAINTERS 



2293 



2294 

2295 
2296 

2297 



2298 



2299 



2300 



2301 



2302 



Thomas, see Appendix. 

KIESSLING, JOH. PAUL AD. Bom at Breslau Jan. 8th 1836/ 

now living in Dresden. Honorary Member of the Academy, where 

he was a pupil. 

Three Sisters. Three-quarter length. 

24a — on canvas/ 1,55 h. by 1,90 w. — presented in 1875 by Baroness Udiermann. 

See Appendix. 

Mignon. Study. Bust-Iength. Signed: PauCKiessfing. 
ya — on mahogany/ 0,475 ' 
le Dresden Art Exhibition. 



2^a^ on mahogany/ 0,475 h. by 0,385 w. — N.G.-W. 11,5 — acquired in 1880 from 
the ' ' 



Portrait of the Artist O. A. Stidiert (1838 — 1896). Three-quarter 
length. Signed : Pauf Kiessfing 9o. 

36 c — on canvas/ 1,15 h. by 0,77 w. — acquired in 1894 out of the interest of the 
Proll-Hcuer Bequest. 

DIETHE, ALFRED. Born at Dresden Febr. 13th 1836/ is now 

living there. Professor of the Tedinical Art Sdiool. Pupil of the 

Academy. 

Christ at Emmaus, Signed: Aff.DietBe Dresden I860. Painted for 

Bishop Forwerk. 

41 a — on canvas / 1/585 h. by 1,27 w. — acquired in 1875 from the firm of booksellers 
Warnatz and Lehmann. 

GEy, CHR. L. LEONHARD. Born at Hanover June 27th 1838/ 

died at Dresden Sept, 20*^ 1894. Pupil of Julius Sdinorr von Carols^ 

feld. Professor of the Dresden Academy. 

Portrait of the artist Julius Schnorr von Carolsfeld, Bust»length, 

Signed : L . Gey. 

41 c — on oak/ 0,545 h- t>y M^J "^^ -' acquired in 1894 from the artist's widow, 

PRELLER THE yOUNGER, FRIEDRICH. Bom at Weimar 

Sept. 15^1838/ died at Blasewitz near Dresden Oct. 21th 1901. In 

Weimar pupil of his father, who bore the same name. Professor of 

the Dresden Academy, 

The Monastery of Santa Sdiolasttca near Subiaco, Signed : Preffer 

f'un, Dresden. 

30 a — on canvas/ 1,26 h. by 1,85 w, — acquired in 1875 from the artist. 

Moses'. grave. Signed; Preffer . IQol. 

22 b — on canvas / 1,70 h. by 2,71 w. — acquired in 1901 from the artist's widow. 

MULLER, CARL WILH. Born at Dresden Nov. 28* 1839/ died 
at Dresden April 24th 1904. Pupil of the Dresden Academy. 
Night Scene in the Roman Campagna. Signed: CWM 1868. 
28 c — on canvas / 1,17 h. by 1,64 w. — acquired in 1868. 



OF THE XIX. CENTURY 



245 



German Landscape. Signed ; Ce. We. M. 1882, 

28 c — on canvas/ 0,78 h. by 1,25 w. — bequeathed in 1902 by the artist Hugo TSrmcr. 

THIELE, JUL. ARTHUR. Born at Dresden June ii* 1841,- living 
in Munidi. Pupil of the Dresden Academy. 
See Appendix. 

"Winter landscape with sportsmen. Signed : A . TBiefe. 
22 b — on canvas / i,iy h. by 1,83 w. — acquired in 1877 from the artist. 

Stags in an autumnal mountain landscape. Signed : A . TBiefe 81. 
22 b — on canvas / 1,16 h. by i,8i w. — purchased in 1881 out of the interest of the 
PrSll^Heuer Bequest. 

POHLE, FR. LEON. Born at Leipsic Dec. ist 1841/ died atDresden 
Feb. 28^1^ 1908. Pupil of Ferd. Pauwels in Weimar. Professor at the 
Dresden Art Academy (from 1877). 

Portrait of the Artist Carl PesAel in his studio. Signed : Leon PoBCe. 
27 a — on canvas/ 0,535 h. by 0,41 w. — acquired in 1878 from the artist. 

Portrait of Ercole Torniamenti. Half-length. Signed: Leon PoBfe 

1878. 

36a — on canvas/ 0,905 h. by 0,70 w. — property of the Art Academy <deposited in 

the gallery in 1879). 

Portrait of the art patron Herr Eduard Cichorius <i8i9 to 1907). 
Three-quarter length. Signed: Leon PoBfe 1879 Dresden. 
y d — on canvas / 0,62 h. by 047 w. — presented in 1908 by the heirs of Herr 
Ed. Cichorius. 

Portrait of the painter Professor Friedridi Gonne. Half-length. Sig- 
ned : Dresden 1883 Leon PoBfe detn Treunde T. Gonne. 
24b — on canvas/ 0,81 h. by 0,66 w. — bequeathed in 1906 by Professor Gonne. 

Portrait of His Majesty King Albert of Saxony. Three-quarter length. 

Signed: Leon PoBfe 1899. 

30b — on canvas/ 141 h. by 1,07 w. — painted by royal command <i898— 1899). 

Portrait of H. R. H. Prince George, afterwards King of Saxony. Bust- 
length. 
27a — on canvas/ 0,575 h. by 0,44 w. — presented in 1899 by the artist. 

VENUS, AUG. LEOPOLD. Bom at Dresden June 14th 1843, 
died at Sonnenstein near Pirna Dec. zs^d 1886. Pupil of the Dresden 
Academy, more particularly of Hubner. 
Sec Appendix. 

Portrait of an old Man in a red cap. Signed : Leop. Venus I'm Atefier 

J H 1866. 

Store-rooms — on canvas/ 0,58 h. by cvH — presented in 1874 by Prof. Jul. Hflbner. 



246 



GERMAN PAINTERS 



JACOBy, PAUL. Born at Torten near Dessau July ii* 1844, died 
at Dresden July z'^^ 1899. Pupil of Ludwig Riditer at the Dresden 
Academy. Developed his style in DiJsseldorf and Munidi. 
Sdiloss Hohnsteiti in Saxon Switzerland. Signed : P . JacoB^. 
32c — on canvas/ 0,72 h. by 0,58 -w. — presented in 1899 by the widow of the artist. 



2313 
2314 

2315 



Lcineweber, see Appendix, 

KOPS, FRANZ. Born at Berlin July 14th 1846/ died at Blasewitz 
near Dresden Aug. 24th 1896. Pupil of Pauwels in Weimar. 
Portrait of the sculptor Johannes Sdiilling. Half-length. 
37 d — on canvas/ 0,905 h. by 0,71 w. — presented in 1896 by the "Sadisische Kunst* 



GRAF VON REICHENBACH, WOLDEMAR. Bom at 
Walddorf near Neisse Mardi q^^ 1846/ living at Wadiwitz near Dres» 
den. Pupil of Gussow and Brendel in Weimar. 

2316 The artist's house at Wadiwitz. Signed: Wofcfemar Rei<£en6aS . 

1900. 

22 b — on canvas / 1,22 h. by i,8i w. — purdiased in igot from the international art 
exhibition out of the interest of the Proll«Heuer Bequest. 

SCHROTER, BERNHARD. Bom at Meissen Oct. i^t 1848/ living 
in Meissen, Pupil of Hiibner in Dresden and of Verlat in Weimar. 

2317 Winter sun. SAgnzA: BernBard S(£r6ter. 
38c — on canvas/ 1,25 h. by 1,06 w. — purdiased in 1901 from the international art 
exhibition out of the interest of the ProlU-Heuer Bequest. 

2318 Eidiler, see Appendix. 

RITTER, WILHELM G. Bom at Marburg on the Lahn Feb. 18th 
1850/ living in Dresden. Studied in Munidi, Berlin and Weimar. 

2319 Early Spring. Scene from the Geberngrund near Goppeln, Signed: 
WtfB. Ritter 93. 

32 c — on canvas / 1,11 h. by 0,75 w. — purchased in 1894 from the Academy Exhibition 
out of the interest of the Pr6li=^Heuer Bequest, 

2320 A Pond near Grossedlitz. Signed : W . G . Ritter. 

^i c — on canvas / i,yo h. by 1,13 w. — purchased in 1887 from the international exhu 
Dition out of the interest of the ProlUHeuer Bequest. 

2321 Rudow, see Appendix, 

KUEHL, GOTTHARD. Born at Liibeck Nov. 28th 1850/ living 
in Dresden. Pupil of the Dresden and Munidi Academies. Professor 
of the Dresden Academy. 

2322 Sad Tidings. Signed : G. KueBf. 

34a — on maple/ 0,585 h. by 0,47 w. — purdiased in 1894 from the academy exhibition 
out of the interest of the ProIl^Heuer Bequest. 



OF THE XIX. CENTURY 



A Ward of the Lubedc Orphanage. Picture in three divisions. Sig- 
ned : GottBard KueBf . LiiBeck . Wai'senBaus. 

36c — on canvas/ 1,295 h., centre picture 1,005 '^■1 side pictures 0,505 w. — purchased 
in 1897 from the international exhibition out of the interest oftheProIJi^Heuer Bequest. 

The Augustus bridge in Dresden in snow. Signed: GottBard KueBC. 

23b — on canvas/ 0,755 h. by i,to w. — purchased in 1899 from the German Art 
Exhibition out of the interest of the ProlUHeuer Bequest. 

The New Bridge in process of construction to replace the old 
Augustus-Brudte. Signed: GottBardt KueBf Dresden 18.\9- lo. 
Store-rooms — on canvas/ 1,30 h. by 0,78 w. — purchased in 1910 out of the interest 
of the Proll-Heuer Bequest from the 1st Exhibition of the Dresden Society of Artists. 

SCHENKER, JACQUES MATTH. Born at Lucerne Feb. 24th 

1854/ living at Dresden. Pupil of the Dusseldorf Academy and of 

the Weimar Sdiool of Art. 

The Shore near Dieppe at low tide. Signed : SSenker . Dr . 81. 

27 d — on canvas/ o^ts h. by 0,83 w. — purchased in 1882 from the Committee of the 

Albert Verein Lottery. 

Spring Landscape. Signed : Sden^er . Dresaen , 89. 

25b — on canvas/ 0,645 h. by iax> \r. — purchased in 1889 firom the academy exhi;" 
bition out of the interest of the ProlUHeuer Bequest. 

PRELL, HERMANN. Born at Leipsic April 29* 1854/ living in 

Dresden. Pupil of the Dresden and Berlin Academies. Professor of 

the Dresden Academy. 

Judas Iscariot. Signed : H. Preffpinx. 1886. 

37 d — on canvas/ 2,cx3 h. by 2,86 w. — acquired in 1894 from the artist 

MQLLER'BRESLAU, GEORG. Bom at Breslau Sept. 5 th 

1856/ living in Dresden. Pupil of the Berlin Academy. 

Late Autumn in the Riesengebirge. Signed : Georg Muffer-Bresfau 

1896. 

33 d — on mill.rboard/ 0,79 h. by 1,10 w. — acciuired in 1897 from the international art 
exhibition out of the interest of the PrSlUHeuer Bequest. 

BANTZER, CARL L. N. Bom at Ziegenhain in Hesse»Casscl 
Aug. (^^ 1857/ living in Dresden where he is Professor of the Aca- 
demy. Pupil of the Berlin Academy and of Prof. L. Pohle in Dresden. 
Pilgrims at the tomb of S. Elisabeth. Signed: C . N . Bantzer . 
Dresden 1888. 

37 a — on canvas; 1,5^5 h. by 2,30 w. — acquired in 1889 from the academy exhibition 
out of the interest of the Pr6II-Heuer Bequest. 

Landscape "The Geberngrund". Signed: C. Bantzer 1894. 
32 d — on canvas/ 0,97 h. by 1,12 w. — acquired in 1907. 



248 



GERMAN PAINTERS 



2330 Hessian peasant woman. Three-quarter length. Signed: C. Bantzer. 

36a — on canvas; 1,12 h. by 0,82 w. — acquired in 1904 out of the interest of the 
ProlUHeuer Bequest. 

HEySER, FRIEDRICH, Born at Gnoien in MeAIenburg Sept. 
12th 1857/ living in Dresden, Pupil of L. Pohle in Dresden, of Ferdi- 
nand Keller in Karlsruhe and of the Julian Academy in Paris. 

2330 A Portrait of the Painter Professor Hermann Wislicenus. Half-length, 
i>igned : Triedr. Heyser. 

24 d — on canvas/ 1,17 h, by 0,90 w. — presented in 1906 by the trustees of the Her.^ 
mann Bequest. 

BAUM, PAUL, Born at Meissen Sept. zi^^ ^^19'' living in Berlin, 
Pupil of the Dresden Academy and the Weimar School of Art. 

2331 Melandioly, Landscape, early spring. Scene from the Flemish flats. 
Signed: Pauf Baum. 

32 d — on canvas; 0,93 h. by 1,21 \r, — purdiased in 1895 from the international 
exhibition of fine arts out of the interest of the ProII-Heuer Bequest. 

2332 The First Snow-fall. Sign^A: Pauf Baum 1895. 
32c — on canvas/ 0,57 h. by 0,795 '^- " purchased in 1897 from the international 
exhibition of fine arts out of the interest of the ProIWHeuer Bequest. 

STREMEL, MAX ARTHUR FERD, Bom at Zittau Oct. 31st 
1859/ living at Pasing near Munidi, Pupil of the Munidi Academy. 
In Dresden 1896—1899, 

2333 Flemish interior. S'lgnzA: Max Arthur Stremef 1891. 

33 b — on canvas / 0,675 t»- by 0,765 w. — purchased in 1897 from the international 
exhibition of fine arts out of the interest of the ProIUHeuer Bequest, 

FISCHER'GURIG, ADOLF. Bom at Obergurig near Bautzen 
June 2"^ 1860/ living in Dresden, Pupil of the Dresden and Berlin 
Academies (more especially of K. Ludwig). 
2333 A ViewofEmden. Siigne.A: Aa. TisSer^Gurig. 

32b — on canvas; 0,685 h. by 0,955 •" purchased in 1908 out of the interest of the 
ProIUHeuer Bequest. 

PIETSCHMANN, E. MAX. Born at Dresden April 28th ,865,- 
living in Dresden, Pupil of the Dresden Academy. 

2334 Bathers in a woodland lake on a Summer evening. Signed: Max 
PietsSmanti 98. 

Tjc — on canvas; 0,955 h. by 1,24 vr. — purdiased In 1899 from the German Art 
Exhibition out of the interest of the ProIUHeuer Bequest. 

STERL, ROBERT HERM. Born at Grossdobritz July 23rd 1867/ 
now Professor of the Academy in Dresden. Pupil of Ferdinand 
Pauwels at the Dresden Academy. 
2334 A The String-quartette of Concertmeister Petri (Petri, Warwas, Spitz- 
ner, Wille). Signed : RoBert Sterf 19o7. 

33 d — on canvas/ 1,00 h. by 1,11 w. — purchased in 1908 out of the interest of the 
Proll-Heuer Bequest. 



OF THE XIX. CENTURY 



HEGENBARTH, EMMANUEL. Born at B6hmis(t»Kamnitz 
Jan, 14th 1868/ now Professor of the Academy in Dresden, Pupil of 
the Munich Academy, more especially of H. Zugel. 
Two white horses at a river'=side. Signed : E. HegenBartB. 

32b — on canvas/ 0,78 h. by 0,95 w, — purdiased in 1908 out of the interest of the 
ProlIaHeuer Bequest. 

ZWINTSCHER, OSCAR, Bom at Leipsic May z""! 1870/ living 
in Dresden. Professor of the Academy. Pupil of the Leipsic ana 
Dresden Academies. 
Portrait of the Artist's "Wife. Monogram: OZ and 19o2. 

35 c — on canvas / 2,00 h. by 1,00 w. — purchased in 1903 out of the interest of the 
PrSIUHeuer Bequest. 

WILCKENS, AUGUST. Born at Kabdrup in Sdileswig June 2;* 

1870/ living in Dresden. Member of the ''Elbier", Pupil of Ponle 

and of Kuehl at the Dresden Academy. 

Interior of a room in a Jewish peasant's cottage (island of Fan6> and 

company of mourners. The figures are half-length. Signed; A . 

Wifc^ens. 

33 c — on canvas/ 1,05 h. by 1,51 w. — purdiased in 1908 out of the interest of the 
ProlUHeuer Bequest. 

UNGER, C. FR. HANS. Born at Bautzen Aug. 26th 1872/ living 

in Dresden. Pupil of the Dresden Academy. 

The Muse. Three*quarter length. Signed: Hans linger 97- 

38 c — on mahogany/ 1,115 •»• by 0,845 w. — purchased in 1897 from the international 

art exhibition out of the interest of the ProlUHeuer Bequest. 

MQLLER, RICHARD. Born at Tsdiirnitz near Carlsbad July 28th 

1874/ Kving in Dresden. Pupil (particularly of Pohle) and afterwards 

Professor at the Dresden Academy. 

A Sister of Mercy. Three-quarter length. Signed: ^/S. Mu/Ter 

1898-99- 

36c — on mahogany/ 1,28 h. by 0,91 \r. — purchased in 1890 from the German Art 
Exhibition out of the interest of the Pr5lI«rHeuer Bequest. 

SCHINDLER, OSMAR. Born at Burdthardtsdorf near Chemnitz 
Dec. 22n<J 1867,- living in Dresden. Pupil and afterwards Professor at 
the Dresden Academy. 
By Lantern light, 

22b — on canvas/ 1,12? h. by 1,955 w. — purchased from the international exhibition 
out of the interest of the ProlUHeuer Bequest. 

LOHRIG, H. F. GEORG. Bom at Gottingen Jan. 26*1868/ living 
in Dresden. Pupil of the Munich Academy. 
A Pelican. 

35 d — on canvas / 1,195 h. by «/08 w. — purchased in 1901 from the international art 
exhibition out of the interest of the ProlUHeuer Bequest. 



25o 



GERMAN PAINTERS 



2340 Age and youth. Three-quarter length, 

ji a — on canvas/ 1,13 h. by 1,24 w. — purdiased in 1903 out of the interest of the ProlU 
Hcuer Bequest. 

MEDITZ, CARL. Bom in Vienna June 4th 1868/ living in Dresden. 
Pupil of the Vienna Academy, 

2341 Cypresses on the Sea»shore. Subject taken from the Dalmatian coast, 

22c — on canvas/ 1,64 h. by 1,50 w. — purdiased in 1901 from the international art 
exhibition out of the interest of the ProluHeuer Bequest. 



DOSSELDORF SCHOOL 



CORNELIUS, PETER VON. Born at Dusseldorf Sept. 23* 1783/ 
died in Berlin Mardi 6t'» 1867. Pupil of the old Dusseldorf Academy. 
Director of the Academy iii Dusseldorf and in Munidi/ finally took 
up his residence in Berlin. 

2342 Portrait of Gottfried MalB in Frankfort » on -Main. Bust- length. 
Painted there between 1809 and 1811, 
23 d — on canvas / 0,52 h. by 0,41 w, — acquired in 1886 from Dr, Mal6, 

PLQDDEMANN, HERMANN. Born at Kolberg July 17th 
1809/ died in Dresden June 24*11 1868, Pupil of K. Begas in Berlin and 
of w , V, SAadow in Dusseldorf. 

2343 Frederick Barbarossa appeasing the party strife at Besan<;on in 1157. 
Signed: H . Pfuddemann 1859. 
43 Aa — on canvas/ 1,57 h. by 2,43 w. — acquired in i860, 

JORDAN, RUDOLF. Born in Berlin May 4th 1810/ died at 
Dusseldorf Mardi 25* 1887, Pupil of the Berlin and afterwards of 
the Dusseldorf Academy. 

2344 Shipwreck on the coast of Normandy. Monogram: ^^/and 1848. 
40 c — on canvas/ 1,05 h, by 1,36 w, — N, G.-W, III, 7 — purchased in 1879 at 
DQsseldorf. 

ACHENBACH, ANDREAS. Born at Cassel Sept, 29* 1815, 
died at Dusseldorf April ist 1910. Pupil of the Dusseldorf Academy, 

2345 Dutch coast-scene. Signed : A . ASenBaS 1854. 
25 b — on canvas / 0,705 h. by i,oj w. — bequeathed in 1884 by Herr Moritz Winkler, 

2346 Coast near Flushing, Signed ; A . AcBenBaS 64. 
25b — on mahogany/ 0,75 h, by 1,10 w, — purdiased in 1876 in Berlin, 

2347 An Amsterdam Creek in the moonlight. Signed : A . ASetiBaS 1871- 

30b — on canvas/ 1,84 h. by 2,31 \r. — purchased in 1882 in Berlin. 



OF THE XIX. CENTURy 



Fishing Village in the moonlight. Signed : A . AcBetiBacB 72. 
32a — on canvas/ 0,585 h. by 1,10 w. — purdiasedin 1876 in Berlin. 

Watermill on a forest stream. Signed: A . ASenBacf) 72. 
30b — on canvas/ 1,57 h. by 2,36 w. — purchased in 1883 in Berlin. 

RiAtcr, sec Appendix. 2350 

De Leeuw, see Appendix. 2351 -2352 

ROTING, JULIUS. Born in Dresden Sept. 7th 1821. Academy- 
Professor in Dusseldorf where he died May zz^^ 1896. Pupil of 
Ed. Bendemann in Dresden. 

Columbus before the Ecclesiastical Council at Salamanca. Signed: 
J. Roeting 1851. 

43 A b — on canvas/ 1,73 h. by 2,39 w. — acquired in 1851 through the Lindenau 
Bequest 

SEyDEL, GUSTAV EDUARD. Bom at Luxemburg Mardi 18th 
1822/ died in Dresden Sept, 30th 1881. Pupil of the Dusseldorf and 
Antwerp Academies. Afterwards painted in Dresden. 
See Appendix. 

The Artist's own portrait. Bust^length. 

Stor&rrooms — on canvas/ 0,52 h. by 0425 w. — bequeathed in 1908 by the artist 
J. L. Oury. 

LASCH, JOHANN CARL. Born at Leipsic July ist ,822,- died 
(while travelling) in Moscow Aug. zV^^ t888. Pupil of Ed. Bende- 
mann in Dresden. 

Children at play. Signed : C . LasS . 1861 . Dsefdorf. 
Store-rooms — on canvas/ 1,06 h. by 0,86 w. — purchased in 1862. 

WISLICENUS, HERMANN. Born at Eisenadi Sept. 20* 1825, 
died at Goslar April 25'^^ 1899. Pupil of the Dresden Academy under 
Sdinorr von Carolsfeld. Professor of the Academy of Arts in Dussel- 
dorf. 
Abundantia and Miseria (Abundance and Want). Signed : H^/i//c^««.y. 

23 c — on canvas/ 1,76 h. by 1,93 w. — purchased in 1852. 

See Appendix. 

ACHENBACH, OSWALD. Born at Dusseldorf Feb. 2nd ,827/ 

died there Feb. ist 1905. Pupil of the Dusseldorf Academy and of his 

brother Andreas. 

Rocca di Papa in the Alban Hills. Signed: Osw.AcAenBacB. 

27 c — on canvas/ 1,28 h. by 1,80 w. — acquired in 1876 from the artist. 



252 



GERMAN PAINTERS 



2359 The procession of S. Anna at Casamicciola in Isdiia. Signed : Osw. 
ASenBacf) 1876. 
z8d — on canvas/ 1,25 h. by 1,08 w. — purdiascd in 1878 in Beriln. 

2360 The Bay of Naples. Signed : Oswafd AcBenBaS I880. 
25 c — on canvas/ 1,415 h. by 1,975 w. — bequeathed in 1884 by HerrMoritz Winckler. 

NORDGREN, AXEL. Born at Stockholm Dec. 5*^ 1828/ died 
at Diisseldorf Feb. 12* 1888. Pupil of H, Gude in Diisseldorf. 

2361 Swedish fishing village in winter. Signed : A . Nordgren 1884. 

25 c — on canvas/ 0,715 li. by 1,285 '^- "" acquired in 1884 out of the interest of the 
Proll-Heuer Bequest. 

VAUTIER, BENJAMIN. Born at Morges on the Lake of Geneva 
April z^^ 1829/ died at Dusseldorf April 25* 1898. Pupil of R. Jordan 
in Diisseldorf, 

2362 Pause during a dance at an Alsatian peasant's wedding. Signed : B . 
Vautier . Daf . 1878. 

25 c — on canvas/ 0,905 h. by 1,34 w. — G.=^W. N. F. 13 — purchased in 1878 at 
Diisseldorf. 

SOHN, WILHELM. Bom in Berlin 1830 ,• died at Bonn on the Rhine 
Mardi 16* 1899. Pupil of his uncle Carl Sohn in Diisseldorf. Pro* 
fessor of the Academy of the Fine Arts in Diisseldorf. 

2363 A Warrior of the XVII, Century, Bust -length. Signed : PP//5? . 
SoBn . 1869. 
34 c — on canvas/ 0,70 h. by 0,545 w. — purdiased in Diisseldorf in 1887. 

KRONER, JOH. CHRISTIAN. Bom at Rinteln Feb. yi 1838, 
living in Diisseldorf. Formed his style in Diisseldorf and Munidi. 

2364 Autumn landscape with deer. Signed ; CB . Kroner . Diijf . 87- 

26 c — on canvas/ 0,80 h. by 1,05 w. — purdiased in 1888 from the academy exhibition 
out of the interest of the ProlUHeuer Bequest. 

GEBHARDT, EDUARD VON. Born at S. Johannis inEsthonia 
June ist 1838/ is now Professor at the Academy in Diisseldorf. Pupil 
of the Petersburg Academy, the Carlsruhe Sdbool of Art and of W , 
Sohn in Diisseldorf. 

2365 The Holy Women washing and anointing the Body of Christ. Signed : 
E. GeBBardt 1883. 

26b — on oak/ 0,705 h. by 1,00 w. — purdiased in 1884 in Berlin. 

2366 Jacob wrestling with the Angel. Signed: E . v . GeBBardt 1894. 

■}^A — on mahogany/ 0,705 h. by 0475 w. — purdiased in 1894 from the academy 
exhibition out of the interest of the Proll-Heuer Bequest. 



OF THE XIX. CENTURY 



DEITERS, HEINRICH. Born at Munstcr in Westphalia Sept. 5th 
1840/ living at Dusseldorf. Pupil of the Dusseldorf Academy. 

By the brook in a wood. Signed: HDeiters . 84. 

Store-rooms — on canvas / 0,63 h. by 0,94 w. — purdiased in 1894 out of the interest 
of the ProUaHeucr Bequest. 

DOCKER, EUGEN G. Born at Arcnsberg near Riga Febr. loth 
1841/ Professor at the Academy in Dusseldorf, where he has lived 
since 1864. Pupil of the Academy at S. Petersburg. 

On the Baltic coast. Signed : E . Dueler. 

Store-rooms — on canvas/ 0,81 h. by 1,46 w. — purdiased in 1883 at Dusseldorf. 

Sunrise on the coast of Rugen. Signed : E . Ditcher 1887' 

33 a — on canvas; 0,84 h. by 1,33 w. — purchased in 1888 from the academy exhibition 
out of the interest of tlie ProIUHeuer Bequest. 

RASMUSSEN, G. ANTON. Bom at Stavanger in Norway 
Aug. 7th 1842/ living at Dusseldorf. Pupil of the Dusseldorf Aca- 
demy under H. Gude, 

Gudvangen in Norway, Signed: A . Rasmussen . Dcff . 1883. 

26a — on canvas/ 1,86 h. by. 1,36 w. — purdiased in 1884 out of the interest of the 
PrSIUHeuer Bequest. 

OEHMICHEN, HUGO. Born at Borsdorf near Leipsic Mardi 10* 
1843/ living in Dusseldorf. Pupil of the Dresden Academy, afterwards 
in Dusseldorf where he came under Vautier's influence. 

Paying taxes. Signed: H. OeBmiSen 1877- 

25 c — on canvas / 0,87 h. by 1,26 w. — N. G.»W. Ill, 8 — purdiased in 1879 in Munidi. 

Waiting room of the Court of Justice. Signed : Hugo OeBmicBen 82. 
26b — on canvas/ 0,55 h. by 0,88 w. — presented in 1888 by Hofrat W. Lesky. 

BOKELMANN, CHR. LUDWIG. Bom at S. jQrgen near 
Bremen Feb. 4th 1844/ died in Berlin April 15th 1894, Pupil of the 
Dusseldorf Academy and Professor at the Carlsrune Sdiool of Art 
and afterwards at the Berlin Academy, 

Emigrants taking leave of their home. Signed : C . L . Bohfmann . 

Ddf. 1882. 

26b — on canvas/ 0,89 h. by 1,23 w. — acquired in 1882 from the artist 

NORMANN, ADELSTEEN. Born at Bodo in Norway May ist 
1848/ living in Berlin. Pupil of the Dusseldorf Academy. 

Raftsund on the Narofjord in Norway. Signed : A . Normann. 

Store-rooms — on canvas / 2,145 h. by j,2o xt- . — purdiased in 1888 from the academy 
exhibition out of the interest of the Prdll-Heuer Bequest. 



254 



GERMAN PAINTERS 



BOCHMANN, GREGOR VON. Born at Nehat in Esthonia 
June ist 1850,- living in Diisseldorf. Pupil of the Dusseldorf Academy. 

Rest at an ale=house on an Esthonian high road. Signed : G . v . 
BoSmann 1893. 



2375 



2376 



2377 



26a — on canvas/ 0,885 f>- by ''53 '^- ~ purAascd in 1894 from the academy exhU 
bition out of the interest of the ProlUHeuer Bequest 

FELLMANN, ALOyS. Born at OberkirA in the Canton of 
Lucerne Jan. 11*^1855/ died at Dusseldorf Mardi ^^^ 1892. Pupil of 
the Dusseldorf Academy. 

A Benedictine monk taking the vows on admission to the Order. 
Signed: Aloys TelTmann. 

28 a — on canvas / 1,86 h. by 2,62 w. — purchased in 1899 from the academy exhibition 
out of the interest of the ProU-Heuer Bequest. 

KAMPF, ARTHUR. Born at Aa(hen<Aix-la-Chapelle>Sept. 28 th 
1864/ at present Professor of the Berlin Academy. Formerly Pupil 
and Instructor at the Dusseldorf Academy. 

Pilgrims in Kevelaar. Signed: A . Katnpf . 9(5. 

35b — on canvas/ 1,14 h. by 0,98 w. — purchased 1111897 from the international 
art exhibition out of the interest of the Pr6II«Heuer Bequest. 



MUNICH SCHOOL 



SPITZWEG, CARL. Bom at Munich Feb, 5* 1808/ died there 
Sept. 23rd 1S85. 

2378 Going to diurdi near Dadiau. Monogram : J* in a pointed square. 

25a — on poplar/ 0,265 h- by 0,485 w. — acqxiired in 1887 from the artist's effects. 

2379 Schon, see Appendix. 

SCHLEICH, EDUARD. Bom at HarbaA near Landshut Oct. 
12th 1812/ died in Munidi Jan. 8tf» 1874. Pupil of the Munidi Academy. 

2380 Cattle in the water. Signed : Ea . SdJfeiS. 
27 d — on canvas/ 0^47 h. by 0,83 w, — purchased in 1876 in Berlin, 

STEEP AN, lOH. GOTTFRIED, Bom at Wadenswyl on Lake 
Zuridi Dec. 13'^ 1815/ died in Munidi June idt'* 1905. Pupil of the 
Munidi Academy. 

2381 An Autumn Day in the canton of S, Gall, Signed; J. G . Steffan . 
pt . MunSen 1878. 
28 e — on canvas / 0,81 h. by 1,09 w. — purchased in 1879 from the Munich Exhibition, 



OF THE XIX. CENTURY 



LICHTENHELD, WILHELM. Born at Hamburg Oct. 13th 
1817/ died in Munidi Mardi z^^^ 1891. Educated in Munidi, where 
he was associated with Chr. Ernst Morgenstern. 

An inland lake by moonlight. Monogram : WL and /S60. 

tz b — on canvas/ 0,915 h. by 1,395 w. — bequeathed in 1884 by HerrM. Winckler of 
)resden. 

VOLTZ, FRIEDRICH JOH. Born at Nordlingen Oct; 31st 1817, 
died in Munich June 25th 1886. Pupil, and afterwards Professor at the 
Munidi Academy. 

Cattle in a valley. Signed : 7r . Po/tz 7o. 

yc — on beedi/ 0,25 h. by 0,665 w. — bequeathed in 1884 by Hcrr M. Windder of 
Dresden. 

ZIMMERMANN, AUG. ROBERT. Bom at Zittau April 3rd 
1818/ died at Munidi June dtt* 1864. Brother and pupil of Albert 
Zimmermann <No. 2468). 

Wooded Landscape. Signed : RoBert Zimmermann Munc6en 1859- 
Store-rooms — on canvas/ 0,59 h. by 0,73 w. — purchased in 1877 in Dresden. 

ZIMMERMANN, AUG. RICHARD. Born at Zittau March 2nd 
1820/ died at Munich Febr. 4tli 1875. Brother and pupil of Albert 
Zimmermann <see No. 2468). . 

Shipwredc on the coast near Carotin. Signed : RiS. Zimmermann . 

MiincBen 1848. 

40 a — on canvas / i/jt h. by 1,50 w. — acquired in 1875 from tiie artist's heirs. 

LIER, ADOLF. Bom at Herrnhut May 21st 1826/ died at Vahrn 
near Brixen Sept. y:^^ 1882. Pupil of Ridiard Zimmermann in Munich 
where he chiefly painted. 

The Oise hy Moonlight. Signed : ALier. 
z8c — on canvas/ 1,05 h. by 1,50 w. — acquired in 1867. 

DEFREGGER, FRANZ VON. Born at Stronach in the Tyrol 
April 30* 1835/ living in Munich. Pupil of K. v. Piloty in Munich. 

Hunters taking leave of the "Sennerin". Signed : Defregger 1877- 

27 d — on canvas/ 0,925 h. by 0,775 w. — N. G.*W. Ill, 9 — purdiased in 1877 in 
Berlin. 

Smithv where the peasant's scythes were converted into weapons be- 
fore the out-break of the Tyrolese Revolt of 1809. Signed: Tranz 
Defregger 1883. 

30 c — on c:anvas/ 1,58 h. by 2,25 w. •- acquired in 1883 from the international art 
exhibition in Munich. 



256 



GERMAN PAINTERS 



LENBACH, FRANZ VON. Born at Markt Sdirobenhausen 
Dec. 13th 1836/ died in Munidi May 6th 1^04, Pupil of Karl von Piloty 
at the Munidi Academy. 

Portrait of the Italian Statesman and Sdiolar Marco Minghetti, Threes 
quarter length. Signed : T . LenBaS 1885. 



2389 



2390 



2391 



2392 



2393 



2394 



2395 



2396 



37b — on canvas/ i,i8 h. by 0^35 w. —purchased in 18 
out of the interest of the Prollx-Heuer Bequest. 



from the academy exhibition 



Portrait of the Berlin sculptor Retnhold Begas, Bust«length. Signed: 
T. LetiBacf) 8.1 2. 1893. 

34 a — mill»board/ 0,58 h. by 0,51 w. — purdiased in 1894 from the academy exhibition 
out of the interest of the Proll-Heuer Bequest. 



Bust-length. Signed: T . Lew 



Portrait of the Author Paul Heyse. 
Ba<£ 1896. 

34 a — on canvas / 0,82 h. by 0,655 ^" "" purdiascd in 1897 from the international art 
exhibition out of the interest of the ProIUHeuer Bequest. 

RAUPP, KARL, Born at Darmstadt Mardi 2nd ,837,. living in 

Munidi. Pupil of Karl von Piloty in Munidi, 

Pursued \>y the storm. Signed: K . Raupp MiinSen 85- 



25 a — on canvas / 0,81 h. by 1,57 w. — pxirdiased in 1 
ProlUHeuer Bequest. 



out of the interest of the 



MEISSNER, AD. ERNST. Born in Dresden April 7th 1837,. died 
in Munidi Sept. 25th 1902. Pupil of the Dresden Academy,- developed 
his style more fully in Munidi. 

Flodi of Sheep in the Snow. Signed: Ernst Meissner.MuncBen 1875- 
25b — on canvas/ 0,64 h. by 1,005 w. — acquired in 1875 from the artist himself. 



died 



LANG, HEINRICH. Born at Regensburg April 12* 1838/ 
in Munidi July (^^ 1891. Pupil of the Munidi Academy, 
Catdiing horses. Signed : H . Lang . MiinSen. 

26 a — on canvas; o,8t h. by 1,74 w. — acquired in 1883 out of the interest of the Pr5U» 
Heuer Bequest. 

MAFFEI, GUIDO VON, Born at Munidi July ist 1838/ still living 

there. Pupil of the Munidi Academy and of Otto Gebler, 

A wounded roebudi, pursued hy two dogs. Signed: G . v . Maffei . 

MiindJen 1879- 

22 d — on canvas/ 1,38 h. by 1,91 w. — purchased in 1880 out of the interest of the 

ProIUHeuer Bequest. 

GEBLER, PR. OTTO, Born in Dresden Sept. 18th 1838,- living in 

Munidi. Pupil of the Munidi Academy and of Karl von Piloty in 

Munidi. 

Two Poadiers. Signed : Otto GeBfer . MiincBen 1879- 

26c — on canvas/ 0,76 h. by 1,04 w. — N.G.-W. IV, 12 —purdiased in i88o from the 

Dresden art exhibition. 




2182 



Angefica Kauffmann 



o 




OF THE XIX. CENTURY 



The SIug=a=bed. Signed: Otto GeBfer . Munc6en 1884. 

25 a — on canvas / 0,96 h. by 1,355 v. — purchased in 1884 out of the interest of the 
Pr6ll«Heuer Bequest. 

DIEZ, WILHELM VON. Born at Bayreuth Jan. 17th 1830, died 
in Munidi Feb. z'j'^ 1907. Pupil and Professor of the Munim Aca* 
demy where he had been a pupil of Piloty. 

Wounded Frendi soldiers in the time of Napoleon I hy the side of a 

military road. Signed : WifB. Diez 1889- 

25a -— on linden,- 0,205 h. by 0,465 w. — purdiased in 1892 in Manidt. 

KURZBAUER, EDUARD. Born at Lemberg March 2nd 1840, 
died at Munich Jan. 13th 1879. Pupil of Fuhrici at the Vienna and of 
Piloty at the Munich Academies. 

The Calumny. Three-quarter length. Signed : Eduard KurzBauer . 

MiincBen. 

26b — on mahogany,- 0,66 h. by 0,91 w. — N. G.»W. II, 6 — purchased in 1878 in 
Vienna. 

MAREES, HANS VON. Bom at Elberfeld Dec. 24th 1837,- died 
in Rome June 5th 1887. Pupil of Steffedc in Berlin and of Piloty in 
Munidi. Painted chiefly in Italy. 

Portrait of the artist in a Japanese mantle. Three-quarter length. 
Painted in the autumn of 1872 in Dresden. 

Store-rooms — on canvas,- 0,78 h. by 1,05 w. — presented to the Gallery in 1912 by 
the "Dresdner Museumvcrein" <formerIy in the possession of Dr. F. KoppeUEIlfeW 
in Dresden out of whose possession it passed in 1907 into that of Herr A. W. von 
Heymel in Munidi). 

MAX, GABRIEL. Born at Prague Aug, zy^ 1840,- now living in 
Munich. A pupil of the Vienna Academy and of Karl Piloty in Munich. 

A Paternoster. Signed: GaBrief Max . 87. 

27b — on canvas/ 1,56 h. by 1,09 w. — C-W. N. F. 18 — purchased in 1888 in Munidi. 

BRANDT, JOSEF. Bom at Szczebrzeszyn in Poland Feb. ii* 
1841/ living in Munich. Pupil of Fr. Adam in Munich. 

Polish Cavalry of Sobiesky's time crossing a river with booty captured 
from the Turks. S'lgnzA: Jozef Brandt . Warszawy . 1874. 
26a — on canvas/ 0,69 h. by 1,60 w. — purchased in 1879 in Munich. 

GySIS, NIKOLAUS. Born on the Island of Tinos <Greccc> 
March isti842,- Professor of the Academy in Munich when he died 
there Jan. 4'" 1901. Pupil of K. von Piloty in Munich. 

Punishment of a stealer of poultry in Smyrna. Signed : M . Gysis. 

27 b — on c:anvas/ 1,36 h. by 1/35 w. — purchased in 1885 out of the interest of the 
Proll-Heucr Bequest. 



25S 



GERMAN PAINTERS 



SCHIETZOLD, AUG. ROBERT RUD. Born at Dresden July 4th 

1842/ died in Munidi Sept. 6th 1908, Pupil of the Dresden Academy 

under L. Riditer. In Munidi he came under the influence of Lier and 

Sdileicfa. 

On lake Stamberg, Signed : R . Sc6ietzofd . MS . 77- 



2403 
2404 

2405 
2406 



2407 
2408 

2409 
2410 

2411 



Store»rooms — on canvas/ 0,775 h. by 1,435 — purchased in 1877 from the Dresden 
Art Exhibition. 

On the Island of Capri. Signed: R . ScBt'etzofa . Mcf) . 84. 
29 d — on canvas/ 1,17 h. by 1,465 w. — presented in 1884 by the artist. 

ECHTLER, ADOLPH. Born at Danzig Jan. 5th 1843,- living in 

Munidi. Formed his style in S. Petersburg, Venice, Vienna, Munidi 

and Paris. 

The ruin of a family by gambling. Signed ; Ad. EStfer. 

25a — • on canvas/ 1,50 h. by xno^ w. — purdiased in 1897 from the international art 

exhibition out of the interest of tne ProIUHeuer Bequest, 

SCHUCH, WERNER W. G. Born at Hildesheim Oct. 2nd 1843, 

living in Berlin. Professor of Ardiitecture in Hanover, 

A Cromlech, Signed: Werner Sdiu(£ 1881. 

27 a — on canvas ; 1,20 h. by 1,97 w. — purdiased in 1891 out of the interest of the 

IV6ll»Heuer Bequest. 

LEIBL, WILHELM. Born at Cologne Oct. 23rd 1844/ died at 

Wurzburg Dec. 5th 1900. Pupil of Karl von Piloty at the Academy 

in Munidi. From 1869 until 1870 in Paris, Lived and painted at 

Aibling in Bavaria. 

Study of a Female Head, Signed; W . LeiBf . 79- 

25a — on mahogany/ 0,31 h. by 0,24 -w. — purdiased in 1879 in Munidt, 

Girls knitting, 

27 a — on canvas / 0,59 h, by 0,42 w, — purdiased in 1901 from the International Exhi» 
bition of Fine Arts. 

OBERLANDER, ADAM ADOLF. Born at Regensburg Oct. ist 

1845/ living in Munidi. Pupil of Karl von Piloty. 

A Siesta. Signed : A OBerfdnaer. 

33c — on milUboard/ 0,50 h. by 0,80 w. — bequeathed in 1897 by a Dresden patron 
of art, 

Wenglein, see Appendix, 

GROTZNER, EDUARD. Born at Grosskarlowitz in Silesia May 
26th 1846/ living in Munidi where he was a pupil of Karl von Piloty. 
In the Monastery Library. Signed : Eduard Griitzner 88. 
27 d — on mahogany/ 0,76 h. by 0,63 w, — acquired in 1889 from the artist. 



OF THE XIX. CENTURY 



259 



SEILER, CARL WILH. ANT. Bom at Wiesbaden Aug. 3rd 1846, 
living in Munidi, Formed his style in Berlin and Munidi. 
Frederidt the Great in the forest of Pardiwitz <RoyaI Encampment 
from Nov. 28th and Oct. 4th 1775 before the battle of Leuthen). Signed: 
C. Seifer. 



25 c — on mahogany/ 0,35 h. by 0,50 w. — purAased in 1897 from the international art 
exhibition out of the interest or the ProIl^Heuer Bequest. 

HAIDER, KARL. Bom in MuniA Feb. 6* 1846/ living atSdiliersee. 

Evening landscape. A knight returning home. Signed : K. Haiaer 

1900. 

33 c — on linden/ cgw h, by 1,175 w. — purdiased in 1901 from the international art 
exhibition out of the interest of the ProlUHeuer Bequest. 

WEISER, JOSEF EM. Born at Patsdikau in Silesia May lo* 
1847/ living in Munidi, Pupil of Prof, W. Diez in Munidi. 
The Last Refuge. Signed : Josef Weifer. 

26 c — on maple/ 0,73 h. by 1,40 w, — purdiased in 1879 in Munidi. 

DILL, LUDWIG. Bom at Gernsbadi near Baden-Baden Feb, 2nd 
1848/ Professor at the Academy in Carlsruhe, Pupil of K, v. Piloty 
in Munidi. 
Scene from the Venetian lagoons. Signed: L . DilT. An early work. 

25 d — on canvas / 0,81 h. by 1,21 w, — acquired in 1886 out of the interest of the ProIU 
Heuer Bequest. 

Eventide. Signed: L . DilT. Picture of the Dadiau period of the 
master, 

34b — in tempera on paper attadied on canvas/' 0,72 h, by 0,85 w. — purdiased in 
1900 in Dresden. 

UHDE, FRITZ VON, Bom at Wolkenburg May 22nd 1848/ died 
in Munidi Feb. 25th 1911. Studied in Munidi and Paris where he was 
a pupil of Munkacsy. 

Bavarian Drummers. Signed : 7". v. UBae 1883. One of the earliest 
impressionist pictures painted in Germany. 

^4 b — on canvas / 0,72 h. by 0,95 w. — acquired in 1907 from the Uhde Exhibition 
held by the SSdisisdie Kunstverein <formerly in the possession of Professor A. Sdioen- 
flies in Konigsberg), 

The Nativity, Picture in three compartments. Centre picture: The 
Birth of Christ. Left wing : The Company of Shepherds on the winter 
night. Right wing : The Angel's Song. Signed : T . v. UBcfe. Painted 
in 1888 and the wings in 1889. The picture was first exhibited in 
Munidi in 1888 with nos 2418 and 2419 as side pictures, and in the 
present form at the Berlin Exhibition. 

36 a — on canvas/ 1,34 h., the centre picture 1,175 ^^ the side wings eadi 0,49 w. — 
purdiased in 1892 in Munidi. 



2412 



2413 



2414 



2415 



2416 



2416A 



2417 



26o 



GERMAN PAINTERS 



2418 Original left wing of the picture "The Nativity" <No. 2417). Painted 
in 1188. Signed: T . v . lIBcfe. 
36 d — on canvas / 1,335 h, by 0^+9 w. — presented in 1901 by Heim C. L. Uhle. 

2419 Original right wing of the picture "The Nativity" <No, 2417). Painted 
in (888. Signed: Tv. UBde. 
36 d — on canvas; 1,335 h. by 0,49 w. — presented in 1901 by Hcrrn C. L. Uhle. 

2419 A The Artist's daughters at a summer resort. Signed •.T.v. UBae 1899- 

33 c — on canvas/ 1,65 h, by 1,78 w. — purdiased in 1907 from the Uhde Exhibition 
of the Sadisisdie Kunstverein. 

2420 The Artist's own portrait. Signed '.T.v.U. Bust-length. 

34a — on canvas; 0,605 h. by 0,485 w. — purchased in 1903 from the Sichsisdie 
Kunstverein out of the interest of the Proll^Heuer Bequest. 

WEISHAUPT, VICTOR. Born in Munidi Mardi 6th 1848,- died 
at Carlsruhe Feb, 24*^ 1905, Pupil of the Munidi Academy (under 
Diez), Professor at the Carlsruhe Academy. 

2421 Watering cattle near a windmill. Signed : V. WeisBaupt , MunSen. 

37 c — on canvas ; 1455 h, by 2^36 w, — purchased in 1884 out of the interest of the 
Pr6lI»Heuer Bequest. 

WIERlISZ=KOWALSKI, ALFRED VON. Born at Suwaiki 
in Russian Poland in September 1849,- living in Munidi where he was 
a pupil of Jos. Brandt and others. 

2422 A short rest in the snow. Signed ; A. Wierusz'KowaCsRi. 

25a — on beech; 0,31 h. by 0,20 w. — purchased in 1888 from the academy exhibition 
out of the interest of the ProlUHeuer Bequest. 

KAULBACH, FRITZ AUGUST VON. Born at Hanover June 
2nd 1850/ Professor of the Academy in Munidi where he was formerly 
a pupil. 

2423 A day in May. Signed : Tritz Aug. KaufBach 1879- 
26c — on linden/ 0,965 h. by 1,50 w. — purchased in 1879 'n MnnlA. 

STADLER, TONI. Bom at Gollcrsdorf in Lower Austria July 
9th 1850/ living in Munidi. 

2424 Franconian landscape. Signed : T. Stadfer . M. 

32 d — on canvas ; 0,895 h- by 1,25 w. — purchased in 1904 out of the interest of the 
ProlUHeuer Bequest. 

ZOGEL, HEINRICH JOH. Born at Murrhard in Wurtemberg 
Oct. 22"<1 1850/ Professor at the Academy in Munidi, 

2425 Expelled. A shepherd's dog driving six strange sheep out of the fold. 
Signed://. Zugef 94. 

37 d — on canvas; 1,405 h. by 2,015 w. — purchased in 1894 from the academy cxhi» 
bition out of the interest of the ProII^Heuer Bequest. 



OF THE XIX. CENTURY 



On the way home. Signed : H. Zugef IQol . MT. 

j2 b — on canvas / 0,70 h. by t,oo w. — purchased in 1904 out of the interest of the 
ProIUHeuer Bequest. 

ZIMMERMANN, ERNST K. G. Born in MuniA April 24* 
1852/ died there Nov. \^^^ 1901, Pupil of the Academy in Munich. 
The Music Lesson. Signed : Ernst Zimmermann . Muttcfien . 1884. 



32 a — on canvas / 1,595 h. by 2,11 w. — purchased in 1886 out of the interest of the 
Pr6ll»Heuer Bequest. 

PCELLER-REUTLINGEN, PAUL WILHELM. Bom at 
Reutlingen Feb. 2"^ 1854/ living in Munidi. Formed his style in Stutt- 
gart, Munidi and Italy. 

Evening twilight. Signed: P .W . KelTer'-Reutfmgen 1895. 

34a — on canvas; 0,715 h. by 0,99 \r. — purchased in 1897 from the international 

exhibition of fine arts out of the interest of the ProlUHeuer Bequest. 

KONIG, HUGO. Born in Dresden May i2t'» 1856/ died there July 

27* 1899. Pupil of the Dresden and Munidi Academies. 

A Moonlight Reverie. Signed : Hugo Konig. 

28a — on canvas/ 1,00 h. by 0,75 w. — acquired in 1899 from the german exhibition 
of Fine Arts. 

STROBENTZ, FRITZ. Bom at Buda^Pest Juli 25th 1856,- living 
in Munidi. Formed his style in Dresden, Diisseldorf and Munidi. 

young love. Three-quarter length. S'lgnzA: Tritz StroBetitz 1897- 
Three-quarter length. 

31 a — on canvas / 0,975 h. by 0,975 ''*'. " purchased in 1807 from the international 
exhibition of fine arts out of the interest of the ProlUHeuer Bequest. 

HERTERICH, LUDWIG. Bom at Ansbadi Oct. 13th 1856,- Pro- 
fessor at the Academy in Munidi. Formerly pupil of the Munidi 
Academy. 
Ulridi von Hutten. Signed; L. HerteriS. 

22a — on canvas/ 1,835 h- hy 1,08 w. — purchased in 1901 frtsm the international 
exhibition of fine arts out of the interest of the Pr61I=Heuer Bequest. 

MEYER, AUG. ED. NIKOLAUS <CLAUS>. Bom at Linden 
near Hanover Nov. 20tl» 1856/ Professor at the Academy in Diissel- 
dorf. Pupil of Wagner and of Loefftz in Munidi. 
Three cats and three kittens. Signed: Cfaus Meyer . 188 5 • 
25 d — on canvas/ 0,83 h. by 1,05 w. -^ purchased in 1886 in Munich. 

HAUG, CHR. ROBERT. Born at Stuttgart May 27th 1857/ Pro- 
fessor of the Stuttgart Academy. Pupil of the Stuttgart Sdiool of Art 
and the Munidi Academy. 

At Dawn. Prussian Dragoons doing outpost duty in the time of the 
War of Liberation. Signed : RoBert Haug 9i- 

32 c — on canvas/ 0,955 h. by 1,575 ▼• — acquired in 1892 from the artist. 



262 



GERMAN PAINTERS 



DIEFFENBACHER, AUGUST. Born at Mannheim Aug 14* 

' " fftz 



2434 



2435 



2435A 



2436 



2437 



2437A 



2437AA 



1858/ living in Munich. Pupil of the Munich Academy under Loe 
and Lindensdimit. 

A Terrible Blow. The body of the father of the family, who has lost 
his life on the mountains in winter, is being brought home. Signed: 
Aug. DieffenBacBer MiincBen 1893. 

28c — on canvas/ 1,17 h. by 2,12 w, — purdiased in 1894 from the academy exhibition 
out of the interest of the Pr6ll=-Heuer Bequest. 

BLOS, CARL. Born at Mannheim Nov. 24th 1860/ living in Munich. 
Pupil of the Carlsruhe and Munich Academies. 

Interior of a room in a peasant's house. Signed : Carf Bfos.M. 

25c — on canvas/ 0,50 h. by 0,54 w. — purdiased in 1901 from the international 
exhibition of fine arts out of the interest ot the ProIl^Heuer Bequest. 

STUCK, FRANZ VON. Bom at Tettenweis in Lower Bavaria 
Feb. 23''<1 1863,- Professor at the Academy in Munich. Pupil of the 
Munich Academy. 

The Duel. SigntA: Tranz von Stuc^ IQoJ- 

34 d — on fir / 0,785 h. by 0,82 w. — purdiased in 1908 out of the interest of the Pr5II» 

Heuer Bequest. 

PUTZ, LUDWIG. Born at Vienna Aug. 15* 1866/ living in 
Munich where he was a pupil of the Academy. 

Capture of a French battery hy Thuringian infantry at the battle of 

Sedan. Signed : Putz 88. 

Store-rooms — on canvas / 0,73 h. by 0,99 w. — purdiased in 1890 in Dresden. 

RIEMERSCHMIED, RICHARD. Born in Munidi June 20* 
1868/ living in Munich. Pupil of L. von LoefFtz. 

The Garden of Eden. Adam and Eve are represented hy the artist 
in bas=relief on the frame. Monogram : RR 96. 

s8c — on canvas/ 1,81 h. by t,8i w. — purdiased in 1897 from the international exhi' 
bition of fine arts out of the interest of the ProU^^Heuer Bequest. 



SLEVOGT, MAX. 

living in Berlin since i8( 



Born at Landshut Oct. 8* 1868. Has been 
9. Pupil of the Munich Academy, 



The Knight's temptation. Signed : Sfevogt 19o3. 

38 a — on canvas / 1,60 h. by 2a>5 w. — purdiased in 1908 from the Fine Arts Exhi* 
bition om of the interest of the ProlUHeuer Bequest. 

Portrait of the Caricaturist Fudis. A Study. Signed : Sfevogt o9- 

Store--rooms — on canvas/ 0,62 h. by 0,78 w, —purdiased in 1910 from the Exhibition 
of the Society of Artists in Dresden out or the interest of the Proll- Heuer 
Bequest. 



OF THE XIX. CENTURY 



PUTZ, LEO. Born at Meran June iStl* 1869/ living in Munich. 
Member of the "Sdiolle", Pupil of the MuniA Academy and of the 
Julian Academy in Paris, 
Portrait of a Lady. Three-quarter length. Signed: Leo Putz 19o4. 

38 a — on canvas / 1,43 h. by 1,35 w. — purchased in 1908 from the Fine Arts Exhibition 
out of the interest of the Proil-Heuer Bequest. 

SCHRAMM 'ZITTAU, RUDOLF. Bom at Zittau Mardi ist 

1874/ living in Munidi. Pupil of the Dresden, Carlsruhe and Munich 

Academies. 

Poultry in a hen-house. Signed : Rucfoff SSramitfZittau. 

33 b — on canvas/ 0,79 h. by 1,10 w. — purchased in 1901 from the international ait 

exhibition out of the interest of the Proil-Heuer Bequest. 



BERLIN SCHOOL 



Krugcr, see Appendix. 

ROSENFELDER, C. LUDWIG JUL. Born in Breslau July 18* 

1813/ Director of the Academy in Konigsberg, where he died April 18* 

1881. Pupil of the Berlin Academy. 

Portrait of the painter Ernst Resch <born in Dresden in 1808/ died in 

Breslau in 1864). Bust-length. 

41 a — on canvas/ 0,665 h. by 0,52 w. — bequeathed in 1864 by Ernst Resch. 

MENZEL, ADOLPH FRIEDR. ERDMANN. Born in Breslau 
Nov. 8th 1815/ died in Berlin Feb, 9'^ 1905. Chief exponent of Berlin 
Art of the XIX. Century. 
Sermon in the old Klosterkirche in Berlin. Signed : Metizef 1847- 

33 a — on canvas/ 0,63 h. by 0,53 w. — purchased in 1892 in Berlin, formerly in the 
possession of Frau E.Milner of Gross=Lichterfelde. 

The Vegetable Market at Verona <La Piazza d'Erbe). Signed: AcfofpB 
Menzefl884. 

33 a — on canvas / 0,73 h. by 1,27 w. — acquired in 1005, thanks to substantial assistance 
from an anonymous friend, out of ihe interest of the Proll-Heuer Bequest <formerly 
in tlie possession of the Art Dealer Pachter in Berlin, of the Henneberg Gallery at 
Zurich <sold by auction in Munich 1903) and of Herr E. Meiner in Lcipsic). 

In the beer garden. Scene in Kissingen. Signed : Menzef 1891. 

32 a — fn gouache on paper/ 0,175 h. by 0,24 w, — purchased in 1905 out of the^interest 

of the Pr6ll»Heuer Bequest. 

BECKER, CARL L. F. Bom in Berlin Dec. i8th 1820/ died there 
Dec. 20th 1900. Successively Pupil, Professor, President and Honorary 
President of the Berlin Academy. 
Sale of Pictures by Auction. Signed : CBec^er. 

27a — on canvas/ 1,23 h. by 1,58 w, — acquired in 1882 from the Committee of the 
Albert Verein Lottery. 



264 



GERMAN PAINTERS 



GENTZ, K. WILHELM. Bom at Neu^Ruppin Dec. 9* 1822, 
died in Berlin Aug, 23''d 1890. Professor at the Academy in Berlin. 
Pupil of the Berlin and the Antwerp Academies,- developed his style 
in Paris, 

2445 All Saints' Day in Cairo. Signed: W. Getitz 1871. 

Store-rooms — on canvas / 0,74 h. by 1,26 w. — purdiased in 1876 in Berlin. 

GUDE, HANS FR. Born at Christiania Mardi t3th 1825/ died in 
Berlin Aug. \']^^ ipoj. Pupil of the Diisseldorf Academy. Professor 
in Diisseldorf, Carlsruhe and Berlin. 

2446 Fishermen landing on the sea^shore. Signed : HTGude 1885- 
30 d — on canvas/ 1,35 h. by 2,40 w. — purchased in 1885 out of the interest of the 
ProItHcuer Bequest. 

GARTNER, HEINRICH JOH. Born at Neu-Strelitz Feb. 22nd 
1828/ died in Dresden Feb. 19* 1909. Pupil of Fr.W. Sdiirmer in 
Berlin and of Ludw. Riditer in Dresden. Developed his style in Rome. 

2447 Landscape with Adam, Eve, Cain and Abel. Signed: H. G.fec. 
Roma 1865- 
24 c — on canvas / 1,62 h. by 2,22 w. — purdiased in 1872. 

KNAUS, LUDWIG. Bom at Wiesbaden Oct. 5th 1829,- died in 
Berlin Dec, 8*^ 1910. Pupil of the Diisseldorf Academy under W, 
v. Sdiadow and K. Sohn. Developed his style more fully in Paris and 
Berlin. 

2448 Behind the scene. Signed : L . Knaus I880. 

26 d — on mahogany/ 0,81 h. by 1,105 ▼• — purdiased in 1880 in Berlin, 

DORR, OTTO E, F. A. Bom at Ludwigslust Dec. 3'-^ 1831/ died 
in Dresden Nov, 18*^ 1868. Pupil of the Berlin Academy and of 
Bonnat in Paris. 

2449 In Bonnat's studio in Paris about the year 1867. Signed: O . Dorr. 

24 b — on canvas / 0,61 h. by 0,82 w. — presented in 1871 by the widow of the artist, 

DOUZETTE, LOUIS, Born at Triebsee Sept, 25*!^ 1834/ living in 
Berlin. Pupil of H, Esdike in Berlin, 

2450 A Lake in the Moonlight. Signed : L . Douzette. 

25 d — on canvas / 0,585 h. by 0,905 w, — purdiased in 1883 out of the interest of the 
ProlI=Heuer Bequest. 

WILBERG, CHRISTIAN. Born at Havelberg Nov. 20th 1839/ 
died in Paris June 3rd 1882. Pupil of Weber, Pape and Gropius in 
Berlin. Developed his style more completely under O, Adienbadi in 
Diisseldorf, 

2451 Memento mori. Scene from the Sabine hills. Signed : CB . WifBerg. 
28 d — on canvas / 1,30 h, by 1,10 w, — presented in 1883 by a Dresden family. 



OF THE XIX. CENTURY 



265 



LUDWIG, CARL. Born at RomhiM in Saxe«Meiningen Jan 18* 
1839/ d's<l in Berlin Sept. iS*** 1901. Pupil of Karl von Piloty in Munich, 
A Landscape. Scene from the Lenzer Heide in the Grisons. Signed : 
CarfLudwig Berfin 1882. 



37a — on canvas/ 1,345 h. by 1,16 w. — purdiased in 1908 out of the interest of the 
Pr"" 



27c — on canvas/ 1,37 h. by 2,01 w, — purdiased in 1883 out of the interest of the 
ProlI^Hcuer Bequest. 

The Albula pass in the Grisons. Signed : CarfLudwig Berfin. 

3g b — on canvas / 1,50 h. by 2,25 \f. — purdiased in 1894 from the academy exhibition 
out of the interest of the ProlUHeuer Bequest. 

BRACHT, EUGEN, Born at Merges near Lausanne June y^ 1842. 

Pupil of Scfairmer in Carlsruhe and of Gude in Diisseldorf and Carls-- 

rune. From 1883 Professor of the Berlin Academy, and from 1902 

Professor of the Dresden Academy, 

Autumn Day on the South Coast of England. Signed : EugenBraSt 

Berfin. 

37 a — on canvas / 1,20? h. by 2,01 w. — purdiased in 1889 from the academy exhibition 
out of the interest of the PrSll-Hcuer Bequest. 

Evening in "Winter, Signed : Eugen BraSt IQo 7- 
57 a — on canvas / 1,3 
?r611»Heuer Bequest. 

MEyERHEIM, PAUL, Born in Berlin July 13* 1842/ living in 
Berlin. Pupil and Professor of the Berlin Academy, 
Performance in a menagerie. Signed : 18Q4 . Pauf MeyerBeim. 
26 d — on canvas / 0,88 h. by 1,20 w. — purdiased in 1894 from the academy exhibition 
out of the interest of the ProlUHeuer Bequest. 

GUSSOW, CARL. Bom at Havelberg Feb. 25th 1843,- died at 

Neu-Pasing near Munich March z-j^ 1907. Pupil of the Weimar 

School of Art. Professor at the Weimar and Carlsruhe Schools of 

Art and at the Berlin Academy. 

Portrait of the Artist's Wife. Half-length, Signed : C , Gussow . 

Kre . <Karlsruhe> 1875- 

37 d — on mahogany/ 0,765 h. by 0,56 w. — acquired in 1907 from the artist's widow, 

SKARBINA, FRANZ. Bom in Berlin Feb. 24th 1849/ died there 
May \V^ 1910. Pupil of the Berlin Art Academy. 
A Belgian Inn on the shore of La Panne. Signed: T . S^ar6inal891. 
33 a — on canvas / 0,685 b. by 049 w. — purdiased in 1894 from the academy exhibition 
out of the interest of the PrSll-Hcuer Bequest. 

LIEBERMANN, MAX. Born in Berlin July 20* 1847/ living in 
Berlin. Formed his style at Weimar and in Paris where he was a 
pupil of Munkacsy, 
The Seamstress. Signed : M. LieBermann. 

33 a — on canvas / 0,66 h. by 0,51 w. — purdiased in 1897 from the international art 
exhibition out of the interest of the Proll-xHeuer Bequest. 



2452 



2453 



2454 



2454A 



2455 



2455A 



2456 



2457 



266 



GERMAN PAINTERS 



FRIESE, RICHARD, Born at Gumbinnen Dec. 15th 1854, living 
in Berlin. Pupil of the Berlin Academy. 
Desert marauders. Signed; RiS. Triese 84. 

22 d — on canvas/ 1,91 h. by 2,95 w. — purrfiased ini888 from the academy exhibition 
out of the interest of the ProlIeHeuer Bequest. 



2458 



2459 



2460 



2460A 



2461 



2462 



2462 A 



2462B 



FRENZEL, OSKAR. Born in Berlin Nov. i2tb 1855,- living in 

Berlin. Pupil of the Berlin Academy <under Bratht). 

Evening. Cattle at pasture in the marshes. Signed : O. TrenzeC 

Berfin. 

28c — on canvas; 1,205 h. by 1,80 w. — purchased in 1901 from the intematiotial 

exhibition out of the interest of the ProlUHeuer Bequest. 

KLINGER, MAX G, Bom at Leipsic Feb. 18th 1857/ living in 

Leipsic. Pupil of Gussow in Carlsruhe and Berlin. 

A Pieta. The Virgin and S. John mourning over the dead body of 

the Saviour. Signed: Max Kfinger Rom Qo. 

31a — on canvas, 

of Fine Arts. 



1,50 h. by 2,oy w. — acquired in 1893 from the Berlin Exhibition 



The Fountain. Monogram: MK. Painted in Rome 1891 — 1892. 

31 c — on canvas / 2,24 h. by 1,26 w. — purdiased in 1908 out of the interesr of the 
ProlUHeuer Bequest (formerly in the possession of the author W.Weigand of Munich). 

HERRMANN, HANS. Born in Berlin Mardi 8th ,858/ living in 

Berlin, of the Academy of which he is a member. Pupil of the Berlin 

Academy. 

Old Dutdi Town. Signed : Hans Herrmann. 

33a— on canvas/ 1,045 h. by 1,68 w. — purchased in 1899 from the German Fine 
Arts Exhibition out of the interest of the Pr6ll=Heuer Bequest 

LEISTIKOW, WALTER. Born at Bromberg Oct. 25th ,865,- died 
in Berlin July z-)^ 1908. Pupil of the Berlin Academy. 

Bridi^kilns near the water. Signed: W . Lei'stt^ow. Painted in 1889. 

jgb — on canvas/ 1,54 h. by 2.515 w. — purchased in 1894 from the academy exhi» 
bition out of the interest of the ProlUHeuer Bequest. 

At the lesser Wannsee. Signed : W. Leisti^ow. In the Artist's latest 

style. 

Store-rooms — on canvas/ 0,74 h. by 0,935 w. — purchased in 1909 in Dresden, 

GUSSMANN, OTTO FRIEDRICH, Bom at WaAbadi in 

Wurtemberg May zi^^ 1869,- at present Professor of the Academy 
in Dresden. Pupil of Sdieurenberg at the Berlin Academy, 

Portrait of the Artist's Father, Three»quarter length. 

Storc^rcwms — on canvas/ 0,94 h. by 0,785 w. — purchased in 1910 from the 1 st Exhi-» 
bition of the Artist's Union in Dresden out of the interest of the ProlUHeuer Bequest. 



OF THE XIX. CENTURY 



VIENNA SCHOOL 



KOCH, JOSEPH ANTON. Born at Obergibein in the Tyrol 
July 27th 1768/ died in Rome Jan. 12th 1839. Pupil of the Karls- 
academy at Stuttgart. From 1795 lived diiefly in Rome,- in Vienna 
1812 — 1815. Father of the modern German fancy landscape. 
Landscape with S. Martin. Signed: G. KoS T^rofese fece 1815 • 
Companion picture to No. 2464, 
23 c — on linden/ 0,55 h. by 0,475 "^^ " presented in 1903 by Herr Ed. Cidiorius. 

Landscape with S. Benedict. Scene from Subiaco. Signed: G. KocB 

7yrofese/ec. 1815. 

23 c — on linden,- 0,55 h. by 0,475 w. — presented in 1903 by Herr Ed. Cidiorius. 

The Bernese Oberland. A smaller replica of the picture painted in 
Rome in 1817 and now in the Ferdinandeum at Innsbruck. 
41 a — on canvas; 0,735 ^- by 0,99 w. — presented in 1903 to the Gallery by Herr 
£d. Cidiorius who had purdiased it out of the v. Quandt-Collection in Dresden. 

OLIVIER, JOH HEINRICH FERDINAND VON. Bom at 
Dessau April i^t 1785/ died in Munidi Feb. u'h 1841. Studied in 
Vienna under Koch. 

Landscape in Salzburg. View from the Kapuzinerberg, Monogram : 
TO and 1824. 

23 c — on oak/ 0495 h. by 0,63 w. — acquired in 1902 in Dresden from Zahn "S) 
Jaenscfa. 

SCHNORR VON CAROLSFELD, LUDWIG FERDU 

NAND. Born at Konigsberg Oct. nth 1788,- died in Vienna 

April i3tli 1853, Pupil of his father Hans Veit and of the Vienna 

Academy. 

An Old Man in old German costume. Bust^Iength. Monogram: Z, J". 

52 d <Miniatures A> — on maple/ 0465 h. by 0,135 w. — acquired in 1874 from Frau 
Geh. Justizrat Krug, nee Schnorr von Caroisfeld. 

WALDMQLLER , FERDINAND GEORG. Born at Vienna 

Jan. 15th 1793/ died there Aug. 22n<J 1865. Pupil of the Vienna Aca- 

demy. 

After distraint \iy the Sheriff's officer. Signed : Wafdmiiffer 1859- 

23d — on linden/ 0,73 h. by 0,90 w. — purchased in 1907 in Vienna and presented 

to the Gallery by Herr H. Herz of Plauen. 

ZIMMERMANN, AUGUST ALBERT. Bom at Zittau Sept. 20th 

1808/ died in Munich Oct. i8fl» 1888. Pupil of the Academies in 

Dresden and Munich, and for a long time Professor at the Vienna 

Academy. 

Ploughing a field. Signed: AfBert Zimmermann. 

42 b — on canvas/ 0,89 h. by 1,52 w. — acquired in 1873 from the artist Starm. 



268 



GERMAN PAINTERS 



ALT, RUDOLPH VON. Born in Vienna Aug. 28th 1812/ died there 
Mardi u'^ <905. Pupil of the Vienna Academy. 
The Temple of Vesta in Rome. Signed : R. Aft. 



2469 



2470 



2471 



2472 



2473 



2474 



2475 



2476 



33 c — on tnill'board/ 0,245 h. by 0,335 w. — purchased In 1904 out of th« interest of 
the Proll^Heuer Bequest. 

FEUERBACH, ANSELM. Born at Speyer <Spircs> Sept. 12th 
1829/ died at Venice Jan. 4th 1880. Pupil of the Academies at DusseU 
dorf (under W.v. Sdiadow) and Antwerp and afterwards of Couture 
in Paris, Professor at the Vienna Academy. 

The Virgin and Child between angels playing on instruments. Three- 
quarter length. Drawings for the heads of the angels are in the Royal 
Gallery of Engravings, Signed ; Arise fm TeuerBaS . Roma . I860. 

23 b — on canvas / ova! / 1,17 h, by 0,96 w. — N, G.»W. IV, 10 — acquired in t88i from 
Colonel E. Rothpletz of Zuridi. 

ANGELI, HEINRICH VON. Bom at Oedenburg in Hungary 

July 8th 1840/ Professor at the Academy in Vienna. Pupil of several 

Academies. 

Portrait of the Artist G. A, Kuntz. A Study, Bust-length. 

25a — on canvas/ 0,585 h. by 0,475 ^' — acquired in 1896 from a relative of Hcrr 
Kuntz. 

MAKART, HANS. Born at Salzburg May 29th 1840/ died in 

Vienna Oct. 3'"<1 1884. Pupil of the Academies of Vienna and MuniA 

<Piloty>. Professor at the Vienna Academy, 

Summer, Painted in Vienna 1880—81. 

38 b — on canvas / 3,71 h. by 6,31 w. — purchased in 1890 in Berlin. 

KUNTZ, GUSTAV ADOLF. Born at Wildenfels in Saxony 
Feb. i7t'ii843/ died in Rome May z^^ 1879. Pupil of H. von Angeli 
in Vienna, 
A Greeting from the outside world. Signed: G . H . Kuntz . 1876. 

25 d — on mahogany / 0,62 h. by 0,36 w. — N. G^W. I, 3 — acquired in 1876 from the 
Dresden Art Exhibition. 

A Roman Pilgrim kissing a Crucifix. Signed : Gustav Kuntz . Rom . 

1878. Companion picture to No. 2475. 

40c — on walnut/ 0,79 h. by 0,48 w. — acquired in 1879 from the artist's mother. 

A Roman Pilgrim, praying. 

40a — on oak/ 0,76 h. by.0,465 w. — G.-W, E, 1 — acquired in 1879 from the artist's 
mother, 

A Roman Woman selling Vegetables, Three-quarter length. Signed: 

G . Kuntz . Rom 1878. 

25 d — on mahogany/ 0,53 h, by 0,35 w. — bequeathed ini884 byHerrMoritzWlndiler. 



OF THE XIX. CENTURy 



MUNKACSy. MICHAEL LIEB, commonly called MUN- 
KACSy. Born at Munkacs in Hungary Feb. zot^i 1844/ died at the 
Sanatorium at Endenidi near Bonn May ist 1900. Pupil of the Aca- 
demies of Vienna and Munidj. Continued his studies in Dusseldorf 
and Paris. Lived in Paris, and afterwards in Buda-Pest. 

Christ on the Cross with S. John and the three Holy Women. Signed : 

Mun^acsy M. 

z8 b ~ on canvas / 4,00 h. by 2,21$ -w. — acquired in 1889 in Paris from Ch. Seddmeyer. 

SCHUCH, CARL. Born in Vienna Sept. 30* (Dec. 10th ?> 1846/ 
died there Sept. ntf» 1903. Pupil of the Vienna Academy. Formed 
his style later in Munidi, where he came under the influence of Leibl 
and Trubner, and in Paris. 

Basket of Rhododendrons on the breakfast table. 

34 d — on canvas; o^i h. by 0,78 w. — purdiased in 1906 in Dresden. 

DARNAUT, HUGO. Bom at Anhalt- Dessau Nov. 28th 1851, 
living in Vienna. Pupil of the Vienna Academy, developed his style 
in Dusseldorf. 

Interior of a Wood, Signed : H. Darnaut 1888. 

33 c — on linden/ 0,55 h. by 0,40 w. — purdiased in 1888 from the academy exhibition 
out of the interest of the Pr6II»Hcuer Bequest. 

MOLL, CARL. Born in Vienna April 23rd 1861/ now living in 
Vienna. Pupil of the Academy and of G. SAindler in Vienna. 

Before the banquet. 

33 d — on canvas/ 0^4 h. by 1^ w. — purdiased in 1901 from the international fine 
arts exhibition out of me interest of the Prdll«Heuer Bequest. 



SCHOOLS OF CARLSRUHE, STUTT- 
GART AND FRANKFORT-ON-MAIN 



LESSING, CARL FRIEDRICH. Bom at Breslau Feb. 15'^ 1808, 
died at Carlsruhe June "^^^ 1880. Pupil of the Berlin and Dusseldorf 
Academies. He has been Professor of the Carlsruhe Sdiool of Art, 
and Director of the "Kunsthalle" at Carlsruhe from 1858. 

A Monastery on fire. Signed : C. T . L . 1846. 

29c — on canvas/ 1,32 h. by 1,73 w. — purdiased in 1878 in Berlin. 

A Mountain Landscape. Signed: C . T . L . 1877- 

30 c — on canvas/ i,27<( h.by 1^1 w. — acquired in 1877 from the artist. 



27o 



GERMAN PAINTERS 



SCHICK, CARL FR, Bom at Hilpertsau near GernsbaA April 
ijtl^ 1826/ died at Tretenhof near Lahr June 26th 1875. Pupil of the 
Dresden and Diisseldorf Academies, developed his style under the 
influence of Canon in Carlsruhe. 

2482 Susanna and the Elders. Signed : C. SSi<£. 

Store » rooms —on canvas; 1,04 h. by 1,28 w. — acquired in 1877 from the artist's 
widow. 

RIEFSTAHL, WILHELM L. F. Born at Neu=StreIitz Aug. 15th 
1827/ died in Munidi Oct. 11th 1888, Pupil of the Berlin Academy, 
Was for some time Professor and Director of the Carlsruhe Sdiool 
of Art, 

2483 See Appendix, 

2484 The Anatomical Theatre in Bologna, Signed ; W. RiefstaHC. MuttSen. 

27 c — on canvas/ 1,655 h- ty 1,32 w. — purchased in 1884 out of the interest of the 
PrSlUHeuer Bequest. 

HOFF, CARL. Bom at Mannheim Sept. 8tt» 1838/ died at Carls» 
ruhe May 13th 1890, Pupil of the Sdiool of Art at Carlsruhe and of 
the Academy at Diisseldorf. Professor at the Sdiool of Art at Carls- 
ruhe, 

2485 The Son's last Greeting, The comrade of the fallen man is bringing the 
sad tidings to his mother and sister. Signed: Carf Hoff . 78 . Ddf. 

30 a — on canvas 1 1,49 h. by 2,13 w. — acquired in 1882 through the Lottery Committee 
of the Albert Verein. 

THOMA, HANS. Bom at Bernau in the Black Forest Oct. 2nd 
1839/ Director of the Kunsthalle and Professor of the Academy in 
Carlsruhe. Studied in Diisseldorf, Paris, Munidi and in Italy, 

2486 The Guardian of the Valley. Monogram: HTB. 
34 c — on mill^board/ 0,99 h. by 0,75 w, — purchased in 1893 from the Artist. 

2487 The Artist's own portrait. Bust-Iength. Monogram: 7/71^ and /<S^o. 

31b — on canvas / 0,705 h. by 0,51 w. — purchased in 1895 in Dresden out of the interest 
of the ProIUHeuer Bequest. 

2488 A Spring Idyll. Signed: H76oma 1871. 

34c — on canvas; 0,885 h. by 1,02 w. — purchased in 1897 from the international art 
exhibition out of the interest of the ProIUHeuer Bequest. 

KELLER, FERDINAND. Born at Carlsruhe Aug. 5th ,842,. Pro» 
fessor of the Sdiool of Art at Carlsruhe. Pupil of Sdiirmer and of 
Canon at Carlsruhe. 

2489 Design for the curtain of the Royal Court Theatre in Dresden. 
42c — on canvas; 1,31 h. by 1,56 w. — passed to the Gallery ini879. 



OF THE XIX. CENTURY 



271 



STEINHAUSEN, WILHELM AUG.TH. BornatSorau Feb. 2nd 
1846/ living in Frankfort=on=Main, Pupil of the Berlin Academy and 
of the Carlsruhe Sdiool of Art, 
A forest-valley. 



32 d — on canvas/ 0,89 h. by 1,09 w. — pxirAased in J904 out of the interest of the 
Pr6lI=Heuer Bequest. • 

BAISCH, HERMANN. Born in Dresden July 12th 1846/ died at 

Carlsruhe May i8t>i 1894- Pupil of Lier in Munidi and afterwards 

Professor at the Carlsruhe Sdiool of Art. 

A Dutdi Canal Landscape. Signed : Hermann BaisS 1882. 

26a — on canvas/ 0,79 h. by 1,52 w. — purdiased in 1882 out of the interest of the 

ProII^Heuer Bequest. 

Cattle coming to water, on the slope of a hill. Signed ; Hermann 
Baisdj 1883. 

zya — on canvas/ 1/39 h. by i,y6 w. — purdiased in 1883 oxit of the interest of the 
ProlI^Heuer Bequest. 

TRUBNER, WILHELM. Bom at Heidelberg Feb. 3rd 1851 ,• living 

in Carlsruhe. Pupil of Canon at Stuttgart and of Leibl in Munidj. 

Professor at the Stadel Institute at Frankfort»on=Main,- from 1904 

Professor at the Sdiool of Art in Carlsruhe. 

The Artist's own Portrait. Signed: W. TruBner 1873. 

34 a — on canvas / 0,605 h. by 0,49 w. — presented in 1901 by Herr C. L. Uhle in Dresden. 

SCHONLEBER, GUSTAV. Bom at Bietigheim in Wurtemberg 
Dec. f^ 1851/ Professor of the Sdiool of Art in Carlsruhe. Pupil of 
Lier in Munidi. 
Low Tide at Flushing. Signed : G . SSonCeBer . 1881. 

38 d — on canvas / 1,55 h. by 2,51 w. — purdiased in i88t out of the interest of the 
ProU-s-Heuer Bequest. 

Breakers on the coast of the North-Sea. Signed : G . SdJonfeBer . 
19o3. 

32 b — on canvas / 0,76 h. by 1,07 w. — purdiased in 1904 out of the interest of the 
Pr611»Heuer Bequest. 

KALCKREUTH, GRAF C. W. LEOPOLD VON. Born at 
Diisseldorf May 15th 1855/ living at Eddelsen near Harburg. Pupil 
of the Weimar Sdiool of Art and of the Munidi Academy. Professor 
in Weimar and Carlsruhe and from 1899 until 1906 Director of the 
Stuttgart Academy. 

Old Age. Signed : Kaf(£reutB d.j. 94. 

35c — on canvas/ 1,16 h. by 1,72 w. — purdiased in 1897 from the international art 
exhibition out of the interest of the ProlUHeuer Bequest. 

Portrait of the Artist's Wife. Signed : KafcfreutB d. j. 19o2. 

36d — on canvas/ ia\ h. by 0,80 w. — purdiased in 1908 out of the interest of the 
Pr6il-Heuer Bequest. 



2490 

2491 
2492 



2493 

2494 
2495 



2496 
2496 A 



272 



GERMAN PAINTERS 



KALLMORGEN, FRIEDRICH. Born at Altona Nov. 15th ,856, 
living in Berlin. Pupil of the Dusseldorf and Carlsruhc Academies. 
From 1901 Professor at the Berlin Academy. 

Going to work. A Dock Scene in Hamburg. Signed ; Tr. KatTmorgen . 
1900. 



2497 



2498 



2499 



2500 



2501 



243 — 011 canvas; 1,14 h. by 0,96 w. — purchased in 1901 from the international art 
exhibition out of the interest of the Proll'Heuer Bequest. 

Rabcnding, see Appendix, 

REINIGER, OTTO. Bom at Stuttgart Feb. 27th 1863/ died there 
July 24* 1909. Pupil of the Academy there and of Professor Wcng- 
lein in Munidb. 

Sunny river landscape. Signed ; O. R. 

53 a — on canvas / i,i 
Pr3lUHeuer Bequest, 



33a — on canvas/ 1,14 h. by 1,90 w. — purchased in 1904 out of the interest of the 
Pr 



GRETHE, CARLOS. Born at Montevideo Sept, 25th 1864,- living 
in Stuttgart. Pupil and afterwards Professor at the Carlsruhe Aca- 
demy, from 1899 Professor at the Stuttgart Academy. 

The flying fish. Signed : Carfos GretBe. 

J3b — on canvas/ 0,60 h. by 0,955 w. — purdiased in 1895 firom the academy exhi- 
bition out of the interest of the Pr6ll*Heuer Bequest, 

Dockyard labourers in the port of Hamburg returning home. 

J2C — on canvas/ 1,69 h. by «/»7 w. — purdiased in 1899 from the German ArtExhl* 
bition out of the interest of the Pr6ll»Heuer Bequest. 



WEIMAR SCHOOL 



PRELLER THE ELDER, JOH. FRIEDRICH CH. E. Born 
at Eisenact April 25t'» 1804/ died at Weimar April r^^^ 1878. Pupil 
of the Dresden, Antwerp and Milan Academies, Professor at the 
Weimar ScJiooI of Art, In Rome he came under the influence of 
J. A. Koch. 

2502 Norwegian coast scene. Monogram : TP and 185o Weimar. 

•40a — on canvas/ 0,45 h. byJo,625 w. — acquired in 1879 from Herr von Seebadi of 
Cottingen. 

2503 Landscape with a Centaur carrying off a Nymph. Monogram : 7P 
and 1847 Weimar. 

23a —on canvas/ 0,82 h. by 1,41 w. — acquired in 1882 from Frau Kommerzienrat 
Molinari of Breslau. 




247 o 



Ansefm TeuerBa<£ 



to 

to 



5^ 



1^ 




OF THE XIX. CENTURY 



273 



KAMEKE, OTTO W. H. VON. Bom at Stolp in Pomerania 
Feb. 2n<l 1826/ died June S'*' 1899 in Berlin, Pupil of the Weimar 
Sdiool of Art. 
Alpine Landscape. Signed : O . v . Kame^e. 



30 c — on canvas / 1,35s h. by 1,90 w. — purcbased in 1882 out of the interest of the 
ProIUHeuer Bequest. 

HAGEN, THEODOR JOS. Born at Dusseldorf May 24th 1842/ 
living in Weimar. Pupil of Osw. Achenbadi in Dusseldorf. Professor 
at the Weimar Sdiool of Art, of whidi he was for a time Director. 
The little town of Zons on the Lower Rhine. Signed : TB . Hagen 
Weimar 1879. 
38 d — on canvas/ i,fi h. by 2,25 w. — purdiased in 1879 in Munidi. 

On the Ilm. Signed: TB . Hagen. 

33 c — on canvas/ 1,21 h. by 0,885 "^^ ~ purchased in 1904 out of the interest of the 
Proll^Heuer Bequest. 

STURTZKOPF, FRANZ. Born at Hanover in 1852/ living at 
Weimar. Pupil of the Weimar Sdiool of Art. 
A Westphalian Smithy. Signed : T . SturtzBopf. 

Store-rooms — on canvas/ 0,54 h. by 0,65 •%/. — purchased in 1885 out of the interest 
of the Proll-Heuer Bequest. 

OLDE, HANS WILHELM. Born at Suderau in Holstein April 
27th 1855/ Director of the Academy of Art in Cassel. Formed his 
style in Munidi (under Lofftz) and in Paris. 
A Holstein Bull. Signed : Hans Ofcfe 96 . SeeBamp. 

35c — on c:anvas/ 1,19 h. by 1,885 -w. — purdiased in 1897 from the international art 
exhibition out of the interest of the ProIUHeuer Bequest. 

THEDy, MAX. Born in Munidi Oct. i6tli 1858/ Professor of the 
Academy of Art at Weimar, Pupil of the Munich Academy more 
especially under Lofftz, 
Adoratio Crucis. Signed : Max TBecfy . Weimar. 

22b — on canvas/ 2,31 h. by 3,30 w. — purchased in 1899 from the German Art ExhU 
bitlon out of the interest of the PrSlUHeuer Bequest. 



2504 



2505 



2506 



2507 



2508 



2509 



NORTH GERMAN SCHOOLS 



GROGER, FRIEDRICH CARL. Bom at Ploen in Holstein Oct. 
i4fh 1766/ died at Hamburg Nov. 9^^ 1838. Pupil of the Berlin Aca- 
demy. Painted principally in Hamburg. 
The Artist's own portrait. Bust-length. 

68b — on canvas/ 0,60 h. by 0,46 w. — first in catalogue of 1856 (presented by the 
artist). 



2510 




GERMAN PAINTERS 



2511 



2512 
2512A 



2513 



2514 



2515 



2516 



RUTHS, J. G. VALENTIN. Born at Hamburg Mardi 6* ,825, 
died there Jan. iStl^ 1905. Pupil of the Munidi and Dusseldorf Aca- 
demies, Painted in Hamburg, 

Autumn morning in the south of Switzerland, Signed: VaCentin 
RutBs 1876. 

25 c — on canvas / 0,78 h. by i,z4 w. — purdiased 101876 from the German Art Exhibition. 

GURLITT, HEINR. LOUIS THEODOR. Born at Altona MarA 
8* 1812/ died at Sdimiedeberg in the Erzgebirge Sept. 19* 1897. Studied 
in Hamburg, Munidi and Copenhagen. After living in various places 
he settled in Dresden in 1873. 

The Monastery of Busaco in Portugal. Signed; Gurfitt Drsd . 1875- 
29c — on canvas/ 1,21 h. by 1,88 w. — acquired in 1878 from the artist. 

A Landscape. Scene from the Roman hills. Signed: Z.G^wr///'/'. 
Storeorooms — on canvas/ 0,285 h. by 0,43 w. — purchased in 1911 from on exhibition 
of the artist's effects, 

FEDDERSEN, HANS PETER. Born at Wester-Sdinatebull in 
Sdileswig-Holstein May 29th 1848/ living in Kleiseer»Koog near 
Niebiill. Pupil of O. Aoienbadi in Diisseldorf and of the Weimar 
Sdiool of Art. 
Landscape in North Friesland, Signed : P. Tedcfersen, DiisseCdbrf 84. 

33 d — on canvas / 0,67 h. by 1,02 w. — purchased in 1888 from the academy exhibition 
out of the interest of the Proll^Heucr Bequest. 

VINNEN, CARL. Born at Bremen Aug. 28th 1863/ living at 
Osterndorf in the province of Hanover. Pupilof the Diisseldorf and 
Carlsruhe Academies. Belongs to the Worpsweder group of artists. 
Early spring landscape. Signed : C Vinrten 1899- 

34 c — on canvas / 0,79 h. by i^y w. — purchased in 1899 from the German Art 
Exhibition out of the interest of the ProIUHeuer Bequest, 

MODERSOHN, FR, W. H. OTTO. Born at Soest Feb, 22nd 
1865/ living at Worpswede. Pupil of the Diisseldorf Academy, 
Formed his style under Baisch at Carlsruhe and under Bracht in Berlin. 
One of the founder of the Worpsweder Group, 
An old House. Landscape in North Germany. Signed : Otto Mocfer- 
soBn . W. 97- 

34b — on canvas/ o,88y h. by 1,02 w, — purchased in 1897 from the international art 
exhibition out of the interest of the PrSlUHeuer Bequest. 

DETTMANN, LUDWIG, Bom at Adelbye near Flensburg 

July 25th 1865/ Director of the Sdiool of Art at Konigsberg in Prussia, 

Pupil of the Berlin Academy, 

A Dangerous landing on the Medilenburg coast. Signed : Lucf. Deft' 

mann. 

35a — on canvas/ 142 h. by i^^ w. — purchased in 1897 from the international art 
exhibition out of the interest of tne ProIUHeuer Bequest. 



OF THE XIX. CENTURY 



275 



VOGELER, JOH. HEINRICH. Bom at Bremen Dec. 12th ,872, 

living at Worpswede. Pupil of the Dusseldorf Academy, Developed 

his style more fully at Worpswede. 

The artist's old house at Worpswede. Signed with a bird-snare 2517 

between the letters H and V. 

34c — on canvas/ 0,80 h. by i,ooy -w. — purdiased in 1897 from the ioternationat art 

exhibition out of the interest of the PrdU^Heuer Bequest. 



II 

FOREIGN SCHOOLS 



27S 



FOREIGN PAINTERS 



2518 



2519 



2520 



2521 



2522 



2523 



FRENCH SCHOOL 



Gerard, FRANQOIS baron. Bom in Rome May 4* i770/ 
died in Paris Jan. nth 1837, Pupil of Brenet and David. 
Napoleon I in his coronation robes. 

52 a — on canvas / 2,21 h. by 1,45 w. — first appears in catalogue of 1846 (presented by 
Napoleon I>. 

DELAROCHE, PAUL. Bom in Paris July 17th 1797 ,■ died there 
Nov. 4th 1856. Pupil of Gros at the Ecole des Beaux Arts in Paris. 
One of the diief masters of the Romantic Sdiool in France. 
Portrait of the Singer Henriette Sontag, afterwards Countess Rossi, 
in the diaracter of Donna Anna in Mozart's Don Giovanni. Three- 
quarter length. Signed : Pauf Defarodie 183o. 

37b — on canvas/ 1,46 h. by 1,14 w. — bequeathed to the Gallery in i8po by Henriette 
Sontag's brother, the actor Carl Sontag or the Royal Prussian Court Theatre. 

GUDIN, JEAN ANT. THEOD. Bom in Paris Aug. 2nd 1802/ 
died at Boulogne-sur-Seine April 12th 1880. Pupil of Girodet=Trioson. 
A Sea-fight. Signed: 7. Gudin 1852. 

34a — on canvas/ 0,70 h. by 0,73 w. — acquired in 1876 from the collection of Graf 
von Fersen in Dresden. 

COUTURE, THOMAS. Born at Senlis Dec. 21st 1815,. died at 

Chateau Villiers le Bel near Paris Mardi 3o'f» 1879. Pupil of Gros 

and Delarodie in Paris. 

The Bird=catdjer. Signed: T. C. 

34b — on canvas/ 0,475 h. by 0,65 w. — purdiased in 1904 firom the Arts Exhibition. 

COURBET, GUST AVE. Bom at Ornans near Besangon June 

10th 1819/ died at La Tour de Peilz on the Lake of Geneva Dec. 3it'» 

1877. Pupil of Flogeoulot. Introduced the older Frendi realism of 

the XIX, Century, 

The Stone-breakers. A celebrated masterpiece of the artist, and ex* 

hibited in the Paris Salon in 1851. Signed: G. CourBet. 

37b — on canvas/ 1,59 h. by 2,59 w. — purdiased in 1904 at the Binant sale in Paris. 

PUVIS DE CHAVANNES, PIERRE CECILE. Bom at 

Lyons Dec. 14*^ 1824/ died in Paris Oct. 24th 1898. Ptjpil of Sdieffer 

and Couture in Paris. Principal artist of the school in France during 

the latter half of the XIX. Century, whidi painted large pictures of an 

imaginative diaracter. 

The fisherman's family, A representation of the Three Ages of Man. 

Signed; P. Puvis de CBavannes 1875- 

31 d — on canvas/ 2,60 h. by 2,205 '"'• ~" purdiased in 1901 in Paris. 



OF THE XIX. CENTURY 



PUyROCHE, ELISE, nee WAGNER. Born in Dresden Mar A 31st 
1828/ died at Lyons March 41'^ 1895. Pupil of Saint-Jean in that town. 
The Tom Wreath. Signed: Efise Wagner 185o. 

40b — on canvas/ 1,0 j h. by 0,89 w. — pardiased in 1851. 

Flowers. Signed : E. PuyroSe' Wagner. 

E"a — on canvas/ 1,275 b- by i/)45 ^. — presented in 1894 by tbe arHst from the 
resden Academy exhibition. 

MONET, CLAUDE JEAN. Born at Paris Nov. 14* 1840, living 

near Paris. One of the founders of the impressionist sdiool. 

On the banks of the Seine. Signed: Cfaude Monet. Painted in 1879. 

Store»rooms — on canvas / 0,655 h. by 0,80 w. — acquired in 1909 from Durand^Ruel 
in Paris. 

DAVID -NILLET, GERMAIN. Bom in Paris Dec. 4th 1861, 

living in Paris. Pupil of L'Hermitte. 

The Confession. Signed: G. David-'NilTet. 

32c — on canvas/ 1,265 h. by 1,61 w. — acquired :in 1897 from the international art 
exhibition in Dresden. 

AMERICAN AND ENGLISH SCHOOLS 



HITCHCOCK, GEORGE. Born at Providence (Rhode Island) 
Sept. 29th 1850/ living at Egmond in Holland. Formed his style at 
Dusseldorf, Paris and The Hague. 
Among the Tulips at Haarlem, Signed; G. HitScoc^. 

J5d — on canvas/ 1,115 h. by 0,895 w. — acquired in 1897 from the international ex« 
nibition in Dresden. 

HARRISON, ALEXANQER. Bom at Philadelphia Jan. 17* 1853, 

living in Paris. Pupil of the Ecole des Beaux Arts in Paris. 

Evening by the water side. A Study. Signed: yl/f'x //^rmo//. 

14 d — on canvas/ 1,00 h. by 1,00 w. — acquired in 1893 from the Art Exhibition in 
Berlin. 

BROWN, THOMAS AUSTEN. Born in Edinburgh Sept. 18* 

1859/ living in London. Style formed in Edinburgh, 

In the farmer's cow-stall. Signed: T. Austen Brown 1893. 

34a — on canvas/ 0,665 h. by 0,72 w. — acquired in 1897 from the international art 
exhibition in Dresden. 

MELCHERS, GARI. Bom at Detroit U. S. A. Aug. ii* 1860, 

lives alternately in P^is and Holland. Pupil of the DusseldoriF 

Academy and of the Ecole des Beaux Arts in Paris, 

A Dutdi Shipwright. Signed: Gari MefSers. 

35a — on canvas/ 2,05 h. by 1,005 ▼• — acquired in 1897 from the international art 
exhibition in Dresden. 



28o 



FOREIGN PAINTERS 



SWISS SCHOOL 



2531 



2532 
2533 

2534 
2535 

2536 
2537 



CALAME, ALEXANDRE. Born at Vevey May 28* 1810/ died 

at Mentone Mardi 17th 1864. Pupil of Diday at Geneva. 

Trees near a mountain stream. Signed : A . Cafame 1854. 

30a — on canvas/ 140 h. by 2/x) w. — N.G.-W, 1, 1 — pxirdiased in 1877 in Berlin. 

BOCKLIN, ARNOLD. Born at Basle Oct. 16* 1827, died at 

Fiesole near Florence Jan. 161^1901, Pupil of J.W.Sdiirmer inDusseU 

dorf. Continued his studies in Brussels, Paris, and more especially in 

Rome. 

Pan and Syrinx. Signed : A. Bockfin fecit. Painted in 1854. 

34c — on canvas/ 1,075 h, by 0,67 w. — presented by Herr Hofrat Lesky in Dresden. 

Spring's Delights. Signed : A. Bockfin pinx. Painted in Basle in 1869. 
36b — on canvas/ 2,26 h. by 1,37 w, " purchased in 1890 in Berlin <fornierIy in the 
possession of the Sculptor J. Kopf in Rome). 

A Summer Day. Signed: ^ , .5. Painted in 1881. 

34a — on mahogany/ 0,61 h. by 0,50 w, — presented in 1902 by Excellenz Lingner. 

War. Signed:^. 5. /<jp<5, 

34 c — on linden / 1,00 h. by 0,695 v- "" presented in 1902 by Gcheimer Regierungsrat 
Prof. D. von Kaufmann of Berlin. 

KOLLER, JOS. RUDOLF. Born at Zuridi June 21st 1828/ died 
there Jan. 5th 1905. Pupil of the Dusseldorf Academy. Lived in Zuridi. 
Four Oxen ploughing. Signed : RKo/Ter 1868. C2o AustJ. 
22 d — on canvas / 1,35 h. by 2^)4 vr, — presented in 1877 by Herr Otto Wesendonck. 

SANDREUTER, HANS. Born at Basle May 11*1850/ died there 

June ist 1901. Pupil of Arnold Boddin in Florence. 

Landscape in the neighbourhood of Basle. Signed : H. Sandreuter . 

1899. 

33 a — on canvas / 0,97 h. by 1,47 w. — purdiased from the international art exhibition 
in 1901 out of the interest of the PrSIUHeuer Bequest. 



SCANDINAVIAN SCHOOL 



2538 



KROHG, CHRISTIAN. Born at Vestre Aker near Christiania 
Aug. 13th 1852/ living in Christiania. Formed his style in Carlsruhe 
Berlin and Paris, 
Norwegian pilot»boat. Signed: C KroBg. 

35a — on canvas/ 1,355 h. by 1^025 w. — purchased in 1893 from the art exhibition 
in Berlin. 



OF THE XIX. CENTURY 



281 



LILJEFORS, BRUNO, Born at Upsala in 1860/ living near Up- 
sala. Pupil of the Stoddiolm Academy. 

A Fox seizing an alpine hare. Signed : Bruno Liffefors p3. 2539 

37 a — on canvas / 1,355 h. by 2,025 ^' "" purchased in 1893 from the art exhibition 
in Berlin. 



BELGIAN SCHOOL 



MEUNIER, CONSTANTIN. Born at MerbeA near Brussels 

April 12th 1831 / died at Brussels April 4* 1905. Pupil of the Brussels 

Academy. 

The Puddler. Three-quarter length. Signed: C. Meunier. 2540 

31 b — pastel on paper/ 1,00 h. by 0,80 w. — purchased in 1897 from the international 
exhibition in Dresaen. 

CLAUS, EMILE, Born at Vive S. Eloi in East Flanders Sept. 27th 
1849/ living at Astene in Flanders. Pupil of the Antwerp Academy. 
The Pontoon at Af sne. Signed : Emife Cfaus. 2541 

31 c — on canvas/ 1,50 h. by 1,13 w. — purchased in 1897 from the international art 
exhibition in Dresden. 

LEEMPUTTEN, FRANS VAN. Born at Werditer in Belgium 

Dec. 29t*» 1850. Professor at the Antwerp Academy. 

Market Day in April. Signed : Trans van Leetnputten. 1896. 2541 

34 d — on mahogany/ 0,515 h. by 0,865 w. — purchased in 1897 from the international 

art exhibition in Dresden. 

LAERMANS, EUGENE. Born at Brussels Oct. 21st 1864, 

living in Brussels. Pupil of the Brussels Academy. 

Evening Prayer. Signed : £uff. Laermans. 2543 

35 b — on canvas / 1,305 h. by 1,015 ▼• — purchased in 1897 from the international 

art exhibition in Dresden. 



THE PASTELS 

MINIATURES AND 

TAPESTRIES 



2S6 



THE PASTELS 



ITALIAN SCHOOL 



RENI, GUIDO. Born at Calvenzano near Bologna 1575/ died at 
Bologna 1642. See page 43, 
S, Francis. Bust-length. 

63 c — on paper / oval / 0,58 h. by 0,47 w. — acquired In 1746 from the Ducal Gallery at 
Modena. 

CARRIERA, ROSALBA. Born in Venice Oct. 7th 1675, died 

there April 15th 1757. Pupil of Cav. Diamantini and of A, Balestra. 

The following 157 pastels of this artist are all upon paper and first appear in the 
"Catalogue" of 1765. Unless otherwise described they arc bust^length. 

Friedridi Christian of Saxony when Electoral Prince. Half-length. 

63 e — 0,635 h. by 0,515 w. 

The Princess Benedicte Ernestine Maria of Modena. 

52 — 0,555 h. by 0,425 w. 



\^ ■ A Venetian Procurator, Half-length. 

^ 63 d — 0,72 h. by 0,595 w. 



10 



11 



12 



13 



Queen Maria Josefa of Saxony, daughter of the Emperor Josef I, 
Consort of King August III. 
63 I — 0,535 h, by 0,425 w. 

The Abbe Sartorius. 
63 c — 0,305 h. by 0,27 w. 

King Frederidc IV of Denmark, 

52 b — 0,535 h. by 0,37 w. 

The Abbe Metastasio. 

63 c — 0/32 h. by 0,255 ^• 

Louis XV of France when Dauphin. 
52 b — 0,505 h. by 0,385 w. 

Duke Rinaldo of Modena. 

63 g — 0,245 h. by 0,18 w. 

The Cardinal of York, Half-length. 

63 a — 0,55 h. by 0,42 w. 

Count Pietro Minelli. Companion picture to No. 13, 

63 8 — 0'53 h. by 0,43 w. 

Countess Camilla Minelli. 

63 a — 0,545 h. by 0,425 w. 



THK PASTELS 


287 


Countess Recanati. 
63 c — o,*2 h. by 0,325 ▼. 


14 


Countess Leopoldine von Sternberg. 

63 a — 0,46 h, by 0,34 w. 


15 


A Venetian lady of the house of Barbarigo. 
63 e — 0^2 h, by 0,33 w. 


16 


The Princess Henriette of Modena. Companion picture to No. 18. 

J2b — 0,43 h. by 041 w. 


17 


Princess Anna Amalia Josefa of Modena. 
63 c — 0,53 h. by 0,41 w. 


18 


The Empress Elisabeth, consort of Charles VI. Half-length, 

63 c — 0,575 b by 045 w. 


19 


The Empress Amalie, consort of Joseph I, Half=length. 
63 c — 0,655 h. by 0,515 w. 


20 


The Elector Clemens August of Cologne, Half-length, Painted in 

Venice in 1727. 

52 c — 0,57 h, by 0,45 w. 


21 


Count de Villiers. 

63 1 — 0,565 h. by 0,45 w. 


22 


The Princess Monccnigo, nee Carrara. 

63 g — 0,52 h. by 0,41 w. 


23 


The Dancer Barbarina Campani. Half-length, 
63 e — 0,565 h. by 0,465 ▼. 


24 


Countess Orzelska. Half-length, 
52 b — 0,64 h, by 0,51 ▼. 


25 


The Princess Tesdien <Lubomirska>. Half-length, 

63 i — 0,575 h. by 0,46 w. 


26 


The Singer Faustina Hasse, nee Bordoni. 
63 h — 0,30 h. by 0,265 w. 


27 


A Tyrolese Hostess, 

63 g — 0,33 h, by 0,27 w. 


28 


The Artist's own portrait. Painted in Venice In 1731, 

63 c — 0,465 h. by 0,34 w. 


29 


An Old Woman in a bladt bodice, 
63 c — 0,325 h, by 0,265 w. 


30 



288 



THE PASTELS 



31-34 
31 



32 
33 
34 
35 



^: 



The four Continents personified, 

Europe, 

6} a — 0,34 ^- by 0,28 w, 

Asia. 

63 c — 0,335 h. by 0,275 ▼• 

Africa, 

63 c — 0,34 h, by 0,28 w, 

America, 

63 c — 0,335 h. by 0,275 ^• 

Clio, the Muse of History, Half-length, 

63 e — 0,625 h. by 0,50 -w, 

36 "Vigilance" represented as a female figure. Half-length, 

63 i — 0,55 h. by 0,41 w, 

37—40 Four Virtues personified, 

37 "Wisdom". 

63 d — 0,335 h, by 0,27, w, 

38 "Justice", 
63 d — 0,34 h, by 0,28 w, 

39 "Temperance", 

63 d — 0,34 h, by 0,27 w. 

40 "Sincerity", 

63 d ~ 0,34 h. by 0,275 ^< 

41 The Temporal, hand in hand with the Eternal. Female figures. Half- 
length. Companion picture to No. 42, 
63 g — 0,635 h, by"o,5i w. 

42 Love on the breast of Justice. Female figures. Half-length, 

63 g — 0,645 h. by 0,515 w. 

43—46 The four Seasons personified. 

43 "Spring". 
63 f — 0,295 h, by 0,27 w, 

44 "Summer", 

63 f — 0,305 h. by 0,265 ''^• 

45 "Autumn", 

63 f — 0,305 h, by 0,265 w, 

46 "Winter", 

63 f — 0,305 h, by 0,27, 




2534 



Arnofd BocAfin 




Pasteir 24 



RosafBa Carrier a 



THE PASTELS 


2S9 


The three Parcac. 


47-49 


Clotho. 


47 


63 h — 0,34 h, by 0,275 w. 




Ladiesis. 


48 


63 h — 0,335 h" by 0,275 w. 




Atropos, 


49 


63 h — 0,33 h. by 0,265 ^• 




The four Elements personified. 


50-53 


"Air", Half-length. Painted in Venice in 1746. 


50 


63 g — 0,56 h. by 0,46 w. 




"Water". Half=length. Painted in Venice in 1746, 


51 


63 g -- 0,56 h. by 0,46 w. 




"Earth". Half»length. Painted in Venice in 1744. 


52 


63g — 0'56h. byo,46 w. 




"Fire". Half»Iength. Painted in Venice in 1744. 


53 


63 g — 0,56 h. by 0,46 w. 

The Goddess of Victory. Half-length. "^T^ 

63 c — 0,605 b. by 0,53 w. 




54 




The Saviour. 


55 


63 g — 0,305 h. by 0,23 w. 




The Virgin looking up to heaven. 


56 


63 c— 0,44 h. by 0,335 w. 




The Virgin looking downwards. 


57 


63 c — 0,29 h. by 0,23 w. 




The Virgin with her right hand on her breast. 


58 


52 b — 0,34 h. by 0,28 w. 




The Virgin with a book. 


59 


63 e — 0,33 h, by 0,265 ^^ 




Mater Dolorosa. Half-length, 


60 


63 c — 0,585 h. by 0,48 w. 




Mary Magdalene with a book. Half-length, 


61 


6j e — 0,57 h. by 0,465 w. — acquired in 1743 through Algarotti from the Art«dealer 
Capretti in Venice. 




Mary Magdalene with a skull in her hand. Half-length, 


62 


63 e — Of4t h. by 0,325 w. 





29o 



THE PASTELS 



63 Mary Magdalene with a cross in her hands. Half-length. 
6j c — 0,46 h. by 0,335 w. 

64 The Infant S. John. Half-length. 

63 g — 0,315 h. by 0,245 \r. 

65 The Virgin with her left hand on her breast. 
52 b — 0,53 h. by 0,415 w. 

66 The Saviour in the Act of Blessing. 
52 b — 0,32 h. by 0,27 w. 

67 The Saviour. 

52 b — 0,33 h. by 0,27 w. 

68 S. Joseph. 

63 g — 0,21 h. by 0,165 w. 

69 j^ ► The Virgin looking downwards. 

'li 63 g — 0,235 h. by 0,185 w. 

70 The Virgin with folded hands. 
52 b — 0,325 h. by 0,285 w. 

71 A Gentleman in a yellow coat and blue cloak. 
63 a — 0,545 h. by 0,42 w. 

72 A young Warrior. 
52 b — 0,525 h. by 0,38 w. 

73 Portrait of a Gentleman in a blade coat. Half-length, 
63 f — 0,73 h. by 0,605 'w- 

74 Lady in a silk dress with white and blue flowers on it. 

63 a — 0,565 h. by 0,45 w. 

75 A Gentleman in a yellow coat and purple waistcoat. 

63 g — 0,245 h. by 0,19 w. 

76 A Lady in a blue cloak trimmed with ermine. 

63 a — 0,555 h- l>y 0^42 w. 

77 A Lady in a low greenish dress. 

63 i — 0,57 h. by 0,48 w. 

78 A Gentleman in a brilliant red coat. 

63 g — 0,565 h. by 0,45 w. 

79 A Lady in a blue dress and a yellow cloak. 

63 g — 0,51 h. by 0,395 ''• 



THR PASTELS 


291 


A Girl with a kitten. 
52 b — 0,23 h. by 0J19 w. 


80 


A Lady with a red bow on her breast. 

6j c — 0,325 h. bjr 0,265 ^• 


81 


Diana. 

63 e — 0,30 h. by 0,265 ^> 


82 


A Muse in blue drapery. 

63 e — 0,295 h. by 0,255 w. 


83 


A Gentleman in a yellowish-'red coat and brown cloak. 
52 c — 0,545 h. by 0,43 ▼• 


84 


A Lady in a blue cloak. 
52 c — 041 h. by 0,32 w. 


85 


A Gentleman in a red coat and cloak trimmed with gold lace. 
52 b — 0,50 h. by 0,395 ^> 


86 


Portrait of a Lady in a sea-green dress. Half-length. 

63 g — 0,675 h. by 0,505 w. 


87 


A Lady in a brown dress with coloured flowers upon it. 

63 i — 0,55 h. by 0,41 w. 


88 


A Lady with a basket of flowers. Half-length. 

63 c — 0,64 h. by 0,49 w. 


89 


A Lady in a blue cloak. 

63 b — 0,30 h. by 0,26 w. 


90 


A Muse in red drapery. 

63 b — 0,295 h. by 0,245 ^• 


91 


A Girl in a straw hat. 
52 c — 0,415 h. by 0,33 w. 


92 


A Lady in ermine and a blue shawl. 

63 c — 0,415 h. by 0,33 w. 


93 


A Muse in a lilac mantle. 

63 d — 0,29 h. by 0,245 w. 


94 


A Lady in a red mantle. 

63 c — 0,285 b. by 0,225 ^• 


95 


A Girl in a mantle shot with green and red. 
63 e — 0,30 h. by 0,26 w. 


96 



292 



THE PASTELS 



97 

98 

99 

100 

101 

102 

103 

104 

105 

106 

107 

108 

109 

110 

111 

112 

113 



^r 



A Lady in a blue dress and pink cloak. 
63 e — 046 h. by 0,35 w. 

Diana. 

63 e — 0,30 h. by 0,26 w. 

A fair youth in armour. 

63 g — 0,335 b. by 0,265 ^' 

A Lady in light red drapery. 
63 c — 0,32 h. by 0,285 w. 

A Lady with a mirror. 
52 b — 0,47 b. by 0,34 MT. 

A Lady in an ermine mantle. 

52 b — 0,45 h. by 0,35 w. 

A Lady in a bright blue lace dress. 
63 a — 0,445 b. by 0,365 w. 

Diana with a diadem of pearls. 
63 c — 0,295 b. by 0,26 w. 

A Lady with bladk hair, and with a thin gold necklace. 
52 b — 0,295 h. by 0,26 w. 

A Lady in a brownish dress and blue mantle. 
63 a — 0,515 h. by 0^+05 w. 

A Lady in ermine over a reddish-yellow dress. 

52 b — 0,52 h. by 0,41 w. 

A Lady with a thin lace scarf. 

63 c — 0,57 h- by 0,445 '^• 

A Lady in a dull lilac lace dress. 
\ 63 e — 0,56 h. by 0,445 ▼• 

A Lady in a blad( lace dress with a pink bow. 
63 c — 0,485 h. by 0,40 w. 

A Gentleman in a red coat with a handsome pattern on it. 

63 e — 0,58 h. by 0,465 w. 

A Lady in a blue cloak with a jewelled diain. 

52 c — 0,41 h. by 0,34 w. 

A Lady in a white dress with yellow flowers upon it. 
63 c — 0,415 h. by 0,33 w. 



THE PASTELS 



A Gentleman in a full blue cloak. 
63 c — 0,565 h. by 0,465 w. 

A Lady in a blue mantle over a light dress. Half=length. 
63 h — 0,755 h. by 0,64 w. 

A Lady with a spray of orange blossom. 

52 c — 0,575 h. by 0,46 ▼. 

A Lady in a light yellow dress with blue ribbons. 

52 b — 0,535 h. by 0,425 ▼, 

A Singer with a music book. 
63 c — 0,445 b. by 0,335 w. 

A Lady in a blue mantle. 

63 c — 0,415 b. by 0,335 ▼• 

A Lady in a dress with coloured flowers upon it. 
52 c — o/(i h. by 0,325 w. 

A Turk with a cup. 

63 a — 0,565 h. by 0,44 w. 

A warrior in armour with Louis Quatorzc wig. Half-length. 

63 b — 0,79 h. by 0,65 w. 

Diana with a pearl diadem in the form of a crescent. 

63 b — 0,30 h. by 0,26 ▼. 

A Gentleman in a light flowered waistcoat and red coat. 

63 c — 0,56 h. by 0,445 ▼• 
A Muse in red drapery. 

63 f — 0,295 h. by 0,245 ▼• 

A Lady in a yellow mantle trimmed with ermine. 
52 c — 0,42 h. by 0,315 w. 

A Girl with a parrot. 
63 g — 0,335 b- by 0,265 ▼• 

A Lady in a reddish-yellow dress trimmed with ftir. 

63 « — 0,315 h. by 0,25 w, 

A Gentleman in a dark yellow coat. 

63 e — 0,24 h. by 0,19 w. 

A Girl in blue and white drapery, 
63 e — 0,30 h. by 0,26 w. 



294 


THE PASTELS 


131 


A Girl in violet drapery. 
63 c — 0,32 h. by 0,265 w. 


132 


A Lady in a blue mantle, and a pearl nedilace. 

52 b ^ 0,30 h. by 0,255 w. 


133 


Diana in reddish=purple drapery. 
63 b — 0,30 h. by 0,265 ▼• 


134 


Study of a female figure. Half-length. 

63 g — 0,235 h. by 0,18 w. 


135 


Diana in brown drapery. 
52 b — 0,305 h. by 0,265 ^• 


136 


A Lady in white drapery with red ribbons in her hair. 
63 c — 0,215 b- by 0,175 w. 


137 


A Muse in yellowish«red drapery. 

63 h — 0,29 h. by 0,245 w. 


138 


A Peasant boy, 

63 c — 0,235 h. by 0,175 w. 


139 


A Girl with red hair. 

63 c — 0,23 h. by 0,175 ■f" 


140 


Diana in blue drapery. 

52 b — 0,255 h. by 0,195 v- 


141 


A Girl with a red ribbon on her shoulder. 
63 e — 0,30 h. by 0,26 w. 


142 


Portrait of a Lady with flowers in her mantle. Half-length, 
52 b — 0,645 Ji- t>y O/Jt ^■ 


143 \ 


>'A Lady with a parrot on her right hand. 

* 63 c — 0,545 h. by 0,41 w. 


144 


Study of a female head with open mouth, 

63 g — 0,215 h. by o,t8 w. 


145 


A Lady with flowers in her hair. 
52 c — 0,30 h. by 0,255 w. 


146 

1 


Study of a female head with violet drapery on her netk. 

63 b — 0,30 h. by 0,26 w. 


147 


A Man in armour and an ermine cloak lined with red. 

52 b — 0,535 h, by 0,41 w. 



THE PASTELS 



A Lady in a blue cloak with a string of pearls in her hair. 
52 c — oval/ o^ h. by 0,33 w. 

A Lady in a blue dress with brown fur. 

63 i — Or4« h. by 0,315 w. 

A Boy in a grey and red coat. 

63 g — 0,355 h. by 0,285 ^• 

A Gentleman in a yellow waistcoat and violet coat. 
63 i — 0,57 h. by 0,445 -w. 

A Gentleman in a violet cloak. 

52 b — 0,57 h. by 046 w. 

A Lady in a white damask dress and red cloak trimmed with ermine. 
63 i — 0,45 h, by 0,345 w. 

A Lady in a light silk dress. 

52 c— 045 h. by 0,34 w. 

A Lady in blue drapery, with a bundi of flowers. 
63 c — 0,44 h. by 0,335 ^• 

Diana in pink drapery. Signed on te back ; RosafBa Camera vene' 
tiana fecit anno 1725- 
63 c — 0,405 h. by 0,32 w. 

A Lady in white damask dress. 
52 b — 0,52 h. by 0,405 w. 

An elderly Gentleman in a brown coat and yellow waistcoat. 
52b — 0,535 h. by 0,42 w. 



FRENCH SCHOOL 



LIOTARD, lEAN-ETIENNE. Born at Geneva Dec. 22nd 1702/ 

died there June i2i'» 1789. Pupil of Masse and Le Moine in Paris. 

The Artist in Turkish costume. Bust-Iength. 

63 e — on paper/ oA>5 b. by 0,465 w. — first appears in the "Catalogue" of 1765 <ao 
quired in J747 througn the Due de Richelieu). 



Count Maurice of Saxony, Marshal of France. Three-quarter length, 
63 e — on parchment/ 0,64 h. by 0,53 — first appears in the "Catalogue" of 1765. 

The Chocolate-girl. 

03 e — on pardiment/ 0,825 h. by 0,525 w. — acquired in 1745 from Venice through 
Algarotti. 



k 



296 



THE PASTELS 



162 The artist's niece Mile. Lavergne. Half-length, On the bade: 
Liseuse. En BaBit ae Patsanne Lionnaise, peinte par Liotara ae 
Geneve, surnomme' fe peintre Turc. a Lion 1746. 
63 e — on pardiment/ 0,375 h. by 0,305 w. — first appears in the "Catalogue" of 1765 
(acquired in 1747 through the Due de RiAelieu). 

DE LA TOUR, MAURICE QUENTIN. Born at S. Quentin 
Sept, 5* 1704/ died there Feb, 17th 1788, Paris Academician. 

163 Maria Josepha, Dauphiness of France. Daughter of August III of 
Saxony and Poland, mother of Louis XVI of France. Half-length. 
63 e — on paper / 0,605 h- ^y 0,405 w. — purchased in Paris in 1750. 

164 Count Maurice of Saxony, Marshal of France. Half-length. 

63 e — on paper; 0,595 h- by 0,49 w. — first appears in the "Catalogue" of 1765, 

WAUTERS, EMILE, Born at Brussels Nov. 2"^ 1846,- living at 
Paris, Pupil of J,F , Portaels in Brussels and of J, L. Gerome in Paris. 
164 A Portrait of the Artist. Half-length, ^xgnzA: EmiCeWauters 1887- 
52 c — on paper with canvas stretched underneath/ 0,505 h. by 0,38 w, — acquired 
in 1887 from the international exhibition of water-colours in Dresden, 



GERMAN SCHOOL 



MENGS, ANTON RAPHAEL, Born at Aussig Mardii2th 1728/ 
died in Rome June 29* 1779. See page 224, 

165 The Artist's Father, Ismael Mengs. Bust-length, Painted in 1744, 
63 g — on paper/ 0,555 •»• by 0,425 w, — first appears in the "Catalogue" of 1765, 

166 The Artist in a blue cloak. Bust-length, Painted in 1744, 

63 g — on paper/ 0,555 h. by 0,405 w. — G.-W. Ill 30 — first appears in the "Cata- 
logue" of 1765. 

167 The Artist in a red cloak. Bust-length, Painted in 1744, 

63 g — on paper/ 0,55 h. by 0,42 w. — first appears in the "Catalogue" of 1765, 

168 TheWifeoftheCourt-painterAIexanderThiele, Bust-length. Painted 
in 1745. 
63 c — on parchment/ 0495 h. by 0,385 w. — first appears in the "Catalogue" of 1765. 

169 Herr von Hofmann, husband of the pastel painter Felicitas Sartori, 
Bust-length, Painted in 1745, 
63 c — on paper/ 0,54 h. by 0,43 w, — first appears in the "Catalogue" of 1765. 

170 The Singer Caterina Regina Mingotti. Bust-length. Painted in 1745. 
63 c — on paper/ 0,555 h- by 0,425 w. — first appears in the "Catalogue" of 1765, 



THE PASTELS 



The Singer Domenico Annibali, Bust»Iength, Painted in 1745. 
63 g — on paper/ 0,55 h. by 042 w. — first appears In the "Catalogue" of 1765. 

The Court»painter Louis de Silvestre. Bust-length. 

63 g — on paper/ 0,625 h. by 0,505 w. — first appears in the "Catalogue" of 1765. 

King Augustus III. Bust-Iength. Painted in 1745. 

63 c — on paper/ 0,555 h. by 0,42 w, — first appears in the "Catalogue" of 1765. 

The Elector Friedridi Christian of Saxony. Bust-length. Painted in 

1751. Companion picture to No, 175, 

63 c — on paper/ 0,555 h. by Orf45 '^- " fifst appears in the "Catalogue" of 1765. 

The Electress Maria Antonia, Consort of the preceding. Bust-length. 

Painted in 1751. 

63 c — on paper/ 0,555 h- by 0,445 ▼• '~ first appears in the "Catalogue" of 1765. 

Friedridi August the Just when a djild, on a purple cushion. Painted 

in 1751. 

52b — on paper/ 0,635 h. by 0,755 ▼• — fi>^t appears in the catalogue of 1812. 

Cupid sharpening an arrow. Half-length. 

63 g — on paper/ 0,415 h. by 0,355 w. — G.-W. Ill, 14 — first appears in the "Cata- 
logue" of 1765. 

MARON, THERESIA CONCORDIA, n^e MENGS. Baptized 

at Aussig Oct. ist 1725/ died in Rome 1806. Daughter and pupil of 

Ismael Mengs. Wife of the painter Anton Maron <i733 to i8o8> in 

Rome. 

The Artist, Bust-length, Companion picture to No, 179, 

63 g ~ on paper/ 0,415 h, by 0,33 w. — first appears in the "Catalogue" of 1765. 

The Artist's Sister Julie Mengs. Bust-length. 

63 g — on paper/ 042 h. by 0,34 w. — first appears in the "Catalogue" of 1765. 

SCHMIDT, JOHANN HEINRICH. Born at Hildburghausen 
Feb. loA 1749/ died in Dresden Oct. zS'^^ 1829. Pupil of his father. 
Developed his style in Paris. Court painter in Dresden after 1775. 
Princess Auguste of Saxony when a diild, on a blue cushion. Signed : 
H. SSmidtf. 1783. 
52 c — on paper/ 0,625 h. by 0XS5 w. — first appears In the catalogue of 1812. 

Prince Maximilian of Saxony, Bust-length. 

?2 on the pillar — on paper/ 0,265 h. by 0,21 w. — acquired in 1904 from the heirs of 

HerrTheodor Schmidt, the artist's grandfather and formerly custooian of the Gallery. 



CAFFE, DANIEL. Bom at Kustrin July 21511756/ died at Leip- 
sic Jan. 16th 1815. Pupil of the Court-painter Job. Heinr. Sdimidt and 
of Casanova in Dresden, 



The drawing master Julius Athanasius Dietz in a green cap. Bust- 
length. 
52c — on paper/ 0,48 h. by 0,38 w. — presented In 1855 by Herr J. Chr. RIdjtcr. 



29S 



THE PASTELS 



182 Portrait of Frau Caroline Riquet, nee Lotze djjS to 1846). Three- 

quarter length. 

52c — on paper/ 0,93 h. by 0,70 ▼. — bequeathed in 1887 by Fr3utein D. M. Beier in 
Niedcrlossnitz. 

182 A Portrait of a Gentleman. Half-length. 
52 c — on parchment/ 0,75 h. by 0,57 w. —bequeathed in 1890 by Herr F.A.Dumbte. 

WELLER, DAVID FRIEDRICH. Bom at Kirchberg July 6* 
1759/ <lis^ 3t Dresden April 21st 1789. Pupil at the MeiBen Porcelain 
Manufactory. 

183 A falling basket of fruit and flowers. 

52c— painted in gouadie on paper/ 0,94 h. by 0,745 ^- " first appears in the cata» 
logue of 1812. 

ROBERT, FELICITAS, nee TARSAERT. Lived during the first 
half of the XIX. Century in Berlin. 

184 Mary saluting Elizabeth. After Rubens. 
52c — on paper/ 0,585 h. by 0,475 w, — first appears in the catalogue of 1835. 

185 An old Cook. 

52c — on paper/ 0,725 h. by 0,745 "^^ ~ first appears in the catalogue of 1835. 



II 

THE MINIATURES 

THE MINIATURES ARE ON THE GROUND-FLOOR, 
EAST/ ROOM 52/ WALL d. THE LETTERS BELOW 
THE DESCRIPTION OF THE PICTURES REFER TO 
THE COMPARTMENTS A TO F. UNLESS OTHER- 
WISE MENTIONED THE MINIATURES ARE PAIN» 
TED IN GOUACHE 



3oo 


THR MINIATURES 




THE 


1 


EARLY ELECTORAL COLLECTION 

Placed in the Gallery about 1763 probably by the Elector Friedrich Christian <relgned 

Oct. 5 th to Dec, 17 th 1763). Distributed among the different compartments, diiefly 

in C and E, 


RAMELLI, FELICE. Born at Asti 1666/ died in Rome 1740, 

Pupil of Dion. Rho. 

A Lady in a hat and feather, 

E — on ivory/ oval/ 0,103 h- by 0,077 ▼■ 


2 


CARRIERA, ROSALBA, Born in Venice 1675/ died there 1757. 

See page 286, 

The Virgin and Child with S, John, Three-quarter length. 

E — on ivory/ oval/ 0,138 h. by o,iti w. 


3 


Apollo and Daphne. Three-quarter length. 
C — on ivory/ oval/ 0,109 h. by 0,089 ^^ 


4 


Venus and Cupid. Three-quarter length, 
E — on ivory/ oval/ 0,09 h, by 0,071 w. 


5 


Friedridi Christian of Saxony when Electoral Prince, Half-length, 

E — on ivory/ oval/ 0,109 h, by 0/389 w. 


6 


Louis XIV, of France, Bust-length, 

C — on ivory/ oval/ 0,096 h. by 0/374 w. 


7 


A Gentleman in a flowered dressing-gown. Bust-length. 
C — on ivory/ oval/ 0,083 1>. by 0^)67 w. 


8 


A Lady holding a rabbit. Half-length. 
E — on ivory/ oval/ 0^)84 h, by 0^)63 w. 


9 


A Lady with Cupid. On a book are the words : Escofe d' amour. 

Three-quarter length. 

E — on ivory/ oval/ 0,084 ^- by 0,065 w. 


10 


A Lady with a little dog on her lap. Half-length. 
E — on ivory/ oval/ 0/387 h, by 0,065 w- 


11 


A Lady with a mirror in her hand. Bust-length, 
E — on ivory/ oval/ 0,077 •». by 0/357 w. 


12 


A Gentleman in a blue coat. Bust-length. 
C — on ivory/ oval/ 0,079 h- by 0/361 w. 


13 


A Venetian Fruit-seller. Three-quarter length. 
C — on ivory/ oval/ 0,106 h. by 0/379 w. 



THE MINIATURES 



Sol 



A Lady at the breakfast table. Three-quarter length. 14 

E — on ivory/ oval/ 0/383 h. by oa)6z w. 

A Lady with a little bird on her hand. Half-length. 15 

E — on ivory/ oval/ 0,07 h. by 0^2 w. 

A Lady at the piano. Half-length, 16 

C — on ivory; oval/ 0,093 h, by 0^72 -v. 

A Lady at her toilet, receiving the visit of a gentleman. Three-quarter 17 

length. 

C — on ivory/ oval/ 0,059 h. by 0/578 w. 

A Lady in the diaracter of Diana, Half-length, 18 

C — on ivory/ oval/ 0/379 b* by ofid w, 

HOFFMANN, FELICITAS, nee SARTORI, Pupil of Rosalba 

Carriera in Venice/ after her marriage she lived in Dresden, where 

she died about 1760. 

The Artist in a blue cloak. Half-length, Signed on the back : 7>//'- 19 

cita Hoffmann nattaSartori in etta di 2 Janni e dipinta datTa stessa. 

C — on parchment/ o,ji6 h, by 0/393 ''^• 

The Artist in Turkish costume. Half-length. Signed on the back: 20 
Teficita Hoffmann Natta Sartori fecit. 
C ^ on pardiment/ 0,131 h. by 0,101 w. 

The Singer Faustina Hasse, nee Bordoni, Half-length. Companion 21 

picture to No, 22, 

C — on parAmcnt/ 0,113 b. by 0/388 w. 

The Musical Conductor Johann Adolf Hasse, husband of the prcce- 22 

ding (died 1783). Half-length, 
C — on parchment / 0,113 b, by 0/39 w. 

Figure of the Saviour in the Act of Blessing, Half-length, Copy 23 

from Rosalba Carriera, Companion picture to No, 24, 

C — 00 parchment/ 0,104 b, by 0/384 '"'• 

The Virgin Mary, Half-length. Copy from Rosalba Carriera, 24 

E — on parchment/ 0,103 b, by 0/384 ^• 

Winter, personified. Half-length, Signed on the bads : 7>/Jc7Jto //q^ 25 

mann Natta Sartori fecit. 

C — on parchment/ 0,115 h, by 0/396 w- 

A lady in the diaracter of Flora. Three-quarter length. Signed: 26 

Teficita Hoffmann fecit. Copy after Rosalba Carriera's pastel 
<No, 89), 
C — on parchment/ 0,124 ^ ^V o/>97 ▼• 



3o2 



THE MINIATURES 



27 Spring, personified. BusMength, Signed: 7'e/i'c/fa Hoffmann Natta 
Sartori Tecit. Copy from Rosalba Carriera, Companion picture to 
the next three pictures, 
C — on pardiment/ 0,093 h- ^V 0,068 w. 

28 Summer, personified. Bust = length. Signed: Teficita Hoffmann 
Natta Sartori Tecit. Copy from Rosalba Carriera. 
C — on parchment; 0,093 h, by 0/J67 w, 

29 Autumn, personified. Bust -length. Signed; Teficita Hoffmann 
Natta Sartori fecit. Copy from Rosalba Carriera, 
C — on pardiment/ 0,093 ^- ^y 0,067 w, 

30 Winter, personified. Bust-length. "SAgnzA: Teficita Hoffmann Natta 
Sartori Tecit. Copy from Rosalba Carriera. 
C — on pardiment/ 0/393 ^- by 0,068 w, 

31 Diana with a greyhound. Three-quarter length. Copy from Rosalba 
Carriera, 
C — on paper; 0,123 h. by 0,093 ''^• 

32 Copy from Correggio's Madonna with S. George <No. 153 of this 
Gallery), 
E — on pardiment/ 0,321 h. by 0,225 w. 

33 Copy from Nik, Knupfers family group <No. 1258). 

B — on pardiment/ 0,177 h. by 0,231 w, 

34 Venus with two Amoretti. Three-quarter length. After Pietro Liberi, 
C — on paper/ 0,10 h. by 0,081 w, 

35 Copy from Carlo Cignani's "Joseph and Potiphar's Wife" <No. 387 
of this gallery). Half-length, 
A — on paper/ 0,18 h. by 0,18 w, 

36 Copy from Langhetti's picture "Apollo and Marsyas" <No, 663). 
B — on pardiment/ 0,253 h, by 0,304 w, 

37 Copy from Rubens' picture "Mercury and Argus" <No. 962 C), 
B — on pardiment/ 0,172 h, by 0,23 w. 

MytENS (MEyiENS), MARTIN VON. Bom at StoAholm 
July zA^^ i6g^/ was Academy Director in Vienna when he died there 
Mardi 23rd 1770. Pupil of his father P, M. Mytens in Stodtholm, 

38 The Virgin, adoring the Child, Three-quarter length. After Guido 
Reni, 
D — on pardiment/ oval/ 0,124 h. by 0,149 w. 



THE MINIATURES 


3o3 


MENGS, ISMAEL, Born at Copenhagen about 1688/ died in 




Dresden Dec. 26th 1764. Court -painter in Dresden. Father of 




Raphael Mengs, 




The Mater Dolorosa, Three-quarter length. 


39 


D — enamel on porcelain/ oval; 0,132 h. by 0,107 w. 




Mary Magdalene in a rocky cave. Three-quarter length. 


40 


E — enamel on copper/ oval/ 0,163 h, by 0,137 w. 




The Annunciation. Three-quarter length. 


41 


B — enamel on porcelain/ oval/ two small pictures, eadi 0,105 h. by 0,135 ▼• 




The Saviour of the World. Three-quarter length. 


42 


E — on ivory / 0,113 h- by 0,088 w. 




S. Bartholomew the Apostle. Half-length, 


43 


E — on ivory/ 0,113 h. by 0,089 w. 




S. Matthew the Apostle. Three-quarter length. 


44 


E — oa ivory/ 0,113 h- ^Y 0fi9 w. 




S. James the Great, the Apostle. Three-quarter length. 


45 


E — on ivory/ 0,114 h- by 0,089 ^^ 




S. Thomas the Apostle. Three-quarter length. 


46 


E — on ivory/ 0,114 h. by 0,089 w. 




S. Phihp the Apostle, Three-quarter length. 


47 


E — on parAment attached to metal/ 0,114 h. by 0^392 w. 




S. Matthias the Apostle. Half-length. 


48 


E — on ivory/ 0,108 h. by 0,084 w. 




S. Judas Thaddaeus the Apostle. Half-length, 


49 


E — on ivory/ o,m4 h. by 0,089 w. 




S. Simon the Apostle. Half-length. 


50 


E — on ivory/ 0,114 h. by 0,089 '^^ 




S. Peter the Apostle. Three-quarter length. 


51 


E — on ivory/ 0,113 b. by 0^)89 w. 




S. Andrew the Apostle. Three-quarter length. 


52 


E — oa ivory/ 0,114 b. by 0,089 w. 




S. John the Apostle, Three-quarter length. 


53 


E — on ivory/ 0,113 h, by 0,089 ^• 




S. James the Less, the Apostle. Three-quarter length. 


54 


E — on ivory/ 0,114 b. by 0,089 w. 




Diogenes with his lantern. 


55 


C — on ivory/ 0,109 h. by 0,085 w. 





3o4 



THE MINIATURES 



56 Augustus the Strong, Bust-length. 
C — enamel on copper/ 0,034 h- '>y O/O29 ▼• 

57 A Lady with her son. Three-quarter length. 
C — on ivory/ oval/ 0,123 ^ ^V OfOgi w. 

MENGS, ANTON RAPHAEL. Born at Aussig 1728/ died in 
Rome 1779. Son and pupil of Ismael Mengs. See pages 224 and 296. 

58 Augustus III of Saxony and Poland. Bust-length. 

C — on parAment attadied to metal/ oval/ 0,099 h- by 0,08 w. 

59 The Virgin and Child with S. John. Three-quarter length. 
D — on pardiment attadied to wood/ oval/ 0,167 h. by 0,138 w. 

60 S, Mary Magdalene. Three-quarter length. 

E >- on parchment attadied to wood/ 0,185 h. by 0,142 w. 

61 Copy after Raphael's "Holy Family" in the Museum at Naples. 

C — on pardiment/ 0,228 h. by 0,185 w. 

62 Copy after Raphael's "Madonna della Sedia" in the Pitti Palace at 
Florence. 
E. — on pardiment attadied to wood/ oval/ 0,163 h. by 0,138 w. 

MARON, THERESIA CONCORDIA, nee MENGS. Bom 
1725/ died in Rome 1806. Daughter and pupil of Ismael Mengs. See 
page 297. 

63 Copy after Correggio's "Day" in the Picture Gallery at Parma, 
A — on paper attadied to copper/ 0,247 h. by 0,183 w. 

64 Copy after Correggio's "Night" <No. 152 in this gallery). 

A — on paper attadied to copper/ 0,247 h. by 0,184 ▼• 

UNKNOWN MASTERS OF THE XVIII. CENTURy. 

65 The Virgin with the Infant Christ and S, John, Three-quarter length, 

B — on ivory/ 0,198 h. by 0,144 w. 

66 S. Francis. Supposed to be by the Saxon Court-artist J, M, Henrici. 

C — enamel on porcelain/ circular/ 0,141 in diameter, 

67 Portia, Brutus' wife, swallowing burning coals. 
B — on pardiment attadied to wood / 0,206 h. by 0,171 w, 

68 Galileo Galilei. Three-quarter length. 

C — on ivory/ 0,133 b, by 0,109 w, 

69 A Flute-player. Half-length. 

C — on ivory/ 0,132 h. by 0,10 w. 




Paste IT 161 



Jean =Etienne Liotard 




Paste IT 177 



Anton RapBaef Mengi> 



THE MINIATURES 


3oS 


The celebrated general Belisarius, Three-quarter length, 
C — on ivory/ 0,126 h. by 0,096 w. 


70 


Louts, Dauphin of France. Half=length. 
E — on pardiment/ 0,059 •>• by 0,078 w. 


71 


The singer Maria Antonia Laurenti, commonly called Coralli^^Half* 

length. 

C — on ivory/ 0,114 l»- by O/O89 w. 


72 


A Pole dressed in red. Half-length. 

C — on parchment/ 0,093 ^' by 0,074 w- 


73 


An old Woman in a large hat. Supposed to be after Rembrandt. 
E — on ivory/ 0,086 h. by 0,066 w. 


74 


A Galant with two ladies in a garden. Nos. 75 and 76 belong to a 
series of 16 pictures of whidi only these two are extant. 
E — on pardiment/ 0/345 b, by 0,065 ^• 


75 


Dance in the open air. 

E — on parchment/ 0,042 h. by 0^)64 \c. 


76 

77 


THE VON ROMER COLLECTION 

Presented in 1857 by Herr Rudolf von Romer. Middle of Compartment A, 


DINGLINGER, SOPHIE FRIEDERIKE. Bom in Dresden 1736,. 

died there Mardi lot^ 1791. Pupil of Oeser in Leipsic, 

Portrait of the artist's grandfather, the Court-jeweller Johann Meldiior 

Dinglinger (1664— 1731). Half-length. 

A — on paper/ 0,117 h. by 0,096 w. 


The artist's father, the court-jeweller Joh, Fricdridi Dinglinger <i702 

to 1767). Bust-length. 

A — on ivory/ oval/ oa>54 h. by 0^)41 w. 


78 


The artist's mother, the wife of the preceding. Bust-length. 
A — on ivory/ oval/ 0/354 h- by 0/04> ^• 


79 


The artist's aunt, Charlotte Dinglinger. Bust-length. 
A — on Ivory/ oval/ 0/342 h. by 0/333 ^^ 


80 


The artist's own portrait. Bust-length. 
A — on ivory/ oval/ 0,036 h. by 0,03 w. 


81 


Anna Poppe, nee Dinglinger, Aunt of the artist. Bust-length. 

A — on Ivory/ oval/ 0/338 h. by 0,032 w. 


82 



3o6 



THE MINIATURES 



83 Franz Poppc. Husband of the preceding. Bust-length, 

A — on ivory/ oval/ 0/547 ^- l>y 0^39 w. 



THE PREUSS COLLECTION 

Presented in i84'5 by Hcrr Friedrich Preuss, Privv Councillor. Forty^nine ova( busu 
length pictures of celebrated potentates, copied from originals <most of which arc 
welUknown), by various artists, many of them by Ernst Chr. We s e r <bom in Dresden 
Nov.! 2th 1783/ died there Dec. 23 rd i860; inland revenue inspector and amateur 
painter). Compartment B. 



84 Pope Julius II. After Raphael <Pitti Palace, Florence). 

B — on ivory/ 0,068 h. by 0,06 w. 

85 Pope Clement XIV. From a portrait on a Roman snufF-box. 
B — on ivory/ 0,077 h, by 0,06 w. 

86 Pope Leo X, After Raphael <Pitti Palace Florence). 

B — on ivory/ 0^)77 h. by0/06 ▼. 

87 Pope Pius VII. After Wicar <Paris). 

B — on ivory/ 0/575 h. by 0/555 w. 

88 The Emperor Rudolf of Habsburg. From a painting in the Germ. 
Museum, Nurnberg. Monogram : O G. 
B — on ivory / 0/377 ^- t>y o/)6 w. 

89 The Emperor Sigismund. After Durer <Germ. Museum, Nurnberg). 
Monogram: GK. 
B — on ivory/ 0,077 h. by 0/363 ''^• 

90 The Emperor Maximilian. From a painting in the Germ. Museum, 
Nurnberg. Monogram: AD and HK. 
B — on ivory/ 0/377 h. by 0/559 ▼• 

91 The Emperor Charles V. After Titian {Imperial Gallery, Vienna). 

B — on ivory/ 0/575 h. by 0/556 w. 

92 King Henry IV of France. After F. Pourbus the Younger <Louvre). 
B — on ivory / 0,075 h. by 0/356 w. 

93 King Gustavus Adolphus I of Sweden. After A. Van Dydi <Muni<h, 
Pinakothek). 
B — on ivory/ 0/375 h. by 0/556 w. 

94 King Johann Sobiesky of Poland. From a painting in the Royal Palace 
in Munidi. 
B — on ivory/ 0/375 h. by 0,057 w. 



THE MINIATURES 



King William III of England. Supposed to be after an original by 
Phil. Van Dyck in Dresden. 
B — on ivory/ 0,075 h- i>y 0/057 ''• 

King Henry VIII of England. After the copy from Hans Holbein 
in the Dresden Gallery <No. 1894). 
B — on ivory/ 0/377 h. by 0,055 '''• 

King Christian II of Denmark. After a picture in the Germ. Museum, 

Nurnberg. 

B — on ivory/ 0,077 h. by 0,062 w. 

King Francis I of France. Free copy after Titian <Louvre>. 

B — on ivory/ 0/377 h. by 0,06 w. 

King Gustavus Vasa of Sweden, From a painting in the Stockholm 

Museum. 

B — on ivory/ 0,077 h. by 0^)6 w. 

The Czar Peter the Great of Russia. Supposed to be from an original 

in the Dresden Gallery, 

B — on ivory/ 0^)75 h. by 0^)57 w. 

King Louis XIV of France, After Petitot, 
B — on ivory/ 0,076 li, by 0,056 w. 

King Charles XII of Sweden, Supposed to be from an original in the 

Dresden Gallery, 

B — on ivory/ 0,075 h. by 0,056 w 

Augustus the Strong of Saxony and Poland. Original unknown, 
B — on ivory/ 0,075 h. by 0/357 w. 

The Emperor Joseph II of Austria, After Jos. Hide! <Vienna>, 

B — on ivory / 0/375 h. by 0/356 w. 



King Frederidc II <the Great) of Prussia. 

Palace in Vienna. 

B — on ivory/ 0/375 b. by 0/555 w. 



Original in the Imperial 



King George III of England, From a portrait on a snuff-box, 

B — on ivory/ 0/374 b. by 0/356 w. 

King Ferdinand IV of Naples. From a portrait on a snuff-box, 

B — on ivory/ 0/375 h. by 0,054 w. 

King Charles XIII of Sweden, From a portrait on a snuff-box. 

B — on ivory/ 0,075 h. by 0/356 w. 



3oS 



THE MINIATURES 



109 Supposed to be Qgeen Catarina Cornaro of Cyprus. From the pain» 
ting ascribed to Pordenone (Dresden Gallery No, 199 A>. 
B — on ivory/ 0,077 h. by 0,059 's^- 

110 Mary, Queen of Scots. From an unkno\en original. 
B — on ivory / 0/575 h- by 0^056 w. 

111 Queen Christine of Sweden. Supposed to be after J. G. Beck, 

B — on ivory / 0/375 h. by 0^)57 w. 

112 The Empress Maria Theresla of Austria. After Jos. Hidjcl <Vienna>, 
B — on ivory/ 0^)75 li. by 0,056 w. 

1 13 The Czarina Catharina II of Russia. After J. B. Lampi <Vienna>. 

B — on ivory ,■ 0,074 b. by 0,055 ''^• 

114 King Frederick VI of Denmark, From a portrait on a snuff-box. 
B — on ivory/ o/>75 h. by 0/356 w, 

1 15 King Frederick William III of Prussia. From a portrait on a snufF'box, 

B — on ivory/ 0/575 h. by 0,056 w, 

1 16 King Maximilian Joseph of Bavaria, After Joh, Fr. Stieler (Munich), 
B — on ivory/ 0,075 t>- by 0,057 w. 

117 King Frederick Augustus the Just, of Saxony. After A. Graff (Dres- 
den, Gallery, No. 2165). 
B — on ivory / 0,075 h- by 0/557 w. 

118 King Frederidc of Wurtemberg, Original in Stuttgart. 
B — on ivory/ 0/575 b. by 0/556 w. 

119 King Charles I of England. Free copy after an original of Ant. Van 
DyA. 

B — on ivory/ 0,075 b. by 0,055 '*'■ 

120 King Louis XVI of France. After L. Sciardi <Paris>. 
B — on ivory/ 0,075 b. by 0/555 ^• 

121 King Gustavus Adolphus II of Sweden. After J. B. Lampi (Vienna). 

B — on ivory/ 0/575 b. by 0/555 w. 

122 King Charles IV of Spain. Supposed to be after Goya. 
B — on ivory/ 0/575 b- by 0/557 w, 

123 King Victor Emanuel of Sardinia, From a portrait on a snuff-box, 
B — on ivory/ 0,075 b, by 0/556 w, 

124 The Emperor Charles the Great. After Durer (Germ, Museum, 

Niirnberg). 

B — on ivory / 0,075 b, by 0,055 ▼• 



THE MINIATURES 



Oliver Cromwell, Protector of England. From Andreas Moller's copy 
<Dresden Gallery No. 2062) of Robert Walker's original <London>. 
B — on ivory,- 0,077 h. by 0,059 '*'• 

King Christopher of Haiti. After an English engraving. 

B — on ivory/ 0,077 h. by 0,06 w. 

The Emperor Napoleon I of France. After Isabey. 
B — on ivory/ 0,074 h. by 0,056 w. 

The Emperor Alexander I of Russia. After St. Aubin (Paris). 
B — on ivory/ 0^)75 h. by 0/355 w. 

The Emperor Francis I of Austria. After an original in Munich. 

B — on ivory ,- 0^)76 h. by 0,056 w. 

The Sultan Mahomet II. After an original painted in Constantinople. 
B — on ivory/ 0,077 h- by 0,059 ▼• 

King Louis XVIII of France. After Gerard (Paris). 

B — on ivory ; ofijj h. by o/)6 w. 

King Ferdinand VII of Spain. From a portrait on a snuff=box. 
B — on ivory/ 0,075 h. by 0/557 w-, 

THE 
VON REITZENSTEIN COLLECTION 

Bequeathed in 1858 by Carl Leopold Christoph von Reitzenstein <Oberhofmarsdia!I>. 

Compartment D. <Only No. 142 is in Compartment E>. 

They are all bust«lcngth unless otherwise designated. 



AUGUSTIN, JEAN-BAPTISTE-IACQUES. Born at S.Die 

Aug. 15th 1759/ died in Paris April 13'*' 1832. 

The Emperor Napoleon I. Signed : Augustin. This and the following 

miniature <No. 134) formed the covers of a memorandum book which 

Napoleon I presented to Queen Amalia of Saxony. 

D — on ivory/ 0^)63 h.by ofiW w. 

Jerome, King of Westphalia. Signed: Augustin. 
D — on ivory / 0/164 h. by 0/344 w. 

ISABEy, JEAN-BAPTISTE. Bom at Nancy April nth ,767; 

died in Paris 1855. 

Jerome, King of Westphalia. Signed : IsaBey. 

D — on ivory/ oval/ 0/358 h. by 0,037 w. 



31o 



THE MINIATURES 



WALCH, JOHANN. Born at Kemptcn 1757,- died at Augsburg 
1816. 

136 The Ardiduke Charles of Austria. Signed: PPtf/o$/7PP- 
D — on ivory/ circular/ 0^73 in diameter. 

GQNTHER. Chr. August Gunther <born at Pirna 1760 ,• died in 
Dresden 1824) or more probably Joh, Georg Gunther <born 1766 at 
Altniannstein in Bavaria,- died at Augsburg 1822). 

137 The Ardiduke Charles of Austria. Signed : Gi'mtBer 1793. 
D — in oils on glass/ oval/ 0,086 h. by 0,066 w. 

138 The Field Marshall Count Laudon. Signed: GiintBer 17 • • • 
D — in oils on glass/ rounded at the top/ 0,101 li. by 0,088 w. 

FIORINO, JEREMIAS ALEXANDER. Bom at Cassel April 
19th 1793,. died in Dresden June 24th 1847. Se page 314. 

139 Prince Maximilian of Saxony. S\gne.A: 'Fiorino p. 
D — on ivory/ ova!/ 0,035 ^- by 0,022 w, 

OPPERMANN, C. Circumstances of his life unknown. 

140 The Emperor Alexander I of Russia. Signed : ^C?J) C. Oppermann 
I809. 
D — on ivory/ oval/ 0,056 h. by 0,043 ^• 

WINBERG, M. Circumstances of his life unknown. 

141 The Emperor Alexander II of Russia. Signed : M. WinBerg. 
D — on ivory/ oval/ 0,044 h. by 0,03 w. 

UNKNOWN ARTISTS. 

142 Carl Leopold Christoph von Reitzenstein, Captain of the Von Bren* 
kenhoff Cuirassiers in the army of the Elector of Saxony. 
Half=Iength. 
E — in oils on canvas/ 0,253 h. by 0,215 w. 

143 The Princess Marianne of Saxony. 
D — in oils on copper/ 0,10 h. hy 0,08 w. 

144 Prince Albert of Saxe=Tes(hen, Hslf^length. Companion picture 
to No. 145. 

D — on ivory/ oval/ 0,073 h- by 0,058 w. 

145 The Consort of the preceding, the Ardidudiess Christine of Austria. 
Half-length. 

D — on ivory/ oval/ 0,071 h. by 0,057 w, 

146 I The Countess Corvin^Krasinska. 

D — on ivory/ oval/ 0,05 h. by 0,041 '^- 



THE MINIATURES 


311 


Queen Maria Leczinska of France. 

D — on ivory/ oval/ 0/536 h. by 0/53 w. 


147 


The Electress Elisabeth, consort of the Elector Palatine. 
D — on ivory/ oval/ o/>62 h. by o/)yt w. 


148 


The Curator of inland fisheries von "Wolfersdorff. 
D — on ivory/ oval/ 0,052 h. by 0,042 w. 


149 


Antonie, Countess of Hrzan and Harras, nee Colonna. 
D — on ivory/ oval/ 0,049 h- by 0^)37 w. 


150 


Antonie, Countess of Hrzan and Harras, nee Colonna. 

D — on ivory/ oval/ 0/561 h. by 0/548 w. 


151 


King Max I of Bavaria. 

D — on ivory/ oval/ 0,045 ^ ^ ofijz w. 


152 


King Frederick Augustus the Just, of Saxony. 
D'— on ivory/ oval/ 0,052 h. by 0/533 ^^ 


153 


King Ferdinand VII of Spain. 

D — on ivory/ oval/ 0,057 h. by 0/532 -w. 


154 


King Ludwig I of Bavaria. 

D — on ivory/ oval/ 0/557 h. by 0,033 ^• 


155 


Queen Amalie of Saxony. 

D — on ivory/ oval/ 0,047 !»• by o^37 ▼• 


156 


The Dudiess Amalie of Z>xfeibrud{en. 
D — on ivory/ oval/ 0/552 h. by 0,041 w. 


157 


The Princess Marianne of Saxony. 

D — on ivory/ oval/ 0/572 h. by 0,058 w. 


158 


Prince Clement of Saxony, Elector of Trier <Tr^ves>. 
D — on ivorv/ oval/ 0/378 h. by 0/566 w. 


159 


The Electress Marie Antonie of Saxony. Half-length. 
D — on ivory/ oval/ 0/56 h. by 0,05 w. 


160 


The Emperor Nicolas of Russia. 
D — on ivory/ oval/ 0/541 h. by 0,035 w. 


161 


The Empress Alexandra Feodorowna of Russia. 
D — on ivory/ oval/ 0/541 h. by 0,028 w. 


162 


King Frederidi William IV of Prussia. 
D — on ivory/ oval/ 0,04 h. by 0/332 w. 


163 



312 


THE MINIATURES 


164 


The Princess Elisabeth of Saxony. 

D — on ivory/ oval/ 0,05 h. by 0^ w. 


165 


The Princess Elisabeth of Saxony, Half-length, 
D — on pardiment / 0,045 h. by 0,064 "^• 


166 


A Lady in a light red jadet trimmed with fur. Half»Iength. 
D — on ivory/ oval/ 0,063 h. by 0,051 w. 


167 


The Elector Maximilian Joseph of Bavaria. 

D — on parchment/ oval/ 0,018 h. by 0,015 w- 


168 


Duke Charles of Pfalz^'Zweibrutken. 

D — on ivory/ oval/ 0,029 h. by 0,023 w. 


169 


The Swedish Chamberlain Baron von Fersen. 
D — on ivory / oval/ 0,017 h. by 0,014 ''• 


170 


The Electress Elisabeth von der Pfalz. 
D — on parchment/ oval/ 0,029 h- by 0,023 '^• 


171 


A Woman with blue ribbon in her fair hair. 

D — on parchment/ oval/ 0,018 h. by 0,016 w. 


172 


King Augustus III of Poland, Elector of Saxony. Half^^length. Com-' 
panion picture to No. 173, 

D — on parchment/ round at the top/ 0,044 b- by 0,062 w. 


173 


The Electress Maria Anna of Bavaria. Half=length. 

D — on parchment/ round at the top/ 0/347 h- by 0/362 w. 


174 


The Electress Maria Antonie of Saxony. Half=length, 

D — on ivory/ oval/ 0/343 b. by 0,054 w. 


175 


A Lady in a light red dress. 

D — on ivory/ oval/ o/h h. by 0,03 w. 


176 


The Princess Elisabeth of Saxony. 

D — on ivory/ oval/ 0,026 h. by o/>2 w. 


177 


The Princess Christine of Saxony, Lady Abbess of Remiremont. 

D — on parchment/ oval/ 0,037 h. by 0/531 w. 


178 


The Elector Carl Theodor of Bavaria. Companion picture to No. 179. 
D — in enamel on copper/ oval/ 0/331 h. hy 0/326 w. 


179 


The Electress Elisabeth of Bavaria. 
D — on ivory/ oval/ 0,031 h. by 0,026 w. 


180 


King Frederidc Augustus the Just, of Saxony. 
D — on ivory/ oval/ 0/342 h. by 0,032 w. 



THE MINIATURES 


3/3 


King Frederick Augustus the Just, of Saxony, 
D — on ivory/ ovai/ 0/53 h. by 0,023 ^• 


181 


The Elector Maximilian Joseph of Bavaria. 

D — on parchment; 0,026 h. by 0,032 w. 


182 


Prince Albert of Saxe-Tes<hen. Companion picture to No. 184. 

D — on ivory/ oval; 0,065 b- by 0,046 w. 


183 


The Consort of the preceding. Archduchess Christine of Austria, 
D — on ivory/ oval/ 0^7 h. by 0,046 w. 


184 


King Augustus the Strong. 

D — in enamel on copper/ oval/ 0,029 h. by 0x123 w. 


185 


King Frederick Augustus the Just, of Saxony, 
D — on ivory/ oval/ 0,041 h. by 0^)32 w. 


186 


The Princess Marianne of Saxony. 
D — on ivory/ oval/ 0,038 h. by 0,033 ^> 


187 


The Elector Maximilian Joseph of Bavaria. Half=length, 

D — on parchment/ 0,040 h. by 0/355 w. 


188 


Maria of Tuscany and Frederick Augustus of Saxony when children. 

Three-quarter length. 

D — on ivory/ circular/ 0,64 in diameter. 


189 


Augustus III of Saxony and Poland, 
D — on parchment/ oval/ 0/324 b- by o/)i9 w. 


190 


The Electress Marie Anna of Bavaria. 

D — on ivory/ octagonal/ o/)3i h. by 0,019 w. 


191 


The Elector Frederick Christian of Saxony, 

D — on parchment; oval; o/)26 h.by 0/519 ^• 


192 


Prince Maximilian of Saxony, 

D — on ivory; octagonal/ 0,029 b. by o/m? w. 


193 


The Electress Maria Antonie of Saxony, 
D — on ivory/ oval; 0/323 h. by 0,019 v- 


194 


Princess Caroline of Parma, Consort of Prince Maximilian of Saxony, 

D — on ivory; oval/ 0/355 h. by 0,046 w. 


195 


King Maximilian I of Bavaria, 

D — on ivory/ oval; 0/348 h, by 0,029 ^• 


196 


Duchess Christine of Saxe-Teschcn, 
D — on ivory/ oval/ 0/47 h, by 0/537 w. 


197 



314 THE MINIATURES 



198 King Maximilian I of Bavaria. 

D — on ivory/ ova!/ 0,069 h- by 0/059 v- 

THE GRAHL COLLECTION 

Seven Miniatures painted on ivory. Presented in 1891 by the widow of the artist, 
Fran Elisabeth Grahl. Compartment A. 

GRAHL, AUGUST. Born in Mecklenburg May 26* 1791/ died 
in Dresden June i}'!* 1868. Pupil of the Berlin Academy. Lived in 
Dresden from 1835. 

198A Portrait of the Composer Sigismund Neukomm <i778— 1858), Bust' 
length. Signed : A. GraBf. Roma 1826. 
A — on ivory/ 0,145 h. by 0,115 w. 

198 B Portrait of the Sculptor Bertel Thorwaldsen <i 770 — 1 844). Bust»Iength. 
Signed : A . GraBf . Roma 183o. 
A — on ivory / 0,26 h. by 0,195 w. 

198 C Portrait of the Crown Princess Elisabeth of Prussia. Half-length. 
Painted 1831. 
A — on ivory/ 0,19 h. by 0,145 w. 

198 D Portrait of the Consort of the Emperor Nidiolas of Russia. Bust» 
length. 
A — on ivory/ circular/ 0,04 in diameter. 

198 E Portrait of Mrs. Waddington, the mother-in-law of Von Bunsen, the 
Prussian ambassador in Rome. Bust-length. 
A — on ivory/ 0,165 h. by 0,14 w. 

198 F Portrait of the physician Dr. Motherby of Konigsberg. About 1832. 
Bust-length. 
A — on ivory/ 0,15 h. by 0,11 w. 

198 G Portrait of the Countess Potozka. Painted in Dresden in 1836. Half- 
ler.gth. 
A — on ivory / 0,19 h. by 0,145 w. 

MINIATURES ACQUIRED SINGLY 

FIORINO, JEREMIAS ALEXANDER. See No. 139. 

199 The Singer Filippo Sassaroli. Bust-lengtji. 

C — on ivory/ oval/ 0/D56 h. by 0,045 w. — bequeathed in 1866 by Friulein Charlotte 
Hasse. 



THE MINIATURES 



King Anton of Saxony, In a red uniform. Signed : Tt'on'nop. Bust- 
length. 

D — on ivory/ oval/ 0,044 h. by 0,032 w. — acquired in 1890 from Geh. Justizrat 
Dr. Gille of Jena. 

King Anton of Saxony, in a white uniform. Monogram: JAT and. 
Pt. Bust-length. 

D — on ivory / oval/ 0/353 h. by 0/532 w. — acquired in 1890 from Geh. Justizrat 
Dr. Gille of Jena. 

RETZSCH, FRIEDRICH MORITZ AUGUST. Bom in Dresden 
Dec. g^^ 1779/ died in Lossnitz <near Dresden) June nth 1857. Pupil 
of the Dresden Academy, more particularly of Grassi, afterwards 
Professor of the Academy. 
Frau von Somaruga, nee von Ploetz. Bust-length. 

E — in oils oil iron^plate/ oval/ 0,077 h. by 0,064 ^' — presented in 1879 by Frau 
von Somaruga. 

Frau Ad, Guntz, nee Zungen. Half-length. 

A -- in oils on iron-plate/ 0,165 h. by 0,155 w. — presented in 1891 D. J. E. Guntz of 
Dresden. 

DOLST, CHRISTIAN GOTTLIEB. Born in Dresden 1740,. died 
there June 7''^ 1814. Instructor at the Art Academy and afterwards 
Inspector of the Gallery of Engravings in Dresden. Pupil ofJ.E. 
Goebel, Miniature painter to the Court. 

The Engraver Joh. Ad. Darnstedt <i769 to 1844). Professor of the 

Dresden Academy. Bust-length. 

C — on ivory/ 0,054 b. by 0,044 "^^ ~ acquired in 1902. 

OECHS, JOSEPH DOMINICUS. Born at ErbaA near Ulmi/jd,- 
died at Mitau 1836. Lived occasionally in Dresden. 

Portrait of the Poet Ludwig Tiedi. Bust-length, 

A — on ivory/ 0,15 h, by 0,108 w. — acquired in 1903 from the trade in works of urt, 

KRIEHUBER, JOSEF, Born in Vienna Dec. 14* 1801/ died there 

May 3o'li 1876. Pupil of the Vienna Academy, more especially of 

Fuger, 

Portrait of the Actress Julie Rcttidb. Three-quarter length. Signed: 

KrieBuBer, Wien 1832. 

52 c the central pillar — a pencil sketch lightly gone over in watcrcolours on parch- 
ment paper/ 0,201 h, by 0,16 w. — acquired in 1908 by the painter Vetter from the 
effects of the wife of General von Heinemann and presented to the gallery. 

UNKNOWN ARTISTS. 

Count Camillo Marcolini. Bust-length. 

E — on paper/ 0,27 h. by 0,213 '"'■ "" bequeathed in 1873 by King John of Saxony. 



316 



THE MINIATURES 



202 View of the Castle of Nymphenburg near Munidi. 
D — on parchment/ 0,232 h. by 0,19 w. — acquired in 1780 through Kammerherr von 
Nitsche. 

203 Friedridi August the Just of Saxony when young. Bust-Iength. 
D — on ivory/ o/oiA h. by 0/5:9 ^' — acquired in 1892 from Frau Vestri. 

THE VON ZAHN BEQUEST 

Bequeathed in 1896 by Fri. Susanne von Zahn, who died Nov. 7th 1895, Compart' 

ment B. 



DOLST, CHRISTIAN GOTTLIEB. Born at Dresden 1740, died 
there 1814. See No. 200 B, 

204 The Burgomaster Heyme. Bust-length. 
B — on ivory/ oval/ 0,018 h. by 0,015 w. 

205 The Wife of the Burgomaster Heyme, Bust^Iength. 
B — on ivory/ oval/ 0,017 h- by 0/0«} ''<'• 

206 Wife of the Burgomaster Heyme, later in life. Bust»Iength. 
B — on ivory/ oval/ 0,052 h. by 0,04 w. 

207 The Artist's Wife. Bust-length. 

B — on ivory/ oval/ 0,037 h. by 0^)34 w. 

208 The Artist's Mother-in-law, Bust-length. 
B — on ivory/ oval/ ofi\^ h. by 0,038 w. 

WESER, ERNST CHRISTIAN. Born in Dresden 1783/ died there 
i860. See page 306, 

209 The Oculist Hofirat Dr. Ponitz. Bust-length. Signed on the baA: 
Ernst Weser pinx. 18o5- 
B — on ivory/ oval/ 0,061 h. by oa>49 '^- 

THE KRIEBEL BEQUEST 

Bequeathed by FrI. Ottilie Kriebcl ■who died in Dresden Feb. 4th 1905. Some of the 14 
Miniatures, the majority of which are supposed to have been acquired from the effects 
of Marcolini, appear to have been painted by Chr. G. Dolst. See p, 315, Compart- 

ment D. 



210 The Prince Regent Franz Xaver of Saxony. Bust-length. 
D — on ivory/ oval/ 0,037 h. by 0/531 w. 

211 The Electress Maria Antonic of Saxony, Bust-length. 
D — in enamel on copper/ oval/ 0,04 h. by 0/535 w. 



THE MINIATURES 



Frederick Augustus the Just, in the uniform of the infantry regiment 

"Churfiirst". Bust-length. 

D — on ivory/ oval/ 0,049 h. by 0,038 ■w. 

Frederidc Augustus the Just in curassier uniform. Bust-length, 
D — enamel on copper/ oval/ 0,045 h. by 0,036 w. 

Frederick Augustus the Just, in the uniform of the curassier regiment 
"Churfurst". Bust»Iength. 

D — on ivory/ oval/ 0^)33 h. by 0,026 w. 

Frederick Augustus the Just in curassier uniform. Bust-length. 
D — on ivory; oval/ 0,048 h. by 0/339 w. 

Frederick Augustus the Just, in the uniform of the infantry regiment 

"Churfurst". Bust-length. 

D — on ivory/ oval/ 0,042 h. by oa>33 w. 

Frederick Augustus the Just in infantry uniform. Bust-length, 
D — en ivory/ oval / 0,059 b, by 0,047 w, 

Frederick Augustus the Just in court dress. Bust-length, 
D — enamel on porcelain/ oval/ 0,062 h. by 0,044 ^• 

J. Accoramboni, Papal Nuncio at the Court of Saxony. Bust-length. 
D — on ivory/ oval/ 0,089 b- by 0,068 w. 

A Lady wearing an order. Bust=length, 
D — on ivory/ oval/ 0,061 h. by 0,55 w. 

A Lady with a mask in her hand. Bust-length. 
D — on ivory/ oval/ oa>55 h. by oa>44 w, 

A Lady with flowers in her hair. Bust-length. 
D — on ivory/ oval/ 0,048 h. by 0,04 w, 

A Lady with blue ribbon in her hair. Bust-length. 
D — on ivory/ oval/ 0,035 h. by 0,027 w. 



Ill 

THE TAPESTRIES 



THE RAPHAEL TAPESTRIES ARE HUNG IN THE CU- 
POLA ROOM <G> OF THE ROyAL PICTURE GALLERy. 
THE OLD FLEMISH SERIES ARE AT PRESENT IN THE 
STORE-ROOMS OF THE PICTURE GALLERy 



32o 



THE TAPESTRIES 



/ 



OLD FLEMISH TAPESTRIES 



SIX HANGINGS from the XVI. Century, richly interwoven with 
gold thread. The names of the artists who designed them cannot be 
determined. The four larger ones (a, B, c, d) belong to the Sdiool of 
Quinten Massy, the two smaller ones (e, f) betray a weaker hand. 
The tapestries probably belonged to the two "Passion" series, whidi 
are mentioned as early as 1565 and 1589 in the inventories of the 
"Tapezereigewolbe" of the Electors as the "Old Passion" <probably 
e,f) and the "New Passion" Ca to d). The "New Passion" was 
presumably woven about 1550 by a Flemish tapestry artist <probably 
of Brussels) from patterns brought from Dresden and is mentioned as 
adorning the Chapel Royal <Sdilosskapelle) as early as 1554. 

The Crucifixion. 

3,36 h. by 3,29 \r. 

Christ bearing the Cross, 

3,44 h. by 3,38 w. 

The Adoration of the Shepherds. 

3,47 h. by 3,36 w. 

The Ascension, 

3,42 h. by 3,33 w. 

The Ascension, 

2,96 h, by 2,88 w. 

The Institution of the Lord's Supper, 
3,05 h. by 2,84 w. 



THE RAPHAEL TAPESTRIES 



These are replicas of six out of the ten tapestries, representing scenes 
from the Acts of the Apostles, whidi Leo X caused to be woven in 
Brussels for the walls of the Sistine Chapel in the Vatican, from the 
cartoons painted bv Raphael in 1515 to 1516, seven of whii are still 
preserved in the South Kensington Museum in London. Our six 
replicas, the borders of whidi, with figures of Apostles etc., cannot 
be traced bade to Raphael but point to the XVII. Century, were 
produced at this later period, ana probably woven in England. They 
passed from England to Paris in 1700 and from Paris in 1723 into the 



THE TAPESTRIES 



321 



possession of Graf F lemming in Dresden from whom Augustus the 
Strong purchased them in 1728, 
The Healing of the Lame Man. 
4,31 h. by 640 w. 



The Punishment of Elymas, 
4,31 h. by 3^5 w. 

The Sacrifice at Lystra. 

4,31 h. by 6,47 w. 

The Miraculous Draught of Fishes. 

4,31 h, by 5/)7 w. 

"Feed my Sheep". 

4,31 h. by 6,23 w. 

S. Paul preadiing at Athens. 
4,31 h. by 5-35 ^- 



APPENDIX 

LIST OF PICTURES LENT 



324 



APPENDIX 



74 MICHELANGELO, Copy from. The Burning of a Heretic. 

Grimma, Altertumsverein — on canvas/ 1,865 h. by 0,975 ▼• 

89 FLORENTINE SCHOOL from the end of the XVI. Century, 
S. Mary Magdalene. Bust=Iength. 
Kgl. Kunstakademie — transferred from wood to canvas; 0,63 h. by 0,475 w, 

90 The Salutation of Elisabeth. 
Finanzministerium — on canvas/ 0,605 h. by 0,505 w. 

98 RAFFAELLO SANTI, Copy from, "La Vierge a la legende". 

Oelsnitz, Stidt. Real^ und Biirgerscfaulc — on poplar/ circular/ 0,835 in diameter. 

101 ITALIAN SCHOOL of the XVI. Century, Women Feasting, with 

Cupid as an ardier. 
Grimma, Altertumsverein — on linden / 0,24 h. by 0,57 w. 

109 BAROCCI, Copy from Federico, S. Francis. 

Grimma, Altertumsverein — on canvas / 0,645 h- by 0,46 w. 

110 The Entombment of Christ. 
Grimma, Altertumsverein — on canvas/ 0,555 h. by 0,35 w. 

112 CAVALIERE D'ARPINO, Copy from, A Roman Battle. 

Store-rooms — on canvas / 2,62 h. by 4,24 w. 

118 TIBALDI, Pellegrino, S. Jerome. 

Plauen i. V., Kunstverein — on canvas/ 1,71 h. by 1,35 w. 

164 PARMIGIANINO, Sdiool of. The Virgin and Child with the Infant 
S. John. 
Plauen i. V., Kunstverein — on canvas/ 0,465 h. by 0,365 w. 

179 TITIAN, Copies from, Venus and Cupid. 
Plauen i.V., Kunstverein — on canvas/ 1,31 h. by 0,935 w. 

180 Tobias with the Angel. 
Oelsnitz, Stadt. Real* und Bfirgersdiule — on canvas/ 1,695 b. by 1,16 w. 

181 Christ with the Disciples at Emmaus. 
Dreikonigsschule, Dresden — on canvas/ 1,695 h. by 2,375 '^' 

194 PALMA VECCHIO, School of. Two Lovers. Half-length. 

Freiberg, Konig Albert Museum — on canvas/ 0,865 h, h. by 0,735 w. 

197 LOTTO, Copy from Lorenzo, The Woman taken in Adultery, be- 

fore Christ. Three-quarter length. 
Oelsnitz, Stadt. ReaU und Biirgersdiule — on canvas/ 1,105 b by 1,34 w. 



APPENDIX 



MORETTO, Copy from. The Virgin. 

Frankenberg, Lehrerseminar — on canvas / 2,iz h. by j^y w. 

VENETIAN SCHOOL about 1550, Allegorical Representation of 
Generosity. 

Finanzministerium — on canvas/ 1,275 h. by 1,06 w. 

VERONESE, Copy from Paolo, Venus and Adonis. 
Plauen i.V., Kunstvercin — on canvas/ 146 h. by 1,845 '^- 

The Apotheosis of Venice. 

Frankenberg, Lehrerseminar — on paper attadied to canvas/ 1,275 ^- by 0,805 w. 

VERONESE, HEIRS OF PAOLO, Wealth crowning Labour<alle- 

gorical picture). 

Ministerialgebaude — on canvas/ 1,665 h- by 2/32^ ▼• 

The Holy Family, 

Finanzministerium — on canvas/ 1,655 h- t>y 1,335 w. 

The Baptism of Christ. 

Freiberg, Kooig Albert Museum — on canvas/ 1,045 h> by 1,015 ■"■• 

VERONESE, Sdiool of Paolo, Christ's Entry into Jerusalem. 

Plauen i.V., Kunstverein — on canvas/ 0,55 h. by 0,975 ^• 

BASSANO, Studio of Giacomo, The Israelites in the Wilderness. 

Oelsnitz, Stadt. Real* und Biirgersdiule — on canvas / 1,25 h. by 1,755 w. 

Noah's Ark. 

MinisterialgebSude — on canvas / 1,285 h- by 1,17 w. 

Lot's Flight out of Sodom. 

Ministerialgebaude — on canvas / 1,40 h. by 1,275 w. 

A Shepherd's Family. 

Freiberg, Kdnig'Albert'Museum — on canvas/ 0,305 h. by 044 w. 

Christ appearing to Mary Magdalene. 

Plauen i.V., Kunstverein — on canvas/ 0,785 h. by 1,175 ''''• 

TINTORETTO, Copies from Jacopo, The Brazen Serpent in the 

Wilderness. 

Freiberg, Konig«Albert«Museum — on canvas / 1,64 h. by 0,90 w. 

Susanna and the Elders. 

Ministerialgebaude — on canvas/ 2,16 h. by 1,59 w. 

VENETIAN SCHOOL from the end of the XVI. Century, Venus 

and Amor. 

Freiberg, K5nig Albert Museum — on canvas/ oA>5 h. by 0,735 '''• 



326 


APPENDIX 


300 


SUPPOSED NORTH ITALIAN PAINTER of the XVI. Century 
<Forgery>, Portrait of a married couple. Three-quarter length. 
Ministerialgebaude — on canvas/ 1,07 h. by 0,875 «'■ 


311 


CARRACCI, School of. The Holy Women at the SepuIAre. 
Grimma, Altertumsverein — on poplar/ 0,375 h. by 0,32 w. 


314 


The Vision of S. Francis. 

Bautzen, Kreishauptmannsdjaft — on canvas/ 1,71 h. by 1,20 w. 


315 


The Death of S. Francis. 

Grimma, Altertumsverein — on poplar/ 0,445 h. by 0,355 w. 


318 


The Holy Family with a basket of roses. 

Finanzministeriura — on canvas/ 1,53 h. by 1,26 w. 


319 


The Martyrdom of S, Sebastian, 

Freiberg, Konig* Albert-Museum — on canvas/ 1,385 h. by 0,945 w. 


332 


RENI, Copy from Guido, David with the head of Goliath. 
Ministerialgebaude — on canvas/ 2,32 h. by 1,485 w. 


335 


SPADA, Leonello, Cupid taming a leopard. 

Standehaus — on canvas / 0,86 h. by 1,03 w. 


348 


ALBANI, Sdiool of Francesco, The Holy Family. 

Plauen i. V., Kunstverein — on copper / 0,425 h. by 0,305 w. 


353 


DOMENICINO, Sdiool of. Four diildren playing. 

Ministerialgebaude — on canvas / 1,305 h. by 1,62 w. 


370 


GUERCINO <?>, The Holy Family. Three-quarter length. 

Finanzministeriura — on canvas / 1,145 h. by 1,515 w. 


372 


GUERCINO, copy from. Dido on the funeraUpyre. 

Ministerialgebaude — on canvas/ 0,94 h. by 1,30 w. 


375 


CAGNACCI, copy from, Tarquin and Lucrece, 
Standehaus — on canvas / 1,285 ^ ^Y ''91 '^^ 


405 


PALTRONIERI, Pietro (called Mirandolese), A smithy in a ruined 

ardiway. 

Standehaus — on canvas/ 0,935 h- by 0,775 ''■ 


406 


Ruins of a palace. 

Standehaus — on canvas/ 0,925 h. by 0,785 w. 


407 


BOLOGNESE SCHOOL about 1700. The Crucifixion. 

Kgl. Kunstakademie — on canvas/ o,6i h. by 0,315 w. 



APPENDIX 


327 


CARAVAGGIO, SAooI of. The Fortune-teller. Three-quarter 

length. 

Wehlcn, Rathaus —on canvas/ 1,375 h. by 2,01 w. 


412 


Peter denying Christ. Three-quarter length, 
Standehaus — on canvas/ 1,265 h. by 1,745 w. 


413 


The Card-players. Three-quarter length. 

Freiberg, Konig-Albert-Museum — on canvas/ 1,23 h. by 1,725 w. 


414 


CORTONA, Sdiool of Pietro da, A Roman commander before the 

consuls. 

Finanzrainisteriutn — on canvas/ 0,985 h. by 1,505 w. 


426 


Mercury commanding Aeneas to leave Carthage. 
Finanztninisterium — on canvas / 2,575 h. by 4,17 w. 


427 


1 BRANDI, Giacinto, Daedalus and Icarus, 

'■ Finanzmioisterium — on canvas; 1,73 h. by 1,395 w. 


435 


MARATTA, Carlo and Carlo dai FIORI <?>,Thc Beautiftil Fruit- 
gatherer. Three-quarter length. 
Kgl. Kunstakademie — on canvas/ 1,325 h.by 0,98V, 


439 


ROBERTI, Style of Domenico, Ruins of the Forum Romanum. 

Standehaus — on canvas / 1,215 h. by 1,685 w. 


460 


GHISOLFI, Giovanni, Ruins near the sea, 
Standehaus — on canvas/ 1,01 h. by 1,365 w. 


473 


GIORDANO, Luca, The Repentant Magdalene, 
Plauen i. V., Kunstverdn — on canvas/ 1,04 h. by 1,29 w. 


478 


David with the head of Goliath. Three-quarter length, 

Finanzministcrium — on canvas/ 1,02 h. by 1,275 ^• 


482 


Rebecca with Abraham's servant at the well. 
1 Freiberg, Konig- Albert-Museum — on canvas/ 1,255 h. by 1,465. 


488 


The Battle between the Israelites and the Amalekites, 
! Ministerialgebaudc — on canvas/ 1,765 h. by 2,29 ▼. 


492 


1 Gideon's Victory over the Midianites. 
Ministerialgebaude — on canvas/ 1,785 h. by 2,28 w. 


493 


SOLIMENA, Francesco, Sophonisba receiving the poison from her 
husband's messenger. 
1 Dreikonigssdiule — on canvas/ 1,79 h. by 2,30 w. 


500 



328 



APPENDIX 



503 SOLIMENA, copy by P. Paccia from. The Virgin, S. Francis 
de Paula and a boy accompanied by his guardian^angel, 
Finanrrainisterium — on canvas / 0,76 h. by 0,66 w. 

504 SOLIMENA, Sdiool of Francesco, Half-length figure of the Virgin, 
Freiberg, Konig=AIbcrt.Museum — on canvas/ 0,475 h. by 0,355 w. 

524 TURCHI, Sdiool of Alessandro, Venus with the dead body of 
Adonis. 
Freiberg, K6nig«Albert»Museuni — on canvas/ 0,66 h. by 0,90 w. 

527 PADOVANINO, Sdiool of Alessandro Varotari called, Lucreecc. 
Three=quarter length. 
Finanzministerium — on canvas/ 1,09 h. by 0,925 w. 

528 Cleopatra. Three-quarter length. 
Finanzministerium — on canvas / 1,09 h. by 0,92 w. 

530 LIBERI, Pietro, Youth and Age. Three-^quarter length. 

Kgl. Kunstakademie — on canvas / 1,18 h. by 1,99 w. 

535 VECCHIA, Pietro, Fortune^^telling. Three-quarter length. 

Kgl. Kunstakademie — on beedi / 0,165 h. by 0,265 w- 

538 CARPIONI, Giulio, Bacdjus and Ariadne. 

Finanzministerium — on canvas/ 1,11 h. by 1,54 w. 

539 A Bacdianal. 

Finanzministerium — on canvas / 1,165 h. by 1,51 w. 

554 RICCI, Marco, Landscape with S. Jerome. 
Neues Ministerialgebaude — on canvas / 1,475 h. by 1,115 ■'^• 

555 Landscape with S. Mary Magdalene. 
Neues Ministerialgebaude — on canvas/ 1,46 h. by 1,11 w. 

557 Winter Landscape. 

Stindehaus — on canvas/ 1,01 h. by 1465 -w. 

560 Landscape with a round temple, 
Neues Ministerialgebaude — on canvas / 1,26 h. by 1,285 ''«'• 

561 A spring by the roadside. 
Neues Ministerialgebaude — on canvas / 1,25 h. by 1,24 w. 

564 BRISIGHELLA, Carlo, Cavalry-skirmish in front of a round tower. 

Plauen i. V., Kunstverein — on canvas/ 0,69 h. by 1,395 w. 

568 DIZIANl Gasparo, In the Studio, 

Plauen i. V., Kunstverein — on canvas/ 0,85 h. by 0,73 w. 



APPENDIX 


329 


MIGLIORI, Francesco, Bacdius and Ariadne. 

Neues Ministerialgebaudc — on canvas/ 3,00 h. by 4,02 w. 


572 


Europa. 

Neues Ministcrialgeb3ude — on canvas / 3^ h. by 4,04 w. 


573 


VENETIAN SCHOOL of the XVIII. Century <Mariesdii?>, 

Venice, 

Standehaus — on canvas / 0,565 h. by 0,98 w. 


640 


VENETIAN SCHOOL of the XVIII. Century, Lot and his 

daughters. 

Neues Ministerialgebaudc — on canvas / 2,75 h. by 2,06 w. 


641 


PROCACCINI, Sdiool of Giulio Caesare, The Holy Family with 

angels bringing flowers. 

Finanzministerium — on canvas ,• 0,77 h. by 0,965 w. 


644 


CRIVELLI, Angelo Maria, A circular hall amidst Roman ruins, 
Finanzministerium — on canvas/ 1,055 h. by 1,29 w. 


653 


A carpenter's workshop amidst Roman ruins. 
Finanzministerium — on canvas/ V05 h. by 1,27 w. 


654 


CASTIGLIONI, Sdiool of Benedetto, Shepherds and their flocks. 

Ministerialgebaudc — on canvas/ 0,945 h- t>y «/335 ^• 


661 


NORTH ITALIAN SCHOOL of the XVII. Century, An old man 

with a bald head. Bust^length, 

Mylau, Rathaus — on canvas/ 0,715 h. by 0,57 w. 


668 


At the Poulterer's, 

Ministerialgebaudc — on canvas/ 1,345 h, by 0,95 w. 


669 


The Ardjangel Midiael. 

Ministerialgebaudc — on canvas/ 1,04 h. by 0,755 ▼. 


670 


A Man with a beard. Bust'Iength. 
Mylau, Rathaus — on canvas/ 0,68 h. by 0,51 w. 


671 


JUANES, Studio of Juan de. The Death of the Blessed Virgin. 
Standehaus — on oak/ 1,20 h. by 1,265 ^' 


674 


HERRERA THE ELDER <?>, Francisco de. The Apostle Matthias. 

Half-length. 

Standehaus — on canvas/ 1x535 h. by 0,83 w. 


680 


RIBERA, Sdbool of Jusepe de. Pupil and master. Half-length. 

Kgl. Kunstakademie — on canvas/ 1,00 h. by 0,75 v. 


693 



33o 



APPENDIX 



695 RIBALTA <?>, Juan de, Gregory the Great celebrating mass, 

Store»rooms — on canvas / i,6o h. by i,i8 w. 

706 MURILLO, copy from. Girls counting money. 
Ministerialgeb3ude — on canvas/ 1,295 h. by 0,96 w. 

708 SPANISH SCHOOL of the XVII. Century, The Lamentation over 
Christ, 
Wehlen, Rathaas — on canvas/ 1,545 h. by 2,195 '"'■• 

709 S. Cassilda. 

Neues Ministerialgebaudc — on canvas/ 1,925 h, by 1,455 ▼. 

710 SPANISH <?> SCHOOL of the XVII. Century, The Repentant 
Magdalene, 
Finanzministcrlnm — on canvas/ 0,965 h, by 1,175 ▼< 

711 Faith, 

Olsnitz, Stidt. Real- und BGrgcrsdiuIc — on canvas/ 1,32 h. by 1,66 w. 

724 POUSSIN, School of Nicolas, Noah's Sacrifice of Thanksgiving, 

Plauen i. V., Kunstverein — on canvas/ 0,715 h. by 1,385 w. 

726 Fauns and Nymphs disporting themselves, 
Plauen i,V., Kunstverein — on canvas/ 0,84 h. by 0,995 w. 

727 A Potentate and his retinue before a flaming tripod. 
Waldheim, Rathaus — on canvas/ 1,00 h. by 1,32 w. 

728 Noah's Sacrifice of Thanksgiving. 

Waldheim, Rathaus — on canvas/ 1,08 h. by 1,31 w. 

732 CLAUDE LORRAIN, Copy from. Landscape with a shepherd's 
festival, 
Oelsnitz, StSdt, Real- und Burgers Aule — on canvas / 0,745 h- W ^i°° '^- 

737 DUGHET, Sdiool of Gaspard, Italian landscape. 

Freiberg, Konig-Albcrt-Museum — on canvas/ 0,54 h. by 0,835 w. 

738 Landscape with naked diildren harvesting, 
Plauen i. V., Kunstverein — on canvas / 0,55 h. by 0,725 w, 

739 Landscape with buildings by the waterside, 
Grimma, Altertumsverein — on canvas/ 0,485 h, by 0,64 w, 

740 Landscape with shepherds by a wooded lake, 
Grimma, Altertumsverein — on canvas / 0,48 h. by 0,645 ^' 

749 BOURGUIGNON, Sdiool and Style of Jacques Courtois called. On 
the field of battle, 
Finanzministerium — on canvas/ 0,665 h, by 1,39 w. 



APPENDIX 


33/ 


A Turkish battle. 

Finanzministerium — on canvas/ 0,665 h. by 1,39 w. 


750 


PESNE, Antoine, A Cook plucking a turkey. Three-quarter length, 
Plauen i,V., Kunstvercin — on canvas/ 1,34 h. by 1,05 w. 


774 


LOO, Jcan-Baptiste van. Portrait of King Louis XV, 
Bautzen, Kgl. KreishauptmannsAaft — on canvas; 1,93 h. by 1,365 w. 


780 


VERNET, Claude-Joseph, Town on fire in a valley, 
StSndehaus — on canvas/ 2,35 h, by 1,70 vr. 


790 


FRENCH SCHOOL of the XVIII, Century, Cleopatra, Three- 
quarter length, 
Kgl. Kunstakademie — on canvas / 1,185 b. by 0,945 w. 


793 




Portrait of the Cardinal of Salerno. Bust-length. 
Kgl. Kunstakademie — on canvas/ 0,835 h- ^y O/65 w. 


795 


Portrait of Cardinal Alberoni. Bust-length. 
Kgl. Kunstakademie — on canvas/ 0,76 h. by 0,63 w. 


796 


Portrait of Queen Catherine de' Medici of France. Bust-length. 
Ministerialgebaude — on canvas/ 0,735 h- ^Y 0/59 ▼• 


797 


Portrait of Admiral de Coligny. Bust-length. 
Ministerialgebaude — on canvas/ 0,67 h. by 0,565 w. 


798 


GOSSAERT, Copy from Jan, "Ecce Homo", 

Kgl. Kunstakademie — on linden/ 0,56 by 0,415 w. 


805A 


FLORIS, Frans, Lot and his daughters. 
Standehaas — on oak/ 0,755 b- by 1,045 w. 


818 


VOS <?>, Maerten de, Maurice of Orange on horseback. 
Ministerialgebaude — on oak/ 0,94 by 0,78 w. 


821 


FLEMISH SCHOOL of the XVI. Century, Christ blessing the 

little diildren, 

Plauen i. V., Kunstvercin — on oak/ i/w h. by 1,62 w. 


838 B 


CORNELISZ,, Old copy from Cornelis, Portrait of DirckVoIckerts- 

zoon Coornhert, Bust-length. 

Kgl, Kunstakademie — on oak/ 0,465 h, by 0,375 w. 


853 


1 BRILL, Sdiool of, "Wooded landscape with the Calydonian Boarhunt, 
Frankenberg, Lehrcrseminar — on canvas/ 1,155 h. by 1,65 w. 


863 


i BRUEGHEL THE ELDER, Copies from Jan, The Adoration of the 
Kings. 
Grimma, Altertumsverein — on fir/ 0,45 h. by 0,645 ▼• 


900 



332 



APPENDIX 



901 Christ preadiing on the Lake of Genncsaret, 

Ddbeln, Rathaus " on oak/ 0,815 h- t>y t>2i w. 

90Z Water. 

Frdberg, Konig'AlberuMuseani — on oak; 0,63 h. by 0,97 w, 

903 Earth. 

Freiberg, Konig'Albert«Maseum — on oak / 0,63 h. by 0,97 w. 

904 Fire. 

Freiberg, Konig'AlberuMuseam — on oak / 0,63 h. by 0,97 w. 

905 Air. 

Frdberg, Konig'Albert'Mosetim — on oak/ 0,63 h. by 0,975 w. 

91 1 BRUEGHEL THE ELDER, Style of Jan, Boat with Holiday-makers 
on a canal in a village. 
Standehans — on oak/ circular/ 0,19 in diameter. 

912 A Sea^side Town. 
Mylan, Rathaus — on oak/ 0,78 h. by 1,19 ir. 

913 Juno in the lower world. 
Plauen L V., Kunstvcrdn — on oak/ 0,37 h. by 0,485 w. 

917 SCHOUBROECK, Style of Peeter, Siege of a Fortress. 

Standehaus — on oak/ 0,795 h. by i,t8 ■w. 

928 BALEN THE ELDER, Hendrik van. Holy Family in a wooded 

landscape, framed in a wreath of flowers and fniit. 
Dobcin, Rathaus — on canvas/ j/jS h. by (V7}5 v. 

935 SAVERy, Roelant, Landscape in the Garden of Eden. 

Standehaus — on canvas ; 0,955 h. by 1,845 ^• 

949 VRANX <?>, Adriaen, Southern mountainous landscape with shep» 

herds and flocks. 

Finanzministerium — on oak / 0,755 h. by 1,06 w. 

986 RUBENS, Copy from P. P., The Daughter of Herodias with the Head 
of S. John the Baptist. 
Bautzen, KgL Kreishaoptmannschaft — on canvas/ 1,29 h. by 1,21 w. 

9^7 The Drunken Hercules (from the original No. 957). 
Neues Ministerialgebaude — on oak / 2,20 h. by 2,00 w, 

1041 DyCK, Attributed to A. van. The Tempter before Christ. Three- 

quarter length. 
Grimm, Altertumsvercin — on oak/ 0,21 h. by 0,16 w. 



APPENDIX 


333 


Portrait of Mary de' Medici when a widow. Bust=Iength. 
Ministerialgebaudc — on canvas/ 0,735 h- ^Y o»58 w. 


1046 


HOECKE, Copy from Jan van den, Christ bearing the Cross. 
Finanzministerium — on canvas/ i^ h. by 1435 w. 


1047 A 


FLEMISH OR DUTCH SCHOOL of the XVII, Century, Por- 
trait of an Old Man. Bust=Iength. 
Kgl. Kunstakademie — on canvas/ o,yi h. by 041 ▼. 


1053 


An old man looking upwards. Bust»Iength. 
Kgl. Kunstakademic — on canvas/ 0,56 h. by 0,49 w. 


1054 


FLEMISH SCHOOL about 1650, Dancing in the open air. 

Plauen i. V., Kunstverein — on canvas/ 0,99 h. by 1,415 w. 


1097A 


MEIREN, J. B. van der. An Oriental Seaport. 

Plauen i. V., Kunstverein — on canvas/ Of425 h. by 0,575 w. 


1126 


FLEMISH SCHOOL from the end of the XVII. Century, Night 
attack by hostile horsemen. 
Ministerialgebaudc — on canvas/ 0,985 h. by 1,37 w. 


1132 


NEyXS, Gilles, Mountainous landscape with ruins. 
Freiberg, K6nig»AIbcrt»Muscum — on canvas/ i,i8y h. by 1,91 w. 


1153 


FLEMISH SCHOOL of the XVII. Century, A wooded Landscape. 

Standehaus — on oak/ 0,68 h. by 1,06 w. 


1180 


FLEMISH SCHOOL about 1700, A Bay. 

Stindehaus — on copper/ 0,38 h. by 0,53 w. 


1181 


A Bay. 

Standehaus — on copper/ 0,38 h, by 0,53 vr. 


1182 


SEGHERS, Stvle of Daniel, Flowers surrounding a stone relief of 
1 the Holy Family. 

Dobein, Rathaus — on canvas/ 1,185 h- l>y o<9o5 ▼• 


1207 


FyT <?>, Jan, Dead Game with a boar's head, fruit and a dog. 
Standehaus — on canvas / 0,845 h. by 1,17 w. 


1216 


SON <?>, Joris van. Thistle and Corn-flowers. 
Plauen i. V., Kunstverein — on canvas/ 1,05 h. by 0,83 w. 


1220 


NETSCHER, Copy from Caspar, A Girl with a Parrot. 

Grimma, Altertumsverein — on oak/ 0,455 h. by 0,365 w. 


1354 


OSTADE, Style of Adriaen van. Men smoking and drinking and 

playing cards, 

Standehaus — on oak/ 0,38 h. by 0,495 w. 


1402 



334 



APPENDIX 



1468A WOUWERMAN, after Philips, A sutler's tent with a horseman 
drinking. 
Standehaus — on canvas/ 0,81 h. by 1,03 \r. 

1469 Fishermen near a ford, drawing their net to land. 
StSndehaus — on oak/ 0,38 h. by 0,535 'V* 

1470 A fight between infantry and cavalry before a burning fortress, 
StSndehaus — on oak/ 0,355 h. by 0,^1 w. 

1471 An unsaddled white horse standing on the road, near peasants resting. 
Grimma, Altcrtumsvcrdn — on oak/ 0,255 ^- by 0,315 w, 

1472 Two horses in a dark rodky cave. 
Standehaus — on oak/ 0,255 h. by 0,315 w. 

1473 A waggon with a white horse kicking, in a gipsy encampment. 
Ministerialgebaude — on oak/ 0,42 h. by 0,575 '^• 

1474 Horsemen attacking a travelling carriage. 

Ministerialgebaude — on oak/ 042 h. by 0,58 vr. 

1491 C WIJNANTS, attributed to Jan, Stag-hunt by a forest stream. 

Standehaus — on canvas / 0,90 h. by 0,74 w. 

1505 RUISDAEL, attributed to Jacob van, Sandy path hy a forest stream. 

Standehaus — on oak/ 0,50 h. by 0,68 w. 

1506 RUISDAEL, Copy from Jacob van. Wood path near a marsh. 

Standehaus -~ on oak/ 0,895 h. by 1,30 w. 

1572 REMBRANDT, Copy from. The Entombment of Christ. 

St3ndehaus — on canvas/ ia)15 h. by 0,73 \r. 

1578 REMBRANDT, Sdiool of. Portrait of a man with a black beard. 
Bust-length. 
Kgl. Kunstakademie — on oak/ 0,445 h. by 0,355 w, 

1598 HELST, attributed to Bartholomcus van der. An Old Woman. Bust- 
length. 
Kgl. Kunstakademie — on oak, 0,35 h. by 0,285 w. 

1624 BEERSTRATEN, Style of Jan Abrahamsz., Storm on a rodcy 
precipitous coast. 
Standehaus — on canvas/ ia>4 h. by 1,52 w. 

1641 A BACKHUySEN, attributed to Ludolf, A Boat on a rough sea. 

Plauen i. V., Kunstverein — on oak/ 0,375 h. by 0495 w. 



APPENDIX 


33S 


MOUCHERON, Frederik de. Wood and river landscape with 

gamekeepers, 

Kgl. Kunstakademic — on canvas/ 1,185 •»• by 1,39 w. 


1647 


Landscape with a bridge. 

Neues Ministcriafgebaudc — on canvas; 0,715 h. by 0,885 w. 


1651 


WEENIX, Style of Jan Baptist, Dead Game and implements of the 

diase. 

Standehaus — on canvas/ 0,98 h. by 0,735 w. 


1670 


GRIFFIER, Jan, River landscape with the ruins of a castle on a hill. 
Freiberg, Konig^AlberuMuseum — on oak/ 0,425 h. by 0,445 ▼• 


1690 


DOU, after Gerard, A Girl with a lantern. 
Grimma, Altertamsvercin — on oak; 0,225 h. by 0,17 w. 


1722 


DOU, Style of Gerard, Mary Magdalene among old ruins. 
Plauen i. V., Kunstverein — on oak/ 0,60 h. by 0485 w. 


1723 


MIERIS, copy from Frans van, A lady feeding her parrot. Three- 
quarter length. 
Standehaus — on oak/ 0,225 b. by 0,175 ▼• 


1754 




STOOM, Mattheus, Highway robbery in a lane. 

Finanzministeriom — on canvas/ 0,56 h. by 0,77 w. 


1850 


Landing troops on a rodiy coast. 
Finanzministerium — on canvas/ 0,59 h. by 0,77 w. 


1851 


POTASCH <?>, A pond with ducks and other birds upon it. 

Standehaus — on canvas/ 1,465 h. by 2,135 w- 


1855B 


DUTCH SCHOOL of the XVII. Century, A fisherman with an 

eel. Half-length. 

Kgl. Kunstakademie — on canvas/ 0,705 h. by 0,56 ^. 


1863 


Portrait of a man with black hair. Half-length. 
Kgl. Kunstakademie — on canvas/ 0,77 h. by 0,63 w. 


1864 


The Queen of Sheba before Solomon. 
Grimma, Altertumsverdn " on oak/ 0,685 h. by 0,565 w. 


1867 A 


An Old.Man with a beard. Bust-length. 
Kgl. Kunstakademie — on canvas/ 0,585 h. by 0485 w. 


1867B 


DQRER, after Albredit, S. Hubert. 

Frankenbcrg, Lehrcrseminar — on oak/ 1/35 h, by 0,78 w. 


1873 


The Death of the Virgin. 

Grimma, Altertumsverdn — on copper/ 0,32 h. by 0,225 w. 


1874 



336 



APPENDIX 



1923 CRANACH THE ELDER, Studio of Lucas, The Daughter of 
Herodias before her parents. 
Mylau, Rathaus — on linden / 0,825 h. by 1,21 w. 

1925 The Preadiing of John the Baptist. 

Dobeln, Rathaus — on linden/ 0,725 h. by 1,205 w. 

1927 Christ blessing the little Children. 
Mylau, Rathaus ~ on linden / 0,83 h. by 1,22 ▼. 

1928 The Idolatry of Solomon. 
DSbeln, Rathaus — on linden/ 0,74 h. by 1,205 w. 

1973 HEINZ, Josef, Ecce Homo. 

Freiberg, K6nigoAlbert«Museuin — on canvas / 1,14 h. by 0,74 w. 

1979 SKRETA, Karl, S, Matthew the Evangelist. Three-quarter length, 

Waldheim, Rathaus — on linden/ 0,705 h. by 0,905 w. 

1980 S. John the Evangelist, Three-quarter length. 
Waldheim, Rathaus — on linden/ 0,685 h. by 0,91 w. 

1981 S, Mark the Evangelist, Three-quarter length. 

Waldheim, Rathaus — on linden/ 0,685 h. by 0,915 w, 

1982 S. Luke the Evangelist. Three-quarter length. 
Waldheim, Rathaus — on linden/ w. 0,685 h- by 0,93 w. 

2000 BEMMEL, Wilhelm von. Landscape with the ruins of a bridge. 

Standehaus — on canvas / 0,685 h- l>y 0/955 '"'• 

2002A ROOS, Johann Heinridi, Italian pastoral, in a valley. 
Dobeln, Rathaus — on canvas/ 0,96 h. by 1,13 w, 

2003 ROOS, attributed to Johann Heinridi, A sleeping shepherd with his 
Freiberg, Konig-Albert-Museum — on canvas/ 0,36 h, by 0,43 w. 

2004 A shepherdess playing with her dog. 
Freiberg, Konig* Albert-Museum — on canvas/ 0,425 h. by 0,38 w. 

2006 LOTH, Joh, Carl, Job with his wife and Aild. 

Finanzministerium — on canvas/ 1,32 h, by 1,405 w. 

2007 Lot and his daughters. 
Finanzministerium — on canvas/ 1,31 h. by 1,405 w. 

2030 MIGNON, Abraham, A hare and birds under a green curtain. 

Standehaus — on canvas/ 1,16 h. by 0,87 w. 



APPENDIX 



337 



A hare and birds under a red curtain. 2031 

Standehaus — on canvas; 1,33 h. by 1,53 w. 

ROOS, Philipp Peter, called Rosa di TivoH, A shepherd with his horse 2038 

and his ^oAi, 

Standehaus — on canvas / 2,91 h. by 4,34 w. 

A shepherd resting above his flodt. 2041 

HciU und Pflegeanstalt Sonnenstein — on canvas / 1,46 h. by 2,21 w. 

A flodi in front of mountains with ruins. 2042 

Mylau, Rathaus — on canvas/ 0,98 h. by 1,38 w. 

AGRICOLA, Christoph Ludwig, Landscape with Mohammedan 2056 

pilgrims. 

Plauen I.V., Kunstvcrcin — on canvas/ 0,89 h. by 1,225 ^• 

FAISTENBERGER, Anton, Wooded Landscape. Robbers attadcing 2061 

horsemen. 

Standehaus — on canvas/ 147 h. by 2,20 w. 

MOLLER, Andreas, Portrait of Oliver Cromwell. Bust-length. 2062 

Ministerialgebaude — on canvas/ 0,76 h. by 0,615 'W'- 

DIETRICH, Christian Wilhelm Ernst, A shepherd asleep with his 2106 
head in the lap of a shepherdess, 
Standehaus — on canvas / 0,84 h. by 1,07 w. 

Nymphs bathing. 2125 

Plauen \. V., Kunstverein — on canvas / 0,71 h. by 1/33 w. 

Mercury and Argus, 2126 

Plauen i. V., Kunstverein — on canvas / 0,71 h. by 1/33 w. 

The new born diild in a stable. 2137 

Finanzministerium — on oak/ 0,735 h. by 0,935 w. 

Landscape in the style of Salvator Rosa, 2155 

Finanzministerium — on canvas/ 0,645 h. by 0,97 w, 

FRIEDRICH, Caroline Friederike, StilWife, 2184 

Grimma, Altcrtutnsverein — on canvas/ 0,625 h. by 0435 w, 

KLENCxEL, Johann Christian, Arcadian landscape. 2186 

Finanzministerium — on canvas / 1,15 h. by 1,67 ▼. 

MATTHAI, Friedridi, The self-sacrifice of Codrus. 2200 

Frankenbcrg, Lchrerseminar — on canvas/ 0,37 h. by 0,52 w, 

RICHTER, Theresc, A carp, vegetables and fruit. 2201 

Grimma, Altcrtumsverein — on canvas/ 043 h. by 0,565 -w. 



33S 



APPENDIX 



2202 Squirrels sitting on the antlers of a stag, 
Grimma, Altertumsverein — on canvas/ 0,63 h. by 0,87 w. 

2203 ARNOLD, Heinr. Gotth., Portrait of the Artist, Bust-length, 
Plauen i.V., Kunstverein — on canvas/ 0,505 h, by 0,415 w, 

2208 VOGEL VON VOGELSTEIN, Carl, Portrait of Pope Pius VII. 

Kgl. ResidenzsdiloB — on canvas / 1,605 h. by 1,15 w. 

221 1 Series of pictures from Goethe's Faust, 

Frankenberg, Lehrcrscmlnar — on canvas/ 3,90 h, by 3,06 w, 

2220 HENNIG, Gustav Adolf, The Finding of Moses. 

Plauen i.V., Kunstverein — on canvas; 0,52 h. by 0,56 w. 
2223 RICHTER, August, Hagar and Ishmael in the desert. 

Plauen i. V., Kunstverein — • on canvas / 0,93 h. by 0,775 w. 

2231 TORMER, Benno Friedr., The Music-lesson, 

Grimma, Altertumsverein — on mahogany/ 0,42 h. by 0,35 w. 

2234 HOBNER, Rud. Julius B., Portrait of a Jew. Bust-length. 

Plauen i. V., Kunstverein — on canvas / 0,56 h. by 0,45 w. 

2237 Portrait of the Actor <HofsdiauspieIer> F, W, Porth, Half-length, 
Kdnigl. Hoftheater — on canvas/ 0,875 ^- by 0,66 w, 

2238 Disputation between Dr. Martin Luther and Dr. Edc at Leipsic 1519. 

Grimma, Fiirstenschule — on canvas/ 3,28 h. by 6,17 w. 

2242 LEyPOLD, Carl Julius von, A ruined castle in the snow, 

Frankenberg, Lehrerseminar — on canvas / 0,70 h. by 0,65 w, 

2247 WEGENER, Joh. Friedridi Wilh,, Forest-fire in North America, 

Finanzrainisterium — on canvas/ 2,27 h, by 2,83 w, 

2248 Stags in the water, 

Grimma, Altertumsverein — on canvas/ 0,31 h. by 0,435 w- 

2249 PAPPERITZ, Gust. Friedr., The valley of Eldie in East Spain, 

Plauen i. V., Kunstverein — on canvas / 0,81 h. by 1,22 w. 

2251 WENDLER, Fr, Moritz, The fate of the diamois hunter, 

Grimma, Altertumsverein — on canvas/ 0,415 h, by 0,335 w, 

2252 SCHURIG, Carl Wilhelm, Scene during the persecution of the Jews 
jn Speyer <Spires>, 

Plauen i.V., Kunstverein ~ on canvas/ 1,38 h. by 1,65 w. 

2253 GEORGI, Friedridi Otto, Jerusalem and Mount Moriah. 

Plauen i.V., Kunstverein — on canvas/ 0,97 h, by 144 w. 



APPENDIX 


339 


WICHMANN, Adolf Fr, G., Aretino reading aloud in Titian's 

garden in Venice. 

Grimma, Altertumsvercin — on canvas / 1,02 h. by 1^1 w. 


2255 


HAMMER, Edm. Guide, A spotted greyhound, 
Grimma, Altertumsvcrein — on canvas/ 0,60 h. by 0,47 w. 


2256 


MQHLIG, Meno, A pilgrimage in the snow, 
CrimmitsAau, Rcalschulc — on canvas/ 1,33 h. by 1,87 w. 


2262 


MQLLER, Heinridi Ed., Stein Castle near Zwidcau. 
Grimma, Altertumsverdn — on canvas; 0,735 h. by 0,63 w. 


2264 


REINHOLD, Bernhard, Portrait of Cardinal Antonelli, Half»length. 
Plauen i,V., Kunstverein — on canvas/ 1,05 h, by 0,75 w. 


1167 


RITSCHER, Gottl. Moritz, A Visit to the Nurse, 

Plauen i. V., Kunstverein — on canvas/ 0,74 h. by 0,90 w. 


1121 


HAHN, K. Wilh., Scene from Kleist's "MiAael Kohlhaas", 

Grimma, Altertumsvcrein — on canvas/ 0,765 h. by 1,035 w. 


2283 


GROSSE, Fr. Theodor, Design for a theatre curtain, 
Plauen i, V., Kunstverein — on canvas / 0,82 h. by 0,72 w. 


2285 


WEBER, Anton, Portrait of the Engraver F. Seifert, 
Grimma, Altertumsvercin — on canvas/ 0,705 h. by 0,53 w. 


2291 


THOMAS, K. G. Adolf, Landscape in the Bavarian Highlands, 
Palkenstein i.V,, Rathaus — on canvas/ 0,94 h. by 1,38 w. 


2293 


KIESSLING, Joh, Paul Ad., Portait of Frau Agnes Kayser^Langer^ 

hanns. Three-quarter length. 

Plauen i, V,, Kunstverein — on canvas/ 1,44 h, by 0,995 ▼• 


2295 


THIELE, Jul. Arthur, A dead hare. 

Grimma, Altertumsvcrein — on paper/ 0,85 h. by 0,565 w. 


2304 


VENUS, Aug. Leopold, S. Elisabeth distributing alms. 
Grimma, Altertumsvercin — on canvas / 0,88 h. by 1,595 ^• 


2311 


LEINE WEBER, Anton Robert, Portrait of the artist. Bust-length, 

Grimma, Altertumsvercin — on canvas/ 0,605 b- by 0,485 w. 


2314 


EICHLER, Ernst Fard,, Portrait of the artist. Bust-length. 

Grimma, Altertumsvcrein — on canvas / 0,615 h. by 0,505 w. 


2318 


RUDOW, G, LUD WIG, Portrait of the artist. Bust-length, 

Grimma, Altertumsvcrein — on canvas/ 0,615 b, by 0,48 w. 


2321 



34o 



APPENDIX 



2343 PLQDDEMANN, Hermann, Frederick Barbarossa appeasing the 
party strife at Besan^on in 1157. 
Kgl. Sadis. Gesandtsdiaft, Berlin — on canvas/ 1,57 h. by 2,43 w. 

2350 RICHTER, Adolf, Return of a Rhenish reservist <Landwchrniann>, 
Plauen i. V., Kunstverein — on canvas/ 0,675 h- by 0,89 w. 

2351 LEEUW, Friedridi A. de, A lake in the moonlight. 
Grimma, Altertumsveretn — • on canvas/ 0,14. h. by 0,175 '^• 

2352 Winter Landscape. 

Grimma, Attertumsverein — on canvas/ 0,14 h. by 0,175 ''^> 

2353 ROTING, Julius, Columbus before the ecclesiastical council at 
Salamanca. 
Kgl. Sadis. Gesandtsdiaft, Berlin — on canvas / 1,73 h. by 2,39 w. 

2354 SEyOEL, Gustav Ed„ Sad Tidings. 

Grimma, Altertumsverein — on Havannah^cedar / 0,49 h. by 0,76 w. 

2357 WISLICENUS, Hermann, Design for a theatre=curtain. 

Frankenberg, Lehrerseminar — on canvas/ 1^455 h. by 1,36 w. 

2379 SCHON, Friedr. Wilh., A young peasant with a hymn-book in her 
hand, in her room. 
Grimma, Altertumsverein — on canvas / 0,61 h. by 0,485 w. 

2382 LICHTENHELD, William, A Lake by moonshine. 

Kgl. Sachs. Gesandtsdiaft, Berlin — on canvas / 0,915 h. by 1,395 w. 

2410 WENGLEIN, Josef, Peasants' houses surrounded by trees. 

Plauen i. V., Kunstverein — on canvas/ 0,325 h. by 0,41 w. 

2439 KRQGER, Joh. Heinr. Carl, A Village Landscape. 

Finanzministerium — on canvas/ 0,995 h. by 1,335 w. 

2483 RIEFSTAHL, Wilhelm L. F., The Pantheon in Rome, 

Crimmitsdiau, Realsdiule — on canvas/ 1,17 h. by 1,80 w. 

2498 RABENDING, Fritz, Late summer. 

Plauen i. V., Kunstverein — on canvas/ 0,95 h. by 1,20 w. 



INDEX 
OF THE ARTISTS' NAMES 



342 INDEX OF THE ARTISTS' NAMES 



A. B. <Swabian Painter) . . , . 201 

Abbate, Niccolo dell' 27 

AdienbaA, Andreas . , ,250 251 

AAenbadi, Oswald . , .251 252 

Aditsdiellincx, Lucas 128 

Adriaen vanlitredit, see Utrecfat 

Aelst, Willem van 146 

- Style of 146 

Aertsen, Style of Pieter , . , . 98 

Agricola,ChristophLudwtg 216 337 

Albani, Francesco 45 

-Sdioolof 326 

Allegri, Antonio, see Correggio 

Alt, Rudolph von 268 

Angeli, Andrea d', see Sarto 

Angeli, Heinridi von 268 

Angelico, Sdiool of Fra .... 6 

Antonello da Messina 11 

Apshoven IL, Ferdinand van , 122 

Apshoven, Thomas van . , , , 133 

Arnold, Heinridi Gotthold . , . 338 
Arpino, Copy from Giuseppe 

Cesari, called Cavaliere d' . . 324 

Arthois, Jacques d' ... 126 127 

Artist JHB 152 

Asselijn, Jan <Krabbetje> . . . , 171 

Ast, Balthasar van der 140 

Augustin, Jean-Baptiste'' 

Jacques 309 

Avercamp, Hendridc 192 

Dacdiiacca, Francesco Uber-- 

tini, called 17 

Badier, Jacob Adriaensz 170 

Backhuysen, Ludolf 176 

— Attributed to 334 

Baehr, Carl Johann 236 

Baen, Jan de 148 



Bagnacavallo, BartolommeoRa- 

menghi, called 20 

Baisdi, Hermann 271 

Balducci <?> Matteo 8 

Balen the Elder, Hendrik van . . 

106 107 332 

- Attributed to 107 

Bamboccio, see Laer 

Bantzer, Carl L. N. .. .247 248 

Barbari, Jacopo de' <Waldi> . . 12 
Barbieri, Francesco, see Guer- 

cino 

Barocci, Federico 20 

-- Copies from 324 

Bartolomeo Veneto 31 

Bassano, Francesco da Ponte, 

called 37 

Bassano, Giacomo da Ponte, 

called 35 

- Studio of 35 36 325 

Bassano, Leandro da Ponte, cal- 
led 37 38 

Batoni, Pompeo 54 55 

Baum, Paul 248 

Bed?er, Carl L. F 263 

Bedoli, Girolamo <Mazzola> . . 27 

Beerstraten, Jan Abrahamsz, . , 174 

- Style of 334 

Bega, Cornelis 160 

Begeyn, Abraham 184 

Beijeren, Abraham van . . , , 148 
Belotto, Bernardo, see Canaletto 

Bellini, Style of Giovanni . . , , 12 

Bellucci, Antonio 62 

Bemmel, Wilhelm von , . 212 336 
Bendemann, Eduard, see Roter- 

mund 

Berrfiem, Claes Pietersz. , 160 161 

Berckheyde, Gerrit 164 

Berdtheyde, Job 162 

Bergen, Dirdt van 163 



INDEX OF THE ARTISTS' NAMES 343 



Berrcttini, Pietro, see Cortona 

Berrettoni, Niccolo 53 

Bertin, Nicolas 84 

Beukelaer, Joachim 90 

Bevilacqua, Gio. Ambrogio . , 11 
Bigordi, Domenico, see Ghif" 

landajo 

Biscamo, Bartolommeo , , 71 72 

Bissolo, Style of Francesco , , 13 

Bles, Herri met de <Civetta> , , 93 

Bloemaert, Abraham 1 38 

Bloemaert, Hendridi 143 

Bloemen <BIommen>, Pecter van 124 
Blocmen, Jan Frans van <Oriz= 

zonte) 129 

Bios, Carl 262 

Bodimann, Gregor von . . . . 254 

Bocklin, Arnold 280 

Bokelmann, Chr. Ludwig . , . . 253 

Bol, Ferdinand 172 

Bol, Hans 95 96 

Bolognese, Sdiool, XVI. Cen- 
tury 22 

Bolognese, Sdiool, about 1700 , 326 

BoUongier <?>, Jan 152 

Bonifazio Veronese <de' Pitati) . 32 

— Studio of 32 

Bonvicino, Alessandro, see 

Moretto 

Boonen, Arnold 189 

Bordi, Gerard Ter, see Tcrbordi 

Bordone, Parts 31 

Bosd), Pieter van den 176 

Both, Jan 141 

— Copy from 141 

Botticelli, Sandro 6 

— Sdiool of 6 7 

Boudewijns, Adriaen Frans , . 128 

Bourdon, Sebastien 82 



Bourguignon, Jacques Courtois, 

called 82 

- Pupils and style of . 82 83 330 

Bout, Peeter 128 

-' Pupil of Poelenburgh and . , 139 

Bradit, Eugen 265 

Bramer, Leonhard .... 145 146 

Brandi, Giacinto 53 

Brandt, Josef 257 

Bray, Joseph de 155 

Bray, Salomon de 152 

Bredael, Jan Frans van . , . . 125 

Breenbergh, Bartholomeus , . . 167 

Brekelenkam, Quiringh van , , 183 

Breu the Elder, Jorg 200 

Breydel, Frans 122 

Brill, Paulus 102 

-Sdiool of 103 

Brill <?>, Sdiool of the Brothers . 

102 331 

Brisighella, Carlo <Eismann> 63 328 

Broers, Jasper 124 

Bronzino, Agnolo di Cosimo, 

called 17 

Brouwer, Adriaen . . . .118 119 

-Style of 119 

Brown, Thomas Austen . . . . 279 
Brueghel the Elder, Pieter 

<Bauern=Brueghel> 95 

-Style of 95 

Brueghel the Elder, Jan (Velvet- 
Brueghel) 104 105 

- Copies from 331 332 

- Pupils and style of 105 106 332 
Brueghel the Younger, Jan . . . 105 
Brun, Charles, see Le Brun 

Bruyn, Barthel 207 

Buonaroti, Midielangelo, see 

Midielangelo 
Buonvicino, see Moretto 



344 INDEX OF THE ARTISTS' NAMES 


Buti, Gio. Antonio <?> 


55 


Carracci, Annibale . , . , 42 


43 


Byzantine Sdiool 


4 


- Sdiool of the 43 


326 






Carriera, Rosalba , , . . 286 


300 






Carus, Carl Gustav 


235 


C_^afFe, Daniel 


297 


Casanova, G. B 


19 


Cagnacci, Attributed to Guido 




Castiglione, Giovanni Benedetto 


71 


Canlassi, called 


48 


— Sdiool of 


329 


— Copy from 


326 


Castiglione, Francesco . . . . 


71 


Cairo, Francesco . . . . . . . 


70 


Catena, Viccnzodi Biagio, called 


13 


Calame, Alexandre 


280 


— Copy from 


13 


Caliari, see Veronese 




Cavazzola, Paolo Morando, 




Callot, Copy from Jacques 


80 


called 


31 


Calvaert, Dionisio 


21 


Celesti, Andrea 


62 


— Copy from Raphael , . . . 


19 


Cerquozzi, Midielangelo ■ . . . 


52 


Camphuysen, Rafel . , , 165 


167 


Cesari, Giuseppe, see d'Arpino 




Canaletto, Gio. Antonio <da> 








Canal, called 64 


65 


Ceulen, sec janssens 




Canaletto, Bernardo Belotto 




Chavannes, see Puvis de Ch, 




called 66 


-69 


Chiari, Giuseppe 


54 


Canlassi, see Cagnacci 




Choulant, Ludwig Theodor , , 


242 


Cano, Alonso 


77 


Cignani, Count Carlo 


49 


-^ Sdiool of 


77 


Cima, Giovanni Battista da 
Conegliano, called 




Cantarini, Simone <il Pesaresc) . 


49 


13 


Capponi, Raffaelo dei, see Rafia^ 
cllo 




Cittadini, Pier Francesco . . . . 


49 




Claesz., Pieter 


151 


Caravaggio <?>, Midielangelo 

Merisi, called 

— Pupils and School of . . 51 


51 

327 


Claude Lorrain <GelIee> . , . . 

— Copy from 

Claus, Hmile 


81 
330 
281 


Caravaggio, Polidoro da, see 








Polidoro 




Cleve the Elder, Joos van, sec 




Cardudio <Carducci>, Vincente 
Carlevaris, Luca 


15 
63 


Master of the Death of the 
Virgin Mary 




Carli, Raffaello, see RafFaclIo 




Clouet, School of Francois . . 


80 


Carolsfeld, Sdinorr von, sec 




Codagora <Codazzi>, Viviano . 


53 


Sdbnorr 




Codde, Pieter 


153 


Caroto, Giovanni Francesco . . 


13 


Cologne Sdiool about 1520 . . . 


207 


Carpi, Girolamo da, see Giro- 




Conca, Sebastiano 


58 


lamo 




Conegliano, see Cima 




Carpioni, Giulio 61 


328 


Coninxloo, Gillis van 


102 


Carracci, Sdiool of Lodovico ■ . 


42 


Coques, Gonzales 


122 



INDEX OF THE ARTISTS' NAMES 345 



Cornells Cornelisz. van Haarfem 98 

— Style of 99 

— Copy from 331 

Cornelius, Peter von 250 

Correggio, Antonio Allegri, 

called 25 26 

— Copies from 26 

— School of 26 

Cortona, Sdiool of Pietro da . . 327 

Cossa, Francesco 10 

— Studio of 10 

Courbet, Gustave 278 

Courtois, Jacques, see Bour= 
guignon 

Courtois, Guillaume 83 

Couture, Thomas 278 

Cranadi the Elder, Lucas , 202—204 

— Studio of 204 205 336 

— Sdiool of 205 

Cranadi the younger, Lucas 205 206 

— Pupils and Sdiool of , 206 207 

Credi, Lorenzo di 7 

Crespi, Giuseppe Maria <lo 

Spagnuolo) 50 

Crivelli, Angelo Maria , . , , 329 
Croce, Girolamo da Santa, see 

Santa Croce 

Croos, Anthony van 148 

Cuyp, Aelbert 188 

— Copy from 188 

— Attributed to 188 

Cuyp, Benjamin Gerritsz. , . . 187 



Uahl,Johann Christian Claussen 234 

Dahl, Johann Siegwald 242 

Danedi, Giuseppe <Montalto> . 70 

Darnaut, Hugo 269 

Dathan, Georg 220 



David^Nillet, Germain . . . , 279 

Defregger, Franz von 255 

Deiters, Heinridi 253 

Delarodie, Paul 278 

Denner, Balthasar 217 

Dettmann, Ludwig 274 

Deuren, Olivier van 194 

Diamantini, Giuseppe 62 

Dieffenbadier, August 262 

Diepenbeedt, Abraham van . , 114 

Diethe, Alfred 244 

Dietridi <Dietricy>, Christian 

Wilhelm Ernst . . . 220-223 337 

Diez, Wilhelm von 257 

Dill, Ludwig 259 

Dinglinger, Sophie Friederike . . 305 

Diziani, Gasparo 328 

Dorr, Otto E. F, A 264 

Dolci, Cario 59 

- Sdiool of 59 

Dolst, Christian Gottl. . 315 316 
Domenidiino, Domenico Zam» 

pieri, called 46 

-Sdiool of 46 326 

Dorste, Jacob van 172 

Dossi, Battista 22 23 

Dosso Dossi, Giovanni di Nic- 

colo Lutero, called 22 

- Sdiool of 23 

Douzette, Louis 264 

Dou, Gerard 181 182 

-After 335 

- Style of 335 

Dreber, K. Heinridi 240 

Droodisloot, Joost Cornelisz. . . 139 

Drost <?>, Cornelis 172 

Dubbels, Hendridc 174 

Dud{, JacobA 153 

Dudcer, Eugen G 253 



346 INDEX OF THE ARTISTS' NAMES 



Durer, Albrectt 198 

— Copies from 198 335 

-Studio of 198 199 

— Ascribed to 199 

Durer <?>, Hans 199 

Dughet, Gaspard <Poussin> 81 82 

-SAoolof 82 330 

Du Jardin, Karel 175 

Dusart, Cornells 165 

Dutdi master about 1500 , , . . 97 
Dutdi master of the year 1548 . . 98 
Dutdi master of the year 1563 . , 98 
Dutch School anterior to 1500 . . 97 
Dutch Sdiool of the XVII. Cen- 
tury 195 335 

Dutdi Sdiool of the XVIII. Cen- 
tury 195 

Duyster, Willem Cornelisz , , 167 
Dydc, AntcMiius van .. . 115—117 

— Copy from 117 

— attributed to ,. .117 332 333 



Echtler, Adolph . . , . 
Eeckhout, Gerbrandt van 
Eidiler, Ernst Ferdinand 
Eismann, see Brisighella 
Eismann, Johann Anton 
Elliger the Elder, Ottmar 
Elsheimer, Adam . , . . 
Engelbrechtsen, Cornells 
Espinosa <?), Jac. Jeronimo 
Everdingen, Allart van 
Everdingen, Caesar van 
Eyck, Jan van 



r aber, G, Traugott 
Fabritius, Barent . 
Faccini <?>, Pietro . 
Faistenberger, Anton 



den 



de 



258 
174 
339 

213 

134 

210 

97 

77 

193 

193 

92 



234 
171 
43 
217 337 



Falens, Karel van 125 

Farinati, Paolo 33 

Fasolo, Giovanni Antonio . . 35 

Feddersen, Hans Peter . . . . 274 

Fellmann, Aloys 254 

Ferabosco, see Forabosco 

Ferg, Franz de Paula 218 

Ferrarese Sdiool, XVI. Century 25 

Feti, Domenico 51 52 

Feuerbach, Anselm 268 

Fiebiger, Julius 239 

Fiesole, see Angelico 
Filipepi, see Botticelli 

Fiorino,Jeremias Alexander 310 314 

Fischer-Gurig, Adolph . , , . 248 

Flemal, Bartholet 135 

Flemish master of the end of the 

XV. Century, see Master of 

the Dresden Triptydion 
Flemish and Dutch School of the 

XVII. Century 109 333 

Flemish School about 1491 ... 93 
Flemish <?> Sdiool about 1500 , . 93 
Flemish Sdiool of the XVI. Cen- 
tury 96 97 331 

Flemish Sdiool of the XVII. 

Century 109 333 

Flemish School about 1650 . , . 333 

Flemish School about 1700 . . . 333 
Flemish School from the End of 

the XVII. Century 333 

Flincfe, Govert 172 

Florentine School about 1500 . . 8 

Florentine Sdiool about 1550 . . 17 
Florentine School from the end of 

the XVI. Century 324 

Florentine School of the XVII. 

Century 58 

Floris, Frans de Vriendt, called 

94 331 



INDEX OF THE ARTISTS' NAMES 347 



Fontana, Prospero 21 

Fontana, Lavinia 21 

Forabosco <FeraI)OSco>, Giro* 

lamo 61 

Francesdiini, Marcantonto , . , 49 
Francia , Francesco Raibolini, 

called 11 

Francia, Giacomo 11 

Franciabigio (Francesco di 

Christofano) 16 

Francken <Frandc> I., Frans , . 102 

Francken <Fran<i> II., Frans . , 108 

— Attributed to 109 

Francken (Frandi) I, , Hierony-' ' 

mus 102 

Fran^oys <Frandioys>, Peeter . , 118 
Franz'Dreber, see Dreber 
Frendi Sdiool, from the end of 

the XVII. Century 84 

Frendi Sdiool, XVIIL Century 

87 331 

Frcnzel, Oskar 266 

Friedridi, Kaspar David . 232 233 

Friedridi, Caroline Friederike . 337 

Friedridi, Gustav Adolf , , , . 241 

Friese, Ridiard 266 

Furini, Francesco 59 

Fyt,Jan 133 

— Attributed to 133 333 

Oabbiani, Antonio Domenico 59 

Gartner, Heinridi Johann ,, ., 264 
Garofalo, Benvenuto Tisi, called 

23 24 

— Sdiool of 24 

Gaubert, see Gobert 

Gebhardt, Eduard von 252 

Gebler, Friedridi Otto . . 256 257 

Gelder, Aert de 189 

Gellee, see Claude Lorrain 

Gcntz, K. Wilhelm 264 



Georgi, Friedridi Otto 338 

Gerard, Francois Baron . . . , 278 

German Sdiool about 1550 . . . 202 
German Sdiool of the early part 

of the XVIII. Century .. .. 216 

Gessi, Francesco 46 

Geysels, see Gysels 

Gey, Chr. Ludw. Leonhard . . 244 

Gheringh, Antonius 131 

Ghirlandajo, Sdiool of Domeni= 

CO di Tommaso Bigordi, called 7 

Ghislandi, Fra Vittorc 62 

Ghisolfi, Giovanni 56 327 

Gille, Christian Friedridi . . . . 237 

Giordano, Luca . , . . 56—58 327 

Giorgione 29 

-After 29 

Giotto di Bondone, Sdiool of . , 6 
GiroIamo<de'Sellari orde'Liviz- 

zani> da Carpi 24 

Girolamo da Treviso the 

younger 31 

Giulio Romano <Pippi> 20 

Glauber, Johannes <Polidor> . . 194 

Gliemann, Philipp Albert . . . . 240 

Gobert <Gaubert>, Pierre .... 84 

Gonne, Chr, Friedridi 239 

Gossaert <Mabuse>, Copy from 

Jan 92 331 

Gotz, Theodor von 242 

Goyen, Jan van 147 148 

Graff, Anton 225-227 

Grahl, August 314 

Grassi, Josef 228 

Grebber, Pieter de . . . .151 152 
Greco, Domenico Theotocopuli, 

called 37 

Grethe, Carlos 272 

Greuze, Copy from Jean Bap* 

tistc 87 



348 INDEX OF THE ARTISTS' NAMES 


Griffier, Jan 179 180 


335 


Heem, Jan Davidsz. de . 140 


141 


Grimou, Alexis 




85 


— Sdiool of 


141 


Grosse, Franz Theodor . 


243 


339 


Heem, Cornelis de 


134 


Groger, Friedridi Carl . , . 




273 


Heemskerck the Younger, Eg- 




Grutzner, Eduard 




258 


bert van 


164 


Grund, Norbert 




223 


Heeremans, Thomas 


163 


Guardi, Francesco 




66 


Heersdiop, Hendridc 

Hegenbarth, Emanuel 


161 


Gude, Hans Fr 




264 


249 


Gudin, Jean Antoine Theodore 


278 


Heinz, Josef 210 


336 


Guercino, Francesco Barbieri, 




Heiss, Johann 


213 


called 


4e 


-48 


Heist, Bartholomeus van der 171 


172 


— Attributed to 




48 


— Attributed to 

Hennig, Gustav Adolf 


334 
338 


— Copy from 




326 


■" Sdiool of 




48 


Henrici, attributed to J. M. 
Herrera the Elder <?>, Fran» 


304 


Gunther, Christian August 




310 


Gurlitt, H. Louis Th 




274 


Cisco de 


329 


Gussmann, Otto Friedridi . 




266 


Herrmann, Hans 


266 


Gussow, Carl 




265 


Herteridi, Ludwig 


261 


Gysels, Peeter 


127 


128 


Heyde, Jan van der 


178 


Gysis, Nikolaus 




257 


Heyser, Friedridi 


248 


riackaert, Jan 






Hitdicodi, George 


279 




176 


Hobbema, Meindert 


178 


Haensbergen, Johannes van 




144 


Hoedce, Copy from Jan van 




Hagen, Theod. Jos 




273 


den 


333 


Hahn, Carl Wilhelm . . . . 




339 


Hoet, Gerard 


144 


Hahn, Gustav Adolf , . , . 




239 


Hoff,CarI 


270 


Haider, Karl 




259 


Hoffmann, Felicitas, nee Sartori 




Haider, Bernhard 




213 


301 


302 


Hals the Elder, Frans , , , 




150 


Hofmann, Joh. Midi, Heinridi 240 


241 


— Copies from 




150 


Holbein the Younger, Hans . . 


200 


— Sdiool of 




150 


— Copies from 200 


201 


Hals the younger, Frans . . 




155 


Hondecoeter, Meldiior d' , 143 


144 


Hamilton, John George de , 




216 


Hondecoeter, Gilles Claesz. d' 


166 


Hammer, Edmund Guido 


239 


339 


Hondt <Hondius>, Abraham de 


190 


Harrison, Alexander . , , , 




279 


Hondt, Lambert de 


124 


Hartmann, Ferdinand . . , 


. , 


232 


Honthorst, Gerard van . , , , 


139 


Haug, Chr. Robert . , . , 




261 


- Style of 


139 


Hausdiild, Max 




239 


Horemans the Elder, Jan Joseph 


122 


Heda, Willem Claesz. . , . 


•• 


151 


Huditenburgh, Jan van . 164 


165 



INDEX OF THE ARTISTS' NAMES 349 



Hubner,RudoIf JuIiusB. 237 238 338 

Huijsmans, Cornells 128 

Hutin, Charles 87 

Huysum, Jan van 181 

Isabey, Jean»Baptiste 309 

Iscnbrant, Adriaen 97 

Italian Sdiool of the XVI. Cen- 
tury 39 324 

Jacobsen, Juriaen 133 

Jacoby, Paul 246 

Jager, Gustav 238 

Jonson <Janson, Janssens) van 

Ceulen, Cornells 166 

Jardin, see Du Jardin 

IHB<Dutdi painter) 152 

J MM <Flemish painters) 
longh,Ludolf <LeufF) Lecndcrtsz. 

de 190 

Jordaens <Joerdans), Hans , . 108 

Jordaens, Jacob 114 

-Style of 114 

Jordan, Rudolf 250 

Juanes, Studio of Juan de , . . . 329 

Kalf, Willem 176 

Kaldireuth, Graf Leopold von . 271 

Kallmorgen, Friedridi 272 

Kameke, Otto W. H. von .. 273 

Kampf, Arthur 254 

Kauffmann, Angelica 227 

Kaulbadi, Fritz August von . . 260 

Keller, Ferdinand 270 

Keller-Reutlingen,PaulWilhelm 261 

Kern <K6rne), Anton 220 

Kerrincx <Keirincx), Alexander 126 

Kersting, Friedridi Gcorg . . , , 233 

Kessel the Elder, Jan van . . , . 134 



Keyser, Thomas de 166 

Kiessling, Joh. Paul Adolf 244 339 

Klengel, Johann Christian 228 337 

Klinger, Max 266 

Klomp, Aelbert Jansz 173 

Knaus, Ludwig 264 

Kneller <Sir Godfrey), Gottfried 90 

Knupfer, Nikolaus 140 

Kodi, Joseph Anton 267 

Konig, Hugo 261 

Korne, see Kern 

Koller, Jos. Rudolf 280 

Konind?, Salomon 171 

Koninck, Philips 173 

Kops, Franz 246 

Krell, Hans 207 

Kriehuber, Josef 315 

Kroner, Johann Christian , , . . 252 

Krohg, Christian 280 

Krodel, Matthias 207 

Kruger, Joh. Heinridi Carl . . , 340 

Kugelgen, Gerhard von , . . . 232 

Kuehl, Gotthard 246 247 

Kummer, Carl Robert 239 

Kuntz, Gustav Adolf 268 

Kupetzky, Johann 216 

Kurzbauer, Eduard 257 

Laer, Pieter van, called Bam= 

boccio 151 

Laermans, Eugene 281 

Lairesse, Gerard de 135 

Lancret, Nicolas 86 

Lanfranco, Giovanni 46 

Lang, Heinridi 256 

Langhetti, Gio. Batt 71 

Lanzano, see PolidoroVeneziano 

Largilli^re, Nicolas de 83 



3So INDEX OF THE ARTISTS' NAMES 



Lasdi, Johann Carl 251 

La Tour, Maurice Quentin de . 296 

Le Brun, Charles 82 

Leemputten, Frans van . . . , 281 

Leermans, Pieter 187 

Leeuw, Friedridi de 340 

Leibl, Wilhelm 258 

Leineweber, Anton Robert . . . 339 

Leistikow, Walter 266 

Lelienbergh, Cornells 148 

LcW. Copy by Sir Peter <van der 

raes), from van Dyck . . . . 117 

Lenbadi, Franz von 256 

Leonhardi, August Eduard , . 242 

Lessing, Carl Friedridi , . , . 269 

Leypold, Carl Julius von , 238 338 

Liberi, Pietro 61 328 

Liditenheld, Wilhelm . . 255 340 

Licinio, Bernardino 31 

Licinio, Giovanni Antonio, see 

Pordenone 
Lieb, see Munkacsy 

Liebermann, Max 265 

Lier, Adolf 255 

Liljefors, Bruno 281 

Limbordi, Hendrik van . . . . 150 

Lin, Herman van <Stilheid) . , . 143 

Lingelbadi, Johannes 175 

Liotard, Jean-Etienne , . 295 296 

Lippi, Filippino, Sdiool of , . . 7 

Lisse, Dirk van der 148 

Lievens, Jan 170 

Longhi, Barbara 21 

Longhi, Pietro 66 

Loo, Jacob van 172 

Loo, Jean-'Baptiste 331 

Looten, Jan 173 

Loth, Johann Carl . . 212 213 336 

Lotto, Lorenzo 30 



Lotto, Copy from 30 324 

— Style of Lorenzo 30 

Lower German Sdiool of the 

XVL Century 208 

Ludix <Luyx>, Carstian . , . . 121 

Ludwig, Carl 265 

Luhrig, H. F. Geof g ,. .249 250 

Lundens <Lunders>, Gerrit . , . 174 

Luti, Benedetto 59 

Lys <Lis>, Jan, called Pan . , . 193 

Mabuse, see Gossaert 

Maes, Nicolaes 176 

Maffei, Guido von 256 

Magnasco, Alessandro .... 70 

Makart, Hans 268 

Maler, Hans 201 

Mantegna, Andrea 11 

Manyoki, Adam 216 

Maratta <Maratti>, Carlo .... 53 
—Attributed to Carlo and Carlo 

dai Fiori 327 

Marees, Hans von 257 

Marescalco, Pietro <lo Spada> . 38 

Marienhof, A 144 

Marinus van Reymerswaele . . 94 
Maron, Theresia Concordia, nee 

Mengs 297 304 

Marseus, see Sdiriedc 

Massys, Studio of Quinten . , 92 

— Sdiool of (Tapestries) . , , . 320 

Master AB 201 

Master of the Death of the Vir- 

gin <Joos van Cleve the Elder) 

93 94 
Master of the Dresden Trip- 

tydion 93 

Master of the Hausbudi . . . . 198 

Matthisen, Broder 212 

Matthai, Friedridi , . . .233 337 



INDEX OF THE ARTISTS' NAMES 351 



Max, Gabriel 257 

Mazzolini, Lodovico 22 

Mazzola, see Parmigianino 
Mazzola, see Bedoli 

Medttz, Carl 250 

Meer, see Vermeer 

Meiren, Jan Baptist van der 124 333 

Meissner, Adolf Ernst 256 

Meldiers, Gari 279 

Meldolla, see Sdiiavone 

Memling, Copy from Hans . . 92 

— Sdiool of 92 

Mengs, Anton Raphael . . . . 224 

296 297 304 

Mengs, Ismacl . . . .219 303 304 
Mengs, Theresia, see Maron 

Menzel, Adolf F. E 263 

Merisi, see Caravaggio 

Metsu, Gabriel 183 184 

Meulen, Adam Frans van der , 123 

— Copy from 123 

Meunier, Constantin 281 

Meyer, Claus 261 

Meyerheim, Paul 265 

Midiau, Theobald 129 

Midielangelo Buonarroti, Copies 

from 16 324 

Miel, Jan 194 

Mierevelt, Midiiel Jansz. van , . 145 

— Sdiool of Midiiel Jansz. van 145 

Mierevelt, Pieter 145 

Mieris the Elder, Frans van 184 185 

'- Copy from 335 

Mieris, Willem van , . . 186 187 

Migliori, Francesco . . . , 64 329 

Mignon, Abraham 213 214 336 337 

Millet, Francois 83 

Minderhout, Hendrik van , . . 128 

Modersohn, Fr. W. H. Otto . . 274 



Moller, Andreas 217 337 

Moeijaert, Claes 167 

Mola, Pier Francesco , , . 48 49 

Molanus, Mattheus 187 

Molenaer, Jan Miense 154 

Molinari, Antonio 62 

Molinari, Giovanni Battista . . 61 

Moll, Carl 269 

Momper, Joos de 103 

Monet, Claude Jean 279 

Monogrammist AB 201 

Monogrammist JHB 152 

Monogrammist J MM of 1638 . 118 

Moor the Younger <?>, Karel de 186 

Mor <Moro>, Antonis 98 

Morales, Luis de 74 

Morando, see Cavazzola 
Moretto, Copy from Alessandro 

Bonvicino, called 325 

Moudieron, Frederik de . 177 335 

- Sdiool of 177 

Moudieron, Isaac de 177 

Moya (?>, Pedro de 77 

Mulier the Elder, Pieter . . , , 152 
Mulier the Younger, Pieter, called 

Cavaliere Tempesta . ,163 164 

Munkacsy, Midiael 269 

Murillo, Bartolome Esteban . . 77 

— Copy from 330 

Miihlig, Meno 339 

Mulier, Carl Wilhelm . . 244 245 
Mulier, Heinridi Eduard . 240 
Mulier, Moritz, see Steinla 
Mulier, C. H. Moritz . . . 
Miiller^'BresIau, Georg 

Mulier, Ridiard 

Mytens, Attributed to Isadc 
Mytens, Martin von . . , , 



339 

241 
247 
249 
147 
302 



3S2 INDEX OF THE ARTISTS' NAMES 




PSaecke, Gustav Heinridi , . . 


233 


Oosterwydi, Maria van . 146 


147 




Naldini, Battista 


18 


Oppermann, C 


310 




Nattier, Jan Marc 


86 


Orbetto, see Turdii 






Nazari, Bartolo 


65 


Orley, Bernaert van 


94 




Nedc, Jan van 


177 


Orizzonte, see Bloemen 






Neefs, Lodowijk 


130 


Orrente, Pedro 


74 




Neefs the Elder, Peeter . , , , 


130 


Ossenbeeck, Jan 


190 




Neefs the Younger, Peeter . , . 


130 


Ostade, Adriaen van 


154 




Neer, Aert van der . . , 167 


168 


— After 


154 




Neer, Eglon Hendrik van der , , 


179 


-Style of 


333 




Negri, Pietro 


64 


Ostade, Isack van 


161 




Netsdicr, Caspar 


149 


Oury, Jean Libert 


243 




— Copy from 


333 








Neyts <Nijts>, Gilles ., .127 


333 


Padovanino, AlessandroVaro* 






Nikkelen, Jan van 


165 


tari, called 


60 




Nogari, Giuseppe 


65 


— School of 


328 




Nordgren, Axel 


252 


Pagani, Paolo 


■/o 




Normann, Adelsteen 


253 


Palamedesz,, Style of Anthonte 


146 




North German Sdiool of the 




Palamedes Palamedesz., called 






XVI. Century 207 


208 


Stevaerts 


146 




North Italian School of the XVI. 




Palma Vecdiio, Giacomo . . 29 


30 




Century 


39 


- Sdiool of 30 


324 




North Italian School <spurious>. 


326 


Palma Giovine, Jacx)po . , , . 


35 




North Italian Sdiool of the XVII. 




Palmezzano, attributed to Marco 


10 




Century 72 


329 


Paltronieri, Pietro <MirandoIese> 


326 




Nouwjnx <Naiwjnx>, Herman . 


194 


Papperitz, Gust, Friedrich . . . 


338 




Nuvolone, Carlo Francesco, 




Parmigianino, Francesco Maria 






called Panfilo 


70 


Mazzola, called 26 

— Copy from 


27 
27 




Oberlander, Adam Adolf . . . 


258 


— School of 


324 




Oditervelt, Jacob 


191 


Passerotti, Bartolommeo , , . , 


21 




Oedis, Joseph Dominicus . . . . 


315 


Pater, Jean=Baptiste»Jos 


86 




Oehme, Ernst Ferdinand . . . . 


236 


Paudiss, Christoph . . ,211 


212 




Oehme, Ernst Erwin 


243 


Pauwels, W. Ferdinand , , , , 


243 




Oehmidien, Hugo 


253 


Peeters, Bonaventura 


127 




Oer, Theobald von 


238 


Peeters, Gilles 


126 




Oeser, Adam Friedrich . , . . 


224 


Pencz, Georg 


199 




Olde, Hans Wilhelm 


273 


Pereyra, Vasco 


74 




Olivier, J. H. Ferdinand von . . 


267 


Perugino, Scfiool of Pietro , . . 


10 





INDEX OF THE ARTISTS' NAMES 3S3 



Peruzzi, Copy from Baldassare 19 

Pesdiel, Carl Gottlieb 236 

Pesellino, Style of 6 

Pcsne, Antoinc 85 331 

Piazetta, Giovanni Battista 63 64 

Piero di Cosimo 7 

Pietsdiraann, E, Max 248 

Pignoni, Simone 59 

Pinturicchio, Bernardino di Betto 

Biagio, called 10 

Piombo, Copy from Sebastiano 

Luciani del 19 

Pippi, see Giulio Romano 

Pittoni, Giovanni Battista ... 64 

Platzer <Plazer>, Johann Georg . 220 

Pluddemann, Hermann . 250 340 

Pochmann, Traug. Leberedit . . 232 

Poel, Egbert van der 146 

Poelenburgh, Cornells van 138 139 

- and Bout, Pupil of 139 

Pohle, Friedridi Leon 245 

Polidoro <Caldara> da Cara- 

vaggio <?> 20 

Polidoro Veneziano <Lanzano) . 32 
Ponte, see Bassano 

Poorter, Willem de 153 

Pordenone <?>, Gio. Antonio 

Sacchi, called 30 31 

Porta, see Salviati 

Portelli, Carlo 17 

Pot, Hendridt Gerritsz 151 

Potasdi, attributed to 335 

Potter, Paulus 175 

- Copy from 175 

Pourbus the Elder, Frans ... 96 

- Style of 96 

Pourbus, Style of Pieter .... 94 

Pourbus, Style of 96 

Poussin, Gaspard, see Dughet 



Poussin, Nicolas 80 81 

- Sdiool of 81 330 

Pozzo, Andrea 53 

Prell, Hermann 247 

Preller the Elder, Friedridi . . . 272 

Preller the Younger, Friedridi . 244 
Preti, Mattia <il Cavalier Cala= 

brese 56 

Previtali, Andrea 12 

Procaccini, Camillo 70 

Procaccini, Giulio Cesare ... 69 

- Sdiool of 329 

ProlUHeuer, Max Heinridi 

Eduard 237 

Putz, Leo 263 

Putz, Ludwig 262 

Puvis de Chavannes, Pierre C. . 278 

Puyrodie, Elise, nee Wagner . . 279 

C^uerfurt, August 219 

Rabending, Fritz 340 

Raeburn, Sir Henry 90 

Raffaello dei Capponi 8 

Raffaello Santi 18 19 

— Copies from 19 324 

— After <Tapestries> . . .320 321 
Raibolini, see Francia 

Ramelli, Felice 300 

Ramenghi, see Bagnacavallo 
Raphael, see Raffaello 

Rasmussen, G. Anton 253 

Raupp, Karl 256 

Ravesteyn<?),JanAnthonisz.van 147 

Rayski, Ferdinand von 238 

Reidienbadi,"Woldemar Graf von 246 

Reiner, Wenzel Lorenz . . . . 218 

Reinhold, Bernhard 339 



23 



354 INDEX OF THE ARTISTS' NAMES 


Reiniger, Otto 




272 


Rombouts, Gilles <JilKs> . 




162 


Rembrandt, Harmensz. van 


Rijn 




Rombouts, Salomon . . . 


. . . 


MSL 




168 


169 


Romeyn, Willem .... 


. 


164 


— Copy from 


169 


334 


Roos, Johann HeinriA . . 


212 


336 


— Sdiool of 


169 


334 


— Attributed to 




336 


— Sdiool and Style of . . 




170 


Roos, Johann Meldiior . . 




215 


Reni, Guido 43 44 


286 


Roos, Joseph 


. .. 


224 


— Copy from 




326 


Roos, Philipp Peter <Rosa di Ti- 




Retzsdi, Friedr, Moritz Aug. . , 


315 


voli> 214 215 


337 


Reynolds, Sir Joshua . . 




90 


Rosa <?), Salvatore . . . . 




56 


Ribalta <?>, Juan de ... 




330 


— Sdiool of 




56 


Ribera, Jusepe de <Spagnoletto> 


15 


Rosenfelder, C. Ludwig Ju' 


. 


263 


- Pupils and Style of . 75 76 


yi^ 


Rossi, see Salviati 






Ricchi, Pietro <il Lucchese) 




48 


Rossi, Pasquale 


. . . 


54 


Ricci, Marco 

Ricci, Sebastiano . . . . . 


63 


328 
62 


Rotari, Count Pietro . . 




66 


Rotermund, Julius Wilhelm Lud' 


Riditcr, Adolph 




340 


wig <Bendemann> , , , 


. . . 


242 


Riditer, Adrian Ludwig . 


236 


237 


Rottenhammer, Johann 


. .. 


210 


Riditer, August 




338 


Rubens, Petrus Paulus . . 


109- 


-111 


Riditer, Therese 




337 


— Copies from . . Ill' 


-113 


332 


Ridolfi, Claudio 




38 


— Pupils and style of , , . 


113 


114 


Riefstahl, Wilhelm L. F. . 


270 


340 


— Studio of 


. . . 


111 


Riemersdimied, Ridiard . 




262 


Rudow, Gustav Ludwig . 


. . . 


339 


Rigaud, Hyacinthe . . . , 




83 
129 


Rugendas, Georg Philipp . 
Ruijsdael, Salomon van . 


• •• 


216 
155 


Rijsbradc, Peeter 




Ring, Pieter de 




183 


Ruisdael, Jacob van . . , 


161 


162 


Ritsdier, Gottlob Moritz , . 




339 


— Attributed to 


. . . 


534 


Ritter, Wilhelm Georg . . 




7,46 


— Copy from 


. .. 


334 


Robert, Felicitas, nee Tassaert . 


7,98 


Ruthart, Carl 


. . . 


213 


Robert!, Ercole de' .... 


10 


11 


Ruths, Joh. G. Valentin . 


. . . 


274 


-— Copy from 




11 

55 

327 

74 
150 
233 


Ruysdi, Radiel 180 

Rydkaert the Younger III., David 

Oabbatini, Lorenzo 


181 
121 

21 
45 

190 


Roberti, Domenico . . . . 




- Style of 




Robusti, see Tintoretto 
Roelas <Ruelas>, Juan de las 

Roepel, Coenraet 

Roessler <R6sler>, Joh. Carl 


•■ 


Sacchi, Andrea 




Saftleven <Saditlevcn>, Cornells 
189 


Roting, Julius 


251 


340 


Saftleven the Younger, Herman 




Roman Sdiool about 1550 . 




20 




141- 


'143 



INDEX OF THE ARTISTS' NAMES 3SS 



Salvi, see Sassoferrato 

Salviati, Francesco Rossi, called 18 

Salviati, Giuseppe Porta, called 18 

Samacchini, Orazio 21 

Sandreuter, Hans , , . . , . . . 280 

Sano di Pietro 8 

Santa Crocc, Girolamo da . . . 12 

Santi, see Raffaello 

Sarto, Andrea del <d'Agnolo> , , 16 

— Copies from 17 

Sartori, see Hoffaiantt 
Sassoferrato, Giovanni Battista 

Salvi, called 52 53 

Savery, Roelant 107 332 

Savoye, Daniel de 83 

Scarsellino, Ippolito Scarsella, 

called 24 25 

Sdialdcen, Godfried 188 

Sdienau, Joh.Elias Zeisi?,.called 

224 225 
S<hedoni (Sdiidone), Bartoloni' 

meo 27 

SAenker, Jacques Matth 247 

Sdiiavone, Andrea Meldolla, 

called 37 

SdjiA,CarlFr 270 

S<iiidone, see Sdiedoni 

Sdiietzold, Aug, Rob. Rud. . . 258 

Sdiindler, Osmar 249 

SAleidi, Eduard 254 

Sdimidt, Johann Heioridi . . . . 297 

Sdinorr von Carolsfeld, Julius . 235 
Sdinorr von Carolsfeld, Ludwig 

Ferdinand 267 

SAon, Frie<kidj Wilhelm . . . 340 

Sdionfeldt, Johann Heinrich . . 211 

Sdionherr, Carl Gottlob . . . . 241 

S<hdnleber, Gustav 271 

Sdholtz, Julius 241 



SAoubroedt, Peeter 106 

- Style of 106 332 

Sdiramm-Zittau, Rudolf . . . . 263 

Sdiriedt, Otho Marseus van . . 173 

Sdiroter, Bernhard 246 

Sdiudi, Carl 269 

SAudi, Werner W. G 258 

SAurig, Karl Wilhelm 338 

Sdiuster, Ludw. Albredit , . , . 241 

Sdiwarz, Christoph 210 

Scorel, Jan van 98 

Seeman, Enodi 90 

Seghers, Daniel 132 

-Style of 333 

Seiler, Carl Wilh. Ant 259 

Seiter, Daniel 214 

Seybold, Christian , .. .219 220 

Sey del, Gustav Eduard , 251 340 

Sienese Sdiool, XIV, Century 8 9 

Sienese Sdiool, XV. Century . , 9 

Sienese Sdiool about 1550 ... 18 

Signorelli, Studio of Luca ... 9 
Silvestre the Vounger, Louis de 

84 85 

Simonson, David 243 

Sirani, Elisabetta 49 

Skarbina, Franz 265 

Skreta, Karl 210 211 336 

Slevogt, Max 262 

Slingelandt, Pieter van 186 

-Style of 186 

Smout the Younger, Lucas . . 129 

Snayers, Peeter 123 

Snyders, Frans 131 

-Style of 131 

Sohn, Wilhelm 252 

Sole, Gio. Giuseppe dal . . . . 50 

Solimena, Francesco . . . . 58 327 

— Copy from 328 



356 INDEX OF THE ARTISTS^ NAMES 



Solimena, Sdiool of 328 

Son, Joris van 133 333 

Sorgh,HendrikMartensz., called 

Rokes 190 

South <?> German Sdiool about 

1500 202 

South German Sdiool about 1600 210 

Spada, Leonello 44 326 

Spagnoletto, see Ribera 
Spanish Sdiool of the XVI. Cen- 
tury 74 

Spanish <?) Sdiool, XVII, Cen- 
tury 78 330 

Sperling, Johann Christian . . . 219 

Spitzweg, Carl 254 

Stadler, Toni 260 

Stalbemt, Adriaen van 108 

Stanzione <?>, Massimo .... 55 

Steen, Jan 183 

Steenwijk the Younger, Hendrik 

van 130 

Steffan, Joh. Gottfried 254 

Steinhausen, Wilhelm A. Th. , 271 

Steinla, Moritz Miiller, called , 235 

Sterl, Robert Herm 248 

Stodilin, Christian 227 

Stoom, Mattheus 335 

Stoop <?), Cornells 141 

Stoop, Dirdc 141 

Stooter, Cornells 183 

Stordc, Abraham 179 

Stremel, Max Arthur Ferd. . . 248 

Strobentz, Fritz 261 

Strozzi, Bernardo <il Prete Geno- 

vese> . . 71 

Strudel von Strudendorff, Peter 215 

Studi, Franz von 262 

Sturtzkopf, Franz 273 



Subleyras, Pierre 86 

Suttermans, Style of Justus ,. 115 

Swanevelt, Herman van . , . . 194 

1 amm, Franz Werner . , . ■ 215 
Tassaert, see Robert 
Tempesta, see Mulier 

Teniers, Abraham 122 

Teniers the Elder, David , . . . 118 

Teniers the younger, David 119 120 

— Copy from 121 

— Style of 121 

Teniers the Younger, David, 

Nicolaes van Verendael and 

Carstyan Ludix 121 

Terbordi <Ter Bordi), Gerard 

192 193 
Theotocopuli, sec Greco 

Thedy, Max 273 

Thiele, Johann Alexander , . . , 218 

Thiele, Julius Arthur ... 245 339 

Thoma, Hans 270 

Thomas, Karl Gust. Adolf . . 339 

Tiarini, Alessandro 44 

Tibaldi, Pellegrino 324 

Ttepolo, Giovanni Domenico . . 69 

Tilbordi, Gillis (Egidius) . . . . 122 

Tilius,Jan 149 

Tintoretto, Domenico Robusti, 

called 38 

Tintoretto, Jacopo Robusti, cal- 
led 36 

— Copies from 325 

— Studio of 36 

Tisdibein, Joh. Friedr. Aug. 227 228 
Tisi, see Garofalo 

Tiziano Vecelli <Titian> . . 27 28 

— Copies from , . . , 28 29 324 
Tormer, Benno Friedridi . . . . 338 



INDEX OF THE ARTISTS' NAMES 357 



Tol, Dominicus van 185 

Tom Died?, Aug. Christ. Her* 

mann 243 

Toorenvliet, Jacob .... 185 186 

Torre, Flaminio 48 

Tour, Maurice Quentin de la . , 296 

Trevisani, Francesco 54 

Triva, Antonio 49 

Troy, Fran<;ois de 83 

Trubner, Wilhelm 271 

Tura, Cosimo, 10 

Turdii, Alessandro <l'Orbetto> . 60 

- Sdiool of 328 

Tuscan SdiooI, XIII. Century , 8 

Llbcrtini, sec Bacchiacca 

Uden, Lucas van 125 126 

Uhde Fritz von 259 260 

Ulft, Jacob van der 194 

Uitenwael, see Utenwael 
Umbrian Sdiool of the XV. Cen- 
tury 9 

Unknown Artists of the XVIII. 
and XIX. Centuries (Minia- 
tures) 304-317 

Unger, C. Fr. Hans 249 

Upper German <?> Sdiool about 

1500 202 

Upper German Sdiool about 1600 210 

Utenwael, Joadiim Antonisz. , . 99 

Utredit, Adriaen van 132 

V , E, <Monogrammist> .... 81 

Vaccaro, Andrea 55 

Vaillant, Wallerant 135 

Valdes Leal, Juan de . ] 'VM^. 78 

Valentin 51 

Valdienbordi, Maerten van . . 96 

Vanni, Francesco 18 



Varotari, see Padovanino 

Vautier, Benjamin 252 

Vecchia, Pietro 61 328 

Vecelli, see Tiziano 

Veerendael, Nicolaes van , . . 134 

Velazquez, Diego 76 77 

Velde, Adriaen van de 178 

Velde they ounger,WilIem van de 177 

Venetian Sdiool, about 1500 . . 13 
Venetian Sdiool, XVI. Century 

32 33 325 
Venetian Sdiool at the end of the 

XVI. and beginning of the 

XVIL Century 38 325 

Venetian Sdiool, XVIII.Century 329 

Venne, Adriaen van de . . , , 147 

Venus, August Leopold . 245 339 

Verboom, Adriaen H 175 

Verelst, Pieter . .. .. .. .. 148 

Verkolje, Jan . .':'';. .. .. 179 

Verkolje, Nicolaes 181 

Vermeer <van der Meer) van 

Delft, Jan 147 

Vermeer <vi..i derMeer) the Elder 

van Haarlem, Jan 153 

Vermeer <van der Meer> van 

Haarlem the Younger, Jan . . 165 

Vernet, Claude-Joseph . . 86 331 
Veronese, see Bonifazio 
Veronese, Paolo Caliari, called 

33 34 

— ' Copies firom 325 

-Heirs of ., '.V-.. -.34 325 

- Sdiool of vr^?/ .. 34 35 325 

Versdiuring, Hendrict 143 

Vertangen, Daniel 139 

Viani, Domenico Maria . . . . 51 

Victor, Jacomo 173 

Victors, Johannes 173 

Vinnen, Carl 274 



3SS INDEX OF THE ARTISTS' NAMES 



Vindceboons, Davki 108 

Vlicger, Simon dc 167 

Vogel, Christian Leberedit . . . 228 

Vogeler, Joh. Heinridi 275 

Vogel von Vogclstein, Carl . , 

234 235 338 

Vois, Arie de 183 

Voltz, Friedridi Jobaon . . , . 255 

Vond?, Jan . . . . 176 

Voort, Cornells van do* . . . . 166 

Vorstcrmans <?>, Johannes . . , 144 

Vos <?>, Macrten de 331 

Vos, Pauwel de 132 

Vouet, Simon 80 

Vranx <?>, Adriaen .. ,. .. 332 
Vriendt, see Floris 

Vries, Abraham de 166 

Vroom, Cornells 152 

Vroom <?>, Mattheus 123 

Wagner, Maria Dorothea, nee 

Dietridi 224 

Wagner, see iPuyrodie 

WaIdi,Johann 310 

WaldmQHcr, Ferdinand Oeorg . 267 

Watteau, Antoine 86 

Wauters, Emile , 296 

"Weber, Anton 339 

Weenix, Jan Baptist 174 

-Style of 335 

Weenix, Jan 179 

Wegener, Joh. Friedridi Wilh. 338 

Wehme, Zadiarias 207 

Weiser, Josef Emanuel . . . . 259 

Weishaupt, Victor 260 



Weller, David Friedridi .. .. 298 

Wcndler, Friedridi Moritz . . . 338 

Wenglein, Josef 340 

Werff, Adriaen van der . 191 192 

Werff, Picter van der 192 

Weser, Ernst Christian . . . . 316 

Weyden, Studio of Roger van der 92 

Widimann, Adolf Friedr. , , . 339 

Wiebke, fiartholt 195 

Wierusz-Kowalski, Alfred von 260 

Wilberg, Christian 264 

Wildens, August 249 

Wildens, Jan 125 

Willarts, Adam 107 

Willmann, Midiael 212 

Winberg, M 310 

Wislicenus, Hermann . . 251 340 

Wit, Jacob de 181 

Wolfvoet, Victor 118 

Wouwerraan, Philips . . . 155—160 

— Copies from 334 

Wijd, Thomas 155 

Wijnants, J;an 161 

— Attributed to 334 

Wytmans, Mattheus 144 

^ampieri, see Domenidiino 
Zeisig, see Sdienau 

Zimmermann, Aug. Albert . . 267 

Zimmermann, Aug. Ridiacd . . 255 

Zimmermann, Aug. Robert . . 255 

Zimmermann, Ernst K. C • . 261 

Zugel, Heinridi Joh. .. .260 261 

Zurbaran, Francisco de . . . . 76 

Zwintsdier, Oskar 249 



UNIVERSITY OF CALIFORNIA LIBRARY 

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ART f. 

QL JUN 1987 

flL Jm .yi' 

RECEIVED 

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ART LIBRARY 



BRAUy 



FIRST FLOOR 

Room 

ES Entrance Hall. French painters of the XVIII. Century 

A Raphael. The Sistine Madonna 

B Italian painters of the XVI. and XVII. Centuries 

C Italian painters of the XVI. and XVII. Centuries 

D Italian painters of the XVI. Century <Venetian room) 

E Italian painters of the XVI. and XVII. Centuries (Correggio room) 

F Italian painters of the XVII. Century (Carracci room) 

G Cupola room. Italian artists oftheAV. and XVI. Centuries. Raphael 

Tapestries 

H Flemish painters of the XVII. Century <Ruberis room) 

J Flemish painters of the XVII. Century <Jordaens room) 

K Dutdi painters of the XVII. Century (Rembrandt room) 

L Dutdi and Flemish painters of the XVI. and XVII. Century 

M Dutdi and Flemish painters of the XVII. Century 

N German, Flemish and Dutdi painters of the XV. and XVI. Centuries 

(Holbein room) 

O German painters of the XVI. Century (Cranadt room) 

P Flemish, Dutdi and German painters of the XVI. to XVIII. Century 

Ci Flemish, Dutdi and German painters of the XVI. to XVIII. Century 

RS Italian painters of the earlier and later Sdiools 

12 Inspector's room 

1 Italian painters of the XV, Century 

2 Italian painters of the XV, and X VI. Centuries 

3 Italian painters of the XVI. and XVII. Centuries 

4 Italian painters of the XVII. Century 

5 Italian painters of the XVI, and XVII. Centuries 

6 Frendi painters of the XVII, and XVIII. Centuries (Claude Lorrain) 

7 Dutch painters of the XVII. and XVIII. Centuries (Van dcr Werff ) 

8 Dutch painters of the XVII. Century (Mieris) 

9 Dutch painters of the XVII. Century (Poelcnburgh) 

10 Dutch painters of the XVII, Century (Vermeer of Delft) 

11 Dutch painters of the XVII. Century (Ruisdael) 

12 Dutch painters of the XVII. Century (Hobbema) 

13 Dutdi painters of the XVII. Century (Potter) 

14 Dutdi painters of the XVII. Century (Rembrandt) 

15 Dutch painters of the XVII. Century (Dou) 

16 Dutch painters of the XVII. Century (Ostade) 

17 Dutch painters of the XVII. Century (De Heem) 
18—20 Flemish painters of the XVII. Century 

21 German, Flemish and Dutdi painters of the XVI. and XVII, Centuries 

44—46 Italian and Frendi painters of the XVII. Century 

47—51 Various Schools